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ROSES AND ROSE GROWING

Single Hybrid Tea.
Single Hybrid Tea.
IRISH ELEGANCE.

ROSES
AND
ROSE GROWING

BY

ROSE G. KINGSLEY



PREFACE

Some time ago it was suggested, by certain rose-lovers and enthusiasts, that the practical experience of an amateur, brought up from childhood to love and cultivate roses, might be of use to other owners of small gardens, who, like herself, tend their roses themselves. And in the hope that this might be the case, I undertook to write this little book. My text-book in this labour of love has been an old copy, which belonged to my father when he settled at Eversley in 1844, of The Rose Amateur's Guide, by that veteran rose-grower, the late Thomas Rivers. I am also greatly indebted to the Rev. J. H. Pemberton's learned and admirable work, Roses, their History, Development, and Cultivation, published early this year; and to the various publications of the National Rose Society.

Some time ago, a few rose enthusiasts suggested that the practical experience of an amateur, who has loved and cared for roses since childhood, could be helpful to other small garden owners who, like her, tend to their roses themselves. Hoping this would be valuable, I decided to write this little book. My guide in this endeavor has been an old copy of The Rose Amateur's Guide, which belonged to my father when he moved to Eversley in 1844, by the esteemed rose-grower, the late Thomas Rivers. I also owe a lot to Rev. J. H. Pemberton's insightful and impressive work, Roses, their History, Development, and Cultivation, published earlier this year, and to the various publications of the National Rose Society.

As one branch, however, of the cultivation of roses is a sealed book to me, for I am only an amateur who does not exhibit, I felt that no work on rose-growing would be complete without a chapter which should help those who wish to do so. And here I was indeed fortunate in obtaining the help of so distinguished an authority as my friend and neighbour, Rev. F. Page-Roberts, Vice-President of the National Rose Society. My grateful thanks are due to him for the delightful chapter, the last in the book, on "How to grow Roses for Exhibition." And I feel that to have his[vii] name on the title-page is an honour of which I cannot be too proud.

As one area of growing roses is completely new to me, since I'm just an amateur and not a competitor, I felt that any guide on rose-growing should include a section to assist those who want to pursue it. Thankfully, I was fortunate to receive support from a respected expert like my friend and neighbor, Rev. F. Page-Roberts, Vice-President of the National Rose Society. I'm very grateful to him for the wonderful chapter, the last one in this book, on "How to Grow Roses for Exhibition." I truly believe that having his[vii] name on the title page is an honor that I take great pride in.

As to the illustrations, it should be borne in mind that they are not intended to represent exhibition roses, but merely ordinary blooms, typical of the various kinds of garden roses. The colour prints have been admirably carried out by Messrs. Swain and Son of Barnet, by their new process of colour-printing. My friend, Miss Emily Jubb, has supplied several of the original photographs of roses and of pruning, from specimens in my own garden; and to her I offer my warm thanks. Thanks are also due to Mr. Wm. Paul of Waltham Cross nurseries, and to Mr. Henry Nicholson of New Barnet, for their kindness in furnishing Messrs. Swain and Son with all the other specimen flowers for the plates. In fact, without Mr. Nicholson's ready help in a supplying a large proportion of the subjects from his own garden, it would have been difficult to carry out the scheme of illustration.

As for the illustrations, keep in mind that they are not meant to showcase exhibition roses, but rather ordinary blooms that are typical of various types of garden roses. The color prints were wonderfully executed by Messrs. Swain and Son of Barnet using their new color-printing process. My friend, Miss Emily Jubb, provided several original photographs of roses and pruning from specimens in my garden, for which I am very grateful. I also want to thank Mr. Wm. Paul of Waltham Cross nurseries and Mr. Henry Nicholson of New Barnet for their generosity in supplying Messrs. Swain and Son with all the other specimen flowers used for the plates. In fact, without Mr. Nicholson's prompt assistance in providing a large portion of the subjects from his own garden, it would have been challenging to complete the illustration plan.

If this humble record of my own practical experience, its failures, and its successes, is the means of encouraging others in the cultivation of roses, I can only wish them the interest, delight, and healthful relaxation of tired body and mind, which this pursuit has afforded me for many a long year.

If this simple account of my own practical experience, including both my failures and successes, inspires others to cultivate roses, I can only hope they find the interest, joy, and healthy relaxation for their tired bodies and minds that this hobby has given me for many years.

Rose G. Kingsley
Keys, Eversley,
Hampshire,
Nov. 6, 1908.

CONTENTS

CHAP.PAGE
I. MAKING AND PLANTING A ROSE GARDEN1
II. PRUNING AND PROPAGATING15
III. SUMMER-FLOWERING ROSES—OLD AND NEW37
IV. CLIMBING ROSES—SUMMER FLOWERING52
V. CLIMBING ROSES—AUTUMN FLOWERING68
VI. TEA ROSES80
VII. HYBRID TEA ROSES93
VIII. HYBRID PERPETUALS111
IX. BOURBON, CHINA, AND POLYANTHA ROSES123
X. ROSE PESTS136
XI. HOW TO GROW ROSES FOR EXHIBITION151
  INDEX161

LIST OF ILLUSTRATIONS

 To face page
ROSE REQUIRING PRUNING18
RUGOSA—ROSA ALBA37
PROVENCE—CABBAGE38
MOSS—COMMON39
GALLICA—RED DAMASK (THE APOTHECARY'S ROSE)40
CLIMBING DAMASK—MRS. O. G. ORPEN41
AUSTRIAN BRIAR—AUSTRIAN COPPER42
LORD PENZANCE HYBRID SWEET BRIAR—JEANNIE DEANS44
SCOTCH BRIAR—STANWELL PERPETUAL (2 plates)45
RUGOSA—CONRAD FERDINAND MEYER46
AYRSHIRE—RUGA52
EVERGREEN—FÉLICITÉ ET PERPÉTUE53
CLIMBING POLYANTHA—BLUSH RAMBLER (2 plates)58
WICHURAIANA—DOROTHY PERKINS61
Jersey Beauty62
NOISETTE—WILLIAM ALLEN RICHARDSON71
TEA—WHITE MAMAN COCHET92
[x]HYBRID TEA—BARDOU JOB94
SINGLE HYBRID TEA—IRISH ELEGANCE (2 plates)96
"              "        "IRISH GLORY96
HYBRID TEA—CAROLINE TESTOUT97
        "        "        MADAME RAVARY98
        "        "        MARQUISE LITTA106
        "        "        MADAME PERNET DUCHER107
HYBRID PERPETUAL—FRAU KARL DRUSCHKI114
        "              "                 ULRICH BRUNNER115
        "              "                 GUSTAVE PIGANEAU118
BOURBON—SOUVENIR DE LA MALMAISON124
CHINA—LAURETTE MESSIMY127
DWARF POLYANTHA—PERLE D'OR129

ERRATA

Plates facing p. 45. For Stanwell Perpetual Scots Briar read Scotch Briar.

Plate facing p. 53. For Félicité Perpétuée read Félicité et Perpétue.

ROSES AND ROSE GROWING


CHAPTER I

MAKING AND PLANTING A ROSE GARDEN

Happy is the rosarian who is free to choose the spot in which to make his rose garden—to choose the ideal position, with ideal soil, in an ideal climate. Such fortuitous combinations are possible. But though they do not fall to the lot of one rose-lover in a hundred, it is still easy to find a bit of ground in which roses will flourish; for, with proper care, there are few localities—in England at all events—where they cannot be made to grow. At the same time, in choosing the position of our rose garden, certain dangers must be guarded against, as far as possible.

Joyful is the rose enthusiast who can freely select the spot for their rose garden—picking the perfect location, with ideal soil, in the right climate. Such lucky combinations are possible. But while they may not be the reality for one rose lover in every hundred, it's still fairly easy to find a piece of land where roses can thrive; with proper care, there are very few places—in England at least—where they can't be grown. At the same time, while choosing the site for our rose garden, we need to watch out for certain risks as much as we can.

Position.—First of all I would say, avoid a draughty spot; for nothing is so bad for roses as a draught. Even an exposed garden, if it is quite flat and open, is preferable to a draughty one, however picturesquely shaded it may be. The perfect position should be sheltered from the north and east: but not closely surrounded by trees. For roses are lovers of[2] light and sun; and while they enjoy a little shade for a few hours in the day, they will not flourish in stuffy, closely shadowed places, where they cannot get enough light and air.

Position.—First of all, I’d recommend avoiding a drafty spot; nothing is worse for roses than a draft. Even an open garden that’s completely flat is better than a drafty one, no matter how charmingly shaded it may be. The ideal position should be protected from the north and east but not surrounded closely by trees. Roses thrive on light and sun; while they appreciate a bit of shade for a few hours each day, they won’t thrive in stuffy, heavily shaded areas where they can’t get enough light and air.

Shelter.—If some sort of shelter is absolutely imperative, there are various ways of producing it without putting up an unsightly paling, or building a costly wall in the garden. One of the best is a low hedge kept closely clipped, of yew, holly, privet, or beech—the first is, of course, slow in growth. Care, however, must be taken to plant the hedge at such a distance from the rose beds that its roots shall not suck all the nourishment from them. But nothing is more charming or suitable than to give the choice and more tender roses a shelter of roses—planting the strong-growing Wichuraianas, Ramblers and other vigorous kinds along a screen of wooden lattice-work. This not only makes a quite sufficient break to the wind, but forms a delightful background to the beds of dwarf roses.

Shelter.—If you absolutely need some form of shelter, there are various ways to create it without installing an ugly fence or building an expensive wall in your garden. One of the best options is a low hedge that's neatly trimmed, using yew, holly, privet, or beech—the first one does take time to grow. However, you must be careful to plant the hedge far enough away from the rose beds so that its roots don’t absorb all the nutrients. But nothing is more charming or appropriate than giving your delicate and more precious roses some shelter—by planting strong-growing Wichuraianas, Ramblers, and other vigorous types along a wooden lattice screen. This not only creates a sufficient barrier against the wind but also provides a lovely backdrop for the beds of dwarf roses.

If possible, the ground should slope very gently to south and west. Flat ground is preferable to any slope steeper than one in fifty. But some slight fall is extremely advantageous, as it helps drainage.

If possible, the ground should slope very gently to the south and west. Flat ground is better than any slope steeper than one in fifty. However, a slight fall is really beneficial, as it aids drainage.

Drainage.—This is another most important point to be considered. For whether the soil be light or heavy, it is absolutely essential that a rose garden should be well drained; as roses so deeply resent wet about the roots, that they promptly show their[3] displeasure by dying. If, therefore, on low-lying land—and unfortunately we cannot always avoid this—there is any suspicion of water within three feet of the surface, broken crocks, clinkers, wood ashes, and such-like materials, must be placed at the bottom of the beds to keep the subsoil free in times of heavy rain and floods; and a good drain of ordinary field pipes must be run from the beds into the nearest ditch. For let it be remembered that if we intend to grow good roses, we must be prepared to do our very best for them, and to spend a little time, a little money, and a good deal of thought, on preparing the ground they are to grow in, before we dream of planting them. Far better to begin our garden with a dozen roses well planted in properly prepared ground, than with a hundred put in anywhere and anyhow.

Drainage.—This is another crucial aspect to consider. Whether the soil is light or heavy, having proper drainage in a rose garden is absolutely essential; roses are very sensitive to wet roots and will quickly show their dissatisfaction by dying. So, if you're dealing with low-lying land—and unfortunately, this isn't always avoidable—and suspect there's water within three feet of the surface, you need to add broken pottery, clinkers, wood ashes, and similar materials at the bottom of the beds to keep the subsoil dry during heavy rains and floods. Additionally, you should run a good drain of regular field pipes from the beds to the nearest ditch. Remember, if we want to grow healthy roses, we need to commit to giving them the best care possible, which includes investing some time, money, and a lot of thought into preparing the soil before we even think about planting them. It's far better to start with a dozen well-planted roses in properly prepared soil than to have a hundred planted haphazardly.

This brings us to the next point—

This brings us to the next point—

The Soil,—which is far more important than even the position of our garden. If we are so lucky as to be able to choose the soil as well as the position, then let us choose a rich brown loam; for that is the soil roses revel in and need but little else to nourish them. Such a soil as this we find in the famous rose-gardens of Essex, Hertfordshire, Oxfordshire, and Kent. I have even seen roses growing superbly, without manure of any kind, in an open field of this rich loam on one of the most exposed ridges of Warwickshire. But if such natural soil[4] cannot be had, we must make it, as I know to my cost; for in my own garden the ground is so poor that every rose-bed has to be made three feet deep. And nothing in this case produces such excellent results as the top spit of an old pasture. To get this, the turf should be pared off carefully, and then the first nine inches of brown fibrous loam beneath taken out. If the space thus left is filled up with other common soil, the turf can be relaid, and no harm is done to the meadow. If, on the other hand, the turf is not needed in the same spot, it may be stacked in a heap—grass downward—and kept for a couple of years till it has rotted down completely; when, mixed with manure, it makes perfect potting soil, or the finest possible dressing for our rose beds. In the neighbourhood of towns and villages, where building is going on, this turfy loam is often to be had when new roads are cut out and houses run up. And it is well worth the rosarian's while to be on the watch for such opportunities, and secure a few loads of the top spit from the builder, to stack in the garden against the time it is needed.

The Soil—which is even more important than where we place our garden. If we're lucky enough to choose both the soil and the location, we should pick a rich brown loam; this is the kind of soil that roses thrive in and require very little else to grow well. We find this type of soil in the famous rose gardens of Essex, Hertfordshire, Oxfordshire, and Kent. I've even seen roses flourish beautifully, without any fertilizer, in a field of this rich loam on one of the most exposed ridges in Warwickshire. However, if we can't find such natural soil[4], we'll need to create it, as I've learned from experience; my own garden has such poor soil that each rose bed needs to be three feet deep. In this case, nothing yields better results than the top layer of an old pasture. To obtain this, carefully remove the turf, then take out the first nine inches of the brown, fibrous loam underneath. If you fill the resulting space with regular soil, you can reapply the turf without damaging the meadow. On the other hand, if the turf isn't needed in that spot, you can stack it grass-side down and keep it for a couple of years until it fully decomposes; when mixed with manure, it creates excellent potting soil or the perfect dressing for our rose beds. In areas near towns and villages, where construction is happening, this turfy loam is often available when new roads are made and houses built. It's definitely worth a rosarian's time to look out for such opportunities and grab a few loads of the top layer from builders to store in the garden for when it's needed.

Having provided the requisite soil, we are now ready to begin work by making the beds. The general arrangement of the garden, the shape and size of the beds has to be determined. And here, of course, the rosarian must be guided by his own taste. A few hints, however, from personal experience may be helpful. As to shape, that is purely a matter of taste.[5] But whether they be round or square, straight or curved, in size they should not be too large or too wide to allow of our getting easily at their precious contents. For at all times of the year roses need constant and watchful care; and the amateur—especially if a woman, hampered with tiresome petticoats—must have space in which to move, in order to pick off caterpillars, cut the flowers whether alive or dead, and see to all the various needs of the plants, such as weeding, watering, manuring and pruning. As to width, I find five feet ample in a small garden; as that allows of three rows of dwarf plants eighteen inches to two feet apart; and enables me to reach those in the centre row without injuring the others.

Now that we’ve prepared the soil, we’re ready to start by creating the beds. We need to decide on the overall layout of the garden, including the shape and size of the beds. At this stage, the rose gardener should rely on their own taste. A few tips from personal experience might be useful, though. When it comes to shape, that’s really just a matter of preference. Whether they’re round or square, straight or curved, the beds shouldn’t be too large or too wide, so it’s easy to access their valuable contents. Roses require constant and careful attention all year round; and for the novice gardener—especially if a woman struggling with annoying skirts—having enough space to move around is essential for removing caterpillars, cutting flowers, whether they’re alive or dead, and attending to the various needs of the plants, such as weeding, watering, fertilizing, and pruning. For width, I find five feet is sufficient in a small garden, as it allows for three rows of dwarf plants spaced eighteen inches to two feet apart, and lets me reach those in the center row without damaging the others.

Making the Beds.—Let us therefore suppose we are about to make a straight bed five feet wide and twelve long, in hitherto unbroken ground, to contain seventeen roses. The first thing to do is to pare off the turf. The top spit of some eight or nine inches below it, is sure to be fairly good soil from the fibrous roots of the grass and clover. We therefore dig it off a space three feet long and the whole width of the bed, and wheel it down to the further end. The second spit in such land as my own garden is much poorer, with a good deal of sandy marl in it. This is taken right out and heaped at the side of the bed, to be taken away later on. The third spit, which is now exposed, is a cold, sandy marl, with many stones.[6]

Making the Beds.—Let’s assume we’re about to create a straight bed that’s five feet wide and twelve feet long in previously untouched ground, set to hold seventeen roses. The first step is to remove the sod. The top layer, about eight or nine inches deep, is likely decent soil because of the fibrous roots from the grass and clover. So, we dig out a section that’s three feet long and the entire width of the bed, then wheel it down to the far end. The second layer in ground like mine is much poorer, containing a lot of sandy marl. This gets completely removed and piled to the side of the bed to be dealt with later. The third layer, which is now exposed, consists of cold, sandy marl with plenty of stones.[6]

We have therefore a hole five feet wide, a yard in length, and two feet deep. If the marl at the bottom does not show any sign of water, it may be broken up with the fork, mixing in a little manure at the same time, and we can leave it as it is. If, on the other hand, it is full of water, some of it must be carted away, and crocks, stones, clinkers, wood ashes, and even bits of turf, grass downwards, put in below to drain it, as I have already said.

We have a hole that's five feet wide, a yard long, and two feet deep. If the marl at the bottom doesn't show any signs of water, it can be broken up with a fork while mixing in some manure, and we can leave it as it is. However, if it's full of water, some of it needs to be carted away, and we should add crocks, stones, clinkers, wood ashes, and even pieces of turf, grass down, to help drain it, as I've mentioned before.

Bastard Trenching.—We then begin the regular process of bastard trenching, digging up the fourth foot of top soil, throwing it into the hole, mixing it with the broken marl and manure at the bottom, and then removing the second spit as directed above. This is done along the whole bed; and at the end we use some of the earth we wheeled down at the beginning, to fill the hole on the marl at the bottom.

Bastard Trenching.—We then start the usual process of bastard trenching, digging up the fourth layer of topsoil, tossing it into the hole, mixing it with the broken marl and manure at the bottom, and then taking out the second layer as mentioned above. This is done along the entire bed; and at the end, we use some of the soil we brought down at the beginning to fill the hole on the marl at the bottom.

We thus have a bed five feet by twelve, but some fifteen inches below the ground. Over the surface of this bed we now spread a coating of good rotten manure; if we can get it from a cow yard so much the better, as cow manure is cooler than horse droppings to the roots of the roses. This must be thoroughly incorporated with the soil already dug in, with a fork, not a spade, as our object is to keep the earth as friable as we can. The bed is then filled up with nothing but the turfy loam mixed with some of the best of the surface soil, till it rises a little above[7] the level of the surrounding ground; for it will be sure to sink.

We have a bed that measures five feet by twelve, but it's about fifteen inches below the ground. We now spread a layer of well-rotted manure over the surface of this bed; it's even better if we can get it from a cow yard since cow manure is cooler for the roots of the roses than horse manure. This needs to be thoroughly mixed into the already dug soil using a fork, not a spade, because we want to keep the soil as loose as possible. The bed is then filled with just the turfy loam mixed with some of the best surface soil until it rises a bit above the level of the surrounding ground, because it will definitely sink.

But let no one imagine that this bed is ready for planting. It must be left for at least a fortnight (a month is better) to settle, and to mellow and sweeten; while its surface must be left quite rough to aid the process. If there is a frost during this settling, that will do it the greatest possible good.

But don't think this bed is ready for planting just yet. It needs to sit for at least two weeks (a month is even better) to settle, mellow, and sweeten; the surface should be kept pretty rough to help with that process. If there's a frost while it's settling, that will actually help it a lot.

Let the amateur avoid all artificial manures at first save a dusting of basic slag (see Chap. XI); for there is no need whatever in preparing a new rose bed to use any manure except sweet stable and cow manure. This contains all the qualities needful for newly-planted roses. It should, however, be so worked into the soil as not to come into actual contact with their roots, but to lie some two or three inches below them.

Let beginners avoid all artificial fertilizers at first, except for a light application of basic slag (see Chap. XI); because there’s no need to use any fertilizer other than well-aged stable and cow manure when preparing a new rose bed. This contains all the essential nutrients for newly-planted roses. However, it should be mixed into the soil in a way that keeps it from coming into direct contact with the roots, lying about two or three inches below them instead.

I have, of course, chosen an extreme case here. Better ground only needs to be thoroughly dug two spits deep, with manure and fibrous loam worked in. But, even so, I always think it is advantageous to break the ground at the bottom with a fork.

I have, of course, selected an extreme example here. Good soil just needs to be dug about two spade depths deep, with manure and fibrous soil mixed in. However, I still believe it’s beneficial to break up the ground at the bottom with a fork.

PLANTING.

When the beds are thoroughly prepared and settled, we may begin to think about planting them.

When the beds are fully prepared and ready, we can start thinking about planting them.

The ideal time for this operation is in November and December. For the plants, lifted as soon as they have done flowering, and put in their new quarters with as little delay as possible, have time to settle[8] down before any very severe weather, and suffer far less than those planted later in the winter. But roses can be safely planted, if proper precautions are taken in the process, as late as February and March—open weather of course being selected for the process; and I have indeed planted them late in April without damage: but that was of course taking a big risk as a matter of necessity.

The best time for this operation is in November and December. For the plants, if you lift them as soon as they finish flowering and move them to their new spots without delay, they have time to settle in before any really harsh weather, which means they suffer a lot less than those planted later in the winter. However, roses can be safely planted as late as February and March if you take the right precautions during the process, making sure to choose clear weather; I've even planted them in late April without issues, but that was definitely a big risk out of necessity.[8]

Whether we get our roses from British or from foreign growers, the orders should be sent out as early as possible in September and October, to secure the best plants and to ensure their arrival in good time.

Whether we get our roses from British or foreign growers, the orders should be sent out as early as possible in September and October to secure the best plants and ensure they arrive on time.

A mild day, if possible without sun, is best for planting roses. And if the bundles arrive in a frost it is better not to attempt to open them, but to put them just as they are into some outbuilding in which the frost cannot get at them, where they may safely stay for several days.

A mild day, preferably without sun, is ideal for planting roses. If the bundles arrive frozen, it's best not to try to open them but to place them as they are in a shed or similar space where the frost won't reach them, allowing them to stay safely for several days.

Unpacking.—When they arrive, the bundles must be opened most carefully, and the packing removed gently. I have seen valuable roses badly broken by a careless person, who has pulled them roughly out of the package instead of quietly disentangling the shoots. If the journey has been a long one, the plants should be well syringed at once, and the roots plunged in a bucket of water for half-an-hour before planting. Great care must also be taken in every case not to leave the roots of the plants exposed to the air; for if the roots get dried up, a great and[9] sometimes fatal check is given to the rose. Those which cannot be planted immediately should be laid along a trench and lightly heeled in with soil, until they are wanted. And even those which are to be planted immediately, should have a mat thrown over the roots as they lie beside the bed waiting their turn, especially if the day is sunny or the wind cold. Many of the great growers advise dipping the roots in liquid mud mixed with a little cow manure before planting.

Unpacking.—When they arrive, the bundles should be opened very carefully, and the packing removed gently. I’ve seen valuable roses badly damaged by someone careless who yanked them out of the package instead of carefully untangling the shoots. If the journey has been long, the plants should be well watered right away, and the roots soaked in a bucket of water for half an hour before planting. Great care must also be taken to never leave the roots of the plants exposed to the air; if the roots dry out, it can severely hinder the rose and even be fatal. Those that can’t be planted immediately should be laid in a trench and lightly covered with soil until they are needed. Even those that are to be planted right away should have a mat placed over their roots while they wait beside the bed, especially if it’s sunny or windy. Many experienced growers recommend dipping the roots in a slurry made from liquid mud mixed with a little cow manure before planting.

Each plant must now be carefully examined, and any broken shoot, or bruised and broken root, cut off with a clean cut. For this I prefer a sécateur to a knife, if the sécateur is a very sharp one.[1] A torn, bruised, or broken root, if left on the plant will decay right up and do incalculable mischief. Sometimes, in the case of one's own roses grown from cuttings out of doors, the roots are so rampant that it is well to shorten them before replanting; but this is not often necessary with new stock from the growers.

Each plant should now be carefully examined, and any broken stem or bruised and broken root should be cut off with a clean cut. For this, I prefer a pair of pruning shears to a knife, as long as the shears are very sharp.[1] A torn, bruised, or broken root, if left on the plant, will rot and cause significant damage. Sometimes, when dealing with your own roses grown from cuttings outdoors, the roots can be so vigorous that it’s a good idea to trim them before replanting; however, this isn’t usually necessary with new stock from the growers.

The holes must now be dug ready for the reception of each plant. In well-worked ground, such as the new bed described above, a hole eighteen inches across and eight inches to one foot in depth, is sufficient: but in this we must be guided by the root habit of each plant. Some have roots of a spreading nature; others are deep rooting. And the idiosyncrasy of each individual rose must be studied, if we wish it to be[10] happy. In an old bed it is well to break the ground all about the hole with a fork; as the roots can then penetrate the surrounding soil with ease. And I would repeat that when the hole is made ready for its occupant, we should see that no manure is on the surface upon which the roots will lie.

The holes need to be dug for each plant. In well-prepared soil, like the new bed mentioned earlier, a hole that’s eighteen inches wide and eight to twelve inches deep is enough. However, we should consider the growth habits of each plant. Some have spreading roots, while others go deeper. Each type of rose has its own needs that we need to understand if we want it to be[10] healthy. In an older bed, it’s a good idea to loosen the soil around the hole with a fork so the roots can easily spread into the surrounding area. And I want to emphasize that when the hole is prepared for the plant, we should make sure there’s no manure on the surface that the roots will touch.

Planting, to be well done, needs two persons.

Planting requires two people to be done properly.

When all is ready, the plant, held in the left hand, is set exactly in the centre of the hole, while with the right the roots are spread out flat in all directions, so that none are bent or twisted or allowed to cross, but are so arranged that the rose gets proper support on all sides. In fact they should be regarded as the guy-ropes of a flagstaff, intended to hold the plant firm from all points. If a root is too long to lie at its full length in the hole, instead of trying to fit it in against its natural inclination by turning it round the side of the hole, a further little channel must be dug in which it can lie perfectly flat. And great care must be taken not to injure the little white, fibrous rootlets, which mean flowering strength for the coming season.

When everything is ready, hold the plant in your left hand and place it right in the center of the hole. With your right hand, spread the roots out flat in every direction, making sure none are bent, twisted, or crossing each other. Arrange them so that the rose gets proper support all around. In fact, think of them as guy ropes for a flagpole, meant to keep the plant steady from all angles. If a root is too long to lay flat in the hole, don’t force it into an awkward position by bending it around the side. Instead, dig a little extra channel where it can lie completely flat. Be very careful not to damage the tiny white, fibrous rootlets, as they are crucial for blooming strength in the upcoming season.

The collar, or point at which the dwarf rose is budded on to the briar, should be from one to three inches below the surface of the soil when the planting is completed. In newly made ground I prefer three inches, as the soil always sinks a little. This is enough; for the plant should never be buried, and the roots should be kept as near the surface as possible. But if the collar[11] is above the ground, the stock begins to throw suckers which take all its strength, and the scion perishes.

The collar, or the point where the dwarf rose is attached to the briar, should be positioned one to three inches below the soil surface once planting is done. In freshly prepared ground, I recommend three inches since the soil tends to settle a bit. That's sufficient; the plant should never be buried, and the roots should be kept as close to the surface as possible. However, if the collar[11] is above ground, the stock will start to produce suckers that drain its energy, causing the scion to die.

Fig. 1.—Mode of Planting a Standard Rose. Fig. 1.—How to Plant a Standard Rose.

When the rose is properly set out and still held firmly in position, the second planter sprinkles some fine good soil among the roots—I generally give the[12] plant a little gentle lifting shake at this point, to allow the fine earth to fall into all the interstices of the roots. He then fills up the hole gradually, pressing down the soil firmly at first with the hand, and when all is on treading it down with the foot, thus making the plant absolutely firm in its place before number one lets go his hold on it.

When the rose is properly positioned and securely held in place, the second planter spreads some fine quality soil around the roots. At this point, I usually give the plant a gentle shake to help the soil settle into all the gaps between the roots. Then he gradually fills the hole, initially pressing down the soil firmly with his hand, and once it’s filled, he treads it down with his foot to ensure the plant is completely stable before the first planter releases his hold on it.

If their roots have been thoroughly soaked and swelled before planting, the roses need not be watered. But if the weather is dry, yet mild, it is well to give them a good syringing when they are all in place, especially if they have come a long journey. This, however, must be done in the forenoon, to allow them to dry before any chance of a chill during the night.

If the roots have been fully soaked and expanded before planting, the roses don't need watering. However, if the weather is dry but mild, it's a good idea to give them a thorough misting once they're all planted, especially if they've traveled a long distance. This should be done in the morning, so they have time to dry before any chance of a chill at night.

In the case of standards, large bushy plants, or pillar roses, a stake should be put against them before the hole is filled with earth. This is far the most satisfactory plan, as it avoids the chance of bruising or breaking the roots if the stake is forced in among them after planting. And, as I have said, the more fine fibrous roots the plant can throw, the better the flowers it will bring.

In the case of standard trees, large bushy plants, or pillar roses, you should place a stake next to them before filling the hole with soil. This is by far the best approach, as it prevents the risk of damaging or breaking the roots if you try to insert the stake after planting. And, as I mentioned, the more fine, fibrous roots the plant can produce, the better the flowers will be.

Tarred twine, or Raffia tape, are the best materials for tying standard and pillar roses. The twine should be given a double twist round the stake and then tied firmly round the stem, but not too tight, so as to allow room for the stem or branch to swell.

Tarred twine, or Raffia tape, are the best materials for tying standard and pillar roses. The twine should be wrapped twice around the stake and then tied securely around the stem, but not too tightly, so there’s enough space for the stem or branch to grow.

Under no circumstances must wire be used.

Under no circumstances should wire be used.

In the case of roses taken out of pots, the question[13] of spreading the roots is one of the utmost importance; as, if they have been long in a pot the roots are interlaced in a perfect ball, and need most careful handling to avoid breaking them.

In the case of roses taken out of pots, the question[13] of spreading the roots is extremely important; if they've been in a pot for a long time, the roots are tangled in a perfect ball and need very careful handling to prevent breaking them.

When all are safely in place, the tickets must be taken off and replaced by labels stuck in the ground beside each plant.[2] Many roses, especially from abroad, come with labels fastened on with wire. These should be removed without delay; for the moment the shoots begin to swell the wire eats into them, and in the course of a few months will either kill the shoot or break it. This is a most important matter. And I have had sad experience in it; as owing to carelessness and hurry in planting a number of extremely good French roses, I overlooked some of the wired labels. Eight months later, half—and the larger half—of a fine plant in full flower of the dwarf Polyantha, Perle des Rouges, was broken off on a windy day; and on examination I found that the stem had swelled to such a size round the corroding wire, that the weight it was bearing of foliage, flowers, and branches had broken it clean off. Even a label tied on with a string is injurious, from the constant chafing of the bark as the wind blows it to and fro and tightens the knot.

When everyone is settled in place, the tickets need to be taken off and replaced with labels stuck in the ground next to each plant.[2] Many roses, especially those from overseas, come with labels attached with wire. These should be removed immediately; as soon as the shoots start to swell, the wire digs into them, and within a few months, it can either kill the shoot or break it. This is very important. I've had a tough experience with this; due to carelessness and rushing when planting some really great French roses, I missed a few of the wired labels. Eight months later, half—especially the bigger half—of a beautiful blooming dwarf Polyantha plant, Perle des Rouges, broke off on a windy day; upon inspection, I found that the stem had grown so large around the corroding wire that the weight of the leaves, flowers, and branches caused it to snap clean off. Even a label tied on with string is harmful, as the constant rubbing against the bark from the wind can wear it down and tighten the knot.

Our heavy task being now accomplished, we can[14] await the rigours of winter cheerfully. But let no one persuade us that the newly planted beds would look better if raked smooth instead of being left quite rough. A smooth rose bed means that the soil cakes hard, preventing the rain penetrating in summer, and the frost mellowing the ground in winter. And from early spring to late autumn the hoe should be kept constantly at work between the plants; not merely to keep down weeds, but to keep the surface of the ground open to the influences of rain, sun, and the watering-pot.

Our difficult task is now done, so we can[14]face the challenges of winter with a good attitude. But let’s not be fooled into thinking that the newly planted beds would look better if we raked them smooth instead of leaving them rough. A smooth rose bed means that the soil hardens, preventing rain from soaking in during the summer and stopping frost from softening the ground in the winter. From early spring to late autumn, we should always be using the hoe between the plants; not just to control weeds, but also to keep the surface of the ground open to the effects of rain, sun, and watering.


CHAPTER II

PRUNING AND PROPAGATING

Of all the many toils and anxieties that beset the path of the amateur rosarian, I think we may safely say pruning is the chief. The rules to be observed are few. The idiosyncrasies of each rose are many. And the demands upon one's own judgment and initiative are constant.

Of all the various struggles and worries that challenge the journey of a beginner rose enthusiast, I think we can confidently say that pruning is the most significant. There are just a few rules to follow. The quirks of each rose are numerous. And the need for personal judgment and initiative is ongoing.

Two things have to be considered before we begin the puzzling task. Are we growing our roses for exhibition, or at all events for a very few very perfect blooms? Or are we growing them for quantity, for mere enjoyment, on the "cut and come again" principle, which enables one not only to fill the house without robbing the garden, but to fill the hands of every one who comes into the garden and looks at the masses of blossom with longing eyes?

Two things need to be considered before we start this challenging task. Are we growing our roses for display, or at least for a handful of really perfect blooms? Or are we growing them for quantity, for pure enjoyment, following the "cut and come again" approach that allows us to fill the house without depleting the garden, and to provide everyone who visits the garden with an abundance of beautiful flowers to admire?

As I do not exhibit, the second plan is the one I have studied most closely. For the other I must refer my readers to my friend the Rev. F. Page-Roberts' valuable notes, on how to grow and show roses in Chapter XI.

As I don't exhibit, the second plan is the one I've studied the most. For the other, I have to direct my readers to my friend Rev. F. Page-Roberts' useful notes on how to grow and show roses in Chapter XI.

When to prune.—The old-fashioned plan of[16] pruning all roses in the autumn has now been, happily for their well-being, given up in England. It was owing to this that many of the earlier varieties of Tea roses, and even some of the Bourbons and Hybrid Perpetuals, were considered 50 years ago too "tender" to plant freely out of doors.

When to prune.—The outdated practice of[16] trimming all roses in the fall has thankfully been abandoned in England for the sake of their health. Because of this, many of the earlier types of Tea roses, and even some Bourbons and Hybrid Perpetuals, were seen 50 years ago as too "delicate" to be planted freely outdoors.

Pruning now begins in February, and goes on through March and April.

Pruning starts in February and continues through March and April.

In February we begin to prune the Rugosas; Boursaults; Sempervirens; and Ayrshires.

In February, we start to prune the Rugosas; Boursaults; Sempervirens; and Ayrshires.

In February and early March, the Provence; Moss; miniature Provence; many of the Species, such as Alpina, Moschata, and Bracteata, and their hybrids.

In February and early March, the Provence; Moss; miniature Provence; many of the species, like Alpina, Moschata, and Bracteata, and their hybrids.

In early March the Gallica; Damask; Alba; Hybrid Chinas; and Sweet Briars. To be followed by Hybrid Bourbons; Hybrid Noisettes and Musks; Austrian and Scotch Briars; Multifloras; Ramblers; Wichuraianas; Chinas; Dijon Teas; dwarf Polyanthas; and dwarf and standard Hybrid Perpetuals and Hybrid Teas.

In early March, the Gallica, Damask, Alba, Hybrid Chinas, and Sweet Briars will bloom, followed by Hybrid Bourbons, Hybrid Noisettes, and Musks, along with Austrian and Scotch Briars, Multifloras, Ramblers, Wichuraianas, Chinas, Dijon Teas, dwarf Polyanthas, and both dwarf and standard Hybrid Perpetuals and Hybrid Teas.

Climbing varieties of Noisettes, Teas, Hybrid Teas, and Hybrid Perpetuals, may be thinned out, if necessary, after flowering in summer. But they must be pruned in March.

Climbing varieties of Noisettes, Teas, Hybrid Teas, and Hybrid Perpetuals can be thinned out, if needed, after they bloom in the summer. However, they should be pruned in March.

In April the Teas and Noisettes, both dwarf and standard, and the Banksian roses are pruned.

In April, the Teas and Noisettes, both dwarf and standard, along with the Banksian roses, are pruned.

How to prune.—This is a much-disputed subject among rose growers, and as authorities differ widely with regard to it, some advocating hard pruning, and[17] others just as strongly swearing by light pruning, so do they differ as to the instrument to be used. The pruning knife is most generally recommended; while the sécateur, so universally in use on the Continent, is advised merely for the cutting of dead wood. But the knife has its disadvantages, especially in the hands of a woman. For not only may one get an ugly cut with it: but even in a man's hands I have seen the plant pulled about more than I like, in cutting a tough branch. I am therefore delighted to find that so great an authority as the Rev. J. H. Pemberton advocates the use of the sécateur for all pruning, as for many years I have used nothing else. The amount of time and strength it saves one is infinite, to say nothing of the comfort of so handy a weapon.

How to prune.—This is a highly debated topic among rose growers, and since experts disagree significantly on the matter, with some pushing for heavy pruning while others strongly support light pruning, their opinions also vary on what tools to use. The pruning knife is usually the go-to recommendation; however, the sécateur, commonly used in Europe, is only suggested for trimming dead wood. But the knife has its drawbacks, especially when used by women. Not only can it lead to painful cuts, but I've also seen men struggle with it, yanking the plant around while trying to cut through a tough branch. That's why I'm pleased to see that a respected authority like the Rev. J. H. Pemberton recommends using the sécateur for all pruning, as that's been my tool of choice for many years. The time and energy it saves are remarkable, not to mention how much more comfortable it is to use.

There are, however, sécateurs and sécateurs—and a poor one is worse than useless. Its blades must be as sharp as a razor, and so accurately set that they make a perfectly clean cut right through, without pinching the branch or tearing the bark. In choosing one, it is well to try it on a sheet of tissue paper. If it cuts the paper like a sharp pair of scissors, it is all right. But if it curls the paper round the blade, instead of making a clean cut, it is to be avoided. After trying many different makes, I have found that the Sécateur Montreuil, which I have now procured for several years from MM. Vilmorin, Andrieux et Cie., 4, Quai de la Megisserie, Paris, is far the best I can get. It costs 8 francs, and is made in three sizes.[18]

There are, however, pruning shears and pruning shears—and a bad one is worse than useless. Its blades need to be as sharp as a razor, and perfectly aligned so that they make a clean cut straight through, without pinching the branch or tearing the bark. When choosing one, it's a good idea to test it on a sheet of tissue paper. If it cuts the paper like a sharp pair of scissors, it’s good to go. But if it curls the paper around the blade instead of making a clean cut, you should avoid it. After trying many different brands, I’ve found that the Sécateur Montreuil, which I’ve been getting for several years from MM. Vilmorin, Andrieux et Cie., 4, Quai de la Megisserie, Paris, is by far the best I can find. It costs 8 francs and comes in three sizes.[18]

As to hard-and-fast rules in pruning, there are but two.

As for strict rules in pruning, there are only two.

Fig. 2a.—Rosebush requiring light pruning—unpruned. Fig. 2a.—Rosebush needing light pruning—unpruned.
Fig. 2b.—Rosebush requiring light pruning—pruned. Fig. 2b.—Rosebush needing light pruning—pruned.


1.—Rose Requiring Moderate Pruning. Unpruned. 1.—Rose Needing Light Pruning. Unpruned.
1.—Rose Requiring Moderate Pruning. Pruned. 1.—Rose Needing Light Pruning. Pruned.

1. Prune weak-growing roses much harder than strong-growing roses. As the object of pruning is to throw the sap into the young shoots which will start from the dormant buds or "eyes," in order to make them flower, a weak-growing rose must be pruned hard so as to concentrate all the vigour of the plant on the few dormant buds we leave. While if we prune a strong-growing rose very hard we only make it throw yet longer shoots, which soon[19] get out of all bounds, and run to wood and not to blossom.

1. Prune weak-growing roses much more aggressively than strong-growing roses. The goal of pruning is to direct the sap into the young shoots that sprout from the dormant buds or "eyes" to encourage flowering. A weak-growing rose needs to be pruned back significantly to focus all the energy of the plant on the few dormant buds we leave. In contrast, if we prune a strong-growing rose too much, it just produces even longer shoots that quickly go out of control, growing wood instead of flowers.

2. Always prune to a dormant bud which points outwards. This is done to keep the centre of the plant comparatively free, by preventing the shoots crossing and choking each other.

2. Always trim to a dormant bud that points outward. This helps keep the center of the plant relatively open by preventing the shoots from crossing and crowding each other.

In pruning we have to keep two objects ever in view. In the first place we must prune in order to get rid of all dead wood, and weak, unripe and useless shoots, thus enabling the young healthy wood to take their place. And secondly we must prune so as to keep the plant in good shape and good health, by cutting back the strong and healthy wood we leave to a suitable length.

In pruning, we need to keep two goals in mind. First, we should prune to remove all dead branches and weak, unripe, and useless shoots, allowing room for healthy young growth. Secondly, we must prune to maintain the plant's shape and health by cutting back the strong, healthy branches to an appropriate length.

If the winter has been mild, we shall find many buds on the upper part of strong shoots of last year's growth, which are already bursting into leaf and even showing a flower bud. And it seems so brutal to destroy these, that I know one is often tempted to leave some to take their chance, instead of hardening one's heart and sternly cutting down to just above the first dormant bud. But when the plants really start in May, we pay for our tender-hearted folly by blind unhealthy shoots which only disfigure the plant, while the real flower shoots are starting below and cannot get up to the light and air. Or, again, the unpruned shoot turns black and begins to die back, and we have to cut it down much further than would have been necessary had we pruned it at the right moment.[20]

If the winter has been mild, we’ll find a lot of buds on the upper part of strong shoots from last year's growth, which are already starting to leaf out and even show a flower bud. It feels so harsh to cut these down that I know many people are tempted to leave some behind to see what happens, instead of toughening up and cutting back to just above the first dormant bud. But when the plants really take off in May, we pay for our kind-hearted mistake with unhealthy shoots that only spoil the plant, while the real flower shoots are growing below and can’t reach the light and air. Alternatively, the unpruned shoot can turn black and start to die back, and we end up having to cut it back much more than we would have needed to if we had pruned it at the right time.[20]

In pruning, however, let the amateur remember that until he has gained considerable experience in the matter, it is far safer to prune too lightly than to prune in excess. And I must repeat that no rules will really help us, unless we study the special nature and idiosyncrasy of each individual plant, exactly as we study the character of the child we have to deal with.

In pruning, however, beginners should keep in mind that until they have gained significant experience, it's much safer to prune lightly than to overdo it. I must emphasize that no rules can truly assist us unless we examine the unique nature and quirks of each individual plant, just like we pay attention to the personality of the child we're working with.

With climbing summer-flowering roses very little pruning at all is required, except slightly shortening the ends of the long rambling shoots, cutting out all the dead wood, and cutting some of the old flowering shoots which are worn out, down to the base.

With climbing summer-flowering roses, you generally need to do very little pruning, just a light trim of the ends of the long, sprawling shoots, removing all the dead wood, and cutting back some of the old flowering shoots that are exhausted down to the base.

It must be remembered that Ramblers, Noisettes, and other climbing roses bear their flowers on the laterals of the long shoots of the former year. While the Banksias, some of the Multifloras such as Aglaia, and that beautiful rose Fortune's Yellow, only flower on the sub-laterals, i.e. on wood three years old. If therefore these shoots are cut back too hard the plant does not flower.

It’s important to remember that Ramblers, Noisettes, and other climbing roses bloom on the side shoots of the long stems from the previous year. In contrast, Banksias, some Multifloras like Aglaia, and the lovely rose Fortune's Yellow only flower on the side shoots, which are three years old. So, if these shoots are trimmed back too much, the plant won’t produce any flowers.

One of the finest specimens of Crimson Rambler I have ever seen, was ruined for several years by an ignorant person who carefully and triumphantly cut out all the long shoots of the former year, which he considered mere "sucker rods." And then he was surprised at the plant bearing no flowers.

One of the best examples of Crimson Rambler I have ever seen was ruined for several years by someone who, thinking they were helping, cut out all the long shoots from the previous year, which they thought were just "sucker rods." Then they were surprised when the plant didn't produce any flowers.

A certain amount of very useful minor pruning can be carried on all through the summer, by cutting out[21] bits of old wood when they have flowered, if we see that they have no young shoots on which to bear a second crop later on. For instance when the newer China roses, such as Laurette Messimy, are in full bloom, we often find a bit of one of last year's growths which has borne one or two of the earliest flowers and now merely blocks up the young tender shoots full of buds. This is the time to cut it out, instead of allowing it to absorb part of the strength which should go to the new wood.

A certain amount of very useful minor pruning can be done all through the summer by cutting out bits of old wood after they’ve bloomed, especially if we notice that they don’t have any young shoots for a second crop later on. For example, when the newer China roses, like Laurette Messimy, are in full bloom, we often find a piece of last year's growth that has produced one or two of the earliest flowers and is now just crowding out the young tender shoots that are filled with buds. This is the time to cut it out, instead of letting it take away strength that should go to the new wood.

Cutting off dead blooms.—Though to some it may seem a small matter, much good may also be done to our plants through the summer by the way we remove dead flowers. Instead of merely snapping off each blossom between thumb and finger, it is better to do a little very mild pruning, by cutting each dead blossom off just above the second leaf below it. This greatly promotes the autumn blooming of the plants, and keeps them in good shape. It is a little more trouble, but amply repays us in the end.

Cutting off dead blooms.—While it might seem like a minor task to some, removing dead flowers can really benefit our plants throughout the summer. Instead of just pinching off each flower with your fingers, it's better to do a bit of gentle pruning by cutting each dead flower off just above the second leaf below it. This encourages more blooms in the fall and helps keep the plants healthy. It takes a little extra effort, but it’s worth it in the long run.

The precise moment of setting to work must depend to some extent on the weather. Of course we cannot begin in a heavy frost, as that would be fatal to the plants. Nor can I go as far as Mr. Pemberton, who with delightful enthusiasm advises us to choose a cold day with north-east wind and occasional sleet showers. That is too complete a counsel of perfection for most mortals; for however much they love their roses, they equally dread pneumonia for themselves. But[22] certainly a cool, overcast day is best, as there is less chance of the wood bleeding than in mild, soft weather.

The exact time to start working really depends a bit on the weather. Obviously, we can't start when it's freezing, as that would be harmful to the plants. I can't go as far as Mr. Pemberton, who enthusiastically suggests picking a cold day with a northeast wind and occasional sleet showers. That’s a bit too much to ask for most people; even if they love their roses, they also fear catching pneumonia. But[22] a cool, cloudy day is definitely the best choice, since there’s less chance of the wood bleeding compared to when the weather is mild and soft.

Well prepared, therefore, sécateur in hand, and knife in pocket in case of need, with strong gloves and old clothes, and if a woman, with a housemaid's kneeling pad to kneel on so as to get more easily at the dwarf plants—for pruning is tiring work in any case, and it is well to save extra fatigue and backache—we now begin on a late February day, with

Well prepared, then, with pruning shears in hand and a knife in my pocket just in case, wearing sturdy gloves and old clothes, and if you're a woman, using a kneeling pad to make it easier to reach the shorter plants—because pruning can be exhausting, and it's smart to avoid extra strain and back pain—we're starting on a late February day, with

Rugosa Roses.—These need little pruning beyond cutting out the dead wood, and cutting back some of the old wood almost to the base, when it will throw up fresh shoots which will bloom late. The suckers which these roses throw up in numbers, may be cut back to three or four feet to form a thick bush.

Rugosa Roses.—These require minimal pruning, just removing dead branches and trimming some of the old wood nearly to the base, which will result in new shoots that bloom later. The suckers that these roses produce in abundance can be cut back to three or four feet to create a dense bush.

Ayrshires and Sempervirens.—Thin out slightly and cut out dead wood—no further pruning is needed.

Ayrshires and Sempervirens.—Trim them a bit and remove any dead branches—no additional pruning is required.

Boursaults need no thinning. The flowers are borne on the laterals of last year's long shoots, which may be left six to ten feet long.

Boursaults don’t need to be thinned. The flowers grow on the side branches of last year’s long shoots, which can be left six to ten feet long.

The Species and most of their hybrids need no pruning beyond cutting out dead wood, and occasionally cutting the young base shoots back to hard, well-ripened wood, when the tips are touched by frost.

The Species and most of their hybrids don’t require any pruning except for removing dead branches. Occasionally, you should cut the young base shoots back to hard, well-ripened wood if the tips have been affected by frost.

Provence and Moss Roses.—Cut out old wood; thin out old shoots, and out back the young base shoots and laterals to four or six eyes. Some of the[23] strong-growing moss roses may be left taller. The Perpetual Moss roses are pruned as hybrid perpetuals for garden decoration.

Provence and Moss Roses.—Remove old wood; trim back old shoots, and cut back the young base shoots and laterals to four or six buds. Some of the[23] fast-growing moss roses can be left taller. The Perpetual Moss roses are pruned like hybrid perpetuals for garden decoration.

Miniature Provence.—Keep well pruned to within six inches of the ground, and thin out the centre.

Miniature Provence.—Keep it trimmed down to about six inches from the ground, and thin out the center.

Gallica and Damask.—Prune lightly. The strong growers may be kept as tall bushes or pillars. The dwarf, such as Red Damask, and Rosa Mundi cut back to three feet. Keep the best one- and two-year-old shoots and laterals, and thin out old and weak wood.

Gallica and Damask.—Prune lightly. The strong growers can be maintained as tall bushes or pillars. The dwarf varieties, like Red Damask and Rosa Mundi, should be cut back to three feet. Keep the best one- and two-year-old shoots and side branches, and remove old and weak wood.

Alba.—Grow as bushes or pillars five to six feet high, cutting out weak wood, leaving all the laterals on which the flowers are borne, about eight inches to one foot.

Alba.—They grow as bushes or pillars five to six feet tall; remove any weak branches, leaving all the lateral ones that produce flowers, about eight inches to one foot long.

Hybrid Chinas, such as Charles Lawson, Coupe d'Hébé and Madame Plantier, should be grown as bushy pillars, leaving the shoots six feet long. Shorten the laterals on old wood to three or four eyes. Blairii No. 2 should hardly be touched.

Hybrid Chinas, like Charles Lawson, Coupe d'Hébé, and Madame Plantier, should be cultivated as bushy pillars, allowing the shoots to grow six feet long. Trim the lateral branches on older wood to three or four buds. Blairii No. 2 should hardly be pruned.

Sweet Briars.—Cut out all weak wood and cut old and naked shoots down to the ground. The Common Sweet Briar should be grown about four feet high. The Penzance Briars make enormous base shoots, which may be shortened to ten feet or less according to one's requirements, and some of the strong laterals of last year shortened back. Lord and Lady Penzance, from their Austrian briar blood, are[24] much less vigorous, and need far less pruning, only cutting out dead wood. When the Penzance and Common Sweet Briars are grown as hedges, the base is apt to get bare, and some of the long shoots must be laid down to keep it clothed, while the rest are pruned much shorter.

Sweet Briars.—Remove all weak wood and cut down old, bare shoots to the ground. The Common Sweet Briar should be kept around four feet tall. The Penzance Briars produce large base shoots that can be trimmed to ten feet or shorter, depending on your needs, and some of last year’s strong side shoots should also be cut back. Lord and Lady Penzance, due to their Austrian briar lineage, are[24] much less vigorous and require minimal pruning, only removing dead wood. When the Penzance and Common Sweet Briars are used as hedges, the base tends to become bare, so some of the long shoots should be laid down to keep it covered, while the others are pruned much shorter.

Hybrid Bourbons.—Prune the laterals lightly, and leave the best of the base shoots.

Hybrid Bourbons.—Lightly trim the side shoots, and keep the best of the main shoots.

Hybrid Noisettes and Musks.—Thin out old wood and tie in young shoots.

Hybrid Noisettes and Musks.—Prune old wood and train new growth.

Austrian Briars.—Only cut out dead wood. Soleil d'Or, a hybrid, flowers on the young wood, and the shoots may be pruned back to two feet.

Austrian Briars.—Just remove the dead branches. Soleil d'Or, a hybrid, blooms on new growth, and you can trim the shoots back to two feet.

Scotch Briars.—No pruning is needed, except cutting out old and dead wood and shortening back some of the numerous suckers.

Scotch Briars.—No pruning is necessary, except for removing old and dead wood and trimming back some of the many suckers.

Climbing Multifloras need little pruning. When grown as pillars or on screens they are apt to get bare at the base. Therefore it is well to cut some of the weaker young shoots back to two or three feet to clothe the base, leaving the strong ones their full length. With Crimson Rambler and its class, cut out some of the old wood to make room for the young shoots and shorten any weak laterals: but leave most of the strong ones intact, and do not touch the long base shoots of the last year.

Climbing Multifloras require minimal pruning. When grown as pillars or on screens, they tend to lose leaves at the base. So, it's a good idea to trim some of the weaker young shoots back to two or three feet to help cover the base, while allowing the strong ones to grow fully. For Crimson Rambler and similar varieties, remove some of the old wood to make space for the new shoots and shorten any weak lateral branches: however, keep most of the strong ones intact and don't touch the long base shoots from last year.

Wichuraianas.—Only cut out old and dead wood. I have seen a beautiful effect produced with Dorothy Perkins by cutting out all the old wood in the[25] autumn, and training the long young shoots over wire frames two-and-a-half feet wide, forming low arches about a yard from the ground in the centre. The mass of flower shoots standing erect on these frames makes a most strikingly beautiful object. The Wichuraianas also form very lovely weeping standards on eight-feet stems. And for tall pillars and fountain roses they are unequalled.

Wichuraianas.—Just remove any old or dead wood. I've seen stunning results with Dorothy Perkins by clearing out all the old wood in the[25] fall and guiding the long new shoots over wire frames that are two-and-a-half feet wide, creating low arches about a yard above the ground in the center. The cluster of flower shoots standing upright on these frames is a remarkably beautiful sight. The Wichuraianas also make lovely weeping standards on eight-foot stems. As for tall pillars and fountain roses, they are unbeatable.

Chinas.—The old Blush and Cramoisie Supérieure should only be thinned. The newer kinds, such as Mme. Eugène Resal, Laurette Messimy, etc., may be cut back to a few eyes from the ground.

Chinas.—The old Blush and Cramoisie Supérieure should only be thinned out. The newer varieties, like Mme. Eugène Resal, Laurette Messimy, and so on, can be cut back to a few buds above the ground.

Bourbons.—Prune lightly, growing as bold bushes or standards; except Hermosa, which may be pruned back to form a dwarf, spreading, two-feet bush; while Mrs. Bosanquet is treated like the Chinas.

Bourbons.—Lightly prune to grow as strong bushes or standards; except for Hermosa, which can be pruned back to create a compact, spreading, two-foot bush; while Mrs. Bosanquet is pruned like the Chinas.

Noisettes are of two types. The strong growers need hardly any pruning, except Maréchal Niel, which must have all cankered and weak shoots removed after it has flowered. Lamarque, Fortune's Yellow (which must not be pruned at all), and Jaune Desprez need a wall; and Céline Forestier prefers one.

Noisettes come in two types. The strong growers require little to no pruning, except for Maréchal Niel, which should have all its diseased and weak shoots trimmed off after it blooms. Lamarque, Fortune's Yellow (which shouldn't be pruned at all), and Jaune Desprez need a wall for support, while Céline Forestier prefers one.

The other type, such as L'Idéal and William Allen Richardson, may be pruned fairly close, by cutting back the laterals to a few eyes. All Noisettes bear their flowers on the laterals; therefore these should be preserved as much as possible.

The other type, like L'Idéal and William Allen Richardson, can be trimmed fairly close by cutting back the side shoots to a few buds. All Noisettes produce their flowers on the side shoots; so these should be kept as much as possible.

Dijon Teas.—These are the climbing and vigorous[26] Gloire de Dijon and its descendants and allies, such as Belle Lyonnaise, François Crousse, Duchesse d'Auerstadt, Mme. Bérard, etc. They are all apt to get bare below. Therefore, while some of the strong shoots from the base are left almost their full length, others must be cut back, some to two or three feet, others to four or five feet, in order to keep the whole surface of the wall, arch, or pillar clothed evenly. The laterals may be pruned on the same plan. Old worn out wood should be occasionally cut down to the base to make it start afresh, when the first flowering is over.

Dijon Teas.—These are the climbing and vigorous[26] Gloire de Dijon and its varieties and relatives, like Belle Lyonnaise, François Crousse, Duchesse d'Auerstadt, Mme. Bérard, etc. They tend to become sparse at the bottom. So, while some of the strong shoots from the base are left nearly their full length, others need to be trimmed back—some to two or three feet, others to four or five feet—to ensure that the entire surface of the wall, arch, or pillar is evenly covered. The side branches can be pruned in the same way. Old, worn-out wood should occasionally be cut back to the base to encourage new growth once the initial flowering is done.

Banksia Roses.—These need no pruning except in the case of a very old plant, when a shoot that shows weakness may be cut down to the base in April. But I have pointed out in Chapter IV that the Banksias bear their flowers on the sub-laterals of the third year. Therefore, for three years they must not be touched with the knife, and the shoots merely tied in evenly over the surface of the wall.

Banksia Roses.—These plants don’t require pruning unless it's a very old one, in which case, any weak shoots can be cut back to the base in April. However, I've mentioned in Chapter IV that Banksias produce flowers on the side branches that are three years old. So, for the first three years, they should not be pruned at all, and the shoots should just be tied evenly across the wall's surface.

Dwarf Polyanthas.—These only need to have the old flower stems cut out in March.

Dwarf Polyanthas.—You just need to cut out the old flower stems in March.

Hybrid Perpetuals and Hybrid Teas, dwarf and standard.—If pruned for garden purposes or what I call enjoyment, not for exhibition, all dead wood and weak or unripe shoots must be cut out to the base of the plant. The centre of the plant must be kept clear by removing shoots which cross each other. The strong ripe shoots from the base should be cut[27] back to about twelve inches, and the laterals on the old wood cut back to about four to six eyes. This is merely a general guide to the pruning of these two kinds of roses. But the rosarian, as I have said, will have to study the peculiarities of each individual plant, and to adapt these instructions to its needs, leaving more shoots on the stronger roses, and keeping them longer than on the weak-growing varieties.

Hybrid Perpetuals and Hybrid Teas, dwarf and standard.—If you're pruning for gardening or what I call enjoyment, not for shows, you need to remove all dead wood and weak or undeveloped shoots right down to the base of the plant. The center of the plant should be kept clear by cutting out any shoots that cross each other. Cut back the strong, healthy shoots from the base to about twelve inches, and trim the laterals on the old wood back to about four to six buds. This is just a general guide for pruning these two types of roses. However, as I mentioned, the rosarian should study the specific needs of each individual plant and adjust these guidelines accordingly, leaving more shoots on the stronger roses and keeping them longer than on the weaker varieties.

Teas and Noisettes, both dwarf and standard, are pruned on exactly the same lines as the Hybrid Teas and Hybrid Perpetuals, but must be pruned in April instead of March.

Teas and Noisettes, both dwarf and standard, are pruned in exactly the same way as the Hybrid Teas and Hybrid Perpetuals, but should be pruned in April instead of March.

PROPAGATING ROSES.

The three chief methods of propagating roses are by—

The three main ways to propagate roses are by—

1. Budding on the briar stock.
2. Cuttings.
3. Layering.

Budding.—This is the best-known method of propagating. And it is so widely practised by amateurs and gardeners of all degree, that it is better to get an object-lesson in the art than to depend on written instructions. With a little practise any one with neat fingers can bud. But great care must be taken in the operation, not to bruise the bark of the bud or "shield" that is to be inserted in the stock.

Budding.—This is the most recognized method of propagation. It's practiced widely by amateurs and gardeners of all levels, making it more beneficial to learn through hands-on experience than to rely solely on written instructions. With a bit of practice, anyone with steady hands can successfully bud. However, great care must be taken during the process to avoid bruising the bark of the bud or "shield" that will be inserted into the stock.

The best stocks, whether for dwarfs or standards,[28] are those of the wild Dog Rose from woods and hedgerows. These should be taken up in October and November, care being taken that each stock has fair roots, that the roots are not torn or bruised, and that they are not dry and shrivelled when planted. In fact, they ought to be treated with just the same care we bestow on our new roses when we plant them out. The stocks may be at once shortened, to about three feet for half-standards, and very strong ones for specimen or weeping roses may be kept six and eight feet long. But in shortening both, they must always be cut just above a bud. In the following summer these stocks will have thrown out side-shoots; and it is in these that the buds are to be inserted. We can tell when "the bark will run," i.e. that it is ready for budding, by trying whether the thorns break off clean when pushed by the thumb. If the thorn bends and does not leave the bark, the wood is not ripe enough. If the thorn sticks tight to the wood, and yet is brittle, the wood is too ripe.

The best stocks, whether for dwarfs or standards,[28] are those of the wild Dog Rose found in woods and hedgerows. These should be collected in October and November, making sure that each stock has healthy roots, that the roots are not torn or bruised, and that they are not dry or shriveled when planted. In fact, they should be treated with the same care we give our new roses when planting them. The stocks can be shortened to about three feet for half-standards, while stronger ones for specimen or weeping roses can be kept six to eight feet long. However, when shortening both, always cut just above a bud. In the following summer, these stocks will produce side shoots, and it's in these that the buds should be inserted. We can tell when "the bark will run," meaning it's ready for budding, by checking whether the thorns break off cleanly when pushed with the thumb. If the thorn bends and doesn't leave the bark, the wood isn't ripe enough. If the thorn sticks tightly to the wood yet is brittle, the wood is too ripe.

Dwarf stocks are treated much in the same way, but must be planted nearer the surface than standards; for when they are budded the earth must be removed right down to the roots, in order to set the bud as low as possible, as it is inserted in the stem itself, and not in the young wood of the year.

Dwarf stocks are handled similarly, but they need to be planted closer to the surface than standard stocks. This is because when they are budded, the soil has to be cleared all the way down to the roots, so the bud can be placed as low as possible, since it's inserted into the stem and not into the new growth of the year.

We then choose the "scion"—a twig of the rose we wish to propagate which has already flowered,[29] with plump but not too large buds behind each leaf stalk. Inserting the budding-knife about half an inch above the lowest of these buds or "eyes," we slice down, making a little dip inwards towards the wood as the knife passes the bud, to nearly an inch below it, not cutting through the bark, but peeling it off the scion. The thin slice of wood which adheres to the inside of the strip of bark containing the bud, is now removed by inserting the knife between it and the bark, and jerking it out sharply. Nothing should now be left in the bark save the soft green substance of the "eye." But if this has been dragged out with the wood, the bud is useless, and must be thrown away. The shield of bark is then trimmed to a point below.

We then choose the "scion"—a twig from the rose we want to propagate that has already bloomed,[29] with healthy but not overly large buds behind each leaf stem. Using the budding knife, we insert it about half an inch above the lowest of these buds, slicing downwards and making a slight inward curve toward the wood as we pass the bud, going nearly an inch below it without cutting through the bark, but peeling it off the scion. The thin slice of wood that’s attached to the inner side of the bark strip containing the bud is then removed by sliding the knife between it and the bark and pulling it out quickly. By now, nothing should be left in the bark except the soft green part of the "eye." If this has been pulled out with the wood, the bud is no good and must be discarded. The bark shield is then trimmed to a point at the bottom.

The stock is now made ready to receive the bud. At the point we have chosen for inserting the bud—in standards let it be as close as possible to the main stem—a perpendicular slit from half an inch to an inch long is made with the budding-knife, care being taken only to cut through the bark and not to wound the wood below. A short cross-cut is made at the top of the slit. Then the bark is gently raised on each side downwards from this cross-cut, with the flat handle of the knife.

The stock is now prepared to take the bud. At the location we've chosen to insert the bud—in standards, as close as possible to the main stem—a straight slit about half an inch to an inch long is made with the budding knife, making sure to only cut through the bark and not damage the wood underneath. A short cross-cut is made at the top of the slit. Then, using the flat end of the knife, the bark is carefully lifted on each side downwards from this cross-cut.

Into this slit the bud is slipped by putting the pointed lower end into the cross slit, and pushing it down as far as it will go. We then cut off any bark at the top of the bud that overlaps the cross-cut, so[30] that the shield fits in perfectly, when the side flaps of bark are brought gently over it.

Into this slit, the bud is placed by inserting the pointed lower end into the cross slit and pushing it down as far as it will go. We then trim off any bark at the top of the bud that overlaps the cross-cut, so[30] that the shield fits perfectly when the side flaps of bark are gently folded over it.

With a bit of Raffia grass, well moistened in water, we now bind up the bud; beginning from below with a double turn over one end of the Raffia, and keeping it quite flat, exactly in the way we put on a surgical bandage. When we come to the bud itself, the Raffia must be wound tightly and as close to the eye as possible without actually touching it. When the whole slit is completely and evenly covered, slip the end of the Raffia through the last turn and pull it tight. The operation is now complete.

With some Raffia grass, nicely soaked in water, we now tie up the bud; starting from the bottom with a double wrap over one end of the Raffia, and keeping it flat, just like we would apply a surgical bandage. When we reach the bud, the Raffia needs to be wrapped tightly and as close to the eye as possible without actually touching it. Once the entire slit is fully and evenly covered, slide the end of the Raffia through the last wrap and pull it tight. The process is complete.

CUTTINGS.

Roses on their own roots are grown from cuttings, and it is a system which suits many varieties.

Roses grown on their own roots come from cuttings, and this method works well for many varieties.

How to make a cutting.—Cuttings are taken from well-ripened twigs which have already flowered, or from a lateral upon the main flowering shoot, which has ceased growing without bearing a blossom. They should be from two to six or seven inches in length, with three to nine buds upon them. And judgment is needed regarding these buds in choosing the twig, as we must take one on which they are neither immature nor too fully developed. In the case of a cutting with ten leaves we cut off the top a quarter of an inch above the fourth leaf, and the same distance below the tenth. The four lower leaves are then cut off close to the bud they cover, and the[31] three upper ones are left on. When the cutting is planted, two-thirds of it should be in the soil.

How to make a cutting.—Cuttings are taken from well-ripened twigs that have already flowered, or from a side shoot of the main flowering stem that has stopped growing without producing a flower. They should be two to six or seven inches long, with three to nine buds on them. It's important to choose a twig with buds that are neither too young nor fully mature. For a cutting with ten leaves, cut the top a quarter of an inch above the fourth leaf and the same distance below the tenth. Then, remove the four lower leaves close to the bud they cover, leaving the three upper ones intact. When planting the cutting, make sure two-thirds of it is in the soil.

Fig. 3.—Rose cutting with a heel, 4 leaves cut, 2 leaves left. Fig. 3.—Rose cutting with a heel, 4 leaves removed, 2 leaves remaining.

Cuttings are taken in two ways.

Cuttings can be taken in two ways.

1. With a heel; that is a small portion of the wood of the stem from which the twig grows.[32]

1. With a heel; that's a small piece of the wood from the stem where the twig grows.[32]

2. Without a heel; being cut through just below a bud.

2. Without a heel; being cut just below a bud.

Fig. 4.—Rose cutting without a heel, 4 leaves cut, 2 leaves left. Fig. 4.—Rose cutting without a heel, 4 leaves removed, 2 leaves remaining.

Cuttings under glass.—Cuttings of the choice kinds of Teas, Hybrid Teas, Hybrid Perpetuals, and Chinas are raised under glass, taken from pot plants as soon as they have flowered in the spring. The cuttings are put in pots filled with fibrous loam and silver sand, about six in a five-inch pot. When ready[33] to root at the end of two or three weeks, the pots are placed in a frame on bottom heat to start growth. The same plan is pursued in the autumn, with cuttings taken from plants grown out of doors; but they do not strike as rapidly as those taken from pot plants earlier.

Cuttings under glass.—Cuttings of the best types of Teas, Hybrid Teas, Hybrid Perpetuals, and Chinas are grown in a glass environment, taken from potted plants as soon as they bloom in the spring. The cuttings are placed in pots filled with fibrous loam and silver sand, about six in a five-inch pot. When they're ready to root after two or three weeks, the pots are moved to a heated frame to encourage growth. The same method is used in the autumn with cuttings taken from outdoor plants; however, they don’t root as quickly as those taken from potted plants earlier.

Cuttings in the open ground.—This is an interesting and easy way of getting a good stock of many kinds of hardy, strong-growing Perpetuals, Sweet Briars, Ramblers, etc. And it may be successfully carried on from early in August to the middle of October.

Cuttings in the open ground.—This is an interesting and simple method for obtaining a healthy supply of various types of hardy, robust Perpetuals, Sweet Briars, Ramblers, and more. It can be effectively done from early August to mid-October.

Cuttings are inserted three inches apart in rows, leaving some ten inches between each row. They may be either set in a trench, or dibbled into a specially prepared bed. I have tried both plans, and find the following very successful. A bit of ground, partially but not too much shaded, is forked up; a layer of good rotten manure laid on it; upon this three inches of leaf mould; on this again three inches of sharp, sandy road-scrapings—silver sand would be as good or better, but here the gravel road-grit is handy. The bed is then stamped down as hard as possible, until it forms a firm solid mass. The cuttings are then inserted in rows—a hole of the right depth for each being made into the compost with a smooth sharp-pointed stick the size of a lead pencil—a long wooden penholder is a good dibble. Into this hole the cutting is thrust till its base rests[34] firmly on the bottom of the hole, and the soil is pressed tight round the stem with the fingers. When all are in place a thorough soaking of water is given them; and except for firming them in when worms raise the soil about them, they must not be disturbed until the top leaves begin to fall. We shall then see which are likely to strike, and can pull out those whose wood has begun to shrivel, as they are dead.

Cuttings are placed three inches apart in rows, leaving about ten inches between each row. They can either be put in a trench or dibbled into a specially prepared bed. I've tried both methods and found the following very successful. Take a piece of ground that’s partially shaded but not too much—loosen it with a fork; add a layer of good rotten manure on top; next, put down three inches of leaf litter; and then another three inches of sharp, sandy road dust—silver sand works just as well or even better, but here, the gravel road dust is convenient. The bed is then pressed down as hard as possible until it’s a solid mass. The cuttings are inserted in rows—make a hole of the right depth in the compost with a smooth, sharp stick the size of a pencil—a long wooden penholder makes a good dibble. Push the cutting into the hole until its base rests firmly on the bottom, and use your fingers to pack the soil tightly around the stem. Once everything is in place, give them a thorough soaking of water; and aside from firming them in if worms disturb the soil around them, they shouldn’t be touched until the top leaves begin to fall. At that point, we’ll be able to see which ones are likely to take root, and we can pull out those whose wood has started to shrivel, as they are dead.

Many of these cuttings will show flower the next summer. And by November—i.e. fifteen months after planting—they can be lifted and planted out in their permanent quarters.

Many of these cuttings will bloom the next summer. By November—i.e. fifteen months after planting—they can be taken up and moved to their permanent spots.

The other plan is to make a little trench eight inches or so deep in good loamy soil, with a layer of silver sand at the bottom. The cuttings are set against the sloped side of the trench, and it is then filled up with soil and stamped in very firmly. I find this answers best for the Penzance Sweet Briars; but personally I prefer the former plan for other roses.

The other plan is to create a small trench about eight inches deep in good loamy soil, with a layer of silver sand at the bottom. The cuttings are placed against the sloped side of the trench, and then it's filled with soil and packed down tightly. I find this works best for the Penzance Sweet Briars; but I personally prefer the first plan for other roses.

The cuttings must be well watered and carefully weeded from time to time, and in the winter must be given slight protection by fronds of bracken or boughs of evergreens laid lightly over them.

The cuttings need to be well-watered and regularly weeded, and in the winter, they should be given some protection with fronds of bracken or lightly placed evergreen branches.

LAYERING.

This is chiefly resorted to when it is wished to increase the stock rapidly of some very choice rose. It can be carried on in summer and early autumn.[35]

This is mainly used when there’s a desire to quickly increase the stock of a particular high-quality rose. It can be done in summer and early autumn.[35]

The directions given in Mr. Rivers' Rose Amateur's Guide of 1843 are so admirable that I quote them in extenso.

The instructions provided in Mr. Rivers' Rose Amateur's Guide from 1843 are so excellent that I quote them in extenso.

"About the middle of July in most seasons the shoots will be found about eighteen inches or two feet in length; from these, two-thirds of the leaves should be cut off, close to the shoot, beginning at the base, with a very sharp knife; the shoot must then be brought to the ground, so as to be able to judge in what place the hole must be made to receive it; it may be made large enough to hold a quarter of a peck of compost; in heavy and retentive soils this should be rotten dung and pit sand in equal quantities, well mixed; the shoot must then be 'tongued,' i.e. the knife introduced just below a bud and brought upwards, so as to cut about half way through; this must be done at the side or back of the shoot (not by any means at the front or in the bend), so that the tongue does not close; to make this certain a small piece of glass or thin earthenware may be introduced to keep it open. Much nicety is required to have the tongue at the upper part of the shoot, so as not to be in the part which forms the bow, as it is of consequence that it should be within two inches of the surface, so as to feel the effects of atmospheric heat; unless this is attended to the roots will not be emitted quickly; the tongued part must be placed in the centre of the compost, and a moderate-sized stone put on the surface of the ground to keep the layer in its place.[36] The first week in November the layers may be taken from the parent plant, and either potted as required, or planted out where they are to remain. Those shoots not long enough in July and August may be layered in October, when the layers are taken from the shoots, and, if any are forgotten, February and March will be the most favourable month for the operation: as a general rule, July is the proper season."

"By mid-July in most years, the shoots will typically reach about eighteen inches to two feet in length. From these, you should trim two-thirds of the leaves off close to the shoot, starting at the base, using a very sharp knife. Then, you need to bring the shoot down to the ground to determine where to dig a hole for it. The hole should be big enough to hold about a quarter of a peck of compost. In heavy, moisture-retaining soils, this compost should be a mix of rotted dung and pit sand in equal parts. Next, the shoot needs to be 'tongued,' which means inserting the knife just below a bud and cutting upwards to about halfway through. This should be done on the side or back of the shoot (definitely not on the front or at the bend) to ensure the cut doesn't close up. To keep it open, you can insert a small piece of glass or thin earthenware. It's crucial to position the tongue at the upper part of the shoot but not at the bend. This area should be within two inches of the surface to benefit from atmospheric heat; if not, the roots won't develop quickly. The tongued section should be placed in the center of the compost, and a moderately sized stone should be placed on the ground surface to hold the layer in place.[36] In the first week of November, the layers can be removed from the parent plant and either potted if needed or planted where they will stay. Shoots that aren't long enough in July and August can be layered in October, and if any are forgotten, February and March are the best months for this task: generally, July is the right time."

Rugosa. ROSA ALBA.
Rugosa.
ROSA ALBA.

CHAPTER III

SUMMER-FLOWERING ROSES—OLD AND NEW.

Let us now consider those roses which, although their lovely season of blooming is but short, shed such fragrance and delight on the gardens of rich and poor. Our oldest favourites first—the Cabbage, sweetest of all; the Moss; the Maiden's Blush; the Crimson Damask; the Austrian, Scotch, and Sweet Briars; the tiny Rose de Meaux, so seldom seen now in England that when we find bunches of it on every barrow in the Paris streets, to be had for a few centimes, we fall upon it as on lost treasure.

Let us now think about those roses which, even though their beautiful blooming period is quite brief, bring such fragrance and joy to both rich and poor gardens. Our oldest favorites first—the Cabbage, the sweetest of all; the Moss; the Maiden's Blush; the Crimson Damask; the Austrian, Scotch, and Sweet Briars; the tiny Rose de Meaux, so rarely seen now in England that when we discover bunches of it on every market stall in the Paris streets, available for just a few centimes, we grab it like it's lost treasure.

Then the climbers, the Ayrshires, Banksias, Polyanthas and Evergreen. And when to these we add all the novelties which Japan has bestowed upon us in the Rugosas and the Wichuraianas, and those marvels which the hybridists are deriving from them and introducing every year in such numbers, we may well consider where best to make a place for these lovely roses, so that from April till August we can rejoice in their varied beauty.

Then the climbers, the Ayrshires, Banksias, Polyanthas, and Evergreens. And when we add all the new varieties that Japan has given us in the Rugosas and the Wichuraianas, along with the incredible hybrids that are being developed and introduced each year, we should think about the best spots to plant these beautiful roses, so we can enjoy their diverse beauty from April to August.

Of the climbing roses I treat in a separate chapter. But if with regard to the dwarf or bush roses, some[38] may raise objections to massing them in by themselves, because they are so soon out of flower and leave the beds bare of bloom for the rest of the summer, the objection—a valid one—may be overcome in two ways. First, by planting China roses among them and an edging of the charming Dwarf Polyantha roses round them. Secondly, by planting lilies and late-flowering perennials with them, which will be in bloom as soon as they are over.

Of the climbing roses, I'll discuss those in a separate chapter. However, when it comes to the dwarf or bush roses, some[38] might argue against grouping them together, as they bloom quickly and leave the beds looking bare for the rest of the summer. This objection—though valid—can be addressed in two ways. First, by planting China roses among them and adding a border of lovely Dwarf Polyantha roses around them. Second, by incorporating lilies and late-blooming perennials that will flower just as the roses finish.

But to my mind, the Cabbage, Moss, Provence and Damask roses look most thoroughly in place in the old-fashioned mixed border along the walk in the kitchen garden, where they flower after wallflowers, daffodils and polyanthus, with lilies and pinks, stocks and carnations, and all the delightful and fragrant odds and ends that, somehow, make it the spot in the whole garden to which all footsteps turn instinctively.

But in my opinion, the Cabbage, Moss, Provence and Damask roses fit perfectly in the classic mixed border along the path in the kitchen garden, where they bloom after wallflowers, daffodils, and polyanthus, alongside lilies and pinks, stocks and carnations, and all the lovely and fragrant bits and pieces that somehow make it the place in the entire garden where everyone’s footsteps naturally gravitate.

Provence. CABBAGE.
Provence.
CABBAGE.

The Provence or __A_TAG_PLACEHOLDER_0__, R. centifolia,
is perhaps the oldest favourite in English gardens; for it was introduced as far back as 1596. Said to have come originally from the Caucasus, it may well be, as its Latin and French names suggest, the Romans' favourite "hundred-leaved-rose" mentioned by Pliny. And as it was found in Southern France at a very early date, it became known as the "Provence Rose." In spite of all new comers, beautiful and attractive as they are, the "Old Cabbage Rose" holds its own to-day in the garden of every true rose-lover, as[39] unsurpassed in fragrance and colour. Its pure white variety, the Rose Unique, discovered in a garden in Suffolk, in 1777, is far less common and less vigorous than the pink Cabbage rose. But if it can be induced to grow it is a very beautiful object in the summer garden, especially as a standard on the briar. The tiny Rose de Meaux and Spong are also miniature Provence roses—and as I have said, ought to be more widely grown in English gardens.
Moss. COMMON.
Moss.
COMMON.

The Moss Rose, R. Muscosa,
originally a sport from the common Provence or Cabbage rose, was also introduced into England from Holland in 1596; and many varieties have since been derived from it, some of the newer ones having the additional merit of being perpetual flowering. The best are the common Pink Moss, Comtesse Murinais, Celina, Crested, Gloire des Mousseuses, Laneii, White Bath; while there is a delightful little pink, mossed Rose de Meaux. Of the perpetuals, Blanche Moreau, Salet, Perpetual White Moss, and Mme. Wm. Paul are all good.

The Old Double Yellow Provence, Rosa Hemisphærica or Sulphurea is somewhat rare now, and only found in one or two modern catalogues or in very old gardens.

The Old Double Yellow Provence, Rosa Hemisphærica or Sulphurea, is pretty rare today and can only be found in a couple of modern catalogs or in very old gardens.


The French Rose, R. Gallica, also called Rose de Provins,
as its name implies, is a native of France; but[40] it is also found in Italy, Switzerland and Austria. A good deal of confusion reigns on the subject of this rose and R. Damascena; for varieties of both are often misplaced in each other's classes. For instance, the common red Gallica, the "Apothecary's rose," is usually called the Red Damask, and its many striped varieties, especially Rosa Mundi, are mistaken for the true York and Lancaster, which is a true Damask rose.
Gallica.  RED DAMASK (The Apothecary's Rose.)
Gallica.
Red Damask
(The Apothecary's Rose.)

Rosa Gallica, however, is easily distinguished from Damascena. Its flowering shoots are upright, with few prickles, and rigid leaves. It seeds very freely; and this accounts for the innumerable varieties which were in vogue fifty or sixty years ago. It is said that one grower near London had two thousand different sorts. It is still largely grown in England for distilling purposes, on account of its delicious perfume; and a field of the "Apothecary's rose" in full flower is a lovely sight in July. But the chief centre of the industry used to be round Provins, the old capital of La Brie, about sixty miles from Paris, on the way to Châlons. Here vast fields were grown, the petals being used not only for scent, but for conserves and medicinal purposes.

Rosa Gallica, however, is easily distinguished from Damascena. Its flowering shoots are upright, with few thorns, and stiff leaves. It produces seeds abundantly, which explains the countless varieties that were popular fifty or sixty years ago. It’s said that one grower near London had two thousand different kinds. It is still widely cultivated in England for distillation purposes because of its delightful fragrance; and a field of the "Apothecary's rose" in full bloom is a beautiful sight in July. However, the main center of the industry used to be around Provins, the old capital of La Brie, about sixty miles from Paris on the way to Châlons. Here, vast fields were cultivated, and the petals were used not only for perfume but also for jams and medicinal purposes.

When well grown, namely well fed and well pruned by cutting out all the weak wood and shortening back the strong shoots to six or seven eyes, Rosa gallica is worthy of a choice place as a decorative rose, whether in the house or on the exhibition bench, when the[41] almost single flowers open and show their brilliant golden stamens. The best sorts grown at present are Œillet Parfait, Perle des Panachées, Rosa Mundi, Red Damask (the all-red form of this last), Village Maid, and Tuscany.

When well grown, meaning well fed and carefully pruned by removing all the weak branches and cutting back the strong shoots to six or seven buds, Rosa gallica deserves a prominent spot as a decorative rose, whether indoors or on display, when the[41] nearly single flowers bloom and reveal their bright golden stamens. The best varieties available today are Œillet Parfait, Perle des Panachées, Rosa Mundi, Red Damask (the all-red version of the last), Village Maid, and Tuscany.

Climbing Damask. MRS. O. G. ORPEN.
Climbing Rose.
MRS. O. G. ORPEN.

The Damascus Rose, R. Damascena.

This rose was brought from Syria to Europe at the time of the Crusades. The true York and Lancaster is the best example of the old Damask rose, and grows into a vigorous bush when well established. Madame Hardy, a cross with the Cabbage rose, is an excellent pure white variety; and in the last few years some new and admirable Damask roses, Lady Curzon, Lady Sarah Wilson, Lady White, and the Single Crimson Damask, have been raised by Mr. Turner; while Mr. Orpen, of Colchester, introduced the beautiful pink climber, Mrs. O. G. Orpen, in 1906.

This rose was brought from Syria to Europe during the time of the Crusades. The true York and Lancaster is the best example of the old Damask rose and grows into a strong bush once it's well established. Madame Hardy, a cross with the Cabbage rose, is an excellent pure white variety; and in the last few years, some new and impressive Damask roses, Lady Curzon, Lady Sarah Wilson, Lady White, and the Single Crimson Damask, have been developed by Mr. Turner; while Mr. Orpen from Colchester introduced the beautiful pink climber, Mrs. O. G. Orpen, in 1906.


__A_TAG_PLACEHOLDER_0__,
the white rose of central Europe, introduced into England about 1597, is now too often only to be seen in cottagers' gardens. But surely a corner may be found for the Maiden's Blush, for the fine old Blanche Belgique, or for Celestial—the roses that used to be seen in our childhood with a sprig of Southernwood in every village boy's buttonhole on Sunday.
Austrian Briar. AUSTRIAN COPPER.
Austrian Briar.
AUSTRIAN COPPER.

Austrian Briar Roses, R. lutea.

These are among the most brilliant of our early summer roses, and are distinguished also by their singular and aromatic scent. But their flowering season is as short as it is vivid.

These are some of the brightest roses of early summer, and they're also known for their unique and fragrant scent. However, their blooming period is as brief as it is vibrant.

The single Austrian Briars, mentioned by John Gerard in 1596, both the Yellow, and the Copper known in France as Capucine, should be found, if possible, in every garden. But both are of moderate growth; and the Copper is often troublesome to grow, showing itself as capricious as it is attractive. For instance, I have tried in vain for eight years to make it flourish in my garden, while in a cottage garden by the roadside a quarter of a mile away it flowers so profusely that during its short-lived season of beauty the passers-by stop to gaze at its brilliant single blossoms of satiny-yellow lined with vivid copper red.

The single Austrian Briars, noted by John Gerard in 1596, including both the Yellow and the Copper varieties known in France as Capucine, should ideally be planted in every garden. However, both grow to a moderate size, and the Copper can be quite difficult to cultivate, proving to be as fickle as it is beautiful. For example, I’ve unsuccessfully tried for eight years to get it to thrive in my garden, while in a cottage garden just a quarter of a mile away, it blooms so abundantly that during its brief season of beauty, passers-by stop to admire its striking single blossoms of satiny yellow edged with vivid copper red.

The double yellow Harrisonii was raised in America in 1830; and in 1837 Willock introduced the beautiful and fragrant Persian Yellow, which grows so freely wherever it is planted.

The double yellow Harrisonii was developed in America in 1830, and in 1837, Willock introduced the beautiful and fragrant Persian Yellow, which thrives effortlessly wherever it is planted.

All these Austrian briars have been utilized of late by the hybridists with most interesting results. In 1900 the famous house of Pernet-Ducher, of Lyons, succeeded in developing a new race of roses, which they named Rosa Pernetiana, by crossing the Persian Yellow with Antoine Ducher, a hybrid perpetual. The first of these was Soleil d'Or, a large,[43] full, flat flower, varying from gold and orange yellow to reddish gold shaded with nasturtium red. It is perfectly hardy, and perpetual flowering. And in 1907 they added a further seedling, far more amazing in colour, named the Lyon Rose—offspring of a cross between an unnamed seedling of Soleil d'Or and the hybrid Tea Mme. Mélanie Soupert. This, judging by the reports of those who have seen it, is destined to be a most valuable addition to our gardens.

All these Austrian briars have recently been used by hybridizers with some really interesting results. In 1900, the famous Pernet-Ducher company from Lyons successfully created a new breed of roses, which they named Rosa Pernetiana, by crossing the Persian Yellow with Antoine Ducher, a hybrid perpetual. The first of these was Soleil d'Or, a large, full, flat flower that ranges from gold and orange-yellow to reddish gold with touches of nasturtium red. It is completely hardy and blooms continuously. In 1907, they introduced another seedling, even more remarkable in color, named the Lyon Rose—a cross between an unnamed seedling of Soleil d'Or and the hybrid tea Mme. Mélanie Soupert. This, according to reports from those who have seen it, is set to be a very valuable addition to our gardens.

Another Pernetiana, Les Rosati, has been raised by Gravereaux, from a cross between Persian Yellow and a hybrid Tea. It is hardy, prolific, and when I saw it at the end of September, 1907, in MM. Soupert et Notting's ground, it was covered with brilliant cherry-red flowers on a yellow base—the outside of the petals pale salmon. Godfried Keller, a cross with Austrian Copper, apricot with the outside of the petals dark yellow, semi-double and perpetual, and Parkfeuer, a shining scarlet hybrid briar, are both of the same type.

Another Pernetiana, Les Rosati, was created by Gravereaux from a cross between Persian Yellow and a hybrid Tea. It's hardy and prolific, and when I saw it at the end of September 1907, on the grounds of MM. Soupert et Notting, it was covered in vibrant cherry-red flowers with a yellow base—the outside of the petals was a light salmon color. Godfried Keller, a cross with Austrian Copper, features apricot petals with dark yellow on the outside, is semi-double and blooms continuously, while Parkfeuer, a bright scarlet hybrid briar, is also of the same type.


Lord Penzance's Hybrid Sweet Briars,
R. rubiginosa hybrida.

These invaluable roses, the result of years of careful hybridizing of the common Sweet Briar, R. rubiginosa, with various old-fashioned roses, are amongst the greatest gifts of last century to the rosarian, the amateur, and the cottager.[44]

These priceless roses, created from years of careful crossbreeding of the common Sweet Briar, R. rubiginosa, with different traditional roses, are some of the best contributions of the last century to rose enthusiasts, hobbyists, and gardeners.[44]

Lord Penzance Hybrid Sweet Briar. JEANNIE DEANS.
Lord Penzance Hybrid Sweet Briar.
JEANNIE DEANS.

Lady Penzance, one of the most attractive, though less hardy and vigorous than others, resulted from a cross with the Austrian Copper; Lord Penzance from the Austrian Yellow. This last is extraordinarily fragrant, the scent of the leaves after rain filling the air to a considerable distance. The rather small flowers of both these show their parentage very clearly in colour. But for size of blossom and effect, none of the fourteen varieties equal the bright pink and white Flora McIvor, the crimson Meg Merrilies, and the superb dark crimson Anne of Geirstein. This last is a plant of extraordinary vigour, forming in a few years huge bushes ten feet high and nearly as many through. For a high rose hedge or screen these hybrid sweet briars are invaluable, while they may be also used for pillars and arches. And, with the exception of Lord and Lady Penzance, which are of more moderate growth, they are easy to propagate, growing readily from cuttings, which, if put in early in the autumn are in flower the next summer. The foliage of the common Sweet Briar, however, remains the most fragrant of all, with a clean, wholesome sweetness that is unsurpassed by its more showy children, always excepting Lord Penzance, which, if possible, excels it. Therefore let no one discard the old friend, and let them plant it beside a walk, so that they may give it a friendly pinch as they pass, to be rewarded by its delicious scent.[45]

Lady Penzance, one of the most attractive varieties, is less hardy and vigorous than others and comes from a cross with the Austrian Copper; Lord Penzance from the Austrian Yellow. The latter is remarkably fragrant, with the scent of its leaves after rain spreading significantly through the air. The rather small flowers of both varieties clearly show their lineage in color. However, for blossom size and overall impact, none of the fourteen varieties can match the bright pink and white Flora McIvor, the crimson Meg Merrilies, and the stunning dark crimson Anne of Geirstein. The latter is a plant of incredible vigor, growing into massive bushes in just a few years, reaching ten feet tall and nearly as wide. These hybrid sweetbriars are invaluable for creating a tall rose hedge or screen, and they can also be used for pillars and arches. Except for Lord and Lady Penzance, which grow more moderately, they are easy to propagate from cuttings, which, if planted early in the autumn, will bloom the following summer. However, the foliage of the common Sweet Briar remains the most fragrant of all, with a clean, wholesome sweetness that surpasses its flashier descendants, except for Lord Penzance, which, if possible, outshines it. Therefore, no one should overlook the old favorite; instead, they should plant it along a pathway, so they can give it a friendly pinch as they walk by and be rewarded with its delightful scent.[45]

Scots Briar. STANWELL PERPETUAL.
Scots Briar.
STANWELL PERPETUAL.
Scots Briar. STANWELL PERPETUAL.
Scots Brae.
STANWELL PERPETUAL.
The Scotch Briar, R. spinossima,
is a most fragrant little rose, its compact bushes forming an excellent hedge round a rose garden, covered so closely with the sweet little double, globular flowers that the tiny leaves are almost hidden by the mass of blossom. They can be had in yellow, white, or many shades of pink. But none are prettier than the common rose-pink. The yellow is a hybrid—raised in France early in the nineteenth century.

The Stanwell Perpetual is a Scotch briar, hybridized most probably with the Damask Perpetual or some such rose, flesh-coloured and flowering from May till the autumn.

The Stanwell Perpetual is a Scotch briar, likely hybridized with the Damask Perpetual or a similar type of rose, flesh-colored and blooming from May to the fall.


Rosa Rugosa, known as the Ramanas Rose from Japan,
was introduced into England in 1784. But this fact may, I imagine, be as great a surprise to some of my readers as it was to myself, when I discovered the statement on unimpeachable authority an hour ago. I well remember the first plants of the common pinkish-red variety, which I first saw in 1876. It was then considered something of a novelty; and I recollect how we all began cultivating it in our gardens, and that we were enraptured, as were the blackbirds and thrushes, by its large, handsome bright scarlet fruit in the autumn.

The varieties in cultivation in those days were alba the single white, introduced in 1784 by Thunberg, a[46] very lovely flower; and rubra, the single pinkish-red (Cels. 1802). The hybridists began work upon these some twenty years ago. Paul and Son brought out America in 1895; and the fine Atropurpurea in 1900, one of the very best singles, deep glowing crimson with brilliant golden stamens when opening at sunrise, and turning purple later in the day. Double hybrids were also raised, the charming white Mme. Georges Bruant, 1888; Blanc double de Coubert, 1892; Belle Poitevin, 1895, rose-coloured and very fragrant; and the handsome Rose à parfum de l'Hay, 1904, carmine cerise and deliciously scented. Fimbriata, 1891, semi-double, white tinted blush, the edge of the petals fringed like a dianthus, is perhaps the prettiest of all, and is specially suited for growing as an isolated bush.

The varieties grown back then included alba, the single white variety introduced in 1784 by Thunberg, which is a very lovely flower; and rubra, the single pinkish-red variety (Cels. 1802). Hybridizers started working on these about twenty years ago. Paul and Son released America in 1895, and the excellent Atropurpurea in 1900, which is one of the best single varieties, deep glowing crimson with bright golden stamens when it opens at sunrise, turning purple later in the day. Double hybrids were also developed, including the charming white Mme. Georges Bruant from 1888; Blanc double de Coubert from 1892; Belle Poitevin from 1895, which is rose-colored and very fragrant; and the beautiful Rose à parfum de l'Hay from 1904, deep cherry red and wonderfully scented. Fimbriata, from 1891, is semi-double, white with a blush tint, and the edges of the petals are fringed like a dianthus. It might be the prettiest of all and is especially suited for growing as an isolated bush.

Rugosa. CONRAD FERDINAND MEYER.
Rugosa.
CONRAD FERDINAND MEYER.

But of all the hybrids none can be compared to the superb Conrad Ferdinand Meyer (Müller, 1900). This last is said to be crossed with Gloire de Dijon. It certainly possesses just the same rich fragrance as that invaluable rose, while its beautiful colour, a warm tender pink, its large size and perfect form, its more than vigorous growth, and its persistence in blooming—I have it in flower here from the middle of May till December—render it one of the most valuable additions to the rose garden of the new century.

But of all the hybrids, none can compare to the superb Conrad Ferdinand Meyer (Müller, 1900). It's said to be a cross with Gloire de Dijon. It definitely has the same rich fragrance as that incredible rose, and its beautiful color, a warm soft pink, along with its large size and perfect shape, its vigorous growth, and its continued blooming—I have it in flower here from mid-May to December—make it one of the most valuable additions to the rose garden of the new century.

Besides these there are numbers of other varieties, as the continental growers, such as Bruant, Cochet,[47] Gravereaux, Schwartz, etc., have paid considerable attention to these roses of late years. But the future of this race is bound to be a very important one, and so far we have not in the least realized what its effect may be.

Besides these, there are many other varieties, as continental growers like Bruant, Cochet,[47] Gravereaux, Schwartz, and others have given a lot of attention to these roses in recent years. However, the future of this group is definitely going to be significant, and so far, we haven't even begun to understand what its impact might be.


Provence Roses, R. Centifolia.
Cabbage, or Common Provence, 1596. Rosy pink.
Crested. Vibert, 1827. Rosy pink, pale edges.
Unique, or White Provence. Grimwood, 1777. Paper white.
Sulphurea, or the Old Yellow Provence. Golden yellow.

Miniature Provence Roses.
De Meaux, 1814. Rosy lilac.
Spong. Blush pink.
White de Meaux. White.

Moss Roses, R. Centifolia muscosa. (Summer flowering.)
Baron de Wassenaer. V. Verdier, 1854. Light crimson, in clusters.
Common. Holland, 1596. Pale rose.
Comtesse de Murinais. Vibert, 1827. White, large and double.
Crested. Vibert, 1827. Rosy pink, paler edges.
Crimson Globe, Wm. Paul & Son, 1891. Deep crimson.
Celina. Hardy, 1855. Rich crimson, shaded purple.
Gloire des Moussues. Robert, 1852. Rosy blush, large and full.
Laneii. Laffay, 1846. Rosy crimson, tinted purple.
White Bath. Salter, 1810. Paper white, large and beautiful.
Zenobia. Wm. Paul & Son. Fine satin pink.

Eternal Moss Roses.
Blanche Moreau. Moreau Robert, 1881. Pure white.
James Veitch. Violet shaded.
Mme. Edouard Ory. Robert, 1856. Bright carmine.
Mme. Louis Lévêque. Leveque, 1904. Colour of Captain Christy.
Mme. Moreau. Moreau-Robert, 1873. Vermilion red.
Mrs. William Paul. Wm. Paul & Son, 1870. Very bright rose.
Perpetual White Moss. Blooming in clusters.
Salet. Lacharme, 1854. Bright rose, blush edges, fine.
Venus. Welter, 1905. Fiery red, one of the best.

The French Rose, also called "Provins rose," R. Gallica.
Belle des Jardins. Guillot, 1873. Bright purple, striped white.
Dométile Becard. Flesh, striped rose.
Œillet Parfait. Pure white, broad stripes, rosy crimson.
Perle des Panachées. Vibert, 1845. White, striped lilac.
Rosa Mundi. Red, striped white.
Old Red, the "Apothecary's Rose," often called "Red Damask."
Tuscany. Deep claret red.
Village Maid. White, striped rose or purple.

The Damask Rose, R. Damascena.
Kazanlik. Silver rose.
La Ville de Bruxelles. Light rose, blush margin.
[49]
Lady Curzon. Turner, 1902. Large, single pink.
Lady Sarah Wilson. Turner, 1902. Semi-double, creamy blush.
Lady White. Turner, 1902. Semi-double, white tinted pink.
Leda, or painted Damask. Blush, edged lake.
Madame Hardy. Hardy, 1832. White.
Madame Zoetmans. Creamy white.
Mrs. O. G. Orpen. Orpen, 1906. Climbing, large single, in trusses, rosy pink.
Single Crimson Damask. Turner, 1901.
York and Lancaster (true). Red and white, in patches.

The White Rose, R. Alba.
Blanche Belgique. White.
Celestial. Flesh colour, tinted delicate pink.
Felicité. Rosy flesh, margin blush.
Mme. Audot. Glossy flesh.
Mme. Legras. Creamy white.
Maiden's Blush. Kew, 1797. Soft blush.

Austrian Briar Roses, R. lutea.
Austrian Copper, or Capucine. J. Gerard, 1596. Single, petals lined copper-red.
Austrian Yellow. J. Gerard, 1596.
Harrisonii. Harrison, 1830. Golden yellow.
Persian Yellow. Willock, 1838. Deep golden yellow.

Hybrids.
Gottfried Keller. Dr. Müller, 1902. Semi-double, apricot with golden yellow centre.
Parkfeuer. Single, vivid scarlet.
[50]
Soleil d'Or. Pernet-Ducher, 1900. Orange yellow, gold and nasturtium red, large, double.
The Lyon Rose. Pernet-Ducher, 1907. Coral-red tinted chrome yellow, new and distinct, double.
Les Rosati. Gravereaux, 1907. Bright carmine, yellow base.

These three last are perpetual-flowering, and known as Pernetiana roses.

These last three are ever-blooming and known as Pernetiana roses.


Sweet Briar, R. rubiginosa.
Common Sweet briar. Pale pink.
Double Scarlet. Bright rosy red.
Hebe's Lip. White, with picotee edge of purple.
Janet's Pride. White, shaded and tipped with crimson.

Lord Penzance's Hybrids, 1894, 1895.
Amy Robsart. Deep rose.
Anne of Geirstein. Deep crimson rose.
Catherine Seyton. Rosy-pink, bright golden anthers.
Flora McIvor. Blush rose, white centre.
Lady Penzance. Soft copper, base of petals bright yellow.
Lord Penzance. Fawn, passing to emerald yellow.
Lucy Bertram. Rich crimson, pure white centre.
Meg Merrilies. Deep brilliant crimson.

Scotch Briar Roses, R. spinossima.
Shades of pink, rose, crimson, white, yellow.
Pimpinellifolia. Blush.
Stanwell Perpetual. Semi-double rosy blush.

Rugosa or Ramanas Roses, R. rugosa.
America. Paul & Son, 1895. Crimson lake.
Atropurpurea. Paul & Son, 1899. Deep crimson, turning maroon.
[51]
Belle Poitevin. Bruant, 1896. Rose, double, very sweet.
[A]Blanc double de Coubert. Cochet-Cochet, 1894. Double white.
Calocarpa. Bruant, 1896. Rose, single, fine tinted autumn foliage.
[A]Conrad F. Meyer. Froebel, 1900. Clear silvery rose, double, large, very fragrant.
[A]Delicata. Cooling, 1898. Soft rose, double.
Madame C. F. Worth. Schwartz, 1890. Rosy carmine, semi-double.
[A]Madame Georges Bruant. Bruant, 1888. Clear white, nearly double.
Madame Henri Gravereaux. Gravereaux, 1905. White, salmon centre.
Mrs. Anthony Waterer. Waterer, 1898. Deep crimson, semi-double, large clusters.
[A]Nova Zembla. Mees, 1907. White sport from Conrad Meyer, fine.
Repens Alba. Paul & Son, 1903. Weeping form of Alba.
[A]Rose à parfum de l'Hay. Gravereaux, 1904. Carmine cerise, double, fine.
Rugosa alba. Thunberg, 1784. Single, pure white.
Rugosa rubra. Cels, 1802. Pinkish red.
Rugosa rubra, fl. pl. Regel. Purple red.
[A]Rose Apples. Paul & Son, 1896. Pale carmine rose, large clusters.

FOOTNOTE:

[A] Perpetual flowering.

Always blooming.


CHAPTER IV

CLIMBING ROSES—SUMMER FLOWERING

Many are the races to which our summer gardens owe an almost endless variety of climbing roses; and each season adds to the bewildering number. The older types are the Ayrshire, the Evergreen, the Banksia, the Boursault, the Prairie rose, the Multiflora. And twenty-one years ago, the Wichuraiana from Japan was introduced, adding a totally new source from whence to derive precious and beautiful hybrids.

Many are the types of climbing roses that our summer gardens owe to; each season brings even more options. The older varieties include the Ayrshire, the Evergreen, the Banksia, the Boursault, the Prairie rose, and the Multiflora. Twenty-one years ago, the Wichuraiana from Japan was introduced, providing a completely new source for creating amazing and beautiful hybrids.

Ayrshire. RUGA.
Ayrshire.
RUGA.

The Ayrshire Rose

originated without doubt from the trailing white rose of our hedges and woodlands, Rosa arvensis. In the early years of last century many popular varieties were developed which are still welcome in our gardens, such as Alice Gray, Dundee Rambler, Ruga, Queen of the Belgians, Splendens or Myrrh-scented. And in 1835, the charming little double white rose, Bennett's Seedling or Thoresbyana, was discovered among some briars by Lord Manvers' gardener at Thoresby.

originated undoubtedly from the trailing white rose of our hedges and woodlands, Rosa arvensis. In the early years of the last century, many popular varieties were developed that are still loved in our gardens, like Alice Gray, Dundee Rambler, Ruga, Queen of the Belgians, Splendens, or Myrrh-scented. And in 1835, the lovely little double white rose, Bennett's Seedling or Thoresbyana, was found among some briars by Lord Manvers' gardener at Thoresby.

Evergreen. FÉLICITÉ-PERPÉTUE.
Always green.
FÉLICITÉ-PERPÉTUE.

The Everlasting Rose.

The parent of the Evergreen roses of our gardens was the climbing wild rose of Italy, Rosa Sempervirens. And the best known, and perhaps the most valuable of these, is the white Félicité et Perpétue, named after the saints and martyrs Felicitas and Perpetua. This rose and several other varieties were raised in 1827 by Monsieur Jacques, the head-gardener at the royal gardens of Neuilly. They bloom in large clusters of small, very full, double flowers. Myrianthes renoncule, Leopoldine d'Orleans, and Banksiæflora are white; Princesse Marie and Flora are pink, as is Williams' Evergreen. As all these keep their dark shining foliage until nearly the end of the winter, they are very valuable on screens and arches.

The parent of the Evergreen roses in our gardens was the climbing wild rose from Italy, Rosa Sempervirens. The most well-known and possibly the most valuable of these is the white Félicité et Perpétue, named after the saints and martyrs Felicitas and Perpetua. This rose and several other varieties were cultivated in 1827 by Monsieur Jacques, the head gardener at the royal gardens of Neuilly. They bloom in large clusters of small, very full, double flowers. Myrianthes renoncule, Leopoldine d'Orleans, and Banksiæflora are white; Princesse Marie and Flora are pink, as is Williams' Evergreen. Since all these retain their dark, glossy foliage until nearly the end of winter, they are very valuable for screens and arches.


The Banksia Rose, R. Banksia.

This persistent foliage is one of the great merits of the large white Banksian Fortunei, called in French catalogues Banks de Chine—a hybrid with the beautiful Rosa Sinica. Its handsome green leaves, as I write in mid-February, are as thick outside my window in spite of twenty degrees of frost a few weeks back, as they were in the autumn. It will throw shoots of immense length each year: clothing a wall summer and winter with its rich green foliage. It is much hardier than the Yellow and White Banksians. The flowers, large, full, white, and sweet-scented,[54] grow singly, not in clusters, and are borne like those of the Yellow and White Banksians on the sub-laterals—i.e. the little flowering stems on the laterals of last year. This habit of growth is the reason of so many failures in getting the Banksian roses to flower. An old plant of the Yellow Banksian on the rectory at Strathfieldsaye had never been known to flower when the Rev. F. Page-Roberts came there. He, of course, discovered that it had been pruned hard in the usual way. And after proper attention for two years, it was last year a mass of bloom, to the surprise of all who saw it.[3]

This persistent foliage is one of the great features of the large white Banksian Fortunei, known in French catalogs as Banks de Chine—a hybrid with the beautiful Rosa Sinica. Its handsome green leaves, as I write in mid-February, are just as thick outside my window despite having experienced twenty degrees of frost a few weeks ago, as they were in the autumn. Each year, it produces long shoots that cover a wall summer and winter with its lush green leaves. It's much hardier than the Yellow and White Banksians. The flowers, which are large, full, white, and fragrant, [54] grow individually rather than in clusters, and they are produced like those of the Yellow and White Banksians on the sub-laterals—i.e. the small flowering stems on last year’s laterals. This growth habit explains many failures in getting the Banksian roses to bloom. An old Yellow Banksian plant at the rectory in Strathfieldsaye had never been known to flower when Rev. F. Page-Roberts arrived. He found that it had been pruned heavily in the usual way. After giving it proper care for two years, it bloomed profusely last year, to the surprise of everyone who saw it.[3]

The White Banksian was introduced by Mr. William Kerr in 1807, and named after Lady Banks. The yellow was discovered by Dr. Abel, in 1824, growing on the walls of Nankin. They are both natives of China: but require a warm position on a wall in most parts of England. The finest specimen I have ever seen was a very old plant of the yellow, growing some years ago inside the courtyard at Chillon. It was one of the most beautiful objects possible in summer, the grim walls being closely covered with a sheet of the delicate little blossoms.

The White Banksian was introduced by Mr. William Kerr in 1807 and named after Lady Banks. The yellow variety was discovered by Dr. Abel in 1824, growing on the walls of Nankin. Both are native to China but need a warm spot on a wall in most parts of England. The best specimen I've ever seen was a very old yellow plant that grew several years ago inside the courtyard at Chillon. It was one of the most beautiful sights in summer, with the stark walls completely covered in a blanket of delicate little blossoms.


Rosa Sinica, or Lævigata,
mentioned above, also known as the "Cherokee Rose," is a single white with yellow stamens, from China. It is a very beautiful species; but requires,[55] like the Banksians, the shelter of a wall. Sinica anemone (Schmidt, 1895), silvery-pink shaded rose, is very vigorous, and more hardy, one of the best single climbing roses. This latter rose must not be confused with Anemonæflora—a cross between Banksia and Multiflora—with small double white anemone-like flowers.

Boursault Roses, R. Alpina,
are hardy, vigorous climbers, flowering in large clusters. They were raised from the single red Alpine rose. This, by the way, might be more generally cultivated for its own sake; its smooth red stems and handsome reddish foliage, which turns a fine colour in autumn, and its single deep pink flowers with long green bracts, succeeded by small brilliant hips, make it a charming object both in summer and autumn. M. Boursault, a famous Parisian rose amateur, gave his name to the group, the first variety, a double red, being called after him. Amadis, or Crimson, is one of the oldest, a deep crimson purple; while Inermis Morletti, an improved Inermis, was introduced in 1883 by Morlet.

Rosa Setigera, also known as the Bramble-Leaved or Prairie Rose,
was the parent of several useful climbers raised by Feast, of Baltimore, and introduced into England in 1803. Of these Belle of Baltimore and Queen of[56] the Prairies are the best, flowering late in the summer.

Hungarian Climbing Roses
appear to be very little known in England. But they are well worth growing, especially in cold and exposed places, as they are thoroughly frost-proof. The blossoms are large, very full, and mostly flat in form. Decoration de Geschwind, rich purple-pink with white edges, is a handsome and effective flower. So are Gilda, wine colour, shaded with violet, and Château Luegg, deep carmine pink. To what family they are allied I do not know. They were raised by Geschwind about 1886. I got them from M. Bernaix of Lyons, and am greatly pleased with them.

Hybrids of China, Bourbon, and Noisette Roses.

This very beautiful class of summer-flowering climbing or pillar roses, is too often neglected in these days. They are the result of crosses between the Gallica, Centifolia, and Damask roses, and the China, Noisette and Bourbon. For size, form and colour, many of these roses are still unexcelled. And one regrets they are not more generally grown.

This beautiful group of summer-flowering climbing or pillar roses is often overlooked these days. They are the result of crossbreeding between Gallica, Centifolia, and Damask roses, along with China, Noisette, and Bourbon varieties. In terms of size, shape, and color, many of these roses remain unmatched. It’s a shame they’re not more commonly cultivated.

Whether the seed parent is the perpetual China, Bourbon, or Noisette, and the pollen parent the French or Provençe rose, or vice versâ, the result is that,[57] though it grows vigorously, the hybrid does not flower in the autumn—with the one exception, the beautiful Gloire de Rosamènes. One of the grandest of this class is Blairii No. 2 (Blair 1845), blush with rose centre, a very vigorous climber: but it should be remembered that if pruned it will not flower. This is also the case with the fine crimson Brennus or Brutus. Coupe d'Hébé and Chenédolé are both good roses; while Charles Lawson for a brilliant crimson pillar rose, and the pure white Madame Plantier for bush or pillar, are not easily surpassed, as their flowers are borne in immense quantities. That very brilliant and effective single rose, Paul's Carmine Pillar, is also a hybrid; but its exact parentage is not known. Messrs. Paul & Son, of Cheshunt, write to me: "We believe it to be, as far as we can recollect, a hybrid with Boursault blood." This would explain its coming into flower so early.

Whether the seed parent is the continuous China, Bourbon, or Noisette, and the pollen parent is the French or Provençal rose, or vice versa, the result is that, though it grows vigorously, the hybrid does not bloom in the autumn—with the one exception of the beautiful *Gloire de Rosamènes*. One of the finest of this group is *Blairii No. 2* (Blair 1845), which is a blush with a rose center and a very strong climber: but it should be noted that if pruned, it will not flower. The same goes for the splendid crimson *Brennus* or *Brutus*. *Coupe d'Hébé* and *Chenédolé* are both excellent roses; while *Charles Lawson* for a stunning crimson pillar rose, and the pure white *Madame Plantier* for bush or pillar, are hard to beat, as their flowers are produced in enormous quantities. That very striking and effective single rose, *Paul's Carmine Pillar*, is also a hybrid; but its exact parentage is unknown. Messrs. Paul & Son of Cheshunt wrote to me: "We believe it to be, as far as we can recall, a hybrid with Boursault blood." This would explain why it flowers so early.


The Climbing Multiflora or Polyantha Roses,
and their hybrids, commonly known as "Rambler roses," have developed of late years in such amazing numbers, that it is a work of some difficulty to keep pace with the new varieties which appear each season. The original Multiflora, known also as Polyantha simplex, was introduced from Japan in 1781 by Thunberg. It is a very vigorous climber with large bunches of small, single white flowers. From this type rose, which seeds very freely, numbers of hybrids[58] were raised in Italy early in the nineteenth century, by crossings with other richly coloured roses. One of the earliest of these hybrids which still remains is Laure Davoust, with small and very double flowers—pink changing to blush. Grevillia or the Seven Sisters is another, its flowers changing from crimson to purplish rose, and then to pale rose. This produces a most quaint effect, as we have flowers of three colours on the plant at once. De la Grifferaie, 1845, is also deep rose, changing to blush.
Climbing Polyantha. BLUSH RAMBLER.
Climbing Polyantha rose.
BLUSH RAMBLER.
Climbing Polyantha. BLUSH RAMBLER.
Climbing Polyantha rose.
BLUSH RAMBLER.

It was, however, in 1893 that an extraordinary impulse was given to the culture of these roses, by the introduction of Turner's Crimson Rambler. Two roses which are now classed among the "Ramblers" preceded it by a few years; Allard's Daniel Lacombe, 1886, and the beautiful Claire Jacquier, 1888, raised by Bernaix of Lyons. But the advent of Crimson Rambler is really the starting point of that enthusiasm which has reigned ever since 1893 for the Rambler roses, and which has happily brought many of the old varieties mentioned above into favour once more. As many versions of the advent of this rose are extant, I wrote to Mr. Charles Turner to ask him its true history, and in his kind reply of February 17, 1908, he says, "The rose was brought from Japan with other plants by an engineer on board a trading vessel for a gentleman living near Edinburgh. It was grown there for some time, and eventually came into our possession."

It was in 1893 that a remarkable boost was given to the culture of these roses with the introduction of Turner's Crimson Rambler. Two roses that are now considered part of the "Ramblers" were introduced a few years earlier: Allard's Daniel Lacombe in 1886 and the beautiful Claire Jacquier in 1888, developed by Bernaix of Lyons. However, the arrival of Crimson Rambler truly marked the beginning of the enthusiasm for Rambler roses that has continued since 1893, which has fortunately revived interest in many of the older varieties mentioned above. Since there are various accounts about the origin of this rose, I wrote to Mr. Charles Turner to ask for its true history, and in his kind reply dated February 17, 1908, he stated, "The rose was brought from Japan with other plants by an engineer on board a trading vessel for a gentleman living near Edinburgh. It was grown there for some time, and eventually came into our possession."

This rose is so well known that, like good wine, it needs no bush of praise or description. And it was quickly followed by other Multifloras of varying types. In 1896 came Lambert's trio Euphrosyne, the so-called Pink rambler, Thalia, the White rambler, and Aglaia, the Yellow rambler; succeeded in 1897 by his Hélène, pale rose with yellowish white centre. In 1898 Dawson brought out the Dawson rose, with clusters of semi-double soft-rose flowers. In 1899 came two notable additions—Paul & Son's Psyche; and Schmidt's Leuchstern—one of the most beautiful of the race. The latter grower's invaluable Rubin; Veitch's Electra; Paul & Son's Lion followed in 1900; and their Wallflower in 1901.

This rose is so well known that, like good wine, it doesn’t need any praise or description. It was quickly followed by other Multifloras of different types. In 1896, Lambert released his trio: Euphrosyne, the so-called Pink rambler, Thalia, the White rambler, and Aglaia, the Yellow rambler; followed in 1897 by his Hélène, a pale rose with a yellowish white center. In 1898, Dawson introduced the Dawson rose, which has clusters of semi-double soft-rose flowers. In 1899, two notable additions came—Paul & Son's Psyche; and Schmidt's Leuchstern—one of the most beautiful of the species. The latter grower's invaluable Rubin; Veitch's Electra; and Paul & Son's Lion followed in 1900, and their Wallflower in 1901.

In 1903, Wm. Paul & Son brought out Waltham Rambler; B. R. Cant, the exquisite Blush Rambler; and Walsh of Philadelphia the Philadelphia Rambler. In 1904 came Lambert's Gruss an Zabern and Trier. In 1905 Cutbush's Mrs. F. W. Flight, considered by some the Queen of ramblers. And in 1906 Weigand's Taunusblümchen; and Soupert et Notting's beautiful Stella. Last year a rich feast was provided for those who delight in Ramblers, with Soupert et Notting's fine new Bar-le-Duc, offspring of their famous tea rose Souv. de Pierre Notting and Crimson Rambler; Schmidt's Tausendschön, a cross between Crimson Rambler and a tea-polyantha; and Wm. Paul & Son's Kathleen, a single flower, rich carmine-rose with a white eye. And this year Soupert et Notting are[60] sending out their new Bordeaux, a seedling from Crimson Rambler and the dwarf Polyantha Blanche Rebatel.

In 1903, Wm. Paul & Son released Waltham Rambler; B. R. Cant introduced the beautiful Blush Rambler; and Walsh from Philadelphia launched the Philadelphia Rambler. In 1904, Lambert's Gruss an Zabern and Trier were added to the collection. In 1905, Cutbush's Mrs. F. W. Flight was considered by some to be the Queen of ramblers. Then in 1906, Weigand's Taunusblümchen; and Soupert et Notting's stunning Stella made their debut. Last year, a wonderful selection was offered for those who love Ramblers, featuring Soupert et Notting's remarkable new Bar-le-Duc, a descendant of their renowned tea rose Souv. de Pierre Notting and Crimson Rambler; Schmidt's Tausendschön, a hybrid of Crimson Rambler and a tea-polyantha; and Wm. Paul & Son's Kathleen, a single bloom in rich carmine-rose with a white center. This year, Soupert et Notting are[60] launching their new Bordeaux, a seedling from Crimson Rambler and the dwarf Polyantha Blanche Rebatel.

Meanwhile, in 1887, the parents of a new race of climbing roses had been brought to Europe. The Wichuraiana (Species) was introduced from Japan by Crépin, in 1887. Its small white single flowers with their quaint hay scent, borne late in the summer, its glossy evergreen leaves, and its vigorous creeping habit—for it will cover a large space on a bank in twelve months—proclaimed a new and valuable species. And in America, Manda was quick to see its value as the parent of a new race, by crossing it with tea roses. Ten years later, in 1897, he brought out Manda's Triumph; in 1899, the charming Gardenia, Jersey Beauty, May Queen, Pink Roamer, South Orange Perfection, Universal Favourite; and in 1900, Evergreen Gem, one of the very best. The next year Jackson and Perkins introduced the incomparable Dorothy Perkins. And Walsh, another American grower, followed in 1902 with Débutante, and in 1905 with Hiawatha and Lady Gay.

Meanwhile, in 1887, the parents of a new breed of climbing roses were brought to Europe. The Wichuraiana (Species) was introduced from Japan by Crépin in 1887. Its small white single flowers, which have a unique hay scent and bloom late in the summer, along with its glossy evergreen leaves and vigorous creeping growth—able to cover a large area on a bank in just twelve months—marked it as a new and valuable species. In America, Manda quickly recognized its potential as the foundation for a new variety by crossing it with tea roses. Ten years later, in 1897, he introduced Manda's Triumph; in 1899, the delightful Gardenia, Jersey Beauty, May Queen, Pink Roamer, South Orange Perfection, Universal Favourite; and in 1900, Evergreen Gem, one of the very best. The following year, Jackson and Perkins launched the unmatched Dorothy Perkins. And Walsh, another American grower, joined in 1902 with Débutante, followed in 1905 by Hiawatha and Lady Gay.

Meanwhile in France, M. Barbier had been devoting himself to these charming hybrids; and began his long list of beautiful varieties in 1900 with Albéric Barbier, René André, and the single Wichuraiana rubra; to be followed by numbers of others.[61]

Meanwhile in France, M. Barbier had been focusing on these lovely hybrids; he started his long list of gorgeous varieties in 1900 with Albéric Barbier, René André, and the single Wichuraiana rubra; and was followed by many others.[61]

Wichuriana. DOROTHY PERKINS.
Wichuriana.
DOROTHY PERKINS.

One of the charms of these roses, and they have many, is that they are to all intents and purposes evergreen. Another is, that although they are not perpetual, i.e. flowering twice in the season, the hybrids often take after their parent the type Wichuraiana, whose flowering season is very late—last autumn I gathered a few flowers from it the third week in December. Therefore, many of them come into bloom just as the Multifloras are going over, thus prolonging the season of summer climbing roses till the end of August.

One of the great things about these roses, and there are many, is that they are practically evergreen. Another is that even though they don't bloom continuously, i.e. flowering twice a season, the hybrids often resemble their parent type, Wichuraiana, which has a very late flowering season—last autumn, I picked a few flowers from it during the third week of December. Because of this, many of them start blooming just as the Multifloras are finishing, extending the season for summer climbing roses until the end of August.

For every purpose they are of use. They may be planted to cover an unsightly bit of bank, or to climb over a stump, to wreath themselves into the branches of a tree, or to form a dense covering of shining leaves and innumerable flowers on fence or trellis or screen. They are even more charming on pillars and arches, when the full beauty of their blossoms can be seen from all sides; for while many have a pendant habit, the main flower heads, of Dorothy Perkins for instance, are carried erect above the pink foam of the laterals that clothe the graceful hanging shoots below.

They are useful for all sorts of purposes. You can plant them to hide an unattractive bank, let them grow over a stump, let them weave into the branches of a tree, or create a thick layer of shiny leaves and countless flowers on a fence, trellis, or screen. They look even more beautiful on pillars and arches, where the full splendor of their blossoms can be appreciated from all angles; while many have a drooping habit, the main flower heads of Dorothy Perkins, for example, stand tall above the pink foam of the lateral branches that adorn the elegant hanging stems below.

A Wichuraiana hybrid—for choice the dainty rubra, Dorothy Perkins or Hiawatha—grown as a tall, weeping standard seven feet high, is an object of such beauty that if once seen it cannot be forgotten. Or these charming roses may be trained round a large balloon, in the same fashion as the Crimson Rambler[62] in the Royal Gardens at Windsor, figured in "The Garden," December 30, 1905.

A Wichuraiana hybrid—preferably the delicate rubra, Dorothy Perkins or Hiawatha—grown as a tall, weeping standard seven feet high, is so beautiful that once you see it, you won’t forget it. Alternatively, these lovely roses can be trained around a large balloon, just like the Crimson Rambler[62] in the Royal Gardens at Windsor, featured in "The Garden," December 30, 1905.

Wichuriana. JERSEY BEAUTY.
Wichuriana.
JERSEY BEAUTY.

Planted on a terraced slope the Wichuraianas are most effective. In one instance, Gardenia, Evergreen Gem, Albéric Barbier and others were planted along a steep grass bank below a terrace walk. A flat shelf four feet wide had been cut half way down the bank, and there the roses were put in some ten or twelve feet apart. By the next summer they had joined hands; and whether from below, or looking down on them from the terrace above, the huge wreath with masses of flowers among the glossy foliage made a most exquisite display.

Planted on a terraced slope, the Wichuraianas look amazing. In one example, Gardenia, Evergreen Gem, Albéric Barbier, and others were placed along a steep grassy bank below a walkway. A flat shelf about four feet wide had been cut halfway down the bank, and there the roses were spaced about ten to twelve feet apart. By the next summer, they had filled in; whether viewed from below or looking down from the terrace above, the large wreath with lots of flowers among the shiny leaves created a stunning display.

In fact there is no limit to the uses to which this delightful family may be put. And we may believe that there is no limit either to its future developments in the hands of the hybridists, whose patient research will, I have no doubt, give us before many years are over, perpetual flowering, evergreen Wichuraianas of every hue.

In fact, there’s no limit to the ways this wonderful family can be used. We can also believe that there’s no limit to its future developments in the hands of the hybridists, whose diligent research will, I’m sure, provide us with constantly blooming, evergreen Wichuraianas of every color before too many years pass.


Ayrshire Roses, R. Arvensis.
Alice Gray. White edged pink.
Bennett's Seedling or Thoresbyana. Bennett, 1835. Double White.
Dundee Rambler. White, semi-double.
Queen of the Belgians. Creamy white, large, double.
Ruga. Pale flesh, large, double.
Repens flore pleno. White, very abundant bloomer.
Splendens, or myrrh-scented. Flesh colour, large, double.

Evergreen Roses, R. Sempervirens.
Banksiæflora. White, centre pale yellow.
Felicité et Perpétue. Jacques, 1827. Creamy white, full.
Flora. Rosy flesh, full.
Leopoldine d'Orleans. Jacques. White, tipped red.
Myrianthes renoncule. Blush edged rose.
Princesse Marie. Jacques. Clear pink.
Williams' Evergreen. Williams, 1855. Yellowish white, pink centre.

Banksian Roses, R. Banksiæ.
Alba. Kerr, 1807. Small double white.
Lutea. Royal Horticultural Soc., 1824. Small double yellow.
Fortunei. (Hybrid) white, large double flowers.

Sinica Roses, R. Sinica or Lævigata.
Sinica (Species). The Cherokee rose. Single white, yellow stamens.
Sinica Anemone. F. Schmidt, 1895. Single, silvery pink, shaded rose.

Boursault Roses, R. Alpina.
Amadis. Deep purple crimson.
Blush or Boursault Florida. Blush, large semi-single.
Elegans. Vivid crimson.
Gracilis. 1796. Bright, rosy red.
Inermis or Boursault pleine. Bright red.
Inermis Morletti. Morlet, 1883. Light, rosy pink.

The Bramble-leaved or Prairie Rose, Rosa Setigera.
Belle of Baltimore. Feast, 1803. White, shaded yellow.
Queen of the Prairies. Feast, 1803. Pink, very full.

Hybrid Musk, Summer flowering.
Madame d'Arblay. Flesh, changing to white.
The Garland. Blush, changing to white.

Hungarian Climbing Roses.
Aurelia Liffa. Scarlet crimson.
Château Leugg. Deep carmine pink.
Decoration de Geschwind. Deep violet red, white edges.
Gilda. Dark wine colour, shaded violet.
Mercédès. Carmine, lilac, pink.
Meteor. Carmine red, bright shading.
Souvenir de Brood. Flat shape, full, purple or violet.

Hybrid China and Bourbon.
Acidalie. Rousseau, 1838. White.
Blairii, No. 2. Blair, 1845. Blush pink, rose centre.
Brennus or Brutus. Deep carmine.
Charles Lawson. Lawson, 1853. Very bright crimson.
Chenédolé. Light vivid crimson.
Coupe d'Hébé. Laffay, 1840. Vivid rose, shaded.
Fulgens. Bright crimson.
Madame Plantier. Pure white, very fine.
Paul Ricaut. Portemer, 1845. Brilliant carmine.
Paul's Carmine Pillar. Paul & Son, 1896. Large single carmine.

Polyantha, Climbing Roses, R. Multiflora.
Aglaia. Lambert, 1896. Trusses of canary yellow.
Bar le Duc. Soupert et Notting, 1907. Clear brick-red, reverse of petals bright copper.
Blush Rambler. B. R. Cant, 1903. Large clusters of soft blush flowers.
Bordeaux. Soupert et Notting, 1908. Claret colour, very fine.
Claire Jacquier. Bernaix, 1888. Nankeen yellow.
Crimson Rambler. Turner, 1893. Bright crimson.
Crimson Rambler ne plus ultra. Weigand, 1905. Bright, deep crimson.
Daniel Lacombe. Allard, 1886. Chamois yellow, turning to white.
Electra. Veitch, 1900. Lemon, shaded orange and white.
Euphrosyne. Lambert, 1896. Pinkish rose, small double flowers.
Frau Lina Strassheim. Strassheim, 1907. Salmon red and flesh, very large clusters.
Goldfinch. Paul & Son, 1907. Deep golden buds, opening pale yellow, shaded violet and white.
Gruss an Zabern. Lambert, 1904. Large trusses, snow white.
Hélène. Lambert, 1897. Pale mauve with yellow base.
Kathleen. Wm. Paul & Son, 1907. Single, soft carmine-rose, white eye.
Leuchstern. Schmidt, 1899. Bright rose, large white eye.
Mrs. F. W. Flight. Cutbush, 1905. Bright pink.
Philadelphia Rambler. Walsh, 1903. Much like Crimson Rambler; said to be mildew proof.
Psyche. Paul & Son, 1899. Pale rosy pink, salmon yellow base.
[66]
Queen Alexandra. Veitch, 1901. Rich rose colour.
Rubin. Schmidt, 1900. Deep crimson, fine reddish foliage.
Stella. Soupert et Notting. Vivid carmine, stamens forming a golden star on white centre.
Tausendschön. Schmidt, 1906. Pink turning to bright rose, sweet-scented.
Taunusblümchen. Weigand, 1906. Pink fragrant flowers like Crimson Rambler.
Thalia. Lambert, 1896. Small double white flowers in cluster.
Thalia. Perpetual flowering, pure white.
The Dawson Rose. Dawson, 1898. Pale rose.
The Lion. Paul & Son, 1900. Single flowers, vivid crimson.
Trier. Lambert, 1904. Creamy white.
Wallflower. Paul & Son, 1901. Light crimson flowers.
Waltham Bride. Wm. Paul & Son. Pure white.
Waltham Rambler. Wm. Paul & Son. Single, rosy pink, pale centre.

Wichuraiana Roses.
Albéric Barbier. Barbier, 1901. Creamy white, canary centre, tea scent.
Auguste Barbier. Barbier, 1901. Violet lilac, white centre.
Débutante. Walsh, 1902. Large clusters, soft pink, very fragrant.
Dorothy Perkins. Jackson & Perkins, 1901. Bright rose pink, large clusters.
Edmond Proust. Barbier, 1903. Pink, centre shaded carmine.
Elisa Robichon. Barbier, 1903. Salmon buff, base of petals yellow.
[67]
Evangeline. Walsh, 1906. Large single flowers, white, tipped pink.
Evergreen Gem. Manda, 1900. Buff changing to white, double.
François Foucard. Barbier, 1902. Yellow, turning creamy white.
Gardenia. Manda, 1899. Bright yellow in bud, changing to cream.
Hiawatha. Walsh, 1905. Single, bright crimson, white eye.
Jersey Beauty. Manda, 1899. Single, pale yellow, bright yellow stamens.
Lady Gay. Walsh, 1905. Deep rose pink, large clusters.
Lady Godiva. Paul & Son, 1907. Pale flesh pink, sport from Dorothy Perkins.
Manda's Triumph. Manda, 1897. Pure white, double.
May Queen. Manda, 1899. Coral red, large flowers.
Minnehaha. Walsh, 1907. Satin pink, double, large clusters.
Paradise. Walsh, 1907. Single, pink and white.
Paul Transon. Barbier, 1902. Large panicles, double rose, tea rose scent.
Pink Pearl. Buds deep pink, changing to pearly pink.
Pink Roamer. Manda, 1899. Bright rose, white eye, semi-double.
René André. Barbier, 1901. Creamy white, yellow centre, tea scented.
Rubra. Barbier, 1900. Single, bright red, white centre.
Ruby Queen. Brilliant carmine, large clusters, double.
South Orange Perfection. Manda, 1899. Clear rose.
The Farquhar. Farquhar, 1904. Pale rose turning white.
Universal Favorite. Manda, 1899. Porcelain rose.

CHAPTER V

CLIMBING ROSES—AUTUMN FLOWERING

While many of the beautiful roses enumerated in the last chapter are indispensable in our gardens for covering pillars, arches, screens, walls, fences and pergolas, an end comes all too soon to their flowering season. And when it comes we feel the need of other climbers to carry on the succession of blossom until the frosts cut all off. A pergola, for instance, planted with nothing but summer flowering roses, is but a sorry sight in August and September. While if we have been wise, and have made a judicious mixture of these and perpetual roses, it remains a delight till November.

While many of the beautiful roses mentioned in the last chapter are essential in our gardens for covering pillars, arches, screens, walls, fences, and pergolas, their flowering season comes to an end all too quickly. When that happens, we feel the need for other climbers to keep the blooms going until the frosts take them all away. A pergola, for example, planted with only summer-flowering roses, looks pretty sad in August and September. However, if we've been smart and created a thoughtful mix of these and ever-blooming roses, it will remain a joy until November.

For vigorous climbers of this second section none excel

For energetic climbers in this second section, none are better.


The Noisette Rose, R. Noisettiana.

This invaluable race was originated by M. Philippe Noisette in America, by fertilizing the Musk rose, R. Moschata, with the Common Blush China, R. Indica (not the Blush Tea rose, R. Indica Odorata). In 1817 he sent the "Blush Noisette" to his brother M. Louis Noisette, a well-known nurseryman[69] in Paris. And its advent was hailed with enthusiasm by all rose-lovers in France; for it was recognized as a new break in climbing roses. In this, and in many of the seedlings which were raised from it, the influence of its Musk rose parent was very strong, the flowers being borne in large clusters, and fragrant with its delicious musky scent. But as time went on, crossings with Tea roses somewhat changed one of the early characteristics of the Noisette, and it approached more closely to the Tea rose—bearing flowers singly—instead of in the large clusters characteristic of the Musk rose.

This priceless variety was created by M. Philippe Noisette in America by crossbreeding the Musk rose, R. Moschata, with the Common Blush China, R. Indica (not the Blush Tea rose, R. Indica Odorata). In 1817, he sent the "Blush Noisette" to his brother M. Louis Noisette, a well-known nurseryman[69] in Paris. Its arrival was celebrated by all rose enthusiasts in France; it was recognized as a new type of climbing rose. In this variety, and in many of the seedlings derived from it, the influence of its Musk rose parent was quite strong, with flowers appearing in large clusters and fragrant with its delightful musky scent. However, over time, crossbreeding with Tea roses altered one of the early traits of the Noisette, leading to a closer resemblance to the Tea rose—producing flowers individually—rather than in the large clusters typical of the Musk rose.

Aimée Vibert (Vibert, 1828) is one of those early Noisettes which holds its own everywhere. But how seldom do we see that most vigorous and most fragrant of all, Jaune Desprez (Desprez, 1828). Grown against a west wall here, it covered a space some 20 × 20 feet in three years, throwing laterals, five feet and more long every summer; and from the ends of these in late autumn the great heads of bloom hang down, filling the whole air with fragrance; in one cluster alone I have counted seventy-two blossoms, soft sulphur, salmon, and red. This variety, and the beautiful white Lamarque (Maréchal, 1830), both need the shelter of a wall in a warm, dry position.

Aimée Vibert (Vibert, 1828) is one of those early Noisettes that thrives everywhere. But how rarely do we see the most vigorous and fragrant of all, Jaune Desprez (Desprez, 1828). Grown against a west wall here, it covered an area of about 20 × 20 feet in three years, sending out laterals over five feet long every summer; and from the ends of these, in late autumn, the large blooms hang down, filling the air with fragrance. In one cluster alone, I’ve counted seventy-two blossoms in soft shades of sulphur, salmon, and red. This variety, along with the lovely white Lamarque (Maréchal, 1830), both need the protection of a wall in a warm, dry spot.

That singularly beautiful rose Fortune's Yellow or Beauty of Glazenwood (Fortune, 1845), which is classed among the Noisettes, though it has nothing[70] but its beauty in common with them—for it is not perpetual, and its foliage is quite different from theirs—also requires a very dry, warm situation, when, if it is never pruned, it will flower abundantly. I have a plant on a very dry border at the S.W. corner of my house, which has scrambled up to the eaves and is now making efforts to reach the chimneys. The reason that this rose so often fails to bear blossoms is, that being an untidy grower it is pruned. And any one who has once tried to do so should be glad to know that pruning is as fatal to the rose as to the unhappy pruner, for it is armed with the most cruel prickles, like small fish-hooks, of any member of the rose tribe. The flowers, like those of the Banksia roses, being borne on the small twigs growing from the laterals of the second year, any pruning which destroys these destroys all chance of blossom. And this rule holds good with most of the Noisettes.

That stunning rose Fortune's Yellow or Beauty of Glazenwood (Fortune, 1845), which is categorized among the Noisettes, shares nothing in common with them other than its beauty—it's not continuous blooming, and its leaves are quite different. It also needs a very dry, warm spot; when not pruned, it will flower profusely. I have a plant in a very dry spot at the southwest corner of my house that has climbed up to the eaves and is now trying to reach the chimneys. The reason this rose often fails to bloom is that because it grows untidily, it gets pruned. Anyone who has tried to prune it knows that it’s as deadly for the rose as it is for the person pruning, as it has the harshest thorns, resembling small fish-hooks, of any rose species. The flowers, like those of the Banksia roses, are found on the small twigs that grow from the laterals of the second year; any pruning that cuts these will eliminate all chances of blooming. This principle applies to most of the Noisettes.

Ophirie (Goubault, 1841), with its rather small nankeen and copper-red flowers and glossy leaves, is also glad of a little shelter. While the delightful Céline Forestier (Trouillard, 1842) will flourish in almost any situation, though it prefers a wall.

Ophirie (Goubault, 1841), with its small nankeen and copper-red flowers and shiny leaves, also appreciates a bit of shelter. On the other hand, the charming Céline Forestier (Trouillard, 1842) thrives in almost any setting, although it does prefer a wall.

Later on, the influence of crossings between the Noisette and the pure Tea instead of the China rose, is very evident in such superb roses as Maréchal Niel, L'Idéal, Wassily Chludoff—an admirable rose, by the way—the invaluable Rêve d'Or, which seldom[71] bears a cluster of more than three flowers, and others. But though that universal favourite, William Allen Richardson, is, alas! scentless, its habit has more in common with the Noisettes. Rêve d'Or is one of the most useful and hardy of the race, a rampant grower, with buff yellow blossoms borne in immense numbers both in summer and autumn, while its rich red shoots and reddish-green foliage make it a beautiful object before and after it blooms. It strongly resents any pruning beyond shortening its vigorous summer shoots.

Later on, the impact of crossing the Noisette roses with pure Tea roses instead of China roses is very clear in amazing varieties like Maréchal Niel, L'Idéal, and Wassily Chludoff—which is a fantastic rose, by the way—along with the priceless Rêve d'Or, which rarely produces a cluster of more than three flowers, among others. But even though that all-time favorite, William Allen Richardson, unfortunately lacks fragrance, its growth habit is more similar to the Noisettes. Rêve d'Or is one of the most practical and resilient of its kind, a vigorous grower with buff yellow flowers that bloom in huge amounts during both summer and autumn, while its rich red stems and reddish-green leaves make it attractive both before and after it flowers. It does not respond well to heavy pruning beyond trimming its strong summer shoots.

Noisette. WILLIAM ALLEN RICHARDSON.
Hazelnut.
WILLIAM ALLEN RICHARDSON.

Among the Hybrid Noisettes—i.e. those crossed with the Hybrid perpetual—Boule de Neige, a dwarf, and Madame Alfred Carrière, a rampant climber, are the best. The latter is certainly one of the best white climbing roses we have, its white blossoms, which some liken to the porcelain roses manufactured abroad, are borne singly on the stalks, and last long in water, while it is never out of flower from June to November.

Among the Hybrid Noisettes—i.e. those crossed with the Hybrid perpetual—Boule de Neige, a dwarf, and Madame Alfred Carrière, a vigorous climber, are the best. The latter is definitely one of the top white climbing roses we have; its white blooms, which some compare to the porcelain roses made overseas, grow individually on the stems and last a long time in water, plus it flowers continuously from June to November.


The Musk Rose, R. Moschata,
seed parent of the Noisette, is perhaps more widely spread than any other rose over the face of the earth. From Madeira through Africa and Persia to Far Cathay it blooms, and sheds its delicious musky scent in the evening air. That it has been prized in the West for centuries we know—for Shakespeare's Titania promises the ass to "stick Musk roses in thy[72] sleek smooth head." Hakluyt says that "Of later times was procured out of Italy the Muske rose plant." And Bacon declares that while the white double Violet is the sweetest of all, "next to that is the Musk rose."

The original Musk rose bearing large bunches of single white flowers, is now seldom seen except in very old gardens where it attains a great size. Mr. Rivers, in the Amateur's Rose Guide, 1843, says that "Olivier who travelled in the first six years of the French Republic, mentions a rose tree at Ispahan, called the 'Chinese Rose Tree,' fifteen feet high, formed by the union of several stems, each four or five inches in diameter. Seeds from this tree were sent to Paris, and produced the common Musk Rose." But wherever it can be found it should be cherished for the sake of its scent, which is strongest in the evening, especially after rain, filling the whole air with its fragrance.

The original Musk rose, with its large clusters of single white flowers, is now rarely seen except in very old gardens where it can grow quite large. Mr. Rivers, in the Amateur's Rose Guide, 1843, states that "Olivier, who traveled during the first six years of the French Republic, mentions a rose tree in Ispahan, called the 'Chinese Rose Tree,' that is fifteen feet tall, formed by the joining of several stems, each four or five inches in diameter. Seeds from this tree were sent to Paris and produced the common Musk Rose." But wherever it can be found, it should be treasured for its scent, which is strongest in the evening, especially after it rains, filling the air with its fragrance.

Himalayica is a fine single white form of Moschata; and so is Nivea, a large single variety from Nepaul, white, tinged with pink. Of the double and semi-double hybrids, the Fringed Musk, a very old favourite still in cultivation, Rivers' Musk, pink, shaded buff, and the charming Princesse de Nassau, straw colour and very sweet, are all good roses, coming into flower very late in the season, and lasting on through the autumn. For pillars they are excellent subjects.[73]

Himalayica is a beautiful single white type of Moschata; and so is Nivea, a large single variety from Nepal, white with a hint of pink. Among the double and semi-double hybrids, Fringed Musk, a classic favorite still grown today, Rivers' Musk, which is pink with a buff shade, and the lovely Princesse de Nassau, a straw color and very fragrant, are all great roses. They bloom late in the season and continue into the autumn. They are excellent choices for pillars.[73]

Madame d'Arblay and The Garland are hybrids of the Musk rose, which only bloom in summer.

Madame d'Arblay and The Garland are mixes of the Musk rose, which only flower in summer.


The Himalayan Blackberry, Rosa Brunonis,
is sometimes classed with the Musk roses: but this is an error, as it is a distinct species, and is also only summer flowering. With its double variety, it is a beautiful rose for pillar, arch, or pergola; the white flowers are very sweet and borne in clusters. But it should be planted where it can get plenty of sun to ripen the wood.

The Macartney Rose, R. bracteata,
was brought from China in 1795 by Lord Macartney. The handsome shiny evergreen foliage and large solitary white flowers with a mass of golden stamens, make it a beautiful object. It does best, as do its hybrids, on a wall in a warm dry position: but it will not flower until it is thoroughly established. Maria Leonida is a hybrid of the early nineteenth century, very beautiful when its very full white flowers, slightly flushed in the centre with pink, open properly. But they need plenty of sun and a sheltered position to do so in perfection. Rosa Lucida and Lucida plena are two rose-coloured hybrids with handsome reddish foliage.

With the Noisettes, Musk, and Macartney roses, we have only touched the fringe of autumn flowering climbers. And three most important classes remain to be noticed. These are[74]

With the Noisettes, Musk, and Macartney roses, we have only grazed the surface of autumn-flowering climbers. There are still three crucial categories to be discussed. These are[74]


Climbing Hybrid Perpetuals, Teas, and Hybrid Teas.

Among the Hybrid Perpetuals there are several line climbing roses, as well as climbing sports of well-known dwarfs, which are valuable to this class. While roses of specially vigorous growth, but not usually counted as climbers, such as Magna Charta, Margaret Dickson, Pierre Notting, and others, make admirable pillars.

Among the Hybrid Perpetuals, there are several climbing roses and climbing varieties of popular dwarf roses that are great additions to this category. Additionally, roses with particularly vigorous growth, although not typically classified as climbers, such as Magna Charta, Margaret Dickson, Pierre Notting, and others, can serve as excellent pillars.

But it is among the Tea and Hybrid Tea roses that we find our richest harvest of autumn flowering climbers. Some of these are pure climbers, such as the noble Gloire de Dijon and its descendants; and Cheshunt Hybrid, Reine Marie Henriette, Reine Olga de Wurtemberg, Belle Lyonnaise, etc. Many of these and others do grandly as tall standards, making fine heads covered with bloom. And many more can be grown as isolated bush roses, planted out singly with plenty of space round them. Gruss an Teplitz, Gustave Régis, Mme. Jules Gravereaux, the exquisite Lady Waterlow, and Cooling's Apple Blossom, are specially suited to this form of growth.

But it's among the Tea and Hybrid Tea roses that we discover the best selection of autumn-flowering climbers. Some of these are true climbers, like the magnificent Gloire de Dijon and its offspring; and Cheshunt Hybrid, Reine Marie Henriette, Reine Olga de Wurtemberg, Belle Lyonnaise, and others. Many of these and more thrive beautifully as tall standards, creating impressive heads full of blooms. Additionally, many can be grown as standalone bush roses, planted individually with plenty of space around them. Gruss an Teplitz, Gustave Régis, Mme. Jules Gravereaux, the lovely Lady Waterlow, and Cooling's Apple Blossom are particularly well-suited for this style of growth.

In the following lists of these three groups of roses, I have, for convenience sake, placed Teas and Hybrid Teas together.

In the following lists of these three groups of roses, I've combined Teas and Hybrid Teas for convenience.


Hazelnut Roses, R. Noisettiana.
Aimée Vibert. Vibert, 1828. White, climbing; there is also a dwarf form.
Alister Stella Gray. Gray, 1895. Pale yellow, orange centre.
Bouquet d'Or. Ducher, 1873. Pale yellow, centre copper.
Céline Forestier. Trouillard, 1842. Pale yellow.
Cloth of Gold. Coquereau, 1843. Golden yellow, sulphur edges.
Crépuscule. Dubreuil, 1905. Rich copper yellow and nasturtium red.
Fellenberg. Fellenberg, 1857. Rosy crimson, suitable for a dwarf wall, or pillar.
Fortune's Yellow. Fortune, 1845. Orange yellow, shaded metallic red, summer flowering.
Jaune Desprez. Desprez, about 1825. Buff, pink, sulphur and red, variable.
Lamarque. Maréchal, 1830. White, shaded lemon.
L'Idéal. Nabonnand, 1887. Metallic red, tinted yellow.
Madame Carnot. Moreau-Robert, 1890. Golden yellow, coppery centre.
Madame Caroline Kuster. Pernet, 1873. Pale yellow.
Madame Pierre Cochet. Cochet, 1892. Deep orange yellow, dwarf wall.
Maréchal Niel. Pradel, 1864. Deep golden yellow.
Marie Thérèse Dubourg. Godard, 1889. Coppery golden yellow.
Ophirie. Goubault, 1841. Nankeen and copper.
Rêve d'Or. Ducher, 1870. Coppery buff yellow.
Solfaterre. Boyeau, 1843. Fine sulphur yellow.
Souv. de Prince C. d'Arenberg. Soupert et Notting, 1897. Canary yellow.
Triomphe de Rennes. Eug. Verdier, 1857. Canary yellow.
Wasily Chludoff. Coppery red, tinted yellow.
William Allen Richardson. Ducher, 1878. Fine orange yellow.

Hybrid Perpetuals, Trending Up.
Ards Rover. Alex. Dickson, 1896. Deep crimson.
Brightness of Cheshunt. Paul & Son, 1882. Brick red.
Climbing Bessie Johnson. Paul & Son, 1899. White, tinged pink.
Climbing Captain Hayward. Paul & Son, 1906.
Climbing Charles Lefébvre.
Climbing Eugénie Verdier. Paul & Son.
Climbing Frau Carl Druschki. Lawrenson, 1906.
Climbing Glory of Cheshunt. Paul & Son.
Climbing Hippolyte Jamain. Paul & Son, 1887.
Climbing Jules Margottin.
Climbing Pride of Waltham. Wm. Paul & Son, 1887.
Climbing Suzanne Marie Rodocanachi. Paul & Son.
Climbing Victor Verdier. Paul & Son, 1872.
Gloire de Margottin. Margottin, 1888. Bright cherry red.
Glory of Waltham. Wm. Paul & Son. Crimson, very sweet.
Madame Edmée Cocteau. Colour of Captain Christy.
Maréchal Vaillant. Purplish red.
Paul's Single White. Paul & Son. Pure white, single.
Princess Louise Victoria. Knight, 1872. Carmine shading to peach.

Note.—Where no colours are indicated, the climbing sports are exactly like the dwarf roses of the same name.

Note.—Where no colors are specified, the climbing sports are just like the dwarf roses of the same name.


Teas and Hybrid Teas, Climbing.
Pink and Rose.
Apple Blossom. Cooling, 1906. Colour of apple blossoms, pillar or bush.
[77]
Climbing Captain Christy. Ducher, 1881. Even finer than the dwarf.
Climbing Belle Siebrecht (syn. Mrs. W. J. Grant). Wm. Paul & Son, 1899.
Climbing La France. P. Henderson, 1893.
Climbing Mme. de Watteville. Fauque-Laurent, 1902.
Dawn. Paul & Son, 1898. Large semi-double, rosy pink.
England's Glory. Wood, 1902. Flesh with pink centre.
Lady Waterlow. Nabonnand, 1902. Clear salmon pink, large petals edged crimson.
Madame Charles Monnier. Pernet-Ducher, 1902. Rosy flesh, shaded salmon.
Madame Jules Gravereaux. Soupert et Notting, 1901. Buff, shaded peach.
Madame Marie Lavalley. Nabonnand, 1880. Bright rose, reflexed white.
Papillon. Nabonnand, 1882. Pink and white, shaded copper.
Pink Rover. Wm. Paul & Son, 1890. Pale pink, very fragrant.
Princess May. Wm. Paul & Son. Soft opaque pink.

Tea and Hybrid Tea Climbing Roses.
Salmon, orange, yellow.
Billiard et Barré. Pernet-Ducher, 1899, golden yellow.
Bouquet d'Or. Ducher, 1872. Yellow, coppery centre.
Climbing Perle des Jardins. J. Henderson, 1891.
Comte de Torres. A. Schwartz, 1906. Salmon white, pink centre.
[78]
Duchesse d'Auerstadt. Bernaix, 1887. Pure yellow bud, shaded nankeen.
E. Veyrat Hermanos. Bernaix, 1895. Apricot, reflexed deep red.
Germaine Trochon. Salmon flesh, centre nankeen yellow.
Gloire de Dijon. Jacotot, 1853. Buff or salmon yellow, centre orange.
Gustave Régis. Pernet-Ducher, 1890. Nankeen yellow, pillar or bush.
Henriette de Beauveau. Lacharme, 1887. Clear yellow.
Kaiserin Friedrich. Drogemuller, 1890. Bright yellow.
Le Soleil. Dubreuil, 1892. Chrome and canary.
Mme. Auguste Choutet. Yellow or deep orange.
Mme. Barthélemy Levet. Levet père, 1880. Canary yellow.
Mme. Bérard. Levet, 1872. Fawn, touched red.
Mme. Chauvry. Bonnaire, 1887. Nankeen yellow.
Mme. Eugéne Verdier. Levet, 1882. Deep chamois yellow.
Mme. Hector Leuillot. Pernet-Ducher, 1904. Golden yellow, tinted carmine.
Mme. Moreau. Moreau, 1890. Coppery yellow, deeper centre, reverse apricot.
Maréchal Niel. See Noisette roses.
Souv. de L. Viennot. Bernaix, 1897. Jonquil yellow, shaded china rose.

White and Lemon.
Belle Lyonnaise. Levet, 1869. Canary yellow and white.
Climbing Devoniensis. Pavitt, 1858.
Climbing Kaiserin Augusta Victoria. Alex. Dickson, 1897.
[79]
Climbing Niphetos. Keynes & Co. 1889.
(These three last roses need a very warm wall, and are best under glass.)
Gloire des Blanches. Vigneron, 1905. Pure white.
Mme. Jules Siegfried. Creamy white shaded flesh.
Valentine Altermann. Pure white, semi-double.

Red.
Ards Pillar. Alex. Dickson, 1902. Rich velvety crimson.
Cheshunt Hybrid. Paul & Son, 1873. Cherry red.
Climbing Meteor.
Climbing Papa Gontier. Goubault, 1903.
Climbing Souv. de Wootton.
Dr. Rouges. Vve. Schwartz, 1894. Red, yellowish centre, irregular form.
François Crousse. Guillot, 1900. Fiery crimson red.
Gruss an Teplitz. Geschwind, 1897. Brightest scarlet crimson.
Lina Schmidt-Michel, 1906. Bright lake rose.
Longworth Rambler. Liabaud, 1880. Light crimson, semi-double.
Mohrenkönig.
Monsieur Désir. Pernet père, 1889. Crimson.
Morgenroth. P. Lambert, 1903. Bright crimson, white centre, single.
Noella Nabonnand. Nabonnand, 1900. Velvety crimson.
Progress. Bright carmine, semi-double.
Reine Marie Henriette. Levet, 1873. Deep cherry red.
Reine Olga de Wurtemburg. Nabonnand, 1881. Vivid red. Semi-double.
Souv. de Madame Métral. Bernaix, 1888. Cherry red.
Waltham Climbers. 1. 2. 3. Wm. Paul & Son, 1885. Shades of crimson; 1, brightest, 3, darkest.

CHAPTER VI


TEA ROSES, R. Indica odorata.

The popular fallacy which universally prevailed forty to fifty years ago with regard to the extreme delicacy of Tea roses, has happily been exploded by the experience of later years. It was then supposed that no Tea rose could possibly stand the English winter if planted out of doors. And so firmly was this belief fixed in the minds of all amateurs, that if they were so reckless (in their own eyes) as to plant a Tea rose anywhere except in a greenhouse, the careful treatment they bestowed on the unfortunate specimen went far to prove the rule. For not only was it pruned in the autumn: but so coddled and smothered up in straw and matting that it could not breathe; and as every bud was made doubly tender by this means, when at last it saw the light again it was pretty sure to die of absolute anæmia. The older gardeners of the fifties would look in amaze on our glorious beds of Tea roses, flowering in some cases up to Christmas, and beginning again as happily as ever the next June. While to us of the present day, a rose garden without Tea roses would be no garden at all.[81]

The popular misconception that was widely accepted forty to fifty years ago regarding the extreme sensitivity of Tea roses has thankfully been debunked by recent experience. Back then, it was believed that no Tea rose could survive the English winter if planted outdoors. This belief was so deeply ingrained in the minds of all enthusiasts that if they were perceived as reckless (in their own eyes) for planting a Tea rose outside of a greenhouse, the excessive care they lavished on the poor plant only reinforced the notion. They would not only prune it in the autumn but also wrap it up in straw and matting to the point it couldn't breathe; and since this treatment made every bud exceptionally fragile, when it finally saw the light again, it was almost guaranteed to die from sheer weakness. The older gardeners of the fifties would stare in disbelief at our beautiful beds of Tea roses, blooming in some cases until Christmas and then happily starting again the following June. To us today, a rose garden without Tea roses wouldn’t feel like a garden at all.[81]

It is not that the modern Tea rose is hardier than its ancestors; for some of the old ones, such as Souvenir d'un Ami, grow as cheerfully in the garden as a Hybrid Perpetual. But experience has shown that Tea roses, with a very few exceptions, may be safely grown in the open ground, if a few simple precautions are observed in their treatment.

It’s not that modern Tea roses are tougher than their ancestors; some of the old varieties, like Souvenir d'un Ami, thrive in the garden just as well as a Hybrid Perpetual. However, experience has shown that Tea roses, with very few exceptions, can be safely grown outdoors if a few simple care tips are followed.

The first of these is, of course, that no pruning should be done till April.

The first of these is that no pruning should be done until April.

The second, that a few fronds of bracken should be drawn through the branches. This in most cases will be found quite sufficient to ward off frost. But as an extra precaution in the event of very severe weather, the earth may be drawn up some four or five inches round the stems, so that if by chance a hard frost should cut the upper part of the shoots, the base may still be kept alive. Great care, however, must be exercised in uncovering the plants, the protecting material being removed gradually, so that growth may not be unduly forced on—only to be cut by the first cold wind—or, on the other hand, that the plant may not receive a shock by sudden and complete exposure.

The second thing is to pull a few bracken fronds through the branches. In most cases, this will be enough to protect against frost. However, as an additional precaution during very severe weather, you can mound up some soil around the stems by about four or five inches. This way, if a hard frost damages the upper part of the shoots, the base can still stay alive. Great care should be taken when uncovering the plants; the protective material should be removed gradually to avoid forcing growth too early, which could be damaged by the first cold wind. On the other hand, you want to prevent the plant from being shocked by sudden, complete exposure.

Standard Tea roses may be protected by straw tied lightly round the heads, care being taken not to break the shoots by tying them in too tightly.

Standard Tea roses can be protected by loosely tying straw around the heads, making sure not to damage the shoots by tying it too tightly.

The history of the Tea rose in Europe began just 100 years ago. The original "Blush tea-scented rose," R. Indica odorata, was brought from China in 1810. In 1824, the "Yellow China or Tea rose" was introduced[82] from China by Mr. Parkes. And the French growers at once began to raise seedlings from these fruitful parents; for both in France and Italy the Yellow Tea rose seeded freely, which was not the case in England. By about 1830 the reputation of the Tea rose was firmly established; and in the next twenty years many varieties were raised: but mainly in France, though the finest of all, Devoniensis, was raised by Mr. Foster of Plymouth in 1838. The real culture of the Tea rose by English growers, however, did not assume much importance until a far later period.

The history of the Tea rose in Europe started just 100 years ago. The original "Blush tea-scented rose," R. Indica odorata, was brought from China in 1810. In 1824, the "Yellow China or Tea rose" was introduced[82] from China by Mr. Parkes. French growers quickly began to cultivate seedlings from these fruitful plants; both in France and Italy, the Yellow Tea rose produced seeds freely, which wasn't the case in England. By around 1830, the Tea rose had built a solid reputation; and in the next twenty years, many varieties were created, mainly in France, although the best of them all, Devoniensis, was developed by Mr. Foster of Plymouth in 1838. However, the true cultivation of the Tea rose by English growers didn't really gain significance until much later.

Some few of these early Tea roses still hold their own among the host of their brilliant successors—Bougère, 1832; Adam, 1833; Le Pactole—now extremely difficult to procure; Devoniensis, 1838; Safrano, 1839; Mme. Willermoz, 1843; Niphetos, 1844; Souv. d'un Ami, 1846; Mme. Bravy, 1846. But of some dozen or more others in Mr. Rivers' list of 1843, not a trace remains.

Some of the early Tea roses still stand out among their many colorful successors—Bougère, 1832; Adam, 1833; Le Pactole—which are now really hard to find; Devoniensis, 1838; Safrano, 1839; Mme. Willermoz, 1843; Niphetos, 1844; Souv. d'un Ami, 1846; Mme. Bravy, 1846. However, from a dozen or more others in Mr. Rivers' list from 1843, there’s no trace left.

In 1853 a great development took place, when Jacotot introduced an absolutely new type into the race with his Gloire de Dijon. This rose is so distinct, with its strong constitution, vigorous growth, and large foliage, that one cannot but imagine some other strain, such as the Noisette, must have helped in fertilizing the seed parent of Gloire de Dijon.

In 1853, a major development occurred when Jacotot introduced a completely new variety with his Gloire de Dijon. This rose is so unique, with its robust constitution, vigorous growth, and large leaves, that one can't help but think another strain, like the Noisette, must have contributed to fertilizing the seed parent of Gloire de Dijon.

Since that notable date, the raising of new Tea roses in England, France and Luxembourg, has[83] developed in an extraordinary manner. And in the last few years Germany and America have added many fine novelties to the bewildering list. Among the chief growers in England who have devoted themselves in the last fifty years to the production of Tea roses, we find Messrs. Wm. Paul & Son, of Waltham Cross; Ben Cant, of Colchester; Paul, of Cheshunt; Prince, of Oxford; Frank Cant, of Colchester; Alex. Dickson, of Newtownards; Piper, Bennett, etc.

Since that notable date, the cultivation of new Tea roses in England, France, and Luxembourg has[83]grown remarkably. In the past few years, Germany and America have also contributed many impressive new varieties to the already extensive list. Among the leading growers in England who have dedicated themselves to producing Tea roses over the last fifty years are Wm. Paul & Son from Waltham Cross; Ben Cant from Colchester; Paul from Cheshunt; Prince from Oxford; Frank Cant from Colchester; Alex. Dickson from Newtownards; and Piper, Bennett, and others.

In France, Luxembourg and Germany, the famous houses of Pernet-Ducher, Nabonnand, Bernaix, Bonnaire, Cochet, Chatenay, Guillot, Verdier, Levet, Chauvry, Dubreuil, Godard, Mari, Lacharme, Lévêque, Soupert et Notting, Lambert, Schwartz, etc., are now household words among rose lovers.

In France, Luxembourg, and Germany, the well-known names of Pernet-Ducher, Nabonnand, Bernaix, Bonnaire, Cochet, Chatenay, Guillot, Verdier, Levet, Chauvry, Dubreuil, Godard, Mari, Lacharme, Lévêque, Soupert et Notting, Lambert, Schwartz, and so on, are now familiar to rose enthusiasts.

The influence of the old Yellow Tea is to be found among a large proportion of these lovely roses, in the golden and sulphur base which adds such richness to the endless shades of pink, crimson, copper and white. But a pure yellow Tea rose is still a rarity. And its production is the goal towards which many of the greatest rose-growers are still working.

The impact of the old Yellow Tea can be seen in many of these beautiful roses, through the golden and sulfur base that adds richness to the endless shades of pink, crimson, copper, and white. However, a pure yellow Tea rose is still hard to come by. Its cultivation remains a goal that many top rose-growers are still striving for.

What we all desire is a Tea rose for bedding of as pure a yellow as the dear old Persian Briar, or Maréchal Niel, and one that will stand, as that glorious rose does, the hot rays of the sun without changing colour. For, charming as many of the so-called Yellow Tea roses are when they are in bud, the open flower quickly turns white in the sun.[84]

What we all want is a Tea rose for our garden that's as bright a yellow as the beloved Persian Briar or Maréchal Niel, and one that can withstand the harsh sunlight without fading in color, just like that stunning rose does. Because, as lovely as many of the so-called Yellow Tea roses are when they're just buds, the open flower quickly turns white in the sun.[84]

To this object, as I have said, some of the greatest rose-growers have been devoting their energies for years; while others are striving as eagerly and with far greater success, after the development of deep crimson and scarlet Tea roses. And though they may not yet have attained the absolute perfection they were seeking, both sets of experiments have resulted of late in some truly magnificent roses, of various rich shades undreamt of even twenty years ago.

To this goal, as I mentioned, some of the best rose growers have been putting in their efforts for years; while others are working just as hard and with much more success, particularly in creating deep crimson and scarlet Tea roses. And although they may not have reached the complete perfection they aimed for, both groups of experiments have recently produced some truly stunning roses in rich shades that were unimaginable even twenty years ago.

In the following lists the roses will be found grouped in colour, as this may be useful to amateurs who are unacquainted with some of the names. Many of those mentioned, while they are not included in the National Rose Society's list, are still well worthy of cultivation in our gardens; and others, hardly known in England as yet, have proved most valuable in my own Hampshire collection and perfectly hardy.

In the following lists, you'll find the roses organized by color, which might be helpful for beginners who aren't familiar with some of the names. Many of the varieties mentioned, even though they aren't on the National Rose Society's list, are still well worth growing in our gardens. Additionally, some that are not yet widely known in England have proven to be incredibly valuable in my own Hampshire collection and are completely hardy.

Among roses that are little known in English gardens are Baronne de Hoffmann, a vigorous grower, vivid copper-red, with yellow base; and the invaluable M. Tillier, which I first saw in the Paris Exhibition of 1900. I have grown it largely since, and every one is attracted by the bushes, set thickly with medium-sized imbricated flowers of carmine and brick-red, borne on upright stems in such numbers that they make a brilliant mark in the garden from a distance. It is perfectly hardy, and I have gathered good blooms at Christmas. Amabilis is a useful china pink rose for decorative purposes, either in the garden[85] or to cut for the house; it is strong and hardy. So is Marquise de Querhoent, a strong grower, of vivid coppery salmon and china red. Ducher's Coquette de Lyon is another admirable bedding rose, which is not much grown in England. The flowers which cover the plant are full, well-shaped, of medium size, a pale canary yellow, and last long in water.

Among the less common roses in English gardens are Baronne de Hoffmann, a vigorous grower with a vivid copper-red color and a yellow base, and the invaluable M. Tillier, which I first saw at the 1900 Paris Exhibition. I have cultivated it extensively since then, and everyone is drawn to the bushes, which are densely packed with medium-sized, layered flowers in carmine and brick-red. They grow on upright stems in such abundance that they create a striking display in the garden from afar. It is perfectly hardy, and I've picked beautiful blooms even at Christmas. Amabilis is a great china pink rose for decoration, whether in the garden[85] or for cutting to bring indoors; it is robust and resilient. Similarly, Marquise de Querhoent is a strong grower with bright coppery salmon and china red blooms. Ducher's Coquette de Lyon is another excellent bedding rose that isn't widely grown in England. The flowers that blanket the plant are full, well-shaped, medium-sized, a pale canary yellow, and they last a long time in water.

I would also call attention to other roses which, though well known to collectors and exhibitors, might be more generally cultivated by the ordinary amateur.

I would also like to highlight other roses that, while familiar to collectors and exhibitors, could be more widely grown by the average gardening enthusiast.

These are the delightful G. Nabonnand, Duchesse Marie Salviati, Mrs. B. R. Cant—an admirable rose—Madame Constant Soupert, a new and most brilliant variety; Souvenir de Pierre Notting—best on a standard, but excellent in every way; General Schablikine, absolutely invaluable, as it is covered with bloom from June to November; Innocent Pirola, one of the best creamy whites; Peace, a newer and very beautiful rose, pale lemon, carrying its fine flowers singly on strong erect stalks; and the older Souv. de S. A. Prince, a pure white sport from Souv. d'un Ami.

These are the delightful G. Nabonnand, Duchesse Marie Salviati, Mrs. B. R. Cant—an amazing rose—Madame Constant Soupert, a new and very vibrant variety; Souvenir de Pierre Notting—best as a standard but excellent in every way; General Schablikine, absolutely invaluable, as it blooms from June to November; Innocent Pirola, one of the best creamy whites; Peace, a newer and very beautiful rose, pale lemon, carrying its lovely flowers singly on strong upright stems; and the older Souv. de S. A. Prince, a pure white variation from Souv. d'un Ami.

The climbing Tea roses will be found in another chapter.

The climbing tea roses will be found in another chapter.


Pink, Rose, Salmon, Peach.
Archiduchesse Marie Immaculata. Soupert et Notting, 1887. Brick red.
Adam. Adam, 1833. Rose, shaded salmon.
[86]
Baronne H. de Loew. Nabonnand, 1889. Tender rose, yellow centre.
Boadicea. W. Paul & Son, 1901. Pale peach, tinted rose.
Bridesmaid. May, 1893. Clear pink.
Catherine Mermet. J. B. Guillot fils, 1869. Light rosy flesh.
Cecile-Charles. Schwartz, 1907. Pale rosy salmon, edged carmine, fragrant.
Comtesse de Breteuil. Pernet-Ducher, 1893. Salmon rose, peach centre.
Comtesse de Nadaillac. Guillot, 1871. Peach, shaded apricot, salmon base; an exhibitor's rose.
Dr. Grill. Bonnaire, 1886. Clear rose, centre salmon.
Duchesse Maria Salviati. Soupert et Notting, 1890. Rosy flesh, shaded chrome, fragrant.
Ernest Metz. Guillot, 1889. Soft carmine-rose, reverse of petals deeper.
Ethel Brownlow. Alex. Dickson, 1887. Bright salmon-pink, yellow base.
Franciska Kruger. Nabonnand, 1879. Copper, shaded peach.
G. Nabonnand. Nabonnand, 1889. Pale flesh, shaded yellow.
Homère. Robert, 1859. Rose-edged, salmon centre.
Jean Ducher. Ducher, 1874. Salmon yellow, shaded peach.
Lena. Alex. Dickson, 1906. Glowing apricot.
Madame Antoine Mari. Mari, 1902. Rose, washed with white.
Madame Cusin. Guillot, 1881. Rose, lighter centre.
Madame Georges Durrschmidt. Peletier, 1895. China rose, cerise centre, fragrant.
Madame Lambard. Lacharme, 1877. Bright rose.
Madame Jules Gravereaux. Soupert et Notting, 1901. Chamois yellow, rosy peach centre.
[87]
Madame Philémon Cochet. Clear rose, shaded salmon.
Maman Cochet. Cochet, 1893. Carmine, shaded salmon-yellow.
Mathilde Liégeard. Nabonnand, 1907. Pearly rose, touched carmine.
Mrs. B. R. Cant. B. R. Cant, 1901. Deep rose outer petals, inner petals silvery rose.
Mrs. Edward Mawley. Alex. Dickson, 1899. Bright carmine, shaded salmon.
Morning Glow. Wm. Paul & Son, 1902. Rosy crimson, suffused orange and fawn.
Nellie Johnstone. Paul & Son, 1906. Pure rose pink.
Paul Nabonnand. Nabonnand, 1878. Hydrangea pink.
Rainbow. Sievers, 1891. Sport from Papa Gontier, pink, striped crimson.
Rose d'Evian. Bernaix, 1895. China rose outside, lined carmine.
Souvenir d'un Ami. Defougère, 1846. Salmon-rose.
Souvenir de Paul Neyron. Levet, 1872. Salmon, edged rose.
Souvenir de William Robinson. Bernaix, 1900. Fawn, shaded pink and yellow.
Sunrise. Piper, 1899. Outer petals carmine, shading to pale fawn and salmon within.

Yellow, Tan, and Peach.
Alexandra. Wm. Paul & Son, 1901. Copper yellow, streaked with orange.
Anna Olivier. Ducher, 1872. Buff, flushed pink.
Antoine Devert. Gonod, 1881. Clear straw colour.
Belle Lyonnaise. Levet, 1869. Deep lemon, climbing.
Billiard et Barré. Pernet-Ducher, 1899. Deep golden yellow.
[88]
Blumenschmidt, J. C. Schmidt, 1907. Bright lemon yellow, edged pink.
Comtesse Alexandra Kinsky. Soupert et Notting, 1905. White, centre apricot yellow.
Comtesse de Frigneuse. Guillot, 1886. Fine canary yellow.
Georges Schwartz. Schwartz, 1900. Deep canary yellow.
Goldquelle. Lambert, 1899. Clear golden yellow.
Harry Kirk. Alex. Dickson, 1907. Deep sulphur yellow.
Hugo Roller. Wm. Paul & Son, 1907. Lemon yellow, edged crimson.
J. F. Giraud. Ketter, 1907. Golden yellow, centre saffron.
Jean Pernet. Pernet, 1869. Clear yellow.
Lady Mary Corry. Alex. Dickson, 1900. Deep golden yellow.
Lena. Alex. Dickson, 1906. Glowing apricot, edged primrose.
Madame Barthélemy Levet. Levet père, 1880. Canary yellow, climbing.
Madame Chauvry. Bonnaire, 1887. Nankeen yellow.
Madame Chedanne Guinoisseau. Levêque, 1880. Clear bright yellow.
Madame C. P. Strassheim. Soupert et Notting, 1898. Yellowish-white in summer, turning sulphur and buff in autumn.
Madame Constant Soupert. Soupert et Notting, 1906. Dark golden-yellow, strongly-tinted peach-pink.
Madame Edmond Sablayrolles. Bonnaire, 1907. Clear yellow, orange centre.
Madame Falcot. Guillot, 1858. Deep apricot yellow.
Madame Pol Varin-Bernier. Soupert et Notting, 1907. Melon-yellow shaded; a "yellow Richmond."
[89]
Mrs. Dudley Cross. Wm. Paul & Son, 1907. Pale chamois yellow, with touches of rose and crimson in autumn.
Perle de Lyon. Ducher, 1873. Deep yellow.
Perle des Jardins. Levet, 1874. Deep straw-colour.
Perle des Jaunes. Reymond, 1904. Deep orange yellow, tinted salmon.
Rose Gubert. Nabonnand, 1907. Tender bright yellow, deep centre.
Safrano. Beauregard, 1839. Bright apricot.
Souvenir de Pierre Notting. Soupert et Notting, 1903. Apricot-yellow, blended copper-yellow.
Souvenir de Stella Gray. Alex. Dickson, 1907. Deep orange, veined yellow, apricot, and crimson.
Sulphurea. Wm. Paul & Son, 1902. Sulphur yellow.
Sunset. Henderson, 1884. Deep apricot.

Crimson and Copper Red.
Albert Durand. Schwartz, 1906. Coppery carmine, shaded flesh.
Amabilis. China red.
Bardou Job. Nabonnand, 1887. Glowing crimson.
Baronne de Hoffmann, Nabonnand, 1887. Copper and crimson.
Baronne Henriette Snoy. Bernaix, 1898. Petals carnation inside, outside carmine pink.
Beauté Inconstante. Pernet-Ducher, 1893. Coppery-red, shaded carmine and yellow.
Betty Berkeley. Bernaix, 1904. Bright red, shading to crimson.
Christine de Nouë. Guillot fils, 1891. Deep purple red, shaded pink.
Corallina. Wm. Paul & Son, 1900. Deep rose.
Empress Alexandra of Russia. Wm. Paul & Son, 1898. Lake, shaded orange and crimson.
[90]
François Dubreuil. Dubreuil, 1895. Deep crimson.
Frau Dr. Thelka Schlegelmilch. Welter, 1902. Bright red, shaded velvet crimson.
Freiherr von Marschall. Lambert, 1903. Dark carmine.
General Schablikine. Nabonnand, 1879. Coppery-red.
Lady Roberts. Frank Cant, 1902. Rich apricot, copper-red base.
L'Idéal. Nabonnand, 1887. Yellow and metallic red.
Ma Capucine. Levet, 1871. Bronzy yellow, shaded red.
Monsieur Désir. Pernet père, 1889. Crimson.
Monsieur Tillier. Bernaix, 1892. Carmine and brick-red.
Mrs. Reynolds Hole. Nabonnand, 1900. Dark purple pink, centre crimson.
Papa Gontier. Nabonnand, 1883. Rosy crimson.
Princesse de Sagan. Dubreuil, 1887. Deep cherry red, shaded maroon.
Salmonea. Wm. Paul & Son, 1902. Bright crimson with light salmon centre.
Souvenir de Catherine Guillot. Guillot, 1896. Coppery carmine, and orange.
Souvenir J. B. Guillot. Guillot, 1897. Nasturtium-red, shaded to crimson and rose.
Souvenir Thérèse Levet. Levet, 1882. Brownish crimson.

White and light lemon.
Caroline Kuster. Pernet, 1872. Pale yellow.
Château des Bergeries. Lédechaux, 1886. Very pale canary yellow, centre darker.
Comtesse Eva de Starhemberg. Soupert et Notting, 1891. Cream, centre ochre.
[91]
Comtesse de Saxe. Soupert et Notting, 1905. Porcelain white.
Coquette de Lyon. Pernet Ducher, 1872. Pale canary yellow.
Devoniensis. Foster, 1838. White, touched lemon. Tender.
Enchantress. Wm. Paul & Son, 1896. Creamy white.
Étoile de Lyon. Guillot, 1881. Deep lemon.
Grand Duchess Olga. Lévêque, 1897. Creamy white.
Golden Gate. Dingee & Conard, 1892. Creamy white, yellow base.
Hon. Edith Gifford. Guillot, 1882. White, centre flesh.
Innocent Pirola. Ducher, 1878. Creamy white, shaded yellow.
Isabella Sprunt. Verchaffelt, 1866. Pale sulphur.
Ivory. America Rose Co., 1902. Ivory-white sport from Golden Gate.
Le Pactole. Sulphur yellow, pointed buds.
Madame Bravy. Guillot, 1846. White, centre tinted pink.
Madame Carnot. Pernet, 1894. Yellowish white on deep yellow ground.
Madame Hoste. Guillot, 1887. Primrose yellow.
Madame de Watteville. Guillot, 1883. Salmon white, petals edged bright rose.
Marie Van Houtte. Ducher, 1871. Canary yellow, petals tipped rose.
Marquis de Moustier. Dubreuil, 1906. Ivory, reflexed pearly white.
Medea. Wm. Paul & Son, 1891. Lemon yellow, canary centre.
Mrs. Miles Kennedy. Alex. Dickson, 1906. Silvery white, shaded buff, pink centre.
Muriel Grahame. Alex. Dickson, 1898. Pale cream, flushed rose.
[92]
Niphetos. Bougère, 1844. Pure white.
Peace. Piper, 1902. Pale lemon.

Tea. WHITE MAMAN COCHET.
Tea.
WHITE MAMAN COCHET.

Reine Natalie de Serbie. Soupert et Notting, 1886. Creamy flesh.
Rubens. Robert, 1859. White, delicately tinted rose.
Souvenir d'Élise Vardon. Marest, 1854. Creamy white.
Souvenir de Gabrielle Drevet. Guillot, 1865. Salmon white.
Souvenir de S. A. Prince. Prince, 1889. Pure white sport from Souv. d'un Ami.
The Bride. May, 1885. White sport from Catherine Mermet.
White Maman Cochet. Cook, 1898. White sport from Maman Cochet.

CHAPTER VII


Hybrid Tea Roses, R. indica odorata hybrida

Of all gracious gifts that the patient science of hybridists has bestowed on rose-lovers, the development of the Hybrid Tea is perhaps the greatest. For here we have a rose with the substance and vigorous constitution of the Hybrid Perpetual, one of its parents, and the varied and delicate colours of its other parent, the Tea rose. Whether for the garden, to keep it brilliant with blossom from early summer to latest autumn, or to deck the exhibition bench with largest and most lovely blooms, the Hybrid Tea stands unrivalled. And yet in 1867 there was but one solitary specimen of the race in existence, and that one was not recognized as being the forerunner of a new family, or distinct in any way, except in its beauty. For the noble rose La France, which M. Guillot sent out in that year, was classed then, and for many years after, as a Hybrid Perpetual.

Of all the wonderful gifts that the patient work of hybridists has given to rose lovers, the creation of the Hybrid Tea is probably the best. Here we have a rose that combines the strong and robust nature of the Hybrid Perpetual, one of its parents, with the diverse and delicate colors of its other parent, the Tea rose. Whether it’s for the garden, providing stunning blooms from early summer to late autumn, or for showcasing the biggest and most beautiful flowers at exhibitions, the Hybrid Tea is unmatched. Yet in 1867, there was only a single specimen of this kind, and it wasn’t recognized as the forebear of a new category or distinct in any way except for its beauty. The renowned rose La France, which M. Guillot introduced that year, was classified at the time, and for many years after, as a Hybrid Perpetual.

It was not until 1873 that Messrs. Paul & Son, of Cheshunt, sent out the first so-called Hybrid Tea, the Cheshunt Hybrid. Though in the same year Lacharme introduced that priceless rose Captain Christy:[94] but this, like La France, was for many years classed with the Hybrid Perpetuals.

It wasn't until 1873 that Paul & Son from Cheshunt released the first so-called Hybrid Tea, the Cheshunt Hybrid. In the same year, Lacharme introduced the invaluable rose Captain Christy:[94] but, similar to La France, it was categorized as a Hybrid Perpetual for many years.

Hybrid Tea. BARDOU JOB.
Hybrid Tea Rose.
BARDOU JOB.
Hybrid Tea. BARDOU JOB.
Hybrid Tea Roses.
BARDOU JOB.

Other new roses of this new race followed slowly—very slowly—till 1890. I have just gone carefully through the catalogues of the chief English and foreign rose-growers; and find that in 1889 only twenty-four Hybrid Teas were known. There were some truly admirable roses among them. Camoëns came in 1881. Lady Mary Fitzwilliam, one of the most valuable, 1882. Delightful Papa Gontier, 1883. Grace Darling and Gloire Lyonnaise, 1884—the latter a rose which is not as generally cultivated as it should be; for grown as a bush it is the perfection of an autumn rose. Viscountess Folkestone, 1886. Bardou Job, 1887—a slightly capricious rose in some places: but so beautiful with its great semi-double flowers of scarlet-crimson flaked with velvety-black, that one bears with its little ways patiently, rejoicing when it condescends to respond to one's care. In 1888 came Bennett's The Meteor. In 1889 Augustine Guinoisseau, invaluable for massing. And either that year or the next, the gorgeous and thorny Marquise de Salisbury.

Other new roses from this new breed arrived slowly—very slowly—until 1890. I’ve just gone through the catalogs of the top English and foreign rose growers, and I found that in 1889 only twenty-four Hybrid Teas were known. There were some truly amazing roses among them. Camoëns arrived in 1881. Lady Mary Fitzwilliam, one of the most valuable, in 1882. The delightful Papa Gontier in 1883. Grace Darling and Gloire Lyonnaise, both in 1884—the latter is a rose that isn’t as widely grown as it should be; when grown as a bush it is the ideal autumn rose. Viscountess Folkestone debuted in 1886. Bardou Job, in 1887—a somewhat unpredictable rose in some areas: but so beautiful with its large semi-double flowers of scarlet-crimson streaked with velvety-black, that one tolerates its quirks patiently, celebrating when it finally shows appreciation for one's care. In 1888, Bennett’s The Meteor was introduced. In 1889, Augustine Guinoisseau, invaluable for mass planting. And either that year or the next, the stunning and thorny Marquise de Salisbury.

But the real development of the race began in 1890. And since then each year has seen one superb rose after another produced in such numbers, that it is as difficult to keep count of them as to determine which of the magnificent novelties should be picked out for special mention.[95]

But the real progress of the rose variety started in 1890. Since then, each year has brought forth one outstanding rose after another in such abundance that it's just as hard to keep track of them as it is to decide which of the amazing new varieties deserve special recognition.[95]

It must be noted that there has been rather too great a tendency to raise enormous roses of slightly pale colouring, and among them many are merely fit for exhibition and of little use to the amateur for garden purposes. But of late these faint shades have been successfully fought against; and while size has been preserved the colours are growing deeper and richer each year. So that we are surely drawing nearer the not impossible day when we may get Hybrid Tea roses as brilliant a red or yellow as Duke of Edinburgh or Maréchal Niel, as large as Frau Karl Druschki, and as fragrant, let us hope, as La France. As it is, it is difficult to imagine anything much more vivid than the orange, deep salmon-pink, copper-red, and rosy-apricot of some of the novelties of 1906-7-8. Among them may be noted Messrs. Alex. Dickson & Son's Dorothy Page-Roberts, Souvenir de Stella Gray; Messrs. Wm. Paul's Warrior; MM. Soupert et Notting's magnificent Mme. Segond Weber, Mme. J. W. Budde, Marichu Zayas; M. Pernet-Ducher's Mme. Maurice de Luze, and Mrs. Aaron Ward.

It should be noted that there has been quite a trend toward growing enormous roses with slightly pale colors, and many of them are only suitable for show and not very useful for gardeners. However, recently, these lighter shades have been effectively challenged; and while the size remains intact, the colors are becoming deeper and richer each year. We are surely getting closer to the day when we might have Hybrid Tea roses as vibrant in red or yellow as Duke of Edinburgh or Maréchal Niel, as large as Frau Karl Druschki, and hopefully as fragrant as La France. As it stands, it's hard to imagine anything more vibrant than the orange, deep salmon-pink, copper-red, and rosy-apricot of some of the new varieties from 1906-7-8. Noteworthy among them are Messrs. Alex. Dickson & Son's Dorothy Page-Roberts, Souvenir de Stella Gray; Messrs. Wm. Paul's Warrior; MM. Soupert et Notting's stunning Mme. Segond Weber, Mme. J. W. Budde, Marichu Zayas; M. Pernet-Ducher's Mme. Maurice de Luze, and Mrs. Aaron Ward.

These roses, as I have said, are the result of crossings between the Hybrid Perpetual and the Tea rose. And if we think for a moment how these two families came into existence, we shall see what a curious and interesting blending of many different strains has been needed to develop this beautiful and valuable race. But the end has not come yet to what may be[96] accomplished. And there can be no doubt that many remarkable developments in the history of rose-growing still lie before us and succeeding generations, when the results of fresh experiments with the Wichuraiana, the Rugosa, and other roses are made known.

These roses, as I've mentioned, are the result of crossbreeding between the Hybrid Perpetual and the Tea rose. If we take a moment to consider how these two varieties originated, we can appreciate the fascinating and intricate mix of different strains that has been necessary to create this beautiful and valuable type. But this is not the end of what can be[96] achieved. There’s no doubt that many exciting advancements in rose-growing are still ahead for us and future generations, especially when the results of new experiments with the Wichuraiana, the Rugosa, and other roses become known.

Hybrid Tea. Irish Elegance.
Single Hybrid Tea Rose.
IRISH ELEGANCE.


Single Hybrid Tea. IRISH GLORY.
Single Hybrid Tea Rose.
IRISH GLORY.

One most interesting and valuable development of the race has already been made, and must not be passed over in silence. I mean the single Irish roses of Messrs. Alex. Dickson & Sons, which form a little class to themselves. These roses are most attractive, as they are densely covered through the whole season with flowers of varied and vivid colours, pure white, coral pink, brilliant crimson, bronzy-scarlet, old-gold and rose, saffron and rose. And when we add to these beautiful shades their fragrance, their handsome glossy foliage, their bushy growth, and their vigorous hardy constitution, it is not surprising that since their first appearance in 1900 they have rushed into favour, and received many cards of commendation from the N. R. S.

One of the most interesting and valuable developments in the breed has already occurred and shouldn't be overlooked. I'm talking about the single Irish roses from Alex. Dickson & Sons, which stand out on their own. These roses are incredibly appealing, as they are covered all season long with flowers in a range of bright and vivid colors: pure white, coral pink, brilliant crimson, bronzy-scarlet, old-gold and rose, saffron and rose. When you combine these beautiful hues with their fragrance, attractive glossy leaves, bushy growth, and robust hardy nature, it's no wonder that since their debut in 1900, they've quickly become popular and have received numerous commendations from the N.R.S.

With such a wealth of fine varieties to choose from, it is a little difficult to make a selection of the very best. But the surest guide is the judges' verdict at recent shows for exhibition roses and those of the decorative class, as shown in the admirable analysis drawn up by Mr. Edward Mawley, the distinguished honorary secretary of the National Rose Society. To this analysis I have added a few of my own favourites,[97] and some of the very newest roses which have hardly yet found their place in English shows.

With so many great varieties to choose from, it can be a bit tricky to pick the absolute best. But the best way to guide your selection is to look at the judges' results from recent shows for exhibition roses and those in the decorative class, as detailed in the excellent analysis created by Mr. Edward Mawley, the esteemed honorary secretary of the National Rose Society. I've also included a few of my own favorites,[97] along with some of the very new roses that have barely made a mark in English shows.

Hybrid Tea. CAROLINE TESTOUT.
Hybrid Tea Rose.
CAROLINE TESTOUT.

Pink and Rose Hybrid Teas.—I rejoice to see that my own selection almost heads the list—the beautiful Caroline Testout; for this is a rose suited to every purpose, whether for exhibition, massing in the garden, or growing as a noble standard. Mrs. W. J. Grant (syn. Belle Siebrecht) stands next; followed by La France, Lady Ashtown, Killarney—but let this be grown quite by itself, as it is one of the worst roses for mildew—Gustave Grünerwald, a rose I have not yet grown, but one of the most satisfactory; Countess of Caledon, Mrs. Theodore Roosevelt, Gladys Harkness, William Shean, Mme. Abel Chatenay, Mme. Jules Grolez, one of the most useful of rose colour, Papa Lambert, Robert Scott. Others of the newest pink roses are Celia, Gabrielle Pierrette, Hon. Ina Bingham, H. Armytage Moore, Maria Girard.

Pink and Rose Hybrid Teas.—I’m happy to see that my own selection is near the top of the list—the beautiful Caroline Testout; because this rose is perfect for everything, whether it’s for showing, mass planting in the garden, or growing as a striking standard. Next is Mrs. W. J. Grant (syn. Belle Siebrecht); followed by La France, Lady Ashtown, Killarney—but this one should be grown alone since it’s one of the worst roses for mildew—Gustave Grünerwald, a rose I haven't grown yet, but it's known to be one of the most satisfying; Countess of Caledon, Mrs. Theodore Roosevelt, Gladys Harkness, William Shean, Mme. Abel Chatenay, Mme. Jules Grolez, one of the most versatile rose colors, Papa Lambert, Robert Scott. Other new pink roses include Celia, Gabrielle Pierrette, Hon. Ina Bingham, H. Armytage Moore, Maria Girard.

Among crimsons the best are the well known and beautiful Liberty, Marquise de Salisbury, Hugh Dickson, J. B. Clark, Richmond, C. J. Grahame, Reine Olga de Wurtemburg, Étoile de France, Lady Rossmore, Triumph, Gruss an Teplitz, Morgenrot, Bardou Job, The Dandy, Warrior, and two grand novelties, the American rose General Mac Arthur, and John Laing Paul, little known as yet, but certain to be widely grown, as is Écarlate, said to be an even better rose than Liberty and Richmond.[98]

Among the best crimson roses are the well-known and beautiful Liberty, Marquise de Salisbury, Hugh Dickson, J. B. Clark, Richmond, C. J. Grahame, Reine Olga de Wurtemburg, Étoile de France, Lady Rossmore, Triumph, Gruss an Teplitz, Morgenrot, Bardou Job, The Dandy, Warrior, and two exciting new additions, the American rose General Mac Arthur, and John Laing Paul, which are still not very well known but are sure to be widely cultivated, like Écarlate, which is claimed to be an even better rose than Liberty and Richmond.[98]

Hybrid Tea. MADAME RAVARY.
Hybrid Tea Rose.
MADAME RAVARY.

In those remarkable shades of apricot, salmon, coppery-pink and carmine, upon a yellow or orange base, the choice is very considerable. And although it is as yet almost unknown in England, having only been sent out this spring (1908), I venture to predict a leading position in the near future for MM. Soupert et Notting's grand salmon-pink novelty, Mme. Segond Weber, which, for shape, size, colour and delicious fragrance is perhaps the finest rose I know. Betty is one of those vivid modern roses whose colour, coppery-rose shaded gold, is as hard to describe as it is beautiful. While Dorothy Page-Roberts, Souv. de Stella Gray, Marquise de Sinéty, Mme. Maurice de Luze, Edu Meyer, Countess Annesley, Mrs. Harvey Thomas, and Souv. de Maria Zozaya, are all remarkable for their strong and brilliant colouring.

In those amazing shades of apricot, salmon, coppery-pink, and carmine, on a yellow or orange base, the options are extensive. And even though it's still quite unknown in England, having only been introduced this spring (1908), I dare to predict that MM. Soupert et Notting's stunning salmon-pink variety, Mme. Segond Weber, will take a leading position soon, as it's possibly the finest rose I know when it comes to shape, size, color, and delightful fragrance. Betty is one of those vibrant modern roses whose color, coppery-rose tinged with gold, is just as tough to describe as it is beautiful. Meanwhile, Dorothy Page-Roberts, Souv. de Stella Gray, Marquise de Sinéty, Mme. Maurice de Luze, Edu Meyer, Countess Annesley, Mrs. Harvey Thomas, and Souv. de Maria Zozaya are all notable for their striking and vivid colors.

Among the yellow shades from palest lemon to deep orange, the choice is not so great; but there are many good roses to choose from, beginning with the two novelties, of 1907—Pernet-Ducher's great Indian yellow rose, Mrs. Aaron Ward, which promises well, and Alex. Dickson & Son's brilliant yellow Harry Kirk. Of older roses few are better than the noble Madame Ravary, Ferdinand Batel, the delightful Gustave Regis, Gloire Lyonnaise, Duchess of Portland, and Kaiserin Augusta Victoria. Mrs. Peter Blair, 1906, is one of the most effective yellows for the garden; and I cannot speak too highly of that[99] little known but very beautiful rose Peace, raised by Piper in 1903, its pale lemon yellow flowers borne on long upright stalks are invaluable for cutting throughout the whole season.

Among the shades of yellow from pale lemon to deep orange, the selection isn’t too large; however, there are many great roses to choose from, starting with the two new varieties from 1907—Pernet-Ducher's impressive Indian yellow rose, Mrs. Aaron Ward, which looks promising, and Alex. Dickson & Son's vibrant yellow Harry Kirk. Among the older roses, few can compare to the magnificent Madame Ravary, Ferdinand Batel, the charming Gustave Regis, Gloire Lyonnaise, Duchess of Portland, and Kaiserin Augusta Victoria. Mrs. Peter Blair, from 1906, is one of the most striking yellows for the garden; and I can't recommend enough that [99] lesser-known but very beautiful rose Peace, bred by Piper in 1903, with its pale lemon yellow flowers on tall, upright stems that are perfect for cutting all season long.

White and blush hybrid Teas are many. And the famous Bessie Brown, Alice Grahame, Mildred Grant, Florence Pemberton, Alice Lindsell and White Lady are to be seen at every show: but they are all exhibition roses except Florence Pemberton.

White and blush hybrid teas are numerous. The well-known Bessie Brown, Alice Grahame, Mildred Grant, Florence Pemberton, Alice Lindsell, and White Lady can be spotted at every show, but they are all exhibition roses except for Florence Pemberton.

Augustine Guinoisseau, however, is as good a white garden rose as heart can desire; so is Lady Quartus Ewart; and as Kaiserin Augusta Victoria and Peace are so faintly lemon as to be nearly white, there is no difficulty in making a bed of white Hybrid Teas.

Augustine Guinoisseau, however, is an excellent white garden rose that anyone could wish for; so is Lady Quartus Ewart; and since Kaiserin Augusta Victoria and Peace have such a light lemon tint that they are almost white, it's easy to create a bed of white Hybrid Teas.


HYBRID TEA ROSES

Pink and Rose.
Aimée Cochet. Soupert et Notting, 1902. Flesh, with rosy peach centre.
Angel Peluffo. Soupert et Notting, 1905. Interior of petals rosy flesh, centre rose.
Baronin Armgard von Biel. Welter, 1906. Satin pink; a brighter La France.
Belle Siebrecht. (See Mrs. W. J. Grant.)
Camoëns. Schwartz, 1882. Bright rich China rose.
Captain Christy. Lacharme, 1873. Flesh colour, deeper pink centre.
Caroline Testout. Pernet-Ducher, 1890. Bright clear rose.[100]
Celia. Wm. Paul & Son, 1906. Bright satin pink, darker centre.
Countess of Caledon. Alex. Dickson, 1897. Carmine rose.
Denmark. Ziener Lassen, 1890. Colour of La France.
David Harum. E. G. Hill & Co., 1904. Rose peach pink.
Daisy. Alex. Dickson, 1898. Rosy pink, suffused silvery pink.
Duchess of Albany. Wm. Paul & Son, 1888. Fine deep pink.
England's Glory. J. Wood & Son, 1902. Flesh, satin pink centre.
Farbenkönigen. Hinner, 1901. Imperial pink.
Frau Peter Lambert. Walter, 1902. Rose, marbled pink.
Gladys Harkness. Alex. Dickson, 1900. Deep salmon pink, silvery reverse.
Gustave Grünerwald. P. Lambert, 1903. Carmine pink.
H. Armytage Moore. Hugh Dickson, 1907. Petals rosy pink outside, silvery inside.
Hélène Welter. Guillot, 1903. Brilliant rose.
Hon. Ina Bingham. Alex. Dickson, 1905. Pure pink.
Johanna Sebus. Dr. Müller, 1900. Rosy cerise.
John Ruskin. Alex. Dickson, 1902. Rosy carmine.
Killarney. Alex. Dickson, 1898. Flesh, suffused shell pink.
Königin Carola. Turke, 1904. Rose pink.
Lady Ashtown. Alex. Dickson, 1904. Deep pink.
Lady Moyra Beauclerk. Alex. Dickson, 1901. Madder rose, with silvery reflexes.
Lady Mary Fitzwilliam. Bennett, 1882. Rosy flesh.
Lady Helen Vincent. Alex. Dickson, 1907. Shell pink, base peach yellow.[101]
Lady Wenlock. Bernaix, 1905. Pink, shaded fawn.
La France. Guillot, 1867. Bright rose pink.
La Tosca. Vve. Schwartz, 1901. Silvery pink, deeper centre.
Laure Watinne. Soupert et Notting, 1902. Bright rose.
Lina Schmidt-Michel. Lambert, 1905. Madder pink, reverse of petals carmine.
Lohengrin. Schmidt, 1903. Silvery pink, deeper centre.
Mme. Abel Chatenay. Pernet-Ducher, 1895. Carmine rose, shaded salmon.
Mme. Edmée Metz. Soupert et Notting, 1901. Rosy carmine, shaded salmon.
Mme. Jules Grolez. Guillot, 1897. Beautiful China rose.
Mme. Eugéne Jombart. Schwartz, 1905. Pale pink, centre carmine.
Mme. Leonie Moissy. Vilin, 1907. Pale rosy salmon, deeper centre.
Marichu Zayas. Soupert et Notting, 1907. Strawberry and cream, shaded rose.
Maimie. Alex. Dickson, 1901. Rose carmine, yellow base.
Marianne Pfitzer. Jacobs, 1903. Rosy flesh, tinted red.
Max Hesdorffer. Jacobs, 1903. Deep rose, bordered silvery rose.
Monsieur Paul Lédé. Pernet-Ducher, 1903. Cinnamon pink, passing lighter.
Mrs. E. G. Hill. Soupert et Notting, 1906. Coral red, white centre.
Mrs. G. W. Kershaw. Alex. Dickson, 1906. Deep rose pink.
Mrs. W. J. Grant (syn. Belle Siebrecht). Alex. Dickson, 1895. Imperial pink.[102]
Nance Christy. B. R. Cant, 1906. Delicate salmon pink, semi-double.
Olympiada. Soupert et Notting, 1904. Satiny rose.
Papa Lambert. P. Lambert, 1899. Rose pink, deeper centre.
Princesse Charles de Ligne. Soupert et Notting, 1903. Silvery pink, carmine centre.
Reine Carola de Saxe. Gamon, 1903. Flesh pink.
Robert Scott. Robert Scott & Son, 1901. Clear rosy pink, shading to flesh on outer petals.
Rosel Klemm. Hinner, 1905. Rose, with silvery reflex.
Shandon. Alex. Dickson, 1899. Bright rose.
Sheila. Alex. Dickson, 1895. Bright rose.
Souvenir de Maria de Zayas. Soupert et Notting, 1906. Vivid carmine, with deeper shading.
Souvenir de Maria Zozaya. Soupert et Notting, 1904. Petals coral red outside, silvery rose inside.
William Askew. Guillot, 1902. Bright pink, shaded delicate pink.
William Notting. Soupert et Notting, 1904. Salmon pink, reverse of petals coral.
William Shean. Alex. Dickson, 1906. Pure pink, veined ochre; a grand rose.

Salmon and Copper Pink.
Antoine Rivoire. Pernet-Ducher, 1896. Rosy flesh on yellow ground.
Betty. Alex. Dickson & Sons, 1905. Coppery rose, shaded yellow.
Countess Annesley. Alex. Dickson, 1905. Rosy salmon, suffused old gold.
Dean Hole. Alex. Dickson, 1904. Silvery carmine, shaded salmon.
Dr. J. Campbell Hall. Alex. Dickson, 1904. Coral rose, suffused white.[103]
Dorothy Page-Roberts. Alex. Dickson, 1907. Coppery pink.
Earl of Warwick. Paul & Son, 1904. Salmon pink, shaded vermilion.
Edu Meyer. Lambert, 1904. Copper red and yellow, with orange shading.
Elizabeth Barnes. Alex. Dickson, 1907. Salmon rose, fawn centre, outside of petals deep rose.
Frau Burgermeister Kirchstein. Jacob, 1907. Carmine, shaded salmon.
Frau Ernst Borsig. P. Lambert, 1907. Rosy yellowish carmine.
Frau Otto Evertz. N. Welter, 1907. Salmon pink and yellow.
Friedrich Schröder. Hinner, 1904. Rose, suffused yellow.
Herman Rane. Lambert, 1905. Varying from salmon rose to yellowish red.
Herzog Friedrich von Anhalt. Welter, 1907. Salmon carmine, centre copper red.
Jeanne Bariaz. Pierre Guillot, 1907. Pale salmon, centre vivid salmon on yellow.
Joseph Hill. Pernet-Ducher, 1904. Pink, shaded salmon copper.
Kathleen. Alex. Dickson, 1895. Coral-pink suffused rose, yellow base.
Mme. Cadeau-Ramey. Pernet-Ducher, 1897. Rosy flesh, shaded yellow, carmine edges.
Mme. Eugène Boullet. Pernet-Ducher, 1898. Yellow, shaded carmine.
Mme. Léon Pain. Guillot, 1904. Silvery salmon, centre orange, petals outside salmon pink.
Mme. Mélanie Soupert. Pernet-Ducher, 1906. Salmon yellow, suffused carmine.
Mme. Paul Olivier. Pernet-Ducher, 1903. Deep salmon yellow, shaded rosy carmine.[104]
Mme. Segond Weber. Soupert et Notting, 1908. Rich salmon pink, very fine and distinct.
Marguerite Poiret. Soupert et Notting, 1902. Bright china rose, yellow reflexes.
Marquise de Sinéty. Pernet-Ducher, 1906. Orange yellow, shaded fiery red.
Monsieur Joseph Hill. Pernet-Ducher, 1903. Salmon pink, shaded yellow.
Mrs. Harvey Thomas. Bernaix, 1906. Carmine, shaded copper red and yellow.
Mrs. John Bateman. Alex. Dickson, 1905. Deep china rose, yellow base.
Peggy. Alex. Dickson, 1905. Claret, smeared saffron yellow and primrose, semi-double.
Pierre Wattinne. Soupert et Notting, 1902. Cerise, shaded yellow and salmon.
Pribislav. O. Jacobs, 1902. Orange carmine, pencilled scarlet.
Prince de Bulgarie. Pernet-Ducher, 1902. Deep rosy flesh, shaded salmon.
Professor Fritz Rober. Welter, 1906. Salmon, shaded yellow and rose.
Renée Wilmart-Urban. Pernet-Ducher, 1907. Salmon flesh, bordered carmine.
Rosalind Orr-English. E. G. Hill & Co., 1905. Bright salmon pink.
Senateur Belle. Pernet-Ducher, 1903. Salmon pink, yellow centre.
Senateur Saint Romme. Schwartz, 1905. Rosy salmon, shaded yellow.

Crimson and Carmine.
Avoca. Alex. Dickson, 1907. Crimson scarlet.
Anne Marie Soupert. Soupert et Notting, 1904. Reddish carmine.[105]
Baldwin. Lambert, 1898. Pure carmine.
Baron Lade. Welter, 1904. Bright carmine.
Charles. J. Grahame. Alex. Dickson, 1905. Very bright scarlet crimson.
Cherry Ripe. Paul & Son, 1905. Light cherry crimson.
Comtesse Icy Hardegg. Soupert et Notting, 1908. Deep red.
Crimson Crown. Alex. Dickson, 1905. Glowing dark crimson, flowers in clusters.
Écarlate. Boytard, 1907. Scarlet crimson, brighter than Liberty.
Étoile de France. Pernet-Ducher, 1905. Velvety crimson, centre cerise.
Exquisite. Paul & Son, 1899. Bright crimson, shaded magenta.
General MacArthur. Hill, 1905. Bright crimson.
George Laing Paul. Soupert et Notting, 1904. Reddish crimson.
Grossherzog von Oldenburg. Welter, 1904. Dark poppy, red.
Gruss an Sangerhausen. Dr. Müller, 1905. Brilliant scarlet, centre crimson.
Herzogin Victoria Adelheid. Welter, 1906. Clear brilliant red.
J. B. Clark. Hugh Dickson, 1905. Deep scarlet, heavily shaded black crimson.
Lady Battersea. Paul & Son, 1901. Fine cherry crimson.
Lady Rossmore. Dr. Campbell Hall, 1906. Reddish crimson, claret shading.
Liberty. Alex. Dickson, 1900. Brilliant velvety crimson.
Ma Tulipe. Bonnaire, 1900. Deep crimson.
Mme. J. W. Budde. Soupert et Notting, 1907. Brilliant carmine.
Hybrid Tea. MARQUISE LITTA.
Hybrid Tea Rose.
MARQUISE LITTA.

Marquise de Salisbury. Pernet père, 1889. Bright velvety red.
Marquise Litta. Pernet-Ducher, 1894. Carmine rose, vermilion centre.
Mrs. A. M. Kirker. Hugh Dickson, 1906. Bright cerise.
Reine Marguerite d'Italie. Soupert et Notting, 1905. Shining carmine, centre vermilion.
Rev. David R. Williamson. Alex. Dickson, 1904. Dark crimson, shaded maroon.
Richmond. Hill & Co., 1905. Pure red scarlet.
Rosomane E. P. Roussel. Guillot, 1907. Brilliant crimson.
Sarah Bernhardt. Dubreuil, 1907. Scarlet crimson.
Stadtrat F. Kahler. Geduldig, 1907. Brilliant fiery red.
The Dandy. Paul & Son, 1905. Glowing maroon crimson, miniature flowers.
Triumph. J. G. Hill & Co., 1907. Deep carmine and crimson.
Warrior. Wm. Paul & Son, 1906. Buds blood red, opening vivid scarlet crimson.

Yellow.
Amateur Teyssier. Gamon, 1900. Dark saffron yellow, changing to white.
Auguste van der Heede. Welter, 1901. Saffron yellow.
Duchess of Portland. Alex. Dickson, 1901. Pale sulphur yellow, with an occasional tinge of Eau de Nil.
Ferdinand Batel. Pernet-Ducher, 1897. Varying from pale rosy flesh on yellow nankeen, to yellow nankeen orange.
Franz Deegen. Hinner, 1901. Pale yellow, centre golden yellow.
Hybrid Tea. MADAME PERNET DUCHER.
Hybrid Tea Rose.
MADAME PERNET DUCHER.

Friedrich Harms. Welter, 1901. Pale yellow, with deep yellow centre.
Gloire Lyonnaise. Guillot, 1884. Very pale lemon.
Goldelse. Hinner, 1902. Pale yellow, with deeper yellow centre.
Grossherzogin Alexandra. Jacobs-Welter, 1906. Clear golden yellow.
Gustave Regis. Pernet-Ducher, 1891. Canary yellow, with orange centre.
Gustave Sobry. Welter, 1902. Golden yellow, passing to clear yellow.
Harry Kirk. Alex. Dickson, 1907. Deep sulphur yellow, lighter edges.
Hofgarten-director Græbener. P. Lambert, 1900. Rosy yellow and coppery yellow.
Instituteur Sirday. Pernet-Ducher, 1906. Deep golden yellow.
Jakobs Perle. Jakobs, 1904. Canary yellow.
Kaiserin Augusta Victoria. Lambert & Reiter, 1891. Beautiful primrose.
Le Progrès. Pernet-Ducher, 1904. Nankeen yellow, lighter when fully expanded.
Madame Jenny Guillemot. Pernet-Ducher, 1905. Deep saffron yellow.
Madame Pernet-Ducher. Pernet-Ducher, 1892. Canary yellow.
Madame Philippe Rivoire. Pernet-Ducher, 1905. Apricot yellow, with lighter centre.
Madame Ravary. Pernet-Ducher, 1900. Beautiful orange yellow.
Mrs. David M'Kee. Alex. Dickson, 1904. Creamy yellow.
Mrs. Peter Blair. Alex. Dickson, 1906. Lemon chrome, with golden yellow centre.
Peace. Piper, 1903. Pale lemon yellow.

White and Blush.
Admiral Dewey. Dingee & Conard, 1899. Light blush.
Alice Grahame. Alex. Dickson, 1903. Ivory white, tinted salmon.
Alice Lindsell. Alex. Dickson, 1902. Creamy white, with pink centre.
Augustine Guinoisseau. Guinoisseau, 1889. White, slightly tinted with flesh.
Bessie Brown. Alex. Dickson, 1899. Creamy white.
Comte de Torres. Schwartz, 1906. Salmon white, with yellow salmon centre.
Direcktor W. Cordes. P. Lambert, 1904. Creamy white, with yellowish centre.
Edelstein. Welter, 1904. Pure white.
Edmund Deshayes. Bernaix, 1902. Creamy white, with flesh centre.
Ellen Willmot. Bernaix, 1899. Pale flesh white.
Florence Pemberton. Alex. Dickson, 1903. Creamy white, suffused pink.
Frau Lilla Rautenstrauch. P. Lambert, 1903. Silvery white, tinted rose.
Gardenia. Soupert et Notting, 1899. White, suffused pale blush.
Grace Darling. Bennett, 1884. Creamy white, shaded peach.
Hélène Guillot. J. B. Guillot, 1902. Pure white to salmon white, tinted carmine.
Irene. Wm. Paul & Son, 1904. Silvery white, sometimes faintly touched with pink.
Lady Clanmorris. Alex. Dickson, 1900. Creamy white, delicate salmon centre.
Lady Quartus Ewart. Hugh Dickson, 1904. Paper white.[109]
Ligne-Arenberg. Soupert et Notting, 1903. Creamy white, pink edge.
L'Innocence. Pernet-Ducher, 1898. Pure white.
Madame Joseph Combet. J. Bonnaire, 1894. Creamy white.
Madame Maria Capalet. Schwartz, 1905. Rosy white, tinted salmon, centre rosy yellowish salmon.
Mdlle. Pauline Bersez. Pernet-Ducher, 1900. Creamy white, with yellow centre.
Mdlle. Alice Furon. White, shaded lemon.
Marjorie. Alex. Dickson, 1895. White, suffused with salmon pink.
Marguerite Guillot. P. Guillet, 1903. Pure white.
Marie Girard. Buatois, 1899. White, shaded salmon yellow.
Marquise Jeanne de la Chataigneraye. Soupert et Notting, 1902. Silvery white, centre yellow.
Mildred Grant. Alex. Dickson, 1901. Silvery white, edge of petals shaded and bordered with pink.
Mrs. Conway Jones. Alex. Dickson, 1904. Creamy white, flushed salmon pink.
Mrs. Theodore Roosevelt. Hill & Co., 1903. Creamy white, centre rose.
Pharisäer. W. Hinner, 1903. Rosy white, shaded salmon.
Pie X. Soupert et Notting, 1906. Creamy white, suffused pale rose.
Robert Baessler. Hinner, 1904. White, edge of petals tinted rose.
Rosomane Gravereux. Soupert et Notting, 1899. White, with tinge of pink.
Souv. de Madame Eugénie Verdier. Pernet-Ducher, 1895. Electric white, shaded saffron yellow.
White Lady. Wm. Paul & Son, 1890. Creamy white.
Yvonne Vacherot. Soupert et Notting, 1906. Porcelain white, suffused pink.

Irish Single Roses.
Alex. Dickson & Sons.
Irish Beauty, 1900. Pure white, bright golden anthers.
Irish Brightness, 1903. Vivid crimson, shading to pink base.
Irish Elegance, 1905.[4] Buds bronzy orange-scarlet, opening to apricot, a very beautiful rose.
Irish Engineer, 1904. Bright scarlet, large flowers.
Irish Glory, 1900. Petals silvery marbled pink, flamed outside with crimson.
Irish Harmony, 1904. Variable, saffron-yellow veined claret.
Irish Modesty, 1900. Coral pink, ecru base to petals.
Irish Pride, 1903. Ecru, suffused old rose and gold.
Irish Star, 1903. Rose du Barri, with lemon star centre.

CHAPTER VIII

HYBRID PERPETUALS

Mr. Thomas Rivers, that father of scientific rose culture in England, gives a most interesting account in his famous book, The Rose Amateur's Guide, 1840, of the origin of the Hybrid Perpetual rose.

Mr. Thomas Rivers, the pioneer of scientific rose cultivation in England, shares a fascinating story in his well-known book, The Rose Amateur's Guide, 1840, about the beginnings of the Hybrid Perpetual rose.

"The Crimson Perpetual, Rose du Roi, or Lee's Crimson Perpetual,[5] ... was raised from seed, in 1812, in the gardens of the Palace of St. Cloud, then under the direction of Le Comte Lelieur, and named by him Rose du Roi.... It is asserted it was raised from the Rosa Portlandica, a semi-double bright-coloured rose, much like the rose known in this country as the Scarlet Four-seasons or Rosa Pæstana.

"The Crimson Perpetual, Rose du Roi, or Lee's Crimson Perpetual,[5] ... was cultivated from seed in 1812 in the gardens of the Palace of St. Cloud, then overseen by Le Comte Lelieur, and was named by him Rose du Roi.... It's claimed it was developed from the Rosa Portlandica, a semi-double, brightly colored rose that's quite similar to the rose known in this country as the Scarlet Four-seasons or Rosa Pæstana.

"Every gentleman's garden ought to have a large bed of Crimson Perpetual Roses, to furnish bouquets during August, September, and October; their fragrance is so delightful, their colour so rich, and their form so perfect."

"Every man’s garden should have a large patch of Crimson Perpetual Roses to provide bouquets during August, September, and October; their fragrance is so lovely, their color so vibrant, and their shape so perfect."

What would that great pioneer say to our Crimson Perpetuals of to-day?

What would that great pioneer say to our Crimson Perpetuals today?

But though this rose was the first, and probably the parent of many of the earlier Hybrid Perpetuals, the true development of this glorious race took place by other means. The Hybrid Chinas,[6] such as Blairii No. 2, Chenédolé, Brennus, and many others, now, as I have said, most unjustly neglected, were the offspring of the China rose, R. Indica, crossed with the Provence and other hardy summer flowering roses. These were not perpetual, with the notable exception of Gloire de Rosamènes. But several of them bore seed freely. These fertile varieties were again crossed with different kinds of China and Bourbon roses. And their seed produced the new race of strong, hardy roses, the Hybrid Perpetuals, flowering through the whole summer and autumn.

But even though this rose was the first and probably the parent of many early Hybrid Perpetuals, the real development of this amazing group happened through other means. The Hybrid Chinas, such as Blairii No. 2, Chenédolé, Brennus, and many others that I’ve mentioned, are now, quite unfairly, overlooked. They were the result of crossing the China rose, R. Indica, with Provence and other hardy summer-flowering roses. These weren’t perpetual, except for the notable case of Gloire de Rosamènes. However, many of them produced seeds abundantly. These fruitful varieties were then crossed with different kinds of China and Bourbon roses. Their seeds gave rise to a new generation of strong, hardy roses—the Hybrid Perpetuals—that bloomed throughout the whole summer and autumn.

Of those early parents of this fine race but very few are known now. Gloire de Rosamènes (Vibert, 1823) is still in cultivation. But in vain I search English and French catalogues for those marked by my father in 1844 in Mr. Rivers' book. Where is Mme. Laffay, 1839, with its fine foliage and rosy-crimson, highly fragrant flowers; or Fulgorie; or Rivers, with its large red flowers "produced in clusters of great beauty"; or La Reine, 1843; or William Jesse? Probably they still exist as "old and nameless roses" in my own and many other[113] gardens. Yet one would like to give them back the names and honourable places they possessed in one's childhood, and compare them with their splendid descendants. In fragrance they would certainly hold their own; for the fragrance of their Damask grandparent was stronger in them than in too many of the modern Hybrid Perpetuals.

Of those early parents of this fine breed, very few are recognized today. Gloire de Rosamènes (Vibert, 1823) is still being grown. But I search through English and French catalogs in vain for those noted by my father in 1844 in Mr. Rivers' book. Where is Mme. Laffay, 1839, with its beautiful foliage and rosy-crimson, highly fragrant flowers; or Fulgorie; or Rivers, with its large red flowers "produced in clusters of great beauty"; or La Reine, 1843; or William Jesse? They probably still exist as "old and unnamed roses" in my garden and many others[113]. Yet it would be nice to restore the names and esteemed places they held in my childhood and compare them with their magnificent descendants. In terms of fragrance, they would surely hold their own, as the scent from their Damask ancestor was stronger in them than in many of the modern Hybrid Perpetuals.

The great development in the race began in the fifties, and was at its height in the sixties and seventies: but for the last fifteen years and more the tide has turned in favour of the Hybrid Teas; and comparatively few new Hybrid Perpetuals are raised each year. In 1853, Margottin gave the enchanted rose-world Jules Margottin, parent of many most excellent roses. And in the same year the delightful General Jacqueminot was raised by Roussel, and became the parent of many of our finest deep reds. Then in 1859 came Lacharme's famous Victor Verdier, a rose still in favour, and one to which the class owes, perhaps, more than any other as a parent. And in 1861 came Charles Lefebvre; also raised by Lacharme.

The major developments in the race started in the fifties and peaked in the sixties and seventies. However, for the past fifteen years or so, the trend has shifted in favor of Hybrid Teas, and there are relatively few new Hybrid Perpetuals created each year. In 1853, Margottin introduced the enchanting rose world Jules Margottin, which became the parent of many exceptional roses. That same year, the lovely General Jacqueminot was developed by Roussel and became the parent of many of our best deep reds. Then in 1859, Lacharme's famed Victor Verdier emerged, a rose that is still popular and has contributed significantly as a parent to the class. In 1861, Charles Lefebvre was also created by Lacharme.

From that date new and magnificent roses were sent out in numbers every year by the well-known French and Continental houses of Lacharme, Verdier, Pernet, Gautreau, Liabaud, Guillot, Postans, Levet, Margottin, Rambaud, Levêque, Jamain, Schwartz, Soupert et Notting. And in England by Messrs. Wm. Paul & Son, B. R. Cant & Sons, Bennett,[114] Laxton, Paul & Son, Cocker, Alex. Dickson & Sons, Turner, Hugh Dickson, Cooling, Harkness, Ward, etc. While, in 1901, Lambert produced that grandest of white roses, Frau Karl Druschki.

From that date on, beautiful new roses were sent out in large quantities every year by the famous French and Continental houses of Lacharme, Verdier, Pernet, Gautreau, Liabaud, Guillot, Postans, Levet, Margottin, Rambaud, Levêque, Jamain, Schwartz, Soupert et Notting. And in England by Wm. Paul & Son, B. R. Cant & Sons, Bennett,[114] Laxton, Paul & Son, Cocker, Alex. Dickson & Sons, Turner, Hugh Dickson, Cooling, Harkness, Ward, etc. Meanwhile, in 1901, Lambert produced the finest of white roses, Frau Karl Druschki.

Hybrid Perpetual. FRAU KARL DRUSCHKI.
Hybrid Perpetual
FRAU KARL DRUSCHKI.

The pure pinks, and the rich crimsons and scarlets of the Hybrid Perpetuals are of surpassing beauty. And though there is a craze just now for Hybrid Teas, the Hybrid Perpetual must for ever hold its own in the garden on its own lines. For it will flourish where the more tender race would die; and its magnificent size, colour, strong growth, and rich foliage, must always render it indispensable for decoration and as a cut flower.

The vibrant pinks, rich crimsons, and deep scarlets of the Hybrid Perpetual roses are incredibly beautiful. While there’s currently a trend for Hybrid Teas, the Hybrid Perpetual will always have its place in the garden. It thrives where more delicate varieties might struggle; its impressive size, color, robust growth, and lush foliage make it essential for decoration and as a cut flower.

As with the Teas and Hybrid Teas, these roses create their finest effect in the garden when grouped together in beds of one colour. And if we wish to specialize yet further in the matter of colours, they may be graduated from dark to light, or light to dark, with admirable success. A magnificent bed may be filled with such crimsons, scarlets, and cherry reds as the following, beginning with dark and medium crimsons, A. K. Williams, Duke of Edinburgh, Duke of Wellington, Dr. Andry, Charles Lefebvre, Countess of Oxford, Fisher Holmes, Louis Van Houtte, Mrs. Harry Turner, Victor Hugo; and the lighter crimsons, Alfred Colomb, Beauty of Waltham, Captain Hayward, Duchess of Bedford, Duke of Teck, Dupuy Jamain, General Jacgueminot, Gloire de Margottin, Hugh Dickson, Marie[115] Baumann, Senateur Vaisse, Star of Waltham, Ulrich Brunner.

Just like the Teas and Hybrid Teas, these roses look best in the garden when planted together in beds of a single color. If we want to be even more specific with colors, we can arrange them from dark to light or light to dark with great effect. A stunning flower bed can be filled with deep crimsons, bright scarlets, and cherry reds, including varieties like the dark and medium crimsons, A. K. Williams, Duke of Edinburgh, Duke of Wellington, Dr. Andry, Charles Lefebvre, Countess of Oxford, Fisher Holmes, Louis Van Houtte, Mrs. Harry Turner, Victor Hugo; and the lighter crimsons such as Alfred Colomb, Beauty of Waltham, Captain Hayward, Duchess of Bedford, Duke of Teck, Dupuy Jamain, General Jacgueminot, Gloire de Margottin, Hugh Dickson, Marie[115] Baumann, Senateur Vaisse, Star of Waltham, Ulrich Brunner.

Hybrid Perpetual. ULRICH BRUNNER.
Hybrid Perpetual.
ULRICH BRUNNER.

Other yet darker crimson roses, with maroon or purple shading, are Abel Carrière, Black Prince, Prince Camille de Rohan, Xavier Olibo.

Other darker crimson roses, with maroon or purple hues, are Abel Carrière, Black Prince, Prince Camille de Rohan, Xavier Olibo.

For a very effective rose-pink and carmine bed we may use François Michelon, Helen Keller, John Hopper, Jules Margottin, Magna Charta, Marquise de Castellane, Suzanne Marie Rodocanachi, Victor Verdier.

For a really beautiful rose-pink and carmine garden bed, we can use François Michelon, Helen Keller, John Hopper, Jules Margottin, Magna Charta, Marquise de Castellane, Suzanne Marie Rodocanachi, Victor Verdier.

An pure pink bed is most attractive, when filled with such lovely roses as Baroness Rothschild, Mdlle. Eugénie Verdier, Mrs. Sharman Crawford, Mrs. John Laing, Pride of Waltham. And although Captain Christy is now, wisely, called a Hybrid Tea, it has so much the habit of the Hybrid Perpetuals, that it really goes better in a bed with them than among the more delicate-foliaged Teas.

A pure pink bed looks most appealing when it’s filled with beautiful roses like Baroness Rothschild, Mdlle. Eugénie Verdier, Mrs. Sharman Crawford, Mrs. John Laing, and Pride of Waltham. And even though Captain Christy is now, wisely, classified as a Hybrid Tea, it has so much in common with Hybrid Perpetuals that it actually thrives better in a bed with them than among the more delicately leafed Teas.

For a white and pale blush bed we have the pure white Boule de Neige, Coquette des Blanches (both Dwarf Hybrid Noisettes), Frau Karl Druschki, and Marchioness of Londonderry, which is very beautiful when it does well, though this is not always the case.

For a white and light pink bed, we have the pure white Boule de Neige, Coquette des Blanches (both Dwarf Hybrid Noisettes), Frau Karl Druschki, and Marchioness of Londonderry, which looks stunning when it thrives, although that isn’t always the case.

And for white with a faint blush, Margaret Dickson and Merveille de Lyon, though these are sadly given to mildew. But for sheer effect and mass of bloom, a bed of Frau Karl Druschki is unequalled. If the long shoots are pegged down[116] every bud upon them will throw a flower-shoot, producing a sheet of blossom throughout the whole season.

And for white with a slight hint of pink, Margaret Dickson and Merveille de Lyon, although they unfortunately tend to get mildew. But for overall impact and abundance of blooms, a bed of Frau Karl Druschki is unmatched. If you pin down the long shoots[116], every bud will grow a flower shoot, creating a display of blossoms all season long.

Another very effective arrangement may be made by gradating a broad border from a white centre, through clear pinks on either side to bright scarlets, and ending at each extremity with deepest crimsons. This I have seen carried out successfully with a central group of Frau Karl Druschki, flanked on either side by the clear pinks of Mrs. Sharman Crawford and Mrs. John Laing, and beyond them, right and left, General Jacqueminot, François Michelon, Prince Camille de Rohan, Fisher Holmes, Duke of Edinburgh, Mrs. Harry Turner, Dr. Andry, Duke of Wellington, Victor Hugo, Captain Hayward, Duke of Teck, Horace Vernet.

Another very effective arrangement can be created by transitioning from a white center, through clear pinks on either side to bright reds, and finishing at each end with deep crimsons. I've seen this done beautifully with a central group of Frau Karl Druschki, flanked on both sides by the clear pinks of Mrs. Sharman Crawford and Mrs. John Laing, with General Jacqueminot, François Michelon, Prince Camille de Rohan, Fisher Holmes, Duke of Edinburgh, Mrs. Harry Turner, Dr. Andry, Duke of Wellington, Victor Hugo, Captain Hayward, Duke of Teck, and Horace Vernet beyond them, on the right and left.

As standards many of the Hybrid Perpetuals make grand heads, their sturdy constitution being particularly suitable to this form of growth.

As a rule, many of the Hybrid Perpetuals develop impressive blooms, as their strong structure is especially well-suited for this type of growth.

Among the best for this purpose are, Captain Hayward, Charles Lefebvre, Clio, Dr. Andry, Duke of Edinburgh, Dupuy Jamain, Ferdinand de Lesseps, Fisher Holmes, Frau Karl Druschki, General Jacqueminot, Gloire de Margottin, Heinrich Schultheis, Hugh Dickson, Mme. Gabriel Luizet, Mme. Victor Verdier, Margaret Dickson, Marie Baumann, Mrs. Cocker, Mrs. John Laing, Mrs. R. G. Sharman Crawford, Paul Jamain, Pride of Waltham, Prince Arthur, Prince Camille[117] de Rohan, Senateur Vaisse, Suzanne Marie Rodocanachi, Ulrich Brunner.

Among the best for this purpose are, Captain Hayward, Charles Lefebvre, Clio, Dr. Andry, Duke of Edinburgh, Dupuy Jamain, Ferdinand de Lesseps, Fisher Holmes, Frau Karl Druschki, General Jacqueminot, Gloire de Margottin, Heinrich Schultheis, Hugh Dickson, Mme. Gabriel Luizet, Mme. Victor Verdier, Margaret Dickson, Marie Baumann, Mrs. Cocker, Mrs. John Laing, Mrs. R. G. Sharman Crawford, Paul Jamain, Pride of Waltham, Prince Arthur, Prince Camille[117] de Rohan, Senateur Vaisse, Suzanne Marie Rodocanachi, Ulrich Brunner.

Besides those dwarfs I have enumerated as particularly good for massing in colour, many other excellent roses for general use will be found in the following lists.

Besides the dwarfs I've mentioned that are great for grouping by color, you'll find many other excellent roses for general use in the following lists.


HYBRID PERPETUAL ROSES

Red.
Abel Carrière. E. Verdier, 1875. Purple crimson, fiery red centre.
Alfred Colomb. Lacharme, 1865. Bright carmine red.
Alfred K. Williams. Schwartz, 1877. Bright carmine red; an exhibitor's rose.
Baron de Bonstetten. Liabaud, 1871. Blackish crimson.
Ben Cant. B. R. Cant & Sons, 1902. Deep crimson.
Beauty of Waltham. Wm. Paul & Son, 1862. Rosy crimson.
Black Prince. Wm. Paul & Son, 1866. Deep blackish crimson.
Camille Bernadin. Gautreau, 1865. Light crimson, paler edges.
Captain Hayward. Bennett, 1893. Scarlet crimson, sweet scented.
Charles Darwin. Laxton, 1879. Brownish crimson.
Charles Lefebvre. Lacharme, 1861. Brilliant velvety crimson.
Commandant Félix Faure. Boutigny, 1902. Crimson, flushed lake.
Comte de Raimbaud. Roland, 1867. Clear crimson.
Comtesse de Ludre. V. Verdier, 1880. Light crimson.
Hybrid Perpetual. GUSTAVE PIGANEAU.
Hybrid Perpetual.
GUSTAVE PIGANEAU.

Countess of Oxford. Guillot, 1869. Bright carmine red.
Dr. Andry. E. Verdier, 1864. Deep carmine red.
Dr. Sewell. Turner, 1879. Maroon crimson, reflexes bright red.
Duchess of Bedford. Postans, 1879. Velvety crimson, suffused scarlet.
Duke of Connaught. Paul & Son, 1876. Bright velvety crimson.
Duke of Edinburgh. Paul & Son, 1868. Scarlet crimson.
Duke of Teck. Paul & Son, 1880. Bright crimson scarlet.
Duke of Wellington. Granger, 1864. Velvet red, shaded crimson.
Dupuy Jamain. Jamain, 1868. Very bright cerise.
Earl of Dufferin. Alex. Dickson, 1887. Rich velvety crimson.
Éclair. Lacharme, 1883. Vivid fiery red.
Étienne Levet. Levet, 1871. Carmine red.
E. Y. Teas. E. Verdier, 1874. Very bright red.
Fisher Holmes. E. Verdier, 1865. Shaded crimson scarlet.
General Jacqueminot. Roussel, 1853. Brilliant scarlet crimson; a noble old rose.
Gustave Piganeau. Pernet-Ducher, 1889. Brilliant shaded carmine; chiefly an exhibitor's rose.
Horace Vernet. Guillot, 1866. Crimson scarlet, dark shading.
Hugh Dickson. Hugh Dickson, 1904. Crimson, shaded scarlet.
Hugh Watson. Alex. Dickson, 1904. Crimson, shaded carmine.
J. B. Clark. Hugh Dickson, 1905. Deep scarlet, shaded plum.
[119]
Jean Soupert. Lacharme, 1876. Deep velvety purple.
Jules Margottin. Margottin, 1853. Bright cherry red.
Lady Helen Stewart. Alex. Dickson, 1887. Bright crimson, shaded scarlet.
Le Havre. Eude, 1871. Vermilion red.
Louis Ricard. Boutigny, 1902. Velvet crimson, shaded vermilion and black.
Louis Van Houtte. Lacharme, 1869. Deep crimson, shaded maroon.
Madame Crapelet. Fontaine, 1859. Beautiful light crimson.
Madame Victor Verdier. E. Verdier, 1863. Bright cherry red; still one of the best.
Maharajah. B. R. Cant & Sons, 1904. Large single flowers, deep velvet crimson; a very fine pillar rose.
Marie Baumann. Baumann, 1863. Soft carmine red.
Marie Rady. Fontaine, 1865. Brilliant red.
Maurice Bernadin (syn. Exposition de Brie). Granger, 1861. Shaded crimson.
M. H. Walsh. Alex. Dickson, 1905. Velvety crimson, suffused scarlet.
Oberhofgartener A. Singer. P. Lambert, 1904. Pure carmine, darker centre.
Prince Arthur. B. R. Cant, 1875. Rich deep crimson.
Prince Camille de Rohan. E. Verdier, 1861. Crimson maroon.
Reynolds Hole. Paul & Son, 1873. Maroon, shaded crimson; an exhibitor's rose.
Ruhm der Gartenwelt. Jacobs, 1904. Dark pure red.
Senateur Vaisse. Guillot, 1859. Fine dazzling red; one of the best still.
[120]
Sir Rowland Hill. Mack, 1888. Rich port wine, shaded maroon.
Star of Waltham. Wm. Paul & Son, 1875. Deep crimson.
T. B. Haywood. Paul & Son, 1895. Crimson scarlet, dark shading.
Tom Wood. Alex. Dickson, 1896. Cherry red.
Ulrich Brunner. Levet, 1881. Bright cherry red; fragrant, excellent.
Urania. Walsh, 1906. Cherry crimson.
Victor Hugo. Schwartz, 1884. Dazzling crimson.
Xavier Olibo. Lacharme, 1864. Velvety black, shaded amaranth.

Rose.
American Beauty. Bancroft, 1886. Deep rose; needs fine weather.
Annie Laxton. Laxton, 1872. Clear rose, flushed cherry.
Countess of Rosebery. Postans, 1879. Deep salmon rose.
David R. Williamson. Wm. Paul & Son, 1905. Soft rich carmine rose.
Duchesse de Morny. E. Verdier, 1863. Delicate bright rose.
François Michelon. Levet, 1871. Deep rose, reverse of petals silver.
Heinrich Schultheis. Bennett, 1882. Delicate pinkish rose.
Helen Keller. Alex. Dickson, 1895. Rose cerise.
John Hopper. Ward, 1862. Bright rose, reverse pale lilac.
Madame Eugène Verdier. E. Verdier, 1878. Bright silvery rose.
Magna Charta. Wm. Paul & Son, 1876. Bright rose.
[121]
Marie Finger. Rambaud, 1873. Light salmon rose, deeper centre.
Marie Verdier. E. Verdier, 1877. Pure rose.
Marquise de Castellane. Pernet, 1869. Bright clear rose.
Suzanne Marie Rodocanachi. Lévêque, 1883. Glowing rose; one of the best.
Ulster. Alex. Dickson, 1899. Salmon pink.

Pink.
Baroness Rothschild. Pernet, 1867. Light pink.
Clio. Wm. Paul & Son, 1894. Pale flesh, deeper centre.
Dr. William Gordon. Wm. Paul & Son, 1905. Brilliant satin pink.
Her Majesty. Bennett, 1885. Pale rose pink.
Jeannie Dickson. Alex. Dickson, 1890. Rosy pink, edged silvery pink.
Lady Overtown. H. Dickson, 1906. Pale salmon pink, centre silvery pink.
Laurence Allen. Cooling, 1896. Clear soft pink, lighter shading.
Madame Gabriel Luizet. Liabaud, 1877. Light silvery pink.
Marchioness of Downshire. Alex. Dickson, 1894. Beautiful satin pink.
Mrs. Cocker. Cocker, 1899. Soft pink.
Mrs. John Laing. Bennett, 1887. Soft pink; one of the best.
Mrs. R. G. Sharman Crawford. Alex. Dickson, 1894. Clear rosy pink; one of the best.
Mrs. Rumsey. Rumsey, 1897. Rosy pink.
Pride of Waltham. Wm. Paul & Son, 1881. Delicate flesh, shaded bright rose pink.
Rosslyn. Alex. Dickson, 1900. Delicate rosy flesh.

White and Pink.
Bertha Giemen. Wm. Paul & Son, 1899. Creamy white sport from Marchioness of Dufferin.
Boule de Neige (Noisette). Lacharme, 1867. Pure white.
Frau Karl Druschki. Lambert, 1900. Snow white.
Mabel Morrison. Broughton, 1878. Pure white, not much substance.
Mademoiselle Renée Denis. Chedane, 1907. White, shaded rose.
Marchioness of Londonderry. Alex. Dickson, 1893. Ivory white.
Margaret Dickson. Alex. Dickson, 1891. White, pale flesh centre.
Merveille de Lyon. Pernet, 1882. White, centre slightly rosy peach.
Perfection des Blanches. Schwartz, 1873. Pure white.
White Baroness. Paul & Son, 1883. Pure white.

CHAPTER IX

BOURBON, CHINA, AND POLYANTHA ROSES

Besides the three great races of perpetual flowering Roses, the Teas, Hybrid Teas, and Hybrid Perpetuals, on which the chief interest of the modern rose-world is centred at the present time, there are other perpetual flowering roses, which are of great importance both for their value in the past and their beauty in the present. For although the modern hybrids have somewhat obscured the fame of their ancestors, many of them owe their origin to the Bourbon and China roses, which, in the early years of the nineteenth century, before the advent of Hybrid Perpetuals, were almost the only autumn flowering roses on which to depend.

Additionally to the three major groups of ever-blooming roses—Roses, Teas, and Hybrid Teas—on which modern rose enthusiasts are currently focused, there are other types of ever-blooming roses that hold significant value due to their historical importance and present-day beauty. Even though the modern hybrids have somewhat overshadowed their predecessors, many of them trace their origins back to the Bourbon and China roses, which, in the early nineteenth century, before Hybrid Perpetuals were introduced, were nearly the only reliable autumn-blooming roses available.


The Bourbon Rose, R. Bourboniana.

According to that invaluable book,[7] to which I owe an untold debt of gratitude since first I began to study rose-growing seriously—the original Bourbon, "a beautiful semi-double rose, with brilliant rose-coloured[124] flowers, prominent buds, and nearly evergreen foliage," was discovered in the Isle of Bourbon.

According to that invaluable book,[7] which I owe a huge debt of gratitude to since I started seriously studying rose-growing—the original Bourbon, "a beautiful semi-double rose with bright pink[124] flowers, prominent buds, and almost evergreen leaves," was found on the Isle of Bourbon.

Bourbon. SOUVENIR DE LA MALMAISON.
Bourbon whiskey.
SOUVENIR DE LA MALMAISON.

It appears that the land there was—probably is still—enclosed by "hedges made of two rows of roses, one row of the common China Rose, the other of the Red Four Seasons, the Perpetual Damask." In planting one of these hedges, a proprietor found a rose quite different in appearance to the rest of his young plants, and transferred it to his garden. Here it flowered, and proved to be a new type, evidently a seedling from the two sorts, which were the only ones known in the island. "M. Bréon arrived at Bourbon in 1817, as botanical traveller for the Government of France, and curator of the Botanical and Naturalization Garden there. He propagated this rose very largely; and sent plants and seeds of it in 1822 to Monsieur Jacques, gardener at the Château de Neuilly, near Paris, who distributed it among the rose cultivators of France. M. Bréon named it 'Rose de l'Isle Bourbon,' and is convinced that it is a hybrid from one of the above roses, and a native of the island."

It seems that the land there was—probably still is—surrounded by "hedges made of two rows of roses, one row of the common China Rose and the other of the Red Four Seasons, the Perpetual Damask." While planting one of these hedges, an owner discovered a rose that looked quite different from the rest of his young plants and moved it to his garden. There, it bloomed and turned out to be a new type, clearly a seedling from the two kinds that were the only ones known on the island. "M. Bréon arrived in Bourbon in 1817 as a botanical traveler for the Government of France and curator of the Botanical and Naturalization Garden there. He extensively propagated this rose and sent plants and seeds of it in 1822 to Monsieur Jacques, the gardener at the Château de Neuilly near Paris, who shared it with rose growers across France. M. Bréon named it 'Rose de l'Isle Bourbon' and believes it is a hybrid of one of the aforementioned roses and a native of the island."

The true Bourbon roses are thoroughly perpetual, with rose, blush, or white flowers, smooth solid stems, and dark, almost evergreen, foliage. One has only to mention the well-known and well-beloved Souvenir de la Malmaison to recall the type. Gloire de Rosamènes[8] is a hybrid, as I have said: but Hermosa,[125] or Armosa (1840), and the charming Mrs. Bosanquet (1832), often classed among the China roses, are pure Bourbons, and so are Mme. Isaac Pereire, Mrs. Paul (1891), Queen of the Bourbons, Boule de Neige, Setina a climbing form of Hermosa, and Zephirine Drouhin (1873), a good climbing rose. Hermosa, which is constantly mistaken for a very full, globular pink China, is an excellent rose for massing in the garden, as it is in continuous bloom from spring till late autumn, the dwarf, bushy plants being covered with flowers. The charming hybrid Tea rose, Camoëns, which resembles it in habit, but is a rather larger flower of a rich China pink, may also be used in the same way. A group of small beds arranged in a simple geometrical pattern, and planted with either or both these roses, is an extremely pretty feature in the garden. Hermosa has been for years largely used in this way on the Continent and in England; for instance, 20,000 have been planted in the Sandringham gardens alone. But I was told last year in Luxembourg, that in Holland, where it is most popular, Camoëns is almost superseding it; one Dutch lady who had a large portion of her garden planted with nothing but Hermosa, is now using hundreds of Camoëns in the same way, as it is equally generous in bloom, richer in colour, and as neat and strong in growth.

The true Bourbon roses are completely perpetual, with pink, blush, or white flowers, smooth strong stems, and dark, almost evergreen leaves. Just mention the well-known and beloved Souvenir de la Malmaison to bring the type to mind. Gloire de Rosamènes[8] is a hybrid, as I mentioned: but Hermosa,[125] or Armosa (1840), and the lovely Mrs. Bosanquet (1832), often grouped with the China roses, are true Bourbons, as are Mme. Isaac Pereire, Mrs. Paul (1891), Queen of the Bourbons, Boule de Neige, Setina (a climbing form of Hermosa), and Zephirine Drouhin (1873), which is a great climbing rose. Hermosa, often mistaken for a very full, round pink China rose, is excellent for mass planting in the garden since it blooms continuously from spring to late autumn, with its dwarf, bushy plants covered in flowers. The lovely hybrid Tea rose, Camoëns, which has a similar growth habit but features larger flowers in a rich China pink, can also be used in the same way. A collection of small beds arranged in a simple geometric pattern and planted with either or both of these roses makes an exceptionally pretty addition to the garden. Hermosa has been widely used in this way across the continent and in England for years; for example, 20,000 have been planted in the Sandringham gardens alone. However, last year in Luxembourg, I was told that in Holland, where it is most popular, Camoëns is nearly taking its place; one Dutch woman who had most of her garden filled with Hermosa is now using hundreds of Camoëns in the same way, as it blooms just as abundantly, has a richer color, and grows neatly and robustly.


The Chinese hibiscus, R. Indica.

The Red China Rose, R. Semperflorens.

These old favourites were introduced into England in the eighteenth century. The Old Blush Monthly came first, in 1718; and in 1789 the Old Crimson (R. Semperflorens), a much less vigorous plant, arrived. It is not surprising that both should have found instant popularity; for roses which in warm situations are practically in flower the whole year through, must indeed have been precious adjuncts to the gardens of those days. In England they were popularly known as "Monthly roses"; while in France they are known as Rosiers du Bengal.

These old favorites were brought to England in the eighteenth century. The Old Blush Monthly was introduced first, in 1718; and in 1789, the Old Crimson (R. SemperflorensRosiers du Bengal.


The "Common" China, or Monthly Rose (1796),
though it has many newer rivals, is one of those which has never gone out of favour, and justly so; for what can be more pure and lovely than it is when well grown. Either as a bedder, or a bush in the herbaceous border, or, still more, when grown as a dwarf hedge, its fresh loveliness is a never-ending delight. Indeed, one wonders why it is not more generally used in England in this last manner; for both in the South of France and Switzerland, hedges of the pink Monthly rose are common, and of exceeding beauty. Cramoisie Supérieure (1834), a form of the Crimson China, should be grown in masses, as its weak and straggling growth is unsuited to the above purposes. But many of the[127] newer varieties are admirable in whatever way they are used. Laurette Messimy (1887), rose, shaded yellow, and Madame Eugène Resal (1895), copper and bright China-rose, are two of the very best of these, and are brilliantly effective as bedding roses. So are the rosy-apricot Queen Mab (1906), and the yellow-apricot and orange Arethusa (1903). Comtesse du Cayla (1902) is a fine carmine crimson, with orange on the outer petals, varying to orange-yellow shaded carmine. Cora is a pretty clear yellow, often tinted carmine, a rose of a charming habit. Le Vesuve bears some flowers rich crimson and some rosy pink. Ducher (1869) is the best white; Frau Syndica Rœloffs, yellow, shaded coppery-red and peach; Nabonnand, a large flower, velvety purple-red, shaded coppery-yellow. Souvenir d'Aimée Terrel des Chênes is a small, beautiful, and well-shaped flower, coppery-pink, shaded carmine, the pointed buds being golden yellow. Climbing Cramoisie Supérieure and Field Marshal are both deep crimson climbers, but the last does best under a glass or in a warm position out of doors.
China. LAURETTE MESSIMY.
China.
LAURETTE MESSIMY.

We now come to a quite modern class of perpetual flowering roses, which is as yet too little known, except among those ardent rose-growers who keep closely in touch with the marvels of modern hybridization. And this special race is indeed one of its most extraordinary results. For[128]

We now turn to a relatively new category of ever-blooming roses, which is still not very well-known, except among the passionate rose enthusiasts who stay updated on the wonders of modern hybridization. This particular variety is truly one of the most remarkable outcomes. For[128]


Dwarf Polyantha Roses, R. Multiflora,
are derived from the summer flowering, climbing Multiflora, and in them we get a first cousin of, say, Crimson Rambler, so dwarf as to make a charming two-feet high edging to an ordinary rose-bed, and so thoroughly perpetual, that from May to December it is thickly covered with its hundreds of miniature flowers in clusters. How these tiny roses, which remind one of the "Fairy Rose" of long-ago nursery days, came into being is not exactly known. But they were evidently the result of crossings with the Tea rose strain. M. J. B. Guillot developed the first, Ma Paquerrette, pure white, flowering in large bunches, in 1875. In 1879, Rambaux followed with the charming Anna Maria de Montravel, one of the best known of the class. The next year Ducher brought out the lovely Cecile Brunner, blush, shaded pink, and the race was fully recognized. Since then nearly every year has seen fresh varieties; and the charming little plants are growing in favour.

These roses may be roughly divided into two classes: one showing the Polyantha blood very strongly; the other the Tea blood.

These roses can be roughly split into two categories: one that clearly shows Polyantha traits and the other that has Tea traits.

In the first, the flowers, whether double or single, are borne in dense upright clusters, after the manner of the true Multiflora. Some of the best of these are Gloire des Polyantha; Schneewittchen; the fine Mme. N. Levavasseur, really a miniature Crimson[129] Rambler; the even more attractive Mrs. W. H. Cutbush, a bright pink Crimson Rambler; and the exquisite little Baby Dorothy, which has created such a sensation as a pot plant since it was shown in the spring of 1907. These are all admirably fitted for planting in masses. In the famous Pépinière, or Public Gardens of Nancy, beds of Madame N. Levavasseur last autumn (1907) were remarkably effective. In one the ground was thickly covered among the plants with a very dwarf grey-blue Ageratum; and the effect of the erect crimson clusters of the rose over the soft grey flowers was most striking; while another bed of the same rose was edged with a dwarf bronze-foliaged fibrous Begonia. Even more charming was a whole bed of Mrs. W. H. Cutbush, which I saw in MM. Soupert et Notting's garden at Luxembourg, the rich rosy colour being much finer.

In the first type, the flowers, whether they are double or single, grow in dense upright clusters, just like the true Multiflora. Some of the best varieties include Gloire des Polyantha, Schneewittchen, the lovely Mme. N. Levavasseur, which is actually a miniature Crimson[129] Rambler; the even more appealing Mrs. W. H. Cutbush, a bright pink Crimson Rambler; and the exquisite little Baby Dorothy, which has become a sensation as a pot plant since it was introduced in the spring of 1907. All of these are perfect for planting in groups. In the well-known Pépinière or Public Gardens of Nancy, the beds of Madame N. Levavasseur last autumn (1907) were incredibly striking. In one display, the ground was densely covered with a very short grey-blue Ageratum, and the sight of the upright crimson clusters of the rose over the soft grey flowers was very eye-catching, while another bed of the same rose was bordered with a dwarf bronze-foliaged fibrous Begonia. Even more delightful was a whole bed of Mrs. W. H. Cutbush, which I saw in MM. Soupert et Notting's garden in Luxembourg; the rich rosy color was much more vibrant.

Dwarf Polyantha. PERLE D'OR.
Dwarf Polyantha rose.
PERLE D'OR.

In the other class the Tea blood is shown as strongly; the flowers are borne singly, or at most in heads of four or five, on smooth and delicate yet firm little stalks; while the foliage is that of a miniature Tea rose. These as to the actual blossoms are perhaps even more attractive. For what can be prettier than a perfectly formed flower the size of a Fairy rose—and sweetly scented too—such as those of Étoile d'Or, lemon shaded with sulphur; or Perle d'Or, nankeen yellow with orange centre; or Eugénie Lamesch, coppery pink; or the beautiful Cecile[130] Brunner, its well-shaped flowers blush with a deeper pink centre?

In the other class, the Tea varieties are displayed strongly; the flowers grow individually or, at most, in clusters of four or five on smooth, delicate yet sturdy little stems, while the leaves resemble those of a miniature Tea rose. In terms of the actual blossoms, they might be even more appealing. What could be prettier than a perfectly shaped flower the size of a Fairy rose—and sweetly scented too—like those of Étoile d'Or, lemon shaded with sulfur; or Perle d'Or, nankeen yellow with an orange center; or Eugénie Lamesch, which is a coppery pink; or the lovely Cecile[130] Brunner, whose well-formed flowers blush with a deeper pink center?

In one or two we get an example of the double strain. For the velvety crimson flowers of Perle des Rouges are borne in clusters, though in substance and foliage the plant appears to take after the Tea rose.

In one or two, we see an example of the dual nature. The velvety crimson flowers of Perle des Rouges grow in clusters, but in terms of substance and foliage, the plant seems to resemble the Tea rose.

But I deprecate the tendency which I see among some varieties, to produce much larger flowers such as those of Clothilde Soupert and Georges Pernet. This quite alters the character of the pretty little plants; giving us a rose that is neither one thing or another, neither a fine bedding rose or a miniature edging rose.

But I dislike the trend I notice among some types to create much larger flowers like those of Clothilde Soupert and Georges Pernet. This really changes the nature of the charming little plants, resulting in a rose that isn't really either a good bedding rose or a miniature edging rose.


Bourbon Roses, R. Bourboniana.
Baron Gonella. Guillot père, 1839. Violet rose.
Baronne de Maynard. One of the best white roses.
Catherine Guillot. Guillot fils, 1861. Purple red.
Comtesse de Barbantane. Guillot père, 1859. Flesh colour.
Gloire de Rosamènes. Vibert, 1825. Scarlet crimson, semi-double.
Hermosa (Armosa). Marcheseau, 1840. Deep pink. J. B. M. Camm. Pale salmon pink.
Kronprinsessin Victoria. L. Späth, 1888. Milky white outside, sulphur-yellow centre.
Lorna Doone. Wm. Paul & Son. Magenta carmine, shaded scarlet.
Madame Isaac Pereire. Margottin, 1880. Rosy carmine.
Madame Pierre Oger. Oger, 1879. Cream white, shaded and edged lilac.
[131]
Marie Paré. Pavie, 1880. Flesh colour, deeper centre.
Mrs. Allen Chandler. Chandler, 1904. Pure white sport from Mrs. Paul.
Mrs. Bosanquet. Laffay, 1832. Salmon white.
Mrs. Paul. Paul & Son, 1852. Pinkish white; a fine rose.
Paxton. Laffay, 1852. Fiery rose.
Philémon Cochet. Cochet, 1896. Bright rose.
Queen of the Bourbons. Mauger, 1852. Salmon rose.
Queen of Bedders. Nobbe, 1878. Deep crimson.
Reine Victoria. Schwartz, 1878. Bright rose, perfect form.
Setina. Henderson, 1879. Pink, a climbing Hermosa.
Souv. de la Malmaison. Beluze, 1843. Tender flesh white.
Souv. de la Malmaison rose. Verschaffelt, 1862. Fine rose colour.
Zephirine Drouhin. Bizot, 1873. Bright silvery pink.

China or Bengal Roses, R. Indica.
R. Semperflorens.
Abbé Cretin. Mille-Toussaint, 1906. Light rose, shaded salmon.
Alexina. Beluze, 1854. Almost pure white.
Alice Hamilton. Nabonnand, 1904. Bright velvety crimson reflexed madder.
Antoinette Cuillerat. Buatois, 1898. Electric white on copper base.
Arethusa. Wm. Paul & Son, 1903. Yellow, tinted apricot.
Aurore. Schwartz, 1897. Creamy yellow, tinted salmon rose.
[132]
Baronne Piston de St. Cyr. Pale flesh, distinct and attractive.
Bébé Fleuri. Dubreuil, 1907. Varying from China rose to currant red.
Cardinal. Welter, 1904. Dark red, centre yellow.
Common (old Blush Monthly). Parsons, 1796. Pale pink.
Comtesse du Cayla. Guillot, 1902. Coppery-carmine, shaded orange and yellow.
Cora. Vve. Schwartz, 1899. Clear yellow, tinted carmine.
Cramoisi Supérieur. Coquereau, 1832. Velvety crimson, large clusters.
Cramoisi Supérieur. A climbing sport.
Crimson China (Sanguinea). Evans, 1810. Dark crimson.
Ducher. Ducher, 1869. Pure white.
Duke of York. Wm. Paul & Son, 1894. Variable from white to red.
Eugène de Beauharnais. Fellemberg, 1838. Amaranth.
Fabvier. Laffay. Scarlet crimson, finest of its colour.
Field Marshall. Wm. Paul & Son. Blood crimson, shaded amaranth.
Frau Syndica Rœloffs. Lambert, 1900. Bright yellow, shaded copper red.
Irene Watts. P. Guillot, 1896. White, tinted salmon pink.
Jean Bach Sisley. Dubreuil, 1899. Silvery rose, outer petals salmon-rose, veined carmine.
Le Vesuve. Sprunt, 1858. Bright red and pink.
Madame Eugène Resal. Guillot, 1894. Nasturtium red or bright red, on yellow base.
Madame H. Montefiore. Bernaix, 1900. Salmon yellow, shaded apricot and carmine.
[133]
Madame Laure Dupont. Schwartz, 1907. Vivid carmine, reflexed silver rose.
Madame Laurette Messimy. Guillot fils, 1887. China rose, shaded yellow.
Martha. P. Lambert, 1906. Copper red, flowers in large corymbs.
Queen Mab. Wm. Paul & Son, 1896. Rosy apricot, shaded orange and rose.
Red Pet. Paul & Son, 1888. Miniature rose, deep crimson.
Souv. d'Aimée Terrel des Chênes. Schwartz, 1897. Coppery rose, shaded carmine.
Unermüdliche. Lambert, 1904. Crimson, shaded red, always in bloom.

Mini Polyantha Roses, R. Multiflora.
Aennchen Mueller. J. C. Schmidt, 1907. Large clusters, brilliant rose.
Amélie-Suzanne Morin. Soupert et Notting, 1899. White, yellow centre.
Anne-Marie de Montravel. Rambaux, 1879. Pure white, immense cluster.
Aschenbrodel. Lambert, 1903. Peach, centre salmon.
Bébé Leroux. Soupert et Notting, 1901. White, centre canary yellow.
Blanche Rebatel. Bernaix, 1889. Bright carmine, reverse white.
Canarienvogel. Welter, 1904. Golden yellow, flaked orange and rose.
Cecile Brunner. Ducher, 1881. Bright rose, yellowish centre.
Clara Pfitzer. Soupert et Notting, 1889. Light carmine.
Clotilde Soupert. Soupert et Notting, 1890. Pearly white, rose centre, rather large flowers.
[134]
Dr. Ricaud. Corbœuf-Marsault, 1907. Rosy salmon, copper base.
Étoile de Mai. Gamon, 1893. Nankeen yellow, rather large.
Étoile d'Or. Dubreuil, 1889. Citron yellow, shaded sulphur.
Eugénie Lamesch. Lambert, 1900. Orange yellow, passing to clear yellow, shaded rose.
Filius Strassheim. Soupert et Netting, 1893. Rosy cream, orange base.
Georges Pernet. Pernet-Ducher, 1888. Rather large, bright rose, shaded yellow.
Gloire des Polyanthas. Guillot fils, 1887. Bright rose, white centre.
Golden Fairy. Bennett, 1889. Clear buff, yellow and white.
Hermine Madele. Soupert et Notting, 1888. Cream, reflexed yellow.
Katherine Ziemet. Lambert, 1901. Pure white, very fragrant.
Kleiner Alfred. Lambert, 1904. Ground colour red, suffused ochre yellow.
Le Bourguignon. Buatois, 1901. Electric madder yellow.
Leonie Lamesch. Lambert, 1900. Bright copper red, golden centre.
Liliput. Paul & Son, 1897. Cerise carmine, flushed crimson.
Little Dot. Bennett, 1889. Soft pink, flaked deeper on outside petals.
Madame E. A. Nolte. Bernaix, 1892. Buff yellow, passing to rosy white.
Madame N. Levavasseur. Levavasseur, 1904. Bright carmine red; the dwarf Crimson Rambler.
Madame Zelia Bourgeois. Vilin, 1907. Small double white flowers.
[135]
Ma Fillette. Soupert et Notting, 1898. Peach rose, yellow ground.
Ma Petite Andrée. Chauvry, 1899. Deep carmine red.
Marie Pavié. Alégatière, 1889. White, rose centre, large.
Martha. Lambert, 1906. Strawberry pink, coppery buds.
Maxime Buatois. Copper yellow, changing to carmine yellow.
Mignonette. Guillot, 1881. Soft rose, changing to white.
Mosella. Lambert & Reiter, I 896. Yellowish white, centre rose.
Mrs. W. H. Cutbush. Levavasseur, 1907. A pink Mme. N. Levavasseur.
Pâquerette. Guillot fils, 1875. Pure white; flowers in immense panicles.
Perle d'Or. Dubreuil, 1883. Nankeen yellow, orange centre.
Perle des Rouges. Dubreuil, 1896. Velvety crimson, reflexes bright cerise.
Petit Constant. Soupert et Notting, 1900. Deep nasturtium red.
Petite Léonie. Soupert et Notting, 1893. Rosy white, carmine centre.
Philipine Lambert. Lambert, 1903. Silvery pink, centre deep flesh.
Primula. Soupert et Notting, 1901. Bright China rose, centre snow white.
Rosalind. Paul & Son, 1907. Bright pink, with deeper buds.
Rosel Dach. 1907. Bright cherry rose.
Schneewittchen. Lambert, 1901. Creamy white, passing to snow white.
Schneekopf. Lambert, 1903. Snow white, in large clusters.

CHAPTER X

ROSE PESTS

The enemies of the rose are many. They are of two classes; the insect foes, and diseases caused by Fungi. And their prevention and destruction are tasks, as every rose-grower knows only too well, which call for ceaseless vigilance and constant work, more especially in the early months of the season. For if remedies are applied in good time, the pests of both kinds give comparatively little trouble after May and June until the early autumn, when a fresh crop of both appears.

The enemies of the rose are numerous. They fall into two categories: insect pests and diseases caused by fungi. Preventing and eliminating these threats is a task that every rose grower is all too familiar with, requiring constant vigilance and effort, especially in the early months of the season. If remedies are applied in a timely manner, both types of pests cause comparatively little trouble after May and June until early autumn, when a new wave of both shows up.

No such powerful weapon has ever before been put in the hand of the rose-grower, as the remarkable handbook on the Enemies of the Rose, published this spring (1908) by the National Rose Society. For here the veriest tyro can recognize the diseases which puzzle him and the insects which drive him to despair in all stages of their mischievous existence, figured in exquisitely drawn and coloured plates; while in the terse and admirable letter-press he is told how to combat their destructive ways. This little book can be obtained by non-members of the[137] Society for 2s. 6d., through any member; and it ought to find a place on the shelf of every rose lover.

No weapon this powerful has ever been available to rose growers before, like the incredible handbook on the Enemies of the Rose, released this spring (1908) by the National Rose Society. In this book, even a complete beginner can identify the diseases that confuse them and the insects that drive them to frustration, depicted in beautifully illustrated and colored plates. The concise and excellent text provides guidance on how to fight against their harmful effects. This little book can be purchased by non-members of the [137] Society for 2s. 6d. through any member, and it should be on the shelf of every rose enthusiast.

Mildew, of all Fungoid diseases, is the worst we have to contend with. Some roses, such as the lovely H. T. Killarney, the Crimson Rambler, the H. P. Margaret Dickson, and others, are specially subject to this pest; and unless measures are taken against it when the very first sign appears, it quickly spreads to other roses. Two seasons ago a plant of Margaret Dickson had it badly in my garden, and infected its neighbour, Frau Karl Druschki, to an alarming extent.

Mildew, out of all fungal diseases, is the worst we have to deal with. Some roses, like the beautiful H. T. Killarney, the Crimson Rambler, the H. P. Margaret Dickson, and others, are especially prone to this problem; and unless we take action as soon as we see the first signs, it quickly spreads to other roses. Two seasons ago, a Margaret Dickson plant in my garden had it badly and spread it to its neighbor, Frau Karl Druschki, to a concerning degree.

This odious disease, though more or less always present in the garden, appears generally in marked strength twice in the season—first in spring, when the foliage is just fully developed, and secondly after the midsummer shoots are grown.

This unpleasant disease, while usually always present in the garden, typically shows up in noticeable strength twice during the season—first in spring, when the leaves are fully developed, and again after the midsummer growth has appeared.

It must be attacked early before it gets any hold, in fact, before it actually shows, if we have reason to suspect its presence. Flowers of Sulphur is the most usual and effective preventive. It is blown over the plants with bellows made specially for the purpose. Floating like a fine cloud all over the garden it settles on every part of the plant. The early morning before the dew is gone is the time to apply it, as the evaporation of the dew has some subtle effect on the sulphur which greatly increases[138] its efficacy. Rev. F. Page-Roberts strongly recommends Black Sulphur instead of the ordinary yellow, used with one of the "Ideal" Powder Bellows, made by W. Wood & Son, Wood Green.

It should be addressed early, before it establishes itself, or even before it becomes visible if we suspect its presence. Flowers of Sulphur is the most common and effective preventive. It's applied to the plants using specially designed bellows. As it floats like a fine mist all over the garden, it settles on every part of the plant. The best time to apply it is early in the morning, before the dew is gone, since the evaporation of the dew has a subtle effect on the sulphur that significantly enhances[138] its effectiveness. Rev. F. Page-Roberts strongly recommends using Black Sulphur instead of the regular yellow, with one of the "Ideal" Powder Bellows made by W. Wood & Son, Wood Green.

Another preventive, which is advised in the National Rose Society's handbook as extremely efficacious, is syringing with Potassium Sulphide, Liver of Sulphur—half an ounce to a gallon of water. The handbook advises adding a tablespoonful of liquid glue, or the whites of two eggs to every gallon of water, as this causes the solution to adhere better to the foliage. If thoroughly and carefully applied with a very fine syringe, such as the Abol Syringe, using the bend attached to get at the under-side of the leaves where the fungus first appears, this wash acts rapidly upon the pests.

Another preventive method recommended in the National Rose Society's handbook is using a solution of Potassium Sulphide or Liver of Sulphur—half an ounce mixed with a gallon of water. The handbook suggests adding a tablespoon of liquid glue or the whites of two eggs to each gallon, as this helps the solution stick better to the leaves. When applied thoroughly and carefully with a fine syringe, like the Abol Syringe, and using the bend to reach the underside of the leaves where the fungus first shows up, this wash works quickly against the pests.

Mo-Effic, a new preparation, has been highly recommended in the last two years. I have not tested it myself. But Mr. Mawley considers it most successful.

Mo-Effic, a new product, has received a lot of recommendations over the past two years. I haven't tried it myself, but Mr. Mawley thinks it's very effective.

Black Spot is another troublesome pest. It attacks the foliage alone, and not only spoils the appearance of the leaves, but so injures them that they fall off prematurely. The disease can be best checked by spraying with the Liver of Sulphur wash, beginning early in the spring and going on at intervals.

Black Spot is another annoying pest. It attacks only the leaves, ruining their look and causing them to drop off too soon. The best way to control the disease is by spraying with Liver of Sulphur wash, starting early in the spring and continuing at regular intervals.

Rose Rust and Rose Leaf Scorch may also be combated with Liver of Sulphur wash.

Rose Rust and Rose Leaf Scorch can also be treated with a Liver of Sulphur wash.

But in all these three last diseases, it is a matter[139] of the greatest importance to collect the badly diseased leaves on the plant, and especially to pick up every one lying on the ground, and to see that they are burnt at once and not thrown on the rubbish heap, where they will only infect the soil.

But in all three of these recent diseases, it's crucial to collect the severely diseased leaves from the plant, and especially to pick up every one lying on the ground. Make sure they are burned immediately and not thrown on the trash heap, where they will just infect the soil.

Sooty Mould, the unsightly black stuff which often covers the foliage, is a parasitic fungus not upon the leaf itself but upon the "honey dew" deposited by Green Fly. If therefore the honey dew is kept off by destroying the Aphides which secrete it, Sooty Mould will not appear.

Sooty Mould, the unattractive black stuff that often covers the leaves, is a type of fungus that grows not on the leaf itself but on the "honeydew" produced by Green Flies. So, if you prevent the honeydew from accumulating by eliminating the aphids that produce it, Sooty Mould won't show up.


Bug Pests.

Green Fly, or Rose Aphis, is alas! too well known in every garden to need much description. But the reason why it is so difficult sometimes to get rid of this pest is not so commonly known. The Aphides breathe through pores at the sides of their bodies. And in order to kill them, some substance must be used which will close these pores. Therefore syringing with water or any clear liquid is absolutely useless; for if a few Green Fly are knocked off one shoot they will only settle on some other. We often hear people say after a thunderstorm, "This will clean the roses and wash off the Green Fly nicely." Far from it. They only increase the faster; while the caterpillars rejoice, and flaunt themselves openly on every bush. Then in despair some one uses[140] paraffin or some violently caustic wash for spraying the Green Fly, and destroys his roses thereby.

Green Fly, or Rose Aphis, is unfortunately too familiar in every garden to need much explanation. However, the reason it's sometimes so hard to get rid of this pest isn't as widely known. Aphids breathe through tiny holes on the sides of their bodies. To kill them, you need to use something that will block these holes. So, spraying with water or any clear liquid is completely pointless; even if a few Green Flies are knocked off one stem, they'll just move to another. We often hear people say after a thunderstorm, "This will clean the roses and wash off the Green Flies nicely." Not at all. They actually multiply faster; meanwhile, the caterpillars thrive and display themselves openly on every bush. In frustration, some people resort to using[140] paraffin or some harsh chemical spray to tackle the Green Flies, which only ends up destroying their roses.

Nature has mercifully provided some enemies to prey on the Green Fly—and these help in some small degree to keep the pest down. The chief of these is the Ladybird, which both in its adult and in its larval state devours them ceaselessly. The pretty green Lace-wing Fly or Aphis Lion is also useful, as its larvæ are provided with "large sickle-shaped jaws for picking the Green Fly off the plants."

Nature has kindly given us some enemies to control the Green Fly, which helps reduce the pest a bit. The main one is the Ladybird, which constantly eats them both as an adult and in its larval form. The beautiful green Lace-wing Fly, also known as the Aphis Lion, is helpful too, as its larvae have large, sickle-shaped jaws to pick the Green Fly off the plants.

The Hover Fly—which looks like a small, slim two-winged bee or wasp—lays its eggs in the thick of a mass of Green Fly, and its green and grey leech-like maggots feed upon them. And the Ichneumon and Chalcid Flies lay their eggs in the bodies of the Aphides and their maggots feed on them from within.

The Hover Fly, which resembles a small, slender two-winged bee or wasp, lays its eggs in a bunch of Green Fly, and its green and gray maggots, which look like leeches, feed on them. The Ichneumon and Chalcid Flies also lay their eggs inside the bodies of the Aphides, and their maggots feed on them from the inside.

But all these are of comparatively little help to the unhappy rosarian, who must therefore devise unnatural means to clear his plants.

But all these are relatively unhelpful to the unhappy rose grower, who must therefore come up with unnatural ways to clear his plants.

As far as I know, with the exception of an Aphis brush—a useful invention, but one which needs very gentle handling—there are only two safe remedies for this universal plague. The usual one is a wash of soft-soap and quassia, in these proportions—

As far as I know, besides an Aphis brush—a helpful tool, but one that requires very gentle handling—there are only two safe solutions for this widespread problem. The common one is a wash made of soft soap and quassia, in these proportions—

Best soft-soap1 lb.
Quassia chips2½ lb.
Water    25 gallons.

Even this wash, excellent as it is, will sometimes[141] fail to get rid of the scourge in a bad year. But I have found "Abol, White's Superior," a never-failing remedy. It is also much easier to use, as one only has to mix it with cold water according to the directions on each can, and it is ready in a minute.

Even this wash, great as it is, will sometimes[141] fail to eliminate the problem in a bad year. But I’ve discovered "Abol, White's Superior," which is a reliable solution. It’s also way easier to use; you just mix it with cold water following the instructions on each can, and it's ready in a minute.

If either of these remedies are used the moment the Green Fly appears, and the dose repeated a couple of days later in order to kill any that may have escaped the first spraying, we have very little more trouble until the second crop of Green Fly appears in September. It is well to syringe the plants thoroughly with pure water a few days after the second dose of either of these washes, as this knocks off the dead Aphides, and leaves the foliage clean and sweet.

If you use either of these remedies as soon as the Green Fly shows up, and then repeat the dose a couple of days later to kill any that might have escaped the first spray, we won't have much trouble until the second wave of Green Fly arrives in September. It's a good idea to thoroughly rinse the plants with pure water a few days after the second dose of either wash, as this removes the dead Aphids and keeps the leaves clean and healthy.

Although paraffin in various forms is often recommended, let me urge upon my readers that it is a most dangerous substance to use upon the rose—a naturally delicate plant—as any remedy of a caustic nature is sure to do it far more harm than good.

Although paraffin in various forms is often recommended, I want to emphasize to my readers that it is a very dangerous substance to use on roses—a naturally delicate plant—since any caustic remedy is likely to do much more harm than good.

Tobacco wash is recommended by the Continental rose-growers for Aphis, 1 part of tobacco-juice to 15 parts of water. If a little soft-soap is added it makes a better wash. This is also a good wash for

Tobacco wash is recommended by the Continental rose-growers for aphids, mixing 1 part of tobacco juice with 15 parts of water. Adding a little soft soap improves the wash. This is also an effective wash for

Cuckoo Spit or Frog-Fly.—This frothy substance if washed off will be found to contain a yellow creature, often closely wedged into the angle of leaf and shoot, or at the base of a flower bud. This is[142] a "nymph" or young Frog-Fly—a most destructive insect—and unless removed it will so quickly suck the sap of the leaf and bud that it dies and falls off.

Cuckoo Spit or Frog-Fly.—This bubbly substance, if washed away, will reveal a yellow bug, often tightly wedged in the angle of a leaf and shoot, or at the base of a flower bud. This is[142] a "nymph" or young Frog-Fly—a highly destructive insect—and if not removed, it will rapidly suck the sap from the leaf and bud, causing them to die and drop off.

To get rid of them requires patience. We must either hand-pick the roses—or if we spray with the tobacco wash it is necessary to syringe the plant with plain water first, using some force, to wash off the white froth—and then spray with the tobacco wash to kill the "nymph."

To get rid of them takes patience. We either have to pick the roses by hand, or if we use the tobacco wash, we need to rinse the plant with plain water first, applying some pressure, to wash off the white foam—and then spray with the tobacco wash to eliminate the "nymph."

This leads us to the more active and the worst of all the pests we have to fight against.

This brings us to the most aggressive and the worst of all the pests we have to deal with.


Beetles, bees, flies, and moths,
which either in their adult form or as maggots and caterpillars prey upon the rose.

Four Beetles are among the enemies of the rose. The beautiful green Rose Beetle or Rose Chafer does harm in both stages. As a grub it feeds underground on the roots; and as a beetle eats the foliage and the petals and anthers of the flowers. I find it is particularly fond of the delicate blossoms of the Yellow Persian Briar.

Four types of beetles are among the enemies of the rose. The beautiful green Rose Beetle or Rose Chafer causes damage in both stages. As a grub, it feeds underground on the roots; and as a beetle, it eats the leaves, petals, and anthers of the flowers. I've noticed that it especially likes the delicate blossoms of the Yellow Persian Briar.

The Cock Chafer also eats the foliage, and its large white grubs devour the roots of the roses to such an extent that they often kill the plant. As the grubs remain for three years in the ground the damage they can do is incalculable; and they attack other plants besides roses. Among the roots of a herbaceous Spiræa I lifted this last winter, I caught[143] forty of these grubs, and found they had so honey-combed the roots that the plant had to be burnt.

The Cock Chafer also feeds on leaves, and its large white grubs damage the roots of roses to the point where they often kill the plant. Since the grubs stay in the ground for three years, the harm they can cause is immense, and they also target other plants besides roses. While lifting a herbaceous Spiræa last winter, I found[143] forty of these grubs, and discovered they had so thoroughly eaten away the roots that the plant had to be burned.

The Summer Chafer and Garden Chafer also attack roses.

The Summer Chafer and Garden Chafer also infest roses.

Where these four chafers are prevalent there is no cure but hand-picking. The beetles must be collected off the bushes; and the grubs carefully picked out of the roots, if we have reason to think they are present from the rose appearing unhealthy. Or they may be tempted out of the soil by placing grass turves upside down close to the plants, when they can be picked out and killed with a little boiling water.

Where these four types of beetles are common, the only solution is hand-picking. You need to collect the beetles from the bushes and carefully remove the grubs from the roots if you suspect they are there because the rose looks unhealthy. Alternatively, you can lure them out of the soil by placing grass sods upside down near the plants, allowing them to be picked out and killed with some boiling water.

The Rose Leaf-cutting Bee spoils the foliage by cutting semi-circular pieces out of the leaves to line its nest. A few years ago I found that a fine young plant of Tea Rambler was so relished by this bee that hardly a leaf was left intact. There is no cure but to watch the bee going into her nest and there to destroy it after dusk.

The Rose Leaf-cutting Bee damages the leaves by cutting out semi-circular pieces to use for its nest. A few years ago, I discovered that a beautiful young Tea Rambler was so appealing to this bee that barely any leaves were left untouched. The only solution is to observe the bee entering her nest and then destroy it after dark.


Of all pests that the rose-grower has to fight against

Of all the pests that rose growers have to battle against


Caterpillars and larvae
are the very worst. For there is no real remedy against their endless and varied depredations save hand-picking; or as some one has tersely put it, "just a little gentle washing with non-caustic substances, and just a lot of finger-and-thumb work."[144] This is tedious, and often disgusting; but it is the only way.

These loathsome pests are the larvæ of certain flies and many kinds of moths.

These annoying pests are the larvae of certain flies and many types of moths.

Sawflies, the little black and shiny flies which infest the roses in May and June, are a terrible pest, as the eggs they lay on the leaves turn quickly into small, green larvæ. There are several kinds of sawflies, and their destructive methods vary. The Leaf-rolling Sawfly, whose larvæ roll the rose-leaves like paper spills, has become a serious pest among garden roses of late years, and if these rolls are carefully unfolded the little green maggot will be found in one of them. It must be caught with care, as it is very lively, and if allowed to fall to the ground will remain there, and produce a fresh brood in the next year.

Sawflies, the small black and shiny flies that infest roses in May and June, are a major nuisance, as the eggs they lay on the leaves quickly develop into small green larvae. There are several types of sawflies, and their harmful behaviors differ. The Leaf-rolling Sawfly, whose larvae roll rose leaves like paper, has become a significant problem for garden roses in recent years. If these rolls are carefully unfolded, you'll find the little green maggot inside one of them. It needs to be caught carefully, as it's very active, and if it falls to the ground, it will stay there and produce a new generation the following year.

The Rose Slugworm is much more common, and most destructive, eating the upper surface of the leaves and leaving the lower to shrivel up. It has two broods in the year.

The Rose Slugworm is far more common and destructive, feeding on the top surface of the leaves while leaving the underside to wilt. It has two generations each year.

The Rose Emphytus is another of the sawflies, and one of the worst. Its larva eats the whole leaf away, beginning at the mid rib, and also works its way into a cell in the branches till the next spring, thus killing the tender growths above. This is the green caterpillar which we find coiled up on the under-side of the rose-leaves, or in early morning and late evening curled round the base of a rose-bud, working its way through the calyx into the heart of the flower.[145] It is far easier to catch, as it is somewhat sluggish in movement, clean and hard in substance—and therefore less disgusting to touch than others that squash in one's fingers. The best remedies for these pests are: first, prevention, by spraying with hellebore wash, which I have found most useful. Second, by careful hand-picking when the larvæ appear. And third, by removing the surface soil in which the cocoons are buried, and all dead wood, during the winter.

The Rose Emphytus is another type of sawfly, and one of the worst. Its larvae eat away entire leaves, starting from the midrib, and they can also burrow into a branch's tissue and stay there until the next spring, effectively killing the tender growth above. This is the green caterpillar that we find curled up on the underside of rose leaves, or in the early morning and late evening, wrapped around the base of a rose bud, making its way through the calyx into the heart of the flower.[145] It’s much easier to catch since it moves slowly, is clean and firm in texture—making it less off-putting to touch than others that squash in your fingers. The best ways to deal with these pests are: first, prevention by spraying with hellebore wash, which I’ve found very effective. Second, carefully hand-picking when the larvae appear. And third, removing the topsoil where the cocoons are buried, along with all dead wood, during the winter.

Hellebore wash is made in the following proportion—

Hellebore wash is made in the following proportion—

1 oz. fresh-ground hellebore powder.
2 oz. flour.
3 gallons of water.

Mix the hellebore and flour with a little water till dissolved; then stir into the rest of the water and apply with a fine Abol Syringe.

Mix the hellebore and flour with a little water until it's dissolved; then stir it into the remaining water and apply it with a fine Abol Syringe.

Caterpillars of many moths are among the most deadly foes of the rose. Some eat the foliage—such as the Buff Tip and Vapourer Moths; others tunnel into the leaves. But the worst of all are the Tortrix Moths or Rose Maggots, whose repulsive grubs eat the unopened blossoms and spin the delicate young leaves together, destroying the whole top of the new shoots. There are many varieties of Tortrix, which are all quite small moths, and their caterpillars or "Maggots" are the most unpleasant and destructive of all we[146] have to deal with. The worst of all are the Red and the Brown Rose Maggots. These creatures are dirty red or brown, with black heads; they are soft, and grow very fat, and when full grown are half an inch long. They spin the leaves together at the top of the tender young flowering shoots, often bending the top down; and not only eat the leaves in the midst of this filthy fortress, but eat their way into the buds and destroy them.

Caterpillars of many moths are some of the biggest threats to roses. Some munch on the leaves—like the Buff Tip and Vapourer Moths; others burrow into the leaves. But the worst offenders are the Tortrix Moths or Rose Maggots, whose disgusting larvae consume the unopened flowers and bind the delicate young leaves together, wrecking the entire top of the new shoots. There are many types of Tortrix, which are all pretty small moths, and their caterpillars, or "Maggots," are the most annoying and destructive ones we[146] have to face. The absolute worst are the Red and Brown Rose Maggots. These pests are dirty red or brown with black heads; they're soft, grow quite plump, and reach half an inch long when fully grown. They twist the leaves together at the tips of the tender young flowering shoots, often bending the tops down; and not only do they munch on the leaves within this filthy hideout, but they also burrow into the buds and ruin them.

Other Tortrix Moths have green and yellow-green maggots. The worst is the Green Rose Maggot—bluish-green with a black head. It also spins the leaves together, and grows nearly as large as the brown. It is extremely active, and very soft and slimy.

Other Tortrix Moths have green and yellow-green larvae. The worst is the Green Rose Maggot—bluish-green with a black head. It also wraps the leaves together and grows nearly as large as the brown variety. It is very active and quite soft and slimy.

These all turn to pupæ among the leaves instead of in the soil; and any left in the foliage must be picked out and burnt. If we wait until the shoots and buds are eaten and the foliage spoilt—nay, till often the whole of our early flowers are ruined—the only remedy is to pinch the leaves which conceal the maggot, if we have courage to do so, or to hand-pick every one we see. But happily a way exists of preventing these loathsome pests from destroying our roses. And this is to spray the plants from the middle of April to early in May with arsenate of lead.[9] This should be done twice, and will prevent many other caterpillars from feeding on the foliage.

These all become pupae among the leaves instead of in the soil; and any that are left in the foliage must be picked out and burned. If we wait until the shoots and buds are eaten and the leaves are damaged—sometimes even our entire early flowers are ruined—the only solution is to pinch off the leaves that hide the maggot, if we have the courage to do that, or to pick out every single one we see. Fortunately, there is a way to stop these annoying pests from ruining our roses. We can spray the plants from the middle of April to early May with arsenate of lead.[9] This should be done twice and will stop many other caterpillars from feeding on the leaves.

The Vapourer Moth, the little golden brown[147] moth with a tiny white crescent on each wing, is unfortunately common everywhere, in town as well as country; and its caterpillars are as destructive as they are beautiful. These caterpillars are found in great masses upon the hawthorn and fruit trees, and attack the rose as well. They are handsome, hairy creatures, spotted thickly with bright pink-red tubercles, with four erect tufts of yellow hairs on the back, and five longer tufts of darker hairs, two pointing forwards, one backwards over the tail, and two at the sides.

The Vapourer Moth, the small golden brown[147] moth with a tiny white crescent on each wing, is unfortunately found everywhere, both in cities and in rural areas; and its caterpillars are just as destructive as they are beautiful. These caterpillars gather in large numbers on hawthorn and fruit trees, and they also attack roses. They are striking, hairy creatures, covered with dense bright pink-red bumps, featuring four upright tufts of yellow hairs on their backs, and five longer tufts of darker hairs—two pointing forward, one backward over the tail, and two on the sides.

If there are too many to be hand-picked the bushes must be sprayed with arsenate of lead.

If there are too many to pick by hand, the bushes need to be sprayed with arsenate of lead.

The Buff Tip Moth does most harm in the autumn, when its caterpillars, yellow and green, with longitudinal black lines divided by yellow bands, appear in colonies, feeding upon the surface of the leaves. They should be picked off at once, before they grow large, as they reach a length of two inches when full grown, and disperse, feeding singly. If very plentiful, spraying with arsenate of lead will destroy them.

The Buff Tip Moth causes the most damage in the fall when its caterpillars, which are yellow and green with long black stripes separated by yellow bands, cluster together and eat the tops of the leaves. They should be removed immediately before they get too big, as they can grow up to two inches long when fully grown and then spread out to feed alone. If they are very numerous, spraying with arsenate of lead will eliminate them.

The Winter Moth, which is such a serious pest among fruit trees, also attacks roses. The caterpillar is hatched very early, in the end of March and beginning of April. It is a "Looper," greyish at first and turning green later, and nearly an inch long when full grown.

The Winter Moth is a significant pest for fruit trees and also targets roses. The caterpillar hatches early, around the end of March and the beginning of April. It is a "Looper," initially greyish and later turning green, reaching nearly an inch in length when fully grown.

The grease bands we use on fruit trees to catch[148] the wingless female as she creeps up in the autumn to lay her eggs on the bark, would be difficult to use for rose-bushes. The only plan therefore is to spray very early in the season with arsenate of lead wash.[10]

The grease bands we put on fruit trees to catch[148] the wingless females as they crawl up in the fall to lay their eggs on the bark would be hard to apply to rose bushes. So, the best approach is to spray very early in the season with arsenate of lead wash.[10]

Another "Looper" found early on the roses is that of the Mottled Umber Moth. It is brown with yellowish sides, looks almost like a twig, and is over an inch long. It must be hand-picked.

Another "Looper" found early on the roses is that of the Mottled Umber Moth. It is brown with yellowish sides, looks almost like a twig, and is over an inch long. It must be hand-picked.

The Dagger Moth's caterpillar—a long, grey-black creature with a yellow line along the back, a large black hump on the shoulder and a small one at the tail, is most destructive when it appears in late summer and early autumn. It is generally found singly; but one specimen will strip a whole shoot of leaves, leaving only the mid rib. Hand-picking is the only remedy.

The Dagger Moth's caterpillar—a long, gray-black creature with a yellow stripe along its back, a large black bump on its shoulder, and a smaller one at its tail—is most harmful when it shows up in late summer and early autumn. It's usually found alone; however, one caterpillar can completely defoliate a shoot, leaving just the main vein. The only solution is to pick them off by hand.

These are the chief of the pests which we have to fight against. And if we desire to keep our roses in health and beauty we must remember that prevention is better than cure, and begin our treatment in good time, before the many enemies of the rose get too firm a hold.

These are the main pests we need to deal with. If we want to keep our roses healthy and beautiful, we have to remember that prevention is better than cure, and start our treatment early, before the numerous enemies of the rose gain too strong a grip.

REMEDIES FOR ROSE PESTS

WASHES, ETC.

For Aphis or Green Fly.

For aphids or greenflies.

1. Abol. White's Superior-instructions with each can.

Abol. White's Superior instructions with every can.

2. Soft soap and Quassia Wash.

2. Gentle cleanser and Quassia Wash.

Best soft soap     1 lb.
Quassia chips2½ lb.
Water25 gallons.

Dissolve the soap in boiling (soft) water. Boil the chips or simmer for twelve hours, adding water from time to time to cover them. Strain off the liquid, mix it with the dissolved soap, stirring them together thoroughly, then add the water.

Dissolve the soap in boiling (soft) water. Boil the chips or simmer for twelve hours, adding water occasionally to keep them covered. Strain the liquid, mix it with the dissolved soap, stirring well, and then add the water.

3. Tobacco Wash—also useful for Cuckoo Spit, Thrips and Leaf-Hoppers.

3. Tobacco Wash—also effective for Cuckoo Spit, Thrips, and Leaf-Hoppers.

1 part tobacco juice.
15 parts water.
Add a little dissolved soft soap.

4. Hellebore Wash for Sawflies.

4. Hellebore Wash for Sawflies.

Fresh-ground hellebore      1 oz.
Flour2 oz.
Water3 gallons.

Mix the flour and hellebore powder with a little water. Then add the rest of the water. It must be kept stirred, and used with a fine spray. Hellebore is poison.

Mix the flour and hellebore powder with a little water. Then add the rest of the water. It must be kept stirred and used with a fine spray. Hellebore is poison.

5. Arsenate of Lead for Caterpillars.

Lead Arsenate for Caterpillars.

This is a poisonous wash, but the only one that can be used without hurting the roses. It is made[150] with the paste known as Swift's Arsenate Paste, mixed with water.

This is a toxic wash, but it's the only one that can be used without damaging the roses. It's made[150] with the paste called Swift's Arsenate Paste, mixed with water.

6. Flowers of Sulphur blown over the plants for Mildew.

6. Flowers of Sulphur spread over the plants for mildew.

Liver of Sulphur Wash for Mildew and other fungi, and for Red Spider.

Liver of Sulphur Wash for mildew and other fungi, and for red spider.

Liver of sulphur       1 oz.
Water10 gallons.

Powdered hellebore may be dusted over the bushes for Sawflies, but the hellebore wash is best.

Powdered hellebore can be sprinkled on the bushes for Sawflies, but the hellebore wash is the most effective.

All these washes can be used with the Abol Syringe. And in large gardens Vermorel's Knapsack Sprayer is almost indispensable, as it does equally well for roses and fruit trees.

All these washes can be used with the Abol Syringe. In large gardens, Vermorel's Knapsack Sprayer is nearly essential, as it works just as well for roses and fruit trees.


CHAPTER XI

HOW TO GROW ROSES FOR EXHIBITION
(By the Rev. F. Page-Roberts, Vice-President National Rose Society, F.R.H.S.)

In writing this chapter my purpose is to tell, in a few clear words, the way to grow fine roses, whether they be for exhibition or for private delight; for the method and culture are identical, if the blooms are to be worth looking at.

In writing this chapter, I aim to explain, in a few simple words, how to grow beautiful roses, whether for show or personal enjoyment; because the techniques and care are the same if you want the flowers to be truly impressive.

First, then, as to situation and soil. If possible, choose a position for the beds sheltered from strong winds, yet not near large trees, or hedges; for the roots will enter the beds and rob them of moisture and nutriment. Buildings and walls are the best shelters.

First, then, regarding location and soil. If possible, choose a spot for the beds that is protected from strong winds, but not too close to large trees or hedges, as their roots will invade the beds and steal moisture and nutrients. Buildings and walls make the best shelters.

Make the beds, if possible, in the highest part of the garden, and not the lowest; roses like an open situation, though they need shelter from strong winds, and shade, if possible, from the midday sun. In writing these notes I do not wish to say anything that will discourage any one from trying to grow exhibition roses; for they can be grown, more or less well,[152] in almost any situation, and any soil. Those who can choose both are to be envied.

Make the beds, if you can, in the highest part of the garden, not the lowest; roses thrive in open areas, but they also need some protection from strong winds and shade from the midday sun if possible. As I write these notes, I don't want to discourage anyone from trying to grow exhibition roses; they can be grown, more or less successfully,[152] in almost any location and in any type of soil. Those who can choose both are lucky.

Then as to soil; some varieties, the H. Ps., will only give the finest blooms in heavy loam; the H. Teas in a less heavy; and the Teas, the most beautiful, though perhaps not so popular as the dark H. Ps., in quite light sandy soil. So the grower must decide according to his situation and soil what varieties to grow, remembering that the Teas are liable to suffer from severe frost.

Then regarding soil; some varieties, like the H. Ps., will only produce the best blooms in heavy loam; the H. Teas do well in slightly lighter soil; and the Teas, which are the most beautiful but maybe not as popular as the dark H. Ps., thrive in quite light sandy soil. So, the grower needs to choose which varieties to cultivate based on their location and soil, keeping in mind that the Teas are vulnerable to severe frost.

I make my beds three feet deep and three feet wide,[11] allowing for two rows of roses, and a grass path about thirty inches wide between the beds, grass being more sightly than gravel, and pleasanter to walk on. The beds, if the soil is heavy, will be all the better for being raised a little above the level of the paths; the roots do not like stagnant water. The beds should be prepared in the autumn, a few weeks before the end of October, that the soil may settle. The manure should be below the roots, not touching them; the roots will find it, and it is better for them to go down, than to come to the surface and suffer if the season be dry. A good sprinkling of bone meal spread over the top soil before planting (with a dusting of basic slag, three to four ounces per square yard) will be all that is necessary at this time. Covering the beds with manure in the winter is not recommended; and digging, or even turning it in, in the[153] spring, is not advisable, however carefully it is done, as some of the roots must suffer, and, besides, manure does not protect the roots. The beds should never be disturbed more than the depth that a hoe will do it. The beds for H. Ts. and Teas should be prepared in the same way. Beds wide enough for two rows are more easily managed than wider ones, there being no need to tread on the soil when attending to the plants, and they can be more easily hoed.

I make my garden beds three feet deep and three feet wide,[11] allowing for two rows of roses, with a grass path about thirty inches wide between the beds. Grass looks nicer than gravel and is more pleasant to walk on. If the soil is heavy, the beds should be raised a bit above the path level since the roots don’t like standing water. The beds should be prepared in the fall, a few weeks before the end of October, so the soil can settle. Manure should be placed below the roots without touching them; the roots will reach down for it, which is better than coming to the surface and suffering during dry spells. A good sprinkle of bone meal spread over the topsoil before planting (along with a dusting of basic slag, about three to four ounces per square yard) is all you really need at this stage. It’s not advisable to cover the beds with manure in the winter, and digging or turning it in during the[153] spring isn't recommended either, no matter how carefully it’s done, since some of the roots will be damaged, and manure doesn’t protect the roots. The beds should only be disturbed as deep as a hoe will allow. Beds for H. Ts. and Teas should be prepared the same way. Beds wide enough for two rows are easier to manage than wider ones because there's no need to walk on the soil while tending to the plants, and they can be hoed more easily.

When selecting varieties, consult an expert, or better still, if you are not a subscriber to the N. R. S. (and this all rosarians should be), get a copy of the N. R. S. official catalogue of Roses, which can be obtained by non-members through a member, price 2s. 6d. This will give you all the information desired. A list of good roses for exhibition is given at the end of this chapter. It is advisable to order the plants early, as nurserymen execute orders in the order in which they are received, and planting should be done during the end of October and November; if not done then it must be deferred till February or March.

When choosing varieties, talk to an expert, or even better, if you're not a member of the N. R. S. (and all rose enthusiasts should be), get a copy of the N. R. S. official catalogue of Roses, which non-members can obtain through a member for 2s. 6d. This will provide you with all the information you need. A list of recommended roses for exhibition is included at the end of this chapter. It's best to order the plants early, as nurseries process orders in the order they receive them, and planting should happen in late October and November; if you miss that window, you'll have to wait until February or March.

The distance of plants from each other depends a good deal upon the varieties. Strong growers should be planted wider apart than small growers; one foot apart is about the usual distance in the rows.

The spacing between plants depends a lot on the types. Strong growers should be planted farther apart than smaller growers; about a foot apart is the typical distance in the rows.

There are some varieties like A. K. Williams, Mrs. W. J. Grant, and Horace Vernet, that do not transplant well. These ought to be budded, and not[154] moved, if possible. Dwarf-rooted stocks can be bought of the nurserymen at a small cost; and the Standard stocks, the best for Tea roses, can be usually got in the neighbouring hedges.

There are some varieties like A. K. Williams, Mrs. W. J. Grant, and Horace Vernet that don't transplant well. These should be budded instead of moved, if possible. You can buy dwarf-rooted stocks from nurserymen for a low price, and the Standard stocks, which are the best for Tea roses, can usually be found in the nearby hedges.[154]

Pruning.[12]—The object of pruning is to give increased vigour to the plant, and to keep it within bounds; to make, if possible, a new plant each year, a new top to the old roots. And to do this, severe pruning is absolutely necessary. The harder the pruning, the stronger the growth. Each variety should be pruned according to its growth. If very vigorous, they require less cutting back than those of moderate, or weakly growth.

Pruning.[12]—The purpose of pruning is to boost the plant's strength and keep it manageable; to create, if possible, a new plant each year, a fresh top for the old roots. To achieve this, significant pruning is essential. The more drastic the pruning, the stronger the growth. Each variety should be pruned based on its growth pattern. If a plant is very vigorous, it needs less cutting back than those with moderate or weak growth.

H. Ps. will be pruned harder than either H. Ts. or Teas; the latter, on account of frost, will sometimes do with little pruning beyond cutting out all dead and weakly shoots, and shortening slightly the long straggling ones. In all cases do not allow the centre of the plant to be crowded. The H. Ps. as a rule, may be cut down to two or three eyes, leaving the very vigorous shoots of some kinds even five or six eyes; but all weak shoots must be cut down to the base of the plant. This pruning should be done in March, leaving the Teas till April. If in pruning the pith be found to be dark in colour, the shoot must be cut back. Sometimes it will be necessary to cut it quite away, if no light-coloured pith can be seen. Then a certain amount of pruning or thinning[155] of the shoots is necessary in the spring, after the roses have started growing; three to six shoots only, according to the variety, should be left. A thinning again in autumn, of the shoots that have done their work, will give the later shoots a better chance of ripening.

H. Ps. will be pruned more aggressively than either H. Ts. or Teas; the latter may sometimes require little more than removing all dead and weak shoots and slightly shortening the long, sprawled-out ones, due to frost. In all cases, avoid crowding the center of the plant. Generally, H. Ps. can be cut back to two or three buds, leaving the really strong shoots of some types even with five or six buds; however, all weak shoots must be cut back to the base of the plant. This pruning should be done in March, while the Teas should wait until April. If you find that the pith is dark when pruning, the shoot needs to be cut back. Sometimes, it might be necessary to remove it completely if no light-colored pith is visible. Additionally, some pruning or thinning of the shoots is required in the spring once the roses have started to grow; leave three to six shoots depending on the variety. A further thinning in the autumn of the shoots that have already bloomed will help the later shoots have a better chance to mature.

Manuring.—Farmyard dung is the best of all fertilisers, and this should be used, as has been pointed out,[13] when the beds are being made, so that there is plenty of good nutriment below the roots. Nitrate of soda and Guano, both soluble, may be sprinkled on the surface alternately once a week after the plants have begun to grow, and hoed in. Manure put on for a mulch in winter does little or no good. The very best and only mulch, winter and summer, is a loose soil surface; and for this the hoe must be kept at work, especially after rain or watering. A good liquid manure is made by putting a barrowful of fresh cow manure into a large barrel, a big wine pipe is the thing; add soft water to thin it, put in a bag of soot, and fill up with rain-water. After settling, this will be ready for use. Liquid manure must not be given when the soil is dry, but only after rain or a good watering. Soot dusted over the beds is beneficial, and may also destroy a certain amount of Mildew. The drainage from the farmyard should not be allowed to waste, as is so often the case; but if well diluted it makes a good liquid[156] manure. Do not apply the fertiliser close to the stem, but distribute over the whole ground. Remember when giving liquid manure the same rule holds good, "Strong meat for men, milk for babes."

Fertilizing.—Farmyard manure is the best fertilizer, and it should be used, as mentioned,[13] when preparing the beds to ensure there's plenty of good nutrients below the roots. Nitrate of soda and guano, both soluble, can be sprinkled on the surface alternately once a week after the plants start to grow, and then worked into the soil. Manure applied as a mulch in winter doesn’t help much. The best mulch, for both winter and summer, is a loose layer of soil; for this, the hoe should be actively used, especially after rain or watering. A good liquid fertilizer can be made by putting a wheelbarrow full of fresh cow manure into a large barrel, a big wine pipe works well; add soft water to dilute it, include a bag of soot, and top off with rainwater. After it settles, it's ready to use. Liquid fertilizer should only be applied when the soil isn’t dry, but after it has rained or been well watered. Soot sprinkled over the beds is helpful and can also reduce some mildew. The drainage from the farmyard shouldn't be wasted, as is often the case; when well diluted, it makes a good liquid[156] fertilizer. Avoid putting the fertilizer too close to the stem; instead, spread it over the entire area. Keep in mind that the same principle applies when using liquid fertilizer: "Strong meat for men, milk for babies."

Strong growing varieties will stand more than weak ones, and no liquid manure should be given to newly planted trees. A dressing of Basic Slag in the autumn is recommended.

Strong growing varieties will outlast weaker ones, and no liquid fertilizer should be applied to newly planted trees. A dressing of Basic Slag in the fall is recommended.

Pests.[14]—These are many, and the remedies are few and simple. Caterpillars, large and small, must be hunted for daily and killed with finger and thumb from April to July, however unpleasant the process may be, or the most promising buds will be spoiled. For destroying Aphis, which are very troublesome some years, a solution made by boiling Quassia chips in water, and adding soft soap when cooling, is often used; though "finger and thumb" drawn gently up the stem when the insect is first seen, puts an end to those on the shoot; and finger and thumb is even recommended for destroying Mildew on its first appearance, though this cannot be done when there is a bad attack.

Pests.[14]—There are many and the solutions are few and straightforward. Caterpillars, both large and small, need to be searched for and removed by hand daily from April to July, no matter how unpleasant it may be, or the most promising buds will be damaged. To get rid of Aphis, which can be quite a nuisance some years, a solution made by boiling Quassia chips in water and adding soft soap when it cools is commonly used; however, gently pinching them off the stem when you first see the insect takes care of those on the shoot. Using your fingers to remove Mildew at its first appearance is also suggested, but this isn’t feasible during a severe outbreak.

Nothing in my experience equals Flowers of Sulphur for Mildew, when distributed by an "Ideal" powder bellows. This should be done quite early in the morning, when there is a promise of a hot, sunny day. If the wind is not too strong, the Sulphur will float through the plants like a cloud of smoke, searching into every part. This should be repeated once a[157] week, and even before there is a sign of Mildew on the leaves, prevention being better than cure. But I know no remedy that will quite destroy it.

Nothing in my experience beats Flowers of Sulphur for handling mildew when applied using an "Ideal" powder blower. This should be done early in the morning, ideally on a hot, sunny day. If the wind isn't too strong, the Sulphur will spread through the plants like a cloud of smoke, reaching every part. This should be repeated once a[157] week, and even before any signs of mildew appear on the leaves, since prevention is better than cure. However, I don’t know of any remedy that will completely get rid of it.


Exhibiting.—If the grower wishes to exhibit his flowers, he should follow the instructions here given; and I would also advise the reading of the late Rev. A. Foster Melliar's book on exhibiting, and the Rev. J. H. Pemberton's—both most excellent books—which enter more fully into particulars than space allows me to do.

Exhibiting.—If the grower wants to display his flowers, he should follow the instructions provided here; I would also recommend reading the late Rev. A. Foster Melliar's book on exhibiting, as well as Rev. J. H. Pemberton's—both are excellent books that offer more detailed information than I can cover in this space.

The number of shoots having been reduced,[15] it will soon be time to gradually take away all the buds, except the centre bud and one other. This also must be taken away, as soon as the centre bud looks healthy and free from damage. Very strong growers, like Florence Pemberton, and those varieties having a great number of petals, will do better if the buds are not much thinned, or they will be coarse.

The number of shoots has been reduced,[15] so it will soon be time to gradually remove all the buds, except for the center bud and one more. This extra bud should also be taken away as soon as the center bud looks healthy and undamaged. Very strong growers, like Florence Pemberton, and varieties with a lot of petals will perform better if the buds aren’t thinned too much, or they will end up being coarse.

The N. R. S. definition of a good rose is: "The highest type of bloom is one which has form, size, brightness, substance, and good foliage, and which is at the time of judging in the most perfect phase of its possible beauty."

The N. R. S. definition of a good rose is: "The highest type of bloom is one that has form, size, brightness, substance, and good foliage, and that is at the time of judging in the most perfect phase of its possible beauty."

It will be necessary in the case of Hybrid Perpetuals to select the bud, which should be about three-quarters open, two days before the show (four or even five days for Teas), and to tie up, not tightly, the centre of the flower with Berlin wool, leaving the[158] outer petals free, taking care that it is not wet with rain, or even dew. Bend the shoot down, if possible, and cover with a shade; some clean litter spread under dwarfs on the ground will keep the flower from being splashed by heavy rains. Teas are improved if covered with a cone of butter paper, as well as the shade; and some may be cut two days before the show, and if put in a dry, dark cellar, will remain in good condition. Maréchal Niel will improve in colour by being kept in the dark. The best time for cutting H. Ps. is from four to seven o'clock the evening before the show; they will lose a little in colour, but will stand longer than if cut before six o'clock on the morning of the show. Use garden scissors in preference to a knife. When getting the blooms, cut the stem five or six inches long, and remove the lower leaves, which only fill up the tube and do no good to the flower, and do not add to its appearance in the box. A receptacle with water should be taken round when cutting, and the flowers put in immediately and never allowed to become dry (the water must not be cold). The name should be attached at once.

For Hybrid Perpetuals, you need to choose the bud that’s about three-quarters open, ideally two days before the show (four or even five days for Teas). Gently tie the center of the flower with Berlin wool, leaving the outer petals free, and make sure it’s not wet from rain or dew. If possible, bend the shoot down and cover it with a shade; spreading clean litter underneath dwarfs will protect the flower from heavy rain splashes. Teas will do better if covered with a cone of butter paper along with the shade. Some can be cut two days before the show, and if placed in a dry, dark cellar, they will stay in good condition. Maréchal Niel will enhance in color when kept in the dark. The best time to cut H. Ps. is between four to seven o'clock the evening before the show; they may lose a bit of color but will last longer than if cut before six o'clock the morning of the show. Use garden scissors instead of a knife. When harvesting the blooms, cut the stem five or six inches long and remove the lower leaves, which just take up space in the tube and don’t help the flower's appearance in the box. Bring a container with water while cutting, and place the flowers in it immediately, never allowing them to dry (the water shouldn’t be cold). Attach the name tag right away.

The regulation size of the N. R. S. for rose boxes is "4 inches high in front and 18 inches wide, and of the following lengths (all outside measurements). For 24 blooms, 3 ft. 6 ins. long; for 18 blooms, 2 ft. 9 ins. long; for 12 blooms, 2 ft. long; for 9 blooms, 1 ft. 6 ins. long; for 6 blooms, 1 ft. long; for 8 trebles, 3 ft. 6 ins. long; for 6 trebles, 2 ft. 9 ins. long; for 4 trebles, 2 ft. long." The lid should have[159] a depth of 9 inches to allow room for the blooms. Boxes are supplied at a moderate price by John Pinches, 3 Crown Buildings, Crown Street, Camberwell, who also supplies tubes, wire holders, and shades; they can also be obtained from horticultural firms. The tray of the box should be covered with moss. When the roses are all arranged for the night, give a little air by putting a prop under the lid, and leave the box in a cool place. When the boxes are placed on the show tables, lift the lids sufficiently high to get at the flowers. Each tube should be lifted and the rose raised, taking care that the stem is in the water. All damaged outer petals must be removed, and the flower if full with substance in it, may have the wool removed. Assist the opening of the blooms with a camel's hair brush. A gentle puff with the mouth at the centre will loosen tightly packed petals. Care must be taken when "dressing" a bloom, not to alter its character; for this, according to N. R. S., "shall count as a bad bloom." The ties must not be removed from the thin ones (those with few petals) until the last minute, when it is time to remove the lids. It will be necessary to take a few extra blooms in different stages of growth, to replace any in the box that have expanded; for a rose showing an eye gains no point. Care must be taken that there are no duplicates, but all distinct according to "schedule." Once exhibit at an important show, and many lessons will be learnt which can only be learnt there and then.[160]

The standard size for rose boxes according to the N. R. S. is "4 inches high in front and 18 inches wide, with the following lengths (all outside measurements): For 24 blooms, 3 ft. 6 ins. long; for 18 blooms, 2 ft. 9 ins. long; for 12 blooms, 2 ft. long; for 9 blooms, 1 ft. 6 ins. long; for 6 blooms, 1 ft. long; for 8 trebles, 3 ft. 6 ins. long; for 6 trebles, 2 ft. 9 ins. long; for 4 trebles, 2 ft. long." The lid should have a depth of 9 inches to provide space for the blooms. Boxes are available at a reasonable price from John Pinches, 3 Crown Buildings, Crown Street, Camberwell, who also supplies tubes, wire holders, and shades; these can also be sourced from horticultural companies. The tray of the box should be lined with moss. After arranging the roses for the night, give a little air by propping the lid open and leave the box in a cool spot. When placing the boxes on the show tables, lift the lids high enough to access the flowers. Each tube should be picked up, and the rose lifted, making sure the stem is in the water. Remove any damaged outer petals, and if the flower is fully formed, the wool can be taken off. Help the blooms open with a camel's hair brush. A gentle puff of air in the center will loosen tightly packed petals. Be careful when "dressing" a bloom not to change its natural shape; according to N. R. S., "this will count as a bad bloom." The ties on the thin roses (those with few petals) must not be taken off until just before removing the lids. It’s important to bring along a few extra blooms in various stages of growth to replace any in the box that have fully opened, as a rose with an open eye does not score any points. Ensure that there are no duplicates, but that all are distinct according to the "schedule." Once you exhibit at a major show, you'll learn many lessons that can only be gained in that experience.[160]

A SELECTION OF THE BEST EXHIBITION ROSES

Hybrid Perpetuals.
Alfred Colomb
A. K. Williams
Bob Davison
Captain Hayward
Charles Lefebvre
Commandant Felix Faure
Comte Raimbaud
Dr. Andry
Duke of Wellington
Dupuy Jemain
Fisher Holmes
François Michelon
Frau Karl Druschki
Helen Keller
Horace Vernet
Hugh Dickson
Hugh Watson
Marie Baumann
Mrs. Cocker
Mrs. John Laing
Mrs. Sharman Crawford
Prince Arthur
Suzanne Marie Rodocanachi
Ulrich Brunner
Victor Hugo

Hybrid Teas.
Bessie Brown
Caroline Testout
C. J. Grahame
Countess of Derby
Countess of Gosford
Dean Hole
Earl of Warwick
Florence Pemberton
George Laing Paul
J. B. Clarke
Kaiserin Augusta Victoria
Killarney
La France
Lady Ashtown
Lady Helen Vincent
Lady Moyra Beauclerk
Mme. Melanie Soupert
Marquise Litta
Mildred Grant
Mrs. G. W. Kershaw
Mrs. John Bateman
Mrs. Theodore Roosevelt
Mrs. W. J. Grant
Perle von Godesberg
Princesse Marie Mertchersky
Queen of Spain
William Shean
Yvonne Vacherot

Teas.
Anna Olivier
Auguste Comte
Bridesmaid
Catherine Mermet
Cleopatra
Comtesse de Nadaillac
Ernest Metz
Innocent Pirola
Mme. Constant Soupert
Mme. Cusin
Mme. de Watteville
Mme. Hoste
Mme. Jules Gravereaux
Maman Cochet
Maréchal Niel
Medea
Mrs. Edward Mawley
Mrs. Myles Kennedy
Muriel Grahame
Souv. d'Élise Vardon
Souv. de Pierre Notting
Souv. de S. A. Prince
Souv. d'un Ami
The Bride
White Maman Cochet

INDEX

A.

Abol syringe, 138, 148.

Abol, White's Superior, 141, 148.

Aphis.
Check out __A_TAG_PLACEHOLDER_0__.

Aphis Lion, 140.

Arsenate of lead, 146-9.


B.

Beds, depth, 6, 152.
— size of, 5, 152.

Bee, leaf cutting, 143.

Beetles, 142-3.

Black spot, 138.

Black sulphur, 138.

Budding, 27-30.


C.

Caterpillars, 143-8, 156.

Chalcid fly, 140.

Cock chafer, 142.

Cuckoo spit, 141-2.

Cuttings, 30-34.
— under glass, 32.
— open ground, 33-4.

Cutting dead blooms, 21.


D.

Drainage, 2-3, 152.

Draughts, danger of, 1-2.


E.

"Enemies of the Rose," 136.

Exhibiting, 157.
— arranging at the show, 159.
— cutting the blooms, 158.
— disbudding, 157.
— rose boxes, 158-9.
— rose tubes, 159.
— shading, 158.

Exhibiting, selecting the bud, 157.
— thinning the shoots, 154.
— tying the blooms, 157.

Exhibition roses—
— — beds for, 151-2.
— — distance of plants, 153.
— — manures, 152, 155.
— — pruning, 154.
— — selecting varieties, 153.
— — soil, 152.


F.

Flowers of sulphur, 137, 150, 156.

Frog fly.
Check out __A_TAG_PLACEHOLDER_0__.

Fungi, 136-9.


G.

Green fly, 139-41.
— — remedies for, 148-9, 156.


H.

Heeling in roses, 9.

Hellebore wash, 145, 149.

Hoeing, importance of, 14, 155.

Hover fly, 140.


I.

Ichneumon fly, 140.

"Ideal" powder bellows, 138, 156.


L.

Labels, 13.

Ladybirds, 140.

Layering, 34-6.

Liver of sulphur, 138, 150.


M.

Manures—
[162]— Basic slag, 7, 156.

Manures, farm yard, 6-7, 155.
— Guano, 155.
— liquid, 155-6.
— Nitrate of soda, 155.

Mildew, 137-141, 155-6.
— remedies for, 137-8, 150, 156.

Mo-Effic, 138.


N.

National Rose Society, 136, 153, 157-8-9.

Noisette, Philippe, 68.


P.

Paraffin, danger of, 140-1.

Planting, 10-14.
— dates for, 7, 153.
— depth, 9-10.

Potassium sulphide.
Check out __A_TAG_PLACEHOLDER_0__.

Position, 1, 151.

Propagating, 27.

Provins, 40.

Pruning, 14-27.
— Banksia roses, 26, 54.
— dates for, 16.
— directions for, 22-7.
— for exhibition, 154.
— Fortune's Yellow, 26.
— Noisettes, 20.
— object of, 19, 154.
— Ramblers, 20.


R.

Raffia, 12, 30.

Rivers, Mr. Thomas, 111.
— Amateur's Rose Guide, 35-6, 72, 82, 112, 123.

Rose, Apothecary's, 40.
— Blush tea-scented, 81.
— Camoëns, 125.
— Caroline Testout, 97.
— Cherokee, 54, 63.
— Conrad F. Meyer, 46.
— Crimson Perpetual, 111.
— Crimson Rambler, 58.
— de Meaux, 23, 37, 39.
— de Provins, 39.
— Devoniensis, 82.
— Fortune's Yellow, 20, 69-70.
— Frau Karl Druschki, 114.
— General Schablikine, 85.
— Gloire de Dijon, 82.
— — — Rosamènes, 112, 124.
— Jaune Desprez, 69.
— La France, 93.
— Lyon, 43.
— Mme. Constant Soupert, 85.
— Mme. Segond Weber, 95, 98.
— M. Tillier, 84.
— Peace, 85, 99.
— Perpetual Damask, 124.
— Rêve d'Or, 71.
— Souv. d'un Ami, 81.
— Yellow China, 81.

Rose-chafer, 143.
— Leaf scorch, 138.
— Pests, 136-50, 156.
— — remedies for, 148-150, 156.
— roots, care of, 8-9.
— — and manure, 7, 10, 152.

Roses—
— arrangements in colour, 114-16.
— Alba, 41, 48.
— Austrian briars, 42, 49.
— Autumn flowing climbers, 68-79.
— Ayrshire, 52, 62.
— Banksian, 53-4, 63.
— Bourbon, 123, 130.
— Boursault, 55, 63.
— Brunonis, 73.
— Cabbage or Provence, 38, 47.
— China, 126, 131.
— Damask, 41, 48.
— Dwarf Polyantha, 128, 133.
— Evergreen, 53, 63.
— French or Gallica, 39-40, 48.
— Hungarian, 56, 64.
— Hybrid China, 56-7, 64, 112.
— Hybrid Perpetual, 111-122.
— — — climbing, 74, 76.
— Hybrid Tea, 92-110.
— — — climbing, 76-9.
— Irish single, 90, 110.
— Macartney, 73.
— Moss, 39, 47-8.
— Multiflora or Rambler, 57-9, 65-6.
[163]— Musk, 71-3.
— Noisette, 68-71, 74-5.
— Pernetiana, 42-3, 50.
— Prairie, 55, 64.
— Rugosa or Ramanas, 45-7, 50-1.
— Scotch briar, 45, 50.
— Sinica, 54, 63.
— Summer-flowering dwarf, 36-51.
— — climbing, 52-67.
— Sweet briar, 44, 50.
— — — Penzance, 43-4, 50.
— Tea, 80-92.
— — climbing, 70-9.
— Wichuraiana, 60-2, 66-7.


S.

Sawflies, 144-5.

Sécateurs, 9, 17.

Shades for rose blooms, 159.

Shelter, 2, 151.

Size of beds, 5, 152.

Soil, 3-5, 152.

Soot, use of, 155.

Sooty mould, 139.

Standards, 116, 154.
— budding, 28.
— planting, 12.


T.

Tarred twine, 12.

Trenching, 6.


U.

Unpacking new roses, 8.


W.

Washes—
— Abol, White's Superior, 148.
— Arsenate of lead, 146-9.
— Hellebore, 145, 149.
— Liver of sulphur, 138, 150.
— Soft soap and Quassia, 140, 149, 156.
— Tobacco, 141-2, 149.

Wire, danger of, 12-13.


FOOTNOTES:

[1] See pruning, p. 17.

__A_TAG_PLACEHOLDER_0__ See pruning, __A_TAG_PLACEHOLDER_1__.

[2] But as these are apt to get moved, whether by human hands, or by cats and dogs, who take a diabolic pleasure in pulling them out and knocking them over, it is well to make an exact list of the position of each rose on paper.

[2] But since these can easily get shifted, either by people or by pets like cats and dogs, who take a wicked delight in knocking them over and pulling them out, it's a good idea to create a precise list of where each rose is located on paper.

[3] See pruning, p. 26.

__A_TAG_PLACEHOLDER_0__ See pruning, __A_TAG_PLACEHOLDER_1__.

__A_TAG_PLACEHOLDER_0__ See __A_TAG_PLACEHOLDER_1__.

[5] This rose, which belongs to the group of Damask Perpetual roses, R. Damascena, is still cultivated under the same name. Messrs. Wm. Paul & Son say "this was formerly a favourite group of autumnal roses."

[5] This rose, part of the Damask Perpetual roses group, R. Damascena, is still grown by the same name. Wm. Paul & Son state, "this used to be a popular type of autumn rose."

[6] See p. 57.

__A_TAG_PLACEHOLDER_0__ See __A_TAG_PLACEHOLDER_1__.

[7] Rivers' Rose Amateur's Guide.

__A_TAG_PLACEHOLDER_0__ Rivers' Rose Lover's Guide.

[8] See p. 57.

__A_TAG_PLACEHOLDER_0__ See __A_TAG_PLACEHOLDER_1__.

__A_TAG_PLACEHOLDER_0__ __A_TAG_PLACEHOLDER_1__.

__A_TAG_PLACEHOLDER_0__ __A_TAG_PLACEHOLDER_1__.

[11] See Chapter I, "Making the Beds."

Check out __A_TAG_PLACEHOLDER_1__, "Making the Beds."

__A_TAG_PLACEHOLDER_0__ See __A_TAG_PLACEHOLDER_1__.

[13] See Chapter I, and above, p. 152.

__A_TAG_PLACEHOLDER_0__ See __A_TAG_PLACEHOLDER_1__, and above, __A_TAG_PLACEHOLDER_2__.

__A_TAG_PLACEHOLDER_0__ See __A_TAG_PLACEHOLDER_1__.

[15] See above.

See above.


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