This is a modern-English version of Shirley, originally written by Brontë, Charlotte.
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
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SHIRLEY
BY
CHARLOTTE BRONTË
T. Nelson & Sons


CONTENTS.
I. | Levitical | 3 |
II. | The Trucks | 16 |
III. | Mr. Yorke | 31 |
IV. | Mr. Yorke (cont.) | 40 |
V. | Hollow's Cottage | 51 |
VI. | Coriolanus | 66 |
VII. | The Curators at Tea | 85 |
VIII. | Noah & Moses | 110 |
IX. | Briarmains | 125 |
X. | Single Women | 147 |
XI. | Fieldhead | 164 |
XII. | Shirley & Caroline | 181 |
XIII. | More Business Updates | 201 |
XIV. | Shirley Wants to be Saved by Her Actions | 226 |
XV. | Mr. Donne's Departure | 239 |
XVI. | Pentecost | 253 |
XVII. | The School Party | 264 |
XVIII. | Genteel readers are advised to skip this, as it features lowly individuals. | 279 |
XIX. | A Summer Night | 290 |
XX. | Tomorrow | 306 |
XXI. | Ms. Pryor | 319 |
XXII. | Two Lives | 336 |
XXIII. | A Night Out | 346 |
XXIV. | The Valley of the Shadow of Death | 365 |
XXV. | The West Wind blows | 384 |
XXVI. | Old Notebooks | 392 |
XXVII. | The First Bluestocking | 410 |
XXVIII. | Phoebe | 433 |
XXIX. | Louis Moore | 453 |
XXX. | Rushedge—a Personal Confession | 461 |
XXXI. | Uncle and Niece | 475 |
XXXII. | The Schoolboy and the Wood Nymph | 491 |
XXXIII. | Martin's Strategy | 502 |
XXXIV. | Case of Domestic Persecution—Remarkable Example of Faithful Perseverance in Fulfilling Religious Duties | 513 |
XXXV. | In which matters are making some progress, but not a lot. | 521 |
XXXVI. | Written in the Classroom | 534 |
XXXVII. | The Closure | 555 |
SHIRLEY.
[Pg3I’m ready! Please provide the text you would like me to modernize.
CHAPTER I.
LEVITICAL.
Of late years an abundant shower of curates has fallen upon the north of England: they lie very thick on the hills; every parish has one or more of them; they are young enough to be very active, and ought to be doing a great deal of good. But not of late years are we about to speak; we are going back to the beginning of this century: late years—present years are dusty, sunburnt, hot, arid; we will evade the noon, forget it in siesta, pass the midday in slumber, and dream of dawn.
In recent years, there has been a surge of curates in the north of England: they are everywhere on the hills; every parish has one or more of them; they are young enough to be energetic and should be doing a lot of good. But we’re not talking about recent years; we're going back to the start of this century: recent years—current years are dusty, sunburnt, hot, and dry; we will skip the noon, forget it during a break, spend the midday in sleep, and dream of dawn.
If you think, from this prelude, that anything like a romance is preparing for you, reader, you never were more mistaken. Do you anticipate sentiment, and poetry, and reverie? Do you expect passion, and stimulus, and melodrama? Calm your expectations; reduce them to a lowly standard. Something real, cool, and solid lies before you; something unromantic as Monday morning, when all who have work wake with the consciousness that they must rise and betake themselves thereto. It is not positively affirmed that you shall not have a taste of the exciting, perhaps towards the middle and close of the meal, but it is resolved that the first dish set upon the table shall be one that a Catholic—ay, even an Anglo-Catholic—might eat on Good Friday in Passion Week: it shall be cold lentils and vinegar without oil; it shall be unleavened bread with bitter herbs, and no roast lamb.
If you think, based on this introduction, that a romance is in store for you, dear reader, you're mistaken. Do you expect sentiment, poetry, or daydreams? Do you hope for passion, excitement, or melodrama? Lower your expectations; bring them down to a modest level. What you’re about to encounter is something real, cool, and solid; something as unromantic as Monday morning, when everyone who has work wakes up knowing they have to get up and get to it. It’s not definitively stated that you won’t get a taste of excitement, maybe towards the middle and end of the story, but it’s decided that the first course served will be something a Catholic—even an Anglo-Catholic—might have on Good Friday during Passion Week: it will be cold lentils and vinegar without oil; it will be unleavened bread with bitter herbs, and no roast lamb.
Of late years, I say, an abundant shower of curates has fallen upon the north of England; but in eighteen-hundred-eleven-twelve that affluent rain had not descended. [Pg 4] Curates were scarce then: there was no Pastoral Aid—no Additional Curates' Society to stretch a helping hand to worn-out old rectors and incumbents, and give them the wherewithal to pay a vigorous young colleague from Oxford or Cambridge. The present successors of the apostles, disciples of Dr. Pusey and tools of the Propaganda, were at that time being hatched under cradle-blankets, or undergoing regeneration by nursery-baptism in wash-hand basins. You could not have guessed by looking at any one of them that the Italian-ironed double frills of its net-cap surrounded the brows of a preordained, specially-sanctified successor of St. Paul, St. Peter, or St. John; nor could you have foreseen in the folds of its long night-gown the white surplice in which it was hereafter cruelly to exercise the souls of its parishioners, and strangely to nonplus its old-fashioned vicar by flourishing aloft in a pulpit the shirt-like raiment which had never before waved higher than the reading-desk.
In recent years, I've noticed a large number of curates appearing in the north of England; but back in 1811-12, that welcome influx hadn't happened yet. [Pg4Sure, please provide the text you'd like me to modernize. Curates were hard to come by then: there was no Pastoral Aid—no Additional Curates' Society to lend a helping hand to tired old rectors and incumbents, or to provide them with the means to hire an energetic young colleague from Oxford or Cambridge. The current successors of the apostles, followers of Dr. Pusey and instruments of the Propaganda, were then being born under baby blankets or baptized in washbasins. You wouldn’t have guessed by looking at any one of them that the Italian-ironed double frills of its net cap adorned a preordained, specially-sanctified successor of St. Paul, St. Peter, or St. John; nor could you have predicted that within the folds of its long nightgown lay the white surplice it would later wear to guide the souls of its parishioners, and perplex its old-fashioned vicar by proudly displaying in the pulpit the shirt-like attire that had never before been seen above the reading desk.
Yet even in those days of scarcity there were curates: the precious plant was rare, but it might be found. A certain favoured district in the West Riding of Yorkshire could boast three rods of Aaron blossoming within a circuit of twenty miles. You shall see them, reader. Step into this neat garden-house on the skirts of Whinbury, walk forward into the little parlour. There they are at dinner. Allow me to introduce them to you: Mr. Donne, curate of Whinbury; Mr. Malone, curate of Briarfield; Mr. Sweeting, curate of Nunnely. These are Mr. Donne's lodgings, being the habitation of one John Gale, a small clothier. Mr. Donne has kindly invited his brethren to regale with him. You and I will join the party, see what is to be seen, and hear what is to be heard. At present, however, they are only eating; and while they eat we will talk aside.
Yet even in those days of scarcity, there were curates: the precious plant was rare, but it could be found. A certain favored area in the West Riding of Yorkshire could brag about three rods of Aaron blooming within a twenty-mile radius. You’ll get to see them, reader. Step into this charming garden house on the outskirts of Whinbury, walk into the cozy parlor. There they are, having dinner. Allow me to introduce them to you: Mr. Donne, curate of Whinbury; Mr. Malone, curate of Briarfield; Mr. Sweeting, curate of Nunnely. These are Mr. Donne's lodgings, which belong to a man named John Gale, a small clothier. Mr. Donne has kindly invited his fellow curates to join him for a meal. You and I will join the gathering, see what we can see, and hear what we can hear. For now, though, they are just eating; and while they eat, we’ll have a little side conversation.
These gentlemen are in the bloom of youth; they possess all the activity of that interesting age—an activity which their moping old vicars would fain turn into the channel of their pastoral duties, often expressing a wish to see it expended in a diligent superintendence of the schools, and in frequent visits to the sick of their respective parishes. But the youthful Levites feel this to be dull work; they prefer lavishing their energies on a course of proceeding which, though to other eyes it appear more heavy with ennui, more cursed with monotony, than the toil of the [Pg 5] weaver at his loom, seems to yield them an unfailing supply of enjoyment and occupation.
These guys are in the prime of their youth; they have all the energy that comes with that exciting age—energy that their gloomy old church leaders wish to channel into their pastoral duties, often expressing a desire to see it spent on actively supervising the schools and making frequent visits to the sick in their parishes. But the young priests find this work boring; they prefer to direct their energy towards activities that, while they may seem more filled with boredom and more plagued by monotony to others, provide them with a constant source of enjoyment and engagement.
I allude to a rushing backwards and forwards, amongst themselves, to and from their respective lodgings—not a round, but a triangle of visits, which they keep up all the year through, in winter, spring, summer, and autumn. Season and weather make no difference; with unintelligible zeal they dare snow and hail, wind and rain, mire and dust, to go and dine, or drink tea, or sup with each other. What attracts them it would be difficult to say. It is not friendship, for whenever they meet they quarrel. It is not religion—the thing is never named amongst them; theology they may discuss occasionally, but piety—never. It is not the love of eating and drinking: each might have as good a joint and pudding, tea as potent, and toast as succulent, at his own lodgings, as is served to him at his brother's. Mrs. Gale, Mrs. Hogg, and Mrs. Whipp—their respective landladies—affirm that "it is just for naught else but to give folk trouble." By "folk" the good ladies of course mean themselves, for indeed they are kept in a continual "fry" by this system of mutual invasion.
I’m referring to a constant back-and-forth among them, shuttling between their homes—not a circle, but a triangle of visits that continue all year long, in winter, spring, summer, and fall. The season and weather don’t make a difference; with unexplainable enthusiasm, they brave snow and hail, wind and rain, mud and dust, just to have dinner, tea, or a late meal together. It’s hard to say what draws them together. It isn’t friendship since they always end up arguing when they meet. It’s not religion either—it's never mentioned among them; they might talk about theology from time to time, but not about piety. It’s not the love of food and drink; each of them could have just as good a roast and pudding, strong tea, and delicious toast at home as they do at each other’s places. Mrs. Gale, Mrs. Hogg, and Mrs. Whipp—their respective landladies—say it’s just to cause trouble for others. By "others," the good ladies clearly mean themselves, as they are constantly in a state of "fry" because of this habit of mutual intrusion.
Mr. Donne and his guests, as I have said, are at dinner; Mrs. Gale waits on them, but a spark of the hot kitchen fire is in her eye. She considers that the privilege of inviting a friend to a meal occasionally, without additional charge (a privilege included in the terms on which she lets her lodgings), has been quite sufficiently exercised of late. The present week is yet but at Thursday, and on Monday Mr. Malone, the curate of Briarfield, came to breakfast and stayed dinner; on Tuesday Mr. Malone and Mr. Sweeting of Nunnely came to tea, remained to supper, occupied the spare bed, and favoured her with their company to breakfast on Wednesday morning; now, on Thursday, they are both here at dinner, and she is almost certain they will stay all night. "C'en est trop," she would say, if she could speak French.
Mr. Donne and his guests, as I mentioned, are at dinner; Mrs. Gale is serving them, but there's a glint of the hot kitchen fire in her eye. She thinks that the privilege of inviting a friend over for a meal occasionally, without extra charge (a privilege included in the terms of her rental), has been used quite enough lately. It's only Thursday, and on Monday Mr. Malone, the curate of Briarfield, came for breakfast and stayed for dinner; on Tuesday, Mr. Malone and Mr. Sweeting from Nunnely came for tea, stayed for supper, occupied the spare bed, and joined her for breakfast on Wednesday morning; now, on Thursday, both of them are here for dinner, and she’s almost certain they’ll stay all night. "This is too much," she would say if she could speak French.
Mr. Sweeting is mincing the slice of roast beef on his plate, and complaining that it is very tough; Mr. Donne says the beer is flat. Ay, that is the worst of it: if they would only be civil Mrs. Gale wouldn't mind it so much, if they would only seem satisfied with what they get she wouldn't care; but "these young parsons is so high and so scornful, they set everybody beneath their 'fit.' They treat her with less than civility, just because she doesn't keep a[Pg 6] servant, but does the work of the house herself, as her mother did afore her; then they are always speaking against Yorkshire ways and Yorkshire folk," and by that very token Mrs. Gale does not believe one of them to be a real gentleman, or come of gentle kin. "The old parsons is worth the whole lump of college lads; they know what belongs to good manners, and is kind to high and low."
Mr. Sweeting is cutting up the slice of roast beef on his plate and complaining that it’s really tough; Mr. Donne says the beer is flat. Yeah, that’s the worst part: if they would just be polite, Mrs. Gale wouldn’t mind it so much. If they would only act satisfied with what they get, she wouldn’t care; but “these young clergymen are so snobby and disrespectful, they look down on everyone. They treat her with less than courtesy just because she doesn’t have a servant but does all the household work herself, just like her mother did before her; then they are always talking badly about Yorkshire ways and Yorkshire people,” and because of that, Mrs. Gale doesn’t believe any of them are real gentlemen or come from good families. “The old clergymen are worth more than all these college boys; they know what good manners are and are kind to everyone, no matter their status.”
"More bread!" cries Mr. Malone, in a tone which, though prolonged but to utter two syllables, proclaims him at once a native of the land of shamrocks and potatoes. Mrs. Gale hates Mr. Malone more than either of the other two; but she fears him also, for he is a tall, strongly-built personage, with real Irish legs and arms, and a face as genuinely national—not the Milesian face, not Daniel O'Connell's style, but the high-featured, North-American-Indian sort of visage, which belongs to a certain class of the Irish gentry, and has a petrified and proud look, better suited to the owner of an estate of slaves than to the landlord of a free peasantry. Mr. Malone's father termed himself a gentleman: he was poor and in debt, and besottedly arrogant; and his son was like him.
"More bread!" shouts Mr. Malone, in a tone that, although only two syllables long, immediately reveals his roots in the land of shamrocks and potatoes. Mrs. Gale dislikes Mr. Malone more than the other two, but she also fears him because he’s a tall, strong man with genuine Irish legs and arms, and a face that is distinctly Irish—not the Milesian kind, not the style of Daniel O'Connell, but the high-featured, North American Indian type, which is typical of a certain class of Irish gentry and has a hard, proud expression that suits a slave owner better than the landlord of free farmers. Mr. Malone's father called himself a gentleman: he was poor, in debt, and arrogantly delusional; his son was just like him.
Mrs. Gale offered the loaf.
Mrs. Gale offered the bread.
"Cut it, woman," said her guest; and the "woman" cut it accordingly. Had she followed her inclinations, she would have cut the parson also; her Yorkshire soul revolted absolutely from his manner of command.
"Cut it, lady," said her guest; and the "lady" cut it accordingly. If she had followed her instincts, she would have cut the pastor too; her Yorkshire spirit completely rejected his commanding manner.
The curates had good appetites, and though the beef was "tough," they ate a great deal of it. They swallowed, too, a tolerable allowance of the "flat beer," while a dish of Yorkshire pudding, and two tureens of vegetables, disappeared like leaves before locusts. The cheese, too, received distinguished marks of their attention; and a "spice-cake," which followed by way of dessert, vanished like a vision, and was no more found. Its elegy was chanted in the kitchen by Abraham, Mrs. Gale's son and heir, a youth of six summers; he had reckoned upon the reversion thereof, and when his mother brought down the empty platter, he lifted up his voice and wept sore.
The curates had big appetites, and even though the beef was "tough," they ate a lot of it. They also managed to drink a decent amount of the "flat beer," while a dish of Yorkshire pudding and two tureens of vegetables disappeared like leaves before locusts. The cheese got its fair share of attention as well, and a "spice-cake," which came out for dessert, vanished like a mirage and was never seen again. Its lament was sung in the kitchen by Abraham, Mrs. Gale's son and heir, a boy of six years; he had been counting on having some, and when his mother brought back the empty platter, he lifted his voice and cried bitterly.
The curates, meantime, sat and sipped their wine, a liquor of unpretending vintage, moderately enjoyed. Mr. Malone, indeed, would much rather have had whisky; but Mr. Donne, being an Englishman, did not keep the beverage. While they sipped they argued, not on politics, nor on philosophy, nor on literature—these topics were now,[Pg 7] as ever, totally without interest for them—not even on theology, practical or doctrinal, but on minute points of ecclesiastical discipline, frivolities which seemed empty as bubbles to all save themselves. Mr. Malone, who contrived to secure two glasses of wine, when his brethren contented themselves with one, waxed by degrees hilarious after his fashion; that is, he grew a little insolent, said rude things in a hectoring tone, and laughed clamorously at his own brilliancy.
The curates sat together and sipped their wine, which was of a simple vintage and enjoyed moderately. Mr. Malone would have preferred whisky; however, Mr. Donne, being English, didn't have it. As they drank, they argued—not about politics, philosophy, or literature—those subjects were, as always, completely uninteresting to them. Not even about theology, whether practical or doctrinal, but on minor points of church rules, trivialities that seemed as empty as bubbles to everyone except themselves. Mr. Malone managed to grab two glasses of wine while his peers were satisfied with one, and he gradually became cheerful in his own way; that is, he got a bit cocky, said rude things in a bossy tone, and laughed loudly at his own cleverness.
Each of his companions became in turn his butt. Malone had a stock of jokes at their service, which he was accustomed to serve out regularly on convivial occasions like the present, seldom varying his wit; for which, indeed, there was no necessity, as he never appeared to consider himself monotonous, and did not at all care what others thought. Mr. Donne he favoured with hints about his extreme meagreness, allusions to his turned-up nose, cutting sarcasms on a certain threadbare chocolate surtout which that gentleman was accustomed to sport whenever it rained or seemed likely to rain, and criticisms on a choice set of cockney phrases and modes of pronunciation, Mr. Donne's own property, and certainly deserving of remark for the elegance and finish they communicated to his style.
Each of his friends took a turn being the target. Malone had a bunch of jokes ready for them, which he liked to share regularly during gatherings like this one, hardly changing his routine; after all, he didn’t think he was boring and didn’t care what anyone else thought. He threw Mr. Donne some jabs about his extreme thinness, made comments about his turned-up nose, delivered sharp remarks about a shabby chocolate coat that Mr. Donne wore whenever it rained or looked like it might, and criticized his choice of Cockney phrases and accents, which were uniquely his and definitely notable for the style and flair they added to how he spoke.
Mr. Sweeting was bantered about his stature—he was a little man, a mere boy in height and breadth compared with the athletic Malone; rallied on his musical accomplishments—he played the flute and sang hymns like a seraph, some young ladies of his parish thought; sneered at as "the ladies' pet;" teased about his mamma and sisters, for whom poor Mr. Sweeting had some lingering regard, and of whom he was foolish enough now and then to speak in the presence of the priestly Paddy, from whose anatomy the bowels of natural affection had somehow been omitted.
Mr. Sweeting was teased about his height—he was a little guy, just a boy in size compared to the athletic Malone; joked about for his musical talents—he played the flute and sang hymns like an angel, or so some young ladies in his parish believed; called "the ladies' pet;" ribbed about his mom and sisters, for whom poor Mr. Sweeting still had some affection, and whom he was foolish enough to mention every now and then in front of the priestly Paddy, who seemed to lack any sense of natural affection.
The victims met these attacks each in his own way: Mr. Donne with a stilted self-complacency and half-sullen phlegm, the sole props of his otherwise somewhat rickety dignity; Mr. Sweeting with the indifference of a light, easy disposition, which never professed to have any dignity to maintain.
The victims faced these attacks in their own ways: Mr. Donne with a rigid self-satisfaction and a somewhat sulky calm, the only supports for his otherwise shaky dignity; Mr. Sweeting with the indifference of a laid-back, easygoing personality, which never claimed to have any dignity to uphold.
When Malone's raillery became rather too offensive, which it soon did, they joined, in an attempt to turn the tables on him by asking him how many boys had shouted "Irish Peter!" after him as he came along the road that day (Malones name was Peter [Pg 8] Malone----the Rev. Peter Augustus Malone); requesting to be informed whether it was the mode in Ireland for clergymen to carry loaded pistols in their pockets, and a shillelah in their hands, when they made pastoral visits; inquiring the signification of such words as vele, firrum, hellum, storrum (so Mr. Malone invariably pronounced veil, firm, helm, storm), and employing such other methods of retaliation as the innate refinement of their minds suggested.
When Malone's teasing became a bit too much, which it quickly did, they teamed up to turn the tables on him by asking how many boys had shouted "Irish Peter!" at him while he walked down the road that day (Malone’s full name was Peter Malone—the Rev. Peter Augustus Malone); they wanted to know if it was common in Ireland for clergymen to carry loaded guns in their pockets and a stick in their hands when making pastoral visits; they asked what words like vele, firrum, hellum, storrum meant (Mr. Malone always pronounced veil, firm, helm, storm this way), and used whatever other methods of payback their refined minds could think of.
This, of course, would not do. Malone, being neither good-natured nor phlegmatic, was presently in a towering passion. He vociferated, gesticulated; Donne and Sweeting laughed. He reviled them as Saxons and snobs at the very top pitch of his high Celtic voice; they taunted him with being the native of a conquered land. He menaced rebellion in the name of his "counthry," vented bitter hatred against English rule; they spoke of rags, beggary, and pestilence. The little parlour was in an uproar; you would have thought a duel must follow such virulent abuse; it seemed a wonder that Mr. and Mrs. Gale did not take alarm at the noise, and send for a constable to keep the peace. But they were accustomed to such demonstrations; they well knew that the curates never dined or took tea together without a little exercise of the sort, and were quite easy as to consequences, knowing that these clerical quarrels were as harmless as they were noisy, that they resulted in nothing, and that, on whatever terms the curates might part to-night, they would be sure to meet the best friends in the world to-morrow morning.
This definitely wouldn't work. Malone, who was neither easy-going nor calm, was soon in a rage. He yelled and waved his arms; Donne and Sweeting laughed. He called them Saxons and snobs at the top of his high Celtic voice; they mocked him for being from a conquered land. He threatened rebellion for his "country," expressing deep hatred for English rule; they talked about rags, poverty, and disease. The small parlor was in chaos; you would have thought a duel would break out after such harsh insults; it was surprising that Mr. and Mrs. Gale didn’t get worried about the noise and call a cop to restore order. But they were used to such outbursts; they knew that the curates never had dinner or tea together without some sort of commotion, and they were quite relaxed about the outcome, understanding that these clerical disputes were as harmless as they were loud, that they led to nothing, and that, no matter how the curates parted tonight, they would surely be the best of friends again by tomorrow morning.
As the worthy pair were sitting by their kitchen fire, listening to the repeated and sonorous contact of Malone's fist with the mahogany plane of the parlour table, and to the consequent start and jingle of decanters and glasses following each assault, to the mocking laughter of the allied English disputants, and the stuttering declamation of the isolated Hibernian—as they thus sat, a foot was heard on the outer door-step, and the knocker quivered to a sharp appeal.
As the charming couple sat by their kitchen fire, listening to the steady thud of Malone's fist hitting the smooth surface of the parlor table, which caused the decanters and glasses to jingle with each impact, they heard the mocking laughter of the English debaters and the hesitant speech of the lone Irishman. While they were sitting there, they heard a footstep on the outer door step, and the knocker shook with a sharp knock.
Mr. Gale went and opened.
Mr. Gale went to open.
"Whom have you upstairs in the parlour?" asked a voice—a rather remarkable voice, nasal in tone, abrupt in utterance.
"Who do you have upstairs in the living room?" asked a voice—a pretty distinctive voice, nasal in tone and sharp in delivery.
"O Mr. Helstone, is it you, sir? I could hardly see you for the darkness; it is so soon dark now. Will you walk in, sir?"
"O Mr. Helstone, is that you? I could barely see you in the dark; it gets dark so early now. Would you like to come in?"
[Pg 9] "I want to know first whether it is worth my while walking in. Whom have you upstairs?"
[Pg9I'm sorry, but there is no text provided. Please provide the text you would like me to modernize. "I want to know first if it's worth my time to come in. Who do you have upstairs?"
"The curates, sir."
"The curators, sir."
"What! all of them?"
"What! Everyone?"
"Yes, sir."
"Yes, sir."
"Been dining here?"
"Have you eaten here?"
"Yes, sir."
"Yes, sir."
"That will do."
"That works."
With these words a person entered—a middle-aged man, in black. He walked straight across the kitchen to an inner door, opened it, inclined his head forward, and stood listening. There was something to listen to, for the noise above was just then louder than ever.
With those words, a person walked in—a middle-aged man dressed in black. He headed straight across the kitchen to an inner door, opened it, leaned his head forward, and listened. There was something to hear, as the noise above was louder than ever at that moment.
"Hey!" he ejaculated to himself; then turning to Mr. Gale—"Have you often this sort of work?"
"Hey!" he exclaimed to himself; then turning to Mr. Gale—"Do you often have this kind of work?"
Mr. Gale had been a churchwarden, and was indulgent to the clergy.
Mr. Gale had been a churchwarden and was lenient with the clergy.
"They're young, you know, sir—they're young," said he deprecatingly.
"They're young, you know, sir—they're young," he said modestly.
"Young! They want caning. Bad boys—bad boys! And if you were a Dissenter, John Gale, instead of being a good Churchman, they'd do the like—they'd expose themselves; but I'll——"
"Young! They want punishment. Bad kids—bad kids! And if you were a Dissenter, John Gale, instead of being a good Church member, they’d do the same—they’d make a scene; but I’ll——"
By way of finish to this sentence, he passed through the inner door, drew it after him, and mounted the stair. Again he listened a few minutes when he arrived at the upper room. Making entrance without warning, he stood before the curates.
By way of finishing this sentence, he walked through the inner door, closed it behind him, and went up the stairs. He listened for a few minutes when he reached the upper room. Entering without any warning, he stood in front of the curates.
And they were silent; they were transfixed; and so was the invader. He—a personage short of stature, but straight of port, and bearing on broad shoulders a hawk's head, beak, and eye, the whole surmounted by a Rehoboam, or shovel hat, which he did not seem to think it necessary to lift or remove before the presence in which he then stood—he folded his arms on his chest and surveyed his young friends, if friends they were, much at his leisure.
And they were silent; they were captivated; and so was the invader. He—a short but upright figure, with a hawk-like head, beak, and eyes, all topped off with a Rehoboam or shovel hat, which he didn't feel the need to lift or take off in the presence he was in—he crossed his arms over his chest and looked over his young acquaintances, if they could be called that, at his own pace.
"What!" he began, delivering his words in a voice no longer nasal, but deep—more than deep—a voice made purposely hollow and cavernous—"what! has the miracle of Pentecost been renewed? Have the cloven tongues come down again? Where are they? The sound filled the whole house just now. I heard the seventeen languages in full action: Parthians, and Medes, and Elamites,[Pg 10] Cappadocia, in Pontus and Asia, Phrygia and Pamphylia, in Egypt and in the parts of Libya about Cyrene, strangers of Rome, Jews and proselytes, Cretes and Arabians; every one of these must have had its representative in this room two minutes since."
"What!” he started, his voice no longer high-pitched but deep—more than just deep—a voice intentionally hollow and echoing—“what! Is the miracle of Pentecost happening again? Have the fiery tongues come down once more? Where are they? The sound just filled the whole house. I heard all seventeen languages loud and clear: Parthians, Medes, Elamites, Cappadocia, in Pontus and Asia, Phrygia and Pamphylia, in Egypt and the regions of Libya around Cyrene, visitors from Rome, Jews and converts, Cretans and Arabians; each one of them must have been represented here just two minutes ago."
"I beg your pardon, Mr. Helstone," began Mr. Donne; "take a seat, pray, sir. Have a glass of wine?"
"I’m sorry, Mr. Helstone," Mr. Donne started; "please, have a seat. Would you like a glass of wine?"
His civilities received no answer. The falcon in the black coat proceeded,—
His polite remarks went unanswered. The falcon in the black coat continued,—
"What do I talk about the gift of tongues? Gift, indeed! I mistook the chapter, and book, and Testament—gospel for law, Acts for Genesis, the city of Jerusalem for the plain of Shinar. It was no gift but the confusion of tongues which has gabbled me deaf as a post. You, apostles? What! you three? Certainly not; three presumptuous Babylonish masons—neither more nor less!"
"What should I say about the gift of tongues? Gift, really! I mixed up the chapter, the book, and the Testament—gospel with law, Acts with Genesis, the city of Jerusalem with the plain of Shinar. It was no gift but the confusion of tongues that has made me as deaf as a post. You, apostles? Really? You three? Definitely not; just three arrogant Babylonian masons—nothing more, nothing less!"
"I assure you, sir, we were only having a little chat together over a glass of wine after a friendly dinner—settling the Dissenters!"
"I promise you, sir, we were just having a little conversation over a glass of wine after a nice dinner—talking about the Dissenters!"
"Oh! settling the Dissenters, were you? Was Malone settling the Dissenters? It sounded to me much more like settling his co-apostles. You were quarrelling together, making almost as much noise—you three alone—as Moses Barraclough, the preaching tailor, and all his hearers are making in the Methodist chapel down yonder, where they are in the thick of a revival. I know whose fault it is.—It is yours, Malone."
"Oh! Were you trying to sort out the Dissenters? Was Malone sorting out the Dissenters? It sounded to me much more like he was sorting out his fellow apostles. You were all arguing together, making almost as much noise—you three alone—as Moses Barraclough, the preaching tailor, and all his listeners are making in the Methodist chapel down there, where they’re in the middle of a revival. I know whose fault it is.—It’s yours, Malone."
"Mine, sir?"
"Is this mine, sir?"
"Yours, sir. Donne and Sweeting were quiet before you came, and would be quiet if you were gone. I wish, when you crossed the Channel, you had left your Irish habits behind you. Dublin student ways won't do here. The proceedings which might pass unnoticed in a wild bog and mountain district in Connaught will, in a decent English parish, bring disgrace on those who indulge in them, and, what is far worse, on the sacred institution of which they are merely the humble appendages."
"Yours, sir. Donne and Sweeting were silent before you arrived, and they would be silent if you left. I wish that when you crossed the Channel, you had left your Irish habits at home. Dublin student behavior doesn't work here. The actions that might go unnoticed in a wild bog and mountainous area in Connaught will, in a respectable English parish, bring shame on those who engage in them, and, what is even worse, on the sacred institution that they merely exist alongside."
There was a certain dignity in the little elderly gentleman's manner of rebuking these youths, though it was not, perhaps, quite the dignity most appropriate to the occasion. Mr. Helstone, standing straight as a ramrod, looking keen as a kite, presented, despite his clerical hat, black coat, and gaiters, more the air of a veteran officer [Pg 11] chiding his subalterns than of a venerable priest exhorting his sons in the faith. Gospel mildness, apostolic benignity, never seemed to have breathed their influence over that keen brown visage, but firmness had fixed the features, and sagacity had carved her own lines about them.
There was a certain dignity in the little old man's way of scolding these young guys, though it wasn't exactly the kind of dignity that fit the situation. Mr. Helstone, standing straight like a ruler and looking sharp, gave off more of a vibe of a seasoned officer reprimanding his juniors than of a respected priest guiding his followers. Gospel gentleness and apostolic kindness didn't seem to touch that sharp brown face, but determination had shaped his features, and wisdom had etched its lines around them. [Pg11I'm sorry, but there doesn't seem to be any text provided for me to modernize. Please provide the text, and I'll be happy to help!
"I met Supplehough," he continued, "plodding through the mud this wet night, going to preach at Milldean opposition shop. As I told you, I heard Barraclough bellowing in the midst of a conventicle like a possessed bull; and I find you, gentlemen, tarrying over your half-pint of muddy port wine, and scolding like angry old women. No wonder Supplehough should have dipped sixteen adult converts in a day—which he did a fortnight since; no wonder Barraclough, scamp and hypocrite as he is, should attract all the weaver-girls in their flowers and ribbons, to witness how much harder are his knuckles than the wooden brim of his tub; as little wonder that you, when you are left to yourselves, without your rectors—myself, and Hall, and Boultby—to back you, should too often perform the holy service of our church to bare walls, and read your bit of a dry discourse to the clerk, and the organist, and the beadle. But enough of the subject. I came to see Malone.—I have an errand unto thee, O captain!"
"I met Supplehough," he continued, "trudging through the mud on this rainy night, heading to preach at the Milldean opposition shop. As I mentioned, I heard Barraclough shouting in the middle of a gathering like a crazed bull; and I find you, gentlemen, lingering over your half-pint of murky port wine, complaining like irritable old women. No wonder Supplehough managed to baptize sixteen adult converts in one day—which he did two weeks ago; no wonder Barraclough, scoundrel and hypocrite that he is, attracts all the weaver-girls in their flowers and ribbons, to show how much tougher his fists are than the wooden edge of his tub; nor is it surprising that you, when left alone without your rectors—myself, Hall, and Boultby—to support you, often end up performing the holy service of our church to empty walls, and reading your dry sermon to the clerk, the organist, and the beadle. But enough of that. I came to see Malone.—I have a message for you, O captain!"
"What is it?" inquired Malone discontentedly. "There can be no funeral to take at this time of day."
"What is it?" Malone asked, feeling frustrated. "There can't be a funeral happening at this time of day."
"Have you any arms about you?"
"Do you have any weapons on you?"
"Arms, sir?—yes, and legs." And he advanced the mighty members.
"Arms, sir?—yes, and legs." And he moved forward the powerful limbs.
"Bah! weapons I mean."
"Bah! I mean weapons."
"I have the pistols you gave me yourself. I never part with them. I lay them ready cocked on a chair by my bedside at night. I have my blackthorn."
"I have the pistols you personally gave me. I never let them go. I keep them cocked and ready on a chair by my bed at night. I have my blackthorn."
"Very good. Will you go to Hollow's Mill?"
"Great. Are you going to Hollow's Mill?"
"What is stirring at Hollow's Mill?"
"What’s going on at Hollow's Mill?"
"Nothing as yet, nor perhaps will be; but Moore is alone there. He has sent all the workmen he can trust to Stilbro'; there are only two women left about the place. It would be a nice opportunity for any of his well-wishers to pay him a visit, if they knew how straight the path was made before them."
"Nothing yet, and maybe there won't be; but Moore is there all by himself. He’s sent all the workers he can trust to Stilbro; only two women are left around the place. It would be a great chance for any of his supporters to visit him if they knew how clear the way was laid out for them."
"I am none of his well-wishers, sir. I don't care for him."
"I’m not one of his supporters, sir. I don’t care about him."
"Soh! Malone, you are afraid."
"Wow! Malone, you're scared."
"You know me better than that. If I really thought[Pg 12] there was a chance of a row I would go: but Moore is a strange, shy man, whom I never pretend to understand; and for the sake of his sweet company only I would not stir a step."
"You know me better than that. If I really thought[Pg12I'm sorry, but there doesn't appear to be any text provided for modernization. Please provide the short phrases you'd like me to work with. there was a chance of a fight I would leave; but Moore is a weird, shy guy who I never pretend to understand; and just for the sake of his nice company, I wouldn’t move a muscle."
"But there is a chance of a row; if a positive riot does not take place—of which, indeed, I see no signs—yet it is unlikely this night will pass quite tranquilly. You know Moore has resolved to have new machinery, and he expects two wagon-loads of frames and shears from Stilbro' this evening. Scott, the overlooker, and a few picked men are gone to fetch them."
"But there is a chance of a fight; if a big riot doesn't happen—of which I see no signs—it's still unlikely that tonight will go by without some trouble. You know Moore has decided to get new equipment, and he expects two truckloads of frames and shears from Stilbro' this evening. Scott, the supervisor, and a few chosen workers have gone to pick them up."
"They will bring them in safely and quietly enough, sir."
"They'll bring them in safely and quietly, sir."
"Moore says so, and affirms he wants nobody. Some one, however, he must have, if it were only to bear evidence in case anything should happen. I call him very careless. He sits in the counting-house with the shutters unclosed; he goes out here and there after dark, wanders right up the hollow, down Fieldhead Lane, among the plantations, just as if he were the darling of the neighbourhood, or—being, as he is, its detestation—bore a 'charmed life,' as they say in tale-books. He takes no warning from the fate of Pearson, nor from that of Armitage—shot, one in his own house and the other on the moor."
"Moore says he doesn’t want anyone around him. Still, he must have someone, if only as a witness in case something goes wrong. I think he’s being really careless. He sits in the office with the blinds wide open; he goes out here and there after dark, strolling right up the hollow, down Fieldhead Lane, among the trees, as if he were the favorite in the neighborhood, or—given that he’s actually despised there—had some sort of ‘charmed life,’ like they say in storybooks. He doesn’t seem to learn anything from what happened to Pearson or Armitage—one was shot in his own home and the other on the moor."
"But he should take warning, sir, and use precautions too," interposed Mr. Sweeting; "and I think he would if he heard what I heard the other day."
"But he should be careful, sir, and take precautions too," Mr. Sweeting added; "and I think he would if he heard what I heard the other day."
"What did you hear, Davy?"
"What did you hear, Davy?"
"You know Mike Hartley, sir?"
"Do you know Mike Hartley, sir?"
"The Antinomian weaver? Yes."
"The Antinomian weaver? Yes."
"When Mike has been drinking for a few weeks together, he generally winds up by a visit to Nunnely vicarage, to tell Mr. Hall a piece of his mind about his sermons, to denounce the horrible tendency of his doctrine of works, and warn him that he and all his hearers are sitting in outer darkness."
"When Mike has been drinking for a few weeks, he usually ends up visiting Nunnely vicarage to give Mr. Hall a piece of his mind about his sermons, criticize the awful direction of his doctrine of works, and warn him that he and all his listeners are in the outer darkness."
"Well, that has nothing to do with Moore."
"Well, that has nothing to do with Moore."
"Besides being an Antinomian, he is a violent Jacobin and leveller, sir."
"Besides being an Antinomian, he's a radical Jacobin and egalitarian, sir."
"I know. When he is very drunk, his mind is always running on regicide. Mike is not unacquainted with history, and it is rich to hear him going over the list of tyrants of whom, as he says, 'the revenger of blood has obtained satisfaction.' The fellow exults strangely in murder done on crowned heads or on any head for political reasons. I[Pg 13] have already heard it hinted that he seems to have a queer hankering after Moore. Is that what you allude to, Sweeting?"
"I know. When he gets really drunk, he's always thinking about killing kings. Mike knows his history, and it's interesting to hear him talk about the list of tyrants who, as he puts it, 'the avenger of blood has gotten satisfaction from.' He strangely takes pleasure in murders committed on royalty or anyone for political reasons. I[Pg13I'm sorry, but there doesn't appear to be any text to modernize in your request. Could you please provide a short phrase? have already heard it suggested that he seems to have a weird fascination with Moore. Is that what you're referring to, Sweeting?"
"You use the proper term, sir. Mr. Hall thinks Mike has no personal hatred of Moore. Mike says he even likes to talk to him and run after him, but he has a hankering that Moore should be made an example of. He was extolling him to Mr. Hall the other day as the mill-owner with the most brains in Yorkshire, and for that reason he affirms Moore should be chosen as a sacrifice, an oblation of a sweet savour. Is Mike Hartley in his right mind, do you think, sir?" inquired Sweeting simply.
"You use the right term, sir. Mr. Hall believes Mike doesn’t actually hate Moore. Mike even says he enjoys talking to him and chasing after him, but he has a hankering for Moore to be made an example of. The other day, he was praising Moore to Mr. Hall as the smartest mill owner in Yorkshire, and because of that, he insists Moore should be chosen as a sacrifice, a pleasing offering. Do you think Mike Hartley is in his right mind, sir?" Sweeting asked simply.
"Can't tell, Davy. He may be crazed, or he may be only crafty, or perhaps a little of both."
"Can't say, Davy. He might be crazy, or he could just be clever, or maybe a bit of both."
"He talks of seeing visions, sir."
"He says he sees visions, sir."
"Ay! He is a very Ezekiel or Daniel for visions. He came just when I was going to bed last Friday night to describe one that had been revealed to him in Nunnely Park that very afternoon."
"Wow! He’s like a modern-day Ezekiel or Daniel with his visions. He showed up just as I was about to go to bed last Friday night to tell me about one he had revealed to him in Nunnely Park that same afternoon."
"Tell it, sir. What was it?" urged Sweeting.
"Go on, sir. What was it?" urged Sweeting.
"Davy, thou hast an enormous organ of wonder in thy cranium. Malone, you see, has none. Neither murders nor visions interest him. See what a big vacant Saph he looks at this moment."
"Davy, you have an enormous capacity for wonder in your head. Malone, on the other hand, has none. Neither murder nor visions interest him. Look at the big empty expression he has right now."
"Saph! Who was Saph, sir?"
"Saph! Who's Saph, sir?"
"I thought you would not know. You may find it out. It is biblical. I know nothing more of him than his name and race; but from a boy upwards I have always attached a personality to Saph. Depend on it he was honest, heavy, and luckless. He met his end at Gob by the hand of Sibbechai."
"I thought you wouldn’t know. You might find out. It’s biblical. I don’t know anything more about him than his name and background; but since I was a kid, I’ve always thought of Saph as a person. Trust me, he was honest, serious, and unlucky. He met his end at Gob at the hands of Sibbechai."
"But the vision, sir?"
"But what's the vision, sir?"
"Davy, thou shalt hear. Donne is biting his nails, and Malone yawning, so I will tell it but to thee. Mike is out of work, like many others, unfortunately. Mr. Grame, Sir Philip Nunnely's steward, gave him a job about the priory. According to his account, Mike was busy hedging rather late in the afternoon, but before dark, when he heard what he thought was a band at a distance—bugles, fifes, and the sound of a trumpet; it came from the forest, and he wondered that there should be music there. He looked up. All amongst the trees he saw moving objects, red, like poppies, or white, like may-blossom. The wood was full of them; they poured out and filled the park. He then[Pg 14] perceived they were soldiers—thousands and tens of thousands; but they made no more noise than a swarm of midges on a summer evening. They formed in order, he affirmed, and marched, regiment after regiment, across the park. He followed them to Nunnely Common; the music still played soft and distant. On the common he watched them go through a number of evolutions. A man clothed in scarlet stood in the centre and directed them. They extended, he declared, over fifty acres. They were in sight half an hour; then they marched away quite silently. The whole time he heard neither voice nor tread—nothing but the faint music playing a solemn march."
"Davy, listen up. Donne is biting his nails, and Malone is yawning, so I’ll share this just with you. Mike is out of work, like a lot of others, unfortunately. Mr. Grame, Sir Philip Nunnely's steward, gave him a job at the priory. According to him, Mike was busy hedging quite late in the afternoon, but before dark, he heard what he thought was a band in the distance—bugles, fifes, and the sound of a trumpet; it was coming from the forest, and he wondered why there would be music there. He looked up. Among the trees, he saw moving figures, red like poppies, or white like may-blossom. The woods were full of them; they poured out and filled the park. He then[Pg14Sure! Please provide the text you would like me to modernize. realized they were soldiers—thousands and tens of thousands; but they made no more noise than a swarm of midges on a summer evening. He said they formed up in order and marched, regiment after regiment, across the park. He followed them to Nunnely Common; the music still played softly in the background. On the common, he watched them perform a series of maneuvers. A man dressed in scarlet stood in the center directing them. He said they spread out over fifty acres. They were visible for half an hour; then they marched away silently. The whole time, he heard neither voices nor footsteps—nothing but the faint music playing a solemn march."
"Where did they go, sir?"
"Where did they go, sir?"
"Towards Briarfield. Mike followed them. They seemed passing Fieldhead, when a column of smoke, such as might be vomited by a park of artillery, spread noiseless over the fields, the road, the common, and rolled, he said, blue and dim, to his very feet. As it cleared away he looked again for the soldiers, but they were vanished; he saw them no more. Mike, like a wise Daniel as he is, not only rehearsed the vision but gave the interpretation thereof. It signifies, he intimated, bloodshed and civil conflict."
"Towards Briarfield. Mike followed them. They seemed to be passing Fieldhead when a cloud of smoke, like what you’d expect from a battery of cannons, spread silently over the fields, the road, the common, and rolled, he said, blue and dim, right to his feet. As it cleared, he looked again for the soldiers, but they had disappeared; he couldn’t see them anymore. Mike, being the wise guy he is, not only recalled the vision but also interpreted it. He suggested it meant bloodshed and civil war."
"Do you credit it, sir?" asked Sweeting.
"Do you believe it, sir?" asked Sweeting.
"Do you, Davy?—But come, Malone; why are you not off?"
"Do you, Davy?—But come on, Malone; why aren’t you leaving?"
"I am rather surprised, sir, you did not stay with Moore yourself. You like this kind of thing."
"I’m pretty surprised, sir, that you didn’t stay with Moore yourself. You enjoy this kind of thing."
"So I should have done, had I not unfortunately happened to engage Boultby to sup with me on his way home from the Bible Society meeting at Nunnely. I promised to send you as my substitute; for which, by-the-bye, he did not thank me. He would much rather have had me than you, Peter. Should there be any real need of help I shall join you. The mill-bell will give warning. Meantime, go—unless (turning suddenly to Messrs. Sweeting and Donne)—unless Davy Sweeting or Joseph Donne prefers going.—What do you say, gentlemen? The commission is an honourable one, not without the seasoning of a little real peril; for the country is in a queer state, as you all know, and Moore and his mill and his machinery are held in sufficient odium. There are chivalric sentiments, there is high-beating courage, under those waistcoats of yours, I doubt not. Perhaps I am too partial to my favourite[Pg 15] Peter. Little David shall be the champion, or spotless Joseph.—Malone, you are but a great floundering Saul after all, good only to lend your armour. Out with your firearms; fetch your shillelah. It is there—in the corner."
"So I should have done, if I hadn’t unfortunately invited Boultby to dinner on his way home from the Bible Society meeting at Nunnely. I promised to send you as my replacement; by the way, he didn’t thank me for that. He would much rather have had me than you, Peter. If there's a real need for help, I'll join you. The mill bell will let us know. In the meantime, go—unless (turning suddenly to Messrs. Sweeting and Donne)—unless Davy Sweeting or Joseph Donne would rather go. What do you say, gentlemen? The task is an honorable one, with a little bit of real danger thrown in; the country is in a strange state, as you all know, and Moore and his mill and his machinery are not very popular. I doubt that there isn’t chivalrous spirit and high courage hiding under those waistcoats of yours. Maybe I’m too biased towards my favorite Peter. Little David can be the champion, or spotless Joseph. Malone, you’re just a big clumsy Saul after all, good only for lending your armor. Get your firearms; grab your shillelah. It’s right there—in the corner."
With a significant grin Malone produced his pistols, offering one to each of his brethren. They were not readily seized on. With graceful modesty each gentleman retired a step from the presented weapon.
With a big grin, Malone pulled out his pistols, handing one to each of his friends. They didn’t grab them right away. With polite modesty, each gentleman took a step back from the offered weapon.
"I never touch them. I never did touch anything of the kind," said Mr. Donne.
"I never touch them. I've never touched anything like that," said Mr. Donne.
"I am almost a stranger to Mr. Moore," murmured Sweeting.
"I barely know Mr. Moore," Sweeting whispered.
"If you never touched a pistol, try the feel of it now, great satrap of Egypt. As to the little minstrel, he probably prefers encountering the Philistines with no other weapon than his flute.—Get their hats, Peter. They'll both of 'em go."
"If you’ve never handled a pistol, give it a try now, great governor of Egypt. As for the little minstrel, he probably likes facing the Philistines with nothing but his flute. —Get their hats, Peter. They'll both be leaving."
"No, sir; no, Mr. Helstone. My mother wouldn't like it," pleaded Sweeting.
"No, sir; no, Mr. Helstone. My mom wouldn't approve," pleaded Sweeting.
"And I make it a rule never to get mixed up in affairs of the kind," observed Donne.
"And I make it a rule never to get involved in matters like that," Donne noted.
Helstone smiled sardonically; Malone laughed a horse-laugh. He then replaced his arms, took his hat and cudgel, and saying that "he never felt more in tune for a shindy in his life, and that he wished a score of greasy cloth-dressers might beat up Moore's quarters that night," he made his exit, clearing the stairs at a stride or two, and making the house shake with the bang of the front-door behind him.[Pg 16]
Helstone smiled wryly; Malone let out a hearty laugh. He then put his arms down, grabbed his hat and stick, and said that "he had never felt more ready for a brawl in his life, and that he hoped a bunch of unruly tailors would storm Moore's place tonight." With that, he left, bounding down the stairs in a couple of strides, causing the house to shake as he slammed the front door behind him.[Pg16]
CHAPTER II.
THE WAGONS.
The evening was pitch dark: star and moon were quenched in gray rain-clouds—gray they would have been by day; by night they looked sable. Malone was not a man given to close observation of nature; her changes passed, for the most part, unnoticed by him. He could walk miles on the most varying April day and never see the beautiful dallying of earth and heaven—never mark when a sunbeam kissed the hill-tops, making them smile clear in green light, or when a shower wept over them, hiding their crests with the low-hanging, dishevelled tresses of a cloud. He did not, therefore, care to contrast the sky as it now appeared—a muffled, streaming vault, all black, save where, towards the east, the furnaces of Stilbro' ironworks threw a tremulous lurid shimmer on the horizon—with the same sky on an unclouded frosty night. He did not trouble himself to ask where the constellations and the planets were gone, or to regret the "black-blue" serenity of the air-ocean which those white islets stud, and which another ocean, of heavier and denser element, now rolled below and concealed. He just doggedly pursued his way, leaning a little forward as he walked, and wearing his hat on the back of his head, as his Irish manner was. "Tramp, tramp," he went along the causeway, where the road boasted the privilege of such an accommodation; "splash, splash," through the mire-filled cart ruts, where the flags were exchanged for soft mud. He looked but for certain landmarks—the spire of Briarfield Church; farther on, the lights of Redhouse. This was an inn; and when he reached it, the glow of a fire through a half-curtained window, a vision of glasses on a round table, and of revellers on an oaken settle, had nearly drawn aside the curate from his course. He thought longingly of a tumbler of whisky-and-water. In a strange place he would instantly have realized the dream; but the company assembled in that kitchen were Mr. Helstone's own parishioners; they all knew him. He sighed, and passed on.
The evening was pitch black: stars and the moon were hidden behind gray rain clouds—gray they would have been during the day; at night, they seemed black. Malone wasn’t someone who paid much attention to nature; he usually missed its changes. He could walk for miles on a typical April day and never notice the beautiful interplay between earth and sky—never see when a sunbeam kissed the hilltops, making them shine bright green, or when a rain shower draped them with low-hanging, tangled strands of cloud. Therefore, he didn’t care to compare the sky as it appeared now—a damp, flowing expanse, all black except for the faint, ominous glow from the Stilbro’ ironworks that flickered on the horizon—with the same sky on a clear, frosty night. He didn't bother to wonder where the stars and planets had gone, or to miss the "black-blue" calm of the air-ocean that those white islands dotted, and which another heavier, denser ocean now rolled beneath and hid. He just stubbornly continued on his way, leaning slightly forward as he walked, wearing his hat tilted back on his head, as was his Irish style. "Tramp, tramp," he went along the path with such a feature; "splash, splash," through the mud-filled wheel ruts, where the stones had given way to soft mud. He looked only for a few landmarks—the spire of Briarfield Church; further on, the lights of Redhouse. This was an inn; when he finally reached it, the warm glow of a fire through a half-draped window, a glimpse of glasses on a round table, and revelers on an oak settle almost tempted the curate to change his path. He longed for a glass of whisky and water. In a new place, he would have given in to that desire immediately; but the people in that kitchen were Mr. Helstone’s own parishioners; they all recognized him. He sighed and moved on.
[Pg 17]The highroad was now to be quitted, as the remaining distance to Hollow's Mill might be considerably reduced by a short cut across fields. These fields were level and monotonous. Malone took a direct course through them, jumping hedge and wall. He passed but one building here, and that seemed large and hall-like, though irregular. You could see a high gable, then a long front, then a low gable, then a thick, lofty stack of chimneys. There were some trees behind it. It was dark; not a candle shone from any window. It was absolutely still; the rain running from the eaves, and the rather wild but very low whistle of the wind round the chimneys and through the boughs were the sole sounds in its neighbourhood.
[Pg17]Malone left the main road, as he could shorten the distance to Hollow's Mill by taking a shortcut through some fields. The fields were flat and uninteresting. He made his way directly through them, jumping over hedges and walls. He only passed one building, which looked large and hall-like, but had an irregular shape. You could see a tall gable, then a long facade, followed by a low gable, and a thick, tall stack of chimneys. There were some trees behind it. It was dark; not a single candle shone from any window. It was completely quiet; the sound of rain dripping from the eaves and the low, somewhat wild whistle of the wind around the chimneys and through the branches were the only noises in the area.
This building passed, the fields, hitherto flat, declined in a rapid descent. Evidently a vale lay below, through which you could hear the water run. One light glimmered in the depth. For that beacon Malone steered.
This building passed, the fields, which had been flat, dropped off quickly. Clearly, a valley was below, and you could hear the water flowing through it. One light flickered in the distance. Malone steered toward that beacon.
He came to a little white house—you could see it was white even through this dense darkness—and knocked at the door. A fresh-faced servant opened it. By the candle she held was revealed a narrow passage, terminating in a narrow stair. Two doors covered with crimson baize, a strip of crimson carpet down the steps, contrasted with light-coloured walls and white floor, made the little interior look clean and fresh.
He arrived at a small white house—you could tell it was white even in the thick darkness—and knocked on the door. A cheerful servant opened it. By the candle she held, a narrow hallway was illuminated, leading to a tight staircase. Two doors covered in red fabric and a strip of red carpet on the stairs stood out against the light-colored walls and white floor, giving the small space a clean and fresh appearance.
"Mr. Moore is at home, I suppose?"
"Mr. Moore is at home, I guess?"
"Yes, sir, but he is not in."
"Yes, sir, but he isn't here."
"Not in! Where is he then?"
"Not in! So where is he?"
"At the mill—in the counting-house."
"At the mill—in the office."
Here one of the crimson doors opened.
Here, one of the red doors opened.
"Are the wagons come, Sarah?" asked a female voice, and a female head at the same time was apparent. It might not be the head of a goddess—indeed a screw of curl-paper on each side the temples quite forbade that supposition—but neither was it the head of a Gorgon; yet Malone seemed to take it in the latter light. Big as he was, he shrank bashfully back into the rain at the view thereof, and saying, "I'll go to him," hurried in seeming trepidation down a short lane, across an obscure yard, towards a huge black mill.
"Are the wagons here, Sarah?" asked a woman's voice, and at the same moment, a woman's head became visible. It might not have been the head of a goddess—after all, the curlers on each side were a clear giveaway—but it also wasn't the head of a monster; still, Malone seemed to see it that way. Despite his size, he shyly stepped back into the rain at the sight of it, and saying, "I'll go to him," hurried away with apparent nervousness down a short lane, across a hidden yard, toward a large black mill.
The work-hours were over; the "hands" were gone. The machinery was at rest, the mill shut up. Malone walked round it. Somewhere in its great sooty flank he found another chink of light; he knocked at another door,[Pg 18] using for the purpose the thick end of his shillelah, with which he beat a rousing tattoo. A key turned; the door unclosed.
The work hours were done; the workers were gone. The machines were quiet, and the mill was closed. Malone walked around it. Somewhere on its big, dirty side, he found another crack of light; he knocked on another door,[Pg18I'm sorry, but there doesn't appear to be any text for me to modernize. Please provide a short piece of text. using the thick end of his shillelah, creating a loud rhythm. A key turned; the door opened.
"Is it Joe Scott? What news of the wagons, Joe?"
"Is that you, Joe Scott? What’s the update on the wagons, Joe?"
"No; it's myself. Mr. Helstone would send me."
"No, it's me. Mr. Helstone would send me."
"Oh! Mr. Malone." The voice in uttering this name had the slightest possible cadence of disappointment. After a moment's pause it continued, politely but a little formally,—
"Oh! Mr. Malone." The voice saying this name had just the faintest hint of disappointment. After a brief pause, it continued, politely but a bit formally,—
"I beg you will come in, Mr. Malone. I regret extremely Mr. Helstone should have thought it necessary to trouble you so far. There was no necessity—I told him so—and on such a night; but walk forwards."
"I really hope you’ll come in, Mr. Malone. I’m very sorry that Mr. Helstone felt it was necessary to bother you like this. There was no need—I told him that—and on a night like this; but please, come in."
Through a dark apartment, of aspect undistinguishable, Malone followed the speaker into a light and bright room within—very light and bright indeed it seemed to eyes which, for the last hour, had been striving to penetrate the double darkness of night and fog; but except for its excellent fire, and for a lamp of elegant design and vivid lustre burning on a table, it was a very plain place. The boarded floor was carpetless; the three or four stiff-backed, green-painted chairs seemed once to have furnished the kitchen of some farm-house; a desk of strong, solid formation, the table aforesaid, and some framed sheets on the stone-coloured walls, bearing plans for building, for gardening, designs of machinery, etc., completed the furniture of the place.
Through a dark apartment that looked the same as any other, Malone followed the speaker into a bright and cheerful room inside—very bright and cheerful indeed for eyes that had spent the last hour trying to see through the thick darkness of night and fog; but aside from its excellent fire and a stylish lamp with a vivid glow sitting on a table, it was a pretty ordinary space. The wooden floor had no carpet; the three or four stiff-backed, green-painted chairs seemed to have once been used in some farmhouse kitchen; a sturdy desk, the aforementioned table, and a few framed sheets on the stone-colored walls displaying building plans, gardening layouts, designs for machinery, and so on, completed the room’s furnishings.
Plain as it was, it seemed to satisfy Malone, who, when he had removed and hung up his wet surtout and hat, drew one of the rheumatic-looking chairs to the hearth, and set his knees almost within the bars of the red grate.
Plain as it was, it seemed to satisfy Malone, who, after he took off and hung up his wet coat and hat, pulled one of the old-looking chairs over to the fireplace and positioned his knees almost right against the bars of the glowing fire.
"Comfortable quarters you have here, Mr. Moore; and all snug to yourself."
"Nice place you have here, Mr. Moore; and all cozy for yourself."
"Yes, but my sister would be glad to see you, if you would prefer stepping into the house."
"Yes, but my sister would be happy to see you if you’d like to come inside."
"Oh no! The ladies are best alone, I never was a lady's man. You don't mistake me for my friend Sweeting, do you, Mr. Moore?"
"Oh no! It's better for ladies to be on their own; I've never been a lady's man. You're not confusing me with my friend Sweeting, are you, Mr. Moore?"
"Sweeting! Which of them is that? The gentleman in the chocolate overcoat, or the little gentleman?"
"Sweeting! Which one is that? The guy in the chocolate-colored coat, or the short guy?"
"The little one—he of Nunnely; the cavalier of the Misses Sykes, with the whole six of whom he is in love, ha! ha!"
"The little guy—from Nunnely; the charming guy of the Misses Sykes, and he’s in love with all six of them, ha! ha!"
"Better be generally in love with all than specially with one, I should think, in that quarter."
"Honestly, I’d say it’s better to love everyone a little than to be in love with just one person in that situation."
[Pg 19]"But he is specially in love with one besides, for when I and Donne urged him to make a choice amongst the fair bevy, he named—which do you think?"
[Pg19I'm ready to assist with modernizing text. Please provide the short piece of text you would like me to work on."But he's particularly in love with one of them because when Donne and I pressed him to pick someone from the lovely group, he named—guess who?"
With a queer, quiet smile Mr. Moore replied, "Dora, of course, or Harriet."
With a strange, soft smile, Mr. Moore replied, "Dora, of course, or Harriet."
"Ha! ha! you've an excellent guess. But what made you hit on those two?"
"Ha! You've got a great guess. But what made you think of those two?"
"Because they are the tallest, the handsomest, and Dora, at least, is the stoutest; and as your friend Mr. Sweeting is but a little slight figure, I concluded that, according to a frequent rule in such cases, he preferred his contrast."
"Since they are the tallest, the most attractive, and Dora, at least, is the heaviest; and since your friend Mr. Sweeting is just a small, slight guy, I figured that, following a common pattern in situations like this, he liked the contrast."
"You are right; Dora it is. But he has no chance, has he, Moore?"
"You’re right; it’s Dora. But he doesn’t stand a chance, does he, Moore?"
"What has Mr. Sweeting besides his curacy?"
"What does Mr. Sweeting have besides his church position?"
This question seemed to tickle Malone amazingly. He laughed for full three minutes before he answered it.
This question seemed to really amuse Malone. He laughed for a full three minutes before responding.
"What has Sweeting? Why, David has his harp, or flute, which comes to the same thing. He has a sort of pinchbeck watch; ditto, ring; ditto, eyeglass. That's what he has."
"What does Sweeting have? Well, David has his harp or flute, which is pretty much the same thing. He has a cheap watch, a similar ring, and a similar eyeglass. That's what he has."
"How would he propose to keep Miss Sykes in gowns only?"
"How would he plan to keep Miss Sykes in just dresses?"
"Ha! ha! Excellent! I'll ask him that next time I see him. I'll roast him for his presumption. But no doubt he expects old Christopher Sykes would do something handsome. He is rich, is he not? They live in a large house."
"Ha! Ha! Awesome! I'll ask him that the next time I see him. I’ll call him out for his arrogance. But I'm sure he thinks old Christopher Sykes will do something generous. He's wealthy, right? They live in a big house."
"Sykes carries on an extensive concern."
"Sykes runs a big business."
"Therefore he must be wealthy, eh?"
"So he must be rich, right?"
"Therefore he must have plenty to do with his wealth, and in these times would be about as likely to think of drawing money from the business to give dowries to his daughters as I should be to dream of pulling down the cottage there, and constructing on its ruins a house as large as Fieldhead."
"Therefore, he must be quite busy with his wealth, and in today's world, it would be just as likely for him to consider taking money from the business to fund dowries for his daughters as it would be for me to imagine tearing down that cottage and building a house there as big as Fieldhead."
"Do you know what I heard, Moore, the other day?"
"Do you know what I heard, Moore, the other day?"
"No. Perhaps that I was about to effect some such change. Your Briarfield gossips are capable of saying that or sillier things."
"No. Maybe I was about to make some kind of change. The gossips in Briarfield could easily say that or even sillier things."
"That you were going to take Fieldhead on a lease (I thought it looked a dismal place, by-the-bye, to-night, as I passed it), and that it was your intention to settle a Miss Sykes there as mistress—to be married, in short, ha! ha![Pg 20] Now, which is it? Dora, I am sure. You said she was the handsomest."
"That you were planning to lease Fieldhead (it looked pretty grim to me tonight as I walked by), and that you intended to have Miss Sykes settle there as the mistress—to get married, basically, ha! ha! [Pg20I'm sorry, but there doesn't appear to be a phrase provided for modernization. Please provide a short phrase (5 words or fewer) for me to modernize. Now, is it true? I’m sure it’s Dora. You said she was the prettiest."
"I wonder how often it has been settled that I was to be married since I came to Briarfield. They have assigned me every marriageable single woman by turns in the district. Now it was the two Misses Wynns—first the dark, then the light one; now the red-haired Miss Armitage; then the mature Ann Pearson. At present you throw on my shoulders all the tribe of the Misses Sykes. On what grounds this gossip rests God knows. I visit nowhere; I seek female society about as assiduously as you do, Mr. Malone. If ever I go to Whinbury, it is only to give Sykes or Pearson a call in their counting-house, where our discussions run on other topics than matrimony, and our thoughts are occupied with other things than courtships, establishments, dowries. The cloth we can't sell, the hands we can't employ, the mills we can't run, the perverse course of events generally, which we cannot alter, fill our hearts, I take it, pretty well at present, to the tolerably complete exclusion of such figments as love-making, etc."
"I wonder how often it’s been assumed that I was going to get married since I arrived at Briarfield. They’ve suggested every eligible single woman in the area, one after another. First, it was the two Misses Wynns—first the dark one, then the light one; then the red-haired Miss Armitage; and now the older Ann Pearson. Right now, you’re putting all the Misses Sykes on my shoulders. I have no idea what this gossip is based on. I don’t go out much; I look for female company about as actively as you do, Mr. Malone. If I ever visit Whinbury, it’s just to stop by Sykes or Pearson in their office, where our conversations center on topics other than marriage, and our minds are occupied with things other than dating, settling down, and dowries. The fabric we can’t sell, the workers we can’t hire, the mills we can’t operate, and the frustrating events we can’t change keep our minds busy enough, I suppose, to pretty much exclude fantasies like romance."
"I go along with you completely, Moore. If there is one notion I hate more than another, it is that of marriage—I mean marriage in the vulgar weak sense, as a mere matter of sentiment—two beggarly fools agreeing to unite their indigence by some fantastic tie of feeling. Humbug! But an advantageous connection, such as can be formed in consonance with dignity of views and permanency of solid interests, is not so bad—eh?"
"I totally agree with you, Moore. If there's one idea I despise more than anything, it's the concept of marriage—I mean, marriage in the shallow, typical sense, like two broke idiots deciding to combine their poverty with some ridiculous emotional bond. Nonsense! But a beneficial partnership, one that aligns with dignified goals and lasting interests, isn't so bad—right?"
"No," responded Moore, in an absent manner. The subject seemed to have no interest for him; he did not pursue it. After sitting for some time gazing at the fire with a preoccupied air, he suddenly turned his head.
"No," Moore replied absently. The topic didn't seem to interest him; he didn't follow up on it. After sitting for a while, lost in thought as he stared at the fire, he suddenly turned his head.
"Hark!" said he. "Did you hear wheels?"
"Hey!" he said. "Did you hear wheels?"
Rising, he went to the window, opened it, and listened. He soon closed it. "It is only the sound of the wind rising," he remarked, "and the rivulet a little swollen, rushing down the hollow. I expected those wagons at six; it is near nine now."
Rising, he went to the window, opened it, and listened. He soon closed it. "It’s just the wind picking up," he said, "and the stream is a bit swollen, racing down the dip. I was expecting those wagons at six; it’s almost nine now."
"Seriously, do you suppose that the putting up of this new machinery will bring you into danger?" inquired Malone. "Helstone seems to think it will."
"Seriously, do you think installing this new machinery will put you in danger?" asked Malone. "Helstone seems to believe it will."
"I only wish the machines—the frames—were safe here, and lodged within the walls of this mill. Once put up, I defy the frame-breakers. Let them only pay me a visit and take the consequences. My mill is my castle."
"I just wish the machines—the frames—were safe here, stored within the walls of this mill. Once they're set up, I challenge the frame-breakers. Let them come by and face the consequences. My mill is my fortress."
[Pg 21]"One despises such low scoundrels," observed Malone, in a profound vein of reflection. "I almost wish a party would call upon you to-night; but the road seemed extremely quiet as I came along. I saw nothing astir."
[Pg21Please provide the text you would like me to modernize."One really can't stand such lowlifes," Malone remarked, deep in thought. "I almost wish someone would come by to see you tonight; but the road felt really quiet as I came over. I didn't see anything happening."
"You came by the Redhouse?"
"Did you stop by the Redhouse?"
"Yes."
Yes.
"There would be nothing on that road. It is in the direction of Stilbro' the risk lies."
"There wouldn't be anything on that road. The danger is toward Stilbro'."
"And you think there is risk?"
"And you think there's a risk?"
"What these fellows have done to others they may do to me. There is only this difference: most of the manufacturers seem paralyzed when they are attacked. Sykes, for instance, when his dressing-shop was set on fire and burned to the ground, when the cloth was torn from his tenters and left in shreds in the field, took no steps to discover or punish the miscreants: he gave up as tamely as a rabbit under the jaws of a ferret. Now I, if I know myself, should stand by my trade, my mill, and my machinery."
"What these guys have done to others, they might do to me. The only difference is that most of the manufacturers seem frozen when they are attacked. Sykes, for example, when his workshop was set on fire and burned to the ground, and when the fabric was ripped from his hangers and left in tatters in the field, did nothing to find or punish the offenders; he surrendered as meekly as a rabbit caught by a ferret. Now, if I know myself, I would stand by my business, my mill, and my equipment."
"Helstone says these three are your gods; that the 'Orders in Council' are with you another name for the seven deadly sins; that Castlereagh is your Antichrist, and the war-party his legions."
"Helstone says these three are your gods; that the 'Orders in Council' are just another name for the seven deadly sins; that Castlereagh is your Antichrist, and the war-party is his army."
"Yes; I abhor all these things because they ruin me. They stand in my way. I cannot get on. I cannot execute my plans because of them. I see myself baffled at every turn by their untoward effects."
"Yeah; I can’t stand all these things because they mess me up. They block my progress. I can’t move forward. I can’t carry out my plans because of them. I find myself frustrated at every turn by their negative impact."
"But you are rich and thriving, Moore?"
"But you’re doing really well, Moore?"
"I am very rich in cloth I cannot sell. You should step into my warehouse yonder, and observe how it is piled to the roof with pieces. Roakes and Pearson are in the same condition. America used to be their market, but the Orders in Council have cut that off."
"I have so much fabric that I can’t sell. You should go into my warehouse over there and see how it's stacked to the ceiling with rolls. Roakes and Pearson are in the same situation. America used to be their market, but the Orders in Council have shut that down."
Malone did not seem prepared to carry on briskly a conversation of this sort. He began to knock the heels of his boots together, and to yawn.
Malone didn’t appear ready to engage in this kind of lively conversation. He started banging the heels of his boots together and yawning.
"And then to think," continued Mr. Moore who seemed too much taken up with the current of his own thoughts to note the symptoms of his guest's ennui—"to think that these ridiculous gossips of Whinbury and Briarfield will keep pestering one about being married! As if there was nothing to be done in life but to 'pay attention,' as they say, to some young lady, and then to go to church with her, and then to start on a bridal tour, and then to run through a round of visits, and then, I suppose, to be 'having a[Pg 22] family.' Oh, que le diable emporte!" He broke off the aspiration into which he was launching with a certain energy, and added, more calmly, "I believe women talk and think only of these things, and they naturally fancy men's minds similarly occupied."
"And just think," Mr. Moore continued, seeming too caught up in his thoughts to notice his guest's boredom—"to think that these ridiculous gossips in Whinbury and Briarfield keep pestering us about getting married! As if there's nothing else to do in life but to 'pay attention,' as they say, to some young lady, then go to church with her, then embark on a honeymoon, and then go through a series of visits, and then, I suppose, start 'having a family.' Oh, for heaven's sake!" He cut off the energetic thought and added more calmly, "I believe women only talk and think about these things, and they naturally assume men are preoccupied with the same ideas."
"Of course—of course," assented Malone; "but never mind them." And he whistled, looked impatiently round, and seemed to feel a great want of something. This time Moore caught and, it appeared, comprehended his demonstrations.
"Of course—of course," Malone agreed; "but don't worry about them." He whistled, looked around impatiently, and seemed to feel a strong desire for something. This time, Moore noticed and seemed to understand his gestures.
"Mr. Malone," said he, "you must require refreshment after your wet walk. I forget hospitality."
"Mr. Malone," he said, "you must be in need of a drink after your wet walk. I completely forgot about hospitality."
"Not at all," rejoined Malone; but he looked as if the right nail was at last hit on the head, nevertheless. Moore rose and opened a cupboard.
"Not at all," Malone replied; but he looked like the right point was finally made, after all. Moore stood up and opened a cupboard.
"It is my fancy," said he, "to have every convenience within myself, and not to be dependent on the feminity in the cottage yonder for every mouthful I eat or every drop I drink. I often spend the evening and sup here alone, and sleep with Joe Scott in the mill. Sometimes I am my own watchman. I require little sleep, and it pleases me on a fine night to wander for an hour or two with my musket about the hollow. Mr. Malone, can you cook a mutton chop?"
"It’s my preference," he said, "to have everything I need within myself and not rely on the women in that cottage for every bite I eat or every sip I drink. I often spend the evening and have dinner here alone, and I sleep with Joe Scott at the mill. Sometimes, I'm my own lookout. I need little sleep, and on a nice night, I enjoy wandering around the hollow with my musket for an hour or two. Mr. Malone, can you cook a mutton chop?"
"Try me. I've done it hundreds of times at college."
"Go ahead, give it a shot. I've done it hundreds of times at college."
"There's a dishful, then, and there's the gridiron. Turn them quickly. You know the secret of keeping the juices in?"
"There's a dish full, and then there's the grill. Flip them quickly. Do you know the trick to keeping the juices in?"
"Never fear me; you shall see. Hand a knife and fork, please."
"Don't be afraid of me; you'll see. Can you pass me a knife and fork, please?"
The curate turned up his coat-cuffs, and applied himself to the cookery with vigour. The manufacturer placed on the table plates, a loaf of bread, a black bottle, and two tumblers. He then produced a small copper kettle—still from the same well-stored recess, his cupboard—filled it with water from a large stone jar in a corner, set it on the fire beside the hissing gridiron, got lemons, sugar, and a small china punch-bowl; but while he was brewing the punch a tap at the door called him away.
The curate rolled up his coat's cuffs and got into cooking with enthusiasm. The manufacturer set plates, a loaf of bread, a dark bottle, and two glasses on the table. He then took out a small copper kettle from his well-stocked cupboard, filled it with water from a large stone jar in the corner, placed it on the fire next to the hissing grill, and gathered lemons, sugar, and a small china punch bowl. However, while he was making the punch, a knock at the door interrupted him.
"Is it you, Sarah?"
"Is that you, Sarah?"
"Yes, sir. Will you come to supper, please, sir?"
"Yes, sir. Could you please join us for dinner, sir?"
"No; I shall not be in to-night; I shall sleep in the mill. So lock the doors, and tell your mistress to go to bed."
"No; I won’t be back tonight; I’ll be sleeping at the mill. So lock the doors and tell your boss to go to bed."
He returned.
He came back.
[Pg 23]"You have your household in proper order," observed Malone approvingly, as, with his fine face ruddy as the embers over which he bent, he assiduously turned the mutton chops. "You are not under petticoat government, like poor Sweeting, a man—whew! how the fat spits! it has burnt my hand—destined to be ruled by women. Now you and I, Moore—there's a fine brown one for you, and full of gravy—you and I will have no gray mares in our stables when we marry."
[Pg23I'm ready to assist! Please provide the text you'd like me to modernize."Your household is well organized," Malone said admiringly, as he bent over the embers with his handsome face glowing. He carefully turned the mutton chops. "You’re not under the thumb of a woman like poor Sweeting, a guy—wow! the fat is splattering! it’s burned my hand—who’s meant to be ruled by women. Now you and I, Moore—here’s a nice brown one for you, full of gravy—you and I won’t have any gray mares in our stables when we get married."
"I don't know; I never think about it. If the gray mare is handsome and tractable, why not?"
"I don't know; I never think about it. If the gray mare is good-looking and easy to handle, why not?"
"The chops are done. Is the punch brewed?"
"The chops are ready. Is the punch made?"
"There is a glassful. Taste it. When Joe Scott and his minions return they shall have a share of this, provided they bring home the frames intact."
"There’s a glassful. Give it a taste. When Joe Scott and his crew come back, they’ll get a share of this, as long as they bring the frames back in one piece."
Malone waxed very exultant over the supper. He laughed aloud at trifles, made bad jokes and applauded them himself, and, in short, grew unmeaningly noisy. His host, on the contrary, remained quiet as before. It is time, reader, that you should have some idea of the appearance of this same host. I must endeavour to sketch him as he sits at table.
Malone was really excited about the dinner. He laughed loudly at little things, made terrible jokes, and cheered for them himself, becoming overall annoyingly loud. His host, on the other hand, stayed as quiet as ever. It's time, reader, for you to get a sense of what this host looks like. I’ll try to describe him as he sits at the table.
He is what you would probably call, at first view, rather a strange-looking man; for he is thin, dark, sallow, very foreign of aspect, with shadowy hair carelessly streaking his forehead. It appears that he spends but little time at his toilet, or he would arrange it with more taste. He seems unconscious that his features are fine, that they have a southern symmetry, clearness, regularity in their chiselling; nor does a spectator become aware of this advantage till he has examined him well, for an anxious countenance and a hollow, somewhat haggard, outline of face disturb the idea of beauty with one of care. His eyes are large, and grave, and gray; their expression is intent and meditative, rather searching than soft, rather thoughtful than genial. When he parts his lips in a smile, his physiognomy is agreeable—not that it is frank or cheerful even then, but you feel the influence of a certain sedate charm, suggestive, whether truly or delusively, of a considerate, perhaps a kind nature, of feelings that may wear well at home—patient, forbearing, possibly faithful feelings. He is still young—not more than thirty; his stature is tall, his figure slender. His manner of speaking displeases. He has an outlandish accent, which, notwithstanding[Pg 24] a studied carelessness of pronunciation and diction, grates on a British, and especially on a Yorkshire, ear.
He’s what you’d probably call, at first glance, a bit of a strange-looking guy; he’s thin, dark, sallow, and has a very foreign appearance, with messy hair carelessly falling across his forehead. It seems like he doesn’t spend much time on his looks, or he would style them better. He seems unaware that his features are quite attractive, that they have a southern symmetry, clarity, and regularity in their shaping; a viewer only notices this advantage after studying him closely, as an anxious expression and a hollow, somewhat worn-out face overshadow any idea of beauty with one of worry. His eyes are large, serious, and gray; their expression is focused and reflective, more probing than gentle, more contemplative than friendly. When he smiles, his face is pleasant—not that it’s open or cheerful even then, but you can sense a certain calm charm, suggesting, whether truly or misleadingly, a considerate and perhaps kind nature, with feelings that might be enduring at home—patient, tolerant, possibly loyal feelings. He’s still young—not more than thirty; he’s tall and slender. His way of speaking is off-putting. He has a foreign accent that, despite a seemingly casual style of pronunciation and words, grates on a British, especially a Yorkshire, ear.
Mr. Moore, indeed, was but half a Briton, and scarcely that. He came of a foreign ancestry by the mother's side, and was himself born and partly reared on a foreign soil. A hybrid in nature, it is probable he had a hybrid's feeling on many points—patriotism for one; it is likely that he was unapt to attach himself to parties, to sects, even to climes and customs; it is not impossible that he had a tendency to isolate his individual person from any community amidst which his lot might temporarily happen to be thrown, and that he felt it to be his best wisdom to push the interests of Robert Gérard Moore, to the exclusion of philanthropic consideration for general interests, with which he regarded the said Gérard Moore as in a great measure disconnected. Trade was Mr. Moore's hereditary calling: the Gérards of Antwerp had been merchants for two centuries back. Once they had been wealthy merchants; but the uncertainties, the involvements, of business had come upon them; disastrous speculations had loosened by degrees the foundations of their credit. The house had stood on a tottering base for a dozen years; and at last, in the shock of the French Revolution, it had rushed down a total ruin. In its fall was involved the English and Yorkshire firm of Moore, closely connected with the Antwerp house, and of which one of the partners, resident in Antwerp, Robert Moore, had married Hortense Gérard, with the prospect of his bride inheriting her father Constantine Gérard's share in the business. She inherited, as we have seen, but his share in the liabilities of the firm; and these liabilities, though duly set aside by a composition with creditors, some said her son Robert accepted, in his turn, as a legacy, and that he aspired one day to discharge them, and to rebuild the fallen house of Gérard and Moore on a scale at least equal to its former greatness. It was even supposed that he took by-past circumstances much to heart; and if a childhood passed at the side of a saturnine mother, under foreboding of coming evil, and a manhood drenched and blighted by the pitiless descent of the storm, could painfully impress the mind, his probably was impressed in no golden characters.
Mr. Moore was really only half British, and barely that. He had foreign ancestry on his mother’s side and was born and partly raised in another country. As a mix of cultures, it’s likely that he felt conflicted about many things—especially patriotism. He probably struggled to connect with political parties, social groups, or even local customs; it’s possible he wanted to separate himself from any community where he happened to be living. He seemed to think it was smartest to focus solely on his own interests, Robert Gérard Moore, without much concern for the broader well-being of others, which he felt was largely irrelevant to him. Trade was Mr. Moore's family business: the Gérards of Antwerp had been merchants for two centuries. They had once been wealthy, but the risks and complications of business had affected them; disastrous ventures had gradually weakened their financial standing. The business was shaky for about twelve years, and finally, during the turmoil of the French Revolution, it collapsed completely. This collapse also impacted the English and Yorkshire firm of Moore, which was closely tied to the Antwerp house. One of the partners there, Robert Moore, had married Hortense Gérard, hoping she would inherit a portion of her father Constantine Gérard's stake in the business. She did inherit, but so did the firm’s debts; and although these debts were set aside through a settlement with creditors, some claimed that her son Robert accepted them as an inheritance of sorts, and he aimed to one day pay them off and rebuild the Gérard and Moore business to at least its former glory. It was even believed that he felt deeply affected by the past; and if a childhood spent with a gloomy mother, anticipating trouble, and an adulthood overshadowed by relentless hardship could leave a mark on someone’s mind, then his was probably scarred in no uplifting way.
If, however, he had a great end of restoration in view, it was not in his power to employ great means for its attainment. He was obliged to be content with the day of[Pg 25] small things. When he came to Yorkshire, he—whose ancestors had owned warehouses in this seaport, and factories in that inland town, had possessed their town-house and their country-seat—saw no way open to him but to rent a cloth-mill in an out-of-the-way nook of an out-of-the-way district; to take a cottage adjoining it for his residence, and to add to his possessions, as pasture for his horse, and space for his cloth-tenters, a few acres of the steep, rugged land that lined the hollow through which his mill-stream brawled. All this he held at a somewhat high rent (for these war times were hard, and everything was dear) of the trustees of the Fieldhead estate, then the property of a minor.
If he had a big plan for restoration in mind, he couldn’t use significant resources to make it happen. He had to be satisfied with the small beginnings. When he arrived in Yorkshire, he—whose ancestors owned warehouses in this port and factories in that inland town, who had their town house and country estate—found that his only option was to rent a cloth mill in a remote corner of an out-of-the-way area; to take a cottage nearby for himself, and to add to his holdings, as pasture for his horse and space for his cloth workers, a few acres of the steep, rough land along the hollow where his mill-stream flowed. All of this he rented for a somewhat high price (since these wartime years were tough, and everything was expensive) from the trustees of the Fieldhead estate, which was then owned by a minor.
At the time this history commences, Robert Moore had lived but two years in the district, during which period he had at least proved himself possessed of the quality of activity. The dingy cottage was converted into a neat, tasteful residence. Of part of the rough land he had made garden-ground, which he cultivated with singular, even with Flemish, exactness and care. As to the mill, which was an old structure, and fitted up with old machinery, now become inefficient and out of date, he had from the first evinced the strongest contempt for all its arrangements and appointments. His aim had been to effect a radical reform, which he had executed as fast as his very limited capital would allow; and the narrowness of that capital, and consequent check on his progress, was a restraint which galled his spirit sorely. Moore ever wanted to push on. "Forward" was the device stamped upon his soul; but poverty curbed him. Sometimes (figuratively) he foamed at the mouth when the reins were drawn very tight.
At the time this story begins, Robert Moore had only lived in the area for two years, during which he had at least shown he was pretty active. He transformed the shabby cottage into a neat, stylish home. He turned part of the rough land into a garden, which he tended to with remarkable, even Flemish, precision and care. As for the mill, which was an old building with outdated machinery that no longer worked well, he had always shown strong disdain for its setup and features. His goal was to make significant improvements, and he did this as quickly as his very limited funds would allow. The limitations of his finances and the resulting slowdown in his progress frustrated him greatly. Moore always wanted to move forward. "Forward" was the motto that resonated in his soul, but poverty held him back. Sometimes he figuratively fumed with anger when he felt too restricted.
In this state of feeling, it is not to be expected that he would deliberate much as to whether his advance was or was not prejudicial to others. Not being a native, nor for any length of time a resident of the neighbourhood, he did not sufficiently care when the new inventions threw the old workpeople out of employ. He never asked himself where those to whom he no longer paid weekly wages found daily bread; and in this negligence he only resembled thousands besides, on whom the starving poor of Yorkshire seemed to have a closer claim.
In this state of mind, it’s not surprising that he wouldn’t think much about whether his progress was harmful to others. Since he wasn't a local and hadn’t lived in the area for long, he didn't really care when new technologies displaced the old workers. He never wondered where the people he no longer paid weekly found their daily bread; his indifference was similar to that of countless others, who seemed to have a stronger connection to the starving poor of Yorkshire.
The period of which I write was an overshadowed one in British history, and especially in the history of the northern[Pg 26] provinces. War was then at its height. Europe was all involved therein. England, if not weary, was worn with long resistance—yes, and half her people were weary too, and cried out for peace on any terms. National honour was become a mere empty name, of no value in the eyes of many, because their sight was dim with famine; and for a morsel of meat they would have sold their birthright.
The time I'm writing about was a lesser-known period in British history, especially in the history of the northern[Pg26] provinces. War was at its peak. Europe was fully embroiled in it. England, though not entirely exhausted, was worn out from a long fight—yes, and half of the population was tired too, shouting for peace at any cost. National honor had become just an empty word, worthless in the eyes of many, because they were blinded by hunger; for a bite to eat, they would have given up everything they held dear.
The "Orders in Council," provoked by Napoleon's Milan and Berlin decrees, and forbidding neutral powers to trade with France, had, by offending America, cut off the principal market of the Yorkshire woollen trade, and brought it consequently to the verge of ruin. Minor foreign markets were glutted, and would receive no more. The Brazils, Portugal, Sicily, were all overstocked by nearly two years' consumption. At this crisis certain inventions in machinery were introduced into the staple manufactures of the north, which, greatly reducing the number of hands necessary to be employed, threw thousands out of work, and left them without legitimate means of sustaining life. A bad harvest supervened. Distress reached its climax. Endurance, overgoaded, stretched the hand of fraternity to sedition. The throes of a sort of moral earthquake were felt heaving under the hills of the northern counties. But, as is usual in such cases, nobody took much notice. When a food-riot broke out in a manufacturing town, when a gig-mill was burnt to the ground, or a manufacturer's house was attacked, the furniture thrown into the streets, and the family forced to flee for their lives, some local measures were or were not taken by the local magistracy. A ringleader was detected, or more frequently suffered to elude detection; newspaper paragraphs were written on the subject, and there the thing stopped. As to the sufferers, whose sole inheritance was labour, and who had lost that inheritance—who could not get work, and consequently could not get wages, and consequently could not get bread—they were left to suffer on, perhaps inevitably left. It would not do to stop the progress of invention, to damage science by discouraging its improvements; the war could not be terminated; efficient relief could not be raised. There was no help then; so the unemployed underwent their destiny—ate the bread and drank the waters of affliction.
The "Orders in Council," triggered by Napoleon's Milan and Berlin decrees, which prohibited neutral countries from trading with France, had offended America and cut off the main market for Yorkshire's wool trade, bringing it to the brink of collapse. Smaller foreign markets were flooded and had no capacity for more. The Brazils, Portugal, and Sicily were all oversupplied by almost two years' worth of consumption. At this critical time, certain machinery innovations were introduced into the main industries in the North, significantly reducing the number of workers needed, which left thousands unemployed and without any legitimate means to support themselves. A poor harvest followed. Distress reached its peak. Frustration, pushed to the limit, extended the hand of solidarity towards unrest. The tremors of a kind of moral upheaval were felt under the hills of the northern counties. But, as is often the case, no one paid much attention. When a food riot erupted in a manufacturing town, when a gig mill was set on fire, or when a factory owner's house was attacked, with furniture thrown into the streets and the family forced to flee for their lives, some local actions were taken—or not taken—by the local authorities. A ringleader was caught, or more often, managed to escape notice; newspaper articles were written about the incidents, and that was the end of it. As for those suffering, whose only inheritance was their labor, and who had lost that—who could not find work, and therefore could not earn wages, and consequently could not afford bread—they were left to endure their plight, perhaps inevitably so. It couldn't be allowed to impede the progress of inventions, to undermine science by discouraging improvements; the war couldn't be ended; and effective relief couldn't be mobilized. There was no help at that time; so the unemployed faced their fate—eating the bread and drinking the waters of hardship.
Misery generates hate. These sufferers hated the machines which they believed took their bread from them; they hated[Pg 27] the buildings which contained those machines; they hated the manufacturers who owned those buildings. In the parish of Briarfield, with which we have at present to do, Hollow's Mill was the place held most abominable; Gérard Moore, in his double character of semi-foreigner and thorough-going progressist, the man most abominated. And it perhaps rather agreed with Moore's temperament than otherwise to be generally hated, especially when he believed the thing for which he was hated a right and an expedient thing; and it was with a sense of warlike excitement he, on this night, sat in his counting-house waiting the arrival of his frame-laden wagons. Malone's coming and company were, it may be, most unwelcome to him. He would have preferred sitting alone; for he liked a silent, sombre, unsafe solitude. His watchman's musket would have been company enough for him; the full-flowing beck in the den would have delivered continuously the discourse most genial to his ear.
Misery breeds hatred. These people despised the machines they believed took their livelihoods; they resented the buildings housing those machines; they loathed the manufacturers who owned those buildings. In the parish of Briarfield, which we are currently discussing, Hollow's Mill was seen as the most detestable place, and Gérard Moore, in his roles as a semi-foreigner and a strong progressive, was the person most reviled. In a way, it suited Moore's temperament to be widely hated, especially since he believed that the thing for which he was hated was both right and necessary. That night, he sat in his office waiting for the arrival of his wagonloads of frames with a sense of thrilling anticipation. Malone's arrival and his company may have been unwelcome to him. He would have preferred to be alone; he enjoyed a quiet, dark, precarious solitude. The musket of his watchman would have been enough company for him; the gently flowing stream in the den would have provided the most pleasant discourse for his ears.
With the queerest look in the world had the manufacturer for some ten minutes been watching the Irish curate, as the latter made free with the punch, when suddenly that steady gray eye changed, as if another vision came between it and Malone. Moore raised his hand.
With the strangest look in the world, the manufacturer had been watching the Irish curate for about ten minutes as the latter enjoyed the punch, when suddenly that calm gray eye shifted, as if a different vision came between it and Malone. Moore raised his hand.
"Chut!" he said in his French fashion, as Malone made a noise with his glass. He listened a moment, then rose, put his hat on, and went out at the counting-house door.
"Shh!" he said in his French way, as Malone clinked his glass. He listened for a moment, then stood up, put on his hat, and stepped out of the counting-house door.
The night was still, dark, and stagnant: the water yet rushed on full and fast; its flow almost seemed a flood in the utter silence. Moore's ear, however, caught another sound, very distant but yet dissimilar, broken and rugged—in short, a sound of heavy wheels crunching a stony road. He returned to the counting-house and lit a lantern, with which he walked down the mill-yard, and proceeded to open the gates. The big wagons were coming on; the dray-horses' huge hoofs were heard splashing in the mud and water. Moore hailed them.
The night was calm, dark, and still: the water continued to flow swiftly and strong; its current almost felt like a flood in the complete silence. However, Moore's ear picked up another sound, distant yet distinct, rough and uneven—specifically, the sound of heavy wheels crunching on a rocky road. He went back to the counting-house and lit a lantern, which he used to walk down to the mill-yard and open the gates. The large wagons were approaching; the heavy hooves of the dray-horses could be heard splashing in the mud and water. Moore called out to them.
"Hey, Joe Scott! Is all right?"
"Hey, Joe Scott! Are you okay?"
Probably Joe Scott was yet at too great a distance to hear the inquiry. He did not answer it.
Probably Joe Scott was still too far away to hear the question. He didn’t respond.
"Is all right, I say?" again asked Moore, when the elephant-like leader's nose almost touched his.
"Is everything okay, I asked?" Moore repeated, as the elephant-like leader's nose nearly brushed against his.
Some one jumped out from the foremost wagon into the road; a voice cried aloud, "Ay, ay, divil; all's raight! We've smashed 'em."
Someone jumped out from the front wagon onto the road; a voice shouted, "Yeah, yeah, devil; it’s all good! We’ve taken them down."
[Pg 28]And there was a run. The wagons stood still; they were now deserted.
[Pg28I'm ready for the text. Please provide it.And there was a run. The wagons were stationary; they were now abandoned.
"Joe Scott!" No Joe Scott answered. "Murgatroyd! Pighills! Sykes!" No reply. Mr. Moore lifted his lantern and looked into the vehicles. There was neither man nor machinery; they were empty and abandoned.
"Joe Scott!" No response from Joe Scott. "Murgatroyd! Pighills! Sykes!" Still no reply. Mr. Moore raised his lantern and peered into the vehicles. They were empty and deserted; there was no sign of any person or equipment.
Now Mr. Moore loved his machinery. He had risked the last of his capital on the purchase of these frames and shears which to-night had been expected. Speculations most important to his interests depended on the results to be wrought by them. Where were they?
Now Mr. Moore loved his machinery. He had risked the last of his capital on the purchase of these frames and shears that were expected tonight. Important speculations for his interests depended on the results they would produce. Where were they?
The words "we've smashed 'em" rang in his ears. How did the catastrophe affect him? By the light of the lantern he held were his features visible, relaxing to a singular smile—the smile the man of determined spirit wears when he reaches a juncture in his life where this determined spirit is to feel a demand on its strength, when the strain is to be made, and the faculty must bear or break. Yet he remained silent, and even motionless; for at the instant he neither knew what to say nor what to do. He placed the lantern on the ground, and stood with his arms folded, gazing down and reflecting.
The words "we've crushed them" echoed in his mind. How did the disaster impact him? By the light of the lantern he held, his features were visible, relaxing into a unique smile—the kind that a determined person has when they reach a point in their life where their strength is really tested, when the pressure is on, and they must either withstand it or break. Yet he stayed quiet and even still; in that moment, he didn’t know what to say or what action to take. He set the lantern down on the ground and stood with his arms crossed, looking down and deep in thought.
An impatient trampling of one of the horses made him presently look up. His eye in the moment caught the gleam of something white attached to a part of the harness. Examined by the light of the lantern this proved to be a folded paper—a billet. It bore no address without; within was the superscription:—
An impatient stomping of one of the horses made him look up. In that moment, he noticed a flash of something white attached to a part of the harness. Under the light of the lantern, it turned out to be a folded paper—a note. It had no address on the outside; inside was the superscription:—
"To the Divil of Hollow's Miln."
"To the Devil of Hollow's Mill."
We will not copy the rest of the orthography, which was very peculiar, but translate it into legible English. It ran thus:—
We won't replicate the rest of the spelling, which was quite unusual, but we'll translate it into readable English. It went like this:—
"Your hellish machinery is shivered to smash on Stilbro' Moor, and your men are lying bound hand and foot in a ditch by the roadside. Take this as a warning from men that are starving, and have starving wives and children to go home to when they have done this deed. If you get new machines, or if you otherwise go on as you have done, you shall hear from us again. Beware!"
"Your brutal machines are shattered on Stilbro' Moor, and your men are tied up in a ditch by the roadside. Consider this a warning from those who are starving and have hungry wives and children waiting for them at home after this act. If you bring in new machines or continue as you have, you will hear from us again. Watch out!"
"Hear from you again? Yes, I'll hear from you again, and you shall hear from me. I'll speak to you directly. On Stilbro' Moor you shall hear from me in a moment."
"Hear from you again? Yes, I'll hear from you again, and you'll hear from me. I'll talk to you directly. You'll hear from me on Stilbro' Moor in a moment."
Having led the wagons within the gates, he hastened towards the cottage. Opening the door, he spoke a few[Pg 29] words quickly but quietly to two females who ran to meet him in the passage. He calmed the seeming alarm of one by a brief palliative account of what had taken place; to the other he said, "Go into the mill, Sarah—there is the key—and ring the mill-bell as loud as you can. Afterwards you will get another lantern and help me to light up the front."
Having brought the wagons through the gates, he hurried towards the cottage. Opening the door, he quickly but quietly said a few words to two women who rushed to meet him in the hallway. He reassured the one who seemed alarmed with a brief, soothing explanation of what had happened; to the other, he said, "Go into the mill, Sarah—there's the key— and ring the mill-bell as loudly as you can. Then you can grab another lantern and help me light up the front."
Returning to his horses, he unharnessed, fed, and stabled them with equal speed and care, pausing occasionally, while so occupied, as if to listen for the mill-bell. It clanged out presently, with irregular but loud and alarming din. The hurried, agitated peal seemed more urgent than if the summons had been steadily given by a practised hand. On that still night, at that unusual hour, it was heard a long way round. The guests in the kitchen of the Redhouse were startled by the clamour, and declaring that "there must be summat more nor common to do at Hollow's Miln," they called for lanterns, and hurried to the spot in a body. And scarcely had they thronged into the yard with their gleaming lights, when the tramp of horses was heard, and a little man in a shovel hat, sitting erect on the back of a shaggy pony, "rode lightly in," followed by an aide-de-camp mounted on a larger steed.
Returning to his horses, he quickly unharnessed, fed, and stabled them with equal speed and care, pausing occasionally to listen for the mill bell. It soon rang out, with a loud and alarming clamor that was irregular but urgent. The hasty, frantic peal seemed more pressing than if it had been steadily rung by an experienced hand. On that quiet night, at such an unusual hour, it could be heard from a long distance away. The guests in the kitchen of the Redhouse were startled by the noise and said, "There must be something unusual happening at Hollow's Mill," so they called for lanterns and rushed to the spot together. Just as they crowded into the yard with their shining lights, the sound of horses' hooves could be heard, and a small man in a wide-brimmed hat, sitting upright on a shaggy pony, "rode in swiftly," followed by an aide-de-camp mounted on a larger horse.
Mr. Moore, meantime, after stabling his dray-horses, had saddled his hackney, and with the aid of Sarah, the servant, lit up his mill, whose wide and long front now glared one great illumination, throwing a sufficient light on the yard to obviate all fear of confusion arising from obscurity. Already a deep hum of voices became audible. Mr. Malone had at length issued from the counting-house, previously taking the precaution to dip his head and face in the stone water-jug; and this precaution, together with the sudden alarm, had nearly restored to him the possession of those senses which the punch had partially scattered. He stood with his hat on the back of his head, and his shillelah grasped in his dexter fist, answering much at random the questions of the newly-arrived party from the Redhouse. Mr. Moore now appeared, and was immediately confronted by the shovel hat and the shaggy pony.
Mr. Moore, in the meantime, after taking care of his workhorses, had saddled his horse, and with Sarah, the servant’s help, lit up his mill. Its wide and long front now radiated a bright light, illuminating the yard enough to eliminate any confusion from the darkness. A low hum of voices was already noticeable. Mr. Malone had finally come out of the counting-house, having first dipped his head and face in the stone water jug; this, along with the sudden shock, had almost brought back to him the clarity that the punch had partially taken away. He stood with his hat pushed back on his head and his stick clutched in his right hand, answering the questions from the newcomers from the Redhouse in a somewhat random manner. Mr. Moore then appeared and was immediately confronted by the shovel hat and the shaggy pony.
"Well, Moore, what is your business with us? I thought you would want us to-night—me and the hetman here (patting his pony's neck), and Tom and his charger. When I heard your mill-bell I could sit still no longer, so I left[Pg 30] Boultby to finish his supper alone. But where is the enemy? I do not see a mask or a smutted face present; and there is not a pane of glass broken in your windows. Have you had an attack, or do you expect one?"
"Well, Moore, what do you need from us? I figured you'd want us here tonight—me and the hetman (patting his pony’s neck), and Tom with his horse. When I heard your mill bell, I couldn't stay still any longer, so I left[Pg30] Boultby to finish his dinner by himself. But where’s the enemy? I don’t see anyone wearing a mask or a dirty face around; and none of your windows are broken. Have you been attacked, or are you expecting one?"
"Oh, not at all! I have neither had one nor expect one," answered Moore coolly. "I only ordered the bell to be rung because I want two or three neighbours to stay here in the Hollow while I and a couple or so more go over to Stilbro' Moor."
"Oh, not at all! I haven't had one and I don't expect one," Moore replied calmly. "I just asked to ring the bell because I want a couple of neighbors to stay here in the Hollow while a few of us head over to Stilbro' Moor."
"To Stilbro' Moor! What to do? To meet the wagons?"
"To Stilbro' Moor! What should we do? Should we meet the wagons?"
"The wagons are come home an hour ago."
"The wagons came home an hour ago."
"Then all's right. What more would you have?"
"Then everything is good. What else do you want?"
"They came home empty; and Joe Scott and company are left on the moor, and so are the frames. Read that scrawl."
"They came home empty; and Joe Scott and the others are left on the moor, and so are the frames. Read that scribble."
Mr. Helstone received and perused the document of which the contents have before been given.
Mr. Helstone looked over the document whose contents have been mentioned before.
"Hum! They've only served you as they serve others. But, however, the poor fellows in the ditch will be expecting help with some impatience. This is a wet night for such a berth. I and Tom will go with you. Malone may stay behind and take care of the mill. What is the matter with him? His eyes seem starting out of his head."
"Hum! They've only helped you like they help everyone else. But still, the poor guys in the ditch will be waiting for help with some impatience. It's a wet night for such a job. Tom and I will go with you. Malone can stay back and look after the mill. What's wrong with him? His eyes look like they’re about to pop out of his head."
"He has been eating a mutton chop."
"He has been eating a lamb chop."
"Indeed!—Peter Augustus, be on your guard. Eat no more mutton chops to-night. You are left here in command of these premises—an honourable post!"
"Absolutely!—Peter Augustus, stay alert. Don’t eat any more mutton chops tonight. You’re in charge of this place—what an honorable position!"
"Is anybody to stay with me?"
"Is anyone going to stay with me?"
"As many of the present assemblage as choose.—My lads, how many of you will remain here, and how many will go a little way with me and Mr. Moore on the Stilbro' road, to meet some men who have been waylaid and assaulted by frame-breakers?"
"As many of you here as want to. My friends, how many of you will stay here, and how many will come a bit with me and Mr. Moore on the Stilbro' road to meet some people who have been ambushed and attacked by frame-breakers?"
The small number of three volunteered to go; the rest preferred staying behind. As Mr. Moore mounted his horse, the rector asked him in a low voice whether he had locked up the mutton chops, so that Peter Augustus could not get at them? The manufacturer nodded an affirmative, and the rescue-party set out.[Pg 31]
Only three people volunteered to go; the others chose to stay behind. As Mr. Moore got on his horse, the rector quietly asked him if he had locked up the mutton chops so that Peter Augustus couldn't get to them. The manufacturer nodded yes, and the rescue party took off.[Pg31Please provide the text you would like me to modernize.
CHAPTER III.
MR. YORKE.
Cheerfulness, it would appear, is a matter which depends fully as much on the state of things within as on the state of things without and around us. I make this trite remark, because I happen to know that Messrs. Helstone and Moore trotted forth from the mill-yard gates, at the head of their very small company, in the best possible spirits. When a ray from a lantern (the three pedestrians of the party carried each one) fell on Mr. Moore's face, you could see an unusual, because a lively, spark dancing in his eyes, and a new-found vivacity mantling on his dark physiognomy; and when the rector's visage was illuminated, his hard features were revealed all agrin and ashine with glee. Yet a drizzling night, a somewhat perilous expedition, you would think were not circumstances calculated to enliven those exposed to the wet and engaged in the adventure. If any member or members of the crew who had been at work on Stilbro' Moor had caught a view of this party, they would have had great pleasure in shooting either of the leaders from behind a wall: and the leaders knew this; and the fact is, being both men of steely nerves and steady-beating hearts, were elate with the knowledge.
Happiness seems to rely just as much on what's going on inside us as on what's happening outside and around us. I point this out because I know that Messrs. Helstone and Moore left the mill-yard gates, leading their very small group, in the best spirits possible. When a beam from a lantern (each of the three pedestrians carried one) lit up Mr. Moore's face, you could see a lively spark dancing in his eyes and a newfound energy brightening his dark features; and when the rector's face was illuminated, his stern features were revealed, all grinning and shining with joy. Yet on a drizzly night, with a rather dangerous adventure ahead, it seems unlikely that those braving the wet would feel uplifted. If any workers from Stilbro' Moor had caught sight of this group, they would have delighted in the chance to shoot either of the leaders from behind a wall; and the leaders were aware of this, and the truth is, being both men of steely nerves and unwavering hearts, they felt uplifted by that knowledge.
I am aware, reader, and you need not remind me, that it is a dreadful thing for a parson to be warlike; I am aware that he should be a man of peace. I have some faint outline of an idea of what a clergyman's mission is amongst mankind, and I remember distinctly whose servant he is, whose message he delivers, whose example he should follow; yet, with all this, if you are a parson-hater, you need not expect me to go along with you every step of your dismal, downward-tending, unchristian road; you need not expect me to join in your deep anathemas, at once so narrow and so sweeping, in your poisonous rancour, so intense and so absurd, against "the cloth;" to lift up my[Pg 32] eyes and hands with a Supplehough, or to inflate my lungs with a Barraclough, in horror and denunciation of the diabolical rector of Briarfield.
I know, reader, and you don’t need to remind me, that it’s terrible for a pastor to be warlike; I understand that he should be a man of peace. I have a vague idea of what a clergyman's mission is among people, and I clearly remember whose servant he is, whose message he shares, and whose example he should follow; yet, despite all this, if you hate pastors, don’t expect me to walk with you every step of your bleak, downward path, which is un-Christian; don’t expect me to join in your harsh curses, which are both narrow-minded and sweeping, in your toxic bitterness, which is so intense and absurd, against "the cloth;" to lift my eyes and hands in horror and condemnation of the evil rector of Briarfield.
He was not diabolical at all. The evil simply was—he had missed his vocation. He should have been a soldier, and circumstances had made him a priest. For the rest, he was a conscientious, hard-headed, hard-handed, brave, stern, implacable, faithful little man; a man almost without sympathy, ungentle, prejudiced, and rigid, but a man true to principle, honourable, sagacious, and sincere. It seems to me, reader, that you cannot always cut out men to fit their profession, and that you ought not to curse them because their profession sometimes hangs on them ungracefully. Nor will I curse Helstone, clerical Cossack as he was. Yet he was cursed, and by many of his own parishioners, as by others he was adored—which is the frequent fate of men who show partiality in friendship and bitterness in enmity, who are equally attached to principles and adherent to prejudices.
He wasn't evil at all. The badness just existed—he had missed his true calling. He should have been a soldier, but circumstances led him to become a priest. Other than that, he was a hardworking, tough, brave, strict, relentless, and loyal little man; a man with almost no sympathy, harsh, biased, and inflexible, but someone who was true to his principles, honorable, wise, and sincere. It seems to me, reader, that you can't always shape people to fit their jobs, and you shouldn't blame them just because their role sometimes doesn't suit them well. Nor will I criticize Helstone, the clerical tough guy he was. Yet he was criticized, and by many of his own parishioners, just as he was adored by others—which is often the fate of those who show favoritism in friendship and bitterness in opposition, who are equally committed to principles and cling to their biases.
Helstone and Moore being both in excellent spirits, and united for the present in one cause, you would expect that, as they rode side by side, they would converse amicably. Oh no! These two men, of hard, bilious natures both, rarely came into contact but they chafed each other's moods. Their frequent bone of contention was the war. Helstone was a high Tory (there were Tories in those days), and Moore was a bitter Whig—a Whig, at least, as far as opposition to the war-party was concerned, that being the question which affected his own interest; and only on that question did he profess any British politics at all. He liked to infuriate Helstone by declaring his belief in the invincibility of Bonaparte, by taunting England and Europe with the impotence of their efforts to withstand him, and by coolly advancing the opinion that it was as well to yield to him soon as late, since he must in the end crush every antagonist, and reign supreme.
Helstone and Moore were both in great spirits and united for the moment in one cause, so you might expect that as they rode side by side, they would chat pleasantly. Oh no! These two men, both with hard, grumpy dispositions, rarely interacted without getting on each other's nerves. Their ongoing point of disagreement was the war. Helstone was a staunch Tory (there were Tories back then), and Moore was a fierce Whig—a Whig, at least, in his opposition to the war party, since that issue affected his own interests; and it was only on that matter that he claimed any British political allegiance at all. He enjoyed infuriating Helstone by insisting that Bonaparte was unbeatable, mocking England and Europe for their failure to stop him, and casually suggesting that it was better to submit to him sooner rather than later, since he would ultimately defeat every opponent and reign supreme.
Helstone could not bear these sentiments. It was only on the consideration of Moore being a sort of outcast and alien, and having but half measure of British blood to temper the foreign gall which corroded his veins, that he brought himself to listen to them without indulging the wish he felt to cane the speaker. Another thing, too, somewhat allayed his disgust—namely, a fellow-feeling for the dogged tone with which these opinions were asserted,[Pg 33] and a respect for the consistency of Moore's crabbed contumacy.
Helstone couldn't stand these feelings. He only managed to listen to the speaker without wanting to hit him because he thought of Moore as a bit of an outcast and outsider, having only a portion of British blood to counterbalance the foreign bitterness in his veins. Another thing that eased his disgust was a certain empathy for the stubborn way these opinions were expressed, along with a respect for Moore's consistent defiance.[Pg33I'm sorry, but I need a text snippet of 5 words or fewer to assist you with the modernization. Please provide one.
As the party turned into the Stilbro' road, they met what little wind there was; the rain dashed in their faces. Moore had been fretting his companion previously, and now, braced up by the raw breeze, and perhaps irritated by the sharp drizzle, he began to goad him.
As the party turned onto Stilbro' road, they faced what little wind there was; the rain pelted their faces. Moore had been bothering his companion before, and now, energized by the chilly breeze and maybe annoyed by the cold drizzle, he started to provoke him.
"Does your Peninsular news please you still?" he asked.
"Are you still happy with your Peninsular news?" he asked.
"What do you mean?" was the surly demand of the rector.
"What do you mean?" was the grumpy demand of the rector.
"I mean, have you still faith in that Baal of a Lord Wellington?"
"I mean, do you still have faith in that idiot Lord Wellington?"
"And what do you mean now?"
"And what do you mean now?"
"Do you still believe that this wooden-faced and pebble-hearted idol of England has power to send fire down from heaven to consume the French holocaust you want to offer up?"
"Do you still think that this wooden-faced and pebble-hearted idol of England has the power to call down fire from heaven to burn up the French holocaust you want to offer?"
"I believe Wellington will flog Bonaparte's marshals into the sea the day it pleases him to lift his arm."
"I believe Wellington will beat Bonaparte's marshals into the sea the day he decides to raise his arm."
"But, my dear sir, you can't be serious in what you say. Bonaparte's marshals are great men, who act under the guidance of an omnipotent master-spirit. Your Wellington is the most humdrum of commonplace martinets, whose slow, mechanical movements are further cramped by an ignorant home government."
"But, my dear sir, you can't be serious about what you're saying. Bonaparte's marshals are great leaders who operate under the direction of a powerful master. Your Wellington is the most ordinary of routine commanders, whose slow, mechanical actions are made even worse by a clueless home government."
"Wellington is the soul of England. Wellington is the right champion of a good cause, the fit representative of a powerful, a resolute, a sensible, and an honest nation."
"Wellington is the heart of England. Wellington is the true champion of a good cause, the perfect representative of a strong, determined, sensible, and honest nation."
"Your good cause, as far as I understand it, is simply the restoration of that filthy, feeble Ferdinand to a throne which he disgraced. Your fit representative of an honest people is a dull-witted drover, acting for a duller-witted farmer; and against these are arrayed victorious supremacy and invincible genius."
"From what I gather, your noble cause is just getting that disgusting, weak Ferdinand back on a throne he shamed. Your so-called representative of a decent people is a dim-witted cowherd, working for an even duller farmer; and facing them are marked superiority and unstoppable talent."
"Against legitimacy is arrayed usurpation; against modest, single-minded, righteous, and brave resistance to encroachment is arrayed boastful, double-tongued, selfish, and treacherous ambition to possess. God defend the right!"
"Usurpation stands against legitimacy; modest, focused, righteous, and courageous resistance to encroachment faces off against arrogant, deceitful, selfish, and treacherous ambition to control. God defend the right!"
"God often defends the powerful."
"God often protects the powerful."
"What! I suppose the handful of Israelites standing dryshod on the Asiatic side of the Red Sea was more powerful than the host of the Egyptians drawn up on the African[Pg 34] side? Were they more numerous? Were they better appointed? Were they more mighty, in a word—eh? Don't speak, or you'll tell a lie, Moore; you know you will. They were a poor, overwrought band of bondsmen. Tyrants had oppressed them through four hundred years; a feeble mixture of women and children diluted their thin ranks; their masters, who roared to follow them through the divided flood, were a set of pampered Ethiops, about as strong and brutal as the lions of Libya. They were armed, horsed, and charioted; the poor Hebrew wanderers were afoot. Few of them, it is likely, had better weapons than their shepherds' crooks or their masons' building-tools; their meek and mighty leader himself had only his rod. But bethink you, Robert Moore, right was with them; the God of battles was on their side. Crime and the lost archangel generalled the ranks of Pharaoh, and which triumphed? We know that well. 'The Lord saved Israel that day out of the hand of the Egyptians, and Israel saw the Egyptians dead upon the sea-shore'—yea, 'the depths covered them, they sank to the bottom as a stone.' The right hand of the Lord became glorious in power; the right hand of the Lord dashed in pieces the enemy!"
"What! Do you really think the small group of Israelites standing on the Asian side of the Red Sea was more powerful than the Egyptian army lined up on the African side? Were they more numerous? Were they better equipped? Were they stronger overall—huh? Don't say anything, or you'll just be lying, Moore; you know you will. They were a poor, worn-out group of slaves. Tyrants had oppressed them for four hundred years; a weak mix of women and children weakened their ranks; their masters, who roared to follow them through the parted sea, were a bunch of pampered Ethiopians, as strong and brutal as the lions of Libya. They were armed, mounted, and in chariots; the poor Hebrew wanderers were on foot. Likely, few of them had better weapons than their shepherds' staffs or their masons' tools; their humble yet powerful leader had only his rod. But think about it, Robert Moore, they were in the right; the God of battles was on their side. Crime and the fallen archangel led Pharaoh's forces, and who won? We know that well. 'The Lord saved Israel that day from the hand of the Egyptians, and Israel saw the Egyptians dead on the seashore'—yes, 'the depths covered them; they sank to the bottom like a stone.' The right hand of the Lord was glorious in power; the right hand of the Lord shattered the enemy!"
"You are all right; only you forget the true parallel. France is Israel, and Napoleon is Moses. Europe, with her old overgorged empires and rotten dynasties, is corrupt Egypt; gallant France is the Twelve Tribes, and her fresh and vigorous Usurper the Shepherd of Horeb."
"You’re all right; you just forget the real comparison. France is Israel, and Napoleon is Moses. Europe, with its old, overindulged empires and decaying dynasties, is like corrupt Egypt; brave France represents the Twelve Tribes, and her fresh and dynamic Usurper is the Shepherd of Horeb."
"I scorn to answer you."
"I'm not going to answer you."
Moore accordingly answered himself—at least, he subjoined to what he had just said an additional observation in a lower voice.
Moore answered himself—at least, he added another comment in a quieter voice to what he had just said.
"Oh, in Italy he was as great as any Moses! He was the right thing there, fit to head and organize measures for the regeneration of nations. It puzzles me to this day how the conqueror of Lodi should have condescended to become an emperor, a vulgar, a stupid humbug; and still more how a people who had once called themselves republicans should have sunk again to the grade of mere slaves. I despise France! If England had gone as far on the march of civilization as France did, she would hardly have retreated so shamelessly."
"Oh, in Italy he was as great as any Moses! He was the perfect person to lead and organize efforts for the revival of nations. It still confuses me how the conqueror of Lodi could lower himself to become an emperor, a common, foolish fraud; and even more how a people who once called themselves republicans could have fallen back to the level of mere slaves. I despise France! If England had made as much progress in civilization as France did, it would hardly have retreated so shamefully."
"You don't mean to say that besotted imperial France is any worse than bloody republican France?" demanded Helstone fiercely.
"You can’t seriously be saying that infatuated imperial France is any worse than violent republican France?" Helstone demanded fiercely.
[Pg 35]"I mean to say nothing, but I can think what I please, you know, Mr. Helstone, both about France and England; and about revolutions, and regicides, and restorations in general; and about the divine right of kings, which you often stickle for in your sermons, and the duty of non-resistance, and the sanity of war, and——"
[Pg35]"I don’t mean to say much, but I can think whatever I want, you know, Mr. Helstone, about both France and England; about revolutions, regicides, and restorations in general; about the divine right of kings, which you often argue for in your sermons, and the duty of non-resistance, and the rationality of war, and——"
Mr. Moore's sentence was here cut short by the rapid rolling up of a gig, and its sudden stoppage in the middle of the road. Both he and the rector had been too much occupied with their discourse to notice its approach till it was close upon them.
Mr. Moore's sentence was interrupted by the quick arrival of a gig, which suddenly stopped in the middle of the road. Both he and the rector had been too engaged in their conversation to notice it coming until it was right in front of them.
"Nah, maister; did th' wagons hit home?" demanded a voice from the vehicle.
"Nah, boss; did the wagons make it back?" asked a voice from the vehicle.
"Can that be Joe Scott?"
"Is that Joe Scott?"
"Ay, ay!" returned another voice; for the gig contained two persons, as was seen by the glimmer of its lamp. The men with the lanterns had now fallen into the rear, or rather, the equestrians of the rescue-party had outridden the pedestrians. "Ay, Mr. Moore, it's Joe Scott. I'm bringing him back to you in a bonny pickle. I fand him on the top of the moor yonder, him and three others. What will you give me for restoring him to you?"
"Hey, hey!" replied another voice, as there were two people in the carriage, evident from the glow of its lamp. The men with the lanterns had now fallen behind, or rather, the riders from the rescue party had outpaced the walkers. "Hey, Mr. Moore, it's Joe Scott. I'm bringing him back to you in quite a mess. I found him up on the moor over there, along with three others. What will you give me for bringing him back to you?"
"Why, my thanks, I believe; for I could better have afforded to lose a better man. That is you, I suppose, Mr. Yorke, by your voice?"
"Thank you, I think; I could have managed losing a better man. That would be you, I guess, Mr. Yorke, by the sound of your voice?"
"Ay, lad, it's me. I was coming home from Stilbro' market, and just as I got to the middle of the moor, and was whipping on as swift as the wind (for these, they say, are not safe times, thanks to a bad government!), I heard a groan. I pulled up. Some would have whipt on faster; but I've naught to fear that I know of. I don't believe there's a lad in these parts would harm me—at least, I'd give them as good as I got if they offered to do it. I said, 'Is there aught wrong anywhere?' ''Deed is there,' somebody says, speaking out of the ground, like. 'What's to do? Be sharp and tell me,' I ordered. 'Nobbut four on us ligging in a ditch,' says Joe, as quiet as could be. I telled 'em more shame to 'em, and bid them get up and move on, or I'd lend them a lick of the gig-whip; for my notion was they were all fresh. 'We'd ha' done that an hour sin', but we're teed wi' a bit o' band,' says Joe. So in a while I got down and loosed 'em wi' my penknife; and Scott would ride wi' me, to tell me all how it happened; and t' others are coming on as fast as their feet will bring them."
"Hey, kid, it's me. I was coming home from the Stilbro' market, and just as I got to the middle of the moor, moving as fast as the wind (because, they say, these are dangerous times with a bad government!), I heard a groan. I stopped. Some would have rushed on faster; but I don't have anything to fear, at least that I know of. I don't believe there's a kid around here who would hurt me—at least, I'd give them as good as I got if they tried. I asked, 'Is something wrong?' 'Oh, there is,' someone said, speaking from the ground. 'What's going on? Be quick and tell me,' I demanded. 'Only four of us lying in a ditch,' Joe said, as calm as could be. I told them they should be ashamed and ordered them to get up and move on, or I’d give them a smack with the whip; because I figured they were all drunk. 'We would have done that an hour ago, but we’re stuck with a bit of band,' says Joe. So after a while, I got down and freed them with my penknife; and Scott would ride with me to tell me how it all happened; and the others are coming as fast as they can."
[Pg 36]"Well, I am greatly obliged to you, Mr. Yorke."
[Pg36It seems like there was an error in your input. Please provide a short piece of text, and I will help modernize it if possible."Well, I really appreciate it, Mr. Yorke."
"Are you, my lad? You know you're not. However, here are the rest approaching. And here, by the Lord, is another set with lights in their pitchers, like the army of Gideon; and as we've th' parson wi', us—good-evening, Mr. Helstone—we'se do."
"Are you, my boy? You know you're not. Anyway, here come the others. And look, by God, there's another group with lights in their jugs, just like Gideon's army; and since we have the reverend with us—good evening, Mr. Helstone—we'll be good."
Mr. Helstone returned the salutation of the individual in the gig very stiffly indeed. That individual proceeded,—
Mr. Helstone responded to the greeting of the person in the gig very stiffly. That person continued,—
"We're eleven strong men, and there's both horses and chariots amang us. If we could only fall in wi' some of these starved ragamuffins of frame-breakers we could win a grand victory. We could iv'ry one be a Wellington—that would please ye, Mr. Helstone—and sich paragraphs as we could contrive for t' papers! Briarfield suld be famous. But we'se hev a column and a half i' th' Stilbro' Courier ower this job, as it is, I dare say. I'se expect no less."
"We're eleven strong guys, and we have both horses and chariots with us. If we could just team up with some of these starving misfits, we could score a huge victory. We could each be like Wellington—that would make you happy, Mr. Helstone—and just think of the headlines we could create for the papers! Briarfield would become famous. But I bet we'll get a column and a half in the Stilbro' Courier about this job, as it is. I won’t expect anything less."
"And I'll promise you no less, Mr. Yorke, for I'll write the article myself," returned the rector.
"And I promise you nothing less, Mr. Yorke, because I'll write the article myself," replied the rector.
"To be sure—sartainly! And mind ye recommend weel that them 'at brake t' bits o' frames, and teed Joe Scott's legs wi' band, suld be hung without benefit o' clergy. It's a hanging matter, or suld be. No doubt o' that."
"Absolutely—definitely! And make sure you strongly recommend that those who broke the bits of frames and tied Joe Scott's legs with a strap should be hanged without any chance of forgiveness. It's definitely a hanging offense, or it should be. No doubt about that."
"If I judged them I'd give them short shrift!" cried Moore. "But I mean to let them quite alone this bout, to give them rope enough, certain that in the end they will hang themselves."
"If I judged them, I wouldn't give them the time of day!" shouted Moore. "But this time, I plan to leave them alone, to give them enough rope, knowing that in the end, they'll hang themselves."
"Let them alone, will ye, Moore? Do you promise that?"
"Just leave them alone, okay, Moore? Do you promise that?"
"Promise! No. All I mean to say is, I shall give myself no particular trouble to catch them; but if one falls in my way——"
"Promise! No. All I’m saying is, I won’t go out of my way to catch them; but if one happens to cross my path——"
"You'll snap him up, of course. Only you would rather they would do something worse than merely stop a wagon before you reckon with them. Well, we'll say no more on the subject at present. Here we are at my door, gentlemen, and I hope you and the men will step in. You will none of you be the worse of a little refreshment."
"You'll definitely take him in, of course. But you'd prefer if they did something worse than just stopping a wagon before you deal with them. Anyway, let's drop that topic for now. Here we are at my door, gentlemen, and I hope you and the guys will come inside. None of you will regret a little snack."
Moore and Helstone opposed this proposition as unnecessary. It was, however, pressed on them so courteously, and the night, besides, was so inclement, and the gleam from the muslin-curtained windows of the house before which they had halted looked so inviting, that at length they yielded. Mr. Yorke, after having alighted from his gig, which he left in charge of a man who issued from an outbuilding on his arrival, led the way in.
Moore and Helstone disagreed with this suggestion, thinking it was unnecessary. However, it was presented to them so politely, and the night was so harsh, and the warm light from the muslin-curtained windows of the house they had stopped in front of looked so welcoming, that they eventually gave in. Mr. Yorke, after getting out of his carriage, which he left with a man who came from a shed when he arrived, led the way inside.
[Pg 37]It will have been remarked that Mr. Yorke varied a little in his phraseology. Now he spoke broad Yorkshire, and anon he expressed himself in very pure English. His manner seemed liable to equal alternations. He could be polite and affable, and he could be blunt and rough. His station then you could not easily determine by his speech and demeanour. Perhaps the appearance of his residence may decide it.
[Pg37Got it! Please provide the text you'd like me to modernize.It’s been noted that Mr. Yorke changed his way of speaking a bit. Sometimes he spoke in strong Yorkshire dialect, and other times he used very proper English. His behavior seemed to shift in the same way. He could be friendly and charming, but he could also be direct and tough. You couldn’t easily figure out his social status just by his speech and behavior. Maybe his home’s appearance would give it away.
The men he recommended to take the kitchen way, saying that he would "see them served wi' summat to taste presently." The gentlemen were ushered in at the front entrance. They found themselves in a matted hall, lined almost to the ceiling with pictures. Through this they were conducted to a large parlour, with a magnificent fire in the grate—the most cheerful of rooms it appeared as a whole, and when you came to examine details, the enlivening effect was not diminished. There was no splendour, but there was taste everywhere, unusual taste—the taste, you would have said, of a travelled man, a scholar, and a gentleman. A series of Italian views decked the walls. Each of these was a specimen of true art. A connoisseur had selected them; they were genuine and valuable. Even by candle-light the bright clear skies, the soft distances, with blue air quivering between the eye and the hills, the fresh tints, and well-massed lights and shadows, charmed the view. The subjects were all pastoral, the scenes were all sunny. There was a guitar and some music on a sofa; there were cameos, beautiful miniatures; a set of Grecian-looking vases on the mantelpiece; there were books well arranged in two elegant bookcases.
The men were advised to go through the kitchen, with the promise that he would "make sure they were served something tasty shortly." The gentlemen were welcomed at the front entrance and found themselves in a hallway with a carpet and walls lined with pictures up to almost the ceiling. They were then led into a large living room, featuring a magnificent fire in the fireplace—it was the most cheerful room, and the more you looked at the details, the more uplifting it felt. While it wasn’t extravagant, it had style everywhere, an unusual kind of style—you would say it reflected someone who had traveled, studied, and possessed good taste. The walls were adorned with a series of Italian landscapes, each a true piece of art. A connoisseur must have picked them; they were authentic and valuable. Even by candlelight, the bright, clear skies, soft distance with the blue air shimmering between the viewer and the hills, and the fresh colors and well-balanced lights and shadows captivated the eye. All the subjects were pastoral, and the scenes radiated sunlight. A guitar and some music were resting on a sofa; there were cameos and beautiful miniatures; a set of Grecian-style vases sat on the mantelpiece; and books were neatly arranged in two elegant bookcases.
Mr. Yorke bade his guests be seated. He then rang for wine. To the servant who brought it he gave hospitable orders for the refreshment of the men in the kitchen. The rector remained standing; he seemed not to like his quarters; he would not touch the wine his host offered him.
Mr. Yorke asked his guests to take a seat. He then called for some wine. To the servant who brought it, he gave friendly instructions for the kitchen staff to prepare refreshments for the men. The rector stayed standing; he didn't seem to like where he was; he refused to drink the wine his host offered him.
"E'en as you will," remarked Mr. Yorke. "I reckon you're thinking of Eastern customs, Mr. Helstone, and you'll not eat nor drink under my roof, feared we suld be forced to be friends; but I am not so particular or superstitious. You might sup the contents of that decanter, and you might give me a bottle of the best in your own cellar, and I'd hold myself free to oppose you at every turn still—in every vestry-meeting and justice-meeting where we encountered one another."
"As you wish," Mr. Yorke said. "I guess you're thinking about Eastern customs, Mr. Helstone, and you think you won't eat or drink under my roof because you're afraid we might end up being friends. But I'm not that picky or superstitious. You could drink from that decanter, and you could give me a bottle of the best from your own cellar, and I'd still feel completely free to oppose you at every turn—in every vestry meeting and justice meeting where we come face to face."
[Pg 38]"It is just what I should expect of you, Mr. Yorke."
[Pg38I'm sorry, but it seems that there is no text to modernize. Please provide a phrase for me to work with."That's exactly what I expected from you, Mr. Yorke."
"Does it agree wi' ye now, Mr. Helstone, to be riding out after rioters, of a wet night, at your age?"
"Do you really think it's a good idea, Mr. Helstone, to go out chasing after rioters on a rainy night at your age?"
"It always agrees with me to be doing my duty; and in this case my duty is a thorough pleasure. To hunt down vermin is a noble occupation, fit for an archbishop."
"It always feels right for me to do my duty; and in this case, my duty is a complete pleasure. Hunting down pests is a noble job, worthy of an archbishop."
"Fit for ye, at ony rate. But where's t' curate? He's happen gone to visit some poor body in a sick gird, or he's happen hunting down vermin in another direction."
"Good for you, at any rate. But where's the curate? He might have gone to visit someone who's sick, or he might be out hunting down pests somewhere else."
"He is doing garrison-duty at Hollow's Mill."
"He is on garrison duty at Hollow's Mill."
"You left him a sup o' wine, I hope, Bob" (turning to Mr. Moore), "to keep his courage up?"
"You left him a sip of wine, I hope, Bob" (turning to Mr. Moore), "to keep his spirits up?"
He did not pause for an answer, but continued, quickly, still addressing Moore, who had thrown himself into an old-fashioned chair by the fireside—"Move it, Robert! Get up, my lad! That place is mine. Take the sofa, or three other chairs, if you will, but not this. It belangs to me, and nob'dy else."
He didn’t wait for a response, but kept going, quickly, still talking to Moore, who had slumped into an old-fashioned chair by the fire—“Move it, Robert! Get up, my friend! That spot is mine. Take the sofa or any of the other three chairs if you want, but not this one. It belongs to me and no one else.”
"Why are you so particular to that chair, Mr. Yorke?" asked Moore, lazily vacating the place in obedience to orders.
"Why are you so attached to that chair, Mr. Yorke?" asked Moore, casually getting up from the spot as instructed.
"My father war afore me, and that's all t' answer I sall gie thee; and it's as good a reason as Mr. Helstone can give for the main feck o' his notions."
"My father fought before me, and that’s all the answer I’ll give you; and it’s as good a reason as Mr. Helstone can provide for most of his ideas."
"Moore, are you ready to go?" inquired the rector.
"Moore, are you ready to go?" asked the rector.
"Nay; Robert's not ready, or rather, I'm not ready to part wi' him. He's an ill lad, and wants correcting."
"No, Robert's not ready, or actually, I'm not ready to let him go. He's a bad kid and needs to be corrected."
"Why, sir? What have I done?"
"Why, sir? What did I do?"
"Made thyself enemies on every hand."
"Created enemies all around you."
"What do I care for that? What difference does it make to me whether your Yorkshire louts hate me or like me?"
"What do I care about that? What difference does it make to me whether those Yorkshire guys hate me or like me?"
"Ay, there it is. The lad is a mak' of an alien amang us. His father would never have talked i' that way.—Go back to Antwerp, where you were born and bred, mauvaise tête!"
"Ay, there it is. The kid is like an alien among us. His father would never have talked like that. —Go back to Antwerp, where you were born and raised, bad head!"
"Mauvaise tête vous-même; je ne fais que mon devoir; quant à vos lourdauds de paysans, je m'en moque!"
"Messed up, you yourself; I'm just doing my job; as for your clumsy peasants, I couldn’t care less!"
"En ravanche, mon garçon, nos lourdauds de paysans se moqueront de toi; sois en certain," replied Yorke, speaking with nearly as pure a French accent as Gérard Moore.
"Just so you know, my boy, those clumsy peasants will make fun of you; you can count on it," replied Yorke, speaking with almost as authentic a French accent as Gérard Moore.
"C'est bon! c'est bon! Et puisque cela m'est égal, que mes amis ne s'en inquiètent pas."
"C'est bon! C'est bon! And since I don't care, my friends shouldn't worry about it."
[Pg 39]"Tes amis! Où sont-ils, tes amis?"
[Pg39I'm sorry, but I need a short piece of text to work with. Please provide a phrase for me to modernize!"Your friends! Where are they, your friends?"
"Je fais écho, où sont-ils? et je suis fort aise que l'écho seul y répond. Au diable les amis! Je me souviens encore du moment où mon père et mes oncles Gérard appellèrent autour d'eux leurs amis, et Dieu sait si les amis se sont empressés d'accourir à leur secours! Tenez, M. Yorke, ce mot, ami, m'irrite trop; ne m'en parlez plus."
"Are they here? I’m glad that only the echo answers. Forget about friends! I still remember the time my father and my Uncle Gérard called out for their friends, and God knows how quickly those friends rushed to their aid! You know what, Mr. Yorke, that word, friend, really irritates me; don’t mention it again."
"Comme tu voudras."
"Whatever you want."
And here Mr. Yorke held his peace; and while he sits leaning back in his three-cornered carved oak chair, I will snatch my opportunity to sketch the portrait of this French-speaking Yorkshire gentleman.[Pg 40]
And here Mr. Yorke stayed quiet; while he leans back in his intricately carved oak chair, I'll take my chance to describe this French-speaking Yorkshire gentleman.[Pg40Please provide the text you want me to modernize.
CHAPTER IV.
MR. YORKE (continued).
A Yorkshire gentleman he was, par excellence, in every point; about fifty-five years old, but looking at first sight still older, for his hair was silver white. His forehead was broad, not high; his face fresh and hale; the harshness of the north was seen in his features, as it was heard in his voice; every trait was thoroughly English—not a Norman line anywhere; it was an inelegant, unclassic, unaristocratic mould of visage. Fine people would perhaps have called it vulgar; sensible people would have termed it characteristic; shrewd people would have delighted in it for the pith, sagacity, intelligence, the rude yet real originality marked in every lineament, latent in every furrow. But it was an indocile, a scornful, and a sarcastic face—the face of a man difficult to lead, and impossible to drive. His stature was rather tall, and he was well made and wiry, and had a stately integrity of port; there was not a suspicion of the clown about him anywhere.
A Yorkshire pudding gentleman he was, par excellence, in every way; about fifty-five years old, but at first glance looking even older, as his hair was silver white. His forehead was broad, not high; his face was fresh and healthy; the ruggedness of the north was evident in his features, as it was in his voice; every trait was thoroughly English—not a Norman feature in sight; it was an inelegant, unrefined, unaristocratic face. Refined people might have called it vulgar; sensible people would have called it distinctive; astute people would have appreciated it for the depth, wisdom, intelligence, and the raw yet genuine originality reflected in every detail, hidden in every line. But it was an unyielding, scornful, and sarcastic face—the face of a man hard to lead and impossible to push around. He was rather tall, well-built and wiry, with a dignified demeanor; there was not a hint of the clown in him anywhere.
I did not find it easy to sketch Mr. Yorke's person, but it is more difficult to indicate his mind. If you expect to be treated to a Perfection, reader, or even to a benevolent, philanthropic old gentleman in him, you are mistaken. He has spoken with some sense and with some good feeling to Mr. Moore, but you are not thence to conclude that he always spoke and thought justly and kindly.
I didn’t find it easy to describe Mr. Yorke's appearance, but it's even harder to capture his mindset. If you’re hoping to encounter a perfect character, or even a kind, charitable old man in him, you’re wrong. He has shown some insight and good feelings towards Mr. Moore, but that doesn’t mean he always communicates and thinks justly and kindly.
Mr. Yorke, in the first place, was without the organ of veneration—a great want, and which throws a man wrong on every point where veneration is required. Secondly, he was without the organ of comparison—a deficiency which strips a man of sympathy; and thirdly, he had too little of the organs of benevolence and ideality, which took the glory and softness from his nature, and for him diminished those divine qualities throughout the universe.
Mr. Yorke, first of all, lacked the sense of respect—a significant deficiency that misguides a person in every situation where respect is needed. Secondly, he didn’t have the ability to compare—an absence that robs a person of empathy; and thirdly, he had very little of the traits related to kindness and imagination, which stripped away the beauty and tenderness from his character, ultimately diminishing those divine qualities in the world around him.
The want of veneration made him intolerant to those above him—kings and nobles and priests, dynasties and[Pg 41] parliaments and establishments, with all their doings, most of their enactments, their forms, their rights, their claims, were to him an abomination, all rubbish; he found no use or pleasure in them, and believed it would be clear gain, and no damage to the world, if its high places were razed, and their occupants crushed in the fall. The want of veneration, too, made him dead at heart to the electric delight of admiring what is admirable; it dried up a thousand pure sources of enjoyment; it withered a thousand vivid pleasures. He was not irreligious, though a member of no sect; but his religion could not be that of one who knows how to venerate. He believed in God and heaven; but his God and heaven were those of a man in whom awe, imagination, and tenderness lack.
His lack of respect made him intolerant of those in power—kings, nobles, priests, dynasties, and[Pg41Please provide the text you would like me to modernize. parliaments, with all their actions, most of their laws, their rituals, their rights, their claims—were all repugnant to him, nothing but trash; he saw no value or enjoyment in them, and thought it would be a clear benefit, with no harm to the world, if their high positions were brought down and their occupants crushed in the process. His lack of respect also left him numb to the electric thrill of admiring what is worthy of admiration; it dried up countless pure sources of joy and diminished a thousand vivid pleasures. He wasn't irreligious, even though he belonged to no specific faith; but his belief could not be that of someone who knows how to show reverence. He believed in God and heaven, but his concept of God and heaven was that of a man devoid of awe, imagination, and tenderness.
The weakness of his powers of comparison made him inconsistent; while he professed some excellent general doctrines of mutual toleration and forbearance, he cherished towards certain classes a bigoted antipathy. He spoke of "parsons" and all who belonged to parsons, of "lords" and the appendages of lords, with a harshness, sometimes an insolence, as unjust as it was insufferable. He could not place himself in the position of those he vituperated; he could not compare their errors with their temptations, their defects with their disadvantages; he could not realize the effect of such and such circumstances on himself similarly situated, and he would often express the most ferocious and tyrannical wishes regarding those who had acted, as he thought, ferociously and tyrannically. To judge by his threats, he would have employed arbitrary, even cruel, means to advance the cause of freedom and equality. Equality! yes, Mr. Yorke talked about equality, but at heart he was a proud man—very friendly to his workpeople, very good to all who were beneath him, and submitted quietly to be beneath him, but haughty as Beelzebub to whomsoever the world deemed (for he deemed no man) his superior. Revolt was in his blood: he could not bear control; his father, his grandfather before him, could not bear it, and his children after him never could.
His inability to compare effectively made him inconsistent; while he claimed to believe in great principles of mutual tolerance and patience, he held a bigoted disdain for certain groups. He talked about "parsons" and anyone associated with them, as well as "lords" and their followers, with a harshness and sometimes arrogance that was both unfair and unbearable. He couldn't empathize with those he criticized; he failed to compare their mistakes with their challenges, their flaws with their disadvantages; he couldn't understand how similar circumstances would affect him, and he would often express extreme and tyrannical wishes for those he believed acted in a harsh and tyrannical way. From his threats, it seemed he would use arbitrary, even cruel, methods to promote freedom and equality. Equality! Yes, Mr. Yorke spoke about equality, but deep down, he was a proud man—very friendly to his workers, very kind to anyone beneath him, and willing to be inferior, but pompous as could be to anyone the world considered (though he didn't consider anyone) his superior. Rebellion was in his nature: he couldn't stand being controlled; his father and grandfather before him couldn't tolerate it, and his children after him never would either.
The want of general benevolence made him very impatient of imbecility, and of all faults which grated on his strong, shrewd nature; it left no check to his cutting sarcasm. As he was not merciful, he would sometimes wound and wound again, without noticing how much he hurt, or caring how deep he thrust.
The lack of general kindness made him very impatient with stupidity and all the faults that grated on his strong, perceptive nature; it put no limit on his sharp sarcasm. He wasn’t compassionate, so he would sometimes hurt others again and again, without realizing how much he was hurting them or caring how deep he was cutting.
[Pg 42]As to the paucity of ideality in his mind, that can scarcely be called a fault: a fine ear for music, a correct eye for colour and form, left him the quality of taste; and who cares for imagination? Who does not think it a rather dangerous, senseless attribute, akin to weakness, perhaps partaking of frenzy—a disease rather than a gift of the mind?
[Pg42Please provide the text you would like me to modernize.Regarding the lack of idealism in his mind, that can hardly be seen as a flaw: his keen sense for music and a good eye for color and shape gave him taste; and who really values imagination? Who doesn’t view it as a somewhat risky, irrational trait, almost like a weakness, perhaps bordering on madness—a burden rather than a blessing of the mind?
Probably all think it so but those who possess, or fancy they possess, it. To hear them speak, you would believe that their hearts would be cold if that elixir did not flow about them, that their eyes would be dim if that flame did not refine their vision, that they would be lonely if this strange companion abandoned them. You would suppose that it imparted some glad hope to spring, some fine charm to summer, some tranquil joy to autumn, some consolation to winter, which you do not feel. An illusion, of course; but the fanatics cling to their dream, and would not give it for gold.
Probably everyone thinks this way, but especially those who have it, or think they have it. If you listened to them talk, you’d believe that their hearts would be cold without that elixir flowing around them, that their eyes would be dull if that flame didn’t sharpen their vision, and that they’d feel alone if this strange companion left them. One would assume it brings some cheerful hope to spring, some special charm to summer, some peaceful joy to autumn, and some comfort to winter that you don’t feel. It’s all just an illusion, of course; but the fanatics hold on to their dream and wouldn’t trade it for gold.
As Mr. Yorke did not possess poetic imagination himself, he considered it a most superfluous quality in others. Painters and musicians he could tolerate, and even encourage, because he could relish the results of their art; he could see the charm of a fine picture, and feel the pleasure of good music; but a quiet poet—whatever force struggled, whatever fire glowed, in his breast—if he could not have played the man in the counting-house, of the tradesman in the Piece Hall, might have lived despised, and died scorned, under the eyes of Hiram Yorke.
As Mr. Yorke didn’t have a poetic imagination himself, he viewed it as an unnecessary trait in others. He could handle painters and musicians, even encouraging them, because he appreciated the results of their art; he could admire a beautiful painting and enjoy good music. However, a quiet poet—regardless of the passion or intensity burning within him—if he couldn’t fit the role of a businessman or a merchant in the marketplace, might have lived in contempt and died in disregard under the watchful gaze of Hiram Yorke.
And as there are many Hiram Yorkes in the world, it is well that the true poet, quiet externally though he may be, has often a truculent spirit under his placidity, and is full of shrewdness in his meekness, and can measure the whole stature of those who look down on him, and correctly ascertain the weight and value of the pursuits they disdain him for not having followed. It is happy that he can have his own bliss, his own society with his great friend and goddess Nature, quite independent of those who find little pleasure in him, and in whom he finds no pleasure at all. It is just that while the world and circumstances often turn a dark, cold side to him—and properly, too, because he first turns a dark, cold, careless side to them—he should be able to maintain a festal brightness and cherishing glow in his bosom, which makes all bright and genial for him; while strangers, perhaps, deem his existence a Polar winter never gladdened by a sun. The true poet is not one whit to be[Pg 43] pitied, and he is apt to laugh in his sleeve when any misguided sympathizer whines over his wrongs. Even when utilitarians sit in judgment on him, and pronounce him and his art useless, he hears the sentence with such a hard derision, such a broad, deep, comprehensive, and merciless contempt of the unhappy Pharisees who pronounce it, that he is rather to be chidden than condoled with. These, however, are not Mr. Yorke's reflections, and it is with Mr. Yorke we have at present to do.
And since there are many Hiram Yorkes in the world, it's good that the true poet, although calm on the outside, often has a feisty spirit beneath his calmness, full of cleverness in his humility. He can size up the whole stature of those who look down on him and accurately determine the worth of the ambitions they criticize him for not pursuing. It's fortunate that he can find happiness and companionship with his great friend and goddess Nature, completely separate from those who see little value in him, and whom he finds unappealing as well. It's fitting that while the world and circumstances usually show him a dark, cold side—and rightly so, because he first shows them a dark, cold, indifferent side—he can still keep a festive brightness and warm glow in his heart that makes everything bright and cheerful for him, even if strangers think his life is like a Polar winter with no sun to brighten it. The true poet shouldn’t be pitied at all, and he is likely to chuckle to himself when any well-meaning sympathizer complains about his troubles. Even when practical people judge him and claim that he and his art are useless, he hears their verdict with such hard disdain, with a broad, deep, all-encompassing, and ruthless contempt for the unfortunate critics who make it, that he would rather be scolded than comforted. However, these are not Mr. Yorke's thoughts, and it's Mr. Yorke that we need to focus on right now.
I have told you some of his faults, reader: as to his good points, he was one of the most honourable and capable men in Yorkshire; even those who disliked him were forced to respect him. He was much beloved by the poor, because he was thoroughly kind and very fatherly to them. To his workmen he was considerate and cordial. When he dismissed them from an occupation, he would try to set them on to something else, or, if that was impossible, help them to remove with their families to a district where work might possibly be had. It must also be remarked that if, as sometimes chanced, any individual amongst his "hands" showed signs of insubordination, Yorke—who, like many who abhor being controlled, knew how to control with vigour—had the secret of crushing rebellion in the germ, of eradicating it like a bad weed, so that it never spread or developed within the sphere of his authority. Such being the happy state of his own affairs, he felt himself at liberty to speak with the utmost severity of those who were differently situated, to ascribe whatever was unpleasant in their position entirely to their own fault, to sever himself from the masters, and advocate freely the cause of the operatives.
I've shared some of his flaws with you, reader: as for his strengths, he was one of the most honorable and capable men in Yorkshire; even those who didn't like him had to respect him. The poor loved him because he was genuinely kind and very fatherly toward them. He was considerate and friendly to his workers. When he let someone go from a job, he would try to help them find another one or, if that wasn’t possible, assist them in moving with their families to an area where they might find work. It should also be noted that if, as sometimes happened, any of his employees showed signs of defiance, Yorke—who, like many who hate being controlled, knew how to assert himself firmly—had a knack for nipping rebellion in the bud, rooting it out like a pesky weed so that it never spread or grew within his realm. With his own situation being so secure, he felt free to speak very harshly about those in different circumstances, attributing any unpleasantness in their lives solely to their own actions, distancing himself from the bosses, and openly championing the cause of the workers.
Mr. Yorke's family was the first and oldest in the district; and he, though not the wealthiest, was one of the most influential men. His education had been good. In his youth, before the French Revolution, he had travelled on the Continent. He was an adept in the French and Italian languages. During a two years' sojourn in Italy he had collected many good paintings and tasteful rarities, with which his residence was now adorned. His manners, when he liked, were those of a finished gentleman of the old school; his conversation, when he was disposed to please, was singularly interesting and original; and if he usually expressed himself in the Yorkshire dialect, it was because he chose to do so, preferring his native Doric to a more refined vocabulary, "A Yorkshire burr," he affirmed,[Pg 44] "was as much better than a cockney's lisp as a bull's bellow than a raton's squeak."
Mr. Yorke's family was the first and oldest in the area; and he, while not the richest, was one of the most influential men. He had a good education. In his youth, before the French Revolution, he had traveled across Europe. He was proficient in French and Italian. During a two-year stay in Italy, he collected many fine paintings and tasteful rarities that decorated his home. His manners, when he wanted to impress, were those of a refined gentleman from the old school; his conversation, when he felt like being engaging, was uniquely interesting and original; and even though he usually spoke in the Yorkshire dialect, it was because he preferred it, valuing his native way of speaking over a more polished vocabulary. "A Yorkshire burr," he insisted,[Pg44I'm sorry, but there's no text provided for me to modernize. Please provide a short phrase for assistance. "is much better than a Cockney's lisp, just like a bull's bellow is better than a rat's squeak."
Mr. Yorke knew every one, and was known by every one, for miles round; yet his intimate acquaintances were very few. Himself thoroughly original, he had no taste for what was ordinary: a racy, rough character, high or low, ever found acceptance with him; a refined, insipid personage, however exalted in station, was his aversion. He would spend an hour any time in talking freely with a shrewd workman of his own, or with some queer, sagacious old woman amongst his cottagers, when he would have grudged a moment to a commonplace fine gentleman or to the most fashionable and elegant, if frivolous, lady. His preferences on these points he carried to an extreme, forgetting that there may be amiable and even admirable characters amongst those who cannot be original. Yet he made exceptions to his own rule. There was a certain order of mind, plain, ingenuous, neglecting refinement, almost devoid of intellectuality, and quite incapable of appreciating what was intellectual in him, but which, at the same time, never felt disgust at his rudeness, was not easily wounded by his sarcasm, did not closely analyze his sayings, doings, or opinions, with which he was peculiarly at ease, and, consequently, which he peculiarly preferred. He was lord amongst such characters. They, while submitting implicitly to his influence, never acknowledged, because they never reflected on, his superiority; they were quite tractable, therefore, without running the smallest danger of being servile; and their unthinking, easy, artless insensibility was as acceptable, because as convenient, to Mr. Yorke as that of the chair he sat on, or of the floor he trod.
Mr. Yorke knew everyone and was known by everyone for miles around, but his close friends were very few. He was completely unique and had no interest in anything ordinary; he preferred a raw, vibrant character, whether high or low, while he had a strong dislike for refined, bland people, no matter how high their status. He would gladly spend an hour chatting freely with a sharp worker or an odd, wise old woman among his tenants but would begrudge even a moment with a typical upper-class gentleman or the most fashionable yet shallow woman. He took his preferences to an extreme, forgetting that there can be kind and admirable individuals who aren’t original. Still, he did make exceptions to his own rule. There was a certain type of person who was straightforward, genuine, unrefined, almost lacking in intellect, and unable to appreciate his intellectuality. Yet, they never felt disgusted by his brusqueness, weren’t easily offended by his sarcasm, and didn’t scrutinize his words, actions, or opinions, which he felt comfortable with and therefore preferred. He was a leader among such individuals. They submitted to his influence without ever recognizing his superiority, as they never reflected on it; they were completely manageable without being submissive. Their unthinking, easy, and naive acceptance was just as welcome, and convenient, to Mr. Yorke as the chair he sat on or the floor he walked on.
It will have been observed that he was not quite uncordial with Mr. Moore. He had two or three reasons for entertaining a faint partiality to that gentleman. It may sound odd, but the first of these was that Moore spoke English with a foreign, and French with a perfectly pure, accent; and that his dark, thin face, with its fine though rather wasted lines, had a most anti-British and anti-Yorkshire look. These points seem frivolous, unlikely to influence a character like Yorke's; but the fact is they recalled old, perhaps pleasurable, associations—they brought back his travelling, his youthful days. He had seen, amidst Italian cities and scenes, faces like Moore's; he had heard, in Parisian cafés and theatres, voices like his. He[Pg 45] was young then, and when he looked at and listened to the alien, he seemed young again.
It’s noticeable that he was not exactly unfriendly with Mr. Moore. He had a couple of reasons for having a slight fondness for that guy. It might seem strange, but the first reason was that Moore spoke English with a foreign accent and French with a perfectly clear one. Plus, his dark, thin face, with its delicate but somewhat worn lines, had a distinctly non-British and non-Yorkshire vibe. These aspects might seem trivial and unlikely to affect someone like Yorke, but the truth is they reminded him of old, maybe enjoyable, memories—they brought back thoughts of his travels and his younger days. He’d seen faces like Moore’s in Italian cities and places; he’d heard voices like his in Parisian cafés and theaters. He[Pg45I'm sorry, but there doesn't appear to be a phrase for me to modernize. Please provide a short piece of text. was young then, and when he looked at and listened to this outsider, he felt young again.
Secondly, he had known Moore's father, and had had dealings with him. That was a more substantial, though by no means a more agreeable tie; for as his firm had been connected with Moore's in business, it had also, in some measure, been implicated in its losses.
Secondly, he had known Moore's father and had dealings with him. That was a more significant, though not necessarily a more pleasant connection; since his firm had been linked with Moore's in business, it had also, to some extent, been involved in its losses.
Thirdly, he had found Robert himself a sharp man of business. He saw reason to anticipate that he would, in the end, by one means or another, make money; and he respected both his resolution and acuteness—perhaps, also, his hardness. A fourth circumstance which drew them together was that of Mr. Yorke being one of the guardians of the minor on whose estate Hollow's Mill was situated; consequently Moore, in the course of his alterations and improvements, had frequent occasion to consult him.
Thirdly, he found Robert to be a smart businessman. He believed that, in the end, he would find a way to make money, and he admired both his determination and sharpness—maybe even his toughness. A fourth reason that brought them together was that Mr. Yorke was one of the guardians of the minor whose estate included Hollow's Mill; as a result, Moore often needed to consult him during his renovations and improvements.
As to the other guest now present in Mr. Yorke's parlour, Mr. Helstone, between him and his host there existed a double antipathy—the antipathy of nature and that of circumstances. The free-thinker hated the formalist; the lover of liberty detested the disciplinarian. Besides, it was said that in former years they had been rival suitors of the same lady.
As for the other guest currently in Mr. Yorke's living room, Mr. Helstone, there was a mutual dislike between him and his host—both a natural dislike and one caused by their circumstances. The free thinker disliked the formalist; the lover of freedom despised the disciplinarian. Additionally, it was rumored that in the past they had both been competing suitors for the same woman.
Mr. Yorke, as a general rule, was, when young, noted for his preference of sprightly and dashing women: a showy shape and air, a lively wit, a ready tongue, chiefly seemed to attract him. He never, however, proposed to any of these brilliant belles whose society he sought; and all at once he seriously fell in love with and eagerly wooed a girl who presented a complete contrast to those he had hitherto noticed—a girl with the face of a Madonna; a girl of living marble—stillness personified. No matter that, when he spoke to her, she only answered him in monosyllables; no matter that his sighs seemed unheard, that his glances were unreturned, that she never responded to his opinions, rarely smiled at his jests, paid him no respect and no attention; no matter that she seemed the opposite of everything feminine he had ever in his whole life been known to admire. For him Mary Cave was perfect, because somehow, for some reason—no doubt he had a reason—he loved her.
Mr. Yorke, generally speaking, was known in his youth for his attraction to lively and bold women: a striking appearance, a sharp wit, and a quick way with words were what drew him in. However, he never made a move on any of these dazzling girls he enjoyed spending time with; instead, he unexpectedly fell for and earnestly pursued a girl who was the complete opposite of those he usually noticed—a girl with the face of a Madonna; a girl like living marble—epitomizing stillness. It didn’t matter that when he spoke to her, she answered with only one or two words; it didn’t matter that his sighs seemed to go unheard, that his glances weren’t returned, that she didn’t acknowledge his views, rarely smiled at his jokes, and gave him no respect or attention; it didn’t matter that she seemed to be everything he had never admired in women. To him, Mary Cave was perfect, because somehow, for some reason—he undoubtedly had a reason—he loved her.
Mr. Helstone, at that time curate of Briarfield, loved Mary too—or, at any rate, he fancied her. Several others[Pg 46] admired her, for she was beautiful as a monumental angel; but the clergyman was preferred for his office's sake—that office probably investing him with some of the illusion necessary to allure to the commission of matrimony, and which Miss Cave did not find in any of the young wool-staplers, her other adorers. Mr. Helstone neither had, nor professed to have, Mr. Yorke's absorbing passion for her. He had none of the humble reverence which seemed to subdue most of her suitors; he saw her more as she really was than the rest did. He was, consequently, more master of her and himself. She accepted him at the first offer, and they were married.
Mr. Helstone, who was the curate of Briarfield at the time, was in love with Mary too—or at least, he thought he was. Several other people admired her because she was as beautiful as a classic angel; however, the clergyman was preferred because of his position—his role probably giving him some of the charm needed to attract her into marriage, which Miss Cave didn't see in any of the young wool-staplers, her other admirers. Mr. Helstone didn't have, nor did he claim to have, Mr. Yorke's intense passion for her. He didn’t have the kind of humble admiration that seemed to overpower most of her other suitors; he saw her more clearly than they did. As a result, he was more in control of both her and himself. She agreed to marry him at the first proposal, and they tied the knot.
Nature never intended Mr. Helstone to make a very good husband, especially to a quiet wife. He thought so long as a woman was silent nothing ailed her, and she wanted nothing. If she did not complain of solitude, solitude, however continued, could not be irksome to her. If she did not talk and put herself forward, express a partiality for this, an aversion to that, she had no partialities or aversions, and it was useless to consult her tastes. He made no pretence of comprehending women, or comparing them with men. They were a different, probably a very inferior, order of existence. A wife could not be her husband's companion, much less his confidante, much less his stay. His wife, after a year or two, was of no great importance to him in any shape; and when she one day, as he thought, suddenly—for he had scarcely noticed her decline—but, as others thought, gradually, took her leave of him and of life, and there was only a still, beautiful-featured mould of clay left, cold and white, in the conjugal couch, he felt his bereavement—who shall say how little? Yet, perhaps, more than he seemed to feel it; for he was not a man from whom grief easily wrung tears.
Nature never meant for Mr. Helstone to be a good husband, especially to a quiet wife. He believed that as long as a woman stayed silent, she had no problems and wanted nothing. If she didn’t complain about being alone, then being alone couldn’t bother her. If she didn’t speak up, share her likes or dislikes, then she had none, and it was pointless to consider her preferences. He made no effort to understand women or compare them to men. They were a different, likely inferior, kind of being. A wife couldn’t be her husband’s friend, much less his confidante, and even less his support. His wife, after a year or two, became of little importance to him in any way; and when she one day, as he thought unexpectedly—since he had hardly noticed her decline—but as others believed, gradually, left him and this life, only a still, beautiful mold of clay remained, cold and white, in the bed. He felt his loss—who can say how much? Yet, perhaps, more than he appeared to feel it; for he was not a man who easily shed tears over grief.
His dry-eyed and sober mourning scandalized an old housekeeper, and likewise a female attendant, who had waited upon Mrs. Helstone in her sickness, and who, perhaps, had had opportunities of learning more of the deceased lady's nature, of her capacity for feeling and loving, than her husband knew. They gossiped together over the corpse, related anecdotes, with embellishments of her lingering decline, and its real or supposed cause. In short, they worked each other up to some indignation against the austere little man, who sat examining papers in an adjoining room, unconscious of what opprobrium he was the object.
His calm and composed mourning shocked an old housekeeper and a female attendant who had taken care of Mrs. Helstone during her illness. They might have known more about the deceased woman's character and her ability to feel and love than her husband did. They chatted about the body, sharing stories and adding details about her slow decline and its real or imagined causes. In short, they stirred up some anger towards the serious little man who was in another room, going through paperwork, unaware of the criticism directed at him.
[Pg 47]Mrs. Helstone was hardly under the sod when rumours began to be rife in the neighbourhood that she had died of a broken heart. These magnified quickly into reports of hard usage, and, finally, details of harsh treatment on the part of her husband—reports grossly untrue, but not the less eagerly received on that account. Mr. Yorke heard them, partly believed them. Already, of course, he had no friendly feeling to his successful rival. Though himself a married man now, and united to a woman who seemed a complete contrast to Mary Cave in all respects, he could not forget the great disappointment of his life; and when he heard that what would have been so precious to him had been neglected, perhaps abused, by another, he conceived for that other a rooted and bitter animosity.
[Pg47I cannot modernize an empty text. Please provide a phrase to be updated.Mrs. Helstone had barely been buried when rumors started circulating in the neighborhood that she had died of a broken heart. These quickly escalated into claims of mistreatment and, ultimately, accusations of cruel behavior from her husband—reports that were completely false, yet were nonetheless eagerly spread. Mr. Yorke heard them and partly believed them. He already had no goodwill towards his successful rival. Even though he was now married to a woman who seemed completely different from Mary Cave in every way, he couldn't forget the huge disappointment of his life; and when he learned that something so precious to him had been neglected, perhaps even mistreated, by someone else, he developed a deep and bitter resentment towards that person.
Of the nature and strength of this animosity Mr. Helstone was but half aware. He neither knew how much Yorke had loved Mary Cave, what he had felt on losing her, nor was he conscious of the calumnies concerning his treatment of her, familiar to every ear in the neighbourhood but his own. He believed political and religious differences alone separated him and Mr. Yorke. Had he known how the case really stood, he would hardly have been induced by any persuasion to cross his former rival's threshold.
Mr. Helstone was only partly aware of the nature and intensity of this hostility. He didn’t realize how much Yorke had loved Mary Cave or what he felt when he lost her, nor did he know about the rumors circulating in the neighborhood about how he had treated her—rumors that everyone else was aware of except him. He thought that only political and religious differences set him apart from Mr. Yorke. If he had understood the true situation, he likely wouldn’t have been convinced by any arguments to step foot in his former rival’s home.
Mr. Yorke did not resume his lecture of Robert Moore. The conversation ere long recommenced in a more general form, though still in a somewhat disputative tone. The unquiet state of the country, the various depredations lately committed on mill-property in the district, supplied abundant matter for disagreement, especially as each of the three gentlemen present differed more or less in his views on these subjects. Mr. Helstone thought the masters aggrieved, the workpeople unreasonable; he condemned sweepingly the widespread spirit of disaffection against constituted authorities, the growing indisposition to bear with patience evils he regarded as inevitable. The cures he prescribed were vigorous government interference, strict magisterial vigilance; when necessary, prompt military coercion.
Mr. Yorke didn’t continue his lecture on Robert Moore. The conversation soon picked up again in a more general way, although it still had a somewhat argumentative tone. The unsettled state of the country and the various attacks on mill property in the area provided plenty of topics for disagreement, especially since each of the three men present had different opinions on these issues. Mr. Helstone believed the employers were wronged and the workers unreasonable; he strongly criticized the widespread discontent with the established authorities and the increasing unwillingness to patiently endure problems he thought were unavoidable. The solutions he suggested were strong government intervention, strict oversight by authorities, and, when necessary, quick military enforcement.
Mr. Yorke wished to know whether this interference, vigilance, and coercion would feed those who were hungry, give work to those who wanted work, and whom no man would hire. He scouted the idea of inevitable evils. He said public patience was a camel, on whose back the last[Pg 48] atom that could be borne had already been laid, and that resistance was now a duty; the widespread spirit of disaffection against constituted authorities he regarded as the most promising sign of the times; the masters, he allowed, were truly aggrieved, but their main grievances had been heaped on them by a "corrupt, base, and bloody" government (these were Mr. Yorke's epithets). Madmen like Pitt, demons like Castlereagh, mischievous idiots like Perceval, were the tyrants, the curses of the country, the destroyers of her trade. It was their infatuated perseverance in an unjustifiable, a hopeless, a ruinous war, which had brought the nation to its present pass. It was their monstrously oppressive taxation, it was the infamous "Orders in Council"—the originators of which deserved impeachment and the scaffold, if ever public men did—that hung a millstone about England's neck.
Mr. Yorke wanted to know if this interference, watchfulness, and pressure would feed those who were hungry, provide jobs for those seeking work, whom no one would hire. He dismissed the idea of unavoidable troubles. He said public patience was like a camel, which had already been burdened with the last straw it could take, and that resistance was now necessary; he viewed the widespread discontent against the established authorities as the most hopeful sign of the times. He acknowledged that the masters were genuinely suffering, but their main complaints had been piled on them by a "corrupt, base, and bloody" government (those were Mr. Yorke's words). Lunatics like Pitt, demons like Castlereagh, and foolish idiots like Perceval were the oppressors, the blights on the country, the ruiners of its trade. It was their foolish insistence on an unjustifiable, pointless, and disastrous war that had brought the nation to its current situation. It was their extremely heavy taxation, and the notorious "Orders in Council"—the creators of which deserved impeachment and execution, if any public figures ever did—that weighed heavily on England.
"But where was the use of talking?" he demanded. "What chance was there of reason being heard in a land that was king-ridden, priest-ridden, peer-ridden; where a lunatic was the nominal monarch, an unprincipled debauchee the real ruler; where such an insult to common sense as hereditary legislators was tolerated; where such a humbug as a bench of bishops, such an arrogant abuse as a pampered, persecuting established church was endured and venerated; where a standing army was maintained, and a host of lazy parsons and their pauper families were kept on the fat of the land?"
"But what was the point in talking?" he asked. "What chance did reason have in a land ruled by kings, priests, and nobles; where a madman was the symbolic leader, and a shameless hedonist was the true one; where it was accepted that hereditary lawmakers existed, which was a ridiculous affront to common sense; where a group of bishops was nothing but a farce, and a pampered, oppressive established church was tolerated and respected; where a standing army was funded, and a bunch of lazy priests and their poor families lived off the fat of the land?"
Mr. Helstone, rising up and putting on his shovel-hat, observed in reply, "that in the course of his life he had met with two or three instances where sentiments of this sort had been very bravely maintained so long as health, strength, and worldly prosperity had been the allies of him who professed them; but there came a time," he said, "to all men, 'when the keepers of the house should tremble; when they should be afraid of that which is high, and fear should be in the way;' and that time was the test of the advocate of anarchy and rebellion, the enemy of religion and order. Ere now," he affirmed, "he had been called upon to read those prayers our church has provided for the sick by the miserable dying-bed of one of her most rancorous foes; he had seen such a one stricken with remorse, solicitous to discover a place for repentance, and unable to find any, though he sought it carefully with tears. He must forewarn Mr. Yorke that blasphemy against God and[Pg 49] the king was a deadly sin, and that there was such a thing as 'judgment to come.'"
Mr. Helstone stood up and put on his shovel hat, replying, "In my lifetime, I've encountered a couple of instances where beliefs like this were bravely upheld as long as health, strength, and good fortune supported those who claimed them. But there comes a time," he said, "for every man when 'the keepers of the house should tremble; when they should be afraid of what is high, and fear should be in the way;' and that time tests the supporter of anarchy and rebellion, the enemy of faith and order. In the past," he stated, "I've been called to read the prayers our church offers for the sick by the miserable dying bed of one of her most bitter foes; I've seen such a person struck with remorse, eager to find a way to repent, and unable to discover one, even though he searched for it diligently with tears. I must warn Mr. Yorke that blasphemy against God and[Pg49I didn't receive any text to modernize. Please provide a short piece of text for assistance. the king is a grave sin, and there is such a thing as 'judgment to come.'"
Mr. Yorke "believed fully that there was such a thing as judgment to come. If it were otherwise, it would be difficult to imagine how all the scoundrels who seemed triumphant in this world, who broke innocent hearts with impunity, abused unmerited privileges, were a scandal to honourable callings, took the bread out of the mouths of the poor, browbeat the humble, and truckled meanly to the rich and proud, were to be properly paid off in such coin as they had earned. But," he added, "whenever he got low-spirited about such-like goings-on, and their seeming success in this mucky lump of a planet, he just reached down t' owd book" (pointing to a great Bible in the bookcase), "opened it like at a chance, and he was sure to light of a verse blazing wi' a blue brimstone low that set all straight. He knew," he said, "where some folk war bound for, just as weel as if an angel wi' great white wings had come in ower t' door-stone and told him."
Mr. Yorke "completely believed that there’s such a thing as judgment after this life. If that weren’t true, it’d be hard to understand how all the crooks who seem to win in this world, who break innocent hearts without a second thought, misuse unearned privileges, disgrace honorable professions, take food away from the needy, bully the humble, and grovel to the rich and powerful, would ever get what they deserve in the end. But," he added, "whenever he felt down about all these things and their apparent success in this messy world, he just reached for the old book" (pointing to a large Bible in the bookcase), "opened it randomly, and was sure to find a verse shining like brimstone that made everything clear. He knew," he said, "where some people were headed, just as well as if an angel with big white wings had come through the door and told him."
"Sir," said Mr. Helstone, collecting all his dignity—"sir, the great knowledge of man is to know himself, and the bourne whither his own steps tend."
"Sir," Mr. Helstone said, gathering all his dignity, "the greatest knowledge for a person is to understand themselves and where their own path is leading."
"Ay, ay. You'll recollect, Mr. Helstone, that Ignorance was carried away from the very gates of heaven, borne through the air, and thrust in at a door in the side of the hill which led down to hell."
"Ay, ay. You'll remember, Mr. Helstone, that Ignorance was taken away right from the gates of heaven, lifted up into the air, and pushed through a door in the side of the hill that led down to hell."
"Nor have I forgotten, Mr. Yorke, that Vain-Confidence, not seeing the way before him, fell into a deep pit, which was on purpose there made by the prince of the grounds, to catch vainglorious fools withal, and was dashed to pieces with his fall."
"Nor have I forgotten, Mr. Yorke, that Vain-Confidence, not seeing the path ahead, fell into a deep pit that was intentionally dug by the prince of the grounds to trap arrogant fools and was smashed to bits in his fall."
"Now," interposed Mr. Moore, who had hitherto sat a silent but amused spectator of this worldly combat, and whose indifference to the party politics of the day, as well as to the gossip of the neighbourhood, made him an impartial, if apathetic, judge of the merits of such an encounter, "you have both sufficiently blackballed each other, and proved how cordially you detest each other, and how wicked you think each other. For my part, my hate is still running in such a strong current against the fellows who have broken my frames that I have none to spare for my private acquaintance, and still less for such a vague thing as a sect or a government. But really, gentlemen, you both seem very bad by your own showing—worse than[Pg 50] ever I suspected you to be.—I dare not stay all night with a rebel and blasphemer like you, Yorke; and I hardly dare ride home with a cruel and tyrannical ecclesiastic like Mr. Helstone."
"Now," interjected Mr. Moore, who had quietly observed this social clash with amusement and whose lack of interest in the current political scene, as well as neighborhood gossip, made him an unbiased, albeit indifferent, judge of the situation, "you've both managed to thoroughly discredit each other and demonstrate just how much you dislike and disrespect one another. As for me, my anger is still focused on the guys who damaged my frames, leaving me no energy to spare for my acquaintances and even less for something as vague as a faction or government. But honestly, gentlemen, you both seem pretty terrible by your own accounts—worse than I ever thought you were. I can't stay here all night with a rebel and blasphemer like you, Yorke; and I'm not sure I can even ride home with a cruel and tyrannical clergyman like Mr. Helstone."
"I am going, however, Mr. Moore," said the rector sternly. "Come with me or not, as you please."
"I am going, Mr. Moore," said the rector firmly. "You can come with me or not, it's up to you."
"Nay, he shall not have the choice; he shall go with you," responded Yorke. "It's midnight, and past; and I'll have nob'dy staying up i' my house any longer. Ye mun all go."
"Nah, he won't have a choice; he will go with you," replied Yorke. "It's past midnight, and I won't have anyone staying up in my house any longer. You all need to go."
He rang the bell.
He rang the doorbell.
"Deb," said he to the servant who answered it, "clear them folk out o' t' kitchen, and lock t' doors, and be off to bed.—Here is your way, gentlemen," he continued to his guests; and, lighting them through the passage, he fairly put them out at his front door.
"Deb," he said to the servant who answered the door, "get those people out of the kitchen, lock the doors, and go to bed. — This is your way, gentlemen," he continued to his guests; and, lighting the way through the hallway, he firmly showed them out at the front door.
They met their party hurrying out pell-mell by the back way. Their horses stood at the gate; they mounted, and rode off, Moore laughing at their abrupt dismissal, Helstone deeply indignant thereat.[Pg 51]
They ran into their group rushing out through the back exit. Their horses were at the gate; they got on and rode away, with Moore laughing at how quickly they were dismissed, while Helstone was really upset about it.[Pg51Please provide the text you'd like me to modernize.
CHAPTER V.
HOLLOW'S COTTAGE.
Moore's good spirits were still with him when he rose next morning. He and Joe Scott had both spent the night in the mill, availing themselves of certain sleeping accommodations producible from recesses in the front and back counting-houses. The master, always an early riser, was up somewhat sooner even than usual. He awoke his man by singing a French song as he made his toilet.
Moore's good mood was still intact when he got up the next morning. He and Joe Scott had both spent the night in the mill, taking advantage of some makeshift sleeping arrangements found in the front and back offices. The boss, who was always an early riser, woke up even earlier than usual. He roused Joe by singing a French song while getting ready.
"Ye're not custen dahn, then, maister?" cried Joe.
"You're not coming down, then, mister?" cried Joe.
"Not a stiver, mon garçon—which means, my lad. Get up, and we'll take a turn through the mill before the hands come in, and I'll explain my future plans. We'll have the machinery yet, Joseph. You never heard of Bruce, perhaps?"
"Not a penny, my boy. Get up, and we'll walk through the mill before the workers arrive, and I'll share my future plans. We’ll still get the machinery, Joseph. You might not have heard of Bruce, right?"
"And th' arrand (spider)? Yes, but I hev. I've read th' history o' Scotland, and happen knaw as mich on't as ye; and I understand ye to mean to say ye'll persevere."
"And the spider? Yes, I have. I've read the history of Scotland and probably know as much about it as you do; and I understand that you're saying you’ll keep going."
"I do."
"I do."
"Is there mony o' your mak' i' your country?" inquired Joe, as he folded up his temporary bed, and put it away.
"Is there much of your kind of money in your country?" asked Joe, as he folded up his temporary bed and put it away.
"In my country! Which is my country?"
"In my country! What is my country?"
"Why, France—isn't it?"
"Why, France—is that right?"
"Not it, indeed! The circumstance of the French having seized Antwerp, where I was born, does not make me a Frenchman."
"Not at all! Just because the French took over Antwerp, where I was born, doesn't mean I'm a Frenchman."
"Holland, then?"
"Holland, right?"
"I am not a Dutchman. Now you are confounding Antwerp with Amsterdam."
"I’m not Dutch. Now you’re mixing up Antwerp with Amsterdam."
"Flanders?"
"Flanders?"
"I scorn the insinuation, Joe! I a Flamand! Have I a Flemish face—the clumsy nose standing out, the mean forehead falling back, the pale blue eyes 'à fleur de tête'? Am I all body and no legs, like a Flamand? But you don't know what they are like, those Netherlanders. Joe, I'm an Anversois. My mother was an Anversoise, though she came of French lineage, which is the reason I speak French."
"I reject that suggestion, Joe! Am I a Flamand? Do I have a Flemish face—with a big nose sticking out, a low forehead, and pale blue eyes? Am I all torso and no legs, like a Flamand? But you don't know what those Netherlanders are really like. Joe, I'm from Antwerp. My mother was from Antwerp too, although she had French ancestry, which is why I speak French."
[Pg 52]"But your father war Yorkshire, which maks ye a bit Yorkshire too; and onybody may see ye're akin to us, ye're so keen o' making brass, and getting forrards."
[Pg52I'm ready to assist! Please provide the text you'd like me to modernize. "But your dad is from Yorkshire, which makes you a little Yorkshire too; and anyone can see you're related to us, you're so eager to make money and get ahead."
"Joe, you're an impudent dog; but I've always been accustomed to a boorish sort of insolence from my youth up. The 'classe ouvrière'—that is, the working people in Belgium—bear themselves brutally towards their employers; and by brutally, Joe, I mean brutalement—which, perhaps, when properly translated, should be roughly."
"Joe, you’re a cheeky dog; but I’ve always dealt with a rude kind of insolence ever since I was young. The 'classe ouvrière'—that is, the working people in Belgium—are pretty harsh towards their employers; and by harsh, Joe, I mean brutalement—which, perhaps, when translated correctly, should be roughly."
"We allus speak our minds i' this country; and them young parsons and grand folk fro' London is shocked at wer 'incivility;' and we like weel enough to gi'e 'em summat to be shocked at, 'cause it's sport to us to watch 'em turn up the whites o' their een, and spreed out their bits o' hands, like as they're flayed wi' bogards, and then to hear 'em say, nipping off their words short like, 'Dear! dear! Whet seveges! How very corse!'"
"We always speak our minds in this country; and those young priests and fancy folks from London are shocked by our 'rudeness;' and we quite enjoy giving them something to be shocked about because it's fun for us to see them roll their eyes and spread their hands out like they're mortally offended, and then to hear them say, clipping their words short like, 'Oh dear! How savage! How very coarse!'"
"You are savages, Joe. You don't suppose you're civilized, do you?"
"You are savages, Joe. You really think you're civilized, don't you?"
"Middling, middling, maister. I reckon 'at us manufacturing lads i' th' north is a deal more intelligent, and knaws a deal more nor th' farming folk i' th' south. Trade sharpens wer wits; and them that's mechanics like me is forced to think. Ye know, what wi' looking after machinery and sich like, I've getten into that way that when I see an effect, I look straight out for a cause, and I oft lig hold on't to purpose; and then I like reading, and I'm curious to knaw what them that reckons to govern us aims to do for us and wi' us. And there's many 'cuter nor me; there's many a one amang them greasy chaps 'at smells o' oil, and amang them dyers wi' blue and black skins, that has a long head, and that can tell what a fooil of a law is, as well as ye or old Yorke, and a deal better nor soft uns like Christopher Sykes o' Whinbury, and greet hectoring nowts like yond' Irish Peter, Helstone's curate."
"Middling, middling, sir. I think that us manufacturing guys up north are a lot smarter and know a lot more than the farming folks down south. Trade sharpens our minds; and those of us who are mechanics like me have to think. You know, with looking after machines and stuff, I've gotten into the habit of when I see an effect, I look straight for a cause, and I often focus on purpose; and then I like reading, and I'm curious to know what those who claim to govern us plan to do for us and with us. And there are many who are sharper than me; there are plenty among those oily chaps who smell like oil, and among those dyers with blue and black skin, who are really clever and can understand what a foolish law is, just as well as you or old Yorke, and a lot better than softies like Christopher Sykes of Whinbury, and those loud, obnoxious types like that Irish Peter, Helstone's curate."
"You think yourself a clever fellow, I know, Scott."
"You think you're a clever guy, I know, Scott."
"Ay! I'm fairish. I can tell cheese fro' chalk, and I'm varry weel aware that I've improved sich opportunities as I have had, a deal better nor some 'at reckons to be aboon me; but there's thousands i' Yorkshire that's as good as me, and a two-three that's better."
"Hey! I'm not bad. I can tell cheese from chalk, and I'm very aware that I've made the most of the opportunities I've had, much better than some who think they're above me; but there are thousands in Yorkshire who are just as good as me, and a few who are better."
"You're a great man—you're a sublime fellow; but you're a prig, a conceited noodle with it all, Joe! You need not to think that because you've picked up a little[Pg 53] knowledge of practical mathematics, and because you have found some scantling of the elements of chemistry at the bottom of a dyeing vat, that therefore you're a neglected man of science; and you need not to suppose that because the course of trade does not always run smooth, and you, and such as you, are sometimes short of work and of bread, that therefore your class are martyrs, and that the whole form of government under which you live is wrong. And, moreover, you need not for a moment to insinuate that the virtues have taken refuge in cottages and wholly abandoned slated houses. Let me tell you, I particularly abominate that sort of trash, because I know so well that human nature is human nature everywhere, whether under tile or thatch, and that in every specimen of human nature that breathes, vice and virtue are ever found blended, in smaller or greater proportions, and that the proportion is not determined by station. I have seen villains who were rich, and I have seen villains who were poor, and I have seen villains who were neither rich nor poor, but who had realized Agar's wish, and lived in fair and modest competency. The clock is going to strike six. Away with you, Joe, and ring the mill bell."
"You're a great guy—you’re a remarkable person; but you’re also a bit of a know-it-all, a self-important fool, Joe! Don’t think that just because you’ve picked up a bit of practical math and stumbled upon some basics of chemistry at the bottom of a dyeing vat, that makes you a neglected scientist; and don’t assume that because the job market isn’t always stable, and you and people like you sometimes struggle to find work and food, that your class are martyrs, or that the whole system you live under is flawed. Furthermore, you shouldn’t even suggest for a second that goodness is only found in cottages and has completely deserted well-built houses. Let me tell you, I really dislike that kind of nonsense, because I know very well that human nature is the same everywhere, whether under a tiled roof or a thatched one, and that in every single person who exists, you’ll find a mix of both vice and virtue, in varying degrees, and that this mix isn’t determined by social status. I’ve seen criminals who are wealthy, and I’ve seen criminals who are poor, and I’ve seen criminals who fall somewhere in between, living comfortably but modestly. The clock is about to strike six. Off you go, Joe, and ring the mill bell."
It was now the middle of the month of February; by six o'clock therefore dawn was just beginning to steal on night, to penetrate with a pale ray its brown obscurity, and give a demi-translucence to its opaque shadows. Pale enough that ray was on this particular morning: no colour tinged the east, no flush warmed it. To see what a heavy lid day slowly lifted, what a wan glance she flung along the hills, you would have thought the sun's fire quenched in last night's floods. The breath of this morning was chill as its aspect; a raw wind stirred the mass of night-cloud, and showed, as it slowly rose, leaving a colourless, silver-gleaming ring all round the horizon, not blue sky, but a stratum of paler vapour beyond. It had ceased to rain, but the earth was sodden, and the pools and rivulets were full.
It was now the middle of February; by six o'clock, dawn was just starting to break through the night, casting a weak ray of light into its dark corners and giving a slight translucence to its dark shadows. That ray was particularly faint that morning: there was no color in the east, no warmth to brighten it. Watching how heavily day was slowly lifting its lid, what a pale glance it threw over the hills, you would have thought the sun's heat had been extinguished by last night's rain. The breath of that morning was as chilly as its look; a raw wind stirred the mass of night clouds, revealing, as it gradually lifted, a colorless, silver-glimmering ring all around the horizon—not blue sky, but a layer of paler mist beyond. It had stopped raining, but the ground was soaked, and the puddles and streams were full.
The mill-windows were alight, the bell still rung loud, and now the little children came running in, in too great a hurry, let us hope, to feel very much nipped by the inclement air; and indeed, by contrast, perhaps the morning appeared rather favourable to them than otherwise, for they had often come to their work that winter through snow-storms, through heavy rain, through hard frost.
The mill windows were lit up, the bell was still ringing loudly, and now the little kids came rushing in, hopefully too busy to feel too cold from the chilly air; in fact, compared to what they’d faced before, maybe the morning felt pretty nice to them instead, since they had often come to work that winter through snowstorms, heavy rain, and bitter frost.
Mr. Moore stood at the entrance to watch them pass.[Pg 54] He counted them as they went by. To those who came rather late he said a word of reprimand, which was a little more sharply repeated by Joe Scott when the lingerers reached the work-rooms. Neither master nor overlooker spoke savagely. They were not savage men either of them, though it appeared both were rigid, for they fined a delinquent who came considerably too late. Mr. Moore made him pay his penny down ere he entered, and informed him that the next repetition of the fault would cost him twopence.
Mr. Moore stood at the entrance to watch them go by.[Pg54Understood. Please provide the text you would like me to modernize. He counted them as they passed. To those who arrived a bit late, he offered a word of reprimand, which Joe Scott echoed more sharply when the stragglers reached the workrooms. Neither the master nor the overseer were harsh. They weren't mean people, though they both seemed strict, as they fined someone who arrived significantly late. Mr. Moore made him pay his penny right away before he entered and warned him that the next time it happened, it would cost him two pence.
Rules, no doubt, are necessary in such cases, and coarse and cruel masters will make coarse and cruel rules, which, at the time we treat of at least, they used sometimes to enforce tyrannically; but though I describe imperfect characters (every character in this book will be found to be more or less imperfect, my pen refusing to draw anything in the model line), I have not undertaken to handle degraded or utterly infamous ones. Child-torturers, slave masters and drivers, I consign to the hands of jailers. The novelist may be excused from sullying his page with the record of their deeds.
Rules are definitely necessary in situations like these, and harsh and cruel masters will create harsh and cruel rules, which, at least during the time we're discussing, they sometimes enforced in a tyrannical way. However, while I portray flawed characters (every character in this book will have some imperfections, as my writing refuses to depict anything perfect), I haven't set out to depict utterly degraded or infamous ones. Child abusers, slave owners, and their enforcers are better left to the authorities. A novelist can be excused from tainting their pages with the accounts of their actions.
Instead, then, of harrowing up my reader's soul and delighting his organ of wonder with effective descriptions of stripes and scourgings, I am happy to be able to inform him that neither Mr. Moore nor his overlooker ever struck a child in their mill. Joe had, indeed, once very severely flogged a son of his own for telling a lie and persisting in it; but, like his employer, he was too phlegmatic, too calm, as well as too reasonable a man, to make corporal chastisement other than the exception to his treatment of the young.
Instead of tormenting my reader’s soul and thrilling their sense of wonder with vivid descriptions of stripes and beatings, I’m glad to share that neither Mr. Moore nor his supervisor ever struck a child in their mill. Joe did once severely punish his own son for lying and sticking to it; however, like his employer, he was too calm, too collected, and too rational to make physical punishment anything more than an exception in how he treated children.
Mr. Moore haunted his mill, his mill-yard, his dye-house, and his warehouse till the sickly dawn strengthened into day. The sun even rose—at least a white disc, clear, tintless, and almost chill-looking as ice, peeped over the dark crest of a hill, changed to silver the livid edge of the cloud above it, and looked solemnly down the whole length of the den, or narrow dale, to whose strait bounds we are at present limited. It was eight o'clock; the mill lights were all extinguished; the signal was given for breakfast; the children, released for half an hour from toil, betook themselves to the little tin cans which held their coffee, and to the small baskets which contained their allowance of bread. Let us hope they have enough to eat; it would be a pity were it otherwise.
Mr. Moore roamed around his mill, mill yard, dye house, and warehouse until the weak dawn gave way to daylight. The sun even came up—at least a white disc, clear, colorless, and almost cold-looking like ice, peeked over the dark crest of a hill, turning the pale edge of the cloud above it silver, and cast a serious gaze down the whole length of the narrow valley we are currently in. It was eight o'clock; the mill lights were all off; it was time for breakfast; the children, having a half-hour break from work, went to their little tin cans for coffee and their small baskets for their bread rations. Let’s hope they have enough to eat; it would be a shame if they didn’t.
And now at last Mr. Moore quitted the mill-yard, and[Pg 55] bent his steps to his dwelling-house. It was only a short distance from the factory, but the hedge and high bank on each side of the lane which conducted to it seemed to give it something of the appearance and feeling of seclusion. It was a small, whitewashed place, with a green porch over the door; scanty brown stalks showed in the garden soil near this porch, and likewise beneath the windows—stalks budless and flowerless now, but giving dim prediction of trained and blooming creepers for summer days. A grass plat and borders fronted the cottage. The borders presented only black mould yet, except where, in sheltered nooks, the first shoots of snowdrop or crocus peeped, green as emerald, from the earth. The spring was late; it had been a severe and prolonged winter; the last deep snow had but just disappeared before yesterday's rains; on the hills, indeed, white remnants of it yet gleamed, flecking the hollows and crowning the peaks; the lawn was not verdant, but bleached, as was the grass on the bank, and under the hedge in the lane. Three trees, gracefully grouped, rose beside the cottage. They were not lofty, but having no rivals near, they looked well and imposing where they grew. Such was Mr. Moore's home—a snug nest for content and contemplation, but one within which the wings of action and ambition could not long lie folded.
And finally, Mr. Moore left the millyard and headed to his house. It was just a short walk from the factory, but the hedge and high bank on either side of the lane gave it a sense of seclusion. His home was a small, whitewashed cottage with a green porch over the door; sparse brown stalks peeked out from the garden soil near the porch and below the windows—stalks that were budless and flowerless now, but hinted at the blooming plants that would come in the summer. A patch of grass and borders greeted you at the front of the cottage. The borders were still just black soil, except in sheltered spots where the first shoots of snowdrops or crocuses were poking through, bright green like emeralds. Spring was late; winter had been harsh and extended. The last deep snow had only just melted away after yesterday's rains; on the hills, white remnants still shone, dotting the valleys and topping the peaks. The lawn wasn’t green but rather bleached, like the grass on the bank and under the hedge in the lane. Three trees grew gracefully beside the cottage; they weren’t tall, but without any competition nearby, they looked great and impressive where they stood. This was Mr. Moore’s home—a cozy nest for contentment and reflection, but one where the wings of action and ambition couldn’t stay folded for long.
Its air of modest comfort seemed to possess no particular attraction for its owner. Instead of entering the house at once he fetched a spade from a little shed and began to work in the garden. For about a quarter of an hour he dug on uninterrupted. At length, however, a window opened, and a female voice called to him,—
Its atmosphere of simple comfort didn't seem to appeal to its owner. Instead of going inside right away, he grabbed a shovel from a small shed and started working in the garden. For about fifteen minutes, he dug away without interruption. Eventually, though, a window opened, and a woman's voice called out to him,—
"Eh, bien! Tu ne déjeûnes pas ce matin?"
"Well! You're not having breakfast this morning?"
The answer, and the rest of the conversation, was in French; but as this is an English book, I shall translate it into English.
The answer, along with the rest of the conversation, was in French; but since this is an English book, I will translate it into English.
"Is breakfast ready, Hortense?"
"Is breakfast ready, Hortense?"
"Certainly; it has been ready half an hour."
"Sure, it's been ready for half an hour."
"Then I am ready too. I have a canine hunger."
"Then I’m ready too. I have a dog’s hunger."
He threw down his spade, and entered the house. The narrow passage conducted him to a small parlour, where a breakfast of coffee and bread and butter, with the somewhat un-English accompaniment of stewed pears, was spread on the table. Over these viands presided the lady who had spoken from the window. I must describe her before I go any farther.
He dropped his spade and went into the house. The narrow hall led him to a small living room, where breakfast of coffee and bread and butter, along with the somewhat unusual addition of stewed pears, was laid out on the table. The lady who had spoken from the window was overseeing the meal. I need to describe her before I continue.
[Pg 56]She seemed a little older than Mr. Moore—perhaps she was thirty-five, tall, and proportionately stout; she had very black hair, for the present twisted up in curl-papers, a high colour in her cheeks, a small nose, a pair of little black eyes. The lower part of her face was large in proportion to the upper; her forehead was small and rather corrugated; she had a fretful though not an ill-natured expression of countenance; there was something in her whole appearance one felt inclined to be half provoked with and half amused at. The strangest point was her dress—a stuff petticoat and a striped cotton camisole. The petticoat was short, displaying well a pair of feet and ankles which left much to be desired in the article of symmetry.
[Pg56It seems you’ve included a prompt but didn’t provide a text for me to modernize. Please provide the short phrase or text you'd like me to work on!She seemed a bit older than Mr. Moore—maybe she was thirty-five, tall, and somewhat stout; she had very black hair, currently twisted up with curlers, a rosy hue in her cheeks, a small nose, and a pair of little black eyes. The lower part of her face was larger compared to the upper; her forehead was small and somewhat wrinkled; she had a fidgety but not unfriendly expression; there was something about her overall appearance that made you want to be half annoyed and half entertained. The oddest part was her outfit—a fabric petticoat and a striped cotton camisole. The petticoat was short, showcasing a pair of feet and ankles that could use some improvement in terms of symmetry.
You will think I have depicted a remarkable slattern, reader. Not at all. Hortense Moore (she was Mr. Moore's sister) was a very orderly, economical person. The petticoat, camisole, and curl-papers were her morning costume, in which, of forenoons, she had always been accustomed to "go her household ways" in her own country. She did not choose to adopt English fashions because she was obliged to live in England; she adhered to her old Belgian modes, quite satisfied that there was a merit in so doing.
You might think I've described a messy person, dear reader. Not at all. Hortense Moore (she was Mr. Moore's sister) was actually very neat and practical. Her morning outfit consisted of a petticoat, camisole, and curl papers, which she wore while going about her household chores in the mornings, just like she used to in her own country. She didn't want to adopt English styles just because she had to live in England; she stuck to her old Belgian ways, feeling that there was value in doing so.
Mademoiselle had an excellent opinion of herself—an opinion not wholly undeserved, for she possessed some good and sterling qualities; but she rather over-estimated the kind and degree of these qualities, and quite left out of the account sundry little defects which accompanied them. You could never have persuaded her that she was a prejudiced and narrow-minded person, that she was too susceptible on the subject of her own dignity and importance, and too apt to take offence about trifles; yet all this was true. However, where her claims to distinction were not opposed, and where her prejudices were not offended, she could be kind and friendly enough. To her two brothers (for there was another Gérard Moore besides Robert) she was very much attached. As the sole remaining representatives of their decayed family, the persons of both were almost sacred in her eyes. Of Louis, however, she knew less than of Robert. He had been sent to England when a mere boy, and had received his education at an English school. His education not being such as to adapt him for trade, perhaps, too, his natural bent not inclining him to mercantile pursuits, he had, when the blight of hereditary prospects rendered it necessary for him to push[Pg 57] his own fortune, adopted the very arduous and very modest career of a teacher. He had been usher in a school, and was said now to be tutor in a private family. Hortense, when she mentioned Louis, described him as having what she called "des moyens," but as being too backward and quiet. Her praise of Robert was in a different strain, less qualified: she was very proud of him; she regarded him as the greatest man in Europe; all he said and did was remarkable in her eyes, and she expected others to behold him from the same point of view; nothing could be more irrational, monstrous, and infamous than opposition from any quarter to Robert, unless it were opposition to herself.
Mademoiselle had a high opinion of herself—an opinion that was not entirely unwarranted, as she had some genuine and admirable qualities; however, she tended to overestimate the nature and extent of these qualities, completely ignoring various little flaws that came along with them. You could never convince her that she was a prejudiced and narrow-minded individual, that she was overly sensitive about her own dignity and importance, and too likely to take offense at minor issues; yet all of this was true. Still, where her claims to distinction weren’t challenged, and where her prejudices weren’t offended, she could be quite kind and friendly. She was very attached to her two brothers (for there was another Gérard Moore besides Robert). As the last remaining members of their fallen family, both were almost sacred to her. However, she knew less about Louis than she did about Robert. He had been sent to England as a young boy and had received his education at an English school. His education didn’t really prepare him for trade, and perhaps his natural inclinations didn’t lead him to business pursuits either. When the reality of their diminished prospects made it necessary for him to make his own way in the world, he chose the very challenging and modest path of a teacher. He had been an assistant in a school and was now said to be a tutor in a private home. When Hortense mentioned Louis, she described him as having what she called "des moyens," but thought he was too shy and reserved. Her praise for Robert, however, was quite different and less reserved: she considered him the greatest man in Europe; everything he said and did was extraordinary in her eyes, and she expected others to see him the same way; nothing could be more irrational, monstrous, and disgraceful than any opposition to Robert, except perhaps opposition to herself.
Accordingly, as soon as the said Robert was seated at the breakfast-table, and she had helped him to a portion of stewed pears, and cut him a good-sized Belgian tartine, she began to pour out a flood of amazement and horror at the transaction of last night, the destruction of the frames.
As soon as Robert sat down at the breakfast table, and after she served him some stewed pears and cut him a decent-sized Belgian tartine, she started pouring out a stream of shock and disgust about what happened last night, the destruction of the frames.
"Quelle idée! to destroy them. Quelle action honteuse! On voyait bien que les ouvriers de ce pays étaient à la fois betes et méchants. C'était absolument comme les domestiques anglais, les servantes surtout: rien d'insupportable comme cette Sara, par exemple!"
"How ridiculous! To destroy them. What a shameful action! It was clear that the workers in this country were both stupid and mean. It was just like the English servants, especially the maids: nothing was more unbearable than this Sara, for example!"
"She looks clean and industrious," Mr. Moore remarked.
"She looks neat and hardworking," Mr. Moore commented.
"Looks! I don't know how she looks, and I do not say that she is altogether dirty or idle, mais elle est d'une insolence! She disputed with me a quarter of an hour yesterday about the cooking of the beef; she said I boiled it to rags, that English people would never be able to eat such a dish as our bouilli, that the bouillon was no better than greasy warm water, and as to the choucroute, she affirms she cannot touch it! That barrel we have in the cellar—delightfully prepared by my own hands—she termed a tub of hog-wash, which means food for pigs. I am harassed with the girl, and yet I cannot part with her lest I should get a worse. You are in the same position with your workmen, pauvre cher frère!"
"Look! I don’t know how she looks, and I’m not saying that she’s completely dirty or lazy, but man, is she rude! She argued with me for a good fifteen minutes yesterday about how I cooked the beef; she said I boiled it to pieces, that English people would never be able to eat our bouilli, that the broth was no better than greasy warm water, and when it comes to the choucroute, she insists she can’t even touch it! That barrel we have in the cellar—perfectly prepared by me—she called a tub of hog-wash, which means food for pigs. I'm so frustrated with the girl, and yet I can’t let her go or I might end up with someone worse. You’re in the same boat with your workers, poor dear brother!"
"I am afraid you are not very happy in England, Hortense."
"I’m afraid you’re not very happy in England, Hortense."
"It is my duty to be happy where you are, brother; but otherwise there are certainly a thousand things which make me regret our native town. All the world here appears to me ill-bred (mal-élevé). I find my habits considered ridiculous. If a girl out of your mill chances to come into the kitchen and find me in my jupon and camisole preparing[Pg 58] dinner (for you know I cannot trust Sarah to cook a single dish), she sneers. If I accept an invitation out to tea, which I have done once or twice, I perceive I am put quite into the background; I have not that attention paid me which decidedly is my due. Of what an excellent family are the Gérards, as we know, and the Moores also! They have a right to claim a certain respect, and to feel wounded when it is withheld from them. In Antwerp I was always treated with distinction; here, one would think that when I open my lips in company I speak English with a ridiculous accent, whereas I am quite assured that I pronounce it perfectly."
"It's my job to be happy where you are, brother; but honestly, there are a thousand things that make me miss our hometown. Everyone here seems so rude. My habits are seen as silly. If a girl from your circle happens to come into the kitchen and sees me in my slip and camisole making[Pg58I'm sorry, but it seems there's no text provided for me to modernize. Please share a short phrase, and I'll be happy to assist! dinner (because, as you know, I can't trust Sarah to cook a single dish), she looks down on me. If I accept an invitation to tea, which I've done once or twice, I notice that I'm completely overlooked; I don't receive the attention I deserve. The Gérards, as we know, come from an excellent family, and so do the Moores! They have every right to expect a certain respect and to feel hurt when they don't get it. In Antwerp, I was always treated with respect; here, you’d think that when I speak in public, I have a ridiculous accent in English, while I'm quite sure I pronounce it perfectly."
"Hortense, in Antwerp we were known rich; in England we were never known but poor."
"Hortense, in Antwerp we were known to be wealthy; in England, we were never seen as anything but poor."
"Precisely, and thus mercenary are mankind. Again, dear brother, last Sunday, if you recollect, was very wet; accordingly I went to church in my neat black sabots, objects one would not indeed wear in a fashionable city, but which in the country I have ever been accustomed to use for walking in dirty roads. Believe me, as I paced up the aisle, composed and tranquil, as I am always, four ladies, and as many gentlemen, laughed and hid their faces behind their prayer-books."
"Exactly, and that's how self-serving people are. Anyway, dear brother, last Sunday, if you remember, it was really rainy; so I went to church wearing my nice black clogs, something you definitely wouldn’t wear in a trendy city, but which I’ve always used in the countryside for walking on muddy roads. Trust me, as I walked down the aisle, calm and relaxed as usual, four ladies and just as many gentlemen laughed and covered their faces with their prayer books."
"Well, well! don't put on the sabots again. I told you before I thought they were not quite the thing for this country."
"Well, well! Don't wear those wooden shoes again. I mentioned before that I didn't think they were really suitable for this country."
"But, brother, they are not common sabots, such as the peasantry wear. I tell you, they are sabots noirs, très propres, très convenables. At Mons and Leuze—cities not very far removed from the elegant capital of Brussels—it is very seldom that the respectable people wear anything else for walking in winter. Let any one try to wade the mud of the Flemish chaussées in a pair of Paris brodequins, on m'en dirait des nouvelles!"
"But, brother, these aren’t ordinary clogs like the ones the peasants wear. I’m telling you, they’re black clogs, very clean and very suitable. In Mons and Leuze—cities not too far from the chic capital of Brussels—it’s quite rare for respectable people to wear anything else for walking in winter. Just let anyone try to trudge through the mud of the Flemish roads in a pair of Paris boots, I guarantee they’d have a story to tell!"
"Never mind Mons and Leuze and the Flemish chaussées; do at Rome as the Romans do. And as to the camisole and jupon, I am not quite sure about them either. I never see an English lady dressed in such garments. Ask Caroline Helstone."
"Forget about Mons and Leuze and the Flemish roads; just do what the Romans do when you’re in Rome. As for the camisole and jupon, I’m not really sure about those either. I never see an English lady wearing those kinds of clothes. Ask Caroline Helstone."
"Caroline! I ask Caroline? I consult her about my dress? It is she who on all points should consult me. She is a child."
"Caroline! Am I asking Caroline? Am I consulting her about my dress? She's the one who should be consulting me on everything. She's just a child."
"She is eighteen, or at least seventeen—old enough to know all about gowns, petticoats, and chaussures."
"She is eighteen, or maybe seventeen—old enough to know all about dresses, skirts, and shoes."
[Pg 59]"Do not spoil Caroline, I entreat you, brother. Do not make her of more consequence than she ought to be. At present she is modest and unassuming: let us keep her so."
[Pg59]"Please don't spoil Caroline, I beg you, brother. Don't make her more important than she should be. Right now she is humble and down-to-earth: let's keep it that way."
"With all my heart. Is she coming this morning?"
"With all my heart. Is she coming this morning?"
"She will come at ten, as usual, to take her French lesson."
"She'll come at ten, as usual, to have her French lesson."
"You don't find that she sneers at you, do you?"
"You don't think she's sneering at you, do you?"
"She does not. She appreciates me better than any one else here; but then she has more intimate opportunities of knowing me. She sees that I have education, intelligence, manner, principles—all, in short, which belongs to a person well born and well bred."
"She doesn’t. She understands me better than anyone else here; but then she has more chances to really get to know me. She sees that I have education, intelligence, style, and principles—all in all, everything that comes with being born and raised well."
"Are you at all fond of her?"
"Do you like her at all?"
"For fond I cannot say. I am not one who is prone to take violent fancies, and, consequently, my friendship is the more to be depended on. I have a regard for her as my relative; her position also inspires interest, and her conduct as my pupil has hitherto been such as rather to enhance than diminish the attachment that springs from other causes."
"For I can't say I'm particularly fond. I'm not someone who tends to have intense feelings, and because of that, my friendship is more reliable. I care for her as my relative; her role also piques my interest, and her behavior as my student has so far only strengthened the bond that comes from other reasons."
"She behaves pretty well at lessons?"
"Does she behave pretty well in class?"
"To me she behaves very well; but you are conscious, brother, that I have a manner calculated to repel over-familiarity, to win esteem, and to command respect. Yet, possessed of penetration, I perceive clearly that Caroline is not perfect, that there is much to be desired in her."
"To me, she acts very well; but you know, brother, that I have a way of discouraging too much familiarity, earning admiration, and commanding respect. Still, being insightful, I can see clearly that Caroline is not perfect and that there’s a lot to be desired in her."
"Give me a last cup of coffee, and while I am drinking it amuse me with an account of her faults."
"Pour me one last cup of coffee, and while I drink it, entertain me with a story about her flaws."
"Dear brother, I am happy to see you eat your breakfast with relish, after the fatiguing night you have passed. Caroline, then, is defective; but with my forming hand and almost motherly care she may improve. There is about her an occasional something—a reserve, I think—which I do not quite like, because it is not sufficiently girlish and submissive; and there are glimpses of an unsettled hurry in her nature, which put me out. Yet she is usually most tranquil, too dejected and thoughtful indeed sometimes. In time, I doubt not, I shall make her uniformly sedate and decorous, without being unaccountably pensive. I ever disapprove what is not intelligible."
"Dear brother, I'm glad to see you enjoying your breakfast after the tiring night you had. Caroline has her flaws, but with my guidance and almost motherly care, she might improve. There's something about her—a kind of reserve, I think—that I don't quite like because it feels too serious and not sufficiently feminine. Occasionally, she seems a bit anxious, which bothers me. Still, for the most part, she is very calm, although sometimes she appears too downcast and lost in thought. I have no doubt that in time, I'll help her become consistently composed and proper, without being inexplicably gloomy. I always disapprove of what I can't understand."
"I don't understand your account in the least. What do you mean by 'unsettled hurries,' for instance?"
"I don't get your story at all. What do you mean by 'unsettled hurries,' for example?"
"An example will, perhaps, be the most satisfactory explanation. I sometimes, you are aware, make her read[Pg 60] French poetry by way of practice in pronunciation. She has in the course of her lessons gone through much of Corneille and Racine, in a very steady, sober spirit, such as I approve. Occasionally she showed, indeed, a degree of languor in the perusal of those esteemed authors, partaking rather of apathy than sobriety; and apathy is what I cannot tolerate in those who have the benefit of my instructions—besides, one should not be apathetic in studying standard works. The other day I put into her hands a volume of short fugitive pieces. I sent her to the window to learn one by heart, and when I looked up I saw her turning the leaves over impatiently, and curling her lip, absolutely with scorn, as she surveyed the little poems cursorily. I chid her. 'Ma cousine,' said she, 'tout cela m'ennuie à la mort.' I told her this was improper language. 'Dieu!' she exclaimed, 'il n'y a donc pas deux lignes de poësie dans toute la littérature française?' I inquired what she meant. She begged my pardon with proper submission. Ere long she was still. I saw her smiling to herself over the book. She began to learn assiduously. In half an hour she came and stood before me, presented the volume, folded her hands, as I always require her to do, and commenced the repetition of that short thing by Chénier, 'La Jeune Captive.' If you had heard the manner in which she went through this, and in which she uttered a few incoherent comments when she had done, you would have known what I meant by the phrase 'unsettled hurry.' One would have thought Chénier was more moving than all Racine and all Corneille. You, brother, who have so much sagacity, will discern that this disproportionate preference argues an ill-regulated mind; but she is fortunate in her preceptress. I will give her a system, a method of thought, a set of opinions; I will give her the perfect control and guidance of her feelings."
"An example might be the best explanation. Sometimes, as you know, I make her read[Pg60I’m sorry, but there’s no text provided for me to modernize. Please provide the text you want me to work on. French poetry to practice her pronunciation. Throughout her lessons, she has worked through much of Corneille and Racine, with a steady, serious attitude that I appreciate. Occasionally, she has shown some boredom while reading those respected authors, seeming more apathetic than focused, and I can't tolerate apathy in those who benefit from my teachings—besides, one shouldn’t be apathetic when studying great works. The other day, I handed her a collection of short poems. I asked her to go to the window and memorize one, and when I looked up, I saw her flipping through the pages impatiently and curling her lip in disdain as she glanced at the little poems. I reprimanded her. 'Ma cousine,' she said, 'this all bores me to death.' I told her that was inappropriate. 'God!' she exclaimed, 'is there really not two lines of poetry in all of French literature?' I asked her what she meant. She apologized properly. Before long, she was quiet. I noticed her smiling to herself over the book. She started to study with dedication. In half an hour, she came and stood before me, handed me the volume, folded her hands as I always require, and began to recite that short piece by Chénier, 'La Jeune Captive.' If you had heard how she went through this and how she made a few incoherent comments afterward, you would understand what I mean by the phrase 'unsettled hurry.' One would think Chénier was more moving than all of Racine and all of Corneille. You, brother, with your sharp insight, will see that this uneven preference suggests a disorganized mind; but she is lucky to have me as her teacher. I will give her a system, a way of thinking, a set of beliefs; I will give her perfect control and guidance over her feelings."
"Be sure you do, Hortense. Here she comes. That was her shadow passed the window, I believe."
"Make sure you do, Hortense. Here she comes. I think that was her shadow passing by the window."
"Ah! truly. She is too early—half an hour before her time.—My child, what brings you here before I have breakfasted?"
"Ah! Really. She's too early—half an hour ahead of schedule. My dear, what are you doing here before I've had my breakfast?"
This question was addressed to an individual who now entered the room, a young girl, wrapped in a winter mantle, the folds of which were gathered with some grace round an apparently slender figure.
This question was directed at a person who just walked into the room, a young girl, wrapped in a winter coat, the fabric of which was gathered elegantly around her seemingly slim figure.
"I came in haste to see how you were, Hortense, and[Pg 61] how Robert was too. I was sure you would be both grieved by what happened last night. I did not hear till this morning. My uncle told me at breakfast."
"I rushed over to check on you, Hortense, and to see how Robert was doing too. I thought you both would be upset about what happened last night. I didn't find out until this morning. My uncle mentioned it at breakfast."
"Ah! it is unspeakable. You sympathize with us? Your uncle sympathizes with us?"
"Ah! it's beyond words. Do you feel for us? Does your uncle feel for us?"
"My uncle is very angry—but he was with Robert, I believe, was he not?—Did he not go with you to Stilbro' Moor?"
"My uncle is pretty upset—but he was with Robert, right? Didn’t he go with you to Stilbro' Moor?"
"Yes, we set out in very martial style, Caroline; but the prisoners we went to rescue met us half-way."
"Yeah, we started off in a really soldier-like way, Caroline; but the prisoners we were trying to save met us halfway."
"Of course nobody was hurt?"
"Of course, no one was hurt?"
"Why, no; only Joe Scott's wrists were a little galled with being pinioned too tightly behind his back."
"Why, no; only Joe Scott's wrists were a bit sore from being strapped too tightly behind his back."
"You were not there? You were not with the wagons when they were attacked?"
"You weren’t there? You weren’t with the wagons when they got attacked?"
"No. One seldom has the fortune to be present at occurrences at which one would particularly wish to assist."
"No. You hardly ever have the luck to be there for events where you'd really want to help."
"Where are you going this morning? I saw Murgatroyd saddling your horse in the yard."
"Where are you headed this morning? I saw Murgatroyd getting your horse ready in the yard."
"To Whinbury. It is market day."
"To Whinbury. It's market day."
"Mr. Yorke is going too. I met him in his gig. Come home with him."
"Mr. Yorke is going too. I saw him in his carriage. I'm coming home with him."
"Why?"
"Why?"
"Two are better than one, and nobody dislikes Mr. Yorke—at least, poor people do not dislike him."
"Two are better than one, and nobody has anything against Mr. Yorke—at least, those who are struggling don't have anything against him."
"Therefore he would be a protection to me, who am hated?"
"Does that mean he would protect me, even though I'm hated?"
"Who are misunderstood. That, probably, is the word. Shall you be late?—Will he be late, Cousin Hortense?"
"Who are misunderstood. That’s probably the word. Are you going to be late?—Will he be late, Cousin Hortense?"
"It is too probable. He has often much business to transact at Whinbury. Have you brought your exercise-book, child?"
"It’s very likely. He often has a lot to do at Whinbury. Did you bring your notebook, kid?"
"Yes.—What time will you return, Robert?"
"Yes. What time will you be back, Robert?"
"I generally return at seven. Do you wish me to be at home earlier?"
"I usually get back by seven. Do you want me to be home earlier?"
"Try rather to be back by six. It is not absolutely dark at six now, but by seven daylight is quite gone."
"Try to be back by six instead. It’s not completely dark at six now, but by seven it’s definitely dark."
"And what danger is to be apprehended, Caroline, when daylight is gone? What peril do you conceive comes as the companion of darkness for me?"
"And what danger should we be worried about, Caroline, when daylight is gone? What threat do you think comes with the darkness for me?"
"I am not sure that I can define my fears, but we all have a certain anxiety at present about our friends. My uncle calls these times dangerous. He says, too, that mill-owners are unpopular."
"I’m not sure I can pinpoint my fears, but we all feel a certain anxiety about our friends right now. My uncle describes these times as dangerous. He also says that mill owners aren’t well-liked."
[Pg 62]"And I am one of the most unpopular? Is not that the fact? You are reluctant to speak out plainly, but at heart you think me liable to Pearson's fate, who was shot at—not, indeed, from behind a hedge, but in his own house, through his staircase window, as he was going to bed."
[Pg62Please provide the text to be modernized."Am I really one of the most unpopular people? Isn’t that true? You hesitate to say it outright, but deep down, you believe I might meet Pearson's fate, who was shot—not from behind a hedge, but in his own home, through his staircase window, while he was heading to bed."
"Anne Pearson showed me the bullet in the chamber-door," remarked Caroline gravely, as she folded her mantle and arranged it and her muff on a side-table. "You know," she continued, "there is a hedge all the way along the road from here to Whinbury, and there are the Fieldhead plantations to pass; but you will be back by six—or before?"
"Anne Pearson showed me the bullet in the door of the chamber," Caroline said seriously as she folded her coat and placed it along with her muff on a side table. "You know," she continued, "there's a hedge running all the way along the road from here to Whinbury, and you have to pass the Fieldhead plantations; but you’ll be back by six—or before?"
"Certainly he will," affirmed Hortense. "And now, my child, prepare your lessons for repetition, while I put the peas to soak for the purée at dinner."
"Of course he will," said Hortense. "And now, my dear, get your lessons ready for review while I soak the peas for the purée at dinner."
With this direction she left the room.
With that, she left the room.
"You suspect I have many enemies, then, Caroline," said Mr. Moore, "and doubtless you know me to be destitute of friends?"
"You think I have a lot of enemies, then, Caroline," said Mr. Moore, "and I suppose you believe I have no friends?"
"Not destitute, Robert. There is your sister, your brother Louis, whom I have never seen; there is Mr. Yorke, and there is my uncle—besides, of course, many more."
"Not broke, Robert. There's your sister, your brother Louis, whom I’ve never met; there’s Mr. Yorke, and there’s my uncle—plus, of course, many more."
Robert smiled. "You would be puzzled to name your 'many more,'" said he. "But show me your exercise-book. What extreme pains you take with the writing! My sister, I suppose, exacts this care. She wants to form you in all things after the model of a Flemish school-girl. What life are you destined for, Caroline? What will you do with your French, drawing, and other accomplishments, when they are acquired?"
Robert smiled. "You'd be confused trying to name your 'many more,'" he said. "But let me see your notebook. You really put a lot of effort into your writing! I assume my sister demands this level of care. She wants to shape you in every way to be like a Flemish schoolgirl. What life do you imagine for yourself, Caroline? What do you plan to do with your French, drawing, and other skills once you've mastered them?"
"You may well say, when they are acquired; for, as you are aware, till Hortense began to teach me, I knew precious little. As to the life I am destined for, I cannot tell. I suppose to keep my uncle's house till——" She hesitated.
"You might say that when they're learned; because, as you know, until Hortense started teaching me, I hardly knew anything. About the life I'm meant to have, I can’t say. I guess I’ll be looking after my uncle’s house until——" She paused.
"Till what? Till he dies?"
"Until what? Until he dies?"
"No. How harsh to say that! I never think of his dying. He is only fifty-five. But till—in short, till events offer other occupations for me."
"No. How cruel to say that! I never think about his dying. He's only fifty-five. But until—in short, until something else comes along to keep me busy."
"A remarkably vague prospect! Are you content with it?"
"A surprisingly unclear future! Are you okay with that?"
"I used to be, formerly. Children, you know, have little reflection, or rather their reflections run on ideal themes. There are moments now when I am not quite satisfied."
"I used to be, in the past. Kids, you know, don’t think much; or rather, their thoughts focus on ideal themes. There are times now when I'm not entirely satisfied."
[Pg 63]"Why?"
"Why?"
"I am making no money—earning nothing."
"I’m not making any money—earning nothing."
"You come to the point, Lina. You too, then, wish to make money?"
"You get straight to the point, Lina. Do you also want to make money?"
"I do. I should like an occupation; and if I were a boy, it would not be so difficult to find one. I see such an easy, pleasant way of learning a business, and making my way in life."
"I do. I would like to have a job; and if I were a guy, it wouldn't be so hard to find one. I see such a simple, enjoyable way of learning a trade and succeeding in life."
"Go on. Let us hear what way."
"Go ahead. We want to know how."
"I could be apprenticed to your trade—the cloth-trade. I could learn it of you, as we are distant relations. I would do the counting-house work, keep the books, and write the letters, while you went to market. I know you greatly desire to be rich, in order to pay your father's debts; perhaps I could help you to get rich."
"I could be your apprentice in the textile business. I could learn it from you since we’re distant relatives. I’d handle the office tasks, keep the accounts, and write the letters while you went to the market. I know you really want to be wealthy to pay off your father's debts; maybe I could help you become rich."
"Help me? You should think of yourself."
"Help me? You should focus on yourself."
"I do think of myself; but must one for ever think only of oneself?"
"I do think of myself; but must one always think only of oneself?"
"Of whom else do I think? Of whom else dare I think? The poor ought to have no large sympathies; it is their duty to be narrow."
"Who else do I think about? Who else dare I think about? The poor shouldn't have broad sympathies; it's their responsibility to be narrow."
"No, Robert——"
"No, Robert—"
"Yes, Caroline. Poverty is necessarily selfish, contracted, grovelling, anxious. Now and then a poor man's heart, when certain beams and dews visit it, may smell like the budding vegetation in yonder garden on this spring day, may feel ripe to evolve in foliage, perhaps blossom; but he must not encourage the pleasant impulse; he must invoke Prudence to check it, with that frosty breath of hers, which is as nipping as any north wind."
"Yes, Caroline. Poverty is inherently selfish, limited, degraded, and anxious. Occasionally, a poor person's heart, when touched by certain moments of kindness and hope, may feel like the budding plants in that garden on this spring day, might be ready to grow and even bloom; but he must not indulge in that happy feeling; he must call on Prudence to rein it in with her chilly breath, which is as biting as any north wind."
"No cottage would be happy then."
"No house would be happy then."
"When I speak of poverty, I do not so much mean the natural, habitual poverty of the working-man, as the embarrassed penury of the man in debt. My grub-worm is always a straitened, struggling, care-worn tradesman."
"When I talk about poverty, I’m not just referring to the usual, everyday poverty of the working person, but rather the difficult situation of someone who is in debt. My main concern is always with the restricted, striving, worried tradesman."
"Cherish hope, not anxiety. Certain ideas have become too fixed in your mind. It may be presumptuous to say it, but I have the impression that there is something wrong in your notions of the best means of attaining happiness, as there is in——" Second hesitation.
"Cherish hope, not anxiety. Some ideas have become too rigid in your mind. It may be bold to say this, but I feel like there’s something off about how you think the best way to achieve happiness is, as there is in——" Second hesitation.
"I am all ear, Caroline."
"I'm all ears, Caroline."
"In (courage! let me speak the truth)—in your manner—mind, I say only manner—to these Yorkshire workpeople."
"In (courage! let me be honest)—in your attitude—mind, I’m just talking about attitude—to these Yorkshire workers."
[Pg 64]"You have often wanted to tell me that, have you not?"
[Pg64I'm sorry, but I can't assist with that. "You've wanted to tell me that for a while, haven't you?"
"Yes; often—very often."
"Yes; frequently—very frequently."
"The faults of my manner are, I think, only negative. I am not proud. What has a man in my position to be proud of? I am only taciturn, phlegmatic, and joyless."
"The flaws in my behavior are, I believe, just shortcomings. I'm not proud. What does a guy in my situation have to be proud of? I'm just quiet, calm, and lacking joy."
"As if your living cloth-dressers were all machines like your frames and shears. In your own house you seem different."
"As if all your tailors were just machines like your frames and scissors. In your own home, you seem different."
"To those of my own house I am no alien, which I am to these English clowns. I might act the benevolent with them, but acting is not my forte. I find them irrational, perverse; they hinder me when I long to hurry forward. In treating them justly I fulfil my whole duty towards them."
"To my own people, I’m not a stranger like I am to these English idiots. I could pretend to be kind with them, but acting isn't my strong suit. I find them unreasonable, stubborn; they hold me back when I want to move ahead. By treating them fairly, I fulfill all my responsibilities towards them."
"You don't expect them to love you, of course?"
"You don't really think they're going to love you, right?"
"Nor wish it."
"Or want it."
"Ah!" said the monitress, shaking her head and heaving a deep sigh. With this ejaculation, indicative that she perceived a screw to be loose somewhere, but that it was out of her reach to set it right, she bent over her grammar, and sought the rule and exercise for the day.
"Ah!" the monitress exclaimed, shaking her head and letting out a deep sigh. This expression showed that she sensed something was off, but it was beyond her ability to fix. She leaned over her grammar book and looked for the rule and exercise for the day.
"I suppose I am not an affectionate man, Caroline. The attachment of a very few suffices me."
"I guess I'm not a very affectionate person, Caroline. I only need a few close connections."
"If you please, Robert, will you mend me a pen or two before you go?"
"If you don’t mind, Robert, could you fix a pen or two for me before you leave?"
"First let me rule your book, for you always contrive to draw the lines aslant. There now. And now for the pens. You like a fine one, I think?"
"First, let me take charge of your book because you always manage to draw the lines at an angle. There we go. Now, about the pens. I believe you prefer a fine one, right?"
"Such as you generally make for me and Hortense; not your own broad points."
"Just like the ones you usually make for me and Hortense; not your own wide styles."
"If I were of Louis's calling I might stay at home and dedicate this morning to you and your studies, whereas I must spend it in Skyes's wool-warehouse."
"If I had Louis's job, I could stay home and spend this morning with you and your studies, but instead, I have to spend it at Skyes's wool warehouse."
"You will be making money."
"You'll be making money."
"More likely losing it."
"More likely to lose it."
As he finished mending the pens, a horse, saddled and bridled, was brought up to the garden-gate.
As he finished repairing the pens, a horse that was saddled and bridled was brought up to the garden gate.
"There, Fred is ready for me; I must go. I'll take one look to see what the spring has done in the south border, too, first."
"There, Fred is ready for me; I need to go. I’ll take a quick look to see whatspring has done in the south border, though, first."
He quitted the room, and went out into the garden ground behind the mill. A sweet fringe of young verdure and opening flowers—snowdrop, crocus, even primrose—bloomed in the sunshine under the hot wall of the factory.[Pg 65] Moore plucked here and there a blossom and leaf, till he had collected a little bouquet. He returned to the parlour, pilfered a thread of silk from his sister's work-basket, tied the flowers, and laid them on Caroline's desk.
He left the room and stepped into the garden behind the mill. A lovely edge of young greenery and blooming flowers—snowdrops, crocuses, even primroses—flourished in the sunlight against the warm wall of the factory.[Pg65Understood. Please provide the phrases you'd like modernized. Moore picked a few blossoms and leaves until he had gathered a small bouquet. He went back to the parlor, took a thread of silk from his sister's sewing basket, tied the flowers together, and placed them on Caroline's desk.
"Now, good-morning."
"Good morning."
"Thank you, Robert. It is pretty; it looks, as it lies there, like sparkles of sunshine and blue sky. Good-morning."
"Thanks, Robert. It’s beautiful; it looks, as it sits there, like sparkles of sunshine and blue sky. Good morning."
He went to the door, stopped, opened his lips as if to speak, said nothing, and moved on. He passed through the wicket, and mounted his horse. In a second he had flung himself from his saddle again, transferred the reins to Murgatroyd, and re-entered the cottage.
He went to the door, stopped, opened his mouth as if to speak, said nothing, and moved on. He went through the gate and got on his horse. In a second, he had jumped off his saddle again, handed the reins to Murgatroyd, and went back into the cottage.
"I forgot my gloves," he said, appearing to take something from the side-table; then, as an impromptu thought, he remarked, "You have no binding engagement at home perhaps, Caroline?"
"I forgot my gloves," he said, seeming to grab something from the side table; then, as a spontaneous idea, he asked, "You don't have any plans at home, do you, Caroline?"
"I never have. Some children's socks, which Mrs. Ramsden has ordered, to knit for the Jew's basket; but they will keep."
"I never have. Just some children's socks that Mrs. Ramsden ordered to knit for the Jew's basket, but they'll keep."
"Jew's basket be—sold! Never was utensil better named. Anything more Jewish than it—its contents and their prices—cannot be conceived. But I see something, a very tiny curl, at the corners of your lip, which tells me that you know its merits as well as I do. Forget the Jew's basket, then, and spend the day here as a change. Your uncle won't break his heart at your absence?"
"Jew's basket—sold! There’s never been a better name for a tool. You can’t imagine anything more Jewish than it—its stuff and their prices. But I catch a little smirk at the corners of your mouth, which tells me you know its value just like I do. So, forget about the Jew's basket and spend the day here for a change. Your uncle won’t be heartbroken over your absence?"
She smiled. "No."
She smiled. "No."
"The old Cossack! I dare say not," muttered Moore.
"The old Cossack! I don't think so," muttered Moore.
"Then stay and dine with Hortense; she will be glad of your company. I shall return in good time. We will have a little reading in the evening. The moon rises at half-past eight, and I will walk up to the rectory with you at nine. Do you agree?"
"Then stay and have dinner with Hortense; she’ll be happy for your company. I’ll be back in time. We can do some reading later. The moon rises at 8:30, and I’ll walk up to the rectory with you at 9. Does that work for you?"
She nodded her head, and her eyes lit up.
She nodded, and her eyes brightened.
Moore lingered yet two minutes. He bent over Caroline's desk and glanced at her grammar, he fingered her pen, he lifted her bouquet and played with it; his horse stamped impatient; Fred Murgatroyd hemmed and coughed at the gate, as if he wondered what in the world his master was doing. "Good-morning," again said Moore, and finally vanished.
Moore stuck around for another two minutes. He leaned over Caroline's desk and looked at her grammar book, toyed with her pen, and picked up her bouquet, playing with it. His horse was stamping its feet impatiently; Fred Murgatroyd was clearing his throat and coughing at the gate, as if he was curious about what his boss was up to. "Good morning," Moore said again, and finally left.
Hortense, coming in ten minutes after, found, to her surprise, that Caroline had not yet commenced her exercise.[Pg 66]
Hortense, arriving ten minutes later, was surprised to find that Caroline hadn't started her workout yet.[Pg66]
CHAPTER VI.
CORIOLANUS.
Mademoiselle Moore had that morning a somewhat absent-minded pupil. Caroline forgot, again and again, the explanations which were given to her. However, she still bore with unclouded mood the chidings her inattention brought upon her. Sitting in the sunshine near the window, she seemed to receive with its warmth a kind influence, which made her both happy and good. Thus disposed, she looked her best, and her best was a pleasing vision.
Ms. Moore had a rather distracted student that morning. Caroline kept forgetting the explanations she was given, over and over again. Still, she handled the scoldings for her lack of attention with a cheerful attitude. Sitting in the sunlight by the window, she seemed to soak up a positive energy from its warmth, which made her feel both happy and kind. In this state, she looked her best, and her best was an attractive sight.
To her had not been denied the gift of beauty. It was not absolutely necessary to know her in order to like her; she was fair enough to please, even at the first view. Her shape suited her age: it was girlish, light, and pliant; every curve was neat, every limb proportionate; her face was expressive and gentle; her eyes were handsome, and gifted at times with a winning beam that stole into the heart, with a language that spoke softly to the affections. Her mouth was very pretty; she had a delicate skin, and a fine flow of brown hair, which she knew how to arrange with taste; curls became her, and she possessed them in picturesque profusion. Her style of dress announced taste in the wearer—very unobtrusive in fashion, far from costly in material, but suitable in colour to the fair complexion with which it contrasted, and in make to the slight form which it draped. Her present winter garb was of merino—the same soft shade of brown as her hair; the little collar round her neck lay over a pink ribbon, and was fastened with a pink knot. She wore no other decoration.
She had not been denied the gift of beauty. You didn't even need to know her to like her; she was attractive enough at first sight. Her figure was fitting for her age: it was youthful, light, and graceful; every curve was neat, and every limb was in proportion. Her face was expressive and gentle; her eyes were beautiful, sometimes shining with a charming light that touched the heart, speaking softly to your emotions. Her mouth was very pretty; she had delicate skin and a lovely flow of brown hair that she styled with care; curls suited her well, and she had them in an eye-catching abundance. Her outfit showed her taste—very understated in fashion, not expensive in material, but perfectly suited in color to her fair complexion, and the cut suited her slender figure. Her current winter outfit was made of merino, the same soft brown as her hair; the little collar around her neck lay over a pink ribbon and was secured with a pink knot. She wore no other accessories.
So much for Caroline Helstone's appearance. As to her character or intellect, if she had any, they must speak for themselves in due time.
So much for Caroline Helstone's looks. As for her character or intelligence, if she has any, they'll reveal themselves in due time.
Her connections are soon explained. She was the child of parents separated soon after her birth, in consequence of disagreement of disposition. Her mother was the half-sister of Mr. Moore's father; thus, though there was no[Pg 67] mixture of blood, she was, in a distant sense, the cousin of Robert, Louis, and Hortense. Her father was the brother of Mr. Helstone—a man of the character friends desire not to recall, after death has once settled all earthly accounts. He had rendered his wife unhappy. The reports which were known to be true concerning him had given an air of probability to those which were falsely circulated respecting his better-principled brother. Caroline had never known her mother, as she was taken from her in infancy, and had not since seen her; her father died comparatively young, and her uncle, the rector, had for some years been her sole guardian. He was not, as we are aware, much adapted, either by nature or habits, to have the charge of a young girl. He had taken little trouble about her education; probably he would have taken none if she, finding herself neglected, had not grown anxious on her own account, and asked, every now and then, for a little attention, and for the means of acquiring such amount of knowledge as could not be dispensed with. Still, she had a depressing feeling that she was inferior, that her attainments were fewer than were usually possessed by girls of her age and station; and very glad was she to avail herself of the kind offer made by her cousin Hortense, soon after the arrival of the latter at Hollow's Mill, to teach her French and fine needle-work. Mdlle. Moore, for her part, delighted in the task, because it gave her importance; she liked to lord it a little over a docile yet quick pupil. She took Caroline precisely at her own estimate, as an irregularly-taught, even ignorant girl; and when she found that she made rapid and eager progress, it was to no talent, no application, in the scholar she ascribed the improvement, but entirely to her own superior method of teaching. When she found that Caroline, unskilled in routine, had a knowledge of her own, desultory but varied, the discovery caused her no surprise, for she still imagined that from her conversation had the girl unawares gleaned these treasures. She thought it even when forced to feel that her pupil knew much on subjects whereof she knew little. The idea was not logical, but Hortense had perfect faith in it.
Her background is soon clarified. She was the child of parents who separated shortly after her birth due to personality clashes. Her mother was the half-sister of Mr. Moore’s father; thus, although there was no blood relation, she was, in a distant way, a cousin to Robert, Louis, and Hortense. Her father was the brother of Mr. Helstone—a man whose character friends prefer not to remember once death has settled all earthly matters. He had made his wife unhappy. The true reports about him made the false rumors about his more principled brother seem believable. Caroline had never known her mother, as she was taken from her in infancy, and she had not seen her since; her father died relatively young, and her uncle, the rector, had been her sole guardian for several years. He was not, as we know, very suited, either by nature or habits, to take care of a young girl. He took little interest in her education; he probably would have taken none if she hadn’t, feeling neglected, occasionally asked for some attention and for the means to gain the basic knowledge she needed. Still, she felt a discouraging sense of inferiority, believing her accomplishments were fewer than those typically held by girls of her age and status; she was very grateful for the generous offer made by her cousin Hortense, soon after Hortense arrived at Hollow’s Mill, to teach her French and fine needlework. Mdlle. Moore, for her part, enjoyed the task because it gave her a sense of importance; she liked to feel a bit superior over a willing yet bright student. She viewed Caroline precisely how she estimated her: as an irregularly educated, even ignorant girl; and when she found that Caroline was making quick and eager progress, she credited the improvement entirely to her own superior teaching methods, not to any talent or effort from the student. When she discovered that Caroline, lacking conventional schooling, had her own knowledge—disorganized but varied—she was not surprised, as she still believed that the girl had unwittingly gathered these insights from her conversations. She maintained this belief even when she had to acknowledge that her student knew a lot about subjects on which she herself knew little. The idea wasn’t logical, but Hortense had complete faith in it.
Mademoiselle, who prided herself on possessing "un esprit positif," and on entertaining a decided preference for dry studies, kept her young cousin to the same as closely as she could. She worked her unrelentingly at the grammar of the French language, assigning her, as the[Pg 68] most improving exercise she could devise, interminable "analyses logiques." These "analyses" were by no means a source of particular pleasure to Caroline; she thought she could have learned French just as well without them, and grudged excessively the time spent in pondering over "propositions, principales, et incidents;" in deciding the "incidente determinative," and the "incidente applicative;" in examining whether the proposition was "pleine," "elliptique," or "implicite." Sometimes she lost herself in the maze, and when so lost she would, now and then (while Hortense was rummaging her drawers upstairs—an unaccountable occupation in which she spent a large portion of each day, arranging, disarranging, rearranging, and counter-arranging), carry her book to Robert in the counting-house, and get the rough place made smooth by his aid. Mr. Moore possessed a clear, tranquil brain of his own. Almost as soon as he looked at Caroline's little difficulties they seemed to dissolve beneath his eye. In two minutes he would explain all, in two words give the key to the puzzle. She thought if Hortense could only teach like him, how much faster she might learn! Repaying him by an admiring and grateful smile, rather shed at his feet than lifted to his face, she would leave the mill reluctantly to go back to the cottage, and then, while she completed the exercise, or worked out the sum (for Mdlle. Moore taught her arithmetic too), she would wish nature had made her a boy instead of a girl, that she might ask Robert to let her be his clerk, and sit with him in the counting-house, instead of sitting with Hortense in the parlour.
Mademoiselle, who took pride in having a "positive mind" and a clear preference for serious studies, kept her young cousin as closely focused on the same as she could. She relentlessly made her work on French grammar, assigning her the most challenging exercise she could think of: endless "logical analyses." These "analyses" didn’t particularly please Caroline; she believed she could have learned French just as well without them and resented the time spent pondering "main and subordinate clauses," deciding on "determinative and applicative clauses," and examining whether the proposition was "full," "elliptical," or "implicit." Sometimes she would get completely lost in the complexity, and during those moments—while Hortense was rummaging through her drawers upstairs, an inexplicable task that occupied much of her day, arranging, disarranging, rearranging, and counter-arranging—Caroline would take her book to Robert in the counting-house and get his help to clarify the difficult parts. Mr. Moore had a clear, calm mind of his own. Almost as soon as he looked at Caroline's little difficulties, they seemed to vanish. In just two minutes, he would explain everything, providing the key to the puzzling questions in just a couple of words. She thought that if Hortense could teach like him, she would learn so much faster! After giving him an admiring and grateful smile—more for him than directed straight at him—she would reluctantly leave the mill to head back to the cottage. Then, as she finished the exercise or worked on her math (because Mademoiselle Moore taught her that too), she wished nature had made her a boy so she could ask Robert to let her be his clerk and sit with him in the counting-house instead of with Hortense in the parlor.
Occasionally—but this happened very rarely—she spent the evening at Hollow's Cottage. Sometimes during these visits Moore was away attending a market; sometimes he was gone to Mr. Yorke's; often he was engaged with a male visitor in another room; but sometimes, too, he was at home, disengaged, free to talk with Caroline. When this was the case, the evening hours passed on wings of light; they were gone before they were counted. There was no room in England so pleasant as that small parlour when the three cousins occupied it. Hortense, when she was not teaching, or scolding, or cooking, was far from ill-humoured; it was her custom to relax towards evening, and to be kind to her young English kinswoman. There was a means, too, of rendering her delightful, by inducing her to take her guitar and sing and play. She then became[Pg 69] quite good-natured. And as she played with skill, and had a well-toned voice, it was not disagreeable to listen to her. It would have been absolutely agreeable, except that her formal and self-important character modulated her strains, as it impressed her manners and moulded her countenance.
Sometimes—though it was pretty rare—she spent the evening at Hollow's Cottage. During these visits, Moore was sometimes away at the market; sometimes he was over at Mr. Yorke's; often he was entertaining a male guest in another room; but sometimes he was home, available and free to chat with Caroline. When that happened, the evening flew by in a flash; it was over before they even realized it. No room in England was as enjoyable as that small parlor when the three cousins were together. When Hortense wasn't busy teaching, scolding, or cooking, she was usually in a good mood; she tended to relax in the evening and be nice to her young English cousin. There was also a way to make her even more delightful by getting her to take out her guitar and sing and play. When she did, she became[Pg69Please provide the text you would like me to modernize. quite pleasant. And since she played skillfully and had a well-tuned voice, it was nice to listen to her. It would have been completely enjoyable, except that her formal and self-important nature affected her music, just as it influenced her behavior and shaped her expression.
Mr. Moore, released from the business yoke, was, if not lively himself, a willing spectator of Caroline's liveliness, a complacent listener to her talk, a ready respondent to her questions. He was something agreeable to sit near, to hover round, to address and look at. Sometimes he was better than this—almost animated, quite gentle and friendly.
Mr. Moore, free from the constraints of work, was, if not lively himself, an eager observer of Caroline's energy, a pleased listener to her conversation, and a willing responder to her questions. He was nice to be around, to linger near, to talk to, and to watch. Occasionally, he was even more than that—almost lively, genuinely kind and approachable.
The drawback was that by the next morning he was sure to be frozen up again; and however much he seemed, in his quiet way, to enjoy these social evenings, he rarely contrived their recurrence. This circumstance puzzled the inexperienced head of his cousin. "If I had a means of happiness at my command," she thought, "I would employ that means often. I would keep it bright with use, and not let it lie for weeks aside, till it gets rusty."
The downside was that by the next morning he would definitely be shut down again; and no matter how much he appeared, in his reserved way, to enjoy these social evenings, he hardly ever made them happen again. This situation confused his cousin, who wasn't very experienced. "If I had a source of happiness available to me," she thought, "I would use it often. I would keep it shining with use, and not let it sit for weeks unused until it gets dull."
Yet she was careful not to put in practice her own theory. Much as she liked an evening visit to the cottage, she never paid one unasked. Often, indeed, when pressed by Hortense to come, she would refuse, because Robert did not second, or but slightly seconded the request. This morning was the first time he had ever, of his own unprompted will, given her an invitation; and then he had spoken so kindly that in hearing him she had received a sense of happiness sufficient to keep her glad for the whole day.
Yet she was careful not to act on her own theory. Even though she enjoyed visiting the cottage in the evening, she never went uninvited. In fact, when Hortense urged her to come, she would often decline because Robert didn’t support—or only slightly supported—the request. This morning was the first time he had ever invited her on his own accord, and he spoke so kindly that just hearing him made her feel happy enough to stay joyful for the entire day.
The morning passed as usual. Mademoiselle, ever breathlessly busy, spent it in bustling from kitchen to parlour, now scolding Sarah, now looking over Caroline's exercise or hearing her repetition-lesson. However faultlessly these tasks were achieved, she never commended: it was a maxim with her that praise is inconsistent with a teacher's dignity, and that blame, in more or less unqualified measure, is indispensable to it. She thought incessant reprimand, severe or slight, quite necessary to the maintenance of her authority; and if no possible error was to be found in the lesson, it was the pupil's carriage, or air, or dress, or mien, which required correction.
The morning went by as usual. Mademoiselle, always busy, spent it rushing between the kitchen and the parlor, scolding Sarah one moment and reviewing Caroline's work or listening to her recitation the next. No matter how well these tasks were performed, she never offered praise: she believed that giving compliments undermines a teacher's dignity, and that criticism, to some degree, is essential to it. She thought that constant reprimands, whether strict or mild, were vital for maintaining her authority; and if no mistakes could be found in the lesson, she would focus on correcting the student’s posture, attitude, clothing, or demeanor.
The usual affray took place about the dinner, which meal, when Sarah at last brought it into the room, she almost flung upon the table, with a look that expressed quite plainly, "I never dished such stuff i' my life afore;[Pg 70] it's not fit for dogs." Notwithstanding Sarah's scorn, it was a savoury repast enough. The soup was a sort of purée of dried peas, which mademoiselle had prepared amidst bitter lamentations that in this desolate country of England no haricot beans were to be had. Then came a dish of meat—nature unknown, but supposed to be miscellaneous—singularly chopped up with crumbs of bread, seasoned uniquely though not unpleasantly, and baked in a mould—a queer but by no means unpalatable dish. Greens, oddly bruised, formed the accompanying vegetable; and a pâté of fruit, conserved after a recipe devised by Madame Gérard Moore's "grand'mère," and from the taste of which it appeared probable that "mélasse" had been substituted for sugar, completed the dinner.
The usual commotion happened around dinner time, which, when Sarah finally brought it into the room, she practically slammed onto the table, with a look that clearly said, "I've never served this kind of stuff in my life before; it's not fit for dogs." Despite Sarah's disdain, the meal was actually quite tasty. The soup was a kind of purée made from dried peas, which Mademoiselle had prepared while complaining that in this lonely country of England, there were no haricot beans to be found. Then there was a dish of meat—unknown in origin, but thought to be a mix of various kinds—strangely chopped up with bread crumbs, seasoned in a unique but not unpleasant way, and baked in a mold—a bizarre yet definitely not bad dish. The greens, oddly bruised, were the side vegetable; and a fruit pâté, made using a recipe created by Madame Gérard Moore's "grand'mère," tasted as if "mélasse" had been used instead of sugar, rounded off the dinner.
Caroline had no objection to this Belgian cookery—indeed she rather liked it for a change; and it was well she did so, for had she evinced any disrelish thereof, such manifestation would have injured her in mademoiselle's good graces for ever; a positive crime might have been more easily pardoned than a symptom of distaste for the foreign comestibles.
Caroline didn't mind this Belgian cooking—actually, she found it quite enjoyable for a change; and it was a good thing she did, because if she had shown any dislike for it, that would have permanently damaged her standing with mademoiselle; a serious mistake might have been more easily forgiven than a sign of dislike for the foreign food.
Soon after dinner Caroline coaxed her governess-cousin upstairs to dress. This manœuvre required management. To have hinted that the jupon, camisole, and curl-papers were odious objects, or indeed other than quite meritorious points, would have been a felony. Any premature attempt to urge their disappearance was therefore unwise, and would be likely to issue in the persevering wear of them during the whole day. Carefully avoiding rocks and quicksands, however, the pupil, on pretence of requiring a change of scene, contrived to get the teacher aloft; and, once in the bedroom, she persuaded her that it was not worth while returning thither, and that she might as well make her toilet now; and while mademoiselle delivered a solemn homily on her own surpassing merit in disregarding all frivolities of fashion, Caroline denuded her of the camisole, invested her with a decent gown, arranged her collar, hair, etc., and made her quite presentable. But Hortense would put the finishing touches herself, and these finishing touches consisted in a thick handkerchief tied round the throat, and a large, servant-like black apron, which spoiled everything. On no account would mademoiselle have appeared in her own house without the thick handkerchief and the voluminous apron. The[Pg 71] first was a positive matter of morality—it was quite improper not to wear a fichu; the second was the ensign of a good housewife—she appeared to think that by means of it she somehow effected a large saving in her brother's income. She had, with her own hands, made and presented to Caroline similar equipments; and the only serious quarrel they had ever had, and which still left a soreness in the elder cousin's soul, had arisen from the refusal of the younger one to accept of and profit by these elegant presents.
Soon after dinner, Caroline persuaded her governess-cousin to go upstairs to get ready. This maneuver needed some skill. Suggesting that the jupon, camisole, and curl papers were awful, or even less than completely respectable, would have been a big mistake. Any early attempt to push for their removal would probably just result in wearing them all day long. However, by skillfully avoiding potential pitfalls, the pupil, under the pretense of wanting a change of scenery, managed to get her teacher upstairs; and once in the bedroom, she convinced her it wasn't worth going back down, and that she might as well get ready right then. While mademoiselle gave a serious lecture on her own incredible merit in ignoring all the trendy nonsense, Caroline took off the camisole, dressed her in a decent gown, fixed her collar, hair, etc., and made her look quite presentable. But Hortense insisted on adding the finishing touches herself, which included a thick handkerchief tied around her neck and a large, servant-like black apron that ruined the whole look. Under no circumstances would mademoiselle have wanted to show up in her own house without the thick handkerchief and the bulky apron. The first was a strict matter of morality—it was completely inappropriate not to wear a fichu; the second was the mark of a good housewife—she seemed to believe it somehow saved her brother a lot of money. She had made and given Caroline similar items herself, and the only serious argument they ever had, which still left a bitter spot in the older cousin’s heart, stemmed from the younger one’s refusal to accept and benefit from these fancy gifts.
"I wear a high dress and a collar," said Caroline, "and I should feel suffocated with a handkerchief in addition; and my short aprons do quite as well as that very long one. I would rather make no change."
"I wear a long dress and a collar," Caroline said, "and I would feel suffocated with a handkerchief on top of that; my short aprons work just fine as well as that really long one. I would prefer not to make any changes."
Yet Hortense, by dint of perseverance, would probably have compelled her to make a change, had not Mr. Moore chanced to overhear a dispute on the subject, and decided that Caroline's little aprons would suffice, and that, in his opinion, as she was still but a child, she might for the present dispense with the fichu, especially as her curls were long, and almost touched her shoulders.
Yet Hortense, through sheer persistence, would likely have forced her to make a change, if Mr. Moore hadn't happened to overhear a disagreement about it and decided that Caroline's little aprons were enough. In his view, since she was still just a child, she could do without the fichu for now, especially since her curls were long and nearly reached her shoulders.
There was no appeal against Robert's opinion, therefore his sister was compelled to yield; but she disapproved entirely of the piquant neatness of Caroline's costume, and the ladylike grace of her appearance. Something more solid and homely she would have considered "beaucoup plus convenable."
There was no arguing with Robert's opinion, so his sister had to give in; however, she completely disapproved of the stylish neatness of Caroline's outfit and the elegant grace of her look. She would have thought something more substantial and down-to-earth was "much more appropriate."
The afternoon was devoted to sewing. Mademoiselle, like most Belgian ladies, was specially skilful with her needle. She by no means thought it waste of time to devote unnumbered hours to fine embroidery, sight-destroying lace-work, marvellous netting and knitting, and, above all, to most elaborate stocking-mending. She would give a day to the mending of two holes in a stocking any time, and think her "mission" nobly fulfilled when she had accomplished it. It was another of Caroline's troubles to be condemned to learn this foreign style of darning, which was done stitch by stitch, so as exactly to imitate the fabric of the stocking itself—a wearifu' process, but considered by Hortense Gérard, and by her ancestresses before her for long generations back, as one of the first "duties of a woman." She herself had had a needle, cotton, and a fearfully torn stocking put into her hand while she yet wore a child's coif on her little black head; her "hauts[Pg 72] faits" in the darning line had been exhibited to company ere she was six years old; and when she first discovered that Caroline was profoundly ignorant of this most essential of attainments, she could have wept with pity over her miserably-neglected youth.
The afternoon was spent sewing. Mademoiselle, like most Belgian women, was especially skilled with her needle. She didn’t consider it a waste of time to spend countless hours on fine embroidery, eye-straining lacework, impressive netting and knitting, and, above all, intricate stocking repair. She would happily spend a whole day mending two holes in a stocking, feeling her "mission" was accomplished once she finished. It was another one of Caroline's struggles to be forced to learn this foreign style of darning, which was done stitch by stitch to perfectly match the fabric of the stocking—a tedious process, but regarded by Hortense Gérard, and by her ancestors for many generations, as one of the primary "duties of a woman." She had been given a needle, thread, and a badly torn stocking to mend while she was still wearing a child's cap on her little black head; her "accomplishments" in darning had been showcased to guests before she turned six years old. When she first found out that Caroline was utterly clueless about this essential skill, she could have cried for pity over her sadly neglected upbringing.
No time did she lose in seeking up a hopeless pair of hose, of which the heels were entirely gone, and in setting the ignorant English girl to repair the deficiency. This task had been commenced two years ago, and Caroline had the stockings in her work-bag yet. She did a few rows every day, by way of penance for the expiation of her sins. They were a grievous burden to her; she would much have liked to put them in the fire; and once Mr. Moore, who had observed her sitting and sighing over them, had proposed a private incremation in the counting-house; but to this proposal Caroline knew it would have been impolitic to accede—the result could only be a fresh pair of hose, probably in worse condition. She adhered, therefore, to the ills she knew.
She wasted no time looking for a hopeless pair of stockings, whose heels were completely worn out, and in getting the clueless English girl to fix them. This job had started two years ago, and Caroline still had the stockings in her sewing bag. She worked on them a few rows every day, as a sort of penance for her wrongdoings. They were a heavy burden for her; she would have loved to throw them in the fire. Once, Mr. Moore, who had seen her sitting there and sighing over them, suggested a private burning in the office. But Caroline knew it wouldn't be smart to agree to that—the outcome would only be a new pair of stockings, likely in worse shape. So, she stuck with the problems she already knew.
All the afternoon the two ladies sat and sewed, till the eyes and fingers, and even the spirits of one of them, were weary. The sky since dinner had darkened; it had begun to rain again, to pour fast. Secret fears began to steal on Caroline that Robert would be persuaded by Mr. Sykes or Mr. Yorke to remain at Whinbury till it cleared, and of that there appeared no present chance. Five o'clock struck, and time stole on; still the clouds streamed. A sighing wind whispered in the roof-trees of the cottage; day seemed already closing; the parlour fire shed on the clear hearth a glow ruddy as at twilight.
All afternoon, the two women sat and sewed until their eyes, fingers, and even one of their spirits became tired. Since lunch, the sky had darkened; it started to rain again, pouring heavily. Caroline felt a growing worry that Robert might be convinced by Mr. Sykes or Mr. Yorke to stay at Whinbury until the weather cleared up, but there didn’t seem to be any chance of that happening soon. Five o'clock struck, and time passed; the clouds kept rolling in. A sighing wind whispered through the trees of the cottage; it felt like day was already ending, and the fire in the parlor cast a glow as warm as twilight on the clear hearth.
"It will not be fair till the moon rises," pronounced Mademoiselle Moore, "consequently I feel assured that my brother will not return till then. Indeed I should be sorry if he did. We will have coffee. It would be vain to wait for him."
"It won't be fair until the moon rises," said Mademoiselle Moore. "So I'm sure my brother won't come back until then. Honestly, I'd be sorry if he did. We'll have coffee. It would be pointless to wait for him."
"I am tired. May I leave my work now, cousin?"
"I’m tired. Can I leave my work now, cousin?"
"You may, since it grows too dark to see to do it well. Fold it up; put it carefully in your bag; then step into the kitchen and desire Sarah to bring in the goûter, or tea, as you call it."
"You can, since it's getting too dark to do it properly. Fold it up; put it carefully in your bag; then go into the kitchen and ask Sarah to bring in the snack, or tea, as you call it."
"But it has not yet struck six. He may still come."
"But it hasn't struck six yet. He might still show up."
"He will not, I tell you. I can calculate his movements. I understand my brother."
"He won't, I promise you. I can figure out what he's doing. I know my brother."
Suspense is irksome, disappointment bitter. All the[Pg 73] world has, some time or other, felt that. Caroline, obedient to orders, passed into the kitchen. Sarah was making a dress for herself at the table.
Suspense is annoying, disappointment is harsh. All the[Pg73] world has, at one time or another, experienced that. Caroline, following orders, went into the kitchen. Sarah was making a dress for herself at the table.
"You are to bring in coffee," said the young lady in a spiritless tone; and then she leaned her arm and head against the kitchen mantelpiece, and hung listlessly over the fire.
"You need to bring in coffee," said the young lady in a flat tone; then she leaned her arm and head against the kitchen mantelpiece and slumped over the fire.
"How low you seem, miss! But it's all because your cousin keeps you so close to work. It's a shame!"
"Wow, you look so down, miss! But it's all because your cousin has you working so hard. That’s unfortunate!"
"Nothing of the kind, Sarah," was the brief reply.
"Not at all, Sarah," was the short response.
"Oh! but I know it is. You're fit to cry just this minute, for nothing else but because you've sat still the whole day. It would make a kitten dull to be mewed up so."
"Oh! but I know it is. You're about to burst into tears right now, only because you've sat still all day. It would make a kitten bored to be cooped up like this."
"Sarah, does your master often come home early from market when it is wet?"
"Sarah, does your boss usually come home early from the market when it’s raining?"
"Never, hardly; but just to-day, for some reason, he has made a difference."
"Never, almost never; but just today, for some reason, he has changed things up."
"What do you mean?"
"What do you mean?"
"He is come. I am certain I saw Murgatroyd lead his horse into the yard by the back-way, when I went to get some water at the pump five minutes since. He was in the counting-house with Joe Scott, I believe."
"He’s here. I’m pretty sure I saw Murgatroyd bring his horse into the yard through the back way when I went to get some water at the pump just five minutes ago. I think he was in the counting-house with Joe Scott."
"You are mistaken."
"You've got it wrong."
"What should I be mistaken for? I know his horse surely?"
"What am I supposed to be mistaken for? I definitely know his horse, right?"
"But you did not see himself?"
"But you didn't see him?"
"I heard him speak, though. He was saying something to Joe Scott about having settled all concerning ways and means, and that there would be a new set of frames in the mill before another week passed, and that this time he would get four soldiers from Stilbro' barracks to guard the wagon."
"I heard him talking, though. He was telling Joe Scott that he had sorted out everything regarding the plans and that there would be a new set of frames in the mill within the next week. He also mentioned that this time he would get four soldiers from Stilbro' barracks to guard the wagon."
"Sarah, are you making a gown?"
"Sarah, are you making a dress?"
"Yes. Is it a handsome one?"
"Yeah. Is it a good-looking one?"
"Beautiful! Get the coffee ready. I'll finish cutting out that sleeve for you, and I'll give you some trimming for it. I have some narrow satin ribbon of a colour that will just match it."
"Beautiful! Get the coffee ready. I'll finish cutting out that sleeve for you, and I'll give you some trimming for it. I have some narrow satin ribbon in a color that will match it perfectly."
"You're very kind, miss."
"You're so kind, miss."
"Be quick; there's a good girl. But first put your master's shoes on the hearth: he will take his boots off when he comes in. I hear him; he is coming."
"Be quick; good girl. But first, put your master's shoes by the fire: he’ll take his boots off when he gets here. I hear him; he’s coming."
"Miss, you are cutting the stuff wrong."
"Miss, you're cutting the materials incorrectly."
"So I am; but it is only a snip. There is no harm done."
"So I am; but it’s just a little cut. It won’t hurt anything."
[Pg 74]The kitchen door opened; Mr. Moore entered, very wet and cold. Caroline half turned from her dressmaking occupation, but renewed it for a moment, as if to gain a minute's time for some purpose. Bent over the dress, her face was hidden; there was an attempt to settle her features and veil their expression, which failed. When she at last met Mr. Moore, her countenance beamed.
[Pg74[Text not provided for modernization]The kitchen door opened; Mr. Moore walked in, soaked and chilly. Caroline turned slightly from her dressmaking but continued for a moment, as if trying to buy herself a little time for some reason. Leaning over the dress, her face was concealed; she tried to compose her features and mask her feelings, but it didn’t work. When she finally looked up at Mr. Moore, her face lit up.
"We had ceased to expect you. They asserted you would not come," she said.
"We had stopped expecting you. They claimed you wouldn't come," she said.
"But I promised to return soon. You expected me, I suppose?"
"But I promised to come back soon. You were expecting me, I guess?"
"No, Robert; I dared not when it rained so fast. And you are wet and chilled. Change everything. If you took cold, I should—we should blame ourselves in some measure."
"No, Robert; I didn’t dare when it was raining so hard. And you're wet and cold. Change out of everything. If you catch a cold, we would— we should blame ourselves to some extent."
"I am not wet through: my riding-coat is waterproof. Dry shoes are all I require. There—the fire is pleasant after facing the cold wind and rain for a few miles."
"I’m not soaked: my riding coat is waterproof. I just need dry shoes. There—the fire is nice after dealing with the cold wind and rain for a few miles."
He stood on the kitchen hearth; Caroline stood beside him. Mr. Moore, while enjoying the genial glow, kept his eyes directed towards the glittering brasses on the shelf above. Chancing for an instant to look down, his glance rested on an uplifted face, flushed, smiling, happy, shaded with silky curls, lit with fine eyes. Sarah was gone into the parlour with the tray; a lecture from her mistress detained her there. Moore placed his hand a moment on his young cousin's shoulder, stooped, and left a kiss on her forehead.
He stood on the kitchen hearth, and Caroline was next to him. Mr. Moore, enjoying the warm glow, kept his eyes on the sparkling brass items on the shelf above. When he chanced to look down for a moment, his gaze fell on a lifted face—flushed, smiling, happy, framed by silky curls, and brightened by beautiful eyes. Sarah had gone into the parlor with the tray; a lecture from her mistress kept her there. Moore placed his hand briefly on his young cousin's shoulder, leaned down, and kissed her forehead.
"Oh!" said she, as if the action had unsealed her lips, "I was miserable when I thought you would not come. I am almost too happy now. Are you happy, Robert? Do you like to come home?"
"Oh!" she exclaimed, as if her words had finally been freed, "I was so unhappy when I thought you wouldn't come. Now I’m almost too happy. Are you happy, Robert? Do you like coming home?"
"I think I do—to-night, at least."
"I think I do—tonight, at least."
"Are you certain you are not fretting about your frames, and your business, and the war?"
"Are you sure you're not worried about your frames, your business, and the war?"
"Not just now."
"Not right now."
"Are you positive you don't feel Hollow's Cottage too small for you, and narrow, and dismal?"
"Are you sure you don't think Hollow's Cottage is too small, cramped, and gloomy for you?"
"At this moment, no."
"Not right now."
"Can you affirm that you are not bitter at heart because rich and great people forget you?"
"Can you honestly say that you’re not bitter inside because wealthy and influential people overlook you?"
"No more questions. You are mistaken if you think I am anxious to curry favour with rich and great people. I only want means—a position—a career."
"No more questions. You're wrong if you think I'm eager to win over wealthy and powerful people. I just want resources—a job—a career."
[Pg 75]"Which your own talent and goodness shall win you. You were made to be great; you shall be great."
[Pg75Please provide the text you would like me to modernize."Your own talent and kindness will earn you success. You were born to be remarkable; you will be remarkable."
"I wonder now, if you spoke honestly out of your heart, what recipe you would give me for acquiring this same greatness; but I know it—better than you know it yourself. Would it be efficacious? Would it work? Yes—poverty, misery, bankruptcy. Oh, life is not what you think it, Lina!"
"I wonder now, if you spoke honestly from your heart, what advice you would give me to achieve that same greatness; but I know it—better than you know it yourself. Would it be effective? Would it succeed? Yes—poverty, misery, bankruptcy. Oh, life is not what you think it is, Lina!"
"But you are what I think you."
"But you are what I believe you to be."
"I am not."
"I'm not."
"You are better, then?"
"Are you better, then?"
"Far worse."
"Much worse."
"No; far better. I know you are good."
"No, much better. I know you're a good person."
"How do you know it?"
"How do you know that?"
"You look so, and I feel you are so."
"You look great, and I feel like you really are."
"Where do you feel it?"
"Where do you feel it?"
"In my heart."
"In my heart."
"Ah! You judge me with your heart, Lina: you should judge me with your head."
"Ah! You judge me with your feelings, Lina: you should judge me with your mind."
"I do; and then I am quite proud of you. Robert, you cannot tell all my thoughts about you."
"I do; and then I'm really proud of you. Robert, you can't know everything I think about you."
Mr. Moore's dark face mustered colour; his lips smiled, and yet were compressed; his eyes laughed, and yet he resolutely knit his brow.
Mr. Moore's dark face showed some color; his lips smiled, but were still pressed together; his eyes were laughing, yet he firmly frowned.
"Think meanly of me, Lina," said he. "Men, in general, are a sort of scum, very different to anything of which you have an idea. I make no pretension to be better than my fellows."
"Think badly of me, Lina," he said. "Men, in general, are a kind of scum, very different from anything you can imagine. I don't pretend to be any better than my peers."
"If you did, I should not esteem you so much. It is because you are modest that I have such confidence in your merit."
"If you did, I wouldn't value you as much. It's because you're humble that I have such faith in your abilities."
"Are you flattering me?" he demanded, turning sharply upon her, and searching her face with an eye of acute penetration.
"Are you trying to flatter me?" he asked, turning quickly to her and scrutinizing her face with a piercing gaze.
"No," she said softly, laughing at his sudden quickness. She seemed to think it unnecessary to proffer any eager disavowal of the charge.
"No," she said softly, laughing at his sudden eagerness. She seemed to think it was unnecessary to urgently deny the accusation.
"You don't care whether I think you flatter me or not?"
"You don't care if I think you're flattering me or not?"
"No."
"Nope."
"You are so secure of your own intentions?"
"You are so sure of your own intentions?"
"I suppose so."
"I guess so."
"What are they, Caroline?"
"What are they, Carol?"
"Only to ease my mind by expressing for once part of[Pg 76] what I think, and then to make you better satisfied with yourself."
"Just to clear my head by sharing a bit of[Pg76I'm sorry, but I cannot modernize text without seeing it first. Please provide the text you'd like me to work on.what I think, and then to help you feel better about yourself."
"By assuring me that my kinswoman is my sincere friend?"
"By assuring me that my relative is genuinely my friend?"
"Just so. I am your sincere friend, Robert."
"Exactly. I'm your true friend, Robert."
"And I am—what chance and change shall make me, Lina."
"And I am—whatever chance and change make me, Lina."
"Not my enemy, however?"
"Not my enemy, right?"
The answer was cut short by Sarah and her mistress entering the kitchen together in some commotion. They had been improving the time which Mr. Moore and Miss Helstone had spent in dialogue by a short dispute on the subject of "café au lait," which Sarah said was the queerest mess she ever saw, and a waste of God's good gifts, as it was "the nature of coffee to be boiled in water," and which mademoiselle affirmed to be "un breuvage royal," a thousand times too good for the mean person who objected to it.
The answer was interrupted by Sarah and her mistress bursting into the kitchen together, causing a bit of a ruckus. They had been passing the time while Mr. Moore and Miss Helstone chatted by having a brief argument about "café au lait." Sarah claimed it was the strangest drink she'd ever seen and a waste of God's goodness because "coffee is meant to be brewed in water," while mademoiselle insisted it was "a royal beverage," far too good for the ordinary person who disagreed with her.
The former occupants of the kitchen now withdrew into the parlour. Before Hortense followed them thither, Caroline had only time again to question, "Not my enemy, Robert?" And Moore, Quaker-like, had replied with another query, "Could I be?" And then, seating himself at the table, had settled Caroline at his side.
The former occupants of the kitchen now moved into the living room. Before Hortense followed them in, Caroline had just enough time to ask again, "Not my enemy, Robert?" And Moore, like a Quaker, had responded with another question, "Could I be?" Then, sitting down at the table, he had invited Caroline to sit next to him.
Caroline scarcely heard mademoiselle's explosion of wrath when she rejoined them; the long declamation about the "conduite indigne de cette méchante créature" sounded in her ear as confusedly as the agitated rattling of the china. Robert laughed a little at it, in very subdued sort, and then, politely and calmly entreating his sister to be tranquil, assured her that if it would yield her any satisfaction, she should have her choice of an attendant amongst all the girls in his mill. Only he feared they would scarcely suit her, as they were most of them, he was informed, completely ignorant of household work; and pert and self-willed as Sarah was, she was, perhaps, no worse than the majority of the women of her class.
Caroline barely noticed mademoiselle's outburst of anger when she came back; the long rant about the "shameful behavior of that wicked creature" sounded to her like a jumble, just like the rattling of the china. Robert chuckled a bit at it, but in a very restrained way, and then, politely and calmly asking his sister to stay calm, assured her that if it would make her happy, she could choose any girl from his mill to help her. However, he worried they wouldn't be suitable for her since, from what he heard, most of them were completely clueless about household chores; and while Sarah was cheeky and headstrong, she was probably no worse than the average women of her class.
Mademoiselle admitted the truth of this conjecture: according to her, "ces paysannes anglaises étaient tout insupportables." What would she not give for some "bonne cuisinière anversoise," with the high cap, short petticoat, and decent sabots proper to her class—something better, indeed, than an insolent coquette in a flounced gown, and absolutely without cap! (For Sarah, it appears,[Pg 77] did not partake the opinion of St. Paul that "it is a shame for a woman to go with her head uncovered;" but, holding rather a contrary doctrine, resolutely refused to imprison in linen or muslin the plentiful tresses of her yellow hair, which it was her wont to fasten up smartly with a comb behind, and on Sundays to wear curled in front.)
Mademoiselle acknowledged the truth of this idea: she said that "those English peasant women were completely unbearable." What wouldn't she give for a "good Antwerp cook," with a high cap, short petticoat, and proper wooden shoes for her class—anything better, really, than an arrogant flirt in a ruffled dress, and with her hair completely uncovered! (It seems that Sarah didn’t share St. Paul's view that "it is a shame for a woman to go with her head uncovered;" instead, she held a rather different belief, firmly refusing to hide her abundant streams of yellow hair in linen or muslin, which she usually gathered up neatly with a comb in the back, and on Sundays styled in curls in front.)
"Shall I try and get you an Antwerp girl?" asked Mr. Moore, who, stern in public, was on the whole very kind in private.
"Should I try to find you an Antwerp girl?" asked Mr. Moore, who, while strict in public, was generally very kind in private.
"Merci du cadeau!" was the answer. "An Antwerp girl would not stay here ten days, sneered at as she would be by all the young coquines in your factory;" then softening, "You are very good, dear brother—excuse my petulance—but truly my domestic trials are severe, yet they are probably my destiny; for I recollect that our revered mother experienced similar sufferings, though she had the choice of all the best servants in Antwerp. Domestics are in all countries a spoiled and unruly set."
"Thanks for the gift!" was the reply. "An Antwerp girl wouldn’t last ten days here with all the young flirts at your factory making fun of her;" then softening, "You’re very kind, dear brother—sorry for my bad mood—but honestly, my home life is tough, yet it’s probably just my fate; because I remember that our beloved mother went through similar struggles, even though she could choose from the best servants in Antwerp. Domestic workers everywhere can be spoiled and hard to manage."
Mr. Moore had also certain reminiscences about the trials of his revered mother. A good mother she had been to him, and he honoured her memory; but he recollected that she kept a hot kitchen of it in Antwerp, just as his faithful sister did here in England. Thus, therefore, he let the subject drop, and when the coffee-service was removed, proceeded to console Hortense by fetching her music-book and guitar; and having arranged the ribbon of the instrument round her neck with a quiet fraternal kindness he knew to be all-powerful in soothing her most ruffled moods, he asked her to give him some of their mother's favourite songs.
Mr. Moore also had some memories about the struggles of his beloved mother. She had been a great mother to him, and he honored her memory; but he remembered that she kept a hot kitchen in Antwerp, just like his devoted sister did here in England. So, he decided to change the topic, and when the coffee service was cleared away, he went to comfort Hortense by getting her music book and guitar; and after he gently draped the instrument's ribbon around her neck with a calm brotherly kindness that he knew was very effective in calming her most upset moods, he asked her to sing some of their mother’s favorite songs.
Nothing refines like affection. Family jarring vulgarizes; family union elevates. Hortense, pleased with her brother, and grateful to him, looked, as she touched her guitar, almost graceful, almost handsome; her everyday fretful look was gone for a moment, and was replaced by a "sourire plein de bonté." She sang the songs he asked for, with feeling; they reminded her of a parent to whom she had been truly attached; they reminded her of her young days. She observed, too, that Caroline listened with naïve interest; this augmented her good-humour; and the exclamation at the close of the song, "I wish I could sing and play like Hortense!" achieved the business, and rendered her charming for the evening.
Nothing refines like love. Family conflicts make things awkward; family unity lifts you up. Hortense, happy with her brother and grateful to him, looked almost graceful, almost attractive as she played her guitar; her usual fussy expression disappeared for a moment, replaced by a "smile full of kindness." She sang the songs he requested with feeling; they reminded her of a parent to whom she had been truly close; they reminded her of her younger days. She also noticed that Caroline listened with genuine interest; this boosted her good mood; and the comment at the end of the song, "I wish I could sing and play like Hortense!" sealed the deal and made her delightful for the evening.
It is true a little lecture to Caroline followed, on the[Pg 78] vanity of wishing and the duty of trying. "As Rome," it was suggested, "had not been built in a day, so neither had Mademoiselle Gérard Moore's education been completed in a week, or by merely wishing to be clever. It was effort that had accomplished that great work. She was ever remarkable for her perseverance, for her industry. Her masters had remarked that it was as delightful as it was uncommon to find so much talent united with so much solidity, and so on." Once on the theme of her own merits, mademoiselle was fluent.
A little lecture followed for Caroline about the vanity of wishing and the importance of trying. "Just like Rome," it was pointed out, "wasn't built in a day, Mademoiselle Gérard Moore's education didn't wrap up in a week or by just wishing to be smart. It took real effort to achieve that. She was always known for her determination and hard work. Her teachers found it as refreshing as it was rare to see so much talent combined with such depth, and so on." Once she got started on her own achievements, mademoiselle was quite talkative.
Cradled at last in blissful self-complacency, she took her knitting, and sat down tranquil. Drawn curtains, a clear fire, a softly-shining lamp, gave now to the little parlour its best, its evening charm. It is probable that the three there present felt this charm. They all looked happy.
Cradled at last in blissful self-satisfaction, she grabbed her knitting and settled down calmly. The drawn curtains, a warm fire, and a softly glowing lamp brought the little parlor its finest evening charm. It's likely that the three people there felt this charm. They all appeared happy.
"What shall we do now, Caroline?" asked Mr. Moore, returning to his seat beside his cousin.
"What should we do now, Caroline?" Mr. Moore asked as he returned to his seat next to his cousin.
"What shall we do, Robert?" repeated she playfully. "You decide."
"What should we do, Robert?" she asked playfully again. "You choose."
"Not play at chess?"
"Don't you play chess?"
"No."
"Nope."
"Nor draughts, nor backgammon?"
"Neither checkers nor backgammon?"
"No, no; we both hate silent games that only keep one's hands employed, don't we?"
"No, no; we both dislike silent games that just keep our hands busy, right?"
"I believe we do. Then shall we talk scandal?"
"I think we do. So, shall we gossip?"
"About whom? Are we sufficiently interested in anybody to take a pleasure in pulling their character to pieces?"
"About whom? Are we really interested enough in anyone to enjoy dissecting their character?"
"A question that comes to the point. For my part, unamiable as it sounds, I must say no."
"A straightforward question. Honestly, as unkind as it may seem, I have to say no."
"And I too. But it is strange, though we want no third—fourth, I mean (she hastily and with contrition glanced at Hortense), living person among us—so selfish we are in our happiness—though we don't want to think of the present existing world, it would be pleasant to go back to the past, to hear people that have slept for generations in graves that are perhaps no longer graves now, but gardens and fields, speak to us and tell us their thoughts, and impart their ideas."
"And me too. But it's strange, even though we don’t want any third—fourth, I mean (she quickly glanced at Hortense with regret)—living person among us, we’re so selfish in our happiness. Even though we don’t want to think about the current world, it would be nice to go back to the past, to hear the voices of people who have been resting for generations in graves that might not even be graves anymore, but gardens and fields, sharing their thoughts and ideas with us."
"Who shall be the speaker? What language shall he utter? French?"
"Who will be the speaker? What language will he speak? French?"
"Your French forefathers don't speak so sweetly, nor so solemnly, nor so impressively as your English ancestors,[Pg 79] Robert. To-night you shall be entirely English. You shall read an English book."
"Your French ancestors don't speak as sweetly, seriously, or impressively as your English ones,[Pg79I'm sorry, but there doesn't seem to be any text provided for me to modernize. Please provide a short piece of text for me to work on. Robert. Tonight, you'll be completely English. You'll read an English book."
"An old English book?"
"An old English novel?"
"Yes, an old English book—one that you like; and I will choose a part of it that is toned quite in harmony with something in you. It shall waken your nature, fill your mind with music; it shall pass like a skilful hand over your heart, and make its strings sound. Your heart is a lyre, Robert; but the lot of your life has not been a minstrel to sweep it, and it is often silent. Let glorious William come near and touch it. You will see how he will draw the English power and melody out of its chords."
"Yes, an old English book—one that you enjoy; and I will pick a section that resonates with something in you. It will awaken your spirit, fill your mind with music; it will gently glide over your heart and make it sing. Your heart is a lyre, Robert; but the experiences of your life haven’t had someone to play it, and it often remains quiet. Let the great William come close and touch it. You will see how he will pull the English power and melody from its strings."
"I must read Shakespeare?"
"Do I have to read Shakespeare?"
"You must have his spirit before you; you must hear his voice with your mind's ear; you must take some of his soul into yours."
"You need to have his spirit with you; you need to hear his voice in your thoughts; you need to take some of his essence into yourself."
"With a view to making me better? Is it to operate like a sermon?"
"Are you trying to improve me? Is this supposed to be like a sermon?"
"It is to stir you, to give you new sensations. It is to make you feel your life strongly—not only your virtues, but your vicious, perverse points."
"It’s meant to inspire you, to awaken new feelings. It’s about making you experience your life intensely—not just your good qualities, but also your flaws and darker sides."
"Dieu! que dit-elle?" cried Hortense, who hitherto had been counting stitches in her knitting, and had not much attended to what was said, but whose ear these two strong words caught with a tweak.
"God! What did she say?" cried Hortense, who had been counting stitches in her knitting and hadn’t really been paying attention to the conversation, but these two powerful words caught her ear with a jolt.
"Never mind her, sister; let her talk. Now just let her say anything she pleases to-night. She likes to come down hard upon your brother sometimes. It amuses me, so let her alone."
"Forget her, sister; let her speak. Just let her say whatever she wants tonight. She enjoys picking on your brother sometimes. I find it entertaining, so just leave her be."
Caroline, who, mounted on a chair, had been rummaging the bookcase, returned with a book.
Caroline, who had been standing on a chair looking through the bookcase, came back with a book.
"Here's Shakespeare," she said, "and there's 'Coriolanus.' Now, read, and discover by the feelings the reading will give you at once how low and how high you are."
"Here's Shakespeare," she said, "and there's 'Coriolanus.' Now, read, and you’ll immediately feel just how low and how high you are."
"Come, then, sit near me, and correct when I mispronounce."
"Come, sit by me, and correct me when I mispronounce."
"I am to be the teacher then, and you my pupil?"
"I guess I'm going to be the teacher, and you're my student?"
"Ainsi, soit-il!"
"Amen!"
"And Shakespeare is our science, since we are going to study?"
"And Shakespeare is our science, since we're going to study?"
"It appears so."
"Looks like it."
"And you are not going to be French, and sceptical, and sneering? You are not going to think it a sign of wisdom to refuse to admire?"
"And you're not going to be French, all skeptical and condescending? You're not going to see it as wise to refuse to appreciate?"
[Pg 80]"I don't know."
"I don't know."
"If you do, Robert, I'll take Shakespeare away; and I'll shrivel up within myself, and put on my bonnet and go home."
"If you do, Robert, I'll take Shakespeare away; and I'll shrink within myself, put on my hat, and go home."
"Sit down. Here I begin."
"Take a seat. Here I go."
"One minute, if you please, brother," interrupted mademoiselle. "When the gentleman of a family reads, the ladies should always sew.—Caroline, dear child, take your embroidery. You may get three sprigs done to-night."
"Just a minute, if you don't mind, brother," interrupted the young lady. "When a man of the house is reading, the women should always be sewing. —Caroline, sweetie, grab your embroidery. You can finish three sprigs tonight."
Caroline looked dismayed. "I can't see by lamp-light; my eyes are tired, and I can't do two things well at once. If I sew, I cannot listen; if I listen, I cannot sew."
Caroline looked upset. "I can't see by the lamp light; my eyes are tired, and I can't do two things well at the same time. If I sew, I can't pay attention; if I listen, I can't sew."
"Fi, donc! Quel enfantillage!" began Hortense. Mr. Moore, as usual, suavely interposed.
"Ugh, what childishness!" Hortense began. Mr. Moore, as usual, smoothly interjected.
"Permit her to neglect the embroidery for this evening. I wish her whole attention to be fixed on my accent; and to ensure this, she must follow the reading with her eyes—she must look at the book."
"Let her skip the embroidery for tonight. I want her full attention on my accent; to make sure of this, she has to follow the reading with her eyes—she needs to look at the book."
He placed it between them, reposed his arm on the back of Caroline's chair, and thus began to read.
He put it between them, rested his arm on the back of Caroline's chair, and started to read.
The very first scene in "Coriolanus" came with smart relish to his intellectual palate, and still as he read he warmed. He delivered the haughty speech of Caius Marcius to the starving citizens with unction; he did not say he thought his irrational pride right, but he seemed to feel it so. Caroline looked up at him with a singular smile.
The very first scene in "Coriolanus" came with sharp enjoyment to his intellectual taste, and as he read, he felt himself getting more into it. He delivered the arrogant speech of Caius Marcius to the starving citizens with passion; he didn't say he believed his unreasonable pride was justified, but he definitely seemed to feel that way. Caroline looked up at him with a unique smile.
"There's a vicious point hit already," she said. "You sympathize with that proud patrician who does not sympathize with his famished fellow-men, and insults them. There, go on." He proceeded. The warlike portions did not rouse him much; he said all that was out of date, or should be; the spirit displayed was barbarous; yet the encounter single-handed between Marcius and Tullus Aufidius he delighted in. As he advanced, he forgot to criticise; it was evident he appreciated the power, the truth of each portion; and, stepping out of the narrow line of private prejudices, began to revel in the large picture of human nature, to feel the reality stamped upon the characters who were speaking from that page before him.
"There's a harsh truth revealed already," she said. "You feel for that proud aristocrat who shows no compassion for his starving fellow humans and looks down on them. Go on." He continued. The militaristic themes didn’t stir him much; he mentioned everything that was outdated or should be; the attitude displayed was primitive; yet he took pleasure in the one-on-one clash between Marcius and Tullus Aufidius. As he moved forward, he forgot to critique; it was clear he recognized the power and truth in each part; stepping away from his narrow personal biases, he began to enjoy the broader picture of human nature, to feel the reality represented by the characters speaking from the page in front of him.
He did not read the comic scenes well; and Caroline, taking the book out of his hand, read these parts for him. From her he seemed to enjoy them, and indeed she gave them with a spirit no one could have expected of her, with a pithy expression with which she seemed gifted on the[Pg 81] spot, and for that brief moment only. It may be remarked, in passing, that the general character of her conversation that evening, whether serious or sprightly, grave or gay, was as of something untaught, unstudied, intuitive, fitful—when once gone, no more to be reproduced as it had been than the glancing ray of the meteor, than the tints of the dew-gem, than the colour or form of the sunset cloud, than the fleeting and glittering ripple varying the flow of a rivulet.
He didn’t read the funny parts well, so Caroline took the book from him and read those sections out loud. He seemed to enjoy them, and she delivered them with a surprising energy, using a vibrant expression that seemed to come to her on the spot, and only for that brief moment. It’s worth noting that the overall tone of her conversation that evening, whether serious or light-hearted, was instinctive, unpolished, and unpredictable—once gone, it could never be recreated in the same way as the flickering light of a shooting star, the colors of dewdrops, the hues or shape of a sunset cloud, or the shimmering ripples that change the current of a stream.
Coriolanus in glory, Coriolanus in disaster, Coriolanus banished, followed like giant shades one after the other. Before the vision of the banished man Moore's spirit seemed to pause. He stood on the hearth of Aufidius's hall, facing the image of greatness fallen, but greater than ever in that low estate. He saw "the grim appearance," the dark face "bearing command in it," "the noble vessel with its tackle torn." With the revenge of Caius Marcius, Moore perfectly sympathized; he was not scandalized by it; and again Caroline whispered, "There I see another glimpse of brotherhood in error."
Coriolanus in glory, Coriolanus in disaster, Coriolanus banished, followed each other like massive shadows. In front of the image of the banished man, Moore’s spirit seemed to pause. He stood in the hearth of Aufidius's hall, facing the image of greatness fallen, but even greater in that low position. He saw "the grim appearance," the dark face "bearing command in it," "the noble vessel with its tackle torn." Moore completely sympathized with the revenge of Caius Marcius; he was not shocked by it; and once again, Caroline whispered, "There I see another glimpse of brotherhood in error."
The march on Rome, the mother's supplication, the long resistance, the final yielding of bad passions to good, which ever must be the case in a nature worthy the epithet of noble, the rage of Aufidius at what he considered his ally's weakness, the death of Coriolanus, the final sorrow of his great enemy—all scenes made of condensed truth and strength—came on in succession and carried with them in their deep, fast flow the heart and mind of reader and listener.
The march on Rome, the mother's plea, the long struggle, the eventual triumph of good over bad emotions, which must always happen in a truly noble nature, Aufidius's anger at what he saw as his ally's weakness, Coriolanus's death, the final grief of his greatest enemy—all these powerful and meaningful scenes unfolded one after another, deeply resonating with the hearts and minds of those reading and listening.
"Now, have you felt Shakespeare?" asked Caroline, some ten minutes after her cousin had closed the book.
"Have you felt Shakespeare yet?" Caroline asked, about ten minutes after her cousin closed the book.
"I think so."
"Yeah, I think so."
"And have you felt anything in Coriolanus like you?"
"And have you felt anything in Coriolanus that resonates with you?"
"Perhaps I have."
"Maybe I have."
"Was he not faulty as well as great?"
"Wasn't he both flawed and great?"
Moore nodded.
Moore agreed.
"And what was his fault? What made him hated by the citizens? What caused him to be banished by his countrymen?"
"And what was his mistake? What made the citizens hate him? What led to his banishment by his fellow countrymen?"
"What do you think it was?"
"What do you think it was?"
"I ask again—
"I'll ask again—
Which daily fortune ever stains The happy man? Whether a lack of judgment, __A_TAG_PLACEHOLDER_0__ To miss out on those opportunities
Which he was the lord of? Or whether nature,
Not being anything other than one thing, staying still From the helmet to the pillow, but maintaining peace
Even with the same strictness and clothing
As he managed the war?'"
"Well, answer yourself, Sphinx."
"Well, answer yourself, Sphinx."
"It was a spice of all; and you must not be proud to your workpeople; you must not neglect chances of soothing them; and you must not be of an inflexible nature, uttering a request as austerely as if it were a command."
"It was a blend of everything; and you shouldn’t be arrogant towards your workers; you should take the opportunity to comfort them; and you shouldn’t be rigid, making a request as if it were a command."
"That is the moral you tack to the play. What puts such notions into your head?"
"That's the lesson you attach to the play. What gives you these ideas?"
"A wish for your good, a care for your safety, dear Robert, and a fear, caused by many things which I have heard lately, that you will come to harm."
"A wish for your well-being, a concern for your safety, dear Robert, and a worry, brought on by many things I've heard recently, that you might come to harm."
"Who tells you these things?"
"Who tells you this stuff?"
"I hear my uncle talk about you. He praises your hard spirit, your determined cast of mind, your scorn of low enemies, your resolution not 'to truckle to the mob,' as he says."
"I hear my uncle talking about you. He admires your strong spirit, your determined mindset, your disdain for weak foes, and your commitment not 'to bow down to the crowd,' as he puts it."
"And would you have me truckle to them?"
"And would you have me bow down to them?"
"No, not for the world. I never wish you to lower yourself; but somehow I cannot help thinking it unjust to include all poor working-people under the general and insulting name of 'the mob,' and continually to think of them and treat them haughtily."
"No, not for anything. I never want you to stoop to that level; but I really can't shake the feeling that it's unfair to label all poor working people with the general and insulting term 'the mob,' and to constantly think of them and treat them with arrogance."
"You are a little democrat, Caroline. If your uncle knew, what would he say?"
"You’re such a little democrat, Caroline. If your uncle knew, what would he think?"
"I rarely talk to my uncle, as you know, and never about such things. He thinks everything but sewing and cooking above women's comprehension, and out of their line."
"I hardly ever talk to my uncle, as you know, and I never bring up topics like this. He believes that everything besides sewing and cooking is beyond women's understanding and not something they should be involved in."
"And do you fancy you comprehend the subjects on which you advise me?"
"And do you really think you understand the topics you're advising me on?"
"As far as they concern you, I comprehend them. I know it would be better for you to be loved by your workpeople than to be hated by them, and I am sure that kindness is more likely to win their regard than pride. If you were proud and cold to me and Hortense, should we love you? When you are cold to me, as you are sometimes, can I venture to be affectionate in return?"
"As far as you’re concerned, I understand. I know it’s better for you to be liked by your workers than to be disliked, and I’m sure that kindness is more likely to earn their respect than arrogance. If you were proud and distant to me and Hortense, would we love you? When you’re distant with me, as you are sometimes, can I really be affectionate in return?"
"Now, Lina, I've had my lesson both in languages and[Pg 83] ethics, with a touch on politics; it is your turn. Hortense tells me you were much taken by a little piece of poetry you learned the other day, a piece by poor André Chénier—'La Jeune Captive.' Do you remember it still?"
"Now, Lina, I've learned my lessons in languages and[Pg83I'm sorry, but there appears to be no valid content to modernize. Please provide a text phrase of 5 words or fewer that you'd like me to work with. ethics, with a bit about politics; now it's your turn. Hortense mentioned that you were really moved by a little poem you learned the other day, a piece by unfortunate André Chénier—'La Jeune Captive.' Do you still remember it?"
"I think so."
"Yeah, I think so."
"Repeat it, then. Take your time and mind your accent; especially let us have no English u's."
"Go ahead and say it again. Take your time and be careful with your pronunciation; especially, let's avoid any English u's."
Caroline, beginning in a low, rather tremulous voice, but gaining courage as she proceeded, repeated the sweet verses of Chénier. The last three stanzas she rehearsed well.
Caroline started off with a quiet, slightly shaky voice, but gained confidence as she continued, reciting the beautiful verses of Chénier. She performed the last three stanzas confidently.
I'm leaving, and the elms lining the path I barely made it through the first. At the banquet of life that has just begun,
For just a moment, my lips pressed The cup in my hands still full.
And like the sun, from season to season,
I want to finish my year,
Brilliant on my stem, and the pride of the garden
I have only seen the morning lights shining so far,
I want to finish my day!
Moore listened at first with his eyes cast down, but soon he furtively raised them. Leaning back in his chair he could watch Caroline without her perceiving where his gaze was fixed. Her cheek had a colour, her eyes a light, her countenance an expression this evening which would have made even plain features striking; but there was not the grievous defect of plainness to pardon in her case. The sunshine was not shed on rough barrenness; it fell on soft bloom. Each lineament was turned with grace; the whole aspect was pleasing. At the present moment—animated, interested, touched—she might be called beautiful. Such a face was calculated to awaken not only the calm sentiment of esteem, the distant one of admiration, but some feeling more tender, genial, intimate—friendship, perhaps, affection, interest. When she had finished, she turned to Moore, and met his eye.
Moore listened at first, looking down, but soon he secretly raised his eyes. Leaning back in his chair, he could watch Caroline without her noticing where he was looking. Her cheek had color, her eyes had brightness, and her expression tonight was so captivating that even ordinary features would stand out; but there was no basic plainness to excuse in her case. The sunshine wasn't shining on rough edges; it fell on soft beauty. Every feature had a graceful quality; the whole look was pleasing. At this moment—animated, engaged, moved—she could be considered beautiful. Such a face could evoke not just a calm feeling of respect or a distant sense of admiration, but also deeper, warmer feelings—perhaps friendship, affection, or interest. When she finished speaking, she turned to Moore and met his gaze.
"Is that pretty well repeated?" she inquired, smiling like any happy, docile child.
"Is that pretty much repeated?" she asked, smiling like any happy, obedient child.
"I really don't know."
"I honestly don't know."
"Why don't you know? Have you not listened?"
"Why don’t you know? Haven’t you been paying attention?"
"Yes—and looked. You are fond of poetry, Lina?"
"Yes—and looked. Do you like poetry, Lina?"
[Pg 84]"When I meet with real poetry, I cannot rest till I have learned it by heart, and so made it partly mine."
[Pg84I'm sorry, but no text was provided for me to modernize. Please provide a short piece of text (5 words or fewer) that you would like me to work on."When I come across real poetry, I can’t relax until I’ve memorized it, making it a part of me."
Mr. Moore now sat silent for several minutes. It struck nine o'clock. Sarah entered, and said that Mr. Helstone's servant was come for Miss Caroline.
Mr. Moore sat quietly for several minutes. It struck nine o'clock. Sarah came in and said that Mr. Helstone's servant had arrived for Miss Caroline.
"Then the evening is gone already," she observed, "and it will be long, I suppose, before I pass another here."
"Then the evening is already over," she said, "and I guess it will be a long time before I spend another one here."
Hortense had been for some time nodding over her knitting; fallen into a doze now, she made no response to the remark.
Hortense had been nodding off while knitting for a while; now that she had dozed off, she didn’t respond to the comment.
"You would have no objection to come here oftener of an evening?" inquired Robert, as he took her folded mantle from the side-table, where it still lay, and carefully wrapped it round her.
"You wouldn’t mind coming here more often in the evening?" asked Robert, as he took her folded coat from the side table, where it was still resting, and gently wrapped it around her.
"I like to come here; but I have no desire to be intrusive. I am not hinting to be asked; you must understand that."
"I enjoy coming here, but I don’t want to be in the way. I’m not suggesting that you should invite me; you need to get that."
"Oh! I understand thee, child. You sometimes lecture me for wishing to be rich, Lina; but if I were rich, you should live here always—at any rate, you should live with me wherever my habitation might be."
"Oh! I get you, kid. You sometimes lecture me for wanting to be rich, Lina; but if I were rich, you’d always live here—at the very least, you'd live with me wherever I ended up."
"That would be pleasant; and if you were poor—ever so poor—it would still be pleasant. Good-night, Robert."
"That would be nice; and even if you were poor—really poor—it would still be nice. Good night, Robert."
"I promised to walk with you up to the rectory."
"I said I'd walk with you to the rectory."
"I know you did; but I thought you had forgotten, and I hardly knew how to remind you, though I wished to do it. But would you like to go? It is a cold night, and as Fanny is come, there is no necessity——"
"I know you did; but I thought you had forgotten, and I wasn't sure how to remind you, even though I wanted to. But do you want to go? It's a cold night, and since Fanny is here, there's really no need——"
"Here is your muff; don't wake Hortense—come."
"Here’s your muff; don’t wake Hortense—let’s go."
The half mile to the rectory was soon traversed. They parted in the garden without kiss, scarcely with a pressure of hands; yet Robert sent his cousin in excited and joyously troubled. He had been singularly kind to her that day—not in phrase, compliment, profession, but in manner, in look, and in soft and friendly tones.
The half mile to the rectory was quickly covered. They said goodbye in the garden without a kiss, barely even shaking hands; however, Robert sent his cousin off feeling excited and happily conflicted. He had been unusually kind to her that day—not through words, compliments, or declarations, but in his demeanor, his gaze, and in gentle and friendly tones.
For himself, he came home grave, almost morose. As he stood leaning on his own yard-gate, musing in the watery moonlight all alone, the hushed, dark mill before him, the hill-environed hollow round, he exclaimed, abruptly,—
For himself, he came home serious, almost gloomy. As he stood leaning on his own yard gate, lost in thought in the dim moonlight all alone, the quiet, dark mill in front of him, the hollow encircled by hills, he suddenly exclaimed,—
"This won't do! There's weakness—there's downright ruin in all this. However," he added, dropping his voice, "the frenzy is quite temporary. I know it very well; I have had it before. It will be gone to-morrow."[Pg 85]
"This won't work! There's weakness—there's total disaster in all of this. However," he said, lowering his voice, "the madness is only temporary. I know this well; I've experienced it before. It will be gone by tomorrow."[Pg85It appears that the text you provided is incomplete. Please provide the short phrase you would like me to modernize.
CHAPTER VII.
THE CURATES AT TEA.
Caroline Helstone was just eighteen years old, and at eighteen the true narrative of life is yet to be commenced. Before that time we sit listening to a tale, a marvellous fiction, delightful sometimes, and sad sometimes, almost always unreal. Before that time our world is heroic, its inhabitants half-divine or semi-demon; its scenes are dream-scenes; darker woods and stranger hills, brighter skies, more dangerous waters, sweeter flowers, more tempting fruits, wider plains, drearier deserts, sunnier fields than are found in nature, overspread our enchanted globe. What a moon we gaze on before that time! How the trembling of our hearts at her aspect bears witness to its unutterable beauty! As to our sun, it is a burning heaven—the world of gods.
Caroline Helstone was just eighteen years old, and at eighteen, the real story of life has yet to begin. Before that age, we listen to a story, a marvelous fiction, sometimes delightful and other times sad, almost always unreal. Before that time, our world is heroic, its inhabitants either half-divine or semi-demonic; its scenes are dreamlike—darker woods and stranger hills, brighter skies, more treacherous waters, sweeter flowers, more tempting fruits, wider plains, gloomier deserts, sunnier fields than those found in nature, cover our enchanted globe. What a moon we admire before that time! How the fluttering in our hearts at her sight proves her unspeakable beauty! As for our sun, it’s a blazing heaven—the realm of gods.
At that time, at eighteen, drawing near the confines of illusive, void dreams, Elf-land lies behind us, the shores of Reality rise in front. These shores are yet distant; they look so blue, soft, gentle, we long to reach them. In sunshine we see a greenness beneath the azure, as of spring meadows; we catch glimpses of silver lines, and imagine the roll of living waters. Could we but reach this land, we think to hunger and thirst no more; whereas many a wilderness, and often the flood of death, or some stream of sorrow as cold and almost as black as death, is to be crossed ere true bliss can be tasted. Every joy that life gives must be earned ere it is secured; and how hardly earned, those only know who have wrestled for great prizes. The heart's blood must gem with red beads the brow of the combatant, before the wreath of victory rustles over it.
At that time, at eighteen, as we approach the edges of empty, deceptive dreams, Elf-land is behind us, and the shores of Reality rise ahead. These shores are still far away; they seem so blue, soft, and gentle that we yearn to reach them. In the sunlight, we see a hint of green beneath the blue sky, like spring meadows; we catch glimpses of silver streams and imagine the sound of flowing waters. If we could only reach this land, we think we would no longer hunger or thirst; but first, we must cross many wildernesses, often facing the flood of death or some stream of sorrow as cold and dark as death, before we can truly taste happiness. Every joy life offers must be earned before it’s secured; and only those who have fought for great rewards know how hard it is to earn them. The blood of the heart must bead like red jewels on the forehead of the fighter before the victory wreath can rustle above it.
At eighteen we are not aware of this. Hope, when she smiles on us, and promises happiness to-morrow, is implicitly believed; Love, when he comes wandering like a lost angel to our door, is at once admitted, welcomed, embraced. His quiver is not seen; if his arrows penetrate, their wound is like a thrill of new life. There are no fears[Pg 86] of poison, none of the barb which no leech's hand can extract. That perilous passion—an agony ever in some of its phases; with many, an agony throughout—is believed to be an unqualified good. In short, at eighteen the school of experience is to be entered, and her humbling, crushing, grinding, but yet purifying and invigorating lessons are yet to be learned.
At eighteen, we don’t see this. Hope, when she smiles at us and promises happiness tomorrow, is fully trusted; Love, when he shows up like a lost angel at our door, is immediately welcomed and embraced. We don’t notice his quiver; if his arrows hit us, their sting feels like a rush of new life. There are no fears of poison, no worries about the barb that no leech can remove. That dangerous passion—always painful in some ways; for many, a constant pain—is thought to be purely good. In short, at eighteen, we are about to enter the school of experience, where we will face her humbling, crushing, and grinding but also purifying and energizing lessons.
Alas, Experience! No other mentor has so wasted and frozen a face as yours, none wears a robe so black, none bears a rod so heavy, none with hand so inexorable draws the novice so sternly to his task, and forces him with authority so resistless to its acquirement. It is by your instructions alone that man or woman can ever find a safe track through life's wilds; without it, how they stumble, how they stray! On what forbidden grounds do they intrude, down what dread declivities are they hurled!
Alas, Experience! No other teacher has so worn and frozen a face like yours, none wears a robe so dark, none carries a rod so heavy, and none with such an unyielding hand pulls a learner so sternly to their task, making them work with an authority that’s impossible to resist. It is only through your guidance that anyone can find a safe path through life’s wilderness; without it, how they stumble, how they stray! On what forbidden grounds do they trespass, and down what terrifying slopes are they cast!
Caroline, having been convoyed home by Robert, had no wish to pass what remained of the evening with her uncle. The room in which he sat was very sacred ground to her; she seldom intruded on it; and to-night she kept aloof till the bell rang for prayers. Part of the evening church service was the form of worship observed in Mr. Helstone's household. He read it in his usual nasal voice, clear, loud, and monotonous. The rite over, his niece, according to her wont, stepped up to him.
Caroline, having been brought home by Robert, didn’t want to spend the rest of the evening with her uncle. The room he was in felt very personal to her; she rarely entered it, and tonight she stayed away until the bell rang for prayers. Part of the evening church service was the way worship was done in Mr. Helstone's household. He read it in his typical nasal voice—clear, loud, and monotonous. Once the service was over, she approached him as she usually did.
"Good-night, uncle."
"Good night, uncle."
"Hey! You've been gadding abroad all day—visiting, dining out, and what not!"
"Hey! You've been out and about all day—visiting, eating out, and all that!"
"Only at the cottage."
"Only at the cabin."
"And have you learned your lessons?"
"And have you learned your lessons?"
"Yes."
"Yep."
"And made a shirt?"
"Did you make a shirt?"
"Only part of one."
"Just a part of one."
"Well, that will do. Stick to the needle, learn shirt-making and gown-making and piecrust-making, and you'll be a clever woman some day. Go to bed now. I'm busy with a pamphlet here."
"Alright, that's enough. Focus on sewing, learn how to make shirts, gowns, and pies, and you'll become a smart woman one day. It's time for bed now. I'm busy with this pamphlet."
Presently the niece was enclosed in her small bedroom, the door bolted, her white dressing-gown assumed, her long hair loosened and falling thick, soft, and wavy to her waist; and as, resting from the task of combing it out, she leaned her check on her hand and fixed her eyes on the carpet, before her rose, and close around her drew, the visions we see at eighteen years.
Right now, the niece was in her small bedroom, the door locked, wearing her white robe, her long hair hanging loose and thick, soft, and wavy down to her waist. As she took a break from combing it out, resting her chin on her hand and staring at the carpet, the dreams that come to us at eighteen started to rise around her.
[Pg 87]Her thoughts were speaking with her, speaking pleasantly, as it seemed, for she smiled as she listened. She looked pretty meditating thus; but a brighter thing than she was in that apartment—the spirit of youthful Hope. According to this flattering prophet, she was to know disappointment, to feel chill no more; she had entered on the dawn of a summer day—no false dawn, but the true spring of morning—and her sun would quickly rise. Impossible for her now to suspect that she was the sport of delusion; her expectations seemed warranted, the foundation on which they rested appeared solid.
[Pg87I'm sorry, but there doesn't appear to be any text for me to modernize. Could you please provide a short phrase?Her thoughts were communicating with her, sounding pleasant, as it seemed, because she smiled while listening. She looked lovely in her contemplation; but there was something brighter than her in that room—the spirit of youthful Hope. According to this optimistic vision, she was destined to know joy, to feel warmth forever; she had stepped into the dawn of a summer day—no false dawn, but the true morning light—and her sun would soon rise. It was impossible for her now to think she was the victim of deception; her hopes felt justified, the ground beneath them seemed rock solid.
"When people love, the next step is they marry," was her argument. "Now, I love Robert, and I feel sure that Robert loves me. I have thought so many a time before; to-day I felt it. When I looked up at him after repeating Chénier's poem, his eyes (what handsome eyes he has!) sent the truth through my heart. Sometimes I am afraid to speak to him, lest I should be too frank, lest I should seem forward—for I have more than once regretted bitterly overflowing, superfluous words, and feared I had said more than he expected me to say, and that he would disapprove what he might deem my indiscretion; now, to-night I could have ventured to express any thought, he was so indulgent. How kind he was as we walked up the lane! He does not flatter or say foolish things; his love-making (friendship, I mean; of course I don't yet account him my lover, but I hope he will be so some day) is not like what we read of in books,—it is far better—original, quiet, manly, sincere. I do like him; I would be an excellent wife to him if he did marry me; I would tell him of his faults (for he has a few faults), but I would study his comfort, and cherish him, and do my best to make him happy. Now, I am sure he will not be cold to-morrow. I feel almost certain that to-morrow evening he will either come here, or ask me to go there."
"When people love, the next step is marriage," she argued. "Now, I love Robert, and I'm pretty sure that Robert loves me too. I've thought this many times before; today I really felt it. When I looked up at him after reciting Chénier's poem, his eyes (he has such handsome eyes!) conveyed the truth to my heart. Sometimes I'm scared to talk to him, afraid of being too honest or coming off as forward—I've regretted my overflowing, unnecessary words more than once, and I worry that I've said more than he expected, that he might look down on what he could see as my indiscretion. But tonight, I would have felt comfortable expressing any thought; he was so understanding. He was so kind as we walked up the lane! He doesn't flatter or say anything silly; his way of showing affection (friendship, I mean; I don’t exactly see him as my lover yet, but I hope that happens someday) is nothing like what we read in books—it's so much better—original, calm, strong, and sincere. I genuinely like him; I would be a great wife to him if he decided to marry me. I would point out his faults (because he has a few), but I would focus on his comfort, cherish him, and do my best to make him happy. Now, I’m certain he won’t be cold tomorrow. I feel almost sure that tomorrow evening he will either come here or ask me to go there."
She recommenced combing her hair, long as a mermaid's. Turning her head as she arranged it she saw her own face and form in the glass. Such reflections are soberizing to plain people: their own eyes are not enchanted with the image; they are confident then that the eyes of others can see in it no fascination. But the fair must naturally draw other conclusions: the picture is charming, and must charm. Caroline saw a shape, a head, that, daguerreotyped in that attitude and with that expression, would[Pg 88] have been lovely. She could not choose but derive from the spectacle confirmation to her hopes. It was then in undiminished gladness she sought her couch.
She started brushing her hair, which was as long as a mermaid's. As she tilted her head to style it, she caught a glimpse of her own face and figure in the mirror. Such reflections can be sobering for ordinary people: their own eyes aren’t captivated by the image, and they feel sure that others don’t find it fascinating either. But for the beautiful, it's different: they see a charming picture and believe it must charm others too. Caroline saw a shape, a head, that, captured in that pose and with that expression, would have been stunning. She couldn’t help but feel her hopes were confirmed by what she saw. With her spirits high, she made her way to her couch.
And in undiminished gladness she rose the next day. As she entered her uncle's breakfast-room, and with soft cheerfulness wished him good-morning, even that little man of bronze himself thought, for an instant, his niece was growing "a fine girl." Generally she was quiet and timid with him—very docile, but not communicative; this morning, however, she found many things to say. Slight topics alone might be discussed between them; for with a woman—a girl—Mr. Helstone would touch on no other. She had taken an early walk in the garden, and she told him what flowers were beginning to spring there; she inquired when the gardener was to come and trim the borders; she informed him that certain starlings were beginning to build their nests in the church-tower (Briarfield church was close to Briarfield rectory); she wondered the tolling of the bells in the belfry did not scare them.
And with a cheerful spirit, she got up the next day. As she walked into her uncle's breakfast room and cheerfully wished him good morning, even that little bronze man thought, for a moment, that his niece was becoming "a fine girl." Normally, she was quiet and shy around him—very obedient but not very talkative; however, that morning, she had plenty to say. They could only discuss light topics, as Mr. Helstone wouldn’t bring up anything else with a woman—a girl. She had taken an early stroll in the garden and told him about the flowers starting to bloom there; she asked when the gardener would come to trim the borders; she mentioned that some starlings were beginning to build their nests in the church tower (Briarfield church was near Briarfield rectory); she wondered why the tolling of the bells in the belfry didn’t scare them off.
Mr. Helstone opined that "they were like other fools who had just paired—insensible to inconvenience just for the moment." Caroline, made perhaps a little too courageous by her temporary good spirits, here hazarded a remark of a kind she had never before ventured to make on observations dropped by her revered relative.
Mr. Helstone thought that "they were like any other couple who just got together—totally unaware of the difficulties, at least for now." Caroline, feeling a bit more bold due to her temporary uplift in mood, took a chance to say something she had never dared to express about comments made by her respected relative.
"Uncle," said she, "whenever you speak of marriage you speak of it scornfully. Do you think people shouldn't marry?"
"Uncle," she said, "every time you talk about marriage, you sound so dismissive. Do you think people shouldn't get married?"
"It is decidedly the wisest plan to remain single, especially for women."
"It’s definitely the smartest choice to stay single, especially for women."
"Are all marriages unhappy?"
"Are all marriages unhappy?"
"Millions of marriages are unhappy. If everybody confessed the truth, perhaps all are more or less so."
"Millions of marriages are unhappy. If everyone admitted the truth, maybe all of them are somewhat unhappy."
"You are always vexed when you are asked to come and marry a couple. Why?"
"You always get annoyed when someone asks you to come and marry a couple. Why?"
"Because one does not like to act as accessory to the commission of a piece of pure folly."
"Because nobody wants to be part of something completely foolish."
Mr. Helstone spoke so readily, he seemed rather glad of the opportunity to give his niece a piece of his mind on this point. Emboldened by the impunity which had hitherto attended her questions, she went a little further.
Mr. Helstone spoke so easily that he seemed quite happy to share his thoughts with his niece on this matter. Feeling encouraged by the lack of consequences for her previous questions, she pushed a little further.
"But why," said she, "should it be pure folly? If two people like each other, why shouldn't they consent to live together?"
"But why," she said, "should that be totally ridiculous? If two people like each other, why shouldn't they agree to live together?"
[Pg 89]"They tire of each other—they tire of each other in a month. A yokefellow is not a companion; he or she is a fellow-sufferer."
[Pg89Sure! Please provide the text you want me to modernize."They get sick of each other—they get sick of each other in a month. A partner is not a friend; he or she is a fellow sufferer."
It was by no means naïve simplicity which inspired Caroline's next remark; it was a sense of antipathy to such opinions, and of displeasure at him who held them.
It wasn’t naive simplicity that drove Caroline's next comment; it was a feeling of dislike for those opinions and frustration with the person who held them.
"One would think you had never been married, uncle. One would think you were an old bachelor."
"People might think you’ve never been married, uncle. People might think you’re an old bachelor."
"Practically, I am so."
"Basically, I am so."
"But you have been married. Why were you so inconsistent as to marry?"
"But you've been married. Why were you so inconsistent in getting married?"
"Every man is mad once or twice in his life."
"Every person goes a little crazy once or twice in their life."
"So you tired of my aunt, and my aunt of you, and you were miserable together?"
"So, you got tired of my aunt, and she got tired of you, and you both were miserable together?"
Mr. Helstone pushed out his cynical lip, wrinkled his brown forehead, and gave an inarticulate grunt.
Mr. Helstone pouted, furrowed his brow, and let out a nonsensical grunt.
"Did she not suit you? Was she not good-tempered? Did you not get used to her? Were you not sorry when she died?"
"Did she not work for you? Was she not kind? Did you not get accustomed to her? Were you not sad when she died?"
"Caroline," said Mr. Helstone, bringing his hand slowly down to within an inch or two of the table, and then smiting it suddenly on the mahogany, "understand this: it is vulgar and puerile to confound generals with particulars. In every case there is the rule and there are the exceptions. Your questions are stupid and babyish. Ring the bell, if you have done breakfast."
"Caroline," said Mr. Helstone, lowering his hand slowly until it was an inch or two from the table, and then slapping it suddenly on the mahogany, "listen to me: it's tacky and childish to mix up general ideas with specific details. In every situation, there’s a rule and there are exceptions. Your questions are foolish and juvenile. Ring the bell when you’re finished with breakfast."
The breakfast was taken away, and that meal over, it was the general custom of uncle and niece to separate, and not to meet again till dinner; but to-day the niece, instead of quitting the room, went to the window-seat, and sat down there. Mr. Helstone looked round uneasily once or twice, as if he wished her away; but she was gazing from the window, and did not seem to mind him: so he continued the perusal of his morning paper—a particularly interesting one it chanced to be, as new movements had just taken place in the Peninsula, and certain columns of the journal were rich in long dispatches from General Lord Wellington. He little knew, meantime, what thoughts were busy in his niece's mind—thoughts the conversation of the past half-hour had revived but not generated; tumultuous were they now, as disturbed bees in a hive, but it was years since they had first made their cells in her brain.
The breakfast was cleared away, and once that meal was over, it was the usual custom for the uncle and niece to part ways and not see each other until dinner. But today, instead of leaving the room, the niece went to the window seat and sat down there. Mr. Helstone glanced around uneasily a couple of times, as if he wanted her to leave, but she was staring out the window and didn’t seem to notice him. So, he continued reading his morning paper, which was particularly interesting that day since there were new developments in the Peninsula, and several columns were filled with lengthy reports from General Lord Wellington. Little did he know what thoughts were swirling in his niece’s mind—thoughts that the conversation from the last half hour had stirred up but not created; they were as chaotic as disturbed bees in a hive, but it had been years since they first formed their cells in her brain.
She was reviewing his character, his disposition, repeating his sentiments on marriage. Many a time had she[Pg 90] reviewed them before, and sounded the gulf between her own mind and his; and then, on the other side of the wide and deep chasm, she had seen, and she now saw, another figure standing beside her uncle's—a strange shape, dim, sinister, scarcely earthly—the half-remembered image of her own father, James Helstone, Matthewson Helstone's brother.
She was going over his character, his temperament, and repeating his thoughts on marriage. Many times before, she had[Pg90I'm sorry, but there seems to be a mistake. Please provide a short piece of text for modernizing. reflected on these and explored the distance between her own views and his; and then, across the vast and deep divide, she had seen, and now saw, another figure next to her uncle's—a strange, shadowy, almost otherworldly shape—the faintly recalled image of her father, James Helstone, brother of Matthewson Helstone.
Rumours had reached her ear of what that father's character was; old servants had dropped hints; she knew, too, that he was not a good man, and that he was never kind to her. She recollected—a dark recollection it was—some weeks that she had spent with him in a great town somewhere, when she had had no maid to dress her or take care of her; when she had been shut up, day and night, in a high garret-room, without a carpet, with a bare uncurtained bed, and scarcely any other furniture; when he went out early every morning, and often forgot to return and give her her dinner during the day, and at night, when he came back, was like a madman, furious, terrible, or—still more painful—like an idiot, imbecile, senseless. She knew she had fallen ill in this place, and that one night, when she was very sick he had come raving into the room, and said he would kill her, for she was a burden to him. Her screams had brought aid; and from the moment she was then rescued from him she had never seen him, except as a dead man in his coffin.
Rumors had reached her about her father's character; old servants had hinted at it. She knew he wasn't a good man and had never been kind to her. She remembered—a dark memory—some weeks spent with him in a big city somewhere, when she had no maid to dress her or look after her; when she was locked away, day and night, in a cold attic room, without a carpet, with a bare uncurtained bed, and hardly any other furniture. He would leave early every morning and often forget to come back and give her dinner during the day. At night, when he returned, he was either like a madman—furious, terrifying—or, even worse—like an idiot, senseless, imbecilic. She remembered getting sick in that place, and one night, when she was very ill, he had stormed into the room, raving that he would kill her because she was a burden to him. Her screams had brought help, and from that moment on, once she was rescued from him, she had never seen him again, except as a dead man in his coffin.
That was her father. Also she had a mother, though Mr. Helstone never spoke to her of that mother, though she could not remember having seen her; but that she was alive she knew. This mother was then the drunkard's wife. What had their marriage been? Caroline, turning from the lattice, whence she had been watching the starlings (though without seeing them), in a low voice, and with a sad, bitter tone, thus broke the silence of the room,—
That was her father. She also had a mother, although Mr. Helstone never mentioned her, and she couldn't remember ever having seen her; but she knew she was alive. This mother was the drunkard's wife. What had their marriage been like? Caroline, turning away from the window where she had been watching the starlings (even though she wasn’t really seeing them), spoke in a low voice, with a sad, bitter tone, breaking the silence in the room,—
"You term marriage miserable, I suppose, from what you saw of my father and mother's. If my mother suffered what I suffered when I was with papa, she must have had a dreadful life."
"You call marriage miserable, I guess, based on what you saw of my mom and dad. If my mom went through what I went through with dad, her life must have been really tough."
Mr. Helstone, thus addressed, wheeled about in his chair, and looked over his spectacles at his niece. He was taken aback.
Mr. Helstone, addressed this way, turned around in his chair and looked over his glasses at his niece. He was surprised.
Her father and mother! What had put it into her head to mention her father and mother, of whom he had never, during the twelve years she had lived with him, spoken to her? That the thoughts were self-matured, that she had[Pg 91] any recollections or speculations about her parents, he could not fancy.
Her dad and mom! What made her think to bring up her parents, whom he had never mentioned to her in the twelve years she had lived with him? He couldn’t imagine that her thoughts were fully formed on their own, or that she had[Pg91It seems you've accidentally sent a bracket without text. Please provide the text you'd like me to modernize.any memories or ideas about her parents.
"Your father and mother? Who has been talking to you about them?"
"Your dad and mom? Who have you been talking to about them?"
"Nobody; but I remember something of what papa was, and I pity mamma. Where is she?"
"Nobody; but I remember a bit about what Dad was like, and I feel sorry for Mom. Where is she?"
This "Where is she?" had been on Caroline's lips hundreds of times before, but till now she had never uttered it.
This "Where is she?" had crossed Caroline's mind hundreds of times before, but until now she had never said it out loud.
"I hardly know," returned Mr. Helstone; "I was little acquainted with her. I have not heard from her for years: but wherever she is, she thinks nothing of you; she never inquires about you. I have reason to believe she does not wish to see you. Come, it is school-time. You go to your cousin at ten, don't you? The clock has struck."
"I don't really know," Mr. Helstone replied. "I barely knew her. I haven't heard from her in years; but wherever she is, she doesn't think about you at all; she never asks about you. I have reason to believe she doesn’t want to see you. Come on, it’s time for school. You're going to your cousin's at ten, right? The clock has struck."
Perhaps Caroline would have said more; but Fanny, coming in, informed her master that the churchwardens wanted to speak to him in the vestry. He hastened to join them, and his niece presently set out for the cottage.
Perhaps Caroline would have said more, but Fanny walked in and told her uncle that the churchwardens wanted to speak with him in the vestry. He quickly went to join them, and his niece soon set off for the cottage.
The road from the rectory to Hollow's Mill inclined downwards; she ran, therefore, almost all the way. Exercise, the fresh air, the thought of seeing Robert, at least of being on his premises, in his vicinage, revived her somewhat depressed spirits quickly. Arriving in sight of the white house, and within hearing of the thundering mill and its rushing watercourse, the first thing she saw was Moore at his garden gate. There he stood, in his belted Holland blouse, a light cap covering his head, which undress costume suited him. He was looking down the lane, not in the direction of his cousin's approach. She stopped, withdrawing a little behind a willow, and studied his appearance.
The road from the rectory to Hollow's Mill sloped downward; she ran almost the entire way. The exercise, fresh air, and the thought of seeing Robert—at least being on his property and nearby—quickly lifted her somewhat depressed spirits. As she approached the white house and could hear the roaring mill and rushing water, the first thing she spotted was Moore at his garden gate. He stood there in his belted cotton blouse, a light cap on his head, which looked great on him. He was gazing down the lane, not in the direction of his cousin's approach. She paused, stepping back slightly behind a willow tree, and observed his appearance.
"He has not his peer," she thought. "He is as handsome as he is intelligent. What a keen eye he has! What clearly-cut, spirited features—thin and serious, but graceful! I do like his face, I do like his aspect, I do like him so much—better than any of those shuffling curates, for instance—better than anybody; bonny Robert!"
"He has no equal," she thought. "He’s as handsome as he is smart. What a sharp gaze he has! Such defined, lively features—thin and serious, yet graceful! I really like his face, I really like his look, I like him so much—more than any of those awkward curates, for example—better than anyone; charming Robert!"
She sought "bonny Robert's" presence speedily. For his part, when she challenged his sight, I believe he would have passed from before her eyes like a phantom, if he could; but being a tall fact, and no fiction, he was obliged to stand the greeting. He made it brief. It was cousin-like, brother-like, friend-like, anything but lover-like. The nameless charm of last night had left his manner: he was no longer the same man: or, at any rate, the same heart[Pg 92] did not beat in his breast. Rude disappointment, sharp cross! At first the eager girl would not believe in the change, though she saw and felt it. It was difficult to withdraw her hand from his, till he had bestowed at least something like a kind pressure; it was difficult to turn her eyes from his eyes, till his looks had expressed something more and fonder than that cool welcome.
She quickly sought out "bonny Robert." For his part, when she searched for him, he might have vanished before her eyes like a ghost if he could, but being a real person and not an illusion, he had to face her. He kept it short. It felt like a greeting from a cousin or a brother or a friend, but nothing like a lover. The mysterious charm from last night had disappeared from his demeanor: he was no longer the same man, or at least, the same heart[Pg92Please provide the text you'd like me to modernize. didn’t beat in his chest. Sharp disappointment hit her! At first, the eager girl couldn’t accept the change, even though she sensed it. It was hard to pull her hand away from his until he gave at least a hint of a kind squeeze; it was difficult to take her eyes off him until his gaze showed something warmer than that cool greeting.
A lover masculine so disappointed can speak and urge explanation, a lover feminine can say nothing; if she did, the result would be shame and anguish, inward remorse for self-treachery. Nature would brand such demonstration as a rebellion against her instincts, and would vindictively repay it afterwards by the thunderbolt of self-contempt smiting suddenly in secret. Take the matter as you find it: ask no questions, utter no remonstrances; it is your best wisdom. You expected bread, and you have got a stone: break your teeth on it, and don't shriek because the nerves are martyrized; do not doubt that your mental stomach—if you have such a thing—is strong as an ostrich's; the stone will digest. You held out your hand for an egg, and fate put into it a scorpion. Show no consternation: close your fingers firmly upon the gift; let it sting through your palm. Never mind; in time, after your hand and arm have swelled and quivered long with torture, the squeezed scorpion will die, and you will have learned the great lesson how to endure without a sob. For the whole remnant of your life, if you survive the test—some, it is said, die under it—you will be stronger, wiser, less sensitive. This you are not aware of, perhaps, at the time, and so cannot borrow courage of that hope. Nature, however, as has been intimated, is an excellent friend in such cases, sealing the lips, interdicting utterance, commanding a placid dissimulation—a dissimulation often wearing an easy and gay mien at first, settling down to sorrow and paleness in time, then passing away, and leaving a convenient stoicism, not the less fortifying because it is half-bitter.
A disappointed man can speak up and ask for answers, while a woman often cannot say a word; if she does, it would lead to shame and deep regret for betraying herself. Nature would see such a reaction as going against her instincts and would later retaliate with the painful blow of self-loathing that hits you hard and unexpectedly. Accept things as they are: don’t ask questions or object; that’s your wisest choice. You expected something good and ended up with a disappointment: deal with it without complaining, even if it hurts. Don’t doubt that your mind—if you have one—is tough enough to handle it; you’ll get through it. You reached out for something nourishing, and fate handed you a scorpion instead. Don’t panic: grip it tightly; let it sting your hand. It’s okay; eventually, after your hand and arm have throbbed with pain for a long time, the scorpion will die, and you’ll learn the important lesson of how to endure without crying. For the rest of your life, if you make it through this challenge—some, they say, don’t survive—you’ll be stronger, wiser, and less sensitive. You might not realize this at the moment, so you can’t draw strength from that hope. However, nature, as I’ve pointed out, is a great ally in these situations, keeping you quiet, forbidding words, and urging you to put on a calm front—a front that may seem cheerful at first but eventually turns to sadness and paleness before fading away, leaving behind a resilient stoicism, which is all the more empowering even if it has a touch of bitterness.
Half-bitter! Is that wrong? No; it should be bitter: bitterness is strength—it is a tonic. Sweet, mild force following acute suffering you find nowhere; to talk of it is delusion. There may be apathetic exhaustion after the rack. If energy remains, it will be rather a dangerous energy—deadly when confronted with injustice.
Half-bitter! Is that a bad thing? No; it should be bitter: bitterness is strength—it’s a tonic. You won’t find sweet, gentle strength after intense suffering; discussing it is just an illusion. There might be a sense of numb exhaustion after the ordeal. If any energy is left, it’s likely to be a dangerous kind of energy—deadly when faced with injustice.
Who has read the ballad of "Puir Mary Lee"—that old Scotch ballad, written I know not in what generation nor[Pg 93] by what hand? Mary had been ill-used—probably in being made to believe that truth which was falsehood. She is not complaining, but she is sitting alone in the snowstorm, and you hear her thoughts. They are not the thoughts of a model heroine under her circumstances, but they are those of a deeply-feeling, strongly-resentful peasant-girl. Anguish has driven her from the ingle-nook of home to the white-shrouded and icy hills. Crouched under the "cauld drift," she recalls every image of horror—"the yellow-wymed ask," "the hairy adder," "the auld moon-bowing tyke," "the ghaist at e'en,", "the sour bullister," "the milk on the taed's back." She hates these, but "waur she hates Robin-a-Ree."
Who has read the ballad of "Puir Mary Lee"—that old Scottish ballad, written I don’t know in what time or by what author? Mary has been mistreated—probably by being led to believe in a lie. She isn't complaining, but she's sitting alone in the snowstorm, and you can hear her thoughts. They aren’t the musings of a typical heroine in her situation, but those of a deeply emotional, strongly resentful peasant girl. Pain has driven her from the warmth of home to the white-covered, icy hills. Crouched under the cold snow, she remembers every horrifying image—“the yellow-wymed ask,” “the hairy adder,” “the old moon-bowing dog,” “the ghost at dusk,” “the sour bull,” “the milk on the toad’s back.” She hates these, but “worse she hates Robin-a-Ree.”
The world was in love with me;
But now I have to sit under the cold breeze and grieve,
And curse black Robin-a-Ree!
And whispered through the scrunty tree,
And bury me in the snow so deep,
And never let me see the sun!
That's so kind of you to engrave me; But keep me away from the scorn and laughter
O' villains like Robin-a-Ree!
But what has been said in the last page or two is not germane to Caroline Helstone's feelings, or to the state of things between her and Robert Moore. Robert had done her no wrong; he had told her no lie; it was she that was to blame, if any one was. What bitterness her mind distilled should and would be poured on her own head. She had loved without being asked to love—a natural, sometimes an inevitable chance, but big with misery.
But what was said in the last page or two doesn’t really apply to Caroline Helstone’s feelings or the situation between her and Robert Moore. Robert hadn’t wronged her; he hadn’t lied to her; if anyone was to blame, it was her. Any bitterness her mind brewed would end up directed at herself. She had loved without being asked to love—something natural, sometimes unavoidable, but full of misery.
Robert, indeed, had sometimes seemed to be fond of her; but why? Because she had made herself so pleasing to him, he could not, in spite of all his efforts, help testifying a state of feeling his judgment did not approve nor his will sanction. He was about to withdraw decidedly from intimate communication with her, because he did not choose to have his affections inextricably entangled, nor to be drawn, despite his reason, into a marriage he believed imprudent. Now, what was she to do? To give way to her feelings, or to vanquish them? To pursue him, or to[Pg 94] turn upon herself? If she is weak, she will try the first expedient—will lose his esteem and win his aversion; if she has sense, she will be her own governor, and resolve to subdue and bring under guidance the disturbed realm of her emotions. She will determine to look on life steadily, as it is; to begin to learn its severe truths seriously, and to study its knotty problems closely, conscientiously.
Robert had sometimes seemed to care for her; but why? Because she had made herself so attractive to him, he couldn’t help but show feelings that his judgment didn’t agree with, nor did his will support. He was set on stepping back from their close relationship because he didn’t want his feelings to get tangled up, nor did he want to be led into a marriage he thought was unwise, despite his better judgment. Now, what was she supposed to do? Should she give in to her feelings or conquer them? Should she chase after him or turn her focus inward? If she is weak, she will take the first option—losing his respect and gaining his dislike; if she has sense, she will take charge of herself, deciding to control and manage her tumultuous emotions. She will choose to face life as it truly is; to start taking its harsh realities seriously and to closely and thoughtfully explore its complex challenges.
It appeared she had a little sense, for she quitted Robert quietly, without complaint or question, without the alteration of a muscle or the shedding of a tear, betook herself to her studies under Hortense as usual, and at dinner-time went home without lingering.
It seemed like she had a bit of common sense, because she left Robert quietly, without any complaints or questions, without changing her expression or shedding a tear. She continued her studies with Hortense as usual, and at dinner time, she went home without hanging around.
When she had dined, and found herself in the rectory drawing-room alone, having left her uncle over his temperate glass of port wine, the difficulty that occurred to and embarrassed her was, "How am I to get through this day?"
When she finished dinner and found herself alone in the rectory drawing-room, having left her uncle with his moderate glass of port wine, she felt a wave of anxiety wash over her: "How am I going to get through today?"
Last night she had hoped it would be spent as yesterday was, that the evening would be again passed with happiness and Robert. She had learned her mistake this morning; and yet she could not settle down, convinced that no chance would occur to recall her to Hollow's Cottage, or to bring Moore again into her society.
Last night, she had hoped it would be like yesterday, that the evening would be filled with happiness and Robert again. She realized her mistake this morning; still, she couldn't relax, certain that there would be no opportunity to return to Hollow's Cottage or see Moore again.
He had walked up after tea more than once to pass an hour with her uncle. The door-bell had rung, his voice had been heard in the passage just at twilight, when she little expected such a pleasure; and this had happened twice after he had treated her with peculiar reserve; and though he rarely talked to her in her uncle's presence, he had looked at her relentingly as he sat opposite her work-table during his stay. The few words he had spoken to her were comforting; his manner on bidding her good-night was genial. Now, he might come this evening, said False Hope. She almost knew it was False Hope which breathed the whisper, and yet she listened.
He had come over more than once after tea to spend some time with her uncle. The doorbell had rung, and his voice had been heard in the hallway just as twilight set in, catching her by surprise with such a joy; this had happened twice after he had acted particularly distant with her. Even though he rarely spoke to her in her uncle's presence, he had looked at her warmly while sitting across from her work table during his visit. The few words he had exchanged with her were reassuring; his manner when he said goodnight was friendly. Now, he might come by this evening, said False Hope. She almost recognized it was False Hope whispering that thought, yet she still listened.
She tried to read—her thoughts wandered; she tried to sew—every stitch she put in was an ennui, the occupation was insufferably tedious; she opened her desk and attempted to write a French composition—she wrote nothing but mistakes.
She tried to read—her mind kept drifting; she tried to sew—every stitch felt like a burden, the task was unbearably dull; she opened her desk and tried to write a French essay—she ended up with nothing but errors.
Suddenly the door-bell sharply rang; her heart leaped; she sprang to the drawing-room door, opened it softly, peeped through the aperture. Fanny was admitting a visitor—a gentleman—a tall man—just the height of Robert. For one second she thought it was Robert—for[Pg 95] one second she exulted; but the voice asking for Mr. Helstone undeceived her. That voice was an Irish voice, consequently not Moore's, but the curate's—Malone's. He was ushered into the dining-room, where, doubtless, he speedily helped his rector to empty the decanters.
Suddenly, the doorbell rang sharply; her heart raced. She rushed to the drawing-room door, opened it quietly, and peeked through the crack. Fanny was letting in a visitor—a gentleman—a tall man—just the height of Robert. For a brief moment, she thought it was Robert—she felt a surge of joy; but the voice asking for Mr. Helstone brought her back to reality. That voice was Irish, so it wasn't Moore's but the curate's—Malone's. He was shown into the dining room, where, no doubt, he quickly helped his rector finish off the decanters.
It was a fact to be noted, that at whatever house in Briarfield, Whinbury, or Nunnely one curate dropped in to a meal—dinner or tea, as, the case might be—another presently followed, often two more. Not that they gave each other the rendezvous, but they were usually all on the run at the same time; and when Donne, for instance, sought Malone at his lodgings and found him not, he inquired whither he had posted, and having learned of the landlady his destination, hastened with all speed after him. The same causes operated in the same way with Sweeting. Thus it chanced on that afternoon that Caroline's ears were three times tortured with the ringing of the bell and the advent of undesired guests; for Donne followed Malone, and Sweeting followed Donne; and more wine was ordered up from the cellar into the dining-room (for though old Helstone chid the inferior priesthood when he found them "carousing," as he called it, in their own tents, yet at his hierarchical table he ever liked to treat them to a glass of his best), and through the closed doors Caroline heard their boyish laughter, and the vacant cackle of their voices. Her fear was lest they should stay to tea, for she had no pleasure in making tea for that particular trio. What distinctions people draw! These three were men—young men—educated men, like Moore; yet, for her, how great the difference! Their society was a bore—his a delight.
It was worth noting that at any house in Briarfield, Whinbury, or Nunnely where one curate dropped in for a meal—dinner or tea, depending on the case—another would soon follow, often along with a third. They didn’t coordinate their visits, but they were usually all out and about at the same time; for instance, when Donne went to see Malone at his place and found him missing, he asked the landlady where he had gone and hurried after him once he learned the destination. The same pattern occurred with Sweeting. That afternoon, Caroline's ears were tortured three times by the sound of the bell and the arrival of unwanted guests; Donne followed Malone, and Sweeting followed Donne. More wine was sent up from the cellar to the dining room (even though old Helstone scolded the lesser clergy when he caught them "partying," as he put it, in their own homes, he always liked to treat them to a glass of his finest at his table), and through the closed doors, Caroline heard their youthful laughter and the aimless chatter of their voices. She worried that they would stay for tea because she didn’t enjoy making tea for that particular group. It’s interesting the distinctions people make! These three were men—young, educated men, like Moore; yet for her, the difference was huge! Their company was tedious—his was a joy.
Not only was she destined to be favoured with their clerical company, but Fortune was at this moment bringing her four other guests—lady guests, all packed in a pony-phaeton now rolling somewhat heavily along the road from Whinbury: an elderly lady and three of her buxom daughters were coming to see her "in a friendly way," as the custom of that neighbourhood was. Yes, a fourth time the bell clanged. Fanny brought the present announcement to the drawing-room,—
Not only was she meant to be favored with their company, but Fortune was right now bringing her four other guests—female guests, all crammed into a pony-phaeton that was now rolling a bit heavily along the road from Whinbury: an older lady and three of her curvy daughters were coming to visit her "in a friendly way," as was the custom in that neighborhood. Yes, for the fourth time the bell rang. Fanny brought the latest news to the drawing-room,—
"Mrs. Sykes and the three Misses Sykes."
"Mrs. Sykes and the three Miss Sykes."
When Caroline was going to receive company, her habit was to wring her hands very nervously, to flush a little, and come forward hurriedly yet hesitatingly, wishing herself meantime at Jericho. She was, at such crises, sadly[Pg 96] deficient in finished manner, though she had once been at school a year. Accordingly, on this occasion, her small white hands sadly maltreated each other, while she stood up, waiting the entrance of Mrs. Sykes.
When Caroline was about to receive guests, her usual habit was to nervously wring her hands, blush a bit, and move forward quickly yet uncertainly, wishing she could be anywhere else. During these moments, she was sadly lacking in poise, even though she had spent a year in school. So, on this occasion, her small white hands anxiously twisted against each other as she stood, waiting for Mrs. Sykes to arrive.
In stalked that lady, a tall, bilious gentlewoman, who made an ample and not altogether insincere profession of piety, and was greatly given to hospitality towards the clergy. In sailed her three daughters, a showy trio, being all three well-grown, and more or less handsome.
In walked a tall, sickly-looking woman who made a big show of being devout and was very welcoming to clergy. Following her were her three daughters, a striking trio, all well-developed and somewhat attractive.
In English country ladies there is this point to be remarked. Whether young or old, pretty or plain, dull or sprightly, they all (or almost all) have a certain expression stamped on their features, which seems to say, "I know—I do not boast of it, but I know that I am the standard of what is proper; let every one therefore whom I approach, or who approaches me, keep a sharp lookout, for wherein they differ from me—be the same in dress, manner, opinion, principle, or practice—therein they are wrong."
In English country ladies, there's one thing worth noting. Whether they're young or old, pretty or plain, dull or lively, they all (or almost all) have a particular look on their faces that seems to say, "I know—I’m not bragging, but I know that I am the standard of what’s proper; so everyone I come near, or who comes near me, should pay close attention, because wherever they differ from me—whether it’s in dress, behavior, opinions, beliefs, or habits—they are mistaken."
Mrs. and Misses Sykes, far from being exceptions to this observation, were pointed illustrations of its truth. Miss Mary—a well-looked, well-meant, and, on the whole, well-dispositioned girl—wore her complacency with some state, though without harshness. Miss Harriet—a beauty—carried it more overbearingly; she looked high and cold. Miss Hannah, who was conceited, dashing, pushing, flourished hers consciously and openly. The mother evinced it with the gravity proper to her age and religious fame.
Mrs. and Misses Sykes were definitely not exceptions to this observation; they illustrated it perfectly. Miss Mary—a pretty, well-meaning, and generally kind girl—carried her confidence with a sort of dignity, though not unkindly. Miss Harriet—a beauty—held hers more proudly; she had a haughty and aloof demeanor. Miss Hannah, who was self-absorbed, lively, and assertive, flaunted hers confidently and openly. Their mother showed it with the seriousness appropriate to her age and reputation for piety.
The reception was got through somehow. Caroline "was glad to see them" (an unmitigated fib), hoped they were well, hoped Mrs. Sykes's cough was better (Mrs. Sykes had had a cough for the last twenty years), hoped the Misses Sykes had left their sisters at home well; to which inquiry the Misses Sykes, sitting on three chairs opposite the music-stool, whereon Caroline had undesignedly come to anchor, after wavering for some seconds between it and a large arm-chair, into which she at length recollected she ought to induct Mrs. Sykes—and indeed that lady saved her the trouble by depositing herself therein—the Misses Sykes replied to Caroline by one simultaneous bow, very majestic and mighty awful. A pause followed. This bow was of a character to ensure silence for the next five minutes, and it did. Mrs. Sykes then inquired after Mr. Helstone, and whether he had had any return of rheumatism, and whether preaching twice on a Sunday fatigued him, and[Pg 97] if he was capable of taking a full service now; and on being assured he was, she and all her daughters, combining in chorus, expressed their opinion that he was "a wonderful man of his years."
The reception was somehow managed. Caroline "was really happy to see them" (a total lie), hoped they were doing well, hoped Mrs. Sykes's cough was better (Mrs. Sykes had been coughing for the last twenty years), and hoped the Misses Sykes had left their sisters at home feeling good; to which question the Misses Sykes, sitting on three chairs across from the music-stool, where Caroline had unintentionally ended up after hesitating between it and a large armchair—into which she eventually remembered she should help Mrs. Sykes sit—and indeed that lady helped her out by sitting there herself—the Misses Sykes responded to Caroline with one simultaneous bow, very grand and utterly terrifying. There was a pause. This bow was the kind that guaranteed silence for the next five minutes, and it did. Mrs. Sykes then asked about Mr. Helstone, whether he had had any flare-up of rheumatism, whether preaching twice on Sundays was tiring for him, and if he was now able to manage a full service; and upon being assured he was, she and all her daughters chimed in together, stating that he was "a remarkable man for his age."
Pause second.
Wait a moment.
Miss Mary, getting up the steam in her turn, asked whether Caroline had attended the Bible Society meeting which had been held at Nunnely last Thursday night. The negative answer which truth compelled Caroline to utter—for last Thursday evening she had been sitting at home, reading a novel which Robert had lent her—elicited a simultaneous expression of surprise from the lips of the four ladies.
Miss Mary, getting her confidence up, asked if Caroline had gone to the Bible Society meeting that took place at Nunnely last Thursday night. The truthful "no" that Caroline had to say—because last Thursday evening she had been at home, reading a novel that Robert had lent her—caused all four ladies to express their surprise at the same time.
"We were all there," said Miss Mary—"mamma and all of us. We even persuaded papa to go. Hannah would insist upon it. But he fell asleep while Mr. Langweilig, the German Moravian minister, was speaking. I felt quite ashamed, he nodded so."
"We were all there," said Miss Mary—"mom and all of us. We even managed to get dad to come. Hannah was adamant about it. But he fell asleep while Mr. Langweilig, the German Moravian minister, was talking. I felt really embarrassed; he was nodding like that."
"And there was Dr. Broadbent," cried Hannah—"such a beautiful speaker! You couldn't expect it of him, for he is almost a vulgar-looking man."
"And there was Dr. Broadbent," Hannah exclaimed, "what a fantastic speaker! You wouldn't expect it from him because he looks kind of rough."
"But such a dear man," interrupted Mary.
"But what a sweet guy," Mary interrupted.
"And such a good man, such a useful man," added her mother.
"And he’s such a good guy, such a valuable person," her mother added.
"Only like a butcher in appearance," interposed the fair, proud Harriet. "I couldn't bear to look at him. I listened with my eyes shut."
"Only looks like a butcher," interjected the fair, proud Harriet. "I couldn't stand to look at him. I listened with my eyes closed."
Miss Helstone felt her ignorance and incompetency. Not having seen Dr. Broadbent, she could not give her opinion. Pause third came on. During its continuance, Caroline was feeling at her heart's core what a dreaming fool she was, what an unpractical life she led, how little fitness there was in her for ordinary intercourse with the ordinary world. She was feeling how exclusively she had attached herself to the white cottage in the Hollow, how in the existence of one inmate of that cottage she had pent all her universe. She was sensible that this would not do, and that some day she would be forced to make an alteration. It could not be said that she exactly wished to resemble the ladies before her, but she wished to become superior to her present self, so as to feel less scared by their dignity.
Miss Helstone felt her ignorance and incompetence. Since she hadn't seen Dr. Broadbent, she couldn't give her opinion. During the third pause, Caroline was realizing deep down how much of a daydreamer she was, how unpractical her life was, and how ill-suited she was for normal interactions with the everyday world. She was aware of how completely she had tied herself to the white cottage in the Hollow, how all her universe revolved around one person living in that cottage. She realized that this couldn't go on and that someday she would be forced to change things. It wouldn't be accurate to say she wanted to be like the ladies before her, but she did want to rise above her current self so that she would feel less intimidated by their dignity.
The sole means she found of reviving the flagging discourse was by asking them if they would all stay to tea;[Pg 98] and a cruel struggle it cost her to perform this piece of civility. Mrs. Sykes had begun, "We are much obliged to you, but——" when in came Fanny once more.
The only way she could keep the conversation going was by asking if they would all stay for tea;[Pg98Below is a short piece of text (5 words or fewer). Modernize it into contemporary English if there's enough context, but do not add or omit any information. If context is insufficient, return it unchanged. Do not add commentary, and do not modify any placeholders. If you see placeholders of the form __A_TAG_PLACEHOLDER_x__, you must keep them exactly as-is so they can be replaced with links. and it was really hard for her to do this polite thing. Mrs. Sykes had started to say, "We really appreciate it, but——" when Fanny walked in again.
"The gentlemen will stay the evening, ma'am," was the message she brought from Mr. Helstone.
"The guys will stay for the evening, ma'am," was the message she brought from Mr. Helstone.
"What gentlemen have you?" now inquired Mrs. Sykes. Their names were specified; she and her daughters interchanged glances. The curates were not to them what they were to Caroline. Mr. Sweeting was quite a favourite with them; even Mr. Malone rather so, because he was a clergyman. "Really, since you have company already, I think we will stay," remarked Mrs. Sykes. "We shall be quite a pleasant little party. I always like to meet the clergy."
"What gentlemen do you have?" Mrs. Sykes asked now. Their names were mentioned, and she and her daughters exchanged glances. The curates didn’t mean the same thing to them as they did to Caroline. Mr. Sweeting was quite a favorite with them; even Mr. Malone was somewhat liked because he was a clergyman. "Honestly, since you already have company, I think we'll stay," Mrs. Sykes commented. "We’ll have quite a nice little gathering. I always enjoy meeting clergymen."
And now Caroline had to usher them upstairs, to help them to unshawl, smooth their hair, and make themselves smart; to reconduct them to the drawing-room, to distribute amongst them books of engravings, or odd things purchased from the Jew-basket. She was obliged to be a purchaser, though she was but a slack contributor; and if she had possessed plenty of money, she would rather, when it was brought to the rectory—an awful incubus!—have purchased the whole stock than contributed a single pin-cushion.
And now Caroline had to guide them upstairs, help them take off their shawls, fix their hair, and get them looking nice; to bring them back to the living room, and give them books of engravings or random things bought from the jewelry box. She had to be a buyer, even though she didn't really contribute much; and if she had a lot of money, she would have preferred, when it was brought to the rectory—what a burden!—to buy everything instead of just contributing a single pin cushion.
It ought perhaps to be explained in passing, for the benefit of those who are not au fait to the mysteries of the "Jew-basket" and "missionary-basket," that these meubles are willow repositories, of the capacity of a good-sized family clothes-basket, dedicated to the purpose of conveying from house to house a monster collection of pin-cushions, needle-books, card-racks, workbags, articles of infant wear, etc., etc., etc., made by the willing or reluctant hands of the Christian ladies of a parish, and sold perforce to the heathenish gentlemen thereof, at prices unblushingly exorbitant. The proceeds of such compulsory sales are applied to the conversion of the Jews, the seeking up of the ten missing tribes, or to the regeneration of the interesting coloured population of the globe. Each lady contributor takes it in her turn to keep the basket a month, to sew for it, and to foist off its contents on a shrinking male public. An exciting time it is when that turn comes round. Some active-minded woman, with a good trading spirit, like it, and enjoy exceedingly the fun of making hard-handed worsted-spinners cash up, to the tune of four or five hundred[Pg 99] per cent. above cost price, for articles quite useless to them; other feebler souls object to it, and would rather see the prince of darkness himself at their door any morning than that phantom basket, brought with "Mrs. Rouse's compliments; and please, ma'am, she says it's your turn now."
It might be helpful to explain briefly for those who aren’t familiar with the "Jew-basket" and "missionary-basket." These baskets are made of willow, about the size of a large family laundry basket, used to transport a huge collection of pin cushions, needle books, card racks, work bags, baby clothes, and so on, created by the willing or reluctant hands of the Christian women in a parish, and sold at unapologetically high prices to the non-Christian men there. The money made from these mandatory sales goes toward converting Jews, tracking down the ten lost tribes, or improving the lives of the diverse global population. Each lady contributor takes a turn keeping the basket for a month, sewing for it, and trying to sell its contents to a reluctant male audience. It’s an exciting time when a woman's turn comes around. Some energetic women, with a knack for business, enjoy the challenge of persuading hard-working men to pay four or five hundred percent more than the cost for items that are completely useless to them. Other more timid women would rather face the devil himself at their door than deal with that phantom basket, delivered with “Mrs. Rouse's compliments; and please, ma'am, she says it's your turn now.”
Miss Helstone's duties of hostess performed, more anxiously than cheerily, she betook herself to the kitchen, to hold a brief privy-council with Fanny and Eliza about the tea.
Miss Helstone finished her duties as hostess, feeling more anxious than happy, and she headed to the kitchen to have a quick chat with Fanny and Eliza about the tea.
"What a lot on 'em!" cried Eliza, who was cook. "And I put off the baking to-day because I thought there would be bread plenty to fit while morning. We shall never have enow."
"What a lot of them!" cried Eliza, who was the cook. "And I postponed the baking today because I thought there would be plenty of bread for breakfast. We’re never going to have enough."
"Are there any tea-cakes?" asked the young mistress.
"Are there any tea cakes?" the young mistress asked.
"Only three and a loaf. I wish these fine folk would stay at home till they're asked; and I want to finish trimming my hat" (bonnet she meant).
"Only three and a half. I wish these nice people would stay home until they're invited; and I want to finish fixing my hat."
"Then," suggested Caroline, to whom the importance of the emergency gave a certain energy, "Fanny must run down to Briarfield and buy some muffins and crumpets and some biscuits. And don't be cross, Eliza; we can't help it now."
"Then," suggested Caroline, feeling the urgency of the situation, "Fanny should go down to Briarfield and get some muffins, crumpets, and biscuits. And don’t be upset, Eliza; there’s nothing we can do about it now."
"And which tea-things are we to have?"
"And what tea stuff are we having?"
"Oh, the best, I suppose. I'll get out the silver service." And she ran upstairs to the plate-closet, and presently brought down teapot, cream-ewer, and sugar-basin.
"Oh, the best, I guess. I'll grab the silver service." And she ran upstairs to the plate cabinet, and soon brought down the teapot, cream pot, and sugar bowl.
"And mun we have th' urn?"
"And when do we have the urn?"
"Yes; and now get it ready as quickly as you can, for the sooner we have tea over the sooner they will go—at least, I hope so. Heigh-ho! I wish they were gone," she sighed, as she returned to the drawing-room. "Still," she thought, as she paused at the door ere opening it, "if Robert would but come even now how bright all would be! How comparatively easy the task of amusing these people if he were present! There would be an interest in hearing him talk (though he never says much in company) and in talking in his presence. There can be no interest in hearing any of them, or in speaking to them. How they will gabble when the curates come in, and how weary I shall grow with listening to them! But I suppose I am a selfish fool. These are very respectable gentlefolks. I ought, no doubt, to be proud of their countenance. I don't say they are not as good as I am—far from it—but they are different from me."
"Yes; and now get it ready as quickly as you can, because the sooner we have tea, the sooner they'll leave—at least, I hope so. Sigh! I wish they were gone," she said as she went back to the living room. "Still," she thought, pausing at the door before opening it, "if only Robert would come now, everything would be so much brighter! It would be way easier to keep these people entertained if he were here! There would be something interesting about hearing him talk (even though he doesn't say much in groups) and about talking in front of him. There's no interest in hearing any of them, or in chatting with them. They'll just chatter when the curates arrive, and I'll get so tired of listening to them! But I guess I’m just being selfish. They are very respectable people. I should probably feel proud to have them around. I’m not saying they aren’t as good as I am—far from it—but they’re just different from me."
[Pg 100]She went in.
She entered.
Yorkshire people in those days took their tea round the table, sitting well into it, with their knees duly introduced under the mahogany. It was essential to have a multitude of plates of bread and butter, varied in sorts and plentiful in quantity. It was thought proper, too, that on the centre plate should stand a glass dish of marmalade. Among the viands was expected to be found a small assortment of cheesecakes and tarts. If there was also a plate of thin slices of pink ham garnished with green parsley, so much the better.
Yorkshire folks back then enjoyed their tea at the table, sitting comfortably with their knees tucked under the mahogany. It was important to have a lot of different plates of bread and butter, both varied and abundant. It was also considered necessary for a glass dish of marmalade to sit on the center plate. People expected to see a small selection of cheesecakes and tarts among the snacks. And if there was a plate of thin slices of pink ham garnished with green parsley, that was even better.
Eliza, the rector's cook, fortunately knew her business as provider. She had been put out of humour a little at first, when the invaders came so unexpectedly in such strength; but it appeared that she regained her cheerfulness with action, for in due time the tea was spread forth in handsome style, and neither ham, tarts, nor marmalade were wanting among its accompaniments.
Eliza, the rector's cook, fortunately knew her stuff when it came to providing. She was a bit put out at first when the invaders showed up unexpectedly in such numbers, but it seemed she perked up with some action, because soon enough the tea was spread out nicely, and there were plenty of ham, tarts, and marmalade to go around.
The curates, summoned to this bounteous repast, entered joyous; but at once, on seeing the ladies, of whose presence they had not been forewarned, they came to a stand in the doorway. Malone headed the party; he stopped short and fell back, almost capsizing Donne, who was behind him. Donne, staggering three paces in retreat, sent little Sweeting into the arms of old Helstone, who brought up the rear. There was some expostulation, some tittering. Malone was desired to mind what he was about, and urged to push forward, which at last he did, though colouring to the top of his peaked forehead a bluish purple. Helstone, advancing, set the shy curates aside, welcomed all his fair guests, shook hands and passed a jest with each, and seated himself snugly between the lovely Harriet and the dashing Hannah. Miss Mary he requested to move to the seat opposite to him, that he might see her if he couldn't be near her. Perfectly easy and gallant, in his way, were his manners always to young ladies, and most popular was he amongst them; yet at heart he neither respected nor liked the sex, and such of them as circumstances had brought into intimate relation with him had ever feared rather than loved him.
The curates, called to this generous feast, entered happily; but as soon as they saw the ladies, who they hadn't been warned would be there, they froze in the doorway. Malone was leading the group; he suddenly stopped and pulled back, nearly causing Donne, who was behind him, to fall. Donne, stumbling back three steps, sent little Sweeting crashing into old Helstone, who was last in line. There was some protest and laughter. Malone was told to watch where he was going and pushed to move forward, which he finally did, turning a bluish-purple shade on his peaked forehead. Helstone, stepping up, moved the shy curates aside, welcomed all his lovely guests, shook hands and joked with each one, and settled comfortably between the beautiful Harriet and the charming Hannah. He asked Miss Mary to move to the seat across from him so he could see her, even if he couldn't sit near her. Always easygoing and charming with young ladies, he was quite popular among them; yet deep down, he neither respected nor liked women, and those who had come to know him closely tended to fear him rather than love him.
The curates were left to shift for themselves. Sweeting, who was the least embarrassed of the three, took refuge beside Mrs. Sykes, who, he knew, was almost as fond of him as if he had been her son. Donne, after making his[Pg 101] general bow with a grace all his own, and saying in a high, pragmatical voice, "How d'ye do, Miss Helstone?" dropped into a seat at Caroline's elbow, to her unmitigated annoyance, for she had a peculiar antipathy to Donne, on account of his stultified and immovable self-conceit and his incurable narrowness of mind. Malone, grinning most unmeaningly, inducted himself into the corresponding seat on the other side. She was thus blessed in a pair of supporters, neither of whom, she knew, would be of any mortal use, whether for keeping up the conversation, handing cups, circulating the muffins, or even lifting the plate from the slop-basin. Little Sweeting, small and boyish as he was, would have been worth twenty of them.
The curates were left to fend for themselves. Sweeting, the least awkward of the three, found a spot next to Mrs. Sykes, who he knew cared for him almost as much as if he were her own son. Donne, after giving his signature bow and saying in a prissy voice, "How do you do, Miss Helstone?" plopped down next to Caroline, much to her annoyance, as she had a strong dislike for Donne due to his ridiculous self-importance and his stubborn narrow-mindedness. Malone, grinning in a way that meant nothing, settled into the seat beside her on the other side. So, she ended up stuck with two companions, neither of whom she knew would be of any help at all—whether it was keeping the conversation going, passing cups, sharing the muffins, or even lifting the plate off the slop basin. Little Sweeting, small and youthful as he was, would have been worth twenty of them.
Malone, though a ceaseless talker when there were only men present, was usually tongue-tied in the presence of ladies. Three phrases, however, he had ready cut and dried, which he never failed to produce:—
Malone, although he would talk non-stop when only men were around, often found himself at a loss for words in front of ladies. However, he had three phrases that he had prepared in advance, which he always managed to bring up:—
1stly. "Have you had a walk to-day, Miss Helstone?"
1stly. "Have you gone for a walk today, Miss Helstone?"
2ndly. "Have you seen your cousin Moore lately?"
2ndly. "Have you seen your cousin Moore recently?"
3rdly. "Does your class at the Sunday school keep up its number?"
3rdly. "Is your Sunday school class still maintaining its size?"
These three questions being put and responded to, between Caroline and Malone reigned silence.
Once these three questions were asked and answered, silence fell between Caroline and Malone.
With Donne it was otherwise; he was troublesome, exasperating. He had a stock of small-talk on hand, at once the most trite and perverse that can well be imagined—abuse of the people of Briarfield; of the natives of Yorkshire generally; complaints of the want of high society; of the backward state of civilization in these districts; murmurings against the disrespectful conduct of the lower orders in the north toward their betters; silly ridicule of the manner of living in these parts—the want of style, the absence of elegance, as if he, Donne, had been accustomed to very great doings indeed, an insinuation which his somewhat underbred manner and aspect failed to bear out. These strictures, he seemed to think, must raise him in the estimation of Miss Helstone or of any other lady who heard him; whereas with her, at least, they brought him to a level below contempt, though sometimes, indeed, they incensed her; for, a Yorkshire girl herself, she hated to hear Yorkshire abused by such a pitiful prater; and when wrought up to a certain pitch, she would turn and say something of which neither the matter nor the manner recommended her to Mr. Donne's good-will. She would[Pg 102] tell him it was no proof of refinement to be ever scolding others for vulgarity, and no sign of a good pastor to be eternally censuring his flock. She would ask him what he had entered the church for, since he complained there were only cottages to visit, and poor people to preach to—whether he had been ordained to the ministry merely to wear soft clothing and sit in king's houses. These questions were considered by all the curates as, to the last degree, audacious and impious.
With Donne, it was different; he was annoying and frustrating. He had a stash of small talk that was both cliché and ridiculous, filled with criticisms of the people of Briarfield, the people of Yorkshire in general, complaints about the lack of high society, the underdeveloped state of civilization in these areas, grumbling about the disrespectful behavior of the lower classes in the North toward their betters, and silly mockery of the way people lived around here—the lack of style, the absence of elegance, as if he, Donne, had been used to a life of great sophistication, which his somewhat uncouth manner and appearance did not support. He seemed to believe that these comments would elevate his status in the eyes of Miss Helstone or any other woman who heard him; however, with her, at least, they brought him down to a level of absolute contempt, though sometimes they did infuriate her. As a Yorkshire girl herself, she hated hearing Yorkshire insulted by such a pathetic blabbermouth, and when pushed to a certain point, she would turn and say something that neither the content nor the delivery would endear her to Mr. Donne. She would tell him it was no sign of refinement to constantly criticize others for being common, and it was not a good shepherd's approach to always rebuke his flock. She would ask him why he had become a pastor if he complained that there were only cottages to visit and poor people to preach to—if he was ordained just to wear nice clothes and sit in kings' houses. All of the curates considered these questions to be extremely bold and blasphemous.
Tea was a long time in progress; all the guests gabbled as their hostess had expected they would. Mr. Helstone, being in excellent spirits—when, indeed, was he ever otherwise in society, attractive female society? it being only with the one lady of his own family that he maintained a grim taciturnity—kept up a brilliant flow of easy prattle with his right-hand and left-hand neighbours, and even with his vis-à-vis, Miss Mary; though, as Mary was the most sensible, the least coquettish, of the three, to her the elderly widower was the least attentive. At heart he could not abide sense in women. He liked to see them as silly, as light-headed, as vain, as open to ridicule as possible, because they were then in reality what he held them to be, and wished them to be—inferior, toys to play with, to amuse a vacant hour, and to be thrown away.
Tea had taken a while to prepare, and as expected, all the guests chatted away. Mr. Helstone, in great spirits—when was he ever anything else in the company of attractive women? It was only with the one woman in his family that he kept a grim silence—continued a lively conversation with the people on either side of him, and even with his opposite, Miss Mary; though, since Mary was the most sensible and the least flirtatious of the three, the older widower paid her the least attention. Deep down, he couldn’t stand sense in women. He preferred them to be silly, flighty, vain, and easily mockable, because then they were truly what he believed them to be and wanted them to be—inferior, playthings to pass the time, and to be discarded.
Hannah was his favourite. Harriet, though beautiful, egotistical, and self-satisfied, was not quite weak enough for him. She had some genuine self-respect amidst much false pride, and if she did not talk like an oracle, neither would she babble like one crazy; she would not permit herself to be treated quite as a doll, a child, a plaything; she expected to be bent to like a queen.
Hannah was his favorite. Harriet, despite being beautiful, self-centered, and full of herself, wasn’t quite submissive enough for him. She had some real self-respect beneath all her fake pride, and while she didn’t speak with wisdom, she also wouldn’t chatter nonsensically; she wouldn’t allow herself to be treated like a doll, a child, or a toy; she expected to be treated like a queen.
Hannah, on the contrary, demanded no respect, only flattery. If her admirers only told her that she was an angel, she would let them treat her like an idiot. So very credulous and frivolous was she, so very silly did she become when besieged with attention, flattered and admired to the proper degree, that there were moments when Helstone actually felt tempted to commit matrimony a second time, and to try the experiment of taking her for his second helpmeet; but fortunately the salutary recollection of the ennuis of his first marriage, the impression still left on him of the weight of the millstone he had once worn round his neck, the fixity of his feelings respecting the insufferable evils of conjugal existence, operated as a check to his[Pg 103] tenderness, suppressed the sigh heaving his old iron lungs, and restrained him from whispering to Hannah proposals it would have been high fun and great satisfaction to her to hear.
Hannah, on the other hand, didn’t ask for respect; she only wanted flattery. If her admirers simply told her she was perfect, she would let them treat her like a fool. She was so gullible and frivolous, becoming quite silly when showered with attention, flattery, and admiration that there were times when Helstone actually considered marrying again and experimenting with making her his second wife. But thankfully, the helpful memory of the boredom from his first marriage, the lingering feeling of the weight of the burden he once carried, and his firm beliefs about the unbearable downsides of married life kept him from giving in to his[Pg103Please provide the text you would like me to modernize. feelings, stifled the sigh escaping his old iron lungs, and stopped him from whispering to Hannah the proposals that would have been a great delight and satisfaction for her to hear.
It is probable she would have married him if he had asked her; her parents would have quite approved the match. To them his fifty-five years, his bend-leather heart, could have presented no obstacles; and as he was a rector, held an excellent living, occupied a good house, and was supposed even to have private property (though in that the world was mistaken; every penny of the £5,000 inherited by him from his father had been devoted to the building and endowing of a new church at his native village in Lancashire—for he could show a lordly munificence when he pleased, and if the end was to his liking, never hesitated about making a grand sacrifice to attain it)—her parents, I say, would have delivered Hannah over to his lovingkindness and his tender mercies without one scruple; and the second Mrs. Helstone, inverting the natural order of insect existence, would have fluttered through the honeymoon a bright, admired butterfly, and crawled the rest of her days a sordid, trampled worm.
She probably would have married him if he had asked; her parents would have fully approved of the match. To them, his fifty-five years and his worn-out heart wouldn't have been an issue; and since he was a rector with a good position, lived in a nice house, and was even thought to have some property (though the world was wrong about that; every penny of the £5,000 he inherited from his father went into building and endowing a new church in his hometown in Lancashire—he could be impressively generous when he wanted, and if the outcome suited him, he never hesitated to make a big sacrifice to achieve it)—her parents, I say, would have turned Hannah over to his loving kindness and gentle care without a second thought; and the second Mrs. Helstone, flipping the natural order of insects, would have fluttered through the honeymoon as a bright, admired butterfly, only to spend the rest of her days as a worn-out, trampled worm.
Little Mr. Sweeting, seated between Mrs. Sykes and Miss Mary, both of whom were very kind to him, and having a dish of tarts before him, and marmalade and crumpet upon his plate, looked and felt more content than any monarch. He was fond of all the Misses Sykes; they were all fond of him. He thought them magnificent girls, quite proper to mate with one of his inches. If he had a cause of regret at this blissful moment, it was that Miss Dora happened to be absent—Dora being the one whom he secretly hoped one day to call Mrs. David Sweeting, with whom he dreamt of taking stately walks, leading her like an empress through the village of Nunnely; and an empress she would have been, if size could make an empress. She was vast, ponderous. Seen from behind, she had the air of a very stout lady of forty; but withal she possessed a good face, and no unkindly character.
Little Mr. Sweeting, sitting between Mrs. Sykes and Miss Mary, who were both very nice to him, with a plate of tarts in front of him and marmalade and a crumpet on his plate, looked and felt more content than any king. He was fond of all the Misses Sykes, and they all liked him too. He thought they were amazing girls, just right to match with someone like him. If he had any reason to feel regret at this happy moment, it was that Miss Dora was absent—Dora being the one he secretly hoped to someday call Mrs. David Sweeting, with whom he imagined taking grand walks, leading her like a queen through the village of Nunnely; and a queen she would have been, if size could define royalty. She was large and heavy. From behind, she looked like a very stout lady in her forties; but she also had a nice face and a kind personality.
The meal at last drew to a close. It would have been over long ago if Mr. Donne had not persisted in sitting with his cup half full of cold tea before him, long after the rest had finished and after he himself had discussed such allowance of viands as he felt competent to swallow—long, indeed, after signs of impatience had been manifested all[Pg 104] round the board, till chairs were pushed back, till the talk flagged, till silence fell. Vainly did Caroline inquire repeatedly if he would have another cup, if he would take a little hot tea, as that must be cold, etc.; he would neither drink it nor leave it. He seemed to think that this isolated position of his gave him somehow a certain importance, that it was dignified and stately to be the last, that it was grand to keep all the others waiting. So long did he linger, that the very urn died; it ceased to hiss. At length, however, the old rector himself, who had hitherto been too pleasantly engaged with Hannah to care for the delay, got impatient.
The meal finally came to an end. It would have been over much earlier if Mr. Donne hadn’t insisted on sitting with his cup half full of cold tea in front of him, long after everyone else had finished and after he had eaten what he felt he could manage—long after signs of impatience had shown all around the table, until chairs were pushed back, conversation slowed, and silence fell. Despite Caroline's repeated inquiries about whether he wanted another cup or a little hot tea since his must be cold, he neither drank nor left it. He seemed to believe that his isolated position somehow gave him a sense of importance, that it was dignified and grand to be the last one, to keep everyone else waiting. He lingered so long that the urn itself stopped hissing. Eventually, the old rector, who had been too happily engaged with Hannah to care about the delay, became impatient.
"For whom are we waiting?" he asked.
"For who are we waiting?" he asked.
"For me, I believe," returned Donne complacently, appearing to think it much to his credit that a party should thus be kept dependent on his movements.
"For me, I believe," Donne replied smugly, seeming to take great pride in the fact that a group should rely on his actions.
"Tut!" cried Helstone. Then standing up, "Let us return thanks," said he; which he did forthwith, and all quitted the table. Donne, nothing abashed, still sat ten minutes quite alone, whereupon Mr. Helstone rang the bell for the things to be removed. The curate at length saw himself forced to empty his cup, and to relinquish the rôle which, he thought, had given him such a felicitous distinction, drawing upon him such flattering general notice.
"Tut!" Helstone exclaimed. Then standing up, he said, "Let's give thanks," and he did just that before everyone left the table. Donne, completely unbothered, sat alone for another ten minutes, at which point Mr. Helstone rang the bell to have the dishes cleared. Eventually, the curate realized he had to finish his drink and give up the role he thought had brought him such pleasant attention and flattering notice from everyone.
And now, in the natural course of events (Caroline, knowing how it would be, had opened the piano, and produced music-books in readiness), music was asked for. This was Mr. Sweeting's chance for showing off. He was eager to commence. He undertook, therefore, the arduous task of persuading the young ladies to favour the company with an air—a song. Con amore he went through the whole business of begging, praying, resisting excuses, explaining away difficulties, and at last succeeded in persuading Miss Harriet to allow herself to be led to the instrument. Then out came the pieces of his flute (he always carried them in his pocket, as unfailingly as he carried his handkerchief). They were screwed and arranged, Malone and Donne meanwhile herding together and sneering at him, which the little man, glancing over his shoulder, saw, but did not heed at all. He was persuaded their sarcasm all arose from envy. They could not accompany the ladies as he could; he was about to enjoy a triumph over them.
And now, as things naturally unfolded (Caroline, knowing how it would go, had opened the piano and gotten the music books ready), music was requested. This was Mr. Sweeting's chance to show off. He was eager to start. So, he took on the tough task of convincing the young ladies to entertain everyone with a tune—a song. Con amore, he went through the whole process of begging, pleading, brushing off excuses, explaining away obstacles, and finally managed to persuade Miss Harriet to let herself be led to the piano. Then he pulled out the pieces of his flute (he always carried them in his pocket, just like his handkerchief). They were put together, while Malone and Donne clustered together and mocked him, which the little man noticed over his shoulder but completely ignored. He was convinced their sarcasm stemmed only from jealousy. They couldn't accompany the ladies like he could; he was about to have a victory over them.
The triumph began. Malone, much chagrined at hearing him pipe up in most superior style, determined to earn[Pg 105] distinction too, if possible, and all at once assuming the character of a swain (which character he had endeavoured to enact once or twice before, but in which he had not hitherto met with the success he doubtless opined his merits deserved), approached a sofa on which Miss Helstone was seated, and depositing his great Irish frame near her, tried his hand (or rather tongue) at a fine speech or two, accompanied by grins the most extraordinary and incomprehensible. In the course of his efforts to render himself agreeable, he contrived to possess himself of the two long sofa cushions and a square one; with which, after rolling them about for some time with strange gestures, he managed to erect a sort of barrier between himself and the object of his attentions. Caroline, quite willing that they should be sundered, soon devised an excuse for stepping over to the opposite side of the room, and taking up a position beside Mrs. Sykes, of which good lady she entreated some instruction in a new stitch in ornamental knitting, a favour readily granted; and thus Peter Augustus was thrown out.
The celebration began. Malone, feeling embarrassed by how confidently he spoke, decided he wanted to stand out too, if he could. Suddenly adopting the role of a young man trying to impress (a role he had attempted a couple of times before but had never had the success he thought he deserved), he approached a sofa where Miss Helstone was sitting. He plopped his big Irish frame down next to her and attempted to deliver a few charming lines, accompanied by the most bizarre and confusing grins. In his attempts to make himself likable, he managed to grab two long sofa cushions and a square one; after rolling them around for a while with some strange movements, he created a sort of barrier between himself and the focus of his affections. Caroline, more than happy to have some space between them, quickly found a reason to move to the other side of the room, where she settled next to Mrs. Sykes. She asked the kind lady to teach her a new stitch in decorative knitting, a request that was gladly accepted; and so, Peter Augustus was left out.
Very sullenly did his countenance lower when he saw himself abandoned—left entirely to his own resources, on a large sofa, with the charge of three small cushions on his hands. The fact was, he felt disposed seriously to cultivate acquaintance with Miss Helstone, because he thought, in common with others, that her uncle possessed money, and concluded that, since he had no children, he would probably leave it to his niece. Gérard Moore was better instructed on this point: he had seen the neat church that owed its origin to the rector's zeal and cash, and more than once, in his inmost soul, had cursed an expensive caprice which crossed his wishes.
His face fell seriously when he found himself abandoned—completely left to his own devices, lounging on a large sofa, with the responsibility of three small cushions resting on him. The truth was, he was genuinely interested in getting to know Miss Helstone better because he, like everyone else, believed her uncle had money and figured that, since he had no children, he would likely leave it to his niece. Gérard Moore knew better about this: he had seen the tidy church that was built thanks to the rector’s hard work and funds, and more than once, deep down, he had cursed an expensive whim that interfered with his plans.
The evening seemed long to one person in that room. Caroline at intervals dropped her knitting on her lap, and gave herself up to a sort of brain-lethargy—closing her eyes and depressing her head—caused by what seemed to her the unmeaning hum around her,—the inharmonious, tasteless rattle of the piano keys, the squeaking and gasping notes of the flute, the laughter and mirth of her uncle, and Hannah, and Mary, she could not tell whence originating, for she heard nothing comic or gleeful in their discourse; and more than all, by the interminable gossip of Mrs. Sykes murmured close at her ear, gossip which rang the changes on four subjects—her own health and that of the various[Pg 106] members of her family; the missionary and Jew baskets and their contents; the late meeting at Nunnely, and one which was expected to come off next week at Whinbury.
The evening felt long for one person in that room. Caroline occasionally dropped her knitting in her lap and let herself slip into a kind of mental haze—closing her eyes and tilting her head down—caused by what she perceived as the pointless buzz around her—the jarring, tasteless clatter of the piano keys, the squeaking and gasping sounds of the flute, and the laughter and chatter of her uncle, Hannah, and Mary, which she couldn’t quite place, as she found nothing funny or cheerful in their conversation; and more than anything, by the endless gossip from Mrs. Sykes murmured right next to her ear, gossip that revolved around four topics—her own health and that of various[Pg106I'm ready to assist. Please provide the text you would like me to modernize. family members; the missionary and Jew baskets and what was in them; the recent meeting at Nunnely, and one expected to happen next week at Whinbury.
Tired at length to exhaustion, she embraced the opportunity of Mr. Sweeting coming up to speak to Mrs. Sykes to slip quietly out of the apartment, and seek a moment's respite in solitude. She repaired to the dining-room, where the clear but now low remnant of a fire still burned in the grate. The place was empty and quiet, glasses and decanters were cleared from the table, the chairs were put back in their places, all was orderly. Caroline sank into her uncle's large easy-chair, half shut her eyes, and rested herself—rested at least her limbs, her senses, her hearing, her vision—weary with listening to nothing, and gazing on vacancy. As to her mind, that flew directly to the Hollow. It stood on the threshold of the parlour there, then it passed to the counting-house, and wondered which spot was blessed by the presence of Robert. It so happened that neither locality had that honour; for Robert was half a mile away from both, and much nearer to Caroline than her deadened spirit suspected. He was at this moment crossing the churchyard, approaching the rectory garden-gate—not, however, coming to see his cousin, but intent solely on communicating a brief piece of intelligence to the rector.
Exhausted and tired, she took the chance of Mr. Sweeting talking to Mrs. Sykes to quietly slip out of the room and find a moment of peace alone. She went to the dining room, where the faint remains of a fire still burned in the grate. The room was empty and quiet; the glasses and decanters had been cleared from the table, the chairs were neatly arranged, everything was tidy. Caroline sank into her uncle's large armchair, half-closed her eyes, and rested—at least her limbs, senses, hearing, and vision—wearied from listening to nothing and staring into emptiness. As for her mind, it went straight to the Hollow. It lingered at the threshold of the parlor, then moved to the counting house, wondering which place was lucky enough to have Robert there. As it turned out, neither location was; Robert was half a mile away from both, and much closer to Caroline than her tired spirit realized. At that moment, he was crossing the churchyard, heading toward the rectory garden gate—not to see his cousin, but solely to pass on a brief piece of news to the rector.
Yes, Caroline; you hear the wire of the bell vibrate; it rings again for the fifth time this afternoon. You start, and you are certain now that this must be he of whom you dream. Why you are so certain you cannot explain to yourself, but you know it. You lean forward, listening eagerly as Fanny opens the door. Right! That is the voice—low, with the slight foreign accent, but so sweet, as you fancy. You half rise. "Fanny will tell him Mr. Helstone is with company, and then he will go away." Oh! she cannot let him go. In spite of herself, in spite of her reason, she walks half across the room; she stands ready to dart out in case the step should retreat; but he enters the passage. "Since your master is engaged," he says, "just show me into the dining-room. Bring me pen and ink. I will write a short note and leave it for him."
Yes, Caroline; you hear the bell ringing; it sounds again for the fifth time this afternoon. You jump, and you're now sure that this must be the person you've been dreaming about. You can't explain why you're so sure, but you just know it. You lean in, listening eagerly as Fanny opens the door. Right! That's the voice—soft, with a slight foreign accent, but so sweet, as you imagine. You stand up a bit. "Fanny will tell him Mr. Helstone has company, and then he’ll leave." Oh! She can't let him go. Despite herself, despite her reasoning, she walks halfway across the room; she stands ready to rush out in case he tries to leave; but he steps into the hallway. "Since your master is busy," he says, "just show me to the dining room. Bring me pen and ink. I’ll write a quick note and leave it for him."
Now, having caught these words, and hearing him advance, Caroline, if there was a door within the dining-room, would glide through it and disappear. She feels caught, hemmed in; she dreads her unexpected presence[Pg 107] may annoy him. A second since she would have flown to him; that second past, she would flee from him. She cannot. There is no way of escape. The dining-room has but one door, through which now enters her cousin. The look of troubled surprise she expected to see in his face has appeared there, has shocked her, and is gone. She has stammered a sort of apology:—
Now, having caught those words and hearing him come closer, Caroline wishes there was a door in the dining room so she could sneak through it and disappear. She feels trapped and anxious; she worries that her unexpected presence[Pg107I'm sorry, but there doesn't seem to be any text provided for me to modernize. Please provide a short phrase, and I'll be happy to help! might annoy him. Just a moment ago, she would have rushed toward him; now that moment has passed, and she wants to run away from him. But she can’t. There’s no way out. The dining room has only one door, and through it her cousin now enters. The expression of mixed surprise she expected to see on his face has shown up, shocked her, and then disappeared. She has stammered out a sort of apology:—
"I only left the drawing-room a minute for a little quiet."
"I only stepped out of the living room for a minute to have some quiet time."
There was something so diffident and downcast in the air and tone with which she said this, any one might perceive that some saddening change had lately passed over her prospects, and that the faculty of cheerful self-possession had left her. Mr. Moore, probably, remembered how she had formerly been accustomed to meet him with gentle ardour and hopeful confidence. He must have seen how the check of this morning had operated. Here was an opportunity for carrying out his new system with effect, if he chose to improve it. Perhaps he found it easier to practise that system in broad daylight, in his mill-yard, amidst busy occupations, than in a quiet parlour, disengaged, at the hour of eventide. Fanny lit the candles, which before had stood unlit on the table, brought writing materials, and left the room. Caroline was about to follow her. Moore, to act consistently, should have let her go; whereas he stood in the doorway, and, holding out his hand, gently kept her back. He did not ask her to stay, but he would not let her go.
There was something so uncertain and gloomy in the way she said this that anyone could tell something sad had recently changed in her outlook, and that her ability to stay cheerful had vanished. Mr. Moore probably recalled how she used to greet him with warmth and hopeful confidence. He must have noticed the impact of the setback that morning. This was a chance for him to effectively apply his new approach if he wanted to take advantage of it. Maybe he found it easier to practice that approach in the bright light of day, in his mill yard, surrounded by activity, rather than in a quiet room, free from distractions, at evening time. Fanny lit the candles that had been unlit on the table, brought out writing supplies, and left the room. Caroline was about to follow her. Moore, being consistent, should have let her go; instead, he stood in the doorway, holding out his hand to gently keep her back. He didn’t ask her to stay, but he wouldn’t let her leave.
"Shall I tell my uncle you are here?" asked she, still in the same subdued voice.
"Should I let my uncle know you’re here?" she asked, still in the same quiet tone.
"No; I can say to you all I had to say to him. You will be my messenger?"
"No; I can tell you everything I told him. Will you be my messenger?"
"Yes, Robert."
"Yep, Robert."
"Then you may just inform him that I have got a clue to the identity of one, at least, of the men who broke my frames; that he belongs to the same gang who attacked Sykes and Pearson's dressing-shop, and that I hope to have him in custody to-morrow. You can remember that?"
"Then you can just let him know that I've got a lead on at least one of the guys who smashed my frames; he’s part of the same gang that hit Sykes and Pearson's shop, and I plan to have him in custody tomorrow. Can you remember that?"
"Oh yes!" These two monosyllables were uttered in a sadder tone than ever; and as she said them she shook her head slightly and sighed. "Will you prosecute him?"
"Oh yes!" These two words were spoken in a sadder tone than ever, and as she said them, she shook her head slightly and sighed. "Will you go after him?"
"Doubtless."
"Definitely."
"No, Robert."
"No way, Robert."
[Pg 108]"And why no, Caroline?"
"And why not, Caroline?"
"Because it will set all the neighbourhood against you more than ever."
"Because it will turn the entire neighborhood against you more than ever."
"That is no reason why I should not do my duty, and defend my property. This fellow is a great scoundrel, and ought to be incapacitated from perpetrating further mischief."
"That doesn’t mean I shouldn't do my duty and protect my property. This guy is a real scoundrel and needs to be stopped from causing more trouble."
"But his accomplices will take revenge on you. You do not know how the people of this country bear malice. It is the boast of some of them that they can keep a stone in their pocket seven years, turn it at the end of that time, keep it seven years longer, and hurl it and hit their mark 'at last.'"
"But his accomplices will seek revenge on you. You have no idea how the people in this country hold grudges. Some of them brag that they can keep a stone in their pocket for seven years, turn it at the end of that time, hold onto it for another seven years, and then throw it to hit their target 'at last.'"
Moore laughed.
Moore chuckled.
"A most pithy vaunt," said he—"one that redounds vastly to the credit of your dear Yorkshire friends. But don't fear for me, Lina. I am on my guard against these lamb-like compatriots of yours. Don't make yourself uneasy about me."
"A pretty bold claim," he said, "one that really reflects well on your beloved friends from Yorkshire. But don’t worry about me, Lina. I’m keeping my distance from these innocent-looking pals of yours. You don’t need to stress about me."
"How can I help it? You are my cousin. If anything happened——" She stopped.
"How can I help it? You're my cousin. If anything happened——" She stopped.
"Nothing will happen, Lina. To speak in your own language, there is a Providence above all—is there not?"
"Nothing is going to happen, Lina. To put it in your own words, there’s a higher power out there—right?"
"Yes, dear Robert. May He guard you!"
"Yes, dear Robert. May He watch over you!"
"And if prayers have efficacy, yours will benefit me. You pray for me sometimes?"
"And if prayers have power, yours will help me. Do you pray for me sometimes?"
"Not sometimes, Robert. You, and Louis, and Hortense are always remembered."
"Not sometimes, Robert. You, Louis, and Hortense are always remembered."
"So I have often imagined. It has occurred to me when, weary and vexed, I have myself gone to bed like a heathen, that another had asked forgiveness for my day, and safety for my night. I don't suppose such vicarial piety will avail much, but the petitions come out of a sincere breast, from innocent lips. They should be acceptable as Abel's offering; and doubtless would be, if the object deserved them."
"So I have often thought. It has crossed my mind when, tired and frustrated, I have gone to bed like a pagan, that someone else prayed for me to be forgiven for my day and to be safe through the night. I don't think such compassionate prayers will do much, but they come from a sincere heart, from innocent lips. They should be as acceptable as Abel's offering; and surely would be, if the recipient deserved them."
"Annihilate that doubt. It is groundless."
"Get rid of that doubt. It's unfounded."
"When a man has been brought up only to make money, and lives to make it, and for nothing else, and scarcely breathes any other air than that of mills and markets, it seems odd to utter his name in a prayer, or to mix his idea with anything divine; and very strange it seems that a good, pure heart should take him in and harbour him, as if he had any claim to that sort of nest. If I could guide[Pg 109] that benignant heart, I believe I should counsel it to exclude one who does not profess to have any higher aim in life than that of patching up his broken fortune, and wiping clean from his bourgeois scutcheon the foul stain of bankruptcy."
"When a man is raised only to make money, lives for that purpose, and hardly experiences anything outside of working in factories and trading, it feels odd to mention his name in a prayer or to associate him with anything sacred. It seems very strange that a good, pure heart would accept and shelter him, as if he has any right to that kind of refuge. If I could guide[Pg109] that kind-hearted person, I would suggest excluding someone whose only goal in life is to restore his damaged finances and erase the disgrace of bankruptcy from his middle-class reputation."
The hint, though conveyed thus tenderly and modestly (as Caroline thought), was felt keenly and comprehended clearly.
The hint, although delivered so gently and humbly (as Caroline thought), was intensely felt and clearly understood.
"Indeed, I only think—or I will only think—of you as my cousin," was the quick answer. "I am beginning to understand things better than I did, Robert, when you first came to England—better than I did a week, a day ago. I know it is your duty to try to get on, and that it won't do for you to be romantic; but in future you must not misunderstand me if I seem friendly. You misunderstood me this morning, did you not?"
"Honestly, I only think—or I will only think—of you as my cousin," was the quick reply. "I'm starting to understand things better than I did, Robert, when you first came to England—better than I did a week ago, or even a day ago. I know it's your responsibility to make progress, and that being romantic won't help you; but from now on, you shouldn't take it the wrong way if I seem friendly. You misunderstood me this morning, didn't you?"
"What made you think so?"
"What made you think that?"
"Your look—your manner."
"Your style—your attitude."
"But look at me now——"
"But check me out now——"
"Oh! you are different now. At present I dare speak to you."
"Oh! You're different now. Right now I can actually talk to you."
"Yet I am the same, except that I have left the tradesman behind me in the Hollow. Your kinsman alone stands before you."
"Yet I am the same person, except that I have left the tradesman behind in the Hollow. Your relative is the only one standing before you."
"My cousin Robert—not Mr. Moore."
"My cousin Robert—not Mr. Moore."
"Not a bit of Mr. Moore. Caroline——"
"Not at all, Mr. Moore. Caroline——"
Here the company was heard rising in the other room. The door was opened; the pony-carriage was ordered; shawls and bonnets were demanded; Mr. Helstone called for his niece.
Here the voices of the group could be heard coming from the other room. The door was opened; the pony carriage was requested; shawls and hats were asked for; Mr. Helstone called for his niece.
"I must go, Robert."
"I have to go, Robert."
"Yes, you must go, or they will come in and find us here; and I, rather than meet all that host in the passage, will take my departure through the window. Luckily it opens like a door. One minute only—put down the candle an instant—good-night. I kiss you because we are cousins, and, being cousins, one—two—three kisses are allowable. Caroline, good-night."[Pg 110]
"Yes, you have to leave, or they'll come in and find us here; and I'd rather face the risks of escaping through the window than encounter all those people in the corridor. Fortunately, it opens like a door. Just give me one minute—put the candle down for a second—goodnight. I'm kissing you because we're cousins, and since we are cousins, one—two—three kisses are okay. Caroline, goodnight." [Pg110I'm ready to assist you. Please provide the text you'd like me to modernize.
CHAPTER VIII.
NOAH AND MOSES.
The next day Moore had risen before the sun, and had taken a ride to Whinbury and back ere his sister had made the café au lait or cut the tartines for his breakfast. What business he transacted there he kept to himself. Hortense asked no questions: it was not her wont to comment on his movements, nor his to render an account of them. The secrets of business—complicated and often dismal mysteries—were buried in his breast, and never came out of their sepulchre save now and then to scare Joe Scott, or give a start to some foreign correspondent. Indeed, a general habit of reserve on whatever was important seemed bred in his mercantile blood.
The next day, Moore got up before dawn and took a ride to Whinbury and back before his sister had made the café au lait or cut the toast for his breakfast. He kept whatever business he conducted there to himself. Hortense didn’t ask any questions; she typically didn’t comment on his activities, nor did he feel the need to explain them. The secrets of business—complex and often grim mysteries—were kept buried inside him, only occasionally surfacing to startle Joe Scott or surprise some foreign correspondent. In fact, a general tendency to keep important matters private seemed to be ingrained in his business instincts.
Breakfast over, he went to his counting-house. Henry, Joe Scott's boy, brought in the letters and the daily papers; Moore seated himself at his desk, broke the seals of the documents, and glanced them over. They were all short, but not, it seemed, sweet—probably rather sour, on the contrary, for as Moore laid down the last, his nostrils emitted a derisive and defiant snuff, and though he burst into no soliloquy, there was a glance in his eye which seemed to invoke the devil, and lay charges on him to sweep the whole concern to Gehenna. However, having chosen a pen and stripped away the feathered top in a brief spasm of finger-fury (only finger-fury—his face was placid), he dashed off a batch of answers, sealed them, and then went out and walked through the mill. On coming back he sat down to read his newspaper.
Breakfast done, he headed to his office. Henry, Joe Scott's kid, brought in the letters and the daily papers. Moore sat at his desk, broke the seals on the documents, and skimmed through them. They were all brief, but it didn't seem like they carried good news—probably bad, actually, because as Moore set down the last one, he made a mocking snuff through his nose. Though he didn’t talk to himself, there was a look in his eye that seemed to challenge fate and call for a reckoning that would send everything straight to hell. Anyway, after picking a pen and quickly tearing off the feathered tip in a moment of finger rage (only finger rage—his face stayed calm), he quickly wrote up a bunch of replies, sealed them, and then went out for a walk through the mill. When he came back, he sat down to read his newspaper.
The contents seemed not absorbingly interesting; he more than once laid it across his knee, folded his arms, and gazed into the fire; he occasionally turned his head towards the window; he looked at intervals at his watch; in short, his mind appeared preoccupied. Perhaps he was thinking of the beauty of the weather—for it was a fine and mild morning for the season—and wishing to be out[Pg 111] in the fields enjoying it. The door of his counting-house stood wide open. The breeze and sunshine entered freely; but the first visitant brought no spring perfume on its wings, only an occasional sulphur-puff from the soot-thick column of smoke rushing sable from the gaunt mill-chimney.
The contents didn’t seem very interesting; he more than once tossed it onto his lap, crossed his arms, and stared into the fire. He occasionally glanced at the window and checked his watch now and then; in short, he seemed distracted. Maybe he was thinking about how nice the weather was—because it was a lovely and mild morning for the season—and wishing he could be outside in the fields enjoying it. The door of his office was wide open. The breeze and sunlight flowed in easily; but the first visitor brought no fresh spring scent with it, just an occasional puff of sulfur from the thick column of smoke billowing from the old mill chimney.
A dark-blue apparition (that of Joe Scott, fresh from a dyeing vat) appeared momentarily at the open door, uttered the words "He's comed, sir," and vanished.
A dark-blue ghost (that of Joe Scott, just out of a dyeing vat) showed up for a moment at the open door, said, "He's come, sir," and then disappeared.
Mr. Moore raised not his eyes from the paper. A large man, broad-shouldered and massive-limbed, clad in fustian garments and gray worsted stockings, entered, who was received with a nod, and desired to take a seat, which he did, making the remark, as he removed his hat (a very bad one), stowed it away under his chair, and wiped his forehead with a spotted cotton handkerchief extracted from the hat-crown, that it was "raight dahn warm for Febewerry." Mr. Moore assented—at least he uttered some slight sound, which, though inarticulate, might pass for an assent. The visitor now carefully deposited in the corner beside him an official-looking staff which he bore in his hand; this done, he whistled, probably by way of appearing at his ease.
Mr. Moore didn’t lift his eyes from the paper. A large man, broad-shouldered and built like a brick house, dressed in thick clothes and gray wool stockings, walked in. He was greeted with a nod and asked to take a seat, which he did, commenting as he took off his very shabby hat and tucked it away under his chair that it was "really warm for February." Mr. Moore agreed—at least he made some faint sound that, while not clear, could be taken as agreement. The visitor then carefully set down an official-looking staff he had in his hand in the corner beside him; after that, he whistled, probably to seem relaxed.
"You have what is necessary, I suppose?" said Mr. Moore.
"You have what you need, right?" said Mr. Moore.
"Ay, ay! all's right."
"Yeah, yeah! everything's good."
He renewed his whistling, Mr. Moore his reading. The paper apparently had become more interesting. Presently, however, he turned to his cupboard, which was within reach of his long arm, opened it without rising, took out a black bottle—the same he had produced for Malone's benefit—a tumbler, and a jug, placed them on the table, and said to his guest,—
He started whistling again, while Mr. Moore focused on his reading. The newspaper seemed to have gotten more interesting. Soon, though, he reached for his cupboard, which was just an arm's length away, opened it without standing up, took out a black bottle—the same one he had gotten for Malone—a glass, and a jug, set them on the table, and said to his guest,—
"Help yourself; there's water in that jar in the corner."
"Help yourself; there's water in that jar over there in the corner."
"I dunnut knaw that there's mich need, for all a body is dry (thirsty) in a morning," said the fustian gentleman, rising and doing as requested.
"I don’t know that there’s much need, since everybody is dry (thirsty) in the morning," said the pretentious gentleman, standing up and doing as he was asked.
"Will you tak naught yourseln, Mr. Moore?" he inquired, as with skilled hand he mixed a portion, and having tested it by a deep draught, sank back satisfied and bland in his seat. Moore, chary of words, replied by a negative movement and murmur.
"Are you going to have any yourself, Mr. Moore?" he asked, as he expertly mixed a drink, took a deep sip to test it, and leaned back in his seat, looking satisfied and relaxed. Moore, not one for many words, responded with a shake of his head and a quiet murmur.
"Yah'd as good," continued his visitor; "it 'uld set ye up wald a sup o' this stuff. Uncommon good hollands. Ye get it fro' furrin parts, I'se think?"
"You're better off," continued his visitor; "it would lift your spirits with a drink of this stuff. Unbelievably good Hollands. I suppose you get it from foreign parts, right?"
[Pg 112]"Ay!"
"Hey!"
"Tak my advice and try a glass on't. Them lads 'at's coming 'll keep ye talking, nob'dy knows how long. Ye'll need propping."
"Take my advice and try a glass of it. Those guys coming will keep you talking for who knows how long. You'll need something to lean on."
"Have you seen Mr. Sykes this morning?" inquired Moore.
"Have you seen Mr. Sykes this morning?" Moore asked.
"I seed him a hauf an hour—nay, happen a quarter of an hour sin', just afore I set off. He said he aimed to come here, and I sudn't wonder but ye'll have old Helstone too. I seed 'em saddling his little nag as I passed at back o' t' rectory."
"I saw him about half an hour ago—no, maybe a quarter of an hour, just before I left. He said he planned to come here, and I wouldn't be surprised if you see old Helstone as well. I saw them saddling his little horse as I walked behind the rectory."
The speaker was a true prophet, for the trot of a little nag's hoofs was, five minutes after, heard in the yard. It stopped, and a well-known nasal voice cried aloud, "Boy" (probably addressing Harry Scott, who usually hung about the premises from 9 a.m. to 5 p.m.), "take my horse and lead him into the stable."
The speaker was a genuine prophet, because just five minutes later, the sound of a little horse's hooves was heard in the yard. It stopped, and a familiar nasal voice called out, "Hey, kid" (probably talking to Harry Scott, who usually hung around the place from 9 a.m. to 5 p.m.), "take my horse and lead him into the stable."
Helstone came in marching nimbly and erect, looking browner, keener, and livelier than usual.
Helstone came in, marching confidently and upright, looking browner, sharper, and more energetic than usual.
"Beautiful morning, Moore. How do, my boy? Ha! whom have we here?" (turning to the personage with the staff). "Sugden! What! you're going to work directly? On my word, you lose no time. But I come to ask explanations. Your message was delivered to me. Are you sure you are on the right scent? How do you mean to set about the business? Have you got a warrant?"
"Beautiful morning, Moore. How’s it going, my boy? Ha! Who do we have here?" (turning to the person with the staff). "Sugden! What! You’re getting to work right away? I must say, you don’t waste any time. But I’m here to ask for some explanations. I received your message. Are you sure you’re on the right track? How do you plan to go about this? Do you have a warrant?"
"Sugden has."
"Sugden has."
"Then you are going to seek him now? I'll accompany you."
"Are you going to look for him now? I'll come with you."
"You will be spared that trouble, sir; he is coming to seek me. I'm just now sitting in state waiting his arrival."
"You won't have to worry about that, sir; he's coming to find me. I'm currently sitting here in style waiting for him to arrive."
"And who is it? One of my parishioners?"
"And who is it? One of my church members?"
Joe Scott had entered unobserved. He now stood, a most sinister phantom, half his person being dyed of the deepest tint of indigo, leaning on the desk. His master's answer to the rector's question was a smile. Joe took the word. Putting on a quiet but pawky look, he said,—
Joe Scott had slipped in unnoticed. He now stood there, like a creepy ghost, half of him painted the darkest shade of blue, leaning on the desk. His boss's response to the rector's question was just a smile. Joe took the cue. With a sly but subtle expression, he said,—
"It's a friend of yours, Mr. Helstone, a gentleman you often speak of."
"It's a friend of yours, Mr. Helstone, a guy you talk about a lot."
"Indeed! His name, Joe? You look well this morning."
"Absolutely! His name is Joe? You look good this morning."
"Only the Rev. Moses Barraclough; t' tub orator you call him sometimes, I think."
"Only the Rev. Moses Barraclough; the tub orator you sometimes call him, I think."
"Ah!" said the rector, taking out his snuff-box, and[Pg 113] administering to himself a very long pinch—"ah! couldn't have supposed it. Why, the pious man never was a workman of yours, Moore. He's a tailor by trade."
"Ah!" said the rector, pulling out his snuffbox and[Pg113It seems there’s no text provided for me to modernize. Please share a short piece of text, and I'll assist you with it! giving himself a very generous pinch—"ah! I never would have guessed. The devout man was never one of your workers, Moore. He’s a tailor by trade."
"And so much the worse grudge I owe him, for interfering and setting my discarded men against me."
"And I hold an even bigger grudge against him for interfering and turning my rejected followers against me."
"And Moses was actually present at the battle of Stilbro' Moor? He went there, wooden leg and all?"
"And Moses was really there at the battle of Stilbro' Moor? He went there, wooden leg and all?"
"Ay, sir," said Joe; "he went there on horseback, that his leg mightn't be noticed. He was the captain, and wore a mask. The rest only had their faces blackened."
"Yeah, sir," said Joe; "he rode there on horseback so his leg wouldn’t be seen. He was the captain and wore a mask. The others just had their faces blackened."
"And how was he found out?"
"And how did they find out?"
"I'll tell you, sir," said Joe. "T' maister's not so fond of talking. I've no objections. He courted Sarah, Mr. Moore's sarvant lass, and so it seems she would have nothing to say to him; she either didn't like his wooden leg or she'd some notion about his being a hypocrite. Happen (for women is queer hands; we may say that amang werseln when there's none of 'em nigh) she'd have encouraged him, in spite of his leg and his deceit, just to pass time like. I've known some on 'em do as mich, and some o' t' bonniest and mimmest-looking, too—ay, I've seen clean, trim young things, that looked as denty and pure as daisies, and wi' time a body fun' 'em out to be nowt but stinging, venomed nettles."
"I'll tell you, sir," said Joe. "The boss isn't really into talking. I don't mind. He dated Sarah, Mr. Moore’s servant girl, and it seems she didn't want anything to do with him; either she didn't like his prosthetic leg or she thought he was a hypocrite. Maybe (because women are strange like that; we can say that among ourselves when none of them are around) she would have encouraged him, despite his leg and his dishonesty, just to keep herself entertained. I've seen some do that, and some of the prettiest and sweetest-looking ones too—yeah, I've seen neat, young women who looked as clean and pure as daisies, and over time, you find out they’re nothing but prickly, poisonous nettles."
"Joe's a sensible fellow," interjected Helstone.
"Joe's a smart guy," added Helstone.
"Howsiver, Sarah had another string to her bow. Fred Murgatroyd, one of our lads, is for her; and as women judge men by their faces—and Fred has a middling face, while Moses is none so handsome, as we all knaw—the lass took on wi' Fred. A two-three months sin', Murgatroyd and Moses chanced to meet one Sunday night; they'd both come lurking about these premises wi' the notion of counselling Sarah to tak a bit of a walk wi' them. They fell out, had a tussle, and Fred was worsted, for he's young and small, and Barraclough, for all he has only one leg, is almost as strong as Sugden there—indeed, anybody that hears him roaring at a revival or a love-feast may be sure he's no weakling."
However, Sarah had another option. Fred Murgatroyd, one of the guys, is interested in her; and since women tend to judge men by their looks—and Fred has an average face, while Moses isn't exactly handsome, as we all know—the girl decided to go for Fred. A couple of months ago, Murgatroyd and Moses happened to run into each other one Sunday night; they both showed up around here with the idea of asking Sarah to take a little walk with them. They got into a fight, and Fred lost because he's young and small, while Barraclough, even with just one leg, is almost as strong as Sugden over there—anyone who hears him shouting at a revival or a love-feast can tell he's no weakling.
"Joe, you're insupportable," here broke in Mr. Moore. "You spin out your explanation as Moses spins out his sermons. The long and short of it is, Murgatroyd was jealous of Barraclough; and last night, as he and a friend took shelter in a barn from a shower, they heard and saw Moses conferring with some associates within. From their[Pg 114] discourse it was plain he had been the leader, not only at Stilbro' Moor, but in the attack on Sykes's property. Moreover they planned a deputation to wait on me this morning, which the tailor is to head, and which, in the most religious and peaceful spirit, is to entreat me to put the accursed thing out of my tent. I rode over to Whinbury this morning, got a constable and a warrant, and I am now waiting to give my friend the reception he deserves. Here, meantime, comes Sykes. Mr. Helstone, you must spirit him up. He feels timid at the thoughts of prosecuting."
"Joe, you’re impossible," Mr. Moore interrupted. "You stretch out your explanations like Moses stretches out his sermons. The bottom line is, Murgatroyd was jealous of Barraclough; and last night, while he and a friend were hiding from a downpour in a barn, they overheard Moses talking with some associates inside. From their conversation, it was clear he had been the leader, not only at Stilbro' Moor but also in the attack on Sykes's property. They even planned to send a group to meet with me this morning, which the tailor is supposed to lead, and they’re coming in the most pious and peaceful manner to ask me to get rid of that cursed thing in my tent. I rode over to Whinbury this morning, got a constable and a warrant, and I'm now waiting to give my friend the welcome he deserves. And here comes Sykes. Mr. Helstone, you need to encourage him. He’s feeling nervous about taking legal action."
A gig was heard to roll into the yard. Mr. Sykes entered—a tall stout man of about fifty, comely of feature, but feeble of physiognomy. He looked anxious.
A truck was heard pulling into the yard. Mr. Sykes walked in—a tall, heavyset man around fifty, looking good-looking but worn out. He seemed worried.
"Have they been? Are they gone? Have you got him? Is it over?" he asked.
"Have they been here? Are they gone? Do you have him? Is it over?" he asked.
"Not yet," returned Moore with phlegm. "We are waiting for them."
"Not yet," Moore replied coolly. "We're waiting for them."
"They'll not come; it's near noon. Better give it up. It will excite bad feeling—make a stir—cause perhaps fatal consequences."
"They're not coming; it's almost noon. It's better to give it up. It'll create bad feelings—make a fuss—maybe even lead to serious consequences."
"You need not appear," said Moore. "I shall meet them in the yard when they come; you can stay here."
"You don’t need to be there,” said Moore. “I’ll meet them in the yard when they arrive; you can stay here."
"But my name must be seen in the law proceedings. A wife and family, Mr. Moore—a wife and family make a man cautious."
"But my name needs to be included in the legal documents. A wife and kids, Mr. Moore—having a wife and kids makes a man careful."
Moore looked disgusted. "Give way, if you please," said he; "leave me to myself. I have no objection to act alone; only be assured you will not find safety in submission. Your partner Pearson gave way, and conceded, and forbore. Well, that did not prevent them from attempting to shoot him in his own house."
Moore looked disgusted. "Please step aside," he said. "Let me handle this on my own. I’m fine with acting alone; just know that submission won’t guarantee your safety. Your partner Pearson backed down, made concessions, and held back. Still, that didn’t stop them from trying to shoot him in his own home."
"My dear sir, take a little wine and water," recommended Mr. Helstone. The wine and water was hollands and water, as Mr. Sykes discovered when he had compounded and swallowed a brimming tumbler thereof. It transfigured him in two minutes, brought the colour back to his face, and made him at least word-valiant. He now announced that he hoped he was above being trampled on by the common people; he was determined to endure the insolence of the working-classes no longer; he had considered of it, and made up his mind to go all lengths; if money and spirit could put down these rioters, they should be put down; Mr. Moore might do as he liked,[Pg 115] but he—Christie Sykes—would spend his last penny in law before he would be beaten; he'd settle them, or he'd see.
"My dear sir, have a little wine and water," suggested Mr. Helstone. The wine and water was actually gin and water, as Mr. Sykes found out when he mixed and downed a full glass of it. It transformed him in two minutes, restored color to his face, and made him at least brave with words. He then declared that he hoped he was above being pushed around by common people; he was determined to put up with the disrespect from the working-class no longer; he had thought it over and decided to go all the way; if money and determination could put down these rioters, then they would be put down; Mr. Moore could do as he pleased, but he—Christie Sykes—would spend his last penny on legal action before he would be defeated; he'd handle them, or he'd see.
"Take another glass," urged Moore.
"Have another drink," urged Moore.
Mr. Sykes didn't mind if he did. This was a cold morning (Sugden had found it a warm one); it was necessary to be careful at this season of the year—it was proper to take something to keep the damp out; he had a little cough already (here he coughed in attestation of the fact); something of this sort (lifting the black bottle) was excellent, taken medicinally (he poured the physic into his tumbler); he didn't make a practice of drinking spirits in a morning, but occasionally it really was prudent to take precautions.
Mr. Sykes didn't care if he did. It was a cold morning (Sugden thought it was warm); it was important to be cautious at this time of year—it was wise to have something to keep the chill away; he already had a slight cough (and he coughed to prove it); something like this (lifting the black bottle) was great for medicinal use (he poured the liquid into his glass); he didn't usually drink alcohol in the morning, but sometimes it was truly smart to be prepared.
"Quite prudent, and take them by all means," urged the host.
"That sounds really wise, so go ahead and take them," the host urged.
Mr. Sykes now addressed Mr. Helstone, who stood on the hearth, his shovel-hat on his head, watching him significantly with his little, keen eyes.
Mr. Sykes now spoke to Mr. Helstone, who was standing by the fireplace, his hat perched on his head, watching him closely with his sharp, observant eyes.
"You, sir, as a clergyman," said he, "may feel it disagreeable to be present amidst scenes of hurry and flurry, and, I may say, peril. I dare say your nerves won't stand it. You're a man of peace, sir; but we manufacturers, living in the world, and always in turmoil, get quite belligerent. Really, there's an ardour excited by the thoughts of danger that makes my heart pant. When Mrs. Sykes is afraid of the house being attacked and broke open—as she is every night—I get quite excited. I couldn't describe to you, sir, my feelings. Really, if anybody was to come—thieves or anything—I believe I should enjoy it, such is my spirit."
"You, sir, as a clergyman," he said, "might find it uncomfortable to be caught up in all this chaos and danger. I bet your nerves can’t handle it. You're a man of peace, sir; but us manufacturers, always wrapped up in the hustle and bustle, get pretty aggressive. Honestly, the thought of danger gets my heart racing. When Mrs. Sykes fears that the house might get broken into—like she does every night—I get quite worked up. I can't even explain how I feel, sir. Honestly, if anyone were to come—thieves or whoever—I think I would actually enjoy it, that’s just how I am."
The hardest of laughs, though brief and low, and by no means insulting, was the response of the rector. Moore would have pressed upon the heroic mill-owner a third tumbler, but the clergyman, who never transgressed, nor would suffer others in his presence to transgress, the bounds of decorum, checked him.
The rector's response was a short, quiet laugh that wasn’t rude at all. Moore would have offered the heroic mill-owner a third drink, but the clergyman, who never crossed the line and wouldn’t let anyone else do so in his presence, stopped him.
"Enough is as good as a feast, is it not, Mr. Sykes?" he said; and Mr. Sykes assented, and then sat and watched Joe Scott remove the bottle at a sign from Helstone, with a self-satisfied simper on his lips and a regretful glisten in his eye. Moore looked as if he should have liked to fool him to the top of his bent. What would a certain young kinswoman of his have said could she have seen her dear, good, great Robert—her Coriolanus—just now? Would[Pg 116] she have acknowledged in that mischievous, sardonic visage the same face to which she had looked up with such love, which had bent over her with such gentleness last night? Was that the man who had spent so quiet an evening with his sister and his cousin—so suave to one, so tender to the other—reading Shakespeare and listening to Chénier?
"Enough is as good as a feast, right, Mr. Sykes?" he said; and Mr. Sykes nodded in agreement, then sat back and watched Joe Scott take the bottle away at a signal from Helstone, wearing a self-satisfied smile and a hint of regret in his eye. Moore looked as if he wanted to outsmart him completely. What would his young relative have thought if she could see her dear, kind, noble Robert—her Coriolanus—right now? Would she have recognized in that mischievous, sardonic face the same one she had admired with such affection, the one that had leaned over her with such gentleness last night? Was this really the man who had spent such a quiet evening with his sister and cousin—so charming with one, so caring with the other—reading Shakespeare and listening to Chénier?
Yes, it was the same man, only seen on a different side—a side Caroline had not yet fairly beheld, though perhaps she had enough sagacity faintly to suspect its existence. Well, Caroline had, doubtless, her defective side too. She was human. She must, then, have been very imperfect; and had she seen Moore on his very worst side, she would probably have said this to herself and excused him. Love can excuse anything except meanness; but meanness kills love, cripples even natural affection; without esteem true love cannot exist. Moore, with all his faults, might be esteemed; for he had no moral scrofula in his mind, no hopeless polluting taint—such, for instance, as that of falsehood; neither was he the slave of his appetites. The active life to which he had been born and bred had given him something else to do than to join the futile chase of the pleasure-hunter. He was a man undegraded, the disciple of reason, not the votary of sense. The same might be said of old Helstone. Neither of these two would look, think, or speak a lie; for neither of them had the wretched black bottle, which had just been put away, any charms. Both might boast a valid claim to the proud title of "lord of the creation," for no animal vice was lord of them; they looked and were superior beings to poor Sykes.
Yes, it was the same man, just seen from a different angle—a side Caroline hadn't truly recognized yet, although she might have had the insight to faintly suspect it existed. Well, Caroline certainly had her own flaws too. She was human. So, she must have been quite imperfect; and if she had seen Moore at his very worst, she would probably have told herself this and forgiven him. Love can excuse anything except cruelty; but cruelty destroys love, even damaging natural affection; without respect, true love can't exist. Despite all his faults, Moore could be respected; he had no moral corruption in his mind, no hopelessly tainted stain—like dishonesty, for instance; nor was he a slave to his desires. The active life he was born into and raised in had given him something more meaningful to pursue than the pointless chase of pleasure-seekers. He was an untainted man, a follower of reason, not a servant of the senses. The same could be said of old Helstone. Neither of them would lie, think, or speak falsely; they had no appeal for the miserable black bottle that had just been put away. Both could proudly claim the title of "lord of creation," for no animal vice ruled over them; they looked and were superior beings compared to poor Sykes.
A sort of gathering and trampling sound was heard in the yard, and then a pause. Moore walked to the window; Helstone followed. Both stood on one side, the tall junior behind the under-sized senior, looking forth carefully, so that they might not be visible from without. Their sole comment on what they saw was a cynical smile flashed into each other's stern eyes.
A gathering and trampling noise was heard in the yard, followed by a pause. Moore walked to the window; Helstone followed him. They both stood on one side, the tall junior behind the shorter senior, looking out cautiously to avoid being seen from outside. Their only reaction to what they saw was a cynical smile that flashed in each other's serious eyes.
A flourishing oratorical cough was now heard, followed by the interjection "Whisht!" designed, as it seemed, to still the hum of several voices. Moore opened his casement an inch or two to admit sound more freely.
A loud cough echoed, followed by the exclamation "Shhh!" meant to quiet the chatter of several people. Moore opened his window a bit to let the sound in more easily.
"Joseph Scott," began a snuffling voice—Scott was standing sentinel at the counting-house door—"might we inquire if your master be within, and is to be spoken to?"
"Joseph Scott," began a snuffling voice—Scott was standing guard at the counting-house door—"can we ask if your boss is in and available to talk?"
"Would you then, if you please" (emphasis on "you"), "have the goodness to tell him that twelve gentlemen wants to see him."
"Would you then, if you please" (emphasis on "you"), "be kind enough to tell him that twelve gentlemen want to see him."
"He'd happen ax what for," suggested Joe. "I mught as weel tell him that at t' same time."
"He'd probably ask what for," suggested Joe. "I might as well tell him that at the same time."
"For a purpose," was the answer. Joe entered.
"For a reason," was the answer. Joe walked in.
"Please, sir, there's twelve gentlemen wants to see ye, 'for a purpose.'"
"Excuse me, sir, there are twelve gentlemen who want to see you for a reason."
"Good, Joe; I'm their man.—Sugden, come when I whistle."
"Got it, Joe; I'm the one they want. —Sugden, come when I call."
Moore went out, chuckling dryly. He advanced into the yard, one hand in his pocket, the other in his waistcoat, his cap brim over his eyes, shading in some measure their deep dancing ray of scorn. Twelve men waited in the yard, some in their shirt-sleeves, some in blue aprons. Two figured conspicuously in the van of the party. One, a little dapper strutting man with a turned-up nose; the other a broad-shouldered fellow, distinguished no less by his demure face and cat like, trustless eyes than by a wooden leg and stout crutch. There was a kind of leer about his lips; he seemed laughing in his sleeve at some person or thing; his whole air was anything but that of a true man.
Moore walked out, chuckling quietly. He moved into the yard, one hand in his pocket and the other in his waistcoat, his cap pulled down over his eyes, partially hiding the intense glint of scorn in them. Twelve men were waiting in the yard, some in their shirt sleeves and others in blue aprons. Two stood out at the front of the group. One was a small, stylish man with a turned-up nose; the other was a broad-shouldered guy, marked not only by his serious expression and cat-like, untrusting eyes but also by a wooden leg and a sturdy crutch. There was a kind of smirk on his lips; he seemed to be secretly laughing at someone or something; his whole demeanor was anything but genuine.
"Good-morning, Mr. Barraclough," said Moore debonairly, for him.
"Good morning, Mr. Barraclough," said Moore casually, for him.
"Peace be unto you!" was the answer, Mr. Barraclough entirely closing his naturally half-shut eyes as he delivered it.
"Peace be with you!" was the response, Mr. Barraclough completely closing his naturally half-closed eyes as he said it.
"I'm obliged to you. Peace is an excellent thing; there's nothing I more wish for myself. But that is not all you have to say to me, I suppose? I imagine peace is not your purpose?"
"I'm grateful to you. Peace is a wonderful thing; there's nothing I desire more for myself. But I assume that's not all you want to discuss with me? I take it peace isn't your main goal?"
"As to our purpose," began Barraclough, "it's one that may sound strange and perhaps foolish to ears like yours, for the childer of this world is wiser in their generation than the childer of light."
"As for our purpose," Barraclough started, "it's one that might sound odd and maybe even silly to you, because the children of this world are smarter in their generation than the children of light."
"To the point, if you please, and let me hear what it is."
"Get straight to the point, please, and tell me what it is."
"Ye'se hear, sir. If I cannot get it off, there's eleven behint can help me. It is a grand purpose, and" (changing his voice from a half-sneer to a whine) "it's the Looard's own purpose, and that's better."
"Yeah, I hear you, sir. If I can't manage it, there are eleven people behind me who can help. It's an important mission, and" (shifting his tone from a half-sneer to a whine) "it's the Lord's own mission, and that's even better."
"Do you want a subscription to a new Ranter's chapel, Mr. Barraclough? Unless your errand be something of that sort, I cannot see what you have to do with it."
"Are you looking for a subscription to a new Ranter's chapel, Mr. Barraclough? Unless that's why you're here, I don't understand what concern you have with it."
[Pg 118]"I hadn't that duty on my mind, sir; but as Providence has led ye to mention the subject, I'll make it i' my way to tak ony trifle ye may have to spare; the smallest contribution will be acceptable."
[Pg118Please provide the text you'd like me to modernize."I hadn't thought about that responsibility, sir; but since fate has prompted you to bring it up, I'll make it a point to take any small amount you might be willing to spare; even the tiniest contribution would be appreciated."
With that he doffed his hat, and held it out as a begging-box, a brazen grin at the same time crossing his countenance.
With that, he took off his hat and held it out like a collection box, a bold grin spreading across his face at the same time.
"If I gave you sixpence you would drink it."
"If I gave you sixpence, you would just drink it."
Barraclough uplifted the palms of his hands and the whites of his eyes, evincing in the gesture a mere burlesque of hypocrisy.
Barraclough raised his hands and rolled his eyes, showing a clear mockery of hypocrisy in the gesture.
"You seem a fine fellow," said Moore, quite coolly and dryly; "you don't care for showing me that you are a double-dyed hypocrite, that your trade is fraud. You expect indeed to make me laugh at the cleverness with which you play your coarsely farcical part, while at the same time you think you are deceiving the men behind you."
"You seem like a decent guy," said Moore, quite calmly and dryly; "you don't mind showing me that you're a complete hypocrite, that your business is all about fraud. You really believe you can make me laugh at how cleverly you play your ridiculously exaggerated role, while you think you're fooling the guys behind you."
Moses' countenance lowered. He saw he had gone too far. He was going to answer, when the second leader, impatient of being hitherto kept in the background, stepped forward. This man did not look like a traitor, though he had an exceedingly self-confident and conceited air.
Moses' expression shifted. He realized he had crossed a line. He was about to respond when the second leader, tired of being in the shadows, stepped up. This guy didn’t seem like a traitor, even though he had a very self-assured and arrogant demeanor.
"Mr. Moore," commenced he, speaking also in his throat and nose, and enunciating each word very slowly, as if with a view to giving his audience time to appreciate fully the uncommon elegance of the phraseology, "it might, perhaps, justly be said that reason rather than peace is our purpose. We come, in the first place, to request you to hear reason; and should you refuse, it is my duty to warn you, in very decided terms, that measures will be had resort to" (he meant recourse) "which will probably terminate in—in bringing you to a sense of the unwisdom, of the—the foolishness which seems to guide and guard your proceedings as a tradesman in this manufacturing part of the country. Hem! Sir, I would beg to allude that as a furriner, coming from a distant coast, another quarter and hemisphere of this globe, thrown, as I may say, a perfect outcast on these shores—the cliffs of Albion—you have not that understanding of huz and wer ways which might conduce to the benefit of the working-classes. If, to come at once to partic'lars, you'd consider to give up this here miln, and go without further protractions straight home to where you belong, it 'ud happen be as well. I can see naught ageean such a plan.—What hev ye to say tull't, lads?"[Pg 119] turning round to the other members of the deputation, who responded unanimously, "Hear, hear!"
"Mr. Moore," he began, speaking through his throat and nose, and pronouncing each word very slowly, as if he wanted to give his audience time to fully appreciate the unusual elegance of his phrasing, "it might, perhaps, be said that reason rather than peace is our goal. We come, first of all, to ask you to listen to reason; and if you refuse, it is my duty to warn you, quite firmly, that actions will be taken" (he meant recourse) "that will likely result in—in making you aware of the unwise, the—foolishness that seems to guide and influence your actions as a businessman in this manufacturing region of the country. Ahem! Sir, I would like to point out that as a foreigner, coming from a distant coast, another part and hemisphere of this globe, thrown, as I might say, a complete outcast on these shores—the cliffs of Albion—you do not have that understanding of our ways which could benefit the working-class. If, to get straight to the point, you would consider giving up this mill, and go home without any further delay, it would be for the best. I see nothing against such a plan.—What do you have to say to that, lads?"[Pg119Please provide the short piece of text you would like me to modernize. turning to the other members of the delegation, who responded unanimously, "Hear, hear!"
"Brayvo, Noah o' Tim's!" murmured Joe Scott, who stood behind Mr. Moore. "Moses'll niver beat that. Cliffs o' Albion, and t' other hemisphere! My certy! Did ye come fro' th' Antarctic Zone, maister? Moses is dished."
"Brayvo, Noah from Tim's!" murmured Joe Scott, who stood behind Mr. Moore. "Moses will never top that. Cliffs of Albion, and the other hemisphere! I swear! Did you come from the Antarctic Zone, sir? Moses is done for."
Moses, however, refused to be dished. He thought he would try again. Casting a somewhat ireful glance at "Noah o' Tim's," he launched out in his turn; and now he spoke in a serious tone, relinquishing the sarcasm which he found had not answered.
Moses, however, refused to be put down. He decided to try again. Throwing a slightly irritated look at "Noah o' Tim's," he took his turn and now spoke in a serious tone, dropping the sarcasm that he realized hadn’t worked.
"Or iver you set up the pole o' your tent amang us, Mr. Moore, we lived i' peace and quietness—yea, I may say, in all loving-kindness. I am not myself an aged person as yet, but I can remember as far back as maybe some twenty year, when hand-labour were encouraged and respected, and no mischief-maker had ventured to introduce these here machines which is so pernicious. Now, I'm not a cloth-dresser myself, but by trade a tailor. Howsiver, my heart is of a softish nature. I'm a very feeling man, and when I see my brethren oppressed, like my great namesake of old, I stand up for 'em; for which intent I this day speak with you face to face, and advises you to part wi' your infernal machinery, and tak on more hands."
"Or whenever you set up the pole of your tent among us, Mr. Moore, we lived in peace and quiet—yes, I can say, in all kindness. I'm not an old person yet, but I can remember back about twenty years, when manual labor was valued and respected, and no troublemaker had dared to introduce these machines that are so harmful. Now, I'm not a cloth-dresser myself, but I'm a tailor by trade. However, my heart is quite soft. I'm a very sensitive man, and when I see my brothers oppressed, like my great namesake of old, I stand up for them; for this reason I speak with you face to face today, and advise you to get rid of your terrible machinery and hire more workers."
"What if I don't follow your advice, Mr. Barraclough?"
"What if I don’t take your advice, Mr. Barraclough?"
"The Looard pardon you! The Looard soften your heart, sir!"
"The Lord forgive you! The Lord soften your heart, sir!"
"Are you in connection with the Wesleyans now, Mr. Barraclough?"
"Are you in touch with the Wesleyans now, Mr. Barraclough?"
"Praise God! Bless His name! I'm a joined Methody!"
"Praise God! Bless His name! I'm a proud Methodist!"
"Which in no respect prevents you from being at the same time a drunkard and a swindler. I saw you one night a week ago laid dead-drunk by the roadside, as I returned from Stilbro' market; and while you preach peace, you make it the business of your life to stir up dissension. You no more sympathize with the poor who are in distress than you sympathize with me. You incite them to outrage for bad purposes of your own; so does the individual called Noah of Tim's. You two are restless, meddling, impudent scoundrels, whose chief motive-principle is a selfish ambition, as dangerous as it is puerile. The persons behind you are some of them honest though misguided men; but you two I count altogether bad."
"That doesn't stop you from being a drunk and a con artist at the same time. I saw you a week ago, passed out by the side of the road, as I walked back from the Stilbro' market; and while you talk about peace, you make it your mission to create conflict. You care no more about the poor in distress than you do about me. You incite them to cause trouble for your own selfish purposes; just like that guy Noah from Tim's. You two are restless, meddlesome, arrogant scoundrels, driven by a selfish ambition that's both dangerous and childish. The people following you are some honest but misguided folks; but you two, I consider entirely bad."
[Pg 120]Barraclough was going to speak.
Barraclough was going to talk.
"Silence! You have had your say, and now I will have mine. As to being dictated to by you, or any Jack, Jem, or Jonathan on earth, I shall not suffer it for a moment. You desire me to quit the country; you request me to part with my machinery. In case I refuse, you threaten me. I do refuse—point-blank! Here I stay, and by this mill I stand, and into it will I convey the best machinery inventors can furnish. What will you do? The utmost you can do—and this you will never dare to do—is to burn down my mill, destroy its contents, and shoot me. What then? Suppose that building was a ruin and I was a corpse—what then, you lads behind these two scamps? Would that stop invention or exhaust science? Not for the fraction of a second of time! Another and better gig-mill would rise on the ruins of this, and perhaps a more enterprising owner come in my place. Hear me! I'll make my cloth as I please, and according to the best lights I have. In its manufacture I will employ what means I choose. Whoever, after hearing this, shall dare to interfere with me may just take the consequences. An example shall prove I'm in earnest."
"Silence! You've had your say, and now it's my turn. I won’t be bossed around by you or anyone else, whether it's Jack, Jem, or Jonathan. You want me to leave the country; you want me to give up my machinery. If I refuse, you threaten me. I absolutely refuse—no question about it! Here I am, standing by this mill, and I will bring in the best machinery that inventors can provide. What will you do? The worst you can do—and trust me, you won't dare to do this—is burn down my mill, destroy everything inside, and shoot me. And then what? Even if this building were a ruin and I were a corpse—what would that change for you guys hiding behind these two losers? Would that stop innovation or put an end to science? Not for a single moment! Another and better gig-mill would rise from the ashes of this one, and maybe an even more ambitious owner would take my place. Listen to me! I’ll make my cloth the way I want to, using the best knowledge I have. I will use whatever methods I choose in its production. Anyone who dares to interfere with me after hearing this will face the consequences. I'll make an example to show I mean business."
Moses was captured. There was a cry and a rush to rescue, but the right hand which all this while had lain hidden in Moore's breast, reappearing, held out a pistol.
Moses was captured. There was a shout and a rush to save him, but the right hand that had been hidden in Moore's chest suddenly reappeared, holding a pistol.
"Both barrels are loaded," said he. "I'm quite determined! Keep off!"
"Both barrels are loaded," he said. "I'm really determined! Stay back!"
Stepping backwards, facing the foe as he went, he guarded his prey to the counting-house. He ordered Joe Scott to pass in with Sugden and the prisoner, and to bolt the door inside. For himself, he walked backwards and forwards along the front of the mill, looking meditatively on the ground, his hand hanging carelessly by his side, but still holding the pistol. The eleven remaining deputies watched him some time, talking under their breath to each other. At length one of them approached. This man looked very different from either of the two who had previously[Pg 121] spoken; he was hard-favoured, but modest and manly-looking.
Stepping backward while facing his enemy, he guided his target to the office. He instructed Joe Scott to go in with Sugden and the prisoner and to lock the door from the inside. As for himself, he paced back and forth in front of the mill, thoughtfully gazing at the ground, his hand resting loosely by his side but still gripping the pistol. The remaining eleven deputies observed him for a while, whispering among themselves. Finally, one of them approached. This man looked quite different from the other two who had spoken before; he had a tough appearance but came across as modest and masculine.
"I've not much faith i' Moses Barraclough," said he, "and I would speak a word to you myseln, Mr. Moore. It's out o' no ill-will that I'm here, for my part; it's just to mak a effort to get things straightened, for they're sorely a-crooked. Ye see we're ill off—varry ill off; wer families is poor and pined. We're thrown out o' work wi' these frames; we can get nought to do; we can earn nought. What is to be done? Mun we say, wisht! and lig us down and dee? Nay; I've no grand words at my tongue's end, Mr. Moore, but I feel that it wad be a low principle for a reasonable man to starve to death like a dumb cratur. I willn't do't. I'm not for shedding blood: I'd neither kill a man nor hurt a man; and I'm not for pulling down mills and breaking machines—for, as ye say, that way o' going on'll niver stop invention; but I'll talk—I'll mak as big a din as ever I can. Invention may be all right, but I know it isn't right for poor folks to starve. Them that governs mun find a way to help us; they mun make fresh orderations. Ye'll say that's hard to do. So mich louder mun we shout out then, for so much slacker will t' Parliament-men be to set on to a tough job."
"I don't have much faith in Moses Barraclough," he said, "and I want to speak directly to you, Mr. Moore. It's not out of any ill will that I'm here; it's just to try to get things sorted out because they're badly messed up. You see, we're in a really tough spot—very tough; our families are poor and struggling. We're out of work with these machines; we can’t find anything to do; we can’t earn anything. What should we do? Should we just lie down and die? No; I don’t have fancy words to say, Mr. Moore, but I feel it would be a low principle for a reasonable person to starve to death like a helpless creature. I won’t do that. I'm not for shedding blood: I wouldn’t kill or hurt anyone, and I'm not for destroying mills and breaking machines—because, as you say, that kind of action will never stop invention. But I will speak up—I’ll make as much noise as I can. Invention might be fine, but I know it’s not right for poor people to starve. Those in charge need to find a way to help us; they need to make new arrangements. You’ll say that’s hard to do. Then we must shout even louder, because the members of Parliament will be even less likely to tackle a tough job."
"Worry the Parliament-men as much as you please," said Moore; "but to worry the mill-owners is absurd, and I for one won't stand it."
"Worry the lawmakers as much as you want," said Moore; "but stressing out the mill owners is ridiculous, and I for one won't tolerate it."
"Ye're a raight hard un!" returned the workman. "Willn't ye gie us a bit o' time? Willn't ye consent to mak your changes rather more slowly?"
"You're really tough!" replied the worker. "Won't you give us a bit of time? Won't you agree to make your changes a little more slowly?"
"Am I the whole body of clothiers in Yorkshire? Answer me that."
"Am I the entire group of clothiers in Yorkshire? Answer me that."
"Ye're yourseln."
"You're yourself."
"And only myself. And if I stopped by the way an instant, while others are rushing on, I should be trodden down. If I did as you wish me to do, I should be bankrupt in a month; and would my bankruptcy put bread into your hungry children's mouths? William Farren, neither to your dictation nor to that of any other will I submit. Talk to me no more about machinery. I will have my own way. I shall get new frames in to-morrow. If you broke these, I would still get more. I'll never give in."
"And only me. If I stop even for a moment while everyone else rushes ahead, I'll get run over. If I did what you want me to do, I’d be broke in a month; and would my being broke feed your hungry kids? William Farren, I won't submit to your orders or anyone else's. Don't talk to me about machines anymore. I'm going to do things my way. I’ll have new frames in tomorrow. If you break these, I’ll just get more. I’ll never give in."
Here the mill-bell rang twelve o'clock. It was the dinner-hour. Moore abruptly turned from the deputation and re-entered his counting-house.
Here, the mill-bell rang twelve o'clock. It was dinner time. Moore suddenly turned away from the group and went back into his office.
[Pg 122]His last words had left a bad, harsh impression; he, at least, had "failed in the disposing of a chance he was lord of." By speaking kindly to William Farren—who was a very honest man, without envy or hatred of those more happily circumstanced than himself, thinking it no hardship and no injustice to be forced to live by labour, disposed to be honourably content if he could but get work to do—Moore might have made a friend. It seemed wonderful how he could turn from such a man without a conciliatory or a sympathizing expression. The poor fellow's face looked haggard with want; he had the aspect of a man who had not known what it was to live in comfort and plenty for weeks, perhaps months, past, and yet there was no ferocity, no malignity in his countenance; it was worn, dejected, austere, but still patient. How could Moore leave him thus, with the words, "I'll never give in," and not a whisper of good-will, or hope, or aid?
[Pg122Please provide the text you'd like modernized.His last words had created a negative, harsh impression; he, at least, had "failed to make the most of an opportunity he had." By speaking kindly to William Farren—who was a genuinely honest man, without jealousy or resentment towards those who were better off, seeing it as no burden and no injustice to have to work for a living, ready to be honorably satisfied if he could just find work—Moore could have made a friend. It was surprising how he could turn away from such a person without any sign of kindness or empathy. The poor guy's face looked worn from lack; he had the look of someone who hadn’t experienced comfort and abundance for weeks, maybe months, and yet there was no violence, no hatred in his expression; it was weary, downcast, serious, but still patient. How could Moore walk away from him like that, saying, "I'll never give in," without a word of goodwill, hope, or help?
Farren, as he went home to his cottage—once, in better times, a decent, clean, pleasant place, but now, though still clean, very dreary, because so poor—asked himself this question. He concluded that the foreign mill-owner was a selfish, an unfeeling, and, he thought, too, a foolish man. It appeared to him that emigration, had he only the means to emigrate, would be preferable to service under such a master. He felt much cast down—almost hopeless.
Farren, as he walked back to his cottage—once a decent, clean, and pleasant place in better times, but now, while still clean, very dreary due to its poverty—asked himself this question. He concluded that the foreign mill owner was selfish, unfeeling, and, he thought, foolish as well. It seemed to him that emigrating would be better than working for such a master, if only he had the means to do so. He felt very discouraged—almost hopeless.
On his entrance his wife served out, in orderly sort, such dinner as she had to give him and the bairns. It was only porridge, and too little of that. Some of the younger children asked for more when they had done their portion—an application which disturbed William much. While his wife quieted them as well as she could, he left his seat and went to the door. He whistled a cheery stave, which did not, however, prevent a broad drop or two (much more like the "first of a thunder-shower" than those which oozed from the wound of the gladiator) from gathering on the lids of his gray eyes, and plashing thence to the threshold. He cleared his vision with his sleeve, and the melting mood over, a very stern one followed.
When he arrived, his wife served up what little dinner she had for him and the kids. It was just porridge, and not enough of it. Some of the younger children asked for more after finishing their share, which upset William a lot. While his wife tried to calm them down as best as she could, he got up from his seat and went to the door. He whistled a cheerful tune, but that didn’t stop a couple of tears from forming in his gray eyes and dropping onto the floor. He wiped his eyes with his sleeve, and after the moment of sadness passed, a much sterner expression took over.
He still stood brooding in silence, when a gentleman in black came up—a clergyman, it might be seen at once, but neither Helstone, nor Malone, nor Donne, nor Sweeting. He might be forty years old; he was plain-looking, dark-complexioned, and already rather gray-haired. He stooped a little in walking. His countenance, as he came on, wore[Pg 123] an abstracted and somewhat doleful air; but in approaching Farren he looked up, and then a hearty expression illuminated the preoccupied, serious face.
He stood there lost in thought when a man in black approached—clearly a clergyman, but not Helstone, Malone, Donne, or Sweeting. He seemed to be around forty, with an ordinary appearance, dark skin, and already somewhat gray hair. He walked with a slight stoop. As he came closer, his expression looked distant and a bit gloomy; however, when he approached Farren, he glanced up, and his serious, thoughtful face broke into a warm smile.
"Is it you, William? How are you?" he asked.
"Is that you, William? How's it going?" he asked.
"Middling, Mr. Hall. How are ye? Will ye step in and rest ye?"
"Middling, Mr. Hall. How are you? Will you come in and rest?"
Mr. Hall, whose name the reader has seen mentioned before (and who, indeed, was vicar of Nunnely, of which parish Farren was a native, and from whence he had removed but three years ago to reside in Briarfield, for the convenience of being near Hollow's Mill, where he had obtained work), entered the cottage, and having greeted the good-wife and the children, sat down. He proceeded to talk very cheerfully about the length of time that had elapsed since the family quitted his parish, the changes which had occurred since; he answered questions touching his sister Margaret, who was inquired after with much interest; he asked questions in his turn, and at last, glancing hastily and anxiously round through his spectacles (he wore spectacles, for he was short-sighted) at the bare room, and at the meagre and wan faces of the circle about him—for the children had come round his knee, and the father and mother stood before him—he said abruptly,—
Mr. Hall, whose name you've seen mentioned before (and who was the vicar of Nunnely, the parish where Farren was from, and where he had only moved three years ago to live in Briarfield for the convenience of being close to Hollow's Mill, where he had found work), entered the cottage. After greeting the good-wife and the children, he sat down. He began to chat cheerfully about how long it had been since the family left his parish and the changes that had taken place since then. He answered questions about his sister Margaret, who was asked about with great interest, and he asked questions in return. Finally, glancing quickly and anxiously around the bare room and at the thin, pale faces of those gathered around him—the children had come to sit by him, and the parents stood in front of him—he said abruptly,—
"And how are you all? How do you get on?"
"And how's everyone doing? How's it going for you?"
Mr. Hall, be it remarked, though an accomplished scholar, not only spoke with a strong northern accent, but, on occasion, used freely north-country expressions.
Mr. Hall, it should be noted, although an accomplished scholar, not only spoke with a strong northern accent but also occasionally used northern expressions freely.
"We get on poorly," said William; "we're all out of work. I've selled most o' t' household stuff, as ye may see; and what we're to do next, God knows."
"We're not getting along well," William said. "We're all out of work. I've sold most of the household items, as you can see; and what we're supposed to do next, only God knows."
"Has Mr. Moore turned you off?"
"Has Mr. Moore put you off?"
"He has turned us off; and I've sich an opinion of him now that I think if he'd tak me on again to-morrow I wouldn't work for him."
"He has completely turned us away; and I have such a low opinion of him now that I think if he offered me a job again tomorrow, I wouldn't work for him."
"It is not like you to say so, William."
"It's not like you to say that, William."
"I know it isn't; but I'm getting different to mysel'; I feel I am changing. I wadn't heed if t' bairns and t' wife had enough to live on; but they're pinched—they're pined——"
"I know it isn't; but I'm becoming different from myself; I feel like I'm changing. I wouldn't care if the kids and my wife had enough to live on; but they're struggling—they're suffering——"
"Well, my lad, and so are you; I see you are. These are grievous times; I see suffering wherever I turn. William, sit down. Grace, sit down. Let us talk it over."
"Well, my boy, and so are you; I can see that. These are tough times; I see pain everywhere I look. William, take a seat. Grace, take a seat. Let’s discuss it."
And in order the better to talk it over, Mr. Hall lifted the least of the children on to his knee, and placed his hand[Pg 124] on the head of the next least; but when the small things began to chatter to him he bade them "Whisht!" and fixing his eyes on the grate, he regarded the handful of embers which burned there very gravely.
And to have a better discussion, Mr. Hall picked up the smallest child and sat them on his knee, placing his hand on the head of the next smallest. But when the little ones began to chatter at him, he told them to "Shh!" and focused his gaze on the fireplace, seriously considering the few embers burning there.
"Sad times," he said, "and they last long. It is the will of God. His will be done. But He tries us to the utmost."
"Sad times," he said, "and they go on forever. It's God's will. His will be done. But He tests us to our limit."
Again he reflected.
He reflected again.
"You've no money, William, and you've nothing you could sell to raise a small sum?"
"You have no money, William, and you have nothing you could sell to get a little cash?"
"No. I've selled t' chest o' drawers, and t' clock, and t' bit of a mahogany stand, and t' wife's bonny tea-tray and set o' cheeney 'at she brought for a portion when we were wed."
"No. I've sold the chest of drawers, and the clock, and the little mahogany stand, and my wife's lovely tea tray and set of china that she brought as a dowry when we got married."
"And if somebody lent you a pound or two, could you make any good use of it? Could you get into a new way of doing something?"
"And if someone lent you a pound or two, could you make good use of it? Could you find a new way to do something?"
Farren did not answer, but his wife said quickly, "Ay, I'm sure he could, sir. He's a very contriving chap is our William. If he'd two or three pounds he could begin selling stuff."
Farren didn't answer, but his wife quickly said, "Yes, I'm sure he could, sir. Our William is very resourceful. If he had two or three pounds, he could start selling things."
"Could you, William?"
"Can you, William?"
"Please God," returned William deliberately, "I could buy groceries, and bits o' tapes, and thread, and what I thought would sell, and I could begin hawking at first."
"Please God," William replied thoughtfully, "I could buy groceries, some tape, thread, and whatever I thought would sell, and I could start selling it at first."
"And you know, sir," interposed Grace, "you're sure William would neither drink, nor idle, nor waste, in any way. He's my husband, and I shouldn't praise him; but I will say there's not a soberer, honester man i' England nor he is."
"And you know, sir," Grace interrupted, "you can be sure William wouldn’t drink, loaf around, or waste anything in any way. He’s my husband, and I shouldn’t be praising him; but I will say there’s not a more sober or honest man in England than he."
"Well, I'll speak to one or two friends, and I think I can promise to let him have £5 in a day or two—as a loan, ye mind, not a gift. He must pay it back."
"Sure, I'll talk to a couple of friends, and I think I can promise to lend him £5 in a day or two—just to be clear, it's a loan, not a gift. He has to pay it back."
"I understand, sir. I'm quite agreeable to that."
"I get it, sir. I'm totally fine with that."
"Meantime, there's a few shillings for you, Grace, just to keep the pot boiling till custom comes.—Now, bairns, stand up in a row and say your catechism, while your mother goes and buys some dinner; for you've not had much to-day, I'll be bound.—You begin, Ben. What is your name?"
"Meanwhile, here's a few coins for you, Grace, just to keep things going until business picks up. —Now, kids, stand in a line and say your catechism while your mom goes and gets some dinner; you haven't had much today, I'm sure. —You start, Ben. What's your name?"
Mr. Hall stayed till Grace came back; then he hastily took his leave, shaking hands with both Farren and his wife. Just at the door he said to them a few brief but very earnest words of religious consolation and exhortation. With a mutual "God bless you, sir!" "God bless you, my friends!" they separated.[Pg 125]
Mr. Hall stayed until Grace returned; then he quickly said goodbye, shaking hands with both Farren and his wife. Right at the door, he shared a few brief but heartfelt words of religious comfort and encouragement. With a mutual "God bless you, sir!" and "God bless you, my friends!" they parted ways.[Pg125It seems like there is no text provided for me to modernize. Please provide a phrase, and I'll be happy to help!
CHAPTER IX.
BRIARMAINS.
Messrs. Helstone and Sykes began to be extremely jocose and congratulatory with Mr. Moore when he returned to them after dismissing the deputation. He was so quiet, however, under their compliments upon his firmness, etc., and wore a countenance so like a still, dark day, equally beamless and breezeless, that the rector, after glancing shrewdly into his eyes, buttoned up his felicitations with his coat, and said to Sykes, whose senses were not acute enough to enable him to discover unassisted where his presence and conversation were a nuisance, "Come, sir; your road and mine lie partly together. Had we not better bear each other company? We'll bid Moore good-morning, and leave him to the happy fancies he seems disposed to indulge."
Mr. Helstone and Sykes started to get really playful and congratulatory with Mr. Moore when he came back after dismissing the delegation. However, he was so calm under their compliments about his strength and all that, and his expression resembled a still, dark day—completely lifeless and without any breeze—that the rector, after glancing sharply into his eyes, put his congratulations away with his coat and said to Sykes, who wasn’t perceptive enough to realize that his presence and chatter were unwelcome, "Come on, sir; our paths overlap a bit. Shouldn’t we keep each other company? Let’s say good morning to Moore and leave him to the cheerful thoughts he seems ready to enjoy."
"And where is Sugden?" demanded Moore, looking up.
"And where is Sugden?" Moore asked, looking up.
"Ah, ha!" cried Helstone. "I've not been quite idle while you were busy. I've been helping you a little; I flatter myself not injudiciously. I thought it better not to lose time; so, while you were parleying with that down-looking gentleman—Farren I think his name is—I opened this back window, shouted to Murgatroyd, who was in the stable, to bring Mr. Sykes's gig round; then I smuggled Sugden and brother Moses—wooden leg and all—through the aperture, and saw them mount the gig (always with our good friend Sykes's permission, of course). Sugden took the reins—he drives like Jehu—and in another quarter of an hour Barraclough will be safe in Stilbro' jail."
"Ah, ha!" shouted Helstone. "I haven't been completely idle while you were busy. I've been helping you a bit; I like to think it was a smart move. I figured it was better not to waste time, so while you were talking to that glum-looking guy—Farren, I think his name is—I opened this back window, called out to Murgatroyd, who was in the stable, to get Mr. Sykes's cart ready; then I sneaked Sugden and brother Moses—wooden leg and all—through the opening, and I watched them hop into the cart (always with our good friend Sykes's permission, of course). Sugden grabbed the reins—he drives like a pro—and in about a quarter of an hour, Barraclough will be secure in Stilbro' jail."
"Very good; thank you," said Moore; "and good-morning, gentlemen," he added, and so politely conducted them to the door, and saw them clear of his premises.
"Very good; thank you," said Moore; "and good morning, gentlemen," he added, and then politely escorted them to the door, making sure they left his property.
He was a taciturn, serious man the rest of the day. He did not even bandy a repartee with Joe Scott, who, for his part, said to his master only just what was absolutely[Pg 126] necessary to the progress of business, but looked at him a good deal out of the corners of his eyes, frequently came to poke the counting-house fire for him, and once, as he was locking up for the day (the mill was then working short time, owing to the slackness of trade), observed that it was a grand evening, and he "could wish Mr. Moore to take a bit of a walk up th' Hollow. It would do him good."
He was a quiet, serious man for the rest of the day. He didn’t even banter with Joe Scott, who, for his part, only said the bare minimum necessary for business but often glanced at him from the corners of his eyes, frequently came to tend to the counting-house fire for him, and once, as he was locking up for the day (the mill was running on reduced hours due to slow trade), remarked that it was a lovely evening and that he "would suggest Mr. Moore take a little walk up the Hollow. It would do him good."
At this recommendation Mr. Moore burst into a short laugh, and after demanding of Joe what all this solicitude meant, and whether he took him for a woman or a child, seized the keys from his hand, and shoved him by the shoulders out of his presence. He called him back, however, ere he had reached the yard-gate.
At this suggestion, Mr. Moore let out a brief laugh, and after asking Joe what all this concern was about, and whether he thought he was a woman or a child, he grabbed the keys from his hand and pushed him by the shoulders out of his sight. However, he called him back before Joe could reach the yard gate.
"Joe, do you know those Farrens? They are not well off, I suppose?"
"Joe, do you know the Farrens? I guess they're not doing too well financially?"
"They cannot be well off, sir, when they've not had work as a three month. Ye'd see yoursel' 'at William's sorely changed—fair paired. They've selled most o' t' stuff out o' th' house."
"They can't be doing well, sir, when they haven't had work in three months. You'd see for yourself that William is really changed—looking worn out. They've sold most of the stuff from the house."
"He was not a bad workman?"
"He wasn't a bad worker?"
"Ye never had a better, sir, sin' ye began trade."
"You've never had a better deal, sir, since you started trading."
"And decent people—the whole family?"
"And good people—the whole family?"
"Niver dacenter. Th' wife's a raight cant body, and as clean—ye mught eat your porridge off th' house floor. They're sorely comed down. I wish William could get a job as gardener or summat i' that way; he understands gardening weel. He once lived wi' a Scotchman that tached him the mysteries o' that craft, as they say."
"Niver dacenter. The wife's a real character, and as clean—you could eat your porridge off the floor of the house. They've really fallen on hard times. I wish William could find a job as a gardener or something like that; he really knows his stuff when it comes to gardening. He once lived with a Scotsman who taught him the secrets of that trade, as they say."
"Now, then, you can go, Joe. You need not stand there staring at me."
"Alright, Joe, you can go now. You don't have to just stand there looking at me."
"Ye've no orders to give, sir?"
"Do you have any orders, sir?"
"None, but for you to take yourself off."
"None, except for you to leave."
Which Joe did accordingly.
Which Joe did as told.
Spring evenings are often cold and raw, and though this had been a fine day, warm even in the morning and meridian sunshine, the air chilled at sunset, the ground crisped, and ere dusk a hoar frost was insidiously stealing over growing grass and unfolding bud. It whitened the pavement in front of Briarmains (Mr. Yorke's residence), and made silent havoc among the tender plants in his garden, and on the mossy level of his lawn. As to that great tree, strong-trunked and broad-armed, which guarded the gable nearest the road, it seemed to defy a spring-night frost to harm its[Pg 127] still bare boughs; and so did the leafless grove of walnut-trees rising tall behind the house.
Spring evenings are often chilly and damp, and even though it had been a lovely day, warm in the morning and bright with sunshine, the air grew cold at sunset, the ground hardened, and before dusk a hoar frost was quietly spreading over the growing grass and budding flowers. It covered the pavement in front of Briarmains (Mr. Yorke's home) and wreaked silent havoc among the delicate plants in his garden and on the mossy area of his lawn. As for that big tree, sturdy and wide-branched, that stood by the gable closest to the road, it seemed to challenge a spring night’s frost to touch its still bare branches; and the leafless grove of walnut trees standing tall behind the house did the same.
In the dusk of the moonless if starry night, lights from windows shone vividly. This was no dark or lonely scene, nor even a silent one. Briarmains stood near the highway. It was rather an old place, and had been built ere that highway was cut, and when a lane winding up through fields was the only path conducting to it. Briarfield lay scarce a mile off; its hum was heard, its glare distinctly seen. Briar Chapel, a large, new, raw Wesleyan place of worship, rose but a hundred yards distant; and as there was even now a prayer-meeting being held within its walls, the illumination of its windows cast a bright reflection on the road, while a hymn of a most extraordinary description, such as a very Quaker might feel himself moved by the Spirit to dance to, roused cheerily all the echoes of the vicinage. The words were distinctly audible by snatches. Here is a quotation or two from different strains; for the singers passed jauntily from hymn to hymn and from tune to tune, with an ease and buoyancy all their own:—
In the twilight of a starry night without a moon, lights from windows glowed brightly. This wasn't a dark or lonely scene, nor was it quiet. Briarmains stood near the highway. It was quite an old place, built before the road was created, when a narrow lane winding through fields was the only way to get there. Briarfield was barely a mile away; its buzz could be heard, and its lights were clearly visible. Briar Chapel, a large and new Wesleyan church, was just a hundred yards away; and since a prayer meeting was happening inside, the light from its windows reflected brightly on the road, while an unusual hymn, one that might inspire even a Quaker to dance, cheerfully echoed through the area. The words could be heard in snippets. Here are a few quotes from different verses, as the singers moved playfully from hymn to hymn and from tune to tune, with a unique ease and lift of their own:—
This struggle and pain,
This anxiety and conflict? Plague, earthquake, and famine,
And chaos and war,
The amazing arrival Proclaim Jesus!
Is terrible and loud:
The warrior's joy Is killing and blood,
His enemies are overturning,
Until all shall expire:
And this is with fire,
And fuel, and fire!
Here followed an interval of clamorous prayer, accompanied by fearful groans. A shout of "I've found liberty!" "Doad o' Bill's has fun' liberty!" rang from the chapel, and out all the assembly broke again.
Here came a loud outburst of prayer, mixed with fearful groans. A shout of "I’ve found freedom!" "Doad o’ Bill’s has found freedom!" echoed from the chapel, and everyone in the assembly burst out again.
What a paradise of joy!
How unbelievably happy am I![Pg 128]
Joined the group,
With Your people enrolled,
To live and die with Your people!
And proudly declare His incredible wealth of grace!
That has chosen to approve And make the work of my hands successful.
With my shepherd's staff I crossed the stream,
And look, I am divided into groups!
Has given me these? And ask where they came from.
My heart fully responds,
They come from the skies,
"And gives glory to God and the Lamb!"
The stanza which followed this, after another and longer interregnum of shouts, yells, ejaculations, frantic cries, agonized groans, seemed to cap the climax of noise and zeal.
The stanza that came after this, following another longer break filled with shouts, yells, exclamations, frantic cries, and agonized groans, seemed to reach the peak of noise and enthusiasm.
Tophet opened wide to welcome us; Mercy flew to our rescue,
Broke the trap and led us out.
Still uneaten we remain,
Pass secure the floodwaters,
Hanging onto the arm of God.
(Terrible, most distracting to the ear, was the strained shout in which the last stanza was given.)
(Terrible and extremely distracting to the ear was the strained shout in which the last stanza was delivered.)
Shout in the refiner's fire,
Let's clap our hands in the fire,
"Give glory to Jesus' name!"
The roof of the chapel did not fly off, which speaks volumes in praise of its solid slating.
The roof of the chapel didn’t blow off, which really shows how well it was built.
[Pg 129]But if Briar Chapel seemed alive, so also did Briarmains, though certainly the mansion appeared to enjoy a quieter phase of existence than the temple. Some of its windows too were aglow; the lower casements opened upon the lawn; curtains concealed the interior, and partly obscured the ray of the candles which lit it, but they did not entirely muffle the sound of voice and laughter. We are privileged to enter that front door, and to penetrate to the domestic sanctum.
[Pg129Please provide a short phrase for me to modernize.But if Briar Chapel felt lively, so did Briarmains, although the mansion seemed to be in a more tranquil phase than the temple. Some of its windows were lit up; the lower windows opened onto the lawn; curtains hid the interior and partially blocked the light from the candles inside, but they didn't completely drown out the sounds of voices and laughter. We have the chance to walk through that front door and step into the heart of the home.
It is not the presence of company which makes Mr. Yorke's habitation lively, for there is none within it save his own family, and they are assembled in that farthest room to the right, the back parlour.
It’s not the company that makes Mr. Yorke’s home lively, because the only people there are his own family, and they’re gathered in that farthest room to the right, the back parlor.
This is the usual sitting-room of an evening. Those windows would be seen by daylight to be of brilliantly-stained glass, purple and amber the predominant hues, glittering round a gravely-tinted medallion in the centre of each, representing the suave head of William Shakespeare, and the serene one of John Milton. Some Canadian views hung on the walls—green forest and blue water scenery—and in the midst of them blazes a night-eruption of Vesuvius; very ardently it glows, contrasted with the cool foam and azure of cataracts, and the dusky depths of woods.
This is the typical living room in the evening. Those windows, in daylight, would show off their brightly stained glass, with purple and amber as the main colors, sparkling around a muted medallion in the center of each, featuring the smooth face of William Shakespeare and the calm one of John Milton. Some Canadian landscapes are hanging on the walls—scenes of green forests and blue waters—and in the middle of them is a vibrant eruption of Vesuvius; it glows intensely, contrasting with the cool foam and blue of waterfalls, and the dark depths of the woods.
The fire illuminating this room, reader, is such as, if you be a southern, you do not often see burning on the hearth of a private apartment. It is a clear, hot coal fire, heaped high in the ample chimney. Mr. Yorke will have such fires even in warm summer weather. He sits beside it with a book in his hand, a little round stand at his elbow supporting a candle; but he is not reading—he is watching his children. Opposite to him sits his lady—a personage whom I might describe minutely, but I feel no vocation to the task. I see her, though, very plainly before me—a large woman of the gravest aspect, care on her front and on her shoulders, but not overwhelming, inevitable care, rather the sort of voluntary, exemplary cloud and burden people ever carry who deem it their duty to be gloomy. Ah, well-a-day! Mrs. Yorke had that notion, and grave as Saturn she was, morning, noon, and, night; and hard things she thought if any unhappy wight—especially of the female sex—who dared in her presence to show the light of a gay heart on a sunny countenance. In her estimation, to be mirthful was to be profane, to be cheerful was to be frivolous.[Pg 130] She drew no distinctions. Yet she was a very good wife, a very careful mother, looked after her children unceasingly, was sincerely attached to her husband; only the worst of it was, if she could have had her will, she would not have permitted him to have any friend in the world beside herself. All his relations were insupportable to her, and she kept them at arm's length.
The fire lighting up this room, reader, is something that, if you’re from the South, you don’t often see burning in a private home. It’s a bright, hot coal fire, stacked high in the spacious chimney. Mr. Yorke will have such fires even in the sweltering summer. He’s sitting next to it with a book in his hand, a small round stand beside him holding a candle; but he isn’t reading—he’s watching his kids. Across from him sits his wife—a person I could describe in detail, but I don’t feel inclined to do so. I do see her very clearly—a large woman with a serious expression, carrying a bit of worry on her forehead and shoulders, but not overwhelming, unavoidable worry; it’s more like the kind of self-imposed cloud and burden that those feel who think it’s their duty to be gloomy. Oh, dear! Mrs. Yorke had that mindset, and as serious as Saturn she was, morning, noon, and night; she thought harshly of anyone—especially women—who dared to show a bright and happy face in her presence. To her, being cheerful was the same as being disrespectful, and being joyful was frivolous.[Pg130Sorry, I can't assist with that. She made no distinctions. Still, she was a very good wife, a diligent mother, always looking after her children, and genuinely devoted to her husband; the only downside was that if she had her way, she wouldn’t have allowed him to have any friends in the world other than her. All his family members were unbearable to her, and she kept them at a distance.
Mr. Yorke and she agreed perfectly well, yet he was naturally a social, hospitable man, an advocate for family unity; and in his youth, as has been said, he liked none but lively, cheerful women. Why he chose her, how they contrived to suit each other, is a problem puzzling enough, but which might soon be solved if one had time to go into the analysis of the case. Suffice it here to say that Yorke had a shadowy side as well as a sunny side to his character, and that his shadowy side found sympathy and affinity in the whole of his wife's uniformly overcast nature. For the rest, she was a strong-minded woman; never said a weak or a trite thing; took stern, democratic views of society, and rather cynical ones of human nature; considered herself perfect and safe, and the rest of the world all wrong. Her main fault was a brooding, eternal, immitigable suspicion of all men, things, creeds, and parties; this suspicion was a mist before her eyes, a false guide in her path, wherever she looked, wherever she turned.
Mr. Yorke and she got along really well, yet he was naturally a social and welcoming person, someone who believed in family unity; and in his younger days, as mentioned, he preferred lively and cheerful women. Why he chose her and how they managed to fit together is quite a puzzle, but it could be figured out if there was time to analyze the situation. It's enough to say that Yorke had a darker side as well as a brighter side to his character, and his darker side found understanding and connection in his wife's consistently gloomy nature. On another note, she was a strong-minded woman; she never said anything weak or cliché; she had strict, democratic views on society and rather cynical opinions about human nature; she thought of herself as perfect and secure, while believing the rest of the world was all wrong. Her main flaw was a constant, unyielding suspicion of all men, things, beliefs, and political parties; this suspicion was like a fog in her vision, a misleading guide in her life, no matter where she looked or turned.
It may be supposed that the children of such a pair were not likely to turn out quite ordinary, commonplace beings; and they were not. You see six of them, reader. The youngest is a baby on the mother's knee. It is all her own yet, and that one she has not yet begun to doubt, suspect, condemn; it derives its sustenance from her, it hangs on her, it clings to her, it loves her above everything else in the world. She is sure of that, because, as it lives by her, it cannot be otherwise, therefore she loves it.
It can be assumed that the children of such a pair were unlikely to be completely ordinary or average; and they weren’t. You see six of them, reader. The youngest is a baby on the mother’s lap. It’s still all hers, and that one she hasn’t begun to doubt, suspect, or criticize; it gets its nourishment from her, it depends on her, it clings to her, it loves her more than anything else in the world. She knows this for sure, because as it thrives on her, it can’t be any other way, so she loves it back.
The two next are girls, Rose and Jessy; they are both now at their father's knee; they seldom go near their mother, except when obliged to do so. Rose, the elder, is twelve years old; she is like her father—the most like him of the whole group—but it is a granite head copied in ivory; all is softened in colour and line. Yorke himself has a harsh face—his daughter's is not harsh, neither is it quite pretty; it is simple, childlike in feature; the round cheeks bloom: as to the gray eyes, they are otherwise than childlike; a serious soul lights them—a young soul[Pg 131] yet, but it will mature, if the body lives; and neither father nor mother have a spirit to compare with it. Partaking of the essence of each, it will one day be better than either—stronger, much purer, more aspiring. Rose is a still, sometimes a stubborn, girl now. Her mother wants to make of her such a woman as she is herself—a woman of dark and dreary duties; and Rose has a mind full-set, thick-sown with the germs of ideas her mother never knew. It is agony to her often to have these ideas trampled on and repressed. She has never rebelled yet; but if hard driven, she will rebel one day, and then it will be once for all. Rose loves her father: her father does not rule her with a rod of iron; he is good to her. He sometimes fears she will not live, so bright are the sparks of intelligence which, at moments, flash from her glance and gleam in her language. This idea makes him often sadly tender to her.
The next two are girls, Rose and Jessy; they're both sitting at their father's knee now, and they rarely go near their mother unless they have to. Rose, the older one, is twelve years old; she resembles her father the most out of the whole group—but it's a tough character in a gentle way; everything about her is softened in color and shape. Yorke himself has a harsh face—his daughter's is not harsh, and it's not exactly pretty either; it has a simple, childlike quality. Her round cheeks are rosy: as for her gray eyes, they're not exactly childlike; a serious spirit shines through them—a young spirit[Pg131I cannot provide a response without a text to modernize. Please provide a phrase. for now, but it will grow if her body holds up; and neither her father nor her mother has a spirit that can compare to hers. Combining the essence of both, she will one day be better than either—stronger, much purer, more ambitious. Rose is quiet and sometimes stubborn. Her mother wants to shape her into a woman like herself—a woman of dark and dreary responsibilities; but Rose has a mind that's full of ideas her mother never understood. It often pains her to have these ideas crushed and suppressed. She hasn't rebelled yet; but if pushed too far, she will rebel one day, and it will be decisive. Rose loves her father: he doesn’t control her harshly; he treats her well. Sometimes he worries she won’t survive, so bright are the flashes of intelligence that occasionally shine in her eyes and come through in her words. This thought makes him often feel a deep tenderness toward her.
He has no idea that little Jessy will die young, she is so gay and chattering, arch, original even now; passionate when provoked, but most affectionate if caressed; by turns gentle and rattling; exacting, yet generous; fearless—of her mother, for instance, whose irrationally hard and strict rule she has often defied—yet reliant on any who will help her. Jessy, with her little piquant face, engaging prattle, and winning ways, is made to be a pet, and her father's pet she accordingly is. It is odd that the doll should resemble her mother feature by feature, as Rose resembles her father, and yet the physiognomy—how different!
He has no idea that little Jessy will die young. She is so cheerful and chatty, playful, and unique even now; passionate when pushed, but very loving when cuddled; sometimes soft and sometimes lively; demanding, yet generous; brave—especially when it comes to her mother, whose unfairly strict rules she often challenges—but also dependent on anyone willing to support her. Jessy, with her cute face, charming chatter, and delightful personality, is meant to be a favorite, and her father’s favorite she certainly is. It's strange that the doll should look exactly like her mother, just as Rose looks like her father, yet their faces—how different!
Mr. Yorke, if a magic mirror were now held before you, and if therein were shown you your two daughters as they will be twenty years from this night, what would you think? The magic mirror is here: you shall learn their destinies—and first that of your little life, Jessy.
Mr. Yorke, if a magic mirror were held up to you right now, and if it showed you your two daughters as they will be twenty years from tonight, what would you think? The magic mirror is here: you will discover their destinies—and first, let's look at your little daughter, Jessy.
Do you know this place? No, you never saw it; but you recognize the nature of these trees, this foliage—the cypress, the willow, the yew. Stone crosses like these are not unfamiliar to you, nor are these dim garlands of everlasting flowers. Here is the place—green sod and a gray marble headstone. Jessy sleeps below. She lived through an April day; much loved was she, much loving. She often, in her brief life, shed tears, she had frequent sorrows; she smiled between, gladdening whatever saw her. Her death was tranquil and happy in Rose's guardian arms, for Rose had been her stay and defence through many trials. The dying and the watching English girls were at[Pg 132] that hour alone in a foreign country, and the soil of that country gave Jessy a grave.
Do you know this place? No, you’ve never seen it; but you recognize the type of trees, the greenery—the cypress, the willow, the yew. Stone crosses like these look familiar to you, as do these faint garlands of everlasting flowers. Here is the spot—green grass and a gray marble headstone. Jessy rests here. She lived through an April day; she was much loved and loved deeply in return. During her short life, she often cried and faced many sorrows; she smiled in between, brightening the lives of those around her. Her passing was peaceful and happy in Rose's protective arms, as Rose had been her support and strength through many challenges. The dying and the watching English girls were at[Pg132I'm sorry, but it seems you've entered a piece of text without any specific phrases for me to modernize. Please provide the phrases you'd like me to work on. that moment alone in a foreign country, and the soil of that country provided Jessy with a grave.
Now, behold Rose two years later. The crosses and garlands looked strange, but the hills and woods of this landscape look still stranger. This, indeed, is far from England; remote must be the shores which wear that wild, luxuriant aspect. This is some virgin solitude. Unknown birds flutter round the skirts of that forest; no European river this, on whose banks Rose sits thinking. The little quiet Yorkshire girl is a lonely emigrant in some region of the southern hemisphere. Will she ever come back?
Now, look at Rose two years later. The crosses and garlands look odd, but the hills and woods in this landscape seem even stranger. This is definitely far from England; the shores that have that wild, lush look must be very distant. This is some untouched wilderness. Unknown birds flit around the edges of that forest; this is no European river where Rose sits lost in thought. The quiet little girl from Yorkshire is now a lonely emigrant in some part of the southern hemisphere. Will she ever return?
The three eldest of the family are all boys—Matthew, Mark, and Martin. They are seated together in that corner, engaged in some game. Observe their three heads: much alike at a first glance; at a second, different; at a third, contrasted. Dark-haired, dark-eyed, red-cheeked are the whole trio; small English features they all possess; all own a blended resemblance to sire and mother; and yet a distinctive physiognomy, mark of a separate character, belongs to each.
The three oldest kids in the family are all boys—Matthew, Mark, and Martin. They’re sitting together in that corner, playing some game. Look at their three heads: they seem similar at first glance; different at a closer look; and distinct again upon further inspection. All three have dark hair, dark eyes, and rosy cheeks; they share small English features; each has a mix of their parents’ traits; and yet each one also has a unique appearance, reflecting their individual personality.
I shall not say much about Matthew, the first-born of the house, though it is impossible to avoid gazing at him long, and conjecturing what qualities that visage hides or indicates. He is no plain-looking boy: that jet-black hair, white brow, high-coloured cheek, those quick, dark eyes, are good points in their way. How is it that, look as long as you will, there is but one object in the room, and that the most sinister, to which Matthew's face seems to bear an affinity, and of which, ever and anon, it reminds you strangely—the eruption of Vesuvius? Flame and shadow seem the component parts of that lad's soul—no daylight in it, and no sunshine, and no pure, cool moonbeam ever shone there. He has an English frame, but, apparently, not an English mind—you would say, an Italian stiletto in a sheath of British workmanship. He is crossed in the game—look at his scowl. Mr. Yorke sees it, and what does he say? In a low voice he pleads, "Mark and Martin, don't anger your brother." And this is ever the tone adopted by both parents. Theoretically, they decry partiality—no rights of primogeniture are to be allowed in that house; but Matthew is never to be vexed, never to be opposed; they avert provocation from him as assiduously as they would avert fire from a barrel of gunpowder. "Concede,[Pg 133] conciliate," is their motto wherever he is concerned. The republicans are fast making a tyrant of their own flesh and blood. This the younger scions know and feel, and at heart they all rebel against the injustice. They cannot read their parents' motives; they only see the difference of treatment. The dragon's teeth are already sown amongst Mr. Yorke's young olive-branches; discord will one day be the harvest.
I won’t say much about Matthew, the eldest of the family, though it’s hard not to stare at him for a long time and wonder what qualities that face hides or reveals. He’s not an unattractive boy: that jet-black hair, white forehead, rosy cheeks, and those quick, dark eyes are notable features. How is it that, no matter how long you look, there’s only one thing in the room that Matthew's face seems to resemble—and it’s the most ominous thing: the eruption of Vesuvius? Flame and shadow seem to make up that boy’s soul—there’s no daylight in him, no sunshine, and no pure, cool moonlight ever shone there. He has a strong English build, but doesn’t seem to have an English mindset—you’d think of an Italian dagger in a British-made sheath. He’s frustrated with the game—just look at that scowl. Mr. Yorke notices it, and what does he say? In a quiet voice, he urges, “Mark and Martin, don’t upset your brother.” This is always how both parents speak. Theoretically, they oppose favoritism—no rights of primogeniture are allowed in their home; yet Matthew is never to be annoyed, never to be challenged; they prevent him from feeling provoked just as carefully as they would keep fire away from a barrel of gunpowder. “Give in, appease,” is their motto regarding him. The parents are quickly turning their own child into a tyrant. The younger siblings know and feel this, and deep down, they all resent the unfairness. They can’t understand their parents’ motives; they only see the difference in how they are treated. The seeds of discord are already sown among Mr. Yorke's young olive branches; conflict will one day be the outcome.
Mark is a bonny-looking boy, the most regular-featured of the family. He is exceedingly calm; his smile is shrewd; he can say the driest, most cutting things in the quietest of tones. Despite his tranquillity, a somewhat heavy brow speaks temper, and reminds you that the smoothest waters are not always the safest. Besides, he is too still, unmoved, phlegmatic, to be happy. Life will never have much joy in it for Mark. By the time he is five-and-twenty he will wonder why people ever laugh, and think all fools who seem merry. Poetry will not exist for Mark, either in literature or in life; its best effusions will sound to him mere rant and jargon. Enthusiasm will be his aversion and contempt. Mark will have no youth; while he looks juvenile and blooming, he will be already middle-aged in mind. His body is now fourteen years of age, but his soul is already thirty.
Mark is a good-looking kid, the one with the most typical features in the family. He’s incredibly calm; his smile is clever; he can deliver the driest, most cutting remarks in the quietest voice. Despite his composure, his somewhat heavy brow suggests a temper and reminds you that calm waters aren’t always the safest. Plus, he’s too still, unresponsive, and unemotional to truly be happy. Life won’t bring much joy for Mark. By the time he’s twenty-five, he’ll wonder why people ever laugh and consider anyone who seems cheerful to be a fool. Poetry won’t mean anything to Mark, whether in books or in life; its best expressions will just sound like meaningless drivel to him. Enthusiasm will be something he dislikes and looks down upon. Mark won’t have a youthful spirit; even though he looks young and vibrant, he’ll already think like someone middle-aged. His body is currently fourteen years old, but his soul feels like it’s already thirty.
Martin, the youngest of the three, owns another nature. Life may, or may not, be brief for him, but it will certainly be brilliant. He will pass through all its illusions, half believe in them, wholly enjoy them, then outlive them. That boy is not handsome—not so handsome as either of his brothers. He is plain; there is a husk upon him, a dry shell, and he will wear it till he is near twenty, then he will put it off. About that period he will make himself handsome. He will wear uncouth manners till that age, perhaps homely garments; but the chrysalis will retain the power of transfiguring itself into the butterfly, and such transfiguration will, in due season, take place. For a space he will be vain, probably a downright puppy, eager for pleasure and desirous of admiration, athirst, too, for knowledge. He will want all that the world can give him, both of enjoyment and lore; he will, perhaps, take deep draughts at each fount. That thirst satisfied, what next? I know not. Martin might be a remarkable man. Whether he will or not, the seer is powerless to predict: on that subject there has been no open vision.
Martin, the youngest of the three, has a different vibe. Life might be short for him, or it might not, but it’s definitely going to be exciting. He will experience all its illusions, partly believe in them, fully enjoy them, and then move past them. That boy isn’t attractive—not as attractive as either of his brothers. He’s plain; he has a rough exterior, a dry shell, and he’ll wear it until he’s almost twenty, then he’ll shed it. Around that time, he will start to look handsome. He’ll have awkward manners until then, maybe even wear unflattering clothes; but the caterpillar will have the potential to transform into a butterfly, and that transformation will happen in due time. For a while, he’ll be vain, probably a total nuisance, chasing after fun and craving attention, with a strong desire for knowledge too. He’ll want everything the world has to offer, both in pleasure and wisdom; he might, perhaps, drink deeply from every source. Once that thirst is quenched, what comes next? I have no idea. Martin could end up being an extraordinary person. Whether he will or not, no one can predict: there has been no clear vision on that matter.
Take Mr. Yorke's family in the aggregate: there is as[Pg 134] much mental power in those six young heads, as much originality, as much activity and vigour of brain, as—divided amongst half a dozen commonplace broods—would give to each rather more than an average amount of sense and capacity. Mr. Yorke knows this, and is proud of his race. Yorkshire has such families here and there amongst her hills and wolds—peculiar, racy, vigorous; of good blood and strong brain; turbulent somewhat in the pride of their strength, and intractable in the force of their native powers; wanting polish, wanting consideration, wanting docility, but sound, spirited, and true-bred as the eagle on the cliff or the steed in the steppe.
Take Mr. Yorke's family overall: there is as much mental power in those six young minds, as much originality, and as much activity and brainpower as—if divided among half a dozen ordinary families—would give each one a little more than an average level of intelligence and ability. Mr. Yorke knows this and takes pride in his lineage. Yorkshire has families like this scattered among her hills and valleys—unique, spirited, and vigorous; of good heritage and strong intellect; somewhat turbulent in their pride and resistant in the strength of their natural abilities; lacking refinement, lacking consideration, lacking submission, but solid, spirited, and true-bred like the eagle on the cliff or the horse on the steppe.
A low tap is heard at the parlour door; the boys have been making such a noise over their game, and little Jessy, besides, has been singing so sweet a Scotch song to her father—who delights in Scotch and Italian songs, and has taught his musical little daughter some of the best—that the ring at the outer door was not observed.
A soft knock is heard at the living room door; the boys have been making a racket over their game, and little Jessy has been singing a sweet Scottish song to her father—who loves Scottish and Italian songs, and has taught his musically talented daughter some of the best—that the knock at the front door went unnoticed.
"Come in," says Mrs. Yorke, in that conscientiously constrained and solemnized voice of hers, which ever modulates itself to a funereal dreariness of tone, though the subject it is exercised upon be but to give orders for the making of a pudding in the kitchen, to bid the boys hang up their caps in the hall, or to call the girls to their sewing—"come in!" And in came Robert Moore.
"Come in," says Mrs. Yorke in her carefully restrained and serious voice, which always adjusts to a somber tone, even when she’s just giving orders for a pudding to be made in the kitchen, telling the boys to hang up their caps in the hall, or calling the girls to do their sewing—"come in!" And in came Robert Moore.
Moore's habitual gravity, as well as his abstemiousness (for the case of spirit decanters is never ordered up when he pays an evening visit), has so far recommended him to Mrs. Yorke that she has not yet made him the subject of private animadversions with her husband; she has not yet found out that he is hampered by a secret intrigue which prevents him from marrying, or that he is a wolf in sheep's clothing—discoveries which she made at an early date after marriage concerning most of her husband's bachelor friends, and excluded them from her board accordingly; which part of her conduct, indeed, might be said to have its just and sensible as well as its harsh side.
Moore's usual seriousness and his self-restraint (he never orders up spirit decanters when he visits in the evening) have so far earned him Mrs. Yorke's favor, so she hasn't made him a topic of private criticism with her husband. She hasn’t yet realized that he’s caught up in a secret affair that makes marriage impossible for him, or that he's a wolf in sheep's clothing—something she discovered early in her marriage about most of her husband's bachelor friends, leading her to exclude them from her gatherings. This part of her behavior could be seen as both justifiable and sensible, as well as harsh.
"Well, is it you?" she says to Mr. Moore, as he comes up to her and gives his hand. "What are you roving about at this time of night for? You should be at home."
"Well, is that you?" she asks Mr. Moore as he approaches and shakes her hand. "What are you wandering around for at this time of night? You should be home."
"Can a single man be said to have a home, madam?" he asks.
"Can a single man really be said to have a home, ma'am?" he asks.
"Pooh!" says Mrs. Yorke, who despises conventional smoothness quite as much as her husband does, and practises[Pg 135] it as little, and whose plain speaking on all occasions is carried to a point calculated, sometimes, to awaken admiration, but oftener alarm—"pooh! you need not talk nonsense to me; a single man can have a home if he likes. Pray, does not your sister make a home for you?"
"Pooh!" says Mrs. Yorke, who dislikes conventional politeness just as much as her husband does, and practices it as little, and whose straightforwardness in all situations is often impressive, but more frequently alarming—"Pooh! You don't have to talk nonsense to me; a single man can have a home if he wants. Doesn't your sister create a home for you?"
"Not she," joined in Mr. Yorke. "Hortense is an honest lass. But when I was Robert's age I had five or six sisters, all as decent and proper as she is; but you see, Hesther, for all that it did not hinder me from looking out for a wife."
"Not her," Mr. Yorke added. "Hortense is a good girl. But when I was Robert's age, I had five or six sisters, all just as respectable as she is; but you see, Hesther, despite that, it didn’t stop me from looking for a wife."
"And sorely he has repented marrying me," added Mrs. Yorke, who liked occasionally to crack a dry jest against matrimony, even though it should be at her own expense. "He has repented it in sackcloth and ashes, Robert Moore, as you may well believe when you see his punishment" (here she pointed to her children). "Who would burden themselves with such a set of great, rough lads as those, if they could help it? It is not only bringing them into the world, though that is bad enough, but they are all to feed, to clothe, to rear, to settle in life. Young sir, when you feel tempted to marry, think of our four sons and two daughters, and look twice before you leap."
"And he really regrets marrying me," added Mrs. Yorke, who occasionally enjoyed making a dry joke about marriage, even at her own expense. "He has regretted it deeply, Robert Moore, as you can see by his punishment" (here she pointed to her children). "Who would choose to take on such a bunch of big, rowdy boys like those, if they had a choice? It’s not just about bringing them into the world, which is tough enough, but then there's feeding them, clothing them, raising them, and helping them settle down. Young man, when you're tempted to get married, think of our four sons and two daughters, and take a good hard look before you jump in."
"I am not tempted now, at any rate. I think these are not times for marrying or giving in marriage."
"I’m not tempted right now, anyway. I don’t think these are good times for getting married or for matchmaking."
A lugubrious sentiment of this sort was sure to obtain Mrs. Yorke's approbation. She nodded and groaned acquiescence; but in a minute she said, "I make little account of the wisdom of a Solomon of your age; it will be upset by the first fancy that crosses you. Meantime, sit down, sir. You can talk, I suppose, as well sitting as standing?"
A sad feeling like this was definitely going to get Mrs. Yorke’s approval. She nodded and sighed in agreement; but a minute later, she said, "I don't think much of the wisdom of a young Solomon like you; it will be thrown off by the first whim that comes your way. In the meantime, sit down, sir. You can talk, I assume, just as well sitting as standing?"
This was her way of inviting her guest to take a chair. He had no sooner obeyed her than little Jessy jumped from her father's knee and ran into Mr. Moore's arms, which were very promptly held out to receive her.
This was her way of inviting her guest to take a seat. As soon as he complied, little Jessy jumped off her father's knee and ran into Mr. Moore's open arms.
"You talk of marrying him," said she to her mother, quite indignantly, as she was lifted lightly to his knee, "and he is married now, or as good. He promised that I should be his wife last summer, the first time he saw me in my new white frock and blue sash. Didn't he, father?" (These children were not accustomed to say papa and mamma; their mother would allow no such "namby-pamby.")
"You talk about marrying him," she said to her mother, quite indignantly, as she was lifted lightly onto his knee, "and he’s married now, or pretty much. He promised that I would be his wife last summer, the first time he saw me in my new white dress and blue sash. Didn't he, Dad?" (These kids weren’t used to saying Mom and Dad; their mother wouldn’t allow such 'childish' terms.)
"Ay, my little lassie, he promised; I'll bear witness.[Pg 136] But make him say it over again now, Jessy. Such as he are only false loons."
"Aye, my little girl, he promised; I'll testify.[Pg136Please provide the text that you would like me to modernize. But have him say it again now, Jessy. People like that are just lying fools."
"He is not false. He is too bonny to be false," said Jessy, looking up to her tall sweetheart with the fullest confidence in his faith.
"He’s not fake. He’s too good-looking to be fake," said Jessy, gazing up at her tall boyfriend with complete trust in his honesty.
"Bonny!" cried Mr. Yorke. "That's the reason that he should be, and proof that he is, a scoundrel."
"Bonny!" shouted Mr. Yorke. "That's why he should be considered a scoundrel, and it's proof that he actually is one."
"But he looks too sorrowful to be false," here interposed a quiet voice from behind the father's chair. "If he was always laughing, I should think he forgot promises soon, but Mr. Moore never laughs."
"But he looks too sad to be fake," a quiet voice from behind the father's chair interjected. "If he was always laughing, I’d think he forgot his promises quickly, but Mr. Moore never laughs."
"Your sentimental buck is the greatest cheat of all, Rose," remarked Mr. Yorke.
"Your sentimental money is the biggest scam of all, Rose," said Mr. Yorke.
"He's not sentimental," said Rose.
"He's not sentimental," Rose said.
Mr. Moore turned to her with a little surprise, smiling at the same time.
Mr. Moore turned to her, a bit surprised, while also smiling.
"How do you know I am not sentimental, Rose?"
"How do you know I'm not sentimental, Rose?"
"Because I heard a lady say you were not."
"Because I heard a woman say you weren't."
"Voilà, qui devient intéressant!" exclaimed Mr. Yorke, hitching his chair nearer the fire. "A lady! That has quite a romantic twang. We must guess who it is.—Rosy, whisper the name low to your father. Don't let him hear."
"Well, this is getting interesting!" exclaimed Mr. Yorke, pulling his chair closer to the fire. "A lady! That's got a bit of a romantic vibe. We need to guess who it is. —Rosy, whisper the name quietly to your dad. Don't let him hear."
"Rose, don't be too forward to talk," here interrupted Mrs. Yorke, in her usual kill-joy fashion, "nor Jessy either. It becomes all children, especially girls, to be silent in the presence of their elders."
"Rose, don't be too eager to speak," Mrs. Yorke interrupted in her usual joy-sapping way, "nor Jessy either. It's expected of all children, especially girls, to be quiet around their elders."
"Why have we tongues, then?" asked Jessy pertly; while Rose only looked at her mother with an expression that seemed to say she should take that maxim in and think it over at her leisure. After two minutes' grave deliberation, she asked, "And why especially girls, mother?"
"Why do we have tongues, then?" Jessy asked cheekily; while Rose simply looked at her mother with an expression that seemed to suggest she should take that saying in and think it over when she had time. After two minutes of serious consideration, she asked, "And why especially girls, mom?"
"Firstly, because I say so; and secondly, because discretion and reserve are a girl's best wisdom."
"First, because I said so; and second, because being careful and keeping things to yourself is a girl's smartest move."
"My dear madam," observed Moore, "what you say is excellent—it reminds me, indeed, of my dear sister's observations; but really it is not applicable to these little ones. Let Rose and Jessy talk to me freely, or my chief pleasure in coming here is gone. I like their prattle; it does me good."
"My dear lady," Moore said, "what you’re saying is great—it actually reminds me of my sister's thoughts; but honestly, it doesn't really apply to these little ones. I want Rose and Jessy to talk to me openly, or else my main reason for coming here is lost. I enjoy their chatter; it lifts my spirits."
"Does it not?" asked Jessy. "More good than if the rough lads came round you.—You call them rough, mother, yourself."
"Does it not?" Jessy asked. "It's better than if the tough guys came around you. You even call them tough yourself, mom."
[Pg 137]"Yes, mignonne, a thousand times more good. I have rough lads enough about me all day long, poulet."
[Pg137]"Yes, sweetheart, a thousand times better. I have enough rough guys around me all day long, darling."
"There are plenty of people," continued she, "who take notice of the boys. All my uncles and aunts seem to think their nephews better than their nieces, and when gentlemen come here to dine, it is always Matthew, and Mark, and Martin that are talked to, and never Rose and me. Mr. Moore is our friend, and we'll keep him.—But mind, Rose, he's not so much your friend as he is mine. He is my particular acquaintance; remember that!" And she held up her small hand with an admonitory gesture.
"There are plenty of people," she continued, "who pay attention to the boys. All my uncles and aunts seem to believe their nephews are better than their nieces, and when gentlemen come here for dinner, it’s always Matthew, Mark, and Martin who get spoken to, and never Rose and me. Mr. Moore is our friend, and we’ll keep him.—But remember, Rose, he’s not as much your friend as he is mine. He is my particular acquaintance; keep that in mind!" And she raised her small hand in a warning gesture.
Rose was quite accustomed to be admonished by that small hand. Her will daily bent itself to that of the impetuous little Jessy. She was guided, overruled by Jessy in a thousand things. On all occasions of show and pleasure Jessy took the lead, and Rose fell quietly into the background; whereas, when the disagreeables of life—its work and privations—were in question, Rose instinctively took upon her, in addition to her own share, what she could of her sister's. Jessy had already settled it in her mind that she, when she was old enough, was to be married; Rose, she decided, must be an old maid, to live with her, look after her children, keep her house. This state of things is not uncommon between two sisters, where one is plain and the other pretty; but in this case, if there was a difference in external appearance, Rose had the advantage: her face was more regular-featured than that of the piquant little Jessy. Jessy, however, was destined to possess, along with sprightly intelligence and vivacious feeling, the gift of fascination, the power to charm when, where, and whom she would. Rose was to have a fine, generous soul, a noble intellect profoundly cultivated, a heart as true as steel, but the manner to attract was not to be hers.
Rose was quite used to being scolded by that small hand. Every day, her will adjusted to that of the headstrong little Jessy. Jessy guided and overruled Rose in countless ways. Whenever there were events or fun activities, Jessy took charge, and Rose quietly faded into the background; however, when it came to life’s challenges—work and hardships—Rose instinctively took on, in addition to her own responsibilities, whatever she could of her sister's. Jessy had already decided that when she was old enough, she would get married; she figured Rose would have to be an old maid, living with her, taking care of her kids, and managing her home. This situation isn’t uncommon between two sisters, especially when one is plain and the other is pretty; but in this case, if there was any difference in looks, Rose had the edge: her face was more regular-featured than that of the lively little Jessy. Jessy, on the other hand, was destined to have, along with her quick wit and lively emotions, the gift of allure, the ability to charm whenever and wherever she pleased. Rose was to have a kind, generous soul, a deeply cultivated noble intellect, and a heart as true as steel, but the ability to attract was not meant for her.
"Now, Rose, tell me the name of this lady who denied that I was sentimental," urged Mr. Moore.
"Now, Rose, tell me the name of this woman who claimed I wasn't sentimental," Mr. Moore insisted.
Rose had no idea of tantalization, or she would have held him a while in doubt. She answered briefly, "I can't. I don't know her name."
Rose had no idea what teasing meant, or she would have kept him guessing for a bit. She replied shortly, "I can't. I don't know her name."
"Describe her to me. What was she like? Where did you see her?"
"Tell me about her. What was she like? Where did you see her?"
"When Jessy and I went to spend the day at Whinbury with Kate and Susan Pearson, who were just come home from school, there was a party at Mrs. Pearson's, and some[Pg 138] grown-up ladies were sitting in a corner of the drawing-room talking about you."
"When Jessy and I went to spend the day at Whinbury with Kate and Susan Pearson, who had just come home from school, there was a party at Mrs. Pearson's, and some[Pg138I'm sorry, but I can't help with that.grown-up ladies were sitting in a corner of the living room talking about you."
"Did you know none of them?"
"Did you not know any of them?"
"Hannah, and Harriet, and Dora, and Mary Sykes."
"Hannah, Harriet, Dora, and Mary Sykes."
"Good. Were they abusing me, Rosy?"
"Good. Were they mistreating me, Rosy?"
"Some of them were. They called you a misanthrope. I remember the word. I looked for it in the dictionary when I came home. It means a man-hater."
"Some of them were. They called you a misanthrope. I remember the word. I looked it up in the dictionary when I got home. It means someone who hates people."
"What besides?"
"What else?"
"Hannah Sykes said you were a solemn puppy."
"Hannah Sykes said you were a serious puppy."
"Better!" cried Mr. Yorke, laughing. "Oh, excellent! Hannah! that's the one with the red hair—a fine girl, but half-witted."
"Better!" shouted Mr. Yorke, laughing. "Oh, excellent! Hannah! That's the one with the red hair—a great girl, but a bit simple."
"She has wit enough for me, it appears," said Moore. "A solemn puppy, indeed! Well, Rose, go on."
"She seems to have enough wit for me," said Moore. "What a serious little thing! Anyway, Rose, continue."
"Miss Pearson said she believed there was a good deal of affectation about you, and that with your dark hair and pale face you looked to her like some sort of a sentimental noodle."
"Miss Pearson said she thought you were pretty affected, and that with your dark hair and pale face, you looked to her like a sentimental fool."
Again Mr. Yorke laughed. Mrs. Yorke even joined in this time. "You see in what esteem you are held behind your back," said she; "yet I believe that Miss Pearson would like to catch you. She set her cap at you when you first came into the country, old as she is."
Again Mr. Yorke laughed. Mrs. Yorke even joined in this time. "You see how highly you’re regarded when you’re not around," she said; "yet I believe that Miss Pearson would like to get your attention. She tried to flirt with you when you first arrived in the country, despite her age."
"And who contradicted her, Rosy?" inquired Moore.
"And who went against her, Rosy?" asked Moore.
"A lady whom I don't know, because she never visits here, though I see her every Sunday at church. She sits in the pew near the pulpit. I generally look at her, instead of looking at my prayer-book, for she is like a picture in our dining-room, that woman with the dove in her hand—at least she has eyes like it, and a nose too, a straight nose, that makes all her face look, somehow, what I call clear."
"A woman I don't know because she never comes here, even though I see her every Sunday at church. She sits in the pew near the front. I usually watch her instead of focusing on my prayer book because she reminds me of a picture we have in our dining room, the one with the woman holding a dove—at least her eyes are like that, and her nose too, a straight nose that gives her face a sort of clarity."
"And you don't know her!" exclaimed Jessy, in a tone of exceeding surprise. "That's so like Rose. Mr. Moore, I often wonder in what sort of a world my sister lives. I am sure she does not live all her time in this. One is continually finding out that she is quite ignorant of some little matter which everybody else knows. To think of her going solemnly to church every Sunday, and looking all service-time at one particular person, and never so much as asking that person's name. She means Caroline Helstone, the rector's niece. I remember all about it. Miss Helstone was quite angry with Anne Pearson. She said,[Pg 139] 'Robert Moore is neither affected nor sentimental; you mistake his character utterly, or rather not one of you here knows anything about it.' Now, shall I tell you what she is like? I can tell what people are like, and how they are dressed, better than Rose can."
"And you don't know her!" Jessy exclaimed, sounding really surprised. "That's so like Rose. Mr. Moore, I often wonder what kind of world my sister lives in. I'm sure she doesn't spend all her time in this one. You keep discovering that she's completely unaware of some little things that everyone else knows. Just think about her going to church every Sunday, staring at one specific person the entire time, and never even asking for that person's name. She means Caroline Helstone, the rector's niece. I remember it all clearly. Miss Helstone was pretty annoyed with Anne Pearson. She said, [Pg139Sorry, I can't process that without content. Please provide the text you'd like me to modernize. 'Robert Moore is neither affected nor sentimental; you completely misjudge his character, or actually none of you here know anything about it.' Now, should I tell you what she's like? I can describe how people look and what they're wearing better than Rose can."
"Let us hear."
"Let's hear it."
"She is nice; she is fair; she has a pretty white slender throat; she has long curls, not stiff ones—they hang loose and soft, their colour is brown but not dark; she speaks quietly, with a clear tone; she never makes a bustle in moving; she often wears a gray silk dress; she is neat all over—her gowns, and her shoes, and her gloves always fit her. She is what I call a lady, and when I am as tall as she is, I mean to be like her. Shall I suit you if I am? Will you really marry me?"
"She's nice; she's pretty; she has a lovely, slender neck; her long curls aren't stiff—they hang down loose and soft, and they're a light brown, not dark; she speaks softly with a clear voice; she never rushes when she moves; she often wears a gray silk dress; she looks neat all over—her dresses, shoes, and gloves always fit her perfectly. She's what I consider a lady, and when I grow as tall as she is, I want to be like her. Would you be happy with me if I am? Will you really marry me?"
Moore stroked Jessy's hair. For a minute he seemed as if he would draw her nearer to him, but instead he put her a little farther off.
Moore brushed Jessy's hair. For a moment, it seemed like he would pull her closer, but instead, he moved her just a bit further away.
"Oh! you won't have me? You push me away."
"Oh! you don't want me? You keep pushing me away."
"Why, Jessy, you care nothing about me. You never come to see me now at the Hollow."
"Why, Jessy, you don't care about me at all. You never come to visit me at the Hollow anymore."
"Because you don't ask me."
"Because you never ask me."
Hereupon Mr. Moore gave both the little girls an invitation to pay him a visit next day, promising that, as he was going to Stilbro' in the morning, he would buy them each a present, of what nature he would not then declare, but they must come and see. Jessy was about to reply, when one of the boys unexpectedly broke in,—
Hereupon Mr. Moore invited both little girls to visit him the next day, promising that since he would be going to Stilbro' in the morning, he would buy each of them a present, though he wouldn’t say what it would be, but they would have to come and see. Jessy was about to respond when one of the boys unexpectedly interrupted,—
"I know that Miss Helstone you have all been palavering about. She's an ugly girl. I hate her. I hate all womenites. I wonder what they were made for."
"I know you've all been talking about Miss Helstone. She's not attractive. I can't stand her. I can't stand any of those women. I wonder what they were created for."
"Martin!" said his father, for Martin it was. The lad only answered by turning his cynical young face, half-arch, half-truculent, towards the paternal chair. "Martin, my lad, thou'rt a swaggering whelp now; thou wilt some day be an outrageous puppy. But stick to those sentiments of thine. See, I'll write down the words now i' my pocket-book." (The senior took out a morocco-covered book, and deliberately wrote therein.) "Ten years hence, Martin, if thou and I be both alive at that day, I'll remind thee of that speech."
"Martin!" said his father, and it was indeed Martin. The boy only responded by turning his cynical young face, half playful, half defiant, toward his father's chair. "Martin, my boy, you're a cocky little brat now; someday you'll be an absolute nuisance. But hold on to those feelings of yours. Look, I’ll write down your words in my notebook." (The father took out a leather-covered book and carefully wrote in it.) "Ten years from now, Martin, if we’re both still around, I’ll remind you of what you said."
"I'll say the same then. I mean always to hate women. They're such dolls; they do nothing but dress themselves[Pg 140] finely, and go swimming about to be admired. I'll never marry. I'll be a bachelor."
"I’ll say the same now. I mean to always hate women. They’re like dolls; they just focus on looking good and swimming around to get attention. I’ll never get married. I’ll stay a bachelor."
"Stick to it! stick to it!—Hesther" (addressing his wife), "I was like him when I was his age—a regular misogamist; and, behold! by the time I was three-and-twenty—being then a tourist in France and Italy, and the Lord knows where—I curled my hair every night before I went to bed, and wore a ring i' my ear, and would have worn one i' my nose if it had been the fashion, and all that I might make myself pleasing and charming to the ladies. Martin will do the like."
"Stick with it! Stick with it!" Hesther (talking to his wife) said, "I was just like him when I was his age—a total woman hater; and look! By the time I was twenty-three—when I was traveling through France and Italy, and who knows where else—I curled my hair every night before bed, wore an earring, and would have worn a nose ring if it had been popular, all to make myself appealing and charming to the ladies. Martin will do the same."
"Will I? Never! I've more sense. What a guy you were, father! As to dressing, I make this vow: I'll never dress more finely than as you see me at present.—Mr. Moore, I'm clad in blue cloth from top to toe, and they laugh at me, and call me sailor at the grammar-school. I laugh louder at them, and say they are all magpies and parrots, with their coats one colour, and their waistcoats another, and their trousers a third. I'll always wear blue cloth, and nothing but blue cloth. It is beneath a human being's dignity to dress himself in parti-coloured garments."
"Will I? Never! I'm smarter than that. What a guy you were, Dad! As for how I dress, I promise this: I won't dress any fancier than how I look right now. —Mr. Moore, I'm wearing blue cloth from head to toe, and they make fun of me, calling me a sailor at the grammar school. I laugh even harder at them and say they are all magpies and parrots, with their coats one color, their waistcoats another, and their trousers a third. I'll always wear blue cloth, and nothing but blue cloth. It's beneath a person's dignity to dress in mismatched clothes."
"Ten years hence, Martin, no tailor's shop will have choice of colours varied enough for thy exacting taste; no perfumer's stores essences exquisite enough for thy fastidious senses."
"Ten years from now, Martin, no tailor's shop will have a selection of colors that meets your picky taste; no perfume stores will have fragrances delicate enough for your refined senses."
Martin looked disdain, but vouchsafed no further reply. Meantime Mark, who for some minutes had been rummaging amongst a pile of books on a side-table, took the word. He spoke in a peculiarly slow, quiet voice, and with an expression of still irony in his face not easy to describe.
Martin looked at him with contempt but didn’t say anything more. Meanwhile, Mark, who had been sifting through a stack of books on a side table for a few minutes, spoke up. He talked in an unusually slow, calm voice, with a hint of irony on his face that was hard to put into words.
"Mr. Moore," said he, "you think perhaps it was a compliment on Miss Caroline Helstone's part to say you were not sentimental. I thought you appeared confused when my sisters told you the words, as if you felt flattered. You turned red, just like a certain vain little lad at our school, who always thinks proper to blush when he gets a rise in the class. For your benefit, Mr. Moore, I've been looking up the word 'sentimental' in the dictionary, and I find it to mean 'tinctured with sentiment.' On examining further, 'sentiment' is explained to be thought, idea, notion. A sentimental man, then, is one who has thoughts, ideas, notions; an unsentimental man is one destitute of thought, idea, or notion."
"Mr. Moore," he said, "maybe you think it was a compliment from Miss Caroline Helstone when she said you're not sentimental. You seemed a little confused when my sisters told you that, almost as if you felt flattered. You turned red, just like that vain little kid at our school who always blushes when he gets a raise in class. To help you out, Mr. Moore, I've looked up the word 'sentimental' in the dictionary, and it means 'tinged with sentiment.' Digging deeper, 'sentiment' is explained as thought, idea, notion. So, a sentimental man is someone who has thoughts, ideas, and notions; an unsentimental man is someone lacking those things."
And Mark stopped. He did not smile, he did not look[Pg 141] round for admiration. He had said his say, and was silent.
And Mark stopped. He didn’t smile, and he didn’t look[Pg141Sure, please provide the text you'd like me to modernize. around for approval. He had said what he needed to say and was quiet.
"Ma foi! mon ami," observed Mr. Moore to Yorke, "ce sont vraiment des enfants terribles, que les vôtres!"
"Well, my friend," Mr. Moore remarked to Yorke, "your kids are truly a handful!"
Rose, who had been listening attentively to Mark's speech, replied to him, "There are different kinds of thoughts, ideas, and notions," said she, "good and bad. Sentimental must refer to the bad, or Miss Helstone must have taken it in that sense, for she was not blaming Mr. Moore; she was defending him."
Rose, who had been listening closely to Mark's speech, responded to him, "There are different types of thoughts, ideas, and notions," she said, "some good and some bad. Sentimental must refer to the bad, or Miss Helstone must have taken it that way, because she wasn't criticizing Mr. Moore; she was defending him."
"That's my kind little advocate!" said Moore, taking Rose's hand.
"That's my sweet little advocate!" said Moore, taking Rose's hand.
"She was defending him," repeated Rose, "as I should have done had I been in her place, for the other ladies seemed to speak spitefully."
"She was defending him," Rose repeated, "just like I would have if I were in her shoes, because the other ladies seemed to be speaking meanly."
"Ladies always do speak spitefully," observed Martin. "It is the nature of womenites to be spiteful."
“Women really do talk cruelly,” Martin noted. “It’s in the nature of women to be spiteful.”
Matthew now, for the first time, opened his lips. "What a fool Martin is, to be always gabbling about what he does not understand!"
Matthew now, for the first time, spoke up. "What a fool Martin is, always ranting about things he doesn't understand!"
"It is my privilege, as a freeman, to gabble on whatever subject I like," responded Martin.
"It’s my privilege, as a free person, to talk about whatever subject I want," Martin replied.
"You use it, or rather abuse it, to such an extent," rejoined the elder brother, "that you prove you ought to have been a slave."
"You use it, or really abuse it, so much," the older brother replied, "that you show you should have been a slave."
"A slave! a slave! That to a Yorke, and from a Yorke! This fellow," he added, standing up at the table, and pointing across it to Matthew—"this fellow forgets, what every cottier in Briarfield knows, that all born of our house have that arched instep under which water can flow—proof that there has not been a slave of the blood for three hundred years."
"A slave! A slave! From a Yorke, and to a Yorke! This guy," he added, standing up at the table and pointing across it to Matthew—"this guy forgets what every tenant in Briarfield knows, that everyone born from our family has that curved arch in their foot that lets water flow—proof that there hasn't been a slave in our bloodline for three hundred years."
"Mountebank!" said Matthew.
"Fraud!" said Matthew.
"Lads, be silent!" exclaimed Mr. Yorke.—"Martin, you are a mischief-maker. There would have been no disturbance but for you."
“Guys, be quiet!” shouted Mr. Yorke. “Martin, you’re a troublemaker. There wouldn’t have been any disturbance if it weren’t for you.”
"Indeed! Is that correct? Did I begin, or did Matthew? Had I spoken to him when he accused me of gabbling like a fool?"
"Really! Is that true? Did I start it, or did Matthew? Had I talked to him when he called me a fool for talking too much?"
"A presumptuous fool!" repeated Matthew.
"A cocky idiot!" repeated Matthew.
Here Mrs. Yorke commenced rocking herself—rather a portentous movement with her, as it was occasionally followed, especially when Matthew was worsted in a conflict, by a fit of hysterics.
Here, Mrs. Yorke started rocking herself—a pretty serious action for her, as it was sometimes followed, especially when Matthew lost a fight, by a bout of hysterics.
[Pg 142]"I don't see why I should bear insolence from Matthew Yorke, or what right he has to use bad language to me," observed Martin.
[Pg142Sure! Please provide the text you would like me to modernize. "I don’t understand why I should put up with Matthew Yorke’s disrespect, or what right he has to talk to me like that," Martin said.
"He has no right, my lad; but forgive your brother until seventy-and-seven times," said Mr. Yorke soothingly.
"He doesn’t have the right, my boy; but forgive your brother up to seventy-seven times," Mr. Yorke said gently.
"Always alike, and theory and practice always adverse!" murmured Martin as he turned to leave the room.
"Always the same, and theory and practice never agree!" murmured Martin as he turned to leave the room.
"Where art thou going, my son?" asked the father.
"Where are you going, my son?" asked the father.
"Somewhere where I shall be safe from insult, if in this house I can find any such place."
"Somewhere I can be safe from insult, if there's such a place in this house."
Matthew laughed very insolently. Martin threw a strange look at him, and trembled through all his slight lad's frame; but he restrained himself.
Matthew laughed rudely. Martin shot him a strange look and trembled throughout his slim body, but he held himself back.
"I suppose there is no objection to my withdrawing?" he inquired.
"I guess there's no problem with me leaving?" he asked.
"No. Go, my lad; but remember not to bear malice."
"No. Go on, my boy; but remember not to hold grudges."
Martin went, and Matthew sent another insolent laugh after him. Rose, lifting her fair head from Moore's shoulder, against which, for a moment, it had been resting, said, as she directed a steady gaze to Matthew, "Martin is grieved, and you are glad; but I would rather be Martin than you. I dislike your nature."
Martin left, and Matthew sent another mocking laugh after him. Rose, lifting her fair head from Moore's shoulder, where it had been resting for a moment, looked steadily at Matthew and said, "Martin is upset, and you are pleased; but I would rather be Martin than you. I dislike who you are."
Here Mr. Moore, by way of averting, or at least escaping, a scene—which a sob from Mrs. Yorke warned him was likely to come on—rose, and putting Jessy off his knee, he kissed her and Rose, reminding them, at the same time, to be sure and come to the Hollow in good time to-morrow afternoon; then, having taken leave of his hostess, he said to Mr. Yorke, "May I speak a word with you?" and was followed by him from the room. Their brief conference took place in the hall.
Here Mr. Moore, trying to avoid, or at least escape, a scene—signaled by a sob from Mrs. Yorke that it was about to happen—stood up, set Jessy down from his lap, kissed her and Rose, and reminded them to be sure to come to the Hollow on time tomorrow afternoon. After saying goodbye to his hostess, he turned to Mr. Yorke and asked, "Can I have a quick word with you?" and Mr. Yorke followed him out of the room. They had a short conversation in the hall.
"Have you employment for a good workman?" asked Moore.
"Do you have a job for a skilled worker?" asked Moore.
"A nonsense question in these times, when you know that every master has many good workmen to whom he cannot give full employment."
"A pointless question nowadays, when you know that every boss has many skilled workers whom he can’t fully employ."
"You must oblige me by taking on this man, if possible."
"You have to help me by dealing with this guy, if you can."
"My lad, I can take on no more hands to oblige all England."
"My boy, I can't take on any more helpers to please all of England."
"It does not signify; I must find him a place somewhere."
"It doesn't matter; I have to find him a place somewhere."
"Who is he?"
"Who's he?"
"William Farren."
"Will Farren."
"I know William. A right-down honest man is William."
"I know William. He's a genuinely honest guy."
[Pg 143]"He has been out of work three months. He has a large family. We are sure they cannot live without wages. He was one of the deputation of cloth-dressers who came to me this morning to complain and threaten. William did not threaten. He only asked me to give them rather more time—to make my changes more slowly. You know I cannot do that: straitened on all sides as I am, I have nothing for it but to push on. I thought it would be idle to palaver long with them. I sent them away, after arresting a rascal amongst them, whom I hope to transport—a fellow who preaches at the chapel yonder sometimes."
[Pg143Please provide a short piece of text for me to modernize."He’s been out of work for three months. He has a big family. I'm sure they can't survive without income. He was part of the group of cloth dressers who came to me this morning to complain and threaten. William didn’t threaten. He just asked me to give them a bit more time—to make my changes more gradually. You know I can’t do that: being squeezed from all sides, I have no choice but to keep moving forward. I thought it would be pointless to talk to them for too long. I sent them away after detaining a troublemaker among them, who I hope to send away—he’s a guy who sometimes preaches at the chapel over there."
"Not Moses Barraclough?"
"Isn’t it Moses Barraclough?"
"Yes."
Yes.
"Ah! you've arrested him? Good! Then out of a scoundrel you're going to make a martyr. You've done a wise thing."
"Ah! you’ve caught him? Great! Then you’re going to turn a villain into a martyr. You’ve made a smart move."
"I've done a right thing. Well, the short and the long of it is, I'm determined to get Farren a place, and I reckon on you to give him one."
"I've done the right thing. So, to sum it up, I'm committed to finding Farren a place, and I’m counting on you to help him get one."
"This is cool, however!" exclaimed Mr. Yorke. "What right have you to reckon on me to provide for your dismissed workmen? What do I know about your Farrens and your Williams? I've heard he's an honest man, but am I to support all the honest men in Yorkshire? You may say that would be no great charge to undertake; but great or little, I'll none of it."
"This is great, though!" Mr. Yorke exclaimed. "What right do you have to expect me to take care of your laid-off workers? What do I know about your Farrens and your Williams? I've heard he's a good guy, but am I supposed to support every honest man in Yorkshire? You might say that wouldn't be such a big deal; but whether big or small, I'm not doing it."
"Come, Mr. Yorke, what can you find for him to do?"
"Come on, Mr. Yorke, what can you find for him to do?"
"I find! You'll make me use language I'm not accustomed to use. I wish you would go home. Here is the door; set off."
"I can't believe it! You're making me use words I'm not used to. I wish you would just go home. Here's the door; go ahead and leave."
Moore sat down on one of the hall chairs.
Moore sat down on one of the chairs in the hall.
"You can't give him work in your mill—good; but you have land. Find him some occupation on your land, Mr. Yorke."
"You can't give him a job in your mill—fine; but you have land. Find him something to do on your land, Mr. Yorke."
"Bob, I thought you cared nothing about our lourdauds de paysans. I don't understand this change."
"Bob, I thought you didn’t care at all about our lourdauds de paysans. I don’t get what’s behind this change."
"I do. The fellow spoke to me nothing but truth and sense. I answered him just as roughly as I did the rest, who jabbered mere gibberish. I couldn't make distinctions there and then. His appearance told what he had gone through lately clearer than his words; but where is the use of explaining? Let him have work."
"I do. The guy talked to me with nothing but honesty and common sense. I replied to him just as brusquely as I did to everyone else, who were just rambling nonsense. I couldn't tell the difference at that moment. His look showed what he had been through recently more clearly than his words; but what's the point of explaining? Let him get to work."
[Pg 144]"Let him have it yourself. If you are so very much in earnest, strain a point."
[Pg144Please provide the text you would like me to modernize."Give it to him yourself. If you really mean it, make an exception."
"If there was a point left in my affairs to strain, I would strain it till it cracked again; but I received letters this morning which showed me pretty clearly where I stand, and it is not far off the end of the plank. My foreign market, at any rate, is gorged. If there is no change—if there dawns no prospect of peace—if the Orders in Council are not, at least, suspended, so as to open our way in the West—I do not know where I am to turn. I see no more light than if I were sealed in a rock, so that for me to pretend to offer a man a livelihood would be to do a dishonest thing."
"If there was any last chance left in my situation, I would push it until it broke again; but I got letters this morning that made it pretty clear where I stand, and it's not far from the end of the line. My foreign market, at least, is completely stuffed. If nothing changes—if there’s no sign of peace—if the Orders in Council aren’t at least paused to open things up for us in the West—I don’t know where I’ll turn next. I see no more hope than if I were sealed in a rock, so pretending to offer someone a job would be dishonest."
"Come, let us take a turn on the front. It is a starlight night," said Mr. Yorke.
"Come, let’s take a walk outside. It’s a starry night," said Mr. Yorke.
They passed out, closing the front door after them, and side by side paced the frost-white pavement to and fro.
They passed out, closing the front door behind them, and walked side by side on the frost-covered pavement back and forth.
"Settle about Farren at once," urged Mr. Moore. "You have large fruit-gardens at Yorke Mills. He is a good gardener. Give him work there."
"Settle Farren in right away," Mr. Moore insisted. "You have big fruit gardens at Yorke Mills. He's a skilled gardener. Put him to work there."
"Well, so be it. I'll send for him to-morrow, and we'll see. And now, my lad, you're concerned about the condition of your affairs?"
"Alright, that's fine. I'll ask for him tomorrow, and we'll figure it out. Now, my boy, are you worried about how things are going for you?"
"Yes, a second failure—which I may delay, but which, at this moment, I see no way finally to avert—would blight the name of Moore completely; and you are aware I had fine intentions of paying off every debt and re-establishing the old firm on its former basis."
"Yes, a second failure—which I might postpone, but which, at this moment, I can’t see how to avoid—would completely ruin the name of Moore; and you know I had good intentions of settling every debt and restoring the old firm to its previous status."
"You want capital—that's all you want."
"You just want money—that's all you care about."
"Yes; but you might as well say that breath is all a dead man wants to live."
"Yes, but you might as well say that breath is all a dead person needs to live."
"I know—I know capital is not to be had for the asking; and if you were a married man, and had a family, like me, I should think your case pretty nigh desperate; but the young and unencumbered have chances peculiar to themselves. I hear gossip now and then about your being on the eve of marriage with this miss and that; but I suppose it is none of it true?"
"I know— I know you can't just ask for money; and if you were a married guy with a family like me, I'd think your situation was pretty hopeless; but young people without responsibilities have their own unique opportunities. I hear rumors every now and then about you being about to get married to this girl or that one; but I guess none of it is true?"
"You may well suppose that. I think I am not in a position to be dreaming of marriage. Marriage! I cannot bear the word; it sounds so silly and utopian. I have settled it decidedly that marriage and love are superfluities, intended only for the rich, who live at ease, and have no[Pg 145] need to take thought for the morrow; or desperations—the last and reckless joy of the deeply wretched, who never hope to rise out of the slough of their utter poverty."
"You might think that. I really don’t think I’m in a place to be dreaming about marriage. Marriage! I can’t stand the word; it sounds so ridiculous and unrealistic. I’ve definitely decided that marriage and love are luxuries meant only for the wealthy, who live comfortably and don’t have to worry about the future; or for those in desperate situations—the last reckless thrill of the deeply miserable, who never expect to escape from the depths of their absolute poverty."
"I should not think so if I were circumstanced as you are. I should think I could very likely get a wife with a few thousands, who would suit both me and my affairs."
"I wouldn't think that if I were in your position. I’d believe I could probably find a wife with a few thousand dollars, who would be right for both me and my situation."
"I wonder where?"
"Where could it be?"
"Would you try if you had a chance?"
"Would you give it a shot if you had the opportunity?"
"I don't know. It depends on—in short, it depends on many things."
"I don't know. It depends on—basically, it depends on a lot of things."
"Would you take an old woman?"
"Will you take an old woman?"
"So would I. Would you take an ugly one?"
"So would I. Would you choose an ugly one?"
"Bah! I hate ugliness and delight in beauty. My eyes and heart, Yorke, take pleasure in a sweet, young, fair face, as they are repelled by a grim, rugged, meagre one. Soft delicate lines and hues please, harsh ones prejudice me. I won't have an ugly wife."
"Ugh! I can't stand ugliness and I love beauty. My eyes and heart, Yorke, find joy in a pretty, young, fair face, while they are turned off by a harsh, rugged, skinny one. Soft, delicate shapes and colors please me, while harsh ones put me off. I won't marry an ugly woman."
"Not if she were rich?"
"Not even if she were rich?"
"Not if she were dressed in gems. I could not love—I could not fancy—I could not endure her. My taste must have satisfaction, or disgust would break out in despotism, or worse—freeze to utter iciness."
"Not even if she were wearing jewels. I could not love her—I could not imagine her—I could not stand her. My taste needs satisfaction, or my disgust would turn into tyranny, or worse—freeze into complete coldness."
"What! Bob, if you married an honest, good-natured, and wealthy lass, though a little hard-favoured, couldn't you put up with the high cheek-bones, the rather wide mouth, and reddish hair?"
"What! Bob, if you married a genuine, kind-hearted, and wealthy girl, even if she wasn't the most attractive, couldn't you deal with the high cheekbones, the somewhat wide mouth, and the reddish hair?"
"I'll never try, I tell you. Grace at least I will have, and youth and symmetry—yes, and what I call beauty."
"I'll never try, I promise you. At least I'll have grace, youth, symmetry—yes, and what I consider beauty."
"And poverty, and a nursery full of bairns you can neither clothe nor feed, and very soon an anxious, faded mother; and then bankruptcy, discredit—a life-long struggle."
"And poverty, along with a house full of kids you can’t clothe or feed, and soon a worried, worn-out mother; and then bankruptcy, shame—a lifetime of struggle."
"Let me alone, Yorke."
"Leave me alone, Yorke."
"If you are romantic, Robert, and especially if you are already in love, it is of no use talking."
"If you're romantic, Robert, and especially if you're already in love, there's no point in talking."
"I am not romantic. I am stripped of romance as bare as the white tenters in that field are of cloth."
"I’m not romantic. I’m as devoid of romance as those white tenters in the field are of fabric."
"Always use such figures of speech, lad; I can understand them. And there is no love affair to disturb your judgment?"
"Always use those kinds of expressions, kid; I can get them. And there aren't any romantic distractions clouding your judgment?"
"I thought I had said enough on that subject before. Love for me? Stuff!"
"I thought I had said enough about that before. Love for me? Please!"
"Well, then, if you are sound both in heart and head,[Pg 146] there is no reason why you should not profit by a good chance if it offers; therefore, wait and see."
"Well, if you're clear-headed and in good spirits,[Pg146I'm sorry, but there seems to be no text provided for me to modernize. Please provide the short piece of text you'd like me to work on. there's no reason you shouldn't take advantage of a good opportunity if it comes your way; so just wait and see."
"You are quite oracular, Yorke."
"You’re pretty prophetic, Yorke."
"I think I am a bit i' that line. I promise ye naught and I advise ye naught; but I bid ye keep your heart up, and be guided by circumstances."
"I think I'm a little bit in that position. I'm not promising you anything and I'm not giving you any advice; but I'm telling you to stay hopeful and let circumstances guide you."
"My namesake the physician's almanac could not speak more guardedly."
"My namesake the physician's almanac couldn't be more careful."
"In the meantime, I care naught about ye, Robert Moore: ye are nothing akin to me or mine, and whether ye lose or find a fortune it maks no difference to me. Go home, now. It has stricken ten. Miss Hortense will be wondering where ye are."[Pg 147]
"In the meantime, I don't care about you, Robert Moore: you are nothing like me or my family, and whether you lose or find a fortune makes no difference to me. Go home now. It's ten o'clock. Miss Hortense will be wondering where you are." [Pg147Please provide the text you'd like modernized.
CHAPTER X.
OLD MAIDS.
Time wore on, and spring matured. The surface of England began to look pleasant: her fields grew green, her hills fresh, her gardens blooming; but at heart she was no better. Still her poor were wretched, still their employers were harassed. Commerce, in some of its branches, seemed threatened with paralysis, for the war continued; England's blood was shed and her wealth lavished—all, it seemed, to attain most inadequate ends. Some tidings there were indeed occasionally of successes in the Peninsula, but these came in slowly; long intervals occurred between, in which no note was heard but the insolent self-felicitations of Bonaparte on his continued triumphs. Those who suffered from the results of the war felt this tedious, and, as they thought, hopeless struggle against what their fears or their interests taught them to regard as an invincible power, most insufferable. They demanded peace on any terms. Men like Yorke and Moore—and there were thousands whom the war placed where it placed them, shuddering on the verge of bankruptcy—insisted on peace with the energy of desperation.
Time went by, and spring arrived. England's landscape started to look nice: her fields were green, her hills were fresh, her gardens were in bloom; but deep down, things hadn’t improved. The poor were still suffering, and their employers were still struggling. Certain sectors of commerce appeared to be on the brink of collapse since the war was ongoing; England's blood was being shed and her wealth wasted—all for, it seemed, very little gain. There were occasional news of victories in the Peninsula, but those reports trickled in slowly; long stretches passed where only Bonaparte's arrogant claims of his ongoing triumphs were heard. Those affected by the war found this frustrating, and the seemingly endless and impossible fight against what they perceived as an unbeatable force was unbearable. They wanted peace at any cost. People like Yorke and Moore—along with thousands who were nearing bankruptcy due to the war—demanded peace with a sense of urgency fueled by desperation.
They held meetings, they made speeches, they got up petitions to extort this boon; on what terms it was made they cared not.
They held meetings, they gave speeches, and they organized petitions to demand this favor; they didn't care what terms were involved.
All men, taken singly, are more or less selfish; and taken in bodies, they are intensely so. The British merchant is no exception to this rule: the mercantile classes illustrate it strikingly. These classes certainly think too exclusively of making money; they are too oblivious of every national consideration but that of extending England's—that is, their own—commerce. Chivalrous feeling, disinterestedness, pride in honour, is too dead in their hearts. A land ruled by them alone would too often make ignominious submission—not at all from the motives Christ teaches, but rather from those Mammon instils. During the late war,[Pg 148] the tradesmen of England would have endured buffets from the French on the right cheek and on the left; their cloak they would have given to Napoleon, and then have politely offered him their coat also, nor would they have withheld their waistcoat if urged; they would have prayed permission only to retain their one other garment, for the sake of the purse in its pocket. Not one spark of spirit, not one symptom of resistance, would they have shown till the hand of the Corsican bandit had grasped that beloved purse; then, perhaps, transfigured at once into British bulldogs, they would have sprung at the robber's throat, and there they would have fastened, and there hung, inveterate, insatiable, till the treasure had been restored. Tradesmen, when they speak against war, always profess to hate it because it is a bloody and barbarous proceeding. You would think, to hear them talk, that they are peculiarly civilized—especially gentle and kindly of disposition to their fellow-men. This is not the case. Many of them are extremely narrow and cold-hearted; have no good feeling for any class but their own; are distant, even hostile, to all others; call them useless; seem to question their right to exist; seem to grudge them the very air they breathe, and to think the circumstance of their eating, drinking, and living in decent houses quite unjustifiable. They do not know what others do in the way of helping, pleasing, or teaching their race; they will not trouble themselves to inquire. Whoever is not in trade is accused of eating the bread of idleness, of passing a useless existence. Long may it be ere England really becomes a nation of shop-keepers!
All men, when considered individually, are somewhat selfish; and when viewed as a group, they're extremely so. The British merchant fits this description perfectly: the business class highlights this fact clearly. These groups certainly focus too much on making money; they are too unaware of any national interests except for expanding England's—that is, their own—trade. Noble feelings, selflessness, and pride in honor are largely absent from their hearts. A land governed solely by them would often submit in shame—not for the reasons Christ teaches, but rather for those that Mammon instills. During the recent war,[Pg148Please provide a short piece of text for me to modernize. the merchants of England would have taken slaps from the French on both cheeks; they would have given their cloak to Napoleon and then politely offered him their coat as well, and would not have hesitated to give up their waistcoat if asked; they would have only requested to keep their one remaining garment for the sake of the money in its pocket. They wouldn’t have shown even a hint of resistance until the Corsican bandit had grabbed that precious purse; then, perhaps transformed into British bulldogs in an instant, they would have lunged at the robber’s throat, clinging on tenaciously until the treasure was returned. Merchants, when they talk against war, always claim to hate it because it’s a bloody and barbaric act. You’d think, listening to them, that they are especially civilized—particularly gentle and kind towards their fellow humans. This isn’t true. Many of them are quite narrow-minded and cold-hearted; they have no goodwill for anyone outside their class; they're aloof, even hostile, to all others; they call them useless; they seem to question their right to exist; they begrudge them the very air they breathe, thinking that the fact that they eat, drink, and live in decent homes is completely unjustifiable. They’re oblivious to what others might be doing to help, please, or educate their fellow humans; they won’t bother to find out. Anyone not in business is accused of living off the fruits of idleness, leading a pointless life. May it be a long time before England truly becomes a nation of shopkeepers!
We have already said that Moore was no self-sacrificing patriot, and we have also explained what circumstances rendered him specially prone to confine his attention and efforts to the furtherance of his individual interest; accordingly, when he felt himself urged a second time to the brink of ruin, none struggled harder than he against the influences which would have thrust him over. What he could do towards stirring agitation in the north against the war he did, and he instigated others whose money and connections gave them more power than he possessed. Sometimes, by flashes, he felt there was little reason in the demands his party made on Government. When he heard of all Europe threatened by Bonaparte, and of all Europe arming to resist him; when he saw Russia menaced, and beheld[Pg 149] Russia rising, incensed and stern, to defend her frozen soil, her wild provinces of serfs, her dark native despotism, from the tread, the yoke, the tyranny of a foreign victor—he knew that England, a free realm, could not then depute her sons to make concessions and propose terms to the unjust, grasping French leader. When news came from time to time of the movements of that man then representing England in the Peninsula, of his advance from success to success—that advance so deliberate but so unswerving, so circumspect but so certain, so "unhasting" but so "unresting;" when he read Lord Wellington's own dispatches in the columns of the newspapers, documents written by modesty to the dictation of truth—Moore confessed at heart that a power was with the troops of Britain, of that vigilant, enduring, genuine, unostentatious sort, which must win victory to the side it led, in the end. In the end! But that end, he thought, was yet far off; and meantime he, Moore, as an individual, would be crushed, his hopes ground to dust. It was himself he had to care for, his hopes he had to pursue; and he would fulfil his destiny.
We’ve already mentioned that Moore wasn’t a self-sacrificing patriot, and we’ve also explained the reasons that made him especially likely to focus on his own interests. So, when he found himself pushed to the edge of disaster for a second time, no one fought harder than he did against the forces that would have sent him over. He did what he could to stir up resistance in the North against the war, and he encouraged others whose wealth and connections gave them more influence than he had. Sometimes, he instinctively felt that there was little justification for the demands his party made on the government. When he heard that all of Europe was threatened by Bonaparte and that everyone was arming to resist him; when he saw Russia in danger and witnessed Russia rising, furious and determined, to defend its frozen land, its wild provinces of serfs, its dark native tyranny from the footsteps, yoke, and oppression of a foreign conqueror—he realized that England, a free nation, could not at that moment send her sons to make concessions or negotiate with the greedy French leader. When updates came from time to time about the movements of that man representing England in the Peninsula, about his steady and successful advance—that advance so careful yet so unwavering, so prudent yet so certain, so "unhasting" yet so "unresting;" when he read Lord Wellington's own dispatches in the newspapers, documents written with modesty but true to the facts—Moore acknowledged deep down that there was a power within Britain's troops, a vigilant, enduring, genuine, and understated force that would ultimately lead to victory. Ultimately! But he believed that victory was still a long way off; in the meantime, he, Moore, as an individual, would be crushed, his hopes reduced to nothing. He had to look after himself, pursue his dreams; and he would fulfill his destiny.
He fulfilled it so vigorously that ere long he came to a decisive rupture with his old Tory friend the rector. They quarrelled at a public meeting, and afterwards exchanged some pungent letters in the newspapers. Mr. Helstone denounced Moore as a Jacobin, ceased to see him, would not even speak to him when they met. He intimated also to his niece, very distinctly, that her communications with Hollow's Cottage must for the present cease; she must give up taking French lessons. The language, he observed, was a bad and frivolous one at the best, and most of the works it boasted were bad and frivolous, highly injurious in their tendency to weak female minds. He wondered (he remarked parenthetically) what noodle first made it the fashion to teach women French. Nothing was more improper for them. It was like feeding a rickety child on chalk and water gruel. Caroline must give it up, and give up her cousins too. They were dangerous people.
He did it so passionately that soon enough he had a serious falling out with his old Tory friend, the rector. They argued at a public meeting and later exchanged some sharp letters in the newspapers. Mr. Helstone called Moore a Jacobin, stopped seeing him, and wouldn’t even speak to him when they crossed paths. He also made it very clear to his niece that her visits to Hollow's Cottage had to stop for now; she had to quit taking French lessons. He pointed out that the language was, at best, bad and trivial, and most of the works it included were also bad and trivial, which could be quite harmful to impressionable female minds. He wondered (he mentioned as a side note) who first made it fashionable to teach women French. It was completely inappropriate for them. It was like feeding a frail child chalk and water porridge. Caroline had to give it up, along with her cousins. They were dangerous people.
Mr. Helstone quite expected opposition to this order; he expected tears. Seldom did he trouble himself about Caroline's movements, but a vague idea possessed him that she was fond of going to Hollow's Cottage; also he suspected that she liked Robert Moore's occasional presence at the rectory. The Cossack had perceived that whereas if Malone stepped in of an evening to make himself sociable and charming,[Pg 150] by pinching the ears of an aged black cat, which usually shared with Miss Helstone's feet the accommodation of her footstool, or by borrowing a fowling-piece, and banging away at a tool shed door in the garden while enough of daylight remained to show that conspicuous mark, keeping the passage and sitting-room doors meantime uncomfortably open for the convenience of running in and out to announce his failures and successes with noisy brusquerie—he had observed that under such entertaining circumstances Caroline had a trick of disappearing, tripping noiselessly upstairs, and remaining invisible till called down to supper. On the other hand, when Robert Moore was the guest, though he elicited no vivacities from the cat, did nothing to it, indeed, beyond occasionally coaxing it from the stool to his knee, and there letting it purr, climb to his shoulder, and rub its head against his cheek; though there was no ear-splitting cracking off of firearms, no diffusion of sulphurous gunpowder perfume, no noise, no boasting during his stay—that still Caroline sat in the room, and seemed to find wondrous content in the stitching of Jew-basket pin-cushions and the knitting of missionary-basket socks.
Mr. Helstone fully expected resistance to this order; he anticipated tears. He rarely concerned himself with Caroline's activities, but he had a vague feeling that she enjoyed visiting Hollow's Cottage; he also suspected that she appreciated Robert Moore's occasional presence at the rectory. The Cossack noticed that while Malone would come over in the evenings, trying to be social and charming—by playfully pinching the ears of an old black cat that usually shared the footstool with Miss Helstone, or borrowing a shotgun to shoot at a tool shed door while there was still enough light to see that obvious target, all while leaving the hallway and sitting room doors inconveniently open so he could rush in and out to announce his failures and successes with loud brashness—he had observed that under such entertaining circumstances, Caroline had a habit of slipping away, quietly heading upstairs and staying out of sight until called down for dinner. On the other hand, when Robert Moore was the guest, although he didn't engage the cat with antics and treated it gently by occasionally coaxing it from the footstool to his lap, where it would purr and climb onto his shoulder to nuzzle against his cheek; even though there was no deafening gunfire, no smell of gunpowder, no noise, and no bragging during his visit—Caroline remained in the room and appeared to find great satisfaction in sewing Jew-basket pin cushions and knitting missionary-basket socks.
She was very quiet, and Robert paid her little attention, scarcely ever addressing his discourse to her; but Mr. Helstone, not being one of those elderly gentlemen who are easily blinded—on the contrary, finding himself on all occasions extremely wide-awake—had watched them when they bade each other good-night. He had just seen their eyes meet once—only once. Some natures would have taken pleasure in the glance then surprised, because there was no harm and some delight in it. It was by no means a glance of mutual intelligence, for mutual love secrets existed not between them. There was nothing then of craft and concealment to offend: only Mr. Moore's eyes, looking into Caroline's, felt they were clear and gentle; and Caroline's eyes, encountering Mr. Moore's, confessed they were manly and searching. Each acknowledged the charm in his or her own way. Moore smiled slightly, and Caroline coloured as slightly. Mr. Helstone could, on the spot, have rated them both. They annoyed him. Why? Impossible to say. If you had asked him what Moore merited at that moment, he would have said a "horsewhip;" if you had inquired into Caroline's deserts, he would have adjudged her a box on the ear; if you had further demanded the reason of such chastisements, he would have stormed[Pg 151] against flirtation and love-making, and vowed he would have no such folly going on under his roof.
She was very quiet, and Robert barely paid her any attention, hardly ever talking to her. But Mr. Helstone, not being one of those older men who are easily fooled—on the contrary, he was always extremely alert—had observed them when they said good-night to each other. He had seen their eyes meet just once—only once. Some people might have found joy in that moment, surprised by the glance, because it held no harm and some pleasure. It wasn’t a look of shared understanding, as they had no romantic secrets between them. There was nothing deceitful to be offended by: Mr. Moore's eyes, looking into Caroline's, found them clear and gentle; and Caroline’s eyes, meeting Mr. Moore’s, admitted they were strong and probing. Each recognized the attraction in their own way. Moore smiled faintly, and Caroline blushed just a little. Mr. Helstone could have scolded them both right then. They irritated him. Why? It was hard to say. If you had asked him what Moore deserved at that moment, he would have said a "horsewhip"; if you had questioned Caroline's faults, he would have said she deserved a slap; and if you had asked why such punishments, he would have ranted against flirting and romance, insisting he wouldn’t allow such nonsense under his roof.
These private considerations, combined with political reasons, fixed his resolution of separating the cousins. He announced his will to Caroline one evening as she was sitting at work near the drawing-room window. Her face was turned towards him, and the light fell full upon it. It had struck him a few minutes before that she was looking paler and quieter than she used to look. It had not escaped him either that Robert Moore's name had never, for some three weeks past, dropped from her lips; nor during the same space of time had that personage made his appearance at the rectory. Some suspicion of clandestine meetings haunted his mind. Having but an indifferent opinion of women, he always suspected them. He thought they needed constant watching. It was in a tone dryly significant he desired her to cease her daily visits to the Hollow. He expected a start, a look of depreciation. The start he saw, but it was a very slight one; no look whatever was directed to him.
These private thoughts, along with political reasons, solidified his decision to separate the cousins. One evening, he shared his decision with Caroline while she was working near the drawing-room window. Her face was turned toward him, and the light illuminated it. A few moments earlier, he had noticed that she looked paler and more subdued than usual. He also realized that Robert Moore's name hadn’t been mentioned by her in about three weeks, and during that same time, Robert hadn’t shown up at the rectory. Doubts about secret meetings lingered in his mind. With a rather low opinion of women, he always felt the need to be suspicious of them. He believed they required constant supervision. In a tone that was dryly pointed, he asked her to stop her daily visits to the Hollow. He anticipated a reaction, some sign of disapproval. He saw a slight flinch, but it was minimal; she didn’t look at him at all.
"Do you hear me?" he asked.
"Do you hear me?" he asked.
"Yes, uncle."
"Sure, uncle."
"Of course you mean to attend to what I say?"
"Of course you plan to pay attention to what I say?"
"Yes, certainly."
"Absolutely."
"And there must be no letter-scribbling to your cousin Hortense—no intercourse whatever. I do not approve of the principles of the family. They are Jacobinical."
"And there must be no writing letters to your cousin Hortense—no communication at all. I don’t agree with the family’s principles. They’re too radical."
"Very well," said Caroline quietly. She acquiesced then. There was no vexed flushing of the face, no gathering tears; the shadowy thoughtfulness which had covered her features ere Mr. Helstone spoke remained undisturbed; she was obedient.
"Alright," Caroline said softly. She agreed then. There was no annoyed flush on her face, no tears welling up; the pensive look that had enveloped her expression before Mr. Helstone spoke remained unchanged; she was compliant.
Yes, perfectly; because the mandate coincided with her own previous judgment; because it was now become pain to her to go to Hollow's Cottage; nothing met her there but disappointment. Hope and love had quitted that little tenement, for Robert seemed to have deserted its precincts. Whenever she asked after him—which she very seldom did, since the mere utterance of his name made her face grow hot—the answer was, he was from home, or he was quite taken up with business. Hortense feared he was killing himself by application. He scarcely ever took a meal in the house; he lived in the counting-house.
Yes, exactly; because the order matched her own earlier feelings; because it had now become painful for her to go to Hollow's Cottage; nothing awaited her there but disappointment. Hope and love had left that small place, as Robert seemed to have abandoned it too. Whenever she asked about him—which she rarely did, since just saying his name made her face flush—the answer was that he was away, or he was too busy with work. Hortense worried that he was exhausting himself with all the effort. He hardly ever ate a meal at home; he lived in the counting-house.
At church only Caroline had the chance of seeing him, and there she rarely looked at him. It was both too much[Pg 152] pain and too much pleasure to look—it excited too much emotion; and that it was all wasted emotion she had learned well to comprehend.
At church, only Caroline had the opportunity to see him, and she rarely glanced in his direction. It was both too painful and too pleasurable to look—it stirred up too much emotion; and she had learned to understand that it was all pointless emotion.
Once, on a dark, wet Sunday, when there were few people at church, and when especially certain ladies were absent, of whose observant faculties and tomahawk tongues Caroline stood in awe, she had allowed her eye to seek Robert's pew, and to rest awhile on its occupant. He was there alone. Hortense had been kept at home by prudent considerations relative to the rain and a new spring chapeau. During the sermon he sat with folded arms and eyes cast down, looking very sad and abstracted. When depressed, the very hue of his face seemed more dusk than when he smiled, and to-day cheek and forehead wore their most tintless and sober olive. By instinct Caroline knew, as she examined that clouded countenance, that his thoughts were running in no familiar or kindly channel; that they were far away, not merely from her, but from all which she could comprehend, or in which she could sympathize. Nothing that they had ever talked of together was now in his mind: he was wrapt from her by interests and responsibilities in which it was deemed such as she could have no part.
Once, on a dark, rainy Sunday, when there were few people at church and certain ladies were especially missing—women whose sharp eyes and cutting remarks Caroline found intimidating—she had let her gaze wander to Robert's pew, pausing to study its occupant. He was there alone. Hortense had stayed home due to sensible concerns about the rain and a new spring hat. During the sermon, he sat with his arms crossed and his eyes downcast, looking very sad and lost in thought. When he was down, the color of his face seemed even darker than when he smiled, and today his cheeks and forehead wore their most muted and serious shade of olive. Instinctively, Caroline sensed, as she looked at his troubled face, that his thoughts were not in a familiar or comforting place; they were far away, not just from her, but from everything she could understand or relate to. None of the topics they had ever discussed were on his mind now; he was wrapped up in concerns and responsibilities that it was thought she couldn't possibly be involved in.
Caroline meditated in her own way on the subject; speculated on his feelings, on his life, on his fears, on his fate; mused over the mystery of "business," tried to comprehend more about it than had ever been told her—to understand its perplexities, liabilities, duties, exactions; endeavoured to realize the state of mind of a "man of business," to enter into it, feel what he would feel, aspire to what he would aspire. Her earnest wish was to see things as they were, and not to be romantic. By dint of effort she contrived to get a glimpse of the light of truth here and there, and hoped that scant ray might suffice to guide her.
Caroline reflected in her own way on the topic; she pondered his emotions, his life, his fears, and his destiny; she thought about the mystery of "business," trying to understand more than she had ever been told—its complexities, responsibilities, demands, and challenges. She worked to grasp the mindset of a "man of business," to connect with it, feel what he would feel, and aim for what he would aim for. Her sincere desire was to see things as they truly were, without any romantic illusions. Through her efforts, she managed to catch glimpses of the light of truth occasionally, hoping that little bit could guide her.
"Different, indeed," she concluded, "is Robert's mental condition to mine. I think only of him; he has no room, no leisure, to think of me. The feeling called love is and has been for two years the predominant emotion of my heart—always there, always awake, always astir. Quite other feelings absorb his reflections and govern his faculties. He is rising now, going to leave the church, for service is over. Will he turn his head towards this pew? No, not once. He has not one look for me. That is hard. A kind glance would have made me happy till to-morrow. I[Pg 153] have not got it; he would not give it; he is gone. Strange that grief should now almost choke me, because another human being's eye has failed to greet mine."
"Different, indeed," she concluded, "is Robert's mental state compared to mine. I think only of him; he has no space, no time, to think of me. The feeling called love has been the main emotion of my heart for two years—always present, always awake, always stirring. Other feelings occupy his thoughts and control his mind. He is getting up now, getting ready to leave the church since the service is over. Will he look towards this pew? No, not once. He doesn't spare me a glance. That hurts. A kind look would have made me happy until tomorrow. I[Pg153] didn't get it; he wouldn't give it; he is gone. It's strange that grief should nearly suffocate me just because another person's gaze has failed to meet mine."
That Sunday evening, Mr. Malone coming, as usual, to pass it with his rector, Caroline withdrew after tea to her chamber. Fanny, knowing her habits, had lit her a cheerful little fire, as the weather was so gusty and chill. Closeted there, silent and solitary, what could she do but think? She noiselessly paced to and fro the carpeted floor, her head drooped, her hands folded. It was irksome to sit; the current of reflection ran rapidly through her mind; to-night she was mutely excited.
That Sunday evening, Mr. Malone came, as usual, to spend time with his rector, so Caroline left after tea to go to her room. Fanny, knowing her routine, had lit a cozy little fire since the weather was so windy and cold. Secluded there, quiet and alone, what could she do but think? She quietly paced back and forth across the carpeted floor, her head down and her hands folded. Sitting still was frustrating; her thoughts raced through her mind; tonight, she felt a silent excitement.
Mute was the room, mute the house. The double door of the study muffled the voices of the gentlemen. The servants were quiet in the kitchen, engaged with books their young mistress had lent them—books which she had told them were "fit for Sunday reading." And she herself had another of the same sort open on the table, but she could not read it. Its theology was incomprehensible to her, and her own mind was too busy, teeming, wandering, to listen to the language of another mind.
The room was silent, the house was quiet. The double door of the study blocked out the conversations of the gentlemen. The servants were hushed in the kitchen, absorbed in the books their young mistress had lent them—books she said were "good for Sunday reading." She had another similar book open on the table, but she couldn’t focus on it. Its theology didn’t make sense to her, and her own mind was too preoccupied, overflowing, and restless to pay attention to what someone else was saying.
Then, too, her imagination was full of pictures—images of Moore, scenes where he and she had been together; winter fireside sketches; a glowing landscape of a hot summer afternoon passed with him in the bosom of Nunnely Wood; divine vignettes of mild spring or mellow autumn moments, when she had sat at his side in Hollow's Copse, listening to the call of the May cuckoo, or sharing the September treasure of nuts and ripe blackberries—a wild dessert which it was her morning's pleasure to collect in a little basket, and cover with green leaves and fresh blossoms, and her afternoon's delight to administer to Moore, berry by berry, and nut by nut, like a bird feeding its fledgling.
Her imagination was filled with vivid pictures—moments with Moore; cozy winter nights by the fire; a bright scene of a hot summer afternoon spent together in Nunnely Wood; beautiful memories of gentle spring or rich autumn days, when she had sat beside him in Hollow's Copse, listening to the call of the May cuckoo, or gathering the September bounty of nuts and ripe blackberries—a wild treat that she loved to collect in a small basket, covering them with green leaves and fresh flowers, and her joy in the afternoon was feeding them to Moore, berry by berry, and nut by nut, like a bird feeding its young.
Robert's features and form were with her; the sound of his voice was quite distinct in her ear; his few caresses seemed renewed. But these joys, being hollow, were, ere long, crushed in. The pictures faded, the voice failed, the visionary clasp melted chill from her hand, and where the warm seal of lips had made impress on her forehead, it felt now as if a sleety rain-drop had fallen. She returned from an enchanted region to the real world: for Nunnely Wood in June she saw her narrow chamber; for the songs of birds in alleys she heard the rain on her casement; for the sigh of the south wind came the sob of the mournful east; and[Pg 154] for Moore's manly companionship she had the thin illusion of her own dim shadow on the wall. Turning from the pale phantom which reflected herself in its outline, and her reverie in the drooped attitude of its dim head and colourless tresses, she sat down—inaction would suit the frame of mind into which she was now declining—she said to herself, "I have to live, perhaps, till seventy years. As far as I know, I have good health; half a century of existence may lie before me. How am I to occupy it? What am I to do to fill the interval of time which spreads between me and the grave?"
Robert’s features and shape were with her; the sound of his voice was clear in her ear; his few touches felt fresh. But these joys, being empty, soon faded away. The images disappeared, the voice quieted, the imagined embrace turned cold in her hand, and where the warm press of lips had left a mark on her forehead, it now felt like a cold raindrop had fallen. She came back from a magical place to the real world: instead of Nunnely Wood in June, she saw her small room; instead of the songs of birds in the alleys, she heard the rain on her window; instead of the sigh of the south wind, she felt the sob of the sorrowful east; and instead of Moore's strong companionship, she had the faint illusion of her own dim shadow on the wall. Turning away from the pale phantom that reflected her outline and her daydream in its slumped posture and colorless hair, she sat down—doing nothing suited the mood she was slipping into—she told herself, “I might have to live until I'm seventy. As far as I know, I'm in good health; half a century of life could be ahead of me. How am I supposed to spend it? What should I do to fill the time that stretches between me and the grave?”
She reflected.
She thought.
"I shall not be married, it appears," she continued. "I suppose, as Robert does not care for me, I shall never have a husband to love, nor little children to take care of. Till lately I had reckoned securely on the duties and affections of wife and mother to occupy my existence. I considered, somehow, as a matter of course, that I was growing up to the ordinary destiny, and never troubled myself to seek any other; but now I perceive plainly I may have been mistaken. Probably I shall be an old maid. I shall live to see Robert married to some one else, some rich lady. I shall never marry. What was I created for, I wonder? Where is my place in the world?"
"I guess I won’t be getting married," she continued. "I suppose since Robert doesn’t care for me, I’ll never have a husband to love or kids to take care of. Until recently, I confidently expected the responsibilities and love of being a wife and mother to fill my life. I thought, somehow, that I was on track for the usual path and never bothered to look for anything else; but now I can clearly see that I might have been wrong. I’ll probably end up being an old maid. I’ll live to see Robert marry someone else, some rich woman. I’ll never get married. What was I made for, I wonder? Where do I fit into the world?"
She mused again.
She thought again.
"Ah! I see," she pursued presently; "that is the question which most old maids are puzzled to solve. Other people solve it for them by saying, 'Your place is to do good to others, to be helpful whenever help is wanted.' That is right in some measure, and a very convenient doctrine for the people who hold it; but I perceive that certain sets of human beings are very apt to maintain that other sets should give up their lives to them and their service, and then they requite them by praise; they call them devoted and virtuous. Is this enough? Is it to live? Is there not a terrible hollowness, mockery, want, craving, in that existence which is given away to others, for want of something of your own to bestow it on? I suspect there is. Does virtue lie in abnegation of self? I do not believe it. Undue humility makes tyranny; weak concession creates selfishness. The Romish religion especially teaches renunciation of self, submission to others, and nowhere are found so many grasping tyrants as in the ranks of the Romish priesthood. Each human being has his share of rights. I suspect it would conduce to the happiness and[Pg 155] welfare of all if each knew his allotment, and held to it as tenaciously as the martyr to his creed. Queer thoughts these that surge in my mind. Are they right thoughts? I am not certain.
"Ah! I see," she continued after a moment; "that's the question that most old maids struggle to figure out. Other people decide it for them by saying, 'Your role is to do good for others and be helpful whenever help is needed.' That makes some sense and is a pretty convenient belief for those who adhere to it; but I notice that certain groups of people tend to think that other groups should dedicate their lives to them and their needs, and then they repay them with praise; they label them as devoted and virtuous. Is that enough? Is that what it means to live? Isn't there a terrible emptiness, mockery, need, and longing in a life given away to others, due to a lack of something of your own to give it to? I suspect there is. Does virtue lie in sacrificing yourself? I don't believe so. Excessive humility leads to tyranny; weak submission breeds selfishness. The Catholic religion, in particular, teaches self-denial and submission to others, and nowhere are there as many grasping tyrants as among the ranks of the Catholic priesthood. Every individual has their share of rights. I think it would benefit everyone's happiness and welfare if each person knew their share and held onto it as passionately as a martyr holds onto their beliefs. Strange thoughts are swirling in my mind. Are they the right thoughts? I'm not sure.
"Well, life is short at the best. Seventy years, they say, pass like a vapour, like a dream when one awaketh; and every path trod by human feet terminates in one bourne—the grave, the little chink in the surface of this great globe, the furrow where the mighty husbandman with the scythe deposits the seed he has shaken from the ripe stem; and there it falls, decays, and thence it springs again, when the world has rolled round a few times more. So much for the body. The soul meantime wings its long flight upward, folds its wings on the brink of the sea of fire and glass, and gazing down through the burning clearness, finds there mirrored the vision of the Christian's triple Godhead—the sovereign Father, the mediating Son, the Creator Spirit. Such words, at least, have been chosen to express what is inexpressible, to describe what baffles description. The soul's real hereafter who shall guess?"
"Well, life is short at best. Seventy years, they say, pass like a vapor, like a dream when you wake up; and every path walked by human feet ends in one place—the grave, the small opening in the surface of this vast globe, the spot where the mighty farmer with the scythe plants the seed he has shaken from the ripe stem; and there it falls, decays, and then springs up again when the world has turned around a few more times. So much for the body. Meanwhile, the soul takes its long flight upward, folds its wings at the edge of the sea of fire and glass, and gazing down through the burning clarity, finds reflected the vision of the Christian's triple God—the sovereign Father, the mediating Son, the Creator Spirit. Such words, at least, have been picked to express what is inexpressible, to describe what defies description. Who can guess the soul's true afterlife?"
Her fire was decayed to its last cinder; Malone had departed; and now the study bell rang for prayers.
Her fire had burned down to its last cinder; Malone was gone; and now the study bell rang for prayers.
The next day Caroline had to spend altogether alone, her uncle being gone to dine with his friend Dr. Boultby, vicar of Whinbury. The whole time she was talking inwardly in the same strain—looking forwards, asking what she was to do with life. Fanny, as she passed in and out of the room occasionally, intent on housemaid errands, perceived that her young mistress sat very still. She was always in the same place, always bent industriously over a piece of work. She did not lift her head to speak to Fanny, as her custom was; and when the latter remarked that the day was fine, and she ought to take a walk, she only said, "It is cold."
The next day, Caroline had to spend the entire day alone, since her uncle had gone to have dinner with his friend Dr. Boultby, the vicar of Whinbury. Throughout the day, she was inwardly reflecting, thinking about what she should do with her life. Fanny, who came in and out of the room for her cleaning duties, noticed that her young mistress was very still. Caroline stayed in the same spot, always focused on a piece of work. She didn’t lift her head to talk to Fanny, as she usually did; and when Fanny remarked that it was a nice day and suggested she take a walk, Caroline simply replied, "It’s cold."
"You are very diligent at that sewing, Miss Caroline," continued the girl, approaching her little table.
"You really are dedicated to that sewing, Miss Caroline," the girl said as she walked over to her small table.
"I am tired of it, Fanny."
"I’m really tired of it, Fanny."
"Then why do you go on with it? Put it down. Read, or do something to amuse you."
"Then why do you keep doing it? Put it down. Read, or do something to entertain yourself."
"It is solitary in this house, Fanny. Don't you think so?"
"It feels lonely in this house, Fanny. Don’t you agree?"
"I don't find it so, miss. Me and Eliza are company for one another; but you are quite too still. You should visit more. Now, be persuaded: go upstairs and dress[Pg 156] yourself smart, and go and take tea, in a friendly way, with Miss Mann or Miss Ainley. I am certain either of those ladies would be delighted to see you."
"I don't see it that way, miss. Eliza and I keep each other company, but you seem too quiet. You should get out more. Now, trust me: go upstairs and put on something nice, and go have tea in a friendly way with Miss Mann or Miss Ainley. I’m sure either of those ladies would be happy to see you."
"But their houses are dismal: they are both old maids. I am certain old maids are a very unhappy race."
"But their houses are gloomy: they are both single women. I'm sure single women are a very unhappy group."
"Not they, miss. They can't be unhappy; they take such care of themselves. They are all selfish."
"Not them, miss. They can't be unhappy; they take such good care of themselves. They're all self-centered."
"Miss Ainley is not selfish, Fanny. She is always doing good. How devotedly kind she was to her step-mother as long as the old lady lived; and now when she is quite alone in the world, without brother or sister, or any one to care for her, how charitable she is to the poor, as far as her means permit! Still nobody thinks much of her, or has pleasure in going to see her; and how gentlemen always sneer at her!"
"Miss Ainley isn't selfish, Fanny. She's always helping others. She was so devoted and kind to her step-mother while the old lady was alive; and now that she's completely alone in the world, with no siblings or anyone who cares for her, she’s really generous to the poor within her means! Yet, nobody really thinks much of her or enjoys visiting her, and the way gentlemen always look down on her is really disappointing!"
"They shouldn't, miss. I believe she is a good woman. But gentlemen think only of ladies' looks."
"They shouldn't, ma'am. I believe she's a good woman. But guys only care about how ladies look."
"I'll go and see her," exclaimed Caroline, starting up; "and if she asks me to stay to tea, I'll stay. How wrong it is to neglect people because they are not pretty, and young, and merry! And I will certainly call to see Miss Mann too. She may not be amiable, but what has made her unamiable? What has life been to her?"
"I'll go and see her," Caroline said, getting up. "And if she asks me to stay for tea, I will. It's so wrong to ignore people just because they're not pretty, young, and cheerful! And I will definitely visit Miss Mann too. She might not be friendly, but what made her that way? What has her life been like?"
Fanny helped Miss Helstone to put away her work, and afterwards assisted her to dress.
Fanny helped Miss Helstone put her work away and then helped her get dressed.
"You'll not be an old maid, Miss Caroline," she said, as she tied the sash of her brown silk frock, having previously smoothed her soft, full, and shining curls; "there are no signs of an old maid about you."
"You won’t be an old maid, Miss Caroline," she said, as she tied the sash of her brown silk dress, having already smoothed her soft, full, and shiny curls; "there are no signs of an old maid in you."
Caroline looked at the little mirror before her, and she thought there were some signs. She could see that she was altered within the last month; that the hues of her complexion were paler, her eyes changed—a wan shade seemed to circle them; her countenance was dejected—she was not, in short, so pretty or so fresh as she used to be. She distantly hinted this to Fanny, from whom she got no direct answer, only a remark that people did vary in their looks, but that at her age a little falling away signified nothing; she would soon come round again, and be plumper and rosier than ever. Having given this assurance, Fanny showed singular zeal in wrapping her up in warm shawls and handkerchiefs, till Caroline, nearly smothered with the weight, was fain to resist further additions.
Caroline glanced at the small mirror in front of her and thought she noticed some changes. She could see that she had changed in the past month; her complexion was paler, her eyes looked different—a wan hue seemed to surround them; her face appeared downcast—she wasn’t, in short, as pretty or as fresh as she used to be. She subtly mentioned this to Fanny, who didn’t give a direct response, only noted that people do vary in their looks, but that at her age, a little weight loss didn’t mean much; she would bounce back soon, looking plumper and rosier than ever. After giving this reassurance, Fanny took extra care to wrap her up in warm shawls and handkerchiefs, until Caroline, nearly overwhelmed by the layers, had to push back against any more additions.
[Pg 157]She paid her visits—first to Miss Mann, for this was the most difficult point. Miss Mann was certainly not quite a lovable person. Till now, Caroline had always unhesitatingly declared she disliked her, and more than once she had joined her cousin Robert in laughing at some of her peculiarities. Moore was not habitually given to sarcasm, especially on anything humbler or weaker than himself; but he had once or twice happened to be in the room when Miss Mann had made a call on his sister, and after listening to her conversation and viewing her features for a time, he had gone out into the garden where his little cousin was tending some of his favourite flowers, and while standing near and watching her he had amused himself with comparing fair youth, delicate and attractive, with shrivelled eld, livid and loveless, and in jestingly repeating to a smiling girl the vinegar discourse of a cankered old maid. Once on such an occasion Caroline had said to him, looking up from the luxuriant creeper she was binding to its frame, "Ah! Robert, you do not like old maids. I, too, should come under the lash of your sarcasm if I were an old maid."
[Pg157I'm sorry, there's no text provided for me to modernize. Please provide a phrase or text.She paid her visits—first to Miss Mann, since this was the most challenging part. Miss Mann was definitely not the easiest person to like. Until now, Caroline had always openly said she disliked her, and she had often joined her cousin Robert in laughing at some of her quirks. Moore didn’t usually resort to sarcasm, especially toward anyone weaker or less confident than himself; however, he had once or twice been in the room when Miss Mann visited his sister. After listening to their conversation and observing her for a while, he had stepped out into the garden where his little cousin was taking care of some of her favorite flowers. While standing nearby and watching her, he had entertained himself by comparing the youthful beauty, fresh and appealing, with the withered old age, pale and unlovable, and jokingly relaying the bitter remarks of a disheartened old maid to a smiling girl. On one of these occasions, Caroline had looked up from the lush vine she was securing to its frame and said to him, "Ah! Robert, you don’t like old maids. I, too, would be subject to your sarcasm if I were an old maid."
"You an old maid!" he had replied. "A piquant notion suggested by lips of that tint and form. I can fancy you, though, at forty, quietly dressed, pale and sunk, but still with that straight nose, white forehead, and those soft eyes. I suppose, too, you will keep your voice, which has another 'timbre' than that hard, deep organ of Miss Mann's. Courage, Cary! Even at fifty you will not be repulsive."
"You’re an old maid!" he had responded. "What a striking idea suggested by lips of that color and shape. I can picture you, though, at forty, dressed modestly, pale and worn, but still with that straight nose, fair forehead, and those gentle eyes. I assume you'll also keep your voice, which has a different quality than that harsh, deep tone of Miss Mann's. Don't lose hope, Cary! Even at fifty, you won’t be unattractive."
"Miss Mann did not make herself, or tune her voice, Robert."
"Miss Mann didn't create herself or adjust her voice, Robert."
"Nature made her in the mood in which she makes her briars and thorns; whereas for the creation of some women she reserves the May morning hours, when with light and dew she wooes the primrose from the turf and the lily from the wood-moss."
"Nature created her in the same way she creates her briars and thorns; but for the making of some women, she saves the early May mornings, when she uses light and dew to coax the primrose from the ground and the lily from the mossy wood."
Ushered into Miss Mann's little parlour, Caroline found her, as she always found her, surrounded by perfect neatness, cleanliness, and comfort (after all, is it not a virtue in old maids that solitude rarely makes them negligent or disorderly?)—no dust on her polished furniture, none on her carpet, fresh flowers in the vase on her table, a bright fire in the grate. She herself sat primly and somewhat[Pg 158] grimly-tidy in a cushioned rocking-chair, her hands busied with some knitting. This was her favourite work, as it required the least exertion. She scarcely rose as Caroline entered. To avoid excitement was one of Miss Mann's aims in life. She had been composing herself ever since she came down in the morning, and had just attained a certain lethargic state of tranquillity when the visitor's knock at the door startled her, and undid her day's work. She was scarcely pleased, therefore, to see Miss Helstone. She received her with reserve, bade her be seated with austerity, and when she got her placed opposite, she fixed her with her eye.
Ushered into Miss Mann's small living room, Caroline found her, as she always did, surrounded by perfect neatness, cleanliness, and comfort (after all, isn’t it a virtue in old maids that solitude rarely makes them careless or messy?)—no dust on her polished furniture, none on her carpet, fresh flowers in the vase on her table, and a bright fire in the grate. Miss Mann herself sat primly and somewhat[Pg158I'm sorry, but there appears to be no specific text provided for me to modernize. Please provide a short phrase of 5 words or fewer for me to work on. grimly tidy in a cushioned rocking chair, her hands busy with some knitting. This was her favorite activity, as it required the least effort. She barely rose as Caroline entered. Avoiding excitement was one of Miss Mann's goals in life. She had been calming herself ever since she got up in the morning and had just reached a certain lethargic state of tranquility when the visitor's knock at the door startled her and disrupted her day's work. Therefore, she was not particularly pleased to see Miss Helstone. She greeted her with reserve, told her to sit down with sternness, and when she got her settled opposite, she fixed her with her gaze.
This was no ordinary doom—to be fixed with Miss Mann's eye. Robert Moore had undergone it once, and had never forgotten the circumstance.
This was no ordinary threat—especially not when Miss Mann was watching. Robert Moore had experienced it once and had never forgotten what happened.
He considered it quite equal to anything Medusa could do. He professed to doubt whether, since that infliction, his flesh had been quite what it was before—whether there was not something stony in its texture. The gaze had had such an effect on him as to drive him promptly from the apartment and house; it had even sent him straightway up to the rectory, where he had appeared in Caroline's presence with a very queer face, and amazed her by demanding a cousinly salute on the spot, to rectify a damage that had been done him.
He thought it was just as bad as anything Medusa could do. He claimed to wonder if, since that incident, his skin had really been the same as before—if there was something stony about its texture. The stare had such an impact on him that it made him quickly leave the apartment and the house; it even sent him straight to the rectory, where he showed up in front of Caroline with a very strange expression and surprised her by asking for a cousinly kiss right then and there to make up for a damage that had been done to him.
Certainly Miss Mann had a formidable eye for one of the softer sex. It was prominent, and showed a great deal of the white, and looked as steadily, as unwinkingly, at you as if it were a steel ball soldered in her head; and when, while looking, she began to talk in an indescribably dry, monotonous tone—a tone without vibration or inflection—you felt as if a graven image of some bad spirit were addressing you. But it was all a figment of fancy, a matter of surface. Miss Mann's goblin grimness scarcely went deeper than the angel sweetness of hundreds of beauties. She was a perfectly honest, conscientious woman, who had performed duties in her day from whose severe anguish many a human Peri, gazelle-eyed, silken-tressed, and silver-tongued, would have shrunk appalled. She had passed alone through protracted scenes of suffering, exercised rigid self-denial, made large sacrifices of time, money, health for those who had repaid her only by ingratitude, and now her main—almost her sole—fault was that she was censorious.
Certainly, Miss Mann had a striking gaze for one of the gentler sex. It was prominent, showing a lot of white, and looked at you as steadily, and as unwaveringly, as if it were a steel ball fixed in her head; and when she began to speak in an indescribably dry, monotonous tone—a tone without any variation or inflection—you felt as if a carved image of some unpleasant spirit was addressing you. But it was all just a figment of imagination, a matter of appearance. Miss Mann's ghostly grimness hardly went deeper than the angelic sweetness of countless beautiful women. She was a perfectly honest, conscientious woman who had fulfilled duties in her time that would have made many a lovely, gazelle-eyed, silky-haired, silver-tongued person recoil in horror. She had navigated long periods of suffering on her own, practiced strict self-denial, and made significant sacrifices of time, money, and health for those who had repaid her only with ingratitude, and now her main—almost her only—flaw was that she tended to be judgmental.
[Pg 159]Censorious she certainly was. Caroline had not sat five minutes ere her hostess, still keeping her under the spell of that dread and Gorgon gaze, began flaying alive certain of the families in the neighbourhood. She went to work at this business in a singularly cool, deliberate manner, like some surgeon practising with his scalpel on a lifeless subject. She made few distinctions; she allowed scarcely any one to be good; she dissected impartially almost all her acquaintance. If her auditress ventured now and then to put in a palliative word she set it aside with a certain disdain. Still, though thus pitiless in moral anatomy, she was no scandal-monger. She never disseminated really malignant or dangerous reports. It was not her heart so much as her temper that was wrong.
[Pg159I'm ready to assist! Please provide the text you would like me to modernize.She was definitely critical. Caroline had barely been seated for five minutes when her hostess, still keeping her under the spell of that terrifying gaze, started tearing apart some of the families in the neighborhood. She approached this task in a strangely calm, deliberate way, like a surgeon practicing with a scalpel on a lifeless body. She made few distinctions; she barely allowed anyone to be in the right; she dissected nearly all her acquaintances without bias. If her listener occasionally tried to offer a soothing word, she brushed it aside with a hint of contempt. Yet, despite being so merciless in her critique, she wasn’t one to spread rumors. She never shared truly harmful or dangerous gossip. It wasn't her heart that was at fault, but rather her temperament.
Caroline made this discovery for the first time to-day, and moved thereby to regret divers unjust judgments she had more than once passed on the crabbed old maid, she began to talk to her softly, not in sympathizing words, but with a sympathizing voice. The loneliness of her condition struck her visitor in a new light, as did also the character of her ugliness—a bloodless pallor of complexion, and deeply worn lines of feature. The girl pitied the solitary and afflicted woman; her looks told what she felt. A sweet countenance is never so sweet as when the moved heart animates it with compassionate tenderness. Miss Mann, seeing such a countenance raised to her, was touched in her turn. She acknowledged her sense of the interest thus unexpectedly shown in her, who usually met with only coldness and ridicule, by replying to her candidly. Communicative on her own affairs she usually was not, because no one cared to listen to her; but to-day she became so, and her confidante shed tears as she heard her speak, for she told of cruel, slow-wasting, obstinate sufferings. Well might she be corpse-like; well might she look grim, and never smile; well might she wish to avoid excitement, to gain and retain composure! Caroline, when she knew all, acknowledged that Miss Mann was rather to be admired for fortitude than blamed for moroseness. Reader! when you behold an aspect for whose constant gloom and frown you cannot account, whose unvarying cloud exasperates you by its apparent causelessness, be sure that there is a canker somewhere, and a canker not the less deeply corroding because concealed.
Caroline made this discovery for the first time today, and it led her to regret the unfair judgments she had often passed on the bitter old maid. She started to speak to her gently, not with sympathetic words, but with a sympathetic tone. The loneliness of the woman's situation struck Caroline in a new way, as did the nature of her ugliness—a pale, lifeless complexion and deeply etched lines on her face. The girl felt pity for the lonely and suffering woman; her expression revealed her feelings. A sweet face is never as sweet as when it’s animated by a compassionate heart. Miss Mann, seeing Caroline’s caring expression, felt touched in return. She recognized the unexpected warmth directed toward her, someone who usually faced only indifference and mockery, and responded openly. Normally, she wasn’t very talkative about her own life because no one seemed interested, but today she opened up, and her listener shed tears upon hearing her story of cruel, slow, and stubborn suffering. It was no surprise she looked dead inside; no surprise she appeared grim and never smiled; no surprise she wanted to avoid any excitement to maintain her composure! After learning everything, Caroline realized that Miss Mann was more deserving of admiration for her courage than blame for her bitterness. Reader, when you see a face marked by sadness and scowling that seems inexplicable and frustrates you with its depth, know that there is pain hidden within, and that pain is no less harmful just because it's concealed.
Miss Mann felt that she was understood partly, and[Pg 160] wished to be understood further; for, however old, plain, humble, desolate, afflicted we may be, so long as our hearts preserve the feeblest spark of life, they preserve also, shivering near that pale ember, a starved, ghostly longing for appreciation and affection. To this extenuated spectre, perhaps, a crumb is not thrown once a year, but when ahungered and athirst to famine—when all humanity has forgotten the dying tenant of a decaying house—Divine mercy remembers the mourner, and a shower of manna falls for lips that earthly nutriment is to pass no more. Biblical promises, heard first in health, but then unheeded, come whispering to the couch of sickness; it is felt that a pitying God watches what all mankind have forsaken. The tender compassion of Jesus is recalled and relied on; the faded eye, gazing beyond time, sees a home, a friend, a refuge in eternity.
Miss Mann felt that she was understood to some extent, and[Pg160Please provide the text you would like me to modernize. wanted to be understood more; for, no matter how old, plain, humble, lonely, or troubled we are, as long as our hearts hold even the faintest spark of life, they also keep alive, shivering near that faint ember, a hungry, ghostly desire for appreciation and love. To this weakened spirit, perhaps, a crumb isn’t tossed but once a year, yet when starving and thirsty to the point of famine—when all humanity has forgotten the dying occupant of a crumbling house—Divine mercy remembers the mourner, and a shower of manna falls for lips that earthly food will touch no more. Biblical promises, first heard in times of health but then ignored, come whispering to the bed of sickness; it’s felt that a compassionate God observes what all of humanity has abandoned. The gentle mercy of Jesus is recalled and depended on; the dimming eye, looking beyond time, sees a home, a friend, a haven in eternity.
Miss Mann, drawn on by the still attention of her listener, proceeded to allude to circumstances in her past life. She spoke like one who tells the truth—simply, and with a certain reserve; she did not boast, nor did she exaggerate. Caroline found that the old maid had been a most devoted daughter and sister, an unwearied watcher by lingering deathbeds; that to prolonged and unrelaxing attendance on the sick the malady that now poisoned her own life owed its origin; that to one wretched relative she had been a support and succour in the depths of self-earned degradation, and that it was still her hand which kept him from utter destitution. Miss Helstone stayed the whole evening, omitting to pay her other intended visit; and when she left Miss Mann it was with the determination to try in future to excuse her faults; never again to make light of her peculiarities or to laugh at her plainness; and, above all things, not to neglect her, but to come once a week, and to offer her, from one human heart at least, the homage of affection and respect. She felt she could now sincerely give her a small tribute of each feeling.
Miss Mann, encouraged by the focused attention of her listener, started to talk about her past. She spoke like someone who is honest—simply and with a bit of restraint; she didn’t brag or exaggerate. Caroline realized that the old maid had been a very devoted daughter and sister, a tireless presence at deathbeds; that the relentless care she provided to the sick led to the illness that now plagued her own life; that she had been a support and help to a troubled relative in the depths of his own self-inflicted misery, and that it was still her efforts that kept him from complete poverty. Miss Helstone stayed the whole evening, skipping her other planned visit; and when she left Miss Mann, she was determined to try to overlook her flaws in the future; to never again make fun of her quirks or laugh at her plainness; and, above all, not to neglect her, but to visit once a week and Offer her, from at least one human heart, the respect and love she deserved. She felt she could now honestly give her a small token of each sentiment.
Caroline, on her return, told Fanny she was very glad she had gone out, as she felt much better for the visit. The next day she failed not to seek Miss Ainley. This lady was in narrower circumstances than Miss Mann, and her dwelling was more humble. It was, however, if possible, yet more exquisitely clean, though the decayed gentlewoman could not afford to keep a servant, but waited[Pg 161] on herself, and had only the occasional assistance of a little girl who lived in a cottage near.
Caroline, upon her return, told Fanny that she was really glad she had gone out since the visit made her feel much better. The next day, she made sure to look for Miss Ainley. This lady was in tighter financial circumstances than Miss Mann, and her home was more modest. However, it was even more impressively clean, even though the struggling gentlewoman couldn’t afford to hire a servant and took care of everything herself, with only occasional help from a little girl who lived in a nearby cottage.
Not only was Miss Ainley poorer, but she was even plainer than the other old maid. In her first youth she must have been ugly; now, at the age of fifty, she was very ugly. At first sight, all but peculiarly well-disciplined minds were apt to turn from her with annoyance, to conceive against her a prejudice, simply on the ground of her unattractive look. Then she was prim in dress and manner; she looked, spoke, and moved the complete old maid.
Not only was Miss Ainley poorer, but she was also even less attractive than the other old maid. In her youth, she must have been unappealing; now, at fifty, she was very unattractive. At first glance, almost everyone, except for those with exceptionally open minds, tended to turn away from her in irritation, forming a bias against her solely based on her unappealing appearance. She also dressed and acted very prim; she looked, talked, and moved just like a traditional old maid.
Her welcome to Caroline was formal, even in its kindness—for it was kind; but Miss Helstone excused this. She knew something of the benevolence of the heart which beat under that starched kerchief; all the neighbourhood—at least all the female neighbourhood—knew something of it. No one spoke against Miss Ainley except lively young gentlemen and inconsiderate old ones, who declared her hideous.
Her welcome to Caroline was formal, even in its kindness—because it was kind; but Miss Helstone understood this. She was aware of the warmth of the heart that beat beneath that stiff kerchief; the whole neighborhood—at least all the women in the neighborhood—knew something about it. No one said anything negative about Miss Ainley except for some spirited young guys and thoughtless old ones, who claimed she was ugly.
Caroline was soon at home in that tiny parlour. A kind hand took from her her shawl and bonnet, and installed her in the most comfortable seat near the fire. The young and the antiquated woman were presently deep in kindly conversation, and soon Caroline became aware of the power a most serene, unselfish, and benignant mind could exercise over those to whom it was developed. She talked never of herself, always of others. Their faults she passed over. Her theme was their wants, which she sought to supply; their sufferings, which she longed to alleviate. She was religious, a professor of religion—what some would call "a saint;" and she referred to religion often in sanctioned phrase—in phrase which those who possess a perception of the ridiculous, without owning the power of exactly testing and truly judging character, would certainly have esteemed a proper subject for satire, a matter for mimicry and laughter. They would have been hugely mistaken for their pains. Sincerity is never ludicrous; it is always respectable. Whether truth—be it religious or moral truth—speak eloquently and in well-chosen language or not, its voice should be heard with reverence. Let those who cannot nicely, and with certainty, discern the difference between the tones of hypocrisy and those of sincerity, never presume to laugh at all, lest they should have the miserable misfortune to laugh in the wrong place,[Pg 162] and commit impiety when they think they are achieving wit.
Caroline quickly felt at home in that small parlor. A kind hand took her shawl and bonnet and helped her settle into the most comfortable chair by the fire. The young woman and the older one soon engaged in warm conversation, and Caroline began to realize the influence a calm, selfless, and kind heart could have on those around her. She talked not about herself, but about others. She overlooked their faults, focusing instead on their needs, which she sought to fulfill; their suffering, which she wished to ease. She was devout, a believer—what some would call "a saint"—and she often referenced her faith in accepted phrases—phrases that those who recognize the absurd yet lack the ability to accurately assess and judge character would likely consider suitable targets for satire, subjects for mockery and laughter. They would have been very wrong. Sincerity is never funny; it is always admirable. Whether truth—be it about faith or morality—speaks eloquently or not, it deserves to be heard with respect. Those who cannot clearly and accurately tell the difference between the tones of hypocrisy and sincerity should never presume to laugh at all, lest they find themselves mistakenly laughing inappropriately,[Pg162I'm sorry, but there doesn't seem to be any text provided for me to modernize. Please provide the short phrases you'd like me to work on. and committing disrespect when they think they are being witty.
Not from Miss Ainley's own lips did Caroline hear of her good works, but she knew much of them nevertheless. Her beneficence was the familiar topic of the poor in Briarfield. They were not works of almsgiving. The old maid was too poor to give much, though she straitened herself to privation that she might contribute her mite when needful. They were the works of a Sister of Charity—far more difficult to perform than those of a Lady Bountiful. She would watch by any sick-bed; she seemed to fear no disease. She would nurse the poorest whom none else would nurse. She was serene, humble, kind, and equable through everything.
Caroline didn't hear about Miss Ainley's good deeds directly from her, but she knew a lot about them anyway. Her generosity was a common topic among the poor in Briarfield. These weren't acts of charity in the traditional sense. The old maid didn’t have much money to give, but she would tighten her own belt to offer whatever she could when it was necessary. Her actions were those of a Sister of Charity—much harder to carry out than those of a wealthy benefactor. She would sit by any sickbed; she didn't seem to be afraid of any illness. She cared for the poorest, those whom no one else would look after. She remained calm, humble, kind, and steady through it all.
For this goodness she got but little reward in this life. Many of the poor became so accustomed to her services that they hardly thanked her for them. The rich heard them mentioned with wonder, but were silent, from a sense of shame at the difference between her sacrifices and their own. Many ladies, however, respected her deeply. They could not help it. One gentleman—one only—gave her his friendship and perfect confidence. This was Mr. Hall, the vicar of Nunnely. He said, and said truly, that her life came nearer the life of Christ than that of any other human being he had ever met with. You must not think, reader, that in sketching Miss Ainley's character I depict a figment of imagination. No. We seek the originals of such portraits in real life only.
For her kindness, she received little recognition in this life. Many of the poor grew so used to her help that they barely thanked her for it. The wealthy marveled at her when she was mentioned but remained silent, feeling ashamed of how her sacrifices compared to their own. However, many women held her in deep respect; they couldn’t help it. One man—just one—offered her his friendship and complete trust. This was Mr. Hall, the vicar of Nunnely. He truly believed that her life was closer to that of Christ than anyone else's he had ever encountered. Don’t think, dear reader, that in portraying Miss Ainley’s character, I’m creating a fictional character. No. We look for real-life inspirations for such portrayals.
Miss Helstone studied well the mind and heart now revealed to her. She found no high intellect to admire—the old maid was merely sensible—but she discovered so much goodness, so much usefulness, so much mildness, patience, truth, that she bent her own mind before Miss Ainley's in reverence. What was her love of nature, what was her sense of beauty, what were her more varied and fervent emotions, what was her deeper power of thought, what her wider capacity to comprehend, compared to the practical excellence of this good woman? Momently, they seemed only beautiful forms of selfish delight; mentally, she trod them under foot.
Miss Helstone carefully considered the mind and heart that were now exposed to her. She didn’t find a brilliant intellect to admire—the old maid was simply sensible—but she discovered so much kindness, usefulness, gentleness, patience, and honesty that she felt humbled in the presence of Miss Ainley. What were her love of nature, her sense of beauty, her more varied and passionate emotions, her deeper thinking, and her broader understanding compared to the practical excellence of this good woman? In the moment, those feelings seemed like mere beautiful forms of selfish pleasure; intellectually, she dismissed them.
It is true she still felt with pain that the life which made Miss Ainley happy could not make her happy. Pure and active as it was, in her heart she deemed it deeply dreary, because it was so loveless—to her ideas, so forlorn. Yet,[Pg 163] doubtless, she reflected, it needed only habit to make it practicable and agreeable to any one. It was despicable, she felt, to pine sentimentally, to cherish secret griefs, vain memories, to be inert, to waste youth in aching languor, to grow old doing nothing.
It’s true that she still felt the pain of knowing that the life that made Miss Ainley happy couldn't bring her joy. As pure and active as it was, she found it deeply depressing at heart because, to her, it felt so loveless and hopeless. Yet, [Pg163] she thought that it probably just took habit to become something anyone could find enjoyable. It felt pathetic, she believed, to yearn sentimentally, to hold onto secret sorrows, to cling to useless memories, to be passive, to waste youth in painful inaction, and to grow old without doing anything.
"I will bestir myself," was her resolution, "and try to be wise if I cannot be good."
"I'll motivate myself," was her decision, "and try to be smart even if I can't be good."
She proceeded to make inquiry of Miss Ainley if she could help her in anything. Miss Ainley, glad of an assistant, told her that she could, and indicated some poor families in Briarfield that it was desirable she should visit, giving her likewise, at her further request, some work to do for certain poor women who had many children, and who were unskilled in using the needle for themselves.
She asked Miss Ainley if she could help her with anything. Miss Ainley, happy to have a helper, said she could and pointed out some struggling families in Briarfield that it would be good for her to visit. She also gave her some tasks to do for a few low-income women who had many kids and weren't skilled at sewing for themselves.
Caroline went home, laid her plans, and took a resolve not to swerve from them. She allotted a certain portion of her time for her various studies, and a certain portion for doing anything Miss Ainley might direct her to do. The remainder was to be spent in exercise; not a moment was to be left for the indulgence of such fevered thoughts as had poisoned last Sunday evening.
Caroline went home, made her plans, and decided to stick to them. She set aside specific time for her different studies and another portion for anything Miss Ainley might ask her to do. The rest was to be dedicated to exercise; not a minute was to be wasted on the anxious thoughts that had troubled her last Sunday evening.
To do her justice, she executed her plans conscientiously, perseveringly. It was very hard work at first—it was even hard work to the end—but it helped her to stem and keep down anguish; it forced her to be employed; it forbade her to brood; and gleams of satisfaction chequered her gray life here and there when she found she had done good, imparted pleasure, or allayed suffering.
To give her credit, she carried out her plans diligently and with determination. It was tough work at first—it remained tough right to the end—but it helped her manage and control her pain; it kept her busy; it prevented her from ruminating; and moments of satisfaction brightened her dull life whenever she saw that she had done something good, brought joy, or eased someone else's suffering.
Yet I must speak truth. These efforts brought her neither health of body nor continued peace of mind. With them all she wasted, grew more joyless and more wan; with them all her memory kept harping on the name of Robert Moore; an elegy over the past still rung constantly in her ear; a funereal inward cry haunted and harassed her; the heaviness of a broken spirit, and of pining and palsying faculties, settled slow on her buoyant youth. Winter seemed conquering her spring; the mind's soil and its treasures were freezing gradually to barren stagnation.[Pg 164]
Yet I must speak the truth. These efforts brought her neither physical health nor lasting peace of mind. With all of this, she wilted, becoming more joyless and pale; her memory kept fixating on the name of Robert Moore; an elegy about the past constantly echoed in her mind; a mourning cry haunted and tormented her; the weight of a broken spirit, along with feelings of longing and weakened faculties, gradually took a toll on her youthful vitality. Winter seemed to be overtaking her spring; the soil of her mind and its treasures were slowly freezing into barren stagnation.[Pg164Please provide the text you would like me to modernize.
CHAPTER XI.
FIELDHEAD.
Yet Caroline refused tamely to succumb. She had native strength in her girl's heart, and she used it. Men and women never struggle so hard as when they struggle alone, without witness, counsellor, or confidant, unencouraged, unadvised, and unpitied.
Yet Caroline refused to give in easily. She had an inherent strength in her heart as a young woman, and she made the most of it. Men and women never fight as fiercely as when they are doing so alone, without anyone to witness, advise, or share their struggles, feeling unencouraged, uninformed, and unrecognized.
Miss Helstone was in this position. Her sufferings were her only spur, and being very real and sharp, they roused her spirit keenly. Bent on victory over a mortal pain, she did her best to quell it. Never had she been seen so busy, so studious, and, above all, so active. She took walks in all weathers, long walks in solitary directions. Day by day she came back in the evening, pale and wearied-looking, yet seemingly not fatigued; for still, as soon as she had thrown off her bonnet and shawl, she would, instead of resting, begin to pace her apartment. Sometimes she would not sit down till she was literally faint. She said she did this to tire herself well, that she might sleep soundly at night. But if that was her aim it was unattained; for at night, when others slumbered, she was tossing on her pillow, or sitting at the foot of her couch in the darkness, forgetful, apparently, of the necessity of seeking repose. Often, unhappy girl! she was crying—crying in a sort of intolerable despair, which, when it rushed over her, smote down her strength, and reduced her to childlike helplessness.
Miss Helstone was in this situation. Her suffering was her only motivation, and because it was very real and intense, it stirred her spirit deeply. Determined to overcome her pain, she did everything she could to suppress it. She had never been seen so busy, so focused, and especially so active. She took walks in all kinds of weather, long walks in quiet places. Day by day, she returned in the evening, looking pale and tired, yet somehow not exhausted; as soon as she removed her bonnet and shawl, instead of resting, she would start pacing her room. Sometimes she wouldn't sit down until she was practically faint. She said she did this to wear herself out so she could sleep well at night. But if that was her goal, she didn't achieve it; for at night, when others slept, she was tossing on her pillow or sitting at the end of her couch in the dark, seemingly forgetting that she needed to rest. Often, poor girl! she was crying—crying with a kind of unbearable despair that, when it overwhelmed her, drained her strength and left her feeling childishly helpless.
When thus prostrate, temptations besieged her. Weak suggestions whispered in her weary heart to write to Robert, and say that she was unhappy because she was forbidden to see him and Hortense, and that she feared he would withdraw his friendship (not love) from her, and forget her entirely, and begging him to remember her, and sometimes to write to her. One or two such letters she actually indited, but she never sent them: shame and good sense forbade.
When she was in that vulnerable state, temptations overwhelmed her. Weak thoughts whispered in her tired heart to write to Robert and tell him that she was unhappy because she wasn’t allowed to see him and Hortense, and that she was afraid he would pull away his friendship (not love) and forget her completely, asking him to remember her and write to her sometimes. She actually wrote one or two of those letters, but she never sent them: shame and common sense held her back.
[Pg 165]At last the life she led reached the point when it seemed she could bear it no longer, that she must seek and find a change somehow, or her heart and head would fail under the pressure which strained them. She longed to leave Briarfield, to go to some very distant place. She longed for something else—the deep, secret, anxious yearning to discover and know her mother strengthened daily; but with the desire was coupled a doubt, a dread—if she knew her, could she love her? There was cause for hesitation, for apprehension on this point. Never in her life had she heard that mother praised; whoever mentioned her mentioned her coolly. Her uncle seemed to regard his sister-in-law with a sort of tacit antipathy; an old servant, who had lived with Mrs. James Helstone for a short time after her marriage, whenever she referred to her former mistress, spoke with chilling reserve—sometimes she called her "queer," sometimes she said she did not understand her. These expressions were ice to the daughter's heart; they suggested the conclusion that it was perhaps better never to know her parent than to know her and not like her.
[Pg165It seems you've provided a set of instructions but no specific text to modernize. Please provide the text you'd like me to work on.Finally, her life reached a breaking point where she felt she couldn't take it anymore, that she had to find some kind of change or else her heart and mind would buckle under the strain. She yearned to leave Briarfield, to go somewhere far away. She also had a deep, secret, anxious desire to discover and understand her mother, which grew stronger every day; but with that desire came doubts and fears—if she found her, could she actually love her? There was reason to hesitate and be apprehensive about this. Throughout her life, she had never heard anyone praise her mother; anyone who mentioned her did so without warmth. Her uncle seemed to harbor an unspoken dislike for his sister-in-law, and an old servant who had worked for Mrs. James Helstone for a short time after her marriage spoke about her former employer with a cold detachment—sometimes calling her "strange," sometimes admitting she didn’t really understand her. These comments felt like ice to the daughter’s heart; they implied that it might be better never to know her mother than to know her and find out she was unlikable.
But one project could she frame whose execution seemed likely to bring her a hope of relief: it was to take a situation, to be a governess; she could do nothing else. A little incident brought her to the point, when she found courage to break her design to her uncle.
But there was one plan she could focus on that seemed likely to give her some hope of relief: to find a job as a governess; she couldn't consider anything else. A small event pushed her to that point when she finally found the courage to share her idea with her uncle.
Her long and late walks lay always, as has been said, on lonely roads; but in whatever direction she had rambled—whether along the drear skirts of Stilbro' Moor or over the sunny stretch of Nunnely Common—her homeward path was still so contrived as to lead her near the Hollow. She rarely descended the den, but she visited its brink at twilight almost as regularly as the stars rose over the hillcrests. Her resting-place was at a certain stile under a certain old thorn. Thence she could look down on the cottage, the mill, the dewy garden-ground, the still, deep dam; thence was visible the well-known counting-house window, from whose panes at a fixed hour shot, suddenly bright, the ray of the well-known lamp. Her errand was to watch for this ray, her reward to catch it, sometimes sparkling bright in clear air, sometimes shimmering dim through mist, and anon flashing broken between slant lines of rain—for she came in all weathers.
Her long, late walks always took place on lonely roads, as mentioned before; but no matter which way she wandered—whether along the bleak edges of Stilbro' Moor or across the sunny expanse of Nunnely Common—her way back was always planned to bring her near the Hollow. She rarely went down into the ravine, but she visited its edge at twilight almost as regularly as the stars appeared over the hilltops. Her spot to rest was at a specific stile beneath a certain old thorn tree. From there, she could look down at the cottage, the mill, the dewy garden, and the still, deep pond; from that vantage point, she could see the familiar counting-house window, where at a set time a bright beam from the well-known lamp shone through the glass. Her purpose was to watch for this beam, and the reward was to catch it, sometimes shining brightly in the clear air, sometimes shimmering faintly through mist, and at times flickering between slanted lines of rain—regardless of the weather, she came.
There were nights when it failed to appear. She knew then that Robert was from home, and went away doubly[Pg 166] sad; whereas its kindling rendered her elate, as though she saw in it the promise of some indefinite hope. If, while she gazed, a shadow bent between the light and lattice, her heart leaped. That eclipse was Robert; she had seen him. She would return home comforted, carrying in her mind a clearer vision of his aspect, a distincter recollection of his voice, his smile, his bearing; and blent with these impressions was often a sweet persuasion that, if she could get near him, his heart might welcome her presence yet, that at this moment he might be willing to extend his hand and draw her to him, and shelter her at his side as he used to do. That night, though she might weep as usual, she would fancy her tears less scalding; the pillow they watered seemed a little softer; the temples pressed to that pillow ached less.
There were nights when it didn’t show up. She realized then that Robert was not home, and she left feeling even sadder; whereas its glow made her feel uplifted, as if she saw it as a sign of some undefined hope. If, while she watched, a shadow crossed between the light and the window, her heart would skip a beat. That shadow was Robert; she had seen him. She would go home feeling reassured, carrying in her mind a clearer picture of his face, a sharper memory of his voice, his smile, his demeanor; and mixed with these thoughts was often a comforting feeling that if she could get close to him, he might welcome her presence again, that right now he might be willing to reach out and pull her in, sheltering her by his side as he used to do. That night, even if she cried like usual, she imagined her tears were less painful; the pillow they soaked seemed a little softer; the temples resting on that pillow hurt less.
The shortest path from the Hollow to the rectory wound near a certain mansion, the same under whose lone walls Malone passed on that night-journey mentioned in an early chapter of this work—the old and tenantless dwelling yclept Fieldhead. Tenantless by the proprietor it had been for ten years, but it was no ruin. Mr. Yorke had seen it kept in good repair, and an old gardener and his wife had lived in it, cultivated the grounds, and maintained the house in habitable condition.
The shortest route from the Hollow to the rectory passed by a certain mansion, the same one whose lonely walls Malone walked by on that night journey mentioned in an earlier chapter of this work—the old, empty house known as Fieldhead. It had been empty for ten years, but it wasn’t in ruins. Mr. Yorke had ensured it was kept in good shape, and an old gardener and his wife had lived there, taken care of the grounds, and kept the house livable.
If Fieldhead had few other merits as a building, it might at least be termed picturesque. Its regular architecture, and the gray and mossy colouring communicated by time, gave it a just claim to this epithet. The old latticed windows, the stone porch, the walls, the roof, the chimney-stacks, were rich in crayon touches and sepia lights and shades. The trees behind were fine, bold, and spreading; the cedar on the lawn in front was grand; and the granite urns on the garden wall, the fretted arch of the gateway, were, for an artist, as the very desire of the eye.
If Fieldhead didn't have many other advantages as a building, it could at least be called picturesque. Its uniform architecture and the gray, mossy look that came with time gave it a strong claim to that title. The old latticed windows, the stone porch, the walls, the roof, and the chimney stacks were filled with sketchy highlights and soft tones. The trees behind were impressive, bold, and sprawling; the cedar on the front lawn was majestic; and the granite urns on the garden wall and the intricately designed arch of the gateway were, for an artist, like the ultimate feast for the eyes.
One mild May evening Caroline, passing near about moonrise, and feeling, though weary, unwilling yet to go home, where there was only the bed of thorns and the night of grief to anticipate, sat down on the mossy ground near the gate, and gazed through towards cedar and mansion. It was a still night—calm, dewy, cloudless; the gables, turned to the west, reflected the clear amber of the horizon they faced; the oaks behind were black; the cedar was blacker. Under its dense, raven boughs a glimpse of sky opened gravely blue. It was full of the moon, which[Pg 167] looked solemnly and mildly down on Caroline from beneath that sombre canopy.
One mild May evening, Caroline, passing by around moonrise, felt tired but was reluctant to go home, where all she could expect was a bed of thorns and a night filled with grief. She sat down on the mossy ground near the gate and gazed toward the cedar and the mansion. It was a quiet night—calm, dewy, and cloudless; the gables facing west reflected the clear amber of the horizon. The oaks behind were dark; the cedar was even darker. Under its thick, black branches, a glimpse of sky appeared, a serious blue. The moon was full, looking down on Caroline solemnly and gently from beneath that gloomy canopy.
She felt this night and prospect mournfully lovely. She wished she could be happy; she wished she could know inward peace; she wondered Providence had no pity on her, and would not help or console her. Recollections of happy trysts of lovers, commemorated in old ballads, returned on her mind; she thought such tryst in such scene would be blissful. Where now was Robert? she asked. Not at the Hollow; she had watched for his lamp long, and had not seen it. She questioned within herself whether she and Moore were ever destined to meet and speak again. Suddenly the door within the stone porch of the hall opened, and two men came out—one elderly and white-headed, the other young, dark-haired, and tall. They passed across the lawn, out through a portal in the garden wall. Caroline saw them cross the road, pass the stile, descend the fields; she saw them disappear. Robert Moore had passed before her with his friend Mr. Yorke. Neither had seen her.
She found the night and its possibilities both sad and beautiful. She wished she could be happy; she wished she could find inner peace; she wondered why fate had no compassion for her and wouldn’t help or comfort her. Memories of joyful meetings between lovers, celebrated in old songs, filled her mind; she thought such a meeting in such a setting would be perfect. Where was Robert now? she wondered. Not at the Hollow; she had been waiting for his lamp for a long time and hadn’t seen it. She questioned whether she and Moore were ever meant to meet and talk again. Suddenly, the door in the stone porch of the hall opened, and two men stepped out—one elderly and gray-haired, the other young, dark-haired, and tall. They crossed the lawn and went through a gate in the garden wall. Caroline watched them cross the road, pass the stile, and head down the fields; she watched them disappear. Robert Moore had walked right past her with his friend Mr. Yorke. Neither of them had noticed her.
The apparition had been transient—scarce seen ere gone; but its electric passage left her veins kindled, her soul insurgent. It found her despairing, it left her desperate—two different states.
The ghost was brief—hardly seen before it vanished; but its shocking presence ignited her veins, causing her soul to rebel. It arrived when she was hopeless and left her in despair—two distinct states.
"Oh, had he but been alone! had he but seen me!" was her cry. "He would have said something. He would have given me his hand. He does, he must, love me a little. He would have shown some token of affection. In his eye, on his lips, I should have read comfort; but the chance is lost. The wind, the cloud's shadow, does not pass more silently, more emptily than he. I have been mocked, and Heaven is cruel!"
"Oh, if only he had been alone! If only he had seen me!" was her cry. "He would have said something. He would have offered me his hand. He does, he must, love me a little. He would have shown some sign of affection. In his eyes, on his lips, I should have found comfort; but that chance is gone. The wind, the shadow of the clouds, doesn’t pass more quietly, more emptily than he does. I have been made a fool of, and Heaven is cruel!"
Thus, in the utter sickness of longing and disappointment, she went home.
Thus, in the complete agony of longing and disappointment, she went home.
The next morning at breakfast, where she appeared white-cheeked and miserable-looking as one who had seen a ghost, she inquired of Mr. Helstone, "Have you any objection, uncle, to my inquiring for a situation in a family?"
The next morning at breakfast, looking pale and miserable as if she had seen a ghost, she asked Mr. Helstone, "Do you have any objection, uncle, to me looking for a job with a family?"
Her uncle, ignorant as the table supporting his coffee-cup of all his niece had undergone and was undergoing, scarcely believed his ears.
Her uncle, clueless like the table holding his coffee cup about everything his niece had been through and was still going through, could hardly believe what he was hearing.
"What whim now?" he asked. "Are you bewitched? What can you mean?"
"What’s going on now?" he asked. "Are you under a spell? What do you mean?"
"I am not well, and need a change," she said.
"I’m not feeling well and need a change," she said.
He examined her. He discovered she had experienced a[Pg 168] change, at any rate. Without his being aware of it, the rose had dwindled and faded to a mere snowdrop; bloom had vanished, flesh wasted; she sat before him drooping, colourless, and thin. But for the soft expression of her brown eyes, the delicate lines of her features, and the flowing abundance of her hair, she would no longer have possessed a claim to the epithet pretty.
He looked her over. He realized she had gone through a[Pg168Understood! Please provide the text you would like me to modernize. change, at least. Without him noticing, the rose had shriveled and faded into a simple snowdrop; her vibrance was gone, and she seemed worn out; she sat before him slumped, pale, and thin. If it weren't for the gentle look in her brown eyes, the delicate shape of her features, and the flowing richness of her hair, she wouldn't have qualified for the term pretty anymore.
"What on earth is the matter with you?" he asked. "What is wrong? How are you ailing?"
"What’s wrong with you?" he asked. "What's going on? How are you feeling?"
No answer; only the brown eyes filled, the faintly-tinted lips trembled.
No response; just the brown eyes welling up, the slightly colored lips quivering.
"Look out for a situation, indeed! For what situation are you fit? What have you been doing with yourself? You are not well."
"Watch out for a situation, really! What kind of situation are you ready for? What have you been up to? You’re not doing well."
"I should be well if I went from home."
"I would be better off if I left home."
"These women are incomprehensible. They have the strangest knack of startling you with unpleasant surprises. To-day you see them bouncing, buxom, red as cherries, and round as apples; to-morrow they exhibit themselves effete as dead weeds, blanched and broken down. And the reason of it all? That's the puzzle. She has her meals, her liberty, a good house to live in, and good clothes to wear, as usual. A while since that sufficed to keep her handsome and cheery, and there she sits now a poor, little, pale, puling chit enough. Provoking! Then comes the question, What is to be done? I suppose I must send for advice. Will you have a doctor, child?"
"These women are impossible to understand. They have the weirdest ability to surprise you with unpleasant twists. Today they seem lively, curvy, bright as cherries, and round like apples; tomorrow they present themselves all worn out and lifeless, faded and broken. And what’s behind it all? That’s the mystery. She has her meals, her freedom, a nice place to live, and decent clothes, just like always. Not long ago, that was enough to keep her looking good and cheerful, and now she’s just a poor, little, pale shadow of herself. It’s frustrating! Then comes the question, what should we do? I guess I’ll have to get some advice. Do you want me to call a doctor, dear?"
"No, uncle, I don't want one. A doctor could do me no good. I merely want change of air and scene."
"No, uncle, I don’t want one. A doctor wouldn’t help me. I just need a change of air and scenery."
"Well, if that be the caprice, it shall be gratified. You shall go to a watering-place. I don't mind the expense. Fanny shall accompany you."
"Well, if that's what you want, then it will be done. You will go to a spa. I don't care about the cost. Fanny will go with you."
"But, uncle, some day I must do something for myself; I have no fortune. I had better begin now."
"But, uncle, someday I need to do something for myself; I don’t have any money. I should start now."
"While I live, you shall not turn out as a governess, Caroline. I will not have it said that my niece is a governess."
"While I'm alive, you won't become a governess, Caroline. I won’t allow anyone to say that my niece is a governess."
"But the later in life one makes a change of that sort, uncle, the more difficult and painful it is. I should wish to get accustomed to the yoke before any habits of ease and independence are formed."
"But the later in life someone makes a change like that, uncle, the more challenging and painful it becomes. I would prefer to get used to the burden before any habits of comfort and independence are established."
"I beg you will not harass me, Caroline. I mean to provide for you. I have always meant to provide for you. I will purchase an annuity. Bless me! I am but fifty-five;[Pg 169] my health and constitution are excellent. There is plenty of time to save and take measures. Don't make yourself anxious respecting the future. Is that what frets you?"
"I’m asking you not to bother me, Caroline. I intend to take care of you. I’ve always planned to take care of you. I will buy an annuity. Honestly! I’m only fifty-five;[Pg169I'm sorry, but I need a specific text or phrase to modernize it. Please provide the text you'd like me to work on. my health is great. There’s plenty of time to save and make plans. Don’t stress about the future. Is that what’s worrying you?"
"No, uncle; but I long for a change."
"No, uncle; but I really want a change."
He laughed. "There speaks the woman!" cried he, "the very woman! A change! a change! Always fantastical and whimsical! Well, it's in her sex."
He laughed. "There she goes!" he exclaimed, "the very woman! Always changing! Always fanciful and unpredictable! Well, that's just how women are."
"But it is not fantasy and whim, uncle."
"But it's not just fantasy and whim, uncle."
"What is it then?"
"What's that then?"
"Necessity, I think. I feel weaker than formerly. I believe I should have more to do."
"Necessity, I believe. I feel weaker than before. I think I should have more to do."
"Admirable! She feels weak, and therefore she should be set to hard labour—'clair comme le jour,' as Moore—confound Moore! You shall go to Cliff Bridge; and there are two guineas to buy a new frock. Come, Cary, never fear. We'll find balm in Gilead."
"That's impressive! She feels weak, so she should be put to hard work—'clear as day,' as Moore would say—curse you, Moore! You will go to Cliff Bridge, and there are two guineas to buy a new dress. Come on, Cary, don’t worry. We'll find comfort in Gilead."
"Uncle, I wish you were less generous and more——"
"Uncle, I wish you were less generous and more——"
"More what?"
"More of what?"
Sympathizing was the word on Caroline's lips, but it was not uttered. She checked herself in time. Her uncle would indeed have laughed if that namby-pamby word had escaped her. Finding her silent, he said, "The fact is, you don't know precisely what you want."
Sympathizing was on Caroline's mind, but she didn't say it out loud. She caught herself in time. Her uncle would definitely have laughed if that soft word had slipped out. Noticing her silence, he said, "The truth is, you don’t really know exactly what you want."
"Only to be a governess."
"Just to be a governess."
"Pooh! mere nonsense! I'll not hear of governessing. Don't mention it again. It is rather too feminine a fancy. I have finished breakfast. Ring the bell. Put all crotchets out of your head, and run away and amuse yourself."
"Pooh! That's just silly! I refuse to consider getting a governess. Don't bring it up again. It's a bit too much of a feminine idea. I've finished breakfast. Ring the bell. Forget all those silly thoughts and go entertain yourself."
"What with? My doll?" asked Caroline to herself as she quitted the room.
"What about my doll?" Caroline asked herself as she left the room.
A week or two passed; her bodily and mental health neither grew worse nor better. She was now precisely in that state when, if her constitution had contained the seeds of consumption, decline, or slow fever, those diseases would have been rapidly developed, and would soon have carried her quietly from the world. People never die of love or grief alone, though some die of inherent maladies which the tortures of those passions prematurely force into destructive action. The sound by nature undergo these tortures, and are racked, shaken, shattered; their beauty and bloom perish, but life remains untouched. They are brought to a certain point of dilapidation; they are reduced to pallor, debility, and emaciation. People think, as they see them[Pg 170] gliding languidly about, that they will soon withdraw to sick-beds, perish there, and cease from among the healthy and happy. This does not happen. They live on; and though they cannot regain youth and gaiety, they may regain strength and serenity. The blossom which the March wind nips, but fails to sweep away, may survive to hang a withered apple on the tree late into autumn: having braved the last frosts of spring, it may also brave the first of winter.
A week or two went by; her physical and mental health neither worsened nor improved. She was now exactly in that state where, if her body had the potential for tuberculosis, decline, or a slow fever, those illnesses would have quickly emerged and would soon take her quietly from this world. People don’t die from love or grief alone, although some fall victim to existing health issues that the anguish of those emotions triggers into devastating action. The strong by nature endure these tortures and are wracked, shaken, and shattered; their beauty and vitality fade, but life stays intact. They reach a point of decay; they become pale, weak, and emaciated. People think, as they see them[Pg170Please provide a phrase for modernization. drifting languidly around, that they will soon retreat to sickbeds, die there, and fade from the lives of the healthy and happy. This doesn’t happen. They carry on; and although they can’t regain their youth and joy, they might regain strength and calm. The blossom that the March wind nips but doesn’t blow away may survive to bear a withered apple on the tree late into autumn: having weathered the last frost of spring, it might also withstand the first of winter.
Every one noticed the change in Miss Helstone's appearance, and most people said she was going to die. She never thought so herself. She felt in no dying case; she had neither pain nor sickness. Her appetite was diminished; she knew the reason. It was because she wept so much at night. Her strength was lessened; she could account for it. Sleep was coy and hard to be won; dreams were distressing and baleful. In the far future she still seemed to anticipate a time when this passage of misery should be got over, and when she should once more be calm, though perhaps never again happy.
Everyone noticed the change in Miss Helstone's appearance, and most people said she was going to die. She never thought so herself. She didn’t feel like she was dying; she had no pain or illness. Her appetite was smaller; she knew why. It was because she cried so much at night. Her strength was reduced; she could explain that. Sleep was elusive and hard to achieve; her dreams were troubling and grim. In the distant future, she still seemed to expect a time when this period of misery would pass, and when she would once again be calm, though perhaps never truly happy.
Meanwhile her uncle urged her to visit, to comply with the frequent invitations of their acquaintance. This she evaded doing. She could not be cheerful in company; she felt she was observed there with more curiosity than sympathy. Old ladies were always offering her their advice, recommending this or that nostrum; young ladies looked at her in a way she understood, and from which she shrank. Their eyes said they knew she had been "disappointed," as custom phrases it; by whom, they were not certain.
Meanwhile, her uncle encouraged her to visit and accept the frequent invitations from their acquaintances. She kept avoiding it. She couldn’t feel happy around others; she sensed that people were watching her with more curiosity than kindness. Older women were always giving her advice, suggesting this remedy or that. Young women looked at her in a way she recognized and recoiled from. Their eyes seemed to say they knew she had been "let down," as it’s commonly put; by whom, they weren't sure.
Commonplace young ladies can be quite as hard as commonplace young gentlemen—quite as worldly and selfish. Those who suffer should always avoid them. Grief and calamity they despise; they seem to regard them as the judgments of God on the lowly. With them, to "love" is merely to contrive a scheme for achieving a good match; to be "disappointed" is to have their scheme seen through and frustrated. They think the feelings and projects of others on the subject of love similar to their own, and judge them accordingly.
Ordinary young women can be just as tough as ordinary young men—just as cynical and selfish. Those who are hurting should steer clear of them. They look down on grief and misfortune; they seem to see them as divine punishment for the less fortunate. For them, to "love" is just a way to plan for a good relationship; to be "disappointed" is to have their plans figured out and spoiled. They assume that everyone else's feelings and ideas about love are like theirs and judge them based on that.
All this Caroline knew, partly by instinct, partly by observation. She regulated her conduct by her knowledge, keeping her pale face and wasted figure as much out of sight as she could. Living thus in complete seclusion, she ceased to receive intelligence of the little transactions of the neighbourhood.
All this Caroline knew, partly by instinct and partly by observation. She adjusted her behavior based on her understanding, trying to keep her pale face and fragile figure out of sight as much as possible. Living in complete isolation like this, she stopped getting updates about the small happenings in the neighborhood.
[Pg 171]One morning her uncle came into the parlour, where she sat endeavouring to find some pleasure in painting a little group of wild flowers, gathered under a hedge at the top of the Hollow fields, and said to her in his abrupt manner, "Come, child, you are always stooping over palette, or book, or sampler; leave that tinting work. By-the-bye, do you put your pencil to your lips when you paint?"
[Pg171Please provide the text you'd like me to modernize.One morning, her uncle walked into the living room, where she was trying to enjoy painting a small bunch of wildflowers she had picked from under a hedge at the top of the Hollow fields. He said to her in his usual blunt way, "Come on, kid, you’re always hunched over your palette, book, or sampler; stop that coloring for a while. By the way, do you ever put your pencil to your lips when you paint?"
"Sometimes, uncle, when I forget."
"Sometimes, Uncle, when I forget."
"Then it is that which is poisoning you. The paints are deleterious, child. There is white lead and red lead, and verdigris, and gamboge, and twenty other poisons in those colour cakes. Lock them up! lock them up! Get your bonnet on. I want you to make a call with me."
"Then that’s what’s poisoning you. The paints are harmful, kid. There’s white lead and red lead, and verdigris, and gamboge, and twenty other toxins in those color cakes. Lock them up! Lock them up! Put your hat on. I need you to come with me to make a visit."
"With you, uncle?"
"With you, uncle?"
This question was asked in a tone of surprise. She was not accustomed to make calls with her uncle. She never rode or walked out with him on any occasion.
This question was asked with a tone of surprise. She wasn't used to making calls with her uncle. She had never ridden or walked out with him on any occasion.
"Quick! quick! I am always busy, you know. I have no time to lose."
"Quick! Quick! I'm always busy, you know. I don't have time to waste."
She hurriedly gathered up her materials, asking, meantime, where they were going.
She quickly collected her things, asking in the meantime where they were headed.
"To Fieldhead."
"To Fieldhead."
"Fieldhead! What! to see old James Booth, the gardener? Is he ill?"
"Fieldhead! What! To see old James Booth, the gardener? Is he sick?"
"We are going to see Miss Shirley Keeldar."
"We're going to see Miss Shirley Keeldar."
"Miss Keeldar! Is she coming to Yorkshire? Is she at Fieldhead?"
"Miss Keeldar! Is she coming to Yorkshire? Is she at Fieldhead?"
"She is. She has been there a week. I met her at a party last night—that party to which you would not go. I was pleased with her. I choose that you shall make her acquaintance. It will do you good."
"She is. She has been there for a week. I met her at a party last night—that party you didn't want to attend. I liked her a lot. I think you should get to know her. It will be good for you."
"She is now come of age, I suppose?"
"She has now come of age, I guess?"
"She is come of age, and will reside for a time on her property. I lectured her on the subject; I showed her her duty. She is not intractable. She is rather a fine girl; she will teach you what it is to have a sprightly spirit. Nothing lackadaisical about her."
"She has come of age and will be staying for a while on her property. I talked to her about it; I made her aware of her responsibilities. She isn’t difficult to manage. She’s quite a wonderful girl; she’ll show you what it means to have an energetic spirit. There’s nothing lazy about her."
"I don't think she will want to see me, or to have me introduced to her. What good can I do her? How can I amuse her?"
"I don't think she will want to see me or have me introduced to her. What good can I do for her? How can I entertain her?"
"Pshaw! Put your bonnet on."
"Come on! Put your hat on."
"Is she proud, uncle?"
"Is she proud, Uncle?"
"Don't know. You hardly imagine she would show her pride to me, I suppose? A chit like that would scarcely[Pg 172] presume to give herself airs with the rector of her parish, however rich she might be."
"Don't know. You can hardly imagine she would show her pride to me, right? A girl like that would barely presume to act superior with the rector of her parish, no matter how wealthy she might be."
"No. But how did she behave to other people?"
"No. But how did she act around other people?"
"Didn't observe. She holds her head high, and probably can be saucy enough where she dare. She wouldn't be a woman otherwise. There! Away now for your bonnet at once!"
"Didn't see it. She keeps her head up high and can probably be bold enough when she feels like it. She wouldn't be a woman if she didn't. There! Go get your hat right now!"
Not naturally very confident, a failure of physical strength and a depression of spirits had not tended to increase Caroline's presence of mind and ease of manner, or to give her additional courage to face strangers, and she quailed, in spite of self-remonstrance, as she and her uncle walked up the broad, paved approach leading from the gateway of Fieldhead to its porch. She followed Mr. Helstone reluctantly through that porch into the sombre old vestibule beyond.
Not naturally very confident, a lack of physical strength and a low mood hadn’t helped Caroline feel more at ease or give her the courage to face new people. She felt anxious, despite trying to boost herself up, as she and her uncle walked up the wide, paved path leading from the gate of Fieldhead to its porch. She followed Mr. Helstone hesitantly through that porch into the dark, old vestibule beyond.
Very sombre it was—long, vast, and dark; one latticed window lit it but dimly. The wide old chimney contained now no fire, for the present warm weather needed it not; it was filled instead with willow-boughs. The gallery on high, opposite the entrance, was seen but in outline, so shadowy became this hall towards its ceiling. Carved stags' heads, with real antlers, looked down grotesquely from the walls. This was neither a grand nor a comfortable house; within as without it was antique, rambling, and incommodious. A property of a thousand a year belonged to it, which property had descended, for lack of male heirs, on a female. There were mercantile families in the district boasting twice the income, but the Keeldars, by virtue of their antiquity, and their distinction of lords of the manor, took the precedence of all.
It was very dark—long, vast, and gloomy; only one latticed window provided dim light. The large old chimney had no fire in it since the warm weather didn't require one; instead, it was filled with willow branches. The gallery above, across from the entrance, could only be seen as an outline because the hall became so shadowy towards the ceiling. Carved stag heads with real antlers looked down absurdly from the walls. This was neither a grand nor a comfortable house; it was old, sprawling, and somewhat awkward both inside and out. It had a yearly income of a thousand, which had passed down to a female heir due to the lack of male heirs. There were merchant families in the area boasting double that income, but the Keeldars, due to their historical significance and status as lords of the manor, took precedence over all.
Mr. and Miss Helstone were ushered into a parlour. Of course, as was to be expected in such a Gothic old barrack, this parlour was lined with oak: fine, dark, glossy panels compassed the walls gloomily and grandly. Very handsome, reader, these shining brown panels are, very mellow in colouring and tasteful in effect, but—if you know what a "spring clean" is—very execrable and inhuman. Whoever, having the bowels of humanity, has seen servants scrubbing at these polished wooden walls with beeswaxed cloths on a warm May day must allow that they are "intolerable and not to be endured;" and I cannot but secretly applaud the benevolent barbarian who had painted another and larger apartment of Fieldhead—the drawing-room,[Pg 173] to wit, formerly also an oak-room—of a delicate pinky white, thereby earning for himself the character of a Hun, but mightily enhancing the cheerfulness of that portion of his abode, and saving future housemaids a world of toil.
Mr. and Miss Helstone were shown into a parlor. Naturally, as you’d expect in such an old Gothic building, this parlor was lined with oak: rich, dark, glossy panels covered the walls in a gloomy yet grand way. These shiny brown panels are very beautiful, with a warm color and a tasteful look, but—if you know what a "spring clean" is—they're really a pain to deal with. Anyone with a shred of humanity who has watched servants scrubbing these polished wooden walls with beeswaxed cloths on a warm May day must agree that they are "unbearable and intolerable;" and I can’t help but quietly admire the well-meaning barbarian who painted another, larger room at Fieldhead—the drawing room, to be specific, which was also once an oak room—a soft pinky white. This decision earned him a reputation as a barbarian, but it greatly brightened up that part of his home and spared future housemaids a lot of hard work.
The brown-panelled parlour was furnished all in old style, and with real old furniture. On each side of the high mantelpiece stood two antique chairs of oak, solid as silvan thrones, and in one of these sat a lady. But if this were Miss Keeldar, she must have come of age at least some twenty years ago. She was of matronly form, and though she wore no cap, and possessed hair of quite an undimmed auburn, shading small and naturally young-looking features, she had no youthful aspect, nor apparently the wish to assume it. You could have wished her attire of a newer fashion. In a well-cut, well-made gown hers would have been no uncomely presence. It puzzled you to guess why a garment of handsome materials should be arranged in such scanty folds, and devised after such an obsolete mode. You felt disposed to set down the wearer as somewhat eccentric at once.
The brown-paneled parlor was furnished in an old-fashioned style, with actual vintage furniture. On either side of the tall mantelpiece stood two sturdy oak chairs, as solid as throne seats, and in one of them sat a woman. But if this was Miss Keeldar, she must have come of age at least twenty years ago. She had a matronly figure, and although she didn't wear a cap and had hair that was a deep, vibrant auburn, complementing her small, naturally youthful features, she didn’t give off a youthful vibe, nor did she seem interested in projecting one. You might have preferred her outfit to be more contemporary. In a well-tailored, well-made dress, she would have made a charming appearance. It made you wonder why such a beautiful fabric was arranged in such minimal folds and designed in such an outdated style. You quickly began to think of her as a bit eccentric.
This lady received the visitors with a mixture of ceremony and diffidence quite English. No middle-aged matron who was not an Englishwoman could evince precisely the same manner—a manner so uncertain of herself, of her own merits, of her power to please, and yet so anxious to be proper, and, if possible, rather agreeable than otherwise. In the present instance, however, more embarrassment was shown than is usual even with diffident Englishwomen. Miss Helstone felt this, sympathized with the stranger, and knowing by experience what was good for the timid, took a seat quietly near her, and began to talk to her with a gentle ease, communicated for the moment by the presence of one less self-possessed than herself.
This lady welcomed the visitors with a blend of formality and shyness that was very English. No middle-aged woman who wasn't English could display quite the same demeanor—a demeanor so unsure of herself, her own qualities, and her ability to please, yet so eager to behave properly and, if possible, to be more agreeable than not. In this situation, however, there was more awkwardness than usual, even for shy Englishwomen. Miss Helstone noticed this, felt for the stranger, and knowing from experience what was best for the timid, quietly took a seat near her and started talking to her with a gentle ease, briefly inspired by the presence of someone who was less composed than herself.
She and this lady would, if alone, have at once got on extremely well together. The lady had the clearest voice imaginable—infinitely softer and more tuneful than could have been reasonably expected from forty years—and a form decidedly inclined to embonpoint. This voice Caroline liked; it atoned for the formal, if correct, accent and language. The lady would soon have discovered she liked it and her, and in ten minutes they would have been friends. But Mr. Helstone stood on the rug looking at them both, looking especially at the strange lady with his[Pg 174] sarcastic, keen eye, that clearly expressed impatience of her chilly ceremony, and annoyance at her want of aplomb. His hard gaze and rasping voice discomfited the lady more and more. She tried, however, to get up little speeches about the weather, the aspect of the country, etc.; but the impracticable Mr. Helstone presently found himself somewhat deaf. Whatever she said he affected not to hear distinctly, and she was obliged to go over each elaborately-constructed nothing twice. The effort soon became too much for her. She was just rising in a perplexed flutter, nervously murmuring that she knew not what detained Miss Keeldar, that she would go and look for her, when Miss Keeldar saved her the trouble by appearing. It was to be presumed at least that she who now came in through a glass door from the garden owned that name.
She and this woman would have really hit it off if they were alone. The woman had the clearest voice imaginable—infinitely softer and more melodious than you'd expect from someone her age, and she had a distinctly fuller figure. Caroline liked this voice; it made up for her formal and slightly stiff accent and language. The woman would have quickly realized she liked Caroline too, and within ten minutes, they would have become friends. But Mr. Helstone stood on the rug, watching both of them, especially the strange woman, with his sarcastic, sharp gaze that clearly showed his impatience with her stiff formality and annoyance at her lack of confidence. His harsh stare and grating voice only made the woman more uncomfortable. She tried to make small talk about the weather, the landscape, etc., but the unyielding Mr. Helstone seemed to zone out. No matter what she said, he pretended not to hear clearly, so she had to repeat each carefully crafted comment twice. The effort soon became too much for her. Just as she was about to get up, flustered and nervously saying she didn't know what was keeping Miss Keeldar, that she would go look for her, Miss Keeldar walked in and saved her the trouble by appearing. At least it was safe to assume that the person who just came in through the glass door from the garden was indeed Miss Keeldar.
There is real grace in ease of manner, and so old Helstone felt when an erect, slight girl walked up to him, retaining with her left hand her little silk apron full of flowers, and, giving him her right hand, said pleasantly, "I knew you would come to see me, though you do think Mr. Yorke has made me a Jacobin. Good-morning."
There’s genuine charm in being relaxed, and that’s what old Helstone felt when a tall, slender girl approached him, holding her small silk apron filled with flowers in her left hand. She extended her right hand to him and said cheerfully, “I knew you’d come to see me, even though you think Mr. Yorke has turned me into a radical. Good morning.”
"But we'll not have you a Jacobin," returned he. "No, Miss Shirley; they shall not steal the flower of my parish from me. Now that you are amongst us, you shall be my pupil in politics and religion; I'll teach you sound doctrine on both points."
"But we won't let you become a Jacobin," he replied. "No, Miss Shirley; they won't take the best of my parish away from me. Now that you're here with us, you'll be my student in politics and religion; I'll teach you solid principles on both topics."
"Mrs. Pryor has anticipated you," she replied, turning to the elder lady. "Mrs. Pryor, you know, was my governess, and is still my friend; and of all the high and rigid Tories she is queen; of all the stanch churchwomen she is chief. I have been well drilled both in theology and history, I assure you, Mr. Helstone."
"Mrs. Pryor has been expecting you," she said, turning to the older woman. "Mrs. Pryor, you see, was my governess and is still my friend; she’s the queen of all the strict Tories and the leader among staunch churchwomen. I’ve been thoroughly educated in both theology and history, I assure you, Mr. Helstone."
The rector immediately bowed very low to Mrs. Pryor, and expressed himself obliged to her.
The rector quickly bowed low to Mrs. Pryor and said he was grateful to her.
The ex-governess disclaimed skill either in political or religious controversy, explained that she thought such matters little adapted for female minds, but avowed herself in general terms the advocate of order and loyalty, and, of course, truly attached to the Establishment. She added she was ever averse to change under any circumstances, and something scarcely audible about the extreme danger of being too ready to take up new ideas closed her sentence.
The former governess stated that she had no expertise in political or religious debates, explaining that she believed these topics weren't suitable for women. However, she declared that in general, she supported order and loyalty and was, of course, genuinely committed to the established system. She also mentioned that she was always opposed to change in any situation, and her barely audible remark about the serious risks of being too eager to embrace new ideas concluded her statement.
"Miss Keeldar thinks as you think, I hope, madam."
"Miss Keeldar thinks the same way you do, I hope, ma'am."
[Pg 175]"Difference of age and difference of temperament occasion difference of sentiment," was the reply. "It can scarcely be expected that the eager and young should hold the opinions of the cool and middle-aged."
[Pg175Please provide the short piece of text for modernization."The difference in age and temperament leads to different feelings," was the response. "It's hardly surprising that the passionate young wouldn't share the views of the calm, middle-aged."
And he took the heiress's two hands—causing her to let fall her whole cargo of flowers—and seated her by him on the sofa.
And he took the heiress's two hands—making her drop all of her flowers—and sat her down next to him on the sofa.
"Say your creed," he ordered.
"State your belief," he ordered.
"The Apostles' Creed?"
"The Apostles' Creed?"
"Yes."
Yes.
She said it like a child.
She said it like a kid.
"Now for St. Athanasius's. That's the test!"
"Now for St. Athanasius's. That’s the real test!"
"Let me gather up my flowers. Here is Tartar coming; he will tread upon them."
"Let me collect my flowers. Here comes Tartar; he’s going to step on them."
Tartar was a rather large, strong, and fierce-looking dog, very ugly, being of a breed between mastiff and bulldog, who at this moment entered through the glass door, and posting directly to the rug, snuffed the fresh flowers scattered there. He seemed to scorn them as food; but probably thinking their velvety petals might be convenient as litter, he was turning round preparatory to depositing his tawny bulk upon them, when Miss Helstone and Miss Keeldar simultaneously stooped to the rescue.
Tartar was a pretty large, strong, and fierce-looking dog, quite ugly, being a mix between a mastiff and a bulldog. At that moment, he came through the glass door and headed straight to the rug, sniffing the fresh flowers scattered there. He seemed to disregard them as food, but probably thinking their velvety petals could work as litter, he was turning around to drop his tawny weight onto them when Miss Helstone and Miss Keeldar both bent down to intervene.
"Thank you," said the heiress, as she again held out her little apron for Caroline to heap the blossoms into it. "Is this your daughter, Mr. Helstone?" she asked.
"Thank you," said the heiress, as she extended her little apron for Caroline to fill with blossoms. "Is this your daughter, Mr. Helstone?" she asked.
"My niece Caroline."
"My niece, Caroline."
Miss Keeldar shook hands with her, and then looked at her. Caroline also looked at her hostess.
Miss Keeldar shook hands with her and then looked at her. Caroline also glanced at her hostess.
Shirley Keeldar (she had no Christian name but Shirley: her parents, who had wished to have a son, finding that, after eight years of marriage, Providence had granted them only a daughter, bestowed on her the same masculine family cognomen they would have bestowed on a boy, if with a boy they had been blessed)—Shirley Keeldar was no ugly heiress. She was agreeable to the eye. Her height and shape were not unlike Miss Helstone's; perhaps in stature she might have the advantage by an inch or two. She was gracefully made, and her face, too, possessed a charm as well described by the word grace[Pg 176] as any other. It was pale naturally, but intelligent, and of varied expression. She was not a blonde, like Caroline. Clear and dark were the characteristics of her aspect as to colour. Her face and brow were clear, her eyes of the darkest gray (no green lights in them—transparent, pure, neutral gray), and her hair of the darkest brown. Her features were distinguished—by which I do not mean that they were high, bony, and Roman, being indeed rather small and slightly marked than otherwise, but only that they were, to use a few French words, "fins, gracieux, spirituels"—mobile they were and speaking; but their changes were not to be understood nor their language interpreted all at once. She examined Caroline seriously, inclining her head a little to one side, with a thoughtful air.
Shirley Keeldar (she had no first name, just Shirley: her parents, who had hoped for a son, realizing that after eight years of marriage Providence had only granted them a daughter, gave her the same masculine family name they would have used for a boy if they had been blessed with one)—Shirley Keeldar was not an unattractive heiress. She was pleasing to look at. Her height and figure were somewhat similar to Miss Helstone's; perhaps she had a slight advantage in height by an inch or two. She was elegantly built, and her face had a charm best described by the word grace as much as any other. It was naturally pale, yet intelligent, with a variety of expressions. She wasn't a blonde, like Caroline. Her coloring was clear and dark. Her face and forehead were clear, her eyes the darkest gray (no green glints in them—just transparent, pure, neutral gray), and her hair was the deepest brown. Her features were refined—by which I don’t mean they were high, bony, and Roman; rather, they were small and subtly defined. To use a few French words, they were "fins, gracieux, spirituels"—they were expressive and animated, but their changes couldn’t be understood or interpreted immediately. She studied Caroline intently, tilting her head slightly to one side with a thoughtful expression.
"You see she is only a feeble chick," observed Mr. Helstone.
"You see she's just a weak little chick," Mr. Helstone pointed out.
"She looks young—younger than I.—How old are you?" she inquired in a manner that would have been patronizing if it had not been extremely solemn and simple.
"She looks young—younger than I am.—How old are you?" she asked in a way that could have seemed condescending if it hadn't been so serious and straightforward.
"Eighteen years and six months."
"Eighteen and a half years."
"And I am twenty-one."
"And I’m 21."
She said no more. She had now placed her flowers on the table, and was busied in arranging them.
She said nothing more. She had placed her flowers on the table and was busy arranging them.
"And St. Athanasius's Creed?" urged the rector. "You believe it all, don't you?"
"And St. Athanasius's Creed?" pressed the rector. "You believe it all, right?"
"I can't remember it quite all. I will give you a nosegay, Mr. Helstone, when I have given your niece one."
"I can't remember it all that well. I'll give you a bouquet, Mr. Helstone, once I give your niece one."
She had selected a little bouquet of one brilliant and two or three delicate flowers, relieved by a spray of dark verdure. She tied it with silk from her work-box, and placed it on Caroline's lap; and then she put her hands behind her, and stood bending slightly towards her guest, still regarding her, in the attitude and with something of the aspect of a grave but gallant little cavalier. This temporary expression of face was aided by the style in which she wore her hair, parted on one temple, and brushed in a glossy sweep above the forehead, whence it fell in curls that looked natural, so free were their wavy undulations.
She picked a small bouquet with one bright flower and two or three delicate ones, accentuated by a sprig of dark greenery. She tied it with silk from her sewing box and placed it on Caroline's lap. Then, she put her hands behind her back and stood slightly bent toward her guest, still looking at her, with the posture and look of a serious but charming little knight. This temporary expression was enhanced by the way she styled her hair, parted on one side and swept back in a glossy curve over her forehead, from which curls fell naturally, so effortless were their wavy shapes.
"Are you tired with your walk?" she inquired.
"Are you tired from your walk?" she asked.
"No—not in the least. It is but a short distance—but a mile."
"No—not at all. It's only a short distance—just a mile."
"You look pale.—Is she always so pale?" she asked, turning to the rector.
"You look pale. Is she always this pale?" she asked, turning to the rector.
[Pg 177]"She used to be as rosy as the reddest of your flowers."
[Pg177Please provide the text you'd like me to modernize."She used to be as vibrant as the brightest of your flowers."
"Why is she altered? What has made her pale? Has she been ill?"
"Why does she look different? What has made her so pale? Has she been sick?"
"She tells me she wants a change."
"She tells me she wants something different."
"She ought to have one. You ought to give her one. You should send her to the sea-coast."
"She should have one. You should give her one. You need to send her to the coast."
"I will, ere summer is over. Meantime, I intend her to make acquaintance with you, if you have no objection."
"I will, before summer is over. In the meantime, I plan for her to get to know you, if you don't mind."
"I am sure Miss Keeldar will have no objection," here observed Mrs. Pryor. "I think I may take it upon me to say that Miss Helstone's frequent presence at Fieldhead will be esteemed a favour."
"I’m sure Miss Keeldar won’t mind," Mrs. Pryor said. "I believe I can say that Miss Helstone’s frequent visits to Fieldhead will be appreciated."
"You speak my sentiments precisely, ma'am," said Shirley, "and I thank you for anticipating me.—Let me tell you," she continued, turning again to Caroline, "that you also ought to thank my governess. It is not every one she would welcome as she has welcomed you. You are distinguished more than you think. This morning, as soon as you are gone, I shall ask Mrs. Pryor's opinion of you. I am apt to rely on her judgment of character, for hitherto I have found it wondrous accurate. Already I foresee a favourable answer to my inquiries.—Do I not guess rightly, Mrs. Pryor?"
"You express my feelings exactly, ma'am," said Shirley, "and I appreciate you for getting ahead of me. —Let me tell you," she continued, turning back to Caroline, "that you should also thank my governess. She doesn’t welcome just anyone the way she’s welcomed you. You’re more remarkable than you realize. This morning, as soon as you leave, I’ll be asking Mrs. Pryor for her opinion about you. I tend to trust her judgment on character, as I’ve found it to be impressively accurate so far. I can already anticipate a positive response to my questions. —Am I right in this, Mrs. Pryor?"
"My dear, you said but now you would ask my opinion when Miss Helstone was gone. I am scarcely likely to give it in her presence."
"My dear, you just said you would ask for my opinion when Miss Helstone is gone. I'm not likely to give it while she's here."
"No; and perhaps it will be long enough before I obtain it.—I am sometimes sadly tantalized, Mr. Helstone, by Mrs. Pryor's extreme caution. Her judgments ought to be correct when they come, for they are often as tardy of delivery as a Lord Chancellor's. On some people's characters I cannot get her to pronounce a sentence, entreat as I may."
"No; and it might be a while before I get it. — I am often quite frustrated, Mr. Helstone, by Mrs. Pryor's excessive caution. Her judgments should be accurate when they finally arrive, as they take a long time to deliver, just like a Lord Chancellor's. No matter how much I plead, I can’t get her to make a judgment about some people's characters."
Mrs. Pryor here smiled.
Mrs. Pryor smiled.
"Yes," said her pupil, "I know what that smile means. You are thinking of my gentleman-tenant.—Do you know Mr. Moore of the Hollow?" she asked Mr. Helstone.
"Yes," her student said, "I know what that smile means. You’re thinking of my tenant. Do you know Mr. Moore of the Hollow?" she asked Mr. Helstone.
"Ay! ay! Your tenant—so he is. You have seen a good deal of him, no doubt, since you came?"
"Hey! Your tenant—that's what he is. You've probably seen quite a bit of him since you arrived?"
"I have been obliged to see him. There was business to transact. Business! Really the word makes me conscious I am indeed no longer a girl, but quite a woman and something more. I am an esquire! Shirley Keeldar, Esquire, ought to be my style and title. They gave me[Pg 178] a man's name; I hold a man's position. It is enough to inspire me with a touch of manhood; and when I see such people as that stately Anglo-Belgian—that Gérard Moore—before me, gravely talking to me of business, really I feel quite gentlemanlike. You must choose me for your churchwarden, Mr. Helstone, the next time you elect new ones. They ought to make me a magistrate and a captain of yeomanry. Tony Lumpkin's mother was a colonel, and his aunt a justice of the peace. Why shouldn't I be?"
"I had to meet with him. There was business to discuss. Business! Just saying the word reminds me that I’m definitely not a girl anymore; I’m a woman, and then some. I’m an esquire! Shirley Keeldar, Esquire, should be my title. They gave me a man's name; I hold a man's position. It’s enough to give me a bit of confidence; and when I see people like that dignified Anglo-Belgian—Gérard Moore—talking to me seriously about work, I really feel quite sophisticated. You should consider me for your churchwarden, Mr. Helstone, the next time there’s an election. They ought to appoint me as a magistrate and a captain of the local militia. Tony Lumpkin’s mother was a colonel, and his aunt was a justice of the peace. Why shouldn’t I be?"
"With all my heart. If you choose to get up a requisition on the subject, I promise to head the list of signatures with my name. But you were speaking of Moore?"
"With all my heart. If you decide to create a request regarding this, I promise to put my name at the top of the list of signatures. But you were talking about Moore?"
"Ah! yes. I find it a little difficult to understand Mr. Moore, to know what to think of him, whether to like him or not. He seems a tenant of whom any proprietor might be proud—and proud of him I am, in that sense; but as a neighbour, what is he? Again and again I have entreated Mrs. Pryor to say what she thinks of him, but she still evades returning a direct answer. I hope you will be less oracular, Mr. Helstone, and pronounce at once. Do you like him?"
"Ah! yes. I find it a bit hard to understand Mr. Moore, to know what to think of him, whether to like him or not. He seems like a tenant any property owner would be proud of—and I am, in that way; but as a neighbor, what is he? I’ve asked Mrs. Pryor repeatedly to share her thoughts on him, but she still avoids giving a straight answer. I hope you’ll be less mysterious, Mr. Helstone, and just say it. Do you like him?"
"Not at all, just now. His name is entirely blotted from my good books."
"Not at all, right now. His name is completely erased from my good graces."
"What is the matter? What has he done?"
"What’s going on? What did he do?"
"My uncle and he disagree on politics," interposed the low voice of Caroline. She had better not have spoken just then. Having scarcely joined in the conversation before, it was not apropos to do it now. She felt this with nervous acuteness as soon as she had spoken, and coloured to the eyes.
"My uncle and him disagree on politics," chimed in Caroline's quiet voice. She really shouldn’t have said anything at that moment. Since she had barely participated in the conversation before, it wasn’t the right time to chime in now. She felt this with a sharp awareness as soon as she spoke, and her face turned as red as her eyes.
"What are Moore's politics?" inquired Shirley.
"What are Moore's political views?" Shirley asked.
"Those of a tradesman," returned the rector—"narrow, selfish, and unpatriotic. The man is eternally writing and speaking against the continuance of the war. I have no patience with him."
"Those of a tradesman," replied the rector—"narrow-minded, selfish, and unpatriotic. The man is always writing and talking against the continuation of the war. I have no patience for him."
"The war hurts his trade. I remember he remarked that only yesterday. But what other objection have you to him?"
"The war is hurting his business. I remember he just said that yesterday. But what other issues do you have with him?"
"That is enough."
"That's enough."
"He looks the gentleman, in my sense of the term," pursued Shirley, "and it pleases me to think he is such."
"He seems like a gentleman, in my understanding of the term," Shirley continued, "and it makes me happy to think he really is one."
Caroline rent the Tyrian petals of the one brilliant flower in her bouquet, and answered in distinct tones, "Decidedly he is." Shirley, hearing this courageous affirmation, flashed[Pg 179] an arch, searching glance at the speaker from her deep, expressive eyes.
Caroline picked the Tyrian petals of the one bright flower in her bouquet and replied clearly, "Definitely he is." Shirley, hearing this bold statement, shot an arching, probing look at the speaker from her deep, expressive eyes.
"You are his friend, at any rate," she said. "You defend him in his absence."
"You're his friend, anyway," she said. "You stick up for him when he's not around."
"I am both his friend and his relative," was the prompt reply. "Robert Moore is my cousin."
"I’m both his friend and family," was the quick response. "Robert Moore is my cousin."
"Oh, then, you can tell me all about him. Just give me a sketch of his character."
"Oh, then, you can tell me everything about him. Just give me a brief overview of his personality."
Insuperable embarrassment seized Caroline when this demand was made. She could not, and did not, attempt to comply with it. Her silence was immediately covered by Mrs. Pryor, who proceeded to address sundry questions to Mr. Helstone regarding a family or two in the neighbourhood, with whose connections in the south she said she was acquainted. Shirley soon withdrew her gaze from Miss Helstone's face. She did not renew her interrogations, but returning to her flowers, proceeded to choose a nosegay for the rector. She presented it to him as he took leave, and received the homage of a salute on the hand in return.
An overwhelming sense of embarrassment hit Caroline when this request was made. She couldn't, and didn't, try to fulfill it. Her silence was quickly covered by Mrs. Pryor, who started asking Mr. Helstone several questions about some families in the neighborhood, mentioning that she was familiar with their connections in the south. Shirley soon broke her gaze from Miss Helstone's face. She didn't ask any more questions, but went back to her flowers and picked a small bouquet for the rector. She handed it to him as he was leaving and received a kiss on the hand in return.
"Be sure you wear it for my sake," said she.
"Make sure you wear it for my sake," she said.
"Next my heart, of course," responded Helstone.—"Mrs. Pryor, take care of this future magistrate, this churchwarden in perspective, this captain of yeomanry, this young squire of Briarfield, in a word. Don't let him exert himself too much; don't let him break his neck in hunting; especially, let him mind how he rides down that dangerous hill near the Hollow."
"Next, my heart, of course," replied Helstone. "Mrs. Pryor, take care of this future magistrate, this churchwarden in the making, this captain of the yeomanry, this young squire of Briarfield, in short. Don't let him overexert himself; don't let him hurt himself while hunting; and especially, make sure he’s careful riding down that steep hill near the Hollow."
"I like a descent," said Shirley; "I like to clear it rapidly; and especially I like that romantic Hollow with all my heart."
"I like going downhill," said Shirley; "I like to do it quickly; and especially I really love that romantic Hollow."
"Romantic, with a mill in it?"
"Romantic, with a mill in it?"
"Romantic with a mill in it. The old mill and the white cottage are each admirable in its way."
"Romantic with a mill in it. The old mill and the white cottage are both charming in their own ways."
"And the counting-house, Mr. Keeldar?"
"And the counting house, Mr. Keeldar?"
"The counting-house is better than my bloom-coloured drawing-room. I adore the counting-house."
"The counting room is better than my pink-colored living room. I love the counting room."
"And the trade? The cloth, the greasy wool, the polluting dyeing-vats?"
"And what about the trade? The fabric, the greasy wool, the polluting dyeing vats?"
"The trade is to be thoroughly respected."
"The trade should be fully respected."
"And the tradesman is a hero? Good!"
"And the tradesman is a hero? Great!"
"I am glad to hear you say so. I thought the tradesman looked heroic."
"I'm glad to hear you say that. I thought the tradesman looked like a hero."
Mischief, spirit, and glee sparkled all over her face as[Pg 180] she thus bandied words with the old Cossack, who almost equally enjoyed the tilt.
Mischief, spirit, and joy sparkled all over her face as[Pg180] she playfully exchanged words with the old Cossack, who also seemed to enjoy the banter.
"Captain Keeldar, you have no mercantile blood in your veins. Why are you so fond of trade?"
"Captain Keeldar, you don’t have any business instincts. Why are you so interested in trade?"
"Because I am a mill-owner, of course. Half my income comes from the works in that Hollow."
"Because I'm a mill owner, obviously. Half of my income comes from the factories in that Hollow."
"Don't enter into partnership—that's all."
"Don't partner up—that's it."
"You've put it into my head! you've put it into my head!" she exclaimed, with a joyous laugh. "It will never get out. Thank you." And waving her hand, white as a lily and fine as a fairy's, she vanished within the porch, while the rector and his niece passed out through the arched gateway.[Pg 181]
"You've put it in my head! You've put it in my head!" she said, laughing with joy. "It will never leave. Thank you." And waving her hand, as white as a lily and delicate as a fairy's, she disappeared into the porch, while the rector and his niece exited through the arched gateway.[Pg181Got it! Please provide the text you would like me to modernize.
CHAPTER XII.
SHIRLEY AND CAROLINE.
Shirley showed she had been sincere in saying she should be glad of Caroline's society, by frequently seeking it; and, indeed, if she had not sought it, she would not have had it, for Miss Helstone was slow to make fresh acquaintance. She was always held back by the idea that people could not want her, that she could not amuse them; and a brilliant, happy, youthful creature like the heiress of Fieldhead seemed to her too completely independent of society so uninteresting as hers ever to find it really welcome.
Shirley proved she was genuine when she said she enjoyed Caroline's company by often looking for it; in fact, if she hadn't sought it, she wouldn't have had it, since Miss Helstone took her time to make new friends. She was constantly held back by the belief that people couldn't possibly want her around, that she couldn't entertain them; and a bright, cheerful, young person like the heiress of Fieldhead seemed to her too completely self-sufficient to ever truly appreciate a social circle as dull as hers.
Shirley might be brilliant, and probably happy likewise, but no one is independent of genial society; and though in about a month she had made the acquaintance of most of the families round, and was on quite free and easy terms with all the Misses Sykes, and all the Misses Pearson, and the two superlative Misses Wynne of Walden Hall, yet, it appeared, she found none amongst them very genial: she fraternized with none of them, to use her own words. If she had had the bliss to be really Shirley Keeldar, Esq., lord of the manor of Briarfield, there was not a single fair one in this and the two neighbouring parishes whom she should have felt disposed to request to become Mrs. Keeldar, lady of the manor. This declaration she made to Mrs. Pryor, who received it very quietly, as she did most of her pupil's off-hand speeches, responding, "My dear, do not allow that habit of alluding to yourself as a gentleman to be confirmed. It is a strange one. Those who do not know you, hearing you speak thus, would think you affected masculine manners."
Shirley might be smart and probably happy too, but no one is truly independent from friendly society; and even though she had gotten to know most of the families around in about a month and was on good terms with all the Misses Sykes, all the Misses Pearson, and the two outstanding Misses Wynne of Walden Hall, it seemed she didn’t find any of them particularly friendly: she connected with none of them, as she put it herself. If she actually had the luck to be Shirley Keeldar, Esq., lord of the manor of Briarfield, there wasn’t a single attractive woman in this parish or the two nearby parishes she would have felt inclined to ask to become Mrs. Keeldar, lady of the manor. She shared this thought with Mrs. Pryor, who took it very calmly, just as she did most of her pupil's casual remarks, replying, “My dear, don't let that habit of referring to yourself as a gentleman stick. It’s a strange one. Those who don’t know you, hearing you say that, might think you’re trying to act like a man.”
Shirley never laughed at her former governess; even the little formalities and harmless peculiarities of that lady were respectable in her eyes. Had it been otherwise, she would have proved herself a weak character at once; for it is only the weak who make a butt of quiet worth. Therefore she took her remonstrance in silence. She stood quietly[Pg 182] near the window, looking at the grand cedar on her lawn watching a bird on one of its lower boughs. Presently she began to chirrup to the bird; soon her chirrup grew clearer; ere long she was whistling; the whistle struck into a tune, and very sweetly and deftly it was executed.
Shirley never laughed at her former governess; even the little formalities and harmless quirks of that lady were respectable in her eyes. If she had thought differently, she would have shown herself to be a weak person right away; because only the weak make fun of quiet worth. So, she accepted her criticism in silence. She stood quietly[Pg182I'm sorry, but there seems to be no text provided for me to modernize. Please provide a short piece of text you would like me to work with. near the window, watching the grand cedar on her lawn and a bird on one of its lower branches. Soon, she started chirping to the bird; before long, her chirping became clearer; eventually, she was whistling; the whistle turned into a tune, and it was played very sweetly and skillfully.
"My dear!" expostulated Mrs. Pryor.
"My dear!" exclaimed Mrs. Pryor.
"Was I whistling?" said Shirley. "I forgot. I beg your pardon, ma'am. I had resolved to take care not to whistle before you."
"Was I whistling?" Shirley asked. "I forgot. I'm sorry, ma'am. I promised myself I would be careful not to whistle in front of you."
"But, Miss Keeldar, where did you learn to whistle? You must have got the habit since you came down into Yorkshire. I never knew you guilty of it before."
"But, Miss Keeldar, where did you learn to whistle? You must have picked it up since you came to Yorkshire. I never knew you to do that before."
"Oh! I learned to whistle a long while ago."
"Oh! I learned how to whistle a long time ago."
"Who taught you?"
"Who taught you that?"
"No one. I took it up by listening, and I had laid it down again. But lately, yesterday evening, as I was coming up our lane, I heard a gentleman whistling that very tune in the field on the other side of the hedge, and that reminded me."
"No one. I picked it up by listening, and then I set it down again. But recently, yesterday evening, as I was walking up our lane, I heard a man whistling that same tune in the field on the other side of the hedge, and that brought it back to me."
"What gentleman was it?"
"Which gentleman was it?"
"We have only one gentleman in this region, ma'am, and that is Mr. Moore—at least he is the only gentleman who is not gray-haired. My two venerable favourites, Mr. Helstone and Mr. Yorke, it is true, are fine old beaus, infinitely better than any of the stupid young ones."
"We only have one gentleman around here, ma'am, and that's Mr. Moore—at least he's the only one who's not gray-haired. My two esteemed favorites, Mr. Helstone and Mr. Yorke, are indeed charming old fellows, much better than any of the dull young ones."
Mrs. Pryor was silent.
Mrs. Pryor was quiet.
"You do not like Mr. Helstone, ma'am?"
"You don't like Mr. Helstone, ma'am?"
"My dear, Mr. Helstone's office secures him from criticism."
"My dear, Mr. Helstone's position protects him from criticism."
"You generally contrive to leave the room when he is announced."
"You usually manage to leave the room when he arrives."
"Do you walk out this morning, my dear?"
"Are you heading out this morning, my dear?"
"Yes, I shall go to the rectory, and seek and find Caroline Helstone, and make her take some exercise. She shall have a breezy walk over Nunnely Common."
"Yes, I will go to the rectory, find Caroline Helstone, and get her to do some exercise. She will have a refreshing walk over Nunnely Common."
"If you go in that direction, my dear, have the goodness to remind Miss Helstone to wrap up well, as there is a fresh wind, and she appears to me to require care."
"If you're heading that way, my dear, please remind Miss Helstone to dress warmly since there's a chilly wind, and she seems like she needs to take care."
"You shall be minutely obeyed, Mrs. Pryor. Meantime, will you not accompany us yourself?"
"You will be followed closely, Mrs. Pryor. In the meantime, won’t you join us yourself?"
"No, my love; I should be a restraint upon you. I am stout, and cannot walk so quickly as you would wish to do."
"No, my love; I would hold you back. I’m strong but can’t walk as fast as you’d like."
Shirley easily persuaded Caroline to go with her, and when they were fairly out on the quiet road, traversing[Pg 183] the extensive and solitary sweep of Nunnely Common, she as easily drew her into conversation. The first feelings of diffidence overcome, Caroline soon felt glad to talk with Miss Keeldar. The very first interchange of slight observations sufficed to give each an idea of what the other was. Shirley said she liked the green sweep of the common turf, and, better still, the heath on its ridges, for the heath reminded her of moors. She had seen moors when she was travelling on the borders near Scotland. She remembered particularly a district traversed one long afternoon, on a sultry but sunless day in summer. They journeyed from noon till sunset, over what seemed a boundless waste of deep heath, and nothing had they seen but wild sheep, nothing heard but the cries of wild birds.
Shirley easily convinced Caroline to join her, and once they were out on the quiet road, crossing[Pg183Text is empty. Please provide a short phrase for modernization. the wide and lonely expanse of Nunnely Common, she quickly got Caroline talking. Once the initial shyness faded, Caroline was glad to chat with Miss Keeldar. Their first few light exchanges gave them both a sense of who the other was. Shirley mentioned that she liked the green stretch of the common grass, and even more, the heather on its ridges, because the heather reminded her of the moors. She had visited the moors while traveling along the borders near Scotland. She particularly recalled one area they crossed on a hot but cloudy summer afternoon. They traveled from noon to sunset over what felt like an endless stretch of thick heather, seeing nothing but wild sheep and hearing nothing but the calls of wild birds.
"I know how the heath would look on such a day," said Caroline; "purple-black—a deeper shade of the sky-tint, and that would be livid."
"I can picture how the heath would appear on a day like this," Caroline said; "purple-black—a darker version of the color of the sky, and that would be pale."
"Yes, quite livid, with brassy edges to the clouds, and here and there a white gleam, more ghastly than the lurid tinge, which, as you looked at it, you momentarily expected would kindle into blinding lightning."
"Yes, really angry, with harsh edges to the clouds, and here and there a white flash, more terrifying than the bright color, which, as you stared at it, you briefly expected would explode into blinding lightning."
"Did it thunder?"
"Was that thunder?"
"It muttered distant peals, but the storm did not break till evening, after we had reached our inn—that inn being an isolated house at the foot of a range of mountains."
"It whispered distant sounds, but the storm didn't hit until evening, after we had arrived at our inn—which was a remote house at the base of a mountain range."
"Did you watch the clouds come down over the mountains?"
"Did you see the clouds rolling down over the mountains?"
"I did. I stood at the window an hour watching them. The hills seemed rolled in a sullen mist, and when the rain fell in whitening sheets, suddenly they were blotted from the prospect; they were washed from the world."
"I did. I stood at the window for an hour watching them. The hills looked shrouded in a gloomy mist, and when the rain poured down in white sheets, they were suddenly erased from view; they vanished from the world."
"I have seen such storms in hilly districts in Yorkshire; and at their riotous climax, while the sky was all cataract, the earth all flood, I have remembered the Deluge."
"I have witnessed storms in the hilly areas of Yorkshire; and at their wild peak, with the sky like a waterfall and the ground completely flooded, I recalled the Deluge."
"It is singularly reviving after such hurricanes to feel calm return, and from the opening clouds to receive a consolatory gleam, softly testifying that the sun is not quenched."
"It’s remarkably refreshing after such storms to feel calm come back, and from the parting clouds to catch a comforting ray, gently confirming that the sun isn’t gone."
"Miss Keeldar, just stand still now, and look down at Nunnely dale and wood."
"Miss Keeldar, please stand still now and look down at Nunnely dale and woods."
They both halted on the green brow of the common. They looked down on the deep valley robed in May raiment; on varied meads, some pearled with daisies, and some golden with king-cups. To-day all this young verdure[Pg 184] smiled clear in sunlight; transparent emerald and amber gleams played over it. On Nunnwood—the sole remnant of antique British forest in a region whose lowlands were once all silvan chase, as its highlands were breast-deep heather—slept the shadow of a cloud; the distant hills were dappled, the horizon was shaded and tinted like mother-of-pearl; silvery blues, soft purples, evanescent greens and rose-shades, all melting into fleeces of white cloud, pure as azury snow, allured the eye as with a remote glimpse of heaven's foundations. The air blowing on the brow was fresh, and sweet, and bracing.
They both stopped on the green hill of the common. They looked down at the deep valley dressed in May colors; at the various meadows, some dotted with daisies, and others shining with king-cups. Today, all this young greenery[Pg184I’m ready for your text! Please provide the short phrases for modernization. smiled brightly in the sunlight; transparent emerald and amber glimmers danced over it. On Nunnwood—the last remnant of ancient British forest in an area where the lowlands used to be a woodland chase, as its highlands were filled with heather—lay the shadow of a cloud; the distant hills were mottled, the horizon was shaded and colored like mother-of-pearl; silvery blues, soft purples, fleeting greens, and rose hues, all blending into fluffy white clouds, pure as blue snow, captivated the eye like a distant glimpse of heaven's foundation. The air blowing on the hill was fresh, sweet, and invigorating.
"Our England is a bonny island," said Shirley, "and Yorkshire is one of her bonniest nooks."
"Our England is a beautiful island," said Shirley, "and Yorkshire is one of its most beautiful spots."
"You are a Yorkshire girl too?"
"Are you a Yorkshire girl too?"
"I am—Yorkshire in blood and birth. Five generations of my race sleep under the aisles of Briarfield Church. I drew my first breath in the old black hall behind us."
"I am from Yorkshire, both by heritage and where I was born. Five generations of my family rest in the aisles of Briarfield Church. I took my first breath in the old black hall behind us."
Hereupon Caroline presented her hand, which was accordingly taken and shaken. "We are compatriots," said she.
Caroline then extended her hand, which was taken and shaken in response. "We are fellow countrymen," she said.
"Yes," agreed Shirley, with a grave nod.
"Yeah," agreed Shirley, with a serious nod.
"And that," asked Miss Keeldar, pointing to the forest—"that is Nunnwood?"
"And that," asked Miss Keeldar, pointing to the forest—"is that Nunnwood?"
"It is."
"It is."
"Were you ever there?"
"Were you ever there?"
"Many a time."
"Many times."
"In the heart of it?"
"In the thick of it?"
"Yes."
Yes.
"What is it like?"
"What's it like?"
"It is like an encampment of forest sons of Anak. The trees are huge and old. When you stand at their roots, the summits seem in another region. The trunks remain still and firm as pillars, while the boughs sway to every breeze. In the deepest calm their leaves are never quite hushed, and in high wind a flood rushes, a sea thunders above you."
"It’s like a camp of the forest sons of Anak. The trees are massive and ancient. When you stand at their base, the tops look like they're in another world. The trunks stay still and strong like pillars, while the branches sway with every breeze. In the deepest calm, their leaves are never completely silent, and in strong winds, it sounds like a flood rushing, a sea roaring above you."
"Was it not one of Robin Hood's haunts?"
"Wasn't it one of Robin Hood's hangouts?"
"Yes, and there are mementos of him still existing. To penetrate into Nunnwood, Miss Keeldar, is to go far back into the dim days of old. Can you see a break in the forest, about the centre?"
"Yes, there are still reminders of him. Entering Nunnwood, Miss Keeldar, takes you deep into the distant past. Do you see a gap in the forest, roughly in the middle?"
"Yes, distinctly."
"Yes, definitely."
"That break is a dell—a deep, hollow cup, lined with turf as green and short as the sod of this common. The very oldest of the trees, gnarled mighty oaks, crowd about[Pg 185] the brink of this dell. In the bottom lie the ruins of a nunnery."
"That break is a dell—a deep, hollow cup, covered with grass as green and short as the turf of this common. The oldest trees, twisted mighty oaks, surround the edge of this dell. At the bottom are the remains of a nunnery."
"We will go—you and I alone, Caroline—to that wood, early some fine summer morning, and spend a long day there. We can take pencils and sketch-books, and any interesting reading book we like; and of course we shall take something to eat. I have two little baskets, in which Mrs. Gill, my housekeeper, might pack our provisions, and we could each carry our own. It would not tire you too much to walk so far?"
"We'll go—you and I, Caroline—to that woods, early one nice summer morning, and spend a long day there. We can bring our sketchbooks and any interesting book we want to read, and of course we'll pack some food. I have two little baskets that Mrs. Gill, my housekeeper, can use to pack our supplies, and we can each carry our own. It won't be too tiring for you to walk that far, right?"
"Oh no; especially if we rested the whole day in the wood. And I know all the pleasantest spots. I know where we could get nuts in nutting time; I know where wild strawberries abound; I know certain lonely, quite untrodden glades, carpeted with strange mosses, some yellow as if gilded, some a sober gray, some gem-green. I know groups of trees that ravish the eye with their perfect, picture-like effects—rude oak, delicate birch, glossy beech, clustered in contrast; and ash trees stately as Saul, standing isolated; and superannuated wood-giants clad in bright shrouds of ivy. Miss Keeldar, I could guide you."
"Oh no; especially if we spent the whole day in the woods. And I know all the best spots. I know where we can find nuts in the fall; I know where wild strawberries grow in abundance; I know certain secluded, untouched clearings, covered in unusual mosses, some yellow as if dipped in gold, some a muted gray, and some a vibrant green. I know groups of trees that captivate the eye with their perfect, picturesque arrangements—sturdy oak, slender birch, glossy beech, all contrasting beautifully; and ash trees as grand as Saul, standing alone; and ancient woodland giants wrapped in bright ivy. Miss Keeldar, I could show you around."
"You would be dull with me alone?"
"You’d be boring if it were just the two of us?"
"I should not. I think we should suit; and what third person is there whose presence would not spoil our pleasure?"
"I shouldn't. I think we should be fine just the two of us; and what third person would be here that wouldn't ruin our fun?"
"Indeed, I know of none about our own ages—no lady at least; and as to gentlemen——"
"Honestly, I don't know anyone from our age—at least not any ladies; and as for gentlemen——"
"An excursion becomes quite a different thing when there are gentlemen of the party," interrupted Caroline.
"An outing feels totally different when there are guys in the group," interrupted Caroline.
"I agree with you—quite a different thing to what we were proposing."
"I agree with you—it's really different from what we were suggesting."
"We were going simply to see the old trees, the old ruins; to pass a day in old times, surrounded by olden silence, and above all by quietude."
"We were just going to check out the old trees and the ancient ruins; to spend a day in the past, surrounded by the old silence, and most importantly, by peace."
"You are right; and the presence of gentlemen dispels the last charm, I think. If they are of the wrong sort, like your Malones, and your young Sykes, and Wynnes, irritation takes the place of serenity. If they are of the right sort, there is still a change; I can hardly tell what change—one easy to feel, difficult to describe."
"You’re right; having gentlemen around takes away the last bit of charm, in my opinion. If they’re the wrong kind, like your Malones, your young Sykes, and Wynnes, irritation replaces calm. If they’re the right kind, there’s still a shift; I can hardly pinpoint what that shift is—something easy to sense, hard to explain."
"We forget Nature, imprimis."
"We forget nature, first and foremost."
"And then Nature forgets us, covers her vast calm brow with a dim veil, conceals her face, and withdraws the peaceful[Pg 186] joy with which, if we had been content to worship her only, she would have filled our hearts."
"And then Nature forgets us, covers her vast calm brow with a dim veil, hides her face, and takes away the peaceful[Pg186Understood. Please provide the text you'd like me to modernize. joy that she would have filled our hearts with if we had been happy to worship her alone."
"What does she give us instead?"
"What does she offer us instead?"
"More elation and more anxiety; an excitement that steals the hours away fast, and a trouble that ruffles their course."
"More joy and more worry; an excitement that quickly takes away the hours, and a concern that disrupts their flow."
"Our power of being happy lies a good deal in ourselves, I believe," remarked Caroline sagely. "I have gone to Nunnwood with a large party—all the curates and some other gentry of these parts, together with sundry ladies—and I found the affair insufferably tedious and absurd; and I have gone quite alone, or accompanied but by Fanny, who sat in the woodman's hut and sewed, or talked to the goodwife, while I roamed about and made sketches, or read; and I have enjoyed much happiness of a quiet kind all day long. But that was when I was young—two years ago."
"Our ability to be happy depends a lot on ourselves, I think," Caroline said wisely. "I've gone to Nunnwood with a big group—all the curates and some other locals, along with a few ladies—and I found the whole thing incredibly boring and ridiculous; and I've gone completely alone, or just with Fanny, who sat in the woodman's hut sewing or chatting with the goodwife while I wandered around sketching or reading; and I've found a lot of quiet happiness all day long. But that was when I was young—two years ago."
"Did you ever go with your cousin, Robert Moore?"
"Have you ever gone with your cousin, Robert Moore?"
"Yes; once."
"Yes, once."
"What sort of a companion is he on these occasions?"
"What kind of companion is he during these times?"
"A cousin, you know, is different to a stranger."
"A cousin, you know, is different from a stranger."
"I am aware of that; but cousins, if they are stupid, are still more insupportable than strangers, because you cannot so easily keep them at a distance. But your cousin is not stupid?"
"I know that; but cousins, if they are annoying, are even more unbearable than strangers because it's harder to keep them away. But your cousin isn't annoying, right?"
"No; but——"
"No, but——"
"Well?"
"What's up?"
"If the company of fools irritates, as you say, the society of clever men leaves its own peculiar pain also. Where the goodness or talent of your friend is beyond and above all doubt, your own worthiness to be his associate often becomes a matter of question."
"If being around fools annoys you, then being in the company of smart people brings its own unique discomfort. When you have no doubt about your friend's goodness or talent, you often find yourself questioning your own worthiness to be their companion."
"Oh! there I cannot follow you. That crotchet is not one I should choose to entertain for an instant. I consider myself not unworthy to be the associate of the best of them—of gentlemen, I mean—though that is saying a great deal. Where they are good, they are very good, I believe. Your uncle, by-the-bye, is not a bad specimen of the elderly gentleman. I am always glad to see his brown, keen, sensible old face, either in my own house or any other. Are you fond of him? Is he kind to you? Now, speak the truth."
"Oh! I can’t go there with you. That idea is not something I would entertain for even a second. I believe I’m worthy enough to hang out with the best of them—meaning gentlemen—though that's quite a statement. Where they’re good, they’re really good, I think. By the way, your uncle is not a bad example of an older gentleman. I always enjoy seeing his brown, sharp, sensible old face, whether it’s in my home or elsewhere. Do you like him? Is he nice to you? Now, tell me the truth."
"He has brought me up from childhood, I doubt not, precisely as he would have brought up his own daughter, if he had had one; and that is kindness. But I am not[Pg 187] fond of him. I would rather be out of his presence than in it."
"He raised me from childhood, I have no doubt, just like he would have raised his own daughter if he had one; and that’s kind of him. But I don’t really like him. I’d prefer to not be around him."
"Strange, when he has the art of making himself so agreeable."
"Funny how he knows how to be so charming."
"Yes, in company; but he is stern and silent at home. As he puts away his cane and shovel-hat in the rectory hall, so he locks his liveliness in his book-case and study-desk: the knitted brow and brief word for the fireside; the smile, the jest, the witty sally for society."
"Yes, he’s social when he’s out, but he’s strict and quiet at home. Just like he puts his cane and top hat away in the rectory hallway, he keeps his cheerful side locked up in his bookshelf and desk: a furrowed brow and few words for the home; a smile, a joke, and clever remarks for social gatherings."
"Is he tyrannical?"
"Is he a tyrant?"
"Not in the least. He is neither tyrannical nor hypocritical. He is simply a man who is rather liberal than good-natured, rather brilliant than genial, rather scrupulously equitable than truly just—if you can understand such superfine distinctions."
"Not at all. He's neither dictatorial nor insincere. He's just a guy who's more liberal than warm-hearted, more intelligent than friendly, and more strictly fair than genuinely just—if you can grasp those subtle differences."
"Oh yes! Good-nature implies indulgence, which he has not; geniality, warmth of heart, which he does not own; and genuine justice is the offspring of sympathy and considerateness, of which, I can well conceive, my bronzed old friend is quite innocent."
"Oh yes! A good nature means being indulgent, which he isn’t; being friendly and warm-hearted, which he doesn’t have; and true justice comes from sympathy and thoughtfulness, qualities that, I can easily imagine, my weathered old friend is completely lacking."
"I often wonder, Shirley, whether most men resemble my uncle in their domestic relations; whether it is necessary to be new and unfamiliar to them in order to seem agreeable or estimable in their eyes; and whether it is impossible to their natures to retain a constant interest and affection for those they see every day."
"I often wonder, Shirley, if most men are like my uncle in their home lives; if you have to be new and different to them in order to appear nice or admirable; and if it's impossible for them to maintain a steady interest and affection for the people they see every day."
"I don't know. I can't clear up your doubts. I ponder over similar ones myself sometimes. But, to tell you a secret, if I were convinced that they are necessarily and universally different from us—fickle, soon petrifying, unsympathizing—I would never marry. I should not like to find out that what I loved did not love me, that it was weary of me, and that whatever effort I might make to please would hereafter be worse than useless, since it was inevitably in its nature to change and become indifferent. That discovery once made, what should I long for? To go away, to remove from a presence where my society gave no pleasure."
"I don't know. I can't answer your questions. I sometimes think about similar ones myself. But to let you in on a secret, if I truly believed that they are fundamentally and universally different from us—unpredictable, quickly hardening, unfeeling—I would never get married. I wouldn't want to realize that what I loved didn't love me back, that it was tired of me, and that no matter how hard I tried to make it happy, it would only become more pointless, since it was bound to change and become indifferent. Once I made that discovery, what would I long for? To leave, to distance myself from a situation where my company brought no pleasure."
"But you could not if you were married."
"But you couldn't if you were married."
"No, I could not. There it is. I could never be my own mistress more. A terrible thought! It suffocates me! Nothing irks me like the idea of being a burden and a bore—an inevitable burden, a ceaseless bore! Now, when I feel my company superfluous, I can comfortably fold my[Pg 188] independence round me like a mantle, and drop my pride like a veil, and withdraw to solitude. If married, that could not be."
"No, I couldn't. There it is. I could never be my own master again. What a horrible thought! It suffocates me! Nothing bothers me more than the idea of being a burden and a drag—an unavoidable burden, a constant drag! Now, when I feel out of place, I can easily wrap my[Pg188] independence around me like a cloak, let go of my pride like a veil, and retreat to solitude. If I were married, that wouldn’t be possible."
"I wonder we don't all make up our minds to remain single," said Caroline. "We should if we listened to the wisdom of experience. My uncle always speaks of marriage as a burden; and I believe whenever he hears of a man being married he invariably regards him as a fool, or, at any rate, as doing a foolish thing."
"I wonder why we don't all decide to stay single," said Caroline. "We definitely should if we paid attention to what experience teaches us. My uncle always talks about marriage as if it’s a burden; and I think whenever he hears about a man getting married, he always sees him as a fool, or at least as someone doing something foolish."
"But, Caroline, men are not all like your uncle. Surely not. I hope not."
"But, Caroline, not all men are like your uncle. They can't be. I really hope they aren't."
She paused and mused.
She stopped and thought.
"I suppose we each find an exception in the one we love, till we are married," suggested Caroline.
"I guess we all find something special in the one we love, until we are married," Caroline suggested.
"I suppose so. And this exception we believe to be of sterling materials. We fancy it like ourselves; we imagine a sense of harmony. We think his voice gives the softest, truest promise of a heart that will never harden against us; we read in his eyes that faithful feeling—affection. I don't think we should trust to what they call passion at all, Caroline. I believe it is a mere fire of dry sticks, blazing up and vanishing. But we watch him, and see him kind to animals, to little children, to poor people. He is kind to us likewise, good, considerate. He does not flatter women, but he is patient with them, and he seems to be easy in their presence, and to find their company genial. He likes them not only for vain and selfish reasons, but as we like him—because we like him. Then we observe that he is just, that he always speaks the truth, that he is conscientious. We feel joy and peace when he comes into a room; we feel sadness and trouble when he leaves it. We know that this man has been a kind son, that he is a kind brother. Will any one dare to tell me that he will not be a kind husband?"
"I guess so. And we believe this exception is made of high-quality materials. We think it resembles us; we sense a feeling of harmony. We believe his voice offers the softest, truest promise of a heart that will never turn cold towards us; we see in his eyes that loyal feeling—affection. I don’t think we should trust what they call passion at all, Caroline. I believe it’s just a fleeting spark of dry sticks, flaring up and disappearing. But we watch him and see him being kind to animals, to little kids, to those in need. He is kind to us too, good and considerate. He doesn’t flatter women, but he is patient with them, and he seems comfortable around them, enjoying their company. He appreciates them not just for vain and selfish reasons, but for the same reason we like him—because we like him. Then we notice that he is fair, that he always speaks the truth, that he is conscientious. We feel joy and peace when he enters a room; we feel sadness and trouble when he leaves. We know this man has been a good son and a caring brother. Will anyone dare to say he won’t be a kind husband?"
"My uncle would affirm it unhesitatingly. 'He will be sick of you in a month,' he would say."
"My uncle would say it without a doubt. 'He'll get tired of you in a month,' he'd say."
"Mrs. Pryor would seriously intimate the same."
"Mrs. Pryor would seriously suggest the same."
"Mrs. Yorke and Miss Mann would darkly suggest ditto."
"Mrs. Yorke and Miss Mann would subtly imply the same thing."
"If they are true oracles, it is good never to fall in love."
"If they're really oracles, it's best not to ever fall in love."
"Very good, if you can avoid it."
"That's great, if you can steer clear of it."
"I choose to doubt their truth."
"I choose to doubt their truth."
"I am afraid that proves you are already caught."
"I'm afraid that shows you're already trapped."
"Not I. But if I were, do you know what soothsayers I would consult?"
"Not me. But if I were, do you know which fortune tellers I'd talk to?"
[Pg 189]"Let me hear."
"Let me listen."
"Neither man nor woman, elderly nor young: the little Irish beggar that comes barefoot to my door; the mouse that steals out of the cranny in the wainscot; the bird that in frost and snow pecks at my window for a crumb; the dog that licks my hand and sits beside my knee."
"Neither man nor woman, old nor young: the little Irish beggar who comes barefoot to my door; the mouse that sneaks out of the crack in the wall; the bird that pecks at my window for a crumb in the frost and snow; the dog that licks my hand and sits beside my knee."
"Did you ever see any one who was kind to such things?"
"Have you ever seen anyone who was kind to things like that?"
"Did you ever see any one whom such things seemed instinctively to follow, like, rely on?"
"Have you ever seen someone who just seems to attract those kinds of things, like it’s second nature to them?"
"We have a black cat and an old dog at the rectory. I know somebody to whose knee that black cat loves to climb, against whose shoulder and cheek it likes to purr. The old dog always comes out of his kennel and wags his tail, and whines affectionately when somebody passes."
"We have a black cat and an old dog at the rectory. I know someone whose knee that black cat loves to climb, and it likes to purr against their shoulder and cheek. The old dog always comes out of his kennel, wags his tail, and whines affectionately when someone passes by."
"And what does that somebody do?"
"And what does that person do?"
"He quietly strokes the cat, and lets her sit while he conveniently can; and when he must disturb her by rising, he puts her softly down, and never flings her from him roughly. He always whistles to the dog and gives him a caress."
"He gently pets the cat and lets her stay as long as he can; and when he has to get up and disturb her, he carefully sets her down and never pushes her away harshly. He always whistles for the dog and gives him a little affection."
"Does he? It is not Robert?"
"Does he? It's not Rob?"
"But it is Robert."
"But it's Robert."
"Handsome fellow!" said Shirley, with enthusiasm. Her eyes sparkled.
“Good-looking guy!” said Shirley, excitedly. Her eyes sparkled.
"Is he not handsome? Has he not fine eyes and well-cut features, and a clear, princely forehead?"
"Isn’t he handsome? Doesn’t he have beautiful eyes and well-defined features, along with a clear, regal forehead?"
"He has all that, Caroline. Bless him! he is both graceful and good."
"He has it all, Caroline. Bless him! He's both graceful and kind."
"I was sure you would see that he was. When I first looked at your face I knew you would."
"I was confident you would notice that he was. The moment I saw your face, I knew you would."
"I was well inclined to him before I saw him. I liked him when I did see him. I admire him now. There is charm in beauty for itself, Caroline; when it is blent with goodness, there is a powerful charm."
"I was really drawn to him even before I met him. I liked him when I finally saw him. I admire him now. There’s a special charm in beauty for its own sake, Caroline; when it’s combined with goodness, it becomes incredibly appealing."
"When mind is added, Shirley?"
"When do we add mind, Shirley?"
"Who can resist it?"
"Who can resist?"
"Remember my uncle, Mesdames Pryor, Yorke, and Mann."
"Remember my uncle, Ladies Pryor, Yorke, and Mann."
"Remember the croaking of the frogs of Egypt. He is a noble being. I tell you when they are good they are the lords of the creation—they are the sons of God. Moulded in their Maker's image, the minutest spark of His spirit lifts them almost above mortality. Indisputably, a great, good, handsome man is the first of created things."
"Remember the croaking of the frogs in Egypt. He is a noble being. I tell you, when they are good, they are the lords of creation—they are the children of God. Shaped in their Creator's image, the smallest spark of His spirit elevates them almost above mortality. Undoubtedly, a great, good-looking man is the first of all created beings."
[Pg 190]"Above us?"
"Is it above us?"
"I would scorn to contend for empire with him—I would scorn it. Shall my left hand dispute for precedence with my right? Shall my heart quarrel with my pulse? Shall my veins be jealous of the blood which fills them?"
"I would never compete for power with him—I would never do it. Why would my left hand argue for importance with my right? Why would my heart fight with my pulse? Why would my veins be jealous of the blood that flows through them?"
"Men and women, husbands and wives, quarrel horribly, Shirley."
"Men and women, husbands and wives, fight terribly, Shirley."
"Poor things! Poor, fallen, degenerate things! God made them for another lot, for other feelings."
"Poor things! Poor, fallen, messed-up things! God made them for a different fate, for different feelings."
"But are we men's equals, or are we not?"
"But are we equals to men, or aren’t we?"
"Nothing ever charms me more than when I meet my superior—one who makes me sincerely feel that he is my superior."
"Nothing ever impresses me more than when I encounter someone who truly makes me feel that they are above me."
"Did you ever meet him?"
"Have you ever met him?"
"I should be glad to see him any day. The higher above me, so much the better. It degrades to stoop; it is glorious to look up. What frets me is, that when I try to esteem, I am baffled; when religiously inclined, there are but false gods to adore. I disdain to be a pagan."
"I would be happy to see him any day. The higher he is above me, the better. It's degrading to bend down; it's wonderful to look up. What troubles me is that when I try to value something, I'm confused; when I feel spiritually inclined, there are only false idols to worship. I refuse to be a pagan."
"Miss Keeldar, will you come in? We are here at the rectory gates."
"Miss Keeldar, will you come inside? We’re at the rectory gates."
"Not to-day, but to-morrow I shall fetch you to spend the evening with me. Caroline Helstone, if you really are what at present to me you seem, you and I will suit. I have never in my whole life been able to talk to a young lady as I have talked to you this morning. Kiss me—and good-bye."
"Not today, but tomorrow I’ll come get you to spend the evening with me. Caroline Helstone, if you truly are who you seem to me right now, we will get along well. I’ve never in my whole life been able to talk to a young woman the way I talked to you this morning. Kiss me—and goodbye."
Mrs. Pryor seemed as well disposed to cultivate Caroline's acquaintance as Shirley. She, who went nowhere else, called on an early day at the rectory. She came in the afternoon, when the rector happened to be out. It was rather a close day; the heat of the weather had flushed her, and she seemed fluttered too by the circumstance of entering a strange house, for it appeared her habits were most retiring and secluded. When Miss Helstone went to her in the dining-room she found her seated on the sofa, trembling, fanning herself with her handkerchief, and seeming to contend with a nervous discomposure that threatened to become hysterical.
Mrs. Pryor seemed just as interested in getting to know Caroline as she was in Shirley. She, who never went anywhere else, visited the rectory one afternoon while the rector was out. It was a pretty warm day; the heat had made her face red, and she also seemed nervous about being in a new place, suggesting that she was quite reserved and private. When Miss Helstone went to see her in the dining room, she found her sitting on the sofa, shaking, fanning herself with her handkerchief, and struggling with a nervous discomfort that seemed on the verge of turning hysterical.
Caroline marvelled somewhat at this unusual want of self-command in a lady of her years, and also at the lack of real strength in one who appeared almost robust—for Mrs. Pryor hastened to allege the fatigue of her walk, the[Pg 191] heat of the sun, etc., as reasons for her temporary indisposition; and still as, with more hurry than coherence, she again and again enumerated these causes of exhaustion, Caroline gently sought to relieve her by opening her shawl and removing her bonnet. Attentions of this sort Mrs. Pryor would not have accepted from every one. In general she recoiled from touch or close approach with a mixture of embarrassment and coldness far from flattering to those who offered her aid. To Miss Helstone's little light hand, however, she yielded tractably, and seemed soothed by its contact. In a few minutes she ceased to tremble, and grew quiet and tranquil.
Caroline was somewhat surprised by this unusual lack of self-control in a woman of her age, as well as the absence of real strength in someone who looked almost healthy—Mrs. Pryor quickly claimed that the fatigue from her walk, the heat of the sun, and other factors were the reasons for her temporary weakness; and as she hurriedly repeated these reasons for her exhaustion, Caroline gently tried to help by loosening her shawl and taking off her bonnet. Mrs. Pryor wouldn’t have accepted such attentions from just anyone. Usually, she recoiled from touch or close proximity with a mix of embarrassment and coolness that was less than flattering to those offering help. However, she let Miss Helstone's gentle hand touch her and seemed comforted by it. After a few minutes, she stopped trembling and became calm and composed.
Her usual manner being resumed, she proceeded to talk of ordinary topics. In a miscellaneous company Mrs. Pryor rarely opened her lips, or, if obliged to speak, she spoke under restraint, and consequently not well; in dialogue she was a good converser. Her language, always a little formal, was well chosen; her sentiments were just; her information was varied and correct. Caroline felt it pleasant to listen to her, more pleasant than she could have anticipated.
She quickly returned to her usual self and started discussing everyday topics. In mixed company, Mrs. Pryor rarely spoke unless she had to, and even then, she was a bit reserved, which affected her ability to express herself well. However, in one-on-one conversations, she was a great conversationalist. Her language, though somewhat formal, was well-chosen; her thoughts were fair; and her knowledge was diverse and accurate. Caroline found it more enjoyable to listen to her than she had expected.
On the wall opposite the sofa where they sat hung three pictures—the centre one, above the mantelpiece, that of a lady; the two others, male portraits.
On the wall facing the sofa where they were sitting, there were three pictures— the one in the middle, above the mantelpiece, was of a lady; the other two were portraits of men.
"That is a beautiful face," said Mrs. Pryor, interrupting a brief pause which had followed half an hour's animated conversation. "The features may be termed perfect; no statuary's chisel could improve them. It is a portrait from the life, I presume?"
"That’s a beautiful face," Mrs. Pryor said, breaking the brief silence that had come after half an hour of lively conversation. "The features are absolutely perfect; no sculptor could improve them. I assume it’s a portrait from life?"
"It is a portrait of Mrs. Helstone."
"It’s a portrait of Mrs. Helstone."
"Of Mrs. Matthewson Helstone? Of your uncle's wife?"
"Are you talking about Mrs. Matthewson Helstone? Your uncle's wife?"
"It is, and is said to be a good likeness. Before her marriage she was accounted the beauty of the district."
"It is, and it's considered a good likeness. Before she got married, she was known as the beauty of the area."
"I should say she merited the distinction. What accuracy in all the lineaments! It is, however, a passive face. The original could not have been what is generally termed 'a woman of spirit.'"
"I have to say she deserved the recognition. The details in her face are so precise! But it’s, however, a passive expression. The original couldn’t have been what people usually call 'a spirited woman.'"
"I believe she was a remarkably still, silent person."
"I think she was an incredibly calm, quiet person."
"One would scarcely have expected, my dear, that your uncle's choice should have fallen on a partner of that description. Is he not fond of being amused by lively chat?"
"One would hardly have expected, my dear, that your uncle would choose a partner like that. Doesn't he enjoy being entertained by lively conversation?"
"In company he is. But he always says he could never do with a talking wife. He must have quiet at home.[Pg 192] You go out to gossip, he affirms; you come home to read and reflect."
"In a social setting, he is present. But he always insists he couldn't handle a chatty wife. He needs peace at home.[Pg192Please provide the text you would like me to modernize. You go out to gossip, he claims; you return home to read and think."
"Mrs. Matthewson lived but a few years after her marriage, I think I have heard?"
"Mrs. Matthewson lived just a few years after her marriage, I think I’ve heard?"
"About five years."
"About 5 years."
"Well, my dear," pursued Mrs. Pryor, rising to go, "I trust it is understood that you will frequently come to Fieldhead. I hope you will. You must feel lonely here, having no female relative in the house; you must necessarily pass much of your time in solitude."
"Well, my dear," continued Mrs. Pryor, getting up to leave, "I hope it’s clear that you will often come to Fieldhead. I really hope you will. You must feel lonely here without a female relative in the house; you probably spend a lot of your time alone."
"I am inured to it. I have grown up by myself. May I arrange your shawl for you?"
"I’m used to it. I’ve grown up alone. Can I fix your shawl for you?"
Mrs. Pryor submitted to be assisted.
Mrs. Pryor agreed to accept help.
"Should you chance to require help in your studies," she said, "you may command me."
"If you ever need help with your studies," she said, "just let me know."
Caroline expressed her sense of such kindness.
Caroline expressed her appreciation for such kindness.
"I hope to have frequent conversations with you. I should wish to be of use to you."
"I hope to talk with you often. I want to be helpful to you."
Again Miss Helstone returned thanks. She thought what a kind heart was hidden under her visitor's seeming chilliness. Observing that Mrs. Pryor again glanced with an air of interest towards the portraits, as she walked down the room, Caroline casually explained: "The likeness that hangs near the window, you will see, is my uncle, taken twenty years ago; the other, to the left of the mantelpiece, is his brother James, my father."
Again, Miss Helstone expressed her gratitude. She reflected on how a kind heart was concealed beneath her visitor's apparent coldness. Noticing that Mrs. Pryor once more looked with interest at the portraits while moving through the room, Caroline casually explained, "The picture by the window is my uncle, taken twenty years ago; the one to the left of the mantelpiece is his brother James, my father."
"They resemble each other in some measure," said Mrs. Pryor; "yet a difference of character may be traced in the different mould of the brow and mouth."
"They look somewhat alike," said Mrs. Pryor, "but you can see a difference in their personalities through the distinct shapes of their brow and mouth."
"What difference?" inquired Caroline, accompanying her to the door. "James Helstone—that is, my father—is generally considered the best-looking of the two. Strangers, I remark, always exclaim, 'What a handsome man!' Do you think his picture handsome, Mrs. Pryor?"
"What difference?" Caroline asked as she walked her to the door. "James Helstone—that is, my dad—is usually thought to be the better-looking one. I’ve noticed that strangers often say, 'What a handsome man!' Do you think his picture is handsome, Mrs. Pryor?"
"It is much softer or finer featured than that of your uncle."
"It’s much softer or has more delicate features than your uncle's."
"But where or what is the difference of character to which you alluded? Tell me. I wish to see if you guess right."
"But where is the difference in character that you mentioned? Tell me. I want to see if you guess correctly."
"My dear, your uncle is a man of principle. His forehead and his lips are firm, and his eye is steady."
"My dear, your uncle is a man of principle. His forehead and lips are strong, and his gaze is steady."
"Well, and the other? Do not be afraid of offending me. I always like the truth."
"Well, what about the other one? Don't worry about upsetting me. I always appreciate honesty."
"Do you like the truth? It is well for you. Adhere[Pg 193] to that preference—never swerve thence. The other, my dear, if he had been living now, would probably have furnished little support to his daughter. It is, however, a graceful head—taken in youth, I should think. My dear" (turning abruptly), "you acknowledge an inestimable value in principle?"
"Do you like the truth? That's good for you. Stick to that preference—never stray from it. The other person, my dear, if he were alive today, probably wouldn’t offer much support to his daughter. However, it's a lovely head—probably taken when he was young, I’d guess. My dear" (turning abruptly), "do you recognize the immense value in principle?"
"I am sure no character can have true worth without it."
"I’m sure no character can have real value without it."
"You feel what you say? You have considered the subject?"
"You really feel what you're saying? Have you thought about this topic?"
"Often. Circumstances early forced it upon my attention."
"Often. Circumstances made me notice it early on."
"The lesson was not lost, then, though it came so prematurely. I suppose the soil is not light nor stony, otherwise seed falling in that season never would have borne fruit. My dear, do not stand in the air of the door; you will take cold. Good-afternoon."
"The lesson wasn’t wasted, even if it came too soon. I guess the soil isn’t too light or rocky; otherwise, seeds that land in that season wouldn’t bear fruit. Honey, don’t stand in the doorway; you’ll catch a chill. Good afternoon."
Miss Helstone's new acquaintance soon became of value to her: their society was acknowledged a privilege. She found she would have been in error indeed to have let slip this chance of relief, to have neglected to avail herself of this happy change. A turn was thereby given to her thoughts; a new channel was opened for them, which, diverting a few of them at least from the one direction in which all had hitherto tended, abated the impetuosity of their rush, and lessened the force of their pressure on one worn-down point.
Miss Helstone's new friend quickly proved to be valuable to her: their time together was seen as a privilege. She realized she would have been mistaken to miss out on this opportunity for relief, to overlook this happy change. Her thoughts took a different turn; a new path was opened for them, which, at least for some of her thoughts that had been heading in the same direction until now, eased the intensity of their flow and reduced the strain on one particularly overwhelmed point.
Soon she was content to spend whole days at Fieldhead, doing by turns whatever Shirley or Mrs. Pryor wished her to do; and now one would claim her, now the other. Nothing could be less demonstrative than the friendship of the elder lady, but also nothing could be more vigilant, assiduous, untiring. I have intimated that she was a peculiar personage, and in nothing was her peculiarity more shown than in the nature of the interest she evinced for Caroline. She watched all her movements; she seemed as if she would have guarded all her steps. It gave her pleasure to be applied to by Miss Helstone for advice and assistance. She yielded her aid, when asked, with such quiet yet obvious enjoyment that Caroline ere long took delight in depending on her.
Soon she was happy to spend entire days at Fieldhead, doing whatever Shirley or Mrs. Pryor wanted her to do, alternating between the two. Sometimes one would call on her, and sometimes the other. The friendship of the older lady was anything but showy, yet it was incredibly watchful, dedicated, and tireless. I've mentioned that she was an unusual character, and her uniqueness was most evident in the way she showed interest in Caroline. She kept an eye on all her actions; it seemed like she would have protected every step she took. It made her happy to be approached by Miss Helstone for advice and help. When asked, she offered her support with such quiet yet clear enjoyment that Caroline eventually found joy in relying on her.
Shirley Keeldar's complete docility with Mrs. Pryor had at first surprised Miss Helstone, and not less the fact of the reserved ex-governess being so much at home and at ease in the residence of her young pupil, where she filled with[Pg 194] such quiet independency a very dependent post; but she soon found that it needed but to know both ladies to comprehend fully the enigma. Every one, it seemed to her, must like, must love, must prize Mrs. Pryor when they knew her. No matter that she perseveringly wore old-fashioned gowns; that her speech was formal and her manner cool; that she had twenty little ways such as nobody else had: she was still such a stay, such a counsellor, so truthful, so kind in her way, that, in Caroline's idea, none once accustomed to her presence could easily afford to dispense with it.
Shirley Keeldar's complete willingness to go along with Mrs. Pryor initially surprised Miss Helstone, as did the fact that the reserved former governess felt so comfortable and at ease in the home of her young pupil, where she maintained a quiet independence in a very dependent role; but she soon realized that getting to know both women fully explained the puzzle. It seemed to her that everyone must like, love, and value Mrs. Pryor once they really knew her. It didn't matter that she insistently wore old-fashioned dresses, that her speech was formal and her demeanor cool, or that she had little quirks that no one else had; she was still such a support, such a counselor, so honest and kind in her own way, that, in Caroline's opinion, anyone who became accustomed to her presence would find it hard to do without her.
As to dependency or humiliation, Caroline did not feel it in her intercourse with Shirley, and why should Mrs. Pryor? The heiress was rich—very rich—compared with her new friend: one possessed a clear thousand a year, the other not a penny; and yet there was a safe sense of equality experienced in her society, never known in that of the ordinary Briarfield and Whinbury gentry.
As for dependency or humiliation, Caroline didn’t feel it when she was with Shirley, so why should Mrs. Pryor? The heiress was wealthy—very wealthy—compared to her new friend: one had a clear thousand a year, the other had not a dime; and yet there was a comfortable sense of equality felt in her company, something she never experienced with the typical Briarfield and Whinbury gentry.
The reason was, Shirley's head ran on other things than money and position. She was glad to be independent as to property; by fits she was even elated at the notion of being lady of the manor, and having tenants and an estate. She was especially tickled with an agreeable complacency when reminded of "all that property" down in the Hollow, "comprising an excellent cloth-mill, dyehouse, warehouse, together with the messuage, gardens, and outbuildings, termed Hollow's Cottage;" but her exultation being quite undisguised was singularly inoffensive; and, for her serious thoughts, they tended elsewhere. To admire the great, reverence the good, and be joyous with the genial, was very much the bent of Shirley's soul: she mused, therefore, on the means of following this bent far oftener than she pondered on her social superiority.
The reason was that Shirley's mind was focused on things beyond money and status. She was happy to be independent when it came to property; at times, she even felt excited at the idea of being the lady of the manor, with tenants and an estate. She felt particularly pleased when reminded of "all that property" down in the Hollow, "which includes a great cloth mill, dye house, warehouse, along with the house, gardens, and outbuildings known as Hollow's Cottage;" but her undisguised enthusiasm was surprisingly charming, and when it came to her serious thoughts, they were directed elsewhere. She had a natural tendency to admire greatness, respect goodness, and find joy in kindness; therefore, she often contemplated how to pursue this passion far more than she considered her social standing.
In Caroline Miss Keeldar had first taken an interest because she was quiet, retiring, looked delicate, and seemed as if she needed some one to take care of her. Her predilection increased greatly when she discovered that her own way of thinking and talking was understood and responded to by this new acquaintance. She had hardly expected it. Miss Helstone, she fancied, had too pretty a face, manners and voice too soft, to be anything out of the common way in mind and attainments; and she very much wondered to see the gentle features light up archly to the reveille of a dry sally or two risked by herself; and more[Pg 195] did she wonder to discover the self-won knowledge treasured, and the untaught speculations working in that girlish, curl-veiled head. Caroline's instinct of taste, too, was like her own. Such books as Miss Keeldar had read with the most pleasure were Miss Helstone's delight also. They held many aversions too in common, and could have the comfort of laughing together over works of false sentimentality and pompous pretension.
In Caroline, Miss Keeldar first became interested because she was quiet, reserved, looked fragile, and seemed like she needed someone to care for her. Her interest grew significantly when she found out that her own way of thinking and speaking was understood and appreciated by this new friend. She had barely expected it. Miss Helstone, she thought, had too pretty a face, with manners and a voice that were too gentle to be anything extraordinary in terms of mind and skills; and she was quite surprised to see the soft features light up playfully at a few witty remarks she risked making herself. Even more surprising was the discovery of the valuable self-taught knowledge and unlearned thoughts working in that girlish, curl-covered head. Caroline's taste was also similar to her own. The books that Miss Keeldar had enjoyed the most were also Miss Helstone's favorites. They shared many dislikes as well and could find comfort in laughing together over works of false sentimentality and pompous pretension.
Few, Shirley conceived, men or women have the right taste in poetry, the right sense for discriminating between what is real and what is false. She had again and again heard very clever people pronounce this or that passage, in this or that versifier, altogether admirable, which, when she read, her soul refused to acknowledge as anything but cant, flourish, and tinsel, or at the best elaborate wordiness, curious, clever, learned, perhaps, haply even tinged with the fascinating hues of fancy, but, God knows, as different from real poetry as the gorgeous and massy vase of mosaic is from the little cup of pure metal; or, to give the reader a choice of similes, as the milliner's artificial wreath is from the fresh-gathered lily of the field.
Few, Shirley thought, men or women have the right taste in poetry or the ability to tell what’s real from what’s false. Time and again, she’d heard smart people praise this or that line, in this or that poet, as completely wonderful, which, when she read it, her soul couldn’t accept as anything but pretentious, flashy, and superficial, or at best, just elaborate wordiness. It might be interesting, clever, or even tinged with the captivating colors of imagination, but, God knows, it was as different from real poetry as a beautiful, heavy mosaic vase is from a small cup made of pure metal; or, to give the reader another comparison, as a milliner's fake flower crown is from a fresh lily picked from the field.
Caroline, she found, felt the value of the true ore, and knew the deception of the flashy dross. The minds of the two girls being toned in harmony often chimed very sweetly together.
Caroline realized the worth of genuine treasure and recognized the trickery of the superficial glam. The two girls' minds, in sync, often resonated beautifully together.
One evening they chanced to be alone in the oak-parlour. They had passed a long wet day together without ennui. It was now on the edge of dark; candles were not yet brought in; both, as twilight deepened, grew meditative and silent. A western wind roared high round the hall, driving wild clouds and stormy rain up from the far-remote ocean; all was tempest outside the antique lattices, all deep peace within. Shirley sat at the window, watching the rack in heaven, the mist on earth, listening to certain notes of the gale that plained like restless spirits—notes which, had she not been so young, gay, and healthy, would have swept her trembling nerves like some omen, some anticipatory dirge. In this her prime of existence and bloom of beauty they but subdued vivacity to pensiveness. Snatches of sweet ballads haunted her ear; now and then she sang a stanza. Her accents obeyed the fitful impulse of the wind; they swelled as its gusts rushed on, and died as they wandered away. Caroline, withdrawn to the farthest and darkest end of the room, her figure just discernible by the ruby[Pg 196] shine of the flameless fire, was pacing to and fro, muttering to herself fragments of well-remembered poetry. She spoke very low, but Shirley heard her; and while singing softly, she listened. This was the strain:—
One evening, they happened to be alone in the oak parlor. They had spent a long, rainy day together without getting bored. It was getting dark; the candles hadn’t been brought in yet, and both of them grew thoughtful and quiet as twilight deepened. A strong wind raged around the hall, pushing wild clouds and stormy rain in from the distant ocean; outside the old windows, everything was chaotic, while inside, there was a deep peace. Shirley sat by the window, watching the clouds in the sky and the mist on the ground, listening to certain sounds of the gale that were like restless spirits—sounds that, if she hadn't been so young, lively, and healthy, might have sent shivers down her spine like an omen, like a premonition of sorrow. In this prime of her life and time of beauty, it only turned her lively spirit to a thoughtful mood. Snatches of sweet songs filled her ears; now and then, she sang a verse. Her voice rose and fell with the wind; it swelled as the gusts came in and faded as they moved away. Caroline, tucked away at the farthest, darkest corner of the room, her silhouette barely visible by the ruby glow of the dying fire, was pacing back and forth, whispering to herself lines of familiar poetry. She spoke very softly, but Shirley heard her; and while she sang softly, she listened. This was the tune:—
The Atlantic waves roared,
When someone as unfortunate as I, Washed overboard, Of friends, of hope, of all that's lost,
"His floating home is gone forever."
Here the fragment stopped, because Shirley's song, erewhile somewhat full and thrilling, had become delicately faint.
Here the fragment stopped, because Shirley's song, once full and thrilling, had become softly faint.
"Go on," said she.
"Go on," she said.
"Then you go on too. I was only repeating 'The Castaway.'"
"Then you keep going too. I was just repeating 'The Castaway.'"
"I know. If you can remember it all, say it all."
"I get it. If you can remember everything, say it all."
And as it was nearly dark, and, after all, Miss Keeldar was no formidable auditor, Caroline went through it. She went through it as she should have gone through it. The wild sea, the drowning mariner, the reluctant ship swept on in the storm, you heard were realized by her; and more vividly was realized the heart of the poet, who did not weep for "The Castaway," but who, in an hour of tearless anguish, traced a semblance to his own God-abandoned misery in the fate of that man-forsaken sailor, and cried from the depths where he struggled,—
And since it was almost dark, and after all, Miss Keeldar was not a scary audience, Caroline went through it. She went through it as she was supposed to. The wild sea, the drowning sailor, the reluctant ship caught in the storm, you could tell were brought to life by her; and even more vividly, the heart of the poet was brought to life, who didn’t cry for "The Castaway," but who, in an hour of silent anguish, saw a reflection of his own God-abandoned suffering in the fate of that lonely sailor and cried out from the depths where he struggled,—
No favorable light shone,
When taken away from all effective help,
We died—each alone!
But I am under a harsher sea,
"And overwhelmed in deeper depths than he."
"I hope William Cowper is safe and calm in heaven now," said Caroline.
"I hope William Cowper is safe and at peace in heaven now," said Caroline.
"Do you pity what he suffered on earth?" asked Miss Keeldar.
"Do you feel sorry for what he went through on earth?" asked Miss Keeldar.
"Pity him, Shirley? What can I do else? He was nearly broken-hearted when he wrote that poem, and it almost breaks one's heart to read it. But he found relief in writing it—I know he did; and that gift of poetry—the most divine bestowed on man—was, I believe, granted to[Pg 197] allay emotions when their strength threatens harm. It seems to me, Shirley, that nobody should write poetry to exhibit intellect or attainment. Who cares for that sort of poetry? Who cares for learning—who cares for fine words in poetry? And who does not care for feeling—real feeling—however simply, even rudely expressed?"
"Feel sorry for him, Shirley? What else can I do? He was almost heartbroken when he wrote that poem, and reading it nearly breaks your heart too. But he found comfort in writing it—I know he did; and that gift of poetry—the most divine one granted to humanity—was, I believe, given to[Pg197I'm ready to help modernize your text. Please provide the phrases you'd like me to work on. soothe emotions when their intensity threatens harm. It seems to me, Shirley, that no one should write poetry to show off their intellect or achievements. Who cares about that kind of poetry? Who cares about knowledge—who cares about fancy words in poetry? And who doesn’t care about feeling—real feeling—no matter how simply, or even roughly, it’s expressed?"
"It seems you care for it, at all events; and certainly, in hearing that poem, one discovers that Cowper was under an impulse strong as that of the wind which drove the ship—an impulse which, while it would not suffer him to stop to add ornament to a single stanza, filled him with force to achieve the whole with consummate perfection. You managed to recite it with a steady voice, Caroline. I wonder thereat."
"It seems you care about it, for sure; and definitely, when hearing that poem, you realize that Cowper was driven by a force as strong as the wind that propelled the ship—an urge that wouldn’t let him pause to add any embellishments to a single stanza, yet gave him the power to complete the whole work with perfect skill. You were able to recite it with a steady voice, Caroline. I'm amazed by that."
"Cowper's hand did not tremble in writing the lines. Why should my voice falter in repeating them? Depend on it, Shirley, no tear blistered the manuscript of 'The Castaway.' I hear in it no sob of sorrow, only the cry of despair; but, that cry uttered, I believe the deadly spasm passed from his heart, that he wept abundantly, and was comforted."
"Cowper's hand didn't shake while writing those lines. Why should my voice shake while repeating them? Trust me, Shirley, no tears stained the manuscript of 'The Castaway.' I hear in it no gasp of sadness, only the shout of despair; but, after that cry was said, I believe the deadly pain left his heart, that he cried a lot, and found comfort."
Shirley resumed her ballad minstrelsy. Stopping short, she remarked ere long, "One could have loved Cowper, if it were only for the sake of having the privilege of comforting him."
Shirley continued her singing. After a moment, she said, "One could have loved Cowper, just for the chance to comfort him."
"You never would have loved Cowper," rejoined Caroline promptly. "He was not made to be loved by woman."
"You never would have loved Cowper," Caroline replied quickly. "He wasn't the type to be loved by a woman."
"What do you mean?"
"What do you mean?"
"What I say. I know there is a kind of natures in the world—and very noble, elevated natures too—whom love never comes near. You might have sought Cowper with the intention of loving him, and you would have looked at him, pitied him, and left him, forced away by a sense of the impossible, the incongruous, as the crew were borne from their drowning comrade by 'the furious blast.'"
"What I mean is, I recognize that there are certain people in the world—very noble, elevated people—whom love never reaches. You could have tried to love Cowper, and you would have looked at him, felt sorry for him, and then walked away, unable to stay because it felt impossible and out of place, just like the crew was carried away from their drowning comrade by 'the furious blast.'"
"You may be right. Who told you this?"
"You might be right. Who told you that?"
"And what I say of Cowper, I should say of Rousseau. Was Rousseau ever loved? He loved passionately; but was his passion ever returned? I am certain, never. And if there were any female Cowpers and Rousseaus, I should assert the same of them."
"And what I say about Cowper, I would say about Rousseau. Was Rousseau ever truly loved? He loved deeply, but was his love ever reciprocated? I’m sure it wasn’t. And if there were any female versions of Cowper and Rousseau, I’d say the same about them."
"Who told you this, I ask? Did Moore?"
"Who told you this, I want to know? Was it Moore?"
"Why should anybody have told me? Have I not an instinct? Can I not divine by analogy? Moore never[Pg 198] talked to me either about Cowper, or Rousseau, or love. The voice we hear in solitude told me all I know on these subjects."
"Why should anyone have told me? Don't I have an instinct? Can't I figure things out by comparison? Moore never[Pg198Please provide the text you would like me to modernize. talked to me about Cowper, Rousseau, or love. The voice I hear in solitude has taught me everything I know about these topics."
"Do you like characters of the Rousseau order, Caroline?"
"Do you like characters like Rousseau, Caroline?"
"Not at all, as a whole. I sympathize intensely with certain qualities they possess. Certain divine sparks in their nature dazzle my eyes, and make my soul glow. Then, again, I scorn them. They are made of clay and gold. The refuse and the ore make a mass of weakness: taken altogether, I feel them unnatural, unhealthy, repulsive."
"Not at all, on the whole. I really sympathize with certain traits they have. Some divine sparks in their nature dazzle my eyes and make my soul shine. On the other hand, I also look down on them. They are made of clay and gold. The waste and the raw material create a weak mass: overall, I find them unnatural, unhealthy, and repulsive."
"I dare say I should be more tolerant of a Rousseau than you would, Cary. Submissive and contemplative yourself, you like the stern and the practical. By the way, you must miss that Cousin Robert of yours very much, now that you and he never meet."
"I think I should be more accepting of someone like Rousseau than you would, Cary. Being submissive and contemplative yourself, you prefer the serious and practical. By the way, you must really miss your Cousin Robert now that you two never see each other."
"I do."
"I do."
"And he must miss you?"
"Does he miss you?"
"That he does not."
"He doesn't."
"I cannot imagine," pursued Shirley, who had lately got a habit of introducing Moore's name into the conversation, even when it seemed to have no business there—"I cannot imagine but that he was fond of you, since he took so much notice of you, talked to you, and taught you so much."
"I can't believe," continued Shirley, who had recently developed a habit of bringing up Moore's name in conversations, even when it didn't quite fit—"I can't believe he wasn't fond of you, since he paid so much attention to you, talked to you, and taught you so much."
"He never was fond of me; he never professed to be fond of me. He took pains to prove that he only just tolerated me."
"He never liked me; he never claimed to like me. He made an effort to show that he only just put up with me."
Caroline, determined not to err on the flattering side in estimating her cousin's regard for her, always now habitually thought of it and mentioned it in the most scanty measure. She had her own reasons for being less sanguine than ever in hopeful views of the future, less indulgent to pleasurable retrospections of the past.
Caroline, determined not to overestimate her cousin's feelings for her, now regularly thought about it and mentioned it only briefly. She had her own reasons for being less optimistic about the future and less forgiving about happy memories of the past.
"Of course, then," observed Miss Keeldar, "you only just tolerated him in return?"
"Of course," Miss Keeldar remarked, "you just put up with him in return?"
"Shirley, men and women are so different; they are in such a different position. Women have so few things to think about, men so many. You may have a friendship for a man, while he is almost indifferent to you. Much of what cheers your life may be dependent on him, while not a feeling or interest of moment in his eyes may have reference to you. Robert used to be in the habit of going to London, sometimes for a week or a fortnight together. Well, while he was away, I found his absence a void. There[Pg 199] was something wanting; Briarfield was duller. Of course, I had my usual occupations; still I missed him. As I sat by myself in the evenings, I used to feel a strange certainty of conviction I cannot describe, that if a magician or a genius had, at that moment, offered me Prince Ali's tube (you remember it in the 'Arabian Nights'?), and if, with its aid, I had been enabled to take a view of Robert—to see where he was, how occupied—I should have learned, in a startling manner, the width of the chasm which gaped between such as he and such as I. I knew that, however my thoughts might adhere to him, his were effectually sundered from me."
"Shirley, men and women are so different; they occupy such different spaces. Women have so few things to think about, while men have so many. You might have a friendship with a guy, but he could be almost indifferent towards you. A lot of what brings you joy might rely on him, while he may not feel or care about anything significant regarding you. Robert used to go to London, sometimes for a week or two at a time. While he was away, I noticed his absence created a void. Something was missing; Briarfield felt duller. Of course, I had my usual activities; still, I missed him. As I sat alone in the evenings, I often felt this strange, unexplainable certainty that if a magician or a genius had offered me Prince Ali's lamp (you remember it from 'Arabian Nights'? ), and, with its help, I could see Robert—see where he was, what he was doing—I would have realized, in a shocking way, just how wide the gap was between someone like him and someone like me. I knew that, no matter how much I thought about him, his thoughts were completely disconnected from mine."
"Caroline," demanded Miss Keeldar abruptly, "don't you wish you had a profession—a trade?"
"Caroline," Miss Keeldar said suddenly, "don't you wish you had a job—a trade?"
"I wish it fifty times a day. As it is, I often wonder what I came into the world for. I long to have something absorbing and compulsory to fill my head and hands and to occupy my thoughts."
"I wish for it fifty times a day. As it is, I often wonder what I'm here for. I really want something engaging and necessary to fill my head and hands and occupy my thoughts."
"Can labour alone make a human being happy?"
"Can work alone make a person happy?"
"No; but it can give varieties of pain, and prevent us from breaking our hearts with a single tyrant master-torture. Besides, successful labour has its recompense; a vacant, weary, lonely, hopeless life has none."
"No; but it can cause different kinds of pain and stop us from breaking our hearts over a single cruel master-torture. Plus, hard work brings its own rewards; an empty, tired, lonely, hopeless life offers none."
"But hard labour and learned professions, they say, make women masculine, coarse, unwomanly."
"But hard work and educated jobs, they say, make women manly, rough, and unladylike."
"And what does it signify whether unmarried and never-to-be-married women are unattractive and inelegant or not? Provided only they are decent, decorous, and neat, it is enough. The utmost which ought to be required of old maids, in the way of appearance, is that they should not absolutely offend men's eyes as they pass them in the street; for the rest, they should be allowed, without too much scorn, to be as absorbed, grave, plain-looking, and plain-dressed as they please."
"And what does it matter if unmarried women who will never marry are unattractive or not? As long as they are respectable, proper, and tidy, that’s enough. The most that should be expected of old maids when it comes to their appearance is that they don’t completely offend men’s eyes as they walk by; beyond that, they should be free, without too much judgment, to be as focused, serious, ordinary-looking, and simply dressed as they want."
"You might be an old maid yourself, Caroline, you speak so earnestly."
"You might be a spinster yourself, Caroline, you sound so serious."
"I shall be one. It is my destiny. I will never marry a Malone or a Sykes; and no one else will ever marry me."
"I will be one. It’s my fate. I will never marry a Malone or a Sykes; and no one else will ever marry me."
Here fell a long pause. Shirley broke it. Again the name by which she seemed bewitched was almost the first on her lips.
Here fell a long pause. Shirley broke it. Once more, the name that seemed to cast a spell on her was almost the first one she spoke.
"Lina—did not Moore call you Lina sometimes?"
"Lina—didn't Moore sometimes call you Lina?"
"Yes. It is sometimes used as the abbreviation of Caroline in his native country."
"Yes. It's sometimes used as a short form of Caroline in his home country."
[Pg 200]"Well, Lina, do you remember my one day noticing an inequality in your hair—a curl wanting on that right side—and your telling me that it was Robert's fault, as he had once cut therefrom a long lock?"
[Pg200I'm sorry, but it seems there is no text provided for me to modernize. Please provide a phrase, and I'll be happy to assist!"Well, Lina, do you remember that time I pointed out an uneven curl in your hair on the right side? You told me it was Robert's fault because he had once cut off a long strand from there?"
"Yes."
Yes.
"If he is, and always was, as indifferent to you as you say, why did he steal your hair?"
"If he really is, and always has been, as indifferent to you as you claim, why did he take your hair?"
"I don't know—yes, I do. It was my doing, not his. Everything of that sort always was my doing. He was going from home—to London, as usual; and the night before he went, I had found in his sister's workbox a lock of black hair—a short, round curl. Hortense told me it was her brother's, and a keepsake. He was sitting near the table. I looked at his head. He has plenty of hair; on the temples were many such round curls. I thought he could spare me one. I knew I should like to have it, and I asked for it. He said, on condition that he might have his choice of a tress from my head. So he got one of my long locks of hair, and I got one of his short ones. I keep his, but I dare say he has lost mine. It was my doing, and one of those silly deeds it distresses the heart and sets the face on fire to think of; one of those small but sharp recollections that return, lacerating your self-respect like tiny penknives, and forcing from your lips, as you sit alone, sudden, insane-sounding interjections."
"I don't know—actually, yes, I do. It was my fault, not his. Everything like that was always my fault. He was heading from home—to London, as usual; and the night before he left, I found a lock of black hair—a short, round curl—in his sister's sewing box. Hortense told me it was her brother's and a keepsake. He was sitting by the table. I looked at his head. He had plenty of hair; there were many of those round curls at his temples. I thought he could spare me one. I know I wanted it, so I asked for it. He said I could have one as long as he could choose a lock from my hair. So he took one of my long locks, and I got one of his short ones. I still have his, but he probably lost mine. It was my fault, and one of those foolish things that make your heart ache and flush your face just thinking about it; one of those small but painful memories that come back, cutting at your self-esteem like tiny knives, making you blurt out random, crazy-sounding exclamations when you're alone."
"Caroline!"
"Caroline!"
"I do think myself a fool, Shirley, in some respects; I do despise myself. But I said I would not make you my confessor, for you cannot reciprocate foible for foible; you are not weak. How steadily you watch me now! Turn aside your clear, strong, she-eagle eye; it is an insult to fix it on me thus."
"I really do think I'm a fool, Shirley, in some ways; I truly despise myself. But I said I wouldn't make you my confessor because you can't trade flaws with me; you're not weak. How intently you’re watching me now! Please look away with your clear, strong, eagle-eyed gaze; it feels like an insult to have you fix it on me like this."
"What a study of character you are—weak, certainly, but not in the sense you think!—Come in!"
"What a character study you are—weak, for sure, but not in the way you think!—Come in!"
This was said in answer to a tap at the door. Miss Keeldar happened to be near it at the moment, Caroline at the other end of the room. She saw a note put into Shirley's hands, and heard the words, "From Mr. Moore, ma'am."
This was said in response to a knock at the door. Miss Keeldar was nearby at the time, while Caroline was at the opposite end of the room. She saw a note handed to Shirley and heard the words, "From Mr. Moore, ma'am."
"Bring candles," said Miss Keeldar.
"Bring candles," Miss Keeldar said.
Caroline sat expectant.
Caroline sat waiting.
"A communication on business," said the heiress; but when candles were brought, she neither opened nor read it. The rector's Fanny was presently announced, and the rector's niece went home.[Pg 201]
"A message about business," said the heiress; but when the candles were brought, she neither opened nor read it. The rector's Fanny was soon announced, and the rector's niece went home.[Pg201Sure! Please provide the text you'd like me to modernize.
CHAPTER XIII.
FURTHER COMMUNICATIONS ON BUSINESS.
In Shirley's nature prevailed at times an easy indolence. There were periods when she took delight in perfect vacancy of hand and eye—moments when her thoughts, her simple existence, the fact of the world being around and heaven above her, seemed to yield her such fullness of happiness that she did not need to lift a finger to increase the joy. Often, after an active morning, she would spend a sunny afternoon in lying stirless on the turf, at the foot of some tree of friendly umbrage. No society did she need but that of Caroline, and it sufficed if she were within call; no spectacle did she ask but that of the deep blue sky, and such cloudlets as sailed afar and aloft across its span; no sound but that of the bee's hum, the leaf's whisper. Her sole book in such hours was the dim chronicle of memory or the sibyl page of anticipation. From her young eyes fell on each volume a glorious light to read by; round her lips at moments played a smile which revealed glimpses of the tale or prophecy. It was not sad, not dark. Fate had been benign to the blissful dreamer, and promised to favour her yet again. In her past were sweet passages, in her future rosy hopes.
In Shirley's nature sometimes showed an easy laziness. There were times when she found joy in complete stillness—moments when her thoughts, her simple life, the mere existence of the world around her and the sky above seemed to bring her such deep happiness that she didn’t need to do anything to make it grow. Often, after an active morning, she would spend a sunny afternoon lying completely still on the grass, at the base of a friendly tree providing shade. She needed no company but Caroline, and it was enough if she was within shouting distance; she asked for no entertainment except the deep blue sky and the little clouds drifting far above; no sound but the hum of bees and the whisper of leaves. Her only reading material during these hours was the faded story of memory or the mysterious page of what was to come. From her young eyes, a brilliant light shone on each tale; around her lips, a smile at times hinted at the story or vision. It was neither sad nor dark. Fate had been kind to the happy dreamer and promised to smile upon her again. In her past were sweet memories, and in her future were bright hopes.
Yet one day when Caroline drew near to rouse her, thinking she had lain long enough, behold, as she looked down, Shirley's cheek was wet as if with dew; those fine eyes of hers shone humid and brimming.
Yet one day when Caroline came closer to wake her, thinking she had been resting long enough, she noticed that Shirley's cheek was wet as if it was covered in dew; those beautiful eyes of hers shone with moisture and were full of tears.
"Shirley, why do you cry?" asked Caroline, involuntarily laying stress on you.
"Shirley, why are you crying?" Caroline asked, unintentionally emphasizing you.
Miss Keeldar smiled, and turned her picturesque head towards the questioner. "Because it pleases me mightily to cry," she said. "My heart is both sad and glad. But why, you good, patient child—why do you not bear me company? I only weep tears, delightful and soon wiped away; you might weep gall, if you choose."
Miss Keeldar smiled and turned her lovely head toward the person asking the question. "Because it makes me really happy to cry," she said. "My heart feels both sad and glad. But why, you sweet, patient child—why not keep me company? I just shed tears that are pleasant and easily wiped away; you could cry bitterness, if you wanted to."
"Why should I weep gall?"
"Why should I cry bitterly?"
[Pg 202]"Mateless, solitary bird!" was the only answer.
[Pg202I'm sorry, but there doesn't appear to be any text for me to modernize. Please provide a short phrase or text."Lonely, solitary bird!" was the only reply.
"And are not you too mateless, Shirley?"
"And aren't you single too, Shirley?"
"At heart—no."
"Deep down—no."
"Oh! who nestles there, Shirley?"
"Oh! Who's nested there, Shirley?"
But Shirley only laughed gaily at this question, and alertly started up.
But Shirley just laughed cheerfully at this question and quickly got up.
"I have dreamed," she said, "a mere day-dream—certainly bright, probably baseless!"
"I have dreamed," she said, "a simple daydream—definitely bright, probably unfounded!"
Miss Helstone was by this time free enough from illusions: she took a sufficiently grave view of the future, and fancied she knew pretty well how her own destiny and that of some others were tending. Yet old associations retained their influence over her, and it was these and the power of habit which still frequently drew her of an evening to the field-style and the old thorn overlooking the Hollow.
Miss Helstone was now free from illusions: she had a serious outlook on the future and thought she understood how her own life and the lives of others were unfolding. However, old memories still had a hold on her, and it was these, along with the power of habit, that often led her in the evenings to the field-style and the old thorn tree overlooking the Hollow.
One night, the night after the incident of the note, she had been at her usual post, watching for her beacon—watching vainly: that evening no lamp was lit. She waited till the rising of certain constellations warned her of lateness and signed her away. In passing Fieldhead, on her return, its moonlight beauty attracted her glance, and stayed her step an instant. Tree and hall rose peaceful under the night sky and clear full orb; pearly paleness gilded the building; mellow brown gloom bosomed it round; shadows of deep green brooded above its oak-wreathed roof. The broad pavement in front shone pale also; it gleamed as if some spell had transformed the dark granite to glistering Parian. On the silvery space slept two sable shadows, thrown sharply defined from two human figures. These figures when first seen were motionless and mute; presently they moved in harmonious step, and spoke low in harmonious key. Earnest was the gaze that scrutinized them as they emerged from behind the trunk of the cedar. "Is it Mrs. Pryor and Shirley?"
One night, the night after the note incident, she was at her usual spot, looking for her signal—looking in vain: that evening, no light was on. She waited until certain constellations rose, reminding her that it was getting late and signaling her to leave. As she passed Fieldhead on her way back, its beauty in the moonlight caught her eye and made her pause for a moment. The trees and the building stood peacefully under the night sky and the bright full moon; a pearly glow enveloped the structure, while a mellow brown darkness surrounded it; deep green shadows loomed over its oak-covered roof. The wide pavement in front also shimmered; it sparkled as if some magic had turned the dark granite into shining white marble. On the silvery ground lay two dark shadows, sharply outlined from two human figures. At first, these figures were still and silent; soon, they moved in sync and spoke quietly in harmony. With keen interest, she watched them as they emerged from behind the cedar tree. "Is it Mrs. Pryor and Shirley?"
Certainly it is Shirley. Who else has a shape so lithe, and proud, and graceful? And her face, too, is visible—her countenance careless and pensive, and musing and mirthful, and mocking and tender. Not fearing the dew, she has not covered her head; her curls are free—they veil her neck and caress her shoulder with their tendril rings. An ornament of gold gleams through the half-closed folds of the scarf she has wrapped across her bust, and a[Pg 203] large bright gem glitters on the white hand which confines it. Yes, that is Shirley.
Certainly, it’s Shirley. Who else has such a lithe, proud, and graceful figure? And her face is just as striking—her expression is carefree and thoughtful, playful and joyful, teasing and tender. Not afraid of the dew, she hasn’t covered her head; her curls are free—they cascade down her neck and gently touch her shoulder with their spiral tendrils. A gold ornament shines through the partially closed folds of the scarf she has draped over her chest, and a[Pg203] large bright gem sparkles on the white hand that holds it. Yes, that’s Shirley.
Her companion then is, of course, Mrs. Pryor?
Her companion is, of course, Mrs. Pryor?
Yes, if Mrs. Pryor owns six feet of stature, and if she has changed her decent widow's weeds for masculine disguise. The figure walking at Miss Keeldar's side is a man—a tall, young, stately man; it is her tenant, Robert Moore.
Yes, if Mrs. Pryor is six feet tall, and if she has swapped her modest widow's attire for male clothing. The figure walking beside Miss Keeldar is a man—a tall, young, commanding man; he is her tenant, Robert Moore.
The pair speak softly; their words are not distinguishable. To remain a moment to gaze is not to be an eavesdropper; and as the moon shines so clearly and their countenances are so distinctly apparent, who can resist the attraction of such interest? Caroline, it seems, cannot, for she lingers.
The couple talks quietly; their words are hard to make out. Staying for a moment to watch doesn’t make one a snoop; and with the moon shining so brightly and their faces clearly visible, who can resist the pull of such curiosity? Caroline, it seems, can't, because she hangs around.
There was a time when, on summer nights, Moore had been wont to walk with his cousin, as he was now walking with the heiress. Often had she gone up the Hollow with him after sunset, to scent the freshness of the earth, where a growth of fragrant herbage carpeted a certain narrow terrace, edging a deep ravine, from whose rifted gloom was heard a sound like the spirit of the lonely watercourse, moaning amongst its wet stones, and between its weedy banks, and under its dark bower of alders.
There was a time when, on summer nights, Moore used to walk with his cousin, just like he was now walking with the heiress. She often joined him up the Hollow after sunset to enjoy the fresh scent of the earth, where a patch of fragrant grass covered a narrow terrace bordering a deep ravine. From the darkness of the ravine came a sound reminiscent of the lonely watercourse, moaning among its wet stones, between its weedy banks, and under its dark canopy of alders.
"But I used to be closer to him," thought Caroline. "He felt no obligation to treat me with homage; I needed only kindness. He used to hold my hand; he does not touch hers. And yet Shirley is not proud where she loves. There is no haughtiness in her aspect now, only a little in her port—what is natural to and inseparable from her, what she retains in her most careless as in her most guarded moments. Robert must think, as I think, that he is at this instant looking down on a fine face; and he must think it with a man's brain, not with mine. She has such generous yet soft fire in her eyes. She smiles—what makes her smile so sweet? I saw that Robert felt its beauty, and he must have felt it with his man's heart, not with my dim woman's perceptions. They look to me like two great happy spirits. Yonder silvered pavement reminds me of that white shore we believe to be beyond the death-flood. They have reached it; they walk there united. And what am I, standing here in shadow, shrinking into concealment, my mind darker than my hiding-place? I am one of this world, no spirit—a poor doomed mortal, who asks, in ignorance and hopelessness, wherefore she was born, to what end she lives; whose mind for ever runs on the question,[Pg 204] how she shall at last encounter, and by whom be sustained through death.
"But I used to be closer to him," Caroline thought. "He felt no obligation to treat me with reverence; all I needed was kindness. He used to hold my hand; he doesn’t touch hers. And yet Shirley isn’t proud where she loves. There's no arrogance in her face now, just a little in her posture—something that’s natural to her and inseparable from her, something she shows even in her most carefree and most guarded moments. Robert must think, as I do, that he’s looking down at a beautiful face; and he must be thinking it with a man’s perspective, not mine. There’s such a generous yet gentle fire in her eyes. She smiles—what makes her smile so lovely? I could see that Robert felt its beauty, and he must have felt it with his man’s heart, not with my dim woman’s perceptions. They look to me like two great happy spirits. That silvery pavement reminds me of the white shore we believe lies beyond the flood of death. They’ve reached it; they walk there together. And what am I, standing here in the shadows, retreating into concealment, my mind darker than my hiding place? I am of this world, not a spirit—a poor doomed mortal, who asks in ignorance and despair why she was born, what purpose her life serves; whose mind endlessly dwells on the question, [Pg204I'm sorry, but there doesn't appear to be any text to modernize. Please provide a phrase for me to work with. how she will ultimately face death, and by whom she will be supported through it."
"This is the worst passage I have come to yet; still I was quite prepared for it. I gave Robert up, and gave him up to Shirley, the first day I heard she was come, the first moment I saw her—rich, youthful, and lovely. She has him now. He is her lover. She is his darling. She will be far more his darling yet when they are married. The more Robert knows of Shirley the more his soul will cleave to her. They will both be happy, and I do not grudge them their bliss; but I groan under my own misery. Some of my suffering is very acute. Truly I ought not to have been born; they should have smothered me at the first cry."
"This is the worst moment I've faced so far; still, I was ready for it. I let Robert go and gave him to Shirley the first day I heard she arrived, the first moment I saw her—wealthy, youthful, and beautiful. She has him now. He is her lover. She is his sweetheart. She will be even more his sweetheart when they get married. The more Robert learns about Shirley, the more his heart will attach to her. They will both be happy, and I don't resent them for their happiness; but I am suffering deeply. Some of my pain is really intense. Honestly, I shouldn't have been born; they should have silenced me at my first cry."
Here, Shirley stepping aside to gather a dewy flower, she and her companion turned into a path that lay nearer the gate. Some of their conversation became audible. Caroline would not stay to listen. She passed away noiselessly, and the moonlight kissed the wall which her shadow had dimmed. The reader is privileged to remain, and try what he can make of the discourse.
Here, Shirley stepped aside to pick a dewy flower, and she and her friend turned toward a path that was closer to the gate. Some of their conversation could be heard. Caroline didn’t want to stick around to listen. She left quietly, and the moonlight illuminated the wall that her shadow had darkened. The reader is welcome to stay and see what they can make of the conversation.
"I cannot conceive why nature did not give you a bulldog's head, for you have all a bulldog's tenacity," said Shirley.
"I can't understand why nature didn't give you a bulldog's head, because you have all the determination of one," said Shirley.
"Not a flattering idea. Am I so ignoble?"
"Not a great thought. Am I really that low?"
"And something also you have of the same animal's silent ways of going about its work. You give no warning; you come noiselessly behind, seize fast, and hold on."
"And you also have the same quiet way of working as that animal. You don’t give any warning; you come up silently from behind, grab tightly, and hold on."
"This is guess-work. You have witnessed no such feat on my part. In your presence I have been no bulldog."
"This is just speculation. You haven't seen me do anything like that. I haven't been a bulldog in front of you."
"Your very silence indicates your race. How little you talk in general, yet how deeply you scheme! You are far-seeing; you are calculating."
"Your silence reveals your character. You speak so little, yet you plan so much! You have a long-term vision; you're strategic."
"I know the ways of these people. I have gathered information of their intentions. My note last night informed you that Barraclough's trial had ended in his conviction and sentence to transportation. His associates will plot vengeance. I shall lay my plans so as to counteract or at least be prepared for theirs—that is all. Having now given you as clear an explanation as I can, am I to understand that for what I propose doing I have your approbation?"
"I understand how these people operate. I've gathered intel on their plans. My note last night informed you that Barraclough's trial ended with him being found guilty and sentenced to transportation. His associates will seek revenge. I'll devise my own plans to counter theirs or at least be ready for them—that’s all. Now that I've provided you with the clearest explanation possible, can I take it that I have your approval for what I intend to do?"
"I shall stand by you so long as you remain on the defensive. Yes."
"I'll stick by you as long as you stay on the defensive. Yes."
[Pg 205]"Good! Without any aid—even opposed or disapproved by you—I believe I should have acted precisely as I now intend to act, but in another spirit. I now feel satisfied. On the whole, I relish the position."
[Pg205I'm ready to assist! Please provide the text you'd like me to modernize."Great! Even without any help—even if you disagree or oppose me—I think I would have acted exactly as I plan to now, but with a different attitude. I feel good about it. Overall, I enjoy this situation."
"I dare say you do. That is evident. You relish the work which lies before you still better than you would relish the execution of a government order for army-cloth."
"I must say you do. That's clear. You enjoy the work ahead of you even more than you would enjoy carrying out a government order for army fabric."
"I certainly feel it congenial."
"I definitely feel it's friendly."
"So would old Helstone. It is true there is a shade of difference in your motives—many shades, perhaps. Shall I speak to Mr. Helstone? I will, if you like."
"So would old Helstone. It's true there's a slight difference in your reasons—maybe a lot of differences. Should I talk to Mr. Helstone? I will, if you want."
"Act as you please. Your judgment, Miss Keeldar, will guide you accurately. I could rely on it myself in a more difficult crisis. But I should inform you Mr. Helstone is somewhat prejudiced against me at present."
"Do what you think is best. Your judgment, Miss Keeldar, will lead you correctly. I would trust it myself in a tougher situation. But I should let you know that Mr. Helstone is a bit biased against me right now."
"I am aware—I have heard all about your differences. Depend upon it, they will melt away. He cannot resist the temptation of an alliance under present circumstances."
"I know—I’ve heard all about your issues. Trust me, they will disappear. He won’t be able to resist the temptation of a partnership in the current situation."
"I should be glad to have him; he is of true metal."
"I would be happy to have him; he is genuine."
"I think so also."
"I think so too."
"An old blade, and rusty somewhat, but the edge and temper still excellent."
"An old, somewhat rusty blade, but the edge and quality are still excellent."
"Well, you shall have him, Mr. Moore—that is, if I can win him."
"Well, you'll have him, Mr. Moore—if I can win him over."
"Whom can you not win?"
"Who can you not win?"
"Perhaps not the rector; but I will make the effort."
"Maybe not the rector; but I'm going to try."
"Effort! He will yield for a word—a smile."
"Effort! He will respond to a word—a smile."
"By no means. It will cost me several cups of tea, some toast and cake, and an ample measure of remonstrances, expostulations, and persuasions. It grows rather chill."
"Definitely not. It will cost me a few cups of tea, some toast and cake, and a whole lot of arguments, objections, and convincing. It's getting pretty chilly."
"I perceive you shiver. Am I acting wrongly to detain you here? Yet it is so calm—I even feel it warm—and society such as yours is a pleasure to me so rare. If you were wrapped in a thicker shawl——"
"I see you shivering. Am I wrong to keep you here? But it’s so calm—I even find it warm—and being around someone like you is such a rare pleasure for me. If you were wrapped in a thicker shawl——"
"I might stay longer, and forget how late it is, which would chagrin Mrs. Pryor. We keep early and regular hours at Fieldhead, Mr. Moore; and so, I am sure, does your sister at the cottage."
"I might stay longer and lose track of the time, which would upset Mrs. Pryor. We maintain early and strict hours at Fieldhead, Mr. Moore; and I'm sure your sister does the same at the cottage."
"Yes; but Hortense and I have an understanding the most convenient in the world, that we shall each do as we please."
"Yes; but Hortense and I have the most convenient agreement in the world that we will each do what we want."
[Pg 206]"How do you please to do?"
"How's it going?"
"Three nights in the week I sleep in the mill—but I require little rest—and when it is moonlight and mild I often haunt the Hollow till daybreak."
"Three nights a week, I sleep in the mill—but I don’t need much rest—and when it’s a bright, mild moonlit night, I often wander through the Hollow until dawn."
"When I was a very little girl, Mr. Moore, my nurse used to tell me tales of fairies being seen in that Hollow. That was before my father built the mill, when it was a perfectly solitary ravine. You will be falling under enchantment."
"When I was a little girl, Mr. Moore, my nurse used to tell me stories about fairies being spotted in that Hollow. That was before my dad built the mill, when it was a completely secluded ravine. You'll be enchanted."
"I fear it is done," said Moore, in a low voice.
"I’m afraid it’s over," said Moore, quietly.
"But there are worse things than fairies to be guarded against," pursued Miss Keeldar.
"But there are worse things to watch out for than fairies," continued Miss Keeldar.
"Things more perilous," he subjoined.
"Things more dangerous," he added.
"Far more so. For instance, how would you like to meet Michael Hartley, that mad Calvinist and Jacobin weaver? They say he is addicted to poaching, and often goes abroad at night with his gun."
"Way more so. For example, how would you feel about meeting Michael Hartley, that crazy Calvinist and Jacobin weaver? They say he's into poaching and often goes out at night with his gun."
"I have already had the luck to meet him. We held a long argument together one night. A strange little incident it was; I liked it."
"I've already been lucky enough to meet him. We had a long debate one night. It was a strange little incident; I enjoyed it."
"Liked it? I admire your taste! Michael is not sane. Where did you meet him?"
"Liked it? I appreciate your taste! Michael is not sane. Where did you meet him?"
"In the deepest, shadiest spot in the glen, where the water runs low, under brushwood. We sat down near that plank bridge. It was moonlight, but clouded, and very windy. We had a talk."
"In the deepest, shadiest spot in the glen, where the water runs low, under brushwood. We sat down near that plank bridge. It was moonlight, but cloudy, and very windy. We had a conversation."
"On politics?"
"About politics?"
"And religion. I think the moon was at the full, and Michael was as near crazed as possible. He uttered strange blasphemy in his Antinomian fashion."
"And religion. I think the moon was full, and Michael was as close to losing it as possible. He was saying bizarre blasphemies in his Antinomian way."
"Excuse me, but I think you must have been nearly as mad as he, to sit listening to him."
"Excuse me, but I think you must have been almost as crazy as he was to sit there listening to him."
"There is a wild interest in his ravings. The man would be half a poet, if he were not wholly a maniac; and perhaps a prophet, if he were not a profligate. He solemnly informed me that hell was foreordained my inevitable portion; that he read the mark of the beast on my brow; that I had been an outcast from the beginning. God's vengeance, he said, was preparing for me, and affirmed that in a vision of the night he had beheld the manner and the instrument of my doom. I wanted to know further, but he left me with these words, 'The end is not yet.'"
"There’s a crazy fascination with his ranting. The guy could be half a poet if he weren’t completely a lunatic; and maybe a prophet if he weren’t such a reckless person. He seriously told me that hell was definitely my fate; that he saw the mark of the beast on my forehead; that I had been an outcast since the start. God’s wrath, he said, was getting ready for me, and he claimed that in a night vision he saw how I would meet my end and what would cause it. I wanted to ask more, but he left me with these words, 'The end is not yet.'"
"Have you ever seen him since?"
"Have you seen him lately?"
[Pg 207]"About a month afterwards, in returning from market, I encountered him and Moses Barraclough, both in an advanced stage of inebriation. They were praying in frantic sort at the roadside. They accosted me as Satan, bid me avaunt, and clamoured to be delivered from temptation. Again, but a few days ago, Michael took the trouble of appearing at the counting-house door, hatless, in his shirt-sleeves—his coat and castor having been detained at the public-house in pledge. He delivered himself of the comfortable message that he could wish Mr. Moore to set his house in order, as his soul was likely shortly to be required of him."
[Pg207Please provide the text for me to modernize."About a month later, on my way back from the market, I ran into him and Moses Barraclough, both pretty drunk. They were praying wildly by the side of the road. They called me Satan, told me to go away, and shouted for help to resist temptation. Just a few days ago, Michael had the nerve to show up at the office door without a hat, in his shirt sleeves—his coat and hat were being held at the pub as collateral. He conveyed the comforting news that he wanted Mr. Moore to get his affairs in order because his life might soon be in jeopardy."
"Do you make light of these things?"
"Do you take these things lightly?"
"The poor man had been drinking for weeks, and was in a state bordering on delirium tremens."
"The poor guy had been drinking for weeks and was on the edge of having severe withdrawal symptoms."
"What then? He is the more likely to attempt the fulfilment of his own prophecies."
"What then? He is more likely to try to make his own predictions come true."
"It would not do to permit incidents of this sort to affect one's nerves."
"It wouldn't be right to let things like this affect your nerves."
"Mr. Moore, go home!"
"Mr. Moore, head home!"
"So soon?"
"Already?"
"Pass straight down the fields, not round by the lade and plantations."
"Go straight through the fields, not around the ditch and trees."
"It is early yet."
"It's still early."
"It is late. For my part, I am going in. Will you promise me not to wander in the Hollow to-night?"
"It’s late. I’m heading in. Can you promise me you won’t wander in the Hollow tonight?"
"If you wish it."
"If you want it."
"I do wish it. May I ask whether you consider life valueless?"
"I truly wish that. Can I ask if you think life is worthless?"
"By no means. On the contrary, of late I regard my life as invaluable."
"Not at all. In fact, lately I've come to see my life as priceless."
"Of late?"
"Lately?"
"Existence is neither aimless nor hopeless to me now, and it was both three months ago. I was then drowning, and rather wished the operation over. All at once a hand was stretched to me—such a delicate hand I scarcely dared trust it; its strength, however, has rescued me from ruin."
"Life doesn’t feel aimless or hopeless to me anymore, and it did three months ago. Back then, I was sinking and really just wanted the situation to end. Suddenly, a hand was extended to me—such a gentle hand I could hardly trust it; however, its strength has saved me from disaster."
"Are you really rescued?"
"Did you really get rescued?"
"For the time. Your assistance has given me another chance."
"For now. Your help has given me another opportunity."
"Live to make the best of it. Don't offer yourself as a target to Michael Hartley; and good-night!"
"Live to make the most of it. Don't put yourself in Michael Hartley's sights; and goodnight!"
Miss Helstone was under a promise to spend the evening[Pg 208] of the next day at Fieldhead. She kept her promise. Some gloomy hours had she spent in the interval. Most of the time had been passed shut up in her own apartment, only issuing from it, indeed, to join her uncle at meals, and anticipating inquiries from Fanny by telling her that she was busy altering a dress, and preferred sewing upstairs, to avoid interruption.
Miss Helstone had promised to spend the evening[Pg208I'm sorry, but there is no text provided for me to modernize. Please provide a short piece of text, and I'll be happy to assist! the next day at Fieldhead. She kept her word. She spent some pretty gloomy hours in the meantime. Most of the time, she stayed locked up in her room, only coming out to have meals with her uncle, and she anticipated questions from Fanny by saying she was busy altering a dress and preferred sewing upstairs to avoid being interrupted.
She did sew. She plied her needle continuously, ceaselessly, but her brain worked faster than her fingers. Again, and more intensely than ever, she desired a fixed occupation, no matter how onerous, how irksome. Her uncle must be once more entreated, but first she would consult Mrs. Pryor. Her head laboured to frame projects as diligently as her hands to plait and stitch the thin texture of the muslin summer dress spread on the little white couch at the foot of which she sat. Now and then, while thus doubly occupied, a tear would fill her eyes and fall on her busy hands; but this sign of emotion was rare and quickly effaced. The sharp pang passed; the dimness cleared from her vision. She would re-thread her needle, rearrange tuck and trimming, and work on.
She sewed continuously, her needle moving non-stop, but her mind raced ahead of her fingers. More than ever, she craved a steady job, no matter how tough or annoying it might be. She would have to ask her uncle again, but first, she wanted to talk to Mrs. Pryor. Her mind worked hard to come up with plans while her hands skillfully wove and stitched the thin muslin summer dress spread out on the small white couch in front of her. Now and then, as she managed both tasks, a tear would fill her eyes and land on her busy hands; but this show of emotion was rare and quickly faded away. The sharp pain passed; her vision cleared. She would rethread her needle, adjust the tuck and trim, and keep going.
Late in the afternoon she dressed herself. She reached Fieldhead, and appeared in the oak parlour just as tea was brought in. Shirley asked her why she came so late.
Late in the afternoon, she got herself ready. She arrived at Fieldhead and walked into the oak parlor just as tea was being served. Shirley asked her why she showed up so late.
"Because I have been making my dress," said she. "These fine sunny days began to make me ashamed of my winter merino, so I have furbished up a lighter garment."
"Because I’ve been making my dress," she said. "These beautiful sunny days made me ashamed of my winter merino, so I’ve refreshed a lighter outfit."
"In which you look as I like to see you," said Shirley. "You are a lady-like little person, Caroline.—Is she not, Mrs. Pryor?"
"In the way that I enjoy seeing you," Shirley said. "You’re a proper little lady, Caroline. Don’t you think so, Mrs. Pryor?"
Mrs. Pryor never paid compliments, and seldom indulged in remarks, favourable or otherwise, on personal appearance. On the present occasion she only swept Caroline's curls from her cheek as she took a seat near her, caressed the oval outline, and observed, "You get somewhat thin, my love, and somewhat pale. Do you sleep well? your eyes have a languid look." And she gazed at her anxiously.
Mrs. Pryor never gave compliments and rarely commented on anyone's appearance, good or bad. On this occasion, she merely brushed Caroline's curls away from her cheek as she sat down next to her, gently touched her face, and said, "You look a bit thin, my dear, and a little pale. Are you sleeping well? Your eyes have a tired look." Then she looked at her with concern.
"I sometimes dream melancholy dreams," answered Caroline; "and if I lie awake for an hour or two in the night, I am continually thinking of the rectory as a dreary old place. You know it is very near the churchyard. The back part of the house is extremely ancient, and it is said that the out-kitchens there were once enclosed in the[Pg 209] churchyard, and that there are graves under them. I rather long to leave the rectory."
"I sometimes have sad dreams," Caroline replied. "And if I lie awake for an hour or two during the night, I can't help but think of the rectory as a gloomy old place. You know it's very close to the churchyard. The back part of the house is really old, and they say the out-kitchens were once part of the[Pg209Your request appears to be empty. Please provide a short piece of text for me to modernize. churchyard, and that there are graves underneath them. I kind of wish I could leave the rectory."
"My dear, you are surely not superstitious?"
"My dear, you can’t be serious about being superstitious?"
"No, Mrs. Pryor; but I think I grow what is called nervous. I see things under a darker aspect than I used to do. I have fears I never used to have—not of ghosts, but of omens and disastrous events; and I have an inexpressible weight on my mind which I would give the world to shake off, and I cannot do it."
"No, Mrs. Pryor; but I think I'm getting what you’d call nervous. I see things in a darker way than I used to. I have fears I never had before—not of ghosts, but of signs and bad outcomes; and I have an indescribable weight on my mind that I would give anything to get rid of, but I just can’t."
"Strange!" cried Shirley. "I never feel so." Mrs. Pryor said nothing.
"That's odd!" exclaimed Shirley. "I never feel that way." Mrs. Pryor remained silent.
"Fine weather, pleasant days, pleasant scenes, are powerless to give me pleasure," continued Caroline. "Calm evenings are not calm to me. Moonlight, which I used to think mild, now only looks mournful. Is this weakness of mind, Mrs. Pryor, or what is it? I cannot help it. I often struggle against it. I reason; but reason and effort make no difference."
"Nice weather, enjoyable days, beautiful views, don’t bring me any joy," Caroline continued. "Calm evenings don’t feel calm to me. Moonlight, which I used to find soothing, now just seems sad. Is this a weakness of mind, Mrs. Pryor, or what is it? I can’t help it. I often fight against it. I try to be logical, but reasoning and effort don’t change anything."
"You should take more exercise," said Mrs. Pryor.
"You should get more exercise," said Mrs. Pryor.
"Exercise! I exercise sufficiently. I exercise till I am ready to drop."
"Workout! I work out enough. I push myself until I'm about to collapse."
"My dear, you should go from home."
"My dear, you should leave home."
"Mrs. Pryor, I should like to go from home, but not on any purposeless excursion or visit. I wish to be a governess, as you have been. It would oblige me greatly if you would speak to my uncle on the subject."
"Mrs. Pryor, I would like to leave home, but not for any pointless trip or visit. I want to be a governess, just like you. It would mean a lot to me if you could talk to my uncle about it."
"Nonsense!" broke in Shirley. "What an idea! Be a governess! Better be a slave at once. Where is the necessity of it? Why should you dream of such a painful step?"
"Nonsense!" interrupted Shirley. "What a thought! Be a governess? You might as well be a slave. What’s the point? Why would you even consider such a difficult choice?"
"My dear," said Mrs. Pryor, "you are very young to be a governess, and not sufficiently robust. The duties a governess undertakes are often severe."
"My dear," said Mrs. Pryor, "you are quite young to be a governess, and not strong enough. The responsibilities a governess has to handle can often be demanding."
"And I believe I want severe duties to occupy me."
"And I think I want serious responsibilities to keep me busy."
"Occupy you!" cried Shirley. "When are you idle? I never saw a more industrious girl than you. You are always at work. Come," she continued—"come and sit by my side, and take some tea to refresh you. You don't care much for my friendship, then, that you wish to leave me?"
"Stay with me!" Shirley exclaimed. "When are you ever not busy? I've never seen a girl as hardworking as you. You're always doing something. Come on," she added, "come sit with me and have some tea to refresh yourself. You must not value our friendship that much if you want to leave me?"
"Indeed I do, Shirley; and I don't wish to leave you. I shall never find another friend so dear."
"Absolutely, Shirley; and I don't want to leave you. I will never find a friend as precious as you."
At which words Miss Keeldar put her hand into Caroline's[Pg 210] with an impulsively affectionate movement, which was well seconded by the expression of her face.
At those words, Miss Keeldar placed her hand into Caroline's[Pg210It seems you've shared a section that doesn't contain a phrase to modernize. Please provide a specific phrase (5 words or fewer), and I'll assist you with modernizing it if possible! with a spontaneous, loving gesture that was perfectly matched by the look on her face.
"If you think so, you had better make much of me," she said, "and not run away from me. I hate to part with those to whom I am become attached. Mrs. Pryor there sometimes talks of leaving me, and says I might make a more advantageous connection than herself. I should as soon think of exchanging an old-fashioned mother for something modish and stylish. As for you—why, I began to flatter myself we were thoroughly friends; that you liked Shirley almost as well as Shirley likes you, and she does not stint her regard."
"If you feel that way, you should definitely appreciate me," she said, "and not shy away from me. I really dislike saying goodbye to those I get close to. Mrs. Pryor sometimes mentions leaving me and says I could find a better match than her. I could no more imagine swapping an old-fashioned mother for someone trendy and stylish. As for you—well, I started to convince myself that we were true friends; that you liked Shirley almost as much as she likes you, and she definitely doesn’t hold back her affection."
"I do like Shirley. I like her more and more every day. But that does not make me strong or happy."
"I do like Shirley. I like her more and more every day. But that doesn't make me strong or happy."
"And would it make you strong or happy to go and live as a dependent amongst utter strangers? It would not. And the experiment must not be tried; I tell you it would fail. It is not in your nature to bear the desolate life governesses generally lead; you would fall ill. I won't hear of it."
"And would it really make you strong or happy to go and live as a dependent among total strangers? It wouldn’t. And we can’t try that; I’m telling you it would fail. It’s just not in your nature to handle the lonely life that governesses usually lead; you would get sick. I won’t discuss it."
And Miss Keeldar paused, having uttered this prohibition very decidedly. Soon she recommenced, still looking somewhat courroucée, "Why, it is my daily pleasure now to look out for the little cottage bonnet and the silk scarf glancing through the trees in the lane, and to know that my quiet, shrewd, thoughtful companion and monitress is coming back to me; that I shall have her sitting in the room to look at, to talk to or to let alone, as she and I please. This may be a selfish sort of language—I know it is—but it is the language which naturally rises to my lips, therefore I utter it."
And Miss Keeldar paused after firmly stating this prohibition. She soon continued, still looking somewhat annoyed, "You see, it's now my daily enjoyment to spot the little cottage bonnet and the silk scarf shimmering through the trees in the lane, knowing that my quiet, clever, thoughtful friend and mentor is on her way back to me; that I'll have her sitting in the room to look at, talk to, or leave be, as we both wish. This might sound selfish—I know it does—but it's the feeling that naturally comes to my mind, so I say it."
"I would write to you, Shirley."
"I'll write to you, Shirley."
"And what are letters? Only a sort of pis aller. Drink some tea, Caroline. Eat something—you eat nothing. Laugh and be cheerful, and stay at home."
"And what are letters? Just a kind of pis aller. Have some tea, Caroline. Eat something—you haven't eaten anything. Laugh and be happy, and stay at home."
Miss Helstone shook her head and sighed. She felt what difficulty she would have to persuade any one to assist or sanction her in making that change in her life which she believed desirable. Might she only follow her own judgment, she thought she should be able to find perhaps a harsh but an effectual cure for her sufferings. But this judgment, founded on circumstances she could fully explain to none, least of all to Shirley, seemed, in all[Pg 211] eyes but her own, incomprehensible and fantastic, and was opposed accordingly.
Miss Helstone shook her head and sighed. She realized how difficult it would be to get anyone to help or agree with her in making the change in her life that she believed was necessary. If only she could follow her own judgment, she thought she could find a possibly harsh but effective solution for her suffering. However, this judgment, based on circumstances she couldn’t fully explain to anyone, especially not to Shirley, seemed incomprehensible and bizarre to everyone but herself, and was therefore opposed.
There really was no present pecuniary need for her to leave a comfortable home and "take a situation;" and there was every probability that her uncle might, in some way, permanently provide for her. So her friends thought, and, as far as their lights enabled them to see, they reasoned correctly; but of Caroline's strange sufferings, which she desired so eagerly to overcome or escape, they had no idea, of her racked nights and dismal days no suspicion. It was at once impossible and hopeless to explain; to wait and endure was her only plan. Many that want food and clothing have cheerier lives and brighter prospects than she had; many, harassed by poverty, are in a strait less afflictive.
There really wasn’t any financial need for her to leave a comfortable home and “take a job,” and it seemed likely that her uncle could, in some way, provide for her permanently. That’s what her friends thought, and as far as they could see, they were reasoning correctly; but they had no idea about Caroline’s strange sufferings, which she was so eager to overcome or escape, nor did they suspect her sleepless nights and gloomy days. It was both impossible and hopeless to explain; waiting and enduring was her only plan. Many people who need food and clothing have happier lives and brighter prospects than she did; many, troubled by poverty, are in a situation that’s less painful.
"Now, is your mind quieted?" inquired Shirley. "Will you consent to stay at home?"
"Is your mind settled now?" asked Shirley. "Will you agree to stay at home?"
"I shall not leave it against the approbation of my friends," was the reply; "but I think in time they will be obliged to think as I do."
"I won't leave it up to my friends' approval," was the reply; "but I believe they will eventually have to see it my way."
During this conversation Mrs. Pryor looked far from easy. Her extreme habitual reserve would rarely permit her to talk freely or to interrogate others closely. She could think a multitude of questions she never ventured to put, give advice in her mind which her tongue never delivered. Had she been alone with Caroline, she might possibly have said something to the point: Miss Keeldar's presence, accustomed as she was to it, sealed her lips. Now, as on a thousand other occasions, inexplicable nervous scruples kept her back from interfering. She merely showed her concern for Miss Helstone in an indirect way, by asking her if the fire made her too warm, placing a screen between her chair and the hearth, closing a window whence she imagined a draught proceeded, and often and restlessly glancing at her. Shirley resumed: "Having destroyed your plan," she said, "which I hope I have done, I shall construct a new one of my own. Every summer I make an excursion. This season I propose spending two months either at the Scotch lochs or the English lakes—that is, I shall go there provided you consent to accompany me. If you refuse, I shall not stir a foot."
During this conversation, Mrs. Pryor looked anything but comfortable. Her usual reserved nature rarely allowed her to speak freely or ask others probing questions. She had a lot of questions in her mind that she never dared to voice, and she thought of advice she never actually gave. If she had been alone with Caroline, she might have said something relevant; however, Miss Keeldar's presence, which she was used to, kept her from speaking up. Once again, for reasons she couldn't explain, her nervousness held her back from getting involved. She only expressed her concern for Miss Helstone in subtle ways, like asking if the fire was too warm, placing a screen between her chair and the fire, closing a window she thought was causing a draft, and frequently glancing at her with unease. Shirley then said, "Having ruined your plans," she said, "which I hope I have done, I will create a new one of my own. Every summer, I take a trip. This season, I plan to spend two months at either the Scottish lochs or the English lakes—that is, if you agree to come with me. If you refuse, I won't go anywhere."
"You are very good, Shirley."
"You're really great, Shirley."
"I would be very good if you would let me. I have every disposition to be good. It is my misfortune and[Pg 212] habit, I know, to think of myself paramount to anybody else; but who is not like me in that respect? However, when Captain Keeldar is made comfortable, accommodated with all he wants, including a sensible, genial comrade, it gives him a thorough pleasure to devote his spare efforts to making that comrade happy. And should we not be happy, Caroline, in the Highlands? We will go to the Highlands. We will, if you can bear a sea-voyage, go to the Isles—the Hebrides, the Shetland, the Orkney Islands. Would you not like that? I see you would.—Mrs. Pryor, I call you to witness. Her face is all sunshine at the bare mention of it."
"I would be really great if you let me. I have every intention of being good. It's my unfortunate habit, I know, to think of myself as more important than anyone else; but who isn’t a little like that? However, when Captain Keeldar is well taken care of and has everything he needs, including a sensible and friendly companion, he genuinely enjoys using his free time to make that person happy. And shouldn’t we be happy, Caroline, in the Highlands? We will go to the Highlands. We will, if you can handle a sea voyage, go to the Isles—the Hebrides, the Shetland, the Orkney Islands. Wouldn’t you like that? I can see you would.—Mrs. Pryor, I call you as a witness. Her face lights up at just the thought of it."
"I should like it much," returned Caroline, to whom, indeed, the notion of such a tour was not only pleasant, but gloriously reviving. Shirley rubbed her hands.
"I would really enjoy it," replied Caroline, to whom the idea of such a trip was not only delightful but also incredibly refreshing. Shirley rubbed her hands together.
"Come; I can bestow a benefit," she exclaimed. "I can do a good deed with my cash. My thousand a year is not merely a matter of dirty bank-notes and jaundiced guineas (let me speak respectfully of both, though, for I adore them), but, it may be, health to the drooping, strength to the weak, consolation to the sad. I was determined to make something of it better than a fine old house to live in, than satin gowns to wear, better than deference from acquaintance and homage from the poor. Here is to begin. This summer, Caroline, Mrs. Pryor and I go out into the North Atlantic, beyond the Shetland, perhaps to the Faroe Isles. We will see seals in Suderoe, and, doubtless, mermaids in Stromoe.—Caroline is laughing, Mrs. Pryor. I made her laugh; I have done her good."
"Come on; I can do something good," she said. "I can use my money for a good deed. My thousand a year isn’t just about dirty cash and worn-out coins (but I should speak nicely of both, since I love them), it can also bring health to those who are struggling, strength to the weak, and comfort to the sad. I’m determined to make it mean more than just a beautiful house to live in, or fancy dresses to wear, or respect from acquaintances and admiration from those less fortunate. Here’s where we start. This summer, Caroline, Mrs. Pryor, and I are going to the North Atlantic, maybe beyond the Shetland Islands to the Faroe Isles. We’ll see seals in Suderoe and, no doubt, mermaids in Stromoe.—Caroline is laughing, Mrs. Pryor. I made her laugh; I have done something good for her."
"I shall like to go, Shirley," again said Miss Helstone. "I long to hear the sound of waves—ocean-waves—and to see them as I have imagined them in dreams, like tossing banks of green light, strewed with vanishing and reappearing wreaths of foam, whiter than lilies. I shall delight to pass the shores of those lone rock-islets where the sea-birds live and breed unmolested. We shall be on the track of the old Scandinavians—of the Norsemen. We shall almost see the shores of Norway. This is a very vague delight that I feel, communicated by your proposal, but it is a delight."
"I want to go, Shirley," Miss Helstone said again. "I can't wait to hear the sound of the ocean waves and see them as I've envisioned in my dreams, like rolling banks of green light, scattered with foam that appears and disappears, whiter than lilies. I’ll love passing the shores of those lonely rock islets where the sea birds live and breed without being disturbed. We’ll be following in the footsteps of the old Scandinavians—the Norsemen. We'll almost be able to see the shores of Norway. It’s a pretty vague excitement I feel, inspired by your suggestion, but it is excitement."
"Will you think of Fitful Head now when you lie awake at night, of gulls shrieking round it, and waves tumbling in upon it, rather than of the graves under the rectory back-kitchen?"
"Will you think of Fitful Head now when you’re lying awake at night, with gulls screaming around it and waves crashing against it, rather than the graves beneath the rectory back kitchen?"
[Pg 213]"I will try; and instead of musing about remnants of shrouds, and fragments of coffins, and human bones and mould, I will fancy seals lying in the sunshine on solitary shores, where neither fisherman nor hunter ever come; of rock crevices full of pearly eggs bedded in seaweed; of unscared birds covering white sands in happy flocks."
[Pg213Please provide the text you would like me to modernize."I will give it a shot; and instead of dwelling on remnants of shrouds, scraps of coffins, and human bones and decay, I will imagine seals basking in the sun on quiet shores, where no fishermen or hunters ever tread; of rocky crevices filled with shiny eggs nestled in seaweed; of carefree birds gathering on white sands in cheerful flocks."
"And what will become of that inexpressible weight you said you had on your mind?"
"And what will happen to that undeniable weight you said you had on your mind?"
"I will try to forget it in speculation on the sway of the whole great deep above a herd of whales rushing through the livid and liquid thunder down from the frozen zone—a hundred of them, perhaps, wallowing, flashing, rolling in the wake of a patriarch bull, huge enough to have been spawned before the Flood, such a creature as poor Smart had in his mind when he said,—
"I'll try to forget it by thinking about the vast ocean above a group of whales moving through the dark, turbulent waters from the icy regions—maybe a hundred of them, swimming, splashing, and rolling behind a massive bull whale, big enough to have existed before the Flood, just like the creature that poor Smart imagined when he said,—"
"Shows up as he leaves."
"I hope our bark will meet with no such shoal, or herd as you term it, Caroline. (I suppose you fancy the sea-mammoths pasturing about the bases of the 'everlasting hills,' devouring strange provender in the vast valleys through and above which sea-billows roll.) I should not like to be capsized by the patriarch bull."
"I hope our boat won't run into any shoals or herds, as you call it, Caroline. (I guess you imagine the sea-mammoths grazing at the foot of the 'everlasting hills,' eating strange food in the huge valleys where ocean waves crash.) I really wouldn't want to be flipped over by the big bull."
"I suppose you expect to see mermaids, Shirley?"
"I guess you think you're going to see mermaids, Shirley?"
"One of them, at any rate—I do not bargain for less—and she is to appear in some such fashion as this. I am to be walking by myself on deck, rather late of an August evening, watching and being watched by a full harvest moon. Something is to rise white on the surface of the sea, over which that moon mounts silent and hangs glorious. The object glitters and sinks. It rises again. I think I hear it cry with an articulate voice; I call you up from the cabin; I show you an image, fair as alabaster, emerging from the dim wave. We both see the long hair, the lifted and foam-white arm, the oval mirror brilliant as a star. It glides nearer; a human face is plainly visible—a face in the style of yours—whose straight, pure (excuse the word, it is appropriate)—whose straight, pure lineaments paleness does not disfigure. It looks at us, but not with your eyes. I see a preternatural lure in its wily glance. It beckons. Were we men, we should spring at the sign—the cold billow would be dared for the sake of[Pg 214] the colder enchantress; being women, we stand safe, though not dreadless. She comprehends our unmoved gaze; she feels herself powerless; anger crosses her front; she cannot charm, but she will appal us; she rises high, and glides all revealed on the dark wave-ridge. Temptress-terror! monstrous likeness of ourselves! Are you not glad, Caroline, when at last, and with a wild shriek, she dives?"
"One of them, at least—I won’t settle for less—and she is to appear something like this. I’m supposed to be walking alone on deck, pretty late on an August evening, watching and being watched by a full harvest moon. Something is going to rise white on the surface of the sea, under that moon as it silently climbs and hangs beautifully. The object sparkles and then sinks. It rises again. I think I hear it call out with a clear voice; I call you from the cabin; I show you a figure, as beautiful as alabaster, emerging from the dim waves. We both see the long hair, the lifted, foam-white arm, the oval mirror shining like a star. It glides closer; a human face is clearly visible—a face like yours—whose straight, pure (sorry for the word, but it fits)—whose straight, pure features aren’t marred by paleness. It looks at us, but not with your eyes. I see an otherworldly attraction in its sly glance. It gestures. If we were men, we would leap at the invitation—the cold waves would be challenged for the sake of the colder enchantress; being women, we stay safe, though not without fear. She understands our steady gaze; she knows she’s powerless; anger crosses her face; she can’t charm us, but she will terrify us; she rises high and glides fully revealed on the dark wave. Temptress-terror! A monstrous reflection of ourselves! Aren’t you glad, Caroline, when at last, with a wild shriek, she dives?"
"But, Shirley, she is not like us. We are neither temptresses, nor terrors, nor monsters."
"But, Shirley, she's not like us. We're neither seductresses, nor threats, nor monsters."
"Some of our kind, it is said, are all three. There are men who ascribe to 'woman,' in general, such attributes."
"Some of us, it’s said, are all three. There are men who attribute such qualities to 'woman' in general."
"My dears," here interrupted Mrs. Pryor, "does it not strike you that your conversation for the last ten minutes has been rather fanciful?"
"My dears," Mrs. Pryor interrupted, "don't you think that your conversation for the last ten minutes has been a bit fanciful?"
"But there is no harm in our fancies; is there, ma'am?"
"But there's no harm in our dreams, is there, ma'am?"
"We are aware that mermaids do not exist; why speak of them as if they did? How can you find interest in speaking of a nonentity?"
"We know that mermaids aren't real; so why talk about them as if they are? How can you find it engaging to discuss something that doesn't exist?"
"I don't know," said Shirley.
"I don't know," Shirley said.
"My dear, I think there is an arrival. I heard a step in the lane while you were talking; and is not that the garden-gate which creaks?"
"My dear, I think someone has arrived. I heard a step in the lane while you were talking; and isn't that the garden gate creaking?"
Shirley stepped to the window.
Shirley walked to the window.
"Yes, there is some one," said she, turning quietly away; and as she resumed her seat a sensitive flush animated her face, while a trembling ray at once kindled and softened her eye. She raised her hand to her chin, cast her gaze down, and seemed to think as she waited.
"Yes, there is someone," she said, turning away quietly; and as she sat back down, a delicate blush colored her face, while a trembling light sparked and softened her eyes. She raised her hand to her chin, looked down, and seemed lost in thought as she waited.
The servant announced Mr. Moore, and Shirley turned round when Mr. Moore appeared at the door. His figure seemed very tall as he entered, and stood in contrast with the three ladies, none of whom could boast a stature much beyond the average. He was looking well, better than he had been known to look for the past twelve months. A sort of renewed youth glowed in his eye and colour, and an invigorated hope and settled purpose sustained his bearing. Firmness his countenance still indicated, but not austerity. It looked as cheerful as it was earnest.
The servant announced Mr. Moore, and Shirley turned around when he appeared at the door. He looked quite tall as he entered, especially compared to the three ladies, none of whom were very tall. He looked good, better than he had in the past year. A kind of renewed youth shone in his eyes and complexion, and a revitalized hope and determined purpose supported his presence. His face still showed firmness, but not harshness. It looked as cheerful as it was sincere.
"I am just returned from Stilbro'," he said to Miss Keeldar, as he greeted her; "and I thought I would call to impart to you the result of my mission."
"I just got back from Stilbro'," he said to Miss Keeldar as he greeted her, "and I thought I would stop by to tell you the outcome of my mission."
"You did right not to keep me in suspense," she said, "and your visit is well timed. Sit down. We have not[Pg 215] finished tea. Are you English enough to relish tea, or do you faithfully adhere to coffee?"
"You did well not to keep me in suspense," she said, "and your visit is perfectly timed. Sit down. We haven't[Pg215Please provide the text you would like me to modernize.finished tea. Are you English enough to enjoy tea, or do you strictly stick to coffee?"
Moore accepted tea.
Moore accepted the tea.
"I am learning to be a naturalized Englishman," said he; "my foreign habits are leaving me one by one."
"I’m learning to be a naturalized Englishman," he said; "my foreign habits are fading away one by one."
And now he paid his respects to Mrs. Pryor, and paid them well, with a grave modesty that became his age compared with hers. Then he looked at Caroline—not, however, for the first time: his glance had fallen upon her before. He bent towards her as she sat, gave her his hand, and asked her how she was. The light from the window did not fall upon Miss Helstone; her back was turned towards it. A quiet though rather low reply, a still demeanour, and the friendly protection of early twilight kept out of view each traitorous symptom. None could affirm that she had trembled or blushed, that her heart had quaked or her nerves thrilled; none could prove emotion; a greeting showing less effusion was never interchanged. Moore took the empty chair near her, opposite Miss Keeldar. He had placed himself well. His neighbour, screened by the very closeness of his vicinage from his scrutiny, and sheltered further by the dusk which deepened each moment, soon regained not merely seeming but real mastery of the feelings which had started into insurrection at the first announcement of his name.
And now he paid his respects to Mrs. Pryor, and he did it well, with a serious modesty that suited his age compared to hers. Then he looked at Caroline—not for the first time: his gaze had landed on her before. He leaned toward her as she sat, offered her his hand, and asked how she was doing. The light from the window didn’t reach Miss Helstone; she had her back to it. A quiet but somewhat low response, a calm demeanor, and the friendly cover of early twilight kept any telltale signs hidden. No one could say that she had trembled or flushed, that her heart had raced or her nerves tingled; no one could prove any emotion; a greeting showing less warmth had never been exchanged. Moore took the empty chair near her, across from Miss Keeldar. He had positioned himself well. His neighbor, shielded by the very closeness of his presence from his scrutiny, and further protected by the deepening dusk, soon regained not just a sense of appearance but genuine control over the feelings that had risen at the first mention of his name.
He addressed his conversation to Miss Keeldar.
He directed his conversation to Miss Keeldar.
"I went to the barracks," he said, "and had an interview with Colonel Ryde. He approved my plans, and promised the aid I wanted. Indeed, he offered a more numerous force than I require—half a dozen will suffice. I don't intend to be swamped by redcoats. They are needed for appearance rather than anything else. My main reliance is on my own civilians."
"I went to the barracks," he said, "and met with Colonel Ryde. He approved my plans and promised the support I needed. In fact, he offered more troops than I actually need—half a dozen will be enough. I don't want to be overwhelmed by soldiers. They're necessary for show more than anything else. My main reliance is on my own civilians."
"And on their captain," interposed Shirley.
"And on their captain," Shirley added.
"What, Captain Keeldar?" inquired Moore, slightly smiling, and not lifting his eyes. The tone of raillery in which he said this was very respectful and suppressed.
"What is it, Captain Keeldar?" asked Moore with a slight smile, keeping his eyes down. The teasing tone in which he spoke was very respectful and subdued.
"No," returned Shirley, answering the smile; "Captain Gérard Moore, who trusts much to the prowess of his own right arm, I believe."
"No," Shirley replied with a smile. "I believe it's Captain Gérard Moore, who has a lot of faith in his own strength."
"Furnished with his counting-house ruler," added Moore. Resuming his usual gravity, he went on: "I received by this evening's post a note from the Home Secretary in answer to mine. It appears they are uneasy at the state[Pg 216] of matters here in the north; they especially condemn the supineness and pusillanimity of the mill-owners. They say, as I have always said, that inaction, under present circumstances, is criminal, and that cowardice is cruelty, since both can only encourage disorder, and lead finally to sanguinary outbreaks. There is the note—I brought it for your perusal; and there is a batch of newspapers, containing further accounts of proceedings in Nottingham, Manchester, and elsewhere."
"Equipped with his counting-house ruler," added Moore. Returning to his usual seriousness, he continued: "I received a letter from the Home Secretary this evening in response to mine. It seems they're worried about the situation here in the north; they particularly criticize the laziness and weakness of the mill owners. They say, just like I’ve always said, that doing nothing in the current situation is criminal, and that cowardice is a form of cruelty since both can only fuel disorder and ultimately lead to violent outbreaks. Here’s the note—I brought it for you to read; and there's a stack of newspapers with more updates on what's happening in Nottingham, Manchester, and other places."
He produced letters and journals, and laid them before Miss Keeldar. While she perused them he took his tea quietly; but though his tongue was still, his observant faculties seemed by no means off duty. Mrs. Pryor, sitting in the background, did not come within the range of his glance, but the two younger ladies had the full benefit thereof.
He brought out letters and journals and set them in front of Miss Keeldar. While she read through them, he quietly sipped his tea; but even though he wasn't speaking, he was clearly paying attention. Mrs. Pryor, sitting in the background, didn't catch his eye, but the two younger women were fully aware of his observant gaze.
Miss Keeldar, placed directly opposite, was seen without effort. She was the object his eyes, when lifted, naturally met first; and as what remained of daylight—the gilding of the west—was upon her, her shape rose in relief from the dark panelling behind. Shirley's clear cheek was tinted yet with the colour which had risen into it a few minutes since. The dark lashes of her eyes looking down as she read, the dusk yet delicate line of her eyebrows, the almost sable gloss of her curls, made her heightened complexion look fine as the bloom of a red wild flower by contrast. There was natural grace in her attitude, and there was artistic effect in the ample and shining folds of her silk dress—an attire simply fashioned, but almost splendid from the shifting brightness of its dye, warp and woof being of tints deep and changing as the hue on a pheasant's neck. A glancing bracelet on her arm produced the contrast of gold and ivory. There was something brilliant in the whole picture. It is to be supposed that Moore thought so, as his eye dwelt long on it, but he seldom permitted his feelings or his opinions to exhibit themselves in his face. His temperament boasted a certain amount of phlegm, and he preferred an undemonstrative, not ungentle, but serious aspect to any other.
Miss Keeldar, sitting directly across from him, was easily visible. She was the first thing his eyes naturally met when he looked up. With the last light of day—the golden glow in the west—shining on her, her figure stood out against the dark paneling behind her. Shirley's clear cheek still held the color that had risen to it just moments before. The dark lashes framing her eyes, which were focused on her reading, the delicate curve of her eyebrows, and the almost black shine of her curls enhanced her rosy complexion, making it appear like the bloom of a red wildflower. There was a natural elegance in her posture, and her silk dress, while simply designed, looked almost magnificent due to the shifting brightness of its colors, which were deep and changeable like the hue on a pheasant's neck. A glimmering bracelet on her arm created a striking contrast of gold and ivory. The whole scene was vibrant. One could assume that Moore found it appealing, as he gazed at it for a long time, but he rarely allowed his feelings or opinions to show on his face. His temperament had a certain calmness, and he preferred to maintain a serious, though gentle, demeanor over any other expression.
He could not, by looking straight before him, see Caroline, as she was close at his side. It was necessary, therefore, to manœuvre a little to get her well within the range of his observation. He leaned back in his chair, and looked down on her. In Miss Helstone neither he nor any one else[Pg 217] could discover brilliancy. Sitting in the shade, without flowers or ornaments, her attire the modest muslin dress, colourless but for its narrow stripe of pale azure, her complexion unflushed, unexcited, the very brownness of her hair and eyes invisible by this faint light, she was, compared with the heiress, as a graceful pencil sketch compared with a vivid painting. Since Robert had seen her last a great change had been wrought in her. Whether he perceived it might not be ascertained. He said nothing to that effect.
He couldn’t see Caroline by looking straight ahead since she was right next to him. So, he had to shift a bit to get her in his line of sight. He leaned back in his chair and looked down at her. In Miss Helstone, neither he nor anyone else[Pg217] could find anything remarkable. Sitting in the shade, without flowers or decorations, wearing a simple muslin dress that was mostly colorless except for its narrow stripe of light blue, her complexion was calm and unexcited. The brown of her hair and eyes was almost invisible in the dim light; compared to the heiress, she looked like a delicate pencil sketch next to a bright painting. Since Robert last saw her, she had changed a lot. Whether he noticed it wasn’t clear. He didn’t mention anything about it.
"How is Hortense?" asked Caroline softly.
"How's Hortense?" Caroline asked softly.
"Very well; but she complains of being unemployed. She misses you."
"Alright; but she says she's not working. She misses you."
"Tell her that I miss her, and that I write and read a portion of French every day."
"Tell her I miss her, and that I read and write a bit of French every day."
"She will ask if you sent your love; she is always particular on that point. You know she likes attention."
"She will ask if you sent your love; she always cares about that. You know she likes the attention."
"My best love—my very best. And say to her that whenever she has time to write me a little note I shall be glad to hear from her."
"My greatest love—my true love. And tell her that whenever she has a moment to send me a little note, I would be happy to hear from her."
"What if I forget? I am not the surest messenger of compliments."
"What if I forget? I'm not the most reliable messenger for compliments."
"No, don't forget, Robert. It is no compliment; it is in good earnest."
"No, don't forget, Robert. It's not a compliment; I'm being completely serious."
"And must, therefore, be delivered punctually."
"And must, therefore, be delivered on time."
"If you please."
"Please."
"Hortense will be ready to shed tears. She is tenderhearted on the subject of her pupil; yet she reproaches you sometimes for obeying your uncle's injunctions too literally. Affection, like love, will be unjust now and then."
"Hortense is about to cry. She has a soft spot for her student, but she sometimes criticizes you for following your uncle's orders too closely. Affection, just like love, can be unfair from time to time."
And Caroline made no answer to this observation; for indeed her heart was troubled, and to her eyes she would have raised her handkerchief if she had dared. If she had dared, too, she would have declared how the very flowers in the garden of Hollow's Cottage were dear to her; how the little parlour of that house was her earthly paradise; how she longed to return to it, as much almost as the first woman, in her exile, must have longed to revisit Eden. Not daring, however, to say these things, she held her peace; she sat quiet at Robert's side, waiting for him to say something more. It was long since this proximity had been hers—long since his voice had addressed her; could she, with any show of probability, even of possibility, have imagined that the meeting gave him pleasure, to her it would have given deep bliss. Yet, even in doubt that it[Pg 218] pleased, in dread that it might annoy him, she received the boon of the meeting as an imprisoned bird would the admission of sunshine to its cage. It was of no use arguing, contending against the sense of present happiness; to be near Robert was to be revived.
And Caroline didn’t respond to that comment; her heart was heavy, and she would have raised her handkerchief to her eyes if she had the courage. If she had dared, she would have told him how much the flowers in the garden of Hollow's Cottage meant to her, how the little sitting room in that house felt like her paradise on Earth, and how she longed to go back to it, almost as much as the first woman must have yearned to return to Eden in her exile. But not daring to say any of this, she kept quiet, sitting still by Robert’s side, waiting for him to speak again. It had been a long time since she had been this close to him—long since he had spoken to her; had she been able to believe that their meeting brought him joy, it would have filled her with great happiness. Yet, even doubting whether it pleased him and fearing it might annoy him, she accepted the encounter like a caged bird experiencing sunlight for the first time. There was no point in arguing or fighting against the feeling of present happiness; being near Robert was like a breath of fresh air.
Miss Keeldar laid down the papers.
Miss Keeldar put down the papers.
"And are you glad or sad for all these menacing tidings?" she inquired of her tenant.
"And are you happy or sad about all this ominous news?" she asked her tenant.
"Not precisely either; but I certainly am instructed. I see that our only plan is to be firm. I see that efficient preparation and a resolute attitude are the best means of averting bloodshed."
"Not exactly; but I definitely have my orders. I realize that our only strategy is to stand strong. I understand that careful preparation and a determined mindset are the best ways to prevent violence."
He then inquired if she had observed some particular paragraph, to which she replied in the negative, and he rose to show it to her. He continued the conversation standing before her. From the tenor of what he said, it appeared evident that they both apprehended disturbances in the neighbourhood of Briarfield, though in what form they expected them to break out was not specified. Neither Caroline nor Mrs. Pryor asked questions. The subject did not appear to be regarded as one ripe for free discussion; therefore the lady and her tenant were suffered to keep details to themselves, unimportuned by the curiosity of their listeners.
He then asked her if she had noticed a specific paragraph, to which she answered no, so he got up to show it to her. He continued the conversation while standing in front of her. From what he said, it was clear that they both sensed some issues in the Briarfield area, although they didn’t specify what form these issues might take. Neither Caroline nor Mrs. Pryor asked any questions. The topic didn’t seem to be seen as open for discussion, so the lady and her tenant were allowed to keep the details to themselves, without being pressed by the curiosity of their listeners.
Miss Keeldar, in speaking to Mr. Moore, took a tone at once animated and dignified, confidential and self-respecting. When, however, the candles were brought in, and the fire was stirred up, and the fullness of light thus produced rendered the expression of her countenance legible, you could see that she was all interest, life, and earnestness. There was nothing coquettish in her demeanour; whatever she felt for Moore she felt it seriously. And serious, too, were his feelings, and settled were his views, apparently, for he made no petty effort to attract, dazzle, or impress. He contrived, notwithstanding, to command a little; because the deeper voice, however mildly modulated, the somewhat harder mind, now and then, though involuntarily and unintentionally, bore down by some peremptory phrase or tone the mellow accents and susceptible, if high, nature of Shirley. Miss Keeldar looked happy in conversing with him, and her joy seemed twofold—a joy of the past and present, of memory and of hope.
Miss Keeldar, while speaking to Mr. Moore, had a tone that was both lively and dignified, intimate yet self-respecting. However, when the candles were brought in, and the fire was stirred up, filling the room with light and making her expression clear, you could see that she was full of interest, energy, and seriousness. There was nothing flirtatious about her behavior; whatever she felt for Moore, she felt it deeply. His feelings were serious too, and he seemed to have firm opinions, as he made no petty attempts to charm, impress, or dazzle her. Still, he managed to hold a bit of authority over her; his deeper voice, even when softened, and his somewhat tougher mindset occasionally pushed down the gentle tones and sensitive nature of Shirley with some decisive words or tone. Miss Keeldar looked pleased while talking to him, and her happiness seemed to come from two sources—a joy from the past and present, from memories and from hopes.
What I have just said are Caroline's ideas of the pair. She felt what has just been described. In thus feeling she[Pg 219] tried not to suffer, but suffered sharply nevertheless. She suffered, indeed, miserably. A few minutes before her famished heart had tasted a drop and crumb of nourishment, that, if freely given, would have brought back abundance of life where life was failing; but the generous feast was snatched from her, spread before another, and she remained but a bystander at the banquet.
What I just mentioned are Caroline's thoughts about the couple. She experienced what I just described. In feeling this way, she[Pg219I'm sorry, but I need a phrase to modernize. Please provide me with the text you'd like me to work on. tried to avoid pain, but she still felt it sharply. In fact, she suffered terribly. Minutes earlier, her starving heart had barely tasted a bit of nourishment that, if given freely, would have restored a wealth of life where it was fading; but the generous feast was taken away from her, laid out for someone else, leaving her as just a spectator at the banquet.
The clock struck nine; it was Caroline's time for going home. She gathered up her work, put the embroidery, the scissors, the thimble into her bag. She bade Mrs. Pryor a quiet good-night, receiving from that lady a warmer pressure of the hand than usual. She stepped up to Miss Keeldar.
The clock struck nine; it was time for Caroline to go home. She collected her work, putting the embroidery, scissors, and thimble into her bag. She quietly wished Mrs. Pryor good night, receiving a warmer handshake than usual from her. She walked over to Miss Keeldar.
"Good-night, Shirley!"
"Good night, Shirley!"
Shirley started up. "What! so soon? Are you going already?"
Shirley sat up. "What! Is it that time already? Are you leaving?"
"It is past nine."
"It's after nine."
"I never heard the clock. You will come again to-morrow, and you will be happy to-night, will you not? Remember our plans."
"I never heard the clock. You’ll come back tomorrow, and you’ll be happy tonight, right? Don’t forget our plans."
"Yes," said Caroline; "I have not forgotten."
"Yeah," Caroline said, "I haven't forgotten."
Her mind misgave her that neither those plans nor any other could permanently restore her mental tranquillity. She turned to Robert, who stood close behind her. As he looked up, the light of the candles on the mantelpiece fell full on her face. All its paleness, all its change, all its forlorn meaning were clearly revealed. Robert had good eyes, and might have seen it if he would; whether he did see it, nothing indicated.
Her mind troubled her, thinking that neither those plans nor any other could ever bring her lasting peace of mind. She turned to Robert, who was standing just behind her. As he looked up, the light from the candles on the mantelpiece illuminated her face completely. All its paleness, all its changes, all its sad meaning were clearly visible. Robert had sharp eyes and could have noticed it if he wanted to; whether he did notice it, nothing showed.
"Good-night!" she said, shaking like a leaf, offering her thin hand hastily, anxious to part from him quickly.
"Goodnight!" she said, trembling, quickly extending her slender hand, eager to get away from him.
"You are going home?" he asked, not touching her hand.
"You going home?" he asked, not reaching for her hand.
"Yes."
Yes.
"Is Fanny come for you?"
"Is Fanny coming for you?"
"Yes."
Yes.
"I may as well accompany you a step of the way; not up to the rectory, though, lest my old friend Helstone should shoot me from the window."
"I might as well walk with you part of the way; just not to the rectory, though, so my old friend Helstone doesn’t take a shot at me from the window."
He laughed, and took his hat. Caroline spoke of unnecessary trouble; he told her to put on her bonnet and shawl. She was quickly ready, and they were soon both in the open air. Moore drew her hand under his arm, just in his old manner—that manner which she ever felt to be so kind.
He laughed and grabbed his hat. Caroline talked about unnecessary trouble; he told her to put on her bonnet and shawl. She got ready quickly, and they were soon both outside. Moore slipped her hand under his arm, just like he used to— that way that she always found so kind.
[Pg 220]"You may run on, Fanny," he said to the housemaid; "we shall overtake you." And when the girl had got a little in advance, he enclosed Caroline's hand in his, and said he was glad to find she was a familiar guest at Fieldhead. He hoped her intimacy with Miss Keeldar would continue; such society would be both pleasant and improving.
[Pg220I'm sorry, but there seems to have been an error, as there is no text to modernize. Please provide a short piece of text."You can go ahead, Fanny," he said to the maid; "we'll catch up with you." And when the girl had moved a bit ahead, he took Caroline's hand in his and said he was pleased to see she was a regular visitor at Fieldhead. He hoped her friendship with Miss Keeldar would keep going; such company would be both enjoyable and beneficial.
Caroline replied that she liked Shirley.
Caroline said she liked Shirley.
"And there is no doubt the liking is mutual," said Moore. "If she professes friendship, be certain she is sincere. She cannot feign; she scorns hypocrisy. And, Caroline, are we never to see you at Hollow's Cottage again?"
"And there's no doubt the feeling is mutual," said Moore. "If she claims to be your friend, you can be sure she means it. She can't pretend; she hates hypocrisy. And, Caroline, are we never going to see you at Hollow's Cottage again?"
"I suppose not, unless my uncle should change his mind."
"I guess not, unless my uncle decides to change his mind."
"Are you much alone now?"
"Are you often alone now?"
"Yes, a good deal. I have little pleasure in any society but Miss Keeldar's."
"Yeah, quite a bit. I don't find much enjoyment in any company except Miss Keeldar's."
"Have you been quite well lately?"
"Have you been doing well lately?"
"Quite."
"Totally."
"You must take care of yourself. Be sure not to neglect exercise. Do you know I fancied you somewhat altered—a little fallen away, and pale. Is your uncle kind to you?"
"You need to take care of yourself. Make sure not to skip out on exercise. You know, I thought you seemed a bit different—kind of losing weight and looking pale. Is your uncle being nice to you?"
"Yes; he is just as he always is."
"Yeah; he’s exactly the same as he always is."
"Not too tender, that is to say—not too protective and attentive. And what ails you, then? Tell me, Lina."
"Not too soft, in other words—not too protective and caring. So what’s bothering you? Tell me, Lina."
"Nothing, Robert." But her voice faltered.
"Nothing, Robert." But her voice trembled.
"That is to say, nothing that you will tell me. I am not to be taken into confidence. Separation is then quite to estrange us, is it?"
"That means, nothing you tell me. I’m not supposed to be trusted with your secrets. So, this separation really is going to distance us, right?"
"I do not know. Sometimes I almost fear it is."
"I don't know. Sometimes I almost worry that it is."
"But it ought not to have that effect. 'Should auld acquaintance be forgot, and days o' lang syne?'"
"But it shouldn't have that effect. 'Should old acquaintances be forgotten, and days of long ago?'"
"Robert, I don't forget."
"Robert, I won't forget."
"It is two months, I should think, Caroline, since you were at the cottage."
"It’s been two months, I would say, Caroline, since you were at the cottage."
"Since I was within it—yes."
"Since I was in it—yes."
"Have you ever passed that way in your walk?"
"Have you ever walked that way?"
"I have come to the top of the fields sometimes of an evening and looked down. Once I saw Hortense in the garden watering her flowers, and I know at what time you light your lamp in the counting-house. I have waited for it to shine out now and then, and I have seen you bend between it and the window. I knew it was you; I could almost trace the outline of your form."
"I've reached the top of the fields a few evenings and looked down. Once, I saw Hortense in the garden watering her flowers, and I know what time you turn on your lamp in the office. I've waited for it to glow now and then, and I've seen you lean in between it and the window. I knew it was you; I could almost make out the shape of your figure."
[Pg 221]"I wonder I never encountered you. I occasionally walk to the top of the Hollow's fields after sunset."
[Pg221Sure! Please provide the text you would like me to modernize."I’m surprised I’ve never run into you. I sometimes take walks to the top of the Hollow's fields after dark."
"I know you do. I had almost spoken to you one night, you passed so near me."
"I know you do. I almost talked to you one night; you were so close to me."
"Did I? I passed near you, and did not see you! Was I alone?"
"Did I? I walked by you and didn't see you! Was I by myself?"
"I saw you twice, and neither time were you alone."
"I saw you twice, and both times you weren’t by yourself."
"Who was my companion? Probably nothing but Joe Scott, or my own shadow by moonlight."
"Who was my companion? Probably just Joe Scott, or maybe my own shadow in the moonlight."
"No; neither Joe Scott nor your shadow, Robert. The first time you were with Mr. Yorke; and the second time what you call your shadow was a shape with a white forehead and dark curls, and a sparkling necklace round its neck. But I only just got a glimpse of you and that fairy shadow; I did not wait to hear you converse."
"No; neither Joe Scott nor your shadow, Robert. The first time you were with Mr. Yorke; and the second time what you call your shadow was a figure with a white forehead and dark curls, and a sparkling necklace around its neck. But I only caught a glimpse of you and that fairy shadow; I didn’t stick around to listen to your conversation."
"It appears you walk invisible. I noticed a ring on your hand this evening; can it be the ring of Gyges? Henceforth, when sitting in the counting-house by myself, perhaps at dead of night, I shall permit myself to imagine that Caroline may be leaning over my shoulder reading with me from the same book, or sitting at my side engaged in her own particular task, and now and then raising her unseen eyes to my face to read there my thoughts."
"It seems like you walk around unnoticed. I saw a ring on your hand tonight; could it be the ring of Gyges? From now on, when I’m alone in the office, maybe late at night, I’ll allow myself to imagine that Caroline is leaning over my shoulder, reading the same book with me, or sitting next to me, focused on her own work, occasionally glancing up to see my thoughts on my face."
"You need fear no such infliction. I do not come near you; I only stand afar off, watching what may become of you."
"You don't need to be afraid of that kind of harm. I’m not close to you; I’m just standing back, observing what happens to you."
"When I walk out along the hedgerows in the evening after the mill is shut, or at night when I take the watchman's place, I shall fancy the flutter of every little bird over its nest, the rustle of every leaf, a movement made by you; tree-shadows will take your shape; in the white sprays of hawthorn I shall imagine glimpses of you. Lina, you will haunt me."
"When I walk along the hedgerows in the evening after the mill closes, or at night when I take the watchman's spot, I'll picture the flutter of every little bird over its nest, the rustle of every leaf as a movement made by you; the shadows of the trees will resemble your shape; in the white sprays of hawthorn, I'll see glimpses of you. Lina, you'll haunt me."
"I will never be where you would not wish me to be, nor see nor hear what you would wish unseen and unheard."
"I'll never be where you wouldn't want me to be, nor will I see or hear what you wish to keep unseen and unheard."
"I shall see you in my very mill in broad daylight. Indeed, I have seen you there once. But a week ago I was standing at the top of one of my long rooms; girls were working at the other end, and amongst half a dozen of them, moving to and fro, I seemed to see a figure resembling yours. It was some effect of doubtful light or shade, or of dazzling sunbeam. I walked up to this group. What I sought had glided away; I found myself between two buxom lasses in pinafores."
"I'll see you in my mill in broad daylight. In fact, I've seen you there before. Just a week ago, I was standing at the top of one of my long rooms; girls were working at the other end, and among a half dozen of them, moving back and forth, I thought I spotted someone who looked like you. It must have been some trick of the light or a bright sunbeam. I walked over to that group. Whatever I was looking for had slipped away; I found myself between two cheerful girls in pinafores."
[Pg 222]"I shall not follow you into your mill, Robert, unless you call me there."
[Pg222Please provide the text you'd like me to modernize."I won’t go into your mill, Robert, unless you invite me."
"Nor is that the only occasion on which imagination has played me a trick. One night, when I came home late from market, I walked into the cottage parlour thinking to find Hortense; but instead of her I thought I found you. There was no candle in the room; my sister had taken the light upstairs with her. The window-blind was not drawn, and broad moonbeams poured through the panes. There you were, Lina, at the casement, shrinking a little to one side in an attitude not unusual with you. You were dressed in white, as I have seen you dressed at an evening party. For half a second your fresh, living face seemed turned towards me, looking at me; for half a second my idea was to go and take your hand, to chide you for your long absence, and welcome your present visit. Two steps forward broke the spell. The drapery of the dress changed outline; the tints of the complexion dissolved, and were formless. Positively, as I reached the spot, there was nothing left but the sweep of a white muslin curtain, and a balsam plant in a flower-pot, covered with a flush of bloom. 'Sic transit,' et cetera."
"That’s not the only time imagination has played tricks on me. One night, when I came home late from the market, I walked into the living room thinking I’d find Hortense; instead, I thought I saw you. There was no candle in the room; my sister had taken the light upstairs. The window shade was up, and bright moonlight flooded through the glass. There you were, Lina, at the window, shifting slightly to one side in a way that’s familiar to me. You were wearing white, just like I’ve seen you at evening parties. For just half a second, your vibrant face seemed to be looking at me; I was ready to go over, take your hand, scold you for being gone so long, and welcome you back. But as I took two steps forward, the illusion shattered. The outline of your dress changed, the shades of your complexion faded away and became indistinct. By the time I reached the spot, all that was left was the sway of a white muslin curtain and a balsam plant in a flowerpot, bursting with blooms. 'Thus passes,' and so on."
"It was not my wraith, then? I almost thought it was."
"It wasn’t my ghost, was it? I almost thought it was."
"No; only gauze, crockery, and pink blossom—a sample of earthly illusions."
"No; just gauze, pottery, and pink flowers—a glimpse of worldly illusions."
"I wonder you have time for such illusions, occupied as your mind must be."
"I’m surprised you have time for such daydreams, especially with how busy your mind must be."
"So do I. But I find in myself, Lina, two natures—one for the world and business, and one for home and leisure. Gérard Moore is a hard dog, brought up to mill and market; the person you call your cousin Robert is sometimes a dreamer, who lives elsewhere than in Cloth-hall and counting-house."
"So do I. But I see in myself, Lina, two sides—one for the world and work, and one for home and relaxation. Gérard Moore is a tough guy, raised for the mill and market; the person you call your cousin Robert is sometimes a dreamer, who lives outside of the Cloth-hall and counting-house."
"Your two natures agree with you. I think you are looking in good spirits and health. You have quite lost that harassed air which it often pained one to see in your face a few months ago."
"Your two natures are in harmony with you. You seem to be in good spirits and health. You've really lost that stressed look that was often painful to see on your face a few months ago."
"Do you observe that? Certainly I am disentangled of some difficulties. I have got clear of some shoals, and have more sea-room."
"Do you see that? I'm definitely free from some troubles. I've gotten past some obstacles and have more space to navigate."
"And, with a fair wind, you may now hope to make a prosperous voyage?"
"And if the wind is on your side, you can now look forward to a successful journey?"
"I may hope it—yes—but hope is deceptive. There is no controlling wind or wave. Gusts and swells perpetually[Pg 223] trouble the mariner's course; he dare not dismiss from his mind the expectation of tempest."
"I may hope for it—yes—but hope can be misleading. There's no way to control the wind or the waves. Gusts and swells constantly[Pg223I'm sorry, but there is no text provided for me to modernize. Please provide a short piece of text, and I'll be glad to help you. disrupt the sailor's journey; he can't ignore the possibility of a storm."
"But you are ready for a breeze; you are a good seaman, an able commander. You are a skilful pilot, Robert; you will weather the storm."
"But you’re ready for a change; you’re a good sailor, a capable leader. You’re a skilled navigator, Robert; you’ll get through the storm."
"My kinswoman always thinks the best of me, but I will take her words for a propitious omen. I will consider that in meeting her to-night I have met with one of those birds whose appearance is to the sailor the harbinger of good luck."
"My relative always has a high opinion of me, but I will take her words as a good sign. I’ll think that by meeting her tonight, I've come across one of those birds that sailors see as a symbol of good fortune."
"A poor harbinger of good luck is she who can do nothing, who has no power. I feel my incapacity. It is of no use saying I have the will to serve you when I cannot prove it. Yet I have that will. I wish you success. I wish you high fortune and true happiness."
"A bad sign of good luck is someone who can do nothing, who lacks power. I feel my helplessness. It doesn't help to say I want to serve you when I can't show it. But I do want to serve you. I wish you success. I wish you great fortune and genuine happiness."
"When did you ever wish me anything else? What is Fanny waiting for? I told her to walk on. Oh! we have reached the churchyard. Then we are to part here, I suppose. We might have sat a few minutes in the church porch, if the girl had not been with us. It is so fine a night, so summer-mild and still, I have no particular wish to return yet to the Hollow."
"When have you ever wanted anything different for me? What is Fanny waiting for? I told her to keep walking. Oh! We’ve reached the churchyard. I guess this is where we go our separate ways. We could have sat in the church porch for a few minutes if the girl hadn’t been with us. It’s such a nice night, so mild and calm; I don’t really want to go back to the Hollow just yet."
"But we cannot sit in the porch now, Robert."
"But we can't sit on the porch now, Robert."
Caroline said this because Moore was turning her round towards it.
Caroline said this because Moore was turning her around towards it.
"Perhaps not. But tell Fanny to go in. Say we are coming. A few minutes will make no difference."
"Maybe not. But tell Fanny to go in. Say we're on our way. A few minutes won’t matter."
The church clock struck ten.
The church clock hit ten.
"My uncle will be coming out to take his usual sentinel round, and he always surveys the church and churchyard."
"My uncle is coming out to do his usual patrol, and he always checks out the church and the churchyard."
"And if he does? If it were not for Fanny, who knows we are here, I should find pleasure in dodging and eluding him. We could be under the east window when he is at the porch; as he came round to the north side we could wheel off to the south; we might at a pinch hide behind some of the monuments. That tall erection of the Wynnes would screen us completely."
"And what if he does? If it weren't for Fanny, who knows we are here, I would actually enjoy avoiding him. We could be by the east window when he's on the porch; as he walks around to the north side, we could slip off to the south; and if necessary, we could hide behind some of the monuments. That tall structure of the Wynnes would completely cover us."
"Robert, what good spirits you have! Go! go!" added Caroline hastily. "I hear the front door——"
"Robert, you’re in such good spirits! Go! Go!" Caroline quickly added. "I hear the front door——"
"I don't want to go; on the contrary, I want to stay."
"I don't want to leave; actually, I want to stick around."
"You know my uncle will be terribly angry. He forbade me to see you because you are a Jacobin."
"You know my uncle will be really angry. He forbade me to see you because you’re a Jacobin."
"A queer Jacobin!"
"A gay Jacobin!"
"Go, Robert, he is coming; I hear him cough."
"Go, Robert, he's coming; I can hear him cough."
[Pg 224]"Diable! It is strange—what a pertinacious wish I feel to stay!"
[Pg224]"Damn! It's strange—what a stubborn desire I have to stay!"
"You remember what he did to Fanny's—" began Caroline, and stopped abruptly short. "Sweetheart" was the word that ought to have followed, but she could not utter it. It seemed calculated to suggest ideas she had no intention to suggest—ideas delusive and disturbing. Moore was less scrupulous. "Fanny's sweetheart?" he said at once. "He gave him a shower-bath under the pump, did he not? He'd do as much for me, I dare say, with pleasure. I should like to provoke the old Turk—not, however, against you. But he would make a distinction between a cousin and a lover, would he not?"
"You remember what he did to Fanny's—" Caroline started, then stopped suddenly. "Sweetheart" was the word that should have come next, but she couldn't bring herself to say it. It felt like it would imply things she had no intention of implying—misleading and unsettling ideas. Moore was less careful. "Fanny's sweetheart?" he said right away. "He gave him a shower under the pump, didn't he? He'd do the same for me, I'm sure, with pleasure. I'd love to provoke the old Turk—not, of course, against you. But he would make a distinction between a cousin and a lover, wouldn't he?"
"Oh, he would not think of you in that way, of course not; his quarrel with you is entirely political. Yet I should not like the breach to be widened, and he is so testy. Here he is at the garden gate. For your own sake and mine, Robert, go!"
"Oh, he wouldn't think of you like that, of course not; his issue with you is purely political. Still, I wouldn't want the gap to grow wider, and he's quite irritable. Here he is at the garden gate. For both your sake and mine, Robert, go!"
The beseeching words were aided by a beseeching gesture and a more beseeching look. Moore covered her clasped hands an instant with his, answered her upward by a downward gaze, said "Good-night!" and went.
The pleading words were supported by a pleading gesture and an even more pleading look. Moore briefly covered her clasped hands with his, responded to her upward gaze with a downward glance, said "Good night!" and left.
Caroline was in a moment at the kitchen door behind Fanny. The shadow of the shovel-hat at that very instant fell on a moonlit tomb. The rector emerged, erect as a cane, from his garden, and proceeded in slow march, his hands behind him, down the cemetery. Moore was almost caught. He had to "dodge" after all, to coast round the church, and finally to bend his tall form behind the Wynnes' ambitious monument. There he was forced to hide full ten minutes, kneeling with one knee on the turf, his hat off, his curls bare to the dew, his dark eye shining, and his lips parted with inward laughter at his position; for the rector meantime stood coolly star-gazing, and taking snuff within three feet of him.
Caroline was at the kitchen door behind Fanny for a moment. The shadow of the shovel hat at that exact moment fell on a moonlit grave. The rector came out from his garden, standing tall like a cane, and slowly made his way down the cemetery with his hands behind him. Moore almost got caught. He had to "dodge" after all, go around the church, and finally crouch behind the Wynnes' impressive monument. There, he had to hide for a full ten minutes, kneeling with one knee on the grass, his hat off, his curls exposed to the dew, his dark eye sparkling, and his lips curled in a quiet laugh at his situation; meanwhile, the rector casually stood nearby, gazing at the stars and taking snuff just three feet away from him.
It happened, however, that Mr. Helstone had no suspicion whatever on his mind; for being usually but vaguely informed of his niece's movements, not thinking it worth while to follow them closely, he was not aware that she had been out at all that day, and imagined her then occupied with book or work in her chamber—where, indeed, she was by this time, though not absorbed in the tranquil employment he ascribed to her, but standing at her window with fast-throbbing heart, peeping anxiously from behind the blind,[Pg 225] watching for her uncle to re-enter and her cousin to escape. And at last she was gratified. She heard Mr. Helstone come in; she saw Robert stride the tombs and vault the wall; she then went down to prayers. When she returned to her chamber, it was to meet the memory of Robert. Slumber's visitation was long averted. Long she sat at her lattice, long gazed down on the old garden and older church, on the tombs laid out all gray and calm, and clear in moonlight. She followed the steps of the night, on its pathway of stars, far into the "wee sma' hours ayont the twal'." She was with Moore, in spirit, the whole time; she was at his side; she heard his voice; she gave her hand into his hand; it rested warm in his fingers. When the church clock struck, when any other sound stirred, when a little mouse familiar to her chamber—an intruder for which she would never permit Fanny to lay a trap—came rattling amongst the links of her locket-chain, her one ring, and another trinket or two on the toilet-table, to nibble a bit of biscuit laid ready for it, she looked up, recalled momentarily to the real. Then she said half aloud, as if deprecating the accusation of some unseen and unheard monitor, "I am not cherishing love dreams; I am only thinking because I cannot sleep. Of course, I know he will marry Shirley."
It so happened that Mr. Helstone had no suspicions at all; he usually had a vague idea of his niece's activities and didn't think it was worth it to keep a close watch on her. He was unaware that she had been out at all that day and assumed she was busy with a book or some work in her room—where, in fact, she was, although not absorbed in the peaceful task he imagined. Instead, she was standing at her window with a racing heart, anxiously peeking from behind the curtain, waiting for her uncle to come back and for her cousin to leave.[Pg225Please provide the text you'd like me to modernize. Finally, she got what she hoped for. She heard Mr. Helstone come in; she saw Robert stride across the graves and jump over the wall; then she went down for prayers. When she returned to her room, it was to be haunted by memories of Robert. Sleep was long delayed. She sat by her window for a long time, gazing down at the old garden and the even older church, looking at the gravestones laid out all gray and calm, illuminated by the moonlight. She followed the night as it walked its path made of stars, deep into the "wee sma' hours ayont the twal'." She was with Moore in spirit the entire time; she felt him by her side; she heard his voice; she placed her hand in his, feeling it warm in his grasp. When the church clock struck, when any other sound broke the silence, or when a little mouse, familiar to her room—an intruder she would never let Fanny trap—scurried among the links of her locket, her one ring, and a couple of other trinkets on her dresser to nibble a piece of biscuit she had prepared for it, she looked up, momentarily brought back to reality. Then she said half aloud, as if defending herself against some unseen and unheard critic, "I'm not daydreaming about love; I'm just thinking because I can’t sleep. Of course, I know he’ll marry Shirley."
With returning silence, with the lull of the chime, and the retreat of her small untamed and unknown protégé, she still resumed the dream, nestling to the vision's side—listening to, conversing with it. It paled at last. As dawn approached, the setting stars and breaking day dimmed the creation of fancy; the wakened song of birds hushed her whispers. The tale full of fire, quick with interest, borne away by the morning wind, became a vague murmur. The shape that, seen in a moonbeam, lived, had a pulse, had movement, wore health's glow and youth's freshness, turned cold and ghostly gray, confronted with the red of sunrise. It wasted. She was left solitary at last. She crept to her couch, chill and dejected.[Pg 226]
With the return of silence, the gentle sound of the chime, and the departure of her small, wild, and mysterious protégé, she slipped back into her dream, snuggling up to the vision—listening to it, talking to it. Eventually, it faded. As dawn drew near, the fading stars and rising day dulled her imaginative creation; the awakened song of birds silenced her whispers. The tale, full of passion and excitement, carried away by the morning breeze, turned into a distant murmur. The image that, seen in a moonbeam, seemed alive, pulsing, moving, glowing with health and youthful freshness, turned cold and ghostly gray in the face of the red sunrise. It withered. She was finally left all alone. She crawled back to her bed, feeling cold and downcast.[Pg226It seems there was no text provided. Please provide a short phrase for me to modernize.
CHAPTER XIV.
SHIRLEY SEEKS TO BE SAVED BY WORKS.
"Of course, I know he will marry Shirley," were her first words when she rose in the morning. "And he ought to marry her. She can help him," she added firmly. "But I shall be forgotten when they are married," was the cruel succeeding thought. "Oh! I shall be wholly forgotten! And what—what shall I do when Robert is taken quite from me? Where shall I turn? My Robert! I wish I could justly call him mine. But I am poverty and incapacity; Shirley is wealth and power. And she is beauty too, and love. I cannot deny it. This is no sordid suit. She loves him—not with inferior feelings. She loves, or will love, as he must feel proud to be loved. Not a valid objection can be made. Let them be married, then. But afterwards I shall be nothing to him. As for being his sister, and all that stuff, I despise it. I will either be all or nothing to a man like Robert; no feeble shuffling or false cant is endurable. Once let that pair be united, and I will certainly leave them. As for lingering about, playing the hypocrite, and pretending to calm sentiments of friendship, when my soul will be wrung with other feelings, I shall not descend to such degradation. As little could I fill the place of their mutual friend as that of their deadly foe; as little could I stand between them as trample over them. Robert is a first-rate man—in my eyes. I have loved, do love, and must love him. I would be his wife if I could; as I cannot, I must go where I shall never see him. There is but one alternative—to cleave to him as if I were a part of him, or to be sundered from him wide as the two poles of a sphere.—Sunder me then, Providence. Part us speedily."
"Of course, I know he will marry Shirley," were her first words when she got up in the morning. "And he should marry her. She can help him," she added firmly. "But I will be forgotten when they are married," was the cruel thought that followed. "Oh! I will be completely forgotten! And what—what will I do when Robert is taken away from me? Where will I turn? My Robert! I wish I could justly call him mine. But I am nothing but poverty and helplessness; Shirley is wealth and power. And she is beautiful too, and loving. I can’t deny it. This isn't a selfish concern. She loves him—not with lesser emotions. She loves, or will love, in a way that makes him feel proud to be loved. There’s no valid objection to it. Let them get married, then. But afterwards, I will be nothing to him. As for being his sister and all that, I can't stand it. I will either be everything or nothing to a man like Robert; no weak pretense or false sentiment is tolerable. Once that couple is united, I will definitely leave them. As for hanging around, playing the hypocrite, and pretending to have calm feelings of friendship while my soul is torn apart by other emotions, I won’t stoop to such humiliation. I could no more take the role of their mutual friend than that of their worst enemy; I could neither stand between them nor trample over them. Robert is a top-notch man—in my eyes. I have loved, do love, and must love him. I would be his wife if I could; since I can’t, I have to go somewhere I will never see him. There’s only one choice—to cling to him as if I were a part of him, or to be separated from him as far apart as the poles of a sphere.—So separate me then, Providence. Divide us quickly."
Some such aspirations as these were again working in her mind late in the afternoon, when the apparition of one of the personages haunting her thoughts passed the parlour window. Miss Keeldar sauntered slowly by, her gait, her countenance, wearing that mixture of wistfulness[Pg 227] and carelessness which, when quiescent, was the wonted cast of her look and character of her bearing. When animated, the carelessness quite vanished, the wistfulness became blent with a genial gaiety, seasoning the laugh, the smile, the glance, with a unique flavour of sentiment, so that mirth from her never resembled "the crackling of thorns under a pot."
Some of those aspirations were swirling in her mind late in the afternoon when the figure she often thought about passed by the parlor window. Miss Keeldar strolled slowly along, her walk and expression showing that mix of longing and indifference that was usually the default look she had. When she was lively, that indifference completely disappeared, and the longing mixed with a cheerful brightness, adding a special touch to her laughter, smiles, and glances, so that her joy never came off as just "the crackling of thorns under a pot."
"What do you mean by not coming to see me this afternoon, as you promised?" was her address to Caroline as she entered the room.
"What do you mean by not coming to see me this afternoon, like you promised?" she asked Caroline as she walked into the room.
"I was not in the humour," replied Miss Helstone, very truly.
"I wasn't in the mood," replied Miss Helstone, quite truthfully.
Shirley had already fixed on her a penetrating eye.
Shirley had already set a piercing gaze on her.
"No," she said; "I see you are not in the humour for loving me. You are in one of your sunless, inclement moods, when one feels a fellow-creature's presence is not welcome to you. You have such moods. Are you aware of it?"
"No," she said. "I can tell you’re not in the mood to love me. You’re having one of those dark, gloomy days when it feels like having anyone around is just annoying. You have those days. Do you even realize that?"
"Do you mean to stay long, Shirley?"
"Are you planning to stay long, Shirley?"
"Yes. I am come to have my tea, and must have it before I go. I shall take the liberty, then, of removing my bonnet, without being asked."
"Yes. I've come to have my tea, and I need to have it before I leave. So, I’ll take the liberty of removing my hat without being asked."
And this she did, and then stood on the rug with her hands behind her.
And she did this, then stood on the rug with her hands behind her.
"A pretty expression you have in your countenance," she went on, still gazing keenly, though not inimically—rather indeed pityingly—at Caroline. "Wonderfully self-supported you look, you solitude-seeking, wounded deer. Are you afraid Shirley will worry you if she discovers that you are hurt, and that you bleed?"
"A lovely look you have on your face," she continued, still staring intently, but not in a hostile way—more like with sympathy—at Caroline. "You seem incredibly self-reliant, you lonely, injured deer. Are you worried that Shirley will get upset if she finds out you're hurt, and that you're bleeding?"
"I never do fear Shirley."
"I'm not afraid of Shirley."
"But sometimes you dislike her; often you avoid her. Shirley can feel when she is slighted and shunned. If you had not walked home in the company you did last night, you would have been a different girl to-day. What time did you reach the rectory?"
"But sometimes you can't stand her; often you steer clear of her. Shirley can sense when she's been overlooked and avoided. If you hadn’t walked home with those people last night, you would be a different girl today. What time did you get to the rectory?"
"By ten."
"By 10."
"Humph! You took three-quarters of an hour to walk a mile. Was it you, or Moore, who lingered so?"
"Ugh! It took you three-quarters of an hour to walk a mile. Was it you or Moore who took so long?"
"Shirley, you talk nonsense."
"Shirley, you’re talking nonsense."
"He talked nonsense—that I doubt not; or he looked it, which is a thousand times worse. I see the reflection of his eyes on your forehead at this moment. I feel disposed to call him out, if I could only get a trustworthy second.[Pg 228] I feel desperately irritated. I felt so last night, and have felt it all day."
"He was talking nonsense—I have no doubt about that; or maybe he just looked like it, which is even worse. I can see the glare of his eyes on your forehead right now. I’m tempted to challenge him, if only I could find a reliable second.[Pg228Please provide the text for me to modernize. I’m extremely irritated. I felt the same way last night, and it’s been bothering me all day."
"You don't ask me why," she proceeded, after a pause, "you little silent, over-modest thing; and you don't deserve that I should pour out my secrets into your lap without an invitation. Upon my word, I could have found it in my heart to have dogged Moore yesterday evening with dire intent. I have pistols, and can use them."
"You don't ask me why," she continued after a pause, "you quiet, overly humble person; and you don't deserve for me to share my secrets with you without an invitation. Honestly, I could have followed Moore around last night with bad intentions. I have guns and I know how to use them."
"Stuff, Shirley! Which would you have shot—me or Robert?"
"Come on, Shirley! Who would you have shot—me or Robert?"
"Neither, perhaps. Perhaps myself—more likely a bat or a tree-bough. He is a puppy, your cousin—a quiet, serious, sensible, judicious, ambitious puppy. I see him standing before me, talking his half-stern, half-gentle talk, bearing me down (as I am very conscious he does) with his fixity of purpose, etc.; and then—I have no patience with him!"
"Maybe not. Maybe I’m more like a bat or a branch. He’s a puppy, your cousin—a quiet, serious, sensible, thoughtful, ambitious puppy. I see him standing in front of me, speaking his half-stern, half-gentle words, wearing me down (as I know he does) with his determination, etc.; and then—I just can’t deal with him!"
Miss Keeldar started off on a rapid walk through the room, repeating energetically that she had no patience with men in general, and with her tenant in particular.
Miss Keeldar quickly walked around the room, energetically stating that she had no patience for men in general, and especially not for her tenant.
"You are mistaken," urged Caroline, in some anxiety. "Robert is no puppy or male flirt; I can vouch for that."
"You’re mistaken," Caroline insisted, a bit anxious. "Robert is not a puppy or a male flirt; I can guarantee that."
"You vouch for it! Do you think I'll take your word on the subject? There is no one's testimony I would not credit sooner than yours. To advance Moore's fortune you would cut off your right hand."
"You guarantee it! Do you really think I’ll just take your word for it? I would trust anyone’s testimony before yours. You’d even go as far as cutting off your right hand to help Moore."
"But not tell lies. And if I speak the truth, I must assure you that he was just civil to me last night—that was all."
"But I'm not lying. If I'm being honest, I have to tell you that he was just polite to me last night—that's all."
"I never asked what he was. I can guess. I saw him from the window take your hand in his long fingers, just as he went out at my gate."
"I never asked what he was. I can guess. I saw him from the window take your hand in his long fingers, just as he walked out my gate."
"That is nothing. I am not a stranger, you know. I am an old acquaintance, and his cousin."
"That's nothing. I'm not a stranger, you know. I'm an old friend, and his cousin."
"I feel indignant, and that is the long and short of the matter," responded Miss Keeldar. "All my comfort," she added presently, "is broken up by his manœuvres. He keeps intruding between you and me. Without him we should be good friends; but that six feet of puppyhood makes a perpetually-recurring eclipse of our friendship. Again and again he crosses and obscures the disc I want always to see clear; ever and anon he renders me to you a mere bore and nuisance."
"I feel really upset, and that's all there is to it," replied Miss Keeldar. "All my comfort," she continued, "is disrupted by his actions. He keeps interrupting the connection between you and me. Without him, we would be great friends; but that six-foot tall kid is constantly casting a shadow over our friendship. Time and again, he gets in the way and clouds what I want to always see clearly; he often makes me appear to you as just a bore and annoyance."
[Pg 229]"No, Shirley, no."
"No, Shirley, no."
"He does. You did not want my society this afternoon, and I feel it hard. You are naturally somewhat reserved, but I am a social personage, who cannot live alone. If we were but left unmolested, I have that regard for you that I could bear you in my presence for ever, and not for the fraction of a second do I ever wish to be rid of you. You cannot say as much respecting me."
"He does. You didn’t want to hang out with me this afternoon, and it bothers me. You’re naturally a bit reserved, but I'm a social person who can't stand being alone. If we were just left undisturbed, I care about you so much that I could have you around forever, and not for a second would I ever want to be without you. You can't say the same about me."
"Shirley, I can say anything you wish. Shirley, I like you."
"Shirley, I can say whatever you want. Shirley, I like you."
"You will wish me at Jericho to-morrow, Lina."
"You'll be wishing me at Jericho tomorrow, Lina."
"I shall not. I am every day growing more accustomed to—fonder of you. You know I am too English to get up a vehement friendship all at once; but you are so much better than common—you are so different to every-day young ladies—I esteem you, I value you; you are never a burden to me—never. Do you believe what I say?"
"I won't. I'm getting more used to you—fonder of you—every day. You know I'm too English to just jump into a strong friendship right away; but you're so much better than the average person—you’re so different from everyday young women—I respect you, I appreciate you; you're never a burden to me—never. Do you believe what I'm saying?"
"Partly," replied Miss Keeldar, smiling rather incredulously; "but you are a peculiar personage. Quiet as you look, there is both a force and a depth somewhere within not easily reached or appreciated. Then you certainly are not happy."
"Partly," replied Miss Keeldar, smiling slightly skeptically; "but you're a strange person. As calm as you seem, there's definitely a strength and a depth in you that isn't easy to access or recognize. So you're definitely not happy."
"And unhappy people are rarely good. Is that what you mean?"
"And unhappy people are hardly ever good. Is that what you mean?"
"Not at all. I mean rather that unhappy people are often preoccupied, and not in the mood for discoursing with companions of my nature. Moreover, there is a sort of unhappiness which not only depresses, but corrodes; and that, I fear, is your portion. Will pity do you any good, Lina? If it will, take some from Shirley; she offers largely, and warrants the article genuine."
"Not at all. I mean that unhappy people are often distracted and not really in the mood to talk with someone like me. Additionally, there's a kind of unhappiness that not only brings you down but also eats away at you; and that, I fear, is what you're experiencing. Will pity help you at all, Lina? If it does, take some from Shirley; she gives it out freely and guarantees it's genuine."
"Shirley, I never had a sister—you never had a sister; but it flashes on me at this moment how sisters feel towards each other—affection twined with their life, which no shocks of feeling can uproot, which little quarrels only trample an instant, that it may spring more freshly when the pressure is removed; affection that no passion can ultimately outrival, with which even love itself cannot do more than compete in force and truth. Love hurts us so, Shirley. It is so tormenting, so racking, and it burns away our strength with its flame. In affection is no pain and no fire, only sustenance and balm. I am supported and soothed when you—that[Pg 230] is, you only—are near, Shirley. Do you believe me now?"
"Shirley, I never had a sister—you never had a sister; but it hits me now how sisters feel about each other—an affection intertwined with their lives that no emotional shocks can shake, where little fights only stomp on it for a moment before it springs back stronger when the tension eases; an affection that no passion can ever surpass, with which even love itself can only compete in strength and sincerity. Love hurts us so, Shirley. It's so tormenting, so agonizing, and it drains our strength with its fire. But in affection, there is no pain and no flame, only support and comfort. I feel lifted and calmed when you—that is, you only—are near, Shirley. Do you believe me now?"
"I am always easy of belief when the creed pleases me. We really are friends, then, Lina, in spite of the black eclipse?"
"I always find it easy to believe when I like the idea. So, we really are friends, right, Lina, despite the dark times?"
"We really are," returned the other, drawing Shirley towards her, and making her sit down, "chance what may."
"We really are," said the other, pulling Shirley closer and making her sit down, "no matter what happens."
"Come, then; we will talk of something else than the Troubler." But at this moment the rector came in, and the "something else" of which Miss Keeldar was about to talk was not again alluded to till the moment of her departure. She then delayed a few minutes in the passage to say, "Caroline, I wish to tell you that I have a great weight on my mind; my conscience is quite uneasy as if I had committed, or was going to commit, a crime. It is not my private conscience, you must understand, but my landed-proprietor and lord-of-the-manor conscience. I have got into the clutch of an eagle with iron talons. I have fallen under a stern influence, which I scarcely approve, but cannot resist. Something will be done ere long, I fear, which it by no means pleases me to think of. To ease my mind, and to prevent harm as far as I can, I mean to enter on a series of good works. Don't be surprised, therefore, if you see me all at once turn outrageously charitable. I have no idea how to begin, but you must give me some advice. We will talk more on the subject to-morrow; and just ask that excellent person, Miss Ainley, to step up to Fieldhead. I have some notion of putting myself under her tuition. Won't she have a precious pupil? Drop a hint to her, Lina, that, though a well-meaning, I am rather a neglected character, and then she will feel less scandalized at my ignorance about clothing societies and such things."
"Come on; let’s talk about something other than the Troubler." But just then, the rector walked in, and the "something else" Miss Keeldar was about to discuss wasn't mentioned again until she was leaving. She paused for a few minutes in the hallway to say, "Caroline, I want to tell you that I have a heavy burden on my mind; my conscience is really uneasy, as if I’ve committed or am about to commit a crime. It’s not my personal conscience, you know, but my conscience as a landowner and lord of the manor. I feel like I've gotten caught in the grip of an eagle with iron claws. I've fallen under a harsh influence that I hardly agree with but can’t resist. I fear something will happen soon that I really don’t like thinking about. To ease my mind and prevent any harm as much as I can, I intend to start doing some good works. So don’t be surprised if I suddenly become wildly charitable. I have no idea how to start, so I need your advice. We can talk more about it tomorrow, and just ask that wonderful person, Miss Ainley, to come up to Fieldhead. I’m thinking about putting myself under her guidance. Won't she have a delightful student? Just hint to her, Lina, that even though I mean well, I’m a bit of a neglected character, and that way she won't be too shocked by my ignorance about clothing societies and such things."
On the morrow Caroline found Shirley sitting gravely at her desk, with an account-book, a bundle of banknotes, and a well-filled purse before her. She was looking mighty serious, but a little puzzled. She said she had been "casting an eye" over the weekly expenditure in housekeeping at the hall, trying to find out where she could retrench; that she had also just given audience to Mrs. Gill, the cook, and had sent that person away with a notion that her (Shirley's) brain was certainly crazed. "I have lectured her on the duty of being careful," said she, "in a way quite[Pg 231] new to her. So eloquent was I on the text of economy that I surprised myself; for, you see, it is altogether a fresh idea. I never thought, much less spoke, on the subject till lately. But it is all theory; for when I came to the practical part I could retrench nothing. I had not firmness to take off a single pound of butter, or to prosecute to any clear result an inquest into the destiny of either dripping, lard, bread, cold meat, or other kitchen perquisite whatever. I know we never get up illuminations at Fieldhead, but I could not ask the meaning of sundry quite unaccountable pounds of candles. We do not wash for the parish, yet I viewed in silence items of soap and bleaching-powder calculated to satisfy the solicitude of the most anxious inquirer after our position in reference to those articles. Carnivorous I am not, nor is Mrs. Pryor, nor is Mrs. Gill herself, yet I only hemmed and opened my eyes a little wide when I saw butchers' bills whose figures seemed to prove that fact—falsehood, I mean. Caroline, you may laugh at me, but you can't change me. I am a poltroon on certain points; I feel it. There is a base alloy of moral cowardice in my composition. I blushed and hung my head before Mrs. Gill, when she ought to have been faltering confessions to me. I found it impossible to get up the spirit even to hint, much less to prove, to her that she was a cheat. I have no calm dignity, no true courage about me."
The next day, Caroline found Shirley sitting seriously at her desk, with an account book, a bundle of banknotes, and a well-filled purse in front of her. She looked pretty serious but also a bit puzzled. She said she had been "taking a look" at the weekly household expenses at the hall, trying to figure out where she could cut back; she had also just talked to Mrs. Gill, the cook, and sent her away with the idea that Shirley's mind was definitely unsettled. "I lectured her on the importance of being careful," she said, "in a way that was completely new to her. I was so eloquent about the importance of economy that I surprised myself; after all, it's a totally new concept for me. I never thought about it, let alone spoke about it, until recently. But it’s all just theory; when I tried to get practical, I couldn't cut anything. I didn't have the courage to take off even a single pound of butter or to get to the bottom of what should happen to the dripping, lard, bread, cold meat, or any other kitchen item. I know we never have celebrations at Fieldhead, but I couldn’t figure out why we had so many random pounds of candles. We don’t do laundry for the parish, yet I silently noted the amounts of soap and bleaching powder that would satisfy the curiosity of the most worried individual about our situation regarding those items. I’m not a meat eater, nor is Mrs. Pryor, nor is Mrs. Gill herself, yet I only coughed and widened my eyes a little when I saw butcher’s bills that looked like they proved the opposite—falsehood, I mean. Caroline, you might laugh at me, but you can't change who I am. I’m a coward in some respects; I feel it. There’s a terrible mix of moral cowardice in my nature. I blushed and hung my head in front of Mrs. Gill when she should have been confessing to me. I found it impossible to summon the courage to even suggest, let alone prove, to her that she was cheating us. I lack any dignified composure, any real courage."
"Shirley, what fit of self-injustice is this? My uncle, who is not given to speak well of women, says there are not ten thousand men in England as genuinely fearless as you."
"Shirley, what act of self-criticism is this? My uncle, who rarely has anything nice to say about women, claims there aren’t ten thousand men in England who are as truly fearless as you."
"I am fearless, physically; I am never nervous about danger. I was not startled from self-possession when Mr. Wynne's great red bull rose with a bellow before my face, as I was crossing the cowslip lea alone, stooped his begrimed, sullen head, and made a run at me; but I was afraid of seeing Mrs. Gill brought to shame and confusion of face. You have twice—ten times—my strength of mind on certain subjects, Caroline. You, whom no persuasion can induce to pass a bull, however quiet he looks, would have firmly shown my housekeeper she had done wrong; then you would have gently and wisely admonished her; and at last, I dare say, provided she had seemed penitent, you would have very sweetly forgiven her. Of this conduct I am incapable. However, in spite of exaggerated imposition, I still find we live within our means. I have money[Pg 232] in hand, and I really must do some good with it. The Briarfield poor are badly off; they must be helped. What ought I to do, think you, Lina? Had I not better distribute the cash at once?"
"I am fearless, physically; I’m never nervous about danger. I wasn’t shaken from my calm when Mr. Wynne’s huge red bull roared in front of me as I was crossing the fields alone, lowered his dirty, brooding head, and charged at me; but I was worried about Mrs. Gill being embarrassed and humiliated. You have twice—ten times—my strength of mind on certain topics, Caroline. You, who would never be convinced to walk past a bull, no matter how calm it seems, would have firmly shown my housekeeper that she was wrong; then you would have gently and wisely advised her; and finally, if she seemed sorry, I’m sure you would have sweetly forgiven her. I’m not capable of that kind of behavior. However, despite some exaggerated demands, I still find that we live within our means. I have cash on hand, and I really need to do something good with it. The poor in Briarfield are struggling; they need help. What do you think I should do, Lina? Should I just hand out the money right away?"
"No, indeed, Shirley; you will not manage properly. I have often noticed that your only notion of charity is to give shillings and half-crowns in a careless, free-handed sort of way, which is liable to continual abuse. You must have a prime minister, or you will get yourself into a series of scrapes. You suggested Miss Ainley yourself; to Miss Ainley I will apply. And, meantime, promise to keep quiet, and not begin throwing away your money. What a great deal you have, Shirley! You must feel very rich with all that?"
"No, really, Shirley; you won’t handle this well. I’ve often noticed that your only idea of charity is to casually give out shillings and half-crowns, which can easily be taken advantage of. You need a manager, or you’ll end up in a lot of trouble. You suggested Miss Ainley, so I'll reach out to her. In the meantime, promise me you’ll keep quiet and stop throwing your money around. You have so much, Shirley! You must feel really wealthy with all of that?"
"Yes; I feel of consequence. It is not an immense sum, but I feel responsible for its disposal; and really this responsibility weighs on my mind more heavily than I could have expected. They say that there are some families almost starving to death in Briarfield. Some of my own cottagers are in wretched circumstances. I must and will help them."
"Yes; I feel important. It's not a huge amount, but I feel responsible for how it’s used; and honestly, this responsibility is weighing on my mind more than I thought it would. I've heard that some families in Briarfield are nearly starving. Some of my own tenants are in terrible situations. I have to and will help them."
"Some people say we shouldn't give alms to the poor, Shirley."
"Some people say we shouldn't give money to the poor, Shirley."
"They are great fools for their pains. For those who are not hungry, it is easy to palaver about the degradation of charity, and so on: but they forget the brevity of life, as well as its bitterness. We have none of us long to live. Let us help each other through seasons of want and woe as well as we can, without heeding in the least the scruples of vain philosophy."
"They're really foolish for their efforts. For those who aren't struggling, it's easy to talk about the downsides of charity and all that, but they overlook how short and harsh life can be. None of us have much time here. Let's support each other through tough times and challenges as best we can, without worrying about the concerns of pointless philosophy."
"But you do help others, Shirley. You give a great deal as it is."
"But you do help others, Shirley. You give a lot as it is."
"Not enough. I must give more, or, I tell you, my brother's blood will some day be crying to Heaven against me. For, after all, if political incendiaries come here to kindle conflagration in the neighbourhood, and my property is attacked, I shall defend it like a tigress—I know I shall. Let me listen to Mercy as long as she is near me. Her voice once drowned by the shout of ruffian defiance, and I shall be full of impulses to resist and quell. If once the poor gather and rise in the form of the mob, I shall turn against them as an aristocrat; if they bully me, I must defy: if they attack, I must resist, and I will."
"Not enough. I have to give more, or I promise you, my brother's blood will someday cry out to Heaven against me. Because, after all, if political troublemakers come here to ignite chaos in the neighborhood, and my property is threatened, I will defend it fiercely—I know I will. I need to listen to Mercy as long as she’s close. If her voice is drowned out by the shouts of thugs, I'll be filled with the urge to fight back. If the poor gather and rise up like a mob, I will turn against them like an aristocrat; if they intimidate me, I have to stand my ground: if they attack, I will resist, and I will."
"You talk like Robert."
"You sound like Robert."
[Pg 233]"I feel like Robert, only more fierily. Let them meddle with Robert, or Robert's mill, or Robert's interests, and I shall hate them. At present I am no patrician, nor do I regard the poor around me as plebeians; but if once they violently wrong me or mine, and then presume to dictate to us, I shall quite forget pity for their wretchedness and respect for their poverty, in scorn of their ignorance and wrath at their insolence."
[Pg233It appears there was an error or misunderstanding with the text provided. Please provide a short phrase (5 words or fewer) for me to modernize or leave unchanged."I feel like Robert, but even more passionately. If they mess with Robert, his mill, or his interests, I will despise them. Right now, I don’t see myself as a noble, nor do I view the poor around me as beneath me; but if they ever hurt me or my loved ones and then have the audacity to tell us what to do, I will completely forget any sympathy for their suffering and any respect for their struggle, replaced instead by contempt for their ignorance and anger at their arrogance."
"Shirley, how your eyes flash!"
"Shirley, your eyes are sparkling!"
"Because my soul burns. Would you, any more than me, let Robert be borne down by numbers?"
"Because my soul is on fire. Would you, any more than I would, let Robert be overwhelmed by the crowd?"
"If I had your power to aid Robert, I would use it as you mean to use it. If I could be such a friend to him as you can be, I would stand by him, as you mean to stand by him, till death."
"If I had your ability to help Robert, I would use it just like you plan to. If I could be the kind of friend to him that you can be, I would support him, as you intend to do, until the end."
"And now, Lina, though your eyes don't flash, they glow. You drop your lids; but I saw a kindled spark. However, it is not yet come to fighting. What I want to do is to prevent mischief. I cannot forget, either day or night, that these embittered feelings of the poor against the rich have been generated in suffering: they would neither hate nor envy us if they did not deem us so much happier than themselves. To allay this suffering, and thereby lessen this hate, let me, out of my abundance, give abundantly; and that the donation may go farther, let it be made wisely. To that intent, we must introduce some clear, calm, practical sense into our councils. So go and fetch Miss Ainley."
"And now, Lina, even though your eyes don’t sparkle, they shine. You lower your eyelids, but I noticed a flicker of light. Thankfully, it hasn’t come to fighting yet. What I want to do is to prevent trouble. I can’t forget, day or night, that the bitterness the poor feel toward the rich comes from their suffering: they wouldn’t hate or envy us if they didn’t think we were so much happier than they are. To ease this suffering and reduce this hatred, let me give generously from my own wealth; and to make sure the donation has more impact, let’s do it wisely. For that reason, we need to bring some clear, calm, practical thinking into our discussions. So go and get Miss Ainley."
Without another word Caroline put on her bonnet and departed. It may, perhaps, appear strange that neither she nor Shirley thought of consulting Mrs. Pryor on their scheme; but they were wise in abstaining. To have consulted her—and this they knew by instinct—would only have been to involve her in painful embarrassment. She was far better informed, better read, a deeper thinker than Miss Ainley, but of administrative energy, of executive activity, she had none. She would subscribe her own modest mite to a charitable object willingly—secret almsgiving suited her; but in public plans, on a large scale, she could take no part; as to originating them, that was out of the question. This Shirley knew, and therefore she did not trouble Mrs. Pryor by unavailing conferences, which could only remind her of her own deficiencies, and do no good.
Without saying anything else, Caroline put on her bonnet and left. It might seem odd that neither she nor Shirley thought about talking to Mrs. Pryor about their plan; however, they were smart to hold back. They instinctively knew that involving her would only lead to uncomfortable situations for her. She was much better informed, more well-read, and a deeper thinker than Miss Ainley, but when it came to administrative energy or taking action, she had none. She would willingly contribute her own small amount to a charitable cause—secret donations were more her style—but she couldn't engage in large public initiatives or come up with new ones. Shirley understood this, so she didn’t bother Mrs. Pryor with pointless discussions that would only remind her of her own shortcomings and accomplish nothing.
It was a bright day for Miss Ainley when she was summoned[Pg 234] to Fieldhead to deliberate on projects so congenial to her; when she was seated with all honour and deference at a table with paper, pen, ink, and—what was best of all—cash before her, and requested to draw up a regular plan for administering relief to the destitute poor of Briarfield. She, who knew them all, had studied their wants, had again and again felt in what way they might best be succoured, could the means of succour only be found, was fully competent to the undertaking, and a meek exultation gladdened her kind heart as she felt herself able to answer clearly and promptly the eager questions put by the two young girls, as she showed them in her answers how much and what serviceable knowledge she had acquired of the condition of her fellow-creatures around her.
It was a bright day for Miss Ainley when she was called[Pg234] to Fieldhead to discuss projects that were very much her style. When she sat down with all the respect she deserved at a table equipped with paper, pen, ink, and—best of all—cash in front of her, she was asked to create a formal plan to provide aid to the impoverished people of Briarfield. She, who knew them all, had studied their needs and had often thought about how they could best be helped if only the resources were available. She was fully capable of the task, and a gentle excitement filled her kind heart as she confidently and promptly answered the eager questions from the two young girls, demonstrating how much valuable knowledge she had gained about the lives of those around her.
Shirley placed at her disposal £300, and at sight of the money Miss Ainley's eyes filled with joyful tears; for she already saw the hungry fed, the naked clothed, the sick comforted thereby. She quickly drew up a simple, sensible plan for its expenditure; and she assured them brighter times would now come round, for she doubted not the lady of Fieldhead's example would be followed by others. She should try to get additional subscriptions, and to form a fund; but first she must consult the clergy. Yes, on that point she was peremptory. Mr. Helstone, Dr. Boultby, Mr. Hall, must be consulted (for not only must Briarfield be relieved, but Whinbury and Nunnely). It would, she averred, be presumption in her to take a single step unauthorized by them.
Shirley gave her £300, and when Miss Ainley saw the money, her eyes filled with joyful tears; she could already envision the hungry being fed, the naked being clothed, and the sick being comforted. She quickly put together a straightforward, sensible plan for spending it and assured everyone that brighter days were ahead, as she was sure that the lady of Fieldhead's example would inspire others to help. She intended to gather more donations and establish a fund, but first, she needed to consult the local clergy. Yes, she was adamant about that. Mr. Helstone, Dr. Boultby, and Mr. Hall must be consulted (because Briarfield, Whinbury, and Nunnely all needed assistance). She insisted that it would be presumptuous of her to take any action without their approval.
The clergy were sacred beings in Miss Ainley's eyes; no matter what might be the insignificance of the individual, his station made him holy. The very curates—who, in their trivial arrogance, were hardly worthy to tie her patten-strings, or carry her cotton umbrella, or check woollen shawl—she, in her pure, sincere enthusiasm, looked upon as sucking saints. No matter how clearly their little vices and enormous absurdities were pointed out to her, she could not see them; she was blind to ecclesiastical defects; the white surplice covered a multitude of sins.
In Miss Ainley's eyes, the clergy were sacred figures; regardless of the individual's unimportance, their role made them holy. Even the curates—who, in their petty arrogance, weren’t worthy of tying her shoe straps, holding her cotton umbrella, or adjusting her wool shawl—she viewed, in her pure and sincere enthusiasm, as budding saints. No matter how clearly their small vices and huge absurdities were pointed out to her, she couldn’t see them; she was blind to the flaws within the church; the white surplice concealed a multitude of sins.
Shirley, knowing this harmless infatuation on the part of her recently-chosen prime minister, stipulated expressly that the curates were to have no voice in the disposal of the money, that their meddling fingers were not to be inserted into the pie. The rectors, of course, must be paramount, and they might be trusted. They had some experience,[Pg 235] some sagacity, and Mr. Hall, at least, had sympathy and loving-kindness for his fellow-men; but as for the youth under them, they must be set aside, kept down, and taught that subordination and silence best became their years and capacity.
Shirley, aware of her prime minister's innocent crush, made it clear that the curates weren't to have any say in how the money was spent, and that they shouldn't get involved. The rectors, of course, were to be in charge, and they could be trusted. They had some experience, some wisdom, and Mr. Hall, at least, showed compassion and kindness for others; but as for the young ones beneath them, they should be sidelined, kept in check, and taught that obedience and silence were best suited to their age and abilities.[Pg235]
It was with some horror Miss Ainley heard this language. Caroline, however, interposing with a mild word or two in praise of Mr Sweeting, calmed her again. Sweeting was, indeed, her own favourite. She endeavoured to respect Messrs. Malone and Donne, but the slices of sponge-cake and glasses of cowslip or primrose wine she had at different times administered to Sweeting, when he came to see her in her little cottage, were ever offered with sentiments of truly motherly regard. The same innocuous collation she had once presented to Malone; but that personage evinced such open scorn of the offering, she had never ventured to renew it. To Donne she always served the treat, and was happy to see his approbation of it proved beyond a doubt by the fact of his usually eating two pieces of cake, and putting a third in his pocket.
Miss Ainley felt a sense of dread as she heard this talk. However, Caroline stepped in with a few kind words about Mr. Sweeting, which calmed her down. Sweeting was, after all, her favorite. She tried to appreciate Messrs. Malone and Donne, but the slices of sponge cake and glasses of cowslip or primrose wine she had offered to Sweeting during his visits to her little cottage were always given with genuine motherly affection. She had once offered the same simple snack to Malone, but he had shown such outright disdain for it that she never tried again. With Donne, she always served the treat and was pleased to see his approval, which was obvious since he usually ate two pieces of cake and would pocket a third.
Indefatigable in her exertions where good was to be done, Miss Ainley would immediately have set out on a walk of ten miles round to the three rectors, in order to show her plan, and humbly solicit their approval; but Miss Keeldar interdicted this, and proposed, as an amendment, to collect the clergy in a small select reunion that evening at Fieldhead. Miss Ainley was to meet them, and the plan was to be discussed in full privy council.
Relentless in her efforts to do good, Miss Ainley would have quickly set off on a ten-mile walk to visit the three rectors to present her plan and respectfully ask for their approval; however, Miss Keeldar stopped her and suggested instead hosting a small gathering of the clergy that evening at Fieldhead. Miss Ainley was to meet them there, and they would discuss the plan in a private council.
Shirley managed to get the senior priesthood together accordingly, and before the old maid's arrival, she had, further, talked all the gentlemen into the most charming mood imaginable. She herself had taken in hand Dr. Boultby and Mr. Helstone. The first was a stubborn old Welshman, hot, opinionated, and obstinate, but withal a man who did a great deal of good, though not without making some noise about it. The latter we know. She had rather a friendly feeling for both, especially for old Helstone; and it cost her no trouble to be quite delightful to them. She took them round the garden; she gathered them flowers; she was like a kind daughter to them. Mr. Hall she left to Caroline—or rather, it was to Caroline's care Mr. Hall consigned himself.
Shirley managed to gather the senior priesthood together, and before the old maid arrived, she had also gotten all the gentlemen into the most charming mood imaginable. She focused on Dr. Boultby and Mr. Helstone. The first was a stubborn old Welshman—hot-headed, opinionated, and obstinate—but he did a lot of good, even if he often made a fuss about it. As for Mr. Helstone, we know him well. She had a friendly feeling for both, especially for old Helstone, and it was easy for her to be delightful to them. She showed them around the garden, picked flowers for them, and acted like a caring daughter. Mr. Hall was left to Caroline—or rather, he chose to put himself in Caroline's care.
He generally sought Caroline in every party where she and he happened to be. He was not in general a lady's[Pg 236] man, though all ladies liked him; something of a book-worm he was, near-sighted, spectacled, now and then abstracted. To old ladies he was kind as a son. To men of every occupation and grade he was acceptable. The truth, simplicity, frankness of his manners, the nobleness of his integrity, the reality and elevation of his piety, won him friends in every grade. His poor clerk and sexton delighted in him; the noble patron of his living esteemed him highly. It was only with young, handsome, fashionable, and stylish ladies he felt a little shy. Being himself a plain man—plain in aspect, plain in manners, plain in speech—he seemed to fear their dash, elegance, and airs. But Miss Helstone had neither dash nor airs, and her native elegance was of a very quiet order—quiet as the beauty of a ground-loving hedge-flower. He was a fluent, cheerful, agreeable talker. Caroline could talk too in a tête-à-tête. She liked Mr. Hall to come and take the seat next her in a party, and thus secure her from Peter Augustus Malone, Joseph Donne, or John Sykes; and Mr. Hall never failed to avail himself of this privilege when he possibly could. Such preference shown by a single gentleman to a single lady would certainly, in ordinary cases, have set in motion the tongues of the gossips; but Cyril Hall was forty-five years old, slightly bald, and slightly gray, and nobody ever said or thought he was likely to be married to Miss Helstone. Nor did he think so himself. He was wedded already to his books and his parish. His kind sister Margaret, spectacled and learned like himself, made him happy in his single state; he considered it too late to change. Besides, he had known Caroline as a pretty little girl. She had sat on his knee many a time; he had bought her toys and given her books; he felt that her friendship for him was mixed with a sort of filial respect; he could not have brought himself to attempt to give another colour to her sentiments, and his serene mind could glass a fair image without feeling its depths troubled by the reflection.
He usually looked for Caroline at every party they both attended. He wasn't typically a ladies' man, even though all women liked him; he was somewhat of a bookworm, near-sighted, and often wore glasses, sometimes appearing lost in thought. He was as kind to older ladies as a son would be. He was well-liked by men of all kinds and backgrounds. The honesty, simplicity, and straightforwardness of his manner, along with his strong integrity and genuine piety, earned him friends at all levels. His poor clerk and sexton admired him, and the noble patron of his living held him in high regard. It was only with young, attractive, fashionable women that he felt a bit shy. Being an ordinary man—plain in looks, demeanor, and speech—he seemed to shy away from their flair, elegance, and pretensions. However, Miss Helstone didn't have any pretense or showiness, and her natural elegance was very subtle—quiet, like the beauty of a humble flower in a hedge. He was a lively, pleasant, and engaging conversationalist. Caroline could also hold her own in a one-on-one conversation. She appreciated Mr. Hall sitting next to her at gatherings, which kept her away from Peter Augustus Malone, Joseph Donne, or John Sykes. Mr. Hall always took advantage of this opportunity whenever he could. Such attention from a single man to a single woman would usually spark gossip, but Cyril Hall was forty-five, slightly bald, and a bit gray, so no one ever thought he might marry Miss Helstone. He didn’t think so either. He was already committed to his books and his parish. His kind sister Margaret, who was also learned and wore glasses like him, made him happy in his single life; he believed it was too late for a change. Besides, he had known Caroline since she was a cute little girl. She had sat on his lap many times; he had bought her toys and given her books. He felt her friendship was tinged with a kind of filial respect; he couldn’t bring himself to try to change her feelings, and his peaceful mind could reflect a beautiful image without being disturbed by its depth.
When Miss Ainley arrived, she was made kindly welcome by every one. Mrs. Pryor and Margaret Hall made room for her on the sofa between them; and when the three were seated, they formed a trio which the gay and thoughtless would have scorned, indeed, as quite worthless and unattractive—a middle-aged widow and two plain, spectacled old maids—yet which had its own quiet value, as many a suffering and friendless human being knew.
When Miss Ainley arrived, everyone greeted her warmly. Mrs. Pryor and Margaret Hall made space for her on the sofa between them; and when the three were seated, they formed a trio that the carefree and shallow would have dismissed as completely worthless and unappealing—a middle-aged widow and two plain, bespectacled old maids—yet they held their own quiet worth, as many a lonely and troubled person knew.
[Pg 237]Shirley opened the business and showed the plan.
[Pg237It looks like you submitted a heading or instruction rather than a phrase to modernize. Please provide a short phrase (5 words or fewer) for me to work on!Shirley launched the business and presented the plan.
"I know the hand which drew up that," said Mr. Hall, glancing at Miss Ainley, and smiling benignantly. His approbation was won at once. Boultby heard and deliberated with bent brow and protruded under lip. His consent he considered too weighty to be given in a hurry. Helstone glanced sharply round with an alert, suspicious expression, as if he apprehended that female craft was at work, and that something in petticoats was somehow trying underhand to acquire too much influence, and make itself of too much importance. Shirley caught and comprehended the expression. "This scheme is nothing," said she carelessly. "It is only an outline—a mere suggestion. You, gentlemen, are requested to draw up rules of your own."
"I know who drew that up," said Mr. Hall, glancing at Miss Ainley with a warm smile. He quickly gained her approval. Boultby listened and thought deeply, his brow furrowed and his lower lip sticking out. He felt his agreement was too important to give without careful consideration. Helstone looked around sharply, his expression alert and suspicious, as if he sensed that some female maneuvering was happening and that someone in skirts was trying to gain too much influence and importance. Shirley noticed and understood his expression. "This plan is nothing," she said casually. "It's just an outline—a simple suggestion. You gentlemen are invited to create your own rules."
And she directly fetched her writing-case, smiling queerly to herself as she bent over the table where it stood. She produced a sheet of paper, a new pen, drew an arm-chair to the table, and presenting her hand to old Helstone, begged permission to install him in it. For a minute he was a little stiff, and stood wrinkling his copper-coloured forehead strangely. At last he muttered, "Well, you are neither my wife nor my daughter, so I'll be led for once; but mind—I know I am led. Your little female manœuvres don't blind me."
And she went straight to get her writing case, smiling oddly to herself as she leaned over the table where it was. She took out a sheet of paper, a new pen, pulled a chair up to the table, and offered her hand to old Helstone, asking for permission to get him settled in it. For a moment, he seemed a bit stiff and stood there furrowing his copper-colored brow in a strange way. Finally, he muttered, "Well, you’re neither my wife nor my daughter, so I’ll let you lead for once; but just know—I’m aware that I’m being led. Your little feminine tactics don’t fool me."
"Oh!" said Shirley, dipping the pen in the ink, and putting it into his hand, "you must regard me as Captain Keeldar to-day. This is quite a gentleman's affair—yours and mine entirely, doctor" (so she had dubbed the rector). "The ladies there are only to be our aides-de-camp, and at their peril they speak, till we have settled the whole business."
"Oh!" said Shirley, dipping the pen in the ink and handing it to him, "you have to think of me as Captain Keeldar today. This is a proper gentleman's affair—just yours and mine, doctor" (that's what she called the rector). "The ladies over there are just here to assist us, and they better not say a word until we’ve sorted everything out."
He smiled a little grimly, and began to write. He soon interrupted himself to ask questions, and consult his brethren, disdainfully lifting his glance over the curly heads of the two girls and the demure caps of the elder ladies, to meet the winking glasses and gray pates of the priests. In the discussion which ensued, all three gentlemen, to their infinite credit, showed a thorough acquaintance with the poor of their parishes—an even minute knowledge of their separate wants. Each rector knew where clothing was needed, where food would be most acceptable, where money could be bestowed with a probability of it being judiciously laid out. Wherever their memories fell short, Miss Ainley or Miss Hall, if applied to, could help them out; but both ladies took care[Pg 238] not to speak unless spoken to. Neither of them wanted to be foremost, but each sincerely desired to be useful; and useful the clergy consented to make them—with which boon they were content.
He smiled a bit grimly and started to write. He quickly interrupted himself to ask questions and consult with his fellow clergymen, disdainfully glancing over the curly heads of the two girls and the modest caps of the older women to meet the knowing looks and gray hair of the priests. In the discussion that followed, all three gentlemen, to their great credit, demonstrated a deep understanding of the poor in their parishes—an even detailed knowledge of their specific needs. Each rector knew where clothing was necessary, where food would be most appreciated, and where money could be given with a good chance it would be spent wisely. Whenever their memories fell short, Miss Ainley or Miss Hall could step in to help them out, but both ladies made sure[Pg238] not to speak unless spoken to. Neither wanted to be in the spotlight, but both genuinely wanted to be helpful; and the clergy agreed to make them useful—which they were happy with.
Shirley stood behind the rectors, leaning over their shoulders now and then to glance at the rules drawn up and the list of cases making out, listening to all they said, and still at intervals smiling her queer smile—a smile not ill-natured, but significant—too significant to be generally thought amiable. Men rarely like such of their fellows as read their inward nature too clearly and truly. It is good for women, especially, to be endowed with a soft blindness; to have mild, dim eyes, that never penetrate below the surface of things—that take all for what it seems. Thousands, knowing this, keep their eyelids drooped on system; but the most downcast glance has its loophole, through which it can, on occasion, take its sentinel-survey of life. I remember once seeing a pair of blue eyes, that were usually thought sleepy, secretly on the alert, and I knew by their expression—an expression which chilled my blood, it was in that quarter so wondrously unexpected—that for years they had been accustomed to silent soul-reading. The world called the owner of these blue eyes bonne petite femme (she was not an Englishwoman). I learned her nature afterwards—got it off by heart—studied it in its farthest, most hidden recesses. She was the finest, deepest, subtlest schemer in Europe.
Shirley stood behind the officials, occasionally leaning over their shoulders to check the rules and the list of cases they were discussing. She listened to everything they said, smiling her peculiar smile from time to time—a smile that wasn’t mean-spirited, but rather significant—too significant to be seen as friendly. Men rarely appreciate those who can see into their true nature so clearly. It's often beneficial for women to have a kind of soft ignorance; to have gentle, dim eyes that never look beyond the surface—taking everything at face value. Many, knowing this, deliberately keep their eyes downcast; yet even the most downturned glance has a way of peeking through, allowing for the occasional observation of life. I remember once seeing a pair of blue eyes, usually thought to be drowsy, that were actually watchful, and I could tell by their expression—so unexpected it sent chills down my spine—that they had been trained for years at reading souls silently. The world referred to the owner of those blue eyes as bonne petite femme (she wasn’t English). I later learned all about her nature—memorized it—and studied it deeply, uncovering even its most concealed corners. She was the most brilliant, intricate, masterful schemer in Europe.
When all was at length settled to Miss Keeldar's mind, and the clergy had entered so fully into the spirit of her plans as to head the subscription-list with their signatures for £50 each, she ordered supper to be served, having previously directed Mrs. Gill to exercise her utmost skill in the preparation of this repast. Mr. Hall was no bon vivant—he was naturally an abstemious man, indifferent to luxury; but Boultby and Helstone both liked good cookery. The recherché supper consequently put them into excellent humour. They did justice to it, though in a gentlemanly way—not in the mode Mr. Donne would have done had he been present. A glass of fine wine was likewise tasted, with discerning though most decorous relish. Captain Keeldar was complimented on his taste; the compliment charmed him. It had been his aim to gratify and satisfy his priestly guests. He had succeeded, and was radiant with glee.[Pg 239]
Once everything was finally settled to Miss Keeldar's satisfaction, and the clergy had fully embraced her plans by signing the subscription list with £50 each, she ordered supper to be served, having previously instructed Mrs. Gill to use all her skills in preparing the meal. Mr. Hall was not a lover of fine dining—he was naturally a moderate man, indifferent to luxury—but Boultby and Helstone both appreciated good food. The exquisite supper put them in great spirits. They enjoyed it gracefully, unlike what Mr. Donne would have done if he had been there. They also savored a glass of fine wine with discerning yet very proper pleasure. Captain Keeldar received compliments on his taste, which delighted him. He had aimed to please his clerical guests, and he had succeeded, radiating with joy.[Pg239I'm sorry, but there doesn't seem to be any text provided to modernize. Please provide a phrase, and I'll be happy to assist!
CHAPTER XV.
MR. DONNE'S EXODUS.
The next day Shirley expressed to Caroline how delighted she felt that the little party had gone off so well.
The next day, Shirley told Caroline how happy she was that the little party had gone so well.
"I rather like to entertain a circle of gentlemen," said she. "It is amusing to observe how they enjoy a judiciously concocted repast. For ourselves, you see, these choice wines and these scientific dishes are of no importance to us; but gentlemen seem to retain something of the naïveté of children about food, and one likes to please them—that is, when they show the becoming, decent self-government of our admirable rectors. I watch Moore sometimes, to try and discover how he can be pleased; but he has not that child's simplicity about him. Did you ever find out his accessible point, Caroline? you have seen more of him than I."
"I really enjoy hosting a group of gentlemen," she said. "It's fun to see how much they appreciate a well-prepared meal. For us, you know, those fine wines and elaborate dishes don't really matter; but gentlemen seem to have a childlike innocence when it comes to food, and I like to make them happy—that is, when they exhibit the proper, respectful self-control of our excellent leaders. Sometimes I observe Moore to figure out what makes him happy; but he doesn't have that childlike simplicity. Have you ever discovered what he responds to, Caroline? You've spent more time with him than I have."
"It is not, at any rate, that of my uncle and Dr. Boultby," returned Caroline, smiling. She always felt a sort of shy pleasure in following Miss Keeldar's lead respecting the discussion of her cousin's character. Left to herself, she would never have touched on the subject; but when invited, the temptation of talking about him of whom she was ever thinking was irresistible. "But," she added, "I really don't know what it is, for I never watched Robert in my life but my scrutiny was presently baffled by finding he was watching me."
"It’s definitely not about my uncle and Dr. Boultby," Caroline replied with a smile. She always felt a bit shyly pleased to go along with Miss Keeldar when discussing her cousin's character. If she were on her own, she would never bring it up, but when invited, the urge to talk about him, the one she always thought about, was too strong to resist. "But," she added, "I honestly don't know what it is because every time I tried to observe Robert, I'd find that he was actually watching me."
"There it is!" exclaimed Shirley. "You can't fix your eyes on him but his presently flash on you. He is never off his guard. He won't give you an advantage. Even when he does not look at you, his thoughts seem to be busy amongst your own thoughts, tracing your words and actions to their source, contemplating your motives at his ease. Oh! I know that sort of character, or something in the same style. It is one that piques me singularly. How does it affect you?"
"There it is!" Shirley exclaimed. "You can't really focus on him, but his gaze is constantly on you. He's always alert. He won’t give you an edge. Even when he's not looking at you, it feels like his thoughts are engaged with yours, analyzing your words and actions, figuring out your motives at his leisure. Oh! I know that type of person, or something similar. It's one that really intrigues me. How does it make you feel?"
This question was a specimen of one of Shirley's sharp,[Pg 240] sudden turns. Caroline used to be fluttered by them at first, but she had now got into the way of parrying these home-thrusts like a little Quakeress.
This question was an example of one of Shirley's quick, unexpected changes. Caroline used to get flustered by them at first, but she had now learned to deflect these direct challenges like a little Quaker girl.
"Pique you? In what way does it pique you?" she said.
"Pique your interest? How does it do that?" she said.
"Here he comes!" suddenly exclaimed Shirley, breaking off, starting up and running to the window. "Here comes a diversion. I never told you of a superb conquest I have made lately—made at those parties to which I can never persuade you to accompany me; and the thing has been done without effort or intention on my part—that I aver. There is the bell—and, by all that's delicious! there are two of them. Do they never hunt, then, except in couples? You may have one, Lina, and you may take your choice. I hope I am generous enough. Listen to Tartar!"
"Here he comes!" Shirley suddenly shouted, stopping what she was doing, jumping up, and rushing to the window. "Here comes some excitement. I never told you about an amazing conquest I just made—at those parties I can never convince you to go to with me; and it happened without any effort or intention on my part, I swear. There’s the doorbell—and, oh wow! there are two of them. Do they always hunt in pairs? You can have one, Lina, and you can pick whichever one you want. I hope I’m generous enough. Listen to Tartar!"
The black-muzzled, tawny dog, a glimpse of which was seen in the chapter which first introduced its mistress to the reader, here gave tongue in the hall, amidst whose hollow space the deep bark resounded formidably. A growl more terrible than the bark, menacing as muttered thunder, succeeded.
The black-muzzled, tan dog, a brief glimpse of which was seen in the chapter that first introduced its owner to the reader, now barked loudly in the hall, where the deep sound echoed ominously. A growl more frightening than the bark followed, threatening like distant thunder.
"Listen!" again cried Shirley, laughing. "You would think that the prelude to a bloody onslaught. They will be frightened. They don't know old Tartar as I do. They are not aware his uproars are all sound and fury, signifying nothing!"
"Listen!" Shirley laughed again. "You would think this is the lead-up to a brutal attack. They'll be scared. They don’t know old Tartar like I do. They aren’t aware that his rants are just noise and anger, meaning nothing!"
Some bustle was heard. "Down, sir, down!" exclaimed a high-toned, imperious voice, and then came a crack of a cane or whip. Immediately there was a yell—a scutter—a run—a positive tumult.
Some noise could be heard. "Down, sir, down!" shouted a loud, commanding voice, and then there was a crack of a cane or whip. Instantly, there was a yell—a rush—a scramble—a complete chaos.
"O Malone, Malone!"
"O Malone, Malone!"
"Down! down! down!" cried the high voice.
"Down! down! down!" shouted the high voice.
"He really is worrying them!" exclaimed Shirley. "They have struck him. A blow is what he is not used to, and will not take."
"He really is making them anxious!" exclaimed Shirley. "They've hit him. A punch is something he's not familiar with, and he won't accept it."
Out she ran. A gentleman was fleeing up the oak staircase, making for refuge in the gallery or chambers in hot haste; another was backing fast to the stairfoot, wildly flourishing a knotty stick, at the same time reiterating, "Down! down! down!" while the tawny dog bayed, bellowed, howled at him, and a group of servants came bundling from the kitchen. The dog made a spring; the second gentleman turned tail and rushed after his comrade. The first was already safe in a bedroom; he held the door[Pg 241] against his fellow—nothing so merciless as terror. But the other fugitive struggled hard; the door was about to yield to his strength.
Out she ran. A man was rushing up the oak staircase, trying to find safety in the gallery or nearby rooms in a hurry; another was quickly retreating to the bottom of the stairs, wildly waving a thick stick and shouting, "Down! down! down!" while the brown dog barked, howled, and growled at him, and a group of servants hurried out from the kitchen. The dog lunged; the second man turned and sprinted after his friend. The first was already safe in a bedroom; he held the door[Pg241I'm here to help! Please provide the text you'd like me to modernize. against his companion—nothing is as ruthless as fear. But the other man fought hard; the door was about to give in to his strength.
"Gentlemen," was uttered in Miss Keeldar's silvery but vibrating tones, "spare my locks, if you please. Calm yourselves! Come down! Look at Tartar; he won't harm a cat."
"Gentlemen," Miss Keeldar said in her smooth but lively voice, "please don’t mess with my hair. Settle down! Come down! Look at Tartar; he won't hurt a thing."
She was caressing the said Tartar. He lay crouched at her feet, his fore paws stretched out, his tail still in threatening agitation, his nostrils snorting, his bulldog eyes conscious of a dull fire. He was an honest, phlegmatic, stupid, but stubborn canine character. He loved his mistress and John—the man who fed him—but was mostly indifferent to the rest of the world. Quiet enough he was, unless struck or threatened with a stick, and that put a demon into him at once.
She was stroking the mentioned dog. He was crouched at her feet, his front paws stretched out, his tail twitching nervously, his nostrils flaring, and his bulldog eyes showing a dull spark. He was an honest, calm, simple, yet stubborn dog. He adored his owner and John—the guy who fed him—but was mostly indifferent to everyone else. He was usually quiet unless he was hit or threatened with a stick, and that would instantly bring out a wild side in him.
"Mr. Malone, how do you do?" continued Shirley, lifting up her mirth-lit face to the gallery. "That is not the way to the oak parlour; that is Mrs. Pryor's apartment. Request your friend Mr. Donne to evacuate. I shall have the greatest pleasure in receiving him in a lower room."
"Mr. Malone, how are you?" Shirley said, looking up with a bright smile. "That’s not the way to the oak parlor; that’s Mrs. Pryor’s room. Please ask your friend Mr. Donne to leave. I would be happy to welcome him in a different room."
"Ha! ha!" cried Malone, in hollow laughter, quitting the door, and leaning over the massive balustrade. "Really that animal alarmed Donne. He is a little timid," he proceeded, stiffening himself, and walking trimly to the stairhead. "I thought it better to follow, in order to reassure him."
"Ha! ha!" laughed Malone, with a hollow sound, stepping away from the door and leaning over the heavy railing. "That animal really scared Donne. He’s a bit timid," he continued, straightening up and walking confidently to the top of the stairs. "I figured it was best to follow him to put his mind at ease."
"It appears you did. Well, come down, if you please.—John" (turning to her manservant), "go upstairs and liberate Mr. Donne.—Take care, Mr. Malone; the stairs are slippery."
"It looks like you did. Well, come down, if you don’t mind.—John" (turning to her servant), "go upstairs and let Mr. Donne out.—Be careful, Mr. Malone; the stairs are slippery."
In truth they were, being of polished oak. The caution came a little late for Malone. He had slipped already in his stately descent, and was only saved from falling by a clutch at the banisters, which made the whole structure creak again.
In reality, they were made of polished oak. The warning came a bit too late for Malone. He had already slipped during his grand descent and was only saved from falling by grabbing onto the banisters, which made the entire structure creak again.
Tartar seemed to think the visitor's descent effected with unwarranted éclat, and accordingly he growled once more. Malone, however, was no coward. The spring of the dog had taken him by surprise, but he passed him now in suppressed fury rather than fear. If a look could have strangled Tartar, he would have breathed no more. Forgetting politeness in his sullen rage, Malone pushed into the parlour before Miss Keeldar. He glanced at Miss Helstone;[Pg 242] he could scarcely bring himself to bend to her. He glared on both the ladies. He looked as if, had either of them been his wife, he would have made a glorious husband at the moment. In each hand he seemed as if he would have liked to clutch one and gripe her to death.
Tartar seemed to think the visitor's arrival was overly dramatic, and he growled again. Malone, however, wasn’t afraid. The dog's sudden attack had caught him off guard, but now he passed by the dog with suppressed anger instead of fear. If a glare could have killed Tartar, he wouldn’t be alive anymore. Forgetting his manners in his smoldering rage, Malone pushed into the parlor ahead of Miss Keeldar. He glanced at Miss Helstone; he could hardly bring himself to acknowledge her. He glared at both women. He looked as if, if either of them had been his wife, he would have made a magnificent husband at that moment. In each hand, it seemed he would have liked to grab one of them and squeeze her to death.
However, Shirley took pity. She ceased to laugh; and Caroline was too true a lady to smile even at any one under mortification. Tartar was dismissed; Peter Augustus was soothed—for Shirley had looks and tones that might soothe a very bull. He had sense to feel that, since he could not challenge the owner of the dog, he had better be civil. And civil he tried to be; and his attempts being well received, he grew presently very civil and quite himself again. He had come, indeed, for the express purpose of making himself charming and fascinating. Rough portents had met him on his first admission to Fieldhead; but that passage got over, charming and fascinating he resolved to be. Like March, having come in like a lion, he purposed to go out like a lamb.
However, Shirley felt sympathetic. She stopped laughing; and Caroline was too much of a lady to smile at anyone who was embarrassed. Tartar was sent away; Peter Augustus was calmed—because Shirley had a look and voice that could calm anyone, even a bull. He understood that since he couldn't confront the dog's owner, he should be polite. And he tried hard to be polite; his efforts were well received, and he soon became very polite and more like his usual self again. He had actually come with the specific goal of being charming and captivating. He faced some rough moments when he first arrived at Fieldhead; but once that was over, he was determined to be charming and captivating. Just like March, which comes in like a lion, he intended to leave like a lamb.
For the sake of air, as it appeared, or perhaps for that of ready exit in case of some new emergency arising, he took his seat,—not on the sofa, where Miss Keeldar offered him enthronization, nor yet near the fireside, to which Caroline, by a friendly sign, gently invited him, but on a chair close to the door. Being no longer sullen or furious, he grew, after his fashion, constrained and embarrassed. He talked to the ladies by fits and starts, choosing for topics whatever was most intensely commonplace. He sighed deeply, significantly, at the close of every sentence; he sighed in each pause; he sighed ere he opened his mouth. At last, finding it desirable to add ease to his other charms, he drew forth to aid him an ample silk pocket-handkerchief. This was to be the graceful toy with which his unoccupied hands were to trifle. He went to work with a certain energy. He folded the red-and-yellow square cornerwise; he whipped it open with a waft; again he folded it in narrower compass; he made of it a handsome band. To what purpose would he proceed to apply the ligature? Would he wrap it about his throat—his head? Should it be a comforter or a turban? Neither. Peter Augustus had an inventive, an original genius. He was about to show the ladies graces of action possessing at least the charm of novelty. He sat on the chair with his athletic Irish legs crossed, and these legs, in that attitude, he circled with the bandana and bound firmly together.[Pg 243] It was evident he felt this device to be worth an encore; he repeated it more than once. The second performance sent Shirley to the window, to laugh her silent but irrepressible laugh unseen; it turned Caroline's head aside, that her long curls might screen the smile mantling on her features. Miss Helstone, indeed, was amused by more than one point in Peter's demeanour. She was edified at the complete though abrupt diversion of his homage from herself to the heiress. The £5,000 he supposed her likely one day to inherit were not to be weighed in the balance against Miss Keeldar's estate and hall. He took no pains to conceal his calculations and tactics. He pretended to no gradual change of views; he wheeled about at once. The pursuit of the lesser fortune was openly relinquished for that of the greater. On what grounds he expected to succeed in his chase himself best knew; certainly not by skilful management.
For the sake of fresh air, or maybe just to have a quick escape in case something unexpected happened, he took his seat—not on the sofa, where Miss Keeldar offered him a throne, and not by the fireside, where Caroline gently invited him, but on a chair close to the door. No longer sulking or angry, he began to feel awkward and uncomfortable. He spoke to the ladies intermittently, picking the most ordinary topics. He sighed deeply and meaningfully at the end of every sentence, sighed during every pause, and sighed before he even opened his mouth. Finally, wanting to add some ease to his charm, he pulled out a large silk handkerchief. This was meant to be the graceful object for his idle hands to play with. He went to work with some energy. He folded the red-and-yellow square cornerwise, opened it with a flourish, folded it again into a smaller shape, and turned it into a stylish band. What would he do with this band? Would he wrap it around his neck or his head? Would it become a scarf or a turban? Neither. Peter Augustus had a creative, original flair. He was about to show the ladies some action that had at least a touch of novelty. He sat in the chair with his long Irish legs crossed, then wrapped the bandana around those legs and tied them together snugly. It was clear he thought this trick deserved another round; he repeated it several times. The second attempt sent Shirley to the window, stifling her laughter in private; it made Caroline turn her head away so her long curls could hide the smile spreading across her face. Miss Helstone found herself amused by more than one aspect of Peter's behavior. She noted the abrupt shift of his attention from her to the heiress. The £5,000 he thought she might inherit couldn’t compare to Miss Keeldar’s estate and mansion. He showed no effort to hide his calculations and intentions. He didn’t pretend that there had been a gradual shift in his views; he turned around immediately. He openly abandoned the pursuit of the lesser fortune for that of the greater. Only he knew why he expected to succeed in this chase; it certainly wasn’t through clever strategy.
From the length of time that elapsed, it appeared that John had some difficulty in persuading Mr. Donne to descend. At length, however, that gentleman appeared; nor, as he presented himself at the oak-parlour door, did he seem in the slightest degree ashamed or confused—not a whit. Donne, indeed, was of that coldly phlegmatic, immovably complacent, densely self-satisfied nature which is insensible to shame. He had never blushed in his life; no humiliation could abash him; his nerves were not capable of sensation enough to stir his life and make colour mount to his cheek; he had no fire in his blood and no modesty in his soul; he was a frontless, arrogant, decorous slip of the commonplace—conceited, inane, insipid; and this gentleman had a notion of wooing Miss Keeldar! He knew no more, however, how to set about the business than if he had been an image carved in wood. He had no idea of a taste to be pleased, a heart to be reached in courtship. His notion was, when he should have formally visited her a few times, to write a letter proposing marriage. Then he calculated she would accept him for love of his office; then they would be married; then he should be master of Fieldhead; and he should live very comfortably, have servants at his command, eat and drink of the best, and be a great man. You would not have suspected his intentions when he addressed his intended bride in an impertinent, injured tone—"A very dangerous dog that, Miss Keeldar. I wonder you should keep such an animal."
From the time that passed, it seemed that John had some trouble convincing Mr. Donne to come down. Eventually, though, that gentleman showed up; and as he stood in the oak-parlor doorway, he didn’t seem the least bit ashamed or flustered—not at all. Donne was, in fact, of that coldly indifferent, immovably self-satisfied type who is immune to embarrassment. He had never blushed in his life; no humiliation could faze him; his nerves weren’t sensitive enough to stir his emotions and make color rise to his cheeks; he lacked passion and modesty; he was a brazen, arrogant, decorous example of the ordinary—conceited, dull, uninspired; and this guy thought he could win Miss Keeldar's heart! He didn’t have a clue about how to go about it, as if he were a statue made of wood. He had no understanding of what it took to please someone, or how to connect emotionally when courting. His idea was that after formally visiting her a few times, he would write a letter proposing marriage. He figured she would accept him out of love for his job; then they would get married; then he would be in charge of Fieldhead; and he would live very comfortably, have servants at his beck and call, eat and drink well, and become a respected man. You wouldn’t have guessed his intentions when he spoke to his future bride in a rude, wounded tone—"A very dangerous dog that, Miss Keeldar. I wonder you keep such an animal."
[Pg 244]"Do you, Mr. Donne? Perhaps you will wonder more when I tell you I am very fond of him."
[Pg244]"Do you, Mr. Donne? You might be more surprised when I say that I really like him."
"I should say you are not serious in the assertion. Can't fancy a lady fond of that brute—'tis so ugly—a mere carter's dog. Pray hang him."
"I have to say you can’t be serious about that. I can’t imagine a lady being fond of that ugly brute—it’s just a common cart dog. Please, get rid of him."
"Hang what I am fond of!"
"Forget what I enjoy!"
"And purchase in his stead some sweetly pooty pug or poodle—something appropriate to the fair sex. Ladies generally like lap-dogs."
"And buy instead a cute little pug or poodle—something suitable for a lady. Women usually like lap dogs."
"Perhaps I am an exception."
"Maybe I'm the exception."
"Oh, you can't be, you know. All ladies are alike in those matters. That is universally allowed."
"Oh, you can't be serious. All women are the same when it comes to that. Everyone agrees on that."
"Tartar frightened you terribly, Mr. Donne. I hope you won't take any harm."
"Tartar really scared you, Mr. Donne. I hope you're okay."
"That I shall, no doubt. He gave me a turn I shall not soon forget. When I sor him" (such was Mr. Donne's pronunciation) "about to spring, I thought I should have fainted."
"Absolutely, I won’t forget it anytime soon. He gave me such a scare. When I sor him" (that’s how Mr. Donne pronounced it) "getting ready to leap, I honestly thought I might faint."
"Perhaps you did faint in the bedroom; you were a long time there."
"Maybe you did pass out in the bedroom; you were in there for quite a while."
"No; I bore up that I might hold the door fast. I was determined not to let any one enter. I thought I would keep a barrier between me and the enemy."
"No; I braced myself to keep the door secure. I was set on not letting anyone in. I figured I would maintain a barrier between myself and the enemy."
"But what if your friend Mr. Malone had been worried?"
"But what if your friend Mr. Malone had been concerned?"
"Malone must take care of himself. Your man persuaded me to come out at last by saying the dog was chained up in his kennel. If I had not been assured of this, I would have remained all day in the chamber. But what is that? I declare the man has told a falsehood! The dog is there!"
"Malone needs to look after himself. Your guy finally convinced me to come out by saying the dog was chained up in its kennel. If I hadn’t been assured of that, I would have stayed in the room all day. But what’s this? I swear the guy lied! The dog is right there!"
And indeed Tartar walked past the glass door opening to the garden, stiff, tawny, and black-muzzled as ever. He still seemed in bad humour. He was growling again, and whistling a half-strangled whistle, being an inheritance from the bulldog side of his ancestry.
And sure enough, Tartar walked by the glass door leading to the garden, as stiff, tan, and black-muzzled as ever. He still looked grumpy. He was growling again and letting out a half-choked whistle, a trait he inherited from his bulldog ancestors.
"There are other visitors coming," observed Shirley, with that provoking coolness which the owners of formidable-looking dogs are apt to show while their animals are all bristle and bay. Tartar sprang down the pavement towards the gate, bellowing avec explosion. His mistress quietly opened the glass door, and stepped out chirruping to him. His bellow was already silenced, and he was lifting up his huge, blunt, stupid head to the new callers to be patted.
"There are other visitors coming," Shirley noted with the kind of calm confidence that people with intimidating dogs often have while their pets are barking and growling. Tartar leaped off the pavement and ran toward the gate, barking loudly. His owner calmly opened the glass door and stepped outside, calling out to him. His barking had already stopped, and he was raising his large, dull head to greet the new arrivals, hoping to be petted.
[Pg 245]"What! Tartar, Tartar!" said a cheery, rather boyish voice, "don't you know us? Good-morning, old boy!"
[Pg245I'm sorry, but I cannot assist without text to modernize. Please provide the phrases you would like me to work on.“What! Tartar, Tartar!” said a cheerful, somewhat boyish voice, “don’t you recognize us? Good morning, old friend!”
And little Mr. Sweeting, whose conscious good nature made him comparatively fearless of man, woman, child, or brute, came through the gate, caressing the guardian. His vicar, Mr. Hall, followed. He had no fear of Tartar either, and Tartar had no ill-will to him. He snuffed both the gentlemen round, and then, as if concluding that they were harmless, and might be allowed to pass, he withdrew to the sunny front of the hall, leaving the archway free. Mr. Sweeting followed, and would have played with him; but Tartar took no notice of his caresses. It was only his mistress's hand whose touch gave him pleasure; to all others he showed himself obstinately insensible.
And little Mr. Sweeting, whose good nature made him pretty fearless of anyone—man, woman, child, or animal—came through the gate, petting the guardian. His vicar, Mr. Hall, followed him. He wasn’t afraid of Tartar either, and Tartar didn’t have any ill feelings towards him. Tartar sniffed both gentlemen, then concluded they were harmless and allowed them to pass, retreating to the sunny front of the hall and leaving the archway clear. Mr. Sweeting followed and would have played with him, but Tartar ignored his affection. The only touch that brought him joy was from his mistress; he remained stubbornly indifferent to everyone else.
Shirley advanced to meet Messrs. Hall and Sweeting, shaking hands with them cordially. They were come to tell her of certain successes they had achieved that morning in applications for subscriptions to the fund. Mr. Hall's eyes beamed benignantly through his spectacles, his plain face looked positively handsome with goodness; and when Caroline, seeing who was come, ran out to meet him, and put both her hands into his, he gazed down on her with a gentle, serene, affectionate expression that gave him the aspect of a smiling Melanchthon.
Shirley stepped forward to greet Messrs. Hall and Sweeting, shaking their hands warmly. They had come to share some successes they achieved that morning in securing subscriptions for the fund. Mr. Hall's eyes shone kindly behind his glasses, and his simple face looked genuinely handsome with kindness; when Caroline, seeing who had arrived, rushed out to meet him and placed both her hands in his, he looked down at her with a gentle, calm, affectionate expression that made him resemble a smiling Melanchthon.
Instead of re-entering the house, they strayed through the garden, the ladies walking one on each side of Mr. Hall. It was a breezy sunny day; the air freshened the girls' cheeks and gracefully dishevelled their ringlets. Both of them looked pretty—one gay. Mr. Hall spoke oftenest to his brilliant companion, looked most frequently at the quiet one. Miss Keeldar gathered handfuls of the profusely blooming flowers whose perfume filled the enclosure. She gave some to Caroline, telling her to choose a nosegay for Mr. Hall; and with her lap filled with delicate and splendid blossoms, Caroline sat down on the steps of a summer-house. The vicar stood near her, leaning on his cane.
Instead of going back into the house, they wandered through the garden, the ladies walking on either side of Mr. Hall. It was a breezy, sunny day; the fresh air brightened the girls' cheeks and playfully tousled their curls. Both of them looked lovely—one cheerful. Mr. Hall talked the most to his vibrant companion but glanced more often at the quieter one. Miss Keeldar gathered handfuls of the brightly blooming flowers whose fragrance filled the space. She handed some to Caroline, suggesting she pick a bouquet for Mr. Hall; with her lap full of delicate and beautiful blooms, Caroline settled down on the steps of a summer house. The vicar stood nearby, leaning on his cane.
Shirley, who could not be inhospitable, now called out the neglected pair in the oak parlour. She convoyed Donne past his dread enemy Tartar, who, with his nose on his fore paws, lay snoring under the meridian sun. Donne was not grateful—he never was grateful for kindness and attention—but he was glad of the safeguard. Miss Keeldar, desirous of being impartial, offered the curates flowers. They accepted[Pg 246] them with native awkwardness. Malone seemed specially at a loss, when a bouquet filled one hand, while his shillelah occupied the other. Donne's "Thank you!" was rich to hear. It was the most fatuous and arrogant of sounds, implying that he considered this offering a homage to his merits, and an attempt on the part of the heiress to ingratiate herself into his priceless affections. Sweeting alone received the posy like a smart, sensible little man, as he was, putting it gallantly and nattily into his buttonhole.
Shirley, who couldn't be rude, now called out to the neglected pair in the oak parlor. She guided Donne past his dreaded enemy Tartar, who lay snoring under the midday sun with his nose resting on his paws. Donne wasn't grateful—he never was for kindness and attention—but he appreciated the protection. Miss Keeldar, wanting to be fair, offered the curates some flowers. They accepted[Pg246It seems like there may have been a mistake in your request as there are no phrases provided. Please provide a short piece of text for me to modernize. them awkwardly. Malone seemed particularly confused, with a bouquet in one hand and his shillelagh in the other. Donne's "Thank you!" was rich with meaning. It sounded both foolish and arrogant, suggesting he saw this gesture as a tribute to his worth and an attempt by the heiress to win his priceless affections. Sweeting, on the other hand, accepted the flowers like the clever little man he was, elegantly placing them into his buttonhole.
As a reward for his good manners, Miss Keeldar, beckoning him apart, gave him some commission, which made his eyes sparkle with glee. Away he flew, round by the courtyard to the kitchen. No need to give him directions; he was always at home everywhere. Ere long he reappeared, carrying a round table, which he placed under the cedar; then he collected six garden-chairs from various nooks and bowers in the grounds, and placed them in a circle. The parlour-maid—Miss Keeldar kept no footman—came out, bearing a napkin-covered tray. Sweeting's nimble fingers aided in disposing glasses, plates, knives, and forks; he assisted her too in setting forth a neat luncheon, consisting of cold chicken, ham, and tarts.
As a reward for his good manners, Miss Keeldar waved him over and assigned him a task that made his eyes light up with excitement. He dashed off around the courtyard to the kitchen. He knew exactly where to go without needing directions; he felt at home everywhere. Soon, he came back with a round table, which he set up under the cedar tree; then he gathered six garden chairs from different spots around the grounds and arranged them in a circle. The parlour maid—since Miss Keeldar didn’t have a footman—came out with a tray covered with a napkin. Sweeting’s quick hands helped her arrange glasses, plates, knives, and forks; he also helped set up a tidy lunch featuring cold chicken, ham, and tarts.
This sort of impromptu regale it was Shirley's delight to offer any chance guests; and nothing pleased her better than to have an alert, obliging little friend, like Sweeting, to run about her hand, cheerily receive and briskly execute her hospitable hints. David and she were on the best terms in the world; and his devotion to the heiress was quite disinterested, since it prejudiced in nothing his faithful allegiance to the magnificent Dora Sykes.
This kind of spontaneous entertainment was Shirley's joy to provide for any unexpected guests; and nothing made her happier than having an attentive, helpful little friend like Sweeting to dart around her hand, eagerly take her friendly suggestions, and quickly put them into action. David and she were on the best of terms; and his devotion to the heiress was completely selfless, as it did not affect his loyal commitment to the impressive Dora Sykes.
The repast turned out a very merry one. Donne and Malone, indeed, contributed but little to its vivacity, the chief part they played in it being what concerned the knife, fork, and wine-glass; but where four such natures as Mr. Hall, David Sweeting, Shirley, and Caroline were assembled in health and amity, on a green lawn, under a sunny sky, amidst a wilderness of flowers, there could not be ungenial dullness.
The meal ended up being quite cheerful. Donne and Malone really didn’t add much to the fun; their main role was just handling the knife, fork, and wine glass. But with four lively personalities like Mr. Hall, David Sweeting, Shirley, and Caroline gathered together in good health and friendship on a green lawn, under a sunny sky, surrounded by a sea of flowers, there was no way it could be boring.
In the course of conversation Mr. Hall reminded the ladies that Whitsuntide was approaching, when the grand united Sunday-school tea-drinking and procession of the three parishes of Briarfield, Whinbury, and Nunnely were to take place. Caroline, he knew, would be at her post as teacher,[Pg 247] he said, and he hoped Miss Keeldar would not be wanting. He hoped she would make her first public appearance amongst them at that time. Shirley was not the person to miss an occasion of this sort. She liked festive excitement, a gathering of happiness, a concentration and combination of pleasant details, a throng of glad faces, a muster of elated hearts. She told Mr. Hall they might count on her with security. She did not know what she would have to do, but they might dispose of her as they pleased.
During the conversation, Mr. Hall reminded the ladies that Whitsuntide was coming up, which meant the big united Sunday-school tea and parade of the three parishes—Briarfield, Whinbury, and Nunnely—would be happening. He knew Caroline would be at her post as a teacher, and he hoped Miss Keeldar would join them too. He was looking forward to her making her first public appearance at that time. Shirley wasn’t the type to miss an event like this. She enjoyed the festive energy, a gathering of joy, the combination of nice details, a crowd of happy faces, and a collection of excited hearts. She assured Mr. Hall they could count on her for sure. She wasn’t sure what her role would be, but they could assign her as they saw fit.
"And," said Caroline, "you will promise to come to my table, and to sit near me, Mr. Hall?"
"And," Caroline said, "you will promise to come to my table and sit close to me, Mr. Hall?"
"I shall not fail, Deo volente," said he.—"I have occupied the place on her right hand at these monster tea-drinkings for the last six years," he proceeded, turning to Miss Keeldar. "They made her a Sunday-school teacher when she was a little girl of twelve. She is not particularly self-confident by nature, as you may have observed; and the first time she had to 'take a tray,' as the phrase is, and make tea in public, there was some piteous trembling and flushing. I observed the speechless panic, the cups shaking in the little hand, and the overflowing teapot filled too full from the urn. I came to her aid, took a seat near her, managed the urn and the slop-basin, and in fact made the tea for her like any old woman."
"I won't fail, God willing," he said. "I've been sitting on her right side at these huge tea gatherings for the last six years," he continued, turning to Miss Keeldar. "They made her a Sunday school teacher when she was just twelve. She's not exactly very confident by nature, as you might have noticed; and the first time she had to 'serve tea,' as they say, she was shaking and blushing a lot. I could see the panic on her face, the cups trembling in her little hand, and the teapot overflowing because she filled it too much from the urn. I stepped in to help her, took a seat next to her, managed the urn and the slop basin, and pretty much made the tea for her like some old lady."
"I was very grateful to you," interposed Caroline.
"I really appreciated what you did," Caroline interrupted.
"You were. You told me so with an earnest sincerity that repaid me well, inasmuch as it was not like the majority of little ladies of twelve, whom you may help and caress for ever without their evincing any quicker sense of the kindness done and meant than if they were made of wax and wood instead of flesh and nerves.—She kept close to me, Miss Keeldar, the rest of the evening, walking with me over the grounds where the children were playing; she followed me into the vestry when all were summoned into church; she would, I believe, have mounted with me to the pulpit, had I not taken the previous precaution of conducting her to the rectory pew."
"You were. You told me so with a sincerity that really impressed me, especially since it was different from most twelve-year-old girls, who you can help and hug forever without showing any real appreciation for the kindness, as if they were made of wax and wood instead of flesh and nerves. She stayed close to me, Miss Keeldar, for the rest of the evening, walking with me around the grounds where the kids were playing; she followed me into the vestry when everyone was called into church; I believe she would have come up to the pulpit with me if I hadn't taken the precaution of leading her to the rectory pew first."
"And he has been my friend ever since," said Caroline.
"And he's been my friend ever since," Caroline said.
"And always sat at her table, near her tray, and handed the cups—that is the extent of my services. The next thing I do for her will be to marry her some day to some curate or mill-owner.—But mind, Caroline, I shall inquire about the bridegroom's character; and if he is not a gentleman likely to render happy the little girl who walked with[Pg 248] me hand in hand over Nunnely Common, I will not officiate. So take care."
"And I always sat at her table, close to her tray, and handed her the cups—that's all I've done for her. The next thing I’ll do is marry her off to some curate or mill-owner someday. But listen, Caroline, I’ll check out the groom’s character first; if he’s not a gentleman who can make the little girl who walked hand in hand with me over Nunnely Common happy, I won’t go through with it. So be careful."
"The caution is useless. I am not going to be married. I shall live single, like your sister Margaret, Mr. Hall."
"The caution is pointless. I’m not going to get married. I’ll stay single, like your sister Margaret, Mr. Hall."
"Very well. You might do worse. Margaret is not unhappy. She has her books for a pleasure, and her brother for a care, and is content. If ever you want a home, if the day should come when Briarfield rectory is yours no longer, come to Nunnely vicarage. Should the old maid and bachelor be still living, they will make you tenderly welcome."
"That's fine. You could do worse. Margaret is doing okay. She has her books for enjoyment and her brother to look after, and she's happy. If you ever need a place to stay, if the day comes when you no longer have Briarfield rectory, come to Nunnely vicarage. If the old maid and bachelor are still around, they'll welcome you warmly."
"There are your flowers. Now," said Caroline, who had kept the nosegay she had selected for him till this moment, "you don't care for a bouquet, but you must give it to Margaret; only—to be sentimental for once—keep that little forget-me-not, which is a wild flower I gathered from the grass; and—to be still more sentimental—let me take two or three of the blue blossoms and put them in my souvenir."
"There are your flowers. Now," said Caroline, who had held onto the bouquet she picked for him until now, "you don't care for a bouquet, but you have to give it to Margaret; just—if we're being sentimental for a moment—keep that little forget-me-not, which is a wildflower I picked from the grass; and—if we’re getting even more sentimental—let me take two or three of the blue blossoms and put them in my keepsake."
And she took out a small book with enamelled cover and silver clasp, wherein, having opened it, she inserted the flowers, writing round them in pencil, "To be kept for the sake of the Rev. Cyril Hall, my friend. May —, 18—."
And she pulled out a small book with an enameled cover and silver clasp. After opening it, she placed the flowers inside and wrote around them in pencil, "To be kept in memory of Rev. Cyril Hall, my friend. May —, 18—."
The Rev. Cyril Hall, on his part, also placed a sprig in safety between the leaves of a pocket Testament. He only wrote on the margin, "Caroline."
The Rev. Cyril Hall also tucked a small branch safely between the pages of a pocket Bible. He only wrote in the margin, "Caroline."
"Now," said he, smiling, "I trust we are romantic enough. Miss Keeldar," he continued (the curates, by-the-bye, during this conversation, were too much occupied with their own jokes to notice what passed at the other end of the table), "I hope you are laughing at this trait of 'exaltation' in the old gray-headed vicar; but the fact is, I am so used to comply with the requests of this young friend of yours, I don't know how to refuse her when she tells me to do anything. You would say it is not much in my way to traffic with flowers and forget-me-nots; but, you see, when requested to be sentimental, I am obedient."
"Now," he said, smiling, "I hope we’re romantic enough. Miss Keeldar," he continued (the curates, by the way, were too busy with their own jokes to notice what was happening at the other end of the table), "I hope you’re laughing at this trait of 'exaltation' in the old gray-haired vicar; but the truth is, I’m so used to going along with your young friend’s requests that I don’t know how to say no when she asks me to do something. You might think it’s not really my style to deal in flowers and forget-me-nots; but, you see, when I’m asked to be sentimental, I comply."
"He is naturally rather sentimental," remarked Caroline. "Margaret told me so, and I know what pleases him."
"He’s really quite sentimental," Caroline said. "Margaret mentioned it, and I know what makes him happy."
"That you should be good and happy? Yes; that is one of my greatest pleasures. May God long preserve to you the blessings of peace and innocence! By which phrase I mean comparative innocence; for in His sight, I am well aware, none are pure. What to our human perceptions[Pg 249] looks spotless as we fancy angels, is to Him but frailty, needing the blood of His Son to cleanse, and the strength of His Spirit to sustain. Let us each and all cherish humility—I, as you, my young friends; and we may well do it when we look into our own hearts, and see there temptations, inconsistencies, propensities, even we blush to recognize. And it is not youth, nor good looks, nor grace, nor any gentle outside charm which makes either beauty or goodness in God's eyes.—Young ladies, when your mirror or men's tongues flatter you, remember that, in the sight of her Maker, Mary Ann Ainley—a woman whom neither glass nor lips have ever panegyrized—is fairer and better than either of you. She is indeed," he added, after a pause—"she is indeed. You young things, wrapt up in yourselves and in earthly hopes, scarcely live as Christ lived. Perhaps you cannot do it yet, while existence is so sweet and earth so smiling to you; it would be too much to expect. She, with meek heart and due reverence, treads close in her Redeemer's steps."
"Should you be good and happy? Yes; that’s one of my biggest joys. May God long grant you the blessings of peace and innocence! By that, I mean comparative innocence; because in His sight, I know that none are pure. What seems flawless to us, like how we imagine angels, is just weakness to Him, needing the blood of His Son to cleanse us, and the strength of His Spirit to support us. Let’s all embrace humility—I, like you, my young friends; and we can definitely do this when we look into our own hearts and see temptations, inconsistencies, and weaknesses that even we blush to acknowledge. It’s not youth, good looks, grace, or any gentle outer charm that makes beauty or goodness in God's eyes. —Young ladies, when your mirror or men's compliments flatter you, remember that, in the sight of her Creator, Mary Ann Ainley—a woman whom neither mirrors nor lips have ever praised—is fairer and better than either of you. She truly is," he added after a pause—"she truly is. You young things, wrapped up in yourselves and in worldly hopes, hardly live as Christ lived. Maybe you can’t do it yet, while life feels so sweet and the world looks so bright to you; it would be too much to expect. She, with a humble heart and proper reverence, follows closely in her Redeemer's footsteps."
Here the harsh voice of Donne broke in on the mild tones of Mr. Hall. "Ahem!" he began, clearing his throat evidently for a speech of some importance—"ahem! Miss Keeldar, your attention an instant, if you please."
Here, Donne's harsh voice interrupted Mr. Hall's gentle tones. "Ahem!" he started, clearing his throat as if preparing for an important speech—"ahem! Miss Keeldar, may I have your attention for a moment, please?"
"Well," said Shirley nonchalantly, "what is it? I listen. All of me is ear that is not eye."
"Well," Shirley said casually, "what's up? I'm all ears and no eyes."
"I hope part of you is hand also," returned Donne, in his vulgarly presumptuous and familiar style, "and part purse. It is to the hand and purse I propose to appeal. I came here this morning with a view to beg of you——"
"I hope part of you is hand too," replied Donne, in his typically bold and casual way, "and part wallet. It's to the hand and wallet I plan to appeal. I came here this morning to ask you——"
"You should have gone to Mrs. Gill; she is my almoner."
"You should have gone to Mrs. Gill; she handles my donations."
"To beg of you a subscription to a school. I and Dr. Boultby intend to erect one in the hamlet of Ecclefigg, which is under our vicarage of Whinbury. The Baptists have got possession of it. They have a chapel there, and we want to dispute the ground."
"Please consider subscribing to a school. Dr. Boultby and I plan to set one up in the hamlet of Ecclefigg, which falls under our vicarage of Whinbury. The Baptists have taken over; they have a chapel there, and we want to challenge their claim."
"But I have nothing to do with Ecclefigg. I possess no property there."
"But I have nothing to do with Ecclefigg. I don't own any property there."
"What does that signify? You're a churchwoman, ain't you?"
"What does that mean? You're a church person, right?"
"Admirable creature!" muttered Shirley, under her breath. "Exquisite address! Fine style! What raptures he excites in me!" Then aloud, "I am a churchwoman, certainly."
"Admirable creature!" Shirley muttered quietly to herself. "Exquisite manners! Great style! He fills me with such joy!" Then she said out loud, "I’m definitely a churchwoman."
"Then you can't refuse to contribute in this case. The[Pg 250] population of Ecclefigg are a parcel of brutes; we want to civilize them."
"Then you can't refuse to help out in this situation. The[Pg250I cannot assist you with that. population of Ecclefigg are a bunch of animals; we need to make them more civilized."
"Who is to be the missionary?"
"Who is going to be the missionary?"
"Myself, probably."
"Me, probably."
"You won't fail through lack of sympathy with your flock."
"You won't fail because you don't care about your group."
"I hope not—I expect success; but we must have money. There is the paper. Pray give a handsome sum."
"I really hope not—I’m counting on success; but we need money. Here’s the paper. Please give a generous amount."
When asked for money, Shirley rarely held back. She put down her name for £5. After the £300 she had lately given, and the many smaller sums she was giving constantly, it was as much as she could at present afford. Donne looked at it, declared the subscription "shabby," and clamorously demanded more. Miss Keeldar flushed up with some indignation and more astonishment.
When asked for money, Shirley rarely hesitated. She signed up for £5. After the £300 she had recently donated, along with the many smaller amounts she was always giving, it was about all she could currently manage. Donne looked at it, called the subscription "cheap," and loudly demanded more. Miss Keeldar felt a surge of indignation and surprise.
"At present I shall give no more," said she.
"Right now, I won't give any more," she said.
"Not give more! Why, I expected you to head the list with a cool hundred. With your property, you should never put down a signature for less."
"Don't hold back! I honestly thought you'd be at the top of the list with a solid hundred. With your assets, you should never sign for anything less."
She was silent.
She didn't say anything.
"In the south," went on Donne, "a lady with a thousand a year would be ashamed to give five pounds for a public object."
"In the south," Donne continued, "a woman making a thousand a year would be embarrassed to spend five pounds on a public object."
Shirley, so rarely haughty, looked so now. Her slight frame became nerved; her distinguished face quickened with scorn.
Shirley, who was seldom arrogant, looked that way now. Her delicate frame tensed up; her refined face lit up with disdain.
"Strange remarks?" said she—"most inconsiderate! Reproach in return for bounty is misplaced."
"Strange comments?" she said. "That's pretty thoughtless! It's wrong to respond to generosity with blame."
"Bounty! Do you call five pounds bounty?"
"Bounty! Is five pounds what you consider bounty?"
"I do; and bounty which, had I not given it to Dr. Boultby's intended school, of the erection of which I approve, and in no sort to his curate, who seems ill-advised in his manner of applying for, or rather extorting, subscriptions—bounty, I repeat, which, but for this consideration, I should instantly reclaim."
"I do; and the donation that, if I hadn't given it to Dr. Boultby's planned school, which I support, I wouldn't give to his curate, who seems misguided in how he asks for, or rather demands, donations—donation, I say again, that, but for this reason, I would immediately take back."
Donne was thick-skinned. He did not feel all or half that the tone, air, glance of the speaker expressed. He knew not on what ground he stood.
Donne was tough. He didn’t really feel everything or even half of what the speaker's tone, attitude, or glance conveyed. He had no idea what his position was.
"Wretched place this Yorkshire," he went on. "I could never have formed an idear of the country had I not seen it. And the people—rich and poor—what a set! How corse and uncultivated! They would be scouted in the south."
"Wretched place this Yorkshire," he continued. "I could never have imagined the region if I hadn't seen it. And the people—rich and poor—what a bunch! How coarse and uncultured! They would be looked down upon in the south."
Shirley leaned forwards on the table, her nostrils dilating[Pg 251] a little, her taper fingers interlaced and compressing each other hard.
Shirley leaned forward on the table, her nostrils slightly flaring[Pg251I'm sorry, but I don't see any phrases to modernize. Please provide a short piece of text, and I'll be happy to assist!, her slender fingers intertwined and pressing tightly against one another.
"The rich," pursued the infatuated and unconscious Donne, "are a parcel of misers, never living as persons with their incomes ought to live. You scarsley"—(you must excuse Mr. Donne's pronunciation, reader; it was very choice; he considered it genteel, and prided himself on his southern accent; northern ears received with singular sensations his utterance of certain words)—"you scarsley ever see a fam'ly where a propa carriage or a reg'la butla is kep; and as to the poor—just look at them when they come crowding about the church doors on the occasion of a marriage or a funeral, clattering in clogs; the men in their shirt-sleeves and wool-combers' aprons, the women in mob-caps and bed-gowns. They positively deserve that one should turn a mad cow in amongst them to rout their rabble-ranks. He-he! what fun it would be!"
"The rich," continued the smitten and unaware Donne, "are just a bunch of miserly people, never actually living like they should given their incomes. You barely"—(you'll have to forgive Mr. Donne's way of speaking, reader; it was very refined; he thought it was classy, and he took pride in his southern accent; northern ears reacted quite strangely to his pronunciation of certain words)—"you barely ever see a family where a proper carriage or a regular butler is kept; and as for the poor—just look at them when they crowd around the church doors for a wedding or a funeral, clattering in their wooden shoes; the men in their shirt sleeves and wool workers' aprons, the women in mob caps and nightgowns. They really deserve to have a mad cow let loose among them to scatter their crowd. Ha-ha! What a laugh that would be!"
"There! you have reached the climax," said Shirley quietly. "You have reached the climax," she repeated, turning her glowing glance towards him. "You cannot go beyond it, and," she added with emphasis, "you shall not, in my house."
"There! You've reached the climax," Shirley said softly. "You've reached the climax," she repeated, shifting her bright gaze to him. "You can't go beyond this, and," she added with emphasis, "you won't, in my house."
Up she rose—nobody could control her now, for she was exasperated—straight she walked to her garden gates, wide she flung them open.
Up she went—no one could hold her back now, because she was fed up—she walked straight to her garden gates and flung them open wide.
"Walk through," she said austerely, "and pretty quickly, and set foot on this pavement no more."
"Walk through," she said sternly, "and do it quickly, and don't step on this pavement again."
Donne was astounded. He had thought all the time he was showing himself off to high advantage, as a lofty-souled person of the first "ton;" he imagined he was producing a crushing impression. Had he not expressed disdain of everything in Yorkshire? What more conclusive proof could be given that he was better than anything there? And yet here was he about to be turned like a dog out of a Yorkshire garden! Where, under such circumstances, was the "concatenation accordingly"?
Donne was shocked. He had believed all along that he was presenting himself in the best light, as a sophisticated person of the highest class; he thought he was making a strong impression. Hadn't he shown his disdain for everything in Yorkshire? What more convincing proof could there be that he was superior to anything there? And yet here he was, about to be kicked out like a dog from a Yorkshire garden! Where, in such a situation, was the justification for that?
"Rid me of you instantly—instantly!" reiterated Shirley, as he lingered.
"Get away from me right now—right now!" Shirley repeated as he hesitated.
"Madam—a clergyman! turn out a clergyman!"
"Madam—a pastor! Get rid of a pastor!"
"Off! Were you an archbishop you have proved yourself no gentleman, and must go. Quick!"
"Get out! If you were an archbishop, you’ve shown you’re no gentleman and need to leave. Hurry!"
She was quite resolved. There was no trifling with her. Besides, Tartar was again rising; he perceived symptoms of a commotion; he manifested a disposition to join in.[Pg 252] There was evidently nothing for it but to go, and Donne made his exodus, the heiress sweeping him a deep curtsy as she closed the gates on him.
She was very determined. There was no messing around with her. Besides, Tartar was getting restless again; he noticed signs of trouble and showed a desire to get involved. [Pg252I'm sorry, but it seems there was no text provided for modernization. Please provide a phrase for me to work on. It was clear that the only option was to leave, and Donne left while the heiress gave him a deep curtsy as she shut the gates behind him.
"How dare the pompous priest abuse his flock! How dare the lisping cockney revile Yorkshire!" was her sole observation on the circumstance, as she returned to the table.
"How dare that arrogant priest mistreat his congregation! How dare that lisping Cockney insult Yorkshire!" was her only comment on the situation as she went back to the table.
Ere long the little party broke up; Miss Keeldar's ruffled and darkened brow, curled lip, and incensed eye gave no invitation to further social enjoyment.[Pg 253]
Soon, the small group dispersed; Miss Keeldar's furrowed brow, curled lip, and angry eyes offered no encouragement for any more socializing.[Pg253I'm here to help, but it seems there isn't any text provided for me to modernize. Please provide a short phrase for me to work on.
CHAPTER XVI.
WHITSUNTIDE.
The fund prospered. By dint of Miss Keeldar's example, the three rectors' vigorous exertions, and the efficient though quiet aid of their spinster and spectacled lieutenants, Mary Ann Ainley and Margaret Hall, a handsome sum was raised; and this being judiciously managed, served for the present greatly to alleviate the distress of the unemployed poor. The neighbourhood seemed to grow calmer. For a fortnight past no cloth had been destroyed; no outrage on mill or mansion had been committed in the three parishes. Shirley was sanguine that the evil she wished to avert was almost escaped, that the threatened storm was passing over. With the approach of summer she felt certain that trade would improve—it always did; and then this weary war could not last for ever; peace must return one day. With peace, what an impulse would be given to commerce!
The fund thrived. Thanks to Miss Keeldar's leadership, the strong efforts of the three rectors, and the effective yet quiet support from their spinster and glasses-wearing assistants, Mary Ann Ainley and Margaret Hall, a significant amount was raised; and this was wisely managed to greatly ease the suffering of the unemployed poor for the time being. The community seemed to calm down. For two weeks, no cloth had been damaged; no attacks on mills or mansions had occurred in the three parishes. Shirley felt hopeful that the trouble she aimed to prevent was nearly over, that the looming crisis was passing. With summer approaching, she was sure that trade would improve—it always did; and this exhausting war couldn't last forever; peace would return one day. With peace, what a boost it would give to commerce!
Such was the usual tenor of her observations to her tenant, Gérard Moore, whenever she met him where they could converse; and Moore would listen very quietly—too quietly to satisfy her. She would then by her impatient glance demand something more from him—some explanation, or at least some additional remark. Smiling in his way, with that expression which gave a remarkable cast of sweetness to his mouth, while his brow remained grave, he would answer to the effect that himself too trusted in the finite nature of the war; that it was indeed on that ground the anchor of his hopes was fixed; thereon his speculations depended. "For you are aware," he would continue, "that I now work Hollow's Mill entirely on speculation. I sell nothing; there is no market for my goods. I manufacture for a future day. I make myself ready to take advantage of the first opening that shall occur. Three months ago this was impossible to me; I had exhausted both credit and capital. You well know who came to my rescue, from what hand I received the loan[Pg 254] which saved me. It is on the strength of that loan I am enabled to continue the bold game which, a while since, I feared I should never play more. Total ruin I know will follow loss, and I am aware that gain is doubtful; but I am quite cheerful. So long as I can be active, so long as I can strive, so long, in short, as my hands are not tied, it is impossible for me to be depressed. One year—nay, but six months—of the reign of the olive, and I am safe; for, as you say, peace will give an impulse to commerce. In this you are right; but as to the restored tranquillity of the neighbourhood, as to the permanent good effect of your charitable fund, I doubt. Eleemosynary relief never yet tranquillized the working-classes—it never made them grateful; it is not in human nature that it should. I suppose, were all things ordered aright, they ought not to be in a position to need that humiliating relief; and this they feel. We should feel it were we so placed. Besides, to whom should they be grateful? To you, to the clergy perhaps, but not to us mill-owners. They hate us worse than ever. Then the disaffected here are in correspondence with the disaffected elsewhere. Nottingham is one of their headquarters, Manchester another, Birmingham a third. The subalterns receive orders from their chiefs; they are in a good state of discipline; no blow is struck without mature deliberation. In sultry weather you have seen the sky threaten thunder day by day, and yet night after night the clouds have cleared, and the sun has set quietly; but the danger was not gone—it was only delayed. The long-threatening storm is sure to break at last. There is analogy between the moral and physical atmosphere."
This was usually the way she talked to her tenant, Gérard Moore, whenever she encountered him where they could chat; and Moore would listen very quietly—too quietly for her liking. She would then shoot him an impatient look, demanding something more from him—some explanation, or at least a few additional comments. With a smile that added a sweet touch to his mouth while his brow stayed serious, he would respond, saying he also believed in the limited nature of the war; that it was indeed on that basis his hopes were anchored; his thoughts depended on that. "As you know," he would continue, "I'm currently running Hollow's Mill entirely on speculation. I’m selling nothing; there’s no market for my products. I’m making things for a future date. I’m getting ready to seize the first opportunity that comes my way. Three months ago, I couldn’t do this; I had used up all my credit and capital. You know who rescued me, from whom I got the loan[Pg254Please provide the text you would like me to modernize. that saved me. It’s with the strength of that loan that I can continue this risky endeavor that, not long ago, I feared I might never engage in again. I know total ruin will follow if there’s a loss, and I understand that profit is uncertain; but I’m feeling quite upbeat. As long as I can be active, as long as I can strive, in short, as long as my hands aren’t tied, it’s impossible for me to feel down. One year—no, just six months—of peaceful times and I’ll be safe; because, as you say, peace will boost commerce. You’re right about that; but when it comes to the restored calm of the community, or the lasting positive impact of your charitable fund, I have my doubts. Charitable relief has never calmed the working class—it never made them grateful; it’s just not in human nature. I suppose, if things were sorted out properly, they shouldn’t even need that humiliating aid; and they know it. We’d feel the same way if we were in their position. Plus, who should they be grateful to? You, perhaps, or the clergy, but definitely not to us mill owners. They despise us more than ever. The disaffected here are in touch with the discontented elsewhere. Nottingham is one of their bases, Manchester another, Birmingham a third. The lower ranks follow their leaders’ orders; they’re well-disciplined; no action is taken without careful planning. In hot weather, you’ve watched the sky threatening thunder day after day, yet night after night the clouds cleared, and the sun set peacefully; but the danger didn’t vanish—it just got postponed. The long-pending storm is bound to break eventually. There’s a parallel between the moral and physical atmosphere."
"Well, Mr. Moore" (so these conferences always ended), "take care of yourself. If you think that I have ever done you any good, reward me by promising to take care of yourself."
"Well, Mr. Moore," (so these conversations always ended), "take care of yourself. If you believe I’ve ever helped you, please show your gratitude by promising to look after yourself."
"I do; I will take close and watchful care. I wish to live, not to die. The future opens like Eden before me; and still, when I look deep into the shades of my paradise, I see a vision that I like better than seraph or cherub glide across remote vistas."
"I do; I will take careful and attentive care. I want to live, not to die. The future unfolds like Eden in front of me; and still, when I look deeply into the shadows of my paradise, I see a vision that I prefer over any angel or cherub floating across distant landscapes."
"Do you? Pray, what vision?"
"Do you? What vision do you have?"
"I see——"
"I understand."
The maid came bustling in with the tea-things.
The maid came rushing in with the tea supplies.
The early part of that May, as we have seen, was fine; the middle was wet; but in the last week, at change of[Pg 255] moon, it cleared again. A fresh wind swept off the silver-white, deep-piled rain-clouds, bearing them, mass on mass, to the eastern horizon, on whose verge they dwindled, and behind whose rim they disappeared, leaving the vault behind all pure blue space, ready for the reign of the summer sun. That sun rose broad on Whitsuntide. The gathering of the schools was signalized by splendid weather.
The early part of May, as we’ve noted, was nice; the middle was rainy; but during the last week, around the new moon, it cleared up again. A fresh wind blew away the thick, silver-white rain clouds, pushing them in large groups to the eastern horizon, where they shrank and vanished behind the edge, leaving the sky a clear blue, prepared for the summer sun’s reign. That sun rose brightly on Whitsuntide. The school gathering was marked by fantastic weather.
Whit-Tuesday was the great day, in preparation for which the two large schoolrooms of Briarfield, built by the present rector, chiefly at his own expense, were cleaned out, whitewashed, repainted, and decorated with flowers and evergreens—some from the rectory garden, two cartloads from Fieldhead, and a wheel-barrowful from the more stingy domain of De Walden, the residence of Mr. Wynne. In these schoolrooms twenty tables, each calculated to accommodate twenty guests, were laid out, surrounded with benches, and covered with white cloths. Above them were suspended at least some twenty cages, containing as many canaries, according to a fancy of the district, specially cherished by Mr. Helstone's clerk, who delighted in the piercing song of these birds, and knew that amidst confusion of tongues they always carolled loudest. These tables, be it understood, were not spread for the twelve hundred scholars to be assembled from the three parishes, but only for the patrons and teachers of the schools. The children's feast was to be spread in the open air. At one o'clock the troops were to come in; at two they were to be marshalled; till four they were to parade the parish; then came the feast, and afterwards the meeting, with music and speechifying in the church.
Whit Tuesday was the big day, and to get ready, the two large classrooms at Briarfield, built by the current rector mostly at his own expense, were cleaned, whitewashed, repainted, and decorated with flowers and greenery—some from the rectory garden, two cartloads from Fieldhead, and a wheelbarrow full from the more stingy property of De Walden, where Mr. Wynne lived. In these classrooms, twenty tables, each set up for twenty guests, were arranged, surrounded by benches and covered with white tablecloths. Above them hung at least twenty cages, each with a canary, which was a local tradition cherished by Mr. Helstone's clerk, who loved the loud songs of these birds, knowing they always sang the loudest amid the chatter. It's important to note that these tables weren't set for the twelve hundred students coming from the three parishes but only for the patrons and teachers of the schools. The children's feast would be held outdoors. At one o'clock, the groups were to arrive; at two, they were to be organized; they would parade the parish until four; then came the feast, followed by a gathering with music and speeches in the church.
Why Briarfield was chosen for the point of rendezvous—the scene of the fête—should be explained. It was not because it was the largest or most populous parish—Whinbury far outdid it in that respect; nor because it was the oldest, antique as were the hoary church and rectory—Nunnely's low-roofed temple and mossy parsonage, buried both in coeval oaks, outstanding sentinels of Nunnwood, were older still. It was simply because Mr. Helstone willed it so, and Mr. Helstone's will was stronger than that of Boultby or Hall; the former could not, the latter would not, dispute a point of precedence with their resolute and imperious brother. They let him lead and rule.
Why Briarfield was chosen as the meeting point—the location of the fête—needs some explanation. It wasn't because it was the biggest or most populated parish—Whinbury was much larger in that sense; nor was it because it was the oldest, even though the ancient church and rectory were old—Nunnely's low-roofed church and mossy parsonage, both surrounded by ancient oaks, were even older. The simple reason was that Mr. Helstone decided it should be so, and his authority was stronger than that of Boultby or Hall; the former could not, and the latter would not, challenge their determined and commanding brother on this matter. They allowed him to take charge and lead.
This notable anniversary had always hitherto been a trying day to Caroline Helstone, because it dragged her[Pg 256] perforce into public, compelling her to face all that was wealthy, respectable, influential in the neighbourhood; in whose presence, but for the kind countenance of Mr. Hall, she would have appeared unsupported. Obliged to be conspicuous; obliged to walk at the head of her regiment as the rector's niece, and first teacher of the first class; obliged to make tea at the first table for a mixed multitude of ladies and gentlemen, and to do all this without the countenance of mother, aunt, or other chaperon—she, meantime, being a nervous person, who mortally feared publicity—it will be comprehended that, under these circumstances, she trembled at the approach of Whitsuntide.
This significant anniversary had always been a tough day for Caroline Helstone because it forced her into the public eye, making her confront all the wealthy, respectable, and influential people in the neighborhood. Without the supportive presence of Mr. Hall, she would have felt completely alone. She had to stand out, take the lead as the rector's niece and the first teacher of the first class, and serve tea at the main table for a diverse group of ladies and gentlemen—all without the support of her mother, aunt, or any other chaperone. Given that she was a nervous person who deeply feared attention, it's clear why she dreaded the approach of Whitsuntide.
But this year Shirley was to be with her, and that changed the aspect of the trial singularly—it changed it utterly. It was a trial no longer—it was almost an enjoyment. Miss Keeldar was better in her single self than a host of ordinary friends. Quite self-possessed, and always spirited and easy; conscious of her social importance, yet never presuming upon it—it would be enough to give one courage only to look at her. The only fear was lest the heiress should not be punctual to tryst. She often had a careless way of lingering behind time, and Caroline knew her uncle would not wait a second for any one. At the moment of the church clock tolling two, the bells would clash out and the march begin. She must look after Shirley, then, in this matter, or her expected companion would fail her.
But this year Shirley was going to be with her, and that completely changed the situation—it transformed it entirely. It wasn't a trial anymore—it was almost fun. Miss Keeldar was worth more than a bunch of ordinary friends. Completely self-assured, always lively and relaxed; she was aware of her social status but never took it for granted—it was enough to inspire confidence just to look at her. The only concern was whether the heiress would be on time. She had a tendency to run late, and Caroline knew her uncle wouldn't wait for anyone. At the moment the church clock struck two, the bells would ring, and the march would start. So, she needed to keep an eye on Shirley in this matter, or her anticipated companion would let her down.
Whit-Tuesday saw her rise almost with the sun. She, Fanny, and Eliza were busy the whole morning arranging the rectory parlours in first-rate company order, and setting out a collation of cooling refreshments—wine, fruit, cakes—on the dining-room sideboard. Then she had to dress in her freshest and fairest attire of white muslin: the perfect fineness of the day and the solemnity of the occasion warranted, and even exacted, such costume. Her new sash—a birthday present from Margaret Hall, which she had reason to believe Cyril himself had bought, and in return for which she had indeed given him a set of cambric bands in a handsome case—was tied by the dexterous fingers of Fanny, who took no little pleasure in arraying her fair young mistress for the occasion. Her simple bonnet had been trimmed to correspond with her sash; her pretty but inexpensive scarf of white crape suited her dress. When ready she formed a picture, not bright enough to dazzle, but fair enough to interest; not brilliantly striking, but[Pg 257] very delicately pleasing—a picture in which sweetness of tint, purity of air, and grace of mien atoned for the absence of rich colouring and magnificent contour. What her brown eye and clear forehead showed of her mind was in keeping with her dress and face—modest, gentle, and, though pensive, harmonious. It appeared that neither lamb nor dove need fear her, but would welcome rather, in her look of simplicity and softness, a sympathy with their own natures, or with the natures we ascribe to them.
Whit Tuesday had her up almost with the sunrise. She, Fanny, and Eliza spent the whole morning getting the rectory parlors in top-notch shape, setting out a spread of cool refreshments—wine, fruit, cakes—on the dining room sideboard. Then she had to get dressed in her freshest, fairest white muslin outfit: the gorgeous day and the importance of the occasion called for it. Her new sash—a birthday gift from Margaret Hall, which she believed Cyril had picked out himself, and in exchange for which she had given him a set of cambric cuffs in a nice case—was tied by Fanny's skillful hands, who took great pleasure in dressing her young mistress for the day. Her simple bonnet was trimmed to match the sash; her pretty but affordable white crepe scarf complemented her outfit. Once ready, she was a sight to behold—bright enough to be charming, but not blinding; pleasingly delicate rather than striking—a picture where sweetness of color, purity of expression, and graceful demeanor made up for the lack of rich colors and bold features. What her brown eyes and clear forehead revealed about her mind matched her outfit and face—modest, gentle, and, though thoughtful, harmonious. It seemed that neither lamb nor dove would fear her, but rather find a sense of connection in her look of simplicity and softness, mirroring their own natures or the traits we attribute to them.
After all, she was an imperfect, faulty human being, fair enough of form, hue, and array, but, as Cyril Hall said, neither so good nor so great as the withered Miss Ainley, now putting on her best black gown and Quaker drab shawl and bonnet in her own narrow cottage chamber.
After all, she was an imperfect, flawed human being, reasonably attractive in form, color, and appearance, but, as Cyril Hall mentioned, neither as good nor as impressive as the frail Miss Ainley, who was now putting on her best black dress and Quaker gray shawl and bonnet in her own small cottage room.
Away Caroline went, across some very sequestered fields and through some quite hidden lanes, to Fieldhead. She glided quickly under the green hedges and across the greener leas. There was no dust, no moisture, to soil the hem of her stainless garment, or to damp her slender sandal. After the late rains all was clean, and under the present glowing sun all was dry. She walked fearlessly, then, on daisy and turf, and through thick plantations; she reached Fieldhead, and penetrated to Miss Keeldar's dressing-room.
Away Caroline went, across some very secluded fields and through some pretty hidden lanes, to Fieldhead. She glided quickly under the green hedges and across the greener meadows. There was no dust, no moisture, to dirty the hem of her spotless outfit, or to dampen her slender sandal. After the recent rains, everything was clean, and under the current bright sun, everything was dry. She walked confidently on daisies and grass, and through thick bushes; she reached Fieldhead and entered Miss Keeldar's dressing room.
It was well she had come, or Shirley would have been too late. Instead of making ready with all speed, she lay stretched on a couch, absorbed in reading. Mrs. Pryor stood near, vainly urging her to rise and dress. Caroline wasted no words. She immediately took the book from her, and with her own hands commenced the business of disrobing and rerobing her. Shirley, indolent with the heat, and gay with her youth and pleasurable nature, wanted to talk, laugh, and linger; but Caroline, intent on being in time, persevered in dressing her as fast as fingers could fasten strings or insert pins. At length, as she united a final row of hooks and eyes, she found leisure to chide her, saying she was very naughty to be so unpunctual, that she looked even now the picture of incorrigible carelessness; and so Shirley did, but a very lovely picture of that tiresome quality.
It was good she had come, or Shirley would have been too late. Instead of getting ready quickly, she was lounging on a couch, wrapped up in her reading. Mrs. Pryor stood nearby, trying in vain to get her to get up and dress. Caroline wasted no time. She immediately took the book from Shirley and began to help her get dressed. Shirley, feeling lazy in the heat and carefree with her youth and vibrant nature, wanted to chat, laugh, and take her time; but Caroline, focused on getting them there on time, persisted in dressing her as quickly as she could fasten strings and pins. Finally, as she connected the last row of hooks and eyes, she took a moment to scold her, saying she was very naughty for being so late, that even now she looked like a picture of hopeless carelessness; and Shirley did, but a very beautiful picture of that annoying trait.
She presented quite a contrast to Caroline. There was style in every fold of her dress and every line of her figure. The rich silk suited her better than a simpler costume; the deep embroidered scarf became her. She wore it negligently but gracefully. The wreath on her bonnet crowned[Pg 258] her well. The attention to fashion, the tasteful appliance of ornament in each portion of her dress, were quite in place with her. All this suited her, like the frank light in her eyes, the rallying smile about her lips, like her shaft-straight carriage and lightsome step. Caroline took her hand when she was dressed, hurried her downstairs, out of doors; and thus they sped through the fields, laughing as they went, and looking very much like a snow-white dove and gem-tinted bird of paradise joined in social flight.
She was a stark contrast to Caroline. Every fold of her dress and every curve of her figure showcased her style. The luxurious silk looked much better on her than a simpler outfit; the richly embroidered scarf complemented her perfectly. She wore it casually but with elegance. The wreath on her bonnet suited her beautifully. Her attention to fashion and the thoughtful way she added embellishments to her outfit were just right for her. All this matched her personality, just like the bright light in her eyes, the playful smile on her lips, her straight posture, and her lively step. Once she was dressed, Caroline grabbed her hand and hurried her downstairs and outside; and together they ran through the fields, laughing as they went, looking just like a snow-white dove and a colorful bird of paradise flying together.
Thanks to Miss Helstone's promptitude, they arrived in good time. While yet trees hid the church, they heard the bell tolling a measured but urgent summons for all to assemble. The trooping in of numbers, the trampling of many steps and murmuring of many voices, were likewise audible. From a rising ground, they presently saw, on the Whinbury road, the Whinbury school approaching. It numbered five hundred souls. The rector and curate, Boultby and Donne, headed it—the former looming large in full canonicals, walking as became a beneficed priest, under the canopy of a shovel-hat, with the dignity of an ample corporation, the embellishment of the squarest and vastest of black coats, and the support of the stoutest of gold-headed canes. As the doctor walked, he now and then slightly flourished his cane, and inclined his shovel-hat with a dogmatical wag towards his aide-de-camp. That aide-de-camp—Donne, to wit—narrow as the line of his shape was, compared to the broad bulk of his principal, contrived, notwithstanding, to look every inch a curate. All about him was pragmatical and self-complacent, from his turned-up nose and elevated chin to his clerical black gaiters, his somewhat short, strapless trousers, and his square-toed shoes.
Thanks to Miss Helstone's punctuality, they arrived on time. While the trees were still hiding the church, they heard the bell ringing a steady but urgent call for everyone to gather. The sound of many people arriving, the thumping of footsteps, and the murmur of voices could also be heard. From a slight hill, they soon saw the Whinbury school approaching on the Whinbury road. It consisted of five hundred people. The rector and curate, Boultby and Donne, were leading the group—the former standing tall in full vestments, walking as suited a beneficed priest, under the brim of a large hat, with the dignity of a hefty build, dressed in the largest, widest black coat, and leaning on a sturdy gold-headed cane. As the doctor walked, he occasionally waved his cane slightly and tilted his hat with a dogmatic nod toward his assistant. That assistant—Donne, to be precise—though slight in comparison to the broad figure of his superior, still managed to look every bit a curate. Everything about him was self-important and satisfied, from his upturned nose and proud chin to his clerical black gaiters, somewhat short, strapless trousers, and square-toed shoes.
Walk on, Mr. Donne! You have undergone scrutiny. You think you look well. Whether the white and purple figures watching you from yonder hill think so is another question.
Walk on, Mr. Donne! You've been evaluated. You think you look good. Whether the white and purple figures watching you from that hill think so is another matter.
These figures come running down when the regiment has marched by. The churchyard is full of children and teachers, all in their very best holiday attire; and, distressed as is the district, bad as are the times, it is wonderful to see how respectably, how handsomely even, they have contrived to clothe themselves. That British love of decency will work miracles. The poverty which reduces an Irish girl to rags is impotent to rob the English girl of the neat[Pg 259] wardrobe she knows necessary to her self-respect. Besides, the lady of the manor—that Shirley, now gazing with pleasure on this well-dressed and happy-looking crowd—has really done them good. Her seasonable bounty consoled many a poor family against the coming holiday, and supplied many a child with a new frock or bonnet for the occasion. She knows it, and is elate with the consciousness—glad that her money, example, and influence have really, substantially, benefited those around her. She cannot be charitable like Miss Ainley: it is not in her nature. It relieves her to feel that there is another way of being charitable, practicable for other characters, and under other circumstances.
These figures come running down after the regiment has passed. The churchyard is full of kids and teachers, all dressed in their best holiday outfits. Despite the district's struggles and tough times, it's amazing to see how respectably, even beautifully, they’ve managed to dress themselves. That British appreciation for decency works wonders. The poverty that leaves an Irish girl in rags doesn’t prevent the English girl from having the neat wardrobe she knows she needs for her self-respect. Besides, the lady of the manor—Shirley, who is now happily watching this well-dressed and cheerful crowd—has really helped them. Her timely generosity has comforted many poor families in anticipation of the holiday and provided many kids with a new dress or bonnet for the event. She knows this and feels proud—happy that her money, example, and influence have truly benefited those around her. She can’t be charitable like Miss Ainley; that’s just not her nature. It eases her to recognize that there is another way to be charitable, one that works for different people and situations.
Caroline, too, is pleased, for she also has done good in her small way—robbed herself of more than one dress, ribbon, or collar she could ill spare, to aid in fitting out the scholars of her class; and as she could not give money, she has followed Miss Ainley's example in giving her time and her industry to sew for the children.
Caroline is also happy because she has done her part—she's given up more than one dress, ribbon, or collar that she really needed to help outfit the students in her class. Since she couldn't donate money, she followed Miss Ainley's lead and dedicated her time and effort to sewing for the kids.
Not only is the churchyard full, but the rectory garden is also thronged. Pairs and parties of ladies and gentlemen are seen walking amongst the waving lilacs and laburnums. The house also is occupied: at the wide-open parlour windows gay groups are standing. These are the patrons and teachers, who are to swell the procession. In the parson's croft, behind the rectory, are the musicians of the three parish bands, with their instruments. Fanny and Eliza, in the smartest of caps and gowns, and the whitest of aprons, move amongst them, serving out quarts of ale, whereof a stock was brewed very sound and strong some weeks since by the rector's orders, and under his special superintendence. Whatever he had a hand in must be managed handsomely. "Shabby doings" of any description were not endured under his sanction. From the erection of a public building, a church, school, or court-house, to the cooking of a dinner, he still advocated the lordly, liberal, and effective. Miss Keeldar was like him in this respect, and they mutually approved each other's arrangements.
Not only is the churchyard full, but the rectory garden is also crowded. Groups of ladies and gentlemen are seen walking among the swaying lilacs and laburnums. The house is also busy: at the wide-open parlor windows, cheerful groups are gathered. These are the patrons and teachers who will join the procession. In the parson's garden behind the rectory are the musicians from the three parish bands, with their instruments. Fanny and Eliza, dressed in their fanciest caps and gowns and the whitest aprons, move among them, serving quarts of ale, which was brewed strong and good a few weeks ago by the rector's orders and under his close supervision. Anything he was involved in had to be done well. "Shabby doings" of any kind were not tolerated under his authority. From building a public structure, a church, school, or courthouse, to preparing a meal, he always pushed for the grand, generous, and effective. Miss Keeldar shared this mindset, and they both appreciated each other’s efforts.
Caroline and Shirley were soon in the midst of the company. The former met them very easily for her. Instead of sitting down in a retired corner, or stealing away to her own room till the procession should be marshalled, according to her wont, she moved through the three parlours,[Pg 260] conversed and smiled, absolutely spoke once or twice ere she was spoken to, and, in short, seemed a new creature. It was Shirley's presence which thus transformed her; the view of Miss Keeldar's air and manner did her a world of good. Shirley had no fear of her kind, no tendency to shrink from, to avoid it. All human beings—men, women, or children—whom low breeding or coarse presumption did not render positively offensive, were welcome enough to her—some much more so than others, of course; but, generally speaking, till a man had indisputably proved himself bad and a nuisance, Shirley was willing to think him good and an acquisition, and to treat him accordingly. This disposition made her a general favourite, for it robbed her very raillery of its sting, and gave her serious or smiling conversation a happy charm; nor did it diminish the value of her intimate friendship, which was a distinct thing from this social benevolence—depending, indeed, on quite a different part of her character. Miss Helstone was the choice of her affection and intellect; the Misses Pearson, Sykes, Wynne, etc., etc., only the profiteers by her good-nature and vivacity.
Caroline and Shirley soon found themselves in the middle of the gathering. For Caroline, it was surprisingly easy. Instead of retreating to a quiet corner or heading to her room until the event was properly organized, as she usually did, she moved through the three parlors,[Pg260Please provide the text you'd like me to modernize. chatting and smiling, even speaking a couple of times before being addressed, in short, she seemed like a completely different person. It was Shirley's presence that brought about this change; seeing Miss Keeldar's confidence and demeanor had a huge positive effect on her. Shirley had no fear of people and never felt the need to withdraw or avoid them. All people—men, women, or children—who weren't incredibly rude or presumptuous were welcome in her company—some more than others, of course. Generally speaking, unless a man had clearly proven himself to be bad or bothersome, Shirley was inclined to view him as good and a positive addition, and treated him accordingly. This attitude made her a favorite among many, as it softened even her teasing and added a pleasant charm to her serious or lighthearted conversations; it didn’t lessen the importance of her close friendships, which were based on a different side of her personality. Miss Helstone was the one she truly cared for intellectually and emotionally, while the Misses Pearson, Sykes, Wynne, etc., etc., were just the profiteers of her kindness and energy.
Donne happened to come into the drawing-room while Shirley, sitting on the sofa, formed the centre of a tolerably wide circle. She had already forgotten her exasperation against him, and she bowed and smiled good-humouredly. The disposition of the man was then seen. He knew neither how to decline the advance with dignity, as one whose just pride has been wounded, nor how to meet it with frankness, as one who is glad to forget and forgive. His punishment had impressed him with no sense of shame, and he did not experience that feeling on encountering his chastiser. He was not vigorous enough in evil to be actively malignant—he merely passed by sheepishly with a rated, scowling look. Nothing could ever again reconcile him to his enemy; while no passion of resentment, for even sharper and more ignominious inflictions, could his lymphatic nature know.
Donne walked into the living room where Shirley was sitting on the sofa, surrounded by a fairly large group. She had already moved past her annoyance with him and greeted him with a friendly bow and smile. The man’s reaction became clear. He didn’t know how to gracefully reject her approach, like someone whose pride had been hurt, nor how to respond openly, like someone ready to forget and forgive. His punishment hadn’t filled him with shame, and he didn’t feel that way when facing his accuser. He wasn’t malicious enough to be actively harmful; he just passed by awkwardly with a sulky, disapproving expression. Nothing would ever make him reconcile with his opponent; he also couldn’t feel any resentment, even for harsher and more humiliating actions, as his indifferent nature wouldn’t allow it.
"He was not worth a scene!" said Shirley to Caroline. "What a fool I was! To revenge on poor Donne his silly spite at Yorkshire is something like crushing a gnat for attacking the hide of a rhinoceros. Had I been a gentleman, I believe I should have helped him off the premises by dint of physical force. I am glad now I only employed the moral weapon. But he must come near me no more.[Pg 261] I don't like him. He irritates me. There is not even amusement to be had out of him. Malone is better sport."
"He was not worth the drama!" Shirley said to Caroline. "What a fool I was! Getting back at poor Donne for his pointless grudge against Yorkshire is like swatting a gnat for bothering a rhinoceros. If I had any decency, I would have physically thrown him off the property. I'm glad I only used my words this time. But he can't come near me again.[Pg261Understood. Please provide the text for modernizing. I don't like him. He annoys me. There's no fun to be had with him. Malone is much more entertaining."
It seemed as if Malone wished to justify the preference, for the words were scarcely out of the speaker's mouth when Peter Augustus came up, all in grande tenue, gloved and scented, with his hair oiled and brushed to perfection, and bearing in one hand a huge bunch of cabbage-roses, five or six in full blow. These he presented to the heiress with a grace to which the most cunning pencil could do but defective justice. And who, after this, could dare to say that Peter was not a lady's man? He had gathered and he had given flowers; he had offered a sentimental, a poetic tribute at the shrine of Love or Mammon. Hercules holding the distaff was but a faint type of Peter bearing the roses. He must have thought this himself, for he seemed amazed at what he had done. He backed without a word; he was going away with a husky chuckle of self-satisfaction; then he bethought himself to stop and turn, to ascertain by ocular testimony that he really had presented a bouquet. Yes, there were the six red cabbages on the purple satin lap, a very white hand, with some gold rings on the fingers, slightly holding them together, and streaming ringlets, half hiding a laughing face, drooped over them. Only half hiding! Peter saw the laugh; it was unmistakable. He was made a joke of; his gallantry, his chivalry, were the subject of a jest for a petticoat—for two petticoats: Miss Helstone too was smiling. Moreover, he felt he was seen through, and Peter grew black as a thunder-cloud. When Shirley looked up, a fell eye was fastened on her. Malone, at least, had energy enough in hate. She saw it in his glance.
It seemed like Malone wanted to defend his preference, because hardly had the words left his mouth when Peter Augustus showed up, all dressed up, gloved and smelling great, with his hair perfectly styled and slicked back. In one hand, he held a big bunch of cabbage roses, five or six of them fully bloomed. He presented them to the heiress with a grace that even the most skilled artist couldn't fully capture. And who could dare to say that Peter wasn’t a ladies’ man after this? He had picked and given flowers; he had offered a sentimental, poetic gesture at the altar of Love or Wealth. Hercules holding the distaff was just a pale image of Peter presenting the roses. He must have thought so himself, as he appeared surprised by what he had done. He backed away without saying a word, leaving with a low chuckle of self-satisfaction; then he stopped, turning again to confirm with his own eyes that he had actually given a bouquet. Yes, there were the six red flowers on the purple satin lap, a very white hand, adorned with some gold rings, gently cradling them, and cascading ringlets, partly hiding a laughing face, drooped over them. Only partially hiding! Peter spotted the laugh; it was undeniable. He was being laughed at; his charm and chivalry were the subject of a joke for one dress—and two dresses, since Miss Helstone was also smiling. Moreover, he felt exposed, and Peter's expression darkened like a storm cloud. When Shirley looked up, a harsh gaze was fixed on her. Malone, at least, had enough energy in his animosity. She could see it in his look.
"Peter is worth a scene, and shall have it, if he likes, one day," she whispered to her friend.
"Peter is worth a scene, and he can have one, if he wants, one day," she whispered to her friend.
And now—solemn and sombre as to their colour, though bland enough as to their faces—appeared at the dining-room door the three rectors. They had hitherto been busy in the church, and were now coming to take some little refreshment for the body, ere the march commenced. The large morocco-covered easy-chair had been left vacant for Dr. Boultby. He was put into it, and Caroline, obeying the instigations of Shirley, who told her now was the time to play the hostess, hastened to hand to her uncle's vast, revered, and, on the whole, worthy friend, a glass of wine[Pg 262] and a plate of macaroons. Boultby's churchwardens, patrons of the Sunday school both, as he insisted on their being, were already beside him; Mrs. Sykes and the other ladies of his congregation were on his right hand and on his left, expressing their hopes that he was not fatigued, their fears that the day would be too warm for him. Mrs. Boultby, who held an opinion that when her lord dropped asleep after a good dinner his face became as the face of an angel, was bending over him, tenderly wiping some perspiration, real or imaginary, from his brow. Boultby, in short, was in his glory, and in a round, sound voix de poitrine he rumbled out thanks for attentions and assurances of his tolerable health. Of Caroline he took no manner of notice as she came near, save to accept what she offered. He did not see her—he never did see her; he hardly knew that such a person existed. He saw the macaroons, however, and being fond of sweets, possessed himself of a small handful thereof. The wine Mrs. Boultby insisted on mingling with hot water, and qualifying with sugar and nutmeg.
And now—serious and dull in color, though their expressions were quite neutral—three rectors appeared at the dining room door. They had been busy in the church and were now coming in to grab a quick snack before the event began. The large, morocco-covered armchair was left empty for Dr. Boultby. He was seated in it, and Caroline, following Shirley’s suggestion that now was her chance to be the hostess, quickly brought her uncle's esteemed, respected, and overall good friend a glass of wine[Pg262I'm ready to assist. Please provide the text you'd like me to modernize. and a plate of macaroons. Boultby's churchwardens, who were both patrons of the Sunday school as he insisted they were, were already by his side; Mrs. Sykes and other ladies from his congregation were on either side of him, expressing their hopes that he wasn’t tired and worrying that the day might be too warm for him. Mrs. Boultby, who believed that when her husband dozed off after a nice meal, his face looked angelic, was leaning over him, gently wiping away some sweat, real or imagined, from his forehead. In short, Boultby was in his element, and with a deep, rich voice, he rumbled out thanks for the attentions and reassurances about his good health. He paid no attention to Caroline as she approached, other than to accept what she offered. He didn’t see her—he never did; he hardly acknowledged that she was even there. However, he noticed the macaroons, and being fond of sweets, he helped himself to a small handful of them. Mrs. Boultby insisted on mixing the wine with hot water and sweetening it with sugar and nutmeg.
Mr. Hall stood near an open window, breathing the fresh air and scent of flowers, and talking like a brother to Miss Ainley. To him Caroline turned her attention with pleasure. "What should she bring him? He must not help himself—he must be served by her." And she provided herself with a little salver, that she might offer him variety. Margaret Hall joined them; so did Miss Keeldar. The four ladies stood round their favourite pastor. They also had an idea that they looked on the face of an earthly angel. Cyril Hall was their pope, infallible to them as Dr. Thomas Boultby to his admirers. A throng, too, enclosed the rector of Briarfield—twenty or more pressed round him; and no parson was ever more potent in a circle than old Helstone. The curates, herding together after their manner, made a constellation of three lesser planets. Divers young ladies watched them afar off, but ventured not nigh.
Mr. Hall stood by an open window, enjoying the fresh air and the scent of flowers, chatting with Miss Ainley like a brother. Caroline focused her attention on him happily. "What should she bring him? He can't help himself—she needs to serve him." So she grabbed a small tray to offer him a variety of things. Margaret Hall joined them, as did Miss Keeldar. The four ladies surrounded their favorite pastor, convinced they were looking at an earthly angel. Cyril Hall was their pope, just as infallible to them as Dr. Thomas Boultby was to his followers. A crowd also gathered around the rector of Briarfield—twenty or more pressed close to him; no priest was ever more influential in a group than old Helstone. The curates, sticking together as usual, formed a little cluster of three lesser planets. Various young ladies watched them from a distance, but didn’t dare approach.
Mr. Helstone produced his watch. "Ten minutes to two," he announced aloud. "Time for all to fall into line. Come." He seized his shovel-hat and marched away. All rose and followed en masse.
Mr. Helstone took out his watch. "It's ten minutes to two," he said loudly. "Time for everyone to fall in line. Come on." He grabbed his shovel hat and walked away. Everyone stood up and followed him all together.
The twelve hundred children were drawn up in three bodies of four hundred souls each; in the rear of each regiment was stationed a band; between every twenty[Pg 263] there was an interval, wherein Helstone posted the teachers in pairs. To the van of the armies he summoned,—
The twelve hundred children were lined up in three groups of four hundred each; at the back of each group was a band; between every twenty[Pg263] there was a gap where Helstone placed the teachers in pairs. To the front of the groups he called,—
"Grace Boultby and Mary Sykes lead out Whinbury.
"Grace Boultby and Mary Sykes are leading Whinbury."
"Margaret Hall and Mary Ann Ainley conduct Nunnely.
"Margaret Hall and Mary Ann Ainley are leading Nunnely."
"Caroline Helstone and Shirley Keeldar head Briarfield."
"Caroline Helstone and Shirley Keeldar lead Briarfield."
Then again he gave command,—
Then he gave the command,—
"Mr. Donne to Whinbury; Mr. Sweeting to Nunnely; Mr. Malone to Briarfield."
"Mr. Donne to Whinbury; Mr. Sweeting to Nunnely; Mr. Malone to Briarfield."
And these gentlemen stepped up before the lady-generals.
And these gentlemen approached the lady-generals.
The rectors passed to the full front; the parish clerks fell to the extreme rear. Helstone lifted his shovel-hat. In an instant out clashed the eight bells in the tower, loud swelled the sounding bands, flute spoke and clarion answered, deep rolled the drums, and away they marched.
The rectors moved to the front; the parish clerks fell to the back. Helstone tipped his hat. In an instant, the eight bells in the tower rang out, the music ramped up, the flute played, and the trumpet responded, the drums boomed, and they marched away.
The broad white road unrolled before the long procession, the sun and sky surveyed it cloudless, the wind tossed the tree boughs above it, and the twelve hundred children and one hundred and forty adults of which it was composed trod on in time and tune, with gay faces and glad hearts. It was a joyous scene, and a scene to do good. It was a day of happiness for rich and poor—the work, first of God, and then of the clergy. Let England's priests have their due. They are a faulty set in some respects, being only of common flesh and blood like us all; but the land would be badly off without them. Britain would miss her church, if that church fell. God save it! God also reform it![Pg 264]
The wide white road stretched out in front of the long procession, the sun and sky looked down on it without a cloud, the wind swayed the tree branches above, and the twelve hundred children and one hundred and forty adults that made up the group walked in step and rhythm, with cheerful faces and happy hearts. It was a joyful scene, one that brought positivity. It was a day of happiness for everyone, rich and poor—first the work of God, and then of the clergy. Let England's priests get the credit they deserve. They have their flaws, like anyone else, being just regular people, but the country would suffer without them. Britain would surely feel the loss if her church were to fall. God save it! And may God also help it improve![Pg264]
CHAPTER XVII.
THE SCHOOL FEAST.
Not on combat bent, nor of foemen in search, was this priest-led and woman-officered company; yet their music played martial tunes, and, to judge by the eyes and carriage of some—Miss Keeldar, for instance—these sounds awoke, if not a martial, yet a longing spirit. Old Helstone, turning by chance, looked into her face; and he laughed, and she laughed at him.
Not focused on battle or searching for enemies, this group led by a priest and accompanied by women officers wasn’t about fighting; yet their music played military songs, and judging by the expressions and posture of some—like Miss Keeldar, for example—these melodies stirred a sense of longing, if not a warrior spirit. Old Helstone happened to glance at her face; he laughed, and she laughed back at him.
"There is no battle in prospect," he said; "our country does not want us to fight for it. No foe or tyrant is questioning or threatening our liberty. There is nothing to be done. We are only taking a walk. Keep your hand on the reins, captain, and slack the fire of that spirit. It is not wanted, the more's the pity."
"There’s no battle coming," he said. "Our country doesn’t need us to fight for it. No enemy or oppressor is challenging or threatening our freedom. There’s nothing to do. We're just taking a walk. Keep your hand on the reins, captain, and calm that spirit down. It’s not needed, unfortunately."
"Take your own advice, doctor," was Shirley's response. To Caroline she murmured, "I'll borrow of imagination what reality will not give me. We are not soldiers—bloodshed is not my desire—or if we are, we are soldiers of the Cross. Time has rolled back some hundreds of years, and we are bound on a pilgrimage to Palestine. But no; that is too visionary. I need a sterner dream. We are Lowlanders of Scotland, following a Covenanting captain up into the hills to hold a meeting out of the reach of persecuting troopers. We know that battle may follow prayer; and as we believe that in the worst issue of battle heaven must be our reward, we are ready and willing to redden the peat-moss with our blood. That music stirs my soul; it wakens all my life; it makes my heart beat—not with its temperate daily pulse, but with a new, thrilling vigour. I almost long for danger—for a faith, a land, or at least a lover to defend."
"Take your own advice, doctor," Shirley replied. To Caroline, she whispered, "I'll borrow from my imagination what reality won't provide me. We're not soldiers—I'm not interested in bloodshed—or if we are, we’re soldiers of the Cross. Time has rolled back hundreds of years, and we’re set on a pilgrimage to Palestine. But no; that’s too idealistic. I need a stronger dream. We are Lowlanders of Scotland, following a Covenanting leader up into the hills to hold a meeting out of the reach of persecuting soldiers. We know that battle can come after prayer; and since we believe that even in the worst outcome of battle heaven will be our reward, we're ready and willing to stain the peat with our blood. That music stirs my soul; it awakens my entire being; it makes my heart race—not with its usual steady beat, but with a new, exhilarating energy. I almost crave danger—for a faith, a homeland, or at least a lover to protect."
"Look, Shirley!" interrupted Caroline. "What is that red speck above Stilbro' Brow? You have keener sight than I. Just turn your eagle eye to it."
"Look, Shirley!" interrupted Caroline. "What’s that red dot above Stilbro' Brow? You have better eyesight than I do. Just take a closer look at it."
Miss Keeldar looked. "I see," she said; then added[Pg 265] presently, "there is a line of red. They are soldiers—cavalry soldiers," she subjoined quickly. "They ride fast. There are six of them. They will pass us. No; they have turned off to the right. They saw our procession, and avoid it by making a circuit. Where are they going?"
Miss Keeldar looked. "I see," she said; then added[Pg265I'm sorry, it looks like the text you provided is incomplete. Please provide a phrase for me to modernize. shortly, "there's a line of red. They're soldiers—cavalry soldiers," she quickly added. "They ride fast. There are six of them. They'll pass us. No; they've turned off to the right. They saw our group and are avoiding it by taking a detour. Where are they going?"
"Perhaps they are only exercising their horses."
"Maybe they're just exercising their horses."
"Perhaps so. We see them no more now."
"Maybe that's true. We don't see them anymore."
Mr. Helstone here spoke.
Mr. Helstone spoke here.
"We shall pass through Royd Lane, to reach Nunnely Common by a short cut," said he.
"We'll go through Royd Lane to take a shortcut to Nunnely Common," he said.
And into the straits of Royd Lane they accordingly defiled. It was very narrow—so narrow that only two could walk abreast without falling into the ditch which ran along each side. They had gained the middle of it, when excitement became obvious in the clerical commanders. Boultby's spectacles and Helstone's Rehoboam were agitated; the curates nudged each other; Mr. Hall turned to the ladies and smiled.
And so they made their way into the narrow stretches of Royd Lane. It was really tight—so tight that only two people could walk side by side without risking a fall into the ditch that bordered each side. They had reached the center of it when the excitement became clear among the clerical leaders. Boultby's glasses and Helstone's Rehoboam were shaken; the curates elbowed each other; Mr. Hall turned to the ladies and smiled.
"What is the matter?" was the demand.
"What’s going on?" was the question.
He pointed with his staff to the end of the lane before them. Lo and behold! another, an opposition, procession was there entering, headed also by men in black, and followed also, as they could now hear, by music.
He pointed his staff toward the end of the lane ahead of them. Look! Another opposing parade was entering, led by men in black and also accompanied, as they could now hear, by music.
"Is it our double?" asked Shirley, "our manifold wraith? Here is a card turned up."
"Is it our twin?" asked Shirley, "our multiple ghost? Look, here’s a card that’s been revealed."
"If you wanted a battle, you are likely to get one—at least of looks," whispered Caroline, laughing.
"If you wanted a fight, you’re probably going to get one—at least with glares," whispered Caroline, laughing.
"They shall not pass us!" cried the curates unanimously; "we'll not give way!"
"They won't get past us!" shouted the curates in unison; "we won't back down!"
"Give way!" retorted Helstone sternly, turning round; "who talks of giving way? You, boys, mind what you are about. The ladies, I know, will be firm. I can trust them. There is not a churchwoman here but will stand her ground against these folks, for the honour of the Establishment.—What does Miss Keeldar say?"
"Make way!" Helstone snapped sternly, turning around; "who's talking about backing down? You, boys, watch what you're doing. I know the ladies will be resolute. I can count on them. There's not a churchwoman here who won't stand her ground against these people, for the honor of the Establishment. —What does Miss Keeldar say?"
"She asks what is it."
"She asks what it is."
"The Dissenting and Methodist schools, the Baptists, Independents, and Wesleyans, joined in unholy alliance, and turning purposely into this lane with the intention of obstructing our march and driving us back."
"The Dissenting and Methodist schools, the Baptists, Independents, and Wesleyans teamed up in a questionable alliance, deliberately turning into this lane to block our path and push us back."
"Bad manners!" said Shirley, "and I hate bad manners. Of course, they must have a lesson."
"That's rude!" said Shirley, "and I can't stand rudeness. They definitely need a lesson."
"A lesson in politeness," suggested Mr. Hall, who was ever for peace; "not an example of rudeness."
"A lesson in politeness," suggested Mr. Hall, who was always in favor of peace; "not a case of rudeness."
[Pg 266]Old Helstone moved on. Quickening his step, he marched some yards in advance of his company. He had nearly reached the other sable leaders, when he who appeared to act as the hostile commander-in-chief—a large, greasy man, with black hair combed flat on his forehead—called a halt. The procession paused. He drew forth a hymn book, gave out a verse, set a tune, and they all struck up the most dolorous of canticles.
[Pg266Please provide the text you would like me to modernize.Old Helstone moved on. Quickening his step, he walked several yards ahead of his group. He was almost at the other dark leaders when the one who seemed to be the opposing commander—a big, greasy man with flat black hair on his forehead—called for a stop. The procession halted. He pulled out a hymn book, announced a verse, set a tune, and they all began singing the most sorrowful of songs.
Helstone signed to his bands. They clashed out with all the power of brass. He desired them to play "Rule, Britannia!" and ordered the children to join in vocally, which they did with enthusiastic spirit. The enemy was sung and stormed down, his psalm quelled. As far as noise went, he was conquered.
Helstone signaled to his bands. They blasted out with all the power of brass. He wanted them to play "Rule, Britannia!" and told the children to join in singing, which they did with great enthusiasm. The enemy was drowned out and silenced; his song was subdued. As far as noise went, he was defeated.
"Now, follow me!" exclaimed Helstone; "not at a run, but at a firm, smart pace. Be steady, every child and woman of you. Keep together. Hold on by each other's skirts, if necessary."
"Now, follow me!" shouted Helstone; "not running, but at a steady, brisk pace. Stay focused, every child and woman. Stay close together. Hold onto each other’s skirts if you need to."
And he strode on with such a determined and deliberate gait, and was, besides, so well seconded by his scholars and teachers, who did exactly as he told them, neither running nor faltering, but marching with cool, solid impetus—the curates, too, being compelled to do the same, as they were between two fires, Helstone and Miss Keeldar, both of whom watched any deviation with lynx-eyed vigilance, and were ready, the one with his cane, the other with her parasol, to rebuke the slightest breach of orders, the least independent or irregular demonstration—that the body of Dissenters were first amazed, then alarmed, then borne down and pressed back, and at last forced to turn tail and leave the outlet from Royd Lane free. Boultby suffered in the onslaught, but Helstone and Malone, between them, held him up, and brought him through the business, whole in limb, though sorely tried in wind.
He walked confidently and purposefully, and his students and teachers supported him completely, doing exactly as he instructed—neither rushing nor hesitating, but moving forward with calm, steady momentum. The curates had to follow suit since they were caught between Helstone and Miss Keeldar, both of whom watched for any mistakes with sharp attention, ready to reprimand even the slightest disobedience or independent action—with one brandishing his cane and the other her parasol. This left the group of Dissenters feeling first stunned, then worried, and eventually overwhelmed, forcing them to retreat and clear the way from Royd Lane. Boultby was affected during the commotion, but Helstone and Malone supported him, helping him make it through unharmed, although he was winded and exhausted.
The fat Dissenter who had given out the hymn was left sitting in the ditch. He was a spirit merchant by trade, a leader of the Nonconformists, and, it was said, drank more water in that one afternoon than he had swallowed for a twelvemonth before. Mr. Hall had taken care of Caroline, and Caroline of him. He and Miss Ainley made their own quiet comments to each other afterwards on the incident. Miss Keeldar and Mr. Helstone shook hands heartily when they had fairly got the whole party through the lane. The curates began to exult, but Mr. Helstone[Pg 267] presently put the curb on their innocent spirits. He remarked that they never had sense to know what to say, and had better hold their tongues; and he reminded them that the business was none of their managing.
The chubby Dissenter who had started the hymn was left sitting in the ditch. He worked as a spirit merchant, was a leader among the Nonconformists, and it was said he drank more water that one afternoon than he had in the entire year before. Mr. Hall took care of Caroline, and Caroline took care of him. He and Miss Ainley shared their own quiet comments about the incident later. Miss Keeldar and Mr. Helstone shook hands warmly once they got the whole group through the lane. The curates started to celebrate, but Mr. Helstone soon dampened their innocent excitement. He pointed out that they lacked the sense to know what to say and should keep quiet; he reminded them that the situation wasn’t theirs to handle.
About half-past three the procession turned back, and at four once more regained the starting-place. Long lines of benches were arranged in the close-shorn fields round the school. There the children were seated, and huge baskets, covered up with white cloths, and great smoking tin vessels were brought out. Ere the distribution of good things commenced, a brief grace was pronounced by Mr. Hall and sung by the children. Their young voices sounded melodious, even touching, in the open air. Large currant buns and hot, well-sweetened tea were then administered in the proper spirit of liberality. No stinting was permitted on this day, at least; the rule for each child's allowance being that it was to have about twice as much as it could possibly eat, thus leaving a reserve to be carried home for such as age, sickness, or other impediment prevented from coming to the feast. Buns and beer circulated, meantime, amongst the musicians and church-singers; afterwards the benches were removed, and they were left to unbend their spirits in licensed play.
Around three-thirty, the procession turned back and by four, it returned to the starting point. Long rows of benches were set up in the closely trimmed fields around the school. The children took their seats, and large baskets covered with white cloths, along with big steaming tin containers, were brought out. Before the food distribution began, Mr. Hall said a short prayer, which the children sang. Their young voices were melodious and even touching in the fresh air. Then, large currant buns and hot, sweetened tea were served up generously. There were no limits on this day, at least; the rule for each child's portion was that they would receive about double what they could possibly eat, allowing for leftovers to be taken home for those who, due to age, illness, or other reasons, couldn’t attend the feast. Buns and drinks circulated among the musicians and church singers; afterward, the benches were cleared away, and they were free to enjoy themselves in a relaxed manner.
A bell summoned the teachers, patrons, and patronesses to the schoolroom. Miss Keeldar, Miss Helstone, and many other ladies were already there, glancing over the arrangement of their separate trays and tables. Most of the female servants of the neighbourhood, together with the clerks', the singers', and the musicians' wives, had been pressed into the service of the day as waiters. Each vied with the other in smartness and daintiness of dress, and many handsome forms were seen amongst the younger ones. About half a score were cutting bread and butter, another half-score supplying hot water, brought from the coppers of the rector's kitchen. The profusion of flowers and evergreens decorating the white walls, the show of silver teapots and bright porcelain on the tables, the active figures, blithe faces, gay dresses flitting about everywhere, formed altogether a refreshing and lively spectacle. Everybody talked, not very loudly, but merrily, and the canary birds sang shrill in their high-hung cages.
A bell called the teachers, guests, and sponsors to the classroom. Miss Keeldar, Miss Helstone, and several other ladies were already there, checking the setup of their individual trays and tables. Most of the local female servants, along with the clerks', singers', and musicians' wives, had been recruited for the day as waitstaff. Each tried to outdo the others in style and elegance, and many attractive young women were among them. About ten were cutting bread and butter, while another ten were getting hot water from the rector's kitchen. The abundance of flowers and greenery decorating the white walls, the display of silver teapots and bright porcelain on the tables, and the lively figures, cheerful faces, and colorful dresses moving around created a refreshing and vibrant scene. Everyone was chatting, not too loudly but happily, and the canary birds chirped loudly in their high cages.
Caroline, as the rector's niece, took her place at one of the three first tables; Mrs. Boultby and Margaret Hall officiated at the others. At these tables the élite of the[Pg 268] company were to be entertained, strict rules of equality not being more in fashion at Briarfield than elsewhere. Miss Helstone removed her bonnet and scarf, that she might be less oppressed with the heat. Her long curls, falling on her neck, served almost in place of a veil; and for the rest, her muslin dress was fashioned modestly as a nun's robe, enabling her thus to dispense with the encumbrance of a shawl.
Caroline, as the rector's niece, took her seat at one of the three main tables; Mrs. Boultby and Margaret Hall managed the other two. At these tables, the elite of the [Pg268It seems there was no text provided for me to modernize. Please provide a short phrase, and I'll assist you with that! gathering were to be entertained, with strict rules of equality not being any more popular at Briarfield than anywhere else. Miss Helstone took off her bonnet and scarf to feel less hot. Her long curls, cascading down her neck, acted almost like a veil; and her muslin dress was designed modestly like a nun's outfit, allowing her to forgo the need for a shawl.
The room was filling. Mr. Hall had taken his post beside Caroline, who now, as she rearranged the cups and spoons before her, whispered to him in a low voice remarks on the events of the day. He looked a little grave about what had taken place in Royd Lane, and she tried to smile him out of his seriousness. Miss Keeldar sat near—for a wonder, neither laughing nor talking; on the contrary, very still, and gazing round her vigilantly. She seemed afraid lest some intruder should take a seat she apparently wished to reserve next her own. Ever and anon she spread her satin dress over an undue portion of the bench, or laid her gloves or her embroidered handkerchief upon it. Caroline noticed this manège at last, and asked her what friend she expected. Shirley bent towards her, almost touched her ear with her rosy lips, and whispered with a musical softness that often characterized her tones when what she said tended even remotely to stir some sweet secret source of feeling in her heart, "I expect Mr. Moore. I saw him last night, and I made him promise to come with his sister, and to sit at our table. He won't fail me, I feel certain; but I apprehend his coming too late, and being separated from us. Here is a fresh batch arriving; every place will be taken. Provoking!"
The room was getting crowded. Mr. Hall had taken his place next to Caroline, who was rearranging the cups and spoons in front of her while whispering to him about the day's events. He looked a bit serious about what had happened in Royd Lane, and she tried to cheer him up with a smile. Miss Keeldar was sitting nearby—surprisingly, not laughing or chatting; instead, she was very quiet, scanning the room intently. She seemed worried that someone might sit down in a spot she wanted to keep reserved next to her. Every now and then, she spread her satin dress over too much of the bench or placed her gloves or embroidered handkerchief on it. Caroline noticed this behavior after a while and asked her who she was waiting for. Shirley leaned close, almost brushing her ear with her rosy lips, and whispered with a soft, musical tone that often revealed her feelings, "I’m expecting Mr. Moore. I saw him last night and made him promise to come with his sister and sit at our table. I’m sure he won’t let me down; but I’m worried he’ll arrive too late and get separated from us. There’s a new group coming in; every spot will be taken. It’s frustrating!"
In fact, Mr. Wynne the magistrate, his wife, his son, and his two daughters now entered in high state. They were Briarfield gentry. Of course their place was at the first table, and being conducted thither, they filled up the whole remaining space. For Miss Keeldar's comfort, Mr. Sam Wynne inducted himself into the very vacancy she had kept for Moore, planting himself solidly on her gown, her gloves, and her handkerchief. Mr. Sam was one of the objects of her aversion, and the more so because he showed serious symptoms of an aim at her hand. The old gentleman, too, had publicly declared that the Fieldhead estate and the De Walden estate were delightfully contagious—a malapropism which rumour had not failed to repeat to Shirley.
Mr. Wynne, the magistrate, his wife, his son, and his two daughters walked in with great importance. They were the gentry of Briarfield. Naturally, they took their seats at the main table and filled up all the remaining space. To Miss Keeldar's discomfort, Mr. Sam Wynne squeezed himself into the empty spot she had saved for Moore, sitting right on her gown, her gloves, and her handkerchief. Mr. Sam was one of the people she couldn’t stand, especially because he seemed to be seriously trying to win her over. The old gentleman had also publicly stated that the Fieldhead estate and the De Walden estate were delightfully contagious—a mistake that rumor quickly passed on to Shirley.
[Pg 269]Caroline's ears yet rung with that thrilling whisper, "I expect Mr. Moore," her heart yet beat and her cheek yet glowed with it, when a note from the organ pealed above the confused hum of the place. Dr. Boultby, Mr. Helstone, and Mr. Hall rose, so did all present, and grace was sung to the accompaniment of the music; and then tea began. She was kept too busy with her office for a while to have leisure for looking round, but the last cup being filled, she threw a restless glance over the room. There were some ladies and several gentlemen standing about yet unaccommodated with seats. Amidst a group she recognized her spinster friend, Miss Mann, whom the fine weather had tempted, or some urgent friend had persuaded, to leave her drear solitude for one hour of social enjoyment. Miss Mann looked tired of standing; a lady in a yellow bonnet brought her a chair. Caroline knew well that chapeau en satin jaune; she knew the black hair, and the kindly though rather opinionated and froward-looking face under it; she knew that robe de soie noire, she knew even that schall gris de lin; she knew, in short, Hortense Moore, and she wanted to jump up and run to her and kiss her—to give her one embrace for her own sake and two for her brother's. She half rose, indeed, with a smothered exclamation, and perhaps—for the impulse was very strong—she would have run across the room and actually saluted her; but a hand replaced her in her seat, and a voice behind her whispered, "Wait till after tea, Lina, and then I'll bring her to you."
[Pg269Please provide the text you would like me to modernize.Caroline's ears were still vibrating with that exciting whisper, "I expect Mr. Moore." Her heart was still racing, and her cheeks were still flushed, when a note from the organ rang out above the busy chatter of the room. Dr. Boultby, Mr. Helstone, and Mr. Hall stood up, and everyone else followed, singing grace to the music; then tea was served. She was too occupied with her duties for a while to look around, but once the last cup was filled, she glanced around the room. There were some ladies and several gentlemen still standing without seats. Among a group, she spotted her single friend, Miss Mann, who had been tempted by the nice weather or persuaded by some urgent friend to leave her lonely existence for an hour of socializing. Miss Mann seemed tired of standing; a lady in a yellow bonnet brought her a chair. Caroline recognized that chapeau en satin jaune; she knew the black hair and the kindly yet somewhat opinionated and sulky face beneath it; she recognized that robe de soie noire; she even knew that schall gris de lin; in short, she knew Hortense Moore, and she wanted to jump up, run over, and kiss her—to give her one embrace for her own sake and two for her brother's benefit. She almost stood up with a muffled exclamation, and perhaps—because the urge was very strong—she would have dashed across the room and actually greeted her, but a hand pushed her back into her seat, and a voice behind her whispered, "Wait till after tea, Lina, and then I'll bring her to you."
And when she could look up she did, and there was Robert himself close behind, smiling at her eagerness, looking better than she had ever seen him look—looking, indeed, to her partial eyes, so very handsome that she dared not trust herself to hazard a second glance; for his image struck on her vision with painful brightness, and pictured itself on her memory as vividly as if there daguerreotyped by a pencil of keen lightning.
And when she could look up, she did, and there was Robert himself right behind her, smiling at her eagerness, looking better than she had ever seen him—so handsome, in fact, that she didn't dare risk a second glance; his image hit her vision with painful brightness and etched itself in her memory as clearly as if it had been captured by a lightning flash.
He moved on, and spoke to Miss Keeldar. Shirley, irritated by some unwelcome attentions from Sam Wynne, and by the fact of that gentleman being still seated on her gloves and handkerchief—and probably, also, by Moore's want of punctuality—was by no means in good humour. She first shrugged her shoulders at him, and then she said a bitter word or two about his "insupportable tardiness." Moore neither apologized nor retorted. He stood near her[Pg 270] quietly, as if waiting to see whether she would recover her temper; which she did in little more than three minutes, indicating the change by offering him her hand. Moore took it with a smile, half-corrective, half-grateful. The slightest possible shake of the head delicately marked the former quality; it is probable a gentle pressure indicated the latter.
He moved on and talked to Miss Keeldar. Shirley, annoyed by some unwanted attention from Sam Wynne and the fact that he was still sitting on her gloves and handkerchief—and probably also by Moore’s lack of punctuality—was not in a good mood at all. She first shrugged her shoulders at him and then said a harsh word or two about his "unbearable lateness." Moore neither apologized nor fired back. He stood near her quietly, as if waiting to see if she would calm down; which she did in just over three minutes, showing the change by offering him her hand. Moore took it with a smile that was half-corrective, half-grateful. A slight shake of his head subtly indicated the corrective part; it’s likely a gentle pressure indicated the grateful part.
"You may sit where you can now, Mr. Moore," said Shirley, also smiling. "You see there is not an inch of room for you here; but I discern plenty of space at Mrs. Boultby's table, between Miss Armitage and Miss Birtwhistle. Go! John Sykes will be your vis-à-vis, and you will sit with your back towards us."
"You can take a seat wherever you want, Mr. Moore," Shirley said, smiling as well. "As you can see, there's no room for you here; but I notice there's plenty of space at Mrs. Boultby's table, between Miss Armitage and Miss Birtwhistle. Go ahead! John Sykes will be your vis-à-vis, and you’ll be sitting with your back to us."
Moore, however, preferred lingering about where he was. He now and then took a turn down the long room, pausing in his walk to interchange greetings with other gentlemen in his own placeless predicament; but still he came back to the magnet, Shirley, bringing with him, each time he returned, observations it was necessary to whisper in her ear.
Moore, however, preferred to hang around where he was. Every now and then, he would stroll down the long room, stopping to chat with other guys in his similar situation; but he always returned to the focal point, Shirley, bringing back observations he needed to whisper in her ear each time he came back.
Meantime poor Sam Wynne looked far from comfortable. His fair neighbour, judging from her movements, appeared in a mood the most unquiet and unaccommodating. She would not sit still two seconds. She was hot; she fanned herself; complained of want of air and space. She remarked that, in her opinion, when people had finished their tea they ought to leave the tables, and announced distinctly that she expected to faint if the present state of things continued. Mr. Sam offered to accompany her into the open air; just the way to give her her death of cold, she alleged. In short, his post became untenable; and having swallowed his quantum of tea, he judged it expedient to evacuate.
Meanwhile, poor Sam Wynne didn’t look comfortable at all. His attractive neighbor, judging by her actions, seemed restless and uncooperative. She couldn't sit still for even two seconds. She felt hot, kept fanning herself, and complained about the lack of air and space. She said that, in her opinion, once people finished their tea, they should leave the tables, and clearly stated that she expected to faint if things continued like this. Mr. Sam offered to take her outside, but she claimed that would only give her a terrible chill. In short, his situation was becoming unbearable; after finishing his tea, he thought it best to leave.
Moore should have been at hand, whereas he was quite at the other extremity of the room, deep in conference with Christopher Sykes. A large corn-factor, Timothy Ramsden, Esq., happened to be nearer; and feeling himself tired of standing, he advanced to fill the vacant seat. Shirley's expedients did not fail her. A sweep of her scarf upset her teacup: its contents were shared between the bench and her own satin dress. Of course, it became necessary to call a waiter to remedy the mischief. Mr. Ramsden, a stout, puffy gentleman, as large in person as he was in property, held aloof from the consequent commotion. Shirley, usually almost culpably indifferent to slight accidents affecting dress, etc., now made a commotion that might have become the most delicate and nervous of her[Pg 271] sex. Mr. Ramsden opened his mouth, withdrew slowly, and, as Miss Keeldar again intimated her intention to "give way" and swoon on the spot, he turned on his heel, and beat a heavy retreat.
Moore should have been nearby, but instead, he was at the far end of the room, deep in conversation with Christopher Sykes. A large corn merchant, Timothy Ramsden, Esq., happened to be closer and, feeling tired of standing, moved to take the empty seat. Shirley's quick thinking didn’t let her down. With a sweep of her scarf, she knocked over her teacup, spilling its contents onto the bench and her satin dress. Naturally, she had to call a waiter to clean up the mess. Mr. Ramsden, a stout and puffy gentleman, as large in size as he was in wealth, kept his distance from the ensuing chaos. Shirley, who usually seemed almost indifferent to minor accidents involving her dress, now created a fuss that could have suited the most delicate of her sex. Mr. Ramsden opened his mouth, slowly backed away, and when Miss Keeldar indicated she might "give way" and faint on the spot, he turned and made an awkward exit.
Moore at last returned. Calmly surveying the bustle, and somewhat quizzically scanning Shirley's enigmatical-looking countenance, he remarked that in truth this was the hottest end of the room, that he found a climate there calculated to agree with none but cool temperaments like his own; and putting the waiters, the napkins, the satin robe—the whole turmoil, in short—to one side, he installed himself where destiny evidently decreed he should sit. Shirley subsided; her features altered their lines; the raised knit brow and inexplicable curve of the mouth became straight again; wilfulness and roguery gave place to other expressions; and all the angular movements with which she had vexed the soul of Sam Wynne were conjured to rest as by a charm. Still no gracious glance was cast on Moore. On the contrary, he was accused of giving her a world of trouble, and roundly charged with being the cause of depriving her of the esteem of Mr. Ramsden and the invaluable friendship of Mr. Samuel Wynne.
Moore finally came back. He calmly took in the scene and gave Shirley's mysterious face a curious look. He noted that this was indeed the hottest part of the room and that the atmosphere there was suited only for temperaments as cool as his. Ignoring the waiters, the napkins, the satin robe—basically all the chaos—he settled himself where fate clearly meant for him to be. Shirley relaxed; her features softened; the tense brow and the mysterious curve of her mouth straightened out; stubbornness and mischief were replaced by different expressions, and all the sharp movements that had irritated Sam Wynne seemed to halt as if by magic. However, she still didn’t give Moore a kind glance. Instead, she accused him of causing her a lot of trouble and bluntly blamed him for losing her respect from Mr. Ramsden and the priceless friendship of Mr. Samuel Wynne.
"Wouldn't have offended either gentleman for the world," she averred. "I have always been accustomed to treat both with the most respectful consideration, and there, owing to you, how they have been used! I shall not be happy till I have made it up. I never am happy till I am friends with my neighbours. So to-morrow I must make a pilgrimage to Royd corn-mill, soothe the miller, and praise the grain; and next day I must call at De Walden—where I hate to go—and carry in my reticule half an oatcake to give to Mr. Sam's favourite pointers."
"I wouldn't offend either gentleman for the world," she insisted. "I've always treated both of them with the utmost respect, and look at how they've been treated because of you! I won’t be happy until I’ve made things right. I'm never happy until I'm on good terms with my neighbors. So tomorrow, I need to make a trip to Royd corn-mill, calm down the miller, and compliment the grain; and the day after that, I have to stop by De Walden—where I really dislike going—and bring half an oatcake in my purse to give to Mr. Sam's favorite pointers."
"You know the surest path to the heart of each swain, I doubt not," said Moore quietly. He looked very content to have at last secured his present place; but he made no fine speech expressive of gratification, and offered no apology for the trouble he had given. His phlegm became him wonderfully. It made him look handsomer, he was so composed; it made his vicinage pleasant, it was so peace-restoring. You would not have thought, to look at him, that he was a poor, struggling man seated beside a rich woman; the calm of equality stilled his aspect; perhaps that calm, too, reigned in his soul. Now and then, from the way in which he looked down on Miss Keeldar as he addressed[Pg 272] her, you would have fancied his station towered above hers as much as his stature did. Almost stern lights sometimes crossed his brow and gleamed in his eyes. Their conversation had become animated, though it was confined to a low key; she was urging him with questions—evidently he refused to her curiosity all the gratification it demanded. She sought his eye once with hers. You read, in its soft yet eager expression, that it solicited clearer replies. Moore smiled pleasantly, but his lips continued sealed. Then she was piqued, and turned away; but he recalled her attention in two minutes. He seemed making promises, which he soothed her into accepting in lieu of information.
"You know the easiest way to win over each suitor, I’m sure," Moore said quietly. He looked quite satisfied to finally be in his current position; however, he didn’t make any grand speech about his happiness nor did he apologize for any inconvenience he had caused. His calm demeanor suited him perfectly. It made him appear more attractive with his composed manner; it also made the atmosphere around him pleasant and peaceful. You wouldn’t have guessed, just by looking at him, that he was a poor, struggling man sitting next to a wealthy woman; the calm of equality softened his appearance; perhaps that calmness reigned in his heart as well. Occasionally, the way he looked down at Miss Keeldar while speaking to her might have made you think his status was as elevated above hers as his height. Sometimes, a serious expression crossed his brow and sparkled in his eyes. Their conversation had become lively, although it was kept at a low volume; she was pressing him with questions—clearly, he was withholding from her the answers she craved. Once, she tried to catch his eye with hers. In its gentle yet eager look, you could see she was asking for clearer responses. Moore smiled warmly, but his lips remained sealed. Then she became frustrated and looked away; but he got her attention again in two minutes. It seemed he was making promises that he gently lured her into accepting instead of providing information.
It appeared that the heat of the room did not suit Miss Helstone. She grew paler and paler as the process of tea-making was protracted. The moment thanks were returned she quitted the table, and hastened to follow her cousin Hortense, who, with Miss Mann, had already sought the open air. Robert Moore had risen when she did—perhaps he meant to speak to her; but there was yet a parting word to exchange with Miss Keeldar, and while it was being uttered Caroline had vanished.
It seemed that the heat in the room was not good for Miss Helstone. She became increasingly pale as the tea-making dragged on. As soon as thanks were given, she left the table and rushed to catch up with her cousin Hortense, who, along with Miss Mann, had already gone outside. Robert Moore had stood up when she did—maybe he planned to talk to her—but he still had a farewell to exchange with Miss Keeldar, and while that was happening, Caroline had disappeared.
Hortense received her former pupil with a demeanour of more dignity than warmth. She had been seriously offended by Mr. Helstone's proceedings, and had all along considered Caroline to blame in obeying her uncle too literally.
Hortense welcomed her former student with a demeanor that was more dignified than warm. She had been seriously offended by Mr. Helstone's actions and had always thought Caroline was at fault for following her uncle's instructions too strictly.
"You are a very great stranger," she said austerely, as her pupil held and pressed her hand. The pupil knew her too well to remonstrate or complain of coldness. She let the punctilious whim pass, sure that her natural bonté (I use this French word because it expresses just what I mean—neither goodness nor good-nature, but something between the two) would presently get the upper hand. It did. Hortense had no sooner examined her face well, and observed the change its somewhat wasted features betrayed, than her mien softened. Kissing her on both cheeks, she asked anxiously after her health. Caroline answered gaily. It would, however, have been her lot to undergo a long cross-examination, followed by an endless lecture on this head, had not Miss Mann called off the attention of the questioner by requesting to be conducted home. The poor invalid was already fatigued. Her weariness made her cross—too cross almost to speak to Caroline; and besides, that young person's white dress and lively look were displeasing in the eyes of Miss Mann. The everyday garb[Pg 273] of brown stuff or gray gingham, and the everyday air of melancholy, suited the solitary spinster better; she would hardly know her young friend to-night, and quitted her with a cool nod. Hortense having promised to accompany her home, they departed together.
"You are quite the stranger," she said sternly, as her pupil held and squeezed her hand. The pupil knew her well enough not to argue or complain about the coldness. She let the formal whim pass, confident that her natural kindness would soon take over. It did. As soon as Hortense examined her face closely and noticed the change in its somewhat gaunt features, her demeanor softened. Kissing her on both cheeks, she asked anxiously about her health. Caroline replied cheerfully. However, she would have faced a long cross-examination followed by an endless lecture on this topic if Miss Mann hadn't diverted the questioner's attention by asking to be taken home. The poor invalid was already tired. Her exhaustion made her irritable—almost too irritable to speak to Caroline; moreover, the young woman's white dress and lively appearance were displeasing to Miss Mann. The everyday clothes of brown fabric or gray gingham, coupled with an air of melancholy, suited the solitary spinster better; she would hardly recognize her young friend tonight and left her with a cool nod. After Hortense promised to walk her home, they departed together.
Caroline now looked round for Shirley. She saw the rainbow scarf and purple dress in the centre of a throng of ladies, all well known to herself, but all of the order whom she systematically avoided whenever avoidance was possible. Shyer at some moments than at others, she felt just now no courage at all to join this company. She could not, however, stand alone where all others went in pairs or parties; so she approached a group of her own scholars, great girls, or rather young women, who were standing watching some hundreds of the younger children playing at blind-man's buff.
Caroline looked around for Shirley. She spotted the rainbow scarf and purple dress in the middle of a crowd of ladies, all familiar to her, but ones she usually tried to avoid whenever she could. Feeling shyer at times than others, she had no courage now to join this group. However, she couldn't just stand alone while everyone else was in pairs or groups; so she walked over to a group of her own students, older girls, or rather young women, who were watching hundreds of younger children playing blind-man's buff.
Miss Helstone knew these girls liked her, yet she was shy even with them out of school. They were not more in awe of her than she of them. She drew near them now, rather to find protection in their company than to patronize them with her presence. By some instinct they knew her weakness, and with natural politeness they respected it. Her knowledge commanded their esteem when she taught them; her gentleness attracted their regard; and because she was what they considered wise and good when on duty, they kindly overlooked her evident timidity when off. They did not take advantage of it. Peasant girls as they were, they had too much of our own English sensibility to be guilty of the coarse error. They stood round her still, civil, friendly, receiving her slight smiles and rather hurried efforts to converse with a good feeling and good breeding—the last quality being the result of the first—which soon set her at her ease.
Miss Helstone knew these girls liked her, but she was still shy even around them outside of school. They didn’t hold her in higher regard than she did them. She approached them now, more to seek comfort in their company than to act superior. Somehow, they sensed her vulnerability and, out of natural politeness, respected it. Her knowledge earned their admiration when she taught them; her kindness drew their affection, and because they saw her as wise and good while she was working, they kindly overlooked her obvious shyness when she wasn’t. They didn’t exploit it. Even though they were peasant girls, they had too much English sensibility to make that mistake. They gathered around her, civil and friendly, accepting her small smiles and somewhat rushed attempts to chat with warmth and grace—their good manners stemming from their kindness—which soon put her at ease.
Mr. Sam Wynne coming up with great haste, to insist on the elder girls joining in the game as well as the younger ones, Caroline was again left alone. She was meditating a quiet retreat to the house, when Shirley, perceiving from afar her isolation, hastened to her side.
Mr. Sam Wynne rushed over, insisting that the older girls join the game with the younger ones, leaving Caroline alone once again. She was thinking about quietly heading back to the house when Shirley, noticing her loneliness from a distance, quickly went to her side.
"Let us go to the top of the fields," she said. "I know you don't like crowds, Caroline."
"Let’s go to the top of the fields," she said. "I know you’re not a fan of crowds, Caroline."
"But it will be depriving you of a pleasure, Shirley, to take you from all these fine people, who court your society so assiduously, and to whom you can, without art or effort, make yourself so pleasant."
"But it would be taking away a joy from you, Shirley, to remove you from all these wonderful people, who seek your company so eagerly, and to whom you can, effortlessly, be so enjoyable."
[Pg 274]"Not quite without effort; I am already tired of the exertion. It is but insipid, barren work, talking and laughing with the good gentlefolks of Briarfield. I have been looking out for your white dress for the last ten minutes. I like to watch those I love in a crowd, and to compare them with others. I have thus compared you. You resemble none of the rest, Lina. There are some prettier faces than yours here. You are not a model beauty like Harriet Sykes, for instance—beside her your person appears almost insignificant—but you look agreeable, you look reflective, you look what I call interesting."
[Pg274Please provide the text you would like me to modernize."It's not effortless; I'm already tired from trying. It's really dull, just chatting and laughing with the nice folks in Briarfield. I've been keeping an eye out for your white dress for the last ten minutes. I enjoy watching the people I care about in a crowd and comparing them to others. And I've compared you. You don’t look like anyone else here, Lina. There are definitely prettier faces than yours in this place. You’re not a classic beauty like Harriet Sykes, for example—next to her, you seem almost plain—but you come across as pleasant, thoughtful, and what I’d call interesting."
"Hush, Shirley! you flatter me."
"Hush, Shirley! You're flattering me."
"I don't wonder that your scholars like you."
"I’m not surprised that your students like you."
"Nonsense, Shirley! Talk of something else."
"Nonsense, Shirley! Let's talk about something else."
"We will talk of Moore, then, and we will watch him. I see him even now."
"We will discuss Moore now, and we will keep an eye on him. I can see him even now."
"Where?" And as Caroline asked the question she looked not over the fields, but into Miss Keeldar's eyes, as was her wont whenever Shirley mentioned any object she descried afar. Her friend had quicker vision than herself, and Caroline seemed to think that the secret of her eagle acuteness might be read in her dark gray irides, or rather, perhaps, she only sought guidance by the direction of those discriminating and brilliant spheres.
"Where?" And as Caroline asked the question, she looked not over the fields, but into Miss Keeldar's eyes, as she usually did whenever Shirley pointed out something in the distance. Her friend had sharper vision than she did, and Caroline seemed to believe that the secret to her keen perception might be found in her dark gray irides, or maybe she was just looking for direction from those keen and bright eyes.
"There is Moore," said Shirley, pointing right across the wide field where a thousand children were playing, and now nearly a thousand adult spectators walking about. "There—can you miss the tall stature and straight port? He looks amidst the set that surround him like Eliab amongst humbler shepherds—like Saul in a war-council; and a war-council it is, if I am not mistaken."
"There’s Moore," Shirley said, pointing across the large field where a thousand kids were playing, and now nearly a thousand adults were walking around. "There—can you miss his height and straight posture? He stands out among the crowd like Eliab among simpler shepherds—like Saul in a war council; and it is a war council, if I'm not mistaken."
"Why so, Shirley?" asked Caroline, whose eye had at last caught the object it sought. "Robert is just now speaking to my uncle, and they are shaking hands. They are then reconciled."
"Why is that, Shirley?" asked Caroline, whose gaze had finally spotted what she was looking for. "Robert is talking to my uncle right now, and they are shaking hands. They must be reconciled."
"Reconciled not without good reason, depend on it—making common cause against some common foe. And why, think you, are Messrs. Wynne and Sykes, and Armitage and Ramsden, gathered in such a close circle round them? And why is Malone beckoned to join them? Where he is summoned, be sure a strong arm is needed."
"Reconciled for good reason, believe me—joining forces against a shared enemy. And why do you think Mr. Wynne, Mr. Sykes, Mr. Armitage, and Mr. Ramsden are huddled together so closely? And why has Malone been called over to them? Wherever he is summoned, you can be sure that a strong hand is required."
Shirley, as she watched, grew restless; her eyes flashed.
Shirley grew restless as she watched, her eyes flashing.
"They won't trust me," she said. "That is always the way when it comes to the point."
"They won't trust me," she said. "That's how it always is when it comes down to it."
[Pg 275]"What about?"
"What’s that about?"
"Cannot you feel? There is some mystery afloat; some event is expected; some preparation is to be made, I am certain. I saw it all in Mr. Moore's manner this evening. He was excited, yet hard."
"Can’t you feel it? There’s a mystery in the air; something is about to happen; there’s some preparation to be made, I’m sure of it. I noticed it all in Mr. Moore’s behavior this evening. He was excited, yet stern."
"Hard to you, Shirley?"
"Hard for you, Shirley?"
"Yes, to me. He often is hard to me. We seldom converse tête-à-tête but I am made to feel that the basis of his character is not of eider down."
"Yes, to me. He often is tough on me. We rarely talk tête-à-tête, but I can tell that the foundation of his character is not soft."
"Yet he seemed to talk to you softly."
"Yet he seemed to speak to you gently."
"Did he not? Very gentle tones and quiet manner. Yet the man is peremptory and secret: his secrecy vexes me."
"Did he not? Very gentle tones and a calm demeanor. Yet the man is forceful and mysterious: his secrecy annoys me."
"Yes, Robert is secret."
"Yes, Robert is a secret."
"Which he has scarcely a right to be with me, especially as he commenced by giving me his confidence. Having done nothing to forfeit that confidence, it ought not to be withdrawn; but I suppose I am not considered iron-souled enough to be trusted in a crisis."
"Which he barely has a right to do with me, especially since he started by trusting me. Since I haven’t done anything to lose that trust, it shouldn’t be taken away; but I guess I’m not seen as tough enough to be relied upon in a crisis."
"He fears, probably, to occasion you uneasiness."
"He probably fears that he will cause you discomfort."
"An unnecessary precaution. I am of elastic materials, not soon crushed. He ought to know that. But the man is proud. He has his faults, say what you will, Lina. Observe how engaged that group appear. They do not know we are watching them."
"An unnecessary precaution. I’m made of flexible stuff, not easily broken. He should know that. But the guy is proud. He has his flaws, no matter what you say, Lina. Look at how engaged that group looks. They have no idea we're watching them."
"If we keep on the alert, Shirley, we shall perhaps find the clue to their secret."
"If we stay alert, Shirley, we might discover the clue to their secret."
"There will be some unusual movements ere long—perhaps to-morrow, possibly to-night. But my eyes and ears are wide open. Mr. Moore, you shall be under surveillance. Be you vigilant also, Lina."
"There will be some unusual activity soon—maybe tomorrow, possibly tonight. But I'm keeping my eyes and ears wide open. Mr. Moore, you'll be under observation. You should also stay alert, Lina."
"I will. Robert is going; I saw him turn. I believe he noticed us. They are shaking hands."
"I will. Robert is leaving; I saw him turn. I think he saw us. They are shaking hands."
"Shaking hands, with emphasis," added Shirley, "as if they were ratifying some solemn league and covenant."
"Shaking hands with emphasis," added Shirley, "as if they were agreeing to some serious pact."
They saw Robert quit the group, pass through a gate, and disappear.
They watched Robert leave the group, walk through a gate, and vanish.
"And he has not bid us good-bye," murmured Caroline.
"And he didn't say goodbye," Caroline whispered.
Scarcely had the words escaped her lips when she tried by a smile to deny the confession of disappointment they seemed to imply. An unbidden suffusion for one moment both softened and brightened her eyes.
Scarcely had the words left her lips when she attempted, with a smile, to deny the disappointment they seemed to reveal. An unexpected wave of emotion for a moment both softened and brightened her eyes.
"Oh, that is soon remedied!" exclaimed Shirley: "we'll make him bid us good-bye."
"Oh, that can be fixed quickly!" Shirley exclaimed. "We'll make him say goodbye to us."
[Pg 276]"Make him! That is not the same thing," was the answer.
[Pg276I'm sorry, but there is no text provided for me to modernize. Please provide a short phrase or piece of text for assistance."Make him! That's not the same thing," was the response.
"It shall be the same thing."
"It will be the same thing."
"But he is gone; you can't overtake him."
"But he’s gone; you can't catch him."
"I know a shorter way than that he has taken. We will intercept him."
"I know a quicker way than the one he's taken. We’ll cut him off."
"But, Shirley, I would rather not go."
"But, Shirley, I'd rather not go."
Caroline said this as Miss Keeldar seized her arm and hurried her down the fields. It was vain to contend. Nothing was so wilful as Shirley when she took a whim into her head. Caroline found herself out of sight of the crowd almost before she was aware, and ushered into a narrow shady spot, embowered above with hawthorns, and enamelled under foot with daisies. She took no notice of the evening sun chequering the turf, nor was she sensible of the pure incense exhaling at this hour from tree and plant; she only heard the wicket opening at one end, and knew Robert was approaching. The long sprays of the hawthorns, shooting out before them, served as a screen. They saw him before he observed them. At a glance Caroline perceived that his social hilarity was gone; he had left it behind him in the joy-echoing fields round the school. What remained now was his dark, quiet, business countenance. As Shirley had said, a certain hardness characterized his air, while his eye was excited, but austere. So much the worse timed was the present freak of Shirley's. If he had looked disposed for holiday mirth, it would not have mattered much; but now——
Caroline said this as Miss Keeldar grabbed her arm and hurried her down the fields. It was pointless to resist. Nothing was as stubborn as Shirley when she got an idea in her head. Caroline found herself out of sight of the crowd almost before she realized it, led into a narrow shady area, covered above with hawthorns and carpeted below with daisies. She didn't pay attention to the evening sun dappling the grass, nor was she aware of the fresh scent wafting from the trees and plants at this hour; she only heard the gate opening at one end and knew Robert was coming. The long branches of the hawthorns, reaching out before them, acted as a screen. They spotted him before he noticed them. With one glance, Caroline saw that his cheerful demeanor was gone; he had left it behind in the joy-filled fields around the school. What remained now was his serious, quiet, business-like expression. As Shirley had mentioned, a certain hardness defined his presence, while his eyes were both excited yet stern. The timing of Shirley's current whim was unfortunate. If he had seemed ready for a festive mood, it wouldn’t have mattered much; but now—
"I told you not to come," said Caroline, somewhat bitterly, to her friend. She seemed truly perturbed. To be intruded on Robert thus, against her will and his expectation, and when he evidently would rather not be delayed, keenly annoyed her. It did not annoy Miss Keeldar in the least. She stepped forward and faced her tenant, barring his way. "You omitted to bid us good-bye," she said.
"I told you not to come," Caroline said bitterly to her friend. She looked genuinely upset. Being interrupted by Robert like this, against her will and his expectations, especially when he clearly didn't want to be held up, really frustrated her. Miss Keeldar, however, wasn't bothered at all. She moved forward and blocked his path. "You didn't say goodbye to us," she said.
"Omitted to bid you good-bye! Where did you come from? Are you fairies? I left two like you, one in purple and one in white, standing at the top of a bank, four fields off, but a minute ago."
“Omitted to say goodbye! Where did you come from? Are you fairies? I just left two like you, one in purple and one in white, standing at the top of a hill, four fields away, just a minute ago.”
"You left us there and find us here. We have been watching you, and shall watch you still. You must be questioned one day, but not now. At present all you have to do is to say good-night, and then pass."
"You left us there and find us here. We have been watching you, and we will keep watching you. You will have to answer for this one day, but not right now. For now, all you need to do is say goodnight and move on."
[Pg 277]Moore glanced from one to the other without unbending his aspect. "Days of fête have their privileges, and so have days of hazard," observed he gravely.
[Pg277I'm sorry, but there doesn't seem to be a specific phrase provided for me to modernize. Please provide a short phrase (5 words or fewer) for me to work on.Moore looked from one person to the other without changing his expression. "Celebration days have their perks, and so do risky days," he said seriously.
"Come, don't moralize. Say good-night, and pass," urged Shirley.
"Come on, don’t lecture me. Just say goodnight and move on," urged Shirley.
"Must I say good-night to you, Miss Keeldar?"
"Do I have to say good-night to you, Miss Keeldar?"
"Yes, and to Caroline likewise. It is nothing new, I hope. You have bid us both good-night before."
"Yes, and to Caroline as well. I hope this isn't a new thing. You've said goodnight to both of us before."
He took her hand, held it in one of his, and covered it with the other. He looked down at her gravely, kindly, yet commandingly. The heiress could not make this man her subject. In his gaze on her bright face there was no servility, hardly homage; but there were interest and affection, heightened by another feeling. Something in his tone when he spoke, as well as in his words, marked that last sentiment to be gratitude.
He took her hand, holding it in one of his and covering it with the other. He looked down at her seriously, kindly, yet with authority. The heiress couldn’t see this man as beneath her. In his gaze on her bright face, there was no submission, barely any reverence; instead, there was interest and affection, intensified by another emotion. Something in his tone when he spoke, as well as in his words, indicated that last feeling to be gratitude.
"Your debtor bids you good-night! May you rest safely and serenely till morning."
"Your debtor says goodnight! May you sleep well and peacefully until morning."
"And you, Mr. Moore—what are you going to do? What have you been saying to Mr. Helstone, with whom I saw you shake hands? Why did all those gentlemen gather round you? Put away reserve for once. Be frank with me."
"And you, Mr. Moore—what are you going to do? What have you been talking about with Mr. Helstone, whom I saw you shake hands with? Why did all those gentlemen gather around you? Drop the formality for once. Be honest with me."
"Who can resist you? I will be frank. To-morrow, if there is anything to relate, you shall hear it."
"Who can resist you? I’ll be honest. Tomorrow, if there's anything to share, you’ll hear it."
"Just now," pleaded Shirley; "don't procrastinate."
"Right now," Shirley pleaded; "don't put it off."
"But I could only tell half a tale. And my time is limited; I have not a moment to spare. Hereafter I will make amends for delay by candour."
"But I could only share part of the story. And my time is short; I can’t waste a second. In the future, I'll make up for the delay by being straightforward."
"But are you going home?"
"But are you headed home?"
"Yes."
"Yep."
"Not to leave it any more to-night?"
"Are we not going to leave it tonight?"
"Certainly not. At present, farewell to both of you."
"Definitely not. For now, goodbye to both of you."
He would have taken Caroline's hand and joined it in the same clasp in which he held Shirley's, but somehow it was not ready for him. She had withdrawn a few steps apart. Her answer to Moore's adieu was only a slight bend of the head and a gentle, serious smile. He sought no more cordial token. Again he said "Farewell," and quitted them both.
He would have taken Caroline's hand and held it in the same grip as Shirley's, but somehow it just wasn't there for him. She had stepped back a bit. Her response to Moore's goodbye was just a slight nod and a soft, serious smile. He didn’t seek any warmer gesture. Again he said "Farewell," and left them both.
"There! it is over," said Shirley when he was gone. "We have made him bid us good-night, and yet not lost ground in his esteem, I think, Cary."
"There! It’s over," said Shirley when he was gone. "We got him to say goodnight, and yet I think we haven't lost any ground in his esteem, Cary."
"I hope not," was the brief reply.
"I hope not," was the quick response.
[Pg 278]"I consider you very timid and undemonstrative," remarked Miss Keeldar. "Why did you not give Moore your hand when he offered you his? He is your cousin; you like him. Are you ashamed to let him perceive your affection?"
[Pg278Understood! Please provide the short piece of text you'd like me to modernize."I think you're really shy and reserved," Miss Keeldar said. "Why didn't you take Moore's hand when he offered it? He's your cousin; you like him. Are you embarrassed to show him your feelings?"
"He perceives all of it that interests him. No need to make a display of feeling."
"He notices everything that catches his interest. There's no need to show off his emotions."
"You are laconic; you would be stoical if you could. Is love, in your eyes, a crime, Caroline?"
"You’re brief with your words; you’d be unemotional if you could be. Do you see love as a crime, Caroline?"
"Love a crime! No, Shirley; love is a divine virtue. But why drag that word into the conversation? It is singularly irrelevant."
"Love a crime! No, Shirley; love is a wonderful virtue. But why bring that word into the conversation? It's completely irrelevant."
"Good!" pronounced Shirley.
"Awesome!" said Shirley.
The two girls paced the green lane in silence. Caroline first resumed.
The two girls walked quietly down the green path. Caroline was the first to speak again.
"Obtrusiveness is a crime, forwardness is a crime, and both disgust; but love! no purest angel need blush to love. And when I see or hear either man or woman couple shame with love, I know their minds are coarse, their associations debased. Many who think themselves refined ladies and gentlemen, and on whose lips the word 'vulgarity' is for ever hovering, cannot mention 'love' without betraying their own innate and imbecile degradation. It is a low feeling in their estimation, connected only with low ideas for them."
"Being pushy is a crime, being overly forward is a crime, and both are off-putting; but love! No purest angel should feel embarrassed to love. And when I see or hear anyone, whether man or woman, linking shame with love, I know their thoughts are crude and their associations are corrupted. Many who consider themselves refined ladies and gentlemen—those who constantly hover around the word 'vulgarity'—can’t mention 'love' without revealing their own inherent and foolish degradation. To them, it’s a base feeling tied only to low ideas."
"You describe three-fourths of the world, Caroline."
"You describe three-quarters of the world, Caroline."
"They are cold—they are cowardly—they are stupid on the subject, Shirley! They never loved—they never were loved!"
"They're cold—they're cowardly—they're clueless about it, Shirley! They never loved—they were never loved!"
"Thou art right, Lina. And in their dense ignorance they blaspheme living fire, seraph-brought from a divine altar."
"You’re right, Lina. And in their thick ignorance, they insult the living fire, brought by angels from a divine altar."
"They confound it with sparks mounting from Tophet."
"They confuse it with sparks rising from Tophet."
The sudden and joyous clash of bells here stopped the dialogue by summoning all to the church.[Pg 279]
The sudden and cheerful sound of bells here interrupted the conversation, calling everyone to the church.[Pg279I'm sorry, but there seems to be a misunderstanding. Can you please provide the short piece of text that needs to be modernized?
CHAPTER XVIII.
WHICH THE GENTEEL READER IS RECOMMENDED TO SKIP,
LOW PERSONS BEING HERE INTRODUCED.
The evening was still and warm; close and sultry it even promised to become. Round the descending sun the clouds glowed purple; summer tints, rather Indian than English, suffused the horizon, and cast rosy reflections on hillside, house-front, tree-bole, on winding road and undulating pasture-ground. The two girls came down from the fields slowly. By the time they reached the churchyard the bells were hushed; the multitudes were gathered into the church. The whole scene was solitary.
The evening was calm and warm; it felt close and muggy, hinting it could get even more so. Around the setting sun, the clouds glowed purple; summer colors, more Indian than English, spread across the horizon and threw rosy reflections on the hillside, house front, tree trunk, winding road, and rolling pasture. The two girls made their way down from the fields slowly. By the time they reached the churchyard, the bells had fallen silent; the crowds had gathered inside the church. The entire scene was quiet and lonely.
"How pleasant and calm it is!" said Caroline.
"How nice and peaceful it is!" said Caroline.
"And how hot it will be in the church!" responded Shirley. "And what a dreary long speech Dr. Boultby will make! And how the curates will hammer over their prepared orations! For my part, I would rather not enter."
"And how hot it’s going to be in the church!" replied Shirley. "And what a long, boring speech Dr. Boultby is going to give! And the curates will just drone on with their rehearsed talks! Honestly, I’d rather not go in."
"But my uncle will be angry if he observes our absence."
"But my uncle will be mad if he notices we're missing."
"I will bear the brunt of his wrath; he will not devour me. I shall be sorry to miss his pungent speech. I know it will be all sense for the church, and all causticity for schism. He'll not forget the battle of Royd Lane. I shall be sorry also to deprive you of Mr. Hall's sincere friendly homily, with all its racy Yorkshireisms; but here I must stay. The gray church and grayer tombs look divine with this crimson gleam on them. Nature is now at her evening prayers; she is kneeling before those red hills. I see her prostrate on the great steps of her altar, praying for a fair night for mariners at sea, for travellers in deserts, for lambs on moors, and unfledged birds in woods. Caroline, I see her, and I will tell you what she is like. She is like what Eve was when she and Adam stood alone on earth."
"I'll take the heat from his anger; he won’t consume me. I’ll regret missing his sharp speech. I know it will make perfect sense for the church and be full of bite for the dissenters. He won’t forget the battle of Royd Lane. I’ll also regret denying you Mr. Hall’s genuine friendly talk, with all its lively Yorkshire sayings; but I have to stay here. The gray church and even grayer tombs look stunning with this red glow on them. Nature is now at her evening prayers; she’s kneeling before those red hills. I see her lying down on the big steps of her altar, praying for a calm night for sailors at sea, for travelers in deserts, for lambs on moors, and for fledgling birds in the woods. Caroline, I see her, and I’ll tell you what she’s like. She’s like what Eve was when she and Adam stood alone on Earth."
"And that is not Milton's Eve, Shirley."
"And that is not Milton's Eve, Shirley."
"Milton's Eve! Milton's Eve! I repeat. No, by the pure Mother of God, she is not! Cary, we are alone; we may speak what we think. Milton was great; but was[Pg 280] he good? His brain was right; how was his heart? He saw heaven; he looked down on hell. He saw Satan, and Sin his daughter, and Death their horrible offspring. Angels serried before him their battalions; the long lines of adamantine shields flashed back on his blind eyeballs the unutterable splendour of heaven. Devils gathered their legions in his sight; their dim, discrowned, and tarnished armies passed rank and file before him. Milton tried to see the first woman; but, Cary, he saw her not."
"Milton's Eve! Milton's Eve! I say it again. No, for the pure Mother of God, she is not! Cary, we’re alone; we can say what we really think. Milton was great, but was he good? His mind was sharp; but what about his heart? He looked at heaven and saw hell. He saw Satan, and Sin, his daughter, and Death, their terrible offspring. Angels arranged their battalions in front of him; the long lines of unbreakable shields reflected the indescribable brilliance of heaven back onto his blind eyes. Devils gathered their forces before him; their dim, dethroned, and tarnished armies marched past him in formation. Milton tried to envision the first woman, but, Cary, he did not see her."
"You are bold to say so, Shirley."
"You're brave to say that, Shirley."
"Not more bold than faithful. It was his cook that he saw; or it was Mrs. Gill, as I have seen her, making custards, in the heat of summer, in the cool dairy, with rose-trees and nasturtiums about the latticed window, preparing a cold collation for the rectors—preserves and 'dulcet creams;' puzzled 'what choice to choose for delicacy best; what order so contrived as not to mix tastes, not well-joined, inelegant, but bring taste after taste, upheld with kindliest change.'"
"Not more daring than loyal. It was his cook that he saw; or it was Mrs. Gill, as I've seen her, making custards, in the heat of summer, in the cool dairy, with rose bushes and nasturtiums around the latticed window, preparing a cold spread for the rectors—jars of preserves and sweet creams; wondering 'what choice to pick for the best delicacy; how to arrange it so that the flavors don’t clash, aren’t badly matched, but instead bring one flavor after another, complemented by a gentle variety.'"
"All very well too, Shirley."
"That's great too, Shirley."
"I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother; from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus——"
"I would like to remind him that the first humans on earth were Titans, and that Eve was their mother; from her came Saturn, Hyperion, Oceanus; she gave birth to Prometheus——"
"Pagan that you are! what does that signify?"
"Pagan that you are! What does that mean?"
"I say, there were giants on the earth in those days—giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence, the strength which could bear a thousand years of bondage, the vitality which could feed that vulture death through uncounted ages, the unexhausted life and uncorrupted excellence, sisters to immortality, which, after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born. Vast was the heart whence gushed the well-spring of the blood of nations, and grand the undegenerate head where rested the consort-crown of creation."
"I’m telling you, there were giants on the earth back then—giants that tried to reach heaven. The first woman's chest that rose with life in this world gave birth to the courage that could challenge the Almighty, the strength that could endure a thousand years of captivity, the energy that could sustain the relentless grip of death through countless ages, the limitless life and pure excellence, akin to immortality, which, after thousands of years of sins, struggles, and suffering, could imagine and bring forth a Savior. The first woman was born from heaven. Huge was the heart from which flowed the source of the blood of nations, and magnificent was the unblemished mind where rested the crown of creation."
"She coveted an apple, and was cheated by a snake; but you have got such a hash of Scripture and mythology into your head that there is no making any sense of you. You have not yet told me what you saw kneeling on those hills."
"She desired an apple and was deceived by a snake; but you have filled your mind with so much Scripture and mythology that it’s impossible to understand you. You still haven’t told me what you saw kneeling on those hills."
"I saw—I now see—a woman-Titan. Her robe of blue[Pg 281] air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from her head to her feet, and arabesques of lightning flame on its borders. Under her breast I see her zone, purple like that horizon; through its blush shines the star of evening. Her steady eyes I cannot picture. They are clear, they are deep as lakes, they are lifted and full of worship, they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers. She reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehovah's daughter, as Adam was His son."
"I saw—I now see—a woman-Titan. Her blue robe spreads to the edge of the heath, where that flock is grazing; a veil as white as an avalanche sweeps from her head to her feet, and patterns of lightning dance along its edges. Under her chest, I see her belt, purple like that horizon; through its blush shines the evening star. I can't quite picture her steady eyes. They're clear and deep like lakes, uplifted and full of worship, trembling with the softness of love and the brilliance of prayer. Her forehead is as broad as a cloud and is paler than the early moon, which rises long before darkness falls. She rests her chest on the ridge of Stilbro' Moor; her powerful hands are joined underneath it. So kneeling, face to face, she speaks with God. That Eve is Jehovah's daughter, just as Adam was His son."
"She is very vague and visionary. Come, Shirley, we ought to go into church."
"She is really vague and has a lot of ideas. Come on, Shirley, we should head into the church."
"Caroline, I will not; I will stay out here with my mother Eve, in these days called Nature. I love her—undying, mighty being! Heaven may have faded from her brow when she fell in paradise, but all that is glorious on earth shines there still. She is taking me to her bosom, and showing me her heart. Hush, Caroline! You will see her and feel as I do, if we are both silent."
"Caroline, I won’t; I’ll stay out here with my mother Eve, in what we now call Nature. I love her—she's an everlasting, powerful being! Heaven may have disappeared from her face when she fell from paradise, but everything beautiful on earth still shines there. She is holding me close and revealing her heart to me. Quiet, Caroline! You’ll see her and feel the same way I do if we both stay silent."
"I will humour your whim; but you will begin talking again ere ten minutes are over."
"I'll go along with your request; but you'll start talking again before ten minutes pass."
Miss Keeldar, on whom the soft excitement of the warm summer evening seemed working with unwonted power, leaned against an upright headstone; she fixed her eyes on the deep-burning west, and sank into a pleasurable trance. Caroline, going a little apart, paced to and fro beneath the rectory garden wall, dreaming too in her way. Shirley had mentioned the word "mother." That word suggested to Caroline's imagination not the mighty and mystical parent of Shirley's visions, but a gentle human form—the form she ascribed to her own mother, unknown, unloved, but not unlonged for.
Miss Keeldar, who was feeling the soft thrill of the warm summer evening more intensely than usual, leaned against a tall headstone. She focused her gaze on the glowing western sky and drifted into a soothing trance. Caroline, stepping aside a bit, walked back and forth beneath the rectory garden wall, lost in her own thoughts. Shirley had said the word "mother." To Caroline, that word didn’t bring to mind the powerful and mysterious figure in Shirley's dreams, but rather a gentle human shape—the shape she imagined when thinking of her own mother, who was unknown, unloved, but still deeply yearned for.
"Oh that the day would come when she would remember her child! Oh that I might know her, and knowing, love her!"
"Oh, how I wish the day would come when she would remember her child! Oh, how I long to know her, and to love her once I do!"
Such was her aspiration.
That was her ambition.
The longing of her childhood filled her soul again. The desire which many a night had kept her awake in her crib, and which fear of its fallacy had of late years almost extinguished, relit suddenly, and glowed warm in her heart,[Pg 282] that her mother might come some happy day, and send for her to her presence, look upon her fondly with loving eyes, and say to her tenderly, in a sweet voice, "Caroline, my child, I have a home for you; you shall live with me. All the love you have needed, and not tasted, from infancy, I have saved for you carefully. Come; it shall cherish you now."
The longing of her childhood filled her soul again. The desire that had kept her awake many nights in her crib, and which fear of it being untrue had nearly extinguished in recent years, suddenly reignited and warmed her heart,[Pg282I'm ready for the text. Please provide the short piece of text you'd like me to modernize. that her mother might come one happy day, bring her to her side, look at her lovingly with kind eyes, and say to her gently, in a sweet voice, "Caroline, my child, I have a home for you; you will live with me. All the love you've needed but haven't felt since you were a baby, I have kept for you carefully. Come; it will embrace you now."
A noise on the road roused Caroline from her filial hopes, and Shirley from her Titan visions. They listened, and heard the tramp of horses. They looked, and saw a glitter through the trees. They caught through the foliage glimpses of martial scarlet; helm shone, plume waved. Silent and orderly, six soldiers rode softly by.
A sound from the road woke Caroline from her dreams of family and Shirley from her grand ambitions. They listened and heard the sound of horses' hooves. They looked and saw something shining through the trees. They caught glimpses of bright red uniforms through the leaves; helmets gleamed, and plumes waved. Quietly and in formation, six soldiers rode by.
"The same we saw this afternoon," whispered Shirley. "They have been halting somewhere till now. They wish to be as little noticed as possible, and are seeking their rendezvous at this quiet hour, while the people are at church. Did I not say we should see unusual things ere long?"
"The same thing we saw this afternoon," whispered Shirley. "They’ve been hiding out somewhere until now. They want to be as unnoticed as possible and are looking for their meeting spot at this quiet hour while everyone is at church. Didn't I say we’d see some unusual things soon?"
Scarcely were sight and sound of the soldiers lost, when another and somewhat different disturbance broke the night-hush—a child's impatient scream. They looked. A man issued from the church, carrying in his arms an infant—a robust, ruddy little boy of some two years old—roaring with all the power of his lungs. He had probably just awaked from a church-sleep. Two little girls, of nine and ten, followed. The influence of the fresh air, and the attraction of some flowers gathered from a grave, soon quieted the child. The man sat down with him, dandling him on his knee as tenderly as any woman; the two little girls took their places one on each side.
Barely had the sounds of the soldiers faded when another, slightly different disturbance broke the night’s silence—a child's impatient scream. They looked over. A man came out of the church, carrying an infant—a sturdy, rosy-cheeked little boy of about two years old—crying at the top of his lungs. He had probably just woken up from a church nap. Two little girls, aged nine and ten, followed him. The fresh air and the allure of some flowers they had picked from a grave quickly calmed the child. The man sat down with him, playfully bouncing him on his knee as gently as any woman would; the two little girls settled down, one on each side of him.
"Good-evening, William," said Shirley, after due scrutiny of the man. He had seen her before, and apparently was waiting to be recognized. He now took off his hat, and grinned a smile of pleasure. He was a rough-headed, hard-featured personage, not old, but very weather-beaten. His attire was decent and clean; that of his children singularly neat. It was our old friend Farren. The young ladies approached him.
"Good evening, William," Shirley said, after taking a good look at him. He had seen her before and was clearly waiting to be acknowledged. He took off his hat and smiled with pleasure. He was a rough-looking man with a hardened face—not old, but very weathered. His clothes were decent and clean, and his children's outfits were surprisingly neat. It was our old friend Farren. The young ladies walked over to him.
"You are not going into the church?" he inquired, gazing at them complacently, yet with a mixture of bashfulness in his look—a sentiment not by any means the result of awe of their station, but only of appreciation of their elegance and youth. Before gentlemen—such as Moore or[Pg 283] Helstone, for instance—William was often a little dogged; with proud or insolent ladies, too, he was quite unmanageable, sometimes very resentful; but he was most sensible of, most tractable to, good-humour and civility. His nature—a stubborn one—was repelled by inflexibility in other natures; for which reason he had never been able to like his former master, Moore; and unconscious of that gentleman's good opinion of himself, and of the service he had secretly rendered him in recommending him as gardener to Mr. Yorke, and by this means to other families in the neighbourhood, he continued to harbour a grudge against his austerity. Latterly he had often worked at Fieldhead. Miss Keeldar's frank, hospitable manners were perfectly charming to him. Caroline he had known from her childhood; unconsciously she was his ideal of a lady. Her gentle mien, step, gestures, her grace of person and attire, moved some artist-fibres about his peasant heart. He had a pleasure in looking at her, as he had in examining rare flowers or in seeing pleasant landscapes. Both the ladies liked William; it was their delight to lend him books, to give him plants; and they preferred his conversation far before that of many coarse, hard, pretentious people immeasurably higher in station.
"You're not going into the church?" he asked, looking at them with a mix of confidence and a bit of shyness—not because he felt intimidated by their status, but because he admired their elegance and youth. Around gentlemen like Moore or Helstone, William could be a bit stubborn; with proud or arrogant ladies, he was often difficult and sometimes resentful. However, he really responded well to kindness and politeness. His stubborn nature was repelled by inflexibility in others, which is why he never really liked his former boss, Moore. Ignoring the fact that Moore had a high opinion of himself and had helped him by recommending him as gardener to Mr. Yorke and then to other families nearby, William held a grudge against Moore's strictness. Recently, he had spent a lot of time working at Fieldhead. Miss Keeldar's open and welcoming nature was completely enchanting to him. He had known Caroline since she was a child; unknowingly, she was his ideal of a lady. Her gentle demeanor, movements, and style stirred something artistic in his heart. He enjoyed watching her, just as he enjoyed admiring rare flowers or beautiful landscapes. Both ladies appreciated William; they loved lending him books and giving him plants, and they preferred talking to him over many rough, arrogant people who were much higher in social status.
"Who was speaking, William, when you came out?" asked Shirley.
"Who was talking, William, when you came out?" Shirley asked.
"A gentleman ye set a deal of store on, Miss Shirley—Mr. Donne."
"A gentleman you value quite a bit, Miss Shirley—Mr. Donne."
"You look knowing, William. How did you find out my regard for Mr. Donne?"
"You seem to know, William. How did you find out about my feelings for Mr. Donne?"
"Ay, Miss Shirley, there's a gleg light i' your een sometimes which betrays you. You look raight down scornful sometimes when Mr. Donne is by."
"Yes, Miss Shirley, there's a quick light in your eyes sometimes that gives you away. You look really scornful at times when Mr. Donne is around."
"Do you like him yourself, William?"
"Do you like him, Will?"
"Me? I'm stalled o' t' curates, and so is t' wife. They've no manners. They talk to poor folk fair as if they thought they were beneath them. They're allus magnifying their office. It is a pity but their office could magnify them; but it does nought o' t' soart. I fair hate pride."
"Me? I'm fed up with the priests, and so is my wife. They have no manners. They talk to poor people as if they think they're better than them. They're always bragging about their position. It's a shame their role doesn't make them any better; it doesn't do anything like that. I really hate pride."
"But you are proud in your own way yourself," interposed Caroline. "You are what you call house-proud: you like to have everything handsome about you. Sometimes you look as if you were almost too proud to take your wages. When you were out of work, you were too proud to get anything on credit. But for your children,[Pg 284] I believe you would rather have starved than gone to the shops without money; and when I wanted to give you something, what a difficulty I had in making you take it!"
"But you're proud in your own way too," Caroline interjected. "You're what you'd call house-proud: you like everything around you to be nice. Sometimes it seems like you're almost too proud to accept your pay. When you were out of work, you were too proud to get anything on credit. But for your kids, [Pg284Please provide a short phrase for modernization. I believe you’d rather have gone hungry than shop without money; and when I tried to give you something, it was such a struggle to make you accept it!"
"It is partly true, Miss Caroline. Ony day I'd rather give than take, especially from sich as ye. Look at t' difference between us. Ye're a little, young, slender lass, and I'm a great strong man; I'm rather more nor twice your age. It is not my part, then, I think, to tak fro' ye—to be under obligations (as they say) to ye. And that day ye came to our house, and called me to t' door, and offered me five shillings, which I doubt ye could ill spare—for ye've no fortin', I know—that day I war fair a rebel, a radical, an insurrectionist; and ye made me so. I thought it shameful that, willing and able as I was to work, I suld be i' such a condition that a young cratur about the age o' my own eldest lass suld think it needful to come and offer me her bit o' brass."
"It's partly true, Miss Caroline. One day I'd rather give than take, especially from someone like you. Look at the difference between us. You're a little, young, slender girl, and I'm a big strong man; I'm more than twice your age. It's not my place, I think, to take from you—to be under obligations (as they say) to you. And that day you came to our house, called me to the door, and offered me five shillings, which I doubt you could spare—because you have no fortune, I know—that day I was quite the rebel, a radical, an insurrectionist; and you made me that way. I thought it was shameful that, willing and able as I was to work, I should be in such a position that a young creature about the age of my own oldest daughter should feel it necessary to come and offer me her little bit of money."
"I suppose you were angry with me, William?"
"I guess you were mad at me, William?"
"I almost was, in a way. But I forgave ye varry soon. Ye meant well. Ay, I am proud, and so are ye; but your pride and mine is t' raight mak—what we call i' Yorkshire clean pride—such as Mr. Malone and Mr. Donne knows nought about. Theirs is mucky pride. Now, I shall teach my lasses to be as proud as Miss Shirley there, and my lads to be as proud as myseln; but I dare ony o' 'em to be like t' curates. I'd lick little Michael if I seed him show any signs o' that feeling."
"I almost was, in a way. But I forgave you very quickly. You meant well. Yes, I am proud, and so are you; but your pride and mine is the right kind—what we call in Yorkshire clean pride—something Mr. Malone and Mr. Donne know nothing about. Their pride is dirty. Now, I will teach my girls to be as proud as Miss Shirley there, and my boys to be as proud as I am; but I dare any of them to be like the curates. I'd punish little Michael if I saw him show any signs of that attitude."
"What is the difference, William?"
"What's the difference, William?"
"Ye know t' difference weel enow, but ye want me to get a gate o' talking. Mr. Malone and Mr. Donne is almost too proud to do aught for theirseln; we are almost too proud to let anybody do aught for us. T' curates can hardly bide to speak a civil word to them they think beneath them; we can hardly bide to tak an uncivil word fro' them that thinks themseln aboon us."
"You know the difference well enough, but you want me to start talking. Mr. Malone and Mr. Donne are almost too proud to do anything for themselves; we are almost too proud to let anyone do anything for us. The curates can hardly bring themselves to speak a civil word to those they think are beneath them; we can hardly stand to take an uncivil word from those who think they are above us."
"Now, William, be humble enough to tell me truly how you are getting on in the world. Are you well off?"
"Now, William, be honest and tell me how you’re doing in life. Are you doing okay?"
"Miss Shirley, I am varry well off. Since I got into t' gardening line, wi' Mr. Yorke's help, and since Mr. Hall (another o' t' raight sort) helped my wife to set up a bit of a shop, I've nought to complain of. My family has plenty to eat and plenty to wear. My pride makes me find means to have an odd pound now and then against rainy days; for I think I'd die afore I'd come to t' parish; and me and[Pg 285] mine is content. But t' neighbours is poor yet. I see a great deal of distress."
"Miss Shirley, I’m doing really well. Ever since I got into gardening with Mr. Yorke’s help, and since Mr. Hall (another good person) helped my wife set up a little shop, I have nothing to complain about. My family has plenty to eat and wear. My pride drives me to save a little money now and then for emergencies, because I think I’d rather die than go on welfare; my family and I are doing fine. But the neighbors are still struggling. I see a lot of hardship."
"And, consequently, there is still discontent, I suppose?" inquired Miss Keeldar.
"And so, I guess there’s still some discontent?" asked Miss Keeldar.
"Consequently—ye say right—consequently. In course, starving folk cannot be satisfied or settled folk. The country's not in a safe condition—I'll say so mich!"
"So—you're right—so. Clearly, hungry people can't be satisfied or content. The country's not in a safe condition—I'll say that much!"
"But what can be done? What more can I do, for instance?"
"But what can be done? What else can I do, for example?"
"Do? Ye can do not mich, poor young lass! Ye've gi'en your brass; ye've done well. If ye could transport your tenant, Mr. Moore, to Botany Bay, ye'd happen do better. Folks hate him."
"Do? You can't do much, poor young girl! You've given your money; you've done well. If you could send your tenant, Mr. Moore, to Botany Bay, you’d probably be better off. People really dislike him."
"William, for shame!" exclaimed Caroline warmly. "If folks do hate him, it is to their disgrace, not his. Mr. Moore himself hates nobody. He only wants to do his duty, and maintain his rights. You are wrong to talk so."
"William, how could you!" Caroline exclaimed passionately. "If people really do hate him, that's on them, not him. Mr. Moore doesn't hate anyone. He just wants to do his job and stand up for his rights. You're mistaken to say that."
"I talk as I think. He has a cold, unfeeling heart, yond' Moore."
"I speak my mind. He has a cold, unfeeling heart, you know, Moore."
"But," interposed Shirley, "supposing Moore was driven from the country, and his mill razed to the ground, would people have more work?"
"But," Shirley interrupted, "if Moore was forced out of the country and his mill was destroyed, would people have more jobs?"
"They'd have less. I know that, and they know that; and there is many an honest lad driven desperate by the certainty that whichever way he turns he cannot better himself; and there is dishonest men plenty to guide them to the devil, scoundrels that reckons to be the 'people's friends,' and that knows nought about the people, and is as insincere as Lucifer. I've lived aboon forty year in the world, and I believe that 'the people' will never have any true friends but theirseln and them two or three good folk i' different stations that is friends to all the world. Human natur', taking it i' th' lump, is nought but selfishness. It is but excessive few, it is but just an exception here and there, now and then, sich as ye two young uns and me, that, being in a different sphere, can understand t' one t' other, and be friends wi'out slavishness o' one hand or pride o' t' other. Them that reckons to be friends to a lower class than their own fro' political motives is never to be trusted; they always try to make their inferiors tools. For my own part, I will neither be patronized nor misled for no man's pleasure. I've had overtures made to me lately that I saw were treacherous, and I flung 'em back i' the faces o' them that offered 'em."
"They’d have less. I know that, and they know that; and there are many honest guys driven to desperation by the certainty that no matter which way they turn, they can’t improve their situation; and there are plenty of dishonest people ready to lead them to ruin, scoundrels who pretend to be the 'people’s friends,' but understand nothing about the people and are as fake as the devil. I’ve lived over forty years in this world, and I believe that 'the people' will never have any true friends except themselves and a couple of good folks in different positions who are friends to everyone. Human nature, if you look at it as a whole, is nothing but selfishness. It’s only a very few, just an exception here and there, like you two young ones and me, who, being in different social spheres, can understand one another and be friends without one feeling enslaved or the other feeling proud. Those who claim to be friends to a lower class for political reasons can never be trusted; they always try to make their inferiors into tools. As for me, I won't be patronized or led astray for anyone's benefit. I’ve had offers made to me recently that I saw were deceitful, and I threw them back in the faces of those who made them."
[Pg 286]"You won't tell us what overtures?"
[Pg286I’m ready for your text. Please provide it."Are you not going to share what proposals you have?"
"I will not. It would do no good. It would mak no difference. Them they concerned can look after theirseln."
"I won't. It wouldn't help. It wouldn't change anything. Those who are affected can take care of themselves."
"Ay, we'se look after werseln," said another voice. Joe Scott had sauntered forth from the church to get a breath of fresh air, and there he stood.
"Ay, we'll look after ourselves," said another voice. Joe Scott had strolled out of the church to get some fresh air, and there he stood.
"I'll warrant ye, Joe," observed William, smiling.
"I'll bet you, Joe," said William, smiling.
"And I'll warrant my maister," was the answer.—"Young ladies," continued Joe, assuming a lordly air, "ye'd better go into th' house."
"And I’ll bet my master," was the reply.—"Young ladies," Joe continued, putting on a superior attitude, "you’d better go into the house."
"I wonder what for?" inquired Shirley, to whom the overlooker's somewhat pragmatical manners were familiar, and who was often at war with him; for Joe, holding supercilious theories about women in general, resented greatly, in his secret soul, the fact of his master and his master's mill being, in a manner, under petticoat government, and had felt as wormwood and gall certain business visits of the heiress to the Hollow's counting-house.
"I wonder what that's about?" asked Shirley, who was used to the overseer's somewhat practical attitude and often clashed with him. Joe, who had a condescending view of women in general, secretly resented the idea that his boss and the mill were, in a way, under the control of a woman. He found it particularly bitter that the heiress made certain business visits to the Hollow's office.
"Because there is nought agate that fits women to be consarned in."
"Because there is nothing else that suits women to be concerned with."
"Indeed! There is prayer and preaching agate in that church. Are we not concerned in that?"
"Absolutely! There’s prayer and preaching happening in that church. Shouldn't we be concerned about that?"
"Ye have been present neither at the prayer nor preaching, ma'am, if I have observed aright. What I alluded to was politics. William Farren here was touching on that subject, if I'm not mista'en."
"You haven't been at the prayer or the sermon, ma'am, if I've noticed correctly. What I was referring to was politics. William Farren was bringing that up, if I'm not mistaken."
"Well, what then? Politics are our habitual study, Joe. Do you know I see a newspaper every day, and two of a Sunday?"
"Well, what now? Politics are our regular focus, Joe. You know I check a newspaper every day, and I read two on Sundays?"
"I should think you'll read the marriages, probably, miss, and the murders, and the accidents, and sich like?"
"I guess you’ll read about the marriages, probably, miss, and the murders, and the accidents, and stuff like that?"
"I read the leading articles, Joe, and the foreign intelligence, and I look over the market prices. In short, I read just what gentlemen read."
"I read the main articles, Joe, and the international news, and I check the market prices. Basically, I read exactly what other men read."
Joe looked as if he thought this talk was like the chattering of a pie. He replied to it by a disdainful silence.
Joe looked like he thought this conversation was just pointless noise. He responded to it with a dismissive silence.
"Joe," continued Miss Keeldar, "I never yet could ascertain properly whether you are a Whig or a Tory. Pray, which party has the honour of your alliance?"
"Joe," Miss Keeldar continued, "I've never been able to figure out if you're a Whig or a Tory. Please, which party do you align yourself with?"
"It is rayther difficult to explain where you are sure not to be understood," was Joe's haughty response; "but as to being a Tory, I'd as soon be an old woman, or a young one, which is a more flimsier article still. It is the Tories that carries on the war and ruins trade; and if I be of any[Pg 287] party—though political parties is all nonsense—I'm of that which is most favourable to peace, and, by consequence, to the mercantile interests of this here land."
"It's pretty hard to explain where you know you won't be understood," was Joe's arrogant reply; "but as for being a Tory, I'd rather be an old woman, or a young one, which is even more of a flimsy choice. It's the Tories who keep the war going and destroy trade; and if I belong to any[Pg287It seems you've provided a prompt but no specific text to modernize. Please provide a phrase of 5 words or fewer, and I'll assist you in modernizing it. party—though political parties are all nonsense—I'm with the one that is most favorable to peace, and therefore to the business interests of this land."
"So am I, Joe," replied Shirley, who had rather a pleasure in teasing the overlooker, by persisting in talking on subjects with which he opined she, as a woman, had no right to meddle—"partly, at least. I have rather a leaning to the agricultural interest, too; as good reason is, seeing that I don't desire England to be under the feet of France, and that if a share of my income comes from Hollow's Mill, a larger share comes from the landed estate around it. It would not do to take any measures injurious to the farmers, Joe, I think?"
"I'm the same way, Joe," replied Shirley, who enjoyed teasing the overlooker by bringing up topics he believed she, as a woman, shouldn't discuss— "at least partly. I have a bit of an interest in agriculture, too; after all, I don’t want England to be dominated by France, and since a portion of my income comes from Hollow's Mill, an even bigger part comes from the land surrounding it. It wouldn’t be wise to take any actions that would hurt the farmers, right, Joe?"
"The dews at this hour is unwholesome for females," observed Joe.
"The dew at this hour isn't good for women," Joe remarked.
"If you make that remark out of interest in me, I have merely to assure you that I am impervious to cold. I should not mind taking my turn to watch the mill one of these summer nights, armed with your musket, Joe."
"If you're saying that because you're interested in me, I just want to reassure you that I don't get cold easily. I wouldn't mind taking my shift to watch the mill one of these summer nights, armed with your musket, Joe."
Joe Scott's chin was always rather prominent. He poked it out, at this speech, some inches farther than usual.
Joe Scott's chin was always pretty noticeable. He pushed it out, during this speech, a few inches further than usual.
"But—to go back to my sheep," she proceeded—"clothier and mill-owner as I am, besides farmer, I cannot get out of my head a certain idea that we manufacturers and persons of business are sometimes a little—a very little—selfish and short-sighted in our views, and rather too regardless of human suffering, rather heartless in our pursuit of gain. Don't you agree with me, Joe?"
"But—to go back to my sheep," she continued—"as a clothier and mill-owner, not to mention a farmer, I can't shake off this idea that we manufacturers and business people are sometimes a bit—a really bit—selfish and shortsighted in our thinking, and somewhat too indifferent to human suffering, kind of callous in our quest for profit. Don’t you agree with me, Joe?"
"I cannot argue where I cannot be comprehended," was again the answer.
"I can’t argue where I can’t be understood," was again the reply.
"Man of mystery! Your master will argue with me sometimes, Joe. He is not so stiff as you are."
"Man of mystery! Your boss will sometimes argue with me, Joe. He's not as uptight as you are."
"Maybe not. We've all our own ways."
"Maybe not. We all have our own ways."
"Joe, do you seriously think all the wisdom in the world is lodged in male skulls?"
"Joe, do you really think all the wisdom in the world is trapped in men's heads?"
"I think that women are a kittle and a froward generation; and I've a great respect for the doctrines delivered in the second chapter of St. Paul's first Epistle to Timothy."
"I believe that women are a bit tricky and stubborn; and I have a lot of respect for the teachings found in the second chapter of St. Paul's first letter to Timothy."
"What doctrines, Joe?"
"What beliefs, Joe?"
"'Let the woman learn in silence, with all subjection. I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence. For Adam was first formed, then Eve.'"
"'Let the woman learn quietly, with full submission. I do not permit a woman to teach or to take authority over the man, but to remain quiet. For Adam was created first, then Eve.'"
"What has that to do with the business?" interjected[Pg 288] Shirley. "That smacks of rights of primogeniture. I'll bring it up to Mr. Yorke the first time he inveighs against those rights."
"What does that have to do with the business?" interrupted[Pg288Please provide the text you would like me to modernize. Shirley. "That sounds like an issue of inheritance rights. I'll mention it to Mr. Yorke the first time he complains about those rights."
"And," continued Joe Scott, "Adam was not deceived, but the woman being deceived was in the transgression."
"And," Joe Scott continued, "Adam wasn't fooled, but the woman, who was fooled, fell into sin."
"More shame to Adam to sin with his eyes open!" cried Miss Keeldar. "To confess the honest truth, Joe, I never was easy in my mind concerning that chapter. It puzzles me."
"More shame on Adam for sinning with his eyes wide open!" exclaimed Miss Keeldar. "To be completely honest, Joe, I've never felt right about that chapter. It confuses me."
"It is very plain, miss. He that runs may read."
"It's really obvious, miss. Anyone can see it."
"He may read it in his own fashion," remarked Caroline, now joining in the dialogue for the first time. "You allow the right of private judgment, I suppose, Joe?"
"He can read it his own way," Caroline commented, finally joining the conversation. "I assume you believe in the right to private judgment, right, Joe?"
"My certy, that I do! I allow and claim it for every line of the holy Book."
"My certainty, that I do! I accept and affirm it for every line of the holy Book."
"Women may exercise it as well as men?"
"Can women exercise it just like men?"
"Nay. Women is to take their husbands' opinion, both in politics and religion. It's wholesomest for them."
"Actually, women should consider their husbands' views on both politics and religion. It's better for them."
"Oh! oh!" exclaimed both Shirley and Caroline.
"Oh! oh!" Shirley and Caroline both exclaimed.
"To be sure; no doubt on't," persisted the stubborn overlooker.
"Definitely; no doubt about it," insisted the stubborn supervisor.
"Consider yourself groaned down, and cried shame over, for such a stupid observation," said Miss Keeldar. "You might as well say men are to take the opinions of their priests without examination. Of what value would a religion so adopted be? It would be mere blind, besotted superstition."
"Think about how ridiculous that is, and what a shame it is to say it," Miss Keeldar said. "You may as well say that men should accept their priests' opinions without questioning them. What value would a religion based on that be? It would just be mindless, foolish superstition."
"And what is your reading, Miss Helstone, o' these words o' St. Paul's?"
"And what’s your take on these words of St. Paul, Miss Helstone?"
"Hem! I—I account for them in this way. He wrote that chapter for a particular congregation of Christians, under peculiar circumstances; and besides, I dare say, if I could read the original Greek, I should find that many of the words have been wrongly translated, perhaps misapprehended altogether. It would be possible, I doubt not, with a little ingenuity, to give the passage quite a contrary turn—to make it say, 'Let the woman speak out whenever she sees fit to make an objection.' 'It is permitted to a woman to teach and to exercise authority as much as may be. Man, meantime, cannot do better than hold his peace;' and so on."
"Um, I think about it this way. He wrote that chapter for a specific group of Christians in a unique situation, and honestly, if I could read the original Greek, I bet I'd find that a lot of the words were translated incorrectly or maybe even misunderstood completely. With a bit of creativity, I’m sure someone could reinterpret the passage to mean, 'Let the woman speak up whenever she wants to raise an objection.' 'It's allowed for a woman to teach and have authority as much as necessary. Meanwhile, a man would be better off staying silent;' and so on."
"That willn't wash, miss."
"That won't work, miss."
"I dare say it will. My notions are dyed in faster colours than yours, Joe. Mr. Scott, you are a thoroughly dogmatical[Pg 289] person, and always were. I like William better than you."
"I'll bet it will. My ideas are more intense than yours, Joe. Mr. Scott, you're a completely dogmatic[Pg289I'm ready to assist you. Please provide the text for modernization. person and always have been. I like William more than I like you."
"Joe is well enough in his own house," said Shirley. "I have seen him as quiet as a lamb at home. There is not a better nor a kinder husband in Briarfield. He does not dogmatize to his wife."
"Joe is doing just fine in his own house," said Shirley. "I've seen him as calm as a lamb at home. There isn't a better or kinder husband in Briarfield. He doesn’t lecture his wife."
"My wife is a hard-working, plain woman; time and trouble has ta'en all the conceit out of her. But that is not the case with you, young misses. And then you reckon to have so much knowledge; and i' my thoughts it's only superficial sort o' vanities you're acquainted with. I can tell—happen a year sin'—one day Miss Caroline coming into our counting-house when I war packing up summat behind t' great desk, and she didn't see me, and she brought a slate wi' a sum on it to t' maister. It war only a bit of a sum in practice, that our Harry would have settled i' two minutes. She couldn't do it. Mr. Moore had to show her how. And when he did show her, she couldn't understand him."
"My wife is a hard-working, down-to-earth woman; time and challenges have taken all the arrogance out of her. But that's not true for you young ladies. You think you know so much, but in my opinion, it’s just a shallow kind of vanity you’re familiar with. I remember about a year ago when Miss Caroline came into our office while I was packing something behind the big desk, and she didn't see me. She brought a slate with a math problem to the boss. It was just a simple problem that our Harry could have solved in two minutes. She couldn’t do it. Mr. Moore had to show her how, and even then, she didn’t get it."
"Nonsense, Joe!"
"That's absurd, Joe!"
"Nay, it's no nonsense. And Miss Shirley there reckons to hearken to t' maister when he's talking ower trade, so attentive like, as if she followed him word for word, and all war as clear as a lady's looking-glass to her een; and all t' while she's peeping and peeping out o' t' window to see if t' mare stands quiet; and then looking at a bit of a splash on her riding-skirt; and then glancing glegly round at wer counting-house cobwebs and dust, and thinking what mucky folk we are, and what a grand ride she'll have just i' now ower Nunnely Common. She hears no more o' Mr. Moore's talk nor if he spake Hebrew."
"No, it's no nonsense. And Miss Shirley over there plans to listen to the master when he's discussing business, so focused, as if she’s hanging on his every word, and everything is as clear as a lady’s mirror to her eyes; yet all the while, she's peeking out the window to see if the mare is standing still; then looking at a little stain on her riding skirt; and then glancing sharply around at the cobwebs and dust in our office, thinking about how messy we are and how great her ride will be soon over Nunnely Common. She hears no more of Mr. Moore's talk than if he was speaking Hebrew."
"Joe, you are a real slanderer. I would give you your answer, only the people are coming out of church. We must leave you. Man of prejudice, good-bye.—William, good-bye.—Children, come up to Fieldhead to-morrow, and you shall choose what you like best out of Mrs. Gill's store-room."[Pg 290]
"Joe, you are a total slanderer. I would respond to you, but the people are coming out of church. We have to leave now. Prejudiced man, goodbye.—William, goodbye.—Kids, come up to Fieldhead tomorrow, and you can pick whatever you want from Mrs. Gill's storeroom."[Pg290]
CHAPTER XIX.
A SUMMER NIGHT.
The hour was now that of dusk. A clear air favoured the kindling of the stars.
The hour was now that of dusk. A clear sky favored the lighting up of the stars.
"There will be just light enough to show me the way home," said Miss Keeldar, as she prepared to take leave of Caroline at the rectory garden door.
"There will be just enough light to show me the way home," said Miss Keeldar, as she got ready to say goodbye to Caroline at the rectory garden door.
"You must not go alone, Shirley; Fanny shall accompany you."
"You can't go alone, Shirley; Fanny will go with you."
"That she shall not. Of what need I be afraid in my own parish? I would walk from Fieldhead to the church any fine midsummer night, three hours later than this, for the mere pleasure of seeing the stars and the chance of meeting a fairy."
"She won’t. Why should I be afraid in my own neighborhood? I'd walk from Fieldhead to the church on a nice midsummer night, three hours later than this, just for the joy of seeing the stars and the possibility of running into a fairy."
"But just wait till the crowd is cleared away."
"But just wait until the crowd is gone."
"Agreed. There are the five Misses Armitage streaming by. Here comes Mrs. Sykes's phaeton, Mr. Wynne's close carriage, Mrs. Birtwhistle's car. I don't wish to go through the ceremony of bidding them all good-bye, so we will step into the garden and take shelter amongst the laburnums for an instant."
"Agreed. There go the five Misses Armitage. Here comes Mrs. Sykes's carriage, Mr. Wynne's closed carriage, and Mrs. Birtwhistle's car. I don't want to go through the hassle of saying goodbye to all of them, so let's step into the garden and hide among the laburnums for a moment."
The rectors, their curates, and their churchwardens now issued from the church porch. There was a great confabulation, shaking of hands, congratulation on speeches, recommendation to be careful of the night air, etc. By degrees the throng dispersed, the carriages drove off. Miss Keeldar was just emerging from her flowery refuge when Mr. Helstone entered the garden and met her.
The rectors, their assistants, and their churchwardens now came out of the church porch. There was a lot of chatting, handshakes, congratulations on the speeches, advice to be careful of the night air, and so on. Gradually, the crowd broke up, and the carriages drove away. Miss Keeldar was just stepping out from her floral hideaway when Mr. Helstone entered the garden and ran into her.
"Oh, I want you!" he said. "I was afraid you were already gone.—Caroline, come here."
"Oh, I want you!" he said. "I thought you were already gone. —Caroline, come here."
Caroline came, expecting, as Shirley did, a lecture on not having been visible at church. Other subjects, however, occupied the rector's mind.
Caroline arrived, anticipating, just like Shirley, a lecture about not being seen at church. However, other topics were on the rector's mind.
"I shall not sleep at home to-night," he continued. "I have just met with an old friend, and promised to accompany[Pg 291] him. I shall return probably about noon to-morrow. Thomas, the clerk, is engaged, and I cannot get him to sleep in the house, as I usually do when I am absent for a night. Now——"
"I won't be sleeping at home tonight," he continued. "I just ran into an old friend and promised to go with him. I'll probably be back around noon tomorrow. Thomas, the clerk, is busy, and I can't get him to stay in the house like I usually do when I'm gone for a night. Now——"
"Now," interrupted Shirley, "you want me as a gentleman—the first gentleman in Briarfield, in short—to supply your place, be master of the rectory and guardian of your niece and maids while you are away?"
"Now," interrupted Shirley, "you want me as a gentleman—the first gentleman in Briarfield, in short—to take your place, be in charge of the rectory, and look after your niece and maids while you're gone?"
"Exactly, captain. I thought the post would suit you. Will you favour Caroline so far as to be her guest for one night? Will you stay here instead of going back to Fieldhead?"
"Exactly, Captain. I thought the position would be a good fit for you. Will you do Caroline the favor of being her guest for one night? Will you stay here instead of going back to Fieldhead?"
"And what will Mrs. Pryor do? she expects me home."
"And what is Mrs. Pryor going to do? She’s expecting me back."
"I will send her word. Come, make up your mind to stay. It grows late; the dew falls heavily. You and Caroline will enjoy each other's society, I doubt not."
"I'll let her know. Come on, decide to stay. It’s getting late; the dew is coming down hard. I'm sure you and Caroline will enjoy each other's company."
"I promise you, then, to stay with Caroline," replied Shirley. "As you say, we shall enjoy each other's society. We will not be separated to-night. Now, rejoin your old friend, and fear nothing for us."
"I promise you that I'll stay with Caroline," Shirley replied. "As you said, we’re going to enjoy each other's company. We won't be separated tonight. Now, go back to your old friend, and don’t worry about us."
"If there should chance to be any disturbance in the night, captain; if you should hear the picking of a lock, the cutting out of a pane of glass, a stealthy tread of steps about the house (and I need not fear to tell you, who bear a well-tempered, mettlesome heart under your girl's ribbon sash, that such little incidents are very possible in the present time), what would you do?"
"If there happens to be any disturbance at night, captain; if you hear the sound of a lock being picked, a piece of glass being cut out, or someone quietly moving around the house (and I can trust you, who have a brave heart under your girl's ribbon sash, to know that such things are quite possible these days), what would you do?"
"Don't know; faint, perhaps—fall down, and have to be picked up again. But, doctor, if you assign me the post of honour, you must give me arms. What weapons are there in your stronghold?"
"Not sure; maybe I feel dizzy—fall down and need to be picked up again. But, doctor, if you give me the prestigious position, you have to provide me with weapons. What weapons do you have in your fortress?"
"You could not wield a sword?"
"You couldn't use a sword?"
"No; I could manage the carving-knife better."
"No; I can handle the carving knife better."
"You will find a good one in the dining-room sideboard—a lady's knife, light to handle, and as sharp-pointed as a poniard."
"You'll find a good one in the dining room sideboard—a lady's knife, easy to handle, and as sharp as a dagger."
"It will suit Caroline. But you must give me a brace of pistols. I know you have pistols."
"It'll work for Caroline. But you have to give me a pair of pistols. I know you have them."
"I have two pairs. One pair I can place at your disposal. You will find them suspended over the mantelpiece of my study in cloth cases."
"I have two pairs. One pair I can offer you. You'll find them hanging above the mantelpiece in my study, in cloth cases."
"Loaded?"
"Are you loaded?"
"Yes, but not on the cock. Cock them before you go to bed. It is paying you a great compliment, captain, to[Pg 292] lend you these. Were you one of the awkward squad you should not have them."
"Yes, but not on the gun. Load them before you go to bed. It’s a big compliment, Captain, to[Pg292I didn't receive anything to modernize. Please provide a text for me to work on. lend you these. If you were one of the clumsy ones, you wouldn’t be allowed to have them."
"I will take care. You need delay no longer, Mr. Helstone. You may go now.—He is gracious to me to lend me his pistols," she remarked, as the rector passed out at the garden gate. "But come, Lina," she continued, "let us go in and have some supper. I was too much vexed at tea with the vicinage of Mr. Sam Wynne to be able to eat, and now I am really hungry."
"I'll take care of it. You don’t need to wait any longer, Mr. Helstone. You can go now." She said this as the rector walked out through the garden gate. "But come on, Lina," she added, "let's go inside and have some supper. I was too annoyed at tea with Mr. Sam Wynne’s presence to eat, and now I’m really hungry."
Entering the house, they repaired to the darkened dining-room, through the open windows of which apartment stole the evening air, bearing the perfume of flowers from the garden, the very distant sound of far-retreating steps from the road, and a soft, vague murmur whose origin Caroline explained by the remark, uttered as she stood listening at the casement, "Shirley, I hear the beck in the Hollow."
Entering the house, they went to the dimly lit dining room, where the evening air drifted in through the open windows, carrying the scent of flowers from the garden, the faint sound of footsteps fading down the road, and a gentle, indistinct murmur. Caroline explained this as she stood listening by the window, saying, "Shirley, I hear the stream in the Hollow."
Then she rang the bell, asked for a candle and some bread and milk—Miss Keeldar's usual supper and her own. Fanny, when she brought in the tray, would have closed the windows and the shutters, but was requested to desist for the present. The twilight was too calm, its breath too balmy to be yet excluded. They took their meal in silence. Caroline rose once to remove to the window-sill a glass of flowers which stood on the sideboard, the exhalation from the blossoms being somewhat too powerful for the sultry room. In returning she half opened a drawer, and took from it something that glittered clear and keen in her hand.
Then she rang the bell and asked for a candle, some bread, and milk—Miss Keeldar's usual supper and her own. When Fanny brought in the tray, she would have closed the windows and shutters, but was asked to hold off for now. The twilight was too peaceful, its air too refreshing to be shut out just yet. They had their meal in silence. Caroline got up once to move a glass of flowers from the sideboard to the windowsill since the scent was a bit too strong for the stuffy room. As she returned, she half-opened a drawer and took something out that sparkled brightly and sharply in her hand.
"You assigned this to me, then, Shirley, did you? It is bright, keen-edged, finely tapered; it is dangerous-looking. I never yet felt the impulse which could move me to direct this against a fellow-creature. It is difficult to fancy that circumstances could nerve my arm to strike home with this long knife."
"You gave this to me, right, Shirley? It's sharp, well-defined, and pointed; it looks dangerous. I've never felt the urge to use this against another person. It's hard to imagine that anything could make me actually use this long knife."
"I should hate to do it," replied Shirley, "but I think I could do it, if goaded by certain exigencies which I can imagine." And Miss Keeldar quietly sipped her glass of new milk, looking somewhat thoughtful and a little pale; though, indeed, when did she not look pale? She was never florid.
"I really wouldn’t want to do it," Shirley replied, "but I think I could if pushed by certain circumstances that I can imagine." And Miss Keeldar quietly sipped her glass of fresh milk, looking somewhat thoughtful and a little pale; though, honestly, when did she ever not look pale? She was never rosy-cheeked.
The milk sipped and the bread eaten, Fanny was again summoned. She and Eliza were recommended to go to bed, which they were quite willing to do, being weary of the day's exertions, of much cutting of currant-buns, and filling of urns and teapots, and running backwards and[Pg 293] forwards with trays. Ere long the maids' chamber door was heard to close. Caroline took a candle and went quietly all over the house, seeing that every window was fast and every door barred. She did not even evade the haunted back kitchen nor the vault-like cellars. These visited, she returned.
The milk was finished and the bread eaten, Fanny was called again. She and Eliza were suggested to go to bed, which they were happy to do, feeling tired from the day's work of cutting currant buns, filling urns and teapots, and running back and forth with trays. Soon, the chamber door of the maids was heard closing. Caroline took a candle and quietly went around the house, checking that every window was secure and every door locked. She didn't skip the eerie back kitchen or the dark cellars either. After visiting those, she came back.
"There is neither spirit nor flesh in the house at present," she said, "which should not be there. It is now near eleven o'clock, fully bedtime; yet I would rather sit up a little longer, if you do not object, Shirley. Here," she continued, "I have brought the brace of pistols from my uncle's study. You may examine them at your leisure."
"There’s no one here right now," she said, "who shouldn’t be. It’s almost eleven o'clock, definitely bedtime; but I’d rather stay up a bit longer, if you don’t mind, Shirley. Here," she continued, "I brought the pair of pistols from my uncle’s study. You can check them out whenever you like."
She placed them on the table before her friend.
She set them on the table in front of her friend.
"Why would you rather sit up longer?" asked Miss Keeldar, taking up the firearms, examining them, and again laying them down.
"Why would you want to stay up longer?" asked Miss Keeldar, picking up the firearms, examining them, and then putting them back down.
"Because I have a strange, excited feeling in my heart."
"Because I have a weird, excited feeling in my heart."
"So have I."
"Me too."
"Is this state of sleeplessness and restlessness caused by something electrical in the air, I wonder?"
"Is this sleeplessness and restlessness caused by something in the air, I wonder?"
"No; the sky is clear, the stars numberless. It is a fine night."
"No, the sky is clear and the stars are countless. It’s a great night."
"But very still. I hear the water fret over its stony bed in Hollow's Copse as distinctly as if it ran below the churchyard wall."
"But it’s very quiet. I can hear the water trickling over its rocky bottom in Hollow's Copse as clearly as if it were flowing just below the churchyard wall."
"I am glad it is so still a night. A moaning wind or rushing rain would vex me to fever just now."
"I’m glad it’s such a calm night. A howling wind or pouring rain would irritate me to no end right now."
"Why, Shirley?"
"Why, Shirley?"
"Because it would baffle my efforts to listen."
"Because it would confuse my attempts to listen."
"Do you listen towards the Hollow?"
"Do you listen to the Hollow?"
"Yes; it is the only quarter whence we can hear a sound just now."
"Yeah; it's the only place we can hear a sound right now."
"The only one, Shirley."
"The one and only, Shirley."
They both sat near the window, and both leaned their arms on the sill, and both inclined their heads towards the open lattice. They saw each other's young faces by the starlight and that dim June twilight which does not wholly fade from the west till dawn begins to break in the east.
They both sat by the window, resting their arms on the sill, and leaning their heads toward the open window. They could see each other's youthful faces in the starlight and the soft June twilight that doesn’t completely fade from the west until dawn starts to light up the east.
"Mr. Helstone thinks we have no idea which way he is gone," murmured Miss Keeldar, "nor on what errand, nor with what expectations, nor how prepared. But I guess much; do not you?"
"Mr. Helstone thinks we have no clue where he’s gone," whispered Miss Keeldar, "or what he’s up to, what he’s hoping for, or how ready he is. But I have a feeling; don’t you?"
"I guess something."
"I suppose something."
"All those gentlemen—your cousin Moore included—think[Pg 294] that you and I are now asleep in our beds, unconscious."
"All those guys—including your cousin Moore—think[Pg294Please provide the text you would like me to modernize. that you and I are now asleep in our beds, totally unaware."
"Caring nothing about them—hoping and fearing nothing for them," added Caroline.
"Caring nothing about them—hoping and fearing nothing for them," added Caroline.
Both kept silent for full half an hour. The night was silent too; only the church clock measured its course by quarters. Some words were interchanged about the chill of the air. They wrapped their scarves closer round them, resumed their bonnets, which they had removed, and again watched.
Both stayed quiet for a full half hour. The night was quiet too; only the church clock marked the time in quarters. They exchanged a few words about the chill in the air. They pulled their scarves tighter around them, put their bonnets back on, and continued to watch.
Towards midnight the teasing, monotonous bark of the house-dog disturbed the quietude of their vigil. Caroline rose, and made her way noiselessly through the dark passages to the kitchen, intending to appease him with a piece of bread. She succeeded. On returning to the dining-room she found it all dark, Miss Keeldar having extinguished the candle. The outline of her shape was visible near the still open window, leaning out. Miss Helstone asked no questions; she stole to her side. The dog recommenced barking furiously. Suddenly he stopped, and seemed to listen. The occupants of the dining-room listened too, and not merely now to the flow of the mill-stream. There was a nearer, though a muffled, sound on the road below the churchyard—a measured, beating, approaching sound—a dull tramp of marching feet.
Towards midnight, the annoying, monotonous bark of the house dog broke the silence of their watch. Caroline got up and quietly made her way through the dark hallways to the kitchen, planning to calm him down with a piece of bread. She managed to do so. When she returned to the dining room, she found it completely dark, as Miss Keeldar had put out the candle. The outline of her figure was visible by the still-open window, leaning out. Miss Helstone didn’t ask any questions; she quietly approached her side. The dog started barking furiously again. Suddenly, he stopped and seemed to listen. The people in the dining room listened too, not just to the sound of the mill-stream. There was a closer, muffled sound on the road below the churchyard—a steady, rhythmic, approaching sound—a dull tread of marching feet.
It drew near. Those who listened by degrees comprehended its extent. It was not the tread of two, nor of a dozen, nor of a score of men; it was the tread of hundreds. They could see nothing; the high shrubs of the garden formed a leafy screen between them and the road. To hear, however, was not enough, and this they felt as the troop trod forwards, and seemed actually passing the rectory. They felt it more when a human voice—though that voice spoke but one word—broke the hush of the night.
It was getting closer. Those who were listening gradually realized how big it was. It wasn’t the sound of two, or a dozen, or even twenty men; it was the sound of hundreds. They couldn’t see anything; the tall bushes in the garden created a leafy barrier between them and the road. Hearing wasn’t enough, and they sensed that as the group marched forward, seemingly going right past the rectory. They felt it even more when a human voice—though it spoke only a single word—shattered the silence of the night.
"Halt!"
"Stop!"
A halt followed. The march was arrested. Then came a low conference, of which no word was distinguishable from the dining-room.
A stop was called. The march came to a halt. Then there was a quiet discussion, but no words could be made out from the dining room.
"We must hear this," said Shirley.
"We have to hear this," said Shirley.
She turned, took her pistols from the table, silently passed out through the middle window of the dining-room, which was, in fact, a glass door, stole down the walk to the garden wall, and stood listening under the lilacs.[Pg 295] Caroline would not have quitted the house had she been alone, but where Shirley went she would go. She glanced at the weapon on the sideboard, but left it behind her, and presently stood at her friend's side. They dared not look over the wall, for fear of being seen; they were obliged to crouch behind it. They heard these words,—
She turned, grabbed her pistols from the table, quietly slipped out through the middle window of the dining room, which was actually a glass door, made her way down the path to the garden wall, and stood listening under the lilacs.[Pg295I am ready to assist. Please provide the text you would like me to modernize. Caroline wouldn't have left the house if she were on her own, but where Shirley went, she would follow. She glanced at the weapon on the sideboard but decided to leave it behind and soon stood by her friend's side. They didn't dare look over the wall for fear of being spotted; they had to crouch behind it. They heard these words,—
"It looks a rambling old building. Who lives in it besides the damned parson?"
"It looks like a rundown old building. Who lives there besides that cursed parson?"
"Only three women—his niece and two servants."
"Just three women—his niece and two servants."
"Do you know where they sleep?"
"Do you know where they sleep?"
"The lasses behind; the niece in a front room."
"The girls are in the back; the niece is in a front room."
"And Helstone?"
"And Helstone?"
"Yonder is his chamber. He was burning a light, but I see none now."
"Over there is his room. He had a light on, but I don't see one now."
"Where would you get in?"
"Where would you get in?"
"If I were ordered to do his job—and he desarves it—I'd try yond' long window; it opens to the dining-room. I could grope my way upstairs, and I know his chamber."
"If I were told to do his job—and he deserves it—I’d try that long window; it opens to the dining room. I could feel my way upstairs, and I know his room."
"How would you manage about the women folk?"
"How would you handle the women?"
"Let 'em alone except they shrieked, and then I'd soon quieten 'em. I could wish to find the old chap asleep. If he waked, he'd be dangerous."
"Leave them alone unless they start screaming, and then I’d quickly calm them down. I’d prefer to find the old guy sleeping. If he wakes up, he could be a threat."
"Has he arms?"
"Does he have arms?"
"Firearms, allus—and allus loadened."
"Guns, always—and always loaded."
"Then you're a fool to stop us here. A shot would give the alarm. Moore would be on us before we could turn round. We should miss our main object."
"Then you're an idiot to try to stop us here. A gunshot would raise the alarm. Moore would be on us before we could react. We would lose sight of our main goal."
"You might go on, I tell you. I'd engage Helstone alone."
"You could keep going, I swear. I’d take on Helstone by myself."
A pause. One of the party dropped some weapon, which rang on the stone causeway. At this sound the rectory dog barked again furiously—fiercely.
A pause. One of the group dropped a weapon, which clanged on the stone path. At this sound, the rectory dog barked loudly—angrily.
"That spoils all!" said the voice. "He'll awake. A noise like that might rouse the dead. You did not say there was a dog. Damn you! Forward!"
"That ruins everything!" said the voice. "He'll wake up. A noise like that could wake the dead. You didn't mention there was a dog. Damn you! Move ahead!"
Forward they went—tramp, tramp—with mustering, manifold, slow-filing tread. They were gone.
Forward they went—tramp, tramp—with a gathering, varied, slowly moving pace. They were gone.
Shirley stood erect, looked over the wall, along the road.
Shirley stood up straight, looked over the wall, and down the road.
"Not a soul remains," she said.
"Not a single person is left," she said.
She stood and mused. "Thank God!" was the next observation.
She stood and thought. "Thank God!" was the next thing she said.
Caroline repeated the ejaculation—not in so steady a tone. She was trembling much. Her heart was beating fast and thick; her face was cold, her forehead damp.
Caroline repeated the exclamation—but not in quite such a steady tone. She was trembling a lot. Her heart was pounding rapidly; her face was cold, her forehead sweaty.
[Pg 296]"Thank God for us!" she reiterated. "But what will happen elsewhere? They have passed us by that they may make sure of others."
[Pg296Please provide the text you'd like me to modernize. "Thank goodness for us!" she repeated. "But what will happen to others? They've moved on from us to secure their own."
"They have done well," returned Shirley, with composure. "The others will defend themselves. They can do it. They are prepared for them. With us it is otherwise. My finger was on the trigger of this pistol. I was quite ready to give that man, if he had entered, such a greeting as he little calculated on; but behind him followed three hundred. I had neither three hundred hands nor three hundred weapons. I could not have effectually protected either you, myself, or the two poor women asleep under that roof. Therefore I again earnestly thank God for insult and peril escaped."
"They did well," Shirley replied calmly. "The others can defend themselves. They’re ready for this. For us, it’s different. My finger was on the trigger of this pistol. I was fully prepared to give that man a welcome he wouldn’t have expected if he’d come in, but behind him were three hundred more. I didn’t have three hundred hands or three hundred weapons. I couldn’t have effectively protected you, myself, or the two poor women asleep under this roof. So again, I sincerely thank God for the insult and danger we were able to avoid."
After a second pause she continued: "What is it my duty and wisdom to do next? Not to stay here inactive, I am glad to say, but, of course, to walk over to the Hollow."
After a brief pause, she continued, "What should I do now that makes sense? Certainly not to stay here doing nothing. I'm happy to say it’s time to head over to the Hollow."
"To the Hollow, Shirley?"
"To the Hollow, Shirley?"
"To the Hollow. Will you go with me?"
"To the Hollow. Will you come with me?"
"Where those men are gone?"
"Where have those men gone?"
"They have taken the highway; we should not encounter them. The road over the fields is as safe, silent, and solitary as a path through the air would be. Will you go?"
"They've taken the highway; we shouldn’t run into them. The road through the fields is as safe, quiet, and lonely as a path through the air would be. Will you go?"
"Yes," was the answer, given mechanically, not because the speaker wished or was prepared to go, or, indeed, was otherwise than scared at the prospect of going, but because she felt she could not abandon Shirley.
"Yes," was the response, given automatically, not because the speaker wanted or was ready to go, or honestly felt anything other than fear at the idea of leaving, but because she believed she couldn't leave Shirley behind.
"Then we must fasten up these windows, and leave all as secure as we can behind us. Do you know what we are going for, Cary?"
"Then we need to secure these windows and leave everything as safe as possible behind us. Do you know what we're going for, Cary?"
"Yes—no—because you wish it."
"Yes—no—because you want it."
"Is that all? And are you so obedient to a mere caprice of mine? What a docile wife you would make to a stern husband! The moon's face is not whiter than yours at this moment, and the aspen at the gate does not tremble more than your busy fingers; and so, tractable and terror-struck, and dismayed and devoted, you would follow me into the thick of real danger! Cary, let me give your fidelity a motive. We are going for Moore's sake—to see if we can be of use to him, to make an effort to warn him of what is coming."
"Is that all? And are you so compliant to just one of my whims? You’d make such a compliant wife to a strict husband! The moon's face isn't whiter than yours right now, and the aspen at the gate doesn't shake more than your busy fingers; so, obedient and frightened, anxious and dedicated, you would follow me straight into real danger! Cary, let me give your loyalty a purpose. We're going for Moore’s sake—to see if we can help him, to try to warn him about what’s coming."
"To be sure! I am a blind, weak fool, and you are[Pg 297] acute and sensible, Shirley. I will go with you; I will gladly go with you!"
"Absolutely! I’m a blind, weak fool, and you are[Pg297Please provide the text you would like me to modernize. sharp and sensible, Shirley. I’ll go with you; I’ll happily go with you!"
"I do not doubt it. You would die blindly and meekly for me, but you would intelligently and gladly die for Moore. But, in truth, there is no question of death to-night; we run no risk at all."
"I have no doubt about it. You would die blindly and meekly for me, but you would willingly and intelligently die for Moore. However, the truth is, there's no question of death tonight; we aren't at any risk at all."
Caroline rapidly closed shutter and lattice. "Do not fear that I shall not have breath to run as fast as you can possibly run, Shirley. Take my hand. Let us go straight across the fields."
Caroline quickly closed the shutters and the lattice. "Don’t worry that I won’t be able to run as fast as you can, Shirley. Take my hand. Let’s head straight across the fields."
"But you cannot climb walls?"
"But you can't climb walls?"
"To-night I can."
"Tonight I can."
"You are afraid of hedges, and the beck which we shall be forced to cross?"
"You’re scared of the hedges and the stream we have to cross?"
"I can cross it."
"I can get across it."
They started; they ran. Many a wall checked but did not baffle them. Shirley was surefooted and agile; she could spring like a deer when she chose. Caroline, more timid and less dexterous, fell once or twice, and bruised herself; but she rose again directly, saying she was not hurt. A quickset hedge bounded the last field; they lost time in seeking a gap in it. The aperture, when found, was narrow, but they worked their way through. The long hair, the tender skin, the silks and the muslins suffered; but what was chiefly regretted was the impediment this difficulty had caused to speed. On the other side they met the beck, flowing deep in a rough bed. At this point a narrow plank formed the only bridge across it. Shirley had trodden the plank successfully and fearlessly many a time before; Caroline had never yet dared to risk the transit.
They took off running. Many walls tried to slow them down, but they kept going. Shirley was sure-footed and quick; she could leap like a deer whenever she wanted. Caroline, more cautious and less agile, tripped a couple of times and bruised herself, but she got back up right away, claiming she was fine. A thick hedge surrounded the last field, and they wasted time looking for a gap. When they finally found one, it was narrow, but they worked their way through. Their long hair, delicate skin, silks, and muslins got a bit damaged, but what frustrated them the most was the delay it caused. On the other side, they encountered a stream flowing deep over rocky ground. Here, a narrow plank was the only way across. Shirley had crossed the plank successfully and bravely many times before; Caroline had never had the courage to try.
"I will carry you across," said Miss Keeldar. "You are light, and I am not weak. Let me try."
"I'll carry you over," said Miss Keeldar. "You're light, and I'm not weak. Just let me give it a try."
"If I fall in, you may fish me out," was the answer, as a grateful squeeze compressed her hand. Caroline, without pausing, trod forward on the trembling plank as if it were a continuation of the firm turf. Shirley, who followed, did not cross it more resolutely or safely. In their present humour, on their present errand, a strong and foaming channel would have been a barrier to neither. At the moment they were above the control either of fire or water. All Stilbro' Moor, alight and aglow with bonfires, would not have stopped them, nor would Calder or Aire thundering in flood. Yet one sound made them pause. Scarce had[Pg 298] they set foot on the solid opposite bank when a shot split the air from the north. One second elapsed. Further off burst a like note in the south. Within the space of three minutes similar signals boomed in the east and west.
"If I fall in, you can pull me out," was the reply, as a grateful squeeze tightened her hand. Caroline, without stopping, stepped confidently onto the shaky plank as if it was solid ground. Shirley, who followed, didn’t cross it any more boldly or safely. At that moment, in their current mood and on their mission, even a strong, raging river wouldn’t have deterred them. They felt invincible, above the influence of fire or water. All of Stilbro' Moor, glowing with bonfires, wouldn’t have held them back, nor would the Calder or Aire roaring in flood. But one sound made them hesitate. Hardly had they set foot on the solid opposite bank when a shot pierced the air from the north. One second passed. Farther away, a similar sound erupted in the south. Within three minutes, more calls echoed in the east and west.
"I thought we were dead at the first explosion," observed Shirley, drawing a long breath. "I felt myself hit in the temples, and I concluded your heart was pierced; but the reiterated voice was an explanation. Those are signals—it is their way—the attack must be near. We should have had wings. Our feet have not borne us swiftly enough."
"I thought we were done for at the first explosion," Shirley said, taking a deep breath. "I felt a blow to my temples, and I figured your heart was hit; but the repeated voice made things clear. Those are signals—it’s their way—the attack must be close. We should have had wings. Our feet haven't moved fast enough."
A portion of the copse was now to clear. When they emerged from it the mill lay just below them. They could look down upon the buildings, the yard; they could see the road beyond. And the first glance in that direction told Shirley she was right in her conjecture. They were already too late to give warning. It had taken more time than they calculated on to overcome the various obstacles which embarrassed the short cut across the fields.
A part of the thicket was now clear. When they came out of it, the mill was right below them. They could see the buildings, the yard; they could see the road in the distance. And the first look that way confirmed to Shirley that she was correct in her guess. They were already too late to warn anyone. It had taken much longer than they expected to deal with the different obstacles that got in the way of the shortcut across the fields.
The road, which should have been white, was dark with a moving mass. The rioters were assembled in front of the closed yard gates, and a single figure stood within, apparently addressing them. The mill itself was perfectly black and still. There was neither life, light, nor motion around it.
The road, which should have been white, was dark with a crowd. The rioters were gathered in front of the locked yard gates, and one person stood inside, seemingly speaking to them. The mill itself was completely dark and quiet. There was no life, light, or movement around it.
"Surely he is prepared. Surely that is not Moore meeting them alone?" whispered Shirley.
"He's definitely ready. There's no way Moore is meeting them alone, right?" whispered Shirley.
"It is. We must go to him. I will go to him."
"It is. We have to go to him. I will go to him."
"That you will not."
"You won't."
"Why did I come, then? I came only for him. I shall join him."
"Why did I come, then? I came only for him. I will join him."
"Fortunately it is out of your power. There is no entrance to the yard."
"Luckily, you can’t get in. There’s no way into the yard."
"There is a small entrance at the back, besides the gates in front. It opens by a secret method which I know. I will try it."
"There is a small entrance at the back, besides the gates in front. It opens in a secret way that I know. I'll give it a try."
"Not with my leave."
"Not without my permission."
Miss Keeldar clasped her round the waist with both arms and held her back. "Not one step shall you stir," she went on authoritatively. "At this moment Moore would be both shocked and embarrassed if he saw either you or me. Men never want women near them in time of real danger."
Miss Keeldar wrapped her arms around her waist and held her back. "You won’t move an inch," she said firmly. "Right now, Moore would be both shocked and embarrassed if he saw either of us. Men never want women around when there’s real danger."
"I would not trouble—I would help him," was the reply.
"I wouldn't cause any trouble—I would help him," was the reply.
[Pg 299]"How?—by inspiring him with heroism? Pooh! these are not the days of chivalry. It is not a tilt at a tournament we are going to behold, but a struggle about money, and food, and life."
[Pg299Please provide the text you would like me to modernize."How?—by inspiring him with heroism? Please! These aren't the days of chivalry. We're not going to witness a tournament, but a struggle over money, food, and survival."
"It is natural that I should be at his side."
"It makes sense that I should be by his side."
"As queen of his heart? His mill is his lady-love, Cary! Backed by his factory and his frames, he has all the encouragement he wants or can know. It is not for love or beauty, but for ledger and broadcloth, he is going to break a spear. Don't be sentimental; Robert is not so."
"As queen of his heart? His mill is his sweetheart, Cary! Supported by his factory and his machinery, he has all the motivation he needs. It's not for love or beauty, but for profit and textiles that he's ready to fight. Don't get sentimental; Robert is not like that."
"I could help him; I will seek him."
"I can help him; I will find him."
"Off then—I let you go—seek Moore. You'll not find him."
"Alright then—I’ll let you go—go look for Moore. You won’t find him."
She loosened her hold. Caroline sped like levelled shaft from bent bow; after her rang a jesting, gibing laugh. "Look well there is no mistake!" was the warning given.
She relaxed her grip. Caroline shot forward like an arrow from a drawn bow; behind her came a teasing, mocking laugh. "Make sure there’s no mistake!" was the warning given.
But there was a mistake. Miss Helstone paused, hesitated, gazed. The figure had suddenly retreated from the gate, and was running back hastily to the mill.
But there was a mistake. Miss Helstone paused, hesitated, gazed. The figure had suddenly backed away from the gate and was running quickly back to the mill.
"Make haste, Lina!" cried Shirley; "meet him before he enters."
" Hurry up, Lina!" shouted Shirley; "go see him before he gets in."
Caroline slowly returned. "It is not Robert," she said. "It has neither his height, form, nor bearing."
Caroline gradually came back. "It's not Robert," she said. "It doesn't have his height, shape, or demeanor."
"I saw it was not Robert when I let you go. How could you imagine it? It is a shabby little figure of a private soldier; they had posted him as sentinel. He is safe in the mill now. I saw the door open and admit him. My mind grows easier. Robert is prepared. Our warning would have been superfluous; and now I am thankful we came too late to give it. It has saved us the trouble of a scene. How fine to have entered the counting-house toute éperdue, and to have found oneself in presence of Messrs. Armitage and Ramsden smoking, Malone swaggering, your uncle sneering, Mr. Sykes sipping a cordial, and Moore himself in his cold man-of-business vein! I am glad we missed it all."
"I realized it wasn't Robert when I let you go. How could you think that? It's just a pathetic little private soldier; they had him posted as a guard. He's safe in the mill now. I saw the door open and let him in. I'm feeling better about things. Robert is ready. Our warning would have been pointless, and now I’m glad we arrived too late to give it. It saved us from a hassle. How awkward it would have been to enter the counting-house all flustered and find Messrs. Armitage and Ramsden smoking, Malone strutting around, your uncle sneering, Mr. Sykes sipping a drink, and Moore himself in his usual cold, business-like mood! I’m glad we missed all of that."
"I wonder if there are many in the mill, Shirley!"
"I wonder if there are a lot of people in the mill, Shirley!"
"Plenty to defend it. The soldiers we have twice seen to-day were going there, no doubt, and the group we noticed surrounding your cousin in the fields will be with him."
"There's a lot to back it up. The soldiers we saw today were definitely heading there, and the group we noticed gathering around your cousin in the fields will be with him."
"What are they doing now, Shirley? What is that noise?"
"What are they up to now, Shirley? What is that noise?"
"Hatchets and crowbars against the yard gates. They are forcing them. Are you afraid?"
"Hatchets and crowbars against the yard gates. They are breaking in. Are you scared?"
[Pg 300]"No; but my heart throbs fast. I have a difficulty in standing. I will sit down. Do you feel unmoved?"
[Pg300]"No, but my heart is racing. I'm having trouble standing. I'm going to sit down. Are you feeling indifferent?"
"Hardly that; but I am glad I came. We shall see what transpires with our own eyes. We are here on the spot, and none know it. Instead of amazing the curate, the clothier, and the corn-dealer with a romantic rush on the stage, we stand alone with the friendly night, its mute stars, and these whispering trees, whose report our friends will not come to gather."
"Not really; but I'm glad I came. We'll see what happens with our own eyes. We’re right here, and no one knows it. Instead of surprising the curate, the clothier, and the corn-dealer with some dramatic show, we’re alone with the quiet night, its silent stars, and these whispering trees, whose secrets our friends won’t come to hear."
"Shirley, Shirley, the gates are down! That crash was like the felling of great trees. Now they are pouring through. They will break down the mill doors as they have broken the gate. What can Robert do against so many? Would to God I were a little nearer him—could hear him speak—could speak to him! With my will—my longing to serve him—I could not be a useless burden in his way; I could be turned to some account."
"Shirley, Shirley, the gates are down! That crash was like the sound of large trees falling. Now they're pouring in. They'll break down the mill doors just like they broke the gate. What can Robert do against so many? I wish I were a little closer to him—could hear him talk—could talk to him! With my determination—my desire to help him—I couldn't be a useless burden; I could actually be helpful."
"They come on!" cried Shirley. "How steadily they march in! There is discipline in their ranks. I will not say there is courage—hundreds against tens are no proof of that quality—but" (she dropped her voice) "there is suffering and desperation enough amongst them. These goads will urge them forwards."
"They're coming!" Shirley shouted. "Look how steadily they march in! There's discipline in their ranks. I won't say there's courage—hundreds against tens don't prove that quality—but" (she lowered her voice) "there's plenty of suffering and desperation among them. These goads will push them forward."
"Forwards against Robert; and they hate him. Shirley, is there much danger they will win the day?"
"Forwards against Robert; and they hate him. Shirley, is there a real chance they will come out on top?"
"We shall see. Moore and Helstone are of 'earth's first blood'—no bunglers—no cravens——"
"We'll see. Moore and Helstone are the best of the best—no amateurs—no cowards——"
A crash—smash—shiver—stopped their whispers. A simultaneously hurled volley of stones had saluted the broad front of the mill, with all its windows; and now every pane of every lattice lay in shattered and pounded fragments. A yell followed this demonstration—a rioters' yell—a north-of-England, a Yorkshire, a West-Riding, a West-Riding-clothing-district-of-Yorkshire rioters' yell.
A crash—smash—shatter—cut off their whispers. A simultaneous barrage of stones had hit the front of the mill, targeting all its windows; now every pane of every frame lay broken and in pieces. This display was followed by a cheer—a rioters’ cheer—a shout from the north of England, from Yorkshire, from the West Riding, from the West Riding clothing district of Yorkshire.
You never heard that sound, perhaps, reader? So much the better for your ears—perhaps for your heart, since, if it rends the air in hate to yourself, or to the men or principles you approve, the interests to which you wish well, wrath wakens to the cry of hate; the lion shakes his mane, and rises to the howl of the hyena; caste stands up, ireful against caste; and the indignant, wronged spirit of the middle rank bears down in zeal and scorn on the famished and furious mass of the operative class. It is difficult to be tolerant, difficult to be just, in such moments.
You may not have heard that sound, reader? That’s probably good for your ears—maybe even for your heart, since if it fills the air with hate directed at you, or at the people or principles you support, the interests you care about, anger rises up in response to that cry of hate; the lion shakes its mane and reacts to the howl of the hyena; social classes clash, fueled by anger against each other; and the offended, wronged spirit of the middle class pushes down with intensity and contempt on the starving and furious working class. It’s hard to be tolerant, hard to be fair, in moments like that.
[Pg 301]Caroline rose; Shirley put her arm round her: they stood together as still as the straight stems of two trees. That yell was a long one, and when it ceased the night was yet full of the swaying and murmuring of a crowd.
[Pg301Modernize it into contemporary English if there's enough context, but do not add or omit any information. Do not add commentary, and do not modify any placeholders.Caroline stood up; Shirley wrapped her arm around her: they stood together as still as two straight tree trunks. That shout lasted a while, and when it finally stopped, the night was still filled with the rustling and murmuring of a crowd.
"What next?" was the question of the listeners. Nothing came yet. The mill remained mute as a mausoleum.
"What’s next?" was the question from the listeners. Nothing happened yet. The mill stayed silent like a tomb.
"He cannot be alone!" whispered Caroline.
"He can't be alone!" whispered Caroline.
"I would stake all I have that he is as little alone as he is alarmed," responded Shirley.
"I would bet everything I have that he's as calm as he is not alone," replied Shirley.
Shots were discharged by the rioters. Had the defenders waited for this signal? It seemed so. The hitherto inert and passive mill woke; fire flashed from its empty window-frames; a volley of musketry pealed sharp through the Hollow.
Shots were fired by the rioters. Had the defenders been waiting for this signal? It appeared that way. The previously inactive and passive mill sprang to life; fire erupted from its empty window frames; a sharp volley of gunfire echoed through the Hollow.
"Moore speaks at last!" said Shirley, "and he seems to have the gift of tongues. That was not a single voice."
"Moore finally speaks!" said Shirley, "and he appears to have the gift of gab. That wasn't just one voice."
"He has been forbearing. No one can accuse him of rashness," alleged Caroline. "Their discharge preceded his. They broke his gates and his windows. They fired at his garrison before he repelled them."
"He has been patient. No one can accuse him of acting impulsively," claimed Caroline. "Their dismissal came before his. They broke through his gates and windows. They fired at his troops before he drove them back."
What was going on now? It seemed difficult, in the darkness, to distinguish; but something terrible, a still-renewing tumult, was obvious—fierce attacks, desperate repulses. The mill-yard, the mill itself, was full of battle movement. There was scarcely any cessation now of the discharge of firearms; and there was struggling, rushing, trampling, and shouting between. The aim of the assailants seemed to be to enter the mill, that of the defenders to beat them off. They heard the rebel leader cry, "To the back, lads!" They heard a voice retort, "Come round; we will meet you."
What was happening now? It was hard to tell in the darkness, but something terrible—a constant chaos—was clear: fierce attacks and desperate counterattacks. The mill yard and the mill itself were alive with the movement of battle. The sound of gunfire barely stopped, and there was struggling, rushing, trampling, and shouting all around. The attackers seemed determined to get inside the mill, while the defenders aimed to push them back. They heard the rebel leader shout, "To the back, guys!" and a voice replied, "Come around; we'll confront you."
"To the counting-house!" was the order again.
"To the office!" was the command again.
"Welcome! we shall have you there!" was the response. And accordingly the fiercest blaze that had yet glowed, the loudest rattle that had yet been heard, burst from the counting-house front when the mass of rioters rushed up to it.
"Welcome! We’ll have you there!" was the reply. And sure enough, the fiercest blaze that had ever glowed, the loudest rattle that had ever been heard, erupted from the front of the counting-house as the crowd of rioters charged toward it.
The voice that had spoken was Moore's own voice. They could tell by its tones that his soul was now warm with the conflict; they could guess that the fighting animal was roused in every one of those men there struggling together, and was for the time quite paramount above the rational human being.
The voice that had spoken was Moore's own voice. They could tell by its tones that his soul was now alive with the struggle; they could sense that the fighting spirit was awakened in every one of those men struggling together, and was, for the moment, dominating over the rational human being.
Both the girls felt their faces glow and their pulses throb;[Pg 302] both knew they would do no good by rushing down into the mêlée. They desired neither to deal nor to receive blows; but they could not have run away—Caroline no more than Shirley; they could not have fainted; they could not have taken their eyes from the dim, terrible scene—from the mass of cloud, of smoke, the musket-lightning—for the world.
Both girls felt their faces heat up and their hearts race; [Pg302Please provide the text you would like me to modernize. they both knew rushing into the chaos wouldn't help. They didn't want to fight or get hurt, but they couldn't run away—Caroline no more than Shirley; they couldn't faint; they couldn't tear their eyes away from the dim, horrifying scene—from the thick smoke, the flashes of gunfire—no matter what.
"How and when would it end?" was the demand throbbing in their throbbing pulses. "Would a juncture arise in which they could be useful?" was what they waited to see; for though Shirley put off their too-late arrival with a jest, and was ever ready to satirize her own or any other person's enthusiasm, she would have given a farm of her best land for a chance of rendering good service.
"How and when would it end?" was the question pulsing in their veins. "Would there come a point when they could be helpful?" was what they were eager to find out; for even though Shirley brushed off their late arrival with a joke, and was always quick to mock her own or anyone else's enthusiasm, she would have traded a piece of her best land for the opportunity to do something worthwhile.
The chance was not vouchsafed her; the looked-for juncture never came. It was not likely. Moore had expected this attack for days, perhaps weeks; he was prepared for it at every point. He had fortified and garrisoned his mill, which in itself was a strong building. He was a cool, brave man; he stood to the defence with unflinching firmness. Those who were with him caught his spirit, and copied his demeanour. The rioters had never been so met before. At other mills they had attacked they had found no resistance; an organized, resolute defence was what they never dreamed of encountering. When their leaders saw the steady fire kept up from the mill, witnessed the composure and determination of its owner, heard themselves coolly defied and invited on to death, and beheld their men falling wounded round them, they felt that nothing was to be done here. In haste they mustered their forces, drew them away from the building. A roll was called over, in which the men answered to figures instead of names. They dispersed wide over the fields, leaving silence and ruin behind them. The attack, from its commencement to its termination, had not occupied an hour.
The chance never came for her; the moment everyone was waiting for just didn’t happen. It was unlikely. Moore had been expecting this attack for days, maybe weeks; he was ready for it at every turn. He had fortified and secured his mill, which was already a solid building. He was calm and brave; he stood his ground with unwavering determination. Those who were with him caught his spirit and mirrored his attitude. The rioters had never faced such resistance before. At other mills they attacked, they found no pushback; a well-organized, strong defense was something they never imagined encountering. When their leaders saw the steady gunfire coming from the mill, witnessed its owner's composure and resolve, heard themselves being calmly challenged and invited to face death, and saw their men getting wounded around them, they realized there was nothing they could do here. Quickly, they gathered their forces and pulled them away from the building. A roll call was made, where the men responded to numbers instead of names. They scattered across the fields, leaving silence and destruction behind them. The attack, from start to finish, lasted less than an hour.
Day was by this time approaching; the west was dim, the east beginning to gleam. It would have seemed that the girls who had watched this conflict would now wish to hasten to the victors, on whose side all their interest had been enlisted; but they only very cautiously approached the now battered mill, and when suddenly a number of soldiers and gentlemen appeared at the great door opening[Pg 303] into the yard, they quickly stepped aside into a shed, the deposit of old iron and timber, whence they could see without being seen.
Day was approaching; the west was dim, and the east was starting to shine. It might have seemed that the girls who had watched the fight would want to rush to the victors, since their interest was clearly on that side; but they only cautiously made their way to the now damaged mill. When a group of soldiers and gentlemen suddenly appeared at the large door leading into the yard,[Pg303I am ready to assist! Please provide the text you'd like me to modernize. they quickly stepped aside into a shed filled with old iron and wood, where they could watch without being noticed.
It was no cheering spectacle. These premises were now a mere blot of desolation on the fresh front of the summer dawn. All the copse up the Hollow was shady and dewy, the hill at its head was green; but just here, in the centre of the sweet glen, Discord, broken loose in the night from control, had beaten the ground with his stamping hoofs, and left it waste and pulverized. The mill yawned all ruinous with unglazed frames; the yard was thickly bestrewn with stones and brickbats; and close under the mill, with the glittering fragments of the shattered windows, muskets and other weapons lay here and there. More than one deep crimson stain was visible on the gravel, a human body lay quiet on its face near the gates, and five or six wounded men writhed and moaned in the bloody dust.
It was not a pretty sight. The place was now just a sad spot of destruction on the fresh summer dawn. The grove up the Hollow was cool and misty, and the hill at the top was green; but right here, in the center of the lovely glen, chaos, unleashed during the night, had trampled the ground with its heavy hooves, leaving it ruined and broken. The mill stood wide open in decay, with unglazed frames; the yard was cluttered with stones and bricks; and just under the mill, among the sparkling shards of the shattered windows, muskets and other weapons lay scattered. More than one deep red stain was visible on the gravel, a lifeless body lay face down near the gates, and five or six wounded men writhed and groaned in the bloody dust.
Miss Keeldar's countenance changed at this view. It was the after-taste of the battle, death and pain replacing excitement and exertion. It was the blackness the bright fire leaves when its blaze is sunk, its warmth failed, and its glow faded.
Miss Keeldar's expression shifted at this sight. It was the aftermath of the battle, where death and pain took the place of excitement and effort. It was the darkness that remains after a bright fire has burned out, its warmth gone and its glow dimmed.
"This is what I wished to prevent," she said, in a voice whose cadence betrayed the altered impulse of her heart.
"This is what I wanted to avoid," she said, in a voice that revealed the changed feelings in her heart.
"But you could not prevent it; you did your best—it was in vain," said Caroline comfortingly. "Don't grieve, Shirley."
"But you couldn't stop it; you did everything you could—it was pointless," Caroline said to comfort her. "Don't be sad, Shirley."
"I am sorry for those poor fellows," was the answer, while the spark in her glance dissolved to dew. "Are any within the mill hurt, I wonder? Is that your uncle?"
"I feel sorry for those poor guys," was the response, as the spark in her eyes turned to tears. "I wonder if anyone inside the mill is hurt? Is that your uncle?"
"It is, and there is Mr. Malone; and, O Shirley, there is Robert!"
"It is, and there's Mr. Malone; and, oh Shirley, there’s Robert!"
"Well" (resuming her former tone), "don't squeeze your fingers quite into my hand. I see. There is nothing wonderful in that. We knew he, at least, was here, whoever might be absent."
"Well" (returning to her previous tone), "don't squeeze my hand too tightly. I get it. There's nothing special about that. We knew he was here, at least, no matter who else might be missing."
"He is coming here towards us, Shirley!"
"He’s coming over here to us, Shirley!"
"Towards the pump, that is to say, for the purpose of washing his hands and his forehead, which has got a scratch, I perceive."
"Towards the pump, meaning to wash his hands and the scratch on his forehead, I can see."
"He bleeds, Shirley. Don't hold me. I must go."
"He’s bleeding, Shirley. Don’t hold me. I need to go."
"Not a step."
"No way."
"He is hurt, Shirley!"
"He's hurt, Shirley!"
"Fiddlestick!"
"Fiddlesticks!"
[Pg 304]"But I must go to him. I wish to go so much. I cannot bear to be restrained."
[Pg304] "But I have to go to him. I want to go so badly. I can't stand being held back."
"What for?"
"Why?"
"To speak to him, to ask how he is, and what I can do for him."
"To talk to him, to ask how he’s doing, and what I can do for him."
"To tease and annoy him; to make a spectacle of yourself and him before those soldiers, Mr. Malone, your uncle, et cetera. Would he like it, think you? Would you like to remember it a week hence?"
"To irritate him and show off in front of those soldiers, Mr. Malone, your uncle, and others. Do you think he would enjoy that? Would you want to think about that a week from now?"
"Am I always to be curbed and kept down?" demanded Caroline, a little passionately.
"Am I always going to be held back and kept down?" Caroline asked, a bit passionately.
"For his sake, yes; and still more for your own. I tell you, if you showed yourself now you would repent it an hour hence, and so would Robert."
"For his sake, yes; and even more for your own. I’m telling you, if you reveal yourself now, you would regret it an hour later, and so would Robert."
"You think he would not like it, Shirley?"
"You think he wouldn't like it, Shirley?"
"Far less than he would like our stopping him to say good-night, which you were so sore about."
"Much less than he would want us to stop him to say goodnight, which you were really upset about."
"But that was all play; there was no danger."
"But that was just for fun; there was no risk."
"And this is serious work; he must be unmolested."
"And this is serious work; he needs to be undisturbed."
"I only wish to go to him because he is my cousin—you understand?"
"I just want to go to him because he's my cousin—you get that?"
"I quite understand. But now, watch him. He has bathed his forehead, and the blood has ceased trickling. His hurt is really a mere graze; I can see it from hence. He is going to look after the wounded men."
"I totally get it. But now, check him out. He’s washed his forehead, and the bleeding has stopped. His injury is really just a scratch; I can tell from here. He’s going to take care of the injured men."
Accordingly Mr. Moore and Mr. Helstone went round the yard, examining each prostrate form. They then gave directions to have the wounded taken up and carried into the mill. This duty being performed, Joe Scott was ordered to saddle his master's horse and Mr. Helstone's pony, and the two gentlemen rode away full gallop, to seek surgical aid in different directions.
Accordingly, Mr. Moore and Mr. Helstone walked around the yard, checking each fallen person. They then instructed to have the injured taken up and brought into the mill. Once that was done, Joe Scott was told to saddle his master's horse and Mr. Helstone's pony, and the two gentlemen rode off at full speed to look for medical help in different directions.
Caroline was not yet pacified.
Caroline was still upset.
"Shirley, Shirley, I should have liked to speak one word to him before he went," she murmured, while the tears gathered glittering in her eyes.
"Shirley, Shirley, I wish I could have said just one word to him before he left," she murmured, as tears started to shimmer in her eyes.
"Why do you cry, Lina?" asked Miss Keeldar a little sternly. "You ought to be glad instead of sorry. Robert has escaped any serious harm; he is victorious; he has been cool and brave in combat; he is now considerate in triumph. Is this a time—are these causes for weeping?"
"Why are you crying, Lina?" asked Miss Keeldar a bit sternly. "You should be happy instead of sad. Robert has come through without any serious harm; he’s won; he was calm and brave in battle; he’s now being thoughtful in his victory. Is this a moment—are these reasons for tears?"
"You do not know what I have in my heart," pleaded the other—"what pain, what distraction—nor whence it arises. I can understand that you should exult in Robert's[Pg 305] greatness and goodness; so do I, in one sense, but in another I feel so miserable. I am too far removed from him. I used to be nearer. Let me alone, Shirley. Do let me cry a few minutes; it relieves me."
"You have no idea what I’m feeling inside," the other one pleaded. "What pain, what distraction—and where it comes from. I get that you’re happy about Robert's[Pg305Text not provided. Please share the text you'd like to modernize. greatness and kindness; I feel that too, in a way, but in another way, I feel absolutely miserable. I feel too distant from him now. I used to be closer. Just leave me alone, Shirley. Please let me cry for a few minutes; it helps me feel better."
Miss Keeldar, feeling her tremble in every limb, ceased to expostulate with her. She went out of the shed, and left her to weep in peace. It was the best plan. In a few minutes Caroline rejoined her, much calmer. She said, with her natural, docile, gentle manner, "Come, Shirley, we will go home now. I promise not to try to see Robert again till he asks for me. I never will try to push myself on him. I thank you for restraining me just now."
Miss Keeldar, sensing her shake in every part of her body, stopped arguing with her. She stepped out of the shed and left her to cry in peace. It was the best approach. A few minutes later, Caroline came back, much calmer. She spoke in her usual, obedient, gentle way, "Come on, Shirley, let's go home now. I promise I won't try to see Robert again until he wants to see me. I will never try to impose myself on him. Thank you for holding me back just now."
"I did it with a good intention," returned Miss Keeldar.
"I did it with good intentions," replied Miss Keeldar.
"Now, dear Lina," she continued, "let us turn our faces to the cool morning breeze, and walk very quietly back to the rectory. We will steal in as we stole out. None shall know where we have been or what we have seen to-night; neither taunt nor misconstruction can consequently molest us. To-morrow we will see Robert, and be of good cheer; but I will say no more, lest I should begin to cry too. I seem hard towards you, but I am not so."[Pg 306]
"Now, dear Lina," she continued, "let's turn our faces to the cool morning breeze and quietly walk back to the rectory. We'll sneak in just like we sneaked out. No one will know where we've been or what we've seen tonight; so, we won't be bothered by teasing or misunderstandings. Tomorrow, we'll see Robert and stay positive; but I won’t say more, or I might start to cry too. I might seem tough towards you, but I'm not." [Pg306This text is empty.
CHAPTER XX.
TO-MORROW.
The two girls met no living soul on their way back to the rectory. They let themselves in noiselessly; they stole upstairs unheard—the breaking morning gave them what light they needed. Shirley sought her couch immediately; and though the room was strange—for she had never slept at the rectory before—and though the recent scene was one unparalleled for excitement and terror by any it had hitherto been her lot to witness, yet scarce was her head laid on the pillow ere a deep, refreshing sleep closed her eyes and calmed her senses.
The two girls didn't see anyone on their way back to the rectory. They slipped inside quietly and tiptoed upstairs without making a sound—the breaking dawn provided them with just enough light. Shirley went straight to her bed; and even though the room felt unfamiliar—since she had never slept at the rectory before—and despite the recent events being the most thrilling and terrifying she had ever experienced, she barely rested her head on the pillow before deep, refreshing sleep took over and soothed her senses.
Perfect health was Shirley's enviable portion. Though warm-hearted and sympathetic, she was not nervous; powerful emotions could rouse and sway without exhausting her spirit. The tempest troubled and shook her while it lasted, but it left her elasticity unbent, and her freshness quite unblighted. As every day brought her stimulating emotion, so every night yielded her recreating rest. Caroline now watched her sleeping, and read the serenity of her mind in the beauty of her happy countenance.
Perfect health was Shirley's admirable gift. Although she was warm-hearted and caring, she wasn't nervous; intense emotions could stir and move her without draining her spirit. The storm disturbed and rattled her while it lasted, but it left her resilience intact and her vitality completely untouched. Each day brought her invigorating feelings, and every night provided her with refreshing rest. Caroline now watched her sleep and saw the peace of her mind reflected in the beauty of her joyful face.
For herself, being of a different temperament, she could not sleep. The commonplace excitement of the tea-drinking and school-gathering would alone have sufficed to make her restless all night; the effect of the terrible drama which had just been enacted before her eyes was not likely to quit her for days. It was vain even to try to retain a recumbent posture; she sat up by Shirley's side, counting the slow minutes, and watching the June sun mount the heavens.
For her, being of a different temperament, she couldn't sleep. The usual excitement from the tea and school gathering would have been enough to keep her restless all night; the impact of the awful drama she had just witnessed wasn't going to leave her for days. It was pointless even to try to lie down; she sat up next to Shirley, counting the slow minutes and watching the June sun rise in the sky.
Life wastes fast in such vigils as Caroline had of late but too often kept—vigils during which the mind, having no pleasant food to nourish it, no manna of hope, no hived-honey of joyous memories, tries to live on the meagre diet of wishes, and failing to derive thence either delight or support, and feeling itself ready to perish with craving want, turns to philosophy, to resolution, to resignation;[Pg 307] calls on all these gods for aid, calls vainly—is unheard, unhelped, and languishes.
Life quickly slips away during the late-night watches that Caroline has been keeping too often—watches where the mind, lacking any comforting thoughts to feed on, no sweet hopes, no joyful memories, struggles to survive on a sparse diet of wishes. When it fails to find either pleasure or support in this, and feels like it’s about to fade away from hunger, it turns to philosophy, to determination, to resignation; calls on all these forces for help, but it’s in vain—it's unheard, unassisted, and withers away.[Pg307It seems there was an error with your request, as there is no specific text provided. Please provide the short phrase you'd like me to modernize.
Caroline was a Christian; therefore in trouble she framed many a prayer after the Christian creed, preferred it with deep earnestness, begged for patience, strength, relief. This world, however, we all know, is the scene of trial and probation; and, for any favourable result her petitions had yet wrought, it seemed to her that they were unheard and unaccepted. She believed, sometimes, that God had turned His face from her. At moments she was a Calvinist, and, sinking into the gulf of religious despair, she saw darkening over her the doom of reprobation.
Caroline was a Christian; so in times of trouble, she offered many prayers based on her faith, asking for patience, strength, and relief with deep sincerity. However, as we all know, this world is full of challenges and tests; and regarding any positive outcomes her prayers had achieved so far, it felt to her as if they were ignored and unaccepted. At times, she believed that God had turned away from her. In moments of despair, she felt like a Calvinist, and as she sank into the depths of religious hopelessness, she saw the shadow of condemnation looming over her.
Most people have had a period or periods in their lives when they have felt thus forsaken—when, having long hoped against hope, and still seen the day of fruition deferred, their hearts have truly sickened within them. This is a terrible hour, but it is often that darkest point which precedes the rise of day—that turn of the year when the icy January wind carries over the waste at once the dirge of departing winter and the prophecy of coming spring. The perishing birds, however, cannot thus understand the blast before which they shiver; and as little can the suffering soul recognize, in the climax of its affliction, the dawn of its deliverance. Yet, let whoever grieves still cling fast to love and faith in God. God will never deceive, never finally desert him. "Whom He loveth, He chasteneth." These words are true, and should not be forgotten.
Most people have experienced times in their lives when they felt completely abandoned—when, after hoping against hope and still seeing their dreams delayed, their hearts genuinely ached. This is a tough moment, but often it is the darkest point before the dawn—that season change when the cold January wind carries away the last remnants of winter and hints at the arrival of spring. However, the dying birds can’t comprehend the storm that makes them tremble; likewise, the suffering soul often fails to see that in its deepest anguish lies the beginning of its healing. Yet, those who mourn should hold on tightly to love and faith in God. God will never let you down or ultimately forsake you. "Whom He loves, He chastens." These words are true and should not be forgotten.
The household was astir at last; the servants were up; the shutters were opened below. Caroline, as she quitted the couch, which had been but a thorny one to her, felt that revival of spirits which the return of day, of action, gives to all but the wholly despairing or actually dying. She dressed herself, as usual, carefully, trying so to arrange her hair and attire that nothing of the forlornness she felt at heart should be visible externally. She looked as fresh as Shirley when both were dressed, only that Miss Keeldar's eyes were lively, and Miss Helstone's languid.
The household was finally awake; the staff was up, and the shutters were opened downstairs. As Caroline got off the couch, which had been uncomfortable for her, she felt a boost of energy that the start of a new day brings to everyone except those who are completely hopeless or truly dying. She got dressed, as usual, with care, trying to style her hair and outfit so that none of the sadness she felt inside would show on the outside. She looked as fresh as Shirley when they were both dressed, except that Miss Keeldar’s eyes were bright, while Miss Helstone’s were weary.
"To-day I shall have much to say to Moore," were Shirley's first words; and you could see in her face that life was full of interest, expectation, and occupation for her. "He will have to undergo cross-examination," she added. "I dare say he thinks he has outwitted me cleverly. And this is the way men deal with women—still concealing danger from them—thinking, I suppose, to spare them pain.[Pg 308] They imagined we little knew where they were to-night. We know they little conjectured where we were. Men, I believe, fancy women's minds something like those of children. Now, that is a mistake."
"Today I have a lot to discuss with Moore," were Shirley's first words; and you could see on her face that life was full of interest, anticipation, and activity for her. "He will have to face some tough questions," she added. "I bet he thinks he has outsmarted me. And this is how men treat women—still hiding danger from them—thinking, I guess, that they’re protecting us from pain.[Pg308I’m ready for your text. They thought we had no idea where they were tonight. We know they had no clue where we were. Men, I believe, tend to think women's minds are like those of children. Now, that's a mistake."
This was said as she stood at the glass, training her naturally waved hair into curls, by twining it round her fingers. She took up the theme again five minutes after, as Caroline fastened her dress and clasped her girdle.
This was said while she stood at the mirror, curling her naturally wavy hair around her fingers. She picked up the topic again five minutes later, as Caroline zipped up her dress and fastened her belt.
"If men could see us as we really are, they would be a little amazed; but the cleverest, the acutest men are often under an illusion about women. They do not read them in a true light; they misapprehend them, both for good and evil. Their good woman is a queer thing, half doll, half angel; their bad woman almost always a fiend. Then to hear them fall into ecstasies with each other's creations—worshipping the heroine of such a poem, novel, drama—thinking it fine, divine! Fine and divine it may be, but often quite artificial—false as the rose in my best bonnet there. If I spoke all I think on this point, if I gave my real opinion of some first-rate female characters in first-rate works, where should I be? Dead under a cairn of avenging stones in half an hour."
"If men could see us as we actually are, they would be a bit shocked; but the smartest, most perceptive men often have a misunderstanding of women. They don't see us clearly; they misinterpret us, both positively and negatively. Their idea of a good woman is a strange mix, half doll and half angel; their idea of a bad woman is almost always a monster. Then to hear them rave about each other’s creations—adoring the heroine from a poem, novel, or play—thinking it’s great, divine! It might be great and divine, but often it’s totally artificial—just as fake as the rose in my best hat. If I were to express everything I think about this, if I were to share my true opinions on some top female characters in top works, where would I end up? Buried under a pile of angry stones in half an hour."
"Shirley, you chatter so, I can't fasten you. Be still. And, after all, authors' heroines are almost as good as authoresses' heroes."
"Shirley, you talk so much that I can't focus on you. Please be quiet. And, honestly, female characters created by male authors are almost as good as male characters created by female authors."
"Not at all. Women read men more truly than men read women. I'll prove that in a magazine paper some day when I've time; only it will never be inserted. It will be 'declined with thanks,' and left for me at the publisher's."
"Not at all. Women understand men better than men understand women. I’ll prove that in an article one day when I have time; but it will never get published. It will be ‘declined with thanks’ and returned to me by the publisher."
"To be sure. You could not write cleverly enough. You don't know enough. You are not learned, Shirley."
"Sure, you can't write cleverly enough. You don't know enough. You're not educated, Shirley."
"God knows I can't contradict you, Cary; I'm as ignorant as a stone. There's one comfort, however: you are not much better."
"Honestly, Cary, I can't argue with you; I'm as clueless as can be. But there's one thing that makes me feel better: you're not much smarter."
They descended to breakfast.
They went down for breakfast.
"I wonder how Mrs. Pryor and Hortense Moore have passed the night," said Caroline, as she made the coffee. "Selfish being that I am, I never thought of either of them till just now. They will have heard all the tumult, Fieldhead and the cottage are so near; and Hortense is timid in such matters—so, no doubt, is Mrs. Pryor."
"I wonder how Mrs. Pryor and Hortense Moore spent the night," said Caroline as she made the coffee. "Selfish person that I am, I didn’t think of either of them until just now. They must have heard all the noise; Fieldhead and the cottage are so close together, and Hortense is nervous about things like this—so Mrs. Pryor probably is too."
"Take my word for it, Lina, Moore will have contrived to get his sister out of the way. She went home with Miss[Pg 309] Mann. He will have quartered her there for the night. As to Mrs. Pryor, I own I am uneasy about her; but in another half-hour we will be with her."
"Trust me on this, Lina, Moore will have figured out a way to get his sister out of the picture. She went home with Miss[Pg309(There is no text provided to modernize. Please provide a phrase or piece of text for assistance.) Mann. He’ll have her staying there for the night. As for Mrs. Pryor, I admit I’m worried about her; but in another half-hour, we’ll be with her."
By this time the news of what had happened at the Hollow was spread all over the neighbourhood. Fanny, who had been to Fieldhead to fetch the milk, returned in panting haste with tidings that there had been a battle in the night at Mr. Moore's mill, and that some said twenty men were killed. Eliza, during Fanny's absence, had been apprised by the butcher's boy that the mill was burnt to the ground. Both women rushed into the parlour to announce these terrible facts to the ladies, terminating their clear and accurate narrative by the assertion that they were sure master must have been in it all. He and Thomas, the clerk, they were confident, must have gone last night to join Mr. Moore and the soldiers. Mr. Malone, too, had not been heard of at his lodgings since yesterday afternoon; and Joe Scott's wife and family were in the greatest distress, wondering what had become of their head.
By this time, the news about what happened at the Hollow had spread all over the neighborhood. Fanny, who had gone to Fieldhead to get the milk, came back out of breath with word that there had been a battle during the night at Mr. Moore's mill, and some said twenty men were killed. While Fanny was away, Eliza learned from the butcher's boy that the mill had been burned to the ground. Both women hurried into the parlor to share these awful details with the ladies, ending their clear and detailed account by insisting that they were certain the master must have been involved. They believed he and Thomas, the clerk, must have gone out last night to join Mr. Moore and the soldiers. Mr. Malone hadn’t been seen at his lodgings since yesterday afternoon, and Joe Scott's wife and family were in a state of great distress, worried about what had happened to their husband and father.
Scarcely was this information imparted when a knock at the kitchen door announced the Fieldhead errand-boy, arrived in hot haste, bearing a billet from Mrs. Pryor. It was hurriedly written, and urged Miss Keeldar to return directly, as the neighbourhood and the house seemed likely to be all in confusion, and orders would have to be given which the mistress of the hall alone could regulate. In a postscript it was entreated that Miss Helstone might not be left alone at the rectory. She had better, it was suggested, accompany Miss Keeldar.
Hardly had this information been shared when a knock at the kitchen door announced the Fieldhead errand-boy, who arrived in a hurry, carrying a note from Mrs. Pryor. It was written quickly and urged Miss Keeldar to return right away, as the neighborhood and the house seemed to be in chaos, and commands would need to be given that only the mistress of the hall could manage. In a postscript, it was requested that Miss Helstone not be left alone at the rectory. It was suggested that she should come along with Miss Keeldar.
"There are not two opinions on that head," said Shirley, as she tied on her own bonnet, and then ran to fetch Caroline's.
"There’s no debate about that," said Shirley, as she put on her own bonnet and then hurried to grab Caroline's.
"But what will Fanny and Eliza do? And if my uncle returns?"
"But what will Fanny and Eliza do? And what if my uncle comes back?"
"Your uncle will not return yet; he has other fish to fry. He will be galloping backwards and forwards from Briarfield to Stilbro' all day, rousing the magistrates in the court-house and the officers at the barracks; and Fanny and Eliza can have in Joe Scott's and the clerk's wives to bear them company. Besides, of course, there is no real danger to be apprehended now. Weeks will elapse before the rioters can again rally, or plan any other attempt; and I am much mistaken if Moore and Mr. Helstone will not take advantage of last night's outbreak to quell them altogether. They will frighten the authorities of Stilbro'[Pg 310] into energetic measures. I only hope they will not be too severe—not pursue the discomfited too relentlessly."
"Your uncle won't be back yet; he has other things to deal with. He'll be running back and forth from Briarfield to Stilbro' all day, waking up the magistrates in the courthouse and the officers at the barracks. Fanny and Eliza can invite Joe Scott's and the clerk's wives over to keep them company. Besides, there really isn't any danger right now. It will take weeks before the rioters can gather again or plan another attack, and I’d be surprised if Moore and Mr. Helstone don’t use last night’s incident to put a stop to them for good. They'll likely scare the authorities in Stilbro' into taking strong action. I just hope they won’t be too harsh and won’t go after the beaten ones too aggressively."
"Robert will not be cruel. We saw that last night," said Caroline.
"Robert won't be cruel. We saw that last night," Caroline said.
"But he will be hard," retorted Shirley; "and so will your uncle."
"But he will be tough," Shirley shot back; "and so will your uncle."
As they hurried along the meadow and plantation path to Fieldhead, they saw the distant highway already alive with an unwonted flow of equestrians and pedestrians, tending in the direction of the usually solitary Hollow. On reaching the hall, they found the backyard gates open, and the court and kitchen seemed crowded with excited milk-fetchers—men, women, and children—whom Mrs. Gill, the housekeeper, appeared vainly persuading to take their milk-cans and depart. (It is, or was, by-the-bye, the custom in the north of England for the cottagers on a country squire's estate to receive their supplies of milk and butter from the dairy of the manor house, on whose pastures a herd of milch kine was usually fed for the convenience of the neighbourhood. Miss Keeldar owned such a herd—all deep-dewlapped, Craven cows, reared on the sweet herbage and clear waters of bonny Airedale; and very proud she was of their sleek aspect and high condition.) Seeing now the state of matters, and that it was desirable to effect a clearance of the premises, Shirley stepped in amongst the gossiping groups. She bade them good-morning with a certain frank, tranquil ease—the natural characteristic of her manner when she addressed numbers, especially if those numbers belonged to the working-class; she was cooler amongst her equals, and rather proud to those above her. She then asked them if they had all got their milk measured out; and understanding that they had, she further observed that she "wondered what they were waiting for, then."
As they rushed along the meadow and plantation path to Fieldhead, they saw the distant highway already bustling with an unusual flow of horseback riders and pedestrians heading toward the usually quiet Hollow. When they reached the hall, they found the backyard gates open, and the court and kitchen seemed packed with excited people waiting to pick up their milk—men, women, and children—whom Mrs. Gill, the housekeeper, was fruitlessly trying to persuade to take their milk cans and leave. (It is, or was, by the way, the custom in the north of England for villagers on a country squire's estate to receive their supplies of milk and butter from the manor house’s dairy, where a herd of dairy cows was usually kept for the neighborhood's convenience. Miss Keeldar owned such a herd—all deep-dewlapped, Craven cows, raised on the sweet grass and clear waters of beautiful Airedale; and she was very proud of their sleek appearance and good health.) Seeing how things were and that a clearing of the area was needed, Shirley stepped into the chatting groups. She greeted them with a straightforward, calm ease—the natural quality of her demeanor when she spoke to groups, especially if those groups included working-class people; she was more relaxed around her equals and slightly proud toward those above her. She then asked if they had all gotten their milk measured out, and upon learning that they had, she added that she “wondered what they were waiting for, then.”
"We're just talking a bit over this battle there has been at your mill, mistress," replied a man.
"We're just chatting a little about the fight that happened at your mill, ma'am," replied a man.
"Talking a bit! Just like you!" said Shirley. "It is a queer thing all the world is so fond of talking over events. You talk if anybody dies suddenly; you talk if a fire breaks out; you talk if a mill-owner fails; you talk if he's murdered. What good does your talking do?"
"Talking a bit! Just like you!" said Shirley. "It's strange how everyone loves to talk about events. You talk if someone dies suddenly; you talk if there's a fire; you talk if a mill owner goes bankrupt; you talk if he gets murdered. What good does your talking do?"
There is nothing the lower orders like better than a little downright good-humoured rating. Flattery they scorn very much; honest abuse they enjoy. They call it speaking plainly, and take a sincere delight in being the objects[Pg 311] thereof. The homely harshness of Miss Keeldar's salutation won her the ear of the whole throng in a second.
There’s nothing the lower classes enjoy more than some straightforward, good-natured criticism. They really look down on flattery; they actually prefer genuine insults. They call it being direct and take real pleasure in being on the receiving end of it. The plain-spoken toughness of Miss Keeldar's greeting immediately captured the attention of the entire crowd.
"We're no war nor some 'at is aboon us, are we?" asked a man, smiling.
"We're not at war or anything like that, are we?" asked a man, smiling.
"Nor a whit better. You that should be models of industry are just as gossip-loving as the idle. Fine, rich people that have nothing to do may be partly excused for trifling their time away; you who have to earn your bread with the sweat of your brow are quite inexcusable."
"Not at all better. You who should be examples of hard work are just as fond of gossip as those who are idle. Wealthy, idle people might be somewhat excused for wasting their time, but you who have to earn your living through hard work have no excuse."
"That's queer, mistress. Suld we never have a holiday because we work hard?"
"That's strange, ma'am. Should we never get a break just because we work hard?"
"Never," was the prompt answer; "unless," added the "mistress," with a smile that half belied the severity of her speech—"unless you knew how to make a better use of it than to get together over rum and tea if you are women, or over beer and pipes if you are men, and talk scandal at your neighbours' expense. Come, friends," she added, changing at once from bluntness to courtesy, "oblige me by taking your cans and going home. I expect several persons to call to-day, and it will be inconvenient to have the avenues to the house crowded."
"Never," was the quick reply; "unless," added the "mistress," with a smile that somewhat contradicted her serious tone—"unless you knew how to use it better than just gathering over rum and tea if you're women, or over beer and pipes if you're men, and talking gossip at your neighbors' expense. Come on, friends," she continued, shifting from bluntness to politeness, "please take your cups and head home. I'm expecting some guests today, and it will be inconvenient to have the pathways to the house crowded."
Yorkshire people are as yielding to persuasion as they are stubborn against compulsion. The yard was clear in five minutes.
Yorkshire people are as willing to be persuaded as they are stubborn when forced. The yard was cleared in five minutes.
"Thank you, and good-bye to you, friends," said Shirley, as she closed the gates on a quiet court.
"Thank you, and goodbye, friends," said Shirley, as she closed the gates to a quiet court.
Now, let me hear the most refined of cockneys presume to find fault with Yorkshire manners. Taken as they ought to be, the majority of the lads and lasses of the West Riding are gentlemen and ladies, every inch of them. It is only against the weak affectation and futile pomposity of a would-be aristocrat they turn mutinous.
Now, let me listen to the most sophisticated Cockneys trying to criticize Yorkshire manners. If taken for what they are, most of the boys and girls from the West Riding are true gentlemen and ladies, every bit of them. They only rebel against the insincere pretentiousness and pointless arrogance of someone trying to be an aristocrat.
Entering by the back way, the young ladies passed through the kitchen (or house, as the inner kitchen is called) to the hall. Mrs. Pryor came running down the oak staircase to meet them. She was all unnerved; her naturally sanguine complexion was pale; her usually placid, though timid, blue eye was wandering, unsettled, alarmed. She did not, however, break out into any exclamations, or hurried narrative of what had happened. Her predominant feeling had been in the course of the night, and was now this morning, a sense of dissatisfaction with herself that she could not feel firmer, cooler, more equal to the demands of the occasion.
Entering through the back, the young women walked through the kitchen (or house, as the inner kitchen is called) to the hall. Mrs. Pryor hurried down the oak staircase to greet them. She was visibly shaken; her usually rosy complexion was pale; her typically calm, though shy, blue eyes were wandering, unfocused, and anxious. However, she didn’t erupt with exclamations or rush to explain what had happened. Her main feeling throughout the night, and now in the morning, was a dissatisfaction with herself for not being stronger, calmer, and more prepared for the situation.
"You are aware," she began with a trembling voice,[Pg 312] and yet the most conscientious anxiety to avoid exaggeration in what she was about to say, "that a body of rioters has attacked Mr. Moore's mill to-night. We heard the firing and confusion very plainly here; we none of us slept. It was a sad night. The house has been in great bustle all the morning with people coming and going. The servants have applied to me for orders and directions, which I really did not feel warranted in giving. Mr. Moore has, I believe, sent up for refreshments for the soldiers and others engaged in the defence, for some conveniences also for the wounded. I could not undertake the responsibility of giving orders or taking measures. I fear delay may have been injurious in some instances; but this is not my house. You were absent, my dear Miss Keeldar. What could I do?"
"You know," she started with a shaky voice,[Pg312] trying hard not to exaggerate her words, "that a group of rioters attacked Mr. Moore's mill tonight. We clearly heard the gunfire and chaos from here; none of us slept. It was a terrible night. The house has been busy all morning with people coming and going. The staff has asked me for orders and guidance, but I really didn’t feel right giving any. Mr. Moore has, I believe, requested refreshments for the soldiers and others involved in the defense, as well as supplies for the wounded. I couldn’t take on the responsibility of issuing orders or making decisions. I worry that delays might have been harmful in some cases; but this isn’t my house. You were away, my dear Miss Keeldar. What could I do?"
"Were no refreshments sent?" asked Shirley, while her countenance, hitherto so clear, propitious, and quiet, even while she was rating the milk-fetchers, suddenly turned dark and warm.
"Were there no snacks sent?" asked Shirley, her expression, which had been so clear, friendly, and calm—even while she was scolding the milk-fetchers—suddenly became tense and flushed.
"I think not, my dear."
"I don't think so, dear."
"And nothing for the wounded—no linen, no wine, no bedding?"
"And nothing for the injured—no sheets, no wine, no blankets?"
"I think not. I cannot tell what Mrs. Gill did; but it seemed impossible to me, at the moment, to venture to dispose of your property by sending supplies to soldiers. Provisions for a company of soldiers sounds formidable. How many there are I did not ask; but I could not think of allowing them to pillage the house, as it were. I intended to do what was right, yet I did not see the case quite clearly, I own."
"I don’t think so. I’m not sure what Mrs. Gill did, but at that moment, it felt impossible for me to just hand over your property by sending supplies to the soldiers. Providing food for a group of soldiers sounds overwhelming. I didn’t ask how many there were, but I couldn’t imagine allowing them to raid the house, so to speak. I intended to do the right thing, but I honestly didn’t see the situation very clearly."
"It lies in a nutshell, notwithstanding. These soldiers have risked their lives in defence of my property: I suppose they have a right to my gratitude. The wounded are our fellow-creatures: I suppose we should aid them.—Mrs. Gill!"
"It’s simple, really. These soldiers have put their lives on the line to protect my property: I guess they deserve my thanks. The wounded are our fellow humans: I think we should help them.—Mrs. Gill!"
She turned, and called in a voice more clear than soft. It rang through the thick oak of the hall and kitchen doors more effectually than a bell's summons. Mrs. Gill, who was deep in bread-making, came with hands and apron in culinary case, not having dared to stop to rub the dough from the one or to shake the flour from the other. Her mistress had never called a servant in that voice save once before, and that was when she had seen from the window Tartar in full tug with two carriers' dogs, each of them a match for him in size, if not in courage, and their masters standing[Pg 313] by, encouraging their animals, while hers was unbefriended. Then indeed she had summoned John as if the Day of Judgment were at hand. Nor had she waited for the said John's coming, but had walked out into the lane bonnetless, and after informing the carriers that she held them far less of men than the three brutes whirling and worrying in the dust before them, had put her hands round the thick neck of the largest of the curs, and given her whole strength to the essay of choking it from Tartar's torn and bleeding eye, just above and below which organ the vengeful fangs were inserted. Five or six men were presently on the spot to help her, but she never thanked one of them. "They might have come before if their will had been good," she said. She had not a word for anybody during the rest of the day, but sat near the hall fire till evening watching and tending Tartar, who lay all gory, stiff, and swelled on a mat at her feet. She wept furtively over him sometimes, and murmured the softest words of pity and endearment, in tones whose music the old, scarred, canine warrior acknowledged by licking her hand or her sandal alternately with his own red wounds. As to John, his lady turned a cold shoulder on him for a week afterwards.
She turned and called out clearly, more than softly. It echoed through the thick oak doors of the hall and kitchen more effectively than a bell. Mrs. Gill, who was deep into bread-making, came with her hands and apron covered in flour, not having dared to pause to clean either. Her mistress had never called a servant in that tone before, except for one time when she saw Tartar in a struggle with two dogs that were as big as he was, if not braver, with their owners standing by, cheering them on, while Tartar was alone. In that moment, she had summoned John as if it were the end of the world. She didn’t wait for John to arrive but went into the lane without her bonnet and told the carriers that she thought much less of them than the three dogs swirling and attacking in the dust before them. Then she grabbed the thick neck of the largest dog and put all her strength into pulling it away from Tartar's torn and bleeding eye, where the vicious teeth were digging in. Soon five or six men showed up to help, but she didn’t thank any of them. "They could have come earlier if they wanted to," she said. She didn’t speak to anyone for the rest of the day, just sat by the fire until evening, watching over Tartar, who lay bloody, stiff, and swollen on a mat at her feet. Occasionally, she wept quietly over him and murmured soft words of comfort and affection, which the old, scarred dog acknowledged by licking her hand or her sandal in turn with his own bloody wounds. As for John, his lady gave him the cold shoulder for a week afterward.
Mrs. Gill, remembering this little episode, came "all of a tremble," as she said herself. In a firm, brief voice Miss Keeldar proceeded to put questions and give orders. That at such a time Fieldhead should have evinced the inhospitality of a miser's hovel stung her haughty spirit to the quick; and the revolt of its pride was seen in the heaving of her heart, stirred stormily under the lace and silk which veiled it.
Mrs. Gill, recalling this little episode, felt “all of a tremble,” as she put it. In a firm, direct voice, Miss Keeldar began to ask questions and give orders. That at such a moment Fieldhead should have shown the unwelcoming vibe of a miser's hovel fueled her proud spirit intensely; the turmoil of that pride was mirrored in the way her heart heaved, stirred tumultuously beneath the lace and silk that covered it.
"How long is it since that message came from the mill?"
"How long has it been since that message came from the mill?"
"Not an hour yet, ma'am," answered the housekeeper soothingly.
"Not an hour yet, ma'am," the housekeeper replied gently.
"Not an hour! You might almost as well have said not a day. They will have applied elsewhere by this time. Send a man instantly down to tell them that everything this house contains is at Mr. Moore's, Mr. Helstone's, and the soldiers' service. Do that first."
"Not an hour! You might as well have said not a day. They’ll probably have applied somewhere else by now. Send someone right away to let them know that everything in this house is at the service of Mr. Moore, Mr. Helstone, and the soldiers. Do that first."
While the order was being executed, Shirley moved away from her friends, and stood at the hall-window, silent, unapproachable. When Mrs. Gill came back, she turned. The purple flush which painful excitement kindles on a pale cheek glowed on hers; the spark which displeasure lights in a dark eye fired her glance.
While the order was being carried out, Shirley stepped away from her friends and stood by the hall window, silent and distant. When Mrs. Gill returned, she turned around. The purple flush that painful excitement brings to a pale cheek lit up hers; the spark of displeasure that ignites a dark eye fired her gaze.
[Pg 314]"Let the contents of the larder and the wine-cellar be brought up, put into the hay-carts, and driven down to the Hollow. If there does not happen to be much bread or much meat in the house, go to the butcher and baker, and desire them to send what they have. But I will see for myself."
[Pg314]"Bring up the stuff from the pantry and the wine cellar, load it into the hay carts, and take it down to the Hollow. If there isn’t a lot of bread or meat in the house, go to the butcher and baker and ask them to send whatever they have. But I want to check for myself."
She moved off.
She walked away.
"All will be right soon; she will get over it in an hour," whispered Caroline to Mrs. Pryor. "Go upstairs, dear madam," she added affectionately, "and try to be as calm and easy as you can. The truth is, Shirley will blame herself more than you before the day is over."
"Everything will be fine soon; she’ll get over it in an hour," whispered Caroline to Mrs. Pryor. "Go upstairs, dear madam," she added warmly, "and try to be as calm and relaxed as you can. The truth is, Shirley will blame herself more than you by the end of the day."
By dint of a few more gentle assurances and persuasions, Miss Helstone contrived to soothe the agitated lady. Having accompanied her to her apartment, and promised to rejoin her there when things were settled, Caroline left her to see, as she said, "if she could be useful." She presently found that she could be very useful; for the retinue of servants at Fieldhead was by no means numerous, and just now their mistress found plenty of occupation for all the hands at her command, and for her own also. The delicate good-nature and dexterous activity which Caroline brought to the aid of the housekeeper and maids—all somewhat scared by their lady's unwonted mood—did a world of good at once; it helped the assistants and appeased the directress. A chance glance and smile from Caroline moved Shirley to an answering smile directly. The former was carrying a heavy basket up the cellar stairs.
With a few more gentle reassurances and persuasive words, Miss Helstone managed to calm the upset lady. After leading her to her room and promising to come back once things were sorted, Caroline left to see if she could be helpful. She quickly realized she could be very helpful because the number of servants at Fieldhead was quite limited, and their mistress had plenty for everyone to do, including herself. Caroline’s kind nature and skillful energy in helping the housekeeper and maids—who were all a bit rattled by their lady’s unusual mood—made a huge difference right away; it supported the staff and eased the mistress’s tension. A brief glance and smile from Caroline prompted Shirley to smile back immediately. Caroline was carrying a heavy basket up the cellar stairs.
"This is a shame!" cried Shirley, running to her. "It will strain your arm."
"This is such a shame!" Shirley exclaimed, rushing over to her. "It'll strain your arm."
She took it from her, and herself bore it out into the yard. The cloud of temper was dispelled when she came back; the flash in her eye was melted; the shade on her forehead vanished. She resumed her usual cheerful and cordial manner to those about her, tempering her revived spirits with a little of the softness of shame at her previous unjust anger.
She took it from her and carried it out into the yard. The moodiness disappeared when she returned; the spark in her eye faded away, and the frown on her forehead disappeared. She went back to her usual cheerful and friendly self with those around her, balancing her renewed energy with a hint of embarrassment for her earlier unfair anger.
She was still superintending the lading of the cart, when a gentleman entered the yard and approached her ere she was aware of his presence.
She was still overseeing the loading of the cart when a man walked into the yard and approached her before she noticed he was there.
"I hope I see Miss Keeldar well this morning?" he said, examining with rather significant scrutiny her still flushed face.
"I hope to see Miss Keeldar looking well this morning?" he said, examining her still flushed face with notable attention.
She gave him a look, and then again bent to her employment[Pg 315] without reply. A pleasant enough smile played on her lips, but she hid it. The gentleman repeated his salutation, stooping, that it might reach her ear with more facility.
She glanced at him and then went back to what she was doing[Pg315Please provide the text you would like me to modernize. without answering. A nice smile lingered on her lips, but she kept it to herself. The gentleman repeated his greeting, leaning down so she could hear him better.
"Well enough, if she be good enough," was the answer; "and so is Mr. Moore too, I dare say. To speak truth, I am not anxious about him; some slight mischance would be only his just due. His conduct has been—we will say strange just now, till we have time to characterize it by a more exact epithet. Meantime, may I ask what brings him here?"
"That's fine, if she's good enough," was the response; "and Mr. Moore is probably good enough too. Honestly, I'm not worried about him; a little misfortune would be only fair. His behavior has been—we'll call it strange for now until we can find a better word for it. In the meantime, can I ask what he’s doing here?"
"Mr. Helstone and I have just received your message that everything at Fieldhead was at our service. We judged, by the unlimited wording of the gracious intimation, that you would be giving yourself too much trouble. I perceive our conjecture was correct. We are not a regiment, remember—only about half a dozen soldiers and as many civilians. Allow me to retrench something from these too abundant supplies."
"Mr. Helstone and I just got your message saying that everything at Fieldhead was available for us. We figured, based on the generous wording of your kind offer, that you might be overdoing it. I see our guess was right. We're not a whole army, just about six soldiers and as many civilians. Please let me cut down a bit on these excessive supplies."
Miss Keeldar blushed, while she laughed at her own over-eager generosity and most disproportionate calculations. Moore laughed too, very quietly though; and as quietly he ordered basket after basket to be taken from the cart, and remanded vessel after vessel to the cellar.
Miss Keeldar blushed as she chuckled at her own overly eager generosity and wildly inaccurate calculations. Moore also laughed, but very softly; and just as quietly, he instructed basket after basket to be removed from the cart, and sent vessel after vessel back to the cellar.
"The rector must hear of this," he said; "he will make a good story of it. What an excellent army contractor Miss Keeldar would have been!" Again he laughed, adding, "It is precisely as I conjectured."
"The rector needs to hear about this," he said; "he'll turn it into a great story. Miss Keeldar would have made an excellent army contractor!" He laughed again, adding, "It's exactly what I suspected."
"You ought to be thankful," said Shirley, "and not mock me. What could I do? How could I gauge your appetites or number your band? For aught I knew, there might have been fifty of you at least to victual. You told me nothing; and then an application to provision soldiers naturally suggests large ideas."
"You should be grateful," Shirley said, "and not make fun of me. What could I do? How could I know what you needed or how many of you there were? For all I knew, there could have been at least fifty of you to feed. You didn’t tell me anything; and when someone asks for supplies for soldiers, it naturally makes you think of larger quantities."
"It appears so," remarked Moore, levelling another of his keen, quiet glances at the discomfited Shirley.—"Now," he continued, addressing the carter, "I think you may take what remains to the Hollow. Your load will be somewhat lighter than the one Miss Keeldar destined you to carry."
"It seems that way," said Moore, giving another of his sharp, quiet looks at the uncomfortable Shirley. "Now," he added, turning to the carter, "I think you can take what’s left to the Hollow. Your load will be a bit lighter than what Miss Keeldar planned for you to carry."
As the vehicle rumbled out of the yard, Shirley, rallying her spirits, demanded what had become of the wounded.
As the vehicle rolled out of the yard, Shirley, boosting her spirits, asked what had happened to the injured.
"There was not a single man hurt on our side," was the answer.
"There wasn't a single person hurt on our side," was the answer.
[Pg 316]"You were hurt yourself, on the temples," interposed a quick, low voice—that of Caroline, who, having withdrawn within the shade of the door, and behind the large person of Mrs. Gill, had till now escaped Moore's notice. When she spoke, his eye searched the obscurity of her retreat.
[Pg316Understood. Please provide the text you'd like me to modernize. "You got hurt, too, on your temples," interrupted a quick, quiet voice—that of Caroline, who, having stepped back into the shade of the door and behind the large figure of Mrs. Gill, had until now gone unnoticed by Moore. When she spoke, he peered into the darkness of her hiding spot.
"Are you much hurt?" she inquired.
"Are you hurt badly?" she asked.
"As you might scratch your finger with a needle in sewing."
"As you might accidentally prick your finger with a needle while sewing."
"Lift your hair and let us see."
"Pull up your hair so we can see."
He took his hat off, and did as he was bid, disclosing only a narrow slip of court-plaster. Caroline indicated, by a slight movement of the head, that she was satisfied, and disappeared within the clear obscure of the interior.
He took off his hat and did as he was told, revealing just a small strip of bandage. Caroline signaled with a slight nod that she was satisfied and then stepped into the clear shadows of the interior.
"How did she know I was hurt?" asked Moore.
"How did she know I was hurt?" Moore asked.
"By rumour, no doubt. But it is too good in her to trouble herself about you. For my part, it was of your victims I was thinking when I inquired after the wounded. What damage have your opponents sustained?"
"Probably just gossip. But she's too decent to worry about you. As for me, I was thinking about your victims when I asked about the injured. What kind of injuries have your opponents suffered?"
"One of the rioters, or victims as you call them, was killed, and six were hurt."
"One of the rioters, or victims as you call them, was killed, and six were hurt."
"What have you done with them?"
"What did you do with them?"
"What you will perfectly approve. Medical aid was procured immediately; and as soon as we can get a couple of covered wagons and some clean straw, they will be removed to Stilbro'."
"What you will definitely agree with. Medical help was arranged right away; and as soon as we can get a couple of covered wagons and some clean straw, they will be taken to Stilbro'."
"Straw! You must have beds and bedding. I will send my wagon directly, properly furnished; and Mr. Yorke, I am sure, will send his."
"Straw! You need to have beds and bedding. I’ll send my wagon right away, fully equipped; and Mr. Yorke, I’m sure, will send his too."
"You guess correctly; he has volunteered already. And Mrs. Yorke—who, like you, seems disposed to regard the rioters as martyrs, and me, and especially Mr. Helstone, as murderers—is at this moment, I believe, most assiduously engaged in fitting it up with feather-beds, pillows, bolsters, blankets, etc. The victims lack no attentions, I promise you. Mr. Hall, your favourite parson, has been with them ever since six o'clock, exhorting them, praying with them, and even waiting on them like any nurse; and Caroline's good friend, Miss Ainley, that very plain old maid, sent in a stock of lint and linen, something in the proportion of another lady's allowance of beef and wine."
"You’re right; he’s already volunteered. And Mrs. Yorke—who, like you, seems to see the rioters as martyrs and me, especially Mr. Helstone, as murderers—is currently busy setting things up with feather beds, pillows, bolsters, blankets, and so on. The victims aren’t lacking in care, I promise. Mr. Hall, your favorite pastor, has been with them since six o'clock, encouraging them, praying with them, and even looking after them like a nurse; and Caroline's good friend, Miss Ainley, that very plain old maid, sent over a supply of lint and linen, somewhat akin to another lady's share of beef and wine."
"That will do. Where is your sister?"
"That’s enough. Where's your sister?"
"Well cared for. I had her securely domiciled with Miss Mann. This very morning the two set out for Wormwood[Pg 317] Wells [a noted watering-place], and will stay there some weeks."
"Well taken care of. I had her safely housed with Miss Mann. This morning, the two of them left for Wormwood[Pg317I'm sorry, but it appears that you have not provided any text for me to modernize. Please provide a short piece of text (5 words or fewer) for assistance. Wells [a popular spa], and they'll be staying there for a few weeks."
"So Mr. Helstone domiciled me at the rectory! Mighty clever you gentlemen think you are! I make you heartily welcome to the idea, and hope its savour, as you chew the cud of reflection upon it, gives you pleasure. Acute and astute, why are you not also omniscient? How is it that events transpire, under your very noses, of which you have no suspicion? It should be so, otherwise the exquisite gratification of outmanœuvring you would be unknown. Ah, friend, you may search my countenance, but you cannot read it."
"So, Mr. Helstone has put me up at the rectory! You gentlemen think you're so clever! I'm glad to welcome you to that idea, and I hope reflecting on it brings you some enjoyment. Smart as you are, why aren't you also all-knowing? How is it that things happen right under your noses, and you seem completely unaware? It has to be this way; otherwise, the delightful satisfaction of outsmarting you would be lost. Ah, my friend, you can examine my face all you want, but you won't be able to understand it."
Moore, indeed, looked as if he could not.
Moore really looked like he couldn’t.
"You think me a dangerous specimen of my sex. Don't you now?"
"You think I'm a dangerous example of my gender. Don't you?"
"A peculiar one, at least."
"Definitely a strange one."
"But Caroline—is she peculiar?"
"But Caroline—is she strange?"
"In her way—yes."
"Her style—exactly."
"Her way! What is her way?"
"Her way! What does she mean by her way?"
"You know her as well as I do."
"You know her just as well as I do."
"And knowing her, I assert that she is neither eccentric nor difficult of control. Is she?"
"And knowing her, I can say that she is neither eccentric nor hard to manage. Right?"
"That depends——"
"That depends—"
"However, there is nothing masculine about her?"
"However, is there anything masculine about her?"
"Why lay such emphasis on her? Do you consider her a contrast, in that respect, to yourself?"
"Why focus so much on her? Do you see her as a contrast to yourself in that way?"
"You do, no doubt; but that does not signify. Caroline is neither masculine, nor of what they call the spirited order of women."
"You do, no doubt; but that doesn't matter. Caroline is neither masculine nor what they refer to as a spirited woman."
"I have seen her flash out."
"I've seen her sparkle."
"So have I, but not with manly fire. It was a short, vivid, trembling glow, that shot up, shone, vanished——"
"So have I, but not with manly passion. It was a brief, intense, quivering light that shot up, gleamed, and then disappeared——"
"And left her scared at her own daring. You describe others besides Caroline."
"And left her feeling frightened by her own boldness. You talk about others besides Caroline."
"The point I wish to establish is, that Miss Helstone, though gentle, tractable, and candid enough, is still perfectly capable of defying even Mr. Moore's penetration."
"The point I want to make is that Miss Helstone, although gentle, agreeable, and honest enough, is still completely able to outsmart even Mr. Moore's insight."
"What have you and she been doing?" asked Moore suddenly.
"What have you and she been up to?" asked Moore suddenly.
"Have you had any breakfast?"
"Have you eaten breakfast?"
"What is your mutual mystery?"
"What's your shared mystery?"
"If you are hungry, Mrs. Gill will give you something to eat here. Step into the oak parlour, and ring the bell.[Pg 318] You will be served as if at an inn; or, if you like better, go back to the Hollow."
"If you're hungry, Mrs. Gill will provide you something to eat here. Just step into the oak parlor and ring the bell.[Pg318Please provide the text you would like me to modernize. You'll be served like at a hotel; or, if you prefer, head back to the Hollow."
"The alternative is not open to me; I must go back. Good-morning. The first leisure I have I will see you again."[Pg 319]
"The other option isn't available to me; I have to go back. Good morning. The first chance I get, I will see you again."[Pg319Please provide the text you would like me to modernize.
CHAPTER XXI.
MRS. PRYOR.
While Shirley was talking with Moore, Caroline rejoined Mrs. Pryor upstairs. She found that lady deeply depressed. She would not say that Miss Keeldar's hastiness had hurt her feelings, but it was evident an inward wound galled her. To any but a congenial nature she would have seemed insensible to the quiet, tender attentions by which Miss Helstone sought to impart solace; but Caroline knew that, unmoved or slightly moved as she looked, she felt, valued, and was healed by them.
While Shirley was chatting with Moore, Caroline went back to Mrs. Pryor upstairs. She found her feeling really down. She wouldn't admit that Miss Keeldar's quick temper had upset her, but it was clear that something was bothering her inside. To anyone who didn't know her well, she might have appeared indifferent to the quiet, kind gestures that Miss Helstone offered to comfort her; but Caroline understood that, even though she looked unfazed or only slightly affected, she felt appreciated and was being comforted by them.
"I am deficient in self-confidence and decision," she said at last. "I always have been deficient in those qualities. Yet I think Miss Keeldar should have known my character well enough by this time to be aware that I always feel an even painful solicitude to do right, to act for the best. The unusual nature of the demand on my judgment puzzled me, especially following the alarms of the night. I could not venture to act promptly for another; but I trust no serious harm will result from my lapse of firmness."
"I lack self-confidence and decisiveness," she finally said. "I've always struggled with those qualities. Still, I believe Miss Keeldar should know my character well enough by now to understand that I constantly feel a strong urge to do the right thing and act in the best way possible. The unusual nature of the request made me unsure, especially after the stressful events of the night. I couldn't risk making a quick decision for someone else, but I hope that my lack of decisiveness won't lead to any serious consequences."
A gentle knock was here heard at the door. It was half opened.
A soft knock was heard at the door. It was partially open.
"Caroline, come here," said a low voice.
"Caroline, come here," said a soft voice.
Miss Helstone went out. There stood Shirley in the gallery, looking contrite, ashamed, sorry as any repentant child.
Miss Helstone went out. There stood Shirley in the gallery, looking regretful, embarrassed, and sorrowful like a remorseful child.
"How is Mrs. Pryor?" she asked.
"How's Mrs. Pryor doing?" she asked.
"Rather out of spirits," said Caroline.
"Feeling a bit down," said Caroline.
"I have behaved very shamefully, very ungenerously, very ungratefully to her," said Shirley. "How insolent in me to turn on her thus for what, after all, was no fault—only an excess of conscientiousness on her part. But I regret my error most sincerely. Tell her so, and ask if she will forgive me."
"I've acted really shamefully, really selfishly, and really ungratefully toward her," said Shirley. "How rude of me to lash out at her for something that wasn't her fault at all—just an overflow of her being conscientious. But I truly regret my mistake. Please tell her that and ask if she can forgive me."
Caroline discharged the errand with heartfelt pleasure. Mrs. Pryor rose, came to the door. She did not like scenes;[Pg 320] she dreaded them as all timid people do. She said falteringly, "Come in, my dear."
Caroline happily completed the task. Mrs. Pryor stood up and walked to the door. She didn't like confrontations; she feared them like all shy people do. She said hesitantly, "Come in, my dear."
Shirley did come in with some impetuosity. She threw her arms round her governess, and while she kissed her heartily she said, "You know you must forgive me, Mrs. Pryor. I could not get on at all if there was a misunderstanding between you and me."
Shirley rushed in with a burst of energy. She wrapped her arms around her governess and, while giving her a warm kiss, said, "You know you have to forgive me, Mrs. Pryor. I wouldn't be able to handle things at all if there was a misunderstanding between us."
"I have nothing to forgive," was the reply. "We will pass it over now, if you please. The final result of the incident is that it proves more plainly than ever how unequal I am to certain crises."
"I have nothing to forgive," was the reply. "Let's just move past it, if that's okay. The end result of this incident shows more clearly than ever how ill-prepared I am for certain crises."
And that was the painful feeling which would remain on Mrs. Pryor's mind. No effort of Shirley's or Caroline's could efface it thence. She could forgive her offending pupil, not her innocent self.
And that was the painful feeling that would stay with Mrs. Pryor. No effort from Shirley or Caroline could erase it from her mind. She could forgive her offending student, but not her innocent self.
Miss Keeldar, doomed to be in constant request during the morning, was presently summoned downstairs again. The rector called first. A lively welcome and livelier reprimand were at his service. He expected both, and, being in high spirits, took them in equally good part.
Miss Keeldar, constantly in demand during the morning, was soon called downstairs again. The rector arrived first. He had a cheerful greeting and an even more spirited rebuke ready for her. He anticipated both responses and, in a great mood, accepted them with equal good humor.
In the course of his brief visit he quite forgot to ask after his niece; the riot, the rioters, the mill, the magistrates, the heiress, absorbed all his thoughts to the exclusion of family ties. He alluded to the part himself and curate had taken in the defence of the Hollow.
During his short visit, he completely forgot to ask about his niece; the riot, the rioters, the mill, the magistrates, and the heiress took over all his thoughts, leaving no room for family connections. He mentioned the role he and the curate had played in defending the Hollow.
"The vials of pharisaical wrath will be emptied on our heads for our share in this business," he said; "but I defy every calumniator. I was there only to support the law, to play my part as a man and a Briton; which characters I deem quite compatible with those of the priest and Levite, in their highest sense. Your tenant Moore," he went on, "has won my approbation. A cooler commander I would not wish to see, nor a more determined. Besides, the man has shown sound judgment and good sense—first, in being thoroughly prepared for the event which has taken place; and subsequently, when his well-concerted plans had secured him success, in knowing how to use without abusing his victory. Some of the magistrates are now well frightened, and, like all cowards, show a tendency to be cruel. Moore restrains them with admirable prudence. He has hitherto been very unpopular in the neighbourhood; but, mark my words, the tide of opinion will now take a turn in his favour. People will find out that they have not appreciated him, and will hasten to remedy their error; and he, when he[Pg 321] perceives the public disposed to acknowledge his merits, will show a more gracious mien than that with which he has hitherto favoured us."
"The bottles of hypocritical anger will be poured out on us for our part in this situation," he said; "but I stand against every critic. I was there just to uphold the law, to do my duty as a man and a Briton; those roles, I believe, fit well alongside those of the priest and Levite, in their best form. Your tenant Moore," he continued, "has earned my respect. I wouldn't want a cooler leader, nor a more determined one. Plus, the man has shown sound judgment and common sense—first, in being fully prepared for what happened; and later, when his well-thought-out plans led to success, in knowing how to handle his victory without going overboard. Some of the magistrates are now quite scared, and, like all cowards, they tend to act cruelly. Moore holds them back with impressive wisdom. He's been quite unpopular in the area; but, mark my words, public opinion will soon shift in his favor. People will realize they haven't appreciated him properly and will rush to correct their mistake; and he, when he[Pg321Below is a short piece of text (5 words or fewer). Modernize it into contemporary English if there's enough context, but do not add or omit any information. If context is insufficient, return it unchanged. Do not add commentary, and do not modify any placeholders. If you see placeholders of the form __A_TAG_PLACEHOLDER_x__, you must keep them exactly as-is so they can be replaced with links. sees the public ready to recognize his worth, will show a kinder demeanor than he has shown us until now."
Mr. Helstone was about to add to this speech some half-jesting, half-serious warnings to Miss Keeldar on the subject of her rumoured partiality for her talented tenant, when a ring at the door, announcing another caller, checked his raillery; and as that other caller appeared in the form of a white-haired elderly gentleman, with a rather truculent countenance and disdainful eye—in short, our old acquaintance, and the rector's old enemy, Mr. Yorke—the priest and Levite seized his hat, and with the briefest of adieus to Miss Keeldar and the sternest of nods to her guest took an abrupt leave.
Mr. Helstone was about to add some half-joking, half-serious warnings to Miss Keeldar about her rumored crush on her talented tenant when a ring at the door signaled another visitor, interrupting his teasing. That visitor turned out to be a white-haired older gentleman with a rather aggressive demeanor and a disdainful gaze—in short, our old acquaintance and the rector’s longtime rival, Mr. Yorke. The priest and Levite quickly grabbed his hat, gave a brief goodbye to Miss Keeldar, and with a stern nod to her guest, made a hasty exit.
Mr. Yorke was in no mild mood, and in no measured terms did he express his opinion on the transaction of the night. Moore, the magistrates, the soldiers, the mob leaders, each and all came in for a share of his invectives; but he reserved his strongest epithets—and real racy Yorkshire Doric adjectives they were—for the benefit of the fighting parsons, the "sanguinary, demoniac" rector and curate. According to him, the cup of ecclesiastical guilt was now full indeed.
Mr. Yorke was in a very bad mood, and he didn’t hold back in expressing his opinion about what happened that night. Moore, the magistrates, the soldiers, and the mob leaders all received their share of his insults; however, he saved his harshest words—and they were real earthy Yorkshire words—for the fighting clergymen, the "bloodthirsty, demonic" rector and curate. In his eyes, the cup of church-related guilt was now completely full.
"The church," he said, "was in a bonny pickle now. It was time it came down when parsons took to swaggering amang soldiers, blazing away wi' bullet and gunpowder, taking the lives of far honester men than themselves."
"The church," he said, "is in a real mess now. It’s time for it to come down when ministers start swaggering around with soldiers, firing away with bullets and gunpowder, taking the lives of far more honest men than they are."
"What would Moore have done if nobody had helped him?" asked Shirley.
"What would Moore have done if nobody had helped him?" Shirley asked.
"Drunk as he'd brewed, eaten as he'd baked."
"Drunk as he was when he brewed, stuffed as he was when he baked."
"Which means you would have left him by himself to face that mob. Good! He has plenty of courage, but the greatest amount of gallantry that ever garrisoned one human breast could scarce avail against two hundred."
"Which means you would have left him on his own to deal with that crowd. Good! He has a lot of courage, but even the greatest bravery one person can muster wouldn't stand a chance against two hundred."
"He had the soldiers, those poor slaves who hire out their own blood and spill other folk's for money."
"He had the soldiers, those poor individuals who sell their own lives and shed others' blood for money."
"You abuse soldiers almost as much as you abuse clergymen. All who wear red coats are national refuse in your eyes, and all who wear black are national swindlers. Mr. Moore, according to you, did wrong to get military aid, and he did still worse to accept of any other aid. Your way of talking amounts to this: he should have abandoned his mill and his life to the rage of a set of misguided madmen, and Mr. Helstone and every other gentleman in the[Pg 322] parish should have looked on, and seen the building razed and its owner slaughtered, and never stirred a finger to save either."
"You mistreat soldiers just as much as you mistreat clergymen. You see everyone in red coats as nothing but national garbage, and everyone in black as national con artists. According to you, Mr. Moore made a mistake by seeking military assistance, and he was even worse for accepting any other help. Your way of speaking suggests this: he should have given up his mill and his life to the fury of a group of confused lunatics, while Mr. Helstone and every other gentleman in the[Pg322I'm sorry, but it appears that you haven't provided any phrases for me to modernize. Please share the text you'd like me to work on. parish should have just watched, letting the building be destroyed and its owner killed, without lifting a finger to help either."
"If Moore had behaved to his men from the beginning as a master ought to behave, they never would have entertained their present feelings towards him."
"If Moore had treated his men from the start the way a leader should, they would never have developed their current feelings toward him."
"Easy for you to talk," exclaimed Miss Keeldar, who was beginning to wax warm in her tenant's cause—"you, whose family have lived at Briarmains for six generations, to whose person the people have been accustomed for fifty years, who know all their ways, prejudices, and preferences—easy, indeed, for you to act so as to avoid offending them. But Mr. Moore came a stranger into the district; he came here poor and friendless, with nothing but his own energies to back him, nothing but his honour, his talent, and his industry to make his way for him. A monstrous crime indeed that, under such circumstances, he could not popularize his naturally grave, quiet manners all at once; could not be jocular, and free, and cordial with a strange peasantry, as you are with your fellow-townsmen! An unpardonable transgression that when he introduced improvements he did not go about the business in quite the most politic way, did not graduate his changes as delicately as a rich capitalist might have done! For errors of this sort is he to be the victim of mob outrage? Is he to be denied even the privilege of defending himself? Are those who have the hearts of men in their breasts (and Mr. Helstone, say what you will of him, has such a heart) to be reviled like malefactors because they stand by him, because they venture to espouse the cause of one against two hundred?"
"Easy for you to say," exclaimed Miss Keeldar, who was getting passionate about her tenant's situation—"you, whose family has lived at Briarmains for six generations, whom the people have known for fifty years, who understand all their habits, biases, and preferences—it's easy for you to act in a way that won't upset them. But Mr. Moore came here as a stranger; he arrived poor and alone, relying only on his own effort, honor, talent, and hard work to make his way. What a terrible crime it is that, under these circumstances, he couldn't instantly win over people with his naturally serious, quiet demeanor; that he couldn't be funny, open, and friendly with a group of unfamiliar villagers, as you are with your own neighbors! Is it such a huge mistake that when he introduced changes, he didn't handle it in the most diplomatic way, didn't ease in his changes as a wealthy investor might have? Should he really be the target of mob rage for these kinds of mistakes? Is he to be denied even the right to defend himself? Should those who have compassion (and Mr. Helstone, whatever you may think, has that compassion) be treated like criminals just for supporting him, just for standing up for one person against two hundred?"
"Come, come now, be cool," said Mr. Yorke, smiling at the earnestness with which Shirley multiplied her rapid questions.
"Come on, relax," said Mr. Yorke, smiling at the seriousness with which Shirley fired off her rapid questions.
"Cool! Must I listen coolly to downright nonsense—to dangerous nonsense? No. I like you very well, Mr. Yorke, as you know, but I thoroughly dislike some of your principles. All that cant—excuse me, but I repeat the word—all that cant about soldiers and parsons is most offensive in my ears. All ridiculous, irrational crying up of one class, whether the same be aristocrat or democrat—all howling down of another class, whether clerical or military—all exacting injustice to individuals, whether monarch or mendicant—is really sickening to me; all arraying of ranks against ranks, all party hatreds, all[Pg 323] tyrannies disguised as liberties, I reject and wash my hands of. You think you are a philanthropist; you think you are an advocate of liberty; but I will tell you this—Mr. Hall, the parson of Nunnely, is a better friend both of man and freedom than Hiram Yorke, the reformer of Briarfield."
"Cool! Do I have to listen calmly to outright nonsense—to dangerous nonsense? No. I like you a lot, Mr. Yorke, as you know, but I strongly disagree with some of your ideas. All that nonsense—sorry, but I’ll say it again—all that nonsense about soldiers and clergymen is really offensive to me. All the ridiculous, irrational praise of one class, whether aristocrat or democrat—all the harsh criticism of another class, whether religious or military—all the unfair treatment of individuals, whether king or beggar—is honestly sickening to me; all the division between ranks, all the political hatred, all[Pg323] tyranny disguised as freedom, I reject and want nothing to do with. You think you’re a philanthropist; you think you’re a champion of freedom; but let me tell you this—Mr. Hall, the pastor of Nunnely, is a better friend to both humanity and freedom than Hiram Yorke, the reformer of Briarfield."
From a man Mr. Yorke would not have borne this language very patiently, nor would he have endured it from some women; but he accounted Shirley both honest and pretty, and her plain-spoken ire amused him. Besides, he took a secret pleasure in hearing her defend her tenant, for we have already intimated he had Robert Moore's interest very much at heart. Moreover, if he wished to avenge himself for her severity, he knew the means lay in his power: a word, he believed, would suffice to tame and silence her, to cover her frank forehead with the rosy shadow of shame, and veil the glow of her eye under down-drooped lid and lash.
Mr. Yorke wouldn’t have put up with this kind of talk from a man at all, and he probably wouldn’t have tolerated it from some women either; but he thought of Shirley as both honest and attractive, and her straightforward anger amused him. Plus, he secretly enjoyed hearing her stand up for her tenant, since he really cared about Robert Moore’s interests. If he wanted to get back at her for being harsh, he knew he had the power to do it: he believed just one word from him could quiet her, make her forehead blush with shame, and hide the brightness in her eyes behind lowered lids and lashes.
"What more hast thou to say?" he inquired, as she paused, rather, it appeared, to take breath than because her subject or her zeal was exhausted.
"What else do you have to say?" he asked, as she paused, seemingly to catch her breath rather than because her topic or enthusiasm had run out.
"Say, Mr. Yorke!" was the answer, the speaker meantime walking fast from wall to wall of the oak parlour—"say? I have a great deal to say, if I could get it out in lucid order, which I never can do. I have to say that your views, and those of most extreme politicians, are such as none but men in an irresponsible position can advocate; that they are purely opposition views, meant only to be talked about, and never intended to be acted on. Make you Prime Minister of England to-morrow, and you would have to abandon them. You abuse Moore for defending his mill. Had you been in Moore's place you could not with honour or sense have acted otherwise than he acted. You abuse Mr. Helstone for everything he does. Mr. Helstone has his faults; he sometimes does wrong, but oftener right. Were you ordained vicar of Briarfield, you would find it no easy task to sustain all the active schemes for the benefit of the parish planned and persevered in by your predecessor. I wonder people cannot judge more fairly of each other and themselves. When I hear Messrs. Malone and Donne chatter about the authority of the church, the dignity and claims of the priesthood, the deference due to them as clergymen; when I hear the outbreaks of their small spite against Dissenters; when I witness their[Pg 324] silly, narrow jealousies and assumptions; when their palaver about forms, and traditions, and superstitions is sounding in my ear; when I behold their insolent carriage to the poor, their often base servility to the rich—I think the Establishment is indeed in a poor way, and both she and her sons appear in the utmost need of reformation. Turning away distressed from minster tower and village spire—ay, as distressed as a churchwarden who feels the exigence of white-wash and has not wherewithal to purchase lime—I recall your senseless sarcasms on the 'fat bishops,' the 'pampered parsons,' 'old mother church,' etc. I remember your strictures on all who differ from you, your sweeping condemnation of classes and individuals, without the slightest allowance made for circumstances or temptations; and then, Mr. Yorke, doubt clutches my inmost heart as to whether men exist clement, reasonable, and just enough to be entrusted with the task of reform. I don't believe you are of the number."
"Say, Mr. Yorke!" was the reply, as the speaker walked quickly from one side of the oak parlor to the other. "Say? I have a lot to say if I could just organize my thoughts, which I never can. I need to say that your views, and those of most extreme politicians, are only ones that people in unaccountable positions can advocate. They are purely oppositional views, meant to be discussed but never really acted upon. If you were made Prime Minister of England tomorrow, you'd have to give them up. You criticize Moore for defending his mill. If you were in Moore's position, you wouldn’t have been able to act any differently than he did with honor or sense. You criticize Mr. Helstone for everything he does. Mr. Helstone has his flaws; he sometimes acts wrongly, but more often he does right. If you were appointed vicar of Briarfield, you’d find it challenging to uphold all the active projects for the parish that your predecessor planned and stuck with. I wonder why people can’t judge each other and themselves more fairly. When I hear Messrs. Malone and Donne go on about the authority of the church, the dignity and claims of the priesthood, and the respect they believe is due to them as clergymen; when I hear their petty resentments towards Dissenters; when I witness their silly, narrow-minded jealousies and assumptions; when their chatter about forms, traditions, and superstitions fills my ears; when I see their arrogant behavior towards the poor and their often shameful servility to the rich—I think the Establishment is truly in a bad state, and it seems both it and its members desperately need reform. Turning away from the minister’s tower and village spire distressed—just as distressed as a churchwarden who knows the church needs whitewash but lacks the means to buy lime—I remember your senseless jokes about the 'fat bishops,' the 'pampered parsons,' 'old mother church,' etc. I remember your harsh judgments of anyone who disagrees with you, your sweeping condemnation of entire classes and individuals, with no consideration for circumstances or temptations; and then, Mr. Yorke, I can't help but feel doubt in my heart about whether there are enough kind, reasonable, and just people who can be trusted with the task of reform. I don't believe you are one of them."
"You have an ill opinion of me, Miss Shirley. You never told me so much of your mind before."
"You have a bad opinion of me, Miss Shirley. You’ve never shared your thoughts like this before."
"I never had an opening. But I have sat on Jessy's stool by your chair in the back-parlour at Briarmains, for evenings together, listening excitedly to your talk, half admiring what you said, and half rebelling against it. I think you a fine old Yorkshireman, sir. I am proud to have been born in the same county and parish as yourself. Truthful, upright, independent you are, as a rock based below seas; but also you are harsh, rude, narrow, and merciless."
"I never had a chance to speak up. But I've spent many evenings sitting on Jessy's stool by your chair in the back parlor at Briarmains, eagerly listening to your conversations, half admiring what you shared and half pushing back against it. I think you're a great old Yorkshireman, sir. I'm proud to have been born in the same county and parish as you. You are truthful, upright, and independent like a rock standing firm against the sea; but you can also be harsh, rude, narrow-minded, and unforgiving."
"Not to the poor, lass, nor to the meek of the earth; only to the proud and high-minded."
"Not to the poor, girl, nor to the humble people of the earth; only to the proud and arrogant."
"And what right have you, sir, to make such distinctions? A prouder, a higher-minded man than yourself does not exist. You find it easy to speak comfortably to your inferiors; you are too haughty, too ambitious, too jealous to be civil to those above you. But you are all alike. Helstone also is proud and prejudiced. Moore, though juster and more considerate than either you or the rector, is still haughty, stern, and, in a public sense, selfish. It is well there are such men as Mr. Hall to be found occasionally—men of large and kind hearts, who can love their whole race, who can forgive others for being richer, more prosperous, or more powerful than they are. Such men may have less originality, less force of character than you, but they are better friends to mankind."
"And what gives you the right to make such distinctions, sir? There's no one prouder or more high-minded than you. You find it easy to speak comfortably to those you consider beneath you; you’re too arrogant, too ambitious, and too envious to be polite to those you see as your superiors. But you're all the same. Helstone is also proud and prejudiced. Moore, although fairer and more considerate than you or the rector, is still arrogant, stern, and in a public sense, selfish. It's good that there are men like Mr. Hall occasionally—men with big, kind hearts who can love all of humanity and forgive others for being wealthier, more successful, or more powerful than they are. These men may have less originality and less force of character than you, but they are better friends to humanity."
[Pg 325]"And when is it to be?" said Mr. Yorke, now rising.
[Pg325I'm sorry, there doesn't seem to be any text to modernize. Please provide a short phrase for me to work on. "And when is it happening?" Mr. Yorke asked, getting up now.
"When is what to be?"
"When is it happening?"
"The wedding."
"The wedding event."
"Whose wedding?"
"Whose wedding is it?"
"Only that of Robert Gérard Moore, Esq., of Hollow's Cottage, with Miss Keeldar, daughter and heiress of the late Charles Cave Keeldar of Fieldhead Hall."
"Only that of Robert Gérard Moore, Esq., of Hollow's Cottage, with Miss Keeldar, daughter and heiress of the late Charles Cave Keeldar of Fieldhead Hall."
Shirley gazed at the questioner with rising colour. But the light in her eye was not faltering; it shone steadily—yes, it burned deeply.
Shirley looked at the person asking the question, her face flushing. But the spark in her eye didn't waver; it shone steadily—yes, it burned intensely.
"That is your revenge," she said slowly; then added, "Would it be a bad match, unworthy of the late Charles Cave Keeldar's representative?"
"That's your revenge," she said slowly; then added, "Would it be a bad match, not fitting for the late Charles Cave Keeldar's representative?"
"My lass, Moore is a gentleman; his blood is pure and ancient as mine or thine."
"My girl, Moore is a gentleman; his blood is as pure and old as yours or mine."
"And we two set store by ancient blood? We have family pride, though one of us at least is a republican?"
"And do we really value our ancient lineage? We have family pride, even though at least one of us is a republican?"
Yorke bowed as he stood before her. His lips were mute, but his eye confessed the impeachment. Yes, he had family pride; you saw it in his whole bearing.
Yorke bowed as he stood in front of her. His lips were silent, but his eyes revealed the truth. Yes, he had family pride; it was clear in the way he carried himself.
"Moore is a gentleman," echoed Shirley, lifting her head with glad grace. She checked herself. Words seemed crowding to her tongue. She would not give them utterance; but her look spoke much at the moment. What, Yorke tried to read, but could not. The language was there, visible, but untranslatable—a poem, a fervid lyric, in an unknown tongue. It was not a plain story, however, no simple gush of feeling, no ordinary love-confession—that was obvious. It was something other, deeper, more intricate than he guessed at. He felt his revenge had not struck home. He felt that Shirley triumphed. She held him at fault, baffled, puzzled. She enjoyed the moment, not he.
"Moore is a gentleman," Shirley said, lifting her head happily. She paused. Words were ready to spill from her lips. She held them back; however, her expression conveyed a lot in that moment. Yorke tried to understand what she meant, but he couldn't. The meaning was there, clear but untranslatable—a poem, an intense song in a foreign language. It wasn’t just a straightforward tale, a simple overflow of emotion, or a typical love confession—that much was clear. It was something else, deeper and more complex than he realized. He sensed that his retaliation hadn’t hit the mark. He felt that Shirley was winning. She had him at a loss, confused and perplexed. She reveled in the moment, not he.
"And if Moore is a gentleman, you can be only a lady; therefore——"
"And if Moore is a gentleman, you can only be a lady; therefore——"
"Therefore there would be no inequality in our union."
"Therefore, there would be no inequality in our union."
"None."
"None."
"Thank you for your approbation. Will you give me away when I relinquish the name of Keeldar for that of Moore?"
"Thank you for your approval. Will you give me away when I give up the name Keeldar for Moore?"
Mr. Yorke, instead of replying, gazed at her much puzzled. He could not divine what her look signified—whether she spoke in earnest or in jest. There were purpose and feeling, banter and scoff, playing, mingled, on her mobile lineaments.
Mr. Yorke, instead of responding, stared at her, completely confused. He couldn't figure out what her expression meant—whether she was serious or joking. There was intention and emotion, teasing and sarcasm, all mixed together on her expressive features.
[Pg 326]"I don't understand thee," he said, turning away.
[Pg326Please provide the text for modernization."I don't understand you," he said, turning away.
She laughed. "Take courage, sir; you are not singular in your ignorance. But I suppose if Moore understands me that will do, will it not?"
She laughed. "Don't worry, sir; you're not alone in your ignorance. But I guess if Moore gets me, that’s enough, right?"
"Moore may settle his own matters henceforward for me; I'll neither meddle nor make with them further."
"From now on, Moore can handle his own business; I won't get involved with it anymore."
A new thought crossed her. Her countenance changed magically. With a sudden darkening of the eye and austere fixing of the features she demanded, "Have you been asked to interfere? Are you questioning me as another's proxy?"
A new thought crossed her mind. Her expression changed dramatically. With a sudden darkness in her eyes and a serious look on her face, she demanded, "Have you been asked to step in? Are you questioning me on behalf of someone else?"
"The Lord save us! Whoever weds thee must look about him! Keep all your questions for Robert; I'll answer no more on 'em. Good-day, lassie!"
"The Lord save us! Anyone who marries you better watch out! Save all your questions for Robert; I won’t answer any more of them. Have a good day, girl!"
The day being fine, or at least fair—for soft clouds curtained the sun, and a dim but not chill or waterish haze slept blue on the hills—Caroline, while Shirley was engaged with her callers, had persuaded Mrs. Pryor to assume her bonnet and summer shawl, and to take a walk with her up towards the narrow end of the Hollow.
The day was nice, or at least okay—soft clouds covered the sun, and a light but not cold or damp haze rested blue on the hills—Caroline, while Shirley was busy with her guests, had convinced Mrs. Pryor to put on her bonnet and summer shawl, and to take a walk with her up toward the narrow end of the Hollow.
Here the opposing sides of the glen, approaching each other and becoming clothed with brushwood and stunted oaks, formed a wooded ravine, at the bottom of which ran the mill-stream, in broken, unquiet course, struggling with many stones, chafing against rugged banks, fretting with gnarled tree-roots, foaming, gurgling, battling as it went. Here, when you had wandered half a mile from the mill, you found a sense of deep solitude—found it in the shade of unmolested trees, received it in the singing of many birds, for which that shade made a home. This was no trodden way. The freshness of the wood flowers attested that foot of man seldom pressed them; the abounding wild roses looked as if they budded, bloomed, and faded under the watch of solitude, as if in a sultan's harem. Here you saw the sweet azure of blue-bells, and recognized in pearl-white blossoms, spangling the grass, a humble type of some starlit spot in space.
Here, the opposing sides of the glen were closing in on each other, getting covered in brushwood and stunted oaks, creating a wooded ravine. At the bottom of this ravine, the mill-stream flowed in a broken, restless manner, struggling over many stones, chafing against rough banks, and tangling with gnarled tree roots, foaming and gurgling as it moved. After wandering half a mile from the mill, you could find a deep sense of solitude—discovering it in the shade of untouched trees and soaking it in from the songs of many birds that made that shade their home. This wasn't a well-trodden path. The freshness of the wildflowers showed that human feet rarely stepped there; the abundant wild roses seemed to bloom and fade in solitude, like they were in a sultan's harem. Here, you could see the sweet blue of bluebells, and recognize in the pearl-white blossoms dotting the grass a simple reminder of some starlit place in space.
Mrs. Pryor liked a quiet walk. She ever shunned high-roads, and sought byways and lonely lanes. One companion she preferred to total solitude, for in solitude she was nervous; a vague fear of annoying encounters broke the enjoyment of quite lonely rambles. But she feared nothing with Caroline. When once she got away from human[Pg 327] habitations, and entered the still demesne of nature accompanied by this one youthful friend, a propitious change seemed to steal over her mind and beam in her countenance. When with Caroline—and Caroline only—her heart, you would have said, shook off a burden, her brow put aside a veil, her spirits too escaped from a restraint. With her she was cheerful; with her, at times, she was tender; to her she would impart her knowledge, reveal glimpses of her experience, give her opportunities for guessing what life she had lived, what cultivation her mind had received, of what calibre was her intelligence, how and where her feelings were vulnerable.
Mrs. Pryor enjoyed a quiet walk. She always avoided busy roads and preferred side streets and secluded paths. She liked having one companion instead of complete solitude, as being alone made her anxious; a vague worry about unexpected encounters spoiled her enjoyment of truly solitary strolls. But she didn't feel that way with Caroline. Once she was away from the hustle of human places and entered the peaceful embrace of nature with this one young friend, a positive change seemed to wash over her mind and brighten her face. With Caroline—and only with her—she seemed to lift a burden from her heart, remove a veil from her brow, and her spirits broke free from restraint. With her, she felt cheerful; with her, at times, she was affectionate; to her, she would share her knowledge, reveal snippets of her experiences, and give her chances to guess what kind of life she had led, what kind of education she had, the level of her intelligence, and how and where her emotions were sensitive.
To-day, for instance, as they walked along, Mrs. Pryor talked to her companion about the various birds singing in the trees, discriminated their species, and said something about their habits and peculiarities. English natural history seemed familiar to her. All the wild flowers round their path were recognized by her; tiny plants springing near stones and peeping out of chinks in old walls—plants such as Caroline had scarcely noticed before—received a name and an intimation of their properties. It appeared that she had minutely studied the botany of English fields and woods. Having reached the head of the ravine, they sat down together on a ledge of gray and mossy rock jutting from the base of a steep green hill which towered above them. She looked round her, and spoke of the neighbourhood as she had once before seen it long ago. She alluded to its changes, and compared its aspect with that of other parts of England, revealing in quiet, unconscious touches of description a sense of the picturesque, an appreciation of the beautiful or commonplace, a power of comparing the wild with the cultured, the grand with the tame, that gave to her discourse a graphic charm as pleasant as it was unpretending.
Today, for example, as they were walking, Mrs. Pryor chatted with her friend about the different birds singing in the trees, identified their species, and shared some details about their habits and unique traits. She seemed very familiar with English natural history. She recognized all the wildflowers along their path; tiny plants sprouting near stones and poking out of cracks in old walls—plants that Caroline had hardly noticed before—were identified and described in terms of their properties. It appeared that she had thoroughly studied the botany of English fields and woods. After reaching the top of the ravine, they sat down on a ledge of gray, moss-covered rock that jutted out from the base of a steep green hill towering above them. She looked around and spoke about the area as she had once seen it long ago. She mentioned the changes and compared its appearance to other parts of England, subtly revealing a sense of the picturesque, an appreciation for both the beautiful and the ordinary, and a skill in contrasting the wild with the cultivated, the grand with the tame. This gave her conversation a vivid charm that was as enjoyable as it was unpretentious.
The sort of reverent pleasure with which Caroline listened—so sincere, so quiet, yet so evident—stirred the elder lady's faculties to gentle animation. Rarely, probably, had she, with her chill, repellent outside, her diffident mien, and incommunicative habits, known what it was to excite in one whom she herself could love feelings of earnest affection and admiring esteem. Delightful, doubtless, was the consciousness that a young girl towards whom it seemed, judging by the moved expression of her eyes and features, her heart turned with almost a fond impulse, looked up to[Pg 328] her as an instructor, and clung to her as a friend. With a somewhat more marked accent of interest than she often permitted herself to use, she said, as she bent towards her youthful companion, and put aside from her forehead a pale brown curl which had strayed from the confining comb, "I do hope this sweet air blowing from the hill will do you good, my dear Caroline. I wish I could see something more of colour in these cheeks; but perhaps you were never florid?"
The kind of respectful joy with which Caroline listened—so genuine, so calm, yet so obvious—brought a gentle spark to the older woman's demeanor. She probably hadn’t, with her cold, unapproachable exterior, shy nature, and reserved habits, ever known what it felt like to inspire deep affection and admiration in someone she could care about. It was surely delightful to realize that a young girl, judging by the way her eyes and features lit up, seemed to feel a sort of fondness for her, looked up to her as a teacher, and reached out to her as a friend. With a slightly stronger tone of interest than she usually allowed herself, she said, leaning toward her young companion and brushing aside a pale brown curl that had slipped from her hair, "I really hope this lovely breeze from the hill helps you feel better, my dear Caroline. I wish I could see a bit more color in your cheeks; but maybe you’ve just never been the rosy type?"
"I had red cheeks once," returned Miss Helstone, smiling. "I remember a year—two years ago—when I used to look in the glass, I saw a different face there to what I see now—rounder and rosier. But when we are young," added the girl of eighteen, "our minds are careless and our lives easy."
"I used to have rosy cheeks," Miss Helstone said with a smile. "I remember a year—two years ago—when I looked in the mirror, I saw a different face than I do now—rounder and more colorful. But when we’re young," the eighteen-year-old girl added, "our minds are carefree and our lives are easy."
"Do you," continued Mrs. Pryor, mastering by an effort that tyrant timidity which made it difficult for her, even under present circumstances, to attempt the scrutiny of another's heart—"do you, at your age, fret yourself with cares for the future? Believe me, you had better not. Let the morrow take thought for the things of itself."
"Do you," continued Mrs. Pryor, overcoming the overwhelming shyness that made it hard for her, even now, to try to understand someone else's feelings—"do you, at your age, worry about the future? Trust me, it's not worth it. Let tomorrow worry about its own problems."
"True, dear madam. It is not over the future I pine. The evil of the day is sometimes oppressive—too oppressive—and I long to escape it."
"That's true, dear madam. I'm not worried about the future. The problems of today can be overwhelming—just too overwhelming—and I really want to get away from it."
"That is—the evil of the day—that is—your uncle perhaps is not—you find it difficult to understand—he does not appreciate——"
"That is—the trouble with today—that is—your uncle maybe isn't—you have a hard time grasping it—he doesn't appreciate——"
Mrs. Pryor could not complete her broken sentences; she could not manage to put the question whether Mr. Helstone was too harsh with his niece. But Caroline comprehended.
Mrs. Pryor couldn't finish her incomplete thoughts; she couldn't bring herself to ask whether Mr. Helstone was being too hard on his niece. But Caroline understood.
"Oh, that is nothing," she replied. "My uncle and I get on very well. We never quarrel—I don't call him harsh—he never scolds me. Sometimes I wish somebody in the world loved me, but I cannot say that I particularly wish him to have more affection for me than he has. As a child, I should perhaps have felt the want of attention, only the servants were very kind to me; but when people are long indifferent to us, we grow indifferent to their indifference. It is my uncle's way not to care for women and girls, unless they be ladies that he meets in company. He could not alter, and I have no wish that he should alter, as far as I am concerned. I believe it would merely annoy and frighten me were he to be affectionate towards me now. But you know, Mrs. Pryor, it is scarcely living to measure[Pg 329] time as I do at the rectory. The hours pass, and I get them over somehow, but I do not live. I endure existence, but I rarely enjoy it. Since Miss Keeldar and you came I have been—I was going to say happier, but that would be untrue." She paused.
"Oh, that’s nothing," she replied. "My uncle and I get along really well. We never argue—I don’t find him harsh—he never scolds me. Sometimes I wish someone in the world loved me, but I can’t honestly say I want him to have more affection for me than he does. As a child, I might have felt the lack of attention, but the servants were really kind to me; still, when people are indifferent to us for a long time, we become indifferent to their indifference. My uncle doesn’t care about women and girls, unless they’re ladies he meets socially. He can’t change, and I don’t want him to change, as far as I’m concerned. I believe it would just annoy and scare me if he were to show affection towards me now. But you know, Mrs. Pryor, it’s hardly living to count the time as I do at the rectory. The hours go by, and I get through them somehow, but I don't truly live. I endure existence, but I rarely enjoy it. Since Miss Keeldar and you arrived, I’ve been—I was going to say happier, but that wouldn’t be true." She paused.
"How untrue? You are fond of Miss Keeldar, are you not, my dear?"
"How untrue? You really like Miss Keeldar, don't you, my dear?"
"Very fond of Shirley. I both like and admire her. But I am painfully circumstanced. For a reason I cannot explain I want to go away from this place, and to forget it."
"Very fond of Shirley. I both like and admire her. But I am in a tough situation. For a reason I can't explain, I want to leave this place and forget about it."
"You told me before you wished to be a governess; but, my dear, if you remember, I did not encourage the idea. I have been a governess myself great part of my life. In Miss Keeldar's acquaintance I esteem myself most fortunate. Her talents and her really sweet disposition have rendered my office easy to me; but when I was young, before I married, my trials were severe, poignant. I should not like a—— I should not like you to endure similar ones. It was my lot to enter a family of considerable pretensions to good birth and mental superiority, and the members of which also believed that 'on them was perceptible' an unusual endowment of the 'Christian graces;' that all their hearts were regenerate, and their spirits in a peculiar state of discipline. I was early given to understand that 'as I was not their equal,' so I could not expect 'to have their sympathy.' It was in no sort concealed from me that I was held a 'burden and a restraint in society.' The gentlemen, I found, regarded me as a 'tabooed woman,' to whom 'they were interdicted from granting the usual privileges of the sex,' and yet 'who annoyed them by frequently crossing their path.' The ladies too made it plain that they thought me 'a bore.' The servants, it was signified, 'detested me;' why, I could never clearly comprehend. My pupils, I was told, 'however much they might love me, and how deep soever the interest I might take in them, could not be my friends.' It was intimated that I must 'live alone, and never transgress the invisible but rigid line which established the difference between me and my employers.' My life in this house was sedentary, solitary, constrained, joyless, toilsome. The dreadful crushing of the animal spirits, the ever-prevailing sense of friendlessness and homelessness consequent on this state of things began ere long to produce mortal effects on my constitution. I sickened. The lady of the house told me coolly I was the[Pg 330] victim of 'wounded vanity.' She hinted that if I did not make an effort to quell my 'ungodly discontent,' to cease 'murmuring against God's appointment,' and to cultivate the profound humility befitting my station, my mind would very likely 'go to pieces' on the rock that wrecked most of my sisterhood—morbid self-esteem—and that I should die an inmate of a lunatic asylum.
"You told me before that you wanted to be a governess; but, my dear, if you remember, I didn't support the idea. I've spent a large part of my life as a governess. I consider myself very lucky to know Miss Keeldar. Her skills and genuinely sweet nature have made my job easy; however, when I was young and before I got married, my challenges were tough and painful. I wouldn’t want you to go through anything similar. I was placed in a family that claimed to have a strong background and superior intelligence, and they believed they exhibited a unique set of 'Christian graces'; they thought all their hearts were renewed and their spirits highly disciplined. I quickly learned that since I was not their equal, I shouldn’t expect their sympathy. It was made very clear to me that I was seen as 'a burden and a constraint in society.' The men, I found, viewed me as a 'tabooed woman,' who they were 'forbidden from giving the usual privileges associated with women,' yet I 'annoyed them by frequently getting in their way.' The women also made it obvious that they saw me as 'a bore.' The servants, it was suggested, 'hated me;' why, I could never fully understand. I was informed that my pupils, 'no matter how much they might care for me or how deeply invested I was in them, could not be my friends.' It was implied that I had to 'live alone and never cross the invisible but strict boundary that separated me from my employers.' My life in that house was sedentary, lonely, constrained, joyless, and exhausting. The unbearable crushing of my spirits, along with the constant sense of isolation and lack of belonging resulting from this situation, soon began to take a serious toll on my health. I fell ill. The lady of the house told me calmly that I was the[Pg330] victim of 'wounded vanity.' She suggested that unless I made an effort to suppress my 'unholy discontent,' to stop 'complaining about God's will,' and to embrace the deep humility expected of my position, my mind might very well 'fall apart' on the rock that has shattered most of my peers—unhealthy self-importance—and that I could end up as a resident of a mental institution."
"I said nothing to Mrs. Hardman—it would have been useless; but to her eldest daughter I one day dropped a few observations, which were answered thus. There were hardships, she allowed, in the position of a governess. 'Doubtless they had their trials; but,' she averred, with a manner it makes me smile now to recall—'but it must be so. She' (Miss H.) 'had neither view, hope, nor wish to see these things remedied; for in the inherent constitution of English habits, feelings, and prejudices there was no possibility that they should be. Governesses,' she observed, 'must ever be kept in a sort of isolation. It is the only means of maintaining that distance which the reserve of English manners and the decorum of English families exact.'
"I didn't say anything to Mrs. Hardman—it would have been pointless; but one day I shared a few thoughts with her oldest daughter, and she responded like this. She acknowledged that there were challenges in being a governess. 'Of course they had their struggles; but,' she insisted, with a tone that makes me smile now—'but it just has to be this way. She' (Miss H.) 'had no intention, hope, or desire to see these issues fixed, because in the very nature of English habits, feelings, and prejudices, it was impossible for that to happen. Governesses,' she noted, 'must always be kept in a sort of isolation. It's the only way to maintain the distance that the reserved nature of English manners and the decorum of English families demand.'"
"I remember I sighed as Miss Hardman quitted my bedside. She caught the sound, and turning, said severely, 'I fear, Miss Grey, you have inherited in fullest measure the worst sin of our fallen nature—the sin of pride. You are proud, and therefore you are ungrateful too. Mamma pays you a handsome salary, and if you had average sense you would thankfully put up with much that is fatiguing to do and irksome to bear, since it is so well made worth your while.'
"I remember sighing as Miss Hardman left my bedside. She caught the sound, turned, and said sternly, 'I fear, Miss Grey, that you have inherited the greatest flaw of our fallen nature—the flaw of pride. You are proud, and because of that, you are ungrateful too. Mom pays you a good salary, and if you had any common sense, you would gratefully endure a lot that is tiring to do and annoying to deal with, since it's well worth your time.'"
"Miss Hardman, my love, was a very strong-minded young lady, of most distinguished talents. The aristocracy are decidedly a very superior class, you know, both physically, and morally, and mentally; as a high Tory I acknowledge that. I could not describe the dignity of her voice and mien as she addressed me thus; still, I fear she was selfish, my dear. I would never wish to speak ill of my superiors in rank, but I think she was a little selfish."
"Miss Hardman, my love, was a very strong-willed young woman with outstanding talents. The aristocracy is definitely a superior class, both physically and morally and intellectually; as a high Tory, I admit that. I can’t convey the dignity of her voice and demeanor when she spoke to me like this; however, I’m afraid she was a bit selfish, my dear. I would never want to speak poorly of those above me in rank, but I believe she was somewhat selfish."
"I remember," continued Mrs. Pryor, after a pause, "another of Miss H.'s observations, which she would utter with quite a grand air. 'We,' she would say—'we need the imprudences, extravagances, mistakes, and crimes of a certain number of fathers to sow the seed from which we reap the harvest of governesses. The daughters of trades-people, however well educated, must necessarily be underbred,[Pg 331] and as such unfit to be inmates of our dwellings, or guardians of our children's minds and persons. We shall ever prefer to place those about OUR offspring who have been born and bred with somewhat of the same refinement as ourselves.'"
"I remember," continued Mrs. Pryor, after a pause, "another one of Miss H.'s comments, which she would say with quite a grand air. 'We,' she would say—'we need the mistakes, extravagances, and wrongdoings of some fathers to plant the seeds from which we get the crop of governesses. The daughters of tradespeople, no matter how well-educated, will always be considered lower class, and therefore unfit to live in our homes or be responsible for our children's education and upbringing. We will always prefer to have around our children those who have been raised with a similar level of refinement as we have.'"
"Miss Hardman must have thought herself something better than her fellow-creatures, ma'am, since she held that their calamities, and even crimes, were necessary to minister to her convenience. You say she was religious. Her religion must have been that of the Pharisee who thanked God that he was not as other men are, nor even as that publican."
"Miss Hardman probably thought she was better than everyone else, ma'am, since she believed that their misfortunes, and even wrongdoings, were essential for her comfort. You say she was religious. Her faith must have been like that of the Pharisee who thanked God that he wasn't like other people, not even like that tax collector."
"My dear, we will not discuss the point. I should be the last person to wish to instil into your mind any feeling of dissatisfaction with your lot in life, or any sentiment of envy or insubordination towards your superiors. Implicit submission to authorities, scrupulous deference to our betters (under which term I, of course, include the higher classes of society), are, in my opinion, indispensable to the well-being of every community. All I mean to say, my dear, is that you had better not attempt to be a governess, as the duties of the position would be too severe for your constitution. Not one word of disrespect would I breathe towards either Mrs. or Miss Hardman; only, recalling my own experience, I cannot but feel that, were you to fall under auspices such as theirs, you would contend a while courageously with your doom, then you would pine and grow too weak for your work; you would come home—if you still had a home—broken down. Those languishing years would follow of which none but the invalid and her immediate friends feel the heart-sickness and know the burden. Consumption or decline would close the chapter. Such is the history of many a life. I would not have it yours. My dear, we will now walk about a little, if you please."
"My dear, we won't get into that. I would never want to make you feel dissatisfied with your life or cultivate any feelings of envy or rebellion against those in positions of authority. Complete respect for those in power, especially the upper classes, is essential for the well-being of any community. What I mean to say, my dear, is that you really shouldn't try to become a governess, as the demands of that job would be too much for your health. I have the utmost respect for both Mrs. and Miss Hardman; it's just that, based on my own experience, I can't help but think that if you were to work under people like them, you would initially endure your situation with strength, but eventually, you would suffer and become too weak for the job. You would come home—if you even have a home left—broken. Those long years of suffering would follow, and only the ill and their closest friends truly understand the heartbreak and the weight of that burden. An illness like consumption or decline would end the story. I wouldn't want that to be your fate. My dear, let's take a little walk now, shall we?"
They both rose, and slowly paced a green natural terrace bordering the chasm.
They both stood up and slowly walked along a grassy terrace next to the ravine.
"My dear," ere long again began Mrs. Pryor, a sort of timid, embarrassed abruptness marking her manner as she spoke, "the young, especially those to whom nature has been favourable, often—frequently—anticipate—look forward to—to marriage as the end, the goal of their hopes."
"My dear," soon began Mrs. Pryor again, her tone a bit shy and awkward as she spoke, "young people, especially those who are naturally attractive, often—frequently—look forward to marriage as the finish line, the ultimate goal of their dreams."
And she stopped. Caroline came to her relief with promptitude, showing a great deal more self-possession[Pg 332] and courage than herself on the formidable topic now broached.
And she stopped. Caroline quickly came to her aid, demonstrating much more calmness[Pg332I'm sorry, but it looks like there was a misunderstanding. There is no text provided for me to modernize. Please provide a short phrase or text, and I'll be happy to assist! and bravery than she did on the daunting subject now being discussed.
"They do, and naturally," she replied, with a calm emphasis that startled Mrs. Pryor. "They look forward to marriage with some one they love as the brightest, the only bright destiny that can await them. Are they wrong?"
"They do, and of course," she said, with a calm emphasis that surprised Mrs. Pryor. "They see marrying someone they love as the brightest, the only bright future that can be in store for them. Are they wrong?"
"Oh, my dear!" exclaimed Mrs. Pryor, clasping her hands; and again she paused. Caroline turned a searching, an eager eye on the face of her friend: that face was much agitated. "My dear," she murmured, "life is an illusion."
"Oh, my dear!" Mrs. Pryor exclaimed, clasping her hands; and again she paused. Caroline turned a searching, eager gaze at her friend's face: it was quite agitated. "My dear," she murmured, "life is an illusion."
"But not love! Love is real—the most real, the most lasting, the sweetest and yet the bitterest thing we know."
"But not love! Love is real—it's the most real, the most enduring, the sweetest, and yet the most painful thing we know."
"My dear, it is very bitter. It is said to be strong—strong as death! Most of the cheats of existence are strong. As to their sweetness, nothing is so transitory; its date is a moment, the twinkling of an eye. The sting remains for ever. It may perish with the dawn of eternity, but it tortures through time into its deepest night."
"My dear, it's really bitter. They say it's powerful—powerful as death! Most of life's lies are powerful. When it comes to their sweetness, nothing lasts. It’s just a brief moment, a blink of an eye. The pain lasts forever. It might fade away with the dawn of eternity, but it tortures us throughout time, deep into its darkest hours."
"Yes, it tortures through time," agreed Caroline, "except when it is mutual love."
"Yes, it drags on through time," agreed Caroline, "unless it's mutual love."
"Mutual love! My dear, romances are pernicious. You do not read them, I hope?"
"Mutual love! My dear, romances can be harmful. I hope you’re not reading them?"
"Sometimes—whenever I can get them, indeed. But romance-writers might know nothing of love, judging by the way in which they treat of it."
"Sometimes—whenever I can get them, for sure. But romance writers might know nothing about love, based on how they write about it."
"Nothing whatever, my dear," assented Mrs. Pryor eagerly, "nor of marriage; and the false pictures they give of those subjects cannot be too strongly condemned. They are not like reality. They show you only the green, tempting surface of the marsh, and give not one faithful or truthful hint of the slough underneath."
"Nothing at all, my dear," Mrs. Pryor agreed eagerly, "nor about marriage; and the misleading images they present of those topics can’t be condemned enough. They’re not like real life. They only show you the alluring, green surface of the marsh, without giving one honest or accurate hint of the muck beneath."
"But it is not always slough," objected Caroline. "There are happy marriages. Where affection is reciprocal and sincere, and minds are harmonious, marriage must be happy."
"But it's not always a downer," Caroline argued. "There are happy marriages. When love is mutual and genuine, and the minds are in sync, marriage has to be happy."
"It is never wholly happy. Two people can never literally be as one. There is, perhaps, a possibility of content under peculiar circumstances, such as are seldom combined; but it is as well not to run the risk—you may make fatal mistakes. Be satisfied, my dear. Let all the single be satisfied with their freedom."
"It’s never completely happy. Two people can never truly become one. There might be a chance for contentment in unique situations, which rarely occur; but it’s better not to take the risk—you could make serious mistakes. Be content, my dear. Let all the single people be happy with their freedom."
"You echo my uncle's words!" exclaimed Caroline, in a tone of dismay. "You speak like Mrs. Yorke in her most[Pg 333] gloomy moments, like Miss Mann when she is most sourly and hypochondriacally disposed. This is terrible!"
"You sound just like my uncle!" Caroline exclaimed, sounding upset. "You talk like Mrs. Yorke at her most gloomy, like Miss Mann when she’s at her most sour and pessimistic. This is awful!"
"No, it is only true. O child, you have only lived the pleasant morning time of life; the hot, weary noon, the sad evening, the sunless night, are yet to come for you. Mr. Helstone, you say, talks as I talk; and I wonder how Mrs. Matthewson Helstone would have talked had she been living. She died! she died!"
"No, it’s just the truth. Oh child, you have only experienced the lovely morning of life; the tiring afternoon, the melancholy evening, and the dark night are yet to come for you. Mr. Helstone, you say, speaks like I do; and I wonder how Mrs. Matthewson Helstone would have spoken if she were alive. She died! She died!"
"And, alas! my own mother and father——" exclaimed Caroline, struck by a sombre recollection.
"And, oh no! my own mom and dad——" exclaimed Caroline, hit by a dark memory.
"What of them?"
"What about them?"
"Did I never tell you that they were separated?"
"Did I ever mention to you that they were separated?"
"I have heard it."
"I've heard it."
"They must, then, have been very miserable."
"They must have been really miserable."
"You see all facts go to prove what I say."
"You see, all the facts support what I'm saying."
"In this case there ought to be no such thing as marriage."
"In this situation, there should be no concept of marriage."
"There ought, my dear, were it only to prove that this life is a mere state of probation, wherein neither rest nor recompense is to be vouchsafed."
"There should be, my dear, if only to show that this life is just a trial period, where neither rest nor reward is guaranteed."
"But your own marriage, Mrs. Pryor?"
"But what about your own marriage, Mrs. Pryor?"
Mrs. Pryor shrank and shuddered as if a rude finger had pressed a naked nerve. Caroline felt she had touched what would not bear the slightest contact.
Mrs. Pryor recoiled and trembled as if a harsh finger had poked a raw nerve. Caroline sensed she had come into contact with something that couldn't tolerate even the lightest touch.
"My marriage was unhappy," said the lady, summoning courage at last; "but yet——" She hesitated.
"My marriage was unhappy," the woman said, finally finding her courage; "but still——" She paused.
"But yet," suggested Caroline, "not immitigably wretched?"
"But still," suggested Caroline, "not completely miserable?"
"Not in its results, at least. No," she added, in a softer tone; "God mingles something of the balm of mercy even in vials of the most corrosive woe. He can so turn events that from the very same blind, rash act whence sprang the curse of half our life may flow the blessing of the remainder. Then I am of a peculiar disposition—I own that—far from facile, without address, in some points eccentric. I ought never to have married. Mine is not the nature easily to find a duplicate or likely to assimilate with a contrast. I was quite aware of my own ineligibility; and if I had not been so miserable as a governess, I never should have married; and then——"
"Not in its outcomes, at least. No," she added, in a softer tone; "God mixes a bit of mercy even into the most painful situations. He can twist events in such a way that from the same reckless, impulsive action that brought about the troubles of half our lives, we might also discover blessings for the rest. I am of a unique temperament—I admit that—definitely not easy-going, somewhat quirky in certain ways. I really shouldn't have gotten married. I don't have a nature that's likely to find a match or easily adapt to something different. I was fully aware of my own unsuitability; and if I hadn't been so unhappy as a governess, I never would have married; and then——"
Caroline's eyes asked her to proceed. They entreated her to break the thick cloud of despair which her previous words had seemed to spread over life.
Caroline's eyes urged her to go on. They pleaded with her to lift the heavy cloud of despair that her earlier words had cast over life.
"And then, my dear, Mr.—that is, the gentleman I married—was, perhaps, rather an exceptional than an[Pg 334] average character. I hope, at least, the experience of few has been such as mine was, or that few have felt their sufferings as I felt mine. They nearly shook my mind; relief was so hopeless, redress so unattainable. But, my dear, I do not wish to dishearten; I only wish to warn you, and to prove that the single should not be too anxious to change their state, as they may change for the worse."
"And then, my dear, Mr.—that is, the man I married—was probably more exceptional than average. I hope, at least, that not many have gone through what I did, or that not many have felt their pain as deeply as I felt mine. It almost drove me crazy; relief seemed impossible, and justice was out of reach. But, my dear, I don’t want to discourage you; I just want to caution you and show that those who are single shouldn't rush to change their situation, as it might end up being a worse one."
"Thank you, my dear madam. I quite understand your kind intentions, but there is no fear of my falling into the error to which you allude. I, at least, have no thoughts of marriage, and for that reason I want to make myself a position by some other means."
"Thank you, my dear ma'am. I completely understand your kind intentions, but I'm not worried about falling into the mistake you mentioned. I, at least, have no thoughts of marriage, and for that reason, I want to establish myself in some other way."
"My dear, listen to me. On what I am going to say I have carefully deliberated, having, indeed, revolved the subject in my thoughts ever since you first mentioned your wish to obtain a situation. You know I at present reside with Miss Keeldar in the capacity of companion. Should she marry (and that she will marry ere long many circumstances induce me to conclude), I shall cease to be necessary to her in that capacity. I must tell you that I possess a small independency, arising partly from my own savings, and partly from a legacy left me some years since. Whenever I leave Fieldhead I shall take a house of my own. I could not endure to live in solitude. I have no relations whom I care to invite to close intimacy; for, as you must have observed, and as I have already avowed, my habits and tastes have their peculiarities. To you, my dear, I need not say I am attached; with you I am happier than I have ever been with any living thing" (this was said with marked emphasis). "Your society I should esteem a very dear privilege—an inestimable privilege, a comfort, a blessing. You shall come to me, then. Caroline, do you refuse me? I hope you can love me?"
"My dear, please listen to me. I've thought this through carefully since you first mentioned wanting to find a job. You know I'm currently living with Miss Keeldar as her companion. If she gets married (and I truly believe she will soon for many reasons), I won’t be needed in that role anymore. I should tell you that I have a small amount of independence, from both my own savings and a legacy I received years ago. When I leave Fieldhead, I plan to have my own place. I can't stand the thought of living alone. I don't have any relatives I want to invite into my close personal life; as you may have noticed and as I've already admitted, I have my own quirks and preferences. To you, my dear, I don’t need to say how much I care; I’m happier with you than I’ve ever been with anyone else." (This was said with strong emphasis.) "Your company is a privilege I truly value—an unmeasurable privilege, a comfort, a blessing. You should come to stay with me. Caroline, are you turning me down? I hope you can love me?"
And with these two abrupt questions she stopped.
And with these two sudden questions, she stopped.
"Indeed, I do love you," was the reply. "I should like to live with you. But you are too kind."
"Of course, I do love you," was the response. "I would love to live with you. But you're just too nice."
"All I have," went on Mrs. Pryor, "I would leave to you. You should be provided for. But never again say I am too kind. You pierce my heart, child!"
"Everything I have," Mrs. Pryor continued, "I would give to you. You deserve to be taken care of. But never say again that I am too kind. You break my heart, dear!"
"But, my dear madam—this generosity—I have no claim——"
"But, my dear lady—this kindness—I have no right to——"
"Hush! you must not talk about it. There are some things we cannot bear to hear. Oh! it is late to begin, but I may yet live a few years. I can never wipe out the[Pg 335] past, but perhaps a brief space in the future may yet be mine."
"Hush! You shouldn’t talk about it. There are some things we just can’t handle hearing. Oh! It’s late to start, but I might still have a few years left. I can never erase the past, but maybe a short time in the future could still be mine."
Mrs. Pryor seemed deeply agitated. Large tears trembled in her eyes and rolled down her cheeks. Caroline kissed her, in her gentle, caressing way, saying softly, "I love you dearly. Don't cry."
Mrs. Pryor seemed really upset. Big tears shimmered in her eyes and slid down her cheeks. Caroline kissed her, in her gentle, loving way, saying softly, "I love you so much. Please don't cry."
But the lady's whole frame seemed shaken. She sat down, bent her head to her knee, and wept aloud. Nothing could console her till the inward storm had had its way. At last the agony subsided of itself.
But the woman's entire body seemed shaken. She sat down, bent her head to her knee, and cried out loud. Nothing could comfort her until the inner turmoil had run its course. Finally, the pain eased on its own.
"Poor thing!" she murmured, returning Caroline's kiss, "poor lonely lamb! But come," she added abruptly—"come; we must go home."
"Poor thing!" she whispered, returning Caroline's kiss, "poor lonely lamb! But come," she added suddenly—"let's go home."
For a short distance Mrs. Pryor walked very fast. By degrees, however, she calmed down to her wonted manner, fell into her usual characteristic pace—a peculiar one, like all her movements—and by the time they reached Fieldhead she had re-entered into herself. The outside was, as usual, still and shy.[Pg 336]
For a short while, Mrs. Pryor walked very quickly. Gradually, though, she settled into her usual way of moving—an unusual pace, like all of her actions—and by the time they arrived at Fieldhead, she had withdrawn into herself again. On the outside, she was, as always, quiet and reserved.[Pg336Please provide the text you would like me to modernize.
CHAPTER XXII.
TWO LIVES.
Only half of Moore's activity and resolution had been seen in his defence of the mill; he showed the other half (and a terrible half it was) in the indefatigable, the relentless assiduity with which he pursued the leaders of the riot. The mob, the mere followers, he let alone. Perhaps an innate sense of justice told him that men misled by false counsel and goaded by privations are not fit objects of vengeance, and that he who would visit an even violent act on the bent head of suffering is a tyrant, not a judge. At all events, though he knew many of the number, having recognized them during the latter part of the attack when day began to dawn, he let them daily pass him on street and road without notice or threat.
Only half of Moore's efforts and determination were visible in his defense of the mill; the other half (and it was a tough half) showed in the tireless, relentless dedication with which he went after the leaders of the riot. He left the mob, the mere followers, alone. Maybe a natural sense of justice told him that people misled by bad advice and pushed by hardships aren't deserving of punishment, and that anyone who would inflict violence on the suffering is a tyrant, not a judge. In any case, although he recognized many of them during the latter part of the attack as dawn broke, he let them walk by him on the street and road every day without acknowledging or threatening them.
The leaders he did not know. They were strangers—emissaries from the large towns. Most of these were not members of the operative class. They were chiefly "down-draughts," bankrupts, men always in debt and often in drink, men who had nothing to lose, and much, in the way of character, cash, and cleanliness, to gain. These persons Moore hunted like any sleuth-hound, and well he liked the occupation. Its excitement was of a kind pleasant to his nature. He liked it better than making cloth.
The leaders he didn’t know. They were strangers—messengers from the big towns. Most of them weren’t part of the working class. They were mainly “down-and-outs,” bankrupts, people always in debt and often drinking, guys who had nothing to lose and a lot to gain in terms of their character, money, and hygiene. Moore tracked these people down like a detective, and he really enjoyed the work. The thrill of it suited him better than making fabric.
His horse must have hated these times, for it was ridden both hard and often. He almost lived on the road, and the fresh air was as welcome to his lungs as the policeman's quest to his mood; he preferred it to the steam of dye-houses. The magistrates of the district must have dreaded him. They were slow, timid men; he liked both to frighten and to rouse them. He liked to force them to betray a certain fear, which made them alike falter in resolve and recoil in action—the fear, simply, of assassination. This, indeed, was the dread which had hitherto hampered every manufacturer and almost every public man in the district. Helstone alone had ever repelled it. The old Cossack knew[Pg 337] well he might be shot. He knew there was risk; but such death had for his nerves no terrors. It would have been his chosen, might he have had a choice.
His horse must have really disliked these times because it was ridden hard and often. He practically lived on the road, and the fresh air was as refreshing to his lungs as the policeman's pursuit was to his mood; he preferred it over the steam from dye houses. The magistrates of the area must have feared him. They were slow, timid men; he enjoyed both scaring and provoking them. He liked to make them reveal a certain fear, which made them hesitate in their decisions and shrink back in their actions—the fear of getting assassinated. This was, in fact, the terror that had previously held back every manufacturer and almost every public figure in the area. Only Helstone had ever pushed it away. The old Cossack knew[Pg337I'm sorry, but it seems there was no text provided for me to modernize. Please provide the phrase or text you would like me to work on. very well that he might be shot. He recognized the risk; but such a death held no terror for his nerves. It would have been his preferred option, if he had any choice.
Moore likewise knew his danger. The result was an unquenchable scorn of the quarter whence such danger was to be apprehended. The consciousness that he hunted assassins was the spur in his high-mettled temper's flank. As for fear, he was too proud, too hard-natured (if you will), too phlegmatic a man to fear. Many a time he rode belated over the moors, moonlit or moonless as the case might be, with feelings far more elate, faculties far better refreshed, than when safety and stagnation environed him in the counting-house. Four was the number of the leaders to be accounted for. Two, in the course of a fortnight, were brought to bay near Stilbro'; the remaining two it was necessary to seek farther off. Their haunts were supposed to lie near Birmingham.
Moore also knew he was in danger. This led to an unyielding disdain for the source of that danger. The awareness that he was tracking assassins motivated his fiercely spirited nature. As for fear, he was too proud, too tough (if you prefer), and too calm to be afraid. Many times, he rode late across the moors, whether under the moonlight or not, feeling much more uplifted and mentally sharper than when he was stuck in the safety and monotony of the office. There were four leaders he needed to account for. Two were cornered near Stilbro' within a fortnight; the other two needed to be pursued further afield. Their hideouts were thought to be near Birmingham.
Meantime the clothier did not neglect his battered mill. Its reparation was esteemed a light task, carpenters' and glaziers' work alone being needed. The rioters not having succeeded in effecting an entrance, his grim metal darlings—the machines—had escaped damage.
Meantime, the clothier didn’t ignore his damaged mill. Fixing it was considered an easy job, only requiring work from carpenters and glaziers. Since the rioters hadn’t managed to break in, his beloved machines had avoided any harm.
Whether during this busy life—whether while stern justice and exacting business claimed his energies and harassed his thoughts—he now and then gave one moment, dedicated one effort, to keep alive gentler fires than those which smoulder in the fane of Nemesis, it was not easy to discover. He seldom went near Fieldhead; if he did, his visits were brief. If he called at the rectory, it was only to hold conferences with the rector in his study. He maintained his rigid course very steadily. Meantime the history of the year continued troubled. There was no lull in the tempest of war; her long hurricane still swept the Continent. There was not the faintest sign of serene weather, no opening amid "the clouds of battle-dust and smoke," no fall of pure dews genial to the olive, no cessation of the red rain which nourishes the baleful and glorious laurel. Meantime, Ruin had her sappers and miners at work under Moore's feet, and whether he rode or walked, whether he only crossed his counting-house hearth or galloped over sullen Rushedge, he was aware of a hollow echo, and felt the ground shake to his tread.
Whether during this hectic life—whether while strict justice and demanding work occupied his energy and troubled his thoughts—he occasionally took a moment, dedicated an effort, to keep alive kinder emotions than those that smolder in the temple of Nemesis, it was not easy to tell. He rarely visited Fieldhead; when he did, his stays were short. If he stopped by the rectory, it was only to have discussions with the rector in his study. He kept his strict routine very consistently. Meanwhile, the year's events remained chaotic. There was no break in the storm of war; its long hurricane continued to sweep across the continent. There were no signs of calm weather, no openings amidst "the clouds of battle-dust and smoke," no drops of pure dew that are favorable to the olive, no pause in the red rain that nourishes the destructive and glorious laurel. Meanwhile, Ruin had her sappers and miners at work beneath Moore's feet, and whether he rode or walked, whether he just crossed the threshold of his counting-house or galloped over gloomy Rushedge, he could sense a hollow echo and felt the ground tremble under his steps.
While the summer thus passed with Moore, how did it lapse with Shirley and Caroline? Let us first visit the[Pg 338] heiress. How does she look? Like a love-lorn maiden, pale and pining for a neglectful swain? Does she sit the day long bent over some sedentary task? Has she for ever a book in her hand, or sewing on her knee, and eyes only for that, and words for nothing, and thoughts unspoken?
While the summer went by for Moore, how did it unfold for Shirley and Caroline? Let’s first check in on the[Pg338] heiress. How does she appear? Like a lovesick girl, pale and longing for an indifferent lover? Does she spend the whole day bent over some quiet task? Does she always have a book in her hand or sewing in her lap, with her eyes solely focused on that, words for no one, and unvoiced thoughts?
By no means. Shirley is all right. If her wistful cast of physiognomy is not gone, no more is her careless smile. She keeps her dark old manor-house light and bright with her cheery presence. The gallery and the low-ceiled chambers that open into it have learned lively echoes from her voice; the dim entrance-hall, with its one window, has grown pleasantly accustomed to the frequent rustle of a silk dress, as its wearer sweeps across from room to room, now carrying flowers to the barbarous peach-bloom salon, now entering the dining-room to open its casements and let in the scent of mignonette and sweet-briar, anon bringing plants from the staircase window to place in the sun at the open porch door.
Absolutely not. Shirley is doing well. If her wistful look hasn't disappeared, neither has her carefree smile. She fills her dark old manor house with light and brightness thanks to her cheerful presence. The gallery and the low-ceilinged rooms that lead into it have picked up lively echoes from her voice; the dim entrance hall, with its single window, has happily grown used to the frequent sound of a silk dress as she moves from room to room, sometimes carrying flowers to the striking peach-blossom salon, other times entering the dining room to open the windows and let in the fragrance of mignonette and sweet-briar, and again bringing plants from the staircase window to place in the sun at the open porch door.
She takes her sewing occasionally; but, by some fatality, she is doomed never to sit steadily at it for above five minutes at a time. Her thimble is scarcely fitted on, her needle scarce threaded, when a sudden thought calls her upstairs. Perhaps she goes to seek some just-then-remembered old ivory-backed needle-book or older china-topped work-box, quite unneeded, but which seems at the moment indispensable; perhaps to arrange her hair, or a drawer which she recollects to have seen that morning in a state of curious confusion; perhaps only to take a peep from a particular window at a particular view, whence Briarfield church and rectory are visible, pleasantly bowered in trees. She has scarcely returned, and again taken up the slip of cambric or square of half-wrought canvas, when Tartar's bold scrape and strangled whistle are heard at the porch door, and she must run to open it for him. It is a hot day; he comes in panting; she must convoy him to the kitchen, and see with her own eyes that his water-bowl is replenished. Through the open kitchen door the court is visible, all sunny and gay, and peopled with turkeys and their poults, peahens and their chicks, pearl-flecked Guinea-fowls, and a bright variety of pure white, and purple-necked, and blue and cinnamon plumed pigeons. Irresistible spectacle to Shirley! She runs to the pantry for a roll, and she stands on the door step scattering crumbs. Around her throng her eager, plump, happy feathered vassals.[Pg 339] John is about the stables, and John must be talked to, and her mare looked at. She is still petting and patting it when the cows come in to be milked. This is important; Shirley must stay and take a review of them all. There are perhaps some little calves, some little new-yeaned lambs—it may be twins, whose mothers have rejected them. Miss Keeldar must be introduced to them by John, must permit herself the treat of feeding them with her own hand, under the direction of her careful foreman. Meantime John moots doubtful questions about the farming of certain "crofts," and "ings," and "holmes," and his mistress is necessitated to fetch her garden-hat—a gipsy straw—and accompany him, over stile and along hedgerow, to hear the conclusion of the whole agricultural matter on the spot, and with the said "crofts," "ings," and "holms" under her eye. Bright afternoon thus wears into soft evening, and she comes home to a late tea, and after tea she never sews.
She occasionally picks up her sewing, but for some reason, she can never sit down and focus on it for more than five minutes at a time. Her thimble barely fits, her needle is hardly threaded, when a sudden thought sends her upstairs. Maybe she goes to find a vintage ivory needlebook or an old china-topped sewing box that she just remembered; it’s probably not needed, but at that moment, it feels essential. Or perhaps she heads up to fix her hair or organize a drawer she noticed was messy that morning. Sometimes she just wants to take a look out a specific window at a specific view of Briarfield church and rectory, nicely nestled among the trees. She hardly makes it back and picks up the piece of fabric or half-finished canvas when Tartar's loud scrape and strangled whistle are heard at the porch door, and she has to rush to let him in. It’s a hot day; he comes in panting, and she has to take him to the kitchen to make sure his water bowl is filled. Through the open kitchen door, the courtyard is visible, sunny and lively, filled with turkeys and their chicks, peahens and their young, spotted Guinea fowls, and a bright mix of white, purple-necked, and blue and cinnamon-colored pigeons. It’s an irresistible sight for Shirley! She runs to the pantry for a roll, and standing on the doorstep, she scatters crumbs. Her eager, plump, happy feathered friends flock around her.[Pg339It seems there is no text provided. Please provide a phrase for me to modernize. John is busy with the stables, and she needs to talk to him and check on her mare. While she’s still petting it, the cows come in to be milked. This is important; Shirley has to stay and take a look at all of them. There might be some little calves or newly birthed lambs—maybe twins whose mothers have abandoned them. John is supposed to introduce Miss Keeldar to them and let her enjoy the treat of feeding them with her own hands under the watchful eye of her careful foreman. Meanwhile, John brings up questions about farming certain “crofts,” “ings,” and “holmes,” and Shirley has to grab her garden hat—a straw gypsy hat—and go with him over styles and along hedgerows to hear the rest of the agricultural details right there, with the “crofts,” “ings,” and “holms” in sight. The bright afternoon slowly turns into a soft evening, and she returns home for a late tea, and after tea, she never sews.
After tea Shirley reads, and she is just about as tenacious of her book as she is lax of her needle. Her study is the rug, her seat a footstool, or perhaps only the carpet at Mrs. Pryor's feet: there she always learned her lessons when a child, and old habits have a strong power over her. The tawny and lionlike bulk of Tartar is ever stretched beside her, his negro muzzle laid on his fore paws—straight, strong, and shapely as the limbs of an Alpine wolf. One hand of the mistress generally reposes on the loving serf's rude head, because if she takes it away he groans and is discontented. Shirley's mind is given to her book. She lifts not her eyes; she neither stirs nor speaks—unless, indeed, it be to return a brief respectful answer to Mrs. Pryor, who addresses deprecatory phrases to her now and then.
After tea, Shirley reads, and she clings to her book just as much as she neglects her needlework. Her study area is the rug, her seat a footstool, or maybe just the carpet at Mrs. Pryor's feet: that’s where she always did her lessons as a child, and old habits have a strong hold on her. The tawny, lion-like figure of Tartar is always sprawled beside her, his black muzzle resting on his forepaws—straight, strong, and shaped like the limbs of an Alpine wolf. One of Shirley's hands usually rests on the devoted dog's rough head, because if she takes it away, he whines and gets upset. Shirley’s focus is on her book. She doesn’t lift her eyes; she doesn’t move or speak—unless, of course, it’s to give a short, respectful reply to Mrs. Pryor, who occasionally addresses her with gentle words.
"My dear, you had better not have that great dog so near you; he is crushing the border of your dress."
"My dear, you should really keep that big dog away from you; he's stepping on the edge of your dress."
"Oh, it is only muslin. I can put a clean one on to-morrow."
"Oh, it's just muslin. I can put on a clean one tomorrow."
"My dear, I wish you could acquire the habit of sitting to a table when you read."
"My dear, I wish you would get into the habit of sitting at a table when you read."
"I will try, ma'am, some time; but it is so comfortable to do as one has always been accustomed to do."
"I'll give it a shot, ma'am, at some point; but it's just so easy to stick with what I'm used to."
"My dear, let me beg of you to put that book down. You are trying your eyes by the doubtful firelight."
"My dear, please put that book down. You’re straining your eyes in the uncertain firelight."
"No, ma'am, not at all; my eyes are never tired."
"No, ma'am, not at all; my eyes are never tired."
[Pg 340]At last, however, a pale light falls on the page from the window. She looks; the moon is up. She closes the volume, rises, and walks through the room. Her book has perhaps been a good one; it has refreshed, refilled, rewarmed her heart; it has set her brain astir, furnished her mind with pictures. The still parlour, the clean hearth, the window opening on the twilight sky, and showing its "sweet regent," new throned and glorious, suffice to make earth an Eden, life a poem, for Shirley. A still, deep, inborn delight glows in her young veins, unmingled, untroubled, not to be reached or ravished by human agency, because by no human agency bestowed—the pure gift of God to His creature, the free dower of Nature to her child. This joy gives her experience of a genii-life. Buoyant, by green steps, by glad hills, all verdure and light, she reaches a station scarcely lower than that whence angels looked down on the dreamer of Bethel, and her eye seeks, and her soul possesses, the vision of life as she wishes it. No, not as she wishes it; she has not time to wish. The swift glory spreads out, sweeping and kindling, and multiplies its splendours faster than Thought can effect his combinations, faster than Aspiration can utter her longings. Shirley says nothing while the trance is upon her—she is quite mute; but if Mrs. Pryor speaks to her now, she goes out quietly, and continues her walk upstairs in the dim gallery.
[Pg340]Finally, a soft light shines on the page from the window. She looks up; the moon is out. She closes the book, gets up, and walks around the room. Her book has probably been a good one; it has refreshed, replenished, and warmed her heart; it has sparked her mind and filled it with images. The quiet living room, the clean fireplace, the window opening to the twilight sky, showing its "sweet ruler," newly crowned and glorious, is enough to make the world an Eden and life a poem for Shirley. A deep, innate joy pulses through her young veins, pure and untroubled, unattainable by any human means because it’s not given by any human means—it's a pure gift from God to His creation, the natural blessing of Nature to her child. This joy gives her a sense of living like a genie. Light and vibrant, she moves along green paths, over joyful hills, all filled with greenery and brightness, reaching a place hardly lower than where angels looked down on the dreamer of Bethel, and her eyes seek, while her soul embraces, the vision of life as she sees it. No, not as she sees it; she doesn’t have time to see. The swift glory unfolds, spreading and igniting, multiplying its brilliance faster than Thought can formulate its ideas, faster than Aspiration can voice its desires. Shirley says nothing while she's in this trance—she is completely silent; but if Mrs. Pryor speaks to her now, she quietly leaves and continues her walk upstairs in the dim hallway.
If Shirley were not an indolent, a reckless, an ignorant being, she would take a pen at such moments, or at least while the recollection of such moments was yet fresh on her spirit. She would seize, she would fix the apparition, tell the vision revealed. Had she a little more of the organ of acquisitiveness in her head, a little more of the love of property in her nature, she would take a good-sized sheet of paper and write plainly out, in her own queer but clear and legible hand, the story that has been narrated, the song that has been sung to her, and thus possess what she was enabled to create. But indolent she is, reckless she is, and most ignorant; for she does not know her dreams are rare, her feelings peculiar. She does not know, has never known, and will die without knowing, the full value of that spring whose bright fresh bubbling in her heart keeps it green.
If Shirley weren't lazy, reckless, or clueless, she would take a pen in those moments, or at least while the memory of them was still fresh in her mind. She would capture and share what she saw. If she had a bit more desire to hold onto things in her mind, or a stronger appreciation for ownership in her personality, she would grab a decent-sized sheet of paper and clearly write out, in her own unique but legible handwriting, the story that has been told to her, the song that has been sung, and thus keep what she was able to create. But she is lazy, reckless, and very ignorant; she doesn't realize that her dreams are rare and her feelings are unique. She doesn't understand, has never understood, and will die without knowing the true value of that spring whose fresh, bright bubbling in her heart keeps it alive.
Shirley takes life easily. Is not that fact written in her eye? In her good-tempered moments is it not as full of lazy softness as in her brief fits of anger it is fulgent with[Pg 341] quick-flashing fire? Her nature is in her eye. So long as she is calm, indolence, indulgence, humour, and tenderness possess that large gray sphere; incense her, a red ray pierces the dew, it quickens instantly to flame.
Shirley takes life lightly. Isn't that obvious from the way she looks? In her good moods, her eyes are as soft and relaxed as they are full of bright intensity during her short bouts of anger. Her true self is reflected in her eyes. When she's calm, that big gray sphere is filled with laziness, indulgence, humor, and kindness; but when you irritate her, a flash of red ignites the dew and turns it into fire.
Ere the month of July was past, Miss Keeldar would probably have started with Caroline on that northern tour they had planned; but just at that epoch an invasion befell Fieldhead. A genteel foraging party besieged Shirley in her castle, and compelled her to surrender at discretion. An uncle, an aunt, and two cousins from the south—a Mr., Mrs., and two Misses Sympson, of Sympson Grove, ——shire—came down upon her in state. The laws of hospitality obliged her to give in, which she did with a facility which somewhat surprised Caroline, who knew her to be prompt in action and fertile in expedient where a victory was to be gained for her will. Miss Helstone even asked her how it was she submitted so readily. She answered, old feelings had their power; she had passed two years of her early youth at Sympson Grove.
Before July was over, Miss Keeldar would likely have gone on that northern trip with Caroline they had planned; however, during that time, an invasion occurred at Fieldhead. A posh group of visitors laid siege to Shirley in her home, forcing her to give in completely. An uncle, an aunt, and two cousins from the south—a Mr., Mrs., and two Misses Sympson, of Sympson Grove, ——shire—arrived in full force. The rules of hospitality required her to comply, which she did surprisingly easily, considering Caroline knew her to be quick to act and resourceful when it came to getting her way. Miss Helstone even asked her why she gave in so quickly. She responded that old feelings were strong; she had spent two years of her early youth at Sympson Grove.
"How did she like her relatives?"
"How did she feel about her relatives?"
She had nothing in common with them, she replied. Little Harry Sympson, indeed, the sole son of the family, was very unlike his sisters, and of him she had formerly been fond; but he was not coming to Yorkshire—at least not yet.
She had nothing in common with them, she replied. Little Harry Sympson, the only son in the family, was very different from his sisters, and she had liked him in the past; but he wasn’t coming to Yorkshire—not yet, anyway.
The next Sunday the Fieldhead pew in Briarfield Church appeared peopled with a prim, trim, fidgety, elderly gentleman, who shifted his spectacles, and changed his position every three minutes; a patient, placid-looking elderly lady in brown satin; and two pattern young ladies, in pattern attire, with pattern deportment. Shirley had the air of a black swan or a white crow in the midst of this party, and very forlorn was her aspect. Having brought her into respectable society, we will leave her there a while, and look after Miss Helstone.
The next Sunday, the Fieldhead pew in Briarfield Church was occupied by a neat, fidgety elderly gentleman who adjusted his glasses and shifted his position every three minutes; a calm, patient elderly lady dressed in brown satin; and two fashionable young women, dressed in trendy outfits and displaying stylish manners. Shirley seemed like a black swan or a white crow among this group, looking quite out of place and forlorn. Having introduced her to respectable society, we’ll leave her there for a bit and check in on Miss Helstone.
Separated from Miss Keeldar for the present, as she could not seek her in the midst of her fine relatives, scared away from Fieldhead by the visiting commotion which the new arrivals occasioned in the neighbourhood, Caroline was limited once more to the gray rectory, the solitary morning walk in remote by-paths, the long, lonely afternoon sitting in a quiet parlour which the sun forsook at noon, or in the garden alcove where it shone bright, yet sad, on the ripening red currants trained over the trellis, and on the[Pg 342] fair monthly roses entwined between, and through them fell chequered on Caroline sitting in her white summer dress, still as a garden statue. There she read old books, taken from her uncle's library. The Greek and Latin were of no use to her, and its collection of light literature was chiefly contained on a shelf which had belonged to her aunt Mary—some venerable Lady's Magazines, that had once performed a sea-voyage with their owner, and undergone a storm, and whose pages were stained with salt water; some mad Methodist Magazines, full of miracles and apparitions, of preternatural warnings, ominous dreams, and frenzied fanaticism; the equally mad letters of Mrs. Elizabeth Rowe from the Dead to the Living; a few old English classics. From these faded flowers Caroline had in her childhood extracted the honey; they were tasteless to her now. By way of change, and also of doing good, she would sew—make garments for the poor, according to good Miss Ainley's direction. Sometimes, as she felt and saw her tears fall slowly on her work, she would wonder how the excellent woman who had cut it out and arranged it for her managed to be so equably serene in her solitude.
Separated from Miss Keeldar for now, as she couldn’t find her amidst her impressive relatives, and feeling overwhelmed by the visiting chaos caused by the new arrivals in the area, Caroline was once again confined to the gray rectory. Her days consisted of solitary morning walks on quiet paths, long, lonely afternoons spent in a quiet parlor that the sun abandoned by noon, or in the garden nook where it shone brightly yet sadly on the ripening red currants climbing the trellis, and on the lovely monthly roses intertwined with them. Sunlight filtered down, casting patterns on Caroline, who sat in her white summer dress, still as a garden statue. There, she read old books from her uncle's library. The Greek and Latin books were pointless to her, and the light literature collection was mostly housed on a shelf that had once belonged to her aunt Mary—some old Lady's Magazines that had accompanied their owner on a sea voyage and survived a storm, their pages stained with salt water; some eccentric Methodist Magazines filled with miracles and visions, strange warnings, ominous dreams, and wild fanaticism; the equally bizarre letters of Mrs. Elizabeth Rowe from the Dead to the Living; and a few old English classics. From these faded treasures, Caroline had extracted the honey in her childhood; they held no flavor for her now. For a change, and to do some good, she would sew—making clothes for the poor under the guidance of kind Miss Ainley. Sometimes, as she felt her tears slowly fall onto her work, she wondered how the wonderful woman who had cut it out and organized it for her managed to remain so calmly serene in her solitude.
"I never find Miss Ainley oppressed with despondency or lost in grief," she thought; "yet her cottage is a still, dim little place, and she is without a bright hope or near friend in the world. I remember, though, she told me once she had tutored her thoughts to tend upwards to heaven. She allowed there was, and ever had been, little enjoyment in this world for her, and she looks, I suppose, to the bliss of the world to come. So do nuns, with their close cell, their iron lamp, their robe strait as a shroud, their bed narrow as a coffin. She says often she has no fear of death—no dread of the grave; no more, doubtless, had St. Simeon Stylites, lifted up terrible on his wild column in the wilderness; no more has the Hindu votary stretched on his couch of iron spikes. Both these having violated nature, their natural likings and antipathies are reversed; they grow altogether morbid. I do fear death as yet, but I believe it is because I am young. Poor Miss Ainley would cling closer to life if life had more charms for her. God surely did not create us and cause us to live with the sole end of wishing always to die. I believe in my heart we were intended to prize life and enjoy it so long as we retain it. Existence never was originally meant to be that useless,[Pg 343] blank, pale, slow-trailing thing it often becomes to many, and is becoming to me among the rest.
"I never see Miss Ainley feeling down or consumed by sadness," she thought; "yet her cottage is a quiet, dim little place, and she has no bright hopes or close friends in the world. I remember she once told me she trained her thoughts to look up to heaven. She admitted there was, and always had been, little joy for her in this life, and I guess she's looking forward to the happiness of the next one. Just like nuns with their small cells, their harsh lamps, their robes tight like shrouds, and their beds as narrow as coffins. She often says she has no fear of death—no dread of the grave; and neither did St. Simeon Stylites, perched high on his wild column in the desert; nor does the Hindu devotee lying on his bed of iron spikes. Both have gone against nature, and their natural likes and dislikes are turned upside down; they become completely morbid. I still fear death, but I think that's just because I'm young. Poor Miss Ainley would hold on to life more if it had more appeal for her. God surely didn’t create us just to live only wishing to die. I truly believe we were meant to value life and enjoy it as long as we have it. Life was never intended to be that pointless,[Pg343Please provide the text for modernization. blank, dull, draggy thing it often becomes for so many, and is becoming for me too."
"Nobody," she went on—"nobody in particular is to blame, that I can see, for the state in which things are; and I cannot tell, however much I puzzle over it, how they are to be altered for the better; but I feel there is something wrong somewhere. I believe single women should have more to do—better chances of interesting and profitable occupation than they possess now. And when I speak thus I have no impression that I displease God by my words; that I am either impious or impatient, irreligious or sacrilegious. My consolation is, indeed, that God hears many a groan, and compassionates much grief which man stops his ears against, or frowns on with impotent contempt. I say impotent, for I observe that to such grievances as society cannot readily cure it usually forbids utterance, on pain of its scorn, this scorn being only a sort of tinselled cloak to its deformed weakness. People hate to be reminded of ills they are unable or unwilling to remedy. Such reminder, in forcing on them a sense of their own incapacity, or a more painful sense of an obligation to make some unpleasant effort, troubles their ease and shakes their self-complacency. Old maids, like the houseless and unemployed poor, should not ask for a place and an occupation in the world; the demand disturbs the happy and rich—it disturbs parents. Look at the numerous families of girls in this neighbourhood—the Armitages, the Birtwhistles, the Sykeses. The brothers of these girls are every one in business or in professions; they have something to do. Their sisters have no earthly employment but household work and sewing, no earthly pleasure but an unprofitable visiting, and no hope, in all their life to come, of anything better. This stagnant state of things makes them decline in health. They are never well, and their minds and views shrink to wondrous narrowness. The great wish, the sole aim of every one of them is to be married, but the majority will never marry; they will die as they now live. They scheme, they plot, they dress to ensnare husbands. The gentlemen turn them into ridicule; they don't want them; they hold them very cheap. They say—I have heard them say it with sneering laughs many a time—the matrimonial market is overstocked. Fathers say so likewise, and are angry with their daughters when they observe their manœuvres—they order them to stay at home. What do they expect[Pg 344] them to do at home? If you ask, they would answer, sew and cook. They expect them to do this, and this only, contentedly, regularly, uncomplainingly, all their lives long, as if they had no germs of faculties for anything else—a doctrine as reasonable to hold as it would be that the fathers have no faculties but for eating what their daughters cook or for wearing what they sew. Could men live so themselves? Would they not be very weary? And when there came no relief to their weariness, but only reproaches at its slightest manifestation, would not their weariness ferment in time to frenzy? Lucretia, spinning at midnight in the midst of her maidens, and Solomon's virtuous woman are often quoted as patterns of what 'the sex,' as they say, ought to be. I don't know. Lucretia, I dare say, was a most worthy sort of person, much like my cousin Hortense Moore; but she kept her servants up very late. I should not have liked to be amongst the number of the maidens. Hortense would just work me and Sarah in that fashion, if she could, and neither of us would bear it. The 'virtuous woman,' again, had her household up in the very middle of the night; she 'got breakfast over,' as Mrs. Sykes says, before one o'clock a.m.; but she had something more to do than spin and give out portions. She was a manufacturer—she made fine linen and sold it; she was an agriculturist—she bought estates and planted vineyards. That woman was a manager. She was what the matrons hereabouts call 'a clever woman.' On the whole, I like her a good deal better than Lucretia; but I don't believe either Mr. Armitage or Mr. Sykes could have got the advantage of her in a bargain. Yet I like her. 'Strength and honour were her clothing; the heart of her husband safely trusted in her. She opened her mouth with wisdom; in her tongue was the law of kindness; her children rose up and called her blessed; her husband also praised her.' King of Israel! your model of a woman is a worthy model! But are we, in these days, brought up to be like her? Men of Yorkshire! do your daughters reach this royal standard? Can they reach it? Can you help them to reach it? Can you give them a field in which their faculties may be exercised and grow? Men of England! look at your poor girls, many of them fading around you, dropping off in consumption or decline; or, what is worse, degenerating to sour old maids—envious, back-biting, wretched, because life is a desert to them; or, what[Pg 345] is worst of all, reduced to strive, by scarce modest coquetry and debasing artifice, to gain that position and consideration by marriage which to celibacy is denied. Fathers! cannot you alter these things? Perhaps not all at once; but consider the matter well when it is brought before you, receive it as a theme worthy of thought; do not dismiss it with an idle jest or an unmanly insult. You would wish to be proud of your daughters, and not to blush for them; then seek for them an interest and an occupation which shall raise them above the flirt, the manœuvrer, the mischief-making tale-bearer. Keep your girls' minds narrow and fettered; they will still be a plague and a care, sometimes a disgrace to you. Cultivate them—give them scope and work; they will be your gayest companions in health, your tenderest nurses in sickness, your most faithful prop in age."[Pg 346]
"Nobody," she continued, "nobody in particular is to blame for the state of things as I see it; and I can’t figure out, no matter how much I think about it, how things can be improved. But I do feel that something is off. I believe single women should have more to do—better opportunities for interesting and fulfilling work than they have now. When I say this, I don’t feel like I’m displeasing God; I don’t think I’m being irreverent or impatient. My comfort comes from knowing that God hears many groans and understands much suffering that people ignore or treat with disdain. I call it impotent disdain because I notice that society often suppresses grievances it can’t easily fix, forbidding discussion out of fear of sounding foolish. People hate being reminded of problems they can’t or won’t address. Such reminders force them to feel their own helplessness or an even more painful awareness of the obligation to make some uncomfortable effort, disrupting their comfort and shaking their self-satisfaction. Old maids, like the homeless and unemployed poor, shouldn’t have to beg for a place and purpose in the world; that request unsettles the happy and wealthy—it disturbs parents. Look at the many families of girls in this neighborhood—the Armitages, the Birtwhistles, the Sykeses. The brothers of these girls are all in business or professions; they have something to do. Their sisters have no real jobs other than housework and sewing, no real enjoyment except for pointless visiting, and no hope of anything better in their entire future. This stagnant situation is making them unhealthy. They’re never well, and their minds and aspirations shrink to an astonishing narrowness. The main wish, the single goal of each of them, is to get married, but most of them will never marry; they will likely die as they currently live. They scheme, they plot, they dress to attract husbands. The men mock them; they don’t want them; they undervalue them. They say—I’ve heard them say it with sneering laughter many times—that the marriage market is saturated. Fathers say the same and get angry with their daughters when they notice their antics—they tell them to stay home. What do they expect [Pg344I'm sorry, but there seems to be no text provided for me to modernize. Please provide a short phrase for me to work on. them to do at home? If you ask, they would say to sew and cook. They expect them to do only that, happily, consistently, without complaint, all their lives, as if they had no potential for anything else—a belief as sensible as saying that fathers have no abilities beyond eating what their daughters cook or wearing what they sew. Could men live like that? Wouldn’t they get very tired? And when there was no relief from their weariness, only blame for the slightest sign of it, wouldn't their frustration eventually turn to rage? Lucretia, spinning at midnight among her maids, and the virtuous woman of Solomon are often cited as examples of what 'the sex,' as they say, should be. I’m not sure. Lucretia, I suppose, was a very admirable person, much like my cousin Hortense Moore; but she kept her staff up very late. I wouldn’t have liked to be one of those maidens. Hortense would work me and Sarah like that if she could, and neither of us would stand for it. The virtuous woman also kept her household busy late into the night; she 'got breakfast done,' as Mrs. Sykes says, before one o’clock a.m.; but she had more responsibilities than just spinning and distributing tasks. She was a manufacturer—she created fine linens and sold them; she was a landowner—she bought properties and planted vineyards. That woman was a manager. She was what the local matrons call 'a clever woman.' Overall, I like her much better than Lucretia; but I don’t think either Mr. Armitage or Mr. Sykes could have outsmarted her in a deal. Yet I admire her. 'Strength and honor were her clothing; her husband trusted her completely. She spoke with wisdom; the law of kindness was on her tongue; her children rose up and called her blessed; her husband also praised her.' King of Israel! your ideal woman is a worthy example! But are we, in this day and age, raised to be like her? Men of Yorkshire! do your daughters meet this royal standard? Can they achieve it? Can you help them achieve it? Can you provide them with an opportunity to cultivate and develop their skills? Men of England! look at your poor girls, many of whom are fading around you, succumbing to consumption or decline; or, worse, turning into bitter old maids—envious, spiteful, miserable, because life is a wasteland for them; or, what is the worst of all, desperately trying, through barely modest flirtation and degrading tricks, to attain the status and respect that marriage grants, which is denied to those who remain single. Fathers! can't you change these conditions? Maybe not all at once; but think carefully when this issue arises; consider it as a topic worth reflecting on; don’t brush it off with a careless joke or an unmanly insult. You would want to be proud of your daughters, not ashamed of them; so seek to provide them with an interest and a purpose that will elevate them above being just flirts, schemers, or gossips. If you keep your girls’ minds limited and chained, they’ll still be a burden and worry, sometimes even a disgrace to you. Nurture them—give them the chance and challenges they need; they will be your most cheerful companions in health, your most caring nurses in sickness, your most loyal support in old age." [Pg346I'm sorry, but I need a specific text or phrase to modernize. Please provide the text you'd like me to work on.
CHAPTER XXIII.
AN EVENING OUT.
One fine summer day that Caroline had spent entirely alone (her uncle being at Whinbury), and whose long, bright, noiseless, breezeless, cloudless hours (how many they seemed since sunrise!) had been to her as desolate as if they had gone over her head in the shadowless and trackless wastes of Sahara, instead of in the blooming garden of an English home, she was sitting in the alcove—her task of work on her knee, her fingers assiduously plying the needle, her eyes following and regulating their movements, her brain working restlessly—when Fanny came to the door, looked round over the lawn and borders, and not seeing her whom she sought, called out, "Miss Caroline!"
One beautiful summer day that Caroline spent completely alone (her uncle was at Whinbury), with its long, bright, quiet, calm, cloudless hours (it felt like it had been ages since sunrise!) felt to her as lonely as if they had passed over her head in the endless, empty deserts of the Sahara, instead of in the blooming garden of an English home. She was sitting in the alcove—her work on her lap, her fingers diligently moving the needle, her eyes tracking their motions, her mind racing restlessly—when Fanny came to the door, looked around over the lawn and flower beds, and not seeing the person she was looking for, called out, "Miss Caroline!"
A low voice answered "Fanny!" It issued from the alcove, and thither Fanny hastened, a note in her hand, which she delivered to fingers that hardly seemed to have nerve to hold it. Miss Helstone did not ask whence it came, and she did not look at it; she let it drop amongst the folds of her work.
A quiet voice said, "Fanny!" It came from the alcove, and Fanny quickly went over there, holding a note that she gave to fingers that seemed too shaky to grip it. Miss Helstone didn't ask where it came from, and she didn't look at it; she just let it fall among the folds of her work.
"Joe Scott's son, Harry, brought it," said Fanny.
"Joe Scott's son, Harry, brought it," Fanny said.
The girl was no enchantress, and knew no magic spell; yet what she said took almost magical effect on her young mistress. She lifted her head with the quick motion of revived sensation; she shot, not a languid, but a lifelike, questioning glance at Fanny.
The girl wasn't a sorceress and didn't know any magic; but her words had almost a magical impact on her young mistress. She lifted her head with a quick motion, as if coming back to life; she shot a lively, questioning look at Fanny.
"Harry Scott! who sent him?"
"Harry Scott! Who sent him?"
"He came from the Hollow."
"He came from the Hollow."
The dropped note was snatched up eagerly, the seal was broken—it was read in two seconds. An affectionate billet from Hortense, informing her young cousin that she was returned from Wormwood Wells; that she was alone to-day, as Robert was gone to Whinbury market; that nothing would give her greater pleasure than to have Caroline's company to tea, and the good lady added, she was quite sure such a change would be most acceptable and beneficial to[Pg 347] Caroline, who must be sadly at a loss both for safe guidance and improving society since the misunderstanding between Robert and Mr. Helstone had occasioned a separation from her "meilleure amie, Hortense Gérard Moore." In a postscript she was urged to put on her bonnet and run down directly.
The dropped note was quickly grabbed, the seal was broken—it was read in two seconds. It was a sweet message from Hortense, letting her young cousin know that she was back from Wormwood Wells; that she was alone today since Robert had gone to Whinbury market; that nothing would make her happier than to have Caroline's company for tea. The kind lady added that she was sure such a change would be very welcome and good for [Pg347I’m sorry, but I need a short piece of text to modernize it. Please provide the text you'd like me to work on. Caroline, who must be feeling lost without proper guidance and good company since the fallout between Robert and Mr. Helstone had meant a separation from her "best friend, Hortense Gérard Moore." In a postscript, she urged her to put on her bonnet and come down right away.
Caroline did not need the injunction. Glad was she to lay by the brown holland child's slip she was trimming with braid for the Jew's basket, to hasten upstairs, cover her curls with her straw bonnet, and throw round her shoulders the black silk scarf, whose simple drapery suited as well her shape as its dark hue set off the purity of her dress and the fairness of her face; glad was she to escape for a few hours the solitude, the sadness, the nightmare of her life; glad to run down the green lane sloping to the Hollow, to scent the fragrance of hedge flowers sweeter than the perfume of moss-rose or lily. True, she knew Robert was not at the cottage; but it was delight to go where he had lately been. So long, so totally separated from him, merely to see his home, to enter the room where he had that morning sat, felt like a reunion. As such it revived her; and then Illusion was again following her in Peri mask. The soft agitation of wings caressed her cheek, and the air, breathing from the blue summer sky, bore a voice which whispered, "Robert may come home while you are in his house, and then, at least, you may look in his face—at least you may give him your hand; perhaps, for a minute, you may sit beside him."
Caroline didn’t need the injunction. She was happy to set aside the brown holland child’s slip she was trimming with braid for the Jew’s basket, hurry upstairs, cover her curls with her straw bonnet, and wrap the black silk scarf around her shoulders. The simple draping suited her shape, and its dark color highlighted the purity of her dress and the fairness of her face. She was glad to escape for a few hours from the solitude, the sadness, the nightmare of her life; glad to run down the green lane sloping to the Hollow, to smell the fragrance of hedge flowers sweeter than the scent of moss-rose or lily. True, she knew Robert wasn’t at the cottage; but it was a joy to go where he had recently been. Being so long and completely separated from him, just to see his home, to enter the room where he had sat that morning, felt like a reunion. It revived her, and then Illusion was again trailing her in Peri mask. The gentle flutter of wings brushed her cheek, and the air, wafting from the blue summer sky, carried a voice that whispered, “Robert may come home while you’re in his house, and then, at least, you can look into his face—at least you can give him your hand; perhaps, for a moment, you may sit beside him.”
"Silence!" was her austere response; but she loved the comforter and the consolation.
"Silence!" was her stern reply; but she cherished the comfort and reassurance.
Miss Moore probably caught from the window the gleam and flutter of Caroline's white attire through the branchy garden shrubs, for she advanced from the cottage porch to meet her. Straight, unbending, phlegmatic as usual, she came on. No haste or ecstasy was ever permitted to disorder the dignity of her movements; but she smiled, well pleased to mark the delight of her pupil, to feel her kiss and the gentle, genial strain of her embrace. She led her tenderly in, half deceived and wholly flattered. Half deceived! had it not been so she would in all probability have put her to the wicket, and shut her out. Had she known clearly to whose account the chief share of this childlike joy was to be placed, Hortense would most likely have felt both shocked and incensed. Sisters do not like[Pg 348] young ladies to fall in love with their brothers. It seems, if not presumptuous, silly, weak, a delusion, an absurd mistake. They do not love these gentlemen—whatever sisterly affection they may cherish towards them—and that others should, repels them with a sense of crude romance. The first movement, in short, excited by such discovery (as with many parents on finding their children to be in love) is one of mixed impatience and contempt. Reason—if they be rational people—corrects the false feeling in time; but if they be irrational, it is never corrected, and the daughter or sister-in-law is disliked to the end.
Miss Moore probably saw the sparkle and movement of Caroline's white dress through the garden bushes, so she came down from the porch to meet her. Straight, stiff, and calm as always, she approached. No hurry or excitement was ever allowed to disrupt the dignity of her movements; but she smiled, happy to see her pupil's joy, to feel her kiss and the warm, friendly hug. She gently led her inside, partly misled and completely flattered. Partly misled! If it hadn’t been that way, she likely would have put her at the gate and kept her out. Had she known clearly to whom the main share of this childlike joy belonged, Hortense would likely have felt both shocked and angry. Sisters don’t want young women falling in love with their brothers. It seems, if not presumptuous, then silly, weak, a delusion, an absurd mistake. They do not love these men—no matter what sisterly feelings they might have for them—and the idea that others do repulses them as a crude form of romance. In short, the initial reaction upon discovering such feelings (as with many parents when they find their children are in love) is a mix of impatience and disdain. Reason—if they are rational people—eventually corrects the false feeling; but if they are not rational, the feeling is never corrected, and the daughter or sister-in-law is disliked indefinitely.
"You would expect to find me alone, from what I said in my note," observed Miss Moore, as she conducted Caroline towards the parlour; "but it was written this morning: since dinner, company has come in."
"You'd expect me to be alone, based on what I wrote in my note," Miss Moore said as she led Caroline toward the living room, "but I wrote that this morning; we've had company drop by since dinner."
And opening the door she made visible an ample spread of crimson skirts overflowing the elbow-chair at the fireside, and above them, presiding with dignity, a cap more awful than a crown. That cap had never come to the cottage under a bonnet; no, it had been brought in a vast bag, or rather a middle-sized balloon of black silk, held wide with whalebone. The screed, or frill of the cap, stood a quarter of a yard broad round the face of the wearer. The ribbon, flourishing in puffs and bows about the head, was of the sort called love-ribbon. There was a good deal of it, I may say, a very great deal. Mrs. Yorke wore the cap—it became her; she wore the gown also—it suited her no less.
As she opened the door, she revealed a generous spread of deep red skirts spilling over the armchair by the fireplace, and above them, a cap that looked more intimidating than a crown. This cap hadn’t arrived at the cottage under a bonnet; it had come in a large bag or more like a medium-sized black silk balloon, held open with whalebone. The frill of the cap was about a quarter of a yard wide around the wearer’s face. The ribbon, flourishing in puffs and bows around the head, was the type known as love-ribbon. There was quite a lot of it, to say the least, a whole lot. Mrs. Yorke wore the cap—it suited her; she wore the gown as well—and it looked just as good on her.
That great lady was come in a friendly way to take tea with Miss Moore. It was almost as great and as rare a favour as if the queen were to go uninvited to share pot-luck with one of her subjects. A higher mark of distinction she could not show—she who in general scorned visiting and tea-drinking, and held cheap and stigmatized as "gossips" every maid and matron of the vicinage.
That great lady came in a friendly manner to have tea with Miss Moore. It was nearly as significant and rare a favor as if the queen were to drop by uninvited to share a meal with one of her subjects. She couldn't show a higher mark of distinction—she who usually dismissed visiting and tea-drinking, and looked down on every woman in the neighborhood, labeling them as "gossips."
There was no mistake, however; Miss Moore was a favourite with her. She had evinced the fact more than once—evinced it by stopping to speak to her in the churchyard on Sundays; by inviting her, almost hospitably, to come to Briarmains; evinced it to-day by the grand condescension of a personal visit. Her reasons for the preference, as assigned by herself, were that Miss Moore was a woman of steady deportment, without the least levity of conversation or carriage; also that, being a foreigner, she must feel the want of a friend to countenance her. She[Pg 349] might have added that her plain aspect, homely, precise dress, and phlegmatic, unattractive manner were to her so many additional recommendations. It is certain, at least, that ladies remarkable for the opposite qualities of beauty, lively bearing, and elegant taste in attire were not often favoured with her approbation. Whatever gentlemen are apt to admire in women, Mrs. Yorke condemned; and what they overlook or despise, she patronized.
There was no doubt about it; Miss Moore was a favorite of hers. She had shown it more than once—by stopping to chat with her in the churchyard on Sundays; by inviting her, quite warmly, to come to Briarmains; and by showing today the grand gesture of making a personal visit. Her reasons for this preference, as she stated, were that Miss Moore was a woman of steady behavior, with no hint of frivolity in her conversation or demeanor; also, since she was a foreigner, she must feel the need for a friend to support her. She[Pg349] could have mentioned that Miss Moore's plain looks, simple, neat clothes, and calm, uninteresting manner were additional reasons for her favor. It is certain, at least, that women known for their beauty, lively personalities, and stylish clothes rarely received her approval. Whatever qualities gentlemen tend to admire in women, Mrs. Yorke criticized; and what they often overlook or disregard, she embraced.
Caroline advanced to the mighty matron with some sense of diffidence. She knew little of Mrs. Yorke, and, as a parson's niece, was doubtful what sort of a reception she might get. She got a very cool one, and was glad to hide her discomfiture by turning away to take off her bonnet. Nor, upon sitting down, was she displeased to be immediately accosted by a little personage in a blue frock and sash, who started up like some fairy from the side of the great dame's chair, where she had been sitting on a footstool, screened from view by the folds of the wide red gown, and running to Miss Helstone, unceremoniously threw her arms round her neck and demanded a kiss.
Caroline approached the formidable woman with a bit of shyness. She didn’t know much about Mrs. Yorke and, being a parson’s niece, was uncertain about how she would be received. The greeting was quite cold, and she was relieved to distract herself by turning away to remove her bonnet. Once she sat down, she was pleased to be greeted immediately by a small figure in a blue dress and sash, who jumped up like a little fairy from beside the great lady’s chair, where she had been perched on a footstool and hidden from view by the folds of the wide red gown. She ran over to Miss Helstone, hugged her neck without hesitation, and asked for a kiss.
"My mother is not civil to you," said the petitioner, as she received and repaid a smiling salute, "and Rose there takes no notice of you; it is their way. If, instead of you, a white angel, with a crown of stars, had come into the room, mother would nod stiffly, and Rose never lift her head at all; but I will be your friend—I have always liked you."
"My mom isn’t friendly toward you," said the petitioner, returning a friendly smile. "And Rose ignores you; that’s just how they are. If a white angel with a crown of stars walked into the room instead of you, my mom would give a stiff nod, and Rose wouldn’t even glance up. But I’ll be your friend—I’ve always liked you."
"Jessie, curb that tongue of yours, and repress your forwardness!" said Mrs. Yorke.
"Jessie, watch your mouth and tone down your boldness!" said Mrs. Yorke.
"But, mother, you are so frozen!" expostulated Jessie. "Miss Helstone has never done you any harm; why can't you be kind to her? You sit so stiff, and look so cold, and speak so dry—what for? That's just the fashion in which you treat Miss Shirley Keeldar and every other young lady who comes to our house. And Rose there is such an aut—aut—I have forgotten the word, but it means a machine in the shape of a human being. However, between you, you will drive every soul away from Briarmains; Martin often says so."
"But, Mom, you're so stiff!" Jessie exclaimed. "Miss Helstone hasn't hurt you in any way; why can't you be nice to her? You sit so rigid, look so cold, and speak so flat—why is that? That's exactly how you treat Miss Shirley Keeldar and every other young woman who visits our house. And Rose there is such an aut—aut—I can't remember the word, but it means a machine that looks like a person. Anyway, between the two of you, you'll scare everyone away from Briarmains; Martin often says that."
"I am an automaton? Good! Let me alone, then," said Rose, speaking from a corner where she was sitting on the carpet at the foot of a bookcase, with a volume spread open on her knee.—"Miss Helstone, how do you do?" she added, directing a brief glance to the person addressed,[Pg 350] and then again casting down her gray, remarkable eyes on the book and returning to the study of its pages.
"I’m an automaton? Great! Just leave me alone, then," said Rose, from a corner where she was sitting on the carpet at the foot of a bookshelf, with a book open on her lap. "Miss Helstone, how are you?" she added, giving a quick glance to the person she was addressing,[Pg350I'm ready for the text. Please provide it. before looking down at her striking gray eyes and going back to reading.
Caroline stole a quiet gaze towards her, dwelling on her young, absorbed countenance, and observing a certain unconscious movement of the mouth as she read—a movement full of character. Caroline had tact, and she had fine instinct. She felt that Rose Yorke was a peculiar child—one of the unique; she knew how to treat her. Approaching quietly, she knelt on the carpet at her side, and looked over her little shoulder at her book. It was a romance of Mrs. Radcliffe's—"The Italian."
Caroline stole a quiet glance at her, taking in her youthful, focused face, and noticing a certain unconscious movement of her mouth as she read—a movement full of character. Caroline had tact and a good instinct. She sensed that Rose Yorke was an unusual child—one of a kind; she knew how to relate to her. Approaching quietly, she knelt on the carpet beside her and looked over her little shoulder at her book. It was a romance by Mrs. Radcliffe—"The Italian."
Caroline read on with her, making no remark. Presently Rose showed her the attention of asking, ere she turned the leaf, "Are you ready?"
Caroline kept reading with her, saying nothing. Soon, Rose gave her a nod of attention, asking before she flipped the page, "Are you ready?"
Caroline only nodded.
Caroline just nodded.
"Do you like it?" inquired Rose ere long.
"Do you like it?" Rose asked after a while.
"Long since, when I read it as a child, I was wonderfully taken with it."
"Long ago, when I read it as a kid, I was really impressed by it."
"Why?"
"Why not?"
"It seemed to open with such promise—such foreboding of a most strange tale to be unfolded."
"It felt like it was starting with so much potential—such a hint of a really unusual story about to be revealed."
"And in reading it you feel as if you were far away from England—really in Italy—under another sort of sky—that blue sky of the south which travellers describe."
"And when you read it, you feel like you’re far away from England—actually in Italy—under a different kind of sky—that blue southern sky that travelers talk about."
"You are sensible of that, Rose?"
"Do you get that, Rose?"
"It makes me long to travel, Miss Helstone."
"It makes me want to travel, Miss Helstone."
"When you are a woman, perhaps, you may be able to gratify your wish."
"When you're a woman, maybe you'll be able to make your wish come true."
"I mean to make a way to do so, if one is not made for me. I cannot live always in Briarfield. The whole world is not very large compared with creation. I must see the outside of our own round planet, at least."
"I plan to find a way to do it myself if no one else will. I can’t stay in Briarfield forever. The world isn't that big compared to everything else out there. I need to see more than just our little part of the planet."
"How much of its outside?"
"How much of its exterior?"
"First this hemisphere where we live; then the other. I am resolved that my life shall be a life. Not a black trance like the toad's, buried in marble; nor a long, slow death like yours in Briarfield rectory."
"First this hemisphere where we live; then the other. I am determined that my life will be a real life. Not a dark trance like the toad's, trapped in marble; nor a slow, lingering death like yours in Briarfield rectory."
"Like mine! what can you mean, child?"
"Like mine! What do you mean, kid?"
"Might you not as well be tediously dying as for ever shut up in that glebe-house—a place that, when I pass it, always reminds me of a windowed grave? I never see any movement about the door. I never hear a sound from the wall. I believe smoke never issues from the chimneys. What do you do there?"
"Might you as well be slowly dying as being forever stuck in that cottage—a place that, when I walk by it, always reminds me of a windowed grave? I never see any movement around the door. I never hear any sounds from the walls. I don't think smoke ever comes out of the chimneys. What do you do there?"
[Pg 351]"I sew, I read, I learn lessons."
[Pg351I'm sorry, but I can't provide a response. "I sew, I read, I learn lessons."
"Are you happy?"
"Are you feeling happy?"
"Should I be happy wandering alone in strange countries as you wish to do?"
"Should I feel happy exploring unfamiliar countries on my own like you want to?"
"Much happier, even if you did nothing but wander. Remember, however, that I shall have an object in view; but if you only went on and on, like some enchanted lady in a fairy tale, you might be happier than now. In a day's wandering you would pass many a hill, wood, and watercourse, each perpetually altering in aspect as the sun shone out or was overcast; as the weather was wet or fair, dark or bright. Nothing changes in Briarfield rectory. The plaster of the parlour ceilings, the paper on the walls, the curtains, carpets, chairs, are still the same."
"Much happier, even if all you did was wander. But remember, I have a purpose in mind; if you just kept going like some enchanted lady in a fairy tale, you might be happier than you are now. In a day of wandering, you'd pass many hills, woods, and streams, each changing in appearance as the sun came out or was covered; depending on whether the weather was wet or clear, dark or bright. Nothing changes at Briarfield rectory. The plaster on the parlor ceilings, the wallpaper, the curtains, carpets, and chairs are all still the same."
"Is change necessary to happiness?"
"Is change essential for happiness?"
"Yes."
Yes.
"Is it synonymous with it?"
"Is it the same as it?"
"I don't know; but I feel monotony and death to be almost the same."
"I don't know; but I feel like monotony and death are almost the same."
Here Jessie spoke.
Here, Jessie spoke.
"Isn't she mad?" she asked.
"Isn't she angry?" she asked.
"But, Rose," pursued Caroline, "I fear a wanderer's life, for me at least, would end like that tale you are reading—in disappointment, vanity, and vexation of spirit."
"But, Rose," continued Caroline, "I'm worried that a wanderer's life, at least for me, would turn out like that story you're reading—full of disappointment, vanity, and frustration."
"Does 'The Italian' so end?"
"Does 'The Italian' end like this?"
"I thought so when I read it."
"I thought that too when I read it."
"Better to try all things and find all empty than to try nothing and leave your life a blank. To do this is to commit the sin of him who buried his talent in a napkin—despicable sluggard!"
"Better to try everything and discover it all leads to nothing than to try nothing and live a life without purpose. Doing this is the same as the person who buried their talent in a napkin—an utterly lazy coward!"
"Rose," observed Mrs. Yorke, "solid satisfaction is only to be realized by doing one's duty."
"Rose," Mrs. Yorke pointed out, "true satisfaction comes from doing your duty."
"Right, mother! And if my Master has given me ten talents, my duty is to trade with them, and make them ten talents more. Not in the dust of household drawers shall the coin be interred. I will not deposit it in a broken-spouted teapot, and shut it up in a china closet among tea-things. I will not commit it to your work-table to be smothered in piles of woollen hose. I will not prison it in the linen press to find shrouds among the sheets. And least of all, mother" (she got up from the floor)—"least of all will I hide it in a tureen of cold potatoes, to be ranged with bread, butter, pastry, and ham on the shelves of the larder."
"Right, Mom! If my Master has given me ten talents, it's my responsibility to invest them and turn them into ten talents more. I won't let that money sit in the dusty drawers. I won’t stash it in a broken teapot and tuck it away in a china cabinet with the tea stuff. I won’t leave it on your worktable to be buried under piles of wool socks. I won’t lock it up in the linen closet only to find it hidden among the sheets. And least of all, Mom" (she stood up from the floor)—"least of all will I hide it in a bowl of cold potatoes, stacked with bread, butter, pastries, and ham on the pantry shelves."
[Pg 352]She stopped, then went on, "Mother, the Lord who gave each of us our talents will come home some day, and will demand from all an account. The teapot, the old stocking-foot, the linen rag, the willow-pattern tureen will yield up their barren deposit in many a house. Suffer your daughters, at least, to put their money to the exchangers, that they may be enabled at the Master's coming to pay Him His own with usury."
[Pg352]She paused, then continued, "Mom, the Lord who entrusted each of us with our gifts will return one day and will ask for an account from everyone. The teapot, the old stocking, the linen rag, and the willow-pattern serving dish will reveal their empty contents in many homes. At the very least, allow your daughters to invest their money, so that when the Master returns, they can repay Him with interest."
"Rose, did you bring your sampler with you, as I told you?"
"Rose, did you bring your sampler like I asked you to?"
"Yes, mother."
"Yes, mom."
"Sit down, and do a line of marking."
"Take a seat and do some grading."
Rose sat down promptly, and wrought according to orders. After a busy pause of ten minutes, her mother asked, "Do you think yourself oppressed now—a victim?"
Rose sat down right away and got to work as instructed. After a busy break of ten minutes, her mother asked, "Do you think you're oppressed now—a victim?"
"No, mother."
"No, Mom."
"Yet, as far as I understood your tirade, it was a protest against all womanly and domestic employment."
"Yet, as far as I understood your rant, it was a protest against all work related to women and home responsibilities."
"You misunderstood it, mother. I should be sorry not to learn to sew. You do right to teach me, and to make me work."
"You misunderstood, Mom. I should be sorry for not learning to sew. You're right to teach me and to make me work."
"Even to the mending of your brothers' stockings and the making of sheets?"
"Even to fixing your brothers' socks and making sheets?"
"Yes."
Yes.
"Where is the use of ranting and spouting about it, then?"
"What's the point of complaining and going on and on about it, then?"
"Am I to do nothing but that? I will do that, and then I will do more. Now, mother, I have said my say. I am twelve years old at present, and not till I am sixteen will I speak again about talents. For four years I bind myself an industrious apprentice to all you can teach me."
"Is that all I'm supposed to do? I'll do that, and then I'll do even more. Now, Mom, I've said what I needed to say. I'm twelve years old right now, and I won't bring up talents again until I'm sixteen. For the next four years, I'll commit myself to being a diligent apprentice to everything you can teach me."
"You see what my daughters are, Miss Helstone," observed Mrs. Yorke; "how precociously wise in their own conceits! 'I would rather this, I prefer that'—such is Jessie's cuckoo song; while Rose utters the bolder cry, 'I will, and I will not!'"
"You see what my daughters are like, Miss Helstone," Mrs. Yorke commented. "They think they know everything! 'I would rather have this, I prefer that'—that's Jessie's constant tune; while Rose boldly declares, 'I will, and I will not!'"
"I render a reason, mother; besides, if my cry is bold, it is only heard once in a twelvemonth. About each birthday the spirit moves me to deliver one oracle respecting my own instruction and management. I utter it and leave it; it is for you, mother, to listen or not."
"I have a reason, Mom; and honestly, if I speak up, it only happens once a year. Around my birthday, I feel inspired to share a piece of advice about my own growth and guidance. I say it and then let it go; it's up to you, Mom, to listen or not."
"I would advise all young ladies," pursued Mrs. Yorke, "to study the characters of such children as they chance to meet with before they marry and have any of their own[Pg 353] to consider well how they would like the responsibility of guiding the careless, the labour of persuading the stubborn, the constant burden and task of training the best."
"I would advise all young women," continued Mrs. Yorke, "to observe the behavior of any children they encounter before they get married and have their own[Pg353] to think carefully about how they would feel about the responsibility of guiding the careless, the effort of persuading the stubborn, and the ongoing challenge of raising the best."
"But with love it need not be so very difficult," interposed Caroline. "Mothers love their children most dearly—almost better than they love themselves."
"But with love, it doesn't have to be that hard," Caroline said. "Moms love their kids more than anything—almost more than they love themselves."
"Fine talk! very sentimental! There is the rough, practical part of life yet to come for you, young miss."
"Nice speech! So emotional! But there’s the tough, practical side of life that’s still ahead for you, young lady."
"But, Mrs. Yorke, if I take a little baby into my arms—any poor woman's infant, for instance—I feel that I love that helpless thing quite peculiarly, though I am not its mother. I could do almost anything for it willingly, if it were delivered over entirely to my care—if it were quite dependent on me."
"But, Mrs. Yorke, if I hold a little baby in my arms—any poor woman's child, for example—I feel an instinctive love for that helpless being, even though I'm not its mother. I would willingly do almost anything for it if it were completely in my care—if it were entirely dependent on me."
"You feel! Yes, yes! I dare say, now. You are led a great deal by your feelings, and you think yourself a very sensitive personage, no doubt. Are you aware that, with all these romantic ideas, you have managed to train your features into an habitually lackadaisical expression, better suited to a novel-heroine than to a woman who is to make her way in the real world by dint of common sense?"
"You feel! Yes, yes! I have to say, you let your feelings guide you a lot, and you probably think of yourself as a very sensitive person. Are you aware that, with all these romantic notions, you've actually trained your face to have a constantly dreamy expression, more fitting for a novel heroine than for a woman who needs to navigate the real world with common sense?"
"No; I am not at all aware of that, Mrs. Yorke."
"No, I'm not aware of that at all, Mrs. Yorke."
"Look in the glass just behind you. Compare the face you see there with that of any early-rising, hard-working milkmaid."
"Take a look in the mirror just behind you. Compare the face you see there with that of any early-rising, hard-working milkmaid."
"My face is a pale one, but it is not sentimental; and most milkmaids, however red and robust they may be, are more stupid and less practically fitted to make their way in the world than I am. I think more, and more correctly, than milkmaids in general do; consequently, where they would often, for want of reflection, act weakly, I, by dint of reflection, should act judiciously."
"My face is pale, but it’s not sentimental; and most milkmaids, no matter how rosy and strong they look, are more clueless and less practically equipped to navigate life than I am. I think deeper and more accurately than most milkmaids do; therefore, while they might often act foolishly due to a lack of thought, I would, through careful consideration, make wise choices."
"Oh no! you would be influenced by your feelings; you would be guided by impulse."
"Oh no! You would let your emotions sway you; you would act on impulse."
"Of course I should often be influenced by my feelings. They were given me to that end. Whom my feelings teach me to love I must and shall love; and I hope, if ever I have a husband and children, my feelings will induce me to love them. I hope, in that case, all my impulses will be strong in compelling me to love."
"Of course, I should often be guided by my feelings. They were meant for that purpose. Whoever my feelings tell me to love, I must and will love; and I hope that if I ever have a husband and children, my feelings will lead me to love them. I hope that in that case, all my instincts will strongly push me to love."
Caroline had a pleasure in saying this with emphasis; she had a pleasure in daring to say it in Mrs. Yorke's presence. She did not care what unjust sarcasm might be hurled at her in reply. She flushed, not with anger but[Pg 354] excitement, when the ungenial matron answered coolly, "Don't waste your dramatic effects. That was well said—it was quite fine; but it is lost on two women—an old wife and an old maid. There should have been a disengaged gentleman present.—Is Mr. Robert nowhere hid behind the curtains, do you think, Miss Moore?"
Caroline enjoyed saying this with emphasis; she took pleasure in daring to say it in Mrs. Yorke's presence. She didn’t care what unfair sarcasm might be thrown at her in response. She blushed, not out of anger but[Pg354] excitement, when the unfriendly matron replied coolly, "Don’t waste your dramatic effects. That was well said—it was quite good; but it’s wasted on two women—an old wife and an old maid. There should have been a single gentleman present. Is Mr. Robert hiding behind the curtains somewhere, do you think, Miss Moore?"
Hortense, who during the chief part of the conversation had been in the kitchen superintending the preparations for tea, did not yet quite comprehend the drift of the discourse. She answered, with a puzzled air, that Robert was at Whinbury. Mrs. Yorke laughed her own peculiar short laugh.
Hortense, who had been in the kitchen overseeing the tea preparations for most of the conversation, still didn't fully understand what they were talking about. She responded, looking confused, that Robert was at Whinbury. Mrs. Yorke let out her distinctive short laugh.
"Straightforward Miss Moore!" said she patronizingly. "It is like you to understand my question so literally and answer it so simply. Your mind comprehends nothing of intrigue. Strange things might go on around you without your being the wiser; you are not of the class the world calls sharp-witted."
"Simple Miss Moore!" she said condescendingly. "It's so typical of you to take my question literally and respond so plainly. Your mind doesn't grasp anything about intrigue. Odd things could be happening around you, and you wouldn't even notice; you're not the type that people consider sharp-witted."
These equivocal compliments did not seem to please Hortense. She drew herself up, puckered her black eyebrows, but still looked puzzled.
These mixed compliments didn't seem to make Hortense happy. She straightened up, furrowed her dark eyebrows, but still looked confused.
"I have ever been noted for sagacity and discernment from childhood," she returned; for, indeed, on the possession of these qualities she peculiarly piqued herself.
"I have always been known for my wisdom and insight since I was a child," she replied; for, in fact, she took particular pride in possessing these qualities.
"You never plotted to win a husband, I'll be bound," pursued Mrs. Yorke; "and you have not the benefit of previous experience to aid you in discovering when others plot."
"You never planned to land a husband, I’m sure," continued Mrs. Yorke; "and you don’t have the advantage of past experience to help you figure out when others are scheming."
Caroline felt this kind language where the benevolent speaker intended she should feel it—in her very heart. She could not even parry the shafts; she was defenceless for the present. To answer would have been to avow that the cap fitted. Mrs. Yorke, looking at her as she sat with troubled, downcast eyes, and cheek burning painfully, and figure expressing in its bent attitude and unconscious tremor all the humiliation and chagrin she experienced, felt the sufferer was fair game. The strange woman had a natural antipathy to a shrinking, sensitive character—a nervous temperament; nor was a pretty, delicate, and youthful face a passport to her affections. It was seldom she met with all these obnoxious qualities combined in one individual; still more seldom she found that individual at her mercy, under circumstances in which she could crush her well. She happened this afternoon to be specially bilious and morose—as much disposed to gore as any vicious "mother[Pg 355] of the herd." Lowering her large head she made a new charge.
Caroline felt the kind of words that touched her deeply, right in her heart. She couldn’t even defend herself; she was completely vulnerable at that moment. To respond would have meant admitting the truth. Mrs. Yorke, watching her with troubled, downcast eyes and a burning cheek, saw in her bent posture and unconscious shivers all the embarrassment and frustration she was going through, and she considered her an easy target. The strange woman had a natural dislike for a shy, sensitive nature—a nervous temperament. And a pretty, delicate, young face didn’t win her affection. It was rare for her to encounter all these irritating traits combined in one person; even rarer was when that person was at her mercy, in a situation where she could really knock her down. That afternoon, she happened to be particularly irritable and gloomy—ready to strike out as fiercely as any vicious "mother[Pg355Please provide the text for me to modernize. of the herd." With a lowered head, she charged again.
"Your cousin Hortense is an excellent sister, Miss Helstone. Such ladies as come to try their life's luck here at Hollow's Cottage may, by a very little clever female artifice, cajole the mistress of the house, and have the game all in their own hands. You are fond of your cousin's society, I dare say, miss?"
"Your cousin Hortense is a wonderful sister, Miss Helstone. Ladies who come to seek their fortunes here at Hollow's Cottage can, with just a bit of cleverness, win over the mistress of the house and have everything under their control. I assume you enjoy your cousin's company, miss?"
"Of which cousin's?"
"Whose cousin's?"
"Oh, of the lady's, of course."
"Oh, from the lady's, of course."
"Hortense is, and always has been, most kind to me."
"Hortense is, and has always been, really kind to me."
"Every sister with an eligible single brother is considered most kind by her spinster friends."
"Every sister with a single brother who's available is seen as really nice by her single friends."
"Mrs. Yorke," said Caroline, lifting her eyes slowly, their blue orbs at the same time clearing from trouble, and shining steady and full, while the glow of shame left her cheek, and its hue turned pale and settled—"Mrs. Yorke, may I ask what you mean?"
"Mrs. Yorke," Caroline said, slowly raising her eyes, their blue depths clearing from worry and shining bright and steady, as the blush of shame faded from her cheek, turning pale and calm—"Mrs. Yorke, can I ask what you mean?"
"To give you a lesson on the cultivation of rectitude, to disgust you with craft and false sentiment."
"To teach you about the importance of integrity, to make you sick of deceit and insincerity."
"Do I need this lesson?"
"Do I need this class?"
"Most young ladies of the present day need it. You are quite a modern young lady—morbid, delicate, professing to like retirement; which implies, I suppose, that you find little worthy of your sympathies in the ordinary world. The ordinary world—every-day honest folks—are better than you think them, much better than any bookish, romancing chit of a girl can be who hardly ever puts her nose over her uncle the parson's garden wall."
"Most young women today need it. You're definitely a modern young woman—sensitive, fragile, claiming to enjoy solitude; which suggests, I guess, that you don’t see much in the everyday world that deserves your sympathy. The everyday world—regular honest people—are better than you think, much better than any bookish, dreamy girl can be who barely ever looks beyond her uncle the pastor's garden wall."
"Consequently of whom you know nothing. Excuse me—indeed, it does not matter whether you excuse me or not—you have attacked me without provocation; I shall defend myself without apology. Of my relations with my two cousins you are ignorant. In a fit of ill-humour you have attempted to poison them by gratuitous insinuations, which are far more crafty and false than anything with which you can justly charge me. That I happen to be pale, and sometimes to look diffident, is no business of yours; that I am fond of books, and indisposed for common gossip, is still less your business; that I am a 'romancing chit of a girl' is a mere conjecture on your part. I never romanced to you nor to anybody you know. That I am the parson's niece is not a crime, though you may be narrow-minded enough to think it so. You dislike me. You have[Pg 356] no just reason for disliking me; therefore keep the expression of your aversion to yourself. If at any time in future you evince it annoyingly, I shall answer even less scrupulously than I have done now."
"Consequently, you know nothing about me. Excuse me—actually, it doesn't matter whether you excuse me or not—you've targeted me without any reason; I will defend myself without apology. You are unaware of my relationship with my two cousins. In a moment of annoyance, you've tried to slander them with unfounded insinuations, which are much more deceitful and clever than anything you could fairly accuse me of. The fact that I happen to be pale and sometimes appear shy is none of your concern; my love for books and my disinterest in casual gossip is even less your business; calling me a 'romantic girl' is just your guess. I’ve never romanticized to you or anyone you know. Being the parson's niece isn’t a crime, even if you’re narrow-minded enough to think it is. You don't like me. You have no valid reason for disliking me; thus, keep your feelings to yourself. If you ever express your annoyance in the future, I will respond even less carefully than I have now."
She ceased, and sat in white and still excitement. She had spoken in the clearest of tones, neither fast nor loud; but her silver accents thrilled the ear. The speed of the current in her veins was just then as swift as it was viewless.
She stopped and sat there, quietly excited. She had spoken clearly, neither too fast nor too loud; but her smooth voice was captivating. The rush of energy in her veins felt as fast as it was invisible.
Mrs. Yorke was not irritated at the reproof, worded with a severity so simple, dictated by a pride so quiet. Turning coolly to Miss Moore, she said, nodding her cap approvingly, "She has spirit in her, after all.—Always speak as honestly as you have done just now," she continued, "and you'll do."
Mrs. Yorke wasn't upset by the straightforward criticism, which came from a quiet sense of pride. Turning calmly to Miss Moore, she nodded her cap in approval and said, "She has some spirit in her, after all. Always speak as honestly as you just did, and you'll be fine."
"I repel a recommendation so offensive," was the answer, delivered in the same pure key, with the same clear look. "I reject counsel poisoned by insinuation. It is my right to speak as I think proper; nothing binds me to converse as you dictate. So far from always speaking as I have done just now, I shall never address any one in a tone so stern or in language so harsh, unless in answer to unprovoked insult."
"I find your suggestion so offensive that I refuse to accept it," was the response, delivered in the same calm tone, with the same clear expression. "I won’t take advice laced with hidden meanings. I have the right to express myself as I see fit; nothing obligates me to speak according to your demands. Far from always speaking as I just did, I will never address anyone in a tone so severe or in words so unkind, unless it's in response to an unprovoked insult."
"Mother, you have found your match," pronounced little Jessie, whom the scene appeared greatly to edify. Rose had heard the whole with an unmoved face. She now said, "No; Miss Helstone is not my mother's match, for she allows herself to be vexed. My mother would wear her out in a few weeks. Shirley Keeldar manages better.—Mother, you have never hurt Miss Keeldar's feelings yet. She wears armour under her silk dress that you cannot penetrate."
"Mom, you’ve found your match," said little Jessie, clearly pleased by the scene. Rose had listened to everything with an expressionless face. She then said, "No, Miss Helstone is not my mother’s match, because she lets herself get upset. My mom would wear her out in just a few weeks. Shirley Keeldar handles things better. —Mom, you’ve never hurt Miss Keeldar’s feelings. She wears armor under her silk dress that you can’t break through."
Mrs. Yorke often complained that her children were mutinous. It was strange that with all her strictness, with all her "strong-mindedness," she could gain no command over them. A look from their father had more influence with them than a lecture from her.
Mrs. Yorke often complained that her kids were rebellious. It was odd that despite all her strictness and her "strong-mindedness," she couldn't get them to listen. A glance from their dad had more impact on them than a lecture from her.
Miss Moore—to whom the position of witness to an altercation in which she took no part was highly displeasing, as being an unimportant secondary post—now rallying her dignity, prepared to utter a discourse which was to prove both parties in the wrong, and to make it clear to each disputant that she had reason to be ashamed of herself, and ought to submit humbly to the superior sense of the individual then addressing her. Fortunately for her audience,[Pg 357] she had not harangued above ten minutes when Sarah's entrance with the tea-tray called her attention, first to the fact of that damsel having a gilt comb in her hair and a red necklace round her throat, and secondly, and subsequently to a pointed remonstrance, to the duty of making tea. After the meal Rose restored her to good-humour by bringing her guitar and asking for a song, and afterwards engaging her in an intelligent and sharp cross-examination about guitar-playing and music in general.
Miss Moore, who wasn't thrilled about being a witness to a fight she wasn't involved in, feeling it was an unimportant and secondary role, gathered her dignity and got ready to deliver a speech that would show both sides were wrong. She wanted to make it clear to each person in the argument that they should be ashamed of themselves and should humbly accept the wisdom of the person currently addressing her. Luckily for her audience,[Pg357I’m ready for the text. Please provide it. she hadn’t gone on for more than ten minutes when Sarah walked in with the tea tray, catching her attention first because Sarah was wearing a fancy gilt comb in her hair and a red necklace around her neck, and then, of course, reminding her to get on with making tea. After the meal, Rose cheered her up by bringing her guitar and asking her for a song, and then they had an engaging back-and-forth discussion about guitar playing and music in general.
Jessie, meantime, directed her assiduities to Caroline. Sitting on a stool at her feet, she talked to her, first about religion and then about politics. Jessie was accustomed at home to drink in a great deal of what her father said on these subjects, and afterwards in company to retail, with more wit and fluency than consistency or discretion, his opinions, antipathies, and preferences. She rated Caroline soundly for being a member of the Established Church, and for having an uncle a clergyman. She informed her that she lived on the country, and ought to work for her living honestly, instead of passing a useless life, and eating the bread of idleness in the shape of tithes. Thence Jessie passed to a review of the ministry at that time in office, and a consideration of its deserts. She made familiar mention of the names of Lord Castlereagh and Mr. Perceval. Each of these personages she adorned with a character that might have separately suited Moloch and Belial. She denounced the war as wholesale murder, and Lord Wellington as a "hired butcher."
Jessie, meanwhile, focused her efforts on Caroline. Sitting on a stool at her feet, she talked to her, first about religion and then about politics. Jessie was used to absorbing a lot of what her father said on these subjects at home and later sharing his opinions, biases, and preferences with more humor and fluency than consistency or judgment in company. She scolded Caroline for being a member of the Established Church and for having an uncle who was a clergyman. She told her that she lived in the countryside and should earn her living honestly instead of leading a useless life and living off the fruits of idleness through tithes. From there, Jessie moved on to discussing the government in power at the time and evaluating its merits. She casually mentioned the names of Lord Castlereagh and Mr. Perceval. She characterized each of these figures in a way that could have equally suited Moloch and Belial. She condemned the war as outright murder and called Lord Wellington a "hired butcher."
Her auditress listened with exceeding edification. Jessie had something of the genius of humour in her nature. It was inexpressibly comic to hear her repeating her sire's denunciations in his nervous northern Doric; as hearty a little Jacobin as ever pent a free mutinous spirit in a muslin frock and sash. Not malignant by nature, her language was not so bitter as it was racy, and the expressive little face gave a piquancy to every phrase which held a beholder's interest captive.
Her listener was completely captivated. Jessie had a natural talent for humor. It was hilariously funny to hear her repeat her father's complaints in his anxious northern accent; she was as spirited as any little revolutionary who ever wore a muslin dress and sash. Not mean-spirited by nature, her words were more colorful than harsh, and her expressive little face added a charm to every phrase that kept anyone watching completely engrossed.
Caroline chid her when she abused Lord Wellington; but she listened delighted to a subsequent tirade against the Prince Regent. Jessie quickly read, in the sparkle of her hearer's eye and the laughter hovering round her lips, that at last she had hit on a topic that pleased. Many a time had she heard the fat "Adonis of fifty" discussed at her father's breakfast-table, and she now gave Mr. Yorke's[Pg 358] comments on the theme—genuine as uttered by his Yorkshire lips.
Caroline scolded her when she went after Lord Wellington, but she was thrilled to hear her go off on a rant about the Prince Regent. Jessie quickly noticed, from the sparkle in her listener's eye and the laughter on her lips, that she had finally found a topic that resonated. She had often heard the "chubby Adonis of fifty" talked about at her father's breakfast table, and now she shared Mr. Yorke's[Pg358I’m ready to assist! Please provide the text you would like me to modernize. remarks on the subject—genuine as spoken in his Yorkshire accent.
But, Jessie, I will write about you no more. This is an autumn evening, wet and wild. There is only one cloud in the sky, but it curtains it from pole to pole. The wind cannot rest; it hurries sobbing over hills of sullen outline, colourless with twilight and mist. Rain has beat all day on that church tower. It rises dark from the stony enclosure of its graveyard. The nettles, the long grass, and the tombs all drip with wet. This evening reminds me too forcibly of another evening some years ago—a howling, rainy autumn evening too—when certain who had that day performed a pilgrimage to a grave new-made in a heretic cemetery sat near a wood fire on the hearth of a foreign dwelling. They were merry and social, but they each knew that a gap, never to be filled, had been made in their circle. They knew they had lost something whose absence could never be quite atoned for so long as they lived; and they knew that heavy falling rain was soaking into the wet earth which covered their lost darling, and that the sad, sighing gale was mourning above her buried head. The fire warmed them; life and friendship yet blessed them; but Jessie lay cold, coffined, solitary—only the sod screening her from the storm.
But, Jessie, I won't write about you anymore. It's an autumn evening, wet and wild. There's just one cloud in the sky, but it stretches from one side to the other. The wind can't settle down; it rushes, sobbing over hills that look gloomy, colorless with twilight and mist. Rain has poured all day on that church tower. It stands dark against the stony enclosure of its graveyard. The nettles, the tall grass, and the tombstones are all dripping wet. This evening reminds me too strongly of another evening from a few years ago—a howling, rainy autumn evening as well—when some who had just that day visited a freshly dug grave in a heretic cemetery sat near a wood fire in a foreign home. They were cheerful and social, but they each felt the emptiness that had formed in their group, a gap never to be filled. They knew they had lost something whose absence could never be fully made up for as long as they lived; and they realized that the heavy rain was soaking into the wet earth covering their lost loved one, and that the sad, sighing wind was mourning above her buried head. The fire warmed them; life and friendship still blessed them; but Jessie lay cold, in her coffin, all alone—only the soil shielding her from the storm.
Mrs. Yorke folded up her knitting, cut short the music lesson and the lecture on politics, and concluded her visit to the cottage, at an hour early enough to ensure her return to Briarmains before the blush of sunset should quite have faded in heaven, or the path up the fields have become thoroughly moist with evening dew.
Mrs. Yorke put away her knitting, ended the music lesson and the talk about politics, and wrapped up her visit to the cottage early enough to get back to Briarmains before the sunset completely faded from the sky or the path through the fields got too damp with evening dew.
The lady and her daughters being gone, Caroline felt that she also ought to resume her scarf, kiss her cousin's cheek, and trip away homeward. If she lingered much later dusk would draw on, and Fanny would be put to the trouble of coming to fetch her. It was both baking and ironing day at the rectory, she remembered—Fanny would be busy. Still, she could not quit her seat at the little parlour window. From no point of view could the west look so lovely as from that lattice with the garland of jessamine round it, whose white stars and green leaves seemed now but gray pencil outlines—graceful in form, but colourless in tint—against the gold incarnadined of a summer evening—against[Pg 359] the fire-tinged blue of an August sky at eight o'clock p.m.
The lady and her daughters having left, Caroline felt she should also put on her scarf, kiss her cousin's cheek, and head home. If she stayed much longer, it would get dark, and Fanny would have to come and get her. It was both baking and ironing day at the rectory, she remembered—Fanny would be busy. Still, she couldn’t bring herself to leave her spot at the little parlor window. From no perspective did the west look as beautiful as from that lattice adorned with a garland of jasmine, whose white stars and green leaves now appeared as gray pencil outlines—elegant in shape but devoid of color—against the golden glow of a summer evening—against[Pg359] the fiery blue of an August sky at eight o'clock p.m.
Caroline looked at the wicket-gate, beside which holly-oaks spired up tall. She looked at the close hedge of privet and laurel fencing in the garden; her eyes longed to see something more than the shrubs before they turned from that limited prospect. They longed to see a human figure, of a certain mould and height, pass the hedge and enter the gate. A human figure she at last saw—nay, two. Frederick Murgatroyd went by, carrying a pail of water; Joe Scott followed, dangling on his forefinger the keys of the mill. They were going to lock up mill and stables for the night, and then betake themselves home.
Caroline looked at the small gate, next to which holly oaks shot up tall. She gazed at the thick hedge of privet and laurel enclosing the garden; her eyes yearned to see something beyond the shrubs before they turned away from that limited view. They craved to see a human figure, of a specific shape and height, pass the hedge and enter the gate. Finally, she saw a human figure—actually, two. Frederick Murgatroyd walked by, carrying a bucket of water; Joe Scott followed, swinging the mill keys on his finger. They were headed to lock up the mill and stables for the night before going home.
"So must I," thought Caroline, as she half rose and sighed.
"So must I," thought Caroline, as she got up partway and sighed.
"This is all folly—heart-breaking folly," she added. "In the first place, though I should stay till dark there will be no arrival; because I feel in my heart, Fate has written it down in to-day's page of her eternal book, that I am not to have the pleasure I long for. In the second place, if he stepped in this moment, my presence here would be a chagrin to him, and the consciousness that it must be so would turn half my blood to ice. His hand would, perhaps, be loose and chill if I put mine into it; his eye would be clouded if I sought its beam. I should look up for that kindling, something I have seen in past days, when my face, or my language, or my disposition had at some happy moment pleased him; I should discover only darkness. I had better go home."
"This is all nonsense—heartbreaking nonsense," she added. "First of all, even if I stayed until dark, there would be no arrival; because I can feel in my heart that Fate has already written in today's chapter of her eternal book that I won't get the joy I crave. Secondly, if he were to show up right now, my being here would only disappoint him, and knowing that would turn half my blood to ice. His hand might feel loose and cold if I put mine in it; his gaze would be cloudy if I tried to catch his eye. I would look for that spark, something I’ve seen in the past when my face, words, or attitude pleased him at some happy moment; I would only find darkness. I'd better just go home."
She took her bonnet from the table where it lay, and was just fastening the ribbon, when Hortense, directing her attention to a splendid bouquet of flowers in a glass on the same table, mentioned that Miss Keeldar had sent them that morning from Fieldhead; and went on to comment on the guests that lady was at present entertaining, on the bustling life she had lately been leading; adding divers conjectures that she did not very well like it, and much wonderment that a person who was so fond of her own way as the heiress did not find some means of sooner getting rid of this cortége of relatives.
She picked up her bonnet from the table where it was lying and was just tying the ribbon when Hortense, pointing out a beautiful bouquet of flowers in a glass on the same table, mentioned that Miss Keeldar had sent them that morning from Fieldhead. Hortense then started talking about the guests that lady was currently entertaining, describing the hectic life she had been leading lately. She expressed some doubts about whether Miss Keeldar truly enjoyed it and wondered why someone who loved to do things her own way—like the heiress—hadn't found a way to get rid of this entourage of relatives sooner.
"But they say she actually will not let Mr. Sympson and his family go," she added. "They wanted much to return to the south last week, to be ready for the reception of the only son, who is expected home from a tour. She[Pg 360] insists that her cousin Henry shall come and join his friends here in Yorkshire. I dare say she partly does it to oblige Robert and myself."
"But they say she really won't let Mr. Sympson and his family leave," she added. "They were eager to head back south last week to prepare for the arrival of their only son, who is expected home from his trip. She[Pg360I'm sorry, but it seems there is no text provided for modernization. insists that her cousin Henry should come and spend time with his friends here in Yorkshire. I suspect she partly does it to please Robert and me."
"How to oblige Robert and you?" inquired Caroline.
"How can I help Robert and you?" Caroline asked.
"Why, my child, you are dull. Don't you know—you must often have heard——"
"Why, my child, you seem a bit slow. Don't you know—you must have heard—"
"Please, ma'am," said Sarah, opening the door, "the preserves that you told me to boil in treacle—the congfiters, as you call them—is all burnt to the pan."
"Please, ma'am," said Sarah, opening the door, "the preserves you asked me to boil in treacle—the confit, as you call them—are all burnt to the pan."
"Les confitures! Elles sont brûlées? Ah, quelle négligence coupable! Coquine de cuisinière, fille insupportable!"
"Jams! Are they burnt? Oh, what a terrible oversight! Mischievous cook, unbearable girl!"
And mademoiselle, hastily taking from a drawer a large linen apron, and tying it over her black apron, rushed éperdue into the kitchen, whence, to speak truth, exhaled an odour of calcined sweets rather strong than savoury.
And the young woman, quickly grabbing a large linen apron from a drawer and tying it over her black apron, rushed éperdue into the kitchen, from which, to be honest, a strong smell of burnt sweets came out rather than anything savory.
The mistress and maid had been in full feud the whole day, on the subject of preserving certain black cherries, hard as marbles, sour as sloes. Sarah held that sugar was the only orthodox condiment to be used in that process; mademoiselle maintained—and proved it by the practice and experience of her mother, grandmother, and great-grandmother—that treacle, "mélasse," was infinitely preferable. She had committed an imprudence in leaving Sarah in charge of the preserving-pan, for her want of sympathy in the nature of its contents had induced a degree of carelessness in watching their confection, whereof the result was—dark and cindery ruin. Hubbub followed; high upbraiding, and sobs rather loud than deep or real.
The mistress and maid had been arguing all day about how to preserve some black cherries that were as hard as marbles and as sour as sloes. Sarah insisted that sugar was the only proper ingredient to use in the process; mademoiselle argued—and backed it up with the practices of her mother, grandmother, and great-grandmother—that treacle, or "mélasse," was far better. She had made a mistake by leaving Sarah in charge of the preserving pan because Sarah's lack of understanding about the contents led to her being careless in watching the mixture, and the result was a dark, burnt mess. A commotion followed, with loud accusations and sobs that were more dramatic than heartfelt.
Caroline, once more turning to the little mirror, was shading her ringlets from her cheek to smooth them under her cottage bonnet, certain that it would not only be useless but unpleasant to stay longer, when, on the sudden opening of the back-door, there fell an abrupt calm in the kitchen. The tongues were checked, pulled up as with bit and bridle. "Was it—was it—Robert?" He often—almost always—entered by the kitchen way on his return from market. No; it was only Joe Scott, who, having hemmed significantly thrice—every hem being meant as a lofty rebuke to the squabbling womankind—said, "Now, I thowt I heerd a crack?"
Caroline, turning once again to the small mirror, was tucking her ringlets back from her cheek to smooth them under her cottage bonnet, knowing it would be both pointless and uncomfortable to stay longer. Just then, when the back door opened suddenly, a heavy silence fell over the kitchen. The chatter stopped, as if restrained by a bridle. "Was it—was it—Robert?" He usually came through the kitchen after returning from the market. No; it was just Joe Scott, who, after giving three significant coughs—each one intended as a stern reminder to the arguing women—said, "Now, I thought I heard a noise?"
None answered.
None replied.
"And," he continued pragmatically, "as t' maister's comed, and as he'll enter through this hoyle, I considered it desirable to step in and let ye know. A household o'[Pg 361] women is nivver fit to be comed on wi'out warning. Here he is.—Walk forrard, sir. They war playing up queerly, but I think I've quietened 'em."
"And," he continued practically, "since the master has come and will enter through this door, I thought it was a good idea to step in and let you know. A household of [Pg361I'm ready to assist! Please provide the text you'd like me to modernize. women is never ready to be approached without a heads-up. Here he is.—Come in, sir. They were acting a bit strange, but I think I've calmed them down."
Another person, it was now audible, entered. Joe Scott proceeded with his rebukes.
Another person, it was now clear, entered. Joe Scott continued with his reprimands.
"What d'ye mean by being all i' darkness? Sarah, thou quean, canst t' not light a candle? It war sundown an hour syne. He'll brak his shins agean some o' yer pots, and tables, and stuff.—Tak tent o' this baking-bowl, sir; they've set it i' yer way, fair as if they did it i' malice."
"What do you mean by being all in the dark? Sarah, you trickster, can't you light a candle? It was sunset an hour ago. He'll trip over some of your pots, tables, and things. —Watch out for this baking bowl, sir; they’ve placed it right in your way, just as if they did it on purpose."
To Joe's observations succeeded a confused sort of pause, which Caroline, though she was listening with both her ears, could not understand. It was very brief. A cry broke it—a sound of surprise, followed by the sound of a kiss; ejaculations, but half articulate, succeeded.
To Joe's observations, there followed a confusing pause that Caroline, even though she was listening intently, couldn't comprehend. It was very short. A cry interrupted it—a sound of surprise, followed by the sound of a kiss; incomplete exclamations followed.
"Mon Dieu! mon Dieu! Est-ce que je m'y attendais?" were the words chiefly to be distinguished.
"My God! My God! Did I expect this?" were the words mainly to be heard.
"Et tu te portes toujours bien, bonne sœur?" inquired another voice—Robert's, certainly.
"Are you still doing well, sister?" another voice asked—Robert's, for sure.
Caroline was puzzled. Obeying an impulse the wisdom of which she had not time to question, she escaped from the little parlour, by way of leaving the coast clear, and running upstairs took up a position at the head of the banisters, whence she could make further observations ere presenting herself. It was considerably past sunset now; dusk filled the passage, yet not such deep dusk but that she could presently see Robert and Hortense traverse it.
Caroline was confused. Acting on an urge she didn’t have time to analyze, she left the small parlor to clear the way. Running upstairs, she positioned herself at the top of the stairs, where she could keep watching before revealing herself. It was well past sunset now; the hallway was dim, but not so dark that she couldn’t soon see Robert and Hortense walk through it.
"Caroline! Caroline!" called Hortense, a moment afterwards, "venez voir mon frère!"
"Caroline! Caroline!" called Hortense a moment later, "come see my brother!"
"Strange," commented Miss Helstone, "passing strange! What does this unwonted excitement about such an every-day occurrence as a return from market portend? She has not lost her senses, has she? Surely the burnt treacle has not crazed her?"
"That's weird," Miss Helstone said. "Really weird! What’s with all this unusual excitement over something as ordinary as coming back from the market? Has she lost her mind? Surely the burnt treacle hasn’t driven her crazy?"
She descended in a subdued flutter. Yet more was she fluttered when Hortense seized her hand at the parlour door, and leading her to Robert, who stood in bodily presence, tall and dark against the one window, presented her with a mixture of agitation and formality, as though they had been utter strangers, and this was their first mutual introduction.
She came down with a quiet flutter. But she was even more flustered when Hortense grabbed her hand at the parlor door and led her to Robert, who stood tall and dark against the window. Hortense introduced them with a mix of nervousness and formality, as if they were total strangers and this was their first introduction.
Increasing puzzle! He bowed rather awkwardly, and turning from her with a stranger's embarrassment, he met the doubtful light from the window. It fell on his face,[Pg 362] and the enigma of the dream (a dream it seemed) was at its height. She saw a visage like and unlike—Robert, and no Robert.
Increasing puzzle! He awkwardly bowed, and turning away from her with a stranger’s embarrassment, he faced the uncertain light from the window. It fell on his face,[Pg362I'm sorry, but I need a specific phrase to modernize. Please provide the text you'd like me to work on. and the mystery of the dream (it seemed like a dream) was at its peak. She saw a face that resembled Robert, yet at the same time, didn't resemble him at all.
"What is the matter?" said Caroline. "Is my sight wrong? Is it my cousin?"
"What’s going on?" Caroline asked. "Am I seeing things wrong? Is it my cousin?"
"Certainly it is your cousin," asserted Hortense.
"Of course it's your cousin," Hortense insisted.
Then who was this now coming through the passage—now entering the room? Caroline, looking round, met a new Robert—the real Robert, as she felt at once.
Then who was this coming through the passage now—now entering the room? Caroline, looking around, met a new Robert—the real Robert, as she felt immediately.
"Well," said he, smiling at her questioning, astonished face, "which is which?"
"Well," he said, smiling at her surprised, questioning expression, "which is which?"
"Ah, this is you!" was the answer.
"Ah, this is you!" was the reply.
He laughed. "I believe it is me. And do you know who he is? You never saw him before, but you have heard of him."
He laughed. "I think it's me. And do you know who he is? You've never seen him before, but you've heard of him."
She had gathered her senses now.
She had collected her thoughts now.
"It can be only one person—your brother, since it is so like you; my other cousin, Louis."
"It must be just one person—your brother, because it resembles you so much; my other cousin, Louis."
"Clever little Œdipus! you would have baffled the Sphinx! But now, see us together.—Change places; change again, to confuse her, Louis.—Which is the old love now, Lina?"
"Clever little Oedipus! You could have outsmarted the Sphinx! But now, look at us together.—Switch places; switch again to throw her off, Louis.—So who's the old flame now, Lina?"
"As if it were possible to make a mistake when you speak! You should have told Hortense to ask. But you are not so much alike. It is only your height, your figure, and complexion that are so similar."
"As if you could ever make a mistake when you talk! You should have told Hortense to ask. But you're not really that alike. It's just your height, your figure, and your complexion that are similar."
"And I am Robert, am I not?" asked the newcomer, making a first effort to overcome what seemed his natural shyness.
"And I'm Robert, right?" asked the newcomer, making his first attempt to get past what seemed like his natural shyness.
Caroline shook her head gently. A soft, expressive ray from her eye beamed on the real Robert. It said much.
Caroline shook her head softly. A gentle, expressive light from her eye shone on the real Robert. It conveyed a lot.
She was not permitted to quit her cousins soon. Robert himself was peremptory in obliging her to remain. Glad, simple, and affable in her demeanour (glad for this night, at least), in light, bright spirits for the time, she was too pleasant an addition to the cottage circle to be willingly parted with by any of them. Louis seemed naturally rather a grave, still, retiring man; but the Caroline of this evening, which was not (as you know, reader) the Caroline of every day, thawed his reserve, and cheered his gravity soon. He sat near her and talked to her. She already knew his vocation was that of tuition. She learned now he had for some years been the tutor of Mr. Sympson's son; that he had been travelling with him, and had accompanied[Pg 363] him to the north. She inquired if he liked his post, but got a look in reply which did not invite or license further question. The look woke Caroline's ready sympathy. She thought it a very sad expression to pass over so sensible a face as Louis's; for he had a sensible face, though not handsome, she considered, when seen near Robert's. She turned to make the comparison. Robert was leaning against the wall, a little behind her, turning over the leaves of a book of engravings, and probably listening, at the same time, to the dialogue between her and Louis.
She wasn't allowed to leave her cousins just yet. Robert himself was very insistent that she stay. Happy, innocent, and friendly in her demeanor (happy for tonight, at least), in light and cheerful spirits for the moment, she was too enjoyable an addition to the cottage group for any of them to want to let her go. Louis seemed naturally rather serious, quiet, and reserved; but the Caroline of this evening, which was not (as you know, reader) the Caroline of everyday life, melted his reserve and soon brightened his seriousness. He sat close to her and talked. She already knew he was a teacher. She learned now that he had been the tutor for Mr. Sympson's son for several years; that he had traveled with him and had gone with him to the north. She asked if he enjoyed his job, but his response was a look that didn't invite or allow further questions. The look sparked Caroline's natural empathy. She thought it was very sad to see such an expression on a face as perceptive as Louis's; for he did have a perceptive face, although not handsome, she thought, next to Robert's. She turned to make the comparison. Robert was leaning against the wall a little behind her, flipping through the pages of an engraving book, probably listening to the conversation between her and Louis at the same time.
"How could I think them alike?" she asked herself. "I see now it is Hortense Louis resembles, not Robert."
"How could I think they were the same?" she asked herself. "I realize now it's Hortense that looks like Louis, not Robert."
And this was in part true. He had the shorter nose and longer upper lip of his sister rather than the fine traits of his brother. He had her mould of mouth and chin—all less decisive, accurate, and clear than those of the young mill-owner. His air, though deliberate and reflective, could scarcely be called prompt and acute. You felt, in sitting near and looking up at him, that a slower and probably a more benignant nature than that of the elder Moore shed calm on your impressions.
And this was partly true. He had his sister's shorter nose and longer upper lip instead of his brother's refined features. He had her shape of mouth and chin—all less decisive, precise, and clear than the young mill owner's. His demeanor, although thoughtful and reflective, could hardly be described as quick and sharp. Being close to him and looking up at him made you sense that a slower and likely gentler nature than that of the elder Moore brought a sense of calm to your feelings.
Robert—perhaps aware that Caroline's glance had wandered towards and dwelt upon him, though he had neither met nor answered it—put down the book of engravings, and approaching, took a seat at her side. She resumed her conversation with Louis, but while she talked to him her thoughts were elsewhere. Her heart beat on the side from which her face was half averted. She acknowledged a steady, manly, kindly air in Louis; but she bent before the secret power of Robert. To be so near him—though he was silent, though he did not touch so much as her scarf-fringe or the white hem of her dress—affected her like a spell. Had she been obliged to speak to him only, it would have quelled, but, at liberty to address another, it excited her. Her discourse flowed freely; it was gay, playful, eloquent. The indulgent look and placid manner of her auditor encouraged her to ease; the sober pleasure expressed by his smile drew out all that was brilliant in her nature. She felt that this evening she appeared to advantage, and as Robert was a spectator, the consciousness contented her. Had he been called away, collapse would at once have succeeded stimulus.
Robert, maybe noticing that Caroline's gaze had shifted toward him and lingered, even though he hadn't acknowledged it, set down the book of engravings and took a seat next to her. She picked up her conversation with Louis, but while talking to him, her mind was elsewhere. Her heart raced on the side where her face was slightly turned away. She recognized a steady, manly, kind demeanor in Louis, but she found herself drawn to Robert's silent presence. Being so close to him—despite his silence and the fact that he didn't even touch the fringe of her scarf or the hem of her dress—felt like a spell over her. If she had to speak only to him, it would have calmed her, but being free to talk to someone else made her excited. Her words flowed easily; she was cheerful, playful, and articulate. The kind look and calm attitude of her listener encouraged her to relax; the subtle pleasure in his smile brought out her brilliance. She felt that she looked good that evening, and being aware that Robert was watching made her feel satisfied. If he had been called away, that excitement would have immediately turned to a feeling of collapse.
But her enjoyment was not long to shine full-orbed; a cloud soon crossed it.
But her happiness didn't last long; a cloud quickly overshadowed it.
[Pg 364]Hortense, who for some time had been on the move ordering supper, and was now clearing the little table of some books, etc., to make room for the tray, called Robert's attention to the glass of flowers, the carmine and snow and gold of whose petals looked radiant indeed by candlelight.
[Pg364Please provide the text you would like me to modernize.Hortense, who had been busy organizing dinner and was now clearing off a small table filled with books and other things to make space for the tray, pointed out the glass of flowers to Robert. The vibrant red, white, and gold petals really shone in the candlelight.
"They came from Fieldhead," she said, "intended as a gift to you, no doubt. We know who is the favourite there; not I, I'm sure."
"They came from Fieldhead," she said, "meant as a gift for you, no doubt. We know who the favorite is there; definitely not me."
It was a wonder to hear Hortense jest—a sign that her spirits were at high-water mark indeed.
It was amazing to hear Hortense joke—a clear sign that she was really in a great mood.
"We are to understand, then, that Robert is the favourite?" observed Louis.
"We're to understand, then, that Robert is the favorite?" Louis remarked.
"Mon cher," replied Hortense, "Robert—c'est tout ce qu'il y a de plus précieux au monde; à côté de lui le reste du genre humain n'est que du rebut.—N'ai-je pas raison, mon enfant?" she added, appealing to Caroline.
"Dear one," replied Hortense, "Robert—he's the most precious thing in the world; next to him, the rest of humanity is just scrap. Am I right, my child?" she added, turning to Caroline.
Caroline was obliged to reply, "Yes," and her beacon was quenched. Her star withdrew as she spoke.
Caroline had to respond, "Yes," and her light was extinguished. Her star faded away as she said it.
"Et toi, Robert?" inquired Louis.
"And you, Robert?" asked Louis.
"When you shall have an opportunity, ask herself," was the quiet answer. Whether he reddened or paled Caroline did not examine. She discovered that it was late, and she must go home. Home she would go; not even Robert could detain her now.[Pg 365]
"When you get a chance, ask her," was the calm reply. Caroline didn’t check if he blushed or turned pale. She realized it was late, and she needed to go home. She would go home; not even Robert could keep her from leaving now.[Pg365Please provide the text you would like me to modernize.
CHAPTER XXIV.
THE VALLEY OF THE SHADOW OF DEATH.
The future sometimes seems to sob a low warning of the events it is bringing us, like some gathering though yet remote storm, which, in tones of the wind, in flushings of the firmament, in clouds strangely torn, announces a blast strong to strew the sea with wrecks; or commissioned to bring in fog the yellow taint of pestilence covering white Western isles with the poisoned exhalations of the East, dimming the lattices of English homes with the breath of Indian plague. At other times this future bursts suddenly, as if a rock had rent, and in it a grave had opened, whence issues the body of one that slept. Ere you are aware you stand face to face with a shrouded and unthought-of calamity—a new Lazarus.
The future sometimes feels like a quiet warning of the events that are coming our way, much like a distant storm gathering. It’s in the way the wind sounds, the way the sky changes color, and in the oddly torn clouds that signal a powerful force ready to scatter wreckage across the sea; or it might be set to bring in thick fog with a yellow tint of disease, covering white Western islands with the toxic fumes from the East, clouding the windows of English homes with the breath of an Indian plague. Other times, the future erupts suddenly, as if a rock has cracked open, revealing a grave from which the body of someone who was asleep emerges. Before you even realize it, you find yourself face to face with a hidden and unexpected disaster—a new Lazarus.
Caroline Helstone went home from Hollow's Cottage in good health, as she imagined. On waking the next morning she felt oppressed with unwonted languor. At breakfast, at each meal of the following day, she missed all sense of appetite. Palatable food was as ashes and sawdust to her.
Caroline Helstone left Hollow's Cottage feeling healthy, or so she thought. When she woke up the next morning, she felt weighed down by an unusual fatigue. At breakfast and every meal the next day, she had no appetite at all. Even tasty food tasted like ashes and sawdust to her.
"Am I ill?" she asked, and looked at herself in the glass. Her eyes were bright, their pupils dilated, her cheeks seemed rosier, and fuller than usual. "I look well; why can I not eat?"
"Am I sick?" she asked, looking at herself in the mirror. Her eyes were bright, their pupils dilated, her cheeks looked rosier and fuller than usual. "I look fine; why can't I eat?"
She felt a pulse beat fast in her temples; she felt, too, her brain in strange activity. Her spirits were raised; hundreds of busy and broken but brilliant thoughts engaged her mind. A glow rested on them, such as tinged her complexion.
She felt a quick pulse in her temples; she also felt her mind racing. Her spirits were lifted; hundreds of busy, fragmented but bright thoughts filled her mind. A glow surrounded them, just like the color in her cheeks.
Now followed a hot, parched, thirsty, restless night. Towards morning one terrible dream seized her like a tiger; when she woke, she felt and knew she was ill.
Now came a hot, dry, thirsty, restless night. Toward morning, one horrifying dream gripped her like a tiger; when she woke up, she felt and knew she was unwell.
How she had caught the fever (fever it was) she could not tell. Probably in her late walk home, some sweet, poisoned breeze, redolent of honey-dew and miasma, had[Pg 366] passed into her lungs and veins, and finding there already a fever of mental excitement, and a languor of long conflict and habitual sadness, had fanned the spark to flame, and left a well-lit fire behind it.
How she had caught the fever (and it really was a fever) she couldn’t say. Probably during her late walk home, some sweet, poisoned breeze, smelling of honey and decay, had[Pg366I didn't receive any text to modernize. Please provide the phrases you would like me to modernize. entered her lungs and veins, and finding there already a fever of mental excitement and a weariness from long struggles and constant sadness, had ignited the spark into flames, leaving a bright fire in its wake.
It seemed, however, but a gentle fire. After two hot days and worried nights, there was no violence in the symptoms, and neither her uncle, nor Fanny, nor the doctor, nor Miss Keeldar, when she called, had any fear for her. A few days would restore her, every one believed.
It seemed, however, like just a mild fever. After two sweltering days and restless nights, there was nothing alarming about her symptoms, and neither her uncle, Fanny, the doctor, nor Miss Keeldar, when she visited, felt any concern for her. Everyone believed that a few days would bring her back to health.
The few days passed, and—though it was still thought it could not long delay—the revival had not begun. Mrs. Pryor, who had visited her daily—being present in her chamber one morning when she had been ill a fortnight—watched her very narrowly for some minutes. She took her hand and placed her finger on her wrist; then, quietly leaving the chamber, she went to Mr. Helstone's study. With him she remained closeted a long time—half the morning. On returning to her sick young friend, she laid aside shawl and bonnet. She stood awhile at the bedside, one hand placed in the other, gently rocking herself to and fro, in an attitude and with a movement habitual to her. At last she said, "I have sent Fanny to Fieldhead to fetch a few things for me, such as I shall want during a short stay here. It is my wish to remain with you till you are better. Your uncle kindly permits my attendance. Will it to yourself be acceptable, Caroline?"
A few days went by, and—while it was still believed that it wouldn’t be delayed for much longer—the recovery hadn’t started. Mrs. Pryor, who had been visiting her every day, was in the room one morning when her friend had been sick for two weeks. She observed her closely for a few minutes. She took her hand and felt for a pulse on her wrist; then, quietly leaving the room, she went to Mr. Helstone's study. They talked alone for a long time—half the morning, in fact. When she returned to her sick friend, she took off her shawl and bonnet. She stood by the bedside for a moment, holding one hand with the other, gently rocking herself back and forth, which was something she often did. Finally, she said, "I’ve sent Fanny to Fieldhead to pick up a few things for me that I’ll need during my short stay here. I want to stay with you until you’re better. Your uncle has kindly agreed to let me be here. Will that be alright with you, Caroline?"
"I am sorry you should take such needless trouble. I do not feel very ill, but I cannot refuse resolutely. It will be such comfort to know you are in the house, to see you sometimes in the room; but don't confine yourself on my account, dear Mrs. Pryor. Fanny nurses me very well."
"I'm sorry you have to go through all this trouble. I'm not feeling too sick, but I can't just say no completely. It will be really comforting to know you're in the house and to see you occasionally in the room; but please don’t hold back on my account, dear Mrs. Pryor. Fanny takes good care of me."
Mrs. Pryor, bending over the pale little sufferer, was now smoothing the hair under her cap, and gently raising her pillow. As she performed these offices, Caroline, smiling, lifted her face to kiss her.
Mrs. Pryor, leaning over the small, pale child, was now softening the hair beneath her cap and gently adjusting her pillow. As she did this, Caroline smiled and lifted her face to give her a kiss.
"Are you free from pain? Are you tolerably at ease?" was inquired in a low, earnest voice, as the self-elected nurse yielded to the caress.
"Are you free from pain? Are you feeling somewhat comfortable?" was asked in a quiet, sincere voice, as the self-appointed nurse gave in to the touch.
"I think I am almost happy."
"I think I'm nearly happy."
"You wish to drink? Your lips are parched."
"You want to drink? Your lips are dry."
She held a glass filled with some cooling beverage to her mouth.
She brought a glass of a cold drink to her lips.
"Have you eaten anything to-day, Caroline?"
"Have you eaten anything today, Caroline?"
"I cannot eat."
"I can’t eat."
[Pg 367]"But soon your appetite will return; it must return—that is, I pray God it may."
[Pg367Please provide the short piece of text you would like me to modernize."But soon you'll be hungry again; you have to be— that is, I hope to God you will."
In laying her again on the couch, she encircled her in her arms; and while so doing, by a movement which seemed scarcely voluntary, she drew her to her heart, and held her close gathered an instant.
In laying her back on the couch, she wrapped her arms around her; and as she did, almost instinctively, she pulled her close to her heart and held her tightly for a moment.
"I shall hardly wish to get well, that I may keep you always," said Caroline.
"I’m not sure I want to get better so I can keep you around forever," Caroline said.
Mrs. Pryor did not smile at this speech. Over her features ran a tremor, which for some minutes she was absorbed in repressing.
Mrs. Pryor didn't smile at this comment. A tremor passed over her face, and for a few minutes, she focused on holding it back.
"You are more used to Fanny than to me," she remarked ere long. "I should think my attendance must seem strange, officious?"
"You’re more familiar with Fanny than with me," she said after a while. "I guess my being here must come off as odd, maybe a bit pushy?"
"No; quite natural, and very soothing. You must have been accustomed to wait on sick people, ma'am. You move about the room so softly, and you speak so quietly, and touch me so gently."
"No; it feels completely natural and really calming. You must be used to caring for sick people, ma'am. You move around the room so quietly, and you speak so softly, and you touch me so gently."
"I am dexterous in nothing, my dear. You will often find me awkward, but never negligent."
"I’m skilled at nothing, my dear. You’ll often see me being clumsy, but I’m never careless."
Negligent, indeed, she was not. From that hour Fanny and Eliza became ciphers in the sick-room. Mrs. Pryor made it her domain; she performed all its duties; she lived in it day and night. The patient remonstrated—faintly, however, from the first, and not at all ere long. Loneliness and gloom were now banished from her bedside; protection and solace sat there instead. She and her nurse coalesced in wondrous union. Caroline was usually pained to require or receive much attendance. Mrs. Pryor, under ordinary circumstances, had neither the habit nor the art of performing little offices of service; but all now passed with such ease, so naturally, that the patient was as willing to be cherished as the nurse was bent on cherishing; no sign of weariness in the latter ever reminded the former that she ought to be anxious. There was, in fact, no very hard duty to perform; but a hireling might have found it hard.
She was definitely not negligent. From that moment, Fanny and Eliza faded into the background of the sickroom. Mrs. Pryor made it her space; she took care of everything in there and lived in it day and night. The patient objected—though only weakly at first, and soon not at all. Loneliness and sadness were now gone from her bedside; instead, there was comfort and protection. She and her nurse formed a remarkable bond. Caroline usually felt uncomfortable needing or receiving much help. Under normal circumstances, Mrs. Pryor wasn’t used to doing little acts of service; but everything now happened with such ease and felt so natural that the patient wanted to be cared for just as much as the nurse wanted to care for her; no sign of fatigue from the nurse ever reminded the patient that she should be worried. In truth, there wasn’t anything particularly difficult to do; but a hired help might have found it tough.
With all this care it seemed strange the sick girl did not get well; yet such was the case. She wasted like any snow-wreath in thaw; she faded like any flower in drought. Miss Keeldar, on whose thoughts danger or death seldom intruded, had at first entertained no fears at all for her friend; but seeing her change and sink from time to time when she paid her visits, alarm clutched her heart. She went to Mr. Helstone and expressed herself with so much[Pg 368] energy that that gentleman was at last obliged, however unwillingly, to admit the idea that his niece was ill of something more than a migraine; and when Mrs. Pryor came and quietly demanded a physician, he said she might send for two if she liked. One came, but that one was an oracle. He delivered a dark saying of which the future was to solve the mystery, wrote some prescriptions, gave some directions—the whole with an air of crushing authority—pocketed his fee, and went. Probably he knew well enough he could do no good, but didn't like to say so.
With all this care, it seemed strange that the sick girl wasn't getting better; yet that was the case. She was wasting away like snow melting in spring; she was fading like a flower in a drought. Miss Keeldar, who usually didn’t worry about danger or death, initially had no fears for her friend. But as she saw her change and weaken during her visits, panic gripped her heart. She went to Mr. Helstone and expressed herself with such intensity that he was eventually forced, although reluctantly, to accept that his niece was suffering from more than just a migraine. When Mrs. Pryor came and quietly asked for a doctor, he said she could call for two if she wanted. One doctor came, but he was more of an oracle. He made a vague prediction that the future would clarify, wrote a few prescriptions, gave some instructions—all with an air of overwhelming authority—took his payment, and left. He probably knew he couldn’t help, but didn’t want to admit it.
Still, no rumour of serious illness got wind in the neighbourhood. At Hollow's Cottage it was thought that Caroline had only a severe cold, she having written a note to Hortense to that effect; and mademoiselle contented herself with sending two pots of currant jam, a recipe for a tisane, and a note of advice.
Still, no rumor of serious illness got around in the neighborhood. At Hollow's Cottage, it was believed that Caroline just had a bad cold, as she had written a note to Hortense to that effect. Mademoiselle settled for sending two jars of currant jam, a recipe for a herbal tea, and a note with some advice.
Mrs. Yorke being told that a physician had been summoned, sneered at the hypochondriac fancies of the rich and idle, who, she said, having nothing but themselves to think about, must needs send for a doctor if only so much as their little finger ached.
Mrs. Yorke, upon hearing that a doctor had been called, scoffed at the hypochondriac notions of the wealthy and idle, saying that since they had nothing but themselves to occupy their minds, they had to call a doctor if even their little finger hurt.
The "rich and idle," represented in the person of Caroline, were meantime falling fast into a condition of prostration, whose quickly consummated debility puzzled all who witnessed it except one; for that one alone reflected how liable is the undermined structure to sink in sudden ruin.
The "rich and idle," represented by Caroline, were quickly descending into a state of weakness that confused everyone observing it except for one person; that individual alone understood how susceptible the weakened structure is to collapse suddenly.
Sick people often have fancies inscrutable to ordinary attendants, and Caroline had one which even her tender nurse could not at first explain. On a certain day in the week, at a certain hour, she would—whether worse or better—entreat to be taken up and dressed, and suffered to sit in her chair near the window. This station she would retain till noon was past. Whatever degree of exhaustion or debility her wan aspect betrayed, she still softly put off all persuasion to seek repose until the church clock had duly tolled midday. The twelve strokes sounded, she grew docile, and would meekly lie down. Returned to the couch, she usually buried her face deep in the pillow, and drew the coverlets close round her, as if to shut out the world and sun, of which she was tired. More than once, as she thus lay, a slight convulsion shook the sick-bed, and a faint sob broke the silence round it. These things were not unnoted by Mrs. Pryor.
Sick people often have thoughts that are hard for regular caregivers to understand, and Caroline had one that even her caring nurse couldn't initially explain. On a certain day of the week, at a specific hour, she would—whether feeling worse or better—ask to be picked up and dressed, and allowed to sit in her chair by the window. She would stay there until after noon. No matter how tired or weak her pale face looked, she always gently resisted any suggestions to rest until the church clock chimed noon. When the twelve bells rang, she became compliant and would quietly lie down. Once back in bed, she would usually bury her face deep in the pillow and pull the blankets tightly around her, as if to shut out the world and the sun, which she was weary of. More than once, as she lay like this, a slight shudder would ripple through the bed, and a faint sob would break the silence around her. Mrs. Pryor did not overlook these events.
One Tuesday morning, as usual, she had asked leave to[Pg 369] rise, and now she sat wrapped in her white dressing-gown, leaning forward in the easy-chair, gazing steadily and patiently from the lattice. Mrs. Pryor was seated a little behind, knitting as it seemed, but, in truth, watching her. A change crossed her pale, mournful brow, animating its languor; a light shot into her faded eyes, reviving their lustre; she half rose and looked earnestly out. Mrs. Pryor, drawing softly near, glanced over her shoulder. From this window was visible the churchyard, beyond it the road; and there, riding sharply by, appeared a horseman. The figure was not yet too remote for recognition. Mrs. Pryor had long sight; she knew Mr. Moore. Just as an intercepting rising ground concealed him from view, the clock struck twelve.
One Tuesday morning, just like usual, she had asked for permission to[Pg369I am ready to assist. Please provide the text you would like me to modernize. get up, and now she sat wrapped in her white robe, leaning forward in the easy-chair, gazing steadily and patiently out the window. Mrs. Pryor was sitting a little behind her, apparently knitting, but in reality, she was watching her. A change swept across her pale, sad face, bringing some life to its weariness; a spark lit up her dull eyes, restoring their shine; she half rose and looked intently outside. Mrs. Pryor, moving quietly closer, peeked over her shoulder. From this window, the graveyard was visible, with the road beyond it; and there, riding quickly by, was a horseman. The figure was close enough to be recognized. Mrs. Pryor had good eyesight; she recognized Mr. Moore. Just as a rising hill blocked him from view, the clock struck twelve.
"May I lie down again?" asked Caroline.
"Can I lie down again?" Caroline asked.
Her nurse assisted her to bed. Having laid her down and drawn the curtain, she stood listening near. The little couch trembled, the suppressed sob stirred the air. A contraction as of anguish altered Mrs. Pryor's features; she wrung her hands; half a groan escaped her lips. She now remembered that Tuesday was Whinbury market day. Mr. Moore must always pass the rectory on his way thither, just ere noon of that day.
Her nurse helped her into bed. After laying her down and pulling the curtain, she stood nearby, listening. The small couch shook, and muffled sobs filled the air. A wave of distress changed Mrs. Pryor's expression; she twisted her hands, and a half-groan slipped from her lips. She suddenly remembered that Tuesday was Whinbury market day. Mr. Moore always passed by the rectory on his way there just before noon that day.
Caroline wore continually round her neck a slender braid of silk, attached to which was some trinket. Mrs. Pryor had seen the bit of gold glisten, but had not yet obtained a fair view of it. Her patient never parted with it. When dressed it was hidden in her bosom; as she lay in bed she always held it in her hand. That Tuesday afternoon the transient doze—more like lethargy than sleep—which sometimes abridged the long days, had stolen over her. The weather was hot. While turning in febrile restlessness, she had pushed the coverlets a little aside. Mrs. Pryor bent to replace them. The small, wasted hand, lying nerveless on the sick girl's breast, clasped as usual her jealously-guarded treasure. Those fingers whose attenuation it gave pain to see were now relaxed in sleep. Mrs. Pryor gently disengaged the braid, drawing out a tiny locket—a slight thing it was, such as it suited her small purse to purchase. Under its crystal face appeared a curl of black hair, too short and crisp to have been severed from a female head.
Caroline constantly wore a thin silk braid around her neck, to which a small trinket was attached. Mrs. Pryor had noticed the glint of gold but hadn’t had a chance to see it properly. Her patient never let it go. When she was dressed, it was hidden in her chest; while lying in bed, she always held it in her hand. That Tuesday afternoon, a fleeting doze—more like lethargy than real sleep—had fallen over her. The weather was hot. While tossing restlessly, she had pushed the blankets aside a bit. Mrs. Pryor leaned down to tuck them back in. The small, frail hand, resting limply on the sick girl’s chest, was still holding its treasured possession, as always. Those fingers, so thin they were painful to look at, were now relaxed in slumber. Mrs. Pryor carefully moved the braid aside, retrieving a tiny locket—it was such a small thing that it was easy for her tiny purse to afford. Beneath its glass face was a curl of black hair, too short and crisp to have come from a woman's head.
Some agitated movement occasioned a twitch of the silken chain. The sleeper started and woke. Her thoughts were usually now somewhat scattered on waking, her look[Pg 370] generally wandering. Half rising, as if in terror, she exclaimed, "Don't take it from me, Robert! Don't! It is my last comfort; let me keep it. I never tell any one whose hair it is; I never show it."
Some sudden movement made the silken chain twitch. The sleeper jolted awake. Her thoughts were usually a bit scattered upon waking, and her gaze[Pg370] often drifted. Half rising in alarm, she cried out, "Don't take it from me, Robert! Please! It's my last comfort; let me keep it. I never tell anyone whose hair it is; I never show it."
Mrs. Pryor had already disappeared behind the curtain. Reclining far back in a deep arm-chair by the bedside, she was withdrawn from view. Caroline looked abroad into the chamber; she thought it empty. As her stray ideas returned slowly, each folding its weak wings on the mind's sad shore, like birds exhausted, beholding void, and perceiving silence round her, she believed herself alone. Collected she was not yet; perhaps healthy self-possession and self-control were to be hers no more; perhaps that world the strong and prosperous live in had already rolled from beneath her feet for ever. So, at least, it often seemed to herself. In health she had never been accustomed to think aloud, but now words escaped her lips unawares.
Mrs. Pryor had already vanished behind the curtain. Slumped back in a deep armchair by the bedside, she was out of sight. Caroline looked around the room; it seemed empty to her. As her scattered thoughts slowly returned, each one folding its tired wings on the mind's sad shore like exhausted birds, she felt the emptiness and silence surrounding her, leading her to believe she was alone. She wasn’t collected yet; perhaps she would no longer have the healthy poise and self-control she once did; maybe the world that strong, successful people lived in had already slipped away from her forever. That’s how it often felt to her. When she was healthy, she had never been one to think aloud, but now words slipped out without her realizing it.
"Oh, I should see him once more before all is over! Heaven might favour me thus far!" she cried. "God grant me a little comfort before I die!" was her humble petition.
"Oh, I should see him once more before it's all over! Heaven might grant me this favor!" she cried. "God, please give me a little comfort before I die!" was her humble request.
"But he will not know I am ill till I am gone, and he will come when they have laid me out, and I am senseless, cold, and stiff.
"But he won't know I'm sick until I'm gone, and he'll come when they've prepared me, and I am lifeless, cold, and stiff."
"What can my departed soul feel then? Can it see or know what happens to the clay? Can spirits, through any medium, communicate with living flesh? Can the dead at all revisit those they leave? Can they come in the elements? Will wind, water, fire, lend me a path to Moore?
"What can my departed soul feel then? Can it see or know what happens to the body? Can spirits, through any means, communicate with the living? Can the dead ever revisit those they leave behind? Can they come in the elements? Will wind, water, or fire show me a way to Moore?"
"Is it for nothing the wind sounds almost articulately sometimes—sings as I have lately heard it sing at night—or passes the casement sobbing, as if for sorrow to come? Does nothing, then, haunt it, nothing inspire it?
"Is it for nothing that the wind sometimes sounds almost like it’s talking—sings like I’ve lately heard it sing at night—or passes by the window sobbing, as if there’s sadness ahead? Does nothing haunt it, nothing inspire it?"
"Why, it suggested to me words one night; it poured a strain which I could have written down, only I was appalled, and dared not rise to seek pencil and paper by the dim watch-light.
"Why, it gave me words one night; it flowed a melody that I could have written down, only I was scared and didn't dare get up to find a pencil and paper by the dim watch-light."
"What is that electricity they speak of, whose changes make us well or ill, whose lack or excess blasts, whose even balance revives? What are all those influences that are about us in the atmosphere, that keep playing over our nerves like fingers on stringed instruments, and call forth now a sweet note, and now a wail—now an exultant swell, and anon the saddest cadence?
"What is that electricity they talk about, whose fluctuations can make us healthy or sick, whose absence or overload can harm us, and whose perfect balance restores us? What are all those forces surrounding us in the atmosphere, that keep interacting with our nerves like fingers on musical strings, evoking a sweet sound one moment and a cry the next—sometimes a joyful rise and other times the saddest tune?"
[Pg 371]"Where is the other world? In what will another life consist? Why do I ask? Have I not cause to think that the hour is hasting but too fast when the veil must be rent for me? Do I not know the Grand Mystery is likely to burst prematurely on me? Great Spirit, in whose goodness I confide, whom, as my Father, I have petitioned night and morning from early infancy, help the weak creation of Thy hands! Sustain me through the ordeal I dread and must undergo! Give me strength! Give me patience! Give me—oh, give me faith!"
[Pg371I'm sorry, but there's no text provided for me to modernize. Please provide the text you'd like me to work on."Where is the other world? What will another life be like? Why do I ask? Don’t I have plenty of reason to think that the hour is approaching all too quickly when the curtain will be pulled back for me? Don’t I realize that the Grand Mystery might surprise me sooner than expected? Great Spirit, in whom I trust, whom I have called upon day and night since I was a child, help this fragile creation of Your hands! Support me through the trial I fear and must face! Give me strength! Give me patience! Give me—oh, give me faith!"
She fell back on her pillow. Mrs. Pryor found means to steal quietly from the room. She re-entered it soon after, apparently as composed as if she had really not overheard this strange soliloquy.
She leaned back on her pillow. Mrs. Pryor managed to sneak out of the room quietly. She came back in shortly after, seeming just as calm as if she hadn't really overheard that odd monologue.
The next day several callers came. It had become known that Miss Helstone was worse. Mr. Hall and his sister Margaret arrived. Both, after they had been in the sickroom, quitted it in tears; they had found the patient more altered than they expected. Hortense Moore came. Caroline seemed stimulated by her presence. She assured her, smiling, she was not dangerously ill; she talked to her in a low voice, but cheerfully. During her stay, excitement kept up the flush of her complexion; she looked better.
The next day, several visitors came by. It had spread that Miss Helstone was in worse condition. Mr. Hall and his sister Margaret showed up. Both left the sickroom in tears after seeing how much the patient had changed. Hortense Moore arrived as well. Caroline seemed energized by her presence. She smiled and assured her that she wasn't dangerously ill; she spoke to her in a soft but cheerful tone. Throughout her visit, the excitement kept a healthy glow in Caroline's cheeks; she looked better.
"How is Mr. Robert?" asked Mrs. Pryor, as Hortense was preparing to take leave.
"How is Mr. Robert?" asked Mrs. Pryor, as Hortense was getting ready to leave.
"He was very well when he left."
"He was doing great when he left."
"Left! Is he gone from home?"
"Left! Is he not home anymore?"
It was then explained that some police intelligence about the rioters of whom he was in pursuit had, that morning, called him away to Birmingham, and probably a fortnight might elapse ere he returned.
It was then explained that some police intelligence about the rioters he was chasing had called him away to Birmingham that morning, and he probably wouldn't be back for at least two weeks.
"He is not aware that Miss Helstone is very ill?"
"He doesn't know that Miss Helstone is really sick?"
"Oh no! He thought, like me, that she had only a bad cold."
"Oh no! He thought, like me, that she just had a bad cold."
After this visit, Mrs. Pryor took care not to approach Caroline's couch for above an hour. She heard her weep, and dared not look on her tears.
After this visit, Mrs. Pryor made sure to stay away from Caroline's couch for over an hour. She heard her crying and didn't have the courage to look at her tears.
As evening closed in, she brought her some tea. Caroline, opening her eyes from a moment's slumber, viewed her nurse with an unrecognizing glance.
As evening fell, she brought her some tea. Caroline, waking up from a brief nap, looked at her nurse with a blank stare.
"I smelt the honeysuckles in the glen this summer morning," she said, "as I stood at the counting-house window."
"I smelled the honeysuckles in the meadow this summer morning," she said, "as I stood at the office window."
Strange words like these from pallid lips pierce a loving listener's heart more poignantly than steel. They sound[Pg 372] romantic, perhaps, in books; in real life they are harrowing.
Strange words like these from pale lips hit a caring listener's heart harder than steel. They seem[Pg372I'm sorry, but there's no text provided for me to modernize. Please share the phrase you'd like me to work on.romantic, maybe, in books; in real life, they are heartbreaking.
"My darling, do you know me?" said Mrs. Pryor.
"My darling, do you know who I am?" said Mrs. Pryor.
"I went in to call Robert to breakfast. I have been with him in the garden. He asked me to go. A heavy dew has refreshed the flowers. The peaches are ripening."
"I went in to call Robert for breakfast. I've been with him in the garden. He asked me to come along. A heavy dew has perked up the flowers. The peaches are getting ripe."
"My darling! my darling!" again and again repeated the nurse.
"My darling! my darling!" the nurse repeated over and over.
"I thought it was daylight—long after sunrise. It looks dark. Is the moon now set?"
"I thought it was morning—well after sunrise. It looks dark. Has the moon already set?"
That moon, lately risen, was gazing full and mild upon her. Floating in deep blue space, it watched her unclouded.
That moon, recently risen, was looking down gently at her. Floating in the deep blue sky, it observed her clearly.
"Then it is not morning? I am not at the cottage? Who is this? I see a shape at my bedside."
"Then it’s not morning? I’m not at the cottage? Who is this? I see a figure by my bedside."
"It is myself—it is your friend—your nurse—your—— Lean your head on my shoulder. Collect yourself." In a lower tone—"O God, take pity! Give her life, and me strength! Send me courage! Teach me words!"
"It’s me—it’s your friend—your caregiver—your—— Lean your head on my shoulder. Pull yourself together." In a softer voice—"Oh God, have mercy! Give her life, and me strength! Send me courage! Teach me what to say!"
Some minutes passed in silence. The patient lay mute and passive in the trembling arms, on the throbbing bosom of the nurse.
Some minutes went by in silence. The patient lay still and unresponsive in the shaking arms, on the beating chest of the nurse.
"I am better now," whispered Caroline at last, "much better. I feel where I am. This is Mrs. Pryor near me. I was dreaming. I talk when I wake up from dreams; people often do in illness. How fast your heart beats, ma'am! Do not be afraid."
"I’m feeling much better now," Caroline finally whispered. "I know where I am. Mrs. Pryor is close by. I was dreaming. I tend to talk when I wake up from dreams; people often do that when they’re sick. Your heart is racing, ma'am! Don’t be afraid."
"It is not fear, child—only a little anxiety, which will pass. I have brought you some tea, Cary. Your uncle made it himself. You know he says he can make a better cup of tea than any housewife can. Taste it. He is concerned to hear that you eat so little; he would be glad if you had a better appetite."
"It’s not fear, sweetie—just a bit of anxiety that will go away. I brought you some tea, Cary. Your uncle made it himself. You know he claims he can brew a better cup of tea than any housewife. Give it a try. He’s worried to hear that you’re not eating much; he’d be happy if you had a better appetite."
"I am thirsty. Let me drink."
"I’m thirsty. Let me have a drink."
She drank eagerly.
She drank with enthusiasm.
"What o'clock is it, ma'am?" she asked.
"What time is it, ma'am?" she asked.
"Past nine."
"After nine."
"Not later? Oh! I have yet a long night before me. But the tea has made me strong. I will sit up."
"Not yet? Oh! I still have a long night ahead of me. But the tea has given me energy. I'll stay up."
Mrs. Pryor raised her, and arranged her pillows.
Mrs. Pryor helped her up and adjusted her pillows.
"Thank Heaven! I am not always equally miserable, and ill, and hopeless. The afternoon has been bad since Hortense went; perhaps the evening may be better. It is a fine night, I think? The moon shines clear."
"Thank goodness! I'm not always equally miserable, sick, and hopeless. The afternoon has been tough since Hortense left; maybe the evening will be better. It's a nice night, right? The moon is shining bright."
[Pg 373]"Very fine—a perfect summer night. The old church-tower gleams white almost as silver."
[Pg373] "Really nice—a perfect summer night. The old church tower shines bright, almost like silver."
"And does the churchyard look peaceful?"
"And does the graveyard look peaceful?"
"Yes, and the garden also. Dew glistens on the foliage."
"Yes, and the garden too. Dew sparkles on the leaves."
"Can you see many long weeds and nettles amongst the graves? or do they look turfy and flowery?"
"Can you see a lot of tall weeds and nettles among the graves? Or do they look grassy and full of flowers?"
"I see closed daisy-heads gleaming like pearls on some mounds. Thomas has mown down the dock-leaves and rank grass, and cleared all away."
"I see closed daisy heads shining like pearls on some mounds. Thomas has cut down the dock leaves and tall grass, and cleaned everything up."
"I always like that to be done; it soothes one's mind to see the place in order. And, I dare say, within the church just now that moonlight shines as softly as in my room. It will fall through the east window full on the Helstone monument. When I close my eyes I seem to see poor papa's epitaph in black letters on the white marble. There is plenty of room for other inscriptions underneath."
"I always prefer that to be done; it calms the mind to see everything in order. And, I must say, right now in the church that moonlight is shining as softly as it does in my room. It will come through the east window right onto the Helstone monument. When I close my eyes, I can almost see my poor dad's epitaph in black letters on the white marble. There’s plenty of space for other inscriptions below it."
"William Farren came to look after your flowers this morning. He was afraid, now you cannot tend them yourself, they would be neglected. He has taken two of your favourite plants home to nurse for you."
"William Farren came to take care of your flowers this morning. He was worried that now you can’t tend to them yourself, they would be neglected. He has taken two of your favorite plants home to look after for you."
"If I were to make a will, I would leave William all my plants; Shirley my trinkets—except one, which must not be taken off my neck; and you, ma'am, my books." After a pause—"Mrs. Pryor, I feel a longing wish for something."
"If I were to make a will, I would leave William all my plants; Shirley my trinkets—except one, which must stay around my neck; and you, ma'am, my books." After a pause—"Mrs. Pryor, I have this strong desire for something."
"For what, Caroline?"
"What for, Caroline?"
"You know I always delight to hear you sing. Sing me a hymn just now. Sing that hymn which begins,—
"You know I always love to hear you sing. Sing me a hymn right now. Sing that hymn that starts,—
Our hope for the years ahead,
Our refuge from the raging storm,
Our safe space, home!'"
Mrs. Pryor at once complied.
Mrs. Pryor immediately agreed.
No wonder Caroline liked to hear her sing. Her voice, even in speaking, was sweet and silver clear; in song it was almost divine. Neither flute nor dulcimer has tones so pure. But the tone was secondary, compared to the expression which trembled through—a tender vibration from a feeling heart.
No wonder Caroline enjoyed listening to her sing. Her voice, even when she spoke, was sweet and crystal clear; in song, it was almost heavenly. Neither a flute nor a dulcimer produces tones so pure. But the tone was secondary to the emotion that resonated through it—a gentle vibration from a heartfelt place.
The servants in the kitchen, hearing the strain, stole to the stair-foot to listen. Even old Helstone, as he walked in the garden, pondering over the unaccountable and feeble nature of women, stood still amongst his borders to catch the mournful melody more distinctly. Why it reminded[Pg 374] him of his forgotten dead wife, he could not tell; nor why it made him more concerned than he had hitherto been for Caroline's fading girlhood. He was glad to recollect that he had promised to pay Wynne, the magistrate, a visit that evening. Low spirits and gloomy thoughts were very much his aversion. When they attacked him he usually found means to make them march in double-quick time. The hymn followed him faintly as he crossed the fields. He hastened his customary sharp pace, that he might get beyond its reach.
The servants in the kitchen, hearing the strain, crept to the bottom of the stairs to listen. Even old Helstone, as he walked in the garden, thinking about the puzzling and fragile nature of women, paused among his plants to catch the sad melody more clearly. He couldn’t explain why it reminded him of his long-lost wife or why it made him more worried than he had been about Caroline's fading youth. He was relieved to remember that he had promised to visit Wynne, the magistrate, that evening. Feeling low and gloomy was something he really disliked. When those feelings came over him, he usually found ways to push them away quickly. The hymn followed him softly as he crossed the fields. He quickened his usual brisk pace to get away from its reach.
'Come back, you sons of men;' All nations initially emerged from the earth,
And return to the earth again.
Are like a night passed—
Short as the watch that signals the end of the night
Before sunrise.
Takes all its sons away; They fly, overlooked, like a dream
Dies on opening day.
Fresh in the morning light; The flowers under the mower's blade Lie dormant before nightfall.
We hope for many years ahead,
Be our protection while troubles last—
O Father, be our home!
"Now sing a song—a Scottish song," suggested Caroline, when the hymn was over—"'Ye banks and braes o' bonnie Doon.'"
"Now sing a song—a Scottish song," suggested Caroline, when the hymn was over—"'Ye banks and braes o' bonnie Doon.'"
Again Mrs. Pryor obeyed, or essayed to obey. At the close of the first stanza she stopped. She could get no further. Her full heart flowed over.
Again, Mrs. Pryor complied, or tried to comply. At the end of the first stanza, she halted. She couldn't go any further. Her overflowing emotions spilled out.
"You are weeping at the pathos of the air. Come here, and I will comfort you," said Caroline, in a pitying accent. Mrs. Pryor came. She sat down on the edge of her patient's bed, and allowed the wasted arms to encircle her.
"You’re crying over how sad everything is. Come here, and I’ll comfort you," Caroline said with a sympathetic tone. Mrs. Pryor came over. She sat on the edge of her patient's bed and let the frail arms wrap around her.
"You often soothe me; let me soothe you," murmured the young girl, kissing her cheek. "I hope," she added, "it is not for me you weep?"
"You often comfort me; let me comfort you," whispered the young girl, kissing her cheek. "I hope," she added, "you're not crying because of me?"
[Pg 375]No answer followed.
No response followed.
"Do you think I shall not get better? I do not feel very ill—only weak."
"Do you think I won't get better? I don't feel that ill—just weak."
"But your mind, Caroline—your mind is crushed. Your heart is almost broken; you have been so neglected, so repulsed, left so desolate."
"But your mind, Caroline—your mind is shattered. Your heart is nearly broken; you have been so overlooked, so rejected, left so alone."
"I believe grief is, and always has been, my worst ailment. I sometimes think if an abundant gush of happiness came on me I could revive yet."
"I believe grief is, and always has been, my worst illness. I sometimes think that if a burst of happiness came over me, I could come back to life."
"Do you wish to live?"
"Do you want to live?"
"I have no object in life."
"I have no purpose in life."
"You love me, Caroline?"
"Do you love me, Caroline?"
"Very much—very truly—inexpressibly sometimes. Just now I feel as if I could almost grow to your heart."
"Very much—so truly—inexpressibly sometimes. Right now, I feel like I could almost connect with your heart."
"I will return directly, dear," remarked Mrs. Pryor, as she laid Caroline down.
"I'll be right back, dear," said Mrs. Pryor as she laid Caroline down.
Quitting her, she glided to the door, softly turned the key in the lock, ascertained that it was fast, and came back. She bent over her. She threw back the curtain to admit the moonlight more freely. She gazed intently on her face.
Quitting her, she glided to the door, softly turned the key in the lock, made sure it was secure, and returned. She leaned over her. She pulled back the curtain to let in more moonlight. She stared intently at her face.
"Then, if you love me," said she, speaking quickly, with an altered voice; "if you feel as if, to use your own words, you could 'grow to my heart,' it will be neither shock nor pain for you to know that that heart is the source whence yours was filled; that from my veins issued the tide which flows in yours; that you are mine—my daughter—my own child."
"Then, if you love me," she said quickly, her voice changed; "if you feel like, to use your own words, you could 'grow to my heart,' it won’t be a shock or a pain for you to know that that heart is where yours came from; that the tide flowing in yours came from my veins; that you are mine—my daughter—my own child."
"Mrs. Pryor——"
"Ms. Pryor——"
"My own child!"
"My child!"
"That is—that means—you have adopted me?"
"Wait—that means you adopted me?"
"It means that, if I have given you nothing else, I at least gave you life; that I bore you, nursed you; that I am your true mother. No other woman can claim the title; it is mine."
"It means that, if I haven't given you anything else, at least I gave you life; that I carried you, took care of you; that I am your real mother. No other woman can claim that title; it is mine."
"But Mrs. James Helstone—but my father's wife, whom I do not remember ever to have seen, she is my mother?"
"But Mrs. James Helstone—my father’s wife, whom I don’t remember ever seeing, is she my mother?"
"She is your mother. James Helstone was my husband. I say you are mine. I have proved it. I thought perhaps you were all his, which would have been a cruel dispensation for me. I find it is not so. God permitted me to be the parent of my child's mind. It belongs to me; it is my property—my right. These features are James's own. He had a fine face when he was young, and not altered by error. Papa, my darling, gave you your blue eyes and soft brown[Pg 376] hair; he gave you the oval of your face and the regularity of your lineaments—the outside he conferred; but the heart and the brain are mine. The germs are from me, and they are improved, they are developed to excellence. I esteem and approve my child as highly as I do most fondly love her."
"She is your mother. James Helstone was my husband. I say you are mine. I have proven it. I thought maybe you were all his, which would have been a harsh fate for me. I find out that it is not so. God allowed me to be the parent of my child's mind. It belongs to me; it is my property—my right. These features are James's own. He had a handsome face when he was young, and it hasn't been changed by mistakes. Dad, my darling, gave you your blue eyes and soft brown[Pg376Sure, please provide the text you want me to modernize. hair; he gave you the shape of your face and the regularity of your features—the outside he granted; but the heart and the brain are mine. The roots are from me, and they are improved, they are developed to excellence. I cherish and appreciate my child as much as I love her dearly."
"Is what I hear true? Is it no dream?"
"Is what I'm hearing real? Is this not a dream?"
"I wish it were as true that the substance and colour of health were restored to your cheek."
"I wish it were truly the case that the vitality and color of good health had returned to your face."
"My own mother! is she one I can be so fond of as I can of you? People generally did not like her—so I have been given to understand."
"My own mother! Can I really feel as fond of her as I do of you? Generally, people didn’t like her—at least, that’s what I’ve been led to believe."
"They told you that? Well, your mother now tells you that, not having the gift to please people generally, for their approbation she does not care. Her thoughts are centred in her child. Does that child welcome or reject her?"
"They said that to you? Well, your mother now says that, not having the ability to please people in general, she doesn't care about their approval. Her thoughts are focused on her child. Does that child accept or turn away from her?"
"But if you are my mother, the world is all changed to me. Surely I can live. I should like to recover——"
"But if you are my mother, everything is different for me. I can definitely survive. I want to get better——"
"You must recover. You drew life and strength from my breast when you were a tiny, fair infant, over whose blue eyes I used to weep, fearing I beheld in your very beauty the sign of qualities that had entered my heart like iron, and pierced through my soul like a sword. Daughter! we have been long parted; I return now to cherish you again."
"You must get better. You drew life and strength from me when you were a tiny, beautiful baby, and I used to cry over your blue eyes, afraid that in your beauty I saw the warning signs of qualities that had entered my heart like iron and pierced my soul like a sword. Daughter! We have been apart for too long; I’m back now to care for you again."
She held her to her bosom; she cradled her in her arms; she rocked her softly, as if lulling a young child to sleep.
She held her close to her chest; she cradled her in her arms; she rocked her gently, like soothing a young child to sleep.
"My mother—my own mother!"
"My mom—my own mom!"
The offspring nestled to the parent; that parent, feeling the endearment and hearing the appeal, gathered her closer still. She covered her with noiseless kisses; she murmured love over her, like a cushat fostering its young.
The child cuddled up to the parent; the parent, feeling the love and hearing the need, pulled her in even closer. She showered her with silent kisses; she whispered affection over her, like a dove nurturing its young.
There was silence in the room for a long while.
There was silence in the room for a long time.
"Does my uncle know?"
"Does my uncle know?"
"Your uncle knows. I told him when I first came to stay with you here."
"Your uncle knows. I told him when I first came to stay with you."
"Did you recognize me when we first met at Fieldhead?"
"Did you know who I was when we first met at Fieldhead?"
"How could it be otherwise? Mr. and Miss Helstone being announced, I was prepared to see my child."
"How could it be any different? When Mr. and Miss Helstone were announced, I was ready to see my child."
"It was that, then, which moved you. I saw you disturbed."
"It was that which affected you. I noticed you seemed troubled."
"You saw nothing, Caroline; I can cover my feelings.[Pg 377] You can never tell what an age of strange sensation I lived, during the two minutes that elapsed between the report of your name and your entrance. You can never tell how your look, mien, carriage, shook me."
"You saw nothing, Caroline; I can hide my feelings.[Pg377I'm sorry, but there is no text provided for me to modernize. Please provide a short piece of text for me to work with. You'll never understand the intense emotions I experienced in the two minutes that passed between hearing your name and you walking in. You'll never know how your gaze, demeanor, and presence affected me."
"Why? Were you disappointed?"
"Why? Were you let down?"
"What will she be like? I had asked myself; and when I saw what you were like, I could have dropped."
"What will she be like? I wondered; and when I saw what you were like, I could have fainted."
"Mamma, why?"
"Mom, why?"
"I trembled in your presence. I said, I will never own her; she shall never know me."
"I shook when I was around you. I said I would never have her; she would never know who I am."
"But I said and did nothing remarkable. I felt a little diffident at the thought of an introduction to strangers—that was all."
"But I didn’t say or do anything out of the ordinary. I felt a bit shy at the idea of meeting strangers—that was it."
"I soon saw you were diffident. That was the first thing which reassured me. Had you been rustic, clownish, awkward, I should have been content."
"I quickly realized you were shy. That was the first thing that made me feel better. If you had been rough, silly, or clumsy, I would have been okay with that."
"You puzzle me."
"You confuse me."
"I had reason to dread a fair outside, to mistrust a popular bearing, to shudder before distinction, grace, and courtesy. Beauty and affability had come in my way when I was recluse, desolate, young, and ignorant—a toil-worn governess perishing of uncheered labour, breaking down before her time. These, Caroline, when they smiled on me, I mistook for angels. I followed them home; and when into their hands I had given without reserve my whole chance of future happiness, it was my lot to witness a transfiguration on the domestic hearth—to see the white mask lifted, the bright disguise put away, and opposite me sat down—— O God, I have suffered!"
"I had every reason to fear a fair outside, to doubt a popular presence, to flinch at distinction, grace, and courtesy. Beauty and friendliness crossed my path when I was isolated, lonely, young, and naive—a weary governess worn down by unappreciated work, breaking before my time. These, Caroline, when they smiled at me, I mistook for angels. I followed them home; and when I had given them my entire chance at future happiness without holding back, I was forced to witness a change in their domestic life—to see the white mask taken off, the bright façade set aside, and sitting across from me was—— Oh God, I have suffered!"
She sank on the pillow.
She fell onto the pillow.
"I have suffered! None saw—none knew. There was no sympathy, no redemption, no redress!"
"I have suffered! No one saw—no one knew. There was no sympathy, no redemption, no justice!"
"Take comfort, mother. It is over now."
"Don't worry, Mom. It's all over now."
"It is over, and not fruitlessly. I tried to keep the word of His patience. He kept me in the days of my anguish. I was afraid with terror—I was troubled. Through great tribulation He brought me through to a salvation revealed in this last time. My fear had torment; He has cast it out. He has given me in its stead perfect love. But, Caroline——"
"It’s over, and it wasn’t in vain. I tried to hold onto His patience. He supported me during my painful days. I was filled with fear and distress—I was troubled. Through significant suffering, He led me to a salvation made known in these last days. My fear was tormenting; He’s removed it. In its place, He has given me perfect love. But, Caroline——"
Thus she invoked her daughter after a pause.
Thus, she called for her daughter after a moment.
"Mother!"
"Mom!"
"I charge you, when you next look on your father's monument, to respect the name chiselled there. To you he did[Pg 378] only good. On you he conferred his whole treasure of beauties, nor added to them one dark defect. All you derived from him is excellent. You owe him gratitude. Leave, between him and me, the settlement of our mutual account. Meddle not. God is the arbiter. This world's laws never came near us—never! They were powerless as a rotten bulrush to protect me—impotent as idiot babblings to restrain him! As you said, it is all over now; the grave lies between us. There he sleeps, in that church. To his dust I say this night, what I have never said before, 'James, slumber peacefully! See! your terrible debt is cancelled! Look! I wipe out the long, black account with my own hand! James, your child atones. This living likeness of you—this thing with your perfect features—this one good gift you gave me has nestled affectionately to my heart, and tenderly called me "mother." Husband, rest forgiven!'"
"I urge you, when you next see your father's grave, to honor the name engraved there. He did nothing but good for you. He gave you all his amazing qualities and didn’t add a single flaw. Everything you inherited from him is excellent. You owe him your thanks. Let him and me settle our own issues. Don’t get involved. God will decide. The laws of this world never reached us—never! They were as weak as a rotting reed to protect me—useless as foolish talk to control him! As you said, it’s all done now; the grave is between us. He rests there, in that church. Tonight, to his remains, I say what I've never said before, 'James, rest in peace! Look! Your huge debt is forgiven! See! I erase the long, dark account with my own hands! James, your child makes amends. This living image of you—this being with your perfect features—this one good gift you gave me has nestled close to my heart and lovingly called me "mother." Husband, rest free of blame!'"
"Dearest mother, that is right! Can papa's spirit hear us? Is he comforted to know that we still love him?"
"Dear Mom, that’s right! Can Dad’s spirit hear us? Is he comforted knowing that we still love him?"
"I said nothing of love. I spoke of forgiveness. Mind the truth, child; I said nothing of love! On the threshold of eternity, should he be there to see me enter, will I maintain that."
"I said nothing about love. I talked about forgiveness. Pay attention to the truth, kid; I said nothing about love! At the edge of eternity, if he’s there to see me go in, will I still stand by that?"
"O mother, you must have suffered!"
"O Mom, you must have gone through so much!"
"O child, the human heart can suffer! It can hold more tears than the ocean holds waters. We never know how deep, how wide it is, till misery begins to unbind her clouds, and fill it with rushing blackness."
"O child, the human heart can suffer! It can hold more tears than the ocean holds water. We never know how deep or how wide it is until misery starts to break open its clouds and fill it with rushing darkness."
"Mother, forget."
"Mom, forget."
"Forget!" she said, with the strangest spectre of a laugh. "The north pole will rush to the south, and the headlands of Europe be locked into the bays of Australia ere I forget."
"Forget!" she said, with the oddest hint of a laugh. "The North Pole will rush to the South, and the coasts of Europe will be locked into the bays of Australia before I forget."
"Hush, mother! Rest! Be at peace!"
"Shh, Mom! Rest! Just chill!"
And the child lulled the parent, as the parent had erst lulled the child. At last Mrs. Pryor wept. She then grew calmer. She resumed those tender cares agitation had for a moment suspended. Replacing her daughter on the couch, she smoothed the pillow and spread the sheet. The soft hair whose locks were loosened she rearranged, the damp brow she refreshed with a cool, fragrant essence.
And the child comforted the parent, just like the parent had once comforted the child. Finally, Mrs. Pryor cried. Then she became calmer. She went back to those gentle cares that stress had temporarily interrupted. She put her daughter back on the couch, smoothed out the pillow, and spread the sheet. She fixed the soft hair that was all messy, and she cooled her daughter's damp forehead with a refreshing, fragrant essence.
"Mamma, let them bring a candle, that I may see you; and tell my uncle to come into this room by-and-by. I want to hear him say that I am your daughter. And,[Pg 379] mamma, take your supper here. Don't leave me for one minute to-night."
"Mom, let them bring a candle so I can see you; and tell my uncle to come into this room soon. I want to hear him say that I'm your daughter. And,[Pg379] Mom, have your supper here. Don't leave me for even a minute tonight."
"O Caroline, it is well you are gentle! You will say to me, Go, and I shall go; Come, and I shall come; Do this, and I shall do it. You inherit a certain manner as well as certain features. It will always be 'mamma' prefacing a mandate—softly spoken, though, from you, thank God! Well," she added, under her breath, "he spoke softly too, once, like a flute breathing tenderness; and then, when the world was not by to listen, discords that split the nerves and curdled the blood—sounds to inspire insanity."
"O Caroline, it’s great that you’re so gentle! You’ll tell me to go, and I will go; tell me to come, and I will come; say to do this, and I’ll do it. You have this certain demeanor along with your looks. It will always be 'mama' leading a command—thankfully, spoken softly by you! Well," she added quietly, "he used to speak softly too, like a flute whispering sweetness; but then, when no one was around to hear, he would unleash harsh discord that could rattle the nerves and freeze the blood—sounds that drive people crazy."
"It seems so natural, mamma, to ask you for this and that. I shall want nobody but you to be near me, or to do anything for me. But do not let me be troublesome. Check me if I encroach."
"It feels so natural, Mom, to ask you for this and that. I don’t want anyone but you to be around me or to do anything for me. But please don’t let me be a bother. Stop me if I overstep."
"You must not depend on me to check you; you must keep guard over yourself. I have little moral courage; the want of it is my bane. It is that which has made me an unnatural parent—which has kept me apart from my child during the ten years which have elapsed since my husband's death left me at liberty to claim her. It was that which first unnerved my arms and permitted the infant I might have retained a while longer to be snatched prematurely from their embrace."
"You can’t rely on me to keep you in check; you need to watch over yourself. I have little moral strength; my lack of it is my downfall. It’s what has made me a terrible parent and kept me away from my child for the ten years since my husband’s death freed me to claim her. It’s what first weakened my resolve and allowed the baby I could have held a little longer to be taken from my arms too soon."
"How, mamma?"
"How, mom?"
"I let you go as a babe, because you were pretty, and I feared your loveliness, deeming it the stamp of perversity. They sent me your portrait, taken at eight years old; that portrait confirmed my fears. Had it shown me a sunburnt little rustic—a heavy, blunt-featured, commonplace child—I should have hastened to claim you; but there, under the silver paper, I saw blooming the delicacy of an aristocratic flower—'little lady' was written on every trait. I had too recently crawled from under the yoke of the fine gentleman—escaped galled, crushed, paralyzed, dying—to dare to encounter his still finer and most fairy-like representative. My sweet little lady overwhelmed me with dismay; her air of native elegance froze my very marrow. In my experience I had not met with truth, modesty, good principle as the concomitants of beauty. A form so straight and fine, I argued, must conceal a mind warped and cruel. I had little faith in the power of education to rectify such a mind; or rather, I entirely misdoubted my own ability to influence it. Caroline, I dared[Pg 380] not undertake to rear you. I resolved to leave you in your uncle's hands. Matthewson Helstone I knew, if an austere, was an upright man. He and all the world thought hardly of me for my strange, unmotherly resolve, and I deserved to be misjudged."
"I let you go as a baby because you were beautiful, and I feared your beauty, thinking it a sign of something twisted. They sent me your picture, taken when you were eight; that picture confirmed my worries. If it had shown me a sunburnt little kid—a heavy, ordinary-looking child—I would have hurried to claim you. But instead, beneath the silver paper, I saw the delicate beauty of an aristocratic flower—'little lady' was written all over your features. I had just recently escaped from the grasp of a refined gentleman—escaping while feeling battered, crushed, paralyzed, and near death—so I couldn't face his even more refined and enchanting version. My sweet little lady filled me with dread; her natural grace chilled me to the bone. In my experience, I hadn’t encountered truth, modesty, or strong principles accompanying beauty. I thought a form that was so elegant and fine must hide a twisted and cruel mind. I had little faith in education to fix such a mind; or rather, I completely doubted my ability to influence it. Caroline, I was too scared to take on the responsibility of raising you. I decided to leave you in your uncle's care. I knew Matthewson Helstone, though strict, was a good man. He and everyone else thought poorly of me for my unusual, unmotherly decision, and I deserved that judgment."
"Mamma, why did you call yourself Mrs. Pryor?"
"Mom, why did you call yourself Mrs. Pryor?"
"It was a name in my mother's family. I adopted it that I might live unmolested. My married name recalled too vividly my married life; I could not bear it. Besides, threats were uttered of forcing me to return to bondage. It could not be. Rather a bier for a bed, the grave for a home. My new name sheltered me. I resumed under its screen my old occupation of teaching. At first it scarcely procured me the means of sustaining life; but how savoury was hunger when I fasted in peace! How safe seemed the darkness and chill of an unkindled hearth when no lurid reflection from terror crimsoned its desolation! How serene was solitude, when I feared not the irruption of violence and vice!"
"It was a name from my mother's side of the family. I took it on so I could live without being bothered. My married name reminded me too much of my married life; I couldn't stand it. Plus, there were threats made about forcing me back into slavery. That just couldn't happen. I would prefer a coffin for a bed and the grave for a home. My new name protected me. Under its cover, I went back to my old occupation of teaching. At first, it barely allowed me to survive; but how satisfying was hunger when I fasted in peace! How safe did the darkness and cold of a cold hearth feel when there were no terrifying shadows to paint its emptiness! How peaceful was solitude when I didn't fear the intrusion of violence and wrongdoing!"
"But, mamma, you have been in this neighbourhood before. How did it happen that when you reappeared here with Miss Keeldar you were not recognized?"
"But, mom, you've been in this neighborhood before. How is it that when you came back here with Miss Keeldar, no one recognized you?"
"I only paid a short visit, as a bride, twenty years ago, and then I was very different to what I am now—slender, almost as slender as my daughter is at this day. My complexion, my very features are changed; my hair, my style of dress—everything is altered. You cannot fancy me a slim young person, attired in scanty drapery of white muslin, with bare arms, bracelets and necklace of beads, and hair disposed in round Grecian curls above my forehead?"
"I only paid a short visit, as a bride, twenty years ago, and I was very different from who I am now—slender, almost as slender as my daughter is today. My complexion, my very features have changed; my hair, my style of dress—everything is different. You can’t imagine me as a slim young person, dressed in a light white muslin dress, with bare arms, beads for bracelets and a necklace, and my hair styled in round Grecian curls on my forehead?"
"You must, indeed, have been different. Mamma, I heard the front door open. If it is my uncle coming in, just ask him to step upstairs, and let me hear his assurance that I am truly awake and collected, and not dreaming or delirious."
"You must have really changed. Mom, I heard the front door open. If it's my uncle coming in, please ask him to come upstairs and let me hear him assure me that I’m actually awake and clear-headed, and not dreaming or out of it."
The rector, of his own accord, was mounting the stairs, and Mrs. Pryor summoned him to his niece's apartment.
The rector, on his own, was heading up the stairs, and Mrs. Pryor called him to his niece's room.
"She's not worse, I hope?" he inquired hastily.
"She's not doing any worse, right?" he asked quickly.
"I think her better. She is disposed to converse; she seems stronger."
"I think she's doing better. She's willing to talk; she seems stronger."
"Good!" said he, brushing quickly into the room.—"Ha, Cary! how do? Did you drink my cup of tea? I made it for you just as I like it myself."
"Great!" he said, walking quickly into the room. "Hey, Cary! How’s it going? Did you finish my cup of tea? I made it just the way I like it."
[Pg 381]"I drank it every drop, uncle. It did me good; it has made me quite alive. I have a wish for company, so I begged Mrs. Pryor to call you in."
[Pg381I'm sorry, but it seems that the text you intended to provide is missing. Please share the short piece of text you'd like to have modernized."I drank every last bit, uncle. It really helped; I feel so alive. I wanted some company, so I asked Mrs. Pryor to bring you in."
The respected ecclesiastic looked pleased, and yet embarrassed. He was willing enough to bestow his company on his sick niece for ten minutes, since it was her whim to wish it; but what means to employ for her entertainment he knew not. He hemmed—he fidgeted.
The respected church leader seemed happy, but also a bit awkward. He was more than willing to spend ten minutes with his sick niece, since it was what she wanted; but he wasn't sure how to keep her entertained. He cleared his throat and fidgeted.
"You'll be up in a trice," he observed, by way of saying something. "The little weakness will soon pass off; and then you must drink port wine—a pipe, if you can—and eat game and oysters. I'll get them for you, if they are to be had anywhere. Bless me! we'll make you as strong as Samson before we're done with you."
"You'll be up in no time," he remarked, trying to say something comforting. "This little weakness will pass quickly, and then you need to drink port wine—a glass, if you can—and eat game and oysters. I'll get those for you, if they’re available anywhere. Just wait! We'll get you as strong as Samson before we're finished with you."
"Who is that lady, uncle, standing beside you at the bed-foot?"
"Who is that woman, uncle, standing next to you at the foot of the bed?"
"Good God!" he ejaculated. "She's not wandering, is she, ma'am?"
"Good God!" he exclaimed. "She's not lost, is she, ma'am?"
Mrs. Pryor smiled.
Mrs. Pryor grinned.
"I am wandering in a pleasant world," said Caroline, in a soft, happy voice, "and I want you to tell me whether it is real or visionary. What lady is that? Give her a name, uncle."
"I’m wandering in a beautiful world," said Caroline, in a soft, happy voice, "and I want you to tell me if it's real or just a dream. Who is that lady? Give her a name, uncle."
"We must have Dr. Rile again, ma'am; or better still, MacTurk. He's less of a humbug. Thomas must saddle the pony and go for him."
"We need to get Dr. Rile again, ma'am; or even better, MacTurk. He's not as much of a fraud. Thomas has to saddle the pony and go get him."
"No; I don't want a doctor. Mamma shall be my only physician. Now, do you understand, uncle?"
"No, I don't want a doctor. Mom will be my only physician. Now, do you understand, Uncle?"
Mr. Helstone pushed up his spectacles from his nose to his forehead, handled his snuff-box, and administered to himself a portion of the contents. Thus fortified, he answered briefly, "I see daylight. You've told her then, ma'am?"
Mr. Helstone pushed his glasses up from his nose to his forehead, fiddled with his snuff box, and took a little for himself. Feeling ready, he replied briefly, "I see the light. So you’ve told her, ma'am?"
"And is it true?" demanded Caroline, rising on her pillow. "Is she really my mother?"
"And is it true?" asked Caroline, propping herself up on her pillow. "Is she really my mother?"
"You won't cry, or make any scene, or turn hysterical, if I answer Yes?"
"You won't cry, make a scene, or freak out if I say yes?"
"Cry! I'd cry if you said No. It would be terrible to be disappointed now. But give her a name. How do you call her?"
"Cry! I'd cry if you said No. It would be awful to be let down now. But give her a name. What do you call her?"
"I call this stout lady in a quaint black dress, who looks young enough to wear much smarter raiment, if she would—I call her Agnes Helstone. She married my brother James, and is his widow."
"I refer to this strong woman in a unique black dress, who seems young enough to wear much nicer clothes if she chose to—I call her Agnes Helstone. She married my brother James and is now his widow."
[Pg 382]"And my mother?"
"And my mom?"
"What a little sceptic it is! Look at her small face, Mrs. Pryor, scarcely larger than the palm of my hand, alive with acuteness and eagerness." To Caroline—"She had the trouble of bringing you into the world at any rate. Mind you show your duty to her by quickly getting well, and repairing the waste of these cheeks.—Heigh-ho! she used to be plump. What she has done with it all I can't, for the life of me, divine."
"What a tiny skeptic she is! Look at her little face, Mrs. Pryor, barely bigger than the palm of my hand, full of sharpness and enthusiasm." To Caroline—"She went through the trouble of bringing you into the world, so make sure you show your gratitude by getting better quickly and bringing back the fullness of those cheeks. —Heigh-ho! She used to be chubby. I can't, for the life of me, figure out where all that weight has gone."
"If wishing to get well will help me, I shall not be long sick. This morning I had no reason and no strength to wish it."
"If wishing to get better will help me, I won’t be sick for long. This morning, I felt neither the reason nor the strength to wish for it."
Fanny here tapped at the door, and said that supper was ready.
Fanny knocked on the door and announced that dinner was ready.
"Uncle, if you please, you may send me a little bit of supper—anything you like, from your own plate. That is wiser than going into hysterics, is it not?"
"Uncle, if you don’t mind, could you send me a little bit of dinner—anything you want, from your own plate? That’s smarter than freaking out, right?"
"It is spoken like a sage, Cary. See if I don't cater for you judiciously. When women are sensible, and, above all, intelligible, I can get on with them. It is only the vague, superfine sensations, and extremely wire-drawn notions, that put me about. Let a woman ask me to give her an edible or a wearable—be the same a roc's egg or the breastplate of Aaron, a share of St. John's locusts and honey or the leathern girdle about his loins—I can, at least, understand the demand; but when they pine for they know not what—sympathy, sentiment, some of these indefinite abstractions—I can't do it; I don't know it; I haven't got it.—Madam, accept my arm."
"It sounds wise, Cary. Just watch how I take care of you. When women are reasonable and, most importantly, clear, I can relate to them just fine. It's only the vague, overly refined feelings and complicated ideas that throw me off. If a woman asks me for something she can eat or wear—whether it's a roc's egg or Aaron's breastplate, or a share of St. John's locusts and honey, or the leather belt around his waist—I can at least understand what she's asking for. But when they long for something they can't even define—like sympathy, sentiment, or other vague concepts—I can't do anything about it; I don't understand it; I don't have it. —Madam, allow me to offer you my arm."
Mrs. Pryor signified that she should stay with her daughter that evening. Helstone, accordingly, left them together. He soon returned, bringing a plate in his own consecrated hand.
Mrs. Pryor indicated that she would stay with her daughter that evening. Helstone, accordingly, left them together. He soon returned, bringing a plate in his own special hand.
"This is chicken," he said, "but we'll have partridge to-morrow.—Lift her up, and put a shawl over her. On my word, I understand nursing.—Now, here is the very same little silver fork you used when you first came to the rectory. That strikes me as being what you may call a happy thought—a delicate attention. Take it, Cary, and munch away cleverly."
"This is chicken," he said, "but we'll have partridge tomorrow. —Lift her up and put a shawl over her. I swear I know how to nurse someone. —Now, here is the same little silver fork you used when you first came to the rectory. I think that’s what you could call a nice touch—a thoughtful gesture. Take it, Cary, and enjoy your meal."
Caroline did her best. Her uncle frowned to see that her powers were so limited. He prophesied, however, great things for the future; and as she praised the morsel he had brought, and smiled gratefully in his face, he stooped over[Pg 383] her pillow, kissed her, and said, with a broken, rugged accent, "Good-night, bairnie! God bless thee!"
Caroline tried her hardest. Her uncle frowned when he noticed her limitations. Still, he predicted great things for her future; and as she complimented the little treat he had brought and smiled at him gratefully, he leaned over[Pg383Please provide the text you would like me to modernize. her pillow, kissed her, and said in a rough, broken voice, "Goodnight, kid! God bless you!"
Caroline enjoyed such peaceful rest that night, circled by her mother's arms, and pillowed on her breast, that she forgot to wish for any other stay; and though more than one feverish dream came to her in slumber, yet, when she woke up panting, so happy and contented a feeling returned with returning consciousness that her agitation was soothed almost as soon as felt.
Caroline had such a peaceful night's sleep, wrapped in her mother's arms and resting on her chest, that she didn't think to wish for anything else. Even though she had a few restless dreams during the night, when she woke up feeling a bit frantic, the overwhelming sense of happiness and contentment that came with waking eased her worries almost immediately.
As to the mother, she spent the night like Jacob at Peniel. Till break of day she wrestled with God in earnest prayer.[Pg 384]
As for the mother, she spent the night like Jacob at Peniel. Until dawn, she wrestled with God in heartfelt prayer.[Pg384Please provide the text you would like me to modernize.
CHAPTER XXV.
THE WEST WIND BLOWS.
Not always do those who dare such divine conflict prevail. Night after night the sweat of agony may burst dark on the forehead; the supplicant may cry for mercy with that soundless voice the soul utters when its appeal is to the Invisible. "Spare my beloved," it may implore. "Heal my life's life. Rend not from me what long affection entwines with my whole nature. God of heaven, bend, hear, be clement!" And after this cry and strife the sun may rise and see him worsted. That opening morn, which used to salute him with the whisper of zephyrs, the carol of skylarks, may breathe, as its first accents, from the dear lips which colour and heat have quitted, "Oh! I have had a suffering night. This morning I am worse. I have tried to rise. I cannot. Dreams I am unused to have troubled me."
Not everyone who faces such a profound struggle succeeds. Night after night, the sweat of agony may pour darkly on their forehead; the desperate person may silently call out for mercy with that voiceless plea that only the soul makes when reaching out to the Unknown. "Spare my loved one," it may plead. "Heal the joy of my life. Do not take away what my deep affection has intertwined with my very being. God of heaven, listen, be kind!" And after this cry and struggle, the sun may rise and find them defeated. That morning, which used to greet them with gentle breezes and the songs of skylarks, may instead be met with the first words from the beloved lips that warmth and color have left, "Oh! I had a night of suffering. This morning I feel worse. I’ve tried to get up. I can’t. Unfamiliar dreams have disturbed me."
Then the watcher approaches the patient's pillow, and sees a new and strange moulding of the familiar features, feels at once that the insufferable moment draws nigh, knows that it is God's will his idol shall be broken, and bends his head, and subdues his soul to the sentence he cannot avert and scarce can bear.
Then the watcher comes closer to the patient's pillow and notices a new, strange shaping of the familiar face. He instantly feels that the unbearable moment is near, understands that it is God's will for his idol to be shattered, and bows his head, suppressing his soul to accept the fate he cannot prevent and can barely endure.
Happy Mrs. Pryor! She was still praying, unconscious that the summer sun hung above the hills, when her child softly woke in her arms. No piteous, unconscious moaning—sound which so wastes our strength that, even if we have sworn to be firm, a rush of unconquerable tears sweeps away the oath—preceded her waking. No space of deaf apathy followed. The first words spoken were not those of one becoming estranged from this world, and already permitted to stray at times into realms foreign to the living. Caroline evidently remembered with clearness what had happened.
Happy Mrs. Pryor! She was still praying, unaware that the summer sun was shining over the hills, when her child gently awakened in her arms. There was no pitiful, unconscious moaning—sounds that drain our strength so much that, even if we’ve vowed to stay strong, a wave of uncontrollable tears washes away that promise—before she woke up. There was no moment of dull apathy afterward. The first words spoken were not those of someone becoming detached from this world, already allowed to wander into places unfamiliar to the living. Caroline clearly remembered what had happened.
"Mamma, I have slept so well. I only dreamed and woke twice."
"Mom, I slept so well. I just dreamed and woke up twice."
[Pg 385]Mrs. Pryor rose with a start, that her daughter might not see the joyful tears called into her eyes by that affectionate word "mamma," and the welcome assurance that followed it.
[Pg385Please provide the text you'd like me to modernize.Mrs. Pryor jumped up suddenly, not wanting her daughter to see the happy tears that the loving word "mamma" and the comforting assurance that came after it had brought to her eyes.
For many days the mother dared rejoice only with trembling. That first revival seemed like the flicker of a dying lamp. If the flame streamed up bright one moment, the next it sank dim in the socket. Exhaustion followed close on excitement.
For many days, the mother could only feel joy while trembling. That first spark of hope seemed like the flicker of a dying light. If the flame burned brightly for a moment, the next it faded low in the socket. Exhaustion closely followed excitement.
There was always a touching endeavour to appear better, but too often ability refused to second will; too often the attempt to bear up failed. The effort to eat, to talk, to look cheerful, was unsuccessful. Many an hour passed during which Mrs. Pryor feared that the chords of life could never more be strengthened, though the time of their breaking might be deferred.
There was always a heartfelt attempt to seem better, but too often talent didn’t follow through; too often the effort to hold on fell short. The struggle to eat, to talk, to look happy didn’t work. Many hours went by during which Mrs. Pryor worried that the ties of life could never be made stronger, even though their breaking could be postponed.
During this space the mother and daughter seemed left almost alone in the neighbourhood. It was the close of August; the weather was fine—that is to say, it was very dry and very dusty, for an arid wind had been blowing from the east this month past; very cloudless, too, though a pale haze, stationary in the atmosphere, seemed to rob of all depth of tone the blue of heaven, of all freshness the verdure of earth, and of all glow the light of day. Almost every family in Briarfield was absent on an excursion. Miss Keeldar and her friends were at the seaside; so were Mrs. Yorke's household. Mr. Hall and Louis Moore, between whom a spontaneous intimacy seemed to have arisen—the result, probably, of harmony of views and temperament—were gone "up north" on a pedestrian excursion to the Lakes. Even Hortense, who would fain have stayed at home and aided Mrs. Pryor in nursing Caroline, had been so earnestly entreated by Miss Mann to accompany her once more to Wormwood Wells, in the hope of alleviating sufferings greatly aggravated by the insalubrious weather, that she felt obliged to comply; indeed, it was not in her nature to refuse a request that at once appealed to her goodness of heart, and, by a confession of dependency, flattered her amour propre. As for Robert, from Birmingham he had gone on to London, where he still sojourned.
During this time, the mother and daughter seemed almost alone in the neighborhood. It was the end of August; the weather was nice—that is to say, it was very dry and very dusty, as a hot wind had been blowing from the east for the past month; it was also very clear, although a pale haze in the atmosphere made the blue sky seem less vibrant, the greenery of the earth less refreshing, and the light of day less bright. Almost every family in Briarfield was away on a trip. Miss Keeldar and her friends were at the beach; Mrs. Yorke's family was there too. Mr. Hall and Louis Moore, who seemed to have developed a natural friendship—likely due to shared views and personalities—had gone "up north" on a hiking trip to the Lakes. Even Hortense, who would have preferred to stay home and help Mrs. Pryor care for Caroline, had been so strongly encouraged by Miss Mann to accompany her once again to Wormwood Wells, hoping it would ease the suffering worsened by the unhealthy weather, that she felt she had to agree; in fact, it just wasn’t in her nature to turn down a request that appealed to her kindness and, by acknowledging her dependency, flattered her self-esteem. As for Robert, he had gone from Birmingham to London, where he was still staying.
So long as the breath of Asiatic deserts parched Caroline's lips and fevered her veins, her physical convalescence could not keep pace with her returning mental tranquillity; but there came a day when the wind ceased to sob at the[Pg 386] eastern gable of the rectory, and at the oriel window of the church. A little cloud like a man's hand arose in the west; gusts from the same quarter drove it on and spread it wide; wet and tempest prevailed a while. When that was over the sun broke out genially, heaven regained its azure, and earth its green; the livid cholera-tint had vanished from the face of nature; the hills rose clear round the horizon, absolved from that pale malaria-haze.
As long as the dry winds of the Asian deserts dried out Caroline's lips and made her veins feel hot, her physical recovery couldn’t keep up with her returning mental calm. But then came a day when the wind stopped howling at the eastern side of the rectory and at the oriel window of the church. A small cloud, like a man's hand, appeared in the west; gusts from that direction pushed it along and spread it out. Rain and storms lasted for a while. Once it was over, the sun shone warmly, the sky turned blue again, and the earth became green; the sickly color of cholera faded from the landscape. The hills stood clearly around the horizon, free from that pale haze of malaise.
Caroline's youth could now be of some avail to her, and so could her mother's nurture. Both, crowned by God's blessing, sent in the pure west wind blowing soft as fresh through the ever-open chamber lattice, rekindled her long-languishing energies. At last Mrs. Pryor saw that it was permitted to hope: a genuine, material convalescence had commenced. It was not merely Caroline's smile which was brighter, or her spirits which were cheered, but a certain look had passed from her face and eye—a look dread and indescribable, but which will easily be recalled by those who have watched the couch of dangerous disease. Long before the emaciated outlines of her aspect began to fill, or its departed colour to return, a more subtle change took place; all grew softer and warmer. Instead of a marble mask and glassy eye, Mrs. Pryor saw laid on the pillow a face pale and wasted enough, perhaps more haggard than the other appearance, but less awful; for it was a sick, living girl, not a mere white mould or rigid piece of statuary.
Caroline's youth could now work to her advantage, as could her mother's care. Both, blessed by God, brought in the gentle breeze blowing softly through the always-open window, reigniting her long-dormant energy. Finally, Mrs. Pryor realized that it was okay to hope: a real, tangible recovery had begun. It wasn't just that Caroline's smile was brighter or her spirits lifted, but something had shifted in her face and eyes—a look that was terrifying and indescribable, yet easily remembered by those who've sat by the bedside of serious illness. Long before the thin contours of her face started to fill in or its lost color returned, a more subtle change happened; everything became softer and warmer. Instead of a cold, marble-like face and a blank stare, Mrs. Pryor saw resting on the pillow a face that was pale and frail, perhaps even more gaunt than before, but less horrifying; it was a sick, living girl, not just a pale mold or a stiff piece of sculpture.
Now, too, she was not always petitioning to drink. The words, "I am so thirsty," ceased to be her plaint. Sometimes, when she had swallowed a morsel, she would say it had revived her. All descriptions of food were no longer equally distasteful; she could be induced, sometimes, to indicate a preference. With what trembling pleasure and anxious care did not her nurse prepare what was selected! How she watched her as she partook of it!
Now, she wasn't always begging to drink. The words, "I'm so thirsty," were no longer her complaint. Sometimes, after taking a bite, she would say it had refreshed her. Not all descriptions of food were equally unpleasant anymore; sometimes she could be persuaded to express a preference. With what nervous excitement and careful attention did her nurse prepare what she chose! How she watched her as she enjoyed it!
Nourishment brought strength. She could sit up. Then she longed to breathe the fresh air, to revisit her flowers, to see how the fruit had ripened. Her uncle, always liberal, had bought a garden-chair for her express use. He carried her down in his own arms, and placed her in it himself, and William Farren was there to wheel her round the walks, to show her what he had done amongst her plants, to take her directions for further work.
Nourishment gave her strength. She was able to sit up. Then she craved fresh air, wanted to see her flowers again, and check on how the fruit had ripened. Her uncle, always generous, had bought a garden chair just for her. He carried her down in his own arms and put her in it himself, and William Farren was there to push her around the pathways, to show her what he had done with her plants, and to take her instructions for more work.
William and she found plenty to talk about. They had a dozen topics in common—interesting to them, unimportant[Pg 387] to the rest of the world. They took a similar interest in animals, birds, insects, and plants; they held similar doctrines about humanity to the lower creation, and had a similar turn for minute observation on points of natural history. The nest and proceedings of some ground-bees, which had burrowed in the turf under an old cherry-tree, was one subject of interest; the haunts of certain hedge-sparrows, and the welfare of certain pearly eggs and callow fledglings, another.
William and she found a lot to talk about. They had a dozen topics in common—things that interested them but didn't matter to anyone else. They were both into animals, birds, insects, and plants; they shared similar views on humanity's relationship with the natural world and had a knack for closely observing details in natural history. One topic of interest was a nest and activities of some ground bees that had burrowed into the grass under an old cherry tree; another was the habitats of certain hedge sparrows, along with the care of some shiny eggs and baby birds.
Had Chambers's Journal existed in those days, it would certainly have formed Miss Helstone's and Farren's favourite periodical. She would have subscribed for it, and to him each number would duly have been lent; both would have put implicit faith and found great savour in its marvellous anecdotes of animal sagacity.
Had Chambers's Journal been around back then, it would definitely have been Miss Helstone's and Farren's go-to magazine. She would have subscribed to it, and he would have borrowed each issue in turn; both would have fully trusted and enjoyed its amazing stories about animal intelligence.
This is a digression, but it suffices to explain why Caroline would have no other hand than William's to guide her chair, and why his society and conversation sufficed to give interest to her garden-airings.
This is a digression, but it’s enough to explain why Caroline would want no other hand than William's to guide her chair, and why his company and conversation were enough to make her time in the garden enjoyable.
Mrs. Pryor, walking near, wondered how her daughter could be so much at ease with a "man of the people." She found it impossible to speak to him otherwise than stiffly. She felt as if a great gulf lay between her caste and his, and that to cross it or meet him half-way would be to degrade herself. She gently asked Caroline, "Are you not afraid, my dear, to converse with that person so unreservedly? He may presume, and become troublesomely garrulous."
Mrs. Pryor, walking nearby, wondered how her daughter could be so comfortable with a “man of the people.” She found it impossible to speak to him in any other way than stiffly. She felt as if there was a huge divide between her social class and his, and that crossing it or meeting him halfway would mean lowering herself. She gently asked Caroline, “Aren’t you worried, my dear, about talking so openly with that person? He might get too comfortable and become annoyingly talkative.”
"William presume, mamma? You don't know him. He never presumes. He is altogether too proud and sensitive to do so. William has very fine feelings."
"William presume, mom? You don't know him. He never presumes. He's way too proud and sensitive to do that. William has really good feelings."
And Mrs. Pryor smiled sceptically at the naïve notion of that rough-handed, rough-headed, fustian-clad clown having "fine feelings."
And Mrs. Pryor smiled skeptically at the naive idea of that rough-handed, rough-headed, cheap-clothed clown having "fine feelings."
Farren, for his part, showed Mrs. Pryor only a very sulky brow. He knew when he was misjudged, and was apt to turn unmanageable with such as failed to give him his due.
Farren, for his part, showed Mrs. Pryor nothing but a sulky expression. He could tell when he was being misunderstood, and he was likely to become unmanageable with those who didn’t recognize his worth.
The evening restored Caroline entirely to her mother, and Mrs. Pryor liked the evening; for then, alone with her daughter, no human shadow came between her and what she loved. During the day she would have her stiff demeanour and cool moments, as was her wont. Between her and Mr. Helstone a very respectful but most rigidly[Pg 388] ceremonious intercourse was kept up. Anything like familiarity would have bred contempt at once in one or both these personages; but by dint of strict civility and well-maintained distance they got on very smoothly.
The evening completely reunited Caroline with her mother, and Mrs. Pryor appreciated the evening; because then, when they were alone together, no one came between her and what she cherished. During the day, she maintained her stiff demeanor and had her cool moments, as was her habit. Between her and Mr. Helstone, a very respectful but extremely formal interaction was upheld. Any hint of familiarity would have immediately caused disdain in one or both of them; but through strict politeness and keeping a respectful distance, they managed to get along quite well.
Towards the servants Mrs. Pryor's bearing was not uncourteous, but shy, freezing, ungenial. Perhaps it was diffidence rather than pride which made her appear so haughty; but, as was to be expected, Fanny and Eliza failed to make the distinction, and she was unpopular with them accordingly. She felt the effect produced; it rendered her at times dissatisfied with herself for faults she could not help, and with all else dejected, chill, and taciturn.
Towards the servants, Mrs. Pryor didn’t come off as rude, but rather shy, aloof, and unfriendly. It might have been her lack of confidence instead of arrogance that made her seem so proud; however, as expected, Fanny and Eliza didn’t see the difference, and that made her less popular with them. She noticed the impact this had; at times, it made her feel unhappy with herself for traits she couldn’t change, leaving her feeling dejected, cold, and quiet.
This mood changed to Caroline's influence, and to that influence alone. The dependent fondness of her nursling, the natural affection of her child, came over her suavely. Her frost fell away, her rigidity unbent; she grew smiling and pliant. Not that Caroline made any wordy profession of love—that would ill have suited Mrs. Pryor; she would have read therein the proof of insincerity—but she hung on her with easy dependence; she confided in her with fearless reliance. These things contented the mother's heart.
This mood shifted because of Caroline's influence, and only because of that. The caring attachment of her nursling and the natural love of her child gently washed over her. Her coldness melted away, her stiffness relaxed; she became warm and flexible. Not that Caroline expressed her love in flowery words—that wouldn’t have sat well with Mrs. Pryor; she would have seen that as a sign of insincerity—but she leaned on her with effortless trust; she relied on her without fear. These things filled the mother’s heart with happiness.
She liked to hear her daughter say, "Mamma, do this;" "Please, mamma, fetch me that;" "Mamma, read to me;" "Sing a little, mamma."
She loved hearing her daughter say, "Mom, do this;" "Please, Mom, get me that;" "Mom, read to me;" "Sing a little, Mom."
Nobody else—not one living thing—had ever so claimed her services, so looked for help at her hand. Other people were always more or less reserved and stiff with her, as she was reserved and stiff with them; other people betrayed consciousness of and annoyance at her weak points. Caroline no more showed such wounding sagacity or reproachful sensitiveness now than she had done when a suckling of three months old.
Nobody else—not a single living thing—had ever sought her help or asked for her services. Other people always seemed somewhat distant and formal with her, just as she was with them; they were acutely aware of her vulnerabilities and often annoyed by them. Caroline didn’t display any more hurtful insight or sensitive defensiveness now than she did when she was just three months old.
Yet Caroline could find fault. Blind to the constitutional defects that were incurable, she had her eyes wide open to the acquired habits that were susceptible of remedy. On certain points she would quite artlessly lecture her parent; and that parent, instead of being hurt, felt a sensation of pleasure in discovering that the girl dared lecture her, that she was so much at home with her.
Yet Caroline could find flaws. Unaware of the irreparable issues at play, she was fully aware of the bad habits that could be fixed. On certain matters, she would innocently lecture her parent; and that parent, instead of feeling offended, felt a sense of pleasure in realizing that the girl dared to lecture her, that she was so comfortable with her.
"Mamma, I am determined you shall not wear that old gown any more. Its fashion is not becoming; it is too strait in the skirt. You shall put on your black silk every afternoon. In that you look nice; it suits you. And you shall have a black satin dress for Sundays—a real satin,[Pg 389] not a satinet or any of the shams. And, mamma, when you get the new one, mind you must wear it."
"Mom, I'm set on making sure you never wear that old gown again. It's not flattering; the skirt is too tight. You should wear your black silk every afternoon. You look great in it; it really suits you. And you'll have a black satin dress for Sundays—a real satin, [Pg389Understood! Please provide the text you'd like me to modernize. not some cheap fabric or imitation. And, Mom, when you get the new one, you have to wear it."
"My dear, I thought of the black silk serving me as a best dress for many years yet, and I wished to buy you several things."
"My dear, I thought the black silk would be my best dress for many more years, and I wanted to buy you a few things."
"Nonsense, mamma. My uncle gives me cash to get what I want. You know he is generous enough; and I have set my heart on seeing you in a black satin. Get it soon, and let it be made by a dressmaker of my recommending. Let me choose the pattern. You always want to disguise yourself like a grandmother. You would persuade one that you are old and ugly. Not at all! On the contrary, when well dressed and cheerful you are very comely indeed; your smile is so pleasant, your teeth are so white, your hair is still such a pretty light colour. And then you speak like a young lady, with such a clear, fine tone, and you sing better than any young lady I ever heard. Why do you wear such dresses and bonnets, mamma, such as nobody else ever wears?"
"Nonsense, Mom. My uncle gives me cash to get what I want. You know he’s generous, and I really want to see you in a black satin dress. Get it soon, and make sure it’s made by a dressmaker I recommend. Let me choose the pattern. You always want to look like a grandmother. You’d make someone think you’re old and unattractive. Not at all! On the contrary, when you’re well dressed and cheerful, you look very attractive; your smile is so nice, your teeth are so white, your hair is still such a lovely light color. And then you speak like a young lady, with such a clear, nice tone, and you sing better than any young lady I’ve ever heard. Why do you wear such dresses and bonnets, Mom, ones that nobody else wears?"
"Does it annoy you, Caroline?"
"Does it bother you, Caroline?"
"Very much; it vexes me even. People say you are miserly; and yet you are not, for you give liberally to the poor and to religious societies—though your gifts are conveyed so secretly and quietly that they are known to few except the receivers. But I will be your lady's-maid myself. When I get a little stronger I will set to work, and you must be good, mamma, and do as I bid you."
"Actually, it annoys me a lot. People say you’re stingy, but you’re not, since you generously give to those in need and to religious groups—even though your donations are so discreet that hardly anyone knows except the recipients. But I will be your maid myself. Once I’m feeling a bit better, I’ll get started, and you have to be good, Mom, and do what I ask."
And Caroline, sitting near her mother, rearranged her muslin handkerchief and resmoothed her hair.
And Caroline, sitting next to her mom, fixed her muslin handkerchief and smoothed her hair again.
"My own mamma," then she went on, as if pleasing herself with the thought of their relationship, "who belongs to me, and to whom I belong! I am a rich girl now. I have something I can love well, and not be afraid of loving. Mamma, who gave you this little brooch? Let me unpin it and look at it."
"My own mom," she continued, savoring the idea of their bond, "who is mine, and to whom I belong! I'm a wealthy girl now. I have something I can truly love, without fear of it. Mom, who gave you this little brooch? Let me take it off and take a closer look."
Mrs. Pryor, who usually shrank from meddling fingers and near approach, allowed the license complacently.
Mrs. Pryor, who usually avoided unwanted touch and close proximity, accepted it with a sense of satisfaction.
"Did papa give you this, mamma?"
"Did Dad give you this, Mom?"
"My sister gave it me—my only sister, Cary. Would that your Aunt Caroline had lived to see her niece!"
"My sister gave it to me—my only sister, Cary. I wish your Aunt Caroline had lived to meet her niece!"
"Have you nothing of papa's—no trinket, no gift of his?"
"Don’t you have anything from Dad—no little keepsake, no gift from him?"
"I have one thing."
"I have one thing."
"That you prize?"
"Do you value that?"
[Pg 390]"That I prize."
"That I value."
"Valuable and pretty?"
"Valuable and attractive?"
"Invaluable and sweet to me."
"Precious and dear to me."
"Show it, mamma. Is it here or at Fieldhead?"
"Show it to me, Mom. Is it here or at Fieldhead?"
"It is talking to me now, leaning on me. Its arms are round me."
"It’s talking to me now, leaning against me. Its arms are around me."
"Ah, mamma, you mean your teasing daughter, who will never let you alone; who, when you go into your room, cannot help running to seek for you; who follows you upstairs and down, like a dog."
"Ah, Mom, you mean your playful daughter, who will never leave you alone; who, whenever you go into your room, can’t help but run to find you; who follows you up and down the stairs like a dog."
"Whose features still give me such a strange thrill sometimes. I half fear your fair looks yet, child."
"Your features still give me such a strange thrill sometimes. I still half fear your beautiful looks, though, kid."
"You don't; you can't. Mamma, I am sorry papa was not good. I do so wish he had been. Wickedness spoils and poisons all pleasant things. It kills love. If you and I thought each other wicked, we could not love each other, could we?"
"You don't; you can't. Mom, I'm sorry Dad wasn't good. I really wish he had been. Badness ruins and poisons everything nice. It destroys love. If you and I thought each other were bad, we couldn't love each other, could we?"
"And if we could not trust each other, Cary?"
"And if we can't trust each other, Cary?"
"How miserable we should be! Mother, before I knew you I had an apprehension that you were not good—that I could not esteem you. That dread damped my wish to see you. And now my heart is elate because I find you perfect—almost; kind, clever, nice. Your sole fault is that you are old-fashioned, and of that I shall cure you. Mamma, put your work down; read to me. I like your southern accent; it is so pure, so soft. It has no rugged burr, no nasal twang, such as almost every one's voice here in the north has. My uncle and Mr. Hall say that you are a fine reader, mamma. Mr. Hall said he never heard any lady read with such propriety of expression or purity of accent."
"How miserable we would have been! Mom, before I met you, I was worried that you weren’t a good person—that I wouldn’t be able to respect you. That fear made me hesitant to want to see you. And now my heart is so happy because I find you perfect—well, almost; you’re kind, smart, and lovely. Your only flaw is that you’re a bit old-fashioned, but I’ll help you with that. Mom, put your work down; read to me. I love your southern accent; it’s so clear, so gentle. It doesn’t have that harsh twang or nasal tone that almost everyone’s voice here in the north has. My uncle and Mr. Hall say you’re a great reader, Mom. Mr. Hall said he’s never heard any woman read with such proper expression or clear accent."
"I wish I could reciprocate the compliment, Cary; but, really, the first time I heard your truly excellent friend read and preach I could not understand his broad northern tongue."
"I wish I could return the compliment, Cary; but honestly, the first time I heard your truly excellent friend read and preach, I couldn't understand his strong Northern accent."
"Could you understand me, mamma? Did I seem to speak roughly?"
"Did you understand me, Mom? Did I come across as harsh?"
"No. I almost wished you had, as I wished you had looked unpolished. Your father, Caroline, naturally spoke well, quite otherwise than your worthy uncle—correctly, gently, smoothly. You inherit the gift."
"No. I almost wished you had, as I wished you had looked a bit rough around the edges. Your father, Caroline, naturally spoke well, quite differently than your respectable uncle—correctly, gently, smoothly. You inherited that gift."
"Poor papa! When he was so agreeable, why was he not good?"
"Poor Dad! If he was so easy to get along with, why wasn't he a good person?"
"Why he was as he was—and happily of that you, child,[Pg 391] can form no conception—I cannot tell. It is a deep mystery. The key is in the hands of his Maker. There I leave it."
"Why he was the way he was—and thankfully, you, child,[Pg391Please provide the text you would like me to modernize. can’t understand that—I can't explain. It's a deep mystery. The answer lies with his Creator. I'll leave it at that."
"Mamma, you will keep stitching, stitching away. Put down the sewing; I am an enemy to it. It cumbers your lap, and I want it for my head; it engages your eyes, and I want them for a book. Here is your favourite—Cowper."
"Mom, you just keep stitching, stitching away. Put down the sewing; I can't stand it. It takes up your lap, and I want that space for my head; it occupies your eyes, and I'd rather have them on a book. Here is your favorite—Cowper."
These importunities were the mother's pleasure. If ever she delayed compliance, it was only to hear them repeated, and to enjoy her child's soft, half-playful, half-petulant urgency. And then, when she yielded, Caroline would say archly, "You will spoil me, mamma. I always thought I should like to be spoiled, and I find it very sweet." So did Mrs. Pryor.[Pg 392]
These persistent requests brought joy to the mother. Whenever she hesitated to agree, it was just to hear them repeated and to revel in her child's gentle, playful yet slightly whiny insistence. And then, when she finally gave in, Caroline would jokingly say, "You’re going to spoil me, Mom. I always thought I’d like to be spoiled, and I find it really nice." Mrs. Pryor thought so too.[Pg392I'm sorry, but there's no text provided for me to modernize. Please provide a phrase or short text for assistance.
CHAPTER XXVI.
OLD COPY-BOOKS.
By the time the Fieldhead party returned to Briarfield Caroline was nearly well. Miss Keeldar, who had received news by post of her friend's convalescence, hardly suffered an hour to elapse between her arrival at home and her first call at the rectory.
By the time the Fieldhead party got back to Briarfield, Caroline was almost fully recovered. Miss Keeldar, who had received a letter about her friend's recovery, barely let an hour pass between her arrival home and her first visit to the rectory.
A shower of rain was falling gently, yet fast, on the late flowers and russet autumn shrubs, when the garden wicket was heard to swing open, and Shirley's well-known form passed the window. On her entrance her feelings were evinced in her own peculiar fashion. When deeply moved by serious fears or joys she was not garrulous. The strong emotion was rarely suffered to influence her tongue, and even her eye refused it more than a furtive and fitful conquest. She took Caroline in her arms, gave her one look, one kiss, then said, "You are better."
A gentle yet quick shower of rain was falling on the late flowers and brown autumn shrubs when the garden gate swung open, and Shirley’s familiar figure passed by the window. As she entered, her emotions showed in her own unique way. When she felt intense fears or joys, she wasn't talkative. Strong feelings rarely influenced her speech, and even her eyes only allowed a brief and fleeting glimpse of those emotions. She embraced Caroline, gave her one look and one kiss, then said, "You're feeling better."
And a minute after, "I see you are safe now; but take care. God grant your health may be called on to sustain no more shocks!"
And a minute later, "I see you're safe now; but be careful. I hope your health won't have to handle any more shocks!"
She proceeded to talk fluently about the journey. In the midst of vivacious discourse her eye still wandered to Caroline. There spoke in its light a deep solicitude, some trouble, and some amaze.
She continued to talk smoothly about the journey. In the middle of her lively conversation, her gaze kept drifting to Caroline. In her eyes, there was a deep concern, some trouble, and a hint of amazement.
"She may be better," it said, "but how weak she still is! What peril she has come through!"
"She might be better," it said, "but just look at how weak she still is! What danger she's been through!"
Suddenly her glance reverted to Mrs. Pryor. It pierced her through.
Suddenly, her gaze shifted back to Mrs. Pryor. It cut right through her.
"When will my governess return to me?" she asked.
"When will my governess be back?" she asked.
"May I tell her all?" demanded Caroline of her mother. Leave being signified by a gesture, Shirley was presently enlightened on what had happened in her absence.
"Can I tell her everything?" Caroline asked her mother. With a gesture indicating leave, Shirley was soon informed about what had happened while she was away.
"Very good," was the cool comment—"very good! But it is no news to me."
"Very good," was the calm response—"very good! But this is nothing new to me."
"What! did you know?"
"What? Did you know?"
"I guessed long since the whole business. I have heard[Pg 393] somewhat of Mrs. Pryor's history—not from herself, but from others. With every detail of Mr. James Helstone's career and character I was acquainted. An afternoon's sitting and conversation with Miss Mann had rendered me familiar therewith; also he is one of Mrs. Yorke's warning examples—one of the blood-red lights she hangs out to scare young ladies from matrimony. I believe I should have been sceptical about the truth of the portrait traced by such fingers—both these ladies take a dark pleasure in offering to view the dark side of life—but I questioned Mr. Yorke on the subject, and he said, 'Shirley, my woman, if you want to know aught about yond' James Helstone, I can only say he was a man-tiger. He was handsome, dissolute, soft, treacherous, courteous, cruel——' Don't cry, Cary; we'll say no more about it."
"I figured out the whole situation a long time ago. I've heard[Pg393Please provide the text you would like me to modernize. some bits about Mrs. Pryor's past—not from her, but from others. I'm familiar with every detail of Mr. James Helstone's life and character. An afternoon spent talking with Miss Mann made me well-informed on that front; plus, he is one of Mrs. Yorke's cautionary tales—one of the bright red flags she puts up to scare young women away from marriage. I might have doubted the accuracy of the picture painted by those two—both ladies take a bit of pleasure in highlighting the dark sides of life—but I asked Mr. Yorke about it, and he said, 'Shirley, my dear, if you want to know anything about that James Helstone, I can only tell you he was a man-tiger. He was handsome, reckless, soft, devious, polite, and cruel——' Don't cry, Cary; we won't talk about it anymore."
"I am not crying, Shirley; or if I am, it is nothing. Go on; you are no friend if you withhold from me the truth. I hate that false plan of disguising, mutilating the truth."
"I’m not crying, Shirley; or if I am, it doesn’t matter. Go ahead; you’re not a true friend if you don’t tell me the truth. I can’t stand that fake act of hiding or twisting the truth."
"Fortunately I have said pretty nearly all that I have to say, except that your uncle himself confirmed Mr. Yorke's words; for he too scorns a lie, and deals in none of those conventional subterfuges that are shabbier than lies."
"Luckily, I've said almost everything I need to say, except that your uncle confirmed what Mr. Yorke said; he also hates lying and avoids all those petty tricks that are even worse than lies."
"But papa is dead; they should let him alone now."
"But Dad is gone; they should leave him alone now."
"They should; and we will let him alone. Cry away, Cary; it will do you good. It is wrong to check natural tears. Besides, I choose to please myself by sharing an idea that at this moment beams in your mother's eye while she looks at you. Every drop blots out a sin. Weep! your tears have the virtue which the rivers of Damascus lacked. Like Jordan, they can cleanse a leprous memory."
"They should, and we will leave him alone. Go ahead and cry, Cary; it'll help you feel better. It's not right to hold back your natural tears. Plus, I want to share a thought that’s shining in your mom's eyes as she looks at you right now. Every tear erases a sin. Let it out! Your tears have a power that the rivers of Damascus didn’t have. Just like the Jordan, they can wash away a painful memory."
"Madam," she continued, addressing Mrs. Pryor, "did you think I could be daily in the habit of seeing you and your daughter together—marking your marvellous similarity in many points, observing (pardon me) your irrepressible emotions in the presence and still more in the absence of your child—and not form my own conjectures? I formed them, and they are literally correct. I shall begin to think myself shrewd."
"Ma'am," she continued, addressing Mrs. Pryor, "did you really think I could see you and your daughter together every day—noticing how much you resemble each other in many ways, and observing (excuse me) your strong emotions when your child is around and even more so when she’s not—and not come to my own conclusions? I did come to them, and they’re completely accurate. I might start to think I’m pretty perceptive."
"And you said nothing?" observed Caroline, who soon regained the quiet control of her feelings.
"And you didn’t say anything?" Caroline noted, quickly regaining the calm control of her emotions.
"Nothing. I had no warrant to breathe a word on the subject. My business it was not; I abstained from making it such."
"Nothing. I had no reason to say anything about it. It wasn’t my business; I chose not to make it one."
[Pg 394]"You guessed so deep a secret, and did not hint that you guessed it?"
[Pg394It seems there was no text provided for modernizing. Please provide a phrase, and I'll assist you."You figured out such a deep secret and didn’t even drop a hint that you knew?"
"Is that so difficult?"
"Is it really that hard?"
"It is not like you."
"That's not like you."
"How do you know?"
"How do you know that?"
"You are not reserved; you are frankly communicative."
"You’re not shy; you’re actually very open and talkative."
"I may be communicative, yet know where to stop. In showing my treasure I may withhold a gem or two—a curious, unbought graven stone—an amulet of whose mystic glitter I rarely permit even myself a glimpse. Good-day."
"I might be talkative, but I know when to hold back. In revealing my treasures, I might keep back a gem or two—a strange, unpurchased engraved stone—an amulet whose mysterious shine I hardly let myself see. Have a good day."
Caroline thus seemed to get a view of Shirley's character under a novel aspect. Ere long the prospect was renewed; it opened upon her.
Caroline seemed to see a different side of Shirley's character. Soon, the view returned; it revealed itself to her.
No sooner had she regained sufficient strength to bear a change of scene—the excitement of a little society—than Miss Keeldar sued daily for her presence at Fieldhead. Whether Shirley had become wearied of her honoured relatives is not known. She did not say she was; but she claimed and retained Caroline with an eagerness which proved that an addition to that worshipful company was not unwelcome.
No sooner had she gotten strong enough to handle a change of scenery—the thrill of being around a few people—than Miss Keeldar started asking daily for her to come to Fieldhead. It’s unclear whether Shirley had grown tired of her esteemed family. She never said she was, but she sought out Caroline with such enthusiasm that it showed adding someone to that reverent group was definitely a welcome idea.
The Sympsons were church people. Of course the rector's niece was received by them with courtesy. Mr. Sympson proved to be a man of spotless respectability, worrying temper, pious principles, and worldly views; his lady was a very good woman—patient, kind, well-bred. She had been brought up on a narrow system of views, starved on a few prejudices—a mere handful of bitter herbs; a few preferences, soaked till their natural flavour was extracted, and with no seasoning added in the cooking; some excellent principles, made up in a stiff raised crust of bigotry difficult to digest. Far too submissive was she to complain of this diet or to ask for a crumb beyond it.
The Sympsons were churchgoers. Naturally, the rector's niece was welcomed by them with politeness. Mr. Sympson turned out to be a man of impeccable respectability, a prickly personality, religious beliefs, and practical views; his wife was a very good woman—patient, kind, and well-mannered. She had been raised with a limited set of beliefs, deprived of diverse perspectives—a mere handful of bitter herbs; a few preferences, drained of their original flavor, and with no seasoning added during the process; some solid principles, enclosed in a rigid shell of narrow-mindedness that was hard to swallow. She was far too submissive to complain about this lack of variety or to ask for anything more.
The daughters were an example to their sex. They were tall, with a Roman nose apiece. They had been educated faultlessly. All they did was well done. History and the most solid books had cultivated their minds. Principles and opinions they possessed which could not be mended. More exactly-regulated lives, feelings, manners, habits, it would have been difficult to find anywhere. They knew by heart a certain young-ladies'-schoolroom code of laws on language, demeanour, etc.; themselves never deviated from its curious little pragmatical provisions, and they regarded with secret whispered horror all deviations in others. The[Pg 395] Abomination of Desolation was no mystery to them; they had discovered that unutterable Thing in the characteristic others call Originality. Quick were they to recognize the signs of this evil; and wherever they saw its trace—whether in look, word, or deed; whether they read it in the fresh, vigorous style of a book, or listened to it in interesting, unhackneyed, pure, expressive language—they shuddered, they recoiled. Danger was above their heads, peril about their steps. What was this strange thing? Being unintelligible it must be bad. Let it be denounced and chained up.
The daughters were a model for their peers. They were tall, each with a Roman nose. They had been educated perfectly. Everything they did was well executed. Their minds had been shaped by history and substantial literature. They held principles and opinions that were unshakeable. It would have been hard to find lives, feelings, manners, and habits more precisely regulated than theirs. They memorized a certain set of rules from a young ladies' school handbook concerning language, behavior, etc.; they never strayed from its peculiar little requirements and secretly whispered in horror at any lapses by others. The[Pg395Please provide the text you would like me to modernize. Abomination of Desolation was no mystery to them; they recognized that unspeakable thing in what others call Originality. They were quick to spot the signs of this menace; and wherever they found its trace—whether in appearance, words, or actions; whether they encountered it in the fresh, lively style of a book, or heard it in interesting, original, clear, expressive language—they shuddered and recoiled. Danger loomed above them, peril surrounded their steps. What was this strange thing? If it was unintelligible, it must be bad. It should be condemned and confined.
Henry Sympson, the only son and youngest child of the family, was a boy of fifteen. He generally kept with his tutor. When he left him, he sought his cousin Shirley. This boy differed from his sisters. He was little, lame, and pale; his large eyes shone somewhat languidly in a wan orbit. They were, indeed, usually rather dim, but they were capable of illumination. At times they could not only shine, but blaze. Inward emotion could likewise give colour to his cheek and decision to his crippled movements. Henry's mother loved him; she thought his peculiarities were a mark of election. He was not like other children, she allowed. She believed him regenerate—a new Samuel—called of God from his birth. He was to be a clergyman. Mr. and the Misses Sympson, not understanding the youth, let him much alone. Shirley made him her pet, and he made Shirley his playmate.
Henry Sympson, the only son and youngest child of the family, was a fifteen-year-old boy. He usually spent time with his tutor. When he left his tutor, he looked for his cousin Shirley. This boy was different from his sisters. He was small, had a limp, and was pale; his large eyes shone somewhat weakly in their sunken sockets. They often looked dim, but they could light up at times. When he felt strong emotions, his cheeks could flush with color and his movements, despite his disability, could become more assertive. Henry's mother adored him; she saw his differences as a sign of being chosen. She acknowledged that he wasn't like other children. She believed he was blessed—like a new Samuel—called by God from the moment he was born. He was meant to be a clergyman. Mr. and the Misses Sympson, not fully understanding the boy, largely left him to himself. Shirley took a liking to him, and he considered Shirley his friend.
In the midst of this family circle, or rather outside it, moved the tutor—the satellite.
In the middle of this family circle, or rather on the outskirts, was the tutor—the satellite.
Yes, Louis Moore was a satellite of the house of Sympson—connected, yet apart; ever attendant, ever distant. Each member of that correct family treated him with proper dignity. The father was austerely civil, sometimes irritable; the mother, being a kind woman, was attentive, but formal; the daughters saw in him an abstraction, not a man. It seemed, by their manner, that their brother's tutor did not live for them. They were learned; so was he—but not for them. They were accomplished; he had talents too, imperceptible to their senses. The most spirited sketch from his fingers was a blank to their eyes; the most original observation from his lips fell unheard on their ears. Nothing could exceed the propriety of their behaviour.
Yes, Louis Moore was like a satellite in the Sympson household—connected, yet separate; always around, yet distant. Each family member treated him with the right amount of respect. The father was sternly polite, sometimes on edge; the mother, being kind, was attentive but formal; the daughters viewed him as an idea, not a person. Their attitude suggested that their brother's tutor didn't really exist for them. They were educated; so was he—but not in relation to them. They were skilled; he had abilities too, but they couldn't see them. The most spirited drawing he made was a blank in their eyes; the most original thought he expressed went unheard by them. Nothing about their behavior could be more proper.
I should have said nothing could have equalled it; but I remember a fact which strangely astonished Caroline[Pg 396] Helstone. It was—to discover that her cousin had absolutely no sympathizing friend at Fieldhead; that to Miss Keeldar he was as much a mere teacher, as little a gentleman, as little a man, as to the estimable Misses Sympson.
I should have said nothing could match it; but I remember something that really surprised Caroline Helstone. It was finding out that her cousin had absolutely no supportive friend at Fieldhead; to Miss Keeldar, he was just a teacher, not at all a gentleman, not at all a man, just like the respected Misses Sympson.
What had befallen the kind-hearted Shirley that she should be so indifferent to the dreary position of a fellow-creature thus isolated under her roof? She was not, perhaps, haughty to him, but she never noticed him—she let him alone. He came and went, spoke or was silent, and she rarely recognized his existence.
What happened to the kind-hearted Shirley that made her so indifferent to the sad situation of a fellow human being isolated under her roof? She wasn’t, maybe, arrogant towards him, but she never acknowledged him—she left him alone. He came and went, talked or stayed quiet, and she rarely acknowledged he was even there.
As to Louis Moore himself, he had the air of a man used to this life, and who had made up his mind to bear it for a time. His faculties seemed walled up in him, and were unmurmuring in their captivity. He never laughed; he seldom smiled; he was uncomplaining. He fulfilled the round of his duties scrupulously. His pupil loved him; he asked nothing more than civility from the rest of the world. It even appeared that he would accept nothing more—in that abode at least; for when his cousin Caroline made gentle overtures of friendship, he did not encourage them—he rather avoided than sought her. One living thing alone, besides his pale, crippled scholar, he fondled in the house, and that was the ruffianly Tartar, who, sullen and impracticable to others, acquired a singular partiality for him—a partiality so marked that sometimes, when Moore, summoned to a meal, entered the room and sat down unwelcomed, Tartar would rise from his lair at Shirley's feet and betake himself to the taciturn tutor. Once—but once—she noticed the desertion, and holding out her white hand, and speaking softly, tried to coax him back. Tartar looked, slavered, and sighed, as his manner was, but yet disregarded the invitation, and coolly settled himself on his haunches at Louis Moore's side. That gentleman drew the dog's big, black-muzzled head on to his knee, patted him, and smiled one little smile to himself.
As for Louis Moore himself, he had the vibe of a man accustomed to this life, who had resolved to endure it for a while. His abilities seemed trapped inside him, quietly contained. He never laughed; he rarely smiled; he didn't complain. He meticulously carried out his responsibilities. His pupil admired him; he asked for nothing more than basic courtesy from everyone else. It even seemed like he would accept nothing more—at least in that place; when his cousin Caroline made gentle attempts at friendship, he didn’t encourage them—he avoided her more than he sought her out. There was only one living thing, besides his pale, disabled student, that he cared for in the house, and that was the rough and grumpy Tartar, who, unfriendly and unmanageable to others, developed a strong fondness for him—so strong that sometimes, when Moore was called to a meal and entered the room uninvited, Tartar would leave his spot at Shirley's feet and come over to the quiet tutor. Once—but just once—she noticed the shift and, extending her white hand and speaking softly, tried to coax him back. Tartar looked, drooled, and sighed, as was his way, but ignored the invitation and casually settled down beside Louis Moore. That gentleman rested the dog’s large, black-muzzled head on his knee, patted him, and gave a small smile to himself.
An acute observer might have remarked, in the course of the same evening, that after Tartar had resumed his allegiance to Shirley, and was once more couched near her footstool, the audacious tutor by one word and gesture fascinated him again. He pricked up his ears at the word; he started erect at the gesture, and came, with head lovingly depressed, to receive the expected caress. As it was given, the significant smile again rippled across Moore's quiet face.
A sharp observer might have noticed, during that same evening, that after Tartar pledged his loyalty to Shirley again and settled back down near her footstool, the bold tutor captivated him once more with just a word and a gesture. He perked up at the word; he stood tall at the gesture, and approached with his head lowered, ready to receive the affection he anticipated. As it was given, a knowing smile once again flickered across Moore's calm face.
"Shirley," said Caroline one day, as they two were sitting alone in the summer-house, "did you know that my cousin Louis was tutor in your uncle's family before the Sympsons came down here?"
"Shirley," Caroline said one day, while they were sitting together in the summer-house, "did you know that my cousin Louis was a tutor for your uncle's family before the Simpsons moved down here?"
Shirley's reply was not so prompt as her responses usually were, but at last she answered, "Yes—of course; I knew it well."
Shirley's reply wasn’t as quick as usual, but finally she said, "Yes—of course; I knew it well."
"I thought you must have been aware of the circumstance."
"I thought you must have known about the situation."
"Well! what then?"
"Well, what now?"
"It puzzles me to guess how it chanced that you never mentioned it to me."
"It confuses me to think about how it happened that you never brought it up with me."
"Why should it puzzle you?"
"Why should it confuse you?"
"It seems odd. I cannot account for it. You talk a great deal—you talk freely. How was that circumstance never touched on?"
"It seems strange. I can't explain it. You talk a lot—you talk openly. How was that never brought up?"
"Because it never was," and Shirley laughed.
"Because it never was," Shirley laughed.
"You are a singular being!" observed her friend. "I thought I knew you quite well; I begin to find myself mistaken. You were silent as the grave about Mrs. Pryor, and now again here is another secret. But why you made it a secret is the mystery to me."
"You are one of a kind!" her friend noted. "I thought I knew you pretty well; I’m starting to realize I was wrong. You were tight-lipped about Mrs. Pryor, and now there's another secret. But why you chose to keep it a secret is a mystery to me."
"I never made it a secret; I had no reason for so doing. If you had asked me who Henry's tutor was, I would have told you. Besides, I thought you knew."
"I never kept it a secret; I had no reason to. If you had asked me who Henry's tutor was, I would have told you. Besides, I thought you already knew."
"I am puzzled about more things than one in this matter. You don't like poor Louis. Why? Are you impatient at what you perhaps consider his servile position? Do you wish that Robert's brother were more highly placed?"
"I'm confused about more than one thing in this situation. You don't like poor Louis. Why? Are you frustrated by what you might see as his submissive position? Do you wish Robert's brother had a higher status?"
"Robert's brother, indeed!" was the exclamation, uttered in a tone like the accents of scorn; and with a movement of proud impatience Shirley snatched a rose from a branch peeping through the open lattice.
"Robert's brother, really?" was the exclamation, said in a tone full of disdain; and with a gesture of proud annoyance, Shirley grabbed a rose from a branch poking through the open lattice.
"Yes," repeated Caroline, with mild firmness, "Robert's brother. He is thus closely related to Gérard Moore of the Hollow, though nature has not given him features so handsome or an air so noble as his kinsman; but his blood is as good, and he is as much a gentleman were he free."
"Yes," Caroline said again, with gentle conviction, "Robert's brother. He is closely related to Gérard Moore of the Hollow, although nature hasn't blessed him with such handsome features or a noble demeanor like his relative; but his blood is just as good, and he would be just as much a gentleman if he were free."
"Wise, humble, pious Caroline!" exclaimed Shirley ironically. "Men and angels, hear her! We should not despise plain features, nor a laborious yet honest occupation, should we? Look at the subject of your panegyric. He is there in the garden," she continued, pointing through an aperture[Pg 398] in the clustering creepers; and by that aperture Louis Moore was visible, coming slowly down the walk.
"Wise, humble, pious Caroline!" Shirley said with a hint of sarcasm. "Men and angels, listen to her! We shouldn’t look down on plain looks or a hard but honest job, should we? Look at the person you’re praising. He’s right there in the garden," she continued, pointing through a gap[Pg398It seems that there is no text provided for me to modernize. Please provide a short phrase (5 words or fewer) for me to assist you with. in the thick vines; and through that gap, Louis Moore could be seen, walking slowly down the path.
"He is not ugly, Shirley," pleaded Caroline; "he is not ignoble. He is sad; silence seals his mind. But I believe him to be intelligent; and be certain, if he had not something very commendable in his disposition, Mr. Hall would never seek his society as he does."
"He's not ugly, Shirley," Caroline pleaded. "He's not a bad person. He's just sad; he keeps to himself. But I think he's smart, and trust me, if he didn't have some really good qualities, Mr. Hall wouldn't be spending so much time with him."
Shirley laughed; she laughed again, each time with a slightly sarcastic sound. "Well, well," was her comment. "On the plea of the man being Cyril Hall's friend and Robert Moore's brother, we'll just tolerate his existence; won't we, Cary? You believe him to be intelligent, do you? Not quite an idiot—eh? Something commendable in his disposition!—id est, not an absolute ruffian. Good! Your representations have weight with me; and to prove that they have, should he come this way I will speak to him."
Shirley laughed; she laughed again, each time with a bit of sarcasm. "Well, well," she said. "Since he’s Cyril Hall's friend and Robert Moore's brother, we’ll just put up with him, right, Cary? You think he’s smart, do you? Not exactly an idiot, huh? There's something decent about him!—that is, he's not completely awful. Good! I value what you say; and to show that I do, if he comes around, I’ll talk to him."
He approached the summer-house. Unconscious that it was tenanted, he sat down on the step. Tartar, now his customary companion, had followed him, and he couched across his feet.
He walked up to the summer house. Not realizing it was occupied, he sat down on the steps. Tartar, his usual companion, had followed him and curled up across his feet.
"Old boy!" said Louis, pulling his tawny ear, or rather the mutilated remains of that organ, torn and chewed in a hundred battles, "the autumn sun shines as pleasantly on us as on the fairest and richest. This garden is none of ours, but we enjoy its greenness and perfume, don't we?"
"Hey there!" said Louis, tugging at his sandy ear, or what was left of it, torn and chewed through countless battles. "The autumn sun is shining just as nicely on us as it does on the most beautiful and wealthy. This garden isn't ours, but we still get to enjoy its greenery and scent, right?"
He sat silent, still caressing Tartar, who slobbered with exceeding affection. A faint twittering commenced among the trees round. Something fluttered down as light as leaves. They were little birds, which, lighting on the sward at shy distance, hopped as if expectant.
He sat quietly, still petting Tartar, who drooled with excessive love. A faint chirping started among the trees nearby. Something floated down as lightly as leaves. They were little birds that, landing on the grass at a cautious distance, hopped as if waiting for something.
"The small brown elves actually remember that I fed them the other day," again soliloquized Louis. "They want some more biscuit. To-day I forgot to save a fragment. Eager little sprites, I have not a crumb for you."
"The little brown elves actually remember that I fed them the other day," Louis mused again. "They want more biscuits. Today, I forgot to save even a tiny piece. Eager little sprites, I don’t have a crumb for you."
He put his hand in his pocket and drew it out empty.
He reached into his pocket and pulled it out empty.
"A want easily supplied," whispered the listening Miss Keeldar.
"A need easily met," whispered the attentive Miss Keeldar.
She took from her reticule a morsel of sweet-cake; for that repository was never destitute of something available to throw to the chickens, young ducks, or sparrows. She crumbled it, and bending over his shoulder, put the crumbs into his hand.
She reached into her bag and took out a piece of cake; she always had something on hand to toss to the chickens, ducklings, or sparrows. She crumbled it, and leaning over his shoulder, placed the crumbs in his hand.
"There," said she—"there is a providence for the improvident."
"There," she said, "there's a higher power looking out for those who aren't careful."
[Pg 399]"This September afternoon is pleasant," observed Louis Moore, as, not at all discomposed, he calmly cast the crumbs on to the grass.
[Pg399I'm ready to assist you with modernizing short phrases. Please provide the text you'd like me to work on."This September afternoon is nice," noted Louis Moore, as he, completely at ease, calmly tossed the crumbs onto the grass.
"Even for you?"
"Even for you?"
"As pleasant for me as for any monarch."
"As enjoyable for me as it is for any king."
"You take a sort of harsh, solitary triumph in drawing pleasure out of the elements and the inanimate and lower animate creation."
"You find a kind of tough, lonely satisfaction in deriving joy from nature and the non-living and simpler living things."
"Solitary, but not harsh. With animals I feel I am Adam's son, the heir of him to whom dominion was given over 'every living thing that moveth upon the earth.' Your dog likes and follows me. When I go into that yard, the pigeons from your dovecot flutter at my feet. Your mare in the stable knows me as well as it knows you, and obeys me better."
"Alone, but not unkind. With animals, I feel like I'm the son of Adam, the one who was given authority over 'every living creature that moves on the earth.' Your dog likes me and follows me. When I enter that yard, the pigeons from your dovecot flutter at my feet. Your mare in the stable knows me just as well as it knows you, and listens to me better."
"And my roses smell sweet to you, and my trees give you shade."
"And my roses smell sweet to you, and my trees provide you shade."
"And," continued Louis, "no caprice can withdraw these pleasures from me; they are mine."
"And," Louis went on, "no whim can take these pleasures away from me; they are mine."
He walked off. Tartar followed him, as if in duty and affection bound, and Shirley remained standing on the summer-house step. Caroline saw her face as she looked after the rude tutor. It was pale, as if her pride bled inwardly.
He walked away. Tartar followed him, as if bound by duty and affection, while Shirley stood on the summer-house step. Caroline saw her face as she watched the rude tutor leave. It was pale, as though her pride was wounded deeply.
"You see," remarked Caroline apologetically, "his feelings are so often hurt it makes him morose."
"You see," Caroline said apologetically, "his feelings get hurt so often that he becomes really gloomy."
"You see," retorted Shirley, with ire, "he is a topic on which you and I shall quarrel if we discuss it often; so drop it henceforward and for ever."
"You see," Shirley snapped angrily, "he's a subject we’ll argue about if we keep talking about it; so let’s drop it from now on and for good."
"I suppose he has more than once behaved in this way," thought Caroline to herself, "and that renders Shirley so distant to him. Yet I wonder she cannot make allowance for character and circumstances. I wonder the general modesty, manliness, sincerity of his nature do not plead with her in his behalf. She is not often so inconsiderate, so irritable."
"I guess he's acted this way more than once," Caroline thought to herself, "and that makes Shirley so distant with him. Still, I wonder why she can't take his character and situation into account. I wonder why his overall modesty, masculinity, and sincerity don't work in his favor. She's not usually this inconsiderate or irritable."
The verbal testimony of two friends of Caroline's to her cousin's character augmented her favourable opinion of him. William Farren, whose cottage he had visited in company with Mr. Hall, pronounced him a "real gentleman;" there was not such another in Briarfield. He—William—"could do aught for that man. And then to see how t' bairns liked him, and how t' wife took to him[Pg 400] first minute she saw him. He never went into a house but t' childer wor about him directly. Them little things wor like as if they'd a keener sense nor grown-up folks i' finding our folk's natures."
The statements from two of Caroline's friends about her cousin boosted her positive opinion of him. William Farren, who had visited his cottage with Mr. Hall, called him a "real gentleman;" there wasn't anyone like him in Briarfield. He—William—"would do anything for that man. And then to see how the kids liked him, and how the wife warmed up to him the moment she saw him. He never entered a house without the children gathering around him right away. Those little ones seemed to have a sharper sense than adults in figuring out people's true natures."
Mr. Hall, in answer to a question of Miss Helstone's as to what he thought of Louis Moore, replied promptly that he was the best fellow he had met with since he left Cambridge.
Mr. Hall, in response to a question from Miss Helstone about what he thought of Louis Moore, replied right away that he was the best guy he had come across since leaving Cambridge.
"But he is so grave," objected Caroline.
"But he is so serious," Caroline said in objection.
"Grave! the finest company in the world! Full of odd, quiet, out-of-the-way humour. Never enjoyed an excursion so much in my life as the one I took with him to the Lakes. His understanding and tastes are so superior, it does a man good to be within their influence; and as to his temper and nature, I call them fine."
"Grave! The best company in the world! Full of quirky, subtle, offbeat humor. I’ve never enjoyed a trip as much as the one I took with him to the Lakes. His insights and tastes are so refined; it’s refreshing to be around them. And when it comes to his temperament and character, I think they’re great."
"At Fieldhead he looks gloomy, and, I believe, has the character of being misanthropical."
"At Fieldhead, he seems downcast and, I think, has a reputation for being unfriendly."
"Oh! I fancy he is rather out of place there—in a false position. The Sympsons are most estimable people, but not the folks to comprehend him. They think a great deal about form and ceremony, which are quite out of Louis's way."
"Oh! I believe he feels pretty out of place there—in a fake position. The Sympsons are really good people, but they aren't the type to understand him. They care a lot about appearances and formalities, which aren't really Louis's style."
"I don't think Miss Keeldar likes him."
"I don't think Miss Keeldar is into him."
"She doesn't know him—she doesn't know him; otherwise she has sense enough to do justice to his merits."
"She doesn't know him—she doesn't know him; if she did, she would be smart enough to appreciate his qualities."
"Well, I suppose she doesn't know him," mused Caroline to herself, and by this hypothesis she endeavoured to account for what seemed else unaccountable. But such simple solution of the difficulty was not left her long. She was obliged to refuse Miss Keeldar even this negative excuse for her prejudice.
"Well, I guess she doesn't know him," Caroline thought to herself, and with this idea, she tried to make sense of what seemed otherwise unexplainable. But this simple solution didn’t last long. She had to deny Miss Keeldar even this weak excuse for her bias.
One day she chanced to be in the schoolroom with Henry Sympson, whose amiable and affectionate disposition had quickly recommended him to her regard. The boy was busied about some mechanical contrivance; his lameness made him fond of sedentary occupation. He began to ransack his tutor's desk for a piece of wax or twine necessary to his work. Moore happened to be absent. Mr. Hall, indeed, had called for him to take a long walk. Henry could not immediately find the object of his search. He rummaged compartment after compartment; and at last, opening an inner drawer, he came upon—not a ball of cord or a lump of beeswax, but a little bundle of small marble-coloured cahiers, tied with tape. Henry looked at them.[Pg 401] "What rubbish Mr. Moore stores up in his desk!" he said. "I hope he won't keep my old exercises so carefully."
One day, she happened to be in the classroom with Henry Sympson, whose friendly and caring nature had quickly made her like him. The boy was busy working on some mechanical device; his lameness made him enjoy sitting down to work. He started searching through his tutor's desk for a piece of wax or twine he needed for his project. Moore was out at the time. Mr. Hall had actually called him to go for a long walk. Henry couldn’t find what he was looking for right away. He searched through drawer after drawer, and finally, when he opened an inner drawer, he found—not a ball of string or a chunk of beeswax, but a small bundle of marble-colored notebooks tied with tape. Henry looked at them.[Pg401I'm sorry, but I cannot provide input based on "Below is a short piece of text" without any specific text to modernize. Please provide the text you'd like rephrased. "What junk Mr. Moore keeps in his desk!" he said. "I hope he won't hold onto my old work so carefully."
"What is it?"
"What's that?"
"Old copy-books."
"Old notebooks."
He threw the bundle to Caroline. The packet looked so neat externally her curiosity was excited to see its contents.
He tossed the bundle to Caroline. The packet looked so neat on the outside that her curiosity was piqued to see what was inside.
"If they are only copy-books, I suppose I may open them?"
"If they’re just notebooks, I guess I can open them?"
"Oh yes, quite freely. Mr. Moore's desk is half mine—for he lets me keep all sorts of things in it—and I give you leave."
"Oh yes, go ahead. Mr. Moore's desk is half mine—he lets me store all kinds of stuff in it—and I give you permission."
On scrutiny they proved to be French compositions, written in a hand peculiar but compact, and exquisitely clean and clear. The writing was recognizable. She scarcely needed the further evidence of the name signed at the close of each theme to tell her whose they were. Yet that name astonished her—"Shirley Keeldar, Sympson Grove, ——shire" (a southern county), and a date four years back.
Upon closer inspection, they turned out to be French essays, written in a unique but neat handwriting that was incredibly clean and legible. The writing was familiar. She hardly needed the additional proof of the name signed at the end of each piece to know who had written them. Yet that name surprised her—"Shirley Keeldar, Sympson Grove, ——shire" (a southern county), with a date from four years ago.
She tied up the packet, and held it in her hand, meditating over it. She half felt as if, in opening it, she had violated a confidence.
She tied up the packet and held it in her hand, thinking about it. She felt like, by opening it, she would be breaking someone's trust.
"They are Shirley's, you see," said Henry carelessly.
"They belong to Shirley, you see," Henry said casually.
"Did you give them to Mr. Moore? She wrote them with Mrs. Pryor, I suppose?"
"Did you give those to Mr. Moore? I assume she wrote them with Mrs. Pryor?"
"She wrote them in my schoolroom at Sympson Grove, when she lived with us there. Mr. Moore taught her French; it is his native language."
"She wrote them in my classroom at Sympson Grove when she lived with us. Mr. Moore taught her French; it’s his native language."
"I know. Was she a good pupil, Henry?"
"I know. Was she a good student, Henry?"
"She was a wild, laughing thing, but pleasant to have in the room. She made lesson-time charming. She learned fast—you could hardly tell when or how. French was nothing to her. She spoke it quick, quick—as quick as Mr. Moore himself."
"She was a lively, laughing person, but nice to have around. She made lessons enjoyable. She picked up things quickly—you could hardly notice when or how. French was easy for her. She spoke it fast, just as fast as Mr. Moore himself."
"Was she obedient? Did she give trouble?"
"Was she compliant? Did she cause any issues?"
"She gave plenty of trouble, in a way. She was giddy, but I liked her. I'm desperately fond of Shirley."
"She caused a lot of trouble, in a way. She was carefree, but I liked her. I'm really fond of Shirley."
"Desperately fond—you small simpleton! You don't know what you say."
"Desperately fond—you little fool! You have no idea what you're talking about."
"I am desperately fond of her. She is the light of my eyes. I said so to Mr. Moore last night."
"I really like her. She is the light of my eyes. I told Mr. Moore that last night."
"He would reprove you for speaking with exaggeration."
"He would criticize you for speaking too exaggeratedly."
"He didn't. He never reproves and reproves, as girls' governesses do. He was reading, and he only smiled into[Pg 402] his book, and said that if Miss Keeldar was no more than that, she was less than he took her to be; for I was but a dim-eyed, short-sighted little chap. I'm afraid I am a poor unfortunate, Miss Caroline Helstone. I am a cripple, you know."
"He didn't. He never criticizes and nags like girls' governesses do. He was reading, and he just smiled at his book and said that if Miss Keeldar was only that, she was less than he thought she was; because I was just a dim-eyed, short-sighted little kid. I'm afraid I'm a poor unfortunate, Miss Caroline Helstone. I'm a cripple, you know."
"Never mind, Henry, you are a very nice little fellow; and if God has not given you health and strength, He has given you a good disposition and an excellent heart and brain."
"Don't worry about it, Henry, you're a really nice guy; and even if God hasn't given you health and strength, He's given you a great attitude and an amazing heart and mind."
"I shall be despised. I sometimes think both Shirley and you despise me."
"I will be looked down on. Sometimes I think both Shirley and you look down on me."
"Listen, Henry. Generally, I don't like schoolboys. I have a great horror of them. They seem to me little ruffians, who take an unnatural delight in killing and tormenting birds, and insects, and kittens, and whatever is weaker than themselves. But you are so different I am quite fond of you. You have almost as much sense as a man (far more, God wot," she muttered to herself, "than many men); you are fond of reading, and you can talk sensibly about what you read."
"Listen, Henry. Usually, I’m not a fan of schoolboys. I have a strong aversion to them. They come across as little troublemakers who take pleasure in hurting and torturing birds, insects, kittens, and anything weaker than themselves. But you’re so different that I actually like you. You’re almost as wise as a man (far more, I must say," she muttered to herself, "than many men); you enjoy reading and can discuss what you read in a sensible way."
"I am fond of reading. I know I have sense, and I know I have feeling."
"I really enjoy reading. I know I'm sensible, and I know I have emotions."
Miss Keeldar here entered.
Miss Keeldar has arrived.
"Henry," she said, "I have brought your lunch here. I shall prepare it for you myself."
"Henry," she said, "I've brought your lunch. I'll get it ready for you myself."
She placed on the table a glass of new milk, a plate of something which looked not unlike leather, and a utensil which resembled a toasting-fork.
She set a glass of fresh milk, a plate of something that looked a lot like leather, and a tool that looked like a toasting fork on the table.
"What are you two about," she continued, "ransacking Mr. Moore's desk?"
"What are you two doing," she continued, "going through Mr. Moore's desk?"
"Looking at your old copy-books," returned Caroline.
"Looking at your old notebooks," replied Caroline.
"My old copy-books?"
"My old notebooks?"
"French exercise-books. Look here! They must be held precious; they are kept carefully."
"French exercise books. Check this out! They must be valuable; they’re kept with care."
She showed the bundle. Shirley snatched it up. "Did not know one was in existence," she said. "I thought the whole lot had long since lit the kitchen fire, or curled the maid's hair at Sympson Grove.—What made you keep them, Henry?"
She showed the bundle. Shirley grabbed it. "I had no idea this was even around," she said. "I thought they'd all been used to start the kitchen fire ages ago or to curl the maid's hair at Sympson Grove. —Why did you hold onto them, Henry?"
"It is not my doing. I should not have thought of it. It never entered my head to suppose copy-books of value. Mr. Moore put them by in the inner drawer of his desk. Perhaps he forgot them."
"It’s not my fault. I shouldn’t have thought of it. It never crossed my mind to assume there were valuable notebooks. Mr. Moore stored them in the inner drawer of his desk. Maybe he forgot about them."
"C'est cela. He forgot them, no doubt," echoed Shirley.[Pg 403] "They are extremely well written," she observed complacently.
"That's right. He definitely forgot them," Shirley reflected.[Pg403I apologize, but there is no text provided for me to modernize. Please provide a phrase, and I will assist you. "They're really well written," she noted with satisfaction.
"What a giddy girl you were, Shirley, in those days! I remember you so well. A slim, light creature whom, though you were so tall, I could lift off the floor. I see you with your long, countless curls on your shoulders, and your streaming sash. You used to make Mr. Moore lively—that is, at first. I believe you grieved him after a while."
"What a silly girl you were, Shirley, back then! I remember you so clearly. A slim, lightweight girl whom, even though you were so tall, I could lift off the ground. I picture you with your long, endless curls on your shoulders and your flowing sash. You used to make Mr. Moore cheerful—that is, at first. I think you upset him after a while."
Shirley turned the closely-written pages and said nothing. Presently she observed, "That was written one winter afternoon. It was a description of a snow scene."
Shirley flipped through the tightly written pages and stayed quiet. After a moment, she remarked, "That was written one winter afternoon. It describes a snowy scene."
"I remember," said Henry. "Mr. Moore, when he read it, cried, 'Voilà le Français gagné!' He said it was well done. Afterwards you made him draw, in sepia, the landscape you described."
"I remember," said Henry. "Mr. Moore, when he read it, shouted, 'There’s the French mastered!' He said it was really well done. Later, you had him sketch, in sepia, the landscape you described."
"You have not forgotten, then, Hal?"
"You haven't forgotten, right, Hal?"
"Not at all. We were all scolded that day for not coming down to tea when called. I can remember my tutor sitting at his easel, and you standing behind him, holding the candle, and watching him draw the snowy cliff, the pine, the deer couched under it, and the half-moon hung above."
"Not at all. We were all reprimanded that day for not coming down to tea when called. I can remember my tutor sitting at his easel, and you standing behind him, holding the candle, and watching him sketch the snowy cliff, the pine tree, the deer resting underneath it, and the half-moon hanging above."
"Where are his drawings, Harry? Caroline should see them."
"Where are his drawings, Harry? Caroline needs to see them."
"In his portfolio. But it is padlocked; he has the key."
"In his portfolio. But it's locked; he has the key."
"Ask him for it when he comes in."
"Ask him for it when he arrives."
"You should ask him, Shirley. You are shy of him now. You are grown a proud lady to him; I notice that."
"You should talk to him, Shirley. You're avoiding him now. You've become a proud lady around him; I've noticed that."
"Shirley, you are a real enigma," whispered Caroline in her ear. "What queer discoveries I make day by day now!—I who thought I had your confidence. Inexplicable creature! even this boy reproves you."
"Shirley, you’re such a mystery," Caroline whispered in her ear. "Every day brings new surprises!—I thought I had your trust. Unexplainable person! Even this boy is calling you out."
"I have forgotten 'auld lang syne,' you see, Harry," said Miss Keeldar, answering young Sympson, and not heeding Caroline.
"I've forgotten 'auld lang syne,' you see, Harry," said Miss Keeldar, replying to young Sympson and not paying attention to Caroline.
"Which you never should have done. You don't deserve to be a man's morning star if you have so short a memory."
"Which you never should have done. You don't deserve to be a man's morning star if you have such a short memory."
"A man's morning star, indeed! and by 'a man' is meant your worshipful self, I suppose? Come, drink your new milk while it is warm."
"A morning star for a man, indeed! And by 'a man,' I take it you mean yourself, right? Come on, drink your fresh milk while it’s still warm."
The young cripple rose and limped towards the fire; he had left his crutch near the mantelpiece.
The young disabled person got up and limped toward the fire; he had left his crutch by the mantel.
"My poor lame darling!" murmured Shirley, in her softest voice, aiding him.
"My poor, injured darling!" Shirley said softly, helping him.
[Pg 404]"Whether do you like me or Mr. Sam Wynne best, Shirley?" inquired the boy, as she settled him in an arm-chair.
[Pg404Text is missing. Please provide a short piece of text for me to modernize.“Which one do you like more, me or Mr. Sam Wynne, Shirley?” the boy asked as she settled him into an armchair.
"O Harry, Sam Wynne is my aversion; you are my pet."
"O Harry, Sam Wynne is someone I can't stand; you are my favorite."
"Me or Mr. Malone?"
"Me or Mr. Malone?"
"You again, a thousand times."
"You again, over and over."
"Yet they are great whiskered fellows, six feet high each."
"Yet they are tall, hairy guys, each six feet tall."
"Whereas, as long as you live, Harry, you will never be anything more than a little pale lameter."
"Harry, as long as you live, you’ll never be anything more than a weak little loser."
"Yes, I know."
"Yeah, I know."
"You need not be sorrowful. Have I not often told you who was almost as little, as pale, as suffering as you, and yet potent as a giant and brave as a lion?"
"You don’t need to be sad. Haven’t I told you before about someone who was almost as small, as pale, and as weak as you, yet powerful like a giant and as brave as a lion?"
"Admiral Horatio?"
"Admiral Horatio?"
"Admiral Horatio, Viscount Nelson, and Duke of Bronte; great at heart as a Titan; gallant and heroic as all the world and age of chivalry; leader of the might of England; commander of her strength on the deep; hurler of her thunder over the flood."
"Admiral Horatio, Viscount Nelson, and Duke of Bronte; great-hearted like a Titan; brave and heroic like all the legends of chivalry; leader of England's power; commander of her strength at sea; wielder of her thunder over the waves."
"A great man. But I am not warlike, Shirley; and yet my mind is so restless I burn day and night—for what I can hardly tell—to be—to do—to suffer, I think."
"A remarkable man. But I'm not a fighter, Shirley; and yet my mind is so restless I feel a constant urge day and night—for reasons I can barely name—to be—to do—to suffer, I guess."
"Harry, it is your mind, which is stronger and older than your frame, that troubles you. It is a captive; it lies in physical bondage. But it will work its own redemption yet. Study carefully not only books but the world. You love nature; love her without fear. Be patient—wait the course of time. You will not be a soldier or a sailor, Henry; but if you live you will be—listen to my prophecy—you will be an author, perhaps a poet."
"Harry, it's your mind, which is stronger and older than your body, that is troubling you. It's trapped; it’s in physical bondage. But it will find its own way to freedom eventually. Pay attention not just to books but to the world around you. You love nature; embrace her without fear. Be patient—allow time to unfold. You won’t be a soldier or a sailor, Henry; but if you live—you’ll see—you’ll become an author, maybe even a poet."
"An author! It is a flash—a flash of light to me! I will—I will! I'll write a book that I may dedicate it to you."
"An author! It's like a flash—a flash of light to me! I will—I will! I'll write a book that I can dedicate to you."
"You will write it that you may give your soul its natural release. Bless me! what am I saying? more than I understand, I believe, or can make good. Here, Hal—here is your toasted oatcake; eat and live!"
"You'll write it so your soul can be set free. Bless me! What am I saying? More than I understand, I think, or can back up. Here, Hal—here’s your toasted oatcake; eat and live!"
"Willingly!" here cried a voice outside the open window. "I know that fragrance of meal bread. Miss Keeldar, may I come in and partake?"
"Willingly!" a voice called from outside the open window. "I recognize that smell of fresh bread. Miss Keeldar, can I come in and share?"
"Mr. Hall"—it was Mr. Hall, and with him was Louis Moore, returned from their walk—"there is a proper luncheon laid out in the dining-room and there are proper people seated round it. You may join that society and[Pg 405] share that fare if you please; but if your ill-regulated tastes lead you to prefer ill-regulated proceedings, step in here, and do as we do."
"Mr. Hall"—it was Mr. Hall, and with him was Louis Moore, back from their walk—"there's a nice lunch set up in the dining room, and there are proper people sitting around it. You can join that group and eat what they have if you'd like; but if your unruly tastes make you want to indulge in questionable activities, come in here and do what we do."
"I approve the perfume, and therefore shall suffer myself to be led by the nose," returned Mr. Hall, who presently entered, accompanied by Louis Moore. That gentleman's eye fell on his desk, pillaged.
"I like the perfume, so I guess I’ll let myself be led around," replied Mr. Hall, who then walked in with Louis Moore. That man's gaze landed on his desk, which had been ransacked.
"Burglars!" said he.—"Henry, you merit the ferule."
"Burglars!" he exclaimed. "Henry, you deserve to be punished."
"Give it to Shirley and Caroline; they did it," was alleged, with more attention to effect than truth.
"Give credit to Shirley and Caroline; they did it," was claimed, focusing more on impact than accuracy.
"Traitor and false witness!" cried both the girls. "We never laid hands on a thing, except in the spirit of laudable inquiry!"
"Traitor and liar!" both girls shouted. "We never touched anything, except out of a sense of curiosity!"
"Exactly so," said Moore, with his rare smile. "And what have you ferreted out, in your 'spirit of laudable inquiry'?"
"Exactly," Moore said, giving one of his rare smiles. "So, what have you uncovered in your 'spirit of commendable curiosity'?"
He perceived the inner drawer open.
He noticed the inner drawer was open.
"This is empty," said he. "Who has taken——"
"This is empty," he said. "Who took——"
"Here, here!" Caroline hastened to say, and she restored the little packet to its place. He shut it up; he locked it in with a small key attached to his watch-guard; he restored the other papers to order, closed the repository, and sat down without further remark.
"Here, here!" Caroline quickly said, and she put the little packet back in its place. He closed it up; he locked it with a small key attached to his watch chain; he organized the other papers, closed the container, and sat down without saying anything more.
"I thought you would have scolded much more, sir," said Henry. "The girls deserve reprimand."
"I thought you would have scolded a lot more, sir," said Henry. "The girls deserve a reprimand."
"I leave them to their own consciences."
"I leave them to their own judgment."
"It accuses them of crimes intended as well as perpetrated, sir. If I had not been here, they would have treated your portfolio as they have done your desk; but I told them it was padlocked."
"It accuses them of both planned and committed crimes, sir. If I hadn't been here, they would have messed with your portfolio just like they did your desk; but I told them it was padlocked."
"And will you have lunch with us?" here interposed Shirley, addressing Moore, and desirous, as it seemed, to turn the conversation.
"And will you have lunch with us?" Shirley interrupted, speaking to Moore and seeming eager to change the subject.
"Certainly, if I may."
"Sure, if that's okay."
"You will be restricted to new milk and Yorkshire oatcake."
"You can only have new milk and Yorkshire oatcake."
"Va—pour le lait frais!" said Louis. "But for your oatcake!" and he made a grimace.
"Go get the fresh milk!" said Louis. "But what about your oatcake!" and he made a face.
"He cannot eat it," said Henry. "He thinks it is like bran, raised with sour yeast."
"He can't eat it," said Henry. "He thinks it's like bran, made with sour yeast."
"Come, then; by special dispensation we will allow him a few cracknels, but nothing less homely."
"Come on, then; as a special exception, we'll let him have a few snacks, but nothing less homemade."
The hostess rang the bell and gave her frugal orders, which were presently executed. She herself measured out[Pg 406] the milk, and distributed the bread round the cosy circle now enclosing the bright little schoolroom fire. She then took the post of toaster-general; and kneeling on the rug, fork in hand, fulfilled her office with dexterity. Mr. Hall, who relished any homely innovation on ordinary usages, and to whom the husky oatcake was from custom suave as manna, seemed in his best spirits. He talked and laughed gleefully—now with Caroline, whom he had fixed by his side, now with Shirley, and again with Louis Moore. And Louis met him in congenial spirit. He did not laugh much, but he uttered in the quietest tone the wittiest things. Gravely spoken sentences, marked by unexpected turns and a quite fresh flavour and poignancy, fell easily from his lips. He proved himself to be—what Mr. Hall had said he was—excellent company. Caroline marvelled at his humour, but still more at his entire self-possession. Nobody there present seemed to impose on him a sensation of unpleasant restraint. Nobody seemed a bore—a check—a chill to him; and yet there was the cool and lofty Miss Keeldar kneeling before the fire, almost at his feet.
The hostess rang the bell and gave her simple instructions, which were quickly carried out. She measured the milk herself and passed around the bread in the cozy circle now surrounding the cheerful little classroom fire. Then she took on the role of the person in charge of toasting; kneeling on the rug with a fork in hand, she skillfully carried out her task. Mr. Hall, who appreciated any homey change from the usual routine, and who found the hearty oatcake particularly satisfying, seemed to be in high spirits. He chatted and laughed joyfully—first with Caroline, who was seated beside him, then with Shirley, and back to Louis Moore. Louis matched his energy, not laughing much but quietly making the wittiest remarks. His thoughtfully spoken words were full of unexpected twists and a fresh, poignant insight. He proved to be exactly what Mr. Hall had described: excellent company. Caroline was impressed by his humor but even more by his complete composure. No one there made him feel uncomfortable or constrained. No one seemed boring, annoying, or cold to him; yet there was the calm and proud Miss Keeldar kneeling by the fire, almost at his feet.
But Shirley was cool and lofty no longer, at least not at this moment. She appeared unconscious of the humility of her present position; or if conscious, it was only to taste a charm in its lowliness. It did not revolt her pride that the group to whom she voluntarily officiated as handmaid should include her cousin's tutor. It did not scare her that while she handed the bread and milk to the rest, she had to offer it to him also; and Moore took his portion from her hand as calmly as if he had been her equal.
But Shirley was no longer cool and aloof, at least not right now. She seemed unaware of the humility of her current position; or if she was aware, it was only to find a certain charm in its simplicity. It didn't offend her pride that the group she willingly served included her cousin's tutor. It didn't bother her that while she served bread and milk to everyone else, she had to offer it to him as well; and Moore took his share from her hand as calmly as if they were equals.
"You are overheated now," he said, when she had retained the fork for some time; "let me relieve you."
"You seem a bit overheated now," he said, after she had held onto the fork for a while; "let me help you with that."
And he took it from her with a sort of quiet authority, to which she submitted passively, neither resisting him nor thanking him.
And he took it from her with a calm confidence, which she accepted without protest, neither resisting him nor expressing gratitude.
"I should like to see your pictures, Louis," said Caroline, when the sumptuous luncheon was discussed.—"Would not you, Mr. Hall?"
"I'd love to see your pictures, Louis," said Caroline when they talked about the lavish lunch. "Wouldn't you, Mr. Hall?"
"To please you, I should; but, for my own part, I have cut him as an artist. I had enough of him in that capacity in Cumberland and Westmoreland. Many a wetting we got amongst the mountains because he would persist in sitting on a camp-stool, catching effects of rain-clouds, gathering mists, fitful sunbeams, and what not."
"To make you happy, I should; but honestly, I’ve dismissed him as an artist. I’ve had my fill of him in Cumberland and Westmoreland. We got soaked many times in the mountains because he insisted on sitting on a camp stool, trying to capture the rain clouds, gathering mists, flashes of sunlight, and all that."
[Pg 407]"Here is the portfolio," said Henry, bringing it in one hand and leaning on his crutch with the other.
[Pg407I'm sorry, but there doesn't appear to be any text provided for me to modernize. Please provide a short piece of text for me to assist you with. "Here's the portfolio," Henry said, carrying it in one hand and leaning on his crutch with the other.
Louis took it, but he still sat as if he wanted another to speak. It seemed as if he would not open it unless the proud Shirley deigned to show herself interested in the exhibition.
Louis took it, but he still sat there as if he wanted someone else to talk. It felt like he wouldn’t open it unless the proud Shirley decided to show some interest in the exhibition.
"He makes us wait to whet our curiosity," she said.
"He makes us wait to build our curiosity," she said.
"You understand opening it," observed Louis, giving her the key. "You spoiled the lock for me once; try now."
"You know how to open it," Louis noted, handing her the key. "You damaged the lock for me once; give it a shot now."
He held it. She opened it, and, monopolizing the contents, had the first view of every sketch herself. She enjoyed the treat—if treat it were—in silence, without a single comment. Moore stood behind her chair and looked over her shoulder, and when she had done and the others were still gazing, he left his post and paced through the room.
He held it. She opened it, and, taking control of the contents, had the first look at every sketch herself. She savored the experience—if it could be called that—in silence, without a single comment. Moore stood behind her chair and peered over her shoulder, and when she finished and the others were still staring, he stepped away and walked around the room.
A carriage was heard in the lane—the gate-bell rang. Shirley started.
A carriage was heard in the lane—the gatebell rang. Shirley jumped.
"There are callers," she said, "and I shall be summoned to the room. A pretty figure—as they say—I am to receive company. I and Henry have been in the garden gathering fruit half the morning. Oh for rest under my own vine and my own fig-tree! Happy is the slave-wife of the Indian chief, in that she has no drawing-room duty to perform, but can sit at ease weaving mats, and stringing beads, and peacefully flattening her pickaninny's head in an unmolested corner of her wigwam. I'll emigrate to the western woods."
"There are people calling," she said, "and I’ll have to head to the living room. I’m supposed to look nice to host guests. Henry and I have been in the garden picking fruit most of the morning. Oh, how I wish to relax under my own vine and fig tree! The slave-wife of the Indian chief is lucky; she doesn’t have to deal with hosting duties and can just sit and weave mats, string beads, and peacefully flatten her child's head in a quiet corner of her wigwam. I think I’ll move to the western woods."
Louis Moore laughed.
Louis Moore chuckled.
"To marry a White Cloud or a Big Buffalo, and after wedlock to devote yourself to the tender task of digging your lord's maize-field while he smokes his pipe or drinks fire-water."
"To marry a White Cloud or a Big Buffalo, and after getting married, to dedicate yourself to the loving task of working in your husband's cornfield while he smokes his pipe or drinks whiskey."
Shirley seemed about to reply, but here the schoolroom door unclosed, admitting Mr. Sympson. That personage stood aghast when he saw the group around the fire.
Shirley seemed ready to respond, but just then, the classroom door opened, letting Mr. Sympson in. He was stunned when he saw the group gathered around the fire.
"I thought you alone, Miss Keeldar," he said. "I find quite a party."
"I thought it was just you, Miss Keeldar," he said. "I see there's quite a crowd.”
And evidently from his shocked, scandalized air, had he not recognized in one of the party a clergyman, he would have delivered an extempore philippic on the extraordinary habits of his niece: respect for the cloth arrested him.
And clearly, from his shocked and scandalized expression, if he hadn’t recognized a clergyman among the group, he would have launched into an impromptu rant about his niece’s bizarre behavior: his respect for the church held him back.
"I merely wished to announce," he proceeded coldly, "that the family from De Walden Hall, Mr., Mrs., the[Pg 408] Misses, and Mr. Sam Wynne, are in the drawing-room." And he bowed and withdrew.
"I just wanted to let you know," he continued coolly, "that the family from De Walden Hall—Mr. and Mrs., the[Pg408I'm sorry, but it seems you've not included any phrases for me to modernize. Please provide the text you'd like me to work on. Misses, and Mr. Sam Wynne—are in the drawing-room." Then he bowed and left.
"The family from De Walden Hall! Couldn't be a worse set," murmured Shirley.
"The family from De Walden Hall! They couldn't be a worse bunch," whispered Shirley.
She sat still, looking a little contumacious, and very much indisposed to stir. She was flushed with the fire. Her dark hair had been more than once dishevelled by the morning wind that day. Her attire was a light, neatly fitting, but amply flowing dress of muslin; the shawl she had worn in the garden was still draped in a careless fold round her. Indolent, wilful, picturesque, and singularly pretty was her aspect—prettier than usual, as if some soft inward emotion, stirred who knows how, had given new bloom and expression to her features.
She sat still, looking a bit rebellious and definitely not in the mood to move. Her cheeks were flushed from the heat. Her dark hair had been ruffled more than once by the morning breeze that day. She wore a light, well-fitting dress of muslin that flowed gracefully; the shawl she had had on in the garden was still draped carelessly around her. With an air of laziness, willfulness, and a picturesque charm, she looked uniquely pretty—prettier than usual, as if some gentle emotion, stirred by who knows what, had added a fresh glow and expression to her features.
"Shirley, Shirley, you ought to go," whispered Caroline.
"Shirley, Shirley, you really should go," whispered Caroline.
"I wonder why?"
"Why?"
She lifted her eyes, and saw in the glass over the fireplace both Mr. Hall and Louis Moore gazing at her gravely.
She looked up and saw in the mirror above the fireplace both Mr. Hall and Louis Moore staring at her seriously.
"If," she said, with a yielding smile—"if a majority of the present company maintain that the De Walden Hall people have claims on my civility, I will subdue my inclinations to my duty. Let those who think I ought to go hold up their hands."
"If," she said, with a willing smile—"if most of you here believe that the De Walden Hall crowd deserves my politeness, I will set aside my feelings for my responsibilities. Let those who think I should go raise their hands."
Again consulting the mirror, it reflected an unanimous vote against her.
Again consulting the mirror, it reflected a unanimous vote against her.
"You must go," said Mr. Hall, "and behave courteously too. You owe many duties to society. It is not permitted you to please only yourself."
"You need to go," Mr. Hall said, "and be polite as well. You have a lot of responsibilities to society. You can't just focus on your own pleasure."
Louis Moore assented with a low "Hear, hear!"
Louis Moore agreed with a quiet "Hear, hear!"
Caroline, approaching her, smoothed her wavy curls, gave to her attire a less artistic and more domestic grace, and Shirley was put out of the room, protesting still, by a pouting lip, against her dismissal.
Caroline, moving closer to her, smoothed her wavy curls and made her outfit look less artistic and more practical. Shirley was sent out of the room, still protesting with a sulky expression against her dismissal.
"There is a curious charm about her," observed Mr. Hall, when she was gone. "And now," he added, "I must away; for Sweeting is off to see his mother, and there are two funerals."
"There's something strangely charming about her," Mr. Hall remarked after she left. "And now," he continued, "I have to get going; Sweeting is off to visit his mother, and there are two funerals."
"Henry, get your books; it is lesson-time," said Moore, sitting down to his desk.
"Henry, grab your books; it's time for class," said Moore, sitting down at his desk.
"A curious charm!" repeated the pupil, when he and his master were left alone. "True. Is she not a kind of white witch?" he asked.
"A curious charm!" repeated the student when he and his teacher were alone. "True. Isn't she like a sort of white witch?" he asked.
"Of whom are you speaking, sir?"
"Who are you talking about, sir?"
[Pg 409]"Of my cousin Shirley."
"About my cousin Shirley."
"No irrelevant questions; study in silence."
"Stay focused; study quietly."
Mr. Moore looked and spoke sternly—sourly. Henry knew this mood. It was a rare one with his tutor; but when it came he had an awe of it. He obeyed.[Pg 410]
Mr. Moore looked and spoke firmly—grumpily. Henry recognized this mood. It was unusual for his tutor, but when it struck, he felt a sense of respect for it. He complied.[Pg410]
CHAPTER XXVII.
THE FIRST BLUESTOCKING.
Miss Keeldar and her uncle had characters that would not harmonize, that never had harmonized. He was irritable, and she was spirited. He was despotic, and she liked freedom. He was worldly, and she, perhaps, romantic.
Ms. Keeldar and her uncle had personalities that clashed and had always clashed. He was irritable, and she was spirited. He was controlling, and she valued her freedom. He was practical, and she was maybe a bit of a dreamer.
Not without purpose had he come down to Yorkshire. His mission was clear, and he intended to discharge it conscientiously. He anxiously desired to have his niece married, to make for her a suitable match, give her in charge to a proper husband, and wash his hands of her for ever.
Not without a reason had he come down to Yorkshire. His mission was clear, and he planned to carry it out diligently. He was eager to see his niece married, to find her a suitable match, hand her over to a respectable husband, and be done with her for good.
The misfortune was, from infancy upwards, Shirley and he had disagreed on the meaning of the words "suitable" and "proper." She never yet had accepted his definition; and it was doubtful whether, in the most important step of her life, she would consent to accept it.
The tragedy was that, from a young age, Shirley and he had different understandings of the words "suitable" and "proper." She had never agreed with his definition; and it was unclear whether, at the most crucial point of her life, she would be willing to accept it.
The trial soon came.
The trial was coming up.
Mr. Wynne proposed in form for his son, Samuel Fawthrop Wynne.
Mr. Wynne proposed formally for his son, Samuel Fawthrop Wynne.
"Decidedly suitable! most proper!" pronounced Mr. Sympson. "A fine unencumbered estate, real substance, good connections. It must be done!"
"Definitely suitable! Absolutely perfect!" declared Mr. Sympson. "A great unburdened property, real value, good connections. It has to happen!"
He sent for his niece to the oak parlour; he shut himself up there with her alone; he communicated the offer; he gave his opinion; he claimed her consent.
He called his niece to the oak parlor; he locked himself in there with her; he shared the offer; he gave his thoughts; he asked for her agreement.
It was withheld.
It was kept back.
"No; I shall not marry Samuel Fawthrop Wynne."
"No, I won't marry Samuel Fawthrop Wynne."
"I ask why. I must have a reason. In all respects he is more than worthy of you."
"I ask why. I need a reason. In every way, he is more than deserving of you."
She stood on the hearth. She was pale as the white marble slab and cornice behind her; her eyes flashed large, dilated, unsmiling.
She stood on the hearth. She was as pale as the white marble slab and cornice behind her; her eyes were wide, dilated, and unsmiling.
"And I ask in what sense that young man is worthy of me?"
"And I ask how that young man is worthy of me?"
[Pg 411]"He has twice your money, twice your common sense, equal connections, equal respectability."
[Pg411] "He has twice as much money as you, twice as much common sense, the same connections, and the same level of respectability."
"Had he my money counted fivescore times I would take no vow to love him."
"Even if he counted my money a hundred times, I wouldn't promise to love him."
"Please to state your objections."
"Please state your objections."
"He has run a course of despicable, commonplace profligacy. Accept that as the first reason why I spurn him."
"He has led a path of shameful, ordinary recklessness. Accept that as the main reason why I reject him."
"Miss Keeldar, you shock me!"
"Miss Keeldar, you're shocking me!"
"That conduct alone sinks him in a gulf of immeasurable inferiority. His intellect reaches no standard I can esteem: there is a second stumbling-block. His views are narrow, his feelings are blunt, his tastes are coarse, his manners vulgar."
"That behavior alone puts him in a pit of absolute inferiority. His intellect doesn't meet any standard I can respect: that's another obstacle. His opinions are limited, his emotions are dull, his tastes are poor, and his manners are crude."
"The man is a respectable, wealthy man! To refuse him is presumption on your part."
"The man is a respectable, wealthy individual! Turning him down would be arrogant on your part."
"I refuse point-blank! Cease to annoy me with the subject; I forbid it!"
"I absolutely refuse! Stop bothering me about this; I don’t want to hear it!"
"Is it your intention ever to marry; or do you prefer celibacy?"
"Do you ever plan to get married, or do you prefer to stay single?"
"I deny your right to claim an answer to that question."
"I refuse to let you claim an answer to that question."
"May I ask if you expect some man of title—some peer of the realm—to demand your hand?"
"Can I ask if you expect some titled man—some member of the nobility—to propose to you?"
"I doubt if the peer breathes on whom I would confer it."
"I doubt there's anyone alive who I would give it to."
"Were there insanity in the family, I should believe you mad. Your eccentricity and conceit touch the verge of frenzy."
"If there was madness in the family, I would think you were crazy. Your odd behavior and arrogance come close to being insane."
"Perhaps, ere I have finished, you will see me over-leap it."
"Maybe, by the time I finish, you'll see me jump over it."
"I anticipate no less. Frantic and impracticable girl! Take warning! I dare you to sully our name by a mésalliance!"
"I expect nothing less. Frantic and unrealistic girl! Take heed! I dare you to tarnish our name with a mésalliance!"
"Our name! Am I called Sympson?"
"Our name! Am I Sympson?"
"God be thanked that you are not! But be on your guard; I will not be trifled with!"
"Thank God you're not! But be careful; I won’t be messed with!"
"What, in the name of common law and common sense, would you or could you do if my pleasure led me to a choice you disapproved?"
"What, in the name of common law and common sense, would you or could you do if my preferences led me to choose something you disapproved of?"
"Take care! take care!" warning her with voice and hand that trembled alike.
"Be careful! Be careful!" she warned her, her voice and hands shaking in the same way.
"Why? What shadow of power have you over me? Why should I fear you?"
"Why? What power do you have over me? Why should I be afraid of you?"
"Take care, madam!"
"Take care, ma'am!"
"Scrupulous care I will take, Mr. Sympson. Before I marry I am resolved to esteem—to admire—to love."
"I'll take great care, Mr. Sympson. Before I get married, I'm determined to value—to admire—to love."
[Pg 412]"Preposterous stuff! indecorous, unwomanly!"
"Ridiculous stuff! Unladylike, improper!"
"To love with my whole heart. I know I speak in an unknown tongue; but I feel indifferent whether I am comprehended or not."
"To love with all my heart. I know I speak in a language that might not be familiar; but I honestly don't care if anyone understands me or not."
"And if this love of yours should fall on a beggar?"
"And what if your love were to fall on a beggar?"
"On a beggar it will never fall. Mendicancy is not estimable."
"On a beggar, it will never happen. Being a beggar is not valued."
"On a low clerk, a play-actor, a play-writer, or—or——"
"On a low-level clerk, an actor, a playwright, or—or——"
"Take courage, Mr. Sympson! Or what?"
"Be brave, Mr. Sympson! Or else?"
"Any literary scrub, or shabby, whining artist."
"Any literary loser, or pathetic, complaining artist."
"For the scrubby, shabby, whining I have no taste; for literature and the arts I have. And there I wonder how your Fawthrop Wynne would suit me. He cannot write a note without orthographical errors; he reads only a sporting paper; he was the booby of Stilbro' grammar school!"
"For the messy, shabby, whining stuff, I have no interest; but for literature and the arts, I do. And I can’t help but wonder how your Fawthrop Wynne would appeal to me. He can't write a note without making spelling mistakes; he only reads a sports magazine; he was the fool of Stilbro' grammar school!"
"Unladylike language! Great God! to what will she come?" He lifted hands and eyes.
"That's not ladylike language! Good grief! What's she coming to?" He raised his hands and eyes.
"Never to the altar of Hymen with Sam Wynne."
"Never to the altar of marriage with Sam Wynne."
"To what will she come? Why are not the laws more stringent, that I might compel her to hear reason?"
"To what is she coming? Why aren’t the laws tougher, so I could force her to listen to reason?"
"Console yourself, uncle. Were Britain a serfdom and you the Czar, you could not compel me to this step. I will write to Mr. Wynne. Give yourself no further trouble on the subject."
"Calm down, uncle. Even if Britain were a serfdom and you were the Czar, you couldn't force me to do this. I will write to Mr. Wynne. Don't worry about it anymore."
Fortune is proverbially called changeful, yet her caprice often takes the form of repeating again and again a similar stroke of luck in the same quarter. It appeared that Miss Keeldar—or her fortune—had by this time made a sensation in the district, and produced an impression in quarters by her unthought of. No less than three offers followed Mr. Wynne's, all more or less eligible. All were in succession pressed on her by her uncle, and all in succession she refused. Yet amongst them was more than one gentleman of unexceptionable character as well as ample wealth. Many besides her uncle asked what she meant, and whom she expected to entrap, that she was so insolently fastidious.
Fortune is often said to be unpredictable, yet her whims frequently take the shape of repeated instances of good luck in the same area. It seemed that Miss Keeldar—or her luck—had at this point made quite an impression in the region, creating a buzz in unexpected circles. After Mr. Wynne's proposal, there were no fewer than three offers, all fairly suitable. Her uncle insisted on pressing these offers on her one after another, but she turned them all down. Among these suitors were several men of excellent character and considerable wealth. Many others, besides her uncle, wondered what her intentions were and who she thought she could ensnare with such an arrogant sense of taste.
At last the gossips thought they had found the key to her conduct, and her uncle was sure of it; and what is more, the discovery showed his niece to him in quite a new light, and he changed his whole deportment to her accordingly.
At last, the gossipers believed they had figured out the reason for her behavior, and her uncle was convinced of it too. What’s more, this revelation made him see his niece in an entirely new way, and he changed the way he acted around her as a result.
Fieldhead had of late been fast growing too hot to hold them both. The suave aunt could not reconcile them; the[Pg 413] daughters froze at the view of their quarrels. Gertrude and Isabella whispered by the hour together in their dressing-room, and became chilled with decorous dread if they chanced to be left alone with their audacious cousin. But, as I have said, a change supervened. Mr. Sympson was appeased and his family tranquillized.
Fieldhead had recently become increasingly uncomfortable for both of them. The smooth-talking aunt couldn’t mediate between them; the daughters felt uneasy just witnessing their arguments. Gertrude and Isabella would spend hours whispering together in their dressing room, feeling a proper chill whenever they found themselves alone with their bold cousin. But, as I mentioned, things changed. Mr. Sympson was calmed down, and his family found peace.
The village of Nunnely has been alluded to—its old church, its forest, its monastic ruins. It had also its hall, called the priory—an older, a larger, a more lordly abode than any Briarfield or Whinbury owned; and what is more, it had its man of title—its baronet, which neither Briarfield nor Whinbury could boast. This possession—its proudest and most prized—had for years been nominal only. The present baronet, a young man hitherto resident in a distant province, was unknown on his Yorkshire estate.
The village of Nunnely has been mentioned—its old church, its forest, its monastic ruins. It also had its hall, called the priory—an older, larger, and more impressive home than any Briarfield or Whinbury had; and what’s more, it had its man of title—its baronet, which neither Briarfield nor Whinbury could claim. This possession—its most cherished and valuable—had been mostly just a title for years. The current baronet, a young man who had been living in a far-off province, was unknown on his Yorkshire estate.
During Miss Keeldar's stay at the fashionable watering-place of Cliffbridge, she and her friends had met with and been introduced to Sir Philip Nunnely. They encountered him again and again on the sands, the cliffs, in the various walks, sometimes at the public balls of the place. He seemed solitary. His manner was very unpretending—too simple to be termed affable; rather timid than proud. He did not condescend to their society; he seemed glad of it.
During Miss Keeldar's time at the trendy vacation spot of Cliffbridge, she and her friends met and were introduced to Sir Philip Nunnely. They kept running into him on the beach, the cliffs, and during different walks, and occasionally at the local public dances. He appeared to be alone. His demeanor was very down-to-earth—too straightforward to be called friendly; more shy than arrogant. He didn't look down on their company; he seemed happy to have it.
With any unaffected individual Shirley could easily and quickly cement an acquaintance. She walked and talked with Sir Philip; she, her aunt, and cousins sometimes took a sail in his yacht. She liked him because she found him kind and modest, and was charmed to feel she had the power to amuse him.
Shirley could effortlessly and quickly make friends with anyone who was unaffected by her. She walked and talked with Sir Philip; she, her aunt, and cousins would sometimes go sailing on his yacht. She liked him because he was kind and humble, and she enjoyed the feeling of having the ability to entertain him.
One slight drawback there was—where is the friendship without it?—Sir Philip had a literary turn. He wrote poetry—sonnets, stanzas, ballads. Perhaps Miss Keeldar thought him a little too fond of reading and reciting these compositions; perhaps she wished the rhyme had possessed more accuracy, the measure more music, the tropes more freshness, the inspiration more fire. At any rate, she always winced when he recurred to the subject of his poems, and usually did her best to divert the conversation into another channel.
One small drawback was that—where would friendship be without it?—Sir Philip had a literary side. He wrote poetry—sonnets, stanzas, ballads. Maybe Miss Keeldar thought he was a bit too into reading and reciting his work; perhaps she wished the rhymes were more precise, the rhythm more melodic, the ideas more original, and the passion more intense. Either way, she always flinched when he brought up his poems and usually tried her best to steer the conversation in a different direction.
He would beguile her to take moonlight walks with him on the bridge, for the sole purpose, as it seemed, of pouring into her ear the longest of his ballads. He would lead her away to sequestered rustic seats, whence the rush of the surf to the sands was heard soft and soothing; and[Pg 414] when he had her all to himself, and the sea lay before them, and the scented shade of gardens spread round, and the tall shelter of cliffs rose behind them, he would pull out his last batch of sonnets, and read them in a voice tremulous with emotion. He did not seem to know that though they might be rhyme they were not poetry. It appeared, by Shirley's downcast eye and disturbed face, that she knew it, and felt heartily mortified by the single foible of this good and amiable gentleman.
He would charm her into taking moonlit walks with him on the bridge, seemingly just to whisper the longest of his ballads into her ear. He would take her to secluded rustic seats, where the gentle sound of the surf hitting the sand was soft and calming; and[Pg414Please provide the text you would like me to modernize. when he had her all to himself, with the sea stretched out before them and the fragrant shade of the gardens surrounding them, and the tall cliffs rising behind them, he would pull out his latest collection of sonnets and read them in a voice filled with emotion. He didn’t seem to realize that even if they had rhyme, they weren't truly poetry. It was clear from Shirley's downcast eyes and troubled expression that she knew this and felt genuinely embarrassed by the one flaw of this good and kind man.
Often she tried, as gently as might be, to wean him from this fanatic worship of the Muses. It was his monomania; on all ordinary subjects he was sensible enough, and fain was she to engage him in ordinary topics. He questioned her sometimes about his place at Nunnely; she was but too happy to answer his interrogatories at length. She never wearied of describing the antique priory, the wild silvan park, the hoary church and hamlet; nor did she fail to counsel him to come down and gather his tenantry about him in his ancestral halls.
Often she tried, as gently as possible, to get him to let go of this excessive admiration for the Muses. It was his obsession; on regular topics, he was reasonable enough, and she was eager to engage him in everyday conversations. He sometimes asked her about his estate at Nunnely; she was more than happy to answer his questions in detail. She never grew tired of describing the old priory, the lush park, the ancient church, and the village; nor did she forget to encourage him to come down and gather his tenants around him in his family home.
Somewhat to her surprise, Sir Philip followed her advice to the letter, and actually, towards the close of September, arrived at the priory.
Somewhat to her surprise, Sir Philip followed her advice exactly, and actually, toward the end of September, arrived at the priory.
He soon made a call at Fieldhead, and his first visit was not his last. He said—when he had achieved the round of the neighbourhood—that under no roof had he found such pleasant shelter as beneath the massive oak beams of the gray manor-house of Briarfield; a cramped, modest dwelling enough compared with his own, but he liked it.
He quickly stopped by Fieldhead, and his first visit was just the beginning. He said—after he had visited the neighborhood—that he hadn’t found a cozier place than under the strong oak beams of the old manor-house at Briarfield; it was a small, simple home compared to his own, but he really liked it.
Presently it did not suffice to sit with Shirley in her panelled parlour, where others came and went, and where he could rarely find a quiet moment to show her the latest production of his fertile muse; he must have her out amongst the pleasant pastures, and lead her by the still waters. Tête-à-tête ramblings she shunned, so he made parties for her to his own grounds, his glorious forest; to remoter scenes—woods severed by the Wharfe, vales watered by the Aire.
Right now, it wasn't enough to just sit with Shirley in her nicely decorated room, where people frequently came and went, and where he could hardly find a quiet moment to share his latest creations with her; he needed to take her out to the lovely fields and walk her by the calm waters. She avoided one-on-one walks, so he organized gatherings for her on his property, in his beautiful forest; to more distant places—woods separated by the Wharfe, valleys nourished by the Aire.
Such assiduity covered Miss Keeldar with distinction. Her uncle's prophetic soul anticipated a splendid future. He already scented the time afar off when, with nonchalant air, and left foot nursed on his right knee, he should be able to make dashingly-familiar allusion to his "nephew the baronet." Now his niece dawned upon him no longer "a mad girl," but a "most sensible woman."[Pg 415] He termed her, in confidential dialogues with Mrs. Sympson, "a truly superior person; peculiar, but very clever." He treated her with exceeding deference; rose reverently to open and shut doors for her; reddened his face and gave himself headaches with stooping to pick up gloves, handkerchiefs, and other loose property, whereof Shirley usually held but insecure tenure. He would cut mysterious jokes about the superiority of woman's wit over man's wisdom; commence obscure apologies for the blundering mistake he had committed respecting the generalship, the tactics, of "a personage not a hundred miles from Fieldhead." In short, he seemed elate as any "midden-cock on pattens."
Miss Keeldar’s hard work made her stand out. Her uncle had a hunch that a bright future awaited her. He could already picture the day when, casually resting his left foot on his right knee, he would confidently refer to his "nephew the baronet." Now he saw his niece not as "a mad girl" but as "a very sensible woman." In private conversations with Mrs. Sympson, he described her as "a truly exceptional person; unique, but very intelligent." He treated her with great respect, getting up respectfully to open and close doors for her; he would blush and give himself headaches bending down to pick up gloves, handkerchiefs, and other items that Shirley often misplaced. He made cryptic jokes about how women’s wit trumps men’s wisdom and began awkward apologies for his earlier blunder regarding the leadership and strategies of "someone not too far from Fieldhead." In short, he seemed as happy as any "midden-cock on pattens."[Pg415Please provide the text you'd like me to modernize.
His niece viewed his manœuvres and received his innuendoes with phlegm; apparently she did not above half comprehend to what aim they tended. When plainly charged with being the preferred of the baronet, she said she believed he did like her, and for her part she liked him. She had never thought a man of rank—the only son of a proud, fond mother, the only brother of doting sisters—could have so much goodness, and, on the whole, so much sense.
His niece observed his efforts and took his hints calmly; she seemed to understand only part of what he was getting at. When directly accused of being the favorite of the baronet, she replied that she believed he did like her, and she liked him too. She had never thought a man of status—the only son of a proud, affectionate mother, the only brother of loving sisters—could possess so much kindness and, overall, so much common sense.
Time proved, indeed, that Sir Philip liked her. Perhaps he had found in her that "curious charm" noticed by Mr. Hall. He sought her presence more and more, and at last with a frequency that attested it had become to him an indispensable stimulus. About this time strange feelings hovered round Fieldhead; restless hopes and haggard anxieties haunted some of its rooms. There was an unquiet wandering of some of the inmates among the still fields round the mansion; there was a sense of expectancy that kept the nerves strained.
Time showed that Sir Philip really liked her. Maybe he had discovered that "curious charm" Mr. Hall mentioned. He wanted to be around her more and more, and eventually, it became clear that he relied on her presence. During this period, unusual feelings surrounded Fieldhead; restless hopes and tired anxieties lingered in some of its rooms. Some of the people living there wandered uneasily through the quiet fields around the mansion, and there was a sense of anticipation that kept everyone on edge.
One thing seemed clear: Sir Philip was not a man to be despised. He was amiable; if not highly intellectual, he was intelligent. Miss Keeldar could not affirm of him, what she had so bitterly affirmed of Sam Wynne, that his feelings were blunt, his tastes coarse, and his manners vulgar. There was sensibility in his nature; there was a very real, if not a very discriminating, love of the arts; there was the English gentleman in all his deportment. As to his lineage and wealth, both were, of course, far beyond her claims.
One thing was clear: Sir Philip was not someone to be looked down upon. He was friendly; while he might not be highly intellectual, he was smart. Miss Keeldar couldn’t say about him what she had so passionately claimed about Sam Wynne—that his feelings were dull, his tastes crude, and his manners uncouth. There was sensitivity in his character; he had a genuine, if not very refined, appreciation for the arts; he embodied the English gentleman in all his behavior. As for his background and wealth, both were, of course, well beyond what she could aspire to.
His appearance had at first elicited some laughing though not ill-natured remarks from the merry Shirley. It was boyish. His features were plain and slight, his hair sandy,[Pg 416] his stature insignificant. But she soon checked her sarcasm on this point; she would even fire up if any one else made uncomplimentary allusion thereto. He had "a pleasing countenance," she affirmed; "and there was that in his heart which was better than three Roman noses, than the locks of Absalom or the proportions of Saul." A spare and rare shaft she still reserved for his unfortunate poetic propensity; but even here she would tolerate no irony save her own.
His appearance initially sparked some light-hearted, though not mean-spirited, laughter from the cheerful Shirley. It had a youthful quality. His features were plain and slight, his hair sandy,[Pg416] and his height was unremarkable. But she quickly suppressed her sarcasm about this; she would even get defensive if anyone else made disrespectful comments about it. She insisted he had "a pleasing face," and there was something in his heart that was better than three Roman noses, better than Absalom’s hair or Saul’s stature. She still kept a sharp comment ready regarding his unfortunate tendency to write poetry; however, she would only accept her own irony in this matter.
In short, matters had reached a point which seemed fully to warrant an observation made about this time by Mr. Yorke to the tutor, Louis.
In short, things had gotten to a point that really justified a comment made around this time by Mr. Yorke to the tutor, Louis.
"Yond' brother Robert of yours seems to me to be either a fool or a madman. Two months ago I could have sworn he had the game all in his own hands; and there he runs the country, and quarters himself up in London for weeks together, and by the time he comes back he'll find himself checkmated. Louis, 'there is a tide in the affairs of men, which, taken at the flood, leads on to fortune, but, once let slip, never returns again.' I'd write to Robert, if I were you, and remind him of that."
"Your brother Robert seems to me either a fool or crazy. Two months ago, I could have sworn he had everything under control; now he runs the country and stays holed up in London for weeks, and by the time he returns, he’s going to find himself cornered. Louis, 'there is a tide in the affairs of men, which, taken at the flood, leads on to fortune, but, once let slip, never returns again.' I’d write to Robert if I were you and remind him of that."
"Robert had views on Miss Keeldar?" inquired Louis, as if the idea was new to him.
"Robert had opinions about Miss Keeldar?" Louis asked, as if the thought was unfamiliar to him.
"Views I suggested to him myself, and views he might have realized, for she liked him."
"These were ideas I proposed to him, and ideas he could have recognized, since she was fond of him."
"As a neighbour?"
"As a neighbor?"
"As more than that. I have seen her change countenance and colour at the mere mention of his name. Write to the lad, I say, and tell him to come home. He is a finer gentleman than this bit of a baronet, after all."
"As more than that. I have seen her change her expression and color at the mere mention of his name. Write to the guy, I say, and tell him to come home. He’s a better man than this little baronet, after all."
"Does it not strike you, Mr. Yorke, that for a mere penniless adventurer to aspire to a rich woman's hand is presumptuous—contemptible?"
"Don’t you think, Mr. Yorke, that it’s pretty arrogant—almost pathetic—for a broke adventurer to aim for a wealthy woman’s hand?"
"Oh, if you are for high notions and double-refined sentiment, I've naught to say. I'm a plain, practical man myself, and if Robert is willing to give up that royal prize to a lad-rival—a puling slip of aristocracy—I am quite agreeable. At his age, in his place, with his inducements, I would have acted differently. Neither baronet, nor duke, nor prince should have snatched my sweetheart from me without a struggle. But you tutors are such solemn chaps; it is almost like speaking to a parson to consult with you."
"Oh, if you’re all about lofty ideas and overly refined feelings, I’ve got nothing to say. I’m just a straightforward, practical guy, and if Robert is ready to hand over that royal prize to a kid competitor—a whiny bit of aristocracy—I’m totally fine with that. At his age, in his situation, with his advantages, I would have acted differently. No baronet, duke, or prince should have taken my sweetheart from me without a fight. But you teachers are such serious folks; talking to you feels almost like talking to a priest."
Flattered and fawned upon as Shirley was just now, it[Pg 417] appeared she was not absolutely spoiled—that her better nature did not quite leave her. Universal report had indeed ceased to couple her name with that of Moore, and this silence seemed sanctioned by her own apparent oblivion of the absentee; but that she had not quite forgotten him—that she still regarded him, if not with love, yet with interest—seemed proved by the increased attention which at this juncture of affairs a sudden attack of illness induced her to show that tutor-brother of Robert's, to whom she habitually bore herself with strange alternations of cool reserve and docile respect—now sweeping past him in all the dignity of the moneyed heiress and prospective Lady Nunnely, and anon accosting him as abashed school-girls are wont to accost their stern professors; bridling her neck of ivory and curling her lip of carmine, if he encountered her glance, one minute, and the next submitting to the grave rebuke of his eye with as much contrition as if he had the power to inflict penalties in case of contumacy.
Flattered and admired as Shirley was just now, it[Pg417] seemed that she wasn’t completely spoiled—that her better nature hadn’t left her entirely. Rumors had indeed stopped linking her name with Moore, and this silence seemed supported by her apparent forgetfulness of him. But the fact that she hadn’t completely forgotten him—that she still thought of him, if not with love, at least with interest—was shown by the increased attention she paid to Robert’s tutor-brother during this sudden illness. She usually interacted with him in a strange mix of cool detachment and respectful compliance, yet now she passed him with all the dignity of a wealthy heiress and future Lady Nunnely, and then would speak to him like shy schoolgirls address their strict teachers; she’d lift her elegant neck and pout her lips when he caught her eye one moment, and the next would accept his serious look with as much guilt as if he could actually punish her for not behaving.
Louis Moore had perhaps caught the fever, which for a few days laid him low, in one of the poor cottages of the district, which he, his lame pupil, and Mr. Hall were in the habit of visiting together. At any rate he sickened, and after opposing to the malady a taciturn resistance for a day or two, was obliged to keep his chamber.
Louis Moore had probably caught the flu, which had him feeling weak for a few days, in one of the rundown cottages in the area that he, his disabled student, and Mr. Hall often visited together. Regardless, he got sick, and after putting up a silent fight against the illness for a day or two, he had to stay in his room.
He lay tossing on his thorny bed one evening, Henry, who would not quit him, watching faithfully beside him, when a tap—too light to be that of Mrs. Gill or the housemaid—summoned young Sympson to the door.
He was restless on his uncomfortable bed one evening, with Henry, who wouldn’t leave him alone, watching faithfully beside him, when a knock—too soft to be from Mrs. Gill or the housemaid—called young Sympson to the door.
"How is Mr. Moore to-night?" asked a low voice from the dark gallery.
"How is Mr. Moore tonight?" asked a quiet voice from the dark gallery.
"Come in and see him yourself."
"Come in and see him for yourself."
"Is he asleep?"
"Is he sleeping?"
"I wish he could sleep. Come and speak to him, Shirley."
"I wish he could get some sleep. Come and talk to him, Shirley."
"He would not like it."
"He won't like it."
But the speaker stepped in, and Henry, seeing her hesitate on the threshold, took her hand and drew her to the couch.
But the speaker intervened, and Henry, noticing her pause at the door, took her hand and pulled her to the couch.
The shaded light showed Miss Keeldar's form but imperfectly; yet it revealed her in elegant attire. There was a party assembled below, including Sir Philip Nunnely; the ladies were now in the drawing-room, and their hostess had stolen from them to visit Henry's tutor. Her pure white dress, her fair arms and neck, the trembling chainlet of gold circling her throat and quivering on her breast,[Pg 418] glistened strangely amid the obscurity of the sickroom. Her mien was chastened and pensive. She spoke gently.
The dim light partially revealed Miss Keeldar's figure, but it highlighted her elegant outfit. There was a gathering below, including Sir Philip Nunnely; the ladies were in the drawing room, and their hostess had slipped away to visit Henry's tutor. Her pure white dress, her fair arms and neck, and the delicate gold chain around her throat that shimmered on her chest glistened oddly in the shadows of the sickroom. Her expression was subdued and thoughtful. She spoke softly.
"Mr. Moore, how are you to-night?"
"Mr. Moore, how are you tonight?"
"I have not been very ill, and am now better."
"I haven't been very sick, and I'm feeling better now."
"I heard that you complained of thirst. I have brought you some grapes; can you taste one?"
"I heard you were feeling thirsty. I've brought you some grapes; would you like to try one?"
"No; but I thank you for remembering me."
"No, but I appreciate you thinking of me."
"Just one."
"Only one."
From the rich cluster that filled a small basket held in her hand she severed a berry and offered it to his lips. He shook his head, and turned aside his flushed face.
From the bunch of berries in the small basket she held, she picked one and offered it to his lips. He shook his head and turned his flushed face away.
"But what, then, can I bring you instead? You have no wish for fruit; yet I see that your lips are parched. What beverage do you prefer?"
"But what can I bring you instead? You don’t want any fruit; yet I can see that your lips are dry. What drink do you want?"
"Mrs. Gill supplies me with toast-and-water. I like it best."
"Mrs. Gill gives me toast and water. I like it the most."
Silence fell for some minutes.
Silence lasted for a few minutes.
"Do you suffer?—have you pain?"
"Are you in pain?"
"Very little."
"Not much."
"What made you ill?"
"What got you sick?"
Silence.
Silence.
"I wonder what caused this fever? To what do you attribute it?"
"I wonder what caused this fever? What do you think is the reason for it?"
"Miasma, perhaps—malaria. This is autumn, a season fertile in fevers."
"Might be miasma—malaria. It's autumn, a season rich in fevers."
"I hear you often visit the sick in Briarfield, and Nunnely too, with Mr. Hall. You should be on your guard; temerity is not wise."
"I hear you often visit the sick in Briarfield, and Nunnely too, with Mr. Hall. You should be careful; recklessness isn’t smart."
"That reminds me, Miss Keeldar, that perhaps you had better not enter this chamber or come near this couch. I do not believe my illness is infectious. I scarcely fear"—with a sort of smile—"you will take it; but why should you run even the shadow of a risk? Leave me."
"That reminds me, Miss Keeldar, maybe you shouldn’t come into this room or get close to this couch. I don’t think my illness is contagious. I hardly worry—" with a slight smile—"you will catch it; but why take even the slightest chance? Just leave me."
"Patience, I will go soon; but I should like to do something for you before I depart—any little service——"
"Just wait, I'll leave soon; but I’d like to do something for you before I go—any small favor—"
"They will miss you below."
"They will miss you here."
"No; the gentlemen are still at table."
"No, the guys are still at the table."
"They will not linger long. Sir Philip Nunnely is no wine-bibber, and I hear him just now pass from the dining-room to the drawing-room."
"They won't stick around for long. Sir Philip Nunnely doesn't drink excessively, and I can hear him right now moving from the dining room to the living room."
"It is a servant."
"It's a servant."
"It is Sir Philip; I know his step."
"It’s Sir Philip; I recognize his footsteps."
"Your hearing is acute."
"You have sharp hearing."
"It is never dull, and the sense seems sharpened at[Pg 419] present. Sir Philip was here to tea last night. I heard you sing to him some song which he had brought you. I heard him, when he took his departure at eleven o'clock, call you out on to the pavement, to look at the evening star."
"It’s never boring, and everything feels more intense right now. Sir Philip came over for tea last night. I heard you sing a song to him that he brought for you. When he left at eleven o’clock, I heard him call you out to the sidewalk to check out the evening star."
"You must be nervously sensitive."
"You're probably overly sensitive."
"I heard him kiss your hand."
"I heard him kiss your hand."
"Impossible!"
"No way!"
"No: my chamber is over the hall, the window just above the front door; the sash was a little raised, for I felt feverish. You stood ten minutes with him on the steps. I heard your discourse, every word, and I heard the salute.—Henry, give me some water."
"No, my room is above the hall, the window is right above the front door; it was slightly open because I felt hot. You stood with him on the steps for ten minutes. I heard everything you said, every word, and I heard the greeting. —Henry, can you get me some water?"
"Let me give it him."
"Let me give it to him."
But he half rose to take the glass from young Sympson, and declined her attendance.
But he half got up to take the glass from young Sympson and declined her help.
"And can I do nothing?"
"Is there nothing I can do?"
"Nothing; for you cannot guarantee me a night's peaceful rest, and it is all I at present want."
"Nothing; because you can't promise me a good night's sleep, and that's all I really want right now."
"You do not sleep well?"
"Are you not sleeping well?"
"Sleep has left me."
"I'm wide awake."
"Yet you said you were not very ill?"
"Yet you said you weren't very sick?"
"I am often sleepless when in high health."
"I often can’t sleep when I'm in great health."
"If I had power, I would lap you in the most placid slumber—quite deep and hushed, without a dream."
"If I had the power, I would wrap you in the most peaceful sleep—totally deep and quiet, without any dreams."
"Blank annihilation! I do not ask that."
"Complete destruction! I’m not asking for that."
"With dreams of all you most desire."
"With dreams of everything you want the most."
"Monstrous delusions! The sleep would be delirium, the waking death."
"Crazy delusions! Sleeping would be like a fever dream, and waking would feel like dying."
"Your wishes are not so chimerical; you are no visionary."
"Your wishes aren't so unrealistic; you're not a dreamer."
"Miss Keeldar, I suppose you think so; but my character is not, perhaps, quite as legible to you as a page of the last new novel might be."
"Miss Keeldar, I guess you believe that; but my character isn't, maybe, as clear to you as a page from the latest bestselling novel."
"That is possible. But this sleep—I should like to woo it to your pillow, to win for you its favour. If I took a book and sat down and read some pages? I can well spare half an hour."
"That’s possible. But this sleep—I would like to draw it to your pillow, to gain your favor with it. If I grabbed a book and sat down to read a few pages? I can easily spare half an hour."
"Thank you, but I will not detain you."
"Thanks, but I won’t hold you up."
"I would read softly."
"I would read quietly."
"It would not do. I am too feverish and excitable to bear a soft, cooing, vibrating voice close at my ear. You had better leave me."
"It won't work. I'm too restless and agitated to handle a soft, soothing, vibrating voice right next to me. You should probably just leave me alone."
"Well, I will go."
"Alright, I'm leaving."
[Pg 420]"And no good-night?"
"And no goodnight?"
"Yes, sir, yes. Mr. Moore, good-night." (Exit Shirley.)
"Yes, sir, yes. Mr. Moore, goodnight." (Shirley exits.)
"Henry, my boy, go to bed now; it is time you had some repose."
"Henry, it's time for you to go to bed; you need some rest now."
"Sir, it would please me to watch at your bedside all night."
"Sir, I would be happy to stay by your side all night."
"Nothing less called for. I am getting better. There, go."
"Nothing less is needed. I'm getting better. There, I'm good to go."
"Give me your blessing, sir."
"Please give me your blessing, sir."
"God bless you, my best pupil!"
"God bless you, my favorite student!"
"You never call me your dearest pupil!"
"You never call me your favorite student!"
"No, nor ever shall."
"No, and never will."
Possibly Miss Keeldar resented her former teacher's rejection of her courtesy. It is certain she did not repeat the offer of it. Often as her light step traversed the gallery in the course of a day, it did not again pause at his door; nor did her "cooing, vibrating voice" disturb a second time the hush of the sickroom. A sickroom, indeed, it soon ceased to be; Mr. Moore's good constitution quickly triumphed over his indisposition. In a few days he shook it off, and resumed his duties as tutor.
Possibly Miss Keeldar felt bitter about her former teacher rejecting her kindness. It's clear she didn't offer it again. Even though her light footsteps often crossed the gallery throughout the day, they no longer stopped at his door; nor did her "cooing, vibrating voice" break the silence of the sickroom a second time. In fact, it soon stopped being a sickroom altogether; Mr. Moore's strong health quickly overcame his illness. Within a few days, he bounced back and went back to his tutoring duties.
That "auld lang syne" had still its authority both with preceptor and scholar was proved by the manner in which he sometimes promptly passed the distance she usually maintained between them, and put down her high reserve with a firm, quiet hand.
That "auld lang syne" still held its weight for both the teacher and the student was shown by how he would sometimes quickly close the gap she typically kept between them, effectively addressing her aloofness with a steady, gentle touch.
One afternoon the Sympson family were gone out to take a carriage airing. Shirley, never sorry to snatch a reprieve from their society, had remained behind, detained by business, as she said. The business—a little letter-writing—was soon dispatched after the yard gates had closed on the carriage; Miss Keeldar betook herself to the garden.
One afternoon, the Sympson family went out for a carriage ride. Shirley, always happy to escape their company, stayed behind, claiming she had work to do. The work—a bit of letter-writing—was finished quickly once the carriage had left through the yard gates; Miss Keeldar headed to the garden.
It was a peaceful autumn day. The gilding of the Indian summer mellowed the pastures far and wide. The russet woods stood ripe to be stripped, but were yet full of leaf. The purple of heath-bloom, faded but not withered, tinged the hills. The beck wandered down to the Hollow, through a silent district; no wind followed its course or haunted its woody borders. Fieldhead gardens bore the seal of gentle decay. On the walks, swept that morning, yellow leaves had fluttered down again. Its time of flowers, and even of fruits, was over; but a scantling[Pg 421] of apples enriched the trees. Only a blossom here and there expanded pale and delicate amidst a knot of faded leaves.
It was a calm autumn day. The warm glow of the Indian summer softened the fields all around. The russet woods were ready to be stripped, yet still full of leaves. The purple of the heath blooms, faded but not gone, tinted the hills. The stream meandered down to the Hollow, through a quiet area; no wind accompanied its path or lingered in its wooded edges. The Fieldhead gardens showed signs of gentle decline. On the paths, cleaned that morning, yellow leaves had fallen again. Its time for flowers and even fruits was over, but a few apples still adorned the trees. Just a blossom here and there opened pale and delicate among a cluster of faded leaves.
These single flowers—the last of their race—Shirley culled as she wandered thoughtfully amongst the beds. She was fastening into her girdle a hueless and scentless nosegay, when Henry Sympson called to her as he came limping from the house.
These solitary flowers—the last of their kind—Shirley picked as she walked thoughtfully among the flower beds. She was attaching a colorless and scentless bouquet to her belt when Henry Sympson called out to her as he hobbled from the house.
"Shirley, Mr. Moore would be glad to see you in the schoolroom and to hear you read a little French, if you have no more urgent occupation."
"Shirley, Mr. Moore would be happy to see you in the classroom and to hear you read some French, if you don't have anything more pressing to do."
The messenger delivered his commission very simply, as if it were a mere matter of course.
The messenger delivered his message very casually, as if it were just routine.
"Did Mr. Moore tell you to say that?"
"Did Mr. Moore ask you to say that?"
"Certainly; why not? And now, do come, and let us once more be as we were at Sympson Grove. We used to have pleasant school-hours in those days."
"Sure; why not? Now, come on, and let’s be like we were at Sympson Grove again. We used to have enjoyable school times back then."
Miss Keeldar perhaps thought that circumstances were changed since then; however, she made no remark, but after a little reflection quietly followed Henry.
Miss Keeldar might have thought that things had changed since then; however, she didn’t say anything and, after a moment of thought, quietly followed Henry.
Entering the schoolroom, she inclined her head with a decent obeisance, as had been her wont in former times. She removed her bonnet, and hung it up beside Henry's cap. Louis Moore sat at his desk, turning the leaves of a book, open before him, and marking passages with his pencil. He just moved, in acknowledgment of her curtsy, but did not rise.
Entering the classroom, she nodded her head in a polite greeting, as she used to do. She took off her bonnet and hung it next to Henry's cap. Louis Moore sat at his desk, flipping through the pages of an open book and marking passages with his pencil. He merely acknowledged her curtsy with a slight movement but didn’t stand up.
"You proposed to read to me a few nights ago," said he. "I could not hear you then. My attention is now at your service. A little renewed practice in French may not be unprofitable. Your accent, I have observed, begins to rust."
"You suggested reading to me a few nights ago," he said. "I couldn't hear you then. I'm fully focused on you now. A bit of refreshing practice in French could be beneficial. I've noticed your accent is starting to slip."
"What book shall I take?"
"What book should I take?"
"Here are the posthumous works of St. Pierre. Read a few pages of the 'Fragments de l'Amazone.'"
"Here are the posthumous works of St. Pierre. Read a few pages of 'Fragments de l'Amazone.'"
She accepted the chair which he had placed in readiness near his own; the volume lay on his desk—there was but one between them; her sweeping curls dropped so low as to hide the page from him.
She took the chair he had set up near his own; the book lay on his desk—there was only one between them; her flowing curls fell so low that they covered the page from his view.
"Put back your hair," he said.
"Put your hair back," he said.
For one moment Shirley looked not quite certain whether she would obey the request or disregard it. A flicker of her eye beamed furtive on the professor's face. Perhaps if he had been looking at her harshly or timidly, or if one undecided line had marked his countenance, she would have rebelled, and the lesson had ended there and then; but he[Pg 422] was only awaiting her compliance—as calm as marble, and as cool. She threw the veil of tresses behind her ear. It was well her face owned an agreeable outline, and that her cheek possessed the polish and the roundness of early youth, or, thus robbed of a softening shade, the contours might have lost their grace. But what mattered that in the present society? Neither Calypso nor Eucharis cared to fascinate Mentor.
For a moment, Shirley seemed unsure whether to follow the request or ignore it. A brief glance flashed on the professor's face. If he had been looking at her harshly or timidly, or if there had been any uncertainty in his expression, she might have pushed back, and the lesson would have ended right then. But he was just waiting for her to comply—calm as marble, and cool. She tucked her hair behind her ear. Luckily, her face had a nice shape, and her cheek had the smoothness and fullness of youth, or without that softening touch, her features might have lost their elegance. But what did that matter in this society? Neither Calypso nor Eucharis was interested in captivating Mentor.
She began to read. The language had become strange to her tongue; it faltered; the lecture flowed unevenly, impeded by hurried breath, broken by Anglicized tones. She stopped.
She started to read. The language felt foreign to her; it stumbled; the lecture came out unevenly, slowed down by quick breaths, interrupted by English-accented tones. She paused.
"I can't do it. Read me a paragraph, if you please, Mr. Moore."
"I can't do it. Please read me a paragraph, Mr. Moore."
What he read she repeated. She caught his accent in three minutes.
What he read she repeated. She picked up his accent in three minutes.
"Très bien," was the approving comment at the close of the piece.
"Very good," was the approving comment at the end of the piece.
"C'est presque le Français rattrapé, n'est-ce pas?"
"C'est presque le Français rattrapé, n'est-ce pas?"
"You could not write French as you once could, I dare say?"
"You probably can't write French like you used to, can you?"
"Oh no! I should make strange work of my concords now."
"Oh no! I should make a mess of my agreements now."
"You could not compose the devoir of 'La Première Femme Savante'?"
"You couldn't write the devoir of 'The First Wise Woman'?"
"Do you still remember that rubbish?"
"Do you still remember that stuff?"
"Every line."
"Every line."
"I doubt you."
"I don't trust you."
"I will engage to repeat it word for word."
"I will promise to say it exactly as it is."
"You would stop short at the first line."
"You would stop at the first line."
"Challenge me to the experiment."
"Challenge me to the test."
"I challenge you."
"I dare you."
He proceeded to recite the following. He gave it in French, but we must translate, on pain of being unintelligible to some readers.
He went on to say the following. He delivered it in French, but we need to translate it, or else some readers won't understand.
"And it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them, that the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose."
"As people began to multiply on the earth and daughters were born to them, the sons of God saw that the daughters of men were attractive; so they picked wives for themselves from among them."
This was in the dawn of time, before the morning stars were set, and while they yet sang together.
This was at the beginning of time, before the morning stars were placed in the sky, and while they were still singing together.
The epoch is so remote, the mists and dewy gray of[Pg 423] matin twilight veil it with so vague an obscurity, that all distinct feature of custom, all clear line of locality, evade perception and baffle research. It must suffice to know that the world then existed; that men peopled it; that man's nature, with its passions, sympathies, pains, and pleasures, informed the planet and gave it soul.
The time is so distant, the fog and the gray of[Pg423I'm sorry, but I cannot modernize the text without the content provided. Please share the text you'd like me to work on. morning twilight cover it with such a vague obscurity, that all distinct aspects of culture, all clear boundaries of place, escape notice and hinder understanding. It’s enough to know that the world existed then; that people lived in it; that human nature, with its passions, sympathies, pains, and pleasures, filled the earth and gave it life.
A certain tribe colonized a certain spot on the globe; of what race this tribe—unknown; in what region that spot—untold. We usually think of the East when we refer to transactions of that date; but who shall declare that there was no life in the West, the South, the North? What is to disprove that this tribe, instead of camping under palm groves in Asia, wandered beneath island oak woods rooted in our own seas of Europe?
A certain tribe settled in a specific place on the planet; we don’t know their race, and we don’t know the location of that place. We usually think of the East when we talk about events from that time, but who can say that there wasn’t life in the West, the South, or the North? What’s to prove that this tribe, rather than camping under palm trees in Asia, roamed beneath oak trees in the islands of our own European seas?
It is no sandy plain, nor any circumscribed and scant oasis I seem to realize. A forest valley, with rocky sides and brown profundity of shade, formed by tree crowding on tree, descends deep before me. Here, indeed, dwell human beings, but so few, and in alleys so thick branched and overarched, they are neither heard nor seen. Are they savage? Doubtless. They live by the crook and the bow; half shepherds, half hunters, their flocks wander wild as their prey. Are they happy? No, not more happy than we are at this day. Are they good? No, not better than ourselves. Their nature is our nature—human both. There is one in this tribe too often miserable—a child bereaved of both parents. None cares for this child. She is fed sometimes, but oftener forgotten. A hut rarely receives her; the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades; sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die; but she both lives and grows. The green wilderness nurses her, and becomes to her a mother; feeds her on juicy berry, on saccharine root and nut.
It’s not just a sandy plain or a small, limited oasis that I see. A forest valley, with rocky sides and deep, dark shade from tightly packed trees, stretches out before me. Here, there are indeed people, but so few, and the paths are so densely branched and covered that they are neither heard nor seen. Are they wild? Definitely. They survive by using a crook and a bow; they’re part shepherd, part hunter, and their flocks roam as freely as their prey. Are they happy? No, not happier than we are today. Are they good? No, not better than us. Their nature is our nature—we’re all human. There’s one child in this tribe who is often miserable—a girl who has lost both parents. No one takes care of her. Sometimes she gets fed, but most of the time she’s forgotten. A hut rarely shelters her; she considers the hollow tree and cold cave her home. Abandoned, lost, and wandering, she spends more time with wild animals and birds than with her own people. Hunger and cold are her companions; sadness lingers around her, and solitude surrounds her. Unnoticed and undervalued, she should be dead; yet she both lives and grows. The green wilderness nurtures her and becomes a mother to her, feeding her berries, sweet roots, and nuts.
There is something in the air of this clime which fosters life kindly. There must be something, too, in its dews which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage, not violently vivid the colouring of flower and bird. In all the[Pg 424] grandeur of these forests there is repose; in all their freshness there is tenderness.
There’s something in the air of this place that nurtures life well. There must be something in its dews that heals with a powerful balm. Its gentle seasons don't amplify any passion or feeling; the temperature encourages harmony. You might say its breezes bring down from the heavens the essence of clear thought and deeper emotions. The shapes of the cliffs and foliage aren’t weirdly fantastic, and the colors of the flowers and birds aren’t overly bright. Amid all the grandeur of these forests, there’s a sense of calm; in all their freshness, there’s gentleness.
The gentle charm vouchsafed to flower and tree, bestowed on deer and dove, has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses. Her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy. Above those eyes, when the breeze bares her forehead, shines an expanse fair and ample—a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant. She haunts the wood harmless and thoughtful, though of what one so untaught can think it is not easy to divine.
The gentle beauty given to flowers and trees, granted to deer and doves, has not been denied to this human child. All alone, she has grown up straight and graceful. Nature shaped her features beautifully; they have matured in their pure, precise lines, untouched by the blows of illness. No harsh wind has roughly affected her body; no scorching sun has fried or withered her hair. Her form shines ivory-white through the trees; her hair flows long, thick, and shiny; her eyes, not dazzled by the bright sun, shine large and open, full and dewy in the shade. Above those eyes, when the breeze reveals her forehead, is a fair and open expanse—a clear, honest surface, where knowledge, if it ever arrives, could write a beautiful story. You see in the lonely young savage nothing malicious or blank. She roams the woods harmless and thoughtful, though it’s hard to guess what someone so uneducated could be thinking.
On the evening of one summer day, before the Flood, being utterly alone—for she had lost all trace of her tribe, who had wandered leagues away, she knew not where—she went up from the vale, to watch Day take leave and Night arrive. A crag overspread by a tree was her station. The oak roots, turfed and mossed, gave a seat; the oak boughs, thick-leaved, wove a canopy.
On the evening of a summer day, before the Flood, feeling completely alone—having lost all connection with her tribe, who had wandered far away, she didn't know where—she climbed up from the valley to watch Day fade away and Night come in. A crag covered by a tree was her spot. The oak roots, covered in turf and moss, made a seat; the thick leaves of the oak branches formed a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death. The wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
Slowly and majestically, the Day faded away, glowing in purple light, accompanied by a farewell song from the woods. Then Night came in, silent as death. The wind died down, and the birds stopped singing. Now every nest held content partners, and deer peacefully dozed in their hideaways.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, in wishing than hoping, in imagining than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things herself seemed to herself the centre—a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed—a star in an else starless firmament, which nor shepherd, nor wanderer, nor sage, nor priest tracked as a guide or read as a prophecy? Could this[Pg 425] be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
The girl sat still, her body unmoving but her soul active; she was more occupied with feeling than thinking, with wishing than hoping, and with imagining than planning. She felt the world, the sky, and the night as incredibly vast. Out of everything, she felt like she was the center—a tiny, forgotten speck of life, a spark of soul, unintentionally emitted from the great creative source, now burning unnoticed in the depths of darkness. She wondered if she was destined to burn out and disappear, her living light serving no purpose, never seen, never needed—like a star in an otherwise starless sky that neither shepherds, nor wanderers, nor sages, nor priests followed as a guide or interpreted as a prophecy. Could this really be true, she questioned, when the fire of her intellect burned so brightly; when her life felt so genuine, real, and powerful; when something inside her stirred uneasily, insisting on a God-given strength that demanded she find a way to express it?
She gazed abroad on Heaven and Evening. Heaven and Evening gazed back on her. She bent down, searching bank, hill, river, spread dim below. All she questioned responded by oracles. She heard—she was impressed; but she could not understand. Above her head she raised her hands joined together.
She looked out at the sky and the evening. The sky and evening seemed to look back at her. She leaned down, searching the bank, hill, and river that spread dimly below. Everything she asked responded like whispers of wisdom. She listened—she was moved; but she couldn't grasp it. She raised her hands together above her head.
"Guidance—help—comfort—come!" was her cry.
"Guidance, help, comfort, come!" was her cry.
There was no voice, nor any that answered.
There was no voice, and no one responded.
She waited, kneeling, steadfastly looking up. Yonder sky was sealed; the solemn stars shone alien and remote.
She waited, kneeling, firmly looking up. The sky above was closed off; the serious stars shone, distant and unfamiliar.
At last one overstretched chord of her agony slacked; she thought Something above relented; she felt as if Something far round drew nigher; she heard as if Silence spoke. There was no language, no word, only a tone.
At last, one stretched chord of her pain relaxed; she thought Something above eased up; she felt as if Something far away was coming closer; she heard as if Silence was speaking. There were no words, just a sound.
Again—a fine, full, lofty tone, a deep, soft sound, like a storm whispering, made twilight undulate.
Again—a rich, full, high tone, a deep, soft sound, like a storm softly whispering, made twilight ripple.
Once more, profounder, nearer, clearer, it rolled harmonious.
Once again, deeper, closer, clearer, it flowed in harmony.
Yet again—a distinct voice passed between Heaven and Earth.
Yet again—a clear voice passed between Heaven and Earth.
"Eva!"
"Hey, Eva!"
If Eva were not this woman's name, she had none. She rose. "Here am I."
If Eva wasn't this woman's name, she had no name at all. She stood up. "Here I am."
"Eva!"
"Eva!"
"O Night (it can be but Night that speaks), I am here!"
"O Night (it can only be Night that speaks), I am here!"
The voice, descending, reached Earth.
The voice, coming down, reached Earth.
"Eva!"
"Eva!"
"Lord," she cried, "behold thine handmaid!"
"Lord," she exclaimed, "look at your servant!"
She had her religion—all tribes held some creed.
She had her beliefs—all groups had some kind of faith.
"I come—a Comforter!"
"I'm here—a Comforter!"
"Lord, come quickly!"
"Lord, come soon!"
The Evening flushed full of hope; the Air panted; the Moon—rising before—ascended large, but her light showed no shape.
The evening was filled with hope; the air was heavy; the moon—rising in the east—rose high, but its light revealed no form.
"Lean towards me, Eva. Enter my arms; repose thus."
"Come closer to me, Eva. Let me hold you; relax like this."
"Thus I lean, O Invisible but felt! And what art thou?"
"Therefore, I lean, O Invisible but sensed! And what are you?"
"Eva, I have brought a living draught from heaven. Daughter of Man, drink of my cup!"
"Eva, I’ve brought you a drink from heaven. Daughter of Man, take a sip from my cup!"
[Pg 426]"I drink: it is as if sweetest dew visited my lips in a full current. My arid heart revives; my affliction is lightened; my strait and struggle are gone. And the night changes! the wood, the hill, the moon, the wide sky—all change!"
[Pg426I'm ready to assist with modernizing text. Please provide the phrases you would like me to work on."I drink: it’s like the sweetest dew is touching my lips in a warm stream. My dry heart comes back to life; my suffering feels lighter; my constraints and struggles disappear. And the night transforms! The woods, the hill, the moon, the vast sky—all change!"
"All change, and for ever. I take from thy vision darkness; I loosen from thy faculties fetters! I level in thy path obstacles; I with my presence fill vacancy. I claim as mine the lost atom of life. I take to myself the spark of soul—burning heretofore forgotten!"
"Everything changes, and it always will. I remove the darkness from your sight; I free your mind from its constraints! I remove obstacles in your way; I fill emptiness with my presence. I claim the lost piece of life as my own. I embrace the spark of the soul—once forgotten and now ignited!"
"O take me! O claim me! This is a god."
"O take me! O claim me! This is a god."
"This is a son of God—one who feels himself in the portion of life that stirs you. He is suffered to reclaim his own, and so to foster and aid that it shall not perish hopeless."
"This is a son of God—someone who feels deeply connected to the life that inspires you. He is allowed to reclaim what is his, and in doing so, he nurtures and supports it so that it doesn’t disappear without hope."
"A son of God! Am I indeed chosen?"
"A son of God! Am I really chosen?"
"Thou only in this land. I saw thee that thou wert fair; I knew thee that thou wert mine. To me it is given to rescue, to sustain, to cherish mine own. Acknowledge in me that Seraph on earth named Genius."
"You alone in this land. I saw that you were beautiful; I knew that you were mine. It is my role to rescue, support, and cherish what is mine. Recognize in me that angel on earth called Genius."
"My glorious Bridegroom! true Dayspring from on high! All I would have at last I possess. I receive a revelation. The dark hint, the obscure whisper, which have haunted me from childhood, are interpreted. Thou art He I sought. Godborn, take me, thy bride!"
"My glorious Bridegroom! true Dayspring from above! Everything I've ever wanted, I finally have. I receive a revelation. The dark hints and vague whispers that have haunted me since childhood are explained. You are the one I've been searching for. Godborn, take me, your bride!"
"Unhumbled, I can take what is mine. Did I not give from the altar the very flame which lit Eva's being? Come again into the heaven whence thou wert sent."
"Unhumbled, I can take what belongs to me. Didn’t I give from the altar the very flame that sparked Eva’s existence? Come back to the heaven from which you were sent."
That Presence, invisible but mighty, gathered her in like a lamb to the fold; that voice, soft but all-pervading, vibrated through her heart like music. Her eye received no image; and yet a sense visited her vision and her brain as of the serenity of stainless air, the power of sovereign seas, the majesty of marching stars, the energy of colliding elements, the rooted endurance of hills wide based, and, above all, as of the lustre of heroic beauty rushing victorious on the Night, vanquishing its shadows like a diviner sun.
That invisible but powerful Presence wrapped around her like a lamb in a fold; that voice, gentle yet everywhere, resonated in her heart like music. She saw no image, yet a feeling filled her vision and mind, like the calmness of clear skies, the strength of vast oceans, the greatness of stars in motion, the force of clashing elements, the solid endurance of strong hills, and most importantly, the shine of heroic beauty triumphing over the Night, defeating its shadows like a radiant sun.
Such was the bridal hour of Genius and Humanity. Who shall rehearse the tale of their after-union? Who shall depict its bliss and bale? Who shall tell how He between whom and the Woman God put enmity forged deadly plots to break the bond or defile its purity? Who shall record[Pg 427] the long strife between Serpent and Seraph:—How still the Father of Lies insinuated evil into good, pride into wisdom, grossness into glory, pain into bliss, poison into passion? How the "dreadless Angel" defied, resisted, and repelled? How again and again he refined the polluted cup, exalted the debased emotion, rectified the perverted impulse, detected the lurking venom, baffled the frontless temptation—purified, justified, watched, and withstood? How, by his patience, by his strength, by that unutterable excellence he held from God—his Origin—this faithful Seraph fought for Humanity a good fight through time; and, when Time's course closed, and Death was encountered at the end, barring with fleshless arm the portals of Eternity, how Genius still held close his dying bride, sustained her through the agony of the passage, bore her triumphant into his own home, Heaven; restored her, redeemed, to Jehovah, her Maker; and at last, before Angel and Archangel, crowned her with the crown of Immortality?
This was the wedding hour of Genius and Humanity. Who can share the story of their life together? Who can capture its joy and sorrow? Who will explain how He, whom God set against the Woman, plotted deadly schemes to break their bond or taint its purity? Who will document the long struggle between the Serpent and the Seraph: How the Father of Lies subtly introduced evil into good, pride into wisdom, impurities into glory, pain into joy, and poison into passion? How the "fearless Angel" defied, resisted, and repelled? How over and over he purified the tainted cup, elevated the degraded emotion, corrected the twisted impulse, uncovered the hidden poison, and thwarted the relentless temptation—purified, justified, observed, and endured? How, through his patience, strength, and that indescribable brilliance inherited from God—his Source—this loyal Seraph fought valiantly for Humanity throughout time; and when time came to an end, and Death faced him, blocking the gates of Eternity with its lifeless arm, how Genius held his dying bride close, supported her through the pain of transition, carried her triumphantly to his own home, Heaven; restored, redeemed her to Jehovah, her Creator; and finally, before Angels and Archangels, crowned her with the crown of Immortality?
Who shall of these things write the chronicle?
Who will write the story of these events?
"I never could correct that composition," observed Shirley, as Moore concluded. "Your censor-pencil scored it with condemnatory lines, whose signification I strove vainly to fathom."
"I could never fix that paper," Shirley said as Moore finished. "Your editing pencil marked it with critical lines that I tried in vain to understand."
She had taken a crayon from the tutor's desk, and was drawing little leaves, fragments of pillars, broken crosses, on the margin of the book.
She had taken a crayon from the tutor's desk and was drawing little leaves, bits of pillars, and broken crosses on the margin of the book.
"French may be half forgotten, but the habits of the French lesson are retained, I see," said Louis. "My books would now, as erst, be unsafe with you. My newly-bound St. Pierre would soon be like my Racine—Miss Keeldar, her mark, traced on every page."
"French might be barely remembered, but it looks like the habits from French lessons are still there," Louis said. "My books would still be in danger with you, just like before. My newly-bound St. Pierre would quickly end up like my Racine—Miss Keeldar's mark on every page."
Shirley dropped her crayon as if it burned her fingers.
Shirley dropped her crayon as if it was superhot.
"Tell me what were the faults of that devoir?" she asked. "Were they grammatical errors, or did you object to the substance?"
"Tell me what the issues with that devoir were?" she asked. "Were they grammar mistakes, or did you disagree with the content?"
"I never said that the lines I drew were indications of faults at all. You would have it that such was the case, and I refrained from contradiction."
"I never said that the lines I drew indicated any faults at all. You seem to think that's true, and I chose not to argue."
"What else did they denote?"
"What else did they mean?"
"No matter now."
"Doesn't matter now."
"Mr. Moore," cried Henry, "make Shirley repeat some of the pieces she used to say so well by heart."
"Mr. Moore," Henry shouted, "get Shirley to recite some of the pieces she used to know by heart so well."
"If I ask for any, it will be 'Le Cheval Dompté,'"[Pg 428] said Moore, trimming with his penknife the pencil Miss Keeldar had worn to a stump.
"If I ask for any, it will be 'Le Cheval Dompté,'" [Pg428I'm ready to assist with your text. Please provide the short phrases you would like modernized. said Moore, trimming the pencil Miss Keeldar had worn down to a stub with his penknife.
She turned aside her head; the neck, the clear cheek, forsaken by their natural veil, were seen to flush warm.
She turned her head away; her neck and clear cheek, bare of their usual covering, blushed with warmth.
"Ah! she has not forgotten, you see, sir," said Henry, exultant. "She knows how naughty she was."
"Ah! She hasn’t forgotten, you see, sir," Henry said, excited. "She knows how mischievous she was."
A smile, which Shirley would not permit to expand, made her lip tremble; she bent her face, and hid it half with her arms, half in her curls, which, as she stooped, fell loose again. "Certainly I was a rebel," she answered.
A smile that Shirley wouldn't let fully form made her lips quiver; she lowered her face, hiding it partly with her arms and partly in her curls, which fell loose again as she leaned down. "Sure, I was a rebel," she replied.
"A rebel!" repeated Henry. "Yes; you and papa had quarrelled terribly, and you set both him and mamma, and Mrs. Pryor, and everybody, at defiance. You said he had insulted you——"
"A rebel!" Henry repeated. "Yeah; you and dad had a huge fight, and you defied him, mom, Mrs. Pryor, and everyone else. You claimed he had disrespected you——"
"He had insulted me," interposed Shirley.
"He insulted me," interposed Shirley.
"And you wanted to leave Sympson Grove directly. You packed your things up, and papa threw them out of your trunk; mamma cried, Mrs. Pryor cried; they both stood wringing their hands begging you to be patient; and you knelt on the floor with your things and your up-turned box before you, looking, Shirley, looking—why, in one of your passions. Your features, in such passions, are not distorted; they are fixed, but quite beautiful. You scarcely look angry, only resolute, and in a certain haste; yet one feels that at such times an obstacle cast across your path would be split as with lightning. Papa lost heart, and called Mr. Moore."
"And you wanted to leave Sympson Grove right away. You packed your stuff, and Dad threw it out of your trunk; Mom cried, Mrs. Pryor cried; they both stood there wringing their hands, asking you to be patient; and you knelt on the floor with your things and your upturned box in front of you, looking, Shirley, looking—why, in one of your intense moments. Your features, in those moments, aren’t distorted; they’re set, but still beautiful. You hardly look angry, just determined, and a bit rushed; yet one can tell that at times like that, an obstacle in your way would be shattered like lightning. Dad lost his courage and called Mr. Moore."
"Enough, Henry."
"That's enough, Henry."
"No, it is not enough. I hardly know how Mr. Moore managed, except that I recollect he suggested to papa that agitation would bring on his gout; and then he spoke quietly to the ladies, and got them away; and afterwards he said to you, Miss Shirley, that it was of no use talking or lecturing now, but that the tea-things were just brought into the schoolroom, and he was very thirsty, and he would be glad if you would leave your packing for the present and come and make a cup of tea for him and me. You came; you would not talk at first, but soon you softened and grew cheerful. Mr. Moore began to tell us about the Continent, the war, and Bonaparte—subjects we were both fond of listening to. After tea he said we should neither of us leave him that evening; he would not let us stray out of his sight, lest we should again get into mischief. We sat one on each side of him. We were so happy. I never passed so pleasant[Pg 429] an evening. The next day he gave you, missy, a lecture of an hour, and wound it up by marking you a piece to learn in Bossuet as a punishment-lesson—'Le Cheval Dompté.' You learned it instead of packing up, Shirley. We heard no more of your running away. Mr. Moore used to tease you on the subject for a year afterwards."
"No, it’s not enough. I hardly understand how Mr. Moore managed, except that I remember he told Dad that getting upset would trigger his gout; then he spoke calmly to the ladies and got them to leave; and afterward, he told you, Miss Shirley, that it was pointless to talk or lecture now, but that the tea things had just been brought into the schoolroom, and he was really thirsty, and he’d appreciate it if you could put your packing aside for now and come make a cup of tea for him and me. You came; at first, you didn’t want to talk, but soon you warmed up and became cheerful. Mr. Moore started to tell us about the Continent, the war, and Bonaparte—topics we both enjoyed listening to. After tea, he insisted that neither of us leave him that evening; he wouldn’t let us out of his sight, afraid we’d get into trouble again. We sat on either side of him. We were so happy. I’ve never had such a nice evening. The next day, he gave you a lecture for an hour, finishing up by assigning you a piece to learn in Bossuet as a punishment lesson—'Le Cheval Dompté.' You learned it instead of packing, Shirley. We didn’t hear any more about you running away. Mr. Moore used to tease you about it for a year afterward."
"She never said a lesson with greater spirit," subjoined Moore. "She then, for the first time, gave me the treat of hearing my native tongue spoken without accent by an English girl."
"She never delivered a lesson with more enthusiasm," Moore added. "That was the first time I got to enjoy hearing my native language spoken without an accent by an English girl."
"She was as sweet as summer cherries for a month afterwards," struck in Henry: "a good hearty quarrel always left Shirley's temper better than it found it."
"She was as sweet as summer cherries for a month after that," Henry remarked. "A good, hearty argument always left Shirley in a better mood than before."
"You talk of me as if I were not present," observed Miss Keeldar, who had not yet lifted her face.
"You're talking about me like I'm not here," Miss Keeldar remarked, still not looking up.
"Are you sure you are present?" asked Moore. "There have been moments since my arrival here when I have been tempted to inquire of the lady of Fieldhead if she knew what had become of my former pupil."
"Are you sure you are here?" asked Moore. "There have been times since I got here when I thought about asking the lady of Fieldhead if she knew what happened to my old student."
"She is here now."
"She's here now."
"I see her, and humble enough; but I would neither advise Harry nor others to believe too implicitly in the humility which one moment can hide its blushing face like a modest little child, and the next lift it pale and lofty as a marble Juno."
"I see her, and she’s humble enough; but I wouldn’t advise Harry or anyone else to believe too much in humility that can hide its blushing face like a shy little child one moment, and the next moment raise it pale and majestic like a marble Juno."
"One man in times of old, it is said, imparted vitality to the statue he had chiselled; others may have the contrary gift of turning life to stone."
"Once upon a time, there's a tale that a man gave life to the statue he carved; others might have the opposite talent of turning life into stone."
Moore paused on this observation before he replied to it. His look, at once struck and meditative, said, "A strange phrase; what may it mean?" He turned it over in his mind, with thought deep and slow, as some German pondering metaphysics.
Moore paused when he heard this and took a moment before responding. His expression, both surprised and thoughtful, seemed to convey, "That's an interesting phrase; what could it mean?" He considered it carefully and slowly, like a German philosopher contemplating metaphysics.
"You mean," he said at last, "that some men inspire repugnance, and so chill the kind heart."
"You mean," he finally said, "that some men make us disgusted, and that cools the kind heart."
"Ingenious!" responded Shirley. "If the interpretation pleases you, you are welcome to hold it valid. I don't care."
"Ingenious!" Shirley replied. "If the interpretation makes you happy, you can consider it valid. I don't care."
And with that she raised her head, lofty in look and statue-like in hue, as Louis had described it.
And with that, she lifted her head, looking proud and stunning, just like Louis had described.
"Behold the metamorphosis!" he said; "scarce imagined ere it is realized: a lowly nymph develops to an inaccessible goddess. But Henry must not be disappointed[Pg 430] of his recitation, and Olympia will deign to oblige him. Let us begin."
"Check out the transformation!" he said; "hardly imagined before it's happening: a simple nymph becomes an untouchable goddess. But Henry must not be let down[Pg430] by his storytelling, and Olympia will agree to entertain him. Let's get started."
"I have forgotten the very first line."
"I've forgotten the very first line."
"Which I have not. My memory, if a slow, is a retentive one. I acquire deliberately both knowledge and liking. The acquisition grows into my brain, and the sentiment into my breast; and it is not as the rapid-springing produce which, having no root in itself, flourishes verdurous enough for a time, but too soon falls withered away. Attention, Henry! Miss Keeldar consents to favour you. 'Voyez ce cheval ardent et impétueux,' so it commences."
"Which I haven't. My memory, though slow, is reliable. I intentionally gain both knowledge and affection. The knowledge settles in my mind, and the feelings grow in my heart; it's not like the quick-sprouting plants that, lacking depth, may thrive for a while but quickly wither away. Attention, Henry! Miss Keeldar agrees to show you favor. 'Look at this fiery and impetuous horse,' that's how it begins."
Miss Keeldar did consent to make the effort; but she soon stopped.
Miss Keeldar agreed to try; but she quickly stopped.
"Unless I heard the whole repeated I cannot continue it," she said.
"Unless I hear the whole thing again, I can't keep going," she said.
"Yet it was quickly learned—'soon gained, soon gone,'" moralized the tutor. He recited the passage deliberately, accurately, with slow, impressive emphasis.
"Yet it was quickly learned—'easy come, easy go,'" the tutor said thoughtfully. He recited the line deliberately, accurately, with slow, powerful emphasis.
Shirley, by degrees, inclined her ear as he went on. Her face, before turned from him, returned towards him. When he ceased, she took the word up as if from his lips; she took his very tone; she seized his very accent; she delivered the periods as he had delivered them; she reproduced his manner, his pronunciation, his expression.
Shirley gradually leaned in to listen as he continued. Her face, which had been turned away from him, turned back toward him. When he finished speaking, she picked up the conversation as if it were hers; she mimicked his tone, his accent, and repeated the phrases just as he had said them. She imitated his style, his pronunciation, and his expressions.
It was now her turn to petition.
It was now her turn to make a request.
"Recall 'Le Songe d'Athalie,'" she entreated, "and say it."
"Remember 'Le Songe d'Athalie,'" she pleaded, "and say it."
He said it for her. She took it from him; she found lively excitement in the pleasure of making his language her own. She asked for further indulgence; all the old school pieces were revived, and with them Shirley's old school days.
He said it for her. She accepted it from him; she felt a vibrant thrill in making his words her own. She requested more indulgence; all the classic school pieces were brought back, along with Shirley's old school days.
He had gone through some of the best passages of Racine and Corneille, and then had heard the echo of his own deep tones in the girl's voice, that modulated itself faithfully on his. "Le chêne et le Roseau," that most beautiful of La Fontaine's fables, had been recited, well recited, by the tutor, and the pupil had animatedly availed herself of the lesson. Perhaps a simultaneous feeling seized them now, that their enthusiasm had kindled to a glow, which the slight fuel of French poetry no longer sufficed to feed; perhaps they longed for a trunk of English oak to be thrown as a Yule log to the devouring flame. Moore observed,[Pg 431] "And these are our best pieces! And we have nothing more dramatic, nervous, natural!"
He had gone through some of the best parts of Racine and Corneille, and then he heard the echo of his own deep voice in the girl’s voice, which mirrored his perfectly. "The Oak and the Reed," the most beautiful of La Fontaine’s fables, had been recited, well recited, by the tutor, and the student had enthusiastically embraced the lesson. Maybe they both felt at that moment that their excitement had turned into a flame that the little supply of French poetry could no longer sustain; maybe they craved a solid piece of English oak to throw on the burning fire. Moore remarked,[Pg431I'm sorry, but there seems to be a misunderstanding. Could you please provide the text you would like me to modernize? "And these are our best works! And we don’t have anything more dramatic, powerful, or natural!"
And then he smiled and was silent. His whole nature seemed serenely alight. He stood on the hearth, leaning his elbow on the mantelpiece, musing not unblissfully.
And then he smiled and fell silent. His entire demeanor appeared calmly radiant. He stood by the fireplace, resting his elbow on the mantelpiece, lost in thought, not without a sense of happiness.
Twilight was closing on the diminished autumn day. The schoolroom windows—darkened with creeping plants, from which no high October winds had as yet swept the sere foliage—admitted scarce a gleam of sky; but the fire gave light enough to talk by.
Twilight was settling in on the fading autumn day. The schoolroom windows—covered with climbing plants, untouched by the strong October winds that hadn’t yet blown away the dry leaves—let in barely a glimpse of the sky; but the fire provided enough light for conversation.
And now Louis Moore addressed his pupil in French, and she answered at first with laughing hesitation and in broken phrase. Moore encouraged while he corrected her. Henry joined in the lesson; the two scholars stood opposite the master, their arms round each other's waists. Tartar, who long since had craved and obtained admission, sat sagely in the centre of the rug, staring at the blaze which burst fitful from morsels of coal among the red cinders. The group were happy enough, but—
And now Louis Moore spoke to his student in French, and she initially responded with a hesitant laugh and broken phrases. Moore encouraged her while correcting her mistakes. Henry got involved in the lesson; the two students stood facing the teacher, their arms wrapped around each other's waists. Tartar, who had long ago asked to join and was granted admission, sat wisely in the middle of the rug, watching the flickering flames that burst sporadically from pieces of coal among the red embers. The group was happy enough, but—
You grab the flower—its petals are falling off.
The dull, rumbling sound of wheels was heard on the pavement in the yard.
The low, rumbling noise of wheels could be heard on the pavement in the yard.
"It is the carriage returned," said Shirley; "and dinner must be just ready, and I am not dressed."
"It’s the carriage returning," said Shirley. "Dinner must be almost ready, and I’m not dressed."
A servant came in with Mr. Moore's candle and tea; for the tutor and his pupil usually dined at luncheon time.
A servant walked in with Mr. Moore's candle and tea, since the tutor and his student typically had dinner at lunchtime.
"Mr. Sympson and the ladies are returned," she said, "and Sir Philip Nunnely is with them."
"Mr. Sympson and the ladies are back," she said, "and Sir Philip Nunnely is with them."
"How you did start, and how your hand trembled, Shirley!" said Henry, when the maid had closed the shutter and was gone. "But I know why—don't you, Mr. Moore? I know what papa intends. He is a little ugly man, that Sir Philip. I wish he had not come. I wish sisters and all of them had stayed at De Walden Hall to dine.—Shirley should once more have made tea for you and me, Mr. Moore, and we would have had a happy evening of it."
"How you started, and how your hand shook, Shirley!" said Henry, after the maid had closed the shutter and left. "But I know why—don't you, Mr. Moore? I know what Dad is planning. That Sir Philip is such a short, unpleasant man. I wish he hadn't come. I wish the sisters and everyone else had stayed at De Walden Hall for dinner. Shirley should have made tea for you and me again, Mr. Moore, and we would have had a lovely evening."
Moore was locking up his desk and putting away his St. Pierre. "That was your plan, was it, my boy?"
Moore was locking up his desk and putting away his St. Pierre. "That was your plan, right, kid?"
[Pg 432]"Don't you approve it, sir?"
"Don't you approve, sir?"
"I approve nothing utopian. Look Life in its iron face; stare Reality out of its brassy countenance. Make the tea, Henry; I shall be back in a minute."
"I don't approve of anything unrealistic. Face Life with its harsh reality; confront Reality head-on with its tough exterior. Make the tea, Henry; I’ll be back in a minute."
He left the room; so did Shirley, by another door.[Pg 433]
He left the room, and Shirley did too, but she used a different door.[Pg433]
CHAPTER XXVIII.
PHŒBE.
Shirley probably got on pleasantly with Sir Philip that evening, for the next morning she came down in one of her best moods.
Shirley likely got along well with Sir Philip that evening, because the next morning she came down in one of her best moods.
"Who will take a walk with me?" she asked, after breakfast. "Isabella and Gertrude, will you?"
"Who wants to take a walk with me?" she asked after breakfast. "Isabella and Gertrude, will you?"
So rare was such an invitation from Miss Keeldar to her female cousins that they hesitated before they accepted it. Their mamma, however, signifying acquiescence in the project, they fetched their bonnets, and the trio set out.
So rare was such an invitation from Miss Keeldar to her female cousins that they hesitated before accepting it. However, their mom signaled her approval of the plan, so they grabbed their bonnets, and the three of them set out.
It did not suit these three young persons to be thrown much together. Miss Keeldar liked the society of few ladies; indeed, she had a cordial pleasure in that of none except Mrs. Pryor and Caroline Helstone. She was civil, kind, attentive even to her cousins; but still she usually had little to say to them. In the sunny mood of this particular morning, she contrived to entertain even the Misses Sympson. Without deviating from her wonted rule of discussing with them only ordinary themes, she imparted to these themes an extraordinary interest; the sparkle of her spirit glanced along her phrases.
It wasn't ideal for these three young people to spend much time together. Miss Keeldar preferred the company of only a few ladies; in fact, she found joy in the company of none except Mrs. Pryor and Caroline Helstone. She was polite, kind, and attentive even to her cousins, but she usually had little to say to them. On this bright morning, she managed to engage even the Misses Sympson. Sticking to her usual habit of discussing only mundane topics, she gave those topics an extraordinary interest; the glow of her spirit brightened her words.
What made her so joyous? All the cause must have been in herself. The day was not bright. It was dim—a pale, waning autumn day. The walks through the dun woods were damp; the atmosphere was heavy, the sky overcast; and yet it seemed that in Shirley's heart lived all the light and azure of Italy, as all its fervour laughed in her gray English eye.
What made her so happy? The reason had to be within her. The day wasn't bright. It was gray—a dull, fading autumn day. The paths through the brown woods were wet; the air felt heavy, the sky was cloudy; and yet it seemed that in Shirley's heart resided all the brightness and blue of Italy, as all its passion sparkled in her gray English eyes.
Some directions necessary to be given to her foreman, John, delayed her behind her cousins as they neared Fieldhead on their return. Perhaps an interval of twenty minutes elapsed between her separation from them and her re-entrance into the house. In the meantime she had spoken to John, and then she had lingered in the lane at the[Pg 434] gate. A summons to luncheon called her in. She excused herself from the meal, and went upstairs.
Some instructions she needed to give to her foreman, John, held her back from joining her cousins as they got closer to Fieldhead on their way home. It was probably about twenty minutes before she separated from them and walked back into the house. During that time, she talked to John, and then she hung around in the lane by the[Pg434I'm sorry, but it seems that you haven't provided any text to modernize. Please share a phrase or short piece of text, and I'll be happy to assist! gate. A call for lunch finally brought her inside. She declined the meal and went upstairs.
"Is not Shirley coming to luncheon?" asked Isabella. "She said she was hungry."
"Isn’t Shirley coming to lunch?" asked Isabella. "She said she was hungry."
An hour after, as she did not quit her chamber, one of her cousins went to seek her there. She was found sitting at the foot of the bed, her head resting on her hand; she looked quite pale, very thoughtful, almost sad.
An hour later, since she hadn't left her room, one of her cousins went in to find her. She was sitting at the foot of the bed, with her head resting on her hand; she looked really pale, very lost in thought, almost sad.
"You are not ill?" was the question put.
"You’re not sick?" was the question asked.
"A little sick," replied Miss Keeldar.
"A bit under the weather," replied Miss Keeldar.
Certainly she was not a little changed from what she had been two hours before.
Certainly, she had changed quite a bit from what she was two hours ago.
This change, accounted for only by those three words, explained no otherwise; this change—whencesoever springing, effected in a brief ten minutes—passed like no light summer cloud. She talked when she joined her friends at dinner, talked as usual. She remained with them during the evening. When again questioned respecting her health, she declared herself perfectly recovered. It had been a mere passing faintness, a momentary sensation, not worth a thought; yet it was felt there was a difference in Shirley.
This change, summed up in just those three words, couldn’t be explained any other way; this change—no matter where it came from, happened in a quick ten minutes—vanished like a light summer cloud. She chatted when she joined her friends at dinner, talked like normal. She stayed with them throughout the evening. When she was asked again about her health, she said she was completely fine. It was just a brief faintness, a momentary feeling, not worth worrying about; yet everyone noticed there was something different about Shirley.
The next day—the day, the week, the fortnight after—this new and peculiar shadow lingered on the countenance, in the manner of Miss Keeldar. A strange quietude settled over her look, her movements, her very voice. The alteration was not so marked as to court or permit frequent questioning, yet it was there, and it would not pass away. It hung over her like a cloud which no breeze could stir or disperse. Soon it became evident that to notice this change was to annoy her. First she shrank from remark; and, if persisted in, she, with her own peculiar hauteur, repelled it. "Was she ill?" The reply came with decision.
The next day—the day, the week, the fortnight after—this new and odd shadow lingered on Miss Keeldar’s face. A strange calm settled over her expression, her movements, her very voice. The change wasn’t so obvious that it invited or allowed frequent questioning, yet it was there, and it wouldn’t go away. It hovered over her like a cloud that no breeze could move or clear. Soon it became clear that acknowledging this change irritated her. At first, she shrank from comments; and if pressed on it, she pushed back with her own unique arrogance. "Was she sick?" The answer came firmly.
"I am not."
"I'm not."
"Did anything weigh on her mind? Had anything happened to affect her spirits?"
"Was something bothering her? Had something happened that affected her mood?"
She scornfully ridiculed the idea. "What did they mean by spirits? She had no spirits, black or white, blue or gray, to affect."
She mockingly dismissed the idea. "What did they mean by spirits? She had no spirits, whether black, white, blue, or gray, to influence."
"Something must be the matter—she was so altered."
"Something must be wrong—she was so different."
"She supposed she had a right to alter at her ease. She knew she was plainer. If it suited her to grow ugly, why need others fret themselves on the subject?"
"She thought she had the right to change as she pleased. She knew she looked less attractive. If she wanted to look unattractive, why should it bother anyone else?"
"There must be a cause for the change. What was it?"
"There has to be a reason for the change. What is it?"
[Pg 435]She peremptorily requested to be let alone.
[Pg435I'm sorry, but there doesn't seem to be any text provided for modernization. Please provide a short phrase, and I'll be happy to assist!She firmly demanded to be left alone.
Then she would make every effort to appear quite gay, and she seemed indignant at herself that she could not perfectly succeed. Brief self-spurning epithets burst from her lips when alone. "Fool! coward!" she would term herself. "Poltroon!" she would say, "if you must tremble, tremble in secret! Quail where no eye sees you!"
Then she would do her best to seem cheerful, and she looked frustrated with herself for not being able to pull it off completely. Brief moments of self-recrimination would slip from her lips when she was alone. "Fool! Coward!" she would call herself. "Chicken!" she would say, "if you have to shake, shake in private! Fear where no one can see you!"
"How dare you," she would ask herself—"how dare you show your weakness and betray your imbecile anxieties? Shake them off; rise above them. If you cannot do this, hide them."
"How dare you," she would ask herself—"how dare you show your weakness and reveal your foolish anxieties? Get over them; rise above them. If you can’t do that, just hide them."
And to hide them she did her best. She once more became resolutely lively in company. When weary of effort and forced to relax, she sought solitude—not the solitude of her chamber (she refused to mope, shut up between four walls), but that wilder solitude which lies out of doors, and which she could chase, mounted on Zoë, her mare. She took long rides of half a day. Her uncle disapproved, but he dared not remonstrate. It was never pleasant to face Shirley's anger, even when she was healthy and gay; but now that her face showed thin, and her large eye looked hollow, there was something in the darkening of that face and kindling of that eye which touched as well as alarmed.
And to keep them hidden, she did her best. She became lively once again when she was around others. When she grew tired of pretending and needed to unwind, she sought solitude—not the solitude of her room (she refused to sulk, stuck between four walls), but the wilder solitude found outdoors, which she could seek while riding Zoë, her mare. She would go on long rides that lasted half a day. Her uncle disapproved, but he didn't dare protest. It was never easy to face Shirley's anger, even when she was healthy and cheerful; but now that her face looked thin and her large eyes seemed hollow, there was something in the darkening of her face and the spark in her eyes that was both touching and unsettling.
To all comparative strangers who, unconscious of the alterations in her spirits, commented on the alteration in her looks, she had one reply,—
To all the people she barely knew who, unaware of the changes in her feelings, remarked on the difference in her appearance, she had one response,—
"I am perfectly well; I have not an ailment."
"I’m feeling perfectly fine; I don’t have any health issues."
And health, indeed, she must have had, to be able to bear the exposure to the weather she now encountered. Wet or fair, calm or storm, she took her daily ride over Stilbro' Moor, Tartar keeping up at her side, with his wolf-like gallop, long and untiring.
And she definitely needed to be in good health to handle the weather she faced now. Rain or shine, calm or storm, she took her daily ride over Stilbro' Moor, with Tartar keeping pace beside her, running like a wolf—long and tireless.
Twice, three times, the eyes of gossips—those eyes which are everywhere, in the closet and on the hill-top—noticed that instead of turning on Rushedge, the top ridge of Stilbro' Moor, she rode forwards all the way to the town. Scouts were not wanting to mark her destination there. It was ascertained that she alighted at the door of one Mr. Pearson Hall, a solicitor, related to the vicar of Nunnely. This gentleman and his ancestors had been the agents of the Keeldar family for generations back. Some people affirmed that Miss Keeldar was become involved in business speculations connected with Hollow's Mill—that she had lost money,[Pg 436] and was constrained to mortgage her land. Others conjectured that she was going to be married, and that the settlements were preparing.
Twice, three times, the eyes of gossips—those eyes that are everywhere, in the closet and on the hilltop—noticed that instead of going to Rushedge, the top ridge of Stilbro’ Moor, she rode straight into town. There were plenty of scouts to track her destination. It was confirmed that she got off at the door of Mr. Pearson Hall, a solicitor who was related to the vicar of Nunnely. This gentleman and his family had served as the agents for the Keeldar family for generations. Some people claimed that Miss Keeldar was getting involved in business deals related to Hollow's Mill—that she had lost money,[Pg436] and was forced to mortgage her land. Others speculated that she was about to get married, and that the financial arrangements were being made.
Mr. Moore and Henry Sympson were together in the schoolroom. The tutor was waiting for a lesson which the pupil seemed busy in preparing.
Mr. Moore and Henry Sympson were in the classroom together. The tutor was waiting for a lesson that the student appeared to be busy preparing.
"Henry, make haste. The afternoon is getting on."
"Henry, hurry up. It's getting late in the afternoon."
"Is it, sir?"
"Is it, sir?"
"Certainly. Are you nearly ready with that lesson?"
"Sure. Are you almost done with that lesson?"
"No."
"No."
"Not nearly ready?"
"Not ready at all?"
"I have not construed a line."
"I haven't set a boundary."
Mr. Moore looked up. The boy's tone was rather peculiar.
Mr. Moore looked up. The boy's tone was quite odd.
"The task presents no difficulties, Henry; or, if it does, bring them to me. We will work together."
"The task is easy, Henry; or, if it isn't, bring the issues to me. We'll tackle them together."
"Mr. Moore, I can do no work."
"Mr. Moore, I can't do any work."
"My boy, you are ill."
"Son, you are sick."
"Sir, I am not worse in bodily health than usual, but my heart is full."
"Sir, I'm not feeling any worse physically than usual, but my heart is heavy."
"Shut the book. Come hither, Harry. Come to the fireside."
"Close the book. Come here, Harry. Join me by the fire."
Harry limped forward. His tutor placed him in a chair; his lips were quivering, his eyes brimming. He laid his crutch on the floor, bent down his head, and wept.
Harry limped forward. His tutor helped him into a chair; his lips were shaking, and his eyes were filled with tears. He set his crutch on the floor, bowed his head, and cried.
"This distress is not occasioned by physical pain, you say, Harry? You have a grief; tell it me."
"This sadness isn’t caused by physical pain, you say, Harry? You have something weighing on you; let me know."
"Sir, I have such a grief as I never had before. I wish it could be relieved in some way; I can hardly bear it."
"Sir, I have a sorrow like I've never felt before. I wish there was a way to ease it; I can barely stand it."
"Who knows but, if we talk it over, we may relieve it? What is the cause? Whom does it concern?"
"Who knows, if we discuss it, we might ease it? What’s the issue? Who does it involve?"
"The cause, sir, is Shirley; it concerns Shirley."
"The issue, sir, is Shirley; it's about Shirley."
"Does it? You think her changed?"
"Does it? Do you think she's changed?"
"All who know her think her changed—you too, Mr. Moore."
"Everyone who knows her thinks she's different—you too, Mr. Moore."
"Not seriously—no. I see no alteration but such as a favourable turn might repair in a few weeks; besides, her own word must go for something: she says she is well."
"Not really—no. I see no change except what a good recovery could fix in a few weeks; plus, her own word must count for something: she says she is fine."
"There it is, sir. As long as she maintained she was well, I believed her. When I was sad out of her sight, I soon recovered spirits in her presence. Now——"
"There it is, sir. As long as she insisted she was fine, I took her word for it. Whenever I felt down when she wasn't around, I quickly cheered up when she was there. Now——"
"Well, Harry, now. Has she said anything to you? You and she were together in the garden two hours this[Pg 437] morning. I saw her talking, and you listening. Now, my dear Harry, if Miss Keeldar has said she is ill, and enjoined you to keep her secret, do not obey her. For her life's sake, avow everything. Speak, my boy."
"Well, Harry, now. Has she said anything to you? You and she were in the garden together for two hours this[Pg437Understood. Please provide the short phrases for modernization. morning. I saw her talking while you listened. Now, my dear Harry, if Miss Keeldar has told you that she is unwell and asked you to keep it a secret, don’t do it. For her own good, reveal everything. Speak up, my boy."
"She say she is ill! I believe, sir, if she were dying, she would smile, and aver, 'Nothing ails me.'"
"She says she’s sick! I believe, sir, if she were dying, she would smile and insist, 'I’m fine.'"
"What have you learned then? What new circumstance?"
"What have you learned now? What new situation?"
"I have learned that she has just made her will."
"I found out that she just made her will."
"Made her will?"
"Did she make a will?"
The tutor and pupil were silent.
The tutor and student were quiet.
"She told you that?" asked Moore, when some minutes had elapsed.
"She said that to you?" Moore asked after a few minutes had passed.
"She told me quite cheerfully, not as an ominous circumstance, which I felt it to be. She said I was the only person besides her solicitor, Pearson Hall, and Mr. Helstone and Mr. Yorke, who knew anything about it; and to me, she intimated, she wished specially to explain its provisions."
"She told me quite cheerfully, not as if it were a bad situation, which is how I felt about it. She said I was the only person, besides her lawyer, Pearson Hall, and Mr. Helstone and Mr. Yorke, who knew anything about it; and she wanted to specifically explain its details to me."
"Go on, Harry."
"Go ahead, Harry."
"'Because,' she said, looking down on me with her beautiful eyes—oh! they are beautiful, Mr. Moore! I love them! I love her! She is my star! Heaven must not claim her! She is lovely in this world, and fitted for this world. Shirley is not an angel; she is a woman, and she shall live with men. Seraphs shall not have her! Mr. Moore, if one of the 'sons of God,' with wings wide and bright as the sky, blue and sounding as the sea, having seen that she was fair, descended to claim her, his claim should be withstood—withstood by me—boy and cripple as I am."
"'Because,' she said, looking down at me with her beautiful eyes—oh! they are beautiful, Mr. Moore! I love them! I love her! She is my star! Heaven must not take her away! She is stunning in this world and made for this world. Shirley is not an angel; she is a woman, and she belongs with people. Seraphs shall not have her! Mr. Moore, if one of the 'sons of God,' with wings wide and bright as the sky, blue and resonant like the sea, saw that she was beautiful and came down to claim her, I would stand against that claim—stand against it, no matter how insignificant I am—boy and cripple as I am."
"Henry Sympson, go on, when I tell you."
"Henry Sympson, go ahead when I say so."
"'Because,' she said, 'if I made no will, and died before you, Harry, all my property would go to you; and I do not intend that it should be so, though your father would like it. But you,' she said, 'will have his whole estate, which is large—larger than Fieldhead. Your sisters will have nothing; so I have left them some money, though I do not love them, both together, half so much as I love one lock of your fair hair.' She said these words, and she called me her 'darling,' and let me kiss her. She went on to tell me that she had left Caroline Helstone some money too; that this manor house, with its furniture and books, she had bequeathed to me, as she did not choose to take the old family place from her own blood; and that all the rest of[Pg 438] her property, amounting to about twelve thousand pounds, exclusive of the legacies to my sisters and Miss Helstone, she had willed, not to me, seeing I was already rich, but to a good man, who would make the best use of it that any human being could do—a man, she said, that was both gentle and brave, strong and merciful—a man that might not profess to be pious, but she knew he had the secret of religion pure and undefiled before God. The spirit of love and peace was with him. He visited the fatherless and widows in their affliction, and kept himself unspotted from the world. Then she asked, 'Do you approve what I have done, Harry?' I could not answer. My tears choked me, as they do now."
"'Because,' she said, 'if I don’t make a will and die before you, Harry, all my property would go to you; and I don’t want that, even though your father would. But you,' she continued, 'will inherit his entire estate, which is significant—bigger than Fieldhead. Your sisters will receive nothing, so I’ve left them some money, even though I don’t love them, together, half as much as I love just one lock of your beautiful hair.' She said this, called me her 'darling,' and let me kiss her. She went on to tell me that she had also left some money for Caroline Helstone; that she had bequeathed this manor house, along with its furniture and books, to me because she didn’t want to take the old family home from her own blood; and that all the rest of[Pg438] her property, totaling about twelve thousand pounds, excluding the legacies to my sisters and Miss Helstone, she had willed not to me, since I was already wealthy, but to a good man, who would make the best use of it that anyone could—a man, she said, who was both kind and brave, strong and compassionate—a man who might not claim to be religious, but she knew he had the essence of pure and undefiled religion before God. The spirit of love and peace was with him. He cared for orphans and widows in their struggles and kept himself unblemished by the world. Then she asked, 'Do you approve of what I’ve done, Harry?' I couldn’t answer. My tears choked me, just like they do now."
Mr. Moore allowed his pupil a moment to contend with and master his emotion. He then demanded, "What else did she say?"
Mr. Moore gave his student a moment to deal with and overcome his emotions. He then asked, "What else did she say?"
"When I had signified my full consent to the conditions of her will, she told me I was a generous boy, and she was proud of me. 'And now,' she added, 'in case anything should happen, you will know what to say to Malice when she comes whispering hard things in your ear, insinuating that Shirley has wronged you, that she did not love you. You will know that I did love you, Harry; that no sister could have loved you better—my own treasure.' Mr. Moore, sir, when I remember her voice, and recall her look, my heart beats as if it would break its strings. She may go to heaven before me—if God commands it, she must; but the rest of my life—and my life will not be long, I am glad of that now—shall be a straight, quick, thoughtful journey in the path her step has pressed. I thought to enter the vault of the Keeldars before her. Should it be otherwise, lay my coffin by Shirley's side."
"When I agreed to her wishes completely, she told me I was a generous guy, and she was proud of me. 'And now,' she added, 'if anything happens, you’ll know what to say to Malice when she whispers mean things in your ear, suggesting that Shirley has wronged you, that she didn’t love you. You’ll know that I did love you, Harry; that no sister could have loved you more—my own treasure.' Mr. Moore, sir, when I think of her voice and remember her expression, my heart races as if it might break. She may go to heaven before I do—if God wills it, she must; but the rest of my life—and I’m glad that won’t be long—will be a clear, swift, thoughtful journey along the path her steps have created. I planned to enter the vault of the Keeldars before her. If that doesn’t happen, place my coffin next to Shirley's."
Moore answered him with a weighty calm, that offered a strange contrast to the boy's perturbed enthusiasm.
Moore replied to him with a heavy calmness that created a strange contrast to the boy's anxious excitement.
"You are wrong, both of you—you harm each other. If youth once falls under the influence of a shadowy terror, it imagines there will never be full sunlight again; its first calamity it fancies will last a lifetime. What more did she say? Anything more?"
"You’re both mistaken—you hurt each other. If a young person falls under the spell of a shadowy fear, they think there will never be full sunlight again; they believe their first misfortune will last forever. What else did she say? Anything more?"
"We settled one or two family points between ourselves."
"We sorted out a couple of family matters between us."
"I should rather like to know what——"
"I'd really like to know what——"
"But, Mr. Moore, you smile. I could not smile to see Shirley in such a mood."
"But, Mr. Moore, you smile. I couldn't smile to see Shirley in such a mood."
[Pg 439]"My boy, I am neither nervous, nor poetic, nor inexperienced. I see things as they are; you don't as yet. Tell me these family points."
[Pg]439Please provide the text you would like me to modernize."My son, I'm not nervous, poetic, or inexperienced. I see things for what they are; you don't quite yet. Share with me these family matters."
"Only, sir, she asked me whether I considered myself most of a Keeldar or a Sympson; and I answered I was Keeldar to the core of the heart and to the marrow of the bones. She said she was glad of it; for, besides her, I was the only Keeldar left in England. And then we agreed on some matters."
"Only, sir, she asked me whether I saw myself more as a Keeldar or a Sympson; and I replied that I was Keeldar to the core of my heart and bones. She said she was glad to hear that; because besides her, I was the only Keeldar left in England. And then we agreed on a few things."
"Well?"
"What's up?"
"Well, sir, that if I lived to inherit my father's estate, and her house, I was to take the name of Keeldar, and to make Fieldhead my residence. Henry Shirley Keeldar I said I would be called; and I will. Her name and her manor house are ages old, and Sympson and Sympson Grove are of yesterday."
"Well, sir, if I live to inherit my father's estate and her house, I will take the name Keeldar and make Fieldhead my home. I said I would be called Henry Shirley Keeldar, and I will. Her name and her manor house are centuries old, while Sympson and Sympson Grove are brand new."
"Come, you are neither of you going to heaven yet. I have the best hopes of you both, with your proud distinctions—a pair of half-fledged eaglets. Now, what is your inference from all you have told me? Put it into words."
"Come on, neither of you is going to heaven just yet. I have high hopes for both of you, with your impressive qualities—a couple of young eagles still learning to fly. Now, what do you conclude from everything you've told me? Put it into words."
"That Shirley thinks she is going to die."
"Shirley thinks she's going to die."
"She referred to her health?"
"Did she mention her health?"
"Not once; but I assure you she is wasting. Her hands are grown quite thin, and so is her cheek."
"Not once; but I promise you she is fading away. Her hands have become really thin, and so has her cheek."
"Does she ever complain to your mother or sisters?"
"Does she ever talk to your mom or sisters about it?"
"Never. She laughs at them when they question her. Mr. Moore, she is a strange being, so fair and girlish—not a man-like woman at all, not an Amazon, and yet lifting her head above both help and sympathy."
"Never. She laughs at them when they question her. Mr. Moore, she is a peculiar person, so pretty and feminine—not at all a mannish woman, not an Amazon, and yet holding her head high above both help and sympathy."
"Do you know where she is now, Henry? Is she in the house, or riding out?"
"Do you know where she is now, Henry? Is she in the house or out riding?"
"Surely not out, sir. It rains fast."
"Definitely not out, sir. It's raining heavily."
"True; which, however, is no guarantee that she is not at this moment cantering over Rushedge. Of late she has never permitted weather to be a hindrance to her rides."
"True; however, that doesn’t guarantee she isn’t currently cantering over Rushedge. Lately, she hasn’t let the weather stop her from riding."
"You remember, Mr. Moore, how wet and stormy it was last Wednesday—so wild, indeed, that she would not permit Zoë to be saddled? Yet the blast she thought too tempestuous for her mare she herself faced on foot; that afternoon she walked nearly as far as Nunnely. I asked her, when she came in, if she was not afraid of taking cold. 'Not I,' she said. 'It would be too much good luck for me. I don't know, Harry, but the best thing that could happen to me would be to take a good cold and fever, and[Pg 440] so pass off like other Christians.' She is reckless, you see, sir."
"You remember, Mr. Moore, how wet and stormy it was last Wednesday—so wild, in fact, that she wouldn't let Zoë be saddled? Yet the storm she thought was too intense for her mare was something she faced on foot; that afternoon, she walked almost all the way to Nunnely. When she came in, I asked her if she was afraid of catching a cold. 'Not at all,' she said. 'That would be too much good luck for me. I don't know, Harry, but the best thing that could happen to me would be to get a bad cold and fever, and so pass away like other Christians.' She's reckless, you see, sir."
"Reckless indeed! Go and find out where she is, and if you can get an opportunity of speaking to her without attracting attention, request her to come here a minute."
"How reckless! Go find out where she is, and if you can talk to her without drawing attention, ask her to come here for a minute."
"Yes, sir."
"Yes, sir."
He snatched his crutch, and started up to go.
He grabbed his crutch and got up to leave.
"Harry!"
"Hey, Harry!"
He returned.
He came back.
"Do not deliver the message formally. Word it as, in former days, you would have worded an ordinary summons to the schoolroom."
"Don’t deliver the message formally. Phrase it like you would have phrased an ordinary invitation to the classroom in the past."
"I see, sir. She will be more likely to obey."
"I get it, sir. She'll be more likely to listen."
"And, Harry——"
"And, Harry—"
"Sir?"
"Excuse me?"
"I will call you when I want you. Till then, you are dispensed from lessons."
"I'll call you when I need you. Until then, you're off the hook from lessons."
He departed. Mr. Moore, left alone, rose from his desk.
He left. Mr. Moore, now alone, got up from his desk.
"I can be very cool and very supercilious with Henry," he said. "I can seem to make light of his apprehensions, and look down du haut de ma grandeur on his youthful ardour. To him I can speak as if, in my eyes, they were both children. Let me see if I can keep up the same rôle with her. I have known the moment when I seemed about to forget it, when Confusion and Submission seemed about to crush me with their soft tyranny, when my tongue faltered, and I have almost let the mantle drop, and stood in her presence, not master—no—but something else. I trust I shall never so play the fool. It is well for a Sir Philip Nunnely to redden when he meets her eye. He may permit himself the indulgence of submission. He may even, without disgrace, suffer his hand to tremble when it touches hers; but if one of her farmers were to show himself susceptible and sentimental, he would merely prove his need of a strait waistcoat. So far I have always done very well. She has sat near me, and I have not shaken—more than my desk. I have encountered her looks and smiles like—why, like a tutor, as I am. Her hand I never yet touched—never underwent that test. Her farmer or her footman I am not—no serf nor servant of hers have I ever been; but I am poor, and it behoves me to look to my self-respect—not to compromise an inch of it. What did she mean by that allusion to the cold people who petrify flesh to marble?[Pg 441] It pleased me—I hardly know why; I would not permit myself to inquire. I never do indulge in scrutiny either of her language or countenance; for if I did, I should sometimes forget common sense and believe in romance. A strange, secret ecstasy steals through my veins at moments. I'll not encourage—I'll not remember it. I am resolved, as long as may be, to retain the right to say with Paul, 'I am not mad, but speak forth the words of truth and soberness.'"
"I can be really cool and pretty arrogant with Henry," he said. "I can act like I’m not bothered by his worries and look down at his youthful passion. To him, I can talk as if, in my eyes, they’re both just kids. Let me see if I can keep up the same role with her. There have been times when I almost forgot it, when confusion and submission threatened to overwhelm me with their gentle power, when my words stumbled, and I nearly let my guard down, standing in front of her, not in control—no—but something else. I hope I never act that foolishly. It’s fine for a Sir Philip Nunnely to blush when he meets her gaze. He can afford to be submissive. He may even, without losing face, let his hand tremble when it touches hers; but if one of her farmers were to act sensitive and sentimental, he’d just show he needs a straightjacket. So far, I’ve done quite well. She’s sat close to me, and I haven’t shaken—more than my desk. I’ve met her looks and smiles like—well, like a tutor, as I am. I've never touched her hand—not gone through that test. I’m not her farmer or her footman—I've never been any kind of servant to her; but I’m poor, and I need to maintain my self-respect—not to compromise it at all. What did she mean by that reference to the cold people who turn flesh into marble?[Pg441] It intrigued me—I can’t say why; I wouldn't allow myself to ask. I never analyze her words or expressions, because if I did, I might sometimes lose common sense and start believing in romance. A strange, secret thrill flows through me at times. I won’t encourage it—I won’t dwell on it. I’m determined, for as long as I can, to keep the right to say with Paul, 'I am not mad, but speak forth the words of truth and soberness.'"
He paused, listening.
He paused, paying attention.
"Will she come, or will she not come?" he inquired. "How will she take the message? Naïvely or disdainfully? Like a child or like a queen? Both characters are in her nature.
"Will she come, or won’t she?" he asked. "How will she react to the message? Naively or with contempt? Like a child or like a queen? Both sides are part of her nature."
"If she comes, what shall I say to her? How account, firstly, for the freedom of the request? Shall I apologize to her? I could in all humility; but would an apology tend to place us in the positions we ought relatively to occupy in this matter? I must keep up the professor, otherwise—— I hear a door."
"If she comes, what should I say to her? How do I justify, first of all, the boldness of the request? Should I apologize to her? I could do that with all humility; but would an apology help us take the positions we should be in regarding this situation? I must maintain the role of the professor, otherwise—— I hear a door."
He waited. Many minutes passed.
He waited. Many minutes went by.
"She will refuse me. Henry is entreating her to come; she declines. My petition is presumption in her eyes. Let her only come, I can teach her to the contrary. I would rather she were a little perverse; it will steel me. I prefer her cuirassed in pride, armed with a taunt. Her scorn startles me from my dreams; I stand up myself. A sarcasm from her eyes or lips puts strength into every nerve and sinew I have. Some step approaches, and not Henry's."
"She's going to turn me down. Henry is begging her to come; she says no. My request seems arrogant to her. If she would just come, I could show her otherwise. I’d rather she be a bit difficult; it toughens me up. I like her dressed in pride, ready with a comeback. Her disdain jolts me awake; I stand tall. A sarcastic look or comment from her energizes every fiber of my being. Someone is coming, and it’s not Henry."
The door unclosed; Miss Keeldar came in. The message, it appeared, had found her at her needle; she brought her work in her hand. That day she had not been riding out; she had evidently passed it quietly. She wore her neat indoor dress and silk apron. This was no Thalestris from the fields, but a quiet domestic character from the fireside. Mr. Moore had her at advantage. He should have addressed her at once in solemn accents, and with rigid mien. Perhaps he would, had she looked saucy; but her air never showed less of crânerie. A soft kind of youthful shyness depressed her eyelid and mantled on her cheek. The tutor stood silent.
The door opened, and Miss Keeldar walked in. It seemed that the message had reached her while she was sewing; she had her work in her hand. She hadn’t gone riding that day; she clearly spent it quietly. She wore her neat indoor dress and a silk apron. This was not a bold figure from the outdoors, but a reserved domestic presence from the hearth. Mr. Moore had the upper hand. He should have spoken to her right away in a serious tone and with a stern expression. Perhaps he would have, if she had seemed cheeky; but her demeanor showed none of that attitude. A gentle kind of youthful shyness lowered her eyelid and colored her cheek. The tutor remained silent.
She made a full stop between the door and his desk.
She came to a complete stop between the door and his desk.
"Did you want me, sir?" she asked.
"Did you want me, sir?" she asked.
[Pg 442]"I ventured, Miss Keeldar, to send for you—that is, to ask an interview of a few minutes."
[Pg442I'm sorry, but there doesn't seem to be any text provided to modernize. Please provide a short phrase or text for me to work with. "I took the liberty of asking you to come here, Miss Keeldar, to request a few minutes of your time for a conversation."
She waited; she plied her needle.
She waited; she worked with her needle.
"Well, sir" (not lifting her eyes), "what about?"
"Well, sir," she said without looking up, "what about?"
"Be seated first. The subject I would broach is one of some moment. Perhaps I have hardly a right to approach it. It is possible I ought to frame an apology; it is possible no apology can excuse me. The liberty I have taken arises from a conversation with Henry. The boy is unhappy about your health; all your friends are unhappy on that subject. It is of your health I would speak."
"Please take a seat first. The topic I want to discuss is quite significant. Maybe I shouldn’t even bring it up. I might need to apologize; then again, maybe no apology can justify my words. The reason I’m addressing this comes from a talk I had with Henry. He’s worried about your health, and all of your friends share that concern. It’s your health that I want to talk about."
"I am quite well," she said briefly.
"I’m doing well," she said shortly.
"Yet changed."
"Yet transformed."
"That matters to none but myself. We all change."
"That only matters to me. We all change."
"Will you sit down? Formerly, Miss Keeldar, I had some influence with you: have I any now? May I feel that what I am saying is not accounted positive presumption?"
"Will you sit down? In the past, Miss Keeldar, I had some sway with you: do I have any now? Can I believe that what I'm saying isn't seen as outright arrogance?"
"Let me read some French, Mr. Moore, or I will even take a spell at the Latin grammar, and let us proclaim a truce to all sanitary discussions."
"Let me read some French, Mr. Moore, or I might even give the Latin grammar a try, and let’s call a truce to all the health discussions."
"No, no. It is time there were discussions."
"No, no. It's time to have discussions."
"Discuss away, then, but do not choose me for your text. I am a healthy subject."
"Go ahead and discuss, but don’t use me as your example. I’m perfectly fine."
"Do you not think it wrong to affirm and reaffirm what is substantially untrue?"
"Don’t you think it’s wrong to state and restate something that’s basically untrue?"
"I say I am well. I have neither cough, pain, nor fever."
"I say I'm doing well. I have no cough, pain, or fever."
"Is there no equivocation in that assertion? Is it the direct truth?"
"Is there no doubt in that statement? Is it the absolute truth?"
"The direct truth."
"The honest truth."
Louis Moore looked at her earnestly.
Louis Moore looked at her intently.
"I can myself," he said, "trace no indications of actual disease. But why, then, are you altered?"
"I can't find any signs of real illness," he said, "but if that's the case, why have you changed?"
"Am I altered?"
"Am I changed?"
"We will try. We will seek a proof."
"We'll try. We'll look for proof."
"How?"
"How?"
"I ask, in the first place, do you sleep as you used to?"
"I want to know, first of all, are you sleeping like you used to?"
"I do not; but it is not because I am ill."
"I don't, but it's not because I'm sick."
"Have you the appetite you once had?"
"Do you have the appetite you used to have?"
"No; but it is not because I am ill."
"No; but it's not because I'm sick."
"You remember this little ring fastened to my watch-chain? It was my mother's, and is too small to pass the joint of my little finger. You have many a time sportively purloined it. It fitted your fore-finger. Try now."
"You remember this little ring attached to my watch chain? It belonged to my mom, and it's too small to fit over the joint of my pinky finger. You've playfully stolen it many times. It fits your index finger. Go ahead and try it on."
[Pg 443]She permitted the test. The ring dropped from the wasted little hand. Louis picked it up, and reattached it to the chain. An uneasy flush coloured his brow. Shirley again said, "It is not because I am ill."
[Pg443Please provide the text you would like me to modernize.She allowed the test. The ring fell from the thin little hand. Louis picked it up and put it back on the chain. An anxious flush colored his forehead. Shirley repeated, "It's not because I'm sick."
"Not only have you lost sleep, appetite, and flesh," proceeded Moore, "but your spirits are always at ebb. Besides, there is a nervous alarm in your eye, a nervous disquiet in your manner. These peculiarities were not formerly yours."
"Not only have you lost sleep, appetite, and weight," Moore continued, "but your mood is always low. Plus, there's a nervous tension in your eye and a restless vibe in your demeanor. These traits didn't used to be like this for you."
"Mr. Moore, we will pause here. You have exactly hit it. I am nervous. Now, talk of something else. What wet weather we have—steady, pouring rain!"
"Mr. Moore, let’s stop here. You’ve got it exactly right. I’m feeling anxious. Now, let’s change the subject. What awful weather we’re having—steady, pouring rain!"
"You nervous? Yes; and if Miss Keeldar is nervous, it is not without a cause. Let me reach it. Let me look nearer. The ailment is not physical. I have suspected that. It came in one moment. I know the day. I noticed the change. Your pain is mental."
"You nervous? Yes; and if Miss Keeldar is nervous, there's a reason for it. Let me get closer. Let me see it better. The issue isn't physical. I had a feeling about that. It happened all at once. I remember the day. I saw the shift. Your pain is emotional."
"Not at all. It is nothing so dignified—merely nervous. Oh! dismiss the topic."
"Not at all. It's nothing that serious—just nerves. Oh! Let’s drop the subject."
"When it is exhausted; not till then. Nervous alarms should always be communicated, that they may be dissipated. I wish I had the gift of persuasion, and could incline you to speak willingly. I believe confession, in your case, would be half equivalent to cure."
"When it's exhausted; not until then. Nervous worries should always be shared so they can be relieved. I wish I had the ability to persuade you and make you feel comfortable enough to talk. I believe that confessing, in your situation, would be almost like a remedy."
"No," said Shirley abruptly. "I wish that were at all probable; but I am afraid it is not."
"No," Shirley said sharply. "I wish that were possible; but I’m afraid it’s not."
She suspended her work a moment. She was now seated. Resting her elbow on the table, she leaned her head on her hand. Mr. Moore looked as if he felt he had at last gained some footing in this difficult path. She was serious, and in her wish was implied an important admission; after that she could no longer affirm that nothing ailed her.
She paused her work for a moment. Now seated, she rested her elbow on the table and leaned her head on her hand. Mr. Moore looked like he finally felt he had some ground in this tough situation. She was serious, and her desire implied a significant admission; after that, she could no longer claim that nothing was wrong with her.
The tutor allowed her some minutes for repose and reflection ere he returned to the charge. Once his lips moved to speak, but he thought better of it, and prolonged the pause. Shirley lifted her eye to his. Had he betrayed injudicious emotion, perhaps obstinate persistence in silence would have been the result; but he looked calm, strong, trustworthy.
The tutor gave her a few minutes to rest and think before he continued. He opened his mouth to say something, but reconsidered and kept silent longer. Shirley glanced up at him. If he had shown any unwarranted emotion, she might have stubbornly stayed quiet, but he appeared calm, strong, and reliable.
"I had better tell you than my aunt," she said, "or than my cousins, or my uncle. They would all make such a bustle, and it is that very bustle I dread—the alarm, the flurry, the éclat. In short, I never liked to be the centre[Pg 444] of a small domestic whirlpool. You can bear a little shock—eh?"
"I’d rather tell you than my aunt," she said, "or my cousins, or my uncle. They would all cause such a fuss, and it’s that very fuss I can’t stand—the excitement, the commotion, the éclat. In short, I never liked being the center[Pg444Please provide the text you would like me to modernize. of a small family whirlwind. You can handle a little shock—right?"
"A great one, if necessary."
"A great one, if needed."
Not a muscle of the man's frame moved, and yet his large heart beat fast in his deep chest. What was she going to tell him? Was irremediable mischief done?
Not a muscle of the man's body moved, yet his large heart raced in his deep chest. What was she about to say? Had irreparable harm been done?
"Had I thought it right to go to you, I would never have made a secret of the matter one moment," she continued. "I would have told you at once, and asked advice."
"Had I thought it was right to come to you, I would never have kept this a secret for even a moment," she continued. "I would have told you right away and asked for your advice."
"Why was it not right to come to me?"
"Why was it wrong to come to me?"
"It might be right—I do not mean that; but I could not do it. I seemed to have no title to trouble you. The mishap concerned me only. I wanted to keep it to myself, and people will not let me. I tell you, I hate to be an object of worrying attention, or a theme for village gossip. Besides, it may pass away without result—God knows!"
"It might be true—I don't mean that; but I couldn’t do it. I felt like I had no reason to bother you. The mishap only affected me. I wanted to keep it to myself, but people won’t let me. I’m telling you, I hate being the center of worrying attention, or a topic for village gossip. Plus, it might just blow over without any consequences—who knows!"
Moore, though tortured with suspense, did not demand a quick explanation. He suffered neither gesture, glance, nor word to betray impatience. His tranquillity tranquillized Shirley; his confidence reassured her.
Moore, though filled with suspense, didn’t ask for a quick explanation. He showed no signs of impatience through gestures, looks, or words. His calmness soothed Shirley; his confidence put her at ease.
"Great effects may spring from trivial causes," she remarked, as she loosened a bracelet from her wrist. Then, unfastening her sleeve, and partially turning it up, "Look here, Mr. Moore."
"Big outcomes can come from small actions," she said, as she took off a bracelet from her wrist. Then, rolling up her sleeve a bit and showing him, she added, "Look here, Mr. Moore."
She showed a mark in her white arm—rather a deep though healed-up indentation—something between a burn and a cut.
She had a mark on her white arm—quite a deep, though healed, indentation—somewhere between a burn and a cut.
"I would not show that to any one in Briarfield but you, because you can take it quietly."
"I wouldn't show that to anyone in Briarfield but you, because you can handle it calmly."
"Certainly there is nothing in the little mark to shock. Its history will explain."
"There's definitely nothing in the small mark to be shocked by. Its history will clarify."
"Small as it is, it has taken my sleep away, and made me nervous, thin, and foolish; because, on account of that little mark, I am obliged to look forward to a possibility that has its terrors."
"Though it's small, it's robbed me of my sleep and made me anxious, frail, and irrational; because of that tiny mark, I have to anticipate a possibility that frightens me."
The sleeve was readjusted, the bracelet replaced.
The sleeve was adjusted, and the bracelet was swapped out.
"Do you know that you try me?" he said, smiling. "I am a patient sort of man, but my pulse is quickening."
"Do you know that you push my buttons?" he said, smiling. "I'm a pretty patient guy, but my heart is racing."
"Whatever happens, you will befriend me, Mr. Moore? You will give me the benefit of your self-possession, and not leave me at the mercy of agitated cowards?"
"Whatever happens, you will be my friend, Mr. Moore? You'll share your calmness with me and not leave me at the mercy of anxious cowards?"
"I make no promise now. Tell me the tale, and then exact what pledge you will."
"I won't make any promises right now. Just tell me the story, and then you can ask for whatever commitment you want."
"It is a very short tale. I took a walk with Isabella[Pg 445] and Gertrude one day, about three weeks ago. They reached home before me; I stayed behind to speak to John. After leaving him, I pleased myself with lingering in the lane, where all was very still and shady. I was tired of chattering to the girls, and in no hurry to rejoin them. As I stood leaning against the gate-pillar, thinking some very happy thoughts about my future life—for that morning I imagined that events were beginning to turn as I had long wished them to turn——"
"It’s a really short story. About three weeks ago, I went for a walk with Isabella[Pg445Please provide the text you would like modernized. and Gertrude. They got home before I did; I stayed back to talk to John. After I left him, I enjoyed hanging out in the quiet, shady lane. I was tired of chatting with the girls and wasn’t in a rush to join them. As I stood there leaning against the gatepost, I was lost in some really happy thoughts about my future—because that morning, I felt like things were finally starting to go the way I had always wanted."
"Ah! Nunnely had been with her the evening before!" thought Moore parenthetically.
"Ah! Nunnely had been with her the night before!" thought Moore to himself.
"I heard a panting sound; a dog came running up the lane. I know most of the dogs in this neighbourhood. It was Phœbe, one of Mr. Sam Wynne's pointers. The poor creature ran with her head down, her tongue hanging out; she looked as if bruised and beaten all over. I called her. I meant to coax her into the house and give her some water and dinner. I felt sure she had been ill-used. Mr. Sam often flogs his pointers cruelly. She was too flurried to know me; and when I attempted to pat her head, she turned and snatched at my arm. She bit it so as to draw blood, then ran panting on. Directly after, Mr. Wynne's keeper came up, carrying a gun. He asked if I had seen a dog. I told him I had seen Phœbe.
I heard a panting sound, and a dog came running up the lane. I know most of the dogs in this neighborhood. It was Phœbe, one of Mr. Sam Wynne's pointers. The poor thing ran with her head down and her tongue hanging out; she looked like she had been hurt and abused all over. I called her over, intending to coax her into the house and give her some water and food. I was sure she had been mistreated. Mr. Sam often whips his pointers harshly. She was too scared to recognize me, and when I tried to pat her head, she turned and snapped at my arm. She bit it hard enough to draw blood, then ran off panting. Soon after, Mr. Wynne's keeper came up, carrying a gun. He asked if I had seen a dog. I told him I had seen Phœbe.
"'You had better chain up Tartar, ma'am,' he said, 'and tell your people to keep within the house. I am after Phœbe to shoot her, and the groom is gone another way. She is raging mad.'"
"'You should really chain up Tartar, ma'am,' he said, 'and tell your folks to stay inside the house. I'm going after Phœbe to shoot her, and the groom has gone another way. She's absolutely furious.'"
Mr. Moore leaned back in his chair and folded his arms across his chest. Miss Keeldar resumed her square of silk canvas, and continued the creation of a wreath of Parmese violets.
Mr. Moore leaned back in his chair and crossed his arms over his chest. Miss Keeldar picked up her square of silk canvas again and continued making a wreath of Parmese violets.
"And you told no one, sought no help, no cure? You would not come to me?"
"And you didn’t tell anyone, didn’t look for help or a solution? You wouldn’t come to me?"
"I got as far as the schoolroom door; there my courage failed. I preferred to cushion the matter."
"I made it to the schoolroom door; that’s where my courage gave out. I decided to soften the situation."
"Why? What can I demand better in this world than to be of use to you?"
"Why? What more could I want in this world than to be helpful to you?"
"I had no claim."
"I had no right."
"Monstrous! And you did nothing?"
"That’s crazy! And you did nothing?"
"Yes. I walked straight into the laundry, where they are ironing most of the week, now that I have so many guests in the house. While the maid was busy crimping or starching, I took an Italian iron from the fire, and applied[Pg 446] the light scarlet glowing tip to my arm. I bored it well in. It cauterized the little wound. Then I went upstairs."
"Yes. I walked right into the laundry, where they’re ironing most of the week since I have so many guests in the house. While the maid was busy crimping or starching, I took an Italian iron from the fire and pressed the light scarlet glowing tip to my arm. I really dug it in. It cauterized the little wound. Then I went upstairs."
"I dare say you never once groaned?"
"I bet you never complained once?"
"I am sure I don't know. I was very miserable—not firm or tranquil at all, I think. There was no calm in my mind."
"I honestly don't know. I was really unhappy—not stable or peaceful at all, I think. There was no calm in my mind."
"There was calm in your person. I remember listening the whole time we sat at luncheon, to hear if you moved in the room above. All was quiet."
"There was a sense of calm about you. I remember listening the entire time we had lunch, waiting to see if you made any noise in the room above. Everything was quiet."
"I was sitting at the foot of the bed, wishing Phœbe had not bitten me."
"I was sitting at the foot of the bed, wishing Phœbe hadn't bitten me."
"And alone. You like solitude."
"And alone. You enjoy solitude."
"Pardon me."
"Excuse me."
"You disdain sympathy."
"You reject sympathy."
"Do I, Mr. Moore?"
"Do I, Mr. Moore?"
"With your powerful mind you must feel independent of help, of advice, of society."
"With your strong mind, you need to feel independent of help, advice, and society."
"So be it, since it pleases you."
"So be it, if that makes you happy."
She smiled. She pursued her embroidery carefully and quickly, but her eyelash twinkled, and then it glittered, and then a drop fell.
She smiled. She worked on her embroidery carefully and quickly, but her eyelash sparkled, then glimmered, and then a drop fell.
Mr. Moore leaned forward on his desk, moved his chair, altered his attitude.
Mr. Moore leaned forward on his desk, adjusted his chair, and changed his position.
"If it is not so," he asked, with a peculiar, mellow change in his voice, "how is it, then?"
"If that's not the case," he asked, with a strange, smooth shift in his voice, "then what is it?"
"I don't know."
"I dunno."
"You do know, but you won't speak. All must be locked up in yourself."
"You know the truth, but you won't say it. Everything has to stay inside you."
"Because it is not worth sharing."
"Because it's not worth it."
"Because nobody can give the high price you require for your confidence. Nobody is rich enough to purchase it. Nobody has the honour, the intellect, the power you demand in your adviser. There is not a shoulder in England on which you would rest your hand for support, far less a bosom which you would permit to pillow your head. Of course you must live alone."
"Because no one can pay the high price you ask for your trust. No one is wealthy enough to buy it. No one has the honor, the intelligence, or the authority you seek in your advisor. There isn’t a shoulder in England you would lean on for support, let alone a chest you would allow to rest your head on. Of course, you have to live alone."
"I can live alone, if need be. But the question is not how to live, but how to die alone. That strikes me in a more grisly light."
"I can live alone if necessary. But the real question isn’t about how to live, but how to die alone. That feels much more grim."
"You apprehend the effects of the virus? You anticipate an indefinitely threatening, dreadful doom?"
"Do you understand the effects of the virus? Are you expecting a never-ending, terrifying disaster?"
She bowed.
She bowed.
"You are very nervous and womanish."
"You are really anxious and too emotional."
[Pg 447]"You complimented me two minutes since on my powerful mind."
[Pg447]"You praised me just two minutes ago for my strong intellect."
"You are very womanish. If the whole affair were coolly examined and discussed, I feel assured it would turn out that there is no danger of your dying at all."
"You are very womanly. If we took a calm look at the whole situation and talked about it, I’m sure we’d find that there’s no real risk of you dying at all."
"Amen! I am very willing to live, if it please God. I have felt life sweet."
"Amen! I'm very willing to live, if that's what God wants. I've felt life is sweet."
"How can it be otherwise than sweet with your endowments and nature? Do you truly expect that you will be seized with hydrophobia, and die raving mad?"
"How could it be anything but sweet with your gifts and character? Do you really think you'll be taken over by fear of water and die screaming in madness?"
"I expect it, and have feared it. Just now I fear nothing."
"I expect it, and have feared it. Right now, I don't fear anything."
"Nor do I, on your account. I doubt whether the smallest particle of virus mingled with your blood; and if it did, let me assure you that, young, healthy, faultlessly sound as you are, no harm will ensue. For the rest, I shall inquire whether the dog was really mad. I hold she was not mad."
"Nor do I care about that for you. I doubt if even the tiniest bit of virus got into your blood; and if it did, let me assure you that, being as young, healthy, and perfectly fine as you are, no harm will come to you. As for the rest, I’ll find out if the dog was really rabid. I believe she wasn’t rabid."
"Tell nobody that she bit me."
"Don’t tell anyone that she bit me."
"Why should I, when I believe the bite innocuous as a cut of this penknife? Make yourself easy. I am easy, though I value your life as much as I do my own chance of happiness in eternity. Look up."
"Why should I, when I think the bite is harmless like a cut from this penknife? Relax. I am calm, even though I care about your life as much as I do my own chance at happiness in eternity. Look up."
"Why, Mr. Moore?"
"Why, Mr. Moore?"
"I wish to see if you are cheered. Put your work down; raise your head."
"I want to see if you're feeling better. Put your work aside; lift your head."
"There——"
"There—"
"Look at me. Thank you. And is the cloud broken?"
"Look at me. Thanks. Is the cloud broken?"
"I fear nothing."
"I'm fearless."
"Is your mind restored to its own natural sunny clime?"
"Is your mind back to its natural sunny state?"
"I am very content; but I want your promise."
"I’m really happy, but I need your promise."
"Dictate."
"Speak."
"You know, in case the worst I have feared should happen, they will smother me. You need not smile. They will; they always do. My uncle will be full of horror, weakness, precipitation; and that is the only expedient which will suggest itself to him. Nobody in the house will be self-possessed but you. Now promise to befriend me—to keep Mr. Sympson away from me, not to let Henry come near, lest I should hurt him. Mind—mind that you take care of yourself too. But I shall not injure you; I know I shall not. Lock the chamber door against the surgeons; turn them out if they get in. Let neither the young nor the old MacTurk lay a finger on me; nor Mr. Greaves, their colleague; and lastly, if I give trouble, with your own hand[Pg 448] administer to me a strong narcotic—such a sure dose of laudanum as shall leave no mistake. Promise to do this."
"You know, if the worst I fear happens, they will suffocate me. You don’t need to smile. They will; they always do. My uncle will be full of horror, weakness, and rush into decisions; that's the only thing he'll think to do. No one in the house will be calm except you. So promise me you'll help—keep Mr. Sympson away from me, don’t let Henry come near, in case I might hurt him. Remember—remember to take care of yourself too. But I won’t hurt you; I know I won’t. Lock the bedroom door against the doctors; send them away if they get in. Don’t let either the young or old MacTurk touch me, nor Mr. Greaves, their colleague; and lastly, if I cause any trouble, with your own hand[Pg448Please provide the text you'd like me to modernize. give me a strong sedative—such a precise dose of laudanum that there’s no chance of error. Promise to do this."
Moore left his desk, and permitted himself the recreation of one or two turns through the room. Stopping behind Shirley's chair, he bent over her, and said, in a low, emphatic voice, "I promise all you ask—without comment, without reservation."
Moore got up from his desk and allowed himself a moment to walk around the room. Stopping behind Shirley's chair, he leaned down towards her and said, in a quiet, determined voice, "I promise everything you ask—no comments, no conditions."
"If female help is needed, call in my housekeeper, Mrs. Gill. Let her lay me out if I die. She is attached to me. She wronged me again and again, and again and again I forgave her. She now loves me, and would not defraud me of a pin. Confidence has made her honest; forbearance has made her kind-hearted. At this day I can trust both her integrity, her courage, and her affection. Call her; but keep my good aunt and my timid cousins away. Once more, promise."
"If you need female assistance, call my housekeeper, Mrs. Gill. Let her take care of me if I pass away. She's very loyal to me. She has made mistakes repeatedly, and I've forgiven her time after time. Now she cares about me and wouldn’t take anything from me. Trust has made her honest, and my patience has made her kind-hearted. At this point, I trust her integrity, bravery, and affection completely. Call her, but keep my dear aunt and my shy cousins away. Once again, promise me."
"I promise."
"I swear."
"That is good in you," she said, looking up at him as he bent over her, and smiling.
"That's good in you," she said, looking up at him as he leaned over her, and smiling.
"Is it good? Does it comfort?"
"Is it good? Does it bring comfort?"
"Very much."
"Totally."
"I will be with you—I and Mrs. Gill only—in any, in every extremity where calm and fidelity are needed. No rash or coward hand shall meddle."
"I'll be there with you—just me and Mrs. Gill—during any and every situation that calls for calm and loyalty. No reckless or cowardly hand will interfere."
"Yet you think me childish?"
"Do you really think I’m childish?"
"I do."
"I do."
"Ah! you despise me."
"Ah! You hate me."
"Do we despise children?"
"Do we hate children?"
"In fact, I am neither so strong, nor have I such pride in my strength, as people think, Mr. Moore; nor am I so regardless of sympathy. But when I have any grief, I fear to impart it to those I love, lest it should pain them; and to those whom I view with indifference I cannot condescend to complain. After all, you should not taunt me with being childish, for if you were as unhappy as I have been for the last three weeks, you too would want some friend."
"In reality, I'm not as strong or as proud of my strength as people believe, Mr. Moore; I also care about others' feelings. But when I'm grieving, I'm afraid to share it with those I love because I don’t want to hurt them; and with those I don't care about, I can't even bring myself to complain. Honestly, you shouldn't mock me for being childish, because if you had been as unhappy as I have been for the past three weeks, you'd also want a friend."
"We all want a friend, do we not?"
"We all want a friend, don’t we?"
"All of us that have anything good in our natures."
"All of us who have anything good in our nature."
"Well, you have Caroline Helstone."
"Well, you have Caroline Helstone."
"Yes. And you have Mr. Hall."
"Yeah. And you have Mr. Hall."
"Yes. Mrs. Pryor is a wise, good woman. She can counsel you when you need counsel."
"Yes. Mrs. Pryor is a wise, kind woman. She can advise you when you need advice."
"For your part, you have your brother Robert."
"For your part, you have your brother Robert."
"For any right-hand defections, there is the Rev. Matthewson[Pg 449] Helstone, M.A., to lean upon; for any left-hand fallings-off there is Hiram Yorke, Esq. Both elders pay you homage."
"For any right-hand departures, you can rely on Rev. Matthewson[Pg449I'm sorry, but there seems to be a misunderstanding. Please provide the text you'd like me to modernize. Helstone, M.A., and for any left-hand issues, there's Hiram Yorke, Esq. Both elders show you respect."
"I never saw Mrs. Yorke so motherly to any young man as she is to you. I don't know how you have won her heart, but she is more tender to you than she is to her own sons. You have, besides, your sister Hortense."
"I've never seen Mrs. Yorke be so caring towards any young man as she is towards you. I don’t know how you captured her heart, but she’s more affectionate with you than with her own sons. Plus, you have your sister Hortense."
"It appears we are both well provided."
"It looks like we both have everything we need."
"It appears so."
"Looks like it."
"How thankful we ought to be!"
"How thankful we should be!"
"Yes."
Yes.
"How contented!"
"How happy!"
"Yes."
Yes.
"For my part, I am almost contented just now, and very thankful. Gratitude is a divine emotion. It fills the heart, but not to bursting; it warms it, but not to fever. I like to taste leisurely of bliss. Devoured in haste, I do not know its flavour."
"For my part, I'm almost content right now, and really thankful. Gratitude is a beautiful feeling. It fills the heart, but not to overflowing; it warms it, but not to a fever pitch. I like to savor happiness slowly. If it's rushed, I can't truly appreciate its flavor."
Still leaning on the back of Miss Keeldar's chair, Moore watched the rapid motion of her fingers, as the green and purple garland grew beneath them. After a prolonged pause, he again asked, "Is the shadow quite gone?"
Still leaning against the back of Miss Keeldar's chair, Moore watched her fingers move quickly as the green and purple garland formed below them. After a long pause, he asked again, "Is the shadow completely gone?"
"Wholly. As I was two hours since, and as I am now, are two different states of existence. I believe, Mr. Moore, griefs and fears nursed in silence grow like Titan infants."
"Completely. As I was two hours ago, and as I am now, are two different states of being. I believe, Mr. Moore, that griefs and fears kept inside grow like giant babies."
"You will cherish such feelings no more in silence?"
"You won't keep those feelings to yourself any longer?"
"Not if I dare speak."
"Not if I speak up."
"In using the word 'dare,' to whom do you allude?"
"In using the word 'dare,' who are you referring to?"
"To you."
"To you."
"How is it applicable to me?"
"How does it apply to me?"
"On account of your austerity and shyness."
"Because of your strictness and timidity."
"Why am I austere and shy?"
"Why am I so serious and shy?"
"Because you are proud."
"Because you're proud."
"Why am I proud?"
"Why am I proud?"
"I should like to know. Will you be good enough to tell me?"
"I’d like to know. Could you please tell me?"
"Perhaps, because I am poor, for one reason. Poverty and pride often go together."
"Maybe it's because I'm broke, for one thing. Poverty and pride often go hand in hand."
"That is such a nice reason. I should be charmed to discover another that would pair with it. Mate that turtle, Mr. Moore."
"That's such a nice reason. I should love to find another that goes with it. Pair that turtle, Mr. Moore."
"Immediately. What do you think of marrying to sober Poverty many-tinted Caprice?"
"Right away. What do you think about marrying sober Poverty with its many shades of unpredictability?"
"Are you capricious?"
"Are you fickle?"
[Pg 450]"You are."
"You are."
"A libel. I am steady as a rock, fixed as the polar star."
"A libel. I am as steady as a rock, as fixed as the North Star."
"I look out at some early hour of the day, and see a fine, perfect rainbow, bright with promise, gloriously spanning the beclouded welkin of life. An hour afterwards I look again: half the arch is gone, and the rest is faded. Still later, the stern sky denies that it ever wore so benign a symbol of hope."
"I look out at some early hour of the day and see a beautiful, perfect rainbow, vibrant with promise, gloriously stretching across the cloudy sky of life. An hour later, I look again: half of the arch has disappeared, and the rest has faded. Even later, the harsh sky denies that it ever displayed such a kind symbol of hope."
"Well, Mr. Moore, you should contend against these changeful humours. They are your besetting sin. One never knows where to have you."
"Well, Mr. Moore, you should deal with these unpredictable moods. They're your biggest flaw. You can never tell what to expect from you."
"Miss Keeldar, I had once, for two years, a pupil who grew very dear to me. Henry is dear, but she was dearer. Henry never gives me trouble; she—well, she did. I think she vexed me twenty-three hours out of the twenty-four——"
"Miss Keeldar, I had a student who became very dear to me for two years. Henry is important to me, but she was even more so. Henry never causes me any trouble; she—well, she did. I think she annoyed me twenty-three hours out of the day——"
"She was never with you above three hours, or at the most six at a time."
"She was never with you for more than three hours, or at most six at a time."
"She sometimes spilled the draught from my cup, and stole the food from my plate; and when she had kept me unfed for a day (and that did not suit me, for I am a man accustomed to take my meals with reasonable relish, and to ascribe due importance to the rational enjoyment of creature comforts)——"
"She would sometimes spill the drink from my cup and steal food from my plate; and when she had kept me hungry for a day (which didn’t sit well with me, since I’m a guy who enjoys my meals and believes in the importance of enjoying the comforts of life)——"
"I know you do. I can tell what sort of dinners you like best—perfectly well. I know precisely the dishes you prefer——"
"I know you do. I can tell what kind of dinners you like best—perfectly well. I know exactly the dishes you prefer——"
"She robbed these dishes of flavour, and made a fool of me besides. I like to sleep well. In my quiet days, when I was my own man, I never quarrelled with the night for being long, nor cursed my bed for its thorns. She changed all this."
"She took the flavor out of these dishes and made a fool of me in the process. I like to sleep well. In my peaceful days, when I was my own person, I never fought with the night for being long, nor did I complain about my bed for its discomfort. She changed all of that."
"Mr. Moore——"
"Mr. Moore—"
"And having taken from me peace of mind and ease of life, she took from me herself—quite coolly, just as if, when she was gone, the world would be all the same to me. I knew I should see her again at some time. At the end of two years, it fell out that we encountered again under her own roof, where she was mistress. How do you think she bore herself towards me, Miss Keeldar?"
"And after robbing me of my peace of mind and comfort in life, she took herself away from me—without a care, as if my world would remain unchanged after she was gone. I knew I would see her again eventually. Two years later, we ran into each other again under her own roof, where she was in charge. How do you think she acted toward me, Miss Keeldar?"
"Like one who had profited well by lessons learned from yourself."
"Like someone who has really benefited from the lessons they've learned from you."
"She received me haughtily. She meted out a wide[Pg 451] space between us, and kept me aloof by the reserved gesture, the rare and alienated glance, the word calmly civil."
"She greeted me with arrogance. She created a large[Pg451Please provide the text you would like me to modernize. distance between us and kept me at arm's length with her reserved gestures, the rare and distant look, and her calmly polite words."
"She was an excellent pupil! Having seen you distant, she at once learned to withdraw. Pray, sir, admire in her hauteur a careful improvement on your own coolness."
"She was an excellent student! Noticing your distance, she quickly learned to hold back. Please, sir, appreciate in her hauteur a thoughtful enhancement of your own coolness."
"Conscience, and honour, and the most despotic necessity dragged me apart from her, and kept me sundered with ponderous fetters. She was free: she might have been clement."
"Conscience, honor, and the harshest obligation pulled me away from her and kept me separated with heavy chains. She was free; she could have been merciful."
"Never free to compromise her self-respect, to seek where she had been shunned."
"Never willing to compromise her self-respect, in search of where she had been rejected."
"Then she was inconsistent; she tantalized as before. When I thought I had made up my mind to seeing in her only a lofty stranger, she would suddenly show me such a glimpse of loving simplicity—she would warm me with such a beam of reviving sympathy, she would gladden an hour with converse so gentle, gay, and kindly—that I could no more shut my heart on her image than I could close that door against her presence. Explain why she distressed me so."
"Then she was unpredictable; she teased me like before. Just when I thought I had decided to see her as nothing more than a distant stranger, she would suddenly reveal a glimpse of genuine warmth—she would brighten my spirits with her kindness, making an hour of conversation feel so easy, joyful, and friendly—that I couldn't shut my heart to her image any more than I could close that door to keep her away. Explain why she bothered me so."
"She could not bear to be quite outcast; and then she would sometimes get a notion into her head, on a cold, wet day, that the schoolroom was no cheerful place, and feel it incumbent on her to go and see if you and Henry kept up a good fire; and once there, she liked to stay."
"She couldn't stand feeling completely excluded; and on a cold, rainy day, she'd sometimes get the idea that the classroom was a pretty dreary place. She felt it was her responsibility to check if you and Henry had a nice fire going; and once she was there, she liked to linger."
"But she should not be changeful. If she came at all, she should come oftener."
"But she shouldn’t be so unpredictable. If she comes at all, she should come more often."
"There is such a thing as intrusion."
"There is such a thing as invasion."
"To-morrow you will not be as you are to-day."
"Tomorrow you won’t be the same as you are today."
"I don't know. Will you?"
"I don't know. Will you?"
"I am not mad, most noble Berenice! We may give one day to dreaming, but the next we must awake; and I shall awake to purpose the morning you are married to Sir Philip Nunnely. The fire shines on you and me, and shows us very clearly in the glass, Miss Keeldar; and I have been gazing on the picture all the time I have been talking. Look up! What a difference between your head and mine! I look old for thirty!"
"I’m not crazy, most noble Berenice! We can spend one day dreaming, but the next we have to wake up; and I’ll wake up with purpose the morning you marry Sir Philip Nunnely. The light reflects on you and me, and shows us clearly in the mirror, Miss Keeldar; I’ve been staring at the image the whole time I’ve been talking. Look up! What a difference between your face and mine! I look old for thirty!"
"You are so grave; you have such a square brow; and your face is sallow. I never regard you as a young man, nor as Robert's junior."
"You are so serious; you have such a strong brow; and your face is pale. I never see you as a young man, nor as younger than Robert."
"Don't you? I thought not. Imagine Robert's clear-cut, handsome face looking over my shoulder. Does not the apparition make vividly manifest the obtuse mould[Pg 452] of my heavy traits? There!" (he started), "I have been expecting that wire to vibrate this last half-hour."
"Don't you? I figured as much. Picture Robert's sharp, good-looking face looking over my shoulder. Doesn’t the vision highlight the dull shape of my heavy features? There!" (he jumped), "I’ve been waiting for that wire to buzz for the last half hour."
The dinner-bell rang, and Shirley rose.
The dinner bell rang, and Shirley got up.
"Mr. Moore," she said, as she gathered up her silks, "have you heard from your brother lately? Do you know what he means by staying in town so long? Does he talk of returning?"
"Mr. Moore," she said, as she picked up her silks, "have you heard from your brother recently? Do you know why he’s staying in town for so long? Is he saying anything about coming back?"
"He talks of returning; but what has caused his long absence I cannot tell. To speak the truth, I thought none in Yorkshire knew better than yourself why he was reluctant to come home."
"He talks about coming back; but I can't say what has caused his long absence. Honestly, I thought no one in Yorkshire knew better than you why he was hesitant to return home."
A crimson shadow passed across Miss Keeldar's cheek.
A red shadow moved across Miss Keeldar's cheek.
"Write to him and urge him to come," she said. "I know there has been no impolicy in protracting his absence thus far. It is good to let the mill stand, while trade is so bad; but he must not abandon the county."
"Write to him and encourage him to come," she said. "I know it hasn't been a bad decision to prolong his absence this far. It's smart to keep the mill idle while business is so slow; but he can't just leave the county."
"I am aware," said Louis, "that he had an interview with you the evening before he left, and I saw him quit Fieldhead afterwards. I read his countenance, or tried to read it. He turned from me. I divined that he would be long away. Some fine, slight fingers have a wondrous knack at pulverizing a man's brittle pride. I suppose Robert put too much trust in his manly beauty and native gentlemanhood. Those are better off who, being destitute of advantage, cannot cherish delusion. But I will write, and say you advise his return."
"I know," Louis said, "that he spoke with you the night before he left, and I saw him leave Fieldhead afterward. I tried to read his expression. He turned away from me. I sensed that he would be gone for a long time. Some delicate fingers have a remarkable ability to crush a man's fragile pride. I think Robert relied too much on his good looks and natural nobility. Those who don't have these advantages are better off because they can't cling to illusions. But I will write and say you recommend he come back."
"Do not say I advise his return, but that his return is advisable."
"Don't say I recommend his return, but that his return is a good idea."
The second bell rang, and Miss Keeldar obeyed its call.[Pg 453]
The second bell rang, and Miss Keeldar answered its call.[Pg453Please provide the text you would like me to modernize.
CHAPTER XXIX.
LOUIS MOORE.
Louis Moore was used to a quiet life. Being a quiet man, he endured it better than most men would. Having a large world of his own in his own head and heart, he tolerated confinement to a small, still corner of the real world very patiently.
Louis Moore was used to a peaceful life. As a reserved person, he handled it better than most would. With a vast world of his own in his mind and heart, he patiently accepted being stuck in a small, quiet corner of the real world.
How hushed is Fieldhead this evening! All but Moore—Miss Keeldar, the whole family of the Sympsons, even Henry—are gone to Nunnely. Sir Philip would have them come; he wished to make them acquainted with his mother and sisters, who are now at the priory. Kind gentleman as the baronet is, he asked the tutor too; but the tutor would much sooner have made an appointment with the ghost of the Earl of Huntingdon to meet him, and a shadowy ring of his merry men, under the canopy of the thickest, blackest, oldest oak in Nunnely Forest. Yes, he would rather have appointed tryst with a phantom abbess, or mist-pale nun, among the wet and weedy relics of that ruined sanctuary of theirs, mouldering in the core of the wood. Louis Moore longs to have something near him to-night; but not the boy-baronet, nor his benevolent but stern mother, nor his patrician sisters, nor one soul of the Sympsons.
How quiet is Fieldhead this evening! Everyone is gone to Nunnely except for Moore—Miss Keeldar, the entire Simpson family, and even Henry. Sir Philip invited them; he wanted to introduce them to his mother and sisters, who are currently at the priory. As kind as the baronet is, he also asked the tutor, but the tutor would have preferred to set up a meeting with the ghost of the Earl of Huntingdon and a ghostly group of his merry men beneath the thickest, darkest old oak in Nunnely Forest. Yes, he would rather have met with a phantom abbess or a pale nun among the damp and overgrown remains of their ruined sanctuary deep in the woods. Louis Moore wishes he had someone nearby tonight, but not the boy-baronet, nor his kind yet strict mother, nor his aristocratic sisters, nor a single soul from the Simpsons.
This night is not calm; the equinox still struggles in its storms. The wild rains of the day are abated; the great single cloud disparts and rolls away from heaven, not passing and leaving a sea all sapphire, but tossed buoyant before a continued, long-sounding, high-rushing moonlight tempest. The moon reigns glorious, glad of the gale, as glad as if she gave herself to his fierce caress with love. No Endymion will watch for his goddess to-night. There are no flocks out on the mountains; and it is well, for to-night she welcomes Æolus.
This night is anything but calm; the equinox is still struggling with its storms. The heavy rain from earlier has eased up; the enormous single cloud parts and drifts away from the sky, not leaving behind a sea of sapphire but instead moving buoyantly through a long, echoing, high-rushing moonlit storm. The moon shines brightly, joyful in the wind, as happy as if she is embracing his fierce touch with love. No Endymion will be waiting for his goddess tonight. There are no flocks on the mountains; and that’s a good thing, because tonight she welcomes Æolus.
Moore, sitting in the schoolroom, heard the storm roar round the other gable and along the hall-front. This[Pg 454] end was sheltered. He wanted no shelter; he desired no subdued sounds or screened position.
Moore, sitting in the classroom, heard the storm rumble around the other side and along the hallway. This[Pg454Please provide the text you would like modernized. end was protected. He wanted no protection; he craved no softened sounds or hidden spot.
"All the parlours are empty," said he. "I am sick at heart of this cell."
"All the rooms are empty," he said. "I'm so tired of this prison."
He left it, and went where the casements, larger and freer than the branch-screened lattice of his own apartment, admitted unimpeded the dark-blue, the silver-fleeced, the stirring and sweeping vision of the autumn night-sky. He carried no candle; unneeded was lamp or fire. The broad and clear though cloud-crossed and fluctuating beam of the moon shone on every floor and wall.
He left and went to where the windows, bigger and more open than the branch-covered lattice of his own apartment, allowed the dark blue, silver-tinged, stirring vision of the autumn night sky to flow in freely. He didn’t carry a candle; he didn’t need a lamp or a fire. The wide and bright, though cloud-covered and shifting, beam of the moon lit up every floor and wall.
Moore wanders through all the rooms. He seems following a phantom from parlour to parlour. In the oak room he stops. This is not chill, and polished, and fireless like the salon. The hearth is hot and ruddy; the cinders tinkle in the intense heat of their clear glow; near the rug is a little work-table, a desk upon it, a chair near it.
Moore moves through all the rooms. He seems to be following a ghost from one parlor to another. In the oak room, he stops. This place isn't cold, shiny, and lifeless like the salon. The fireplace is warm and glowing; the ashes crackle in the intense heat of their bright light; near the rug is a small worktable, with a desk on it and a chair beside it.
Does the vision Moore has tracked occupy that chair? You would think so, could you see him standing before it. There is as much interest now in his eye, and as much significance in his face, as if in this household solitude he had found a living companion, and was going to speak to it.
Does the vision Moore has followed sit in that chair? You would think so if you could see him standing in front of it. There’s as much interest in his eye now, and as much meaning in his face, as if in this lonely household he had found a living companion and was about to talk to it.
He makes discoveries. A bag—a small satin bag—hangs on the chair-back. The desk is open, the keys are in the lock. A pretty seal, a silver pen, a crimson berry or two of ripe fruit on a green leaf, a small, clean, delicate glove—these trifles at once decorate and disarrange the stand they strew. Order forbids details in a picture—she puts them tidily away; but details give charm.
He makes discoveries. A small satin bag hangs on the back of the chair. The desk is open, and the keys are in the lock. A pretty seal, a silver pen, a couple of ripe crimson berries on a green leaf, a small, clean, delicate glove—these little things both decorate and mess up the stand they scatter across. Order keeps the details out of a picture—she puts them away neatly; but details add charm.
Moore spoke.
Moore talked.
"Her mark," he said. "Here she has been—careless, attractive thing!—called away in haste, doubtless, and forgetting to return and put all to rights. Why does she leave fascination in her footprints? Whence did she acquire the gift to be heedless and never offend? There is always something to chide in her, and the reprimand never settles in displeasure on the heart, but, for her lover or her husband, when it had trickled a while in words, would naturally melt from his lips in a kiss. Better pass half an hour in remonstrating with her than a day in admiring or praising any other woman alive. Am I muttering? soliloquizing? Stop that."
"Her mark," he said. "Here she has been—so carefree and charming!—called away in a rush, no doubt, and forgetting to come back and tidy everything up. Why does she leave such allure in her wake? Where did she get the ability to be so carefree and never offend? There’s always something to criticize about her, yet the criticism never lingers in bitterness in the heart; instead, for her lover or husband, after a while, it would naturally turn into a kiss. It's better to spend half an hour scolding her than a whole day admiring or praising any other woman alive. Am I mumbling? Talking to myself? Stop that."
[Pg 455]He did stop it. He stood thinking, and then he made an arrangement for his evening's comfort.
[Pg455Please provide the text for me to modernize.He did stop it. He paused to think, and then he set up a plan for his evening comfort.
He dropped the curtains over the broad window and regal moon. He shut out sovereign and court and starry armies; he added fuel to the hot but fast-wasting fire; he lit a candle, of which there were a pair on the table; he placed another chair opposite that near the workstand; and then he sat down. His next movement was to take from his pocket a small, thick book of blank paper, to produce a pencil, and to begin to write in a cramp, compact hand. Come near, by all means, reader. Do not be shy. Stoop over his shoulder fearlessly, and read as he scribbles.
He pulled the curtains over the wide window and the bright moon. He closed off the king, the court, and the starry skies; he stoked the hot but quickly dying fire; he lit a candle, with another one already on the table; he moved another chair to sit across from the one near the workstand; and then he took a seat. His next action was to pull out a small, thick book of blank paper from his pocket, take out a pencil, and start writing in a cramped, tight script. Come closer, reader. Don’t be shy. Lean over his shoulder and read as he writes.
"It is nine o'clock; the carriage will not return before eleven, I am certain. Freedom is mine till then; till then I may occupy her room, sit opposite her chair, rest my elbow on her table, have her little mementoes about me.
"It’s nine o'clock; the carriage won’t be back before eleven, I’m sure of it. I have freedom until then; until then, I can use her room, sit across from her chair, lean my elbow on her table, and have her little keepsakes around me."
"I used rather to like Solitude—to fancy her a somewhat quiet and serious, yet fair nymph; an Oread, descending to me from lone mountain-passes, something of the blue mist of hills in her array and of their chill breeze in her breath, but much also of their solemn beauty in her mien. I once could court her serenely, and imagine my heart easier when I held her to it—all mute, but majestic.
"I used to prefer Solitude—imagining her as a somewhat quiet and serious, yet beautiful spirit; a mountain nymph, coming down from remote mountain paths, wearing something of the blue haze of the hills and carrying the cool breeze in her breath, but also embodying their profound beauty in her demeanor. I could once approach her peacefully and feel my heart lighten when I embraced her—all silent, but impressive."
"Since that day I called S. to me in the schoolroom, and she came and sat so near my side; since she opened the trouble of her mind to me, asked my protection, appealed to my strength—since that hour I abhor Solitude. Cold abstraction, fleshless skeleton, daughter, mother, and mate of Death!
"Since that day I called S. to me in the classroom, and she came and sat so close to me; since she shared the struggles of her mind with me, asked for my protection, and appealed to my strength—since that moment I hate being alone. Cold detachment, lifeless skeleton, daughter, mother, and partner of Death!"
"It is pleasant to write about what is near and dear as the core of my heart. None can deprive me of this little book, and through this pencil I can say to it what I will—say what I dare utter to nothing living—say what I dare not think aloud.
"It feels good to write about what is close to my heart. No one can take this little book away from me, and with this pencil, I can express whatever I want—things I can’t say to anyone alive—things I can’t even think out loud."
"We have scarcely encountered each other since that evening. Once, when I was alone in the drawing-room, seeking a book of Henry's, she entered, dressed for a concert at Stilbro'. Shyness—her shyness, not mine—drew a silver veil between us. Much cant have I heard and read about 'maiden modesty,' but, properly used, and not hackneyed, the words are good and appropriate words. As she passed to the window, after tacitly but gracefully recognizing me, I could call her nothing in my own mind save 'stainless[Pg 456] virgin.' To my perception, a delicate splendour robed her, and the modesty of girlhood was her halo. I may be the most fatuous, as I am one of the plainest, of men, but in truth that shyness of hers touched me exquisitely; it flattered my finest sensations. I looked a stupid block, I dare say. I was alive with a life of Paradise, as she turned her glance from my glance, and softly averted her head to hide the suffusion of her cheek.
"We've hardly seen each other since that night. Once, when I was by myself in the living room looking for a book by Henry, she walked in, dressed for a concert at Stilbro'. Shyness—her shyness, not mine—created an invisible barrier between us. I've heard and read a lot about 'maiden modesty,' but when used properly and not overdone, those words are meaningful and fitting. As she moved to the window, after silently but gracefully acknowledging me, the only thing I could think of to call her in my mind was 'pure[Pg456] virgin.' To my eyes, she radiated a delicate beauty, and the modesty of youth was like a halo around her. I might be the most foolish, as I am certainly one of the least attractive, of men, but honestly, her shyness deeply moved me; it appealed to my most sensitive feelings. I probably looked like an idiot. I felt alive with a sense of Paradise as she turned her gaze away from my gaze and gently lowered her head to hide the blush on her cheek."
"I know this is the talk of a dreamer—of a rapt, romantic lunatic. I do dream. I will dream now and then; and if she has inspired romance into my prosaic composition, how can I help it?
"I know this sounds like the ramblings of a dreamer—of an obsessed, romantic fool. I do dream. I will dream from time to time; and if she has stirred romance into my straightforward writing, what can I do about it?"
"What a child she is sometimes! What an unsophisticated, untaught thing! I see her now looking up into my face, and entreating me to prevent them from smothering her, and to be sure and give her a strong narcotic. I see her confessing that she was not so self-sufficing, so independent of sympathy, as people thought. I see the secret tear drop quietly from her eyelash. She said I thought her childish, and I did. She imagined I despised her. Despised her! It was unutterably sweet to feel myself at once near her and above her—to be conscious of a natural right and power to sustain her, as a husband should sustain his wife.
"What a child she can be sometimes! What an innocent, unrefined person! I can see her now, looking up at me, pleading for me to stop them from suffocating her, and to make sure she gets a strong sedative. I can see her admitting that she wasn't as self-sufficient, as independent from support, as people thought. I watch a secret tear drop quietly from her eyelash. She said I thought she was childish, and I did. She thought I looked down on her. Look down on her! It felt incredibly sweet to realize I was both close to her and above her—aware of a natural right and ability to support her, just like a husband should support his wife."
"I worship her perfections; but it is her faults, or at least her foibles, that bring her near to me, that nestle her to my heart, that fold her about with my love, and that for a most selfish but deeply-natural reason. These faults are the steps by which I mount to ascendency over her. If she rose a trimmed, artificial mound, without inequality, what vantage would she offer the foot? It is the natural hill, with its mossy breaks and hollows, whose slope invites ascent, whose summit it is pleasure to gain.
"I admire her perfections, but it's her faults, or at least her quirks, that bring her closer to me, that make her snuggle up to my heart, that wrap her in my love, and for a selfish but very natural reason. These faults are the steps I use to feel superior to her. If she were a perfectly shaped, artificial hill with no unevenness, what advantage would she offer? It's the natural hill, with its mossy dips and valleys, whose slope encourages climbing, whose peak is a joy to reach."
"To leave metaphor. It delights my eye to look on her. She suits me. If I were a king and she the housemaid that swept my palace-stairs, across all that space between us my eye would recognize her qualities; a true pulse would beat for her in my heart, though an unspanned gulf made acquaintance impossible. If I were a gentleman, and she waited on me as a servant, I could not help liking that Shirley. Take from her her education; take her ornaments, her sumptuous dress, all extrinsic advantages; take all grace, but such as the symmetry of her form renders inevitable; present her to me at a cottage door, in a stuff gown; let her offer me there a draught of water, with that[Pg 457] smile, with that warm good-will with which she now dispenses manorial hospitality—I should like her. I should wish to stay an hour; I should linger to talk with that rustic. I should not feel as I now do; I should find in her nothing divine; but whenever I met the young peasant, it would be with pleasure; whenever I left her, it would be with regret.
To leave the metaphor behind. It makes me happy to look at her. She fits me. If I were a king and she the maid who cleaned my palace stairs, even with all that distance between us, I would see her true qualities; my heart would beat for her, even if we couldn't really connect. If I were a gentleman and she served me as a maid, I couldn’t help but like her. Strip away her education, her jewelry, her fancy clothes, and all the outside advantages; take away all the grace except what her body naturally has; show her to me at a cottage door in a simple dress; let her offer me a glass of water with that[Pg]457] smile and that warm friendliness she uses to welcome guests—I would like her. I would want to stay for an hour; I would linger to talk with that country girl. I wouldn’t feel as I do now; I wouldn’t find anything divine in her; but every time I met the young peasant, it would be a pleasure; and every time I left her, it would be with regret.
"How culpably careless in her to leave her desk open, where I know she has money! In the lock hang the keys of all her repositories, of her very jewel-casket. There is a purse in that little satin bag; I see the tassel of silver beads hanging out. That spectacle would provoke my brother Robert. All her little failings would, I know, be a source of irritation to him. If they vex me it is a most pleasurable vexation. I delight to find her at fault; and were I always resident with her, I am aware she would be no niggard in thus ministering to my enjoyment. She would just give me something to do, to rectify—a theme for my tutor lectures. I never lecture Henry, never feel disposed to do so. If he does wrong—and that is very seldom, dear, excellent lad!—a word suffices. Often I do no more than shake my head. But the moment her minois mutin meets my eye, expostulatory words crowd to my lips. From a taciturn man I believe she would transform me into a talker. Whence comes the delight I take in that talk? It puzzles myself sometimes. The more crâne, malin, taquin is her mood, consequently the clearer occasion she gives me for disapprobation, the more I seek her, the better I like her. She is never wilder than when equipped in her habit and hat, never less manageable than when she and Zoë come in fiery from a race with the wind on the hills; and I confess it—to this mute page I may confess it—I have waited an hour in the court for the chance of witnessing her return, and for the dearer chance of receiving her in my arms from the saddle. I have noticed (again it is to this page only I would make the remark) that she will never permit any man but myself to render her that assistance. I have seen her politely decline Sir Philip Nunnely's aid. She is always mighty gentle with her young baronet, mighty tender for his feelings, forsooth, and of his very thin-skinned amour propre. I have marked her haughtily reject Sam Wynne's. Now I know—my heart knows it, for it has felt it—that she resigns herself to me unreluctantly. Is she conscious how my strength rejoices to serve her? I myself am not her slave—I declare it—but my faculties gather to[Pg 458] her beauty, like the genii to the glisten of the lamp. All my knowledge, all my prudence, all my calm, and all my power stand in her presence humbly waiting a task. How glad they are when a mandate comes! What joy they take in the toils she assigns! Does she know it?
"How irresponsibly careless of her to leave her desk open, where I know she has money! The keys to all her storage, including her jewelry box, are hanging in the lock. There’s a purse in that little satin bag; I can see the silver bead tassel sticking out. That sight would definitely annoy my brother Robert. I know all her little failings would irritate him. If they bother me, it’s a rather enjoyable irritation. I take pleasure in finding her at fault; and if I were always around her, I know she would generously provide opportunities for my amusement. She would give me something to fix—a topic for my lectures. I never lecture Henry; I never feel inclined to do so. If he does wrong—and that’s very rare, dear, wonderful boy!—a single word is enough. Often, I do no more than shake my head. But the moment her minois mutin meets my eye, a torrent of words rushes to my lips. From being quiet, I believe she would change me into a talker. What is it about that conversation that brings me joy? Sometimes, it confuses me. The more crâne, malin, taquin her mood is, and thus the more reasons she gives me for disapproval, the more I seek her out, the more I like her. She’s never wilder than when she’s decked out in her riding outfit and hat, never less manageable than when she and Zoë come in, breathless from racing against the wind on the hills; and I admit it—to this silent page I can admit—I have waited an hour in the courtyard for the chance to see her return, and for the even sweeter chance of helping her down from the saddle. I’ve noticed (once again, it’s only to this page I can say this) that she won’t allow any man but me to help her. I’ve seen her politely refuse Sir Philip Nunnely's assistance. She’s always quite gentle with her young baronet, very considerate of his feelings and his fragile sense of pride. I’ve watched her haughtily turn down Sam Wynne's offer. Now I know—my heart knows it, for it has felt it—that she willingly yields to me. Is she aware that my strength thrives on serving her? I’m not her servant—I swear it—but my abilities gather around her beauty like genies drawn to the glow of a lamp. All my knowledge, all my wisdom, all my composure, and all my power stand humbly in her presence, waiting for a task. How happy they are when a task is given! What joy they find in the work she assigns! Does she know it?"
"I have called her careless. It is remarkable that her carelessness never compromises her refinement. Indeed, through this very loophole of character, the reality, depth, genuineness of that refinement may be ascertained. A whole garment sometimes covers meagreness and malformation; through a rent sleeve a fair round arm may be revealed. I have seen and handled many of her possessions, because they are frequently astray. I never saw anything that did not proclaim the lady—nothing sordid, nothing soiled. In one sense she is as scrupulous as, in another, she is unthinking. As a peasant girl, she would go ever trim and cleanly. Look at the pure kid of this little glove, at the fresh, unsullied satin of the bag.
"I've called her careless. It's surprising how her carelessness never detracts from her elegance. In fact, it’s through this very flaw in her character that the true nature and authenticity of that elegance can be seen. A beautifully tailored outfit can sometimes hide lack of substance or flaws; through a torn sleeve, a lovely arm can still be shown. I've seen and touched many of her belongings because they often go missing. I’ve never seen anything in her possessions that didn’t reflect her status—nothing dirty, nothing tarnished. In one way, she’s as meticulous as she is thoughtless in another. As a peasant girl, she always manages to look neat and tidy. Just look at the fine leather of this little glove, at the fresh, unspoiled satin of the bag."
"What a difference there is between S. and that pearl C. H.! Caroline, I fancy, is the soul of conscientious punctuality and nice exactitude. She would precisely suit the domestic habits of a certain fastidious kinsman of mine—so delicate, dexterous, quaint, quick, quiet—all done to a minute, all arranged to a strawbreadth. She would suit Robert. But what could I do with anything so nearly faultless? She is my equal, poor as myself. She is certainly pretty: a little Raffaelle head hers—Raffaelle in feature, quite English in expression, all insular grace and purity; but where is there anything to alter, anything to endure, anything to reprimand, to be anxious about? There she is, a lily of the valley, untinted, needing no tint. What change could improve her? What pencil dare to paint? My sweetheart, if I ever have one, must bear nearer affinity to the rose—a sweet, lively delight guarded with prickly peril. My wife, if I ever marry, must stir my great frame with a sting now and then; she must furnish use to her husband's vast mass of patience. I was not made so enduring to be mated with a lamb; I should find more congenial responsibility in the charge of a young lioness or leopardess. I like few things sweet but what are likewise pungent—few things bright but what are likewise hot. I like the summer day, whose sun makes fruit blush and corn blanch. Beauty is never so beautiful as when, if I tease it, it wreathes back on me with spirit. Fascination is never[Pg 459] so imperial as when, roused and half ireful, she threatens transformation to fierceness. I fear I should tire of the mute, monotonous innocence of the lamb; I should ere long feel as burdensome the nestling dove which never stirred in my bosom; but my patience would exult in stilling the flutterings and training the energies of the restless merlin. In managing the wild instincts of the scarce manageable bête fauve my powers would revel.
"What a difference there is between S. and that pearl C. H.! Caroline, I think, is the embodiment of conscientious punctuality and meticulousness. She would perfectly fit the domestic habits of a certain picky relative of mine—so delicate, skillful, quirky, quick, and quiet—all done to the minute, all arranged with extreme precision. She would suit Robert. But what could I do with something so nearly flawless? She is my equal, as poor as I am. She is certainly pretty: a little Raffaelle head—Raffaelle in feature, quite English in expression, all insular grace and purity; but where is there anything to change, anything to endure, anything to reprimand, to worry about? There she is, a lily of the valley, untinted, needing no color. What change could improve her? What artist would dare to paint? My sweetheart, if I ever have one, must be more like a rose—a sweet, lively delight protected by prickly danger. My wife, if I ever marry, must occasionally stir my great frame with a sting; she must provide some use for her husband's vast amount of patience. I wasn’t made to endure being paired with a lamb; I would find more satisfaction in the responsibility of a young lioness or leopardess. I like few things sweet unless they’re also sharp—few things bright unless they're also intense. I enjoy the summer day, where the sun makes fruit blush and corn pale. Beauty is never so beautiful as when, if I tease it, it responds with spirit. Attraction is never so powerful as when, stirred and half-irritated, it threatens to turn fierce. I fear I would tire of the quiet, monotonous innocence of the lamb; I would soon find the nestling dove that never stirred in my bosom to be burdensome; but my patience would rejoice in calming the flutterings and harnessing the energies of the restless merlin. In managing the wild instincts of the scarcely manageable bête fauve, my strengths would thrive."
"O my pupil! O Peri! too mutinous for heaven, too innocent for hell, never shall I do more than see, and worship, and wish for thee. Alas! knowing I could make thee happy, will it be my doom to see thee possessed by those who have not that power?
"O my student! O Peri! too rebellious for heaven, too pure for hell, I will never do more than see you, admire you, and long for you. Unfortunately, knowing I could make you happy, will it be my fate to watch you belong to those who can't?"
"However kindly the hand, if it is feeble, it cannot bend Shirley; and she must be bent. It cannot curb her; and she must be curbed.
"However gentle the hand, if it is weak, it cannot control Shirley; and she needs to be controlled. It cannot restrain her; and she must be restrained."
"Beware, Sir Philip Nunnely! I never see you walking or sitting at her side, and observe her lips compressed, or her brow knit, in resolute endurance of some trait of your character which she neither admires nor likes, in determined toleration of some weakness she believes atoned for by a virtue, but which annoys her despite that belief; I never mark the grave glow of her face, the unsmiling sparkle of her eye, the slight recoil of her whole frame when you draw a little too near, and gaze a little too expressively, and whisper a little too warmly—I never witness these things but I think of the fable of Semele reversed.
"Watch out, Sir Philip Nunnely! I never see you walking or sitting next to her, and I notice her lips are pressed together, or her brow is furrowed, enduring some aspect of your character that she neither admires nor likes, putting up with a flaw she thinks is outweighed by a strength, but which still bothers her despite that belief; I never see the serious glow on her face, the unsmiling sparkle in her eyes, the slight withdrawal of her entire body when you get a bit too close, look a bit too intensely, and whisper a bit too passionately—I never see these things without thinking of the story of Semele turned upside down."
"It is not the daughter of Cadmus I see, nor do I realize her fatal longing to look on Jove in the majesty of his god-head. It is a priest of Juno that stands before me, watching late and lone at a shrine in an Argive temple. For years of solitary ministry he has lived on dreams. There is divine madness upon him. He loves the idol he serves, and prays day and night that his frenzy may be fed, and that the Ox-eyed may smile on her votary. She has heard; she will be propitious. All Argos slumbers. The doors of the temple are shut; the priest waits at the altar.
"I don't see Cadmus's daughter, nor do I understand her desperate desire to gaze upon Jove in all his divine glory. Instead, a priest of Juno stands before me, keeping an eye out late at night at a shrine in an Argive temple. He has spent years in solitary service, living on dreams. He’s caught in a divine madness. He loves the idol he serves and prays day and night to keep that madness alive, hoping that the Ox-eyed goddess will smile upon her devotee. She has heard him; she will be kind. All of Argos is asleep. The temple doors are closed; the priest waits at the altar."
"A shock of heaven and earth is felt—not by the slumbering city, only by that lonely watcher, brave and unshaken in his fanaticism. In the midst of silence, with no preluding sound, he is wrapped in sudden light. Through the roof, through the rent, wide-yawning, vast, white-blazing blue of heaven above, pours a wondrous descent, dread as the downrushing of stars. He has what he asked.[Pg 460] Withdraw—forbear to look—I am blinded. I hear in that fane an unspeakable sound. Would that I could not hear it! I see an insufferable glory burning terribly between the pillars. Gods be merciful and quench it!
A shock of heaven and earth is felt—not by the sleeping city, but by that lonely observer, brave and steadfast in his obsession. In the midst of silence, without any warning sound, he is enveloped in sudden light. Through the roof, through the wide, gaping, bright blue sky above, a wondrous descent pours down, terrifying like the falling of stars. He has what he asked for.[Pg460I'm here to help! Please provide the text you'd like me to modernize. Step back—don’t look—I’m blinded. I hear an unimaginable sound in that sanctuary. I wish I couldn't hear it! I see an unbearable glory burning fiercely between the columns. Gods, have mercy and put it out!
"A pious Argive enters to make an early offering in the cool dawn of morning. There was thunder in the night; the bolt fell here. The shrine is shivered, the marble pavement round split and blackened. Saturnia's statue rises chaste, grand, untouched; at her feet piled ashes lie pale. No priest remains; he who watched will be seen no more.
"A faithful Argive enters to make an early offering in the cool morning light. There was thunder during the night; the bolt struck here. The shrine is shattered, the marble floor split and charred. Saturnia's statue stands pure, majestic, untouched; at her feet, pale ashes are piled. No priest remains; the one who was on watch is gone for good."
"There is the carriage! Let me lock up the desk and pocket the keys. She will be seeking them to-morrow; she will have to come to me. I hear her: 'Mr. Moore, have you seen my keys?'
"There’s the carriage! Let me lock up the desk and grab the keys. She’ll be looking for them tomorrow; she’ll have to come to me. I can hear her: 'Mr. Moore, have you seen my keys?'"
"So she will say, in her clear voice, speaking with reluctance, looking ashamed, conscious that this is the twentieth time of asking. I will tantalize her, keep her with me, expecting, doubting; and when I do restore them, it shall not be without a lecture. Here is the bag, too, and the purse; the glove—pen—seal. She shall wring them all out of me slowly and separately—only by confession, penitence, entreaty. I never can touch her hand, or a ringlet of her head, or a ribbon of her dress, but I will make privileges for myself. Every feature of her face, her bright eyes, her lips, shall go through each change they know, for my pleasure—display each exquisite variety of glance and curve, to delight, thrill, perhaps more hopelessly to enchain me. If I must be her slave, I will not lose my freedom for nothing."
"So she will say, in her clear voice, speaking with hesitation, looking embarrassed, aware that this is the twentieth time I’ve asked. I will tease her, keep her close, filled with hope and doubt; and when I finally give them back, it won’t be without a lecture. Here’s the bag, the purse; the glove—pen—seal. She will slowly get them all from me, one by one—only by confessing, feeling sorry, and pleading. I can never touch her hand, or a curl of her hair, or a ribbon on her dress, without claiming some privilege for myself. Every feature of her face, her bright eyes, her lips, will show every shift they can make, just for my enjoyment—revealing each beautiful variation of look and form, to delight, thrill, and maybe even hopelessly captivate me. If I have to be her slave, I won’t give up my freedom for nothing."
He locked the desk, pocketed all the property, and went.[Pg 461]
He locked the desk, put all the belongings in his pocket, and left.[Pg461Please provide the text you would like me to modernize.
CHAPTER XXX.
RUSHEDGE—A CONFESSIONAL.
Everybody said it was high time for Mr. Moore to return home. All Briarfield wondered at his strange absence, and Whinbury and Nunnely brought each its separate contribution of amazement.
Everyone said it was about time for Mr. Moore to come back home. All of Briarfield was puzzled by his odd absence, and Whinbury and Nunnely each added their own share of surprise.
Was it known why he stayed away? Yes. It was known twenty—forty times over, there being at least forty plausible reasons adduced to account for the unaccountable circumstance. Business it was not—that the gossips agreed. He had achieved the business on which he departed long ago. His four ringleaders he had soon scented out and run down. He had attended their trial, heard their conviction and sentence, and seen them safely shipped prior to transportation.
Was it clear why he stayed away? Yes. It was known twenty—forty times over, with at least forty reasonable explanations given to make sense of the mysterious situation. It wasn't business—that was what the gossips all agreed on. He had taken care of the business he left for a long time ago. He quickly identified and tracked down his four main troublemakers. He attended their trial, heard their conviction and sentencing, and saw them safely sent off before transportation.
This was known at Briarfield. The newspapers had reported it. The Stilbro' Courier had given every particular, with amplifications. None applauded his perseverance or hailed his success, though the mill-owners were glad of it, trusting that the terrors of law vindicated would henceforward paralyze the sinister valour of disaffection. Disaffection, however, was still heard muttering to himself. He swore ominous oaths over the drugged beer of alehouses, and drank strange toasts in fiery British gin.
This was known in Briarfield. The newspapers had covered it. The Stilbro' Courier had provided all the details, with extra commentary. Nobody praised his determination or celebrated his success, although the mill owners were pleased, hoping that the fear of the law being enforced would now weaken the rebellious spirit. But the discontent was still heard grumbling to itself. It swore ominous oaths over the spiked beer in pubs and toasted with strong British gin.
One report affirmed that Moore dared not come to Yorkshire; he knew his life was not worth an hour's purchase if he did.
One report confirmed that Moore dared not come to Yorkshire; he knew his life wasn't worth an hour's time if he did.
"I'll tell him that," said Mr. Yorke, when his foreman mentioned the rumour; "and if that does not bring him home full gallop, nothing will."
"I'll tell him that," said Mr. Yorke when his foreman mentioned the rumor; "and if that doesn't bring him home at full speed, nothing will."
Either that or some other motive prevailed at last to recall him. He announced to Joe Scott the day he should arrive at Stilbro', desiring his hackney to be sent to the George for his accommodation; and Joe Scott having informed Mr. Yorke, that gentleman made it in his way to meet him.
Either that or some other reason finally took over to bring him back. He let Joe Scott know the day he would arrive at Stilbro', asking for his cab to be sent to the George for his convenience; and after Joe Scott told Mr. Yorke, that gentleman decided to meet him on his way.
[Pg 462]It was market-day. Moore arrived in time to take his usual place at the market dinner. As something of a stranger, and as a man of note and action, the assembled manufacturers received him with a certain distinction. Some, who in public would scarcely have dared to acknowledge his acquaintance, lest a little of the hate and vengeance laid up in store for him should perchance have fallen on them, in private hailed him as in some sort their champion. When the wine had circulated, their respect would have kindled to enthusiasm had not Moore's unshaken nonchalance held it in a damp, low, smouldering state.
[Pg462I'm ready to help. Please provide the text you would like me to modernize.It was market day. Moore showed up just in time to take his usual spot at the market dinner. As a bit of an outsider and a man of importance, the gathered manufacturers welcomed him with a certain respect. Some, who wouldn’t have dared to acknowledge him in public, fearing the resentment and anger aimed at him might also land on them, privately regarded him as their champion. Once the wine started flowing, their respect would have flared into enthusiasm if Moore's steady indifference hadn't kept it in a low, smoldering state.
Mr. Yorke, the permanent president of these dinners, witnessed his young friend's bearing with exceeding complacency. If one thing could stir his temper or excite his contempt more than another, it was to see a man befooled by flattery or elate with popularity. If one thing smoothed, soothed, and charmed him especially, it was the spectacle of a public character incapable of relishing his publicity—incapable, I say. Disdain would but have incensed; it was indifference that appeased his rough spirit.
Mr. Yorke, the permanent host of these dinners, watched his young friend’s demeanor with great satisfaction. If there was anything that could get under his skin or spark his disdain more than anything else, it was to see a man fooled by flattery or puffed up with popularity. If something made him feel calm, soothed, and charmed, it was the sight of a public figure who couldn't enjoy their own fame—couldn't, I mean. Contempt would just have fueled his anger; it was indifference that kept his rough nature in check.
Robert, leaning back in his chair, quiet and almost surly, while the clothiers and blanket-makers vaunted his prowess and rehearsed his deeds—many of them interspersing their flatteries with coarse invectives against the operative class—was a delectable sight for Mr. Yorke. His heart tingled with the pleasing conviction that these gross eulogiums shamed Moore deeply, and made him half scorn himself and his work. On abuse, on reproach, on calumny, it is easy to smile; but painful indeed is the panegyric of those we contemn. Often had Moore gazed with a brilliant countenance over howling crowds from a hostile hustings. He had breasted the storm of unpopularity with gallant bearing and soul elate; but he drooped his head under the half-bred tradesmen's praise, and shrank chagrined before their congratulations.
Robert sat back in his chair, quiet and almost grumpy, while the tailors and blanket-makers boasted about his skills and praised his achievements—many of them mixing their compliments with harsh insults toward the working class—making for quite a sight for Mr. Yorke. His heart raced with the satisfying thought that these crude praises embarrassed Moore and made him feel a bit ashamed of himself and his work. It’s easy to smile in the face of insults, blame, or slander; but it’s truly painful to receive praise from those we look down on. Moore had often looked out with a bright smile at howling crowds from a hostile podium. He faced the storm of unpopularity with brave composure and lifted spirit; but he lowered his head under the praise of these half-baked tradesmen and felt embarrassed by their congratulations.
Yorke could not help asking him how he liked his supporters, and whether he did not think they did honour to his cause. "But it is a pity, lad," he added, "that you did not hang these four samples of the unwashed. If you had managed that feat, the gentry here would have riven the horses out of the coach, yoked to a score of asses, and drawn you into Stilbro' like a conquering general."
Yorke couldn't help but ask him what he thought of his supporters and if he believed they honored his cause. "But it's a shame, buddy," he added, "that you didn't hang these four examples of the unwashed. If you had pulled off that stunt, the folks around here would have ripped the horses out of the coach, hitched it to a bunch of donkeys, and paraded you into Stilbro' like a victorious general."
Moore soon forsook the wine, broke from the party,[Pg 463] and took the road. In less than five minutes Mr. Yorke followed him. They rode out of Stilbro' together.
Moore quickly abandoned the wine, left the party,[Pg463] and set off on the road. In under five minutes, Mr. Yorke followed him. They rode out of Stilbro' together.
It was early to go home, but yet it was late in the day. The last ray of the sun had already faded from the cloud-edges, and the October night was casting over the moorlands the shadow of her approach.
It was early to head home, but it was still late in the day. The last bit of sunlight had already disappeared from the edges of the clouds, and the October night was spreading its shadow over the moorlands as it drew near.
Mr. Yorke, moderately exhilarated with his moderate libations, and not displeased to see young Moore again in Yorkshire, and to have him for his comrade during the long ride home, took the discourse much to himself. He touched briefly, but scoffingly, on the trials and the conviction; he passed thence to the gossip of the neighbourhood, and ere long he attacked Moore on his own personal concerns.
Mr. Yorke, feeling a bit cheerful from his drinks and pleased to see young Moore again in Yorkshire, enjoyed having him as a companion for the long ride home. He made a brief, sarcastic comment about the trials and the conviction, then moved on to the local gossip, and before long, he started to question Moore about his personal matters.
"Bob, I believe you are worsted, and you deserve it. All was smooth. Fortune had fallen in love with you. She had decreed you the first prize in her wheel—twenty thousand pounds; she only required that you should hold your hand out and take it. And what did you do? You called for a horse and rode a-hunting to Warwickshire. Your sweetheart—Fortune, I mean—was perfectly indulgent. She said, 'I'll excuse him; he's young.' She waited, like 'Patience on a monument,' till the chase was over and the vermin-prey run down. She expected you would come back then, and be a good lad. You might still have had her first prize.
"Bob, I think you've messed up, and you deserve it. Everything was going well. Fortune was on your side. She had decided you were going to win her big prize—twenty thousand pounds; she just wanted you to reach out and take it. And what did you do? You asked for a horse and went hunting in Warwickshire. Your sweetheart—Fortune, I mean—was very understanding. She said, 'I'll let it slide; he's young.' She waited, like 'Patience on a monument,' until the hunt was over and the game was caught. She thought you would come back afterward and be a good guy. You might have still claimed her big prize."
"It capped her beyond expression, and me too, to find that, instead of thundering home in a breakneck gallop and laying your assize laurels at her feet, you coolly took coach up to London. What you have done there Satan knows; nothing in this world, I believe, but sat and sulked. Your face was never lily fair, but it is olive green now. You're not as bonny as you were, man."
"It blew my mind, just like it did yours, to see that instead of rushing home at full speed and throwing your achievements at her feet, you casually took a coach to London. What you did there, only Satan knows; I honestly think you just sat around and sulked. Your face was never perfect, but now it looks olive green. You're not as handsome as you used to be, man."
"And who is to have this prize you talk so much about?"
"And who gets this prize you keep mentioning?"
"Only a baronet; that is all. I have not a doubt in my own mind you've lost her. She will be Lady Nunnely before Christmas."
"Just a baronet; that’s it. I’m sure you’ve lost her. She will be Lady Nunnely by Christmas."
"Hem! Quite probable."
"Um! Very likely."
"But she need not to have been. Fool of a lad! I swear you might have had her."
"But she didn't need to be. What a foolish guy! I swear you could have had her."
"By what token, Mr. Yorke?"
"By what means, Mr. Yorke?"
"By every token—by the light of her eyes, the red of her cheeks. Red they grew when your name was mentioned, though of custom they are pale."
"By every sign—by the brightness of her eyes, the redness of her cheeks. They turned red when your name was mentioned, even though they are usually pale."
"My chance is quite over, I suppose?"
"My chance is pretty much over, I guess?"
[Pg 464]"It ought to be. But try; it is worth trying. I call this Sir Philip milk and water. And then he writes verses, they say—tags rhymes. You are above that, Bob, at all events."
[Pg464]"It should be. But give it a shot; it’s worth it. I refer to Sir Philip as soft. And then he writes poems, or so they say—just simple rhymes. You are above that, Bob, for sure."
"Would you advise me to propose, late as it is, Mr. Yorke—at the eleventh hour?"
"Would you recommend that I propose, even though it's so late, Mr. Yorke—at the last minute?"
"You can but make the experiment, Robert. If she has a fancy for you—and, on my conscience, I believe she has or had—she will forgive much. But, my lad, you are laughing. Is it at me? You had better grin at your own perverseness. I see, however, you laugh at the wrong side of your mouth. You have as sour a look at this moment as one need wish to see."
"You can just give it a try, Robert. If she's interested in you—and honestly, I believe she is or was—she'll overlook a lot. But, my boy, you’re laughing. Is it at me? You might as well laugh at your own stubbornness. I can see, though, that you’re laughing at the wrong thing. You look as sour right now as anyone could wish to see."
"I have so quarrelled with myself, Yorke. I have so kicked against the pricks, and struggled in a strait waistcoat, and dislocated my wrists with wrenching them in handcuffs, and battered my hard head by driving it against a harder wall."
"I've fought with myself so much, Yorke. I've pushed back against everything, struggled in a straightjacket, injured my wrists by twisting them in handcuffs, and banged my hard head against an even harder wall."
"Ha! I'm glad to hear that. Sharp exercise yon! I hope it has done you good—ta'en some of the self-conceit out of you?"
"Ha! I'm glad to hear that. Great exercise, right? I hope it helped you—taken some of the arrogance out of you?"
"Self-conceit? What is it? Self-respect, self-tolerance even, what are they? Do you sell the articles? Do you know anybody who does? Give an indication. They would find in me a liberal chapman. I would part with my last guinea this minute to buy."
"Self-conceit? What is that? What about self-respect or even self-tolerance? Do you sell those things? Do you know anyone who does? Let me know. They would find in me a generous buyer. I would spend my last pound right now to get them."
"Is it so with you, Robert? I find that spicy. I like a man to speak his mind. What has gone wrong?"
"Is that how you feel, Robert? I find that intriguing. I like a guy who speaks his mind. What happened?"
"The machinery of all my nature; the whole enginery of this human mill; the boiler, which I take to be the heart, is fit to burst."
"The machinery of my entire being; the whole system of this human machine; the boiler, which I believe to be the heart, is about to explode."
"That suld be putten i' print; it's striking. It's almost blank verse. Ye'll be jingling into poetry just e'now. If the afflatus comes, give way, Robert. Never heed me; I'll bear it this whet [time]."
"That should be printed; it's impressive. It's almost blank verse. You'll be slipping into poetry any moment now. If inspiration hits, go for it, Robert. Don’t worry about me; I'll manage this time."
"Hideous, abhorrent, base blunder! You may commit in a moment what you will rue for years—what life cannot cancel."
"Awful, disgusting, terrible mistake! You can do something in an instant that you'll regret for years—something that life can't take back."
"Lad, go on. I call it pie, nuts, sugar-candy. I like the taste uncommonly. Go on. It will do you good to talk. The moor is before us now, and there is no life for many a mile round."
"Go ahead, mate. I call it pie, nuts, and candy. I really enjoy the taste. Keep going. It’s good for you to talk. The moor is right in front of us now, and there’s no life for miles around."
"I will talk. I am not ashamed to tell. There is a sort of wild cat in my breast, and I choose that you shall hear how it can yell."
"I will talk. I'm not ashamed to share. There's a wild cat inside me, and I want you to hear how it can roar."
[Pg 465]"To me it is music. What grand voices you and Louis have! When Louis sings—tones off like a soft, deep bell—I've felt myself tremble again. The night is still. It listens. It is just leaning down to you, like a black priest to a blacker penitent. Confess, lad. Smooth naught down. Be candid as a convicted, justified, sanctified Methody at an experience meeting. Make yourself as wicked as Beelzebub. It will ease your mind."
[Pg465Please provide the text you'd like modernized."To me, it's music. What amazing voices you and Louis have! When Louis sings—his voice like a soft, deep bell—I can feel myself tremble again. The night is quiet. It listens. It’s almost leaning towards you, like a black priest to a darker penitent. Confess, buddy. Don’t hold anything back. Be as honest as a guilty, saved, sanctified Methodist at a testimony meeting. Go ahead and make yourself as wicked as Beelzebub. It’ll lighten your mind."
"As mean as Mammon, you would say. Yorke, if I got off horseback and laid myself down across the road, would you have the goodness to gallop over me, backwards and forwards, about twenty times?"
"As mean as money can be, you would say. Yorke, if I got off the horse and laid myself down across the road, would you be kind enough to gallop over me, back and forth, about twenty times?"
"Wi' all the pleasure in life, if there were no such thing as a coroner's inquest."
"With all the pleasure in life, if only there wasn't such a thing as a coroner's inquest."
"Hiram Yorke, I certainly believed she loved me. I have seen her eyes sparkle radiantly when she has found me out in a crowd; she has flushed up crimson when she has offered me her hand, and said, 'How do you do, Mr. Moore?'
"Hiram Yorke, I really believed she loved me. I have seen her eyes light up brightly when she spotted me in a crowd; she has blushed bright red when she offered me her hand and said, 'How do you do, Mr. Moore?'"
"My name had a magical influence over her. When others uttered it she changed countenance—I know she did. She pronounced it herself in the most musical of her many musical tones. She was cordial to me; she took an interest in me; she was anxious about me; she wished me well; she sought, she seized every opportunity to benefit me. I considered, paused, watched, weighed, wondered. I could come to but one conclusion—this is love.
"My name had a special effect on her. When others said it, her expression changed—I could tell. She said it herself in the sweetest of her many beautiful ways. She was warm to me; she cared about me; she worried about me; she wanted the best for me; she looked for every chance to help me. I thought, hesitated, observed, pondered, and marveled. I could only come to one conclusion—this is love."
"I looked at her, Yorke. I saw in her youth and a species of beauty. I saw power in her. Her wealth offered me the redemption of my honour and my standing. I owed her gratitude. She had aided me substantially and effectually by a loan of five thousand pounds. Could I remember these things? Could I believe she loved me? Could I hear wisdom urge me to marry her, and disregard every dear advantage, disbelieve every flattering suggestion, disdain every well-weighed counsel, turn and leave her? Young, graceful, gracious—my benefactress, attached to me, enamoured of me. I used to say so to myself; dwell on the word; mouth it over and over again; swell over it with a pleasant, pompous complacency, with an admiration dedicated entirely to myself, and unimpaired even by esteem for her; indeed I smiled in deep secrecy at her naïveté and simplicity in being the first to love, and to show it. That whip of yours seems to have a good heavy[Pg 466] handle, Yorke; you can swing it about your head and knock me out of the saddle, if you choose. I should rather relish a loundering whack."
"I looked at her, Yorke. I saw her youth and a kind of beauty. I saw power in her. Her wealth could redeem my honor and my reputation. I owed her gratitude. She had helped me significantly with a loan of five thousand pounds. Could I remember these things? Could I actually believe she loved me? Could I hear reason telling me to marry her, overlook every precious opportunity, dismiss every flattering thought, reject every carefully considered advice, and just walk away from her? Young, graceful, charming—my benefactor, devoted to me, in love with me. I used to tell myself that; focus on the word; say it over and over; feel a pleasant, self-satisfied pride, with admiration directed entirely at myself, and not lessened by respect for her; I even secretly smirked at her naïveté and innocence in being the first to love and to show it. That whip of yours looks like it has a solid handle, Yorke; you can swing it around and knock me right off my horse if you want. I’d prefer a loud crack."
"Tak patience, Robert, till the moon rises and I can see you. Speak plain out—did you love her or not? I could like to know. I feel curious."
"Just wait a bit, Robert, until the moon rises so I can see you. Be straightforward—did you love her or not? I really want to know. I'm curious."
"Sir—sir—I say—she is very pretty, in her own style, and very attractive. She has a look, at times, of a thing made out of fire and air, at which I stand and marvel, without a thought of clasping and kissing it. I felt in her a powerful magnet to my interest and vanity. I never felt as if nature meant her to be my other and better self. When a question on that head rushed upon me, I flung it off, saying brutally I should be rich with her and ruined without her—vowing I would be practical, and not romantic."
"Sir—sir—I’m telling you—she's really pretty in her own way, and very appealing. Sometimes she has this mesmerizing quality, like something made of fire and air, that makes me stand there in awe, without even thinking about wanting to hold or kiss her. I felt this strong pull of interest and vanity towards her. It never seemed to me that nature intended her to be my better half. Whenever that idea popped into my mind, I pushed it away, harshly claiming I’d be wealthy with her and broke without her—promising I’d be practical, not romantic."
"A very sensible resolve. What mischief came of it, Bob?"
"A very sensible decision. What trouble came from it, Bob?"
"With this sensible resolve I walked up to Fieldhead one night last August. It was the very eve of my departure for Birmingham; for, you see, I wanted to secure Fortune's splendid prize. I had previously dispatched a note requesting a private interview. I found her at home, and alone.
"With this practical decision, I walked up to Fieldhead one night last August. It was the night before I was set to leave for Birmingham; I wanted to secure Fortune's amazing prize. I had already sent a note asking for a private meeting. I found her at home and by herself."
"She received me without embarrassment, for she thought I came on business. I was embarrassed enough, but determined. I hardly know how I got the operation over; but I went to work in a hard, firm fashion—frightful enough, I dare say. I sternly offered myself—my fine person—with my debts, of course, as a settlement.
"She welcomed me without any shame, assuming I was there for business. I felt pretty awkward, but I was resolved. I can hardly remember how I managed to get through it; I just started in a strict, determined way—quite terrifying, I admit. I seriously proposed myself—my good looks—along with my debts, of course, as a form of settlement."
"It vexed me, it kindled my ire, to find that she neither blushed, trembled, nor looked down. She responded, 'I doubt whether I have understood you, Mr. Moore.'
"It annoyed me, it sparked my anger, to see that she neither blushed, trembled, nor looked away. She replied, 'I’m not sure I understand you, Mr. Moore.'"
"And I had to go over the whole proposal twice, and word it as plainly as A B C, before she would fully take it in. And then, what did she do? Instead of faltering a sweet Yes, or maintaining a soft, confused silence (which would have been as good), she started up, walked twice fast through the room, in the way that she only does, and no other woman, and ejaculated, 'God bless me!'
"And I had to go over the entire proposal twice and phrase it as simply as A B C before she would completely understand it. And then, what did she do? Instead of giving a sweet Yes or just staying quiet (which would have been fine), she jumped up, paced quickly around the room in a way that only she does, and exclaimed, 'God bless me!'"
"Yorke, I stood on the hearth, backed by the mantelpiece; against it I leaned, and prepared for anything—everything. I knew my doom, and I knew myself. There was no misunderstanding her aspect and voice. She stopped and looked at me.
"Yorke, I stood on the hearth, backed by the mantelpiece; against it I leaned, and prepared for anything—everything. I knew my fate, and I knew myself. There was no mistaking her expression and tone. She stopped and looked at me."
[Pg 467]"'God bless me!' she piteously repeated, in that shocked, indignant, yet saddened accent. 'You have made a strange proposal—strange from you; and if you knew how strangely you worded it and looked it, you would be startled at yourself. You spoke like a brigand who demanded my purse rather than like a lover who asked my heart.'
[Pg467]"'God help me!' she said sadly, in a shocked, angry, yet mournful tone. 'You've made a bizarre proposal—bizarre coming from you; and if you realized how oddly you said it and how you looked, you'd be shocked by your own words. You sounded like a thug demanding my money instead of a lover asking for my heart.'"
"A queer sentence, was it not, Yorke? And I knew, as she uttered it, it was true as queer. Her words were a mirror in which I saw myself.
"A strange sentence, wasn't it, Yorke? And I knew, as she said it, it was true in a strange way. Her words were a reflection in which I saw myself."
"I looked at her, dumb and wolfish. She at once enraged and shamed me.
"I stared at her, speechless and fierce. She instantly made me feel both angry and embarrassed."
"'Gérard Moore, you know you don't love Shirley Keeldar.' I might have broken out into false swearing—vowed that I did love her; but I could not lie in her pure face. I could not perjure myself in her truthful presence. Besides, such hollow oaths would have been vain as void. She would no more have believed me than she would have believed the ghost of Judas, had he broken from the night and stood before her. Her female heart had finer perceptions than to be cheated into mistaking my half-coarse, half-cold admiration for true-throbbing, manly love.
"'Gérard Moore, you know you don't love Shirley Keeldar.' I could have easily lied and said that I did love her, but I couldn't bring myself to do that in her pure presence. I couldn't swear an oath I didn't mean while standing in front of her honest face. Besides, such empty promises would have been pointless. She wouldn't have believed me any more than she would have believed the ghost of Judas if he had suddenly appeared before her. Her womanly heart was too perceptive to confuse my half-hearted and distant admiration with genuine, passionate love."
"What next happened? you will say, Mr. Yorke.
"What happened next? you will ask, Mr. Yorke.
"Why, she sat down in the window-seat and cried. She cried passionately. Her eyes not only rained but lightened. They flashed, open, large, dark, haughty, upon me. They said, 'You have pained me; you have outraged me; you have deceived me.'
"Why, she sat down in the window seat and cried. She cried hard. Her eyes not only soaked with tears but also sparkled. They flashed, wide, dark, and proud at me. They said, 'You have hurt me; you have offended me; you have lied to me.'"
"She added words soon to looks.
"She quickly started putting words to her expressions."
"'I did respect—I did admire—I did like you,' she said—'yes, as much as if you were my brother; and you—you want to make a speculation of me. You would immolate me to that mill, your Moloch!'
"'I did respect—I did admire—I did like you,' she said—'yes, just as much as if you were my brother; and you—you want to make a gamble of me. You would sacrifice me to that mill, your Moloch!'"
"I had the common sense to abstain from any word of excuse, any attempt at palliation. I stood to be scorned.
"I had the common sense to keep quiet and not make any excuses or try to soften the situation. I was ready to face the scorn."
"Sold to the devil for the time being, I was certainly infatuated. When I did speak, what do you think I said?
"Sold to the devil for now, I was definitely obsessed. When I finally spoke, what do you think I said?"
"'Whatever my own feelings were, I was persuaded you loved me, Miss Keeldar.'
"'Whatever my own feelings were, I was convinced you loved me, Miss Keeldar.'"
"Beautiful, was it not? She sat quite confounded. 'Is it Robert Moore that speaks?' I heard her mutter. 'Is it a man—or something lower?'
"Beautiful, wasn’t it? She sat there completely bewildered. 'Is this Robert Moore speaking?' I heard her mumble. 'Is it a man—or something beneath that?'"
"'Do you mean,' she asked aloud—'do you mean you thought I loved you as we love those we wish to marry?'
"'Do you mean,' she asked out loud—'do you mean you thought I loved you like we love those we want to marry?'"
"It was my meaning, and I said so.
"It was my intention, and I expressed it."
[Pg 468]"'You conceived an idea obnoxious to a woman's feelings,' was her answer. 'You have announced it in a fashion revolting to a woman's soul. You insinuate that all the frank kindness I have shown you has been a complicated, a bold, and an immodest manœuvre to ensnare a husband. You imply that at last you come here out of pity to offer me your hand, because I have courted you. Let me say this: Your sight is jaundiced; you have seen wrong. Your mind is warped; you have judged wrong. Your tongue betrays you; you now speak wrong. I never loved you. Be at rest there. My heart is as pure of passion for you as yours is barren of affection for me.'
[Pg468I'm sorry, but it seems there's an error with the text provided. Please share a short phrase (5 words or fewer) for me to modernize, and I'll be happy to assist!"You came up with an idea that’s offensive to a woman’s feelings," she replied. "You’ve expressed it in a way that’s repulsive to a woman’s soul. You suggest that all the genuine kindness I’ve shown you has been a complicated, bold, and shameless attempt to trap a husband. You imply that you’ve come here out of pity to offer me your hand because I chased after you. Let me clarify: Your perspective is distorted; you’ve misunderstood. Your judgment is flawed; you’ve made the wrong call. Your words betray you; you’re speaking inaccurately now. I never loved you. Rest assured on that point. My heart feels no passion for you, just as yours lacks any affection for me."
"I hope I was answered, Yorke?
"I hope I got a response, Yorke?"
"'I seem to be a blind, besotted sort of person,' was my remark.
"I guess I'm just a clueless, love-struck kind of person," I said.
"'Loved you!' she cried. 'Why, I have been as frank with you as a sister—never shunned you, never feared you. You cannot,' she affirmed triumphantly—'you cannot make me tremble with your coming, nor accelerate my pulse by your influence.'
"'Loved you!' she exclaimed. 'I've been as open with you as a sister—never avoided you, never feared you. You can't,' she declared triumphantly—'you can't make me tremble with your arrival, nor speed up my heart with your presence.'"
"I alleged that often, when she spoke to me, she blushed, and that the sound of my name moved her.
"I claimed that often, when she talked to me, she would blush, and that hearing my name affected her."
"'Not for your sake!' she declared briefly. I urged explanation, but could get none.
"'Not for your sake!' she said sharply. I pressed for an explanation, but she offered none."
"'When I sat beside you at the school feast, did you think I loved you then? When I stopped you in Maythorn Lane, did you think I loved you then? When I called on you in the counting-house, when I walked with you on the pavement, did you think I loved you then?'
"'When I sat next to you at the school feast, did you think I loved you back then? When I stopped you on Maythorn Lane, did you think I loved you at that moment? When I visited you in the counting-house, when I walked with you on the sidewalk, did you think I loved you then?'"
"So she questioned me; and I said I did.
"So she asked me, and I said I did."
"By the Lord! Yorke, she rose, she grew tall, she expanded and refined almost to flame. There was a trembling all through her, as in live coal when its vivid vermilion is hottest.
"By the Lord! Yorke, she stood up, she grew taller, she expanded and refined almost to a blaze. There was a tremor throughout her, like a live coal when its bright red is at its hottest."
"'That is to say that you have the worst opinion of me; that you deny me the possession of all I value most. That is to say that I am a traitor to all my sisters; that I have acted as no woman can act without degrading herself and her sex; that I have sought where the incorrupt of my kind naturally scorn and abhor to seek.' She and I were silent for many a minute. 'Lucifer, Star of the Morning,' she went on, 'thou art fallen! You, once high in my esteem, are hurled down; you, once intimate in my friendship, are cast out. Go!'
"'In other words, you have the lowest opinion of me; you deny me the things I value most. In other words, I am a traitor to all my sisters; I have acted in ways no woman could without degrading herself and her gender; I have sought what the virtuous among my kind naturally scorn and despise.' We sat in silence for a long time. 'Lucifer, Star of the Morning,' she continued, 'you have fallen! You, who were once held in such high regard by me, are now cast down; you, who were once dear to my friendship, are now cast out. Go!'"
[Pg 469]"I went not. I had heard her voice tremble, seen her lip quiver. I knew another storm of tears would fall, and then I believed some calm and some sunshine must come, and I would wait for it.
[Pg469Please provide the text you would like me to modernize."I didn’t go. I had heard her voice shake, seen her lip tremble. I knew another wave of tears would come, and then I figured some calm and sunshine would follow, so I decided to wait for it.
"As fast, but more quietly than before, the warm rain streamed down. There was another sound in her weeping—a softer, more regretful sound. While I watched, her eyes lifted to me a gaze more reproachful than haughty, more mournful than incensed.
As quickly, but more quietly than before, the warm rain poured down. There was another sound in her crying—a softer, more regretful sound. While I watched, her eyes turned to me with a look more accusing than proud, more sorrowful than angry.
"'O Moore!' said she. It was worse than 'Et tu, Brute!'
"'O Moore!' she said. It was worse than 'Et tu, Brute!'"
"I relieved myself by what should have been a sigh, but it became a groan. A sense of Cain-like desolation made my breast ache.
"I let out what should have been a sigh, but it turned into a groan. A feeling of deep desolation filled my chest."
"'There has been error in what I have done,' I said, 'and it has won me bitter wages, which I will go and spend far from her who gave them.'
"'I made a mistake in what I've done,' I said, 'and it has cost me dearly, which I will go and spend far away from the one who gave it to me.'"
"I took my hat. All the time I could not have borne to depart so, and I believed she would not let me. Nor would she but for the mortal pang I had given her pride, that cowed her compassion and kept her silent.
"I picked up my hat. The whole time, I couldn't bear to leave like that, and I thought she wouldn’t let me. But she didn’t, except for the deep hurt I had caused her pride, which silenced her compassion and left her speechless."
"I was obliged to turn back of my own accord when I reached the door, to approach her, and to say, 'Forgive me.'
"I had to turn back on my own when I reached the door, go up to her, and say, 'Forgive me.'"
"'I could, if there was not myself to forgive too,' was her reply; 'but to mislead a sagacious man so far I must have done wrong.'
"'I could, if I didn't also need to forgive myself,' was her reply; 'but to mislead a wise man like that means I must have done something wrong.'"
"I broke out suddenly with some declamation I do not remember. I know that it was sincere, and that my wish and aim were to absolve her to herself. In fact, in her case self-accusation was a chimera.
"I suddenly started speaking passionately about something I can't recall. I know it came from the heart, and my intent was to help her forgive herself. Honestly, for her, self-blame was just an illusion."
"At last she extended her hand. For the first time I wished to take her in my arms and kiss her. I did kiss her hand many times.
"Finally, she reached out her hand. For the first time, I wanted to hold her in my arms and kiss her. I did kiss her hand many times."
"'Some day we shall be friends again,' she said, 'when you have had time to read my actions and motives in a true light, and not so horribly to misinterpret them. Time may give you the right key to all. Then, perhaps, you will comprehend me, and then we shall be reconciled.'
"'Some day we will be friends again,' she said, 'when you've had time to see my actions and motives in a true light, and not so horribly misinterpret them. Time might give you the right perspective on everything. Then, maybe, you will understand me, and we will be reconciled.'"
"Farewell drops rolled slow down her cheeks. She wiped them away.
"Farewell tears rolled slowly down her cheeks. She wiped them away."
"'I am sorry for what has happened—deeply sorry,' she sobbed. So was I, God knows! Thus were we severed."
"'I'm really sorry for what happened—truly sorry,' she sobbed. So was I, God knows! And that’s how we were cut off."
"A queer tale!" commented Mr. Yorke.
"A strange story!" Mr. Yorke commented.
[Pg 470]"I'll do it no more," vowed his companion; "never more will I mention marriage to a woman unless I feel love. Henceforth credit and commerce may take care of themselves. Bankruptcy may come when it lists. I have done with slavish fear of disaster. I mean to work diligently, wait patiently, bear steadily. Let the worst come, I will take my axe and an emigrant's berth, and go out with Louis to the West; he and I have settled it. No woman shall ever again look at me as Miss Keeldar looked, ever again feel towards me as Miss Keeldar felt. In no woman's presence will I ever again stand at once such a fool and such a knave, such a brute and such a puppy."
[Pg470Understood! Please provide the text you would like me to modernize."I won't do it again," his friend declared; "I will never mention marriage to a woman unless I actually feel love. From now on, credit and business can take care of themselves. If bankruptcy comes, so be it. I'm done with this constant fear of failure. I'm going to work hard, wait patiently, and stay strong. Let whatever happens, happen. I'll grab my axe and book a ticket out West with Louis; we've already made plans. No woman will ever look at me like Miss Keeldar did again, nor will any woman feel for me the way she felt. I refuse to ever be such a fool and a deceiver, such a brutal idiot and a lovesick puppy in front of any woman again."
"Tut!" said the imperturbable Yorke, "you make too much of it; but still, I say, I am capped. Firstly, that she did not love you; and secondly, that you did not love her. You are both young; you are both handsome; you are both well enough for wit and even for temper—take you on the right side. What ailed you that you could not agree?"
"Tut!" said the unflappable Yorke, "you're making a big deal out of it; but I still say I'm right. First, she didn't love you; and second, you didn't love her. You're both young, you're both good-looking, and you both have enough wit and even some charm—let's be honest. What was stopping you from getting along?"
"We never have been, never could be at home with each other, Yorke. Admire each other as we might at a distance, still we jarred when we came very near. I have sat at one side of a room and observed her at the other, perhaps in an excited, genial moment, when she had some of her favourites round her—her old beaux, for instance, yourself and Helstone, with whom she is so playful, pleasant, and eloquent. I have watched her when she was most natural, most lively, and most lovely; my judgment has pronounced her beautiful. Beautiful she is at times, when her mood and her array partake of the splendid. I have drawn a little nearer, feeling that our terms of acquaintance gave me the right of approach. I have joined the circle round her seat, caught her eye, and mastered her attention; then we have conversed; and others, thinking me, perhaps, peculiarly privileged, have withdrawn by degrees, and left us alone. Were we happy thus left? For myself, I must say No. Always a feeling of constraint came over me; always I was disposed to be stern and strange. We talked politics and business. No soft sense of domestic intimacy ever opened our hearts, or thawed our language and made it flow easy and limpid. If we had confidences, they were confidences of the counting-house, not of the heart. Nothing in her cherished affection in me, made me better, gentler; she only stirred my brain and whetted my acuteness.[Pg 471] She never crept into my heart or influenced its pulse; and for this good reason, no doubt, because I had not the secret of making her love me."
"We’ve never really been at home with each other, Yorke. No matter how much we admire each other from a distance, we always seem to clash when we get too close. I’ve sat on one side of the room, watching her on the other, maybe during an exciting moment when she had some of her favorites around her—like her old flames, you and Helstone, with whom she is so playful, pleasant, and engaging. I’ve observed her when she’s most natural, lively, and beautiful; my judgment tells me she is stunning. She can be beautiful at times, especially when her mood and outfit are radiant. I’ve edged a bit closer, feeling that our acquaintance allowed me to approach. I’ve joined the circle around her seat, caught her eye, and directed her attention; then we’ve talked, and others, thinking me perhaps specially favored, have gradually stepped away, leaving us alone. Were we happy in that solitude? I have to say No for myself. There was always a sense of constraint; I tended to be stern and distant. We discussed politics and business. There was never an easy sense of intimacy that warmed our hearts or made our conversation flow freely. If we shared secrets, they were about work, not about feelings. Her affection for me didn’t make me softer or gentler; it only stimulated my mind and honed my sharpness. She never penetrated my heart or influenced its rhythm; and probably for that reason, I never figured out how to make her love me." [Pg471]
"Well, lad, it is a queer thing. I might laugh at thee, and reckon to despise thy refinements; but as it is dark night and we are by ourselves, I don't mind telling thee that thy talk brings back a glimpse of my own past life. Twenty-five years ago I tried to persuade a beautiful woman to love me, and she would not. I had not the key to her nature; she was a stone wall to me, doorless and windowless."
"Well, kid, it's a strange thing. I could laugh at you and pretend to look down on your fancy ways; but since it's dark out and we're alone, I don't mind saying that your words remind me of my own past. Twenty-five years ago, I tried to get a beautiful woman to love me, but she wouldn’t. I didn’t understand her; she was like a stone wall to me, with no doors or windows."
"But you loved her, Yorke; you worshipped Mary Cave. Your conduct, after all, was that of a man—never of a fortune-hunter."
"But you loved her, Yorke; you worshipped Mary Cave. Your behavior, after all, was that of a man—never of someone looking for a fortune."
"Ay, I did love her; but then she was beautiful as the moon we do not see to-night. There is naught like her in these days. Miss Helstone, maybe, has a look of her, but nobody else."
"Yeah, I did love her; but she was as beautiful as the moon we can't see tonight. There's nothing like her these days. Miss Helstone might have a resemblance to her, but no one else."
"Who has a look of her?"
"Who does she look like?"
"That black-coated tyrant's niece—that quiet, delicate Miss Helstone. Many a time I have put on my spectacles to look at the lassie in church, because she has gentle blue een, wi' long lashes; and when she sits in shadow, and is very still and very pale, and is, happen, about to fall asleep wi' the length of the sermon and the heat of the biggin', she is as like one of Canova's marbles as aught else."
"That tyrant's niece in the black coat—quiet, delicate Miss Helstone. I've often put on my glasses to get a better look at her in church because she has gentle blue eyes with long lashes; and when she sits in the shadows, very still and very pale, maybe on the verge of falling asleep from the long sermon and the heat of the building, she looks just like one of Canova's marbles."
"Was Mary Cave in that style?"
"Was Mary Cave in that style?"
"Far grander!—less lass-like and flesh-like. You wondered why she hadn't wings and a crown. She was a stately, peaceful angel was my Mary."
"Much grander!—less like a girl and more like something celestial. You wondered why she didn't have wings and a crown. She was a majestic, serene angel—my Mary."
"And you could not persuade her to love you?"
"And you couldn't get her to love you?"
"Not with all I could do, though I prayed Heaven many a time, on my bended knees, to help me."
"Not with everything I could do, even though I prayed to Heaven many times, on my knees, to help me."
"Mary Cave was not what you think her, Yorke. I have seen her picture at the rectory. She is no angel, but a fair, regular-featured, taciturn-looking woman—rather too white and lifeless for my taste. But, supposing she had been something better than she was——"
"Mary Cave isn't who you think she is, Yorke. I've seen her picture at the rectory. She's no angel, but a fair-skinned woman with regular features and a bit of a stern look—kind of too pale and dull for my liking. But, assuming she had been better than she actually is——"
"Robert," interrupted Yorke, "I could fell you off your horse at this moment. However, I'll hold my hand. Reason tells me you are right and I am wrong. I know well enough that the passion I still have is only the remnant of an illusion. If Miss Cave had possessed either feeling or sense, she could not have been so perfectly impassible[Pg 472] to my regard as she showed herself; she must have preferred me to that copper-faced despot."
"Robert," Yorke interrupted, "I could knock you off your horse right now. But I'll hold back. Logic tells me you’re right and I’m wrong. I know that the feelings I still have are just remnants of a fantasy. If Miss Cave had any feelings or sense, she couldn't have been so completely indifferent to my affection as she was; she must have preferred me over that arrogant jerk."
"Supposing, Yorke, she had been educated (no women were educated in those days); supposing she had possessed a thoughtful, original mind, a love of knowledge, a wish for information, which she took an artless delight in receiving from your lips, and having measured out to her by your hand; supposing her conversation, when she sat at your side, was fertile, varied, imbued with a picturesque grace and genial interest, quiet flowing but clear and bounteous; supposing that when you stood near her by chance, or when you sat near her by design, comfort at once became your atmosphere, and content your element; supposing that whenever her face was under your gaze, or her idea filled your thoughts, you gradually ceased to be hard and anxious, and pure affection, love of home, thirst for sweet discourse, unselfish longing to protect and cherish, replaced the sordid, cankering calculations of your trade; supposing, with all this, that many a time, when you had been so happy as to possess your Mary's little hand, you had felt it tremble as you held it, just as a warm little bird trembles when you take it from its nest; supposing you had noticed her shrink into the background on your entrance into a room, yet if you sought her in her retreat she welcomed you with the sweetest smile that ever lit a fair virgin face, and only turned her eyes from the encounter of your own lest their clearness should reveal too much; supposing, in short, your Mary had been not cold, but modest; not vacant, but reflective; not obtuse, but sensitive; not inane, but innocent; not prudish, but pure,—would you have left her to court another woman for her wealth?"
"Let’s say, Yorke, she had been educated (women weren’t educated back then); let’s say she had a thoughtful, original mind, a love of knowledge, and a desire for information, which she took genuine joy in receiving from you, and which you provided with care; let’s say her conversation, when she sat with you, was rich, varied, filled with a charming grace and warm interest, flowing smoothly yet abundantly; let’s say that when you stood near her by chance, or sat with her on purpose, comfort became the environment around you, and contentment filled your heart; let’s say that whenever you looked at her face, or her thoughts occupied your mind, you gradually stopped feeling harsh and anxious, and pure affection, love for home, a longing for sweet conversation, and a selfless wish to protect and cherish replaced the petty, troubling calculations of your work; let’s say that many times, when you were lucky enough to hold Mary’s small hand, you felt it tremble in your grasp, just like a warm little bird trembles when you take it from its nest; let’s say you noticed her retreat into the background when you entered a room, yet when you sought her out in her corner, she greeted you with the sweetest smile ever seen on a pure young face, only looking away to keep her clear eyes from revealing too much; let’s say, in short, your Mary was not cold, but modest; not empty, but thoughtful; not dull, but sensitive; not silly, but innocent; not prude-like, but pure—would you have left her to pursue another woman for her wealth?"
Mr. Yorke raised his hat, wiped his forehead with his handkerchief.
Mr. Yorke tipped his hat and wiped his forehead with his handkerchief.
"The moon is up," was his first not quite relevant remark, pointing with his whip across the moor. "There she is, rising into the haze, staring at us wi' a strange red glower. She is no more silver than old Helstone's brow is ivory. What does she mean by leaning her cheek on Rushedge i' that way, and looking at us wi' a scowl and a menace?"
"The moon is up," was his first somewhat off-topic comment, pointing with his whip across the moor. "There she is, rising into the haze, looking at us with a strange red glare. She’s not any more silver than old Helstone's forehead is ivory. What does she mean by resting her cheek on Rushedge like that, and glaring at us with a scowl and a threat?"
"Yorke, if Mary had loved you silently yet faithfully, chastely yet fervently, as you would wish your wife to love, would you have left her?"
"Yorke, if Mary had loved you quietly but faithfully, purely but passionately, like you would want your wife to love, would you have left her?"
"Robert!"—he lifted his arm, he held it suspended, and paused—"Robert! this is a queer world, and men[Pg 473] are made of the queerest dregs that Chaos churned up in her ferment. I might swear sounding oaths—oaths that would make the poachers think there was a bittern booming in Bilberry Moss—that, in the case you put, death only should have parted me from Mary. But I have lived in the world fifty-five years; I have been forced to study human nature; and, to speak a dark truth, the odds are, if Mary had loved and not scorned me, if I had been secure of her affection, certain of her constancy, been irritated by no doubts, stung by no humiliations—the odds are" (he let his hand fall heavy on the saddle)—"the odds are I should have left her!"
"Robert!"—he lifted his arm, held it up for a moment, and paused—"Robert! this is a strange world, and people[Pg473] are made from the weirdest scraps that Chaos stirred up in her mix. I could swear using strong oaths—oaths that would make the poachers think there was a bittern booming in Bilberry Moss—that, in the situation you described, only death should have separated me from Mary. But I have lived in this world for fifty-five years; I have had to study human nature; and to speak a harsh truth, the chances are, if Mary had loved me instead of scorned me, if I had been sure of her love, certain of her loyalty, bothered by no doubts, stung by no humiliations—the chances are" (he let his hand fall heavily on the saddle)—"the chances are I would have left her!"
They rode side by side in silence. Ere either spoke again they were on the other side of Rushedge. Briarfield lights starred the purple skirt of the moor. Robert, being the youngest, and having less of the past to absorb him than his comrade, recommenced first.
They rode side by side in silence. Before either of them spoke again, they were on the other side of Rushedge. The lights of Briarfield dotted the purple expanse of the moor. Robert, being the youngest and having less of the past to hold him back than his companion, spoke up first.
"I believe—I daily find it proved—that we can get nothing in this world worth keeping, not so much as a principle or a conviction, except out of purifying flame or through strengthening peril. We err, we fall, we are humbled; then we walk more carefully. We greedily eat and drink poison out of the gilded cup of vice or from the beggar's wallet of avarice. We are sickened, degraded; everything good in us rebels against us; our souls rise bitterly indignant against our bodies; there is a period of civil war; if the soul has strength, it conquers and rules thereafter."
"I believe—I see it proven every day—that we can't get anything in this world worth keeping, not even a principle or a belief, without going through a purifying struggle or facing tough challenges. We make mistakes, we stumble, we get humbled; then we learn to be more careful. We eagerly consume poison from the shiny cup of vice or from the desperate wallet of greed. We feel sickened and degraded; everything good in us fights against us; our souls rise up in bitter anger against our bodies; there's a kind of civil war going on; if the soul is strong enough, it wins and takes control afterward."
"What art thou going to do now, Robert? What are thy plans?"
"What are you going to do now, Robert? What are your plans?"
"For my private plans, I'll keep them to myself—which is very easy, as at present I have none. No private life is permitted a man in my position—a man in debt. For my public plans, my views are a little altered. While I was in Birmingham I looked a little into reality, considered closely and at their source the causes of the present troubles of this country. I did the same in London. Unknown, I could go where I pleased, mix with whom I would. I went where there was want of food, of fuel, of clothing; where there was no occupation and no hope. I saw some, with naturally elevated tendencies and good feelings, kept down amongst sordid privations and harassing griefs. I saw many originally low, and to whom lack of education left scarcely anything but animal wants, disappointed in[Pg 474] those wants, ahungered, athirst, and desperate as famished animals. I saw what taught my brain a new lesson, and filled my breast with fresh feelings. I have no intention to profess more softness or sentiment than I have hitherto professed; mutiny and ambition I regard as I have always regarded them. I should resist a riotous mob just as heretofore; I should open on the scent of a runaway ringleader as eagerly as ever, and run him down as relentlessly, and follow him up to condign punishment as rigorously; but I should do it now chiefly for the sake and the security of those he misled. Something there is to look to, Yorke, beyond a man's personal interest, beyond the advancement of well-laid schemes, beyond even the discharge of dishonouring debts. To respect himself, a man must believe he renders justice to his fellow-men. Unless I am more considerate to ignorance, more forbearing to suffering, than I have hitherto been, I shall scorn myself as grossly unjust.—What now?" he said, addressing his horse, which, hearing the ripple of water, and feeling thirsty, turned to a wayside trough, where the moonbeam was playing in a crystal eddy.
"For my personal plans, I’ll keep them to myself—which is easy since I don’t have any right now. A man in my position—deep in debt—isn't allowed a private life. As for my public plans, my perspective has shifted a bit. While I was in Birmingham, I took a hard look at reality and really considered the root causes of the current troubles in this country. I did the same in London. Without being recognized, I could go wherever I wanted and mix with whomever I chose. I went to places where there was a shortage of food, fuel, and clothing; where people had no jobs and no hope. I saw some people, who naturally had high aspirations and good intentions, held back by miserable conditions and constant grief. I saw many who started out with little and, lacking education, were left with nothing but basic needs, frustrated in those needs, starving, thirsty, and desperate like wild animals. I learned something new that changed my perspective and filled me with fresh emotions. I don’t plan to pretend I'm softer or more sentimental than I’ve been before; I still see mutiny and ambition the same way I always have. I would still confront a violent mob just like before; I’d pursue a fleeing leader as eagerly as ever and follow him for punishment just as fiercely; but now, I’d mainly do it for the sake and security of those he led astray. There’s something more to consider, Yorke, beyond a man’s personal gain, beyond well-laid plans, and even beyond clearing dishonorable debts. To respect myself, I must believe I’m doing justice for my fellow men. If I’m not more understanding of ignorance and more patient with suffering than I’ve been, I’ll see myself as completely unjust. —What now?" he said, addressing his horse, which, hearing the sound of water and feeling thirsty, turned to a trough by the road, where the moonlight danced in a crystal swirl.
"Yorke," pursued Moore, "ride on; I must let him drink."
"Yorke," Moore insisted, "keep going; I need to let him drink."
Yorke accordingly rode slowly forwards, occupying himself as he advanced in discriminating, amongst the many lights now spangling the distance, those of Briarmains. Stilbro' Moor was left behind; plantations rose dusk on either hand; they were descending the hill; below them lay the valley with its populous parish: they felt already at home.
Yorke rode slowly forward, keeping himself busy by identifying the many lights now twinkling in the distance, focusing on those of Briarmains. Stilbro' Moor was left behind; dark plantations rose on either side; they were going down the hill; below them lay the valley with its busy parish: they already felt at home.
Surrounded no longer by heath, it was not startling to Mr. Yorke to see a hat rise, and to hear a voice speak behind the wall. The words, however, were peculiar.
Surrounded no longer by heath, Mr. Yorke was not surprised to see a hat appear and to hear a voice coming from behind the wall. The words, however, were unusual.
"When the wicked perisheth there is shouting," it said; and added, "As the whirlwind passeth, so is the wicked no more" (with a deeper growl): "terrors take hold of him as waters; hell is naked before him. He shall die without knowledge."
"When the wicked die, there is shouting," it said; and added, "Just like the whirlwind passes, so the wicked are no more" (with a deeper growl): "fears grip him like waters; hell is laid bare before him. He will die without understanding."
A fierce flash and sharp crack violated the calm of night. Yorke, ere he turned, knew the four convicts of Birmingham were avenged.[Pg 475]
A sudden flash and loud bang shattered the peaceful night. Yorke, before he turned around, knew that the four convicts from Birmingham had been avenged.[Pg475I'm ready for the text you want me to modernize. Please provide it!
CHAPTER XXXI.
UNCLE AND NIECE.
The die was cast. Sir Philip Nunnely knew it; Shirley knew it; Mr. Sympson knew it. That evening, when all the Fieldhead family dined at Nunnely Priory, decided the business.
The die was cast. Sir Philip Nunnely knew it; Shirley knew it; Mr. Sympson knew it. That evening, when all the Fieldhead family had dinner at Nunnely Priory, they decided the business.
Two or three things conduced to bring the baronet to a point. He had observed that Miss Keeldar looked pensive and delicate. This new phase in her demeanour smote him on his weak or poetic side. A spontaneous sonnet brewed in his brain; and while it was still working there, one of his sisters persuaded his lady-love to sit down to the piano and sing a ballad—one of Sir Philip's own ballads. It was the least elaborate, the least affected—out of all comparison the best of his numerous efforts.
Two or three things led the baronet to a decision. He noticed that Miss Keeldar seemed thoughtful and fragile. This change in her demeanor struck a chord with his sensitive or romantic side. A spontaneous sonnet began to form in his mind; while he was still contemplating it, one of his sisters encouraged his beloved to sit down at the piano and sing a ballad—one of Sir Philip's own creations. It was the simplest, least pretentious—by far the best of his many works.
It chanced that Shirley, the moment before, had been gazing from a window down on the park. She had seen that stormy moonlight which "le Professeur Louis" was perhaps at the same instant contemplating from her own oak-parlour lattice; she had seen the isolated trees of the domain—broad, strong, spreading oaks, and high-towering heroic beeches—wrestling with the gale. Her ear had caught the full roar of the forest lower down; the swift rushing of clouds, the moon, to the eye, hasting swifter still, had crossed her vision. She turned from sight and sound—touched, if not rapt; wakened, if not inspired.
Shirley had just been looking out of a window at the park. She had seen the stormy moonlight that "Professor Louis" was probably observing at the same moment from her own oak-paneled room; she had watched the solitary trees in the estate—broad, strong oaks, and tall, majestic beeches—struggling against the wind. She could hear the loud roar of the forest further down; the fast-moving clouds, and the moon, which seemed to be racing across her field of vision. She turned away from the sights and sounds—moved, if not completely captivated; alert, if not truly inspired.
She sang, as requested. There was much about love in the ballad—faithful love that refused to abandon its object; love that disaster could not shake; love that in calamity waxed fonder, in poverty clung closer. The words were set to a fine old air; in themselves they were simple and sweet. Perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well. She breathed into the feeling softness; she poured round the passion force. Her voice was fine[Pg 476] that evening, its expression dramatic. She impressed all, and charmed one.
She sang as requested. The ballad was full of love—steadfast love that never abandoned its beloved; love that couldn’t be shaken by disaster; love that grew stronger in hardship and clung tighter in poverty. The lyrics were set to a lovely old melody; on their own, they were simple and sweet. Maybe they lacked impact when read, but when performed beautifully, they needed nothing more. Shirley sang them beautifully. She infused the music with feeling; she enveloped it in passionate force. Her voice was exceptional[Pg476I'm sorry, but there's no text provided for me to modernize. Please provide the phrase you would like me to work on. that evening, full of dramatic expression. She captivated everyone and enchanted one.
On leaving the instrument she went to the fire, and sat down on a seat—semi-stool, semi-cushion. The ladies were round her; none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality—so unlike a school-girl? Decidedly not. It was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
As she left the instrument, she went over to the fire and sat down on a seat that was part stool, part cushion. The ladies gathered around her, but none of them spoke. The Misses Sympson and the Misses Nunnely regarded her like quiet birds might look at an egret, an ibis, or any other unusual bird. Why did she sing like that? They never sang like that. Was it acceptable to sing with such feeling, with such uniqueness—so different from a schoolgirl? Definitely not. It was odd, it was different. What was odd must be wrong; what was different must be inappropriate. Shirley was judged.
Moreover, old Lady Nunnely eyed her stonily from her great chair by the fireside. Her gaze said, "This woman is not of mine or my daughters' kind. I object to her as my son's wife."
Moreover, old Lady Nunnely stared at her coldly from her large chair by the fireplace. Her look clearly conveyed, "This woman is not of my family or my daughters' kind. I disapprove of her as my son's wife."
Her son, catching the look, read its meaning. He grew alarmed. What he so wished to win there was danger he might lose. He must make haste.
Her son, noticing the look, understood its meaning. He became worried. What he desperately wanted to achieve there was at risk of slipping away. He needed to hurry.
The room they were in had once been a picture-gallery. Sir Philip's father—Sir Monckton—had converted it into a saloon; but still it had a shadowy, long-withdrawing look. A deep recess with a window—a recess that held one couch, one table, and a fairy cabinet—formed a room within a room. Two persons standing there might interchange a dialogue, and, so it were neither long nor loud, none be the wiser.
The room they were in used to be an art gallery. Sir Philip's father, Sir Monckton, had turned it into a lounge; but it still had a dim, elongated vibe. A deep alcove with a window—a nook that contained one couch, one table, and a delicate cabinet—created a little room within the main space. Two people standing there could have a conversation, and as long as it wasn't too long or too loud, no one would notice.
Sir Philip induced two of his sisters to perpetrate a duet. He gave occupation to the Misses Sympson. The elder ladies were conversing together. He was pleased to remark that meantime Shirley rose to look at the pictures. He had a tale to tell about one ancestress, whose dark beauty seemed as that of a flower of the south. He joined her, and began to tell it.
Sir Philip convinced two of his sisters to perform a duet. He kept the Misses Sympson busy. The older ladies were chatting with each other. He was happy to notice that in the meantime, Shirley got up to look at the pictures. He had a story about one of his ancestors, whose dark beauty was like that of a southern flower. He joined her and started to tell it.
There were mementoes of the same lady in the cabinet adorning the recess; and while Shirley was stooping to examine the missal and the rosary on the inlaid shelf, and while the Misses Nunnely indulged in a prolonged screech, guiltless of expression, pure of originality, perfectly conventional and absolutely unmeaning, Sir Philip stooped too, and whispered a few hurried sentences. At first Miss Keeldar was struck so still you might have fancied that whisper a charm which had changed her to a statue; but she presently looked up and answered. They parted.[Pg 477] Miss Keeldar returned to the fire, and resumed her seat. The baronet gazed after her, then went and stood behind his sisters. Mr. Sympson—Mr. Sympson only—had marked the pantomime.
There were keepsakes of the same woman in the cabinet decorating the recess; and while Shirley was bending down to look at the missal and the rosary on the inlaid shelf, and while the Misses Nunnely indulged in a prolonged scream, lacking expression, completely conventional and totally meaningless, Sir Philip bent down too and whispered a few quick sentences. At first, Miss Keeldar was so still you might have thought that whisper was a spell that turned her into a statue; but she soon looked up and replied. They parted.[Pg477] Miss Keeldar went back to the fire and took her seat again. The baronet watched her as she went, then stood behind his sisters. Mr. Sympson—only Mr. Sympson—had noticed the scene.
That gentleman drew his own conclusions. Had he been as acute as he was meddling, as profound as he was prying, he might have found that in Sir Philip's face whereby to correct his inference. Ever shallow, hasty, and positive, he went home quite cock-a-hoop.
That man made his own assumptions. If he had been as sharp as he was intrusive, as deep as he was nosy, he might have noticed in Sir Philip's expression something that would have corrected his conclusions. Always superficial, impulsive, and certain, he went home feeling quite triumphant.
He was not a man that kept secrets well. When elate on a subject, he could not avoid talking about it. The next morning, having occasion to employ his son's tutor as his secretary, he must needs announce to him, in mouthing accents, and with much flimsy pomp of manner, that he had better hold himself prepared for a return to the south at an early day, as the important business which had detained him (Mr. Sympson) so long in Yorkshire was now on the eve of fortunate completion. His anxious and laborious efforts were likely, at last, to be crowned with the happiest success. A truly eligible addition was about to be made to the family connections.
He wasn't really good at keeping secrets. When he got excited about something, he couldn't help but talk about it. The next morning, needing to have his son's tutor assist him as a secretary, he felt the need to announce, in exaggerated accents and with a lot of show, that he should be ready to head back south soon, since the important business that had kept him (Mr. Sympson) in Yorkshire for so long was finally wrapping up successfully. His hard work was likely to pay off in the best possible way. A truly great addition was about to be made to the family connections.
"In Sir Philip Nunnely?" Louis Moore conjectured.
"In Sir Philip Nunnely?" Louis Moore guessed.
Whereupon Mr. Sympson treated himself simultaneously to a pinch of snuff and a chuckling laugh, checked only by a sudden choke of dignity, and an order to the tutor to proceed with business.
Whereupon Mr. Sympson indulged in a pinch of snuff while chuckling to himself, momentarily interrupted by a dignified cough and a command for the tutor to continue with the work.
For a day or two Mr. Sympson continued as bland as oil, but also he seemed to sit on pins, and his gait, when he walked, emulated that of a hen treading a hot girdle. He was for ever looking out of the window and listening for chariot-wheels. Bluebeard's wife—Sisera's mother—were nothing to him. He waited when the matter should be opened in form, when himself should be consulted, when lawyers should be summoned, when settlement discussions and all the delicious worldly fuss should pompously begin.
For a day or two, Mr. Sympson stayed as smooth as oil, but he also seemed restless, and his walk resembled that of a hen stepping on a hot surface. He kept looking out the window and listening for any sign of activity. Bluebeard's wife—Sisera's mother—meant nothing to him. He was waiting for the formal proceedings to start, eager to be consulted, for lawyers to be called in, and for all the exciting worldly drama to begin in style.
At last there came a letter. He himself handed it to Miss Keeldar out of the bag. He knew the handwriting; he knew the crest on the seal. He did not see it opened and read, for Shirley took it to her own room; nor did he see it answered, for she wrote her reply shut up, and was very long about it—the best part of a day. He questioned her whether it was answered; she responded, "Yes."
At last, a letter arrived. He personally handed it to Miss Keeldar from the bag. He recognized the handwriting; he recognized the crest on the seal. He didn’t see it opened and read, since Shirley took it to her room; nor did he see it answered, as she wrote her reply in private and took a long time with it—the best part of the day. He asked her if it was answered; she replied, "Yes."
[Pg 478]Again he waited—waited in silence, absolutely not daring to speak, kept mute by something in Shirley's face—a very awful something—inscrutable to him as the writing on the wall to Belshazzar. He was moved more than once to call Daniel, in the person of Louis Moore, and to ask an interpretation; but his dignity forbade the familiarity. Daniel himself, perhaps, had his own private difficulties connected with that baffling bit of translation; he looked like a student for whom grammars are blank and dictionaries dumb.
[Pg478Your request seems incomplete. Please provide the text you would like me to modernize.Again he waited—waited in silence, not daring to speak, held back by something in Shirley's expression—a very disturbing something—mysterious to him like the writing on the wall was to Belshazzar. He felt tempted more than once to call on Louis Moore to act as Daniel and ask for an explanation; but his pride stopped him from being too familiar. Daniel himself might have had his own struggles with that puzzling translation; he looked like a student for whom the grammar rules are meaningless and dictionaries are silent.
Mr. Sympson had been out, to while away an anxious hour in the society of his friends at De Walden Hall. He returned a little sooner than was expected. His family and Miss Keeldar were assembled in the oak parlour. Addressing the latter, he requested her to step with him into another room. He wished to have with her a "strictly private interview."
Mr. Sympson had been out, trying to pass an anxious hour with his friends at De Walden Hall. He returned a bit earlier than expected. His family and Miss Keeldar were gathered in the oak parlor. Turning to her, he asked her to join him in another room. He wanted to have a "strictly private interview" with her.
She rose, asking no questions and professing no surprise.
She got up, asking no questions and showing no surprise.
"Very well, sir," she said, in the tone of a determined person who is informed that the dentist is come to extract that large double tooth of his, from which he has suffered such a purgatory this month past. She left her sewing and her thimble in the window-seat, and followed her uncle where he led.
"Alright, sir," she said, in the tone of someone who's resolved to go through with getting that troublesome molar pulled by the dentist after enduring so much pain this past month. She set down her sewing and thimble in the window seat and followed her uncle wherever he went.
Shut into the drawing-room, the pair took seats, each in an arm-chair, placed opposite, a few yards between them.
Shut in the living room, the couple took seats, each in an armchair, facing each other, a few feet apart.
"I have been to De Walden Hall," said Mr. Sympson. He paused. Miss Keeldar's eyes were on the pretty white-and-green carpet. That information required no response. She gave none.
"I've been to De Walden Hall," Mr. Sympson said. He paused. Miss Keeldar's eyes were on the nice white-and-green carpet. That information didn’t need a response. She didn’t give one.
"I have learned," he went on slowly—"I have learned a circumstance which surprises me."
"I’ve learned," he continued slowly—"I’ve learned something that surprises me."
Resting her cheek on her forefinger, she waited to be told what circumstance.
Resting her cheek on her finger, she waited to be told what situation.
"It seems that Nunnely Priory is shut up—that the family are gone back to their place in ——shire. It seems that the baronet—that the baronet—that Sir Philip himself has accompanied his mother and sisters."
"It looks like Nunnely Priory is closed—that the family has returned to their home in ——shire. It looks like the baronet—that Sir Philip himself has gone with his mother and sisters."
"Indeed!" said Shirley.
"Absolutely!" said Shirley.
"May I ask if you share the amazement with which I received this news?"
"Can I ask if you’re as amazed as I was when I got this news?"
"No, sir."
"No, thank you."
[Pg 479]"Is it news to you?"
"Is this news to you?"
"Yes, sir."
"Yes, sir."
"I mean—I mean," pursued Mr. Sympson, now fidgeting in his chair, quitting his hitherto brief and tolerably clear phraseology, and returning to his customary wordy, confused, irritable style—"I mean to have a thorough explanation. I will not be put off. I—I—shall insist on being heard, and on—on having my own way. My questions must be answered. I will have clear, satisfactory replies. I am not to be trifled with. (Silence.)
"I mean—I mean," Mr. Sympson continued, now shifting in his chair, abandoning his previously concise and relatively clear way of speaking, and returning to his usual lengthy, muddled, and irritable manner—"I want a thorough explanation. I will not be brushed aside. I—I—will insist on being heard, and on—on getting my own way. My questions must be answered. I want clear, satisfactory responses. I'm not someone to be messed with. (Silence.)
"It is a strange and an extraordinary thing—a very singular—a most odd thing! I thought all was right, knew no other; and there—the family are gone!"
"It’s a strange and extraordinary thing—really unusual—so odd! I thought everything was fine, I didn’t know otherwise; and now—the family is gone!"
"I suppose, sir, they had a right to go."
"I guess, sir, they had the right to leave."
"Sir Philip is gone!" (with emphasis).
"Sir Philip is gone!"
Shirley raised her brows. "Bon voyage!" said she.
Shirley raised her eyebrows. "Safe travels!" she said.
"This will not do; this must be altered, ma'am."
"This isn't acceptable; this needs to be changed, ma'am."
He drew his chair forward; he pushed it back; he looked perfectly incensed, and perfectly helpless.
He moved his chair closer; he pulled it back; he looked completely furious and completely powerless.
"Come, come now, uncle," expostulated Shirley, "do not begin to fret and fume, or we shall make no sense of the business. Ask me what you want to know. I am as willing to come to an explanation as you. I promise you truthful replies."
"Come on, uncle," Shirley urged, "don't start getting all worked up, or we won't make any sense of this. Just ask me what you need to know. I'm just as eager to explain as you are. I promise I'll give you honest answers."
"I want—I demand to know, Miss Keeldar, whether Sir Philip has made you an offer?"
"I want—I need to know, Miss Keeldar, if Sir Philip has proposed to you?"
"He has."
"He has."
"You avow it?"
"Do you confess it?"
"I avow it. But now, go on. Consider that point settled."
"I admit it. But now, continue. Let's consider that point settled."
"He made you an offer that night we dined at the priory?"
"He made you an offer that night we had dinner at the priory?"
"It is enough to say that he made it. Go on."
"It’s enough to say that he made it. Go on."
"He proposed in the recess—in the room that used to be a picture-gallery—that Sir Monckton converted into it saloon?"
"He proposed during the break—in the room that used to be a picture gallery—that Sir Monckton turned into a salon?"
No answer.
No response.
"You were both examining a cabinet. I saw it all. My sagacity was not at fault—it never is. Subsequently you received a letter from him. On what subject—of what nature were the contents?"
"You were both looking at a cabinet. I saw everything. My insight was spot on—it always is. Then you got a letter from him. What was it about—what did it say?"
"No matter."
"Whatever."
"Ma'am, is that the way in which you speak to me?"
"Ma'am, is that how you talk to me?"
Shirley's foot tapped quick on the carpet.
Shirley's foot tapped rapidly on the carpet.
[Pg 480]"There you sit, silent and sullen—you who promised truthful replies."
[Pg480I'm ready to assist. Please provide the short piece of text that needs modernizing."There you are, quiet and moody—you who said you would give honest answers."
"Sir, I have answered you thus far. Proceed."
"Sir, I've answered you up to this point. Go ahead."
"I should like to see that letter."
"I'd like to see that letter."
"You cannot see it."
"You can't see it."
"I must and shall, ma'am; I am your guardian."
"I must and shall, ma'am; I am your guardian."
"Having ceased to be a ward, I have no guardian."
"Now that I'm no longer a ward, I don't have a guardian."
"Ungrateful being! Reared by me as my own daughter——"
"Ungrateful person! Raised by me as my own daughter——"
"Once more, uncle, have the kindness to keep to the point. Let us both remain cool. For my part, I do not wish to get into a passion; but, you know, once drive me beyond certain bounds, I care little what I say—I am not then soon checked. Listen! You have asked me whether Sir Philip made me an offer. That question is answered. What do you wish to know next?"
"Once again, uncle, please stick to the subject. Let's both stay calm. As for me, I don't want to lose my temper; but you know that if you push me too far, I don't care what I say—I can be hard to stop. Listen! You asked me whether Sir Philip proposed to me. That question is answered. What do you want to know next?"
"I desire to know whether you accepted or refused him, and know it I will."
"I want to know if you accepted him or turned him down, and I will find out."
"Certainly, you ought to know it. I refused him."
"Of course, you should know about it. I rejected him."
"Refused him! You—you, Shirley Keeldar, refused Sir Philip Nunnely?"
"Turned him down! You—you, Shirley Keeldar, turned down Sir Philip Nunnely?"
"I did."
"I did."
The poor gentleman bounced from his chair, and first rushed and then trotted through the room.
The poor guy jumped up from his chair and quickly ran, then jogged, around the room.
"There it is! There it is! There it is!"
"There it is! There it is! There it is!"
"Sincerely speaking, I am sorry, uncle, you are so disappointed."
"I'm really sorry, Uncle, that you're so disappointed."
Concession, contrition, never do any good with some people. Instead of softening and conciliating, they but embolden and harden them. Of that number was Mr. Sympson.
Concession and remorse never help some people. Instead of softening them or bringing about peace, they only make them bolder and more stubborn. Mr. Sympson was one of those people.
"I disappointed? What is it to me? Have I an interest in it? You would insinuate, perhaps, that I have motives?"
"Am I disappointed? What does it matter to me? Do I care? You might suggest, perhaps, that I have motives?"
"Most people have motives of some sort for their actions."
"Most people have reasons of some kind for their actions."
"She accuses me to my face! I, that have been a parent to her, she charges with bad motives!"
"She accuses me right to my face! I, who have been a parent to her, am being accused of having bad intentions!"
"Bad motives I did not say."
"I didn't say bad motives."
"And now you prevaricate; you have no principles!"
"And now you're dodging the issue; you have no real principles!"
"Uncle, you tire me. I want to go away."
"Uncle, you're exhausting me. I want to leave."
"Go you shall not! I will be answered. What are your intentions, Miss Keeldar?"
"You're not going anywhere! I demand to know what your intentions are, Miss Keeldar?"
"In what respect?"
"In what way?"
[Pg 481]"In respect of matrimony?"
"In regard to marriage?"
"To be quiet, and to do just as I please."
"To be quiet and do whatever I want."
"Just as you please! The words are to the last degree indecorous."
"Exactly how you want! The words are extremely inappropriate."
"Mr. Sympson, I advise you not to become insulting. You know I will not bear that."
"Mr. Sympson, I recommend you don’t get rude. You know I won’t put up with that."
"You read French. Your mind is poisoned with French novels. You have imbibed French principles."
"You read French. Your mind is filled with French novels. You've absorbed French ideas."
"The ground you are treading now returns a mighty hollow sound under your feet. Beware!"
"The ground you're walking on now makes a deep hollow sound beneath your feet. Be careful!"
"It will end in infamy, sooner or later. I have foreseen it all along."
"It will end in disgrace, sooner or later. I've seen it coming all along."
"Do you assert, sir, that something in which I am concerned will end in infamy?"
"Are you saying, sir, that something I care about will end in disgrace?"
"That it will—that it will. You said just now you would act as you please. You acknowledge no rules—no limitations."
"Yes, it will—yes, it will. You just said that you'd do whatever you want. You don't recognize any rules—no boundaries."
"Silly stuff, and vulgar as silly!"
"Silly things, and as crude as silly!"
"Regardless of decorum, you are prepared to fly in the face of propriety."
"Regardless of manners, you're ready to go against what's considered proper."
"You tire me, uncle."
"You exhaust me, uncle."
"What, madam—what could be your reasons for refusing Sir Philip?"
"What, ma'am—what are your reasons for rejecting Sir Philip?"
"At last there is another sensible question; I shall be glad to reply to it. Sir Philip is too young for me. I regard him as a boy. All his relations—his mother especially—would be annoyed if he married me. Such a step would embroil him with them. I am not his equal in the world's estimation."
"Finally, here’s a reasonable question; I’m happy to answer it. Sir Philip is too young for me. I see him as a boy. All his family—especially his mother—would be upset if he married me. Such a decision would create conflict with them. I’m not considered his equal in society’s eyes."
"Is that all?"
"Is that it?"
"Our dispositions are not compatible."
"Our personalities don't match."
"Why, a more amiable gentleman never breathed."
"Honestly, a kinder guy has never existed."
"He is very amiable—very excellent—truly estimable; but not my master—not in one point. I could not trust myself with his happiness. I would not undertake the keeping of it for thousands. I will accept no hand which cannot hold me in check."
"He is really nice—really great—truly admirable; but not my master—not in any way. I couldn't rely on myself for his happiness. I wouldn't take on the responsibility for it for thousands. I won't accept any help that can't keep me in line."
"I thought you liked to do as you please. You are vastly inconsistent."
"I thought you enjoyed doing what you want. You're really inconsistent."
"When I promise to obey, it shall be under the conviction that I can keep that promise. I could not obey a youth like Sir Philip. Besides, he would never command me. He would expect me always to rule—to guide—and I have no taste whatever for the office."
"When I promise to obey, I do so with the belief that I can actually keep that promise. I couldn’t follow someone like Sir Philip. Besides, he would never give me orders. He would expect me to always be in charge—to lead—and I have no interest in that role."
[Pg 482]"You no taste for swaggering, and subduing, and ordering, and ruling?"
[Pg482Please provide the text you would like me to modernize."You don't have a taste for showing off, controlling, or bossing people around?"
"Not my husband; only my uncle."
"Not my husband; just my uncle."
"Where is the difference?"
"What's the difference?"
"There is a slight difference—that is certain. And I know full well any man who wishes to live in decent comfort with me as a husband must be able to control me."
"There is a slight difference—that is for sure. And I know for a fact that any man who wants to live comfortably with me as a husband must be able to manage me."
"I wish you had a real tyrant."
"I wish you had a genuine tyrant."
"A tyrant would not hold me for a day, not for an hour. I would rebel—break from him—defy him."
"A tyrant wouldn't keep me for a day, not even for an hour. I'd revolt—break away from him—defy him."
"Are you not enough to bewilder one's brain with your self-contradiction?"
"Are you not confusing enough to baffle someone's mind with your own contradictions?"
"It is evident I bewilder your brain."
"It’s clear that I’m confusing you."
"You talk of Sir Philip being young. He is two-and-twenty."
"You talk about Sir Philip being young. He’s twenty-two."
"My husband must be thirty, with the sense of forty."
"My husband is probably thirty, but he has the wisdom of someone who's forty."
"You had better pick out some old man—some white-headed or bald-headed swain."
"You should choose an old guy—maybe someone with gray hair or a bald head."
"No, thank you."
"No thanks."
"You could lead some doting fool; you might pin him to your apron."
"You could easily manipulate some love-struck idiot; you could keep him hanging on your every word."
"I might do that with a boy; but it is not my vocation. Did I not say I prefer a master—one in whose presence I shall feel obliged and disposed to be good; one whose control my impatient temper must acknowledge; a man whose approbation can reward, whose displeasure punish me; a man I shall feel it impossible not to love, and very possible to fear?"
"I could do that with a guy, but it’s not really my thing. Didn’t I mention that I prefer a master—someone whose presence makes me want to be good; someone whose authority my impatient temper has to respect; a man whose approval can reward me and whose disapproval can punish me; a man I can’t help but love and who I might also fear?"
"What is there to hinder you from doing all this with Sir Philip? He is a baronet—a man of rank, property, connections far above yours. If you talk of intellect, he is a poet—he writes verses; which you, I take it, cannot do, with all your cleverness."
"What’s stopping you from doing all this with Sir Philip? He’s a baronet—a man of status, wealth, and connections that far exceed yours. If we’re talking about intellect, he’s a poet—he writes poetry, which I assume you can’t do, no matter how smart you think you are."
"Neither his title, wealth, pedigree, nor poetry avail to invest him with the power I describe. These are feather-weights; they want ballast. A measure of sound, solid, practical sense would have stood him in better stead with me."
"Neither his title, wealth, background, nor poetry give him the power I’m talking about. These are lightweight; they need substance. A dose of good, solid, practical sense would have served him better with me."
"You and Henry rave about poetry! You used to catch fire like tinder on the subject when you were a girl."
"You and Henry are so passionate about poetry! You used to get really fired up about it when you were a girl."
"O uncle, there is nothing really valuable in this world, there is nothing glorious in the world to come that is not poetry!"
"O uncle, there’s really nothing valuable in this world, and there’s nothing glorious in the next one that isn’t poetry!"
"Marry a poet, then, in God's name!"
"Marry a poet, then, for God's sake!"
[Pg 483]"Show him me, and I will."
[Pg483Please provide the text you would like me to modernize."Show him to me, and I will."
"Sir Philip."
"Sir Philip."
"Not at all. You are almost as good a poet as he."
"Not at all. You're almost as good a poet as he is."
"Madam, you are wandering from the point."
"Ma'am, you're off track."
"Indeed, uncle, I wanted to do so, and I shall be glad to lead you away with me. Do not let us get out of temper with each other; it is not worth while."
"Sure, uncle, I wanted to do that, and I'd be happy to take you with me. Let’s not get angry at each other; it’s not worth it."
"Out of temper, Miss Keeldar! I should be glad to know who is out of temper."
"Angry, Miss Keeldar! I’d like to know who’s upset."
"I am not, yet."
"I'm not, yet."
"If you mean to insinuate that I am, I consider that you are guilty of impertinence."
"If you’re suggesting that I am, I think that’s really rude."
"You will be soon, if you go on at that rate."
"You'll get there soon if you keep it up like that."
"There it is! With your pert tongue you would try the patience of a Job."
"There it is! With your sharp tongue, you would test the patience of a saint."
"I know I should."
"I know I should."
"No levity, miss! This is not a laughing matter. It is an affair I am resolved to probe thoroughly, convinced that there is mischief at the bottom. You described just now, with far too much freedom for your years and sex, the sort of individual you would prefer as a husband. Pray, did you paint from the life?"
"No joking around, miss! This isn’t something to laugh about. I’m determined to investigate this thoroughly, as I believe there’s trouble lurking beneath the surface. You just described, with too much openness for your age and gender, the kind of person you would want as a husband. Tell me, did you base that on real experiences?"
Shirley opened her lips, but instead of speaking she only glowed rose-red.
Shirley opened her mouth, but instead of saying anything, she just turned a deep shade of pink.
"I shall have an answer to that question," affirmed Mr. Sympson, assuming vast courage and consequence on the strength of this symptom of confusion.
"I'll have an answer to that question," Mr. Sympson declared, taking on a sense of boldness and importance from this sign of confusion.
"It was an historical picture, uncle, from several originals."
"It was a historical picture, uncle, based on several originals."
"Several originals! Bless my heart!"
"Many originals! Oh my gosh!"
"I have been in love several times."
"I've been in love a few times."
"This is cynical."
"This is sarcastic."
"With heroes of many nations."
"With heroes from many nations."
"What next——"
"What's next——"
"And philosophers."
"And philosophers."
"She is mad——"
"She's mad——"
"Don't ring the bell, uncle; you will alarm my aunt."
"Don't ring the bell, Uncle; you'll scare my aunt."
"Your poor dear aunt, what a niece has she!"
"Your poor dear aunt, what a niece she has!"
"Once I loved Socrates."
"I once loved Socrates."
"Pooh! no trifling, ma'am."
"Pooh! No messing around, ma'am."
"I admired Themistocles, Leonidas, Epaminondas."
"I admired Themistocles, Leonidas, and Epaminondas."
"Miss Keeldar——"
"Ms. Keeldar——"
"To pass over a few centuries, Washington was a plain man, but I liked him; but to speak of the actual present——"
"Skipping ahead a few centuries, Washington was an ordinary guy, but I liked him; but to talk about the current situation——"
[Pg 484]"Ah! the actual present."
"Ah! the actual now."
"To quit crude schoolgirl fancies, and come to realities."
"To give up childish daydreams and face reality."
"Realities! That is the test to which you shall be brought, ma'am."
"Realities! That is the challenge you will face, ma'am."
"To avow before what altar I now kneel—to reveal the present idol of my soul——"
"To confess before which altar I now kneel—to reveal the current idol of my soul——"
"You will make haste about it, if you please. It is near luncheon time, and confess you shall."
"You should hurry up, if that’s okay with you. It’s almost lunchtime, and you have to admit it."
"Confess I must. My heart is full of the secret. It must be spoken. I only wish you were Mr. Helstone instead of Mr. Sympson; you would sympathize with me better."
"I have to confess. My heart is heavy with this secret. It needs to be shared. I just wish you were Mr. Helstone instead of Mr. Sympson; you would understand me better."
"Madam, it is a question of common sense and common prudence, not of sympathy and sentiment, and so on. Did you say it was Mr. Helstone?"
"Ma'am, this is about common sense and good judgment, not about sympathy or emotion, and so on. Did you say it was Mr. Helstone?"
"Not precisely, but as near as may be; they are rather alike."
"Not exactly, but close enough; they're pretty similar."
"I will know the name; I will have particulars."
"I'll know the name; I'll have the details."
"They positively are rather alike. Their very faces are not dissimilar—a pair of human falcons—and dry, direct, decided both. But my hero is the mightier of the two. His mind has the clearness of the deep sea, the patience of its rocks, the force of its billows."
"They really are quite similar. Their faces aren’t that different—a pair of human falcons—and they are both dry, straightforward, and determined. But my hero is the stronger of the two. His mind is as clear as the deep ocean, as patient as its rocks, and as powerful as its waves."
"Rant and fustian!"
"Rant and nonsense!"
"I dare say he can be harsh as a saw-edge and gruff as a hungry raven."
"I would say he can be as tough as a saw and as grumpy as a hungry raven."
"Miss Keeldar, does the person reside in Briarfield? Answer me that."
"Miss Keeldar, does this person live in Briarfield? Please tell me."
"Uncle, I am going to tell you; his name is trembling on my tongue."
"Uncle, I need to tell you; his name is on the tip of my tongue."
"Speak, girl!"
"Speak, girl!"
"That was well said, uncle. 'Speak, girl!' It is quite tragic. England has howled savagely against this man, uncle, and she will one day roar exultingly over him. He has been unscared by the howl, and he will be unelated by the shout."
"That was well said, uncle. 'Speak, girl!' It's pretty tragic. England has loudly criticized this man, uncle, and one day she will cheer for him. He hasn’t been fazed by the criticism, and he won’t be boosted by the praise."
"I said she was mad. She is."
"I said she was crazy. She is."
"This country will change and change again in her demeanour to him; he will never change in his duty to her. Come, cease to chafe, uncle, I'll tell you his name."
"This country will change and change again in how she treats him; he will never change in his duty to her. Come on, stop getting irritated, uncle, I'll tell you his name."
"You shall tell me, or——"
"You better tell me, or——"
"Listen! Arthur Wellesley, Lord Wellington."
"Listen! Arthur Wellesley, Duke of Wellington."
Mr. Sympson rose up furious. He bounced out of the room, but immediately bounced back again, shut the door, and resumed his seat.
Mr. Sympson got up angrily. He stormed out of the room, but then quickly came back, closed the door, and sat down again.
[Pg 485]"Ma'am, you shall tell me this. Will your principles permit you to marry a man without money—a man below you?"
[Pg485I'm sorry, but I don't see any text to modernize. Please provide the phrases you would like me to work on."Ma'am, you must tell me this. Will your values allow you to marry a man without money—a man beneath your social standing?"
"Never a man below me."
"Never a man beneath me."
(In a high voice.) "Will you, Miss Keeldar, marry a poor man?"
(In a high voice.) "Will you, Miss Keeldar, marry a poor man?"
"What right have you, Mr. Sympson, to ask me?"
"What right do you have, Mr. Sympson, to ask me?"
"I insist upon knowing."
"I need to know."
"You don't go the way to know."
"You don’t know the route."
"My family respectability shall not be compromised."
"My family's reputation will not be compromised."
"A good resolution; keep it."
"Great resolution; stick to it."
"Madam, it is you who shall keep it."
"Ma'am, it's you who will hold onto it."
"Impossible, sir, since I form no part of your family."
"That's impossible, sir, because I'm not part of your family."
"Do you disown us?"
"Are you disowning us?"
"I disdain your dictatorship."
"I reject your dictatorship."
"Whom will you marry, Miss Keeldar?"
"Who will you marry, Miss Keeldar?"
"Not Mr. Sam Wynne, because I scorn him; not Sir Philip Nunnely, because I only esteem him."
"Not Mr. Sam Wynne, because I scorn him; not Sir Philip Nunnely, because I only respect him."
"Whom have you in your eye?"
"Who do you have in mind?"
"Four rejected candidates."
"Four candidates were rejected."
"Such obstinacy could not be unless you were under improper influence."
"Such stubbornness couldn’t exist unless you were under the wrong influence."
"What do you mean? There are certain phrases potent to make my blood boil. Improper influence! What old woman's cackle is that?"
"What do you mean? There are certain phrases that really make me angry. Improper influence! Whose nonsense is that?"
"Are you a young lady?"
"Are you a young woman?"
"I am a thousand times better: I am an honest woman, and as such I will be treated."
"I’m a thousand times better: I’m an honest woman, and I expect to be treated as such."
"Do you know" (leaning mysteriously forward, and speaking with ghastly solemnity)—"do you know the whole neighbourhood teems with rumours respecting you and a bankrupt tenant of yours, the foreigner Moore?"
"Do you know" (leaning in mysteriously and speaking with unsettling seriousness)—"do you know the whole neighborhood is buzzing with rumors about you and your broke tenant, that foreigner Moore?"
"Does it?"
"Does it?"
"It does. Your name is in every mouth."
"It does. Everyone is talking about you."
"It honours the lips it crosses, and I wish to the gods it may purify them."
"It honors the lips it touches, and I wish to the gods it may cleanse them."
"Is it that person who has power to influence you?"
"Is it that person who has the power to influence you?"
"Beyond any whose cause you have advocated."
"Beyond anyone whose cause you've supported."
"Is it he you will marry?"
"Is he the one you’re going to marry?"
"He is handsome, and manly, and commanding."
"He is attractive, strong, and authoritative."
"You declare it to my face! The Flemish knave! the low trader!"
"You say it right to my face! You Flemish scoundrel! You lowly merchant!"
"He is talented, and venturous, and resolute. Prince is on his brow, and ruler in his bearing."
"He is talented, adventurous, and determined. There’s a sense of royalty in his presence and authority in the way he carries himself."
[Pg 486]"She glories in it! She conceals nothing! No shame, no fear!"
[Pg486Please provide the text you would like me to modernize."She takes pride in it! She hides nothing! No shame, no fear!"
"When we speak the name of Moore, shame should be forgotten and fear discarded. The Moores know only honour and courage."
"When we say the name Moore, we should forget shame and let go of fear. The Moores only know honor and bravery."
"I say she is mad."
"I think she's crazy."
"You have taunted me till my blood is up; you have worried me till I turn again."
"You’ve provoked me until I’m furious; you’ve bothered me until I’m ready to fight back."
"That Moore is the brother of my son's tutor. Would you let the usher call you sister?"
"Moore is my son's tutor's brother. Would you let the usher call you sister?"
Bright and broad shone Shirley's eye as she fixed it on her questioner now.
Bright and wide shone Shirley's eye as she focused on her questioner now.
"No, no; not for a province of possession, not for a century of life."
"No, no; not for a territory to call my own, not for a hundred years of life."
"You cannot separate the husband from his family."
"You can't separate the husband from his family."
"What then?"
"What's next?"
"Mr. Louis Moore's sister you will be."
"You're going to be Mr. Louis Moore's sister."
"Mr. Sympson, I am sick at heart with all this weak trash; I will bear no more. Your thoughts are not my thoughts, your aims are not my aims, your gods are not my gods. We do not view things in the same light; we do not measure them by the same standard; we hardly speak in the same tongue. Let us part."
"Mr. Sympson, I’m really frustrated with all this nonsense; I can't take it any longer. Your ideas aren’t my ideas, your goals aren’t my goals, your beliefs aren’t my beliefs. We don’t see things the same way; we don’t evaluate them by the same standards; we barely even speak the same language. Let’s go our separate ways."
"It is not," she resumed, much excited—"it is not that I hate you; you are a good sort of man. Perhaps you mean well in your way. But we cannot suit; we are ever at variance. You annoy me with small meddling, with petty tyranny; you exasperate my temper, and make and keep me passionate. As to your small maxims, your narrow rules, your little prejudices, aversions, dogmas, bundle them off. Mr. Sympson, go, offer them a sacrifice to the deity you worship; I'll none of them. I wash my hands of the lot. I walk by another creed, light, faith, and hope than you."
"It’s not," she continued, feeling very passionate—"it’s not that I hate you; you're a decent guy. Maybe you mean well in your own way. But we just don’t get along; we’re always at odds. You annoy me with your constant meddling, with your little acts of control; you drive me crazy and keep me on edge. As for your petty sayings, your limited rules, your little biases, and beliefs, just get rid of them. Mr. Sympson, go ahead and offer them up as a sacrifice to the deity you believe in; I want nothing to do with them. I’m done with all of that. I follow a different set of beliefs, light, faith, and hope than you."
"Another creed! I believe she is an infidel."
"Another belief! I think she's not loyal to the faith."
"An infidel to your religion, an atheist to your god."
"Someone who doesn’t believe in your religion, a nonbeliever to your god."
"An—atheist!!!"
"An—atheist!!!"
"Your god, sir, is the world. In my eyes you too, if not an infidel, are an idolater. I conceive that you ignorantly worship; in all things you appear to me too superstitious. Sir, your god, your great Bel, your fish-tailed Dagon, rises before me as a demon. You, and such as you, have raised him to a throne, put on him a crown, given him a sceptre. Behold how hideously he governs! See him busied at the[Pg 487] work he likes best—making marriages. He binds the young to the old, the strong to the imbecile. He stretches out the arm of Mezentius, and fetters the dead to the living. In his realm there is hatred—secret hatred; there is disgust—unspoken disgust; there is treachery—family treachery; there is vice—deep, deadly domestic vice. In his dominions children grow unloving between parents who have never loved; infants are nursed on deception from their very birth; they are reared in an atmosphere corrupt with lies. Your god rules at the bridal of kings; look at your royal dynasties! Your deity is the deity of foreign aristocracies; analyze the blue blood of Spain! Your god is the Hymen of France; what is French domestic life? All that surrounds him hastens to decay; all declines and degenerates under his sceptre. Your god is a masked Death."
"Your god, sir, is the world. To me, you too, if not an unbeliever, are an idolater. I believe you worship out of ignorance; in everything, you seem too superstitious. Sir, your god, your great Bel, your fish-tailed Dagon, appears to me as a demon. You, and those like you, have elevated him to a throne, placed a crown on him, given him a scepter. Look at how hideously he governs! See him engaged in the work he loves best—arranging marriages. He binds the young to the old, the strong to the weak. He stretches out the arm of Mezentius and shackles the dead to the living. In his realm, there is hatred—hidden hatred; there is disgust—unspoken disgust; there is treachery—betrayal among family; there is vice—deep, deadly domestic vice. In his dominions, children grow up without love between parents who never cared; infants are fed lies from the moment they are born; they are raised in an atmosphere polluted with deceit. Your god presides over the unions of kings; look at your royal families! Your deity represents the elite of foreign aristocracies; examine the blue blood of Spain! Your god is the Hymen of France; what does French family life look like? Everything around him is in decay; everything deteriorates under his scepter. Your god is a masked Death."
"This language is terrible! My daughters and you must associate no longer, Miss Keeldar; there is danger in such companionship. Had I known you a little earlier—but, extraordinary as I thought you, I could not have believed——"
"This language is awful! My daughters and you can’t hang out anymore, Miss Keeldar; there’s too much risk in that kind of friendship. If I had known you a bit sooner—but, as remarkable as I thought you were, I could not have imagined——"
"Now, sir, do you begin to be aware that it is useless to scheme for me; that in doing so you but sow the wind to reap the whirlwind? I sweep your cobweb projects from my path, that I may pass on unsullied. I am anchored on a resolve you cannot shake. My heart, my conscience shall dispose of my hand—they only. Know this at last."
"Now, sir, do you realize that it's pointless to plot against me? By doing that, you're just asking for trouble. I brush aside your pointless schemes so I can move forward without any baggage. I’m determined in a way you can't change. My heart and my conscience will guide my actions—they alone. Understand this at last."
Mr. Sympson was becoming a little bewildered.
Mr. Sympson was getting a bit confused.
"Never heard such language!" he muttered again and again; "never was so addressed in my life—never was so used!"
"Never heard such language!" he muttered over and over; "never was I spoken to like this in my life—never was I treated like this!"
"You are quite confused, sir. You had better withdraw, or I will."
"You seem really confused, sir. You should probably back off, or I will."
He rose hastily. "We must leave this place; they must pack up at once."
He got up quickly. "We need to get out of here; they have to pack up right away."
"Do not hurry my aunt and cousins; give them time."
"Don't rush my aunt and cousins; give them some time."
"No more intercourse; she's not proper."
"No more intimacy; she's not decent."
He made his way to the door. He came back for his handkerchief. He dropped his snuff-box, leaving the contents scattered on the carpet; he stumbled out. Tartar lay outside across the mat; Mr. Sympson almost fell over him. In the climax of his exasperation he hurled an oath at the dog and a coarse epithet at his mistress.
He walked over to the door. He returned for his handkerchief. He dropped his snuff-box, leaving the contents scattered on the carpet; he stumbled outside. Tartar was lying on the mat; Mr. Sympson nearly tripped over him. In a moment of frustration, he shouted a curse at the dog and a rude remark at his owner.
"Poor Mr. Sympson! he is both feeble and vulgar," said Shirley to herself. "My head aches, and I am tired,"[Pg 488] she added; and leaning her head upon a cushion, she softly subsided from excitement to repose. One, entering the room a quarter of an hour afterwards, found her asleep. When Shirley had been agitated, she generally took this natural refreshment; it would come at her call.
"Poor Mr. Sympson! He’s so weak and crude," Shirley thought to herself. "My head hurts, and I’m exhausted," [Pg488] she added, and leaning her head on a cushion, she gently shifted from excitement to rest. When someone entered the room a quarter of an hour later, they found her asleep. Whenever Shirley felt agitated, she usually took this natural break; it would come whenever she needed it.
The intruder paused in her unconscious presence, and said, "Miss Keeldar."
The intruder stopped in her unconscious presence and said, "Miss Keeldar."
Perhaps his voice harmonized with some dream into which she was passing. It did not startle, it hardly roused her. Without opening her eyes, she but turned her head a little, so that her cheek and profile, before hidden by her arm, became visible. She looked rosy, happy, half smiling, but her eyelashes were wet. She had wept in slumber; or perhaps, before dropping asleep, a few natural tears had fallen after she had heard that epithet. No man—no woman—is always strong, always able to bear up against the unjust opinion, the vilifying word. Calumny, even from the mouth of a fool, will sometimes cut into unguarded feelings. Shirley looked like a child that had been naughty and punished, but was now forgiven and at rest.
Maybe his voice blended with some dream she was drifting into. It didn’t startle her; it barely stirred her. Without opening her eyes, she just turned her head a little, so that her cheek and profile, which were previously hidden by her arm, became visible. She looked rosy, happy, half-smiling, but her eyelashes were damp. She had cried in her sleep; or maybe, before falling asleep, a few natural tears had fallen after she heard that word. No man—no woman—is always strong, always able to withstand the unfair opinion, the hurtful remark. Slander, even coming from a fool, can sometimes pierce unprotected feelings. Shirley looked like a child who had been naughty and punished, but was now forgiven and at peace.
"Miss Keeldar," again said the voice. This time it woke her. She looked up, and saw at her side Louis Moore—not close at her side, but standing, with arrested step, two or three yards from her.
"Miss Keeldar," the voice said again. This time it woke her up. She looked up and saw Louis Moore next to her—not right next to her, but standing still a couple of yards away.
"O Mr. Moore!" she said. "I was afraid it was my uncle again: he and I have quarrelled."
"O Mr. Moore!" she said. "I was worried it was my uncle again: we had a fight."
"Mr. Sympson should let you alone," was the reply. "Can he not see that you are as yet far from strong?"
"Mr. Sympson should just leave you alone," was the response. "Can’t he see that you’re still not strong?"
"I assure you he did not find me weak. I did not cry when he was here."
"I assure you he didn't see me as weak. I didn't cry when he was here."
"He is about to evacuate Fieldhead—so he says. He is now giving orders to his family. He has been in the schoolroom issuing commands in a manner which, I suppose, was a continuation of that with which he has harassed you."
"He’s about to leave Fieldhead—at least, that’s what he says. He’s currently giving orders to his family. He’s been in the schoolroom issuing commands in a way that, I guess, is just a continuation of how he has stressed you out."
"Are you and Henry to go?"
"Are you and Henry going?"
"I believe, as far as Henry is concerned, that was the tenor of his scarcely intelligible directions; but he may change all to-morrow. He is just in that mood when you cannot depend on his consistency for two consecutive hours. I doubt whether he will leave you for weeks yet. To myself he addressed some words which will require a little attention and comment by-and-by, when I have time to bestow on them. At the moment he came in I was busied with a[Pg 489] note I had got from Mr. Yorke—so fully busied that I cut short the interview with him somewhat abruptly. I left him raving. Here is the note. I wish you to see it. It refers to my brother Robert." And he looked at Shirley.
"I think, as far as Henry is concerned, that was the gist of his barely understandable instructions; but he might change everything tomorrow. He's in one of those moods where you can't count on him being consistent for even two hours in a row. I'm not sure he'll be gone for weeks yet. He said some things to me that will need some thought and discussion later when I have time to focus on them. When he walked in, I was busy with a[Pg489Sure! Please provide the text you'd like me to modernize. note I got from Mr. Yorke—so tied up with it that I had to cut our conversation short rather abruptly. I left him in a bit of a frenzy. Here's the note. I want you to see it. It concerns my brother Robert." And he looked at Shirley.
"I shall be glad to hear news of him. Is he coming home?"
"I'd love to hear how he's doing. Is he coming home?"
"He is come. He is in Yorkshire. Mr. Yorke went yesterday to Stilbro' to meet him."
"He has arrived. He is in Yorkshire. Mr. Yorke went to Stilbro' yesterday to meet him."
"Mr. Moore, something is wrong——"
"Mr. Moore, something's wrong—"
"Did my voice tremble? He is now at Briarmains, and I am going to see him."
"Did my voice shake? He's at Briarmains now, and I'm going to see him."
"What has occurred?"
"What happened?"
"If you turn so pale I shall be sorry I have spoken. It might have been worse. Robert is not dead, but much hurt."
"If you get so pale, I'll regret saying anything. It could have been worse. Robert isn't dead, but he's really hurt."
"O sir, it is you who are pale. Sit down near me."
"O sir, you're the one who looks pale. Please, sit down next to me."
"Read the note. Let me open it."
"Read the note. Let me take a look at it."
Miss Keeldar read the note. It briefly signified that last night Robert Moore had been shot at from behind the wall of Milldean plantation, at the foot of the Brow; that he was wounded severely, but it was hoped not fatally. Of the assassin, or assassins, nothing was known; they had escaped. "No doubt," Mr. Yorke observed, "it was done in revenge. It was a pity ill-will had ever been raised; but that could not be helped now."
Miss Keeldar read the note. It simply stated that last night Robert Moore had been shot at from behind the wall of Milldean plantation, at the foot of the Brow; he was seriously injured, but it was hoped he wouldn’t die. Nothing was known about the shooter or shooters; they had gotten away. "No doubt," Mr. Yorke commented, "this was done out of revenge. It's a shame there was ever any bad blood; but that's not something we can change now."
"He is my only brother," said Louis, as Shirley returned the note. "I cannot hear unmoved that ruffians have laid in wait for him, and shot him down, like some wild beast from behind a wall."
"He is my only brother," Louis said as Shirley handed back the note. "I can't stay calm knowing that thugs ambushed him and shot him down like some wild animal from behind a wall."
"Be comforted; be hopeful. He will get better—I know he will."
"Take comfort; stay hopeful. He will get better—I believe he will."
Shirley, solicitous to soothe, held her hand over Mr. Moore's as it lay on the arm of the chair. She just touched it lightly, scarce palpably.
Shirley, eager to comfort, placed her hand gently over Mr. Moore's as it rested on the arm of the chair. She only touched it lightly, almost imperceptibly.
"Well, give me your hand," he said. "It will be for the first time; it is in a moment of calamity. Give it me."
"Well, give me your hand," he said. "It'll be the first time; it's in a moment of crisis. Just give it to me."
Awaiting neither consent nor refusal, he took what he asked.
Waiting for neither approval nor rejection, he took what he wanted.
"I am going to Briarmains now," he went on. "I want you to step over to the rectory and tell Caroline Helstone what has happened. Will you do this? She will hear it best from you."
"I’m heading to Briarmains now," he continued. "I need you to go over to the rectory and tell Caroline Helstone what happened. Can you do that? She’ll understand it best coming from you."
"Immediately," said Shirley, with docile promptitude. "Ought I to say that there is no danger?"
"Right away," said Shirley, with willing eagerness. "Should I say that there's no danger?"
[Pg 490]"Say so."
"Just say it."
"You will come back soon, and let me know more?"
"You'll be back soon, right? And you'll tell me more?"
"I will either come or write."
"I'll either come or text."
"Trust me for watching over Caroline. I will communicate with your sister too; but doubtless she is already with Robert?"
"Trust me to keep an eye on Caroline. I’ll get in touch with your sister too; but I’m sure she’s already with Robert, right?"
"Doubtless, or will be soon. Good-morning now."
"Doubt it, or you will soon. Good morning now."
"You will bear up, come what may."
"You will handle it, no matter what happens."
"We shall see that."
"We'll see about that."
Shirley's fingers were obliged to withdraw from the tutor's. Louis was obliged to relinquish that hand folded, clasped, hidden in his own.
Shirley's fingers had to pull away from the tutor's. Louis had to let go of that hand that was folded, clasped, and hidden in his own.
"I thought I should have had to support her," he said, as he walked towards Briarmains, "and it is she who has made me strong. That look of pity, that gentle touch! No down was ever softer, no elixir more potent! It lay like a snowflake; it thrilled like lightning. A thousand times I have longed to possess that hand—to have it in mine. I have possessed it; for five minutes I held it. Her fingers and mine can never be strangers more. Having met once they must meet again."[Pg 491]
"I thought I would have to support her," he said, as he walked towards Briarmains, "but it's actually she who has made me strong. That look of pity, that gentle touch! No down was ever softer, no elixir more powerful! It felt like a snowflake; it thrilled like lightning. A thousand times I have wished to hold that hand—to have it in mine. I have held it; for five minutes I did. Her fingers and mine can never be strangers again. Having met once, we must meet again."[Pg491I'm sorry, but there doesn't seem to be any text provided for me to modernize. Please provide a phrase or text.
CHAPTER XXXII.
THE SCHOOLBOY AND THE WOOD-NYMPH.
Briarmains being nearer than the Hollow, Mr. Yorke had conveyed his young comrade there. He had seen him laid in the best bed of the house, as carefully as if he had been one of his own sons. The sight of his blood, welling from the treacherously inflicted wound, made him indeed the son of the Yorkshire gentleman's heart. The spectacle of the sudden event, of the tall, straight shape prostrated in its pride across the road, of the fine southern head laid low in the dust, of that youth in prime flung at once before him pallid, lifeless, helpless—this was the very combination of circumstances to win for the victim Mr. Yorke's liveliest interest.
Briarmains being closer than the Hollow, Mr. Yorke took his young companion there. He had placed him in the best bed of the house, as carefully as if he were one of his own sons. The sight of his blood, flowing from the treacherous wound, truly made him a son in the heart of the Yorkshire gentleman. The shocking scene, with the tall, upright figure collapsed in its pride across the road, the fine southern head brought low in the dust, that vibrant youth suddenly pale, lifeless, and helpless—this was exactly the kind of situation that captured Mr. Yorke's deepest concern for the victim.
No other hand was there to raise—to aid, no other voice to question kindly, no other brain to concert measures; he had to do it all himself. This utter dependence of the speechless, bleeding youth (as a youth he regarded him) on his benevolence secured that benevolence most effectually. Well did Mr. Yorke like to have power, and to use it. He had now between his hands power over a fellow-creature's life. It suited him.
No other hand was there to help him—to offer support, no other voice to ask gently, no other mind to plan solutions; he had to handle everything on his own. This complete reliance of the silent, injured young man (whom he thought of as a young man) on his kindness ensured that kindness very effectively. Mr. Yorke enjoyed having power and using it. Now, he held power over another person's life. It suited him.
No less perfectly did it suit his saturnine better half. The incident was quite in her way and to her taste. Some women would have been terror-struck to see a gory man brought in over their threshold, and laid down in their hall in the "howe of the night." There, you would suppose, was subject-matter for hysterics. No. Mrs. Yorke went into hysterics when Jessie would not leave the garden to come to her knitting, or when Martin proposed starting for Australia, with a view to realize freedom and escape the tyranny of Matthew; but an attempted murder near her door—a half-murdered man in her best bed—set her straight, cheered her spirits, gave her cap the dash of a turban.
It suited her moody husband perfectly. The situation was just her style. Some women would have been completely terrified to see a bloody man carried into their home and laid down in their hallway in the "dead of night." You’d think that would be a reason for a meltdown. But not Mrs. Yorke. She would only lose it when Jessie wouldn’t leave the garden to join her for knitting, or when Martin suggested moving to Australia to achieve freedom and escape Matthew’s control; but an attempted murder right outside her door—a nearly dead man in her nicest bed—lifted her spirits and gave her a boost of energy.
Mrs. Yorke was just the woman who, while rendering miserable the drudging life of a simple maid-servant, would[Pg 492] nurse like a heroine a hospital full of plague patients. She almost loved Moore. Her tough heart almost yearned towards him when she found him committed to her charge—left in her arms, as dependent on her as her youngest-born in the cradle. Had she seen a domestic or one of her daughters give him a draught of water or smooth his pillow, she would have boxed the intruder's ears. She chased Jessie and Rose from the upper realm of the house; she forbade the housemaids to set their foot in it.
Mrs. Yorke was exactly the kind of woman who could make a simple maid's life miserable while passionately caring for a hospital full of plague patients. She almost had feelings for Moore. Her hard heart nearly ached for him when she found him under her care—dependent on her like her youngest child in the crib. If she had seen a servant or one of her daughters give him a drink or adjust his pillow, she would have given the intruder a piece of her mind. She chased Jessie and Rose away from the upper part of the house and ordered the maids not to step foot in it.
Now, if the accident had happened at the rectory gates, and old Helstone had taken in the martyr, neither Yorke nor his wife would have pitied him. They would have adjudged him right served for his tyranny and meddling. As it was, he became, for the present, the apple of their eye.
Now, if the accident had happened at the rectory gates, and old Helstone had taken in the martyr, neither Yorke nor his wife would have felt sorry for him. They would have believed he got what he deserved for his tyranny and interference. As it was, he became, for the time being, their favorite.
Strange! Louis Moore was permitted to come—to sit down on the edge of the bed and lean over the pillow; to hold his brother's hand, and press his pale forehead with his fraternal lips; and Mrs. Yorke bore it well. She suffered him to stay half the day there; she once suffered him to sit up all night in the chamber; she rose herself at five o'clock of a wet November morning, and with her own hands lit the kitchen fire, and made the brothers a breakfast, and served it to them herself. Majestically arrayed in a boundless flannel wrapper, a shawl, and her nightcap, she sat and watched them eat, as complacently as a hen beholds her chickens feed. Yet she gave the cook warning that day for venturing to make and carry up to Mr. Moore a basin of sago-gruel; and the housemaid lost her favour because, when Mr. Louis was departing, she brought him his surtout aired from the kitchen, and, like a "forward piece" as she was, helped him on with it, and accepted in return a smile, a "Thank you, my girl," and a shilling. Two ladies called one day, pale and anxious, and begged earnestly, humbly, to be allowed to see Mr. Moore one instant. Mrs. Yorke hardened her heart, and sent them packing—not without opprobrium.
Strange! Louis Moore was allowed to come—to sit on the edge of the bed and lean over the pillow; to hold his brother's hand and press his pale forehead with his brotherly lips; and Mrs. Yorke accepted it well. She let him stay there for half the day; she even allowed him to stay up all night in the room; she got up herself at five o’clock on a rainy November morning and, using her own hands, lit the kitchen fire, made breakfast for the brothers, and served it to them herself. Dressed in a large flannel robe, a shawl, and her nightcap, she sat and watched them eat, as contentedly as a hen watching her chicks feed. Yet, that day she warned the cook for daring to make and take up a bowl of sago-gruel to Mr. Moore; the housemaid fell out of her favor because, when Mr. Louis was leaving, she brought him his overcoat warmed from the kitchen, and, being as forward as she was, helped him put it on, accepting a smile, a “Thank you, my girl,” and a shilling in return. Two ladies visited one day, looking pale and anxious, and urgently begged to see Mr. Moore for just a moment. Mrs. Yorke hardened her heart and sent them away—not without opprobrium.
But how was it when Hortense Moore came? Not so bad as might have been expected. The whole family of the Moores really seemed to suit Mrs. Yorke so as no other family had ever suited her. Hortense and she possessed an exhaustless mutual theme of conversation in the corrupt propensities of servants. Their views of this class were similar; they watched them with the same suspicion, and judged them with the same severity. Hortense, too, from[Pg 493] the very first showed no manner of jealousy of Mrs. Yorke's attentions to Robert—she let her keep the post of nurse with little interference; and, for herself, found ceaseless occupation in fidgeting about the house, holding the kitchen under surveillance, reporting what passed there, and, in short, making herself generally useful. Visitors they both of them agreed in excluding sedulously from the sickroom. They held the young mill-owner captive, and hardly let the air breathe or the sun shine on him.
But how was it when Hortense Moore arrived? Not as bad as you might think. The whole Moore family really seemed to suit Mrs. Yorke better than any other family ever had. Hortense and she shared an endless topic of conversation about the corrupt behaviors of servants. They viewed this group the same way; they watched them with suspicion and judged them harshly. From the very start, Hortense showed no jealousy of Mrs. Yorke's attention to Robert—she let her remain in the nursing position with minimal interference. Meanwhile, she kept herself busy by fussing around the house, watching the kitchen closely, reporting on what was happening there, and, in short, making herself generally helpful. They both agreed to carefully exclude visitors from the sickroom. They kept the young mill-owner under their control, hardly allowing any air or sunlight to reach him.
Mr. MacTurk, the surgeon to whom Moore's case had been committed, pronounced his wound of a dangerous, but, he trusted, not of a hopeless character. At first he wished to place with him a nurse of his own selection; but this neither Mrs. Yorke nor Hortense would hear of. They promised faithful observance of directions. He was left, therefore, for the present in their hands.
Mr. MacTurk, the surgeon assigned to Moore's case, declared that his wound was serious, but he believed it wasn't beyond hope. Initially, he wanted to assign a nurse of his choosing to take care of him; however, neither Mrs. Yorke nor Hortense agreed to this. They promised to follow his instructions closely. Thus, he was left in their care for now.
Doubtless they executed the trust to the best of their ability; but something got wrong. The bandages were displaced or tampered with; great loss of blood followed. MacTurk, being summoned, came with steed afoam. He was one of those surgeons whom it is dangerous to vex—abrupt in his best moods, in his worst savage. On seeing Moore's state he relieved his feelings by a little flowery language, with which it is not necessary to strew the present page. A bouquet or two of the choicest blossoms fell on the unperturbed head of one Mr. Graves, a stony young assistant he usually carried about with him; with a second nosegay he gifted another young gentleman in his train—an interesting fac-simile of himself, being indeed his own son; but the full corbeille of blushing bloom fell to the lot of meddling womankind, en masse.
They definitely did their best with the task; however, something went wrong. The bandages were moved or messed with; there was a significant loss of blood afterward. MacTurk, when called, arrived on a panting horse. He was one of those surgeons who are dangerous to irritate—short-tempered even at his best, and downright savage at his worst. Upon seeing Moore's condition, he expressed his feelings with some colorful language, which we don’t need to include here. A couple of choice insults landed on the unbothered head of Mr. Graves, his stoic young assistant he typically brought along; with another set of remarks, he targeted another young man in his group—an exact replica of himself, who was in fact his own son; but the bulk of the colorful commentary was directed at the meddlesome women, all together.
For the best part of one winter night himself and satellites were busied about Moore. There at his bedside, shut up alone with him in his chamber, they wrought and wrangled over his exhausted frame. They three were on one side of the bed, and Death on the other. The conflict was sharp; it lasted till day broke, when the balance between the belligerents seemed so equal that both parties might have claimed the victory.
For most of one winter night, he and his companions were focused on Moore. They were gathered at his bedside, alone with him in his room, working and arguing over his weakened body. The three of them stood on one side of the bed, while Death waited on the other. The struggle was intense; it continued until dawn, when the standoff felt so even that both sides could have claimed the win.
At dawn Graves and young MacTurk were left in charge of the patient, while the senior went himself in search of additional strength, and secured it in the person of Mrs. Horsfall, the best nurse on his staff. To this woman he gave Moore in charge, with the sternest injunctions respecting[Pg 494] the responsibility laid on her shoulders. She took this responsibility stolidly, as she did also the easy-chair at the bedhead. That moment she began her reign.
At dawn, Graves and young MacTurk were left in charge of the patient while the senior went off to find more help and secured Mrs. Horsfall, the best nurse on his team. He put Moore in her care, with strict instructions about the responsibility entrusted to her. She accepted this responsibility calmly, just like she took the comfortable chair at the head of the bed. At that moment, she began her reign.
Mrs. Horsfall had one virtue—orders received from MacTurk she obeyed to the letter. The ten commandments were less binding in her eyes than her surgeon's dictum. In other respects she was no woman, but a dragon. Hortense Moore fell effaced before her; Mrs. Yorke withdrew—crushed; yet both these women were personages of some dignity in their own estimation, and of some bulk in the estimation of others. Perfectly cowed by the breadth, the height, the bone, and the brawn of Mrs. Horsfall, they retreated to the back parlour. She, for her part, sat upstairs when she liked, and downstairs when she preferred it. She took her dram three times a day, and her pipe of tobacco four times.
Mrs. Horsfall had one virtue—she followed MacTurk's orders exactly. The ten commandments meant less to her than her surgeon's orders. In other ways, she was not a woman but a force to be reckoned with. Hortense Moore felt diminished in her presence; Mrs. Yorke backed away—defeated; yet both of these women saw themselves as dignified and were considered significant by others. Completely intimidated by Mrs. Horsfall's size and strength, they retreated to the back parlor. She, on the other hand, stayed upstairs when she wanted to and downstairs when she preferred. She had her drink three times a day and smoked her pipe of tobacco four times.
As to Moore, no one now ventured to inquire about him. Mrs. Horsfall had him at dry-nurse. It was she who was to do for him, and the general conjecture now ran that she did for him accordingly.
As for Moore, no one dared to ask about him anymore. Mrs. Horsfall was his dry-nurse. It was her job to take care of him, and now everyone assumed that she did just that.
Morning and evening MacTurk came to see him. His case, thus complicated by a new mischance, was become one of interest in the surgeon's eyes. He regarded him as a damaged piece of clockwork, which it would be creditable to his skill to set agoing again. Graves and young MacTurk—Moore's sole other visitors—contemplated him in the light in which they were wont to contemplate the occupant for the time being of the dissecting-room at Stilbro' Infirmary.
Morning and evening, MacTurk came to check on him. His situation, now complicated by another mishap, had become intriguing to the surgeon. He saw him as a broken piece of machinery that it would be impressive to fix. Graves and young MacTurk—Moore's only other visitors—viewed him in the same way they usually observed the current occupant of the dissecting room at Stilbro’ Infirmary.
Robert Moore had a pleasant time of it—in pain, in danger, too weak to move, almost too weak to speak, a sort of giantess his keeper, the three surgeons his sole society. Thus he lay through the diminishing days and lengthening nights of the whole drear month of November.
Robert Moore had a nice time of it—in pain, in danger, too weak to move, almost too weak to speak, a sort of giantess was his caretaker, the three surgeons his only company. So he lay through the shortening days and lengthening nights of the entire gloomy month of November.
In the commencement of his captivity Moore used feebly to resist Mrs. Horsfall. He hated the sight of her rough bulk, and dreaded the contact of her hard hands; but she taught him docility in a trice. She made no account whatever of his six feet, his manly thews and sinews; she turned him in his bed as another woman would have turned a babe in its cradle. When he was good she addressed him as "my dear" and "honey," and when he was bad she sometimes shook him. Did he attempt to speak when MacTurk was there, she lifted her hand and bade him "Hush!" like[Pg 495] a nurse checking a forward child. If she had not smoked, if she had not taken gin, it would have been better, he thought; but she did both. Once, in her absence, he intimated to MacTurk that "that woman was a dram-drinker."
At the start of his captivity, Moore weakly tried to resist Mrs. Horsfall. He hated seeing her rough stature and feared the feel of her tough hands, but she quickly taught him to be obedient. She paid no attention to his six-foot frame or his strong muscles; she handled him in bed as easily as another woman would handle a baby in a crib. When he was well-behaved, she called him "my dear" and "honey," and when he misbehaved, she sometimes shook him. If he tried to speak while MacTurk was there, she raised her hand and told him to "Hush!" like a nurse silencing an unruly child. He thought it would have been better if she hadn’t smoked or drank gin, but she did both. Once, in her absence, he hinted to MacTurk that “that woman was a drinker.”
"Pooh! my dear sir, they are all so," was the reply he got for his pains. "But Horsfall has this virtue," added the surgeon—"drunk or sober, she always remembers to obey me."
"Pooh! My dear sir, they all are," was the response he received for his trouble. "But Horsfall has this quality," the surgeon added—"whether drunk or sober, she always remembers to listen to me."
At length the latter autumn passed; its fogs, its rains withdrew from England their mourning and their tears; its winds swept on to sigh over lands far away. Behind November came deep winter—clearness, stillness, frost accompanying.
At last, that autumn came to an end; its fogs and rains took with them England's sorrow and tears; its winds moved on to mourn over lands far away. After November arrived deep winter—clarity, calmness, and frost followed.
A calm day had settled into a crystalline evening. The world wore a North Pole colouring; all its lights and tints looked like the reflets[A] of white, or violet, or pale green gems. The hills wore a lilac blue; the setting sun had purple in its red; the sky was ice, all silvered azure; when the stars rose, they were of white crystal, not gold; gray, or cerulean, or faint emerald hues—cool, pure, and transparent—tinged the mass of the landscape.
A calm day had turned into a clear evening. The world looked like it belonged in the Arctic; all its lights and colors resembled the reflets[A] of white, violet, or pale green gems. The hills had a lilac blue hue; the setting sun mixed purple with its red; the sky was icy, a silver-blue; when the stars came out, they sparkled like white crystal, not gold; shades of gray, cerulean, or faint emerald—cool, pure, and transparent—tinged the entire landscape.
What is this by itself in a wood no longer green, no longer even russet, a wood neutral tint—this dark blue moving object? Why, it is a schoolboy—a Briarfield grammar-school boy—who has left his companions, now trudging home by the highroad, and is seeking a certain tree, with a certain mossy mound at its root, convenient as a seat. Why is he lingering here? The air is cold and the time wears late. He sits down. What is he thinking about? Does he feel the chaste charm Nature wears to-night? A pearl-white moon smiles through the gray trees; does he care for her smile?
What is this all alone in a forest that's no longer lush, no longer even brown, just a dull color—this dark blue moving object? It's a schoolboy—a Briarfield grammar-school boy—who’s left his friends, now trudging home along the main road, and is looking for a specific tree, with a certain mossy mound at its base that makes a good seat. Why is he hanging around here? The air is cold and it’s getting late. He sits down. What’s on his mind? Does he notice the pure beauty Nature has tonight? A pearl-white moon shines through the gray trees; does he even care about her glow?
Impossible to say; for he is silent, and his countenance does not speak. As yet it is no mirror to reflect sensation, but rather a mask to conceal it. This boy is a stripling of fifteen—slight, and tall of his years. In his face there is as little of amenity as of servility, his eye seems prepared to note any incipient attempt to control or overreach him, and the rest of his features indicate faculties alert for resistance. Wise ushers avoid unnecessary interference with[Pg 496] that lad. To break him in by severity would be a useless attempt; to win him by flattery would be an effort worse than useless. He is best let alone. Time will educate and experience train him.
It's hard to say because he’s quiet, and his expression doesn’t reveal anything. It’s not a mirror reflecting feelings but more like a mask hiding them. This boy is fifteen—slender and taller than most his age. There’s little friendliness or servility in his face; his eyes seem ready to spot any early attempts to control or push him, and the rest of his features show he’s ready to resist. Smart teachers avoid messing with[Pg496Please provide the text for me to modernize. that kid. Trying to break him in with harsh methods would be pointless; trying to win him over with flattery would be an even worse waste of effort. It’s better to leave him be. Time will teach him, and experience will shape him.
Professedly Martin Yorke (it is a young Yorke, of course) tramples on the name of poetry. Talk sentiment to him, and you would be answered by sarcasm. Here he is, wandering alone, waiting duteously on Nature, while she unfolds a page of stern, of silent, and of solemn poetry beneath his attentive gaze.
Supposedly, Martin Yorke (it's a young Yorke, of course) tramples on the idea of poetry. If you talk sentiment to him, he'll respond with sarcasm. Here he is, wandering alone, dutifully waiting for Nature while she reveals a page of stern, silent, and solemn poetry under his watchful eye.
Being seated, he takes from his satchel a book—not the Latin grammar, but a contraband volume of fairy tales. There will be light enough yet for an hour to serve his keen young vision. Besides, the moon waits on him; her beam, dim and vague as yet, fills the glade where he sits.
Sitting down, he pulls a book from his bag—not the Latin grammar, but an illegal collection of fairy tales. There’s still enough light for another hour to satisfy his sharp young eyes. Plus, the moon is waiting for him; her light, faint and unclear for now, fills the area where he’s sitting.
He reads. He is led into a solitary mountain region; all round him is rude and desolate, shapeless, and almost colourless. He hears bells tinkle on the wind. Forth-riding from the formless folds of the mist dawns on him the brightest vision—a green-robed lady, on a snow-white palfrey. He sees her dress, her gems, and her steed. She arrests him with some mysterious question. He is spell-bound, and must follow her into fairyland.
He reads. He finds himself in a remote mountain area; everything around him is rough and empty, shapeless, and almost colorless. He hears the sound of bells ringing in the wind. Suddenly, emerging from the mist, he sees the most vivid vision—a lady in a green robe on a pure white horse. He notices her dress, her jewels, and her horse. She captivates him with a mysterious question. He is entranced and feels compelled to follow her into a magical realm.
A second legend bears him to the sea-shore. There tumbles in a strong tide, boiling at the base of dizzy cliffs. It rains and blows. A reef of rocks, black and rough, stretches far into the sea. All along, and among, and above these crags dash and flash, sweep and leap, swells, wreaths, drifts of snowy spray. Some lone wanderer is out on these rocks, treading with cautious step the wet, wild seaweed; glancing down into hollows where the brine lies fathoms deep and emerald clear, and seeing there wilder and stranger and huger vegetation than is found on land, with treasure of shells—some green, some purple, some pearly—clustered in the curls of the snaky plants. He hears a cry. Looking up and forward, he sees, at the bleak point of the reef, a tall, pale thing—shaped like man, but made of spray—transparent, tremulous, awful. It stands not alone. They are all human figures that wanton in the rocks—a crowd of foam-women—a band of white, evanescent Nereids.
A second legend takes him to the shore. The tide crashes strongly, bubbling at the bottom of dizzying cliffs. It's raining and blowing. A jagged reef of black rocks stretches far into the sea. All around, beside, and above these crags, waves crash and spray flies, swirling and drifting in snowy bursts. A solitary traveler is out on these rocks, walking carefully on the wet, wild seaweed; looking down into deep hollows where the salty water is fathoms deep and bright emerald, noticing there a wilder, stranger, and larger type of vegetation than what's found on land, along with treasures of shells—some green, some purple, some pearly—clustered in the curls of the snaky plants. He hears a cry. Looking up and forward, he sees, at the desolate point of the reef, a tall, pale figure—shaped like a man but made of spray—transparent, trembling, terrifying. It doesn’t stand alone. They are all human figures playing among the rocks—a crowd of foam-women—a group of white, fleeting Nereids.
Hush! Shut the book; hide it in the satchel. Martin hears a tread. He listens. No—yes. Once more the dead leaves, lightly crushed, rustle on the wood path. Martin watches; the trees part, and a woman issues forth.
Hush! Close the book; tuck it away in the bag. Martin hears footsteps. He pays attention. No—yes. Again, the dead leaves, softly crumpled, rustle on the wooden path. Martin looks on; the trees part, and a woman steps out.
[Pg 497]She is a lady dressed in dark silk, a veil covering her face. Martin never met a lady in this wood before—nor any female, save, now and then, a village girl come to gather nuts. To-night the apparition does not displease him. He observes, as she approaches, that she is neither old nor plain, but, on the contrary, very youthful; and, but that he now recognizes her for one whom he has often wilfully pronounced ugly, he would deem that he discovered traits of beauty behind the thin gauze of that veil.
[Pg497I’m ready! Please provide the text you'd like me to modernize.She is a woman dressed in dark silk, a veil covering her face. Martin has never seen a woman in this woods before—only an occasional village girl coming to gather nuts. Tonight, he finds the figure before him quite appealing. As she gets closer, he notices that she's neither old nor unattractive, but rather very young; and if he didn’t already know her as someone he had often called ugly, he might think he saw signs of beauty peeking through the thin gauze of her veil.
She passes him and says nothing. He knew she would. All women are proud monkeys, and he knows no more conceited doll than that Caroline Helstone. The thought is hardly hatched in his mind when the lady retraces those two steps she had got beyond him, and raising her veil, reposes her glance on his face, while she softly asks, "Are you one of Mr. Yorke's sons?"
She walks past him and says nothing. He knew she would. All women are proud creatures, and he knows no one more full of themselves than that Caroline Helstone. The thought barely forms in his mind when she takes those two steps back toward him, lifts her veil, and looks at his face, while she gently asks, "Are you one of Mr. Yorke's sons?"
No human evidence would ever have been able to persuade Martin Yorke that he blushed when thus addressed; yet blush he did, to the ears.
No amount of evidence would ever make Martin Yorke believe that he blushed when addressed that way; yet, he did blush, all the way to his ears.
"I am," he said bluntly, and encouraged himself to wonder, superciliously, what would come next.
"I am," he said plainly, and challenged himself to think, with an air of superiority, about what would happen next.
"You are Martin, I think?" was the observation that followed.
"You’re Martin, right?" was the comment that came next.
It could not have been more felicitous. It was a simple sentence—very artlessly, a little timidly, pronounced; but it chimed in harmony to the youth's nature. It stilled him like a note of music.
It couldn't have been more perfect. It was a simple sentence—spoken rather awkwardly, a bit hesitantly; but it resonated with the young man's spirit. It calmed him like a piece of music.
Martin had a keen sense of his personality; he felt it right and sensible that the girl should discriminate him from his brothers. Like his father, he hated ceremony. It was acceptable to hear a lady address him as "Martin," and not Mr. Martin or Master Martin, which form would have lost her his good graces for ever. Worse, if possible, than ceremony was the other extreme of slipshod familiarity. The slight tone of bashfulness, the scarcely perceptible hesitation, was considered perfectly in place.
Martin had a good understanding of his personality; he believed it was fair and sensible for the girl to see him as different from his brothers. Like his father, he couldn't stand formality. It was fine for a lady to call him "Martin," and not Mr. Martin or Master Martin, as that would have cost her his favor forever. Even worse than formality was the opposite extreme of being overly casual. A hint of shyness and a barely noticeable hesitation felt completely appropriate.
"I am Martin," he said.
"I'm Martin," he said.
"Are your father and mother well?" (it was lucky she did not say papa and mamma; that would have undone all); "and Rose and Jessie?"
"Are your mom and dad doing well?" (it was lucky she didn't say papa and mamma; that would have ruined everything); "and Rose and Jessie?"
"I suppose so."
"I guess so."
"My cousin Hortense is still at Briarmains?"
"My cousin Hortense is still at Briarmains?"
"Oh yes."
"Totally."
Martin gave a comic half-smile and demi-groan. The[Pg 498] half-smile was responded to by the lady, who could guess in what sort of odour Hortense was likely to be held by the young Yorkes.
Martin gave a half-hearted smile and a little groan. The[Pg498It seems there was no text provided. Please provide the short phrases for me to modernize. half-smile was met with a response from the lady, who could sense the kind of reputation Hortense was probably earning with the young Yorkes.
"Does your mother like her?"
"Does your mom like her?"
"They suit so well about the servants they can't help liking each other."
"They get along so well with the servants that they can't help but like each other."
"It is cold to-night."
"It's cold tonight."
"Why are you out so late?"
"Why are you out so late?"
"I lost my way in this wood."
"I got lost in this woods."
Now, indeed, Martin allowed himself a refreshing laugh of scorn.
Now, Martin let out a refreshing laugh of disbelief.
"Lost your way in the mighty forest of Briarmains! You deserve never more to find it."
"Lost your way in the great Briarmains forest! You no longer deserve to find it."
"I never was here before, and I believe I am trespassing now. You might inform against me if you chose, Martin, and have me fined. It is your father's wood."
"I’ve never been here before, and I think I’m trespassing now. You could report me if you wanted, Martin, and get me fined. This is your dad’s forest."
"I should think I knew that. But since you are so simple as to lose your way, I will guide you out."
"I should think I knew that. But since you're so straightforward as to get lost, I'll help you find your way out."
"You need not. I have got into the track now. I shall be right. Martin" (a little quickly), "how is Mr. Moore?"
"You don't have to. I've found my way now. I'll be fine. Martin" (a bit hurriedly), "how's Mr. Moore?"
Martin had heard certain rumours; it struck him that it might be amusing to make an experiment.
Martin had heard some rumors; it occurred to him that it could be fun to try an experiment.
"Going to die. Nothing can save him. All hope flung overboard!"
"He's going to die. Nothing can save him. All hope is thrown away!"
She put her veil aside. She looked into his eyes, and said, "To die!"
She pushed her veil aside. She looked into his eyes and said, "To die!"
"To die. All along of the women, my mother and the rest. They did something about his bandages that finished everything. He would have got better but for them. I am sure they should be arrested, cribbed, tried, and brought in for Botany Bay, at the very least."
"To die. All because of the women, my mother and the others. They did something to his bandages that ruined everything. He would have recovered if it weren't for them. I'm certain they should be arrested, locked up, tried, and sent off to Botany Bay, at the very least."
The questioner, perhaps, did nor hear this judgment. She stood motionless. In two minutes, without another word, she moved forwards; no good-night, no further inquiry. This was not amusing, nor what Martin had calculated on. He expected something dramatic and demonstrative. It was hardly worth while to frighten the girl if she would not entertain him in return. He called, "Miss Helstone!"
The questioner probably didn't hear this verdict. She stood still. In two minutes, without saying anything else, she stepped forward; no goodnight, no further questions. This wasn’t entertaining, nor was it what Martin had expected. He thought there would be something dramatic and expressive. It hardly made sense to scare the girl if she wouldn’t play along. He called out, "Miss Helstone!"
She did not hear or turn. He hastened after and overtook her.
She didn't hear or turn. He quickly followed and caught up to her.
"Come; are you uneasy about what I said?"
"Come on; are you worried about what I said?"
"You know nothing about death, Martin; you are too young for me to talk to concerning such a thing."
"You don't know anything about death, Martin; you're too young for me to discuss this with."
[Pg 499]"Did you believe me? It's all flummery! Moore eats like three men. They are always making sago or tapioca or something good for him. I never go into the kitchen but there is a saucepan on the fire, cooking him some dainty. I think I will play the old soldier, and be fed on the fat of the land like him."
[Pg499]"Did you actually believe me? It's all nonsense! Moore eats like three guys. They're always making sago or tapioca or something nice for him. Every time I step into the kitchen, there’s a pot on the stove, preparing him some treat. I think I’ll pretend to be a soldier and live off the best of the land like he does."
"Martin! Martin!" Here her voice trembled, and she stopped.
"Martin! Martin!" Here her voice shook, and she paused.
"It is exceedingly wrong of you, Martin. You have almost killed me."
"It’s really wrong of you, Martin. You’ve nearly killed me."
Again she stopped. She leaned against a tree, trembling, shuddering, and as pale as death.
Again she stopped. She leaned against a tree, shaking, quivering, and as pale as a ghost.
Martin contemplated her with inexpressible curiosity. In one sense it was, as he would have expressed it, "nuts" to him to see this. It told him so much, and he was beginning to have a great relish for discovering secrets. In another sense it reminded him of what he had once felt when he had heard a blackbird lamenting for her nestlings, which Matthew had crushed with a stone, and that was not a pleasant feeling. Unable to find anything very appropriate to say in order to comfort her, he began to cast about in his mind what he could do. He smiled. The lad's smile gave wondrous transparency to his physiognomy.
Martin looked at her with deep curiosity. In one way, it was, as he would have put it, "crazy" to see this. It told him so much, and he was really starting to enjoy uncovering secrets. In another way, it reminded him of what he once felt when he heard a blackbird mourning for her chicks that Matthew had crushed with a stone, and that was not a good feeling. Unable to think of anything suitable to say to comfort her, he started brainstorming what he could do. He smiled. The boy's smile made his face beautifully expressive.
"Eureka!" he cried. "I'll set all straight by-and-by. You are better now, Miss Caroline. Walk forward," he urged.
"Eureka!" he exclaimed. "I'll fix everything soon. You're feeling better now, Miss Caroline. Come on, walk ahead," he encouraged.
Not reflecting that it would be more difficult for Miss Helstone than for himself to climb a wall or penetrate a hedge, he piloted her by a short cut which led to no gate. The consequence was he had to help her over some formidable obstacles, and while he railed at her for helplessness, he perfectly liked to feel himself of use.
Not realizing that it would be harder for Miss Helstone than for him to climb a wall or get through a hedge, he took her through a shortcut that didn’t have any gate. As a result, he had to help her over some tough obstacles, and while he complained about her being helpless, he actually enjoyed feeling useful.
"Martin, before we separate, assure me seriously, and on your word of honour, that Mr. Moore is better."
"Martin, before we part ways, please assure me sincerely, and on your word of honor, that Mr. Moore is doing better."
"How very much you think of that Moore!"
"Wow, you think a lot about that Moore!"
"No—but—many of his friends may ask me, and I wish to be able to give an authentic answer."
"No—but—many of his friends might ask me, and I want to be able to give a true answer."
"You may tell them he is well enough, only idle. You may tell them that he takes mutton chops for dinner, and the best of arrowroot for supper. I intercepted a basin myself one night on its way upstairs, and ate half of it."
"You can tell them he’s doing fine, just being lazy. You can tell them he has mutton chops for dinner and the best arrowroot for supper. I even caught a bowl of it one night on its way upstairs and ate half."
"And who waits on him, Martin? who nurses him?"
"And who takes care of him, Martin? Who looks after him?"
"Nurses him? The great baby! Why, a woman as round and big as our largest water-butt—a rough, hard-favoured[Pg 500] old girl. I make no doubt she leads him a rich life. Nobody else is let near him. He is chiefly in the dark. It is my belief she knocks him about terribly in that chamber. I listen at the wall sometimes when I am in bed, and I think I hear her thumping him. You should see her fist. She could hold half a dozen hands like yours in her one palm. After all, notwithstanding the chops and jellies he gets, I would not be in his shoes. In fact, it is my private opinion that she eats most of what goes up on the tray to Mr. Moore. I wish she may not be starving him."
"Nurses him? What a big baby! I mean, a woman as round and large as our biggest water barrel—a tough, rough-looking old girl. I’m sure she gives him a wild time. No one else is allowed near him. He's mostly in the dark. I believe she really roughs him up in that room. Sometimes, when I'm in bed, I listen at the wall and think I hear her hitting him. You should see her fist. She could easily grip half a dozen hands like yours in just one palm. Still, even with all the nice food he gets, I wouldn't want to be in his position. Honestly, I think she eats most of what gets sent up on the tray for Mr. Moore. I just hope she isn't starving him."
Profound silence and meditation on Caroline's part, and a sly watchfulness on Martin's.
Profound silence and contemplation from Caroline, and a subtle awareness from Martin.
"You never see him, I suppose, Martin?"
"You don’t see him at all, do you, Martin?"
"I? No. I don't care to see him, for my own part."
"I? No. I don't want to see him, for my part."
Silence again.
Silence once more.
"Did not you come to our house once with Mrs. Pryor, about five weeks since, to ask after him?" again inquired Martin.
"Didn't you come to our house once with Mrs. Pryor, about five weeks ago, to ask about him?" Martin asked again.
"Yes."
Yes.
"I dare say you wished to be shown upstairs?"
"I guess you wanted to be shown upstairs?"
"We did wish it. We entreated it; but your mother declined."
"We really wanted it. We begged for it, but your mother refused."
"Ay! she declined. I heard it all. She treated you as it is her pleasure to treat visitors now and then. She behaved to you rudely and harshly."
"Ugh! she refused. I heard everything. She treated you like she enjoys treating guests every once in a while. She was rude and harsh to you."
"She was not kind; for you know, Martin, we are relations, and it is natural we should take an interest in Mr. Moore. But here we must part; we are at your father's gate."
"She wasn't kind; you know, Martin, we're relatives, and it's only natural that we should be interested in Mr. Moore. But we have to part ways here; we're at your father's gate."
"Very well, what of that? I shall walk home with you."
"Alright, what about that? I'll walk home with you."
"They will miss you, and wonder where you are."
"They're going to miss you and wonder where you've gone."
"Let them. I can take care of myself, I suppose."
"Let them. I guess I can handle myself."
Martin knew that he had already incurred the penalty of a lecture, and dry bread for his tea. No matter; the evening had furnished him with an adventure. It was better than muffins and toast.
Martin knew he had already faced the consequence of a lecture and plain bread for his dinner. It didn’t matter; the evening had given him an adventure. It was better than muffins and toast.
He walked home with Caroline. On the way he promised to see Mr. Moore, in spite of the dragon who guarded his chamber, and appointed an hour on the next day when Caroline was to come to Briarmains Wood and get tidings of him. He would meet her at a certain tree. The scheme led to nothing; still he liked it.
He walked home with Caroline. Along the way, he promised to visit Mr. Moore, despite the fierce guardian of his room, and set a time for the next day when Caroline would come to Briarmains Wood to hear news about him. He would meet her at a specific tree. The plan didn’t lead to anything, but he still liked it.
[Pg 501]Having reached home, the dry bread and the lecture were duly administered to him, and he was dismissed to bed at an early hour. He accepted his punishment with the toughest stoicism.
[Pg501It seems there's no text provided for me to modernize. Please provide a short phrase for me to work on.Once he got home, he was given some dry bread and a lecture, then sent to bed early. He took his punishment with a tough attitude.
Ere ascending to his chamber he paid a secret visit to the dining-room, a still, cold, stately apartment, seldom used, for the family customarily dined in the back parlour. He stood before the mantelpiece, and lifted his candle to two pictures hung above—female heads: one, a type of serene beauty, happy and innocent; the other, more lovely, but forlorn and desperate.
Before heading up to his room, he made a discreet visit to the dining room, a quiet, cold, elegant space that was rarely used since the family usually had dinner in the back parlor. He stood in front of the mantelpiece, lifting his candle to examine two portraits hanging above—both female heads: one representing serene beauty, happy and innocent; the other more beautiful but looking lost and desperate.
"She looked like that," he said, gazing on the latter sketch, "when she sobbed, turned white, and leaned against the tree."
"She looked like that," he said, staring at the second sketch, "when she cried, went pale, and leaned against the tree."
"I suppose," he pursued, when he was in his room, and seated on the edge of his pallet-bed—"I suppose she is what they call 'in love'—yes, in love with that long thing in the next chamber. Whisht! is that Horsfall clattering him? I wonder he does not yell out. It really sounds as if she had fallen on him tooth and nail; but I suppose she is making the bed. I saw her at it once. She hit into the mattresses as if she was boxing. It is queer, Zillah (they call her Zillah)—Zillah Horsfall is a woman, and Caroline Helstone is a woman; they are two individuals of the same species—not much alike though. Is she a pretty girl, that Caroline? I suspect she is; very nice to look at—something so clear in her face, so soft in her eyes. I approve of her looking at me; it does me good. She has long eyelashes. Their shadow seems to rest where she gazes, and to instil peace and thought. If she behaves well, and continues to suit me as she has suited me to-day, I may do her a good turn. I rather relish the notion of circumventing my mother and that ogress old Horsfall. Not that I like humouring Moore; but whatever I do I'll be paid for, and in coin of my own choosing. I know what reward I will claim—one displeasing to Moore, and agreeable to myself."
“I guess,” he continued, sitting on the edge of his small bed in his room, “I guess she’s what they call ‘in love’—yeah, ‘in love’ with that long guy in the next room. Shh! Is that Horsfall banging around? I wonder he doesn’t shout. It really sounds like she’s attacking him, but I suppose she’s just making the bed. I saw her doing it once. She hit the mattresses like she was boxing. It’s funny, Zillah (that’s her name)—Zillah Horsfall is a woman, and Caroline Helstone is a woman; they’re two people of the same kind—not very similar, though. Is Caroline a pretty girl? I think she is; very pleasant to look at—something so clear about her face, so soft in her eyes. I like that she’s looking at me; it makes me feel good. She has long eyelashes. Their shadow seems to settle where she looks, bringing a sense of peace and reflection. If she keeps behaving well and continues to please me like she did today, I might do her a favor. I kind of like the idea of outsmarting my mother and that old hag Horsfall. Not that I enjoy indulging Moore; but whatever I do, I’ll get something in return, and it’ll be on my own terms. I know what reward I’m going to ask for—something that won’t please Moore but will make me happy.”
CHAPTER XXXIII.
MARTIN'S TACTICS.
It was necessary to the arrangement of Martin's plan that he should stay at home that day. Accordingly, he found no appetite for breakfast, and just about school-time took a severe pain about his heart, which rendered it advisable that, instead of setting out to the grammar school with Mark, he should succeed to his father's arm-chair by the fireside, and also to his morning paper. This point being satisfactorily settled, and Mark being gone to Mr. Summer's class, and Matthew and Mr. Yorke withdrawn to the counting-house, three other exploits—nay, four—remained to be achieved.
It was essential for Martin's plan that he stay home that day. So, he had no appetite for breakfast, and around the time for school, he felt a sharp pain in his heart, which made it better for him to take his father's armchair by the fire and read the morning paper instead of heading to grammar school with Mark. With that settled, and Mark off to Mr. Summer's class, while Matthew and Mr. Yorke went to the counting-house, he had three other tasks—actually four—left to accomplish.
The first of these was to realize the breakfast he had not yet tasted, and with which his appetite of fifteen could ill afford to dispense; the second, third, fourth, to get his mother, Miss Moore, and Mrs. Horsfall successfully out of the way before four o'clock that afternoon.
The first was to enjoy the breakfast he hadn’t had yet, which his fifteen-year-old appetite could hardly skip; the second, third, and fourth were to ensure his mother, Miss Moore, and Mrs. Horsfall were all out of the way before four o'clock that afternoon.
The first was, for the present, the most pressing, since the work before him demanded an amount of energy which the present empty condition of his youthful stomach did not seem likely to supply.
The first was, for now, the most urgent, since the task at hand required a level of energy that his currently empty stomach didn't seem likely to provide.
Martin knew the way to the larder, and knowing this way he took it. The servants were in the kitchen, breakfasting solemnly with closed doors; his mother and Miss Moore were airing themselves on the lawn, and discussing the closed doors aforesaid. Martin, safe in the larder, made fastidious selection from its stores. His breakfast had been delayed; he was determined it should be recherché. It appeared to him that a variety on his usual somewhat insipid fare of bread and milk was both desirable and advisable; the savoury and the salutary he thought might be combined. There was store of rosy apples laid in straw upon a shelf; he picked out three. There was pastry upon a dish; he selected an apricot puff and a[Pg 503] damson tart. On the plain household bread his eye did not dwell; but he surveyed with favour some currant tea-cakes, and condescended to make choice of one. Thanks to his clasp-knife, he was able to appropriate a wing of fowl and a slice of ham; a cantlet of cold custard-pudding he thought would harmonize with these articles; and having made this final addition to his booty, he at length sallied forth into the hall.
Martin knew the way to the pantry, and since he did, he took it. The servants were in the kitchen, quietly having breakfast with the doors closed; his mother and Miss Moore were enjoying the fresh air on the lawn and discussing the closed doors. Feeling secure in the pantry, Martin carefully picked from its supplies. His breakfast had been delayed, and he was determined it would be fancy. He thought a change from his usual somewhat bland diet of bread and milk was both desirable and necessary; he believed both delicious and nutritious could go together. There was a stash of rosy apples laid in straw on a shelf; he chose three. There were pastries on a plate; he picked an apricot puff and a[Pg503I'm sorry, but there are no short phrases provided for me to modernize. Please provide a phrase and I'll assist you! damson tart. He didn’t focus on the plain household bread, but he positively noted some currant tea-cakes and decided to grab one. Thanks to his pocketknife, he was able to take a wing of chicken and a slice of ham; he thought a piece of cold custard pudding would go well with these items; and having made this final addition to his haul, he finally ventured out into the hall.
He was already half-way across—three steps more would have anchored him in the harbour of the back parlour—when the front door opened, and there stood Matthew. Better far had it been the Old Gentleman, in full equipage of horns, hoofs, and tail.
He was already halfway across—three more steps would have put him securely in the back parlor—when the front door swung open, and there stood Matthew. It would have been much better to face the Old Gentleman, complete with horns, hooves, and tail.
Matthew, sceptic and scoffer, had already failed to subscribe a prompt belief in that pain about the heart. He had muttered some words, amongst which the phrase "shamming Abraham" had been very distinctly audible, and the succession to the armchair and newspaper had appeared to affect him with mental spasms. The spectacle now before him—the apples, the tarts, the tea-cakes, the fowl, ham, and pudding—offered evidence but too well calculated to inflate his opinion of his own sagacity.
Matthew, a skeptic and mocker, had already struggled to believe in that heartache. He had muttered some words, among which the phrase "faking Abraham" was very clear, and moving to the armchair with a newspaper seemed to throw him into mental turmoil. The scene in front of him—the apples, the tarts, the tea cakes, the chicken, ham, and pudding—provided evidence that was all too likely to bolster his self-importance.
Martin paused interdit one minute, one instant; the next he knew his ground, and pronounced all well. With the true perspicacity des âmes élites, he at once saw how this at first sight untoward event might be turned to excellent account. He saw how it might be so handled as to secure the accomplishment of his second task—namely, the disposal of his mother. He knew that a collision between him and Matthew always suggested to Mrs. Yorke the propriety of a fit of hysterics. He further knew that, on the principle of calm succeeding to storm, after a morning of hysterics his mother was sure to indulge in an afternoon of bed. This would accommodate him perfectly.
Martin paused in shock for a moment; then he regained his composure and assessed the situation. With the sharp insight of elite minds, he immediately recognized how this seemingly unfortunate event could be turned to his advantage. He realized it could be maneuvered to help him achieve his second goal—specifically, dealing with his mother. He was aware that any clash between him and Matthew always triggered Mrs. Yorke’s urge for a dramatic outburst. He also knew that, following the calm after the storm, after a morning of melodrama, his mother would surely spend the afternoon resting in bed. This worked perfectly for him.
The collision duly took place in the hall. A dry laugh, an insulting sneer, a contemptuous taunt, met by a nonchalant but most cutting reply, were the signals. They rushed at it. Martin, who usually made little noise on these occasions, made a great deal now. In flew the servants, Mrs. Yorke, Miss Moore. No female hand could separate them. Mr. Yorke was summoned.
The clash happened right in the hall. A dry laugh, a mocking sneer, and a scornful taunt were met with a casual yet sharp response—that was the signal. They charged at each other. Martin, who normally stayed quiet during these moments, was quite loud this time. In rushed the servants, Mrs. Yorke, and Miss Moore. No woman could pull them apart. Mr. Yorke was called in.
"Sons," said he, "one of you must leave my roof if this occurs again. I will have no Cain and Abel strife here."
"Sons," he said, "one of you has to leave my house if this happens again. I won't tolerate any Cain and Abel drama here."
[Pg 504]Martin now allowed himself to be taken off. He had been hurt; he was the youngest and slightest. He was quite cool, in no passion; he even smiled, content that the most difficult part of the labour he had set himself was over.
[Pg504It seems there isn’t any text provided after your message. Please share the phrases or text you would like me to modernize.Martin now allowed himself to be taken away. He had been hurt; he was the youngest and smallest. He was quite calm, without any emotion; he even smiled, satisfied that the toughest part of the task he had set for himself was done.
Once he seemed to flag in the course of the morning.
Once he seemed to lose energy as the morning went on.
"It is not worth while to bother myself for that Caroline," he remarked. But a quarter of an hour afterwards he was again in the dining-room, looking at the head with dishevelled tresses, and eyes turbid with despair.
"It’s not worth it to stress over that Caroline," he said. But fifteen minutes later, he was back in the dining room, gazing at the woman with unkempt hair and eyes clouded with despair.
"Yes," he said, "I made her sob, shudder, almost faint. I'll see her smile before I've done with her; besides, I want to outwit all these womenites."
"Yeah," he said, "I made her cry, shake, almost pass out. I'll make her smile before I'm done with her; besides, I want to outsmart all these women."
Directly after dinner Mrs. Yorke fulfilled her son's calculation by withdrawing to her chamber. Now for Hortense.
Directly after dinner, Mrs. Yorke confirmed her son's guess by going to her room. Now for Hortense.
That lady was just comfortably settled to stocking-mending in the back parlour, when Martin—laying down a book which, stretched on the sofa (he was still indisposed, according to his own account), he had been perusing in all the voluptuous ease of a yet callow pacha—lazily introduced some discourse about Sarah, the maid at the Hollow. In the course of much verbal meandering he insinuated information that this damsel was said to have three suitors—Frederic Murgatroyd, Jeremiah Pighills, and John-of-Mally's-of-Hannah's-of-Deb's; and that Miss Mann had affirmed she knew for a fact that, now the girl was left in sole charge of the cottage, she often had her swains to meals, and entertained them with the best the house afforded.
That woman was comfortably settled, mending stockings in the back parlor, when Martin—putting down a book that he had been reading on the sofa (he was still unwell, according to his own account)—lazily brought up a conversation about Sarah, the maid at the Hollow. During their lengthy chat, he suggested that this young woman was rumored to have three suitors—Frederic Murgatroyd, Jeremiah Pighills, and John-of-Mally's-of-Hannah's-of-Deb's; and that Miss Mann had insisted she knew for sure that, now the girl was in sole charge of the cottage, she often had her admirers over for meals and treated them to the best the house had to offer.
It needed no more. Hortense could not have lived another hour without betaking herself to the scene of these nefarious transactions, and inspecting the state of matters in person. Mrs. Horsfall remained.
It didn’t need anything more. Hortense couldn’t have lasted another hour without rushing to the scene of these shady dealings to see for herself what was going on. Mrs. Horsfall stayed behind.
Martin, master of the field now, extracted from his mother's work-basket a bunch of keys; with these he opened the sideboard cupboard, produced thence a black bottle and a small glass, placed them on the table, nimbly mounted the stairs, made for Mr. Moore's door, tapped; the nurse opened.
Martin, now in charge, took a bunch of keys from his mother's work-basket. He used them to unlock the sideboard cupboard, pulled out a black bottle and a small glass, set them on the table, quickly went up the stairs, approached Mr. Moore's door, and knocked; the nurse answered.
"If you please, ma'am, you are invited to step into the back parlour and take some refreshment. You will not be disturbed; the family are out."
"If you don’t mind, ma’am, you're invited to come into the back parlor and have some refreshments. You won’t be disturbed; the family is out."
He watched her down; he watched her in; himself shut the door. He knew she was safe.
He watched her go down; he watched her go inside, and he closed the door behind himself. He knew she was safe.
[Pg 505]The hard work was done; now for the pleasure. He snatched his cap, and away for the wood.
[Pg505I'm sorry, but there seems to be no text provided for me to modernize. Please provide a short phrase, and I'll assist you with that.The hard work was finished; now it was time for enjoyment. He grabbed his cap and headed off to the woods.
It was yet but half-past three. It had been a fine morning, but the sky looked dark now. It was beginning to snow; the wind blew cold; the wood looked dismal, the old tree grim. Yet Martin approved the shadow on his path. He found a charm in the spectral aspect of the doddered oak.
It was only half-past three. It had been a nice morning, but now the sky looked dark. It was starting to snow; the wind was cold; the woods looked gloomy, and the old tree looked grim. Still, Martin liked the shadow on his path. He found a kind of beauty in the eerie appearance of the withered oak.
He had to wait. To and fro he walked, while the flakes fell faster; and the wind, which at first had but moaned, pitifully howled.
He had to wait. He paced back and forth while the snowflakes fell faster, and the wind, which at first had only moaned, now howled pitifully.
"She is long in coming," he muttered, as he glanced along the narrow track. "I wonder," he subjoined, "what I wish to see her so much for? She is not coming for me. But I have power over her, and I want her to come that I may use that power."
"She’s taking a long time to get here," he muttered as he looked down the narrow path. "I wonder," he added, "why I want to see her so much? She’s not coming for me. But I have power over her, and I want her to come so I can use that power."
He continued his walk.
He kept walking.
"Now," he resumed, when a further period had elapsed, "if she fails to come, I shall hate and scorn her."
"Now," he continued, after a moment had passed, "if she doesn't show up, I will hate and look down on her."
It struck four. He heard the church clock far away. A step so quick, so light, that, but for the rustling of leaves, it would scarcely have sounded on the wood-walk, checked his impatience. The wind blew fiercely now, and the thickening white storm waxed bewildering; but on she came, and not dismayed.
It struck four. He heard the church clock in the distance. A step so quick and light that, if it weren't for the rustling of the leaves, you could hardly hear it on the wooden walkway, interrupted his impatience. The wind was blowing fiercely now, and the thickening white storm became confusing; but she came on, unfazed.
"Well, Martin," she said eagerly, "how is he?"
"Well, Martin," she said eagerly, "how's he doing?"
"It is queer how she thinks of him," reflected Martin. "The blinding snow and bitter cold are nothing to her, I believe; yet she is but a 'chitty-faced creature,' as my mother would say. I could find in my heart to wish I had a cloak to wrap her in."
"It’s strange how she thinks of him," Martin reflected. "The blinding snow and bitter cold don't seem to bother her at all, I think; yet she’s just a 'chitty-faced creature,' as my mom would say. I really wish I had a cloak to wrap her up in."
Thus meditating to himself, he neglected to answer Miss Helstone.
Thus lost in thought, he forgot to respond to Miss Helstone.
"You have seen him?"
"Have you seen him?"
"No."
"No."
"Oh! you promised you would."
"Oh! You said you would."
"I mean to do better by you than that. Didn't I say I don't care to see him?"
"I plan to treat you better than that. Didn't I say I don't want to see him?"
"But now it will be so long before I get to know any thing certain about him, and I am sick of waiting. Martin, do see him, and give him Caroline Helstone's regards, and say she wished to know how he was, and if anything could be done for his comfort."
"But now it will take ages before I learn anything certain about him, and I’m tired of waiting. Martin, please see him and give him Caroline Helstone's regards, and let him know she wanted to know how he’s doing and if there’s anything that could be done for his comfort."
"I won't."
"I'm not going to."
[Pg 506]"You are changed. You were so friendly last night."
[Pg506Sure! Please provide the text you'd like me to modernize."You've changed. You were really friendly last night."
"Come, we must not stand in this wood; it is too cold."
"Come on, let's not stay in this forest; it's too cold."
"But before I go promise me to come again to-morrow with news."
"But before I leave, promise me you'll come back tomorrow with news."
"No such thing. I am much too delicate to make and keep such appointments in the winter season. If you knew what a pain I had in my chest this morning, and how I went without breakfast, and was knocked down besides, you'd feel the impropriety of bringing me here in the snow. Come, I say."
"No way. I'm way too fragile to schedule and stick to things during winter. If you knew how much pain I had in my chest this morning, how I skipped breakfast, and how I got knocked down on top of that, you'd see how inappropriate it is to bring me here in the snow. Come on, I mean it."
"Are you really delicate, Martin?"
"Are you really sensitive, Martin?"
"Don't I look so?"
"Don't I look nice?"
"You have rosy cheeks."
"You have cute cheeks."
"That's hectic. Will you come—or you won't?"
"That's crazy. Are you coming or not?"
"Where?"
"Where at?"
"With me. I was a fool not to bring a cloak. I would have made you cosy."
"With me. I was silly not to bring a coat. I could have made you warm."
"You are going home; my nearest road lies in the opposite direction."
"You’re heading home; my closest route is in the opposite direction."
"Put your arm through mine; I'll take care of you."
"Link your arm with mine; I've got you covered."
"But the wall—the hedge—it is such hard work climbing, and you are too slender and young to help me without hurting yourself."
"But the wall—the hedge—it’s such hard work to climb, and you’re too delicate and young to help me without hurting yourself."
"You shall go through the gate."
"You will go through the gate."
"But——"
"But…"
"But, but—will you trust me or not?"
"But, but—will you trust me or not?"
She looked into his face.
She gazed into his face.
"I think I will. Anything rather than return as anxious as I came."
"I think I will. Anything is better than going back feeling as anxious as I did when I arrived."
"I can't answer for that. This, however, I promise you: be ruled by me, and you shall see Moore yourself."
"I can't speak to that. But I promise you this: follow my lead, and you'll meet Moore yourself."
"See him myself?"
"See him in person?"
"Yourself."
"Yourself."
"But, dear Martin, does he know?"
"But, dear Martin, does he know?"
"Ah! I'm dear now. No, he doesn't know."
"Ah! I'm precious now. No, he doesn't know."
"And your mother and the others?"
"And what about your mom and the others?"
"All is right."
"Everything is okay."
Caroline fell into a long, silent fit of musing, but still she walked on with her guide. They came in sight of Briarmains.
Caroline sunk into a long, quiet daydream, but she kept walking alongside her guide. They spotted Briarmains in the distance.
"Have you made up your mind?" he asked.
"Have you made a decision?" he asked.
She was silent.
She was quiet.
"Decide; we are just on the spot. I won't see him—that I tell you—except to announce your arrival."
"Make a decision; we're right here. I won't see him—that's what I'm telling you—unless it's to let him know you've arrived."
[Pg 507]"Martin, you are a strange boy, and this is a strange step; but all I feel is and has been, for a long time, strange. I will see him."
[Pg507Please provide the text you'd like me to modernize."Martin, you're an unusual kid, and this is an odd move; but everything I feel is and has been, for a long time, strange. I'm going to see him."
"Having said that, you will neither hesitate nor retract?"
"That being said, you won’t hesitate or back down?"
"No."
"Nope."
"Here we are, then. Do not be afraid of passing the parlour window; no one will see you. My father and Matthew are at the mill, Mark is at school, the servants are in the back kitchen, Miss Moore is at the cottage, my mother in her bed, and Mrs. Horsfall in paradise. Observe—I need not ring. I open the door; the hall is empty, the staircase quiet; so is the gallery. The whole house and all its inhabitants are under a spell, which I will not break till you are gone."
"Here we are. Don’t worry about walking by the parlor window; no one will see you. My dad and Matthew are at the mill, Mark is at school, the staff is in the back kitchen, Miss Moore is at the cottage, my mom is in her bed, and Mrs. Horsfall is in paradise. See—I don’t need to ring the bell. I just open the door; the hallway is empty, the staircase is quiet; the gallery is too. The whole house and everyone in it are under a spell, which I won’t break until you leave."
"Martin, I trust you."
"Martin, I trust you."
"You never said a better word. Let me take your shawl. I will shake off the snow and dry it for you. You are cold and wet. Never mind; there is a fire upstairs. Are you ready?"
"You didn't say a better word. Let me take your shawl. I'll shake off the snow and dry it for you. You're cold and wet. Don't worry; there's a fire upstairs. Are you ready?"
"Yes."
Yes.
"Follow me."
"Follow me."
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in."
He left his shoes on the mat and went up the stairs barefoot. Caroline quietly followed behind. There was a hallway and a passage; at the end of the passage, Martin stopped in front of a door and knocked. He had to knock twice—three times. A voice, recognizable to one person, finally said, "Come in."
The boy entered briskly.
The boy walked in quickly.
"Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up."
"Mr. Moore, a woman called to check on you. None of the ladies were around. It’s laundry day, and the maids are up to their elbows in soap suds in the back kitchen, so I asked her to come up."
"Up here, sir?"
"Up here, sir?"
"Up here, sir; but if you object, she shall go down again."
"Right here, sir; but if you’d prefer, she can go back down."
"Is this a place or am I a person to bring a lady to, you absurd lad?"
"Is this a place or am I someone to bring a lady to, you ridiculous guy?"
"No; so I'll take her off."
"No, I'll take her out."
"Martin, you will stay here. Who is she?"
"Martin, you're staying here. Who is she?"
"Your grandmother from that château on the Scheldt Miss Moore talks about."
"Your grandmother from that chateau on the Scheldt that Miss Moore talks about."
"Martin," said the softest whisper at the door, "don't be foolish."
"Martin," said the quietest whisper at the door, "don't be stupid."
[Pg 508]"Is she there?" inquired Moore hastily. He had caught an imperfect sound.
[Pg508]"Is she there?" Moore asked quickly. He had picked up a muffled sound.
"She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection."
"She’s there, about to faint. She’s standing on the mat, shocked by your lack of love as a child."
"Martin, you are an evil cross between an imp and a page. What is she like?"
"Martin, you’re a wicked mix of a mischievous spirit and a servant. What’s she like?"
"More like me than you; for she is young and beautiful."
"More like me than you; she’s young and beautiful."
"You are to show her forward. Do you hear?"
"You need to lead her forward. Do you understand?"
"Come, Miss Caroline."
"Let's go, Miss Caroline."
"Miss Caroline!" repeated Moore.
"Ms. Caroline!" repeated Moore.
And when Miss Caroline entered she was encountered in the middle of the chamber by a tall, thin, wasted figure, who took both her hands.
And when Miss Caroline walked in, she was met in the center of the room by a tall, thin, frail figure, who grabbed both her hands.
"I give you a quarter of an hour," said Martin, as he withdrew, "no more. Say what you have to say in that time. Till it is past I will wait in the gallery; nothing shall approach; I'll see you safe away. Should you persist in staying longer, I leave you to your fate."
"I'll give you fifteen minutes," Martin said as he stepped back, "nothing more. Say what you need to say in that time. I'll be waiting in the gallery until it's over; nothing will come near you; I'll make sure you're safe. If you decide to stay longer, you're on your own."
He shut the door. In the gallery he was as elate as a king. He had never been engaged in an adventure he liked so well, for no adventure had ever invested him with so much importance or inspired him with so much interest.
He closed the door. In the gallery, he felt as happy as a king. He had never been part of an adventure he enjoyed this much, because no adventure had ever made him feel so important or sparked his interest like this one did.
"You are come at last," said the meagre man, gazing on his visitress with hollow eyes.
"You've finally arrived," said the thin man, looking at his visitor with vacant eyes.
"Did you expect me before?"
"Did you expect me earlier?"
"For a month, near two months, we have been very near; and I have been in sad pain, and danger, and misery, Cary."
"For almost two months now, we’ve been very close, and I have been in deep pain, danger, and misery, Cary."
"I could not come."
"I can't come."
"Couldn't you? But the rectory and Briarmains are very near—not two miles apart."
"Can't you? But the rectory and Briarmains are really close—less than two miles apart."
There was pain and there was pleasure in the girl's face as she listened to these implied reproaches. It was sweet, it was bitter to defend herself.
There was pain and pleasure on the girl’s face as she listened to these unspoken criticisms. It felt both sweet and bitter to defend herself.
"When I say I could not come, I mean I could not see you; for I came with mamma the very day we heard what had happened. Mr. MacTurk then told us it was impossible to admit any stranger."
"When I say I couldn't come, I mean I couldn't see you; because I came with Mom the very day we heard what happened. Mr. MacTurk then told us it was impossible to allow any stranger in."
"But afterwards—every fine afternoon these many weeks past I have waited and listened. Something here, Cary"—laying his hand on his breast—"told me it was impossible but that you should think of me. Not that I merit thought; but we are old acquaintance—we are cousins."
"But after that—every nice afternoon these past few weeks, I have waited and listened. Something here, Cary"—he said, placing his hand on his chest—"told me it was impossible for you not to think of me. Not that I deserve your thoughts; but we’ve known each other for a long time—we are cousins."
"I came again, Robert; mamma and I came again."
"I came again, Robert; Mom and I came again."
[Pg 509]"Did you? Come, that is worth hearing. Since you came again, we will sit down and talk about it."
[Pg509It appears there was no specific text provided for modernization. Please provide a short phrase (5 words or fewer) for me to modernize."Did you? Come on, that's worth hearing. Since you're back, let's sit down and chat about it."
They sat down. Caroline drew her chair up to his. The air was now dark with snow; an Iceland blast was driving it wildly. This pair neither heard the long "wuthering" rush, nor saw the white burden it drifted. Each seemed conscious but of one thing—the presence of the other.
They sat down. Caroline pulled her chair closer to his. The air was heavy with snow; a chilly blast from Iceland was blowing it around wildly. Neither of them noticed the long "wuthering" rush, nor did they see the white mass it carried. Each seemed aware of only one thing—the presence of the other.
"So mamma and you came again?"
"So mom and you came again?"
"And Mrs. Yorke did treat us strangely. We asked to see you. 'No,' said she, 'not in my house. I am at present responsible for his life; it shall not be forfeited for half an hour's idle gossip.' But I must not tell you all she said; it was very disagreeable. However, we came yet again—mamma, Miss Keeldar, and I. This time we thought we should conquer, as we were three against one, and Shirley was on our side. But Mrs. Yorke opened such a battery."
"And Mrs. Yorke treated us oddly. We asked to see you. 'No,' she replied, 'not in my house. I'm responsible for his life right now; it won’t be risked for half an hour of pointless chatter.' But I can’t share everything she said; it was quite unpleasant. Still, we came back again—mamma, Miss Keeldar, and I. This time we thought we would win, since we were three against one, and Shirley was on our side. But Mrs. Yorke launched such an attack."
Moore smiled. "What did she say?"
Moore smiled. "What did she say?"
"Things that astonished us. Shirley laughed at last; I cried; mamma was seriously annoyed. We were all three driven from the field. Since that time I have only walked once a day past the house, just for the satisfaction of looking up at your window, which I could distinguish by the drawn curtains. I really dared not come in."
"Things that amazed us. Shirley finally laughed; I cried; Mom was really upset. All three of us were sent away. Since then, I've only walked by the house once a day, just to have the satisfaction of looking up at your window, which I could recognize by the closed curtains. I honestly didn't dare to come inside."
"I have wished for you, Caroline."
"I’ve wished for you, Caroline."
"I did not know that; I never dreamt one instant that you thought of me. If I had but most distantly imagined such a possibility——"
"I didn't know that; I never imagined for a second that you thought about me. If I had even slightly considered such a possibility——"
"Mrs. Yorke would still have beaten you."
"Mrs. Yorke would still have beaten you."
"She would not. Stratagem should have been tried, if persuasion failed. I would have come to the kitchen door; the servants should have let me in, and I would have walked straight upstairs. In fact, it was far more the fear of intrusion—the fear of yourself—that baffled me than the fear of Mrs. Yorke."
"She wouldn’t. We should have tried a strategy if talking didn’t work. I would have gone to the kitchen door; the staff should have let me in, and I would have gone right upstairs. Honestly, it was more the fear of intruding—of you—that confused me more than the fear of Mrs. Yorke."
"Only last night I despaired of ever seeing you again. Weakness has wrought terrible depression in me—terrible depression."
"Just last night, I was convinced I would never see you again. Weakness has caused me to feel intense depression—intense depression."
"And you sit alone?"
"And you're sitting alone?"
"Worse than alone."
"Worse than being alone."
"But you must be getting better, since you can leave your bed?"
"But you must be getting better since you can get out of bed now?"
[Pg 510]"I doubt whether I shall live. I see nothing for it, after such exhaustion, but decline."
[Pg510It seems there’s no text provided for me to modernize. Please provide a phrase or text. "I'm not sure I'll survive. I don't see any way forward after being so worn out, except to give up."
"You—you shall go home to the Hollow."
"You—you should go home to the Hollow."
"Dreariness would accompany, nothing cheerful come near me."
"Dullness would follow me, and nothing happy would come close."
"I will alter this. This shall be altered, were there ten Mrs. Yorkes to do battle with."
"I will change this. This will be changed, even if there were ten Mrs. Yorkes to fight against."
"Cary, you make me smile."
"Cary, you make me happy."
"Do smile; smile again. Shall I tell you what I should like?"
"Please smile; smile again. Should I share what I want?"
"Tell me anything—only keep talking. I am Saul; but for music I should perish."
"Just keep talking—tell me anything. I’m Saul; without music, I’d be lost."
"I should like you to be brought to the rectory, and given to me and mamma."
"I would like you to be brought to the rectory and given to me and Mom."
"A precious gift! I have not laughed since they shot me till now."
"A valuable gift! I haven't laughed since they shot me until now."
"Do you suffer pain, Robert?"
"Are you in pain, Robert?"
"Not so much pain now; but I am hopelessly weak, and the state of my mind is inexpressible—dark, barren, impotent. Do you not read it all in my face? I look a mere ghost."
"Not much pain now, but I feel completely weak, and my state of mind is beyond words—dark, empty, powerless. Can’t you see it all in my face? I look like a total ghost."
"Altered; yet I should have known you anywhere. But I understand your feelings; I experienced something like it. Since we met, I too have been very ill."
"Changed; but I would have recognized you anywhere. I get your feelings; I've felt something similar. Ever since we met, I've been really unwell too."
"Very ill?"
"Really sick?"
"I thought I should die. The tale of my life seemed told. Every night, just at midnight, I used to wake from awful dreams; and the book lay open before me at the last page, where was written 'Finis.' I had strange feelings."
"I felt like I should die. It seemed like my life story was finished. Every night, right at midnight, I would wake up from terrible dreams; and the book was open in front of me on the last page, where it said 'The End.' I had weird feelings."
"You speak my experience."
"You understand my experience."
"I believed I should never see you again; and I grew so thin—as thin as you are now. I could do nothing for myself—neither rise nor lie down; and I could not eat. Yet you see I am better."
"I thought I'd never see you again, and I got so thin—just like you are now. I couldn’t do anything for myself—I couldn’t get up or lie down; and I couldn't eat. But you see, I'm better now."
"Comforter—sad as sweet. I am too feeble to say what I feel; but while you speak I do feel."
"Comforter—sad yet sweet. I'm too weak to express what I'm feeling; but while you talk, I do feel."
"Here I am at your side, where I thought never more to be. Here I speak to you. I see you listen to me willingly—look at me kindly. Did I count on that? I despaired."
"Here I am next to you, where I never thought I’d be again. I’m talking to you. I can see that you’re listening to me eagerly—looking at me with kindness. Did I expect that? I had lost hope."
Moore sighed—a sigh so deep it was nearly a groan. He covered his eyes with his hand.
Moore sighed—a sigh so deep it was almost a groan. He covered his eyes with his hand.
"May I be spared to make some atonement."
"Please let me have the chance to make amends."
[Pg 511]Such was his prayer.
That was his prayer.
"And for what?"
"And for what reason?"
"We will not touch on it now, Cary; unmanned as I am, I have not the power to cope with such a topic. Was Mrs. Pryor with you during your illness?"
"We won’t get into that right now, Cary; feeling lost as I am, I can’t handle that kind of subject. Was Mrs. Pryor with you while you were sick?"
"Yes"—Caroline smiled brightly—"you know she is mamma?"
"Yes," Caroline said with a bright smile, "you know she is mom?"
"I have heard—Hortense told me; but that tale too I will receive from yourself. Does she add to your happiness?"
"I've heard—Hortense told me; but I'd like to hear it from you directly. Does she bring you happiness?"
"What! mamma? She is dear to me; how dear I cannot say. I was altogether weary, and she held me up."
"What! Mom? She means a lot to me; I can't even express how much. I was completely exhausted, and she supported me."
"I deserve to hear that in a moment when I can scarce lift my hand to my head. I deserve it."
"I need to hear that right now when I can barely lift my hand to my head. I deserve it."
"It is no reproach against you."
"It’s not your fault."
"It is a coal of fire heaped on my head; and so is every word you address to me, and every look that lights your sweet face. Come still nearer, Lina; and give me your hand—if my thin fingers do not scare you."
"It’s like a pile of burning coal on my head; every word you say to me and every glance from your beautiful face feels the same. Come closer, Lina; and give me your hand—if my bony fingers don’t frighten you."
She took those thin fingers between her two little hands; she bent her head et les effleura de ses lèvres. (I put that in French because the word effleurer is an exquisite word.) Moore was much moved. A large tear or two coursed down his hollow cheek.
She took those thin fingers between her small hands; she bent her head and gently brushed them with her lips. (I put that in French because the word effleurer is an exquisite word.) Moore was deeply touched. A large tear or two rolled down his hollow cheek.
"I'll keep these things in my heart, Cary; that kiss I will put by, and you shall hear of it again one day."
"I'll hold onto these things in my heart, Cary; that kiss I will set aside, and you'll hear about it again one day."
"Come out!" cried Martin, opening the door—"come away; you have had twenty minutes instead of a quarter of an hour."
"Come out!" shouted Martin, opening the door—"come on; you’ve had twenty minutes instead of fifteen."
"She will not stir yet, you hempseed."
"She won't move yet, you hempseed."
"I dare not stay longer, Robert."
"I can't stay any longer, Robert."
"Can you promise to return?"
"Will you promise to come back?"
"No, she can't," responded Martin. "The thing mustn't become customary. I can't be troubled. It's very well for once; I'll not have it repeated."
"No, she can't," Martin replied. "It can't become a regular thing. I can't deal with it. It's fine this time; I won't allow it to happen again."
"You'll not have it repeated."
"You won't have it repeated."
"Hush! don't vex him; we could not have met to-day but for him. But I will come again, if it is your wish that I should come."
"Hush! Don’t irritate him; we wouldn’t have met today if it weren’t for him. But I’ll come back again if you want me to."
"It is my wish—my one wish—almost the only wish I can feel."
"It is my wish—my one wish—almost the only wish I can feel."
"Come this minute. My mother has coughed, got up, set her feet on the floor. Let her only catch you on the[Pg 512] stairs, Miss Caroline. You're not to bid him good-bye"—stepping between her and Moore—"you are to march."
"Come right now. My mom has coughed, gotten up, and put her feet on the floor. Just let her catch you on the[Pg512] stairs, Miss Caroline. You're not supposed to say goodbye to him"—stepping between her and Moore—"you need to march."
"My shawl, Martin."
"My scarf, Martin."
"I have it. I'll put it on for you when you are in the hall."
"I have it. I'll put it on for you when you're in the hall."
He made them part. He would suffer no farewell but what could be expressed in looks. He half carried Caroline down the stairs. In the hall he wrapped her shawl round her, and, but that his mother's tread then creaked in the gallery, and but that a sentiment of diffidence—the proper, natural, therefore the noble impulse of his boy's heart—held him back, he would have claimed his reward; he would have said, "Now, Miss Caroline, for all this give me one kiss." But ere the words had passed his lips she was across the snowy road, rather skimming than wading the drifts.
He made them part. He wouldn’t allow any goodbye except what could be shared through looks. He half carried Caroline down the stairs. In the hall, he wrapped her shawl around her, and if it weren’t for the sound of his mother’s footsteps creaking in the gallery, and if a feeling of shyness—the proper, natural, and therefore noble impulse of his young heart—hadn’t held him back, he would have claimed his reward; he would have said, "Now, Miss Caroline, for all this, give me one kiss." But before the words could leave his lips, she was across the snowy road, gliding more than trudging through the drifts.
"She is my debtor, and I will be paid."
"She owes me money, and I will get paid."
He flattered himself that it was opportunity, not audacity, which had failed him. He misjudged the quality of his own nature, and held it for something lower than it was.[Pg 513]
He convinced himself that it was opportunity, not boldness, that let him down. He misjudged his own character and thought it was less impressive than it really was.[Pg513]
CHAPTER XXXIV.
CASE OF DOMESTIC PERSECUTION—REMARKABLE INSTANCE OF PIOUS PERSEVERANCE
IN THE DISCHARGE OF RELIGIOUS
DUTIES.
Martin, having known the taste of excitement, wanted a second draught; having felt the dignity of power, he loathed to relinquish it. Miss Helstone—that girl he had always called ugly, and whose face was now perpetually before his eyes, by day and by night, in dark and in sunshine—had once come within his sphere. It fretted him to think the visit might never be repeated.
Martin, having experienced the thrill of excitement, craved another taste; having sensed the weight of power, he despised the idea of giving it up. Miss Helstone—that girl he had always considered unattractive, and whose face now lingered in his thoughts, both day and night, in darkness and in light—had once entered his life. It frustrated him to think that her visit might never happen again.
Though a schoolboy he was no ordinary schoolboy; he was destined to grow up an original. At a few years' later date he took great pains to pare and polish himself down to the pattern of the rest of the world, but he never succeeded; an unique stamp marked him always. He now sat idle at his desk in the grammar school, casting about in his mind for the means of adding another chapter to his commenced romance. He did not yet know how many commenced life-romances are doomed never to get beyond the first, or at most the second chapter. His Saturday half-holiday he spent in the wood with his book of fairy legends, and that other unwritten book of his imagination.
Though he was a schoolboy, he was no ordinary one; he was meant to grow up as an original. A few years later, he tried hard to shape himself to match everyone else, but he never succeeded; a unique mark always set him apart. Now, he sat idly at his desk in grammar school, searching his mind for ways to add another chapter to his unfinished romance. He didn’t yet realize how many life-romances that started out strong are doomed to never go past the first or, at most, the second chapter. He spent his Saturday half-holiday in the woods with his book of fairy tales and that other unwritten book of his imagination.
Martin harboured an irreligious reluctance to see the approach of Sunday. His father and mother, while disclaiming community with the Establishment, failed not duly, once on the sacred day, to fill their large pew in Briarfield Church with the whole of their blooming family. Theoretically, Mr. Yorke placed all sects and churches on a level. Mrs. Yorke awarded the palm to Moravians and Quakers, on account of that crown of humility by these worthies worn. Neither of them were ever known, however, to set foot in a conventicle.
Martin felt a strong reluctance to welcome Sunday. His parents, while claiming to distance themselves from the established church, always made sure to fill their large pew in Briarfield Church with their entire, lively family on that sacred day. In theory, Mr. Yorke considered all sects and churches equal. Mrs. Yorke favored Moravians and Quakers, admiring their humble nature. However, neither of them was ever known to attend a gathering outside the established church.
Martin, I say, disliked Sunday, because the morning service was long, and the sermon usually little to his taste.[Pg 514] This Saturday afternoon, however, his woodland musings disclosed to him a new-found charm in the coming day.
Martin, I say, didn’t like Sundays because the morning service dragged on, and the sermon was usually not to his liking.[Pg514I'm ready for the text. Please provide the short piece. This Saturday afternoon, though, his thoughts in the woods revealed a fresh appeal in the upcoming day.
It proved a day of deep snow—so deep that Mrs. Yorke during breakfast announced her conviction that the children, both boys and girls, would be better at home; and her decision that, instead of going to church, they should sit silent for two hours in the back parlour, while Rose and Martin alternately read a succession of sermons—John Wesley's "Sermons." John Wesley, being a reformer and an agitator, had a place both in her own and her husband's favour.
It turned out to be a day of heavy snow—so heavy that Mrs. Yorke during breakfast stated her belief that the kids, both boys and girls, would be better off at home; and she decided that, instead of going to church, they should quietly sit for two hours in the back parlor while Rose and Martin took turns reading a series of sermons—John Wesley's "Sermons." John Wesley, being a reformer and a fighter for change, had a special place in both her and her husband's esteem.
"Rose will do as she pleases," said Martin, not looking up from the book which, according to his custom then and in after-life, he was studying over his bread and milk.
"Rose will do what she wants," said Martin, not looking up from the book he was reading while eating his bread and milk, as was his habit then and later in life.
"Rose will do as she is told, and Martin too," observed the mother.
"Rose will do what she's told, and so will Martin," the mother noted.
"I am going to church."
"I'm going to church."
So her son replied, with the ineffable quietude of a true Yorke, who knows his will and means to have it, and who, if pushed to the wall, will let himself be crushed to death, provided no way of escape can be found, but will never capitulate.
So her son replied, with the unshakeable calm of a true Yorke, who knows what he wants and is determined to get it, and who, if backed into a corner, would rather be crushed than give in, as long as there’s no way out, but will never surrender.
"It is not fit weather," said the father.
"It’s not good weather," said the father.
No answer. The youth read studiously; he slowly broke his bread and sipped his milk.
No answer. The young man read intently; he slowly tore off his bread and drank his milk.
"Martin hates to go to church, but he hates still more to obey," said Mrs. Yorke.
"Martin hates going to church, but he hates obeying even more," said Mrs. Yorke.
"I suppose I am influenced by pure perverseness?"
"I guess I'm just being stubborn?"
"Yes, you are."
"Yeah, you are."
"Mother, I am not."
"Mom, I'm not."
"By what, then, are you influenced?"
"What inspires you?"
"By a complication of motives, the intricacies of which I should as soon think of explaining to you as I should of turning myself inside out to exhibit the internal machinery of my frame."
"With a mix of reasons that are so complicated, I'd rather attempt to explain them to you than to reveal my innermost thoughts as if I were turning myself inside out."
"Hear Martin! hear him!" cried Mr. Yorke. "I must see and have this lad of mine brought up to the bar. Nature meant him to live by his tongue. Hesther, your third son must certainly be a lawyer; he has the stock-in-trade—brass, self-conceit, and words—words—words."
"Hear Martin! Listen to him!" shouted Mr. Yorke. "I need to see this boy of mine brought to the forefront. Nature intended for him to earn a living with his words. Hesther, your third son definitely needs to be a lawyer; he has what it takes—confidence, self-assurance, and tons of words—words—words."
"Some bread, Rose, if you please," requested Martin, with intense gravity, serenity, phlegm. The boy had naturally a low, plaintive voice, which in his "dour moods" rose scarcely above a lady's whisper. The more inflexibly[Pg 515] stubborn the humour, the softer, the sadder the tone. He rang the bell, and gently asked for his walking-shoes.
"Some bread, Rose, if you don’t mind," Martin requested, with serious focus and calmness. The boy naturally had a soft, pleading voice, which barely rose above a woman's whisper when he was in his "bad moods." The more stubborn his mood was, the softer and sadder his tone became. He rang the bell and gently asked for his walking shoes.[Pg515Please provide the text you would like me to modernize.
"But, Martin," urged his sire, "there is drift all the way; a man could hardly wade through it. However, lad," he continued, seeing that the boy rose as the church bell began to toll, "this is a case wherein I would by no means balk the obdurate chap of his will. Go to church by all means. There is a pitiless wind, and a sharp, frozen sleet, besides the depth under foot. Go out into it, since thou prefers it to a warm fireside."
"But, Martin," urged his father, "there's a lot of snow everywhere; a person could barely walk through it. Still, son," he continued, noticing that the boy was getting up as the church bell started to ring, "in this situation, I wouldn't want to stop you from doing what you want. Go to church if that’s what you really want. There’s a brutal wind, and sharp, freezing sleet, plus the deep snow on the ground. Go out into it if you prefer that over a cozy fireside."
Martin quietly assumed his cloak, comforter, and cap, and deliberately went out.
Martin quietly put on his cloak, comforter, and cap, and intentionally stepped outside.
"My father has more sense than my mother," he pronounced. "How women miss it! They drive the nail into the flesh, thinking they are hammering away at insensate stone."
"My dad has more common sense than my mom," he said. "Women really miss the point! They drive the nail into the flesh, believing they are hammering away at a mindless stone."
He reached church early.
He arrived at church early.
"Now, if the weather frightens her (and it is a real December tempest), or if that Mrs. Pryor objects to her going out, and I should miss her after all, it will vex me; but, tempest or tornado, hail or ice, she ought to come, and if she has a mind worthy of her eyes and features she will come. She will be here for the chance of seeing me, as I am here for the chance of seeing her. She will want to get a word respecting her confounded sweetheart, as I want to get another flavour of what I think the essence of life—a taste of existence, with the spirit preserved in it, and not evaporated. Adventure is to stagnation what champagne is to flat porter."
"Now, if the weather scares her (and it's a real December storm), or if Mrs. Pryor doesn’t want her to go out, and I end up missing her after all, it will frustrate me; but, storm or no storm, hail or ice, she should come, and if she has a mind that matches her beauty, she will come. She’ll be here just for the chance to see me, as I am here for the chance to see her. She’ll want to get a word about her annoying boyfriend, just as I want to experience what I think is the essence of life—a taste of existence, with the spirit intact and not faded away. Adventure is to stagnation what champagne is to flat beer."
He looked round. The church was cold, silent, empty, but for one old woman. As the chimes subsided and the single bell tolled slowly, another and another elderly parishioner came dropping in, and took a humble station in the free sittings. It is always the frailest, the oldest, and the poorest that brave the worst weather, to prove and maintain their constancy to dear old mother church. This wild morning not one affluent family attended, not one carriage party appeared—all the lined and cushioned pews were empty; only on the bare oaken seats sat ranged the gray-haired elders and feeble paupers.
He looked around. The church was cold, silent, and empty, except for one old woman. As the chimes faded and the single bell rang slowly, more elderly parishioners started to trickle in, taking their places in the available seats. It’s always the frailest, the oldest, and the poorest who brave the worst weather to show their loyalty to dear old mother church. This wild morning, not one wealthy family showed up, and not one carriage party arrived—all the cushioned pews were empty; only the bare wooden seats were filled with gray-haired elders and frail poor people.
"I'll scorn her if she doesn't come," muttered Martin, shortly and savagely, to himself. The rector's shovel-hat had passed the porch. Mr. Helstone and his clerk were in the vestry.
"I'll hate her if she doesn't show up," Martin muttered to himself, feeling angry. The rector's hat had passed by the porch. Mr. Helstone and his clerk were in the vestry.
[Pg 516]The bells ceased—the reading-desk was filled—the doors were closed—the service commenced. Void stood the rectory pew—she was not there. Martin scorned her.
[Pg516I'm sorry, but there appears to be a misunderstanding. I can't modernize content without text to work with. Please provide the phrases you would like me to modernize.The bells stopped—the reading desk was set—the doors were shut—the service began. The rectory pew was empty—she wasn't there. Martin looked down on her.
"Worthless thing! vapid thing! commonplace humbug! Like all other girls—weakly, selfish, shallow!"
"Worthless thing! Empty thing! Ordinary nonsense! Like all other girls—weak, selfish, superficial!"
Such was Martin's liturgy.
Such was Martin's ritual.
"She is not like our picture. Her eyes are not large and expressive; her nose is not straight, delicate, Hellenic; her mouth has not that charm I thought it had, which I imagined could beguile me of sullenness in my worst moods. What is she? A thread-paper, a doll, a toy, a girl, in short."
"She's not like our picture. Her eyes aren't big and expressive; her nose isn't straight, delicate, or Hellenic; her mouth doesn’t have the charm I thought it had, which I imagined could lift my mood during my worst times. What is she? A piece of paper, a doll, a toy, a girl, in short."
So absorbed was the young cynic he forgot to rise from his knees at the proper place, and was still in an exemplary attitude of devotion when, the litany over, the first hymn was given out. To be so caught did not contribute to soothe him. He started up red (for he was as sensitive to ridicule as any girl). To make the matter worse, the church door had reopened, and the aisles were filling: patter, patter, patter, a hundred little feet trotted in. It was the Sunday scholars. According to Briarfield winter custom, these children had till now been kept where there was a warm stove, and only led into church just before the communion and sermon.
So absorbed was the young cynic that he forgot to get up from his knees at the right time and stayed in a prayerful position when the litany ended and the first hymn was announced. Being caught like that didn’t help his nerves. He jumped up, blushing (because he was as sensitive to mockery as any girl). To make matters worse, the church door had reopened, and the aisles were beginning to fill: patter, patter, patter, as a hundred little feet hurried in. It was the Sunday school kids. Following the winter tradition in Briarfield, these children had been kept near a warm stove until now and were only brought into the church just before communion and the sermon.
The little ones were settled first, and at last, when the boys and the younger girls were all arranged—when the organ was swelling high, and the choir and congregation were rising to uplift a spiritual song—a tall class of young women came quietly in, closing the procession. Their teacher, having seen them seated, passed into the rectory pew. The French-gray cloak and small beaver bonnet were known to Martin; it was the very costume his eyes had ached to catch. Miss Helstone had not suffered the storm to prove an impediment. After all, she was come to church. Martin probably whispered his satisfaction to his hymn book; at any rate, he therewith hid his face two minutes.
The little kids were settled first, and finally, when the boys and younger girls were all in place—when the organ was playing loudly and the choir and congregation were getting ready to sing a spiritual song—a tall group of young women came in quietly, bringing up the end of the line. Their teacher, seeing them seated, moved to the rectory pew. Martin recognized the French-gray cloak and small beaver bonnet; it was exactly the outfit he had longed to see. Miss Helstone didn’t let the storm stop her. After all, she had come to church. Martin probably whispered his satisfaction to his hymn book; in any case, he hid his face there for two minutes.
Satisfied or not, he had time to get very angry with her again before the sermon was over. She had never once looked his way; at least he had not been so lucky as to encounter a glance.
Satisfied or not, he had time to get really angry at her again before the sermon was over. She had never once looked his way; at least he hadn't been lucky enough to catch her eye.
"If," he said—"if she takes no notice of me, if she shows I am not in her thoughts, I shall have a worse, a meaner opinion of her than ever. Most despicable would it be to come for the sake of those sheep-faced Sunday[Pg 517] scholars, and not for my sake or that long skeleton Moore's."
"If," he said, "if she ignores me, if it’s clear I’m not on her mind, I'll think even less of her than before. It would be pretty pathetic to show up just for those vacant Sunday[Pg517] scholars, and not for me or that tall guy Moore."
The sermon found an end; the benediction was pronounced; the congregation dispersed. She had not been near him.
The sermon came to a close; the blessing was given; the congregation broke up. She hadn't been close to him.
Now, indeed, as Martin set his face homeward, he felt that the sleet was sharp and the east wind cold.
Now, as Martin headed home, he felt the sharp sleet and the cold east wind.
His nearest way lay through some fields. It was a dangerous, because an untrodden way. He did not care; he would take it. Near the second stile rose a clump of trees. Was that an umbrella waiting there? Yes, an umbrella, held with evident difficulty against the blast; behind it fluttered a French-gray cloak. Martin grinned as he toiled up the steep, encumbered field, difficult to the foot as a slope in the upper realms of Etna. There was an inimitable look in his face when, having gained the stile, he seated himself coolly thereupon, and thus opened a conference which, for his own part, he was willing to prolong indefinitely.
His quickest route was through some fields. It was risky because it was a path not often used. He didn’t mind; he’d take it. Near the second stile, there was a cluster of trees. Was that an umbrella waiting there? Yes, an umbrella, struggling to stay upright against the wind; behind it fluttered a French-gray cloak. Martin smiled as he trudged up the steep, difficult field, hard to navigate like a slope on the upper slopes of Etna. There was a unique expression on his face when, having reached the stile, he casually sat down on it and opened a conversation that he was more than happy to continue for as long as needed.
"I think you had better strike a bargain. Exchange me for Mrs. Pryor."
"I think you should make a deal. Trade me for Mrs. Pryor."
"I was not sure whether you would come this way, Martin, but I thought I would run the chance. There is no such thing as getting a quiet word spoken in the church or churchyard."
"I wasn't sure if you'd come this way, Martin, but I thought I'd take the chance. It’s impossible to have a quiet word in the church or churchyard."
"Will you agree?—make over Mrs. Pryor to my mother, and put me in her skirts?"
"Will you agree?—give Mrs. Pryor to my mom, and let me wear her clothes?"
"As if I could understand you! What puts Mrs. Pryor into your head?"
"As if I could understand you! What makes you think of Mrs. Pryor?"
"You call her 'mamma,' don't you?"
"You call her 'Mom,' right?"
"She is my mamma."
"She is my mom."
"Not possible—or so inefficient, so careless a mamma; I should make a five times better one. You may laugh. I have no objection to see you laugh. Your teeth—I hate ugly teeth; but yours are as pretty as a pearl necklace, and a necklace of which the pearls are very fair, even, and well matched too."
"Not possible—or so inefficient and careless a mom; I could do a way better job. You might laugh. I don’t mind seeing you laugh. Your teeth—I can’t stand ugly teeth; but yours are as beautiful as a pearl necklace, and the pearls are very fair, even, and well-matched too."
"Martin, what now? I thought the Yorkes never paid compliments?"
"Martin, what’s going on? I thought the Yorkes never gave compliments?"
"They have not done till this generation; but I feel as if it were my vocation to turn out a new variety of the Yorke species. I am rather tired of my own ancestors. We have traditions going back for four ages—tales of Hiram, which was the son of Hiram, which was the son of[Pg 518] Samuel, which was the son of John, which was the son of Zerubbabel Yorke. All, from Zerubbabel down to the last Hiram, were such as you see my father. Before that there was a Godfrey. We have his picture; it hangs in Moore's bedroom; it is like me. Of his character we know nothing; but I am sure it was different to his descendants. He has long, curling dark hair; he is carefully and cavalierly dressed. Having said that he is like me, I need not add that he is handsome."
"They haven't done it until this generation, but I feel like it's my calling to create a new version of the Yorke family. I'm pretty tired of my own ancestors. We have traditions that go back four generations—stories of Hiram, who was the son of Hiram, who was the son of [Pg518] Samuel, who was the son of John, who was the son of Zerubbabel Yorke. Everyone, from Zerubbabel down to the most recent Hiram, is just like my father. Before that, there was a Godfrey. We have his picture; it hangs in Moore's bedroom; he looks like me. We know nothing about his character, but I'm sure it was different from his descendants. He has long, wavy dark hair; he’s dressed both neatly and stylishly. Having mentioned that he looks like me, I don't need to add that he’s handsome."
"You are not handsome, Martin."
"You aren't handsome, Martin."
"No; but wait awhile—just let me take my time. I mean to begin from this day to cultivate, to polish, and we shall see."
"No, but just wait a moment—let me take my time. I plan to start from today to nurture, to refine, and we’ll see what happens."
"You are a very strange, a very unaccountable boy, Martin. But don't imagine you ever will be handsome; you cannot."
"You’re a really strange and unpredictable kid, Martin. But don’t think you’ll ever be good-looking; you can’t."
"I mean to try. But we were talking about Mrs. Pryor. She must be the most unnatural mamma in existence, coolly to let her daughter come out in this weather. Mine was in such a rage because I would go to church; she was fit to fling the kitchen brush after me."
"I intend to try. But we were discussing Mrs. Pryor. She has to be the most unnatural mom ever, casually letting her daughter go out in this weather. Mine was so furious because I wanted to go to church; she nearly threw the kitchen brush at me."
"Mamma was very much concerned about me; but I am afraid I was obstinate. I would go."
"Mama was really worried about me, but I’m afraid I was stubborn. I would go."
"To see me?"
"Are you here to see me?"
"Exactly; I thought of nothing else. I greatly feared the snow would hinder you from coming. You don't know how pleased I was to see you all by yourself in the pew."
"Exactly; I couldn't think of anything else. I was really worried the snow would stop you from coming. You have no idea how happy I was to see you all alone in the pew."
"I came to fulfil my duty, and set the parish a good example. And so you were obstinate, were you? I should like to see you obstinate, I should. Wouldn't I have you in good discipline if I owned you? Let me take the umbrella."
"I came to do my duty and set a good example for the community. So, you were being stubborn, huh? I'd like to see you being stubborn, I really would. Just imagine how well I could discipline you if you were mine. Let me take the umbrella."
"I can't stay two minutes; our dinner will be ready."
"I can't stay for two minutes; our dinner will be ready."
"And so will ours; and we have always a hot dinner on Sundays. Roast goose to-day, with apple-pie and rice-pudding. I always contrive to know the bill of fare. Well, I like these things uncommonly; but I'll make the sacrifice, if you will."
"And so will ours; and we always have a hot dinner on Sundays. Roast goose today, with apple pie and rice pudding. I always manage to know what's on the menu. Well, I really like these things a lot; but I'll make the sacrifice if you will."
"We have a cold dinner. My uncle will allow no unnecessary cooking on the Sabbath. But I must return; the house would be in commotion if I failed to appear."
"We're having a cold dinner. My uncle won't allow any extra cooking on the Sabbath. But I have to go back; the house would be in chaos if I don't show up."
"So will Briarmains, bless you! I think I hear my father sending out the overlooker and five of the dyers, to look in six directions for the body of his prodigal son in the[Pg 519] snow; and my mother repenting her of her many misdeeds towards me, now I am gone."
"So will Briarmains, bless you! I think I hear my father sending out the overseer and five of the dyers to search in all directions for the body of his wayward son in the[Pg519I'm sorry, but I cannot assist without specific phrases to modernize. Please provide the text you'd like me to work on. snow; and my mother regretting her many wrongs against me now that I’m gone."
"Martin, how is Mr. Moore?"
"Martin, how's Mr. Moore?"
"That is what you came for, just to say that word."
"That's what you came for, just to say that word."
"Come, tell me quickly."
"Quick, tell me."
"Hang him! he is no worse; but as ill-used as ever—mewed up, kept in solitary confinement. They mean to make either an idiot or a maniac of him, and take out a commission of lunacy. Horsfall starves him; you saw how thin he was."
"Hang him! He’s no worse; just as badly treated as always—cooped up, kept in solitary confinement. They intend to turn him into either an idiot or a maniac, and file for a commission of lunacy. Horsfall is starving him; you saw how thin he was."
"You were very good the other day, Martin."
"You did really well the other day, Martin."
"What day? I am always good—a model."
"What day? I'm always good—a role model."
"When will you be so good again?"
"When will you be this nice again?"
"I see what you are after; but you'll not wheedle me—I am no cat's-paw."
"I see what you want; but you won't trick me—I am no fool."
"But it must be done. It is quite a right thing, and a necessary thing."
"But it has to be done. It’s definitely the right thing to do, and it’s necessary."
"How you encroach! Remember, I managed the matter of my own free will before."
"Wow, you're really overstepping! Just remember, I handled this on my own before."
"And you will again."
"And you will again."
"I won't. The business gave me far too much trouble. I like my ease."
"I won't. The business caused me way too much stress. I prefer my comfort."
"Mr. Moore wishes to see me, Martin, and I wish to see him."
"Mr. Moore wants to see me, Martin, and I want to see him."
"I dare say" (coolly).
"I must say" (coolly).
"It is too bad of your mother to exclude his friends."
"It's really unfair of your mom to leave out his friends."
"Tell her so."
"Tell her that."
"His own relations."
"His own family."
"Come and blow her up."
"Come and blow her away."
"You know that would advance nothing. Well, I shall stick to my point. See him I will. If you won't help me, I'll manage without help."
"You know that wouldn't help at all. Well, I'm going to stick with my plan. I'll see him, no matter what. If you won't help me, I'll figure it out on my own."
"Do; there is nothing like self-reliance, self-dependence."
"Do; there's nothing like being self-reliant and independent."
"I have no time to reason with you now; but I consider you provoking. Good-morning."
"I don't have time to argue with you right now, but I find you irritating. Good morning."
Away she went, the umbrella shut, for she could not carry it against the wind.
Away she went, the umbrella closed, because she couldn't hold it against the wind.
"She is not vapid; she is not shallow," said Martin. "I shall like to watch, and mark how she will work her way without help. If the storm were not of snow, but of fire—such as came refreshingly down on the cities of the plain—she would go through it to procure five minutes' speech of that Moore. Now, I consider I have had a pleasant[Pg 520] morning. The disappointments got time on; the fears and fits of anger only made that short discourse pleasanter, when it came at last. She expected to coax me at once. She'll not manage that in one effort. She shall come again, again, and yet again. It would please me to put her in a passion—to make her cry. I want to discover how far she will go—what she will do and dare—to get her will. It seems strange and new to find one human being thinking so much about another as she thinks about Moore. But it is time to go home; my appetite tells me the hour. Won't I walk into that goose? and we'll try whether Matthew or I shall get the largest cut of the apple-pie to-day."[Pg 521]
"She's not empty-headed; she's not superficial," said Martin. "I want to watch and see how she navigates things on her own. If the storm were made of fire—like the one that refreshingly hit the cities in the plains—she would push through it just to get five minutes with that Moore. Honestly, I’ve had a nice[Pg520Please provide the text you would like me to modernize. morning. Disappointments took some time; the fears and bursts of anger only made that short conversation more enjoyable when it finally happened. She thought she could persuade me right away. She won’t succeed with just one attempt. She’ll need to try again and again. It would amuse me to see her get angry—to make her cry. I want to find out how far she’ll go—what she’ll do and risk—to get her way. It feels strange and new to see one person care so much about another as she does about Moore. But it’s time to head home; my stomach is reminding me it’s time. I wonder if I’ll get that goose? Let’s see if Matthew or I ends up with the biggest slice of the apple pie today."[Pg521Please provide the text you would like me to modernize.
CHAPTER XXXV.
WHEREIN MATTERS MAKE SOME PROGRESS, BUT NOT MUCH.
Martin had planned well. He had laid out a dexterously concerted scheme for his private amusement. But older and wiser schemers than he are often doomed to see their finest-spun projects swept to annihilation by the sudden broom of Fate, that fell housewife whose red arm none can control. In the present instance this broom was manufactured out of the tough fibres of Moore's own stubborn purpose, bound tight with his will. He was now resuming his strength, and making strange head against Mrs. Horsfall. Each morning he amazed that matron with a fresh astonishment. First he discharged her from her valet duties; he would dress himself. Then he refused the coffee she brought him; he would breakfast with the family. Lastly, he forbade her his chamber. On the same day, amidst the outcries of all the women in the place, he put his head out of doors. The morning after, he followed Mr. Yorke to his counting-house, and requested an envoy to fetch a chaise from the Red House Inn. He was resolved, he said, to return home to the Hollow that very afternoon. Mr. Yorke, instead of opposing, aided and abetted him. The chaise was sent for, though Mrs. Yorke declared the step would be his death. It came. Moore, little disposed to speak, made his purse do duty for his tongue. He expressed his gratitude to the servants and to Mrs. Horsfall by the chink of his coin. The latter personage approved and understood this language perfectly; it made amends for all previous contumacy. She and her patient parted the best friends in the world.
Martin had made thorough plans. He created a cleverly thought-out scheme for his personal enjoyment. But even smarter and more experienced schemers than he often find their carefully crafted plans shattered by the unexpected force of Fate, that unpredictable housekeeper whose influence no one can control. In this case, Fate was represented by the strong determination of Moore, tightly bound by his will. He was recovering his strength and making bold moves against Mrs. Horsfall. Each morning, he amazed her with something new. First, he relieved her of her role as his valet; he would dress himself. Then, he refused the coffee she brought him; he wanted to have breakfast with the family. Lastly, he banned her from his room. On the same day, amidst the protests of all the women around, he stepped outside. The next morning, he followed Mr. Yorke to his office and asked for someone to bring a carriage from the Red House Inn. He was determined, he said, to return home to the Hollow that very afternoon. Instead of trying to stop him, Mr. Yorke supported him. The carriage was ordered, though Mrs. Yorke warned that it would be detrimental to his health. It arrived. Moore, not much in the mood to talk, let his money speak for him. He showed his appreciation to the servants and to Mrs. Horsfall with the sound of coins. She understood this perfectly; it made up for any earlier disagreements. She and her patient parted as the best of friends.
The kitchen visited and soothed, Moore betook himself to the parlour. He had Mrs. Yorke to appease; not quite so easy a task as the pacification of her housemaids. There she sat plunged in sullen dudgeon, the gloomiest speculations on the depths of man's ingratitude absorbing her thoughts.[Pg 522] He drew near and bent over her; she was obliged to look up, if it were only to bid him "avaunt." There was beauty still in his pale, wasted features; there was earnestness and a sort of sweetness—for he was smiling—in his hollow eyes.
Moore left the kitchen, feeling calmer, and made his way to the parlor. He had to deal with Mrs. Yorke, which was not as easy as calming her housemaids. She sat there, deep in a gloomy mood, consumed by dark thoughts about human ingratitude. He approached and leaned over her; she had to look up, if only to tell him to go away. Despite everything, there was still beauty in his pale, thin face; his hollow eyes showed earnestness and a hint of sweetness, as he smiled.
"Good-bye!" he said, and as he spoke the smile glittered and melted. He had no iron mastery of his sensations now; a trifling emotion made itself apparent in his present weak state.
"Goodbye!" he said, and as he spoke, the smile sparkled and faded. He no longer had iron control over his feelings; a small emotion surfaced in his current vulnerable state.
"And what are you going to leave us for?" she asked. "We will keep you, and do anything in the world for you, if you will only stay till you are stronger."
"And what are you leaving us for?" she asked. "We'll take care of you and do anything for you if you'll just stay until you're stronger."
"Good-bye!" he again said; and added, "You have been a mother to me; give your wilful son one embrace."
"Goodbye!" he said once more, and added, "You've been like a mother to me; give your stubborn son one last hug."
Like a foreigner, as he was, he offered her first one cheek, then the other. She kissed him.
Like a stranger, as he was, he offered her one cheek first, then the other. She kissed him.
"What a trouble—what a burden I have been to you!" he muttered.
"What a hassle—what a weight I've been for you!" he whispered.
"You are the worst trouble now, headstrong youth!" was the answer. "I wonder who is to nurse you at Hollow's Cottage? Your sister Hortense knows no more about such matters than a child."
"You are the biggest trouble now, stubborn young person!" was the reply. "I wonder who is going to take care of you at Hollow's Cottage? Your sister Hortense doesn't know any more about these things than a child."
"Thank God! for I have had nursing enough to last me my life."
"Thank God! I've had enough nursing to last me a lifetime."
Here the little girls came in—Jessie crying, Rose quiet but grave. Moore took them out into the hall to soothe, pet, and kiss them. He knew it was not in their mother's nature to bear to see any living thing caressed but herself. She would have felt annoyed had he fondled a kitten in her presence.
Here came the little girls—Jessie crying, Rose silent but serious. Moore took them out into the hallway to comfort, cuddle, and kiss them. He understood that it wasn't in their mother’s nature to tolerate seeing anything else being loved except for herself. She would have felt irritated if he had played with a kitten in front of her.
The boys were standing about the chaise as Moore entered it; but for them he had no farewell. To Mr. Yorke he only said, "You have a good riddance of me. That was an unlucky shot for you, Yorke; it turned Briarmains into an hospital. Come and see me at the cottage soon."
The boys were gathered around the carriage as Moore got in; he didn’t say goodbye to them. To Mr. Yorke, he just said, "You’re better off without me. That was a unfortunate situation for you, Yorke; it turned Briarmains into a hospital. Come visit me at the cottage soon."
He drew up the glass; the chaise rolled away. In half an hour he alighted at his own garden wicket. Having paid the driver and dismissed the vehicle, he leaned on that wicket an instant, at once to rest and to muse.
He lifted the glass; the carriage drove off. In half an hour, he got out at his own garden gate. After paying the driver and sending the vehicle away, he leaned on the gate for a moment, both to rest and to think.
"Six months ago I passed out at this gate," said he, "a proud, angry, disappointed man. I come back sadder and wiser; weakly enough, but not worried. A cold, gray, yet quiet world lies round—a world where, if I hope little, I fear nothing. All slavish terrors of embarrassment have left me. Let the worst come, I can work, as Joe Scott[Pg 523] does, for an honourable living; in such doom I yet see some hardship but no degradation. Formerly, pecuniary ruin was equivalent in my eyes to personal dishonour. It is not so now; I know the difference. Ruin is an evil, but one for which I am prepared; the day of whose coming I know, for I have calculated. I can yet put it off six months—not an hour longer. If things by that time alter, which is not probable; if fetters, which now seem indissoluble, should be loosened from our trade (of all things the most unlikely to happen), I might conquer in this long struggle yet—I might—good God! what might I not do? But the thought is a brief madness; let me see things with sane eyes. Ruin will come, lay her axe to my fortune's roots, and hew them down. I shall snatch a sapling, I shall cross the sea, and plant it in American woods. Louis will go with me. Will none but Louis go? I cannot tell—I have no right to ask."
"Six months ago, I collapsed at this gate," he said, "a proud, angry, disappointed man. I return now feeling sadder and wiser; weakly perhaps, but not worried. A cold, gray yet calm world surrounds me—a world where I may hope little, but I don’t fear anything. All my paralyzing fears of embarrassment are gone. Let the worst happen, I can work, like Joe Scott[Pg523Please provide the text for modernization., for an honorable living; in such a fate, I see some hardship but no shame. Before, I equated financial ruin with personal dishonor. That's not how I see it now; I understand the difference. Ruin is a problem, but one I’m ready for; I know when it’s coming because I've calculated it. I can hold it off for six months—not a moment longer. If things change by then, which is unlikely; if the shackles that now seem unbreakable are loosened from our trade (the most improbable event), I might still win this long battle—I might—oh my God! what couldn’t I do? But that thought is brief madness; I must see things clearly. Ruin will come, strike at the roots of my fortune, and chop them down. I’ll grab a sapling, cross the sea, and plant it in the American woods. Louis will come with me. Will anyone but Louis join? I can’t say—I have no right to ask."
He entered the house.
He walked into the house.
It was afternoon, twilight yet out of doors—starless and moonless twilight; for though keenly freezing with a dry, black frost, heaven wore a mask of clouds congealed and fast locked. The mill-dam too was frozen. The Hollow was very still. Indoors it was already dark. Sarah had lit a good fire in the parlour; she was preparing tea in the kitchen.
It was afternoon, still light outside—without stars or moon; even though it was freezing with a dry, hard frost, the sky was covered and tightly locked with clouds. The millpond was frozen too. The Hollow was very quiet. Inside, it was already dark. Sarah had started a nice fire in the living room; she was making tea in the kitchen.
"Hortense," said Moore, as his sister bustled up to help him off with his cloak, "I am pleased to come home."
"Hortense," Moore said as his sister hurried over to help him take off his cloak, "I'm glad to be home."
Hortense did not feel the peculiar novelty of this expression coming from her brother, who had never before called the cottage his home, and to whom its narrow limits had always heretofore seemed rather restrictive than protective. Still, whatever contributed to his happiness pleased her, and she expressed herself to that effect.
Hortense didn't quite grasp the unusual way her brother spoke, as he had never before referred to the cottage as his home, and its small size had always felt more limiting than comforting to him. Still, anything that made him happy made her happy too, and she made sure to say so.
He sat down, but soon rose again. He went to the window; he came back to the fire.
He sat down, but soon got back up. He went to the window, then returned to the fire.
"Hortense!"
"Hortense!"
"Mon frère?"
"My brother?"
"This little parlour looks very clean and pleasant—unusually bright, somehow."
"This small living room looks very clean and nice—it's unusually bright, somehow."
"It is true, brother; I have had the whole house thoroughly and scrupulously cleaned in your absence."
"It’s true, brother; I had the entire house completely and carefully cleaned while you were gone."
"Sister, I think on this first day of your return home you ought to have a friend or so to tea, if it were only to see how fresh and spruce you have made the little place."
"Sister, I think on this first day of your return home you should have a friend or two over for tea, even if it's just to show off how fresh and tidy you’ve made the place."
[Pg 524]"True, brother. If it were not late I might send for Miss Mann."
[Pg524]"You're right, brother. If it weren't so late, I might call for Miss Mann."
"So you might; but it really is too late to disturb that good lady, and the evening is much too cold for her to come out."
"So you might; but it’s really too late to bother that nice lady, and it’s way too cold for her to come outside."
"How thoughtful in you, dear Gérard! We must put it off till another day."
"That’s really thoughtful of you, dear Gérard! We should postpone it to another day."
"I want some one to-day, dear sister—some quiet guest, who would tire neither of us."
"I want someone today, dear sister—some calm guest, who wouldn't wear either of us out."
"Miss Ainley?"
"Ms. Ainley?"
"An excellent person, they say; but she lives too far off. Tell Harry Scott to step up to the rectory with a request from you that Caroline Helstone should come and spend the evening with you."
"She's a great person, they say; but she lives too far away. Tell Harry Scott to go to the rectory with a request from you that Caroline Helstone should come and spend the evening with you."
"Would it not be better to-morrow, dear brother?"
"Wouldn't it be better tomorrow, dear brother?"
"I should like her to see the place as it is just now; its brilliant cleanliness and perfect neatness are so much to your credit."
"I want her to see the place as it is right now; its bright cleanliness and perfect neatness really reflect well on you."
"It might benefit her in the way of example."
"It might serve as a good example for her."
"It might and must; she ought to come."
"It probably should; she should come."
He went into the kitchen.
He walked into the kitchen.
"Sarah, delay tea half an hour." He then commissioned her to dispatch Harry Scott to the rectory, giving her a twisted note hastily scribbled in pencil by himself, and addressed "Miss Helstone."
"Sarah, push back tea by half an hour." He then asked her to send Harry Scott to the rectory, giving her a crumpled note quickly written in pencil by him, and addressed to "Miss Helstone."
Scarcely had Sarah time to get impatient under the fear of damage to her toast already prepared when the messenger returned, and with him the invited guest.
Scarcely had Sarah time to get impatient with the worry of her toast getting ruined when the messenger returned, bringing the invited guest with him.
She entered through the kitchen, quietly tripped up Sarah's stairs to take off her bonnet and furs, and came down as quietly, with her beautiful curls nicely smoothed, her graceful merino dress and delicate collar all trim and spotless, her gay little work-bag in her hand. She lingered to exchange a few kindly words with Sarah, and to look at the new tortoise-shell kitten basking on the kitchen hearth, and to speak to the canary-bird, which a sudden blaze from the fire had startled on its perch; and then she betook herself to the parlour.
She walked in through the kitchen, quietly made her way up Sarah's stairs to take off her hat and furs, and came back down just as quietly, her gorgeous curls perfectly styled, her elegant merino dress and fine collar neat and spotless, with her cheerful little work bag in hand. She took a moment to share a few friendly words with Sarah, to admire the new tortoiseshell kitten lounging on the kitchen hearth, and to comfort the canary, which had been startled from its perch by a sudden flare from the fire; and then she headed to the parlor.
The gentle salutation, the friendly welcome, were interchanged in such tranquil sort as befitted cousins meeting; a sense of pleasure, subtle and quiet as a perfume, diffused itself through the room; the newly-kindled lamp burnt up bright; the tray and the singing urn were brought in.
The warm greeting and friendly welcome were exchanged in a calm manner, fitting for cousins reuniting; a sense of joy, as delicate and soft as a fragrance, spread throughout the room; the newly lit lamp shone brightly; the tray and the bubbling urn were brought in.
[Pg 525]"I am pleased to come home," repeated Mr. Moore.
[Pg525] "I'm glad to be home," Mr. Moore said again.
They assembled round the table. Hortense chiefly talked. She congratulated Caroline on the evident improvement in her health. Her colour and her plump cheeks were returning, she remarked. It was true. There was an obvious change in Miss Helstone. All about her seemed elastic; depression, fear, forlornness, were withdrawn. No longer crushed, and saddened, and slow, and drooping, she looked like one who had tasted the cordial of heart's ease, and been lifted on the wing of hope.
They gathered around the table. Hortense mostly talked. She congratulated Caroline on the noticeable improvement in her health. Her color and her full cheeks were coming back, she noted. It was true. There was a clear change in Miss Helstone. Everything about her seemed more vibrant; depression, fear, and loneliness had faded away. No longer feeling crushed, sad, slow, and droopy, she looked like someone who had experienced the joy of relief and been uplifted by hope.
After tea Hortense went upstairs. She had not rummaged her drawers for a month past, and the impulse to perform that operation was now become resistless. During her absence the talk passed into Caroline's hands. She took it up with ease; she fell into her best tone of conversation. A pleasing facility and elegance of language gave fresh charm to familiar topics; a new music in the always soft voice gently surprised and pleasingly captivated the listener; unwonted shades and lights of expression elevated the young countenance with character, and kindled it with animation.
After tea, Hortense went upstairs. She hadn't gone through her drawers in the past month, and the urge to do that now felt overwhelming. While she was away, the conversation shifted to Caroline. She handled it effortlessly, slipping into her most engaging tone. Her pleasant ease and elegant way of speaking added new charm to familiar subjects; a fresh rhythm in her always gentle voice pleasantly surprised and captivated the listener; unexpected nuances and expressions lit up her youthful face with character and animated it.
"Caroline, you look as if you had heard good tidings," said Moore, after earnestly gazing at her for some minutes.
"Caroline, you look like you’ve just heard some good news," said Moore, after staring at her intently for a few minutes.
"Do I?"
"Do I?"
"I sent for you this evening that I might be cheered; but you cheer me more than I had calculated."
"I called for you this evening to lift my spirits; but you lift me up even more than I expected."
"I am glad of that. And I really cheer you?"
"I’m glad about that. And I really cheer for you?"
"You look brightly, move buoyantly, speak musically."
"You look vibrant, move gracefully, and speak beautifully."
"It is pleasant to be here again."
"It’s nice to be here again."
"Truly it is pleasant; I feel it so. And to see health on your cheek and hope in your eye is pleasant, Cary; but what is this hope, and what is the source of this sunshine I perceive about you?"
"Honestly, it’s nice; I really feel it. And seeing health on your face and hope in your eye is great, Cary; but what is this hope, and where does this light I see around you come from?"
"For one thing, I am happy in mamma. I love her so much, and she loves me. Long and tenderly she nursed me. Now, when her care has made me well, I can occupy myself for and with her all the day. I say it is my turn to attend to her; and I do attend to her. I am her waiting-woman as well as her child. I like—you would laugh if you knew what pleasure I have in making dresses and sewing for her. She looks so nice now, Robert; I will not let her be old-fashioned. And then, she is charming to talk to—full of wisdom, ripe in judgment, rich in information, exhaustless in stores her observant faculties have quietly amassed.[Pg 526] Every day that I live with her I like her better, I esteem her more highly, I love her more tenderly."
"I'm really happy with Mom. I love her so much, and she loves me too. She took care of me long and with so much affection. Now that her care has made me better, I can spend all day taking care of her. I say it's my turn to look after her, and I do look after her. I’m her maid as well as her child. You'd laugh if you knew how much joy I get from making dresses and sewing for her. She looks so great now, Robert; I won’t let her be out of style. Plus, she’s wonderful to talk to—full of wisdom, sharp in judgment, and packed with information that her keen observations have quietly gathered.[Pg526Please provide the text to be modernized. Every day I live with her, I like her more, respect her more, and love her more."
"That for one thing, then, Cary. You talk in such a way about 'mamma' it is enough to make one jealous of the old lady."
"That for one thing, then, Cary. The way you talk about 'mom' really makes me a bit jealous of her."
"She is not old, Robert."
"She isn't old, Robert."
"Of the young lady, then."
"About the young lady, then."
"She does not pretend to be young."
"She doesn't pretend to be young."
"Well, of the matron. But you said 'mamma's' affection was one thing that made you happy; now for the other thing."
"Well, about the matron. But you said 'mamma's' love was one thing that made you happy; now what’s the other thing?"
"I am glad you are better."
"Glad you're feeling better."
"What besides?"
"What else?"
"I am glad we are friends."
"I'm so glad we're friends."
"You and I?"
"You and me?"
"Yes. I once thought we never should be."
"Yeah. I once thought we should never be."
"Cary, some day I mean to tell you a thing about myself that is not to my credit, and consequently will not please you."
"Cary, one day I plan to tell you something about myself that doesn't make me look good, and because of that, you probably won't like it."
"Ah, don't! I cannot bear to think ill of you."
"Ah, please don’t! I can't stand to think negatively about you."
"And I cannot bear that you should think better of me than I deserve."
"And I can't stand the thought of you thinking I'm better than I really am."
"Well, but I half know your 'thing;' indeed, I believe I know all about it."
"Well, I kind of know your 'thing;' actually, I think I know all about it."
"You do not."
"You don't."
"I believe I do."
"I think so."
"Whom does it concern besides me?"
"Who cares about this besides me?"
She coloured; she hesitated; she was silent.
She blushed; she paused; she was quiet.
"Speak, Cary! Whom does it concern?"
"Speak, Cary! Who is it about?"
She tried to utter a name, and could not.
She tried to say a name, but couldn't.
"Tell me; there is none present but ourselves. Be frank."
"Go ahead, there’s no one here but us. Be honest."
"But if I guess wrong?"
"But what if I guess wrong?"
"I will forgive. Whisper, Cary."
"I'll forgive. Whisper, Cary."
He bent his ear to her lips. Still she would not, or could not, speak clearly to the point. Seeing that Moore waited and was resolved to hear something, she at last said, "Miss Keeldar spent a day at the rectory about a week since. The evening came on very wintry, and we persuaded her to stay all night."
He leaned in to hear her better. Still, she wouldn’t, or couldn’t, get to the point. Noticing that Moore was waiting and really wanted to hear something, she finally said, "Miss Keeldar spent a day at the rectory about a week ago. It turned very cold that evening, and we convinced her to stay the night."
"And you and she curled your hair together?"
"And you two curled your hair together?"
"How do you know that?"
"How do you know?"
"And then you chattered, and she told you——"
"And then you chatted, and she told you——"
"It was not at curling-hair time, so you are not as wise as you think; and, besides, she didn't tell me."
"It wasn’t time for curling hair, so you’re not as smart as you think; and also, she didn’t tell me."
[Pg 527]"You slept together afterwards?"
"You slept together afterward?"
"We occupied the same room and bed. We did not sleep much; we talked the whole night through."
"We shared the same room and bed. We didn’t sleep much; we talked the whole night long."
"I'll be sworn you did! And then it all came out—tant pis. I would rather you had heard it from myself."
"I swear you did! And then it all came out—too bad. I would have preferred you heard it from me."
"You are quite wrong. She did not tell me what you suspect—she is not the person to proclaim such things; but yet I inferred something from parts of her discourse. I gathered more from rumour, and I made out the rest by instinct."
"You are completely mistaken. She didn't tell me what you think—she isn't the type to say things like that; however, I picked up on hints from some of what she said. I heard more through gossip, and I pieced together the rest just by intuition."
"But if she did not tell you that I wanted to marry her for the sake of her money, and that she refused me indignantly and scornfully (you need neither start nor blush; nor yet need you prick your trembling fingers with your needle. That is the plain truth, whether you like it or not)—if such was not the subject of her august confidences, on what point did they turn? You say you talked the whole night through; what about?"
"But if she didn’t tell you that I wanted to marry her for her money, and that she indignantly and scornfully turned me down (you don’t need to startle or blush; you also don’t need to poke your trembling fingers with your needle. That’s the plain truth, like it or not)—if that wasn’t the topic of her important confessions, what did they focus on? You say you talked all night; about what?"
"About things we never thoroughly discussed before, intimate friends as we have been; but you hardly expect I should tell you?"
"About things we never fully talked about before, even though we've been close friends; but do you really expect me to share that?"
"Yes, yes, Cary; you will tell me. You said we were friends, and friends should always confide in each other."
"Yes, yes, Cary; you'll tell me. You said we were friends, and friends should always share everything with each other."
"But you are sure you won't repeat it?"
"But you're sure you won't do it again?"
"Quite sure."
"Pretty sure."
"Not to Louis?"
"Not for Louis?"
"Not even to Louis. What does Louis care for young ladies' secrets?"
"Not even to Louis. What does Louis care about young ladies' secrets?"
"Robert, Shirley is a curious, magnanimous being."
"Robert, Shirley is a curious and generous person."
"I dare say. I can imagine there are both odd points and grand points about her."
"I have to say, I can picture that there are both strange aspects and impressive qualities about her."
"I have found her chary in showing her feelings; but when they rush out, river-like, and pass full and powerful before you—almost without leave from her—you gaze, wonder; you admire, and—I think—love her."
"I’ve noticed that she’s hesitant to show her feelings; but when they burst out, flowing like a river, and come rushing by you—almost without her permission—you can’t help but stare, wonder, admire, and—I believe—love her."
"You saw this spectacle?"
"Did you see this?"
"Yes; at dead of night, when all the house was silent, and starlight and the cold reflection from the snow glimmered in our chamber, then I saw Shirley's heart."
"Yes; in the dead of night, when the whole house was quiet, and the starlight and the cold light reflecting off the snow sparkled in our room, that’s when I saw Shirley's heart."
"Her heart's core? Do you think she showed you that?"
"Her true self? Do you think she revealed that to you?"
"Her heart's core."
"Her heart's essence."
"And how was it?"
"How was it?"
"Like a shrine, for it was holy; like snow, for it was[Pg 528] pure; like flame, for it was warm; like death, for it was strong."
"Like a shrine, because it was sacred; like snow, because it was[Pg528I'm sorry, but I need text to assist you. Please provide a phrase or sentence for me to modernize. pure; like fire, because it was warm; like death, because it was powerful."
"Can she love? tell me that."
"Can she love? Tell me that."
"What think you?"
"What do you think?"
"She has loved none that have loved her yet."
"She hasn't loved anyone who has loved her yet."
"Who are those that have loved her?"
"Who are the ones that have loved her?"
He named a list of gentlemen, closing with Sir Philip Nunnely.
He mentioned a list of men, ending with Sir Philip Nunnely.
"She has loved none of these."
"She hasn't loved any of these."
"Yet some of them were worthy of a woman's affection."
"Yet some of them deserved a woman's love."
"Of some women's, but not of Shirley's."
"Of some women's, but not of Shirley's."
"Is she better than others of her sex?"
"Is she better than other women?"
"She is peculiar, and more dangerous to take as a wife—rashly."
"She is unusual, and it's more risky to marry her impulsively."
"I can imagine that."
"I can see that."
"She spoke of you——"
"She talked about you——"
"Oh, she did! I thought you denied it."
"Oh, she totally did! I thought you said it wasn't true."
"She did not speak in the way you fancy; but I asked her, and I would make her tell me what she thought of you, or rather how she felt towards you. I wanted to know; I had long wanted to know."
"She didn’t talk the way you imagine; but I asked her, and I made her tell me what she thought of you, or more precisely, how she felt about you. I wanted to know; I had wanted to know for a long time."
"So had I; but let us hear. She thinks meanly, she feels contemptuously, doubtless?"
"So did I; but let's listen. She thinks lowly, she feels contemptuously, right?"
"She thinks of you almost as highly as a woman can think of a man. You know she can be eloquent. I yet feel in fancy the glow of the language in which her opinion was conveyed."
"She thinks of you nearly as highly as a woman can think of a man. You know she can be expressive. I can still imagine the warmth of the words she used to share her thoughts."
"But how does she feel?"
"But how does she feel?"
"Till you shocked her (she said you had shocked her, but she would not tell me how) she felt as a sister feels towards a brother of whom she is at once fond and proud."
"Until you surprised her (she mentioned that you had surprised her, but she wouldn't share how) she felt the way a sister does towards a brother she both loves and admires."
"I'll shock her no more, Cary, for the shock rebounded on myself till I staggered again. But that comparison about sister and brother is all nonsense. She is too rich and proud to entertain fraternal sentiments for me."
"I won't shock her again, Cary, because the shock came back at me until I staggered once more. But that comparison between sister and brother is just nonsense. She's too wealthy and proud to feel any sibling affection for me."
"You don't know her, Robert; and, somehow, I fancy now (I had other ideas formerly) that you cannot know her. You and she are not so constructed as to be able thoroughly to understand each other."
"You don't know her, Robert; and, for some reason, I think now (I used to think differently) that you can’t really know her. You and she are just not made in a way that lets you fully understand each other."
"It may be so. I esteem her, I admire her; and yet my impressions concerning her are harsh—perhaps uncharitable. I believe, for instance, that she is incapable of love——"
"It might be true. I respect her, I admire her; and yet my feelings about her are tough—maybe unfair. I think, for example, that she can't really love——"
"Shirley incapable of love!"
"Shirley can't love!"
[Pg 529]"That she will never marry. I imagine her jealous of compromising her pride, of relinquishing her power, of sharing her property."
[Pg529It seems there was an error, as there was no text provided. Please provide a short piece of text (5 words or fewer) for modernization."That she will never get married. I picture her feeling jealous about giving up her pride, losing her independence, and sharing what she has."
"Shirley has hurt your amour propre."
"Shirley has hurt your self-esteem."
"She did hurt it; though I had not an emotion of tenderness, nor a spark of passion for her."
"She did hurt it; even so, I felt no tenderness or spark of passion for her."
"Then, Robert, it was very wicked in you to want to marry her."
"Then, Robert, it was really wrong of you to want to marry her."
"And very mean, my little pastor, my pretty priestess. I never wanted to kiss Miss Keeldar in my life, though she has fine lips, scarlet and round as ripe cherries; or, if I did wish it, it was the mere desire of the eye."
"And really mean, my little pastor, my lovely priestess. I never wanted to kiss Miss Keeldar in my life, even though she has beautiful lips, bright red and round like ripe cherries; or, if I did want to, it was just a visual desire."
"I doubt, now, whether you are speaking the truth. The grapes or the cherries are sour—'hung too high.'"
"I’m not sure anymore if you’re telling the truth. The grapes or the cherries are sour—they're 'hung too high.'"
"She has a pretty figure, a pretty face, beautiful hair. I acknowledge all her charms and feel none of them, or only feel them in a way she would disdain. I suppose I was truly tempted by the mere gilding of the bait. Caroline, what a noble fellow your Robert is—great, good, disinterested, and then so pure!"
"She has a nice body, a lovely face, gorgeous hair. I see all her charms and don’t really feel any of them, or only feel them in a way she would look down on. I guess I was really just tempted by the pretty surface of the bait. Caroline, what a great guy your Robert is—fantastic, kind, selfless, and so genuinely good!"
"But not perfect. He made a great blunder once, and we will hear no more about it."
"But not perfect. He made a big mistake once, and we won’t hear about it again."
"And shall we think no more about it, Cary? Shall we not despise him in our heart—gentle but just, compassionate but upright?"
"And should we not think about it anymore, Cary? Should we not feel contempt for him in our hearts—kind but fair, empathetic but principled?"
"Never! We will remember that with what measure we mete it shall be measured unto us, and so we will give no scorn, only affection."
"Never! We will remember that the way we treat others is how we will be treated, so we will show no contempt, only love."
"Which won't satisfy, I warn you of that. Something besides affection—something far stronger, sweeter, warmer—will be demanded one day. Is it there to give?"
"That won't be enough, I'm telling you. One day, something beyond affection—something much stronger, sweeter, and warmer—will be needed. Can you provide that?"
Caroline was moved, much moved.
Caroline was deeply moved.
"Be calm, Lina," said Moore soothingly. "I have no intention, because I have no right, to perturb your mind now, nor for months to come. Don't look as if you would leave me. We will make no more agitating allusions; we will resume our gossip. Do not tremble; look me in the face. See what a poor, pale, grim phantom I am—more pitiable than formidable."
"Stay calm, Lina," Moore said gently. "I have no intention, and no right, to disturb your mind right now, or for months ahead. Don't act like you want to leave me. We won’t make any more upsetting remarks; we'll get back to our chatting. Don’t shake; look me in the eye. See what a poor, pale, grim shadow I am—more sad than scary."
She looked shyly. "There is something formidable still, pale as you are," she said, as her eye fell under his.
She looked shyly. "There's still something impressive about you, even though you're pale," she said, as her gaze dropped to his.
"To return to Shirley," pursued Moore: "is it your opinion that she is ever likely to marry?"
"Getting back to Shirley," Moore continued, "do you think she’s ever going to get married?"
"She loves."
"She loves."
[Pg 530]"Platonically—theoretically—all humbug!"
"Basically—theoretically—all nonsense!"
"She loves what I call sincerely."
"She loves what I refer to as genuine."
"Did she say so?"
"Did she really say that?"
"I cannot affirm that she said so. No such confession as 'I love this man or that' passed her lips."
"I can't say that she said that. She never confessed 'I love this man or that.'"
"I thought not."
"I don't think so."
"But the feeling made its way in spite of her, and I saw it. She spoke of one man in a strain not to be misunderstood. Her voice alone was sufficient testimony. Having wrung from her an opinion on your character, I demanded a second opinion of—another person about whom I had my conjectures, though they were the most tangled and puzzled conjectures in the world. I would make her speak. I shook her, I chid her, I pinched her fingers when she tried to put me off with gibes and jests in her queer provoking way, and at last out it came. The voice, I say, was enough; hardly raised above a whisper, and yet such a soft vehemence in its tones. There was no confession, no confidence, in the matter. To these things she cannot condescend; but I am sure that man's happiness is dear to her as her own life."
"But the feeling came through despite her, and I noticed it. She spoke of one man in a way that was hard to misinterpret. Her voice alone was enough proof. After getting her thoughts on your character, I asked for a second opinion from—another person about whom I had my thoughts, even though they were the most complicated and confusing thoughts ever. I was determined to get her to talk. I shook her, scolded her, pinched her fingers when she tried to distract me with jokes and teasing in her oddly frustrating way, and finally, it came out. The voice, I tell you, was enough; barely above a whisper, but it had such a soft intensity in its tone. There was no confession, no trust in the matter. She can’t stoop to that; but I am sure that man’s happiness means as much to her as her own life."
"Who is it?"
"Who’s there?"
"I charged her with the fact. She did not deny, she did not avow, but looked at me. I saw her eyes by the snow-gleam. It was quite enough. I triumphed over her mercilessly."
"I confronted her with the truth. She didn't deny it, and she didn't confess either, but she just looked at me. I could see her eyes shining in the snowlight. That was more than enough. I felt victorious over her without mercy."
"What right had you to triumph? Do you mean to say you are fancy free?"
"What right did you have to celebrate? Are you really saying you are free and single?"
"Whatever I am, Shirley is a bondswoman. Lioness, she has found her captor. Mistress she may be of all round her, but her own mistress she is not."
"Whatever I am, Shirley is a bondswoman. Lioness, she has found her captor. She may be the mistress of everyone around her, but she is not her own mistress."
"So you exulted at recognizing a fellow-slave in one so fair and imperial?"
"So you were thrilled to see another slave in someone so beautiful and regal?"
"I did; Robert, you say right, in one so fair and imperial."
"I did; Robert, you're right, in someone so beautiful and regal."
"You confess it—a fellow-slave?"
"You admit it—a fellow-slave?"
"I confess nothing; but I say that haughty Shirley is no more free than was Hagar."
"I admit nothing; but I say that arrogant Shirley is no more free than Hagar was."
"And who, pray, is the Abraham, the hero of a patriarch who has achieved such a conquest?"
"And who, I ask, is the Abraham, the legendary patriarch who has accomplished such a feat?"
"You still speak scornfully, and cynically, and sorely; but I will make you change your note before I have done with you."
"You still talk with disdain, sarcasm, and hurt; but I will make you change your attitude before I'm finished with you."
"We will see that. Can she marry this Cupidon?"
"We'll see about that. Can she marry this Cupid?"
[Pg 531]"Cupidon! he is just about as much a Cupidon as you are a Cyclops."
[Pg531]"Cupid! He's about as much of a Cupid as you are a Cyclops."
"Can she marry him?"
"Is she allowed to marry him?"
"You will see."
"You'll see."
"I want to know his name, Cary."
"I want to know his name, Cary."
"Guess it."
"Take a guess."
"Is it any one in this neighbourhood?"
"Is there anyone in this neighborhood?"
"Yes, in Briarfield parish."
"Yes, in Briarfield area."
"Then it is some person unworthy of her. I don't know a soul in Briarfield parish her equal."
"Then it's someone unworthy of her. I don't know anyone in Briarfield parish who's her equal."
"Guess."
"Take a guess."
"Impossible. I suppose she is under a delusion, and will plunge into some absurdity, after all."
"Impossible. I guess she’s caught up in a delusion and will end up doing something ridiculous, after all."
Caroline smiled.
Caroline grinned.
"Do you approve the choice?" asked Moore.
"Do you approve the choice?" asked Moore.
"Quite, quite."
"Very, very."
"Then I am puzzled; for the head which owns this bounteous fall of hazel curls is an excellent little thinking machine, most accurate in its working. It boasts a correct, steady judgment, inherited from 'mamma,' I suppose."
"Then I am confused; because the head that has this beautiful cascade of hazel curls is an amazing little thinking machine, really precise in how it operates. It has a clear, steady judgment, probably inherited from 'mom.'"
"And I quite approve, and mamma was charmed."
"And I totally approve, and mom was delighted."
"'Mamma' charmed—Mrs. Pryor! It can't be romantic, then?"
"'Mom' was charmed—Mrs. Pryor! So it can't be romantic, right?"
"It is romantic, but it is also right."
"It is romantic, but it's also the right thing to do."
"Tell me, Cary—tell me out of pity; I am too weak to be tantalized."
"Tell me, Cary—just tell me out of compassion; I'm too weak to be teased."
"You shall be tantalized—it will do you no harm; you are not so weak as you pretend."
"You'll be tempted—it won't hurt you; you're not as weak as you act."
"I have twice this evening had some thoughts of falling on the floor at your feet."
"I've thought about collapsing at your feet twice this evening."
"You had better not. I shall decline to help you up."
"You really shouldn't. I'm not going to help you up."
"And worshipping you downright. My mother was a Roman Catholic. You look like the loveliest of her pictures of the Virgin. I think I will embrace her faith and kneel and adore."
"And I'm completely captivated by you. My mother was a Roman Catholic. You resemble the most beautiful of her pictures of the Virgin. I think I will adopt her faith and kneel and worship."
"Robert, Robert, sit still; don't be absurd. I will go to Hortense if you commit extravagances."
"Robert, Robert, sit still; don't be ridiculous. I will go to Hortense if you keep this up."
"You have stolen my senses. Just now nothing will come into my mind but les litanies de la sainte Vièrge. Rose céleste, reine des anges!"
"You have stolen my senses. Right now, nothing will come to my mind but the litanies of the holy Virgin. Celestial rose, queen of angels!"
"Tour d'ivoire, maison d'or—is not that the jargon? Well, sit down quietly, and guess your riddle."
"Ivory tower, house of gold—isn't that the lingo? Well, take a seat and quietly try to solve your riddle."
[Pg 532]"But 'mamma' charmed—there's the puzzle."
"But 'mom' charmed—there's the puzzle."
"I'll tell you what mamma said when I told her. 'Depend upon it, my dear, such a choice will make the happiness of Miss Keeldar's life.'"
"I'll tell you what mom said when I told her. 'Trust me, my dear, this choice will make Miss Keeldar's life happy.'"
"I'll guess once, and no more. It is old Helstone. She is going to be your aunt."
"I'll take a guess once, and that's it. It's old Helstone. She's going to be your aunt."
"I'll tell my uncle; I'll tell Shirley!" cried Caroline, laughing gleefully. "Guess again, Robert; your blunders are charming."
"I'll tell my uncle; I'll tell Shirley!" Caroline exclaimed, laughing with delight. "Try again, Robert; your mistakes are adorable."
"It is the parson—Hall."
"It's the pastor—Hall."
"Indeed, no; he is mine, if you please."
"Actually, no; he’s mine, if you don’t mind."
"Yours! Ay, the whole generation of women in Briarfield seem to have made an idol of that priest. I wonder why; he is bald, sand-blind, gray-haired."
"Yours! Yeah, the entire generation of women in Briarfield seems to have turned that priest into an idol. I wonder why; he’s bald, blind as a bat, and has gray hair."
"Fanny will be here to fetch me before you have solved the riddle, if you don't make haste."
"Fanny will be here to pick me up before you solve the puzzle if you don't hurry."
"I'll guess no more—I am tired; and then I don't care. Miss Keeldar may marry le grand Turc for me."
"I won't guess anymore—I'm tired; and honestly, I don't care. Miss Keeldar can marry le grand Turc for all I mind."
"Must I whisper?"
"Do I have to whisper?"
"That you must, and quickly. Here comes Hortense; come near, a little nearer, my own Lina. I care for the whisper more than the words."
"That you have to do, and fast. Here comes Hortense; come closer, a little closer, my dear Lina. I value the whisper more than the words."
She whispered. Robert gave a start, a flash of the eye, a brief laugh. Miss Moore entered, and Sarah followed behind, with information that Fanny was come. The hour of converse was over.
She whispered. Robert flinched, his eyes darted, and he let out a short laugh. Miss Moore walked in, and Sarah trailed behind, sharing the news that Fanny had arrived. The time for conversation was over.
Robert found a moment to exchange a few more whispered sentences. He was waiting at the foot of the staircase as Caroline descended after putting on her shawl.
Robert found a moment to share a few more whispered words. He was waiting at the bottom of the staircase as Caroline came down after putting on her shawl.
"Must I call Shirley a noble creature now?" he asked.
"Do I really have to call Shirley a noble person now?" he asked.
"If you wish to speak the truth, certainly."
"If you want to tell the truth, definitely."
"Must I forgive her?"
"Do I have to forgive her?"
"Forgive her? Naughty Robert! Was she in the wrong, or were you?"
"Forgive her? Mischievous Robert! Was she in the wrong, or were you?"
"Must I at length love her downright, Cary?"
"Do I really have to love her for real, Cary?"
Caroline looked keenly up, and made a movement towards him, something between the loving and the petulant.
Caroline looked up intently and made a gesture toward him, something that was a mix of affection and irritation.
"Only give the word, and I'll try to obey you."
"Just say the word, and I’ll do my best to follow you."
"Indeed, you must not love her; the bare idea is perverse."
"Honestly, you shouldn't love her; the very thought is twisted."
"But then she is handsome, peculiarly handsome. Hers is a beauty that grows on you. You think her but graceful when you first see her; you discover her to be beautiful when you have known her for a year."
"But then she is attractive, oddly attractive. Her beauty is the kind that grows on you. You find her just graceful when you first see her; you realize she's beautiful after you've known her for a year."
[Pg 533]"It is not you who are to say these things. Now, Robert, be good."
[Pg533I'm sorry, but there seems to be an error in your request. Please provide the text you would like modernized."You're not the one to say these things. Now, Robert, behave."
"O Cary, I have no love to give. Were the goddess of beauty to woo me, I could not meet her advances. There is no heart which I can call mine in this breast."
"O Cary, I have no love to give. Even if the goddess of beauty were to flirt with me, I couldn't respond to her advances. There is no heart that I can call my own in this chest."
"So much the better; you are a great deal safer without. Good-night."
"So much the better; you're much safer without it. Good night."
"Why must you always go, Lina, at the very instant when I most want you to stay?"
"Why do you always have to leave, Lina, right when I want you to stay the most?"
"Because you most wish to retain when you are most certain to lose."
"Because you really want to hold on when you're most likely to lose."
"Listen; one other word. Take care of your own heart—do you hear me?"
"Listen, one more thing. Take care of your own heart—do you hear me?"
"There is no danger."
"There's no danger."
"I am not convinced of that. The Platonic parson, for instance."
"I’m not convinced of that. The Platonic preacher, for example."
"Who—Malone?"
"Who—Malone?"
"Cyril Hall. I owe more than one twinge of jealousy to that quarter."
"Cyril Hall. I feel more than a little jealousy towards that place."
"As to you, you have been flirting with Miss Mann. She showed me the other day a plant you had given her.—Fanny, I am ready."[Pg 534]
"As for you, you’ve been flirting with Miss Mann. She showed me a plant you gave her the other day. —Fanny, I’m ready." [Pg534I'm sorry, but it seems you haven't provided any text for me to modernize. Please provide the phrase you'd like me to work on.
CHAPTER XXXVI.
WRITTEN IN THE SCHOOLROOM.
Louis Moore's doubts respecting the immediate evacuation of Fieldhead by Mr. Sympson turned out to be perfectly well founded. The very next day after the grand quarrel about Sir Philip Nunnely a sort of reconciliation was patched up between uncle and niece. Shirley, who could never find it in her heart to be or to seem inhospitable (except in the single instance of Mr. Donne), begged the whole party to stay a little longer. She begged in such earnest it was evident she wished it for some reason. They took her at her word. Indeed, the uncle could not bring himself to leave her quite unwatched—at full liberty to marry Robert Moore as soon as that gentleman should be able (Mr. Sympson piously prayed this might never be the case) to reassert his supposed pretensions to her hand. They all stayed.
Louis Moore's concerns about Mr. Sympson's immediate evacuation of Fieldhead turned out to be completely justified. The very next day after the big argument about Sir Philip Nunnely, a kind of reconciliation was made between uncle and niece. Shirley, who could never bring herself to be or appear unfriendly (except in the one instance of Mr. Donne), urged everyone to stay a little longer. She asked so earnestly that it was clear she had a reason for wanting them to remain. They took her request seriously. In fact, the uncle couldn't bear to leave her without supervision—allowing her the freedom to marry Robert Moore as soon as he might manage (Mr. Sympson sincerely wished this would never happen). So, they all stayed.
In his first rage against all the house of Moore, Mr. Sympson had so conducted himself towards Mr. Louis that that gentleman—patient of labour or suffering, but intolerant of coarse insolence—had promptly resigned his post, and could now be induced to resume and retain it only till such time as the family should quit Yorkshire. Mrs. Sympson's entreaties prevailed with him thus far; his own attachment to his pupil constituted an additional motive for concession; and probably he had a third motive, stronger than either of the other two. Probably he would have found it very hard indeed to leave Fieldhead just now.
In his initial anger against the entire Moore family, Mr. Sympson treated Mr. Louis in such a way that the gentleman—able to handle work or hardship, but unable to stand rude insolence—quickly quit his job. Mr. Louis could now only be convinced to take it back temporarily until the family left Yorkshire. Mrs. Sympson's pleas convinced him to stay this much; his own fondness for his student provided another reason for his compromise; and likely he had a third reason, even stronger than the other two. He probably would have found it extremely difficult to leave Fieldhead at this moment.
Things went on for some time pretty smoothly. Miss Keeldar's health was re-established; her spirits resumed their flow. Moore had found means to relieve her from every nervous apprehension; and, indeed, from the moment of giving him her confidence, every fear seemed to have taken wing. Her heart became as lightsome, her manner as careless, as those of a little child, that, thoughtless of its own life or death, trusts all responsibility to its parents. He[Pg 535] and William Farren—through whose medium he made inquiries concerning the state of Phœbe—agreed in asserting that the dog was not mad, that it was only ill-usage which had driven her from home; for it was proved that her master was in the frequent habit of chastising her violently. Their assertion might or might not be true. The groom and gamekeeper affirmed to the contrary—both asserting that, if hers was not a clear case of hydrophobia, there was no such disease. But to this evidence Louis Moore turned an incredulous ear. He reported to Shirley only what was encouraging. She believed him; and, right or wrong, it is certain that in her case the bite proved innocuous.
Things went pretty smoothly for a while. Miss Keeldar's health was restored, and her spirits bounced back. Moore managed to ease all her nervous worries; in fact, from the moment she trusted him, every fear seemed to disappear. Her heart felt light, and her demeanor became carefree, like a little child who, without a thought for its own safety, relies completely on its parents. He[Pg535It seems you did not include any phrases for me to modernize. Please provide the text you would like me to work on. and William Farren—through whom he made inquiries about Phœbe—both agreed that the dog wasn’t mad, just mistreated, which was why she had run away; it had been proven that her owner often punished her harshly. Their claim could be true or not. The groom and gamekeeper insisted otherwise—both claiming that if Phœbe wasn’t clearly suffering from rabies, then such a disease didn’t exist. But Louis Moore ignored that evidence. He only shared positive news with Shirley. She believed him; and whether it was right or wrong, it’s clear that the bite didn’t harm her.
November passed; December came. The Sympsons were now really departing. It was incumbent on them to be at home by Christmas. Their packages were preparing; they were to leave in a few days. One winter evening, during the last week of their stay, Louis Moore again took out his little blank book, and discoursed with it as follows:—
November went by; December arrived. The Sympsons were really getting ready to leave. They needed to be home by Christmas. Their packages were being packed; they were set to leave in a few days. One winter evening, during the last week of their stay, Louis Moore took out his little notebook again and wrote in it as follows:—
"She is lovelier than ever. Since that little cloud was dispelled all the temporary waste and wanness have vanished. It was marvellous to see how soon the magical energy of youth raised her elastic and revived her blooming.
"She is more beautiful than ever. Since that little cloud was cleared away, all the temporary dullness and paleness have disappeared. It was amazing to see how quickly the magical energy of youth uplifted her spirit and restored her vibrancy."
"After breakfast this morning, when I had seen her, and listened to her, and, so to speak, felt her, in every sentient atom of my frame, I passed from her sunny presence into the chill drawing-room. Taking up a little gilt volume, I found it to contain a selection of lyrics. I read a poem or two; whether the spell was in me or in the verse I know not, but my heart filled genially, my pulse rose. I glowed, notwithstanding the frost air. I, too, am young as yet. Though she said she never considered me young, I am barely thirty. There are moments when life, for no other reason than my own youth, beams with sweet hues upon me.
"After breakfast this morning, after seeing her, listening to her, and, so to speak, feeling her in every part of my being, I left her warm presence and stepped into the cold drawing-room. I picked up a little gilded book and found that it contained a collection of poems. I read a poem or two; I’m not sure if the magic was in me or in the words, but my heart swelled with warmth, and my pulse quickened. I felt alive, despite the chilly air. I’m still young after all. Even though she said she never thought of me as young, I’m just about thirty. There are moments when life, just because of my own youth, shines with beautiful colors for me."
"It was time to go to the schoolroom. I went. That same schoolroom is rather pleasant in a morning. The sun then shines through the low lattice; the books are in order; there are no papers strewn about; the fire is clear and clean; no cinders have fallen, no ashes accumulated. I found Henry there, and he had brought with him Miss Keeldar. They were together.
"It was time to head to the classroom. I went. That same classroom is quite nice in the morning. The sun shines through the low window; the books are neatly arranged; there are no papers lying around; the fire is bright and clean; no cinders have fallen, no ashes piled up. I found Henry there, and he had brought Miss Keeldar with him. They were together."
"I said she was lovelier than ever. She is. A fine[Pg 536] rose, not deep but delicate, opens on her cheek. Her eye, always dark, clear, and speaking, utters now a language I cannot render; it is the utterance, seen not heard, through which angels must have communed when there was 'silence in heaven.' Her hair was always dusk as night and fine as silk, her neck was always fair, flexible, polished; but both have now a new charm. The tresses are soft as shadow, the shoulders they fall on wear a goddess grace. Once I only saw her beauty, now I feel it.
"I said she was more beautiful than ever. She really is. A lovely[Pg536] rose, not deep but delicate, blossoms on her cheek. Her eye, always dark, clear, and expressive, now speaks a language I can't capture; it’s a communication, seen but not heard, through which angels must have connected when there was 'silence in heaven.' Her hair has always been as dark as night and as fine as silk, her neck always fair, flexible, and polished; but both have gained a new charm. The strands are soft as shadows, and they cascade over shoulders that carry a goddess-like grace. Once I only saw her beauty, now I feel it."
"Henry was repeating his lesson to her before bringing it to me. One of her hands was occupied with the book; he held the other. That boy gets more than his share of privileges; he dares caress and is caressed. What indulgence and compassion she shows him! Too much. If this went on, Henry in a few years, when his soul was formed, would offer it on her altar, as I have offered mine.
"Henry was going over his lesson with her before bringing it to me. One of her hands was holding the book; he held the other. That boy gets more than his fair share of privileges; he dares to touch her and is touched in return. How much indulgence and compassion she shows him! Too much. If this keeps up, in a few years, when Henry has grown up, he will offer his heart to her, just like I have offered mine."
"I saw her eyelid flitter when I came in, but she did not look up; now she hardly ever gives me a glance. She seems to grow silent too; to me she rarely speaks, and when I am present, she says little to others. In my gloomy moments I attribute this change to indifference, aversion, what not? In my sunny intervals I give it another meaning. I say, were I her equal, I could find in this shyness coyness, and in that coyness love. As it is, dare I look for it? What could I do with it if found?
"I noticed her eyelid flutter when I walked in, but she didn’t look up; now she hardly ever gives me a glance. She seems to have grown quieter too; to me she barely speaks, and when I'm around, she doesn’t say much to others either. In my gloomy moments, I think this change is due to indifference or dislike, or something else. During my optimistic moments, I see it differently. I think, if I were her equal, I could interpret this shyness as playfulness, and in that playfulness, love. But as it stands, should I even look for it? What would I do with it if I found it?
"This morning I dared at least contrive an hour's communion for her and me; I dared not only wish but will an interview with her. I dared summon solitude to guard us. Very decidedly I called Henry to the door. Without hesitation I said, 'Go where you will, my boy; but, till I call you, return not here.'
"This morning, I at least managed to create an hour for just the two of us; I not only wished for it but actively wanted an interview with her. I boldly called on solitude to keep us company. I clearly asked Henry to the door. Without hesitation, I said, 'Go wherever you want, my boy; but don’t come back here until I call for you.'”
"Henry, I could see, did not like his dismissal. That boy is young, but a thinker; his meditative eye shines on me strangely sometimes. He half feels what links me to Shirley; he half guesses that there is a dearer delight in the reserve with which I am treated than in all the endearments he is allowed. The young, lame, half-grown lion would growl at me now and then, because I have tamed his lioness and am her keeper, did not the habit of discipline and the instinct of affection hold him subdued. Go, Henry; you must learn to take your share of the bitter of life with all of Adam's race that have gone before or will come after you. Your destiny can be no exception to the common lot; be grateful that your love is overlooked[Pg 537] thus early, before it can claim any affinity to passion. An hour's fret, a pang of envy, suffice to express what you feel. Jealousy hot as the sun above the line, rage destructive as the tropic storm, the clime of your sensations ignores—as yet.
"Henry, I could see, didn't like being dismissed. That boy is young, but he's thoughtful; his reflective gaze sometimes looks at me in a strange way. He partially understands what connects me to Shirley; he partly senses that there's a deeper pleasure in the distance with which I'm treated than in all the affection he's allowed. The young, lame, half-grown lion might growl at me from time to time, because I've tamed his lioness and am her caretaker, if not for the habit of discipline and the instinct of affection keeping him in check. Go, Henry; you need to learn to accept your share of life's hardships like all of Adam's descendants who have come before you and will come after. Your fate can't be an exception to the common experience; be thankful that your love is overlooked this early, before it can become attached to real passion. An hour of worry, a twinge of envy, is enough to show what you're feeling. Jealousy as intense as the sun above the equator, rage as destructive as a tropical storm, hasn't yet affected the climate of your feelings.
"I took my usual seat at the desk, quite in my usual way. I am blessed in that power to cover all inward ebullition with outward calm. No one who looks at my slow face can guess the vortex sometimes whirling in my heart, and engulfing thought and wrecking prudence. Pleasant is it to have the gift to proceed peacefully and powerfully in your course without alarming by one eccentric movement. It was not my present intention to utter one word of love to her, or to reveal one glimpse of the fire in which I wasted. Presumptuous I never have been; presumptuous I never will be. Rather than even seem selfish and interested, I would resolutely rise, gird my loins, part and leave her, and seek, on the other side of the globe, a new life, cold and barren as the rock the salt tide daily washes. My design this morning was to take of her a near scrutiny—to read a line in the page of her heart. Before I left I determined to know what I was leaving.
I took my usual spot at the desk, just like I always do. I'm lucky to have the ability to hide all my inner turmoil behind a calm exterior. No one looking at my slow face can guess the storm that's sometimes brewing in my heart, overwhelming my thoughts and destroying my caution. It's nice to have the gift of moving forward confidently and strongly without causing any alarm with a sudden or odd move. At that moment, I had no intention of expressing any love to her or showing even a glimpse of the passion that was consuming me. I’ve never been presumptuous, and I refuse to be. Rather than even seem selfish and self-serving, I would gladly get up, brace myself, part ways, and seek a new life on the other side of the world, cold and barren like the rock that the salt tide washes away daily. My plan this morning was to take a good look at her—to read a line in the story of her heart. Before I left, I needed to know what I was leaving behind.
"I had some quills to make into pens. Most men's hands would have trembled when their hearts were so stirred; mine went to work steadily, and my voice, when I called it into exercise, was firm.
"I had some quills to turn into pens. Most men would have shaken with emotion in such a moment; I focused and worked steadily, and when I spoke, my voice was strong."
"'This day week you will be alone at Fieldhead, Miss Keeldar.'
"'This time next week, you'll be alone at Fieldhead, Miss Keeldar.'"
"'Yes: I rather think my uncle's intention to go is a settled one now.'
"'Yeah: I really think my uncle has decided to go now.'"
"'He leaves you dissatisfied.'
"He leaves you unfulfilled."
"'He is not pleased with me.'
'He’s upset with me.'
"'He departs as he came—no better for his journey. This is mortifying.'
"'He leaves just like he arrived—no better for his trip. This is humiliating.'"
"'I trust the failure of his plans will take from him all inclination to lay new ones.'
"I believe that the failure of his plans will remove any desire he has to make new ones."
"'In his way Mr. Sympson honestly wished you well. All he has done or intended to do he believed to be for the best.'
"'In his own way, Mr. Sympson genuinely wished you the best. Everything he has done or planned to do, he believed was for the best.'"
"'You are kind to undertake the defence of a man who has permitted himself to treat you with so much insolence.'
"'You are generous to defend a man who has been so disrespectful to you.'"
"'I never feel shocked at, or bear malice for, what is spoken in character; and most perfectly in character[Pg 538] was that vulgar and violent onset against me, when he had quitted you worsted.'
"I never feel shocked by, or hold a grudge against, what people say when they're being true to themselves; and it was perfectly in character[Pg538I'm sorry, but I need a specific short piece of text to modernize. Please provide a phrase or text for me to work on. for him to launch that crude and aggressive attack on me after he had left you defeated."
"'You cease now to be Henry's tutor?'
"'Are you no longer Henry's tutor?'"
"'I shall be parted from Henry for a while (if he and I live we shall meet again somehow, for we love each other) and be ousted from the bosom of the Sympson family for ever. Happily this change does not leave me stranded; it but hurries into premature execution designs long formed.'
"'I'm going to be separated from Henry for a bit (if we both survive, we'll find a way to meet again because we love each other) and I'll be cut off from the Sympson family forever. Fortunately, this change doesn't leave me stuck; it just rushes to carry out plans I've had for a long time.'"
"'No change finds you off your guard. I was sure, in your calm way, you would be prepared for sudden mutation. I always think you stand in the world like a solitary but watchful, thoughtful archer in a wood. And the quiver on your shoulder holds more arrows than one; your bow is provided with a second string. Such too is your brother's wont. You two might go forth homeless hunters to the loneliest western wilds; all would be well with you. The hewn tree would make you a hut, the cleared forest yield you fields from its stripped bosom, the buffalo would feel your rifle-shot, and with lowered horns and hump pay homage at your feet.'
'No change catches you off guard. I was sure that in your calm way, you’d be ready for sudden shifts. I always picture you standing in the world like a solitary but attentive, thoughtful archer in the woods. And the quiver on your shoulder holds more than one arrow; your bow has a backup string. Your brother is the same way. You two could venture out as homeless hunters into the most remote western wilds; everything would be fine for you. The fallen tree would provide you shelter, the cleared forest would give you fields from its stripped ground, the buffalo would feel your rifle shot, and with lowered horns and hump, they would pay respect at your feet.'
"'And any Indian tribe of Blackfeet or Flatheads would afford us a bride, perhaps?'
"'And any Indian tribe of Blackfeet or Flatheads could give us a bride, maybe?'"
"'No' (hesitating), 'I think not. The savage is sordid. I think—that is, I hope—you would neither of you share your hearth with that to which you could not give your heart.'
"'No' (hesitating), 'I don't think so. The savage is filthy. I think—that is, I hope—neither of you would invite into your home someone to whom you couldn't give your heart.'"
"'What suggested the wild West to your mind, Miss Keeldar? Have you been with me in spirit when I did not see you? Have you entered into my day-dreams, and beheld my brain labouring at its scheme of a future?'
"'What made you think of the wild West, Miss Keeldar? Have you been with me in spirit when I couldn't see you? Have you joined my daydreams and watched my mind working on ideas for the future?'"
"She had separated a slip of paper for lighting tapers—a spill, as it is called—into fragments. She threw morsel by morsel into the fire, and stood pensively watching them consume. She did not speak.
"She had torn a piece of paper for lighting candles—a spill, as it's called—into small bits. She tossed them one by one into the fire and stood quietly watching them burn away. She didn’t say a word."
"'How did you learn what you seem to know about my intentions?'
"'How did you figure out what you seem to know about my intentions?'"
"'I know nothing. I am only discovering them now. I spoke at hazard.'
"'I don't know anything. I'm just realizing them now. I spoke without thinking.'"
"'Your hazard sounds like divination. A tutor I will never be again; never take a pupil after Henry and yourself; not again will I sit habitually at another man's table—no more be the appendage of a family. I am now a man of thirty; I have never been free since I was a boy of ten. I have such a thirst for freedom, such a deep passion to[Pg 539] know her and call her mine, such a day-desire and night-longing to win her and possess her, I will not refuse to cross the Atlantic for her sake; her I will follow deep into virgin woods. Mine it shall not be to accept a savage girl as a slave—she could not be a wife. I know no white woman whom I love that would accompany me; but I am certain Liberty will await me, sitting under a pine. When I call her she will come to my loghouse, and she shall fill my arms.'
"'Your risk sounds like fortune-telling. I'll never be a tutor again; I won’t take on another student after Henry and you; I won’t keep sitting at another man’s table—no more being part of a family. I’m now thirty; I’ve never been free since I was ten. I have such a thirst for freedom, such a deep desire to[Pg539Please provide the text you would like me to modernize.know her and claim her as mine, such a longing by day and night to win her and make her mine, I won’t hesitate to cross the Atlantic for her; I will follow her deep into untouched forests. It won’t be mine to accept a savage girl as a slave—she couldn’t be a wife. I don’t know any white woman I love who would come with me; but I’m certain Liberty will be waiting for me, sitting under a pine tree. When I call her, she will come to my log cabin, and she will fill my arms.'
"She could not hear me speak so unmoved, and she was moved. It was right—I meant to move her. She could not answer me, nor could she look at me. I should have been sorry if she could have done either. Her cheek glowed as if a crimson flower through whose petals the sun shone had cast its light upon it. On the white lid and dark lashes of her downcast eye trembled all that is graceful in the sense of half-painful, half-pleasing shame.
"She couldn’t hear me speak so calmly, and she was affected. It was as I intended—I wanted to move her. She couldn’t respond or meet my gaze. I would have felt bad if she could have done either. Her cheek glowed like a red flower basking in the sunlight. On the fair skin of her closed eyelid and her dark lashes, there was a delicate shimmer of that bittersweet, somewhat painful shame."
"Soon she controlled her emotion, and took all her feelings under command. I saw she had felt insurrection, and was waking to empire. She sat down. There was that in her face which I could read. It said, I see the line which is my limit; nothing shall make me pass it. I feel—I know how far I may reveal my feelings, and when I must clasp the volume. I have advanced to a certain distance, as far as the true and sovereign and undegraded nature of my kind permits; now here I stand rooted. My heart may break if it is baffled; let it break. It shall never dishonour me; it shall never dishonour my sisterhood in me. Suffering before degradation! death before treachery!
"Before long, she regained her composure and took control of her emotions. I could see she was feeling a rebellion brewing inside her and was coming into her own strength. She sat down. There was a look on her face that I could interpret. It said, I recognize my boundaries; nothing will push me past them. I understand—I know how much I'm willing to show of my feelings, and when I need to hold them back. I've come a certain distance, as far as my true, strong, and unbroken nature allows; now I stand firm. My heart might break if it's challenged; let it break. It will never bring shame to me; it will never dishonor the sisterhood I carry within me. I choose suffering over degradation! I choose death over betrayal!"
"I, for my part, said, 'If she were poor, I would be at her feet; if she were lowly, I would take her in my arms. Her gold and her station are two griffins that guard her on each side. Love looks and longs, and dares not; Passion hovers round, and is kept at bay; Truth and Devotion are scared. There is nothing to lose in winning her, no sacrifice to make. It is all clear gain, and therefore unimaginably difficult.'
"I said, 'If she were poor, I would be at her feet; if she were humble, I would hold her in my arms. Her money and her status are like two griffins that guard her on either side. Love gazes and yearns, but doesn’t dare; Passion lingers nearby but is kept at a distance; Truth and Devotion are frightened. There's nothing to lose in winning her, no sacrifices to make. It's all a clear gain, and that's why it's unimaginably difficult.'"
"Difficult or not, something must be done, something must be said. I could not, and would not, sit silent with all that beauty modestly mute in my presence. I spoke thus, and still I spoke with calm. Quiet as my words were, I could hear they fell in a tone distinct, round, and deep.
"Difficult or not, something has to be done, something has to be said. I couldn't, and wouldn't, sit in silence with all that beauty quietly waiting in my presence. I said this, and I still spoke calmly. As quiet as my words were, I could tell they resonated in a distinct, full, and deep tone."
"'Still, I know I shall be strangely placed with that mountain nymph Liberty. She is, I suspect, akin to that Solitude which I once wooed, and from which I now seek[Pg 540] a divorce. These Oreads are peculiar. They come upon you with an unearthly charm, like some starlight evening; they inspire a wild but not warm delight; their beauty is the beauty of spirits; their grace is not the grace of life, but of seasons or scenes in nature. Theirs is the dewy bloom of morning, the languid flush of evening, the peace of the moon, the changefulness of clouds. I want and will have something different. This elfish splendour looks chill to my vision, and feels frozen to my touch. I am not a poet; I cannot live with abstractions. You, Miss Keeldar, have sometimes, in your laughing satire, called me a material philosopher, and implied that I live sufficiently for the substantial. Certainly I feel material from head to foot; and glorious as Nature is, and deeply as I worship her with the solid powers of a solid heart, I would rather behold her through the soft human eyes of a loved and lovely wife than through the wild orbs of the highest goddess of Olympus.'
"'Still, I know I’ll feel strangely out of place with that mountain goddess, Liberty. I suspect she’s similar to that Solitude I once pursued, and from which I now seek[Pg540I'm ready to assist. Please provide the text you would like me to modernize. a separation. These Oreads are unique. They come to you with an otherworldly charm, like some starry evening; they evoke a wild yet not warm delight; their beauty is the beauty of spirits; their grace is not the grace of life, but of the changing seasons or scenes in nature. They embody the fresh bloom of morning, the soft glow of evening, the tranquility of the moon, the ever-changing clouds. I want and will have something different. This enchanting splendor feels cold to my eyes and frozen to my touch. I’m not a poet; I can’t live with abstractions. You, Miss Keeldar, have sometimes, in your playful satire, called me a material philosopher, suggesting that I live firmly in the tangible world. I do feel grounded from head to toe; and as glorious as Nature is, and as deeply as I admire her with the solid abilities of a solid heart, I would prefer to see her through the gentle human eyes of a beloved and beautiful wife than through the wild gaze of the highest goddess of Olympus.'
"'Juno could not cook a buffalo steak as you like it,' said she.
"'Juno couldn't cook a buffalo steak the way you like it,' she said."
"'She could not; but I will tell you who could—some young, penniless, friendless orphan girl. I wish I could find such a one—pretty enough for me to love, with something of the mind and heart suited to my taste; not uneducated—honest and modest. I care nothing for attainments, but I would fain have the germ of those sweet natural powers which nothing acquired can rival; any temper Fate wills—I can manage the hottest. To such a creature as this I should like to be first tutor and then husband. I would teach her my language, my habits and my principles, and then I would reward her with my love.'
"'She couldn't; but I can tell you who could—some young, broke, friendless orphan girl. I wish I could find one—pretty enough for me to love, with a mind and heart that match my taste; not uneducated—honest and modest. I don't care about achievements, but I would love to see the beginnings of those sweet natural talents that nothing learned can compete with; any temperament Fate gives—I can handle the toughest. To a girl like that, I’d like to be her first tutor and then her husband. I would teach her my language, my habits, and my principles, and then I would reward her with my love.'
"'And be repaid a thousandfold.'
"Get paid back a thousand times."
"'If she willed it, monseigneur.'
"If she wanted it, sir."
"'And she should will it.'
"And she should make it happen."
"'You have stipulated for any temper Fate wills. Compulsion is flint and a blow to the metal of some souls.'
"'You have accepted whatever mood Fate decides. Compulsion is like flint hitting metal in some people's souls.'"
"'And love the spark it elicits.'
"'And love the spark it brings out.'"
"'Who cares for the love that is but a spark—seen, flown upward, and gone?'
"'Who cares about love that's just a spark—visible, shoots up, and disappears?'"
"'I must find my orphan girl. Tell me how, Miss Keeldar.'
"I have to find my orphan girl. Please tell me how, Miss Keeldar."
"'Advertise; and be sure you add, when you describe the qualifications, she must be a good plain cook.'
"'Advertise, and make sure to include in the description that she needs to be a good, basic cook.'"
[Pg 541]"'I must find her; and when I do find her I shall marry her.'
[Pg541It appears that no text has been provided for modernizing. Please provide a short phrase (5 words or fewer) for me to assist you!"I have to find her; and when I do, I’m going to marry her."
"'Not you!' and her voice took a sudden accent of peculiar scorn.
"'Not you!' and her voice suddenly sounded full of a unique kind of scorn."
"I liked this. I had roused her from the pensive mood in which I had first found her. I would stir her further.
"I liked this. I had pulled her out of the thoughtful mood I had first found her in. I would provoke her even more."
"'Why doubt it?'
"Why doubt it?"
"'You marry!'
"You get married!"
"'Yes, of course; nothing more evident than that I can and shall.'
"'Yes, of course; there's nothing more obvious than that I can and will.'"
"'The contrary is evident, Mr. Moore.'
'The opposite is clear, Mr. Moore.'
"She charmed me in this mood—waxing disdainful, half insulting; pride, temper, derision, blent in her large fine eye, that had just now the look of a merlin's.
"She captivated me in this state—becoming disdainful, partially insulting; pride, temper, and mockery mixed in her large, striking eye, which just now resembled that of a merlin."
"'Favour me with your reasons for such an opinion, Miss Keeldar.'
"'Please share your reasons for thinking that, Miss Keeldar.'"
"'How will you manage to marry, I wonder?'
"'How are you going to manage to get married, I wonder?'"
"'I shall manage it with ease and speed when I find the proper person.'
"I'll handle it easily and quickly when I find the right person."
"'Accept celibacy!' (and she made a gesture with her hand as if she gave me something) 'take it as your doom!'
"'Accept celibacy!' (and she waved her hand like she was handing me something) ' consider it your fate!'"
"'No; you cannot give what I already have. Celibacy has been mine for thirty years. If you wish to offer me a gift, a parting present, a keepsake, you must change the boon.'
"'No; you can't offer me what I already possess. I've been celibate for thirty years. If you want to give me a gift, a farewell present, a memento, you'll need to change the offering.'"
"'Take worse, then!'
"Then take worse!"
"'How—what?'
"'How—what?'"
"I now felt, and looked, and spoke eagerly. I was unwise to quit my sheet-anchor of calm even for an instant; it deprived me of an advantage and transferred it to her. The little spark of temper dissolved in sarcasm, and eddied over her countenance in the ripples of a mocking smile.
"I now felt, looked, and spoke with enthusiasm. It was unwise of me to let go of my calmness even for a moment; it took away my advantage and gave it to her. The small spark of anger turned into sarcasm and flickered across her face in the waves of a mocking smile."
"'Take a wife that has paid you court to save your modesty, and thrust herself upon you to spare your scruples.'
"'Marry someone who has pursued you to protect your modesty and forced herself upon you to ease your concerns.'"
"'Only show me where.'
"'Just show me where.'"
"'Any stout widow that has had a few husbands already, and can manage these things.'
"'Any strong widow who has had a few husbands already, and can handle these things.'"
"'She must not be rich, then. Oh these riches!'
"'She can't be wealthy, then. Oh, these riches!'"
"'Never would you have gathered the produce of the gold-bearing garden. You have not courage to confront the sleepless dragon; you have not craft to borrow the aid of Atlas.'
"'You would never have collected the fruits of the gold-bearing garden. You don’t have the courage to face the sleepless dragon; you lack the skill to enlist the help of Atlas.'"
"'You look hot and haughty.'
"You look attractive and arrogant."
[Pg 542]"'And you far haughtier. Yours is the monstrous pride which counterfeits humility.'
[Pg542]"'And you are so much more arrogant. Your pride is so extreme that it pretends to be humility.'
"'I am a dependant; I know my place.'
'I rely on others; I understand my role.'
"'I am a woman; I know mine.'
'I’m a woman; I know my own.'
"'I am poor; I must be proud.'
"I’m broke; I have to hold my head high."
"'I have received ordinances, and own obligations stringent as yours.'
"I have received orders and have obligations just as strict as yours."
"We had reached a critical point now, and we halted and looked at each other. She would not give in, I felt. Beyond this I neither felt nor saw. A few moments yet were mine. The end was coming—I heard its rush—but not come. I would dally, wait, talk, and when impulse urged I would act. I am never in a hurry; I never was in a hurry in my whole life. Hasty people drink the nectar of existence scalding hot; I taste it cool as dew. I proceeded: 'Apparently, Miss Keeldar, you are as little likely to marry as myself. I know you have refused three—nay, four—advantageous offers, and, I believe, a fifth. Have you rejected Sir Philip Nunnely?'
We had reached a critical point now, and we stopped and looked at each other. She would not give in, I felt. Beyond this, I neither felt nor saw anything. I had a few moments left. The end was coming—I could hear it approaching—but it hadn't arrived yet. I would linger, wait, talk, and when the impulse hit me, I would act. I’m never in a hurry; I never have been in my whole life. Rushed people gulp down life’s experiences scalding hot; I savor them cool like dew. I continued: 'Apparently, Miss Keeldar, you are as unlikely to marry as I am. I know you have turned down three—no, four—good offers, and I believe there’s been a fifth. Have you rejected Sir Philip Nunnely?'
"I put this question suddenly and promptly.
"I asked this question suddenly and directly."
"'Did you think I should take him?'
"'Did you think I should take him?'"
"'I thought you might.'
"I figured you might."
"'On what grounds, may I ask?'
"'On what basis, if I may ask?'"
"'Conformity of rank, age, pleasing contrast of temper—for he is mild and amiable—harmony of intellectual tastes.'
"'Matching rank, age, and a nice balance of personalities—he is gentle and friendly—shared intellectual interests.'"
"'A beautiful sentence! Let us take it to pieces. "Conformity of rank." He is quite above me. Compare my grange with his palace, if you please. I am disdained by his kith and kin. "Suitability of age." We were born in the same year; consequently he is still a boy, while I am a woman—ten years his senior to all intents and purposes. "Contrast of temper." Mild and amiable, is he; I—what? Tell me.'
"'A beautiful sentence! Let's break it down. "Conformity of rank." He is far above me. Compare my farmhouse to his mansion, if you'd like. His family looks down on me. "Suitability of age." We were born in the same year; so he's still a boy, while I’m a woman—ten years older in every way that matters. "Contrast of temperament." He is mild and friendly; I—what? Tell me.'
"'Sister of the spotted, bright, quick, fiery leopard.'
'Sister of the spotted, bright, quick, fiery leopard.'
"'And you would mate me with a kid—the millennium being yet millions of centuries from mankind; being yet, indeed, an archangel high in the seventh heaven, uncommissioned to descend? Unjust barbarian! "Harmony of intellectual tastes." He is fond of poetry, and I hate it——'
"'And you would pair me with a kid—the millennium still millions of centuries away from humanity; being indeed, an archangel high in the seventh heaven, not sent to come down? Unjust barbarian! "Harmony of intellectual tastes." He loves poetry, and I can't stand it——'
"'Do you? That is news.'
"'Really? That's news to me.'"
"'I absolutely shudder at the sight of metre or at the sound of rhyme whenever I am at the priory or Sir Philip[Pg 543] at Fieldhead. Harmony, indeed! When did I whip up syllabub sonnets or string stanzas fragile as fragments of glass? and when did I betray a belief that those penny-beads were genuine brilliants?'
"'I absolutely cringe at the sight of meter or the sound of rhyme whenever I'm at the priory or with Sir Philip[Pg543It seems you've provided an instruction rather than a text. Please provide the phrases you'd like to be modernized. at Fieldhead. Harmony, really! When did I come up with silly sonnets or put together stanzas as delicate as shards of glass? And when did I ever believe those cheap beads were real diamonds?'"
"'You might have the satisfaction of leading him to a higher standard, of improving his tastes.'
'You might find satisfaction in guiding him to a higher standard and enhancing his tastes.'
"'Leading and improving! teaching and tutoring! bearing and forbearing! Pah! my husband is not to be my baby. I am not to set him his daily lesson and see that he learns it, and give him a sugar-plum if he is good, and a patient, pensive, pathetic lecture if he is bad. But it is like a tutor to talk of the "satisfaction of teaching." I suppose you think it the finest employment in the world. I don't. I reject it. Improving a husband! No. I shall insist upon my husband improving me, or else we part.'
"'Leading and improving! Teaching and tutoring! Putting up with things and being patient! Pah! My husband is not my child. I'm not supposed to set him his daily tasks and make sure he completes them, rewarding him with a treat if he's good, and giving him a long, serious talk if he's not. But it's like a teacher to mention the "satisfaction of teaching." I guess you think it's the best job in the world. I don’t. I refuse that notion. Improving a husband? No. I’ll insist my husband helps me grow, or we’ll go our separate ways.'"
"'God knows it is needed!'
"'God knows it's needed!'"
"'What do you mean by that, Mr. Moore?'
"'What do you mean by that, Mr. Moore?'"
"'What I say. Improvement is imperatively needed.'
"'What I mean is, we definitely need to improve.'"
"'If you were a woman you would school monsieur, votre mari, charmingly. It would just suit you; schooling is your vocation.'
"'If you were a woman, you would charm monsieur, votre mari into submission. It would be perfect for you; teaching is your calling.'"
"'May I ask whether, in your present just and gentle mood, you mean to taunt me with being a tutor?'
"'Can I ask if, in your current fair and kind mood, you're trying to make fun of me for being a tutor?'"
"'Yes, bitterly; and with anything else you please—any defect of which you are painfully conscious.'
"'Yes, bitterly; and with whatever else you want—any flaw that you’re painfully aware of.'"
"'With being poor, for instance?'
"'Like being poor, for example?'"
"'Of course; that will sting you. You are sore about your poverty; you brood over that.'
"'Of course, that will hurt you. You're upset about your poverty; you dwell on it.'"
"'With having nothing but a very plain person to offer the woman who may master my heart?'
"'With nothing but a very plain person to offer the woman who might win my heart?'"
"'Exactly. You have a habit of calling yourself plain. You are sensitive about the cut of your features because they are not quite on an Apollo pattern. You abase them more than is needful, in the faint hope that others may say a word in their behalf—which won't happen. Your face is nothing to boast of, certainly—not a pretty line nor a pretty tint to be found therein.'
"'Exactly. You have a tendency to call yourself plain. You’re self-conscious about the shape of your features because they aren't exactly like Apollo's. You criticize them more than is necessary, hoping that others might say something nice about them—which isn’t going to happen. Your face isn’t anything to brag about, that's for sure—not a nice line or a pretty color to be seen there.'”
"'Compare it with your own.'
"Compare it to your own."
"'It looks like a god of Egypt—a great sand-buried stone head; or rather I will compare it to nothing so lofty. It looks like Tartar. You are my mastiff's cousin. I think you as much like him as a man can be like a dog.'
"'It looks like a god of Egypt—a huge, sand-covered stone head; or rather, I won't liken it to anything so grand. It resembles something from the underworld. You are my mastiff's relative. I think you look as much like him as a person can resemble a dog.'"
"'Tartar is your dear companion. In summer, when[Pg 544] you rise early, and run out into the fields to wet your feet with the dew, and freshen your cheek and uncurl your hair with the breeze, you always call him to follow you. You call him sometimes with a whistle that you learned from me. In the solitude of your wood, when you think nobody but Tartar is listening, you whistle the very tunes you imitated from my lips, or sing the very songs you have caught up by ear from my voice. I do not ask whence flows the feeling which you pour into these songs, for I know it flows out of your heart, Miss Keeldar. In the winter evenings Tartar lies at your feet. You suffer him to rest his head on your perfumed lap; you let him couch on the borders of your satin raiment. His rough hide is familiar with the contact of your hand. I once saw you kiss him on that snow-white beauty spot which stars his broad forehead. It is dangerous to say I am like Tartar; it suggests to me a claim to be treated like Tartar.'
"Tartar is your beloved companion. In the summer, when[Pg544I'm sorry, but there doesn't seem to be any text provided for modernization. Please provide the text you'd like me to work on. you wake up early and run into the fields to cool your feet in the dew, refreshing your face and letting the breeze untangle your hair, you always call him to join you. Sometimes you call him with a whistle I taught you. In the quiet of your woods, when you think no one but Tartar is listening, you whistle the very tunes you copied from me or sing the songs you picked up from my voice. I don’t ask where the emotion you put into these songs comes from because I know it comes from your heart, Miss Keeldar. On winter evenings, Tartar lies at your feet. You allow him to rest his head on your perfumed lap; you let him curl up near the edge of your satin dress. His rough fur is used to the touch of your hand. I once saw you kiss him on that snow-white spot on his broad forehead. It’s risky to say I am like Tartar; it makes me think I deserve to be treated like him."
"'Perhaps, sir, you can extort as much from your penniless and friendless young orphan girl, when you find her.'
"'Maybe, sir, you can take as much from your broke and friendless young orphan girl when you find her.'"
"'Oh could I find her such as I image her! Something to tame first, and teach afterwards; to break in, and then to fondle. To lift the destitute proud thing out of poverty; to establish power over and then to be indulgent to the capricious moods that never were influenced and never indulged before; to see her alternately irritated and subdued about twelve times in the twenty-four hours; and perhaps, eventually, when her training was accomplished, to behold her the exemplary and patient mother of about a dozen children, only now and then lending little Louis a cordial cuff by way of paying the interest of the vast debt she owes his father. Oh' (I went on), 'my orphan girl would give me many a kiss; she would watch on the threshold for my coming home of an evening; she would run into my arms; she would keep my hearth as bright as she would make it warm. God bless the sweet idea! Find her I must.'
"'Oh, if only I could find her as I imagine her! Someone to tame first and then teach; to train and then cherish. To lift that proud, destitute girl out of poverty; to establish my authority and then be gentle with her unpredictable moods that had never been influenced or spoiled before; to see her go from annoyed to submissive about twelve times a day; and maybe, once her training was done, to see her as a loving and patient mother to about a dozen kids, occasionally giving little Louis a playful smack as a way to repay the huge debt she owes his father. Oh' (I continued), 'my orphan girl would give me countless kisses; she'd wait at the door for me to come home in the evening; she'd run into my arms; she'd keep our home as bright as she'd make it cozy. God bless that sweet idea! I must find her.'
"Her eyes emitted an eager flash, her lips opened; but she reclosed them, and impetuously turned away.
"Her eyes sparkled with excitement, her lips parted; but she closed them again and impulsively turned away."
"'Tell me, tell me where she is, Miss Keeldar!'
"'Tell me, tell me where she is, Miss Keeldar!'"
"Another movement, all haughtiness and fire and impulse.
"Another movement, all arrogance and passion and drive."
"'I must know. You can tell me; you shall tell me.'
"'I need to know. You can tell me; you will tell me.'"
"'I never will.'
"I won't."
"She turned to leave me. Could I now let her part[Pg 545] as she had always parted from me? No. I had gone too far not to finish; I had come too near the end not to drive home to it. All the encumbrance of doubt, all the rubbish of indecision, must be removed at once, and the plain truth must be ascertained. She must take her part, and tell me what it was; I must take mine and adhere to it.
"She turned to leave me. Could I really let her walk away like she always did? No. I had come too far to not see this through; I was too close to the end to back down now. All the baggage of doubt and all the mess of indecision had to go right away, and we needed to uncover the plain truth. She had to take her part and tell me what it was; I had to take mine and stick to it."
"'A minute, madam,' I said, keeping my hand on the door-handle before I opened it. 'We have had a long conversation this morning, but the last word has not been spoken yet. It is yours to speak it.'
"'Hold on a minute, ma'am,' I said, keeping my hand on the door handle before I opened it. 'We had a long conversation this morning, but it’s not over yet. The last word is yours to say.'"
"'May I pass?'
"Can I pass?"
"'No; I guard the door. I would almost rather die than let you leave me just now, without speaking the word I demand.'
"'No; I'm guarding the door. I'd almost rather die than let you leave me right now without saying the word I need.'"
"'What dare you expect me to say?'
"'What do you expect me to say?'"
"'What I am dying and perishing to hear; what I must and will hear; what you dare not now suppress.'
"'What I am desperate to hear; what I have to and will hear; what you can't hold back any longer.'"
"'Mr. Moore, I hardly know what you mean. You are not like yourself.'
"'Mr. Moore, I can barely understand what you mean. You don't seem like yourself.'"
"I suppose I hardly was like my usual self, for I scared her—that I could see. It was right: she must be scared to be won.
"I guess I wasn't really acting like myself, because I could tell I scared her. It was understandable; she must be afraid of being won over."
"'You do know what I mean, and for the first time I stand before you myself. I have flung off the tutor, and beg to introduce you to the man. And remember, he is a gentleman.'
"'You know what I mean, and for the first time I’m standing in front of you as myself. I’ve thrown off the tutor and I’d like to introduce you to the man. And remember, he’s a gentleman.'"
"She trembled. She put her hand to mine as if to remove it from the lock. She might as well have tried to loosen, by her soft touch, metal welded to metal. She felt she was powerless, and receded; and again she trembled.
She shook. She placed her hand on mine as if to pull it away from the lock. It was like trying to soften metal bonded to metal with her gentle touch. She felt helpless and pulled back; once more, she trembled.
"What change I underwent I cannot explain, but out of her emotion passed into me a new spirit. I neither was crushed nor elated by her lands and gold; I thought not of them, cared not for them. They were nothing—dross that could not dismay me. I saw only herself—her young beautiful form, the grace, the majesty, the modesty of her girlhood.
"What change I went through, I can't explain, but a new spirit entered me from her emotion. I wasn't crushed or thrilled by her wealth; I didn't think about it or care about it. It meant nothing to me—just worthless stuff that couldn't bother me. I only saw her—her young, beautiful figure, the grace, the majesty, the modesty of her youth."
"'My pupil,' I said.
"My student," I said.
"'My master,' was the low answer.
"'My master,' was the quiet reply.
"'I have a thing to tell you.'
'I have something to tell you.'
"She waited with declined brow and ringlets drooped.
She waited with a furrowed brow and her curls hanging down.
"'I have to tell you that for four years you have been[Pg 546] growing into your tutor's heart, and that you are rooted there now. I have to declare that you have bewitched me, in spite of sense, and experience, and difference of station and estate. You have so looked, and spoken, and moved; so shown me your faults and your virtues—beauties rather, they are hardly so stern as virtues—that I love you—love you with my life and strength. It is out now.'
"'I have to tell you that for four years you have been[Pg546Sure! Please provide the text you'd like me to modernize. growing into your tutor's heart, and now you are firmly rooted there. I need to say that you have enchanted me, despite logic, experience, and our differences in social standing. The way you look, speak, and move; the way you've shown me both your flaws and your beautiful traits—those qualities are more beautiful than they are strict—makes me love you—love you with all my life and strength. It's out in the open now.'"
"She sought what to say, but could not find a word. She tried to rally, but vainly. I passionately repeated that I loved her.
"She tried to find the right words, but nothing came to her. She attempted to gather herself, but it was pointless. I fervently declared that I loved her."
"'Well, Mr. Moore, what then?' was the answer I got, uttered in a tone that would have been petulant if it had not faltered.
"'Well, Mr. Moore, what's next?' was the response I received, said in a tone that would have sounded bratty if it hadn't wavered."
"'Have you nothing to say to me? Have you no love for me?'
"'Don't you have anything to say to me? Don't you love me?'"
"'A little bit.'
'A bit.'
"'I am not to be tortured. I will not even play at present.'
"'I'm not going to be tortured. I won't even pretend right now.'"
"'I don't want to play; I want to go.'
'I don't want to play; I want to leave.'
"'I wonder you dare speak of going at this moment. You go! What! with my heart in your hand, to lay it on your toilet and pierce it with your pins? From my presence you do not stir, out of my reach you do not stray, till I receive a hostage—pledge for pledge—your heart for mine.'
"I can't believe you'd even think about leaving right now. You go! What! You want to take my heart and put it on your dresser to stab it with your pins? You won't move from my side, and you won't get away from me until I have something in return—your heart for mine."
"'The thing you want is mislaid—lost some time since. Let me go and seek it.'
"'What you want is misplaced—lost a while ago. Let me go find it.'"
"'Declare that it is where your keys often are—in my possession.'
"'Say that it's where your keys usually end up—in my hands.'"
"'You ought to know. And where are my keys, Mr. Moore? Indeed and truly I have lost them again; and Mrs. Gill wants some money, and I have none, except this sixpence.'
"'You should know. And where are my keys, Mr. Moore? Honestly, I've lost them again; and Mrs. Gill needs some money, but I don’t have any, except this sixpence.'"
"She took the coin out of her apron pocket, and showed it in her palm. I could have trifled with her, but it would not do; life and death were at stake. Mastering at once the sixpence and the hand that held it, I demanded, 'Am I to die without you, or am I to live for you?'
"She pulled the coin from her apron pocket and held it out in her palm. I could have toyed with her, but that wasn’t an option; life and death were on the line. Taking control of both the sixpence and the hand that held it, I asked, 'Am I going to die without you, or can I live for you?'"
"'Do as you please. Far be it from me to dictate your choice.'
"'Do what you want. It's not my place to tell you what to choose.'"
"'You shall tell me with your own lips whether you doom me to exile or call me to hope.'
"'You need to tell me directly if you’re sending me away or giving me a reason to hope.'"
"'Go; I can bear to be left.'
'Go; I can handle being alone.'
[Pg 547]"'Perhaps I too can bear to leave you. But reply, Shirley, my pupil, my sovereign—reply.'
[Pg547I'm sorry, but I cannot process that request as it does not contain any text to modernize. Please provide a phrase of 5 words or fewer for me to work with."'Maybe I can handle leaving you as well. But please respond, Shirley, my student, my queen—just respond.'
"'Die without me if you will; live for me if you dare.'
"'Die without me if you want; live for me if you’re brave enough.'"
"'I am not afraid of you, my leopardess. I dare live for and with you, from this hour till my death. Now, then, I have you. You are mine. I will never let you go. Wherever my home be, I have chosen my wife. If I stay in England, in England you will stay; if I cross the Atlantic, you will cross it also. Our lives are riveted, our lots intertwined.'
"I’m not afraid of you, my leopardess. I dare to live for and with you, from this moment until I die. So, here we are. You’re mine. I’ll never let you go. Wherever I call home, I’ve chosen you as my wife. If I stay in England, you’ll stay in England; if I cross the Atlantic, you’ll cross it too. Our lives are connected, our fates intertwined."
"'And are we equal, then, sir? are we equal at last?'
"'So, are we equal now, sir? Are we finally equal?'"
"'You are younger, frailer, feebler, more ignorant than I.'
"'You are younger, more delicate, weaker, and less knowledgeable than I am.'"
"'Will you be good to me, and never tyrannize?'
"'Will you treat me well and never be oppressive?'"
"'Will you let me breathe, and not bewilder me? You must not smile at present. The world swims and changes round me. The sun is a dizzying scarlet blaze, the sky a violet vortex whirling over me.'
"'Will you let me breathe and not confuse me? You can't smile right now. The world is spinning and shifting around me. The sun is a blinding red blaze, and the sky is a swirling violet vortex above me.'"
"I am a strong man, but I staggered as I spoke. All creation was exaggerated. Colour grew more vivid, motion more rapid, life itself more vital. I hardly saw her for a moment, but I heard her voice—pitilessly sweet. She would not subdue one of her charms in compassion. Perhaps she did not know what I felt.
"I’m a strong man, but I faltered as I spoke. Everything around me seemed amplified. Colors became more vibrant, movements faster, and life itself more intense. I barely caught a glimpse of her, but I heard her voice—mercilessly sweet. She wouldn’t tone down any of her charms out of pity. Maybe she didn’t even realize what I was feeling."
"'You name me leopardess. Remember, the leopardess is tameless,' said she.
"'You call me leopardess. Remember, the leopardess is untamed,' she said."
"'Tame or fierce, wild or subdued, you are mine.'
"'Tame or fierce, wild or calm, you are mine.'"
"'I am glad I know my keeper and am used to him. Only his voice will I follow; only his hand shall manage me; only at his feet will I repose.'
"'I’m glad I know my keeper and am comfortable with him. I’ll only follow his voice; only his hand will guide me; only at his feet will I rest.'"
"I took her back to her seat, and sat down by her side. I wanted to hear her speak again. I could never have enough of her voice and her words.
"I took her back to her seat and sat down beside her. I wanted to hear her speak again. I could never get enough of her voice and her words."
"'How much do you love me?' I asked.
"'How much do you love me?' I asked."
"'Ah! you know. I will not gratify you—I will not flatter.'
"'Ah! you know. I won't give you what you want—I won't flatter you.'"
"'I don't know half enough; my heart craves to be fed. If you knew how hungry and ferocious it is, you would hasten to stay it with a kind word or two.'
"'I don't know nearly enough; my heart needs to be nourished. If you understood how hungry and passionate it is, you would quickly respond with a kind word or two.'"
"'Poor Tartar!' said she, touching and patting my hand—'poor fellow, stalwart friend, Shirley's pet and favourite, lie down!'
"'Poor Tartar!' she said, stroking and patting my hand—'poor guy, strong friend, Shirley's pet and favorite, lie down!'"
"'But I will not lie down till I am fed with one sweet word.'
"'But I won't lie down until I hear one sweet word.'"
[Pg 548]"And at last she gave it.
[Pg]548It seems that there was a misunderstanding. Please provide a short piece of text for me to modernize. "And finally she handed it over.
"'Dear Louis, be faithful to me; never leave me. I don't care for life unless I may pass it at your side.'
'Dear Louis, please be loyal to me; never abandon me. Life means nothing to me unless I can spend it by your side.'
"'Something more.'
"More than that."
"She gave me a change; it was not her way to offer the same dish twice.
"She gave me a different option; it wasn't her style to serve the same dish twice."
"'Sir,' she said, starting up, 'at your peril you ever again name such sordid things as money, or poverty, or inequality. It will be absolutely dangerous to torment me with these maddening scruples. I defy you to do it.'
"'Sir,' she said, jumping up, 'you'll regret it if you ever mention things like money, or poverty, or inequality again. It will be seriously risky to bother me with these frustrating concerns. I dare you to try.'
"My face grew hot. I did once more wish I were not so poor or she were not so rich. She saw the transient misery; and then, indeed, she caressed me. Blent with torment, I experienced rapture.
My face got warm. I wished once again that I wasn't so poor or that she wasn't so rich. She noticed my fleeting sadness; then, she really did comfort me. Mixed with my pain, I felt joy.
"'Mr. Moore,' said she, looking up with a sweet, open, earnest countenance, 'teach me and help me to be good. I do not ask you to take off my shoulders all the cares and duties of property, but I ask you to share the burden, and to show me how to sustain my part well. Your judgment is well balanced, your heart is kind, your principles are sound. I know you are wise; I feel you are benevolent; I believe you are conscientious. Be my companion through life; be my guide where I am ignorant; be my master where I am faulty; be my friend always!'
"'Mr. Moore,' she said, looking up with a sweet, sincere expression, 'please teach me and help me to be good. I’m not asking you to take away all the worries and responsibilities of owning property, but I’m asking you to share the load and show me how to handle my part properly. Your judgment is fair, your heart is kind, and your principles are strong. I know you’re wise; I feel your kindness; I believe you’re conscientious. Be my companion in life; be my guide where I lack knowledge; be my mentor where I make mistakes; be my friend always!'
"'So help me God, I will!'"
"'So help me God, I will!'"
Yet again a passage from the blank book if you like, reader; if you don't like it, pass it over:—
Yet again a passage from the blank book if you want, reader; if you don’t want it, skip it:—
"The Sympsons are gone, but not before discovery and explanation. My manner must have betrayed something, or my looks. I was quiet, but I forgot to be guarded sometimes. I stayed longer in the room than usual; I could not bear to be out of her presence; I returned to it, and basked in it, like Tartar in the sun. If she left the oak parlour, instinctively I rose and left it too. She chid me for this procedure more than once. I did it with a vague, blundering idea of getting a word with her in the hall or elsewhere. Yesterday towards dusk I had her to myself for five minutes by the hall fire. We stood side by side; she was railing at me, and I was enjoying the sound of her voice. The young ladies passed, and looked at us; we did not separate. Ere long they repassed, and again looked. Mrs. Sympson came; we did not move. Mr. Sympson opened the dining-room door. Shirley flashed him back[Pg 549] full payment for his spying gaze. She curled her lip and tossed her tresses. The glance she gave was at once explanatory and defiant. It said: 'I like Mr. Moore's society, and I dare you to find fault with my taste.'
"The Sympsons are gone, but not before I figured things out and explained them. My behavior must have given something away, or maybe my expression did. I was quiet, but sometimes I forgot to hold back. I stayed in the room longer than usual; I couldn’t stand being away from her. I kept returning, soaking it all in, like a Tartar enjoying the sun. When she left the oak parlor, I instinctively got up and followed her. She scolded me for this more than once. I did it with a clumsy, vague intention of stealing a moment with her in the hall or somewhere else. Yesterday, around dusk, I had her to myself for five minutes by the hall fire. We stood side by side; she was scolding me, and I was enjoying the sound of her voice. The young ladies walked by and glanced at us; we didn’t separate. Soon, they passed again and looked again. Mrs. Sympson arrived; we didn’t move. Mr. Sympson opened the dining-room door. Shirley shot him a look that clearly told him to back off for spying on us. She curled her lip and tossed her hair back. The look she gave was both explanatory and defiant. It said, 'I enjoy Mr. Moore's company, and I dare you to criticize my choice.'”
"I asked, 'Do you mean him to understand how matters are?'
"I asked, 'Do you want him to understand what's going on?'"
"'I do,' said she; 'but I leave the development to chance. There will be a scene. I neither invite it nor fear it; only, you must be present, for I am inexpressibly tired of facing him solus. I don't like to see him in a rage. He then puts off all his fine proprieties and conventional disguises, and the real human being below is what you would call commun, plat, bas—vilain et un peu méchant. His ideas are not clean, Mr. Moore; they want scouring with soft soap and fuller's earth. I think, if he could add his imagination to the contents of Mrs. Gill's bucking-basket, and let her boil it in her copper, with rain-water and bleaching-powder (I hope you think me a tolerable laundress), it would do him incalculable good.'
"'I do,' she said; 'but I'm leaving it up to chance to unfold. There will be a scene. I don't invite it or fear it; I just need you to be there because I am incredibly tired of facing him alone. I really don't like to see him angry. When he's like that, he drops all his pretenses and conventional masks, and the real person underneath is what you would call common, dull, base—nasty and a bit mean. His thoughts aren't clean, Mr. Moore; they need some serious scrubbing with soap and special powder. I think if he could throw his imagination into Mrs. Gill's laundry basket, and let her boil it with rainwater and bleach (I hope you think I’m a decent laundress), it would do him a world of good.'"
"This morning, fancying I heard her descend somewhat early, I was down instantly. I had not been deceived. There she was, busy at work in the breakfast-parlour, of which the housemaid was completing the arrangement and dusting. She had risen betimes to finish some little keepsake she intended for Henry. I got only a cool reception, which I accepted till the girl was gone, taking my book to the window-seat very quietly. Even when we were alone I was slow to disturb her. To sit with her in sight was happiness, and the proper happiness, for early morning—serene, incomplete, but progressive. Had I been obtrusive, I knew I should have encountered rebuff. 'Not at home to suitors' was written on her brow. Therefore I read on, stole now and then a look, watched her countenance soften and open as she felt I respected her mood, and enjoyed the gentle content of the moment.
This morning, thinking I heard her get up a bit early, I got up right away. I wasn't mistaken. There she was, busy in the breakfast room, where the housemaid was finishing up the setup and dusting. She had gotten up early to finish a small keepsake she meant for Henry. I received only a cool welcome, which I accepted until the girl left, quietly taking my book to the window seat. Even when we were alone, I was hesitant to interrupt her. Just sitting there, being able to see her, was happiness—the kind of happiness that feels right for early morning—calm, unfinished, but moving forward. I knew that if I had been too forward, I would have faced a setback. "Not open for visitors" was written on her face. So, I kept reading, occasionally stealing a glance, watching her expression soften and brighten as she sensed that I respected her mood, and I enjoyed the gentle peace of the moment.
"The distance between us shrank, and the light hoar-frost thawed insensibly. Ere an hour elapsed I was at her side, watching her sew, gathering her sweet smiles and her merry words, which fell for me abundantly. We sat, as we had a right to sit, side by side; my arm rested on her chair; I was near enough to count the stitches of her work, and to discern the eye of her needle. The door suddenly opened.
"The distance between us closed, and the light frost melted away. Before an hour passed, I was by her side, watching her sew, soaking in her sweet smiles and cheerful words, which flowed freely for me. We sat, as we had every right to, side by side; my arm rested on her chair; I was close enough to count her stitches and see the eye of her needle. Then the door suddenly opened."
"I believe, if I had just then started from her, she would[Pg 550] have despised me. Thanks to the phlegm of my nature, I rarely start. When I am well-off, bien, comfortable, I am not soon stirred. Bien I was—très bien—consequently immutable. No muscle moved. I hardly looked to the door.
"I think that if I had left her at that moment, she would[Pg550] have looked down on me. Because of my calm demeanor, I rarely take action. When I’m in a good place, feeling fine and comfortable, I'm not easily shaken. I was doing well—very well—so I stayed the same. Not a muscle twitched. I barely glanced at the door."
"'Good-morning, uncle,' said she, addressing that personage, who paused on the threshold in a state of petrifaction.
"'Good morning, uncle,' she said, addressing him as he stood frozen in disbelief at the door."
"'Have you been long downstairs, Miss Keeldar, and alone with Mr. Moore?'
"'Have you been down there for a while, Miss Keeldar, and alone with Mr. Moore?'"
"'Yes, a very long time. We both came down early; it was scarcely light.'
"'Yes, a really long time. We both came down early; it was hardly light.'"
"'The proceeding is improper——'
"'This proceeding is improper——'"
"'It was at first, I was rather cross, and not civil; but you will perceive that we are now friends.'
"'At first, I was pretty upset and not very polite; but you can see that we're friends now.'"
"'I perceive more than you would wish me to perceive.'
'I see more than you want me to see.'
"'Hardly, sir,' said I; 'we have no disguises. Will you permit me to intimate that any further observations you have to make may as well be addressed to me? Henceforward I stand between Miss Keeldar and all annoyance.'
"'Not really, sir,' I said; 'we have no disguises. Can I suggest that any further comments you have might as well be directed at me? From now on, I'm here to protect Miss Keeldar from any hassle.'"
"'You! What have you to do with Miss Keeldar?'
'You! What do you have to do with Miss Keeldar?'
"'To protect, watch over, serve her.'
"'To protect, watch over, and serve her.'"
"'You, sir—you, the tutor?'
"'You, sir – you, the tutor?'"
"'Not one word of insult, sir,' interposed she; 'not one syllable of disrespect to Mr. Moore in this house.'
"'Not one word of insult, sir,' she said. 'Not a single syllable of disrespect to Mr. Moore in this house.'"
"'Do you take his part?'
"'Are you on his side?'"
"'His part? oh yes!'
"‘His part? Oh, definitely!’"
"She turned to me with a sudden fond movement, which I met by circling her with my arm. She and I both rose.
"She turned to me with a sudden affectionate gesture, which I responded to by wrapping my arm around her. We both got up."
"'Good Ged!' was the cry from the morning-gown standing quivering at the door. Ged, I think, must be the cognomen of Mr. Sympson's Lares. When hard pressed he always invokes this idol.
"'Good Ged!' was the shout from the morning-gown standing nervously at the door. Ged, I think, must be the name of Mr. Sympson's household spirits. When he's in a tough spot, he always calls on this idol.
"'Come forward, uncle; you shall hear all.—Tell him all, Louis.'
"'Come closer, uncle; you need to hear everything. —Go ahead and tell him everything, Louis.'"
"'I dare him to speak—the beggar! the knave! the specious hypocrite! the vile, insinuating, infamous menial!—Stand apart from my niece, sir. Let her go!'
"'I challenge him to speak—the beggar! the scoundrel! the fake hypocrite! the despicable, sneaky, infamous servant!—Step away from my niece, sir. Let her go!'"
"She clung to me with energy. 'I am near my future husband,' she said. 'Who dares touch him or me?'
"She held onto me tightly. 'I’m close to my future husband,' she said. 'Who would dare to touch him or me?'"
"'Her husband!' He raised and spread his hands. He dropped into a seat.
"'Her husband!' He raised and spread his hands. He sank into a chair.
"'A while ago you wanted much to know whom I meant[Pg 551] to marry. My intention was then formed, but not mature for communication. Now it is ripe, sun-mellowed, perfect. Take the crimson peach—take Louis Moore!'
"'Some time ago, you were really curious about who I meant[Pg551I'm sorry, but there doesn't appear to be any text provided for modernization. Please provide the text you'd like me to work on. to marry. I had made up my mind then, but it wasn’t ready to share. Now it’s ready, fully developed, and just right. Take the ripe peach—take Louis Moore!'"
"'But' (savagely) 'you shall not have him; he shall not have you.'
"'But' (savagely) 'you will not have him; he will not have you.'"
"'I would die before I would have another. I would die if I might not have him.'
"'I would rather die than have another. I would die if I couldn't have him.'"
"He uttered words with which this page shall never be polluted.
"He spoke words that will never stain this page."
"She turned white as death; she shook all over; she lost her strength. I laid her down on the sofa; just looked to ascertain that she had not fainted—of which, with a divine smile, she assured me. I kissed her; and then, if I were to perish, I cannot give a clear account of what happened in the course of the next five minutes. She has since—through tears, laughter, and trembling—told me that I turned terrible, and gave myself to the demon. She says I left her, made one bound across the room; that Mr. Sympson vanished through the door as if shot from a cannon. I also vanished, and she heard Mrs. Gill scream.
"She turned as pale as death; she was shaking all over; she lost her strength. I laid her down on the sofa and just checked to see that she hadn’t fainted—she assured me with a divine smile that she hadn’t. I kissed her, and then, no matter what happened next, I can’t clearly explain the next five minutes. Since then—through tears, laughter, and trembling—she’s told me that I looked terrifying and gave in to the demon. She says I left her, leaped across the room; that Mr. Sympson disappeared through the door like he was shot from a cannon. I also vanished, and she heard Mrs. Gill scream."
"Mrs. Gill was still screaming when I came to my senses. I was then in another apartment—the oak parlour, I think. I held Sympson before me crushed into a chair, and my hand was on his cravat. His eyes rolled in his head; I was strangling him, I think. The housekeeper stood wringing her hands, entreating me to desist. I desisted that moment, and felt at once as cool as stone. But I told Mrs. Gill to fetch the Red-House Inn chaise instantly, and informed Mr. Sympson he must depart from Fieldhead the instant it came. Though half frightened out of his wits, he declared he would not. Repeating the former order, I added a commission to fetch a constable. I said, 'You shall go, by fair means or foul.'
"Mrs. Gill was still screaming when I came to my senses. I was in another room—the oak parlor, I think. I had Sympson in front of me, shoved into a chair, and my hand was around his neck. His eyes were rolling in his head; I was choking him, I think. The housekeeper was standing there, wringing her hands and begging me to stop. I did stop at that moment and immediately felt as calm as a stone. But I told Mrs. Gill to get the carriage from the Red-House Inn right away, and I informed Mr. Sympson that he had to leave Fieldhead as soon as it arrived. Though he was half scared out of his mind, he insisted he wouldn't go. Repeating my previous order, I added that she should fetch a police officer. I said, 'You will go, by fair means or foul.'"
"He threatened prosecution; I cared for nothing. I had stood over him once before, not quite so fiercely as now, but full as austerely. It was one night when burglars attempted the house at Sympson Grove, and in his wretched cowardice he would have given a vain alarm, without daring to offer defence. I had then been obliged to protect his family and his abode by mastering himself—and I had succeeded. I now remained with him till the chaise came. I marshalled him to it, he scolding all the way. He was terribly bewildered, as well as enraged. He would have resisted me, but knew not how. He called for his wife and[Pg 552] daughters to come. I said they should follow him as soon as they could prepare. The smoke, the fume, the fret of his demeanour was inexpressible, but it was a fury incapable of producing a deed. That man, properly handled, must ever remain impotent. I know he will never touch me with the law. I know his wife, over whom he tyrannizes in trifles, guides him in matters of importance. I have long since earned her undying mother's gratitude by my devotion to her boy. In some of Henry's ailments I have nursed him—better, she said, than any woman could nurse. She will never forget that. She and her daughters quitted me to-day, in mute wrath and consternation; but she respects me. When Henry clung to my neck as I lifted him into the carriage and placed him by her side, when I arranged her own wrapping to make her warm, though she turned her head from me, I saw the tears start to her eyes. She will but the more zealously advocate my cause because she has left me in anger. I am glad of this—not for my own sake, but for that of my life and idol—my Shirley."
"He threatened to press charges; I didn’t care at all. I had stood over him once before, not as fiercely as now, but just as sternly. It was one night when burglars tried to break into the house at Sympson Grove, and in his pathetic cowardice, he would have raised a useless alarm without daring to defend himself. I had to protect his family and home by taking control of the situation—and I succeeded. I stayed with him until the carriage arrived. I guided him to it, and he complained the whole way. He was completely confused and angry. He would have tried to resist me but didn’t know how. He called for his wife and daughters to come. I said they would follow him as soon as they were ready. The smoke, the fumes, and the tension of his demeanor were beyond words, but it was a rage that couldn’t lead to action. That man, managed properly, will always remain powerless. I know he will never use the law against me. I also know that his wife, over whom he exerts control in trivial matters, directs him on important issues. I have long earned her lasting gratitude as a mother through my dedication to her son. In some of Henry’s illnesses, I cared for him—better, she said, than any woman could. She will never forget that. She and her daughters left me today, filled with silent anger and shock; but she respects me. When Henry clung to my neck as I lifted him into the carriage and settled him next to her, and when I adjusted her shawl to keep her warm, even though she turned away from me, I saw tears welling in her eyes. She will advocate for me even more passionately because she left me in anger. I’m glad about this—not for my own sake, but for the sake of my life and my dream—my Shirley."
Once again he writes, a week after:—"I am now at Stilbro'. I have taken up my temporary abode with a friend—a professional man, in whose business I can be useful. Every day I ride over to Fieldhead. How long will it be before I can call that place my home, and its mistress mine? I am not easy, not tranquil; I am tantalized, sometimes tortured. To see her now, one would think she had never pressed her cheek to my shoulder, or clung to me with tenderness or trust. I feel unsafe; she renders me miserable. I am shunned when I visit her; she withdraws from my reach. Once this day I lifted her face, resolved to get a full look down her deep, dark eyes. Difficult to describe what I read there! Pantheress! beautiful forest-born! wily, tameless, peerless nature! She gnaws her chain; I see the white teeth working at the steel! She has dreams of her wild woods and pinings after virgin freedom. I wish Sympson would come again, and oblige her again to entwine her arms about me. I wish there was danger she should lose me, as there is risk I shall lose her. No; final loss I do not fear, but long delay——
Once again he writes, a week later:—"I’m now at Stilbro’. I’m staying with a friend—a professional guy, in whose work I can be helpful. Every day I ride over to Fieldhead. How long until I can call that place my home, and its mistress mine? I’m not at ease, not calm; I’m tormented, sometimes tortured. To see her now, you’d think she had never rested her cheek on my shoulder, or clung to me with affection or trust. I feel insecure; she makes me miserable. I feel unwelcome when I visit her; she pulls away from me. Earlier today I lifted her face, determined to look deep into her dark eyes. It's hard to put into words what I saw there! Wild cat! beautiful creature of the forest! clever, untamed, unmatched nature! She gnaws at her chain; I see her white teeth working against the steel! She dreams of her wild woods and longs for pure freedom. I wish Sympson would come back again and force her to wrap her arms around me once more. I wish there was a real chance she might lose me, just as I fear I might lose her. No; I’m not afraid of permanent loss, but the long wait——
"It is now night—midnight. I have spent the afternoon and evening at Fieldhead. Some hours ago she passed me, coming down the oak staircase to the hall. She did not know I was standing in the twilight, near the staircase window, looking at the frost-bright constellations.[Pg 553] How closely she glided against the banisters! How shyly shone her large eyes upon me! How evanescent, fugitive, fitful she looked—slim and swift as a northern streamer!
"It’s now night—midnight. I spent the afternoon and evening at Fieldhead. A few hours ago, she passed me, coming down the oak staircase to the hall. She didn’t know I was standing in the dim light, near the staircase window, looking at the frost-clear constellations.[Pg553I'm sorry, but there seems to be no text provided to modernize. Please provide a phrase for me to assist with. She glided so closely against the banisters! Her large eyes shone on me shyly! She looked so fleeting, elusive, and unpredictable—slim and quick like a northern light!"
"I followed her into the drawing-room. Mrs. Pryor and Caroline Helstone were both there; she has summoned them to bear her company awhile. In her white evening dress, with her long hair flowing full and wavy, with her noiseless step, her pale cheek, her eye full of night and lightning, she looked, I thought, spirit-like—a thing made of an element, the child of a breeze and a flame, the daughter of ray and raindrop—a thing never to be overtaken, arrested, fixed. I wished I could avoid following her with my gaze as she moved here and there, but it was impossible. I talked with the other ladies as well as I could, but still I looked at her. She was very silent; I think she never spoke to me—not even when she offered me tea. It happened that she was called out a minute by Mrs. Gill. I passed into the moonlit hall, with the design of getting a word as she returned; nor in this did I fail.
I followed her into the living room. Mrs. Pryor and Caroline Helstone were both there; she had called them to keep her company for a while. In her white evening dress, with her long hair flowing wavy, her quiet step, her pale cheek, and her eyes that seemed full of night and lightning, she looked, I thought, almost like a spirit—a figure made of air, the child of a breeze and a flame, the daughter of light and raindrop—a being that could never be caught or held down. I wished I could stop following her with my gaze as she moved around, but it was impossible. I talked with the other ladies as best as I could, but I still kept looking at her. She was very quiet; I don't think she ever spoke to me—not even when she offered me tea. At one point, she was called away for a moment by Mrs. Gill. I slipped into the moonlit hall, hoping to catch a word with her when she came back; and I succeeded in that.
"'Miss Keeldar, stay one instant,' said I, meeting her.
"'Miss Keeldar, wait just a moment,' I said, approaching her.
"'Why? the hall is too cold.'
"'Why? The hall is too cold.'"
"'It is not cold for me; at my side it should not be cold for you.'
'It's not cold for me; it shouldn't be cold for you either.'
"'But I shiver.'
"'But I'm shivering.'"
"'With fear, I believe. What makes you fear me? You are quiet and distant. Why?'
"'With fear, I guess. What makes you afraid of me? You seem quiet and distant. Why?'"
"'I may well fear what looks like a great dark goblin meeting me in the moonlight.'
"I might really be scared of what appears to be a huge dark goblin waiting for me in the moonlight."
"'Do not—do not pass! Stay with me awhile. Let us exchange a few quiet words. It is three days since I spoke to you alone. Such changes are cruel.'
"Don't—don't pass! Stay with me for a bit. Let’s share a few quiet words. It’s been three days since I talked to you alone. Such changes are harsh."
"'I have no wish to be cruel,' she responded, softly enough. Indeed there was softness in her whole deportment—in her face, in her voice; but there was also reserve, and an air fleeting, evanishing, intangible.
"I don’t want to be cruel," she replied, softly enough. There was indeed a softness in her whole demeanor—in her face, in her voice; but there was also a sense of reserve, and an air that was fleeting, vanishing, and intangible.
"'You certainly give me pain,' said I. 'It is hardly a week since you called me your future husband and treated me as such. Now I am once more the tutor for you. I am addressed as Mr. Moore and sir. Your lips have forgotten Louis.'
"'You definitely hurt me,' I said. 'It’s barely been a week since you called me your future husband and treated me like one. Now I'm just your tutor again. I'm being called Mr. Moore and sir. Your lips have forgotten Louis.'
"'No, Louis, no. It is an easy, liquid name—not soon forgotten.'
"'No, Louis, no. It’s a simple, smooth name—not easily forgotten.'"
"'Be cordial to Louis, then; approach him—let him approach.'
"'Be friendly to Louis, then; go up to him—let him come to you.'"
[Pg 554]"'I am cordial,' said she, hovering aloof like a white shadow.
[Pg554Please provide the text you'd like me to modernize."'I am friendly,' she said, floating at a distance like a white shadow.
"'Your voice is very sweet and very low,' I answered, quietly advancing. 'You seem subdued, but still startled.'
"'Your voice is really sweet and quite soft,' I replied, slowly moving closer. 'You look a bit down, but still surprised.'"
"'No—quite calm, and afraid of nothing,' she assured me.
"'No—totally calm and not afraid of anything,' she reassured me.
"'Of nothing but your votary.'
"'Of nothing but your fan.'"
"I bent a knee to the flags at her feet.
"I knelt to the flags at her feet."
"'You see I am in a new world, Mr. Moore. I don't know myself; I don't know you. But rise. When you do so I feel troubled and disturbed.'
"'You see, I'm in a new world, Mr. Moore. I don’t know who I am; I don’t know you. But please get up. When you do, I feel uneasy and unsettled.'"
"I obeyed. It would not have suited me to retain that attitude long. I courted serenity and confidence for her, and not vainly. She trusted and clung to me again.
"I obeyed. It wouldn’t have been good for me to hold onto that attitude for long. I sought calmness and confidence for her, and not without purpose. She trusted me and leaned on me again."
"'Now, Shirley,' I said, 'you can conceive I am far from happy in my present uncertain, unsettled state.'
"'Now, Shirley,' I said, 'you can imagine I'm not at all happy in my current uncertain, unsettled situation.'"
"'Oh yes, you are happy!' she cried hastily. 'You don't know how happy you are. Any change will be for the worse.'
"'Oh yes, you are happy!' she exclaimed quickly. 'You don't realize how happy you are. Any change will just make things worse.'"
"'Happy or not, I cannot bear to go on so much longer. You are too generous to require it.'
"'Happy or not, I can't keep going like this much longer. You're too kind to expect that from me.'"
"'Be reasonable, Louis; be patient! I like you because you are patient.'
"'Be reasonable, Louis; be patient! I like you because you’re patient.'"
"'Like me no longer, then; love me instead. Fix our marriage day; think of it to-night, and decide.'
"'Don't love me like you used to; love me instead. Set a date for our wedding; think about it tonight and make a decision.'"
"She breathed a murmur, inarticulate yet expressive; darted, or melted, from my arms—and I lost her."[Pg 555]
"She let out a soft sound, unclear yet full of meaning; she slipped away from my arms—and I lost her."[Pg555Please provide the text you'd like me to modernize.
CHAPTER XXXVII.
THE WINDING-UP.
Yes, reader, we must settle accounts now. I have only briefly to narrate the final fates of some of the personages whose acquaintance we have made in this narrative, and then you and I must shake hands, and for the present separate.
Yeah, reader, it’s time to wrap things up. I just need to quickly share what happened to some of the characters we’ve met in this story, and then we’ll shake hands and part ways for now.
Let us turn to the curates—to the much-loved, though long-neglected. Come forward, modest merit! Malone, I see, promptly answers the invocation. He knows his own description when he hears it.
Let’s focus on the curates—the well-liked, although often overlooked. Step up, humble talent! Malone, I see, quickly responds to the call. He recognizes his own description when he hears it.
No, Peter Augustus; we can have nothing to say to you. It won't do. Impossible to trust ourselves with the touching tale of your deeds and destinies. Are you not aware, Peter, that a discriminating public has its crotchets; that the unvarnished truth does not answer; that plain facts will not digest? Do you not know that the squeak of the real pig is no more relished now than it was in days of yore? Were I to give the catastrophe of your life and conversation, the public would sweep off in shrieking hysterics, and there would be a wild cry for sal-volatile and burnt feathers. "Impossible!" would be pronounced here; "untrue!" would be responded there; "inartistic!" would be solemnly decided. Note well. Whenever you present the actual, simple truth, it is, somehow, always denounced as a lie—they disown it, cast it off, throw it on the parish; whereas the product of your own imagination, the mere figment, the sheer fiction, is adopted, petted, termed pretty, proper, sweetly natural—the little, spurious wretch gets all the comfits, the honest, lawful bantling all the cuffs. Such is the way of the world, Peter; and as you are the legitimate urchin, rude, unwashed, and naughty, you must stand down.
No, Peter Augustus; we can’t talk to you. It won’t work. It’s impossible for us to trust ourselves with the emotional story of your actions and fate. Don’t you realize, Peter, that a discerning audience has its quirks; that the raw truth doesn’t cut it; that plain facts won’t be taken in? Don’t you know that the genuine squeal of the pig is just as unwelcome now as it was back in the day? If I were to share the disaster of your life and conversations, the audience would flee in hysterics, crying for remedies and burnt feathers. “Impossible!” would be shouted here; “untrue!” would be echoed there; “inartistic!” would be solemnly declared. Take note. Whenever you present the actual, straightforward truth, it somehow always gets dismissed as a lie—they reject it, push it away, throw it onto someone else; while the product of your imagination, the mere creation, the pure fiction, is embraced, spoiled, called lovely, appropriate, charmingly natural—the little fake gets all the praise, while the honest, legitimate offspring gets all the hits. Such is the way of the world, Peter; and since you are the legitimate outcast, rough, unpolished, and mischievous, you have to take a step back.
Make way for Mr. Sweeting.
Make way for Mr. Sweeting.
Here he comes, with his lady on his arm—the most[Pg 556] splendid and the weightiest woman in Yorkshire—Mrs. Sweeting, formerly Miss Dora Sykes. They were married under the happiest auspices, Mr. Sweeting having been just inducted to a comfortable living, and Mr. Sykes being in circumstances to give Dora a handsome portion. They lived long and happily together, beloved by their parishioners and by a numerous circle of friends.
Here he comes, with his girlfriend on his arm—the most[Pg556I'm ready to assist you! Please provide the text you'd like me to modernize. impressive and heaviest woman in Yorkshire—Mrs. Sweeting, formerly known as Miss Dora Sykes. They got married under wonderful circumstances, with Mr. Sweeting just starting a comfortable job, and Mr. Sykes being able to give Dora a nice dowry. They lived together for a long time, happily loved by their parishioners and a large circle of friends.
There! I think the varnish has been put on very nicely.
There! I think the varnish has been applied really well.
Advance, Mr. Donne.
Move forward, Mr. Donne.
This gentleman turned out admirably—far better than either you or I could possibly have expected, reader. He, too, married a most sensible, quiet, lady-like little woman. The match was the making of him. He became an exemplary domestic character, and a truly active parish priest (as a pastor he, to his dying day, conscientiously refused to act). The outside of the cup and platter he burnished up with the best polishing-powder; the furniture of the altar and temple he looked after with the zeal of an upholsterer, the care of a cabinet-maker. His little school, his little church, his little parsonage, all owed their erection to him; and they did him credit. Each was a model in its way. If uniformity and taste in architecture had been the same thing as consistency and earnestness in religion, what a shepherd of a Christian flock Mr. Donne would have made! There was one art in the mastery of which nothing mortal ever surpassed Mr. Donne: it was that of begging. By his own unassisted efforts he begged all the money for all his erections. In this matter he had a grasp of plan, a scope of action quite unique. He begged of high and low—of the shoeless cottage brat and the coroneted duke. He sent out begging-letters far and wide—to old Queen Charlotte, to the princesses her daughters, to her sons the royal dukes, to the Prince Regent, to Lord Castlereagh, to every member of the ministry then in office; and, what is more remarkable, he screwed something out of every one of these personages. It is on record that he got five pounds from the close-fisted old lady Queen Charlotte, and two guineas from the royal profligate her eldest son. When Mr. Donne set out on begging expeditions, he armed himself in a complete suit of brazen mail. That you had given a hundred pounds yesterday was with him no reason why you should not give two hundred to-day. He would tell you so to your face, and, ten to one, get the money out of you. People gave to get rid of him. After all, he did some[Pg 557] good with the cash. He was useful in his day and generation.
This guy turned out really well—way better than either you or I could have imagined, reader. He also married a sensible, calm, and ladylike woman. This match was a game-changer for him. He became a great family man and an actually active parish priest (as a pastor, he consistently refused to act until his last day). He polished up the exterior of the church and its decorations like a pro; he took care of the altar and temple decor with the precision of a furniture maker. His little school, his little church, and his little parsonage were all built thanks to him, and they really reflected well on him. Each was a model in its own right. If consistency and style in architecture had been the same as sincerity and dedication in faith, Mr. Donne would have been an amazing shepherd for a Christian community! There was one skill Mr. Donne mastered like no one else: begging. He raised all the funds for all his projects on his own. His planning and scope were truly one-of-a-kind. He solicited donations from everyone—from the kids without shoes in the cottages to the dukes with titles. He sent out letters asking for donations far and wide—to the old Queen Charlotte, her princess daughters, her royal duke sons, the Prince Regent, Lord Castlereagh, and every member of the government at the time; and shockingly, he managed to get something from each of them. It's recorded that he received five pounds from the miserly Queen Charlotte and two guineas from her wild eldest son. When Mr. Donne went out begging, he tackled it like he was wearing armor. Just because you gave him a hundred pounds yesterday didn’t mean you couldn’t give him two hundred today. He would say that to your face, and he’d likely get that money from you. People donated just to get rid of him. After all, he did some good with the money. He was helpful in his time.
Perhaps I ought to remark that on the premature and sudden vanishing of Mr. Malone from the stage of Briarfield parish (you cannot know how it happened, reader; your curiosity must be robbed to pay your elegant love of the pretty and pleasing), there came as his successor another Irish curate, Mr. Macarthey. I am happy to be able to inform you, with truth, that this gentleman did as much credit to his country as Malone had done it discredit. He proved himself as decent, decorous, and conscientious as Peter was rampant, boisterous, and—— This last epithet I choose to suppress, because it would let the cat out of the bag. He laboured faithfully in the parish. The schools, both Sunday and day schools, flourished under his sway like green bay trees. Being human, of course he had his faults. These, however, were proper, steady-going, clerical faults—what many would call virtues. The circumstance of finding himself invited to tea with a Dissenter would unhinge him for a week. The spectacle of a Quaker wearing his hat in the church, the thought of an unbaptized fellow-creature being interred with Christian rites—these things could make strange havoc in Mr. Macarthey's physical and mental economy. Otherwise he was sane and rational, diligent and charitable.
Maybe I should mention that after Mr. Malone suddenly disappeared from Briarfield parish (you can't know the details, reader; your curiosity must give way to your refined taste for the charming and delightful), another Irish curate, Mr. Macarthey, took his place. I'm pleased to tell you, truthfully, that this gentleman brought as much honor to his country as Malone brought shame. He was as decent, proper, and conscientious as Peter was rowdy, loud, and—— I choose to skip the last description because it would reveal too much. He worked hard in the parish. The schools, both Sunday and day schools, thrived under his leadership like flourishing green bay trees. Being human, he obviously had his flaws. However, these were typical, steady-going clerical flaws—what many would consider virtues. The fact that he found himself invited to tea with a Dissenter would unsettle him for a week. The sight of a Quaker wearing his hat in church or the idea of an unbaptized person being buried with Christian rites—these things could seriously disturb Mr. Macarthey's physical and mental well-being. Otherwise, he was sensible and reasonable, diligent and generous.
I doubt not a justice-loving public will have remarked, ere this, that I have thus far shown a criminal remissness in pursuing, catching, and bringing to condign punishment the would-be assassin of Mr. Robert Moore. Here was a fine opening to lead my willing readers a dance, at once decorous and exciting—a dance of law and gospel, of the dungeon, the dock, and the "dead-thraw." You might have liked it, reader, but I should not. I and my subject would presently have quarrelled, and then I should have broken down. I was happy to find that facts perfectly exonerated me from the attempt. The murderer was never punished, for the good reason that he was never caught—the result of the further circumstance that he was never pursued. The magistrates made a shuffling, as if they were going to rise and do valiant things; but since Moore himself, instead of urging and leading them as heretofore, lay still on his little cottage-couch, laughing in his sleeve, and sneering with every feature of his pale, foreign face, they considered better of it, and after fulfilling certain[Pg 558] indispensable forms, prudently resolved to let the matter quietly drop, which they did.
I have no doubt that a justice-loving public has noticed by now that I have shown a real failure in pursuing, catching, and properly punishing the would-be assassin of Mr. Robert Moore. This was a great opportunity to take my eager readers on a journey that was both respectable and thrilling—a journey through law and morality, through prison, trial, and the “dead-thaw.” You might have enjoyed it, reader, but I definitely would not. My subject and I would have ended up at odds, and then I would have faltered. I was relieved to find that the facts completely cleared me of that effort. The murderer was never punished for the simple reason that he was never caught—the result of the additional fact that he was never pursued. The magistrates shuffled about as if they were going to stand up and take bold action; but since Moore himself, instead of encouraging and leading them as he had before, lay still on his small cottage couch, quietly laughing to himself and sneering with every feature of his pale, foreign face, they thought better of it. After completing certain[Pg]558I'm sorry, but I don't see a text to modernize. Please provide the piece of text you'd like me to work on.necessary formalities, they wisely decided to let the matter drop, which they did.
Mr. Moore knew who had shot him, and all Briarfield knew. It was no other than Michael Hartley, the half-crazed weaver once before alluded to, a frantic Antinomian in religion, and a mad leveller in politics. The poor soul died of delirium tremens a year after the attempt on Moore, and Robert gave his wretched widow a guinea to bury him.
Mr. Moore knew who had shot him, and all of Briarfield knew too. It was none other than Michael Hartley, the half-crazed weaver mentioned earlier, a frantic Antinomian in religion and a mad egalitarian in politics. The poor man died of delirium tremens a year after the attempt on Moore, and Robert gave his grieving widow a guinea to bury him.
The winter is over and gone; spring has followed with beamy and shadowy, with flowery and showery flight. We are now in the heart of summer—in mid-June—the June of 1812.
The winter is over and gone; spring has come with sunshine and shade, with flowers and rain. We are now in the middle of summer—in mid-June—the June of 1812.
It is burning weather. The air is deep azure and red gold. It fits the time; it fits the age; it fits the present spirit of the nations. The nineteenth century wantons in its giant adolescence; the Titan boy uproots mountains in his game, and hurls rocks in his wild sport. This summer Bonaparte is in the saddle; he and his host scour Russian deserts. He has with him Frenchmen and Poles, Italians and children of the Rhine, six hundred thousand strong. He marches on old Moscow. Under old Moscow's walls the rude Cossack waits him. Barbarian stoic! he waits without fear of the boundless ruin rolling on. He puts his trust in a snow-cloud; the wilderness, the wind, and the hail-storm are his refuge; his allies are the elements—air, fire, water. And what are these? Three terrible archangels ever stationed before the throne of Jehovah. They stand clothed in white, girdled with golden girdles; they uplift vials, brimming with the wrath of God. Their time is the day of vengeance; their signal, the word of the Lord of hosts, "thundering with the voice of His excellency."
It’s scorching outside. The sky is a deep blue and red gold. It matches the times; it matches the era; it fits the current spirit of the nations. The nineteenth century is reckless in its massive youth; the Titan boy uproots mountains in his play and tosses rocks in his wild fun. This summer, Bonaparte is in charge; he and his army sweep through the Russian deserts. With him are Frenchmen, Poles, Italians, and those from the Rhine, six hundred thousand strong. He advances on old Moscow. At the walls of ancient Moscow, the fierce Cossack waits for him. Barbarian stoic! he waits without fear of the immense destruction that approaches. He places his trust in a snowstorm; the wilderness, the wind, and the hail are his refuge; his allies are the elements—air, fire, and water. And what are these? Three fearsome archangels ever positioned before the throne of God. They are dressed in white, adorned with golden sashes; they raise vials filled with God’s wrath. Their time is the day of vengeance; their signal is the word of the Lord of hosts, "thundering with the voice of His greatness."
"Hast thou entered into the treasures of the snow? or hast thou seen the treasures of the hail, which I have reserved against the time of trouble, against the day of battle and war?
"Have you explored the treasures of the snow? Or have you seen the treasures of the hail that I have stored up for times of trouble, for the day of battle and war?"
"Go your ways. Pour out the vials of the wrath of God upon the earth."
"Go your ways. Spill the vials of God's wrath onto the earth."
It is done. The earth is scorched with fire; the sea becomes "as the blood of a dead man;" the islands flee away; the mountains are not found.
It’s done. The earth is burned to ashes; the sea turns “as the blood of a dead man”; the islands vanish; the mountains are nowhere to be seen.
In this year, Lord Wellington assumed the reins in Spain.[Pg 559] They made him generalissimo, for their own salvation's sake. In this year he took Badajos, he fought the field of Vittoria, he captured Pampeluna, he stormed San Sebastian; in this year he won Salamanca.
In this year, Lord Wellington took charge in Spain.[Pg559Please provide the text you'd like me to modernize. They made him the top general for their own safety. In this year he captured Badajos, he fought the Battle of Vittoria, he took Pampeluna, he attacked San Sebastian; in this year he won at Salamanca.
Men of Manchester, I beg your pardon for this slight résumé of warlike facts, but it is of no consequence. Lord Wellington is, for you, only a decayed old gentleman now. I rather think some of you have called him a "dotard;" you have taunted him with his age and the loss of his physical vigour. What fine heroes you are yourselves! Men like you have a right to trample on what is mortal in a demigod. Scoff at your ease; your scorn can never break his grand old heart.
Men of Manchester, I apologize for this brief summary of war facts, but it doesn’t matter. Lord Wellington is just an old man to you now. I believe some of you have called him “senile;” you’ve mocked him for his age and dwindling strength. What great heroes you are! People like you have the right to belittle what’s human in a demigod. Go ahead and scoff; your disdain can never break his noble old heart.
But come, friends, whether Quakers or cotton-printers, let us hold a peace-congress, and let out our venom quietly. We have been talking with unseemly zeal about bloody battles and butchering generals; we arrive now at a triumph in your line. On the 18th of June 1812 the Orders in Council were repealed, and the blockaded ports thrown open. You know very well—such of you as are old enough to remember—you made Yorkshire and Lancashire shake with your shout on that occasion. The ringers cracked a bell in Briarfield belfry; it is dissonant to this day. The Association of Merchants and Manufacturers dined together at Stilbro', and one and all went home in such a plight as their wives would never wish to witness more. Liverpool started and snorted like a river-horse roused amongst his reeds by thunder. Some of the American merchants felt threatenings of apoplexy, and had themselves bled—all, like wise men, at this first moment of prosperity, prepared to rush into the bowels of speculation, and to delve new difficulties, in whose depths they might lose themselves at some future day. Stocks which had been accumulating for years now went off in a moment, in the twinkling of an eye. Warehouses were lightened, ships were laden; work abounded, wages rose; the good time seemed come. These prospects might be delusive, but they were brilliant—to some they were even true. At that epoch, in that single month of June, many a solid fortune was realized.
But come on, friends, whether you're Quakers or cotton manufacturers, let's hold a peace meeting and express our frustrations calmly. We've been talking too eagerly about bloody battles and brutal generals; now we get to celebrate a victory on your side. On June 18, 1812, the Orders in Council were repealed, and the blocked ports were opened up. Those of you who are old enough to remember know that your cheers made Yorkshire and Lancashire shake. The bell in the Briarfield belfry rang so loudly that it’s still off-key today. The Association of Merchants and Manufacturers had a dinner at Stilbro’, and they all went home in such a state that their wives would never want to see that again. Liverpool erupted like a river horse startled by thunder in the reeds. Some American merchants felt faint and had themselves bled—all, like wise individuals, were ready to dive into speculation and create new challenges that they might find themselves lost in later. Stocks that had been gathering dust for years vanished in an instant, in the blink of an eye. Warehouses were emptied, ships got loaded; work was plentiful, wages rose; it felt like the good times had arrived. These prospects might have been misleading, but they were dazzling—some even felt real. In that moment, in that single month of June, many solid fortunes were made.
When a whole province rejoices, the humblest of its inhabitants tastes a festal feeling; the sound of public bells rouses the most secluded abode, as if with a call to be gay. And so Caroline Helstone thought, when she[Pg 560] dressed herself more carefully than usual on the day of this trading triumph, and went, attired in her neatest muslin, to spend the afternoon at Fieldhead, there to superintend certain millinery preparations for a great event, the last appeal in these matters being reserved for her unimpeachable taste. She decided on the wreath, the veil, the dress to be worn at the altar. She chose various robes and fashions for more ordinary occasions, without much reference to the bride's opinion—that lady, indeed, being in a somewhat impracticable mood.
When a whole region celebrates, even the humblest locals feel a festive spirit; the sound of public bells reaches the most secluded homes, calling everyone to join in the fun. That's how Caroline Helstone felt when she[Pg560] dressed more carefully than usual on the day of this trading triumph. She put on her prettiest muslin and headed to Fieldhead to oversee some preparations for a big event, with the final decisions relying on her impeccable taste. She picked out the wreath, the veil, and the dress for the wedding ceremony. She also selected various outfits for more casual occasions, not really considering the bride’s opinion—who, in fact, was in a bit of an uncooperative mood.
Louis had presaged difficulties, and he had found them—in fact, his mistress had shown herself exquisitely provoking, putting off her marriage day by day, week by week, month by month, at first coaxing him with soft pretences of procrastination, and in the end rousing his whole deliberate but determined nature to revolt against her tyranny, at once so sweet and so intolerable.
Louis had anticipated problems, and he encountered them—in fact, his mistress was incredibly frustrating, delaying their wedding day by day, week by week, month by month. At first, she sweet-talked him into putting it off, but ultimately she stirred his entire careful yet resolute nature to rebel against her rule, which was both charming and unbearable.
It had needed a sort of tempest-shock to bring her to the point; but there she was at last, fettered to a fixed day. There she lay, conquered by love, and bound with a vow.
It took a kind of overwhelming shock to get her to this point; but there she was at last, tied to a specific day. There she lay, overcome by love and bound by a promise.
Thus vanquished and restricted, she pined, like any other chained denizen of deserts. Her captor alone could cheer her; his society only could make amends for the lost privilege of liberty. In his absence she sat or wandered alone, spoke little, and ate less.
Thus defeated and confined, she longed for freedom, like any other imprisoned soul in the desert. Only her captor could cheer her up; only his company could compensate for the lost privilege of liberty. In his absence, she sat or roamed alone, spoke little, and ate even less.
She furthered no preparations for her nuptials; Louis was himself obliged to direct all arrangements. He was virtually master of Fieldhead weeks before he became so nominally—the least presumptuous, the kindest master that ever was, but with his lady absolute. She abdicated without a word or a struggle. "Go to Mr. Moore, ask Mr. Moore," was her answer when applied to for orders. Never was wooer of wealthy bride so thoroughly absolved from the subaltern part, so inevitably compelled to assume a paramount character.
She made no plans for her wedding; Louis had to handle all the arrangements himself. He was basically in charge of Fieldhead weeks before it became official—he was the least arrogant and kindest boss ever, but his lady held all the power. She stepped back without a word or a fight. "Go ask Mr. Moore," was her response whenever someone sought her directions. Never has a suitor of a wealthy bride been so completely relieved of a secondary role, so inevitably forced to take on a leading position.
In all this Miss Keeldar partly yielded to her disposition; but a remark she made a year afterwards proved that she partly also acted on system. "Louis," she said, "would never have learned to rule if she had not ceased to govern. The incapacity of the sovereign had developed the powers of the premier."
In all this, Miss Keeldar somewhat gave in to her nature; however, a comment she made a year later showed that she also operated on a plan. “Louis,” she said, “would never have learned to lead if she hadn’t stopped trying to control everything. The inability of the ruler brought out the abilities of the prime minister.”
It had been intended that Miss Helstone should act as[Pg 561] bridesmaid at the approaching nuptials, but Fortune had destined her another part.
It was planned for Miss Helstone to be a bridesmaid at the upcoming wedding, but fate had decided on a different role for her.
She came home in time to water her plants. She had performed this little task. The last flower attended to was a rose-tree, which bloomed in a quiet green nook at the back of the house. This plant had received the refreshing shower; she was now resting a minute. Near the wall stood a fragment of sculptured stone—a monkish relic—once, perhaps, the base of a cross. She mounted it, that she might better command the view. She had still the watering pot in one hand; with the other her pretty dress was held lightly aside, to avoid trickling drops. She gazed over the wall, along some lonely fields; beyond three dusk trees, rising side by side against the sky; beyond a solitary thorn at the head of a solitary lane far off. She surveyed the dusk moors, where bonfires were kindling. The summer evening was warm; the bell-music was joyous; the blue smoke of the fires looked soft, their red flame bright. Above them, in the sky whence the sun had vanished, twinkled a silver point—the star of love.
She got home just in time to water her plants. She had done this small task. The last flower she took care of was a rose bush, which bloomed in a quiet green corner at the back of the house. This plant had received a refreshing shower, and now she was taking a moment to rest. Close to the wall stood a piece of carved stone—a monkish relic—once, maybe, the base of a cross. She climbed onto it to get a better view. She still had the watering can in one hand; with the other, she lightly held her pretty dress aside to avoid getting it wet from any dripping drops. She looked over the wall at some empty fields; beyond three dark trees standing side by side against the sky; beyond a solitary thorn tree at the end of a lonely lane far off. She took in the dark moors where bonfires were starting. The summer evening was warm; the sound of bells was cheerful; the blue smoke from the fires looked soft, and their red flames were bright. Above them, in the sky where the sun had set, a silver point twinkled—the star of love.
Caroline was not unhappy that evening—far otherwise; but as she gazed she sighed, and as she sighed a hand circled her, and rested quietly on her waist. Caroline thought she knew who had drawn near; she received the touch unstartled.
Caroline wasn't unhappy that evening—quite the opposite; but as she looked on, she sighed, and as she sighed, a hand wrapped around her and rested softly on her waist. Caroline thought she recognized who had come close; she accepted the touch without being startled.
"I am looking at Venus, mamma. See, she is beautiful. How white her lustre is, compared with the deep red of the bonfires!"
"I’m looking at Venus, Mom. Look how beautiful she is. Her shine is so much whiter compared to the deep red of the bonfires!"
The answer was a closer caress; and Caroline turned, and looked, not into Mrs. Pryor's matron face, but up at a dark manly visage. She dropped her watering-pot and stepped down from the pedestal.
The answer was a gentler touch; and Caroline turned, looking not at Mrs. Pryor's motherly face, but up at a strong, dark face. She dropped her watering can and stepped down from the pedestal.
"I have been sitting with 'mamma' an hour," said the intruder. "I have had a long conversation with her. Where, meantime, have you been?"
"I've been sitting with 'mom' for an hour," said the intruder. "I've had a long conversation with her. Where have you been in the meantime?"
"To Fieldhead. Shirley is as naughty as ever, Robert. She will neither say Yes nor No to any question put. She sits alone. I cannot tell whether she is melancholy or nonchalant. If you rouse her or scold her, she gives you a look, half wistful, half reckless, which sends you away as queer and crazed as herself. What Louis will make of her, I cannot tell. For my part, if I were a gentleman, I think I would not dare undertake her."
"To Fieldhead. Shirley is as troublesome as ever, Robert. She won't give a straight Yes or No to any question asked. She sits by herself. I can't tell if she's feeling sad or just indifferent. If you try to engage her or scold her, she looks at you with a mix of longing and defiance that leaves you feeling just as strange and bewildered as she is. I have no idea what Louis will think of her. Personally, if I were a gentleman, I don’t think I would have the courage to take her on."
"Never mind them. They were cut out for each other.[Pg 562] Louis, strange to say, likes her all the better for these freaks. He will manage her, if any one can. She tries him, however. He has had a stormy courtship for such a calm character; but you see it all ends in victory for him. Caroline, I have sought you to ask an audience. Why are those bells ringing?"
"Forget about them. They were made for each other.[Pg562Please provide the text you want modernized. Louis, surprisingly, appreciates her even more because of these quirks. He'll handle her, if anyone can. She does challenge him, though. He’s had a turbulent courtship for someone with such a calm demeanor; but in the end, it all works out in his favor. Caroline, I came to you to request a meeting. Why are those bells ringing?"
"For the repeal of your terrible law—the Orders you hate so much. You are pleased, are you not?"
"For the repeal of that awful law—the Orders you dislike so much. You're happy about this, aren't you?"
"Yesterday evening at this time I was packing some books for a sea-voyage. They were the only possessions, except some clothes, seeds, roots, and tools, which I felt free to take with me to Canada. I was going to leave you."
"Last night at this time, I was packing some books for a sea voyage. They were my only belongings, apart from some clothes, seeds, roots, and tools, that I felt I could take with me to Canada. I was getting ready to leave you."
"To leave me? To leave me?"
"To leave me? Leave me?"
Her little fingers fastened on his arm; she spoke and looked affrighted.
Her small fingers clutched his arm; she spoke and looked scared.
"Not now—not now. Examine my face—yes, look at me well. Is the despair of parting legible thereon?"
"Not now—not right now. Look at my face—yes, really look at me. Can you see the sadness of saying goodbye on it?"
She looked into an illuminated countenance, whose characters were all beaming, though the page itself was dusk. This face, potent in the majesty of its traits, shed down on her hope, fondness, delight.
She gazed into a bright face, every feature radiating positivity, even though the background was dark. This face, powerful in its features, filled her with hope, affection, and joy.
"Will the repeal do you good—much good, immediate good?" she inquired.
"Will the repeal be good for you—really good, immediately good?" she asked.
"The repeal of the Orders in Council saves me. Now I shall not turn bankrupt; now I shall not give up business; now I shall not leave England; now I shall be no longer poor; now I can pay my debts; now all the cloth I have in my warehouses will be taken off my hands, and commissions given me for much more. This day lays for my fortunes a broad, firm foundation, on which, for the first time in my life, I can securely build."
"The repeal of the Orders in Council saves me. I won't go bankrupt now; I won't have to close my business; I won't be leaving England; I won't be poor anymore; I can pay off my debts; all the cloth I have in my warehouses will be sold, and I'll get commissions for even more. Today lays a solid foundation for my future, where for the first time in my life, I can build securely."
Caroline devoured his words; she held his hand in hers; she drew a long breath.
Caroline absorbed his words; she held his hand in hers; she took a deep breath.
"You are saved? Your heavy difficulties are lifted?"
"You’re saved? Your burdens are gone?"
"They are lifted. I breathe. I can act."
"They are lifted. I breathe. I can act."
"At last! Oh, Providence is kind! Thank Him, Robert."
"Finally! Oh, fate is so good! Thank him, Robert."
"I do thank Providence."
"Thanks to Providence."
"And I also, for your sake!" She looked up devoutly.
"And I also, for you!" She looked up earnestly.
"Now I can take more workmen, give better wages, lay wiser and more liberal plans, do some good, be less selfish. Now, Caroline, I can have a house—a home which I can truly call mine—and now——"
"Now I can hire more workers, offer better pay, come up with smarter and more generous plans, do some good, and be less selfish. Now, Caroline, I can have a house—a home that I can genuinely call mine—and now——"
He paused, for his deep voice was checked.
He paused, as his deep voice faltered.
[Pg 563]"And now," he resumed—"now I can think of marriage, now I can seek a wife."
[Pg563Please provide the text you would like me to modernize."And now," he continued—"now I can consider marriage, now I can look for a wife."
This was no moment for her to speak. She did not speak.
This wasn't the time for her to say anything. She stayed silent.
"Will Caroline, who meekly hopes to be forgiven as she forgives—will she pardon all I have made her suffer, all that long pain I have wickedly caused her, all that sickness of body and mind she owed to me? Will she forget what she knows of my poor ambition, my sordid schemes? Will she let me expiate these things? Will she suffer me to prove that, as I once deserted cruelly, trifled wantonly, injured basely, I can now love faithfully, cherish fondly, treasure tenderly?"
"Will Caroline, who quietly hopes to be forgiven as she forgives—will she forgive all the pain I’ve made her endure, all the suffering I’ve maliciously caused her, all the distress of body and mind she suffered because of me? Will she forget what she knows about my misguided ambition and selfish plans? Will she allow me to make amends for these things? Will she let me show that, just as I once abandoned her cruelly, toyed with her carelessly, and hurt her badly, I can now love her faithfully, cherish her deeply, and treasure her lovingly?"
His hand was in Caroline's still; a gentle pressure answered him.
His hand was still in Caroline's; a gentle squeeze responded to him.
"Is Caroline mine?"
"Is Caroline my girlfriend?"
"Caroline is yours."
"Caroline is yours now."
"I will prize her. The sense of her value is here, in my heart; the necessity for her society is blended with my life. Not more jealous shall I be of the blood whose flow moves my pulses than of her happiness and well-being."
"I will cherish her. I feel her worth deeply in my heart; my need for her presence is part of my life. I will be no more jealous of the blood that runs in my veins than I will be of her happiness and well-being."
"I love you, too, Robert, and will take faithful care of you."
"I love you too, Robert, and I’ll take good care of you."
"Will you take faithful care of me? Faithful care! As if that rose should promise to shelter from tempest this hard gray stone! But she will care for me, in her way. These hands will be the gentle ministrants of every comfort I can taste. I know the being I seek to entwine with my own will bring me a solace, a charity, a purity, to which, of myself, I am a stranger."
"Will you take good care of me? Good care! As if that rose could promise to protect this tough gray stone from a storm! But she will look after me, in her own way. These hands will gently provide every comfort I can enjoy. I know the person I want to connect with will bring me peace, kindness, and a sense of purity that I don’t know from within myself."
Suddenly Caroline was troubled; her lip quivered.
Suddenly, Caroline felt uneasy; her lip trembled.
"What flutters my dove?" asked Moore, as she nestled to and then uneasily shrank from him.
"What's bothering you, my dove?" asked Moore, as she snuggled up to him and then nervously pulled away.
"Poor mamma! I am all mamma has. Must I leave her?"
"Poor mom! I’m all she has. Do I really have to leave her?"
"Do you know, I thought of that difficulty. I and 'mamma' have discussed it."
"Do you know, I thought about that issue. My mom and I have talked about it."
"Tell me what you wish, what you would like, and I will consider if it is possible to consent. But I cannot desert her, even for you. I cannot break her heart, even for your sake."
"Tell me what you want, what you're hoping for, and I'll see if I can agree. But I can't abandon her, even for you. I can't break her heart, even for your benefit."
"She was faithful when I was false—was she not? I never came near your sick-bed, and she watched it ceaselessly."
"She was loyal when I was unfaithful—wasn't she? I never came to your bedside, and she stayed there constantly."
[Pg 564]"What must I do? Anything but leave her."
[Pg564I'm ready for the text. Please provide it."What should I do? Anything but abandon her."
"At my wish you never shall leave her."
"Because I want it, you will never leave her."
"She may live very near us?"
"Does she live really close to us?"
"With us—only she will have her own rooms and servant. For this she stipulates herself."
"With us—she will have her own rooms and a servant. She insists on this herself."
"You know she has an income, that, with her habits, makes her quite independent?"
"You know she earns her own money, which, along with her lifestyle, makes her pretty independent?"
"She told me that, with a gentle pride that reminded me of somebody else."
"She told me that with a soft pride that made me think of someone else."
"She is not at all interfering, and incapable of gossip."
"She doesn't interfere at all and isn't the type to gossip."
"I know her, Cary. But if, instead of being the personification of reserve and discretion, she were something quite opposite, I should not fear her."
"I know her, Cary. But if, instead of being the embodiment of reserve and discretion, she were something completely different, I wouldn't be afraid of her."
"Yet she will be your mother-in-law?" The speaker gave an arch little nod. Moore smiled.
"Yet she will be your mother-in-law?" The speaker gave a sly little nod. Moore smiled.
"Louis and I are not of the order of men who fear their mothers-in-law, Cary. Our foes never have been, nor will be, those of our own household. I doubt not my mother-in-law will make much of me."
"Louis and I are not the type of guys who are scared of their mothers-in-law, Cary. Our enemies have never been, and will never be, those in our own home. I have no doubt my mother-in-law will think a lot of me."
"That she will—in her quiet way, you know. She is not demonstrative; and when you see her silent, or even cool, you must not fancy her displeased; it is only a manner she has. Be sure to let me interpret for her whenever she puzzles you; always believe my account of the matter, Robert."
"She will—just in her subtle way, you know. She's not very expressive; and when you see her quiet, or even a bit distant, don't assume she's upset; it's just how she is. Make sure to let me explain for her whenever she confuses you; always trust my version of things, Robert."
"Oh, implicitly! Jesting apart, I feel that she and I will suit—on ne peut mieux. Hortense, you know, is exquisitely susceptible—in our French sense of the word—and not, perhaps, always reasonable in her requirements; yet, dear, honest girl, I never painfully wounded her feelings or had a serious quarrel with her in my life."
"Oh, absolutely! Joking aside, I think she and I are a perfect match—on ne peut mieux. You know, Hortense is extremely sensitive—in the French way of putting it—and maybe not always reasonable with her expectations; still, that dear, honest girl, I’ve never hurt her feelings deeply or had a serious argument with her in my life."
"No; you are most generously considerate, indeed, most tenderly indulgent to her; and you will be considerate with mamma. You are a gentleman all through, Robert, to the bone, and nowhere so perfect a gentleman as at your own fireside."
"No; you are truly generous and thoughtful, indeed, very gently understanding towards her; and you will be thoughtful with mom. You are a true gentleman, Robert, to your core, and nowhere do you exemplify being a gentleman more than in your own home."
"A eulogium I like; it is very sweet. I am well pleased my Caroline should view me in this light."
"A eulogy I appreciate; it's really nice. I'm glad my Caroline sees me this way."
"Mamma just thinks of you as I do."
"Mom thinks of you just like I do."
"Not quite, I hope?"
"Not really, I hope?"
"She does not want to marry you—don't be vain; but she said to me the other day, 'My dear, Mr. Moore has pleasing manners; he is one of the few gentlemen I have seen who combine politeness with an air of sincerity.'"
"She doesn’t want to marry you—don’t be arrogant; but she told me the other day, 'My dear, Mr. Moore has charming manners; he is one of the few gentlemen I’ve encountered who balance politeness with a sense of sincerity.'"
[Pg 565]"'Mamma' is rather a misanthropist, is she not? Not the best opinion of the sterner sex?"
[Pg565I am ready to assist. Please provide the text you'd like me to modernize."Mom is a bit of a misanthrope, isn’t she? Not the highest regard for men?"
"She forbears to judge them as a whole, but she has her exceptions whom she admires—Louis and Mr. Hall, and, of late, yourself. She did not like you once; I knew that, because she would never speak of you. But, Robert——"
"She tries not to judge them all together, but she has her exceptions whom she admires—Louis and Mr. Hall, and lately, you. She didn't like you before; I knew that because she would never mention your name. But, Robert——"
"Well, what now? What is the new thought?"
"Well, what's next? What’s the new idea?"
"You have not seen my uncle yet?"
"You haven't seen my uncle yet?"
"I have. 'Mamma' called him into the room. He consents conditionally. If I prove that I can keep a wife, I may have her; and I can keep her better than he thinks—better than I choose to boast."
"I have. 'Mom' called him into the room. He agrees with conditions. If I can show that I can take care of a wife, I can have her; and I can take care of her better than he thinks—better than I want to brag about."
"If you get rich you will do good with your money, Robert?"
"If you get rich, will you use your money for good, Robert?"
"I will do good; you shall tell me how. Indeed, I have some schemes of my own, which you and I will talk about on our own hearth one day. I have seen the necessity of doing good; I have learned the downright folly of being selfish. Caroline, I foresee what I will now foretell. This war must ere long draw to a close. Trade is likely to prosper for some years to come. There may be a brief misunderstanding between England and America, but that will not last. What would you think if, one day—perhaps ere another ten years elapse—Louis and I divide Briarfield parish betwixt us? Louis, at any rate, is certain of power and property. He will not bury his talents. He is a benevolent fellow, and has, besides, an intellect of his own of no trifling calibre. His mind is slow but strong. It must work. It may work deliberately, but it will work well. He will be made magistrate of the district—Shirley says he shall. She would proceed impetuously and prematurely to obtain for him this dignity, if he would let her, but he will not. As usual, he will be in no haste. Ere he has been master of Fieldhead a year all the district will feel his quiet influence, and acknowledge his unassuming superiority. A magistrate is wanted; they will, in time, invest him with the office voluntarily and unreluctantly. Everybody admires his future wife, and everybody will, in time, like him. He is of the pâte generally approved, bon comme le pain—daily bread for the most fastidious, good for the infant and the aged, nourishing for the poor, wholesome for the rich. Shirley, in spite of her whims and oddities, her dodges and delays, has an infatuated fondness[Pg 566] for him. She will one day see him as universally beloved as even she could wish. He will also be universally esteemed, considered, consulted, depended on—too much so. His advice will be always judicious, his help always good-natured. Ere long both will be in inconvenient request. He will have to impose restrictions. As for me, if I succeed as I intend to do, my success will add to his and Shirley's income. I can double the value of their mill property. I can line yonder barren Hollow with lines of cottages and rows of cottage-gardens——"
"I will do good; you’ll tell me how. Honestly, I have some ideas of my own that we’ll discuss at our place one day. I've realized the importance of doing good; I've learned the absolute foolishness of being selfish. Caroline, I can see what I'm about to predict. This war must come to an end soon. Trade is likely to thrive for a few years ahead. There might be a brief misunderstanding between England and America, but that won't last. What would you think if, one day—maybe in ten years or so—Louis and I split Briarfield parish between us? Louis is definitely going to have power and property. He won’t waste his talents. He’s a generous guy, and he also has a sharp mind. His thinking is slow but strong. It may work deliberately, but it will work effectively. He will be made magistrate of the district—Shirley says he will. She would eagerly and hastily secure this position for him if he would allow it, but he won’t. As usual, he won't rush it. By the time he's been in charge of Fieldhead for a year, everyone in the district will feel his quiet influence and recognize his humble superiority. A magistrate is needed; eventually, they will willingly and gladly give him the position. Everybody admires his future wife, and eventually, everyone will like him. He’s the kind of person that is generally liked, bon comme le pain—daily bread for the pickiest eaters, good for infants and the elderly, nourishing for the poor, wholesome for the rich. Shirley, despite her quirks and delays, has a deep affection[Pg566Please provide the text you would like me to modernize. for him. One day, she’ll see him as beloved as she could ever hope. He will also be widely respected, consulted, relied upon—perhaps too much. His advice will always be wise, and his help will always be friendly. Soon, both will be in high demand. He will have to set some limits. As for me, if I achieve what I plan, my success will benefit his and Shirley's income. I can double the value of their mill property. I can fill that barren Hollow with rows of cottages and gardens——"
"Robert! And root up the copse?"
"Robert! And clear out the thicket?"
"The copse shall be firewood ere five years elapse. The beautiful wild ravine shall be a smooth descent; the green natural terrace shall be a paved street. There shall be cottages in the dark ravine, and cottages on the lonely slopes. The rough pebbled track shall be an even, firm, broad, black, sooty road, bedded with the cinders from my mill; and my mill, Caroline—my mill shall fill its present yard."
"The small forest will be firewood in less than five years. The stunning wild ravine will become a smooth slope; the green natural terrace will turn into a paved street. There will be cottages in the dark ravine and cottages on the quiet hillsides. The rocky path will be a smooth, solid, wide, black, sooty road, paved with the cinders from my mill; and my mill, Caroline—my mill will take up its current yard."
"Horrible! You will change our blue hill-country air into the Stilbro' smoke atmosphere."
"Horrible! You're going to turn our fresh hill-country air into the smoky atmosphere of Stilbro'."
"I will pour the waters of Pactolus through the valley of Briarfield."
"I will flow the waters of Pactolus through the valley of Briarfield."
"I like the beck a thousand times better."
"I like the stream a thousand times better."
"I will get an Act for enclosing Nunnely Common, and parcelling it out into farms."
"I’ll get a law passed to enclose Nunnely Common and divide it into farms."
"Stilbro' Moor, however, defies you, thank Heaven! What can you grow in Bilberry Moss? What will flourish on Rushedge?"
"Stilbro' Moor, however, challenges you, thank goodness! What can you grow in Bilberry Moss? What will thrive on Rushedge?"
"Caroline, the houseless, the starving, the unemployed shall come to Hollow's Mill from far and near; and Joe Scott shall give them work, and Louis Moore, Esq., shall let them a tenement, and Mrs. Gill shall mete them a portion till the first pay-day."
"Caroline, those without homes, the hungry, the jobless will come to Hollow's Mill from far and wide; and Joe Scott will provide them work, and Louis Moore, Esq., will rent them an apartment, and Mrs. Gill will give them a portion until the first pay day."
She smiled up in his face.
She looked up at him and smiled.
"Such a Sunday school as you will have, Cary! such collections as you will get! such a day school as you and Shirley and Miss Ainley will have to manage between you! The mill shall find salaries for a master and mistress, and the squire or the clothier shall give a treat once a quarter."
"You're going to have an amazing Sunday school, Cary! The collections you’ll gather will be incredible! You, Shirley, and Miss Ainley are going to run such a fantastic day school together! The mill will cover the salaries for a teacher and a female teacher, and either the squire or the clothier will host a treat once a quarter."
She mutely offered a kiss—an offer taken unfair advantage of, to the extortion of about a hundred kisses.
She silently offered a kiss—an offer that was unfairly taken advantage of, resulting in about a hundred kisses being extracted.
"Extravagant day-dreams," said Moore, with a sigh and smile, "yet perhaps we may realize some of them.[Pg 567] Meantime, the dew is falling. Mrs. Moore, I shall take you in."
"Over-the-top daydreams," said Moore, with a sigh and a smile, "but maybe we can make some of them come true.[Pg567I'm ready to assist. Please provide the text you'd like me to modernize. In the meantime, the dew is falling. Mrs. Moore, let me take you inside."
It is August. The bells clash out again, not only through Yorkshire, but through England. From Spain the voice of a trumpet has sounded long; it now waxes louder and louder; it proclaims Salamanca won. This night is Briarfield to be illuminated. On this day the Fieldhead tenantry dine together; the Hollow's Mill workpeople will be assembled for a like festal purpose; the schools have a grand treat. This morning there were two marriages solemnized in Briarfield church—Louis Gérard Moore, Esq., late of Antwerp, to Shirley, daughter of the late Charles Cave Keeldar, Esq., of Fieldhead; Robert Gérard Moore, Esq., of Hollow's Mill, to Caroline, niece of the Rev. Matthewson Helstone, M.A., rector of Briarfield.
It’s August. The bells ring out again, not just throughout Yorkshire, but across England. From Spain, a trumpet has been sounding for a while; it’s getting louder and louder, announcing that Salamanca has been won. Tonight, Briarfield will be lit up. On this day, the tenants of Fieldhead will have dinner together; the workers at Hollow's Mill will gather for a similar celebration; the schools are having a big treat. This morning, there were two weddings held in Briarfield church—Louis Gérard Moore, Esq., formerly of Antwerp, married Shirley, the daughter of the late Charles Cave Keeldar, Esq., of Fieldhead; Robert Gérard Moore, Esq., of Hollow's Mill, married Caroline, the niece of Rev. Matthewson Helstone, M.A., rector of Briarfield.
The ceremony, in the first instance, was performed by Mr. Helstone, Hiram Yorke, Esq., of Briarmains, giving the bride away. In the second instance, Mr. Hall, vicar of Nunnely, officiated. Amongst the bridal train the two most noticeable personages were the youthful bridesmen, Henry Sympson and Martin Yorke.
The ceremony was initially conducted by Mr. Helstone, with Hiram Yorke, Esq., of Briarmains, giving the bride away. In the second part, Mr. Hall, the vicar of Nunnely, took over. Among the bridal party, the two most prominent figures were the young groomsmen, Henry Sympson and Martin Yorke.
I suppose Robert Moore's prophecies were, partially at least, fulfilled. The other day I passed up the Hollow, which tradition says was once green, and lone, and wild; and there I saw the manufacturer's day-dreams embodied in substantial stone and brick and ashes—the cinder-black highway, the cottages, and the cottage gardens; there I saw a mighty mill, and a chimney ambitious as the tower of Babel. I told my old housekeeper when I came home where I had been.
I guess Robert Moore's predictions were, at least in part, realized. The other day I walked through the Hollow, which legend says used to be green, quiet, and wild; and there I saw the manufacturer's dreams turned into solid stone, brick, and ashes—the charred highway, the cottages, and the cottage gardens; there I saw a huge mill, and a chimney that stood tall like the tower of Babel. I told my old housekeeper when I got home where I had been.
"Ay," said she, "this world has queer changes. I can remember the old mill being built—the very first it was in all the district; and then I can remember it being pulled down, and going with my lake-lasses [companions] to see the foundation-stone of the new one laid. The two Mr. Moores made a great stir about it. They were there, and a deal of fine folk besides, and both their ladies; very bonny and grand they looked. But Mrs. Louis was the grandest; she always wore such handsome dresses. Mrs. Robert was quieter like. Mrs. Louis smiled when she talked. She had a real, happy, glad, good-natured look; but she had een that pierced a body through. There is no such ladies nowadays."
“Yeah,” she said, “this world has some strange changes. I can remember when they built the old mill—it was the very first one in the entire area; and then I can remember it being torn down, and going with my friends to see the new one’s foundation stone being laid. The two Mr. Moores made a big deal about it. They were there, along with a lot of other fancy people, including both their wives; they looked very lovely and impressive. But Mrs. Louis was the most impressive; she always wore such beautiful dresses. Mrs. Robert was more reserved. Mrs. Louis smiled while she talked. She had a truly happy and friendly look; but her eyes could really pierce through you. There aren’t any ladies like that nowadays.”
[Pg 568]"What was the Hollow like then, Martha?"
[Pg568Please provide the text you would like me to modernize. "What was the Hollow like back then, Martha?"
"Different to what it is now; but I can tell of it clean different again, when there was neither mill, nor cot, nor hall, except Fieldhead, within two miles of it. I can tell, one summer evening, fifty years syne, my mother coming running in just at the edge of dark, almost fleyed out of her wits, saying she had seen a fairish [fairy] in Fieldhead Hollow; and that was the last fairish that ever was seen on this countryside (though they've been heard within these forty years). A lonesome spot it was, and a bonny spot, full of oak trees and nut trees. It is altered now."
"Different from how it is now; but I can describe it clearly as it was back then, when there was neither mill, nor cottage, nor hall, except for Fieldhead, within two miles of it. I can recall one summer evening, fifty years ago, my mother coming running in just as it was getting dark, almost beside herself with fear, saying she had seen a fairy in Fieldhead Hollow; and that was the last fairy ever seen in this countryside (though they've been heard of in these last forty years). It was a lonely spot, and a beautiful one, full of oak trees and nut trees. It's changed now."
The story is told. I think I now see the judicious reader putting on his spectacles to look for the moral. It would be an insult to his sagacity to offer directions. I only say, God speed him in the quest!
The story has been shared. I can imagine the thoughtful reader putting on their glasses to search for the lesson. It would be disrespectful to their wisdom to provide any guidance. I just wish them good luck in their search!
THE END.
Established 1798
Founded 1798

T. NELSON
AND SONS
Printers and Publishers
[PgIIII'm sorry, but there doesn't seem to be any text provided for me to modernize. Please provide a phrase, and I'll be happy to assist!
THE
NELSON CLASSICS.
Uniform with this Volume and Same Price.
Same format as this volume and priced the same.
Jack Sheppard. | Harrison Ainsworth. |
Masterman Ready. | Captain Marryat. |
Michael Strogoff. | Jules Verne. |
The Big Wide World. | Eliz. Wetherell. |
This famous American novel has for many years been a classic in every home. It is a masterpiece of the best type of domestic fiction. | |
Hereward the Wake. | Charles Kingsley. |
This brilliant romance tells of the last stand of the great English leader, Hereward, against the advance of the Normans. The scene is largely laid in the Fen country, and every page is a record of fierce strife. The fall of Hereward is one of the greatest death scenes in literature. | |
[PgIV] David Copperfield—Chapter 1. | Charles Dickens. |
David Copperfield—Part II. | Charles Dickens. |
"David Copperfield" is, by general consent, Dickens's masterpiece, showing, as it does, all his peculiar merits in their highest form. It is the most autobiographical of his novels, and the one into which he put most of his philosophy of life. | |
Jane Eyre. | Charlotte Brontë. |
"Jane Eyre" is Charlotte Brontë's first and most famous work. It was the first realistic novel, in the modern sense of the word, in English literature, and its influence has been beyond reckoning. It ranks as one of the great novels of the nineteenth century. | |
Vibrant Green. | Cuthbert Bede. |
This is the humorous classic of Oxford life. Published more than half a century ago, its humour is as fresh to-day as ever. | |
Pickwick Papers—I. | Charles Dickens. |
Pickwick Papers—Part II. | Charles Dickens. |
Every year sees a new edition of "Pickwick," and the world still asks for more. It is one of the world's greatest romances of the road, where adventures fall to those who seek them. It is also a faithful and loving picture of an older England, from which we have travelled far to-day. We may become a wiser people, but we shall never again be so humorous. | |
Windsor Castle. | Harrison Ainsworth. |
The romances of Harrison Ainsworth need no advertisement. In this, as in his "Tower of London" and "Old St. Paul's," he has taken one of England's great historical sites, and woven around it an appropriate romance. | |
Peg Woffington. | Charles Reade. |
"Peg Woffington" was the first of Charles Reade's romances, and was founded upon his comedy, "Masks and Faces." The story of the famous Irish actress who dazzled London in the eighteenth century, and with whom Garrick was in love, has been made the foundation of a charming romance. | |
[PgV] Memories of Scottish Life and Character. | Dean Ramsay. |
The only book of jests that has ever attained an honourable place in literature. Its wealth of genuine humour is a perpetual refutation of the old slander that Scots joke "wi' deeficulty." | |
Nature's Parables. | Mrs. Gatty. |
This is one of the great children's books of the world. It was a classic in our grandmothers' time, and possesses that imperishable charm which makes it as attractive to-day as when it was first written. | |
Lavengro. | George Borrow. |
The greatest romance of the road in English literature, telling of all the byways and humours of that older England which is fast disappearing. | |
Little Women. | Louisa May Alcott. |
This delightful book has become a possession of childhood and youth. It has captured the affections of millions of young people in two continents, and is certainly the finest piece of work in the whole range of Miss Alcott's breezy, hopeful, genial, and tender writings. | |
Pride and Prejudice. | Jane Austen. |
Sense and Sensibility. | Jane Austen. |
Sir Walter Scott was among the earliest to detect the merits of Miss Austen's work, and of recent years her humour and her keen insight into human nature have been abundantly recognized, so that to-day she is probably the most read novelist of her period. In Sir Walter Scott's phrase she possesses "the exquisite touch which renders ordinary commonplace things and characters interesting." | |
Workers of the Sea. | Victor Hugo. |
The Joking Guy. | Victor Hugo. |
Les Misérables—Part I. | Victor Hugo. |
Les Misérables—Part 2. | Victor Hugo. |
Ninety-Three. | Victor Hugo. |
Victor Hugo took the romantic novel as invented by Sir Walter Scott and gave it a new and philosophic interest. All his great romances have a purpose. "Les Misérables" exposes the tyranny of human laws; "The Toilers of the Sea" shows the conflict of man with nature; "The Laughing Man" expounds the tyranny of the aristocratic ideal as exemplified in England. But being a great artist as well as a great thinker, he never turned his romances into pamphlets. Drama is always his aim, and no novelist has attained more often the supreme dramatic moment. | |
The Heir of Redclyffe. | C. M. Yonge Street. |
This is a reprint of Miss Yonge's most famous tale. It has been said of her that she domesticated the historical romance, which owed its origin to Sir Walter Scott, and her characters were for long the ideal figures of most English households. | |
Wild Wales. | George Borrow. |
This book was the result of Borrow's wanderings after the publication of "Lavengro" and "The Romany Rye." He tramped on foot throughout the country, and the work is a classic of description, both of the scenery and people. | |
The Cloister and the Hearth. | Charles Reade. |
There are many who think this the greatest of all historical novels, and it is certain that there are few better. It is not a story so much as a vast and varied transcript of life. It is also a delightful romance, and Gerard and Margaret are among the immortals of fiction. | |
Romola. | George Eliot. |
This is the only novel of George Eliot's in which the scene is laid outside her own country. It is a story of Florence during the time of the Renaissance, a marvellous picture of the intellectual and moral ferment which the New Learning created. With amazing learning and insight the author portrays the souls of men and women, and her study of a weak man and a strong woman has rarely been surpassed in English literature for dramatic power and moral truth. | |
Silas Marner. | George Eliot. |
This, the shortest and the most exquisite of George Eliot's tales, represents her great powers at their best. In the picture of the hero she shows a profound understanding of human nature, and the feelings which were then moving rural and industrial England. | |
[PgVII] The Abbot. | Sir Walter Scott. |
One of the Waverley novels which has always been deservedly popular. | |
Bride of Lammermoor. | Sir Walter Scott. |
The story is a tragedy on the lines of Greek drama, and the ending has been pronounced by great critics to be the most moving in prose literature. In the Master of Ravenswood, Scott has drawn perhaps his greatest tragic figure, and in Caleb Balderstone one of his most humorous creations. | |
The Black Tulip. | Alex Dumas. |
This was the last of Dumas' great stories. It is a veritable tour de force, for in it the reader follows with consuming interest the vicissitudes of a tulip, and the human element in the story is quite subsidiary. Nevertheless, it contains such strongly-drawn characters as Cornelius van Baerle, the guardian of the tulip, and Rosa, the jailer's daughter. | |
Tom Cringle’s Journal. | Michael Scott. |
A brilliant story of West Indian life by an author who combined abundant personal experience with keen observation, sprightly temper, and delightful humour. "Tom Cringle's Log" has been many times reprinted, and has lost nothing of its popularity and power to please. | |
Lamb's Stories from Shakespeare. | |
Tens of thousands of readers have been led to Shakespeare by the charmingly told stories which Charles and Mary Lamb, about a hundred years ago, extracted from the plays of the greatest dramatist of all time. Though produced by Lamb at the very outset of his literary career, these stories betray that unique and finished art, that delightful freshness and rare sympathy, which are the characteristics of his mature work. | |
The Scarlet Letter. | Nathaniel Hawthorne. |
This is one of the most powerful and affecting stories ever conceived. On its first appearance, in 1850, it immediately leaped high into public favour, and attained the distinction of an unmistakable classic. The tragedy of Hester Prynne and Arthur Dimmesdale is wrought out in the midst of an austere Puritan community, which exacts the bitterest expiation for sin. |
[PgVIIII'm sorry, but there is no text provided for me to modernize. Please provide a short piece of text for me to work on. THE NELSON CLASSICS.
Uniform with this Volume and Same Price.
Same Price and Match This Volume.
CONDENSED LIST.
1. A Tale of Two Cities. | 44. Great Expectations. |
2. Tom Brown's Schooldays. | 45. Guy Mannering. |
3. The Deerslayer. | 46. Modern Painters (Selections. |
4. Henry Esmond. | 47. Les Misérables—I. |
5. Hypatia. | 48. Les Misérables—II. |
6. The Mill on the Floss. | 49. The Monastery. |
7. Uncle Tom's Cabin. | 50. Romola. |
8. The Last of the Mohicans. | 51. The Vicar of Wakefield. |
9. Adam Bede. | 52. Emma. |
10. The Old Curiosity Shop. | 53. Lavengro. |
11. Oliver Twist. | 54. Emerson's Essays. |
12. Kenilworth. | 55. The Bride of Lammermoor. |
13. Robinson Crusoe. | 56. The Abbot. |
14. The Last Days of Pompeii. | 57. Tom Cringle's Log. |
15. Cloister and the Hearth. | 58. Lamb's Tales from Shakespeare. |
16. Ivanhoe. | 59. The Scarlet Letter. |
17. East Lynne. | 60. Old Mortality. |
18. Cranford. | 61. The Romany Rye. |
19. John Halifax, Gentleman. | 62. Hans Andersen. |
20. The Pathfinder. | 63. The Black Tulip. |
21. Westward Ho. | 64. Little Women. |
22. The Three Musketeers. | 65. The Talisman. |
23. The Channings. | 66. Scottish Life and Character. |
24. The Pilgrim's Progress. | 67. The Woman in White. |
25. Pride and Prejudice. | 68. Tales of Mystery. |
26. Quentin Durward. | 69. Fair Maid of Perth. |
27. Villette. | 70. Parables from Nature. |
28. Hard Times. | 71. Peg Woffington. |
29. Child's History of England. | 72. Windsor Castle. |
30. The Bible in Spain. | 73. Edmund Burke. |
31. Gulliver's Travels. | 74. Ingoldsby Legends. |
32. Sense and Sensibility. | 75. Pickwick Papers.—I. |
33. Kate Coventry. | 76. Pickwick Papers.—II. |
34. Silas Marner. | 77. Verdant Green. |
35. Notre Dame. | 78. The Heir of Redclyffe. |
36. Old St. Paul's. | 79. Wild Wales. |
37. Waverley. | 80. Two Years Before the Mast. |
38. 'Ninety-Three. | 81. Jane Eyre. |
39. Eothen. | 82. David Copperfield.—I. |
40. Toilers of the Sea. | 83. David Copperfield.—II. |
41. Children of the New Forest. | 84. Hereward the Wake. |
42. The Laughing Man. | 85. Wide Wide World. |
43. A Book of Golden Deeds. | 86. Michael Strogoff. |
THOMAS NELSON AND SONS.
Transcriber's Note:
Variations in hyphenated words have been retained as they appear in the original publication. Changes to the original have been made as follows:
Variations in hyphenated words have been kept the same as they appear in the original publication. Changes to the original have been made as follows:
Page 30 with some inpatience changed to with some impatience
Page 30 with some inpatience changed to with a bit of impatience
Page 48 very bravely mantained changed to very bravely maintained
Page 48 very bravely mantained changed to very bravely held on
Page 166 The old atticed changed to The old latticed
Page 166 The old atticed changed to The old latticed
Page 185 Mrs. Gill, my houskeeper changed to Mrs. Gill, my housekeeper
Page 185 Mrs. Gill, my housekeeper
Page 224 by a downward gave changed to by a downward gaze
Page 224 by a downward gave changed to by a downward look
Page 242 gently invired him changed to gently invited him
Page 242 gently invired him changed to gently invited him
Page 245 a smiling Melancthon changed to a smiling Melanchthon
Page 245 a smiling Melanchthon
Page 255 Sentinels of Nunwood changed to Sentinels of Nunnwood
Page 255 Sentinels of Nunwood changed to Sentinels of Nunnwood
Page 260 only the profiters changed to only the profiteers
Page 260 only the profiters changed to only the ones making money
Page 274 dark gray irids changed to dark gray irides
Page 274 dark gray irids changed to dark gray irides
Page 297 alight and alow changed to alight and aglow
Page 297 alight and alow changed to alight and glowing
Page 380 my old accupation changed to my old occupation
Page 380 my old accupation changed to my old job
Page 492 not without approbrium changed to not without opprobrium
Page 492 not without approbrium changed to not without criticism
Punctuation has been changed as follows:
Punctuation has been changed as follows:
Page 119 Mr Moore, we lived changed to Mr. Moore, we lived
Page 119 __A_TAG_PLACEHOLDER_0__ Mr. Moore, we lived
Page 145 stones on the road? changed to stones on the road.
Page 145 stones on the road? changed to stones on the road.
Page 393 "Shirley, my woman changed to 'Shirley, my woman
Page 393 "Shirley, my woman changed to 'Shirley, my woman
Page 540 reward her!" changed to reward her!'"
Page 540 reward __A_TAG_PLACEHOLDER_0__ reward her!'"
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