This is a modern-English version of The Shunned House, originally written by Lovecraft, H. P. (Howard Phillips). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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The

The Haunted House

By H. P. LOVECRAFT

A posthumous story of immense power, written by a master of weird fiction—a tale of a revolting horror in the cellar of an old house in New England

A posthumous story of incredible impact, created by a master of weird fiction—a tale of a disgusting horror in the basement of an old house in New England

From even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman. Poe generally stopped at the Mansion House in Benefit Street—the renamed Golden Ball Inn whose roof has sheltered Washington, Jefferson, and Lafayette—and his favorite walk led northward along the same street to Mrs. Whitman's home and the neighboring hillside churchyard of St. John's, whose hidden expanse of Eighteenth Century gravestones had for him a peculiar fascination.

From even the greatest of horrors, irony is rarely absent. Sometimes it directly shapes the events, and other times it’s about their random placement among people and places. A great example of the latter is found in the old city of Providence, where in the late forties, Edgar Allan Poe often stayed during his unsuccessful pursuit of the talented poetess, Mrs. Whitman. Poe usually lodged at the Mansion House on Benefit Street—the renamed Golden Ball Inn that once hosted Washington, Jefferson, and Lafayette—and his favorite route led north along the same street to Mrs. Whitman's home and the nearby hillside churchyard of St. John's, whose hidden spread of Eighteenth Century gravestones intrigued him in a special way.

Howard Phillips Lovecraft died last March, at the height of his career. Though only forty-six years of age, he had built up an international reputation by the artistry and impeccable literary craftsmanship of his weird tales; and he was regarded on both sides of the Atlantic as probably the greatest contemporary master of weird fiction. His ability to create and sustain a mood of brooding dread and unnamable horror is nowhere better shown than in the posthumous tale presented here: "The Shunned House."

Now the irony is this. In this walk, so many times repeated, the world's greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest fantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.

Now here’s the irony. Throughout his many walks, the world's greatest master of the terrible and the bizarre had to pass by a certain house on the eastern side of the street; a shabby, old building sitting on the steep hillside, with a messy yard that dates back to when the area was still somewhat open. It seems he never wrote or talked about it, nor is there any proof that he even noticed it. Yet that house, to the two people with certain knowledge, is just as horrifying or even worse than the wildest imaginings of the genius who frequently walked by without realizing it, standing there glaring as a symbol of everything that is unbearably grotesque.

The house was—and for that matter still is—of a kind to attract the attention of the curious. Originally a farm or semi-farm building, it followed the average New England colonial lines of the middle Eighteenth Century—the prosperous peaked-roof sort, with two stories and dormerless attic, and with the Georgian doorway and interior panelling dictated by the progress of taste at that time. It faced south, with one gable end buried to the lower windows in the eastward rising hill, and the other exposed to the foundations toward the street. Its construction, over a century and a half ago, had followed the grading and straightening of the road in that especial vicinity; for Benefit Street—at first called Back Street—was laid out as a lane winding amongst the graveyards of the first settlers, and straightened only when the removal of the bodies to the North Burial Ground made it decently possible to cut through the old family plots.

The house was—and still is—built in a way that draws the interest of the curious. Originally a farm or semi-farm building, it follows the typical New England colonial style of the mid-Eighteenth Century—the prosperous peaked-roof type, with two stories and no dormer in the attic, featuring the Georgian doorway and interior paneling that matched the tastes of that era. It faced south, with one gable end buried up to the lower windows in the eastward-rising hill, and the other side exposed to the foundations toward the street. Its construction, over a century and a half ago, was done according to the grading and straightening of the road in that area; for Benefit Street—originally called Back Street—was established as a lane winding through the graveyards of the first settlers, and was straightened only after the removal of the bodies to the North Burial Ground made it decently possible to cut through the old family plots.

At the start, the western wall had lain some twenty feet up a precipitous lawn from the roadway; but a widening of the street at about the time of the Revolution sheared off most of the intervening space, exposing the foundations so that a brick basement wall had to be made, giving the deep cellar a street frontage with door and one window above ground, close to the new line of public travel. When the sidewalk was laid out a century ago the last of the intervening space was removed; and Poe in his walks must have seen only a sheer ascent of dull gray brick flush with the sidewalk and surmounted at a height of ten feet by the antique shingled bulk of the house proper.

At the beginning, the western wall was about twenty feet up a steep lawn from the road. But a widening of the street around the time of the Revolution cut off most of the space in between, exposing the foundations. This meant a brick basement wall had to be built, giving the deep cellar a street-facing entrance with a door and one window above ground, close to the new line of public traffic. When the sidewalk was laid out a century ago, the last of the space in between was removed. Poe, during his walks, would have only seen a steep rise of dull gray brick flush with the sidewalk, topped at ten feet by the old shingled bulk of the house itself.

"That awful door in Benefit Street which I had left ajar."

The farm-like ground extended back very deeply up the hill, almost to Wheaton Street. The space south of the house, abutting on Benefit Street, was of course greatly above the existing sidewalk level, forming a terrace bounded by a high bank wall of damp, mossy stone pierced by a steep flight of narrow steps which led inward between canyon-like surfaces to the upper region of mangy lawn, rheumy brick walks, and neglected gardens whose dismantled cement urns, rusted kettles fallen from tripods of knotty sticks, and similar paraphernalia set off the weather-beaten front door with its broken fanlight, rotting Ionic pilasters, and wormy triangular pediment.

The farm-like land stretched far back up the hill, almost to Wheaton Street. The area south of the house, next to Benefit Street, was significantly higher than the existing sidewalk level, creating a terrace bordered by a tall bank wall of damp, moss-covered stone, punctuated by a steep flight of narrow steps that led inward between canyon-like walls to the upper area of scruffy lawn, old brick paths, and overgrown gardens. The dismantled cement urns, rusty kettles that had fallen from tripods made of gnarled sticks, and similar items contrasted with the weathered front door that had a broken fanlight, decaying Ionic columns, and a worm-eaten triangular pediment.


What I heard in my youth about the shunned house was merely that people died there in alarmingly great numbers. That, I was told, was why the original owners had moved out some twenty years after building the place. It was plainly unhealthy, perhaps because of the dampness and fungous growths in the cellar, the general sickish smell, the drafts of the hallways, or the quality of the well and pump water. These things were bad enough, and these were all that gained belief among the persons whom I knew. Only the notebooks of my antiquarian uncle, Doctor Elihu Whipple, revealed to me at length the darker, vaguer surmises which formed an undercurrent of folklore among old-time servants and humble folk; surmises which never travelled far, and which were largely forgotten when Providence grew to be a metropolis with a shifting modern population.

What I heard in my youth about the shunned house was simply that many people died there. That was supposedly the reason the original owners moved out about twenty years after they built it. It was clearly unhealthy, possibly due to the dampness and mold in the cellar, the sickly smell throughout, the drafts in the hallways, or the quality of the well and pump water. These issues were bad enough, and those were all the reasons that people I knew believed in. Only the notebooks of my antiquarian uncle, Doctor Elihu Whipple, revealed to me later the darker, more vague rumors that circulated among old servants and local folks; rumors that never spread far and were mostly forgotten when Providence became a bustling city with a changing modern population.

The general fact is, that the house was never regarded by the solid part of the community as in any real sense "haunted." There were no widespread tales of rattling chains, cold currents of air, extinguished lights, or faces at the window. Extremists sometimes said the house was "unlucky," but that is as far as even they went. What was really beyond dispute is that a frightful proportion of persons died there; or more accurately, had died there, since after some peculiar happenings over sixty years ago the building had become deserted through the sheer impossibility of renting it. These persons were not all cut off suddenly by any one cause; rather did it seem that their vitality was insidiously sapped, so that each one died the sooner from whatever tendency to weakness he may have naturally had. And those who did not die displayed in varying degree a type of anemia or consumption, and sometimes a decline of the mental faculties, which spoke ill for the salubriousness of the building. Neighboring houses, it must be added, seemed entirely free from the noxious quality.

The general fact is that the house was never truly seen as "haunted" by the solid part of the community. There were no widespread stories about rattling chains, drafty air, flickering lights, or faces appearing at the window. Some extremists claimed the house was "unlucky," but that was as far as even they took it. What was really undeniable is that a frightening number of people died there; or more accurately, had died there, since after some strange events over sixty years ago, the building had become vacant because it was nearly impossible to rent it out. These individuals didn't all die suddenly from one cause; rather, it seemed like their life force was insidiously drained, causing each one to die sooner from whatever natural weakness they might have had. And those who didn’t die showed varying degrees of a type of anemia or consumption, and sometimes a decline in mental faculties, which did not bode well for the building's healthiness. It should be noted that neighboring houses appeared completely free from any harmful quality.

This much I knew before my insistent questioning led my uncle to show me the notes which finally embarked us both on our hideous investigation. In my childhood the shunned house was vacant, with barren, gnarled and terrible old trees, long, queerly pale grass and nightmarishly misshapen weeds in the high terraced yard where birds never lingered. We boys used to overrun the place, and I can still recall my youthful terror not only at the morbid strangeness of this sinister vegetation, but at the eldritch atmosphere and odor of the dilapidated house, whose unlocked front door was often entered in quest of shudders. The small-paned windows were largely broken, and a nameless air of desolation hung round the precarious panelling, shaky interior shutters, peeling wall-paper, falling plaster, rickety staircases, and such fragments of battered furniture as still remained. The dust and cobwebs added their touch of the fearful; and brave indeed was the boy who would voluntarily ascend the ladder to the attic, a vast raftered length lighted only by small blinking windows in the gable ends, and filled with a massed wreckage of chests, chairs, and spinning-wheels which infinite years of deposit had shrouded and festooned into monstrous and hellish shapes.

This much I knew before my persistent questioning led my uncle to show me the notes that finally set us both on our horrifying investigation. In my childhood, the cursed house was empty, with barren, gnarled, and terrifying old trees, long, oddly pale grass, and nightmarishly twisted weeds in the high terraced yard where birds never stayed. We boys used to overrun the place, and I can still remember my youthful fear not only at the creepy strangeness of this ominous vegetation but also at the eerie atmosphere and smell of the rundown house, whose unlocked front door was often entered in search of chills. The small-paned windows were mostly broken, and a nameless feeling of desolation lingered around the shaky paneling, unstable interior shutters, peeling wallpaper, crumbling plaster, rickety staircases, and the remnants of battered furniture that still remained. The dust and cobwebs added their touch of terror; and truly brave was the boy who would willingly climb the ladder to the attic, a vast, raftered space lit only by small, flickering windows in the gable ends, filled with a mess of chests, chairs, and spinning wheels that infinite years of dust had shrouded and festooned into monstrous, hellish shapes.

But after all, the attic was not the most terrible part of the house. It was the dank, humid cellar which somehow exerted the strongest repulsion on us, even though it was wholly above ground on the street side, with only a thin door and window-pierced brick wall to separate it from the busy sidewalk. We scarcely knew whether to haunt it in spectral fascination, or to shun it for the sake of our souls and our sanity. For one thing, the bad odor of the house was strongest there; and for another thing, we did not like the white fungous growths which occasionally sprang up in rainy summer weather from the hard earth floor. Those fungi, grotesquely like the vegetation in the yard outside, were truly horrible in their outlines; detestable parodies of toadstools and Indian-pipes, whose like we had never seen in any other situation. They rotted quickly, and at one stage became slightly phosphorescent; so that nocturnal passers-by sometimes spoke of witch-fires glowing behind the broken panes of the fetor-spreading windows.

But really, the attic wasn't the worst part of the house. It was the musty, damp cellar that somehow repelled us the most, even though it was entirely above ground on the street side, with just a thin door and a brick wall marked by windows separating it from the busy sidewalk. We hardly knew whether to explore it out of morbid curiosity or to avoid it for the sake of our souls and sanity. For one thing, the bad smell was strongest there; and for another thing, we didn't like the white, moldy growths that occasionally appeared on the hard earth floor during rainy summer weather. Those fungi, grotesquely similar to the plants in the yard outside, were truly horrific in shape; disgusting imitations of toadstools and Indian pipes, which we had never seen anywhere else. They rotted quickly and at one point became slightly phosphorescent, so that nighttime passers-by sometimes mentioned seeing ghostly lights glowing behind the broken panes of the stench-filled windows.

We never—even in our wildest Halloween moods—visited this cellar by night, but in some of our daytime visits could detect the phosphorescence, especially when the day was dark and wet. There was also a subtler thing we often thought we detected—a very strange thing which was, however, merely suggestive at most. I refer to a sort of cloudy whitish pattern on the dirt floor—a vague, shifting deposit of mold or niter which we sometimes thought we could trace amidst the sparse fungous growths near the huge fireplace of the basement kitchen. Once in a while it struck us that this patch bore an uncanny resemblance to a doubled-up human figure, though generally no such kinship existed, and often there was no whitish deposit whatever.

We never—even in our wildest Halloween moods—visited this cellar at night, but during some of our daytime visits, we could spot the phosphorescence, especially when the day was dark and rainy. There was also a subtler thing we often thought we noticed—a really strange thing which was, at best, just suggestive. I’m talking about a sort of cloudy whitish pattern on the dirt floor—a vague, shifting deposit of mold or niter that we sometimes thought we could make out among the sparse fungous growths near the huge fireplace in the basement kitchen. Occasionally, it hit us that this patch looked oddly like a curled-up human figure, though usually, no such resemblance existed, and often there was no whitish deposit at all.

On a certain rainy afternoon when this illusion seemed phenomenally strong, and when, in addition, I had fancied I glimpsed a kind of thin, yellowish, shimmering exhalation rising from the nitrous pattern toward the yawning fireplace, I spoke to my uncle about the matter. He smiled at this odd conceit, but it seemed that his smile was tinged with reminiscence. Later I heard that a similar notion entered into some of the wild ancient tales of the common folk—a notion likewise alluding to ghoulish, wolfish shapes taken by smoke from the great chimney, and queer contours assumed by certain of the sinuous tree-roots that thrust their way into the cellar through the loose foundation-stones.

On a rainy afternoon when this illusion felt extremely strong, and when I thought I saw a thin, yellowish, shimmering mist rising from the strange pattern toward the wide-open fireplace, I talked to my uncle about it. He smiled at this strange idea, but it seemed like his smile held some memories. Later, I found out that a similar idea appeared in some of the wild old stories of the common people—an idea also referencing eerie, wolf-like shapes created by smoke from the large chimney, and odd shapes taken on by some of the winding tree roots that pushed into the basement through the loose foundation stones.

2

Not till my adult years did my uncle set before me the notes and data which he had collected concerning the shunned house. Doctor Whipple was a sane, conservative physician of the old school, and for all his interest in the place was not eager to encourage young thoughts toward the abnormal. His own view, postulating simply a building and location of markedly unsanitary qualities, had nothing to do with abnormality; but he realized that the very picturesqueness which aroused his own interest would in a boy's fanciful mind take on all manner of gruesome imaginative associations.

Not until I was an adult did my uncle show me the notes and data he had gathered about the haunted house. Doctor Whipple was a rational, traditional doctor from the old school, and despite his fascination with the place, he wasn’t keen on encouraging young minds to explore anything strange. His own perspective simply pointed to a building and location with notably unsanitary conditions, which had nothing to do with the abnormal; however, he understood that the very uniqueness that piqued his interest could lead a young boy's imagination to conjure up all sorts of scary associations.

The doctor was a bachelor; a white-haired, clean-shaven, old-fashioned gentleman, and a local historian of note, who had often broken a lance with such controversial guardians of tradition as Sidney S. Rider and Thomas W. Bicknell. He lived with one man-servant in a Georgian homestead with knocker and iron-railed steps, balanced eerily on the steep ascent of North Court Street beside the ancient brick court and colony house where his grandfather—a cousin of that celebrated privateersman, Captain Whipple, who burnt His Majesty's armed schooner Gaspee in 1772—had voted in the legislature on May 4, 1776, for the independence of the Rhode Island Colony. Around him in the damp, low-ceiled library with the musty white panelling, heavy carved overmantel and small-paned, vine-shaded windows, were the relics and records of his ancient family, among which were many dubious allusions to the shunned house in Benefit Street. That pest spot lies not far distant—for Benefit runs ledgewise just above the court house along the precipitous hill up which the first settlement climbed.

The doctor was single; a white-haired, clean-shaven, old-fashioned gentleman and a well-known local historian, who had often clashed with controversial figures like Sidney S. Rider and Thomas W. Bicknell. He lived with a male servant in a Georgian house that featured a knocker and iron-railed steps, eerily perched on the steep incline of North Court Street next to the historic brick court and colony house where his grandfather—a cousin of the famous privateer Captain Whipple, who burned His Majesty's armed schooner Gaspee in 1772—had voted in the legislature on May 4, 1776, for the independence of the Rhode Island Colony. Surrounding him in the damp, low-ceilinged library with its musty white paneling, heavy carved overmantel, and small-paned, vine-covered windows, were the relics and records of his ancient family, including many questionable references to the infamous house on Benefit Street. That notorious spot isn't far away—Benefit runs along the ledge just above the courthouse up the steep hill where the first settlement ascended.

When, in the end, my insistent pestering and maturing years evoked from my uncle the hoarded lore I sought, there lay before me a strange enough chronicle. Long-winded, statistical, and drearily genealogical as some of the matter was, there ran through it a continuous thread of brooding, tenacious horror and preternatural malevolence which impressed me even more than it had impressed the good doctor. Separate events fitted together uncannily, and seemingly irrelevant details held mines of hideous possibilities. A new and burning curiosity grew in me, compared to which my boyish curiosity was feeble and inchoate.

When, in the end, my relentless nagging and growing up finally got my uncle to share the hidden stories I was after, I encountered a rather strange chronicle. Although some of the content was long-winded, overly statistical, and tedious in a genealogical way, there was a constant thread of deep, persistent horror and unnatural evil running through it that left a stronger impression on me than it had on the good doctor. Separate events fit together in an uncanny way, and seemingly random details contained terrifying possibilities. A new and intense curiosity sparked within me, one that made my childhood curiosity seem weak and undeveloped.

The first revelation led to an exhaustive research, and finally to that shuddering quest which proved so disastrous to myself and mine. For at the last my uncle insisted on joining the search I had commenced, and after a certain night in that house he did not come away with me. I am lonely without that gentle soul whose long years were filled only with honor, virtue, good taste, benevolence, and learning. I have reared a marble urn to his memory in St. John's churchyard—the place that Poe loved—the hidden grove of giant willows on the hill, where tombs and headstones huddle quietly between the hoary bulk of the church and the houses and bank walls of Benefit Street.

The first revelation led to extensive research, and ultimately to a horrifying quest that ended up being disastrous for me and my family. In the end, my uncle insisted on joining the search I'd started, and after a particular night in that house, he didn't leave with me. I'm lonely without that kind soul, whose long life was filled only with honor, virtue, good taste, kindness, and knowledge. I've built a marble urn in his memory in St. John's churchyard—the place that Poe loved—the secluded grove of giant willows on the hill, where tombs and headstones are tucked quietly between the ancient church and the houses and bank walls of Benefit Street.

The history of the house, opening amidst a maze of dates, revealed no trace of the sinister either about its construction or about the prosperous and honorable family who built it. Yet from the first a taint of calamity, soon increased to boding significance, was apparent. My uncle's carefully compiled record began with the building of the structure in 1763, and followed the theme with an unusual amount of detail. The shunned house, it seems, was first inhabited by William Harris and his wife Rhoby Dexter, with their children, Elkanah, born in 1755, Abigail, born in 1757, William, Jr., born in 1759, and Ruth, born in 1761. Harris was a substantial merchant and seaman in the West India trade, connected with the firm of Obadiah Brown and his nephews. After Brown's death in 1761, the new firm of Nicholas Brown & Company made him master of the brig Prudence, Providence-built, of 120 tons, thus enabling him to erect the new homestead he had desired ever since his marriage.

The history of the house, starting with a jumble of dates, showed no signs of anything sinister about its construction or the successful and respectable family that built it. Yet from the beginning, a hint of disaster, which soon grew into an ominous significance, was noticeable. My uncle's detailed record began with the building of the structure in 1763 and continued with an unusual level of detail. The avoided house was first lived in by William Harris and his wife Rhoby Dexter, along with their children: Elkanah, born in 1755, Abigail, born in 1757, William Jr., born in 1759, and Ruth, born in 1761. Harris was a well-off merchant and seaman in the West India trade, linked with the firm of Obadiah Brown and his nephews. After Brown's death in 1761, the new firm of Nicholas Brown & Company made him captain of the brig Prudence, built in Providence, weighing 120 tons, which allowed him to build the new home he had wanted ever since he got married.

The site he had chosen—a recently straightened part of the new and fashionable Back Street, which ran along the side of the hill above crowded Cheapside—was all that could be wished, and the building did justice to the location. It was the best that moderate means could afford, and Harris hastened to move in before the birth of a fifth child which the family expected. That child, a boy, came in December; but was still-born. Nor was any child to be born alive in that house for a century and a half.

The location he picked—a newly straightened section of the trendy Back Street, which ran along the hill above the busy Cheapside—was everything he could have hoped for, and the building suited the spot perfectly. It was the best that their budget could manage, and Harris quickly moved in before the arrival of their fifth child, which the family anticipated. That child, a boy, was born in December but was stillborn. Moreover, no child would be born alive in that house for a century and a half.

The next April, sickness occurred among the children, and Abigail and Ruth died before the month was over. Doctor Job Ives diagnosed the trouble as some infantile fever, though others declared it was more of a mere wasting-away or decline. It seemed, in any event, to be contagious; for Hannah Bowen, one of the two servants, died of it in the following June. Eli Lideason, the other servant, constantly complained of weakness; and would have returned to his father's farm in Rehoboth but for a sudden attachment for Mehitabel Pierce, who was hired to succeed Hannah. He died the next year—a sad year indeed, since it marked the death of William Harris himself, enfeebled as he was by the climate of Martinique, where his occupation had kept him for considerable periods during the preceding decade.

The following April, sickness broke out among the children, and Abigail and Ruth died before the month ended. Doctor Job Ives diagnosed the issue as some kind of infant fever, although others claimed it was more like a general wasting away or decline. In any case, it seemed contagious; because Hannah Bowen, one of the two servants, died from it the following June. Eli Lideason, the other servant, constantly complained of feeling weak and would have gone back to his father's farm in Rehoboth if it hadn't been for his sudden feelings for Mehitabel Pierce, who was hired to replace Hannah. He died the next year—a truly sad year, as it also marked the death of William Harris himself, weakened as he was by the climate of Martinique, where his job had kept him for long stretches over the previous decade.

The widowed Rhoby Harris never recovered from the shock of her husband's death, and the passing of her first-born Elkanah two years later was the final blow to her reason. In 1768 she fell victim to a mild form of insanity, and was thereafter confined to the upper part of the house; her elder maiden sister, Mercy Dexter, having moved in to take charge of the family. Mercy was a plain, raw-boned woman of great strength; but her health visibly declined from the time of her advent. She was greatly devoted to her unfortunate sister, and had an especial affection for her only surviving nephew William, who from a sturdy infant had become a sickly, spindling lad. In this year the servant Mehitabel died, and the other servant, Preserved Smith, left without coherent explanation—or at least, with only some wild tales and a complaint that he disliked the smell of the place. For a time Mercy could secure no more help, since the seven deaths and case of madness, all occurring within five years' space, had begun to set in motion the body of fireside rumor which later became so bizarre. Ultimately, however, she obtained new servants from out of town; Ann White, a morose woman from that part of North Kingstown now set off as the township of Exeter, and a capable Boston man named Zenas Low.

The widowed Rhoby Harris never got over the shock of her husband’s death, and the loss of her firstborn, Elkanah, two years later was the final blow to her sanity. In 1768, she fell into a mild form of insanity and was then confined to the upper part of the house; her older unmarried sister, Mercy Dexter, moved in to take care of the family. Mercy was a plain, strong woman, but her health noticeably declined from the moment she arrived. She was very devoted to her unfortunate sister and had a special affection for her only surviving nephew, William, who had gone from being a healthy infant to a sickly, frail boy. That year, the servant Mehitabel died, and the other servant, Preserved Smith, left without giving a clear reason—only some bizarre stories and a complaint about disliking the smell of the place. For a while, Mercy struggled to find more help, as the seven deaths and the case of madness, all happening within five years, had sparked a wave of strange rumors. Eventually, though, she managed to bring in new servants from out of town: Ann White, a grumpy woman from what is now the township of Exeter, and a capable man from Boston named Zenas Low.


It was Ann White who first gave definite shape to the sinister idle talk. Mercy should have known better than to hire anyone from the Nooseneck Hill country, for that remote bit of backwoods was then, as now, a seat of the most uncomfortable superstitions. As lately as 1892 an Exeter community exhumed a dead body and ceremoniously burnt its heart in order to prevent certain alleged visitations injurious to the public health and peace, and one may imagine the point of view of the same section in 1768. Ann's tongue was perniciously active, and within a few months Mercy discharged her, filling her place with a faithful and amiable Amazon from Newport, Maria Robbins.

It was Ann White who first gave a clear form to the dark gossip. Mercy should have known better than to hire someone from Nooseneck Hill, because that isolated area was, as it is now, a hub of weird superstitions. Even as recently as 1892, a community in Exeter dug up a dead body and burned its heart in a ritual to stop certain supposed hauntings that were harmful to public health and safety, so one can imagine the perspective of that region back in 1768. Ann's gossiping was dangerously active, and within a few months, Mercy fired her, replacing her with a loyal and pleasant woman from Newport, Maria Robbins.

Meanwhile poor Rhoby Harris, in her madness, gave voice to dreams and imaginings of the most hideous sort. At times her screams became insupportable, and for long periods she would utter shrieking horrors which necessitated her son's temporary residence with his cousin, Peleg Harris, in Presbyterian Lane near the new college building. The boy would seem to improve after these visits, and had Mercy been as wise as she was well-meaning, she would have let him live permanently with Peleg. Just what Mrs. Harris cried out in her fits of violence, tradition hesitates to say; or rather, presents such extravagant accounts that they nullify themselves through sheer absurdity. Certainly it sounds absurd to hear that a woman educated only in the rudiments of French often shouted for hours in a coarse and idiomatic form of that language, or that the same person, alone and guarded, complained wildly of a staring thing which bit and chewed at her. In 1772 the servant Zenas died, and when Mrs. Harris heard of it she laughed with a shocking delight utterly foreign to her. The next year she herself died, and was laid to rest in the North Burial Ground beside her husband.

Meanwhile, poor Rhoby Harris, in her madness, expressed dreams and visions of the most horrific kind. At times, her screams became unbearable, and for long stretches, she would let out blood-curdling shrieks that forced her son to temporarily stay with his cousin, Peleg Harris, on Presbyterian Lane near the new college building. The boy seemed to get better after these visits, and if Mercy had been as wise as she was kind-hearted, she would have allowed him to live permanently with Peleg. Just what Mrs. Harris cried out during her violent episodes is something tradition hesitates to report; or rather, it offers such over-the-top accounts that they discredit themselves through sheer absurdity. It certainly sounds ridiculous to hear that a woman educated only in the basics of French often shouted for hours in a rough and idiomatic version of that language, or that the same person, alone and guarded, frantically complained about a strange thing that bit and chewed at her. In 1772, the servant Zenas died, and when Mrs. Harris heard about it, she laughed with an unsettling joy that was completely out of character for her. The following year, she passed away and was laid to rest in the North Burial Ground beside her husband.

Upon the outbreak of trouble with Great Britain in 1775, William Harris, despite his scant sixteen years and feeble constitution, managed to enlist in the Army of Observation under General Greene; and from that time on enjoyed a steady rise in health and prestige. In 1780, as a captain in the Rhode Island forces in New Jersey under Colonel Angell, he met and married Phebe Hetfield of Elizabethtown, whom he brought to Providence upon his honorable discharge in the following year.

Upon the outbreak of conflict with Great Britain in 1775, William Harris, despite being just sixteen years old and in poor health, managed to enlist in the Army of Observation under General Greene. From that point on, he experienced a steady improvement in both his health and reputation. In 1780, as a captain in the Rhode Island forces in New Jersey under Colonel Angell, he met and married Phebe Hetfield from Elizabethtown, whom he brought to Providence after his honorable discharge the following year.

The young soldier's return was not a thing of unmitigated happiness. The house, it is true, was still in good condition; and the street had been widened and changed in name from Back Street to Benefit Street. But Mercy Dexter's once robust frame had undergone a sad and curious decay, so that she was now a stooped and pathetic figure with hollow voice and disconcerting pallor—qualities shared to a singular degree by the one remaining servant Maria. In the autumn of 1782 Phebe Harris gave birth to a still-born daughter, and on the fifteenth of the next May Mercy Dexter took leave of a useful, austere, and virtuous life.

The young soldier's return was not an entirely happy occasion. The house was still in good shape, and the street had been widened and renamed from Back Street to Benefit Street. However, Mercy Dexter's once strong body had sadly deteriorated, making her a stooped and pitiful figure with a weak voice and alarming paleness—traits that were strikingly similar to those of the one remaining servant, Maria. In the autumn of 1782, Phebe Harris gave birth to a stillborn daughter, and on the fifteenth of the following May, Mercy Dexter parted ways with a life that was useful, disciplined, and virtuous.

William Harris, at last thoroughly convinced of the radically unhealthful nature of his abode, now took steps toward quitting it and closing it for ever. Securing temporary quarters for himself and his wife at the newly opened Golden Ball Inn, he arranged for the building of a new and finer house in Westminster Street, in the growing part of the town across the Great Bridge. There, in 1785, his son Dutee was born; and there the family dwelt till the encroachments of commerce drove them back across the river and over the hill to Angell Street, in the newer East Side residence district, where the late Archer Harris built his sumptuous but hideous French-roofed mansion in 1876. William and Phebe both succumbed to the yellow fever epidemic of 1797, but Dutee was brought up by his cousin Rathbone Harris, Peleg's son.

William Harris, finally convinced of how unhealthy his home really was, decided to leave it behind for good. He found temporary accommodations for himself and his wife at the newly opened Golden Ball Inn and made plans to build a new and better house on Westminster Street, in the developing area of town across the Great Bridge. It was there, in 1785, that his son Dutee was born; the family lived there until the expansion of commerce pushed them back across the river and over the hill to Angell Street, in the newer East Side residential district, where the late Archer Harris built his lavish yet unsightly French-roofed mansion in 1876. William and Phebe both fell victim to the yellow fever outbreak of 1797, but Dutee was raised by his cousin Rathbone Harris, Peleg's son.

Rathbone was a practical man, and rented the Benefit Street house despite William's wish to keep it vacant. He considered it an obligation to his ward to make the most of all the boy's property, nor did he concern himself with the deaths and illnesses which caused so many changes of tenants, or the steadily growing aversion with which the house was generally regarded. It is likely that he felt only vexation when, in 1804, the town council ordered him to fumigate the place with sulfur, tar, and gum camphor on account of the much-discussed deaths of four persons, presumably caused by the then diminishing fever epidemic. They said the place had a febrile smell.

Rathbone was a practical man and rented out the Benefit Street house despite William's desire to leave it empty. He saw it as his duty to make the most of the boy's property, and he didn't worry about the deaths and illnesses that led to so many tenant changes, or the growing dislike people had for the house. It’s likely he felt only annoyance when, in 1804, the town council ordered him to fumigate the place with sulfur, tar, and gum camphor due to the widely discussed deaths of four people, supposedly linked to the declining fever epidemic. They claimed the house had a sickly smell.

Dutee himself thought little of the house, for he grew up to be a privateersman, and served with distinction on the Vigilant under Captain Cahoone in the War of 1812. He returned unharmed, married in 1814, and became a father on that memorable night of September 23, 1815, when a great gale drove the waters of the bay over half the town, and floated a tall sloop well up Westminster Street so that its masts almost tapped the Harris windows in symbolic affirmation that the new boy, Welcome, was a seaman's son.

Dutee himself thought little of the house, as he grew up to be a privateer and served with distinction on the Vigilant under Captain Cahoone during the War of 1812. He returned unharmed, married in 1814, and became a father on that memorable night of September 23, 1815, when a fierce storm flooded the bay over half the town and floated a tall sloop well up Westminster Street, almost tapping the Harris windows, symbolically affirming that the new boy, Welcome, was a seaman's son.

Welcome did not survive his father, but lived to perish gloriously at Fredericksburg in 1862. Neither he nor his son Archer knew of the shunned house as other than a nuisance almost impossible to rent—perhaps on account of the mustiness and sickly odor of unkempt old age. Indeed, it never was rented after a series of deaths culminating in 1861, which the excitement of the war tended to throw into obscurity. Carrington Harris, last of the male line, knew it only as a deserted and somewhat picturesque center of legend until I told him my experience. He had meant to tear it down and build an apartment house on the site, but after my account decided to let it stand, install plumbing, and rent it. Nor has he yet had any difficulty in obtaining tenants. The horror has gone.

Welcome didn't outlive his father, but he did die heroically at Fredericksburg in 1862. Neither he nor his son Archer saw the shunned house as anything but a bothersome property that was nearly impossible to rent—maybe due to the mustiness and unhealthy smell of neglected old age. In fact, it was never rented after a series of deaths that peaked in 1861, which the war's excitement tended to push into the background. Carrington Harris, the last of the male line, knew it only as an abandoned and somewhat charming place of legend until I shared my experience with him. He had planned to demolish it and build an apartment building in its place, but after hearing my story, he decided to keep it standing, install plumbing, and rent it out. He hasn't had any trouble finding tenants since then. The fear has faded away.

3

It may well be imagined how powerfully I was affected by the annals of the Harrises. In this continuous record there seemed to me to brood a persistent evil beyond anything in nature as I had known it; an evil clearly connected with the house and not with the family. This impression was confirmed by my uncle's less systematic array of miscellaneous data—legends transcribed from servant gossip, cuttings from the papers, copies of death certificates by fellow-physicians, and the like. All of this material I cannot hope to give, for my uncle was a tireless antiquarian and very deeply interested in the shunned house; but I may refer to several dominant points which earn notice by their recurrence through many reports from diverse sources. For example, the servant gossip was practically unanimous in attributing to the fungous and malodorous cellar of the house a vast supremacy in evil influence. There had been servants—Ann White especially—who would not use the cellar kitchen, and at least three well-defined legends bore upon the queer quasi-human or diabolic outlines assumed by tree-roots and patches of mold in that region. These latter narratives interested me profoundly, on account of what I had seen in my boyhood, but I felt that most of the significance had in each case been largely obscured by additions from the common stock of local ghost lore.

It might be easily imagined how strongly I was impacted by the history of the Harrises. In this ongoing record, there seemed to be a lingering evil beyond anything I had experienced in nature; an evil clearly tied to the house and not to the family. This feeling was confirmed by my uncle's less organized collection of miscellaneous information—legends passed down from servants’ gossip, clippings from newspapers, copies of death certificates from fellow doctors, and more. I cannot hope to present all of this material, as my uncle was a dedicated antiquarian with a deep interest in the notorious house; but I can mention several key points that stand out because they appear repeatedly in various reports from different sources. For instance, the servant gossip almost unanimously attributed the dank and foul-smelling cellar of the house with a significant amount of evil influence. There had been servants—especially Ann White—who refused to use the cellar kitchen, and at least three well-defined legends involved the strange quasi-human or diabolical shapes taken on by tree roots and mold patches in that area. These stories captivated me deeply, due to what I had seen in my childhood, but I felt that much of the real meaning had been largely lost due to embellishments from the common tales of local ghost stories.

Ann White, with her Exeter superstition, had promulgated the most extravagant and at the same time most consistent tale; alleging that there must lie buried beneath the house one of those vampires—the dead who retain their bodily form and live on the blood or breath of the living—whose hideous legions send their preying shapes or spirits abroad by night. To destroy a vampire one must, the grandmothers say, exhume it and burn its heart, or at least drive a stake through that organ; and Ann's dogged insistence on a search under the cellar had been prominent in bringing about her discharge.

Ann White, with her Exeter superstition, had spread the wildest yet most consistent story, claiming that there must be a vampire buried underneath the house—the dead who keep their physical form and feed on the blood or breath of the living—whose terrifying forces send their hunting figures or spirits out at night. To get rid of a vampire, the grandmothers say, you must dig it up and burn its heart, or at least drive a stake through it; and Ann's stubborn insistence on searching under the cellar was a key factor in her getting fired.

Her tales, however, commanded a wide audience, and were the more readily accepted because the house indeed stood on land once used for burial purposes. To me their interest depended less on this circumstance than on the peculiarly appropriate way in which they dovetailed with certain other things—the complaint of the departing servant Preserved Smith, who had preceded Ann and never heard of her, that something "sucked his breath" at night; the death-certificates of the fever victims of 1804, issued by Doctor Chad Hopkins, and showing the four deceased persons all unaccountably lacking in blood; and the obscure passages of poor Rhoby Harris's ravings, where she complained of the sharp teeth of a glassy-eyed, half-visible presence.

Her stories, though, attracted a large audience and were easily accepted because the house actually stood on land that was once used for burials. To me, their appeal was less about this fact and more about how they intertwined with other odd details—the complaint of the departing servant, Preserved Smith, who had come before Ann and hadn't heard of her, that something "sucked his breath" at night; the death certificates of the fever victims from 1804, issued by Doctor Chad Hopkins, which showed that all four deceased were mysteriously lacking blood; and the strange ramblings of poor Rhoby Harris, where she mentioned the sharp teeth of a glassy-eyed, half-visible figure.

Free from unwarranted superstition though I am, these things produced in me an odd sensation, which was intensified by a pair of widely separated newspaper cuttings relating to deaths in the shunned house—one from the Providence Gazette and Country-Journal of April 12, 1815, and the other from the Daily Transcript and Chronicle of October 27, 1845—each of which detailed an appallingly grisly circumstance whose duplication was remarkable. It seems that in both instances the dying person, in 1815 a gentle old lady named Stafford and in 1845 a schoolteacher of middle age named Eleazar Durfee, became transfigured in a horrible way, glaring glassily and attempting to bite the throat of the attending physician. Even more puzzling, though, was the final case which put an end to the renting of the house—a series of anemia deaths preceded by progressive madnesses wherein the patient would craftily attempt the lives of his relatives by incisions in the neck or wrist.

Free from unnecessary superstition as I am, these things gave me a strange feeling, which was made even stronger by a couple of widely separated newspaper clippings about deaths in the cursed house—one from the Providence Gazette and Country-Journal on April 12, 1815, and the other from the Daily Transcript and Chronicle on October 27, 1845—each detailing an incredibly gruesome situation that was remarkably similar. In both cases, the person dying, in 1815 a gentle old lady named Stafford and in 1845 a middle-aged schoolteacher named Eleazar Durfee, underwent a horrifying transformation, staring blankly and trying to bite the throat of the attending doctor. Even more perplexing was the final case that ended the renting of the house—a series of anemia deaths that were preceded by a progression of madness in which the patient would cunningly attempt to kill their relatives by making cuts to their neck or wrist.

This was in 1860 and 1861, when my uncle had just begun his medical practise; and before leaving for the front he heard much of it from his elder professional colleagues. The really inexplicable thing was the way in which the victims—ignorant people, for the ill-smelling and widely shunned house could now be rented to no others—would babble maledictions in French, a language they could not possibly have studied to any extent. It made one think of poor Rhoby Harris nearly a century before, and so moved my uncle that he commenced collecting historical data on the house after listening, some time subsequent to his return from the war, to the first-hand account of Doctors Chase and Whitmarsh. Indeed, I could see that my uncle had thought deeply on the subject, and that he was glad of my own interest—an open-minded and sympathetic interest which enabled him to discuss with me matters at which others would merely have laughed. His fancy had not gone so far as mine, but he felt that the place was rare in its imaginative potentialities, and worthy of note as an inspiration in the field of the grotesque and macabre.

This was in 1860 and 1861, when my uncle had just started his medical practice; before he left for the front, he heard a lot about it from his older professional colleagues. What really baffled everyone was how the victims—ignorant people, since the stinky and widely avoided house could now only be rented to them—would rant in French, a language they had no way of knowing well. It reminded one of poor Rhoby Harris nearly a century earlier, and it affected my uncle so deeply that he started gathering historical information about the house after hearing, some time after he returned from the war, the firsthand accounts from Doctors Chase and Whitmarsh. Honestly, I could see that my uncle had given the topic a lot of thought, and he appreciated my genuine interest—an open-minded and empathetic interest that allowed him to talk with me about things that would just make others laugh. His imagination hadn’t gone as far as mine, but he felt the place was unique in its imaginative possibilities and worth noting as an inspiration in the realm of the grotesque and macabre.

For my part, I was disposed to take the whole subject with profound seriousness, and began at once not only to review the evidence, but to accumulate as much more as I could. I talked with the elderly Archer Harris, then owner of the house, many times before his death in 1916; and obtained from him and his still surviving maiden sister Alice an authentic corroboration of all the family data my uncle had collected. When, however, I asked them what connection with France or its language the house could have, they confessed themselves as frankly baffled and ignorant as I. Archer knew nothing, and all that Miss Harris could say was that an old allusion her grandfather, Dutee Harris, had heard of might have shed a little light. The old seaman, who had survived his son Welcome's death in battle by two years, had not himself known the legend, but recalled that his earliest nurse, the ancient Maria Robbins, seemed darkly aware of something that might have lent a weird significance to the French raving of Rhoby Harris, which she had so often heard during the last days of that hapless woman. Maria had been at the shunned house from 1769 till the removal of the family in 1783, and had seen Mercy Dexter die. Once she hinted to the child Dutee of a somewhat peculiar circumstance in Mercy's last moments, but he had soon forgotten all about it save that it was something peculiar. The granddaughter, moreover, recalled even this much with difficulty. She and her brother were not so much interested in the house as was Archer's son Carrington, the present owner, with whom I talked after my experience.

For my part, I was inclined to take the whole subject very seriously and immediately began to review the evidence and gather as much more information as I could. I spoke with the elderly Archer Harris, who owned the house, many times before his death in 1916, and got authentic confirmation of all the family information my uncle had collected from him and his still-living sister, Alice. However, when I asked them what connection the house might have to France or its language, they admitted they were just as baffled and clueless as I was. Archer didn’t know anything, and all Miss Harris could say was that an old reference her grandfather, Dutee Harris, had mentioned might provide some insight. The old sailor, who had outlived his son Welcome by two years after he died in battle, was not familiar with the legend but remembered that his first nurse, the elderly Maria Robbins, seemed to have a vague awareness of something that could have given a strange significance to the French mumblings of Rhoby Harris, which she had often heard during the last days of that unfortunate woman. Maria had been at the neglected house from 1769 until the family moved away in 1783, and she had witnessed Mercy Dexter's death. Once, she hinted to young Dutee about a somewhat strange circumstance in Mercy's final moments, but he quickly forgot about it, except for remembering it was something unusual. The granddaughter also struggled to recall even this much. She and her brother were not as interested in the house as Archer's son Carrington, the current owner, with whom I spoke after my experience.


Having exhausted the Harris family of all the information it could furnish, I turned my attention to early town records and deeds with a zeal more penetrating than that which my uncle had occasionally shown in the same work. What I wished was a comprehensive history of the site from its very settlement in 1636—or even before, if any Narragansett Indian legend could be unearthed to supply the data. I found, at the start, that the land had been part of the long strip of home lot granted originally to John Throckmorton; one of many similar strips beginning at the Town Street beside the river and extending up over the hill to a line roughly corresponding with the modern Hope Street. The Throckmorton lot had later, of course, been much subdivided; and I became very assiduous in tracing that section through which Back or Benefit Street was later run. It had, as rumor indeed said, been the Throckmorton graveyard; but as I examined the records more carefully, I found that the graves had all been transferred at an early date to the North Burial Ground on the Pawtucket West Road.

After exhausting the Harris family for all the information they could provide, I shifted my focus to early town records and deeds with a determination greater than what my uncle had occasionally shown in similar work. What I wanted was a complete history of the site from its settlement in 1636—or even earlier, if any Narragansett Indian legend could be found to provide the details. I initially discovered that the land had been part of the long strip of home lot originally granted to John Throckmorton; one of many similar strips starting at Town Street by the river and extending up the hill to a line roughly similar to the modern Hope Street. The Throckmorton lot had, of course, been significantly subdivided over time; and I became very diligent in tracing that area through which Back or Benefit Street was later laid out. It had, as rumors suggested, been the Throckmorton graveyard; but as I examined the records more closely, I found that the graves had all been moved at an early date to the North Burial Ground on the Pawtucket West Road.

Then suddenly I came—by a rare piece of chance, since it was not in the main body of records and might easily have been missed—upon something which aroused my keenest eagerness, fitting in as it did with several of the queerest phases of the affair. It was the record of a lease, in 1697, of a small tract of ground to an Etienne Roulet and wife. At last the French element had appeared—that, and another deeper element of horror which the name conjured up from the darkest recesses of my weird and heterogeneous reading—and I feverishly studied the platting of the locality as it had been before the cutting through and partial straightening of Back Street between 1747 and 1758. I found what I had half expected, that where the shunned house now stood the Roulets had laid out their graveyard behind a one-story and attic cottage, and that no record of any transfer of graves existed. The document, indeed, ended in much confusion; and I was forced to ransack both the Rhode Island Historical Society and Shepley Library before I could find a local door which the name of Etienne Roulet would unlock. In the end I did find something; something of such vague but monstrous import that I set about at once to examine the cellar of the shunned house itself with a new and excited minuteness.

Then suddenly I stumbled upon something—by a rare stroke of luck, since it wasn't in the main records and could easily have been overlooked—that sparked my intense curiosity, as it connected with several of the oddest aspects of the situation. It was the record of a lease from 1697 for a small piece of land to an Etienne Roulet and his wife. Finally, the French factor had emerged—that, along with another deeper element of dread that the name brought forth from the darkest corners of my strange and varied reading—and I eagerly examined the layout of the area as it was before the changes made to Back Street between 1747 and 1758. I found what I had somewhat expected: where the shunned house currently stood, the Roulets had established their graveyard behind a single-story cottage with an attic, and there was no record of any transfer of graves. The document itself concluded in a lot of confusion; I had to search both the Rhode Island Historical Society and Shepley Library before I could find a local entry that the name Etienne Roulet would unlock. In the end, I discovered something; something so vague yet horrifying that I immediately set out to inspect the cellar of the shunned house itself with new and heightened attention to detail.

The Roulets, it seemed, had come in 1696 from East Greenwich, down the west shore of Narragansett Bay. They were Huguenots from Caude, and had encountered much opposition before the Providence selectmen allowed them to settle in the town. Unpopularity had dogged them in East Greenwich, whither they had come in 1686, after the revocation of the Edict of Nantes, and rumor said that the cause of dislike extended beyond mere racial and national prejudice, or the land disputes which involved other French settlers with the English in rivalries which not even Governor Andros could quell. But their ardent Protestantism—too ardent, some whispered—and their evident distress when virtually driven from the village down the bay, had moved the sympathy of the town fathers. Here the strangers had been granted a haven; and the swarthy Etienne Roulet, less apt at agriculture than at reading queer books and drawing queer diagrams, was given a clerical post in the warehouse at Pardon Tillinghast's wharf, far south in Town Street. There had, however, been a riot of some sort later on—perhaps forty years later, after old Roulet's death—and no one seemed to hear of the family after that.

The Roulets had arrived in 1696 from East Greenwich, along the west shore of Narragansett Bay. They were Huguenots from Caude and faced a lot of resistance before the Providence selectmen allowed them to settle in town. They had been unpopular in East Greenwich, where they moved in 1686 after the revocation of the Edict of Nantes. It was rumored that the reasons for their unpopularity went beyond simple racial and national prejudice or the land disputes involving other French settlers and the English, which even Governor Andros couldn't resolve. However, their passionate Protestantism—too passionate, some whispered—and their obvious distress when they were practically forced out of the village down the bay, had won the sympathy of the town leaders. Here, the newcomers found refuge; the dark-skinned Etienne Roulet, who was better at reading unusual books and drawing strange diagrams than at farming, was given a clerical position in the warehouse at Pardon Tillinghast's wharf, located far south on Town Street. There was, however, some kind of riot later on—maybe forty years after old Roulet passed away—and after that, nobody seemed to hear about the family again.

For a century and more, it appeared, the Roulets had been well remembered and frequently discussed as vivid incidents in the quiet life of a New England seaport. Etienne's son Paul, a surly fellow whose erratic conduct had probably provoked the riot which wiped out the family, was particularly a source of speculation; and though Providence never shared the witchcraft panics of her Puritan neighbors, it was freely intimated by old wives that his prayers were neither uttered at the proper time nor directed toward the proper object. All this had undoubtedly formed the basis of the legend known by old Maria Robbins. What relation it had to the French ravings of Rhoby Harris and other inhabitants of the shunned house, imagination or future discovery alone could determine. I wondered how many of those who had known the legends realized that additional link with the terrible which my wider reading had given me; that ominous item in the annals of morbid horror which tells of the creature Jacques Roulet, of Caude, who in 1598 was condemned to death as a demoniac but afterward saved from the stake by the Paris parliament and shut in a madhouse. He had been found covered with blood and shreds of flesh in a wood, shortly after the killing and rending of a boy by a pair of wolves. One wolf was seen to lope away unhurt. Surely a pretty hearthside tale, with a queer significance as to name and place; but I decided that the Providence gossips could not have generally known of it. Had they known, the coincidence of names would have brought some drastic and frightened action—indeed, might not its limited whispering have precipitated the final riot which erased the Roulets from the town?

For over a century, the Roulets were well-remembered and often talked about as vivid events in the quiet life of a New England seaport. Etienne's son Paul, a grumpy guy whose unpredictable behavior likely triggered the riot that wiped out the family, was especially a topic of speculation. While Providence never experienced the witch-hunt hysteria of her Puritan neighbors, old women hinted that his prayers weren’t said at the right time or aimed at the right target. This undoubtedly contributed to the legend known by old Maria Robbins. How it connected to the wild outbursts of Rhoby Harris and other residents of the haunted house was something only imagination or future discovery could reveal. I wondered how many of those familiar with the legends realized the additional link to horror that my broader reading had provided; that eerie detail in the history of grim tales about the creature Jacques Roulet, of Caude, who in 1598 was sentenced to death as a demon but was later rescued from the stake by the Paris parliament and locked away in an asylum. He had been found covered in blood and bits of flesh in the woods, shortly after a boy was killed and torn apart by two wolves. One wolf was seen running away unharmed. Surely, it’s an intriguing story for the hearthside, with a strange significance regarding name and place; but I figured the gossipers in Providence likely didn’t know about it. If they had known, the shared names would have sparked some drastic and fearful action— in fact, might not its limited gossip have triggered the final riot that erased the Roulets from the town?


I now visited the accursed place with increased frequency; studying the unwholesome vegetation of the garden, examining all the walls of the building, and poring over every inch of the earthen cellar floor. Finally, with Carrington Harris's permission, I fitted a key to the disused door opening from the cellar directly upon Benefit Street, preferring to have a more immediate access to the outside world than the dark stairs, ground-floor hall, and front door could give. There, where morbidity lurked most thickly, I searched and poked during long afternoons when the sunlight filtered in through the cobwebbed above-ground windows, and a sense of security glowed from the unlocked door which placed me only a few feet from the placid sidewalk outside. Nothing new rewarded my efforts—only the same depressing mustiness and faint suggestions of noxious odors and nitrous outlines on the floor—and I fancy that many pedestrians must have watched me curiously through the broken panes.

I’m now visited the cursed place more often; studying the unhealthy plants in the garden, checking all the walls of the building, and examining every inch of the earthen cellar floor. Finally, with Carrington Harris's permission, I fit a key to the unused door that led from the cellar directly to Benefit Street, choosing to have quicker access to the outside world than the dark stairs, ground-floor hall, and front door could provide. There, where decay was the thickest, I searched and probed during long afternoons when sunlight streamed in through the cobweb-covered above-ground windows, and a sense of safety glowed from the unlocked door that placed me just a few feet from the quiet sidewalk outside. Nothing new came from my efforts—only the same depressing moldy smell and faint hints of toxic odors and faded outlines on the floor—and I imagine that many passersby watched me curiously through the broken panes.

At length, upon a suggestion of my uncle's, I decided to try the spot nocturnally; and one stormy midnight ran the beams of an electric torch over the moldy floor with its uncanny shapes and distorted, half-phosphorescent fungi. The place had dispirited me curiously that evening, and I was almost prepared when I saw—or thought I saw—amidst the whitish deposits a particularly sharp definition of the "huddled form" I had suspected from boyhood. Its clearness was astonishing and unprecedented—and as I watched I seemed to see again the thin, yellowish, shimmering exhalation which had startled me on that rainy afternoon so many years before.

At last, following a suggestion from my uncle, I decided to check out the spot at night; and one stormy midnight, I swept the beam of an electric flashlight across the moldy floor with its strange shapes and distorted, half-glowing fungi. The place had really freaked me out that evening, and I was almost ready when I saw—or thought I saw—among the whitish deposits a particularly clear outline of the "huddled form" I had suspected since childhood. Its clarity was shocking and unlike anything I'd seen before—and as I looked, I felt like I was seeing again the thin, yellowish, shimmering mist that had startled me on that rainy afternoon all those years ago.

Above the anthropomorphic patch of mold by the fireplace it rose; a subtle, sickish, almost luminous vapor which as it hung trembling in the dampness seemed to develop vague and shocking suggestions of form, gradually trailing off into nebulous decay and passing up into the blackness of the great chimney with a fetor in its wake. It was truly horrible, and the more so to me because of what I knew of the spot. Refusing to flee, I watched it fade—and as I watched I felt that it was in turn watching me greedily with eyes more imaginable than visible. When I told my uncle about it he was greatly aroused; and after a tense hour of reflection, arrived at a definite and drastic decision. Weighing in his mind the importance of the matter, and the significance of our relation to it, he insisted that we both test—and if possible destroy—the horror of the house by a joint night or nights of aggressive vigil in that musty and fungus-cursed cellar.

Above the human-shaped patch of mold by the fireplace, a subtle, sickly, almost glowing vapor rose. As it hung there, trembling in the dampness, it seemed to take on vague and disturbing shapes, gradually trailing off into a hazy decay and disappearing into the darkness of the large chimney, leaving a foul smell behind. It was truly horrifying, especially because of what I knew about the place. Instead of running away, I continued to watch it fade—and as I did, I felt like it was watching me back, greedily, with eyes that were more imagined than seen. When I told my uncle about it, he became very agitated; and after a tense hour of thinking, he made a firm and drastic decision. After considering the significance of the situation and our connection to it, he insisted that we both confront—and if possible eliminate—the horror of the house by spending one or more nights on guard in that musty, mold-infested cellar.

4

On Wednesday, June 25, 1919, after a proper notification of Carrington Harris which did not include surmises as to what we expected to find, my uncle and I conveyed to the shunned house two camp chairs and a folding camp cot, together with some scientific mechanism of greater weight and intricacy. These we placed in the cellar during the day, screening the windows with paper and planning to return in the evening for our first vigil. We had locked the door from the cellar to the ground floor; and having a key to the outside cellar door, were prepared to leave our expensive and delicate apparatus—which we had obtained secretly and at great cost—as many days as our vigils might be protracted. It was our design to sit up together till very late, and then watch singly till dawn in two-hour stretches, myself first and then my companion; the inactive member resting on the cot.

On Wednesday, June 25, 1919, after properly notifying Carrington Harris without mentioning what we expected to find, my uncle and I brought two camp chairs and a folding camp cot to the abandoned house, along with some heavier and more complex scientific equipment. We stored these in the cellar during the day, covered the windows with paper, and planned to come back in the evening for our first watch. We locked the door from the cellar to the ground floor and had a key to the outside cellar door, so we were ready to leave our expensive and delicate gear—which we had secretly obtained at great expense—for as many days as our watches might take. Our plan was to stay up together until late and then take turns watching until dawn in two-hour shifts, starting with me and then my companion; the one not watching would rest on the cot.

The natural leadership with which my uncle procured the instruments from the laboratories of Brown University and the Cranston Street Armory, and instinctively assumed direction of our venture, was a marvelous commentary on the potential vitality and resilience of a man of eighty-one. Elihu Whipple had lived according to the hygienic laws he had preached as a physician, and but for what happened later would be here in full vigor today. Only two persons suspected what did happen—Carrington Harris and myself. I had to tell Harris because he owned the house and deserved to know what had gone out of it. Then too, we had spoken to him in advance of our quest; and I felt after my uncle's going that he would understand and assist me in some vitally necessary public explanations. He turned very pale, but agreed to help me, and decided that it would now be safe to rent the house.

The natural leadership my uncle demonstrated while securing the equipment from the laboratories at Brown University and the Cranston Street Armory, and the way he instinctively took charge of our project, was an impressive testament to the energy and resilience of a man aged eighty-one. Elihu Whipple had lived according to the health principles he preached as a doctor, and if it weren't for what happened later, he would be here today in great shape. Only two people had any idea about what occurred—Carrington Harris and me. I had to inform Harris because he owned the house and deserved to know what had happened to it. Plus, we had talked to him beforehand about our plans; I felt that after my uncle's passing, he would understand and help me with some crucial public explanations. He turned very pale but agreed to assist me and decided that it was now safe to rent out the house.

To declare that we were not nervous on that rainy night of watching would be an exaggeration both gross and ridiculous. We were not, as I have said, in any sense childishly superstitious, but scientific study and reflection had taught us that the known universe of three dimensions embraces the merest fraction of the whole cosmos of substance and energy. In this case an overwhelming preponderance of evidence from numerous authentic sources pointed to the tenacious existence of certain forces of great power and, so far as the human point of view is concerned, exceptional malignancy. To say that we actually believed in vampires or werewolves would be a carelessly inclusive statement. Rather must it be said that we were not prepared to deny the possibility of certain unfamiliar and unclassified modifications of vital force and attenuated matter; existing very infrequently in three-dimensional space because of its more intimate connection with other spatial units, yet close enough to the boundary of our own to furnish us occasional manifestations which we, for lack of a proper vantage-point, may never hope to understand.

To say we weren't nervous on that rainy night watching would be a wild exaggeration. We weren't, as I've mentioned, in any way childishly superstitious, but our scientific studies and reflections had shown us that the universe we know in three dimensions is just a tiny part of the entire cosmos of substance and energy. In this situation, a significant amount of evidence from many credible sources indicated the persistent existence of powerful forces that, from a human perspective, could be exceptionally harmful. To claim we truly believed in vampires or werewolves would be too broad of a statement. Instead, it’s more accurate to say that we weren’t ready to dismiss the possibility of some unfamiliar and unclassified forms of life energy and rare matter; existing infrequently in three-dimensional space due to its closer ties with other spatial dimensions, yet near enough to our own to give us occasional manifestations that, without the right perspective, we might never fully comprehend.

In short, it seemed to my uncle and me that an incontrovertible array of facts pointed to some lingering influence in the shunned house; traceable to one or another of the ill-favored French settlers of two centuries before, and still operative through rare and unknown laws of atomic and electronic motion. That the family of Roulet had possessed an abnormal affinity for outer circles of entity—dark spheres which for normal folk hold only repulsion and terror—their recorded history seemed to prove. Had not, then, the riots of those bygone seventeen-thirties set moving certain kinetic patterns in the morbid brain of one or more of them—notably the sinister Paul Roulet—which obscurely survived the bodies murdered and buried by the mob, and continued to function in some multiple-dimensioned space along the original lines of force determined by a frantic hatred of the encroaching community?

In short, my uncle and I felt that a clear set of facts pointed to some lingering influence in the abandoned house, traceable to one or more of the unfortunate French settlers from two centuries ago, still active through rare and unknown laws of atomic and electronic motion. The family of Roulet seemed to have had an unusual connection to darker realms of existence—dark spheres that normal people only find repulsive and terrifying, as their recorded history suggested. Were not the riots of those past seventeen-thirties responsible for setting off certain patterns in the disturbed minds of some of them—especially the ominous Paul Roulet—which vaguely survived the bodies murdered and buried by the mob, continuing to operate in some multi-dimensional space along the original paths of energy determined by a desperate hatred for the encroaching community?

Such a thing was surely not a physical or biochemical impossibility in the light of a newer science which includes the theories of relativity and intra-atomic action. One might easily imagine an alien nucleus of substance or energy, formless or otherwise, kept alive by imperceptible or immaterial subtractions from the life-force or bodily tissue and fluids of other and more palpably living things into which it penetrates and with whose fabric it sometimes completely merges itself. It might be actively hostile, or it might be dictated merely by blind motives of self-preservation. In any case such a monster must of necessity be in our scheme of things an anomaly and an intruder, whose extirpation forms a primary duty with every man not an enemy to the world's life, health, and sanity.

Such a thing was definitely not a physical or biochemical impossibility considering a newer science that includes the theories of relativity and intra-atomic action. One could easily picture an alien nucleus of substance or energy, formless or otherwise, sustained by imperceptible or immaterial extractions from the life-force or bodily tissues and fluids of other, more obviously living things it infiltrates and sometimes fully merges with. It could be actively hostile, or it might simply be driven by blind self-preservation instincts. In any case, such a monster would definitely be an anomaly and an intruder in our world, whose removal should be a top priority for anyone who is not an enemy to the health, life, and sanity of the planet.

What baffled us was our utter ignorance of the aspect in which we might encounter the thing. No sane person had ever seen it, and few had ever felt it definitely. It might be pure energy—a form ethereal and outside the realm of substance—or it might be partly material; some unknown and equivocal mass of plasticity, capable of changing at will to nebulous approximations of the solid, liquid, gaseous, or tenuously unparticled states. The anthropomorphic patch of mold on the floor, the form of the yellowish vapor, and the curvature of the tree-roots in some of the old tales, all argued at least a remote and reminiscent connection with the human shape; but how representative or permanent that similarity might be, none could say with any kind of certainty.

What confused us was our complete lack of understanding about how we might come across the thing. No sane person had ever seen it, and very few had really felt it for sure. It could be pure energy—a form that's ethereal and outside the realm of matter—or it could be partly physical; some unknown and ambiguous mass of flexibility, able to change at will into fuzzy versions of solid, liquid, gas, or loosely composed states. The anthropomorphic patch of mold on the floor, the shape of the yellowish vapor, and the bending of the tree roots in some old stories all suggested at least a distant and familiar connection to the human form; but how representative or lasting that similarity might be, no one could say with any certainty.


We had devised two weapons to fight it; a large and specially fitted Crookes tube operated by powerful storage batteries and provided with peculiar screens and reflectors, in case it proved intangible and opposable only by vigorously destructive ether radiations, and a pair of military flame-throwers of the sort used in the World War, in case it proved partly material and susceptible of mechanical destruction—for like the superstitious Exeter rustics, we were prepared to burn the thing's heart out if heart existed to burn. All this aggressive mechanism we set in the cellar in positions carefully arranged with reference to the cot and chairs, and to the spot before the fireplace where the mold had taken strange shapes. That suggestive patch, by the way, was only faintly visible when we placed our furniture and instruments, and when we returned that evening for the actual vigil. For a moment I half doubted that I had ever seen it in the more definitely limned form—but then I thought of the legends.

We had created two weapons to combat it: a large, specially designed Crookes tube powered by strong storage batteries, equipped with unique screens and reflectors, in case it turned out to be intangible and could only be countered by highly destructive ether radiations, and a pair of military flame-throwers like those used in World War I, in case it was partly physical and could be destroyed mechanically—because, similar to the superstitious locals from Exeter, we were ready to burn its heart out if it had one to burn. We set up all this aggressive equipment in the cellar, carefully arranging it in relation to the cot and chairs, and to the area in front of the fireplace where the mold had formed strange shapes. By the way, that curious patch was only faintly visible when we arranged our furniture and instruments, and when we came back that evening for the actual vigil. For a moment, I almost doubted that I had ever seen it in a clearer form—but then I thought of the legends.

Our cellar vigil began at ten p. m., daylight saving time, and as it continued we found no promise of pertinent developments. A weak, filtered glow from the rain-harassed street-lamps outside, and a feeble phosphorescence from the detestable fungi within, showed the dripping stone of the walls, from which all traces of whitewash had vanished; the dank, fetid and mildew-tainted hard earth floor with its obscene fungi; the rotting remains of what had been stools, chairs, and tables, and other more shapeless furniture; the heavy planks and massive beams of the ground floor overhead; the decrepit plank door leading to bins and chambers beneath other parts of the house; the crumbling stone staircase with ruined wooden hand-rail; and the crude and cavernous fireplace of blackened brick where rusted iron fragments revealed the past presence of hooks, andirons, spit, crane, and a door to the Dutch oven—these things, and our austere cot and camp chairs, and the heavy and intricate destructive machinery we had brought.

Our watch in the cellar started at 10 p.m., daylight saving time, and as it went on, we saw no sign of anything important happening. A weak, filtered light from the rain-soaked street lamps outside, along with a dim glow from the disgusting fungi inside, illuminated the dripping stone walls that had lost all traces of whitewash; the damp, foul, and mildew-ridden hard earth floor was littered with its grotesque fungi; the decaying remains of what had once been stools, chairs, tables, and other shapeless furniture; the heavy planks and massive beams of the floor above; the rickety plank door leading to the bins and rooms beneath other parts of the house; the crumbling stone staircase with its broken wooden railing; and the rough, cavernous fireplace made of blackened brick, where rusty iron scraps revealed the former presence of hooks, andirons, a spit, a crane, and a door to the Dutch oven—these things, along with our simple cot and camp chairs, and the heavy, complex destructive machinery we had brought.

We had, as in my own former explorations, left the door to the street unlocked; so that a direct and practical path of escape might lie open in case of manifestations beyond our power to deal with. It was our idea that our continued nocturnal presence would call forth whatever malign entity lurked there; and that being prepared, we could dispose of the thing with one or the other of our provided means as soon as we had recognized and observed it sufficiently. How long it might require to evoke and extinguish the thing, we had no notion. It occurred to us, too, that our venture was far from safe; for in what strength the thing might appear no one could tell. But we deemed the game worth the hazard, and embarked on it alone and unhesitatingly; conscious that the seeking of outside aid would only expose us to ridicule and perhaps defeat our entire purpose. Such was our frame of mind as we talked—far into the night, till my uncle's growing drowsiness made me remind him to lie down for his two-hour sleep.

We had, like in my past adventures, left the door to the street unlocked; so that a straightforward escape route would be available in case something beyond our control showed up. We believed that being there at night would attract whatever evil presence was hiding out there; and that if we were ready, we could deal with it using one of the tools we had prepared as soon as we identified and observed it enough. We had no idea how long it would take to provoke and eliminate the entity. We also realized that our mission was risky; no one could say how strong the entity might be. But we thought the challenge was worth the risk, and we went into it alone and without hesitation; aware that seeking help from others would only lead to mockery and might ruin our entire purpose. That was our mindset as we talked—deep into the night, until my uncle's increasing sleepiness reminded me to tell him to lie down for his two-hour nap.

Something like fear chilled me as I sat there in the small hours alone—I say alone, for one who sits by a sleeper is indeed alone; perhaps more alone than he can realize. My uncle breathed heavily, his deep inhalations and exhalations accompanied by the rain outside, and punctuated by another nerve-racking sound of distant dripping water within—for the house was repulsively damp even in dry weather, and in this storm positively swamp-like. I studied the loose, antique masonry of the walls in the fungus-light and the feeble rays which stole in from the street through the screened window; and once, when the noisome atmosphere of the place seemed about to sicken me, I opened the door and looked up and down the street, feasting my eyes on familiar sights and my nostrils on wholesome air. Still nothing occurred to reward my watching; and I yawned repeatedly, fatigue getting the better of apprehension.

A sense of fear gripped me as I sat there alone in the early hours—yes, alone, because someone who sits next to a sleeper is truly alone; maybe even more alone than they realize. My uncle breathed heavily, his deep breaths matching the rhythm of the rain outside, interrupted by the unnerving sound of water dripping somewhere inside—thanks to the house being incredibly damp even in dry weather, and during this storm it felt downright swampy. I examined the old, crumbling walls in the dim light and the weak beams that filtered in from the street through the covered window; and once, when the musty atmosphere felt overwhelming, I opened the door and looked up and down the street, enjoying the familiar sights and the fresh air. Yet, nothing happened to reward my wait; I found myself yawning repeatedly, exhaustion overtaking my anxiety.

Then the stirring of my uncle in his sleep attracted my notice. He had turned restlessly on the cot several times during the latter half of the first hour, but now he was breathing with unusual irregularity, occasionally heaving a sigh which held more than a few of the qualities of a choking moan.

Then the movement of my uncle in his sleep caught my attention. He had tossed and turned on the cot several times during the latter half of the first hour, but now he was breathing unusually irregularly, occasionally letting out a sigh that sounded more like a choking moan.

I turned my electric flashlight on him and found his face averted; so rising and crossing to the other side of the cot, I again flashed the light to see if he seemed in any pain. What I saw unnerved me most surprisingly, considering its relative triviality. It must have been merely the association of any odd circumstance with the sinister nature of our location and mission, for surely the circumstance was not in itself frightful or unnatural. It was merely that my uncle's facial expression, disturbed no doubt by the strange dreams which our situation prompted, betrayed considerable agitation, and seemed not at all characteristic of him. His habitual expression was one of kindly and well-bred calm, whereas now a variety of emotions seemed struggling within him. I think, on the whole, that it was this variety which chiefly disturbed me. My uncle, as he gasped and tossed in increasing perturbation and with eyes that had now started open, seemed not one but many men, and suggested a curious quality of alienage from himself.

I turned my flashlight on him and saw that his face was turned away; so I got up and moved to the other side of the cot, shining the light again to check if he looked like he was in any pain. What I saw really shook me, surprisingly so, given how minor it was. It must have been the combination of an unusual situation with the creepy vibe of our location and mission because the situation itself wasn’t actually scary or unnatural. It was just that my uncle’s facial expression, clearly disturbed by the strange dreams our situation provoked, showed a lot of inner turmoil, which was so unlike him. Normally, he had a kind and composed demeanor, but now it seemed like a range of emotions was battling inside him. I think, overall, it was this variety that bothered me the most. As my uncle gasped and tossed around in growing distress, with his eyes now wide open, he seemed like not just one person but many, and it hinted at a strange sense of disconnect from himself.


All at once he commenced to mutter, and I did not like the look of his mouth and teeth as he spoke. The words were at first indistinguishable, and then—with a tremendous start—I recognized something about them which filled me with icy fear till I recalled the breadth of my uncle's education and the interminable translations he had made from anthropological and antiquarian articles in the Revue des Deux Mondes. For the venerable Elihu Whipple was muttering in French, and the few phrases I could distinguish seemed connected with the darkest myths he had ever adapted from the famous Paris magazine.

All of a sudden, he started to mumble, and I felt uneasy about the look on his face and the state of his teeth as he talked. At first, his words were hard to make out, and then—with a shocking realization—I recognized something about them that sent a chill of fear through me until I remembered how extensively my uncle had studied and the countless translations he had done from anthropological and historical articles in the Revue des Deux Mondes. Because the distinguished Elihu Whipple was muttering in French, and the few phrases I could catch seemed related to the darkest myths he had ever adapted from that famous Paris magazine.

Suddenly a perspiration broke out on the sleeper's forehead, and he leaped abruptly up, half awake. The jumble of French changed to a cry in English, and the hoarse voice shouted excitedly, "My breath, my breath!" Then the awakening became complete, and with a subsidence of facial expression to the normal state my uncle seized my hand and began to relate a dream whose nucleus of significance I could only surmise with a kind of awe.

Suddenly, sweat appeared on the sleeper's forehead, and he abruptly jumped up, half awake. The mix of French turned into a shout in English, and the raspy voice yelled excitedly, "My breath, my breath!" Then he fully woke up, and as his facial expression returned to normal, my uncle grabbed my hand and started to share a dream whose main significance I could only guess at with a sort of awe.

He had, he said, floated off from a very ordinary series of dream-pictures into a scene whose strangeness was related to nothing he had ever read. It was of this world, and yet not of it—a shadowy geometrical confusion in which could be seen elements of familiar things in most unfamiliar and perturbing combinations. There was a suggestion of queerly disordered pictures superimposed one upon another; an arrangement in which the essentials of time as well as of space seemed dissolved and mixed in the most illogical fashion. In this kaleidoscopic vortex of phantasmal images were occasional snap-shots, if one might use the term, of singular clearness but unaccountable heterogeneity.

He said he had drifted away from a pretty ordinary series of dream images into a scene that was unlike anything he had ever read about. It was of this world, yet not of it—a shadowy, geometric chaos where familiar things appeared in very strange and unsettling combinations. There was a feeling of oddly disordered images layered on top of each other; a setup where the essential concepts of time and space seemed to be mixed together in the most illogical way. In this kaleidoscopic whirlwind of ghostly images, there were also occasional snapshots, if you could call them that, that stood out with remarkable clarity but were inexplicably diverse.

Once my uncle thought he lay in a carelessly dug open pit, with a crowd of angry faces framed by straggling locks and three-cornered hats frowning down on him. Again he seemed to be in the interior of a house—an old house, apparently—but the details and inhabitants were constantly changing, and he could never be certain of the faces or the furniture, or even of the room itself, since doors and windows seemed in just as great a state of flux as the presumably more mobile objects. It was queer—damnably queer—and my uncle spoke almost sheepishly, as if half expecting not to be believed, when he declared that of the strange faces many had unmistakably borne the features of the Harris family. And all the while there was a personal sensation of choking, as if some pervasive presence had spread itself through his body and sought to possess itself of his vital processes.

Once my uncle thought he was lying in a carelessly dug pit, with a crowd of angry faces framed by messy hair and three-cornered hats frowning down at him. Then he seemed to be inside a house—an old house, it looked like—but the details and the people kept changing, and he could never be sure of the faces or the furniture, or even the room itself, since doors and windows seemed just as unstable as the presumably more movable objects. It was weird—damn weird—and my uncle spoke almost shyly, as if he half-expected not to be believed, when he said that many of the strange faces had clearly looked like the Harris family. And all the while, he felt a personal sensation of choking, as if some all-encompassing presence had spread throughout his body and was trying to take over his vital functions.

I shuddered at the thought of those vital processes, worn as they were by eighty-one years of continuous functioning, in conflict with unknown forces of which the youngest and strongest system might well be afraid; but in another moment reflected that dreams are only dreams, and that these uncomfortable visions could be, at most, no more than my uncle's reaction to the investigations and expectations which had lately filled our minds to the exclusion of all else.

I shuddered at the thought of those essential processes, worn out as they were by eighty-one years of nonstop functioning, clashing with unknown forces that even the youngest and strongest system might fear; but then I reminded myself that dreams are just dreams, and that these unsettling visions could be nothing more than my uncle's response to the investigations and expectations that had recently consumed our thoughts to the exclusion of everything else.

Conversation, also, soon tended to dispel my sense of strangeness; and in time I yielded to my yawns and took my turn at slumber. My uncle seemed now very wakeful, and welcomed his period of watching even though the nightmare had aroused him far ahead of his allotted two hours.

Conversation also quickly helped to ease my feeling of being out of place; eventually, I gave in to my yawns and allowed myself to sleep. My uncle now appeared very alert and welcomed his turn to keep watch, even though the nightmare had woken him long before his scheduled two hours were up.

Sleep seized me quickly, and I was at once haunted with dreams of the most disturbing kind. I felt, in my visions, a cosmic and abysmal loneness; with hostility surging from all sides upon some prison where I lay confined. I seemed bound and gagged, and taunted by the echoing yells of distant multitudes who thirsted for my blood. My uncle's face came to me with less pleasant association than in waking hours, and I recall many futile struggles and attempts to scream. It was not a pleasant sleep, and for a second I was not sorry for the echoing shriek which clove through the barriers of dream and flung me to a sharp and startled awakeness in which every actual object before my eyes stood out with more than natural clearness and reality.

Sleep overtook me quickly, and I was instantly plagued by the most disturbing dreams. In my visions, I felt a deep, cosmic loneliness, with hostility closing in on me from all sides, trapped in some prison. I felt bound and gagged, tormented by the distant screams of crowds craving my blood. My uncle's face appeared, bringing back less pleasant memories than during waking hours, and I remembered many useless struggles and attempts to scream. It was not a restful sleep, and for a moment, I didn’t regret the piercing shriek that cut through the dream and jolted me into a sharp, startled awareness, where everything in front of me felt more vivid and real than ever.

5

I had been lying with my face away from my uncle's chair, so that in this sudden flash of awakening I saw only the door to the street, the window, and the wall and floor and ceiling toward the north of the room, all photographed with morbid vividness on my brain in a light brighter than the glow of the fungi or the rays from the street outside. It was not a strong or even a fairly strong light; certainly not nearly strong enough to read an average book by. But it cast a shadow of myself and the cot on the floor, and had a yellowish, penetrating force that hinted at things more potent than luminosity. This I perceived with unhealthy sharpness despite the fact that two of my other senses were violently assailed. For on my ears rang the reverberations of that shocking scream, while my nostrils revolted at the stench which filled the place. My mind, as alert as my senses, recognized the gravely unusual; and almost automatically I leaped up and turned about to grasp the destructive instruments which we had left trained on the moldy spot before the fireplace. As I turned, I dreaded what I was to see; for the scream had been in my uncle's voice, and I knew not against what menace I should have to defend him and myself.

I had been lying with my back to my uncle's chair, so when I suddenly woke up, I saw only the door to the street, the window, and the wall, floor, and ceiling on the north side of the room, all vividly imprinted in my mind with a brightness that was more intense than the glow of the fungi or the light coming in from outside. It wasn't a strong light—definitely not bright enough to read a regular book by. But it cast a shadow of myself and the cot on the floor, with a yellowish, piercing quality that suggested something more powerful than just light. I noticed this with an uncomfortable clarity, even though two of my other senses were being brutally assaulted. My ears were ringing from that shocking scream, while my nose was revolted by the terrible stench that filled the room. My mind, just as alert as my senses, recognized that something was seriously wrong; almost instinctively, I jumped up and turned to grab the destructive tools we had left focused on the moldy spot in front of the fireplace. As I turned, I feared what I would see; the scream had come from my uncle's voice, and I had no idea what threat I would have to face to protect him and myself.

Yet after all, the sight was worse than I had dreaded. There are horrors beyond horrors, and this was one of those nuclei of all dreamable hideousness which the cosmos saves to blast an accursed and unhappy few. Out of the fungus-ridden earth steamed up a vaporous corpse-light, yellow and diseased, which bubbled and lapped to a gigantic height in vague outlines half human and half monstrous, through which I could see the chimney and fireplace beyond. It was all eyes—wolfish and mocking—and the rugose insect-like head dissolved at the top to a thin stream of mist which curled putridly about and finally vanished up the chimney. I say that I saw this thing, but it is only in conscious retrospection that I ever definitely traced its damnable approach to form. At the time, it was to me only a seething, dimly phosphorescent cloud of fungous loathsomeness, enveloping and dissolving to an abhorrent plasticity the one object on which all my attention was focussed. That object was my uncle—the venerable Elihu Whipple—who with blackening and decaying features leered and gibbered at me, and reached out dripping claws to rend me in the fury which this horror had brought.

Yet after all, the sight was worse than I had feared. There are terrors worse than any nightmare, and this was one of those centers of all imaginable repulsiveness that the universe reserves to torment a cursed and unfortunate few. Out of the fungus-ridden ground rose a vaporous corpse-light, yellow and diseased, bubbling and lapping to a gigantic height in vague shapes, half human and half monstrous, through which I could see the chimney and fireplace beyond. It was all eyes—wolfish and mocking—and the wrinkled, insect-like head faded at the top into a thin stream of mist that curled putridly around and finally disappeared up the chimney. I say that I saw this thing, but I can only clearly recall its dreadful approach in hindsight. At the time, it was just a seething, dimly glowing cloud of disgusting fungus, enveloping and dissolving into a horrifying form the one object on which all my attention was focused. That object was my uncle—the venerable Elihu Whipple—who, with blackening and decaying features, leered and gibbered at me, reaching out dripping claws to tear me apart in the rage that this horror had incited.

It was a sense of routine which kept me from going mad. I had drilled myself in preparation for the crucial moment, and blind training saved me. Recognizing the bubbling evil as no substance reachable by matter or material chemistry, and therefore ignoring the flame-thrower which loomed on my left, I threw on the current of the Crookes tube apparatus, and focussed toward that scene of immortal blasphemousness the strongest ether radiations which man's art can arouse from the spaces and fluids of nature. There was a bluish haze and a frenzied sputtering, and the yellowish phosphorescence grew dimmer to my eyes. But I saw the dimness was only that of contrast, and that the waves from the machine had no effect whatever.

It was the routine that kept me from going insane. I had prepped myself for the critical moment, and my intense training pulled me through. I recognized the menacing evil as something that couldn’t be touched by physical matter or chemical processes, so I ignored the flamethrower that was looming on my left. I switched on the power for the Crookes tube apparatus and directed the strongest ether radiations that human ingenuity could summon from the elements and forces of nature towards that scene of eternal blasphemy. There was a bluish haze and a frantic sputtering, and the yellowish glow seemed to dim in my sight. But I realized that the dimness was just a matter of contrast, and the waves from the machine had no effect at all.

Then, in the midst of that demoniac spectacle, I saw a fresh horror which brought cries to my lips and sent me fumbling and staggering toward that unlocked door to the quiet street, careless of what abnormal terrors I loosed upon the world, or what thoughts or judgments of men I brought down upon my head. In that dim blend of blue and yellow the form of my uncle had commenced a nauseous liquefaction whose essence eludes all description, and in which there played across his vanishing face such changes of identity as only madness can conceive. He was at once a devil and a multitude, a charnel-house and a pageant. Lit by the mixed and uncertain beams, that gelatinous face assumed a dozen—a score—a hundred—aspects; grinning, as it sank to the ground on a body that melted like tallow, in the caricatured likeness of legions strange and yet not strange.

Then, in the middle of that horrifying scene, I saw another level of terror that made me cry out and stumble towards that unlocked door to the quiet street, not caring what strange fears I might unleash on the world or what thoughts or judgments from others I might bring down upon myself. In that dim mix of blue and yellow, my uncle's form began to dissolve into a disgusting liquid that defies description, and on his fading face played transformations that only madness could imagine. He was simultaneously a devil and a crowd, a graveyard and a spectacle. Illuminated by the mixed and uncertain light, that gelatinous face took on a dozen—a score—a hundred expressions; grinning as it sank to the ground on a body that melted like wax, reflecting a bizarre likeness of strange yet familiar legions.

I saw the features of the Harris line, masculine and feminine, adult and infantile, and other features old and young, coarse and refined, familiar and unfamiliar. For a second there flashed a degraded counterfeit of a miniature of poor mad Rhoby Harris that I had seen in the School of Design museum, and another time I thought I caught the raw-boned image of Mercy Dexter as I recalled her from a painting in Carrington Harris's house. It was frightful beyond conception; toward the last, when a curious blend of servant and baby visages flickered close to the fungous floor where a pool of greenish grease was spreading, it seemed as though the shifting features fought against themselves and strove to form contours like those of my uncle's kindly face. I like to think that he existed at that moment, and that he tried to bid me farewell. It seems to me I hiccupped a farewell from my own parched throat as I lurched out into the street; a thin stream of grease following me through the door to the rain-drenched sidewalk.

I saw the features of the Harris family, masculine and feminine, adult and childish, as well as other traits both old and young, rough and refined, familiar and strange. For a moment, there flashed a degraded replica of a miniature of poor mad Rhoby Harris that I had seen in the School of Design museum, and another time I thought I caught the gaunt image of Mercy Dexter as I remembered her from a painting in Carrington Harris's house. It was terrifying beyond imagination; near the end, when a strange mix of servant and baby faces flickered close to the moldy floor where a pool of greenish grease was spreading, it seemed as though the shifting features were fighting against themselves and trying to form shapes like those of my uncle's kind face. I like to think he existed in that moment, and that he tried to say goodbye. It feels like I hiccupped a farewell from my own dry throat as I stumbled out into the street; a thin stream of grease following me through the door to the rain-soaked sidewalk.


The rest is shadowy and monstrous. There was no one in the soaking street, and in all the world there was no one I dared tell. I walked aimlessly south past College Hill and the Athenæum, down Hopkins Street, and over the bridge to the business section where tall buildings seemed to guard me as modern material things guard the world from ancient and unwholesome wonder. Then gray dawn unfolded wetly from the east, silhouetting the archaic hill and its venerable steeples, and beckoning me to the place where my terrible work was still unfinished. And in the end I went, wet, hatless, and dazed in the morning light, and entered that awful door in Benefit Street which I had left ajar, and which still swung cryptically in full sight of the early householders to whom I dared not speak.

The rest was dark and terrifying. There was no one on the drenched street, and in the entire world, there was no one I could trust to tell. I wandered aimlessly south past College Hill and the Athenæum, down Hopkins Street, and across the bridge to the downtown area where tall buildings seemed to protect me like modern material things shield the world from ancient and eerie wonders. Then gray dawn slowly spread from the east, outlining the old hill and its ancient steeples, inviting me to the place where my dreadful task was still incomplete. In the end, I went, soaked, hatless, and dazed in the morning light, and entered that terrifying door on Benefit Street that I had left ajar, which still swung mysteriously in full view of the early risers to whom I couldn't bring myself to speak.

The grease was gone, for the moldy floor was porous. And in front of the fireplace was no vestige of the giant doubled-up form traced in niter. I looked at the cot, the chairs, the instruments, my neglected hat, and the yellowed straw hat of my uncle. Dazedness was uppermost, and I could scarcely recall what was dream and what was reality. Then thought trickled back, and I knew that I had witnessed things more horrible than I had dreamed.

The grease was gone because the moldy floor was porous. And there was no trace of the giant, hunched form marked in niter in front of the fireplace. I looked at the cot, the chairs, the instruments, my neglected hat, and the yellowed straw hat of my uncle. I felt dazed, barely able to distinguish between what was a dream and what was real. Then my thoughts returned, and I realized that I had seen things more terrible than I had imagined.

Sitting down, I tried to conjecture as nearly as sanity would let me just what had happened, and how I might end the horror, if indeed it had been real. Matter it seemed not to be, nor ether, nor anything else conceivable by mortal mind. What, then, but some exotic emanation; some vampirish vapor such as Exeter rustics tell of as lurking over certain churchyards? This I felt was the clue, and again I looked at the floor before the fireplace where the mold and niter had taken strange forms.

Sitting down, I tried to figure out, as logically as I could, what had happened and how I could stop the nightmare, if it was even real. It seemed to be neither matter, nor ether, nor anything else that a human mind could imagine. What else could it be but some strange emanation; some ghostly mist that locals in Exeter say hangs over certain graveyards? I believed this was the key, and I looked again at the floor in front of the fireplace where the mold and salt had formed unusual shapes.

In ten minutes my mind was made up, and taking my hat I set out for home, where I bathed, ate, and gave by telephone an order for a pickax, a spade, a military gas-mask, and six carboys of sulfuric acid, all to be delivered the next morning at the cellar door of the shunned house in Benefit Street. After that I tried to sleep; and failing, passed the hours in reading and in the composition of inane verses to counteract my mood.

In ten minutes, I made my decision. I grabbed my hat and headed home, where I took a shower, had something to eat, and called in an order for a pickaxe, a shovel, a military gas mask, and six carboys of sulfuric acid, all to be delivered the next morning at the cellar door of the abandoned house on Benefit Street. After that, I tried to sleep, but when I couldn't, I spent the time reading and writing pointless poems to lift my spirits.

At eleven a. m. the next day I commenced digging. It was sunny weather, and I was glad of that. I was still alone, for as much as I feared the unknown horror I sought, there was more fear in the thought of telling anybody. Later I told Harris only through sheer necessity, and because he had heard odd tales from old people which disposed him ever so little toward belief. As I turned up the stinking black earth in front of the fireplace, my spade causing a viscous yellow ichor to ooze from the white fungi which it severed, I trembled at the dubious thoughts of what I might uncover. Some secrets of inner earth are not good for mankind, and this seemed to me one of them.

At 11 a.m. the next day, I started digging. The weather was sunny, and I was thankful for that. I was still by myself because, as much as I feared the unknown horror I was searching for, I was even more afraid of telling anyone. Later, I only told Harris out of sheer necessity since he had heard strange stories from old people that made him a bit more open to believing. As I turned over the foul black soil in front of the fireplace, my spade making a thick yellow ooze seep from the white fungi it cut through, I shook with uncertain thoughts about what I might find. Some secrets hidden in the earth aren't good for humanity, and this felt like one of them.

My hand shook perceptibly, but still I delved; after a while standing in the large hole I had made. With the deepening of the hole, which was about six feet square, the evil smell increased; and I lost all doubt of my imminent contact with the hellish thing whose emanations had cursed the house for over a century and a half. I wondered what it would look like—what its form and substance would be, and how big it might have waxed through long ages of life-sucking. At length I climbed out of the hole and dispersed the heaped-up dirt, then arranging the great carboys of acid around and near two sides, so that when necessary I might empty them all down the aperture in quick succession. After that I dumped earth only along the other two sides; working more slowly and donning my gas-mask as the smell grew. I was nearly unnerved at my proximity to a nameless thing at the bottom of a pit.

My hand shook noticeably, but I kept digging; eventually, I stood in the big hole I had created. As the hole, about six feet square, got deeper, the terrible smell grew stronger, and I lost all doubt that I was about to encounter the hellish entity whose presence had cursed the house for over a century and a half. I wondered what it would look like—what its shape and substance would be, and how big it might have grown over ages of draining life. Eventually, I climbed out of the hole and spread out the dirt I had piled up, then arranged the large carboys of acid around two sides, so I could quickly pour them all into the hole when needed. After that, I only dumped dirt along the other two sides, working more slowly and putting on my gas mask as the smell intensified. I was almost unnerved by the thought of being so close to an unnamed thing at the bottom of a pit.

Suddenly my spade struck something softer than earth. I shuddered, and made a motion as if to climb out of the hole, which was now as deep as my neck. Then courage returned, and I scraped away more dirt in the light of the electric torch I had provided. The surface I uncovered was fishy and glassy—a kind of semi-putrid congealed jelly with suggestions of translucency. I scraped further, and saw that it had form. There was a rift where a part of the substance was folded over. The exposed area was huge and roughly cylindrical; like a mammoth soft blue-white stovepipe doubled in two, its largest part some two feet in diameter. Still more I scraped, and then abruptly I leaped out of the hole and away from the filthy thing; frantically unstopping and tilting the heavy carboys, and precipitating their corrosive contents one after another down that charnel gulf and upon the unthinkable abnormality whose titan elbow I had seen.

Suddenly my shovel hit something softer than dirt. I shuddered and made a move like I was going to climb out of the hole, which was now up to my neck. But then I found my courage again and started scraping away more dirt with the electric flashlight I had. The surface I uncovered was slimy and shiny—a kind of semi-rotten, congealed jelly that looked a little transparent. I scraped more and saw that it had shape. There was a crease where part of the substance was folded over. The exposed area was huge and roughly cylindrical, like a giant soft blue-white stovepipe bent in half, the largest part about two feet in diameter. I scraped even more, and then suddenly I jumped out of the hole and away from the disgusting thing; I desperately unstoppered and tilted the heavy bottles, pouring their corrosive contents one after another down that gruesome pit and onto the unimaginable abnormality whose giant elbow I had seen.


The blinding maelstrom of greenish-yellow vapor which surged tempestuously up from that hole as the floods of acid descended, will never leave my memory. All along the hill people tell of the yellow day, when virulent and horrible fumes arose from the factory waste dumped in the Providence River, but I know how mistaken they are as to the source. They tell, too, of the hideous roar which at the same time came from some disordered water-pipe or gas main underground—but again I could correct them if I dared. It was unspeakably shocking, and I do not see how I lived through it. I did faint after emptying the fourth carboy, which I had to handle after the fumes had begun to penetrate my mask; but when I recovered I saw that the hole was emitting no fresh vapors.

The blinding whirlpool of greenish-yellow gas that rushed violently up from that hole as the floods of acid poured down will always stick in my mind. People all over the hill talk about the yellow day when toxic and awful fumes rose from the factory waste dumped in the Providence River, but I know they are wrong about the source. They also mention the terrible roar that was coming from some broken water pipe or gas line underground at the same time—but again, I could correct them if I were brave enough. It was unbelievably shocking, and I can’t believe I survived it. I did faint after emptying the fourth carboy, which I had to handle after the fumes started getting through my mask; but when I came to, I noticed that the hole was no longer releasing any new vapors.

The two remaining carboys I emptied down without particular result, and after a time I felt it safe to shovel the earth back into the pit. It was twilight before I was done, but fear had gone out of the place. The dampness was less fetid, and all the strange fungi had withered to a kind of harmless grayish powder which blew ash-like along the floor. One of earth's nethermost terrors had perished for ever; and if there be a hell, it had received at last the demon soul of an unhallowed thing. And as I patted down the last spadeful of mold, I shed the first of the many tears with which I have paid unaffected tribute to my beloved uncle's memory.

The last two carboys I emptied out didn’t lead to any significant outcome, and after a while, I felt it was safe to shovel the dirt back into the pit. It was twilight by the time I finished, but the fear had disappeared from the area. The dampness was less rank, and all the strange fungi had dried up into a harmless gray powder that blew along the floor like ash. One of earth's deepest fears had been eliminated for good; and if there is a hell, it had finally taken in the demonic soul of something unholy. As I packed down the last shovelful of dirt, I shed the first of many tears that I've shed in heartfelt remembrance of my beloved uncle.

The next spring no more pale grass and strange weeds came up in the shunned house's terraced garden, and shortly afterward Carrington Harris rented the place. It is still spectral, but its strangeness fascinates me, and I shall find mixed with my relief a queer regret when it is torn down to make way for a tawdry shop or vulgar apartment building. The barren old trees in the yard have begun to bear small, sweet apples, and last year the birds nested in their gnarled boughs.

The next spring, there was no more pale grass and weird weeds growing in the neglected house's garden, and soon after, Carrington Harris rented the place. It still feels eerie, but its oddness intrigues me, and I'll have a strange sense of regret mixed with my relief when it’s gone to make way for a cheap store or a tacky apartment building. The bare old trees in the yard have started producing small, sweet apples, and last year, the birds nested in their twisted branches.

Transcriber's Note:

Note from the Transcriber:

This etext was produced from Weird Tales October 1937. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

This etext was produced from Weird Tales October 1937. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.




        
        
    
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