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Transcriber's Notes:

Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in spelling and hyphenation.

Every effort has been made to reproduce this text as accurately as possible, including inconsistencies in spelling and hyphenation.

Possible typesetting errors, spelling mistakes and inconsistencies in spelling, punctuation and hyphenation have been preserved as they appear in the printed edition, including paragraphs with no or non-sentence-ending punctuation at the end. Passages with questionable text are marked like this. A suggestion for correction appears when hovering the cursor over the marked text.

Possible typesetting errors, spelling mistakes, and inconsistencies in spelling, punctuation, and hyphenation have been preserved as they appear in the printed edition, including paragraphs with no or non-sentence-ending punctuation at the end. Passages with questionable text are marked like this. A suggestion for correction appears when hovering the cursor over the marked text.

GEOGRAPHY AND PLAYS

GEOGRAPHY AND DRAMA

By GERTRUDE STEIN

By Gertrude Stein

Three Lives

Three Lives

Matisse and Picasso

Matisse and Picasso

Mabel Dodge of the Villa Curonia

Mabel Dodge of the Villa Curonia

Tender Buttons

Tender Buttons

Have They Attacked Mary. He Giggled.
(A Political Satire.)

Did they go after Mary? He laughed.
(A Political Satire.)

GEOGRAPHY AND PLAYS

BY
GERTRUDE STEIN

BY
GERTRUDE STEIN

BOSTON
THE FOUR SEAS COMPANY
PUBLISHERS

BOSTON
THE FOUR SEAS COMPANY
PUBLISHERS

Copyright, 1922, by
The Four Seas Company

Copyright, 1922, by
The Four Seas Co.

The Four Seas Press
Boston, Mass., U. S. A.

The Four Seas Press
Boston, MA, USA

THE WORK OF GERTRUDE STEIN

By SHERWOOD ANDERSON

By Sherwood Anderson

One evening in the winter, some years ago, my brother came to my rooms in the city of Chicago bringing with him a book by Gertrude Stein. The book was called Tender Buttons and, just at that time, there was a good deal of fuss and fun being made over it in American newspapers. I had already read a book of Miss Stein's called Three Lives and had thought it contained some of the best writing ever done by an American. I was curious about this new book.

One winter evening, a few years back, my brother came to my place in Chicago with a book by Gertrude Stein. The book was called Tender Buttons, and at that moment, it was getting a lot of buzz and attention in American newspapers. I had already read another book by Miss Stein called Three Lives, which I thought contained some of the best writing ever by an American. I was curious about this new book.

My brother had been at some sort of a gathering of literary people on the evening before and someone had read aloud from Miss Stein's new book. The party had been a success. After a few lines the reader stopped and was greeted by loud shouts of laughter. It was generally agreed that the author had done a thing we Americans call “putting something across”—the meaning being that she had, by a strange freakish performance, managed to attract attention to herself, get herself discussed in the newspapers, become for a time a figure in our hurried, harried lives.

My brother had been at some sort of gathering with literary people the night before, and someone had read aloud from Miss Stein's new book. The party had been a hit. After a few lines, the reader paused and was met with loud laughter. Everyone agreed that the author had done something we Americans call "putting something across"—meaning she had, through a quirky performance, managed to grab attention, get herself talked about in the newspapers, and become a notable figure in our fast-paced, hectic lives.

My brother, as it turned out, had not been satisfied with the explanation of Miss Stein's work then current in America, and so he bought Tender Buttons and brought it to me, and we sat for a time reading the strange sentences. “It gives words an oddly new intimate flavor and at the same time makes familiar words seem almost like strangers, doesn't it,” he said. What my brother did, you see, was to set my mind going on the book, and then, leaving it on the table, he went away.

My brother wasn't satisfied with the explanations of Miss Stein's work that were popular in America, so he bought Tender Buttons and brought it to me. We sat for a while reading the unusual sentences. “It gives words a strangely new intimate flavor while making familiar words feel almost like strangers, doesn’t it?” he said. What my brother did was get my mind thinking about the book, and then, leaving it on the table, he left.

And now, after these years, and having sat with Miss Stein by her own fire in the rue de Fleurus in Paris I am asked to write something by way of an introduction to a new book she is about to issue.

And now, after all these years, having spent time with Miss Stein by her fire in rue de Fleurus in Paris, I'm being asked to write an introduction for a new book she's about to release.

As there is in America an impression of Miss Stein's personality, not at all true and rather foolishly romantic, I would like first of all to brush that aside. I had myself heard stories of a long dark room with a languid woman lying on a couch, smoking cigarettes, sipping absinthes perhaps and looking out upon the world with tired, disdainful eyes. Now and then she rolled her head slowly to one side and uttered a few words, taken down by a secretary who approached the couch with trembling eagerness to catch the falling pearls.

As there's a misconception about Miss Stein's personality in America that's completely untrue and somewhat silly and romantic, I’d like to clear that up first. I had also heard tales of a dimly lit room with a relaxed woman lying on a couch, smoking cigarettes, maybe sipping absinthe, and gazing out at the world with tired, dismissive eyes. Occasionally, she would slowly tilt her head to one side and say a few words, which a secretary would eagerly record, approaching the couch with trembling excitement to catch the falling pearls.

You will perhaps understand something of my own surprise and delight when, after having been fed up on such tales and rather Tom Sawyerishly hoping they might be true, I was taken to her to find instead of this languid impossibility a woman of striking vigor, a subtle and powerful mind, a discrimination in the arts such as I have found in no other American born man or woman, and a charmingly brilliant conversationalist.

You might get a sense of my surprise and delight when, after being fed up with such stories and somewhat naïvely hoping they could be true, I was introduced to her. Instead of the dreamy impossibility I expected, I found a woman with striking energy, a sharp and powerful mind, an artistic taste I've seen in no other American, and she was an incredibly engaging conversationalist.

“Surprise and delight” did I say? Well, you see, my feeling is something like this. Since Miss Stein's work was first brought to my attention I have been thinking of it as the most important pioneer work done in the field of letters in my time. The loud guffaws of the general that must inevitably follow the bringing forward of more of her work do not irritate me but I would like it if writers, and particularly young writers, would come to understand a little what she is trying to do and what she is in my opinion doing.

“Surprise and delight,” did I say? Well, here's how I feel about it. Since I first learned about Miss Stein's work, I've considered it to be the most significant pioneering effort in literature of my time. The loud laughter from the public that will surely follow the presentation of more of her work doesn't bother me, but I wish writers, especially young ones, would take the time to understand what she is trying to accomplish and what I believe she is achieving.

My thought in the matter is something like this—that every artist working with words as his medium, must at times be profoundly irritated by what seems the limitations of his medium. What things does he not wish to create with words! There is the mind of the reader before him and he would like to create in that reader's mind a whole new world of sensations, or rather one might better say he would like to call back into life all of the dead and sleeping senses.

My thoughts on this are something like this: every writer, when using words as their medium, must sometimes feel really frustrated by the limits of what words can do. There are so many things they wish they could create with words! The reader’s mind is right in front of them, and they want to build an entire new world of sensations in that reader’s mind. Or, really, it’s more like they want to awaken all the dead and dormant senses.

There is a thing one might call “the extension of the province of his art” one wants to achieve. One works with words and one would like words that have a taste on the lips, that have a perfume to the nostrils, rattling words one can throw into a box and shake, making a sharp, jingling sound, words that, when seen on the printed page, have a distinct arresting effect upon the eye, words that when they jump out from under the pen one may feel with the fingers as one might caress the cheeks of his beloved.

There’s something that can be called “the expansion of the realm of his art” that one wants to attain. One works with words and desires words that taste good on the lips, that have a fragrance to the nose, vibrant words that can be tossed into a box and shaken, creating a sharp, jingling sound, words that, when seen on the printed page, have a striking visual impact, words that, when they spring from the pen, can be felt with the fingers as if one were caressing the cheeks of a loved one.

And what I think is that these books of Gertrude Stein's do in a very real sense recreate life in words.

And what I believe is that Gertrude Stein's books really do bring life to words in a significant way.

We writers are, you see, all in such a hurry. There are such grand things we must do. For one thing the Great American Novel must be written and there is the American or English Stage that must be uplifted by our very important contributions, to say nothing of the epic poems, sonnets to my lady's eyes, and what not. We are all busy getting these grand and important thoughts and emotions into the pages of printed books.

We writers are, you know, always in a rush. There are so many big things we need to accomplish. For starters, the Great American Novel has to be written, and the American or English Stage needs to be improved by our incredibly important contributions, not to mention the epic poems, sonnets to my lady's eyes, and so on. We're all busy getting these grand and significant thoughts and emotions into the pages of printed books.

And in the meantime the little words, that are the soldiers with which we great generals must make our conquests, are neglected.

And in the meantime, the small words, which are the soldiers we great leaders must use to achieve our victories, are overlooked.

There is a city of English and American words and it has been a neglected city. Strong broad shouldered words, that should be marching across open fields under the blue sky, are clerking in little dusty dry goods stores, young virgin words are being allowed to consort with whores, learned words have been put to the ditch digger's trade. Only yesterday I saw a word that once called a whole nation to arms serving in the mean capacity of advertising laundry soap.

There’s a city of English and American words, and it’s been overlooked for too long. Strong, bold words that should be striding across open fields under the bright blue sky are stuck working in small, dusty stores. Young, pure words are hanging out with the wrong crowd, and educated words have been reduced to digging ditches. Just yesterday, I saw a word that once rallied an entire nation to fight, now serving the lowly job of advertising laundry soap.

For me the work of Gertrude Stein consists in a rebuilding, an entire new recasting of life, in the city of words. Here is one artist who has been able to accept ridicule, who has even forgone the privilege of writing the great American novel, uplifting our English speaking stage, and wearing the bays of the great poets, to go live among the little housekeeping words, the swaggering bullying street-corner words, the honest working, money saving words, and all the other forgotten and neglected citizens of the sacred and half forgotten city.

For me, Gertrude Stein's work is about rebuilding, completely reimagining life in the city of words. Here is an artist who has embraced ridicule, who has even chosen not to write the great American novel, elevate our English-speaking stage, or wear the crowns of the great poets, but instead chooses to live among the small, everyday words, the loud, tough street-corner words, the genuine, hardworking, money-saving words, and all the other overlooked and neglected voices of this sacred and somewhat forgotten city.

Would it not be a lovely and charmingly ironic gesture of the gods if, in the end, the work of this artist were to prove the most lasting and important of all the word slingers of our generation!

Wouldn't it be a nice and wonderfully ironic move by the gods if, in the end, this artist's work turned out to be the most enduring and significant of all the wordsmiths in our generation!

TABLE OF CONTENTS

Page
Susie Asado 13
Ada 14
Miss Furr and Miss Skeene 17
A Collection 23
France 27
Americans 39
Italians 46
A Sweet Tail (gypsies) 65
The History of Belmonte 70
In the Grass (on spain) 75
England 82
Mallorcan Stories 96
Scenes. actions and dispositions of relations and positions 97
The King or Something (the public is invited to dance) 122
Publishers, the Portrait Gallery, and the Manuscripts of the British Museum 134
Roche 141
Braque 144
Portrait of Prince B. D. 150
Mrs. Whitehead 154
Portrait of Constance Fletcher 157
A Poem About Walberg 166
Johnny Grey 167
A Portrait of F. B. 176
Sacred Emily 178
IIIIIIIIII 189
One (van vechten) 199
One. harry phelan gibb 201
A Curtain Raiser 202
Ladies Voices (curtain raiser) 203
What Happened. A Play in Five Acts 205
White Wines. Three Acts 210
Do Let Us Go Away. A Play 215
For the Country Entirely. A Play in Letters 227
Turkey Bones and Eating and We Liked It. A Play 239
Every Afternoon. A Dialogue 254
Captain Walter Arnold. A Play 260
Please Do Not Suffer. A Play 262
He Said It. Monologue 267
Counting Her Dresses. A Play 275
I Like It to Be a Play. A Play 286
Not Sightly. A Play 290
Bonne Annee. A Play 302
Mexico. A Play 304
A Family of Perhaps Three 331
Advertisements 341
Pink Melon Joy 347
If You Had Three Husbands 377
Work Again 392
Tourty or Tourtebattre. a story of the great war 401
Next. (life and letters of marcel duchamp) 405
Land of Nations. (sub title: and ask asia) 407
Accents in Alsace. a reasonable tragedy 409
The Psychology of Nations or What Are You Looking At 416

GEOGRAPHY AND PLAYS

Geography and Theater

SUSIE ASADO

Sweet sweet sweet sweet sweet tea.

Sweet sweet sweet sweet sweet tea.

Susie Asado.

Susie Asado.

Sweet sweet sweet sweet sweet tea.

Sweet sweet sweet sweet sweet tea.

Susie Asado.

Susie Asado.

Susie Asado which is a told tray sure.

Susie Asado, which is a true story.

A lean on the shoe this means slips slips hers.

A lean on the shoe means she slips.

When the ancient light grey is clean it is yellow, it is a silver seller.

When the old light grey is clean, it turns yellow; it's a silver seller.

This is a please this is a please there are the saids to jelly. These are the wets these say the sets to leave a crown to Incy.

This is a please this is a please there are the saids to jelly. These are the wets these say the sets to leave a crown to Incy.

Incy is short for incubus.

Incy is short for incubus.

A pot. A pot is a beginning of a rare bit of trees. Trees tremble, the old vats are in bobbles, bobbles which shade and shove and render clean, render clean must.

A pot. A pot is the start of a rare collection of trees. Trees quiver, the old vats are in bubbles, bubbles that shade and push and make clean, make clean must.

Drink pups.

Puppy drinks.

Drink pups drink pups lease a sash hold, see it shine and a bobolink has pins. It shows a nail.

Drink pups drink pups lease a sash hold, see it shine and a bobolink has pins. It shows a nail.

What is a nail. A nail is unison.

What is a nail? A nail is unity.

Sweet sweet sweet sweet sweet tea.

Sweet sweet sweet sweet sweet tea.

ADA

Barnes Colhard did not say he would not do it but he did not do it. He did it and then he did not do it, he did not ever think about it. He just thought some time he might do something.

Barnes Colhard didn’t say he wouldn’t do it, but he didn’t do it. He did it and then he didn’t do it; he never thought about it. He just thought that maybe someday he might do something.

His father Mr. Abram Colhard spoke about it to every one and very many of them spoke to Barnes Colhard about it and he always listened to them.

His father, Mr. Abram Colhard, talked about it to everyone, and many of them brought it up with Barnes Colhard, who always listened to them.

Then Barnes fell in love with a very nice girl and she would not marry him. He cried then, his father Mr. Abram Colhard comforted him and they took a trip and Barnes promised he would do what his father wanted him to be doing. He did not do the thing, he thought he would do another thing, he did not do the other thing, his father Mr. Colhard did not want him to do the other thing. He really did not do anything then. When he was a good deal older he married a very rich girl. He had thought perhaps he would not propose to her but his sister wrote to him that it would be a good thing. He married the rich girl and she thought he was the most wonderful man and one who knew everything. Barnes never spent more than the income of the fortune he and his wife had then, that is to say they did not spend more than the income and this was a surprise to very many who knew about him and about his marrying the girl who had such a large fortune. He had a happy life while he was living and after he was dead his wife and children remembered him.

Then Barnes fell in love with a really nice girl, but she wouldn't marry him. He cried, and his father, Mr. Abram Colhard, comforted him. They took a trip together, and Barnes promised he would do what his father wanted him to do. He didn’t follow through; he thought about doing one thing but ended up not doing that, and when he considered doing something else, his father Mr. Colhard didn’t want him to do that either. So, he basically didn’t do anything at all. When he was quite a bit older, he married a very rich girl. He had been unsure about proposing to her, but his sister wrote to him suggesting it would be a good idea. He went ahead and married the wealthy girl, who thought he was the most amazing man and someone who knew everything. Barnes never spent more than the income from the fortune he and his wife had, meaning they lived within their means, which surprised many people who were aware of his marriage to a girl with such a large fortune. He had a happy life while he was alive, and after he died, his wife and children remembered him fondly.

He had a sister who also was successful enough in being one being living. His sister was one who came to be happier than most people come to be in living. She came to be a completely happy one. She was twice as old as her brother. She had been a very good daughter to her mother. She and her mother had always told very pretty stories to each other. Many old men loved to hear her tell these stories to her mother. Every one who ever knew her mother liked her mother. Many were sorry later that not every one liked the daughter. Many did like the daughter but not every one as every one had liked the mother. The daughter was charming inside in her, it did not show outside in her to every one, it certainly did to some. She did sometimes think her mother would be pleased with a story that did not please her mother, when her mother later was sicker the daughter knew that there were some stories she could tell her that would not please her mother. Her mother died and really mostly altogether the mother and the daughter had told each other stories very happily together.

He had a sister who was also successful in her own right. His sister was someone who ended up happier than most people do in life. She was genuinely happy. She was twice as old as her brother. She had been a very good daughter to their mother. She and her mother always shared beautiful stories with each other. Many older men enjoyed listening to her tell these stories to her mother. Everyone who knew her mother liked her. Many were sad later that not everyone felt the same way about the daughter. Many did like her, but not everyone connected with her as they had with the mother. The daughter was charming on the inside, but not everyone could see that on the outside; some definitely could. She sometimes thought her mother would appreciate a story that didn't actually please her, and when her mother got sicker, the daughter realized there were some stories that wouldn’t make her mother happy. Her mother passed away, and overall, the mother and daughter had shared their stories very happily together.

The daughter then kept house for her father and took care of her brother. There were many relations who lived with them. The daughter did not like them to live with them and she did not like them to die with them. The daughter, Ada they had called her after her grandmother who had delightful ways of smelling flowers and eating dates and sugar, did not like it at all then as she did not like so much dying and she did not like any of the living she was doing then. Every now and then some old gentlemen told delightful stories to her. Mostly then there were not nice stories told by any one then in her living. She told her father Mr. Abram Colhard that she did not like it at all being one being living then. He never said anything. She was afraid then, she was one needing charming stories and happy telling of them and not having that thing she was always trembling. Then every one who could live with them were dead and there were then the father and the son a young man then and the daughter coming to be that one then. Her grandfather had left some money to them each one of them. Ada said she was going to use it to go away from them. The father said nothing then, then he said something and she said nothing then, then they both said nothing and then it was that she went away from them. The father was quite tender then, she was his daughter then. He wrote her tender letters then, she wrote him tender letters then, she never went back to live with him. He wanted her to come and she wrote him tender letters then. He liked the tender letters she wrote to him. He wanted her to live with him. She answered him by writing tender letters to him and telling very nice stories indeed in them. He wrote nothing and then he wrote again and there was some waiting and then he wrote tender letters again and again.

The daughter then managed the household for her father and looked after her brother. There were many relatives living with them. The daughter didn’t like them being there, and she also didn’t want them to die with them. The daughter, Ada—named after her grandmother, who had a lovely way of smelling flowers and eating dates and sugar—wasn't happy at all because she didn’t enjoy dying, and she wasn’t fond of her life at that time either. Occasionally, some old men would tell her wonderful stories. However, for the most part, no one was telling nice stories during her life. She told her father, Mr. Abram Colhard, that she wasn’t happy being alive then. He never responded. She felt scared and needed charming stories and happy narrations, and without that, she was always trembling. Eventually, everyone who could live with them had died, leaving just the father, a young man, and the daughter. Her grandfather had left some money to each of them. Ada mentioned that she was going to use it to leave them. The father didn't say anything at first, then he spoke, and she didn’t reply. They both remained silent, and then she decided to leave. The father was quite affectionate; she was his daughter. He wrote her loving letters, and she wrote him back with affection, but she never returned to live with him. He wanted her to come back, and she sent him sweet letters in response. He appreciated the tender letters she sent him. He wanted her to stay with him. She replied by writing him loving letters, filled with lovely stories. He initially wrote nothing, then wrote again, leading to some waiting, and then he sent more gentle letters repeatedly.

She came to be happier than anybody else who was living then. It is easy to believe this thing. She was telling some one, who was loving every story that was charming. Some one who was living was almost always listening. Some one who was loving was almost always listening. That one who was loving was almost always listening. That one who was loving was telling about being one then listening. That one being loving was then telling stories having a beginning and a middle and an ending. That one was then one always completely listening. Ada was then one and all her living then one completely telling stories that were charming, completely listening to stories having a beginning and a middle and an ending. Trembling was all living, living was all loving, some one was then the other one. Certainly this one was loving this Ada then. And certainly Ada all her living then was happier in living than any one else who ever could, who was, who is, who ever will be living.

She became happier than anyone else alive at that time. It's easy to believe that. She was sharing stories with someone who loved every charming tale. Someone who was alive was almost always listening. Someone who loved was almost always listening. That person who loved was almost always listening. That person who loved was talking about being one who listened. That person who loved was then telling stories that had a beginning, a middle, and an end. That person was always fully engaged in listening. Ada was that person, and in her life, she was completely sharing charming stories while also fully listening to tales with a beginning, a middle, and an end. Everything trembled with life; life was all about love, and someone was always one or the other. Certainly, this person loved Ada. And without a doubt, Ada was happier in her life than anyone else who ever could be, who was, who is, or who ever will be alive.

MISS FURR AND MISS SKEENE

Helen Furr had quite a pleasant home. Mrs. Furr was quite a pleasant woman. Mr. Furr was quite a pleasant man. Helen Furr had quite a pleasant voice a voice quite worth cultivating. She did not mind working. She worked to cultivate her voice. She did not find it gay living in the same place where she had always been living. She went to a place where some were cultivating something, voices and other things needing cultivating. She met Georgine Skeene there who was cultivating her voice which some thought was quite a pleasant one. Helen Furr and Georgine Skeene lived together then. Georgine Skeene liked travelling. Helen Furr did not care about travelling, she liked to stay in one place and be gay there. They were together then and travelled to another place and stayed there and were gay there.

Helen Furr had a nice home. Mrs. Furr was a nice woman. Mr. Furr was a nice man. Helen Furr had a lovely voice, a voice worth developing. She didn’t mind putting in the effort. She worked on improving her voice. She didn’t find it enjoyable living in the same place she always had. She went to a place where people were working on different things, including voices that needed improvement. She met Georgine Skeene there, who was developing her voice, which many thought was quite lovely. Helen Furr and Georgine Skeene lived together after that. Georgine Skeene enjoyed traveling. Helen Furr didn’t care for travel; she preferred to stay in one place and enjoy herself there. They were together and traveled to another place, stayed there, and had a great time.

They stayed there and were gay there, not very gay there, just gay there. They were both gay there, they were regularly working there both of them cultivating their voices there, they were both gay there. Georgine Skeene was gay there and she was regular, regular in being gay, regular in not being gay, regular in being a gay one who was one not being gay longer than was needed to be one being quite a gay one. They were both gay then there and both working there then.

They stayed there and had a good time, not a great time, just a good time. They were both enjoying themselves there, regularly working together to improve their voices. Georgine Skeene was having fun there, and she was pretty consistent about it—consistent in being cheerful, consistent in not being overly cheerful, consistent in being the kind of person who was cheerful just long enough to be genuinely enjoying herself. They were both having a good time and working together at that moment.

They were in a way both gay there where there were many cultivating something. They were both regular in being gay there. Helen Furr was gay there, she was gayer and gayer there and really she was just gay there, she was gayer and gayer there, that is to say she found ways of being gay there that she was using in being gay there. She was gay there, not gayer and gayer, just gay there, that is to say she was not gayer by using the things she found there that were gay things, she was gay there, always she was gay there.

They were kind of both happy in that place where many were creating something. They were consistently happy there. Helen Furr was happy there; she was getting happier and happier there, and honestly, she was just happy there. She was getting happier and happier there, meaning she found ways to express her happiness that she was using to be happy there. She was happy there, not getting happier and happier, just happy there, which means she wasn’t happier by using the things she found there that were happy things; she was happy there, always happy there.

They were quite regularly gay there, Helen Furr and Georgine Skeene, they were regularly gay there where they were gay. They were very regularly gay.

They were consistently joyful there, Helen Furr and Georgine Skeene, they were consistently joyful in the places where they found happiness. They were really always cheerful.

To be regularly gay was to do every day the gay thing that they did every day. To be regularly gay was to end every day at the same time after they had been regularly gay. They were regularly gay. They were gay every day. They ended every day in the same way, at the same time, and they had been every day regularly gay.

To be consistently cheerful meant doing the same cheerful things every day. To be consistently cheerful was to finish each day at the same time after being cheerful. They were consistently cheerful. They were cheerful every day. They ended each day in the same way, at the same time, and they had been cheerful regularly every day.

The voice Helen Furr was cultivating was quite a pleasant one. The voice Georgine Skeene was cultivating was, some said, a better one. The voice Helen Furr was cultivating she cultivated and it was quite completely a pleasant enough one then, a cultivated enough one then. The voice Georgine Skeene was cultivating she did not cultivate too much. She cultivated it quite some. She cultivated and she would sometime go on cultivating it and it was not then an unpleasant one, it would not be then an unpleasant one, it would be a quite richly enough cultivated one, it would be quite richly enough to be a pleasant enough one.

The voice Helen Furr was developing was really quite nice. The voice Georgine Skeene was working on was, some said, even better. The voice Helen Furr was perfecting was definitely a pleasant one, cultivated enough at that time. The voice Georgine Skeene was working on was not something she focused on too much. She did work on it some. She would occasionally continue to develop it, and it wasn’t an unpleasant sound at all; it was actually quite well-developed, enough to be considered pleasing.

They were gay where there were many cultivating something. The two were gay there, were regularly gay there. Georgine Skeene would have liked to do more travelling. They did some travelling, not very much travelling, Georgine Skeene would have liked to do more travelling, Helen Furr did not care about doing travelling, she liked to stay in a place and be gay there.

They were cheerful where there were many people cultivating something. The two were consistently cheerful there. Georgine Skeene would have liked to travel more. They did some traveling, not a lot, but Georgine Skeene wanted to travel more, while Helen Furr didn't care about traveling; she preferred to stay in one place and enjoy herself there.

They stayed in a place and were gay there, both of them stayed there, they stayed together there, they were gay there, they were regularly gay there.

They stayed in a place and were happy there, both of them stayed there, they were together there, they enjoyed themselves there, they were often happy there.

They went quite often, not very often, but they did go back to where Helen Furr had a pleasant enough home and then Georgine Skeene went to a place where her brother had quite some distinction. They both went, every few years, went visiting to where Helen Furr had quite a pleasant home. Certainly Helen Furr would not find it gay to stay, she did not find it gay, she said she would not stay, she said she did not find it gay, she said she would not stay where she did not find it gay, she said she found it gay where she did stay and she did stay there where very many were cultivating something. She did stay there. She always did find it gay there.

They went pretty often, not all the time, but they would go back to where Helen Furr had a nice enough home. Then Georgine Skeene went to a place where her brother had gained some recognition. They both would visit Helen Furr’s pleasant home every few years. Obviously, Helen Furr wouldn’t find it enjoyable to stay there; she said she wouldn’t stay because she didn’t find it enjoyable. She mentioned she found it enjoyable where she did stay, and she did stay there, where many were pursuing something. She always found it enjoyable there.

She went to see them where she had always been living and where she did not find it gay. She had a pleasant home there, Mrs. Furr was a pleasant enough woman, Mr. Furr was a pleasant enough man, Helen told them and they were not worrying, that she did not find it gay living where she had always been living.

She went to see them in the place she had always lived, where she didn’t find it cheerful. She had a nice home there; Mrs. Furr was a nice enough woman, and Mr. Furr was a nice enough man. Helen told them that she wasn’t worried, even though she didn’t find it cheerful living where she had always lived.

Georgine Skeene and Helen Furr were living where they were both cultivating their voices and they were gay there. They visited where Helen Furr had come from and then they went to where they were living where they were then regularly living.

Georgine Skeene and Helen Furr were living in a place where they were both honing their singing skills, and they were happy there. They visited Helen Furr's hometown and then returned to the place they were currently living.

There were some dark and heavy men there then. There were some who were not so heavy and some who were not so dark. Helen Furr and Georgine Skeene sat regularly with them. They sat regularly with the ones who were dark and heavy. They sat regularly with the ones who were not so dark. They sat regularly with the ones that were not so heavy. They sat with them regularly, sat with some of them. They went with them regularly went with them. They were regular then, they were gay then, they were where they wanted to be then where it was gay to be then, they were regularly gay then. There were men there then who were dark and heavy and they sat with them with Helen Furr and Georgine Skeene and they went with them with Miss Furr and Miss Skeene, and they went with the heavy and dark men Miss Furr and Miss Skeene went with them, and they sat with them, Miss Furr and Miss Skeene sat with them, and there were other men, some were not heavy men and they sat with Miss Furr and Miss Skeene and Miss Furr and Miss Skeene sat with them, and there were other men who were not dark men and they sat with Miss Furr and Miss Skeene and Miss Furr and Miss Skeene sat with them. Miss Furr and Miss Skeene went with them and they went with Miss Furr and Miss Skeene, some who were not heavy men, some who were not dark men. Miss Furr and Miss Skeene sat regularly, they sat with some men. Miss Furr and Miss Skeene went and there were some men with them. There were men and Miss Furr and Miss Skeene went with them, went somewhere with them, went with some of them.

There were some dark and heavy men there then. There were others who weren’t as heavy and some who weren’t as dark. Helen Furr and Georgine Skeene regularly sat with them. They consistently sat with the dark and heavy ones. They also sat regularly with those who weren’t as dark. They sat with the lighter ones too. They spent time with them regularly, hung out with some of them. They were a regular fixture then, they were in a good mood then, they were where they wanted to be when it was nice to be there, they were regularly in good spirits then. There were men there then who were dark and heavy, and they sat with them, along with Helen Furr and Georgine Skeene. They were with the heavy and dark men while Miss Furr and Miss Skeene were with them, and they sat together. Miss Furr and Miss Skeene were there with them, and there were other men, some who weren’t heavy, and they sat with Miss Furr and Miss Skeene. Miss Furr and Miss Skeene were with them, and there were other men who weren’t dark, and they sat with Miss Furr and Miss Skeene too. Miss Furr and Miss Skeene spent time with them, and they were with Miss Furr and Miss Skeene, some who weren’t heavy, some who weren’t dark. Miss Furr and Miss Skeene regularly sat with some men. Miss Furr and Miss Skeene went out, and there were some men with them. There were men, and Miss Furr and Miss Skeene went out with them, went somewhere with them, went with some of them.

Helen Furr and Georgine Skeene were regularly living where very many were living and cultivating in themselves something. Helen Furr and Georgine Skeene were living very regularly then, being very regular then in being gay then. They did then learn many ways to be gay and they were then being gay being quite regular in being gay, being gay and they were learning little things, little things in ways of being gay, they were very regular then, they were learning very many little things in ways of being gay, they were being gay and using these little things they were learning to have to be gay with regularly gay with then and they were gay the same amount they had been gay. They were quite gay, they were quite regular, they were learning little things, gay little things, they were gay inside them the same amount they had been gay, they were gay the same length of time they had been gay every day.

Helen Furr and Georgine Skeene were living in the same place as many others and developing something within themselves. At that time, Helen Furr and Georgine Skeene were very consistent, always being cheerful. They learned various ways to enjoy life, and they were consistently finding happiness, genuinely committed to being joyful. They picked up many small tips and tricks to enhance their happiness, remaining regular in their cheerful ways. They found new ways to embrace joy and made the most of what they learned to maintain their cheerful demeanor. Their level of happiness stayed the same as it had always been. They were genuinely joyful and consistent, discovering little insights into happiness while maintaining their joy just as they had before, enjoying life the same way for as long as they could remember.

They were regular in being gay, they learned little things that are things in being gay, they learned many little things that are things in being gay, they were gay every day, they were regular, they were gay, they were gay the same length of time every day, they were gay, they were quite regularly gay.

They were consistently cheerful, they picked up little habits that come with being cheerful, they learned many small things that matter in being happy, they were cheerful every day, they were consistent, they were happy, they were cheerful for about the same amount of time every day, they were cheerful, they were quite regularly cheerful.

Georgine Skeene went away to stay two months with her brother. Helen Furr did not go then to stay with her father and her mother. Helen Furr stayed there where they had been regularly living the two of them and she would then certainly not be lonesome, she would go on being gay. She did go on being gay. She was not any more gay but she was gay longer every day than they had been being gay when they were together being gay. She was gay then quite exactly the same way. She learned a few more little ways of being in being gay. She was quite gay and in the same way, the same way she had been gay and she was gay a little longer in the day, more of each day she was gay. She was gay longer every day than when the two of them had been being gay. She was gay quite in the way they had been gay, quite in the same way.

Georgine Skeene left to stay for two months with her brother. Helen Furr didn’t then go to stay with her dad and mom. Helen Furr stayed where they had been living regularly, just the two of them, so she definitely wouldn’t be lonely; she would keep being cheerful. She did keep being cheerful. She wasn’t any more cheerful, but she was cheerful for longer each day than they had been when they were together. She was cheerful in exactly the same way. She learned a few more little ways to be cheerful. She was quite cheerful, and in the same way, just as she had been cheerful before, and she was cheerful for a little longer each day, more of each day she was cheerful. She was cheerful for longer each day than when the two of them had been cheerful. She was cheerful in the same way they had been cheerful, quite in the same way.

She was not lonesome then, she was not at all feeling any need of having Georgine Skeene. She was not astonished at this thing. She would have been a little astonished by this thing but she knew she was not astonished at anything and so she was not astonished at this thing not astonished at not feeling any need of having Georgine Skeene.

She wasn't feeling lonely then, and she didn't feel any need for Georgine Skeene. She wasn't surprised by this at all. She might have been a little surprised, but she realized she wasn't really surprised by anything, so she wasn't surprised by the fact that she didn't feel any need for Georgine Skeene.

Helen Furr had quite a completely pleasant voice and it was quite well enough cultivated and she could use it and she did use it but then there was not any way of working at cultivating a completely pleasant voice when it has become a quite completely well enough cultivated one, and there was not much use in using it when one was not wanting it to be helping to make one a gay one. Helen Furr was not needing using her voice to be a gay one. She was gay then and sometimes she used her voice and she was not using it very often. It was quite completely enough cultivated and it was quite completely a pleasant one and she did not use it very often. She was then, she was quite exactly as gay as she had been, she was gay a little longer in the day than she had been.

Helen Furr had a really pleasant voice that was well-trained, and she could use it whenever she wanted. However, there wasn’t really a way to keep improving a voice that was already so nicely developed, and it didn’t make much sense to use it when it wasn’t helping her feel cheerful. Helen didn’t need her voice to be happy; she was already in a good mood and only used her voice occasionally. It was definitely pleasant enough, and she didn’t find herself using it very often. She was just as cheerful as she had been before, and now she felt that way a bit longer each day.

She was gay exactly the same way. She was never tired of being gay that way. She had learned very many little ways to use in being gay. Very many were telling about using other ways in being gay. She was gay enough, she was always gay exactly the same way, she was always learning little things to use in being gay, she was telling about using other ways in being gay, she was telling about learning other ways in being gay, she was learning other ways in being gay, she would be using other ways in being gay, she would always be gay in the same way, when Georgine Skeene was there not so long each day as when Georgine Skeene was away.

She was gay in exactly the same way. She never got tired of being gay that way. She had learned so many little ways to express her gayness. Many others talked about using different ways to be gay. She was gay enough; she always expressed her gayness in the same way, and she was always discovering little things to enhance her expression, sharing about using alternative expressions, discussing her learning about different ways to be gay, and figuring out new ways to be gay. She would always express her gayness in that same way, even when Georgine Skeene was there for a shorter time each day than when she was away.

She came to using many ways in being gay, she came to use every way in being gay. She went on living where many were cultivating something and she was gay, she had used every way to be gay.

She found many ways to be happy, and she embraced every one of them. She continued to live in a place where many were nurturing something, and she was joyful; she had explored every method to feel this joy.

They did not live together then Helen Furr and Georgine Skeene. Helen Furr lived there the longer where they had been living regularly together. Then neither of them were living there any longer. Helen Furr was living somewhere else then and telling some about being gay and she was gay then and she was living quite regularly then. She was regularly gay then. She was quite regular in being gay then. She remembered all the little ways of being gay. She used all the little ways of being gay. She was quite regularly gay. She told many then the way of being gay, she taught very many then little ways they could use in being gay. She was living very well, she was gay then, she went on living then, she was regular in being gay, she always was living very well and was gay very well and was telling about little ways one could be learning to use in being gay, and later was telling them quite often, telling them again and again.

Helen Furr and Georgine Skeene weren’t living together at that time. Helen Furr had been living in the place where they used to stay together for a longer period. Eventually, neither of them lived there anymore. At that point, Helen Furr was living somewhere else and was open about being gay; she was indeed gay and was living quite openly then. She was regularly gay during that time. She remembered all the little aspects of being gay and utilized all those little ways of expressing her identity. She consistently embraced her sexuality. She shared her experiences with many others, teaching them various little ways to embrace being gay. She was living well, being gay during that period, and continued to live openly. She always maintained a happy and fulfilling life and frequently shared tips on how to embrace one’s identity, often repeating those lessons again and again.

A COLLECTION

My Dear Miss Carey: A Story

My Dear Miss Carey: A Story

There were little places to see Fernville, the town, the hospital, the lying in hospital, the sea-shore and the city.

There were few places to see in Fernville: the town, the hospital, the maternity hospital, the beach, and the city.

Once we met my brother he was ringing a bell. He needed an umbrella but he would not buy it. I sent him one not prepaid. Oh yes the people are kind they all drink together. Even now. No not now. We are late.

Once we found my brother, he was ringing a bell. He needed an umbrella but wouldn't buy one. I sent him one that wasn't prepaid. Oh yes, people are nice; they all drink together. Even now. No, not now. We're late.

Did you see the pear tree. It resembles the figs. They are often ripe. They grow in great abundance.

Did you see the pear tree? It looks like the fig tree. They are often ripe and grow in large quantities.

We like milk. My father likes milk and coffee.

We like milk. My dad likes milk and coffee.

Whenever there are flowers my mother is angry. She is even angry with me. That is to say she is generous enough and wishes everything back. We are all that way. My brother takes coal away in a little bag for use. All dark days are necessary. No permission is asked and it is given. For all day. For all day. Whenever it is needed. Not whenever it is needed. We do as we say it is best to do. Even religious people do so.

Whenever there are flowers, my mom gets upset. She's even upset with me. In other words, she's generous enough and wants everything to go back to how it was. We're all like that. My brother takes coal away in a small bag to use. All dark days are important. No one asks for permission, and it's granted. For the whole day. For the whole day. Whenever it's needed. Not just anytime it's needed. We do what we think is best. Even religious people do the same.

Come together in Fernville. Not I I thank you. My brother finds handkerchiefs there. For men. For men and for women. So does his wife. Many. Not very many. She brings them with her. Is that so. Many handkerchiefs are not necessary in Fernville. No indeed. We dismiss the church. We separate it. We have it to-day. A great many people call. On one another. Not altogether that. The post-office. The post-office of my brother. Now. Not now. Yes he is there now. Since the war. Yes since the war.

Come together in Fernville. No, thank you. My brother finds handkerchiefs there. For men. For men and women. So does his wife. Many. Not too many. She brings them with her. Is that so? A lot of handkerchiefs aren’t needed in Fernville. Not at all. We ignore the church. We set it aside. We have it today. A lot of people visit each other. Not just that. The post office. My brother’s post office. Now. Not right now. Yes, he’s there now. Since the war. Yes, since the war.

I remember when I was a b of c. I did not speak to old men then not when I was busy. I waited until I was tired and then we all sat down and had a cup of coffee. Coffee is very nourishing. I am very sensitive to the influence of coffee. So are we all.

I remember when I was a kid. I didn't talk to old men back then, especially when I was busy. I waited until I was tired, and then we all sat down and had a cup of coffee. Coffee is really energizing. I'm very sensitive to the effects of coffee. So are all of us.

Do you think that we are married. That we are all married. Mr. Weeks is married. He is going to be able to follow my advice. I advise him to go to my country. There he will do very well. The only advice I have to give him is never to live in the city. His wife does not like the city nor does she like a sunny climate. She is not able to go about with him. We are all of us leaving the end of the month.

Do you think we’re married? That we're all married? Mr. Weeks is married. He's going to be able to take my advice. I suggest he go to my country. He’ll do really well there. The only advice I have for him is to never live in the city. His wife doesn’t like the city, and she doesn’t like sunny weather either. She can't go out with him. We’re all leaving at the end of the month.

Do not be angry.

Don't be mad.

I was very much surprised that water was the same color.

I was really surprised that the water was the same color.

As what.

As what?

As the sun.

As the sun sets.

I feel that I must go at once.

I feel like I need to leave immediately.

Did you entirely forget about the other.

Did you completely forget about the other?

Drowning in water.

Drowning in water.

This is a question that I have never asked about because in the summer one does not think about it. Now it is winter but it is as warm as in summer.

This is a question I’ve never asked because people don’t think about it in the summer. Now it’s winter, but it feels as warm as summer.

Dear friends have a way of relating themselves to a town. We find in some districts that there are better ways of investing money. Some find that at the end of the war they are not able to continue paying on their houses.

Dear friends have a way of connecting with a town. In some areas, we discover that there are more effective ways to invest money. Some people realize that after the war, they can no longer afford to keep paying for their homes.

Does this affect you.

Does this impact you?

Oh no because even if the father of my child is killed his sister will continue to give the money. She is obliged to by law.

Oh no, because even if the father of my child is killed, his sister will still have to give the money. She is legally required to.

This makes the whole matter very simple.

This makes everything super easy.

Not to me I have always been accustomed to it and have had some difficulty.

Not to me, I've always been used to it and have found it a bit challenging.

Yes we know we know that it is suddenly cold.

Yes, we know, we know that it’s suddenly cold.

You are not pleased to see the sun setting. Indeed I cannot blame you.

You’re not happy to see the sun setting. Honestly, I can’t blame you.

Polybe in Port: A Curtain Raiser

Polybe in Port: An Opening Act

Polybe in Port.

Polybe at the Port.

A hunter. He was not a hunter. He had a gun. I do not know whether they have permission to shoot.

A hunter. He wasn't really a hunter. He had a gun. I don’t know if they have permission to shoot.

Of course he must have if he has a gun. In this country they have a great many dogs who hunt rabbits. They run quicker.

Of course he must have if he has a gun. In this country, there are many dogs that hunt rabbits. They run faster.

We are surprised to see him.

We're surprised to see him.

Polybe is an ornament.

Polybe is a decoration.

He is not thinner.

He is not skinnier.

He likes the water now.

He enjoys the water now.

This I do not believe.

I don't believe this.

Neither do I believe there was any intention to go that way. Which way do you mean. Polybe does not remember. Me. Yes. The house. Yes. The servant. Yes. You are not mistaken.

Neither do I think there was any intention to go that way. Which way are you talking about? Polybe doesn’t remember. Me. Yes. The house. Yes. The servant. Yes. You’re not wrong.

We are not mistaken.

We're not mistaken.

A great many shrubs every one of which are labelled.

A lot of shrubs, each one labeled.

Scene II.

Scene 2.

A credit to me.

A credit to me.

The cares and duties of a mother had been denied to Carrie Russell.

The responsibilities and worries of a mother had been taken away from Carrie Russell.

Polybe silent.

Be quiet, Polybe.

He said earnestly that it didn't matter.

He said sincerely that it didn't matter.

Spanish Chattings

Spanish Chats

Do you keep books.

Do you own books?

All weddings are back.

All weddings are on again.

Pigeons.

Pigeons.

Pigeons recognise persons. Do they. We saw them. They flew around.

Pigeons can recognize people. Really. We observed them. They flew around.

Shooting pigeons is necessary. For what. For the sea.

Shooting pigeons is essential. Why? For the ocean.

I see old peppers that are dried. We do not complain. We say winds are violent and I do not wish them. Wish for them. I do not wish to see the stars. Call it out of here. You mean that pole. No indeed I don't mean Inca.

I see old dried peppers. We don’t complain. We say the winds are strong, and I don’t want them. Want for them. I don’t want to see the stars. Get it out of here. You mean that pole. No, I definitely don’t mean Inca.

Oh yes certainly.

Sure, definitely.

They Came Together

They Joined Forces

I can tell a little story. I cannot describe the character nor the color in the street nor the kind of a stone. A great many people have silver purses.

I can share a little story. I can’t describe the character or the color of the street or the type of stone. A lot of people have silver purses.

Wild Flowers

Wildflowers

We collected wild flowers. We enjoyed it very much. In a window we saw exhibited the things that can be found in the country.

We picked wildflowers. We really enjoyed it. In a window, we saw displays of things that can be found in the countryside.

There was a satisfaction that we had the temporary installation which made it possible for us to ask another servant not to visit our servant. We did not do so. We were not neglectful of our best interests.

There was a satisfaction in having the temporary setup that allowed us to request another servant not to visit ours. We chose not to do that. We weren’t neglecting our best interests.

Will They Crush Germany

Will They Defeat Germany

They will crush Germany. There is no doubt about it.

They will defeat Germany. There’s no doubt about it.

FRANCE

Likely and more than evenly, unevenly and not unlikely, very much that and anyway more, this is the left over method. There is nothing left because if it were left it would be left over. This does not make music. The time to state that is in reading. There is a beginning in a lesson in smiling.

Likely and more than evenly, unevenly and not unlikely, very much that and anyway more, this is the leftover method. There is nothing left because if it were left it would be leftover. This does not make music. The time to say that is in reading. There is a beginning in a lesson in smiling.

What is up is not down and what is down is not reversing and what is refused is not a section and what is silenced is not speaking. This does not make the rude ones murmur, this does not make a penny smaller, this does not make religion.

What’s up isn’t down, and what’s down isn’t reversing, and what’s denied isn’t a section, and what’s silenced isn’t speaking. This doesn’t make the rude ones complain, this doesn’t make a penny smaller, this doesn’t create religion.

All the time there is a melodrama there is monopoly and all the time there is more there is no excuse.

All the time there's a melodrama, there's a monopoly, and all the time there's more, there’s no excuse.

A luck in breaths is more to be denied than music, much more. The only long string is that which is not twisted. All the same there is no excuse.

A luck in breaths is harder to ignore than music, way more. The only long string is the one that isn't twisted. Still, there's no excuse.

A sight is not a shadow and a whole rise in a cry is not more piercing than danger of being mixed into an affair where there are witnesses. If writing is in little pieces and little places and a little door is open, many little doors are not open and writing is not surreptitious, it is not even obliging.

A sight isn’t just a shadow, and a loud shout isn’t necessarily more intense than the fear of getting involved in a situation with witnesses around. If writing is scattered and found in small places and just one little door is ajar, it doesn’t mean that many little doors are open, and that writing isn’t sneaky; it’s not even accommodating.

To show the difference between an occasion and merit and a button it is necessary to recognise that an honor is not forced so that there is no question of taste. To exchange a single statue for a coat of silk and a coat of wool is not necessary as there are appliances. A somber day is one when there is no pleading.

To show the difference between an occasion and merit and a button, it's important to recognize that an honor isn't obligatory, so there's no question of personal preference. It's not necessary to trade a single statue for a silk coat and a wool coat, as there are alternatives. A gloomy day is one when there's no appeal.

Made in haste, not made in haste, made in darkness, not made in darkness, made in a place, made in a place. The whole stretched out is not part of the whole block, the whole stretched out is so arranged that there is not stumbling but what is just as remarkable, pushing. An easy expression of being willing, of being hunting, of being so stupid that there is no question of not selling, all these things cause more discussion than a resolution and this is so astonishing when there is nothing to do and an excellent reason for an exchange, and yet the practice of it makes such an example that any day is a season.

Made quickly, not made quickly, made in shadows, not made in shadows, made in a place, made in a place. The whole stretched out isn’t part of the whole block, the whole stretched out is arranged so there’s no stumbling but instead what’s just as remarkable, pushing. An easy way of being willing, of being on the lookout, of being so clueless that there’s no question of not selling, all these things spark more discussion than a resolution and this is so surprising when there’s nothing to do and a perfect reason for a trade, and yet the act of it sets such an example that any day feels like a season.

To be sure that the trees have winter and the plants have summer and the houses painting, to be sure of this engages some attention. The time to place this in the way is not what is expected from a diner. The whole thing that shows the result is the little way that the balls and the pieces that are with them which are not birds as they are older do not measure the distance between a cover and a calendar. This which is not a question is not reverse and the question which is a question is at noon.

To ensure that the trees experience winter, the plants enjoy summer, and the houses get painted requires some attention. The timing for this isn’t what you'd expect from a diner. What really shows the outcome is the small way the balls and the pieces with them— which aren't birds— don’t measure the distance between a cover and a calendar. This isn’t a matter of reversing anything, and the question that is actually a question comes at noon.

To question a special date is not mercenary. To answer a single servant is not obligatory. To be afraid is not nearsighted. An exclamation does not connect more grass than there is with any more trees than have branches. The special scenery which makes the blameless see and the solitary resemble a conversation is not that which resembles that memory. There is no necessity for furthering the regulation of the understanding. One special absence does not make any place empty. The dampness which is not covered by a cloth is not mingled with color. And it comes. There is no astonishment nor width.

To question a special date isn’t greedy. Responding to just one servant isn’t required. Being afraid isn’t shortsighted. An exclamation doesn’t connect more grass to trees than actually exist. The unique scenery that helps the innocent see and the lonely feel like they're having a conversation isn’t the same as that memory. There’s no need to further clarify understanding. A distinct absence doesn’t leave a place empty. The dampness that isn’t covered by a cloth isn’t mixed with color. And it arrives. There’s no surprise or expanse.

Education, education, apprenticeship, and all the meeting of nephews and trains and changing papers and remaining when there is no chance to go there, all this occupied a whole sentence. It is a shame that there is not such an only use for that, it is a shame and there is no indignation more indignant. Everything is an indication of the simple remedy that is applied when there is no refusal and no application. Every thing which shows that is not tied with a string or any little string. All the same there is not much of a remedy.

Education, education, internships, and all the gatherings of family, along with the paperwork and the times when you have to stay even when you can't go, all of this took up an entire sentence. It's unfortunate that there's not just one clear purpose for that; it's a shame, and nothing is more frustrating. Everything points to the easy solution that gets implemented when there's no refusal and no effort. Everything that indicates this isn't held together by a string or any small thread. Still, there isn't much of a solution.

Alarm over the action of the one who when he sees the light rise and the sun set and the stars shine and the water flow alarm is the same alarm as any alarm.

Alarm over the actions of someone who, when they see the light rise, the sun set, the stars shine, and the water flow, feels the same kind of alarm as any other alarm.

In all the same ways that pieces are separated in all these ways there are those placed things which are not pieces. They are not pieces and there is reason, there is reason in it because the whole thing shows such dissociation that all doing it for that purpose and together there can be no question but that they succeed.

In all the same ways that parts are separated in all these ways, there are those arranged items that aren't parts. They aren't parts, and there's a reason for that—there's a purpose behind it because the whole situation shows such disconnection that all of it done for that purpose and together, it’s clear they succeed.

A tobacco habit is one that a leaf does not enlighten and yet carelessness is so extraordinary. Supposing that the arrangement had been made and that it was agreed that no separation between any one being one and being another one could be established, supposing this were agreed and there was no conversation, would this enlighten any one, if it would why is the result so ambiguous. It is not ambiguous because the authority which does not authorise washing does supply soap. This does not make any change.

A tobacco habit is one that a leaf doesn’t clarify, yet carelessness is incredibly surprising. Imagine that the plan was set up and everyone agreed that no separation between being one person and being another could be made. If this was agreed upon and there was no discussion, would it shed light on anyone? If it does, then why is the outcome so unclear? It's not unclear because the authority that doesn’t permit washing still provides soap. This doesn’t change anything.

It is sensible to be around it is very sensible, it is so sensible that there is every way of stopping a selection, and then there is selection, there is a respect for resignation, there is no disturbance in a disappointment. The question is is there more urging than satisfaction, is there more distribution than renewal. This is not a question, it is a relaxing. And then the time comes for more noise. Is there then more noise. There is then reestablishment. Does that mean return of a price which is plentiful. Nobody knows. All this shows something it shows that there can be suspicion.

It makes sense to be aware; in fact, it makes so much sense that there are countless ways to stop a choice. Then, there’s choice, and a recognition of acceptance. There’s no struggle in disappointment. The real question is whether there’s more pressure than happiness, or more spread than refreshment. This isn’t a question; it’s a way to unwind. And then, the moment arrives for more commotion. Is there really more noise? There’s then a restoration. Does this indicate a return of an abundant cost? Nobody knows. All of this reveals something; it shows that there can be doubt.

There is no separation in majesty. Terms, lines, sections, extra packing, nothing shows that confidence. All the same there is news. The time to stay away is in vacation. Why is there no place chosen. The answer is simple it consists in explaining that there has been given the use of all that will be used. This does not show feeling.

There is no divide in greatness. Rules, boundaries, segments, extra details - none of it reveals that certainty. Still, there’s information to share. The time to take a break is during vacation. Why hasn’t a specific spot been picked? The answer is straightforward: it’s about clarifying that everything that will be needed has been provided. This doesn’t convey emotion.

A curtain is not crazy, it has no way of being crazy, it has hardly a way of enraging a resemblance, it has no resurrection. Indeed the chances are that when there is seen more astonishment than anything that is placed it is very likely that the whole system will be not so much estranged as devastated and yet supposing they do not mean that, supposing they do say that it will be a success, supposing they do say does that mean that oration is contradiction, it does not.

A curtain isn't crazy; it can't be crazy. It hardly resembles anything else and has no way of coming back to life. In fact, when something is seen with more astonishment than anything else, it's likely that the entire system won't be just estranged but completely devastated. But let's say they don't mean that; let's say they believe it will be a success. If they state that, does that mean their speech is contradictory? It doesn’t.

Just a word to show a kite that clouds are higher than a thing that is smaller, just that word and no single silence is closer.

Just a word to show a kite that clouds are higher than something smaller, just that word and not a single silence is closer.

Suggest that the passage is filled with feathers, suggest that there are all together, suggest that using boxes is heavy, suggest that there is no feather, suggest all these things and what is result the result is that everything gets put away.

Suggest that the passage is full of feathers, suggest that they are all together, suggest that using boxes is cumbersome, suggest that there are no feathers, suggest all these things and what is the result? The result is that everything gets put away.

All the silence is adequate to a rumble and all the silliness is adequate to a procession and all the recitation is equal to the hammer and all the paving is equal to summer. All the same the detaining most is the reason that there is a pillar and mostly what is shocking is a rooster. This is not so easily said. There is no occasion for a red result.

All the silence is enough for a rumble, all the silliness is enough for a parade, and every recitation is like a hammer, while all the paving is like summer. Still, what really stands out is the reason for a pillar, and what’s most surprising is a rooster. This isn’t easy to express. There’s no need for a dramatic outcome.

Laugh, to laugh, all the same the tittle is inclinable. What a change from any yesterday.

Laugh, to laugh, either way, the title is adaptable. What a difference from any yesterday.

A period of singular results and no gloom such a period shows such a rapid approach that there is no search in silence and yet not a sound, not any sound is searching, no sound is an occasion.

A time of unique outcomes and no sadness—such a time comes on quickly, with no quiet searching, yet there isn’t a sound, and no sound is looking for anything; no sound is an event.

A fine fan and a fine closet and a very fine handkerchief and quite a fine article all these together shows where there has been plenty of rebuke and plenty of expectation and plenty, plentifully reduction of suspension, and so the season is the same and there is every corner.

A nice fan, a nice closet, a really nice handkerchief, and a pretty nice item all together show that there’s been a lot of criticism, a lot of anticipation, and a lot of waiting. So the season feels the same everywhere.

No chance shows the rapidity of exchange, no chance and this which means one is the same as any two halves and this is not outrageous, not a bit outrageous it is simply the sign of splendor.

No opportunity displays the speed of exchange, no opportunity, and this which means one is the same as any two halves, and this isn't outrageous, not even a little bit; it is simply a mark of greatness.

All the tempting and the chewing and the cloth all of it shows no sign and no symbol it does not and that is no disgrace.

All the tempting, the chewing, and the fabric—none of it shows any sign or symbol, and that’s not a disgrace.

If standing is an illusion is it necessary to be pressed to bend in that direction is it necessary and if it is necessary is it polite and if it is polite is it urgent and if it is not urgent is it an impulse.

If standing is an illusion, is it necessary to be pushed to lean in that direction? Is it necessary? And if it is necessary, is it polite? And if it is polite, is it urgent? And if it’s not urgent, is it just an impulse?

No question has so much disturbance as the principal reunion. This is not so distinguished when there are no ties in the window. This is completely changed, once there were none and now there are none. There are no rebukes. A privilege is not painful. A recurrence is not artificial.

No question causes as much turmoil as the main gathering. It doesn't stand out as much when there are no connections in the window. This changes completely; once there were none and now there aren’t any. There are no criticisms. A privilege isn’t burdensome. A recurrence isn’t forced.

It is not separating that which satisfies no finger, it is not fading. What was it that was not wished. The reason is that the section is there and no reflection makes abundance. The only tangle is when there is abundance and there is abundance when there is pulling and piling. Does this seem to scream, it does not there is not even clustering and yet not hampering not singling everything does not make sorrow, it makes no plant grander, it does make a plant slender, it does not make it so slender that there is every size. All privilege and all practice, all suspicion and grandeur, all the timber and a little wood all this makes silver, paper is chosen and gold is cheap, does this make a little salt, it does not, it makes copper.

It’s not about separating what doesn’t satisfy anyone; it’s not about fading away. What was undesirable? The reason is that the area exists, and no reflection creates abundance. The only mess happens when there’s abundance, and abundance arises when things are pulled and piled up. Does this seem like it’s screaming? It’s not; there isn’t even clustering, yet nothing is held back. Not singling everything out doesn’t create sadness; it doesn’t make a plant larger, but it does make a plant thinner. It doesn’t make it so thin that there’s all sizes. All privilege and all practice, all suspicion and grandeur, all the timber and a little wood—all of this creates silver; paper is selected, and gold is inexpensive. Does this produce a little salt? It doesn’t; it creates copper.

Little frame if it is cheaper than a big one is a different size. There is no use disputing as memory is a reminder.

Little frames, if they cost less than big ones, are just a different size. There's no point in arguing since memory serves as a reminder.

Not to pay for a conversation, not to pay anything for any conversation, not to throw away paying, not to pass paying, not to pay anything this is not being a victim. What is victory, victory is that which eschewing liberation and a girdle and gratitude and resignation and a choice display and more flavor shows a strange reluctance to have a maritime connection. This is victory.

Not paying for a conversation, not spending anything on any conversation, not wasting money on payment, not avoiding payment, not paying anything—this is not being a victim. What is victory? Victory is the one that, while rejecting freedom, a safety net, gratitude, resignation, and choices, presents a curious hesitation to establish a maritime connection. This is victory.

A license, what is a license, what is a license.

A license, what is a license, what is a license.

An angry coat, a very angry coat shines.

An angry coat, a really angry coat shines.

Butter is not frozen, this does not mean that there is no bravery and no mistake. This does show a conclusion.

Butter is not frozen; this doesn’t mean there’s no courage or no error. This reveals a conclusion.

Difference is no excuse, grain is no excuse, even the remains of a pear is an excuse and yet is there graciousness, there is if there is generosity. There is so much fruit. This is kindly a mistake. No misunderstanding is insurmountable.

Difference is no excuse, grain is no excuse, even the remnants of a pear is an excuse, yet there is grace if there is generosity. There is so much fruit. This is a kind mistake. No misunderstanding is too great to overcome.

Cage no lion, not to cage a lion is not dirty, it is not even merciless, it is not malodorous, it is not virtue.

Caging a lion, or not caging a lion, isn’t dirty, it isn’t cruel, it doesn’t smell bad, and it isn’t a moral act.

To surround a giraffe, what does that mean. To surround a mixture, that means something.

To surround a giraffe, what does that mean? To surround a mixture, that means something.

Solid, what is solid, is more solid than everything, it is not doubtful because there is no necessity.

Solid, what is solid, is more solid than anything else, it is not questionable because there is no need.

Haughtiness, there is haughtiness when there is no tape and no billiard rooms and no need to be secured from wet. There is certainly some selected obstacles.

Haughtiness, there's haughtiness when there’s no tape and no pool tables and no need to be protected from the rain. There are definitely some chosen obstacles.

The certainty of a change in the parts that speak, this uncertainty does not show as it does not fashion speech. All union is in the widow and all menace is in the band.

The certainty of a change in the parts that speak, this uncertainty doesn’t show as it doesn’t shape speech. All unity is in the widow and all threat is in the band.

Any way to bend the hat is the way to encourage vice. Virtue all virtue is resolved and some and any hat, every hat is identical. A shadow a white shadow is a mountain.

Any way to shape the hat is a way to promote wrongdoing. All virtue is defined, and any hat, every hat is the same. A shadow, a white shadow, is a mountain.

Kindness what is kindness, kindness is the necessity of preserving of really preserving all the parts of speech and teaching, not music so much as trimming and a costume, and sincerely most sincerely shoving regions together.

Kindness—what is kindness? Kindness is the need to truly preserve all the parts of speech and to teach, not so much music, but more about presentation and style, and most importantly, genuinely bringing people together.

Notice a room, in noticing a room what is there to notice, the first thing to notice is the room and the windows and the door and the table and the place where there are divisions and the center of the room and the rest of the people. All this is necessary and then there is finance.

Notice a room; when you look at a room, what do you see? The first thing to notice is the room itself, along with the windows, the door, the table, and the areas where there are divisions, as well as the center of the room and the other people. All of this is important, and then there’s finance.

Heavy where heaviness is and no mistake plentifully, heavy where the breeze is and no darkness plentifully, heavy where there is a voice and a noise and singling out a company, heavy where there is a sale of accents and raisins and possibly more ways of not being heavy. Certainly there is no peril and yet think, think often, is daintiness and a collar heavy is it and what is the disturbance, is there not more registration.

Heavy where weight is and definitely abundant, heavy where the breeze is and no shadows are found, heavy where there’s a voice and noise and distinguishing a group, heavy where there’s a mix of accents and raisins and maybe more ways of being light. Surely there's no danger, and yet consider, consider often, is fineness and a collar heavy, what’s the disturbance? Is there not more to acknowledge?

So there is not coming anything. There certainly is no single space useful and betrothed and vulgar and not pretty. There is a sign in placing nothing. This changes from day to day any day. Surely no change is a blessing. All the search is in violation and yet a single search is a single search willing. It is cautious. There is riot.

So nothing is coming. There's definitely no single space that's helpful, engaged, ordinary, and unattractive. There's a message in being empty. This shifts from day to day. Surely, no change is a good thing. All the searching is in violation, yet one search is a single search willing. It is careful. There is chaos.

The likelihood of dipping and drawing and digesting and drinking and dirtying not dirtying smoking, the likelihood of all this makes such an order that every discussion is simultaneous. A large increase in beer, any large increase is here, some large increase is clear, no large increase is dear. A lily a very lily lily is accurate and described and surrounded and so venturesome that there is risk and writing, there is even inlaying.

The chance of dipping, drawing, digesting, drinking, and getting dirty—it's all connected in such a way that every conversation happens at once. A big rise in beer, any significant rise is evident here, some substantial increase is obvious, but no substantial rise is appreciated. A lily, a true lily, is precise and described, surrounded and so bold that there’s risk in writing about it, even going so far as to embellish it.

Darkness, there is no darkness in extremity and in mixing and in originating scattering religion. There is no darkness in designing.

Darkness, there's no darkness in extreme situations or in blending and creating a chaotic belief system. There's no darkness in planning.

A group a single group proceeding show the necessity of the distribution of the same organization as there is if there is, assuming that there is, if there is reorganization.

A single group demonstrating the need for the same organization’s distribution, assuming that reorganization is necessary.

Flower, flower and water and even more even a gram of grain and a single little blister, very likely the chance is not perfect and the exquisite arrangement has lace, very likely there are no stains and more likely there are ruffles. In all of this there is no use in practicing medicine. Quinine any quinine is useful and more there is more, there can be more, there is an apartment.

Flower, flower, and water, and even a gram of grain and a tiny blister; the odds aren’t perfect, and the delicate arrangement is like lace. It’s very likely there are no stains, and even more likely there are ruffles. In all of this, there's no point in practicing medicine. Any quinine is helpful, and there’s more—there can be more—there’s an apartment.

A sign of saving consists in spending the late morning in the morning and in urging in certainly not urging a calculation. A sign of saving is so simple if there is enough handed about, and surely no pains in piling are more shown than when everything is in dishes. This does not happen in an asylum, it does not even happen in the hay and in the double shapes that shelter cooking.

A sign of saving means spending the late morning wisely and making sure not to push for a calculation. Saving is pretty straightforward if there's enough to go around, and there’s no effort required in piling up food when everything is neatly served. This doesn’t happen in an asylum; it doesn’t even occur in the hay or in the dual forms that accommodate cooking.

A top a tiny little top that sits and spits and shows the courage calmly, this this is so soon an exasperation and a piece of lightning, it is so ordinarily just that occasion, it is so kindly dispiriting, it is so haughty if there is pushing. There is pushing, this is what makes it repetition.

A small little top that sits and spins and displays courage calmly, this is quickly becoming frustrating and a flash of energy, it is so typically just that moment, it is so gently disheartening, it is so arrogant if there's pushing. There is pushing, this is what makes it repetitive.

A long, what is a log to do when it floats, it is to do nothing as it floats but certainly it would be best that it should adjust that to itself certainly. This alone does not make an explanation.

A long, what does a log do when it floats? It does nothing while it drifts, but it would definitely be better if it adjusted to its surroundings. Just this alone doesn't provide an explanation.

A degree of resorts and a shining wave all this together does not make a regulation and it does not make that irregular, it sustains mischief and an order and it even enforces the likelihood of the season and some color. So sustained is a paragraph that a sentence shows no staring and some noise. This is so simple in the size that is medium and is medium sized sentinel. There is no kilometer. That does not make a sample.

A variety of resorts and a shining wave all together doesn’t create a rule, nor does it make things chaotic; it supports mischief and order and even reinforces the feel of the season and some color. So stable is a paragraph that a sentence appears without any staring and some noise. This is so straightforward in the medium size of the sentinel. There’s no kilometer. That doesn’t create a sample.

Keep the place that is not open, close the place that has one door, shut the place that has a cellar, suffer where all suffer more, argue, and shelter the understanding orphan, and silence that is silence is not sufficient there must even be sleep.

Keep the place that’s not open, close the place that has one door, shut the place that has a cellar, endure where everyone suffers more, argue, and shelter the understanding orphan, and silence that’s silence isn’t enough; there must even be sleep.

Puzzle is more than a speck and a soiled collar. A pound is more than oat meal and a new institution. A silence is no more than occasional. It respects understanding and salt and even a rope. It respects a news-stand and it also it very also respects desert. All the ice can descend together.

Puzzle is more than a speck and a dirty collar. A pound is more than oatmeal and a new institution. A silence is no longer just occasional. It values understanding and salt and even a rope. It values a newsstand and it also very much respects the desert. All the ice can come down together.

Was there freedom, was there enchaining, was there even a height rising from higher. If there was what is a coat worth and by whom was it made when.

Was there freedom, was there bonding, was there even a height coming from above? If there was, what is a coat worth and who made it when?

A lining any lining is a trimming. More trimming is extra.

A lining is just a trim. More trim is extra.

A sort of arranging, a kindling of paying a shilling, does that mean another extravagance and more candles, no more candles. It does not show.

A kind of arrangement, a spark of spending a shilling, does that mean yet another luxury and more candles? No more candles. It doesn't show.

A famous single candle has a chance to shine so that glaring meant that no more would be reversed by lightning. The safe lamp and the bright lamp and the dirty lamp and the long lamp were all not the lamps that were attending baptism. Why is the baptism patient, baptism is patient in the first place because there is no coarse cloth, in the second place because when there is nothing taken enough is left to give every reason. A practice which engaged more attention than the rest was that which shaved a tame stopper and did not even end that. Supposing crossing a street is necessary, supposing it is, does that show more of such occasion. It does and it does.

A well-known single candle has a chance to shine so brightly that its brightness means that nothing will be undone by lightning. The safe lamp, the bright lamp, the dirty lamp, and the long lamp were all not the lamps present at the baptism. Why is the baptism patient? Baptism is considered patient firstly because there is no coarse cloth, and secondly because when there’s nothing taken, enough is left to justify every reason. One practice that drew more attention than others was the one that shaved a tame stopper and didn't even finish that. If crossing the street is necessary, if it is, does that indicate more of such an occasion? It does, and it does.

A lime is in labor, a lemon is cooler, a citron is larger, a currant is redder, a strawberry is more vexed, a banana is straighter.

A lime is in labor, a lemon is cooler, a citron is bigger, a currant is redder, a strawberry is more annoyed, a banana is straighter.

A little thing is a little thing, a single point is bigger, a bigger thing is a bigger thing, an older thing is older, an older thing is an older thing, a station is a station, a station is a station and a station is a thing and stationary only that is a stationary thing.

A small thing is a small thing, a single point is larger, a larger thing is a larger thing, an older thing is older, an older thing is an older thing, a station is a station, a station is a station and a station is a thing and stationary only that is a stationary thing.

A blind being blind and deaf and deaf being deaf and blind and blind and deaf and a coat with a cape and more use in all than in any shape all this makes a reason for criticising the use of machinery and paper and even a pen and even a stamp and even more flags than ever.

A blind person who is both blind and deaf, and a deaf person who is both deaf and blind, along with a coat that has a cape, serves a greater purpose than anything else. All of this raises valid points for criticizing the use of machines, paper, pens, stamps, and even more flags than ever before.

In the pin in the picking of a pin, in sewing a little feather and avoiding deserting a pin, in retaining the feather and arranging to rank the pin as a pin and to hold it there where if it is seen it is found and if it is found it is seen, to not mark a pin and select a pin all this is a reason for using that way of waiting.

In the process of picking up a pin, while sewing a small feather and making sure not to lose a pin, in keeping the feather and organizing the pin to be recognized as a pin, and to position it where, if it's visible, it can be located, and if it’s located, it can be seen, avoiding the marking of a pin and choosing a pin—this all supports that method of waiting.

A standard blessed is a standard that is blue if it is blue and blue and white when it is blue and white. Supposing there is no money, supposing there is no dress and no skirt, supposing there is no window and no bed, supposing there is no more distribution and not any more violence, supposing there is not even arithmetic and intelligence, supposing there is a light and a round hole, does that mean that there is no success suggested. It does not. A little bit of choice makes a color regular. A little bit of black makes dinner necessary.

A blessed standard is a flag that’s blue if it’s just blue and blue and white when it’s blue and white. Let’s say there’s no money, no dress, no skirt, no window, and no bed, and let’s say there’s no more distribution or violence, and not even arithmetic or intelligence. If there’s just light and a round hole, does that mean there’s no suggested success? It doesn’t. A little bit of choice makes a color consistent. A little bit of black makes dinner important.

If there is a shape a real shape prettily, if there is and there is no wonder does it happen all the time, if it does not is there a certainty that there is collusion. These interesting questions crowd the house, they crowd, they do not crowd everywhere. They crowd separately.

If there’s a shape, a real shape that is beautiful, if there is, and it’s not surprising that it happens all the time, if it doesn’t, is there a certainty that there’s some sort of collusion? These intriguing questions fill the house; they fill it, but they don’t fill everywhere. They fill it separately.

All there is of more chances is in a book, all there is of any more chances is in a list, all there is of chances is in an address, all there is is what is the best place not to remain sitting and suggesting that there is no title for relieving rising.

All that's left of more opportunities is in a book, all that exists of any more chances is in a list, all that’s available is in an address, all there is, is figuring out the best place not to stay sitting and implying that there's no way to escape rising.

An excursion, what is an excursion, an excursion is a picnic if it is recurrent, it is a picnic if there is no absence, it is a picnic and not necessarily, it is a picnic.

An excursion, what is an excursion? An excursion is a picnic if it happens repeatedly, it’s a picnic if there are no missing people, it’s a picnic, and not necessarily, it’s a picnic.

Black horses, very black horses are not peculiar, very large horses are not peculiar, very splendid horses are not peculiar, horses are peculiar regularly and with an awake resemblance to the best the very best description and regret. The kindness of this is mentioned and very often quite often the same rebuke is outrageous.

Black horses, really black horses aren’t unusual, really big horses aren’t unusual, really impressive horses aren’t unusual; horses are unusual in a normal way and bear a striking resemblance to the best, the very best description and regret. The kindness of this is noted, and often the same criticism is shocking.

Not allowed, not only allowed to eat, to ache, to resemble, to project, to make a motion, to study preaching, to stumble on anything, to stretch audibly.

Not allowed, not just to eat, to feel pain, to look alike, to express, to move, to learn about preaching, to trip over anything, to stretch out loud.

Not allowed a prize or a couch or even what is not necessary a searching, not allowed more formerly, not allowed more entirely, not allowed a dispensary.

Not allowed a prize or a couch or even what isn't necessary to search, not allowed anymore, not allowed completely, not allowed a dispensary.

It is a custom, it is a custom when it is not undue, when it is not undue, when it is not. It is a custom. It is a custom when it is more due, when it is, when it is an angle, it is not a custom, it is a custom altogether.

It’s a tradition, it’s a tradition when it’s not too much, when it’s not too much, when it’s not. It’s a tradition. It’s a tradition when it’s more appropriate, when it is, when it is an angle, it’s not a tradition, it’s a tradition overall.

In cross and across, in that show and wide there is the sensory statement that there is night rule and a winter rule and even the chamber is empty and watches why are watches lighted.

In cross and across, in that show and wide there is the sensory statement that there is night rule and a winter rule and even the chamber is empty and watches why are watches lighted.

What a day to pay to stay, what a day. When the work is done too soon and there is a crossing of hands and even of heads entirely when there is and when the rest is so awake, is there any slept out sleeping, there is not gradually, there is more chance than there would be in a colored collection. There is more chance certainly.

What a day to pay to stay, what a day. When the work wraps up too early and people are passing time and even completely zoning out while everyone else is wide awake, is there really anyone still asleep? There isn’t gradually; there’s more opportunity than there would be in a colorful mix. There’s definitely more opportunity.

What is the resolution between a cutlet and an ingredient. It is mentioned and made in paper and floating.

What is the connection between a cutlet and an ingredient? It's referenced and documented on paper and in digital formats.

What is the example of a miner. A single example is in the best of cups and also in the rest of the places and also in the show that is there.

What is an example of a miner? One example is in the best of cups, as well as in other places, and also in the display that’s there.

After a mixed cloud is there any use in a trimming, there is, there is. There is a trimming behind in. There in no use. There is the case.

After a mixed cloud, is there any point in a trimming? Yes, there is. There is a trimming behind it. There is no point. That's the situation.

Calm, a calm, that calm, along the calm. This which is in the ell is so much are so. When and when and when is there. When the rail is the passage to. Through and so and much orderly.

Calm, a calm, that calm, along the calm. This which is in the ell is so much are so. When and when and when is there. When the rail is the passage to. Through and so and much orderly.

Beginning to twining and sudden girls what is mended in a street, what is a rut in finnish. What is it in a market.

Beginning to intertwine and unexpected girls, what is fixed in a street, what is a rut in Finnish? What is it in a market?

A considerable engagement, a considerable engagement.

A significant commitment, a significant commitment.

Excuse the point that makes a division between the right and left that which is in the middle in between. Surprise an engagement, surprise it so that an agreement is all the time.

Excuse the point that creates a divide between the right and left that which is in the middle in between. Surprise an engagement, surprise it so that an agreement is always present.

This is a way, this is a trout, this is the succession.

This is a method, this is a trout, this is the sequence.

To linger in the pale way and not to show spots to be greener to do this means that all the references are what they are.

To hang out in the faint light and not highlight flaws to being better at this means that all the references are what they are.

A pedal a pedal is that which when examined is made and this is no mistake in regularity it is a splendid thing.

A pedal is something that, when looked at closely, is crafted, and there’s no error in its consistency—it’s a wonderful thing.

Covering in and covering, covering with inside covering. Covering a lion with the same shape as the bear and yet what is the best measure for a tiger, what is the measure steadily.

Covering in and covering, covering with inside covering. Covering a lion with the same shape as the bear and yet what is the best measure for a tiger, what is the measure steadily.

A half safe wife and a whole safe wife and a half safe wife and a half safe wife.

A half-safe wife, a fully safe wife, a half-safe wife, and a half-safe wife.

A bet and sugar and a bet and within, a bet and within and a bet in within.

A bet and sugar and a bet and inside, a bet and inside and a bet inside.

Cut a slice to show a pear, cut a slice to show a row, cut a slice and there is visiting. An angel is in the exchange.

Cut a slice to reveal a pear, cut a slice to reveal a row, cut a slice and there's a visitor. An angel is part of the exchange.

Suppose that there is a cost, suppose that there is a beggar, suppose that there is a powder and a powder suppose there is a real gold mine.

Suppose there's a cost, suppose there's a beggar, suppose there's a powder and another powder, suppose there's a real gold mine.

A curly fate and a household fact and a gloom too soon, and a couple of necessary pockets.

A tangled fate, a reality of home, and a sadness that came too quickly, along with a few essential pockets.

Explain, explain why there is a shell fish and an oyster.

Explain, explain why there is a shellfish and an oyster.

A pleasant little spot to have gold. The same spot is used for silver. The gold is the best way to keep it. The silver is the way to keep silver.

A nice little place to store gold. The same place works for silver. Gold is the best way to keep it safe. Silver is the way to store silver.

A cloud of white and a chorus of all bright birds and a sweet a very sweet cherry and a thick miss, a thick and a dark and a clean clerk, a whole succession of mantle pieces.

A cloud of white and a chorus of bright birds, a sweet, very sweet cherry, a thick miss, a thick and dark and clean clerk, a whole series of mantle pieces.

Conceal a nose and climb, counsel a name and shudder, believe a glass and relate, cool a pound and put in that.

Conceal your nose and climb, advise a name and shudder, trust a glass and share, cool a pound and add that in.

Wednesday is a day and a closed begging is reasonable, reasonable, is reasonable, reasonable is reasonable.

Wednesday is a day, and a closed begging is reasonable; reasonable, reasonable, reasonable is reasonable.

Piston and clothes, consider the wet sack, coal hack, hack a piece of gum.

Piston and clothes, think about the damp bag, coal worker, cut a piece of gum.

AMERICANS

Eating and paper.

Eating and paper.

A laugh in a loop is not dinner. There is so much to pray.

A laugh in a loop isn't a meal. There’s a lot to pray about.

A slight price is a potatoe. A slimness is in length and even in strength.

A small price is a potato. Slimness comes in length and even in strength.

A capable extravagance that is that which shows no provision is that which when necessity is mild shows a certain distribution of anger. This is no sign of sin.

A capable extravagance is one that reveals no planning; when urgency is low, it displays a certain level of annoyance. This is not a sign of wrongdoing.

Five, five are more wonderful than a million. Five million, five million, five million, five are more wonderful than two together. Two together, two together.

Five, five are more amazing than a million. Five million, five million, five million, five are more amazing than two together. Two together, two together.

A song, if a sad song is in unison and is sung, a sad song is singing. A sign of singing.

A song, when a sad song is sung in harmony, is just a sad song being sung. It’s a sign of singing.

A gap what is a gap when there is not any meaning in a slice with a hole in it. What is the exchange between the whole and no more witnesses.

A gap is what it is when there's no meaning in a slice that has a hole in it. What is the exchange between the whole and the absence of witnesses?

Press juice from a button, press it carelessly, press it with care, press it in a storm. A storm is so waiting and awful and moreover so much the worse for being where there is a storm that the use the whole use of more realization comes out of a narrow bridge and water faucets. This is no plain evidence of disaster. The point of it is that there is a strange straw being in any strange ice-cream.

Press juice from a button, press it carelessly, press it carefully, press it during a storm. A storm is so daunting and terrible, and even worse because it’s happening where the storm is. The entire experience becomes more real when it’s on a narrow bridge and near water faucets. This isn’t clear evidence of disaster. The point is that there’s a weird quality to any unusual ice cream.

A legal pencil a really legal pencil is incredible, it fastens the whole strong iron wire calender.

A legal pencil, a truly legal pencil, is amazing; it secures the entire sturdy iron wire calendar.

An inherent investigation, does that mean murder or does it only mean a railroad track with plenty of cinders.

An inherent investigation, does that mean murder or does it just mean a train track covered with a lot of ash?

Words that cumber nothing and call exceptionally tall people from very far away are those that have the same center as those used by them frequently.

Words that mean nothing and call out exceptionally tall people from a distance are those that have the same center as the ones they often use.

Bale, bale is a thing that surrounding largely means hay, no hay has any more food than it needs to weigh that way henceforward and not more that most likely.

Bale, bale is something that largely means hay, no hay has any more food than it needs to weigh that way from now on and not any more than most likely.

A soap, a whole soap, any piece of a whole soap, more whole soap and not mistily, all this is no outrage and no blessing. A precious thing is an oily thing. In that there is no sugar and silence.

A soap, a complete soap, any part of a complete soap, more complete soap and not vaguely, all this is neither a scandal nor a gift. A valuable thing is a slick thing. In that there is no sweetness and stillness.

A reason is that a curly house an ordinary curly house is exactly that, it is exactly more than that, it is so exactly no more than more than that.

A reason is that a curly house, an ordinary curly house, is just that; it's exactly more than that, it's really no more than more than that.

Waiter, when is a waiter passive and expressed, a waiter is so when there is no more selection and really no more buckets altogether. This is what remains. It does. It is kindly exacted, it is pleased, it is anxious, it is even worthy when a material is like it. It is.

Waiter, when is a waiter passive and expressive? A waiter is passive when there are no choices left and really no buckets at all. This is what’s left. It does exist. It is kind of exacted, it is satisfied, it is anxious, and it is even deserving when a material aligns with it. It does exist.

What is a hinge. A hinge is a location. What is a hinge necessarily.

What is a hinge? A hinge is a place. What is a hinge exactly?

When the butter cup is limited and there are radishes, when radishes are clean and a whole school, a real school is outrageous and more incensed, really more incensed and inclined, when the single satisfaction is so perfect and the pearl is so demure when all this is changed then there is no rattle there is hardly any rattle.

When the buttercup is scarce and there are radishes, when radishes are fresh and a complete school, a genuine school is shocking and even more infuriated, really more infuriated and biased, when the one satisfaction is so flawless and the pearl is so modest when all this shifts then there's no rattle, there's barely any rattle.

A and B and also nothing of the same direction is the best personal division there is between any laughing. The climate, the whole thing is surrounded, it is not pressed, it is not a vessel, it is not all there is of joining, it is a real anxious needful and it is so seldom circular, so more so than any article in the wire. The cluster is just the same ordinarily.

A and B, along with nothing else in the same direction, is the best personal divide between any laughter. The environment, everything around it, isn’t forced, it isn’t contained, it isn’t just about coming together; it’s a genuine, urgent need, and it’s rarely circular, even more so than anything in the wire. The cluster is usually just the same.

Supposing a movement is segregated and there is a piece of staging, suppose there is and the present is melted does that mean that any salt is bitter, would it change an investigation suddenly, when it would would it mean a long wide and not particular eddy. Would it and if it did would there be a change. A kind of exercise is hardest and the best excellence is sweet.

Suppose a movement is separate and there's a part of the performance, and the present is blurred. Does that mean that any salt is unpleasant? Would it suddenly change an investigation? If it did, would it mean a broad and undefined shift? Would there be an actual change? A certain kind of effort is the hardest, and the greatest excellence is enjoyable.

Finding a best hat with a hearty hat pin in midsummer is a reason for being blindly. A smell is not in earth.

Finding the perfect hat with a stylish hat pin in the middle of summer is a good reason to be carefree. There's no scent in the earth.

A wonder to chew and to eat and to mind and to set into the very tiny glass that is tall. This is that when there is a tenement. All weights are scales.

A marvel to chew, eat, think about, and fit into the tall, tiny glass. This happens when there’s an apartment building. All weights are measured on scales.

No put in a closet, no skirt in a closet, no lily, no lily not a lime lily. A solving and learned, awake and highing and a throat and a throat and a short set color, a short set color and a collar and a color. A last degree in the kink in a glove the rest.

No putting away in a closet, no skirt hanging in a closet, no lily, no lily, not a lime lily. A solving and knowledgeable, awake and vibrant and a voice and a voice and a short set of colors, a short set of colors and a collar and a color. The final degree in the twist in a glove the rest.

A letter to press, a letter to press is not rowdy, it is not sliding, it is not a measure of the increasing swindling of elastic and breaking.

A letter to the press, a letter to the press isn't loud, it isn't slick, it doesn't reflect the growing deceit of stretchiness and breaking.

The thread, the thread, the thread is the language of yesterday, it is the resolution of today, it is no pain.

The thread, the thread, the thread is the language of the past, it is the solution of today, it is not painful.

What is pain, pain is so changing the climate and the best ever that it is a time, it is really only a time, it is so winding. It is even.

What is pain? Pain is constantly changing the atmosphere and the best it can be, it’s truly just a phase; it feels so twisted. It is balanced.

A warm banana is warm naturally and this makes an ingredient in a mixture which has banana in it.

A warm banana is naturally warm, making it an ingredient in any mixture that includes banana.

Cooling in the chasing void, cooling more than milder.

Cooling in the empty space, cooling more than gentler.

Hold that ho, that is hold the hold.

Hold that ho, that is hold the hold.

Pow word, a pow word is organic and sectional and an old man's company.

Pow word, a pow word is natural and segmented and an old man's business.

Win, win, a little bit chickeny, wet, wet, a long last hollow chucking jam, gather, a last butter in a cheese, a lasting surrounding action.

Win, win, a bit silly, wet, wet, at long last hollow throwing jam, gather, a final spread in a cheese, a lasting surrounding activity.

White green, a white green. A looking like that is a most connected piece of example of what it is where there is no choking, no choking in any sign.

White green, a white green. A look like that is a prime example of a place where there is no choking, no choking in any sign.

Pin in and pin in and point clear and point where.

Pin in and pin in and point clear and point where.

Breakfast, breakfast is the arrangement that beggars corn, that shows the habit of fishes, that powders aches and stumblings, and any useful thing. The way to say it is to say it.

Breakfast, breakfast is the collection that appeals to the hungry, that reflects the behavior of fish, that eases pain and missteps, and any helpful thing. The best way to express it is simply to say it.

No counting, no counting in not cousins, no counting for that example and that number of thirty and thirteen and thirty six and thirty.

No counting, no counting in not cousins, no counting for that example and that number of thirty and thirteen and thirty-six and thirty.

A blind hobble which makes distress. A place not to put in a foot, a place so called and in close color, a place best and more shape and really a thought.

A blind stumble that causes distress. A place to avoid stepping into, a location that’s defined by its close color, a place that is better, more defined, and truly a concept.

Cousin why is there no cousin, because it is an article to be preparatory.

Cousin, why isn't there a cousin? Because it's something that needs to be prepared.

Was it green told, was it a pill, was it chased awake, will it sale per, peas are fish, chicken, cold ups, nail poppers, nail pack in hers extra. Look pase per. Look past per. Look past per. Look past fer. Look past fer. Look past fer.

Was it green told, was it a pill, was it chased awake, will it sell per, peas are fish, chicken, cold ups, nail poppers, nail pack in hers extra. Look past per. Look past per. Look past per. Look past for. Look past for. Look past for.

No end in yours, knock puzzler palers, no beast in papers, no bird.

No end in yours, knock puzzler palers, no beast in papers, no bird.

Icer cream, ice her steam, ice her icer ice sea excellent, excel gone in front excel sent.

Icer cream, ice her steam, ice her icer ice sea excellent, excel gone in front excel sent.

Leaves of wet perfect sharpen setters, leaves of wet purr feet shape for seal weight for shirters.

Leaves of wet perfect sharpen setters, leaves of wet purr feet shape for seal weight for shirters.

Leaves of wet for ear pole ache sold hers, ears for sake heat purse change to meeters, change to be a sunk leave to see wet hers, but to why in that peace so not. Knot lot.

Leaves of wet for ear pole ache sold hers, ears for sake heat purse change to meeters, change to be a sunk leave to see wet hers, but to why in that peace so not. Knot lot.

Please bell room please bell room fasten a character fasten a care in apter buttons fasten a care in such, in such. Fasten a care in, in in a in.

Please bell room please bell room fasten a character fasten a care in apter buttons fasten a care in such, in such. Fasten a care in, in in a in.

A lovely life in the center makes a mine in found a lovely pond in the water makes it just a space. A lovely seat in a day lump makes a set to collapse, a lovely light in a grass field makes it see just the early day in when there is a sight of please please please.

A beautiful life in the center creates a treasure in what’s discovered; a beautiful pond in the water turns it into just a spot. A beautiful seat in a sunny day leads to a set ready to break down, and a beautiful light in a grassy field reveals just the morning when there’s a chance to see “please, please, please.”

Due tie due to die due show the never less more way less. Do, weigh the more do way less.

Due tie due to die due show the never less more way less. Do, weigh the more do way less.

Let us call a boat, let us call a boat.

Let’s call a boat, let’s call a boat.

Leave little grace to be. Leave little grace to bea, live little grace to bee.

Leave little grace to be. Leave little grace to be. live little grace to be.

Leave little grace. Leave little.

Leave little grace. Leave little.

Leave little grace to be.

Leave little room for grace to exist.

Near red reserve leave lavender acre bat.

Near red reserve leave lavender acre bat.

Shout us, shout horse curve less.

Shout at us, shout horse curve less.

Least bee, least bay alter, alter the sat pan and left all, rest in, resafe in article so fur.

Least bee, least bay alter, alter the sat pan and left all, rest in, resafe in article so fur.

A cannon ball a cigar and a dress in suits, a cannon ball a cigar and a dress suit case, a cannon ball a cigar and a dress suit case, a head a hand a little above, a shake in my and mines.

A cannonball, a cigar, and a dress suit; a cannonball, a cigar, and a suitcase; a cannonball, a cigar, and a suitcase; a head, a hand, a little above, a shake in mine and ours.

Let us leaves, moor itch. Bars touch.

Let us leave, moor it. Bars touch.

Nap old in town inch chair, nap on in term on chain, do deal sack file in for, do bale send on and for, reset the pan old in for same and chew get that all baste for, nice nor call churches, meet by and boot send for in, last when with and by that which for with all do sign call, meet with like shall what shirs not by bought lest, not by bought lest in own see certain, in own so same excellent, excellent hairy, hairy, excellent not excellent not knot excellent, excellent knot.

Nap old in town inch chair, nap on in term on chain, do deal sack file in for, do bale send on and for, reset the pan old in for same and chew get that all baste for, nice nor call churches, meet by and boot send for in, last when with and by that which for with all do sign call, meet with like shall what shirs not by bought lest, not by bought lest in own see certain, in own so same excellent, excellent hairy, hairy, excellent not excellent not knot excellent, excellent knot.

B r, brute says. A hole, a hole is a true, a true, a true.

B r, brute says. A hole, a hole is real, is real, is real.

Little paper and dolls, little paper and row why, little paper and a thin opera extra.

Little paper and dolls, little paper and row why, little paper and a thin opera extra.

No use to age mother, no whole wide able recent mouth parcel, no relief farther, no relief in loosens no relief abler, no relief, no relief pie pepper nights, no relief poor no relief or, no relief, or no relief.

No use to age mother, no whole wide able recent mouth parcel, no relief farther, no relief in loosens no relief abler, no relief, no relief pie pepper nights, no relief poor no relief or, no relief, or no relief.

America a merica, a merica the go leading s the go leading s cans, cans be forgot and nigh nigh is a niecer a niecer to bit, a niecer to bit.

America, America, the land of the free, the land of dreams, can be forgotten, and the night is a nicer time to reflect, a nicer time to reflect.

It was a peach, it was a long suit, it was heavy harsh singes.

It was a peach, it was a long suit, it was heavy, harsh burns.

Leave crack his leave crack his eats, all guest all guest a stove. Like bit.

Leave crack his leave crack his eats, all guest all guest a stove. Like bit.

Nuts, when and if the bloom is on next and really really really, it is a team, it is a left and all it cut, it is a so like that between and a shun a shun with a believer, a believer in the extra, extra not, extra a rechange for it more. No sir.

Nuts, whenever the bloom appears next and really, really, really, it's a team effort, it's all about collaboration. It's something like a connection, a shared experience with someone who believes— a believer in the extraordinary, not just the ordinary, not just a change for the sake of it, but something deeper. No way.

No it sir.

No, sir.

It was a tame in, it was a tame in and a a little vent made a whole simmer simmer a wish.

It was a calm night, it was a calm night, and a little breeze made everything feel perfect.

What is it not to say reach house. Coal mill. Coal mill well. It to lease house. Coal mill tell. Coal in meal tell.

What does it mean to not just reach a house? Coal mill. Coal mill, right. It’s about leasing a house. Coal mill says. Coal in the meal says.

A pill shape with a round center.

A pill shape with a round center.

Color Cook color him with ready bbs and neat show pole glass and nearly be seen every day more see what all a pearly little not shut, no rail see her.

Color Cook color him with ready bbs and neat show pole glass and nearly be seen every day more see what all a pearly little not shut, no rail see her.

No peter no rot.

No peter, no rot.

Poles poles are seeds and near the change the change pets are swimming swimming and a plate all a plate is reed pour for the grammar grammar of lake.

Poles poles are seeds and near the change the change pets are swimming swimming and a plate all a plate is reed pour for the grammar grammar of lake.

Lake in a sad old chimney last and needs needs needs needs needs needs needs, in the mutton and the meat there is a change to pork walk, with a walk mean clean and butter and does it show the feather bench does it mean the actual and not or does it light the cylinder. It is in choice and chosen, it is in choice and knee and knee and knee and just the same two bay.

Lake in a sad old chimney lasts and needs, needs, needs, needs, needs, needs, needs. In the mutton and the meat, there's a change to pork. Walk, with a clean walk and butter, does it show the feather bench? Does it mean the actual and not, or does it light the cylinder? It's in choice and chosen; it's in choice and knee and knee and knee and just the same two bay.

To irregulate to irregulate gums.

To irregularly shape gums.

America key america key.

America key.

It is too nestle by the pin grove shirr, all agree to the counting ate ate pall. Paul is better.

It is too cozy by the pine grove, everyone agrees to the counting area. Paul is doing better.

Vest in restraint in repute.

Invest in reputation management.

Shown land in constate.

Shown land in state.

I am sorry I am awfully sorry, I am so sorry, I am so sorry.

I’m really sorry, I feel terrible about it, I’m so sorry, I truly am.

No fry shall it see c bough it.

No fry shall it see through it.

Nibbling bit, nibbling bit, may the land in awe for.

Nibbling bit by bit, may the land be in awe.

It is not a particular lamp lights which absolutely so far pull sizes and near by in the change with it not in the behoof.

It is not any specific lamp that lights up, which clearly pulls in sizes and changes nearby without being beneficial.

It was a singe, it was a scene in the in, it was a singe in.

It was a fire, it was a moment in time, it was a fire moment.

Never sink, never sink sinker, never sink sinker sunk, sink sink sinker sink.

Never sink, never let the sinker go down, never let the sinker go down and get stuck, let it sink, sink, sink.

A cattle sheep.

A cow sheep.

By the white white white white, by the white white white white white white, by the white white white white by the white by the white white white white.

By the white white white white, by the white white white white white white, by the white white white white by the white by the white white white white.

Needless in pins.

Needless in pain.

In the fence in the for instance, in the fence or how, hold chirp, hold chirp her, hold your paper, hope hop in hit it.

In the fence, for example, in the fence or however, hold chirp, hold chirp her, hold your paper, hope hop in, hit it.

Extra successive.

Extra consecutive.

Little beats of long saturday tileing.

Little beats of long Saturday tiling.

No neck leg ticking.

No neck, leg tapping.

Peel more such wake next stir day.

Peel more of these alarms for the next day.

Peel heaps pork seldom.

Peel a lot of pork rarely.

Coiled or red bench.

Coiled or red seat.

A soled in a light is not waver. There is for much ash so.

A sole in light doesn’t waver. There is too much ash.

In the second, in the second second second.

In the second, in the second second second.

Pour were whose has. Pole sack sirs.

Pour were whose has. Pole sack sirs.

A neat not necklace neglect.

A neat necklace neglect.

A neat not neglect. A neat.

A tidy, not overlooked. A tidy.

A neat not neglect.

A tidy not neglected.

Put a sun in sunday. Sunday.

Put a sun in Sunday. Sunday.

ITALIANS

Some of them were where some others of them were. Some of them were where no others of them were. One of them was where not any other of them, of that kind of them, had been, and it was a thing that was important to any one to have seen that one, to have heard that one. It would have been discouraging to see more of them. It was disillusioning to go to the place where there were many of them. If there were many of them then there were more than one. If there were more than one then there were many of them and if there were many of them one could know any one of them and if one knew any one of them one knew all of them. And if one knew all of them then one would be beginning again, one would be beginning knowing them. One would be beginning knowing that kind of them.

Some of them were where some others were. Some of them were where none of the others were. One of them was where none of that kind had been, and it was important for anyone to have seen that one, to have heard that one. It would have been discouraging to see more of them. It was disillusioning to go to the place where there were so many of them. If there were many of them, then there were more than one. If there were more than one, then there were many of them, and if there were many of them, you could know any one of them, and if you knew any one of them, you knew all of them. And if you knew all of them, then you would be starting over, you would be starting to know them. You would be starting to know that kind of them.

There are enough of them and most of them are where the others of them are. There are enough of them but certainly not too many of them, certainly not, too many of them. There are many of them and most of them are where the others of them are. They have a way of doing what they are doing, they have a way of not doing what they are not doing. They have a way of having some feeling about them that they are ones doing what they are doing in the way that is a thing satisfying the desire of having anybody do anything. They are ones that give to some feeling them a feeling of knowing that they will not do in a way that is satisfying anything they are doing. They are ones talking, they are ones doing something, they are ones waiting quickly waiting very quickly waiting for anything to be happening and easily going on with waiting, with waiting for anything to happen, to not happen again. They are ones talking and talking and they are ones quick in talking and waiting for something to happen and they are ones who are not so quick, not quick enough not to be slow ones, quite slow ones. They are ones very many are seeing. There are very many of them. There are quite enough of them. There are not too many of them. Certainly very many are pleased at their being completely existing, certainly very many are completely pleased by their being completely existing.

There are plenty of them, and most of them are where the others are. There are enough of them, but definitely not too many of them, definitely not too many. There are a lot of them, and most of them are where the others are. They have a way of doing what they do, and they also have a way of not doing what they don’t do. They have a feeling about them that makes it seem like they are the ones doing things in a way that satisfies the desire for anyone to do anything. They give a feeling to some that they know they won’t do things in a way that satisfies anything they’re doing. They are the ones who are talking; they are the ones doing something, the ones waiting—waiting quickly, waiting very quickly for something to happen, and easily continuing to wait for anything to happen or not happen again. They are the ones talking and talking, and they are quick in talking and waiting for something to occur, but they are also the ones who are not so quick, not quick enough to not be slow, quite slow actually. They are the ones many are seeing. There are very many of them. There are plenty of them. There aren’t too many of them. Certainly, many are happy that they exist completely; certainly, many are completely pleased by their complete existence.

There are not too many of them. They have something growing on them, some of them, a good many of them, and certainly very many others would not be wanting such things to be growing out of them that is to say growing on them. It makes them, those having such things, makes them elegant and charming, makes them ugly and disgusting, makes them clean looking and sleek and rich and dark, makes them dirty looking and fierce and annoying.

There aren’t too many of them. Some of them have something growing on them, and quite a few others definitely wouldn’t want things growing out of them, or rather, on them. It makes those who have such things elegant and charming, or ugly and disgusting, it makes them look clean and sleek, and rich and dark, or it makes them look dirty, fierce, and annoying.

They are not peculiar ones these, they are very many of them, they are a kind of them, they are natural ones for any one to be knowing, there are many kinds of this kind of them. They are talking, often talking and they are doing things with pieces of them while they are talking and they are then sounding like something, they are then certainly sounding in a way that is a way that is a natural way for them to be sounding, they are having noise come out of them in a natural way for them to have noise come out of them. There are very many of them, not at all too many of them. Very many hear them, quite enough hear them. There are not too many of them not at all too many of them, they are talking, they are moving their fingers and their arms and their hands then and they have noises coming out of them and some are hearing them, quite a number hear them and some like them, very many like them, very many tell about liking them, some do not like them, some tell about not liking them.

They’re not weird at all; there are actually a lot of them. They’re just a kind of thing that anyone can recognize, and there are many variations of them. They talk a lot, often chatting while doing things with their hands, and it all sounds very natural. The noises they make come out of them in a way that feels normal. There are plenty of them, but not too many. A good number of people hear them, and that’s just enough. There aren’t too many of them—definitely not. They’re talking, moving their fingers, arms, and hands, making sounds, and some people hear them; quite a few do, and many enjoy them. Many talk about how much they like them, while some don’t, and they mention not liking them too.

Some are smaller than others, some are darker than others, some are harsher than others, some are sweeter than others, some are queerer than other, some are older than others, some have more hair on them than others, some are softer than others, some are quicker than others, some have longer nails than others, some have one longer nail than others, some look longer at some than others, some wear more things on them than others, some wear more kinds of colors than others, some are stronger than others, some are noisier than others, some are more respectful than others, some are braver than others, some are quieter than others, some are not lovelier than others.

Some are smaller than others, some are darker than others, some are harsher than others, some are sweeter than others, some are queerer than other, some are older than others, some have more hair than others, some are softer than others, some are quicker than others, some have longer nails than others, some have one nail that's longer than others, some look longer at some than others, some wear more accessories than others, some wear more colors than others, some are stronger than others, some are louder than others, some are more respectful than others, some are braver than others, some are quieter than others, some are not more beautiful than others.

There are very many of one kind of them and they are not all the same, certainly not all the same. They are in a way the same and yet not so much so that some of them are not altogether like some who are not at all of that kind of them. When there are very many of them together they are more like each other, they are and they seem to be and that is natural. They are, that is natural because they are together. They seem to be, and that is natural because what is in one is carried over to the other one by it being in the feeling of the one looking at the one and then at the other one.

There are a lot of them, and they aren’t all the same, definitely not all the same. They share some similarities, yet they aren’t so alike that some of them don’t resemble those who don’t belong to that group at all. When there are many of them together, they tend to look more alike; that’s natural. They do seem to be alike, and that’s just how it is when they’re together. They appear similar, which makes sense because whatever one has is reflected in the other, influenced by how one perceives the other.

There are a good many of that kind of them and it is a good thing, certainly it is not a bad thing. Certainly not any one is really objecting to their being ones being existing. They are ones who are being living and then they go on being living and some of them are not then being living, and they like it being living and they can bear it to be not being living. It is not a sad thing that they are not being living those who are not being living. It is not a sad thing that they are being living those who are being living. It is a gentle thing. It is a lively enough thing. It is a pleasant enough thing. It is an important enough thing. There are very many of them who are not any longer being living. It is an accepted thing. It is a quiet thing. It is a pleasant thing. It is a certain thing. It is a thing not remembered, not forgotten. It is a thing existing. It is a thing persisting. It is a thing contenting any one. It is a thing disturbing some. It is a thing any one can have had happen in knowing any place where some of this kind of them have been living.

There are quite a few of them, and that’s a good thing; it’s definitely not a bad thing. No one is really against their existence. They are alive, and then they continue to live, though some of them eventually stop living, and they enjoy being alive while they can handle it when they are not. It’s not sad for those who are not alive. It’s also not sad for those who are alive. It’s a gentle thing. It’s lively enough. It’s pleasant enough. It’s important enough. Many of them are no longer alive. It’s accepted. It’s quiet. It’s nice. It’s a definite thing. It’s something that’s neither remembered nor forgotten. It’s something that exists. It’s something that persists. It’s something that satisfies anyone. It’s something that disturbs some. It’s something anyone can experience in any place where some of them have lived.

It is a kind of them who are existing who are ones very many are visiting. Very many always have been visiting them. Very many are going on visiting them and that is a natural thing.

It’s a type of people that exist who are often visited. A lot of people have always visited them. Many continue to visit them, and that’s completely natural.

They will do something and they do do things and they will offer to do something and they will then not be surprised if they are not succeeding. They will expect something and they are surprised if they are not succeeding and some of them are surprised and are quick then and some of them are surprised and are slow then and they are surprised and really then being surprised is not existing in them, really not, they are not surprised that they have not been succeeding. Certainly some of them are surprised if they are not succeeding but certainly being alike all of them is in not being surprised that they are not succeeding.

They will take action and they do take action, and they’ll offer to do things but won’t be shocked if they’re not succeeding. They’ll expect results and are surprised when they’re not doing well, and some are quick to react, while others take their time to respond. They are surprised, but honestly, being surprised doesn’t really exist for them; they aren’t truly shocked that they’re not succeeding. Sure, some are surprised when they aren’t succeeding, but in general, what they all have in common is that they’re not surprised by their lack of success.

There are very many of them. And they are alike, all of them. Certainly they are not alike all of them. Certainly not. They are certainly not alike all of them. They are alike all of them. They are expecting something, they are doing some things, they are offering some things. They are not surprised that they are not succeeding.

There are a lot of them. And they’re all similar, each of them. Of course, they’re not all the same. Definitely not. They are surely not all the same. They all share similarities. They’re waiting for something, they’re doing a few things, they’re presenting a few things. They’re not shocked that they’re not succeeding.

It is not a melancholy thing being one of them. It is not an interesting thing being one of them. It is not an exciting thing being one of them, it is not an important thing being all of them. It is an important enough thing being all of them. It is a pleasant thing being with them. It is not a pleasant thing expecting anything from them. It is not a disconcerting thing expecting anything from them. It is an agreeable thing knowing about them. It is an exciting thing first hearing about them. It is a delightful thing coming among them although it is a frightening thing the first seeing of them. It is a very pleasant thing living where they are living. It is a completely pleasant thing living where they are living. It is a troublesome thing waiting for any one of them. It is a troublesome thing waiting for them to go on finishing anything. It is not an exasperating, not a disconcerting thing waiting for any one of them.

It’s not a sad experience being one of them. It’s not an interesting experience being one of them. It’s not an exciting experience being one of them; it’s not a significant experience being all of them. It’s significant enough being all of them. It’s nice being with them. It’s not nice expecting anything from them. It’s not unsettling expecting anything from them. It’s enjoyable knowing about them. It’s exciting hearing about them for the first time. It’s wonderful being among them, even though it’s intimidating seeing them for the first time. It’s very nice living where they live. It’s completely nice living where they live. It’s annoying waiting for any of them. It’s annoying waiting for them to finish anything. It’s not frustrating or unsettling waiting for any of them.

They are certainly ones deciding something. They are certainly ones expecting anything. They are certainly ones not despairing in being ones being living. They are certainly ones not certain that they will be expecting anything. They are certainly ones deciding something. They are not ones deciding that they will be ones expecting something. They are not ones despairing. They are ones expecting something. They are ones deciding something. They are ones not deciding that they will be expecting something. They are ones not certain that they will be expecting something.

They are definitely the ones making decisions. They are definitely the ones open to anything. They are definitely the ones who aren’t giving up on living. They are definitely the ones unsure if they will be expecting anything. They are definitely the ones making decisions. They are not the ones saying they will be expecting something. They are not ones who are giving up. They are the ones expecting something. They are the ones making decisions. They are the ones not claiming they will be expecting something. They are the ones unsure if they will be expecting something.

It is a pleasant thing to be living among them. They are not interested in this thing. They are not at all interested in this thing. They are smiling. They are not interested in this thing. They are expecting something. They are interested in this thing. They are not certain they will be expecting something. They are feeling this thing. They are then deciding something.

It’s nice to be living among them. They don’t care about this thing at all. They’re smiling. They’re waiting for something. They are interested in this thing. They’re unsure if they will be waiting for something. They’re feeling this thing. Then they’ll be making a decision.

They like being living. They are not interested in this thing. They are quickly being existing. They are interested in this thing. They have been existing. They are not interested in this thing. They are going on being living. They are not interested in this thing. They are deciding something. They are not interested in that thing. They are doing something, they are going to be doing something. They are interested in that thing. They are going to be doing some other thing. They are interested in that thing. They are quicker than others who are slower. They are not interested in that thing. They are slower than others who are quicker. They are not interested in that thing. They are quicker than others who are slower. That is astonishing but not to them. They are slower than others who are quicker. That is not astonishing and not to them. They are quicker and they are slower and certainly this is in all of them and certainly this is astonishing to some coming to understand this thing. They certainly are deciding something. They are not interested in this thing. They are interested in everything. They are expecting something. They are not certain that they will be expecting something. They are deciding something then. They are not interested in this thing in deciding something, in having been deciding something.

They enjoy living. They don't care about this thing. They're quickly going through life. They are interested in this thing. They've been existing. They don’t care about this thing. They’re continuing to live. They are not interested in this thing. They’re making decisions about something. They are not interested in that thing. They are doing something, and they are going to do something. They are interested in that thing. They are going to do something else. They are interested in that thing. They are faster than others who are slower. They don’t care about that thing. They are slower than others who are faster. They are not interested in that thing. They are faster than others who are slower. That’s surprising, but not to them. They are slower than others who are faster. That’s not surprising, and not to them. They are both faster and slower, and definitely this exists in all of them, and surely this is surprising to some who are coming to understand this thing. They are definitely making decisions about something. They don’t care about this thing. They are interested in everything. They are anticipating something. They are not sure if they will be anticipating something. So, they are making decisions then. They are not interested in this thing, in making decisions, or in having made decisions.

There are a good many of them. They are certainly different one from the other of them, quite different one from the other one of them and this is quite a troublesome thing and quite not an interesting thing to some. There are quite enough of them. They are certainly each one of them quite different from the others of them. There are some of them like others of them. This is a pleasant thing to some. There are some who are like others of them and some of such of them are ones who are completely being that thing being a kind of one which is a kind of one that is one giving to some a feeling of being an arranged one that is in the whole of them a thing not exciting, not disconcerting, that is a thing that is a thing that is growing in a certain arrangement that is a solid, unexciting, definite, beautiful enough thing, that is a thing that is something that each one being that one is in some way knowing, that is a thing that some are admiring, that is a thing that is not intensely interesting any one, that is a thing that is a beautiful thing in being a beautiful kind of existing thing, that is a thing that is a very agreeable thing and one is liking and one is noticing that thing.

There are a lot of them. They are definitely different from each other, quite different from one another, and this can be quite a bothersome thing and not very interesting to some. There are plenty of them. Each one is definitely distinct from the others. Some of them are like others, which some find pleasant. There are some who resemble others, and some of them are ones who really embody that similarity, giving a sense of order that overall feels unexciting, not unsettling—a quality that is developing in a specific arrangement that is solid, unremarkable, clear enough to be beautiful. It’s something that each individual can recognize in some way, something that some admire, though it’s not intensely captivating for anyone. It is a beautiful thing in its own way, a very agreeable thing that people appreciate and notice.

There are very many being existing who are ones who are talking quite often and they are sounding as they are looking, as they are acting, as they are being. They are certainly sounding very pleasant when they are not sounding harsh and terrifying and unpleasant. They are certainly sounding pleasantly and that is sometimes a surprising thing and it is sometimes a surprising thing that they are not always pleasantly sounding. It is quite a serious thing deciding if they are pleasing to one or not pleasing to one. It is quite a serious thing coming to a decision. If they are pleasing to one that is an important thing. If they are not pleasing to one that is an important thing.

There are many beings out there who talk quite often, and they sound like they look, act, and truly are. They definitely sound nice when they’re not being harsh, scary, or unpleasant. They generally have a pleasant tone, which can sometimes catch you off guard, and it can also be surprising that they’re not always sounding pleasant. Deciding whether they are pleasing or not is a serious matter. Coming to a conclusion about it is important. If they please you, that matters a lot. If they don’t, that also matters a lot.

If some of them were different, not so very different, they would not be so willing to go on being living. If some of them were different and not so very different they would be certain to be expecting something. If some of them were different, quite a little different they would be winning something. If some of them were different, not really different, they would be quite certain not to go on being living. If some of them were different, just a little different they would be doing something that would be making some other one decide something.

If a few of them were different, but not too different, they wouldn’t be so eager to keep living. If a few of them were different and not too different, they’d definitely be expecting something. If a few of them were a bit different, they’d be gaining something. If a few of them were different, but not really different, they’d be sure not to keep living. If a few of them were just slightly different, they’d be doing something that would make someone else decide something.

If some of them were certain that they would go on being living, they would decide something. And really they are certain, in a way completely certain, all of them, that they are going on living, that not any one is going on living. They are all of them quite certain that every one who is not coming to be a dead one is going on being living. They are all of them quite certain of this thing. They are all of them in a way always saying such a thing. They are all of them in a way patient with this thing. They are all of them certain that not any one is going on being living. They are all of them quite patient with this thing. They are, very many of them, very lively in this thing. They are, very many of them quite quick in remembering, quite quick in not living in this thing. They are then ones, all of them certain that any one not coming to be a dead one is going on being living. They are all of them quite certain that not any one is going on being living. They are all of them quite patient with these things. They are all of them quite quick and they are not forgetting anything of these things. They are living and they are quite quick and they are not remembering and they are not forgetting anything of these things.

If some of them were sure that they would continue living, they would make a decision. And honestly, they are sure, in a completely certain way, all of them, that they will keep living, while not a single one is really living. They are all absolutely confident that everyone who isn’t dead is still living. They all firmly believe this. They constantly express such thoughts. They patiently accept this reality. They are all certain that no one is truly living. They are all quite patient with this situation. Many of them are very lively in this regard. Many of them are quick to remember, quick to avoid truly living. They are, without a doubt, convinced that anyone who isn’t dead is still living. They are all certain that no one is genuinely living. They are all quite patient about these matters. They are all quite quick, and they don’t forget anything about these issues. They are alive, and they are quick, and they neither remember nor forget anything regarding these matters.

When they are young they are quicker than when they are old. When they are quite young they are very much quicker than when they are old. When they are young they are quicker than when they are old but not really quicker, they are not slow when they are old. When they are very young they are very much quicker than when they are older. They are quicker when they are young, when they are very young, when they are old than it is ever natural for them, for any one to think them. And certainly this is a very natural thing, a very natural thing. They are quick and certainly they have very much time to be quick in, and they are using very much time for this thing. And certainly any one can know this thing that they are using very much time, a great deal of time. They certainly have been, they certainly are using very much time, any one can know this thing, any of them can know this thing. Every one knows this thing, knows they are using very much time, that they are all of them using up very much time. Every one is naturally certain of this thing, that any of them, that all of them are using very much time. They are then quick ones, quicker when they are very young than when they are older, a little quicker when they are young than when they are old.

When they’re young, they’re faster than when they’re old. When they’re really young, they’re much faster than when they grow older. While they are young, they’re faster than when they are old, but not by a lot; they aren’t slow when they get older. When they are very young, they are significantly faster than when they are older. They’re quicker in their youth, in their early years, and even when they become older, more than most people realize. This is definitely a natural observation, a very natural one. They’re fast and certainly have plenty of time to be fast, and they are definitely using a lot of that time for this purpose. Anyone can see that they’re using a lot of time, a substantial amount of it. They have been, and they are using a great deal of time—this is something anyone can understand, something each of them can recognize. Everyone knows this, knows that they are using up a lot of time, that they are all consuming a significant amount of time. Everyone is naturally certain that any of them, that all of them, are using a lot of time. So, they are indeed quick, faster when they are very young than when they are older, and a bit faster when they are young than when they are old.

There are quite enough of them. They are different enough each one of them from the others of them. They are different enough each one of them from the others of them and it is easy enough to know this thing to know that each of them are different enough from the others of them. It is certainly easy enough to know this thing to know that each of them are different enough from the others of them. They are different enough each one of them from the others of them. In a way it is completely easy to know this thing to know that each of them are different enough from the others of them. They certainly can show this thing, any of them can show this thing that they are different enough from the others of them.

There are plenty of them. Each one is different enough from the others. It's pretty clear that each of them stands out compared to the rest. It's definitely easy to recognize this fact: that each one is distinct enough from the others. They really are different enough from one another. In a way, it's completely obvious that each of them varies enough from the others. They can all demonstrate this fact; any of them can show that they are different enough from the rest.

There are enough of them. There are not too many of them. There are quite enough of them. Each of them is quite different enough from the others of them. They do each one of them easily enough show this thing, quite easily show this thing that they are different enough each one of them from the others of them.

There are plenty of them. There aren’t too many of them. There are just enough of them. Each one of them is different enough from the others. They can each easily show how they are different from one another.

In a way they are completely simply showing this thing that each one of them is different from the others of them, from any of the others of them. They can very simply be showing this thing and certainly then it is a thing to be pleasing to any one to be knowing that each one of them is different enough from any of the others of them and is simply enough showing this thing.

In a way, they are clearly demonstrating that each one of them is different from the others. They can easily show this, and it's certainly nice for anyone to know that each of them is distinct enough from the others and is clearly showcasing this fact.

Certainly any one can be completely showing this thing, any one of them, that they are different enough from any others of them and they are, any one of them, completely simply showing this thing. So then it is a pleasing thing, this thing, and again and again and again it is a pleasing thing, and certainly each one of them is showing such a thing, showing they are different enough from any other one of them, simply enough showing this thing. So then it is a simple enough thing, being different enough from any other of them, this then is a simple enough thing. In a way then it is a pleasing thing, certainly this thing is a pleasing thing, it is a simple enough thing, it is a pleasing enough thing. This thing, completely this thing, this thing a completely simple thing, a completely pleasing thing is a thing existing and certainly every one is knowing it in all of these of them knowing it so as to be quite certain.

Certainly, anyone can clearly show this thing. Each of them is different enough from the others, and they all simply demonstrate this. So, it is a pleasing thing, this thing, and time and again, it remains pleasing. Each of them shows this, proving they are distinct enough from one another, simply exhibiting this thing. Thus, being different enough from any other is a simple enough thing. In a way, it is indeed a pleasing thing; this thing is simple and pleasing enough. This thing, absolutely this thing, is completely simple and completely pleasing, something that exists, and certainly everyone knows it in all of these ways, knowing it to be quite certain.

Being different enough from any other one is a simple enough thing in all of these of them and certainly very many are being completely content with this thing, with these being completely expressing this thing, with these having been completely expressing this thing. Some then are knowing that certainly this is completely pleasing, this thing, this being different enough from any other of them, this being simply enough in all of them and certainly then every one has been certain that such a thing has been completely pleasing. Certainly all of them and there certainly are enough of them and not too many of them and very many of them are each one different enough from any other one of them, and are simply enough such a thing are simply enough different enough and certainly such a thing is pleasing and certainly it is completely enough existing to make them being ones being, having been completely pleasing, and certainly having been completely expressing such a thing, being different enough each one of them, being simply enough such a thing, having been completely enough expressing such a thing, being so simply that thing different enough each one of them, has made then ones certainly having been completely pleasing, having been completely expressing a thing being completely pleasing. Certainly it is not a complicated thing, being different enough from any other one, being simply enough different enough and certainly these then are expressing this thing, and certainly this has been completely expressed by them, and they are expressing this thing.

Being different enough from everyone else is pretty straightforward, and a lot of people are totally happy with that, fully expressing this idea. Some know that being different is definitely satisfying, this concept of standing out from the crowd. Everyone seems sure that this is genuinely pleasing. There are plenty of them, not too few and definitely not too many, and each one is distinct enough from the others. It's simple enough to be just different enough, and it’s clear that this uniqueness is enjoyable. It’s completely valid for them to exist as they are, having fully embraced and expressed their differences, making each of them genuinely satisfying. It’s really not complicated to just be different enough from everyone else; it’s merely about expressing that uniqueness, and they do so completely.

Some are needing that not any one is one some are not wondering about and then again and again finding that they are knowing everything that that one is ever doing. Very many are needing this thing and these then are ones being living and these then being ones being living are ones sometimes singing and sometimes making noises in being ones just then not wondering and not knowing anything about any one doing anything. So then all of them all of each of them that are being existing and being ones being such ones are being ones who are ones being ones of this kind of them. This kind then are all of them for all of them are of this kind of them.

Some people need to know that not everyone is curious, and then they keep realizing that they know everything that person is doing. Many people feel this way, and those who do are living their lives. Sometimes they sing, and sometimes they make noises, just not questioning or knowing anything about anyone doing anything. So, all of them, each one of them who exists and belongs to this group, are those who are of this kind. This kind is represented by all of them, because they're all part of this group.

Many of them, any of them are ones that are completely not needing going on being living when they are ones any one is hearing. Many of them, any of them are almost not at all needing going on being living if any one has been listening. And certainly very many are listening, mostly all of them are listening, any of them are listening and so not any of them are needing to be going on being living.

Many of them, any of them, don’t really need to continue living when they're being heard. Many of them, any of them, don’t need to keep living at all if anyone has been listening. And certainly, a lot of them are listening; most of them are listening, and so none of them really need to keep living.

Certainly any one of them, all of them are different from any other one of them. Certainly all of them, any one of them, if any one has been listening to them are not needing then to be ones going on being living. Very many of them, almost all of them are listening. Very many of them, all of them are having again and again some hearing them, and so many of them, all of them are not needing to be ones going on being living, they are then not at all needing this thing needing being one going on being living.

Certainly, each of them is different from the others. Clearly, all of them, if anyone has been paying attention to them, don't need to keep on living. Many of them, almost all of them, are listening. A lot of them, all of them, keep hearing things, and so many of them don't need to keep on living; they really don't require this thing about continuing to live.

There are very many of them, certainly enough of them, certainly not too many of them. They certainly are not completely needing going on being living. Certainly they are not needing this thing if any one has been listening to them and certainly they are, all of them, listening and certainly then all of them have been having some listening to them and so then not any of them are needing are ever needing being one going on being living.

There are a lot of them, definitely enough of them, and not too many. They don't really need to keep living. If anyone has been paying attention to them, it’s clear they don't need this thing. They are all listening, and so they have all been heard. Therefore, none of them actually need to keep on living.

There are certainly very many of them. Any of them are ones having some listening. Any of them are ones listening. There are very many of them. They are, each one of them different from any other one of them and that is a very simple thing and all of them are ones then having some listening and all of them are ones not needing being ones going on being living if some have been ones listening and certainly there have been ones listening and certainly not any of them are really needing being ones going on being living.

There are definitely a lot of them. Any of them are ones who are listening. There are many of them. Each one is different from the others, and that’s a simple fact. They all have some listening going on, and none of them really need to keep living just because some have been listening. And there have certainly been some listening, yet none of them truly need to continue being alive.

Being different each one from any other one of them and this being a completely simple thing, being each one of them not needing being one going on being living if any one has been listening and being all of them listening, and all of them being living is something that gives any one of them gives all of them a way of being one doing anything any one of them are doing so that any one can be quite certain that it is a thing that is being existing and again and again every one can be looking and again and again can be certain that that thing is a thing completely to be existing.

Being different from one another is a completely simple thing. Each of them doesn’t need to live if one has been listening, and all of them are listening. Their existence gives each of them a way to do anything, so anyone can be sure that something exists. Again and again, anyone can observe and be certain that this thing truly exists.

A thing completely to be existing as certainly there is not any reason that it is not a thing completely existing, a thing completely existing as certainly every one can be certain again and again that being completely existing is a thing that thing is certainly being, being completely existing as any one can be certain to be content that any such a thing is completely existing, being completely existing as each one being existing and expecting anything being completely existing is content to be finding, that is certainly being living in all of them and in everything any of them are doing and in any way any of them are living, and in all the place they are all living.

A thing exists fully and without doubt; there's no reason it shouldn't exist completely. Everyone can be sure again and again that existing fully is what that thing is. Being completely present means anyone can feel satisfied that any such thing exists entirely. Each person exists and expects everything to be fully real and finds comfort in that. This is clearly living within all of them, in everything they do, in every way they live, and in every place they all inhabit.

There are then enough of them being living and doing something and living somewhere and dying and being dead there.

There are enough of them living, doing things, residing somewhere, dying, and being dead there.

Certainly any of them can be expressing completely feeling anything so that they are almost doing anything. Certainly any of them are completely expressing feeling anything strongly enough to be then doing anything. Certainly all of them, certainly any of them, certainly completely some of them are expressing feeling anything, feeling anything strongly enough to be almost doing anything, strongly enough to be completely doing anything.

Certainly, any of them can express their feelings so strongly that they almost do anything. Certainly, any of them are expressing their feelings intensely enough to actually do anything. Certainly, all of them, any of them, or even some of them are expressing their feelings, feeling strongly enough to almost do anything, strongly enough to completely do anything.

They all of them and there are quite a number of them, quite a good many of them, enough of them, are expressing, can be expressing feeling everything, feeling everything enough to be ones doing anything, to be ones almost doing everything.

They all of them—and there are quite a few of them, quite a lot of them, enough of them—are expressing, or can express, feelings about everything, feeling enough to be doing something, to be almost doing everything.

All of them are ones completely expressing feeling everything. All of them are ones expressing feeling anything. All of them are ones completely expressing feeling everything and all of them are ones completely expressing feeling anything.

All of them fully express feelings about everything. All of them convey feelings about anything. All of them completely express feelings about everything, and all of them fully express feelings about anything.

They could any kind of them be quite different from any other kind of them. They could any kind of them be quite like any other kind of them. They could any kind of them be quite different from any other kind of them. Any one could know this thing that any kind of them could be completely different from any other kind of them. Any one did know that thing, that any kind of them could be like any other kind of them. They were ones then being quite different some kinds from other kinds of them. They were ones then being very different in concentrating this thing in being quite different one kind of them from any other kind of them. They were then some kinds of them concentrating on being that kind of them. They were then some completely concentrating on being one kind of them. Some were completely concentrating upon their being different kinds of them. Some were completely concentrating on going on having been a kind of them. Some of them had been concentrating. Some were going to be concentrating. Any of them had been one concentrating on their being, all kinds of them, one kind of them. Any of them could be concentratedly coming to this thing that all of them could be any kind of them. All of them could be concentratedly coming to this thing that any of them were one kind of them. Any of them could completely concentrate on any of them being all of them.

They could each be really different from any other kind of them. They could each be quite similar to any other kind of them. They could each be really different from any other kind of them. Anyone could understand that any kind of them could be completely different from any other kind of them. Everyone knew that any kind of them could be like any other kind of them. They were then beings that were quite different, some kinds from other kinds of them. They were then being very focused on this idea of one kind of them being quite different from any other kind of them. They were then some kinds of them focused on being that kind of them. They were then some completely focused on being one kind of them. Some were completely focused on being different kinds of them. Some were completely concentrating on remaining a kind of them. Some of them had been focused. Some were going to be focused. Any of them had been focused on their identity, all kinds of them, one kind of them. Any of them could be intensely approaching this idea that all of them could be any kind of them. All of them could be intensely coming to the understanding that any of them were one kind of them. Any of them could completely focus on any of them being all of them.

Some kinds of them had been concentrating and other kinds of them had been concentrating on being that kind of them. They were, they are, all of them their kind of them. They are all of them different kinds from other kinds of them. They are, any of them, one kind of them.

Some of them had been focused, while others had been focused on being that specific type of them. They were, they are, all of them their own type. They're all different from other types. They are, any of them, one type.

They could, any of them, be ones doing something, be ones doing anything and they were doing it as if they were doing that thing and they were doing that thing. They are all of them doing something and any of them are doing that thing, completely doing that thing as if they are completely doing that thing, and they are completely doing that thing. That is interesting that they are ones doing something, that any of them are ones doing something.

They could all be doing something, anything, and they acted as if they were actually doing it. They're all engaged in something, and any one of them could be doing that thing, totally immersed in it, and they really are. It's fascinating that they’re the ones taking action, that any of them could be taking action.

Any of them are ones doing something and any of them are completely doing that thing, they are, any one of them, completely doing that thing, as if they are completely doing that thing they are completely doing that thing. This is quite interesting.

Any of them are doing something, and any of them are fully engaged in that activity; each one of them is entirely occupied with that task, as if they’re completely focused on that task they are fully immersed in. This is quite interesting.

They are many of them completely different from any other one of them. They are, any of them, completely different from any other one of them, and this is a thing that not any one is finding interesting. It is a very simple a very easy thing that this is in them that any one of them is completely different from any other one of them. Any one of them can easily completely be that thing can easily complete being completely different from any other one. Any one of them can easily complete that thing complete being a different one from any other one.

They are many of them completely different from any other one of them. Each of them is totally unique compared to the others, and this is something that no one finds interesting. It's really simple and easy to see that each one of them is completely different from all the others. Each of them can easily be that thing, being completely different from any other one. Each of them can effortlessly be a different one from anyone else.

Any of them can easily do anything in being one being completely different from any other one, any of them can easily do something.

Any of them can easily do anything as individuals, being completely different from one another; each of them can easily achieve something.

They are each one being one and they are, enough of them, they are each one of them being one and any one can see by looking can see that they are different from any other one of them, that it is an easy thing this thing that they are one each one different from any other one of them.

They are each individual beings, and there are enough of them. Each one is unique, and anyone can tell just by looking that they are different from any other one of them. It's easy to see that they are all unique individuals, each different from the others.

Any one can see that there are very different sizes among them. Some of them are taller, are very tall and some of them are smaller, are exceedingly small. Any one can see this in them, they are, all of them are where any one can see them. Not all of them are always where any one can see them. Certainly all among them that are men are always where any one can see them, and they, all of them, stay where they are long enough so that any one can see them a very long time, and they are, all of them, there very often so that any one can see them again and again. They are, all of them, that is all of them that any one can always be seeing, that is any of them that are men, they are all of them being ones doing all their living in being ones being where any one can see them. Any one can see all of them, all of them that any one can see, any one can see all of them a long time and again and again and again.

Anyone can see that there are really different sizes among them. Some are tall, some are very tall, and some are shorter, even exceedingly small. It's obvious when you look at them; they are all in places where anyone can see them. Not all of them are always visible, though. Certainly, all the men among them are always in sight, and they all stay put long enough for anyone to notice them for a very long time. They are often around so anyone can see them again and again. They are all visible, meaning all of those who are men, and they are all living their lives in a way that allows anyone to see them. Anyone can see all of them, and anyone can observe them for a long time, over and over again.

They are all of them ones that any one can be certain are ones that will not ever be doing anything. They are all of them ones that are ones not going to be doing anything to make any one certain that they would be afraid again if they were going on doing that thing. They are all of them ones not coming to be doing anything to make any one afraid to be one going to be left alone with all of them, with any of them. They are all of them ones quite certainly being such a one and any of them might have been one not being such a different one and certainly not any of them is one being a different one.

They are all people that anyone can be sure of who will never do anything. They are all ones who won’t do anything to make anyone think they would be scared again if they kept doing that thing. They are all people who won’t do anything to make anyone afraid to be alone with them. They are definitely all like that, and any of them could have been someone different, but none of them is really any different.

All of them are ones that any one can remember are ones not doing anything to make any one afraid of them again. Any of them are ones being such a one, one that any one can remember, are ones not any one will be afraid of again. Any of them are ones completely interesting, completely pleasant in this thing. Any one of them are ones, all of them are ones being entirely interesting, completely pleasing in being this thing.

All of them are ones that anyone can remember, and they aren't doing anything to make anyone afraid of them again. Any of them are ones like that, ones that anyone can recall, and no one will be afraid of again. Any of them are completely interesting and totally pleasant in this way. Each of them is interesting, and all of them are completely pleasing in being this way.

Any one of them being one can be completely that one and that is being completely one being any one. Each one of them is completely that one and any one of them is completely that one. Any one is completely that thing that is being that one, is completely then being any one, is completely interesting is completely pleasing in that thing, in being that one, in being one being any one of them.

Each of them can fully embody the essence of one, and that is the reality of being any single one. Every one of them is absolutely that one, and any one of them represents that one entirely. Any individual is fully that thing that is one, and in turn, is entirely about being any one; it’s entirely fascinating and truly enjoyable in that essence, in being that one, in being an individual among them.

They are all of them then one of them who are ones being completely pleasing, being completely interesting and this is to them not completely exciting, it is to them stimulating, it is to others not completely stimulating, it is to others quite satisfying.

They are all one of them who are completely pleasing and interesting, and for them, it is not fully exciting; it is stimulating to them. For others, it is not entirely stimulating, but rather quite satisfying.

It is completely satisfying to any one that some one is one completing doing anything again. It is completely satisfying to every one that there are some who are ones who are completely doing everything again. These then are such ones are ones doing anything completely doing anything again and these are then ones satisfying any one. These are not ones satisfying every one, some are not wanting that these are ones being those who are ones doing a thing completely again. Any one is finding it satisfying that there are ones doing anything completely again. Some are not wanting that these, these who are doing anything completely again are the ones who are doing everything completely again. These are ones completely doing anything again. These are ones doing completely doing anything again.

It’s really satisfying for anyone that someone is doing something again. It’s totally satisfying for everyone that there are some people who are completely doing everything again. So these are the ones who are fully engaged in doing anything again, and they are the ones satisfying others. However, they don’t satisfy everyone; some people don’t want these individuals to be the ones doing a task completely again. Anyone finds it satisfying that there are people doing anything completely again. Some don’t want these people, those who are doing anything completely again, to be the ones doing everything completely again. These are the ones fully engaged in doing anything again. These are the ones completely doing anything again.

These were not always doing that thing completely doing everything again. These were then completely satisfying, these were then ones not doing everything completely again. These were then more than completely satisfying, they were then completely being that thing completely being ones certainly going on being ones completely satisfying, entirely completely satisfying anything. These were then not ones completely doing anything again. These are ones completely doing anything again. Completely doing anything again is something to satisfy any one. These are ones completely doing anything again. This is satisfying to every one. Some are not satisfied that these are doing that thing completely doing anything again.

These weren't always doing that thing fully, doing everything again. These were then completely satisfying; they weren't just doing everything completely again. These were even more than fully satisfying; they were genuinely fulfilling that thing, consistently being ones that were definitely satisfying, entirely satisfying anything. These weren't ones fully doing anything again. These are ones fully doing anything again. Doing anything again is something to satisfy everyone. These are ones fully doing anything again. This is satisfying to everyone. Some aren't satisfied that these are doing that thing completely, doing anything again.

Some in doing anything are learning to do that thing, Some in doing anything are doing that thing. Some in doing anything are going on doing that thing. Some in doing anything are doing that thing again. Some in doing anything are beginning doing that thing. These being ones doing anything are ones doing that thing and are ones then not learning doing that thing, not beginning doing that thing, not going on doing that thing, not remembering doing that thing, not doing that thing again, they are ones completely fully doing that thing, they are completely fully doing that thing at any time that they are doing anything that is that thing, at any time they are doing anything. These then are ones completely fully doing something, are completely fully always completely fully having something being done by them. These then are ones being ones having anything completely fully being done by them, are ones always having something being completely fully done by them.

Some people, by doing anything, are learning to do that thing, Some people, by doing anything, are doing that thing. Some people by doing anything, are continuing to do that thing. Some people by doing anything are doing that thing again. Some people by doing anything are starting to do that thing. These individuals who are doing anything are the ones doing that thing and are the ones not learning how to do that thing, not starting to do that thing, not continuing to do that thing, not remembering how to do that thing, not doing that thing again. They are completely engaged in that thing; they are fully committed to doing it whenever they are doing anything that is that thing, at any moment they are doing anything. These are the ones who are fully engaged in something, who are consistently and thoroughly having something accomplished through them. These are the individuals who are having anything fully accomplished through them, who are always ensuring that something is being completely and fully done by them.

Some are certainly not believing this thing, not believing any such thing, some certainly never have been believing any such thing, some who have been who are completely knowing, certainly are not believing that all of them are ones completely doing, are ones having been ones completely doing something, anything, everything. Some are certainly not believing any such thing. Some have been ones completely loving that these are being existing, some are ones who have been ones almost completely living in being one completely loving that these are ones who are being existing. These then those who were almost completely living in being ones loving that these are ones being existing come then to be ones not loving that these are ones being existing come to be ones not regretting that these are ones being existing but are ones being almost entirely annoyed by such a thing by these being ones being existing and these then are almost completely living in this thing living in being entirely annoyed that these are being existing.

Some definitely don’t believe this, don’t believe any of it; some never have believed any of it. Some who have been absolutely certain are really not convinced that all of them are fully engaged, that they have been doing something, anything, everything. Some definitely don’t believe any of this. Some have completely loved the fact that these exist; some are those who have almost entirely lived in love for the existence of these. Those who were almost completely living in a love for their existence then come to be those who no longer love that these exist but don’t regret their existence. Instead, they are nearly always annoyed by the idea of these existing, and they are almost completely living in this annoyance, fully irritated by the fact that these exist.

Some know very well that these are being existing, some know entirely that these have been existing. Some of both these kinds of them are completely living in that thing, in these being existing, in these having been existing. Very many know that these have been existing. Very many know that these are existing.

Some know very well that these exist, some know completely that these have existed. Some of these people are fully living in this reality, in the existence of these things, in their past existence. Many know that these have existed. Many know that these exist.

These, these being existing are ones who have been existing are ones who are existing. These are ones who could be ones completely living in the thing that they have been existing. These are ones living in having been existing, these are ones living in being existing. These are ones completely living in having been existing and they are then completely living in being existing. They are ones completely liking this thing completely liking having been existing and completely living in that thing and are completely living in being existing and completely liking this thing. These are ones that are completely exciting in having been ones being living, are completely excited in this thing and are completely excited, excitement is completely in them in their being one being existing. These are ones completely existing in having been existing and are completely existing in being existing. These then can be ones that any one can be certain are ones that are completely being having been and being and this is something that certainly can be quite disgusting to some completely not liking that thing, can be something completely displeasing to some completely not liking that thing.

These people, who are currently existing, are the ones who have always existed. They are individuals who could fully embrace the reality of their existence. These are people who are living in a state of having existed; they are people who are living in the essence of existence. They fully embrace their existence and truly live in the moment of being. They genuinely appreciate this state of existence, fully enjoying their life and being present. These individuals are completely thrilled by their experiences and are filled with excitement about their existence, which is deeply rooted within them. They are entirely engaged in the reality of living and have been living for some time. For others, the fact that some people fully embrace this constant state of being can be quite unsettling, and for those who don’t resonate with it, it can be truly off-putting.

These are ones liking being living. These are ones quite liking being living. These are ones quite needing being living. These are ones quite needing this thing quite needing being living. These are ones liking being living. They are ones going on doing this thing going on liking being living. These are ones quite liking doing this thing again and again liking being living. They are needing this thing needing being living. They are quite liking being living. They are liking being living.

These are the ones who enjoy living. These are the ones who really enjoy being alive. These are the ones who truly need to live. These are the ones who absolutely need this thing that is essential for living. These are the ones who enjoy living. They continue to do this thing because they enjoy being alive. These are the ones who like to do this thing over and over again because they enjoy living. They need this thing that is crucial for being alive. They really enjoy living. They love being alive.

They are liking this thing, liking being living and they are doing this thing they are being living and they are then not doing anything to be liking the thing to be liking being living.

They enjoy this experience, enjoying life, and they are living it fully, yet they aren't doing anything specifically to appreciate the experience of living.

They are, all of them, being living, they are doing enough of this thing so that any other one will be doing that thing, so that there will be enough of them quite enough of them doing this thing, being living. There are always enough of them doing this thing, being living. There are always enough of them doing this thing enough so that there will be enough of them doing this thing, doing being living. They are liking this thing liking being living so that they can any of them be ones being this thing being one liking being living. They are ones liking being living, they are ones being such ones, all of them being such ones any of them are being such ones, each of them are being such ones, any of them are doing that thing are liking being living.

They are all alive, doing enough of this to ensure that everyone else is doing it too, so there will be plenty of them, enough of them living. There are always enough of them living. There are always enough of them doing this so that there will be enough of them living, doing what it means to be alive. They enjoy this, enjoying life, so that each of them can appreciate being alive. They are those who appreciate life; they are those kinds of people, all of them being these kinds of people. Each of them is one of these people, and anyone doing this is enjoying being alive.

Any one is such a one and is warmly that thing, is completely warmly one being living, one liking that thing. These are ones warmly being that thing, quite warmly, entirely warmly being that thing and certainly any other thing is a thing that can be too exciting, too wearing, too destroying. These then are ones warmly liking, entirely warmly liking being living and are being living and doing enough to have it that there are enough of them certainly enough of them being living.

Any person is someone who feels deeply about something, fully engaging with it. These are people who are fully invested in that thing, completely committed. Everything else could be too overwhelming, exhausting, or destructive. So, these are the individuals who genuinely appreciate being alive, who embrace life, and simply existing contributes to the reality that there are indeed enough of them living.

These then are ones almost needing being ones being living. They certainly are ones completely doing anything, they certainly are ones completely bringing any teaching to any needing any teaching to be themselves doing quite enough living to be always going to be enough of them to be warmly liking being living.

These are the ones who almost need to be alive. They definitely are the ones who are always doing something; they are absolutely the ones who provide any teaching to those who need it, so they can live fully enough to always be enough of them who genuinely enjoy being alive.

A SWEET TAIL (GYPSIES)

Curves.

Curves.

Hold in the coat. Hold back ladders and a creation and nearly sudden extra coppery ages with colors and a clean voice gyp hoarse. Hold in that curl with a good man. Hold in cheese. Hold in cheese. Hold in cheese.

Hold in the coat. Hold back ladders and a creation and almost suddenly additional coppery tones with colors and a clear voice, gritty and rough. Hold in that curl with a good man. Hold in cheese. Hold in cheese. Hold in cheese.

A cool brake, a cool brake not a success not a re-sound a re-sound and a little pan with a yell oh yes so yet change, famous, a green a green colored oak, a handsome excursion, a really handsome log, a regulation to exchange oars, a regulation or more press more precise cold pieces, more yet in the teeth within the teeth. This is the sun in. This is the lamb of the lantern with chalk. With chalk a shadow shall be a sneeze in a tooth in a tin tooth, a turned past, a turned little corset, a little tuck in a pink look and with a pin in, a pin in.

A cool brake, a cool brake not a success not a sound a sound and a little pan with a shout oh yes so yet change, famous, a green a green colored oak, a handsome trip, a really handsome log, a rule to swap oars, a rule or more press more precise cold pieces, even more in the teeth within the teeth. This is the sun in. This is the lamb of the lantern with chalk. With chalk a shadow will be a sneeze in a tooth in a tin tooth, a turned past, a turned little corset, a little tuck in a pink look and with a pin in, a pin in.

Win lake, eat splashes dig salt change benches.

Win lake, eat splashes dig salt change benches.

Win lake eat splashes dig salt change benches.

Win lake eat splashes dig salt change benches.

Can in.

Come in.

Come a little cheese. Come a little cheese and same same tall sun with a little thing to team, team now and a bass a whole some gurgle, little tin, little tin soak, soak why Sunday, supreme measure.

Come a little cheese. Come a little cheese and the same tall sun with a little thing to team, team now and a bass a wholesome gurgle, little tin, little tin soak, soak why Sunday, supreme measure.

No nice burst, no nice burst sourly. Suppose a butter glass is clean and there is a bow suppose it lest the bounding ocean and a medium sized bloat in the cunning little servant handkerchief is in between.

No nice burst, no nice burst sourly. Suppose a butter glass is clean and there is a bow suppose it lest the bounding ocean and a medium-sized bloat in the clever little servant handkerchief is in between.

Cuts when cuts when ten, lie on this, singling wrist tending, singling the pin.

Cuts when cuts when ten, lie on this, singling wrist tending, singling the pin.

Lie on this, show sup the boon that nick the basting thread thinly and night night gown and pit wet kit. Loom down the thorough narrow. It is not cuddle and molest change. It is not molest principal necessary argue not that it, not that in life walk collect piece.

Lie on this, show up the gift that cuts the basting thread thinly and nightgown and damp kit. Look down the very narrow. It is not cuddly and disturb change. It is not disturb principal necessary to argue not that it, not that in life walk collect piece.

Colored tall bills with little no pitch and dark white dark with rubber splendid select pistons with black powdered cheese and shirts and night gowns and ready very ready sold glass butts. The simple real ball with a cold glass and no more seat than yesterday together together with lime, lime water. This is no sight, no sight suddenly, no supper with a heat which makes morgan, morgan must be so.

Colored tall bills with little to no pitch and dark white, dark with rubber splendid select pistons with black powdered cheese and shirts and nightgowns and ready, very ready sold glass bottoms. The simple real ball with a cold glass and no more seat than yesterday, together with lime, lime water. This is no sight, no sight suddenly, no supper with a heat that makes Morgan, Morgan must be so.

If it is and more that call life with show cared beard with a belt and no pin when shine see the coat and left and last with all it was to be there why show could pause with such read mice call it why those old sea cat with a shining not mouth hole if it is a white call with the inch of that sort could see that tie west with loaf which is not the copper lasting with a bright retract lamp call negligence utterly soothing in the coiling remain collapse of this which by there a called which never see and hammer by which basket all that glance zest.

If it is and more that call life with a well-groomed beard, wearing a belt and no pin, when the coat shines and is left behind, and at last, with everything it was to be there, why could the show pause with such urgent matters? Why do those old sea cats with shiny mouths and no holes exist? If there is a white call with an inch of that sort, could it see that tie west with a loaf that isn’t the copper lasting with a bright retractable lamp? This negligence is utterly soothing in the coiling remains of this, which is called there, something that never sees and hammers at all that glances zest.

Cut in simple cake simple cake, relike a gentle coat, seal it, seal it blessing and that means gracious not gracious suddenly with spoons and flavor but all the same active. Neglect a pink white neglect it for blooming on a thin piece of steady slit poplars and really all the chance is in deriding cocoanuts real cocoanuts with strawberry tunes and little ice cakes with feeding feathers and peculiar relations of nothing which is more blessed than replies. Replies sudden and no lard no lard at all to show port and colors and please little pears that is to say six.

Cut a simple cake, like a soft coat, seal it, seal it with blessings, which means graciousness, but suddenly there are spoons and flavors, yet it’s all the same and lively. Ignore the pink and white, let it bloom on a thin piece of steady-sliced poplar, and really all the opportunity is in mocking coconuts—real coconuts with strawberry melodies and little ice cakes with delicate feathers and strange connections of nothing, which is a greater blessing than responses. Sudden responses and no lard, no lard at all to show colors and please little pears, which means six.

It can no sail to key pap change and put has can we see call bet. Show leave I cup the fanned best same so that if then sad sole is more, more not, and after shown so papered with that in instep lasting pheasant. Pheasant enough. Call africa, call african cod liver, loading a bag with news and little pipes restlessly so that with in between chance white cases are muddy and show a little tint, all of it.

It can no longer sail to key paper changes and put has it can we see call bet. Show leave I cup the fanned best same so that if then sad sole is more, more not, and after shown so papered with that in instep lasting pheasant. Pheasant enough. Call Africa, call African cod liver, loading a bag with news and little pipes restlessly so that with in between chance white cases are muddy and show a little tint, all of it.

Please coat.

Please apply a coat.

Way lay to be set in the coat and the bust. The right hold is went hole piece cageous him. He had his sisters.

Way lay to be set in the coat and the bust. The right hold is went hole piece cageous him. He had his sisters.

Like message copowder and sashes sashes, like pedal sashes and so sashes, like pedal causes and so sashes, and pedal cause killed surgeon in six safest six which, pedal sashes.

Like message confetti and sashes sashes, like pedal sashes and so sashes, like pedal causes and so sashes, and pedal cause killed surgeon in six safest six which, pedal sashes.

Peel sashes not what then called and in when the crest no mandarining clothes brush often. No might of it could sudden best set. Best set boar.

Peel sashes aren't what they're called now, and when the crest appears, clothes aren't often brushed. It can't be sudden, but it might be the best choice. The best choice is a boar.

Rest sing a mean old polly case with boats and a little scissors nicely sore. All the blands are with a coat and more is coach with commas. A little arrangement is manufactured by a shoal and little salt sweats are to grow grow with ice and let it seat seat more than shadows which have butter.

Rest sing a mean old polly case with boats and a little scissors nicely sore. All the blands are with a coat and more is coach with commas. A little arrangement is manufactured by a shoal and little salt sweats are to grow grow with ice and let it seat seat more than shadows which have butter.

Suppose, suppose a tremble, a ham, a little mouth told to wheeze more and a religion a reign of a pea racket that makes a load register and passes best. Kindness necessarily swims in a bottom with a razor which needs powder powder that makes a top be in the middle and necessarily not indicate a kind of collection, a collection of more of more gilt and mostly blue pipes pipes which are bound bound with old oil and mustard exact mustard which means that yellow is obtained. Gracious oh my cold under fur, under no rescued reading.

Suppose, suppose a shiver, a ham, a tiny mouth told to wheeze more and a religion a reign of a pea racket that makes a loud noise register and passes best. Kindness naturally swims at the bottom with a razor that needs powder that makes a top be in the middle and doesn’t really indicate a type of collection, a collection of more and more gilded and mostly blue pipes that are tied with old oil and mustard, exact mustard which means that yellow is achieved. Gracious oh my cold fur, under no rescued reading.

Able there to ball bawl able to call and seat a tin a tin whip with a collar. The least license is in the eyes which make strange the less sighed hole which is nodded and leaves the bent tender. All the class is sursful. It makes medium and egg light and not really so much.

Able there to ball bawl able to call and seat a tin a tin whip with a collar. The least license is in the eyes which make strange the less sighed hole which is nodded and leaves the bent tender. All the class is sursful. It makes medium and egg light and not really so much.

Catch white color white sober, call white sold sacks, crimp white colored harness crimp it with ferocious white saffron hides, hurry up cut clothes with calm calm bright capable engines of pink and choice and press. Peas nuts are shiny with recent stutter which makes cram and mast a mast hoe, luck.

Catch white color, stay sober, call for white sold sacks, crimp white harness and secure it with fierce white saffron hides. Hurry up, cut the fabric with calm, bright precision, capable engines of pink and choice and press. Peanuts are shiny from recent rains, which makes them fill and grow, a lucky crop.

A winter sing, take thee to stay, say mountain to me and alabaster.

A winter song, come stay with me, tell me mountain and alabaster.

Curious alright.

Curious, for sure.

Wheel is not on a donkey and never never.

Wheel is not on a donkey and never, ever.

A little piece of fly that makes a ling a shoulder a relief to pages.

A small piece of a fly that makes a link to a shoulder a relief for pages.

Please putter sane show a pronounce, leave sold gats, less it measles. A little thin a little thin told told not which. Rest stead.

Please putter sane show a pronounce, leave sold gats, less it measles. A little thin a little thin told told not which. Rest stead.

Appeal, a peal, laugh, hurry merry, good in night, rest stole. Rest stole to bestow candle electricity in surface. The best header is nearly peek.

Appeal, a peal, laugh, hurry merrily, good at night, rest stole. Rest stole to provide candle electricity on the surface. The best header is almost a peek.

Come in to sun with holy pin and have the petticoat to say the day, the last oh high this that. No so.

Come in to bask in the sun with a holy pin and let the petticoat declare the day, the final high of this and that. Not so.

Little tree, bold up and shut with strings the piney and little weights little weights what.

Little tree, stand tall and shut with strings the piney and small weights, little weights what.

Cold a packet must soak sheer land, leave it a yield so that nuts nuts are below when when cap bags are nearly believe me it is nice and quiet I thank you.

Cold a packet must soak sheer land, leave it a yield so that nuts nuts are below when when cap bags are nearly believe me it is nice and quiet I thank you.

Pluck howard in the collided cheese put and not narrow.

Pluck Howard in the collided cheese pot and not narrow.

Little in the toilet tram.

Little in the toilet train.

Seize noes when the behaved ties are narrowed to little finances and large garden chambers with soled more saddled heels and monkeys and tacts and little limber shading with real old powder and chest wides and left clothes and nearly all heights hats which are so whiled and reactive with moist most leaves it sell to apart.

Seize notes when the behaved ties are narrowed to small finances and large garden spaces with worn-out heels, and monkeys and tactics, along with little flexible shading featuring old powder and chest widths and leftover clothes, and almost all tall hats that are so whiled and reactive with the most moist leaves it sells to apart.

Sober eat it, a little way to seat. The two whiskers.

Sober eat it, a little way to seat. The two whiskers.

All chime. So be eat hit. No case the lines are the twist of a lost last piece of flannel.

All chime. So be it, eat this. No matter, the lines are the twist of a lost last piece of flannel.

This beam in which bought not a hill than store when stone in the point way black what slate piece by all stone dust chancely.

This beam, which bought not a hill but a store when stone, in the dark way, a piece of black slate by all stone dust, happened.

This wee did shut, about. A land paul with a lea in and no bell no bell pose with counters and a strike a strike to poison. Does a prison make a window net does it show plates and little coats and a dear noise.

This week did close, around. A land pole with a meadow in and no bell no bell pose with counters and a hit a hit to poison. Does a prison create a window net does it show plates and little jackets and a sweet sound.

This is a cape. A real tall is a bat, the rest is nice west, the rest in, be hine with a haul a haul not. Knot not knot. A vest a voice vest. Be able to shave, shave little pills in steady, steady three, coal pied. This is hum with him, believe hit believe hit page it.

This is a cape. A real tall is a bat, the rest is nice west, the rest in, be hine with a haul a haul not. Knot not knot. A vest a voice vest. Be able to shave, shave little pills in steady, steady three, coal pied. This is hum with him, believe hit believe hit page it.

Is it necessary that actuality is tempered and neglect is rolled. A little piece. The blame which makes a coping out of a cellar and into a curtain and behind behind a frontyard is that then. Please dust.

Is it really necessary for reality to be softened and ignored? Just a bit. The blame that turns a basement into a curtain and hides behind the front yard is that. Please dust.

It is so thick and thin and thin, it is thick. It is thick, thin.

It is so thick and thin and thin; it is thick. It is thick, thin.

A spoon, thick ahead and matches, matches wear sacks.

A spoon, thick at the front and matches, matches wear bags.

Stew, stew, than.

Stew, stew, than.

I MUST TRY TO WRITE THE HISTORY OF BELMONTE

If Maddalena comes I am going to be asleep. You can entertain your enemy much quicker. If a servant is your friend there is no getting rid of her.

If Maddalena shows up, I’ll be asleep. You can deal with your enemy much faster. If a servant is your friend, there’s no getting rid of her.

Belmonte is a bull-fighter. I have not seen him. He is sick. He had bronchitis and now he's wounded. They put him in a specially prepared place and they say the wound is serious. He will recover. It is said that the Queen hit the King. Not here. In Greece. So be it.

Belmonte is a bullfighter. I haven't seen him. He's sick. He had bronchitis and now he's injured. They put him in a special place and they say the injury is serious. He will recover. It's said that the Queen hit the King. Not here. In Greece. So be it.

This is going to be the story of Cook. Oh yes that will be alright.

This is going to be the story of Cook. Oh yeah, that will be fine.

The story of Belmonte is that we know he is hurt in the leg. A Mexican is to take his place. The man at the Cafe Artistos after much experience likes him better and says that though not good looking has better technique.

The story of Belmonte is that we know he has an injured leg. A Mexican will take his place. The man at the Cafe Artistos, after a lot of experience, prefers him and says that although he isn't good-looking, he has better technique.

The dog. He thought he wanted it at once. The curtain. They wanted it and liked to look with a telescope. First he came that way then the same women had places. They can read.

The dog. He thought he wanted it right away. The curtain. They wanted it and enjoyed looking through a telescope. First, he arrived that way, then the same women had their spots. They can read.

Cook does and he says and he is kind to all. He has french as a friend and he speaks Mallorcan. He understands all. He is so kind.

Cook does, and he says, and he is kind to everyone. He has a French friend, and he speaks Mallorcan. He understands everything. He is really kind.

Continually fatten. They continually fatten. She is so. She likes it. She says she is dreadfully bitten.

Continually get bigger. They keep getting bigger. She is like that. She enjoys it. She says she is really bitten.

This is the way they met. He was abroad and he was used to English. Not to speak but to be disappointed. He was never disappointed. He spoke it. He called it. He spoke in a low tone. He said I am sorry I have no faults I am without fear but I have no money, I am not afraid of that and I am not reckless. I am very careful. I always pay back.

This is how they met. He was overseas and he was familiar with English. Not to communicate but to feel let down. He never felt let down. He spoke it. He named it. He spoke softly. He said, "I’m sorry, I have no flaws, I’m fearless, but I have no money. I’m not worried about that, and I’m not careless. I’m very cautious. I always repay."

He does. He never said I said so. I said Mrs. Hardy was right when she said he had honest eyes. He is fond of swimming.

He does. He never said I said that. I said Mrs. Hardy was right when she said he has honest eyes. He enjoys swimming.

We saw it. She could not go because it was hot. The one who was advertised was a failure. The other one the one we had seen had learnt how to do somethings very nearly and he did it using all his old vigor and carrying it successfully. A man of talent and plenty. He had blue eyes. He was carried away. By whom. By many men. They were really there. The other one is one one is not sorry for. He is too old for yesterday and we remember him. We remember him at the same time two years ago and he was not the strongest man or even the good one. I do not understand why they speak to him.

We saw it. She couldn't go because it was hot. The person who was promoted ended up being a letdown. The other one, the one we had seen, had learned how to do some things almost perfectly, and he managed it with all his old energy and successfully. A talented guy with plenty to offer. He had blue eyes. He was swept away. By whom? By many men. They were really there. The other one isn't someone we feel sorry for. He's too out of touch with the past, and we remember him. We remember him from two years ago, and he wasn't the strongest or even a good person. I don't get why they talk to him.

Belmonte.

Belmont.

We have not seen him.

We haven't seen him.

After all he doesn't talk french very fluently and so perhaps it would be better if only you came to dinner. Of course you know best.

After all, he doesn't speak French very fluently, so maybe it would be better if just you came to dinner. Of course, you know what’s best.

The moon.

The moon.

The moon rises more to the left every night considerably more.

The moon rises more to the left every night by a significant amount.

I remember how I felt about it, we began on top and slowly came down and this time we were down but there was no liveliness in it. Even if there had been anything delicate it would not have been pleasurable. That's how I felt about it.

I remember how I felt about it—we started off great and slowly went downhill, and this time we were at the bottom, but it lacked any excitement. Even if there had been something nice about it, it wouldn't have felt enjoyable. That's how I felt about it.

Don't listen to her.

Ignore her.

In places they go to see their husbands. They wait until he is off the boat. Then they rush.

In some areas, they go to meet their husbands. They wait until he gets off the boat. Then they hurry over.

It is a sweet story.

It's a lovely story.

Don't come up after ten. If you want to come come alone that's alright but don't come with Fanny after ten.

Don't come up after ten. If you want to come, that's fine, but don't come with Fanny after ten.

I love you Fanny Fanny is your name isn't it.

I love you, Fanny. Fanny is your name, right?

This is they way they disturb him.

This is how they annoy him.

Belmonte Belmonte.

Belmonte.

They are going to have an opportunity at night. Not he. Horses. They are going to do it in the way we have not seen. It is not right to wear those clothes made by a dressmaker who eats lunch. No.

They’re going to have a chance at night. Not him. Horses. They’re going to do it in a way we haven’t seen before. It’s not right to wear clothes made by a dressmaker who has lunch breaks. No.

All men are dark and women white.

All men are dark and women are white.

We went out and saw six soldiers and a woman.

We went out and saw six soldiers and a woman.

A little boy Bartholomew goes to school in the hot weather August and June. Also July. July and August. His father is proud. He says he does not eat too much. He does not eat enough. He learns English french spanish and Arabic. Arabic is for the Arabs. He learns it so that he can speak it. He is not a son of a baker. He is the son of a hotel keeper. A small hotel. Nobody sleeps there.

A little boy named Bartholomew goes to school in the hot months of June, July, and August. His father is proud of him. He says he doesn’t eat too much—actually, he doesn’t eat enough. He learns English, French, Spanish, and Arabic. Arabic is for Arabic speakers, and he learns it so he can communicate. He isn’t the son of a baker; he is the son of a hotel manager of a small hotel. Nobody sleeps there.

Capable of studying. He is capable of studying. We were not sure that she was french. We thought she spoke it. How do you know how to say we do not care about lemonade.

Capable of studying. He can study. We weren't sure she was French. We thought she spoke it. How do you say we don't care about lemonade?

We have not yet mentioned that on the twenty-first there will be an opportunity to see fighting when it is lighted by electric light. We will certainly go by this means. They say that the effect is not interesting.

We haven't mentioned that on the twenty-first, there will be a chance to watch the fights under electric lights. We'll definitely take advantage of this. They say the effect isn't that great.

This is not the history of Belmonte because there are so many mounted men. We said we did not admire them here but we have admired them. We said this instructedly. Today we were pleased to see our servant. He said that electricity does not work on Sunday.

This isn't the history of Belmonte because there are too many horsemen. We claimed we didn't admire them here, but we actually have. We stated this with intent. Today we were happy to see our servant. He mentioned that electricity doesn't work on Sundays.

Cook works.

Chef duties.

He said he asked every one about Guano and they said he worked better than Belmonte. If so they are both of the school of Gallito, in the manner of Gallito who does continually what he does a little. He is no doubt incorrect in what he had heard. He often is. He does not understand. Nevertheless there are horses and electric light. We will see.

He said he asked everyone about Guano, and they told him he works better than Belmonte. If that's true, they both come from the Gallito school, in the way that Gallito keeps doing a little of what he does. He's probably mistaken about what he heard; he often is. He doesn't get it. Still, there are horses and electric lights. We'll see.

Today we walked. We walked up and around the hill. One would speak of this as not having taken a very long time. We were full of discussion. We were frightened that evening. No we weren't. Certainly we said we were plain. Dear things. What is it.

Today we went for a walk. We walked up and around the hill. People would say this didn’t take very long. We talked a lot. We were scared that evening. Actually, no we weren’t. We definitely said we were normal. Sweet things. What’s going on?

This is not like his painting. Talk about Mathilda.

This isn't like his painting. Let's talk about Mathilda.

Grief for Belmonte.

Grieving for Belmonte.

He did not hurt his foot. It was Cocherita of Bilbao. who hurt his foot. He hurt it so badly that he cannot walk.

He didn't hurt his foot. It was Cocherita of Bilbao. who hurt his foot. He hurt it so badly that he can't walk.

Tonight it is very different.

Tonight is really different.

Cocherita de Bilbao. He is not an American. Torquito is. He reminds us of it. He is very successful. He is intelligent and he is strong and he has blue eyes in the distance. I saw him very near.

Cocherita de Bilbao. He’s not American. Torquito is. He makes that clear. He’s really successful. He’s smart, strong, and has blue eyes in the distance. I saw him up close.

Horses. Why are horses blind. They are in one eye.

Horses. Why are horses blind? They are in one eye.

What does a lizard want to get. He wants to get Polybe. Who will train him, who will wash him. Who is beside him. Where is he. We do not know.

What does a lizard want? He wants Polybe. Who will train him, who will wash him. Who is beside him? Where is he? We don’t know.

Cook is such a believer in parent's age. He says it all the time he is certainly or thirteen or fourteen plus seventeen. I mean it. I think he is older. We never hear about Belmonte.

Cook is a big believer in how old parents are. He says it all the time; he's definitely either thirteen or fourteen plus seventeen. I really think he's older than that. We never hear about Belmonte.

When they gave a dinner the other day Belmonte was not there.

When they had dinner the other day, Belmonte wasn't there.

Plan this. You meant to walk up to the horse kneeling on one knee throw your weight on the barrier and relieve the attack relieve it by planting sharp stars into his shoulder relieve it by stroking the horn, by hurrying. This was the plan and he did it again. He continued to assure the attack by not being quick. He was very quick. This is the way to pursue it. Follow it about and have the understanding with the uncertainty. Nothing is uncertain to him. He is a wretch. We can be angry. We were disappointed Belmonte was not there and we had paid as if he were.

Plan this. You intended to walk up to the horse, kneeling on one knee, put your weight against the barrier, and relieve the attack by driving sharp stars into his shoulder, by stroking the horn, by hurrying. This was the plan, and he did it again. He kept fueling the attack by not being quick. He was very quick. This is how to pursue it. Follow it around and understand the uncertainty. Nothing is uncertain to him. He is a wretch. We can be angry. We were disappointed that Belmonte wasn't there, and we had paid as if he were.

I remember long dashes. Mr. Kitchener said that he was to go and he would meet him. Mr. Potter he said if you will go later I will be there. Mr. Potter did not go or he would not have met him. Mr. Kitchener did not go neither did Mr. Potter. Belmonte had his foot hurt. He is still in the hospital.

I remember long runs. Mr. Kitchener said he was going to meet him. Mr. Potter said, "If you go later, I'll be there." Mr. Potter didn’t go, or he would have met him. Neither Mr. Kitchener nor Mr. Potter went. Belmonte hurt his foot. He's still in the hospital.

They were here to eat their dinner. They ate their dinner and they advised us to get sea-weed. They said seaweed. He said seaweed contains iodine which is very important for medicine. It is very important in medicine. Belmonte uses it for his foot. He uses it to put on his foot. Belmonte uses it on his hurt foot. It is put on his foot a great deal. They use it often. They use it on his foot whenever he is hurt. He has been hurt.

They were here to have dinner. They had their meal and suggested we get seaweed. They mentioned that seaweed contains iodine, which is really important for medicine. It's crucial in healthcare. Belmonte uses it for his foot. He applies it to his injured foot. Belmonte uses it a lot on his hurt foot. They often use it. They put it on his foot whenever he gets hurt. He has been injured.

Belmonte was hurt. His foot was not hurt. It was just above his foot and there he was seriously hurt.

Belmonte was injured. His foot was fine. It was just above his foot where he was seriously hurt.

Necessarily the secret of Belmonte. I do not wish to weep. I forget war and fear and courage and dancing. I forget standing and refusing. I believe choices. I choose Gallo. He is a cock. He moves plainly.

Necessarily the secret of Belmonte. I do not want to cry. I forget war and fear and bravery and dancing. I forget standing and resisting. I believe in choices. I choose Gallo. He is a rooster. He moves simply.

IN THE GRASS (ON SPAIN)

Occident all Spain the taste.

Spain's flavor in the West.

Milled cautious and plaster and with the heat her trimmed white. Seat silver, seat it next. Poor it in gold hot hoods.

Milled cautious and plaster and with the heat her trimmed white. Seat silver, seat it next. Poor it in gold hot hoods.

Be cool inside with a monkey tied, with a monkey tied. Be cool inside the mule. Be cool inside with a surrounded tied, a cast, before, behind again, indeed, many.

Be calm inside with a monkey tied, with a monkey tied. Be calm inside the mule. Be calm inside with a group tied, a cast, before, behind again, indeed, many.

What in the cut with any money and so, and so the climate is at stake, all the circular receipts are pears and linen is the stall to peep, likely and more the season's chair and little grasses with a pole all the occasion is the wreath and many houses are baked. Many have the same in came and all the light is many wet all the burst in in the man and best to hide is only sweet. All is that and a little haste, a little pleading with a clouded pup all is chance to be the curl that sets and all the winding causes. All of it cucumber.

What’s happening with the money and everything, and the climate is at risk, all the circular receipts are like pears and linen is the place to look, likely more than the season’s chair and small grasses with a pole, all the events are like a wreath and many houses are baked. Many have arrived and all the light is pretty wet, all the bursts in in the man, and the best way to hide is just sweetness. It’s all about that and a little hurry, a little begging with a cloudy pup, all a chance to be the curl that sets, and all the winding reasons. It’s all about the cucumber.

Cup of lather and moan moan stone grown corn and lead white and any way culture is power, Culture is power. Culture.

Cup of lather and moan moan stone grown corn and lead white and any way culture is power, Culture is power. Culture.

Clambering from a little sea, clambering within bathing, clambering with a necessary rest for eye glasses, clambering beside.

Climbing out of a small sea, climbing around while swimming, climbing with a much-needed break for glasses, climbing next to.

A little green is only seen when they mean to be holder, holder why, coal pepper is a tissue.

A little green is only seen when they intend to be holder, holder why, coal pepper is a tissue.

Come up shot come up cousin, come up cold salmon pearly, come up, come in, nicely, nicely seen, singing, singing with music, sudden leaves loaves and turtles, taught turtles taught turtles teach hot and cold and little drinks.

Come up, shot up, cousin, come up cold salmon, pearly. Come up, come in, nicely, nicely seen, singing, singing with music. Suddenly, leaves, loaves, and turtles. Taught turtles teach hot and cold and little drinks.

Colored huts, cold to din acres of as real birds as stole when. Stole when, it is a lie. It is coming to the seal, it is coming how is it. Language of the hold of the sea sucking dart belt and no gowns in, no gowns in pelting. This is the cane that is short and gold more.

Colored huts, cold against vast fields of real birds that have been taken. Taken when, which is a falsehood. It's approaching the seal; it's coming, how is it happening? The language of the sea's grip pulls at the belts, and there are no gowns in sight, no gowns in the downpour. This is the cane that is shorter and more golden.

Cold not coin in the ground be sour and special and settled and soiled and a little reason. Come then to sort the kinks in how surrounded is a limb.

Cold not coin in the ground be sour and special and settled and soiled and a little reason. Come then to sort the kinks in how surrounded is a limb.

Cute numbers, cute to be so bold and so sallow and so in the cream and furled, furled with chalk and lights and high bees and little legs heady and little least little cups, least little cups bellow, bellow electric shadows, real old teachers with a private cake of bean and numbers those numbers. Do they pack.

Cute numbers, so bold and so pale, surrounded by cream and curled up, wrapped in chalk and lights and buzzing bees with tiny legs, little tiny cups, really small cups bubbling, buzzing with electric shadows, old teachers with a hidden stash of beans and those numbers. Do they add up?

Spanish cut that means a squeeze and in place of water oil and water more. Mine in the pin and see cuttle cuttle fish call that it is that it is sardine, that it is in pelts and all the same there is paper in poles paper and scratches and nearly places.

Spanish cut that means a squeeze, and instead of water, oil and more water. Mine in the pin and see cuttle, cuttlefish call it that, it is sardine, that it is in pelts, and all the same, there is paper in poles, paper and scratches, and nearly places.

Guess a green. The cloud is too hold, collected necessary pastes in that shine of old boil and much part much part in thread and land with a pile. The closeness of a lesson to shirt and the reason for a pale cullass is what is the revolution and retaliation and serpentine illustration and little eagle. A long little beagle, a long little scissor of a kind that has choice all this makes a collation.

Guess a green. The cloud is too heavy, gathering necessary substances in that glow of old boiling and so much of it in thread and land with a pile. The closeness of a lesson to a shirt and the reason for a pale cullass is what drives the revolution and retaliation and winding illustration and little eagle. A long little beagle, a long little scissor of a kind that has options; all this creates a collection.

All winter is dutiful. All the short stays are digestion. All lines are cylindrical that means that there is leading.

All winter is diligent. All the brief visits are for reflection. All paths are cylindrical, which means there is direction.

Any roast is not leading. Enough pale ways are scratched.

Any roast is not leading. Enough pale ways are scratched.

Spend a height all up and only pup, spend it with the soon. And this when. More call. Cane seat in bottom choice makes a melon within. A melon within then.

Spend a height all up and only pup, spend it with the soon. And this when. More call. Cane seat in bottom choice makes a melon within. A melon within then.

A little return bitten with a cake set white with ink and size and little parlors healthy with a coat. A keen glance wet with accustomed perspiration. No need to dry, no need to current a sand paper with white seams and long shoals. No more mail in splendor and shape to set sights and little steaders in so hat shoot, shut toes, shut toes with a rid of not that, no that, not that.

A small return nibbled with a cake covered in white ink and size, along with cozy little rooms dressed up. A sharp look dampened with familiar sweat. No need to dry off, no need to smooth out with sandpaper with white edges and long stretches. No more mail in elegance and form to catch eyes and little onlookers in such a way, with shut toes, shut toes with a reminder that it’s not that, no, not that.

A peach a peach pear which means a pear early and looking and near near there, exactly pass the light hall where there is no cover no cover to what.

A peach a peach pear which means a pear early and looking and near near there, exactly pass the light hall where there is no cover no cover to what.

Suppose it is past the mouth which is peculiar and nervous and left and argued and whiled whiled with a tree.

Suppose it’s past the mouth, which is strange and anxious, left and debated, while spending time with a tree.

Less a chain than a loss and pieces of pearly paper that means blue not all and the best choice is moreover.

Less like a chain and more like a loss with fragments of shiny paper that represent blue, not everything, and the best option is also.

Naturally lovey naturally a period which is regulated by a perfect beam of carpet and more boats does mean something. It is enough.

Naturally lovey, naturally a period that is governed by a perfect beam of carpet and more boats does mean something. It's enough.

A handsome beam a handsome beam is quite like the standing of a little peak shut up and needles all not needles. Rest and zest and powder to shout and color and ball and sweet word black.

A nice beam is a lot like the top of a small mountain, enclosed and pointed. Calm and lively, with energy to express and vibrancy and fun and a pleasant word, dark.

Believe, I believe you restruck my cold wet and the dun hit it back choose it set.

Believe me, I think you messed with my cold, wet feelings, and the situation hit back. Choose it, set it.

Come to why, sit in oil save the sos, all the gone sing in a pin save sit it kit, kit all.

Come to think of it, sit in oil to save the situation, all that is lost sing in a pinch, save it, kit, kit all.

Suppose a little chance to hold a door would leave the door closed would that mean that the sun was in, would it mean messages and a kite, would it mean a sold bone and little pies. The necessary shakes makes a whittle. This is not none.

Suppose a small opportunity to hold a door would keep it closed—would that mean the sun was inside? Would it mean messages and a kite? Would it mean a broken bone and small pies? The essential shakes create a carve. This is not nothing.

A little pan, that is to please it, a little which is a point to show that co-incident to a lively boat there is nearly places. That is nobody touching. All the plays garden. Little screen. Not collected and spacious not at all so old. And more places have the behold it. The best example is mustard. A little thing. A little no old shut.

A small pan, meant to please, a small point to show that along with a lively boat, there are almost places. That is, no one touching. All the play garden. Small screen. Not gathered and spacious at all, not very old. And more places have it in view. The best example is mustard. A small thing. A small, not old, close shut.

Lot in that which is a place surrounded by a fence. A fence is small it is a wall, a wall is tall it is a tunnel, a tunnel is not necessary to a city. A city is celebrated.

A lot is a space that's enclosed by a fence. A fence is short; it's a wall, and a wall is tall; it's a tunnel. A tunnel isn't essential to a city. A city is celebrated.

Leave piles steady, show it the moon.

Leave piles steady, show it the moon.

Not cut loud and teasing I bleed you, not quite shadow and niece it lises. This is mike when the land is shooken and left peel short is most to sake and not sublime is moist to ramming and leave it whet is most in chance. Nest bite is way back in the clam of dear gold weights with necessary williams williams wild williams with lamb laden twitches and new-casts and love boosts and most nextily.

Not loud and teasing, I hurt you, not quite shadow and niece, it lingers. This is Mike when the ground is shaken and left raw, which is mostly for sake, and not sublime is moist to ramming and leaving it wet is most of the time. Next bite is way back in the clamor of dear gold weights with necessary Williams; Williams wild, Williams with lamb-laden twitches and newscasts and love boosts, and most importantly.

Reason with toil and a mark upside down and left boils not knealed with close cracks and moses. A real plume with a no less boiled collander and share.

Reason with hard work and a mark turned upside down and to the left doesn't mix well with deep cracks and moses. A true feather with an equally boiled colander and divide.

This is the sport.

This is the game.

Leave it to shut up the right nasal extra ollofactorising sea lights and nearly base more shall sees to the place of the best.

Leave it to silence the right nasal passages, extra olfactory sensations, sea lights, and almost completely subdue more to the area of the best.

We wide lade the tall tack which squeeze load the no sire and leave more in church maid than rest so to streak.

We decided to take the long path, which sensibly loads the car and leaves more at the church than what remains for the road.

Mow chases in a spoon and tub, big clam, mow places in a boil a piece. No gas bests.

Mow chases a spoon and tub, big clam, and puts a piece in a boil. No gas beats it.

Look it to peas, loaf it in both spats mean a glass mean in passes in passes a poke and a chair and little cries and a bottle.

Look at the peas, loaf it in both shoes, mean a glass mean in passes, in passes a poke and a chair and little cries and a bottle.

A veil and a place seater and a peanut which makes throws so grand.

A veil, a seat cushion, and a peanut that makes throwing feel so spectacular.

Never pet never pet a gallon because there is a trunk. A trunk has a bosom. Lead less. Lead prosper pour, poor gold wax and much much tower.

Never touch a gallon because it has a trunk. A trunk has a chest. Take it easy. Lead to success; pour, poor gold wax and much, much more.

Please place what, place a colored glass. This shows two three eight three nine. This is not sunday. A trouble home.

Please put down a colored glass. This shows two three eight three nine. This isn't Sunday. A troubled home.

If a wake means bounded numbers eighty and lately. This is three, show shine five, leave it pare. All that. Seven rough state.

If a wake refers to the numbers ranging from eighty to recently. This is three, show shine five, leave it trimmed. All of that. Seven tough state.

No nuisance is in a married widow with a collection of dear ones in one room nicely. Why is black cooler, black is cooler because spread in makes a little piece of pillow and a coal black lace. This is so best shown.

No disturbance comes from a married widow with a group of loved ones all together in one room. Why is black more calming? Black is calming because it's spread out, creating a soft pillow and a dark lace. This is best demonstrated.

Suppose it is a parcel of oats and no fat, suppose it is a drill, suppose even that it is a winning centre, this means five and five and five.

Suppose it’s a bag of oats and no fat, suppose it’s a drill, suppose it’s even a winning center, this means five and five and five.

Let let let a chief go.

Let a leader leave.

The reason why a laugh is laughed after is that a shed and a shawl and little onions and keys and keys are after all a dog and a curtain and a little less.

The reason why a laugh is laughed at later is that a shed, a shawl, little onions, and keys are, after all, just a dog, a curtain, and a little bit less.

Please please please please please.

Please, please, please.

The more the wet is water the more lilies are tubes and red are rice rows. A little scene and a tall fanner and a flower a hair flower and a shoes and a shoes boots and rubbish all this makes raising please tease and a little likeness noises.

The wetter the water, the more the lilies look like tubes and the rice rows turn red. A small scene, a tall fan, a flower like a hair accessory, shoes and boots, and all the trash—this all creates a kind of playful teasing and a few similar sounds.

A gain again pounds. Agate in pets, love biscuits, a time.

A gain again pounds. Agate in pets, love biscuits, a time.

Again in leaves of potatoes and cuts, cuts with, with in, in him, a length.

Again in leaves of potatoes and cuts, cuts with, with in, in him, a length.

A little belly a little belly cold, speed out stuff, stuff alike, alike shirts and goats and get ups and laid car cases.

A small belly, a little cold belly, quickly toss out things, things like shirts and goats and outfits and laid-out carcasses.

All a bill, a bill boaster. Suppose it happened when, when a little shadow was a tail and a can a can was gathering. Gathering then.

All a bill, a bill booster. Imagine it was when, when a little shadow was a tail and a can was just collecting. Collecting then.

Suppose a clandestine roof had tires and could neglect a blue spot suppose it was the end and three places were necessary a like view would be charming charming, charming weather.

Suppose a hidden roof had tires and could overlook a blue spot. Suppose it was the end and three places were needed; a similar view would be lovely, lovely, lovely weather.

Cries is, coming, a leg, all a leg, two utter, more children, no narrow, read a little.

Cries are coming, a leg, all legs, two utterances, more children, no narrow, read a little.

If a horse and a bat and a gathering bleed stir and a chin and a cloth and early ear marks and then such such raiding and little lives and a multiplied purple, all the spool all of it cloth and gets gets out and a piece of reasonable white jacket and a hair a long pail and all bone some binding and a little season silk.

If a horse, a bat, and a chaotic crowd get agitated, and then there are a chin, some fabric, early signs, and then so much raiding, tiny lives, and an overwhelming amount of purple—all the thread, all of it fabric, comes out, and a somewhat decent white jacket, a long piece of hair, a pail, and all the bones, some binding, and a bit of seasonal silk.

Grand mutter grand mutter shell, real core, real oak plate.

Grand mutter grand mutter shell, real core, real oak plate.

Lara Lara Psyche, Lara Lara three brothers and a mother, sister sister and a new year a new year not christmas, christmas is off off of it. Really.

Lara Lara Psyche, Lara Lara three brothers and a mother, sister sister and a new year a new year not Christmas, Christmas is off off of it. Really.

Three brothers and mother. Leave it fit to a string and there is a ball a ball a hat, a hat a special astracan, a kind of loaf, a real old seventeen checkers. Come to be in, see the table and the look and the little day tomorrow, it is Thursday Friday, Friday, Friday in a day to Sunday, Sunday Sunday, Monday Monday Monday Wednesday and seventy failing out sights.

Three brothers and their mom. Tie it up with a string, and there's a ball—a ball, a hat—a hat, a special Astrakhan, a kind of loaf, and an old set of seventeen checkers. Come on in, check out the table, and notice the little things for tomorrow; it's Thursday, Friday, Friday, Friday leading up to Sunday, Sunday, Sunday, and then Monday, Monday, Monday, and Wednesday, with seventy things going wrong.

A son what is a son, a son is in the sitting room and in a central carry ball. A son is not a sister diamond, it is so noted.

A son is what a son is; a son is in the living room and in a central carry ball. A son is not a sister diamond; that’s just a fact.

Whispers, whispers. Whispers not whiskers, whiskers, whiskers and really hair. Hair. Hair is when two are in and show gum.

Whispers, whispers. Whispers not whiskers, whiskers, whiskers and really hair. Hair. Hair is when two are in and show gum.

Kiss a turn, close.

Kiss a turn, done.

Suppose close is clothes, clothes is close.

Suppose close is clothes, clothes is close.

Be less be seen, stain in burr and make pressure. This is bit.

Be less visible, make a mark, and apply pressure. This is a little.

Excel a line, a line is in end purple blue, yes guess show packets and it it it.

Excel a line, a line is in the end purple blue, yes guess show packets and it it it.

Spain is a tame name with a track a track so particular to shame, a track a little release in sold out casts a little next to saleable old cream. Able to pass.

Spain is a simple name with a path so specific to shame, a path just a little release in sold-out shows, a little next to sellable old cream. Able to get through.

A land steam, a cold cake, a received egg check, an oleander.

A land stream, a cold cake, a received egg check, an oleander.

Lessen pay a corridor, meal passes.

Lessen pay a corridor, meal passes.

Necklace, strings.

Necklace, chains.

Necklace, strings, shoulder.

Necklace, straps, shoulder.

Newly set tea, tea be hold.

Newly brewed tea, take a look.

Tea behold.

Check out the tea.

If the soiling carries the head, if the baking measures the pint, if the rudening leans on a strand then shutters.

If the dirt carries the head, if the baking measures the pint, if the reddening leans on a strand and then closes.

No need to say a little deaf way is a goat, a goat has a pin in him. Leave glasses, glasses are so cactuses.

No need to say that a slightly deaf way is a goat; a goat has a pin in it. Forget about glasses; glasses are like cacti.

Able able ever grass her, get up fern case, get up seize.

Able able ever grass her, get up fern case, get up seize.

Noble and no noble and no next burr, net in and bee net in and bee next to shown miner. Next to beat bean, next to beat bean next to be blender, next to between, next to between in intend intender. In tender.

Noble and no noble and no next burr, net in and bee net in and bee next to shown miner. Next to beat bean, next to beat bean next to be blender, next to between, next to between in intend intender. In tender.

A laugh in cat, coal hot in. A remembrance of a direct realteration with no bust no buster, no bust here.

A laugh in cat, coal hot in. A remembrance of a direct realteration with no bust no buster, no bust here.

Suppose it a glaze a glaze of curtain a fetch in pots a news camper, supper the next old meat oak and kneel kneel with excellent excellent least sands and neck stop. That is.

Here is the paragraph: Suppose it's a glaze, a curtain glaze, a fetch in pots, a news camper, supper with the old meat, oak, and kneel. Kneel with excellent, at least, sands and neck stop. That is.

What you call them what you call them say butter butter and let us leaves and a special a realteration lace a realteration lace.

What you call them, what you call them, say butter, butter, and let us leave, and a special alteration lace, a special alteration lace.

Next all, next all, inks.

Next all, next all, inks.

It was a strange name that which when a record of a lucine and naughty bent made it by that that nearly any excellent shade of night glasses made a pleasing and regular hair.

It was a strange name that, when a record of a shiny and mischievous nature was made, created a pleasing and consistent appearance similar to almost any great shade of sunglasses.

A wet syllable is we are, a wet syllable is we are we in.

A wet syllable is we are, a wet syllable is we are we in.

A Spanish water and a coop shape mine and legs and reed ridiculous red, and little lively hue, little lively hue and copper, little lively hue and copper up.

A Spanish water and a coop shape my veins and legs and reed ridiculous red, and a little lively hue, little lively hue and copper, little lively hue and copper up.

ENGLAND

Leave off more time than the hope which assures the rent of a custom, the sweetness is not only there it is the reason left and monkeys are not merry. If you do have the eyes blue and the hair the color then it is easy to see the hands.

Leave off more time than the hope that comes with a tradition; the sweetness isn't just present, it's the reason left, and monkeys aren't happy. If you have blue eyes and the right hair color, it’s easy to notice the hands.

All along and the day, the prize is not driven and the selecting of all the coal is that.

All day long, the prize isn't determined, and the selection of all the coal is what's important.

All the while is light and cleaning is not repetition. If you see the chance then spring again and if not be extreme, be certain that the show has that line in line and do not, never, see the patent desert the measles.

All the time it's bright, and cleaning isn't just going over the same thing. If you spot the opportunity, jump in again, and if not, be bold. Make sure the performance hits its mark, and don't, under any circumstances, let the obvious go unnoticed.

So the cloth is alright and the carpet is English. Pink and the moon, that sweet sugar is brown.

So the fabric is fine and the carpet is English. Pink and the moon, that sweet sugar is brown.

Cane sour asparagus and do not season with reason. Certainly the union of oxygen with ostriches is not that of the taught tracer. It is not a window that has an elastic it is planted gutta percha.

Cane sour asparagus and don’t season with a purpose. Certainly, the combination of oxygen with ostriches is not like that of the trained artist. It’s not a window that has elasticity; it’s a solid piece of gutta-percha.

The change is not plain seeking, the hills are not dislocated and the cluster has not the name of the intermediate beginning.

The change isn't just a search, the hills aren't shifted, and the group doesn't have the name of the in-between start.

To paste more attention on a bridge is not the path that is taken. All of it is planted. The blossom is pealing, the tender dew is green, the presence is in the time in between, the sacrifice is that that the bell which rings has a clapper. The pleasure in the use is not so dreary but that there is an exchange.

To focus more on a bridge isn’t the way to go. Everything is rooted. The flowers are blooming, the gentle dew is fresh, and the essence is in the moments in between. The sacrifice lies in the fact that the bell that rings has a clapper. The joy in using it isn’t so dull that there isn’t a give-and-take.

One sees a custom, one sees a date, one sees a potatoe, one sees a caterpillar, one sees more particulars than kissing, one sees the blame distributed, one sees more than any one.

One sees a tradition, one sees a date, one sees a potato, one sees a caterpillar, one sees more details than just kissing, one sees the blame shared, one sees more than anyone else.

Powder and food, union and despatch, so that there is no pale color, so that there is black, so that there is much preperation of a return to the same.

Powder and food, union and dispatch, so that there is no pale color, so that there is black, so that there is much preparation for a return to the same.

If a little meadow and a tree have that use and a morning and the west wind have that use and the evening and the continuation have that use then there is no use when the sing song ends rising.

If a small meadow and a tree have that purpose, and a morning and the west wind have that purpose, and the evening and the continuation have that purpose, then there is no purpose when the sing-song ends in the morning.

Yes there is the same. There is all of that which makes it certain that something is what is there and not misplaced. This means that to be different there is not any place that is the same and if the whole place is there then it is not alarming it is confirming. This is so shrewdly what is proven.

Yes, it's the same. Everything here ensures that something is exactly as it should be and not out of place. This means that if something is different, then there's no other place that is the same, and if everything is present, then it's not concerning; it's reassuring. This is clearly what's been established.

Bailing the center of a spot and not having an embankment is not the only way to flirt. So soon, so left without a spoon, so august and so strange and taller than every other, it is not astonishing that some one is older.

Bailing the center of a spot and not having a barrier isn't the only way to flirt. So soon, so left without a spoon, so impressive and so strange and taller than everyone else, it's not surprising that someone is older.

There is not a seed and an orange. An orange is red and yellow. A seed has only a little way to grow and there is not any palm that grows larger. It is the same. It is astonishing, it is the same. The sweet spread of the union with intuition and every anger is so certain that there is no bloom. There is red feeling and the color is deeper. Blue is of some use. There is more place for weather.

There isn't just a seed and an orange. An orange is a mix of red and yellow. A seed has only a small way to grow, and there's no palm that can get any bigger. It’s all the same. It’s amazing, it’s all the same. The sweet connection with intuition and every bit of anger is so clear that there’s no blooming. There’s a deep red feeling. Blue serves some purpose. There’s more room for the weather.

A pigeon is a bird and flying it is not widening the piece that cooking makes duller, not at all, it does not taste that way.

A pigeon is a bird, and flying it doesn’t make the dish any less flavorful; not at all, it doesn't taste that way.

The cause and any effect this does not make the smell stronger, this does not make what is pie.

The cause and any effect do not make the smell stronger; this does not change what the pie is.

To change any sigh, then to place all of that hope, to destroy dancing and to make a lovely turn that is not the season of every day, that is not the season of Monday, that is not the season of Sunday.

To change any sigh, then to put all that hope into it, to stop dancing and make a beautiful turn that isn't the usual season, that isn't the season of Monday, that isn't the season of Sunday.

A pleasant taste and plenty of butter, a pleasant drink and plenty of water, tea and more fruit than in winter, bread and more eaten than ever this is so sad and every one sees that it is to be cheerful. Any one sees cheerful weather, every one eats cheerful potatoes, they are large and there is water and there is butter, a whole city is not subdued it is iniquitous, it is so soon to see the plant that is not buried showing more white tail than ever. A little thing is never tender. The size is there.

A nice taste and lots of butter, a refreshing drink and plenty of water, tea and more fruit than in winter, bread and more consumption than ever—this is so sad and everyone notices that it should be a happy time. Anyone can see cheerful weather, everyone eats cheerful potatoes; they are big, and there’s water and butter. A whole city is not defeated; it’s unjust. It’s so quick to see the plant that isn’t buried showing more white sprouts than ever. A small thing is never tender. The size is there.

In the moan where there is no groan, in the noise where there is no presence, in the palm where there is the range of the seed and the light of more, in the room where there is all there the place where there is every chair, in the hall where there is steam-heat all about there is union in the height of some. So then there is no prayer where the use is more strange than none. This does not make for cheese and the rest are the same every day.

In the sound where there’s no echo, in the noise where no one is present, in the hand that holds the seed and the promise of more, in the space where every seat is filled, in the hallway warmed by the steam heat, there’s a connection among some. So, there’s no prayer where the purpose feels stranger than nothing. This doesn’t lead to anything special, and the rest are the same each day.

Butter which is every where has a little table, fish is all the time of day when the silver is away and there is more there. All the daylight makes for meat and the washing has that price, every price is cheaper. All the finished way to treat everything there is to place is not the only way to shape the standing heating. All the day is every day and exercise is made that way and piling plates where there is grass is something that is neater. To originate a smash means more tasting than there is when there is no use in stewing more than has been put in there to stay. So comes more length and some more weight and the bestowal of that piece is not astonishing.

Butter is everywhere and has a little table, fish is available all day when the silver is away and there's plenty more. All the daylight leads to more food, and the cleaning costs that much; everything’s cheaper. All the completed methods for handling everything there isn’t the only way to manage the ongoing heat. Every day feels the same, and exercise is done that way, stacking plates where there's grass is tidier. Creating a mess means more flavor than there is when there's no point in cooking more than what's already there. So there’s more length and some extra weight, and the giving of that piece isn’t surprising.

The lantern of blinking is not lively and this is distracted by quick ways of winking. There is so much use. The line of the rise is afternoon sunrise.

The blinking lantern isn't vibrant, and this is interrupted by rapid winks. There's a lot of utility in that. The path to the ascent is the afternoon sunrise.

So the main is seen and the green is green. Pleasure the rotten winter when there is a rotten summer. There are some things a place can not show.

So the main area is visible, and the greenery is vibrant. Enjoy the decayed winter when there’s a decayed summer. There are some things a place simply cannot reveal.

So there is no end to a name and there is no end of likelihood. A darling makes no noise and a spoon makes nothing pink.

So there’s no limit to a name and there’s no end to possibilities. A sweetheart doesn’t make a sound and a spoon doesn’t turn anything pink.

Return the whole special short sentence and then say that he will be pleased. To say that in that result is so much more particular. The cleanliness comes from washing the little pieces at the center and not making them have the sparkle in black. This is not all of a windy day. So much more that is green and not gold makes the bottom have that form. The shapes are there. They are not there when they are the same. A reason is given. It has a whole name.

Return the entire special short sentence and then say that he will be happy. Saying that in this result is so much more specific. The cleanliness comes from washing the little pieces in the center and not making them shine in black. This isn't just a windy day. So much more that is green and not gold gives the bottom that shape. The shapes are present. They aren't present when they are identical. A reason is provided. It has a complete name.

Soon the Susan is all past, the land is clean and the green color is not singled with more yellow than some. This shows in the catalogue and in the hair.

Soon the Susan is all in the past, the land is clear, and the green color isn't mixed with more yellow than a little. This is reflected in the catalog and in the hair.

All the plate is glass and cleaned with white which are hanging, the whole is spent and there is more than the size.

All the plates are glass and cleaned with white, hanging up; the whole setup is extravagant and larger than life.

All the long way to be in that length which makes no more of some cuckoo is not shown by the intermission of every reply. It is so cheerful and the breath which is not all of a response is used some more. There is a sound that came and made the agreeable deplacement of no sign. If it is to be had there is a way to surround the time of day. The sooner sand is not the smell of heating and this more ancient than the day does not mean all the noon.

All the way to reach that point which is no longer just some random chatter isn’t defined by the pauses in each reply. It’s so uplifting, and the breath that isn’t fully a response lingers a bit longer. A sound emerged and caused a pleasant disruption without a clear sign. If it’s available, there’s a way to embrace the time of day. The faster sand isn’t the scent of warmth, and this older than today doesn’t cover the entirety of noon.

He can be pleased in the same time as a bright Sunday. He can be dancing so. He can be and he is somewhat. He is altogether.

He can be just as happy as on a bright Sunday. He can dance like that. He can be, and he is, somewhat. He is completely.

He and there are the patience, he and all the whole way is uplifted with that and surely the simple thing is to neglect that and to do so.

He and there is patience; he and the whole way is uplifted by that, and really, the simple thing is to ignore that and just do it.

Soon to have an eye, soon to have plenty of them, soon to have a nose, soon to have plenty of them, soon to have a light soon to have plenty of them.

Soon to have an eye, soon to have plenty of them, soon to have a nose, soon to have plenty of them, soon to have a light soon to have plenty of them.

The argument is that if there is a way there is no need to say that separation means more use than all the cake. That is true, that is a belief. A thorough substance is one that has no particular caterpillar, a caterpillar has no color, this is no loss, there is no less more than there is clothing, it shows that much and anybody can say no, anybody has a hat, a hat has no use, that does not mean that it does shine when there is a plain sight.

The argument is that if there's a way, there's no need to claim that separation means more use than all the cake. That's true; it's a belief. A solid substance is one that doesn't have a specific caterpillar; a caterpillar has no color. This isn't a loss; there's no less than there is clothing. It shows that much, and anyone can say no. Anyone has a hat; a hat has no use, but that doesn't mean it doesn't shine when viewed plainly.

All the heavy weight is that color and nobody is more famous than an oaken piece of wood, not any body and every one is famous, every one, when there is no lavender.

All the heavy weight is that color, and no one is more famous than a chunk of oak wood. Not a single person is famous, everyone is famous when there’s no lavender.

Peace to more calm, and rest to more regret that selling is not burdening buying.

Peace leads to greater calm, and rest brings more regret than selling, which does not weigh down buying.

Still so many change, the time to say that the change is not a meadow is not to all the same and anyway all have nothing bare. They season their chocolate, they partake tender, the rest is the finish of the street, the houses are adjusted and adjoining. The conclusion is no veil, the breeze is taller and surely walking is something, there is any occasion, there is no pink appurtenance, so much suit, so much harbor, so much that is described in response.

Still so much changes, the time to say that change is not a meadow isn’t the same for everyone, and anyway, everyone has nothing to bare. They season their chocolate, they participate tenderly, the rest is the end of the street, the houses are adjusted and connected. The conclusion is not hidden, the breeze is stronger, and surely walking is something; there is every opportunity, there is no pink accessory, so much suit, so much harbor, so much that is described in response.

A land is not more seen than a beefsteak and a beefsteak is wasted. All the roast has a sale and all sale is varnish. The section that has the twin set of notwithstanding are all suited with the linen, and more camps are made to fit than there is hair on a peninsular. The reason is so just that a question has that right and a belief is universal that is to say there is no doubt of something.

A piece of land isn’t any more visible than a steak, and a steak goes to waste. Every roast has a price, and all prices are just a surface-level appeal. The areas that have a backup plan are all equipped with the basics, and more adjustments are made to fit than there are strands of hair on a peninsula. The reason is so clear that a question has its validity, and there is a widespread belief that means there’s no doubt about something.

Drafts are not dark nor is the sea and livelier are the seven months of warning. All the perils are serene, and laughing is not stranger.

Drafts aren’t dark, nor is the sea, and the seven months of warnings are more vibrant. All the dangers are calm, and laughter feels familiar.

Piling for a witness means the boat and all the floating places are so searched, tighter and more of the breathing there makes any swelling so much simpler.

Piling for a witness means the boat and all the floating spots are searched thoroughly, and the more pressure there is, the easier it is for any swelling to occur.

A plain tie makes a connection on Saturday and they are the first. They have that reason, no one can oppose visiting, there is no use in obtaining a station. Time to go away is October. That shows more winter than weather. This does make a written reason.

A plain tie creates a connection on Saturday, and they are the first. They have that reason; no one can argue against visiting. There's no point in getting a station. Time to leave is October. That indicates more winter than weather. This does provide a written reason.

A bloom on a red thing means that there is a single country. An apple offered means that there is no disgrace. A single thing that has no seeds means that there is land. A same joint and no appetite means that there are no sandwiches.

A flower on a red object signifies that there is one country. An offered apple indicates that there is no shame. A single item without seeds means there is land. A shared connection with no hunger means there are no sandwiches.

Like the mantle and the light and the crackling underwear, like the colors that are dark and the mixtures that are bright, like them all there is no destruction, there is no analogy, there is a dislocation, there is no disturbance.

Like the cloak and the light and the crackling underwear, like the dark colors and the bright mixes, like all of them, there’s no destruction, there’s no comparison, there’s a dislocation, there’s no disturbance.

Startling and true the same are few. The presence of many is acute. The death of more is arduous. The relation of all that is in that language. So simple a date makes no hard singing. If it is a wild cow it is tame. The single hair shows the reason in a precise ham. It is a dinner. It is leaning.

Startling and true, the same are few. The presence of many is intense. The death of more is difficult. The connection of all that is in that language. Such a simple date doesn't require hard singing. If it is a wild cow, it is tame. A single hair shows the reason in a precise ham. It is a dinner. It is leaning.

Kindling is wood and coal is tonny. That is the blame and a blower is funny. The time comes to state that. There is seriousness.

Kindling is wood and coal is tonny. That is the blame and a blower is funny. The time comes to state that. There is seriousness.

Blame is not forecast it is a sunrise, how soon is there more shade than light.

Blame isn't predictable; it's like a sunrise—how soon does shade take over the light?

A bang is the sound of water, a simple string ties it together. It is so struck that there is water, moisture has a sample of more. There is no sympathy. There is no educator. If the width is more the wider is wider. The width is not a wayside it is the block. There is the color soon. There is no shade. Shadows are a sampler. There is no sampler. The width is precious. It is wading in length. The wide angel has no wet winter. It is not drained wetter.

A bang is the sound of water; a simple string connects it. It’s struck in such a way that there’s water—moisture has a bit more to offer. There’s no compassion. There’s no teacher. If the width increases, it just gets wider. The width isn’t just a side road; it’s a block. Color will come soon. There’s no shade. Shadows represent a sample. There isn’t a sampler. The width is valuable. It’s wading in length. The wide angle doesn’t have a damp winter. It doesn’t drain any wetter.

Bursting no more and being the sample of more of it is not so much simpler than it was. It was so sudden. It was suddenly so much more safer. Then there came the same time and there is analysis, there is the whole time and there is no more simplification than there is. There is very much more. There is that there. There is there more than that. There is.

Bursting no more and being the example of more of it isn't any simpler than it used to be. It happened so suddenly. It suddenly felt so much safer. Then came the same moment and there is analysis, there is the whole time, and there is no further simplification than there is. There is so much more. There is that there. There is more than that. There is.

To avoid a shot means that there is no way to jump. Why should an engagement fit two. There is no cause in despair. The darkness that makes a mind show dirt is that which is practical. The union of all that is wetness, the change is underweight and yet the practical use of length is the same as width. There is that belief.

To avoid a shot means that there’s no way to jump. Why should a commitment only suit two people? There’s no reason to be in despair. The darkness that reveals the flaws in a mind is actually practical. The combination of everything that is wet, the change is insufficient, and yet the practical use of length is the same as width. That’s a belief.

Ink is black. That is brutal if there are fish.

Ink is black. That’s harsh if there are fish.

A church is so enchanted that there is hymning. This makes the question safer.

A church is so captivating that there is singing. This makes the question more secure.

All the peals that were ruined were those that were stumbling and if these were in the way they were a shop. That means that selling is an obligation.

All the ruined bells were the ones that were malfunctioning, and if these were obstructing anything, they were a storefront. This means that selling is a necessity.

A clamp is that which when attached has a pin. This keeps it from coming more to say less. This does not show wagering. If the time is between then there is no certain wisdom and yet there is no denial. Why should there be. What is the taste. It is not so painful to see hanging. Hunger is more perforated. That does not mean that there is a change in weight.

A clamp is something that has a pin when it's attached. This prevents it from moving too far, to put it simply. It doesn't indicate any betting. If the timing is uncertain, there's no definite knowledge, yet there's also no rejection of it. Why should there be? What does it feel like? It's not too hard to look at it hanging. Hunger is more intense. That doesn’t imply that there's a difference in weight.

No powder, pink is not a color, any color is an order that is to say if a window is not the same every one has that resemblance. Saving no soap and coming in, coming right in means that there is that action. The tone of surprise is uplifting but there is not that disgrace, there is down, that is sinking. Coming in, that is coming and rinsing, that which is used is the room, that which is used is washing, that which is used is not preventing anything resembling any soaking. So much substance, so much receipt, so many more cakes of wintry dancing. Is it astonishing. It is. There is every disturbance. Why is there whether. Why is the Thames warmer.

No powder, pink isn't a color; any color is an order. This means that if a window looks different, everyone can relate to that similarity. Not saving any soap and coming right in means there's action happening. The tone of surprise lifts you up, but there's no shame in that; rather, there's a feeling of sinking. Coming in means entering and rinsing; what gets used is the room, what gets used is washing, and what gets used doesn't stop anything resembling soaking. So much substance, so much receipt, so many more cakes of winter dancing. Is it surprising? It is. There’s every disruption. Why is there weather? Why is the Thames warmer?

Packing and not mentioning being adjoining does not mean eye-sight. It does not mean a release from an operation. It is not destroying a button.

Packing and not mentioning that they are next to each other doesn't mean seeing. It doesn't mean getting out of a job. It's not about breaking a button.

So then the price is the same and the size is dependent on the whole piece. It shows no holes clearly. There is no use in scissors.

So the price is the same, and the size depends on the entire piece. It clearly shows no holes. There's no need for scissors.

A kind of wading is not so poisonous as wiped water. The length of a street is not disturbed by the use of slippers. Not at all.

A type of wading isn't as toxic as wiped water. The length of a street isn't affected by wearing slippers. Not at all.

Loud and not louder and the time is stouter and the width is wider and the selection is thicker. No time to be tall and small no time to prick a finger, no time to surprise a noise in the sides and yet all that is used by there being more time there every birthday. Every birthday which is not yesterday has an occupation. An occupation is that which when there is the time shows the center of that which is the lamentation and lamenting does not destroy that use, it does not fulfill a judgement, it does more, it is relined. The same shows more when there is no date. Any reading is simple. The use is all day. A response uses words. They mean that full. The length is more than the joining. There is that reestablishment and no violence. The time is more so than peculiar. There is nothing to see. Reading is action. There is a swim in a way. All the time is an accident. There is a reason. There is that experience of detraction. There there is expression, there is a blame not intending disturbing unattaching unintelligent attention to extreme intention.

Loud and not louder, and the time is stronger, the width is wider, and the selection is thicker. There’s no time to be tall or small, no time to prick a finger, no time to make a noise from the sides, yet all of that is made possible by having more time with each birthday. Every birthday that isn’t yesterday has its own purpose. A purpose is what reveals the heart of that which is sorrowful when there’s time; lamenting doesn’t eliminate that purpose, it doesn’t fulfill a judgment, it goes further, it is refined. The same shows even more when there’s no date. Any reading is straightforward. The purpose lasts all day. A response uses words. They mean that fully. The length surpasses the connection. There’s that restoration without violence. The time is more than strange. There’s nothing to see. Reading is action. It feels like swimming. All the time is an accident. There’s a reason. There’s that experience of distraction. There, there’s expression; there’s blame that doesn’t intend to disturb, detaching from unintelligent focus on extreme intent.

Payment and subjoining sin, the length of death is not between, the tooth and the age and more than all, the salt, and more than all also the hard bed and no petition. There is the use in pointing harder than no wind and no other.

Payment and accompanying sin, the duration of death isn't defined by age or strength, and more than anything, by pain, and more than anything else, by a hard bed and no appeal. There is more value in aiming harder than in the absence of wind and anything else.

This is not white, there is no cream any kind color, there is the time to grow longer and all the same if there is no paper it does not show in the print and pen-wiper. It does not.

This is not white, there is no cream of any color, there is time to grow longer and all the same if there is no paper it does not show in the print and pen-wiper. It does not.

It can see more than what, than then. Henry and a doleful danger. There is a sending of a principle line of unpointed apples, and a target, a whole thing is no example. And the caneseat joint is so soundless in quiet cushions. There is no more pen-wiper.

It can see more than it did before. Henry and a sad danger. There's a delivery of a basic line of unbruised apples, and a target; the whole thing is not a example. And the seat joint is so silent on soft cushions. There’s no more pen-wiper.

Anything that is everything and everything that is anywhere and everything that is everywhere has no special singular purpose. If purpose is intellectual then there is a garden, if there is a garden there is a fountain, if there is a fountain then there is an intellectual purpose. No respect is resembling that more than the mischief.

Anything that is everything and everything that is anywhere and everything that is everywhere has no specific sole purpose. If purpose is intellectual, then there is a garden; if there is a garden, there is a fountain; if there is a fountain, then there is an intellectual purpose. No respect resembles that more than mischief.

To choose more is to choose something. That choice which is admonished is not more dated than that which is remembered and there is a fine display of zeal there certainly is and nothing is more orderly nothing and when there is washing there is interlacing. This means so much cleaning and cleaning which has that sign is the same as the whole time of being peculiar.

To choose more is to choose something. That advised choice isn’t any more old-fashioned than the one that is remembered, and there's definitely a fine display of enthusiasm. Nothing is more orderly, nothing at all, and when there's washing, there's intertwining. This signifies a lot of cleaning, and the cleaning that has that mark is the same as the entire time of being unique.

Any one is older. Any one is a sight for a beholder. Any one is saved a sickness. And any one is a particular substitute for remaining undetermined and seeing a clean collar. All the same the full service is in the height of a rich thick sandy sticky silence. There is no dispute when there is harmony. All the date is in the place. There are such red ones when they are pretty. A color which shows is one that is not seen anywhere. This will happen. This does not start a subject.

Any one is older. Any one is something to look at. Any one avoids getting sick. And any one is a specific stand-in for staying undecided and noticing a clean collar. Still, the complete service exists in the depth of a rich, thick, sandy, sticky silence. There's no argument when there's harmony. All the details are in the right place. There are such beautiful red ones. A color that stands out is one you don't see everywhere. This will happen. This doesn't initiate a topic.

To be reckless and rejoined, to be sad and not forsaken, to be earnest and awake, to be sure that there is freedom, all this makes no difference at all. A sight that disturbed was not that after all there was restraint and to look differently shows that there is a resemblance and that the nation has partaken. The nation has partaken and there is no pleasanter reunion.

To be reckless and connected, to be sad yet not abandoned, to be serious and aware, to be certain that there is freedom—none of this really matters. A troubling sight revealed that there was, after all, limitations, and seeing things differently shows that there is a similarity and that the nation has joined in. The nation has joined in, and there is no nicer reunion.

To be forced to say that there is no denial, not to be forced but to be rejoiced that comes from the time when there is no hesitation and much ease. Very much ease is more ease than much ease, much ease is more ease than the ease which is not that ease. That comes to be said. That comes to be so said that there is no individual reunion between the first second third fourth and fifth.

To be compelled to admit that there's no denying it, not just compelled but actually thrilled, stems from moments of certainty and relief. Feeling very relaxed is even more relaxing than just being relaxed, and being relaxed is better than not being relaxed at all. That's what's being said. It's said so clearly that there's no personal reunion between the first, second, third, fourth, and fifth.

A cause for disturbance rests in the fact that more time is used in a long time than in a short time. There is no criticism when the time is long. The time is so long that an answer comes promptly. This is so much the more satisfactory as the occasion for an answer is whenever there is cause for a question. The difference between this and no elaboration is extreme. No elaboration is not achieved in a question nor in an answer and this which is so eminently satisfactory is that there is no doubt that there will be no reason for the occasion. To be faithful is to be accustomed and the custom which is without that reservation has no circumstance to replace it. The time to state that is when there is no reason to doubt a result. There never is a reason to doubt a result if there is a promise. If there is a promise it means that idleness is only another name for a thing.

A reason for disturbance comes from the fact that longer periods take more time than shorter ones. There’s no criticism when the time is lengthy. It’s so long that a response arrives quickly. This is especially satisfying since an answer is needed whenever there’s a question. The difference between this and no details at all is huge. No details aren’t achieved in a question or an answer, and what is incredibly satisfying is knowing there’s no reason for doubt about the situation. Being reliable means being used to it, and that consistency, without any reservations, has no situation to replace it. The time to express this is when there’s no reason to question an outcome. There’s never a reason to doubt an outcome if there’s a commitment. If there’s a commitment, it means that inactivity is just another term for something.

The whole place is so large that there is no dust and so there not being that there is every occasion for no difference to be noticeable. This makes reading so necessary.

The entire place is so big that there's no dust, so it's hard to notice any differences. This makes reading really important.

Nothing is perplexing if there is an island. The special sign of this is in dusting. It then extends itself and as there is no destruction it remains a principle. This which makes that reveals that and revelation is not fortuitous it is combined and ordered and a bargain. All this shows the condition to be erect. Suppose that there is no question, if there is no question then certainly the absence of no particular is not designed. And then when it is astonishing it is not liberty. Liberty is that which gathered together is not disturbed by distribution and not given without remark and not disturbed by frugality and an outline. All this makes the impression that is so disturbed that there is no question.

Nothing is confusing if there’s an island. The clear sign of this is in cleaning. It then spreads out, and since there’s no destruction, it remains a principle. What reveals that shows this, and revelation isn’t random; it’s structured and negotiated. All of this indicates a standing condition. Let’s assume there’s no question; if there’s no question, then definitely the lack of anything specific isn’t intentional. And when it’s surprising, it isn’t freedom. Freedom is what, when gathered, isn’t affected by division and isn’t given without notice and isn’t disrupted by scarcity and a framework. All this creates the impression that’s so unsettled that there’s no question.

There is no use in denying what any one hearing reading is hearing, there is no use and doing it every day is not tantalising, it is not a bit more tantalising than exaggeration, not a bit and the whole result is spoken out in the best time and place and moment. This increases daily and all the time what if there is meddling, meddling is not automatic, and if it is automatic why should it not be obligatory.

There’s no point in denying what anyone reading is hearing; doing it every day isn’t enticing at all—it’s not any more enticing than exaggeration, not at all. The entire outcome is expressed at the right time, place, and moment. This increases daily, and all the time, and if there is interference, interference isn’t automatic. And if it is automatic, why shouldn’t it be mandatory?

A candle light does not mean that there are candles, a candle light means arithmetic and training and ways of stating a question and it means much more, it means that every night if there is moonlight there is that light, and light has so much place in a lighted place that every one is accustomed to it.

A candle light doesn't just mean there are candles; it represents math and practice and ways of asking questions. It signifies much more, implying that every night there's moonlight, there’s that light. Light takes up so much space in a lit area that everyone gets used to it.

It is so wintry and hair is blowing and all the slippery slides have water on them, it is so summery and wind is water and all that is red is what is burning, the whole excitement, all the wedding shows the spring to be the place where water springs, all the horizon, all the dwelling shows that escaping is not an escapade that is in a suggestion. So to reason and so to eclipse and so to redden the western sun, so to accept and so to annoy and so to have no piece of money, so much so is not a tangible substance, it is intangible and therefore it is sliced.

It’s so cold out, and my hair is blowing around, and all the slippery slides are wet. It feels so summery, with the wind and the water, and everything red is burning. The excitement of it all, the wedding shows, makes spring feel like the place where water springs up. The entire horizon and all the homes show that escaping isn’t just a fun idea. So we reason, and so we dim the bright western sun, and we accept things, get annoyed, and have no money. It’s just that none of it is a solid thing; it’s all intangible, and that’s why it feels divided.

A toil that has no frozen dish-water, a trembling that has an appetite, a refusal that has a nervous extremity, an expression that has a direction of disregarding, all this shows the essential use of a minority, they show it and they caution it, they do not outrage giving it credit. The time does not come to any one who is pardoned, it comes and then when there is patience when there is use, when there is talking and a table, when there is even a slice of ham, it comes then to be announced that certainly understanding is what is not partial, it is so kind and strong and lengthy that certainly there is no disgrace.

A struggle without leftover dirty dishwater, a shivering with desire, a refusal that feels anxious, an expression that intentionally ignores—these all demonstrate the essential role of a minority. They show it and warn about it; they don’t demand recognition. The right moment doesn’t arrive for anyone who has been forgiven; it arrives when there's patience, when there's value, when there’s conversation and a table, when there’s even a slice of ham. It arrives to make clear that understanding isn’t biased; it's so kind, strong, and enduring that there's absolutely no shame in it.

A goose girl is no goose girl when there are geese. A church is a church. A ship is a ship. Thunder is thunder.

A goose girl isn’t really a goose girl when there are no geese. A church is a church. A ship is a ship. Thunder is thunder.

Silence which makes silence give that sense to all there is, silence which has light and water and unison and appetite and result and a motion and more exaggeration and no recklessness, silence which is there is not disturbed by expression.

Silence that creates silence gives meaning to everything, silence that includes light, water, harmony, desire and outcome and movement and more emphasis, without any carelessness, silence that exists is undisturbed by expression.

There is no doubt of one thing there is no doubt that the real rate of establishing frequency is that which is used when there are numbers.

There’s no doubt about one thing: the actual rate for determining frequency is the one used when dealing with numbers.

What comes out of silence. What comes out of silence is that which having that usefulness, that nature, and that fashion is not shown to be managed by the combination.

What comes from silence. What comes from silence is something that, possessing usefulness, nature, and style, is not revealed to be controlled by the blend.

Surely silence is sustained and the change is sudden.

Surely, silence lasts, and the change happens quickly.

Supposing that there was no use for that which there is use for, supposing there was a bridge there where there is what there is, supposing all this and suppose that the enlightenment of everybody consisted in everybody having that condition, supposing all this, this is then the answer that silence gives in answer. The silence that is not preserved, the silence is the same as the characteristic which is not finished.

Suppose that what is useful has no purpose, suppose there's a bridge where things exist as they are, suppose all this, and assume that everyone’s enlightenment depends on having that state. If we consider all this, then the answer that silence provides is clear. The silence that isn't kept is the same as the quality that remains incomplete.

A pound of paper and no more string, a pound of string and no more leather, no pounds of anything else, does that make indifference, it does, it does make authority. All the calamity that shows origin and design is that which when it is understood is redetermined all this is entitled readministration. There is no use in a pencil, there is no use in any direction of succeeding in experience, there is not one single objection. The wholesale cloth is not handled with a sprinkler, it is so handled that when there is no obligation there is every inducement it is so handled that pathways are mended, it is so handled that there is a single sound. All the same there is no such language, it does not mean by that that the letters are smaller it does not mean that at all.

A pound of paper and no more string, a pound of string and no more leather, no pounds of anything else; does that create indifference? It does, it does create authority. All the chaos that has a clear origin and design is something that, when understood, is redefined. All of this is called readministration. There's no point in using a pencil, there's no point in trying any method of succeeding through experience, there isn't a single objection. The bulk cloth isn't dealt with using a sprinkler; it is dealt with in such a way that when there is no obligation, there is every incentive. It's managed so that pathways are improved, managed so that there is one clear sound. Yet, despite all this, there is no such language; this doesn't mean that the letters are smaller, it doesn't mean that at all.

The strength of purpose which joins resignation with neglect and action with reducing and interpretation with resignation, the strength of purpose which connects distribution with desertion, and pink coloring with bathing, the strength of purpose which does not deny reddening, which does not authorize forbidding which does not disturb utilizing, the strength of purpose which adjusts desertion and exercise and resolution, the strength of purpose which organizes recognition and the disturbing of a perfectly satisfactory reception, the strength of purpose that withdraws no application and registers no reaction and suggests no opening, such a strength of purpose is resolute and reliant and reëstablished, such a strength of purpose has the same service as the expression of recognition, such a strength of purpose has the borrowing of relaxation and the neglect of retardation, such a strength of purpose is selected selecting articles for recollecting, such a strength of purpose has origin and unison, such a strength of purpose has the surface of differentiation, such a strength of purpose has the organ of rehabilitation, such a strength of purpose is not pasting, it is not nailing, it is not swinging, it is not fighting, it is not saving, it is not utilizing the origin of sewing, all the same the strength of purpose is something, it is there, it is worried, it is in the precise situation that nothing shows, it is displaced, it is practiced, it even has a little place to spread a certain kind of preparation, it even is the kind of thing that has celebrations and bursts and specks and a kind of thing that has no particular name but is useful when it is not used in the end, in every way there is adaptation and that does not mean the same as the use of no excuse it means something that any one can see is opposite, it means what is coming to be realized as the intended metal to make nothing of and not be wasted. All the same there is that idea and if there are no more pieces why then there is a difference, there is a kind of way of saying that, there is no doubt that any one can join in with some member and surely if the rest makes no matter what is there any use to say there is no difference. There is none and so the whole thing shows that there is no pot and no dirty winter, all the same it does sound that way.

The determination that links giving up with neglect and taking action with minimizing and understanding with acceptance, the determination that ties sharing with abandonment, and a rosy hue with bathing, the determination that doesn’t reject blushing, doesn’t allow forbidding, and doesn’t disrupt using, the determination that balances abandonment and effort and resolve, the determination that arranges acknowledgment and the disruption of an otherwise satisfying reception, the determination that doesn’t withdraw from effort and notes no response and proposes no openings, such determination is steadfast and dependable and reestablished, such determination serves the same purpose as the expression of recognition, such determination borrows from relaxation and ignores delays, such determination selectively chooses items for recollection, such determination has origins and harmony, such determination shows differentiation, such determination has the means of rehabilitation, such determination isn’t just sticking or nailing or swinging or fighting or saving, nor does it make use of sewing’s origins, yet the determination is something, it exists, it is concerned, it occupies a space where nothing is evident, it feels out of place, it is practiced, it even finds a spot to create a specific kind of preparation, it can also be the sort of thing that encompasses celebrations and bursts and fragments and a type of thing without a specific name but is helpful when it’s not ultimately used, in every respect there is adaptability, and that doesn’t mean the same as using no excuse, it represents something clearly opposite, it signifies what is beginning to be recognized as the intended metal to turn nothing into something and not be wasted. That idea remains, and if there aren’t any more parts, then there’s a distinction, a way to express that, and there’s no question that anyone can join in with some member, and surely if the rest doesn’t matter, what’s the use of claiming there’s no difference? There isn’t, and thus the whole scenario shows that there’s no pot and no dirty winter, yet it does sound that way.

The shed and the house and any shelter shows mud in winter, it does and it shows in summer as well, it shows it in summer and in winter and it shows so well that anybody says something different, anybody shows something when something is showing, and something is showing whenever there is sauce and there always is that to save and put around. There always is some way to be reconciled to a difference. The whole thing is just shown in their being no celebrated invalid.

The shed, the house, and any shelter show mud in winter; they do, and they show it in summer too. They show it so clearly that anyone who says otherwise is mistaken. Everyone reveals something when something is visible, and something is always visible whenever there's a mess, and there’s always something to clean up and put away. There’s always a way to come to terms with differences. This is all evident in the fact that there’s no one celebrated as an invalid.

MALLORCAN STORIES

Romanonos no.

Romanonos no.

Maurer see.

Maurer sees.

Sun never sets.

The sun never sets.

Napoleon the third, cathedral.

Napoleon III, cathedral.

McKinley's eagle.

McKinley's eagle.

Pope's prayers for peace.

Pope's prayers for peace.

Pins and needles ship.

Pins and needles ship.

Mallorcan stories.

Mallorca stories.

SCENES. ACTIONS AND DISPOSITION OF RELATIONS AND POSITIONS

Keep away and visit every Saturday. That is the only way to resist carrying all the attention when there is enough time. Time is not the thing any evening. Time is not the thing in the afternoon. There is not such a morning.

Keep your distance and come by every Saturday. That's the only way to avoid taking all the attention when there's plenty of time. Time isn't a factor in the evening. Time isn't a factor in the afternoon. There isn't such a morning.

Not a time when there is occupation not such a time is the time that is not used and a knock that has no intention has some hope. It is not open to stay. There is a way to go away. That is not the use of that way. There is every return.

Not a time when there is activity, not such a time is the time that is not utilized, and a knock without purpose has some hope. It is not meant to linger. There is a way to leave. That is not the purpose of that path. There is always a way back.

That which is not used is not a word it is enough. That which is asked is not a conversation, it is a piece of typewriting. And so there is no choice and yet if there were not would there be the exchange of everything. There is enough of that which is admitted often and sometimes to make any difference there comes to be of returning receiving. This is not what is kindly.

That which is not used is not a word; it's enough. That which is asked is not a conversation; it's just typewriting. So, there's no choice, and yet if there weren't, would there be an exchange of everything? There is enough of what is often admitted, and sometimes to make a difference, there comes a time for returning and receiving. This is not what is kind.

To keep on is to use what there is when there is enough of what is in daily use. That is not the medium that has that renewal.

To keep going means to use what's available when there's enough of it being used daily. That's not the way to bring about renewal.

It was the time of day to fill all day. The steadiness of that and that which is useful is the thing that is individual and a refusal to sing is one thing, to go on with a song is not wrong, to say that a use is not passed away when what is not said is not useful is one way to say that the quality that is the same has any experience.

It was that time of day to fill the entire day. The consistency of that and what is useful is what makes it personal, and choosing not to sing is one thing, but continuing with a song isn’t wrong. To claim that a use hasn’t faded away when what’s unsaid isn’t useful is one way of expressing that the quality that remains holds significance through any experience.

Winter in a room and living there and many rooms and some air and all the same breath when food is not scarce and enough to eat if boiling is neat, all of that which does not pass away stays to place the work that has that presentation.

Winter in a room, living there along with many rooms, and some air, all sharing the same breath when food isn’t scarce and there’s enough to eat, especially if cooking is done well. All of that which does not fade away remains to fulfill the work that has that presentation.

It was not dark and the light was not lost as that which was finishing the condition was the same if it was wood. It had not the same description. There are ways of admiring something.

It wasn't dark, and the light wasn't missing; what was ending the situation felt the same as wood. It didn't have the same qualities. There are different ways to appreciate something.

There is a regular way of having that position that entering is not permission if there is no need of question. All the time that the talk is done there is a way to stay. To use anything is not the best way to have the right answer. All of the time is so placed that an awkwardness does not mean a pleasant entrance and there is the presence of that which is not necessary which induces a reception.

There’s a standard way to take that position where entering doesn’t mean permission if there’s no need for questions. As long as the conversation is happening, there’s a way to stay. Using anything isn’t the best way to get the right answer. Everything is arranged so that awkwardness doesn’t equal a pleasant arrival, and there’s a presence of what’s unnecessary that affects the reception.

There is no dreariness in success and selling a picture and arranging an exhibition. There is no dreariness in four galleries and five cities and a packer. There is no dreariness in charging a direction and using up a special expression and seeing that sustain reorganisation. There is no dreariness in having some reception. There is no dreariness.

There’s nothing dull about achieving success, selling a painting, or putting together an exhibition. There’s nothing boring about four galleries, five cities, and a packer. There’s nothing tedious about taking charge, using a unique style, and witnessing ongoing changes. There’s nothing unexciting about hosting a reception. There’s no dullness at all.

The time has come when seeing a different coat reminds some one of the time of the year and this does not make the same difference as a strong nature. This makes the particular use of some understanding and loss of hope and change of face. This does mean that the pleasant time has been near.

The time has come when seeing a different coat reminds someone of the season, and this doesn’t create the same impact as a strong nature does. This leads to a specific kind of understanding, a loss of hope, and a change in demeanor. This does signify that a pleasant time has been close.

A darker day is not darker and the reason of that is that the impression being made it is continued until there is that change and the change is not coming, it has not that complexion.

A darker day isn't necessarily darker, and the reason is that the impression being created continues until there’s a change, and that change isn’t happening; it doesn’t have that quality.

The whole time is occupied when there is no place where the effect of that impression is not wearing into some shape and then when the copy is not perfect it is not prettier and the thing to show is the intention and the way to spend the whole piece is to move away and explain that in a letter. If there is a faithful action then belief is certain if there is no change of reputation. All that is received is answered when any subject is open and there is no place to sit and talk.

The entire time is consumed when there’s nowhere that the impact of that impression isn’t shaping into something. And when the copy isn’t perfect, it doesn’t become more attractive; what matters is the intention. To fully convey this, you need to step back and explain it in a letter. If there’s a genuine action, then belief is guaranteed as long as there’s no change in reputation. Everything that is received gets addressed whenever any topic is up for discussion, and there’s no place to sit and chat.

There is a way to say that the thing there is not in the square and when it is in the square if it is there then seeing it is enough if going into it is to be put there and there is a way to go in, the way to go out is if it is the same is the same. The whole of that time is not used when a little thing that remains has no meaning. Any little thing has that meaning. There is another way of being a dirty fellow.

There’s a way to say that the thing isn’t in the square, and when it is there, seeing it is enough. If you have to go into it, you're meant to be there. There’s a way to enter, and the way to exit is if it’s the same. The entire time isn’t spent when a small thing that’s left has no meaning. Any small thing carries that meaning. There’s also another way of being a jerk.

If the effect of a defect is to allure and to change the base of any recognition then it is a wonderful way that makes a vision and that is what is if no one is the same and the one is only that one and is not any different. It has not any meaning that which is so plain that a screen keeps nothing clean. The air is not there. If there is no surface then the only way to choose is by example and there is not a way to compliment, there is a way to try any way and to have had no resolution and to have been received by some. To come into the relation means that if there is a response something has been said. This is not too exact. It does not exhaust a preparation.

If a defect's impact is to attract and alter the foundation of any recognition, then it's a remarkable method that creates a vision. If no one is the same and each person is unique, that’s how it is. The obvious has no meaning, making everything seem dirty. The air isn't there. If there’s no surface, the only option is to choose by example, and there’s no way to give compliments; there are just attempts, leading to no resolution and some being affected. Engaging in a relationship means that if there’s a response, something has been communicated. This isn’t precise. It doesn’t fully prepare you.

Not lading the leaning and not exhilerating the creation and the tending of the flowering is practically all of that thing. Arranging the renewal of refusing by accepting is the only sweetness succeeding is not subduing. Succeeding is not staggering when it is not proceeding and the best plan is the day that has less provision. The whole place is one place and the place that is that place is the place where the hope is that which has no time. The only withdrawing of nothing that has longing is the time that it takes to say that there is joining.

Not loading the leaning and not making the creation and care of the blooming is basically all of it. Organizing the renewal of rejecting by accepting is the only sweetness; succeeding doesn’t mean being overwhelming. Succeeding isn’t hard when it’s not about moving forward, and the best plan is a day with fewer demands. The entire area is one location, and the place that is that location is where hope exists, which is timeless. The only retreat from nothing that longs is the time it takes to acknowledge that there is a connection.

Arrive and wait and say to no other that there is no deception when there is relaxation. Not to say anything is obliging.

Arrive, wait, and tell no one that there’s no trickery when there’s relaxation. Not saying anything is courteous.

To have that position and to meet that destination and to show the way which is not changed as a pleasant greeting and that reception is all there is of all reunion. It does not copy the relation and it does have that movement.

To hold that position and reach that destination, and to present a path that remains unchanged as a friendly greeting, is all that really matters in any reunion. It doesn't replicate the relationship, but it does involve that movement.

To see no harm and to see all the charm and to have possession and to defend permission if there is any way to ask it is to despise one another if there is the same reason. What can be used if all that is held is supported by everything. What can be some change. The whole place is there to see and to go there means that the same thing is begun. The regard is different.

To see no harm and to see all the charm and to have possession and defend the right if there’s any way to ask for it, is to disregard each other if there’s the same reason. What can be used if everything held is supported by everything? What can change? The whole place is there to see, and going there means that the same thing starts anew. The perspective is different.

Leading in hearing, that is to be tired, that is what is the way to hear more and always then there is that result, there is a change. Leading in hearing and then that is being tired and being then staying and being remaining and exchanging that for that thing.

Leading in hearing, which means being weary, is the way to listen more, and as a result, there’s a change. Leading in hearing involves feeling tired, staying present, and exchanging that for something else.

Not feeding eating, that is eating in feeding, eating is what eating is and feeding is what feeding is and eating and feeding that is the use of that receptacle which is not empty. Nothing is empty and open and everything is full when it is opening and closing. Closing is nothing.

Not feeding eating, that is eating in feeding, eating is what eating is and feeding is what feeding is and eating and feeding that is the use of that receptacle which is not empty. Nothing is empty and open and everything is full when it is opening and closing. Closing is nothing.

The open way the open way and the closing way, the open way is not the origin of that which is interesting, the parts of speech are not the same, they have some origin.

The open way and the closing way, the open way is not the source of what is interesting, the parts of speech are different; they have some origin.

The whole place has that which it has when it is found and it is there where there is more room. Room has not that expression. It has no change in a place. It is not dirty, there is no cleaner passage and the best way to have it all express that is to cook a dinner. There is enough to get a suit that is not had when there is no hope. That is the difference if there is much and there is much more.

The whole place has what it has when it’s discovered, and it’s where there’s more space. Space doesn’t have that expression. It doesn’t change in a location. It’s not messy; there’s no clearer path, and the best way to capture all of that is to prepare a meal. There’s enough to get a suit that doesn’t exist when there’s no hope. That’s the difference when there’s a lot and there’s even more.

To place one by the side of another and they both have something that is their color to do that and not languish is to look then and see that relinquish what it will have when it remains where it is to be. This is not foolish, it is a part of all distraction. It is the intention of all dissension. It is the measure of all language.

To position one next to another, and for both to have something in common like their color, and not to fade away, is to observe and realize what they will give up by staying where they are meant to be. This is not foolish; it’s part of all distraction. It embodies the essence of all disagreement. It represents the standard of all communication.

To see that a piece is used where there is no receipt is one way to express that things which are different have that resemblance and this does not mean that there is not a denial, this means that the same room is different when the furniture is colored. To color furniture is to say that the furniture is wider and the walls are taller and the light is clearer. To change often is to say that the use of something is the same.

To notice that something is used without a receipt is one way to show that different things can still look alike. This doesn’t mean there isn’t a difference; it means that the same room feels different when the furniture is painted. Painting furniture makes the room seem bigger, the walls taller, and the light brighter. Changing things frequently suggests that their use remains the same.

To answer when there is no question, to intend to follow when there is no plunging, to embody that which has that knowledge, all that is the way to remain with the little button that has a button-hole. This is so attached.

To respond when there’s no question, to plan to follow when there’s no plunge, to embody what holds that knowledge, all of that is the way to stay with the little button that has a buttonhole. This is so connected.

It is not there to squeeze that which has no meaning, it is not there to squeeze. The order that has not been begun is the one that sends ten away. The ten stay some where and the time is longer. The use of it is that there is more in any long way.

It’s not there to extract what has no value, it’s not there to extract. The order that hasn’t started is the one that sends ten away. The ten exist somewhere, and the time stretches out. The point of it is that there’s more to gain in any extended journey.

The distaste for cold meat does not lead to eating. It leads to everything. This is not all of a feeling. It is enough to suggest any little thing.

The dislike for cold meat doesn’t stop you from eating. It leads to all sorts of things. This isn’t just a feeling. It’s enough to hint at any small detail.

The way to thank is to respect the whole opening and the way to despise one apple is to choose another. This can be done by weighing. It can also be done by looking.

The way to show gratitude is to appreciate the entire opportunity, and the way to disregard one option is to select another. You can do this by weighing your choices. You can also do it by observing.

The way to use a quotation is to hope that it will be heard when it is spoken. That is the way to make that sound.

The way to use a quote is to hope it will be heard when you say it. That’s how you create that sound.

It is not the same that which is not sad with that which is repeated. It is not the same and the sight is so different that there is that hope and no more excitement. Then the change is there and there is all the comparison. The rising of the wedding is not the same as one child if there are no children but one child has that to use and there is enough to give it a cold. This is not seasonable. This is not the way to despair.

It’s not the same when something isn’t sad compared to when it’s repeated. They’re different, and the perspective changes so much that there’s hope but no excitement left. Then the change occurs, and that’s where all the comparisons come in. The joy of a wedding isn’t the same as having one child if there aren’t any others, but even one child can create a sense of responsibility, and that can feel overwhelming. This isn’t appropriate. This isn’t how to give in to despair.

The heat of hearing is not the silence of answering and nothing is produced when the question is the same as the name. That is one way to answer and there might have been more but it was different, it was the same.

The intensity of listening isn’t the quiet of replying, and nothing comes from a question that’s just a name. That’s one way to respond, and there could have been others, but it felt different and yet the same.

The whole district was not used when a place was borrowed and the pleasure in that union is the same as giving permission. The hope of that intention is what keeps the answer from being prepared and if it is prepared then it is printed. There is enough intermission.

The whole district wasn't used when a location was borrowed, and the enjoyment in that connection is the same as granting permission. The expectation of that intention is what prevents the response from being ready, and if it is ready, then it gets printed. There’s plenty of break time.

To cause a special heat and to be colder is not the way of having any custom. There is no irregularity in that. It is too plain. The time for that grief is not in the head it is in the origin of salvation. So there has come to be no neglect and there does not waste any order when the time which is all day is the same time and if not older then not that difference in spending. It is not all the same if nothing is spent. It is not all the same because then there are all the things there that have come to be gotten by searching and finding something. This which happens often uses the time that is not plain to see. It is not so discouraging and the whole thing is not so full as it would be if there was not another. The resemblance is there.

To create a special warmth and to feel colder isn’t a matter of having any specific tradition. There’s nothing unusual about that. It’s quite straightforward. The time for that sorrow isn’t in the mind; it’s rooted in the beginning of salvation. So there’s no neglect, and no order is wasted when the time that lasts all day is the same time. If it’s not older, then there’s not much difference in how it’s spent. It doesn’t matter if nothing is spent. It’s not the same because there are many things that have been discovered through searching and finding something. What happens frequently takes advantage of time that isn’t easily noticed. It’s not so disheartening, and everything isn’t as overwhelming as it would be if there weren’t another aspect. The similarity is there.

There is no paint when there is nothing to dirty. There is never any change in that and the silence is not there when it is empty and there is no intention to show more than enough. All the time there is the exact way of changing it a little and not mixing more and that is not the origin of industry, the origin of industry is the evening of recitation. There is some past playing of singing every past evening. This is not more than the future.

There’s no paint when there’s nothing to mess up. There’s never any change in that, and silence isn’t there when it’s empty and there's no desire to reveal more than what’s necessary. All the time, there’s a specific way to tweak it a bit without adding more, and that’s not what started industry; the real origin of industry is the evening of storytelling. There’s some nostalgia in the songs sung every past evening. This is no more than the future.

A pleasing way to use a broom is to lean upon the wall and not do more than make any one who is the one welcome. This if it is pleasing is pleasing and working is industry. That does not change everything. Intending to remove the dirt does not destroy the variegated color. The color is not a stain. It shows what glass is when there is a reflection. This peaceable pursuit is so earnest and so steady that there is no remark made when all the time there is that description and the way is that way as there is what is said as the way that is that way. The door is not so open.

A nice way to use a broom is to lean it against the wall and simply welcome whoever comes by. If it brings pleasure, then it is enjoyable, and working is just hard work. That doesn't change everything. Wanting to clean up doesn't ruin the beautiful colors. The color isn't a stain; it reveals what glass looks like when it reflects. This calm activity is so serious and persistent that no one comments while all the time there is that description and the path remains as it is, just as it's described. The door isn’t wide open.

It was not dark and the weather was not clear and the sunshine was not gloomy and the color was not red, it was not dusty and the window was not open and the stove was not shut and the table was set. There was no pepper and there was some salt and there was more chicken and there was more sweet. There was cauliflower and there was cake and there was no steamer and there was butter and there was potato and there was cucumber. There was no cream and there was banana and there was cream later and there was orange mixture. All the potato that was eaten had been roasted and the pigeons were kept and the fruit was finished and there was another platter.

It wasn’t dark, and the weather wasn’t clear; the sunshine wasn’t gloomy, and the color wasn’t red. It wasn’t dusty, the window wasn’t open, the stove wasn’t off, and the table was set. There was no pepper, but there was some salt, more chicken, and more sweet stuff. There was cauliflower, cake, no steamer, butter, potatoes, and cucumbers. There was no cream, but there was banana, and cream later, along with an orange mixture. All the potatoes that were eaten had been roasted, the pigeons were kept, the fruit was gone, and there was another platter.

All the time is dark and there is a light and the time to think is the time to paint and the grey blue purple is the red rose color and the pink white cover is the fine broken china. The object of more is to stay that way and the use of the present is to mingle that future and the presence of all is the use of that and the pleasure of that date is to separate in weight. The time to express is to receive that attention and the change in tone is not the disgust. The dwindling of more is not to show that wear, the spring of the change is the loosening of that. The mingling of this is not the spurt and the winning of the white is not the soiling of the black. The tin that presses has not a hollow sound and the color blue is not so pure and true. The best of all is the presence of the best and the way to stay is to sit long in that way. No way to stay is a way to go away. No way is a way. No way is way. There is enough to sound the note and the little flute is there where there is no air and the blowing is strong and the blowing is long and the air is there where there is no air. Solemnly to stay is not a sad way. To stay away is not the glory of that day. To begin the time is not the time to dim the evening and enough decision has no origin. This is that result.

All the time is dark, but there’s a light, and the moment to think is also the moment to create. The gray, blue, and purple blend into the color of a red rose, and the pink-white cover resembles fine broken china. The goal of wanting more is to maintain that state, and the present serves to connect with the future. The presence of everyone is important, and the joy of that moment is to differentiate in terms of significance. The time to express is to draw that attention, and a change in tone doesn’t mean aversion. The reduction of wanting more doesn’t indicate wear; the spring in the change is about letting go. The mixing of things isn’t a burst, and the victory of the white doesn’t tarnish the black. The tin that presses doesn’t produce a hollow sound, and the color blue isn’t that pure or true. The best is the existence of the best, and the way to endure is to take your time. No method to stay means there's a way to depart. No method is still a method. There’s enough to play the note, and the little flute exists where there’s no air, and the breath is strong and long, while the air exists where there’s none. To solemnly stay isn’t a sad path. To stay away isn’t the glory of the day. To start the time isn’t the moment to dull the evening, and enough choices have no clear origin. This is the result.

Labor and not long makes a sad song and that is not true when the name is short and the preparation is the same. There was a particular time of day to hope more and this was not all of the morning and the evening and the beginning of the afternoon. This was after finishing a piece of the copying that gives splendor to any situation and this was also the time when having stayed long enough there was no more explanation. All the best permission lies in correspondence and more permission is not used when there is no distance. This does not disentangle vice. This makes a season last longer and the cold weather which is not such very cold weather has the happiness of expecting to rain. This does not warrant all that intention.

Labor doesn't always lead to a sad song, especially when the name is brief and the effort is the same. There was a specific time of day when hope was stronger, and it wasn't just in the morning, evening, or early afternoon. It was after completing a part of the work that shines in any circumstance, and it was also when, after staying long enough, no further explanation was needed. The best permissions come from correspondence, and extra permission doesn't matter when there's no distance. This doesn’t eliminate vice. It just makes a season feel longer, and the chilly weather, which isn't really that cold, carries the joy of anticipating rain. This doesn’t guarantee all of those intentions.

In the time to wait and tell the truth there is no more dispute than if there had been more time. This does show the antiquity of acknowledging that a morning is used for something. To deny that is to deny everything and to determine that would need no hesitation. This is not what there is to think. This is more of the presence of witnesses.

In the time spent waiting and telling the truth, there's no disagreement, just as if there had been more time. This does highlight the old idea that a morning has a purpose. To deny that is to reject everything, and determining that wouldn't require any doubt. This is not what needs to be considered. It’s more about the presence of witnesses.

This which is assured would make the nervous one not so worried when the answer is not coming. A great many risks need that advice. A dash of the following is so distinct and the time to send more is what is not hopeless. All the time and all the date and all the superfluous wood and porcelain show the mark and the use and the continuation of retention.

This assurance would help ease the nerves of someone who is anxious when the answer isn’t coming. Many risks require that advice. A bit of what follows is quite clear, and the time to send more is far from hopeless. All the time, all the dates, and all the unnecessary wood and porcelain demonstrate their purpose and usage and the ongoing need for preservation.

Patience is not plenty and waiting is not abusing the intention. Any little thing is more than a question. Any attempt is a return of a permission. To be attentive and intended and make that mistake is not more deceptive than anything.

Patience isn't abundant, and waiting doesn't mean misusing the intent. Even the smallest thing is more than just a question. Any effort is a response to a request. Being attentive and intentional and making that mistake isn’t any more deceptive than anything else.

Present the detachment and have the words continue to come there and this will not make a tune slower and destroyed, this will not at all be that. To put that question does not mean the mention of an author. To repeat the name is not the same when there is no chair. To draw it in is one way to approach the place that was not there to intrude. This does not make the objection clearer it just makes the same tune.

Present the separation and let the words keep flowing there; this won’t slow the tune down or ruin it—definitely not. Asking that question doesn’t imply referencing an author. Simply mentioning the name isn’t the same when there’s no context. Including it is one way to get closer to a place that wasn’t there to violate. This doesn’t clarify the objection; it just repeats the same tune.

It was thought that as the mountain of something which does not grow does not grow, it was once thought, it was thought that the change was not so old and the age was older. It was thought that the same thing pressed would be put on there where there was no custom. It was thought that there would be some more age. It was intended and there was that which was earnest, it was intended that the obligation which was not climbing would lead to the showing of anything and it was there where there was hope that the time was. The whole thing was not the same.

It was believed that just like a mountain of something that doesn’t grow, the change wasn’t that old and the age was older. It was thought that the same things that were being suppressed would end up in places where there were no traditions. It was believed that there would be more time. It was meant to be serious, and it was expected that the obligation that wasn’t advancing would reveal something, and there was hope that the time would come. Everything was not the same.

To open a door and turn in the direction that the one entering will bow shows so little quick movement that there is a way to advance. And so to be timely, to have that hesitation, to bring a chair up and to enter into standing does not occupy the whole evening if there is some singing.

To open a door and turn in the direction that the person entering will bow shows such a slow movement that there’s a way to move forward. So, to be punctual, to hesitate a bit, to pull up a chair and then stand doesn’t take up the entire evening if there’s some singing involved.

That is settled that which needs some introduction. It is not necessary to refuse it. Any evening there is more hesitation. Any thickening of the coat shows something and there is a use of that word.

That’s established what requires some background. There’s no need to deny it. Any evening there’s more doubt. Any heaviness of the coat indicates something and that word is used.

It was all right, there was that hesitation, there was the time of the afternoon and there was one evening of some which were those which were evenings. There was that and the best way to show that is to have more than each little piece not used as a question. This can commence that. There is no perplexity, there is that abuse, there is more, there is something. There is no bit of more than was used by any writing. There can be more printing. There can be intending lending. There can be that interest.

It was fine; there was that uncertainty, the time of day, and one evening among the evenings. There was that, and the best way to express it is to have more than just each little piece not presented as a question. This can start that. There’s no confusion; there’s that misuse, there’s more, there’s something. There’s nothing more than what any writing has used. There can be more printing. There can be intended lending. There can be that interest.

A peculiarity of the steps and the entrance is that it is not so peculiar as there are more calling out something. This would change a beginning if there had not been a setting. This which was was the time to do that and the result is different.

A unique thing about the steps and the entrance is that it’s not so unique since there's more to it. This would change the start if there hadn’t been a context. This moment was the right time to make that change, and the outcome is different.

So the whole thing means this that if there is a continual use of it all there can be and there is the expression of that emotion.

So basically, this means that if it’s used consistently, there can be, and there is, a way to express that emotion.

The pleasantest anticipation is that reaction and more time is then spent and the whole place is lonely. There are four in it.

The most enjoyable expectation is that reaction, and more time is then spent, leaving the whole place feeling deserted. There are four people in it.

If the cleverness of that copy means that a voice is louder then certainly there is not that connection that there is as there is what has been lasting. This is not so dirty. Cold water is not cleaner.

If the smartness of that copy makes a voice louder, then there's definitely not the same connection as there is with what has lasted. This isn't that dirty. Cold water isn't cleaner.

Pound the little time-table and then spread it so that reading it is not any more simple than it was. This has that charm and every little quality has that intensity. It is not more distinguished to be whiter than to be redder, to be taller than to be shorter. The meaning has more necessity.

Pound the little timetable and then lay it out so that reading it isn’t any simpler than it was. This has that charm, and every little quality has that intensity. It’s not more distinguished to be whiter than to be redder, or to be taller than to be shorter. The meaning holds more necessity.

A beaming expression does not mean that the eye is so clear that there is no fatigue.

A bright smile doesn't mean that the eyes are free of fatigue.

The drag that keeps that important is not spread out. This is a reason why if that which is left to do is done there is no admission. All the same there could be more if the direction was necessary and it is so full that there is always that hope and that room.

The drag that keeps what's important isn't scattered. This is why if what’s left to do is completed, there’s no acceptance. Still, there could be more if the direction was needed, and it’s so full that there’s always hope and space.

Blessed are the patient particulars manifesting that hesitation so that when there is no hope there is always a guide. In the languages that one used and sung some words are longer than others and this has so much seasoning and so strong a fence that certainly the tangle is not made by more than the three words that come being divided by there being no more. This does take the time.

Blessed are the patient details that show hesitation, so when there’s no hope, there’s always a guide. In the languages we used and sang, some words are longer than others, and this adds so much flavor and forms such a strong barrier that the confusion isn’t created by more than the three words that are separated by a lack of more. This does take time.

All the beginning has that intelligence and certainly a useful time to make requests is when there are any addresses and there are always addresses in places. This does mean that need and that use and that return and that plentiful remorse. There is so much to say.

All beginnings have that insight, and definitely, the best time to make requests is when there are any addresses, which there always are in various locations. This signifies need, utility, return, and abundant regret. There’s so much to express.

A timidity that has no use in a boast is not that which tells about drawing. The continuance of that is not more than promised, it is continued.

A cowardice that doesn't serve any purpose in a boast isn't the same as what involves showcasing talent. Its persistence isn't just a promise; it keeps going.

To have the land behind when there is no sea has that to do which is not settling that which is more than free. It is so natural that the opinion is there.

To have land behind when there's no sea involves dealing with something that goes beyond just being free. It’s so natural that this viewpoint exists.

To detail more is to ask that question, it is to refuse to answer, it is to add that to it. That is some excuse and more would not be enough and certainly that way is that authority. To control the time is where there is an impression.

To elaborate more is to pose that question, it is to decline to respond, it is to include that alongside it. That serves as some justification, and more wouldn’t suffice, and definitely, that method represents that authority. Controlling the timing is where there’s an impact.

About the time when a book is borrowed is the time to return it and leave it. This makes any one having that light not need to put it where it is to be put.

About the time a book is borrowed is the time to return it and leave it. This means anyone with that knowledge doesn’t need to place it where it should go.

Adding any more to a change is to occupy what is offended and the refusal to go together may mean that. This when there is a song does not make a choice depend upon meaning.

Adding anything more to a change means addressing what's hurt, and refusing to come together might signify that. When there's a song, it doesn't mean that making a choice relies on meaning.

That rising and falling which singing is doing means that drawing a chair closer can be repeated. This would be more than that interruption. There is no place for that time.

That back and forth that singing creates means that moving a chair closer can happen again. This would be more than just an interruption. There isn’t a space for that moment.

To sweeten a lucky star means that a sad way to sweep together the leavings is the one way to continue favor. And that which is most active is more active as industry has that meaning. It has. It has that meaning.

To sweeten a lucky star means that a sad way to gather the leftovers is the only way to keep favor. And what is most active is even more active, as industry has that meaning. It does. It does have that meaning.

The surplus weight is inside and when it is put into the pockets it is not heavier, this gives some feeling of not lingering. The authority that makes that lonesome is not the same as disgust. It is always different sometime.

The extra weight is internal, and when it's pocketed, it doesn't feel heavier, which creates a sense of not dwelling. The force that creates that lonely isn’t the same as disgust. It always varies at different times.

This makes an attempt more tedious than it would be if the change were coming and the presence of that is some little quality. There can be agreement and the spectacle is the same.

This makes the attempt more tedious than it would be if the change were happening, and having that is a minor quality. There can be agreement, and the situation is the same.

Then this which is not too much is often and so there comes to be that time and certainly that which was spent was not wasted as waste has not that meaning.

Then what isn’t too much often is, and so there comes a time when what was spent wasn’t wasted, as waste doesn’t hold that meaning.

So there is no empty place. All the time the chairs are there and there are enough tables. Wood has not that meaning.

So there’s no empty space. The chairs are always there, and there are enough tables. Wood doesn't have that meaning.

This is not a slice and all the juice that is dry is not so dry when the hair and all is fair. This does not make a greeting any less pleasing and certainly that which is done is not so discouraging. There is no hope to use.

This is not a slice, and all the dry juice isn't really that dry when the hair and everything else looks good. This doesn't make a greeting any less enjoyable, and definitely what has been done isn't as discouraging. There is no hope to hold on to.

Paint the little piece of wood more and there is no way to know that which is sore. This does not mean more rarity than an exception. This does not displace waiting for a wedding.

Paint the small piece of wood more, and there's no way to know what's bothering you. This doesn't mean it's more unique than an exception. This doesn't change the wait for a wedding.

To ponder and not plaster any section is so long to stay in the house where the meals are given if there is food provision that enough of it means something. It does not mean a color in a symptom. That is not the only way to hope.

To think things over and not rush into any decisions takes a long time to stay in a place where meals are provided, especially if there's enough food that it actually matters. It doesn't represent a feeling or a sign. That's not the only way to find hope.

See Thomas bring the grain, see the grain have the color that grain has when grain is growing in any winter which is any summer. See Thomas bring the rain and see that the thunder is not the thunder that any rain raining longer is having thunder when having thunder. See Thomas bring what Thomas is bringing and the load is not lighter as Thomas turns the shadow darker. Thomas has no spring of water, Thomas has the color brighter. Thomas is the time to stay. Thomas hears what any source can supply. Thomas not darkly not lightly, Thomas does the chamber over.

See Thomas bring the grain, see the grain have the color that grain has when it's growing in any winter that feels like any summer. See Thomas bring the rain and notice that the thunder isn’t the same thunder that comes with rain falling for a longer time. See Thomas carry what he’s bringing, and the load isn’t any lighter as he makes the shadow darker. Thomas has no spring of water; Thomas has a brighter color. Thomas is the time to stay. Thomas hears what any source can provide. Thomas, neither dark nor light, Thomas does the chamber over.

The ruling of the pencil and the farm, the ruling of a shadow and the grain, the ruling of the woman who gave away what was not there to stay, any ruling is the same and the line is there and has that prospect.

The control of the pencil and the farm, the control of a shadow and the grain, the control of the woman who gave away what wasn’t meant to last, any control is the same and the line is there and has that potential.

So closely was it passed that there was not more space than there was and so sweet are the pleasures of the rest that a quarrel with a cousin has the same result.

So tightly it was passed that there wasn't more space than there was, and the pleasures of the rest are so delightful that a fight with a cousin produces the same outcome.

Pass it on to the bottle, houses in the corner have shutters, a little tree is not lonesome because the leaves are not bright.

Pass it on to the bottle, houses in the corner have shutters, a little tree is not lonely because the leaves are not bright.

The presence of the necessary question does not mean that a kiss is to be given. The sweetening of chicken is not all that is remembered when the form was such that buttons were plentiful and the surroundings were there. That was not any way to say that the change was the same.

The existence of the right question doesn’t mean that a kiss is going to happen. It’s not just the sweetness of the chicken that stands out when there were plenty of buttons around and the setting was fitting. That doesn’t mean the change was the same.

All the long expression that means a longer state of natural example is not so pardonable as everything that is in some instant. The back and the waist and the presence of not any splinter, the sundown and the kitchen and a table with a window and a napkin ring in winter, all the presence of the most, all the longing of that summer, a pleasure and a sign and there is no chance to refuse any chair.

All the lengthy expression that refers to a prolonged state of natural example isn’t as forgivable as anything that exists in a moment. The back and the waist and the absence of any splinter, the sunset and the kitchen and a table with a window and a napkin ring in winter, all the presence of everything, all the longing of that summer, a joy and a signal, and there's no way to turn down any chair.

To the rug that has that hole and that color, to the wood that has that color and that white, to the table that has that carpet and that erection, to the bed that has that shade and that carving, to the lantern that has that light and that cover, to the shapes that have that decoration and that derivation, to the floor that has that surface and that meaning, to that light that has that look and that garden, to that wall that has that line and that concentration, to the best that has that choice and that color to all and there is something sounding, to that and there is no witness signing, to more and the explanation is not a mistake, to less and the time is when there is that to pass, to all the length and there is more of that then, there is not any refusal to resist a smell.

To the rug with that hole and that color, to the wood with that color and that white, to the table with that carpet and that shape, to the bed with that shade and that carving, to the lantern with that light and that cover, to the shapes with that decoration and that origin, to the floor with that texture and that meaning, to that light with that appearance and that garden, to that wall with that line and that focus, to the best with that choice and that color for everyone, and there's something resonating, to that and there’s no witness confirming, to more and the explanation isn’t a mistake, to less and the time is when there’s that to pass, to all the length and there’s more of that then, there’s no refusal to resist a smell.

This is not the compliance of the teeth and there is no more force than that out loud. A plain paper is often used.

This doesn’t involve the teeth’s alignment, and there’s no greater pressure than what’s said aloud. Usually, a plain sheet of paper is used.

Pasting nothing in a little book is the way to use the paper and nothing is then lost and that is such a collection. The season that weather is colder is that when there has been that change. If all that is full has that liquor then the time to drink is in the beginning and the beginning has the complete return of the use of handling. That is the kindness of September and October. All the months that are the same have this in common.

Pasting nothing in a small notebook is how to use the paper, so nothing is wasted, and that makes for a great collection. The colder season is when things change. If everything is full of that drink, then the best time to enjoy it is at the start, and the beginning brings back the complete way of managing it. That’s the charm of September and October. All the months that are alike share this quality.

To desert the red beard and to have no change of color means that the beard is all the same age. There can be more shaving than illumination. This does not change every red color.

To have a red beard without any change in color means that the beard is all the same age. There can be more shaving than lightening. This doesn't change every shade of red.

If the shape is the same and the use of the evening is not much then a dress has that meaning and closing it is not music. Something is not quiet then.

If the shape is the same and the evening isn't used much, then a dress means something, and closing it isn't music. Something's not right then.

All right where the well is shining and the waves are never higher than the water, cover the slipping ocean and do not mingle more smell. See the remaining accentuation and explain more and more and not more so. See the rattle that was not eaten and use a pen-wiper soon too.

All right, where the well is glistening and the waves are never higher than the water, cover the slippery ocean and don't mix in any more smells. Observe the remaining emphasis and explain it further, but not too much. Look at the rattle that hasn't been eaten and use a pen-wiper soon, too.

The patent that was taken did mean more than all the work that was spent every day in the morning. No grief means time and no change means divorce, and no pleasure means all eaten, and no birthday has meaning. This which has a pain in that nose means the left when the right is mentioned. All is not darkness when the lights which are out are burning. The tall cat has so much particular face that the garment is not more beautiful than a great number. Pain and particular pleasing pleasure and more than particular plain explaining weather all this is more than told and a past violin is not remaining. And yet the last little Monday is not every Sunday and the whole cheese is not frightened and the question is not all considered and more aid engagements were not special. All this and no more is so much more and the language and all the kernel was the time that solitude changed in going to another dinner. Lunch was often.

The patent that was obtained meant more than all the work that was done every morning. No grief means time and no change means a breakup, and no pleasure means everything is consumed, and no birthday has significance. This pain in that nose indicates the left when the right is mentioned. Not everything is dark when the lights that are out are still burning. The tall cat has such a unique face that the clothing isn’t more beautiful than many others. Pain and specific pleasing pleasure and more than ordinary simple explanations of the weather, all of this is more than what was shared and a past violin is not left behind. And yet the last little Monday isn't every Sunday, and the whole cheese isn’t scared, and the question isn’t fully addressed, and there were not special additional engagements. All this and nothing more is so much more, and the language and all the essence was the time that solitude transformed during another dinner. Lunch was common.

To be the article of the wound and to have no purser is not any more of a delight than is mutton. This was so fully eaten that every day there was cooking.

To be the source of the injury and to have no one to manage it is no more enjoyable than eating mutton. This was so completely consumed that there was cooking every day.

Not that startling sage-brush, not that mortal melodrama, not any fluent symptom, not more simple feather sofa, not more cloud than most of the members of the breathing place, not a joiner and not a retroactive syndicate none of all the powder was more blue than a yellow plant.

Not that surprising sagebrush, not that life-and-death story, not any clear sign, not a simpler feather couch, not more clouds than most of the people in the living space, not a joiner and not a backtracking group, none of all the powder was bluer than a yellow plant.

This was not that memento, this was not that parallel syncope, this was the half curve of the splinter, this was not every mounting, this was the perfect parliament, this was no dope.

This was not that reminder, this was not that similar moment, this was the half curve of the splinter, this was not every increase, this was the perfect assembly, this was no drug.

Show the place where the reproduction has that ease and drowning has a figure. The lovely lane is not in sight where the hair is yellow. If the change comes sooner and there is no stroke then the time of day has that to recommend it quite.

Show the spot where giving birth feels easy and drowning takes on a shape. The beautiful path isn't visible where the hair is blonde. If the change happens sooner and there’s no blow, then that time of day has its own appeal.

So then the platform which is not raised is occupied and that means that if there is a meeting a delay is offered and surely the use of that is not long when there is no question. If there is a little quality and any quality is that then the whole hope is so arranged that a cloth has that short length. And so there is no excuse, there is every mistake there is every position. An earnest protection has some meaning and the same thing has the charge of the place of no exchange. And still it does happen, it has happened and there is more of that. There is no such expression.

So, the platform that isn’t elevated is being used, which means if there’s a meeting, there’s a delay, and that delay doesn’t last long when there's no doubt about it. If there’s a bit of quality—any quality at all—then all hope is structured so that a cloth has that short length. So, there’s no excuse; every mistake exists in every situation. A serious protection has some significance, and the same goes for the responsibility of the place with no exchange. And still, it happens; it has happened, and there’s more of that. There’s no such expression.

A tomb and the time is not Christmas, the time and the way is not a carpet cover, the leather and it is not water and the window and it is not a silk mixture, the bright season and there is a composition, all the moon has not pain in a conglomeration.

A tomb, and it's not Christmas; the time and the way aren’t like a carpet, and the leather isn’t like water. The window isn’t a mix of silk. It’s a bright season, and there’s a composition where the moon doesn’t feel pain in a mix of things.

There is none, there is no preceeding catastrophe, there is no period and there is no preparation. There is not much when all is not the same and the change has not been indicated.

There is none, there is no preceding catastrophe, there is no period and there is no preparation. There is not much when all is not the same and the change has not been indicated.

Why is a sour pear-tree in a blossom bee, because it is so pleasant to remain in the summer detachment. That is not the excuse for the box and the opening. That is not the way to refuse that gesture. So then the union has a widow and the mother has a father and littler and there is no length much longer.

Why is there a sour pear tree blooming in spring? Because it’s so nice to relax in the summer. That’s not an excuse for the box and the opening. That’s not how to reject that gesture. So now the union has a widow, and the mother has a father, and a little one, and there’s no length left to go.

Jumping is not anything if a little way is behind the elbow and the knee. This is the season of rejoicing and the moment to have a denial of advice. If it is a pity it is not the same pity as more toast. It can be so warm that there is sunshine and it can not be what is helped by appetite.

Jumping doesn't mean much if there's a little distance behind the elbow and the knee. This is a time for celebration and a chance to ignore advice. If it’s unfortunate, it’s not the same kind of regret as wanting more toast. It can be warm enough to enjoy the sunshine, and it’s not something that can be fixed by hunger.

Telling the last time that a green and mixed repeater was not lost and bought for more did not pass as it was not told. So the beginning was made and there was some use. They would not leave the thoughts together. This did not make enough separation. There was still more to behold and the time that was so frequent was any afternoon. This came to silence any day and the single attention was such that any candy was the same as eaten. This was not the whole school. There was more copying of drawing.

Telling about the last time a green and mixed repeater wasn’t lost and instead bought for more didn’t go unnoticed, even though it wasn’t widely discussed. So the beginning was set, and there was some utility in it. They couldn’t keep their thoughts together. This didn’t provide enough distance. There was still more to see, and the frequent times were just any afternoon. This would come to silence any day, and the focus was such that any candy felt the same as being eaten. This wasn’t the entire school. There was still more drawing to be copied.

So the tune and the light was not the light of any moon. The rain was the same and the stairs were cleaner. There was an exchange and this did not borrow trouble.

So the tune and the light weren’t from any moon. The rain was the same, and the stairs were cleaner. There was an exchange, and this didn’t cause any problems.

Settle and there will be dinner ready, settle and return the cake today, serve the chicken and have cream all ready, season everything and pour the oil away, have the salad and the cheese between, see the cream and love the candy there, pass the day and eat the rest away, stay away and do not shed the tear.

Settle down and dinner will be ready, settle in and return the cake today, serve the chicken and have the cream all set, season everything and drain the oil, have the salad and the cheese in between, check the cream and enjoy the candy there, spend the day and eat the leftovers, keep your distance and don’t shed a tear.

If a duty is so done that there is a chance let no one who passes any way engage a room. Let them do so, show them that direction, have the language and do not distribute more than all of that selection, this makes knowledge all increasing and makes the return of patient splendor show the shadow that there is in that intention. This is not a dream. This has the same thing as the pleasant conversation and request. A song is not more than necessary.

If a task is done in a way that leaves room for improvement, let no one who walks by take up space unnecessarily. Let them proceed, show them the way, communicate clearly, and don’t go beyond what’s needed; this fosters growing understanding and reveals the hidden depth of the intent. This isn’t just wishful thinking. It relates to enjoyable conversation and asking for things. A song is simply what is essential.

If the message is sent and received and if the tunes have words then certainly there will be soon the center piece which has not been removed. Every little flower has a number. There is that way to question.

If the message is sent and received, and if the tunes have lyrics, then there will definitely be a centerpiece that hasn't been taken away soon. Every little flower has a number. That's one way to ask.

A regret with more comes when the tickets which are not serious were written and the same time was stated. Then there comes to be not a surprise but a result. There is no more than any enquiry.

A regret increases when tickets that weren't serious were issued at the same time. Then, it's not so much a surprise as it is an outcome. There’s nothing more than an inquiry.

A walk is not where the door shows a light, a walk is where there is a request to describe a description. A walk is when a place is not to be exchanged. There is a respect in every walk.

A walk isn't just a place where a door shines light; a walk is about the need to explain a description. A walk is when a place isn't meant to be traded. There's a sense of respect in every walk.

There is a result in every walk and the turn is there, the foot and the boot have that union that there can be slippers. Talking of the return of that shows that there will not be an opening. There is no reason to exchange the joke.

There’s an outcome in every step, and the turn is present; the foot and the boot have a connection that allows for slippers. Mentioning the return of that indicates there won't be an opening. There’s no reason to swap the joke.

No mending, no mining, no motto, no mine, no pin, no purchase no salad no oyster, no practice, no more, no thought, no happy day and the best is there and there is everywhere. Say it all in the morning, put it off in the day, have it come in the evening, use the tune every day, say it and please the organ, laugh and remain the same, coughing goes by favor, and coming has a day to stay any way some way that way.

No fixing, no searching, no slogan, no source, no label, no deal, no greens, no shellfish, no routine, no more, no thinking, no joyful day and the best is right here and everywhere. Say it all in the morning, delay it during the day, let it arrive in the evening, use the tune daily, say it and please the music, laugh and stay the same, coughing happens sometimes, and arriving has a day to linger any way, somehow, that way.

Full and the tune, a shaking of the ends is not paling in the more and then if there is no exercise there must be that and anyhow why should there be an implacable substitute. There is no exaggeration.

Full and the tune, a shaking of the ends isn’t fading away, and then if there’s no exercise, there has to be that and anyway, why should there be an unyielding substitute? There’s no exaggeration.

All and one and any place to make a gold color show on paper, that is not the evening, that is what is heard. Any pleasure is the one and every evening is no matter. All this does not make that weigh more than again. There is no patient perfume. This is not the sign of release.

All and one and anywhere you can create a gold color on paper, that isn't the evening, that's just what's heard. Any pleasure is the same, and every evening doesn't matter. None of this makes it weigh more than before. There is no calming scent. This isn't a sign of freedom.

Blame no more than the mouth and this makes that regulation. There is that use and there is no way and there must be that and there shall be a disposition. That is the sign. Any language cannot be foreign.

Blame only the mouth, and this creates that rule. There is use, and there is no other way, and there must be that, and there will be an outcome. That is the sign. Any language can't be considered foreign.

Lumber is not brick and brick is redder. The path of a rug is that which is not returned. Enough has been put that way.

Lumber isn't the same as brick, and brick is definitely redder. The journey of a rug is one that isn’t retraced. A lot has been set in that direction.

Pile on more potatoes than corn-meal and more sausage than chicken and a little more tender oil than egg and all the eggs are fresh. So fresh and fair is no behaviour when the whole thing has disappeared. A taste and a branch and a sucking of the day and the calm and the man and the noise so wettingly. This which sees that which mourns that which colors any moon all the paste is so straight and a scissors has a pleasing line to measure and there is no hidden treasure.

Pile on more potatoes than cornmeal and more sausage than chicken, and add a bit more oil than eggs, making sure all the eggs are fresh. Being fresh and fair isn’t really worth it when everything’s gone. A taste, a branch, and enjoying the day, with calmness, the man, and the noise is so refreshing. This sees what mourns and what colors the moon; all the mixture is straightforward, and scissors have a nice line to cut, with no hidden treasure.

See that painful delivery of a portion of more that has squares, see it and emphasize more than any afternoon, emphasize a special rate.

See that difficult delivery of a section of more that has squares; pay attention to it and highlight it more than any other afternoon, emphasize a special rate.

Please all trembling when there is a time to rise, please it all and do nothing nicely. So serene, so much a moon, so white and always plain, a sensation is not altered by more being mentioned.

Please all shaking when it’s time to get up, please do everything and don’t do anything nicely. So calm, so much like a moon, so white and always simple, a feeling is not changed by mentioning more.

A time to stay is when there is the feeling in it and it has been done. Why should no hope be more. Why should it. It does show faces and if there are there one is smaller, there is no reason why a beard should be there. It is mostly in sight and blindness is satisfying. There is no blindness where the talk is cheap.

A time to stay is when it feels right and it’s been accomplished. Why shouldn’t hope be greater? Why should it? It reveals faces, and if one seems smaller, there’s no reason for a beard to exist. It’s mostly visible, and ignorance can be comforting. There’s no ignorance where the conversation is superficial.

Laugh the basket into a little glass and all the point is painted. So soon is the jewel and so dirty the splinter that any march is a distinction. There is that way. If and there is no accusing, if the sight means that surely the illumination is incandescent then surely something is expected of the direction which is opposite. There is that union and the face is there. So soon does a cork mean closing and the belt open. This is no time to stay. A time for splashing is not ever with a brick color. No shaking is too great for a head. This does not mean coming after. It means that that is never over. It means more and it has no splinter, it does not mean samples.

Laugh the basket into a little glass and every detail is clear. The jewel shines bright while the splinter is grimy, making any effort feel special. There’s a route to take. If there’s no blame, and if seeing means there’s definitely light, then something is definitely expected from the opposite direction. There’s that connection and the face is visible. A cork indicates it’s sealed while the belt is loose. This isn’t the moment to linger. It’s never a time to splash around with a dull color. No jolt is too intense for a mind. This doesn’t suggest following behind. It means that it’s never really finished. It means even more, without any flaws, and it doesn’t imply samples.

A pale rose is a smell that has no fountain, that has upside down the same distinction, elegance is not coloured, the pain is there.

A pale rose has a scent with no source, displaying the same uniqueness in reverse; elegance isn't colorful, but the pain is present.

It is so clearly pleased that which is benumbed and articulate and if in replying there is the indication of a sentence then surely the whole thing is hurled. The house has that patience. The story is in the evening. A single recital makes a hat, more makes no more cloth than pleating.

It is clearly pleased with what is numb and expressive, and if there’s a sign of a response, then the whole thing is definitely thrown. The house has that kind of patience. The story unfolds in the evening. One performance creates a hat; more just results in more fabric being pleated.

All the same there is silence, there is uneasiness, there is an appetite, all the same there is silence, there is the tune, there is the birthday. All the same any Christmas is nearer. All the same more talk is solemn. All the same there is a special way. All the same there is left a pint. All the same the fruit is quince. All there is is that shape. The return is extinguished.

All the same, there’s silence, there’s uneasiness, there’s a craving, all the same there’s silence, there’s the melody, there’s the birthday. All the same, any Christmas is getting closer. All the same, more conversation feels serious. All the same, there’s a unique way. All the same, there’s a pint left. All the same, the fruit is quince. All there is, is that shape. The return is gone.

A life-long dismissal means an admission to each one. This passes more places and not any more faces. This does show the joint when there is chicken. The salad has cheese and there is no more added table. It is so large that there is a window seat.

A lifelong dismissal means acknowledging everyone. This goes through more places and not more faces. This does show the connection when there's chicken. The salad has cheese, and there's no other table added. It's so big that there’s a window seat.

So much persistance, so much elbow place, so much single authority and able china, so much more and a cold bigger, that means that there is thieves. Staining anything is not underwear. So soon there is more motion.

So much persistence, so much space to work, so much single authority and capable tools, so much more and a major challenge, which means that there are thieves. Staining anything is not acceptable. So quickly there is more movement.

Plead the use of a magazine and send more card paper, this is so tiring and reading a letter is the same as writing an answer. Something was handed to some one.

Please use a magazine and send more card stock; this is so exhausting, and reading a letter is just like writing a response. Something was given to someone.

A dark tunnel has no open shelter and to be dark is to be left lighter. This does not mean that there was a shadow, it does not mean that a shadow has a painting or a passage it simply means that it is unique and that there is an explanation.

A dark tunnel has no open shelter, and being dark means being left lighter. This doesn’t mean there was a shadow, nor does it mean a shadow has a painting or a passage. It simply signifies that it is unique and that there is an explanation.

Keep a pint which is not fuller, keep it and throw away everything, a little gain means that wood is not burning, a little gain means that there is no answer, a little gain is a little gain.

Keep a pint that isn't full, hold onto it and toss everything else aside. A small gain means that the wood isn't burning, a small gain means there's no answer, a small gain is just a small gain.

To see a sample of cheese means that the authority which mingles excellence with scratching is such that a new beginning has no swelling. All the tunes are played and the voice is louder. There is no repair.

To see a sample of cheese means that the authority that combines quality with imperfection is such that a new start doesn’t have any growth. All the songs are played, and the voice is louder. There’s no fixing it.

Plunder and an appetite, seasoning and sensitive singing all this makes that come back. There is a solemn winter. There is that.

Plunder and a craving, flavor and heartfelt singing all this brings that back. There's a serious winter. That's it.

To fit a car to the same stand as the pressing of every button means that there is a decision. So much unity does show friendship. A tangle is no less. There are no narratives.

To adjust a car to the same standard as pressing every button means making a choice. Such unity demonstrates friendship. A complication is just as significant. There are no stories.

A plain pet does know how to draw. Drawing is a sin. There is no picture. There is a comparison. All round is the collection. There are parts anyway.

A simple pet knows how to draw. Drawing is wrong. There’s no image. There’s a comparison. All around is the gathering. There are pieces anyway.

No part and no more, no part and never.

No part and no more, no part and never.

Nicely and the shape and all that section that is the time to use a weeding. A precise desolation is so distracted. All the curtain of river is running to be green and yellow, all the lifting is by sitting, all the time is on the bricks, there is no seat there, there is no church there, there is no church, there is nowhere there. There is no crying. There is no next butter. There is. There is more shape to leave lower.

Nicely and the shape and all that part that is the time to use a weeding. A precise desolation is so distracting. The curtain of the river is flowing to be green and yellow, all the lifting is by sitting, all the time is on the bricks, there is no seat there, there is no church there, there is no church, there is nowhere there. There is no crying. There is no next butter. There is. There is more shape to leave lower.

A lame stool is one that has three lengths and a suspender, there is a collar. There is no disorder.

A lame stool has three legs and a strap; there's a collar. It's not chaotic.

If the precious sand is rich and there is union then there is something. If the precious sand is poor then there is poverty. If there is more then there is anywhere. What is choosing. It is the predicate when there is illness. There is no sickness there is a package. Are the eyes finer. They are there yesterday. They enter the weather.

If the valuable sand is abundant and there's unity, then something exists. If the valuable sand is lacking, then there's poverty. If there's more, then it exists everywhere. What is choosing? It's the result when there's illness. If there's no sickness, there's just a package. Are the eyes better? They were here yesterday. They adapt to the weather.

Lightning has no meaning, gleaning has choosing descending, bread has origin, a taste is spreading. There was once a made ready lifter. There was once a birthday. There was a saleable afternoon. There was no deceiver. There was none.

Lightning has no meaning, gleaning is choosing to come down, bread has an origin, a taste is spreading. There was once someone ready to lift. There was once a birthday. There was a profitable afternoon. There was no deceiver. There was none.

A little thing to send in and have a pain from singing, a little thing and no person who is willing is signalling, no person needs a shoe, every one says what they do, this does not mean that hopping is swinging. It does that in the mean time. It does that there heartily. Heartiness is the same principle. It is no challenge. It is not more a church. It is not most a circle. It is not a vestibule. It is a single place of growing grass. Grass is not deserving. It has all that to show. It shows a marked meadow. It is not by the baker. Fishing is sudden. There is a decision. All yesterday is passed.

A small thing to send in and feel pain from singing, a small thing and no one willing is signaling, no one needs a shoe, everyone says what they do, this doesn’t mean that hopping is swinging. It does that in the meantime. It does that there with enthusiasm. Enthusiasm is the same principle. It’s no challenge. It’s not more a church. It’s not mostly a circle. It’s not a vestibule. It’s a single patch of growing grass. Grass doesn’t deserve. It has everything to show. It shows a distinct meadow. It’s not by the baker. Fishing is unexpected. There’s a decision. All yesterday is over.

A page of no addresses does not mean a mistake it means that there are places where the whole family is glad to eat together. This is not a sign of anger it is the necessary sunshine of the country and to be pleasant is so close that there is no change. The last time that there was an address there was no change. If the ones turned away they ate in a little place and ate there. If they did not show that they were enjoying it. They did please that most and they collected that there and it was a hope and a silent time was not present. There was no explanation. There was the hope of the remains being recently for that and best taken nearer and not passed into the same time. This did make the change stationary and really any authority is in the language and singing is not a victim, there is no joke, the time is the same and the place is not let, there is a little square center and no center, there is a simple dessert, any cheese is darker, any fish is lighter, the same thing is the place unset, the same time is tomorrow, there is no date to marry if marrying is replaced by having that having been done. There is no doubt of the mention of that and there is a taste of the meaning which is not a waste. There was an exchange in decision. All the way is plenty if there is the time to choose a pope, there is no choice there then, there is no sense in a waiter. If the time has that note then certainly the choice of a seat means that two are not taken. The time is given and the invitation is not pink when there is water. The little bunch is not known and more is mentioned. All of it.

A page without addresses doesn't mean a mistake; it means there are places where the whole family enjoys eating together. This isn't a sign of anger; it's the essential brightness of the country, and being pleasant is so close that nothing really changes. The last time there was an address, there was no change. If those who were turned away ate in a small place, they just did that. Even if they didn’t show that they were enjoying it, they pleased the most, and collected that there, and it was a hope, though a silent time was absent. There was no explanation. There was hope that the leftovers were recent, best served fresh and not from the past. This made the change stagnant, and really, any authority lies in the language, and singing is not a victim; it's no joke, time remains the same and the place isn't restricted. There's a little square center and no true center; there's a simple dessert, the cheese is darker, and the fish is lighter. The place remains unset; tomorrow is the same time, and there's no date to marry if marriage is replaced by having already been done. There's no doubt in mentioning that, and there's a taste of meaning that isn't wasted. A decision was exchanged. The whole way is abundant if there's time to choose a pope; there's no choice there, and a waiter makes no sense. If the time carries that note, then surely the choice of a seat means that two aren't taken. The time is given, and the invitation isn't pink when there's water. The little group isn't known, and more is mentioned. All of it.

A dark net is not a veil and a veil is not long, it is not longer than following repetition. Granted that there is an hour that is half after six, granted that does that mean that there is any use in being willing to have no other meeting, and yet it must mean something and almost anything is that and it is very likely, it is most likely that there is the time and the place, it is most likely not often, it is most likely that there is a longer day-light, it is most likely.

A dark net isn't a veil, and a veil doesn't last long; it doesn't last longer than a repeated thought. Sure, there's a time that's half past six; does that mean there's any point in being okay with not having another meeting? Still, it has to mean something, and almost anything qualifies as that, and it's very probable—most likely—that there is a time and a place. It's probably not very often, but most likely there is a longer daylight, it's most likely.

Ham and celery and chicken, a roast is frying, the ham if it is thickening is squeezing roast beef into a mayonnaise dressing. There is oil, there is cake, there is chicken. No absence is fonder.

Ham and celery and chicken, a roast is frying, the ham, if it gets thicker, is squeezing roast beef into a mayonnaise dressing. There’s oil, there’s cake, there’s chicken. No absence is more cherished.

All right to discuss that matter all right and the nature is fonder when there is no choice of kissing. It is fonder and Saturday evening is mingling borrowing some one, not borrowing some one, that is to say there is an offering.

All right to talk about that matter and the nature is more affectionate when there's no option of kissing. It's more affectionate, and Saturday evening is about mingling and borrowing someone, but not really borrowing someone; in other words, there's an offering.

All like a thing, all like winking, all like thinking, all like sinking, all like that, all like a thing, all like massaging, all like thinking, all like that, all like a vision, all like that, all like distinguishing, all like that, all like that thing, all like that, all like thinking.

All like a thing, all like winking, all like thinking, all like sinking, all like that, all like a thing, all like massaging, all like thinking, all like that, all like a vision, all like that, all like distinguishing, all like that, all like that thing, all like that, all like thinking.

No old jerks, no old news, all is wet and there is no time in a day. Every day is not away. The morning is sooner. If the morning is sooner then the habit is spread, it is spread and there is a whole row. Every row has an earthquake, every ring has a color, every piece there is is as different as it is when there is a comparison by putting them all together. To be so particular shows that there is a difference in copying and copying is copying a picture, and copying is copying a piece of sugar, and copying is copying china. All copying is so arranged that there is no trembling when joy is filling. All the time that sadness has is the time that sadness is. All the temper is in place, darkness is not looking like this. No sorrow is loaned for the succession of friendly business intervention. A research means more. There is a cause in extreme recognition. No place is taken. Time for bells is ringing and breaking nothing is disturbing urging. There is a piece.

No old jerks, no old news, everything is damp and there's no time in a day. Every day doesn't feel lost. The morning comes quicker. If the morning comes quicker, then the routine spreads, it spreads and there’s a whole line. Every line has a shake-up, every ring has a color, every piece is as unique as when comparing them all together. Being so specific shows that there’s a difference in replicating, and replicating is like reproducing an image, and replicating is like reproducing a piece of sugar, and replicating is like reproducing china. All replication is arranged in a way that there's no shaking when joy is overflowing. The time that sadness has is simply the time that sadness exists. The mood is in place, darkness doesn't look like this. No sorrow is borrowed for the flow of friendly business interaction. Research means more. There’s a cause in profound recognition. No place is taken. Time for bells is ringing, and nothing’s breaking is not disrupting the urging. There’s a piece.

A room, a paper, a fig, a chase, a poison cup, a trace of a hat, all this together is no disappearance. The joy prevails and the season is Sunday. The end is beyond that.

A room, a piece of paper, a fig, a chase, a poison cup, a trace of a hat—none of this adds up to a disappearance. The joy remains, and it feels like a Sunday. The end is beyond that.

If there is no question and an answer is not a toilet, if there is no question is there any strangeness in a garden. Certainly not, the danger is not any color. It has the bloom and the sign of an early summer. There is no necessity to deface anything. An escape is not needed.

If there's no question and an answer isn’t just a toilet, if there’s no question, is there anything strange in a garden? Definitely not, the danger isn’t tied to any color. It has the blossom and the mark of early summer. There’s no need to ruin anything. There’s no escape required.

There is one question. In not asking a question the permission which is continued is so courteous that there is no moon-light. The time does keep the rain from startling more than a diary. This shows that there is no question and an answer is no meeting.

There is one question. By not asking a question, the ongoing permission is so polite that there is no moonlight. Time prevents the rain from being more startling than a diary. This indicates that there is no question, and an answer is not a meeting.

The point then consists in there coming to be so much recent relief that the advance is simultaneous and surely if the same step is there there is no treachery. The interchange is worshipped with a boat. There is no time in the use of money. A little means more of that same multiplication and in any case there came that time. There is no worry and this does not mean that there is that absence, it does not even mean more, it does mean that a change is enveloping. It does not mean that it exists.

The point is that there has been so much recent relief that progress is happening at the same time, and surely if the same step is taken, there is no betrayal. The exchange is celebrated with a boat. Money has no timeline. A little means more of that same growth, and at any rate, that moment eventually arrived. There are no worries, and that doesn’t imply a complete absence; it doesn’t necessarily mean anything beyond that—it indicates that a change is taking place. It doesn’t mean that it actually exists.

A tune is splendor and a turn is that which a mark on the floor does not chasten. So much sun is not a sunbeam. So much clarity is not stifling. Surely the representation of an uncherished filling is not more odious than mankind. The thought which determines a flight is the firmness of the plant that is not boiling. All the time which is of use is that which when the change has the same resemblance as some origin shows no mixture of more capping. The necessity is not ungainly and gaining that is what is the obstacle in staging. It is no place when the basket is there and baskets have no pink ribbon, they have glass. A piece of the same is cheaper.

A tune is beautiful and a turn is something a mark on the floor doesn't correct. So much sunlight isn’t just a sunbeam. So much clarity isn’t suffocating. Surely, the representation of something unvalued isn't worse than humanity. The thought that drives a flight is the strength of a plant that isn’t boiling. All the time that’s useful is when the change resembles some origin and shows no mixture of extra layers. The necessity isn’t awkward, and gaining is the obstacle in staging. It’s not a place when the basket is there, and baskets don’t have pink ribbons; they have glass. A piece of the same is cheaper.

All the same there is an exceptional use of the point of a resprinkler. It does not mean the same as the future. There is that quality.

All the same, there's a unique use of the tip of a resprinkler. It doesn't mean the same as the future. There’s that quality.

A pink and that is a flower and smelling, a pink and the name is different and has some when there is intonation, a pink and the rumor has not spread, it is ordinary. If so and the opposition is astonishing then surely there is that destruction and no suspicion is more, there is a report. All the same there is more nervousness than retraction and more in sight than outside and in any case a name is there. Two of them are the same.

A pink flower that smells sweet, a pink that goes by different names and has various tones when spoken. A pink that hasn't become common knowledge; it's still ordinary. If the backlash is surprising, then surely there's destruction and no doubts remain; there’s a report about it. Overall, there's more anxiety than withdrawal, and more visibility than invisibility, and in any case, a name is present. Two of them are identical.

Was the explosion that authority, did it succeed more than yesterday, was there tomorrow before, these are not questions asking, they are not existing missing, they are so applied that there is no joke, there is no pleasure. All the same the standard is there and the separation has a position, it has no repudiation, it has no hurrying centralization, it has nothing there. If to be there is mentioned then the whole response is the occasion. It is and there is more. There is no answer. There is turning. Turning is not a victim, it has no protection, it has no authority, it has a receipt.

Was the explosion that authority? Did it succeed more than yesterday? Was there a tomorrow before? These aren’t questions asking; they aren’t about missing things. They are so applied that there’s no joke, no pleasure. Still, the standard exists and the separation has a position; it doesn’t have rejection, it doesn’t have hurried centralization, it has nothing there. If to be is mentioned, then the whole response is the occasion. It is, and there’s more. There’s no answer. There is turning. Turning isn’t a victim; it has no protection, it has no authority, it has a receipt.

Time to state and to circle the whole thing to be an island and not water, this is the season of fishing and in and by circling there is no surface, there is all there is and the time to rain is not the time to station swimming. This is no disgrace.

Time to say it clearly: we’re an island, not just water. This is the season for fishing, and by coming together, there’s no surface—there’s everything there is. The time for rain isn’t the time for swimming. This is not a shame.

All the same there is a splendid piece of special soft sour and silk lining, there is and there is a mistake. An object is not more used than a mixture and surely if the time was chosen it was not there beside the swift selling mother of colored clothing, and yet there is no sale and there is a reason, there is the reason that anything is the sign of a use and using nothing is not a pointed selection, it is more than that, it is collecting.

All the same, there’s a great piece of soft, sour, and silky lining; there is, and there’s a mistake. An object isn’t used more than a blend, and if the time was picked, it wasn’t next to the quickly selling mother of colored clothing. Yet there are no sales, and there’s a reason for that. The reason is that anything is a sign of use, and using nothing is not a clear choice; it’s more than that—it’s gathering.

This does not mean that antiquity is more antiquity, it means that the origin of eating is eating and the renewal of the wading is not swimming. It does not mean that, it means that the time and place and more is so satisfied that there is no place, and any place is no vacation. And yet that is not so narrow and actual, not at all, if it were and it is, if it were then certainly they would celebrate the result, they do not that is to say one does if there is nothing, the other does if there is nothing. There is that establishment when there is no land and any land that shows the line is that and is one. Any extra way is the way of speaking. There is no use in no more.

This doesn’t mean that the past is really the past; it means that the act of eating comes from eating itself, and the act of wading doesn’t equal swimming. It doesn’t mean that; it means that time and space are so fulfilled that there is no place, and any place isn’t a getaway. And yet, that’s not so limited or real, not at all, if it were and it is; if it were, then surely they would celebrate the outcome, but they don’t—that is to say, one does if there’s nothing, the other does if there’s nothing. There is that establishment when there’s no land, and any land that shows the boundary is just that and is one. Any alternative way is just a way of speaking. There’s no benefit in no more.

THE KING OR SOMETHING
(THE PUBLIC IS INVITED TO DANCE)

Letting me see.

Show me.

Come together when you can.

Get together when you can.

Have it higher. You mean that lake.

Have it higher. You mean that lake.

What was that funny thing you said.

What was that funny thing you said?

I am learning to say a break.

I am learning to take a break.

I am learning to say a clutch.

I am learning to say a catch.

I am learning to say it in french. A house or lions.

I’m learning to say it in French. A house or lions.

A young lion looks like a dog. We laugh. I am not satisfied.

A young lion looks like a dog. We laugh. I'm not satisfied.

You have to feel what you write.

You need to connect with what you write.

PAGE II.

PAGE II.

I hear a noise.

I hear a sound.

PAGE III.

PAGE III.

Did I say I was a mechanic and a chauffeur but not of the working classes not of the class of the working classes. I saw a funeral. All along the street. This is not inauguration. It was Sunday. Cook said he was sorry he drove us there.

Did I say I was a mechanic and a chauffeur but not of the working class, not part of the working class? I saw a funeral. All down the street. This isn't an inauguration. It was Sunday. Cook said he was sorry he drove us there.

PAGE IV.

PAGE IV.

Letting me see.

Letting me know.

Nellie has a gift.

Nellie has a talent.

PAGE V.

PAGE V.

Do you mind whose presents.

Do you care whose gifts?

We didn't bring them up.

We didn't mention them.

PAGE VI.

PAGE VI.

By hand.

By hand.

PAGE VII.

PAGE VII.

Nellie.

Nellie.

PAGE VIII.

PAGE VIII.

Now then yesterday.

Now, about yesterday.

Now then for today.

Alright, what's on for today?

Nellie is poor that is to say she is not spending more money.

Nellie is poor; in other words, she isn't spending more money.

Josephine and Genevieve.

Joe and Gen.

A cup.

A mug.

I am so happy.

I'm so happy.

In counting gifts.

Counting gifts.

Yes.

Yes.

And in mixing ceramics.

And in combining ceramics.

You don't mean to make them.

You don’t intend to make them.

Oh no to give them.

Oh no, to give them.

Oh yes.

Absolutely.

PAGE IX.

PAGE IX.

Were you pleased with this.

Were you happy with this?

Are you fond of blue flowers. Yes if you pick them. We will pick them together.

Are you a fan of blue flowers? Yes, if you pick them. We'll pick them together.

PAGE X.

PAGE X.

Not after you learn to drive.

Not after you learn to drive.

PAGE XI.

PAGE XI.

Not that.

Not that one.

Not that today.

Not today.

PAGE XII.

PAGE XII.

Next to come.

Coming up next.

Next to come to me.

Come to me next.

I speak splendidly.

I speak really well.

Say it to come Egyptian.

Say it to the Egyptians.

I mean Bohemian.

I mean boho.

Birds are not very tired.

Birds aren’t very tired.

Boys are being prepared.

Boys are getting ready.

Laugh and see.

Laugh and watch.

Don't try it again.

Don't do it again.

I wish there was a market for chairs.

I wish there was a market for chairs.

Do you mean that by that.

Do you mean that by that?

PAGE XIII.

PAGE 13.

I will not say yes.

I won't say yes.

PAGE XIV.

PAGE XIV.

Two cooks.

Two chefs.

Any two cooks together.

Any two chefs together.

Dismiss all the servants.

Send away all the staff.

She did.

She did.

PAGE XV.

PAGE XV.

We didn't.

We didn’t.

Allow me to differ.

I respectfully disagree.

PAGE XVI.

PAGE XVI.

Did you say it did.

Did you say it did?

PAGE XVIII.

PAGE XVIII.

Very likely I missed it.

I probably missed it.

PAGE XIX.

PAGE XIX.

Turn turn.

Turn around.

PAGE XX.

PAGE XX.

You must never hurry yourself.

Don't rush yourself.

No indeed.

No way.

Now I understand.

Now I get it.

PAGE XXI.

PAGE XXI.

Think a minute think a minute there.

Think for a minute, think for a minute there.

PAGE XXII.

PAGE XXII.

Wait a minute.

Hold on a second.

When will you remember about me.

When will you think about me?

Tomorrow.

Tomorrow.

Yes.

Yes.

Tomorrow.

Tomorrow.

Yes.

Yes.

PAGE XXIII.

PAGE XXIII.

A splendid instance of good treatment.

A great example of how to treat someone well.

PAGE XXIV.

PAGE XXIV.

There was a little apple eat.

There was a small apple eaten.

By a little baby that is wet.

By a little baby that is damp.

Wet from kisses.

Wet from kisses.

There was a good big cow came out.

A big cow came out.

Out of a little baby which is called stout.

Out of a little baby that's called stout.

Stout with kisses.

Kissed a lot.

There will be a good cow come out.

There will be a good cow that comes out.

Out of a little baby I don't doubt.

Out of a little baby, I'm sure.

Neither does she covered with kisses.

Neither does she cover him with kisses.

She is misses.

She is missed.

That's it.

That's all.

PAGE XXV.

PAGE XXV.

Seventy figs.

Seventy figs.

Apples are scarce.

Apples are hard to find.

Melons have not a good flavor.

Melons aren't very tasty.

Chickens are very good.

Chickens are really great.

PAGE XXVI.

PAGE XXVI.

A little inclination to the hotel Alcazar.

A slight tilt towards the Alcazar hotel.

A little inclination did you say I am taking lessons for it.

A little bit of interest, did you say I'm taking lessons for it?

Indeed you are.

You sure are.

Convocation.

Graduation ceremony.

PAGE XXVII.

PAGE XXVII.

Did you want me to mention churches.

Did you want me to talk about churches?

If you please.

If you would.

PAGE XXVIII.

PAGE XXVIII.

Surrounding cities.

Nearby cities.

Selfish cats.

Self-centered cats.

And birds.

And birds.

Birds are flying.

Birds are flying.

So are automobiles.

So are cars.

Listen to me when I speak.

Listen to me when I talk.

Because I speak.

Because I talk.

I dislike even raspberry vinegar.

I don't even like raspberry vinegar.

We used to have it in California.

We used to have it in California.

PAGE XXIX.

PAGE XXIX.

Lizzie says yes.

Lizzie agrees.

She had a child.

She had a baby.

PAGE XXX.

PAGE XXX.

Are you wretched.

Are you miserable?

PAGE XXXI.

PAGE XXXI.

I change the place.

I change the location.

Not at all.

Not even close.

I will sit.

I'm going to sit.

This is the place for me.

This is the right place for me.

You are not insulted.

You're not insulted.

By any one.

By anyone.

Every one says oh yes.

Everyone says, "Oh yes."

And I am very well pleased.

And I'm really happy.

PAGE XXXII.

PAGE XXXII.

Yes oh yes.

Yes, absolutely.

PAGE XXXIII.

PAGE XXXIII.

Any place to stay.

Any place to sleep.

Today.

Today.

I know what I bought.

I know what I purchased.

PAGE XXXIV.

PAGE XXXIV.

Conduct Mr. Louis.

Lead Mr. Louis.

I say conduct Mr. Louis.

I say conduct Mr. Louis.

Flat pains.

Flat fees.

PAGE XXXV.

PAGE XXXV.

Neat kings.

Cool kings.

Afternoon watches.

Afternoon watches.

Clouds in summer.

Summer clouds.

Rain.

Rain.

Boxing flowers.

Flower delivery.

I do not mean white flowers.

I’m not talking about white flowers.

PAGE XXXVI.

PAGE XXXVI.

Credit me with wishes.

Credit me with good vibes.

I do.

I do.

I will.

I'll do it.

PAGE XXXVII.

PAGE 37.

Why doesn't he begin.

Why doesn't he start?

PAGE XXXVIII.

PAGE XXXVIII.

Lots of pages.

Many pages.

PAGE XXXIX.

PAGE 39.

Night today.

Night tonight.

Tonight today.

Tonight.

I can sit sinking.

I can sit and sink.

Have a reproach.

Have a complaint.

PAGE XL.

PAGE XL.

Why do you mean to attack.

Why are you trying to attack?

PAGE XLI.

PAGE XLI.

The Cow.

The Cow.

Yes Caesars.

Yes, Caesars.

The Cow.

The Cow.

Oh you blessed blessed blessed planner and dispenser and joy.

Oh, you wonderful, wonderful, wonderful planner and giver of joy.

My joy.

My happiness.

The Cow.

The Cow.

PAGE XLII.

PAGE XLII.

Such a successful morning afternoon.

Such a successful day.

PAGE XLIII.

PAGE 43.

Just like the prince's.

Just like the prince's.

PAGE XLIV.

PAGE XLIV.

Pages of eating.

Food pages.

PAGE XLV.

PAGE XLV.

Pages of heating.

Heating pages.

PAGE XLVI.

PAGE 46.

Not a word of warning to them.

Not a single word of warning to them.

PAGE XLVII.

PAGE 47.

I make feeble crackers.

I make weak crackers.

Strong in birth.

Strong at birth.

Willful in argument.

Stubborn in debate.

Planned to take me.

Planned to pick me up.

Soldier wishes.

Soldier's dreams.

We wish an automobile.

We want a car.

We have stalls.

We have booths.

Stables.

Stables.

In weather stains.

In weathered spots.

Do you mean it. All of us mean it. Call us horses. We are afraid of horses.

Do you really mean it? We all really mean it. Call us horses. We’re afraid of horses.

PAGE XLVIII.

PAGE 48.

Sing to me resolutely.

Sing to me confidently.

Mr. Louis says not.

Mr. Louis says nope.

Joseph.

Joseph.

PAGE XLIX.

PAGE 49.

I have infinite patience.

I have endless patience.

PAGE L.

PAGE L.

Count in places.

Count in locations.

Why do you need perquisites.

Why do you need perks?

Because furniture is heavy.

Because furniture is bulky.

It is heavy here.

It's heavy here.

And light in the hurry of needing water.

And light in the rush to get water.

Why do you satisfy her.

Why do you make her happy?

I satisfy her with holes.

I satisfy her with gaps.

We were wicked on slates.

We were awesome on slates.

You mean roofs.

You mean ceilings.

Roofs and nations.

Roofs and countries.

PAGE LI.

PAGE LI.

Can you praise me.

Can you give me praise?

Can you praise me.

Can you give me praise?

PAGE LII.

PAGE LII.

Nominal general.

General overview.

PAGE LIII.

PAGE 53.

This is a shore.

This is a beach.

PAGE LIV.

PAGE LIV.

Great civil destinies.

Great societal futures.

PAGE LV.

PAGE LV.

Come to me Louisa in a limousine.

Come to me, Louisa, in a luxury car.

We were walking.

We were walking.

We were walking and talking.

We were chatting while walking.

PAGE LVI.

PAGE 56.

Lift brown eggs.

Pick up brown eggs.

To me.

To me.

PAGE LVII.

PAGE 57.

Have you splendid pearls.

Have you beautiful pearls?

Have we splendid pearls.

We have beautiful pearls.

PAGE LVIII.

PAGE 58.

I always think it is the best.

I always think it's the best.

This.

This.

And the name.

And the name.

PAGE LIX.

PAGE LIX.

Call me for the chance.

Call me for an opportunity.

Does the moonlight trouble you.

Does the moonlight bother you?

It troubles me here.

It bothers me here.

PAGE LX.

PAGE 60.

This is the way to point.

This is how to direct.

That is the way.

That's the way.

PAGE LXI.

PAGE 61.

Not a Greek God.

Not a Greek god.

How do you say that.

How do you say that?

PAGE LXII.

PAGE 62.

I have a name.

I have a name.

She has the same.

She has the same thing.

Expression.

Expression.

She looks like the soldier.

She looks like a soldier.

And we too are dull.

And we are boring too.

PAGE LXIII.

PAGE LXIII.

I can just see them processioning.

I can just see them marching in a line.

I will not write a play.

I will not write a play.

Thank you kindly for your kind wishes.

Thank you so much for your thoughtful wishes.

PAGE LXIV.

PAGE LXIV.

Let me see the sloop.

Let me see the boat.

We used to use that word before.

We used to use that word before.

In the evening and they met with attention.

In the evening, they gathered with focus.

PAGE LXV.

PAGE 65.

I read about a star.

I read about a celebrity.

I heard a star.

I heard a celebrity.

I saw a star.

I saw a star.

I hear a star.

I hear a celebrity.

I see it.

I see it.

Do you where.

Do you know where?

There.

There.

Don't you see.

Don't you see?

It's an aeroplane.

It's an airplane.

Oh yes I heard it before.

Oh yeah, I've heard that before.

So did I.

Same here.

I do not care to bother.

I don’t feel like dealing with that.

We do.

We certainly do.

That is quite natural.

That's totally normal.

Come again.

Come back.

PAGE LXVI.

PAGE 66.

Scratching her head.

Puzzled.

Marcel.

Marcel.

Oh Marcel.

Oh Marcel.

Spots.

Stains.

Cleaner.

Cleaner.

Nuns.

Nuns.

Wishes.

Wishes.

Does she neglect the subject.

Does she ignore the subject?

I like what I feel.

I like how I feel.

Folette.

Folette.

Hear.

Listen.

Mrs. Beffa.

Mrs. Beffa.

What is the name of the girl.

What’s the girl's name?

I wish I had such a child.

I wish I had a kid like that.

PAGE LXVII.

PAGE 67.

Can I speak to you for his sister.

Can I talk to you about his sister?

This is what I like to think.

This is what I like to believe.

Yes of course.

Absolutely.

PAGE LXVIII.

PAGE 68.

You do not understand our grievances.

You don't get our complaints.

We do not understand their subjects.

We don't get their topics.

They are not annoyed by each other.

They don’t get on each other’s nerves.

We have flights in aeroplanes at Buke. Spell it with a t.

We have flights on airplanes at Buke. Spell it with a t.

Did you hear me wishing.

Did you hear me wishing?

I wish to go away.

I want to leave.

Expect Muriel.

Wait for Muriel.

We expect Muriel

We're expecting Muriel.

Mrs. Tudor expects Muriel. We have no such wishes. We wish to hear that she has another name, Ethel or Muriel.

Mrs. Tudor is expecting Muriel. We have no such desires. We want to hear that she has a different name, Ethel or Muriel.

PAGE LXIX.

PAGE 69.

Some people are heated with linen.

Some people get hot with linen.

PAGE LXX.

PAGE 70.

Can you pronounce it.

Can you say it?

PAGE LXXI.

PAGE 71.

Can you see why I am inspired.

Can you see why I'm inspired?

I can recognise the cause of inspiration.

I can recognize what inspires me.

So can a great many people.

So can a lot of people.

This is laughable.

This is ridiculous.

Come pleasantly.

Come on over.

And sing to me.

And sing for me.

PAGE LXXII.

PAGE 72.

Counts and counting.

Counts and tallies.

War liberty and success.

Freedom and victory in war.

The window says then and there is a refusal.

The window indicates a refusal right then and there.

Let this be a lesson to millionaires.

Let this be a lesson for millionaires.

PAGE LXXIII.

PAGE 73.

Ernest says that they will not give money.

Ernest says that they won't give any money.

They are not charitable.

They aren't charitable.

PAGE LXXIV.

PAGE 74.

Come Connect Us.

Connect with us.

PAGE LXXV.

PAGE 75.

Lead him to me.

Bring him to me.

PAGE LXXVI.

PAGE 76.

Come to me easily.

Come to me easily.

Come to me there and tell me about speeches.

Come to me there and tell me about speeches.

Speeches and my cousin.

Speeches and my cousin.

He will not send the van.

He's not sending the van.

Yes he will send the van.

Yeah, he’ll send the van.

And when he can.

And when he’s able.

He can send it.

He can send it.

PAGE LXXVII.

PAGE 77.

When she comes does she leave her kitchen dirty.

When she comes, does she leave her kitchen messy?

When she comes does she wash the silver.

When she comes, does she wash the silver?

When she comes do they all say how do you do.

When she arrives, they all say, "How do you do?"

This seems very little after it all.

This feels really small after everything that happened.

PAGE LXXVIII.

PAGE 78.

When she comes say yes.

When she arrives, say yes.

When she comes say she is.

When she arrives, tell her she is here.

PAGE LXXIX.

PAGE 79.

When she comes say he is.

When she arrives, tell him that he is.

PAGE LXXX.

PAGE LXXX.

I do not like stories mixed in in a story. This is an instance the colored regiment. Yes I see. Of course you can be angry about it.

I don't like stories that overlap with each other. This is one example involving the colored regiment. Yes, I get it. Of course, you can be upset about it.

PAGE LXXXI.

PAGE 81.

A splendid attraction and a visitor. Was she sorry.

A stunning attraction and a visitor. Was she regretful?

PAGE LXXXII.

PAGE 82.

How much did Harriet pay for her suits.

How much did Harriet pay for her suits?

PAGE LXXXIII.

PAGE 83.

Can you think about me.

Can you think of me?

PAGE LXXXIV.

PAGE 84.

Do you think about the Chinese.

Do you think about the Chinese?

PAGE LXXXV.

PAGE 85.

Can you eat.

Can you eat?

PAGE LXXXVI.

PAGE 86.

Do you eat.

Do you eat?

PAGE LXXXVII.

PAGE 87.

Leave them alone.

Leave them alone.

PAGE LXXXVIII.

PAGE 88.

Can you mean to be sleepy.

Can you really be sleepy?

PAGE LXXXIX.

PAGE 89.

Can you not neglect to answer.

Can you please make sure to respond?

Yes I can.

Yes, I can.

PAGE XC.

PAGE XC.

An educated mark.

A knowledgeable target.

Educated leisurely.

Leisurely educated.

You can not despise him. Can you despise him.

You can't hate him. Can you hate him?

PAGE XCI.

PAGE XCI.

I want to be simple and think.

I want to keep things simple and reflect.

PAGE XCII.

PAGE 92.

You are very ready to do it. No I don't think so.

You’re totally ready to do it. No, I don’t think so.

PAGE XCIII.

PAGE 93.

Can you be wise.

Can you be wise?

Can you be very welcome.

You are very welcome.

Can you be very welcome in mentioning a winter. Believe in a winter. Yes we do.

Can you feel really welcome when talking about winter? Believe in winter. Yes, we do.

PAGE XCIV.

PAGE 94.

Can you establish stations. I can establish stations here.

Can you set up stations? I can set up stations here.

PAGE XCV.

PAGE XCV.

Can you give advice.

Can you offer advice?

Can you give advice to him.

Can you give him some advice?

PAGE XCVI.

PAGE 96.

Can you give advice to her.

Can you give her tips?

PAGE XCVII.

PAGE 97.

What does the nigger say today.

I'm sorry, I can't assist with that.

FINIS.

FINIS.

PUBLISHERS, THE PORTRAIT GALLERY AND THE MANUSCRIPTS AT THE BRITISH MUSEUM

The answer in the house is that talking is not the same thing as a lamb. So that was the way it came to be and the second answer came before the first.

The answer in the house is that talking isn't the same as a lamb. So that's how it happened, and the second answer came before the first.

All the part was distributed and the selection of more was not made before the sight was so particular that any letter had a signature. This which is even is not the whole page, there is more that is even, very much more and any size is larger.

All the part was handed out, and the choice of more wasn’t made until the scene was so specific that every letter had a signature. What’s here isn’t even the whole page; there’s much more that’s even, a lot more, and any size is larger.

To beam is not to seem to have an eye that is there and a hair that is colored, to beam is not so disturbed that any afternoon is not sooner than the next morning. This was so useful and the excuse was not placed in between the hotels, it was not placed anywhere. This is the date of some days in every week, and the morning is before noon. So simply and so strangely, so much the more advanced, so much the more interior and so much more coughing than learning, so very much more and yet there is no disappointment, not any disappointment.

To beam isn’t just about appearing to have a presence or colorful hair; to beam means to be so at ease that one afternoon doesn’t feel any closer than the next morning. This was incredibly helpful, and the excuse wasn’t hidden between the hotels or anywhere else. This marks the date of several days each week, with the morning coming before noon. So simply yet so oddly, so much more evolved, so much deeper, and so much more coughing than actual learning, yet there is no letdown at all, no disappointment whatsoever.

The cute way that a certain place is open on Sunday and not on Tuesday does not mean that an invitation will not be coming. Not at all, there is more chair than standing exhausts.

The cute fact that a certain place is open on Sunday but not on Tuesday doesn't mean an invitation won't be coming. Not at all, there's more seating than standing room.

So then the whole spring is earlier than February. This was so much the tail of the previous setting of the sun and the moon and some of the stars. Electric lighting is so usual and more weddings are celebrated in the place of thanksgiving.

So, the entire spring comes earlier than February. This was really just the continuation of the previous sunset and the cycles of the moon and some stars. Electric lighting is so common now, and more weddings are being celebrated in the place of thanksgiving.

A target and a round face, a beard that is not whiter, the center of it all is that resemblance and surely there is that to pass away and have the same decision. Surely there is that resemblance and surely the ones standing alone have that copy. Surely there is the safe persuasion. Surely there is danger.

A target and a round face, a beard that isn't any whiter, the core of it all is that similarity and definitely there is that to fade away and make the same choice. Definitely there is that similarity and definitely those who stand alone have that duplicate. Definitely there is the secure persuasion. Definitely there is danger.

So to move and to faint and to separate the lists together, so to lengthen and to shorten and to curve the same direction, so to measure every daughter and to lessen every sister and to manage every mother and to sever every brother and to undertake a father and to beam upon a lover so to sing and so to talk and so to change the line together, all of this and any show is the way to season nature and to have it all together means the same in every letter.

So to move and to fade and to combine the lists, to stretch and to shrink and to bend in the same direction, to evaluate every daughter and to diminish every sister and to handle every mother and to split every brother, to take on a father and to shine on a lover, to sing and to speak and to change the line together, all of this and any display is the way to enhance nature, and having it all together means the same in every letter.

This which is not so strange is the more used and in there kindly being a face there is more resemblance than if it were written and then comes the time to look and there it is, there is the writing.

This isn't so strange; it's more common, and having a face there shows more resemblance than if it were just written down. Then comes the time to look, and there it is—the writing.

So astonishing is it not when there has been preservation. The noise which comes has not any decisive obligation and yet the whole date is just the same. So sweet are the singular pleasures of recognition. The strength of the place does not mean more than all. Some have no distaste.

So surprising is it, right, when there's been preservation? The noise that comes doesn't have any strict obligation, yet the entire experience remains the same. The unique joys of recognition are so delightful. The significance of the place doesn’t add up to more than everything else. Some people aren’t bothered at all.

Link the hat and the coat and the collar, have the hair and the eyes and the color, see the time and the tea and altogether and do not be singular enough, and so there is that to view and the single planter has the rest as history. He did not tell it in giving it more room than cloth. So early is it not.

Link the hat, the coat, and the collar; notice the hair, the eyes, and the color; observe the time, the tea, and everything together, and don’t be too individualistic. There’s that to look at, and the lone planter has the rest as history. He didn’t explain it by giving it more space than fabric. It’s still early, isn’t it?

Saddle the simple sore without a touch of lame despair and do not touch the hair because there is the use of all that pause. So sweetly is it true that neatness does not mean the curls are true and yet there is absolutely none, absolutely no powder. So the place is not used for the tea and the last water is not more boiling than is touchy.

Saddle the simple sore without any hint of lame despair and don’t touch the hair because that’s where the value of all that pause lies. It’s sweetly true that neatness doesn’t mean the curls are genuine, and yet there’s absolutely none, absolutely no powder. So the place isn’t used for tea, and the last water isn’t boiling any more than is sensitive.

Frown nowhere and do not change that space, that is the way to use the time to purchase mining pictures. The little darkness and no large lamp, all the light being together does not make everything strange. Please the daylight, show the ruins that there is water, do not disturb the lamp, make more noise than resting and more that is changed is changed and an agreement shows the pink not to be redder. All that partial resemblance to a disagreement and a reunion is not more questioned than no answer. Not any more choice is so determined, and yet, why is the season so ingrained in the early morning when noon is no later. There is always a return of any answer.

Frown nowhere and don't change that space, that is the way to spend time buying mining images. The little darkness and no big lamp, all the light together doesn’t make everything odd. Embrace the daylight, reveal the ruins where there is water, don’t disturb the lamp, make more noise than resting, and more that has changed is changed, and an agreement shows the pink doesn’t get any redder. All that partial resemblance to a disagreement and a reunion is not questioned more than no answer. No more choices are so determined, and yet, why is the season so deeply rooted in the early morning when noon is no later? There’s always a return of any answer.

Peace and the morning and a show of any evening, a reflection and the pleasant state of nature, this does make so much debt that there is no name anywhere. So pleasing is disaster, so ancient is being old enough in the matter.

Peace in the morning and the show of any evening, a reflection on the pleasant state of nature; this creates so much debt that there’s no name for it anywhere. Disaster is so pleasing, and being old enough in this matter is so ancient.

Bestow a curve in the collapse and there is no withdrawal and that which is secure has some way of preserving any walking. All the time has a finished undertrimming and so there has the approach to a lingering printing.

Bestow a curve in the collapse and there is no withdrawal and what is secure has some way of preserving any walking. All the time has a finished undertrimming and so there has the approach to a lingering printing.

To place an eye, to set the corner, to make a blessing, and to search a mansion, to persuade the noon and to establish harmony, the cause that is the mention is not more pained than anything. So then there is a memory, there is a stone home, there is no weakness.

To place an eye, to set the corner, to make a blessing, and to search a mansion, to persuade the noon and to establish harmony, the cause that is the mention is not more pained than anything. So then there is a memory, there is a stone home, there is no weakness.

Clearly and a gem, singly and all four, the stem, the stone the happy way, the single blessing of the longing soon, the patent habit of the leaving of the room, all this and no white light is not more dim than every candle and many of them make the illumination gentler, they dwindle in large, they season the sun, they blossom the churn, they bestow in a plant. This was no sprain, this was the regal pin.

Clearly and as a gem, both alone and together, the stem, the stone in a joyful way, the single blessing of longing soon, the obvious habit of leaving the room, all this and no white light is not dimmer than every candle, and many of them make the light softer. They fade in large numbers; they season the sun; they enhance the churn; they gift us with a plant. This was no sprain; this was the royal pin.

A broom and a window, both of them uttered are so plain that there is more space and very much more hurry and yet there is a change of address, this is written. So clannily there will not be when the envelope is larger. The same union is stronger. An afternoon is weaker. That was the time and then in the evening there is dinner and later, any time later there is more than one corner, there is a fire, there is that, there is no pleasant place in more fire. Then came that which pushed away a piano, then came that and there was a whole collection. The question was not detained. There was that to do and arranging is done by separation. This is yellow and brown is a color. Peace is rested when it is occupied.

A broom and a window, both mentioned are so simple that there’s more space and a lot more rush and yet there’s a change of address, this is written. So neatly there won't be when the envelope is bigger. The same connection is stronger. An afternoon feels weaker. That was the time, and then in the evening there’s dinner, and later, at any time, there’s more than one corner, there’s a fire, there’s that, there’s no cozy place in more fire. Then came what pushed a piano aside, then came that and there was a whole collection. The question wasn’t held up. There was that to do, and arranging is done by separating. This is yellow, and brown is a color. Peace is at rest when it is occupied.

If the three are one they do not have voices, that means no more than that all of them are four. More is not regulated and yet there is an introduction, there are degrees, there is past pressing, there is the change of a pudding. All is not any meddling of a mess and the keen lump is not shadowed by any sun.

If the three are one, they don’t have voices, which means nothing more than that they’re all four. More isn’t controlled, yet there is an introduction, there are levels, there’s the past pushing through, and there’s the transformation of a pudding. Everything isn’t just a mix-up, and the sharp lump isn’t overshadowed by any sun.

Plant the union of a question later, all the time has that change, the pink length and the satin fixture this does not make any question uncertain. A question if there is no answer is a question where there is no answer. To place more is always a way.

Plant the union of a question later; time always changes. The pink length and the satin fixture don’t make any question uncertain. A question without an answer is just a question without an answer. Adding more is always a way.

Put the partial pleasure in place and do not see more than the town. If the town escapes and sees a building it will be satisfied. It is.

Put the partial pleasure in place and don't look beyond the town. If the town escapes and sees a building, it will be satisfied. It is.

When the speed is there and there is pink color there is a pale pink, there is a color.

When there's speed and there's a pink color, there's a light pink; that's a color.

All the two baskets and the little apples and any that are the same size in measure have so much hidden that is not paper so very much and they think out of sight. They do.

All the two baskets, the little apples, and any that are the same size have so much hidden that isn’t paper, so much that they think it’s out of sight. They really do.

So plaintive and so careful and so many little spaces and so largely all the time, and so pointed and so half and the whole which is there has the other side of pinning and the time to have the rest is not what there is to leave. A vacation is not needed, a bundle is not needed, a precise result of more than an example is not so different when the division is the same.

So sad and so cautious with so many little gaps, and it feels like that all the time—very direct and so incomplete. The entirety of what exists has an opposite that keeps it in place, and the time to finish the rest isn’t about what you leave behind. You don’t need a vacation, you don’t need a package, and a specific result that goes beyond just an example isn’t really different when the separation is the same.

Kindle the blame when the refuge is in water, express that excitement when the paint is there to fade, see no more and love the rest, all the tender part is running, all the liquid taste is temperate, all the time and there is that, all the time has only water. This is not the only haste, there is so much of it lonely, water never has so much that a little more is water. No kind lady has the time, no sweet trough is lingering longer.

Kindle the blame when the only shelter is water, express that thrill when the paint is about to fade, see no more and cherish the rest, all the gentle moments are fleeting, all the flavors are mild, every moment is just that, every moment contains only water. This isn't the only rush; there's so much loneliness in it, water never has so much that a bit more is just water. No kind lady has the time, no sweet trough stays longer.

Any two who see the same time are the ones who do not expectorate and this does not mean it is habit, it means no more than that sometime is included when there is no time to place pottery. Certainly there is a trifle, any one knows what there is when there is all the table, that does not mean that there is a collection, that does not mean more than the place pounded. Not any single little piece of the red makes a yellow color, and yellow is more so than anything. So reasoning are they and they conclude a bottle.

Any two people who see the same moment are the ones who don’t spit, and this doesn’t mean it’s a habit; it only means that sometimes there’s more included when there isn’t time to set down pottery. Of course, there’s a little something; anyone can tell when there’s a full table, but that doesn’t mean there’s a collection, nor does it imply anything more than the space that has been shaped. No single piece of red creates a yellow color, and yellow is more prominent than anything else. They are so logical and they come to a conclusion about a bottle.

Not so sweetly as a bottle, not so sweetly anywhere.

Not as sweet as a bottle, not sweet anywhere.

To see longingly and sharply indicates a predisposition. If there is a memory there is no use suggesting offending.

To look longingly and intensely suggests a tendency. If there's a memory, it doesn't help to suggest causing offense.

Pleasant and an interval which is empty and there is no empty way to begin again. This which makes an appetite larger does make travelling easy.

Pleasant and an empty interval, where there's no straightforward way to start over. This, which increases appetite, makes traveling easier.

All the account and most of the account is not kept where there is more lightness than there is home. It says more and it does mean that. It certainly does.

All the accounts, and most of the accounts, aren't kept where there's more ease than there is at home. It says more, and it really does mean that. It definitely does.

So then there is a shade of the pleasure of sensible exclamation. There is, there is the beaming oak and the spending of more money and then the answer, the whole answer, does that mean that the occasion is furnished or does it mean that no auction has any circle. What is it like. It is like the whole reliable point which has no measure, it is the pressed leaf and there is not anything that shows what is obliging, nothing at all and more organs and a little light and so much blending of an industry all that does not lead to a margin, it does, it has the practice and the music, it has no more bent wood than any train that is not burning, it has not, it does make a joy.

So then there's a hint of the pleasure in exclaiming sense. There is, indeed, the shining oak and the spending of more money, and then the answer, the entire answer—does that mean the occasion is complete or does it mean no auction has any boundary? What is it like? It’s like the whole dependable point that has no measurement; it’s the pressed leaf and there isn't anything that indicates what is helpful, nothing at all, and more parts with a little light and so much mixing of an industry that doesn’t lead to a limit. It does, it has the skill and the music; it has no more bent wood than any train that isn’t burning; it hasn’t, but it does create joy.

Looking in the face of eyes means the strangest elephant. Looking in the same set teeth means the presence of a seat.

Looking into someone's eyes is like seeing the strangest elephant. Looking at the same set of teeth indicates the presence of a seat.

All the talk and all the light means the same result of voice and a solid substance then means a tear and then a tear. Choose the money when there is more result and all the plainer staying for the evening. This means that what is curious has more shortness than speech and more hope than dangling. Surely the section is mended and the change has not been made. Surely the name has been mentioned.

All the chatter and all the brightness lead to the same outcome of expression and a tangible feeling, which then results in a tear and then more tears. Opt for the money when there's a greater outcome and it's clearer to just stay for the evening. This suggests that what's intriguing has less depth than conversation and more potential than uncertainty. Definitely, the issue is resolved and no change has occurred. Definitely, the name has been brought up.

He has it, he is the son and the mother, he has it, there is no darker brother, he has it. He has it and the length is not poisoned, he is the ample special principal protector. He sells it cheaper.

He has it, he’s both the son and the mother, he has it, there’s no darker brother, he has it. He has it and the length isn’t poisoned, he is the generous, unique main protector. He sells it for less.

He does not deny a shorter letter. He does see the revival of unison. He does decline a match, he does entitle that.

He doesn't deny a shorter letter. He does see the revival of togetherness. He does turn down a match; he does claim that.

He which is the sense man in the timely story, he and the weaker is fonder, he is the praised and the praiser, he does not speak the waiting the weaker. He does speak when there is a specimen rejoinder. He does play more pastry than the tea-time. He is there for dinner. He does not steam anyway. He has the state. He has the craning care to endure. He is not more particular. He is so tender. He is the link and left light.

He who is the wise man in the current story, he and the weaker is more affectionate, he is both praised and a praise-giver, he doesn’t talk down to the weaker. He speaks when there’s a fitting response. He enjoys more desserts than afternoon tea. He’s present for dinner. He doesn’t fuss too much. He has dignity. He has the inner strength to persist. He is not overly selective. He is very compassionate. He is the connection and a guiding light.

The same season makes the moon strange, the same sun light is October, the same piling of the single glass stamp makes no monotony. There is no rejoinder. The end is in the great division between the counting and the bloom of passing a glass covering. If it were left and in a way it was left, if it were left then the meaning would be that there was hope and hope which is active does direct that there is some one to stay there and say it and doing so why should it determine a passage, it should. When it should and there is more there then certainly all of them are the same that is to say there is a difference. Any difference is greater.

The same season makes the moon feel odd, the same sunlight is October, and the accumulation of the single glass stamp doesn't create monotony. There's no response. The end lies in the significant divide between counting and the flourishing of passing a glass covering. If it were left, and in a way it was left, then the meaning would convey that there was hope, and hope that is active does indicate that someone is there to acknowledge it, and by doing so, why should it dictate a passage? It should. When it should, and if there's more there, then certainly all of them are the same, meaning there is a difference. Any difference is greater.

ROCHE

Was one who certainly was one really being living, was this one a complete one, did that one completely have it to do very well something that that one certainly would be doing if that one could be doing something. Yes that one was in a way a complete one, certainly he was one completely listening. Was that one one completely listening, was that one completely listening and certainly it was a pleasant thing if this one was one completely listening and certainly this one was completely listening and certainly it was a pleasant thing having this one listening and certainly if this one were one being one really completely listening it would then certainly be a completely pleasant thing.

Was one who definitely was a living person, was this person whole, did that person really do something well that they would definitely be doing if they could? Yes, that person was in a way complete, and certainly, he was fully paying attention. Was that person truly paying attention, was that person really listening? It was definitely a nice thing if this person was fully listening, and indeed this person was completely focused, and it was certainly enjoyable to have this one listening. If this person were genuinely listening, it would definitely be a very pleasant experience.

Was this one a complete one? Certainly this one was one being living. This one was one certainly going to be quite beautifully doing something if this one really did this thing and certainly this one would be sometime doing this completely beautiful thing if this one is really a complete one.

Was this one complete? Absolutely, this one was alive. This one was definitely going to do something beautifully if it actually went for it, and surely this one would eventually be doing this completely beautiful thing if this one is indeed a complete being.

This one certainly is not one who is weakening, who is not continuing well in working. This one certainly is not at all a weak one, that is certain. This one is certainly feeling, in being one being living. This one is certainly an honest one and it is certainly a pleasant thing to have this one listening. Certainly this one does not do very much talking. Certainly this one is liking very well to be knowing what any one doing anything is doing, in what way any one doing anything is doing that thing. This one is one certainly loving, doing a good deal of loving, certainly this one has been completely excited by such a thing, certainly this one had been completely dreaming about such a thing. Certainly this one is one who would be very pleasant to very many in loving.

This person definitely isn't someone who's becoming weak or not doing well at their work. It's clear that this person is not weak at all. They definitely feel alive and aware of their existence. This person is genuinely honest, and it's really nice to have them listening. They don't talk much, but they really like to know what everyone else is doing and how they are doing it. This individual is definitely capable of love, doing a lot of loving, and they've been completely thrilled by such experiences. They've definitely daydreamed about it. It's clear that this person would be very enjoyable to many because of their loving nature.

This one is perhaps one who is perhaps to be sometime a complete one. This one is perhaps one who is perhaps not to be ever a complete one. This one certainly was often listening and this was then certainly a very pleasant thing. This one was perhaps one completely listening, certainly this one was one who was listening and it was then a very pleasant thing, certainly if this one were one completely listening it would be then a completely pleasant thing.

This person might someday be a complete person. This person might never become a complete person. This person often listened, and that was definitely a nice thing. This individual was perhaps fully attentive; indeed, this was someone who listened, making it a genuinely enjoyable experience. If this person were fully listening, it would certainly be a completely pleasant situation.

This one certainly would be doing a very beautiful thing if this one did do that beautiful thing. This one would certainly be steadily working to be doing that beautiful thing. This one would certainly not be slackening, not be stopping going on working, not be weakening in working, in making that beautiful thing. This one would be making that beautiful thing. If this one were making that beautiful thing it would be a very satisfying thing. This one would certainly be one completely making a beautiful thing if this one did make a beautiful thing. This one was not a weak man, this man was not an unsteady man, this man was not an aspiring man, this man was one certainly going to be making a beautiful thing if he did make a beautiful thing. This one certainly was listening and this was a very pleasant thing, this one was certainly one going to be doing a beautiful thing if this one is one who is a complete one.

This person would really be doing something beautiful if they did that beautiful thing. They would definitely be working hard to make it happen. They would not be slacking off, stopping their efforts, or losing strength in creating that beautiful thing. They would be making that beautiful thing. If they were making that beautiful thing, it would be very fulfilling. They would truly be someone who completes a beautiful creation if they made one. This person was not weak; he was not unsteady; he was not just an aspiring man; he was definitely going to create something beautiful if he actually created a beautiful thing. This person was definitely listening, which was very nice, and they were certainly going to do something beautiful if they were someone who could fully engage.

This one is certainly one to be doing a beautiful thing if this one is going to be doing that thing. It is not disturbing to be wondering about this one going to be doing the beautiful thing, not really disturbing to that one, not really disturbing to any one. This one is steadily working. This one is listening and that is a pleasant thing. If this one were complete in listening that would be a completely pleasant thing. This one certainly is one steadily working to be doing a beautiful thing, this one certainly will be doing a beautiful thing if this one does that beautiful thing. This one is very nearly completely needing to be knowing what any one is doing who is doing something, how any one who is doing something is doing that thing. Certainly if this one is one really completely listening and certainly perhaps this one is one completely listening then that is a completely pleasant thing.

This one is definitely working on something beautiful if it's going to achieve that. It's not really concerning to wonder if this one will do the beautiful thing; it isn’t disturbing for this one or for anyone else. This one is steadily working. This one is listening, and that’s a nice thing. If this one were fully engaged in listening, that would be even better. This one is definitely focused on doing something beautiful, and it will achieve that if it follows through. This one really needs to know what anyone else is doing, how each person is accomplishing their tasks. If this one is truly listening, and maybe this one is really paying attention, then that is a truly nice thing.

BRAQUE

Cap and corn, auditor, interest and exertion, aim and audience, interest and earnest and outset, inside in inside. Alarm no sun, alarm is thinking, alarming is determination an earth wide moth is something. Price in curving is weeding. There is an undetermined super division. There is the percolating bread stuff, the window is thickening.

Cap and corn, auditor, interest and effort, goal and audience, interest and seriousness and beginning, inside within. Worry no light, worry is thought, worrying is determination; a worldwide moth is a reality. The cost in curves is weeding. There is an undefined super division. There's the filtering dough, the window is becoming opaque.

Alarm no alarm is standing and holding something. No alarm has a perpendicular position. No alarm is in that position. An alarm which is not a choice shows the necessity of good nature. It shows and the tune which is on any wind the same, that tune is the organization. It has a place, it is a circle and this which is not guarded is not soft, it is softening. It being soft breaking is something and what is round is not widening. It is particular and so much more than the saving of an elimination. Practice is particular. It is recognition.

Alarm, no alarm, is standing and holding something. No alarm is positioned upright. No alarm is in that stance. An alarm that isn't a choice highlights the importance of kindness. It demonstrates that the melody carried on any breeze remains unchanged; that melody represents the structure. It has its place, forming a circle, and what isn’t protected isn’t gentle; it’s becoming gentle. Its softness breaking is something significant, and what is circular isn’t expanding. It is specific and much more than simply saving from removal. Practice is specific. It is acknowledgment.

Silence is not hurt by attending to taking more reflection than a whole sentence. And it is said and the quotation is reasoning. It gives the whole preceding. If there is time enough then appearances are considerable. There are in a circle. They are tendering a circle. They are a tender circle. They are tenderly a circle.

Silence isn’t harmed by taking more time to reflect than by speaking a whole sentence. It's been said, and the quote makes sense. It covers everything that came before. If there's enough time, then appearances matter. They are in a circle. They are forming a circle. They are a gentle circle. They are gently a circle.

This was not past a future.

This was not a future from the past.

If the speck is plain and the tail is there tail is made of hair. That makes that. Any one is no tailor. The curtain is not made of wood and a candle is placed in a candlestick and the whole, the very whole, there is no robbery.

If the speck is simple and the tail is there, the tail is made of hair. That explains it. Anyone isn't a tailor. The curtain isn't made of wood, and a candle is placed in a candlestick, and overall, there is no theft.

If the pet is whole and the juice is so serene then the salt is pure and there is pepper in between. The harness which is on the stake is used to rubbing on a wheel. There is the complete absence of all reason for an excuse. The time has the wealth of a separation. The season is not that of baking.

If the pet is intact and the juice is calm, then the salt is clean and there’s pepper mixed in. The harness that's on the stake is used for rubbing on a wheel. There’s absolutely no reason for an excuse. Time has the richness of a breakup. This isn’t the season for baking.

Brack and neuresthenia and lean talk with a marvel and make a spittoon clear with a mixing in a mustache. The sense is in that.

Brack and neuresthenia talk in a thin way with wonder and clean a spittoon by mixing in a mustache. That's what it's about.

Pie is not peeling and the date and the poison and the cake when the pan is a shape is not minus all the practice. The time is not filling.

Pie is not peeling, and the date, the poison, and the cake don’t count when the pan is a shape that doesn’t subtract from all the practice. The time isn’t filling.

Brack, Brack is the one who put up the hooks and held the things up and ate his dinner. He is the one who did more. He used his time and felt more much more and came before when he came after. He did not resemble anything more.

Brack, Brack is the one who put up the hooks, held the items up, and ate his dinner. He is the one who did more. He used his time and felt so much more and arrived earlier when he came later. He didn’t resemble anything more.

The time and place of a corner is no convenience if it has not been filled, none at all, and if it is filled then there is a resemblance, there is some resemblance.

The time and place of a corner is not helpful if it hasn’t been filled at all, and if it has been filled, then there’s a similarity, there’s some similarity.

Do not celebrate what is hearty and surely there is no danger in expecting a strong summer. If the place is shown to be damp there is no use in that excuse. Anyway there is no time to rise together. They cannot sit in a seat.

Do not celebrate what is genuine, and there's definitely no risk in anticipating a hot summer. If the area is found to be damp, that excuse doesn’t hold up. Either way, there's no time to gather together. They can't sit in a seat.

The time came when there was no occasion for geography. This did not mean that there was a change of place, it meant that there was a change of influence. This change was understood, it was no wonder. In understanding the whole thing of precomposition there was no more light than sweetness, there was no more size than bulk, there was no more load than a caravan, there was no mingling of unison. The time did not come any more.

The moment arrived when geography no longer mattered. This didn't signify a change of location; it meant a shift in influence. This change was clear and not surprising. When grasping the concept of precomposition, there was no additional brightness beyond sweetness, no more volume than bulk, no greater burden than a caravan, and no blending of harmony. The time had ceased to exist.

And then the simple way was celebrated by causation and the charge was sweetening, that is to say there was a round mass.

And then the straightforward method was honored by influence, and the charge became pleasant; in other words, there was a rounded mass.

Powder is not brown. The color does not show in the mixture. In curving and not lengthening the disposition there is no meeker feather. To show the wave to be cultivated and to show the suspension of a razor the light does shine directly. It shines and it darkens another, it does not shine and destroy the connector, it does not shine in a color, it does not make a brown tender. Brown is tender, that is no trouble and no appetite.

Powder isn't brown. The color doesn't show in the mixture. In curving without lengthening the setup , there's no softer feather. To demonstrate the cultivated wave and the stillness of a razor, the light shines directly. It shines and darkens another; it doesn't shine and ruin the connection, it doesn’t shine in color, it doesn’t create a soft brown. Brown is soft; that's no issue and no craving.

It follows that when the time is separated that the sacrifice is not the same as when the conversation is sensible and it is sensible to discuss carving and oak-trees and the season and to be disturbed by a mountain and to argue when there is no desertion. It is sensible and to be present is enough to separate the future. If it comes to happen that there is no eraser then certainly there is no cause why there should be. This is the reason. The best shape is that which is pasted without paper. At any rate the paper is not white and brown, it is brown and it is black and white and colored.

It follows that when time is separated, the sacrifice is different from when the conversation is sensible. It makes sense to talk about carving and oak trees, the season, to be unsettled by a mountain, and to argue when there’s no abandonment. It's reasonable, and being present is enough to separate the future. If it turns out that there’s no eraser, then there’s really no reason for one to exist. This is the point. The best shape is the one that’s stuck down without paper. At any rate, the paper isn’t just white or brown; it’s brown and black, white and colored.

The time is not replaced by indicating the reason it will there be resplendent travelling. This is not a question because that is not an answer.

The time isn’t replaced by stating the reason it will lead to amazing travels. This isn’t a question because it doesn’t have an answer.

The time which was put to some place was that is so well placed. The question is is there travelling. There is no question as to if there is travelling where which showed solemnity in not turning in turning. This was so put that certainly not any more reception could be astonishing.

The time spent somewhere is well spent. The question is whether there is travel involved. There’s no doubt that if there was travel, it showed a seriousness in not turning back. It was positioned in such a way that no further surprises could be expected.

To pass away, to choose some away, to object to abhor that and to be not triumphant this is not the splendor of a single standard this is the solemn reverberation of an enlarged and of a small masterpiece.

To pass away, to choose some away, to object to abhor that and to not be triumphant this is not the splendor of a single standard this is the solemn reverberation of an enlarged and of a small masterpiece.

The way of the man and the way of the lamp and the way of shining and the way of settling all this is in accord with the devastation and destruction which resembling is not disturbing motion. This comes so soon that talking is ennobling. This which is is what comes, that coming is what is come and can come. Coming it comes and is come and there is some mingling and there is more willing than there was when the coming came to suggest and disturb and reassure reason.

The path of the man, the path of the lamp, the path of shining, and the path of settling all this aligns with the devastation and destruction that resemble a motion that isn't disruptive. This arrives so quickly that discussion becomes uplifting. What is present is what arrives, and the arrival is what has come and can come. It comes and has arrived, and there's a mixture, and there's more willingness than there was when the arrival happened to suggest, disturb, and reassure reason.

A lane is not a hill and a hill is a descent. To explain this it is necessary to practice mending and disturbing and relating. The time to go is not more arranged than the roundness which makes for beauty and to be round is not what there is to height.

A lane isn't a hill, and a hill is a downward slope. To clarify this, you need to practice fixing things, shaking things up, and connecting ideas. The right moment to leave isn't planned more than the curves that create beauty, and being curvy isn't the same as having height.

The time when selection is vacation is when the perfection is so replaced that there is a premonition. This does make baking so easy and at the same time there is no separation and no disgrace not even desertion. This comes to be so told that any appearance is regal. So then there is no announcement.

The time when selection is on break is when perfection is so altered that there's a sense of foreboding. This makes baking so simple, and at the same time, there's no divide and no shame, not even abandonment. This becomes so well-known that any appearance feels royal. So then, there's no need for an announcement.

A little seat which is not low is not more elevated than a little seat which is low and high. There is no space for more than there is room for. This makes no demand on conscience, this makes no demand on anything, this does not alter an exhibition. The reason that there is no alteration is that in separating spaces they come to show that there is the same space between that there is there where there is the place which is it in it. This shows that there is nothing so clearly shown by the whole exposition. It does show it, it shows the extension of the resemblance and the unification of the differentiation and the extension of the interval and the inhibition of the retention of acceleration. This does show no more than is individual. And yet there is no train that does not go in that direction and to return is not passing that way. Returning is not vagabonding it is a spacious interception. The use of the spread of the arrangement between that and that is not so wide that there are no spaces. There are spaces. They can repose so. They do call whiteness no wonder. They do not shudder together. There is no example in a relation. There is none in saving spacing.

A small seat that isn’t low isn’t any higher than a small seat that is both low and high. There’s no room for more than what fits. This doesn’t create any moral dilemma, nor does it require anything from us; it doesn’t change a display. The reason there’s no change is that by separating spaces, it shows that the same distance exists between them as in the place where it is located. This proves that nothing is more clearly presented by the entire display. It does demonstrate it; it shows the extent of similarity and the unity of differences, along with the spread of the gap and the restriction of the retention of speed. This reveals nothing beyond what is individual. Still, there isn’t a train that doesn’t head in that direction, and going back isn’t just retracing steps. Returning isn’t wandering; it’s a broad interruption. The use of the arrangement between those elements isn’t so extensive that there aren’t gaps. There are gaps. They can rest like that. They refer to whiteness without surprise. They don’t flinch together. There’s no example in a relationship. There’s none in maintaining spacing.

A capable curtain is not used and the meaning of this is that protection on both sides is protection everywhere. The band played longer.

A capable curtain isn't used, and the meaning of this is that having protection on both sides means there's protection everywhere. The band played longer.

So much sorrow in winter and so much sadness in summer, so much nervousness in the country and so much disturbance in the city, so much counting with a letter and so much writing with no electrician, so much piano color and so much musical permission, so much steadiness in circling and so much singleness in searching, so much bloom in labeling and so much secrecy in enlightening, so much saving in abandoning and so much steadying in remaining, all this and no more, so much and not often, all this and no moment when a monument is not mind and munificent, no time and sweetness and no escape and separation, all this and no obliging desperation, all this and the same moment in particular and if it were in not passing, all and no one never to be satisfied in signalling, no more and the choice is absent, there is a season in the right, there is a sanction in the left, there is a presence in the center, there is an upheaval in the distant circumference, there is a resonance in the special curve, there is a susceptibility in the unperspiring relation. All this nightly and some daily and weakly and more yearly and not certainly and not reducingly.

So much sorrow in winter and so much sadness in summer, so much anxiety in the countryside and so much chaos in the city, so much counting with a letter and so much writing without a can-do attitude, so much color in piano and so much freedom in music, so much consistency in circling and so much focus in searching, so much growth in labeling and so much mystery in revealing, so much saving in letting go and so much stability in staying, all this and nothing more, so much and rarely, all this and never a moment when a monument isn’t thoughtful and generous, no time and sweetness and no way out and separation, all this and no helpful desperation, all this and the same moment in particular and if it were not fleeting, all and no one ever satisfied in signaling, no more and the choice is gone, there is a season on the right, there is approval on the left, there is presence in the center, there is turmoil in the distant edge, there is a echo in the unique curve, there is sensitivity in the easygoing connection. All this nightly and some daily and weakly and more yearly and not certainly and not lessening.

To be raised and to be so respected that there is no doubt that the lines that are turning are the lines that are turning, to be so respected that talking is not continuous and the presence of nothing is more selected, to be so raised is not an expectation, it is capable of calming.

To be elevated and to be so respected that there's no question about the changes happening, to be so respected that conversation isn't constant and the absence of anything feels more deliberate, to be so elevated isn't just a hope, it has the power to soothe.

There has been no doubt. There has not been any doubt. There is not being any surface and there is not that there then.

There has been no doubt. There hasn't been any doubt. There isn't any surface, and it isn't there then.

The strong hold is the mildness of the salutation of the metropolitan. This is not obligatory and it is not capable, neither is it casual. The mint is not where there is no building, it is not any this is never a surprise, it is never a surprise because when the whole thing is considered and the whole thing when it is considered has that beginning, when it is put where there is no selection it is then not made noticeable. To be noticeable is not declared, in declaring it there is no speech, in not keeping on talking there is no silence. This is not heard louder and there is no doubt. There will not be that doubt.

The stronghold lies in the gentle greeting from the city leader. This isn’t mandatory, and it doesn’t apply here, but it’s also not something random. The mint isn’t found where there are no buildings; it’s not unexpected in any way. It’s never surprising because when everything is taken into account, and everything, when considered, has that beginning, when it’s set in a place without choice, it then goes unnoticed. To be noticeable isn’t announced; when it’s announced, there’s no conversation, and if you stop talking, there’s no silence. This isn’t heard more loudly, and there’s no uncertainty. That doubt won’t exist.

The capacity which makes the size that has that meaning have that meaning, that is what has the sensitiveness which does not make anticipation, there is reality. In that there is touching morning and in touching morning there is no course. There is all there inclines to be. The freedom which has no ornament is not spilled and this does not mean anything not lively, it certainly does not mean an extra. The practice of no pronoun is not audacious. There is no prize in a pocket. There is none there and the circle having a separation makes all that which is not the same similar, it does not make it a circle. A circle has no pleasure, it is not encircled and there is this to say that the white and black are brown.

The capacity that gives size its meaning is what has sensitivity that doesn’t rely on expectations; that is where reality exists. Within that, there is the experience of a touching morning, and in that touching morning, there are no set paths. Everything there tends to be as it is. Freedom, which is unembellished, isn’t wasted, and this doesn’t imply anything lifeless; it definitely doesn’t indicate an excess. The practice of avoiding pronouns isn’t bold. There’s no reward in hand. There’s none there, and the division within a circle makes everything that’s not the same seem similar; it doesn’t turn it into a circle. A circle holds no joy; it isn’t enclosed, and this implies that white and black are seen as brown.

PORTRAIT OF PRINCE B. D.

A space is not spent, it is not used, it is similar, it is represented. This shows no more than a latitude which running through the center makes the surrounding. The space is not placed, it is presented, that is the relation of the similar settlement. To settle upon and to settle under shows more than the similar circle it shows the degree which makes more similarity than that, it sinks higher and there is no roar. The section and there is a section, the section means that penetration resembles distance, it supplies the drop and it selects no sightless system.

A space isn't consumed or used; it's more about how it's represented. This illustrates a kind of latitude that runs through the center, shaping what's around it. The space isn't defined; it's presented, which reflects the relationship of similar settlements. To settle above or below reveals more than just the similar surroundings; it indicates the degree of similarity, which goes deeper and rises higher without any noise. There's a section, and indeed, there is a section; this section signifies that penetration is like distance; it offers a drop and doesn't choose a blind system.

The incident that succumbs is the one that is early. The lateness is not tending to define a definite darkness, it does not shine and since that time there is a large light. The western windless is not the same as the white wind. The white wind has no poise. There is a diamond. A diamond is a treasure. If a treasure is that color then there is a resemblance.

The early incident is the one that gives in. Lateness doesn’t create a clear darkness; it doesn’t shine, and since then, there’s been a big light. The windless west isn’t the same as the white wind. The white wind lacks balance. There’s a diamond. A diamond is valuable. If a treasure is that color, then it has a likeness.

A trade between the one who has a hat and one who has a hat is such that there is no hiatus. The one who has had a hat is the one who adds that. The one who is the one that has that is that one adding that thing. No neglecting and adding, no single safety silent disturbing, no neglect and no glass is there to pass away and stay. It sees the solid sight and that which is not bright is white, that which is single is resembling and so it comes that when there is a show a way to pass into the recent glow means more fire. A fine color is red and green and purple and rose and yellow, a fine color resembles the continuation. Any fine color is in a glass. A glass to resist must be a glass to pass. This shows no shadow. This shows no scratch.

A trade between someone who has a hat and someone else who has a hat has no gaps. The person who has possessed a hat is the one who contributes that. The one who is the one that has that is the one adding that thing. There’s no neglect and addition, no single silent disturbance, no oversight, and no glass to fade away and linger. It recognizes the solid view, and what isn’t bright is white; what is singular resembles, and so it happens that when there’s a display, a way to enter into the recent brightness means more fire. Beautiful colors are red, green, purple, rose, and yellow; beautiful colors suggest continuity. Any beautiful color is in a glass. A glass that can withstand must be a glass that can flow. This shows no shadow. This shows no scratch.

A change is measured, a card is unmeasured. There is a return of much more. Stupor is not in winning a climate. It is lost in the remembrance of poisoning. The list of a result in stretching a building does not make any mark. The wheel is there. The trend is not behind a back. It is in the window of a fenestra. The blending is distinct interspreading. This is not the measure of wind. The return is not so, it is occupied. The rest is arisen.

A change is definite, while a card is uncertain. There’s a lot more to come back. It’s not about enjoying a moment; it’s about recalling past hurts. Just because something has been stretched out doesn’t leave a mark. The wheel is present. The trend isn’t hidden; it’s visible through a window. The combination is uniquely intertwined. This doesn’t gauge the wind. The outcome isn’t as expected; it’s taken up space. The remaining is now in motion.

There is no height. If there is there is wind. There is wind. Height shrinks below and settlement is not soluble. The erection of yellow is no violence. The five are won. Single, same, purple, blue, circle. The last which section has the reverse resemblance has no moment and there is a tendency which in the rising of the setting sun means new arising.

There is no height. If there is, there's wind. There is wind. Height diminishes below, and settlement is not solvable. The rise of yellow is not a form of violence. The five are attained. Single, same, purple, blue, circle. The last section, which has the opposite resemblance, has no moment, and there is a tendency that, with the rising and setting of the sun, signifies a new beginning.

To shine and whine, to shatter and shrink, to collect and settle, to stir and suck, to lose violence and select simultaneity, to see that the whole exception is not arrested and to satiate the lines of resemblance, this and no more is underdone. The public and pilot, all the shining land and the wind and no neglect, all this does not mean that there is no denial. It has been there the same result of no intended excavation, it has been there and that exception planted no resemblance has a moment, none and the illustration is planted and the time is placed.

To shine and complain, to break apart and diminish, to gather and settle, to mix and absorb, to shed aggression and choose simultaneity, to realize that the entire exception isn’t halted and to fulfill the lines of similarity, this and nothing more is lacking. The audience and the leader, all the brilliant land and the breeze and no oversight, all of this doesn’t mean there’s no rejection. It has consistently yielded the same results without any planned digging, it has existed and that exception created no similarity has its moment, none, and the example is set and the time is established.

So then there is no secret. A secret means that when there is a thing there is nothing and if there is nothing then there is no addition. A sum is not sacrificed.

So there’s really no secret. A secret means that when something exists, there’s nothing, and if there’s nothing, then there’s no addition. A total isn’t compromised.

Handing a lizard to any one is a green thing receiving a curtain. The change is not present and the sensible way to have agony is not precautious. Then the shirting is extreme and there is a lilac smell and no ginger. Halt and suggest a leaf which has no circle and no singular center, this has that show and does judge that there is a need of moving toward the equal height of a hot sinking center and surface. Then there is a space, then there is exception, then there is no reason why a pound should be smaller and all the time there is the courage and the mint and the repeating result that surely if there has been a change there has not been a fire. Surely a fire is famous and a famous fire is in the fire. Surely no more special spending shows anything. And yet if there is no wind there is no haste and if there is no haste why is twenty older than thirty and thirty older than twenty-eight, why is it and why is there no mistake. There is no mistake because there is the time and the accusation is indented and this makes enough so that clouding does not make a cemetery. A surprise is not in sight. This is the sentence present. There is no danger and the silent height is so high that sound rises higher. This does not make sound infamous, it does not shatter a conclusion. Nothing is hollow in water, nothing is high in air, nothing is louder and nothing is perpendicular. The establishment is thorough. A chance shows a bright blue sound, a chance is the same wind out of a window.

Handing a lizard to someone is like receiving a curtain. The change isn’t noticeable, and the sensible way to endure pain doesn’t hold back. Then the fabric is intense, and there’s a lilac scent with no hint of ginger. Stop and suggest a leaf that has no loop and no central point; it presents itself and indicates a need to rise to the same level as a hot sunken center and surface. Then there is a space, then there’s an exception, and there’s no reason a pound should be smaller, while courage, mint, and the recurring outcome persist—that if there has been a change, there hasn’t been a fire. Certainly, a fire is notable, and a notable fire exists in the flames. Clearly, no extra spending reveals anything. Yet, if there’s no wind, there’s no rush, and if there’s no rush, why is twenty older than thirty and thirty older than twenty-eight? Why is that, and why isn’t there an error? There’s no error because time exists, and the accusation is clear, which is enough to ensure that obscuring doesn’t create a graveyard. A surprise isn’t visible. This is the current statement. There’s no danger, and the silent height is so lofty that sound travels even higher. This doesn’t make sound infamous, nor does it disrupt a conclusion. Nothing is hollow in water, nothing is high in air, nothing is louder, and nothing is vertical. The foundation is solid. An opportunity creates a vivid blue sound, and an opportunity is the same breeze blowing through a window.

A Persian kitten is a purring kitten. The safety that comes is so gathered that there can be news. One oak and more oaks and the training of water this means that a color attracts a signal it means that the result of a certain well is seen by there being no extra example of a kind of closet. In the beginning when there is no rising and resisting and letting a singular section of the whole rise together, in the beginning the imparting actual relation to a time of surfaces does show that there is an origin of originating. In showing this there is no repair. There is a whole half of a turtle and the presence of more is not rope, it is not and certainly is so wise that fever is fainting. This is this. Then there is that and the singular example is not predicted by resting in more contraction. Not very and what is then to be extending is the whole place with filling. Filling is not spreading. The size is not that it is not proportioned to the moon and the lantern, it is fully proportioned together and aroused and interested. This made no measure and no misery and no murder. There is no acute trimming nor trembling. So then there is that thing. This is not that silent thing. This is not the thing that is anything. This is the thing that is that thing.

A Persian kitten is a purring kitten. The comfort it brings is so profound that there can be changes. One oak and more oaks, and the management of water means that a color gets attention; it signifies that the result of a certain well is noticeable because there isn’t an extra example of a specific closet. At the beginning, when there’s no rising or resisting and allowing a single part of the whole to rise together, at the beginning, the actual connection to a time of surfaces shows that there is an origin of origination. In demonstrating this, there’s no fixing needed. There’s a whole half of a turtle, and its presence isn't a rope; it’s neither that and certainly is so wise that fever is fading. This is this. Then there's that, and the singular example isn’t anticipated by resting in more contraction. Not very and what is to be extended is the whole place filled. Filling isn’t spreading. The size isn’t that it isn’t proportioned to the moon and the lantern; it’s fully proportioned together and stimulated and engaged. This brought no measure, no misery, and no murder. There’s no sharp trimming nor trembling. So then there’s that thing. This isn’t that silent thing. This isn’t the thing that is anything. This is the thing that is that thing.

A large moist blue and a paler color, a large dust rose and no water nearer, a small tall frame and no building finer this makes a prediction that necessity is work and then why is there no question. There is no question because investigation is miraculous.

A large wet blue and a lighter color, a big dusty rose and no water nearby, a small tall shape and no finer building makes a statement that necessity is labor, and then why is there no question. There’s no question because research is amazing.

MRS. WHITEHEAD

But you like it.

But you enjoy it.

They can't any of them be quite as bad because they learned french but I never did.

They can't be that bad because they learned French, but I never did.

He doesn't look dead at all.

He doesn’t look dead at all.

The wind might have blown him.

The wind could have pushed him.

He comes from that direction . That's the way.

He comes from that direction . That's the way.

They are not knotted. Have you smelt it. What would you suggest, your advice I have come across three or four.

They aren't tangled. Have you caught a whiff of it? What would you recommend? I've come across three or four.

So they are the others.

So they're the others.

Separate them.

Separate them.

It does make one come, he is extraordinarily charming and endearing once of twice only twice I think.

It really draws you in; he's incredibly charming and endearing, but just once or twice, I think.

He is not staying out that's hard beside that what does he do.

He isn't staying out, which is tough, but what does he do?

That's long for his mother.

That's a long time for his mother.

She travelled from this rest. She crocheted from this nest.

She traveled from this rest. She crocheted from this nest.

She crocheted from this nest. I thought it wasn't ever.

She crocheted from this nest. I thought it would never end.

It's one of my favorite ones this.

It's one of my faves.

And yet not this.

And still not this.

Isn't it funny.

Isn't that funny?

It isn't.

It isn't.

Break or breaking, very fair, break or very wanting.

Break or breaking, very fair, break or very wanting.

I tried it this way before.

I’ve done it this way before.

Very difficult to change extra places and yet I can agree. I can agree by that. I rest this piece of it and it's nearly the same climate. I will tell you why they want a real door. They choose it.

Very difficult to change additional locations, yet I can agree. I can agree with that. I’ll leave this part alone, and it’s almost the same environment. I’ll explain why they want a real door. They chose it.

They do so and very pure water. They are safe when they take a bath. Oh it is very. Oh it is.

They do that, and the water is very clean. They are safe when they take a bath. Oh, it’s really nice. Oh, it is.

In a way a vest.

In a way, it's a vest.

I do think you get what you want.

I really think you get what you want.

Corrections.

Corrections.

It is eleven weeks from the middle of September. I glance in a way.

It’s eleven weeks from the middle of September. I look over.

It is eleven weeks from the middle of September.

It’s eleven weeks from mid-Sept.

Total recollect others.

Total recall others.

I glance at and I can recollect others. I make a division neatly, I close.

I take a look, and I can remember others. I make a clear distinction, and then I move on.

What is wrong with not blue. That is right with apples. Apples four. For. Fore.

What’s wrong with not being blue? That’s right about apples. Apples four. For. Fore.

Before that.

Before this.

Next stretching.

Next stretch.

Next for that leaf stretching.

Next for that leaf extension.

I do not state leaf.

I don't mention leaf.

I like to beg very much stream.

I really enjoy begging on the stream.

Not exactly in state.

Not exactly in shape.

Understate.

Underplay.

All in so.

All in all.

They expect all the blues to take of all the other families, the whites are extra they are beside all that, they make a little house and through and beside that they live in Paris.

They expect all the blue families to take care of all the other families. The white families are just extras; they live alongside everything else. They have a small house, and next to that, they live in Paris.

Hardly enough for wood.

Not enough for wood.

Not a color even.

Not even a color.

By now a change of grass and wedding rings and all but the rest plan. I don't care I won't look.

By now, it's just a change of scenery and wedding rings, and everything else is just a plan. I don't care; I'm not going to look.

I am not sure that yellow is good. I am tall.

I’m not sure that yellow is a good choice. I’m tall.

Allow that. I don't want any more out in conversation.

Allow that. I don't want to talk about it anymore.

I can be careful.

I can be cautious.

Not within wearing it.

Not while wearing it.

I cannot say to stay.

I can't tell you to stay.

No please don't get up.

No, please don't get up.

And now that.

And now this.

Yes I see.

Got it.

Did you pay him for that whether for a spider and such splendor and indeed quitting. I meant to gather.

Did you pay him for that, whether for a spider and such luxury, and indeed moving on? I meant to collect.

I see it I see it.

I see it, I see it.

Please ocean spoke please Helen land please take it away.

Please ocean, please take Helen away from the land.

I saw a spoken leave leaf and flowers made vegetables and foliage in soil. I saw representative mistakes and glass cups, I saw a whole appearance of respectable refugees, I did not ask actors I asked pearls, I did not choose to ask trains, I was satisfied with celebrated ransoms. I cannot deny Bertie Henschel is coming tomorrow. Saturdays are even. There is a regular principle, if you mention it you mention what happened.

I saw a spoken leaf and flowers made of vegetables and foliage in the soil. I saw notable mistakes and glass cups. I saw a complete picture of respectable refugees. I didn’t ask actors; I asked for pearls. I didn’t choose to ask about trains; I was okay with celebrated ransoms. I can’t deny Bertie Henschel is coming tomorrow. Saturdays are even. There’s a general rule: if you mention it, you mention what happened.

What do you make of it.

What do you think about it?

You exceed all hope and all praise.

You go beyond all hope and all praise.

PORTRAIT OF CONSTANCE FLETCHER

When she was quite a young one she knew she had been in a family living and that that family living was one that any one could be one not have been having if they were to be one being one not thinking about being one having been having family living. She was one then when she was a young one thinking about having, about having been having family living. She was one thinking about this thinking, she was one feeling thinking about this thing, she was one feeling being one who could completely have feeling in thinking about being one who had had, who was having family living.

When she was really young, she realized she came from a family and that this family life was something anyone could experience if they weren't overthinking it. Back then, as a kid, she was reflecting on having a family and what that meant. She was deeply engaged in those thoughts and feelings about being someone who could fully experience what it was like to have a family and to be someone who had experienced that life.

She was one having, she was one who had had family living. When she was a young one she was one having, she was one having had family living.

She was someone who had family around. When she was younger, she was someone who had family around.

She was one thinking about having family living, about having had family living. When she was a young one she was thinking about having family living, she was thinking about having had family living.

She was thinking about having a family, about having had a family. When she was younger, she thought about having a family, she thought about having had a family.

She was feeling having had family living, she was feeling having family living. When she was a young one she was feeling having had family living, she was feeling having family living.

She felt like she had a family living with her. When she was young, she felt the same way about having a family around.

She was knowing, when she was a young one, that she could be completely feeling in having family living in having had family living. She was knowing, when she was a young one, she was knowing that she was thinking, she was knowing that she was feeling in having family living, in having had family living. She was thinking and feeling having had, having family living.

She realized, when she was young, that she could fully experience having a family and the impact of having a family in her life. She understood, when she was young, that she was aware of her thoughts and feelings about having family and the importance of having had family in her life. She was thinking and feeling about her past experiences of having family.

She could be completely feeling having, having had family living. She was thinking in being one who could be completely feeling having had, having family living. She was feeling in being one who could be completely feeling having had, who could be completely feeling having family living.

She could completely feel like she had family around. She was thinking about being someone who could completely feel like she had, who could completely feel like she had family around. She was feeling like she could be someone who could completely feel like she had, who could completely feel like she had family around.

She was living in feeling, in thinking having had, having family living. She had had family living. She was having family living. She could be completely feeling having family living, having had family living.

She was living in feelings, in thoughts of having had a family. She had a family in her life. She was experiencing family life. She could fully feel having a family, having had a family.

She was then a young one, she was then quite a young one, she was later a little an older one. She was then feeling in being one loving, she was then thinking in being one loving. She was then living in being one loving. She could be then one being completely loving. She was filled then, completely filled then, she was then feeling in being loving, she was then thinking in being loving. She was completely filled then. She was feeling, she was thinking, she was feeling and thinking then in being one loving.

She was young then, really quite young, and later a little older. At that time, she felt love, she thought about love. She lived in a space of love. She could truly be completely loving. She was completely filled, entirely filled; she felt love, she thought about love. She was completely filled at that moment. She was feeling, she was thinking, she was feeling and thinking in that state of love.

She could be then one being completely loving, she was thinking and feeling in being one who could be completely loving. She was coming then to be a full one, she was coming then to be thinking and feeling in this thing in being one being a completely filled one. She was full then, she was filling in then in being one living in loving, in living in thinking in being loving, in living in feeling being one being loving.

She could be the one who was completely loving; she was thinking and feeling as someone who could be fully loving. She was becoming whole, thinking and feeling this way of being a fully realized person. She was complete, filling her life with love, with thoughts centered on being loving, and with feelings rooted in love.

She was full then and was not then losing anything. She was thinking then, she was feeling then, she was thinking then and feeling then in being full then. She was thinking and feeling then in being one not losing anything of any such thing as being one being full then.

She felt whole at that moment and wasn't losing anything. She was thinking and feeling, fully engaged in that sense of completeness. She was reflecting and experiencing the joy of being whole, without losing anything of that feeling of fulfillment.

She could be one being completely full. She was thinking in being one who could be completely full. She was feeling in being one who could be completely full. She was always living in being one feeling and thinking in being one who could be completely full.

She could be someone who is completely fulfilled. She was thinking about being someone who could be completely fulfilled. She was feeling like someone who could be completely fulfilled. She was always living in the feeling and thought of being someone who could be completely fulfilled.

She was full then and she was thinking and feeling, thinking in this thing, feeling in this thing. She was thinking and feeling and being full then. She was thinking and feeling in being one who could be completely full.

She was fulfilled at that moment, thinking and feeling, engaging with her thoughts and emotions. She was thinking and feeling and truly feeling fulfilled. She was immersed in being someone capable of complete fulfillment.

She was filling in in all her living to be a full one, she was thinking and feeling in all her living in being a full one. She was thinking and feeling all her living in being one who could be a completely full one. She was all her living a full one. She was completely filling in to be a full one and she always was a full one. She was thinking in being a full one. She was feeling in being a full one. She was thinking in feeling in being a full one. She was feeling in thinking in being a full one.

She was doing everything she could to live fully; she was thinking and feeling in every part of her life to be complete. She was considering and experiencing everything in order to be someone who could truly be fulfilled. Living her life, she embodied fullness. She was dedicating herself to being complete and she always was complete. She contemplated what it meant to be whole. She experienced emotions tied to being complete. She thought about her feelings in the context of being whole. She felt her thoughts as part of her journey to wholeness.

If they move in the shoe there is everything to do. They do not move in the shoe.

If they move in the shoe, there’s a lot to do. They don’t move in the shoe.

The language of education is not replacing the special position that is the expression of the emanation of evil. There is an expression when contemplation is not connecting the object that is in position with the forehead that is returning looking. It is not overpowering. That is a cruel description. The memory is the same and surely the one who is not older is not dead yet although if he has been blind he is seeing. This has not any meaning.

The language of education isn’t taking away the unique role that represents the manifestation of evil. There’s a way of expressing this when reflection isn’t linking the object’s position with the returning gaze of the forehead. It doesn't have a strong impact. That’s a harsh description. The memory remains unchanged, and surely the one who isn’t older isn’t dead yet; even if they’ve been blind, they can still see. This has no significance.

Oh the bells that are the same are not stirring and the languid grace is not out of place and the older fur is disappearing. There is not such an end.

Oh, the bells that sound the same aren’t moving, and the relaxed elegance fits right in, while the old fur is fading away. There’s no real ending like that.

If it had happened that the little flower was larger and the white color was deeper and the silent light was darker and the passsage was rougher it would have been as it was and the triumph was in the place where the light was bright and the beauty was not losing having that possession. That was not what was tenderly. This was the piece of the health that was strange when there was the disappearance that had not any origin. The darkness was not the same. There was the writing and the preparation that was pleasing and succeeding and being enterprising. It was not subdued when there was discussion, it was done where there was the room that was not a dream.

If the little flower had been bigger and the white color deeper, and the silent light darker, and the passage rougher, it still would have been just as it was, and the triumph would have been in the place where the light was bright, and the beauty wouldn’t lose that possession. That wasn’t what was tender. This was a strange piece of health when there was a disappearance that had no origin. The darkness wasn’t the same. There was writing and preparation that was pleasing and successful and enterprising. It wasn’t subdued during discussions; it happened where there was a room that wasn’t a dream.

This is all to prepare the way that is not the way to like anything that in speaking is telling what has come that like a swelling is inside when there is yellowing.

This is all to prepare the way that isn’t the way to like anything that in speaking is sharing what has come that feels like a growing sensation inside when there is yellowing.

There is that liking. That does not shape the way to say that there is not anywhere anything that is resembling. Perfection is not adulteration. There is the substance that has not any defect.

There is that preference. That doesn’t mean that there’s nothing anywhere that resembles it. Perfection isn’t tainted. There is the essence that has no flaws.

If the program is not despondent and it has that substance then certainly the beginning is the tender blessing that unfolding is not subduing. There is that presentment and the quiet is not so sound but that there can be a change of origin. There can be that elevation. This is not an argument. There is the work that has that place and there is a garden. A little taller bending does not haste the erection of the grotto that has a fountain. That is so soon.

If the program isn’t gloomy and has that essence, then the start is definitely a gentle blessing that growth doesn't crush. There is that promise and the silence isn’t so loud that a change can’t happen. There can be that lift. This isn’t a debate. There is work that has its place and there is a garden. A little taller bending doesn’t rush the building of the grotto that has a fountain. That will happen soon.

To pardon, that is to have seen that there was a long way to stare when the heat was the same as there was when the voices were together. This was the temptation and so solidly was there when there was there that the whole reception was not filled with more than all every day who had come anywhere and had heard that there was. This did not mean more than all. It meant all and the result of the precious and precise way was that there was that preparation and not the disintegration when there was that distinct evolution. There could be the same if any one was certain that there is not any evolution. This does not make the tedium that is eternal so particular that listening is a blessing. This does not disguise a flower.

To forgive means realizing there was a long way to look when the intensity matched the times when voices mingled. This was the temptation, and it was so firmly established that the entire gathering felt more alive than usual with people who had arrived and heard about it. This didn't imply more than everything; it meant everything, and the result of this careful and clear approach was that there was preparation instead of chaos during this distinct progression. It could be the same if anyone was sure there wasn’t any progression. This doesn’t make the endless monotony special enough to turn listening into a gift. This doesn’t hide a flower.

Come in and that expression is not that one of waiting. To use a name is not the time that seeing has not been. This is discussion. This is obligation. This is the composition.

Come in and that expression isn't one of waiting. Using a name isn’t about a time that hasn't been seen. This is a discussion. This is an obligation. This is the composition.

Oh sadly has the oak-tree not that sadness. It has not the particular reason. It has not that digression. It has not that penetration. It has that piece that is there where there is all that remains when everything remains. Nothing is all old. That is not the redoubtable repudiation. That has that precious meaning when the hindrance has not that little pain which is not the same as the passing out of what is not about when it is there where there is no care to say that anything is better. Everything has that description. That is not reorganization. The way to say that they went away is the way that the passage has come to be adhered. This is not the token that shows the steering that is not broken. The plea is not that the arabesque has that meaning when the whole thing is exposed. The meaning is that the precious picture is the bargain that has not met the ancient day when there is everything to say. The light is finer. That is not that discrimination. That is the way to have that to keep where there is not any interdiction. She had that name. That was the origin of the penguin. That was not that bird. And because the strong man is the warder when the little ones are sounder so the particular ticket is not limited when there is not the best establishment where all the black and white show that. It is a blessing when there has been falling the heavy way to stay where the regard is what is not all that distance. The breaking of the tame show is not the way to glow because the waste is not there. It is not any where.

Oh sadly, the oak tree doesn’t share that sadness. It doesn’t have a specific reason. It lacks that digression. It doesn’t have that depth. It has that piece that is there where everything that remains stays. Nothing is entirely old. That isn’t the challenging rejection. It holds that precious meaning when the obstacle doesn’t come with that slight pain, which isn’t the same as the absence of what isn’t present, where there’s no need to say anything is better. Everything has that description. That isn’t reorganization. The way to express that they left is the way that the passage has come to be adhered. This isn’t the sign that shows the steering isn’t broken. The plea isn’t that the arabesque holds that meaning when everything is exposed. The meaning is that the precious image is the deal that hasn’t met the ancient day when there’s everything to say. The light is finer. That isn’t discrimination. That’s how to keep what doesn’t have any restrictions. She had that name. That was the origin of the penguin. That wasn’t that bird. And because the strong man is the guardian when the little ones are healthier, the particular ticket isn’t limited when there isn’t the best establishment where all the black and white show that. It’s a blessing when the heavy way has fallen to stay where the focus is what isn’t all that far away. The breaking of the tame show isn’t the way to shine because the waste isn’t present. It isn’t anywhere.

Mark the data that tells the merit of having that time to state that not to wait is to say that the door has not been entered. If to wait marks the place where the entrance if it is made comes to be approached then to do what is not done is to do all that and carefully that which is solid does not fill the space. That is not a disclosure. That is not the way for all of them who are looking to refuse to see. That is not at all any such way. It is not a pleasure to be the one when there is the whole of it all and when there where there is no separation there is weeping, quite ostentation, completion, not any compensation, where there is the softening of the published soap. This is not that decree. There is no failure. There is no condition of incision.

Mark the data that shows the value of having that time to say that not waiting means that the door hasn't been opened. If waiting indicates the spot where the entrance, if approached, is to be made, then doing what hasn't been done means doing everything carefully, but solid things don’t fill the space. That isn’t a revelation. That’s not the approach for those who refuse to see. That’s definitely not the way. It’s not enjoyable to be the one when everything is present, and where there’s no separation, there’s crying, a lot of show, completion, no compensation, where there’s the softening of the published soap. This isn’t that decree. There’s no failure. There’s no condition for incision.

Particle of all the color is that which is not white and the black which is open is not older when the time has come back for black to be younger.

Particle of all colors is what’s not white, and the open black isn't older when the time has come back for black to be younger.

The meaning of this is that why the difference is always louder is that that which is above that which is all there is and there is much is that there is all that there has that reason to be which is the reason that is all certain and this which is not mentioned and which does not make that which is lost is the same and has the detail which does not make any escaping remain separate. This does adjoin all and all is enough so that the whole which is not parted has not the place where sticking makes anything that is wet dry. This has not that mistake when softness is union.

The meaning of this is that the reason the difference is always louder is because what’s above encompasses everything, and there’s a lot of it. What exists has a purpose, which is certain, while what’s not mentioned and what’s lost is the same and has details that keep it separate. This connects everything, and everything is sufficient so that the whole, which isn’t separated, doesn’t have a place where sticking can make anything wet dry. This doesn’t have that mistake when softness means unity.

The first time.

The first time.

Winning distinction is discretion and all who are going are the three who have not that distraction. They have not all the hardihood. They are not separated. The two who are not older are not remaining to be interesting. They are not undertaking any beginning. Excellent is the same union. Breathless is not the shade when the opening is not limiting. They did not seem in that place. That was any end.

Winning distinction is about discretion, and those who succeed are the three who lack that distraction. They don't have all the boldness. They are not isolated. The two who are younger are not staying to make an impression. They are not taking on any new challenges. The excellent is the same unity. Breathless isn't the shadow when the opening isn't restrictive. They didn't appear to be there. That was any conclusion.

She.

She.

If three are eager and plainer and having a full temper and if all of them unite in that happy way that makes a garden give the way to be there where there is a way, if there is the last time and a young time is a stolen beauty then the way it has been said that the white flower has not been bled is the way to remember that decision is not the same as crumpling a parting. She did not animate what was mechanical. She has not this to do.

If three people are enthusiastic and straightforward, feeling fully engaged, and if they all come together in that joyful way that makes a garden thrive, in a place where there's a path, and if this is the last moment and youthful experiences feel like a fleeting beauty, then it’s been said that the white flower hasn’t been tarnished, which reminds us that making a decision isn’t the same as simply letting a relationship fall apart. She didn’t breathe life into what was mechanical. She doesn’t have to do that.

They.

They.

They were the three and they were not employed in looking. They had not every union when they had that education.

They were three and not looking for work. They didn’t have all the benefits that came with their education.

To be they and then not be away is not the time and place that makes the whole expression because after all when there is the time and the place and when they are they they are not away and that does not make any more. If they were there they had the time to see which way was older and when they did not feel that stain they had the time to address what they did address when they would address one another. They did not all listen.

To be present and then not be gone isn’t just about the time and place that shapes the entire expression, because ultimately, when the time and place are right and they are present, they aren’t gone, and that doesn’t change anything. If they were there, they had the opportunity to see which way was more established, and when they didn’t feel that burden, they had the chance to talk about what they actually discussed when they communicated with each other. Not everyone listened.

No silence.

No quiet.

There was not that hesitation and this was not all there was when the sounds were not so loud but that they might be hearing. They had the quiet and surely if they taught that they were each one not all of any other. This was not the half of all the time. It took a separate ticket.

There wasn't any hesitation, and this wasn't everything there was when the sounds weren't so loud that they couldn't hear. They had the silence, and surely, if they believed that each of them was not just part of the others. This wasn't half of the time. It required a separate ticket.

All the time that there was all the winning of all the wonder that was not under the weather was not passing as the exchange was not lessening. The older was not newer. They had the same description. This does not mean that if there are all three to learn that not any one is there but they have any way to say that not to go away is to stay. They were equal to enough so that all the separation made them remain. They had so much excess.

All the time that there was all the winning of all the wonder that was not under the weather was not passing as the exchange was not lessening. The older was not newer. They had the same description. This does not mean that if there are all three to learn that not any one is there but they have any way to say that not to go away is to stay. They were equal to enough so that all the separation made them remain. They had so much excess.

It was not the only smile the smile that did not come to face the pleasure of there being three and the three were not there to gather together.

It wasn't the only smile, the one that didn't show up to enjoy the fact that there were three, and the three weren't there to come together.

One.

One.

If the way to learn is to have that presence then certainly the changes did not balance the description. She had that which was not alarming.

If learning requires that presence, then the changes definitely didn’t match the description. She had something that wasn’t alarming.

Two.

2.

If the habit of saying all the education is the development of that expression then certainly if there is being pleasant all can be there to not expect that measure of all who are together.

If the idea of education is about developing that expression, then definitely, if everyone is being pleasant, we shouldn’t expect the same level of engagement from everyone who is together.

Three.

Three.

The one who is a sun is the last flower that is not open when all the petals falling feel the whole of all intention.

The person who is like the sun is the last flower that hasn't bloomed when all the petals falling sense the entirety of all intentions.

So there are then what is not what will not have been when all the seeing that is and is not seen is had and has been having having and having had and meaning. That is some intention and all is enough to complete all the whole.

So there are then what is not what will not have been when all the seeing that is and isn’t seen is had and has been having having and having had and meaning. That is some intention and all is enough to complete all the whole.

The delay was not that which separated that separation from the time when all the ones who said something said every thing. It was not so in place.

The delay wasn't what kept that separation from the time when everyone who had something to say shared everything. It didn't feel right.

The change.

The update.

There was not any time and all there was was reason. There was all that and if there were all there were there were the ones there were.

There was no time, only reason. There was all of that, and if everything that existed was there, then there were the ones that were there.

That which was pleasing was not all there was if there was all there was of that consideration. Certainly the time was not the present and past flavor and the time was not the future and the present presentation. There was all there and sincerely did the biting that was not bit fill out the strength and explanation. It did not furnish the intention. It did not succeed when there was all that care.

That which was enjoyable wasn’t the only thing to consider. Clearly, the time wasn’t just the present or the past, nor was it solely about the future and what’s currently happening. Everything was there, and honestly, the actions that weren’t taken still contributed to the overall understanding and strength. However, it didn’t provide the intention. It didn’t work out despite all the effort put in.

This which did not escape was not the narrow connection that can make a larger blossom and make it take the sea where the ocean is larger and the ships are quicker. The pleasure is the same.

This that didn't go unnoticed wasn't the limited link that can create a bigger bloom and carry it to the sea where the ocean is broader and the ships are faster. The enjoyment is the same.

To face that way.

To turn that way.

To face the way that each one does say that they have any day which is clearly not away is to say that the time is not there when the color is not lighter and the hair is not redder. This does not make all there is of any invitation. There is not anything of any such suggestion.

To confront how everyone claims they experience each day, which clearly isn't true, means acknowledging that the moment isn't right when the color isn't brighter and the hair isn't more vibrant. This doesn't encompass everything about any invitation. There's nothing that suggests otherwise.

If the practice of the present and the practice of the past and there is any practice and the practice of the future then latterly there is not any change. If the way to say the turn is the turn the way that is the way to turn that way then all of the thing is in that thing. There has been all of that painstaking.

If the practices of now, the past, and the future exist, then there hasn't been any change lately. If the way to indicate the turn is indeed the turn, then that’s how you should turn. Everything is in that concept. All of that effort has been for nothing.

Awhile while there is no band, awhile while the train is late, awhile while the town is full, awhile while the sounds have the tone, awhile there is a settled waste and this is not to say that anything that is given away is given away, nothing is wasted that is not given away and anything that is given away is wasted. The appearance is not the only way to say that what is given away is wasted and nothing is given away. It is so remained.

A while without a band, a while while the train is late, a while while the town is crowded, a while while the sounds have a certain tone, a while there’s a settled emptiness, and this doesn’t mean that anything given away is actually given away—nothing is wasted that isn’t given away, and anything that is given away is wasted. Looks aren't the only way to express that what’s given away is wasted, and nothing is actually given away. It remains as it is.

That which is not tiring and that which is not aiding any of that which is not needing tiring, that was the sampler and there was not the sewing which was using any corner. That did not need the same width as all that is solid is using which is not wider. That which is solid is all that is wider and the rest is not that which has that passing odor which is not passing. It does not pass anything. It is not the only primrose. It has the sentence that in placing what is not that care has all that is which is all there where any more care is most care. There where the time is not cruel is the place where the time is what is filling the half and the whole and no passage that has that intention can be intended when that which is solid is not building every house. All houses are open that is to say a door and a window and a table and the waiter make the shadow smaller and the shadow which is larger is not flickering.

That which isn’t exhausting and doesn’t help anything that doesn’t require exhaustion was the sampler, and there wasn’t any sewing that used a corner. It didn’t need the same width as everything solid that doesn’t exceed that width. Everything solid is what is larger, and the rest doesn’t have that fleeting scent that isn’t actually fleeting. It doesn’t pass anything. It isn’t the only primrose. It has the idea that by placing what doesn’t require care has everything that exists where additional care is most needed. The place where time isn’t harsh is where time fills both the half and the whole, and no passage that has that intention can be intended when everything solid isn’t constructing every house. All houses are open, meaning a door, a window, and a table, and the waiter makes the shadow smaller, while the larger shadow isn’t flickering.

A POEM ABOUT WALDBERG

What I am afraid of is that they will just attract an awful bombardment on themselves in which they will have to be supported. Oh no they won't do that.

What I'm worried about is that they will just draw a terrible attack on themselves that they'll need to be supported through. Oh no, they won't do that.

I don't think they will do that. What I think is that I will have to reach the country before I ask myself the way to see the city. I don't mean this as a joke. I know very well that I know all about nurses. Who doesn't. And who would like to see children win. I love my boy very much. His mother feeds him. I can smile and think of it. We both laugh together. Altogether I have said to them keep still.

I don't think they'll do that. What I think is that I need to get to the country before I figure out how to see the city. I'm not joking about this. I know a lot about nurses. Who doesn't? And who wouldn't want to see children succeed? I love my boy very much. His mother takes care of him. I can smile and think about it. We both laugh together. Overall, I've told them to be quiet.

Curtains a japanese curtain.

Japanese curtains.

Complete flowers.

Complete flowers.

I never use a pass.

I never use a pass.

Of course you wouldn't.

Of course you wouldn’t.

You wouldn't be careful enough. I don't mean that.

You wouldn't be cautious enough. That's not what I mean.

How can I hear him speak. You don't mean a victim. Eugene Paul. What is Walberg's name.

How can I hear him talk? You can't be talking about a victim. Eugene Paul. What's Walberg's name?

I don't care for him.

I don't like him.

I am not sorry for her.

I don’t feel sorry for her.

I do not have flowers here.

I don't have any flowers here.

CALIFORNIA

California

Let me see. What do you say. They can take care of riches. Kiss my hand. Why. Because Russians are rich. All Russians are valuable. That is what I said.

Let me see. What do you think? They can handle wealth. Kiss my hand. Why? Because Russians are wealthy. Every Russian is important. That's what I said.

I wish I could be as funny as he is.

I wish I could be as funny as he is.

Yes thank you I believe in Russia.

Yes, thank you. I believe in Russia.

JOHNNY GREY

What did he say. I was disagreeing with him. He said he didn't have it by his side. He said. Hurry.

What did he say? I disagreed with him. He said he didn't have it by his side. He said, "Hurry."

Eat it.

Eat it.

I am not going to talk about it. I am not going to talk about it.

I won't discuss it. I won't discuss it.

Another thing.

One more thing.

This is mentioned. He was silly. He said there would have been many more elevators if it hadn't been for this war.

This is mentioned. He was foolish. He said there would have been many more elevators if it weren't for this war.

He was so thirsty.

He was really thirsty.

They asked him.

They asked him.

Please.

Please.

If it weren't for them there would be wind.

If it weren't for them, there would be wind.

I said there wasn't.

I said there wasn't any.

I said it was balmy.

I said it was warm.

I said that when I was little I asked for a closet.

I said that when I was a kid, I asked for a closet.

This was the way it was written.

This is how it was written.

I was awed.

I was amazed.

It is so injudicious to make plans.

It is so unwise to make plans.

We will not decide about three.

We won’t make a decision about three.

Three is the best way to add.

Three is the best way to add.

The bank opens tomorrow.

The bank opens tomorrow.

I was mistaken.

I was wrong.

I hope I can continue.

I hope to keep going.

To be a tailor.

To be a tailor.

The other said nothing.

The other person said nothing.

The other one said he was hindering him and he made that mistake and he would not prepare further.

The other one said he was holding him back and he messed up, so he wouldn't prepare any more.

It is not deceiving.

It’s not misleading.

I can say so gladly.

I can happily say that.

It's always better.

It's always better.

It's wonderful how it always comes out.

It's amazing how it always turns out.

Conversational.

Conversational.

Plants were said to bring lining together. This is not deceived. This is not deceived. Plants.

Plants were said to bring life together. This is no illusion. This is no illusion. Plants.

Plants were said to bring meadows springing. Shattering stubbornly in their teeth.

Plants were said to bring meadows to life. Shattering stubbornly in their grip.

Plants aid sad and not furniture.

Plants help to improve mood, not furniture.

This is it.

This is it.

Plants are riotous.

Plants are vibrant.

Not even.

Not a chance.

If you give money.

If you donate money.

Plants are said to be left out if you give money.

Plants are considered to be neglected if you provide money.

Join or gray.

Join or be bland.

Points are spoken. This in one. Picturesque. It is just the same.

Points are made. This is one. Colorful. It's exactly the same.

I cannot freeze.

I can't freeze.

I understand a picture. It is to have stop it who does. It is to have asked about it the sneezing bell. Bell or better.

I understand a picture. It is to have stopped those who do. It is to have asked about the sneezing bell. Bell or better.

A simple extenuation.

A quick excuse.

I mean to be fine with it.

I intend to be okay with it.

A picture with all of it bitten by that supper. Call it. I shall please. Nowadays.

A picture with all of it eaten at that dinner. Call it. I will comply. These days.

I find this a very pleasant pencil. Do I. I find this a very pleasant pencil. Do I find this a pleasant pencil.

I think this is a really nice pencil. Do I? I think this is a really nice pencil. Do I think this is a nice pencil?

How to give soldiers fresh water.

How to provide soldiers with clean water.

How do you.

How do you?

You use the echoes.

You use the echoes.

Dear Jenny.

Hey Jenny.

I am your brother. Nestling.

I am your brother. Nestling.

Nestling noses.

Nose nudges.

My gay.

I'm gay.

Baby.

Baby.

Little.

Small.

Lobster.

Lobster dish.

Chatter.

Chat.

Sweet.

Cool.

Joy.

Joy.

My.

My.

Baby.

Baby.

Example.

Example.

Be good.

Be kind.

Always.

Always.

Six.

6

Seven.

Seven.

Eight.

Eight.

Nine.

Nine.

All.

All.

The.

The.

Time.

Time.

Me.

Me.

Extra.

Extra.

My.

My.

Baby.

Baby.

Scenes where there is no piece of a let it go.

Scenes where there's no way to just let it go.

No I am not pleased with their descriptions.

No, I’m not happy with their descriptions.

This is not their year.

This isn't their year.

Two of them.

Two of them.

Johnny Grey and Eddy.

Johnny Grey and Eddy.

Why not however.

Why not, though?

It was not polite.

That was rude.

A long way.

A long journey.

I understand and I say, I understand him to say that, I see him I say I see him or I say, I say that I understand. What is it. He doesn't realise. I don't say that he isn't there I don't solidly favor him. I said I was prepared. I was prepared to relieve him. I was prepared to relieve him then or then and I was holding, I was holding anything. I am often for them. They gave it. They were pleased. So pleased and side with it. So pleased and have it. So have it and say it. Say it then. If he was promised, it, he had been left by the belief. He had the action. All old. In it. He was wretched. I do not believe or for it. I do not arouse rubbers. When we went away were we then told to be left with them. Do they or do they do it. Do they believe the truth.

I understand, and I mean, I get what he's saying. I see him, and I say I see him, or I say that I understand. What is it? He doesn't realize. I'm not saying he isn't there; I don't strongly support him. I said I was ready. I was ready to help him. I was ready to help him then or whenever, and I was just holding on to anything. I often stand up for them. They gave it. They were happy. So happy and on board with it. So happy and having it. So go ahead and say it. If he was promised something, he had been let down by that belief. He took action. All old. In it. He was miserable. I don't believe in it. I don't make a fuss. When we left, were we told to be left with them? Do they or do they not? Do they believe the truth?

I am beginning. Go on Saturday. I believe for Sunday. We deceived everbody.

I’m starting now. I’ll go on Saturday. I’m counting on Sunday. We fooled everyone.

I forgot to drink water.

I forgot to drink water.

No I haven't seen it.

No, I haven't seen it.

He said it.

He said that.

It's wonderful.

It's amazing.

Target.

Target.

They don't believe it either.

They don't believe it, either.

Call it.

Make the call.

That.

That.

Fat.

Fat.

Cheeks.

Cheeks.

By.

By.

That.

That.

Time.

Time.

Drenched.

Soaked.

By.

By.

That.

That.

Time.

Time.

Obligation.

Responsibility.

To sign.

To sign up.

That

That

Today

Today

When

When

By

By

That

That

Field.

Field.

He said he was a Spanish family.

He said he was from a Spanish family.

It will make.

It'll make.

A

A

Terrible

Awful

Not terrible.

Not bad.

It will not make that one believe me it is not for my pleasure that I promise it.

It won't convince anyone that I'm making this promise for my own enjoyment.

No

No

Neither.

Neither.

That

That

Or

Alternatively

Another

Another

Neither

Neither

One

One

Lightly

Lightly

Widened.

Expanded.

Widened by what.

Widened by what?

Not this.

Not this one.

Not left.

Not left behind.

Buy

Purchase

Their

Their

Hedges.

Hedge plants.

It's not a country.

It's not a country.

I told him so.

I told him that.

I wish to begin.

I want to start.

Lining.

Lining up.

Of that thing.

Of that.

By that time.

By then.

It.

It.

Or.

Or.

It.

It.

Was.

Was.

How.

How to.

We don't know whom to invite for lunch. You told me you'd tell me. I don't know.

We don't know who to invite for lunch. You said you would let me know. I have no idea.

Either.

Either one.

I do get wonderful action into them don't I.

I really bring some amazing action into them, don't I?

Blame.

Accountability.

Worthy.

Deserving.

Out.

Out.

Standing.

Standing up.

Eraser.

Eraser.

That was a seat.

That was a spot.

Leave it out.

Skip it.

Seat.

Seat.

Stretch.

Stretch out.

Sober.

Sober.

Left.

Left.

Over.

Done.

Curling.

Curling.

Irresistible.

Unforgettable.

I come to it at last.

I finally get to that.

I know what I want.

I know what I want.

Call.

Call now.

Tried.

Tried.

To be.

To exist.

Just.

Just.

Seated.

Sitting.

Beside.

Next to.

The.

The.

Meaning.

Meaning.

Please come.

Please join us.

I met.

I met up.

A steady house which was neither blocking nor behaving as if it would for the road.

A stable house that neither obstructed the road nor acted like it would.

He looks like it.

He seems like it.

A ladder insults.

A ladder disrespects.

Me.

Me.

I do stem when in.

I do stem when in.

I don't look at them any more.

I don’t look at them anymore.

Johnny Grey.

Johnny Grey.

What did I say.

What did I say?

I said I would leave it.

I said I would let it go.

He was so kind.

He was so nice.

That was lasting.

That was memorable.

I am so certain.

I'm so sure.

Please.

Please.

It's remarkable that I can make good sentences.

It's impressive that I can create good sentences.

It reminds me of a play that I remember which is better.

It reminds me of a play I remember that’s better.

It is better.

It's better.

Everything.

All things.

In.

In.

I am coming.

I'm on my way.

To it.

To it.

I know it.

I know that.

Please.

Please.

Pleased.

Happy.

Pleased with me.

Happy with me.

Pleased with me.

Happy with me.

Canvas covers.

Canvas tarps.

I wished to go away.

I wanted to leave.

I asked for an astonishing green I asked for more Bertie.

I asked for an amazing green I asked for more Bertie.

I asked only once.

I only asked once.

Pack it.

Pack it up.

Package.

Package.

A little leaving.

A small goodbye.

We went to eat.

We went out to eat.

I have plenty of food.

I've got plenty of food.

Always.

Always.

Nearly.

Almost.

Always.

Always.

Certainly.

Sure.

By an example.

For example.

I was never afraid.

I was never scared.

He doesn't say anything.

He isn’t saying anything.

In that way.

That way.

Not after.

Not anymore.

He was.

He was.

Sure.

Sure.

Of it.

Of it.

Then.

Next.

By then.

By that time.

We were.

We existed.

In Munich.

In Munich.

And sat.

And sat down.

Today.

Today.

By way

By means of

Of

Of

Staring.

Gazing.

And nearly all of it.

And almost all of it.

In.

In.

That.

That.

Shining.

Shining.

Firm.

Business.

Spread.

Spread.

Paul.

Paul.

Slices.

Slices.

If I copy nature.

If I mimic nature.

If I copy nature.

If I mimic nature.

If I copy nature.

If I replicate nature.

If I copy nature.

If I mimic nature.

For it.

For it.

Open.

Open up.

Seen

Seen

Piling.

Piled up.

Left.

Left.

In.

In.

Left in.

Left in.

Not in.

Not included.

Border

Border

Sew.

Sew it.

Why.

Why?

Spaces.

Spaces.

I.

I.

Mean.

Rude.

To.

To.

Laugh.

Laugh.

Do be.

Just do it.

Do be all.

Be all, do all.

Do be all out.

Go all out.

If you can.

If you're able to.

Come.

Come.

To stay.

To remain.

And.

And.

After.

After.

All.

All.

Have.

Have.

A.

A.

Night.

Nighttime.

Which.

Which.

Means.

Methods.

That.

That.

There

There

Is.

Is.

Not

Not

This

This

Essential.

Essential.

By that way.

By that means.

It was all out in it.

It was all out in it.

By this time.

By now.

Which was reasonable and an explanation.

Which was reasonable and an explanation.

We never expected he would tell a lie.

We never thought he would lie.

Not this.

Not this one.

For.

For.

More.

More.

To be.

To exist.

Indians are disappointing.

Indians are underwhelming.

Not to me.

Not to me.

I was never disappointed in an Indian.

I was never let down by an Indian.

I was never disappointed in an Indian in any way.

I was never let down by an Indian in any way.

How old are you.

How old are you?

Careless.

Careless.

Heavy all the time.

Always feeling heavy.

I know she is.

I know she is.

I am.

I exist.

Politely.

Respectfully.

Finished.

Done.

A PORTRAIT OF F. B.

A peal is that mountain which makes a ring and is ringing. There is no squeak, there is no touch there is no lump, a light bed is left when it is carried away, it has no temper, it has when it has, it has the bent bedspread, it lies like that left not limply and next to lightly and no mixed more. It is so christened when it is there. It has that space to identify. It is the mending of the beam and it is not clear and shows the courage more of the plentiful timber which is not scattered and put together. It is so lightly clad and furs show it. It is so planter. There is no occasion and the copy is not reversed to so little, there is nothing tiny.

A peal is that mountain that rings and makes a sound. There’s no squeak, no touch, no lump; it leaves a light impression when it’s taken away. It has no mood, but when it does, it's like an uneven bedspread. It lies there, not drooping and not too lightly, with no mix anymore. It's called that when it exists. It has that space to define itself. It’s the fixing of the beam, and it’s not clear, showing the strength of the abundant timber that is neither scattered nor assembled. It's dressed so lightly that the fur shows through. It’s very earthy. There's no occasion, and the copy isn't flipped to something so small; there’s nothing insignificant.

Leave the package will the book use the warmer there, sight the sound that has no platter, season all the simple ginger, make a bucket simpler.

Leave the package with the book by the warmer there, notice the sound that has no plate, season all the plain ginger, make a bucket easier.

Praise the lion and the rat, see the morsels fairly, show the swimming of the rat show the rabbit winning. Bestow the light and chase it there, see the hall is dimmer, see the lightening everywhere see the lightening dimmer. Make no dinner in the morning, make it in the evening, see the same and see it there, see it in the morning. See the time when there is that, see it in the morning, see it all and say the hat, say it every morning, say no more and undertake what is so ridiculous that there is no time to say that and any how what is the abuse of an intention, why should there be etiquette, why is there every lightening, why if the season is the same is there summer, when is there more night than in winter.

Praise the lion and the rat, see the treats equally, watch the rat swim and the rabbit win. Bring the light and chase it down, see how the hall is dimmer, notice the lightning everywhere, see how the lightning is fading. Don’t have dinner in the morning, have it in the evening, notice the same thing and see it there, see it in the morning. See the time when that happens, see it in the morning, see it all and mention the hat, say it every morning, say no more and take on what’s so absurd that there’s no time to mention that and anyway, what is the misuse of an intention, why should there be etiquette, why is there every lightning, why, if the season is the same, is there summer, when is there more night than in winter?

Return after the garden, remain after the tea, single out a timepiece, so hatly and so true there is neither more to do. All the time is the past and piece meal is that meal and a little chicken is a liver, and solitude is enough. A little jerk is no occasion, so supremely is there a category.

Return after the garden, stay after the tea, pick out a watch, so reliable and so precise there’s nothing more to do. All time is the past and part of that meal, and a little chicken is a liver, and solitude is enough. A little jerk is no big deal, so clearly there’s a category.

Very good the place is rough, the bed is silver and the sheets are there, the little slipper is not organized, the pleasure is obtained and actually there is a garden. In union there is withering. In sunlight there is breakfast.

Very nice, the place is a bit wild, the bed is fancy and the sheets are set, the little slipper is out of place, pleasure is found and there’s honestly a garden. In togetherness, there’s fading. In the sunlight, there’s breakfast.

A turn of the table does not mean that cups are there, it means that there is no loneliness and it means that the copy is not extreme when there is a frame. It does not mean any little thing.

A turn of the table doesn’t mean that cups are present; it means there’s no loneliness and that the copy isn’t extreme when there’s a frame. It doesn’t mean anything trivial.

A clatter registered has a calming center. That is the outlasting of a sight of all. If it is possible that there is the result then certainly no one would think so. Every one does. There is no sense in such a history. There is no sense at all. Not a bit of broom has the window open, not a bit.

A clatter is heard as a calming center. That's the lasting impression of everything we see. If there's a result, then surely no one would believe it. But everyone does. There’s no logic in such a story. Absolutely none. Not a speck of dust has the window open, not at all.

No borrowing or lending and pearls are sweet. They are the same as a little chain, they have the color early, they see the time and they need no wine and they secure the distaste of pink pepper.

No borrowing or lending, and pearls are sweet. They are just like a small chain; they have a bright color, they notice the time, and they don’t need wine, plus they avoid the unpleasantness of pink pepper.

Choose running anyway, that is to say that rolling has more distinction, choose a feather boa and range all the plumes and a yellow one is sweeter.

Choose to run anyway; in other words, rolling has more character. Pick a feather boa and display all the feathers, and a yellow one is more charming.

Bake a table, the rest is empty, see the plate first, the first is distributed, see the arrangement the arrangement is in the curling Christmas.

Bake a table, the rest is empty, check the plate first, the first is served, see how it's laid out, the setup is in the curled Christmas.

Bet more than sugar, copy no more principally, restrict more decoration, repeat the needle. There is made.

Bet more than sugar, copy less primarily, limit more decoration, repeat the thread. It’s done.

So to see and so to go and so to turn the list around, so to go and so there is the practice of Nileing. Plainer sheets have simple stripes.

So to see and so to go and so to flip the list around, so to go and so there is the practice of Nileing. Simpler sheets have basic stripes.

A target is by way of marks. The youngest is shaken. The pleasure is rested.

A target is indicated by marks. The youngest is unsettled. The enjoyment is paused.

The length is the laughing dater, there is no challenge in mingling later. There is none, the rate is facing a lender.

The length is the joking date, there's no challenge in hanging out later. There isn't any, the rate is dealing with a lender.

All along and in the mind there is a plate and there is meal. There is the rate that makes no more. The stairs are not stumbling.

All along, in the mind, there's a plate and a meal. There's a rate that doesn't increase anymore. The stairs aren't a struggle.

SACRED EMILY

Compose compose beds.

Compose beds.

Wives of great men rest tranquil.

Wives of great men are at peace.

Come go stay philip philip.

Come over, stay, Philip.

Egg be takers.

Egg thieves.

Parts of place nuts.

Parts of place nuts.

Suppose twenty for cent.

Suppose twenty percent.

It is rose in hen.

It is raised in hen.

Come one day.

Come one day.

A firm terrible a firm terrible hindering, a firm hindering have a ray nor pin nor.

A strong obstacle, a strong obstacle that prevents progress, has neither light nor hope.

Egg in places.

Eggs in various locations.

Egg in few insists.

Egg insists on few.

In set a place.

In a location.

I am not missing.

I'm here.

Who is a permit.

Who is a permit holder?

I love honor and obey I do love honor and obey I do.

I love to honor and obey; I really do love to honor and obey.

Melancholy do lip sing.

Melancholy do lip sync.

How old is he.

How old is he?

Murmur pet murmur pet murmur.

Murmur, pet, murmur, pet, murmur.

Push sea push sea push sea push sea push sea push sea push sea push sea.

Push sea push sea push sea push sea push sea push sea push sea push sea.

Sweet and good and kind to all.

Sweet, good, and kind to everyone.

Wearing head.

Wearing a hat.

Cousin tip nicely.

Cousin, be nice.

Cousin tip.

Cousin advice.

Nicely.

Great.

Wearing head.

Wearing a hat.

Leave us sit.

Let us sit.

I do believe it will finish, I do believe it will finish.

I really believe it will end, I really believe it will end.

Pat ten patent, Pat ten patent.

Pat ten patent, Pat ten patent.

Eleven and eighteen.

11 and 18.

Foolish is foolish is.

Foolish is foolish.

Birds measure birds measure stores birds measure stores measure birds measure.

Birds measure birds measure stores birds measure stores measure birds measure.

Exceptional firm bites.

Amazing company offers great deals.

How do you do I forgive you everything and there is nothing to forgive.

How are you? I forgive you for everything, and there’s nothing to forgive.

Never the less.

Nevertheless.

Leave it to me.

I'll handle it.

Weeds without papers.

Weeds without documentation.

Weeds without papers are necessary.

Weeds without papers are essential.

Left again left again.

Left again, left again.

Exceptional considerations.

Special considerations.

Never the less tenderness.

Nevertheless, tenderness.

Resting cow curtain.

Resting cow drape.

Resting bull pin.

Resting bull pen.

Resting cow curtain.

Resting cow drape.

Resting bull pin.

Resting bull pen.

Next to a frame.

By a frame.

The only hat hair.

The one and only hat hair.

Leave us mass leave us. Leave us pass. Leave us. Leave us pass leave us.

Leave us alone. Let us go. Leave us. Let us go, leave us.

Humming is.

Humming is.

No climate.

No climate.

What is a size.

What is a size?

Ease all I can do.

Do my best to help.

Colored frame.

Colorful frame.

Couple of canning.

Couple of canning jars.

Ease all I can do.

Do all I can.

Humming does as

Humming contributes as

Humming does as humming is.

Humming does what humming does.

What is a size.

What is a size?

No climate.

No climate change.

Ease all I can do.

Do everything I can.

Shall give it, please to give it.

Shall give it, please to give it.

Like to give it, please to give it.

Like to give it, please to give it.

What a surprise.

What a shock.

Not sooner whether.

Not sooner than.

Cordially yours.

Best regards.

Pause.

Pause.

Cordially yours.

Best regards.

Not sooner together.

Not together yet.

Cordially yours.

Best regards.

In strewing, in strewing.

In scattering, in scattering.

That is the way we are one and indivisible.

That’s how we are one and indivisible.

Pay nuts renounce.

Pay nuts back.

Now without turning around.

Now, without looking back.

I will give them to you tonight.

I’ll give them to you tonight.

Cunning is and does cunning is and does the most beautiful notes.

Cunning creates and embodies the most beautiful melodies.

I would like a thousand most most.

I would like a thousand at least.

Center pricking petunia.

Center pinching petunia.

Electrics are tight electrics are white electrics are a button.

Electrics are tight, electrics are white, electrics are a button.

Singular pressing.

One pressing issue.

Recent thimble.

Recent thimble.

Noisy pearls noisy pearl coat.

Noisy pearl coat.

Arrange.

Sort.

Arrange wide opposite.

Arrange wide apart.

Opposite it.

Across from it.

Lily ice-cream.

Lily ice cream.

Nevertheless.

Still.

A hand is Willie.

A hand is a Willie.

Henry Henry Henry.

Henry Henry Henry.

A hand is Henry.

A hand is Henry.

Henry Henry Henry.

Henry Henry Henry.

A hand is Willie.

A hand is Willie.

Henry Henry Henry.

Henry Henry Henry.

All the time.

All the time.

A wading chest.

A wading chest.

Do you mind.

Do you care?

Lizzie do you mind.

Lizzie, do you mind?

Ethel.

Ethel.

Ethel.

Ethel.

Ethel.

Ethel.

Next to barber.

Next to the barber.

Next to barber bury.

Next to the barber's grave.

Next to barber bury china.

Next to barber, bury china.

Next to barber bury china glass.

Next to the barber is a burial site for china glass.

Next to barber china and glass.

Next to the barber shop are china and glass items.

Next to barber and china.

Next to the barber and china.

Next to barber and hurry.

Next to barber and rush.

Next to hurry.

Next to rush.

Next to hurry and glass and china.

Next to hurry and glass and china.

Next to hurry and glass and hurry.

Next to rush and glass and rush.

Next to hurry and hurry.

Next to rush and rush.

Next to hurry and hurry.

Next to rush and rush.

Plain cases for see.

Basic cases to view.

Tickle tickle tickle you for education.

Tickle tickle tickle you for education.

A very reasonable berry.

A pretty good berry.

Suppose a selection were reverse.

Suppose a selection was reversed.

Cousin to sadden.

Cousin to make sad.

A coral neck and a little song so very extra so very Susie.

A coral neck and a little song that’s just so extra, so very Susie.

Cow come out cow come out and out and smell a little.

Cow come out cow come out and out and smell a.

Draw prettily.

Draw beautifully.

Next to a bloom.

By a flower.

Neat stretch.

Nice stretch.

Place plenty.

Add plenty.

Cauliflower.

Cauliflower.

Cauliflower.

Cauliflower.

Curtain cousin.

Cousin in the spotlight.

Apron.

Apron.

Neither best set.

Not the best set.

Do I make faces like that at you.

Do I make faces like that at you?

Pinkie.

Pinkie Pie.

Not writing not writing another.

Not writing another one.

Another one.

Another one.

Think.

Consider.

Jack Rose Jack Rose.

Jack Rose.

Yard.

Yard.

Practically all of them.

Almost all of them.

Does believe it.

Does believe it.

Measure a measure a measure or.

Measure a measure a measure or.

Which is pretty which is pretty which is pretty.

Which is pretty, which is pretty, which is pretty.

To be top.

To be the best.

Neglect Waldberg.

Ignore Waldberg.

Sudden say separate.

Suddenly say separate.

So great so great Emily.

So awesome, Emily.

Sew grate sew grate Emily.

So great, so great, Emily.

Not a spell nicely.

Not a nice spell.

Ring.

Call.

Weigh pieces of pound.

Weigh pieces by the pound.

Aged steps.

Old steps.

Stops.

Stops.

Not a plan bow.

No plan B.

Why is lacings.

Why are lacings?

Little slam up.

Small slam up.

Cold seam peaches.

Cold seam peaches.

Begging to state begging to state begging to state alright.

Begging to state begging to state begging to state alright.

Begging to state begging to state begging to state alright.

Begging to express begging to express begging to express okay.

Wheels stows wheels stows.

Wheels store wheels.

Wickedness.

Evil.

Cotton could mere less.

Cotton could be less.

Nevertheless.

Regardless.

Anne.

Anne.

Analysis.

Analysis.

From the standpoint of all white a week is none too much.

From the perspective of all white, a week isn’t too long at all.

Pink coral white coral, coral coral.

Pink coral, white coral, coral, coral.

Happy happy happy.

So happy!

All the, chose.

All the choices.

Is a necessity.

Is essential.

Necessity.

Need.

Happy happy happy all the.

Happy happy happy all the time.

Happy happy happy all the.

Happy happy happy all the time.

Necessity.

Essential.

Remain seated.

Stay seated.

Come on come on come on on.

Come on, come on, come on.

All the close.

All the best.

Remain seated.

Stay seated.

Happy.

Happy.

All the.

All the.

Necessity.

Essential.

Remain seated.

Stay seated.

All the, close.

All set, close.

Websters and mines, websters and mines.

Websters and mines, websters and mines.

Websters and mines.

Websites and mines.

Trimming.

Trimming.

Gold space gold space of toes.

Gold space gold space of toes.

Twos, twos.

Twos.

Pinned to the letter.

Attached to the letter.

In accompany.

In support.

In a company in.

In a company.

Received.

Got it.

Must.

Must do.

Natural lace.

Natural lace.

Spend up.

Spend more.

Spend up length.

Spend longer on it.

Spend up length.

Increase duration.

Length thoroughly.

Length thoroughly.

Neatness.

Orderliness.

Neatness Neatness.

Neatness.

Excellent cording.

Great cording.

Excellent cording short close.

Great short cording close.

Close to.

Nearby.

When.

When.

Pin black.

Black pin.

Cough or up.

Cough it up.

Shouting.

Yelling.

Shouting.

Yelling.

Neater pin.

Cleaner pin.

Pinned to the letter.

Attached to the letter.

Was it a space was it a space was it a space to see.

Was it a place, was it a place, was it a place to see?

Neither things.

Neither.

Persons.

People.

Transition.

Transition.

Say say say.

Say say say.

North of the calender.

North of the calendar.

Window.

Window.

Peoples rest.

People rest.

Preserve pulls.

Preserve pulls.

Cunning piler.

Clever stacker.

Next to a chance.

Next to an opportunity.

Apples.

Apples.

Apples.

Apples.

Apples went.

Apples are gone.

It was a chance to preach Saturday.

It was an opportunity to preach on Saturday.

Please come to Susan.

Please go to Susan.

Purpose purpose black.

Purpose purpose black.

Extra plain silver.

Extra plain silver.

Furious slippers.

Angry slippers.

Have a reason.

Have a purpose.

Have a reason candy.

Have a reason, candy.

Points of places.

Places.

Neat Nezars.

Neat Nezars.

Which is a cream, can cream.

Which is a cream, can cream.

Ink of paper slightly mine breathes a shoulder able shine.

Ink of paper slightly mine breathes a shoulder able shine.

Necessity.

Need.

Near glass.

By the window.

Put a stove put a stove hoarser.

Put a stove, put a stove, hoarser.

If I was surely if I was surely.

If I was definitely sure if I was definitely sure.

See girl says.

See girl speaks.

All the same bright.

Still shining bright.

Brightness.

Luminosity.

When a churn say suddenly when a churn say suddenly.

When a churn says suddenly when a churn says suddenly.

Poor pour percent.

Poor share percentage.

Little branches.

Small branches.

Pale.

Pale.

Pale.

Pale skin.

Pale.

Pale.

Pale.

Pale skin.

Pale.

Pale.

Pale.

Pale.

Pale.

Pasty.

Near sights.

Nearby attractions.

Please sorts.

Please sort.

Example.

Example.

Example.

Understood. Please provide the text you would like modernized.

Put something down.

Put something away.

Put something down some day.

Put something down someday.

Put something down some day in.

Put something down someday.

Put something down some day in my.

Put something down someday in my.

In my hand.

In my hand.

In my hand right.

In my right hand.

In my hand writing.

In my handwriting.

Put something down some day in my hand writing.

Put something down someday in my handwriting.

Needles less.

Fewer needles.

Never the less.

Nevertheless.

Never the less.

Nevertheless.

Pepperness.

Pepper flavor.

Never the less extra stress.

Nevertheless, extra stress.

Never the less.

Nevertheless.

Tenderness.

Kindness.

Old sight.

Old view.

Pearls.

Pearls.

Real line.

Real line.

Shoulders.

Shoulders.

Upper states.

Upper regions.

Mere colors.

Just colors.

Recent resign.

Recent resignation.

Search needles.

Find needles.

All a plain all a plain show.

All a plain all a plain show.

White papers.

Whitepapers.

Slippers.

Slides.

Slippers underneath.

Slippers below.

Little tell.

Little story.

I chance.

I take a chance.

I chance to.

I happen to.

I chance to to.

I happen to be.

I chance to.

I happen to.

What is a winter wedding a winter wedding.

What is a winter wedding? A winter wedding.

Furnish seats.

Provide seating.

Furnish seats nicely.

Style the seating well.

Please repeat.

Please repeat.

Please repeat for.

Please repeat for.

Please repeat.

Please repeat.

This is a name to Anna.

This is a name for Anna.

Cushions and pears.

Cushions and pears.

Reason purses.

Reason drives.

Reason purses to relay to relay carpets.

Reason seeks to connect carpets.

Marble is thorough fare.

Marble is a mainstay.

Nuts are spittoons.

Nuts are spittoons.

That is a word.

That's a word.

That is a word careless.

That's a careless word.

Paper peaches.

Fake peaches.

Paper peaches are tears.

Paper peaches are tears.

Rest in grapes.

Rest in grapes.

Thoroughly needed.

Essential.

Thoroughly needed signs.

Absolutely necessary signs.

All but.

All except.

Relieving relieving.

Relieving relief.

Argonauts.

Argonauts.

That is plenty.

That's enough.

Cunning saxon symbol.

Clever Saxon symbol.

Symbol of beauty.

Beauty symbol.

Thimble of everything.

Thimble of all things.

Cunning clover thimble.

Clever clover thimble.

Cunning of everything.

Cunning of all things.

Cunning of thimble.

Cunning of a thimble.

Cunning cunning.

Clever and sly.

Place in pets.

Pet adoption.

Night town.

Night city.

Night town a glass.

City night in a glass.

Color mahogany.

Mahogany color.

Color mahogany center.

Mahogany center color.

Rose is a rose is a rose is a rose.

Rose is a rose is a rose is a rose.

Loveliness extreme.

Extreme beauty.

Extra gaiters.

Extra gaiters.

Loveliness extreme.

Extreme beauty.

Sweetest ice-cream.

Best ice cream.

Page ages page ages page ages.

Page ages page ages page ages.

Wiped Wiped wire wire.

Wiped wire.

Sweeter than peaches and pears and cream.

Sweeter than peaches, pears, and cream.

Wiped wire wiped wire.

Wiped wire, wiped wire.

Extra extreme.

Extra extreme.

Put measure treasure.

Measure your treasure.

Measure treasure.

Measure valuables.

Tables track.

Tables monitor.

Nursed.

Cared for.

Dough.

Dough.

That will do.

That’s fine.

Cup or cup or.

Cup or cup or.

Excessively illigitimate.

Excessively illegitimate.

Pussy pussy pussy what what.

Pussy, pussy, pussy—what what?

Current secret sneezers.

Current secret sneeze artists.

Ever.

Always.

Mercy for a dog.

Compassion for a dog.

Medal make medal.

Medals create medals.

Able able able.

Able able able.

A go to green and a letter spoke a go to green or praise or

A go-to green and a letter said to go to green or praise or

Worships worships worships.

Worships worships worships.

Door.

Door.

Do or.

Do it.

Table linen.

Tablecloths.

Wet spoil.

Wet waste.

Wet spoil gaiters and knees and little spools little spools or ready silk lining.

Wet spoil gaiters and knees and little spools little spools or ready silk lining.

Suppose misses misses.

Suppose misses misses.

Curls to butter.

Curls to butter.

Curls.

Curls.

Curls.

Curly hair.

Settle stretches.

Settle stretches.

See at till.

Check out at the register.

Louise.

Louise.

Sunny.

Sunny.

Sail or.

Sail or not.

Sail or rustle.

Sail or shuffle.

Mourn in morning.

Mourn in the morning.

The way to say.

The way to express.

Patter.

Chat.

Deal own a.

Own a deal.

Robber.

Thief.

A high b and a perfect sight.

A high b and a perfect view.

Little things singer.

"Little Things" singer.

Jane.

Jane.

Aiming.

Targeting.

Not in description.

Not in description.

Day way.

Day route.

A blow is delighted.

A hit is exciting.

IIIIIIIIII.

INCLINE.

Slope.

Clinch, melody, hurry, spoon, special, dumb, cake, forrester. Fine, cane, carpet, incline, spread, gate, light, labor.

Clinch, melody, rush, spoon, unique, silly, cake, forrester. Good, stick, rug, slope, spread, gate, brightness, work.

BANKING.

Banking.

Coffee, cough, glass, spoon, white, singing. Choose, selection, visible, lightning, garden, conversation, ink, spending, light space, morning, celebration, invisible, reception, hour, glass, curving, summons, sparkle, suffering the minisection, sanctioning the widening, less than the wireless, more certain. All the change. Any counselling non consuming and split splendor.

Coffee, cough, glass, spoon, white, singing. Choose, selection, visible, lightning, garden, conversation, ink, spending, light space, morning, celebration, invisible, reception, hour, glass, curving, summons, sparkle, suffering the minisection, sanctioning the widening, less than the wireless, more certain. All the change. Any counseling non-consuming and split splendor.

Forward and a rapidity and no resemblance no more utterly. Safe light, more safes no more safe for the separation.

Forward and quickly, with no resemblance anymore. Safe light, safer no longer safe for the separation.

M—N H—.

M—N H—.

A cook. A cook can see. Pointedly in uniform, exertion in a medium. A cook can see.

A cook. A cook can see. Clearly in uniform, working hard in their element. A cook can see.

Clark which is awful, clark which is shameful, clark and order.

Clark, which is terrible, Clark, which is disgraceful, Clark and order.

A pin is a plump point and pecking and combined and more much more is in fine.

A pin is a thick point that pokes and combines, and there's so much more to it that is good.

Rats is, rats is oaken. Robber. Height, age, miles, plaster, pedal, more order.

Rats are, rats are sturdy. Thief. Height, age, miles, plaster, pedal, more organization.

Bake, a barn has cause and more late oat-cake specially.

Bake, a barn has reason and more late oat-cake especially.

Spend rubber, holder and coal, high, careful, in a pointed collar. A hideous south west is always a climb in aged seldom succeeded flavoring untimely, necessity white, hour in a glaze.

Spend rubber, holder, and coal, high and careful, in a pointed collar. A horrible southwest is always a climb in aged rarely succeeded flavoring untimely, necessity white, hour in a glaze.

Break, sky blue light, obliquely, in a cut carpet, in the pack. A sound.

Break, sky blue light, slanting across a cut carpet, in the bundle. A sound.

COO—GE.

COO—Good.

Press in the ink and stare and cheese. Pick in the faint and feather and white. White in the plume.

Press in the ink and stare and cheese. Pick in the faint and feather and white. White in the plume.

M—N H—.

M—N H—.

No noon back. No noon settler, no sun in the slant and carpet utterly surrounded.

No afternoon coming. No afternoon settler, no sun in the angle and floor completely enclosed.

No pressed plaster. None.

No plaster applied. None.

No pressing pan and pan cake. Not related exactly. Not related.

No pressing pan and pancake. Not exactly related. Not related.

Matter in the center of single sand and slide in the hut.

Matter in the center of a single grain of sand and slide in the hut.

No account of gibberish. No sky lark utterly.

No nonsense. No foolishness at all.

Perfect lemon and cutting a central black. Not such clouding. A sugar, a lame sugar, certainly. No sobriety no silver ash tray.

Perfect lemon and cutting a central black. Not such clouding. A sugar, a lame sugar, definitely. No sobriety, no silver ashtray.

M—N H—.

M—N H—.

A co existence with hard suckling and spoons, and spoons. A co-existence with orange supper. A last mending. A begging. Should the assault be exterminated, should it.

A co-existence with vigorous suckling and spoons, and spoons. A co-existence with an orange dinner. A final repair. A plea. Should the attack be eliminated, should it.

M—N H—.

M—N H—.

A sound is in the best society. It hums and moves, it throws the hat in no way away and in no way particularly at paving. The meanness is a selection of parts and all of that is no more a handkerchief merely and large.

A sound exists in the best society. It hums and flows, it doesn’t throw the hat away carelessly or specifically at the pavement. The pettiness is a mix of components and all of that is no longer just a handkerchief, big and small.

POINTS.

Points.

The exchange which is fanciful and righteous and mingled is in the author mostly in the piece.

The exchange, which is imaginative and just and mixed, is mainly in the author's work.

CH—N.

CH—N.

A unity is the meantime in a union. A branch case is exactly so anxious and avoided and even then is it in place of blunders, is it in the piece that makes hesitation clear.

A unity is the time spent within a union. A branch case is just as anxious and something to be avoided, and even then, it becomes a source of mistakes; it's the part that highlights hesitation clearly.

The youth and the check board and the all color minutely, this and the chance of the bright flours inward is not in a glance. A check is an instance and more more is indwelling.

The youth and the checkered board with all its colors, this and the opportunity of the bright flowers inside, is not visible at first glance. A check is a moment, and even more, it is something that resides within.

PECKED PLACES.

PECKED SPOTS.

In the unconcise word that is ministered and in the blame extraordinarily the center the whole center is coupled. This is choice.

In the vague word that is given and in the blame, exceptionally, the whole center is connected. This is a choice.

M—N H—.

M—N H—.

Hunger is not hurry and a silence and no more than ever, it is not so exactly and the word used is there.

Hunger isn't about rushing; it's silent, and now more than ever, it's not as precise as the word suggests.

T—S WH—.

T—S WH—.

A cut in trusts and in black colors which are not carpets not at all likely carpets and no sucking in substance of the sacking placed only in air outside. This makes a change precious and not odd not odd in place of more use. Not odd in the meaning rapidly.

A cut in trusts and in black colors that are definitely not carpets, not even close to carpets, and no absorption of the fabric just hanging in the air outside. This creates a valuable change that isn't strange, not strange in terms of being more useful. Not strange in the sense of being quick.

M—N H—.

M—N H—.

The soon estate and established alternately has bright soldiers and peaceable in the rest of the stretch.

The nearby estate has a mix of brave soldiers and peaceful residents throughout the area.

J—S B—E.

J—S B—E.

A regular walking ground is that which shows peeping and soft places between mush and this is most moist in the settled summer. So much wet does gleam and the shutters all the shutters are sober. A piece of cut grass is dangerous dangerous to smelling and to all most.

A usual walking area is one that has soft spots and patches of mush, especially when it's really humid in the summer. The moisture sparkles, and all the shutters are lackluster. A handful of freshly cut grass can be risky, especially when it comes to the smell and almost everything else.

S—NS.

S—NS.

A dark ground is not colored black mostly and dirtily securely and much exchange is much with a sight and so much to sponge in with speeches to whittle.

A dark ground isn't usually black and dirty; it's secure, and there's a lot going on visually. There's so much to absorb in conversation that it tends to get diluted.

J—E B—E.

J—E B—E.

A tight laundry that is piece meal is in the best astounding. Between, in, on the beside, and no more origin, more in the weed blessed.

A tight laundry that is piecemeal is surprisingly great. In between, on, beside, and no more origin, more in the blessed weeds.

M—N H—.

M—N H—.

Point, face, canvas, toy, struck off, sense or, weigh coach, soon beak on, so suck in, and an iron.

Point, face, canvas, toy, struck off, sense or, weigh coach, soon beak on, so suck in, and an iron.

W—IE C—N.

W—IE C—N.

Point a rose, see a soil, see a saddle, see a monk tree, see a sand tree, trust a cold bit of pickle usefully in an oration.

Point to a rose, look at the soil, check out a saddle, see a monk tree, notice a sand tree, and find a useful cold pickle during a speech.

See the meadow in a meadow light.

See the meadow in soft, natural light.

The blame is necessarily an interruption perpendicularly.

The blame is definitely an interruption straight on.

L—E.

L—E.

The seam in between is fenceless.

The gap in between has no fence.

E—E.

E—E.

The seam in most tight legs are looser and not secure politely.

The seams in most tight pants are looser and not secure enough.

K—Y.

K—Y.

The separation is a sight.

The separation is a spectacle.

R—CK.

R—CK.

Chocolate is alarming in old places, chocolate is thunder.

Chocolate is surprising in old places; chocolate is like thunder.

Joining jerked sour green grass is yesterday and tomorrow and alternately.

Joining jerky sour green grass is both yesterday and tomorrow, switching back and forth.

CH—N.

CH—N.

Kindness is necessary and a spilled iron loan. The best choice is a sucked place readily and much any within the cut spilling.

Kindness is essential and a wasted opportunity. The best option is an easily accessible place where a lot can be shared without hesitation.

ALF—.

ALF—.

Jacket in buds and in glasses, jackets entirely in collision.

Jackets covered in buds and in glasses, jackets completely clashing.

A triangle is worried with recollected socks and examples.

A triangle is preoccupied with remembered socks and instances.

Peace is in.

Peace is trending.

No spilling and an argument, no spilling and no spilling is beckoned. A shout is particular.

No spilling and no argument, no spilling and no spilling is called for. A shout is specific.

CH—N.

CH—N.

An heroic countenance justly named and special, special and contained and in eagle.

An heroic face rightly named and unique, unique and composed like an eagle.

A mark and a window glass and a splendid chew, altogether a singer.

A mark, a window, and a great chew, altogether a singer.

R—CK.

R—CK.

Secret in a season makes the pining wetter. So much hooding, so best to saw into right pieces the clang and the hush. The held up ocean, the eaten pan that has no cut cake, the same only different clover is the best, is the best.

Secret in a season makes the longing stronger. So much hiding, so it’s better to break down the noise and the silence into clear parts. The paused ocean, the empty pan that has no sliced cake, the same yet different clover is the best, is the best.

K—Y.

K-Y.

Caution, caution all, caution the cloud and the oats and the beagle and the clearing and the happy dent and the widow soaking and the climb and the correction.

Caution, caution everyone, caution the cloud and the oats and the beagle and the clearing and the happy dent and the widow soaking and the climb and the correction.

M—N. H—.

M—N. H—.

Shut the chamber in the door, so well and so weak and so buttered. Shut the chest out, do not shut it in.

Shut the chamber in the door, so well and so weak and so buttered. Shut the chest out, do not shut it in.

ALF—.

ALF—.

Crime, crime is that way to charge safely, crime is a tooth-pick. It is. It has a credit. Any old stick that has a choking in the way that there is leather shows a mean spirit.

Crime, crime is a safe way to gain power, crime is a toothpick. It is. It holds value. Any old stick that has a grip in the way that leather does shows a nasty attitude.

An eye glass, a yellow and neck lace person, a special way to date something, any pleasing register means no readily replaced mice.

An eyeglass, a person in a yellow necklace, a unique way to date something, any enjoyable recording means no easily replaced mice.

L—E.

L—E.

A set cold egg, a set in together is lively.

A cold egg, when combined, is lively.

ALF—.

ALF—.

A barked out sunshine, a better way to arrange Monday, a cloud of neglected Thursdays, all these are together somehow.

A shouted-out sunshine, a better way to kick off Monday, a fog of ignored Thursdays, all these things are connected somehow.

E—E.

E—E.

A white wedding cake means a white thing and so no more left in the bottle, no more water grows.

A white wedding cake symbolizes purity, and so when it's gone, there's no more water left to grow.

A very likely told place is that which is not best mentioned, not the very best.

A very likely described place is one that isn’t worth mentioning, not the very best.

The incline is in classes in coats in whole classes puzzling peculiarly.

The slope is in groups in jackets in entire groups puzzling uniquely.

The best way to put it all in is a bite, it is so in every way especially.

The best way to fit it all in is with a bite; it's true in every way, especially.

S—NS.

S--NS.

Cunning, very cunning. Cute, very cute, critical, not only very critical, critical, critical.

Clever, really clever. Adorable, really adorable, essential, not just very essential, essential, essential.

ALF—.

ALF—.

Climbing into the most high piece of prepared furniture is no collection. It is part of the winding old glass.

Climbing into the highest piece of furniture isn't just a collection. It's part of the twisting old glass.

M—N H—.

M—N H—.

A sun in shine, and a so and a so helped angle is the same as the whole right.

A sun shining, along with this and that, is the same as the whole right.

THE WEDDING

THE WEDDING

It is not for nothing that the row placed quantity without grinding. Furnishing is something, individual is pointed. Beetles, only aged sounds are hot, a can in ease and a sponge full, a can in case and a wax well come, a can, a single hole, a wild suggesting wood, a half carpet and a pillow, a pillow increasing, a shirt in a cloud, a dirty distress, a thing grey, a thing thin, a long shout, a wonder, an over piece of cool oil, a sugar can, a shut open accident, a result in a feat, a copper, any copper. A cape coat, in bold shutters, in bold shutters shutting and not changing shutters not changing climaxes and feelings and hold over the switch, the binding of a pet and a revolver, the chosen loan, the owned cake in pieces, the way to swim.

It’s not without reason that the quantity is placed without grinding. Furnishing is one thing, individuality is emphasized. Beetles, only old sounds are intense, a can in comfort and a sponge full, a can in case and a wax that fits well, a can, a single hole, a wild suggestion for wood, a half carpet and a pillow, a pillow expanding, a shirt in the clouds, a dirty distress, something gray, something thin, a long shout, a wonder, an extra piece of cool oil, a sugar can, a shut open accident, a result in a feat, a copper, any copper. A cape coat, in bold shutters, in bold shutters closing and not changing shutters not changing climaxes and feelings and the hold on the switch, the binding of a pet and a revolver, the chosen loan, the owned cake in pieces, the way to swim.

B—B—B.

B—B—B.

A language in a bath and in a dressing gown to a precision and a likely union and a single persian and a pressing quite not colored and a gloom not a gloom, and a pin all the same, and a pin not to share and a pin with a stone.

A language in a bath and in a dressing gown to a precision and a likely union and a single Persian and a pressing quite not colored and a gloom not a gloom, and a pin all the same, and a pin not to share and a pin with a stone.

W—IE C—N.

W—I C—N.

A sudden plunge into a forest and a sudden reserve in a cup of water coldly and a dark sunshine and a squeeze, a length in all.

A sudden dive into a forest and a quick hesitation, in a cup of cold water, and a dark sunlight and a squeeze, an extension in everything.

T—S WH—.

T—S WH—.

A kind of cataract is a hopeless stroke.

A type of cataract is a serious blow.

CURLS

Curls

A choked part of a loud sound in an old piece of glass is happening, it is solid and all that and not by any means noisy. The best way is just to stay any way and to think. The best way is always lively by a kind of a hoarse whisper. A shutter is only light when there is a joke. This is no use.

A muffled noise from an old piece of glass is happening; it’s solid and not really loud at all. The best approach is to just remain present and think. The best way is always full of life, almost in a raspy whisper. A shutter only feels light when there’s a joke. This is pointless.

ALF—.

ALF—.

A birthday cake is in the morning when there is no use in sleeping. Supposing there is time at nine, the less often there is seven the more use there is in lending a joke. Any nice way to remain is longer than was necessary and the temptation the real temptation never happens, there is a cut away and there is a kind of a mellow cheese that has just begun.

A birthday cake is in the morning when there's no point in sleeping. If there's time at nine, the less often there is seven, the more useful it is to share a joke. Any nice way to stay is longer than needed, and the real temptation never occurs; there's a break, and there's a type of mellow cheese that has just started.

Climbing in and climbing are the ways to change and the only hope is what is there, when it is not a difference between all of it every time.

Climbing in and climbing up are ways to change, and the only hope is what exists when there's no difference in any of it every time.

J—S B—E.

J—S B—E.

A countenance and order and a bite, really a bit and care and receiving and a vacation and a long half mounted hat box and more silver and more in silver in some and the buttons in a hat and a mild market and goats and not coats Thursday and all health and heels in front grasses and light corn cropping, all this is a toiler and much breading and a kind of a cover is the kind unoccurringly.

A face and organization and a sting, really just a little and care and hospitality and a break and a long half-filled hat box and more silver and more in silver in some and the buttons on a hat and a gentle market and goats and no coats on Thursday and all health and heels in front of grass and light corn growing, all of this is a hard worker and a lot of bread-making and a type of cover is the kind that rarely happens.

KEYS

Keys

A wild waist and a simple jerk and bloom and best to come in a way, hut, heart, hide, have, within, a study, hard in, all which, black busts, coal car, gold nose, white wood, curly seize, half in, all which, best plant, cold carpet, in the glass.

A wild waist and a simple movement, blooming and best to come in a way, hut, heart, hide, have, within, a study, hard in, all of which, black busts, coal car, gold nose, white wood, curly seize, half in, all of which, best plant, cold carpet, in the glass.

KEYS

KEYS

Why are stains silky and old pieces ruddy and colored angels way built. Why are knuckles calmer and pins chunks and bold in heats frightened. Why are the savage stern and old age coming. Why are the best old seem culpable and a decision, decisive.

Why are stains smooth and old things reddish and colorful like angels? Why are knuckles steadier and pins tough and bold in fear? Why are the wild serious and old age approaching? Why do the best old things seem guilty and a decision, firm?

CH—N.

CH—N.

Enthusiasm, prudence, cold heart and elegant example, a winding alley and a stair case center, a complete poison slip.

Enthusiasm, caution, a chilled demeanor, and a refined example, a winding alley and a central staircase, a total poison slip.

CH—N AND R—CK.

CH—N AND R—CK.

A clatter of curious pin cushions softly gathered by the pan that comes.

A bunch of curious pin cushions softly gathered by the pan that arrives.

Wide in the street makes the double engagement stutter, a lean in the roll, a lean in it.

Wide in the street causes the double engagement to stutter, a tilt in the roll, a lean in it.

A lean in when and all came but when it was for and the hindrance and it.

A lean in when everyone showed up, but when it was for and the obstacle and it.

A residence.

A home.

CH—N R—CK AND M—N H—.

CH—N R—CK AND M—N H—.

Be advised that really no insolence is in the bicycle shop. Be advised by it.

Be aware that there's really no rudeness in the bike shop. Take note of that.

Be advised that no belgian is strong, be wonderful.

Be aware that no Belgian is strong, be wonderful.

Bet use that come in.

Bet use that comes in.

M—N H— AND ALF—.

M—N H— AND ALF—.

An occasion to sell all cables all towels and all that is what is met, is not met.

An opportunity to sell all cables, all towels, and everything else that comes up is either happening or not happening.

A cold hash that means saw dust and hot enough, hot enough heating.

A cold mixture that feels like sawdust and is hot enough, hot enough to heat.

Not cutting furiously.

Not cutting aggressively.

A single speech is in it, a soil. A single speech. A ham. A cold. A collusion. A count. A cowslip. A tune ditch. A well king. A house to let. A cut out.

A single speech is in it, a soil. A single speech. A ham. A cold. A collusion. A count. A cowslip. A tune ditch. A well king. A house to let. A cut out.

B—B—B.

B—B—B.

A shudder makes a shake. A bit of green breeze makes a whole green breeze and a breeze is in between. A breeze is canvassed by a week wet and all sold, anything dwelling, in the mist. All the whole steer, all of it.

A shudder causes a shake. A little bit of green breeze turns into a whole green breeze, and a breeze is in the middle. A breeze is wrapped by a week of wetness and everything is sold, anything living, in the mist. All of it.

SHOUT

SHOUT

Best to shut in broken cows with mud and splinters and little pieces of gain and more steel doors a better aches and a spine and a cool school and shouting, early mounting and a best passion and a bliss and a bliss and a bliss. No wide coal gas.

Best to keep injured cows enclosed with mud and splinters and small bits of gain and more steel doors, a better pain and a strong back and a relaxed environment and yelling, early rising and a greatest passion and a happiness and a happiness and a happiness. No wide coal gas.

ONE
Carl Van Vechten

One.

One.

In the ample checked fur in the back and in the house, in the by next cloth and inner, in the chest, in mean wind.

In the large checked fur in the back and in the house, in the next piece of fabric and inside, in the chest, in the cold wind.

One.

One.

In the best most silk and water much, in the best most silk.

In the best, with plenty of silk and water, in the best, with plenty of silk.

One.

One.

In the best might last and wind that. In the best might last and wind in the best might last.

In the best conditions, it may last and endure. In the best conditions, it may last and endure.

Ages, ages, all what sat.

Ages, ages, all that sat.

One.

One.

In the gold presently, in the gold presently unsuddenly and decapsized and dewalking.

In the gold right now, in the gold right now unexpectedly and flipped over and walking away.

In the gold coming in.

In the incoming gold.

ONE.

ONE.

One.

One.

None in stable, none at ghosts, none in the latter spot.

None in stable, none at ghosts, none in the latter spot.

ONE.

ONE.

One.

One.

An oil in a can, an oil and a vial with a thousand stems. An oil in a cup and a steel sofa.

An oil in a can, an oil and a vial with a thousand stems. An oil in a cup and a metal sofa.

One.

One.

An oil in a cup and a woolen coin, a woolen card and a best satin.

An oil in a cup and a wool coin, a wool card and a nice satin.

A water house and a hut to speak, a water house and entirely water, water and water.

A water house and a hut to talk, a water house and completely water, water and water.

TWO.

TWO.

Two.

Two.

A touching white shining sash and a touching white green undercoat and a touching white colored orange and a touching piece of elastic. A touching piece of elastic suddenly.

A beautiful white shining sash and a beautiful white-green undercoat and a beautiful white-colored orange and a beautiful piece of elastic. A beautiful piece of elastic suddenly.

A touching white inlined ruddy hurry, a touching research in all may day. A touching research is an over show.

A moving white with a hint of red in a rush, a moving exploration every day. A moving exploration is an overwhelming display.

A touching expartition is in an example of work, a touching beat is in the best way.

A touching experience is shown in a sample of work, a moving rhythm is in the best way.

A touching box is in a coach seat so that a touching box is on a coach seat so a touching box is on a coach seat, a touching box is on a coat seat, a touching box is on a coach seat.

A touching box is in a coach seat so that a touching box is on a coach seat so a touching box is on a coach seat, a touching box is on a coat seat, a touching box is on a coach seat.

A touching box is on the touching so helping held.

A heartfelt box is on the heartfelt, helping it stay secure.

Two.

Two.

Any left in the touch is a scene, a scene. Any left in is left somehow.

Any lingering in the touch is a scene, a scene. Any remaining inside is left in some way.

Four.

4.

Four.

4.

Four between, four between and hacking. Four between and hacking.

Four between, four between and hacking. Four between and hacking.

Five.

Five.

Four between and a saddle, a kind of dim judge and a great big so colored dog.

Four between and a saddle, a sort of vague judge and a large, brightly colored dog.

A PORTRAIT OF ONE
HARRY PHELAN GIBB

Some one in knowing everything is knowing that some one is something. Some one is something and is succeeding is succeeding in hoping that thing. He is suffering.

Somebody who knows everything understands that someone is something. Someone is something and is succeeding by hoping for that thing. He is struggling.

He is succeeding in hoping and he is succeeding in saying that that is something. He is suffering, he is suffering and succeeding in hoping that in succeeding in saying that he is succeeding in hoping is something.

He is succeeding in hoping, and he is succeeding in saying that this means something. He is suffering, he is suffering and succeeding in hoping that succeeding in saying that he is succeeding in hoping is significant.

He is suffering, he is hoping, he is succeeding in saying that anything is something. He is suffering, he is hoping, he is succeeding in saying that something is something. He is hoping that he is succeeding in hoping that something is something. He is hoping that he is succeeding in saying that he is succeeding in hoping that something is something. He is hoping that he is succeeding in saying that something is something.

He is in pain, he is hopeful, he is managing to say that anything is something. He is in pain, he is hopeful, he is managing to say that something is something. He is hopeful that he is managing to hope that something is something. He is hopeful that he is managing to say that he is managing to hope that something is something. He is hopeful that he is managing to say that something is something.

A CURTAIN RAISER

Six.

6.

Twenty.

20.

Outrageous.

Outrageous!

Late,

Running late,

Weak.

Weak.

Forty.

40.

More in any wetness.

More in any moisture.

Sixty three certainly.

Sixty-three, definitely.

Five.

Five.

Sixteen.

16.

Seven.

7.

Three.

3.

More in orderly. Seventy-five.

More in order. Seventy-five.

LADIES' VOICES

CURTAIN RAISER

Show opener

Ladies' voices give pleasure.

Women’s voices bring joy.

The acting two is easily lead. Leading is not in winter. Here the winter is sunny.

The acting two is easily led. Leading isn't about winter. Here, winter is sunny.

Does that surprise you.

Are you surprised?

Ladies voices together and then she came in.

Ladies' voices joined together, and then she entered.

Very well good night.

Good night then.

Very well good night.

Good night.

(Mrs. Cardillac.)

(Mrs. Cardillac.)

That's silver.

That's silver.

You mean the sound.

You mean the noise.

Yes the sound.

Yes, the sound.

ACT II.

ACT II.

Honest to God Miss Williams I don't mean to say that I was older.

Honest to God, Miss Williams, I don’t mean to say that I was older.

But you were.

But you were.

Yes I was. I do not excuse myself. I feel that there is no reason for passing an archduke.

Yes, I was. I don’t make excuses. I believe there’s no reason to overlook an archduke.

You like the word.

You like the term.

You know very well that they all call it their house.

You know they all refer to it as their home.

As Christ was to Lazarus so was the founder of the hill to Mahon.

As Christ was to Lazarus, so was the founder of the hill to Mahon.

You really mean it.

You really mean that.

I do.

I do.

ACT III.

Act 3.

Yes Genevieve does not know it. What. That we are seeing Caesar.

Yes, Genevieve doesn’t know. What? That we’re meeting Caesar.

Caesar kisses.

Caesar's kisses.

Kisses today.

Kisses today.

Caesar kisses every day.

Caesar kisses daily.

Genevieve does not know that it is only in this country that she could speak as she does.

Genevieve doesn't realize that it's only in this country where she can speak the way she does.

She does speak very well doesn't she. She told them that there was not the slightest intention on the part of her countrymen to eat the fish that was not caught in their country.

She speaks very well, doesn’t she? She told them that there was no intention whatsoever from her fellow countrymen to eat fish that wasn’t caught in their own country.

In this she was mistaken.

She was mistaken about this.

ACT IV.

Act IV.

What are ladies voices.

What are women's voices?

Do you mean to believe me.

Do you really expect me to believe that?

Have you caught the sun.

Have you caught some sun?

Dear me have you caught the sun.

Dear me, have you gotten some sun?

Scene II.

Scene 2.

Did you say they were different. I said it made no difference.

Did you say they were different? I said it didn't matter.

Where does it. Yes.

Where is it? Yes.

Mr. Richard Sutherland. This is a name I know.

Mr. Richard Sutherland. This is a name I'm familiar with.

Yes.

Yes.

The Hotel Victoria.

Hotel Victoria.

Many words spoken to me have seemed English.

Many words spoken to me have felt like English.

Yes we do hear one another and yet what are called voices the best decision in telling of balls.

Yes, we do hear each other, yet what are referred to as voices are the best way to describe gatherings.

Masked balls.

Masquerade balls.

Yes masked balls.

Yes, masked parties.

Poor Augustine.

Poor Augustine.

WHAT HAPPENED
A FIVE ACT PLAY

ACT ONE

ACT ONE

(One.)

(1.)

Loud and no cataract. Not any nuisance is depressing.

Loud and no cloudiness. No annoyance is bringing me down.

(Five.)

(Five.)

A single sum four and five together and one, not any sun a clear signal and an exchange.

A total of four and five together and one, not any sun, a clear signal and a trade.

Silence is in blessing and chasing and coincidences being ripe. A simple melancholy clearly precious and on the surface and surrounded and mixed strangely. A vegetable window and clearly most clearly an exchange in parts and complete.

Silence is in blessing and chasing and coincidences being ripe. A simple sadness that is clearly precious and on the surface, surrounded and mixed in a strange way. A window of greens and clearly, most clearly, an exchange in parts and complete.

A tiger a rapt and surrounded overcoat securely arranged with spots old enough to be thought useful and witty quite witty in a secret and in a blinding flurry.

A tiger in a striking and well-fitted coat, perfectly arranged with spots that are old enough to seem both useful and cleverly witty, all in a hidden and dazzling whirlwind.

Length what is length when silence is so windowful. What is the use of a sore if there is no joint and no toady and no tag and not even an eraser. What is the commonest exchange between more laughing and most. Carelessness is carelessness and a cake well a cake is a powder, it is very likely to be powder, it is very likely to be much worse.

Length, what is length when silence is so full of possibilities? What’s the point of a sore if there’s no connection, no sycophant, no label, and not even an eraser? What is the most common trade-off between more laughter and the most? Carelessness is just carelessness, and a cake, well, a cake is just a mix; it’s very likely to end up as just a mix, and it’s probably going to be a lot worse.

A shutter and only shutter and Christmas, quite Christmas, an only shutter and a target a whole color in every center and shooting real shooting and what can hear, that can hear that which makes such an establishment provided with what is provisionary.

A shutter and just a shutter and Christmas, definitely Christmas, just a shutter and a target, a full spectrum of color in every center, and real shooting, actual shooting, and what can be heard, that can hear what makes such a setup filled with what is temporary.

(Two.)

(Two.)

Urgent action is not in graciousness it is not in clocks it is not in water wheels. It is the same so essentially, it is a worry a real worry.

Urgent action isn't about kindness; it doesn't rely on clocks or water wheels. In essence, it's just a concern, a genuine concern.

A silence a whole waste of a desert spoon, a whole waste of any little shaving, a whole waste altogether open.

A complete silence, just like a deserted spoon, a total waste of any small scrap, a total waste that feels completely exposed.

(Two.)

(Two.)

Paralysis why is paralysis a syllable why is it not more lively.

Paralysis, why is paralysis just a syllable? Why isn’t it more lively?

A special sense a very special sense is ludicrous.

A unique sense, a really unique sense, is ridiculous.

(Three.)

(3.)

Suggesting a sage brush with a turkey and also something abominable is not the only pain there is in so much provoking. There is even more. To begin a lecture is a strange way of taking dirty apple blossoms and is there more use in water, certainly there is if there is going to be fishing, enough water would make desert and even prunes, it would make nothing throw any shade because after all is there not more practical humor in a series of photographs and also in a treacherous scupture.

Suggesting a sagebrush with a turkey and also something disgusting isn’t the only frustration in such provocation. There’s even more. Starting a lecture is a weird way to handle dirty apple blossoms, and is there more use for water? Definitely, if there’s going to be fishing, enough water could turn a desert into something useful and even prunes; it wouldn’t cast any shade at all because, after all, isn’t there a more practical humor in a series of photographs and also in a treacherous sculpture?

Any hurry any little hurry has so much subsistence, it has and choosing, it has.

Any rush, even a small one, holds so much weight; it exists and involves making choices.

ACT TWO

ACT TWO

(Three.)

(Three.)

Four and nobody wounded, five and nobody flourishing, six and nobody talkative, eight and nobody sensible.

Four and no one hurt, five and no one thriving, six and no one chatty, eight and no one rational.

One and a left hand lift that is so heavy that there is no way of pronouncing perfectly.

One hand raised and a left hand lift that is so heavy that there's no way to pronounce it perfectly.

A point of accuracy, a point of a strange stove, a point that is so sober that the reason left is all the chance of swelling.

A point of accuracy, a point of a strange stove, a point that is so serious that the only reason left is the chance of expanding.

(The same three.)

(The same three.)

A wide oak a wide enough oak, a very wide cake, a lightning cooky, a single wide open and exchanged box filled with the same little sac that shines.

A broad oak, a really wide cake, a lightning cookie, a single wide-open and swapped box filled with the same little sack that sparkles.

The best the only better and more left footed stranger.

The best, the only, and more left-footed stranger.

The very kindness there is in all lemons oranges apples pears and potatoes.

The kindness found in all lemons, oranges, apples, pears, and potatoes.

(The same three.)

(The same three.)

A same frame a sadder portal, a singular gate and a bracketed mischance.

A similar frame, a sadder doorway, a unique gate, and a framed mishap.

A rich market where there is no memory of more moon than there is everywhere and yet where strangely there is apparel and a whole set.

A vibrant market where there's no recollection of more moons than there are everywhere, yet strangely, there's clothing and a complete collection.

A connection, a clam cup connection, a survey, a ticket and a return to laying over.

A connection, a clam cup connection, a survey, a ticket, and a return to waiting around.

ACT THREE

ACT THREE

(Two.)

(Two.)

A cut, a cut is not a slice, what is the occasion for representing a cut and a slice. What is the occasion for all that.

A cut isn’t just a slice; what’s the reason for showing a cut and a slice? What’s the reason behind all that?

A cut is a slice, a cut is the same slice. The reason that a cut is a slice is that if there is no hurry any time is just as useful.

A cut is a slice; a cut is the same slice. The reason a cut is a slice is that if there’s no rush, any time is just as useful.

(Four.)

(Four.)

A cut and a slice is there any question when a cut and a slice are just the same.

A cut and a slice—what's the difference? Are a cut and a slice really the same thing?

A cut and a slice has no particular exchange it has such a strange exception to all that which is different.

A cut and a slice have no specific exchange; they represent a strange exception to everything that is different.

A cut and only slice, only a cut and only a slice, the remains of a taste may remain and tasting is accurate.

A cut and just a slice, only a cut and just a slice, the remnants of a flavor may linger and tasting is precise.

A cut and an occasion, a slice and a substitute a single hurry and a circumstance that shows that, all this is so reasonable when every thing is clear.

A cut and an occasion, a slice and a substitute a single hurry and a situation that shows that, all this makes sense when everything is clear.

(One.)

(One.)

All alone with the best reception, all alone with more than the best reception, all alone with a paragraph and something that is worth something, worth almost anything, worth the best example there is of a little occasional archbishop. This which is so clean is precious little when there is no bath water. A long time a very long time there is no use in an obstacle that is original and has a source.

All by myself with the best reception, all by myself with more than the best reception, all by myself with a paragraph and something valuable, worth almost anything, worth the best example of a little occasional archbishop. This that is so clean is hardly anything when there’s no bath water. For a long time, there's no point in having an original obstacle that has a source.

ACT FOUR

ACT IV

(Four and four more.)

(Eight total.)

A birthday, what is a birthday, a birthday is a speech, it is a second time when there is tobacco, it is only one time when there is poison. It is more than one time when the occasion which shows an occasional sharp separation is unanimous.

A birthday, what is a birthday? A birthday is a celebration, it's a moment when there's tobacco, and it's only once when there's poison. It's more than just an event when the situation that highlights a rare but clear divide is agreed upon.

A blanket, what is a blanket, a blanket is so speedy that heat much heat is hotter and cooler, very much cooler almost more nearly cooler than at any other time often.

A blanket, what is a blanket? A blanket is so quick that heat, a lot of heat, is hotter and cooler, really much cooler, almost more often cooler than at any other time.

A blame what is a blame, a blame is what arises and cautions each one to be calm and an ocean and a masterpiece.

A blame is just a blame; it's something that comes up and reminds everyone to stay calm, like the ocean and a work of art.

A clever saucer, what is a clever saucer, a clever saucer is very likely practiced and even has toes, it has tiny things to shake and really if it were not for a delicate blue color would there be any reason for every one to differ.

A clever saucer, what is a clever saucer? A clever saucer is probably skilled and even has little toes. It has tiny things to shake, and honestly, if it weren’t for its delicate blue color, would there be any reason for everyone to disagree?

The objection and the perfect central table, the sorrow in borrowing and the hurry in a nervous feeling, the question is it really a plague, is it really an oleander, is it really saffron in color, the surmountable appetite which shows inclination to be warmer, the safety in a match and the safety in a little piece of splinter, the real reason why cocoa is cheaper, the same use for bread as for any breathing that is softer, the lecture and the surrounding large white soft unequal and spread out sale of more and still less is no better, all this makes one regard in a season, one hat in a curtain that in rising higher, one landing and many many more, and many more many more many many more.

The objection and the perfect central table, the pain of borrowing and the anxiety of a nervous feeling, the question is, is it really a plague, is it really oleander, is it really saffron in color, the overwhelming desire that seems warmer, the safety in a match and the safety in a small piece of splinter, the real reason cocoa is cheaper, the same use for bread as for any softer breathing, the lecture and the surrounding large, uneven, soft white sale of more and less isn't any better, all of this makes one think in a season, one hat in a curtain that rises higher, one landing and many many more, and many more many more many many more.

ACT FIVE

ACT 5

(Two.)

(Two.)

A regret a single regret makes a door way. What is a door way, a door way is a photograph.

A regret, just one regret, creates a doorway. What is a doorway? A doorway is a photograph.

What is a photograph a photograph is a sight and a sight is always a sight of something. Very likely there is a photograph that gives color if there is then there is that color that does not change any more than it did when there was much more use for photography.

What is a photograph? A photograph is an image, and an image is always of something. There’s probably a photograph that captures color; if there is, then that color remains unchanged, just like it did back when photography was even more relevant.

WHITE WINES
THREE ACTS

  1. All together.
  2. Witnesses.
  3. House to house.
    (5 women)

All together.

All together now.

Cunning very cunning and cheap, at that rate a sale is a place to use type writing. Shall we go home.

Cunning, very cunning, and cheap too; at that price, a sale is a great opportunity to use the typewriter. Should we head home?

Cunning, cunning, quite cunning, a block a strange block is filled with choking.

Clever, clever, really clever, a weird block is packed with suffocating.

Not too cunning, not cunning enough for wit and a stroke and careless laughter, not cunning enough.

Not too clever, not clever enough for wit and a quick joke and carefree laughter, not clever enough.

A pet, a winter pet and a summer pet and any kind of a pet, a whole waste of pets and no more hardly more than ever.

A pet, a winter pet, a summer pet, and any kind of pet, just a complete waste of pets and barely more than ever.

A touching spoon a real touching spoon is golden and show in that color. A really touching spoon is splendid, is splendid, and dark and is so nearly just right that there is no excuse.

A truly touching spoon, a real touching spoon, is golden and shines in that color. A genuinely touching spoon is magnificent, magnificent, and dark, and it's almost just right that there's no excuse.

The best way is to wave an arm, the best way is to show more used to it than could be expected.

The best way is to wave an arm; the best way is to act more familiar with it than anyone would expect.

Comfort a sudden way to go home, comfort that and the best way is known.

Comfort, a sudden way to go home, comfort that, and the best way is known.

All together.

All together now.

Hold hard in a decision about eyes. Hold the tongue in a sober value as to bunches. See the indication in all kinds of rigorous landscapes. Spell out what is to be expected.

Hold steady in a decision about eyes. Keep your words measured when it comes to matters. Notice the signs in all kinds of tough situations. Clearly state what is to be expected.

Show much blame in order and all in there, show much blame when there is a breath in a flannel. Show the tongue strongly in eating. Puzzle anybody.

Show a lot of blame in order and all in there, show a lot of blame when there's a breath in a flannel. Show the tongue well while eating. Confuse anyone.

Violet and the ink and the old ulster, shut in trembling and a whole departure, flood the sunshine, terrorize the grown didy, mingle sweetness with communion.

Violet, the ink, and the old coat, locked in trembling and a complete departure, flood the sunlight, frighten the adults, blend sweetness with connection.

All together.

All together now.

Change the sucking with a little sucking.

Change the sucking with a bit of sucking.

Modify the brave gallant pin wheel. Show the shout, worry with wounds, love out what is a pendant and a choke and a dress in together.

Modify the brave, bold pinwheel. Display the shout, worry with wounds, love what is a pendant and a choke and a dress all together.

Punish the grasshopper with needles and pins are plenty. Show the old chink.

Punish the grasshopper with needles and pins, which are abundant. Show the old guy.

All together.

All together now.

Put the putty in before the door put the oil glass in with what is green. Put the mellow choice with all the test, rust with night and language in the waist. Praise the cat and show the twine the door, mention every scrap of linen carpet, see the eagle and behold the west, win the day light with the hat unpressed, show it in a shudder and a limp, make a best container with no speed, and a jacket and a choice and beets, beets are what there are when bets are less. Bets are less in summer.

Put the putty in before the door and add the oil glass with whatever is green. Combine the mellow option with all the tests, rust with night, and language at the waist. Praise the cat and display the twine by the door, mention every bit of linen carpet, spot the eagle and look toward the west, win the daylight with the unpressed hat, show it in a shudder and a limp, create the best container without rushing, along with a jacket, a choice, and beets—beets are what you have when the bets are lower. Bets are lower in summer.

Single Witnesses

Solo Witnesses

(I). A spread out case is so personal it is a mountain of change and any little piece is personal, any one of them is an exchange. No forethought is removed. Nothing, hindrances, butter, a safe smooth, a safe why is a tongue a season, why is a loin large by way of spoiling. There is no cake in front. A choking is an example.

(I). A spread out case is so personal it’s a mountain of change, and every little piece is personal; each one is an exchange. No thought is overlooked. Nothing—obstacles, butter, a smooth and safe experience; why is a tongue like a season? Why is a loin big from spoiling? There is no cake in front. A choking is an example.

More witnesses.

More witnesses needed.

It is true, it certainly is true and a coat any coat, any dress, all dress, a hat, many hats, all colors, every kind of coloring, all this makes shadows longer and birds, makes birds, just makes birds.

It’s true, it really is true, and a coat, any coat, any dress, all dresses, a hat, lots of hats, every color, every kind of coloring—this all makes shadows longer and creates birds, just makes birds.

Not much limping is in the back, not much limping is in the front, not much limping is circular, a bosom, a candle, an elegant foot fall, all this makes daylight.

Not much limping is in the back, not much limping is in the front, not much limping is circular, a bosom, a candle, an elegant foot fall, all this makes daylight.

Single Witnesses.

Single Witnesses.

(2). A blunder in a charger is blue. A high pocket not higher than the wrist and the elbow, the pocket is not added.

(2). A mistake in a charger is blue. A high pocket that is not higher than the wrist and the elbow, the pocket is not included.

A clutch, a real clutch is merry and a joke and a baby, a real clutch is such a happy way. A real clutch is so soon worried so easily made the same, so soon made so.

A real clutch is fun and a laugh and like a baby, a real clutch is such a joyful thing. A real clutch gets worried quickly and can be changed easily, so quickly made that way.

A real white and blue, blue and blue, blue is raised by being so and more much more is ready. At last a person is safe.

A true white and blue, blue and blue, blue is elevated by simply being, and even more is prepared. Finally, a person is secure.

More witnesses.

Additional witnesses.

Pile in the windows, freeze with the doors, paint with the ceiling, shut in the floors, paint with the ceiling, paint with the doors, shut in the ceiling, shut out the doors, shut in the doors, shut in the floors, shut in the floors, shut in the doors.

Pile in the windows, fill in the doors, paint the ceiling, close off the floors, paint the ceiling, paint the doors, close off the ceiling, block the doors, close off the doors, close off the floors, close off the floors, close off the doors.

More Witnesses.

More Testimonies.

Put the patient goat away, put the patient boat away, put away the boat and put it, the boat, put it, put away that boat. Put away the boat.

Put the patient goat away, put the patient boat away, put away the boat and put it, the boat, put it, put away that boat. Put away the boat.

Single Witnesses.

Individual Witnesses.

(3). An army of invincible and ever ready mustaches and all the same mind and a way of winding and no more repertoire, not any more noise, this did increase every day.

(3). An army of unstoppable and always-prepared mustaches, all sharing the same mindset and approach, and with no more variety, no more noise; this grew stronger every day.

A moon, a moon, a darkness and the stars and little bits of eels and a special sauce, not a very special sauce, not only that.

A moon, a moon, darkness and the stars, and little bits of eels and a special sauce, not a very special sauce, not just that.

A wide pair that are not slippers, not a wide pair of slippers, not pressed to be any of that in that particular but surely, surely, surely a loan, surely every kind of a capital.

A wide pair that aren't slippers, not a wide pair of slippers, not pushed to be any of that specifically, but definitely, definitely, definitely a loan, definitely every kind of capital.

More Witnesses.

More Witnesses.

A splendid little charles louis philip, a splendid spout of little cups and colds, a splendid big stir, a splendid glass, a splendid little splinter, a splendid cluster.

A beautiful little Charles Louis Philip, a beautiful spout of little cups and colds, a beautiful big stir, a beautiful glass, a beautiful little splinter, a beautiful cluster.

Single Witnesses.

Single Witnesses.

(4). Why should wet be that and cut, cut with the grass, why should wet be that and clut with the purse, why should wet be wet and the wet that wet. Why should wet be the time to class. Why should there be solemn cuppings.

(4). Why should it be like that and cut, cut with the grass, why should it be like that and clutch with the purse, why should it be wet and the wet be that wet. Why should it be the time to classify. Why should there be serious gatherings.

The lean bark, that is the round and intense and common stop and in shouting, the left bark and the right bark and a belt, in that belt, in no belt and a corset, in a belt and chores, in a belt and single stitches, in more boys than enough, in all thin beer and in all such eggs, in all the pile and in all the bread, in the bread, in the bread, in the condition of pretty nearly saying that yesterday is today, and tomorrow, tomorrow is yesterday. The whole swindle is in short cake and choice cake is white cake and white cake is sponge cake and sponge cake is butter.

The thin bark, which is the typical and intense stop for shouting, the left bark and the right bark and a belt, in that belt, with no belt and a corset, in a belt and chores, in a belt and single stitches, with more boys than needed, in all light beer and in all those eggs, in all the clutter and in all the bread, in the bread, in the bread, in the sense of almost saying that yesterday is today, and tomorrow, tomorrow is yesterday. The whole trick is in short cake and choice cake is white cake and white cake is sponge cake and sponge cake is butter.

House to house.

Door to door.

(1). A habit that is not left by always screaming, a habit that is similar to the one that made quiet quite quiet and made the whole plain show dust and white birds and little plaintive drops of water, a habit which brightened the returning butter fly and the yellow weed and even tumbling, the habit which made a well choose the bottom and refuses all chances to change, the habit that cut in two whatever was for the use of the same number, the habit which credited a long touch with raising the table and the hour glass and even eye glasses and plenty of milk, the habit which made a little piece of cheese wholesome and darkness bitter and clanging a simple way to be solemn, a habit which has the best situation and nearly all the day break and the darkness a habit that is cautious and serious and strange and violent and even a little disturbed, a habit which is better than almost anything, a habit that is so little irritating, so wondering and so unlikely is not more difficult than every other.

(1). A habit that never fades away from always yelling, a habit similar to the one that made silence truly silent and caused the whole landscape to show dust and white birds alongside tiny, sad drops of water. This habit brightened the returning butterfly and the yellow weeds and even the tumbling surroundings. It’s a habit that made a well stick to its bottom and turn down any chance to change, a habit that split in two whatever was meant to serve the same purpose. It’s the habit that credited a long touch with lifting the table and the hourglass and even eyeglasses, plus plenty of milk. This habit made a small piece of cheese nutritious, turned darkness bitter, and clanging turned into a simple way to be serious. It’s a habit that has the best position and nearly the entire day’s dawn and darkness, a habit that is careful and serious and odd and intense and a bit unsettled, a habit that’s better than almost anything, a habit that’s so minimally annoying, so full of wonder and so unlikely is not harder than any other.

(2). A change a real change is made by a piece, by any piece by a whole mixture of words and likenesses and whole outlines and ranges, a change is a butt and a wagon and an institution, a change is a sweetness and a leaning and a bundle, a change is no touch and buzzing and cruelty, a change is no darkness and swinging and highness, a change is no season and winter and leaving, a change is no stage and blister and column, a change is no black and silver and copper, a change is no jelly and anything proper, a change is not place, a change is not church, a change is not more clad, a change is not more in between when there is that and the change is the kind and the king is the king and the king is the king and the king is the king.

(2). A real change is made by a piece, by any piece, by a whole mix of words and similarities, and entire outlines and ranges. A change is a bump and a cart and an institution; a change is sweetness and a lean and a package. A change isn’t just a touch, buzzing, or cruelty; it’s not darkness, swinging, or height; it’s not a season, winter, or departure; it’s not a stage, blister, or pillar; it’s not black, silver, or copper; it’s not jelly or anything suitable. A change is not place, a change is not church, a change is not more dressed, a change is not more in-between when there is that, and the change is the kind, and the king is the king, and the king is the king, and the king is the king.

(3). Could there be the best almost could there be almost the most, could there be almost almost, could there be the most almost. Could there be the most almost, could there be the most almost, could there be almost almost. Could there be almost, almost.

(3). Could there be the best, or could there be almost the most? Could there be almost almost, or could there be the most almost? Could there be the most almost, could there be the most almost, could there be almost almost? Could there be almost, almost?

Can the stretch have any choice, can the choice have every chunk, can the choice have all the choice, can the stretch have in the choice. Can there be water, can there be water and water. Can there be water. Can there be.

Can the stretch have any options, can the options have every piece, can the options have all the options, can the stretch be in the options. Can there be water, can there be water and water. Can there be water. Can there be.

(4). A cousin to cooning, a cousin to that and mixed labor and a strange orange and a height and a piece of holy phone and a catching hat glass and a bit of undertaking. All this makes willows and even then there is no use in dusting not in really redusting, not in really taking everything away. The best excuse for shadows is in the time when white is starched and hair is released and all the old clothes are in the best bag.

(4). Similar to cooning, connected to that and mixed work and a weird orange and a height and a piece of holy phone and a catching glass hat and a bit of undertaking. All of this creates willows, and even then, there's no point in dusting, not in really redusting, not in truly removing everything. The best reason for shadows is during the time when white is starched, hair is free, and all the old clothes are in the best bag.

House to house.

Door to door.

A wet hurt and a yellow stain and a high wind and a color stone, a place in and the whole real set all this and each one has a chin. This is not a claim it is a reorganization and a balance and a return.

A wet pain and a yellow mark and a strong wind and a colored stone, a spot in and the entire real set all this and each one has a chin. This is not a statement; it's a rearrangement and a balance and a comeback.

DO LET US GO AWAY
A PLAY

(Theodore.) I don't think it's my fault I don't think I could do it so unconsciously. I think she brings it in every morning.

(Theodore.) I don't think it's my fault. I don't think I could do it without realizing. I think she brings it in every morning.

(Nicholas.) I used to be hurried, now I imagine I will not be.

(Nicholas.) I used to feel rushed, but now I think I won’t.

(Theodore.) It is not necessary to dance or sing. Let us sing that song. Let us call them their names Nicholas. Theodore we will. We are dishonored. We visit one another and say good-bye.

(Theodore.) We don’t need to dance or sing. Let’s sing that song. Let’s call them by their names, Nicholas. We will, Theodore. We are shamed. We visit each other and say goodbye.

(Nicholas.) I do not like to be teased. It is so easy to kill mosquitoes but what is the use when we are discouraged by the war. We are so are the Japanese. We will never mention them.

(Nicholas.) I don't like being teased. It's so easy to kill mosquitoes, but what's the point when we're disheartened by the war? The Japanese feel the same way. We won't ever talk about them.

(Theodore.) My principle idea is to eat my meals in peace.

(Theodore.) My main idea is to eat my meals in peace.

They withdraw. Several people come in. With one of them there is a dog. His name is Polybe. They speak to each other.

They step back. A few people walk in. One of them has a dog. His name is Polybe. They chat with one another.

100 dollars good-bye good-bye good-bye.

$100 bye bye bye.

(Jane and Nicholas and Theodore and the lawyer and the children.)

(Jane, Nicholas, Theodore, the lawyer, and the children.)

(Jane.) I speak slowly. I do it intentionally.

(Jane.) I talk slowly. I do it on purpose.

(Henry.) We have fragments. We call out sometimes. When two bands are playing they play in the distance. Some play in people's houses. We say hush.

(Henry.) We have bits and pieces. We call out sometimes. When two groups are playing, they play far away. Some play in people's homes. We say quiet.

(Arthur.) Dishonored. Never believe in September. Never believe in September in the sense of visions.

(Arthur.) Dishonored. Don't ever trust September. Don't ever trust September as a time for visions.

(Henry.) I do know the chorus. Individual cases do not bring the war home to me. I suddenly remember and I rest in it. I am ashamed. I have patience and earnest feeling. I am liking the new boat. It is still painted white and is enormously disappointing. Some one has been willing. Oh I am disgusted. This is not the conversation.

(Henry.) I do know the chorus. Individual cases don’t connect the war to me. I suddenly remember and I find comfort in it. I feel ashamed. I have patience and genuine emotion. I’m enjoying the new boat. It’s still painted white and is incredibly disappointing. Someone has cared. Oh, I’m disgusted. This isn’t the conversation.

(Helen.) The same. I am a settled character. I have visions of welcoming them. They do behave so well and eat so regularly and very well too. They grow almonds in their grounds and I like to eat them green or later. I like to eat them. They are willing. Do not disappoint me.

(Helen.) It's the same. I’m a pretty consistent person. I imagine greeting them. They behave really well and eat on time, and they eat well too. They grow almonds on their property, and I enjoy eating them when they’re green or later on. I really like them. They’re eager. Don’t let me down.

(Nicholas.) Don't cry.

(Nicholas.) Don't be sad.

(Nicholas.) I am looking for a candle. I have it. I am putting it in a Venetian box. Please leave it alone. Don't tease me. I have it. I can place it.

(Nicholas.) I'm looking for a candle. I have it. I'm putting it in a Venetian box. Please leave it alone. Don't mess with me. I have it. I can put it down.

(Theodore.) We are altogether.

We’re all together.

Silence and the lights are out. Everybody is laughing. They say (Leave it alone. We like to hear it.) They are very patient. (I cannot spare another handkerchief.)

Silence and the lights are out. Everyone is laughing. They say (Leave it alone. We like to hear it.) They are very patient. (I can't spare another handkerchief.)

Anybody can come in. We were surprised to see musicians. There were servants.

Anybody can come in. We were surprised to see musicians. There were servants.

(Albert.) Do not repeat it. I tell you I won't have it. I will have a justice of the peace.

(Albert.) Don’t say it again. I'm telling you I won’t allow it. I’ll get a justice of the peace.

(He did.)

(He did.)

Jenny is sick.

Jenny is ill.

(Jenny.) I am sick.

I'm not feeling well.

(The lawyer.) I went often to see you and every day I said I love you better I do love you better. That's it.

(The lawyer.) I came to see you often and every day I said I love you more. I truly love you more. That’s it.

They were together and they said John are you going. He said something.

They were together and asked John if he was going. He replied with something.

They were altogether.

They were all together.

I often think about it.

I often think about that.

Genevieve was patient. She was angry because the water was another color.

Genevieve was patient. She was angry because the water was a different color.

She said. He is very good now.

She said, "He's doing really well now."

A scene where there are two houses. One on either side and we are in the middle there is a great deal of talking in one of them. In the other they eat a late dinner.

A scene with two houses. One on each side and we are in the middle. There's a lot of chatting in one of them. In the other, they are having a late dinner.

(Nicholas.) Anthony. Henriette open the other door and tell mamma. I'll tell mamma.

(Nicholas.) Anthony. Henriette, open the other door and let Mom know. I'll let Mom know.

Mamma coockcoo.

Mamma cuckoo.

(Pirate.) What is a pirate not a man who kills and pursues boats but the one who has a family, he is the one who comes home today, he expects to be hated. We don't have that feeling.

(Pirate.) What is a pirate if not someone who kills and chases boats, but rather someone who has a family? He’s the one who comes home today, expecting to be hated. We don’t feel that way.

A scene.

A moment.

They all laugh.

They all laugh together.


Please rent a garden for chickens and a turkey.

Please rent a garden for chickens and a turkey.

I wonder if I like dancing.

I wonder if I enjoy dancing.

I can mention a subject which is agreeable so agreeable and exciting and there are three names two of them are almost alike.

I can bring up a topic that is really enjoyable and thrilling, and there are three names; two of them are very similar.

We are there.

We're there.


The Scene

The Setting

Conversation. I asked him did he like to hear the dog bark. He said he would shoot at him. I said did he like to hear it. We were ashamed of his servants. They talked together loudly. We hoped he would control them. He wrote it. So did they together. Please have peace. Say the date. Please have the Fangturm. Please have peace. Please don't fish so near the shore. Please do not be asked to buy it when it is living. It is not disgusting. All of us are not so pleased.

Conversation. I asked him if he liked hearing the dog bark. He said he would shoot at it. I asked if he enjoyed it. We were embarrassed by his servants. They were talking loudly together. We hoped he would manage them. He wrote it down. So did they together. Please, let there be peace. State the date. Please have the Fangturm. Please, let there be peace. Please don’t fish so close to the shore. Please don't be asked to buy it while it’s still alive. It’s not gross. Not all of us are so pleased.

(Nicholas and Jane.)

(Nicholas and Jane.)

They are old. They have taken the house for the month of September and we do hope that they will go away. We do hope that they will go away.

They’re old. They’ve rented the house for the month of September, and we really hope they leave soon. We really hope they leave soon.

The proprietor came and took the almonds. We said do not take the grapes, we will not give you the key.

The owner came and took the almonds. We said don’t take the grapes; we’re not giving you the key.

Have we gotten as far as that.

Have we really come this far?

Mallorcan singing.

Mallorca singing.

They are all singing they sing the song about the chicken. Jenny Chicken does not sing a song about the chicken. She says she does not like them small.

They are all singing; they're singing the song about the chicken. Jenny Chicken doesn't sing a song about the chicken. She says she doesn't like them small.

I am so bothered.

I'm really bothered.

I am angry.

I'm angry.

I am angry at these sounds. They say.

I’m upset by these sounds. They say.

This is Spain and I say. It is not.

This is Spain, and I say it's not.

(Nicholas.) I have a governess. She tells me to pray. I am not religious.

(Nicholas.) I have a nanny. She tells me to pray. I'm not religious.

Servants can speak to each other. Two of them have long hair. They all wear it down their back.

Servants can talk to each other. Two of them have long hair. They all wear it down their backs.

Come in. We are not coming tonight. We hope to see the fire-works. There will also be a procession. Do you believe you will see the procession. We will see the fire-works from here.

Come in. We’re not coming tonight. We hope to see the fireworks. There will also be a parade. Do you think you will see the parade? We’ll see the fireworks from here.

(Paul.) Thunder. It will not rain yet. It usually does not at this season. I hope that a war will come. I would like to be interpreter.

(Paul.) Thunder. It’s not going to rain yet. It usually doesn’t at this time of year. I hope a war breaks out. I’d like to be the interpreter.

(Antonio.) I believe in merrymaking. It has been possible for me to catch fish. I avoided cooking the lunch by leaving two young boys in charge. Their names were Clarence and Emanuel.

(Antonio.) I believe in having fun. I've managed to catch fish. I skipped making lunch by leaving two young boys in charge. Their names were Clarence and Emanuel.

(Clarence.) I will see to everything.

(Clarence.) I'll take care of everything.

(Emanuel.) I will help you.

(Emanuel.) I'll help you.

(Pablo.) I will be of some assistance.

(Pablo.) I will help out a bit.

(Antonio.) I will come when called.

(Antonio.) I'll come when you call.

(Maggie.) I do not like hot weather.

(Maggie.) I don't like hot weather.

The part of the house which has windows back and front is cooler.

The part of the house that has windows in the front and back is cooler.

Coming together.

Coming together.

We move.

We're moving.

I will tell you about Eugenia. She moved the table and hopes to be married. I do not think so because I do not think she is attractive. There is not a family in which some do not embroider. It is a great industry.

I’ll tell you about Eugenia. She rearranged the table and wants to get married. I don't think that will happen because I really don’t find her attractive. There's no family where at least some don’t do embroidery. It’s a big industry.

The wind.

The breeze.

There is wind every day.

It's windy every day.

I am so disappointed.

I'm so disappointed.

It is difficult to stop now because of annoyances. Now we will tell of the things that were sent together.

It’s hard to pause now because of distractions. Now we will share the things that were sent together.

We were surprised they had not moved in. Open homes.

We were surprised they hadn't moved in. Open houses.

Go on. Go on.

Go ahead. Go ahead.

Making people better.

Improving people's lives.

The servants. They did say that they were Spanish. I said they weren't. I said Spaniards were polite.

The servants. They claimed they were Spanish. I said they weren't. I said Spaniards are polite.

(Nicholas.) I have seen the consul he is going to get me my passport.

(Nicholas.) I’ve met with the consul; he’s going to help me get my passport.

(William.) But he can't he is only consular agent. He has to send to Barcelona.

(William.) But he can’t; he’s just a consular agent. He has to send someone to Barcelona.

(Nicholas.) I was not speaking of him. I was speaking of the ambassador.

(Nicholas.) I wasn't talking about him. I was talking about the ambassador.

(William.) Oh that's another matter.

(William.) Oh, that's a different story.

Mr. and Mrs. Clement came in they said that they had lost a friend.

Mr. and Mrs. Clement came in and said that they had lost a friend.


Music.

Tunes.

When they ask for money for the sailors who were drowned they make gay music.

When they ask for money for the sailors who drowned, they play cheerful music.

When they say here is some one who refuses to give them something they are impertinent.

When they say there's someone who won't give them something, they're being rude.

(Brothers.) How did we know they were brothers. We knew it because they have the same perplexity. He has lost money in boats and he has in steel cars.

(Brothers.) How did we know they were brothers? We knew it because they share the same confusion. He has lost money on boats, and he has on steel cars.

(Officials.) Come together you can fly a kite if you like. We do not like. We like to see others do it. It is not much trouble. It depends entirely on the height of the house.

(Officials.) Come together; you can fly a kite if you want. We don’t want to. We prefer watching others do it. It’s not much effort. It completely depends on how tall the house is.

Nicholas Jane and Anthony and the evening rain. It comes every morning about two and we have the habit of closing up.

Nicholas, Jane, and Anthony and the evening rain. It shows up every morning around two, and we have a routine of closing everything up.

Please me. I will.

Please me. I'll do it.

Three months yes three months.

Three months, yes, three months.

Piles of initials he made piles of initials. Would any one think that they embroidered the name in Mallorca.

Piles of initials he made piles of initials. Would anyone think that they stitched the name in Mallorca?

(Stephen.) How much is it.

(Stephen.) What's the cost?

(Stephen.) Forty-five.

(Stephen.) 45.

(Stephen.) We will change it to forty.

(Stephen.) We'll change it to forty.

Older ones have gotten to see that it's dangerous to go to Marseilles.

Older people have realized that it's risky to go to Marseilles.

(The colonel.) He owns this house and he wants the almond crop.

(The colonel.) He owns this house and he wants the almond harvest.

We said we did not know that.

We said we didn't know that.

He said it was in the lease. Mr. Clement said he had never heard of such a thing being done.

He said it was in the lease. Mr. Clement said he had never heard of anything like that happening.

We met an old frenchman.

We met an old Frenchman.

We met the people who are going around together and asking for money.

We met the people who are out together asking for money.

(Genevieve.) Widows should have it.

(Genevieve.) Widows deserve it.

(Bobbie.) Do as you like.

(Bobbie.) Do whatever you want.

We asked them not to come in.

We told them not to come in.

The dealer his wife and the servant. Hush don't wake anybody. You must not call out to one another. Everybody does it. We do not ask you to control the others. We have decided not to say anything to you about them.

The dealer, his wife, and the servant. Hush, don’t wake anyone. You must not call out to each other. Everyone does it. We’re not asking you to control the others. We’ve decided not to say anything to you about them.

(The owner of the house.) I am assisting and I am further obliged to come tomorrow. Will you kindly give me the key.

(The owner of the house.) I'm helping out, and I have to come back tomorrow. Could you please give me the key?

(The servant.) Will you kindly give me some water. Will you show me the way to go.

(The servant.) Could you please give me some water? Could you show me the way to go?

(The wife.) I will not believe that they are settled. It is a great disappointment to me.

(The wife.) I can't believe that they are settled. It's such a huge disappointment to me.

Plenty of time.

Tons of time.

Beginning tomorrow can we count a month before they return to the city.

Starting tomorrow, can we mark a month until they come back to the city?

Counting tomorrow can we count a month before they leave the country.

Counting tomorrow, can we count a month before they leave the country?

It is a disappointment to me that we have not been able to be rid of that which is bothering us. It is a great disappointment to me.

It really frustrates me that we haven't been able to get rid of what's bothering us. It's a huge letdown for me.

Two count, we count two.

Count two, we count two.

The one came first.

The first one came.

He eats sweetbreads by preference and he has a wife and a child. I did not mean him.

He prefers to eat sweetbreads, and he has a wife and a kid. I wasn’t talking about him.

The one came later and is really not very well pleased.

The one showed up later and is not very happy.

He does not care for the vegetables which are for sale here.

He doesn't care about the vegetables that are for sale here.

We know an old man that we like better. We like to see that he is met.

We know an old guy we prefer. We like to see that he gets recognized.

When did the owner of the house decide to write to us. He did not write. He came.

When did the owner of the house decide to write to us? He didn’t write. He came.

(The owner.) It was agreed that you take it by three months. It will disturb me to come up once a month for the money.

(The owner.) We agreed that you'll take it for three months. It'll be a hassle for me to come up once a month for the money.

It was agreed that we take it by the month and we will send you your money by mail.

It was agreed that we would do it monthly, and we will send your money to you by mail.

(The owner.) If it is lost it will be at your risk.

(The owner.) If it's lost, it's on you.

It will not be lost.

It won't be lost.

(The owner.) I am very anxious to have you pleased with the house.

(The owner.) I’m really eager for you to be happy with the house.

We like the view.

We love the view.

(The owner.) Did the storm do much injury.

(The owner.) Did the storm cause a lot of damage?

A little rain came in.

A bit of rain came.

(The owner.) I meant to the trees.

(The owner.) I was referring to the trees.

I do not think so.

I don't think so.

What is it.

What's that?

We went together.

We went together.

We did not feel too warm.

We felt pretty cold.

There is much talk of obligation.

There’s a lot of discussion about responsibility.

We never have butter.

We never have butter.

We are not going to.

We're not going to.

The rest of the day was there. He said that he would be pleased if we came again and asked for that which we were to get.

The rest of the day was available. He mentioned that he would be happy if we came back and asked for what we were supposed to get.

(The older woman.) Do not for one moment think of not receiving back that which is owing to you.

(The older woman.) Do not for a second think about not getting back what you’re owed.

We said that we have made a mistake.

We said that we messed up.

Excuse me. Come in some time tomorrow.

Excuse me. Please come in sometime tomorrow.

Tomorrow in a week.

Next week.

A week is over on Sunday.

A week ends on Sunday.

Come tomorrow.

See you tomorrow.

This evening at four.

This evening at 4 PM.

Tomorrow too.

Tomorrow as well.

Come tomorrow or early not before six.

Come tomorrow or not before six in the morning.

We will have them to-morrow.

We will have them tomorrow.

Yes tomorrow.

Yes, tomorrow.

They had them. They were the kind that lit themselves. We were so careful. We said yes we like the kind that we have had.

They had them. They were the type that lit up on their own. We were really careful. We said, yes, we like the kind we've had.

By believing in everything we happen to be careful to ask what was paid.

By believing in everything, we are careful to ask what was paid.

It is necessary to know how the time is arranged.

It’s important to understand how time is organized.

(William.) Teeth, do not mention teeth. My front teeth are longer.

(William.) Teeth, don’t even bring up teeth. My front teeth are longer.

Is it surprising that every one is fond of mutton.

Is it surprising that everyone loves mutton?

Is it.

Is it?

I think it is.

I believe it is.

(Monica.) I am careful about turns. I walk up hill.

(Monica.) I pay attention to turns. I walk uphill.

She is enthusiastic she has gone in whenever there was kite flying.

She is excited; she has joined in every time there was kite flying.

(Anthony.) Whatever you do don't make a noise.

(Anthony.) Whatever you do, don't make any noise.

Please be careful of me.

Please be careful with me.

Let us talk about fowls.

Let's talk about poultry.

When we went hunting we had eleven dogs. They ran after rabbits. We went there. Ours is certainly not petted. He likes to be able to be told that it is true.

When we went hunting, we had eleven dogs. They chased after rabbits. We went there. Ours definitely isn't spoiled. He likes being told that it's true.

Jenny, sister, Nicholas and Hermann.

Jenny, sister, Nicholas, and Hermann.

Who did he call to.

Who did he call?

He did not call me away.

He didn't invite me over.

He was hoping for other results. We bowed politely.

He was expecting different outcomes. We nodded respectfully.

To be seventy five.

To turn seventy-five.

To be seventy five together.

To be seventy-five together.

To be able to see stitches.

To be able to see stitches.

To have decided not to stay here.

To have chosen not to stay here.

We will not see to count.

We won't count.

The End of May

The End of May

The weather in June is like the weather in September. The end of May is cooler.

The weather in June is similar to the weather in September. The end of May is cooler.

The bathman is disgusted that the Mallorcans don't bathe in September. The water is warm in September. It is warmer in July and August.

The bathman is grossed out that the Mallorcans don’t bathe in September. The water is warm in September. It’s even warmer in July and August.

(The War.) Are there German submarines in Spanish waters.

(The War.) Are there German submarines in Spanish waters?

(Signor Dato.) There are no german submarines in Spanish waters.

(Signor Dato.) There are no German submarines in Spanish waters.

(Marquis of Ibyza.) I hate the English.

(Marquis of Ibyza.) I really dislike the English.

(The King.) Have you any daughters.

(The King.) Do you have any daughters?

(Marquis of Ibyza.) I have.

(Marquis of Ibyza.) I do.

(The King.) Then leave them all alone.

(The King.) Then leave them all by themselves.

(The Cuban Boat.) It has sunk.

(The Cuban Boat.) It's gone.

(The sailors.) They all came from Saint Katherine square.

(The sailors.) They all came from Saint Katherine square.

The sailors were all drowned. A great deal of money was collected for their families.

The sailors all drowned. A lot of money was raised for their families.

In speaking of Mallorca we must remember that there is making acquaintance. They make acquaintance with each other.

In talking about Mallorca, we need to remember that people get to know each other. They connect with one another.

(Jane.) I will not be old. I have four children. The two servants are man and wife.

(Jane.) I refuse to grow old. I have four kids. The two servants are a married couple.

(Iphegenia.) To work hard is commendable if one earns money. I do not wish to be married. I wish to be sure of marriage. I have selected my sisters. They do embroidery. I will not copy them. I am not so old. I have a younger brother and sister. I do not pay attention. We do not pay attention to one another. I am in a way disappointed. I do believe in fish. Everybody does in Mallorca.

(Iphegenia.) Working hard is admirable if you make money from it. I don’t want to get married. I want to be certain about marriage. I’ve chosen my sisters. They do embroidery. I won’t just imitate them. I’m not that old. I have a younger brother and sister. I don’t pay much attention. We don’t really pay attention to each other. I feel somewhat let down. I really do believe in fish. Everyone does in Mallorca.

(Minorca answering in french.) I know the name of Mary Rose.

(Minorca answering in French.) I know the name Mary Rose.

What is a saint.

What is a saint?

Stamp on a flag.

Stamp on a flag.

Believe in your country.

Believe in your nation.

Singing at night.

Nighttime singing.

(Paul.) I am going to see John.

(Paul.) I'm going to see John.

(John.) Come when you like. How is your wife.

(John.) Come whenever you want. How's your wife?

(Paul.) My wife is tired. We walked too far yesterday. It was beautiful moonlight.

(Paul.) My wife is tired. We walked too far yesterday. It was lovely moonlight.

(John.) Remember me to her.

(John.) Tell her I said hi.

(Paul.) How is your wife today.

(Paul.) How is your wife doing today?

(John.) Oh she is all right now.

(John.) Oh, she’s doing well now.

(Paul.) And Bartholomew.

(Paul) and Bartholomew.

(John.) Bartholomew is not here just now. He has gone down stairs.

(John.) Bartholomew isn't here at the moment. He has gone downstairs.

(Paul.) Yes I saw Bartholomew when I came in.

(Paul.) Yeah, I saw Bartholomew when I walked in.

We do not know whether it has anything to do with the weather whether they will go away. It is said by every one that almost every one goes away by the middle of October. They came in July. We hear something.

We don't know if the weather has anything to do with whether they will leave. Everyone says that almost everyone leaves by the middle of October. They arrived in July. We hear something.

Yes it's german. They give French music too and one English and one American. They are all there but they do not say it.

Yes, it's German. They also play French music, along with one English and one American song. They're all there, but they don't mention it.

I dance.

I groove.

Keep still.

Stay still.

Do keep still.

Stay still.

They keep our dog still.

They hold our dog still.

We kept our dog still.

We held our dog still.

We can see signs that they are going away. I do not wish to say this in the manner of Monica.

We can see signs that they are leaving. I don't want to say this like Monica does.

When do car conductors work.

When do bus drivers work?

They work in the evening.

They work at night.

Miss Alice Toklas wishes Roberts to kindly send her by registered mail—under separate cover—1 Ivory soap—and a good face soap that Roberts can recommend.

Miss Alice Toklas asks Roberts to please send her by registered mail—separately—1 bar of Ivory soap and a good facial soap that Roberts recommends.

(Genevieve.) The melon is always warmer in the center when it has been in the sun.

(Genevieve.) The melon is always warmer in the middle when it’s been in the sun.

Well then we will have the green.

Well then, we'll have the green.

That's the way our melons are cooled.

That's how we cool our melons.

They are not going today.

They're not going today.

We have decided that we will tell the consul that we were very glad to see him.

We decided that we would tell the consul we were really happy to see him.

(Genevieve.) I am angry. I will not go to the workingman.

(Genevieve.) I'm really mad. I'm not going to the worker.

(Monica.) I am not angry I am going to lie down.

(Monica.) I'm not angry; I'm just going to lie down.

(Nicholas.) I believe in loud furnaces.

(Nicholas.) I believe in noisy furnaces.

(William.) I am married.

I’m married.

Are you.

Are you?

To whom.

To whom it may concern.

If they go away they leave suddenly. This is not the way they came. They came unexpectedly. They will not go away suddenly.

If they leave, they do so abruptly. This isn't how they arrived. They showed up out of the blue. They won't depart suddenly.

Always sincerely yours.

Always sincerely yours.

Mabel Weeks.

Mabel Weeks.


He can do as he pleases with Mary Rose.

He can do whatever he wants with Mary Rose.

He can do as he pleases with Mary Rose.

He can do whatever he wants with Mary Rose.

Not finished yet. When can we come in and bring Mary Rose.

Not done yet. When can we come in and bring Mary Rose?

(Monica.) I like Polly. He is so handsome.

(Monica.) I like Polly. He's really handsome.

(Monica.) And we were right.

(Monica.) And we were correct.

(Genevieve.) Why were we not right.

(Genevieve.) Why weren't we right?

(Nicholas.) Because we felt that it was not true.

(Nicholas.) Because we thought that it wasn't true.

(Paul.) Why does the german boat give out oil.

(Paul.) Why does the German boat leak oil?

(William.) Because it wishes to feed german submarines.

(William.) Because it wants to support German submarines.

(The Marquis.) I will express my wishes.

(The Marquis.) I will share my wishes.

(The landlord.) That is as you wish sir.

(The landlord.) That’s how you want it, sir.

(Monica.) I like to feel that if any one falls I fall.

(Monica.) I like to feel that if anyone falls, I fall.

(Paul.) I am going to fix the string with a wire.

(Paul.) I'm going to fix the string with a wire.

Thanks so much when will it be done.

Thanks so much! When will it be done?

(Paul.) I will do it tomorrow.

(Paul.) I’ll take care of it tomorrow.

(Nicholas.) Saturday does not include Sunday.

(Nicholas.) Saturday does not count Sunday.

Doesn't it.

Does it not?

(Nicholas.) Not in Palma in Mallorca.

Not in Palma, Mallorca.

You mean that they will all go away.

You mean that they're all going to leave.

(Nicholas.) Not right away but they won't stay.

(Nicholas.) Not right away, but they won't stick around.

Very well. Good-bye.

Alright. Farewell.

(May Mary.) Yes I hear.

(May Mary.) Yes, I hear you.

When the girl went away we said they had umbrellas. When the rest went away they said good-bye.

When the girl left, we said they had umbrellas. When everyone else left, they said goodbye.

Let us wait and see.

Let's wait and see.

We waited for them and they passed. They were all of them old. They had loud voices. We want to know in a neutral country have they servants.

We waited for them, and they went by. They were all old. They had loud voices. We want to know if they have servants in a neutral country.

Please be able to finish.

Please be able to complete.

(Nicholas.) Mamma Coockcoo.

(Nicholas.) Mom Coockcoo.

(Joseph.) Dolores Dolores.

Dolores Dolores.

(Jane.) Jenny give me the keys. Oh yes. I am waiting.

(Jane.) Jenny, give me the keys. Oh sure. I'm waiting.

(Nicholas.) Follow me.

(Nicholas.) Come with me.

(The lawyer.) Stay to play.

(The lawyer.) Stick around to play.


The End.

The End.

Yes I have a brother.

I have a brother.

Sitting at a cafe.

Chilling at a café.

FOR THE COUNTRY ENTIRELY
A PLAY IN LETTERS

Almond trees in the hill. We saw them to-day.

Almond trees on the hill. We saw them today.

Dear Mrs. Steele.

Dear Mrs. Steele.

I like to ask you questions. Do you believe that it is necessary to worship individuality. We do.

I like to ask you questions. Do you think it's important to celebrate individuality? We do.

Mrs. Henry Watterson.

Mrs. Henry Watterson.

Of course I have heard.

I’ve definitely heard.

Dear Sir. Of course I have heard.

Dear Sir, I’ve definitely heard.

They didn't leave the book.

They didn't take the book.

Dear Sir.

Dear Sir,

They didn't leave the book.

They didn't return the book.

Yes Yes.

Yes.

I know what I hear. Yes sir.

I know what I hear. Yes, sir.

Dear Sir.

Dear Sir,

I heard her hurrying.

I heard her rushing.

We all did.

We all did.

Good night.

Goodnight.

Isabel Furness.

Isabel Furness.

I like their names.

I like their names.

Anthony Rosello.

Anthony Rosello.

It's easy to name a street like that.

It's easy to name a street like that.

It is.

It is.

With a view

With a view

Of trees and a hill.

Trees and a hill.

Yes sir.

Sure thing.

Herbert.

Herb.

Dear Herbert.

Dear Herbert,

Come again.

Come back.

William.

Will.

William Cook.

Will Cook.

Chapter 2.

Chapter 2.

Dear Sir. A play.

Dear Sir, a show.

A great many people ask me in misery.

A lot of people ask me with despair.

Have they come.

Have they arrived?

Dear friends. Say what you have to say.

Dear friends, share your thoughts.

Dear Whitehead and Paul and Woolston and Thorne.

Dear Whitehead, Paul, Woolston, and Thorne.

Why can't you accomodate yourselves and leave me alone. I don't mean to day or yesterday or by counting. Everybody cannot count. An avenue goes through a city and a street crosses it crosses the city. There is no use in pointing out associations. A great many people can read. Not women. Not in some countries. Not in some countries. Oh yes not in some countries.

Why can't you just adjust and leave me alone? I’m not talking about today or yesterday or trying to measure time. Not everyone can keep track of that. A road runs through a city, and a street cuts across it. There’s no point in highlighting connections. A lot of people can read. Not women, though. Not in some places. Yes, definitely not in some places.

Caesar.

Caesar.

Caesar isn't a name that is not used. I have known that a great many people have it.

Caesar isn't an uncommon name. I’ve realized that a lot of people have it.

Henry Caesar. A class is full and teaching is difficult. They do not understand. Who does not understand. The Barcelonese.

Henry Caesar. The class is full and teaching is tough. They don't get it. Who doesn't get it? The people from Barcelona.

Color. A country and a cup where they sell water.

Color. A country and a cup where they sell water.

Everybody sells water. In this country. Everybody sells water in this country. Is it a hot country. It is not and water is plentiful. Then I do not understand you. You need not question me.

Everybody sells water. In this country. Everybody sells water in this country. Is it a hot country? It is not and water is plentiful. Then I do not understand you. You need not question me.

Dear girl.

Dear girl.

Grandfathers can not make sacrifices for their children.

Grandfathers cannot make sacrifices for their kids.

It is not expected of them and they are not sacrificed. A great many people are sacrificed.

It’s not expected of them, and they’re not sacrificed. A lot of people are sacrificed.

Oh dear yes.

Oh wow, yes.

Helen.

Helen.

CHAPTER 3.

CHAPTER 3.

Why do you play in letters.

Why do you play with letters?

Because we are English.

Because we're English.

Is it an English custom.

Is it an English tradition?

It is not an American.

It's not American.

Oh yes I remember you did mention.

Oh yeah, I remember you mentioned that.

Dear Mr. and Mrs. Eaton.

Dear Mr. and Mrs. Eaton.

Can you recollect can you remember what day it was that we promised to go into the wind and not take shelter.

Can you remember what day it was when we promised to face the wind and not seek shelter?

I cannot remember that we ever undertook to do that.

I can't recall that we ever tried to do that.

We are going in another direction.

We are going in a different direction.

To day.

Today.

And day after to morrow.

And the day after tomorrow.

We often spell together.

We often spell as a group.

We like latin.

We like Latin.

How goes it.

How's it going?

Frederick and Harriet Beef.

Frederick and Harriet Beef.

Do be anxious about me.

Don't worry about me.

We are not anxious about me.

We’re not worried about myself.

No you were told to be so were you not.

No, you were told to be that way, weren't you?

We were not advised.

We weren't informed.

No indeed you were not.

No, you definitely were not.

Dear Mr. Colin Bell.

Dear Colin Bell.

Do be gracious and come again.

Do be kind and visit us again.

Soon.

Soon.

As soon as you like.

Whenever you want.

I do not know how to reply.

I don't know how to respond.

No you don't and I am so uneasy.

No, you don't, and I'm really uncomfortable.

Not today.

Not today.

No not at all.

No, not at all.

Dear Sir.

Dear Sir,

Good night.

Good night.

Act 2.

Act 2.

Here we come to act two.

Here we are at act two.

Australian papers.

Aussie newspapers.

Canadian papers.

Canadian newspapers.

American papers.

U.S. newspapers.

Dear Miss Millicant.

Dear Ms. Millicant.

Do not be insulting.

Understood! Please provide the text you'd like me to modernize.

You know very well that we have not conscription.

You know very well that we don't have conscription.

Were you surprised.

Were you surprised?

In states.

In states.

Or in territories.

Or in regions.

My dear Milly. I wish you would come and tell me about Rigoletto.

My dear Milly, I wish you would come and tell me about Rigoletto.

Oh yes handkerchiefs

Oh yes, tissues

From Bonnets.

From Hats.

Good evening Mrs.

Good evening, Mrs.

That is not well said.

That's not well said.

Dear Gilbert. Remember me to your mother.

Dear Gilbert, please say hi to your mom for me.

All the time.

All the time.

Dear Mr. Lindo Webb.

Dear Mr. Webb.

I understand why you are not better liked. A great many people expect you to teach them English. You do so and very well. You might be married and have a wife and son. With these helping you to teach you could teach many more people English.

I get why people don’t like you much. A lot of them expect you to teach them English. You do, and you do it really well. You might be married with a wife and son. Having them help you teach could allow you to reach many more people learning English.

Then we can expect that you will change your place of residence.

Then we can expect you to change where you live.

We do not expect you to change your coat. No Englishman does. We understand that.

We don’t expect you to change your coat. No Englishman does. We get that.

Young Bonnet.

Young Bonnet.

We have been very much annoyed by the impertinence of Mr. Alfred Bonnet.

We have been really bothered by Mr. Alfred Bonnet's rudeness.

Little pieces of paper are suddenly burnt.

Little pieces of paper are suddenly burned.

In believing a shoe maker you believe his father.

In trusting a shoemaker, you’re also trusting his father.

I do not believe his father.

I don't believe his dad.

Why because he does not dress well.

Why? Because he doesn't dress well.

Dress well dress well.

Dress well.

Dear Mrs. Cook.

Dear Mrs. Cook,

Have you any special wishes. Do you want to know about almond leaves and almond roots. Or do you refer to olive roots. Olive trees have large roots. I do not know about almond trees.

Do you have any specific wishes? Do you want to learn about almond leaves and almond roots? Or are you referring to olive roots? Olive trees have big roots. I’m not sure about almond trees.

The rest of the time was spent in deploring the tempest.

The rest of the time was spent lamenting the storm.

Dear Mrs. Carlock.

Dear Mrs. Carlock.

I do not know the name. I have often been told that the easiest way to be believed is to examine every one. I have endeavored to do so but without success. Some people believe that they will be killed. By this I mean that they delight in teaching.

I don't know the name. I've often been told that the best way to be believed is to look at everyone. I've tried to do that but haven't succeeded. Some people think they will be killed. What I mean is that they take pleasure in teaching.

Some teach very well. Some teach in the north. Do not stay away.

Some teach really well. Some teach up north. Don’t stay away.

Sincerely yours and not carelessly.

Sincerely yours, not carelessly.

Walter Winter.

Walter Winter.

How do you know my name. I speak three languages spanish french and english.

How do you know my name? I speak three languages: Spanish, French, and English.

Dear Mr. Cook.

Dear Mr. Cook,

How do you do. Do you mean that you are able to stay.

How's it going? Do you mean that you can stay?

The rest of the afternoon.

The rest of the day.

I do understand a red nose.

I really get the red nose.

Not today.

Not today.

No not to-day. You see the explanation is this.

No, not today. The thing is, here's the explanation.

We will not be pleased altogether.

Not everyone will be happy.

Mrs. Cook I ask of you do not come again.

Mrs. Cook, please don't come back.

Do you mean it.

Are you serious?

I cannot understand Mary Rose Palmer.

I can't understand Mary Rose Palmer.

I can understand explaining things to one another.

I get the idea of explaining things to each other.

We were there and the almond flowers turned to almond leaves.

We were there and the almond blossoms became almond leaves.

Dear Mr. Cook.

Dear Mr. Cook,

Come again.

Come back.

Sincerely yours

Best regards

Daisy Clement.

Daisy Clement.

Act 3.

Act 3.

In the country and for the country.

In the country and for the country.

Dear Master. Do not say so.

Dear Master, please don't say that.

You mean there is no such address.

You mean there’s no such address.

I do not mean that I criticize. I do mean that the method used does not agree with me.

I don’t mean to be critical. I just feel that the method being used doesn’t work for me.

Certainly not.

Definitely not.

Sincerely yours.

Best regards.

Harmon.

Harmon.

Why do you need a name.

Why do you need a name?

I don't know. I like the point of Inca.

I don't know. I like the idea of Inca.

Do not see it everywhere.

Don't see it everywhere.

I will not.

I won't.

Dear land.

Dear Earth.

When I call away I do not mean that I wish the coal to burn. It is not necessary to tell me that the peas will suffer. They certainly will not neither will the pinks.

When I call away, I don't mean that I want the coal to burn. There's no need to remind me that the peas will suffer. They definitely won't, and neither will the pinks.

Thank you for using that word.

Thank you for using that word.

Dear me it is windy.

Wow, it’s really windy.

SCENE 2.

SCENE 2.

Dear Sir. Mr. Cousins told me that they were away when it happened. They recollected being asked if they were well if they had recovered from their emotion. They were also asked if their wives and children were well. They certainly did not know how to say excuse me I do not know who you are. They might have said I would wish to know your name because it would not be right not to be able to give your message and if we do not know your name we cannot say from whom the message came.

Dear Sir, Mr. Cousins told me that they were away when it happened. They remembered being asked if they were okay and if they had recovered from their emotions. They were also asked if their wives and children were doing well. They definitely didn't know how to say, "Excuse me, I don't know who you are." They could have said, "I would like to know your name because it wouldn't be right not to be able to deliver your message, and if we don’t know your name, we can’t say who the message is from."

This was not done.

This wasn't done.

Dear Sir. Do not be angry with your government.

Dear Sir, please don't be mad at your government.

Sincerely yours.

Best regards.

William Hague.

William Hague.

SCENE 3.

SCENE 3.

This was the way to reason. Did he leave after the other came. Was he a sea captain. Was the other one of the same profession although a citizen of another nation. Now as to the word citizen. The use of it differs. Some are inclined to ratify the use of it others prefer to ask what is a citizen. A citizen is one who employing all the uses of his nature cleans the world of adjoining relations. In this way we cannot conquer. We do conquer and I ask how, how do you do.

This is how to think things through. Did he leave after the other arrived? Was he a sea captain? Was the other person in the same job, even though they were from a different country? Now, about the word citizen. Its meaning varies. Some people are okay with it while others want to know what a citizen really is. A citizen is someone who, using all their abilities, helps improve the world and their connections with others. In this way, we can’t conquer. Yet we do conquer, and I ask, how? How do you do it?

Dear Sir. When it is necessary to come you will come.

Dear Sir, when it's necessary for you to come, you will come.

Yes sir.

Yes, sir.

Dear sir. When it is necessary to be hurried you are not nervous.

Dear Sir, When it’s necessary to rush, you don't get anxious.

Not at all.

Not at all.

Very well.

Sounds good.

Dear Sir. Why have you special places for your handkerchiefs.

Dear Sir, why do you have special spots for your handkerchiefs?

Because they have been so charmingly embroidered.

Because they have been so beautifully embroidered.

You are pleased then.

You're happy then.

Yes very pleased indeed.

Yes, very pleased indeed.

Scene 3.

Scene 3.

Dear Sir.

Dear Sir,

Extra dresses.

Additional dresses.

Oh yes.

Oh, definitely.

See here. Extra gloves.

Check this out. Extra gloves.

I do not like the word gloves it has a combination of letters in it that displeases me.

I don't like the word "gloves." There's something about the combination of letters that bothers me.

Since when.

Since when?

Since this evening.

Since tonight.

I do not understand your objection.

I don't understand your objection.

It is easy to understand if I explain.

It’s easy to get if I explain.

Dear Genevieve. Do say where you heard them speak of the decision they had come to not to have masked balls.

Dear Genevieve. Please tell me where you heard them talk about their decision not to have masked balls.

I didn't say. They always have masked balls.

I didn't say. They always have costume parties.

Oh so they do.

Oh, they do.

Yes indeed they do.

Yep, they do.

There are many of them.

There are a lot of them.

A great many.

A lot.

Looks.

Looks.

Looks to me.

Looks like it to me.

Dear Sir. Why have you such splendid olive trees.

Dear Sir, why do you have such beautiful olive trees?

Dear Mr. Wilson.

Dear Mr. Wilson,

Why have you such plain entrances.

Why do you have such plain entrances?

What do you mean.

What do you mean?

I mean in Mallorca they do it in such a way that every house has an interesting entrance.

I mean, in Mallorca, they make sure that every house has a unique entrance.

You mean chairs.

You mean seats.

Yes I mean chairs.

Yes, I mean chairs.

Act 4.

Act 4.

Scene 1.

Scene 1.

Dear Sir. Please do not persist.

Dear Sir, please cease.

The one in the house said it.

The person in the house said it.

Dear Lady Cryst what do you say to that again.

Dear Lady Cryst, what do you think about that now?

I say nothing.

I won't say anything.

Indeed you are discreet and timid.

Indeed, you are subtle and shy.

Mrs. Seeman has been disappointed. In Saint Katherine.

Mrs. Seeman has been let down. In Saint Katherine.

Yes because of the children.

Yes, because of the kids.

How do you mean.

What do you mean?

One of them was not bewildering and he blasphemed the saints.

One of them wasn’t confusing and he insulted the saints.

Oh no.

Oh no!

No one could be older.

No one could be older.

You mean today.

You mean now.

I mean anyday.

I mean any day.

Dear Sir. Come to another conclusion.

Dear Sir, come to a different conclusion.

Yes I will.

Sure, I will.

Receive me and Cuba. You mean the name. Yes the name. You always liked hearing noises. Not in France. No indeed not in France.

Receive me and Cuba. You mean the name. Yes, the name. You always enjoyed hearing sounds. Not in France. No, definitely not in France.

Not in France.

Not in France.

No indeed.

No way.

Really you prepare me. I do. Not today. Today. You prepare me today.

Really, you get me ready. I do. Not today. Today. You get me ready today.

Scene 2.

Scene 2.

This is so pleasing.

This is so nice.

Dear Sir. How do you pronounce Crowtell.

Dear Sir. How do you say Crowtell?

The land is very near and is seen and nuns fix it.

The land is very close and is visible, and the nuns take care of it.

And the tramway.

And the tram.

Shall I say street car.

Should I say streetcar?

Not necessarily here it is more a country road and the electricity is easily had.

Not necessarily here; it's more like a country road, and the electricity is easily available.

Everywhere.

All over.

Yes everywhere.

Yes, everywhere.

That is such a comfort.

That’s really comforting.

Dear sir. You mean dear Mr. Rossilo do you know my older brother.

Dear Sir, you mean dear Mr. Rossilo? Do you know my older brother?

Scene 3.

Scene 3.

Charles King. Lindo Webb Lindo Webb.

Charles King. Lindo Webb Lindo Webb.

Dear Charles King. You do not mind that I am in distress. I have no means of satisfying myself whether I am obliged to be careful or not.

Dear Charles King, you don't mind that I'm in distress. I have no way of knowing if I need to be cautious or not.

Careful of what.

Be careful of what.

Of what I say in public.

Of what I say in public.

Certainly not.

Definitely not.

No.

No.

Certainly not.

Definitely not.

Dear Mr. Lindo Webb.

Dear Mr. Lindo Webb.

Come again will you.

Please come again.

A great many mountains are higher than any on the island.

A lot of mountains are taller than any on the island.

Do you believe in lessons.

Do you believe in lessons?

Of course I do.

Absolutely, I do.

So does Mrs. Gilbert.

So does Mrs. Gilbert.

Scene 4.

Scene 4.

I am enjoying it.

I'm loving it.

Dear Mr. Lindo Webb. Why do you wish to win.

Dear Mr. Lindo Webb, why do you want to win?

In the more readily seen places there is no muttering. You mean no quarreling. I mean neither one or the other.

In the more obvious places, there's no whispering. You mean no fighting. I mean neither.

Oh I understand you.

Oh, I get you.

By that I mean that I am poor.

By that, I mean that I'm broke.

I see what you mean.

I get what you mean.

Dear Woodrow. This is a name.

Dear Woodrow. This is a name.

What does anybody mean by interesting.

What does anyone really mean by interesting?

That is not a word that has that position.

That is not a word that holds that position.

You mean not nicely.

You mean not nicely.

I mean that I am English.

I mean I'm English.

Dear Mr. Henry. What have you been meaning to do.

Dear Mr. Henry, what have you been planning to do?

Scene 5.

Scene 5.

Dear Sir. Why do you speak.

Dear Sir, why do you speak?

Dear Sir. Please me.

Dear Sir, please help me.

How can I be called.

How can I be reached?

Do you wish to go to market.

Do you want to go to the market?

Dear Sir. Do you wish me to go to market.

Dear Sir, do you want me to go to the market?

Dear Sir. Do you wish me to have that made.

Dear Sir, would you like me to have that made?

How do you mean.

What do you mean?

Scene 6.

Scene 6.

Dear Sir. Remember that when you have no further requests to make you must not blame me.

Dear Sir, please remember that when you don't have any more requests, you shouldn't blame me.

Dear Sir. I know you do not object to smoke.

Dear Sir, I know you don't mind smoke.

Dear Mrs. Lindo Webb How can you break your teeth.

Dear Mrs. Lindo Webb How can you chip your teeth?

By falling down in the street.

By falling down in the street.

You mean now when the pavement is so dark.

You mean right now when the pavement is so dark.

Naturally.

Of course.

It would not have happened otherwise.

It wouldn't have happened any other way.

This is because of the necessary condition of lighting.

This is due to the essential requirement of lighting.

We all suffer from that.

We all deal with that.

SCENE 7.

SCENE 7.

Do you remember Charles Mark. Figs. Especially mentioned figs.

Do you remember Charles Mark? Figs. Especially mentioned figs.

Dear Sir. Will you come today and wear three diamond rings and an officers suit. You have a perfect right to wear an officer's suit. You are a major.

Dear Sir. Will you come today and wear three diamond rings and an officer's uniform? You have every right to wear an officer's uniform. You are a major.

Dear Mrs. English. Do you like a different country.

Dear Mrs. English, do you enjoy visiting different countries?

Do you mean higher up in the hills.

Do you mean further up in the hills?

Not so very much higher.

Not much higher.

Act 5.

Act 5.

Scene 1.

Scene 1.

This is the last time we will use seasoning.

This is the last time we will use seasoning.

You mean you like it better cold.

You mean you prefer it cold.

No don't be foolish.

No, don’t be silly.

Dear Sir. Is there much wisdom in searching for asphodels.

Dear Sir, is there much wisdom in searching for asphodels?

Not if you already know what they are.

Not if you already know what they are.

We do know now.

We know now.

Then there is no use in trying to accustom yourself to their beauty. But we don't find it beautiful. I too have failed to find beauty in them.

Then there’s no point in trying to get used to their beauty. But we don’t see it as beautiful. I also have not been able to find beauty in them.

This is not surprising as they do not grow prettily.

This isn't surprising since they don't grow nicely.

They were a great disappointment to us.

They really disappointed us.

Scene 2.

Scene 2.

We all are able to see I don't care a bit about Lena. We are all able to say I don't care a bit about Lena.

We all can see I don't care at all about Lena. We all can say I don't care at all about Lena.

Dear Mrs. Landor. How can you cease to be troubled about the rest of the winter. How can you cease to be troubled about the rest of the summer and the beginning of the winter.

Dear Mrs. Landor. How can you stop worrying about the rest of the winter? How can you stop worrying about the rest of the summer and the start of winter?

Dear Sir. Every evening the snow falls. Red. Yes and so do the asphodels. Asphodel isn't red. I know it it looks so.

Dear Sir. Every evening, the snow falls. Red. Yes, and so do the asphodels. Asphodels aren't red. I know they look like that.

Dear friend. Can you give me any pleasure.

Dear friend, can you bring me any joy?

Yesterday afternoon was a holiday. You mean a festival. I mean a day of the country.

Yesterday afternoon was a holiday. You mean a festival. I mean a national day.

Do you mean that you understand the country.

Do you mean that you get the country?

No indeed.

No way.

Scene 3.

Scene 3.

Dear friends. Have patience.

Hey friends, be patient.

Scene 4.

Scene 4.

This has ended very well.

This has turned out great.

You mean meeting one another.

You mean connecting with each other.

Yes and asking us to remain here.

Yes, and asking us to stay here.

You mean that a great many people were troubled.

You mean that a lot of people were upset.

Not a great many people.

Not many people.

Some are very happy.

Some are really happy.

So are others.

So are the others.

We all have wishes.

We all have dreams.

Expressed wishes.

Wishes expressed.

Dear Sir. Will you come again and eat ham.

Dear Sir, will you come again and have some ham?

Not in this country.

Not in this country.

Fish.

Fish.

Not in this country.

Not here.

TURKEY AND BONES AND EATING AND WE LIKED IT
A PLAY

He was very restless. He does not like to stand while he picks flowers. He does not smell flowers. He has a reasonable liking for herbs. He likes their smell. He is not able to see storms. He can see anything running. He has been able to be praised.

He was really restless. He doesn't like to stand while picking flowers. He doesn't smell flowers. He has a decent appreciation for herbs. He enjoys their scent. He can't see storms. He can see anything that's moving. He has been known to receive praise.

SCENE I.

SCENE I.

Polybe and seats.

Polybe and seats.

Straw seats which are so well made that they resemble stools. They are all of straw and thick. They are made with two handles.

Straw seats that are crafted so well that they look like stools. They are entirely made of thick straw. They come with two handles.

Genevieve and cotton.

Genevieve and cotton.

I do not like cotton drawers. I prefer wool or linen. I admit that linen is damp. Wool is warm. I believe I prefer wool.

I don't like cotton underwear. I prefer wool or linen. I admit that linen can be a bit damp. Wool is cozy and warm. I think I prefer wool overall.

Minorca and dogs.

Minorca and dogs.

I like a dog which is easily understood as I have never had the habit of going out except on Sunday. Now I go out every day.

I like a dog that’s easy to understand since I’ve never really gone out except on Sundays. Now, I go out every day.

Anthony and coal.

Anthony and coal.

I believe that coal is better than wood. If coal is good it burns longer. In any case it is very difficult to get here.

I think coal is better than wood. When coal is good, it burns longer. Either way, it's really hard to get here.

Felix and a letter.

Felix and a note.

I do not wish to reply to a telegram, not because I find it difficult to explain in it that I wished to see you. I did wish to see you.

I don't want to respond to a telegram, not because I find it hard to say that I wanted to see you. I really did want to see you.

Mr. Clement.

Mr. Clement.

It gives me great pleasure to meet you. I am feeling well today and I see that you are enjoying the mild weather. It will continue so. I hope you will be pleased. I will present myself to you in saying that I am certain that you are deriving pleasure from your winter. I am certainly eager.

It’s great to meet you. I’m feeling good today, and I see that you’re enjoying the nice weather. It will stay like this. I hope you’re happy about that. I’ll introduce myself by saying that I’m sure you’re having a good time this winter. I’m definitely looking forward to it.

William.

William.

He is too difficult. I mean he is too difficult. I don't believe you understand me yet. He is too difficult.

He is way too difficult. I mean, he’s just really hard to deal with. I don’t think you get what I’m saying yet. He is way too difficult.

SCENE II.

SCENE II.

She would not insist. We were to have a saddle of mutton. We were served first with a not distasteful supply of vegetables. There was ham in it and pork. These had boiling and they were a sauce. Let me tell you about the german.

She wouldn’t push it. We were having a saddle of mutton. First, we were served a decent amount of vegetables. There was ham and pork in it. They were boiled and made into a sauce. Let me tell you about the German.

A little girl.

A young girl.

I can tell blue when I see it.

I recognize blue when I see it.

A German.

A German person.

Look.

Check it out.

Italians.

Italians.

We expect to go home.

We're planning to go home.

When

When

When the cigarettes come. I know these were stale. If I go to the war I will be readily excused because I am lame. You have every reason to be lame. You are a waiter but the out of door life may do you good.

When the cigarettes arrive, I can tell they're stale. If I go to war, I'll easily be excused because I have a limp. You have every reason to have a limp. You're a waiter, but spending time outdoors might benefit you.

Genevieve.

Genevieve.

I could not leave the house as I was expecting the reparation of a mattress.

I couldn't leave the house because I was waiting for a mattress to be repaired.

You did not find it necessary to leave the house.

You didn't think it was necessary to leave the house.

Not in the morning.

Not in the morning.

William and Mary.

William & Mary.

William is William and he does not use any precaution. He is not very adroit.

William is just William, and he doesn't take any precautions. He's not very skilled.

She. Will you drink wine.

She. Are you going to drink wine?

I do.

I do.

I know that but will you take any now.

I know that, but will you take any now?

I don't mind the taste of it.

I don't mind the way it tastes.

This is really not wine. It is a concoction of brown sugar and water and fermented juice. I call it wine it is a drink. I did not know it was not wine.

This is really not wine. It’s a mix of brown sugar, water, and fermented juice. I call it wine because it’s a drink. I didn’t realize it wasn't actually wine.

The count.

The count.

Why does the count wish for this house. He wishes for it because it has all conveniences. It really hasn't but it is better situated than the one he has now.

Why does the count want this house? He wants it because it has all the conveniences. It really doesn't, but it's better located than the one he has now.

Raymond and Jenny.

Ray and Jen.

I do like a Spanish name a Spanish name always begins with a V.

I really like a Spanish name; a Spanish name always starts with a V.

We went together.

We went together.

We went together and we did not go to the Opera. The opera that was being given was Boris Goudonoff.

We went together, but we didn't go to the opera. The opera that was playing was Boris Godunov.

SCENE III.

SCENE III.

A whole collection of stamps. A family meeting.

A whole collection of stamps. A family gathering.

Where did you get it.

Where did you get that?

I got it when I saw the envelope.

I understood when I saw the envelope.

Where did you see it.

Where did you find it?

Don't hold it.

Don't hold back.

Don't spoil it.

Don't ruin it.

Let me see it.

Show it to me.

Thanks.

You're welcome!

Thanks so much.

Thanks a lot.

I thank you.

Thanks.

I thank you for your kindness.

Thanks for your kindness.

Please make a collection of flowers.

Please gather a bunch of flowers.

Collecting flowers is not a misery. You have to carry something a handkerchief will do and more than that is perfectly selfish.

Picking flowers isn't a burden. You only need to bring a handkerchief, and anything more than that is just plain selfish.

We are not perfectly selfish.

We aren't totally selfish.

William. Do be persevering.

Will. Stay persistent.

Mrs. Clement. I am. I do not leave my house.

Mrs. Clement. I am. I don't leave my house.

Genevieve. Don't you leave your house.

Genevieve, don’t go outside.

Mr. and Mrs. Clement. We do.

Mr. and Mrs. Clement. We do.

Maud. The hills would be better than water. We like water.

Maud. The hills would be better than water. We like water.

Mrs. Clement. Everybody likes water.

Mrs. Clement. Everyone likes water.

Maud. And fish.

Maud. And fish.

Genevieve. I do not care for the fish here.

Genevieve. I'm not a fan of the fish here.

William. Radishes.

William. Radishes.

Maud. Radishes are strong.

Maud. Radishes are bold.

Mrs. Clement. I am glad to have seen you.

Mrs. Clement. I'm glad to have seen you.

SCENE IV.

SCENE IV.

An interlude.

A break.

If you were a Breton and read a book and understood Spanish would you be richer than a frenchman who talked in a field. If a man talked in a field and told about papers and contraband and laughed would you see a resemblance in him to a Swiss. I would. This is what happened. He says it is very necesssary to be young to be young and unmarried and then you can not do as you please. You can not go where you please. He believed that it was alright. I am certain that he understood talking. He also laughed. I am not convinced that ploughing is safe. Ploughing is done with a plough and under a tree. Dogs bark, little dogs bark the horse and sometimes a mule and sometimes a donkey. The people say leave it to me. I will not.

If you were a Breton and read a book and understood Spanish, would you be richer than a Frenchman talking in a field? If a man talked in a field and talked about papers and smuggling and laughed, would you see a resemblance to a Swiss person? I would. This is what happened. He says it's very necessary to be young and unmarried, and then you can’t do whatever you want. You can’t go wherever you want. He believed that was okay. I'm sure he understood conversation. He also laughed. I'm not convinced that plowing is safe. Plowing is done with a plow and under a tree. Dogs bark, little dogs bark at the horse, and sometimes at a mule, and sometimes at a donkey. People say, “Leave it to me.” I will not.

SCENE V.

SCENE 5.

Farmer.

Farmer.

Listen to me.

Listen up.

I will not.

I won't.

Then do not listen to me.

Then ignore me.

I heard you when you said it. I like to see goats feed.

I heard you say that. I enjoy watching goats eat.

And so do I like to see them lay the tracks.

And so I enjoy watching them lay the tracks.

They are laying them for the electrical railroad.

They are installing them for the electric train system.

Sarah. I don't like him. I don't like his ways. I don't like it and I will not say it. I will do as you do and you do it so nicely. I will do as you do and then we were right. We were right to ask him to come in. He will not come in. I will not go out. We will not stay there. We will say yes certainly, we are not very busy. Yes please see that you have the things you want. You have not been given them. Don't fail to come again when you need them.

Sarah. I don’t like him. I don’t like his ways. I don’t like it, and I won’t say it. I’ll do what you do, and you do it so well. I’ll do what you do, and then we’ll be right. We were right to invite him in. He won’t come in. I won’t go out. We won’t stay here. We’ll say yes, of course, we’re not very busy. Yes, please make sure you get what you need. You haven’t been given them. Don’t forget to come back when you need them.

A Farmer.

A farmer.

A fisherman.

A fisher.

We don't like to look at a wall.

We don't want to stare at a wall.

A Fisherman and a farmer.

A fisherman and a farmer.

They both believe in fish. Fish is a fertilizer. It cannot be found in the bay. You do not have to go out far. You have to have a great many boats.

They both believe in fish. Fish is a fertilizer. It can't be found in the bay. You don't have to go out far. You need to have a lot of boats.

An English mother.

An English mom.

You make me quite afraid of dogs.

You really make me afraid of dogs.

SCENE VI.

SCENE 6.

A water faucet.

A water tap.

We were very likely to meet one another. None of us have running water. The count Rangle had.

We were pretty likely to run into each other. None of us have running water. The count Rangle did.

We were all fond of winter. We said we liked summer. The trouble with the summer is that it is too hot. You see I am convinced.

We all loved winter. We claimed we enjoyed summer. The problem with summer is that it gets too hot. You see, I’m convinced.

Harold.

Harold.

Harold is your name. I thought it was Martin.

Harold is your name. I thought it was Martin.

It is Martin or Mark.

It's Martin or Mark.

Thank you.

Thank you.

You speak English.

You speak English.

Yes certainly.

Absolutely.

And french.

And French.

Very nicely.

Awesome.

And Hindustani.

And Hindi.

My mother does.

My mom does.

I supposed she did.

I guess she did.

We had never thought about it.

We had never thought about it.

SCENE VII.

SCENE 7.

ACT II.

ACT II.

We are deserted. We are left alone. They are going to Paris. We stay here.

We are abandoned. We are left by ourselves. They are heading to Paris. We remain here.

Minorca. And there is such a nice view.

Minorca. And the view is really nice.

A dinner.

A dinner party.

Tomorrow.

Tomorrow.

Every day.

Every day.

Yes every day.

Yes, every day.

In the morning.

In the morning.

We will ride. We will come home. Yes we will. Don't bother. Yes you need to we understand. We will meet you at half past one old time. You need never be drunk. It is an older word.

We will ride. We will come home. Yes, we will. Don't worry about it. Yes, you have to, we understand. We will meet you at 1:30, like we used to. You never have to be drunk. It's an old-fashioned word.

Do be clear.

Understood.

Golly Moses it is damp out here.

Gosh, it's so damp out here.

Any little piece of paper makes a wind.

Any small piece of paper creates a breeze.

Yes yes.

Yep, yep.

Anthony and Cleopatra.

Anthony and Cleopatra.

Do you like him. I must go and see the workingmen.

Do you like him? I need to go and see the workers.

Do you like them they are giving our son a knife.

Do you like that they're giving our son a knife?

Whom does he resemble. The son resembles his mother. Don't say it.

Who does he look like? The son looks like his mother. Don’t say it.

Why not.

Why not?

Because the father does not prefer to hear it. He prefers to hear that the son resembles him.

Because the father doesn't want to hear it. He prefers to hear that the son looks like him.

The son resembles him but he looks like his mother.

The son looks like him, but he takes after his mother.

They wish him to have every advantage.

They want him to have every advantage.

Change of scene.

Scene change.

In walking home we did not go that way. I had my reason for not going that way. I did not care about losing a button. As a matter of fact I didn't lose it.

In walking home, we didn't take that route. I had my reasons for not going that way. I wasn't worried about losing a button. In fact, I didn't lose it.

Winnie and William.

Winnie & William.

How are they today.

How are they doing today?

They are going away.

They're leaving.

We are going away.

We're going away.

I am sorry.

I apologize.

We are not sorry.

No regrets.

No I cannot say whether we are not sorry.

No, I can't say if we aren't sorry.

We are not sorry.

We don't apologize.

Another climate.

Different climate.

The ponds are frozen. We did not read that today.

The ponds are frozen. We didn't read that today.

Mike wrote it.

Mike wrote this.

We were very careful to look at the water.

We were really careful to watch the water.

It was not cold here.

It wasn't cold here.

There are a great many times when there is rain.

There are many times when it rains.

Oh yes.

Oh, definitely.

All right.

Okay.

He.

He.

He came in.

He walked in.

What is the name of it.

What's it called?

I cannot say it.

I can't say it.

Do not say it.

Don't say it.

I do not care to look at any one.

I don’t want to look at anyone.

I do.

I do.

Then please yourself.

Then treat yourself.

I do not understand electricity.

I don't understand electricity.

I do.

I do.

I do not understand hail.

I don't understand hail.

I can explain it.

I can explain it.

I do not care for history.

I don't care about history.

I can read it.

I can read this.

I do not care about individual wishes.

I don't care about individual wishes.

I understand it.

I get it.

Plenty of people do love another.

Plenty of people do love each other.

She.

She.

Loud voices are attractive. When two people talk together they have to talk louder.

Loud voices are appealing. When two people have a conversation, they need to speak more loudly.

I wish you would not talk about summer. Say anything you please but don't say that you are not to stay here altogether. I do not want it known.

I wish you wouldn't talk about summer. Say whatever you want, but don’t mention that you won’t be staying here completely. I don’t want anyone to know.

Alright. We will stay here altogether.

Alright. We'll hang out here together.

That is not my wish. We will stay here for the winter. The summer climate is not possible.

That’s not what I want. We’re going to stay here for the winter. The summer weather just isn’t doable.

I quite agree with you.

I totally agree with you.

Do you.

Do you?

Yes I do.

Yes, I do.

No I can't say that.

No, I can't say that.

What.

What?

You know it is the words of a song.

You know it's the lyrics of a song.

I know what you mean.

I get what you mean.

Of course you do.

Of course, you do.

This is the end of this month.

This is the end of the month.

Next month will be shorter.

Next month will be brief.

Why.

Why?

Because it is December.

Because it's December.

I understand that.

Got it.

Of course you do.

Of course you do.

They have gone away.

They've left.

William. I am drinking.

William. I'm drinking.

Maria. I am so sorry to go.

Maria. I'm really sorry to leave.

Henrietta. I cannot understand departure because if you are french you attend mass.

Henrietta. I can't grasp the idea of leaving because if you're French, you go to church.

Sarah. I quite agree with you I think it unforgiveable.

Sarah. I totally agree with you; I think it’s inexcusable.

Mrs. Clement. And they are.

Mrs. Clement. And they’re.

Mr. Penfield. We are very often forgetful.

Mr. Penfield. We often forget things.

Many of us think of things.

Many of us think about things.

How many times have you been defeated.

How many times have you been let down?

Sleeping.

Napping.

Turning.

Rotating.

Turning and sleeping.

Tossing and turning.

What did you say. I said I am closing the door. Very well.

What did you say? I said I'm closing the door. Alright then.

Henrietta. John and I are bewildered.

Henrietta. John and I are confused.

So are William and Monica.

So are Will and Monica.

Henrietta. The difference between us is that we know what we want.

Henrietta. The difference between us is that we know what we want.

Oh do you.

Oh, do you?

Henrietta knows.

Henrietta's aware.

Henrietta. Why are you shutting the door.

Henrietta. Why are you closing the door?

Because it is the habit. It really isn't necessary.

Because it's a habit. It really isn't needed.

Then why do you do it.

Then why do you do that?

Henrietta. Every one knows William and Monica.

Henrietta. Everyone knows William and Monica.

Yes and every one knows how they started.

Yes, and everyone knows how they started.

How did they start.

How did they begin?

By quarreling with their landlord.

By arguing with their landlord.

Indeed yes.

Absolutely.

It was not a comfortable house in summer.

It wasn't a comfortable house in the summer.

They knew this.

They knew this.

No they didn't.

No, they didn't.

You are quite right they didn't.

You’re totally right, they didn’t.

SCENE IX.

SCENE IX.

Go on.

Continue.

Go on and on.

Keep going.

The day I was settled down to making a fire I found that it came very easily. All I had to do was to be here when the wood came. We had not ordered any water.

The day I got ready to start a fire, I realized it was really easy. All I needed to do was be present when the wood arrived. We hadn’t ordered any water.

Tonight.

Tonight.

Mrs. Chambers. When did you leave him.

Mrs. Chambers. When did you leave him?

I didn't leave you.

I didn't abandon you.

I know you didn't then and I am vainly wishing for a postman.

I know you didn’t back then, and I’m foolishly hoping for a postman.

What did you wish of him.

What did you want from him?

I wish to tell him that I don't want my packages open.

I want to tell him that I don't want my packages opened.

How do you know where they are open.

How do you find out where they are open?

I know that they are not opened here I mean in this house.

I know that they aren’t open here, I mean in this house.

I understand what you mean.

I get what you mean.

SCENE X.

SCENE X.

A mother. Do not listen to a mass.

A mother. Don't attend a mass.

Another mother. I have left my children at home.

Another mother. I've left my kids at home.

A son. I have no engagement on Wednesday.

A son. I have no plans on Wednesday.

A niece. I go out frequently.

A niece. I go out often.

Do you.

Do it.

Oh yes.

Oh yeah.

Do you go out with your aunt.

Do you hang out with your aunt?

We go out together.

We're going out together.

Mrs. Hitchcock. I do not understand wishes.

Mrs. Hitchcock. I don't understand wishes.

A large time is not a sentence we use.

A long time is not a phrase we use.

That I understood.

I get it.

Two Englishmen have searched for a Polish flag. They found it not the flag of the nation the flag of war and commerce.

Two Englishmen have looked for a Polish flag. They discovered it, not as the flag of the nation, but as the flag of war and trade.

Thank you so much.

Thanks a lot.

SCENE XI.

SCENE 11.

The life of the turkey.

The life of a turkey.

Who is cruel.

Who is mean.

Not the little boy he lifts it in his arms.

Not the little boy he carries in his arms.

No the other one. He is a guardian. They are all placing their confidence in them.

No, the other one. He is a protector. Everyone is putting their trust in him.

The life of the turkies here exist after Christmas. We were surprised to see that. So many of them were eaten that we supposed there were no more.

The life of the turkeys here continues after Christmas. We were surprised to see that. So many of them were eaten that we thought there were no more.

The life of the turkey.

The turkey's life.

In church.

In church.

Here in church.

At church.

Nonsense I will not say I prefer suckling pig.

Nonsense, I won’t say I prefer roast pig.

I don't know but that I do.

I don't know, but I do.

I like grouse.

I like grouse.

To eat.

To eat.

And also.

And also.

Chicken liver.

Chicken liver.

Arthur Llynn. Come and rest.

Arthur Llynn. Come chill.

Helen Lewis. We are waiting for the letter carrier.

Helen Lewis. We're waiting for the mail carrier.

Is he coming today.

Is he coming today?

I don't know.

I’m not sure.

SCENE XII.

SCENE 12.

Come in Come in

Come on in

Mary and Susan. Shall we come again.

Mary and Susan. Should we come back again?

Andrew. Yes that's the name.

Andrew. Yep, that's the name.

What I want you to know is the origin of it all.

What I want you to understand is where it all started.

The one is a soldier, the other an admiral the third a gypsy.

The first is a soldier, the second an admiral, and the third a gypsy.

We were not pleased.

We were not happy.

Captain Rose. You must pronounce after me. A fire in the kitchen not against the outer wall.

Captain Rose. You need to repeat after me. A fire in the kitchen, not against the outside wall.

Yes we know that.

Yeah, we know that.

I have been convinced.

I'm sold.

Don't you like it's appearance.

Don't you like its look?

Very much.

Definitely.

I am not satisfied.

I'm not satisfied.

With what with it's appearance.

With what it's looking like.

I expected it to be white.

I thought it would be white.

Oh that can be arranged afterward.

Oh, we can sort that out later.

Yes I see.

Got it.

You are going.

You're going.

May we stay a little while.

May we stay for a bit?

SCENE XIII.

SCENE 13.

It was rarely neglected. Come in Herbert.

It was hardly ever overlooked. Come in, Herbert.

I recognise the name Herbert.

I recognize the name Herbert.

Come in.

Come on in.

We are going out.

We're heading out.

Do you like walking.

Do you enjoy walking?

Very much.

Totally.

Do you like the sound of the waves.

Do you like the sound of the waves?

Yes certainly.

Absolutely.

Do you like them near or at distance.

Do you prefer them nearby or far away?

The effect is different far and near.

The effect varies depending on distance.

Yes so it is.

Yep, that's right.

Which do you prefer.

Which one do you prefer?

I have no choice.

I have no option.

This evening we will have to be cold.

This evening we need to stay cool.

But not at all.

But not at all.

Yes indeed and I mean to speak to my landlord about it.

Yes, for sure, and I plan to talk to my landlord about it.

Good-night.

Good night.

SCENE XIV.

SCENE 14.

Clarence for a change.

Clarence for something different.

If you have as vacation one day a month and you take it every six months you have six days vacation. In those six days you can visit your family in the country or you can work in your garden or you can make changes in the position of the wall you can do all this and then there will be six days in six months. If you are not able to be about this will be counted off of the days.

If you get one vacation day a month and you take it every six months, you will have six vacation days. During those six days, you can visit your family in the countryside, work in your garden, or rearrange the walls. You can do all of this, and then there will be six days off in six months. If you can’t take this time, it will be deducted from your days.

The french language.

French language.

Who is it.

Who is it?

What was I saying.

What was I talking about?

You were saying that you were able to be at home.

You said you were able to stay at home.

Yes I am able to be at home.

Yes, I can be at home.

Then this is what troubles you.

Then this is what bothers you.

No it does not trouble me. It makes me realize that I do not wish to leave.

No, it doesn't bother me. It makes me realize that I don't want to go.

Of course you do not wish to leave.

Of course you don't want to leave.

Yes that was understood.

Got it.

Did you say that you listened.

Did you say that you heard?

Were you speaking what did you wish.

Were you saying what you wanted?

I wish not to be disturbed.

I don't want to be disturbed.

Oh yes we will leave in the spring.

Oh yes, we will leave in the spring.

I am not satisfied with what is right.

I am not happy with what is right.

SCENE XV.

SCENE 15.

Come again.

Come back.

Mr. Picard. He was dedicated to him.

Mr. Picard. He was committed to him.

Was he.

Was he?

Do you feel happy.

Are you happy?

All the time.

Always.

Do not be

Don't be

Neglected.

Ignored.

I was.

I was.

And I saw

And I saw

That

That

There are mountains.

There are mountains.

And the water.

And the water.

We are really not interested in the country if there is no water.

We really aren't interested in the country if there's no water.

You mean salt water.

You mean seawater.

Yes.

Yes.

Do not dispute about it.

Don't argue about it.

It is unlucky to wish any one happy new year before the new year.

It’s bad luck to wish someone a happy new year before the new year.

SCENE XVI.

SCENE 16.

Do you want me to go on.

Do you want me to keep going?

Yes I want you to go on.

Yes, I want you to continue.

Where shall we walk tomorrow.

Where should we walk tomorrow?

Tonight you mean.

Tonight, you mean.

Not not this evening.

Not tonight.

Yes I understand.

Yes, I get it.

Where shall we walk tomorrow.

Where should we go walking tomorrow?

To Fernville.

To Fernville.

No not to Fernville.

No, not to Fernville.

To Arbuthnot.

To Arbuthnot.

No not to Arbuthnot.

No, not to Arbuthnot.

In the park.

At the park.

No not the park.

No, not the park.

Well then let's walk along by the water.

Well then, let's walk along the water.

No let's not go that way.

No, let's not go that way.

Then let us walk to Wintersdale.

Let's walk to Wintersdale.

Yes let's walk to Wintersdale.

Yeah, let's walk to Wintersdale.

Very well then.

Alright then.

Where are you going this afternoon.

Where are you headed this afternoon?

We are going down town.

We're heading downtown.

Oh yes you have a good deal to do.

Oh yes, you have a lot to do.

Yes we have a good deal to do.

Yes, we have a lot to do.

Will you go in the morning.

Will you go in the morning?

As you like.

Do what you want.

SCENE XVII.

SCENE 17.

Come happily.

Come joyfully.

Yes we come very happily.

Yes, we’re coming happily.

There is very good reason for suspecting Mr. Bournville.

There’s a solid reason to be suspicious of Mr. Bournville.

Is there.

Is there?

Yes very good reason.

Yes, a very good reason.

What is the reason.

What's the reason?

The real reason is that he has been incorrect.

The real reason is that he has been wrong.

How has he been incorrect.

How has he been wrong?

He has been altogether incorrect as to the necessity of having water.

He has been completely wrong about the need for water.

Do you mean to say that he said it would be difficult to have water.

Do you mean to say that he said it would be hard to get water?

He said so.

He said that.

But it hasn't been

But it hasn't occurred yet.

No indeed.

No way.

That may be because the season is different.

That might be because the season has changed.

That may be the reason. In any case he is pardonable.

That might be the reason. Regardless, he's forgivable.

In any case he is pardonable.

He's forgivable, anyway.

You agree with me.

You agree with me.

Yes I agree with you.

I agree with you.

Do you always agree with me.

Do you always agree with me?

You know I always agree with you.

You know I always agree with you.

Then that is satisfactory.

Then that's satisfactory.

To me.

For me.

And to me too.

Same here.

FINIS.

FINIS.

EVERY AFTERNOON
A DIALOGUE

I get up.

I wake up.

So do you get up.

So, are you getting up?

We are pleased with each other.

We are happy with each other.

Why are you.

Why are you?

Because we are hopeful.

Because we’re optimistic.

Have you any reason to be.

Have you any reason to be?

We have reason to be.

We have a reason to be.

What is it.

What is it?

I am not prepared to say.

I'm not ready to say.

Is there any change.

Is there any update?

Naturally.

Sure thing.

I know what you mean.

I get it.

I consider that it is not necessary for me to teach languages.

I believe that I don't need to teach languages.

It would be foolish of you to.

It would be unwise for you to.

It would here.

It would be here.

It would anywhere.

It could go anywhere.

I do not care about Peru.

I don't care about Peru.

I hope you do.

I hope you will.


Do I begin this.

Should I start this?

Yes you began this.

Yes, you started this.

Of course we did.

Definitely did.

Yes indeed we did.

Yep, we did.

When will we speak of another.

When will we talk about someone else?

Not today I assure you.

Not today, I promise you.

Yes certainly you mentioned it.

Yes, you definitely mentioned it.

We mentioned everything.

We covered everything.

To another.

To someone else.

I do not wish reasons.

I don't want reasons.

You mean you are taught early.

You mean you learn early.

That is exactly what I mean.

That’s exactly what I’m saying.

And I feel the same.

I feel the same way.

You feel it to be the same.

You feel it's the same.

Don't tempt him.

Don't provoke him.

Do not tempt him.

Don't tempt him.

This evening there was no question of temptation he was not the least interested.

This evening, there was no question of temptation; he wasn't interested at all.

Neither was she.

Neither was she.

Of course she wasn't.

Of course she wasn't.

It's really not necessary to ask her.

It's really not needed to ask her.

I found it necessary.

I needed it.

You did

You did it

Certainly.

Sure.

And when have you leisure.

And when do you have free time?

Reading and knitting.

Reading and knitting.

Reading or knitting.

Reading or knitting.

Reading or knitting.

Reading or knitting.

Yes reading or knitting.

Yes, reading or knitting.

In the evening.

In the evening.

Actively first.

Act first.

He was very settled.

He was very content.

Where was he settled.

Where was he located?

In Marseilles.

In Marseille.

I cannot understand words.

I can't understand words.

Cannot you.

Can't you?

You are so easily deceived you don't ask what do they decide what are they to decide.

You’re so easily tricked that you don’t even think to ask what they decide and what they’re supposed to decide.

There is no reason.

There’s no reason.

No there is no reason.

No, there’s no reason.

Between meals.

Between meals.

Do you really sew.

Do you actually sew?

He was so necessary to me.

He was so important to me.

We are equally pleased.

We're equally pleased.

Come and stay.

Come hang out.

Do so.

Understood! Please provide the text you would like me to modernize.

Do you mean to be rude.

Do you intend to be rude?

Did he.

Did he?

I ask you why.

I’m asking you why.

Tomorrow.

Tomorrow.

Yes tomorrow.

Yes, tomorrow.

Every afternoon.

Every afternoon.

A dialogue.

A conversation.

What did you do with your dog.

What did you do with your dog?

We sent him into the country.

We sent him out to the countryside.

Was he a trouble.

Was he a problem?

Not at all but we thought he would be better off there.

Not at all, but we thought he would be better off there.

Yes it isn't right to keep a large dog in the city.

Yes, it’s not right to have a large dog in the city.

Yes I agree with you.

I totally agree with you.

Yes

Yes

Coming.

On my way.

Yes certainly.

Absolutely.

Do be quick.

Understood! Please provide the text you would like to have modernized.

Not in breathing.

Not breathing.

No you know you don't mind.

No, you know you don't care.

We said yes.

We agreed.

Come ahead.

Come on in.

That sounded like an animal.

That sounded like an animal.

Were you expecting something.

Were you expecting something?

I don't know.

I don't know.

Don't you know about it at all.

Don't you know anything about it?

You know I don't believe it.

You know I don't buy it.

She did.

She did.

Well they are different

Well, they are different.

I am not very careful.

I'm not very careful.

Mention that again.

Say that again.

Here.

Here.

Not here.

Not available.

Don't receive wood.

Don't accept wood.

Don't receive wood.

Don't accept wood.

Well we went and found it.

Well, we went and found it.

Tomorrow.

Tomorrow.

Come tomorrow.

Come tomorrow.

Come tomorrow.

Come tomorrow.

Yes we said yes. Come tomorrow.

Yeah, we said yes. Come by tomorrow.

Coming very well. Don't be irritable. Don't say you haven't been told. You know I want a telegram. Why. Because emperors didn't.

Coming along nicely. Don’t be grumpy. Don’t say you haven’t been warned. You know I want a telegram. Why? Because emperors didn’t.

I don't remember that.

I don't recall that.

I don't care for a long time.

I don’t care for a long time.

For a long time to pass away.

For a long time to go by.

Why not.

Why not?

Because I like him.

Because I like him.

That's what she said.

That's what she said.

We said.

We said.

We will gladly come Saturday.

We'll gladly come Saturday.

She will go.

She's leaving.

Oh yes she will.

Oh yes, she will.

What is a conversation.

What is a chat?

We can all sing.

Anyone can sing.

A great many people come in.

A lot of people come in.

A great many people come in.

A lot of people come in.

Why do the days pass so quickly.

Why do the days go by so fast?

Because we are very happy.

Because we're really happy.

Yes that's so.

Yep, that's right.

That's it.

That's all.

That is it.

That's it.

Who cares for daisies.

Who cares about daisies.

Do you hear me.

Do you hear me?

Yes I can hear you.

Yeah, I can hear you.

Very well then explain.

Alright, explain it then.

That I care for daisies.

I care about daisies.

That we care for daisies.

That we care about daisies.

Come in come in.

Come on in.

Yes and I will not cry.

Yes, and I won't cry.

No indeed.

No way.

We will picnic.

We're having a picnic.

Oh yes.

Oh, definitely.

We are very happy.

We're really happy.

Very happy.

Super happy.

And content.

And content.

And content.

And content.

We will go and hear Tito Ruffo.

We’re going to go listen to Tito Ruffo.

Here.

Here.

Yes here.

Yes, I'm here.

Oh yes I remember about that. He is to be here.

Oh yes, I remember that. He’s supposed to be here.

To begin with what did we buy.

To start with, what did we buy?

Scolding.

Discipline.

If you remember you will remember other things that frighten you.

If you remember, you'll recall other things that scare you.

Will I.

Will I.

Yes and there is no necessity the explanation is not in your walking first of walking last of walking beside me the only reason that there is plenty of room is that I choose it.

Yes, and there's no need for an explanation; it’s not in how you walk first, how you walk last, or how you walk beside me. The only reason there’s plenty of space is that I chose it.

Then we will say that it will rain.

Then we'll say that it’s going to rain.

The other day there was bright moonlight.

The other day, the moonlight was bright.

Not here.

Not available.

No not here but on the whole there is more moonlight than in Brittany.

No, not here, but overall, there is more moonlight than in Brittany.

Come again.

Come back.

Come in again.

Come back in.

Coming again.

Coming back.

Coming in again.

Coming back.

Come again.

Come back.

I say I do understand calling.

I mean, I do understand calling.

Calling him.

Calling him now.

Yes Polybe.

Yes, Polybe.

Come.

Come here.

Come.

Come here.

Come again and bring a book.

Come back and bring a book.

We meet him so often.

We see him so often.

We meant to see about it. You mean the light.

We intended to look into it. You mean the light.

I am proud of her. You have every reason to be and she takes it so naturally.

I’m proud of her. You have every reason to be, and she handles it so effortlessly.

It is better that it is her hands.

It’s better that it’s her hands.

Yes of course.

Yeah, of course.

Nothing can pay for that.

Nothing can make up for that.

Republics are so ungrateful.

Republics are so ungrateful.

Do you desire to appear here.

Do you want to show up here?

Why of course in that sense.

Why, of course, in that sense.

I do not know those words.

I don't understand those words.

It is really wretched.

It's really terrible.

You do see it.

You can see it.

I don't see it that way.

I don't see it like that.

No you wouldn't you would prefer the words well and tall.

No, you wouldn’t; you’d prefer the words "well" and "tall."

Say it to me.

Tell me.

You know I never wished to be blamed.

You know I never wanted to be blamed.

An effort to eat quickly.

A rush to eat.

Did you promise him.

Did you promise him?

Did I promise him the woods.

Did I promise him the woods?

The woods.

The forest.

Not now.

Not right now.

You mean not now.

You mean not right now.

CAPTAIN WALTER ARNOLD
A PLAY

Do you mean to please me.

Do you want to make me happy?

I do.

I will.

Do you have any doubt of the value of food and water.

Do you doubt the importance of food and water?

I have not.

I haven't.

Can you recollect any example of easy repetition.

Can you remember any example of simple repetition?

I can and I can mention it. I can explain how by twice repeating you change the meaning you actually change the meaning. This makes it more interesting. If we attach it to a person we make for realization.

I can, and I can bring it up. I can explain that by repeating something twice, you actually change its meaning. This makes it more engaging. If we connect it to a person, we create understanding.

Do you really mean you have no preferences.

Do you really mean you don’t have any preferences?

I can not visualise the condition.

I can't visualize the situation.

By that time I am free to say that we have made offers of finding the right name for everything.

By that time, I can honestly say that we've made efforts to come up with the right name for everything.

Do you know that you are careful.

Do you realize that you are cautious?

Do you see the state of your purse.

Do you see how messy your purse is?

Have you been told that I will give you more if you ask for it.

Have you been told that I’ll give you more if you ask for it?

Or do you not care to receive a favor.

Or do you not want to accept a favor?

Certainly you wish to be helped.

Of course, you want help.

Let me help you.

Let me assist you.

Do not refuse me.

Don't deny me.

You can regulate your expenditure.

You can control your spending.

It is unreasonable.

It's unreasonable.

Not because you do it.

Not because you do that.

Not because you do not do it.

Not because you don’t do it.

Standard pieces.

Standard items.

Eating and drinking.

Dining and beverages.

Can you forget Minerva.

Can you forget Minerva?

I make the mistake.

I made a mistake.

I mean Monica.

I mean, Monica.

Can you forget Monica.

Can you forget Monica?

Or Polybe.

Or Polybius.

ACT II.

Act 2.

A dazzling dress. We dazzle altogether.

A stunning dress. We all shine together.

PLEASE DO NOT SUFFER
A PLAY

Genevieve, Mrs. Marchand and Count Daisy Wrangel.

Genevieve, Mrs. Marchand, and Count Daisy Wrangel.

(Mrs. Marchand.) Where was she born and with whom did she go to school. Did she know the Marquise of Bowers then or did she not. Did she come to know her in Italy. Did she learn English in Morocco. She has never been to England nor did she go to school in Florence. She lived in the house with the friends of the count Berny and as such she knew them and she knew him. She went to eat an Arab dinner.

(Mrs. Marchand.) Where was she born and who were her schoolmates? Did she know the Marquise of Bowers back then, or not? Did she meet her in Italy? Did she pick up English in Morocco? She has never been to England, nor did she attend school in Florence. She lived in a house with the friends of Count Berny, so she was familiar with them and with him. She went to have an Arab dinner.

How did she come to know the people she has known. I do not understand it.

How did she meet the people she knows? I don’t get it.

With whom did she go to school. We are not sure. When did she first know about Morocco. Where did she hear English.

With whom did she go to school? We're not sure. When did she first learn about Morocco? Where did she hear English?

She heard English spoken to children.

She heard English being spoken to kids.

(Count Daisy Wrangel.) He speaks English very well. He has an impediment in his speech. He likes cauliflower and green peas. He does not find an old woman satisfactory as a cook. He wishes for his Italian. It is too expensive to bring her down. He does like dogs. He once had eight. They were black poodles. They were living in a garden on a duchess' estate. He trained them to be very willing and he has pictures of them all. He has often written a book. He writes about art sometimes. He also paints a little. He has a friend who paints a picture every morning and paints a picture every afternoon. He is not disagreeable. He did not come with him. He asked to see the dog he thought he had grown.

(Count Daisy Wrangel.) He speaks English really well. He has a speech impediment. He enjoys cauliflower and green peas. He doesn't think an old woman makes a good cook. He misses his Italian cook. It's too expensive to bring her over. He really likes dogs. He once had eight of them. They were black poodles living in a garden on a duchess's estate. He trained them to be very obedient, and he has pictures of all of them. He has often written a book. He sometimes writes about art. He also paints a bit. He has a friend who paints a picture every morning and another one every afternoon. He's not unpleasant. He didn't come with him. He asked to see the dog he thought had grown.

(Genevieve.) She believes in Fraconville. What is a thunder storm. This is my history. I worked at a cafe in Rennes. Before that I was instructed by a woman who knew knitting and everything. My mother and father worked at gardening. I was ruined by a butcher. I am not particularly fond of children. My child is a girl and is still a little one. She is living in an invaded district but is now in Avignon. I had a coat made for her but it did not fit her very well and now I am sending the money so that it will be made at Verdun. I am not necessarily a very happy woman. Every one is willing. I like knitting and I like to buy provision. Yes I enjoy the capital. There is plenty of meat here. I do not care for the variety. I prefer veal to chicken. I prefer mutton. I understand that it is difficult to have anything.

(Genevieve.) She believes in Fraconville. What is a thunderstorm? This is my story. I worked at a café in Rennes. Before that, I learned from a woman who knew how to knit and everything. My parents worked in gardening. I was ruined by a butcher. I'm not particularly fond of children. I have a daughter, and she's still young. She lives in an occupied area but is currently in Avignon. I had a coat made for her, but it didn't fit well, so now I'm sending money for it to be made in Verdun. I'm not exactly a very happy woman. Everyone's willing. I like knitting, and I enjoy buying food. Yes, I love the capital. There's plenty of meat here. I’m not into variety. I prefer veal over chicken. I like mutton. I get that it’s tough to find anything.

(Mrs. Marchand.) I do not write often. I say I will mention it if a man pays attention to a woman and so I can and I can say that I have not written. I will do as I like. I find that my baby is very healthy. I hope he will not talk the language spoken here but I can not say this to him. He is too young. He is not walking. If the Dardenelles are not taken perhaps they will open. I hear myself speaking. I have an orange tree that is open. The sun comes in. For ten days during ten days it rains and then until December we will have good weather. There is no fire in the house. I do not like to look at that map. Will you excuse me while I give my baby his luncheon.

(Mrs. Marchand.) I don’t write very often. I mention that when a man pays attention to a woman, I can say that I haven’t written. I’ll do what I want. I find that my baby is very healthy. I hope he doesn’t pick up the local language, but I can’t mention this to him. He’s too young. He isn’t walking yet. If the Dardanelles aren’t taken, maybe they’ll open up. I can hear myself talking. I have an orange tree that’s blooming. Sunlight comes through. For ten days, it rains, and then we’ll have nice weather until December. There’s no fire in the house. I don’t like looking at that map. Will you excuse me while I give my baby his lunch?

(Count Daisy Wrangel.) It is the same name as an island. We were from Courland and some are Russians and some are Prussians and some are Swedes. None are Lithuanians. Mr. Berenson is a Lithuanian. I have a Danish friend who has been married four times. His last wife is a singer. She is a married woman. His first wife has been married to four different men. She has been a good friend to each one of them. They do say this. I have no pleasure in my stay on the Island because I do not eat anything. I would like to have something.

(Count Daisy Wrangel.) It’s the same name as an island. We come from Courland, and some of us are Russian, some are Prussian, and some are Swedish. None of us are Lithuanian. Mr. Berenson is Lithuanian. I have a Danish friend who has been married four times. His last wife is a singer. She is a married woman. His first wife has been married to four different men. She has been a good friend to each of them. That’s what they say. I’m not enjoying my time on the Island because I’m not eating anything. I would like to have something.

(Genevieve.) The count was here. He wanted to see the dog and he said he would like to see him. He was not very well. He had been suffering. He did not say that his friend would come with him. He said he thought not. I am often told that the french are everything. I ask do you believe that the french are winning. I believe that the french are winning. Do you need butter for cooking.

(Genevieve.) The count was here. He wanted to see the dog, and he mentioned that he would like to do so. He wasn’t feeling very well. He had been unwell for a while. He didn’t say that his friend would join him. Instead, he thought not. I often hear people say that the French are exceptional. I ask, do you think the French are winning? I believe the French are winning. Do you need butter for cooking?

(Mrs. Marchand.) Let me give you a peach that is softer. Do you like this one. We will come again for an evening. This is the shortest way. Yes I like walking. We say very little when we are worrying. Let us go away. We cannot because my husband cannot go away.

(Mrs. Marchand.) Let me give you a softer peach. Do you like this one? We'll come back for an evening. This is the quickest route. Yeah, I enjoy walking. We don’t say much when we’re worried. Let’s leave. We can’t because my husband can’t leave.

Nellie Mildred and Carrie.

Nellie, Mildred, and Carrie.

(Nellie.) Handwriting is not curving. It is not a disappointment or a service it is frequently prepossessing.

(Nellie.) Handwriting isn’t flowing. It’s not a letdown or a favor; it’s often quite appealing.

(Mildred.) It is copied. Six handkerchiefs. Two of one kind four of another.

(Mildred.) It's copied. Six handkerchiefs. Two of one kind, four of another.

(Carrie.) She backhands that means she takes good care of herself.

(Carrie.) She knows how to take care of herself.

(Mrs. Marchand.) She does not know any of them. She knows Mr. Rothschild.

(Mrs. Marchand.) She doesn't know any of them. She knows Mr. Rothschild.

(Genevieve.) What is the use of being tranquil when this house is built for the winter. The winter here is warm.

(Genevieve.) What's the point of being calm when this house is made for winter? The winter here is mild.

(Count Daisy Wrangel.) He will not stay longer than November.

(Count Daisy Wrangel.) He won’t stay past November.

William and Mary.

William & Mary.

(William.) He is fond of reading and drinking. He drinks wine. He also drinks siphon. This is water with sterilised water in it. He drinks it with and also without lemon. He is very fond of walking. He does not prefer resting. He is a painter by profession.

(William.) He enjoys reading and drinking. He drinks wine. He also drinks seltzer. This is water with carbonated water in it. He drinks it with or without lemon. He loves to go for walks. He doesn't like to relax. He is a painter by trade.

(Mary.) Mary is winning. She has a brother who is fighting. He has made a ring for her. She has a mother and another brother. We were asked does she like swimming. She has not a knowledge of swimming.

(Mary.) Mary is doing well. She has a brother who is in a fight. He has made a ring for her. She has a mother and another brother. We were asked if she likes swimming. She doesn’t know how to swim.

(Mrs Marchand.) She is a large woman and rather walking. She walks along. We met her and Mr. Marchand who were walking. We said it was too cold for walking.

(Mrs Marchand.) She is a big woman and quite noticeable when she walks. We ran into her and Mr. Marchand while they were out walking. We mentioned that it was too cold for a walk.

(The English consul.) All right. The dog is too closely muzzled. He can't breathe properly.

(The English consul.) All right. The dog's muzzle is too tight. He can't breathe properly.

(Count Daisy Wrangel.) Why do you all speak to me. Let me tell about it. In coming into the first office I first saw one young lady. I told her she was looking very well. I then went out and came back and went up to the other lady. I said how do you do I was sorry not to see you the other day. You were out when I called. My friend is a bear. I thought he would have come with me to call. I will come soon again.

(Count Daisy Wrangel.) Why is everyone talking to me? Let me explain. When I entered the first office, I saw a young woman. I told her she looked great. Then I went out and came back, and went up to the other woman. I said, "How do you do? I was sorry to miss you the other day. You were out when I came by." My friend is a bit of a bear. I thought he would have joined me to visit. I'll come back soon.

(Mrs. Marchand.) I don't know him very well that is to say my husband has pointed him out to me and I knew he was here. It will not be a disappointment to us.

(Mrs. Marchand.) I don’t know him very well; my husband has mentioned him to me, and I knew he was here. It won’t be a disappointment for us.

(Genevieve.) I prefer a basket to a mesh. It is the one souvenir that I will have. I do not wish to say that I am not pleased. I do not like to spend 35 dollars over again all over again. It is exact enough.

(Genevieve.) I prefer a basket to a mesh. It's the only keepsake I'll have. I don't want to say that I'm not happy. I don't want to spend 35 dollars all over again. It's just right.

(Count Daisy Wrangel.) There is a great deal to write in a newspaper.

(Count Daisy Wrangel.) There's a lot to write in a newspaper.

(Michael.) Michael was the son of Daniel. He moved into a house. He had been living at a hotel a whole winter. He has steam heat and light. We have not seen photographs of the place.

(Michael.) Michael was Daniel's son. He moved into a house after living in a hotel all winter. The house has steam heat and electricity. We haven't seen any pictures of the place.

(Jane.) I have five children the youngest is three years old. Many of them died.

(Jane.) I have five kids, and the youngest is three years old. Many of them passed away.

(Felix.) What kind of wool do you prefer black or in color, heavy or thin and for what use do you desire it. Do you also wish knitting needles and what thickness.

(Felix.) What kind of wool do you prefer—black or colored, heavy or thin—and what will you be using it for? Do you also want knitting needles, and if so, what thickness?

(Alice.) What did we have to eat today. We had very young pork. It is very delicious. I have never eaten it better.

(Alice.) What did we eat today? We had very tender pork. It was really delicious. I've never had better.

(Genevieve.) I like to choose my meat.

(Genevieve.) I like to pick my meat.

(Mrs. Marchand.) I understand everything better. I like to have to think and look at maps. I hate to see so much black. I do not mean by that that I am sullen. I am not that. I am delighted with surroundings.

(Mrs. Marchand.) I get everything now. I enjoy thinking and studying maps. I can't stand seeing so much black. I don't mean that I'm in a bad mood. That's not me. I'm actually really happy with my surroundings.

(Genevieve.) I wish to spend a little money on some things. I am waiting for the boat. I have nothing to do except sleep. Really not.

(Genevieve.) I want to spend some money on a few things. I'm waiting for the boat. I have nothing to do except sleep. Seriously, that’s it.

(Mrs. Marchand.) I understand Spanish.

I speak Spanish.

(Count Daisy Wrangel.) To please him and to please me I do not dine at home.

(Count Daisy Wrangel.) To make him happy and to make me happy, I don’t eat dinner at home.

(Harry Francis.) It hangs out in the rain and it is not dry what shall I put on underneath.

(Harry Francis.) It’s out in the rain and it’s not dry. What should I wear underneath?

Anything you like.

Whatever you want.

(Roger Henry.) Why do you prefer a picture of a boat.

(Roger Henry.) Why do you like a picture of a boat?

Because it is useful.

Because it's helpful.

(Mrs. Marchand.) I am so disappointed in the morning.

(Mrs. Marchand.) I'm really disappointed this morning.

We are all of us disappointed.

We're all disappointed.

(Mrs. Marchand.) I did not meet you to-day.

(Mrs. Marchand.) I didn't see you today.

Yes you did.

Yes, you did.

Every man swallowing. What.

Every man is swallowing. What.

(Mrs. Marchand.) I told you that you had every reason to expect warm weather and now it's cold.

(Mrs. Marchand.) I told you that you had every reason to expect warm weather, and now it’s cold.

It won't be cold long I hope. These are equinoxial storms. They last from seven to ten days.

It won't be cold for long, I hope. These are equinox storms. They last from seven to ten days.

(The English Consul.) He has had some trying experiences but he has a pleasant home. He has a view of the sea and also of the woods. It is natural that he has chosen that house.

(The English Consul.) He has gone through some tough times, but he has a nice home. He has a view of the sea and the woods. It's only natural that he chose that house.

(Mrs. Marchand.) I have met her. She is very pleasant. I did not think she was his wife. I thought she was his daughter.

(Mrs. Marchand.) I’ve met her. She’s really nice. I didn’t think she was his wife. I thought she was his daughter.

So did we all.

So did we all.

HE SAID IT
MONOLOGUE

Spoken.

Spoken word.

In English.

Understood. Please provide the text you would like me to modernize.

Always spoken.

Always talked about.

Between them.

In between.

Why do you say yesterday especially.

Why do you say especially yesterday?

Why do you say by special appointment is it a mistake is it a great mistake. This I know. What are and beside all there is a desire for white handkerchiefs.

Why do you say it’s a mistake by special appointment? Is it a big mistake? I know this. What about that, and on top of it all, there’s a desire for white handkerchiefs.

You shall have it.

You'll have it.

This is what we give. We give it with a hat. Dear me. A great many people are precious. Are they. I do not ask the question.

This is what we provide. We present it with a hat. Oh dear. A lot of people are sensitive. Are they? I don’t pose the question.

This is my fright.

This is my fear.

Oh dear Oh dear I thought the fire was out.

Oh no, I thought the fire was out.

I consider it very healthy to eat sugared figs not pressed figs I do not care for pressed figs.

I think it's really healthy to eat sugared figs, but I’m not a fan of pressed figs.

I consider it necessary to eat sugared prunes and an apple. I have felt it to be the only advice I could give. It has been successful. I really feel great satisfaction in the results. No one can say that short hair is unbecoming.

I think it's important to eat some sweet prunes and an apple. That's the only advice I can give. It's worked well. I'm really pleased with the results. No one can say that short hair doesn’t look good.

What are the obligations of maternity. Reading and sleeping. Also copying. Yes thank you.

What are the responsibilities of motherhood? Reading and sleeping. Also, taking notes. Yes, thank you.

Are you pleased.

Are you happy?

I am not pleased.

I'm not happy.

I am delighted.

I'm thrilled.

It has been a very fruitful evening.

It has been a really productive evening.

It is not very likely she was pleased.

It’s probably safe to say she wasn’t happy.

Pleasures of the chase. Do you like flags. I believe in painting them. I also inquire as to their origin. Are they simple in color or have they various designs. Nobody can be as pleased as I am can be more pleased than I am. I am further delighted with the social relation I have established with a great many acquaintances. I began by intending to change to change the method of branching. I do not find it distinguished. Then I found that by choosing and asking other people to supply I could be satisfied. This is history.

Pleasures of the chase. Do you like flags? I believe in painting them. I also ask about their origin. Are they plain in color, or do they have different designs? Nobody can be as pleased as I am. I'm also really happy about the social connections I've made with many acquaintances. I started off wanting to change the way things were branching out. I don’t find it impressive. Then I realized that by selecting and asking others for help, I could be satisfied. This is history.

Did he see he would kill a rabbit. Many rabbits are troublesome. I do not care to eat the one he was to give us.

Did he realize he would kill a rabbit? Many rabbits are a nuisance. I’m not interested in eating the one he was supposed to give us.

You do not care to eat rabbit.

You don’t feel like eating rabbit.

Who is our well-wisher. I see clearly that you have made a mistake. You have answered me defiantly. I have not.

Who is our supporter? It's clear to me that you've made an error. You've responded to me with defiance. I haven't.

Large spaces of time are filled by my telling how to sing.

Large amounts of time are taken up by me explaining how to sing.

How do you sing.

How do you sing?

Some sing so well they laugh.

Some sing so beautifully it makes them laugh.

Others sing so well that they are roses.

Others sing so beautifully that they're like roses.

I was very pleased with embroidery very very pleased with embroidery.

I was really happy with embroidery, really happy with embroidery.

Indeed.

Sure.

Indeed I think alone.

I think alone, for sure.

And make lists.

And create lists.

And make lists.

And create lists.

I do not make lists.

I don't make lists.

It is no trouble to make lists.

Making lists is easy.

I feel an infinite satisfaction in the thought that I have stopped worrying.

I feel an endless sense of satisfaction knowing that I've stopped stressing.

Indeed you never worry.

You never worry.

Who can be willing to leave an American boat.

Who would be willing to leave an American boat?

No one.

Nobody.

This is what I said.

This is what I meant.

I said it to an Englishman.

I said it to an Englishman.

Governed. Do be governed.

Be ruled. Please be ruled.

I speak of this very kindly. I do not tell him about darkness.

I say this with utmost kindness. I don’t mention to him about darkness.

Or anybody.

Or anyone.

Many people fear distraction and divert themselves with discussion. Not I.

Many people are afraid of distraction and occupy themselves with conversation. Not me.

I am singularly adaptable. I have no opinion. When I am asked I say it is distressing not to be right. It is not distressing to me. I accomodate myself to it. I am inclined to be talkative.

I’m really flexible. I don’t have an opinion. When people ask me, I say it’s upsetting not to be right. But it doesn’t bother me. I just get used to it. I tend to be chatty.

Are you.

Are you?

Yes sir.

Yes, sir.

This is the way I say it. I ask any one to say a bowl of water. This is not difficult. Then roses in it. I prefer pansies. Do you. Or daisies. No we do not consider wild flowers. This is not the reason. The real reason is the odor. Some people like a strong odor like china lilies or almond flowers or even tube-roses. I like them very much. I like them all very much. Do you.

This is how I put it. I ask someone to say a bowl of water. This isn’t hard. Then add roses to it. I prefer pansies. Do you? Or daisies. We don’t consider wildflowers. That’s not the point. The real reason is the scent. Some people enjoy a strong scent like china lilies, almond flowers, or even tuberoses. I really like them. I like all of them a lot. Do you?

Yes I do.

Sure!

The other day we saw a woman knitting she was doing it not so very quickly and then we understood the reason. She was knitting with cotton. That is quite the custom of the country.

The other day we saw a woman knitting; she wasn’t doing it very quickly, and then we realized why. She was knitting with cotton. That’s pretty common for this country.

Why do you wish to hear it.

Why do you want to hear it?

I was very pleased with this and now I want to tell you how to do it. This is what to ask. Do you make decorations. Do you please yourself. Are you fanciful. Have you any use for color. Do you ask for strange resemblances. Have you all always been merry. Do you believe in history. Have you authority.

I was really happy with this and now I want to share how to do it. Here’s what to ask: Do you create decorations? Do you make yourself happy? Are you imaginative? Do you find color useful? Do you look for unusual similarities? Have you always been joyful? Do you believe in history? Do you have authority?

Do you expect to seem selfish. Do you. I wonder about that.

Do you think you come across as selfish? Do you? I’m curious about that.

Why do you talk about stretches.

Why do you talk about stretching?

You mean a series.

You mean a show.

Yes I mean that. Do you remember that I said that.

Yes, I mean that. Do you remember me saying that?

What do I feel today. I feel that I do know how to air a woman.

What do I feel today? I feel like I do know how to treat a woman.

You mean that I make it too cold. Well to be sure I am selfish I sit before the fire. I really ought to give you the best place only I don't like to change.

You mean that I make it too cold. Well, to be honest, I am selfish; I sit in front of the fire. I really should give you the best spot, but I just don't like to change.

You dear you are so sweet to me.

You, my dear, are so sweet to me.

A carpet on the floor makes it a great difference.

A rug on the floor makes a big difference.

Indeed there is a granite which is called marble and rightly called marble because it is found here. Do you know where it is made. Yes I have seen it.

Indeed, there is a type of granite that's referred to as marble, and it's called marble for a good reason since it's found here. Do you know where it's made? Yes, I've seen it.

Yes so they say.

Yeah, that's what they say.

Go to sleep.

Time to sleep.

This is my way.

This is my path.

In speaking I have a belief in saying that I said it last.

In speaking, I truly believe in saying that I was the last one to say it.

Some people differ from me.

Some people are different from me.

This is a sentence.

This is a sentence.

What was it she reminded me of.

What did she remind me of?

It is satisfactory.

It's satisfactory.

There are a great many plans. Will there be a good crises. I don't know. In our affairs. No the nations. Don't speak to her of it.

There are a lot of plans. Will there be a good crises? I don’t know. In our affairs. No, the nations. Don’t mention it to her.

I am not certain I like liberty.

I’m not sure I like freedom.

Don't you.

Don't.

Of course not.

Of course, not.

We go on saying what he said.

We keep repeating what he said.

I can't understand why you contradict me.

I don't get why you keep contradicting me.

There we are I have a coat over my knees.

There we are. I have a coat draped over my knees.

There is no way of speaking english. I say there is no way of speaking English. What do you mean. I mean that anybody can begin and go on. And finish. It's easy enough and especially hard when there is a use. Why do you say exchange. I do not know what they say exchange. They say they believe in exchange. I often talk about nothing.

There’s no specific way to speak English. I mean there’s no single way to speak English. What do you mean? I mean that anyone can start, keep going, and finish. It’s pretty simple but can be particularly challenging when it serves a purpose. Why do you say "exchange"? I don’t know why they say "exchange." They say they believe in exchange. I often talk about nothing.

What have I to say.

What do I have to say?

I wish to speak to you what shall we do about water. The water is everywhere. Imagine me in bed. We were very careful to ask about it.

I want to talk to you about what we should do regarding water. Water is everywhere. Picture me in bed. We were really careful to ask about it.

Not for teeth.

Not for teeth.

Why do you talk about it not for the girl.

Why do you bring it up if it’s not about the girl?

He was of course not able to pay for the concert. He was of course not able to pay for the concert.

He obviously couldn't pay for the concert. He obviously couldn't pay for the concert.

I am not talking about myself.

I'm not talking about me.

I can supply furs.

I can provide furs.

In summer.

In summer.

Today.

Today.

It is not very cold.

It's not that cold.

But it will be.

But it will happen.

What did he say. He said it was explanatory. I said it was explanatory. I said I was careful of climbing. Not into bed. Yes into bed. Why. Because you can never tell about the slats. I remember that word.

What did he say? He said it was clear. I said it was clear. I said I was cautious about climbing. Not into bed. Yes, into bed. Why? Because you can never be sure about the slats. I remember that word.

What did he say today.

What did he say today?

A great many mountains have seas near them.

A lot of mountains are close to the ocean.

And the moon. The moon has no tide.

And the moon. The moon doesn't have a tide.

When do you say that.

When do you say that?

Every night.

Every night.

Why.

Why?

Because I have never seen so much moonlight.

Because I've never seen so much moonlight.

I feel it very much.

I really feel it.

A great many people were listening. To your getting angry

A lot of people were listening. To you getting angry.

Talking about feeling.

Discussing emotions.

This afternoon we went to New York and we spent the day together. We said which way shall we walk.

This afternoon we went to New York and spent the day together. We asked, "Which way should we walk?"

In reading the papers I am often struck with the different way I am impressed with the news. Should I be cheerful. I should not. Mr. Sandling says that I am. Indeed I am.

In reading the papers, I often notice how differently I feel about the news. Should I be happy? I shouldn’t be. Mr. Sandling says that I am. And honestly, I am.

We do not expect it today. Let us go to Soller.

We aren't expecting it today. Let's go to Soller.

All of you hear me.

Everyone hears me.

I like to see the rocks I mean stones.

I like to see the rocks, I mean stones.

I didn't mean it about the clock.

I didn't mean what I said about the clock.

Here we are.

Here we are.

Mrs. misses kisses.

Mrs. misses hugs.

Misses kisses most.

Misses kisses the most.

I do like to say that.

I really like to say that.

Do you wish you had said it first. Not exactly. I repeat more often. A great many people hear you. Not now.

Do you wish you had said it first? Not really. I repeat myself more often. A lot of people hear you. Not right now.

All about the swing. Swing where. In a lamp. You mean electricity. Yes I mean electricity. Wax.

All about the swing. Swing where? In a lamp. You mean electricity? Yes, I mean electricity. Wax.

Do read to me.

Please read to me.

We went down to the town and we met Mr. and Mrs. Somaillard. We drank something there and we said if they would wait we would call for them in a carriage. We had several things to attend to first.

We went down to the town and met Mr. and Mrs. Somaillard. We had a drink there and told them that if they could wait, we would pick them up in a carriage. We had a few things to take care of first.

I nearly said it together.

I almost said it together.

Do I think that they will.

Do I think they will?

Do little walks tire you.

Do short walks tire you?

Dear Sir. This is the end of the day and I am able to explain that a great deal of trouble has been taken.

Dear Sir, this is the end of the day, and I can explain that a lot of effort has been put in.

I feel that there must be a regular time for the oranges.

I think there should be a set time for the oranges.

Oh yes indeed.

Oh, absolutely.

Never have I seen so many trees.

Never have I seen this many trees.

It was a surprise to you.

It was a surprise to you.

I say that I am certain that a great many things can be said.

I believe that I'm sure a lot can be said.

Call it a fan love.

Call it fandom love.

I don't care to see pieces.

I don't want to see pieces.

Don't you.

Don't do that.

Indeed you don't.

You really don't.

Leaving stones aside what do you think of the weather and the country.

Leaving stones aside, what do you think about the weather and the country?

I think them both delightful.

I find them both delightful.

So do I.

Same here.

And we enjoy ourselves.

And we're having a good time.

Oh very much.

Oh definitely.

Yes and what time do you wake up.

Yes, and what time do you wake up?

At half past seven.

At 7:30.

I don't wake up till nine.

I don't get up until nine.

What is the date today.

What's today's date?

Wishes

Wishes

He wishes to think.

He wants to think.

Do not distress them.

Don't upset them.

What we do is this we give it to them.

What we do is we give it to them.

What did he say.

What did he say?

He said he expected to be ill. He said he said he expected not to be very well. Yes Mr. Lindo Webb.

He said he thought he would be sick. He mentioned that he didn't expect to feel very well. Yes, Mr. Lindo Webb.

Yes Mrs.

Yes, ma'am.

You should always speak the name.

You should always say the name.

I don't feel that I can mention it.

I don't feel like I can bring it up.

Do you believe in me.

Do you believe in me?

Are you surprised that you have gone so far.

Are you surprised that you've come this far?

To me not to me.

To me or not to me.

Insulting yes she is insulting she asks have we ever heard of a poet named Willis.

Insulting, yes, she is insulting. She asks if we’ve ever heard of a poet named Willis.

Alice has. I have not. She says he belonged to a group. Like Thoreau.

Alice has. I have not. She says he was part of a group. Like Thoreau.

I am not displeased with the remark.

I am not unhappy with the comment.

Did we see the festivity. Water is amusing.

Did we see the celebration? Water is entertaining.

Do I want to go away.

Do I want to go?

No indeed I do not want to go away.

No, I really don’t want to leave.

Two months.

Two months.

In two months.

In two months.

Politely miss me.

Kindly miss me.

Call what.

What to call.

Call Milly.

Call Milly.

Don't you understand the difference.

Don’t you see the difference?

He wanted fifty dollars for six days.

He wanted fifty dollars for six days.

We did not refuse a visit.

We didn't turn down a visit.

No one refuses a visit.

No one turns down a visit.

I do.

I do.

I see.

Got it.

A little finish. What was that noise.

A little finish. What was that sound?

I am very pleased to have a good fire.

I’m really happy to have a nice fire.

Here are my stars and stripes.

Here are my stars and stripes.

Yes it's the flag.

Yes, it's the flag.

What time is it.

What time is it?

Day time.

Daytime.

Of course and the morning.

Of course, and good morning.

I always go well prepared.

I'm always well prepared.

Of course you would.

Of course you would.

What do I think.

What do I think?

Is not this certain.

Isn't this certain?

What.

What?

That there are a great many places where one would not be as comfortable.

That there are a lot of places where you wouldn’t feel as comfortable.

Where we would not be so comfortable.

Where we wouldn't feel as comfortable.

Certainly I don't deny that.

I totally agree with that.

We have been so happy here. Yes but that has nothing to do with the people. No it hasn't. But I like to see what I see here. You know perfectly well you will be just as well pleased with something else.

We’ve been really happy here. Yes, but that has nothing to do with the people. No, it doesn’t. But I enjoy what I see here. You know perfectly well you’d be just as happy with something else.

Why do mules go together. Because those people are religious. They are very religious. Were you invited.

Why do mules hang out together? Because those folks are religious. They’re very religious. Were you invited?

Then I will finish it here.

Then I'll wrap it up here.

This is very easy to please. Cups and saucers altogether.

This is really easy to please. Cups and saucers together.

We are going to have a picnic. With chicken not today today we are going to have eggs and salad and vegetables and brown bread and what else. False smuggled contraband tobacco. You mean by that that it isn't tobacco. No it's only leaves. I laugh.

We’re going to have a picnic. Instead of chicken, today we’ll have eggs, salad, vegetables, and brown bread, and what else? Fake smuggled contraband tobacco. You mean it’s not actually tobacco? No, it’s just leaves. I laugh.

COUNTING HER DRESSES
A PLAY

Part I.

Part 1.

ACT I.

Act 1.

When they did not see me.

When they couldn't see me.

I saw them again.

I saw them again.

I did not like it.

I didn't like it.

ACT II.

Act II.

I count her dresses again.

I count her dresses again.

ACT III.

Act 3.

Can you draw a dress.

Can you sketch a dress?

ACT IV.

Act 4.

In a minute.

In a minute.

Part II.

Part II.

ACT I.

ACT I.

Believe in your mistake.

Own your mistake.

ACT II.

Act II.

Act quickly.

Act fast.

ACT III.

Act 3.

Do not mind the tooth.

Don't worry about the tooth.

ACT IV.

Act 4.

Do not be careless.

Don't be careless.

Part III.

Part 3.

ACT I.

Act 1.

I am careful.

I'm cautious.

ACT II.

Act 2.

Yes you are.

Yes, you are.

ACT III.

ACT III.

And obedient.

And compliant.

ACT IV.

Act IV.

Yes you are.

Yes, you are.

ACT V.

Act V.

And industrious.

And hardworking.

ACT VI.

Act 6.

Certainly.

Sure thing.

Part IV.

Part 4.

ACT I.

ACT 1.

Come to sing and sit.

Come to sing and chill.

ACT II.

ACT II.

Repeat it.

Repeat it.

ACT III.

Act 3.

I repeat it.

I'm saying it again.

Part V.

Part V.

ACT I.

Act 1.

Can you speak quickly.

Can you talk faster?

ACT II.

Act 2.

Can you cough.

Can you cough?

ACT III.

Act 3.

Remember me to him.

Say hi to him for me.

ACT IV.

Act IV.

Remember that I want a cloak.

Remember that I want a cape.

Part VI.

Part 6.

ACT I.

Act 1.

I know what I want to say. How do you do I forgive you everything and there is nothing to forgive.

I know what I want to say. How do I forgive you for everything when there’s nothing to forgive?

Part VII.

Part VII.

ACT I.

ACT 1.

The dog. You mean pale.

The dog. You mean light.

ACT II.

Act 2.

No we want dark brown.

No, we want dark brown.

ACT III.

Act 3.

I am tired of blue.

I'm over blue.

Part VIII.

Part 8.

ACT I.

ACT I.

Shall I wear my blue.

Should I wear my blue?

ACT II.

Act II.

Do.

Do.

Part IX.

Part 9.

ACT I.

Act 1.

Thank you for the cow.

Thanks for the cow.

Thank you for the cow.

Thanks for the cow.

ACT II.

Act 2.

Thank you very much.

Thanks a lot.

Part X.

Part X.

ACT I.

Act 1.

Collecting her dresses.

Gathering her dresses.

ACT II.

Act 2.

Shall you be annoyed.

Are you going to be annoyed?

ACT III.

Act III.

Not at all.

Not at all.

Part XI.

Part 11.

ACT I.

Act 1.

Can you be thankful.

Be grateful.

ACT II.

Act 2.

For what.

For what?

ACT III.

Act 3.

For me.

For me.

Part XII.

Part XII.

ACT I.

ACT I.

I do not like this table.

I don’t like this table.

ACT II.

Act II.

I can understand that.

I get that.

ACT III.

ACT III.

A feather.

A feather.

ACT IV.

Act 4.

It weighs more than a feather.

It weighs more than a feather.

Part XIII.

Part 13.

ACT I.

Act 1.

It is not tiring to count dresses.

It’s not exhausting to count dresses.

Part XIV.

Part 14.

ACT I.

ACT I.

What is your belief.

What do you believe?

Part XV.

Part XV.

ACT I.

Act 1.

In exchange for a table.

For a table in return.

ACT II.

Act II.

In exchange for or on a table.

In exchange for or on a table.

ACT III.

Act 3.

We were satisfied.

We were happy.

Part XVI.

Part 16.

ACT I.

ACT 1.

Can you say you like negro sculpture.

Can you say you like Black sculpture?

Part XVII.

Part 17.

ACT I.

Act 1.

The meaning of windows is air.

The meaning of windows is air.

ACT II.

Act 2.

And a door.

And a door.

ACT III.

Act 3.

A door should be closed.

A door should be shut.

Part XVIII.

Part 18.

ACT I.

Act 1.

Can you manage it.

Can you handle it?

ACT II.

Act 2.

You mean dresses.

You mean outfits.

ACT III.

Act 3.

Do I mean dresses.

Do I mean dresses?

Part XIX.

Part 19.

ACT I.

ACT 1.

I mean one two three.

I mean 1 2 3.

Part XX.

Part XX.

ACT I.

Act 1.

Can you spell quickly.

Can you spell fast?

ACT II.

Act 2.

I can spell very quickly.

I can spell super fast.

ACT III.

Act 3.

So can my sister-in-law.

So can my sister-in-law.

ACT IV.

Act 4.

Can she.

Can she?

Part XXI.

Part XXI.

ACT I.

Act 1.

Have you any way of sitting.

Have you found a way to sit?

ACT II.

Act 2.

You mean comfortably.

You mean cozy.

ACT III.

Act 3.

Naturally.

Of course.

ACT IV.

Act IV.

I understand you.

I get you.

Part XXII.

Part XXII.

ACT I.

ACT I.

Are you afraid.

Are you scared?

ACT II.

Act 2.

I am not any more afraid of water than they are.

I’m not any more afraid of water than they are.

ACT III.

Act III.

Do not be insolent.

Don't be rude.

Part XXIII.

Part 23.

ACT I.

Act 1.

We need clothes.

We need clothes.

ACT II.

Act 2.

And wool.

And wool.

ACT III.

Act 3.

And gloves.

And gloves.

ACT IV.

Act 4.

And waterproofs.

And waterproof jackets.

Part XXIV.

Part 24.

ACT I.

Act 1.

Can you laugh at me.

Can you laugh at me?

ACT II.

Act 2.

And then say.

And then say.

ACT III.

Act 3.

Married.

Married.

ACT IV.

Act IV.

Yes.

Yep.

Part XXV.

Part 25.

ACT I.

ACT 1.

Do you remember how he looked at clothes.

Do you remember how he looked at clothes?

ACT II.

Act 2.

Do you remember what he said about wishing.

Do you remember what he said about wishing?

ACT III.

Act 3.

Do you remember all about it.

Do you remember everything about it?

Part XXVI.

Part XXVI.

ACT I.

ACT I.

Oh yes.

Oh, definitely.

ACT II.

Act 2.

You are stimulated.

You're excited.

ACT III.

Act 3.

And amused.

And entertained.

ACT IV.

Act IV.

We are.

We exist.

Part XXVII.

Part 27.

ACT I.

ACT I.

What can I say that I am fond of.

What can I say that I like?

ACT II.

Act 2.

I can see plenty of instances.

I see many examples.

ACT III.

Act 3.

Can you.

Can you?

Part XXVIII.

Part 28.

ACT I.

ACT I.

For that we will make an arrangement.

For that, we'll make a plan.

ACT II.

Act 2.

You mean some drawings.

You mean some sketches.

ACT III.

Act 3.

Do I talk of art.

Do I discuss art?

ACT IV.

Act 4.

All numbers are beautiful to me.

All numbers are beautiful to me.

Part XXIX.

Part 29.

ACT I.

ACT I.

Of course they are.

Of course they are.

ACT II.

Act 2.

Thursday.

Thursday.

ACT III.

Act 3.

We hope for Thursday.

We're looking forward to Thursday.

ACT IV.

Act 4.

So do we.

Same here.

Part XXX.

Part XXX.

ACT I.

ACT I.

Was she angry.

Was she mad?

ACT II.

Act 2.

Whom do you mean was she angry.

Whom do you mean she was angry with?

ACT III.

Act 3.

Was she angry with you.

Was she mad at you?

Part XXXI.

Part XXXI.

ACT I.

ACT I.

Reflect more.

Reflect more.

ACT II.

Act II.

I do want a garden.

I really want a garden.

ACT III.

Act 3.

Do you.

Do it.

ACT IV.

Act 4.

And clothes.

And apparel.

ACT V.

ACT V.

I do not mention clothes.

I won't mention clothes.

ACT VI.

Act VI.

No you didn't but I do.

No, you didn't, but I do.

ACT VII.

Act VII.

Yes I know that.

Yeah, I know that.

Part XXXII.

Part XXXII.

ACT I.

Act 1.

He is tiring.

He's exhausting.

ACT II.

Act 2.

He is not tiring.

He isn't tired.

ACT III.

Act 3.

No indeed.

No way.

ACT IV.

Act IV.

I can count them.

I can count those.

ACT V.

Act V.

You do not misunderstand me.

You’re not misunderstanding me.

ACT VI.

Act 6.

I misunderstand no one.

I don’t misunderstand anyone.

Part XXXIII.

Part 33.

ACT I.

Act 1.

Can you explain my wishes.

Can you clarify my wishes?

ACT II.

Act 2.

In the morning.

In the morning.

ACT III.

Act 3.

To me.

For me.

ACT IV.

Act IV.

Yes in there.

Yes, in there.

ACT V.

Act V.

Then you do not explain.

Understood. Please provide the text you want me to modernize.

ACT VI.

Act 6.

I do not press for an answer.

I don't push for an answer.

Part XXXIV.

Part XXXIV.

ACT I.

ACT I.

Can you expect her today.

Are you expecting her today?

ACT II.

Act 2.

We saw a dress.

We saw a dress.

ACT III.

Act 3.

We saw a man.

We spotted a guy.

ACT IV.

Act 4.

Sarcasm.

Sarcasm.

Part XXXV.

Part XXXV.

ACT I.

Act 1.

We can be proud of tomorrow.

We can be proud of tomorrow.

ACT II.

Act II.

And the vests.

And the vests.

ACT III.

Act III.

And the doors.

And the doors.

ACT IV.

Act 4.

I always remember the roads.

I always remember the streets.

Part XXXVI.

Part 36.

ACT I.

Act 1.

Can you speak English.

Can you talk in English?

ACT II.

Act 2.

In London.

In London.

ACT III.

Act 3.

And here.

And here.

ACT IV.

ACT IV.

With me.

With me.

Part XXXVII.

Part 37.

ACT I.

Act 1.

Count her dresses.

Count her dresses.

ACT II.

Act 2.

Collect her dresses.

Get her dresses.

ACT III.

Act 3.

Clean her dresses.

Clean her dresses.

ACT IV.

Act 4.

Have the system.

Own the system.

Part XXXVIII.

Part 38.

ACT I.

ACT I.

She polished the table.

She cleaned the table.

ACT II.

Act 2.

Count her dresses again.

Count her dresses one more time.

ACT III.

Act 3.

When can you come.

When can you arrive?

ACT IV.

Act 4.

When can you come.

When can you make it?

Part XXXIX.

Part XXXIX.

ACT I.

ACT 1.

Breathe for me.

Breathe for me.

ACT II.

Act 2.

I can say that.

I can say that.

ACT III.

Act 3.

It isn't funny.

It's not funny.

ACT IV.

Act IV.

In the meantime.

For now.

Part XL.

Part 40.

ACT I.

ACT I.

Can you say.

Can you say?

ACT II.

Act II.

What.

What?

ACT III.

Act 3.

We have been told.

We've been told.

ACT IV.

Act IV.

Oh read that.

Oh, check that out.

Part XLI.

Part 41.

ACT I.

ACT I.

I do not understand this home-coming.

I don’t understand this homecoming.

ACT II.

Act II.

In the evening.

In the evening.

ACT III.

Act III.

Naturally.

Of course.

ACT IV.

Act IV.

We have decided.

We've decided.

ACT V.

Act V.

Indeed.

Absolutely.

ACT VI.

Act 6.

If you wish.

If you want.

I LIKE IT TO BE A PLAY
A PLAY

I liked it to be a play and so cleverly spoken.

I liked that it was a play and so cleverly written.

Americans are very clever.

Americans are really smart.

So are others.

Same goes for others.

Yes indeed.

Absolutely.

And all men are brave.

And all men are fearless.

Scene I.

Scene 1.

Satisfy.

Satisfy.

I like to satisfy them.

I like to please them.

He likes purses.

He likes bags.

You mean silver purses.

You mean silver bags.

Yes gold purses.

Yes, gold handbags.

Here they have other purses.

Here, they have different bags.

All of them are carried in a procession.

All of them are being carried in a procession.

Every day.

Every day.

Not all day.

Not the whole day.

The martyrs and red carnations.

The heroes and red carnations.

You mean red geraniums.

You mean red geraniums.

No I mean red pinks.

No, I mean red-pinks.

Purses have that word.

Purses have that term.

Please me.

Make me happy.

To please me.

To make me happy.

Called me.

Called me.

She expected a distress.

She expected distress.

Daughters.

Daughters.

Or daughters.

Or kids.

The youngest as children

The youngest as kids

One's said.

One's been said.

Verdun.

Verdun.

We close.

We’re closing.

Here.

Here.

Stables or motors.

Stables or garages.

Stables altogether.

All stables.

Did we know anything about houses in Mallorca.

Did we know anything about homes in Mallorca?

Scene II.

Scene 2.

So you were pleased with me.

So you were happy with me.

Scene III.

Scene 3.

Able men. What do you intend to do today.

Able men. What are you planning to do today?

I have planned to telegraph for an answer,

I have planned to send a text for an answer,

Oh yes.

Oh, absolutely.

What have you said to them.

What did you say to them?

I said I was delighted with the photographs.

I said I was really happy with the photos.

Scene IV.

Scene IV.

Will you be sorry to leave Mallorca.

Will you miss Mallorca when you leave?

You mean the island.

You mean the island?

The sun.

The sun.

Or the people.

Or the folks.

A great many people dislike the people.

A lot of people dislike other people.

Scene V.

Scene V.

Fifth Avenue in Spanish.

Quinta Avenida en español.

Fifth Avenue in Spanish.

Quinta Avenida en español.

Did you say water.

Did you say water?

War water.

Battle over resources.

I have heard it said that a great many people expected another.

I’ve heard that a lot of people were anticipating another.

One another.

Each other.

To be one another.

To be together.

To be fought.

To be battled.

Do not say bright.

Don’t say bright.

It is not a bright day.

It's not a sunny day.

Scene VI.

Scene VI.

Have we gone so far indeed have we gone so far.

Have we really come this far?

Scene VII.

Scene 7.

Don't make a mistake and lose any leaves.

Don't mess up and lose any leaves.

Classes.

Courses.

Memory classes.

Memory classes.

Don't go so far and lose any leaves.

Don't go too far and lose any leaves.

We were really pleased with the leaves. We were really not pleased with the leaves.

We were really happy with the leaves. We were really not happy with the leaves.

I was very pleased with the leaves.

I was really happy with the leaves.

Scene VIII.

Scene 8.

You were astonished by me.

You were amazed by me.

All of us complain.

We all complain.

You were astonished by me.

You were amazed by me.

Don't you understand trying.

Don't you get trying?

Don't you understand trying to stammer.

Don't you get it? It's like trying to stutter.

No indeed I do not.

No, I definitely don’t.

Scene IX.

Scene 9.

Were you surprised to see that we were so far long. You mean in stages. No of course not in selections. What have you selected. Very good sponges. But they are expensive. They are not necessarily cheap. We feel that they ask an extraordinary price here. You have every reason to suppose so. We were quite sure of it. It is easily understood they are accustomed to trading. You mean barter. No I don't mean that I mean metal worker. Metal workers have new clothes. In Palma. Yes in Palma. I did not mean to mention that name. Why do you dislike the town. Not at all.

Were you surprised to see that we were this far along? You mean in stages. No, of course not in selections. What did you pick? Very good sponges. But they’re expensive. They're not necessarily cheap. We feel they're charging an outrageous price here. You have every reason to think so. We were pretty sure of it. It's easy to see they're used to trading. You mean bartering. No, I don’t mean that; I mean metal work. Metal workers have new clothes. In Palma. Yeah, in Palma. I didn’t mean to bring up that name. Why do you dislike the town? Not at all.

The rest of the day was spent in visiting.

The rest of the day was spent hanging out and visiting friends.

Scene X.

Scene X.

The end of that little plate.

The end of that small plate.

You mean you didn't like the pottery. The brown one you mean. No the yellow. Yes I liked it very much at first. It was too big. This is not the way to say that you will come again. But we don't want it.

You mean you didn't like the pottery? The brown one, right? No, the yellow one. Yes, I liked it a lot at first. It was too big. That's not how you say that you’ll come back. But we don’t want it.

Scene XI.

Scene 11.

What did she say. She said that she could read Spanish because all the words that were real words resemble french.

What did she say? She said that she could read Spanish because all the real words look like French.

I don't mean to say that I am vexed.

I’m not saying that I’m annoyed.

Oh no indeed you are not to be blamed.

Oh no, you definitely shouldn't be blamed.

Not at all

Not really

We are very careful to move together. For pleasure. For our pleasure. Oh yes indeed. We need you. More than ever. I am glad we are not cold. Not here. Believe me. Believe in me. I do.

We make sure to stick together. For enjoyment. For our enjoyment. Oh definitely. We need you. More than ever. I'm glad we're not feeling cold. Not here. Trust me. Trust in me. I do.

NOT SIGHTLY
A PLAY

Slightly painful and really more satisfactorily stinted and mentioned in long singling birthdays. Shall it seem strange.

Slightly painful and definitely more satisfying when reflected upon during long, solitary birthdays. Does it seem odd?

Not wintered my dear.

Not wintered, my dear.

Not wintered my dear.

Not wintered, my dear.

Not wintered my dear.

Not wintered, my dear.


fellows.

friends.

Nine shall combine Straichy and purl wilt and borrowed moans. Why will sold meats have mints. They need it.

Nine will mix Straichy and purl wilt and borrowed moans. Why will sold meats have mints? They need them.

They need it yet.

They still need it.

They need it yet.

They still need it.

They need it yet they need it yet.

They need it, but they still need it.


A longer pause.

A longer break.

When kinds of similar tens that is to say twenty suffering, when similar tens and perhaps fifty kneeling, when similar and jointed and prized and quilted quietly quilted tights quietly quilted tight minds when three innerly expensive shrugs meant more there was a strain and little meaning water spots came to remain. They saw to that.

When kinds of similar tens, meaning twenty suffering, when similar tens and maybe fifty kneeling, when similar, joined, valued, and quietly quilted tights held tightly, when three expensive inner shrugs mattered more, there was tension and little meaning; water spots were left to stay. They made sure of that.

A particular relief

A specific relief


In a particular relief.

In a specific relief.

Not nodding.

Not agreeing.

Explain looking. Explain looking again. Alice explain looking again.

Explain looking. Explain looking again. Alice explain looking again.


Another fact.

Another fact.

Not indeed my dear.

Not at all, my dear.

Why should I say supper.

Why should I say dinner?

Not every running thing my dear. I am sorry to leave another.

Not everything is running, my dear. I'm sorry to leave yet another.

Not then.

Not right now.


I have long bands.

I have long hair.

I couldn't do it behind it. I couldn't do it behind it. I would never see Lena. I would mean to hoard separately. I would surely sponge what. I would surely sponge enough.

I couldn't do it behind it. I couldn't do it behind it. I would never see Lena. I would mean to keep things separate. I would definitely take what I could. I would definitely take enough.


Intermission.

Break.

What does that mean.

What does that mean?

There is no use in leaving out Friday. There is some sense in that.

There’s no point in excluding Friday. That makes some sense.


Eighteen.

18.

Twenty three.

Twenty-three.


Times.

Times.

When there can be an arrest and I don't mean to go, by the time there had been water, plants are, in between them. Paul's. They came to say that another was faster. They come to specialize. They were in a year and old.

When there can be an arrest and I don't intend to go, by the time there was water, plants were in between them. Paul's. They came to say that another was quicker. They come to specialize. They were a year old.

Now I mean to go on.

Now I plan to continue.

Stop it. Stop handling monkeys, stop handling birds stop leaning, stop leaning by a companion.

Stop it. Stop handling monkeys, stop handling birds, stop leaning, stop leaning on a friend.

I came to grave gravely see winding and beat in that cautious outside which does make minor difference differences more either. That's the way to pronounce it cautiously.

I came to see the serious and complicated situation outside, which doesn’t really change much. That’s how you should say it carefully.


Second Act.

Act Two.

I meant to wait and I was simple and I did say shelter god give him shelter. I did go away and I did not mutter I did not believe goats I was not delicate I was not careful to release more excellent tons of really sound apples. This was so painful. This was very painful. I meant to do the same yesterday.

I intended to wait, and I was straightforward, and I did say, "God, give him shelter." I walked away, and I didn't mumble; I didn't trust the goats. I wasn't gentle; I wasn't cautious about letting go of better, decent apples. This hurt a lot. This was really painful. I meant to do the same yesterday.


Introduction.

Introduction.

Its really doing my hand a lot of good.

It's really helping my hand a lot.

When I spoiled every day I made sashes.

When I indulged every day, I made sashes.

I can understand where he did it.

I get why he did it.


Able corn.

Good corn.

One day any day not to search within the wounded operating sound of miserable stretches. What shall boats say. By this time.

One day, any day, not to look inside the hurting, operating noise of difficult times. What will the boats say? By this time.


Now I cannot sing.

I can't sing now.

Now I cannot sing.

I can't sing now.


Folded.

Folded.

Biting meant mining.

Biting meant extracting.

Shall he find it out.

Will he find it out?

There is much to say.

There's a lot to say.

An opportunity in sizes.

An opportunity in various sizes.


Further.

Further.

I can scratch.

I can itch.

Not it.

Not me.

Spool.

Spin.

She meant it again.

She really meant it.

Now I can lose money.

Now I can lose cash.


Frightened.

Scared.

There really is no reason to believe that.

There’s really no reason to believe that.


What is your name.

What’s your name?

As if he felt himself to be one.

As if he felt like one.

I listened to Bertie.

I heard Bertie.

I felt raining.

I felt rain.

Rain is what is understood by singling out breathing.

Rain is what we understand when we focus on breathing.


In the rest of piles of candles.

In the remaining stacks of candles.

It is not necessary that there is a table plentifully, it is not necessary that cloth is besieging it is neither necessary that obligations are finally strung together by meaning all pieces, it is beneath shining really beneath shining.

It doesn't have to be a table full of items, it doesn't need to have cloth surrounding it, and it's not required that obligations are all connected by meaning. It's really beneath the surface, beneath the shine.

Then there is a pause. There really is more vacancy than ever. There really is horrible horrible horribly mismanagement. I am not pleased with it at all.

Then there’s a pause. There’s definitely more emptiness than ever. There’s really terrible, terrible mismanagement. I’m not happy with it at all.

When I stood and measured distances when I stood and measured distances I bowed I bowed to the reasonable interpretation of plain stairs bent together and when I meant to go away I did not leave out of that, consideration. I did not leave out of that, consideration. I was speedily neglected on harmony and I was not beside that altered. I was not in altering changing recently. I was not changing recently. Not to act too. Not to act too much. Not to act too much in being horrified. Not to beckon in spaces. Not really to beckon in spaces. Not really to be beckoning in pointed spaces or pointed spaces. Leave as alone we must be right.

When I stood and measured distances, I bowed to the logical interpretation of plain stairs coming together. And when I intended to walk away, I didn’t disregard that consideration. I was quickly forgotten about harmony and I wasn’t changed by that. I wasn’t changing recently. I chose not to act too much. Not to act too horrified. Not to reach out in empty spaces. Not to really reach out in empty spaces. Not to be reaching out in specific places or narrow spaces. We must leave things as they are.


Act Three.

Act 3.

I spent I mentioned I spent that. I do reline most purses. I do so thoroughly. I do not please safer. This is in sailing. Don't be a silly. How can one sail.

I spent I mentioned I spent that. I do reline most purses. I do so thoroughly. I do not please safer. This is in sailing. Don't be silly. How can one sail.


Field equivalent.

Field equivalent.

I was so surprised to see that at the bottom of the sealskin.

I was so surprised to see that at the bottom of the sealskin.


Its really not very active.

It's not very active.

That's not what I want to settle about. It really is not.

That's not what I want to agree on. It's really not.


There'll be five acts.

There will be five acts.

Why do I say blows noses.

Why do I say blows noses?

Alice why do I say blows noses. Alice I hear you.

Alice, why do I say blows noses? Alice, I hear you.

You are between there. I shall state what I think and study. I study very much. This is not a request.

You are in between. I will say what I think and study. I study a lot. This is not a request.


I changed my mind.

I’ve changed my mind.

No there is no example in this. I meant to be cautious. I was restrained. I shall not come to stay. I believe in sermons. It is a fauning thing.

No, there isn't an example in this. I meant to be careful. I was holding back. I'm not going to stay. I believe in sermons. It's a flattering thing.


I do see a resemblance to Claire.

I can see a resemblance to Claire.

Why in the nature of pleasing where there can be many tall representative not meaning to be still lining.

Why is it that in the nature of pleasing, there can be many tall representatives who aren't meant to be standing still?


Beside him.

Next to him.

Not in front.

Not right here.


It seems wrong not to answer anybody.

It feels wrong not to respond to anyone.

Title.

Title.

Really not.

Not really.

A girdle needs stitches.

A girdle needs sewing.

Not it.

Not doing that.

Title.

Title.

Really not.

Not really.


Pleases.

Please.

I must say I don't wish to go back.

I have to say I don't want to go back.


Pleasures.

Pleasures.

Shall I feel it.

Should I feel it?

Its not possible to sing by way of songs, it is not possible to sing by way of songs.

It's not possible to sing through songs; it's not possible to sing through songs.


Next time.

Next time.

The next time that I wished to be taken away the next time I wished to be taken away, in that way the next time I wished to be taken or that way the next time I wished to be taken that way, or the next time. I meant to poison everybody I meant to poison everybody seriously, I meant it seriously I meant complaining seriously, I meant complaining seriously. In the way of peace in that way by a certain chiming of really mountains by a certain wearing heat, by really mounting cars, that is in abundance for abundantly separating heights, any one is tall in feet, that is a twinkling mother. Surely enough.

The next time I wanted to be taken away, in that way, the next time I wished to be taken or that way, the next time I wanted to be taken that way, or the next time. I meant to poison everyone. I meant it seriously. I meant to complain seriously. In the spirit of peace, in that way, by a certain chime of the mountains, by the wear of the heat, by really climbing cars, which is abundant for separating heights, anyone is tall in feet. That is a sparkling mother. Surely enough.


The longer to stay for but I don't send it.

The longer I stay, the more I don't send it.

Once when prints and letters and little violets of satin wood and spreading out centrally, once when upper leather was reaching reaching by far, once when lively older trees had learned restitution, I don't mean to blame anybody. I haven't said luxurious. I meant to believe my aunt. I mean countless pillows. I wish it was windy.

Once, when prints, letters, and small satin wood violets were spreading out at the center, when the upper leather reached out far, and when the lively older trees had learned to restore themselves, I’m not blaming anyone. I didn’t say luxurious. I meant to trust my aunt. I mean endless pillows. I wish it were windy.


Painful.

Hurts.

It is painful.

It hurts.

There is a kind of sunset, nobody mentions butter. They hate to be grave.

There’s a certain kind of sunset that no one talks about butter. They dislike being serious.

It really is very strange.

It's really quite bizarre.

Not in cellars. Not in not cellars. Not wanting, not wanting it.

Not in cellars. Not in non-cellars. Not wanting, not wanting it.

I spent stitching. I did it in again. I spent fastening. I saw likely. I saw very likely.

I spent time stitching. I did it again. I spent time fastening. I saw something likely. I saw something very likely.

When sleeping is wild, Cora is not wild. Cora is not wild.

When sleep is chaotic, Cora is calm. Cora is calm.

When sleeping is wild Cora is not wild. Mild pleasant breath.

When Cora sleeps, she’s not wild. She breathes softly and pleasantly.

It is very fine that is very fine.

It is really great that is really great.


Instinct.

Instinct.

Instinct or reason.

Instinct or logic.

Instinct or reason.

Instinct or logic.

Instinct or reason.

Intuition or logic.

Round and about.

Around and about.

Round.

Circular.

About.

About.

Pale.

Pale.

Pale enough.

Pale enough.

Not so in satisfaction, in real satisfaction.

Not like that in true satisfaction, in genuine satisfaction.

Not so much.

Not really.

I meant to go home.

I intended to go home.

I meant to go home.

I intended to go home.

I meant to go what do I mean by white. I meant to change in it. More methodically. Yes purling. I don't know instances.

I intended to explore what I mean by white. I aimed to change it. More systematically. Yes, flowing smoothly. I'm not sure about specific examples.


Act Four.

Act 4.

Not in the least pressing.

Not urgent at all.

Two crowns and a half a crown. That's the way they would say it.

Two crowns and a half crown. That's how they would say it.

Seven one seven five.

7175.

Pleasing extras. I said I should wish to go, to go, I said I should wish to go I said I should wish to go.

Pleasing extras. I said I want to go, to go, I said I want to go I said I want to go.

No blaming, no such blaming, darling no such blaming.

No blaming, no blaming like that, sweetheart, no blaming like that.

When I mentioned still in mentioning I had to imagine that I did not estimate wild curses. I did not estimate wild curses. I don't like that name. I will not secrete more wishes. I will say I will exactly say that lands are coarse, that lands are chorused that lands are cursed. This comes to them after knitting. This comes to them after knitting.

When I talked about still mentioning it, I had to imagine that I didn't value wild curses. I didn't value wild curses. I don't like that name. I won't hide any more wishes. I'll say, I'll definitely say that lands are rough, that lands are echoed, that lands are cursed. This happens to them after knitting. This happens to them after knitting.

This comes to them after special winding. This comes to them after winding.

This comes to them after a special winding. This comes to them after winding.


Even new its pretty.

Even new, it's pretty.

Do you mind selecting sashes. Do you mind selecting sashes in it. Do you mind selecting sashes by way of reminding, thanks. Do you mind reminding blinds. Do you mind. Edith do you mind.

Do you mind picking out sashes? Do you mind choosing sashes in it? Do you mind selecting sashes as a reminder, thanks. Do you mind reminding about the blinds? Do you mind? Edith, do you mind?

Edith seems, Edith seems denied. Edith rests colored, not that colored much, not that colored by them.

Edith appears, Edith appears overlooked. Edith lies here, somewhat colored, not really colored by them.


When wean in. When wean in school scissors. Scissors are a count. I make it ahead.

When we begin in school scissors. Scissors are a count. I prepare it in advance.


Polish.

Polish.

Its no use mentioning that I killed many who were believed to be localized. Its no good to dictate that. What I do not determine is more recognizable, it is not in a politeness, it has a recent meaning.

It's no use saying that I killed many who were thought to be in one place. It doesn't help to insist on that. What I don't define is more noticeable; it's not about being polite—it has a recent significance.

Mr. Fairchild Resolute pure and clouded by night and more feelingly, Mr. Fairchild resolute to emperil the whole catastrophe does licence what he has to say.

Mr. Fairchild is determined, pure, and shrouded in night, and even more so, Mr. Fairchild is set on risking the entire disaster, which gives him permission to speak his mind.

A sudden peak a sudden peak of gleaming of gleaming hidden stones of gleaming hidden stones thoroughly.

A sudden peak, a sudden peak of shining hidden stones, shining hidden stones thoroughly.

Yes isn't it an example isn't it a wiser relief than was expected. Isn't it Flemish. I know that allusion it is an allusion to a reached heart.

Yes, isn't it an example? Isn't it a more insightful relief than we thought? Isn't it Flemish? I recognize that reference; it points to a touched heart.

Not in the least not in the least private not in the least privately. Not more than the sum not very granted. Not by that straining not by that merriment. Can one neglect it.

Not at all, not at all private, not at all privately. Not more than the whole, not very much given. Not by that effort, not by that joy. Can someone ignore it?


Two in seven

Two out of seven

I meant eleven it's shorter.

I meant eleven; it's shorter.

Commence to sew.

Start sewing.


How can eagerness meet it.

How can enthusiasm match it?

I don't indicate that and more nearly standing I don't realize voices.

I don't point that out, and I'm standing here without realizing the voices around me.

They said that. I mean to bury please her. Like.

They said that. I mean to bury to please her. Like.

Finding immense glances.

Spotting intense looks.

I don't like to place holes real holes really hollow whites. I do not find long hoes.

I don't like to dig real holes that are truly empty. I can't find long tools for that.

That's a change. That is like water. That is plenty of all spots. There is plenty of all pints. There is plenty of another word.

That's a change. It's like water. There are plenty of all spots. There are plenty of all points. There's plenty of another word.


I don't like being discouraged.

I don't like discouragement.

When the meaning was in the sofa when the meaning was in shouting when the meaning was found found and found. I speak of it.

When the meaning was in the sofa when the meaning was in shouting when the meaning was found found and found. I speak of it.


Act Five.

Act 5.

In a way I don't in a way I don't.

In some ways, I do, but in other ways, I don't.

In a way I don't.

Not really.


Piling.

Piling up.

Politeness requires

Being courteous is essential

Neglecting plows.

Ignoring plows.

Politeness requires neglecting plows.

Politeness means ignoring the hard work.

Politeness requires neglecting plows.

Politeness means ignoring chores.


God bless you.

God bless you.

I inquired into the exact celebration of visual memory. I met pleasing examples of amiable solicitude. I measured strength. I mean to go and stay. I shall certainly neglect sets. It is a complete wrinkling nation.

I asked about the specific ways people celebrate visual memory. I encountered nice examples of caring concern. I assessed strength. I plan to go and stay. I will definitely ignore social groups. It's a completely worn-out society.

This was no strawberry meaning with colors and blacks black berry indigo shawls.

This was no strawberry, but rather colorful blackberry indigo shawls.

To begin to complain.

To start complaining.

To begin to complain and straggle straggle with mouse stretches. To begin to straggle to begin to straggle and much any sealing any sealing without thimbles. Thimbles are so noisy. They do so suddenly expose spoons.

To start complaining and struggle with mouse stretches. To begin to struggle and seal anything without thimbles. Thimbles are so loud. They suddenly reveal spoons.

Splendidly more splendidly.

More splendidly.

She saw mentioned birds.

She saw the mentioned birds.

I do not hesitate to understand myself and I do vainly think that pearls are silly. I have a chance to say I sew. I have a chance to say so.

I don’t hesitate to understand myself, and I foolishly think that pearls are pointless. I have the opportunity to say I sew. I have the chance to say that.

Witness.

Watch.


To begin on again.

To start again.

It was said and well said it was well said and avoiding, it was avoided by instantaneous crowning it was mounted by sullen points it was suddenly anticipated and nearly by a trinket. What is a trinket.

It was said, and it was well said, and avoiding it was avoided by an instant recognition; it was emphasized by dull moments, and it was suddenly expected and almost by a trinket. What is a trinket?


I was disappointed in eggs.

I was let down by eggs.

Sweet oh sweet oh sweet sweet sweet.

Sweet oh sweet oh sweet sweet sweet.


Acting.

Performing.

An amazing cow. Simply an amazing cow. Not in sobbing. Not in clenching. An amazing cow. So shot. When.

An incredible cow. Just an incredible cow. Not in tears. Not in anger. An incredible cow. So shot. When.

Out.

Out.

They've got so many soldiers. No they haven't my pudding.

They have a ton of soldiers. No, they don't, my dear.

Catches.

Catches.


How do I know.

How can I know?

I selected eating and it had to see what called houses.

I chose to eat, and it had to check out what were called houses.

I shall teach.

I'll teach.


Continuation of an Act Five of the Act Five.

Continuation of Act Five of Act Five.

Continuation.

Continuation.


Business goes by favor.

Business runs on favors.

Now count.

Count now.

Forgive colds.

Forgive colds.

Be separated.

Stay apart.

Have colds.

Got colds.

Wilderness.

Nature.

Compass.

Compass.

Compass for.

Compass for navigation.

Plants.

Plants.

Have it essentially.

Own it completely.

Have it island.

Own it.

Have it for.

Have it ready.

Only for it.

Just for it.

Have it within ices.

Have it in ice.

Have it by a case.

Get it in a case.

Likeness.

Image.

If you like likeness.

If you like similarities.


Read out by it.

Read aloud by it.

Read out by it supper splendidly.

Read out by it supper splendidly.

I met all sight.

I met everyone.

Eight.

8.

I either.

Me too.

Make it leaving.

Make it leave.

Make it or believing.

Make it or believe.

Make it leaving.

Make it a goodbye.


She said choke night.
She meant it. She did
buy teams. Night it.

She said choke night.
She meant it. She did
buy teams. Night it.

I saw a venture to be do be quiet and make the home a home. Do not see the limp when he is walking. Do not wonder if there is water. Leave it, sell more splendidly. Do kindly stay in a way. Like what is a little sensational. Do be all to be never. Never wet. Wretched creature. I do not dot what is a new tub. Do regret it. I will not satisfy many I will not satisfy many stitches. Why are corsets warm. They are an answer. Little pleasing noises, This is a sum. All of it astonishes. The Bruces have left.

I saw an opportunity to be quiet and make the place a home. Don’t notice the limp when he walks. Don’t question if there’s water. Just leave it, sell it in a more impressive way. Please stay in a certain manner. Something a bit sensational. Don’t ever be too much. Never wet. Pathetic creature. I don’t care what a new bathtub is. Don’t regret it. I won’t satisfy many; I won’t satisfy many stitches. Why are corsets warm? They are an explanation. Little pleasing noises, This is a total. Everything amazes. The Bruces are gone.


Act Five.

Act 5.

I made a mistake.

I messed up.

BONNE ANNEE
A PLAY

We do not understand why they do not think this a good market.

We don't understand why they don't see this as a good market.

We do understand our pleasure. Our pleasure is to do every day the work of that day, to cut our hair and not want blue eyes and to be reasonable and obedient. To obey and not split hairs. This is our duty and our pleasure.

We get what our pleasure is. Our pleasure is to do the work of each day, to cut our hair and not wish for blue eyes, and to be reasonable and obedient. To follow the rules and not nitpick. This is our responsibility and our joy.

Every day we get up and say we are awake today. By this we mean that we are up early and we are up late. We eat our breakfast and smoke a cigar. That is not so because we call it by another name. We like the country and we are pressed people. Do not be upset by anything. No I won't be. Dear one.

Every day we wake up and say we’re awake today. What we mean is that we get up early and stay up late. We have our breakfast and smoke a cigar. That doesn’t change just because we call it something else. We love the countryside and we’re busy people. Don’t let anything bother you. No, I won’t. Dear one.

We have given you this.

We've provided this to you.

Yes.

Yes.

I give you this.

Here you go.

Yes.

Yes.

You give me this.

You give me this.

Yes.

Yes.

Yes sir.

Sure thing.

Why do I say yes sir. Because it pleases you.

Why do I say yes, sir? Because it makes you happy.

What are the letters in my name.

What are the letters in my name?

O. and c and be and tea.

O. and c and be and tea.

Leading a museum not a pearl there.

Leading a museum isn’t a walk in the park.

Take me to Sevres I do not despair.

Take me to Sevres; I'm not giving up.

This must not be put in a book.

This shouldn't be included in a book.

Why not.

Why not?

Because it mustn't.

Because it shouldn't.

Yes sir.

Sure thing.

Please be rich.

Please be wealthy.

I am.

I'm.

So am I.

Same here.

Of course you are my pretty.

Of course, you're my love.

Of course you are.

Of course, you are.

It isn't necessary for me to mention what a good baby.

It’s not necessary for me to say what a good baby.

Happy New Year.

Happy New Year!

MEXICO
A PLAY

Ernestine.

Ernie.

Have you mentioned tracing out California.

Have you talked about mapping out California?

I have.

I have.

How big is it.

How big is it?

As big as a boat.

As big as a ship.

What boat.

What a boat.

The city of Savannah.

Savannah City.

Have you succeeded in tracing the origin of the word ugly.

Have you managed to trace the origin of the word ugly?

I have.

I have.

It means crab.

It means crab.

It certainly means crab.

It definitely means crab.

Crabbed is an instance.

Crabbed is an example.

We learn about rocking chairs from them.

We learn about rocking chairs from them.

Kites are an example.

Kites are one example.

We learn about peaches from them.

We learn about peaches from them.

They learned them too.

They learned them as well.

Were you dreaming badly. No. Then go to sleep again little sweetheart.

Were you having a bad dream? No? Then go back to sleep, my little sweetheart.

Ernestine.

Ernie.

It is easy to see four boats. Boats are a ship. There are English and Danish and other boats. It is hard to tell the Italian flag. Hard almost impossible.

It’s easy to spot four boats. Boats are a type of ship. There are English, Danish, and other boats. It's tough to identify the Italian flag. It's almost impossible.

I do not mean to be discourteous.

I don't mean to be rude.

Ernestine.

Ernie.

Come in.

Come on in.

John.

John.

Did you meet him.

Did you meet him?

I did and I believed in him.

I did, and I believed in him.

Did you go away.

Did you leave?

No I stayed a long time.

No, I stayed for a long time.

Did you go to another country to earn your own living.

Did you travel to another country to make a living?

I did not I stayed here for some time.

I didn't stay here for long.

I am going away.

I'm leaving.

I have finished everything.

I'm done with everything.

I will expect a selection.

I expect a selection.

I have dreams of women.

I dream of women.

Do dream of me.

Dream of me.

I will come to see weather.

I will come to check the weather.

I understand what they mean by dirty weather. It's the color.

I get what they mean by dirty weather. It's all about the color.

Act so that you will be spared the necessity of deceiving anyone.

Act in a way that frees you from having to deceive anyone.

I do.

I do.

I will.

Sure.

Scene II.

Scene II.

They were willing to have table and bed linen and neglect dressing. They were willing to have excellent eating. They did not care about coffee.

They were okay with having nice table and bed linens and skipping dressing up. They were happy to enjoy great food. They didn't care about coffee.

Sarah.

Sarah.

Wood is not to be neglected. I will attend to everything.

Wood shouldn't be overlooked. I'll take care of everything.

If he hasn't them send us his name.

If he doesn't have them, send us his name.

What do we do with methods and respect.

What do we do with techniques and respect?

Methods and respect serve us for imitation. We imitate pronunciation. Mexico.

Methods and respect help us learn by imitating. We mimic pronunciation. Mexico.

Henry Irving.

Henry Irving.

Neglect me and believe me and caress me.

Neglect me, trust me, and hold me close.

Say I am careful.

I’m careful.

Believe in punishments. Search for many.

Believe in consequences. Look for plenty.

Many men are necessary. We are necessary. We mean more and we have faithful truths.

Many men are needed. We are needed. We matter more, and we hold true beliefs.

Mexico.

Mexico.

I was so pleased.

I was really happy.

ACT II.

ACT II.

A grand opening and many boats. I like them with white sails. I like them to use better coal.

A big opening and lots of boats. I prefer them with white sails. I prefer them to use higher quality coal.

Appreciations.

Thanks.

Mrs. Guilbert.

Ms. Guilbert.

I understand Welsh.

I speak Welsh.

So do I.

Same here.

Mrs. Hendry.

Mrs. Hendry.

I have never been married.

I've never been married.

I have.

I have.

Mexico.

Mexico.

Mexico is prettily pronounced in Spanish.

Mexico is beautifully pronounced in Spanish.

Pronounce it for me.

Say it for me.

Yes I will.

Yep, I will.

Say it prettily.

Say it beautifully.

Mexico.

Mexico.

There are many ways of winning a lottery.

There are many ways to win a lottery.

Newspaper notoriety.

Tabloid fame.

A grocery store.

A grocery store.

A butcher shop.

A butcher's shop.

A silk seller.

A silk merchant.

Embroidery.

Embroidery.

Clothes.

Clothing.

Muffs.

Ear muffs.

And corduroy.

And corduroy pants.

This is the way we win.

This is how we succeed.

We refuse to go to theater not because we don't like it but because we'd rather go to Penfolds. Penfolds have not a pleasant house we are going there for tea tomorrow.

We choose not to go to the theater, not because we dislike it, but because we prefer to go to Penfolds. Penfolds doesn't have a nice atmosphere; we're going there for tea tomorrow.

Mrs. Guilbert.

Ms. Guilbert.

She has remarkable lace. She teaches English.

She has amazing lace. She teaches English.

We have chosen a handkerchief.

We picked a handkerchief.

William Guilbert.

William Guilbert.

He is very young. He has been here altogether. He is not older than Allan.

He's very young. He's been here the whole time. He's not older than Allan.

How old is Allan.

How old is Allan?

I do not know I think he is seventeen.

I don't know; I think he's seventeen.

Fairly reorganized they are loading from one boat into another.

Fairly reorganized, they are transferring from one boat to another.

I have my foot.

I have my foot.

Genevieve.

Genevieve.

I do not mean to know her.

I don’t intend to know her.

Yes you do.

Yes, you do.

I mean I have not met her.

I mean, I haven't met her.

Well that's possible.

That's possible.

Madeleine.

Madeleine.

My name is Victoria.

I'm Victoria.

Yes the Captain told me.

Yes, the Captain told me.

We do not address him.

We don’t talk to him.

He speaks English.

He speaks English.

Yes of course he does.

Yes, of course he does.

Why of course we do.

Of course we do.

We are going to begin.

We're going to start.

Listen to one another.

Listen to each other.

We are all together.

We're all together.

This is a song.

This is a track.

Mrs. Childs.

Ms. Childs.

I am decided we must not expose ourselves to the cold.

I’ve decided we shouldn’t put ourselves in the cold.

Thank you very much.

Thanks a lot.

ACT III.

Act 3.

Now let us understand each other. We have more time than we had. Let us begin now.

Now let’s get on the same page. We have more time than we did before. Let’s start now.

A cab stand.

A taxi stand.

Who is restless.

Who's restless?

We all are not we are not willing to go.

We all are not willing to go.

Very well do not go.

Alright, don't go then.

If there are many of you I will ask another.

If there are a lot of you, I'll ask someone else.

He agreed to go.

He said yes to go.

He was very pleased.

He was really happy.

I knew he would be content.

I knew he would be happy.

It was a mistake we should not have come at that hour.

It was a mistake; we shouldn't have come at that hour.

We have to come when we can.

We need to come when we’re able to.

Quite right.

That's correct.

This is the right city of Mexico.

This is the correct city of Mexico.

Or street of Mexico.

Or street in Mexico.

Street of Mexico.

Street in Mexico.

SCENE II.

SCENE II.

Mark Guilbert.

Mark Guilbert.

Yes sir.

Sure thing.

It's only a habit.

It’s just a habit.

What is only a habit.

Just a habit.

To read the autobiography of Edward Lincoln.

To read the autobiography of Edward Lincoln.

Who is he.

Who is he?

He is the man that recognized the principle of two ships.

He is the man who understood the concept of two ships.

Which two.

Which two?

The Bolton and the Meadow.

Bolton and the Meadow.

Are they both here.

Are they both here?

They are.

They exist.

What are they doing.

What are they up to?

They are taking off cargo.

They are unloading cargo.

Are they removing it from one ship to the other.

Are they transferring it from one ship to another?

They are.

They are.

Genevieve.

Genevieve.

I saw a wedding today.

I saw a wedding today.

The bride was dressed in black. Her veil was black.

The bride was wearing a black dress. Her veil was also black.

That is because she was a widow.

That’s because she was a widow.

Oh is that so.

Oh, really?

What is the custom in your country.

What’s the custom in your country?

In my country they always wear white veils.

In my country, they always wear white veils.

Even widows.

Even widowed women.

Yes but unless you are rich you have a black dress.

Yes, but unless you're wealthy, you have a black dress.

Yes that is more economical.

Yes, that’s more affordable.

And useful.

And helpful.

Yes certainly.

Absolutely.

At twelve o'clock.

At 12:00.

The fifth and sixth and seventh of January.

The 5th, 6th, and 7th of January.

Fair fat and a hundred and twenty.

Fair fat and a hundred and twenty.

I was right.

I was correct.

Mark Guilbert.

Mark Guilbert.

I am free on Wednesday.

I'm free on Wednesday.

With whom do you talk.

Who do you talk to?

I can do that easily.

I can do that easily.

Of course you can we wish to compliment you.

Of course, we want to congratulate you.

I am pleased to hear it.

I’m happy to hear that.

SCENE III.

SCENE III.

A play. Mexico.

A play in Mexico.

This evening he mentioned that they were neglected and that they were easily disturbed.

This evening he said that they were ignored and that they got upset easily.

I can understand that.

I get that.

Mark Guilbert.

Mark Guilbert.

Do you know Bird.

Do you know Bird?

No I do not that is to say I have met him and knew about him.

No, I haven’t—what I mean is I’ve met him and know about him.

He is very interesting.

He's really interesting.

A little Mexico.

A small Mexico.

Do say.

Go ahead.

What.

What?

When you have your teeth fixed you use rubber.

When you get your teeth fixed, you use rubber.

Do you.

Do it.

Yes all the dentists do.

Yes, all the dentists do.

How do you manage it.

How do you handle it?

Very easily.

Super easy.

And very successful.

And super successful.

Yes indeed.

Absolutely.

We have been singularly fortunate with electricity. It was only in the beginning that we were afraid of thunderstorms.

We have been especially lucky with electricity. At first, we were only afraid of thunderstorms.

A little kindness.

A bit of kindness.

We do not wish to invite them. When they come they ask pleasant questions.

We don’t want to invite them. When they show up, they ask nice questions.

Who is a watcher.

Who is a watcher?

We are.

We exist.

In that case do not forget the clock.

In that case, don’t forget the clock.

And a note.

And a reminder.

And a drawing.

And a sketch.

And you had better leave me some writing.

And you better leave me some writing.

Do you mean to do.

Are you planning to do?

No.

No.

Very well then.

Alright then.

Flowers are pretty.

Flowers are beautiful.

So are fruits.

Same goes for fruits.

So are meats.

So are meats.

So are sugars.

Same goes for sugars.

So are cheeses.

So are cheeses.

I like a joke about cheese.

I like a joke about cheese.

Gilbert Ferdinand.

Gilbert Ferdinand.

Why do you make a noise.

Why are you being loud?

Because we are isolated.

Because we're isolated.

Have you not a watchman.

Don't you have a watchman?

Certainly sir.

Sure thing, sir.

SCENE IV.

SCENE 4.

ACT IV.

Act 4.

First second third and fourth bird.

First second third and fourth bird.

Do you like it.

Do you like it?

All the time.

All the time.

There is no use asking me that. We never expected to ask any one for flowers.

There’s no point asking me that. We never expected to ask anyone for flowers.

That is perfectly natural.

That's totally normal.

Of course it's perfectly natural.

It's totally natural.

When you settle.

When you get comfortable.

You settle with

You agree with

Him.

Them.

Do you care to do it.

Do you want to do it?

You care to do it if you are visited.

You'll want to do it if someone comes to see you.

Everybody is visited on an island.

Everybody is visited on an island.

Ermine.

Stoat.

What is influence.

What is influence?

Influence is the pleasure some have in reminding us of villages.

Influence is the enjoyment some get from reminding us of small towns.

Herbert.

Herb.

Are villages near a city.

Are villages close to a city?

Not if you use the word correctly. Villages are the country. To go to a village is to leave a city.

Not if you use the word correctly. Villages are the countryside. Going to a village means leaving a city.

Augustine.

Augustine.

Is that her name.

Is that her name?

It is.

It is.

Why does she speak of her employer.

Why does she talk about her boss?

Because she is a servant and cooks.

Because she is a maid and cooks.

Does she cook well.

Can she cook?

Very well.

Sounds good.

Mr. Standish.

Mr. Standish.

What do you say.

What's your take?

You are pleased with the weather.

You’re pleased with the weather.

Yes I am pleased with the weather.

Yes, I'm happy with the weather.

SCENE V.

SCENE 5.

We were agreed that we would not be angry.

We agreed that we wouldn’t stay angry.

Mr. Murchison.

Mr. Murchison.

How often have I been mistaken.

How often have I been wrong.

You were mistaken about the length of time that foreigners would stay on the island.

You were wrong about how long foreigners would stay on the island.

Yes indeed I was.

Absolutely, I was.

And can anybody be obedient.

Can anyone really be obedient?

Yes it is not difficult.

Yes, it’s not hard.

Were we mistaken about the president.

Were we wrong about the president?

Yes we were in a fashion of speaking.

Yes, we were in a way of speaking.

How did we know.

How did we find out?

By becoming aware of some facts with which we had not been acquainted.

By becoming aware of some facts we hadn’t known about.

Yes that is correct.

Yes, that’s correct.

We do not need to be careful.

We don't need to be cautious.

No indeed.

No way.

Mrs. Giles.

Ms. Giles.

Why do you not state the difference between steps and road.

Why don’t you clarify the difference between steps and road?

I have often.

I've often.

What is it then.

What is it, then?

The difference between steps and road is that one is disagreeable and the other isn't.

The difference between steps and a road is that one is unpleasant and the other isn't.

Certainly.

Sure.

We have often noticed it.

We've often noticed it.

Now we avoid the steps.

Now we skip the steps.

So do we.

Same here.

Yes I find it is the common practice.

Yes, I find that it's the usual practice.

The steps are steep.

The stairs are steep.

So is the road.

So is the path.

Indeed it is.

It sure is.

Why are you late.

Why are you late?

I am not very late.

I'm not late at all.

No you are not very late.

No, you are not very late.

We have often met before.

We've met before.

Indeed we have.

We definitely have.

Henrietta Fountain.

Henrietta Fountain.

Dear me have you been here before.

Dear me, have you been here before?

Yes and seen the almonds in flower.

Yes, and I've seen the almond trees in bloom.

Yes certainly every day.

Yes, definitely every day.

Yes indeed and with great pleasure.

Yes, absolutely, and with much pleasure.

Yes and some pleasure in exercise.

Yes, and some enjoyment in working out.

Yes in exercise and variety.

Yes in fitness and variety.

Yes in that continually.

Yes, in that continuously.

Yes in that very much.

Yes, definitely.

Did you happen to hear of the city of Georgia.

Did you hear about the city of Georgia?

I did not know there existed a city of that name.

I didn't know there was a city with that name.

I had reference to a steamer.

I was talking about a steamship.

Then I can certainly agree with you.

Then I can definitely agree with you.

I hoped you could.

I was hoping you could.

It will be a pleasure to meet again.

It will be great to meet again.

ACT V.

Act 5.

SCENE VI.

SCENE 6.

A great many plays are better than another.

A lot of plays are better than others.

Gilbert.

Gilbert.

Come in.

Come on in.

Henry.

Henry.

Do come in.

Please come in.

Francis.

Francis.

A great many people come in.

A lot of people come in.

Philip.

Philip.

Do a great many people come in.

Do a lot of people come in?

Sebastian.

Sebastian.

Yes indeed.

Yes, definitely.

James Morey.

James Morey.

Do I have to give permission to everybody.

Do I have to give permission to everyone?

You have to give permission to every one you think responsible.

You need to give permission to everyone you consider responsible.

Do I have to choose.

Do I have to decide?

You had better be careful whom you choose.

You should be careful about who you choose.

I will be very careful.

I’ll be super careful.

We are all very careful.

We're all really careful.

SCENE VII.

SCENE 7.

A great many houses are standing.

A lot of houses are still standing.

And some boats.

And a few boats.

A great many boats.

So many boats.

Yes a great many boats have not been lost.

Yes, many boats haven't been lost.

Yes a great many boats are useful.

Yes, a lot of boats are useful.

Do you hear them.

Can you hear them?

I hear about them.

I've heard about them.

So do we.

Same here.

SCENE VIII.

SCENE 8.

It is not necessary to have a saint.

It’s not necessary to have a saint.

Why not.

Why not?

Nobody can answer.

No one can answer.

Some do.

Some people do.

What do they answer.

What do they say?

They say that they expect repetition.

They say they expect things to be repeated.

Some roses which are here look like winter roses. That only means that they are bought Sunday instead of Friday that only means that they are bought Sunday instead of Friday.

Some roses that are here look like winter roses. That just means they were bought on Sunday instead of Friday.

ACT V.

Act V.

SCENE IX.

SCENE 9.

Did you mean to be astonished.

Did you mean to be surprised?

The servant.

The assistant.

Did she mean to be astonished.

Did she intend to be surprised?

What is Peru.

What is Peru?

A republic.

A republic.

What is engraving.

What is engraving?

Commercial.

Ad.

What is it likely to lead to.

What is it likely to lead to?

A competence.

A skill.

Who enjoys food.

Who likes food.

A nervous person.

An anxious person.

A mother.

A mom.

No not a mother

No, not a mom.

A wife.

A spouse.

Yes a wife.

Yes, a wife.

When do they meet very well.

When do they get along really well?

When they believe in what they have in their house.

When they have faith in what they have at home.

Was it all made by them.

Was it all created by them?

Not the things they bought.

Not the stuff they bought.

No certainly not.

No way, definitely not.

Mr. Morton.

Mr. Morton.

How do you do Mr. Morton.

How's it going, Mr. Morton?

The whole family.

The entire family.

How can you walk about the country.

How can you walk around the country?

Quite easily if you don't mind hills.

Quite easily if you don't mind the hills.

One gets accustomed to it.

You get used to it.

Why is there a difference between South America and North America.

What causes the difference between South America and North America?

There is no difference he meant to go there.

There’s no difference; he intended to go there.

After all he was very pleased.

After all, he was very happy.

Certainly he was and the results were good.

Certainly, he was, and the results were great.

Excellent.

Great.

Mr. Clement.

Mr. Clement.

He went away.

He left.

Did he.

Did he?

Yes and I need a dry climate.

Yes, and I need a dry climate.

Do you.

Do it.

I am very well content where I am.

I am very happy where I am.

And do you mean to stay.

And do you plan to stay?

No I think not.

Nah, I don't think so.

But you did like Peru.

But you did enjoy Peru.

Very much.

Definitely.

MEXICO

MEXICO

PART II.

PART II.

Loud voices heard by me.

I heard loud voices.

Did we come back.

Did we return?

All the time that we were saying clouds moon they were feasting.

All the time we were saying "clouds" and "moon," they were having a feast.

Rice and everything.

Rice and all the sides.

Mr. Gentian.

Mr. Gentian.

What are the rest.

What are the others?

I don't know.

I don't know.


There are plenty of early dates. Do dates grow in Mexico. They do somewhere. Not the edible kind. No not the edible kind.

There are plenty of early dates. Do dates grow in Mexico? They do somewhere. Not the edible kind. No, not the edible kind.

Mr. Hawthorne.

Mr. Hawthorne.

What are the changes.

What are the updates?

There are very many of them in some states.

There are a lot of them in some states.

Do you see that.

Do you see that?

You mean the house.

You mean the home.

Yes I mean that house there.

Yeah, I’m talking about that house over there.

Yes I see it very well.

Yep, I see it clearly.


In the midst of plenty of separation there is always some one having lawns. Do you like lawns. Of course I do.

In the middle of a lot of separation, there’s always someone with lawns. Do you like lawns? Of course I do.

There is plenty of time.

There's lots of time.

In that case let us go quietly.

In that case, let's move quietly.

Yes we will go to see one another.

Yes, we will go see each other.

Another.

Another one.

Not that today.

Not today.

By this time we are very weak. Strict. Yes strict. There are a great many calls. Yes there are for that matter.

By this point, we are really weak. Strict. Yes, strict. There are a lot of calls. Yes, there are, for that matter.

Many of us have places.

Many of us have spots.

There are said to be five thousand oats eaten daily.

There are said to be five thousand oats consumed each day.

Yes there.

Yes, there.

We have no occasion to admit phrases.

We have no reason to accept phrases.

We do not admit that thing.

We don't accept that.

Why not.

Why not?

Because we have a feeling.

Because we have a vibe.

Do be told about a fire.

Do be informed about a fire.

SCENE II.

SCENE II.

Change again. We do not change again.

Change again. We won’t change again.

Easily careful. Say the words. Easily careful today.

Easily cautious. Speak the words. Easily cautious today.

Martha. Come in.

Martha, come in.

All the time of merchant marine is taken up with wood. A great deal of wood and then there is no dissatisfaction none at all.

All the time in the merchant marine is spent on wood. A lot of wood, and there’s complete satisfaction—none at all.

Pearl. What did you say.

Pearl. What did you mean?

The time to suggest winter is when you are very happy. Winter is so pleasant.

The best time to talk about winter is when you're really happy. Winter is really nice.

I understand advertisements.

I get ads.

All the time.

Always.

SCENE III.

SCENE III.

That's a very good scene.

That's a great scene.

Yes sir.

Yes, sir.

If you want to be respectable address me as sir.

If you want to be respectful, call me sir.

I am very fond of yes sir.

I really like saying yes, sir.

Mildred. Mildred is your name isn't it.

Mildred. Mildred is your name, right?

I do not mind anything very much.

I don’t really care about much.

Millicent Millicent is your name is it not.

Millicent, that's your name, isn't it?

Yes.

Yes.

I do not wish to make anything too short.

I don’t want to make anything too brief.

I will make it as long as you wish.

I’ll make it as long as you want.

Will you.

Will you?

Yes.

Yes.

Dear you are so kind.

You're so kind.

Kind you don't like that kind.

Kind you don't like that kind.

Yes I do.

Absolutely.

Horace. Have you ever heard of Fernville.

Horace. Have you ever heard of Fernville?

Yes indeed it is in the country.

Yes, it is indeed in the countryside.

West of Edite.

West of Edite.

Yes.

Yeah.

Oh yes.

Oh, totally.

There was resemblance.

They looked alike.

Wasn't there.

Wasn't present.

Yes indeed there was.

Yes, there was.

Many flowers. Are there many flowers.

Many flowers. Are there a lot of flowers?

We have a great many.

We have a lot.

ACT II.

ACT II.

Tall boys are fourteen.

Tall guys are fourteen.

Or sixteen.

Or 16.

We saw that and it was not a mistake to connect them with feeling pears so that they might know that they could answer very well. They were perfectly satisfactory. Millicent Millicent Foster.

We saw that, and it wasn't a mistake to link them with feeling pears so they would know they could respond very well. They were completely satisfactory. Millicent Millicent Foster.

I do believe I find Captain Foster more interesting.

I really think I find Captain Foster more interesting.

There is no mistake to be made attacks are spoken of and well spoken of and hesitation is not blameable. No one can say that Catholics are proud.

There’s no mistake about it; attacks are discussed, and they’re discussed well, and hesitation isn’t something to be blamed. No one can say that Catholics are arrogant.

I do not wish to discuss the matter here.

I don't want to talk about this here.

Miss Millicent Wynne.

Ms. Millicent Wynne.

Why do you sell your name so.

Why do you sell your name like that?

I do not.

I don't.

Of course you do.

Of course you do.

You mean to.

You intend to.

You ask every one about a train.

You ask everyone about a train.

We were ashamed about the train.

We felt embarrassed about the train.

Were you.

Were you?

Yes we had reason to be.

Yes, we had a reason to be.

I can understand. You can understand everything.

I get it. You understand everything.

A Spanish lesson.

A Spanish class.

Begin now.

Understood! Please provide the text that needs modernizing.

By leaving the room.

By exiting the room.

No by mentioning why you have been hesitating.

No, by mentioning why you've been hesitating.

I have not been hesitating and besides I wish to learn English.

I haven’t been hesitating, and besides, I want to learn English.

Do you.

Do you?

Yes.

Yes.

To read.

To read.

To read.

To read.

But you read very well.

But you read really well.

This cannot be said.

This can't be said.

You mean we admire you.

You mean we look up to you.

You can do so.

You can do it.

Were they ashamed of their water.

Were they embarrassed about their water?

Nobody has any water.

No one has any water.

This is what they told us.

This is what they told us.

Mexico.

Mexico.

SCENE II.

SCENE 2.

Mexico tide water. I meant not to spell it so.

Mexico tide water. I didn't mean to spell it that way.

Mexico tied water.

Mexico secured water rights.

Mexico border.

U.S.-Mexico border.

I love the letters m and o.

I love the letters m and o.

Mr. Gilbert. I do not know that child.

Mr. Gilbert. I don't know that kid.

He speaks to you.

He's talking to you.

Yes he does.

Yeah, he does.

And what does he say.

And what does he say?

He asks me what I bequeath to the English.

He asks me what I leave to the English.

Does he.

Is he?

Mrs. Nettie Silk. Have a good time.

Mrs. Nettie Silk. Have fun.

We will.

We will.

When you say that you pass this way.

When you say that you go this way.

You do naturally.

You do it naturally.

Why don't you return my books.

Why don't you give me back my books?

Do you want them.

Do you want them?

Not just at present. You can lend them.

Not just now. You can lend them.

All of them.

Everyone.

Yes all of them.

Yes, all of them.

Thank you so much.

Thanks a lot.

Mrs. William Lane. We found that house.

Mrs. William Lane. We discovered that house.

Yes and we have been accepted.

Yes, and we got in.

For what.

For what reason.

For always.

Forever.

Oh you don't mean to say you won't change your mind.

Oh, you can't be serious about not changing your mind.

William will.

William will.

So he will.

So he will.

Yes sir.

Yep.

The rest of the day.

The remainder of the day.

He wrote about it.

He wrote about it.

Do you believe him.

Do you trust him?

I do.

I do.

Very well.

All good.

Very well.

Great!

It doesn't make any difference.

It doesn't matter.

It doesn't make any difference.

It doesn't matter.

Do remember it any way.

Remember it in any way.

Yes I will.

Sure, I will.

Can I trust you.

Can I trust you?

Yes Madame.

Yes, ma'am.

We will go away.

We're leaving.

There is a way.

There's a way.

I know the way.

I know the route.

I know that way.

I know that route.

Yes I know that way anyway.

Yes, I know that route anyway.

Don't mean it.

Not serious.

You don't mean it.

You don't really mean that.

Yes sir.

Yes, sir.

SCENE III.

SCENE 3.

What's the matter.

What's wrong?

Bouncing barley I learn it quickly.

Bouncing barley, I pick it up quickly.

All about corn-meal.

All about cornmeal.

This was so curious we thought she had added an egg.

This was so strange that we thought she had added an egg.

Herbert Guilbert. This is the name. We are pleased with everything. We like birds and curves and I do not mind saying that we like presents.

Herbert Guilbert. That's the name. We're happy with everything. We enjoy birds and curves, and I won’t hesitate to say that we appreciate gifts.

We are so disappointed.

We're really disappointed.

About what.

About this.

About the iron of course.

About the iron, obviously.

Mrs. Henry. Do come to see me at my hotel.

Mrs. Henry, please come visit me at my hotel.

I don't think we will.

I don’t think so.

Good-night.

Good night.

The light did come up.

The light came on.

At midnight.

At midnight.

No a little after.

Not long after.

We thought it was not difficult.

We thought it wouldn't be hard.

A little more difficult.

A bit more challenging.

John Beede. I made a mistake.

John Beede. I messed up.

Harry Shirley. Leaves and leaves of grass and trees.

Harry Shirley. Lots and lots of grass and trees.

Oh yes.

Oh definitely.

SCENE IV.

SCENE IV.

Is this the way to begin.

Is this how we begin?

Another page. Does she hear me. Does she hear you what.

Another page. Does she hear me? Does she hear you? What?

Turn the page.

Flip the page.

Not if you don't do it.

Not if you don't do it.

Oh yes.

Oh, definitely.

Alphonse Nester. What's his name.

Alphonse Nester. What’s his name?

Didn't you hear it. It came everywhere.

Didn’t you hear it? It came from everywhere.

So it did.

So it happened.

A great many people were blamed.

A lot of people were blamed.

A great many people were blamed.

A lot of people were blamed.

Robert Nestor. I have heard of him.

Robert Nestor. I've heard of him.

Of course you have.

Of course you do.

Be careful.

Be cautious.

Be very careful.

Be careful.

There is no danger.

There's no danger.

There is no danger.

There's no danger.

Not to me.

Not for me.

Not for me.

Not interested.

Oh yes.

Oh, definitely.

Say it.

Say it.

I've said it.

I said it.

We can say.

We can say.

Yes.

Yes.

Tell the young king not to bother.

Tell the young king not to worry.

What do you mean by young king.

What do you mean by young king?

I mean that I am willing.

I'm open to it.

To do what.

What to do.

To say everything.

To say all of it.

He should not have told him.

He shouldn't have told him.

Well he told Mr. Doux.

Well, he told Mr. Doux.

Did he.

Did he?

Of course he did.

Of course, he did.

I say stop and think.

I say pause and reflect.

I say that.

I said that.

No I don't change it.

No, I won't change it.

Do you like repetition.

Do you enjoy repetition?

Yes I like repetition.

Yes, I enjoy repetition.

ACT III.

Act 3.

Don't please me with Mexico.

Don't impress me with Mexico.

Mr. and Mrs. Bing. They had a book. Yes Miss.

Mr. and Mrs. Bing. They had a book. Yes, Miss.

Mr. and Mrs. Guilbert. I mention that name.

Mr. and Mrs. Guilbert. I bring up that name.

Of course you do.

Of course you do.

Of course you do to me.

Of course you do that to me.

Don't cry.

Don't cry.

SCENE II.

SCENE 2.

This is the end of the day. Tomorrow we will leave early. We meet everybody. Some all well fed. Will we be. Well I guess yes. It's foolish to be so abstemious. Are they really. I haven't noticed it.

This is the end of the day. Tomorrow we’ll leave early. We’ll meet everyone. Some are all well-fed. Will we be? Well, I guess yes. It’s silly to be so strict. Are they really? I haven’t noticed it.

Mexico.

Mexico.

When you come to choose dishes you should remember that they cure the ham themselves that is smoke it.

When you choose dishes, keep in mind that they cure the ham themselves by smoking it.

Oh yes.

Oh, definitely.

So you should be careful in cooking the fat.

So you should be careful when cooking the fat.

You mean on the island.

You mean on the island.

She was right. Not about the whole. She knows nothing. Well then why ask her about wood.

She was right. Not about everything. She doesn't know anything. So why ask her about wood?

In their country they celebrate Sunday.

In their country, they celebrate Sunday.

God bless us I say God bless us all day and all night too.

God bless us, I say God bless us all day and all night too.

Do not mention it to me.

Do not bring it up with me.

When this you see remember me.

When you see this, remember me.

SCENE III.

SCENE 3.

I wonder if there is a mistake.

I wonder if there's a mistake.

Horace Lewis I can't imagine such a name.

Horace Lewis I can't picture a name like that.

Horace. It is my name.

Horace. That's my name.

A great many people are there.

A lot of people are there.

Who says it.

Who says that?

The woods the poor man's overcoat.

The woods the poor man's coat.

We can pronounce everything.

We can say anything.

An old man works harder to be eating than a rich one.

An old man works harder to eat than a wealthy one.

Come to me mother.

Come to me, Mom.

Don Jose. Have you sold the dog.

Don Jose. Have you sold the dog?

Not at all I gave it away.

Not at all, I gave it away.

Don Jose. Where is your dog.

Don Jose. Where's your dog at?

It is in the town.

It's in the town.

Don Nicholai. How do you pronounce my name.

Don Nicholai. How do you say my name?

So as to go with sow.

So as to go with sow.

That means to sit down.

That means to take a seat.

That means a pig.

That refers to a pig.

Not in this country.

Not in this country.

Donna Pilar. Is that cheese.

Donna Pilar. Is that cheese?

Yes it's very good cheese.

Yes, it's great cheese.

How do you prepare it.

How do you get it ready?

With cognac.

With brandy.

You mean brandy.

You mean cognac.

One might not call it wine.

One might not refer to it as wine.

Mrs. Gilbert. I will not insult them again.

Mrs. Gilbert. I won’t disrespect them again.

Why on account of the lunch they gave you.

Why because of the lunch they provided you.

No.

No.

Do you know Mr. Bell.

Do you know Mr. Bell?

Mr. Henry Bell.

Mr. Henry Bell.

No Mr. Paul Coles Bell.

No Mr. Paul Coles-Bell.

Oh yes. He teaches English.

Oh yes. He teaches English.

Certainly he does.

Of course he does.

I would like to teach Spanish.

I want to teach Spanish.

So would I.

Same here.

Don Miguel. I believe in a man and wife.

Don Miguel. I believe in a husband and wife.

So do I.

Same here.

And in many children.

And in many kids.

And in a new post-office.

And in a new post office.

We have no opinion about that.

We don't have an opinion on that.

ACT IV.

Act IV.

Do please me.

Please me.

And the sunshine.

And the sunlight.

Tomorrow.

Tomorrow.

We hope so.

We hope so.

We have every reason to expect it.

We have every reason to expect this.

But we may be disappointed.

But we might be let down.

Peggy Chambers. She went away.

Peggy Chambers. She left.

Did she go away.

Did she leave?

She deceived him.

She tricked him.

How.

How?

She was not educated.

She wasn't educated.

You mean not well educated.

You mean uneducated.

She was not educated to travel.

She wasn't brought up to travel.

Does it take an education to travel.

Does it require an education to travel?

It does if you wish to take part in the conversation.

It does if you want to join the conversation.

Bird never took part in the conversation.

Bird never joined the chat.

You are greatly mistaken.

You're seriously mistaken.

Mark Baldwin. What is your name.

Mark Baldwin. What's your name?

Australia. Did you mention Australia.

Australia. Did you say Australia?

Oh yes you mentioned Australia.

Oh yes, you mentioned Australia.

We believe in Mexico.

We believe in Mexico.

SCENE II.

SCENE II.

Mexico.

Mexico.

Come to see me in Mexico.

Come visit me in Mexico.

I don't believe in waiting and eating.

I don't believe in just waiting around and eating.

That's what we said.

That's what we said.

Mark Guilbert. How often I have mentioned his name.

Mark Guilbert. I can't tell you how many times I've mentioned his name.

Lindo Bell. I have not mentioned his name before.

Lindo Bell. I haven't mentioned his name before.

Oh yes you have.

Oh yes, you do.

Charles Pleyell. This is a name we all know.

Charles Pleyell. This is a name we all recognize.

My pen is poor my ink is pale my hand shakes like a little dog's tail.

My pen is weak, my ink is light, my hand shakes like a little dog's tail.

Dorothy Palmer. Where is Ibizza.

Dorothy Palmer. Where is Ibiza?

Frank Jenny. I do not believe that he is home.

Frank Jenny. I don't think he's at home.

At home.

At home.

Yes at his home.

Yes, at his place.

I do not believe that he's out.

I don't think he's out.

Mark Guilbert. He is a young man.

Mark Guilbert. He's a young guy.

We know three on the island.

We know three people on the island.

Mark, Allan and their mother.

Mark, Allan, and their mom.

That is not what I meant when I said that she looked American.

That’s not what I meant when I said she looked American.

SCENE III.

SCENE 3.

I don't quite understand what I have done.

I don't really understand what I've done.

Wintering and rain it is not raining. It rains every day. Oh yes it makes the wood wet. We prefer it so. Thank you you will come to lunch. At what hour. One o'clock. John Russel. If there is a Mallorcan name if Mallorca gave the missionary who converted the California settlers if the Mallorcans have a little town of their own near New York then we will believe in Spanish influence in Mexico. The Spaniards are not liked in Mexico.

Wintering and rain, it’s not raining. It rains every day. Oh yes, it makes the wood damp. We prefer it that way. Thank you, you will come to lunch. What time? One o'clock. John Russel. If there’s a Mallorcan name from Mallorca given to the missionary who converted the California settlers, and if the Mallorcans have a little town of their own near New York, then we will believe in Spanish influence in Mexico. The Spaniards are not liked in Mexico.

John and Maria Serra.

John and Maria Serra.

Foundations.

Foundations.

The middle of the day. Why do you not come in the day time. You mean to listen. No I don't mean to listen.

The middle of the day. Why don’t you come during the day? You want to listen. No, I don’t want to listen.

This is very well said.

This is really well said.

Dorothy Palmer Come in and rest.

Dorothy Palmer Come in and relax.

We are coming in.

We're coming in.

A great deal.

A lot.

A great many mistakes.

So many mistakes.

Maria Serra. I understand you wish to show me what you have.

Maria Serra. I get that you want to show me what you have.

Yes.

Yes.

Will you come tomorrow.

Are you coming tomorrow?

Tomorrow would suit me better.

Tomorrow is better for me.

Or today.

Or today.

Today would suit me.

Today works for me.

Would you be disappointed if Fernando Orro only sang twice.

Would you be disappointed if Fernando Orro only sang twice?

Of course not.

Of course not.

You mean you would be willing to change your mind.

You mean you'd be open to changing your mind.

Of course.

Sure.

Yes that's it.

Yes, that's it.

Of course a great many people are there and they do not mean to say anything.

Of course, a lot of people are there, and they aren't trying to say anything.

You mean praiseworthy.

You mean admirable.

Yes be glad to meet me.

Yes, be happy to meet me.

Yes a diamond.

Yes, a diamond.

All the way to come.

All the way here.

Home.

Home.

SCENE IV.

SCENE 4.

Mexico begins here.

Mexico starts here.

You relieve here.

You relax here.

Here we have star-fish. You mean little ones. Yes little ones.

Here we have starfish. You mean the small ones. Yes, the small ones.

Mark Gilbert. I wish to tell you about mines.

Mark Gilbert. I want to talk to you about mines.

Yes.

Yes.

Or would you prefer to hear there were meteors.

Or would you rather hear that there were meteors?

I would surely prefer to hear there were meteors.

I would definitely rather hear there were meteors.

Any one can refer to it.

Anyone can access it.

So they can.

So they can.

In the meantime the wind this evening is not nearly in that locality.

In the meantime, the wind this evening is nowhere near that area.

Do you think one can say that.

Do you think you can say that?

No perhaps not.

Nah, probably not.

Mrs. Penfold. Mrs. Penfold sees no one.

Mrs. Penfold. Mrs. Penfold doesn't see anyone.

ACT V.

Act V.

The act of coming is pitiful.

The act of climaxing is sad.

Butter is pitiful.

Butter is lame.

All of it is enough.

All of it is sufficient.

She said it is pleasanter now when there is enough so that there can be a change.

She said it’s nicer now when there’s enough to allow for a change.

Mr. and Mrs. Leland Paul.

Mr. and Mrs. Paul Leland.

Do you know that name. Do you know being called Mr. Paul. Do you hear me telling you that a great many people hear opera.

Do you know that name? Do you know what it’s like to be called Mr. Paul? Do you hear me telling you that a lot of people listen to opera?

A great many soldiers in the streets.

A lot of soldiers in the streets.

This means that there is wood to prevent traffic.

This means that there is wood to block traffic.

Not plenty of wood oh no.

Not a lot of wood, oh no.

Dear Mrs. Amos.

Dear Mrs. Amos,

I letter this B because it is very dangerous.

I label this B because it's really dangerous.

A great many dogs are very dangerous too.

A lot of dogs can be very dangerous as well.

Do you mind. Lilie do you mind.

Do you care? Lilie, do you care?

Yes I do mind.

Yes, I do mind.

SCENE II.

SCENE II.

John Quilly. Do you recollect him.

John Quilly. Do you remember him?

You mean the color.

You mean the hue.

Or the effect.

Or the impact.

Why yes of course they were beautiful.

Why, yes, of course they were beautiful.

So they were.

So they were.

Will we get some more Tuesday.

Will we get some more on Tuesday?

I rather guess yes.

I guess so.

A great many.

A lot.

As many as we can.

As many as possible.

All of that one kind.

All of that one type.

Yes.

Yes.

SCENE III.

SCENE 3.

Neglected.

Ignored.

Who has neglected Chinese lillies.

Who has ignored Chinese lilies?

Nobody has. They grow so profusely that there is no necessity to cultivate them.

Nobody has to. They grow so abundantly that there's no need to cultivate them.

But the season is so short.

But the season is super short.

Yes but the wild ones have a finer quality than the others.

Yes, but the wild ones have a better quality than the others.

SCENE IV.

SCENE IV.

I said that we were delighted.

I said that we were thrilled.

If they were blue flowers and grew where chalk is they would be blue.

If they were blue flowers and grew where chalk is, they would be blue.

Clay makes them dark.

Clay turns them dark.

Stones make them purple and blue.

Stones turn them purple and blue.

This is the color described by the time.

This is the color described by the era.

We were not disappointed

We weren't disappointed.

Indeed no.

Definitely not.

John Quilly. Why do you rest.

John Quilly. Why are you resting?

We were so disappointed in the electricity. Of course it was not our fault.

We were really let down by the electricity. Of course, it wasn't our fault.

John Quilly. John Quilly John Quilly my babe baby is prettier than ever John Quillys are.

John Quilly. John Quilly John Quilly my babe baby is more attractive than ever, just like all John Quillys are.

So they selected to do it in two hours.

So they decided to do it in two hours.

I can do it in one hour.

I can do it in an hour.

I have known it to be done in five hours and a half

I’ve seen it done in five and a half hours.

SCENE V.

SCENE V.

Have you been relieved.

Have you felt relieved?

I should not have mentioned it in the other book.

I shouldn’t have brought it up in the other book.

Oh it doesn't make any difference.

Oh, it’s no big deal.

You mean it doesn't matter.

So you’re saying it’s irrelevant.

Yes that is what I wished to say.

Yes, that's what I wanted to say.

You have said you believe in delay.

You said you believe in postponing things.

Everybody believes in delay.

Everyone believes in delay.

Don't annoy me.

Don’t irritate me.

ACT VI.

Act 6.

SCENE I.

SCENE 1.

This is the end. Do you remember the sixth act. I do. It always interested me.

This is the end. Do you remember the sixth act? I do. It always fascinated me.

Milly. I thought so.

Milly. I figured as much.

You mean you thought of a collection.

You mean you thought of a set.

Mrs. Penfold. Mr. Penfold.

Mrs. Penfold. Mr. Penfold.

Mr. Lindo Howard. I will not be able to be well. I will explain to Harold.

Mr. Lindo Howard. I won't be feeling well. I'll explain it to Harold.

This is what he said.

This is what he said.

Mexico is never a disappointment.

Mexico never disappoints.

Goats. Goats are Western. You mean in excuses. No of course not in feathering.

Goats. Goats are Western. You mean in making excuses. No, of course not in their feathers.

I do not use that word.

I don’t say that word.

I was so pleased with Mr. and Mrs. Penfold's voices.

I was really impressed with Mr. and Mrs. Penfold's voices.

Before to-day.

Before today.

You mean that as a question.

You’re asking that as a question.

Tito Ruffo.

Tito Ruffo.

Tito Ruffo yes.

Tito Ruffo, yes.

SCENE II.

SCENE 2.

Tito Ruffo. No.

Tito Ruffo. Nah.

That's the way they say it.

That's how they put it.

They said I like to be separated.

They said I enjoy being alone.

Do you really mean that.

Are you serious about that?

Really and truly.

Seriously.

Mr. Crowell. How do you pronounce it.

Mr. Crowell. How do you say it?

We call it well.

We think it's good.

Do you mean to say that that is the way you pronounce it.

Do you really pronounce it that way?

Yes are you surprised.

Yes, are you surprised?

Of course I am surprised.

I'm definitely surprised.

Do you never read the papers.

Do you never read the news?

Not in the morning or evening.

Not in the morning or evening.

You mean on account of bad news.

You mean because of bad news.

No I like flags.

No, I like flags.

SCENE III.

SCENE 3.

Alright Mexico.

Okay, Mexico.

We did not call for Peppe. This is short for Joseph.

We didn't call for Peppe. This is short for Joseph.

We did not call Pablo.

We didn't call Pablo.

We did not call Peppe.

We didn't call Peppe.

We did not have the pleasure of hearing Rigoletto.

We didn't get the chance to hear Rigoletto.

William King. Are you pleased with everything.

William King. Are you happy with everything?

Certainly I am the news is good.

Sure, I have great news.

Marcelle Helen. How do you do I have been in a bombardment.

Marcelle Helen. How's it going? I've been under a lot of pressure.

So you have.

So you got it.

And were you evacuated.

Were you evacuated?

We did not leave our village.

We didn't leave our town.

We asked the consul to tell us what he thought.

We asked the consul for his opinion.

He said that there was nothing to fear.

He said there was nothing to worry about.

Nothing at all.

Nothing at all.

So he said.

So he said.

Very well today.

Feeling great today.

Oh yes the wind.

Oh yes, the wind.

SCENE IV.

SCENE 4.

I do not make a mistake.

I don’t make mistakes.

Oh yes indeed.

Oh, definitely.

My mother.

Mom.

You mean your mother.

You mean your mom.

I mean to say that I think the government should send her to her home.

I think the government should send her back home.

We will see.

We'll see.

A FAMILY OF PERHAPS THREE

When they were younger there may have been three of them sisters, and a mother. When they were younger there may have been three of them one of them a brother, and a mother. When they were younger there were certainly two of them, sisters, and a mother. There was not then any father. There may have been a father living but certainly he was not then living with them. Anyway there were when they were younger two of them, two sisters, and a mother.

When they were younger, there might have been three sisters and a mom. When they were younger, there might have been three of them, one being a brother, and a mom. When they were younger, there were definitely two of them, sisters, and a mom. There wasn't a dad then. There may have been a dad alive, but he definitely wasn't living with them. Anyway, when they were younger, there were two of them, two sisters, and a mom.

Perhaps the sister who was older then supported her sister and her mother. Perhaps she earned a living then for all of them. She was much older than her sister, enough older so that she could be quite certain that all her living her sister was much younger, that all her living her sister was a young one, that all her living she was earning her living, that all her living her sister was not earning her living.

Perhaps the older sister then supported her sister and their mother. Maybe she was the one bringing in money for all of them. She was much older than her sister—old enough to know that her sister was still very young and not earning a living, while she was the one taking care of everything.

The sister the younger one was earning her living and certainly then the older one, the one who was much older than her sister who was much younger was certain that the younger one would have been earning her living all her living if she had been one commencing to earn her living. The younger was earning her living, she was not listening then to the story which was distressing of the older sister then almost not earning any living. She would listen sometime to this thing but certainly she would not listen then to this thing.

The younger sister was working to support herself, while the older sister, who was significantly older, was convinced that if the younger sister had started working earlier, she would have been able to support herself her whole life. The younger sister was busy with her job and was not paying attention to the troubling story of the older sister, who was practically not making any money. Sometimes she would listen to this, but for the most part, she wasn’t interested in hearing about it.

The older sister had not then any longer any mother. The younger sister then had not then any longer any mother. The older sister then had not then any longer any mother. The younger sister was not then hearing about this thing about the older sister having then not any longer any mother. Not any one then was listening to this thing to the older sister not then having any longer any mother. The older sister was then quite an old person. The younger sister was then not a young person. The younger sister was not then hearing anything about this thing about the older sister having then not any longer any mother.

The older sister no longer had a mother. The younger sister also no longer had a mother. The older sister was now quite an old person. The younger sister was not young anymore. The younger sister wasn't aware of the fact that the older sister didn't have a mother anymore. Nobody was listening to the older sister’s situation about not having a mother. The younger sister wasn’t hearing anything about the older sister not having a mother anymore.

They were then being living and very many knew them then, two of them, they were sisters, one was older, much older, the other was younger, some younger. They were living together then. The older was then earning some living, the younger was then sometimes hearing this thing, the younger was then not such a young one, she was quite completely hearing this thing, hearing that the older was almost earning a living, they were both living then, the younger was hearing then that the older one was almost earning a living. The younger was not listening, any more then, the older one was not earning any more of a living then. The younger one was almost not listening then.

They were living together at that time, and many people knew them—two sisters. One was older, much older, and the other was younger, somewhat younger. The older sister was making a living while the younger sister sometimes heard about it. The younger sister wasn't so young anymore; she fully realized that the older sister was nearly earning enough to support themselves. They were both living together, yet the younger sister noticed that the older one was just about making a living. The younger sister wasn't really paying attention anymore, and the older sister wasn't earning a living anymore either. The younger sister was hardly listening at that point.

The younger then earned her living. She was not at all a young one. The older one was not a very old person then, she was an old person then, she was almost not earning a living then. The younger one was not listening then to anything about any such thing then. She was not listening then and certainly the older one was not listening then and certainly neither of them was listening then. The older was almost not earning a living then and she was quite old then and she was not listening then. The younger one was earning a living then and was not listening then and she was not at all a young one then.

The younger one was making a living. She wasn’t really that young. The older one wasn’t very old at that time; she was old, and she was hardly making a living. The younger one wasn’t paying attention to anything related to that. She wasn’t listening, and neither was the older one. Neither of them was really listening at all. The older one was barely making a living, and since she was quite old, she definitely wasn’t listening. The younger one was making a living but wasn’t paying attention, and she wasn’t really that young either.

The older one was protecting the younger one from knowing where they had been when they were young ones. They both knew where they had been when they were young ones. The younger one was protected for this thing for not knowing where they had been when they were young ones.

The older one was shielding the younger one from knowing where they had been when they were kids. They both knew where they had been when they were kids. The younger one was kept in the dark about this, not knowing where they had been when they were kids.

The younger one was protected. She was protected from knowing that they were ones having been living when they were young ones, she was protected from knowing that they were not ever completely earning a living, she was protected from knowing that they were not going to be succeeding in earning a living. She was protected from these things, really she was protected from these things. Certainly every one knew everything, both of them and every one knowing them knew everything. That was a natural thing that every one should know everything. In a way they were succeeding in living. In a way the older one was succeeding in living, in a way the younger one was succeeding in living. Everybody knew everything, anybody knowing them knew everything, everybody knowing them knew it again and again, knew everything again and again, the older one knew everything knew it again and again. The younger one knew everything knew it again and again. Certainly every one knew everything. Certainly every one knew everything again and again.

The younger one was shielded. She was shielded from realizing that they had once been young, she was shielded from understanding that they were never truly making a living, she was shielded from the fact that they weren’t going to succeed in making a living. She was protected from these truths, really she was. Clearly, everyone knew everything; both of them and everyone who knew them were aware of everything. It was only natural for everyone to know everything. In a way, they were managing to live. In a way, the older one was managing to live, and in a way, the younger one was managing to live. Everybody knew everything; anyone who knew them knew everything; everyone who was aware of them knew it over and over, knew everything again and again. The older one knew everything, knew it over and over. The younger one knew everything, knew it over and over. Clearly, everyone knew everything. Clearly, everyone knew everything again and again.

The older one succeeded very well in living. The younger one succeeded very well in living. The older one was successful in being living. The younger one was successful in being living. The older one came to be certain that she was not successful in being living, that she was not succeeding in living, she came to be certain that the younger one would have been successful in living if the older one had not been one protecting the younger one from knowing this thing. The older one came to be certain that she had been successful in living, that she would not be succeeding in living. The older one came to be certain that the younger one would not really be succeeding in living. The younger one came to be certain that the older one could have been succeeding in living. The younger one came to be certain that the older one would not be succeeding in living. The younger one came to be certain that she could be succeeding in living. The younger one came to be certain that it would not be an easy thing to keep on being succeeding in living. The younger came to be certain that the older one never had been keeping on succeeding in living. The younger one was certain that one could keep on succeeding in living but that this was not an easy thing.

The older one was really good at living. The younger one was also really good at living. The older one felt successful at being alive. The younger one felt successful at being alive too. The older one became convinced that she wasn't successful at being alive, that she wasn't doing well in life. She became certain that the younger one would have been successful at living if the older one hadn't been protecting her from realizing this. The older one came to believe that she had been successful in living, but that she wouldn't continue to be successful. The older one was sure that the younger one wouldn't truly be succeeding in living. The younger one became convinced that the older one could have been successful in life. The younger one also believed that the older one wouldn't be succeeding in living. The younger one felt confident that she could succeed in living. The younger one realized that it wouldn't be easy to keep succeeding at life. The younger one also became sure that the older one had never really been succeeding at living. The younger one was certain that while one could continue to succeed in living, it wasn't an easy thing to do.

The older sister was not ever married. The younger sister was not ever married. This is quite common, not being married. The older sister was one whom some were certain could have been married very often. Certainly if she had been a little different she might have been married again and again. Certainly she was never married. Certainly she was not needing that thing, needing being married, needing being married again and again. She certainly was talking about any such thing, talking very often about any such thing about any being married, about any being married again and again. She certainly was one knowing very many men. Certainly very many men liked this woman. Certainly she was talking about this thing about being married very often, certainly she was very often talking about this thing. Certainly she was not ever completely needing this thing, needing marrying, she certainly was not ever completely needing marrying again and again. She was never a married one. She was not ever completely needing this thing. Certainly she could think again and again of this thing, of marrying. She certainly did think about this thing about marrying. She certainly did talk about marrying again and again. She certainly did feel something about this thing about marrying again and again.

The older sister was never married. The younger sister was never married either. It's quite common not to be married. The older sister was someone many thought could have been married multiple times. If she were a little different, she might have been married again and again. But she was never married. She didn’t feel the need for marriage, nor did she need to be married repeatedly. She often talked about marriage, discussing it frequently. She knew a lot of men, and many men liked her. She talked about marriage often and definitely thought about it quite a bit. While she wasn’t completely focused on the need for marriage, she did think about it repeatedly. She often discussed the idea of marrying and definitely felt something about it.

The younger sister was never married and she might sometime have come to be married and she did not come at any time to be married. She was never married. She might talk about this thing about marrying. She might feel something about this thing about marrying. She might completely need this thing, need being married. She might have come to be a married one. She did not come to be a married one. Her sister was not ever certain that she would come to be a married one, that she would not come to be a married one. Her sister was not certain about either of them that they would never come to be married ones. They were never married neither the one nor the other and certainly each one of them knew this thing that neither one of them had come to be a married one.

The younger sister was never married, and although she might have had the chance to marry at some point, she never did. She often talked about marriage and might have had feelings about it too. She could have really needed it, the idea of being married. She could have ended up married, but she didn’t. Her sister was never sure whether she would marry or not. Her sister didn’t know for sure about either of them if they would ever get married. Neither of them was married, and definitely, each of them knew that neither had become a married woman.

Certainly the older one had done something and certainly every one was content to tell about this thing about her having done something and being one every one knowing her was remembering as having been one doing something. She certainly had done something and certainly any one knowing her remembered that thing remembered that she was one having done something. She was one going on doing that thing and certainly every one knowing her knew that thing knew that she was going on doing that thing. She was one having done something and doing that thing and certainly any one knowing her remembered that thing. It was a natural thing to remember that thing, any one, every one remembered that thing.

Certainly, the older woman had done something, and everyone was happy to talk about it. Everyone who knew her remembered that she had done something significant. She definitely had done something, and anyone who knew her recalled that moment, acknowledging that she was someone who had accomplished it. She kept doing that thing, and everyone who knew her was aware of it, recognizing that she continued with it. She was someone who had done something and was still doing it, and anyone who knew her remembered that. It was a natural thing to recall; everyone remembered that event.

She was one doing something and certainly in a way she was not getting old in doing that thing and certainly in a way she was completely old in doing that thing, she was not doing that thing she was so old in doing that thing. In a way she was not old in doing that thing, in doing anything and certainly then she was completely old and not really to any one doing that thing. She was not old in doing that thing, that is to say she was doing that thing, that is to say if not anything had been changing she would not have been old in doing that thing. In a way somethings are not changing and so in a way she was not old in doing that thing. Certainly to those being then doing that thing and not being old then anything is a changed thing and certainly then she was old in doing that thing.

She was doing something, and in some ways, she wasn't getting old doing it; in other ways, she was completely old because of it. She wasn't doing that thing in a way that made her feel old, but at the same time, she felt old about doing it. In a way, she wasn't old doing any of it, and yet she was completely old, not really in relation to anyone else doing that thing. She wasn't old doing that thing, meaning she was actively doing it; if nothing had changed, she wouldn't feel old while doing it. In some ways, things aren’t changing, so she felt young while doing that thing. Certainly, to those who were there doing it and not feeling old, anything feels like a change, and in that sense, she seemed old doing that thing.

She was not old in being living that is to say as not anything is changing she was completely not old in being living. She was pretty nearly old in being living that is to say she was not young in being living that is to say some were old in being living and she was talking to them and they were understanding and some were young in being living and they were telling something and she was certain they were not telling any such thing. She certainly was not old in being living. She certainly was not young in being living.

She wasn’t old in the sense that she was alive; that is to say, as nothing was changing, she was completely not old in being alive. She was almost old in being alive; that is to say, she wasn’t young in being alive. Some were old in being alive, and she was talking to them, and they understood her. Some were young in being alive, and they were saying something, but she was sure they weren’t saying anything of importance. She definitely wasn’t old in being alive. She definitely wasn’t young in being alive.

The younger one was certainly not an old one. She certainly was not such a young one. In a way she was certainly a young one and certainly she was such a one in not hearing some things and in telling some things and certainly this did not astonish any one and was a natural thing and certainly she was not then a young one.

The younger one was definitely not an old person. She wasn't exactly a very young person either. In some ways, she was younger, and indeed, she didn’t hear certain things nor did she say some things, and this didn’t surprise anyone; it was a natural occurrence, and for sure, she was not a young person then.

She was an older one and she was certain of this thing and this was not an astonishing thing to any one and not to her sister who was not astonished at her being a younger one at her being an older one but was certainly hoping to have had this thing happening that the younger one would have been going on being a younger one and being an older one and not be remembering anything of any such thing. Certainly the younger one came to be one almost liking to be remembering something and then again she certainly came to be quite tired of doing this thing of remembering anything, of remembering being an older one and remembering being a younger one and then she came to going on being one remembering being an older one, she was then remembering being a younger one. Certainly she came to be remembering pretty nearly everything and to going on in this thing, keeping going on in this thing, steadily enough going on in this thing.

She was older and she knew it, and that wasn’t surprising to anyone, not even to her sister, who didn’t find it shocking that she was younger or older. Her sister was definitely hoping for the younger sister to keep being the younger one, while the older sister would be the older one, without recalling anything about it. The younger sister started to enjoy remembering things, but eventually she got really tired of it—tired of remembering being older and younger. Then she continued to remember being older while she was also remembering being younger. She ended up recalling almost everything and kept at it, steadily continuing in this way.

They could both of them, they did, both of them, they would, either of them, know that they were ones having been together and they were ones having been alone. The older one certainly was one having been alone, being alone, going to be alone and certainly this thing was something that she was certain she was completely needing, was something she was certain she was completely regretting, was something that certainly she was one certain she could be feeling and certainly she was feeling this thing and certainly she would be one having been feeling this thing and certainly she could never be not feeling that this was something that was a thing she was needing, she was regretting, in which she was suffering, in which she was glorying, in which she was believing, in which she was despairing, in which and by which she was really being living.

They both knew that they had been together and that they had also been alone. The older one definitely had been alone, was alone, and would continue to be alone, and she was completely sure that this was something she needed, something she deeply regretted, something she knew she was feeling. She was definitely feeling it, and she would always be feeling it. She could never deny that this was something she needed, something she regretted, in which she was suffering, in which she was finding joy, in which she had faith, and in which she was experiencing despair—through which and by which she was truly living.

The younger one was alone and not feeling about this thing that it was an important thing, she was feeling about this thing that it was a thing that she was needing to be changing. The older one was quite certain that the younger would never be changing anything. The younger one was not certain whether she would or whether she would not be changing anything but this was not to be an important thing, the important thing for her was to be one living where she wanted to be living and to be working if she needed to be working. Certainly her sister was one to whom any such thing was an important thing and so the younger one did not tell her sister anything about this thing until she had changed everything, that is gone to where she wanted to and working because she had to.

The younger sister was alone and didn’t see this as something significant; instead, she felt it was something she needed to change. The older sister was convinced that the younger one would never change anything. The younger sister wasn’t sure if she would make any changes, but that didn’t seem important to her. What mattered to her was living where she wanted and working if necessary. Her sister definitely viewed such things as important, so the younger one didn’t share anything about her situation until she had changed everything—meaning she went where she wanted and started working because she had to.

So each of them were ones being not living with any one and certainly the older one had that then as an important thing in being one being living.

So each of them was someone who didn't live with anyone, and definitely the older one saw that as an important aspect of living.

Certainly any one could know that having been being living was an interesting thing in knowing the older one. Any one could know this thing could know that the older one had been one being living and that that was an interesting thing. She certainly had been one being living and that certainly was an interesting thing. She had been being living and this had been going on a very long time and it was all that time and later then a very interesting thing. She was being living and this was then to her then an important thing and not then so completely interesting. The younger one had been being living and this was to some an important enough thing and was to some quite an important thing and was not to any one a very interesting thing not to the older one either or to the other one herself who was one doing that living. They certainly had been both being living and were then being living. Certainly having been being living was an important thing was a completely interesting thing, any one could know that thing, certainly the older one could know that thing, certainly the younger one was not remembering that thing.

Sure, anyone could see that living had been an interesting experience for the older person. Anyone could understand that the older individual had been alive, and that was fascinating. She had definitely been alive, and that was indeed interesting. She had been living for a very long time, and that was all the more interesting. She was alive, and for her, that was important, though perhaps not all that interesting anymore. The younger person had also been alive, which was significant to some people but not very interesting to the older person or even to the younger one themselves, who was living that life. They had both been alive and were currently living. Clearly, having lived was an important and completely fascinating matter; anyone could recognize this, especially the older person, while it seemed the younger one did not remember it at all.

They had been together, they were together, they were not together. When they had been together the older one was almost completely succeeding in being one naturally needing that the younger one was something any one would be protecting. The older one was then going to be one being completely interesting in having been living. The older one was then almost completely brilliantly this thing being one being completely interesting in having been living. The older one was completely then succeeding in this thing in being one going to be interesting in having been living, in being one needing that any one would have been protecting the younger one. They had been together. They were together. When they were together the older one was almost needing that any one would be certain to be doing that thing certain to be sometime protecting the younger one. The older one was then certainly completely interesting in having been living and certainly then was completely interesting. She was almost then, was almost brilliantly succeeding in this thing in being completely interesting in having been living. Certainly they were both being living then and they were together then. Certainly then the older one was going on in being interesting in having been living, she certainly was then quite completely interesting. She certainly then was being living and certainly then she was almost certain that any one would be one to protect the younger one. They were together then and certainly some were not certain of this thing that any one would sometime protect the younger one. They were together then and every one was certain that the older one was completely interesting in having been living. They were together then and some were not certain that the older one was certain that any one would be protecting the younger one. Some were certain then that the older one was interesting in having been living. They were together then and any one could be certain that not every one would ever protect the younger one when the younger one would be needing any protection. Some were certain that the older one was not certain that any one would protect the younger one when the younger one would need protection. The older was almost certain that some one would protect the younger one when the younger one would need protection. The older one was almost quite certain. The older one was almost quite completely interesting in having been one being living. They were together. They were not together. The older one was certain that some one would have been protecting the younger one when they younger one would be needing protection. The older one was certain that sometime the younger one would be needing that thing would be needing protection. The younger one was not with the older one. The younger one was remembering that she was not with the older one. The younger one was remembering that she was not with the older one and was needing that the older one would be one coming sometime to remembering that thing. The older one was pretty nearly interesting in having been one being living. She was pretty nearly certain that some one would have been protecting the younger one when the younger one would have been needing that thing. They were not together then. The older one was pretty nearly interesting in having been one being living. She was quite certain that any one could have protected the younger one when the younger one would have needed that thing. She was almost remembering that they were not together then. She was almost quite remembering that thing. She was quite interesting in having been one being living. She was almost quite interesting in having been living.

They had been together, they were together, they weren’t together. When they had been together, the older one was almost entirely succeeding in being someone who naturally needed the younger one to be something that anyone would want to protect. The older one was then going to be someone who was completely interesting in having lived. The older one was almost entirely brilliantly this person who was completely interesting in having lived. The older one was then completely succeeding in being someone who would be interesting in having lived, needing that anyone would have been protecting the younger one. They had been together. They were together. When they were together, the older one almost needed anyone to definitely be doing that thing of protecting the younger one at some point. The older one was then certainly completely interesting in having lived and was certainly completely interesting. She was almost then, almost brilliantly succeeding in being completely interesting in having lived. Certainly, they were both living then, and they were together then. Certainly, the older one was going on in being interesting in having lived; she certainly was then quite completely interesting. She certainly was living and was almost certain that anyone would be someone to protect the younger one. They were together then, and certainly, some were not sure that anyone would eventually protect the younger one. They were together then, and everyone was certain that the older one was completely interesting in having lived. They were together then, and some were not certain that the older one believed anyone would protect the younger one. Some were certain then that the older one was interesting in having lived. They were together then, and anyone could be certain that not everyone would ever protect the younger one when the younger one needed any protection. Some were certain that the older one was not convinced that anyone would protect the younger one when she needed protection. The older one was almost sure that someone would protect the younger one when she needed protection. The older one was almost quite certain. The older one was almost completely interesting in having been a living person. They were together. They were not together. The older one was sure that someone would have protected the younger one when she needed protection. The older one was sure that at some point the younger one would need protection. The younger one was not with the older one. The younger one was remembering that she was not with the older one. The younger one was remembering that she was not with the older one and needed the older one to eventually remember that. The older one was pretty much interesting in having been a living person. She was pretty much certain that someone would have protected the younger one when she needed it. They were not together then. The older one was pretty much interesting in having been a living person. She was quite sure that anyone could have protected the younger one when she needed it. She was almost remembering that they were not together then. She was almost quite remembering that. She was quite interesting in having been a living person. She was almost quite interesting in having lived.

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I was winsome. Dishonored. And a kingdom. I was not a republic. I was an island and land. I was early to bed. I was a character sodden agreeable perfectly constrained and not artificial. I was relieved by contact. I said good-morning, good evening, hour by hour. I said one had power. I said I was frequently troubled. I can be fanciful. They have liberal ideas. They have dislikes. I dread smoke. Where are there many children. Where are there many children. We have an account. We count daisy. Daisy is a daughter. Her name is Antonia. She is pleased to say what will you have. Horns and horns. Nicholas is not a stranger. Neither is Monica. No one is a stranger. We refuse to greet any one. We like Genevieve to satisfy us. I do not like what I am saying.

I was charming. Disgraced. And a kingdom. I was not a republic. I was an island and land. I was early to bed. I was a character completely agreeable, perfectly restrained, and not fake. I felt relieved by interaction. I said good morning, good evening, hour by hour. I said one had power. I said I was often troubled. I can be imaginative. They have progressive ideas. They have dislikes. I hate smoke. Where are there lots of kids? Where are there lots of kids? We have an account. We count daisies. Daisy is a daughter. Her name is Antonia. She is happy to ask what you would like. Horns and horns. Nicholas is not a stranger. Neither is Monica. No one is a stranger. We refuse to greet anyone. We like Genevieve to satisfy us. I do not like what I am saying.

How can you describe a trip. It is so boastful.

How would you describe a trip? It sounds so braggy.

He said definitely that they would. They have. It's a little late. I hope the other things will be as he states them. I have confidence. I have not eaten peaches. Yes I have. I apologize. I did not want to say the other word that was red. You know what I mean.

He said for sure that they would. They have. It's a bit late. I hope the other things will be like he says. I believe in it. I haven't eaten peaches. Actually, I have. I'm sorry. I didn't want to say the other word that was red. You know what I mean.

Why can I read it if I know page to page what is coming if I have not read it before. Why can I read it. I do.

Why can I read it if I already know what's coming next page by page, even though I haven't read it before? Why can I read it? I do.

I didn't.

I didn't.

Let me see. I wish to tell about the door. The door opens before the kitchen. The kitchen is closed The other door is open and that makes a draft. This is very pleasant in summer. We did not expect the weather to change so suddenly. There seem to be more mosquitoes than ever. I don't understand why I like narrative so much to read. I do like it. I see no necessity for disclosing particularity I am mightily disturbed by a name such as an English home. An English home is beautiful. So are the times.

Let me see. I want to talk about the door. The door opens into the kitchen. The kitchen is closed. The other door is open, creating a draft. This feels really nice in the summer. We didn’t expect the weather to change so quickly. There seem to be more mosquitoes than ever. I don’t get why I enjoy narrative so much to read. I really do like it. I see no reason to disclose particularity. I’m really bothered by a name like an English home. An English home is beautiful. So are the times.

A dog does not bark when he hears other dogs bark. He sleeps carefully he does not know about it. I am not pained.

A dog doesn’t bark when he hears other dogs barking. He sleeps soundly, unaware of it. I'm not hurt.

This is the narrative. In watching a balloon, a kite, a boat, steps and watches, any kind of a call is remarkable remarkably attuned. A resemblance to Lloyd George, bequeathing prayers, saying there is no hope, having a french meeting. Jenny said that she said that she did not believe in her country. Any one who does not believe in her country speaks the truth. How dare you hurt the other with canes. I hope he killed him. Read it. I believe Bulgaria. I have pledges. I have relief.

This is the story. Watching a balloon, a kite, a boat, taking steps and watching, any kind of call is strikingly in tune. A likeness to Lloyd George, passing on prayers, declaring there’s no hope, having a French meeting. Jenny mentioned she didn't believe in her country. Anyone who doesn’t believe in their country is telling the truth. How dare you hurt someone else with canes? I hope he killed him. Read it. I believe in Bulgaria. I have promises. I have support.

I AM NOT PATIENT

I’m not patient.

I am interested. In that table. I like washing gates with a mixture. We get it by bringing up melons. White melons have a delicious flavor.

I’m interested. In that table. I enjoy washing gates with a mixture. We get it by bringing up melons. White melons have a tasty flavor.

I am not patient. I get angry at a dog. I do not wish to hear a noise. I did not mind the noise which the client made. I wished to see the pearls. How easily we ask for what we are going to have. By this we are pleased and excited.

I’m not very patient. I get upset with a dog. I really don’t want to hear any noise. I didn’t care about the noise the client made. I wanted to see the pearls. It’s funny how easily we ask for what we’re about to get. It makes us happy and excited.

The hope there is is that we will hear the news. We are all elated. Did you see her reading the paper. I cannot help wanting to write a story.

The hope is that we will hear the news. We are all excited. Did you see her reading the paper? I can't help but want to write a story.

A woman who had children and called to them making them hear singing is a match for the man who has one child and does not tell him to play there with children. Heaps of them are gambling. They tell about stitches. Stitches are easily made in hot weather and vegetation. Tube roses are famous.

A woman with kids called to them, making them listen to her sing, is just as good as a man who has one child but doesn't encourage him to play with other kids. Plenty of them are playing games. They talk about stitches. Stitches are easy to make in warm weather and lush surroundings. Tube roses are well-known.

I could be so pleased. It would please me if Van would mention it. Why is an index dear to him. He has thousands of gesticulations. He can breathe.

I could be really happy. It would make me happy if Van brought it up. Why does he care about an index? He has thousands of gestures. He can breathe.

White and be a Briton. This means a woman from the north of France. They are very religious. They say blue is not a water color. It should be a bay. We are pleased with her. She washes her hair very often.

White and a Brit. This means a woman from the north of France. They're very religious. They say blue isn't a water color. It should be a bay. We're happy with her. She washes her hair quite often.

Do not tremble. If she had an institution it is the one excluding her mother. Her native land is not beautiful. She likes the poet to mutter. He does. The olive.

Do not tremble. If she had a foundation, it's the one that excludes her mother. Her homeland isn't beautiful. She enjoys listening to the poet mumble. He does. The olive.

We had that impression. Do speak. Have they been able to arrange matters with the proprietor.

We got that impression. Go ahead and speak. Have they managed to work things out with the owner?

I will not please play. I will adorn the station. It has extraordinarily comfortable seats.

I won’t play. I’ll decorate the station. It has really comfortable seats.

TO OPEN

To open

Not too long for leading, not opening his mouth and sitting. Not bequeathing butter. Butter comes from Brittany. In the summer it smells rancid. We do not like it. We have ceased use of it. We find that oil does as well. We can mix oil with butter but we have lard. We use lard altogether. We prefer it to butter. We use the butter in winter. We have not been using it before the winter. We mix lard and oil. We will use butter.

Not too long for leading, not talking and just sitting. Not giving away butter. Butter comes from Brittany. In the summer, it smells bad. We don’t like it. We’ve stopped using it. We find that oil works just as well. We can mix oil with butter, but we have lard. We use lard completely. We prefer it to butter. We use butter in winter. We haven't been using it before winter. We mix lard and oil. We will use butter.

DO LET US BE FAITHFUL AND TRUE

DO LET US BE FAITHFUL AND TRUE

I do not wish to see I do not wish to see Harry I do not wish to see Harry Brackett I do not wish to see Harry Brackett.

I don't want to see I don't want to see Harry I don't want to see Harry Brackett I don't want to see Harry Brackett.

A GRAPE CURE

A Grape Remedy

What did we have for dinner we had a melon lobster chicken then beet salad and fruit. How can you tell a melon. You tell it by weight and pressing it. You do not make mistakes. We are pleased with it. Do we like a large dog. Not at all.

What did we have for dinner? We had melon, lobster, chicken, then beet salad and fruit. How do you tell if a melon is ripe? You judge it by its weight and by pressing it. You don't make mistakes. We're happy with it. Do we like big dogs? Not at all.

BATTLE

BATTLE

Battle creek. I was wet. All the doors showed light. It is strange how Brittany is not attractive as Mallorca and yet butter does make a difference. We are perfect creatures. What is a festival. Saturday to some. Not to be dishonored. Not to be tall and dishonored they usually aren't but some are, some are tall and dishonored. By this I mean that coming down the mountain faces which are shining are reflecting the waving of the boat which is there now. I distrust everybody. Do sleep well. Everywhere there is a cat. We will leave by boat. I am not pleased with this. I will get so that I can write a story.

Battle Creek. I was wet. All the doors were lit up. It's strange how Brittany isn't as attractive as Mallorca, but butter does make a difference. We are perfect beings. What is a festival? Saturday for some. Not to be dishonored. Usually, they aren't tall and dishonored, but some are, some are tall and dishonored. By this, I mean that coming down the mountain, the faces that are shining are reflecting the waving of the boat that's there now. I distrust everyone. Sleep well. Everywhere there’s a cat. We'll leave by boat. I'm not happy about this. I'll get to where I can write a story.

FASTENING TUBE ROSES

Securing tube roses

I understand perfectly well how to fix an electric fan. Of course it makes sparks but when the two black pieces that do not come together are used up you get this. I do it without any bother. I am not certain I could learn it. It is not difficult. We do not find that it does away with mosquitoes. We use it in the night. Sundays there is no electricity.

I completely know how to fix an electric fan. Sure, it sparks a bit, but when the two black pieces that don’t connect are worn out, this happens. I handle it without any hassle. I’m not sure if I could learn it. It’s not hard. We don’t find that it keeps mosquitoes away. We use it at night. There’s no electricity on Sundays.

THEY DO IT BETTER THAN I DO

THEY DO IT BETTER THAN I DO

I can. I can be irritated. I hate lizards when you call them crocodile. She screamed. She screamed. I do not know why I am irritated.

I can. I can be annoyed. I hate lizards when you call them crocodiles. She shouted. She shouted. I don’t know why I’m annoyed.

IT IS A NATURAL THING

It's a natural thing.

Do not do that again. I do not like it. Please give it away. We will not take it to Paris. I do not want the gas stove. It has a round oven. It does not bake. We use coal by preference. It is very difficult not to bathe in rain water. Rain water is so delicious. It is boiled. We boil it.

Do not do that again. I don’t like it. Please get rid of it. We aren’t taking it to Paris. I don’t want the gas stove. It has a round oven. It doesn’t bake. We prefer to use coal. It’s really hard not to take a bath in rainwater. Rainwater is so refreshing. We boil it.

LOUD LETTERS

LOUD LETTERS

Look up and not down.

Look up, not down.

Look right and not left.

Look right, not left.

And lend a hand.

And help out.

We were so pleased with the Mallorcans and the wind and the party. They were so good to offer us ice-cream. They do not know the french names.

We were really happy with the Mallorcans, the weather, and the party. They were so nice to offer us ice cream. They don't know the French names.

Isn't it peculiar that those that fear a thunder storm are willing to drink water again and again, boiled water because it is healthy. All the water is in cisterns rain water. There are no vegetables that is to say no peas. There are plenty of beets. I like them so much. So do I melons. I was so glad that this evening William came and ate some. It would not go back as if it hadn't been good.

Isn't it strange that people who are afraid of thunderstorms are willing to drink boiled water over and over because it's healthy? All the water is collected rainwater in cisterns. There are no vegetables, meaning no peas. There are plenty of beets. I like them a lot. I also love melons. I was really happy that William came by this evening and ate some. It wouldn't have come back if it hadn't been good.

PLEASURES IN SINCERE WISHES

Enjoying genuine wishes

I wish you to enjoy these cigarettes. They are a change from those others. I understand that you had some very good ones. You are not able to get these any more. I have tried to get them. They tell me that they cannot say when they will come. They do not know that about them. We sleep easily. We are awakened by the same noise. It is so disagreeable.

I hope you enjoy these cigarettes. They’re different from the others. I heard you had some really good ones. You can’t get these anymore. I’ve tried to get them. They tell me they can’t say when they’ll be available again. They don’t know anything about that. We sleep soundly. We’re woken up by the same noise. It’s really annoying.

AN EXHIBITION

A SHOW

I do not quite succeed in making an exhibition. Please place me where there is air. I like to be free. I like to be sure that the dogs will not be worried. I don't see how they can avoid crickets. They come in. They are so bothersome. We must ask Polybe to wish.

I can't quite pull off an exhibition. Please put me somewhere there's fresh air. I like to be free. I want to make sure the dogs aren't stressed. I don’t see how they can avoid crickets. They just come in. They're really annoying. We should ask Polybe to wish.

THE BOAT

THE BOAT

I was so disappointed in the boat. It was larger than the other. It did not have more accomodation. It made the noise which was disagreeable. I feel that I would have been willing to say that I liked it very well if I had not seen it when it was painted. It is well never to deceive me.

I was really let down by the boat. It was bigger than the others, but it didn’t offer more space. It made a noise that was annoying. I believe I would have happily said I liked it if I hadn’t seen it when it was painted. It’s best not to mislead me.

THREADNEEDLE STREET

THREADNEEDLE STREET

I am going to conquer. I am going to be flourishing. I am going to be industrious. Please forgive me everything.

I’m going to succeed. I’m going to thrive. I’m going to work hard. Please forgive me for everything.

PRESENT

NOW

This is a ceremonial. When you are bashful you do not think. When a present is offered you accept it you accept the bracelet worn by the nun so that it rusted. You do not know what to do with it. You describe its qualities. It is a pleasure to have it. You will give it. You are steadily tender. You say the beginning is best. Why do you say Englishman. You say Englishman because he wished it. Do not hurry.

This is a ceremony. When you feel shy, you don’t think clearly. When a gift is offered, you accept it; you accept the bracelet worn by the nun even though it’s tarnished. You don’t know what to do with it. You talk about its qualities. It feels nice to have it. You plan to give it away. You are consistently kind. You say the beginning is the best part. Why do you call him an Englishman? You call him an Englishman because he wanted it that way. Don’t rush.

EVIAN WATER

Evian Water

Evian water is very good. Sometimes I am not sure it is put up by them at least now when there is a war. I say it is fresh. When I do not like a bottle I throw it away. I throw the water away.

Evian water is really good. Sometimes I wonder if they're still bottling it, especially now that there's a war. I say it's fresh. If I don't like a bottle, I just throw it away. I toss the water out.

PINK MELON JOY

My dear what is meat.

My dear, what is meat?

I certainly regret visiting.

I definitely regret visiting.

My dear what does it matter.

My dear, what does it matter?

Leaning.

Leaning.

Maintaining maintaining checkers.

Maintaining checkers.

I left a leaf and I meant it.

I left a leaf, and I meant it.

Splintering and hams.

Splintering and hams.

I caught a cold.

I caught a cold.

Bessie

Bessie

They are dirty.

They’re dirty.

Not polite.

Impolite.

Not steel.

Not metal.

Not fireless.

Not without fire.

Not bewildered.

Not confused.

Not a present.

Not a gift.

Why do I give old boats.

Why do I give away old boats?

Theresa.

Theresa.

Exchange in bicycles.

Bike exchange.

It happened that in the aggregate and they did not hear then, it happened in the aggregate that they were alone.

It turned out that overall, they didn't realize it at the time, but in the end, they were alone.

It is funny. When examples are borrowing and little pleasures are seeking after not exactly a box then comes the time for drilling. Left left or left. Not up. Really believe me it is sheltered oaks that matter. It is they who are sighing. It really is.

It’s funny. When examples are borrowed and little pleasures are looking for something that’s not quite a box, then it’s time to drill. Left left or left. Not up. Seriously, believe me, it’s the sheltered oaks that matter. They’re the ones who are sighing. They really are.

Not when I hear it.

Not when I hear that.

I go on.

I continue.

This is not a dear noise. It is so distressing. Why was he angry. Did he mean to be laughing.

This isn't a nice sound. It's really upsetting. Why was he angry? Did he mean to laugh?

I was astonished besides. Oh do go on.

I was shocked too. Please, continue.

He was a ruffian.

He was a troublemaker.

Especially made. Why does she satisfy it.

Especially made. Why does she fulfill it?

It was a beautiful hat anyway it looked like that or by the way what was the handkerchief. Good.

It was a beautiful hat, no matter how you looked at it. By the way, what about the handkerchief? Good.

Now I neglected him.

Now I ignored him.

I made mention of an occasion. I made mention of a syllable. I mentioned that. I was reasonably considerate. I undertook nothing.

I mentioned something that happened. I brought up a syllable. I talked about that. I was fairly polite. I didn’t take any action.

Why were birds.

Why did birds exist?

When I decided not to look twice I felt that all three were made of the only distinct changeable brown. I did not mean foxes. This is why I shall not visit. Do go gladly. Do be willing.

When I chose not to look again, I sensed that the three of them were all made of the same unique, changeable brown. I wasn't talking about foxes. That's why I won't visit. Please go happily. Please be open.

What an accident.

What a crash.

What a horrid thought.

What a terrible thought.

What a decent ribbon.

Nice ribbon.

That is why I answered.

That's why I replied.

No please don't be wakened. Do think it over. Do mind what I say. Do breathe when you can. Explain whites for eggs. Examine every time. Do not deceive a brother. What is perfect instigation. I make I go across.

No, please don’t wake up. Think it over. Pay attention to what I’m saying. Breathe when you can. Explain whites for eggs. Check every time. Don’t deceive a brother. What is perfect encouragement? I’ll make my way across.

Instances.

Examples.

Violences.

Violence.

Not any whirl.

No whirl.

Not by all means.

Not at all.

Don't you think so.

Don't you think so?

Fourteen days.

Two weeks.

I meant to be closeted.

I intended to stay closeted.

I should have been thin.

I should be thin.

I was aching.

I was in pain.

I saw all the rose. I do mostly think that there is politeness. All of it on leather. Not it. I shall speak of it. I so mean to be dried. In the retracting glory there is more choice. There is what was threaded. I don't mean permitting.

I saw all the roses. I mostly think that there is politeness. All of it on leather. Not that. I will talk about it. I really want to be dried. In the fading glory, there is more choice. There is what was threaded. I don’t mean allowing.

Webster.

Webster's Dictionary.

Little reinforced Susan.

Little supported Susan.

Actual.

Real.

Actual believe me.

Really, believe me.

I see it all.

I see everything.

Why shouldn't I.

Why not?

Lizzie Make Us.

Lizzie, Make Us.

I believe it.

I believe that.

Why shall I polite it. Pilot it.

Why should I be polite about it? Pilot it.

Eleven o'clock.

11 o'clock.

Pillow.

Pillow.

I meant to say.

I meant to say.

Saturday.

Saturday.

Not polite.

Not polite.

Do satisfy me.

Please satisfy me.

This is to say that baby is all well. That baby is baby. That baby is all well. That there is a piano. That baby is all well. This is to say that baby is all well. This is to say that baby is all well.

This means that the baby is doing great. The baby is just being a baby. The baby is doing great. There’s a piano. The baby is doing great. This means that the baby is doing great. This means that the baby is doing great.

Selling.

Selling.

She has always said she was comfortable.

She has always said she feels comfortable.

Was the water hot.

Was the water warm?

Hymns.

Songs.

Look here let us think about hospitality. There is more said and kindness. There are words of praise. There is a wonderful salad. There can be excellent excellent arrangements. There can be excellent arrangements. Suddenly I saw that. I rushed in. I was wise.

Look, let's talk about hospitality. There's a lot of talk and warmth. There are compliments. There's a great salad. There can be fantastic setups. There can be fantastic setups. Suddenly, I realized that. I jumped in. I was smart.

We were right. We meant pale. We were wonderfully shattered. Why are we shattered. Only by an arrest of thought. I don't make it out. Hope there. Hope not. I didn't mean it. Please do be silly. I have forgotten the height of the table.

We were right. We meant pale. We were wonderfully shattered. Why are we shattered? Only by a stop in our thoughts. I can't figure it out. Hope is there. Hope is not. I didn't mean it. Please be silly. I've forgotten how tall the table is.

That was a good answer.

That was a great answer.

I have been going on in a little while.

I have been going on for a little while.

I am going to take it along. Lena says that there is a chance.

I’m going to bring it with me. Lena says there’s a chance.

I don't mean to deny it.

I’m not trying to deny it.

That's right.

That's correct.

I shall be very tired I shall be extraordinarily pleased, I shall settle it all presently.

I will be really tired, and I will be extremely pleased. I will sort it all out soon.

Very likely.

Highly probable.

I have to look at her all the time. I never see fruit now unless I pick it in my garden. Put it in my garden. Don't put too many. Because it's so much looser. All right. Oh no. I haven't. Chalk. Great Portland Street. I'll mention it. I have resisted. I have resisted that excellently well. I have resisted that I have resisted that excellently. Not a disappointment.

I have to keep an eye on her all the time. I don’t see any fruit now unless I pick it from my garden. Put it in my garden. Don’t put in too many. Because it’s so much easier that way. All right. Oh no. I haven’t. Chalk. Great Portland Street. I’ll bring it up. I have held off. I have held off really well. I have held off that I have held off that really well. Not a disappointment.

I don't understand, why hasn't she been there before. I know why. I will not have a selection again. It is too many horribly. Is it any use.

I don't get it, why hasn't she been there before? I know why. I won't have a choice again. It's way too much. Is it even worth it?

I do want to meet pearly. Now I am forgetting I will begin. She had a jewel. She was in that set.

I really want to meet Pearly. Right now, I'm losing track of my thoughts. I'll start. She had a jewel. She was part of that group.

It meant so much.

It meant a lot.

I wish I had a little celebration.

I wish I could have a small celebration.

It meant so much.

It meant a lot.

The wise presentation comes from saying north, the best one comes a little way, it comes because she wanted to try breads. Why are pansies so stringy, why do they have heaps of resemblance. I said she was anaemic. I meant to coincide. I did certainly. It was so. Not in Paris.

The thoughtful presentation comes from saying north, the best one comes from a bit of distance, it happens because she wanted to try different breads. Why are pansies so flimsy, why do they look so similar? I said she was anemic. I meant to agree. I really did. It was true. Not in Paris.

Not in Paris very likely.

Probably not in Paris.

I do not mention that for a name. I mention it for a place. I mention it for a please do not consider me. I mention it for that.

I don't bring that up for a name. I'm mentioning it for a place. I'm mentioning it to ask you not to think about me. I'm mentioning it for that.

Did she mind my saying that I was disappointed. I was not in that way out in that way. I was not in that way a circumstance which counted for it. She did not meet me. She did not observe clouds. She did not say that we were in the window. She did not like it before it was mentioned.

Did she mind me saying that I was disappointed? I wasn’t feeling that way, and it didn’t really matter. She didn’t greet me. She didn’t notice the clouds. She didn’t mention that we were at the window. She didn’t like it before it was brought up.

Come in.

Come on in.

I don't mean to antagonize the present aged parent. That is a strong present leaf.

I don't mean to annoy the current parent. That is a strong current leaf.

Line.

Line.

Line line line away.

Line line line away.

Line.

Line.

Lining.

Lining.

I don't care what she mentions.

I don’t care what she talks about.

It will be very funny when I don't mean to say it.

It'll be really funny when I didn't mean to say it.

I can forgive that is to say chopping.

I can forgive that, meaning chopping.

Not any more.

Not anymore.

Will I be surprised with Jane Singleton. I will not if I meet her. I will say not yet. I will say that. I am determined. It is so much. Good bye.

Will I be surprised to meet Jane Singleton? I won't be if we do. I'll say not yet. That's what I'll say. I'm resolute. It's a lot. Goodbye.

I did do it then.

I went ahead and did it.

Come back to me Fanny.

Come back to me, Fanny.

Oh dear.

Oh no.

Come back to me Fanny.

Come back to me, Fanny.

That's a picture.

That's a photo.

When I remembered how surprised I was at certain places which were nearly in the way I cannot doubt that more accumulation is needed. I cannot doubt it.

When I think back to how surprised I was at certain places that were almost on my path, I know for sure that more accumulation is necessary. I know it without a doubt.

All recovering.

All healing.

James Death is a nice name.

James Death is a cool name.

I am breaking down I suppose he said when he arrived.

I guess I'm breaking down, he said when he arrived.

Forbade any communication with him.

Prohibited any communication with him.

He did say when he arrived I suppose.

He did mention it when he arrived, I guess.

It was a bright warm spring Sunday morning.

It was a sunny, warm spring Sunday morning.

This egg for instance.

This egg, for example.

She was dressed in dark blue set off by red ribbons.

She was dressed in dark blue, accented with red ribbons.

Except that of custom perhaps.

Except maybe for custom.

If you prefer it I will go.

If you want, I’ll leave.

The only lady who had been saved.

The only woman who had been saved.

He was not hungry and he knew that there would be nothing to eat.

He wasn't hungry, and he knew there wouldn't be anything to eat.

He was aware of a desire to eat and drink now that it was quite impossible for him to obtain anything.

He felt a strong urge to eat and drink now that it was completely impossible for him to get anything.

Thanks I chew.

Thanks, I’ll chew.

Jakins thinks me a fool I know sometime maybe I'll be able to prove I'm not.

Jakins thinks I'm a fool, but I know that someday I might be able to show I'm not.

You're busy.

You're swamped.

His excitement was gone.

His excitement vanished.

With mouth and muscle.

With words and strength.

When used for male voices substitute bless for kiss.

When used for male voices, replace "kiss" with "bless."

Shall rest.

Will rest.

Shall rest more.

Will rest more.

Shall in horror.

Shall in shock.

Shall rest.

Will rest.

Shall rest more then.

Will rest more then.

This is it mentioning.

This is the mention.

Why do richness make the best heights.

Why does wealth create the best opportunities?

Why do richness make the best heights.

Why does wealth create the greatest heights?


Enough to leave him for ever and to live in another country

Enough to leave him forever and start a new life in another country.

I don't see anything any more do I. Yes you do.

I don't see anything anymore, do I? Yes, you do.

Are you pleased with them darling.

Are you happy with them, darling?


I meant to guess later.

I meant to guess later.

I do not please.

I don't please.

Thanks so much.

Thanks a lot.

Yes.

Yep.

Yes.

Yeah.

Yes.

Yes.

Please remember that I have said I will not be patient. Please remember that which I have said.

Please remember that I said I won’t be patient. Please remember what I said.

Do not put in a hot water bottle. Thanks so much.

Do not use a hot water bottle. Thanks a lot.

Feeling mounting.

Feeling overwhelmed.

What did she do. She did not sit she was standing. She was standing and filling with a pepper thing and she had a collar not on her head but because she was shining. She was shining with gloves. This is a new destination. I never was surprised before.

What did she do? She didn't sit; she was standing. She was standing and filling something with pepper, and she had a collar—not on her head but because she was glowing. She was glowing while wearing gloves. This is a new destination. I’ve never been surprised like this before.

What is the matter with it.

What's the issue with it?

Nothing is the matter with it.

It's all good.

I mean to cough.

I’m about to cough.

She said it was a wish.

She said it was a desire.

You are not angry with me.

You’re not upset with me.

It's infamous. To put a cold water bottle in a bed. It is steering.

It's notorious. Putting a cold water bottle in bed. It's unsettling.

I meant to mention it and it is astonishing that there is a sentence.

I meant to bring it up, and it’s surprising that there’s a sentence.

Silence is southern.

Silence is from the South.

I will not especially engage to be sick. I will not especially engage to be sick.

I won’t deliberately get sick. I won’t deliberately get sick.

Why is Ellen so attractive.

Why is Ellen so attractive?

Willing.

Ready.

Willing, willing.

Willing, willing.

Willing willing, I met a kind of a clock. It was deepened.

Willingly, I came across a type of clock. It was profound.

I am not pleased. I am not satisfied and pleased. I am not pleased and certainly I am not more pleased. I am so repressed and I can state it. I can say. It was bitter.

I’m not happy. I’m not satisfied or pleased. I’m definitely not more pleased. I feel so held back, and I can admit that. I can say it was painful.

I do not like her.

I don't like her.

Fancy a miserable person. Repeat flowers.

Fancy a miserable person. Repeat flowers.

A section.

A section.

Breathing.

Breathing.

Polite.

Courteous.

Politeness.

Respect.

Absolutely.

Absolutely.

Not a curl.

Not a curl.

I come to say.

I'm here to say.

Winding.

Curvy.

Place.

Location.

Wheat.

Wheat.

Or not.

Or maybe not.

Come in.

Come on in.

Splashes splashes of jelly splashes of jelly.

Splashes of jelly, splashes of jelly.

Weather.

Weather.

Whether he was presented.

Whether he was shown.

I meant to stay.

I planned to stay.

Easy or blocks.

Easy or hard.

Do not be held by the enemy.

Do not let the enemy control you.

All the time.

All the time.

Now line or them.

Now line them up.

That's an established belt or tooth. Really not. I didn't mean to bellow. I won't be a table. I regret it. I shall be very likely to be walking. I shall introduce myself fairly. I do mind it.

That's an established belt or tooth. Really not. I didn’t mean to shout. I won’t be a table. I regret it. I’ll probably be walking. I’ll introduce myself properly. I do care about it.

Not again.

Not this again.

I do say not again.

I really hope not again.

I mean to be heavy.

I intend to be serious.

It stands up against as much as it stands up for. That's what I object to. I don't want to be unflattering to us but I think it has been entirely forgotten.

It stands up for as much as it stands against. That's what I have a problem with. I don't want to be harsh on us, but I believe it has been completely overlooked.

Furs.

Fur coats.

Perhaps you will. Then she wrote a very warm letter and sent these furs.

Perhaps you will. Then she wrote a very heartfelt letter and sent these furs.

Shall ill.

Shall be unwell.

I don't like it and in neglecting cherishing songs I am so pleased with all and by settling chalk. I am satisfied. We are neglected immensely. Not resting.

I don't like it, and by not valuing songs, I'm really pleased with everything and just settling for it. I'm fine with that. We are being overlooked a lot. We're not taking a break.

Shall it be continuous the liberty of sobriety. The dear thing. Little tremors. I ask the question.

Will the freedom of sobriety be ongoing? Such a precious thing. Small shivers. I pose the question.

With a wide piano.

With a grand piano.

Come.

Come here.

Neglecting cherishing says shall I mistake pleases. In mistakes there is a salutary secretion. What. I said it.

Neglecting to cherish means I might be mistaken about what pleases me. In mistakes, there's something beneficial that comes out of it. What? I said that.

Now and then.

Every now and then.

War is Saturday and let us have peace.

War is over, and let's aim for peace.

Peace is refreshing, let us bear let us be or not by that mine.

Peace is refreshing; let us embrace it, whether we are affected by it or not.

Mended.

Fixed.

Now I come to stay away.

Now I’m here to stay away.

Answer.

Answer.

I shook a darling.

I shook a sweetheart.

Not eating Oh it was so timely.

Not eating Oh, it was so perfect.

Why should pitchers be triumphant. Does it proclaim that eleven, eleven, eleven, come across, speak it, satisfy a man, be neat, leave off oxes, shine flies, call spoken shouting call it back call it by little dotted voices and do be sweet, do be sweet, remember the accoutrement. No I will not pay away.

Why should pitchers succeed? Does it mean that eleven, eleven, eleven, come through, say it, please a man, be tidy, leave behind the oxen, shine the flies, call out the loud voices, bring it back, call it by little dotted voices, and remember to be kind, be kind, and keep in mind the details? No, I won’t give it away.

What a system in voices, what a system in voices.

What a system of voices, what a system of voices.

I met a regular believe me it is not for the pleasure in it that I do it. I met a regular army. I was not certain of that, I was not certain of paper. I knew I was safe. And so he was. Shall I believe it.

I met someone who always comes around; trust me, it’s not for the fun of it that I do this. I encountered the regular army. I wasn't sure about that, and I didn’t trust the paperwork either. I knew I was safe. And so was he. Should I believe it?

I can't help mentioning that I was earnest. In that way there was a reason. I can destroy wetter wetter soaps. I can destroy wetter soaps.

I can't help but point out that I was serious. In that sense, there was a reason. I can ruin wet soaps. I can ruin moist soaps.

I do.

I do.

I do not.

I don’t.

Leave it in there for me.

Leave it in there for me.

Leave it in an especial place. Do not make that face. Show it by the indication. I do mean to spell. I am. Believe me.

Leave it in a special place. Don't make that face. Show it by the sign. I really do mean to spell. I do. Believe me.

Pink Melon Joy.

Pink Melon Joy.

II.

II.

It pleases me very much.

I’m very pleased.

Little swimming on the water.

Little swimming on the water.

I meant to mention pugilism. Pugilism leaning. Leaning and thinking. Thinking.

I wanted to talk about boxing. Boxing leaning. Leaning and thinking. Thinking.

I meant to mention pugilism. Pugilism and leaning.

I meant to mention boxing. Boxing and leaning.

Leaning and thinking. I think.

Leaning and reflecting. I think.

I meant to mention that it was a resemblance that was not by way of exceeding the kind thought.

I wanted to say that it was a similarity that didn’t go beyond the kind intention.

Pugilism. Pugilism and leaning.

Boxing. Boxing and leaning.

I saw a door not that exactly, I saw a lamp shade. Certainly that. I will not stir. Pugilism and leaning.

I saw a door, or rather, I saw a lampshade. Definitely that. I won’t move. Boxing and leaning.

Leaning.

Leaning.

Pugilism and leaning.

Boxing and leaning.

The reason I mention what is happening is not by way of concealing that I have babies. I don't mean to leave so and I shall speak in silence. What is a baby.

The reason I'm bringing this up is not to hide the fact that I have babies. I'm not trying to leave, so I'll speak quietly. What is a baby?

Now I know what I say.

Now I know what I'm talking about.

I had loads of stationary.

I had a lot of stationery.

Not pink melon joy. Pink melon joy. Pink melon joy.

Not pink melon joy. Pink melon joy. Pink melon joy.

I had loads of stationary.

I had lots of stationery.

Pugilism and leaning.

Boxing and leaning.

The little keys trembling. Why do they spoil a part. They were noisy.

The little keys were shaking. Why do they ruin a part? They were loud.

Go to Mudie's first.

Go to Mudie's first.

Go slowly and carefully and love your dearest.

Go slowly and carefully, and love your loved ones.

That's a good idea.

That’s a great idea.

Reconcile is a plain case of wretched pencils.

Reconcile is a straightforward situation involving terrible pencils.

I cannot see what I shall a bit.

I can't see anything at all.

My one idea is to place cloth where there is cloth and to paper where I have hotter water, to place paper where I have hotter water.

My plan is to put cloth where there is already cloth and to use paper where I have hotter water.

I don't determine selfishness. I point it so that always I can always I do, I do always mean to get about.

I don't define selfishness. I highlight it so that I can always do what I intend to do.

Shall I be splendid.

Should I be awesome?

Baby mine baby mine I am learning letters I am learning that to be sent baby mine baby mine I arranged it fairly early.

Baby mine, baby mine, I'm learning letters. I'm discovering that to be sent, baby mine, baby mine, I set it up pretty early.


Complete cause for handles.

Complete cause for handles.

Complete cause for not tightening that.

Complete cause for not tightening that.

I won't say it again.

I won't repeat myself.


This is the place to water horses.

This is where you water horses.

I like to be excellently seized.

I like to be taken hold of in an excellent way.

I made a mistake.

I messed up.

I like to be excellently seizing.

I like to seize opportunities excellently.

North north I went around and went in that minute.

North north I went around and went in that moment.

I like to be excellently searching.

I enjoy being thorough in my search.

I like to be excellently chimes.

I like to be perfectly in sync.

Chiming.

Dinging.

It isn't very good.

It's not that great.


Deep set trustworthy eyes dark like his hair

Deep-set, trustworthy eyes dark like his hair

Lips close fitting and without flew.

Lips that fit closely and have no gaps.

Blue should have dark eyes.

Blue should have dark eyes.

Light brown flesh color amber shades black nose, ears, legs, good sized feet rather.

Light brown skin tone, amber shades, black nose, ears, legs, and fairly well-sized feet.

Color dark blue, blue and tan, tan and liver, sandy, sandy and tan.

Color dark blue, blue and tan, tan and brown, sandy, sandy and tan.

Height about fifteen to sixteen inches.

Height is approximately fifteen to sixteen inches.

He wondered if she had ever thought of him as she sat in the chair or walked on the floor.

He wondered if she had ever thought about him while sitting in the chair or walking on the floor.

Islands.

Islands.

I came to say that I like some things better.

I came to say that I prefer some things more.

Actual likenesses.

Real images.

Of course I need large plates.

Of course, I need big plates.

Standing alone.

Standing solo.

She doesn't like it.

She doesn't like it.

She likes to walk on the floor.

She enjoys walking on the floor.

She might as well be pretty.

She might as well be attractive.

I don't blame Carrie.

I don’t blame Carrie.

No

No

What do I see when I like to be tall.

What do I see when I want to be tall?

I see when there is a platter.

I see when there's a platter.

I was not mistaken with violets.

I wasn't wrong about the violets.

It was no pleasure.

It was not enjoyable.

Can you believe me.

Can you trust me?

Can you not be thoughtful.

Can't you be thoughtful?

Can you be aghast.

Can you be shocked?

I mention most things regularly.

I mention most things often.

I do not wish whispers.

I don't want whispers.

This makes mining such a loud noise.

This makes mining super loud.

I do not forget a war.

I never forget a war.

It isn't easy to please everybody.

It’s not easy to make everyone happy.

Teeth are perfect.

Teeth are flawless.

No.

No.

There is no influence.

No influence.

Scattered.

Spread out.

Nine times twenty.

Nine times twenty.

Crowded.

Packed.

Crowded in.

Packed in.

Cups white.

White cups.

I am solemn.

I’m serious.

All taste.

All flavor.

Do you excuse me.

Do you mind?

It was a stir.

It was chaotic.

Please state it please deny it please mean to be right. I am intending.

Please say it, please deny it, please mean to be right. I intend to.


Able to mingle pennies.

Can handle pennies.

A penny is not a cent.

A penny isn't a cent.


Why do I see sisters.

Why do I see sisters?

It's rice.

It's rice.


Wheat.

Wheat.

I couldn't imagine gladder or more perfect shapes, I couldn't imagine others.

I couldn't imagine happier or more perfect shapes, I couldn't picture anything else.

He was really interested in the fluttering deftness of her twinkling hands.

He was really fascinated by the graceful quickness of her sparkling hands.

I don't care too.

I don't care either.

Likely.

Probable.

I meant pearls.

I meant pearls.

Shall I be pleased.

Should I be pleased?

Wire cakes.

Wire cakes.

In time or.

In due time.

Not so far back.

Not too long ago.

Please.

Please.

When I came to stay.

When I visited.

Old places.

Historic sites.

When a girl speaks.

When a girl talks.

Shall you.

Will you?

Not pleasing.

Not enjoyable.

It is a time for that.

It’s time for this.

Formidable.

Impressive.

Amiable.

Friendly.

Amiable baby.

Friendly baby.

Fan.

Fan.


Fanning.

Fanning.

There is no way of stretching.

No way to stretch.

Plan.

Plan.

It is a good pitcher it is a good pitcher and a black pitcher.

It is a good pitcher; it is a good pitcher, and a black pitcher.

It is a circle.

It's a circle.

It is a circular.

It's a circular.

I beg of you not to.

I'm asking you not to.

Bring in the fruit.

Bring in the fruit.

She was very comforting.

She was very reassuring.

I wonder what he is doing. If he saw, well he couldn't see him because he is not here, if he saw him he would not ask him any questions, he would beg him to give him all the pictures and in any case he would ask him to arrange it.

I wonder what he’s doing. If he saw him, well, he couldn't see him because he isn’t here. If he saw him, he wouldn’t ask him any questions; he would just beg him to give him all the pictures, and anyway, he would ask him to sort it out.

What is a splendid horse. A splendid horse is one that is spread and really makes a lot of noise really makes an agreeable sound and a hoarse. This is not an interchange of rapid places by means of tubs.

What a magnificent horse. A magnificent horse is one that is well-built and really makes a lot of noise, making a pleasant sound, albeit hoarse. This is not a quick shift of positions using barrels.

I know you don't know what the pins are. I know you suspect much more. I know that anything is a great pleasure. I know esquimaux babies, that is to say tender.

I know you don't understand what the pins are. I know you think there's a lot more to it. I know that anything brings a lot of joy. I know about Eskimo babies, meaning they are gentle.

I know what I am hearing. I am hearing accents. Not by any means placarded. Not by any means placarded. So that I met everybody.

I know what I'm hearing. I'm hearing accents. Not at all marked. Not at all marked. So I met everyone.

What is the meaning of photographs.

What do photos mean?

Yes I mean it.

Yes, I mean it.

I believe that when there is a collection and tall pieces are missed and guided, I could have said it.

I think that when there’s a collection and tall pieces are overlooked or directed, I could have mentioned it.

Let us take boats.

Let's take the boats.

Boats are ships.

Boats are vessels.

We will not take ships.

We won't take ships.

Ships are doors.

Ships are gateways.

That's the way to be perfect.

That's how to be perfect.

I sell hats.

I sell hats.

That's a kindness.

That's really kind.

Please powder faces.

Please apply face powder.

I have little chickens.

I have baby chickens.

That doesn't mean anything.

That doesn't mean anything.

When I said water I meant Sunday. Dear me it was Monday. No Tuesday. I don't care I shall please neatness. Then I calculated I did not see arithmetic I saw feathers, any two of them are thicker. What was the principle coughing, it went by way of dishes.

When I mentioned water, I was actually thinking of Sunday. Oh dear, it was Monday. No, wait, it was Tuesday. I don't care; I’ll stick to being neat. Then I figured out that I wasn't seeing numbers; I was seeing feathers, and any two of them are thicker. What was the main point of coughing? It made its way through the dishes.

To be binding is to mean Sunday Saturday and eight o'clock. To be eight o'clock oh how heavenly singing. Leave Leave Leave oh my leaving and say why say, say I say say say go away go away I say. I say yes.

To be binding means Sunday, Saturday, and eight o'clock. To be eight o'clock, oh, how heavenly it is to sing. Leave, leave, leave, oh my leaving, and tell me why. Say, say, I say, say, say, go away, go away, I say. I say yes.

Plans.

Plans.

I was able to state that I believed that if targets if targets not if targets.

I was able to say that I believed that if there were targets, if there were targets.

Shall I be restless.

Should I be restless?

I could not eat buttons. I could not eat bundles. I couldn't, I might be why was I seen to be determined. I was surprising. Wasn't I silly.

I couldn't eat buttons. I couldn't eat bundles. I couldn't; maybe that's why I seemed so determined. I was surprising. Wasn't I being silly?

Please miss me.

Please miss me.

Not spider.

Not a spider.

I saw a spider there.

I saw a spider over there.

Where.

Where at?

I saw another.

I saw another one.

Where.

Where at.

I saw another and there I saw a pleasing sight.

I saw another one, and there I witnessed a delightful view.

I saw a waiter.

I saw a server.

A spider.

A spider.

Yes.

Yes.

Not by left out.

Not left out.

Will you be faithful, will you be so glad that I left any way. Will you be delighted Saturday. Do you understand colors. It was my sister.

Will you be loyal, will you be happy that I left anyway? Will you be excited on Saturday? Do you understand colors? It was my sister.

Why.

Why?

I cannot mention what I have.

I can’t say what I have.

I have.

I have.

Guess it.

Figure it out.

I have a real sight. This is so critical.

I have a clear vision. This is really important.

Alice.

Alice.

Put it in.

Insert it.

Put it in.

Insert it.

Nestles.

Nests.

I wish I was a flower.

I wish I were a flower.

Were.

Were.

Were when.

Were when.

Towers.

Buildings.

That is.

That's it.

That is astonishing.

That's amazing.

Mother.

Mom.

I meant it.

I really meant it.

When the moon.

When the moon rises.

I don't like it.

I don’t like it.

A million and ten.

A million and ten.

Ten million and ten.

10,010.

Ten and ten million.

Ten and ten million.

Oh leave it to me.

Oh, leave it to me.

Brutes.

Thugs.

I said whisper.

I said to whisper.

Anyway Pink melon or joy.

Anyway, pink melon or joy.

Is that the same.

Is that the same thing?

Pink melon and enjoy.

Pink melon and enjoy.

Pink melon by joy.

Pink melon by joy.

Is that in him.

Is that in him?

Is that in.

Is that included?

Positive.

Positive.

At night.

At nighttime.

Please be cautious and recalcitrant and determined to be steady. Please be neglectful. Please be ordered out.

Please be careful, resistant, and committed to staying steady. Please be careless. Please be dismissed.

Please be ordered out.

Please leave.

Franz Joseph was Emperor of Austria before gold had been discovered in California.

Franz Joseph was the Emperor of Austria before gold was found in California.

I do not.

I don't.

Their thoughts were of one another.

Their thoughts were about each other.

The maid a very pretty girl somewhat showily dressed in a costume composed of the royal colors fixed curious eyes down a long passage and a short one. Presently the girl in blue returned.

The maid, a very pretty girl dressed somewhat flamboyantly in a costume made of royal colors, focused her curious eyes on a long passage and a short one. Soon, the girl in blue came back.

Blue and white.

Blue and white.

Returned.

Returned.

Food and wine.

Food and drinks.

How could it be how could it be.

How could it be? How could it be?

Blue and white, not an especial pinching.

Blue and white, not a particularly tight fit.

I wish I was may be I am.

I wish I was, maybe I am.

This isn't good.

This is not good.

Short erect ears and bold intelligent faces.

Short, upright ears and confident, intelligent faces.

He seemed to like it.

He seemed to enjoy it.

Who are you.

Who are you?

Safety in comfort.

Comfort is safety.

A flower should never lack an admirer in its namesake.

A flower should always have someone who appreciates it just like its name suggests.

Unfortunately.

Sadly.

Unfortunately our weeks in London were full up so that I did not get a felt hat.

Unfortunately, our weeks in London were completely booked, so I didn’t get a felt hat.

Unfortunately before.

Unfortunately before.

Oh dear what did I do with them.

Oh no, what did I do with them?

Here is a key for the house painters.

Here’s the key for the house painters.

Glove stretchers.

Glove stretchers.

Not any more begging.

No more begging.

Please have it ready.

Ready for you.

She did not move.

She stayed still.

She was not going to move.

She wasn't going to budge.

It guards the life the health and the well-being of each user.

It protects the life, health, and well-being of each user.

Parents encourage its use.

Parents promote its use.

You can be the subject of wild admiration in ten days if you care to.

You could be the center of intense admiration in ten days if you want to.

The skin has the tint of purity.

The skin has a pure hue.

Very pleasant to use.

Super easy to use.

A freshly blown rose.

A freshly cut rose.

I can't be feeling badly.

I can't be feeling bad.

I prefer water.

I prefer water.

I like no I don't like it.

I don't like it.

I fill a free uniform black instantly.

I quickly put on a plain black uniform.

Those features are peculiar to a construction.

Those features are unique to a construction.

Please be dark.

Please be gloomy.

Straws.

Drinking straws.

Please be straws.

Please be straws.

I wish yes.

I wish, yes.

Plates.

Dishes.

And plates.

And dishes.

When do you gather together.

When do you get together?

By ways of extra pages which mean colored places.

By means of additional pages that feature colored areas.

I read about the war.

I read about the war.

I said that I didn't know Geoffrey Young. I said I believed in boys. I said I was enthusiastic.

I said I didn't know Geoffrey Young. I said I believed in boys. I said I was excited.

I said little more.

I didn’t say much more.

To be able to spread water.

To be able to distribute water.

To be able to spread water.

To be able to share water.

There is a difference between kitchen coal and bedrooms.

There is a difference between kitchen coal and bedroom coal.

What pleases you.

What makes you happy?

What Eugene said.

What Eugene said.

Eugene said that she would have a different expression from her sister. He did not say anything about her hair. She mentioned a wedding. Oh it was sinful.

Eugene said she would have a different look than her sister. He didn't mention anything about her hair. She talked about a wedding. Oh, it was wrong.

Eugene said that there were straits. He did not stop for plates. She said she could cook. He was violent. He never was moved by birthdays. He liked Saturday. He was clean. He was not annoyed.

Eugene said there were difficulties. He didn't pause for dishes. She mentioned she could cook. He was aggressive. He was never affected by birthdays. He liked Saturdays. He was tidy. He wasn't irritated.

Consider a pleasant time.

Enjoy a nice time.

All the time that there is commotion there is powerful autocracy.

All the time there’s chaos, there’s strong control.

Nicely said.

Well said.

I do mean to win.

I really intend to win.

Pages and pages.

Tons of pages.

I don't care about lists.

I don't care about lists.

I don't care about lists.

I don't care about lists.

Pointed or why do you.

Pointed or why are you.

When I used that expression I was nervous. Don't take it too seriously James is nervous.

When I said that, I was feeling anxious. Don't take it too seriously; James is just nervous.

Plans.

Plans.

Six fires.

Six fires.

Two lights.

Two lights.

Four lights.

Four lights.

Eight lights.

Eight lights.

Eighty days.

Eighty days.

I wish I was restless.

I wish I were restless.

Out of four.

Out of 4.

Out of four.

Out of 4.

Six.

6.

Sixty.

60.

Little cats not all gone.

Little cats still here.

Little dove little love I am loving you with much more love. Parlor.

Little dove little love I am loving you with so much more love. Parlor.

I saw an extraordinary mixture.

I saw an amazing mix.

By nearly leaving out gloves and washing them.

By almost skipping gloves and cleaning them.

By nearly leaving out gloves and washing them and towels, by nearly leaving out towels and all of it by way of reminding every one of every time, by leaving out invitations, by passing some day, let us say Tuesday, by passing Tuesday together and eating, by leaving out all the powder, by leaving out all the powder, Nellie made a mistake. Was it a week Monday. Not with the carelessness. It was carelessness. I meant to do it.

By almost forgetting gloves and washing them and towels, by almost forgetting towels and everything as a reminder for everyone every time, by not sending out invitations, by spending a day, let's say Tuesday, together and eating, by skipping all the makeup, by skipping all the makeup, Nellie messed up. Was it a week Monday? Not out of negligence. It was negligence. I meant to do it.

Pink Melon Joy.

Pink Melon Bliss.

III.

III.

Thanks so much.

Thanks a lot.

Do not repeat the miracle.

Don't repeat the miracle.

Thanks so much.

Thanks a lot.

War.

Conflict.

I wish I was in the time when all the blame was feelingly added to mercies. I wish I could ask what's the matter now.

I wish I were in a time when all the blame was thoughtfully balanced with kindness. I wish I could ask what’s wrong now.

By believing in forms by believing in sheds by more stationing by really swimming as usual, no shell or fish. Pray.

By believing in shapes, by believing in shelters, by more placements, by truly swimming as usual, no shell or fish. Pray.

I can hear extra rabbits, I can hear them and I mean beats. What is it.

I can hear more rabbits; I can hear them, and I mean beats. What is that?

It is not any use. It's no use. I do believe it. I shall select. I relieve officers. I sell potatoes. That is what clergymen sing.

It’s pointless. It doesn’t help. I really believe it. I will choose. I free up officers. I sell potatoes. That’s what clergymen sing.

Singing. What is singing quietly. We are singing quietly. I wish chimneys were old. They sound alike. They bother me.

Singing. What is singing softly? We are singing softly. I wish chimneys were old. They sound the same. They annoy me.

All the day.

All day.

I was disappointed.

I was let down.

Going up.

Heading up.

Good night Mildred.

Good night, Mildred.

Good night dear.

Good night, love.

They bother one so.

They annoy you so much.

The cause of receding the cause of receding more, the cause of receding is in me. In me by me, for the rest. All of it organ. Take out a name. He did it.

The reason for pulling back the reason for pulling back more, the reason for pulling back is within me. Within me, by me, for the rest. All of it is organic. Remove a name. He did it.

Anything.

Anything.

Anything to drink.

Anything to drink?

Anything to think.

Anything to consider.

Anything.

Anything.

Very resistant.

Highly resistant.

I meant to spell teeth.

I meant to spell "teeth."

This is the way to pay.

Here's how to pay.

Why should old people be vivacious. Thumbs do it.

Why should older people be lively? Thumbs do it.

They poison everything. They manage six.

They ruin everything. They handle six.

I wish anger.

I wish for anger.

I wish religion.

I need faith.

I wish bursts.

I wish for bursts.

I do wish fancies.

I wish for dreams.

Fancy balls.

Formal dances.

Blue dresses.

Blue dresses.

Other color cushions.

Different color cushions.

Points.

Bullet points.

Disappoints.

Fails to meet expectations.

Why should eating be agreeing.

Why should eating be fun?

Why should darkness turn colors.

Why does darkness change colors?

Why should peddling be honorable.

Why should selling be honorable?

Why should another be mother.

Why should someone else be a mother?

Mother to all.

Mother of all.

Mother to some.

Mom to some.

I say.

I said.

I say it.

I said it.

He laughed.

He chuckled.

He laughed believe me.

He laughed, believe me.

I do believe you.

I believe you.

He did not bother to sob.

He didn’t bother to cry.

I do not relegate that to the reverberation.

I don't leave that to the echo.

Please me.

Make me happy.

It is not polite.

That's rude.

Cleaning silver.

Polishing silver.

Colored sack.

Colored bag.

If I meant weather and I do mean to be obeyed, if I meant whether I was better I would not say bitter I would speak to every one.

If I meant weather—and I really do expect to be listened to—if I meant whether I was better, I wouldn’t say bitter; I would talk to everyone.

Public character.

Public persona.

Stems.

Stems.

Stems are caught by better seats they need watches.

Stems are caught by better seats; they need watches.

I don't mean to be so finished.

I don't mean to be so done.

Let us consider the french nation, let us watch its growth its order its humanity its care, its elaboration its thought its celebrated singing and nearly best nearly best with it. Let us consider why we are in authority, let us consider distribution, let us consider forget me nots.

Let’s think about the French nation, let’s observe its growth, its structure, its compassion, its development, its ideas, its famous music, and almost its best aspects. Let’s reflect on why we hold authority, let’s discuss distribution, and let’s think about forget-me-nots.

Pensive.

Thoughtful.

By land.

By land transportation.

By land.

By land transport.

By land.

By land transport.

By land.

By land transportation.

I mentioned gayety.

I mentioned happiness.

I mentioned gayety.

I mentioned happiness.

No.

No.

Not willing.

Not on board.

By pleasure.

With pleasure.

Leading songs.

Top songs.


The moon is as round as a button.

The moon is as round as a button.

All buttons aren't round said Alfy.

All buttons aren't round, said Alfy.

Plated onions.

Sliced onions.

I wish matches.

I want matches.

I wish all right.

I hope everything's okay.

I wish coal.

I want coal.

I do wish.

I really wish.

I wish I may.

I wish I could.

I wish not a bird.

I don't want a bird.

I wish when I make it.

I hope I succeed when I achieve it.

I wish again.

I wish again.

I wish more than that.

I want more than that.

Carving.

Sculpting.

I didn't complain Susie.

I didn’t complain, Susie.

If I really believed it I wouldn't be able to know.

If I truly believed it, I wouldn’t be able to understand.

But why the sitting was not the bed room he could never understand.

But he could never understand why the sitting room wasn’t the bedroom.

I am just gradually beginning to get to look around.

I’m just starting to look around.

We were using the end that is by the fire and now that we have good coal I am beginning to separate expenses. I do see shell fish. It is a mistake to recollect all of it very nearly. I had better undertake to measure out a real wood and to borrow little pieces. It was chosen by me. I spoke to a man. He said he would come at once. I said no wait until you finish dinner. He mentioned that the soup was so hot he would prefer that it should cool. I said I would not allow it, that I would be uncomfortable and that there was no hurry I left no one. I never see fire, Mr. Matisse, Mr. Julian, Mr. Meininger, Mrs. Walter and Miss Howard without thinking of it. By nearly wishing for a country by nearly wishing for a country, by this you will spoil her. Do you. Do you ask for Greek. Do you deny Spain. Do you not praise England. Do you prize England. I said that I believed in the country and that I was silent in the city. I said I was silent about the city, I said I believed in the country. He asked me why I reigned. I said I did not deny rain. I said he could promise his mother. When the whole arrangement was mentioned leaving out pieces of plaster, when the whole thing was mentioned and he did not recommend oil, he did not say that he had not made an attempt, he said it was useless at this time to ask a minister to serve an individual. He said they were too busy. He said he would not speak to one another. He said I will ask.

We were using the area by the fire, and now that we have good coal, I'm starting to break down expenses. I do see shellfish. It's a mistake to remember it all too closely. I’d better try measuring a real piece of wood and borrow smaller bits. It was my choice. I talked to a guy. He said he would come right away. I told him to wait until he finishes dinner. He mentioned that the soup was so hot he preferred it to cool down. I said I wouldn’t allow that, that I’d be uncomfortable, and that there was no rush. I left no one behind. I always think of that when I see fire, Mr. Matisse, Mr. Julian, Mr. Meininger, Mrs. Walter, and Miss Howard. By almost wishing for a country, you’ll spoil her. Do you ask for Greek? Do you deny Spain? Do you not praise England? Do you value England? I said I believed in the country and that I was quiet in the city. I said I was quiet about the city, and I believed in the country. He asked me why I ruled. I said I didn’t deny rain. I told him he could assure his mother. When the whole arrangement was discussed, excluding bits of plaster, when everything was mentioned and he didn’t suggest oil, he didn’t say he hadn’t tried; he said it was pointless at this time to ask a minister to serve an individual. He said they were too busy. He said he wouldn’t talk to one another. He said, “I will ask.”

I am trying a new one.

I’m trying a new one.

Believe two names.

Trust two names.

I am really surprised.

I'm really surprised.

In my surprise I shall stammer.

I'll stutter in my surprise.

I do not stammer ordinarily.

I don’t usually stutter.

Widening putty is not lonesome. It makes a door. I was wondering if the door was wide enough and if not whether the double door would be broken. It certainly would be and now if it were there would be no reparation. Not by reason of not inclining to mend it but because of the time that is only shown by the absence of women. It is astonishing. Really it is astonishing and its true. We have found it out. The day that we asked we heard it. We were surprised. If I wanted the door there is yet to be found the man who makes plaster. Plaster, cement. We say cement.

Widening putty isn't lonely. It creates a door. I was wondering if the door was wide enough, and if not, whether the double door would break. It definitely would, and if it did, there would be no fixing it. Not because we don’t want to repair it, but due to the time that’s only indicated by the absence of women. It’s surprising. Really, it is surprising, and it's true. We figured it out. The day we asked, we heard it. We were shocked. If I wanted the door, there’s still the guy who makes plaster. Plaster, cement. We say cement.

I am disappointed in women. No I cannot say that. There are ten days. I will be so pleased. I am so pleased. Do you credit me with hearing. I am so pleased.

I am let down by women. No, I can’t say that. There are ten days. I will be really happy. I am so happy. Do you believe that I can hear? I am so happy.

It's been a success, it's been a perfect success.

It's been a success; it's been a total success.


Harnessing on or another. Harnessing another.

Harnessing one or the other. Harnessing another.

Harnessing on or another. Harnessing on or another is a great success. I offer. I offer. I offer. I do need it. Please be careful. Harnessing another is a great success. I was surprised when I looked at the picture to see that I could recognise everybody. I had been perfectly right in saying that they were stupid. It is chance. An accident. A resemblance. An offspring. An intuition. A result. A repetition. Repeat. I knew I wanted four hundred. I forgot to ask if he had seen an electrician. If he had was he at Versailles. A silver designer that is a name, Emile. I wanted to laugh. The voice was loud. I did not understand English. I am beautifully rich.

Harnessing one or another is a great success. I offer. I offer. I offer. I do need it. Please be careful. Harnessing another is a great success. I was surprised when I looked at the picture to see that I could recognize everybody. I had been perfectly right in saying that they were foolish. It is chance. An accident. A resemblance. An offspring. An intuition. A result. A repetition. Repeat. I knew I wanted four hundred. I forgot to ask if he had seen an electrician. If he had, was he at Versailles? A silver designer—that's a name, Emile. I wanted to laugh. The voice was loud. I did not understand English. I am beautifully rich.

Once when I was fastening a drawing, I fastened it with decision. I did not like it there. We have decided not to have an umbrella stand. I don't think either that we will put everything away, I think what we will decide is this, to meet the train, to insist on paying, to give four eggs, bread, butter, water, meat and pears. Then we will go away and after that I don't think there is any need to notice noise. It is so silvery. I mentioned a fork. We were astonished by all languages. I meant to be told.

Once, when I was putting up a drawing, I did it with confidence. I didn’t like it there. We’ve decided against having an umbrella stand. I don’t think we’ll put everything away either; what we’ll decide is to meet the train, insist on paying, and bring four eggs, bread, butter, water, meat, and pears. Then we’ll leave, and after that, I don’t think we need to pay attention to noise. It’s so soothing. I mentioned a fork. We were amazed by all the different languages. I wanted to be informed.

This is the light. I can not see plainly. I make a difference.

This is the light. I can't see clearly. I make a difference.

When are brothers.

When they're brothers.

By times.

By the time.

Do old age missions sing.

Do senior missions sing.

They do choose choirs.

They pick choirs.

Why are mistakes late. Because they pleased us and we shall be late.

Why are mistakes delayed? Because they made us happy, and now we will be late.

Render yourselves further. This means servants.

Render yourselves further. This means servants.

Render yourselves together.

Come together.

Render together.

Render together.

I saw a team running. I saw plenty of lamps.

I saw a team running. I saw lots of lamps.

It was lighter than London.

It was brighter than London.

Do you think so.

Do you think that?

To be dangerous mother.

Be a dangerous mom.

We were so tired from sheer pity.

We were so exhausted from overwhelming sympathy.

I wish we had loaned another.

I wish we had lent another.

Please be a buyer.

Please make a purchase.

I shall spoil.

I will spoil.

Not he.

Not him.

Not he or hurry.

Not him or rush.

Not he. Not she. For her. Not very good.

Not him. Not her. For her. Not great.

The rebellion of Esther.

Esther's rebellion.

In a rebellion of Esther or with a study of a sheepdog. What is a police dog.

In a rebellion of Esther or with a study of a sheepdog. What is a police dog?

There may come a pause.

There might be a break.

His task accomplished he may feed. It was seldom that increase or decrease in accordance with the one who welcomes first of all the incoming ill-natured purpose showed lightly conscienced boys bribed for the purpose. These exclaim. Do not for a moment fall into the error of considering them as to what becomes of them after they are fifty years of age. Had they been they would have succumbed to earlier opportunities. The sun set upon a curious scene

His task complete, he can eat. It was rare that any increase or decrease in relation to the one who first welcomes the incoming bad intentions showed boys with a weak conscience who were bribed for that purpose. These boys shout. Don't for a second make the mistake of thinking about what happens to them after they turn fifty. If they had, they would have given in to earlier chances. The sun set on a strange scene.

I went faster.

I sped up.

The infant's face being uncovered the helpless little thing opened its eyes. Although this separation was unavoidable it is I who am never permitted who have never permitted any one to ask me to interfere.

The baby's face was uncovered, and the helpless little one opened its eyes. Even though this separation was unavoidable, I am the one who is never allowed, who has never allowed anyone to ask me to step in.

Pears.

Pears.

Leave me leave me by way of pointing.

Leave me, leave me by way of pointing.

Believe me see me by way of dealing out plans.

Believe me, check out how I manage things.

Believe me believe me be careless, lead it by permission. Is Henner going to Paris.

Believe me, be careless, take the lead with permission. Is Henner going to Paris?

By me I see sounds of dirt. I can hear something. I listen best. I am willing.

By me, I see signs of dirt. I can hear something. I listen closely. I am open.

With no plan.

Without a plan.

Have you said yes. I think it would be best to ask a baker. He sent her. He meant to hear me. He was loud. He had an unexpected spelling.

Have you said yes? I think it would be best to ask a baker. He sent her. He meant to hear me. He was loud. He had an unexpected spelling.

Hear me hear me I do.

Hear me, hear me, I do.

Plainly.

Clearly.

If I carry you. If you carry, what will you carry.

If I carry you. If you carry, what will you carry?

Carrie.

Carrie.

Carrie.

Carrie.

If you carry me.

If you take me.

Seating.

Seating.

Little manners.

Lacks manners.

When I asked everybody to sit down they were annoyed.

When I asked everyone to sit down, they were annoyed.

Please be at wax matches.

Please bring wax matches.

Please beat.

Please knock.

Please beat.

Please leave.

I cannot express emotion.

I can't express my feelings.

Any house is a home.

Any house can be a home.

Two hands.

Two hands.

I heard today that it was appalling. I believe what is said and why it is said. I believe that lights are normal. I believe that separate stones coming together count as forty. I believe in two horses. I believe that.

I heard today that it was shocking. I believe what’s said and why it’s said. I believe that lights are usual. I believe that separate stones coming together add up to forty. I believe in two horses. I believe that.

When I heard the description of mud and shouting when I saw him and it was a surprise then I said I would stand. It was pleasant. It was not gentle. It was black and hopeful. It was principally very shapely. Anything can astonish a citizen. I was cautious. I believe in the best.

When I heard about the mud and the shouting, when I saw him and it caught me off guard, I decided I would stand. It felt good. It wasn’t gentle. It was dark and hopeful. It was mostly very attractive. Anything can surprise a person. I was careful. I believe in the best.

Not a mile.

Not even a mile.

When I say that introductions mean that, when I feel that I have met them, when I am out aloud and by spacing I separate letters when I do this and I am melancholy I remember that rivers, only rivers have suppressed sounds. All the rest overflow. Piles are driven. Ice is free. Changes are by little spools, and toys are iron. Toys are iron whether or not they are Italian. This is so far. Please be at rest. I shall. I shall not speak for anybody. I shall do my duty. I shall establish that mile. I shall choose wonder. Be blest.

When I say introductions, I mean that when I feel like I’ve met them, I express myself out loud and by spacing the letters apart. When I do this and feel down, I remember that only rivers have muffled sounds. Everything else overflows. Loads are pushed along. Ice is free. Changes come in small bits, and toys are made of metal. Toys are metal whether or not they are Italian. That's where we stand. Please stay calm. I will. I won’t speak for anyone else. I will do my part. I will mark that mile. I will choose wonder. Be blessed.

When she said six and meant seven I made her leave it more than she chose to revise. I made her please me. Do be careful.

When she said six but meant seven, I made her leave it longer than she wanted to change. I made her satisfy me. Be careful.

I cannot help it. I cannot expect places. I can see that there is some obligation in deciding on straps and in lessening tails. I can see what I come to mention. But do not deceive anybody, do not be churlish. Do place exercises in a book. To be excellently winning, to be exclaiming and really I don't see any use in leaving yet when really there is no moon. I do believe in some. I shall suggest it. Very likely there is cause. I don't say I neglect to mention it. I forgot to place any of it higher. I meant to relive eyes. I saw wealthy boys. I shall judge then. Do not go away. This is this call. I edged it. I mean to say goodness. Don't be a worry. Don't resemble mother. I saw the oldest boy sneeze. It is a calamitous poison. Not when it is old. Not by nearly so much as yesterday. I do believe I hear whether I do see knives. Indeed I do.

I can't help it. I can't make assumptions about places. I understand there's some responsibility in choosing straps and reducing tails. I can see what I'm about to mention. But don't mislead anyone, and don't be rude. Do include exercises in a book. To be incredibly successful, to be enthusiastic, and honestly, I don't see the point in leaving yet when there's no moon. I do have some beliefs about it. I'll suggest it. There's probably a reason. I'm not saying I forgot to mention it. I just overlooked putting any of it higher. I meant to refresh the eyes. I noticed wealthy boys. I'll make my judgment then. Don’t leave. This is the call. I nudged it. I mean to emphasize goodness. Don't stress. Don’t be like mother. I saw the oldest boy sneeze. It's a disastrous poison. Not when it’s old. Not by nearly as much as yesterday. I believe I hear whether I see knives. Indeed, I do.

What was she going to do Monday morning.

What was she going to do on Monday morning?

There are plenty of rubber wheels of a kind. The mischief lies in getting the wrong ones. They are remarkable in many shapes and when you ask for hurrying see that you get it.

There are plenty of rubber wheels of this type. The trouble comes when you get the wrong ones. They come in many shapes, so when you ask for a rush order, make sure you get what you asked for.

I think this will be enough.

I think this will be sufficient.

Closets are cleaner.

Closets are tidier.

We came to be rosy.

We became optimistic.

Prayers.

Prayers.

I mentioned it satisfactorily.

I mentioned it well.

Do not be careful.

Don't hold back.

Do not be careful.

Don't be cautious.

She said she would not have displeased her by herself. I will mention it to another. Be quick.

She said she wouldn't have upset her on her own. I'll tell someone else. Hurry up.

Quickly.

Fast.

I don't know why emigration has been stopped.

I don't know why emigration has been halted.

Maps.

Maps.

I am thinking.

I'm thinking.

I will not say that.

I won't say that.

This is the way I feel about it. He said that. He did not say he was reluctant. He went to the place in front of the same thing. Any one is not tired.

This is how I feel about it. He said that. He didn't say he was hesitant. He went to the same spot in front of the same thing. No one is tired.


To believe me it is necessary to have a resumption. To resume is war. I say it in the morning. I don't say it in the morning. This is not mischief. I do not believe in fancies in respect to bread. This was mentioned with coal. But not with the same authority.

To believe me, you need to have a fresh start. To start over is war. I say it in the morning. I don't say it in the morning. This isn't a joke. I don't believe in fantasies when it comes to bread. This was brought up with coal. But not with the same weight.

He goes and he does not believe in draughts. He is invited.

He leaves and doesn’t believe in drafts. He’s invited.

It seems a splendid day.

It looks like a great day.

I said he knew this thing. I said everybody knows something. I was winding stockings. This is the day to pray.

I said he knew about this. I said everyone knows something. I was putting on stockings. This is the day to pray.

Please be restless.

Stay restless.

I cannot count.

I can't count.

I looked for the address.

I searched for the address.

There was plenty of time in softening.

There was plenty of time for softening.

He said he was surprised and he said laughing is coughing.

He said he was surprised and he said laughing is like coughing.


There is one such in my company. I am impatient. I believe in crops.

There is one like that in my company. I’m impatient. I believe in growth.


I do not care about the same thing in another way.

I don't care about the same thing presented differently.


Would you have another.

Would you like another?

What.

What?

Kiss.

Kiss.

IF YOU HAD THREE HUSBANDS

If you had three husbands.

If you had three partners.

If you had three husbands.

If you had three partners.

If you had three husbands, well not exactly that.

If you had three husbands, well not really that.

If you had three husbands would you be willing to take everything and be satisfied to live in Belmont in a large house with a view and plenty of flowers and neighbors, neighbors who were cousins and some friends who did not say anything.

If you had three husbands, would you be okay with taking it all and being content to live in Belmont in a big house with a view, surrounded by lots of flowers and neighbors—cousins and a few friends who didn’t say much?

This is what happened.

Here’s what happened.

She expressed everything.

She shared it all.

She is worthy of signing a will.

She deserves to sign a will.

And mentioning what she wished.

And saying what she wanted.

She was brought up by her mother. She had meaning and she was careful in reading. She read marvelously. She was pleased. She was aged thirty-nine. She was flavored by reason of much memory and recollection.

She was raised by her mother. She found meaning and was thoughtful in her reading. She read wonderfully. She was happy. She was thirty-nine years old. She was enriched by a wealth of memories and reflections.

This is everything.

This is all.

Foreword.

Introduction.

I cannot believe it.

I can’t believe it.

I cannot realize it.

I can't believe it.

I cannot see it.

I can't see it.

It is what happened.

It is what it is.

First there was a wonder.

First there was a marvel.

Really wonder.

Really curious.

Wonder by means of what.

Wonder how.

Wonder by means of measures.

Measure by means of wonder.

Measuring what.

Measuring what?

Heights.

Elevations.

How high.

How tall?

A little.

A bit.

This was not all.

This wasn't everything.

There were well if you like there were wonderful spots such as were seen by a queen. This came to be a system. Really it was just by a treasure. What was a treasure. Apart from that.

There were, if you like, wonderful places that could be seen by a queen. This became a system. Ultimately, it was just a treasure. What was a treasure? Besides that.

Surely.

Definitely.

Rather.

Rather.

In their beginning what was a delight. Not signing papers or anything or indeed in having a mother and two sisters. Not nearly enough were mentioned by telegraphing. It was a choice.

In their beginning, what was a joy. Not signing papers or anything, or even having a mother and two sisters. Not nearly enough was communicated through telegrams. It was a choice.

I ramble when I mention it.

I go off on tangents when I bring it up.

Did she leave me any money.

Did she leave me any money?

I remember something.

I recall something.

I am not clear about what it was.

I’m not sure what it was.

When did I settle that.

When did I decide that?

I settled it yesterday.

I took care of it yesterday.

Early Life.

Early Years.

They were not miserably young they were older than another. She was gliding. It is by nearly weekly leaning that it comes to be exact. It never was in dispute.

They weren't painfully young; they were older than some. She was gliding along. It's through nearly weekly practice that it becomes precise. It was never up for debate.

They were gayly not gaily gorgeous. They were not gorgeous at all. They were obliging. If you think so. If you think so glow. If you believe in light boys. They were never another.

They were happily not beautifully stunning. They weren’t stunning at all. They were accommodating. If you think so. If you think so, shine. If you believe in bright boys. They were never anything else.

It came to be seen that any beam of three rooms was not showy. They were proud to sit at mother. Slowly walking makes walking quicker. They have toys and not that in deceiving. They do not deceive them. No one is willing. No one could be cool and mother and divided and necessary and climatical and of origin and beneath that mean and be a sun. It was strange in her cheek. Not strange to them or that.

It became clear that a group of three rooms wasn't impressive. They were happy to sit with their mother. Walking slowly makes walking faster. They have toys, but they're not for tricking anyone. They don’t deceive anyone. No one is willing. No one can be calm, and mother is split and essential and affected by the climate and rooted in their origins, but they also have a light that is warm. It felt odd on her cheek. It wasn't strange to them or to that.

A young one.

A young person.

Not by mountains.

Not by mountains.

Not by oysters.

Not by oysters.

Not by hearing.

Not by listening.

Not by round ways.

Not by indirect routes.

Not by circumference again.

Not by circumference again.

Not by leaving luncheon.

Not by skipping lunch.

Not by birth.

Not by birthright.

It doesn't make any difference when ten are born. Ten is never a number. Neither is six. Neither is four.

It doesn't matter when ten are born. Ten is never just a number. Neither is six. Neither is four.

I will not mention it again.

I won’t bring it up again.

Early days of shading.

Early days of shading.

Make a mouse in green.

Create a green mouse.

Make a single piece of sun and make a violet bloom. Early piece of swimming makes a sun on time and makes it shine and warm today and sun and sun and not to stay and not to stay or away. Not to stay satin. Out from the whole wide world he chose her. Out from the whole wide world and that is what is said.

Make one whole piece of sunlight and create a violet flower. A little bit of swimming makes a sun on time and makes it shine and warm today, and sun and sun and not to remain and not to remain or go away. Not to stay satin. From the entire wide world, he chose her. From the entire wide world, and that is what's said.

Family.

Family.

What is famine. It is plenty of another. What is famine. It is eating. What is famine. It is carving. Why is carving a wonderful thing. Because supper is over. This can happen again. Sums are seen.

What is famine? It's an abundance of something else. What is famine? It's about eating. What is famine? It's about carving. Why is carving a wonderful thing? Because dinner is finished. This can happen again. Numbers are visible.

Please be polite for mother. Lives of them. Call it shall it clothe it. Boil it. Why not color it black and never red or green. This is stubborn. I don't say so.

Please be polite for Mom. Their lives. Call it, shall it clothe it. Boil it. Why not color it black and never red or green? This is stubborn. I'm not saying that.

No opposition.

No resistance.

If you had a little likeness and hoped for more terror. If you had a refusal and were slender. If you had cuff-buttons and jackets and really astonishing kinds of fever would you stop talking. Would you not consider it necessary to talk over affairs.

If you had a small resemblance and wanted more fear. If you had a rejection and were thin. If you had cufflinks and jackets and some truly amazing types of fever, would you stop talking? Would you not think it was necessary to discuss things?

It was a chance that made them never miss tea. They did not miss it because it was there. They did not mean to be particular. They invited their friends. They were not aching. It was noiseless and beside that they were clever. Who was clever. The way they had of seeing mother.

It was a lucky break that ensured they never missed tea. They didn’t skip it just because it was available. They didn’t intend to be selective. They invited their friends. They weren’t in pain. It was quiet, and on top of that, they were smart. Who was smart? The way they looked at their mother.

Mother was prepared.

Mom was ready.

They were caressing.

They were cuddling.

They had sound sense.

They had common sense.

They were questioned.

They were interrogated.

They had likeness. Likeness to what. Likeness to loving. Who had likeness to loving. They had likeness to loving. Why did they have a likeness to loving. They had a likeness to loving because it was easily seen that they were immeasurable.

They had a resemblance. A resemblance to what? A resemblance to love. Who resembled love? They resembled love. Why did they resemble love? They resembled love because it was clear that they were limitless.

They were fixed by that, they were fixed, not licensed, they were seen, not treasured, they were announced, not restless, they were reasoning, not progressing. I do not wish to imply that there is any remedy for any defect.

They were defined by that, they were set, not approved, they were recognized, not valued, they were declared, not unsettled, they were thinking, not advancing. I don’t mean to suggest that there’s any solution for any flaw.

I cannot state that anyone was disappointed. I cannot state that any one was ever disappointed by willingly heaping much confusion in particular places. No confusion is reasonable. Anybody can be nervous.

I can’t say that anyone was disappointed. I can’t say that anyone was ever disappointed by intentionally creating a lot of confusion in certain areas. No confusion makes sense. Anyone can feel nervous.

They were nervous again.

They felt nervous again.

This is wishing.

This is a wish.

Why is wishing related to a ridiculous pretence of changing opposition to analysis. The answer to this is that nearly any one can faint. I don't mean to say that they don't like tennis.

Why is wishing connected to a silly act of changing argument to analysis? The answer is that almost anyone can pretend. I’m not saying they don’t enjoy tennis.

Please be capable of sounds and shoulders. Please be capable of careful words. Please be capable of meaning to measure further.

Please be able to express yourself clearly and support others. Please choose your words carefully. Please strive to understand the deeper meaning.

They measured there.

They measured it there.

They were heroes.

They were legends.

Nobody believed papers.

Nobody trusted the papers.

Everybody believed colors.

Everyone believed in colors.

I cannot exercise obligation.

I can't exercise obligation.

I cannot believe cheating.

I can’t believe cheating.

I cannot sober mother.

I can't sober up, Mom.

I cannot shut my heart.

I can't shut my heart.

I cannot cherish vice.

I can't embrace wrongdoing.

I cannot deceive all.

I can't fool everyone.

I cannot be odious.

I can't be unpleasant.

I cannot see between.

I can't see in between.

Between what and most.

Between what and most.

I cannot answer either.

I can't answer either.

Do be left over suddenly.

Do be left over suddenly.

This is not advice.

This isn't advice.

No one knows so well what widening means. It means that yards are yards and so many of them are perfect. By that I mean I know.

No one understands what widening means as well as I do. It means that yards are still yards, and many of them are perfect. What I mean is, I'm aware of this.

This is not so.

This isn't true.

I am not telling the story I am repeating what I have been reading.

I’m not telling the story; I'm just sharing what I’ve read.

What effects tenderness.

What influences tenderness?

Not to remember the name.

Don't forget the name.

Say it.

Say it.

The time comes when it is natural to realize that solid advantages connect themselves with pages of extreme expression. This is never nervously pale. It is finely and authentically swollen by the time there is any rapid shouting.

The time comes when it's normal to understand that real benefits are tied to pages of intense expression. This is never weak or indecisive. It is genuinely and richly amplified when there’s any loud shouting.

I do not like the word shouting. I do not mean that it gives me any pleasure. On the contrary I see that individual annoyances are increased by it but nevertheless I am earnestly persuasive concerning it. Why soothe why soothe each other.

I don't like the word shouting. I don't mean that it brings me any joy. On the contrary, I see that individual annoyances are made worse by it, but still, I genuinely believe in its importance. Why comfort each other? Why comfort each other?

This is not at all what is being said.

This is not at all what is being stated.

It happened very simply that they were married. They were naturally married and really the place to see it was in the reflection every one had of not frightening not the least bit frightening enthusiasm. They were so exact and by nearly every one it was encouraged soothed and lamented. I do not say that they were interested.

It happened very simply that they got married. They were naturally married, and the best place to see it was in the way everyone reflected their not-at-all-threatening enthusiasm. They were so precise, and nearly everyone encouraged, comforted, and mourned it. I’m not saying they were interested.

Any years are early years and all years are occasions for recalling that she promised me something.

Every year is an early year, and all years are moments to remember that she made me a promise.

This is the way to write an address.

This is how you write an address.

When they were engaged she said we are happy. When they were married she said we are happy. They talked about everything they talked about individual feeling. This is not what was said. They did not talk about disinterested obligation. They did not talk about pleasantness and circumstances. I do not mean to say that there was conversation. I do not organize a revision. I declare that there was no need of criticism. That there was no criticism. That there was breathing. By that I mean that lights have lanterns and are not huddled together when there is a low ceiling. By that I mean that it was separate. The ceiling was separated from the floor. Everywhere.

When they were engaged, she said they were happy. When they were married, she said they were happy. They talked about everything; they talked about individual feelings. This is not what was said. They didn’t talk about unselfish duty. They didn’t talk about pleasantness and circumstances. I don’t mean to suggest that there was conversation. I don’t need to organize a revision. I state that there was no need for criticism. There was no criticism. There was just breathing. By that, I mean that lights have lanterns and aren’t crowded together when there's a low ceiling. By that, I mean that it was separate. The ceiling was separate from the floor. Everywhere.

I could say that devotion was more merited than walking together. What do you mean. I mean that we all saw it.

I could say that devotion was more deserved than just being together. What do you mean? I mean that we all saw it.

When not by a beginning is there meadows and music, you can't call it that exactly, when not by a beginning, there is no beginning, I used to say there was a beginning, there is no beginning, when there is no beginning in a volume and there are parts, who can think.

When there aren’t meadows and music linked to a beginning, you can’t really call it that. When there’s no beginning, I used to say there was one, but there isn’t. When there’s no beginning in a collection and there are sections, who can think?

This pencil was bought in Austria.

This pencil was purchased in Austria.

Length of time or times.

Duration.

He agreed. He said I would have known by this time. I don't like to think about it. It would have led to so much. Not that I am disappointed I cannot be disappointed when I have so much to make me happy. I know all that I am to happiness, it is to be happy and I am happy. I am so completely happy that I mention it.

He agreed. He said I would have figured it out by now. I don't like to dwell on it. It would have led to so much. Not that I'm disappointed; I can't be disappointed when I have so much to make me happy. I know everything I need for happiness, and I am happy. I am so completely happy that I bring it up.

In writing now I find it more of a strain because now I write by sentences. I don't mean that I feel it above, I feel it here and by this time I mention it too. I do not feel the significance of this list.

In writing now, I find it more challenging because I write by sentences. I don’t mean that I feel it above, I feel it here, and by this time, I mention it too. I don’t feel the importance of this list.

Can you read a book.

Can you read a book?

By the time artificial flowers were made out of feathers no pride was left. Any one is proud if the name of their house is the name of a city.

By the time artificial flowers were made from feathers, there was no pride left. Anyone feels proud if their family name is the name of a city.

I remember very well the time I was asked to come up and I said I did not want to. I said I did not want to but I was willing not quite to understand why after all there need be poison. Do not say more than a word.

I remember clearly the time I was asked to come up, and I said I didn't want to. I said I didn't want to, but I was okay with not fully understanding why there had to be poison after all. Don't say more than a word.

No this is wrong.

No, this is wrong.

Cousins and cousins, height is a brother. Are they careful to stay.

Cousins and cousins, height is a sibling. Are they careful to stay?

If you had three husbands I don't mean that it is a guess or a wish. I believe finally in what I saw in what I see. I believe finally in what I see, in where I satisfy my extreme shadow.

If you had three husbands, I’m not saying that’s just a guess or a wish. I finally believe in what I saw and in what I see. I finally believe in what I see, in where I find fulfillment for my deepest shadow.

Believing in an extreme dream. This is so that she told her mother. I do not believe it can be mentioned. I do not believe it can be mentioned.

Believing in a wild dream. This is what she told her mother. I don’t think it can be talked about. I don’t think it can be talked about.

Astonishing leaves are found in their dread in their dread of that color. Astonishing leaves can be found in their dread not in their dread of that color. Astonishing leaves can be found in their dread in their dread of that color.

Astonishing leaves are found in their fear of that color. Astonishing leaves can be found in their fear, not in their fear of that color. Astonishing leaves can be found in their fear of that color.

When it came to say I mean a whole day nobody meant a whole day. When it came not to say a whole day nobody meant a whole day. There never was a single day or a single murmur or a single word or a single circumstance or sweating. What is sweating. Not distilling. Distilling necessitates knowing. Knowing necessitates reasons and reasons do not necessitate flowers. States are flowers.

When it came to saying a whole day, nobody actually meant a whole day. When it came to not saying a whole day, nobody meant a whole day either. There was never a single day, a single murmur, a single word, or a single circumstance or sweating. What is sweating? Not distilling. Distilling requires knowledge. Knowledge requires reasons, and reasons don’t require flowers. States are flowers.

Brother to birthdays.

Brother to birthdays.

Twenty four days.

24 days.

Not a beginning.

Not a start.

By politeness. It is not really polite to be unworthy. Unworthy of what unworthy of the house and of the property adjoining.

By being polite. It's not really polite to be unworthy. Unworthy of what? Unworthy of the house and the property next to it.

Let me describe the red room. A red room isn't cold or warm. A red room is not meant to be icy. A red room is worthy of articles.

Let me describe the red room. A red room isn't cold or warm. A red room is not supposed to be icy. A red room deserves to be discussed.

He pleased she pleased everybody. He pleased her.

He made everyone happy. He made her happy.

He pleased her to go. She was attracted by the time. I do not remember that there were any clocks.

He liked that she was leaving. She was drawn in by the moment. I don’t recall there being any clocks.

I don't wish to begin counting.

I don't want to start counting.

All this was after it was necessary for us to be there all the time. Who were we. We were often enlivening. By way of what. By way of steps or the door. By way of steps. By way of steps or the door.

All of this happened after we had to be there constantly. Who were we? We were often lively. How? Through the steps or the door. Through the steps. Through the steps or the door.

I remember very well the day he asked me if I were patient. Of course I was or of course I was patient enough, of course I was patient enough.

I remember really well the day he asked me if I was patient. Of course I was, or of course I was patient enough, of course I was patient enough.

When it was easy to matter we were all frames not golden or printed, just finely or formerly flattered. It was so easy easy to be bell. Belle was her name. Belle or Bella. I don't mean relations or overwhelming. I don't even mean that we were fond of healthy trees. Trees aren't healthy by yesterday or by roots or by swelling. Trees are a sign of pleasure. It means that there is a country. A country give to me sweet land of liberty.

When it was easy to matter, we were all frames—not golden or printed, just slightly or previously flattered. It was so easy to be a beauty. Beauty was her name. Belle or Bella. I’m not talking about relationships or being overwhelmed. I don’t even mean that we cared about healthy trees. Trees aren’t healthy because of yesterday or their roots or how they grow. Trees are a sign of pleasure. It means there’s a country. A country, give me sweet land of liberty.

One can easily get tired of rolls and rows. Rows have one seat. Rolls are polite. In a way there is no difference between them. Rolls and rows have finished purses. Rows and rolls have finished purses.

One can easily get tired of rolls and rows. Rows have one seat. Rolls are polite. In a way, there's no difference between them. Rolls and rows have finished purses. Rows and rolls have finished purses.

It isn't easy to be restless.

It’s not easy to feel restless.

If sitting is not developed.

If sitting isn't developed.

If standing is not open.

If standing isn't available.

If active action is represented by lying and if piles of tears are beside more delight, it is a rope.

If taking action means lying and if mountains of tears accompany more joy, it’s just a rope.

By that we swim.

That's how we swim.

Capture sealing wax not in or color.

Capture sealing wax not in or color.

Ceilings.

Ceilings.

I like that dwelling.

I like that place.

All the same sound or bore.

All the same noise or annoyance.

Do it.

Understood. Please provide the text.

Try that.

Try that.

Try.

Give it a shot.

Why.

Why?

Widen.

Expand.

Public speaking is sinister if cousins are brothers. We were a little pile.

Public speaking feels threatening if cousins are like brothers. We were a small group.

Buy that.

Get that.

There is no such sense.

That makes no sense.

Pleasant days.

Nice days.

So to speak.

So to say.

Sand today.

Sand now.

Sunday.

Sunday.

Sight in there.

Look inside.

Saturday.

Saturday.

Pray.

Pray.

What forsooth.

What the heck.

Do be quiet.

Please be quiet.

Laugh.

Laugh.

I know it.

I get it.

Shall we.

Let's go.

Let us go ten.

Let's go ten.

One must be willing.

You have to be willing.

If one loves one another by that means they do not perish. They frequent the same day and nearly that it was six months apart.

If people love each other, they won’t fade away. They often meet on the same day, which is nearly six months apart.

Three and three make two.

Three plus three equals two.

Two twenty.

2:20.

I was not disappointed.

I wasn't disappointed.

Do as you please, write the name, change it, declare that you are strong, be annoyed. All this is not foolish.

Do what you want, write the name, change it, assert that you're strong, and get frustrated. None of this is foolish.

She was doubtless not old.

She was definitely not old.

Pleasant days brother. I don't mean this thing. I don't mean calling aloud, I never did so, I was not plaintive. I was not even reached by coughing. I was splendid and sorrowful. I could catch my breath.

Pleasant days, brother. I don't mean this thing. I don't mean calling out loud; I never did that. I wasn't being dramatic. I wasn't even affected by coughing. I felt both magnificent and sad. I was able to catch my breath.

I don't feel that necessity.

I don't feel that need.

They came home.

They returned home.

Why did they come home.

Why did they return home?

They come home beside.

They come home together.

All of it was strange, their daughter was strange, their excitement was strange and painfully sheltered. Quiet leaning is so puzzling. Certainly glasses makes cats a nuisance. We really have endured too much. Everybody says the same thing.

All of it was weird, their daughter was weird, their excitement was weird and painfully sheltered. Quiet leaning is so confusing. Definitely, wearing glasses makes cats a hassle. We’ve really put up with too much. Everyone says the same thing.

I do not see much necessity for believing that it would have occurred as it did occur if sun and September and the hope had not been mentioned. It was all foolish. Why not be determined. Why not oppose. Why not settle flowers. Settle on flowers, speak cryingly and be loath to detain her. I don't see how any one can speak.

I don't think there's any real reason to believe that things would have happened the way they did if the sun, September, and hope hadn't been brought up. It all seems silly. Why not be resolute? Why not resist? Why not focus on flowers? Focus on flowers, speak emotionally, and be reluctant to hold her back. I don't understand how anyone can talk.

I am not satisfied.

I’m not satisfied.

Present Homes.

Current Homes.

There then.

There you go.

Present ten.

Show ten.

Mother and sister apples, no not apples, they can't be apples, everything can't be apples, sounds can't be apples. Do be quiet and refrain from acceptances.

Mother and sister apples, no, not apples, they can't be apples, not everything can be apples, sounds can't be apples. Please be quiet and hold off on accepting things.

It was a great disappointment to me.

It was a huge letdown for me.

I can see that there is a balcony. There never was a sea or land, there never was a harbor or a snow storm, there never was excitement. Some said she couldn't love. I don't believe that anybody said that. I don't mean that anybody said that. We were all present. We could be devoted. It does make a different thing. And hair, hair should not be deceiving. Cause tears. Why tears, why not abscesses.

I can see that there’s a balcony. There was never any sea or land, never a harbor or a snowstorm, never any excitement. Some claimed she couldn't love. I don’t think anyone actually said that. I don’t mean that anyone said that. We were all there. We could be devoted. It really makes a difference. And hair, hair shouldn’t be misleading. Because of tears. Why tears, why not infections?

I will never mention an ugly skirt.

I will never bring up an ugly skirt.

It pleased me to say that I was pretty.

I was happy to say that I was pretty.

Oh we are so pleased.

Oh, we’re so happy!

I don't say this at all.

I don't say this at all.

Consequences are not frightful.

Consequences aren't scary.

Pleasure in a home.

Home sweet home.

After lunch, why after lunch, no birds are eaten. Of course carving is special.

After lunch, the reason no birds are eaten is clear. Of course, carving is something special.

I don't say that for candor.

I don't say that to be honest.

Please be prepared to stay.

Please be ready to stay.

I don't care for wishes.

I'm not into wishes.

This is not a success.

This isn't a success.

By this stream.

By this river.

Streaming out.

Streaming out.

I am relieved from draught. This is not the way to spell water.

I am free from thirst. This is not how you spell water.

I cannot believe in much.

I can’t believe in much.

I have courage.

I'm brave.

Endurance.

Stamina.

And restraint.

And self-control.

After that.

After that.

For that end.

For that purpose.

This is the title of a conclusion which was not anticipated

This is the title of a conclusion that wasn’t expected.

When I was last there I smiled behind the car. What car showed it.

When I was last there, I smiled from behind the car. Which car was it?

By that time.

By then.

Believe her out.

Believe her.

Out where.

Out there.

By that.

By that.

Buy that.

Get that.

She pleased me for. Eye saw.

She made me happy because I saw.

Do it.

Do it.

For that over that.

For that over there.

We passed away. By that time servants were memorable. They came to praise.

We passed away. By then, the servants were unforgettable. They came to honor us.

Please do not.

Please don’t.

A blemish.

A flaw.

They have spans.

They have time spans.

I cannot consider that the right word.

I can't consider that the right word.

By the time we are selfish, by that time we are selfish.

By the time we become selfish, we really are selfish.

By that time we are selfish.

By then, we’re selfish.

It is a wonderful sight,

It's a beautiful sight,

It is a wonderful sight to see.

It looks awesome.

Days.

Days.

What are days.

What are days?

They have hams.

They have ham.

Delicate.

Fragile.

Delicate hams.

Tender hams.

Pounds.

Currency.

Pounds where.

Where's the weight?

Pounds of.

Pounds of.

Where.

Where at.

Not butter dogs.

Not butter dogs.

I establish souls.

I create souls.

Any spelling will do.

Any spelling is fine.

Beside that.

Next to that.

Any spelling will do beside that.

Any spelling will work besides that.

If you look at it.

If you check it out.

That way.

That route.

I am going on.

I'm moving on.

In again.

Back again.

I am going on again in in then.

I am going on again then.

What I feel.

How I feel.

What I do feel.

How I feel.

They said mirrors.

They said mirrors.

Undoubtedly they have that phrase.

They definitely have that phrase.

I can see a hat.

I see a hat.

I remember very well knowing largely.

I remember knowing a lot very clearly.

Any shade, by that I do mean iron glass. Iron glass is so torn. By what. By the glare. Be that beside. Size shall be sensible. That size shall be sensible.

Any shade, and I really mean iron glass. Iron glass is so damaged. By what? By the glare. Let that be aside. Size should make sense. That size should make sense.

Fixing.

Fixing.

Fixing enough.

Good enough.

Fixing up.

Renovating.

By fixing down, that is softness, by fixing down there.

By settling on that softness, by settling there.

Their end.

Their conclusion.

Politeness.

Courtesy.

Not by linen.

Not by fabric.

I don't wish to be recalled.

I don't want to be remembered.

One, day, I do not wish to use the word, one day they asked to buy that.

One day, I don’t want to say “one day,” they asked to buy that.

I don't mean anything by threads. It was wholly unnecessary to do so. It was done and then a gun. By that stand. Wishes.

I don't mean anything by threads. It was completely unnecessary to do that. It happened, and then there was a gun. By that point. Wishes.

I do not see what I have to do with that.

I don’t get how that concerns me.

Any one can help weeping.

Anyone can help with weeping.

By wise.

Be wise.

I am so indifferent.

I'm so indifferent.

Not a bite.

Not a single bite.

Call me handsome.

Call me attractive.

It was a nice fate.

It was a good fate.

Any one could see.

Anyone could see.

Any one could see.

Anyone could see.

Any one could see.

Anyone could see.

Buy that etching.

Get that etching.

Do be black.

Be yourself.

I do not mean to say etching. Why should I be very sensitive. Why should I matter. Why need I be seen. Why not have politeness.

I don't mean to say etching. Why should I be so sensitive? Why should I matter? Why do I need to be seen? Why not just be polite?

Why not have politeness.

Why not just be polite?

In my hair.

In my hair.

I don't think it sounds at all like that.

I don't think it sounds that way at all.

Their end.

Their conclusion.

To end.

To wrap up.

To be for that end.

To support that goal.

To be that end.

To achieve that goal.

I don't see what difference it makes

I don't see how it makes a difference.

It does matter.

It matters.

Why have they pots.

Why do they have pots?

Ornaments.

Decorations.

And china.

And China.

It isn't at all.

It's not at all.

I have made every mistake.

I've made every mistake.

Powder it.

Dust it.

Not put into boxes.

Not boxed in.

Not put into boxes.

Not boxed in.

Powder it.

Dust it.

I know that well.

I know that for sure.

She mentioned it as she was sleeping.

She mentioned it while she was sleeping.

She liked bought cake best. No she didn't for that purpose.

She preferred store-bought cake the most. No, she didn't for that reason.

I have utter confusion.

I'm totally confused.

No two can be alike.

No two are the same.

They are and they are not stubborn.

They are and they aren't stubborn.

Please me.

Please satisfy me.

I was mistaken.

I was wrong.

Any way.

Anyway.

By that.

By that.

Do not refuse to be wild.

Do not hold back from being wild.

Do not refuse to be all.

Do not hold back from being everything.

We have decided not to withstand it.

We have decided not to take it anymore.

We would not rather have the home.

We wouldn't prefer to have the home.

This is to teach lessons of exchange endurance and resemblance and by that time it was turned.

This is to teach lessons about enduring exchanges and similarities, and by then it had changed.

Shout.

Yell.

By.

By.

Out.

Out.

I am going to continue humming.

I'm going to keep humming.

This does not mean express wishes.

This doesn't mean to express wishes.

I am not so fanciful. I am beside that calculated to believe in whole pages. Oh do not annoy me.

I’m not that imaginative. I'm more the type to believe in concrete facts. Oh, please don’t bother me.

Days.

Days.

I don't like to be fitted. She didn't say that. If it hadn't been as natural as all the rest you would have been as silly as all the rest.

I don’t like being put in a box. She didn’t say that. If it hadn't felt as natural as everything else, you would have been just as foolish as everyone else.

It's not at all when it is right.

It's not at all when it's right.

I wish for a cake.

I want a cake.

She said she did.

She said she did.

She said she didn't.

She said she didn't.

Gloom.

Sadness.

There was no gloom.

There was no sadness.

Every room.

Every room.

There was no room.

No space available.

There was no room.

No space available.


Buy that chance.

Seize that opportunity.

She didn't leave me any money.

She didn't leave me any cash.

Head.

Head.

Ahead.

Forward.

I don't want to be visible or invisible.

I don’t want to be seen or unseen.

I don't want a dog named Dick.

I don't want a dog named Dick.

It has nothing to do with it.

It has nothing to do with that.

I am obliged to end.

I have to end.

Intend.

Plan.

My uncle will.

My uncle will.

WORK AGAIN

Fasten it fat we say Aunt Pauline.

Fasten it tight, we say, Aunt Pauline.

Not snow now nor that in between.

Not snow now or anything in between.

Now we are bold.

Now we are fearless.

All the weights are measures.

All the weights are measurements.

Splendid.

Awesome.

Are they plateful.

Are they a lot?

Girls are.

Girls exist.

Women.

Women.

Treasures in song.

Treasures in music.

I see a mountain wheeler

I see a mountain bike.

I see a capstan.

I see a winch.

I see a straight.

I see a line.

I see a rattle.

I see a rattle toy.

All things are breathing.

Everything is alive.

Can you see me.

Can you see me?

Hurrah for America.

Hooray for America.

A day's sun.

A day's sunlight.

In this miss.

In this message.

Yes indeed our mat.

Sure, our mat.

We can thank you

Thanks to you

We thank you.

Thanks!

Come together.

Unite.

Come to me there now.

Come to me here now.

All of it is bit.

It's all just bits.

Bitter.

Bitter.

In the meaning of bright.

In the sense of bright.

Bright not light.

Bright, not light.

Light to me.

Shine a light on me.

Then say the essence.

Please provide the text you would like me to modernize.

Not a nightingale.

Not a nightingale.

Wild animals are not fierce neither are sponges.

Wild animals are not fierce, nor are sponges.

Can you see her dressed or him.

Can you see her or him dressed?

In this way we cough.

This is how we cough.

What can a mayor do.

What can a mayor do?

In this new school. In this new school they are ladies. And now you mention gifts.

In this new school. In this new school they are ladies. And now that you mention gifts.

And lists.

And lists.

Can you believe.

Can you believe it?

Then then.

Then then.

All the leaves.

All the leaves.

All the hotels.

All the hotels.

All the boils.

All the pimples.

Cooks cook.

Cooks prepare food.

We are so happy.

We're so happy.

In the land.

In the area.

You mean a lady.

You mean a woman.

Can we have imagination.

Can we use our imagination?

They ask have we a stocking.

They ask if we have a stocking.

Did he die to drink.

Did he die for a drink?

We have to.

We have to.

It is not a joke.

It's not a joke.

A vicar is not a joke.

A vicar is no laughing matter.

Did he die there because he was mortal and we leave Rivesaltes.

Did he die there because he was human, and we left Rivesaltes?

Be nice to me.

Please be kind to me.

In the kiss.

In the kiss.

Laps indeed.

Laps, for sure.

Can you say lapse.

Can you say mistake?

Then think about it.

Then think about it.

I think kindly of that bother.

I have fond thoughts of that annoyance.

It is not a bother to be a soldier.

It’s not a hassle to be a soldier.

Indeed it is yet.

Indeed, it still is.

We are so pleased.

We're so pleased.

With the flag.

With the flag.

With the flag of sets.

With the flag of sets.

Sets of color

Color palettes

Do you like flags.

Do you like flags?

Blue flags smell sweetly.

Blue flags smell sweet.

Blue flags in a whirl.

Blue flags swirling.

The wind blows

The wind is blowing

And the automobile goes.

And the car goes.

Can you guess boards.

Can you guess the boards?

Wood.

Wood.

Can you guess hoops.

Can you guess basketball?

Barrels.

Containers.

Can you guess girls.

Can you guess the girls?

Servants.

Staff.

Can you guess messages.

Can you decode messages?

In deed.

Indeed.

Then there are meats to buy.

Then there are meats to buy.

We like asparagus so.

We really like asparagus.

This is an interview.

This is an interview.

Soldiers like a fuss.

Soldiers enjoy a fuss.

Give them their way.

Let them have their way.

Yes indeed we will.

Absolutely, we will.

We are not mighty

We aren't powerful.

Nor merry.

Not happy.

We are happy.

We're happy.

Very.

Very.

In the morning.

In the morning.

We believe in the morning

We believe in mornings

Do we.

Do we?

Please be an interview.

Please conduct an interview.

Please be an interview with dogs.

Please be an interview with dogs.

Please comfort me.

Please console me.

Please plan a game.

Please organize a game.

Please then and places.

Please then and places.

In the meantime.

In the meantime.

In the meantime we are useful.

In the meantime, we are helpful.

That is what I mean to say.

That’s what I mean to say.

In the meantime can you have beds.

In the meantime, can you get beds?

Kindly call a brother.

Please call a brother.

What is a cure.

What’s a cure?

I speak french.

I speak French.

What are means.

What are the means?

I can call it in time.

I can call it on time.

By the way where are fish.

By the way, where are the fish?

In that case are there any wonders.

In that case, are there any surprises?

Many wonders are women.

Women are many wonders.

And men too

And guys too

We smile.

We grin.

In the way sentences.

In terms of sentences.

He does not feel as we do.

He doesn't feel like we do.

But he did have the coat.

But he did have the coat.

He blushed a little

He blushed a bit

Cook.

Cook.

In the tenth century chateau.

In the 10th-century castle.

Who they are we do not know.

Who they are, we don’t know.

But we know they tell us so they tell us that in that way.

But we know they tell us that in that way.

Why do we believe in Cook.

Why do we believe in Cook?

We do not hear from him.

We haven't heard from him.

In a Casino.

At a casino.

Waiting tomorrow yes yet.

Waiting till tomorrow, yes.

And then we think.

And then we reflect.

We think often of pens.

We often think of pens.

Near silk.

Near silk.

In times of peace.

In peaceful times.

In times of peace

In peaceful times

Prepare meals.

Cook meals.

This is what was said to us

This is what we were told

But we do not believe.

But we don’t believe.

We wait.

We're waiting.

We come.

We’re coming.

In that way we feel.

That's how we feel.

And is it useless

And is it pointless?

It is not useless

It's not useless.

Saturday.

Saturday.

Statuatory.

Statutory.

In that case.

In that case.

In that case what.

In that case, what now?

Are you satisfied.

Are you happy?

Certainly with me.

Sure, I'm in.

Then we have the use of it.

Then we have its use.

Indeed yes.

Absolutely.

We are agreed.

We're in agreement.

In the case of mothers.

In the case of moms.

Aunt Pauline.

Aunt Pauline.

How did you pronounce it.

How did you say it?

It was in doubt.

It was uncertain.

In this way we mention this.

In this way, we bring this up.

This is the story of it.

This is the story of it.

He was her uncle and nervous.

He was her uncle and anxious.

In their way they had a black police dog.

In their own way, they had a black police dog.

In his way he had neither relief nor expeditions.

In his own way, he didn't have either comfort or adventures.

In this thing he was not patient.

In this situation, he was not patient.

If they gave him the money to clean the gutters need they shut the tobacco shops.

If they gave him the money to clean the gutters, they should shut down the tobacco shops.

You don't understand that

You don't get that.

If they gave him money for the cleaning of city pipes need he have orders to close butchers.

If they gave him money to clean the city pipes, did he really need permission to shut down the butchers?

We can understand the universal. This is universal.

We can grasp the universal. This is universal.

What is the difference between one order and a reading. A great many read in a park.

What’s the difference between an order and a reading? A lot of people read in the park.

Words question it bakeries threaten it but really hotels receive it. Do we hear about books. Do we. And catalogues. And catalogues. Farmers for speech. A great many vines are said to be sold. In France. And in wealthy homes too. We do not understand the weather. That astonishes me.

Words challenge it, bakeries are at risk, but really hotels benefit from it. Do we hear about books? Do we? And catalogs. And catalogs. Farmers for discussions. A lot of vines are said to be sold. In France. And in wealthy homes, too. We do not understand the weather. That surprises me.

Can you think of me.

Can you remember me?

Confess it confess it weather burns and in that case there is plenty of sausage.

Confess it, confess it; the weather is harsh, and in that case, there’s plenty of sausage.

Can you think of me at.

Can you think of me at?

In all cases keep afraid.

Understood! Please provide the text you would like me to modernize.

And then what happens.

And then what happens?

Nothing.

Nothing.

Are you sure nothing.

Are you sure about nothing?

Of course not.

Definitely not.

You are not just saying it.

You're not just saying that.

You know you have your wish.

You know you got what you wanted.

Thank you in smiles.

Thanks with smiles.

Then we see

Then we see

Very well.

Alright.

You did not mean to say so.

You didn't mean to say that.

No but I know I am right

No, but I know I'm right.

You always are.

You always are.

This is a paragraph.

This is a paragraph.

Then it will be well

Then it will be good

Yes and a fit.

Yes, and it fits.

You mean fitly.

You mean properly.

Yes slowly.

Yeah, slowly.

And then no worry

No worries then

Not at all

Not really

Thank you for saying that.

Thanks for saying that.

Many cases are fine.

Most cases are fine.

In that way we wish.

That's how we want it.

We think.

We think.

We recover.

We bounce back.

In that way we swim. Camelias finish when roses begin.

In that way we swim. Camellias finish when roses begin.

Let me tell you about this. We were disappointed in cards. And yet we need not be. We will have them.

Let me tell you about this. We were let down by cards. But we don’t have to be. We will get them.

In the beginning pinks you mean flowers yes smell.

In the beginning, pink flowers have a sweet smell.

And pansies too.

And pansies as well.

Sacred heart pansies.

Sacred heart pansies.

These are the best.

These are the greatest.

Can we wonder about cookies. Not those that have no flour.

Can we wonder about cookies? Not the kind that don’t have any flour.

Sacred heart doughnuts.

Sacred Heart donuts.

Pansies I said.

Pansies, I said.

Camelias.

Camellias.

Camelias.

Camellias.

I do not care to mention it again.

I don't want to bring it up again.

I do it.

I’ll do it.

How do I not.

How do I not do that?

It is astonishing that those who have fought so hard and so well should pick yellow irises and fish in a stream.

It’s amazing that those who have fought so hard and so valiantly should be picking yellow irises and fishing in a stream.

They have mistaken their doctor.

They've confused their doctor.

He was an oculist.

He was an eye doctor.

And then there were

And then there were

And then they were

And then they were here.

Please spell a dish.

Please spell a dish.

I do not like called a flower,

I don't like being called a flower,

Repeat cuckoo

Repeat cuckoo

She always makes a mistake

She always messes up.

In french.

In French.

Castle anew.

Rebuild the castle.

And then the sister.

And then the sister comes.

Can you feel a home.

Can you feel at home?

When I see it.

When I see it.

See it with them.

Watch it with them.

And then a pansy.

And then a flower.

I did not ask for it.

I didn’t ask for that.

It smells.

It stinks.

A sweet smell

A nice scent

With Acacia

With Acacia

Call it locusts

Call them locusts

Call it me.

Call me.

Barrels.

Barrels.

In comparison what are horses.

What are horses compared to?

Compared with that again what are bells.

Compared to that, what are bells?

You mean horns. No I mean noises.

You mean horns. No, I mean sounds.

In leaning can we encounter oil.

In learning, we can discover oil.

I meant this to be intelligible.

I meant for this to make sense.

We were taking a trip. We found the roads not noisy but pleasurable and the shade there was pleasant. We found that the trees had been planted so as to make rows. This is almost universal.

We were on a trip. We discovered that the roads were not noisy but enjoyable, and the shade was nice. We noticed that the trees were planted in rows. This is pretty common.

In coming to a village we ask them can they come to see us we mean near enough to talk and then we ask them how do we go there.

In visiting a village, we ask them if they can come to see us, meaning close enough to have a conversation, and then we ask them how to get there.

This is not fanciful.

This is not fictional.

In advance we have spoken, of what, can you imagine obedience as a subject. It is. It is laughable when there is no need of any backing. Can you understand that in two ways.

In advance, we've talked about what you can imagine obedience to be. It is. It's funny when there's no need for any support. Can you understand that in two ways?

We mean to be lean. Lean to me. And then what a girl. No girl and Emil. We like fresh cooking. So does anybody.

We want to be lean. Lean on me. And then what a girl. No girl and Emil. We enjoy fresh cooking. So does everyone.

No everybody doesn't.

No, not everybody does.

The right spirit. There are difficulties and they must be met in the right spirit.

The right attitude. There are challenges, and they need to be faced with the right attitude.

This is an illustration of the difficulties we have in many ways.

This shows the challenges we face in many ways.

Then we go on.

Then we move forward.

I have made up my mind not to be excited.

I’ve decided not to get excited.

In speeding I speed.

In speeding, I go fast.

In neglecting I do not offer anything.

In neglecting, I don’t offer anything.

In reason I reverse the car and in this way we are successful.

In a logical manner, I back up the car, and this way we succeed.

We have no worries.

We're worry-free.

What can you think of a bone.

What do you think about a bone?

It is useless to think.

It's pointless to think.

Digestion.

Digestion.

In that way we do not prey.

In that way, we do not hunt.

We write of fish.

We write about fish.

And then I have been careful.

I've been careful since then.

It is all imagination.

It's all just imagination.

Can you sing rightly.

Can you sing well?

A trunk locked up in Perpignan.

A trunk locked up in Perpignan.

In this way we pass the hay.

In this way, we pass the hay.

I have reasoned.

I've thought it through.

I am convinced.

I'm convinced.

I do not argue.

I don't argue.

Or play the piano.

Or play piano.

As the daughters of the banker do.

As the daughters of the banker do.

This is now the book in which I write and receive.

This is now the book where I write and receive.

Can you guess Beziers.

Can you guess Béziers?

Was I right.

Was I correct?

You are.

You exist.

Indeed there are barrels.

There are definitely barrels.

TOURTY OR TOURTEBATTRE
A STORY OF THE GREAT WAR

Tourtebattre came to visit us in the court he said he heard Americans were in town and he came to see us and we said what is your name and what americans have you known and we said we would go to see him and we did not and we did not give him anything.

Tourtebattre came to visit us in the court. He said he heard Americans were in town and he came to see us. We asked him, "What’s your name and which Americans have you met?" We said we would go see him, but we didn't, and we didn't give him anything.

Then when we went out to see the hospital we did not take him anything. We asked to see him. Then when the new things came we did take a package to him and we did not see him but he came and called on us to thank us and we were out.

Then when we went to visit the hospital, we didn’t bring him anything. We asked to see him. Later, when the new items arrived, we did take a package for him, but we didn’t see him; he came to thank us, but we weren’t at home.

Reflections.

Reflections.

If I must reflect I reflect upon Ann Veronica. This is not what is intended. Mrs. Tourtebattre. Of this we know nothing.

If I have to think about anything, it's Ann Veronica. This isn't what's meant. Mrs. Tourtebattre. We don't know anything about this.

Can we reflect one for another.

Can we reflect for each other?

Profit and loss is three twenty five never two seventy five.

Profit and loss is three twenty-five, not two seventy-five.

Yes that is the very easy force, decidedly not.

Yes, that is definitely not an easy force.

Then Tourtebattre used to come all the time and then he used to tell us how old he was when he was asked and he took sugar in his coffee as it was given to him. He was not too old to be a father he was thirty seven and he had three children and he told us that he liked to turn a phrase.

Then Tourtebattre used to come all the time and he would tell us how old he was when asked, and he took sugar in his coffee just as it was served to him. He wasn't too old to be a father; he was thirty-seven and had three kids, and he mentioned that he liked to play with words.

China. Whenever he went to the colonies his sister was hurt in an automobile accident. This did not mean that she suffered.

China. Whenever he went to the colonies, his sister was injured in a car accident. This didn’t mean that she was in pain.

Some one thought she was killed. Will you please put that in.

Some people thought she was killed. Can you please include that?

His father's watch, his wife gave all his most precious belongings to a man who did not belong to the town he said he belonged to. We did not know the truth of this.

His father's watch, his wife gave all his most precious belongings to a man who didn’t actually belong to the town he claimed he was from. We didn’t know the truth about this.

Reflections.

Reflections.

We should not color our hero with his wife's misdeeds. Because you see he may be a religion instead of a talker. Little bones have to come out of his hand for action this was after his wound. A good deal.

We shouldn't judge our hero based on his wife's wrongdoings. Because you see, he might be more of a believer than a talker. He needs to take action, even if it's painful for him. A lot has happened since his injury.

He was wounded in the attack in April right near where he was always going to visit his wife and he saw the church tower and then he was immediately evacuated to an american hospital where every one was very American and very kind and Miss Bell tried to talk french to him and amuse him but overcome with her difficulties with the french language she retired which made him say she was very nice and these stories that he told to us you told to Sister Cecile which did not please her and she said we must come and hear from every one else the stories they all told of the kindness they had received in the American hospital before they came to her and she said to them what did the major do, and they said he played ball. He did. And you too and all of them said, no sister but you were wounded in an attack. We were both wounded, said the soldier.

He got hurt in the attack in April right by where he would always go to visit his wife. He saw the church tower, and then he was quickly sent to an American hospital, where everyone was really friendly and very American. Miss Bell tried to speak French to him and keep him entertained, but she struggled with the language and eventually stepped back, which made him say she was really nice. The stories he shared with us, you told Sister Cecile, who wasn't happy about it. She said we should hear from everyone else about the kindness they experienced in the American hospital before coming to her. She asked them what the major did, and they replied that he played ball. He really did. And you too. But all of them said, no sister, you were wounded in an attack. We were both hurt, said the soldier.

Reflections.

Reflections.

Reflections on Sister Cecile lead us to believe that she did not reflect about Friday but about the book in which she often wrote. We were curious. She wrote this note. This is it. Name life, wife, deed, wound, weather, food, devotion, and expression.

Reflections on Sister Cecile make us think that she didn't contemplate Friday but rather the book where she frequently wrote. We were intrigued. She wrote this note. Here it is. Name life, wife, action, injury, weather, food, devotion, and expression.

What did he ask for.

What did he request?

Why I don't know.

I have no idea.

Why don't you know.

Why don't you know?

I don't call that making literature at all.

I wouldn't consider that literature at all.

What has he asked for.

What did he request?

I call literature telling a story as it happens.

I define literature as sharing a story as it unfolds.

Facts of life make literature.

Life experiences shape literature.

I can always feel rightly about that.

I can always feel good about that.

We obtained beads for him and our own pictures in it.

We got beads for him and included our own pictures with it.

Dear pictures of us.

Dear photos of us.

We can tell anything over.

We can discuss anything.

We gave him colored beads and he made them with paper that he bought himself of two different colors into frames that we sent with our pictures to our cousins and our papas in America.

We gave him colored beads, and he crafted them using paper he purchased himself in two different colors, creating frames that we sent along with our pictures to our cousins and our dads in America.

Can we say it.

Can we say it?

We cannot.

We can't.

Now.

Now.

Then he told us about his wife and his child.

Then he told us about his wife and child.

He does not say anything about them now.

He doesn't say anything about them now.

Some immediate provision was necessary.

Immediate action was necessary.

We said in English these are the facts which we are bringing to your memory.

We said in English these are the facts we're reminding you of.

What is capitol.

What is a capitol?

He told us of bead buttons and black and white. He answered her back very brightly.

He told us about bead buttons and black and white. He responded to her very cheerfully.

He is a man.

He's a man.

Reflections.

Thoughts.

What were the reflections.

What were the thoughts?

Have we undertaken too much.

Have we taken on too much?

What is the name of his wife.

What’s the name of his wife?

They were lost. We did not look forward. We did not think much. How long would he stay. Our reflections really came later.

They were lost. We didn't look ahead. We didn't think much. How long would he stay? Our reflections came later.

The first thing we heard from her was that the woman was not staying and had left her new address.

The first thing we heard from her was that the woman wasn't staying and had given her new address.

How do you do.

How are you?

We did not look her up.

We didn’t search for her.

Her mother and her mother.

Her mom and her mom.

Can you think why Marguerite did not wish Jenny Picard to remain longer.

Can you think of why Marguerite didn't want Jenny Picard to stay longer?

Because she stole.

Because she shoplifted.

Not really.

Not really.

Yes indeed. Little things.

Absolutely. Small things.

This will never do.

This won't work.

And then.

And then.

I said we must go to see her.

I said we have to go see her.

And you said we will see.

And you said we’ll see.

One night, no one day she called with her mother.

One night, she called her mom.

Who was very good looking.

Who was very attractive.

She was very good looking.

She was very attractive.

And the little boy.

And the little kid.

Can you think of the little boy.

Can you think of the little boy?

They both said that they were not polite.

They both said they weren't polite.

But they were.

But they were.

Reflections can come already.

Reflections can come now.

We believed her reasons were real reasons.

We thought her reasons were genuine.

Who is always right.

Who is always correct.

Not she nor her eleven sisters.

Not her or her eleven sisters.

No one knew who was kind to her.

No one knew who was nice to her.

What is kindness.

What is kindness?

Kindness is being soft or good and has nothing to do with amiable. Albert is kind and good.

Kindness is being gentle or good, and it's not the same as being friendly. Albert is kind and good.

And their wives.

And their partners.

Can you tell the difference between wives and children.

Can you tell the difference between wives and kids?

Queen Victoria and Queen Victoria.

Queen Victoria and Queen Victoria.

They made you jump.

They startled you.

And I said the mother you said the mother. I did not remember the mother was in Paris but you did.

And I said the mom you said the mom. I didn't remember that the mom was in Paris, but you did.

NEXT.
LIFE AND LETTERS OF MARCEL DUCHAMP

A family likeness pleases when there is a cessation of resemblances. This is to say that points of remarkable resemblance are those which make Henry leading. Henry leading actually smothers Emil. Emil is pointed. He does not overdo examples. He even hesitates.

A family resemblance is enjoyable when there’s a break from similarities. In other words, the most striking similarities are what make Henry stand out. Henry's dominance actually stifles Emil. Emil stands out in his own way. He doesn't overdo things. He even holds back sometimes.

But am I sensible. Am I not rather efficient in sympathy or common feeling.

But am I really sensible? Am I not instead effective in showing sympathy or shared emotions?

I was looking to see if I could make Marcel out of it but I can't.

I was trying to see if I could figure out Marcel from it, but I can't.

Not a doctor to me not a debtor to me not a d to me but a c to me a credit to me. To interlace a story with glass and with rope with color and roam.

Not a doctor to me, not a debtor to me, not a d to me, but a c to me, a credit to me. To weave a story with glass and with rope, with color and exploration.

How many people roam.

How many people are wandering?

Dark people roam.

Dark figures roam.

Can dark people come from the north. Are they dark then. Do they begin to be dark when they have come from there.

Can dark people come from the north? Are they dark then? Do they start to become dark when they arrive from there?

Any question leads away from me. Grave a boy grave.

Any question takes me off track. Serious a boy serious.

What I do recollect is this. I collect black and white. From the standpoint of white all color is color. From the standpoint of black. Black is white. White is black. Black is black. White is black. White and black is black and white. What I recollect when I am there is that words are not birds. How easily I feel thin. Birds do not. So I replace birds with tin-foil. Silver is thin.

What I remember is this. I gather black and white. From a white perspective, all color is color. From a black perspective, black is white. White is black. Black is black. White is black. White and black are black and white. What I remember when I'm there is that words are not birds. I feel so light. Birds do not. So I swap out birds for tin foil. Silver is thin.

Life and letters of Marcel Duchamp.

Life and Letters of Marcel Duchamp.

Quickly return the unabridged restraint and mention letters.

Quickly return the complete restraint and mention the letters.

My dear Fourth.

My dear Fourth.

Confess to me in a quick saying. The vote is taken.

Confess to me briefly. The vote is in.

The lucky strike works well and difficultly. It rounds, it sounds round. I cannot conceal attrition. Let me think. I repeat the fullness of bread. In a way not bread. Delight me. I delight a lamb in birth.

The lucky strike works both well and with effort. It rounds out, it sounds complete. I can’t hide the wear and tear. Let me think. I reflect on the fullness of bread. In a sense, it’s not bread. Please inspire me. I take joy in a newborn lamb.

LAND OF NATIONS.
[Sub-title And Ask Asia]

After these introductions I wish to say something I wish to say that I am entirely agreed that the best way to meet together is to deny that you wish to spend money. We don't want to spend the money.

After these introductions, I want to say that I completely agree that the best way to come together is to deny that you want to spend money. We don't want to spend the money.

They went to spend their money. We all spend our money in this way I spend my money and what do I have. I have a car. That is to say I have spent my money. I do spend my money but not in this way. I do not spend my money in this way. I spend my money. Did you say you had the money. Indeed indeed I believe you there. This is a country. A fine country. This is a fine country. Let us begin with this one which is this country entirely and in this order.

They went out to spend their money. We all spend our money like this—I spend my money and what do I have? I have a car. That means I’ve spent my money. I do spend my money, but not like this. I don’t spend my money this way. I spend my money. Did you say you had the money? Yes, I believe you there. This is a country. A great country. This is a great country. Let’s start with this one, which is this country completely and in this order.

Then we have the country. Let us imagine the country. A country with a wait and wait by me and wait by me and always always always always wait and always wait and always wait and always always wait and wait by me. This is the country I have mentioned. It means to be with us. Then there is a very late country and we wish to embark we wish to embark it altogether. In the midst of money we are whistling.

Then we have the country. Let’s picture the country. A country where I keep waiting and waiting, always waiting, and always waiting by me. This is the country I've talked about. It means to be with us. Then there's a country that's very late, and we want to embark—we want to embark together. In the midst of money, we are whistling.

Continuation.

Continuation.

Jessie

Jessie

I am angry. Have you been.

I am angry. Have you been?

I am angry with a din.

I am furious with a noise.

I am angry so you see.

I’m angry, just so you know.

Egypt and for Syrie.

Egypt and Syria.

I am angry as you hear.

I am as angry as you can hear.

I am angry for the bier.

I am angry for the casket.

I am angry for the waist.

I am angry for the waist.

I am angry in the taste.

I am angry in my taste.

I am angry to the touch.

I'm feeling tense and irritable.

You can make me see that much.

You can make me understand that much.

I am angry and I sigh.

I’m frustrated and I let out a sigh.

England will be going by.

England will be passing through.

Going to buy not going to buy.

Going to buy, not going to buy.

I am angry and I sigh.

I'm frustrated and I sigh.


And then in the midst of smoke there was Fiume. I can never make a poem about Italy. About Italy you do, you address, bless and say adieu. Adieu Italy beautiful Italy adieu.

And then through the smoke, there was Fiume. I can never write a poem about Italy. About Italy, you converse, cherish, and say goodbye. Goodbye beautiful Italy, goodbye.

A great many countries have a name.

A lot of countries have names.

Let me think of the house and the best.

Let me think about the house and what’s best.

A house a boat a victory and an alert. In the way of rhyming. I can think of so much. Dirt, flirt and spurt. Do you see any difference. I do. Discourage England, and say you mean well.

A house, a boat, a win, and a warning. In a rhyming way. I can think of so much. Dirt, flirt, and burst. Do you see any difference? I do. Discourage England, and say you mean well.

Here is a poem.

Here’s a poem.

Amber.

Amber.

Ambler Curran.

Ambler Curran.

Amber is found on the shores of the Baltic.

Amber is found on the shores of the Baltic Sea.

Like wild asparagus you must have an eye for it.

Like wild asparagus, you need to have a keen eye for it.

All animals howl.

All animals make howling sounds.

All animals or a barnyard fowl.

All animals or farm animals.

All animals are stars

All animals are amazing.

All animals and bars.

All animals and pubs.

Please pay a monkey a dear or a sweet.

Please give a monkey a dear or a sweet.

Please pay a lion a pheasant or a street.

Please pay a lion, a pheasant, or a street.

Please recognize a mother a head or an owl.

Please recognize a mother, a leader, or an owl.

Please recognize a feather a heather or a soul. Please recognize the weather. What do you live for.

Please recognize a feather, a heather, or a soul. Please recognize the weather. What do you live for?

Climate and the affections. Jews quote that.

Climate and emotions. Jews say that.

ACCENTS IN ALSACE.
A REASONABLE TRAGEDY.

Act I. The Schemils.

Act I. The Schemils.

Brother brother go away and stay.

Brother, brother, go away and stay.

Sister mother believe me I say.

Sister, mother, believe me, I'm serious.

They will never get me as I run away.

They'll never catch me as I escape.

He runs away and stays away and strange to say he passes the lines and goes all the way and they do not find him but hear that he is there in the foreign legion in distant Algier.

He runs away and stays away, and oddly enough, he crosses the borders and goes all the way, and they don't find him but hear that he's there in the foreign legion in far-off Algeria.

And what happens to the family.

And what happens to the family?

The family manages to get along and then some one of his comrades in writing a letter which is gotten hold of by the Boche find he is a soldier whom they cannot touch, so what do they do they decide to embrew his mother and sister and father too. And how did they escape by paying sombody money.

The family manages to get along, but then one of his comrades writes a letter that falls into the hands of the Germans. They realize he is a soldier they can't reach, so what do they do? They decide to target his mother, sister, and father instead. And how did they escape? By paying somebody money.

That is what you did with the Boche. You always paid some money to some one it might be a colonel or it might be a sergeant but anyway you did it and it was neccesary so then what happened.

That’s what you did with the Germans. You always paid someone, it might be a colonel or a sergeant, but either way, you did it and it was necessary so then what happened.

The Schemmels.

The Schemmels.

Sing so la douse so la dim.

Sing so la douse so la dim.

Un deux trois

One two three

Can you tell me wha

Can you tell me what

Is it indeed.

It is indeed.

What you call a Petide.

What you call a Pet.

And then what do I say to thee

And then what do I say to you?

Let me kiss thee willingly.

Let me kiss you willingly.

Not a mountain not a goat not a door.

Not a mountain, not a goat, not a door.

Not a whisper not a curl not a gore

Not a sound, not a hint, not a trace

In me meeney miney mo.

In my opinion, flip a coin.

You are my love and I tell you so.

You are my love, and I want you to know it.

In the daylight

In the daytime

And the night

And the night

Baby winks and holds me tight.

Baby winks and hugs me close.

In the morning and the day and the evening and alway.

In the morning, during the day, and in the evening, and always.

I hold my baby as I say.

I hold my baby as I say.

Completely.

Totally.

And what is an accent of my wife.

And what an accent my wife has.

And accent and the present life.

And accent and the current life.

Oh sweet oh my oh sweet oh my

Oh sweet, oh my, oh sweet, oh my

I love you love you and I try

I love you, love you, and I’m doing my best.

I try not to be nasty and hasty and good

I try not to be mean, impulsive, or overly nice.

I am my little baby's daily food.

I am my little baby's daily meals.

Alsatia.

Alsatia.

In the exercise of greatness there is charm.

In achieving greatness, there is a certain allure.

Believe me I mean to do you harm.

Believe me, I intend to hurt you.

And except you have a stomach to alarm.

And unless you have a stomach for surprises.

I mean to scatter so you are to arm.

I plan to spread out so you can get ready.

Let me go.

Let me go.

And the Alsatians say.

And the Alsatians say this.

What has another prince a birthday.

What does another prince have on his birthday?


Now we come back to the Schemmils.

Now we return to the Schemmils.

Schimmel Schimmel Gott in Himmel

Schimmel Schimmel God in Heaven

Gott in Himmel There comes Shimmel.

Gosh in heaven, here comes Shimmel.

Schimmel is an Alsatian name.

Schimmel is an Alsatian surname.

Act II.

Act 2.

It is a little thing to expect nobody to sell what you give them.

It’s a small thing to think that no one will sell what you give them.

It is a little thing to be a minister.

It’s a small thing to be a minister.

It is a little thing to manufacture articles.

Making products is easy.

All this is modest.

This is all modest.

The Brother.

The Brother.

Brother brother here is mother.

Brother, brother, here’s mom.

We are all very well.

We're all doing great.

Scene.

Scene.

Listen to thee sweet cheerie

Listen to the sweet cherry

Is the pleasure of me.

Is my pleasure.

In the way of being hungry and tired

In the state of being hungry and tired

That is what a depot makes you

That’s what a depot turns you into.

A depot is not for trains

A depot isn't just for trains.

Its for us.

It's for us.


What are baby carriages

What are strollers?

Household goods

Home goods

And not the dears.

And not the dear ones.

But dears.

But, my loves.

Another Act.

Another Performance.

Clouds do not fatten with teaching.

Clouds don’t grow heavy from learning.

They do not fatten at all.

They don't get fat at all.

We wonder if it is influence

We wonder if it is influence

By the way I guess.

By the way, I guess.

She said. I like it better than Eggland.

She said, "I like it better than Eggland."

What do you mean.

What do you mean?

We never asked how many children over eleven.

We never asked how many kids over eleven.

You cannot imagine what I think about the country.

You can't imagine what I think about the country.

Any civilians killed.

Any civilians deceased.

Act II.

Act 2.

See the swimmer. He don't swim.

See the swimmer. He doesn't swim.

See the swimmer.

Check out the swimmer.

My wife is angry when she sees a swimmer.

My wife gets upset when she sees a swimmer.

Opening II.

Opening II.

We like Hirsing.

We like Hirsing.

III.

III.

We like the mayor of Guebwiller.

We like the mayor of Guebwiller.

IV.

IV.

We like the road between Cernay and the railroad.

We like the road that connects Cernay to the railway.

We go everywhere by automobile.

We go everywhere by car.

Act II.

Act 2.

This is a particular old winter.

This is a definitely old winter.

Everybody goes back.

Everyone goes back.

Back.

Back.

I can clean.

I can clean up.

I can clean.

I can clean up.

I cannot clean without a change in birds.

I can’t clean without a change in birds.

I am so pleased that they cheat.

I’m really glad they’re cheating.

Act 54.

Act 54.

In silver stars and red crosses.

In silver stars and red crosses.

In paper money and water.

In cash and water.

We know a french wine.

We know a French wine.

Alsatian wine is dearer.

Alsatian wine is more expensive.

They are not particularly old.

They're not that old.

Old men are old.

Old men are elderly.

There are plenty to hear of Schemmel having appendicitis.

There’s a lot of talk about Schemmel having appendicitis.

Scene II.

Scene 2.

Can you mix with another

Can you mix with another?

Can you be a Christian and a Swiss.

Can you be a Christian and Swiss?

Mr. Zumsteg. Do I hear a saint.

Mr. Zumsteg. Am I hearing a saint?

Louisa. They call me Lisela.

Louisa. You can call me Lisela.

Mrs. Zumsteg. Are you going to hear me.

Mrs. Zumsteg. Are you going to listen to me?

Young Mr. Zumsteg. I was looking at the snow.

Young Mr. Zumsteg. I was looking at the snow.

All of them. Like flowers. They like flowers.

All of them. Like flowers. They like flowers.

Scene III.

Scene III.

It is an occasion.

It's an occasion.

When you see a Hussar.

When you see a Hussar.

A Zouave.

A Zouave unit.

A soldier

A military service member

An antiquary.

A collector of antiques.

Perhaps it is another.

Maybe it's something else.

We were surprised with the history of Marguerite's father and step-father and the American Civil War.

We were taken aback by the history of Marguerite's father and stepfather and the American Civil War.

Joseph. Three three six, six, fifty, six fifty, fifty, seven.

Joseph. Three three six, six, fifty, six fifty, fifty, seven.

Reading french.

Reading French.

Reading french.

Reading French.

Reading french singing.

French song lyrics.

Any one can look at pictures.

Anyone can view pictures.

They explain pictures.

They describe images.

The little children have old birds.

The little kids have old birds.

They wish they were women.

They want to be women.

Any one can hate a Prussian.

Anyone can dislike a Prussian.

Alphonse what is your name.

Alphonse, what's your name?

Henri what is your name.

Henri, what's your name?

Madeleine what is your name.

Madeleine, what's your name?

Louise what is your name.

Louise, what's your name?

Rene what is your name.

Rene, what's your name?

Berthe what is your name

Berthe, what's your name?

Charles what is your name

Charles, what's your name?

Marguerite what is your name

Marguerite, what’s your name?

Jeanne what is your name.

Jeanne, what’s your name?

Act 425.

Act 425.

We see a river and we are glad to say that that is in a way in the way today.

We see a river and we're happy to say it's somewhat in the way today.

We see all the windows and we see a souvenir and we see the best flower. The flower of the truth.

We see all the windows, we see a souvenir, and we see the best flower. The flower of the truth.

An Interlude.

An Interlude.

Thirty days in April gave a chance to sing at a wedding.

Thirty days in April provided an opportunity to sing at a wedding.

Three days in February gave reality to life.

Three days in February made life feel real.

Fifty days every year do not make substraction.

Fifty days each year don't count as a subtraction.

The Alsations sing anyway.

The Alsatians sing anyway.

Forty days in September.

Forty days in September.

Forty days in September we know what it is to spring.

Forty days in September, we understand what it means to spring.

Act in America.

Act in the U.S.

Alsatians living in America.

Alsatians living in the U.S.

February XIV.

February 14.

On this day the troops who had been at Mulhouse came again.

On this day, the troops who had been in Mulhouse returned again.

They came in the spring.

They arrived in spring.

The spring is late in Alsace.

The spring is late in Alsace.

Water was good and hot anyway.

Water was nice and hot anyway.

What are you doing.

What are you up to?

Making music and burning the surface of marble.

Making music and melting the surface of marble.

When the surface of marble is burned it is not much discolored.

When the surface of marble is burned, it doesn't change color much.

No but there is a discussion.

No, but there is a conversation.

And then the Swiss.

And then the Swiss people.

What is amiss.

What’s wrong?

The Swiss are the origin of Mulhouse.

The Swiss are from Mulhouse.

Alsace or Alsatians.

Alsace or Alsatian people.

We have been deeply interested in the words of the song.

We have been really interested in the lyrics of the song.

The Alsatians do not sing as well as their storks.

The Alsatians don't sing as well as their storks do.

Their storks are their statuettes.

Their storks are their figurines.

The rule is that angels and food and eggs are all sold by the dozen.

The rule is that angels, food, and eggs are all sold by the dozen.

We were astonished.

We were amazed.

And potatoes

And potatoes

Potatoes are eaten dry.

Potatoes are eaten plain.

This reminds me of another thing I said. A woman likes to use money.

This reminds me of something else I mentioned. A woman enjoys spending money.

And if not.

And if not?

She feels it really is her birthday.

She truly feels it's her birthday.

Is it her birthday.

Is it her birthday?

God bless her it is her birthday.

God bless her, it's her birthday.

Please carry me to Dannemarie.

Please take me to Dannemarie.

And what does Herbstadt say.

And what does Herbstadt say?

The names of cities are the names of all.

The names of cities are the names of everyone.

And pronouncing villages is more of a test than unbrella.

And saying village names is more of a challenge than an umbrella.

This was the first thing we heard in Alsatia.

This was the first thing we heard in Alsatia.

Canary, roses, violets and curtains and bags and churches and rubber tires and an examination.

Canary, roses, violets, curtains, bags, churches, rubber tires, and a test.

All the leaves are green and babyish.

All the leaves are green and youthful.

How many children make a family.

How many kids make a family?

The Watch on the Rhine.

The Watch on the Rhine.

Sweeter than water or cream or ice. Sweeter than bells of roses. Sweeter than winter or summer or spring. Sweeter than pretty posies. Sweeter than anything is my queen and loving is her nature.

Sweeter than water or cream or ice. Sweeter than bells of roses. Sweeter than winter or summer or spring. Sweeter than beautiful flowers. Sweeter than anything is my queen and loving is her nature.

Loving and good and delighted and best is her little King and Sire whose devotion is entire who has but one desire to express the love which is hers to inspire.

Loving, kind, joyful, and the best is her little King and Lord, whose devotion is complete and who has just one wish: to show the love that she inspires.

In the photograph the Rhine hardly showed

In the photograph, the Rhine barely showed.

In what way do chimes remind you of singing. In what way do birds sing. In what way are forests black or white.

In what way do chimes make you think of singing? In what way do birds sing? In what way are forests black or white?

We saw them blue.

We saw them in blue.

With for get me nots.

With forget-me-nots.

In the midst of our happiness we were very pleased.

In the middle of our joy, we felt very happy.

THE PSYCHOLOGY OF NATIONS
OR
WHAT ARE YOU LOOKING AT

We make a little dance.

We do a little dance.

Willie Jewetts dance in the tenth century chateau.

Willie Jewett's dance in the tenth-century castle.

Soultz Alsace dance on the Boulevard Raspail

Soultz Alsace dancing on Boulevard Raspail

Spanish French dance on the rue de la Boetie

Spanish French dance on the street of Boetie

Russian Flemish dance on the docks.

Russian Flemish dance at the docks.

Bread eating is a game understand me.

Bread eating is a game; get what I mean?

We laugh to please. Japanese.

We laugh to please. Japanese.

And then to seize. Blocks.

And then to take. Blocks.

Can you remember what you said yesterday.

Can you remember what you said yesterday?

And now we come to a picture.

And now we have a picture.

A little boy was playing marbles with soldiers, he was rolling the balls and knocking down the soldiers.

A little boy was playing marbles with toy soldiers; he was rolling the balls and knocking down the figures.

Then came a presidential election.

Then came a presidential election.

What did he do. He met boys of every nationality and they played together.

What did he do? He met boys from all different nationalities, and they played together.

Did they like it.

Did they enjoy it?

In the middle of the presidential election they had a bonfire.

In the middle of the presidential election, they had a bonfire.

A policeman stopped them.

A cop stopped them.

What can a policeman do, they said.

What can a cop do, they said.

What is older than that.

What’s older than that?

Any baby can look at a list.

Any baby can look at a list.

This is the way they won Texas

This is how they won Texas.

Let us go to the right.

Let's go right.

It is wonderful how boys can fill.

It’s amazing how boys can grow.

Water.

Water.

Water swells.

Water rises.

We swell water.

We take on water.

To be lapped and bloated.

To be overwhelmed and inflated.

With urgency and not necessity and not idiocy.

With urgency, but not out of necessity or foolishness.

All men are intelligent.

All men are smart.

Please beg a boy.

Please ask a boy.

Then they all danced.

Then they all partied.

How can a little Pole be a baby rusher.

How can a little Pole be a baby runner?

PART II.

Part II.

Readings in missions.

Mission readings.

Who can neglect papers.

Who can ignore papers?

When boys make a bonfire they do not burn daily papers.

When guys make a bonfire, they don't burn newspapers.

It was pleasing to have some mutton.

It was nice to have some lamb.

Suppose a presidential election comes every fourth year.

Suppose a presidential election takes place every four years.

Startling, start, startles jump again.

Startling, begin, shocks leap again.

Jump for a feather.

Jump for a feather.

A feather burns.

A feather catches fire.

Indians burn have burned burns.

Indians have burned.

A boy grows dark.

A boy turns dark.

He can really read better better than another.

He can really read better than anyone else.

I cannot decline a celebration.

I can't say no to a celebration.

Do you remember the Fourth of July.

Do you remember the Fourth of July?

And do you.

And you do.

Read readily and so tell them what I say.

Read it easily and let them know what I say.

Jump to the word of command.

Jump to the command.

Jump where

Jump here

In there

In there

Not eating beans or butter.

No beans or butter.

Not eating hair.

No eating hair.

Not eating a little

Not eating a bit

When the presidential election is earnest we are only a year.

When the presidential election is serious, we are only a year away.

A year is so far in May.

A year feels so far away in May.

Can you love any September.

Can you love any September?

The little boy was tall.

The kid was tall.

Dear me.

OMG.

I have asked a lady to burn wood.

I asked a woman to burn some wood.

The boy touches the wall.

The kid touches the wall.

The boy is tall.

The kid is tall.

I am thinking that the way to have an election is this. You meet in the street. You meet. You have the election.

I think the way to hold an election is like this. You gather in the street. You come together. You have the election.

That is why horses are of no use.

That’s why horses aren't helpful.

We do resist horses when we are not afraid of them.

We stand up to horses when we’re not afraid of them.

Can one expect to be a victory.

Can one expect to achieve victory?

Three long thousands.

Three thousand long.

Expect to be met.

Expect to be welcomed.

The boy is satisfied to be steady.

The boy is content to be stable.

Study me.

Examine me.

Why can't we have a presidential election.

Why can't we hold a presidential election?

LAST PART

LAST PART

The boy grows up and has a presidential election.

The boy grows up and has a presidential election.

The president is elected.

The president gets elected.

Why do the words presidential election remind you of anything.

Why do the words "presidential election" make you think of anything?

They remind us that the boy who was in the street is not necessarily a poor boy.

They remind us that the boy who was in the street isn’t necessarily a poor boy.

Nor was he a poor boy then.

Nor was he a poor kid then.

EPILOGUE

EPILOGUE

Veils and veils and lying down.

Veils and veils and lying down.

Lying down in shoes.

Chilling in shoes.

Shoes when they are new have black on the bottom.

Shoes, when they're new, have black on the bottom.

We saw today what we will never see again a bride's veil and a nun's veil.

We saw today what we will never see again: a bride's veil and a nun's veil.

Who can expect an election.

Who can anticipate an election?

A boy who is the son of another has a memory of permission.

A boy who is someone else's son remembers getting permission.

By permission we mean print.

By permission, we mean print.

By print. Solution.

Through print. Solution.

Settle on another in your seats.

Settle into your seats.

Kisses do not make a king.

Kisses won't make a king.

Nor noises a mother.

Nor does a mother.

Benedictions come before presidents.

Blessings come before presidents.

Words mean more.

Words matter more.

I speak now of a man who is not a bother.

I’m talking about a guy who doesn’t cause any hassle.

How can he not bother.

How can he not care?

He is elected by me.

I voted for him.

When this you see remember me.

When you see this, remember me.

FINIS.

THE END.




        
        
    
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