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OPTICKS:
OR, A
TREATISE
OF THE
Reflections, Refractions,
Inflections and Colours
OF
LIGHT.
The 4th Edition, corrected.
By Sir ISAAC NEWTON, Knt.
LONDON:
Printed for William Innys at the West-End of St. Paul's. Mdccxxx.
TITLE PAGE OF THE 1730 EDITION
LONDON:
Printed for William Innys at the West-End of St. Paul's. 1730.
TITLE PAGE OF THE 1730 EDITION
SIR ISAAC NEWTON'S ADVERTISEMENTS
Advertisement I
Part of the ensuing Discourse about Light was written at the Desire of some Gentlemen of the Royal-Society, in the Year 1675, and then sent to their Secretary, and read at their Meetings, and the rest was added about twelve Years after to complete the Theory; except the third Book, and the last Proposition of the Second, which were since put together out of scatter'd Papers. To avoid being engaged in Disputes about these Matters, I have hitherto delayed the printing, and should still have delayed it, had not the Importunity of Friends prevailed upon me. If any other Papers writ on this Subject are got out of my Hands they are imperfect, and were perhaps written before I had tried all the Experiments here set down, and fully satisfied my self about the Laws of Refractions and Composition of Colours. I have here publish'd what I think proper to come abroad, wishing that it may not be translated into another Language without my Consent.
Part of the following discussion about Light was written at the request of some members of the Royal Society in 1675. It was then sent to their Secretary and presented at their meetings. The rest was added about twelve years later to complete the theory, except for the third book and the last proposition of the second, which were compiled later from various papers. To avoid getting caught up in debates on these topics, I have delayed printing until now, and would still have delayed it if not for the insistence of friends. Any other papers written on this subject that have escaped my hands are incomplete and were likely written before I conducted all the experiments presented here and fully understood the laws of refraction and color composition. I am publishing what I believe is suitable for release, hoping it won't be translated into another language without my permission.
The Crowns of Colours, which sometimes appear about the Sun and Moon, I have endeavoured to give an Account of; but for want of sufficient Observations leave that Matter to be farther examined. The Subject of the Third Book I have also left imperfect, not having tried all the Experiments which I intended when I was about these Matters, nor repeated some of those which I did try, until I had satisfied my self about all their Circumstances. To communicate what I have tried, and leave the rest to others for farther Enquiry, is all my Design in publishing these Papers.
The Crowns of Colors, which sometimes show up around the Sun and Moon, I've tried to explain, but due to not having enough observations, I'll leave that topic for further exploration. The subject of the Third Book is also incomplete because I haven't conducted all the experiments I planned when I was working on these topics, nor have I repeated some of the ones I did try until I was fully satisfied with all their details. My goal in publishing these papers is to share what I've experimented with and leave the rest for others to investigate further.
In a Letter written to Mr. Leibnitz in the year 1679, and published by Dr. Wallis, I mention'd a Method by which I had found some general Theorems about squaring Curvilinear Figures, or comparing them with the Conic Sections, or other the simplest Figures with which they may be compared. And some Years ago I lent out a Manuscript containing such Theorems, and having since met with some Things copied out of it, I have on this Occasion made it publick, prefixing to it an Introduction, and subjoining a Scholium concerning that Method. And I have joined with it another small Tract concerning the Curvilinear Figures of the Second Kind, which was also written many Years ago, and made known to some Friends, who have solicited the making it publick.
In a letter to Mr. Leibnitz in 1679, which was published by Dr. Wallis, I talked about a method I discovered that revealed some general theorems about squaring curvilinear figures or comparing them to conic sections and other simple shapes. A few years ago, I lent out a manuscript containing these theorems, and after coming across some excerpts from it, I decided to make it public now, adding an introduction and a scholium regarding that method. I've also included another short tract about curvilinear figures of the second kind, which I wrote many years ago and shared with some friends who encouraged me to publish it.
I. N.
I. N.
April 1, 1704.
April 1, 1704.
Advertisement II
In this Second Edition of these Opticks I have omitted the Mathematical Tracts publish'd at the End of the former Edition, as not belonging to the Subject. And at the End of the Third Book I have added some Questions. And to shew that I do not take Gravity for an essential Property of Bodies, I have added one Question concerning its Cause, chusing to propose it by way of a Question, because I am not yet satisfied about it for want of Experiments.
In this Second Edition of these Opticks, I've left out the Mathematical Tracts that were included at the end of the previous edition, as they don’t relate to the main topic. At the end of the Third Book, I've added some Questions. To show that I don't consider Gravity an essential property of bodies, I've included one Question about its Cause, choosing to present it as a Question since I'm still not sure about it due to a lack of Experiments.
I. N.
I. N.
July 16, 1717.
July 16, 1717.
Advertisement to this Fourth Edition
This new Edition of Sir Isaac Newton's Opticks is carefully printed from the Third Edition, as it was corrected by the Author's own Hand, and left before his Death with the Bookseller. Since Sir Isaac's Lectiones Opticæ, which he publickly read in the University of Cambridge in the Years 1669, 1670, and 1671, are lately printed, it has been thought proper to make at the bottom of the Pages several Citations from thence, where may be found the Demonstrations, which the Author omitted in these Opticks.
This new edition of Sir Isaac Newton's Opticks is carefully printed from the third edition, as it was corrected by the author's own hand and left with the bookseller before his death. Since Sir Isaac's Lectiones Opticæ, which he publicly presented at the University of Cambridge in the years 1669, 1670, and 1671, have been recently published, it seemed appropriate to include several citations at the bottom of the pages. These citations highlight the demonstrations that the author omitted from this edition of Opticks.
THE FIRST BOOK OF OPTICKS
PART I.
My Design in this Book is not to explain the Properties of Light by Hypotheses, but to propose and prove them by Reason and Experiments: In order to which I shall premise the following Definitions and Axioms.
My aim in this book is not to explain the properties of light through theories, but to propose and prove them through reason and experiments. To that end, I will start with the following definitions and axioms.
DEFINITIONS
DEFIN. I.
By the Rays of Light I understand its least Parts, and those as well Successive in the same Lines, as Contemporary in several Lines. For it is manifest that Light consists of Parts, both Successive and Contemporary; because in the same place you may stop[Pg 2] that which comes one moment, and let pass that which comes presently after; and in the same time you may stop it in any one place, and let it pass in any other. For that part of Light which is stopp'd cannot be the same with that which is let pass. The least Light or part of Light, which may be stopp'd alone without the rest of the Light, or propagated alone, or do or suffer any thing alone, which the rest of the Light doth not or suffers not, I call a Ray of Light.
When I talk about Rays of Light, I'm referring to its smallest parts, both those that occur in the same sequence and those that happen at the same time in different sequences. It's clear that Light is made up of parts that are both sequential and simultaneous; you can hold back what's coming at a moment and allow what's coming right after to pass through in the same spot[Pg 2], or you can freeze it in one location while letting it pass in another. The part of Light that gets stopped cannot be the same as the part that continues through. The smallest unit of Light, or part of Light, that can be stopped by itself without the rest of the Light, or can travel independently, or can perform an action or experience something on its own, which the rest of the Light does not or cannot, I call a Ray of Light.
DEFIN. II.
Refrangibility of the Rays of Light, is their Disposition to be refracted or turned out of their Way in passing out of one transparent Body or Medium into another. And a greater or less Refrangibility of Rays, is their Disposition to be turned more or less out of their Way in like Incidences on the same Medium. Mathematicians usually consider the Rays of Light to be Lines reaching from the luminous Body to the Body illuminated, and the refraction of those Rays to be the bending or breaking of those lines in their passing out of one Medium into another. And thus may Rays and Refractions be considered, if Light be propagated in an instant. But by an Argument taken from the Æquations of the times of the Eclipses of Jupiter's Satellites, it seems that Light is propagated in time, spending in its passage from the Sun to us about seven Minutes of time: And therefore I have chosen to define Rays and Refractions in such general terms as may agree to Light in both cases.[Pg 3]
The refrangibility of light rays refers to their tendency to bend or change direction when moving from one transparent medium to another. The degree of refrangibility indicates how much the rays are deflected in similar incidents within the same medium. Mathematicians typically treat light rays as lines extending from a light source to the object being illuminated, and the refraction of those rays is seen as the bending or breaking of those lines as they transition between different media. This perspective works if we assume that light travels instantaneously. However, using arguments based on the timing of eclipses of Jupiter's satellites, it appears that light travels over time, taking about seven minutes to reach us from the Sun. Therefore, I have chosen to define rays and refraction in general terms that apply to both situations.[Pg 3]
DEFIN. III.
Reflexibility of Rays, is their Disposition to be reflected or turned back into the same Medium from any other Medium upon whose Surface they fall. And Rays are more or less reflexible, which are turned back more or less easily. As if Light pass out of a Glass into Air, and by being inclined more and more to the common Surface of the Glass and Air, begins at length to be totally reflected by that Surface; those sorts of Rays which at like Incidences are reflected most copiously, or by inclining the Rays begin soonest to be totally reflected, are most reflexible.
The reflexibility of rays is their ability to be reflected or turned back into the same medium from any other medium they hit. Rays are more or less reflexible depending on how easily they can be turned back. For example, when light moves from glass into air, if it is angled more and more towards the common surface of the glass and air, it will eventually be completely reflected by that surface; the types of rays that are reflected the most at similar incidences, or which begin to be completely reflected sooner when angled, are the most reflexible.
DEFIN. IV.
The Angle of Incidence is that Angle, which the Line described by the incident Ray contains with the Perpendicular to the reflecting or refracting Surface at the Point of Incidence.
The angle of incidence is the angle formed between the line of the incoming ray and the perpendicular line to the reflecting or refracting surface at the point where the ray hits the surface.
DEFIN. V.
The Angle of Reflexion or Refraction, is the Angle which the line described by the reflected or refracted Ray containeth with the Perpendicular to the reflecting or refracting Surface at the Point of Incidence.
The angle of reflection or refraction is the angle formed between the line of the reflected or refracted ray and the perpendicular line to the reflecting or refracting surface at the point of incidence.
DEFIN. VI.
The Sines of Incidence, Reflexion, and Refraction, are the Sines of the Angles of Incidence, Reflexion, and Refraction.[Pg 4]
The sines of incidence, reflection, and refraction are the sines of the angles of incidence, reflection, and refraction.[Pg 4]
DEFIN. VII
The Light whose Rays are all alike Refrangible, I call Simple, Homogeneal and Similar; and that whose Rays are some more Refrangible than others, I call Compound, Heterogeneal and Dissimilar. The former Light I call Homogeneal, not because I would affirm it so in all respects, but because the Rays which agree in Refrangibility, agree at least in all those their other Properties which I consider in the following Discourse.
The light with rays that all bend the same way, I call simple, uniform, and similar; and the light with some rays that bend more than others, I call compound, varied, and different. I refer to the first type of light as uniform, not because I claim it to be so in every way, but because the rays that share the same bending properties also have similar characteristics in all the other aspects I discuss in the following text.
DEFIN. VIII.
The Colours of Homogeneal Lights, I call Primary, Homogeneal and Simple; and those of Heterogeneal Lights, Heterogeneal and Compound. For these are always compounded of the colours of Homogeneal Lights; as will appear in the following Discourse.
I refer to the colors of homogeneous lights as primary, homogeneous, and simple; and the colors of heterogeneous lights as heterogeneous and compound. Because these are always made up of the colors of homogeneous lights, as will be explained in the following discussion.
AXIOMS.
AX. I.
The Angles of Reflexion and Refraction, lie in one and the same Plane with the Angle of Incidence.
The angles of reflection and refraction are in the same plane as the angle of incidence.
AX. II.
The Angle of Reflexion is equal to the Angle of Incidence.
The angle of reflection is equal to the angle of incidence.
AX. III.
If the refracted Ray be returned directly back to the Point of Incidence, it shall be refracted into the Line before described by the incident Ray.
If the refracted ray is sent straight back to the point of incidence, it will be refracted into the line described by the incident ray.
AX. IV.
Refraction out of the rarer Medium into the denser, is made towards the Perpendicular; that is, so that the Angle of Refraction be less than the Angle of Incidence.
When light passes from a less dense medium to a denser one, it bends toward the perpendicular line; this means that the angle of refraction is smaller than the angle of incidence.
AX. V.
The Sine of Incidence is either accurately or very nearly in a given Ratio to the Sine of Refraction.
The sine of incidence is either exactly or very close to a specific ratio to the sine of refraction.
Whence if that Proportion be known in any one Inclination of the incident Ray, 'tis known in all the Inclinations, and thereby the Refraction in all cases[Pg 6] of Incidence on the same refracting Body may be determined. Thus if the Refraction be made out of Air into Water, the Sine of Incidence of the red Light is to the Sine of its Refraction as 4 to 3. If out of Air into Glass, the Sines are as 17 to 11. In Light of other Colours the Sines have other Proportions: but the difference is so little that it need seldom be considered.
If the proportion is known for any angle of the incoming ray, it can be applied to all angles, which allows us to determine the refraction in all cases of incidence on the same refracting body[Pg 6]. For example, when light refracts from air into water, the sine of incidence for red light is in a ratio of 4 to 3 compared to the sine of its refraction. When it goes from air into glass, the ratio is 17 to 11. For light of different colors, the sines have different ratios, but the differences are so minor that they typically don’t need to be considered.

Suppose therefore, that RS [in Fig. 1.] represents the Surface of stagnating Water, and that C is the point of Incidence in which any Ray coming in the Air from A in the Line AC is reflected or refracted, and I would know whither this Ray shall go after Reflexion or Refraction: I erect upon the Surface of the Water from the point of Incidence the Perpendicular CP and produce it downwards to Q, and conclude by the first Axiom, that the Ray after Reflexion and[Pg 7] Refraction, shall be found somewhere in the Plane of the Angle of Incidence ACP produced. I let fall therefore upon the Perpendicular CP the Sine of Incidence AD; and if the reflected Ray be desired, I produce AD to B so that DB be equal to AD, and draw CB. For this Line CB shall be the reflected Ray; the Angle of Reflexion BCP and its Sine BD being equal to the Angle and Sine of Incidence, as they ought to be by the second Axiom, But if the refracted Ray be desired, I produce AD to H, so that DH may be to AD as the Sine of Refraction to the Sine of Incidence, that is, (if the Light be red) as 3 to 4; and about the Center C and in the Plane ACP with the Radius CA describing a Circle ABE, I draw a parallel to the Perpendicular CPQ, the Line HE cutting the Circumference in E, and joining CE, this Line CE shall be the Line of the refracted Ray. For if EF be let fall perpendicularly on the Line PQ, this Line EF shall be the Sine of Refraction of the Ray CE, the Angle of Refraction being ECQ; and this Sine EF is equal to DH, and consequently in Proportion to the Sine of Incidence AD as 3 to 4.
Suppose that RS [in Fig. 1.] represents the surface of still water, and C is the point where any ray coming from the air at point A along line AC is either reflected or refracted. I want to know where this ray will go after reflection or refraction. From point C on the surface of the water, I draw a perpendicular line CP down to Q. According to the first axiom, after reflection and refraction, the ray will be found somewhere in the plane of the angle of incidence ACP extended. Next, I drop the sine of incidence AD onto the perpendicular CP. If I want the reflected ray, I extend AD to point B so that DB equals AD, and then I draw line CB. This line CB represents the reflected ray; the angle of reflection BCP and its sine BD are equal to the angle and sine of incidence, as required by the second axiom. If I want the refracted ray instead, I extend AD to H so that DH is to AD as the sine of refraction is to the sine of incidence—that is, (if the light is red) as 3 to 4. Around center C and in the plane ACP, with radius CA, I draw circle ABE, and then I create a line parallel to the perpendicular CPQ. The line HE intersects the circumference at E. By connecting points C and E, this line CE represents the path of the refracted ray. If I drop a perpendicular line EF to the line PQ, this line EF will represent the sine of refraction for ray CE, with angle of refraction ECQ. This sine EF is equal to DH, and thus is proportional to the sine of incidence AD as 3 to 4.
In like manner, if there be a Prism of Glass (that is, a Glass bounded with two Equal and Parallel Triangular ends, and three plain and well polished Sides, which meet in three Parallel Lines running from the three Angles of one end to the three Angles of the other end) and if the Refraction of the Light in passing cross this Prism be desired: Let ACB [in Fig. 2.] represent a Plane cutting this Prism transversly to its three Parallel lines or edges there where[Pg 8] the Light passeth through it, and let DE be the Ray incident upon the first side of the Prism AC where the Light goes into the Glass; and by putting the Proportion of the Sine of Incidence to the Sine of Refraction as 17 to 11 find EF the first refracted Ray. Then taking this Ray for the Incident Ray upon the second side of the Glass BC where the Light goes out, find the next refracted Ray FG by putting the Proportion of the Sine of Incidence to the Sine of Refraction as 11 to 17. For if the Sine of Incidence out of Air into Glass be to the Sine of Refraction as 17 to 11, the Sine of Incidence out of Glass into Air must on the contrary be to the Sine of Refraction as 11 to 17, by the third Axiom.
Similarly, if there is a Glass Prism (which is a piece of glass with two equal and parallel triangular ends and three flat, well-polished sides that meet at three parallel lines running from the three angles of one end to the three angles of the other end), and we want to see how light refracts as it passes through this Prism: Let ACB [in Fig. 2.] represent a plane cutting through the Prism transversely to its three parallel lines or edges where[Pg 8] the light passes through, and let DE be the incoming ray hitting the first side of the Prism AC where the light enters the glass. By using the ratio of the sine of the incidence angle to the sine of the refraction angle as 17 to 11, we can find EF, the first refracted ray. Then, taking this ray as the incident ray on the second side of the glass BC where the light exits, we find the next refracted ray FG by using the ratio of the sine of incidence to the sine of refraction as 11 to 17. If the sine of the incidence from air into glass is in the ratio of 17 to 11, then the sine of incidence from glass into air must be, conversely, in the ratio of 11 to 17, according to the third axiom.

Much after the same manner, if ACBD [in Fig. 3.] represent a Glass spherically convex on both sides (usually called a Lens, such as is a Burning-glass, or Spectacle-glass, or an Object-glass of a Telescope) and it be required to know how Light falling upon it from any lucid point Q shall be refracted, let QM represent a Ray falling upon any point M of its first spherical Surface ACB, and by erecting a Perpendicular to the Glass at the point M, find the first refracted Ray MN by the Proportion of the Sines 17 to 11. Let that Ray in going out of the Glass be incident upon N, and then find the second refracted Ray Nq by the Proportion of the Sines 11 to 17. And after the same manner may the Refraction be found when the Lens is convex on one side and plane or concave on the other, or concave on both sides.[Pg 9]
In a similar way, if ACBD [in Fig. 3.] represents a glass that is curved outward on both sides (commonly known as a lens, like a burning glass, a pair of glasses, or the objective lens of a telescope) and we want to know how light coming from a bright point Q will be refracted, let QM represent a ray hitting any point M on its first curved surface ACB. By drawing a perpendicular to the glass at point M, we can find the first refracted ray MN using the ratio of the sines 17 to 11. That ray, when exiting the glass, hits point N, and then we can find the second refracted ray Nq using the ratio of the sines 11 to 17. The same process can be applied to find the refraction when the lens is curved on one side and flat or concave on the other, or concave on both sides.[Pg 9]

AX. VI.
Homogeneal Rays which flow from several Points of any Object, and fall perpendicularly or almost perpendicularly on any reflecting or refracting Plane or spherical Surface, shall afterwards diverge from so many other Points, or be parallel to so many other Lines, or converge to so many other Points, either accurately or without any sensible Error. And the same thing will happen, if the Rays be reflected or refracted successively by two or three or more Plane or Spherical Surfaces.
Homogeneous rays that originate from various points of any object and strike a reflective or refractive plane or spherical surface at a right angle or nearly so will then spread out from several other points, align parallel to multiple lines, or come together at several other points, either precisely or with negligible error. The same principle applies if the rays are reflected or refracted in succession by two, three, or more plane or spherical surfaces.
The Point from which Rays diverge or to which they converge may be called their Focus. And the Focus of the incident Rays being given, that of the reflected or refracted ones may be found by finding the Refraction of any two Rays, as above; or more readily thus.
The point where rays spread out or come together is called their Focus. Given the focus of the incoming rays, you can determine the focus of the reflected or refracted rays by calculating the refraction of any two rays as described above; or more easily like this.
Cas. 1. Let ACB [in Fig. 4.] be a reflecting or refracting Plane, and Q the Focus of the incident Rays, and QqC a Perpendicular to that Plane. And if this Perpendicular be produced to q, so that qC be equal[Pg 11] to QC, the Point q shall be the Focus of the reflected Rays: Or if qC be taken on the same side of the Plane with QC, and in proportion to QC as the Sine of Incidence to the Sine of Refraction, the Point q shall be the Focus of the refracted Rays.
Cas. 1. Let ACB [in Fig. 4.] be a reflecting or refracting plane, and Q be the focus of the incoming rays, with QqC being a perpendicular to that plane. If this perpendicular is extended to q, so that qC is equal[Pg 11] to QC, then the point q will be the focus of the reflected rays. Alternatively, if qC is taken on the same side of the plane as QC and is in proportion to QC as the sine of incidence is to the sine of refraction, then the point q will be the focus of the refracted rays.

Cas. 2. Let ACB [in Fig. 5.] be the reflecting Surface of any Sphere whose Centre is E. Bisect any Radius thereof, (suppose EC) in T, and if in that Radius on the same side the Point T you take the Points Q and q, so that TQ, TE, and Tq, be continual Proportionals, and the Point Q be the Focus of the incident Rays, the Point q shall be the Focus of the reflected ones.
Cas. 2. Let ACB [in Fig. 5.] be the reflective surface of any sphere with its center at E. Bisect any radius (let’s say EC) at T, and if you take the points Q and q on the same side of T along that radius, making TQ, TE, and Tq in continuous proportion, then point Q will be the focus of the incoming rays, while point q will be the focus of the reflected rays.

Cas. 3. Let ACB [in Fig. 6.] be the refracting Surface of any Sphere whose Centre is E. In any Radius thereof EC produced both ways take ET and Ct[Pg 12] equal to one another and severally in such Proportion to that Radius as the lesser of the Sines of Incidence and Refraction hath to the difference of those Sines. And then if in the same Line you find any two Points Q and q, so that TQ be to ET as Et to tq, taking tq the contrary way from t which TQ lieth from T, and if the Point Q be the Focus of any incident Rays, the Point q shall be the Focus of the refracted ones.
Cas. 3. Let ACB [in Fig. 6.] be the refracting surface of any sphere with center E. For any radius EC extended in both directions, choose ET and Ct[Pg 12] to be equal to each other, and both in proportion to that radius according to the lesser of the sines of incidence and refraction relative to the difference of those sines. Then, on the same line, if you find any two points Q and q, such that TQ is to ET as Et is to tq, taking tq in the opposite direction from t where TQ lies from T, if the point Q is the focus of any incoming rays, the point q will be the focus of the refracted rays.

And by the same means the Focus of the Rays after two or more Reflexions or Refractions may be found.
And using the same method, the focus of the rays can be found after two or more reflections or refractions.

Cas. 4. Let ACBD [in Fig. 7.] be any refracting Lens, spherically Convex or Concave or Plane on either side, and let CD be its Axis (that is, the Line which cuts both its Surfaces perpendicularly, and passes through the Centres of the Spheres,) and in this Axis produced let F and f be the Foci of the refracted[Pg 13] Rays found as above, when the incident Rays on both sides the Lens are parallel to the same Axis; and upon the Diameter Ff bisected in E, describe a Circle. Suppose now that any Point Q be the Focus of any incident Rays. Draw QE cutting the said Circle in T and t, and therein take tq in such proportion to tE as tE or TE hath to TQ. Let tq lie the contrary way from t which TQ doth from T, and q shall be the Focus of the refracted Rays without any sensible Error, provided the Point Q be not so remote from the Axis, nor the Lens so broad as to make any of the Rays fall too obliquely on the refracting Surfaces.[A]
Cas. 4. Let ACBD [in Fig. 7.] be any type of lens, whether it's spherically convex, concave, or flat on either side. Let CD be its axis (the line that cuts both surfaces at a right angle and goes through the centers of the spheres). Along this extended axis, let F and f be the focal points of the refracted[Pg 13] rays as determined earlier when the incoming rays on both sides of the lens are parallel to the same axis. On the diameter Ff, bisected at E, draw a circle. Now, suppose point Q is the focus for any incoming rays. Draw QE intersecting the circle at points T and t, and take tq in such a way that it maintains the same proportion to tE as tE or TE does to TQ. Let tq be directed opposite to the way TQ is from T, and q will be the focus of the refracted rays with negligible error, as long as point Q isn't too far from the axis, and the lens isn't too wide, causing any rays to strike the refracting surfaces at too steep an angle.[A]
And by the like Operations may the reflecting or refracting Surfaces be found when the two Foci are given, and thereby a Lens be formed, which shall make the Rays flow towards or from what Place you please.[B]
And similar methods can be used to identify the reflecting or refracting surfaces when the two foci are given, allowing for the creation of a lens that directs the rays toward or away from any desired location.[B]
So then the Meaning of this Axiom is, that if Rays fall upon any Plane or Spherical Surface or Lens, and before their Incidence flow from or towards any Point Q, they shall after Reflexion or Refraction flow from or towards the Point q found by the foregoing Rules. And if the incident Rays flow from or towards several points Q, the reflected or refracted Rays shall flow from or towards so many other Points[Pg 14] q found by the same Rules. Whether the reflected and refracted Rays flow from or towards the Point q is easily known by the situation of that Point. For if that Point be on the same side of the reflecting or refracting Surface or Lens with the Point Q, and the incident Rays flow from the Point Q, the reflected flow towards the Point q and the refracted from it; and if the incident Rays flow towards Q, the reflected flow from q, and the refracted towards it. And the contrary happens when q is on the other side of the Surface.
So the meaning of this axiom is that if rays strike any flat or curved surface or lens, and before they hit originate from or head toward any point Q, they will, after reflection or refraction, originate from or head toward the point q identified by the previous rules. If the incoming rays originate from or head toward multiple points Q, the reflected or refracted rays will then originate from or head toward as many other points q identified by the same rules. Whether the reflected and refracted rays originate from or go toward point q can easily be determined by the position of that point. If that point is on the same side of the reflecting or refracting surface or lens as point Q, and the incoming rays originate from point Q, the reflected rays will go toward point q and the refracted rays will go away from it; if the incoming rays go toward Q, the reflected rays will originate from q, and the refracted rays will go toward it. The opposite occurs when q is on the other side of the surface.
AX. VII.
Wherever the Rays which come from all the Points of any Object meet again in so many Points after they have been made to converge by Reflection or Refraction, there they will make a Picture of the Object upon any white Body on which they fall.
Wherever the rays coming from all the points of an object converge again in various points after being bent by reflection or refraction, they will create an image of the object on any white surface they hit.
So if PR [in Fig. 3.] represent any Object without Doors, and AB be a Lens placed at a hole in the Window-shut of a dark Chamber, whereby the Rays that come from any Point Q of that Object are made to converge and meet again in the Point q; and if a Sheet of white Paper be held at q for the Light there to fall upon it, the Picture of that Object PR will appear upon the Paper in its proper shape and Colours. For as the Light which comes from the Point Q goes to the Point q, so the Light which comes from other Points P and R of the Object, will go to so many other correspondent Points p and r (as is manifest by the sixth Axiom;) so that every Point of the Object[Pg 15] shall illuminate a correspondent Point of the Picture, and thereby make a Picture like the Object in Shape and Colour, this only excepted, that the Picture shall be inverted. And this is the Reason of that vulgar Experiment of casting the Species of Objects from abroad upon a Wall or Sheet of white Paper in a dark Room.
So if PR [in Fig. 3.] represents any object without doors, and AB is a lens placed at a hole in the window of a dark room, through which rays coming from any point Q of that object converge and meet again at point q; and if you hold a sheet of white paper at q for the light to fall on it, the image of that object PR will appear on the paper in its proper shape and colors. Just as the light from point Q goes to point q, the light from other points P and R of the object will go to their corresponding points p and r (as is clear from the sixth axiom); thus, every point of the object[Pg 15] will light up a corresponding point of the picture, creating an image that resembles the object in shape and color, with the exception that the image will be inverted. This explains the common experiment of projecting the images of external objects onto a wall or a sheet of white paper in a dark room.
In like manner, when a Man views any Object PQR, [in Fig. 8.] the Light which comes from the several Points of the Object is so refracted by the transparent skins and humours of the Eye, (that is, by the outward coat EFG, called the Tunica Cornea, and by the crystalline humour AB which is beyond the Pupil mk) as to converge and meet again in so many Points in the bottom of the Eye, and there to paint the Picture of the Object upon that skin (called the Tunica Retina) with which the bottom of the Eye is covered. For Anatomists, when they have taken off from the bottom of the Eye that outward and most thick Coat called the Dura Mater, can then see through the thinner Coats, the Pictures of Objects lively painted thereon. And these Pictures, propagated by Motion along the Fibres of the Optick Nerves into the Brain, are the cause of Vision. For accordingly as these Pictures are perfect or imperfect, the Object is seen perfectly or imperfectly. If the Eye be tinged with any colour (as in the Disease of the Jaundice) so as to tinge the Pictures in the bottom of the Eye with that Colour, then all Objects appear tinged with the same Colour. If the Humours of the Eye by old Age decay, so as by shrinking to[Pg 16] make the Cornea and Coat of the Crystalline Humour grow flatter than before, the Light will not be refracted enough, and for want of a sufficient Refraction will not converge to the bottom of the Eye but to some place beyond it, and by consequence paint in the bottom of the Eye a confused Picture, and according to the Indistinctness of this Picture the Object will appear confused. This is the reason of the decay of sight in old Men, and shews why their Sight is mended by Spectacles. For those Convex glasses supply the defect of plumpness in the Eye, and by increasing the Refraction make the Rays converge sooner, so as to convene distinctly at the bottom of the Eye if the Glass have a due degree of convexity. And the contrary happens in short-sighted Men whose Eyes are too plump. For the Refraction being now too great, the Rays converge and convene in the Eyes before they come at the bottom; and therefore the Picture made in the bottom and the Vision caused thereby will not be distinct, unless the Object be brought so near the Eye as that the place where the converging Rays convene may be removed to the bottom, or that the plumpness of the Eye be taken off and the Refractions diminished by a Concave-glass of a due degree of Concavity, or lastly that by Age the Eye grow flatter till it come to a due Figure: For short-sighted Men see remote Objects best in Old Age, and therefore they are accounted to have the most lasting Eyes.[Pg 17]
In the same way, when a person looks at any object PQR, [in Fig. 8.] the light coming from various points on the object is refracted by the transparent layers and fluids of the eye (specifically, by the outer layer EFG, called the Tunica Cornea, and the crystalline fluid AB located behind the pupil mk) causing it to converge and meet at several points on the back of the eye, where it creates an image of the object on the skin (known as the Tunica Retina) that covers the back of the eye. When anatomists remove the thick outer layer called the Dura Mater from the back of the eye, they can see through the thinner layers the images of objects vividly shown there. These images, transmitted through the fibers of the optic nerves to the brain, cause vision. Depending on whether these images are clear or unclear, the object will be seen clearly or unclearly. If the eye is tinted a certain color (as in the condition of Jaundice), causing the images at the back of the eye to be stained with that color, all objects will appear tinted the same way. If the eye’s fluids deteriorate with age, causing the Cornea and the Crystalline Humour to become flatter than before, the light won’t refract enough and will not converge at the back of the eye but rather at some point beyond it, resulting in a blurry image, and the object will appear unclear due to this lack of sharpness in the image. This explains the decline in vision for older people and shows why their sight improves with glasses. These convex lenses compensate for the lack of roundness in the eye, increasing refraction so that rays converge earlier, allowing them to meet clearly at the back of the eye if the lens has the right degree of curvature. Conversely, short-sighted people have eyes that are too round. Since the refraction is too strong, rays converge before reaching the back of the eye, and the image formed there will not be clear unless the object is brought very close so that the convergence point moves to the back of the eye or the roundness of the eye is reduced and refraction decreased using a concave lens with the right concavity. Ultimately, as the eye flattens with age, short-sighted individuals can see distant objects better in old age, which is why they are considered to have the most lasting eyesight.[Pg 17]

AX. VIII.
An Object seen by Reflexion or Refraction, appears in that place from whence the Rays after their last Reflexion or Refraction diverge in falling on the Spectator's Eye.
An object seen through reflection or refraction appears to be in the location from which the rays diverge after their last reflection or refraction before reaching the viewer's eye.

If the Object A [in Fig. 9.] be seen by Reflexion of a Looking-glass mn, it shall appear, not in its proper place A, but behind the Glass at a, from whence any Rays AB, AC, AD, which flow from one and the same Point of the Object, do after their Reflexion made in the Points B, C, D, diverge in going from the Glass to E, F, G, where they are incident on the Spectator's Eyes. For these Rays do make the same Picture in the bottom of the Eyes as if they had come from the Object really placed at a without the Interposition of the Looking-glass; and all Vision is made according to the place and shape of that Picture.[Pg 19]
If Object A [in Fig. 9.] is viewed through the reflection of a mirror mn, it will not appear in its actual position A, but instead behind the glass at a. From this point, rays AB, AC, AD that come from the same point of the object, after reflecting off points B, C, D, will spread out as they travel from the mirror to points E, F, G, where they hit the observer's eyes. These rays create the same image in the back of the eyes as if they had originated from the object actually located at a without the mirror in between. All vision is determined by the position and shape of that image.[Pg 19]
In like manner the Object D [in Fig. 2.] seen through a Prism, appears not in its proper place D, but is thence translated to some other place d situated in the last refracted Ray FG drawn backward from F to d.
In a similar way, Object D [in Fig. 2.] viewed through a prism doesn’t appear in its actual position D, but is instead shifted to another position d located along the last refracted ray FG, when drawn backward from F to d.

And so the Object Q [in Fig. 10.] seen through the Lens AB, appears at the place q from whence the Rays diverge in passing from the Lens to the Eye. Now it is to be noted, that the Image of the Object at q is so much bigger or lesser than the Object it self at Q, as the distance of the Image at q from the Lens AB is bigger or less than the distance of the Object at Q from the same Lens. And if the Object be seen through two or more such Convex or Concave-glasses, every Glass shall make a new Image, and the Object shall appear in the place of the bigness of the last Image. Which consideration unfolds the Theory of Microscopes and Telescopes. For that Theory consists in almost nothing else than the describing such Glasses as shall make the last Image of any Object as distinct and large and luminous as it can conveniently be made.
And so the Object Q [in Fig. 10.] viewed through the Lens AB appears at the point q where the rays spread out as they travel from the Lens to the Eye. It's important to note that the image of the object at q is larger or smaller than the object itself at Q, depending on whether the distance of the image at q from the Lens AB is greater or less than the distance of the object at Q from the same Lens. Moreover, if the object is observed through two or more Convex or Concave lenses, each lens will create a new image, and the object will seem to exist at the size of the most recent image. This concept explains the theory behind Microscopes and Telescopes. Essentially, that theory involves designing lenses that produce the final image of any object as clear, large, and bright as possible.
I have now given in Axioms and their Explications the sum of what hath hitherto been treated of in[Pg 20] Opticks. For what hath been generally agreed on I content my self to assume under the notion of Principles, in order to what I have farther to write. And this may suffice for an Introduction to Readers of quick Wit and good Understanding not yet versed in Opticks: Although those who are already acquainted with this Science, and have handled Glasses, will more readily apprehend what followeth.
I have now summarized in Axioms and their Explanations everything that's been discussed so far in[Pg 20] Optics. For what is generally accepted, I’m okay with using the term Principles to help with what I have left to write. This should be enough for an introduction for readers who are quick-witted and have good understanding but are new to Optics. However, those who are already familiar with this science and have worked with lenses will grasp what comes next more easily.
FOOTNOTES:
[A] In our Author's Lectiones Opticæ, Part I. Sect. IV. Prop 29, 30, there is an elegant Method of determining these Foci; not only in spherical Surfaces, but likewise in any other curved Figure whatever: And in Prop. 32, 33, the same thing is done for any Ray lying out of the Axis.
[A] In our Author's Lectiones Opticæ, Part I. Sect. IV. Prop 29, 30, there is a neat way to find these Foci; not just for spherical surfaces, but also for any other curved shape. And in Prop. 32, 33, the same method is applied to any ray that is outside the axis.
[B] Ibid. Prop. 34.
PROPOSITIONS.
PROP. I. Theory. I.
Lights which differ in Colour, differ also in Degrees of Refrangibility.
Lights that vary in color also vary in degrees of refrangibility.
The Proof by Experiments.
The Proof by Experiments.
Exper. 1. I took a black oblong stiff Paper terminated by Parallel Sides, and with a Perpendicular right Line drawn cross from one Side to the other, distinguished it into two equal Parts. One of these parts I painted with a red colour and the other with a blue. The Paper was very black, and the Colours intense and thickly laid on, that the Phænomenon might be more conspicuous. This Paper I view'd through a Prism of solid Glass, whose two Sides through which the Light passed to the Eye were plane and well polished, and contained an Angle of about sixty degrees; which Angle I call the refracting Angle of the Prism. And whilst I view'd it,[Pg 21] I held it and the Prism before a Window in such manner that the Sides of the Paper were parallel to the Prism, and both those Sides and the Prism were parallel to the Horizon, and the cross Line was also parallel to it: and that the Light which fell from the Window upon the Paper made an Angle with the Paper, equal to that Angle which was made with the same Paper by the Light reflected from it to the Eye. Beyond the Prism was the Wall of the Chamber under the Window covered over with black Cloth, and the Cloth was involved in Darkness that no Light might be reflected from thence, which in passing by the Edges of the Paper to the Eye, might mingle itself with the Light of the Paper, and obscure the Phænomenon thereof. These things being thus ordered, I found that if the refracting Angle of the Prism be turned upwards, so that the Paper may seem to be lifted upwards by the Refraction, its blue half will be lifted higher by the Refraction than its red half. But if the refracting Angle of the Prism be turned downward, so that the Paper may seem to be carried lower by the Refraction, its blue half will be carried something lower thereby than its red half. Wherefore in both Cases the Light which comes from the blue half of the Paper through the Prism to the Eye, does in like Circumstances suffer a greater Refraction than the Light which comes from the red half, and by consequence is more refrangible.
Exper. 1. I took a black, rectangular piece of stiff paper with parallel sides and drew a straight line from one side to the other, dividing it into two equal parts. I painted one part red and the other part blue. The paper was very dark, and the colors were bright and thickly applied to make the effect more visible. I viewed this paper through a solid glass prism, which had well-polished flat surfaces and formed an angle of about sixty degrees; I call this the refracting angle of the prism. While I was looking at it, I held both the paper and the prism in front of a window so that the paper's sides were parallel to the prism, and both the paper and the prism were level with the horizon, with the line also parallel to it. The light coming from the window hit the paper at an angle that matched the angle created by the light reflecting from the paper to my eye. Behind the prism was the wall of the room under the window, covered with black cloth, which was kept dark to prevent any light from reflecting off of it, so that it wouldn’t mix with the light from the paper and obscure the effect. With everything set up this way, I noticed that if the refracting angle of the prism was tilted upward, making it look like the paper was being lifted by the refraction, the blue half would rise higher than the red half. If the refracting angle was tilted downward, making it seem like the paper was being lowered by the refraction, the blue half would drop slightly lower than the red half. Therefore, in both cases, the light coming from the blue half of the paper, through the prism to my eye, experienced a greater refraction than the light coming from the red half, meaning it was more refrangible.
Illustration. In the eleventh Figure, MN represents the Window, and DE the Paper terminated with parallel Sides DJ and HE, and by the transverse[Pg 22] Line FG distinguished into two halfs, the one DG of an intensely blue Colour, the other FE of an intensely red. And BACcab represents the Prism whose refracting Planes ABba and ACca meet in the Edge of the refracting Angle Aa. This Edge Aa being upward, is parallel both to the Horizon, and to the Parallel-Edges of the Paper DJ and HE, and the transverse Line FG is perpendicular to the Plane of the Window. And de represents the Image of the Paper seen by Refraction upwards in such manner, that the blue half DG is carried higher to dg than the[Pg 23] red half FE is to fe, and therefore suffers a greater Refraction. If the Edge of the refracting Angle be turned downward, the Image of the Paper will be refracted downward; suppose to δε, and the blue half will be refracted lower to δγ than the red half is to πε.
Illustration. In the eleventh Figure, MN stands for the Window, and DE represents the Paper with parallel Sides DJ and HE. The transverse[Pg 22] Line FG divides it into two halves: the half DG is a deep blue color, while the half FE is a bright red. BACcab symbolizes the Prism, whose refracting Planes ABba and ACca intersect at the Edge of the refracting Angle Aa. This Edge Aa is oriented upwards, parallel to both the Horizon and the Parallel-Edges of the Paper DJ and HE. The transverse Line FG is perpendicular to the Plane of the Window. Additionally, de shows the Image of the Paper seen through Refraction upwards, such that the blue half DG extends higher to dg than the[Pg 23] red half FE does to fe, resulting in a greater Refraction. If the Edge of the refracting Angle is pointed downwards, the Image of the Paper will refract downwards; let's say to δε, with the blue half being refracted lower to δγ compared to the red half refracting to πε.

Exper. 2. About the aforesaid Paper, whose two halfs were painted over with red and blue, and which was stiff like thin Pasteboard, I lapped several times a slender Thred of very black Silk, in such manner that the several parts of the Thred might appear upon the Colours like so many black Lines drawn over them, or like long and slender dark Shadows cast upon them. I might have drawn black Lines with a Pen, but the Threds were smaller and better defined. This Paper thus coloured and lined I set against a Wall perpendicularly to the Horizon, so that one of the Colours might stand to the Right Hand, and the other to the Left. Close before the Paper, at the Confine of the Colours below, I placed a Candle to illuminate the Paper strongly: For the Experiment was tried in the Night. The Flame of the Candle reached up to the lower edge of the Paper, or a very little higher. Then at the distance of six Feet, and one or two Inches from the Paper upon the Floor I erected a Glass Lens four Inches and a quarter broad, which might collect the Rays coming from the several Points of the Paper, and make them converge towards so many other Points at the same distance of six Feet, and one or two Inches on the other side of the Lens, and so form the Image of the[Pg 24] coloured Paper upon a white Paper placed there, after the same manner that a Lens at a Hole in a Window casts the Images of Objects abroad upon a Sheet of white Paper in a dark Room. The aforesaid white Paper, erected perpendicular to the Horizon, and to the Rays which fell upon it from the Lens, I moved sometimes towards the Lens, sometimes from it, to find the Places where the Images of the blue and red Parts of the coloured Paper appeared most distinct. Those Places I easily knew by the Images of the black Lines which I had made by winding the Silk about the Paper. For the Images of those fine and slender Lines (which by reason of their Blackness were like Shadows on the Colours) were confused and scarce visible, unless when the Colours on either side of each Line were terminated most distinctly, Noting therefore, as diligently as I could, the Places where the Images of the red and blue halfs of the coloured Paper appeared most distinct, I found that where the red half of the Paper appeared distinct, the blue half appeared confused, so that the black Lines drawn upon it could scarce be seen; and on the contrary, where the blue half appeared most distinct, the red half appeared confused, so that the black Lines upon it were scarce visible. And between the two Places where these Images appeared distinct there was the distance of an Inch and a half; the distance of the white Paper from the Lens, when the Image of the red half of the coloured Paper appeared most distinct, being greater by an Inch and an half than the distance of the same white Paper from the[Pg 25] Lens, when the Image of the blue half appeared most distinct. In like Incidences therefore of the blue and red upon the Lens, the blue was refracted more by the Lens than the red, so as to converge sooner by an Inch and a half, and therefore is more refrangible.
Exper. 2. Regarding the previously mentioned Paper, which had its two halves painted red and blue, and was as stiff as thin cardboard, I wrapped a very fine thread of black silk several times around it in a way that the different parts of the thread appeared on the colors like thin black lines drawn over them, or like long, delicate shadows cast upon them. I could have drawn black lines with a pen, but the threads were smaller and more defined. I then positioned this colored and lined paper against a wall, standing it perpendicular to the horizon, with one color on the right side and the other on the left. Right in front of the paper, at the boundary of the colors below, I placed a candle to illuminate the paper brightly since the experiment was conducted at night. The candle's flame reached up to the lower edge of the paper, or slightly higher. Then, at a distance of six feet and a couple of inches from the paper on the floor, I set up a glass lens that was four and a quarter inches wide. This lens could collect the rays coming from various points of the paper and focus them toward corresponding points at the same distance of six feet and a couple of inches on the other side of the lens, thereby forming an image of the[Pg 24] colored paper on a piece of white paper placed there, similar to how a lens at a window hole projects images of outside objects onto a sheet of white paper in a dark room. I adjusted the white paper, which was positioned perpendicular to both the horizon and the rays coming from the lens, moving it sometimes closer to the lens and sometimes further away, to find the spots where the images of the blue and red parts of the colored paper were the most distinct. I easily recognized these spots by the images of the black lines I had created by wrapping the silk around the paper. The images of those fine and slender lines (which appeared like shadows on the colors due to their darkness) were blurred and barely visible, except where the colors on either side of each line were sharply defined. Therefore, carefully observing the places where the images of the red and blue halves of the colored paper appeared most distinct, I found that when the red half of the paper was clear, the blue half was blurred, making the black lines on it difficult to see; conversely, where the blue half was the clearest, the red half was blurred, making the black lines there barely visible. The distance between these two distinct image points was an inch and a half; the distance of the white paper from the lens, when the image of the red half of the colored paper appeared most distinct, was greater by an inch and a half than the distance of the same white paper from the[Pg 25] lens when the image of the blue half appeared most distinct. In similar instances of blue and red upon the lens, the blue was refracted more than the red, converging sooner by an inch and a half, indicating that it is more refrangible.
Illustration. In the twelfth Figure (p. 27), DE signifies the coloured Paper, DG the blue half, FE the red half, MN the Lens, HJ the white Paper in that Place where the red half with its black Lines appeared distinct, and hi the same Paper in that Place where the blue half appeared distinct. The Place hi was nearer to the Lens MN than the Place HJ by an Inch and an half.
Illustration. In the twelfth figure (p. 27), DE represents the colored paper, DG the blue half, FE the red half, MN the lens, HJ the white paper where the red half with its black lines appeared clearly, and hi the same paper where the blue half appeared clearly. The location hi was one and a half inches closer to the lens MN than the location HJ.
Scholium. The same Things succeed, notwithstanding that some of the Circumstances be varied; as in the first Experiment when the Prism and Paper are any ways inclined to the Horizon, and in both when coloured Lines are drawn upon very black Paper. But in the Description of these Experiments, I have set down such Circumstances, by which either the Phænomenon might be render'd more conspicuous, or a Novice might more easily try them, or by which I did try them only. The same Thing, I have often done in the following Experiments: Concerning all which, this one Admonition may suffice. Now from these Experiments it follows not, that all the Light of the blue is more refrangible than all the Light of the red: For both Lights are mixed of Rays differently refrangible, so that in the red there are some Rays not less refrangible than those of the blue,[Pg 26] and in the blue there are some Rays not more refrangible than those of the red: But these Rays, in proportion to the whole Light, are but few, and serve to diminish the Event of the Experiment, but are not able to destroy it. For, if the red and blue Colours were more dilute and weak, the distance of the Images would be less than an Inch and a half; and if they were more intense and full, that distance would be greater, as will appear hereafter. These Experiments may suffice for the Colours of Natural Bodies. For in the Colours made by the Refraction of Prisms, this Proposition will appear by the Experiments which are now to follow in the next Proposition.
Scholium. The same results occur, even if some of the circumstances change; for example, in the first experiment when the prism and paper are tilted relative to the horizon, and in both cases when colored lines are drawn on very black paper. In describing these experiments, I've noted circumstances that either highlight the phenomenon more clearly, help a beginner attempt them more easily, or simply reflect how I conducted them. I've done the same in the following experiments. One important note should suffice regarding all of this. From these experiments, it doesn't necessarily follow that all blue light is more refrangible than all red light. Both colors consist of rays that are refracted differently, meaning that within the red light there are some rays that are just as refrangible as certain blue rays, and some blue rays that are not more refrangible than those of the red.[Pg 26] However, these rays are relatively few in comparison to the total light and only reduce the experiment's outcome without ruining it. If the red and blue colors were more diluted and weak, the distance between the images would be less than an inch and a half; and if they were more vivid and intense, that distance would be greater, as will be shown later. These experiments are sufficient to understand the colors of natural objects. For the colors produced by the refraction of prisms, this statement will be demonstrated in the following experiments in the next proposition.
PROP. II. Theor. II.
The Light of the Sun consists of Rays differently Refrangible.
The Light of the Sun is made up of rays that can be bent in different ways.


Exper. 3.
Experience. 3.
In a very dark Chamber, at a round Hole, about one third Part of an Inch broad, made in the Shut of a Window, I placed a Glass Prism, whereby the Beam of the Sun's Light, which came in at that Hole, might be refracted upwards toward the opposite Wall of the Chamber, and there form a colour'd Image of the Sun. The Axis of the Prism (that is, the Line passing through the middle of the Prism from one end of it to the other end parallel to the edge of the Refracting Angle) was in this and the following Experiments perpendicular to the incident Rays. About this Axis I turned the Prism slowly, and saw the refracted Light on the Wall, or coloured Image of the Sun, first to descend, and then to ascend. Between the Descent and Ascent, when the Image seemed Stationary, I stopp'd the Prism, and fix'd it in that Posture, that it should be moved no more. For in that Posture the Refractions of the Light at the two Sides of the refracting Angle, that is, at the Entrance of the Rays into the Prism, and at their going out of it, were equal to one another.[C] So also in other Experiments, as often as I would have the Refractions on both sides the Prism to be equal to one another, I noted the Place where the Image of the Sun formed by the refracted Light stood still between its two contrary Motions, in the common Period of its Progress and Regress; and when the Image fell upon that Place, I made fast the Prism. And in this Posture, as the most convenient, it is to be understood that all the Prisms are placed in the following Experiments, unless where some other Posture is described. The Prism therefore being placed in this Posture, I let the refracted Light fall perpendicularly upon a Sheet of white Paper at the opposite Wall of the Chamber, and observed the Figure and Dimensions of the Solar Image formed on the Paper by that Light. This Image was Oblong and not Oval, but terminated with two Rectilinear and Parallel Sides, and two Semicircular Ends. On[Pg 29] its Sides it was bounded pretty distinctly, but on its Ends very confusedly and indistinctly, the Light there decaying and vanishing by degrees. The Breadth of this Image answered to the Sun's Diameter, and was about two Inches and the eighth Part of an Inch, including the Penumbra. For the Image was eighteen Feet and an half distant from the Prism, and at this distance that Breadth, if diminished by the Diameter of the Hole in the Window-shut, that is by a quarter of an Inch, subtended an Angle at the Prism of about half a Degree, which is the Sun's apparent Diameter. But the Length of the Image was about ten Inches and a quarter, and the Length of the Rectilinear Sides about eight Inches; and the refracting Angle of the Prism, whereby so great a Length was made, was 64 degrees. With a less Angle the Length of the Image was less, the Breadth remaining the same. If the Prism was turned about its Axis that way which made the Rays emerge more obliquely out of the second refracting Surface of the Prism, the Image soon became an Inch or two longer, or more; and if the Prism was turned about the contrary way, so as to make the Rays fall more obliquely on the first refracting Surface, the Image soon became an Inch or two shorter. And therefore in trying this Experiment, I was as curious as I could be in placing the Prism by the above-mention'd Rule exactly in such a Posture, that the Refractions of the Rays at their Emergence out of the Prism might be equal to that at their Incidence on it. This Prism had some Veins running along within the Glass from one[Pg 30] end to the other, which scattered some of the Sun's Light irregularly, but had no sensible Effect in increasing the Length of the coloured Spectrum. For I tried the same Experiment with other Prisms with the same Success. And particularly with a Prism which seemed free from such Veins, and whose refracting Angle was 62-1/2 Degrees, I found the Length of the Image 9-3/4 or 10 Inches at the distance of 18-1/2 Feet from the Prism, the Breadth of the Hole in the Window-shut being 1/4 of an Inch, as before. And because it is easy to commit a Mistake in placing the Prism in its due Posture, I repeated the Experiment four or five Times, and always found the Length of the Image that which is set down above. With another Prism of clearer Glass and better Polish, which seemed free from Veins, and whose refracting Angle was 63-1/2 Degrees, the Length of this Image at the same distance of 18-1/2 Feet was also about 10 Inches, or 10-1/8. Beyond these Measures for about a 1/4 or 1/3 of an Inch at either end of the Spectrum the Light of the Clouds seemed to be a little tinged with red and violet, but so very faintly, that I suspected that Tincture might either wholly, or in great Measure arise from some Rays of the Spectrum scattered irregularly by some Inequalities in the Substance and Polish of the Glass, and therefore I did not include it in these Measures. Now the different Magnitude of the hole in the Window-shut, and different thickness of the Prism where the Rays passed through it, and different inclinations of the Prism to the Horizon, made no sensible changes in[Pg 31] the length of the Image. Neither did the different matter of the Prisms make any: for in a Vessel made of polished Plates of Glass cemented together in the shape of a Prism and filled with Water, there is the like Success of the Experiment according to the quantity of the Refraction. It is farther to be observed, that the Rays went on in right Lines from the Prism to the Image, and therefore at their very going out of the Prism had all that Inclination to one another from which the length of the Image proceeded, that is, the Inclination of more than two degrees and an half. And yet according to the Laws of Opticks vulgarly received, they could not possibly be so much inclined to one another.[D] For let EG [Fig. 13. (p. 27)] represent the Window-shut, F the hole made therein through which a beam of the Sun's Light was transmitted into the darkened Chamber, and ABC a Triangular Imaginary Plane whereby the Prism is feigned to be cut transversely through the middle of the Light. Or if you please, let ABC represent the Prism it self, looking directly towards the Spectator's Eye with its nearer end: And let XY be the Sun, MN the Paper upon which the Solar Image or Spectrum is cast, and PT the Image it self whose sides towards v and w are Rectilinear and Parallel, and ends towards P and T Semicircular. YKHP and XLJT are two Rays, the first of which comes from the lower part of the Sun to the higher part of the Image, and is refracted in the Prism at K and H, and the latter comes from the higher part of[Pg 32] the Sun to the lower part of the Image, and is refracted at L and J. Since the Refractions on both sides the Prism are equal to one another, that is, the Refraction at K equal to the Refraction at J, and the Refraction at L equal to the Refraction at H, so that the Refractions of the incident Rays at K and L taken together, are equal to the Refractions of the emergent Rays at H and J taken together: it follows by adding equal things to equal things, that the Refractions at K and H taken together, are equal to the Refractions at J and L taken together, and therefore the two Rays being equally refracted, have the same Inclination to one another after Refraction which they had before; that is, the Inclination of half a Degree answering to the Sun's Diameter. For so great was the inclination of the Rays to one another before Refraction. So then, the length of the Image PT would by the Rules of Vulgar Opticks subtend an Angle of half a Degree at the Prism, and by Consequence be equal to the breadth vw; and therefore the Image would be round. Thus it would be were the two Rays XLJT and YKHP, and all the rest which form the Image PwTv, alike refrangible. And therefore seeing by Experience it is found that the Image is not round, but about five times longer than broad, the Rays which going to the upper end P of the Image suffer the greatest Refraction, must be more refrangible than those which go to the lower end T, unless the Inequality of Refraction be casual.
In a very dark room, at a round hole about one-third of an inch wide made in the window's shutter, I placed a glass prism. This way, the beam of sunlight coming through the hole could be refracted upwards toward the opposite wall of the room, forming a colored image of the sun. The axis of the prism (the line running through the center of the prism from one end to the other, parallel to the edge of the refracting angle) was perpendicular to the incoming rays for this and the following experiments. I slowly turned the prism around this axis and watched the refracted light on the wall, or colored image of the sun, first descend and then rise. When the image seemed stationary between its descent and ascent, I stopped the prism and fixed it in that position so it wouldn't move again. In that position, the refractions of light at the two sides of the refracting angle—at the entry of the rays into the prism and when they emerged from it—were equal to each other.[C] Similarly, in other experiments, whenever I wanted the refractions on both sides of the prism to be equal, I noted the spot where the image of the sun, formed by the refracted light, stood still between its two opposite movements, at the common point of its progress and regress. When the image landed on that spot, I secured the prism. In this position, which was the most convenient, all the prisms were set in the following experiments unless another position is described. So, with the prism in this position, I let the refracted light fall straight onto a sheet of white paper on the opposite wall of the room and observed the shape and size of the solar image formed on the paper by that light. This image was oblong and not oval, featuring two straight, parallel sides and two semicircular ends. On its sides, it was distinctly defined, but its ends were very blurred and indistinct, with the light fading gradually. The width of this image corresponded to the sun's diameter and was about two inches and one-eighth, including the penumbra. The image was located eighteen and a half feet away from the prism, and at this distance, that width, reduced by the diameter of the hole in the window shutter (which was a quarter of an inch), subtended an angle at the prism of about half a degree, which is the sun's apparent diameter. The image's length was roughly ten and a quarter inches, with the straight sides measuring about eight inches, and the refracting angle of the prism that created such a significant length was 64 degrees. A smaller angle resulted in a shorter image, while the width remained the same. If the prism was turned around its axis in the direction that made the rays exit more obliquely from the second refracting surface of the prism, the image quickly became an inch or two longer or more. Conversely, if the prism was turned the other way to make the rays hit the first refracting surface more obliquely, the image soon became an inch or two shorter. Therefore, while performing this experiment, I made sure to position the prism according to the earlier mentioned rule, precisely so that the refractions of the rays upon exiting the prism would be equal to those upon entering it. This prism had some veins running through the glass from one end to the other, which scattered some of the sun's light unevenly but did not noticeably increase the length of the colored spectrum. I tested the same experiment with other prisms with similar results. Specifically, with a prism that appeared free of such veins and had a refracting angle of 62.5 degrees, I found the length of the image to be 9.75 or 10 inches at a distance of 18.5 feet from the prism, with a window hole measuring a quarter of an inch as before. Since it's easy to make a mistake in placing the prism correctly, I repeated the experiment four or five times and consistently found the length of the image to match the ones recorded above. With another prism made from clearer glass and polished better—also free from veins, and with a refracting angle of 63.5 degrees—the length of this image was also about 10 inches, or 10 and 1/8, at the same distance of 18.5 feet. Beyond these measurements, about a quarter or one-third of an inch at either end of the spectrum, the light from the clouds appeared slightly tinted with red and violet, but so faintly that I suspected this tint might be largely due to some rays of the spectrum scattered unevenly by imperfections in the glass's material and finish, so I did not include it in these measurements. Now, the different size of the hole in the window shutter, the varying thickness of the prism where the rays passed through it, and the different angles of the prism to the horizon made no noticeable changes in[Pg 31] the image length. Neither did the different materials of the prisms affect it. For instance, in a vessel made of polished glass plates bonded together in the shape of a prism and filled with water, the experiment yielded similar results in terms of the refraction amount. It should also be noted that the rays traveled in straight lines from the prism to the image, meaning that as they exited the prism, they already had the inclination to one another that caused the image's length—more than two and a half degrees. Yet according to commonly accepted laws of optics, they couldn't possibly be that inclined to one another.[D] Let EG [Fig. 13. (p. 27)] represent the window shutter, F the hole made in it through which a beam of sunlight was transmitted into the darkened room, and ABC an imaginary triangular plane through which the prism is theoretically sliced transversely through the center of the light. You may also let ABC represent the prism itself, facing directly toward the viewer's eye with its nearer end. Let XY represent the sun, MN the paper upon which the solar image or spectrum is cast, and PT the image itself, whose sides toward v and w are straight and parallel, and ends toward P and T are semicircular. YKHP and XLJT are two rays; the first comes from the lower part of the sun to the higher part of the image, refracted at K and H in the prism, while the latter comes from the upper part of[Pg 32] the sun to the lower part of the image, refracted at L and J. Since the refractions on both sides of the prism are equal to one another—that is, the refraction at K equals the refraction at J, and the refraction at L equals the refraction at H—this means that the combined refractions of the incoming rays at K and L equal those of the outgoing rays at H and J. Thus, adding equal things to equal things implies that the combined refractions at K and H equal those at J and L. Therefore, as the two rays are equally refracted, they maintain the same inclination to one another after refraction as before—specifically, an inclination of half a degree, corresponding to the sun's diameter. Therefore, the length of the image, PT, would, by the rules of commonplace optics, subtend an angle of half a degree at the prism, and consequently be equal to the width vw; thus the image would be round. That would be the case if the two rays XLJT and YKHP, along with all the others forming the image PwTv, were equally refrangible. However, since experience shows that the image is not round, but about five times longer than it is wide, the rays directed to the upper end P of the image must suffer greater refraction than those going to the lower end T, unless this difference in refraction is coincidental.
This Image or Spectrum PT was coloured, being red at its least refracted end T, and violet at its most[Pg 33] refracted end P, and yellow green and blue in the intermediate Spaces. Which agrees with the first Proposition, that Lights which differ in Colour, do also differ in Refrangibility. The length of the Image in the foregoing Experiments, I measured from the faintest and outmost red at one end, to the faintest and outmost blue at the other end, excepting only a little Penumbra, whose breadth scarce exceeded a quarter of an Inch, as was said above.
This image or spectrum PT was colored, with red at its least refracted end T and violet at its most refracted end P, showing yellow, green, and blue in the spaces in between. This supports the first proposition that lights which differ in color also differ in refrangibility. I measured the length of the image in the previous experiments from the faintest and outermost red at one end to the faintest and outermost blue at the other end, setting aside a small penumbra, which was barely more than a quarter of an inch wide, as mentioned above.
Exper. 4. In the Sun's Beam which was propagated into the Room through the hole in the Window-shut, at the distance of some Feet from the hole, I held the Prism in such a Posture, that its Axis might be perpendicular to that Beam. Then I looked through the Prism upon the hole, and turning the Prism to and fro about its Axis, to make the Image of the Hole ascend and descend, when between its two contrary Motions it seemed Stationary, I stopp'd the Prism, that the Refractions of both sides of the refracting Angle might be equal to each other, as in the former Experiment. In this situation of the Prism viewing through it the said Hole, I observed the length of its refracted Image to be many times greater than its breadth, and that the most refracted part thereof appeared violet, the least refracted red, the middle parts blue, green and yellow in order. The same thing happen'd when I removed the Prism out of the Sun's Light, and looked through it upon the hole shining by the Light of the Clouds beyond it. And yet if the Refraction were done regularly according to one certain Proportion of the[Pg 34] Sines of Incidence and Refraction as is vulgarly supposed, the refracted Image ought to have appeared round.
Exper. 4. In the sunlight that streamed into the room through the hole in the window, about a few feet from the opening, I held the prism in such a way that its axis was perpendicular to the beam. Then I looked through the prism at the hole and rotated the prism back and forth around its axis to make the image of the hole move up and down. When it appeared stationary between its two opposite motions, I stopped the prism so that the refractions on both sides of the refracting angle would be equal to each other, as in the previous experiment. In this position of the prism, looking through it at the hole, I noticed that the length of its refracted image was many times greater than its width, and that the most refracted part appeared violet, while the least refracted part was red, with the middle parts displaying blue, green, and yellow in that order. The same thing occurred when I took the prism out of the sunlight and looked through it at the hole lit by the light of the clouds beyond it. Yet, if the refraction occurred regularly according to a specific proportion of the[Pg 34] sines of incidence and refraction, as is commonly believed, the refracted image should have appeared round.
So then, by these two Experiments it appears, that in Equal Incidences there is a considerable inequality of Refractions. But whence this inequality arises, whether it be that some of the incident Rays are refracted more, and others less, constantly, or by chance, or that one and the same Ray is by Refraction disturbed, shatter'd, dilated, and as it were split and spread into many diverging Rays, as Grimaldo supposes, does not yet appear by these Experiments, but will appear by those that follow.
So, based on these two experiments, it seems that with equal angles of incidence, there is a significant difference in refractions. However, the source of this difference—whether some of the incoming rays are consistently refracted more and others less, or if it's random, or if a single ray is disturbed, shattered, expanded, and essentially split into multiple diverging rays, as Grimaldo suggests—has not been revealed by these experiments, but will become clear in the following ones.
Exper. 5. Considering therefore, that if in the third Experiment the Image of the Sun should be drawn out into an oblong Form, either by a Dilatation of every Ray, or by any other casual inequality of the Refractions, the same oblong Image would by a second Refraction made sideways be drawn out as much in breadth by the like Dilatation of the Rays, or other casual inequality of the Refractions sideways, I tried what would be the Effects of such a second Refraction. For this end I ordered all things as in the third Experiment, and then placed a second Prism immediately after the first in a cross Position to it, that it might again refract the beam of the Sun's Light which came to it through the first Prism. In the first Prism this beam was refracted upwards, and in the second sideways. And I found that by the Refraction of the second Prism, the breadth of the Image was not increased, but its superior part,[Pg 35] which in the first Prism suffered the greater Refraction, and appeared violet and blue, did again in the second Prism suffer a greater Refraction than its inferior part, which appeared red and yellow, and this without any Dilatation of the Image in breadth.
Exper. 5. Considering that if in the third Experiment the Image of the Sun is stretched into an oblong shape, either by expanding every Ray or due to some random irregularity in the Refractions, the same oblong Image would be further stretched sideways by a second Refraction, I decided to explore the effects of this second Refraction. To do this, I set everything up as in the third Experiment and then positioned a second Prism right after the first, at a cross angle, so it could refract the beam of the Sun's Light that was coming to it through the first Prism. In the first Prism, this beam was refracted upward, and in the second, sideways. I discovered that the Refraction of the second Prism did not increase the width of the Image, but its upper part, [Pg 35] which in the first Prism experienced greater Refraction and appeared violet and blue, underwent a greater Refraction in the second Prism than its lower part, which appeared red and yellow, all without any expansion of the Image in width.
Illustration. Let S [Fig. 14, 15.] represent the Sun, F the hole in the Window, ABC the first Prism, DH the second Prism, Y the round Image of the Sun made by a direct beam of Light when the Prisms are taken away, PT the oblong Image of the Sun made by that beam passing through the first Prism alone, when the second Prism is taken away, and pt the Image made by the cross Refractions of both Prisms together. Now if the Rays which tend towards the several Points of the round Image Y were dilated and spread by the Refraction of the first Prism, so that they should not any longer go in single Lines to single Points, but that every Ray being split, shattered, and changed from a Linear Ray to a Superficies of Rays diverging from the Point of Refraction, and lying in the Plane of the Angles of Incidence and Refraction, they should go in those Planes to so many Lines reaching almost from one end of the Image PT to the other, and if that Image should thence become oblong: those Rays and their several parts tending towards the several Points of the Image PT ought to be again dilated and spread sideways by the transverse Refraction of the second Prism, so as to compose a four square Image, such as is represented at πτ. For the better understanding of which, let the Image PT be distinguished into five[Pg 36]
Illustration. Let S [Fig. 14, 15.] represent the Sun, F the hole in the Window, ABC the first Prism, DH the second Prism, Y the round Image of the Sun created by a direct beam of Light when the Prisms are removed, PT the elongated Image of the Sun created by that beam passing through the first Prism alone when the second Prism is removed, and pt the Image produced by the cross Refractions of both Prisms together. Now, if the Rays that point towards the various Points of the round Image Y are spread out and expanded by the Refraction of the first Prism, so that they no longer travel in straight Lines to distinct Points, but rather every Ray gets split, scattered, and transformed from a Linear Ray into a Surface of Rays diverging from the Point of Refraction and lying in the Plane of the Angles of Incidence and Refraction, they should travel in those Planes to multiple Lines stretching nearly from one end of the Image PT to the other, and if that Image were to become elongated: those Rays and their different parts aiming towards the various Points of the Image PT would need to be further expanded and spread sideways by the transverse Refraction of the second Prism, creating a square Image, as shown at πτ. To better understand this, let the Image PT be categorized into five[Pg 36]

[Pg 37]equal parts PQK, KQRL, LRSM, MSVN, NVT. And by the same irregularity that the orbicular Light Y is by the Refraction of the first Prism dilated and drawn out into a long Image PT, the Light PQK which takes up a space of the same length and breadth with the Light Y ought to be by the Refraction of the second Prism dilated and drawn out into the long Image πqkp, and the Light KQRL into the long Image kqrl, and the Lights LRSM, MSVN, NVT, into so many other long Images lrsm, msvn, nvtτ; and all these long Images would compose the four square Images πτ. Thus it ought to be were every Ray dilated by Refraction, and spread into a triangular Superficies of Rays diverging from the Point of Refraction. For the second Refraction would spread the Rays one way as much as the first doth another, and so dilate the Image in breadth as much as the first doth in length. And the same thing ought to happen, were some rays casually refracted more than others. But the Event is otherwise. The Image PT was not made broader by the Refraction of the second Prism, but only became oblique, as 'tis represented at pt, its upper end P being by the Refraction translated to a greater distance than its lower end T. So then the Light which went towards the upper end P of the Image, was (at equal Incidences) more refracted in the second Prism, than the Light which tended towards the lower end T, that is the blue and violet, than the red and yellow; and therefore was more refrangible. The same Light was by the Refraction of the first Prism translated[Pg 38] farther from the place Y to which it tended before Refraction; and therefore suffered as well in the first Prism as in the second a greater Refraction than the rest of the Light, and by consequence was more refrangible than the rest, even before its incidence on the first Prism.
[Pg 37]equal parts PQK, KQRL, LRSM, MSVN, NVT. And just like how the round Light Y is expanded and stretched into a long Image PT by the Refraction of the first Prism, the Light PQK, which occupies the same length and width as the Light Y, should be expanded into the long Image πqkp by the Refraction of the second Prism, the Light KQRL into the long Image kqrl, and the Lights LRSM, MSVN, NVT into other long Images lrsm, msvn, nvtτ; and all these long Images would create the four square Images πτ. This would happen if every Ray was expanded by Refraction, spreading into a triangular Surface of Rays diverging from the Point of Refraction. The second Refraction would spread the Rays one way just as much as the first did the other way, thus expanding the Image in width as much as the first did in length. The same should occur if some rays happened to be refracted more than others. But the reality is different. The Image PT did not get wider from the Refraction of the second Prism; instead, it became slanted, as indicated at pt, with its upper end P being moved further away than its lower end T due to Refraction. Therefore, the Light that moved toward the upper end P of the Image was (at equal Angles of Incidence) refracted more in the second Prism than the Light that moved toward the lower end T, meaning the blue and violet rays were refracted more than the red and yellow; hence they were more refrangible. The same Light was also shifted[Pg 38] further from the initial point Y that it was heading to before Refraction; therefore, it underwent, both in the first and second Prism, a greater degree of Refraction than the other Light, making it more refrangible than the rest, even before it hit the first Prism.
Sometimes I placed a third Prism after the second, and sometimes also a fourth after the third, by all which the Image might be often refracted sideways: but the Rays which were more refracted than the rest in the first Prism were also more refracted in all the rest, and that without any Dilatation of the Image sideways: and therefore those Rays for their constancy of a greater Refraction are deservedly reputed more refrangible.
Sometimes I added a third prism after the second, and other times a fourth after the third, which allowed the image to be refracted sideways more often. However, the rays that were refracted more in the first prism were also refracted more in all the others, without any sideways stretching of the image. Therefore, those rays, due to their consistent greater refraction, are rightly considered more refrangible.

But that the meaning of this Experiment may more clearly appear, it is to be considered that the Rays which are equally refrangible do fall upon a Circle answering to the Sun's Disque. For this was proved in the third Experiment. By a Circle I understand not here a perfect geometrical Circle, but any orbicular Figure whose length is equal to its breadth, and which, as to Sense, may seem circular. Let therefore AG [in Fig. 15.] represent the Circle which all the most refrangible Rays propagated from the whole Disque of the Sun, would illuminate and paint upon the opposite Wall if they were alone; EL the Circle which all the least refrangible Rays would in like manner illuminate and paint if they were alone; BH, CJ, DK, the Circles which so many intermediate sorts of Rays would successively paint upon the[Pg 39] Wall, if they were singly propagated from the Sun in successive order, the rest being always intercepted; and conceive that there are other intermediate Circles without Number, which innumerable other intermediate sorts of Rays would successively paint upon the Wall if the Sun should successively emit every sort apart. And seeing the Sun emits all these sorts at once, they must all together illuminate and paint innumerable equal Circles, of all which, being according to their degrees of Refrangibility placed in order in a continual Series, that oblong Spectrum PT is composed which I described in the third Experiment. Now if the Sun's circular Image Y [in Fig. 15.] which is made by an unrefracted beam of Light was by any Dilation of the single Rays, or by any other irregularity in the Refraction of the first Prism, converted into the oblong Spectrum, PT: then ought every Circle AG, BH, CJ, &c. in that Spectrum, by the cross Refraction of the second[Pg 40] Prism again dilating or otherwise scattering the Rays as before, to be in like manner drawn out and transformed into an oblong Figure, and thereby the breadth of the Image PT would be now as much augmented as the length of the Image Y was before by the Refraction of the first Prism; and thus by the Refractions of both Prisms together would be formed a four square Figure pπtτ, as I described above. Wherefore since the breadth of the Spectrum PT is not increased by the Refraction sideways, it is certain that the Rays are not split or dilated, or otherways irregularly scatter'd by that Refraction, but that every Circle is by a regular and uniform Refraction translated entire into another Place, as the Circle AG by the greatest Refraction into the place ag, the Circle BH by a less Refraction into the place bh, the Circle CJ by a Refraction still less into the place ci, and so of the rest; by which means a new Spectrum pt inclined to the former PT is in like manner composed of Circles lying in a right Line; and these Circles must be of the same bigness with the former, because the breadths of all the Spectrums Y, PT and pt at equal distances from the Prisms are equal.
But to make the meaning of this experiment clearer, it should be noted that the rays that are equally refrangible do hit a circle corresponding to the Sun's disk. This was demonstrated in the third experiment. By "circle," I do not mean a perfect geometric circle, but any round shape whose length is the same as its width and appears circular to the senses. Therefore, let AG [in Fig. 15.] represent the circle that all the most refrangible rays coming from the entire disk of the Sun would illuminate and project onto the opposite wall if they were alone; EL represents the circle that all the least refrangible rays would also illuminate and project in the same way if they were alone; BH, CJ, DK are the circles that various intermediate types of rays would successively project onto the [Pg 39] wall if they were emitted one at a time from the Sun in sequence, with the others being blocked; and imagine there are countless other intermediate circles that countless other types of rays would successively cast onto the wall if the Sun were to emit each type separately. Since the Sun emits all these types at once, they all together would create and illuminate countless equal circles, which, according to their degrees of refrangibility arranged in a continuous series, form the oblong spectrum PT that I described in the third experiment. Now, if the Sun's circular image Y [in Fig. 15.] created by an unrefracted beam of light was changed into the oblong spectrum PT by any spreading of the single rays or by any other irregularity in the refraction of the first prism, then every circle AG, BH, CJ, etc., in that spectrum should similarly be stretched out and transformed into an oblong shape by the cross refraction of the second [Pg 40] prism, which would again spread or scatter the rays as before. This would mean that the width of the image PT would be increased just as the length of the image Y was before due to the refraction of the first prism; thus, by the refractions of both prisms combined, a square figure pπtτ would be created, as I explained above. Therefore, since the width of the spectrum PT is not increased by sideways refraction, it is clear that the rays are not split or spread or otherwise scattered irregularly by that refraction. Rather, each circle is translated uniformly and entirely to another location through regular and uniform refraction, as the circle AG is shifted by the greatest refraction to the position ag, the circle BH by a lesser refraction to the position bh, the circle CJ by an even lesser refraction to the position ci, and so on; which results in a new spectrum pt inclined to the original PT, composed of circles arranged in a straight line; and these circles must be the same size as the original ones, because the widths of all the spectra Y, PT, and pt at equal distances from the prisms are equal.
I considered farther, that by the breadth of the hole F through which the Light enters into the dark Chamber, there is a Penumbra made in the Circuit of the Spectrum Y, and that Penumbra remains in the rectilinear Sides of the Spectrums PT and pt. I placed therefore at that hole a Lens or Object-glass of a Telescope which might cast the Image of the Sun distinctly on Y without any Penumbra at all,[Pg 41] and found that the Penumbra of the rectilinear Sides of the oblong Spectrums PT and pt was also thereby taken away, so that those Sides appeared as distinctly defined as did the Circumference of the first Image Y. Thus it happens if the Glass of the Prisms be free from Veins, and their sides be accurately plane and well polished without those numberless Waves or Curles which usually arise from Sand-holes a little smoothed in polishing with Putty. If the Glass be only well polished and free from Veins, and the Sides not accurately plane, but a little Convex or Concave, as it frequently happens; yet may the three Spectrums Y, PT and pt want Penumbras, but not in equal distances from the Prisms. Now from this want of Penumbras, I knew more certainly that every one of the Circles was refracted according to some most regular, uniform and constant Law. For if there were any irregularity in the Refraction, the right Lines AE and GL, which all the Circles in the Spectrum PT do touch, could not by that Refraction be translated into the Lines ae and gl as distinct and straight as they were before, but there would arise in those translated Lines some Penumbra or Crookedness or Undulation, or other sensible Perturbation contrary to what is found by Experience. Whatsoever Penumbra or Perturbation should be made in the Circles by the cross Refraction of the second Prism, all that Penumbra or Perturbation would be conspicuous in the right Lines ae and gl which touch those Circles. And therefore since there is no such Penumbra or Perturbation in[Pg 42] those right Lines, there must be none in the Circles. Since the distance between those Tangents or breadth of the Spectrum is not increased by the Refractions, the Diameters of the Circles are not increased thereby. Since those Tangents continue to be right Lines, every Circle which in the first Prism is more or less refracted, is exactly in the same proportion more or less refracted in the second. And seeing all these things continue to succeed after the same manner when the Rays are again in a third Prism, and again in a fourth refracted sideways, it is evident that the Rays of one and the same Circle, as to their degree of Refrangibility, continue always uniform and homogeneal to one another, and that those of several Circles do differ in degree of Refrangibility, and that in some certain and constant Proportion. Which is the thing I was to prove.
I thought further that because of the size of the hole F through which the Light enters the dark Chamber, a Penumbra forms around the edges of the Spectrum Y, and that Penumbra is present along the straight sides of the Spectrums PT and pt. Therefore, I positioned a Lens or Object-glass from a Telescope at that hole to project a clear Image of the Sun onto Y without any Penumbra, [Pg 41] and discovered that the Penumbra along the straight sides of the oblong Spectrums PT and pt was also removed, causing those sides to appear as sharply defined as the circumference of the first Image Y. This occurs if the Glass of the Prisms is free from Veins, and their sides are perfectly flat and well-polished, without the countless Waves or Curves that typically come from sand holes that are only slightly smoothed during polishing with Putty. If the Glass is just well-polished and free from Veins, and the sides are not perfectly flat but slightly Convex or Concave, as often happens, the three Spectrums Y, PT, and pt may still lack Penumbras, but not at equal distances from the Prisms. Now, from this absence of Penumbras, I was more certain that each of the Circles was refracted according to a very regular, uniform, and consistent Law. For if there were any irregularities in the Refraction, the straight Lines AE and GL, which touch all the Circles in the Spectrum PT, could not possibly be translated into the Lines ae and gl as distinct and straight as they were before; instead, there would be some Penumbra, Crookedness, Undulation, or other noticeable Disturbance contrary to what is observed through Experience. Any Penumbra or Perturbation created in the Circles by the cross Refraction of the second Prism would be evident in the straight Lines ae and gl that touch those Circles. And thus, since there is no such Penumbra or Perturbation in [Pg 42] those straight Lines, there must be none in the Circles. Since the distance between those Tangents or the width of the Spectrum isn't increased by the Refractions, the Diameters of the Circles aren't increased either. Since those Tangents remain straight Lines, every Circle that is refracted more or less in the first Prism is exactly proportionately refracted more or less in the second. And seeing that all these results continue to occur in the same way when the Rays pass through a third Prism and again through a fourth refracted sideways, it’s clear that the Rays of one and the same Circle, in terms of their degree of Refraction, remain uniform and homogeneous to each other, and those of different Circles differ in their degree of Refraction in a specific and constant Ratio. This is what I set out to prove.
There is yet another Circumstance or two of this Experiment by which it becomes still more plain and convincing. Let the second Prism DH [in Fig. 16.] be placed not immediately after the first, but at some distance from it; suppose in the mid-way between it and the Wall on which the oblong Spectrum PT is cast, so that the Light from the first Prism may fall upon it in the form of an oblong Spectrum πτ parallel to this second Prism, and be refracted sideways to form the oblong Spectrum pt upon the Wall. And you will find as before, that this Spectrum pt is inclined to that Spectrum PT, which the first Prism forms alone without the second; the blue ends P and p being farther distant from one another than the red ones T and t, and by consequence that the Rays which go to the blue end π of the Image πτ, and which therefore suffer the greatest Refraction in the first Prism, are again in the second Prism more refracted than the rest.[Pg 43]
There is yet another circumstance of this experiment that makes it even more clear and convincing. Let the second prism DH [in Fig. 16.] be placed not right after the first, but at some distance from it; for example, halfway between it and the wall where the oblong spectrum PT is cast. This way, the light from the first prism can hit it in the form of an oblong spectrum πτ that is parallel to the second prism and gets refracted sideways to create the oblong spectrum pt on the wall. As before, you'll notice that this spectrum pt is tilted relative to spectrum PT, which is formed by the first prism alone without the second; the blue ends P and p are farther apart from each other than the red ends T and t. Therefore, the rays that reach the blue end π of the image πτ, which undergo the most refraction in the first prism, are again refracted more in the second prism than the others.[Pg 43]


The same thing I try'd also by letting the Sun's Light into a dark Room through two little round holes F and φ [in Fig. 17.] made in the Window, and with two parallel Prisms ABC and αβγ placed at those holes (one at each) refracting those two beams of Light to the opposite Wall of the Chamber, in such manner that the two colour'd Images PT and MN which they there painted were joined end to end and lay in one straight Line, the red end T of the one touching the blue end M of the other. For if these two refracted Beams were again by a third Prism DH placed cross to the two first, refracted sideways, and the Spectrums thereby translated to some other part of the Wall of the Chamber, suppose the Spectrum PT to pt and the Spectrum MN to mn, these translated Spectrums pt and mn would not lie in one straight Line with their ends contiguous as before, but be broken off from one another and become parallel, the blue end m of the Image mn being by a greater Refraction translated farther from its former place MT, than the red end t of the other Image pt from the same place MT; which puts the Proposition past Dispute. And this happens whether the third Prism DH be placed immediately after the two first, or at a great distance from them, so that the Light refracted in the two first Prisms be either[Pg 45] white and circular, or coloured and oblong when it falls on the third.
I also tried the same thing by letting sunlight into a dark room through two small round holes F and φ [in Fig. 17.] made in the window, and with two parallel prisms ABC and αβγ placed at those holes (one at each) refracting the two beams of light to the opposite wall of the room. This made the two colored images PT and MN that they created touch end to end and align in a straight line, with the red end T of one touching the blue end M of the other. If these two refracted beams were then refracted sideways by a third prism DH placed across the first two, and the spectrums moved to another part of the wall of the room, let’s say the spectrum PT to pt and the spectrum MN to mn, these shifted spectrums pt and mn would not line up in a straight line with their ends touching like before, but would be separated from each other and become parallel. The blue end m of the image mn would move farther from its original position MT due to greater refraction than the red end t of the other image pt from the same position MT; which makes the proposition indisputable. This occurs whether the third prism DH is placed right after the first two or far away from them, so that the light refracted in the first two prisms is either[Pg 45] white and circular or colored and oblong when it hits the third.
Exper. 6. In the middle of two thin Boards I made round holes a third part of an Inch in diameter, and in the Window-shut a much broader hole being made to let into my darkned Chamber a large Beam of the Sun's Light; I placed a Prism behind the Shut in that beam to refract it towards the opposite Wall, and close behind the Prism I fixed one of the Boards, in such manner that the middle of the refracted Light might pass through the hole made in it, and the rest be intercepted by the Board. Then at the distance of about twelve Feet from the first Board I fixed the other Board in such manner that the middle of the refracted Light which came through the hole in the first Board, and fell upon the opposite Wall, might pass through the hole in this other Board, and the rest being intercepted by the Board might paint upon it the coloured Spectrum of the Sun. And close behind this Board I fixed another Prism to refract the Light which came through the hole. Then I returned speedily to the first Prism, and by turning it slowly to and fro about its Axis, I caused the Image which fell upon the second Board to move up and down upon that Board, that all its parts might successively pass through the hole in that Board and fall upon the Prism behind it. And in the mean time, I noted the places on the opposite Wall to which that Light after its Refraction in the second Prism did pass; and by the difference of the places I found that the Light which being most refracted in the first[Pg 46] Prism did go to the blue end of the Image, was again more refracted in the second Prism than the Light which went to the red end of that Image, which proves as well the first Proposition as the second. And this happened whether the Axis of the two Prisms were parallel, or inclined to one another, and to the Horizon in any given Angles.
Exper. 6. I created round holes a third of an inch in diameter in the middle of two thin boards, and I made a much larger hole in the window covering to let a large beam of sunlight into my darkened room. I placed a prism behind the window covering in that beam to refract the light towards the opposite wall. I then positioned one of the boards close behind the prism so that the middle of the refracted light could pass through the hole I made in it while the rest was blocked by the board. About twelve feet away from the first board, I set up the other board in such a way that the middle of the refracted light coming through the hole in the first board and hitting the opposite wall could also go through the hole in this second board, with the rest being blocked to create a colored spectrum of the sun on it. I then placed another prism just behind this board to further refract the light entering through the hole. I quickly returned to the first prism and slowly turned it back and forth around its axis, making the image that fell on the second board move up and down so that all its parts would successively pass through the hole in that board and hit the prism behind it. Meanwhile, I noted the spots on the opposite wall where that light, after being refracted by the second prism, ended up. From the differences in those spots, I determined that the light which was most refracted by the first prism and directed towards the blue end of the spectrum was refracted even more by the second prism than the light heading to the red end of the spectrum, which confirms both the first and second propositions. This was the case whether the axes of the two prisms were parallel, or tilted at any angle to each other or to the horizon.
Illustration. Let F [in Fig. 18.] be the wide hole in the Window-shut, through which the Sun shines upon the first Prism ABC, and let the refracted Light fall upon the middle of the Board DE, and the middle part of that Light upon the hole G made in the middle part of that Board. Let this trajected part of that Light fall again upon the middle of the second Board de, and there paint such an oblong coloured Image of the Sun as was described in the third Experiment. By turning the Prism ABC slowly to and fro about its Axis, this Image will be made to move up and down the Board de, and by this means all its parts from one end to the other may be made to pass successively through the hole g which is made in the middle of that Board. In the mean while another Prism abc is to be fixed next after that hole g, to refract the trajected Light a second time. And these things being thus ordered, I marked the places M and N of the opposite Wall upon which the refracted Light fell, and found that whilst the two Boards and second Prism remained unmoved, those places by turning the first Prism about its Axis were changed perpetually. For when the lower part of the Light which fell upon the second Board de was cast through the hole g, it went to a lower place M on the Wall and when the higher part of that Light was cast through the same hole g, it went to a higher place N on the Wall, and when any intermediate part of the Light was cast through that hole, it went to some place on the Wall between M and N. The unchanged Position of the holes in the Boards, made the Incidence of the Rays upon the second Prism to be the same in all cases. And yet in that common Incidence some of the Rays were more refracted, and others less. And those were more refracted in this Prism, which by a greater Refraction in the first Prism were more turned out of the way, and therefore for their Constancy of being more refracted are deservedly called more refrangible.[Pg 47]
Illustration. Let F [in Fig. 18.] be the wide hole in the window shutter, through which sunlight shines onto the first prism ABC, and let the refracted light hit the middle of the board DE, with the central part of that light landing on the hole G made in the middle of that board. Let this projected part of the light then hit the center of the second board de, forming an oblong colored image of the sun, as was described in the third experiment. By slowly rotating the prism ABC around its axis, this image will move up and down the board de, allowing all its parts to successively pass through the hole g made in the middle of that board. Meanwhile, another prism abc should be positioned just after the hole g, to refract the projected light a second time. With everything arranged this way, I marked the spots M and N on the opposite wall where the refracted light fell and found that while the two boards and the second prism remained still, those spots changed continuously as I turned the first prism around its axis. When the lower part of the light that hit the second board de was projected through the hole g, it reached a lower spot M on the wall; when the upper part of that light was projected through the same hole g, it landed on a higher spot N on the wall, and when any intermediate part of the light passed through that hole, it landed somewhere on the wall between M and N. The fixed position of the holes in the boards kept the angle of incidence of the rays on the second prism the same in all cases. Yet, despite that common incidence, some rays were refracted more than others. Those rays that were more refracted in this prism had been significantly deviated by greater refraction in the first prism, and therefore are rightly referred to as more refrangible.[Pg 47]


Exper. 7. At two holes made near one another in my Window-shut I placed two Prisms, one at each, which might cast upon the opposite Wall (after the manner of the third Experiment) two oblong coloured Images of the Sun. And at a little distance from the Wall I placed a long slender Paper with straight and parallel edges, and ordered the Prisms and Paper so, that the red Colour of one Image might fall directly upon one half of the Paper, and the violet Colour of the other Image upon the other half of the same Paper; so that the Paper appeared of two Colours, red and violet, much after the manner of the painted Paper in the first and second Experiments. Then with a black Cloth I covered the Wall behind the Paper, that no Light might be reflected from it to disturb the Experiment, and viewing the[Pg 49] Paper through a third Prism held parallel to it, I saw that half of it which was illuminated by the violet Light to be divided from the other half by a greater Refraction, especially when I went a good way off from the Paper. For when I viewed it too near at hand, the two halfs of the Paper did not appear fully divided from one another, but seemed contiguous at one of their Angles like the painted Paper in the first Experiment. Which also happened when the Paper was too broad.
Exper. 7. I set up two prisms in close proximity to each other at my window, so that they could project two elongated colored images of the sun onto the opposite wall, similar to the third experiment. A bit away from the wall, I positioned a long, thin piece of paper with straight, parallel edges, arranging the prisms and the paper so that the red color from one image fell directly on one half of the paper, while the violet color from the other image illuminated the other half. This made the paper appear in two colors, red and violet, much like the painted paper in the first and second experiments. Then, I covered the wall behind the paper with a black cloth to prevent any light from bouncing back and disturbing the experiment. When I viewed the[Pg 49] paper through a third prism held parallel to it, I noticed that the half illuminated by violet light was separated from the other half by a greater refraction, especially when I stepped back from the paper. When I looked at it too closely, the two halves didn't appear completely separated, but seemed to touch at one of their angles, just like the painted paper in the first experiment. This also occurred when the paper was too wide.

Sometimes instead of the Paper I used a white Thred, and this appeared through the Prism divided into two parallel Threds as is represented in the nineteenth Figure, where DG denotes the Thred illuminated with violet Light from D to E and with red Light from F to G, and defg are the parts of the Thred seen by Refraction. If one half of the Thred be constantly illuminated with red, and the other half be illuminated with all the Colours successively, (which may be done by causing one of the Prisms to be turned about its Axis whilst the other remains unmoved) this other half in viewing the Thred through[Pg 50] the Prism, will appear in a continual right Line with the first half when illuminated with red, and begin to be a little divided from it when illuminated with Orange, and remove farther from it when illuminated with yellow, and still farther when with green, and farther when with blue, and go yet farther off when illuminated with Indigo, and farthest when with deep violet. Which plainly shews, that the Lights of several Colours are more and more refrangible one than another, in this Order of their Colours, red, orange, yellow, green, blue, indigo, deep violet; and so proves as well the first Proposition as the second.
Sometimes instead of the paper, I used a white thread, which appeared through the prism split into two parallel threads, as shown in the nineteenth figure, where DG represents the thread lit with violet light from D to E and with red light from F to G, and defg are the parts of the thread observed through refraction. If one half of the thread is constantly lit with red, while the other half is illuminated with all the colors in turn (which can be achieved by rotating one of the prisms around its axis while the other stays still), this other half will appear in a straight line with the first half when lit with red. However, it will start to separate a bit when lit with orange, move further away when lit with yellow, and continue to separate more with green, blue, indigo, and most distantly when lit with deep violet. This clearly shows that the lights of different colors are increasingly refrangible from one another in this order: red, orange, yellow, green, blue, indigo, deep violet; thus confirming both the first and second propositions.
I caused also the coloured Spectrums PT [in Fig. 17.] and MN made in a dark Chamber by the Refractions of two Prisms to lie in a Right Line end to end, as was described above in the fifth Experiment, and viewing them through a third Prism held parallel to their Length, they appeared no longer in a Right Line, but became broken from one another, as they are represented at pt and mn, the violet end m of the Spectrum mn being by a greater Refraction translated farther from its former Place MT than the red end t of the other Spectrum pt.
I also aligned the colored spectrums PT [in Fig. 17.] and MN created in a dark chamber by the refractions of two prisms in a straight line, as described earlier in the fifth experiment. When I viewed them through a third prism held parallel to their length, they no longer appeared in a straight line but became separated from each other, as shown at pt and mn. The violet end m of the spectrum mn was refracted more and moved farther from its original position MT than the red end t of the other spectrum pt.
I farther caused those two Spectrums PT [in Fig. 20.] and MN to become co-incident in an inverted Order of their Colours, the red end of each falling on the violet end of the other, as they are represented in the oblong Figure PTMN; and then viewing them through a Prism DH held parallel to their Length, they appeared not co-incident, as when view'd with the naked Eye, but in the form of two distinct Spectrums[Pg 51] pt and mn crossing one another in the middle after the manner of the Letter X. Which shews that the red of the one Spectrum and violet of the other, which were co-incident at PN and MT, being parted from one another by a greater Refraction of the violet to p and m than of the red to n and t, do differ in degrees of Refrangibility.
I also caused those two spectra PT [in Fig. 20.] and MN to overlap in the opposite order of their colors, with the red end of each aligning with the violet end of the other, as shown in the oblong figure PTMN. Then, when I viewed them through a prism DH held parallel to their length, they didn't appear to overlap, as they do when seen with the naked eye, but instead took the form of two distinct spectra [Pg 51] pt and mn crossing each other in the middle like the letter X. This demonstrates that the red of one spectrum and the violet of the other, which were aligned at PN and MT, are separated by a greater refraction of the violet to p and m than the red to n and t, indicating they differ in degrees of refrangibility.
I illuminated also a little Circular Piece of white Paper all over with the Lights of both Prisms intermixed, and when it was illuminated with the red of one Spectrum, and deep violet of the other, so as by the Mixture of those Colours to appear all over purple, I viewed the Paper, first at a less distance, and then at a greater, through a third Prism; and as I went from the Paper, the refracted Image thereof became more and more divided by the unequal Refraction of the two mixed Colours, and at length parted into two distinct Images, a red one and a violet one, whereof the violet was farthest from the Paper, and therefore suffered the greatest Refraction. And when that Prism at the Window, which cast the violet on the Paper was taken away, the violet Image disappeared; but when the other Prism was taken away the red vanished; which shews, that these two Images were nothing else than the Lights of the two Prisms, which had been intermixed on the purple Paper, but were parted again by their unequal Refractions made in the third Prism, through which the Paper was view'd. This also was observable, that if one of the Prisms at the Window, suppose that which cast the violet on the Paper, was[Pg 52] turned about its Axis to make all the Colours in this order, violet, indigo, blue, green, yellow, orange, red, fall successively on the Paper from that Prism, the violet Image changed Colour accordingly, turning successively to indigo, blue, green, yellow and red, and in changing Colour came nearer and nearer to the red Image made by the other Prism, until when it was also red both Images became fully co-incident.
I also lit up a small circular piece of white paper with the combined lights from both
I placed also two Paper Circles very near one another, the one in the red Light of one Prism, and the other in the violet Light of the other. The Circles were each of them an Inch in diameter, and behind them the Wall was dark, that the Experiment might not be disturbed by any Light coming from thence. These Circles thus illuminated, I viewed through a Prism, so held, that the Refraction might be made towards the red Circle, and as I went from them they came nearer and nearer together, and at length became co-incident; and afterwards when I went still farther off, they parted again in a contrary Order, the violet by a greater Refraction being carried beyond the red.
I also placed two paper circles very close to each other, one illuminated by the red light from one prism and the other by the violet light from another. Each circle had a diameter of one inch, and the wall behind them was dark so that the experiment wouldn't be affected by any light coming from that direction. With these circles lit up, I looked through a prism positioned to refract light towards the red circle. As I moved away from them, the circles came closer together until they eventually overlapped. Then, when I moved even farther away, they separated again in the opposite order, with the violet circle being deflected more and moving further than the red.
Exper. 8. In Summer, when the Sun's Light uses to be strongest, I placed a Prism at the Hole of the Window-shut, as in the third Experiment, yet so that its Axis might be parallel to the Axis of the World, and at the opposite Wall in the Sun's refracted Light, I placed an open Book. Then going six Feet and two Inches from the Book, I placed there the above-mentioned Lens, by which the Light reflected from the Book might be made to converge[Pg 53] and meet again at the distance of six Feet and two Inches behind the Lens, and there paint the Species of the Book upon a Sheet of white Paper much after the manner of the second Experiment. The Book and Lens being made fast, I noted the Place where the Paper was, when the Letters of the Book, illuminated by the fullest red Light of the Solar Image falling upon it, did cast their Species on that Paper most distinctly: And then I stay'd till by the Motion of the Sun, and consequent Motion of his Image on the Book, all the Colours from that red to the middle of the blue pass'd over those Letters; and when those Letters were illuminated by that blue, I noted again the Place of the Paper when they cast their Species most distinctly upon it: And I found that this last Place of the Paper was nearer to the Lens than its former Place by about two Inches and an half, or two and three quarters. So much sooner therefore did the Light in the violet end of the Image by a greater Refraction converge and meet, than the Light in the red end. But in trying this, the Chamber was as dark as I could make it. For, if these Colours be diluted and weakned by the Mixture of any adventitious Light, the distance between the Places of the Paper will not be so great. This distance in the second Experiment, where the Colours of natural Bodies were made use of, was but an Inch and an half, by reason of the Imperfection of those Colours. Here in the Colours of the Prism, which are manifestly more full, intense, and lively than those of natural Bodies, the distance is two Inches and three quarters. And were[Pg 54] the Colours still more full, I question not but that the distance would be considerably greater. For the coloured Light of the Prism, by the interfering of the Circles described in the second Figure of the fifth Experiment, and also by the Light of the very bright Clouds next the Sun's Body intermixing with these Colours, and by the Light scattered by the Inequalities in the Polish of the Prism, was so very much compounded, that the Species which those faint and dark Colours, the indigo and violet, cast upon the Paper were not distinct enough to be well observed.
Exper. 8. In summer, when the sun’s light is at its strongest, I positioned a prism at the hole of the window shutter, just like in the third experiment, but ensured its axis was parallel to the world's axis. On the opposite wall, in the refracted sunlight, I placed an open book. Then, standing six feet and two inches from the book, I set the previously mentioned lens there, so that the light reflected from the book could converge and meet again six feet and two inches behind the lens, creating an image of the book on a sheet of white paper, similar to the second experiment. With the book and lens secured, I noted where the paper was positioned when the letters of the book, illuminated by the brightest red light of the solar image, cast their image on the paper most clearly. I waited until the sun moved, causing its image on the book to shift, and during this time, all the colors from red to the middle of blue passed over those letters. When the letters were illuminated by blue light, I noted the position of the paper again when they cast their image most clearly. I discovered that this last position of the paper was about two and a half inches, or two and three quarters, closer to the lens than its previous position. Therefore, the light in the violet end of the spectrum converged and met sooner due to greater refraction than the light in the red end. To conduct this, I made the room as dark as possible. If these colors are diluted and weakened by any additional light, the distance between the positions of the paper will not be as significant. This distance in the second experiment, where I used the colors of natural bodies, was only an inch and a half because of the imperfection of those colors. Here, with the colors of the prism, which are clearly more vibrant, intense, and lively than those of natural bodies, the distance was two inches and three quarters. Had the colors been even more vibrant, I am sure the distance would have been considerably greater. The colored light from the prism, affected by the overlapping circles shown in the second figure of the fifth experiment and by the bright clouds near the sun mixing with these colors, along with light scattered by the uneven polish of the prism, resulted in a combination so strong that the images cast by the faint and dark colors, indigo and violet, on the paper were not distinct enough to observe clearly.
Exper. 9. A Prism, whose two Angles at its Base were equal to one another, and half right ones, and the third a right one, I placed in a Beam of the Sun's Light let into a dark Chamber through a Hole in the Window-shut, as in the third Experiment. And turning the Prism slowly about its Axis, until all the Light which went through one of its Angles, and was refracted by it began to be reflected by its Base, at which till then it went out of the Glass, I observed that those Rays which had suffered the greatest Refraction were sooner reflected than the rest. I conceived therefore, that those Rays of the reflected Light, which were most refrangible, did first of all by a total Reflexion become more copious in that Light than the rest, and that afterwards the rest also, by a total Reflexion, became as copious as these. To try this, I made the reflected Light pass through another Prism, and being refracted by it to fall afterwards upon a Sheet of white Paper placed[Pg 55] at some distance behind it, and there by that Refraction to paint the usual Colours of the Prism. And then causing the first Prism to be turned about its Axis as above, I observed that when those Rays, which in this Prism had suffered the greatest Refraction, and appeared of a blue and violet Colour began to be totally reflected, the blue and violet Light on the Paper, which was most refracted in the second Prism, received a sensible Increase above that of the red and yellow, which was least refracted; and afterwards, when the rest of the Light which was green, yellow, and red, began to be totally reflected in the first Prism, the Light of those Colours on the Paper received as great an Increase as the violet and blue had done before. Whence 'tis manifest, that the Beam of Light reflected by the Base of the Prism, being augmented first by the more refrangible Rays, and afterwards by the less refrangible ones, is compounded of Rays differently refrangible. And that all such reflected Light is of the same Nature with the Sun's Light before its Incidence on the Base of the Prism, no Man ever doubted; it being generally allowed, that Light by such Reflexions suffers no Alteration in its Modifications and Properties. I do not here take Notice of any Refractions made in the sides of the first Prism, because the Light enters it perpendicularly at the first side, and goes out perpendicularly at the second side, and therefore suffers none. So then, the Sun's incident Light being of the same Temper and Constitution with his emergent Light, and the last being compounded[Pg 56] of Rays differently refrangible, the first must be in like manner compounded.
Exper. 9. I placed a prism, with two equal angles at its base that were half right angles, and the third angle being a right angle, in a beam of sunlight that entered a dark room through a hole in the window as I did in the third experiment. I slowly rotated the prism around its axis until the light that passed through one of its angles and was refracted by it started to be reflected by its base, which was where it had previously exited the glass. I noticed that the rays that had undergone the greatest refraction were reflected sooner than the others. I theorized that the rays of the reflected light that were most refrangible became more concentrated in that light first, and that the others began to reflect totally afterward, becoming equally concentrated. To test this, I let the reflected light pass through another prism, and after it was refracted, it hit a sheet of white paper placed[Pg 55] some distance behind it, painting the usual colors of the prism. Then, as I rotated the first prism as described, I saw that when the rays that had suffered the most refraction in this prism, showing a blue and violet color, began to be totally reflected, the blue and violet light on the paper, which had been most refracted in the second prism, noticeably increased compared to the red and yellow light, which had been refracted the least. Later, when the other light colors, green, yellow, and red, began to be totally reflected in the first prism, the light of those colors on the paper increased as significantly as the violet and blue had before. Thus, it is clear that the beam of light reflected by the base of the prism is initially enhanced by the more refrangible rays and then by the less refrangible ones, making it a combination of rays with different refrangibility. No one doubts that all such reflected light is of the same nature as the sunlight before it strikes the base of the prism; it is commonly accepted that light does not undergo any change in its properties and characteristics through such reflections. I am not mentioning any refractions that occur on the sides of the first prism because the light enters it perpendicularly at the first side and exits perpendicularly at the second side, so it does not suffer any refraction. Therefore, since the sunlight that enters is of the same nature and composition as the light that emerges, and the latter is a mixture[Pg 56] of rays with different refrangibility, the former must similarly be a mixture.

Illustration. In the twenty-first Figure, ABC is the first Prism, BC its Base, B and C its equal Angles at the Base, each of 45 Degrees, A its rectangular Vertex, FM a beam of the Sun's Light let into a dark Room through a hole F one third part of an Inch broad, M its Incidence on the Base of the Prism, MG a less refracted Ray, MH a more refracted Ray, MN the beam of Light reflected from the Base, VXY the second Prism by which this beam in passing through it is refracted, Nt the less refracted Light of this beam, and Np the more refracted part thereof. When the first Prism ABC is turned about its Axis according to the order of the Letters ABC, the Rays MH emerge more and more obliquely out of that Prism, and at length after their most oblique Emergence are reflected towards N, and going on to p do increase the Number of the[Pg 57] Rays Np. Afterwards by continuing the Motion of the first Prism, the Rays MG are also reflected to N and increase the number of the Rays Nt. And therefore the Light MN admits into its Composition, first the more refrangible Rays, and then the less refrangible Rays, and yet after this Composition is of the same Nature with the Sun's immediate Light FM, the Reflexion of the specular Base BC causing no Alteration therein.
Illustration. In the twenty-first Figure, ABC is the first Prism, BC is its Base, B and C are its equal Angles at the Base, each at 45 Degrees, A is its rectangular Vertex, FM is a beam of the Sun's Light coming into a dark Room through a hole F that is one third of an Inch wide, M is where it hits the Base of the Prism, MG is a less refracted Ray, MH is a more refracted Ray, MN is the beam of Light reflected from the Base, VXY is the second Prism that refracts this beam as it passes through, Nt is the less refracted Light from this beam, and Np is the more refracted part. When the first Prism ABC is rotated around its Axis following the order of the Letters ABC, the Rays MH come out of that Prism at more and more oblique angles, and eventually, after their most oblique Emergence, they are reflected toward N, and moving on to p increase the number of the Rays Np. Then, by continuing to move the first Prism, the Rays MG are also reflected to N and increase the number of the Rays Nt. Therefore, the Light MN includes, first, the more refrangible Rays, and then the less refrangible Rays, and yet this Composition is still of the same Nature as the Sun's immediate Light FM, with the Reflection from the mirrored Base BC causing no Alteration in it.
Exper. 10. Two Prisms, which were alike in Shape, I tied so together, that their Axis and opposite Sides being parallel, they composed a Parallelopiped. And, the Sun shining into my dark Chamber through a little hole in the Window-shut, I placed that Parallelopiped in his beam at some distance from the hole, in such a Posture, that the Axes of the Prisms might be perpendicular to the incident Rays, and that those Rays being incident upon the first Side of one Prism, might go on through the two contiguous Sides of both Prisms, and emerge out of the last Side of the second Prism. This Side being parallel to the first Side of the first Prism, caused the emerging Light to be parallel to the incident. Then, beyond these two Prisms I placed a third, which might refract that emergent Light, and by that Refraction cast the usual Colours of the Prism upon the opposite Wall, or upon a sheet of white Paper held at a convenient Distance behind the Prism for that refracted Light to fall upon it. After this I turned the Parallelopiped about its Axis, and found that when the contiguous Sides of the two Prisms became so oblique to the[Pg 58] incident Rays, that those Rays began all of them to be reflected, those Rays which in the third Prism had suffered the greatest Refraction, and painted the Paper with violet and blue, were first of all by a total Reflexion taken out of the transmitted Light, the rest remaining and on the Paper painting their Colours of green, yellow, orange and red, as before; and afterwards by continuing the Motion of the two Prisms, the rest of the Rays also by a total Reflexion vanished in order, according to their degrees of Refrangibility. The Light therefore which emerged out of the two Prisms is compounded of Rays differently refrangible, seeing the more refrangible Rays may be taken out of it, while the less refrangible remain. But this Light being trajected only through the parallel Superficies of the two Prisms, if it suffer'd any change by the Refraction of one Superficies it lost that Impression by the contrary Refraction of the other Superficies, and so being restor'd to its pristine Constitution, became of the same Nature and Condition as at first before its Incidence on those Prisms; and therefore, before its Incidence, was as much compounded of Rays differently refrangible, as afterwards.
Exper. 10. I connected two prisms that were identical in shape so that their axes and opposite sides were parallel, forming a parallelepiped. With the sun shining into my dark room through a small hole in the window, I positioned the parallelepiped in the sunlight at a distance from the hole, ensuring that the axes of the prisms were perpendicular to the incoming rays. This allowed the rays to hit the first side of one prism, pass through the adjacent sides of both prisms, and come out of the last side of the second prism. Since this side was parallel to the first side of the first prism, the light that emerged was parallel to the incoming light. Then, I set up a third prism beyond the two, which would refract the emerging light and project the usual colors of the prism onto the wall or onto a piece of white paper held at an appropriate distance for the refracted light to hit it. After that, I rotated the parallelepiped around its axis and noticed that when the adjacent sides of the two prisms became angled enough that the incoming rays began to be reflected, the rays that had undergone the greatest refraction in the third prism, coloring the paper with violet and blue, were the first to be entirely reflected out of the transmitted light. The remaining rays continued to paint the paper with green, yellow, orange, and red as before; and as I continued to move the two prisms, the other rays also disappeared in order due to total reflection based on their degrees of refrangibility. Therefore, the light that came out of the two prisms was made up of rays that had varying levels of refractability, since the more refrangible rays could be removed while the less refrangible ones remained. However, this light, passing through the parallel surfaces of the two prisms, would lose any change caused by the refraction of one surface due to the opposite refraction of the other surface, thus returning to its original condition. Consequently, before it entered the prisms, it was just as composed of rays with different refrangibilities as it was afterward.

Illustration. In the twenty second Figure ABC and BCD are the two Prisms tied together in the form of a Parallelopiped, their Sides BC and CB being contiguous, and their Sides AB and CD parallel. And HJK is the third Prism, by which the Sun's Light propagated through the hole F into the dark Chamber, and there passing through those sides[Pg 59] of the Prisms AB, BC, CB and CD, is refracted at O to the white Paper PT, falling there partly upon P by a greater Refraction, partly upon T by a less Refraction, and partly upon R and other intermediate places by intermediate Refractions. By turning the Parallelopiped ACBD about its Axis, according to the order of the Letters A, C, D, B, at length when the contiguous Planes BC and CB become sufficiently oblique to the Rays FM, which are incident upon them at M, there will vanish totally out of the refracted Light OPT, first of all the most refracted Rays OP, (the rest OR and OT remaining as before) then the Rays OR and other intermediate ones, and[Pg 60] lastly, the least refracted Rays OT. For when the Plane BC becomes sufficiently oblique to the Rays incident upon it, those Rays will begin to be totally reflected by it towards N; and first the most refrangible Rays will be totally reflected (as was explained in the preceding Experiment) and by Consequence must first disappear at P, and afterwards the rest as they are in order totally reflected to N, they must disappear in the same order at R and T. So then the Rays which at O suffer the greatest Refraction, may be taken out of the Light MO whilst the rest of the Rays remain in it, and therefore that Light MO is compounded of Rays differently refrangible. And because the Planes AB and CD are parallel, and therefore by equal and contrary Refractions destroy one anothers Effects, the incident Light FM must be of the same Kind and Nature with the emergent Light MO, and therefore doth also consist of Rays differently refrangible. These two Lights FM and MO, before the most refrangible Rays are separated out of the emergent Light MO, agree in Colour, and in all other Properties so far as my Observation reaches, and therefore are deservedly reputed of the same Nature and Constitution, and by Consequence the one is compounded as well as the other. But after the most refrangible Rays begin to be totally reflected, and thereby separated out of the emergent Light MO, that Light changes its Colour from white to a dilute and faint yellow, a pretty good orange, a very full red successively, and then totally vanishes. For after the most refrangible Rays which paint the[Pg 61] Paper at P with a purple Colour, are by a total Reflexion taken out of the beam of Light MO, the rest of the Colours which appear on the Paper at R and T being mix'd in the Light MO compound there a faint yellow, and after the blue and part of the green which appear on the Paper between P and R are taken away, the rest which appear between R and T (that is the yellow, orange, red and a little green) being mixed in the beam MO compound there an orange; and when all the Rays are by Reflexion taken out of the beam MO, except the least refrangible, which at T appear of a full red, their Colour is the same in that beam MO as afterwards at T, the Refraction of the Prism HJK serving only to separate the differently refrangible Rays, without making any Alteration in their Colours, as shall be more fully proved hereafter. All which confirms as well the first Proposition as the second.
Illustration. In the twenty-second figure, ABC and BCD are two prisms connected to form a parallelepiped, their sides BC and CB being adjacent, and their sides AB and CD parallel. HJK is the third prism through which the sunlight passes through hole F into the dark chamber. As it moves through the sides[Pg 59] of the prisms AB, BC, CB, and CD, it is refracted at O onto the white paper PT, hitting P with greater refraction, T with less refraction, and R and other spots in between with intermediate amounts of refraction. By rotating the parallelepiped ACBD around its axis, following the sequence of the letters A, C, D, B, when the adjacent planes BC and CB become steeply angled to the rays FM, which strike them at M, the refracted light OPT will totally disappear first for the most refracted rays OP (while the others OR and OT stay as they are), then for the rays OR and other intermediate rays, and[Pg 60] finally for the least refracted rays OT. When the plane BC becomes sufficiently angled to the incoming rays, those rays will begin to be completely reflected towards N; and first, the most refrangible rays will be totally reflected (as explained in the previous experiment), causing them to vanish first at P, followed by the others in their order, totally reflected to N, disappearing in the same order at R and T. Thus, the rays that experience the greatest refraction at O can be removed from the light MO while the rest remain in it, meaning that the light MO consists of rays that refract differently. Since the planes AB and CD are parallel, they cancel each other’s effects through equal and opposite refractions, the incoming light FM must be of the same type and nature as the outgoing light MO, and thus also consist of rays that refract differently. These two lights, FM and MO, agree in color and all other characteristics before the most refrangible rays are separated from the outgoing light MO, and so are rightly considered to share the same nature and makeup, consequently, one is composed just like the other. However, after the most refrangible rays begin to be completely reflected and thus removed from the outgoing light MO, that light changes color from white to a light, faint yellow, then to a decent orange, a deep red in succession, and finally completely disappears. After the most refrangible rays that paint the[Pg 61] paper at P with a purple color are fully reflected out of the beam of light MO, the remaining colors on the paper at R and T, mixed in the compound light MO, yield a faint yellow. Once the blue and some green, visible on the paper between P and R, are removed, the remaining colors between R and T (yellow, orange, red, and a bit of green) combine in the beam MO to create an orange hue; and when all the rays are reflected out of the beam MO except for the least refrangible ones, which appear as a full red at T, their color remains the same in that beam MO as it does later at T. The refraction of prism HJK serves only to separate the differently refracting rays without altering their colors, as will be more thoroughly demonstrated later. All of this supports both the first and the second proposition.
Scholium. If this Experiment and the former be conjoined and made one by applying a fourth Prism VXY [in Fig. 22.] to refract the reflected beam MN towards tp, the Conclusion will be clearer. For then the Light Np which in the fourth Prism is more refracted, will become fuller and stronger when the Light OP, which in the third Prism HJK is more refracted, vanishes at P; and afterwards when the less refracted Light OT vanishes at T, the less refracted Light Nt will become increased whilst the more refracted Light at p receives no farther increase. And as the trajected beam MO in vanishing is always of such a Colour as ought to result from the mixture of the[Pg 62] Colours which fall upon the Paper PT, so is the reflected beam MN always of such a Colour as ought to result from the mixture of the Colours which fall upon the Paper pt. For when the most refrangible Rays are by a total Reflexion taken out of the beam MO, and leave that beam of an orange Colour, the Excess of those Rays in the reflected Light, does not only make the violet, indigo and blue at p more full, but also makes the beam MN change from the yellowish Colour of the Sun's Light, to a pale white inclining to blue, and afterward recover its yellowish Colour again, so soon as all the rest of the transmitted Light MOT is reflected.
Scholium. If you combine this experiment with the previous one by adding a fourth prism VXY [in Fig. 22.] to bend the reflected beam MN toward tp, the conclusion will be clearer. This way, the light Np in the fourth prism, which is more refracted, will appear fuller and stronger as the light OP, which is more refracted in the third prism HJK, disappears at P. Then, when the less refracted light OT disappears at T, the less refracted light Nt will increase while the more refracted light at p does not gain any more intensity. As the outgoing beam MO disappears, it always shows a color that should result from mixing the [Pg 62] colors that hit the paper PT, just as the reflected beam MN shows a color that should result from mixing the colors landing on the paper pt. When the most refrangible rays are completely reflected out of the beam MO, leaving it orange, the excess of those rays in the reflected light not only makes the violet, indigo, and blue at p more intense but also changes the beam MN from the yellowish color of sunlight to a pale white with a hint of blue, before returning to its yellowish color once all the remaining transmitted light MOT is reflected.
Now seeing that in all this variety of Experiments, whether the Trial be made in Light reflected, and that either from natural Bodies, as in the first and second Experiment, or specular, as in the ninth; or in Light refracted, and that either before the unequally refracted Rays are by diverging separated from one another, and losing their whiteness which they have altogether, appear severally of several Colours, as in the fifth Experiment; or after they are separated from one another, and appear colour'd as in the sixth, seventh, and eighth Experiments; or in Light trajected through parallel Superficies, destroying each others Effects, as in the tenth Experiment; there are always found Rays, which at equal Incidences on the same Medium suffer unequal Refractions, and that without any splitting or dilating of single Rays, or contingence in the inequality of the Refractions, as is proved in the fifth and sixth[Pg 63] Experiments. And seeing the Rays which differ in Refrangibility may be parted and sorted from one another, and that either by Refraction as in the third Experiment, or by Reflexion as in the tenth, and then the several sorts apart at equal Incidences suffer unequal Refractions, and those sorts are more refracted than others after Separation, which were more refracted before it, as in the sixth and following Experiments, and if the Sun's Light be trajected through three or more cross Prisms successively, those Rays which in the first Prism are refracted more than others, are in all the following Prisms refracted more than others in the same Rate and Proportion, as appears by the fifth Experiment; it's manifest that the Sun's Light is an heterogeneous Mixture of Rays, some of which are constantly more refrangible than others, as was proposed.
Now, looking at all these different experiments, whether the test is done with reflected light—whether from natural bodies, like in the first and second experiments, or from mirrors, like in the ninth—or with refracted light, either before the rays that are unevenly refracted are separated and lose their original whiteness, displaying different colors, as seen in the fifth experiment; or after they have been separated and are seen in color, as in the sixth, seventh, and eighth experiments; or with light passing through parallel surfaces, disrupting each other's effects, as in the tenth experiment; we consistently find rays that, at the same angle on the same medium, undergo different amounts of refraction, without any splitting or widening of individual rays, or any inconsistency in the inequality of the refractions, as demonstrated in the fifth and sixth[Pg 63] experiments. Since rays that differ in how they bend can be separated and sorted from one another, either through refraction, as in the third experiment, or reflection, as in the tenth, and once separated, those different types at the same angle experience different levels of refraction, with some types bending more than others after separation, which were already bending more before, as shown in the sixth and following experiments; and if sunlight passes through three or more prisms in succession, those rays that bend more in the first prism also bend more in all the subsequent prisms, maintaining the same rate and proportion, as shown in the fifth experiment; it's clear that sunlight is a mixture of different rays, some of which are consistently more refrangible than others, as proposed.
PROP. III. Theory. III.
The Sun's Light consists of Rays differing in Reflexibility, and those Rays are more reflexible than others which are more refrangible.
The Sun's light is made up of rays that have different levels of reflectivity, and some of those rays are more reflective than others that are more refracted.
This is manifest by the ninth and tenth Experiments: For in the ninth Experiment, by turning the Prism about its Axis, until the Rays within it which in going out into the Air were refracted by its Base, became so oblique to that Base, as to begin to be totally reflected thereby; those Rays became[Pg 64] first of all totally reflected, which before at equal Incidences with the rest had suffered the greatest Refraction. And the same thing happens in the Reflexion made by the common Base of the two Prisms in the tenth Experiment.
This is shown by the ninth and tenth Experiments: In the ninth Experiment, when the Prism is rotated around its Axis, the Rays inside it that were refracted by its Base when exiting into the Air became so angled to that Base that they started to be completely reflected. The Rays that were first totally reflected were those that previously endured the most Refraction at equal Incidences with the others. The same situation occurs with the Reflection caused by the common Base of the two Prisms in the tenth Experiment.
PROP. IV. Prob. I.
To separate from one another the heterogeneous Rays of compound Light.
To separate the different types of light from compound light.

The heterogeneous Rays are in some measure separated from one another by the Refraction of the Prism in the third Experiment, and in the fifth Experiment, by taking away the Penumbra from the rectilinear sides of the coloured Image, that Separation in those very rectilinear sides or straight edges of the Image becomes perfect. But in all places between those rectilinear edges, those innumerable Circles there described, which are severally illuminated by homogeneal Rays, by interfering with one another, and being every where commix'd, do render the Light sufficiently compound. But if these Circles, whilst their Centers keep their Distances and Positions, could be made less in Diameter, their interfering one with another, and by Consequence the Mixture of the heterogeneous Rays would be proportionally diminish'd. In the twenty third Figure let AG, BH, CJ, DK, EL, FM be the Circles which so many sorts of Rays flowing from the same disque of[Pg 65] the Sun, do in the third Experiment illuminate; of all which and innumerable other intermediate ones lying in a continual Series between the two rectilinear and parallel edges of the Sun's oblong Image PT, that Image is compos'd, as was explained in the fifth Experiment. And let ag, bh, ci, dk, el, fm be so many less Circles lying in a like continual Series between two parallel right Lines af and gm with the same distances between their Centers, and illuminated by the same sorts of Rays, that is the Circle ag with the same sort by which the corresponding Circle AG was illuminated, and the Circle bh with the same sort by which the corresponding Circle BH was illuminated, and the rest of the Circles ci, dk, el, fm respectively, with the same sorts of Rays by which the several corresponding Circles CJ, DK, EL, FM were illuminated. In the Figure PT composed of the greater Circles, three of those Circles AG, BH, CJ, are so expanded into one another, that the three sorts of Rays by which those Circles are illuminated, together with other innumerable sorts of intermediate[Pg 66] Rays, are mixed at QR in the middle of the Circle BH. And the like Mixture happens throughout almost the whole length of the Figure PT. But in the Figure pt composed of the less Circles, the three less Circles ag, bh, ci, which answer to those three greater, do not extend into one another; nor are there any where mingled so much as any two of the three sorts of Rays by which those Circles are illuminated, and which in the Figure PT are all of them intermingled at BH.
The different Rays are somewhat separated from each other by the Refraction of the Prism in the third Experiment, and in the fifth Experiment, by eliminating the Penumbra from the straight sides of the colored Image, that separation along those straight edges becomes complete. However, in the areas between those straight edges, the countless Circles described, which are each illuminated by uniform Rays, interfere with one another and mix together, resulting in a sufficiently complex Light. But if these Circles could be reduced in Diameter while keeping their Centers at a fixed distance and position, their interference would proportionally decrease, leading to less Mixture of the different Rays. In the twenty-third Figure, let AG, BH, CJ, DK, EL, FM represent the Circles illuminated by the various types of Rays flowing from the same disc of[Pg 65] the Sun, as explained in the third Experiment. These, along with countless other intermediate ones lying in a continuous Series between the two straight and parallel edges of the Sun's elongated Image PT, compose that Image, as detailed in the fifth Experiment. Let ag, bh, ci, dk, el, fm be smaller Circles lying in a similar continuous Series between two parallel straight Lines af and gm, with the same distances between their Centers, illuminated by the same types of Rays; that is, Circle ag illuminated by the same type as the corresponding Circle AG, Circle bh by the same type as Circle BH, and so forth for the Circles ci, dk, el, fm as they correspond to Circles CJ, DK, EL, FM. In Figure PT made up of the larger Circles, three of those Circles AG, BH, CJ overlap so much that the three types of Rays illuminating those Circles, along with countless other intermediate[Pg 66] Rays, mix at QR in the middle of Circle BH. Similar mixing occurs almost throughout the entire length of Figure PT. However, in Figure pt, composed of the smaller Circles, the three smaller Circles ag, bh, ci, which correspond to the three larger ones, do not extend into one another; nor do any two of the three types of Rays illuminating those Circles mix, while all types are intermingled at BH in Figure PT.
Now he that shall thus consider it, will easily understand that the Mixture is diminished in the same Proportion with the Diameters of the Circles. If the Diameters of the Circles whilst their Centers remain the same, be made three times less than before, the Mixture will be also three times less; if ten times less, the Mixture will be ten times less, and so of other Proportions. That is, the Mixture of the Rays in the greater Figure PT will be to their Mixture in the less pt, as the Latitude of the greater Figure is to the Latitude of the less. For the Latitudes of these Figures are equal to the Diameters of their Circles. And hence it easily follows, that the Mixture of the Rays in the refracted Spectrum pt is to the Mixture of the Rays in the direct and immediate Light of the Sun, as the breadth of that Spectrum is to the difference between the length and breadth of the same Spectrum.
Now, if you think about it this way, you'll easily see that the mixture decreases in the same ratio as the diameters of the circles. If the diameters of the circles, with their centers staying the same, are reduced to a third of their original size, the mixture will also decrease to a third; if they are reduced to one-tenth, the mixture will decrease to one-tenth as well, and the same applies to other ratios. In other words, the mixture of the rays in the larger figure PT will be to their mixture in the smaller pt as the latitude of the larger figure is to the latitude of the smaller one. The latitudes of these figures are equal to the diameters of their circles. Therefore, it's clear that the mixture of rays in the refracted spectrum pt is to the mixture of rays in the direct light of the Sun as the width of that spectrum is to the difference between its length and width.
So then, if we would diminish the Mixture of the Rays, we are to diminish the Diameters of the Circles. Now these would be diminished if the Sun's Diameter[Pg 67] to which they answer could be made less than it is, or (which comes to the same Purpose) if without Doors, at a great distance from the Prism towards the Sun, some opake Body were placed, with a round hole in the middle of it, to intercept all the Sun's Light, excepting so much as coming from the middle of his Body could pass through that Hole to the Prism. For so the Circles AG, BH, and the rest, would not any longer answer to the whole Disque of the Sun, but only to that Part of it which could be seen from the Prism through that Hole, that it is to the apparent Magnitude of that Hole view'd from the Prism. But that these Circles may answer more distinctly to that Hole, a Lens is to be placed by the Prism to cast the Image of the Hole, (that is, every one of the Circles AG, BH, &c.) distinctly upon the Paper at PT, after such a manner, as by a Lens placed at a Window, the Species of Objects abroad are cast distinctly upon a Paper within the Room, and the rectilinear Sides of the oblong Solar Image in the fifth Experiment became distinct without any Penumbra. If this be done, it will not be necessary to place that Hole very far off, no not beyond the Window. And therefore instead of that Hole, I used the Hole in the Window-shut, as follows.
So, if we want to reduce the mix of the rays, we need to decrease the diameters of the circles. These would be reduced if the Sun's diameter[Pg 67] could be made smaller, or (which amounts to the same thing) if an opaque object with a round hole in the middle were placed at a great distance from the prism towards the Sun, blocking all of the Sun's light except for what can pass through that hole to the prism. This way, the circles AG, BH, and the others would no longer correspond to the entire disk of the Sun, but only to the part that could be seen from the prism through that hole, meaning it would correspond to the apparent size of that hole as viewed from the prism. To make these circles correspond more clearly to that hole, a lens needs to be placed by the prism to project the image of the hole (that is, each of the circles AG, BH, etc.) clearly onto the paper at PT, just as a lens placed at a window casts clear images of objects outside onto a paper inside the room, and the straight sides of the elongated solar image in the fifth experiment became distinct without any blur. If this is done, it won't be necessary to place that hole very far away, not even beyond the window. Therefore, instead of that hole, I used the hole in the window shutter, as follows.
Exper. 11. In the Sun's Light let into my darken'd Chamber through a small round Hole in my Window-shut, at about ten or twelve Feet from the Window, I placed a Lens, by which the Image of the Hole might be distinctly cast upon a Sheet of white Paper, placed at the distance of six, eight, ten, or twelve[Pg 68] Feet from the Lens. For, according to the difference of the Lenses I used various distances, which I think not worth the while to describe. Then immediately after the Lens I placed a Prism, by which the trajected Light might be refracted either upwards or sideways, and thereby the round Image, which the Lens alone did cast upon the Paper might be drawn out into a long one with Parallel Sides, as in the third Experiment. This oblong Image I let fall upon another Paper at about the same distance from the Prism as before, moving the Paper either towards the Prism or from it, until I found the just distance where the Rectilinear Sides of the Image became most distinct. For in this Case, the Circular Images of the Hole, which compose that Image after the same manner that the Circles ag, bh, ci, &c. do the Figure pt [in Fig. 23.] were terminated most distinctly without any Penumbra, and therefore extended into one another the least that they could, and by consequence the Mixture of the heterogeneous Rays was now the least of all. By this means I used to form an oblong Image (such as is pt) [in Fig. 23, and 24.] of Circular Images of the Hole, (such as are ag, bh, ci, &c.) and by using a greater or less Hole in the Window-shut, I made the Circular Images ag, bh, ci, &c. of which it was formed, to become greater or less at pleasure, and thereby the Mixture of the Rays in the Image pt to be as much, or as little as I desired.
Exper. 11. I let sunlight into my dark room through a small round hole in the window cover, and about ten or twelve feet away from the window, I placed a lens to project a clear image of the hole onto a sheet of white paper, positioned six, eight, ten, or twelve[Pg 68] feet from the lens. Depending on the types of lenses I used, I adjusted the distance, which I don’t think is necessary to detail. Right after the lens, I added a prism to refract the light either upward or sideways, allowing the round image produced by the lens on the paper to be stretched into a long image with parallel sides, as shown in the third experiment. I then directed this oblong image onto another sheet of paper at about the same distance from the prism, adjusting the paper back and forth until I found the exact distance where the straight edges of the image were clearest. In this case, the circular images of the hole that made up the oblong image were defined sharply without any fuzzy edges, minimizing the overlap between them, thus reducing the blending of the different rays to the least possible. This method allowed me to create an oblong image (like pt) [in Fig. 23 and 24.] from the circular images of the hole (like ag, bh, ci, etc.), and by using a larger or smaller hole in the window cover, I could adjust the size of these circular images ag, bh, ci, etc., giving me control over how much or how little the rays mixed in the image pt.

Illustration. In the twenty-fourth Figure, F represents the Circular Hole in the Window-shut, MN[Pg 69] the Lens, whereby the Image or Species of that Hole is cast distinctly upon a Paper at J, ABC the Prism, whereby the Rays are at their emerging out of the Lens refracted from J towards another Paper at pt, and the round Image at J is turned into an oblong Image pt falling on that other Paper. This Image pt consists of Circles placed one after another in a Rectilinear Order, as was sufficiently explained in the fifth Experiment; and these Circles are equal to the Circle J, and consequently answer in magnitude to the Hole F; and therefore by diminishing that Hole they may be at pleasure diminished, whilst their Centers remain in their Places. By this means I made the Breadth of the Image pt to be forty times, and sometimes sixty or seventy times less than its Length. As for instance, if the Breadth of the Hole F be one tenth of an Inch, and MF the distance of the Lens from the Hole be 12 Feet; and if pB or pM the distance of the Image pt from the Prism or Lens be 10 Feet, and the refracting Angle of the Prism be 62[Pg 70] Degrees, the Breadth of the Image pt will be one twelfth of an Inch, and the Length about six Inches, and therefore the Length to the Breadth as 72 to 1, and by consequence the Light of this Image 71 times less compound than the Sun's direct Light. And Light thus far simple and homogeneal, is sufficient for trying all the Experiments in this Book about simple Light. For the Composition of heterogeneal Rays is in this Light so little, that it is scarce to be discovered and perceiv'd by Sense, except perhaps in the indigo and violet. For these being dark Colours do easily suffer a sensible Allay by that little scattering Light which uses to be refracted irregularly by the Inequalities of the Prism.
Illustration. In the twenty-fourth Figure, F represents the circular hole in the window shutter, MN[Pg 69] the lens, which projects a distinct image of that hole onto a paper at J. ABC is the prism, where the rays emerging from the lens are refracted from J towards another paper at pt, transforming the round image at J into an oblong image pt on that other paper. This image pt consists of circles lined up in a straight order, as explained in the fifth experiment; these circles are equal in size to the circle J, therefore matching the size of the hole F. By reducing that hole, the circles can be made smaller at will, while their centers stay in place. This way, I made the width of the image pt to be forty times, and sometimes sixty or seventy times, less than its length. For example, if the width of the hole F is one-tenth of an inch, and MF, the distance of the lens from the hole, is 12 feet, and if pB or pM, the distance of the image pt from the prism or lens, is 10 feet, with the refracting angle of the prism being 62[Pg 70] degrees, the width of the image pt will be one-twelfth of an inch, and the length about six inches. Hence, the length to width ratio will be 72 to 1, making the light of this image 71 times less complex than the sun's direct light. This light, being mostly simple and homogeneous, is sufficient for conducting all the experiments in this book regarding simple light. The mixture of heterogeneous rays in this light is so minimal that it's hardly noticeable to the senses, except perhaps in the indigo and violet. These darker colors can easily exhibit a noticeable tint from the little scattered light that tends to be refracted irregularly due to the imperfections of the prism.
Yet instead of the Circular Hole F, 'tis better to substitute an oblong Hole shaped like a long Parallelogram with its Length parallel to the Prism ABC. For if this Hole be an Inch or two long, and but a tenth or twentieth Part of an Inch broad, or narrower; the Light of the Image pt will be as simple as before, or simpler, and the Image will become much broader, and therefore more fit to have Experiments try'd in its Light than before.
Yet instead of the Circular Hole F, it’s better to use an oblong hole shaped like a long parallelogram with its length parallel to the prism ABC. Because if this hole is an inch or two long and only a tenth or twentieth of an inch wide, or even narrower, the light of the image pt will be as straightforward as before, or even simpler, and the image will become much wider, making it more suitable for conducting experiments in its light than before.
Instead of this Parallelogram Hole may be substituted a triangular one of equal Sides, whose Base, for instance, is about the tenth Part of an Inch, and its Height an Inch or more. For by this means, if the Axis of the Prism be parallel to the Perpendicular of the Triangle, the Image pt [in Fig. 25.] will now be form'd of equicrural Triangles ag, bh, ci, dk, el, fm, &c. and innumerable other intermediate ones answering[Pg 71] to the triangular Hole in Shape and Bigness, and lying one after another in a continual Series between two Parallel Lines af and gm. These Triangles are a little intermingled at their Bases, but not at their Vertices; and therefore the Light on the brighter Side af of the Image, where the Bases of the Triangles are, is a little compounded, but on the darker Side gm is altogether uncompounded, and in all Places between the Sides the Composition is proportional to the distances of the Places from that obscurer Side gm. And having a Spectrum pt of such a Composition, we may try Experiments either in its stronger and less simple Light near the Side af, or in its weaker and simpler Light near the other Side gm, as it shall seem most convenient.
Instead of this parallelogram hole, you can use a triangular one with equal sides, whose base, for example, is about a tenth of an inch, and its height is an inch or more. This way, if the axis of the prism is parallel to the perpendicular of the triangle, the image pt [in Fig. 25.] will be formed from equilateral triangles ag, bh, ci, dk, el, fm, etc., along with countless other intermediate ones that match in shape and size to the triangular hole, lying in a continuous series between two parallel lines af and gm. These triangles slightly overlap at their bases but not at their vertices; therefore, the light on the brighter side af of the image, where the bases of the triangles are, is slightly mixed, while on the darker side gm it is completely unmixed, and in all places in between, the composition is proportional to the distances from that darker side gm. With a spectrum pt of such a composition, we can perform experiments either in its stronger and less simple light near side af, or in its weaker and simpler light near the other side gm, based on what is most convenient.

But in making Experiments of this kind, the Chamber ought to be made as dark as can be, lest any Foreign Light mingle it self with the Light of the Spectrum pt, and render it compound; especially if we would try Experiments in the more simple Light next the Side gm of the Spectrum; which being fainter, will have a less proportion to the Foreign Light; and so by the mixture of that Light be more[Pg 72] troubled, and made more compound. The Lens also ought to be good, such as may serve for optical Uses, and the Prism ought to have a large Angle, suppose of 65 or 70 Degrees, and to be well wrought, being made of Glass free from Bubbles and Veins, with its Sides not a little convex or concave, as usually happens, but truly plane, and its Polish elaborate, as in working Optick-glasses, and not such as is usually wrought with Putty, whereby the edges of the Sand-holes being worn away, there are left all over the Glass a numberless Company of very little convex polite Risings like Waves. The edges also of the Prism and Lens, so far as they may make any irregular Refraction, must be covered with a black Paper glewed on. And all the Light of the Sun's Beam let into the Chamber, which is useless and unprofitable to the Experiment, ought to be intercepted with black Paper, or other black Obstacles. For otherwise the useless Light being reflected every way in the Chamber, will mix with the oblong Spectrum, and help to disturb it. In trying these Things, so much diligence is not altogether necessary, but it will promote the Success of the Experiments, and by a very scrupulous Examiner of Things deserves to be apply'd. It's difficult to get Glass Prisms fit for this Purpose, and therefore I used sometimes prismatick Vessels made with pieces of broken Looking-glasses, and filled with Rain Water. And to increase the Refraction, I sometimes impregnated the Water strongly with Saccharum Saturni.[Pg 73]
But when conducting experiments like this, the chamber should be as dark as possible to prevent any external light from mixing with the spectrum light and making it complicated; especially if we're trying experiments with the simpler light next to the spectrum side, which is fainter and will have less of a proportion to the external light. This mixture can disrupt it even more and make it more complex. The lens also needs to be of good quality for optical use, and the prism should have a large angle, about 65 or 70 degrees, and be well made, free from bubbles and veins, with its sides truly flat and polished, like in optical glass work, rather than the usual method using putty, which leaves lots of tiny, convex, polished bumps like waves over the glass due to worn edges from sand holes. The edges of the prism and lens, to avoid any irregular refraction, should be covered with black paper glued on. Any unnecessary sunlight entering the chamber, which won't benefit the experiment, should be blocked out with black paper or other black barriers. Otherwise, the unwanted light reflecting around the chamber will mix with the elongated spectrum and disturb it. While a lot of diligence isn’t absolutely necessary for these experiments, it will help ensure their success and deserves careful attention. It's hard to find glass prisms suitable for this purpose, so sometimes I used prism-like vessels made from pieces of broken mirrors filled with rainwater. To increase the refraction, I sometimes strongly infused the water with Saccharum Saturni.[Pg 73]
PROP. V. Theory. IV.
Homogeneal Light is refracted regularly without any Dilatation splitting or shattering of the Rays, and the confused Vision of Objects seen through refracting Bodies by heterogeneal Light arises from the different Refrangibility of several sorts of Rays.
Homogeneous light is refracted consistently without any dilation, splitting, or breaking of the rays, and the blurry vision of objects seen through refracting materials caused by heterogeneous light comes from the different degrees of refraction of various types of rays.
The first Part of this Proposition has been already sufficiently proved in the fifth Experiment, and will farther appear by the Experiments which follow.
The first part of this proposition has already been proven enough in the fifth experiment and will be further demonstrated by the experiments that follow.
Exper. 12. In the middle of a black Paper I made a round Hole about a fifth or sixth Part of an Inch in diameter. Upon this Paper I caused the Spectrum of homogeneal Light described in the former Proposition, so to fall, that some part of the Light might pass through the Hole of the Paper. This transmitted part of the Light I refracted with a Prism placed behind the Paper, and letting this refracted Light fall perpendicularly upon a white Paper two or three Feet distant from the Prism, I found that the Spectrum formed on the Paper by this Light was not oblong, as when 'tis made (in the third Experiment) by refracting the Sun's compound Light, but was (so far as I could judge by my Eye) perfectly circular, the Length being no greater than the Breadth. Which shews, that this Light is refracted regularly without any Dilatation of the Rays.
Exper. 12. In the middle of a black piece of paper, I made a round hole about a fifth or sixth of an inch in diameter. I directed the spectrum of homogeneous light described in the previous proposition to fall on this paper so that some of the light could pass through the hole. I then refracted the transmitted light with a prism placed behind the paper, and as this refracted light fell perpendicularly onto a white piece of paper two or three feet away from the prism, I observed that the spectrum formed on the paper was not elongated, as it is when produced (in the third experiment) by refracting the sun’s mixed light, but was, to my eye, perfectly circular, with the length being no greater than the width. This shows that this light is refracted uniformly without any distortion of the rays.
Exper. 13. In the homogeneal Light I placed a Paper Circle of a quarter of an Inch in diameter, and[Pg 74] in the Sun's unrefracted heterogeneal white Light I placed another Paper Circle of the same Bigness. And going from the Papers to the distance of some Feet, I viewed both Circles through a Prism. The Circle illuminated by the Sun's heterogeneal Light appeared very oblong, as in the fourth Experiment, the Length being many times greater than the Breadth; but the other Circle, illuminated with homogeneal Light, appeared circular and distinctly defined, as when 'tis view'd with the naked Eye. Which proves the whole Proposition.
Exper. 13. In the homogeneous light, I placed a paper circle with a diameter of a quarter of an inch, and[Pg 74] in the Sun's unfiltered heterogeneous white light, I placed another paper circle of the same size. Then, moving back a few feet from the papers, I viewed both circles through a prism. The circle illuminated by the Sun's heterogeneous light appeared very elongated, similar to what was observed in the fourth experiment, with the length being much greater than the width; however, the other circle, lit by homogeneous light, appeared circular and clearly defined, just like when viewed with the naked eye. This demonstrates the entire proposition.
Exper. 14. In the homogeneal Light I placed Flies, and such-like minute Objects, and viewing them through a Prism, I saw their Parts as distinctly defined, as if I had viewed them with the naked Eye. The same Objects placed in the Sun's unrefracted heterogeneal Light, which was white, I viewed also through a Prism, and saw them most confusedly defined, so that I could not distinguish their smaller Parts from one another. I placed also the Letters of a small print, one while in the homogeneal Light, and then in the heterogeneal, and viewing them through a Prism, they appeared in the latter Case so confused and indistinct, that I could not read them; but in the former they appeared so distinct, that I could read readily, and thought I saw them as distinct, as when I view'd them with my naked Eye. In both Cases I view'd the same Objects, through the same Prism at the same distance from me, and in the same Situation. There was no difference, but in the Light by which the Objects were illuminated,[Pg 75] and which in one Case was simple, and in the other compound; and therefore, the distinct Vision in the former Case, and confused in the latter, could arise from nothing else than from that difference of the Lights. Which proves the whole Proposition.
Exper. 14. I placed flies and other tiny objects in homogeneous light and observed them through a prism. Their parts were clearly defined, as if I were looking at them with my naked eye. When I put the same objects in the sun's unfiltered heterogeneous light, which is white, and viewed them through a prism, they appeared very muddled, making it hard to distinguish their smaller parts from one another. I also examined small printed letters, first in homogeneous light and then in heterogeneous light. Looking through a prism, they appeared so confusing and unclear in the latter case that I couldn't read them. However, in the former case, they appeared so clearly that I could read them easily, and I thought they looked just as distinct as when viewed with my naked eye. In both scenarios, I viewed the same objects through the same prism at the same distance from me and in the same position. The only difference was the type of light used to illuminate the objects—one was simple and the other was compound. Therefore, the clear vision in the first case and the confusion in the second could only be due to the difference in the lights. This proves the entire proposition.
And in these three Experiments it is farther very remarkable, that the Colour of homogeneal Light was never changed by the Refraction.
And in these three experiments, it is also noteworthy that the color of uniform light was never altered by refraction.
PROP. VI. Theory. V.
The Sine of Incidence of every Ray considered apart, is to its Sine of Refraction in a given Ratio.
The sine of incidence of each ray, when considered individually, is in a specific ratio to its sine of refraction.
That every Ray consider'd apart, is constant to it self in some degree of Refrangibility, is sufficiently manifest out of what has been said. Those Rays, which in the first Refraction, are at equal Incidences most refracted, are also in the following Refractions at equal Incidences most refracted; and so of the least refrangible, and the rest which have any mean Degree of Refrangibility, as is manifest by the fifth, sixth, seventh, eighth, and ninth Experiments. And those which the first Time at like Incidences are equally refracted, are again at like Incidences equally and uniformly refracted, and that whether they be refracted before they be separated from one another, as in the fifth Experiment, or whether they be refracted apart, as in the twelfth, thirteenth and fourteenth Experiments. The Refraction therefore[Pg 76] of every Ray apart is regular, and what Rule that Refraction observes we are now to shew.[E]
That every ray, when considered individually, has a consistent degree of refrangibility is clear from what has been discussed. The rays that are most refracted at equal angles in the first refraction are also the most refracted at equal angles in subsequent refractions; this is also true for the least refrangible rays and the others with any average degree of refrangibility, as shown in the fifth, sixth, seventh, eighth, and ninth experiments. Rays that are equally refracted at the same angles the first time are again equally and uniformly refracted at those angles later, whether they are refracted together initially, as demonstrated in the fifth experiment, or whether they are refracted separately, as in the twelfth, thirteenth, and fourteenth experiments. Therefore, the refraction of each ray individually is consistent, and we are now to demonstrate the principles that govern this refraction.[Pg 76]
The late Writers in Opticks teach, that the Sines of Incidence are in a given Proportion to the Sines of Refraction, as was explained in the fifth Axiom, and some by Instruments fitted for measuring of Refractions, or otherwise experimentally examining this Proportion, do acquaint us that they have found it accurate. But whilst they, not understanding the different Refrangibility of several Rays, conceived them all to be refracted according to one and the same Proportion, 'tis to be presumed that they adapted their Measures only to the middle of the refracted Light; so that from their Measures we may conclude only that the Rays which have a mean Degree of Refrangibility, that is, those which when separated from the rest appear green, are refracted according to a given Proportion of their Sines. And therefore we are now to shew, that the like given Proportions obtain in all the rest. That it should be so is very reasonable, Nature being ever conformable to her self; but an experimental Proof is desired. And such a Proof will be had, if we can shew that the Sines of Refraction of Rays differently refrangible are one to another in a given Proportion when their Sines of Incidence are equal. For, if the Sines of Refraction of all the Rays are in given Proportions to the Sine of Refractions of a Ray which has a mean Degree of Refrangibility, and this Sine is in a given[Pg 77] Proportion to the equal Sines of Incidence, those other Sines of Refraction will also be in given Proportions to the equal Sines of Incidence. Now, when the Sines of Incidence are equal, it will appear by the following Experiment, that the Sines of Refraction are in a given Proportion to one another.
The recent writers on optics explain that the sines of incidence are in a specific proportion to the sines of refraction, as discussed in the fifth axiom. Some have used instruments designed for measuring refractions or other experimental methods to confirm this proportion, and they report that their findings are accurate. However, since they didn't recognize that different rays of light refract differently, they assumed all rays were refracted according to the same proportion. It’s likely they calibrated their measurements to the average refracted light, meaning their results might only apply to rays with a medium degree of refrangibility—specifically, those that appear green when separated from the rest. Thus, we need to demonstrate that similar proportions hold for all other rays as well. This expectation seems reasonable, given that nature tends to be consistent; however, we need experimental proof. We can obtain this proof by showing that the sines of refraction for rays with different degrees of refrangibility maintain a specific proportion to each other when their sines of incidence are equal. If the sines of refraction for all rays relate proportionally to the sine of refraction for a ray with a medium degree of refrangibility, which in turn is proportionate to the equal sines of incidence, then the other sines of refraction will also relate proportionally to the equal sines of incidence. The following experiment will demonstrate that when the sines of incidence are equal, the sines of refraction are proportionate to one another.

Exper. 15. The Sun shining into a dark Chamber through a little round Hole in the Window-shut, let S [in Fig. 26.] represent his round white Image painted on the opposite Wall by his direct Light, PT his oblong coloured Image made by refracting that Light with a Prism placed at the Window; and pt, or 2p 2t, 3p 3t, his oblong colour'd Image made by refracting again the same Light sideways with a[Pg 78] second Prism placed immediately after the first in a cross Position to it, as was explained in the fifth Experiment; that is to say, pt when the Refraction of the second Prism is small, 2p 2t when its Refraction is greater, and 3p 3t when it is greatest. For such will be the diversity of the Refractions, if the refracting Angle of the second Prism be of various Magnitudes; suppose of fifteen or twenty Degrees to make the Image pt, of thirty or forty to make the Image 2p 2t, and of sixty to make the Image 3p 3t. But for want of solid Glass Prisms with Angles of convenient Bignesses, there may be Vessels made of polished Plates of Glass cemented together in the form of Prisms and filled with Water. These things being thus ordered, I observed that all the solar Images or coloured Spectrums PT, pt, 2p 2t, 3p 3t did very nearly converge to the place S on which the direct Light of the Sun fell and painted his white round Image when the Prisms were taken away. The Axis of the Spectrum PT, that is the Line drawn through the middle of it parallel to its rectilinear Sides, did when produced pass exactly through the middle of that white round Image S. And when the Refraction of the second Prism was equal to the Refraction of the first, the refracting Angles of them both being about 60 Degrees, the Axis of the Spectrum 3p 3t made by that Refraction, did when produced pass also through the middle of the same white round Image S. But when the Refraction of the second Prism was less than that of the first, the produced Axes of the Spectrums tp or 2t 2p made by that Refraction[Pg 79] did cut the produced Axis of the Spectrum TP in the points m and n, a little beyond the Center of that white round Image S. Whence the proportion of the Line 3tT to the Line 3pP was a little greater than the Proportion of 2tT or 2pP, and this Proportion a little greater than that of tT to pP. Now when the Light of the Spectrum PT falls perpendicularly upon the Wall, those Lines 3tT, 3pP, and 2tT, and 2pP, and tT, pP, are the Tangents of the Refractions, and therefore by this Experiment the Proportions of the Tangents of the Refractions are obtained, from whence the Proportions of the Sines being derived, they come out equal, so far as by viewing the Spectrums, and using some mathematical Reasoning I could estimate. For I did not make an accurate Computation. So then the Proposition holds true in every Ray apart, so far as appears by Experiment. And that it is accurately true, may be demonstrated upon this Supposition. That Bodies refract Light by acting upon its Rays in Lines perpendicular to their Surfaces. But in order to this Demonstration, I must distinguish the Motion of every Ray into two Motions, the one perpendicular to the refracting Surface, the other parallel to it, and concerning the perpendicular Motion lay down the following Proposition.
Exper. 15. The Sun shining into a dark room through a small round hole in the window lets S [in Fig. 26.] represent its round white image painted on the opposite wall by its direct light. PT shows its oblong colored image created by refracting that light with a prism placed at the window; and pt, or 2p 2t, 3p 3t, shows its oblong colored image made by refracting the same light sideways again with a[Pg 78] second prism positioned right after the first in a cross way, as explained in the fifth experiment. That is to say, pt appears when the refraction of the second prism is small, 2p 2t when its refraction is greater, and 3p 3t when it is greatest. This diversity in refractions will occur if the refracting angle of the second prism varies; let’s say fifteen or twenty degrees to create image pt, thirty or forty degrees for image 2p 2t, and sixty degrees to create image 3p 3t. However, due to the lack of solid glass prisms with appropriately sized angles, vessels can be made from polished glass plates cemented together in the shape of prisms and filled with water. With these setups, I noticed that all the solar images or colored spectrums PT, pt, 2p 2t, 3p 3t nearly converged to the spot S where the direct sunlight hit and painted its white round image when the prisms were removed. The axis of the spectrum PT, which is the line drawn through its middle parallel to its straight edges, when extended, passed exactly through the center of that white round image S. When the refraction of the second prism was equal to that of the first, both having about 60 degrees of refracting angles, the axis of spectrum 3p 3t, created by that refraction, also passed through the middle of the same white round image S when produced. But when the refraction of the second prism was less than that of the first, the produced axes of the spectrums tp or 2t 2p made by that refraction[Pg 79] cut through the produced axis of the spectrum TP at points m and n, just beyond the center of that white round image S. Thus, the ratio of the line 3tT to line 3pP was a bit greater than the ratio of 2tT to 2pP, and this ratio was slightly greater than that of tT to pP. Now, when the light of spectrum PT falls straight onto the wall, those lines 3tT, 3pP, and 2tT, 2pP, and tT, pP are the tangents of the refractions. Therefore, through this experiment, the proportions of the tangents of the refractions are obtained, from which the proportions of the sines can be derived, and they come out equal, as far as I could estimate from viewing the spectrums and some mathematical reasoning. For I did not conduct an accurate computation. Thus, the proposition holds true for each ray individually, as shown by experiment. And that it is indeed accurate can be demonstrated under this assumption. That bodies refract light by acting on its rays in lines that are perpendicular to their surfaces. However, for this demonstration, I must break down the motion of each ray into two motions: one perpendicular to the refracting surface and the other parallel to it. Regarding the perpendicular motion, I will present the following proposition.
If any Motion or moving thing whatsoever be incident with any Velocity on any broad and thin space terminated on both sides by two parallel Planes, and in its Passage through that space be urged perpendicularly towards the farther Plane by any force which at given distances from the Plane is of given[Pg 80] Quantities; the perpendicular velocity of that Motion or Thing, at its emerging out of that space, shall be always equal to the square Root of the sum of the square of the perpendicular velocity of that Motion or Thing at its Incidence on that space; and of the square of the perpendicular velocity which that Motion or Thing would have at its Emergence, if at its Incidence its perpendicular velocity was infinitely little.
If any object is moving with any speed through a narrow space that is bounded on both ends by two parallel planes, and as it moves through that space it is pushed perpendicularly toward the far plane by a force that has specific values at certain distances from the plane, then the speed of that object as it exits the space will always equal the square root of the sum of the square of its speed as it enters the space and the square of the speed it would have at exit if its speed at entry was infinitesimally small.[Pg 80]
And the same Proposition holds true of any Motion or Thing perpendicularly retarded in its passage through that space, if instead of the sum of the two Squares you take their difference. The Demonstration Mathematicians will easily find out, and therefore I shall not trouble the Reader with it.
And the same idea applies to any motion or object that is slowed down as it moves through that space; if you take the difference of the two squares instead of their sum. Mathematicians will figure out the proof easily, so I won’t bother the reader with it.
Suppose now that a Ray coming most obliquely in the Line MC [in Fig. 1.] be refracted at C by the Plane RS into the Line CN, and if it be required to find the Line CE, into which any other Ray AC shall be refracted; let MC, AD, be the Sines of Incidence of the two Rays, and NG, EF, their Sines of Refraction, and let the equal Motions of the incident Rays be represented by the equal Lines MC and AC, and the Motion MC being considered as parallel to the refracting Plane, let the other Motion AC be distinguished into two Motions AD and DC, one of which AD is parallel, and the other DC perpendicular to the refracting Surface. In like manner, let the Motions of the emerging Rays be distinguish'd into two, whereof the perpendicular ones are MC/NG × CG[Pg 81] and AD/EF × CF. And if the force of the refracting Plane begins to act upon the Rays either in that Plane or at a certain distance from it on the one side, and ends at a certain distance from it on the other side, and in all places between those two limits acts upon the Rays in Lines perpendicular to that refracting Plane, and the Actions upon the Rays at equal distances from the refracting Plane be equal, and at unequal ones either equal or unequal according to any rate whatever; that Motion of the Ray which is parallel to the refracting Plane, will suffer no Alteration by that Force; and that Motion which is perpendicular to it will be altered according to the rule of the foregoing Proposition. If therefore for the perpendicular velocity of the emerging Ray CN you write MC/NG × CG as above, then the perpendicular velocity of any other emerging Ray CE which was AD/EF × CF, will be equal to the square Root of CDq + (MCq/NGq × CGq). And by squaring these Equals, and adding to them the Equals ADq and MCq - CDq, and dividing the Sums by the Equals CFq + EFq and CGq + NGq, you will have MCq/NGq equal to ADq/EFq. Whence AD, the Sine of Incidence, is to EF the Sine of Refraction, as MC to NG, that is, in a given ratio. And this Demonstration being general, without determining what Light[Pg 82] is, or by what kind of Force it is refracted, or assuming any thing farther than that the refracting Body acts upon the Rays in Lines perpendicular to its Surface; I take it to be a very convincing Argument of the full truth of this Proposition.
Suppose now that a ray coming in at a sharp angle along the line MC [in Fig. 1.] is refracted at point C by the plane RS into the line CN. If we need to find the line CE that any other ray AC will be refracted into, let MC and AD represent the sines of incidence of the two rays, and let NG and EF represent their sines of refraction. Assume that the motions of the incident rays are represented by the equal lengths of MC and AC. Consider the motion MC as parallel to the refracting plane, and break down the other motion AC into two parts: AD, which is parallel, and DC, which is perpendicular to the refracting surface. Similarly, let the motions of the emerging rays be divided into two parts where the perpendicular components are MC/NG × CG[Pg 81] and AD/EF × CF. If the force of the refracting plane starts acting on the rays either on that plane or at a specific distance from it on one side and ends at a specific distance on the other side, and if that force acts on the rays in lines perpendicular to the refracting plane at all points in between, with the actions on the rays being equal at equal distances and either equal or unequal at unequal distances, then the motion of the ray that is parallel to the refracting plane will not be affected by that force. The motion that is perpendicular to it will be changed in accordance with the rule from the previous proposition. Therefore, if you express the perpendicular velocity of the emerging ray CN as MC/NG × CG, then the perpendicular velocity of any other emerging ray CE can be represented as AD/EF × CF, which will equal the square root of CDq + (MCq/NGq × CGq). By squaring these values and adding the equal values ADq and MCq - CDq, and dividing the sums by the equal values CFq + EFq and CGq + NGq, you will find that MCq/NGq equals ADq/EFq. Thus, the sine of incidence AD is to the sine of refraction EF as MC is to NG, meaning they are in a specific ratio. This demonstration is general, not specifying what light[Pg 82] is, how it is refracted, or assuming anything other than that the refracting body acts on the rays in lines perpendicular to its surface. I consider this a strong argument for the complete truth of this proposition.
So then, if the ratio of the Sines of Incidence and Refraction of any sort of Rays be found in any one case, 'tis given in all cases; and this may be readily found by the Method in the following Proposition.
So, if the ratio of the sines of incidence and refraction for any kind of rays is determined in one case, it's applicable to all cases; and this can be easily determined using the method outlined in the following proposition.
PROP. VII. Theory. VI.
The Perfection of Telescopes is impeded by the different Refrangibility of the Rays of Light.
The perfection of telescopes is limited by the varying ability of light rays to bend.
The Imperfection of Telescopes is vulgarly attributed to the spherical Figures of the Glasses, and therefore Mathematicians have propounded to figure them by the conical Sections. To shew that they are mistaken, I have inserted this Proposition; the truth of which will appear by the measure of the Refractions of the several sorts of Rays; and these measures I thus determine.
The flaws in telescopes are often blamed on the rounded shape of the lenses, which is why mathematicians have suggested using conical sections instead. To demonstrate that they are wrong, I have included this proposition; the truth of which will be evident from measuring the refractions of the different types of rays, and I will determine these measurements as follows.
In the third Experiment of this first Part, where the refracting Angle of the Prism was 62-1/2 Degrees, the half of that Angle 31 deg. 15 min. is the Angle of Incidence of the Rays at their going out of the Glass into the Air[F]; and the Sine of this Angle is 5188, the Radius being 10000. When the Axis of this[Pg 83] Prism was parallel to the Horizon, and the Refraction of the Rays at their Incidence on this Prism equal to that at their Emergence out of it, I observed with a Quadrant the Angle which the mean refrangible Rays, (that is those which went to the middle of the Sun's coloured Image) made with the Horizon, and by this Angle and the Sun's altitude observed at the same time, I found the Angle which the emergent Rays contained with the incident to be 44 deg. and 40 min. and the half of this Angle added to the Angle of Incidence 31 deg. 15 min. makes the Angle of Refraction, which is therefore 53 deg. 35 min. and its Sine 8047. These are the Sines of Incidence and Refraction of the mean refrangible Rays, and their Proportion in round Numbers is 20 to 31. This Glass was of a Colour inclining to green. The last of the Prisms mentioned in the third Experiment was of clear white Glass. Its refracting Angle 63-1/2 Degrees. The Angle which the emergent Rays contained, with the incident 45 deg. 50 min. The Sine of half the first Angle 5262. The Sine of half the Sum of the Angles 8157. And their Proportion in round Numbers 20 to 31, as before.
In the third experiment of this first part, where the refracting angle of the prism was 62.5 degrees, half of that angle, which is 31 degrees and 15 minutes, is the angle of incidence of the rays as they exit the glass into the air[F]; and the sine of this angle is 5188, with the radius being 10000. When the axis of this[Pg 83] prism was parallel to the horizon, and the refraction of the rays at their incidence on this prism was equal to that at their emergence from it, I measured with a quadrant the angle that the mean refrangible rays (those that went to the middle of the Sun's colored image) made with the horizon. Using this angle and the altitude of the Sun observed at the same time, I found that the angle between the emergent rays and the incident rays was 44 degrees and 40 minutes, and adding half of this angle to the angle of incidence (31 degrees and 15 minutes) gives the angle of refraction, which is therefore 53 degrees and 35 minutes, with its sine being 8047. These are the sines of incidence and refraction of the mean refrangible rays, and their proportion in round numbers is 20 to 31. This glass had a color that leaned towards green. The last of the prisms mentioned in the third experiment was made of clear white glass, with a refracting angle of 63.5 degrees. The angle formed by the emergent rays with the incident rays was 45 degrees and 50 minutes. The sine of half the first angle is 5262, the sine of half the sum of the angles is 8157, and their proportion in round numbers is 20 to 31, as before.
From the Length of the Image, which was about 9-3/4 or 10 Inches, subduct its Breadth, which was 2-1/8 Inches, and the Remainder 7-3/4 Inches would be the Length of the Image were the Sun but a Point, and therefore subtends the Angle which the most and least refrangible Rays, when incident on the Prism in the same Lines, do contain with one another after their Emergence. Whence this Angle is 2 deg. 0´. 7´´.[Pg 84] For the distance between the Image and the Prism where this Angle is made, was 18-1/2 Feet, and at that distance the Chord 7-3/4 Inches subtends an Angle of 2 deg. 0´. 7´´. Now half this Angle is the Angle which these emergent Rays contain with the emergent mean refrangible Rays, and a quarter thereof, that is 30´. 2´´. may be accounted the Angle which they would contain with the same emergent mean refrangible Rays, were they co-incident to them within the Glass, and suffered no other Refraction than that at their Emergence. For, if two equal Refractions, the one at the Incidence of the Rays on the Prism, the other at their Emergence, make half the Angle 2 deg. 0´. 7´´. then one of those Refractions will make about a quarter of that Angle, and this quarter added to, and subducted from the Angle of Refraction of the mean refrangible Rays, which was 53 deg. 35´, gives the Angles of Refraction of the most and least refrangible Rays 54 deg. 5´ 2´´, and 53 deg. 4´ 58´´, whose Sines are 8099 and 7995, the common Angle of Incidence being 31 deg. 15´, and its Sine 5188; and these Sines in the least round Numbers are in proportion to one another, as 78 and 77 to 50.
From the length of the image, which was about 9-3/4 or 10 inches, subtract its width, which was 2-1/8 inches, and the remaining 7-3/4 inches would be the length of the image if the sun were just a point. Therefore, this length creates the angle that the most and least refracted rays, when hitting the prism in the same lines, form with each other after they emerge. This angle measures 2 degrees, 0 minutes, 7 seconds.[Pg 84] The distance between the image and the prism where this angle is formed was 18-1/2 feet, and at that distance, the chord of 7-3/4 inches forms an angle of 2 degrees, 0 minutes, 7 seconds. Half of this angle is the angle that these emergent rays form with the emergent mean refracted rays, and a quarter of that, which is 30 minutes, 2 seconds, can be considered the angle they would form with the same emergent mean refracted rays if they were coincident with them inside the glass and experienced no other refraction aside from that at their emergence. If two equal refractions occur, one at the incidence of the rays on the prism and the other at their emergence, making half the angle 2 degrees, 0 minutes, 7 seconds, then one of those refractions will make about a quarter of that angle. Adding and subtracting this quarter from the angle of refraction of the mean refracted rays, which was 53 degrees, 35 minutes, gives the angles of refraction of the most and least refracted rays as 54 degrees, 5 minutes, 2 seconds, and 53 degrees, 4 minutes, 58 seconds, whose sines are 8099 and 7995, the common angle of incidence being 31 degrees, 15 minutes, and its sine 5188; and these sines in the least round numbers are proportional to one another, as 78 and 77 to 50.
Now, if you subduct the common Sine of Incidence 50 from the Sines of Refraction 77 and 78, the Remainders 27 and 28 shew, that in small Refractions the Refraction of the least refrangible Rays is to the Refraction of the most refrangible ones, as 27 to 28 very nearly, and that the difference of the Refractions of the least refrangible and most refrangible Rays is[Pg 85] about the 27-1/2th Part of the whole Refraction of the mean refrangible Rays.
Now, if you take away the common sine of incidence at 50 from the sines of refraction at 77 and 78, the remainders at 27 and 28 show that for small refractions, the refraction of the least refrangible rays is to the refraction of the most refrangible rays as 27 to 28, very close to that, and that the difference in the refractions of the least refrangible and the most refrangible rays is[Pg 85] about one and a half parts out of the total refraction of the mean refrangible rays.
Whence they that are skilled in Opticks will easily understand,[G] that the Breadth of the least circular Space, into which Object-glasses of Telescopes can collect all sorts of Parallel Rays, is about the 27-1/2th Part of half the Aperture of the Glass, or 55th Part of the whole Aperture; and that the Focus of the most refrangible Rays is nearer to the Object-glass than the Focus of the least refrangible ones, by about the 27-1/2th Part of the distance between the Object-glass and the Focus of the mean refrangible ones.
Those who are knowledgeable about optics will easily understand,[G] that the width of the smallest circular area into which telescope objective lenses can gather all types of parallel rays is about 27.5% of half the aperture of the lens or 1/55 of the entire aperture; and that the focus of the most refracted rays is closer to the objective lens than the focus of the least refracted rays by about 27.5% of the distance between the objective lens and the focus of the moderately refracted rays.
And if Rays of all sorts, flowing from any one lucid Point in the Axis of any convex Lens, be made by the Refraction of the Lens to converge to Points not too remote from the Lens, the Focus of the most refrangible Rays shall be nearer to the Lens than the Focus of the least refrangible ones, by a distance which is to the 27-1/2th Part of the distance of the Focus of the mean refrangible Rays from the Lens, as the distance between that Focus and the lucid Point, from whence the Rays flow, is to the distance between that lucid Point and the Lens very nearly.
If rays of light coming from any clear point along the axis of a convex lens are made to converge at points that aren't too far from the lens due to the lens's refraction, the focus of the most refracted rays will be closer to the lens than the focus of the least refracted rays. The difference in distance will be about 27.5 times the distance from the lens to the focus of the rays with medium refraction, compared to the distance between that focus and the clear point from which the rays originate, which is roughly equal to the distance between that clear point and the lens.
Now to examine whether the Difference between the Refractions, which the most refrangible and the least refrangible Rays flowing from the same Point suffer in the Object-glasses of Telescopes and such-like Glasses, be so great as is here described, I contrived the following Experiment.[Pg 86]
Now let's see if the difference in refractions, which the most refracted and the least refracted rays coming from the same point experience in the lenses of telescopes and similar glasses, is as significant as described here. I devised the following experiment.[Pg 86]
Exper. 16. The Lens which I used in the second and eighth Experiments, being placed six Feet and an Inch distant from any Object, collected the Species of that Object by the mean refrangible Rays at the distance of six Feet and an Inch from the Lens on the other side. And therefore by the foregoing Rule, it ought to collect the Species of that Object by the least refrangible Rays at the distance of six Feet and 3-2/3 Inches from the Lens, and by the most refrangible ones at the distance of five Feet and 10-1/3 Inches from it: So that between the two Places, where these least and most refrangible Rays collect the Species, there may be the distance of about 5-1/3 Inches. For by that Rule, as six Feet and an Inch (the distance of the Lens from the lucid Object) is to twelve Feet and two Inches (the distance of the lucid Object from the Focus of the mean refrangible Rays) that is, as One is to Two; so is the 27-1/2th Part of six Feet and an Inch (the distance between the Lens and the same Focus) to the distance between the Focus of the most refrangible Rays and the Focus of the least refrangible ones, which is therefore 5-17/55 Inches, that is very nearly 5-1/3 Inches. Now to know whether this Measure was true, I repeated the second and eighth Experiment with coloured Light, which was less compounded than that I there made use of: For I now separated the heterogeneous Rays from one another by the Method I described in the eleventh Experiment, so as to make a coloured Spectrum about twelve or fifteen Times longer than broad. This Spectrum I cast on a printed Book, and[Pg 87] placing the above-mentioned Lens at the distance of six Feet and an Inch from this Spectrum to collect the Species of the illuminated Letters at the same distance on the other side, I found that the Species of the Letters illuminated with blue were nearer to the Lens than those illuminated with deep red by about three Inches, or three and a quarter; but the Species of the Letters illuminated with indigo and violet appeared so confused and indistinct, that I could not read them: Whereupon viewing the Prism, I found it was full of Veins running from one end of the Glass to the other; so that the Refraction could not be regular. I took another Prism therefore which was free from Veins, and instead of the Letters I used two or three Parallel black Lines a little broader than the Strokes of the Letters, and casting the Colours upon these Lines in such manner, that the Lines ran along the Colours from one end of the Spectrum to the other, I found that the Focus where the indigo, or confine of this Colour and violet cast the Species of the black Lines most distinctly, to be about four Inches, or 4-1/4 nearer to the Lens than the Focus, where the deepest red cast the Species of the same black Lines most distinctly. The violet was so faint and dark, that I could not discern the Species of the Lines distinctly by that Colour; and therefore considering that the Prism was made of a dark coloured Glass inclining to green, I took another Prism of clear white Glass; but the Spectrum of Colours which this Prism made had long white Streams of faint Light shooting out from[Pg 88] both ends of the Colours, which made me conclude that something was amiss; and viewing the Prism, I found two or three little Bubbles in the Glass, which refracted the Light irregularly. Wherefore I covered that Part of the Glass with black Paper, and letting the Light pass through another Part of it which was free from such Bubbles, the Spectrum of Colours became free from those irregular Streams of Light, and was now such as I desired. But still I found the violet so dark and faint, that I could scarce see the Species of the Lines by the violet, and not at all by the deepest Part of it, which was next the end of the Spectrum. I suspected therefore, that this faint and dark Colour might be allayed by that scattering Light which was refracted, and reflected irregularly, partly by some very small Bubbles in the Glasses, and partly by the Inequalities of their Polish; which Light, tho' it was but little, yet it being of a white Colour, might suffice to affect the Sense so strongly as to disturb the Phænomena of that weak and dark Colour the violet, and therefore I tried, as in the 12th, 13th, and 14th Experiments, whether the Light of this Colour did not consist of a sensible Mixture of heterogeneous Rays, but found it did not. Nor did the Refractions cause any other sensible Colour than violet to emerge out of this Light, as they would have done out of white Light, and by consequence out of this violet Light had it been sensibly compounded with white Light. And therefore I concluded, that the reason why I could not see the Species of the Lines distinctly by this[Pg 89] Colour, was only the Darkness of this Colour, and Thinness of its Light, and its distance from the Axis of the Lens; I divided therefore those Parallel black Lines into equal Parts, by which I might readily know the distances of the Colours in the Spectrum from one another, and noted the distances of the Lens from the Foci of such Colours, as cast the Species of the Lines distinctly, and then considered whether the difference of those distances bear such proportion to 5-1/3 Inches, the greatest Difference of the distances, which the Foci of the deepest red and violet ought to have from the Lens, as the distance of the observed Colours from one another in the Spectrum bear to the greatest distance of the deepest red and violet measured in the Rectilinear Sides of the Spectrum, that is, to the Length of those Sides, or Excess of the Length of the Spectrum above its Breadth. And my Observations were as follows.
Exper. 16. The lens I used in the second and eighth experiments was placed six feet and one inch away from any object, collecting the image of that object by the mean refrangible rays at a distance of six feet and one inch from the lens on the opposite side. Therefore, according to the previous rule, it should collect the image of that object by the least refrangible rays at a distance of six feet and 3-2/3 inches from the lens, and by the most refrangible rays at a distance of five feet and 10-1/3 inches from it. This means there is a distance of about 5-1/3 inches between the two points where the least and most refrangible rays collect the image. By that rule, the distance of six feet and one inch (the distance of the lens from the illuminated object) is to twelve feet and two inches (the distance of the illuminated object from the focus of the mean refrangible rays)—that is, as one is to two; similarly, the 27-1/2th part of six feet and one inch (the distance from the lens to the same focus) correlates to the distance between the focus of the most refrangible rays and the focus of the least refrangible rays, making it approximately 5-17/55 inches, or very close to 5-1/3 inches. To verify this measurement, I repeated the second and eighth experiments with colored light, which was simpler than what I previously used. I separated the different rays using the method described in the eleventh experiment, creating a colored spectrum about twelve or fifteen times longer than it was wide. I projected this spectrum onto a printed book, and by placing the mentioned lens six feet and one inch away from this spectrum to collect the images of the illuminated letters at the same distance on the other side, I found that the images of the letters illuminated in blue were about three inches, or three and a quarter inches, closer to the lens than those illuminated in deep red. However, the images of the letters illuminated in indigo and violet appeared so blurry that I couldn't read them. When examining the prism, I noticed it was full of veins running from one end of the glass to the other, which caused the refraction to be irregular. I then used another prism that was free from veins. Instead of the letters, I used two or three parallel black lines slightly wider than the strokes of the letters, and I cast the colors onto these lines in such a way that the lines ran along the colors from one end of the spectrum to the other. I found that the focus where indigo, or the boundary of that color, and violet cast the images of the black lines most clearly was about four to 4-1/4 inches closer to the lens than the focus where the deepest red cast the images of the same black lines most clearly. The violet was so faint and dark that I could hardly see the images of the lines distinctly in that color, and not at all in the darkest part, which was nearest to the end of the spectrum. I suspected that this faint and dark color might be affected by the scattered light that was refracted and reflected irregularly, partly due to small bubbles in the glass and partly due to the imperfections in their polish. Although this light was minimal, being white, it could sufficiently affect the perception to disturb the visibility of the weak and dark violet color. Therefore, I tried, as I did in the 12th, 13th, and 14th experiments, to determine whether the light of this color consisted of a noticeable mixture of different rays, but found that it did not. The refractions did not reveal any other noticeable color aside from violet, as they would have from white light, and consequently from this violet light had it been significantly mixed with white light. Therefore, I concluded that the reason I couldn't see the images of the lines clearly in this color was simply due to the darkness of the color, the thinness of its light, and its distance from the axis of the lens. I then divided those parallel black lines into equal parts so I could easily identify the distances of the colors in the spectrum from one another, and I noted the distances of the lens from the foci of the colors that created clear images of the lines. Then I considered whether the difference in those distances related proportionately to 5-1/3 inches, the maximum difference in distances that the foci of the deepest red and violet should have from the lens, just as the distances of the observed colors from one another in the spectrum relate to the maximum distance of the deepest red and violet measured along the straight edges of the spectrum, in other words, to the length of those edges or the excess of the spectrum's length over its breadth. My observations were as follows.
When I observed and compared the deepest sensible red, and the Colour in the Confine of green and blue, which at the Rectilinear Sides of the Spectrum was distant from it half the Length of those Sides, the Focus where the Confine of green and blue cast the Species of the Lines distinctly on the Paper, was nearer to the Lens than the Focus, where the red cast those Lines distinctly on it by about 2-1/2 or 2-3/4 Inches. For sometimes the Measures were a little greater, sometimes a little less, but seldom varied from one another above 1/3 of an Inch. For it was very difficult to define the Places of the Foci, without some little Errors. Now, if the Colours distant half[Pg 90] the Length of the Image, (measured at its Rectilinear Sides) give 2-1/2 or 2-3/4 Difference of the distances of their Foci from the Lens, then the Colours distant the whole Length ought to give 5 or 5-1/2 Inches difference of those distances.
When I observed and compared the deepest noticeable red with the color at the boundary of green and blue, which at the straight sides of the spectrum was half the length of those sides away from it, the point where the boundary of green and blue clearly created lines on the paper was about 2.5 to 2.75 inches closer to the lens than the point where the red produced those lines clearly. Sometimes the measurements were a bit larger, sometimes a bit smaller, but they rarely varied by more than one-third of an inch. It was quite challenging to pinpoint the locations of the foci without some small errors. Now, if the colors that are half the length of the image (measured at its straight sides) show a difference of 2.5 to 2.75 inches in the distances of their foci from the lens, then the colors that are the full length should show a difference of 5 to 5.5 inches in those distances.
But here it's to be noted, that I could not see the red to the full end of the Spectrum, but only to the Center of the Semicircle which bounded that end, or a little farther; and therefore I compared this red not with that Colour which was exactly in the middle of the Spectrum, or Confine of green and blue, but with that which verged a little more to the blue than to the green: And as I reckoned the whole Length of the Colours not to be the whole Length of the Spectrum, but the Length of its Rectilinear Sides, so compleating the semicircular Ends into Circles, when either of the observed Colours fell within those Circles, I measured the distance of that Colour from the semicircular End of the Spectrum, and subducting half this distance from the measured distance of the two Colours, I took the Remainder for their corrected distance; and in these Observations set down this corrected distance for the difference of the distances of their Foci from the Lens. For, as the Length of the Rectilinear Sides of the Spectrum would be the whole Length of all the Colours, were the Circles of which (as we shewed) that Spectrum consists contracted and reduced to Physical Points, so in that Case this corrected distance would be the real distance of the two observed Colours.
But it's important to note that I could not see the red all the way to the end of the spectrum, only to the center of the semicircle that marked that end, or just a bit beyond it. So, I compared this red not with the color that was exactly in the middle of the spectrum, which is the boundary of green and blue, but with the color that leaned a bit more toward blue than green. As I considered the entire length of the colors not to be the full length of the spectrum but just the length of its straight sides, I completed the semicircular ends into circles. When either of the observed colors fell within those circles, I measured the distance of that color from the semicircular end of the spectrum. After subtracting half this distance from the measured distance of the two colors, I took the remainder as their corrected distance. In these observations, I recorded this corrected distance as the difference in the distances of their focal points from the lens. Just as the length of the straight sides of the spectrum would be the total length of all the colors if the circles that make up that spectrum were contracted and reduced to physical points, in that case, this corrected distance would represent the actual distance between the two observed colors.
When therefore I farther observed the deepest[Pg 91] sensible red, and that blue whose corrected distance from it was 7/12 Parts of the Length of the Rectilinear Sides of the Spectrum, the difference of the distances of their Foci from the Lens was about 3-1/4 Inches, and as 7 to 12, so is 3-1/4 to 5-4/7.
When I further examined the deepest[Pg 91] vivid red, and the blue that was positioned 7/12 of the length of the straight edges of the spectrum away from it, the difference in the distances of their focal points from the lens was about 3-1/4 inches, and just as 7 is to 12, so 3-1/4 is to 5-4/7.
When I observed the deepest sensible red, and that indigo whose corrected distance was 8/12 or 2/3 of the Length of the Rectilinear Sides of the Spectrum, the difference of the distances of their Foci from the Lens, was about 3-2/3 Inches, and as 2 to 3, so is 3-2/3 to 5-1/2.
When I looked at the deepest noticeable red and that indigo, which was adjusted to a distance of 8/12 or 2/3 of the length of the straight sides of the spectrum, the difference in the distances of their foci from the lens was about 3-2/3 inches, and just as 2 relates to 3, so does 3-2/3 relate to 5-1/2.
When I observed the deepest sensible red, and that deep indigo whose corrected distance from one another was 9/12 or 3/4 of the Length of the Rectilinear Sides of the Spectrum, the difference of the distances of their Foci from the Lens was about 4 Inches; and as 3 to 4, so is 4 to 5-1/3.
When I noticed the deepest, most vibrant red and that rich indigo, which were spaced 9/12 or 3/4 of the length of the straight sides of the spectrum, the distance between their foci from the lens was about 4 inches; and just as 3 is to 4, 4 is to 5-1/3.
When I observed the deepest sensible red, and that Part of the violet next the indigo, whose corrected distance from the red was 10/12 or 5/6 of the Length of the Rectilinear Sides of the Spectrum, the difference of the distances of their Foci from the Lens was about 4-1/2 Inches, and as 5 to 6, so is 4-1/2 to 5-2/5. For sometimes, when the Lens was advantageously placed, so that its Axis respected the blue, and all Things else were well ordered, and the Sun shone clear, and I held my Eye very near to the Paper on which the Lens cast the Species of the Lines, I could see pretty distinctly the Species of those Lines by that Part of the violet which was next the indigo; and sometimes I could see them by above half the violet,[Pg 92] For in making these Experiments I had observed, that the Species of those Colours only appear distinct, which were in or near the Axis of the Lens: So that if the blue or indigo were in the Axis, I could see their Species distinctly; and then the red appeared much less distinct than before. Wherefore I contrived to make the Spectrum of Colours shorter than before, so that both its Ends might be nearer to the Axis of the Lens. And now its Length was about 2-1/2 Inches, and Breadth about 1/5 or 1/6 of an Inch. Also instead of the black Lines on which the Spectrum was cast, I made one black Line broader than those, that I might see its Species more easily; and this Line I divided by short cross Lines into equal Parts, for measuring the distances of the observed Colours. And now I could sometimes see the Species of this Line with its Divisions almost as far as the Center of the semicircular violet End of the Spectrum, and made these farther Observations.
When I looked at the deepest visible red and the part of the violet next to the indigo, whose corrected distance from the red was 10/12 or 5/6 of the length of the straight sides of the spectrum, the difference in the distances of their foci from the lens was about 4.5 inches. The ratio was similar, as 5 to 6 is to 4.5 to 5.4. Sometimes, when the lens was positioned favorably, so that its axis aligned with the blue, and everything else was set up correctly, and the sun was shining clearly, I held my eye very close to the paper where the lens projected the images of the lines, and I could see quite clearly the images of those lines in the part of the violet that was next to the indigo; at times, I could see them in more than half of the violet. In my experiments, I noticed that the images of those colors appeared distinct only when they were in or near the axis of the lens: if the blue or indigo were in the axis, I could see their images clearly, while the red looked much less distinct. Therefore, I decided to make the spectrum of colors shorter than before, so both ends would be closer to the axis of the lens. Its new length was about 2.5 inches, and its width was about 1/5 or 1/6 of an inch. Instead of the black lines on which the spectrum was projected, I created one black line that was broader so I could see its image more easily; I also divided this line with short cross lines into equal parts for measuring the distances of the observed colors. Now, I could sometimes see the image of this line with its divisions nearly up to the center of the semicircular violet end of the spectrum, allowing me to make further observations.
When I observed the deepest sensible red, and that Part of the violet, whose corrected distance from it was about 8/9 Parts of the Rectilinear Sides of the Spectrum, the Difference of the distances of the Foci of those Colours from the Lens, was one time 4-2/3, another time 4-3/4, another time 4-7/8 Inches; and as 8 to 9, so are 4-2/3, 4-3/4, 4-7/8, to 5-1/4, 5-11/32, 5-31/64 respectively.
When I looked at the deepest visible red and that part of the violet, which was about 8/9 the distance of the straight edges of the spectrum, the difference in distances of the focuses of those colors from the lens was sometimes 4-2/3, other times 4-3/4, and at other times 4-7/8 inches. The ratios of 8 to 9 correspond to 4-2/3, 4-3/4, and 4-7/8, which relate to 5-1/4, 5-11/32, and 5-31/64 respectively.
When I observed the deepest sensible red, and deepest sensible violet, (the corrected distance of which Colours, when all Things were ordered to the best Advantage, and the Sun shone very clear, was about 11/12 or 15/16 Parts of the Length of the Rectilinear[Pg 93] Sides of the coloured Spectrum) I found the Difference of the distances of their Foci from the Lens sometimes 4-3/4 sometimes 5-1/4, and for the most part 5 Inches or thereabouts; and as 11 to 12, or 15 to 16, so is five Inches to 5-2/2 or 5-1/3 Inches.
When I looked at the deepest noticeable red and the deepest noticeable violet, (the correct distance of these colors, when everything was arranged for the best effect and the sun was shining very clearly, was about 11/12 or 15/16 of the length of the straight sides of the colored spectrum) I noticed that the difference in the distances of their focal points from the lens was sometimes 4-3/4 inches, sometimes 5-1/4 inches, and mostly around 5 inches. And just as 11 to 12 or 15 to 16, so is five inches to 5-2/2 or 5-1/3 inches.
And by this Progression of Experiments I satisfied my self, that had the Light at the very Ends of the Spectrum been strong enough to make the Species of the black Lines appear plainly on the Paper, the Focus of the deepest violet would have been found nearer to the Lens, than the Focus of the deepest red, by about 5-1/3 Inches at least. And this is a farther Evidence, that the Sines of Incidence and Refraction of the several sorts of Rays, hold the same Proportion to one another in the smallest Refractions which they do in the greatest.
And through this series of experiments, I confirmed to myself that if the light at the very ends of the spectrum had been strong enough to make the types of black lines show up clearly on the paper, the focus of the deepest violet would have been located closer to the lens than the focus of the deepest red by at least 5-1/3 inches. This further supports the idea that the sines of incidence and refraction of the different types of rays maintain the same ratio to one another in the smallest refractions as they do in the largest.
My Progress in making this nice and troublesome Experiment I have set down more at large, that they that shall try it after me may be aware of the Circumspection requisite to make it succeed well. And if they cannot make it succeed so well as I did, they may notwithstanding collect by the Proportion of the distance of the Colours of the Spectrum, to the Difference of the distances of their Foci from the Lens, what would be the Success in the more distant Colours by a better trial. And yet, if they use a broader Lens than I did, and fix it to a long strait Staff, by means of which it may be readily and truly directed to the Colour whose Focus is desired, I question not but the Experiment will succeed better with them than it did with me. For I directed the[Pg 94] Axis as nearly as I could to the middle of the Colours, and then the faint Ends of the Spectrum being remote from the Axis, cast their Species less distinctly on the Paper than they would have done, had the Axis been successively directed to them.
I've detailed my progress in conducting this interesting yet challenging experiment so that those who attempt it after me can understand the careful consideration needed for it to work well. Even if they can’t replicate my success exactly, they can still determine the likely outcomes for the more distant colors by comparing the distance of the colors in the spectrum to the differences in their focal distances from the lens. Moreover, if they use a wider lens than I did and attach it to a long, straight staff, allowing for precise targeting of the desired color's focus, I’m confident that their results will be better than mine. I aimed the[Pg 94] axis as closely as possible to the center of the colors, but since the faint ends of the spectrum were further from the axis, they did not appear as clearly on the paper as they could have if the axis had been directed towards them in succession.
Now by what has been said, it's certain that the Rays which differ in Refrangibility do not converge to the same Focus; but if they flow from a lucid Point, as far from the Lens on one side as their Foci are on the other, the Focus of the most refrangible Rays shall be nearer to the Lens than that of the least refrangible, by above the fourteenth Part of the whole distance; and if they flow from a lucid Point, so very remote from the Lens, that before their Incidence they may be accounted parallel, the Focus of the most refrangible Rays shall be nearer to the Lens than the Focus of the least refrangible, by about the 27th or 28th Part of their whole distance from it. And the Diameter of the Circle in the middle Space between those two Foci which they illuminate, when they fall there on any Plane, perpendicular to the Axis (which Circle is the least into which they can all be gathered) is about the 55th Part of the Diameter of the Aperture of the Glass. So that 'tis a wonder, that Telescopes represent Objects so distinct as they do. But were all the Rays of Light equally refrangible, the Error arising only from the Sphericalness of the Figures of Glasses would be many hundred times less. For, if the Object-glass of a Telescope be Plano-convex, and the Plane side be turned towards the Object, and the Diameter of the[Pg 95] Sphere, whereof this Glass is a Segment, be called D, and the Semi-diameter of the Aperture of the Glass be called S, and the Sine of Incidence out of Glass into Air, be to the Sine of Refraction as I to R; the Rays which come parallel to the Axis of the Glass, shall in the Place where the Image of the Object is most distinctly made, be scattered all over a little Circle, whose Diameter is (Rq/Iq) × (S cub./D quad.) very nearly,[H] as I gather by computing the Errors of the Rays by the Method of infinite Series, and rejecting the Terms, whose Quantities are inconsiderable. As for instance, if the Sine of Incidence I, be to the Sine of Refraction R, as 20 to 31, and if D the Diameter of the Sphere, to which the Convex-side of the Glass is ground, be 100 Feet or 1200 Inches, and S the Semi-diameter of the Aperture be two Inches, the Diameter of the little Circle, (that is (Rq × S cub.)/(Iq × D quad.)) will be (31 × 31 × 8)/(20 × 20 × 1200 × 1200) (or 961/72000000) Parts of an Inch. But the Diameter of the little Circle, through which these Rays are scattered by unequal Refrangibility, will be about the 55th Part of the Aperture of the Object-glass, which here is four Inches. And therefore, the Error arising from the Spherical Figure of the Glass, is to the Error arising from the different Refrangibility of the Rays, as 961/72000000 to 4/55, that is as 1 to 5449; and therefore[Pg 96] being in comparison so very little, deserves not to be considered.
Now, based on what has been said, it's clear that the rays which differ in how much they bend don’t focus at the same point. However, if they come from a bright point located at the same distance from the lens on one side as their focal points are on the other, the focus of the most refracted rays will be closer to the lens than that of the least refracted rays by more than one fourteenth of the total distance. If they come from a light source that is so far from the lens that they can be considered parallel before striking it, the focus of the most refracted rays will be about one twenty-seventh or one twenty-eighth closer to the lens than the focus of the least refracted rays. The diameter of the circle in the middle space illuminated by those two foci, when they hit a flat surface perpendicular to the axis (this circle is the smallest into which they can all converge), is about one fifty-fifth of the diameter of the glass aperture. So, it’s surprising that telescopes can represent objects so clearly. But if all light rays were equally bent, the error caused solely by the spherical shape of the lens would be many hundreds of times smaller. For example, if the object lens of a telescope is plano-convex, with the flat side facing the object, and we call the diameter of the sphere that the glass is a segment of D, and the radius of the glass aperture S, and if the sine of incidence from glass to air is to the sine of refraction as I to R; the rays that come parallel to the lens's axis will scatter all over a small circle at the point where the image of the object is most clearly formed, and the diameter will be approximately (Rq/Iq) × (S cubed/D squared) based on my calculations of ray errors using the method of infinite series and ignoring negligible terms. For example, if the sine of incidence I is to the sine of refraction R as 20 to 31, and if D, the diameter of the sphere to which the convex side of the glass is ground, is 100 feet or 1200 inches, and S, the radius of the aperture, is two inches, the diameter of the small circle (that is, (Rq × S cubed)/(Iq × D squared)) will be (31 × 31 × 8)/(20 × 20 × 1200 × 1200) (or 961/72000000) parts of an inch. But the diameter of the small circle, through which these rays scatter due to unequal refraction, will be about one fifty-fifth of the object lens aperture, which is four inches here. Therefore, the error from the spherical shape of the glass is to the error from the different refraction of the rays as 961/72000000 to 4/55, or as 1 to 5449; and so, since it is so much smaller in comparison, it doesn’t warrant much consideration.

But you will say, if the Errors caused by the different Refrangibility be so very great, how comes it to pass, that Objects appear through Telescopes so distinct as they do? I answer, 'tis because the erring Rays are not scattered uniformly over all that Circular Space, but collected infinitely more densely in the Center than in any other Part of the Circle, and in the Way from the Center to the Circumference, grow continually rarer and rarer, so as at the Circumference to become infinitely rare; and by reason of their Rarity are not strong enough to be visible, unless in the Center and very near it. Let ADE [in Fig. 27.] represent one of those Circles described with the Center C, and Semi-diameter AC, and let BFG be a smaller Circle concentrick to the former, cutting with its Circumference the Diameter AC in B, and bisect AC in N; and by my reckoning, the Density of the Light in any Place B, will be to its Density in N, as AB to BC; and the whole Light within the lesser Circle BFG, will be to the whole Light within the greater AED, as the Excess of the[Pg 97] Square of AC above the Square of AB, is to the Square of AC. As if BC be the fifth Part of AC, the Light will be four times denser in B than in N, and the whole Light within the less Circle, will be to the whole Light within the greater, as nine to twenty-five. Whence it's evident, that the Light within the less Circle, must strike the Sense much more strongly, than that faint and dilated Light round about between it and the Circumference of the greater.
But you'll ask, if the errors caused by different refraction are so significant, how do objects appear so clearly through telescopes? I’d say it's because the deviating rays aren't scattered evenly over the entire circular area; instead, they're concentrated much more densely at the center than in any other part of the circle. As you move from the center to the edge, the density continually decreases, becoming incredibly sparse at the circumference, where the rays are too weak to be seen unless you're very close to the center. Let ADE [in Fig. 27.] represent one of those circles centered at C, with a radius AC, and let BFG be a smaller circle concentric with the first, intersecting the diameter AC at B and bisecting AC at N. According to my calculations, the density of light at point B will be to its density at N as AB is to BC. The total light within the smaller circle BFG will be to the total light within the larger circle AED as the excess of the[Pg 97] square of AC over the square of AB is to the square of AC. If BC is one-fifth of AC, then the light in B will be four times denser than in N, and the total light in the smaller circle will relate to the total light in the larger circle as nine to twenty-five. Therefore, it’s clear that the light in the smaller circle will have a much stronger effect on our senses than the faint, spread-out light surrounding it and extending to the circumference of the larger circle.
But it's farther to be noted, that the most luminous of the Prismatick Colours are the yellow and orange. These affect the Senses more strongly than all the rest together, and next to these in strength are the red and green. The blue compared with these is a faint and dark Colour, and the indigo and violet are much darker and fainter, so that these compared with the stronger Colours are little to be regarded. The Images of Objects are therefore to be placed, not in the Focus of the mean refrangible Rays, which are in the Confine of green and blue, but in the Focus of those Rays which are in the middle of the orange and yellow; there where the Colour is most luminous and fulgent, that is in the brightest yellow, that yellow which inclines more to orange than to green. And by the Refraction of these Rays (whose Sines of Incidence and Refraction in Glass are as 17 and 11) the Refraction of Glass and Crystal for Optical Uses is to be measured. Let us therefore place the Image of the Object in the Focus of these Rays, and all the yellow and orange will fall within a[Pg 98] Circle, whose Diameter is about the 250th Part of the Diameter of the Aperture of the Glass. And if you add the brighter half of the red, (that half which is next the orange) and the brighter half of the green, (that half which is next the yellow) about three fifth Parts of the Light of these two Colours will fall within the same Circle, and two fifth Parts will fall without it round about; and that which falls without will be spread through almost as much more space as that which falls within, and so in the gross be almost three times rarer. Of the other half of the red and green, (that is of the deep dark red and willow green) about one quarter will fall within this Circle, and three quarters without, and that which falls without will be spread through about four or five times more space than that which falls within; and so in the gross be rarer, and if compared with the whole Light within it, will be about 25 times rarer than all that taken in the gross; or rather more than 30 or 40 times rarer, because the deep red in the end of the Spectrum of Colours made by a Prism is very thin and rare, and the willow green is something rarer than the orange and yellow. The Light of these Colours therefore being so very much rarer than that within the Circle, will scarce affect the Sense, especially since the deep red and willow green of this Light, are much darker Colours than the rest. And for the same reason the blue and violet being much darker Colours than these, and much more rarified, may be neglected. For the dense and bright Light of the Circle, will obscure the rare and weak Light of these dark[Pg 99] Colours round about it, and render them almost insensible. The sensible Image of a lucid Point is therefore scarce broader than a Circle, whose Diameter is the 250th Part of the Diameter of the Aperture of the Object-glass of a good Telescope, or not much broader, if you except a faint and dark misty Light round about it, which a Spectator will scarce regard. And therefore in a Telescope, whose Aperture is four Inches, and Length an hundred Feet, it exceeds not 2´´ 45´´´, or 3´´. And in a Telescope whose Aperture is two Inches, and Length 20 or 30 Feet, it may be 5´´ or 6´´, and scarce above. And this answers well to Experience: For some Astronomers have found the Diameters of the fix'd Stars, in Telescopes of between 20 and 60 Feet in length, to be about 5´´ or 6´´, or at most 8´´ or 10´´ in diameter. But if the Eye-Glass be tincted faintly with the Smoak of a Lamp or Torch, to obscure the Light of the Star, the fainter Light in the Circumference of the Star ceases to be visible, and the Star (if the Glass be sufficiently soiled with Smoak) appears something more like a mathematical Point. And for the same Reason, the enormous Part of the Light in the Circumference of every lucid Point ought to be less discernible in shorter Telescopes than in longer, because the shorter transmit less Light to the Eye.
But it's important to note that the brightest colors in the spectrum are yellow and orange. These colors impact our senses more strongly than all the others combined, followed closely in intensity by red and green. In comparison, blue looks dull and dark, while indigo and violet are even darker and fainter, making them less significant compared to the stronger colors. Therefore, images of objects should be positioned not in the focus of the average refracted rays, which are near the boundary of green and blue, but in the focus of the rays in the center of the orange and yellow. This is where the color is most vibrant, at the brightest yellow leaning more toward orange than green. The refraction of these rays (whose angles of incidence and refraction in glass are approximately 17 and 11) is what we should use to measure glass and crystal for optical purposes. So, let’s place the image of the object in the focus of these rays, and all the yellow and orange will fall within a[Pg 98] circle, with a diameter about 1/250th of the glass's aperture diameter. If we include the brighter half of the red (the part closest to orange) and the brighter half of green (the part closest to yellow), about three-fifths of the light from these two colors will fall within the same circle, while two-fifths will fall outside of it, spread over nearly three times more space than what falls within, making it about three times less dense overall. For the darker halves of red and green (deep dark red and willow green), about one-quarter will fall within this circle, while three-quarters will be outside, with the external light taking up about four to five times more space than the internal light, thus making it rarer. When compared to the overall light within the circle, it will be about 25 times rarer, or maybe even more than 30 or 40 times rarer because the deep red at the end of the color spectrum created by a prism is very faint, and willow green is somewhat rarer than orange and yellow. Given this, the light of these colors is much rarer than that within the circle and will hardly engage our senses, especially since the deep red and willow green are significantly darker than the other colors. Similarly, blue and violet, being much darker and more tenuous, can be disregarded. The bright, dense light in the circle will overshadow the weak, dark light of those surrounding colors, making them nearly imperceptible. The visible image of a bright point is therefore just a bit wider than a circle whose diameter is 1/250th of the aperture diameter of a good telescope's objective lens, or only slightly wider, unless you consider a faint, dark haze around it, which a viewer will hardly notice. Therefore, in a telescope with an aperture of four inches and a length of one hundred feet, it doesn’t exceed 2" 45'" or 3". In a telescope with a two-inch aperture and a length of 20 to 30 feet, it might be 5" or 6", but rarely more than that. This aligns well with experience: Some astronomers have measured the diameters of fixed stars using telescopes between 20 and 60 feet long, finding them to be about 5" or 6", or at most 8" or 10" in diameter. However, if the eyeglass is slightly tinted with smoke from a lamp or torch to obscure the star's light, the faint peripheral light of the star fades and, if the glass is sufficiently soiled with smoke, the star appears more like a mathematical point. For the same reason, the majority of the light surrounding any bright point will be less distinguishable in shorter telescopes compared to longer ones, since shorter telescopes transmit less light to the eye.
Now, that the fix'd Stars, by reason of their immense Distance, appear like Points, unless so far as their Light is dilated by Refraction, may appear from hence; that when the Moon passes over them and eclipses them, their Light vanishes, not gradually[Pg 100] like that of the Planets, but all at once; and in the end of the Eclipse it returns into Sight all at once, or certainly in less time than the second of a Minute; the Refraction of the Moon's Atmosphere a little protracting the time in which the Light of the Star first vanishes, and afterwards returns into Sight.
Now, since the fixed stars are so far away, they look like tiny dots, unless their light gets spread out by refraction. This can be seen when the Moon passes in front of them and blocks their light; it doesn't fade away slowly like the light of the planets, but disappears all at once. At the end of the eclipse, their light comes back into view just as suddenly, or definitely in less time than a second. The refraction in the Moon's atmosphere slightly delays the moment when a star's light first disappears and then returns.
Now, if we suppose the sensible Image of a lucid Point, to be even 250 times narrower than the Aperture of the Glass; yet this Image would be still much greater than if it were only from the spherical Figure of the Glass. For were it not for the different Refrangibility of the Rays, its breadth in an 100 Foot Telescope whose aperture is 4 Inches, would be but 961/72000000 parts of an Inch, as is manifest by the foregoing Computation. And therefore in this case the greatest Errors arising from the spherical Figure of the Glass, would be to the greatest sensible Errors arising from the different Refrangibility of the Rays as 961/72000000 to 4/250 at most, that is only as 1 to 1200. And this sufficiently shews that it is not the spherical Figures of Glasses, but the different Refrangibility of the Rays which hinders the perfection of Telescopes.
Now, if we assume the clear image of a precise point to be even 250 times narrower than the aperture of the lens, this image would still be much larger than if it came only from the spherical shape of the lens. If it weren't for the different refractive properties of the rays, its width in a 100-foot telescope with a 4-inch aperture would be only 961/72000000 parts of an inch, as is clear from the previous calculation. Therefore, in this scenario, the largest errors due to the spherical shape of the lens would compare to the largest perceptible errors resulting from the different refractive properties of the rays as 961/72000000 to 4/250 at most, which is just 1 to 1200. This clearly shows that it's not the spherical shapes of the lenses but rather the different refractive properties of the rays that limit the perfection of telescopes.
There is another Argument by which it may appear that the different Refrangibility of Rays, is the true cause of the imperfection of Telescopes. For the Errors of the Rays arising from the spherical Figures of Object-glasses, are as the Cubes of the Apertures of the Object Glasses; and thence to make Telescopes of various Lengths magnify with equal distinctness, the Apertures of the Object-glasses, and the Charges or magnifying Powers ought to be as the[Pg 101] Cubes of the square Roots of their lengths; which doth not answer to Experience. But the Errors of the Rays arising from the different Refrangibility, are as the Apertures of the Object-glasses; and thence to make Telescopes of various lengths, magnify with equal distinctness, their Apertures and Charges ought to be as the square Roots of their lengths; and this answers to Experience, as is well known. For Instance, a Telescope of 64 Feet in length, with an Aperture of 2-2/3 Inches, magnifies about 120 times, with as much distinctness as one of a Foot in length, with 1/3 of an Inch aperture, magnifies 15 times.
There’s another argument that suggests the different bending of light rays is the real reason telescopes are imperfect. The errors in the rays caused by the spherical shapes of the lenses correspond to the cubes of the lenses' apertures. Therefore, to make telescopes of different lengths magnify with the same clarity, the apertures of the lenses and their magnifying powers should relate to the[Pg 101] cubes of the square roots of their lengths, which doesn’t match reality. However, the errors in rays from differing refraction correspond to the apertures of the lenses. Thus, to ensure telescopes of different lengths magnify with equal clarity, their apertures and magnifying powers should relate to the square roots of their lengths, which matches reality, as is well-known. For example, a telescope that is 64 feet long with a 2-2/3 inch aperture magnifies about 120 times with the same clarity as a one-foot-long telescope with a 1/3 inch aperture that magnifies 15 times.

Now were it not for this different Refrangibility of Rays, Telescopes might be brought to a greater perfection than we have yet describ'd, by composing the Object-glass of two Glasses with Water between them. Let ADFC [in Fig. 28.] represent the Object-glass composed of two Glasses ABED and BEFC, alike convex on the outsides AGD and CHF, and alike concave on the insides BME, BNE, with Water in the concavity BMEN. Let the Sine of Incidence[Pg 102] out of Glass into Air be as I to R, and out of Water into Air, as K to R, and by consequence out of Glass into Water, as I to K: and let the Diameter of the Sphere to which the convex sides AGD and CHF are ground be D, and the Diameter of the Sphere to which the concave sides BME and BNE, are ground be to D, as the Cube Root of KK—KI to the Cube Root of RK—RI: and the Refractions on the concave sides of the Glasses, will very much correct the Errors of the Refractions on the convex sides, so far as they arise from the sphericalness of the Figure. And by this means might Telescopes be brought to sufficient perfection, were it not for the different Refrangibility of several sorts of Rays. But by reason of this different Refrangibility, I do not yet see any other means of improving Telescopes by Refractions alone, than that of increasing their lengths, for which end the late Contrivance of Hugenius seems well accommodated. For very long Tubes are cumbersome, and scarce to be readily managed, and by reason of their length are very apt to bend, and shake by bending, so as to cause a continual trembling in the Objects, whereby it becomes difficult to see them distinctly: whereas by his Contrivance the Glasses are readily manageable, and the Object-glass being fix'd upon a strong upright Pole becomes more steady.
If it weren't for the different ways that light rays bend, telescopes could be perfected beyond what we've described by making the objective lens out of two pieces of glass with water between them. In Fig. 28, let ADFC represent the objective lens made up of two glass pieces ABED and BEFC, both convex on the outer sides AGD and CHF, and both concave on the inner sides BME and BNE, with water filling the concavity BMEN. Let the sine of incidence[Pg 102] from glass to air be as I to R, and from water to air be as K to R, which makes the transition from glass to water as I to K. Let the diameter of the sphere that the convex sides AGD and CHF are shaped from be D, and the diameter of the sphere for the concave sides BME and BNE be to D in the ratio of the cube root of KK—KI to the cube root of RK—RI. The refractions on the concave sides of the lenses will significantly correct the errors from the refractions on the convex sides due to their spherical shape. This way, telescopes could reach high perfection, if not for the different ways various types of light rays bend. Because of this difference in how they refract, I can't see any other way to improve telescopes solely through refraction than by increasing their length, which is where the recent design by Hugenius seems suitable. Very long tubes can be cumbersome and hard to handle; their length makes them prone to bending and shaking, causing a constant jolt in the view that makes it hard to see things clearly. However, with his design, the lenses are easily manageable, and with the objective lens fixed on a sturdy upright pole, it becomes much steadier.
Seeing therefore the Improvement of Telescopes of given lengths by Refractions is desperate; I contrived heretofore a Perspective by Reflexion, using instead of an Object-glass a concave Metal. The diameter[Pg 103] of the Sphere to which the Metal was ground concave was about 25 English Inches, and by consequence the length of the Instrument about six Inches and a quarter. The Eye-glass was Plano-convex, and the diameter of the Sphere to which the convex side was ground was about 1/5 of an Inch, or a little less, and by consequence it magnified between 30 and 40 times. By another way of measuring I found that it magnified about 35 times. The concave Metal bore an Aperture of an Inch and a third part; but the Aperture was limited not by an opake Circle, covering the Limb of the Metal round about, but by an opake Circle placed between the Eyeglass and the Eye, and perforated in the middle with a little round hole for the Rays to pass through to the Eye. For this Circle by being placed here, stopp'd much of the erroneous Light, which otherwise would have disturbed the Vision. By comparing it with a pretty good Perspective of four Feet in length, made with a concave Eye-glass, I could read at a greater distance with my own Instrument than with the Glass. Yet Objects appeared much darker in it than in the Glass, and that partly because more Light was lost by Reflexion in the Metal, than by Refraction in the Glass, and partly because my Instrument was overcharged. Had it magnified but 30 or 25 times, it would have made the Object appear more brisk and pleasant. Two of these I made about 16 Years ago, and have one of them still by me, by which I can prove the truth of what I write. Yet it is not so good as at the first. For the concave has been divers times tarnished[Pg 104] and cleared again, by rubbing it with very soft Leather. When I made these an Artist in London undertook to imitate it; but using another way of polishing them than I did, he fell much short of what I had attained to, as I afterwards understood by discoursing the Under-workman he had employed. The Polish I used was in this manner. I had two round Copper Plates, each six Inches in Diameter, the one convex, the other concave, ground very true to one another. On the convex I ground the Object-Metal or Concave which was to be polish'd, 'till it had taken the Figure of the Convex and was ready for a Polish. Then I pitched over the convex very thinly, by dropping melted Pitch upon it, and warming it to keep the Pitch soft, whilst I ground it with the concave Copper wetted to make it spread eavenly all over the convex. Thus by working it well I made it as thin as a Groat, and after the convex was cold I ground it again to give it as true a Figure as I could. Then I took Putty which I had made very fine by washing it from all its grosser Particles, and laying a little of this upon the Pitch, I ground it upon the Pitch with the concave Copper, till it had done making a Noise; and then upon the Pitch I ground the Object-Metal with a brisk motion, for about two or three Minutes of time, leaning hard upon it. Then I put fresh Putty upon the Pitch, and ground it again till it had done making a noise, and afterwards ground the Object-Metal upon it as before. And this Work I repeated till the Metal was polished, grinding it the last time with all my strength for a good while[Pg 105] together, and frequently breathing upon the Pitch, to keep it moist without laying on any more fresh Putty. The Object-Metal was two Inches broad, and about one third part of an Inch thick, to keep it from bending. I had two of these Metals, and when I had polished them both, I tried which was best, and ground the other again, to see if I could make it better than that which I kept. And thus by many Trials I learn'd the way of polishing, till I made those two reflecting Perspectives I spake of above. For this Art of polishing will be better learn'd by repeated Practice than by my Description. Before I ground the Object-Metal on the Pitch, I always ground the Putty on it with the concave Copper, till it had done making a noise, because if the Particles of the Putty were not by this means made to stick fast in the Pitch, they would by rolling up and down grate and fret the Object-Metal and fill it full of little holes.
Seeing the improvement of telescopes of given lengths through refractions is unlikely, I previously designed a perspective using reflection, replacing the object lens with a concave metal mirror. The diameter of the sphere that the metal was ground into was about 25 English inches, making the length of the instrument about six and a quarter inches. The eye lens was plano-convex, and the diameter of the sphere on the convex side was about 1/5 of an inch, or a little less, which magnified the view between 30 and 40 times. Another way of measuring showed it magnified about 35 times. The concave metal had an aperture of one and a third inches; however, the aperture wasn’t limited by an opaque circle surrounding the edges of the metal but by an opaque circle placed between the eye lens and the eye, with a small hole in the middle for the rays to pass through. This circle helped block much of the stray light that would otherwise interfere with the view. When comparing it to a decent perspective telescope measuring four feet in length, made with a concave eye lens, I found I could read at a greater distance using my instrument than with the glass. However, objects appeared darker through it than through the glass, partly because more light was lost through reflection in the metal than by refraction in the glass, and partly because my instrument was over-extended. If it had magnified only 30 or 25 times, it would have made the object appear clearer and more pleasant. I made two of these about 16 years ago, and I still have one, which allows me to verify the accuracy of my claims. Yet it isn’t as good as it was at first. The concave has been tarnished numerous times and cleaned again by rubbing it with very soft leather. When I created these, an artist in London tried to replicate my work, but used a different polishing method, resulting in a significantly inferior product, as I later learned from discussing it with the subordinate worker he had employed. My polishing method was this: I had two round copper plates, each six inches in diameter—one convex, the other concave—ground very accurately to fit each other. I ground the object metal (the concave piece) against the convex plate until it took on the shape of the convex and was ready for polishing. I then applied a very thin layer of pitch by letting melted pitch drop onto it and warming it to keep the pitch soft while grinding it with the concave copper that was wet to ensure even spreading across the convex. I worked it until it was as thin as a coin, and once the convex cooled, I ground it again to refine the shape as much as possible. After that, I took very fine putty, which I prepared by washing out all the coarse particles, and placed some on the pitch, grinding it until it stopped making noise. Then, I ground the object metal on the pitch vigorously for about two to three minutes, pressing hard. Next, I added fresh putty to the pitch and repeated the process until it made noise again, then ground the object metal as before. I repeated this process until the metal was fully polished, giving it a final strong grind for a good while and frequently breathing on the pitch to keep it moist without adding more fresh putty. The object metal measured two inches wide and about a third of an inch thick to prevent bending. I had two of these metals, and once I polished both, I tested to see which one was better and ground the other again to see if I could improve it beyond the one I kept. This way, through many attempts, I mastered the polishing process, leading to the two reflecting perspectives I mentioned earlier. This art of polishing is better learned through practice than from my description. Before grinding the object metal on the pitch, I always ground the putty on it with the concave copper until it stopped making noise, because if the putty particles weren't firmly attached to the pitch, they would roll around and scratch the object metal, filling it with tiny holes.
But because Metal is more difficult to polish than Glass, and is afterwards very apt to be spoiled by tarnishing, and reflects not so much Light as Glass quick-silver'd over does: I would propound to use instead of the Metal, a Glass ground concave on the foreside, and as much convex on the backside, and quick-silver'd over on the convex side. The Glass must be every where of the same thickness exactly. Otherwise it will make Objects look colour'd and indistinct. By such a Glass I tried about five or six Years ago to make a reflecting Telescope of four Feet in length to magnify about 150 times, and I satisfied my self that there wants nothing but a good[Pg 106] Artist to bring the Design to perfection. For the Glass being wrought by one of our London Artists after such a manner as they grind Glasses for Telescopes, though it seemed as well wrought as the Object-glasses use to be, yet when it was quick-silver'd, the Reflexion discovered innumerable Inequalities all over the Glass. And by reason of these Inequalities, Objects appeared indistinct in this Instrument. For the Errors of reflected Rays caused by any Inequality of the Glass, are about six times greater than the Errors of refracted Rays caused by the like Inequalities. Yet by this Experiment I satisfied my self that the Reflexion on the concave side of the Glass, which I feared would disturb the Vision, did no sensible prejudice to it, and by consequence that nothing is wanting to perfect these Telescopes, but good Workmen who can grind and polish Glasses truly spherical. An Object-glass of a fourteen Foot Telescope, made by an Artificer at London, I once mended considerably, by grinding it on Pitch with Putty, and leaning very easily on it in the grinding, lest the Putty should scratch it. Whether this way may not do well enough for polishing these reflecting Glasses, I have not yet tried. But he that shall try either this or any other way of polishing which he may think better, may do well to make his Glasses ready for polishing, by grinding them without that Violence, wherewith our London Workmen press their Glasses in grinding. For by such violent pressure, Glasses are apt to bend a little in the grinding, and such bending will certainly spoil their[Pg 107] Figure. To recommend therefore the consideration of these reflecting Glasses to such Artists as are curious in figuring Glasses, I shall describe this optical Instrument in the following Proposition.
But since metal is harder to polish than glass and can easily get tarnished, plus it reflects less light than glass that's been coated with quicksilver, I suggest using a glass that is concave on the front side and convex on the back, and coated with quicksilver on the convex side. The glass needs to be the same thickness everywhere, or it will make objects look colored and blurry. About five or six years ago, I attempted to make a four-foot reflecting telescope that could magnify about 150 times, and I concluded that all it needs is a skilled[Pg 106] artist to perfect the design. The glass was worked by one of our London artists using techniques for grinding telescope lenses, and while it seemed well-made, once it was quicksilvered, the reflection showed countless imperfections across the glass. Because of these imperfections, objects appeared unclear in this instrument. The errors due to reflection from any irregularities in the glass are about six times greater than the errors from refraction caused by similar irregularities. However, this experiment showed me that the reflection on the concave side of the glass, which I thought might disrupt the vision, actually had no noticeable negative effect, leading me to believe that the only thing missing to perfect these telescopes is skilled workers who can accurately grind and polish truly spherical lenses. I once significantly improved an object lens for a fourteen-foot telescope made by a craftsman in London by grinding it on pitch with putty, applying very gentle pressure during the grinding to avoid scratching it. I haven't tested whether this method could work for polishing these reflecting glasses yet. But anyone trying this or any other polishing method they think might be better should prepare their glasses for polishing by grinding gently, unlike the intense pressure used by our London workers, which can warp the glasses during grinding, ultimately ruining their[Pg 107] shape. To encourage artists interested in shaping glass to consider these reflecting glasses, I will describe this optical instrument in the following proposition.
PROP. VIII. Prob. II.
To shorten Telescopes.
To make telescopes smaller.
Let ABCD [in Fig. 29.] represent a Glass spherically concave on the foreside AB, and as much convex on the backside CD, so that it be every where of an equal thickness. Let it not be thicker on one side than on the other, lest it make Objects appear colour'd and indistinct, and let it be very truly wrought and quick-silver'd over on the backside; and set in the Tube VXYZ which must be very black within. Let EFG represent a Prism of Glass or Crystal placed near the other end of the Tube, in the middle of it, by means of a handle of Brass or Iron FGK, to the end of which made flat it is cemented. Let this Prism be rectangular at E, and let the other two Angles at F and G be accurately equal to each other, and by consequence equal to half right ones, and let the plane sides FE and GE be square, and by consequence the third side FG a rectangular Parallelogram, whose length is to its breadth in a subduplicate proportion of two to one. Let it be so placed in the Tube, that the Axis of the Speculum may pass through the middle of the square side EF perpendicularly[Pg 108] and by consequence through the middle of the side FG at an Angle of 45 Degrees, and let the side EF be turned towards the Speculum, and the distance of this Prism from the Speculum be such that the Rays of the Light PQ, RS, &c. which are incident upon the Speculum in Lines parallel to the Axis thereof, may enter the Prism at the side EF, and be reflected by the side FG, and thence go out of it through the side GE, to the Point T, which must be the common Focus of the Speculum ABDC, and of a Plano-convex Eye-glass H, through which those Rays must pass to the Eye. And let the Rays at their coming out of the Glass pass through a small round hole, or aperture made in a little plate of Lead, Brass, or Silver, wherewith the Glass is to be covered, which hole must be no bigger than is necessary for Light enough to pass through. For so it will render the Object distinct, the Plate in which 'tis made intercepting all the erroneous part of the Light which comes from the verges of the Speculum AB. Such an Instrument well made, if it be six Foot long, (reckoning the length from the Speculum to the Prism, and thence to the Focus T) will bear an aperture of six Inches at the Speculum, and magnify between two and three hundred times. But the hole H here limits the aperture with more advantage, than if the aperture was placed at the Speculum. If the Instrument be made longer or shorter, the aperture must be in proportion as the Cube of the square-square Root of the length, and the magnifying as the aperture. But it's convenient that the Speculum be an Inch or two broader than the aperture at the least, and that the Glass of the Speculum be thick, that it bend not in the working. The Prism EFG must be no bigger than is necessary, and its back side FG must not be quick-silver'd over. For without quicksilver it will reflect all the Light incident on it from the Speculum.[Pg 109]
Let ABCD [in Fig. 29.] represent a glass that's concave on the front side AB and convex on the back side CD, ensuring it has a consistent thickness throughout. It shouldn't be thicker on one side than the other, as this would distort colors and make objects hard to see. It should be well made and coated with quicksilver on the back; then place it in the Tube VXYZ, which must be completely black inside. Let EFG represent a prism of glass or crystal positioned towards the other end of the tube, secured in the middle by a brass or iron handle FGK, which is flat at the end where it's glued. This prism should be rectangular at E, with the other two angles at F and G being exactly equal, each being half of a right angle. The flat sides FE and GE should be square, making the third side FG a rectangular parallelogram, with the length having twice the breadth. The prism should be positioned in the tube so that the axis of the mirror passes through the center of the square side EF perpendicularly[Pg 108], and thus through the midpoint of side FG at a 45-degree angle. The side EF should face the mirror, and the distance from the prism to the mirror needs to be such that light rays PQ, RS, etc., which hit the mirror parallel to its axis, enter the prism at side EF, reflect off side FG, and exit through side GE to point T, which should be the shared focus of the mirror ABDC and the plano-convex eyeglass H that these rays must pass through to reach the eye. When leaving the glass, the rays should go through a small round hole or aperture made in a little plate of lead, brass, or silver that covers the glass, with the hole sized just right for sufficient light to get through. This setup will make the object clear, as the plate blocks any stray light coming from the edges of the mirror AB. A well-made instrument measuring six feet long (from the mirror to the prism and then to the focus T) can accommodate a six-inch aperture at the mirror and magnify objects two to three hundred times. However, the hole H here limits the aperture more effectively than if the aperture were at the mirror. If the instrument is made longer or shorter, the aperture size should be proportional to the cube of the square root of the length, and the magnification will vary with the aperture size. Ideally, the mirror should be at least an inch or two larger than the aperture, and the mirror's glass should be thick enough to prevent bending during use. The prism EFG should be no larger than necessary, and its backside FG should not be coated with quicksilver. Without quicksilver, it will reflect all the light it receives from the mirror.[Pg 109]

In this Instrument the Object will be inverted, but may be erected by making the square sides FF and EG of the Prism EFG not plane but spherically convex, that the Rays may cross as well before they come at it as afterwards between it and the Eye-glass. If it be desired that the Instrument bear a larger aperture, that may be also done by composing the Speculum of two Glasses with Water between them.
In this instrument, the object will be inverted, but it can be set up right by making the square sides FF and EG of the prism EFG not flat but curved outward, so that the rays can cross both before they reach it and afterwards, between it and the eyepiece. If a larger aperture for the instrument is desired, that can also be achieved by putting two glasses together with water in between.
If the Theory of making Telescopes could at length be fully brought into Practice, yet there would be certain Bounds beyond which Telescopes could not perform. For the Air through which we look upon the Stars, is in a perpetual Tremor; as may be seen by the tremulous Motion of Shadows cast from high Towers, and by the twinkling of the fix'd Stars. But these Stars do not twinkle when viewed through Telescopes which have large apertures. For the Rays of Light which pass through divers parts of the aperture, tremble each of them apart, and by means of their various and sometimes contrary Tremors, fall at one and the same time upon different points in the bottom of the Eye, and their trembling Motions are too quick and confused to be perceived severally. And all these illuminated Points constitute[Pg 111] one broad lucid Point, composed of those many trembling Points confusedly and insensibly mixed with one another by very short and swift Tremors, and thereby cause the Star to appear broader than it is, and without any trembling of the whole. Long Telescopes may cause Objects to appear brighter and larger than short ones can do, but they cannot be so formed as to take away that confusion of the Rays which arises from the Tremors of the Atmosphere. The only Remedy is a most serene and quiet Air, such as may perhaps be found on the tops of the highest Mountains above the grosser Clouds.
If the theory of making telescopes could eventually be fully realized, there would still be certain limits beyond which telescopes couldn't work effectively. The atmosphere we look through to see the stars is constantly moving, which can be seen in the shaky shadows cast by tall towers and the twinkling of the fixed stars. However, these stars don't twinkle when viewed through telescopes with large apertures. This is because the rays of light passing through different parts of the aperture each quiver independently, and due to their various and sometimes opposite movements, they reach different points in the eye at the same time. Their rapid and chaotic motions are too quick to be distinguished individually. All these illuminated points blend into[Pg 111] one bright, clear point, created by those many shaking points merging together indistinguishably and imperceptibly due to brief and swift movements, making the star appear larger than it really is, and without any overall trembling. Long telescopes can make objects look brighter and larger than shorter ones can, but they can't eliminate the confusion of the rays that comes from the atmosphere's turbulence. The only solution is to have very calm and clear air, like that which might be found atop the highest mountains, above the thicker clouds.
FOOTNOTES:
THE FIRST BOOK OF OPTICKS
PART II.
PROP. I. Theory. I.
The Phænomena of Colours in refracted or reflected Light are not caused by new Modifications of the Light variously impress'd, according to the various Terminations of the Light and Shadow.
The phenomena of colors in refracted or reflected light aren’t caused by new changes in the light that are influenced by the different ways light and shadow end.
The Proof by Experiments.
The Proof by Experiments.
Exper. 1. For if the Sun shine into a very dark Chamber through an oblong hole F, [in Fig. 1.] whose breadth is the sixth or eighth part of an Inch, or something less; and his beam FH do afterwards pass first through a very large Prism ABC, distant about 20 Feet from the hole, and parallel to it, and then (with its white part) through an oblong hole H, whose breadth is about the fortieth or sixtieth[Pg 114] part of an Inch, and which is made in a black opake Body GI, and placed at the distance of two or three Feet from the Prism, in a parallel Situation both to the Prism and to the former hole, and if this white Light thus transmitted through the hole H, fall afterwards upon a white Paper pt, placed after that hole H, at the distance of three or four Feet from it, and there paint the usual Colours of the Prism, suppose red at t, yellow at s, green at r, blue at q, and violet at p; you may with an Iron Wire, or any such like slender opake Body, whose breadth is about the tenth part of an Inch, by intercepting the Rays at k, l, m, n or o, take away any one of the Colours at t, s, r, q or p, whilst the other Colours remain upon the Paper as before; or with an Obstacle something bigger you may take away any two, or three, or four Colours together, the rest remaining: So that any one of the Colours as well as violet may become outmost in the Confine of the Shadow towards p, and any one of them as well as red may become outmost in the Confine of the Shadow towards t, and any one of them may also border upon the Shadow made within the Colours by the Obstacle R intercepting some intermediate part of the Light; and, lastly, any one of them by being left alone, may border upon the Shadow on either hand. All the Colours have themselves indifferently to any Confines of Shadow, and therefore the differences of these Colours from one another, do not arise from the different Confines of Shadow, whereby Light is variously modified, as has hitherto been the Opinion of Philosophers. In trying these things 'tis to be observed, that by how much the holes F and H are narrower, and the Intervals between them and the Prism greater, and the Chamber darker, by so much the better doth the Experiment succeed; provided the Light be not so far diminished, but that the Colours at pt be sufficiently visible. To procure a Prism of solid Glass large enough for this Experiment will be difficult, and therefore a prismatick Vessel must be made of polish'd Glass Plates cemented together, and filled with salt Water or clear Oil.[Pg 115]
Exper. 1. If the Sun shines into a very dark room through an oblong hole F, [in Fig. 1.] which is about one-sixth or one-eighth of an inch wide, or slightly less; and its beam FH then passes through a large Prism ABC, positioned about 20 feet from the hole and parallel to it, and then (with its white part) through an oblong hole H, which is around one-fortieth or one-sixtieth[Pg 114] of an inch wide, made in an opaque black body GI located two or three feet from the Prism, also parallel to the Prism and the previous hole, and if this white light transmitted through hole H then falls on a piece of white paper pt, placed three or four feet away from it, resulting in the usual colors of the Prism being displayed, such as red at t, yellow at s, green at r, blue at q, and violet at p; you can use an iron wire or a similarly slender opaque object, about one-tenth of an inch wide, to block the rays at k, l, m, n, or o, effectively removing any one of the colors at t, s, r, q, or p, while the other colors remain on the paper unchanged; or with a slightly larger obstacle, you can remove two, three, or four colors together, leaving the others in place. Thus, any one of the colors, including violet, can appear on the edge of the shadow towards p, and any one of them, including red, can be on the edge of the shadow towards t, and any can also border on the shadow created within the colors by the obstacle R, which blocks some part of the light. Finally, any one of them, if left alone, can border on the shadow on either side. All colors are equally relevant to any shadow boundaries, and therefore the differences between these colors do not arise from different shadow boundaries that modify the light in various ways, as was previously believed by philosophers. When testing these ideas, it's important to note that the narrower the holes F and H are, the greater the distance between them and the Prism, and the darker the room is, the better the experiment will succeed; as long as the light isn't dimmed too much that the colors at pt become difficult to see. It will be challenging to obtain a solid glass prism large enough for this experiment, so a prismatic vessel made of polished glass plates glued together and filled with salt water or clear oil should be created.[Pg 115]

Exper. 2. The Sun's Light let into a dark Chamber through the round hole F, [in Fig. 2.] half an Inch wide, passed first through the Prism ABC placed at the hole, and then through a Lens PT something more than four Inches broad, and about eight Feet distant from the Prism, and thence converged to O the Focus of the Lens distant from it about three Feet, and there fell upon a white Paper DE. If that Paper was perpendicular to that Light incident upon it, as 'tis represented in the posture DE, all the Colours upon it at O appeared white. But if the Paper being turned about an Axis parallel to the Prism, became very much inclined to the Light, as 'tis represented in the Positions de and δε; the same Light in the one case appeared yellow and red, in the other blue. Here one and the same part of the Light in one and the same place, according to the various Inclinations of the Paper, appeared in one case white, in another yellow or red, in a third blue, whilst the Confine of Light and shadow, and the Refractions of the Prism in all these cases remained the same.[Pg 117]
Exper. 2. The Sun's light coming into a dark room through the round hole F, [in Fig. 2.] which is half an inch wide, first passed through the prism ABC placed at the hole, and then through a lens PT that is just over four inches wide and about eight feet away from the prism, converging at point O, the focus of the lens, which is about three feet away from it. The light then hit a piece of white paper DE. If that paper was perpendicular to the incident light, as shown in the position DE, all the colors at point O appeared white. However, if the paper was tilted around an axis parallel to the prism and became significantly inclined to the light, as represented in positions de and δε; in one case, the light appeared yellow and red, while in the other, it appeared blue. Here, the same part of the light in the same spot appeared white in one scenario, yellow or red in another, and blue in a third, while the boundary between light and shadow and the refractions of the prism remained constant in all these cases.[Pg 117]


Exper. 3. Such another Experiment may be more easily tried as follows. Let a broad beam of the Sun's Light coming into a dark Chamber through a hole in the Window-shut be refracted by a large Prism ABC, [in Fig. 3.] whose refracting Angle C is more than 60 Degrees, and so soon as it comes out of the Prism, let it fall upon the white Paper DE glewed upon a stiff Plane; and this Light, when the Paper is perpendicular to it, as 'tis represented in DE, will appear perfectly white upon the Paper; but when the Paper is very much inclin'd to it in such a manner as to keep always parallel to the Axis of the Prism, the whiteness of the whole Light upon the Paper will according to the inclination of the Paper this way or that way, change either into yellow and red, as in the posture de, or into blue and violet, as in the posture δε. And if the Light before it fall upon the Paper be twice refracted the same way by two parallel Prisms, these Colours will become the more conspicuous. Here all the middle parts of the broad beam of white Light which fell upon the Paper, did without any Confine of Shadow to modify it, become colour'd all over with one uniform Colour, the Colour being always the same in the middle of the Paper as at the edges, and this Colour changed according to the various Obliquity of the reflecting Paper, without any change in the Refractions or Shadow, or in the Light which fell upon the Paper. And therefore these Colours are to be derived from[Pg 119] some other Cause than the new Modifications of Light by Refractions and Shadows.
Exper. 3. Another experiment can be done more easily as follows. Let a broad beam of sunlight enter a dark room through a hole in the window shutter and be refracted by a large prism ABC, [in Fig. 3.] with a refracting angle C greater than 60 degrees. As soon as the light exits the prism, let it fall on white paper DE glued to a flat surface. When the paper is perpendicular to the light, as shown in DE, it will appear perfectly white. However, if the paper is tilted such that it remains parallel to the axis of the prism, the color of the light on the paper will change based on the paper's angle—shifting to yellow and red in position de, or to blue and violet in position δε. If the light is refracted twice in the same way by two parallel prisms, these colors will appear even more vibrant. Here, all the central parts of the broad beam of white light that hit the paper, without any shadow to alter them, become uniformly colored, with the color in the middle of the paper matching the edges. This color changes according to the varying angle of the reflecting paper, without affecting the refractions or the shadow, or the light hitting the paper. Therefore, these colors must come from[Pg 119] a different cause than the new modifications of light caused by refractions and shadows.
If it be asked, what then is their Cause? I answer, That the Paper in the posture de, being more oblique to the more refrangible Rays than to the less refrangible ones, is more strongly illuminated by the latter than by the former, and therefore the less refrangible Rays are predominant in the reflected Light. And where-ever they are predominant in any Light, they tinge it with red or yellow, as may in some measure appear by the first Proposition of the first Part of this Book, and will more fully appear hereafter. And the contrary happens in the posture of the Paper δε, the more refrangible Rays being then predominant which always tinge Light with blues and violets.
If someone asks, what is the reason for this? I say that the paper in the position de is more angled towards the more refracted rays than the less refracted ones, so it's illuminated more by the latter than the former. As a result, the less refracted rays dominate the reflected light. Whenever they are dominant in any light, they give it a red or yellow tint, as you can see in the first proposition of the first part of this book, and this will be explained more thoroughly later on. In contrast, when the paper is in the position δε, the more refracted rays are dominant, which always tint light with blues and violets.
Exper. 4. The Colours of Bubbles with which Children play are various, and change their Situation variously, without any respect to any Confine or Shadow. If such a Bubble be cover'd with a concave Glass, to keep it from being agitated by any Wind or Motion of the Air, the Colours will slowly and regularly change their situation, even whilst the Eye and the Bubble, and all Bodies which emit any Light, or cast any Shadow, remain unmoved. And therefore their Colours arise from some regular Cause which depends not on any Confine of Shadow. What this Cause is will be shewed in the next Book.
Exper. 4. The colors of bubbles that children play with are various and change their position in different ways, without regard to any boundaries or shadows. If a bubble is covered with a concave glass to protect it from being disturbed by any wind or air movement, the colors will slowly and steadily change their position, even while the eye, the bubble, and all objects that emit light or cast shadows stay still. Therefore, their colors come from some consistent cause that isn't affected by any shadow boundaries. What this cause is will be explained in the next book.
To these Experiments may be added the tenth Experiment of the first Part of this first Book, where the Sun's Light in a dark Room being trajected[Pg 120] through the parallel Superficies of two Prisms tied together in the form of a Parallelopipede, became totally of one uniform yellow or red Colour, at its emerging out of the Prisms. Here, in the production of these Colours, the Confine of Shadow can have nothing to do. For the Light changes from white to yellow, orange and red successively, without any alteration of the Confine of Shadow: And at both edges of the emerging Light where the contrary Confines of Shadow ought to produce different Effects, the Colour is one and the same, whether it be white, yellow, orange or red: And in the middle of the emerging Light, where there is no Confine of Shadow at all, the Colour is the very same as at the edges, the whole Light at its very first Emergence being of one uniform Colour, whether white, yellow, orange or red, and going on thence perpetually without any change of Colour, such as the Confine of Shadow is vulgarly supposed to work in refracted Light after its Emergence. Neither can these Colours arise from any new Modifications of the Light by Refractions, because they change successively from white to yellow, orange and red, while the Refractions remain the same, and also because the Refractions are made contrary ways by parallel Superficies which destroy one another's Effects. They arise not therefore from any Modifications of Light made by Refractions and Shadows, but have some other Cause. What that Cause is we shewed above in this tenth Experiment, and need not here repeat it.[Pg 121]
To these experiments, you can add the tenth experiment from the first part of this first book, where sunlight in a dark room is passed through the flat surfaces of two prisms connected together in the shape of a parallelepiped. The light emerges as a completely uniform yellow or red color. In the creation of these colors, the boundaries of shadow play no role. The light changes from white to yellow to orange to red successively, without any alteration to the boundaries of shadow. At both edges of the emerging light, where the opposing shadows should create different effects, the color remains the same, whether it is white, yellow, orange, or red. In the center of the emerging light, where there is no shadow at all, the color is exactly the same as at the edges, with the entire light at its initial emergence being of one uniform color, whether that is white, yellow, orange, or red, and it continues on without any change in color, contrary to the common belief that shadows affect refracted light after it has emerged. These colors cannot be produced by any new modifications of the light through refraction because they change from white to yellow to orange to red while the refractions remain consistent. Additionally, the refractions are made in opposite directions by parallel surfaces that cancel each other's effects. Therefore, these colors do not result from any modifications of light caused by refractions and shadows, but must come from some other cause. We explained what that cause is in the tenth experiment above and don’t need to repeat it here.[Pg 121]
There is yet another material Circumstance of this Experiment. For this emerging Light being by a third Prism HIK [in Fig. 22. Part I.][I] refracted towards the Paper PT, and there painting the usual Colours of the Prism, red, yellow, green, blue, violet: If these Colours arose from the Refractions of that Prism modifying the Light, they would not be in the Light before its Incidence on that Prism. And yet in that Experiment we found, that when by turning the two first Prisms about their common Axis all the Colours were made to vanish but the red; the Light which makes that red being left alone, appeared of the very same red Colour before its Incidence on the third Prism. And in general we find by other Experiments, that when the Rays which differ in Refrangibility are separated from one another, and any one Sort of them is considered apart, the Colour of the Light which they compose cannot be changed by any Refraction or Reflexion whatever, as it ought to be were Colours nothing else than Modifications of Light caused by Refractions, and Reflexions, and Shadows. This Unchangeableness of Colour I am now to describe in the following Proposition.
There is another important aspect of this experiment. The emerging light, after passing through a third prism HIK [in Fig. 22. Part I.][I], is refracted towards the paper PT, creating the usual colors of the prism: red, yellow, green, blue, violet. If these colors came from the refractions of that prism altering the light, they wouldn’t exist in the light before it hits that prism. However, in this experiment, we found that when we turned the first two prisms to make all the colors disappear except for red, the light responsible for that red remained unchanged and appeared the same red color before it hit the third prism. Generally, we observe from other experiments that when rays of light, which vary in refrangibility, are separated and we examine a specific type of them alone, the color of the resulting light cannot be altered by any refraction or reflection. If colors were merely modifications of light caused by refractions, reflections, and shadows, we would expect them to change. I will now describe this unchangeability of color in the following proposition.
PROP. II. Theory. II.
All homogeneal Light has its proper Colour answering to its Degree of Refrangibility, and that Colour cannot be changed by Reflexions and Refractions.
All uniform light has its specific color that corresponds to its level of refractivity, and that color can’t be altered by reflections or refractions.
In the Experiments of the fourth Proposition of the first Part of this first Book, when I had separated the heterogeneous Rays from one another, the Spectrum pt formed by the separated Rays, did in the Progress from its End p, on which the most refrangible Rays fell, unto its other End t, on which the least refrangible Rays fell, appear tinged with this Series of Colours, violet, indigo, blue, green, yellow, orange, red, together with all their intermediate Degrees in a continual Succession perpetually varying. So that there appeared as many Degrees of Colours, as there were sorts of Rays differing in Refrangibility.
In the experiments of the fourth proposition of the first part of this first book, when I separated the different types of rays from one another, the spectrum pt formed by these separate rays showed a range of colors along its length. As it moved from its end p, where the most refracted rays fell, to the other end t, where the least refracted rays landed, it displayed a series of colors: violet, indigo, blue, green, yellow, orange, red, along with all their various shades in a continuous and ever-changing sequence. There appeared as many shades of color as there were types of rays differing in refrangibility.
Exper. 5. Now, that these Colours could not be changed by Refraction, I knew by refracting with a Prism sometimes one very little Part of this Light, sometimes another very little Part, as is described in the twelfth Experiment of the first Part of this Book. For by this Refraction the Colour of the Light was never changed in the least. If any Part of the red Light was refracted, it remained totally of the same red Colour as before. No orange, no yellow, no green or blue, no other new Colour was produced by that Refraction. Neither did the Colour any ways change by repeated Refractions, but continued always the[Pg 123] same red entirely as at first. The like Constancy and Immutability I found also in the blue, green, and other Colours. So also, if I looked through a Prism upon any Body illuminated with any part of this homogeneal Light, as in the fourteenth Experiment of the first Part of this Book is described; I could not perceive any new Colour generated this way. All Bodies illuminated with compound Light appear through Prisms confused, (as was said above) and tinged with various new Colours, but those illuminated with homogeneal Light appeared through Prisms neither less distinct, nor otherwise colour'd, than when viewed with the naked Eyes. Their Colours were not in the least changed by the Refraction of the interposed Prism. I speak here of a sensible Change of Colour: For the Light which I here call homogeneal, being not absolutely homogeneal, there ought to arise some little Change of Colour from its Heterogeneity. But, if that Heterogeneity was so little as it might be made by the said Experiments of the fourth Proposition, that Change was not sensible, and therefore in Experiments, where Sense is Judge, ought to be accounted none at all.
Exper. 5. Now, I realized that these colors couldn’t be altered by refraction when I experimented with a prism, sometimes refracting a tiny bit of this light and sometimes another tiny bit, as described in the twelfth experiment of the first part of this book. Through this refraction, the color of the light never changed at all. Any part of the red light that was refracted remained completely red, just like before. No orange, no yellow, no green or blue, nor any other new color was produced by that refraction. The color didn’t change at all with repeated refractions; it stayed the same bright red as it had initially. I found the same consistency and unchanging nature in the blue, green, and other colors. Similarly, when I looked through a prism at any object illuminated by any part of this homogenous light, as described in the fourteenth experiment of the first part of this book, I couldn’t see any new color created this way. All objects lit by compound light appeared through prisms as muddled and tinged with various new colors, as mentioned earlier, but those illuminated by homogenous light appeared through prisms neither less distinct nor differently colored than when viewed with the naked eye. Their colors weren’t changed at all by the refraction of the intervening prism. I’m referring here to a noticeable change in color. The light that I’m calling homogenous isn’t completely homogenous, so there should be some slight change in color due to its heterogeneity. However, if that heterogeneity was so small as it could be made by the previous experiments of the fourth proposition, that change was not noticeable and therefore shouldn’t be considered at all in experiments where perception is the judge.
Exper. 6. And as these Colours were not changeable by Refractions, so neither were they by Reflexions. For all white, grey, red, yellow, green, blue, violet Bodies, as Paper, Ashes, red Lead, Orpiment, Indico Bise, Gold, Silver, Copper, Grass, blue Flowers, Violets, Bubbles of Water tinged with various Colours, Peacock's Feathers, the Tincture of[Pg 124] Lignum Nephriticum, and such-like, in red homogeneal Light appeared totally red, in blue Light totally blue, in green Light totally green, and so of other Colours. In the homogeneal Light of any Colour they all appeared totally of that same Colour, with this only Difference, that some of them reflected that Light more strongly, others more faintly. I never yet found any Body, which by reflecting homogeneal Light could sensibly change its Colour.
Exper. 6. Just as these colors couldn't change with refractions, they also didn't change with reflections. All white, gray, red, yellow, green, blue, and violet objects, like paper, ashes, red lead, orpiment, indigo bise, gold, silver, copper, grass, blue flowers, violets, bubbles of water colored in different ways, and peacock feathers, appeared completely red in red light, completely blue in blue light, and completely green in green light, and so on for other colors. In the same colored light, they all looked entirely that color, with the only difference being that some reflected that light more brightly while others reflected it more softly. I've yet to find any object that could noticeably change its color just by reflecting colored light.
From all which it is manifest, that if the Sun's Light consisted of but one sort of Rays, there would be but one Colour in the whole World, nor would it be possible to produce any new Colour by Reflexions and Refractions, and by consequence that the variety of Colours depends upon the Composition of Light.
From all of this, it is clear that if the Sun's light were made up of only one type of ray, there would only be one color in the entire world. It wouldn’t be possible to create any new colors through reflections and refractions, which means that the variety of colors depends on the composition of light.
DEFINITION.
The homogeneal Light and Rays which appear red, or rather make Objects appear so, I call Rubrifick or Red-making; those which make Objects appear yellow, green, blue, and violet, I call Yellow-making, Green-making, Blue-making, Violet-making, and so of the rest. And if at any time I speak of Light and Rays as coloured or endued with Colours, I would be understood to speak not philosophically and properly, but grossly, and accordingly to such Conceptions as vulgar People in seeing all these Experiments would be apt to frame. For the Rays to speak properly are not coloured. In them there is nothing else than a certain Power and Disposition to[Pg 125] stir up a Sensation of this or that Colour. For as Sound in a Bell or musical String, or other sounding Body, is nothing but a trembling Motion, and in the Air nothing but that Motion propagated from the Object, and in the Sensorium 'tis a Sense of that Motion under the Form of Sound; so Colours in the Object are nothing but a Disposition to reflect this or that sort of Rays more copiously than the rest; in the Rays they are nothing but their Dispositions to propagate this or that Motion into the Sensorium, and in the Sensorium they are Sensations of those Motions under the Forms of Colours.
The uniform light and rays that look red, or cause objects to appear red, I refer to as red-making. Those that make objects look yellow, green, blue, and violet I call yellow-making, green-making, blue-making, violet-making, and so on for the others. When I mention light and rays as colored or possessing colors, I want to be understood that I'm not speaking philosophically or accurately, but rather in a straightforward way that ordinary people might imagine when observing these experiments. Essentially, rays themselves aren't truly colored. They merely have a specific power and disposition to create a sensation of this or that color. Just like sound in a bell or a musical string, or any other sound-producing body, is merely a vibrating motion, and in the air, it's just that motion traveling from the object, and in the mind, it's the perception of that motion as sound; the colors in the object are just the ability to reflect certain types of rays more effectively than others. In the rays, they are just predispositions to transmit this or that motion into the mind, and in the mind, they are sensations of those motions perceived as colors.
PROP. III. Prob. I.
To define the Refrangibility of the several sorts of homogeneal Light answering to the several Colours.
To define the ability of different types of homogeneous light to bend, corresponding to various colors.
For determining this Problem I made the following Experiment.[J]
For figuring out this issue, I conducted the following experiment.[J]
Exper. 7. When I had caused the Rectilinear Sides AF, GM, [in Fig. 4.] of the Spectrum of Colours made by the Prism to be distinctly defined, as in the fifth Experiment of the first Part of this Book is described, there were found in it all the homogeneal Colours in the same Order and Situation one among another as in the Spectrum of simple Light, described in the fourth Proposition of that Part. For the Circles of which the Spectrum of compound Light[Pg 126] PT is composed, and which in the middle Parts of the Spectrum interfere, and are intermix'd with one another, are not intermix'd in their outmost Parts where they touch those Rectilinear Sides AF and GM. And therefore, in those Rectilinear Sides when distinctly defined, there is no new Colour generated by Refraction. I observed also, that if any where between the two outmost Circles TMF and PGA a Right Line, as γδ, was cross to the Spectrum, so as both Ends to fall perpendicularly upon its Rectilinear Sides, there appeared one and the same Colour, and degree of Colour from one End of this Line to the other. I delineated therefore in a Paper the Perimeter of the Spectrum FAP GMT, and in trying the third Experiment of the first Part of this Book, I held the Paper so that the Spectrum might fall upon this delineated Figure, and agree with it exactly, whilst an Assistant, whose Eyes for distinguishing Colours were more critical than mine, did by Right Lines αβ, γδ, εζ, &c. drawn cross the Spectrum, note the Confines of the Colours, that is of the red MαβF, of the orange αγδβ, of the yellow γεζδ, of the green ηθζ, of the blue ηικθ, of the indico ιλμκ, and of the violet λGAμ. And this Operation being divers times repeated both in the same, and in several Papers, I found that the Observations agreed well enough with one another, and that the Rectilinear Sides MG and FA were by the said cross Lines divided after the manner of a Musical Chord. Let GM be produced to X, that MX may be equal to GM, and conceive GX, λX, ιX, ηX, εX, γX, αX, MX, to be in proportion to one another, as the Numbers, 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2, and so to represent the Chords of the Key, and of a Tone, a third Minor, a fourth, a fifth, a sixth Major, a seventh and an eighth above that Key: And the Intervals Mα, αγ, γε, εη, ηι, ιλ, and λG, will be the Spaces which the several Colours (red, orange, yellow, green, blue, indigo, violet) take up.[Pg 127]
Exper. 7. When I had clearly defined the straight edges AF, GM, [in Fig. 4.] of the color spectrum produced by the prism, as described in the fifth experiment of the first part of this book, I found that it contained all the uniform colors in the same order and arrangement as in the spectrum of simple light, detailed in the fourth proposition of that part. The circles that make up the spectrum of compound light[Pg 126] PT interfere and mix in the middle parts of the spectrum, but they don’t mix at the outer edges where they meet the straight sides AF and GM. Therefore, when the straight sides are distinctly defined, no new color is generated by refraction. I also observed that if a straight line, such as γδ, cuts across the spectrum between the two outer circles TMF and PGA, with both ends perpendicular to the straight sides, the same color and intensity appeared from one end of the line to the other. Thus, I drew the perimeter of the spectrum FAP GMT on a piece of paper, and while conducting the third experiment from the first part of this book, I positioned the paper so that the spectrum aligned perfectly with this drawn figure. An assistant, whose ability to differentiate colors was sharper than mine, drew straight lines αβ, γδ, εζ, etc., across the spectrum to mark the boundaries of the colors: red MαβF, orange αγδβ, yellow γεζδ, green ηθζ, blue ηικθ, indigo ιλμκ, and violet λGAμ. After repeating this operation several times on the same and different pieces of paper, I found that the observations were consistent and that the straight sides MG and FA were divided by the said cross lines like a musical chord. Let GM be extended to X, so that MX equals GM, and imagine GX, λX, ιX, ηX, εX, γX, αX, MX to be proportional to one another as the numbers 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2, thus representing the chords of the key, a tone, a minor third, a fourth, a fifth, a major sixth, a seventh, and an eighth above that key: And the intervals Mα, αγ, γε, εη, ηι, ιλ, and λG will be the spaces occupied by the various colors (red, orange, yellow, green, blue, indigo, violet).[Pg 127]


Now these Intervals or Spaces subtending the Differences of the Refractions of the Rays going to the Limits of those Colours, that is, to the Points M, α, γ, ε, η, ι, λ, G, may without any sensible Error be accounted proportional to the Differences of the Sines of Refraction of those Rays having one common Sine of Incidence, and therefore since the common Sine of Incidence of the most and least refrangible Rays out of Glass into Air was (by a Method described above) found in proportion to their Sines of Refraction, as 50 to 77 and 78, divide the Difference between the Sines of Refraction 77 and 78, as the Line GM is divided by those Intervals, and you will have 77, 77-1/8, 77-1/5, 77-1/3, 77-1/2, 77-2/3, 77-7/9, 78, the Sines of Refraction of those Rays out of Glass into Air, their common Sine of Incidence being 50. So then the Sines of the Incidences of all the red-making Rays out of Glass into Air, were to the Sines of their Refractions, not greater than 50 to 77, nor less than 50 to 77-1/8, but they varied from one another according to all intermediate Proportions. And the Sines of the Incidences of the green-making Rays were to the Sines of their Refractions in all Proportions[Pg 129] from that of 50 to 77-1/3, unto that of 50 to 77-1/2. And by the like Limits above-mentioned were the Refractions of the Rays belonging to the rest of the Colours defined, the Sines of the red-making Rays extending from 77 to 77-1/8, those of the orange-making from 77-1/8 to 77-1/5, those of the yellow-making from 77-1/5 to 77-1/3, those of the green-making from 77-1/3 to 77-1/2, those of the blue-making from 77-1/2 to 77-2/3, those of the indigo-making from 77-2/3 to 77-7/9, and those of the violet from 77-7/9, to 78.
Now these intervals or spaces representing the differences in the refraction of rays reaching the limits of those colors, that is, to the points M, α, γ, ε, η, ι, λ, G, can be considered proportional to the differences in the sines of refraction of those rays sharing a common sine of incidence, without any significant error. Therefore, since the common sine of incidence for the most and least refrangible rays transitioning from glass to air was (using a method described above) found to be proportional to their sines of refraction, in the ratio of 50 to 77 and 78, divide the difference between the sines of refraction 77 and 78 in the same way as line GM is divided by those intervals, and you will get the sines of refraction of those rays transitioning from glass to air at 77, 77-1/8, 77-1/5, 77-1/3, 77-1/2, 77-2/3, 77-7/9, and 78, with their common sine of incidence being 50. Thus, the sines of incidence for all the red-making rays transitioning from glass to air were within a range not exceeding 50 to 77, and not lower than 50 to 77-1/8, while varying among all intermediate proportions. The sines of incidence for the green-making rays were within all proportions ranging from 50 to 77-1/3 to 50 to 77-1/2. Similarly, the limits mentioned earlier defined the refractions of the rays corresponding to the other colors, with the sines for the red-making rays extending from 77 to 77-1/8, the orange-making ones from 77-1/8 to 77-1/5, the yellow-making ones from 77-1/5 to 77-1/3, the green-making ones from 77-1/3 to 77-1/2, the blue-making ones from 77-1/2 to 77-2/3, the indigo-making ones from 77-2/3 to 77-7/9, and the violet ones from 77-7/9 to 78.
These are the Laws of the Refractions made out of Glass into Air, and thence by the third Axiom of the first Part of this Book, the Laws of the Refractions made out of Air into Glass are easily derived.
These are the Laws of Refraction when light passes from glass into air, and by the third Axiom of the first Part of this Book, the Laws of Refraction when light passes from air into glass can be easily derived.
Exper. 8. I found moreover, that when Light goes out of Air through several contiguous refracting Mediums as through Water and Glass, and thence goes out again into Air, whether the refracting Superficies be parallel or inclin'd to one another, that Light as often as by contrary Refractions 'tis so corrected, that it emergeth in Lines parallel to those in which it was incident, continues ever after to be white. But if the emergent Rays be inclined to the incident, the Whiteness of the emerging Light will by degrees in passing on from the Place of Emergence, become tinged in its Edges with Colours. This I try'd by refracting Light with Prisms of Glass placed within a Prismatick Vessel of Water. Now those Colours argue a diverging and separation of the heterogeneous Rays from one another by means of their unequal Refractions, as in what follows will[Pg 130] more fully appear. And, on the contrary, the permanent whiteness argues, that in like Incidences of the Rays there is no such separation of the emerging Rays, and by consequence no inequality of their whole Refractions. Whence I seem to gather the two following Theorems.
Exper. 8. I also discovered that when light exits air through several different refracting mediums like water and glass, and then re-enters air, whether the surfaces of refraction are parallel or angled, the light is adjusted in such a way by opposing refractions that it emerges in lines parallel to those in which it originally entered, maintaining its whiteness. However, if the exiting rays are angled compared to the incoming ones, the whiteness of the emerging light gradually becomes colored at the edges as it moves away from the point of emergence. I tested this by refracting light with glass prisms placed in a prism-like vessel filled with water. These colors indicate a divergence and separation of the different rays due to their uneven refractions, as will be explained more thoroughly in what follows[Pg 130]. Conversely, the persistent whiteness indicates that with similar incidences of the rays, there is no such separation of the emerging rays and, consequently, no inequality in their overall refraction. Thus, I seem to derive the following two theorems.
1. The Excesses of the Sines of Refraction of several sorts of Rays above their common Sine of Incidence when the Refractions are made out of divers denser Mediums immediately into one and the same rarer Medium, suppose of Air, are to one another in a given Proportion.
1. The excess of the sine of refraction of different types of rays above their usual sine of incidence, when refractions occur from various denser mediums directly into the same rarer medium, such as air, are in a specific proportion to one another.
2. The Proportion of the Sine of Incidence to the Sine of Refraction of one and the same sort of Rays out of one Medium into another, is composed of the Proportion of the Sine of Incidence to the Sine of Refraction out of the first Medium into any third Medium, and of the Proportion of the Sine of Incidence to the Sine of Refraction out of that third Medium into the second Medium.
2. The ratio of the sine of incidence to the sine of refraction for the same type of rays moving from one medium to another is made up of the ratio of the sine of incidence to the sine of refraction from the first medium to any third medium, and the ratio of the sine of incidence to the sine of refraction from that third medium to the second medium.
By the first Theorem the Refractions of the Rays of every sort made out of any Medium into Air are known by having the Refraction of the Rays of any one sort. As for instance, if the Refractions of the Rays of every sort out of Rain-water into Air be desired, let the common Sine of Incidence out of Glass into Air be subducted from the Sines of Refraction, and the Excesses will be 27, 27-1/8, 27-1/5, 27-1/3, 27-1/2, 27-2/3, 27-7/9, 28. Suppose now that the Sine of Incidence of the least refrangible Rays be to their Sine of Refraction out of Rain-water into Air as 3 to 4,[Pg 131] and say as 1 the difference of those Sines is to 3 the Sine of Incidence, so is 27 the least of the Excesses above-mentioned to a fourth Number 81; and 81 will be the common Sine of Incidence out of Rain-water into Air, to which Sine if you add all the above-mentioned Excesses, you will have the desired Sines of the Refractions 108, 108-1/8, 108-1/5, 108-1/3, 108-1/2, 108-2/3, 108-7/9, 109.
By the first theorem, the refraction of rays of all types moving from any medium into air can be determined if we know the refraction of rays of one specific type. For example, if we want to find the refractions of rays of all types from rainwater into air, subtract the common sine of incidence from glass into air from the sines of refraction, and the differences will be 27, 27-1/8, 27-1/5, 27-1/3, 27-1/2, 27-2/3, 27-7/9, and 28. Now, suppose the sine of incidence of the least refrangible rays is to their sine of refraction from rainwater into air as 3 to 4,[Pg 131] and let the difference of those sines be 1 compared to the sine of incidence being 3. Then, 27, the smallest of the mentioned excesses, relates to a fourth number of 81. So, 81 will be the common sine of incidence from rainwater into air. If you add all the excesses mentioned above to this sine, you will get the desired sines of refractions: 108, 108-1/8, 108-1/5, 108-1/3, 108-1/2, 108-2/3, 108-7/9, and 109.
By the latter Theorem the Refraction out of one Medium into another is gathered as often as you have the Refractions out of them both into any third Medium. As if the Sine of Incidence of any Ray out of Glass into Air be to its Sine of Refraction, as 20 to 31, and the Sine of Incidence of the same Ray out of Air into Water, be to its Sine of Refraction as 4 to 3; the Sine of Incidence of that Ray out of Glass into Water will be to its Sine of Refraction as 20 to 31 and 4 to 3 jointly, that is, as the Factum of 20 and 4 to the Factum of 31 and 3, or as 80 to 93.
By the latter theorem, the refraction from one medium to another can be determined based on the refractions from both into any third medium. For example, if the sine of incidence of any ray traveling from glass into air is to its sine of refraction as 20 to 31, and the sine of incidence of that same ray moving from air into water is to its sine of refraction as 4 to 3, then the sine of incidence of that ray from glass into water will be to its sine of refraction as the ratios of 20 to 31 and 4 to 3 combined, which is the product of 20 and 4 compared to the product of 31 and 3, or as 80 to 93.
And these Theorems being admitted into Opticks, there would be scope enough of handling that Science voluminously after a new manner,[K] not only by teaching those things which tend to the perfection of Vision, but also by determining mathematically all kinds of Phænomena of Colours which could be produced by Refractions. For to do this, there is nothing else requisite than to find out the Separations of heterogeneous Rays, and their various Mixtures and Proportions in every Mixture. By this[Pg 132] way of arguing I invented almost all the Phænomena described in these Books, beside some others less necessary to the Argument; and by the successes I met with in the Trials, I dare promise, that to him who shall argue truly, and then try all things with good Glasses and sufficient Circumspection, the expected Event will not be wanting. But he is first to know what Colours will arise from any others mix'd in any assigned Proportion.
And if these theories are accepted in optics, there would be plenty of room to explore that science extensively in a new way, not just by teaching the principles that improve vision, but also by mathematically determining all the types of color phenomena that can be produced by refractions. To achieve this, all that is needed is to uncover the separations of different rays and their various mixtures and proportions in each combination. Through this method of reasoning, I came up with almost all the phenomena described in these books, along with a few others that are less essential to the argument; and based on the successes I experienced in my experiments, I can confidently say that for anyone who reasons accurately and then tests everything with good lenses and careful consideration, the expected results will surely follow. But first, they need to understand what colors will emerge from any other colors mixed in a specific proportion.
PROP. IV. Theory. III.
Colours may be produced by Composition which shall be like to the Colours of homogeneal Light as to the Appearance of Colour, but not as to the Immutability of Colour and Constitution of Light. And those Colours by how much they are more compounded by so much are they less full and intense, and by too much Composition they maybe diluted and weaken'd till they cease, and the Mixture becomes white or grey. There may be also Colours produced by Composition, which are not fully like any of the Colours of homogeneal Light.
Colors can be created through a combination that resembles the colors of uniform light in appearance, but not in their stability or the nature of light itself. The more complex these colors are, the less vibrant and intense they become. If the combination is too excessive, they can be diluted and weakened until they fade away, turning the mixture white or gray. Additionally, there can be colors produced from combinations that do not completely match any of the colors of uniform light.
For a Mixture of homogeneal red and yellow compounds an Orange, like in appearance of Colour to that orange which in the series of unmixed prismatick Colours lies between them; but the Light of one orange is homogeneal as to Refrangibility,[Pg 133] and that of the other is heterogeneal, and the Colour of the one, if viewed through a Prism, remains unchanged, that of the other is changed and resolved into its component Colours red and yellow. And after the same manner other neighbouring homogeneal Colours may compound new Colours, like the intermediate homogeneal ones, as yellow and green, the Colour between them both, and afterwards, if blue be added, there will be made a green the middle Colour of the three which enter the Composition. For the yellow and blue on either hand, if they are equal in quantity they draw the intermediate green equally towards themselves in Composition, and so keep it as it were in Æquilibrion, that it verge not more to the yellow on the one hand, and to the blue on the other, but by their mix'd Actions remain still a middle Colour. To this mix'd green there may be farther added some red and violet, and yet the green will not presently cease, but only grow less full and vivid, and by increasing the red and violet, it will grow more and more dilute, until by the prevalence of the added Colours it be overcome and turned into whiteness, or some other Colour. So if to the Colour of any homogeneal Light, the Sun's white Light composed of all sorts of Rays be added, that Colour will not vanish or change its Species, but be diluted, and by adding more and more white it will be diluted more and more perpetually. Lastly, If red and violet be mingled, there will be generated according to their various Proportions various Purples, such as are not like in appearance to the Colour of any[Pg 134] homogeneal Light, and of these Purples mix'd with yellow and blue may be made other new Colours.
For a mixture of homogeneous red and yellow compounds, you get an orange color that looks similar to the orange found in the spectrum of unmixed colors lying between them. However, the light from one orange is homogeneous in terms of refrangibility, and the light from the other is heterogeneous. The color of one, when viewed through a prism, remains the same, while the other changes and breaks down into its component colors, red and yellow. Similarly, other neighboring homogeneous colors can combine to create new colors, like the color that falls between yellow and green, and later, if blue is added, a green color that becomes the middle color of the three in the mix. If the yellow and blue are equal in quantity, they pull the intermediate green equally toward themselves, keeping it balanced so it doesn’t lean more toward yellow or blue, but instead remains a middle color. To this mixed green, you can add some red and violet, and the green color won’t disappear right away; it will only become less vibrant. As you increase the amounts of red and violet, the green will become more diluted until the added colors overpower it and turn it into whiteness or another color. So if you add the sun's white light, which is made up of all sorts of rays, to any homogeneous light color, that color won't disappear or change its type, but it will become diluted, and adding more white will keep diluting it further. Finally, if you mix red and violet together, you'll create various shades of purple depending on their proportions, which don’t resemble the color of any homogeneous light, and these purples can mix with yellow and blue to create new colors.
PROP. V. Theory. IV.
Whiteness and all grey Colours between white and black, may be compounded of Colours, and the whiteness of the Sun's Light is compounded of all the primary Colours mix'd in a due Proportion.
Whiteness and all shades of gray between white and black can be made up of colors, and the whiteness of the Sun's light is made up of all the primary colors mixed in the right proportion.
The Proof by Experiments.
The Proof by Experiments.
Exper. 9. The Sun shining into a dark Chamber through a little round hole in the Window-shut, and his Light being there refracted by a Prism to cast his coloured Image PT [in Fig. 5.] upon the opposite Wall: I held a white Paper V to that image in such manner that it might be illuminated by the colour'd Light reflected from thence, and yet not intercept any part of that Light in its passage from the Prism to the Spectrum. And I found that when the Paper was held nearer to any Colour than to the rest, it appeared of that Colour to which it approached nearest; but when it was equally or almost equally distant from all the Colours, so that it might be equally illuminated by them all it appeared white. And in this last situation of the Paper, if some Colours were intercepted, the Paper lost its white Colour, and appeared of the Colour of the rest of the Light which was not intercepted. So then the Paper was illuminated with Lights of various[Pg 135] Colours, namely, red, yellow, green, blue and violet, and every part of the Light retained its proper Colour, until it was incident on the Paper, and became reflected thence to the Eye; so that if it had been either alone (the rest of the Light being intercepted) or if it had abounded most, and been predominant in the Light reflected from the Paper, it would have tinged the Paper with its own Colour; and yet being mixed with the rest of the Colours in a due proportion, it made the Paper look white, and therefore by a Composition with the rest produced that Colour. The several parts of the coloured Light reflected from the Spectrum, whilst they are propagated from thence through the Air, do perpetually retain their proper Colours, because wherever they fall upon the Eyes of any Spectator, they make the several parts of the Spectrum to appear under their proper Colours. They retain therefore their proper Colours when they fall upon the Paper V, and so by the confusion and perfect mixture of those Colours compound the whiteness of the Light reflected from thence.
Exper. 9. The sun shining into a dark room through a small round hole in the window shutter casts its light through a prism, creating a colored image PT [in Fig. 5.] on the opposite wall. I held a piece of white paper V to that image in such a way that it could be illuminated by the colored light reflecting from it, without blocking any of that light on its way from the prism to the spectrum. I found that when the paper was held closer to one color than the others, it appeared to take on the color it was nearest to; but when it was about the same distance from all the colors, making it equally illuminated by each, it looked white. In this last position, if some colors were blocked, the paper lost its white appearance and showed the color of the remaining light that wasn't blocked. Thus, the paper was illuminated by lights of various[Pg 135] colors, specifically red, yellow, green, blue, and violet, with each part of the light maintaining its original color until it hit the paper and was reflected to the eye; so if it had been isolated (with the rest of the light blocked) or if it dominated the light being reflected from the paper, it would have tinted the paper with its own color. However, when mixed with the other colors in the right proportion, it made the paper appear white, effectively creating that color through combination. The different parts of the colored light reflected from the spectrum, while traveling through the air, continually retain their distinct colors, because wherever they land on the eyes of a viewer, they show the various parts of the spectrum in their true colors. They retain their original colors when they hit the paper V, and thus, through the confusion and perfect mixture of those colors, they create the whiteness of the light reflected from it.
Exper. 10. Let that Spectrum or solar Image PT [in Fig. 6.] fall now upon the Lens MN above four Inches broad, and about six Feet distant from the Prism ABC and so figured that it may cause the coloured Light which divergeth from the Prism to converge and meet again at its Focus G, about six or eight Feet distant from the Lens, and there to fall perpendicularly upon a white Paper DE. And if you move this Paper to and fro, you will perceive that[Pg 136] near the Lens, as at de, the whole solar Image (suppose at pt) will appear upon it intensely coloured after the manner above-explained, and that by receding from the Lens those Colours will perpetually come towards one another, and by mixing more and more dilute one another continually, until at length the Paper come to the Focus G, where by a perfect mixture they will wholly vanish and be converted into whiteness, the whole Light appearing now upon the Paper like a little white Circle. And afterwards by receding farther from the Lens, the Rays which before converged will now cross one another in the Focus G, and diverge from thence, and thereby make the Colours to appear again, but yet in a contrary order; suppose at δε, where the red t is now above which before was below, and the violet p is below which before was above.
Exper. 10. Let that spectrum or solar image PT [in Fig. 6.] now fall onto the lens MN, which is over four inches wide and about six feet away from the prism ABC. Position it so that it can cause the colored light diverging from the prism to converge and meet again at its focus G, about six or eight feet distant from the lens, landing perpendicularly on a white paper DE. If you move this paper back and forth, you'll notice that[Pg 136] near the lens, at de, the entire solar image (say at pt) will appear on it, intensely colored as previously described. As you move away from the lens, those colors will continually come closer together, mixing more and more and diluting each other until, when the paper reaches focus G, they will completely blend and turn to whiteness, with the entire light now showing on the paper as a small white circle. Then, by moving even farther from the lens, the rays that previously converged will cross each other at focus G and diverge again, causing the colors to reappear but in reverse order; for instance, at δε, where the red t is now on top, whereas it was previously below, and the violet p is below, which was previously on top.
Let us now stop the Paper at the Focus G, where the Light appears totally white and circular, and let us consider its whiteness. I say, that this is composed of the converging Colours. For if any of those Colours be intercepted at the Lens, the whiteness will cease and degenerate into that Colour which ariseth from the composition of the other Colours which are not intercepted. And then if the intercepted Colours be let pass and fall upon that compound Colour, they mix with it, and by their mixture restore the whiteness. So if the violet, blue and green be intercepted, the remaining yellow, orange and red will compound upon the Paper an orange, and then if the intercepted Colours be let pass, they will fall upon this compounded orange, and together with it decompound a white. So also if the red and violet be intercepted, the remaining yellow, green and blue, will compound a green upon the Paper, and then the red and violet being let pass will fall upon this green, and together with it decompound a white. And that in this Composition of white the several Rays do not suffer any Change in their colorific Qualities by acting upon one another, but are only mixed, and by a mixture of their Colours produce white, may farther appear by these Arguments.[Pg 137]
Let's stop the Paper at the Focus G, where the Light looks completely white and circular, and think about its whiteness. I say this whiteness comes from the blending of Colors. If any of those Colors are blocked by the Lens, the whiteness will disappear and turn into the Color formed by the combination of the other Colors that aren’t blocked. Then, if the blocked Colors are allowed to pass and hit that mixed Color, they blend together and bring back the whiteness. So, if the violet, blue, and green are blocked, the yellow, orange, and red that remain will mix on the Paper to create an orange, and when the blocked Colors are let through, they will fall on this mixed orange and together they will recreate a white. Similarly, if red and violet are blocked, the yellow, green, and blue that remain will mix on the Paper to create a green, and then when red and violet are allowed through, they will hit this green and together they will recreate a white. In this mixing of white, the different Rays don’t change their color properties by affecting each other; they simply mix, and through this mix of their Colors produce white, which can be further demonstrated by these Arguments.[Pg 137]

If the Paper be placed beyond the Focus G, suppose at δε, and then the red Colour at the Lens be alternately intercepted, and let pass again, the violet Colour on the Paper will not suffer any Change thereby, as it ought to do if the several sorts of Rays acted upon one another in the Focus G, where they cross. Neither will the red upon the Paper be changed by any alternate stopping, and letting pass the violet which crosseth it.
If the paper is positioned beyond the focus G, let’s say at δε, and the red light from the lens is alternately blocked and allowed to pass through, the violet light on the paper won't change as it should if the different types of rays interacted at the focus G where they intersect. Similarly, the red light on the paper won't change with any alternating blockage of the violet light that crosses it.
And if the Paper be placed at the Focus G, and the white round Image at G be viewed through the Prism HIK, and by the Refraction of that Prism be translated to the place rv, and there appear tinged with various Colours, namely, the violet at v and red at r, and others between, and then the red Colours at the Lens be often stopp'd and let pass by turns, the red at r will accordingly disappear, and return as often, but the violet at v will not thereby suffer any Change. And so by stopping and letting pass alternately the blue at the Lens, the blue at v will accordingly[Pg 139] disappear and return, without any Change made in the red at r. The red therefore depends on one sort of Rays, and the blue on another sort, which in the Focus G where they are commix'd, do not act on one another. And there is the same Reason of the other Colours.
If the paper is placed at the focus G, and you look at the white round image at G through the prism HIK, the light will be refracted by that prism, moving to the location rv, where it will appear tinted with various colors—specifically, violet at v and red at r, along with others in between. If you frequently block and allow the red colors at the lens to pass, the red at r will disappear and reappear accordingly, but the violet at v will remain unchanged. Similarly, by alternating between blocking and allowing the blue at the lens, the blue at v will disappear and reappear without affecting the red at r. Thus, red depends on one type of ray and blue on another, which, at focus G where they are mixed, do not interact with each other. The same reasoning applies to the other colors.
I considered farther, that when the most refrangible Rays Pp, and the least refrangible ones Tt, are by converging inclined to one another, the Paper, if held very oblique to those Rays in the Focus G, might reflect one sort of them more copiously than the other sort, and by that Means the reflected Light would be tinged in that Focus with the Colour of the predominant Rays, provided those Rays severally retained their Colours, or colorific Qualities in the Composition of White made by them in that Focus. But if they did not retain them in that White, but became all of them severally endued there with a Disposition to strike the Sense with the Perception of White, then they could never lose their Whiteness by such Reflexions. I inclined therefore the Paper to the Rays very obliquely, as in the second Experiment of this second Part of the first Book, that the most refrangible Rays, might be more copiously reflected than the rest, and the Whiteness at Length changed successively into blue, indigo, and violet. Then I inclined it the contrary Way, that the least refrangible Rays might be more copious in the reflected Light than the rest, and the Whiteness turned successively to yellow, orange, and red.
I thought further that when the most refrangible rays Pp and the least refrangible ones Tt are converging at an angle, if the paper is held very obliquely to those rays at the focus G, it might reflect one type of ray more abundantly than the other type. As a result, the reflected light at that focus would be tinted with the color of the predominant rays, assuming those rays maintained their colors or color qualities in the mix of white created by them at that focus. However, if they didn't retain their colors in that white and instead all took on a quality that made the light perceived as white, then they could never lose that whiteness from such reflections. Therefore, I angled the paper towards the rays very obliquely, as shown in the second experiment of this second part of the first book, so that the most refrangible rays would be reflected more abundantly than the others, and the whiteness would gradually change into blue, indigo, and violet. Then I tilted it the other way, so that the least refrangible rays would be reflected more abundantly than the others, and the whiteness would change successively to yellow, orange, and red.
Lastly, I made an Instrument XY in fashion of a[Pg 140] Comb, whose Teeth being in number sixteen, were about an Inch and a half broad, and the Intervals of the Teeth about two Inches wide. Then by interposing successively the Teeth of this Instrument near the Lens, I intercepted Part of the Colours by the interposed Tooth, whilst the rest of them went on through the Interval of the Teeth to the Paper DE, and there painted a round Solar Image. But the Paper I had first placed so, that the Image might appear white as often as the Comb was taken away; and then the Comb being as was said interposed, that Whiteness by reason of the intercepted Part of the Colours at the Lens did always change into the Colour compounded of those Colours which were not intercepted, and that Colour was by the Motion of the Comb perpetually varied so, that in the passing of every Tooth over the Lens all these Colours, red, yellow, green, blue, and purple, did always succeed one another. I caused therefore all the Teeth to pass successively over the Lens, and when the Motion was slow, there appeared a perpetual Succession of the Colours upon the Paper: But if I so much accelerated the Motion, that the Colours by reason of their quick Succession could not be distinguished from one another, the Appearance of the single Colours ceased. There was no red, no yellow, no green, no blue, nor purple to be seen any longer, but from a Confusion of them all there arose one uniform white Colour. Of the Light which now by the Mixture of all the Colours appeared white, there was no Part really white. One Part was red, another yellow, a[Pg 141] third green, a fourth blue, a fifth purple, and every Part retains its proper Colour till it strike the Sensorium. If the Impressions follow one another slowly, so that they may be severally perceived, there is made a distinct Sensation of all the Colours one after another in a continual Succession. But if the Impressions follow one another so quickly, that they cannot be severally perceived, there ariseth out of them all one common Sensation, which is neither of this Colour alone nor of that alone, but hath it self indifferently to 'em all, and this is a Sensation of Whiteness. By the Quickness of the Successions, the Impressions of the several Colours are confounded in the Sensorium, and out of that Confusion ariseth a mix'd Sensation. If a burning Coal be nimbly moved round in a Circle with Gyrations continually repeated, the whole Circle will appear like Fire; the reason of which is, that the Sensation of the Coal in the several Places of that Circle remains impress'd on the Sensorium, until the Coal return again to the same Place. And so in a quick Consecution of the Colours the Impression of every Colour remains in the Sensorium, until a Revolution of all the Colours be compleated, and that first Colour return again. The Impressions therefore of all the successive Colours are at once in the Sensorium, and jointly stir up a Sensation of them all; and so it is manifest by this Experiment, that the commix'd Impressions of all the Colours do stir up and beget a Sensation of white, that is, that Whiteness is compounded of all the Colours.[Pg 142]
Lastly, I created an Instrument XY resembling a[Pg 140] Comb, which had sixteen teeth that were about one and a half inches wide, with two-inch gaps between them. By placing this Instrument near the Lens, I blocked part of the colors with the tooth in front, while the rest passed through the gaps to the Paper DE, creating a round Solar Image. I set the Paper up so that the image would appear white whenever the Comb was removed; then, when I placed the Comb in position, that whiteness changed to the color made up of the colors that were not blocked, and this color kept changing as the Comb moved, showing red, yellow, green, blue, and purple one after the other. I then made all the teeth pass over the Lens sequentially, and when the movement was slow, a continuous sequence of colors appeared on the Paper. But if I sped up the movement so much that the colors blended together, the individual colors disappeared. There was no longer red, yellow, green, blue, or purple; instead, all the colors mixed into one uniform white color. However, there was nothing that was truly white in the mixed light; one part was red, another yellow, a third green, a fourth blue, a fifth purple, and each part kept its original color until it reached the sensorium. If the impressions follow one another slowly, each color can be perceived individually in continuous succession. But if the impressions come too quickly for individual perception, it creates a common sensation that isn’t just one color alone or another, but a sensation of whiteness. Due to the rapid succession, the impressions of the individual colors blend together in the sensorium, resulting in a mixed sensation. If a burning coal is quickly moved in a circle, the whole circle will look like fire; this happens because the sensation of the coal in different positions within that circle lingers in the sensorium until the coal returns to the same spot. Similarly, in a quick succession of colors, each color’s impression remains in the sensorium until the cycle of all colors is completed, and the first color comes back. Therefore, the impressions of all the consecutive colors are present in the sensorium at once, jointly creating a sensation of all of them. This experiment clearly shows that the combined impressions of all the colors generate a sensation of white, meaning that whiteness is composed of all the colors.[Pg 142]
And if the Comb be now taken away, that all the Colours may at once pass from the Lens to the Paper, and be there intermixed, and together reflected thence to the Spectator's Eyes; their Impressions on the Sensorium being now more subtilly and perfectly commixed there, ought much more to stir up a Sensation of Whiteness.
And if the Comb is removed now, all the Colors can simultaneously move from the Lens to the Paper, blending together and reflecting back to the Spectator's Eyes; their Impressions on the Sensorium, now more subtly and perfectly mixed there, should create a stronger Sensation of Whiteness.
You may instead of the Lens use two Prisms HIK and LMN, which by refracting the coloured Light the contrary Way to that of the first Refraction, may make the diverging Rays converge and meet again in G, as you see represented in the seventh Figure. For where they meet and mix, they will compose a white Light, as when a Lens is used.
You can use two prisms, HIK and LMN, instead of the lens. By refracting the colored light in the opposite direction from the initial refraction, they can make the diverging rays converge and meet again at G, as shown in the seventh figure. Where they meet and mix, they will create white light, just like when a lens is used.
Exper. 11. Let the Sun's coloured Image PT [in Fig. 8.] fall upon the Wall of a dark Chamber, as in the third Experiment of the first Book, and let the same be viewed through a Prism abc, held parallel to the Prism ABC, by whose Refraction that Image was made, and let it now appear lower than before, suppose in the Place S over-against the red Colour T. And if you go near to the Image PT, the Spectrum S will appear oblong and coloured like the Image PT; but if you recede from it, the Colours of the spectrum S will be contracted more and more, and at length vanish, that Spectrum S becoming perfectly round and white; and if you recede yet farther, the Colours will emerge again, but in a contrary Order. Now that Spectrum S appears white in that Case, when the Rays of several sorts which converge from the several Parts of the Image PT, to the Prism abc, are so refracted unequally by it, that in their Passage from the Prism to the Eye they may diverge from one and the same Point of the Spectrum S, and so fall afterwards upon one and the same Point in the bottom of the Eye, and there be mingled.[Pg 143]
Exper. 11. Let the colored image of the Sun PT [in Fig. 8.] shine on the wall of a dark room, just like in the third experiment from the first book. View this through a prism abc, held parallel to the prism ABC that created that image, and it should now appear lower than before, say in the position S opposite the red color T. If you move closer to the image PT, the spectrum S will look elongated and colored just like the image PT. But when you step back, the colors of the spectrum S will shrink more and more until they eventually disappear, and the spectrum S will become perfectly round and white. If you step back even further, the colors will return but in the opposite order. Now, the spectrum S appears white in that situation because the different rays coming from various parts of the image PT converge to the prism abc, and are refracted unevenly by it. This means that as they move from the prism to the eye, they diverge from a single point in the spectrum S, ultimately landing on the same point at the back of the eye and mixing there.[Pg 143]


And farther, if the Comb be here made use of, by whose Teeth the Colours at the Image PT may be successively intercepted; the Spectrum S, when the Comb is moved slowly, will be perpetually tinged with successive Colours: But when by accelerating the Motion of the Comb, the Succession of the Colours is so quick that they cannot be severally seen, that Spectrum S, by a confused and mix'd Sensation of them all, will appear white.
And further, if the comb is used here, with its teeth intercepting the colors at the image PT consecutively, the spectrum S will be continuously colored with successive hues when the comb is moved slowly. However, if the motion of the comb is sped up so that the colors change too quickly to be seen individually, the spectrum S will appear white due to a blurred and mixed sensation of all the colors.
Exper. 12. The Sun shining through a large Prism ABC [in Fig. 9.] upon a Comb XY, placed immediately behind the Prism, his Light which passed through the Interstices of the Teeth fell upon a white Paper DE. The Breadths of the Teeth were equal to their Interstices, and seven Teeth together with their Interstices took up an Inch in Breadth. Now, when the Paper was about two or three Inches distant from the Comb, the Light which passed through its several Interstices painted so many Ranges of Colours, kl, mn, op, qr, &c. which were parallel to one another, and contiguous, and without any Mixture of white. And these Ranges of Colours, if the Comb was moved continually up and down with a reciprocal Motion, ascended and descended in the Paper, and when the Motion of the Comb was so quick, that the Colours could not be distinguished from one another, the whole Paper by their Confusion and Mixture in the Sensorium appeared white.[Pg 145]
Exper. 12. The Sun shone through a large Prism ABC [in Fig. 9.] onto a Comb XY, which was placed right behind the Prism. The Light that passed through the gaps between the Teeth fell onto a white Paper DE. The Widths of the Teeth were equal to their Gaps, and seven Teeth along with their Gaps took up an Inch in Width. When the Paper was about two or three Inches away from the Comb, the Light that went through its various Gaps created several Bands of Colors, kl, mn, op, qr, &c., which were parallel to each other, touching, and showed no Mixing of white. These Bands of Colors, if the Comb was moved continuously up and down in a back-and-forth Motion, would rise and fall on the Paper. When the Motion of the Comb was so fast that the Colors couldn't be distinguished from one another, the entire Paper appeared white due to their Confusion and Mixing in the Sensorium.[Pg 145]

Let the Comb now rest, and let the Paper be removed farther from the Prism, and the several Ranges of Colours will be dilated and expanded into one another more and more, and by mixing their Colours will dilute one another, and at length, when the distance of the Paper from the Comb is about a Foot, or a little more (suppose in the Place 2D 2E) they will so far dilute one another, as to become white.
Let the Comb rest now, and move the Paper further away from the Prism. The different Ranges of Colors will blend and expand into each other increasingly, and by mixing their Colors, they will lighten each other. Eventually, when the Paper is about a foot away from the Comb, or a little more (let's say around the Place 2D 2E), they will dilute enough to turn white.
With any Obstacle, let all the Light be now stopp'd which passes through any one Interval of the Teeth, so that the Range of Colours which comes from thence may be taken away, and you will see the Light of the rest of the Ranges to be expanded into the Place of the Range taken away, and there to be coloured. Let the intercepted Range pass on as before, and its Colours falling upon the Colours of the other Ranges, and mixing with them, will restore the Whiteness.
With any obstacle, let all the light that passes through any gap in the teeth be stopped, so that the spectrum of colors coming from there is removed. You will see that the light from the other ranges expands into the space left by the removed range and becomes colored there. Let the blocked range continue on as before, and its colors will fall on the colors of the other ranges, mixing with them to restore the whiteness.
Let the Paper 2D 2E be now very much inclined to the Rays, so that the most refrangible Rays may be more copiously reflected than the rest, and the white Colour of the Paper through the Excess of those Rays will be changed into blue and violet. Let the Paper be as much inclined the contrary way, that the least refrangible Rays may be now more copiously reflected than the rest, and by their Excess the Whiteness will be changed into yellow and red. The several Rays therefore in that white Light do retain their colorific Qualities, by which those of any sort, whenever[Pg 147] they become more copious than the rest, do by their Excess and Predominance cause their proper Colour to appear.
Let the paper now be tilted towards the rays so that the most refrangible rays are reflected more abundantly than the others, causing the white color of the paper to shift towards blue and violet due to the excess of those rays. Now tilt the paper in the opposite direction so that the least refrangible rays are reflected more abundantly than the others, changing the whiteness into yellow and red because of their excess. Therefore, the different rays in that white light retain their color qualities, and whenever any specific type of ray becomes more abundant than the others, it causes its distinct color to become visible.
And by the same way of arguing, applied to the third Experiment of this second Part of the first Book, it may be concluded, that the white Colour of all refracted Light at its very first Emergence, where it appears as white as before its Incidence, is compounded of various Colours.
And using the same reasoning applied to the third experiment in this second part of the first book, it can be concluded that the white color of all refracted light at its initial emergence, where it looks as white as it did before hitting the surface, is made up of various colors.

Exper. 13. In the foregoing Experiment the several Intervals of the Teeth of the Comb do the Office of so many Prisms, every Interval producing the Phænomenon of one Prism. Whence instead of those Intervals using several Prisms, I try'd to compound Whiteness by mixing their Colours, and did it by using only three Prisms, as also by using only two as follows. Let two Prisms ABC and abc, [in Fig. 10.] whose refracting Angles B and b are equal, be so[Pg 148] placed parallel to one another, that the refracting Angle B of the one may touch the Angle c at the Base of the other, and their Planes CB and cb, at which the Rays emerge, may lie in Directum. Then let the Light trajected through them fall upon the Paper MN, distant about 8 or 12 Inches from the Prisms. And the Colours generated by the interior Limits B and c of the two Prisms, will be mingled at PT, and there compound white. For if either Prism be taken away, the Colours made by the other will appear in that Place PT, and when the Prism is restored to its Place again, so that its Colours may there fall upon the Colours of the other, the Mixture of them both will restore the Whiteness.
Exper. 13. In the previous experiment, the different gaps between the teeth of the comb act like individual prisms, with each gap creating the effect of one prism. Therefore, instead of using those gaps, I attempted to create whiteness by mixing colors, using only three prisms and also by using just two, as follows. Let two prisms ABC and abc, [in Fig. 10.] with refracting angles B and b that are equal, be positioned parallel to one another, so that the refracting angle B of one touches angle c at the base of the other, and their planes CB and cb, where the rays emerge, are aligned properly. Then let the light passing through them strike the paper MN, about 8 to 12 inches away from the prisms. The colors generated by the inside edges B and c of the two prisms will mix at PT, creating whiteness there. If either prism is removed, the colors produced by the other will be visible at that spot PT, and when the prism is placed back in position, allowing its colors to mix with those of the other, the combination of both will recreate the whiteness.
This Experiment succeeds also, as I have tried, when the Angle b of the lower Prism, is a little greater than the Angle B of the upper, and between the interior Angles B and c, there intercedes some Space Bc, as is represented in the Figure, and the refracting Planes BC and bc, are neither in Directum, nor parallel to one another. For there is nothing more requisite to the Success of this Experiment, than that the Rays of all sorts may be uniformly mixed upon the Paper in the Place PT. If the most refrangible Rays coming from the superior Prism take up all the Space from M to P, the Rays of the same sort which come from the inferior Prism ought to begin at P, and take up all the rest of the Space from thence towards N. If the least refrangible Rays coming from the superior Prism take up the Space MT, the Rays of the same kind which come from the other Prism[Pg 149] ought to begin at T, and take up the remaining Space TN. If one sort of the Rays which have intermediate Degrees of Refrangibility, and come from the superior Prism be extended through the Space MQ, and another sort of those Rays through the Space MR, and a third sort of them through the Space MS, the same sorts of Rays coming from the lower Prism, ought to illuminate the remaining Spaces QN, RN, SN, respectively. And the same is to be understood of all the other sorts of Rays. For thus the Rays of every sort will be scattered uniformly and evenly through the whole Space MN, and so being every where mix'd in the same Proportion, they must every where produce the same Colour. And therefore, since by this Mixture they produce white in the Exterior Spaces MP and TN, they must also produce white in the Interior Space PT. This is the reason of the Composition by which Whiteness was produced in this Experiment, and by what other way soever I made the like Composition, the Result was Whiteness.
This experiment also works, as I’ve tested, when the angle b of the lower prism is slightly greater than the angle B of the upper prism, and there’s some space Bc between the interior angles B and c, as shown in the figure, and the refracting planes BC and bc are neither in a straight line nor parallel to one another. All that’s needed for this experiment to succeed is for the rays of all types to be evenly mixed on the paper in the area PT. If the most refracted rays coming from the upper prism occupy all the space from M to P, then the rays of the same type from the lower prism should start at P and fill the rest of the space towards N. If the least refracted rays from the upper prism take up the space MT, then the rays of the same kind from the other prism[Pg 149] should start at T and fill the remaining space TN. If one type of rays with intermediate degrees of refraction from the upper prism extends through the space MQ, another type through the space MR, and a third type through the space MS, the same types of rays coming from the lower prism should illuminate the remaining spaces QN, RN, SN, respectively. The same applies to all other types of rays. This way, the rays of each type will be uniformly and evenly distributed throughout the entire space MN, and since they are blended in the same proportion everywhere, they will produce the same color everywhere. Therefore, since this mixture produces white in the outer spaces MP and TN, it must also produce white in the inner space PT. This is the reason why whiteness was created in this experiment, and in any other mixture I created in a similar way, the result was whiteness.
Lastly, If with the Teeth of a Comb of a due Size, the coloured Lights of the two Prisms which fall upon the Space PT be alternately intercepted, that Space PT, when the Motion of the Comb is slow, will always appear coloured, but by accelerating the Motion of the Comb so much that the successive Colours cannot be distinguished from one another, it will appear white.
Lastly, if you use a comb with the right size teeth to alternately block the colored lights from the two prisms falling on the space PT, that space PT will always look colored when the motion of the comb is slow. However, if you speed up the motion of the comb to the point where you can't tell the individual colors apart, it will look white.
Exper. 14. Hitherto I have produced Whiteness by mixing the Colours of Prisms. If now the Colours[Pg 150] of natural Bodies are to be mingled, let Water a little thicken'd with Soap be agitated to raise a Froth, and after that Froth has stood a little, there will appear to one that shall view it intently various Colours every where in the Surfaces of the several Bubbles; but to one that shall go so far off, that he cannot distinguish the Colours from one another, the whole Froth will grow white with a perfect Whiteness.
Exper. 14. Until now, I have created Whiteness by blending the colors of prisms. If we now mix the colors of natural objects, let's take water slightly thickened with soap and agitate it to create froth. After the froth has settled for a bit, anyone who looks closely will see various colors on the surfaces of the different bubbles; however, for someone who steps back far enough that they can’t distinguish the colors from each other, the entire froth will appear uniformly white.
Exper. 15. Lastly, In attempting to compound a white, by mixing the coloured Powders which Painters use, I consider'd that all colour'd Powders do suppress and stop in them a very considerable Part of the Light by which they are illuminated. For they become colour'd by reflecting the Light of their own Colours more copiously, and that of all other Colours more sparingly, and yet they do not reflect the Light of their own Colours so copiously as white Bodies do. If red Lead, for instance, and a white Paper, be placed in the red Light of the colour'd Spectrum made in a dark Chamber by the Refraction of a Prism, as is described in the third Experiment of the first Part of this Book; the Paper will appear more lucid than the red Lead, and therefore reflects the red-making Rays more copiously than red Lead doth. And if they be held in the Light of any other Colour, the Light reflected by the Paper will exceed the Light reflected by the red Lead in a much greater Proportion. And the like happens in Powders of other Colours. And therefore by mixing such Powders, we are not to expect a strong and full[Pg 151] White, such as is that of Paper, but some dusky obscure one, such as might arise from a Mixture of Light and Darkness, or from white and black, that is, a grey, or dun, or russet brown, such as are the Colours of a Man's Nail, of a Mouse, of Ashes, of ordinary Stones, of Mortar, of Dust and Dirt in High-ways, and the like. And such a dark white I have often produced by mixing colour'd Powders. For thus one Part of red Lead, and five Parts of Viride Æris, composed a dun Colour like that of a Mouse. For these two Colours were severally so compounded of others, that in both together were a Mixture of all Colours; and there was less red Lead used than Viride Æris, because of the Fulness of its Colour. Again, one Part of red Lead, and four Parts of blue Bise, composed a dun Colour verging a little to purple, and by adding to this a certain Mixture of Orpiment and Viride Æris in a due Proportion, the Mixture lost its purple Tincture, and became perfectly dun. But the Experiment succeeded best without Minium thus. To Orpiment I added by little and little a certain full bright purple, which Painters use, until the Orpiment ceased to be yellow, and became of a pale red. Then I diluted that red by adding a little Viride Æris, and a little more blue Bise than Viride Æris, until it became of such a grey or pale white, as verged to no one of the Colours more than to another. For thus it became of a Colour equal in Whiteness to that of Ashes, or of Wood newly cut, or of a Man's Skin. The Orpiment reflected more Light than did any other of the Powders, and therefore[Pg 152] conduced more to the Whiteness of the compounded Colour than they. To assign the Proportions accurately may be difficult, by reason of the different Goodness of Powders of the same kind. Accordingly, as the Colour of any Powder is more or less full and luminous, it ought to be used in a less or greater Proportion.
Exper. 15. Lastly, when trying to create a white color by mixing the colored powders used by painters, I realized that all colored powders absorb and block a significant amount of the light that illuminates them. They take on color by reflecting more of their own color’s light and less of other colors, yet they don’t reflect their own colors as effectively as white objects do. For example, if you place red lead and a white piece of paper in the red light of the colored spectrum produced in a dark room by a prism, as described in the third experiment of the first part of this book, the paper will appear brighter than the red lead because it reflects more of the red light. If these are then held under any other color light, the light reflected by the paper will be much greater than that of the red lead. The same situation occurs with powders of other colors. Therefore, by mixing such powders, we should not expect a strong and pure[Pg 151] white, like that of paper, but rather a dark and dull one, resembling a mixture of light and darkness, or of white and black, which would be a gray, brown, or russet color similar to a person’s nail, a mouse, ashes, ordinary stones, mortar, dust and dirt on roads, and so on. I have frequently produced such a dark white by mixing colored powders. For instance, one part of red lead and five parts of Viride Æris created a dull color similar to that of a mouse. These two colors were each composed of mixtures that included all colors; less red lead was used than Viride Æris due to the richness of its color. Again, one part of red lead and four parts of blue bise made a dull color with a slight purple tint, and by adding a certain mixture of orpiment and Viride Æris in the right proportions, the mixture lost its purple hue and turned perfectly dull. However, the experiment worked best without minium. I gradually added a bright purple color used by painters to the orpiment until it changed from yellow to a pale red. Then I diluted that red by adding a little Viride Æris and slightly more blue bise than Viride Æris until it became a gray or pale white that didn’t lean toward any color more than the others. Thus, it matched the whiteness of ashes, freshly cut wood, or a person’s skin. The orpiment reflected more light than any other powder, contributing more to the whiteness of the mixed color than the others. Accurately determining the proportions may be challenging due to the varying qualities of different powders of the same type. So, depending on how rich and bright the color of any powder is, it should be used in lesser or greater amounts.
Now, considering that these grey and dun Colours may be also produced by mixing Whites and Blacks, and by consequence differ from perfect Whites, not in Species of Colours, but only in degree of Luminousness, it is manifest that there is nothing more requisite to make them perfectly white than to increase their Light sufficiently; and, on the contrary, if by increasing their Light they can be brought to perfect Whiteness, it will thence also follow, that they are of the same Species of Colour with the best Whites, and differ from them only in the Quantity of Light. And this I tried as follows. I took the third of the above-mention'd grey Mixtures, (that which was compounded of Orpiment, Purple, Bise, and Viride Æris) and rubbed it thickly upon the Floor of my Chamber, where the Sun shone upon it through the opened Casement; and by it, in the shadow, I laid a Piece of white Paper of the same Bigness. Then going from them to the distance of 12 or 18 Feet, so that I could not discern the Unevenness of the Surface of the Powder, nor the little Shadows let fall from the gritty Particles thereof; the Powder appeared intensely white, so as to transcend even the Paper it self in Whiteness, especially if the Paper were a little[Pg 153] shaded from the Light of the Clouds, and then the Paper compared with the Powder appeared of such a grey Colour as the Powder had done before. But by laying the Paper where the Sun shines through the Glass of the Window, or by shutting the Window that the Sun might shine through the Glass upon the Powder, and by such other fit Means of increasing or decreasing the Lights wherewith the Powder and Paper were illuminated, the Light wherewith the Powder is illuminated may be made stronger in such a due Proportion than the Light wherewith the Paper is illuminated, that they shall both appear exactly alike in Whiteness. For when I was trying this, a Friend coming to visit me, I stopp'd him at the Door, and before I told him what the Colours were, or what I was doing; I asked him, Which of the two Whites were the best, and wherein they differed? And after he had at that distance viewed them well, he answer'd, that they were both good Whites, and that he could not say which was best, nor wherein their Colours differed. Now, if you consider, that this White of the Powder in the Sun-shine was compounded of the Colours which the component Powders (Orpiment, Purple, Bise, and Viride Æris) have in the same Sun-shine, you must acknowledge by this Experiment, as well as by the former, that perfect Whiteness may be compounded of Colours.
Now, considering that these gray and dull colors can also be made by mixing whites and blacks, they differ from perfect whites not in type of colors, but only in brightness. It’s clear that to make them perfectly white, all we need to do is increase their brightness enough; conversely, if by increasing their brightness they can achieve perfect whiteness, then they belong to the same color type as the best whites and only differ in the amount of light. I tested this as follows. I took one-third of the gray mixtures mentioned earlier (the one made up of Orpiment, Purple, Bise, and Viride Æris) and applied it thickly to the floor of my room, where sunlight streamed through the open window. In the shadow cast by this powder, I placed a piece of white paper of the same size. Then, stepping back about 12 to 18 feet, I ensured I couldn’t see the unevenness of the powder's surface or the tiny shadows from its gritty particles; the powder appeared intensely white, even more so than the paper, especially if the paper was slightly shaded from the light. In that case, the paper looked gray, similar to how the powder had appeared before. However, by positioning the paper where sunlight came through the window glass, or by closing the window so the sunlight shone through the glass onto the powder, I could adjust the brightness of both the powder and the paper so that they appeared exactly the same in whiteness. During this experiment, when a friend came to visit, I stopped him at the door and before explaining the colors or what I was doing, I asked him which of the two whites looked better and how they differed. After he carefully viewed them from that distance, he replied that both were good whites and he couldn’t tell which was better or how the colors differed. If you consider that the white of the powder in sunlight was made up of the colors from the powders (Orpiment, Purple, Bise, and Viride Æris) in the same sunlight, this experiment, along with the previous one, shows that perfect whiteness can indeed be made from colors.
From what has been said it is also evident, that the Whiteness of the Sun's Light is compounded of all the Colours wherewith the several sorts of Rays whereof that Light consists, when by their several[Pg 154] Refrangibilities they are separated from one another, do tinge Paper or any other white Body whereon they fall. For those Colours (by Prop. II. Part 2.) are unchangeable, and whenever all those Rays with those their Colours are mix'd again, they reproduce the same white Light as before.
From what has been said, it's clear that the whiteness of the sun's light is made up of all the colors from the different types of rays that make up that light. When these rays are separated from each other by their different [Pg 154] refrangibilities, they color paper or any other white surface they hit. Those colors (by Prop. II. Part 2.) are unchanging, and whenever all those rays with their colors are mixed again, they produce the same white light as before.
PROP. VI. Prob. II.
In a mixture of Primary Colours, the Quantity and Quality of each being given, to know the Colour of the Compound.
In a mix of primary colors, knowing the amount and quality of each will reveal the color of the mixture.

With the Center O [in Fig. 11.] and Radius OD describe a Circle ADF, and distinguish its Circumference into seven Parts DE, EF, FG, GA, AB, BC, CD, proportional to the seven Musical Tones or Intervals of the eight Sounds, Sol, la, fa, sol, la, mi, fa, sol, contained in an eight, that is, proportional to the Number 1/9, 1/16, 1/10, 1/9, 1/16, 1/16, 1/9. Let the first Part DE represent a red Colour, the second EF orange, the third FG yellow, the fourth CA green, the fifth AB blue, the sixth BC indigo, and the seventh CD violet. And conceive that these are all the Colours of uncompounded Light gradually passing into one another, as they do when made by Prisms; the Circumference DEFGABCD, representing the whole Series of Colours from one end of the Sun's colour'd Image to the other, so that from D to E be all degrees of red, at E the mean Colour[Pg 155] between red and orange, from E to F all degrees of orange, at F the mean between orange and yellow, from F to G all degrees of yellow, and so on. Let p be the Center of Gravity of the Arch DE, and q, r, s, t, u, x, the Centers of Gravity of the Arches EF, FG, GA, AB, BC, and CD respectively, and about those Centers of Gravity let Circles proportional to the Number of Rays of each Colour in the given Mixture be describ'd: that is, the Circle p proportional to the Number of the red-making Rays in the Mixture, the Circle q proportional to the Number of the orange-making Rays in the Mixture, and so of the rest. Find the common Center of Gravity of all those Circles, p, q, r, s, t, u, x. Let that Center be Z; and from the Center of the Circle ADF, through Z to the Circumference, drawing the Right Line OY, the Place of the Point Y in the Circumference shall shew the Colour arising from the Composition of all the Colours in the given Mixture, and the Line OZ shall[Pg 156] be proportional to the Fulness or Intenseness of the Colour, that is, to its distance from Whiteness. As if Y fall in the middle between F and G, the compounded Colour shall be the best yellow; if Y verge from the middle towards F or G, the compound Colour shall accordingly be a yellow, verging towards orange or green. If Z fall upon the Circumference, the Colour shall be intense and florid in the highest Degree; if it fall in the mid-way between the Circumference and Center, it shall be but half so intense, that is, it shall be such a Colour as would be made by diluting the intensest yellow with an equal quantity of whiteness; and if it fall upon the center O, the Colour shall have lost all its intenseness, and become a white. But it is to be noted, That if the point Z fall in or near the line OD, the main ingredients being the red and violet, the Colour compounded shall not be any of the prismatick Colours, but a purple, inclining to red or violet, accordingly as the point Z lieth on the side of the line DO towards E or towards C, and in general the compounded violet is more bright and more fiery than the uncompounded. Also if only two of the primary Colours which in the circle are opposite to one another be mixed in an equal proportion, the point Z shall fall upon the center O, and yet the Colour compounded of those two shall not be perfectly white, but some faint anonymous Colour. For I could never yet by mixing only two primary Colours produce a perfect white. Whether it may be compounded of a mixture of three taken at equal distances in the circumference[Pg 157] I do not know, but of four or five I do not much question but it may. But these are Curiosities of little or no moment to the understanding the Phænomena of Nature. For in all whites produced by Nature, there uses to be a mixture of all sorts of Rays, and by consequence a composition of all Colours.
With the center O [in Fig. 11.] and radius OD, draw a circle ADF, and divide its circumference into seven parts DE, EF, FG, GA, AB, BC, CD, corresponding to the seven musical tones or intervals of the eight sounds, Sol, la, fa, sol, la, mi, fa, sol, proportional to the numbers 1/9, 1/16, 1/10, 1/9, 1/16, 1/16, 1/9. Let the first part DE represent red, the second EF orange, the third FG yellow, the fourth CA green, the fifth AB blue, the sixth BC indigo, and the seventh CD violet. Imagine that these are all the colors of pure light blending into one another, like when made by prisms; the circumference DEFGABCD represents the entire range of colors from one end of the sun's colored image to the other, where from D to E are all degrees of red, at E the average color[Pg 155] between red and orange, from E to F all degrees of orange, at F the average between orange and yellow, from F to G all degrees of yellow, and so forth. Let p be the center of gravity of the arc DE, and q, r, s, t, u, x be the centers of gravity of the arcs EF, FG, GA, AB, BC, and CD respectively. Around those centers of gravity, draw circles proportional to the number of rays of each color in the mixture: the circle p for the number of red-making rays, the circle q for the number of orange-making rays, and so on. Find the common center of gravity of all those circles, p, q, r, s, t, u, x. Let that center be Z; and from the center of the circle ADF, draw a straight line OY through Z to the circumference. The location of point Y on the circumference will show the color resulting from the combination of all the colors in the given mixture, and the line OZ will[Pg 156] be proportional to the fullness or intensity of the color, meaning how far it is from white. If Y falls in the middle between F and G, the combined color will be the best yellow; if Y shifts towards F or G, the combined color will lean towards orange or green respectively. If Z lands on the circumference, the color will be vivid and bright to the highest degree; if it falls halfway between the circumference and center, it will be only half as intense, like a color made by mixing the brightest yellow with an equal amount of white; and if it rests on the center O, the color will lose all intensity and become white. However, it's important to note that if point Z is near the line OD, with red and violet being the main components, the combined color will not resemble any of the prism colors, but will be a purple that leans towards red or violet, depending on whether Z is closer to E or C, and generally the combined violet is brighter and more vibrant than the uncompounded one. Also, if only two primary colors that are opposite each other in the circle are mixed in equal proportions, point Z will fall on the center O, yet the resulting color will not be perfectly white, but some faint undefined color. I have never been able to produce a perfect white by mixing just two primary colors. Whether it can be achieved by mixing three colors taken at equal distances on the circumference[Pg 157] is uncertain, but with four or five colors, I have little doubt that it may be. However, these are curiosities that hold little significance for understanding the phenomena of nature. For all whites produced in nature typically involve a mixture of all kinds of rays, and consequently a combination of all colors.
To give an instance of this Rule; suppose a Colour is compounded of these homogeneal Colours, of violet one part, of indigo one part, of blue two parts, of green three parts, of yellow five parts, of orange six parts, and of red ten parts. Proportional to these parts describe the Circles x, v, t, s, r, q, p, respectively, that is, so that if the Circle x be one, the Circle v may be one, the Circle t two, the Circle s three, and the Circles r, q and p, five, six and ten. Then I find Z the common center of gravity of these Circles, and through Z drawing the Line OY, the Point Y falls upon the circumference between E and F, something nearer to E than to F, and thence I conclude, that the Colour compounded of these Ingredients will be an orange, verging a little more to red than to yellow. Also I find that OZ is a little less than one half of OY, and thence I conclude, that this orange hath a little less than half the fulness or intenseness of an uncompounded orange; that is to say, that it is such an orange as may be made by mixing an homogeneal orange with a good white in the proportion of the Line OZ to the Line ZY, this Proportion being not of the quantities of mixed orange and white Powders, but of the quantities of the Lights reflected from them.[Pg 158]
To illustrate this rule, let's say a color is made up of these specific colors: one part violet, one part indigo, two parts blue, three parts green, five parts yellow, six parts orange, and ten parts red. Based on these parts, draw the circles x, v, t, s, r, q, and p so that if the circle x represents one, the circle v also represents one, t represents two, s represents three, and r, q, and p represent five, six, and ten respectively. Then, I find Z to be the common center of gravity of these circles, and drawing the line OY from Z, point Y lands on the circumference between E and F, a bit closer to E than to F. From this, I conclude that the color made from these ingredients will be an orange, leaning slightly more toward red than yellow. I also find that OZ is a little less than half of OY, leading me to conclude that this orange has a bit less than half the fullness or intensity of a pure orange; in other words, it’s an orange that can be created by mixing a pure orange with a good white in the ratio of the line OZ to the line ZY, with this ratio representing not the amounts of mixed orange and white powders, but the amounts of light reflected from them.[Pg 158]
This Rule I conceive accurate enough for practice, though not mathematically accurate; and the truth of it may be sufficiently proved to Sense, by stopping any of the Colours at the Lens in the tenth Experiment of this Book. For the rest of the Colours which are not stopp'd, but pass on to the Focus of the Lens, will there compound either accurately or very nearly such a Colour, as by this Rule ought to result from their Mixture.
This rule seems good enough for practical use, even if it isn’t mathematically perfect. You can clearly see this by stopping any of the colors at the lens in the tenth experiment of this book. The other colors that aren’t stopped and continue to the focus of the lens will mix together to create a color that closely matches what this rule suggests should result from their mixture.
PROP. VII. Theory. V.
All the Colours in the Universe which are made by Light, and depend not on the Power of Imagination, are either the Colours of homogeneal Lights, or compounded of these, and that either accurately or very nearly, according to the Rule of the foregoing Problem.
All the colors in the universe created by light, which don't rely on the power of imagination, are either the colors of uniform lights or a mixture of them, either exactly or very closely, following the guidelines of the previous problem.
For it has been proved (in Prop. 1. Part 2.) that the changes of Colours made by Refractions do not arise from any new Modifications of the Rays impress'd by those Refractions, and by the various Terminations of Light and Shadow, as has been the constant and general Opinion of Philosophers. It has also been proved that the several Colours of the homogeneal Rays do constantly answer to their degrees of Refrangibility, (Prop. 1. Part 1. and Prop. 2. Part 2.) and that their degrees of Refrangibility cannot be changed by Refractions and Reflexions (Prop.[Pg 159] 2. Part 1.) and by consequence that those their Colours are likewise immutable. It has also been proved directly by refracting and reflecting homogeneal Lights apart, that their Colours cannot be changed, (Prop. 2. Part 2.) It has been proved also, that when the several sorts of Rays are mixed, and in crossing pass through the same space, they do not act on one another so as to change each others colorific qualities. (Exper. 10. Part 2.) but by mixing their Actions in the Sensorium beget a Sensation differing from what either would do apart, that is a Sensation of a mean Colour between their proper Colours; and particularly when by the concourse and mixtures of all sorts of Rays, a white Colour is produced, the white is a mixture of all the Colours which the Rays would have apart, (Prop. 5. Part 2.) The Rays in that mixture do not lose or alter their several colorific qualities, but by all their various kinds of Actions mix'd in the Sensorium, beget a Sensation of a middling Colour between all their Colours, which is whiteness. For whiteness is a mean between all Colours, having it self indifferently to them all, so as with equal facility to be tinged with any of them. A red Powder mixed with a little blue, or a blue with a little red, doth not presently lose its Colour, but a white Powder mix'd with any Colour is presently tinged with that Colour, and is equally capable of being tinged with any Colour whatever. It has been shewed also, that as the Sun's Light is mix'd of all sorts of Rays, so its whiteness is a mixture of the Colours of all sorts of Rays; those Rays having from the beginning their[Pg 160] several colorific qualities as well as their several Refrangibilities, and retaining them perpetually unchanged notwithstanding any Refractions or Reflexions they may at any time suffer, and that whenever any sort of the Sun's Rays is by any means (as by Reflexion in Exper. 9, and 10. Part 1. or by Refraction as happens in all Refractions) separated from the rest, they then manifest their proper Colours. These things have been prov'd, and the sum of all this amounts to the Proposition here to be proved. For if the Sun's Light is mix'd of several sorts of Rays, each of which have originally their several Refrangibilities and colorific Qualities, and notwithstanding their Refractions and Reflexions, and their various Separations or Mixtures, keep those their original Properties perpetually the same without alteration; then all the Colours in the World must be such as constantly ought to arise from the original colorific qualities of the Rays whereof the Lights consist by which those Colours are seen. And therefore if the reason of any Colour whatever be required, we have nothing else to do than to consider how the Rays in the Sun's Light have by Reflexions or Refractions, or other causes, been parted from one another, or mixed together; or otherwise to find out what sorts of Rays are in the Light by which that Colour is made, and in what Proportion; and then by the last Problem to learn the Colour which ought to arise by mixing those Rays (or their Colours) in that proportion. I speak here of Colours so far as they arise from Light. For they appear sometimes by other Causes, as when[Pg 161] by the power of Phantasy we see Colours in a Dream, or a Mad-man sees things before him which are not there; or when we see Fire by striking the Eye, or see Colours like the Eye of a Peacock's Feather, by pressing our Eyes in either corner whilst we look the other way. Where these and such like Causes interpose not, the Colour always answers to the sort or sorts of the Rays whereof the Light consists, as I have constantly found in whatever Phænomena of Colours I have hitherto been able to examine. I shall in the following Propositions give instances of this in the Phænomena of chiefest note.
For it has been proven (in Prop. 1. Part 2.) that the color changes caused by refraction do not come from any new modifications of the rays affected by those refractions and the various light and shadow endings, as has been the common belief of philosophers. It has also been demonstrated that the different colors of homogenous rays consistently correspond to their degrees of refrangibility, (Prop. 1. Part 1. and Prop. 2. Part 2.) and that these degrees of refrangibility cannot be changed by refractions and reflections (Prop.[Pg 159] 2. Part 1.), meaning that those colors are also unchangeable. It has also been demonstrated directly by refracting and reflecting homogenous lights separately that their colors cannot be altered, (Prop. 2. Part 2.) Additionally, it has been shown that when different types of rays mix and cross through the same space, they do not act on one another in a way that changes their color properties. (Exper. 10. Part 2.) However, by mixing their effects in the sensorium, they create a sensation that is different from what either would produce alone, specifically a sensation of an intermediate color between their true colors; and particularly when, through the convergence and mixing of all types of rays, a white color is produced, that white is a combination of all the colors that the rays would have independently, (Prop. 5. Part 2.) The rays in that mixture do not lose or change their individual color properties, but through their various kinds of actions combined in the sensorium, they produce a sensation of an average color among all their colors, which is whiteness. Whiteness is a median between all colors, having an equal disposition towards them all, so that it can easily be tinted with any of them. A red powder mixed with a little blue, or blue with a little red, does not immediately lose its color, but a white powder mixed with any color is quickly tinted with that color and is equally capable of being tinted with any color at all. It has also been demonstrated that just as the Sun's light consists of all types of rays, its whiteness is a mixture of the colors of all types of rays; those rays possess their individual color properties and refrangibilities from the beginning, and retain them unchanged despite any refractions or reflections they may undergo. Whenever any type of the Sun's rays is separated from the rest by any means (such as by reflection in Exper. 9, and 10. Part 1. or through refraction as occurs in all refractions), they then show their true colors. These points have been established, and the summary of all this amounts to the proposition that needs to be proven. If the Sun's light is made up of various types of rays, each having their own original refrangibilities and color properties, and regardless of their refractions and reflections, and various separations or mixtures, they maintain those original properties unchanged; then all the colors in the world must arise from the original color qualities of the rays that compose the light by which those colors are seen. Therefore, if one is looking for the reason behind any color, one only needs to consider how the rays in the Sun's light have been separated or mixed together through reflections or refractions or other causes, or otherwise determine what types of rays are in the light that produces that color, and in what proportion; then, using the last problem, find out the color that should result from mixing those rays (or their colors) in that proportion. I am talking here about colors as they emerge from light. For they sometimes appear due to other causes, like when, through the power of imagination, we see colors in a dream, or a person with mental illness perceives things that aren't there; or when we see fire by striking the eye, or see colors like the eye of a peacock's feather when we press our eyes in one corner while looking the other way. Where these types of reasons do not interfere, color always corresponds to the type or types of rays that the light consists of, as I have consistently found in all the phenomena of colors that I have been able to examine so far. I will provide examples of this in the following propositions regarding the most notable phenomena.
PROP. VIII. Prob. III.
By the discovered Properties of Light to explain the Colours made by Prisms.
By the discovered properties of light to explain the colors created by prisms.
Let ABC [in Fig. 12.] represent a Prism refracting the Light of the Sun, which comes into a dark Chamber through a hole Fφ almost as broad as the Prism, and let MN represent a white Paper on which the refracted Light is cast, and suppose the most refrangible or deepest violet-making Rays fall upon the Space Pπ, the least refrangible or deepest red-making Rays upon the Space Tτ, the middle sort between the indigo-making and blue-making Rays upon the Space Qχ, the middle sort of the green-making Rays upon the Space R, the middle sort between the yellow-making and orange-making Rays[Pg 162] upon the Space Sσ, and other intermediate sorts upon intermediate Spaces. For so the Spaces upon which the several sorts adequately fall will by reason of the different Refrangibility of those sorts be one lower than another. Now if the Paper MN be so near the Prism that the Spaces PT and πτ do not interfere with one another, the distance between them Tπ will be illuminated by all the sorts of Rays in that proportion to one another which they have at their very first coming out of the Prism, and consequently be white. But the Spaces PT and πτ on either hand, will not be illuminated by them all, and therefore will appear coloured. And particularly at P, where the outmost violet-making Rays fall alone, the Colour must be the deepest violet. At Q where the violet-making and indigo-making Rays are mixed, it must be a violet inclining much to indigo. At R where the violet-making, indigo-making, blue-making, and one half of the green-making Rays are mixed, their Colours must (by the construction of the second Problem) compound a middle Colour between indigo and blue. At S where all the Rays are mixed, except the red-making and orange-making, their Colours ought by the same Rule to compound a faint blue, verging more to green than indigo. And in the progress from S to T, this blue will grow more and more faint and dilute, till at T, where all the Colours begin to be mixed, it ends in whiteness.[Pg 163]
Let ABC [in Fig. 12.] represent a prism that refracts sunlight entering a dark room through a hole Fφ that is nearly as wide as the prism itself. Let MN symbolize a sheet of white paper onto which the refracted light is projected. Suppose the most refrangible, or deepest violet-making rays fall on the area Pπ, the least refrangible, or deepest red-making rays fall on area Tτ, the middle range of the indigo-making and blue-making rays land on area Qχ, the middle range of the green-making rays fall on area R, and the middle range between the yellow-making and orange-making rays fall on area Sσ, with other intermediate ranges also covering intermediate spaces. The areas where the various types of rays land will, due to their different refrangibility, have a staggered arrangement. If the paper MN is positioned close enough to the prism that the areas PT and πτ do not overlap, then the space Tπ will be illuminated by all types of rays in the same proportion they have as they exit the prism, resulting in a white appearance. However, the areas PT and πτ on either side will not receive all the rays, so they will appear colored. Specifically, at P, where the outermost violet rays land alone, the color will be the deepest violet. At Q, where violet and indigo rays mix, the color will lean towards a violet with a hint of indigo. At R, where violet, indigo, blue, and half of the green rays mix, their colors will blend to create a hue between indigo and blue, as outlined in the second problem. At S, where all rays mix except for the red and orange rays, their colors should combine to form a light blue that leans more towards green than indigo. As you move from S to T, this blue will gradually become fainter and more diluted, until at T, where all colors begin to converging, it results in whiteness.[Pg 163]

So again, on the other side of the white at τ, where the least refrangible or utmost red-making Rays are alone, the Colour must be the deepest red. At σ the mixture of red and orange will compound a red inclining to orange. At ρ the mixture of red, orange, yellow, and one half of the green must compound a middle Colour between orange and yellow. At χ the mixture of all Colours but violet and indigo will compound a faint yellow, verging more to green than to orange. And this yellow will grow more faint and dilute continually in its progress from χ to π, where by a mixture of all sorts of Rays it will become white.
So again, on the other side of the white at τ, where only the least refrangible or most red-producing rays are found, the color must be the deepest red. At σ, the combination of red and orange will create a red that leans towards orange. At ρ, the combination of red, orange, yellow, and half of the green will make a color that falls in between orange and yellow. At χ, the combination of all colors except violet and indigo will produce a faint yellow that leans more towards green than orange. This yellow will continue to fade and dilute as it moves from χ to π, where it will become white through a mixture of all kinds of rays.
These Colours ought to appear were the Sun's Light perfectly white: But because it inclines to yellow, the Excess of the yellow-making Rays whereby 'tis tinged with that Colour, being mixed with the faint blue between S and T, will draw it to a faint green. And so the Colours in order from P to τ ought to be violet, indigo, blue, very faint green, white, faint yellow, orange, red. Thus it is by the computation: And they that please to view the Colours made by a Prism will find it so in Nature.
These colors should show up when the sunlight is perfectly white. However, since it tends to lean toward yellow, the excess of the yellow rays, which give it that hue, combined with the faint blue between S and T, will pull it toward a light green. Therefore, the colors in order from P to τ should be violet, indigo, blue, very light green, white, light yellow, orange, and red. That's how it calculates out. Anyone who takes a look at the colors produced by a prism will see that it's true in nature.
These are the Colours on both sides the white when the Paper is held between the Prism and the Point X where the Colours meet, and the interjacent white vanishes. For if the Paper be held still farther off from the Prism, the most refrangible and least refrangible Rays will be wanting in the middle of the Light, and the rest of the Rays which are found there, will by mixture produce a fuller green than before. Also the yellow and blue will now become less compounded, and by consequence more intense than before. And this also agrees with experience.[Pg 165]
These are the colors on both sides of the white area when the paper is held between the prism and the point X where the colors meet, and the white in between disappears. If the paper is held even farther away from the prism, the most refracted and least refracted rays will be missing from the center of the light, and the remaining rays there will mix to create a deeper green than before. Additionally, the yellow and blue will now become less mixed and, as a result, more intense than before. This also aligns with what we observe.[Pg 165]
And if one look through a Prism upon a white Object encompassed with blackness or darkness, the reason of the Colours arising on the edges is much the same, as will appear to one that shall a little consider it. If a black Object be encompassed with a white one, the Colours which appear through the Prism are to be derived from the Light of the white one, spreading into the Regions of the black, and therefore they appear in a contrary order to that, when a white Object is surrounded with black. And the same is to be understood when an Object is viewed, whose parts are some of them less luminous than others. For in the borders of the more and less luminous Parts, Colours ought always by the same Principles to arise from the Excess of the Light of the more luminous, and to be of the same kind as if the darker parts were black, but yet to be more faint and dilute.
And if you look through a prism at a white object surrounded by blackness or darkness, the reason the colors appear on the edges is pretty much the same, as those who think about it will see. If a black object is surrounded by a white one, the colors you see through the prism come from the light of the white object spreading into the areas of the black object, which is why they appear in the opposite order than when a white object is surrounded by black. The same goes for viewing an object with parts that are unevenly lit. Because at the edges of the more and less luminous parts, colors should always arise from the excess light of the brighter areas, and they will resemble what would happen if the darker parts were black, but they will appear more faint and diluted.
What is said of Colours made by Prisms may be easily applied to Colours made by the Glasses of Telescopes or Microscopes, or by the Humours of the Eye. For if the Object-glass of a Telescope be thicker on one side than on the other, or if one half of the Glass, or one half of the Pupil of the Eye be cover'd with any opake substance; the Object-glass, or that part of it or of the Eye which is not cover'd, may be consider'd as a Wedge with crooked Sides, and every Wedge of Glass or other pellucid Substance has the effect of a Prism in refracting the Light which passes through it.[L]
What applies to colors created by prisms can easily be applied to colors produced by the lenses of telescopes or microscopes, or by the fluids in the eye. If the objective lens of a telescope is thicker on one side than the other, or if one half of the lens or one half of the pupil of the eye is covered with an opaque material, the objective lens, or the uncovered part of it or the eye, can be considered as a wedge with curved sides. Every wedge of glass or any other transparent material acts like a prism in bending the light that goes through it.[L]
How the Colours in the ninth and tenth Experiments of the first Part arise from the different Reflexibility of Light, is evident by what was there said. But it is observable in the ninth Experiment, that whilst the Sun's direct Light is yellow, the Excess of the blue-making Rays in the reflected beam of Light MN, suffices only to bring that yellow to a pale white inclining to blue, and not to tinge it with a manifestly blue Colour. To obtain therefore a better blue, I used instead of the yellow Light of the Sun the white Light of the Clouds, by varying a little the Experiment, as follows.
How the colors in the ninth and tenth experiments of the first part come from the different reflectivity of light is clear from what was said earlier. However, it’s worth noting in the ninth experiment that while the Sun's direct light is yellow, the excess of blue-making rays in the reflected beam of light MN only lightens that yellow to a pale white that leans toward blue, without actually giving it a distinct blue color. To get a better blue, I substituted the yellow light of the Sun with the white light of the clouds, making slight adjustments to the experiment as follows.

Exper. 16 Let HFG [in Fig. 13.] represent a Prism in the open Air, and S the Eye of the Spectator, viewing the Clouds by their Light coming into the Prism at the Plane Side FIGK, and reflected in it by its Base HEIG, and thence going out through its Plane Side HEFK to the Eye. And when the Prism and Eye are conveniently placed, so that the Angles of Incidence and Reflexion at the Base may be about[Pg 167] 40 Degrees, the Spectator will see a Bow MN of a blue Colour, running from one End of the Base to the other, with the Concave Side towards him, and the Part of the Base IMNG beyond this Bow will be brighter than the other Part EMNH on the other Side of it. This blue Colour MN being made by nothing else than by Reflexion of a specular Superficies, seems so odd a Phænomenon, and so difficult to be explained by the vulgar Hypothesis of Philosophers, that I could not but think it deserved to be taken Notice of. Now for understanding the Reason of it, suppose the Plane ABC to cut the Plane Sides and Base of the Prism perpendicularly. From the Eye to the Line BC, wherein that Plane cuts the Base, draw the Lines Sp and St, in the Angles Spc 50 degr. 1/9, and Stc 49 degr. 1/28, and the Point p will be the Limit beyond which none of the most refrangible Rays can pass through the Base of the Prism, and be refracted, whose Incidence is such that they may be reflected to the Eye; and the Point t will be the like Limit for the least refrangible Rays, that is, beyond which none of them can pass through the Base, whose Incidence is such that by Reflexion they may come to the Eye. And the Point r taken in the middle Way between p and t, will be the like Limit for the meanly refrangible Rays. And therefore all the least refrangible Rays which fall upon the Base beyond t, that is, between t and B, and can come from thence to the Eye, will be reflected thither: But on this side t, that is, between t and c, many of these Rays will be transmitted through the Base. And all the most refrangible[Pg 168] Rays which fall upon the Base beyond p, that is, between, p and B, and can by Reflexion come from thence to the Eye, will be reflected thither, but every where between p and c, many of these Rays will get through the Base, and be refracted; and the same is to be understood of the meanly refrangible Rays on either side of the Point r. Whence it follows, that the Base of the Prism must every where between t and B, by a total Reflexion of all sorts of Rays to the Eye, look white and bright. And every where between p and C, by reason of the Transmission of many Rays of every sort, look more pale, obscure, and dark. But at r, and in other Places between p and t, where all the more refrangible Rays are reflected to the Eye, and many of the less refrangible are transmitted, the Excess of the most refrangible in the reflected Light will tinge that Light with their Colour, which is violet and blue. And this happens by taking the Line C prt B any where between the Ends of the Prism HG and EI.
Exper. 16 Let HFG [in Fig. 13.] represent a prism in open air, and S be the eye of the observer looking at the clouds lit by the light entering the prism at the plane side FIGK, reflecting off the base HEIG, and exiting through the plane side HEFK to the observer's eye. When the prism and the eye are positioned so that the angles of incidence and reflection at the base are around [Pg 167] 40 degrees, the observer will see a blue arc MN stretching from one end of the base to the other, with the concave side facing them, and the part of the base IMNG beyond this arc will appear brighter than the other part EMNH on the opposite side. The blue color MN, produced solely by the reflection from a smooth surface, seems like such a strange phenomenon and so difficult to explain with the common theories of philosophers that I thought it deserved attention. To understand why this happens, imagine the plane ABC cutting the sides and base of the prism at a right angle. From the eye to the line BC, where that plane intersects the base, draw lines Sp and St, making angles Spc 50 degrees 1/9, and Stc 49 degrees 1/28. The point p marks the limit beyond which the most refrangible rays cannot pass through the base of the prism and be refracted while still being directed toward the eye, and the point t is the same limit for the least refrangible rays, meaning none can pass through the base beyond t with the angle needed for reflection to reach the eye. The point r, located halfway between p and t, will serve as a similar limit for the moderately refrangible rays. Therefore, all the least refrangible rays striking the base beyond t, that is, between t and B, and heading toward the eye will be reflected there; but on this side of t, that is, between t and c, many of these rays will pass through the base. All the most refrangible rays striking the base beyond p, that is, between p and B, and potentially reaching the eye through reflection, will be reflected there, but anywhere between p and c, many of these rays will pass through the base and be refracted; the same goes for the moderately refrangible rays on either side of the point r. Consequently, the base of the prism must appear white and bright everywhere between t and B due to total reflection of all types of rays toward the eye. And everywhere between p and C, because many rays of all kinds are transmitted, it will appear more pale, obscure, and dark. But at r, and in other spots between p and t, where all the more refrangible rays are reflected to the eye and many of the less refrangible are transmitted, the excess of the most refrangible rays in the reflected light will tint that light with their colors, which are violet and blue. This occurs by taking the line C prt B anywhere between the ends of the prism HG and EI.
PROP. IX. Prob. IV.
By the discovered Properties of Light to explain the Colours of the Rain-bow.
Using the discovered properties of light to explain the colors of the rainbow.

This Bow never appears, but where it rains in the Sun-shine, and may be made artificially by spouting up Water which may break aloft, and scatter into Drops, and fall down like Rain. For the[Pg 169] Sun shining upon these Drops certainly causes the Bow to appear to a Spectator standing in a due Position to the Rain and Sun. And hence it is now agreed upon, that this Bow is made by Refraction of the Sun's Light in drops of falling Rain. This was understood by some of the Antients, and of late more fully discover'd and explain'd by the famous Antonius de Dominis Archbishop of Spalato, in his book De Radiis Visûs & Lucis, published by his Friend Bartolus at Venice, in the Year 1611, and written above 20 Years before. For he teaches there how the interior Bow is made in round Drops of Rain by two Refractions of the Sun's Light, and one Reflexion between them, and the exterior by two Refractions, and two sorts of Reflexions between them in each Drop of Water, and proves his Explications by Experiments made with a Phial full of Water, and with Globes of Glass filled with Water, and placed in the Sun to make the Colours of the two Bows appear in them. The same Explication Des-Cartes hath pursued in his Meteors, and mended that of the exterior Bow. But whilst they understood not the true Origin of Colours, it's necessary to pursue it here a little farther. For understanding therefore how the Bow is made, let a Drop of Rain, or any other spherical transparent Body be represented by the Sphere BNFG, [in Fig. 14.] described with the Center C, and Semi-diameter CN. And let AN be one of the Sun's Rays incident upon it at N, and thence refracted to F, where let it either go out of the Sphere by Refraction towards V, or be reflected to G; and at G let it either go out by Refraction[Pg 170] to R, or be reflected to H; and at H let it go out by Refraction towards S, cutting the incident Ray in Y. Produce AN and RG, till they meet in X, and upon AX and NF, let fall the Perpendiculars CD and CE, and produce CD till it fall upon the Circumference at L. Parallel to the incident Ray AN draw the Diameter BQ, and let the Sine of Incidence out of Air into Water be to the Sine of Refraction as I to R. Now, if you suppose the Point of Incidence N to move from the Point B, continually till it come to L, the Arch QF will first increase and then decrease, and so will the Angle AXR which the Rays AN and GR contain; and the Arch QF and Angle AXR will be biggest when ND is to CN as √(II - RR) to √(3)RR, in which case NE will be to ND as 2R to I. Also the Angle AYS, which the Rays AN and HS contain will first decrease, and then increase and grow least when ND is to CN as √(II - RR) to √(8)RR,[Pg 171] in which case NE will be to ND, as 3R to I. And so the Angle which the next emergent Ray (that is, the emergent Ray after three Reflexions) contains with the incident Ray AN will come to its Limit when ND is to CN as √(II - RR) to √(15)RR, in which case NE will be to ND as 4R to I. And the Angle which the Ray next after that Emergent, that is, the Ray emergent after four Reflexions, contains with the Incident, will come to its Limit, when ND is to CN as √(II - RR) to √(24)RR, in which case NE will be to ND as 5R to I; and so on infinitely, the Numbers 3, 8, 15, 24, &c. being gather'd by continual Addition of the Terms of the arithmetical Progression 3, 5, 7, 9, &c. The Truth of all this Mathematicians will easily examine.[M]
This bow never shows up except where it rains in the sunshine and can be created artificially by spraying water that breaks apart and scatters into drops, falling like rain. When the sun shines on these drops, it definitely causes the bow to appear to someone standing in the right position relative to the rain and sunlight. It's now generally accepted that this bow is formed by the refraction of sunlight in drops of falling rain. Some ancient thinkers knew this, and it was recently explained more thoroughly by the famous Antonius de Dominis, Archbishop of Spalato, in his book *De Radiis Visûs & Lucis*, published by his friend Bartolus in Venice in 1611, written over 20 years earlier. He explains how the inner bow is created in round drops of rain through two refractions of sunlight and one reflection in between, while the outer bow is created by two refractions and two types of reflections in each water drop, proving his explanations through experiments with a vial of water and glass globes filled with water, placed in sunlight to show the colors of the two bows. Descartes followed this explanation in his *Meteors* and improved upon the explanation for the outer bow. However, since they didn't understand the true origin of colors, it's necessary to explore it a bit more here. To understand how the bow forms, let a drop of rain, or any other spherical transparent object, be represented by the sphere BNFG, [in *Fig.* 14.] centered at C, with a semi-diameter CN. Let AN be one of the sun's rays hitting it at N, refracting to F. From there, it either exits the sphere through refraction towards V or is reflected to G; at G it either exits through refraction to R or is reflected to H; and at H it exits through refraction toward S, intersecting the incident ray at Y. Extend AN and RG until they meet at X, and drop perpendiculars CD and CE from AX and NF, extending CD until it hits the circumference at L. Draw diameter BQ parallel to the incident ray AN and let the sine of incidence from air into water be to the sine of refraction as I to R. Now, if you imagine the point of incidence N moving from point B continuously until it reaches L, the arc QF will first increase and then decrease, as will the angle AXR formed by rays AN and GR; the arc QF and angle AXR will be largest when ND is to CN as √(II - RR) to √(3)RR, at which point NE will be to ND as 2R to I. Additionally, the angle AYS formed by rays AN and HS will first decrease and then increase, reaching its smallest when ND is to CN as √(II - RR) to √(8)RR, at which point NE will be to ND as 3R to I. Similarly, the angle formed by the next emergent ray (that is, the ray that emerges after three reflections) with the incident ray AN will reach its limit when ND is to CN as √(II - RR) to √(15)RR, at which point NE will be to ND as 4R to I. The angle formed by the ray next after that (the ray that emerges after four reflections) with the incident ray will reach its limit when ND is to CN as √(II - RR) to √(24)RR, at which point NE will be to ND as 5R to I; and this pattern continues infinitely, with the numbers 3, 8, 15, 24, etc., resulting from the continuous addition of terms in the arithmetic progression 3, 5, 7, 9, etc. Mathematicians can easily verify all of this.
Now it is to be observed, that as when the Sun comes to his Tropicks, Days increase and decrease but a very little for a great while together; so when by increasing the distance CD, these Angles come to their Limits, they vary their quantity but very little for some time together, and therefore a far greater number of the Rays which fall upon all the Points N in the Quadrant BL, shall emerge in the Limits of these Angles, than in any other Inclinations. And farther it is to be observed, that the Rays which differ in Refrangibility will have different Limits of their Angles of Emergence, and by consequence according to their different Degrees of Refrangibility emerge most copiously in different[Pg 172] Angles, and being separated from one another appear each in their proper Colours. And what those Angles are may be easily gather'd from the foregoing Theorem by Computation.
Now, it's important to note that just like when the Sun reaches its Tropics, the length of days changes very little for a long time; similarly, as the distance CD increases, these Angles reach their Limits and change their size only slightly for an extended period. As a result, a much larger number of Rays striking all the Points N in the Quadrant BL will emerge within the Limits of these Angles compared to any other Inclinations. Additionally, it's noteworthy that Rays with different refractive qualities will have varying Limits for their Angles of Emergence. Consequently, depending on their different Levels of Refrangibility, they emerge more abundantly at different[Pg 172] Angles, and as they separate from one another, they each display their own Colors. The specific Angles can be easily determined from the previous Theorem through calculation.
For in the least refrangible Rays the Sines I and R (as was found above) are 108 and 81, and thence by Computation the greatest Angle AXR will be found 42 Degrees and 2 Minutes, and the least Angle AYS, 50 Degrees and 57 Minutes. And in the most refrangible Rays the Sines I and R are 109 and 81, and thence by Computation the greatest Angle AXR will be found 40 Degrees and 17 Minutes, and the least Angle AYS 54 Degrees and 7 Minutes.
For the least refracted rays, the sines I and R (as found above) are 108 and 81, which means the largest angle AXR is 42 degrees and 2 minutes, and the smallest angle AYS is 50 degrees and 57 minutes. For the most refracted rays, the sines I and R are 109 and 81, so the largest angle AXR is 40 degrees and 17 minutes, and the smallest angle AYS is 54 degrees and 7 minutes.
Suppose now that O [in Fig. 15.] is the Spectator's Eye, and OP a Line drawn parallel to the Sun's Rays and let POE, POF, POG, POH, be Angles of 40 Degr. 17 Min. 42 Degr. 2 Min. 50 Degr. 57 Min. and 54 Degr. 7 Min. respectively, and these Angles turned about their common Side OP, shall with their other Sides OE, OF; OG, OH, describe the Verges of two Rain-bows AF, BE and CHDG. For if E, F, G, H, be drops placed any where in the conical Superficies described by OE, OF, OG, OH, and be illuminated by the Sun's Rays SE, SF, SG, SH; the Angle SEO being equal to the Angle POE, or 40 Degr. 17 Min. shall be the greatest Angle in which the most refrangible Rays can after one Reflexion be refracted to the Eye, and therefore all the Drops in the Line OE shall send the most refrangible Rays most copiously to the Eye, and thereby strike the Senses with the deepest violet Colour in that Region.[Pg 173] And in like manner the Angle SFO being equal to the Angle POF, or 42 Degr. 2 Min. shall be the greatest in which the least refrangible Rays after one Reflexion can emerge out of the Drops, and therefore those Rays shall come most copiously to the Eye from the Drops in the Line OF, and strike the Senses with the deepest red Colour in that Region. And by the same Argument, the Rays which have intermediate Degrees of Refrangibility shall come most copiously from Drops between E and F, and strike the Senses with the intermediate Colours, in the Order which their Degrees of Refrangibility require, that is in the Progress from E to F, or from the inside of the Bow to the outside in this order, violet, indigo,[Pg 174] blue, green, yellow, orange, red. But the violet, by the mixture of the white Light of the Clouds, will appear faint and incline to purple.
Let's say that O [in Fig. 15.] represents the Spectator's Eye, and OP is a line drawn parallel to the Sun's rays. Let POE, POF, POG, and POH be angles of 40 degrees 17 minutes, 42 degrees 2 minutes, 50 degrees 57 minutes, and 54 degrees 7 minutes, respectively. When these angles are rotated about their common side OP, their other sides OE, OF, OG, OH will outline the edges of two rainbows AF, BE, and CHDG. If E, F, G, H are drops located anywhere on the conical surface defined by OE, OF, OG, OH and are illuminated by the Sun’s rays SE, SF, SG, SH; the angle SEO being equal to angle POE, or 40 degrees 17 minutes, will be the largest angle at which the most refracted rays can be redirected to the eye after one reflection. Therefore, all the drops along the line OE will send the most refracted rays to the eye, creating the deepest violet color in that area.[Pg 173] Similarly, the angle SFO, which equals angle POF, or 42 degrees 2 minutes, will be the largest angle in which the least refracted rays can emerge from the drops after one reflection. Thus, those rays will most abundantly reach the eye from the drops along line OF, producing the deepest red color in that area. Following the same reasoning, rays with intermediate degrees of refraction will come most abundantly from drops between E and F, producing intermediate colors in the order their degrees of refraction necessitate, which means progressing from E to F or from the inside of the bow to the outside in this sequence: violet, indigo,[Pg 174] blue, green, yellow, orange, red. However, violet will appear faint and tend towards purple due to the mixture of the white light from the clouds.

Again, the Angle SGO being equal to the Angle POG, or 50 Gr. 51 Min. shall be the least Angle in which the least refrangible Rays can after two Reflexions emerge out of the Drops, and therefore the least refrangible Rays shall come most copiously to the Eye from the Drops in the Line OG, and strike the Sense with the deepest red in that Region. And the Angle SHO being equal to the Angle POH, or 54 Gr. 7 Min. shall be the least Angle, in which the most refrangible Rays after two Reflexions can emerge out of the Drops; and therefore those Rays shall come most copiously to the Eye from the Drops in the Line OH, and strike the Senses with the deepest violet in that Region. And by the same Argument, the Drops in the Regions between G and H shall strike the Sense with the intermediate Colours in the Order which their Degrees of Refrangibility require, that is, in the Progress from G to H, or from the inside of the Bow to the outside in this order, red, orange, yellow, green, blue, indigo, violet. And since these four Lines OE, OF, OG, OH, may be situated any where in the above-mention'd conical Superficies; what is said of the Drops and Colours in these Lines is to be understood of the Drops and Colours every where in those Superficies.
Again, the angle SGO, which equals the angle POG or 50 degrees 51 minutes, will be the smallest angle at which the least refrangible rays can emerge from the drops after two reflections. Therefore, the least refrangible rays will reach the eye most abundantly from the drops in the line OG, striking the senses with the deepest red in that area. The angle SHO, which equals the angle POH or 54 degrees 7 minutes, will be the smallest angle at which the most refrangible rays can emerge from the drops after two reflections. Consequently, those rays will reach the eye most abundantly from the drops in the line OH, hitting the senses with the deepest violet in that area. Similarly, the drops in the regions between G and H will affect the senses with the intermediate colors in the order dictated by their degrees of refrangibility, that is, in the progression from G to H, or from the inside of the bow to the outside in this order: red, orange, yellow, green, blue, indigo, violet. Since these four lines OE, OF, OG, OH can be located anywhere on the aforementioned conical surface, what has been said about the drops and colors in these lines should be understood to apply to the drops and colors throughout those surfaces.
Thus shall there be made two Bows of Colours, an interior and stronger, by one Reflexion in the Drops, and an exterior and fainter by two; for the Light becomes[Pg 175] fainter by every Reflexion. And their Colours shall lie in a contrary Order to one another, the red of both Bows bordering upon the Space GF, which is between the Bows. The Breadth of the interior Bow EOF measured cross the Colours shall be 1 Degr. 45 Min. and the Breadth of the exterior GOH shall be 3 Degr. 10 Min. and the distance between them GOF shall be 8 Gr. 15 Min. the greatest Semi-diameter of the innermost, that is, the Angle POF being 42 Gr. 2 Min. and the least Semi-diameter of the outermost POG, being 50 Gr. 57 Min. These are the Measures of the Bows, as they would be were the Sun but a Point; for by the Breadth of his Body, the Breadth of the Bows will be increased, and their Distance decreased by half a Degree, and so the breadth of the interior Iris will be 2 Degr. 15 Min. that of the exterior 3 Degr. 40 Min. their distance 8 Degr. 25 Min. the greatest Semi-diameter of the interior Bow 42 Degr. 17 Min. and the least of the exterior 50 Degr. 42 Min. And such are the Dimensions of the Bows in the Heavens found to be very nearly, when their Colours appear strong and perfect. For once, by such means as I then had, I measured the greatest Semi-diameter of the interior Iris about 42 Degrees, and the breadth of the red, yellow and green in that Iris 63 or 64 Minutes, besides the outmost faint red obscured by the brightness of the Clouds, for which we may allow 3 or 4 Minutes more. The breadth of the blue was about 40 Minutes more besides the violet, which was so much obscured by the brightness of the Clouds, that[Pg 176] I could not measure its breadth. But supposing the breadth of the blue and violet together to equal that of the red, yellow and green together, the whole breadth of this Iris will be about 2-1/4 Degrees, as above. The least distance between this Iris and the exterior Iris was about 8 Degrees and 30 Minutes. The exterior Iris was broader than the interior, but so faint, especially on the blue side, that I could not measure its breadth distinctly. At another time when both Bows appeared more distinct, I measured the breadth of the interior Iris 2 Gr. 10´, and the breadth of the red, yellow and green in the exterior Iris, was to the breadth of the same Colours in the interior as 3 to 2.
There will be two rainbows created, an inner and brighter one, formed by one reflection in the droplets, and an outer and fainter one, formed by two; the light becomes[Pg 175] fainter with each reflection. Their colors will be arranged in opposite order, with the red of both rainbows bordering the area GF, which is located between the two. The width of the inner rainbow EOF measured across the colors will be 1 degree 45 minutes, while the width of the outer rainbow GOH will be 3 degrees 10 minutes, and the space between them GOF will be 8 degrees 15 minutes. The greatest semi-diameter of the innermost rainbow, at angle POF, is 42 degrees 2 minutes, and the smallest semi-diameter of the outermost rainbow POG is 50 degrees 57 minutes. These are the measurements of the rainbows as if the sun were just a point; because of the size of its body, the width of the rainbows will increase, and their distance will decrease by half a degree, making the width of the inner rainbow 2 degrees 15 minutes, the outer one 3 degrees 40 minutes, and their distance 8 degrees 25 minutes. The greatest semi-diameter of the inner rainbow is 42 degrees 17 minutes, and the least of the outer one is 50 degrees 42 minutes. These dimensions in the sky are found to be very close to accurate when their colors are bright and clear. Once, with the tools I had at the time, I measured the greatest semi-diameter of the inner rainbow to be about 42 degrees, and the width of the red, yellow, and green in that rainbow was 63 or 64 minutes, plus the outer faint red, which was obscured by the brightness of the clouds, for which we can add 3 or 4 more minutes. The width of the blue was about 40 minutes, and the violet was so obscured by the brightness of the clouds that[Pg 176] I couldn't measure its width. Assuming the width of the blue and violet together is equal to the width of the red, yellow, and green combined, the total width of this rainbow will be about 2 1/4 degrees, as stated earlier. The least distance between this rainbow and the outer rainbow was approximately 8 degrees and 30 minutes. The outer rainbow was broader than the inner one but so faint, especially on the blue side, that I could not measure its width clearly. At another time when both rainbows appeared more distinct, I measured the width of the inner rainbow at 2 degrees 10 minutes, and the width of the red, yellow, and green in the outer rainbow compared to the same colors in the inner one was as 3 to 2.
This Explication of the Rain-bow is yet farther confirmed by the known Experiment (made by Antonius de Dominis and Des-Cartes) of hanging up any where in the Sun-shine a Glass Globe filled with Water, and viewing it in such a posture, that the Rays which come from the Globe to the Eye may contain with the Sun's Rays an Angle of either 42 or 50 Degrees. For if the Angle be about 42 or 43 Degrees, the Spectator (suppose at O) shall see a full red Colour in that side of the Globe opposed to the Sun as 'tis represented at F, and if that Angle become less (suppose by depressing the Globe to E) there will appear other Colours, yellow, green and blue successive in the same side of the Globe. But if the Angle be made about 50 Degrees (suppose by lifting up the Globe to G) there will appear a red Colour in that side of the Globe towards the Sun,[Pg 177] and if the Angle be made greater (suppose by lifting up the Globe to H) the red will turn successively to the other Colours, yellow, green and blue. The same thing I have tried, by letting a Globe rest, and raising or depressing the Eye, or otherwise moving it to make the Angle of a just magnitude.
This explanation of the rainbow is further supported by the known experiment (conducted by Antonius de Dominis and Descartes) of hanging a glass globe filled with water anywhere in the sunlight and viewing it in such a way that the rays coming from the globe to the eye form an angle of either 42 or 50 degrees with the sun's rays. If the angle is about 42 or 43 degrees, the observer (let's say at point O) will see a full red color on the side of the globe facing away from the sun, as shown at F. If that angle decreases (for example, by lowering the globe to E), other colors—yellow, green, and blue—will appear sequentially on the same side of the globe. However, if the angle is around 50 degrees (for instance, by raising the globe to G), a red color will appear on the side of the globe facing the sun,[Pg 177] and if the angle increases (say, by lifting the globe to H), the red will gradually shift to the other colors: yellow, green, and blue. I have also tested this by keeping the globe still and moving my eye up or down or in other directions to achieve the correct angle.
I have heard it represented, that if the Light of a Candle be refracted by a Prism to the Eye; when the blue Colour falls upon the Eye, the Spectator shall see red in the Prism, and when the red falls upon the Eye he shall see blue; and if this were certain, the Colours of the Globe and Rain-bow ought to appear in a contrary order to what we find. But the Colours of the Candle being very faint, the mistake seems to arise from the difficulty of discerning what Colours fall on the Eye. For, on the contrary, I have sometimes had occasion to observe in the Sun's Light refracted by a Prism, that the Spectator always sees that Colour in the Prism which falls upon his Eye. And the same I have found true also in Candle-light. For when the Prism is moved slowly from the Line which is drawn directly from the Candle to the Eye, the red appears first in the Prism and then the blue, and therefore each of them is seen when it falls upon the Eye. For the red passes over the Eye first, and then the blue.
I've heard it said that if the light from a candle passes through a prism to the eye, when the blue light reaches the eye, the viewer will see red in the prism, and when the red light reaches the eye, they will see blue. If this were true, the colors of the globe and the rainbow would appear in the opposite order than we actually see. However, since the candle's colors are quite faint, the confusion seems to come from the difficulty in seeing which colors reach the eye. In fact, I've noticed that when sunlight is refracted through a prism, the viewer always sees the color in the prism that hits their eye. I've also found this to be true with candlelight. When the prism is slowly moved away from the direct line between the candle and the eye, the red light appears first in the prism followed by the blue, meaning each color is seen when it hits the eye. The red light reaches the eye first, and then the blue.
The Light which comes through drops of Rain by two Refractions without any Reflexion, ought to appear strongest at the distance of about 26 Degrees from the Sun, and to decay gradually both ways as the distance from him increases and decreases. And[Pg 178] the same is to be understood of Light transmitted through spherical Hail-stones. And if the Hail be a little flatted, as it often is, the Light transmitted may grow so strong at a little less distance than that of 26 Degrees, as to form a Halo about the Sun or Moon; which Halo, as often as the Hail-stones are duly figured may be colour'd, and then it must be red within by the least refrangible Rays, and blue without by the most refrangible ones, especially if the Hail-stones have opake Globules of Snow in their center to intercept the Light within the Halo (as Hugenius has observ'd) and make the inside thereof more distinctly defined than it would otherwise be. For such Hail-stones, though spherical, by terminating the Light by the Snow, may make a Halo red within and colourless without, and darker in the red than without, as Halos used to be. For of those Rays which pass close by the Snow the Rubriform will be least refracted, and so come to the Eye in the directest Lines.
The light that comes through raindrops is refracted twice without any reflection, and it should appear brightest at about 26 degrees from the Sun, gradually fading as the distance from him increases or decreases. And[Pg 178] the same applies to light passing through spherical hailstones. If the hailstones are slightly flattened, which is common, the transmitted light may become so bright at a distance slightly less than 26 degrees that it creates a halo around the Sun or Moon. This halo, when the hailstones are properly shaped, can be colored; it will be red on the inside due to the least refrangible rays and blue on the outside from the most refrangible rays, especially if the hailstones contain opaque snow globules at their center that intercept the light within the halo (as Hugenius noted), making the inside more sharply defined than it would otherwise be. Such hailstones, though spherical, can create a halo that is red on the inside and colorless on the outside, appearing darker red than the outside, as halos typically do. For those rays that pass close to the snow, the red rays will be the least refracted and thus reach the eye in the most direct lines.
The Light which passes through a drop of Rain after two Refractions, and three or more Reflexions, is scarce strong enough to cause a sensible Bow; but in those Cylinders of Ice by which Hugenius explains the Parhelia, it may perhaps be sensible.[Pg 179]
The light that goes through a drop of rain after two refractions and three or more reflections is barely strong enough to create a noticeable rainbow; however, in those ice cylinders that Hugenius uses to explain the Parhelia, it may be more noticeable.[Pg 179]
PROP. X. Prob. V.
By the discovered Properties of Light to explain the permanent Colours of Natural Bodies.
By the discovered properties of light to explain the permanent colors of natural objects.
These Colours arise from hence, that some natural Bodies reflect some sorts of Rays, others other sorts more copiously than the rest. Minium reflects the least refrangible or red-making Rays most copiously, and thence appears red. Violets reflect the most refrangible most copiously, and thence have their Colour, and so of other Bodies. Every Body reflects the Rays of its own Colour more copiously than the rest, and from their excess and predominance in the reflected Light has its Colour.
These colors come from the fact that some natural objects reflect certain types of light rays better than others. For example, red lead reflects the least refracted or red-inducing rays the most abundantly, which is why it looks red. Violets reflect the most refracted rays the most abundantly, giving them their color, and this applies to other objects as well. Each object reflects the rays of its own color more abundantly than the others, and the excess and dominance of those rays in the reflected light determine its color.
Exper. 17. For if in the homogeneal Lights obtained by the solution of the Problem proposed in the fourth Proposition of the first Part of this Book, you place Bodies of several Colours, you will find, as I have done, that every Body looks most splendid and luminous in the Light of its own Colour. Cinnaber in the homogeneal red Light is most resplendent, in the green Light it is manifestly less resplendent, and in the blue Light still less. Indigo in the violet blue Light is most resplendent, and its splendor is gradually diminish'd, as it is removed thence by degrees through the green and yellow Light to the red. By a Leek the green Light, and next that the blue and yellow which compound green, are more strongly reflected than the other Colours red and violet, and so of the rest. But to make these Experiments the more[Pg 180] manifest, such Bodies ought to be chosen as have the fullest and most vivid Colours, and two of those Bodies are to be compared together. Thus, for instance, if Cinnaber and ultra-marine blue, or some other full blue be held together in the red homogeneal Light, they will both appear red, but the Cinnaber will appear of a strongly luminous and resplendent red, and the ultra-marine blue of a faint obscure and dark red; and if they be held together in the blue homogeneal Light, they will both appear blue, but the ultra-marine will appear of a strongly luminous and resplendent blue, and the Cinnaber of a faint and dark blue. Which puts it out of dispute that the Cinnaber reflects the red Light much more copiously than the ultra-marine doth, and the ultra-marine reflects the blue Light much more copiously than the Cinnaber doth. The same Experiment may be tried successfully with red Lead and Indigo, or with any other two colour'd Bodies, if due allowance be made for the different strength or weakness of their Colour and Light.
Exper. 17. If you place various colored objects in the homogeneous lights created by solving the problem proposed in the fourth proposition of the first part of this book, you'll discover, as I have, that each object appears most brilliant and luminous in the light of its own color. Cinnabar looks the brightest in homogeneous red light, less so in green light, and even less in blue light. Indigo shines the most in violet-blue light, and its brightness gradually diminishes as you move through green and yellow light to red. A leek reflects green light, and the blue and yellow that make up green are reflected more strongly than the other colors, red and violet, and so on for the rest. To make these experiments clearer, you should choose objects with the richest and most vivid colors, and compare two such objects together. For example, if you hold cinnabar and ultramarine blue, or another vivid blue, side by side in red homogeneous light, they will both look red, but cinnabar will appear as a bright and brilliant red, while ultramarine will look like a faint and dark red. In blue homogeneous light, they will both appear blue, but ultramarine will look like a bright and brilliant blue, while cinnabar will look like a faint and dark blue. This clearly shows that cinnabar reflects red light much more richly than ultramarine does, and that ultramarine reflects blue light much more richly than cinnabar does. You can successfully perform the same experiment with red lead and indigo, or any other two colored objects, as long as you account for the different strengths or weaknesses of their color and light.
And as the reason of the Colours of natural Bodies is evident by these Experiments, so it is farther confirmed and put past dispute by the two first Experiments of the first Part, whereby 'twas proved in such Bodies that the reflected Lights which differ in Colours do differ also in degrees of Refrangibility. For thence it's certain, that some Bodies reflect the more refrangible, others the less refrangible Rays more copiously.
And just as the reason for the colors of natural objects is clear from these experiments, it's also further confirmed and settled by the first two experiments in the first part, which showed that in those objects, the reflected lights that differ in color also differ in their degrees of refrangibility. Therefore, it's clear that some objects reflect the more refrangible rays more strongly, while others reflect the less refrangible rays more abundantly.
And that this is not only a true reason of these[Pg 181] Colours, but even the only reason, may appear farther from this Consideration, that the Colour of homogeneal Light cannot be changed by the Reflexion of natural Bodies.
And this is not just a valid reason for these[Pg 181] colors, but actually the only reason. This becomes clearer when we consider that the color of pure light cannot be altered by the reflection of natural objects.
For if Bodies by Reflexion cannot in the least change the Colour of any one sort of Rays, they cannot appear colour'd by any other means than by reflecting those which either are of their own Colour, or which by mixture must produce it.
For if bodies can’t change the color of any kind of rays through reflection, then they can only appear colored by reflecting those rays that are either their own color or that, when mixed, create that color.
But in trying Experiments of this kind care must be had that the Light be sufficiently homogeneal. For if Bodies be illuminated by the ordinary prismatick Colours, they will appear neither of their own Day-light Colours, nor of the Colour of the Light cast on them, but of some middle Colour between both, as I have found by Experience. Thus red Lead (for instance) illuminated with the ordinary prismatick green will not appear either red or green, but orange or yellow, or between yellow and green, accordingly as the green Light by which 'tis illuminated is more or less compounded. For because red Lead appears red when illuminated with white Light, wherein all sorts of Rays are equally mix'd, and in the green Light all sorts of Rays are not equally mix'd, the Excess of the yellow-making, green-making and blue-making Rays in the incident green Light, will cause those Rays to abound so much in the reflected Light, as to draw the Colour from red towards their Colour. And because the red Lead reflects the red-making Rays most copiously in proportion to their number, and next after them the[Pg 182] orange-making and yellow-making Rays; these Rays in the reflected Light will be more in proportion to the Light than they were in the incident green Light, and thereby will draw the reflected Light from green towards their Colour. And therefore the red Lead will appear neither red nor green, but of a Colour between both.
But when doing experiments like this, it's important to ensure that the light is sufficiently uniform. If objects are illuminated by regular prism colors, they won't look like their own natural colors or the color of the light shining on them, but rather a mix of both, as I’ve experienced. For example, red lead lit with standard prism green won’t appear red or green, but orange or yellow, or somewhere between yellow and green, depending on how mixed the green light is. This is because red lead looks red when illuminated by white light, which contains all types of rays mixed together, whereas green light doesn’t have an equal mix of all rays. The excess of yellow, green, and blue rays in the incoming green light will make those rays more prevalent in the reflected light, shifting the color from red towards theirs. Since red lead reflects red rays more abundantly in relation to their number, followed by orange and yellow rays, these rays in the reflected light will be more numerous compared to their presence in the incoming green light, causing the reflected light to shift from green towards their color. Therefore, the red lead will appear neither red nor green, but a color in between.
In transparently colour'd Liquors 'tis observable, that their Colour uses to vary with their thickness. Thus, for instance, a red Liquor in a conical Glass held between the Light and the Eye, looks of a pale and dilute yellow at the bottom where 'tis thin, and a little higher where 'tis thicker grows orange, and where 'tis still thicker becomes red, and where 'tis thickest the red is deepest and darkest. For it is to be conceiv'd that such a Liquor stops the indigo-making and violet-making Rays most easily, the blue-making Rays more difficultly, the green-making Rays still more difficultly, and the red-making most difficultly: And that if the thickness of the Liquor be only so much as suffices to stop a competent number of the violet-making and indigo-making Rays, without diminishing much the number of the rest, the rest must (by Prop. 6. Part 2.) compound a pale yellow. But if the Liquor be so much thicker as to stop also a great number of the blue-making Rays, and some of the green-making, the rest must compound an orange; and where it is so thick as to stop also a great number of the green-making and a considerable number of the yellow-making, the rest must begin to compound a red, and this red must[Pg 183] grow deeper and darker as the yellow-making and orange-making Rays are more and more stopp'd by increasing the thickness of the Liquor, so that few Rays besides the red-making can get through.
In clear-colored liquids, it's noticeable that their color changes with thickness. For example, a red liquid in a conical glass, when held up to the light, looks pale yellow at the bottom where it’s thin, turns orange as it gets thicker, and becomes a deep red where it is thickest. The idea is that this liquid absorbs the indigo and violet rays easily, absorbs the blue rays with more difficulty, the green rays even more so, and has the hardest time with the red rays. If the liquid is thick enough to block a good amount of violet and indigo rays without significantly reducing the others, the remaining rays combine to create a pale yellow. If the liquid is thicker still and blocks a lot of blue rays and some green rays, the rest will create an orange. When it’s thick enough to stop a lot of green rays and a significant number of yellow rays, the rest will start to produce a red, and this red will get deeper and darker as the yellow and orange rays are increasingly blocked by the liquid’s thickness, allowing only the red rays to pass through.
Of this kind is an Experiment lately related to me by Mr. Halley, who, in diving deep into the Sea in a diving Vessel, found in a clear Sun-shine Day, that when he was sunk many Fathoms deep into the Water the upper part of his Hand on which the Sun shone directly through the Water and through a small Glass Window in the Vessel appeared of a red Colour, like that of a Damask Rose, and the Water below and the under part of his Hand illuminated by Light reflected from the Water below look'd green. For thence it may be gather'd, that the Sea-Water reflects back the violet and blue-making Rays most easily, and lets the red-making Rays pass most freely and copiously to great Depths. For thereby the Sun's direct Light at all great Depths, by reason of the predominating red-making Rays, must appear red; and the greater the Depth is, the fuller and intenser must that red be. And at such Depths as the violet-making Rays scarce penetrate unto, the blue-making, green-making, and yellow-making Rays being reflected from below more copiously than the red-making ones, must compound a green.
Recently, Mr. Halley shared an experiment with me. While he was diving deep into the sea in a submersible, he noticed on a clear sunny day that when he was submerged many fathoms below the surface, the upper part of his hand—where the sunlight penetrated through the water and a small glass window in the vessel—appeared red, like a damask rose. In contrast, the underwater part of his hand, lit by light reflected from beneath, looked green. This suggests that seawater reflects violet and blue light more easily while allowing red light to pass through freely to greater depths. Therefore, the sunlight at significant depths, due to the predominance of red light, must appear red; and the deeper you go, the more intense that red becomes. At depths where violet light barely reaches, the blue, green, and yellow light reflected from below is more abundant than the red light, which creates a green appearance.
Now, if there be two Liquors of full Colours, suppose a red and blue, and both of them so thick as suffices to make their Colours sufficiently full; though either Liquor be sufficiently transparent apart, yet will you not be able to see through both[Pg 184] together. For, if only the red-making Rays pass through one Liquor, and only the blue-making through the other, no Rays can pass through both. This Mr. Hook tried casually with Glass Wedges filled with red and blue Liquors, and was surprized at the unexpected Event, the reason of it being then unknown; which makes me trust the more to his Experiment, though I have not tried it my self. But he that would repeat it, must take care the Liquors be of very good and full Colours.
Now, if there are two liquids of full colors, say red and blue, and both are thick enough to make their colors vibrant, even though each liquid is transparent on its own, you won’t be able to see through both of them together[Pg 184]. This is because if only the red light can pass through one liquid and only the blue light through the other, no light can pass through both at the same time. Mr. Hook casually tested this with glass wedges filled with red and blue liquids and was surprised by the unexpected outcome, which was not understood at the time; this makes me trust his experiment even more, although I haven’t tried it myself. But anyone who wants to repeat it should ensure that the liquids have very good and vibrant colors.
Now, whilst Bodies become coloured by reflecting or transmitting this or that sort of Rays more copiously than the rest, it is to be conceived that they stop and stifle in themselves the Rays which they do not reflect or transmit. For, if Gold be foliated and held between your Eye and the Light, the Light looks of a greenish blue, and therefore massy Gold lets into its Body the blue-making Rays to be reflected to and fro within it till they be stopp'd and stifled, whilst it reflects the yellow-making outwards, and thereby looks yellow. And much after the same manner that Leaf Gold is yellow by reflected, and blue by transmitted Light, and massy Gold is yellow in all Positions of the Eye; there are some Liquors, as the Tincture of Lignum Nephriticum, and some sorts of Glass which transmit one sort of Light most copiously, and reflect another sort, and thereby look of several Colours, according to the Position of the Eye to the Light. But, if these Liquors or Glasses were so thick and massy that no Light could get through them, I question not but they would like all[Pg 185] other opake Bodies appear of one and the same Colour in all Positions of the Eye, though this I cannot yet affirm by Experience. For all colour'd Bodies, so far as my Observation reaches, may be seen through if made sufficiently thin, and therefore are in some measure transparent, and differ only in degrees of Transparency from tinged transparent Liquors; these Liquors, as well as those Bodies, by a sufficient Thickness becoming opake. A transparent Body which looks of any Colour by transmitted Light, may also look of the same Colour by reflected Light, the Light of that Colour being reflected by the farther Surface of the Body, or by the Air beyond it. And then the reflected Colour will be diminished, and perhaps cease, by making the Body very thick, and pitching it on the backside to diminish the Reflexion of its farther Surface, so that the Light reflected from the tinging Particles may predominate. In such Cases, the Colour of the reflected Light will be apt to vary from that of the Light transmitted. But whence it is that tinged Bodies and Liquors reflect some sort of Rays, and intromit or transmit other sorts, shall be said in the next Book. In this Proposition I content my self to have put it past dispute, that Bodies have such Properties, and thence appear colour'd.[Pg 186]
Now, while objects appear colored by reflecting or transmitting certain types of light rays more than others, it's understood that they absorb and hide the rays they don’t reflect or transmit. For instance, if you hold a thin sheet of gold between your eye and a light source, the light will appear greenish-blue because the thick gold absorbs the rays that create that color while reflecting the yellow rays outward, making it look yellow. In a similar way, thin gold leaf appears yellow due to reflected light and blue due to transmitted light, whereas thick gold appears yellow from all viewpoints. Similarly, some liquids, like the tincture of Lignum Nephriticum, and certain types of glass transmit one kind of light more efficiently while reflecting another, appearing in various colors depending on the angle of observation. However, if these liquids or glasses were thick and solid enough to block all light, I have no doubt they would resemble all other opaque objects and appear as the same color from any angle, though I cannot confirm this from personal experience. From my observations, all colored objects can be seen through if they are thin enough, indicating that they are somewhat transparent, differing only in their transparency levels from tinted transparent liquids; these liquids, like other objects, become opaque when sufficiently thick. A transparent object that looks a certain color when light passes through it may also appear the same color when light reflects off it, with the color being reflected from the object's back surface or the air beyond it. In such cases, the color of the reflected light may be less intense or even disappear if the object is made very thick and its back surface is treated to lessen the reflection, allowing the light from the coloring particles to dominate. This means the reflected color is likely to differ from the transmitted light. The reason why tinted objects and liquids reflect certain rays while allowing others to pass through will be discussed in the next book. In this proposition, I want to establish without question that objects have these properties and thus appear colored.[Pg 186]
PROP. XI. Prob. VI.
By mixing colour'd Lights to compound a beam of Light of the same Colour and Nature with a beam of the Sun's direct Light, and therein to experience the Truth of the foregoing Propositions.
By mixing colored lights to create a beam of light that matches the color and nature of a beam of direct sunlight, and in doing so, to test the truth of the previous statements.

Let ABC abc [in Fig. 16.] represent a Prism, by which the Sun's Light let into a dark Chamber through the Hole F, may be refracted towards the Lens MN, and paint upon it at p, q, r, s, and t, the usual Colours violet, blue, green, yellow, and red, and let the diverging Rays by the Refraction of this Lens converge again towards X, and there, by the mixture of all those their Colours, compound a white according to what was shewn above. Then let another Prism DEG deg, parallel to the former, be placed at X, to refract that white Light upwards towards Y. Let the refracting Angles of the Prisms, and their distances from the Lens be equal, so that the Rays which converged from the Lens towards X, and without Refraction, would there have crossed and diverged again, may by the Refraction of the second Prism be reduced into Parallelism and diverge no more. For then those Rays will recompose a beam of white Light XY. If the refracting Angle of either Prism be the bigger, that Prism must be so much the nearer to the Lens. You will know when the Prisms and the Lens are well set together, by observing if the beam of Light XY, which comes out of the second Prism be perfectly white to the very [Pg 188]edges of the Light, and at all distances from the Prism continue perfectly and totally white like a beam of the Sun's Light. For till this happens, the Position of the Prisms and Lens to one another must be corrected; and then if by the help of a long beam of Wood, as is represented in the Figure, or by a Tube, or some other such Instrument, made for that Purpose, they be made fast in that Situation, you may try all the same Experiments in this compounded beam of Light XY, which have been made in the Sun's direct Light. For this compounded beam of Light has the same appearance, and is endow'd with all the same Properties with a direct beam of the Sun's Light, so far as my Observation reaches. And in trying Experiments in this beam you may by stopping any of the Colours, p, q, r, s, and t, at the Lens, see how the Colours produced in the Experiments are no other than those which the Rays had at the Lens before they entered the Composition of this Beam: And by consequence, that they arise not from any new Modifications of the Light by Refractions and Reflexions, but from the various Separations and Mixtures of the Rays originally endow'd with their colour-making Qualities.
Let ABC abc [in Fig. 16.] represent a prism, through which sunlight enters a dark room via the hole F, and gets refracted toward the lens MN, creating the usual colors violet, blue, green, yellow, and red at points p, q, r, s, and t. The diverging rays, after passing through this lens, converge again at X, where their colors combine to form white light, as explained earlier. Then, let another prism DEG deg, parallel to the first, be positioned at X to refract that white light upward toward Y. Ensure that the refracting angles of the prisms and their distances from the lens are equal, so that the rays converging from the lens at X, which would naturally cross and diverge again without refraction, can be made parallel by the second prism and not diverge anymore. This will result in a beam of white light XY. If the refracting angle of either prism is larger, it must be placed closer to the lens. You can tell if the prisms and lens are properly aligned by checking if the beam of light XY coming out of the second prism is perfectly white at the very [Pg 188] edges, and remains completely white at all distances from the prism, like a beam of sunlight. Until this is achieved, the positions of the prisms and lens must be adjusted; then, using a long beam of wood, as shown in the figure, or a tube or another instrument designed for this purpose, they can be secured in place. You can conduct all the same experiments with this combined beam of light XY that you could with direct sunlight. This combined beam looks the same and has all the same properties as a direct beam of sunlight, as far as I can observe. When conducting experiments with this beam, by blocking any of the colors p, q, r, s, and t at the lens, you will find that the colors seen in those experiments are exactly the ones the rays had at the lens before entering the composition of this beam. Consequently, these colors do not result from any new changes in the light due to refraction and reflection, but from the various separations and mixtures of the rays that already possess their color-making qualities.
So, for instance, having with a Lens 4-1/4 Inches broad, and two Prisms on either hand 6-1/4 Feet distant from the Lens, made such a beam of compounded Light; to examine the reason of the Colours made by Prisms, I refracted this compounded beam of Light XY with another Prism[Pg 189] HIK kh, and thereby cast the usual Prismatick Colours PQRST upon the Paper LV placed behind. And then by stopping any of the Colours p, q, r, s, t, at the Lens, I found that the same Colour would vanish at the Paper. So if the Purple p was stopp'd at the Lens, the Purple P upon the Paper would vanish, and the rest of the Colours would remain unalter'd, unless perhaps the blue, so far as some purple latent in it at the Lens might be separated from it by the following Refractions. And so by intercepting the green upon the Lens, the green R upon the Paper would vanish, and so of the rest; which plainly shews, that as the white beam of Light XY was compounded of several Lights variously colour'd at the Lens, so the Colours which afterwards emerge out of it by new Refractions are no other than those of which its Whiteness was compounded. The Refraction of the Prism HIK kh generates the Colours PQRST upon the Paper, not by changing the colorific Qualities of the Rays, but by separating the Rays which had the very same colorific Qualities before they enter'd the Composition of the refracted beam of white Light XY. For otherwise the Rays which were of one Colour at the Lens might be of another upon the Paper, contrary to what we find.
So, for example, using a lens that is 4-1/4 inches wide and two prisms positioned 6-1/4 feet away from the lens, I created a beam of mixed light. To investigate the colors produced by the prisms, I passed this mixed beam of light XY through another prism[Pg 189] HIK kh, which then displayed the typical prism colors PQRST on the paper LV placed behind it. By blocking any of the colors p, q, r, s, t at the lens, I found that the same color would disappear from the paper. For instance, if the purple p was blocked at the lens, the purple P on the paper would vanish, while the other colors would stay unchanged, except perhaps for some blue that might have a bit of purple mixed in, which could be separated by subsequent refractions. Similarly, if the green was blocked at the lens, the green R on the paper would disappear, and this applied to the other colors as well. This clearly shows that since the white light beam XY consisted of various differently colored lights at the lens, the colors that appear later through new refractions are just the same ones that made up its whiteness. The refraction through the prism HIK kh produces the colors PQRST on the paper, not by altering the color qualities of the rays, but by separating the rays that already had the same color qualities before they entered the composition of the refracted beam of white light XY. Otherwise, rays that were one color at the lens might end up as another color on the paper, which is not what we observe.
So again, to examine the reason of the Colours of natural Bodies, I placed such Bodies in the Beam of Light XY, and found that they all appeared there of those their own Colours which they have in Day-light, and that those Colours depend upon the Rays which had the same Colours at the Lens before they[Pg 190] enter'd the Composition of that beam. Thus, for instance, Cinnaber illuminated by this beam appears of the same red Colour as in Day-light; and if at the Lens you intercept the green-making and blue-making Rays, its redness will become more full and lively: But if you there intercept the red-making Rays, it will not any longer appear red, but become yellow or green, or of some other Colour, according to the sorts of Rays which you do not intercept. So Gold in this Light XY appears of the same yellow Colour as in Day-light, but by intercepting at the Lens a due Quantity of the yellow-making Rays it will appear white like Silver (as I have tried) which shews that its yellowness arises from the Excess of the intercepted Rays tinging that Whiteness with their Colour when they are let pass. So the Infusion of Lignum Nephriticum (as I have also tried) when held in this beam of Light XY, looks blue by the reflected Part of the Light, and red by the transmitted Part of it, as when 'tis view'd in Day-light; but if you intercept the blue at the Lens the Infusion will lose its reflected blue Colour, whilst its transmitted red remains perfect, and by the loss of some blue-making Rays, wherewith it was allay'd, becomes more intense and full. And, on the contrary, if the red and orange-making Rays be intercepted at the Lens, the Infusion will lose its transmitted red, whilst its blue will remain and become more full and perfect. Which shews, that the Infusion does not tinge the Rays with blue and red, but only transmits those most copiously which were red-making[Pg 191] before, and reflects those most copiously which were blue-making before. And after the same manner may the Reasons of other Phænomena be examined, by trying them in this artificial beam of Light XY.
To investigate why natural bodies have different colors, I placed these bodies in the beam of light XY and found that they appeared in the same colors as they do in daylight. These colors depend on the rays that had the same colors at the lens before they entered the composition of that beam. For example, cinnabar illuminated by this beam appears the same red color as it does in daylight; if you block the green and blue rays at the lens, its redness becomes deeper and more vibrant. However, if you block the red rays, it will no longer look red and will take on a yellow or green color, depending on which rays you don't block. Gold in this light XY appears as the same yellow color as in daylight, but if you filter out some of the yellow rays, it will look white like silver (as I have tested), showing that its yellowness comes from the excess of the blocked rays coloring the whiteness when allowed to pass. Similarly, when the infusion of Lignum Nephriticum is held in this beam of light XY, it looks blue from the light it reflects and red from the light it transmits, just like in daylight. However, if you block the blue rays at the lens, the infusion will lose its reflected blue color while maintaining its transmitted red. By losing some blue rays that were mixed in, it becomes more intense and vibrant. Conversely, if the red and orange rays are blocked at the lens, the infusion will lose its transmitted red, while its blue will remain and become more vivid. This shows that the infusion doesn't tint the rays blue and red, but rather transmits the red-making rays more abundantly and reflects the blue-making rays more abundantly. In the same way, the reasons for other phenomena can be explored by testing them in this artificial beam of light XY.
FOOTNOTES:
[I] See p. 59.
__A_TAG_PLACEHOLDER_0__ See p. 59.
[J] See our Author's Lect. Optic. Part II. Sect. II. p. 239.
[L] See our Author's Lect. Optic. Part II. Sect. II. pag. 269, &c.
THE
SECOND BOOK
OF
OPTICKS
PART I.
Observations concerning the Reflexions, Refractions, and Colours of thin transparent Bodies.
It has been observed by others, that transparent Substances, as Glass, Water, Air, &c. when made very thin by being blown into Bubbles, or otherwise formed into Plates, do exhibit various Colours according to their various thinness, altho' at a greater thickness they appear very clear and colourless. In the former Book I forbore to treat of these Colours, because they seemed of a more difficult Consideration, and were not necessary for establishing the Properties of Light there discoursed of. But because they may conduce to farther Discoveries for compleating the Theory of Light, especially as to the constitution of the parts of natural Bodies, on which[Pg 194] their Colours or Transparency depend; I have here set down an account of them. To render this Discourse short and distinct, I have first described the principal of my Observations, and then consider'd and made use of them. The Observations are these.
It has been noted by others that transparent substances, like glass, water, air, etc., when made very thin by blowing them into bubbles or shaping them into plates, show different colors depending on their varying thinness, even though at a thicker size they look very clear and colorless. In the previous book, I chose not to discuss these colors because they seemed more complex and weren’t necessary for establishing the properties of light that I talked about there. However, since they may contribute to further discoveries that complete the theory of light, especially regarding the structure of the components of natural bodies, which determine their colors or transparency, I have included an account of them here. To keep this discussion concise and clear, I have first outlined the main observations I've made and then considered and utilized them. The observations are as follows.
Obs. 1. Compressing two Prisms hard together that their sides (which by chance were a very little convex) might somewhere touch one another: I found the place in which they touched to become absolutely transparent, as if they had there been one continued piece of Glass. For when the Light fell so obliquely on the Air, which in other places was between them, as to be all reflected; it seemed in that place of contact to be wholly transmitted, insomuch that when look'd upon, it appeared like a black or dark spot, by reason that little or no sensible Light was reflected from thence, as from other places; and when looked through it seemed (as it were) a hole in that Air which was formed into a thin Plate, by being compress'd between the Glasses. And through this hole Objects that were beyond might be seen distinctly, which could not at all be seen through other parts of the Glasses where the Air was interjacent. Although the Glasses were a little convex, yet this transparent spot was of a considerable breadth, which breadth seemed principally to proceed from the yielding inwards of the parts of the Glasses, by reason of their mutual pressure. For by pressing them very hard together it would become much broader than otherwise.
Obs. 1. When I pressed two prisms tightly together, their slightly convex sides touched at some point. I noticed that the area where they touched became completely transparent, as if it were one continuous piece of glass. When light hit the air between them at an angle that caused it to reflect everywhere else, it seemed to pass through at the point of contact. When I looked at it, it appeared as a black or dark spot since very little light was reflected there, unlike the other areas. When I looked through it, it seemed like a hole in the air that was compressed between the glasses into a thin layer. Through this hole, I could see objects clearly that were not visible through the other parts of the glasses where the air was present. Even though the glasses were slightly convex, this transparent spot was quite wide, primarily due to the inward bending of the glass parts from their mutual pressure. By pressing them together very hard, the spot became significantly wider than it would have otherwise.
Obs. 2. When the Plate of Air, by turning the[Pg 195] Prisms about their common Axis, became so little inclined to the incident Rays, that some of them began to be transmitted, there arose in it many slender Arcs of Colours which at first were shaped almost like the Conchoid, as you see them delineated in the first Figure. And by continuing the Motion of the Prisms, these Arcs increased and bended more and more about the said transparent spot, till they were compleated into Circles or Rings incompassing it, and afterwards continually grew more and more contracted.
Obs. 2. When the Plate of Air was turned by adjusting the[Pg 195] Prisms around their common Axis, it became so slightly tilted to the incoming Rays that some of them started to pass through. This caused many thin Arcs of Colors to form, which at first looked almost like a Conchoid, as shown in the first Figure. As the motion of the Prisms continued, these Arcs grew and curved more and more around the transparent spot until they formed complete Circles or Rings surrounding it, and then gradually became more and more constricted.

These Arcs at their first appearance were of a violet and blue Colour, and between them were white Arcs of Circles, which presently by continuing the Motion of the Prisms became a little tinged in their inward Limbs with red and yellow, and to their outward Limbs the blue was adjacent. So that the order of these Colours from the central dark spot, was at that time white, blue, violet; black, red, orange, yellow, white, blue, violet, &c. But the yellow and red were much fainter than the blue and violet.
These arcs, when they first appeared, were violet and blue, and in between them were white circular arcs. As the motion of the prisms continued, the inner edges started to get slightly tinged with red and yellow, while the outer edges were next to blue. Therefore, the order of these colors from the central dark spot was, at that time, white, blue, violet; black, red, orange, yellow, white, blue, violet, etc. However, the yellow and red were much fainter than the blue and violet.
The Motion of the Prisms about their Axis being continued, these Colours contracted more and more,[Pg 196] shrinking towards the whiteness on either side of it, until they totally vanished into it. And then the Circles in those parts appear'd black and white, without any other Colours intermix'd. But by farther moving the Prisms about, the Colours again emerged out of the whiteness, the violet and blue at its inward Limb, and at its outward Limb the red and yellow. So that now their order from the central Spot was white, yellow, red; black; violet, blue, white, yellow, red, &c. contrary to what it was before.
The motion of the prisms around their axis continued, causing the colors to contract more and more, shrinking towards the white in the center until they completely disappeared into it. Then, the areas around that spot appeared as black and white, without any other colors mixed in. However, by further moving the prisms, the colors re-emerged from the whiteness, with violet and blue appearing on the inner edge and red and yellow on the outer edge. Now their order from the central spot was white, yellow, red; black; violet, blue, white, yellow, red, etc., which was the opposite of what it had been before.
Obs. 3. When the Rings or some parts of them appeared only black and white, they were very distinct and well defined, and the blackness seemed as intense as that of the central Spot. Also in the Borders of the Rings, where the Colours began to emerge out of the whiteness, they were pretty distinct, which made them visible to a very great multitude. I have sometimes number'd above thirty Successions (reckoning every black and white Ring for one Succession) and seen more of them, which by reason of their smalness I could not number. But in other Positions of the Prisms, at which the Rings appeared of many Colours, I could not distinguish above eight or nine of them, and the Exterior of those were very confused and dilute.
Obs. 3. When the rings or parts of them only showed black and white, they were very clear and well-defined, and the black looked as deep as that of the central spot. Also, at the edges of the rings, where colors started to show through the whiteness, they were quite distinct, making them visible to a large number of people. I've occasionally counted over thirty sequences (counting each black and white ring as one sequence) and seen more that I couldn't count due to their small size. However, in other positions of the prisms, where the rings showed many colors, I could only distinguish about eight or nine of them, and the outer edges were very unclear and faded.
In these two Observations to see the Rings distinct, and without any other Colour than Black and white, I found it necessary to hold my Eye at a good distance from them. For by approaching nearer, although in the same inclination of my Eye to the Plane of the Rings, there emerged a bluish Colour[Pg 197] out of the white, which by dilating it self more and more into the black, render'd the Circles less distinct, and left the white a little tinged with red and yellow. I found also by looking through a slit or oblong hole, which was narrower than the pupil of my Eye, and held close to it parallel to the Prisms, I could see the Circles much distincter and visible to a far greater number than otherwise.
In these two observations to see the rings clearly, and without any color except black and white, I found it necessary to keep my eye at a good distance from them. When I got closer, even while maintaining the same angle of my eye to the plane of the rings, a bluish color appeared out of the white, which gradually blended into the black. This made the circles less distinct and caused the white to be slightly tinged with red and yellow. I also discovered that by looking through a narrow slit or oblong hole, which was smaller than the pupil of my eye and held close to it parallel to the prisms, I could see the circles much more clearly and they were visible to a greater extent than before.
Obs. 4. To observe more nicely the order of the Colours which arose out of the white Circles as the Rays became less and less inclined to the Plate of Air; I took two Object-glasses, the one a Plano-convex for a fourteen Foot Telescope, and the other a large double Convex for one of about fifty Foot; and upon this, laying the other with its plane side downwards, I pressed them slowly together, to make the Colours successively emerge in the middle of the Circles, and then slowly lifted the upper Glass from the lower to make them successively vanish again in the same place. The Colour, which by pressing the Glasses together, emerged last in the middle of the other Colours, would upon its first appearance look like a Circle of a Colour almost uniform from the circumference to the center and by compressing the Glasses still more, grow continually broader until a new Colour emerged in its center, and thereby it became a Ring encompassing that new Colour. And by compressing the Glasses still more, the diameter of this Ring would increase, and the breadth of its Orbit or Perimeter decrease until another new Colour emerged in the center of the last: And so on[Pg 198] until a third, a fourth, a fifth, and other following new Colours successively emerged there, and became Rings encompassing the innermost Colour, the last of which was the black Spot. And, on the contrary, by lifting up the upper Glass from the lower, the diameter of the Rings would decrease, and the breadth of their Orbit increase, until their Colours reached successively to the center; and then they being of a considerable breadth, I could more easily discern and distinguish their Species than before. And by this means I observ'd their Succession and Quantity to be as followeth.
Obs. 4. To better understand the order of the Colors that appeared from the white Circles as the Rays became less and less angled toward the Air Plate, I used two lenses: one was a plano-convex lens for a fourteen-foot telescope, and the other was a large double convex lens for about a fifty-foot telescope. I placed the second lens with its flat side facing down and gradually pressed them together, making the Colors emerge one after another in the middle of the Circles. Then, I slowly lifted the upper lens away from the lower one to allow the Colors to gradually disappear again in the same spot. The Color that emerged last while pressing the lenses together would first appear as a Circle with a nearly uniform Color from the edge to the center. By pressing the lenses together further, it would continually grow larger until a new Color appeared in its center, turning it into a Ring that surrounded that new Color. The more I compressed the lenses, the larger the diameter of this Ring would become, while the width of its Orbit or Perimeter would decrease until another new Color emerged in the center of the last. This process continued[Pg 198] as a third, a fourth, a fifth, and more new Colors successively appeared, forming Rings that surrounded the innermost Color, with the last one being the black Spot. Conversely, when I lifted the upper lens away from the lower one, the diameter of the Rings would shrink while the breadth of their Orbit increased until their Colors gradually reached the center. Once they were broad enough, I could more easily see and distinguish their Types than before. This way, I noted their Sequence and Quantity as follows.
Next to the pellucid central Spot made by the contact of the Glasses succeeded blue, white, yellow, and red. The blue was so little in quantity, that I could not discern it in the Circles made by the Prisms, nor could I well distinguish any violet in it, but the yellow and red were pretty copious, and seemed about as much in extent as the white, and four or five times more than the blue. The next Circuit in order of Colours immediately encompassing these were violet, blue, green, yellow, and red: and these were all of them copious and vivid, excepting the green, which was very little in quantity, and seemed much more faint and dilute than the other Colours. Of the other four, the violet was the least in extent, and the blue less than the yellow or red. The third Circuit or Order was purple, blue, green, yellow, and red; in which the purple seemed more reddish than the violet in the former Circuit, and the green was much more conspicuous, being[Pg 199] as brisk and copious as any of the other Colours, except the yellow, but the red began to be a little faded, inclining very much to purple. After this succeeded the fourth Circuit of green and red. The green was very copious and lively, inclining on the one side to blue, and on the other side to yellow. But in this fourth Circuit there was neither violet, blue, nor yellow, and the red was very imperfect and dirty. Also the succeeding Colours became more and more imperfect and dilute, till after three or four revolutions they ended in perfect whiteness. Their form, when the Glasses were most compress'd so as to make the black Spot appear in the center, is delineated in the second Figure; where a, b, c, d, e: f, g, h, i, k: l, m, n, o, p: q, r: s, t: v, x: y, z, denote the Colours reckon'd in order from the center, black, blue, white, yellow, red: violet, blue, green, yellow,[Pg 200] red: purple, blue, green, yellow, red: green, red: greenish blue, red: greenish blue, pale red: greenish blue, reddish white.
Next to the clear central spot created by the contact of the glasses were blue, white, yellow, and red. The blue was so minimal that I couldn't see it in the circles formed by the prisms, nor could I really distinguish any violet in it, but the yellow and red were pretty abundant and seemed about the same size as the white, being four or five times more than the blue. The next ring of colors surrounding these included violet, blue, green, yellow, and red; all of these were vivid and plentiful except for the green, which was very scarce and appeared much fainter and more diluted than the other colors. Of the other four, violet was the smallest, and blue was less than yellow or red. The third ring was purple, blue, green, yellow, and red; here, the purple appeared more reddish than the violet in the previous ring, and the green was much more noticeable, being[Pg 199] as vibrant and abundant as any of the other colors, except for yellow, but the red started to fade a bit, leaning more towards purple. After this came the fourth ring of green and red. The green was very abundant and lively, leaning towards blue on one side and yellow on the other. However, in this fourth ring, there was neither violet, blue, nor yellow, and the red appeared very imperfect and dirty. The subsequent colors became increasingly imperfect and diluted until, after three or four revolutions, they ended in perfect whiteness. Their shape, when the glasses were most compressed to make the black spot appear in the center, is shown in the second figure; where a, b, c, d, e: f, g, h, i, k: l, m, n, o, p: q, r: s, t: v, x: y, z, represent the colors listed in order from the center: black, blue, white, yellow, red: violet, blue, green, yellow,[Pg 200] red: purple, blue, green, yellow, red: green, red: greenish blue, red: greenish blue, pale red: greenish blue, reddish white.

Obs. 5. To determine the interval of the Glasses, or thickness of the interjacent Air, by which each Colour was produced, I measured the Diameters of the first six Rings at the most lucid part of their Orbits, and squaring them, I found their Squares to be in the arithmetical Progression of the odd Numbers, 1, 3, 5, 7, 9, 11. And since one of these Glasses was plane, and the other spherical, their Intervals at those Rings must be in the same Progression. I measured also the Diameters of the dark or faint Rings between the more lucid Colours, and found their Squares to be in the arithmetical Progression of the even Numbers, 2, 4, 6, 8, 10, 12. And it being very nice and difficult to take these measures exactly; I repeated them divers times at divers parts of the Glasses, that by their Agreement I might be confirmed in them. And the same method I used in determining some others of the following Observations.
Obs. 5. To figure out the interval of the Glasses, or the thickness of the air between them that created each color, I measured the diameters of the first six rings at the brightest parts of their paths. Squaring these diameters, I found their squares to form an arithmetic progression of the odd numbers: 1, 3, 5, 7, 9, 11. Since one of these glasses was flat and the other was curved, their intervals at those rings must also follow the same progression. I also measured the diameters of the dark or faint rings between the brighter colors and found their squares to be in the arithmetic progression of the even numbers: 2, 4, 6, 8, 10, 12. As it was quite tricky and challenging to take these measurements accurately, I repeated them several times at different points on the glasses to confirm their consistency. I applied the same method in determining some of the subsequent observations.
Obs. 6. The Diameter of the sixth Ring at the most lucid part of its Orbit was 58/100 parts of an Inch, and the Diameter of the Sphere on which the double convex Object-glass was ground was about 102 Feet, and hence I gathered the thickness of the Air or Aereal Interval of the Glasses at that Ring. But some time after, suspecting that in making this Observation I had not determined the Diameter of the Sphere with sufficient accurateness, and being uncertain[Pg 201] whether the Plano-convex Glass was truly plane, and not something concave or convex on that side which I accounted plane; and whether I had not pressed the Glasses together, as I often did, to make them touch; (For by pressing such Glasses together their parts easily yield inwards, and the Rings thereby become sensibly broader than they would be, did the Glasses keep their Figures.) I repeated the Experiment, and found the Diameter of the sixth lucid Ring about 55/100 parts of an Inch. I repeated the Experiment also with such an Object-glass of another Telescope as I had at hand. This was a double Convex ground on both sides to one and the same Sphere, and its Focus was distant from it 83-2/5 Inches. And thence, if the Sines of Incidence and Refraction of the bright yellow Light be assumed in proportion as 11 to 17, the Diameter of the Sphere to which the Glass was figured will by computation be found 182 Inches. This Glass I laid upon a flat one, so that the black Spot appeared in the middle of the Rings of Colours without any other Pressure than that of the weight of the Glass. And now measuring the Diameter of the fifth dark Circle as accurately as I could, I found it the fifth part of an Inch precisely. This Measure was taken with the points of a pair of Compasses on the upper Surface on the upper Glass, and my Eye was about eight or nine Inches distance from the Glass, almost perpendicularly over it, and the Glass was 1/6 of an Inch thick, and thence it is easy to collect that the true Diameter of the Ring between the Glasses was greater than its measur'd Diameter[Pg 202] above the Glasses in the Proportion of 80 to 79, or thereabouts, and by consequence equal to 16/79 parts of an Inch, and its true Semi-diameter equal to 8/79 parts. Now as the Diameter of the Sphere (182 Inches) is to the Semi-diameter of this fifth dark Ring (8/79 parts of an Inch) so is this Semi-diameter to the thickness of the Air at this fifth dark Ring; which is therefore 32/567931 or 100/1774784. Parts of an Inch; and the fifth Part thereof, viz. the 1/88739 Part of an Inch, is the Thickness of the Air at the first of these dark Rings.
Obs. 6. The diameter of the sixth ring at the clearest part of its orbit was 58/100 of an inch, and the diameter of the sphere on which the double convex lens was shaped was about 102 feet. From this, I figured out the thickness of the air or the space between the lenses at that ring. However, later I suspected that in making this observation I hadn't measured the diameter of the sphere accurately enough. I was uncertain[Pg 201] whether the plano-convex lens was truly flat or if it was slightly concave or convex on the side I thought was flat, and whether I had not pressed the lenses together, as I often did, to make them touch. (Pressing such lenses together can cause their parts to shift inwards, making the rings noticeably wider than they would be if the lenses maintained their shapes.) I repeated the experiment and found the diameter of the sixth clear ring to be about 55/100 of an inch. I also repeated the experiment with a different telescope's lens I had available. This was a double convex lens shaped on both sides to the same sphere, and its focus was 83-2/5 inches away from it. Thus, if we assume the sines of incidence and refraction of bright yellow light are in proportion of 11 to 17, the diameter of the sphere for which the lens was shaped will be calculated to be 182 inches. I placed this lens on a flat one, so that the black spot appeared in the center of the color rings with no other pressure than the weight of the lens. Now, measuring the diameter of the fifth dark circle as accurately as I could, I found it to be exactly one-fifth of an inch. This measurement was taken with the tips of a pair of compasses on the upper surface of the top lens, and my eye was about eight or nine inches away from the lens, almost directly above it, and the lens was 1/6 of an inch thick. Thus, it's easy to determine that the true diameter of the ring between the lenses was greater than the measured diameter[Pg 202] above the lenses in the ratio of about 80 to 79, which means it was equal to 16/79 of an inch, and its true semi-diameter equal to 8/79 of an inch. Now, the diameter of the sphere (182 inches) compared to the semi-diameter of this fifth dark ring (8/79 of an inch) relates to the thickness of the air at this fifth dark ring; which is therefore 32/567931 or 100/1774784 parts of an inch; and one-fifth of that, namely, the 1/88739 part of an inch, is the thickness of the air at the first of these dark rings.
The same Experiment I repeated with another double convex Object-glass ground on both sides to one and the same Sphere. Its Focus was distant from it 168-1/2 Inches, and therefore the Diameter of that Sphere was 184 Inches. This Glass being laid upon the same plain Glass, the Diameter of the fifth of the dark Rings, when the black Spot in their Center appear'd plainly without pressing the Glasses, was by the measure of the Compasses upon the upper Glass 121/600 Parts of an Inch, and by consequence between the Glasses it was 1222/6000: For the upper Glass was 1/8 of an Inch thick, and my Eye was distant from it 8 Inches. And a third proportional to half this from the Diameter of the Sphere is 5/88850 Parts of an Inch. This is therefore the Thickness of the Air at this Ring, and a fifth Part thereof, viz. the 1/88850th Part of an Inch is the Thickness thereof at the first of the Rings, as above.
I repeated the same experiment with another double convex lens that was shaped the same on both sides. Its focal point was 168.5 inches away, so the diameter of that lens was 184 inches. I placed this lens on top of a flat piece of glass, and the diameter of the fifth dark ring, when the black spot in the center was clearly visible without pressing the lenses together, measured 121/600 parts of an inch using calipers on the top lens, which means it was 1222/6000 between the lenses. The top lens was 1/8 inch thick, and my eye was 8 inches away from it. A third proportionate measurement to half of this from the diameter of the sphere is 5/88850 parts of an inch. Therefore, this is the thickness of the air at this ring, and one-fifth of that, specifically the 1/88850th part of an inch, is the thickness at the first of the rings, as stated above.
I tried the same Thing, by laying these Object-glasses upon flat Pieces of a broken Looking-glass,[Pg 203] and found the same Measures of the Rings: Which makes me rely upon them till they can be determin'd more accurately by Glasses ground to larger Spheres, though in such Glasses greater care must be taken of a true Plane.
I did the same thing by placing these lenses on flat pieces of a broken mirror,[Pg 203] and I found the same measurements of the rings. This makes me trust them until they can be determined more accurately with lenses shaped to larger spheres, although with such lenses, greater care must be taken to ensure a true plane.
These Dimensions were taken, when my Eye was placed almost perpendicularly over the Glasses, being about an Inch, or an Inch and a quarter, distant from the incident Rays, and eight Inches distant from the Glass; so that the Rays were inclined to the Glass in an Angle of about four Degrees. Whence by the following Observation you will understand, that had the Rays been perpendicular to the Glasses, the Thickness of the Air at these Rings would have been less in the Proportion of the Radius to the Secant of four Degrees, that is, of 10000 to 10024. Let the Thicknesses found be therefore diminish'd in this Proportion, and they will become 1/88952 and 1/89063, or (to use the nearest round Number) the 1/89000th Part of an Inch. This is the Thickness of the Air at the darkest Part of the first dark Ring made by perpendicular Rays; and half this Thickness multiplied by the Progression, 1, 3, 5, 7, 9, 11, &c. gives the Thicknesses of the Air at the most luminous Parts of all the brightest Rings, viz. 1/178000, 3/178000, 5/178000, 7/178000, &c. their arithmetical Means 2/178000, 4/178000, 6/178000, &c. being its Thicknesses at the darkest Parts of all the dark ones.
These measurements were taken when my eye was positioned almost directly above the lenses, about an inch to an inch and a quarter away from the incoming rays, and eight inches from the lens; this meant the rays hit the lens at an angle of about four degrees. From the following observation, you'll see that if the rays had been perpendicular to the lenses, the thickness of the air at these rings would have been less in proportion to the radius and the secant of four degrees, that is, 10,000 to 10,024. Therefore, let the measured thicknesses be decreased in this ratio, making them 1/88952 and 1/89063, or—in simpler terms—the 1/89000th part of an inch. This is the thickness of the air at the darkest part of the first dark ring formed by perpendicular rays; and half this thickness, multiplied by the progression 1, 3, 5, 7, 9, 11, etc., gives the thicknesses of the air at the brightest parts of all the brightest rings, namely 1/178000, 3/178000, 5/178000, 7/178000, etc., with their average thicknesses at the darkest parts of all the dark ones being 2/178000, 4/178000, 6/178000, etc.
Obs. 7. The Rings were least, when my Eye was placed perpendicularly over the Glasses in the Axis[Pg 204] of the Rings: And when I view'd them obliquely they became bigger, continually swelling as I removed my Eye farther from the Axis. And partly by measuring the Diameter of the same Circle at several Obliquities of my Eye, partly by other Means, as also by making use of the two Prisms for very great Obliquities, I found its Diameter, and consequently the Thickness of the Air at its Perimeter in all those Obliquities to be very nearly in the Proportions express'd in this Table.
Obs. 7. The rings appeared smallest when I positioned my eye directly over the lenses in the axis[Pg 204] of the rings. When I looked at them from an angle, they appeared larger, gradually increasing in size as I moved my eye farther from the axis. By measuring the diameter of the same circle at different angles and using other methods, as well as employing two prisms for extreme angles, I determined its diameter and therefore the thickness of the air at its edge at all those angles to be very close to the proportions shown in this table.
Angle of Incidence on the Air. | Angle of Refraction into the Air. | Diameter of the Ring. | Thickness of the Air. |
Deg. Min. | |||
00 00 | 00 00 | 10 | 10 |
06 26 | 10 00 | 10-1/13 | 10-2/13 |
12 45 | 20 00 | 10-1/3 | 10-2/3 |
18 49 | 30 00 | 10-3/4 | 11-1/2 |
24 30 | 40 00 | 11-2/5 | 13 |
29 37 | 50 00 | 12-1/2 | 15-1/2 |
33 58 | 60 00 | 14 | 20 |
35 47 | 65 00 | 15-1/4 | 23-1/4 |
37 19 | 70 00 | 16-4/5 | 28-1/4 |
38 33 | 75 00 | 19-1/4 | 37 |
39 27 | 80 00 | 22-6/7 | 52-1/4 |
40 00 | 85 00 | 29 | 84-1/12 |
40 11 | 90 00 | 35 | 122-1/2 |
In the two first Columns are express'd the Obliquities of the incident and emergent Rays to the Plate of the Air, that is, their Angles of Incidence[Pg 205] and Refraction. In the third Column the Diameter of any colour'd Ring at those Obliquities is expressed in Parts, of which ten constitute that Diameter when the Rays are perpendicular. And in the fourth Column the Thickness of the Air at the Circumference of that Ring is expressed in Parts, of which also ten constitute its Thickness when the Rays are perpendicular.
In the first two columns, the angles at which the incoming and outgoing rays hit the air plate are shown, meaning their angles of incidence[Pg 205] and refraction. The third column shows the diameter of any colored ring at those angles, measured in parts, with ten parts making up the diameter when the rays are perpendicular. The fourth column indicates the thickness of the air at the edge of that ring, also measured in parts, with ten parts constituting its thickness when the rays are perpendicular.
And from these Measures I seem to gather this Rule: That the Thickness of the Air is proportional to the Secant of an Angle, whose Sine is a certain mean Proportional between the Sines of Incidence and Refraction. And that mean Proportional, so far as by these Measures I can determine it, is the first of an hundred and six arithmetical mean Proportionals between those Sines counted from the bigger Sine, that is, from the Sine of Refraction when the Refraction is made out of the Glass into the Plate of Air, or from the Sine of Incidence when the Refraction is made out of the Plate of Air into the Glass.
And from these measurements, I seem to gather this rule: The thickness of the air is proportional to the secant of an angle, whose sine is a specific mean proportional between the sines of incidence and refraction. That mean proportional, as far as I can determine from these measurements, is the first of one hundred and six arithmetic mean proportionals between those sines, counting from the larger sine, which is the sine of refraction when the refraction is from the glass into the plate of air, or from the sine of incidence when the refraction is from the plate of air into the glass.
Obs. 8. The dark Spot in the middle of the Rings increased also by the Obliquation of the Eye, although almost insensibly. But, if instead of the Object-glasses the Prisms were made use of, its Increase was more manifest when viewed so obliquely that no Colours appear'd about it. It was least when the Rays were incident most obliquely on the interjacent Air, and as the obliquity decreased it increased more and more until the colour'd Rings appear'd, and then decreased again, but not so much as it increased before. And hence it is evident, that the Transparency[Pg 206] was not only at the absolute Contact of the Glasses, but also where they had some little Interval. I have sometimes observed the Diameter of that Spot to be between half and two fifth parts of the Diameter of the exterior Circumference of the red in the first Circuit or Revolution of Colours when view'd almost perpendicularly; whereas when view'd obliquely it hath wholly vanish'd and become opake and white like the other parts of the Glass; whence it may be collected that the Glasses did then scarcely, or not at all, touch one another, and that their Interval at the perimeter of that Spot when view'd perpendicularly was about a fifth or sixth part of their Interval at the circumference of the said red.
Obs. 8. The dark spot in the middle of the rings also became larger due to the angle at which the eye viewed it, although it was almost imperceptible. However, when prisms were used instead of the objective lenses, the increase was more noticeable when viewed at such an angle that no colors were visible around it. It was smallest when the rays hit the air at the steepest angle, and as the angle decreased, it grew larger until the colored rings appeared, and then it decreased again, though not as much as it had increased before. Therefore, it is clear that the transparency[Pg 206] was not only at the direct contact of the lenses but also where there was a slight gap. I have sometimes noticed that the diameter of that spot was between half and two-fifths of the diameter of the outer edge of the red in the first cycle of colors when viewed almost straight on; whereas, when viewed at an angle, it completely disappeared and became opaque and white like the other parts of the glass; from this, it can be inferred that the lenses hardly touched at all, and that the gap at the edge of that spot when viewed straight on was about one-fifth or one-sixth of their gap at the edge of the red.
Obs. 9. By looking through the two contiguous Object-glasses, I found that the interjacent Air exhibited Rings of Colours, as well by transmitting Light as by reflecting it. The central Spot was now white, and from it the order of the Colours were yellowish red; black, violet, blue, white, yellow, red; violet, blue, green, yellow, red, &c. But these Colours were very faint and dilute, unless when the Light was trajected very obliquely through the Glasses: For by that means they became pretty vivid. Only the first yellowish red, like the blue in the fourth Observation, was so little and faint as scarcely to be discern'd. Comparing the colour'd Rings made by Reflexion, with these made by transmission of the Light; I found that white was opposite to black, red to blue, yellow to violet, and green to a Compound of red and violet. That is,[Pg 207] those parts of the Glass were black when looked through, which when looked upon appeared white, and on the contrary. And so those which in one case exhibited blue, did in the other case exhibit red. And the like of the other Colours. The manner you have represented in the third Figure, where AB, CD, are the Surfaces of the Glasses contiguous at E, and the black Lines between them are their Distances in arithmetical Progression, and the Colours written above are seen by reflected Light, and those below by Light transmitted (p. 209).
Obs. 9. When I looked through the two adjacent lenses, I noticed that the air between them showed rings of colors, both by transmitting light and by reflecting it. The central spot was now white, and from it the order of colors was yellowish red; black, violet, blue, white, yellow, red; violet, blue, green, yellow, red, etc. However, these colors were very faint and diluted, unless the light was directed very obliquely through the lenses, which made them appear quite vivid. Only the first yellowish red, like the blue mentioned in the fourth observation, was so faint that it was barely noticeable. When comparing the colored rings produced by reflection with those produced by transmission of light, I found that white corresponded to black, red to blue, yellow to violet, and green to a mix of red and violet. In other words,[Pg 207] the parts of the lens that looked black when viewed through appeared white when looked at directly, and vice versa. Similarly, areas that exhibited blue in one case displayed red in the other. The same applies to the other colors. The setup is illustrated in the third figure, where AB, CD, are the surfaces of the lenses touching at E, and the black lines in between represent their distances in arithmetic progression. The colors written above are seen by reflected light, while those below are seen by transmitted light (p. 209).
Obs. 10. Wetting the Object-glasses a little at their edges, the Water crept in slowly between them, and the Circles thereby became less and the Colours more faint: Insomuch that as the Water crept along, one half of them at which it first arrived would appear broken off from the other half, and contracted into a less Room. By measuring them I found the Proportions of their Diameters to the Diameters of the like Circles made by Air to be about seven to eight, and consequently the Intervals of the Glasses at like Circles, caused by those two Mediums Water and Air, are as about three to four. Perhaps it may be a general Rule, That if any other Medium more or less dense than Water be compress'd between the Glasses, their Intervals at the Rings caused thereby will be to their Intervals caused by interjacent Air, as the Sines are which measure the Refraction made out of that Medium into Air.
Obs. 10. By moistening the edges of the object glasses slightly, water gradually seeped in between them, causing the circles to diminish and the colors to fade. As the water moved along, one side that it first reached appeared to be detached from the other side and shrank into a smaller space. By measuring them, I discovered that the ratio of their diameters to the diameters of similar circles created by air is about seven to eight, and therefore the gaps between the glasses at the similar circles caused by these two mediums, water and air, are roughly three to four. It might be a general rule that if any other medium, denser or less dense than water, is compressed between the glasses, the gaps at the rings caused by it will relate to the gaps caused by the air in a ratio equivalent to the sines that measure the refraction occurring from that medium into air.
Obs. 11. When the Water was between the Glasses, if I pressed the upper Glass variously at its edges to[Pg 208] make the Rings move nimbly from one place to another, a little white Spot would immediately follow the center of them, which upon creeping in of the ambient Water into that place would presently vanish. Its appearance was such as interjacent Air would have caused, and it exhibited the same Colours. But it was not air, for where any Bubbles of Air were in the Water they would not vanish. The Reflexion must have rather been caused by a subtiler Medium, which could recede through the Glasses at the creeping in of the Water.
Obs. 11. When the water was between the glasses, if I pressed down on the upper glass at its edges to[Pg 208] move the rings quickly from one spot to another, a small white spot would instantly appear at the center of them, which would disappear as the surrounding water crept in. Its appearance was similar to what interposed air would cause, and it displayed the same colors. However, it wasn't air, because any air bubbles in the water would not vanish. The reflection must have been caused by a finer medium that could slip through the glasses as the water moved in.
Obs. 12. These Observations were made in the open Air. But farther to examine the Effects of colour'd Light falling on the Glasses, I darken'd the Room, and view'd them by Reflexion of the Colours of a Prism cast on a Sheet of white Paper, my Eye being so placed that I could see the colour'd Paper by Reflexion in the Glasses, as in a Looking-glass. And by this means the Rings became distincter and visible to a far greater number than in the open Air. I have sometimes seen more than twenty of them, whereas in the open Air I could not discern above eight or nine.[Pg 209]
Obs. 12. These observations were made outside. To further investigate the effects of colored light on the lenses, I darkened the room and looked at them by reflecting the colors of a prism onto a sheet of white paper. I positioned my eye so I could see the colored paper reflected in the lenses, like in a mirror. This way, the rings became clearer and visible to many more than in the open air. I have sometimes seen more than twenty of them, while in the open air I could only make out about eight or nine.[Pg 209]

Obs. 13. Appointing an Assistant to move the Prism to and fro about its Axis, that all the Colours might successively fall on that part of the Paper which I saw by Reflexion from that part of the Glasses, where the Circles appear'd, so that all the Colours might be successively reflected from the Circles to my Eye, whilst I held it immovable, I found the Circles which the red Light made to be manifestly bigger than those which were made by the blue and violet. And it was very pleasant to see them gradually swell or contract accordingly as the Colour of the Light was changed. The Interval of the Glasses at any of the Rings when they were made by the utmost red Light, was to their Interval at the same Ring when made by the utmost violet, greater than as 3 to 2, and less than as 13 to 8. By the most of my Observations it was as 14 to 9. And this Proportion seem'd very nearly the same in all Obliquities of my Eye; unless when two Prisms were made use of instead of the Object-glasses. For then at a certain great obliquity of my Eye, the Rings made by the several Colours seem'd equal, and at a greater obliquity those made by the violet would be greater than the same Rings made by the red: the Refraction of the Prism in this case causing the most refrangible Rays to fall more obliquely on that plate of the Air than the least refrangible ones. Thus the Experiment succeeded in the colour'd Light, which was sufficiently strong and copious to make the Rings sensible. And thence it may be gather'd, that if the most refrangible and least refrangible Rays had been copious enough to make the Rings sensible without the mixture of other Rays, the Proportion which here was 14 to 9 would have been a little greater, suppose 14-1/4 or 14-1/3 to 9.
Obs. 13. I assigned an assistant to move the prism back and forth about its axis so that all the colors could successively shine on the part of the paper I saw by reflection from the area where the circles appeared in the glasses. This way, all the colors could be reflected from the circles to my eye while I held it still. I noticed that the circles created by red light were clearly bigger than those created by blue and violet light. It was quite enjoyable to see them gradually enlarge or shrink as the color of the light changed. The distance between the glasses at any of the rings, when made by the brightest red light, was more than a ratio of 3 to 2 and less than 13 to 8 when compared to the same ring made by the brightest violet light. In most of my observations, it was around 14 to 9. This ratio seemed to stay pretty much the same at all angles of my eye unless I used two prisms instead of the objective glasses. In that case, at a certain sharp angle, the rings created by the different colors appeared equal, and at a steeper angle, the rings made by violet were larger than those made by red. The refraction of the prism caused the most refrangible rays to strike that layer of air at a sharper angle than the least refrangible ones. Thus, the experiment worked well in colored light, which was strong and abundant enough to make the rings visible. From this, it can be inferred that if the most and least refrangible rays had been plentiful enough to create visible rings without mixing with other rays, the ratio of 14 to 9 would have been slightly greater, maybe around 14-1/4 or 14-1/3 to 9.
Obs. 14. Whilst the Prism was turn'd about its Axis with an uniform Motion, to make all the several Colours fall successively upon the Object-glasses, and thereby to make the Rings contract and[Pg 211] dilate: The Contraction or Dilatation of each Ring thus made by the variation of its Colour was swiftest in the red, and slowest in the violet, and in the intermediate Colours it had intermediate degrees of Celerity. Comparing the quantity of Contraction and Dilatation made by all the degrees of each Colour, I found that it was greatest in the red; less in the yellow, still less in the blue, and least in the violet. And to make as just an Estimation as I could of the Proportions of their Contractions or Dilatations, I observ'd that the whole Contraction or Dilatation of the Diameter of any Ring made by all the degrees of red, was to that of the Diameter of the same Ring made by all the degrees of violet, as about four to three, or five to four, and that when the Light was of the middle Colour between yellow and green, the Diameter of the Ring was very nearly an arithmetical Mean between the greatest Diameter of the same Ring made by the outmost red, and the least Diameter thereof made by the outmost violet: Contrary to what happens in the Colours of the oblong Spectrum made by the Refraction of a Prism, where the red is most contracted, the violet most expanded, and in the midst of all the Colours is the Confine of green and blue. And hence I seem to collect that the thicknesses of the Air between the Glasses there, where the Ring is successively made by the limits of the five principal Colours (red, yellow, green, blue, violet) in order (that is, by the extreme red, by the limit of red and yellow in the middle of the orange, by the limit of yellow and green, by the limit of green[Pg 212] and blue, by the limit of blue and violet in the middle of the indigo, and by the extreme violet) are to one another very nearly as the sixth lengths of a Chord which found the Notes in a sixth Major, sol, la, mi, fa, sol, la. But it agrees something better with the Observation to say, that the thicknesses of the Air between the Glasses there, where the Rings are successively made by the limits of the seven Colours, red, orange, yellow, green, blue, indigo, violet in order, are to one another as the Cube Roots of the Squares of the eight lengths of a Chord, which found the Notes in an eighth, sol, la, fa, sol, la, mi, fa, sol; that is, as the Cube Roots of the Squares of the Numbers, 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2.
Obs. 14. While the prism was rotated around its axis at a steady speed to make all the different colors fall onto the lenses in sequence, causing the rings to contract and[Pg 211] expand: the contraction or expansion of each ring caused by the change in color was fastest in the red and slowest in the violet, with the intermediate colors showing intermediate rates of speed. When I compared the amount of contraction and expansion produced by all the degrees of each color, I found that it was greatest in the red, followed by the yellow, then blue, and least in the violet. To make the most accurate estimate of the proportions of their contractions or expansions, I observed that the total contraction or expansion of the diameter of any ring made by all the shades of red was roughly in a ratio of four to three or five to four compared to that of the diameter of the same ring made by all the shades of violet. Additionally, when the light was at a midpoint between yellow and green, the diameter of the ring was very close to the average of the largest diameter of the same ring produced by the outermost red and the smallest diameter made by the outermost violet. This is opposite to what happens in the colors of the elongated spectrum created by the refraction of a prism, where the red is most contracted, the violet most expanded, and in the middle of all the colors is the boundary between green and blue. From this, I gather that the thicknesses of the air between the glasses, where the ring is successively created by the limits of the five primary colors (red, yellow, green, blue, violet) in order (that is, from extreme red, to the boundary of red and yellow in the middle of orange, then the boundary of yellow and green, the boundary of green[Pg 212] and blue, the boundary of blue and violet in the middle of indigo, and finally the extreme violet), are roughly in the same ratio as the sixth lengths of a chord that defines the notes in a major sixth, sol, la, mi, fa, sol, la. However, it fits the observation better to say that the thicknesses of the air between the glasses, where the rings are successively formed by the limits of the seven colors—red, orange, yellow, green, blue, indigo, violet—are related in proportion to the cube roots of the squares of the eight lengths of a chord that defines the notes in an octave, sol, la, fa, sol, la, mi, fa, sol; that is, as the cube roots of the squares of the numbers 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2.
Obs. 15. These Rings were not of various Colours like those made in the open Air, but appeared all over of that prismatick Colour only with which they were illuminated. And by projecting the prismatick Colours immediately upon the Glasses, I found that the Light which fell on the dark Spaces which were between the Colour'd Rings was transmitted through the Glasses without any variation of Colour. For on a white Paper placed behind, it would paint Rings of the same Colour with those which were reflected, and of the bigness of their immediate Spaces. And from thence the origin of these Rings is manifest; namely, that the Air between the Glasses, according to its various thickness, is disposed in some places to reflect, and in others to transmit the Light of any one Colour (as you may see represented in the fourth Figure) and in the same place to reflect that of one Colour where it transmits that of another.[Pg 213]
Obs. 15. These rings didn’t have different colors like those made outdoors; they only showed the prism-like color from the illumination. By shining the prism colors directly onto the glasses, I discovered that the light hitting the dark spaces between the colored rings passed through the glasses without changing color. When a white piece of paper was placed behind, it would show rings of the same color as those reflected and matching the size of their immediate spaces. This makes the origin of these rings clear: the air between the glasses, depending on its thickness, either reflects or allows light of a specific color to pass through in different places (as illustrated in the fourth figure), and it can reflect one color while transmitting another at the same location.[Pg 213]

Obs. 16. The Squares of the Diameters of these Rings made by any prismatick Colour were in arithmetical Progression, as in the fifth Observation. And the Diameter of the sixth Circle, when made by the citrine yellow, and viewed almost perpendicularly was about 58/100 parts of an Inch, or a little less, agreeable to the sixth Observation.
Obs. 16. The squares of the diameters of these rings created by any prism-like color were in arithmetic progression, as noted in the fifth observation. The diameter of the sixth circle, produced by the citrine yellow and viewed nearly perpendicularly, was approximately 58/100 of an inch, or slightly less, consistent with the sixth observation.
The precedent Observations were made with a rarer thin Medium, terminated by a denser, such as was Air or Water compress'd between two Glasses. In those that follow are set down the Appearances of a denser Medium thin'd within a rarer, such as are Plates of Muscovy Glass, Bubbles of Water, and some other thin Substances terminated on all sides with air.
The earlier observations were made with a less common thin medium, enclosed by a denser one, like compressed air or water between two glass panes. The following sections describe the appearances of a denser medium that has been thinned within a rarer one, such as plates of Muscovy glass, water bubbles, and some other thin substances surrounded on all sides by air.
Obs. 17. If a Bubble be blown with Water first made tenacious by dissolving a little Soap in it, 'tis a common Observation, that after a while it will appear tinged with a great variety of Colours. To defend these Bubbles from being agitated by the external Air (whereby their Colours are irregularly moved one among another, so that no accurate Observation can be made of them,) as soon as I had blown any of them I cover'd it with a clear Glass, and by that means its Colours emerged in a very regular order, like so many concentrick Rings encompassing the top of the Bubble. And as the Bubble grew thinner by the continual subsiding of the Water, these Rings dilated slowly and overspread the whole Bubble, descending in order to the bottom of it,[Pg 215] where they vanish'd successively. In the mean while, after all the Colours were emerged at the top, there grew in the center of the Rings a small round black Spot, like that in the first Observation, which continually dilated it self till it became sometimes more than 1/2 or 3/4 of an Inch in breadth before the Bubble broke. At first I thought there had been no Light reflected from the Water in that place, but observing it more curiously, I saw within it several smaller round Spots, which appeared much blacker and darker than the rest, whereby I knew that there was some Reflexion at the other places which were not so dark as those Spots. And by farther Tryal I found that I could see the Images of some things (as of a Candle or the Sun) very faintly reflected, not only from the great black Spot, but also from the little darker Spots which were within it.
Obs. 17. When a bubble is created using water mixed with a bit of soap to make it thick, it's commonly observed that after a while, it displays a wide range of colors. To protect these bubbles from being disturbed by the air (which causes their colors to shift randomly, making it hard to observe them accurately), I covered each bubble with a clear glass immediately after blowing it. This way, the colors appeared in a very orderly fashion, forming concentric rings around the top of the bubble. As the bubble became thinner due to the water gradually settling, these rings slowly expanded and spread across the entire bubble, moving down towards the bottom, [Pg 215] where they eventually disappeared. Meanwhile, once all the colors had emerged at the top, a small round black spot appeared in the center of the rings, similar to what I noticed in the first observation. This spot grew larger until it was sometimes more than 1/2 or 3/4 of an inch wide before the bubble popped. Initially, I thought there was no light reflecting from the water in that spot, but upon closer inspection, I noticed several smaller round spots within it that looked much darker than the rest. This indicated to me that light was being reflected from the other areas, which weren't as dark as those spots. Further experimentation revealed that I could faintly see the images of certain objects (like a candle or the sun) not only reflected from the large black spot but also from the smaller darker spots within it.
Besides the aforesaid colour'd Rings there would often appear small Spots of Colours, ascending and descending up and down the sides of the Bubble, by reason of some Inequalities in the subsiding of the Water. And sometimes small black Spots generated at the sides would ascend up to the larger black Spot at the top of the Bubble, and unite with it.
Besides the aforementioned colored rings, small spots of color would often appear, moving up and down the sides of the bubble due to some inconsistencies in the settling of the water. Occasionally, small black spots that formed at the sides would rise up to merge with the larger black spot at the top of the bubble.
Obs. 18. Because the Colours of these Bubbles were more extended and lively than those of the Air thinn'd between two Glasses, and so more easy to be distinguish'd, I shall here give you a farther description of their order, as they were observ'd in viewing them by Reflexion of the Skies when of a white Colour, whilst a black substance was placed[Pg 216] behind the Bubble. And they were these, red, blue; red, blue; red, blue; red, green; red, yellow, green, blue, purple; red, yellow, green, blue, violet; red, yellow, white, blue, black.
Obs. 18. Because the colors of these bubbles were more vibrant and varied than those of the air thinned between two glasses, and therefore easier to distinguish, I will provide an additional description of their order as observed when reflecting the white sky, while a black substance was placed[Pg 216] behind the bubble. They were as follows: red, blue; red, blue; red, blue; red, green; red, yellow, green, blue, purple; red, yellow, green, blue, violet; red, yellow, white, blue, black.
The three first Successions of red and blue were very dilute and dirty, especially the first, where the red seem'd in a manner to be white. Among these there was scarce any other Colour sensible besides red and blue, only the blues (and principally the second blue) inclined a little to green.
The first three mixtures of red and blue were very thin and murky, especially the first one, where the red almost looked white. Other than red and blue, there was hardly any noticeable color, except for the blues (especially the second blue), which leaned slightly toward green.
The fourth red was also dilute and dirty, but not so much as the former three; after that succeeded little or no yellow, but a copious green, which at first inclined a little to yellow, and then became a pretty brisk and good willow green, and afterwards changed to a bluish Colour; but there succeeded neither blue nor violet.
The fourth red was also thin and murky, but not as much as the first three; after that, there was little or no yellow, but a lot of green, which at first had a slight yellow tint, and then turned into a nice, bright willow green, and eventually changed to a bluish color; but there was no blue or violet that followed.
The fifth red at first inclined very much to purple, and afterwards became more bright and brisk, but yet not very pure. This was succeeded with a very bright and intense yellow, which was but little in quantity, and soon chang'd to green: But that green was copious and something more pure, deep and lively, than the former green. After that follow'd an excellent blue of a bright Sky-colour, and then a purple, which was less in quantity than the blue, and much inclined to red.
The fifth red initially leaned heavily towards purple, then became brighter and more vibrant, though still not very pure. This was followed by a very bright and intense yellow, which was limited in amount and quickly changed to green. However, that green was abundant and somewhat purer, deeper, and livelier than the previous green. After that, there was an excellent bright sky-blue, and then a purple, which was less than the blue and had a strong red tendency.
The sixth red was at first of a very fair and lively scarlet, and soon after of a brighter Colour, being very pure and brisk, and the best of all the reds. Then after a lively orange follow'd an intense bright[Pg 217] and copious yellow, which was also the best of all the yellows, and this changed first to a greenish yellow, and then to a greenish blue; but the green between the yellow and the blue, was very little and dilute, seeming rather a greenish white than a green. The blue which succeeded became very good, and of a very bright Sky-colour, but yet something inferior to the former blue; and the violet was intense and deep with little or no redness in it. And less in quantity than the blue.
The sixth red started out as a vibrant, lively scarlet and soon became an even brighter shade, pure and vivid, making it the best of all the reds. After that, a bright orange was followed by a strong, rich yellow, which was also the best of all the yellows. This then shifted to a greenish yellow and then to a greenish blue; however, the green between the yellow and the blue was quite faint and seemed more like a greenish white than an actual green. The blue that came next was very good and had a bright sky color, although it was slightly less intense than the earlier blue. The violet that followed was rich and deep with little to no redness in it, and it was smaller in quantity than the blue.
In the last red appeared a tincture of scarlet next to violet, which soon changed to a brighter Colour, inclining to an orange; and the yellow which follow'd was at first pretty good and lively, but afterwards it grew more dilute until by degrees it ended in perfect whiteness. And this whiteness, if the Water was very tenacious and well-temper'd, would slowly spread and dilate it self over the greater part of the Bubble; continually growing paler at the top, where at length it would crack in many places, and those cracks, as they dilated, would appear of a pretty good, but yet obscure and dark Sky-colour; the white between the blue Spots diminishing, until it resembled the Threds of an irregular Net-work, and soon after vanish'd, and left all the upper part of the Bubble of the said dark blue Colour. And this Colour, after the aforesaid manner, dilated it self downwards, until sometimes it hath overspread the whole Bubble. In the mean while at the top, which was of a darker blue than the bottom, and appear'd also full of many round blue Spots, something darker than the rest, there would[Pg 218] emerge one or more very black Spots, and within those, other Spots of an intenser blackness, which I mention'd in the former Observation; and these continually dilated themselves until the Bubble broke.
In the final red, a shade of scarlet appeared next to violet, which soon shifted to a brighter color, leaning towards orange; and the yellow that followed initially looked pretty vibrant and lively, but eventually became more diluted until it completely turned to pure whiteness. If the water was very thick and well-balanced, this whiteness would slowly spread and expand over most of the bubble, continuously getting paler at the top, where it eventually cracked in several spots. As those cracks widened, they showed a decent, but still somewhat obscure and dark sky-blue color; the white between the blue spots faded until it looked like threads of an irregular net, which soon disappeared, leaving the entire upper part of the bubble in that dark blue color. This color, in the same way, spread downward until it sometimes covered the whole bubble. Meanwhile, at the top, which was a darker blue than the bottom and seemed full of many round blue spots that were slightly darker than the rest, one or more very black spots would emerge, and within those, other spots of an even deeper blackness, which I mentioned in the previous observation; and these continually expanded until the bubble burst.
If the Water was not very tenacious, the black Spots would break forth in the white, without any sensible intervention of the blue. And sometimes they would break forth within the precedent yellow, or red, or perhaps within the blue of the second order, before the intermediate Colours had time to display themselves.
If the water wasn't very thick, the black spots would appear in the white without much influence from the blue. And sometimes they would emerge within the previous yellow, or red, or maybe even within the blue of the second order, before the intermediate colors had a chance to show themselves.
By this description you may perceive how great an affinity these Colours have with those of Air described in the fourth Observation, although set down in a contrary order, by reason that they begin to appear when the Bubble is thickest, and are most conveniently reckon'd from the lowest and thickest part of the Bubble upwards.
By this description, you can see how closely these colors relate to those of air mentioned in the fourth observation, even though they're listed in the opposite order. This is because they start to show up when the bubble is thickest and are best accounted for from the lowest and thickest part of the bubble upward.
Obs. 19. Viewing in several oblique Positions of my Eye the Rings of Colours emerging on the top of the Bubble, I found that they were sensibly dilated by increasing the obliquity, but yet not so much by far as those made by thinn'd Air in the seventh Observation. For there they were dilated so much as, when view'd most obliquely, to arrive at a part of the Plate more than twelve times thicker than that where they appear'd when viewed perpendicularly; whereas in this case the thickness of the Water, at which they arrived when viewed most obliquely, was to that thickness which exhibited them by perpendicular Rays, something less than as 8 to 5. By the best of[Pg 219] my Observations it was between 15 and 15-1/2 to 10; an increase about 24 times less than in the other case.
Obs. 19. When I looked at the rings of color on the surface of the bubble from various angles, I noticed that they expanded noticeably with increased angle, but not nearly as much as those created by thin air in my seventh observation. In that case, they expanded so much that, when viewed at the most oblique angle, they reached a part of the plate over twelve times thicker than where they appeared when viewed straight on. In this instance, the thickness of the water at which they appeared when viewed at the most oblique angle was somewhat less than an 8 to 5 ratio compared to the thickness at which they showed up with perpendicular rays. According to my best observations, it was around 15 to 15-1/2 to 10; an increase about 24 times less than in the other case.
Sometimes the Bubble would become of an uniform thickness all over, except at the top of it near the black Spot, as I knew, because it would exhibit the same appearance of Colours in all Positions of the Eye. And then the Colours which were seen at its apparent circumference by the obliquest Rays, would be different from those that were seen in other places, by Rays less oblique to it. And divers Spectators might see the same part of it of differing Colours, by viewing it at very differing Obliquities. Now observing how much the Colours at the same places of the Bubble, or at divers places of equal thickness, were varied by the several Obliquities of the Rays; by the assistance of the 4th, 14th, 16th and 18th Observations, as they are hereafter explain'd, I collect the thickness of the Water requisite to exhibit any one and the same Colour, at several Obliquities, to be very nearly in the Proportion expressed in this Table.
Sometimes the Bubble would have a uniform thickness all over, except at the top near the black Spot, as I noticed, because it would show the same colors from all angles of view. The colors seen at its apparent edge by the more angled rays would differ from those seen in other areas through less angled rays. Different viewers might see the same part of it in varying colors depending on their angle of view. By observing how much the colors at the same spots on the Bubble, or at different spots of equal thickness, changed due to the different angles of the rays; with the help of the 4th, 14th, 16th, and 18th Observations, as explained later, I determined that the thickness of the water needed to show the same color at various angles is very close to the proportion shown in this Table.
Incidence on the Water. | Refraction into the Water. | Thickness of the Water. |
Deg. Min. | Deg. Min. | |
00 00 | 00 00 | 10 |
15 00 | 11 11 | 10-1/4 |
30 00 | 22 1 | 10-4/5 |
45 00 | 32 2 | 11-4/5 |
60 00 | 40 30 | 13 |
75 00 | 46 25 | 14-1/2 |
90 00 | 48 35 | 15-1/5 |
In the two first Columns are express'd the Obliquities of the Rays to the Superficies of the Water, that is, their Angles of Incidence and Refraction. Where I suppose, that the Sines which measure them are in round Numbers, as 3 to 4, though probably the Dissolution of Soap in the Water, may a little alter its refractive Virtue. In the third Column, the Thickness of the Bubble, at which any one Colour is exhibited in those several Obliquities, is express'd in Parts, of which ten constitute its Thickness when the Rays are perpendicular. And the Rule found by the seventh Observation agrees well with these Measures, if duly apply'd; namely, that the Thickness of a Plate of Water requisite to exhibit one and the same Colour at several Obliquities of the Eye, is proportional to the Secant of an Angle, whose Sine is the first of an hundred and six arithmetical mean Proportionals between the Sines of Incidence and Refraction counted from the lesser Sine, that is, from the Sine of Refraction when the Refraction is made out of Air into Water, otherwise from the Sine of Incidence.
In the first two columns, the angles of the rays hitting the water's surface are shown, including their angles of incidence and refraction. I assume that the sines measuring these angles are in whole numbers, like 3 to 4, although the dissolution of soap in the water might slightly change its refractive properties. In the third column, the thickness of the bubble at which any specific color appears at those different angles is given in parts, with ten parts representing its thickness when the rays are perpendicular. The rule derived from the seventh observation fits well with these measurements when applied correctly; specifically, that the thickness of a water plate needed to show the same color at various eye angles is proportional to the secant of an angle, whose sine is the first in a series of one hundred and six arithmetic mean proportionals between the sines of incidence and refraction, counted from the smaller sine, that is, from the sine of refraction when moving from air into water, or else from the sine of incidence.
I have sometimes observ'd, that the Colours which arise on polish'd Steel by heating it, or on Bell-metal, and some other metalline Substances, when melted and pour'd on the Ground, where they may cool in the open Air, have, like the Colours of Water-bubbles, been a little changed by viewing them at divers Obliquities, and particularly that a deep blue, or violet, when view'd very obliquely, hath been changed to a deep red. But the Changes of these[Pg 221] Colours are not so great and sensible as of those made by Water. For the Scoria, or vitrified Part of the Metal, which most Metals when heated or melted do continually protrude, and send out to their Surface, and which by covering the Metals in form of a thin glassy Skin, causes these Colours, is much denser than Water; and I find that the Change made by the Obliquation of the Eye is least in Colours of the densest thin Substances.
I have sometimes noticed that the colors that appear on polished steel when heated, or on bell metal and some other metallic substances when melted and poured on the ground to cool in the open air, have, similar to the colors of water bubbles, changed slightly depending on the angle from which they are viewed. In particular, a deep blue or violet can turn into a deep red when seen from a very oblique angle. However, the changes in these[Pg 221] colors aren't as significant or noticeable as those produced by water. The scoria, or vitrified part of the metal, which most metals continuously release and which forms a thin glassy layer on their surface, causing these colors, is much denser than water. I have found that the change caused by the angle of vision is least pronounced in the colors of the densest thin substances.
Obs. 20. As in the ninth Observation, so here, the Bubble, by transmitted Light, appear'd of a contrary Colour to that, which it exhibited by Reflexion. Thus when the Bubble being look'd on by the Light of the Clouds reflected from it, seemed red at its apparent Circumference, if the Clouds at the same time, or immediately after, were view'd through it, the Colour at its Circumference would be blue. And, on the contrary, when by reflected Light it appeared blue, it would appear red by transmitted Light.
Obs. 20. Just like in the ninth Observation, here the Bubble, when viewed through transmitted Light, seemed to show a different color than what it displayed through Reflection. For example, when the Bubble was seen with the light from the Clouds reflected off it, it appeared red at its visible edge, but if the Clouds were looked at through it at the same time or immediately after, the edge would appear blue. Conversely, when it looked blue in reflected Light, it would appear red in transmitted Light.
Obs. 21. By wetting very thin Plates of Muscovy Glass, whose thinness made the like Colours appear, the Colours became more faint and languid, especially by wetting the Plates on that side opposite to the Eye: But I could not perceive any variation of their Species. So then the thickness of a Plate requisite to produce any Colour, depends only on the density of the Plate, and not on that of the ambient Medium. And hence, by the 10th and 16th Observations, may be known the thickness which Bubbles of Water, or Plates of Muscovy Glass, or other Substances, have at any Colour produced by them.[Pg 222]
Obs. 21. When very thin plates of Muscovy glass were wetted, the thinness caused similar colors to appear, but the colors became fainter and less vibrant, especially when the plates were wet on the side opposite to the eye. However, I didn't notice any change in their type. Therefore, the thickness of a plate needed to produce any color relies solely on the density of the plate itself, not on the surrounding medium. Consequently, based on the 10th and 16th Observations, one can determine the thickness that water bubbles, plates of Muscovy glass, or other substances have at any color they produce.[Pg 222]
Obs. 22. A thin transparent Body, which is denser than its ambient Medium, exhibits more brisk and vivid Colours than that which is so much rarer; as I have particularly observed in the Air and Glass. For blowing Glass very thin at a Lamp Furnace, those Plates encompassed with Air did exhibit Colours much more vivid than those of Air made thin between two Glasses.
Obs. 22. A thin, transparent material that is denser than the surrounding medium shows brighter and more vivid colors than a much lighter one. I've noticed this especially with air and glass. When blowing glass very thin at a lamp furnace, the plates surrounded by air displayed colors that were much more intense than those of air that was made thin between two pieces of glass.
Obs. 23. Comparing the quantity of Light reflected from the several Rings, I found that it was most copious from the first or inmost, and in the exterior Rings became gradually less and less. Also the whiteness of the first Ring was stronger than that reflected from those parts of the thin Medium or Plate which were without the Rings; as I could manifestly perceive by viewing at a distance the Rings made by the two Object-glasses; or by comparing two Bubbles of Water blown at distant Times, in the first of which the Whiteness appear'd, which succeeded all the Colours, and in the other, the Whiteness which preceded them all.
Obs. 23. When I compared the amount of light reflected from the different Rings, I noticed that the first or innermost Ring reflected the most light, and the reflection gradually decreased in the outer Rings. Additionally, the whiteness of the first Ring was more intense than that reflected from the areas of the thin Medium or Plate outside the Rings. I could clearly see this by looking from a distance at the Rings formed by the two Object-glasses, or by comparing two bubbles of water blown at different times. In the first bubble, the whiteness appeared after all the colors, while in the second, the whiteness appeared before all of them.
Obs. 24. When the two Object-glasses were lay'd upon one another, so as to make the Rings of the Colours appear, though with my naked Eye I could not discern above eight or nine of those Rings, yet by viewing them through a Prism I have seen a far greater Multitude, insomuch that I could number more than forty, besides many others, that were so very small and close together, that I could not keep my Eye steady on them severally so as to number them, but by their Extent I have sometimes estimated[Pg 223] them to be more than an hundred. And I believe the Experiment may be improved to the Discovery of far greater Numbers. For they seem to be really unlimited, though visible only so far as they can be separated by the Refraction of the Prism, as I shall hereafter explain.
Obs. 24. When I stacked the two lenses on top of each other to see the color rings, I could only make out about eight or nine of those rings with my naked eye. However, when I looked at them through a prism, I was able to see many more—over forty in total. There were even more that were so tiny and closely packed together that I couldn’t focus on them individually to count them, but by their spread, I sometimes estimated them to be more than a hundred. I believe this experiment can be enhanced to uncover even greater quantities. They really seem to be endless, though we can only see as many as can be separated by the prism’s refraction, as I will explain later.

But it was but one side of these Rings, namely, that towards which the Refraction was made, which by that Refraction was render'd distinct, and the other side became more confused than when view'd by the naked Eye, insomuch that there I could not discern above one or two, and sometimes none of those Rings, of which I could discern eight or nine with my naked Eye. And their Segments or Arcs, which on the other side appear'd so numerous, for the most part exceeded not the third Part of a Circle. If the Refraction was very great, or the Prism very distant from the Object-glasses, the middle Part of those Arcs became also confused, so as to disappear and constitute an even Whiteness, whilst on either side their Ends, as also the whole Arcs farthest from the Center, became distincter than before, appearing in the Form as you see them design'd in the fifth Figure.
But only one side of these Rings, specifically the side where the Refraction occurred, was made distinct by that Refraction, while the other side became more confusing than when viewed with the naked eye, to the point that I could only see one or two, and sometimes none of those Rings, even though I could see eight or nine with my naked eye. The Segments or Arcs, which appeared so numerous on the other side, mostly didn’t exceed a third of a Circle. If the Refraction was very strong, or the Prism was far from the Object-lenses, the middle part of those Arcs also became confusing, causing them to disappear and create a uniform whiteness, while on either side, their Ends, as well as the entire Arcs farthest from the Center, appeared clearer than before, looking like what you see illustrated in the fifth Figure.
The Arcs, where they seem'd distinctest, were only white and black successively, without any other Colours intermix'd. But in other Places there[Pg 224] appeared Colours, whose Order was inverted by the refraction in such manner, that if I first held the Prism very near the Object-glasses, and then gradually removed it farther off towards my Eye, the Colours of the 2d, 3d, 4th, and following Rings, shrunk towards the white that emerged between them, until they wholly vanish'd into it at the middle of the Arcs, and afterwards emerged again in a contrary Order. But at the Ends of the Arcs they retain'd their Order unchanged.
The arcs, where they seemed most distinct, were just white and black, one after the other, with no other colors mixed in. However, in other areas[Pg 224], colors appeared, but their sequence was flipped due to refraction. If I held the prism close to the lenses and then slowly moved it further away toward my eye, the colors of the 2nd, 3rd, 4th, and subsequent rings shrank toward the white that appeared between them until they completely blended into it in the middle of the arcs, and then they reappeared in the opposite order. But at the ends of the arcs, they kept their order intact.
I have sometimes so lay'd one Object-glass upon the other, that to the naked Eye they have all over seem'd uniformly white, without the least Appearance of any of the colour'd Rings; and yet by viewing them through a Prism, great Multitudes of those Rings have discover'd themselves. And in like manner Plates of Muscovy Glass, and Bubbles of Glass blown at a Lamp-Furnace, which were not so thin as to exhibit any Colours to the naked Eye, have through the Prism exhibited a great Variety of them ranged irregularly up and down in the Form of Waves. And so Bubbles of Water, before they began to exhibit their Colours to the naked Eye of a Bystander, have appeared through a Prism, girded about with many parallel and horizontal Rings; to produce which Effect, it was necessary to hold the Prism parallel, or very nearly parallel to the Horizon, and to dispose it so that the Rays might be refracted upwards.
I have sometimes stacked one lens on top of another, making them all look uniformly white to the naked eye, without any hint of the colored rings. Yet, when viewed through a prism, a great multitude of those rings becomes visible. Similarly, sheets of Muscovy glass and bubbles of glass blown at a lamp furnace, which were not thin enough to show any colors to the naked eye, displayed a wide variety of colors when seen through the prism, arranged irregularly in wave-like patterns. Additionally, water bubbles, before they started showing colors to a casual observer, appeared through a prism surrounded by many parallel and horizontal rings. To achieve this effect, the prism needed to be held parallel, or very nearly parallel, to the horizon and positioned so that the rays could be refracted upward.
THE
SECOND BOOK
OF
OPTICKS
PART II.
Remarks upon the foregoing Observations.
Having given my Observations of these Colours, before I make use of them to unfold the Causes of the Colours of natural Bodies, it is convenient that by the simplest of them, such as are the 2d, 3d, 4th, 9th, 12th, 18th, 20th, and 24th, I first explain the more compounded. And first to shew how the Colours in the fourth and eighteenth Observations are produced, let there be taken in any Right Line from the Point Y, [in Fig. 6.] the Lengths YA, YB, YC, YD, YE, YF, YG, YH, in proportion to one another, as the Cube-Roots of the Squares of the Numbers, 1/2, 9/16, 3/5, 2/3, 3/4, 5/6, 8/9, 1, whereby the Lengths of a Musical Chord to sound all the Notes in an eighth are represented; that is, in the Proportion[Pg 226] of the Numbers 6300, 6814, 7114, 7631, 8255, 8855, 9243, 10000. And at the Points A, B, C, D, E, F, G, H, let Perpendiculars Aα, Bβ, &c. be erected, by whose Intervals the Extent of the several Colours set underneath against them, is to be represented. Then divide the Line Aα in such Proportion as the Numbers 1, 2, 3, 5, 6, 7, 9, 10, 11, &c. set at the Points of Division denote. And through those Divisions from Y draw Lines 1I, 2K, 3L, 5M, 6N, 7O, &c.
Having shared my observations about these colors, before using them to explain the causes of the colors in natural bodies, it’s helpful to start with the simplest ones, specifically the 2nd, 3rd, 4th, 9th, 12th, 18th, 20th, and 24th, and then move on to the more complex ones. To show how the colors in the fourth and eighteenth observations are produced, take a straight line from point Y, [in Fig. 6.], with lengths YA, YB, YC, YD, YE, YF, YG, YH, in proportion to one another, based on the cube roots of the squares of the numbers 1/2, 9/16, 3/5, 2/3, 3/4, 5/6, 8/9, and 1. This represents the lengths of a musical chord that can play all the notes in an octave, meaning the proportion[Pg 226] corresponds to the numbers 6300, 6814, 7114, 7631, 8255, 8855, 9243, and 10000. At points A, B, C, D, E, F, G, H, draw perpendicular lines Aα, Bβ, etc., which will represent the range of the various colors placed below them. Next, divide line Aα in the proportion indicated by the numbers 1, 2, 3, 5, 6, 7, 9, 10, 11, etc., marked at the division points. Then draw lines 1I, 2K, 3L, 5M, 6N, 7O, etc., from Y through those divisions.
Now, if A2 be supposed to represent the Thickness of any thin transparent Body, at which the outmost Violet is most copiously reflected in the first Ring, or Series of Colours, then by the 13th Observation, HK will represent its Thickness, at which the utmost Red is most copiously reflected in the same Series. Also by the 5th and 16th Observations, A6 and HN will denote the Thicknesses at which those extreme Colours are most copiously reflected in the second Series, and A10 and HQ the Thicknesses at which they are most copiously reflected in the third Series, and so on. And the Thickness at which any of the intermediate Colours are reflected most copiously, will, according to the 14th Observation, be defined by the distance of the Line AH from the intermediate parts of the Lines 2K, 6N, 10Q, &c. against which the Names of those Colours are written below.[Pg 227]
Now, if A2 is assumed to represent the thickness of any thin, transparent material where the outermost violet is most strongly reflected in the first ring or series of colors, then according to the 13th observation, HK represents the thickness at which the outermost red is most strongly reflected in the same series. Additionally, based on the 5th and 16th observations, A6 and HN indicate the thicknesses at which those extreme colors are most strongly reflected in the second series, and A10 and HQ show the thicknesses at which they are most strongly reflected in the third series, and so on. The thickness at which any of the intermediate colors are most strongly reflected is, according to the 14th observation, defined by the distance of the line AH from the intermediate parts of the lines 2K, 6N, 10Q, etc., against which the names of those colors are written below.[Pg 227]

But farther, to define the Latitude of these Colours in each Ring or Series, let A1 design the least thickness, and A3 the greatest thickness, at which the extreme violet in the first Series is reflected, and let HI, and HL, design the like limits for the extreme red, and let the intermediate Colours be limited by the intermediate parts of the Lines 1I, and 3L, against which the Names of those Colours are written, and so on: But yet with this caution, that the Reflexions be supposed strongest at the intermediate Spaces, 2K, 6N, 10Q, &c. and from thence to decrease gradually towards these limits, 1I, 3L, 5M, 7O, &c. on either side; where you must not conceive them to be precisely limited, but to decay indefinitely. And whereas I have assign'd the same Latitude to every Series, I did it, because although the Colours in the first Series seem to be a little broader than the rest, by reason of a stronger Reflexion there, yet that inequality is so insensible as scarcely to be determin'd by Observation.
But to further define the range of these colors in each ring or series, let A1 represent the thinnest layer, and A3 the thickest layer, at which the deepest violet in the first series is reflected. Let HI and HL represent the corresponding limits for the deepest red, and let the intermediate colors be bounded by the intermediate points on lines II and 3L, where the names of those colors are indicated, and so on. However, keep in mind that reflections are assumed to be strongest at the intermediate spaces 2K, 6N, 10Q, etc., and then gradually decrease towards the limits 1I, 3L, 5M, 7O, etc. on either side; you should not think of them as precisely limited but rather fading indefinitely. Although I assigned the same range to every series, I did this because, while the colors in the first series appear slightly broader due to stronger reflection there, that difference is so subtle that it’s hardly noticeable through observation.
Now according to this Description, conceiving that the Rays originally of several Colours are by turns reflected at the Spaces 1I, L3, 5M, O7, 9PR11, &c. and transmitted at the Spaces AHI1, 3LM5, 7OP9, &c. it is easy to know what Colour must in the open Air be exhibited at any thickness of a transparent thin Body. For if a Ruler be applied parallel to AH, at that distance from it by which the thickness of the Body is represented, the alternate Spaces 1IL3, 5MO7, &c. which it crosseth will denote the reflected original Colours, of which the Colour exhibited in the open Air is compounded. Thus if the constitution of the green in the third Series of Colours be desired, apply the Ruler as you[Pg 229] see at πρσφ, and by its passing through some of the blue at π and yellow at σ, as well as through the green at ρ, you may conclude that the green exhibited at that thickness of the Body is principally constituted of original green, but not without a mixture of some blue and yellow.
Now according to this description, if we assume that the rays of different colors are reflected at the points 1I, L3, 5M, O7, 9PR11, etc., and transmitted at the points AHI1, 3LM5, 7OP9, etc., it becomes clear what color will appear in open air at any thickness of a transparent thin body. To determine this, you can place a ruler parallel to AH at the distance that corresponds to the thickness of the body. The alternating points 1IL3, 5MO7, etc., that the ruler intersects will indicate the reflected original colors that together form the color visible in open air. For example, if you want to find out the composition of green in the third series of colors, position the ruler as you see at πρσφ, and since it passes through some blue at π and yellow at σ, as well as through the green at ρ, you can conclude that the green displayed at that thickness of the body is mainly made up of original green, but it also contains a mix of some blue and yellow.
By this means you may know how the Colours from the center of the Rings outward ought to succeed in order as they were described in the 4th and 18th Observations. For if you move the Ruler gradually from AH through all distances, having pass'd over the first Space which denotes little or no Reflexion to be made by thinnest Substances, it will first arrive at 1 the violet, and then very quickly at the blue and green, which together with that violet compound blue, and then at the yellow and red, by whose farther addition that blue is converted into whiteness, which whiteness continues during the transit of the edge of the Ruler from I to 3, and after that by the successive deficience of its component Colours, turns first to compound yellow, and then to red, and last of all the red ceaseth at L. Then begin the Colours of the second Series, which succeed in order during the transit of the edge of the Ruler from 5 to O, and are more lively than before, because more expanded and severed. And for the same reason instead of the former white there intercedes between the blue and yellow a mixture of orange, yellow, green, blue and indigo, all which together ought to exhibit a dilute and imperfect green. So the Colours of the third Series all succeed in order; first, the[Pg 230] violet, which a little interferes with the red of the second order, and is thereby inclined to a reddish purple; then the blue and green, which are less mix'd with other Colours, and consequently more lively than before, especially the green: Then follows the yellow, some of which towards the green is distinct and good, but that part of it towards the succeeding red, as also that red is mix'd with the violet and blue of the fourth Series, whereby various degrees of red very much inclining to purple are compounded. This violet and blue, which should succeed this red, being mixed with, and hidden in it, there succeeds a green. And this at first is much inclined to blue, but soon becomes a good green, the only unmix'd and lively Colour in this fourth Series. For as it verges towards the yellow, it begins to interfere with the Colours of the fifth Series, by whose mixture the succeeding yellow and red are very much diluted and made dirty, especially the yellow, which being the weaker Colour is scarce able to shew it self. After this the several Series interfere more and more, and their Colours become more and more intermix'd, till after three or four more revolutions (in which the red and blue predominate by turns) all sorts of Colours are in all places pretty equally blended, and compound an even whiteness.
By this method, you can understand how the colors should appear in order from the center of the rings outward, as described in the 4th and 18th observations. If you move the ruler gradually from AH through all distances, after passing over the first space that shows little or no reflection from the thinnest substances, it will first reach violet, then quickly move to blue and green, which along with that violet create a blue compound, followed by yellow and red. Adding more of these colors turns the blue into white, which stays while the edge of the ruler moves from I to 3. After that, due to the decreasing presence of its component colors, it first becomes compound yellow, then red, and finally, the red ceases at L. Next, the colors of the second series appear, which follow in order as the ruler moves from 5 to O, and these are more vibrant than before because they are more distinct and separated. For the same reason, instead of the previous white, there is now a mix of orange, yellow, green, blue, and indigo between the blue and yellow, which together should present a pale and imperfect green. The colors of the third series follow in order; first, violet, which slightly overlaps with the red of the second series and leans towards a reddish purple; then blue and green, which are less mixed with other colors and therefore more vibrant, especially the green. Next comes yellow, some of which closer to green is distinct and bright, but that part toward the following red, as well as the red, mixes with the violet and blue of the fourth series, creating various shades of red that strongly lean toward purple. This violet and blue, which should come after the red, are mixed in and hidden within it, leading to a green. Initially, this green is more blue-tinged but soon becomes a true, bright green, the only pure and vibrant color in this fourth series. As it approaches yellow, it starts to mix with the colors of the fifth series, causing the upcoming yellow and red to become significantly diluted and muddied, especially the yellow, which, being the weaker color, struggles to show itself. After this, the various series overlap more and more, and their colors become increasingly intertwined, until after three or four more cycles (where red and blue take turns leading), all types of colors are mixed fairly evenly everywhere, creating a uniform whiteness.
And since by the 15th Observation the Rays endued with one Colour are transmitted, where those of another Colour are reflected, the reason of the Colours made by the transmitted Light in the 9th and 20th Observations is from hence evident.[Pg 231]
And since in the 15th Observation the rays of one color are transmitted while those of another color are reflected, the reason for the colors created by the transmitted light in the 9th and 20th Observations becomes clear.[Pg 231]
If not only the Order and Species of these Colours, but also the precise thickness of the Plate, or thin Body at which they are exhibited, be desired in parts of an Inch, that may be also obtained by assistance of the 6th or 16th Observations. For according to those Observations the thickness of the thinned Air, which between two Glasses exhibited the most luminous parts of the first six Rings were 1/178000, 3/178000, 5/178000, 7/178000, 9/178000, 11/178000 parts of an Inch. Suppose the Light reflected most copiously at these thicknesses be the bright citrine yellow, or confine of yellow and orange, and these thicknesses will be Fλ, Fμ, Fυ, Fξ, Fο, Fτ. And this being known, it is easy to determine what thickness of Air is represented by Gφ, or by any other distance of the Ruler from AH.
If you want not only the Order and Types of these Colors but also the exact thickness of the Plate or thin Layer at which they are shown, that can also be figured out with the help of the 6th or 16th Observations. According to those Observations, the thickness of the thinned Air, which between two Glasses showcased the brightest parts of the first six Rings, were 1/178000, 3/178000, 5/178000, 7/178000, 9/178000, 11/178000 parts of an Inch. Let's say the Light reflected most brightly at these thicknesses is a bright citrine yellow or a mix of yellow and orange, and these thicknesses will be Fλ, Fμ, Fυ, Fξ, Fο, Fτ. With this information, it's easy to figure out what thickness of Air is represented by Gφ or by any other distance of the Ruler from AH.
But farther, since by the 10th Observation the thickness of Air was to the thickness of Water, which between the same Glasses exhibited the same Colour, as 4 to 3, and by the 21st Observation the Colours of thin Bodies are not varied by varying the ambient Medium; the thickness of a Bubble of Water, exhibiting any Colour, will be 3/4 of the thickness of Air producing the same Colour. And so according to the same 10th and 21st Observations, the thickness of a Plate of Glass, whose Refraction of the mean refrangible Ray, is measured by the proportion of the Sines 31 to 20, may be 20/31 of the thickness of Air producing the same Colours; and the like of other Mediums. I do not affirm, that this proportion of 20 to 31, holds in all the Rays; for the Sines of other sorts of Rays[Pg 232] have other Proportions. But the differences of those Proportions are so little that I do not here consider them. On these Grounds I have composed the following Table, wherein the thickness of Air, Water, and Glass, at which each Colour is most intense and specifick, is expressed in parts of an Inch divided into ten hundred thousand equal parts.
But further, since in the 10th Observation the thickness of Air compared to the thickness of Water, which between the same Glasses showed the same Color, is 4 to 3, and in the 21st Observation the Colors of thin Materials do not change with different surrounding mediums; the thickness of a Water Bubble showcasing any Color will be 3/4 of the thickness of Air producing the same Color. Therefore, according to the same 10th and 21st Observations, the thickness of a Glass Plate, whose Refraction of the mean refrangible Ray is measured by the proportion of the Sines 31 to 20, may be 20/31 of the thickness of Air producing the same Colors; and the same applies to other mediums. I do not claim that this proportion of 20 to 31 applies to all Rays; the Sines of different types of Rays have different Proportions. However, the differences in those Proportions are so minimal that I do not consider them here. Based on these grounds, I have created the following Table, where the thickness of Air, Water, and Glass at which each Color is most intense and specific is expressed in parts of an Inch divided into one hundred thousand equal parts.
Now if this Table be compared with the 6th Scheme, you will there see the constitution of each Colour, as to its Ingredients, or the original Colours of which it is compounded, and thence be enabled to judge of its Intenseness or Imperfection; which may suffice in explication of the 4th and 18th Observations, unless it be farther desired to delineate the manner how the Colours appear, when the two Object-glasses are laid upon one another. To do which, let there be described a large Arc of a Circle, and a streight Line which may touch that Arc, and parallel to that Tangent several occult Lines, at such distances from it, as the Numbers set against the several Colours in the Table denote. For the Arc, and its Tangent, will represent the Superficies of the Glasses terminating the interjacent Air; and the places where the occult Lines cut the Arc will show at what distances from the center, or Point of contact, each Colour is reflected.[Pg 233]
Now, if you compare this Table with the 6th Scheme, you'll see the makeup of each Color in terms of its Ingredients, or the original Colors it's made from. This will help you understand its Intensity or Flaws. This should be enough to explain the 4th and 18th Observations, unless you want to describe how the Colors appear when the two Object-glasses are stacked on top of each other. To illustrate this, draw a large Arc of a Circle, and a straight Line that touches the Arc. Then, draw several hidden Lines parallel to that Tangent, at distances indicated by the Numbers next to each Color in the Table. The Arc and its Tangent will represent the Surface of the Glasses that separate the Air in between, and where the hidden Lines intersect the Arc will indicate how far from the center, or Point of contact, each Color is reflected.[Pg 233]
The thickness of colour'd Plates and Particles of
Air. | Water. | Glass. | ||
Their Colours of the first Order, | Very black | 1/2 | 3/8 | 10/31 |
Black | 1 | 3/4 | 20/31 | |
Beginning of Black | 2 | 1-1/2 | 1-2/7 | |
Blue | 2-2/5 | 1-4/5 | 1-11/22 | |
White | 5-1/4 | 3-7/8 | 3-2/5 | |
Yellow | 7-1/9 | 5-1/3 | 4-3/5 | |
Orange | 8 | 6 | 5-1/6 | |
Red | 9 | 6-3/4 | 5-4/5 | |
Of the second order, | Violet | 11-1/6 | 8-3/8 | 7-1/5 |
Indigo | 12-5/6 | 9-5/8 | 8-2/11 | |
Blue | 14 | 10-1/2 | 9 | |
Green | 15-1/8 | 11-2/3 | 9-5/7 | |
Yellow | 16-2/7 | 12-1/5 | 10-2/5 | |
Orange | 17-2/9 | 13 | 11-1/9 | |
Bright red | 18-1/3 | 13-3/4 | 11-5/6 | |
Scarlet | 19-2/3 | 14-3/4 | 12-2/3 | |
Of the third Order, | Indigo | 22-1/10 | 16-4/7 | 14-1/4 |
Blue | 23-2/5 | 17-11/20 | 15-1/10 | |
Green | 25-1/5 | 18-9/10 | 16-1/4 | |
Yellow | 27-1/7 | 20-1/3 | 17-1/2 | |
Red | 29 | 21-3/4 | 18-5/7 | |
Bluish red | 32 | 24 | 20-2/3 | |
Of the fourth Order, | Green | 35-2/7 | 26-1/2 | 22-3/4 |
Yellowish green | 36 | 27 | 23-2/9 | |
Red | 40-1/3 | 30-1/4 | 26 | |
Of the fifth Order, | Greenish blue | 46 | 34-1/2 | 29-2/3 |
Red | 52-1/2 | 39-3/8 | 34 | |
Of the sixth Order, | Greenish blue | 58-3/4 | 44 | 38 |
Red | 65 | 48-3/4 | 42 | |
Of the seventh Order, | Greenish blue | 71 | 53-1/4 | 45-4/5 |
Ruddy White | 77 | 57-3/4 | 49-2/3 |
There are also other Uses of this Table: For by its assistance the thickness of the Bubble in the 19th Observation was determin'd by the Colours which it exhibited. And so the bigness of the parts of natural Bodies may be conjectured by their Colours, as shall be hereafter shewn. Also, if two or more very thin Plates be laid one upon another, so as to compose one Plate equalling them all in thickness, the resulting Colour may be hereby determin'd. For instance, Mr. Hook observed, as is mentioned in his Micrographia, that a faint yellow Plate of Muscovy Glass laid upon a blue one, constituted a very deep purple. The yellow of the first Order is a faint one, and the thickness of the Plate exhibiting it, according to the Table is 4-3/5, to which add 9, the thickness exhibiting blue of the second Order, and the Sum will be 13-3/5, which is the thickness exhibiting the purple of the third Order.
There are also other uses for this table: with its help, the thickness of the bubble in the 19th observation was determined by the colors it showed. Similarly, the size of the parts of natural bodies can be estimated by their colors, as will be demonstrated later. Additionally, if two or more very thin plates are stacked on top of each other to create one plate equal in thickness to all of them combined, the resulting color can be determined this way. For example, Mr. Hook noted in his Micrographia that a faint yellow plate of Muscovy glass placed on top of a blue one produced a very deep purple. The yellow of the first order is a faint one, and the thickness of the plate showing it, according to the table, is 4-3/5. Adding 9, the thickness showing blue of the second order, gives a total of 13-3/5, which is the thickness showing the purple of the third order.
To explain, in the next place, the circumstances of the 2d and 3d Observations; that is, how the Rings of the Colours may (by turning the Prisms about their common Axis the contrary way to that expressed in those Observations) be converted into white and black Rings, and afterwards into Rings of Colours again, the Colours of each Ring lying now in an inverted order; it must be remember'd, that those Rings of Colours are dilated by the obliquation of the Rays to the Air which intercedes the Glasses, and that according to the Table in the 7th Observation, their Dilatation or Increase of their Diameter is most manifest and speedy when they are obliquest. Now the Rays of yellow being more refracted by the first Superficies of the said Air than those of red, are thereby made more oblique to the second Superficies, at which they are reflected to produce the colour'd Rings, and consequently the yellow Circle in each Ring will be more dilated than the red; and[Pg 235] the Excess of its Dilatation will be so much the greater, by how much the greater is the obliquity of the Rays, until at last it become of equal extent with the red of the same Ring. And for the same reason the green, blue and violet, will be also so much dilated by the still greater obliquity of their Rays, as to become all very nearly of equal extent with the red, that is, equally distant from the center of the Rings. And then all the Colours of the same Ring must be co-incident, and by their mixture exhibit a white Ring. And these white Rings must have black and dark Rings between them, because they do not spread and interfere with one another, as before. And for that reason also they must become distincter, and visible to far greater numbers. But yet the violet being obliquest will be something more dilated, in proportion to its extent, than the other Colours, and so very apt to appear at the exterior Verges of the white.
To explain next, regarding the 2nd and 3rd Observations; that is, how the color Rings can (by turning the Prisms around their common Axis in the opposite direction to that described in those Observations) be transformed into white and black Rings, and later back into color Rings again, with the Colors of each Ring now in an inverted order; it’s important to remember that these color Rings are expanded by the angle of the Rays to the Air that separates the Glasses, and that according to the Table in the 7th Observation, their expansion or increase in diameter is most noticeable and rapid when they are at an angle. Now, the yellow Rays are refracted more by the first Surface of the Air than the red Rays, making them more angled towards the second Surface, where they are reflected to create the colored Rings. Consequently, the yellow Circle in each Ring will be more expanded than the red; and[Pg 235] the amount of its expansion will be greater the more angled the Rays are, until it eventually matches the red of the same Ring. For the same reason, the green, blue, and violet will also expand more due to the even greater angle of their Rays, coming very close to being equal in size to the red, meaning they will be equally distant from the center of the Rings. All the Colors of the same Ring must then overlap, and by mixing together, create a white Ring. These white Rings must have black and dark Rings between them, as they do not spread and mix with one another as before. For this reason, they must also appear more distinct and visible to a much larger number of people. However, since violet is the most angled, it will be slightly more expanded, in proportion to its size, than the other Colors, and thus is likely to be seen at the outer edges of the white.
Afterwards, by a greater obliquity of the Rays, the violet and blue become more sensibly dilated than the red and yellow, and so being farther removed from the center of the Rings, the Colours must emerge out of the white in an order contrary to that which they had before; the violet and blue at the exterior Limbs of each Ring, and the red and yellow at the interior. And the violet, by reason of the greatest obliquity of its Rays, being in proportion most of all expanded, will soonest appear at the exterior Limb of each white Ring, and become more conspicuous than the rest. And the several Series of Colours belonging to the several Rings, will, by their unfolding[Pg 236] and spreading, begin again to interfere, and thereby render the Rings less distinct, and not visible to so great numbers.
Afterwards, due to a greater angle of the rays, the violet and blue colors spread out more noticeably than the red and yellow. Since they are farther from the center of the rings, the colors appear in the opposite order than before; the violet and blue are at the outer edges of each ring, while the red and yellow are at the inner part. Because the rays of violet are angled the most, it will expand the most and will be the first to appear at the outer edge of each white ring, making it stand out more than the others. The different color series belonging to each ring will start to overlap and spread, causing the rings to become less distinct and less visible to many.
If instead of the Prisms the Object-glasses be made use of, the Rings which they exhibit become not white and distinct by the obliquity of the Eye, by reason that the Rays in their passage through that Air which intercedes the Glasses are very nearly parallel to those Lines in which they were first incident on the Glasses, and consequently the Rays endued with several Colours are not inclined one more than another to that Air, as it happens in the Prisms.
If we use the lenses instead of the prisms, the rings they show won't appear white and clear due to the angle of the eye. This is because the rays passing through the air between the lenses are almost parallel to the lines where they first hit the lenses. As a result, the rays that have different colors aren’t refracted more than others in the air, unlike what happens with the prisms.
There is yet another circumstance of these Experiments to be consider'd, and that is why the black and white Rings which when view'd at a distance appear distinct, should not only become confused by viewing them near at hand, but also yield a violet Colour at both the edges of every white Ring. And the reason is, that the Rays which enter the Eye at several parts of the Pupil, have several Obliquities to the Glasses, and those which are most oblique, if consider'd apart, would represent the Rings bigger than those which are the least oblique. Whence the breadth of the Perimeter of every white Ring is expanded outwards by the obliquest Rays, and inwards by the least oblique. And this Expansion is so much the greater by how much the greater is the difference of the Obliquity; that is, by how much the Pupil is wider, or the Eye nearer to the Glasses. And the breadth of the violet must be most expanded, because the Rays apt to[Pg 237] excite a Sensation of that Colour are most oblique to a second or farther Superficies of the thinn'd Air at which they are reflected, and have also the greatest variation of Obliquity, which makes that Colour soonest emerge out of the edges of the white. And as the breadth of every Ring is thus augmented, the dark Intervals must be diminish'd, until the neighbouring Rings become continuous, and are blended, the exterior first, and then those nearer the center; so that they can no longer be distinguish'd apart, but seem to constitute an even and uniform whiteness.
There’s another aspect of these experiments to consider: why do the black and white rings, which look distinct from a distance, become confused when viewed up close and also show a violet color at the edges of each white ring? The reason is that the rays entering the eye at different parts of the pupil have varying angles to the lenses. The rays that are most angled, when viewed separately, would make the rings appear larger than those that are less angled. As a result, the width of the perimeter of each white ring is extended outward by the more angled rays and inward by the less angled ones. This expansion gets larger the greater the difference in angle—that is, the wider the pupil or the closer the eye is to the lenses. The violet edge must be the widest because the rays responsible for triggering that color are most angled when reflecting off a second or farther layer of thinned air and also have the greatest variation in angle, making that color emerge from the edges of the white more quickly. As the width of each ring increases, the dark gaps shrink until the neighboring rings blend together, starting with the outer ones and then those closer to the center, so they can no longer be distinguished and instead appear as a smooth and uniform whiteness.
Among all the Observations there is none accompanied with so odd circumstances as the twenty-fourth. Of those the principal are, that in thin Plates, which to the naked Eye seem of an even and uniform transparent whiteness, without any terminations of Shadows, the Refraction of a Prism should make Rings of Colours appear, whereas it usually makes Objects appear colour'd only there where they are terminated with Shadows, or have parts unequally luminous; and that it should make those Rings exceedingly distinct and white, although it usually renders Objects confused and coloured. The Cause of these things you will understand by considering, that all the Rings of Colours are really in the Plate, when view'd with the naked Eye, although by reason of the great breadth of their Circumferences they so much interfere and are blended together, that they seem to constitute an uniform whiteness. But when the Rays pass through the Prism to the Eye, the[Pg 238] Orbits of the several Colours in every Ring are refracted, some more than others, according to their degrees of Refrangibility: By which means the Colours on one side of the Ring (that is in the circumference on one side of its center), become more unfolded and dilated, and those on the other side more complicated and contracted. And where by a due Refraction they are so much contracted, that the several Rings become narrower than to interfere with one another, they must appear distinct, and also white, if the constituent Colours be so much contracted as to be wholly co-incident. But on the other side, where the Orbit of every Ring is made broader by the farther unfolding of its Colours, it must interfere more with other Rings than before, and so become less distinct.
Among all the observations, none has such unusual circumstances as the twenty-fourth. The main points are that in thin plates, which appear uniformly white and transparent to the naked eye, without any shadow boundaries, the refraction of a prism creates rings of colors. This is surprising because colors typically appear only where there are shadow edges or uneven brightness. Furthermore, these rings are very distinct and white, while normally, objects look muddled and colorful. You will understand the reason for this by recognizing that all the colors in the rings exist in the plate when viewed without a lens. However, due to the large width of their circumferences, they blend together, creating an overall whiteness. When the rays pass through the prism to the eye, the orbits of the different colors in each ring are refracted—some more than others based on their refrangibility. As a result, the colors on one side of the ring (the outer edge) spread out more, while those on the opposite side become tighter and more complex. Where the colors contract sufficiently through proper refraction so that the rings no longer overlap, they appear distinct and white, as their component colors align perfectly. Conversely, where the orbit of each ring expands further, it interferes more with other rings than before, making it less distinct.

To explain this a little farther, suppose the concentrick Circles AV, and BX, [in Fig. 7.] represent the red and violet of any Order, which, together with the intermediate Colours, constitute any one of these Rings. Now these being view'd through a Prism, the violet Circle BX, will, by a greater Refraction, be farther translated from its place than the red AV, and so[Pg 239] approach nearer to it on that side of the Circles, towards which the Refractions are made. For instance, if the red be translated to av, the violet may be translated to bx, so as to approach nearer to it at x than before; and if the red be farther translated to av, the violet may be so much farther translated to bx as to convene with it at x; and if the red be yet farther translated to αΥ, the violet may be still so much farther translated to βξ as to pass beyond it at ξ, and convene with it at e and f. And this being understood not only of the red and violet, but of all the other intermediate Colours, and also of every revolution of those Colours, you will easily perceive how those of the same revolution or order, by their nearness at xv and Υξ, and their coincidence at xv, e and f, ought to constitute pretty distinct Arcs of Circles, especially at xv, or at e and f; and that they will appear severally at xυ and at xv exhibit whiteness by their coincidence, and again appear severally at Υξ, but yet in a contrary order to that which they had before, and still retain beyond e and f. But on the other side, at ab, ab, or αβ, these Colours must become much more confused by being dilated and spread so as to interfere with those of other Orders. And the same confusion will happen at Υξ between e and f, if the Refraction be very great, or the Prism very distant from the Object-glasses: In which case no parts of the Rings will be seen, save only two little Arcs at e and f, whose distance from one another will be augmented by removing the Prism still farther from the Object-glasses: And these little Arcs must be distinctest and[Pg 240] whitest at their middle, and at their ends, where they begin to grow confused, they must be colour'd. And the Colours at one end of every Arc must be in a contrary order to those at the other end, by reason that they cross in the intermediate white; namely, their ends, which verge towards Υξ, will be red and yellow on that side next the center, and blue and violet on the other side. But their other ends which verge from Υξ, will on the contrary be blue and violet on that side towards the center, and on the other side red and yellow.
To explain this further, let's imagine the concentric Circles AV and BX, [in Fig. 7.] representing the red and violet of any Order, which, along with the colors in between, make up any one of these Rings. When viewed through a Prism, the violet Circle BX will be displaced more than the red Circle AV due to greater refraction. This means it will move closer to the red Circle on that side of the Circles towards which the refractions occur. For example, if the red moves to av, the violet can move to bx, getting nearer to x than before. If red shifts further to av, violet could shift even more to bx so they meet at x. If red continues to shift to αΥ, violet may shift even further to βξ, passing beyond it at ξ and meeting again at e and f. This applies not just to red and violet but to all the other intermediate Colors as well. It’s easy to see how those of the same order or revolution, due to their proximity at xv and Υξ, and their meet-up at xv, e, and f, should form distinct Arcs of Circles, especially at xv, or at e and f. They will appear separately at xυ, and at xv show whiteness due to their overlap, then appear separately again at Υξ, but in a different order than before, and continue to retain that order past e and f. However, on the opposite side, at ab, ab, or αβ, these Colors will become much more blended as they spread out and mix with those of other Orders. The same blending will occur at Υξ between e and f if the Refraction is very strong, or if the Prism is far from the Object-glasses. In that case, only two small Arcs at e and f will be visible, and the distance between them will increase if the Prism is moved even further away from the Object-glasses. These small Arcs will be clearest and [Pg 240] whitest in the middle, and at their ends, where they start to blend, they will have color. The colors at one end of each Arc will be in the opposite order from those at the other end because they cross in the interim white. Specifically, the ends facing towards Υξ will be red and yellow closest to the center, and blue and violet on the other side. Conversely, the ends facing away from Υξ will be blue and violet on the side close to the center, and red and yellow on the other side.
Now as all these things follow from the properties of Light by a mathematical way of reasoning, so the truth of them may be manifested by Experiments. For in a dark Room, by viewing these Rings through a Prism, by reflexion of the several prismatick Colours, which an assistant causes to move to and fro upon a Wall or Paper from whence they are reflected, whilst the Spectator's Eye, the Prism, and the Object-glasses, (as in the 13th Observation,) are placed steady; the Position of the Circles made successively by the several Colours, will be found such, in respect of one another, as I have described in the Figures abxv, or abxv, or αβξΥ. And by the same method the truth of the Explications of other Observations may be examined.
Now, since all these things come from the properties of Light through mathematical reasoning, their truth can be shown through Experiments. In a dark room, by looking at these Rings through a Prism and reflecting the different prism colors that an assistant moves back and forth on a wall or paper from which they are reflected, while the Viewer’s Eye, the Prism, and the Object lenses (as in the 13th Observation) remain still, the arrangement of the circles formed by the various colors will be found to relate to one another as I’ve described in the Figures abxv, or abxv, or αβξΥ. By using the same method, the truth of the explanations of other Observations can be checked.
By what hath been said, the like Phænomena of Water and thin Plates of Glass may be understood. But in small fragments of those Plates there is this farther observable, that where they lie flat upon a Table, and are turned about their centers whilst they[Pg 241] are view'd through a Prism, they will in some postures exhibit Waves of various Colours; and some of them exhibit these Waves in one or two Positions only, but the most of them do in all Positions exhibit them, and make them for the most part appear almost all over the Plates. The reason is, that the Superficies of such Plates are not even, but have many Cavities and Swellings, which, how shallow soever, do a little vary the thickness of the Plate. For at the several sides of those Cavities, for the Reasons newly described, there ought to be produced Waves in several postures of the Prism. Now though it be but some very small and narrower parts of the Glass, by which these Waves for the most part are caused, yet they may seem to extend themselves over the whole Glass, because from the narrowest of those parts there are Colours of several Orders, that is, of several Rings, confusedly reflected, which by Refraction of the Prism are unfolded, separated, and, according to their degrees of Refraction, dispersed to several places, so as to constitute so many several Waves, as there were divers orders of Colours promiscuously reflected from that part of the Glass.
Based on what has been said, the similar phenomena of water and thin plates of glass can be understood. However, in small fragments of those plates, there’s an additional observation: when they lie flat on a table and are rotated around their centers while being viewed through a prism, they will display waves of various colors in some positions. Some fragments show these waves in only one or two positions, but most of them show them in all positions, making them mostly visible all over the plates. The reason is that the surfaces of these plates aren't smooth but have many small indentations and bulges; even if they are shallow, they slightly change the thickness of the plate. At the different edges of these indentations, for the reasons just described, waves should be produced in various positions of the prism. Now, even though it’s only some very small and narrower parts of the glass that mainly cause these waves, they may appear to extend over the entire glass because from the narrowest parts there are colors of different orders, meaning various rings, that are reflected in a mixed way. When refracted through the prism, these colors are spread out, separated, and dispersed to different areas based on their degrees of refraction, resulting in different waves corresponding to the various orders of colors reflected from that section of the glass.
These are the principal Phænomena of thin Plates or Bubbles, whose Explications depend on the properties of Light, which I have heretofore deliver'd. And these you see do necessarily follow from them, and agree with them, even to their very least circumstances; and not only so, but do very much tend to their proof. Thus, by the 24th Observation it appears, that the Rays of several Colours, made as well by[Pg 242] thin Plates or Bubbles, as by Refractions of a Prism, have several degrees of Refrangibility; whereby those of each order, which at the reflexion from the Plate or Bubble are intermix'd with those of other orders, are separated from them by Refraction, and associated together so as to become visible by themselves like Arcs of Circles. For if the Rays were all alike refrangible, 'tis impossible that the whiteness, which to the naked Sense appears uniform, should by Refraction have its parts transposed and ranged into those black and white Arcs.
These are the main phenomena of thin plates or bubbles, whose explanations rely on the properties of light that I have previously described. As you can see, these phenomena necessarily stem from and align with those principles, even in their smallest details; moreover, they strongly support their validity. Thus, through the 24th observation, it is evident that the rays of different colors, produced by both thin plates or bubbles and by the refraction of a prism, have varying degrees of refrangibility. This means that those rays of each order, which appear mixed with rays of other orders upon reflection from the plate or bubble, are separated from them by refraction and grouped together, becoming visible as distinct arcs of circles. If all the rays were equally refrangible, it would be impossible for the uniform whiteness perceived by the naked eye to have its parts rearranged into those black and white arcs through refraction.
It appears also that the unequal Refractions of difform Rays proceed not from any contingent irregularities; such as are Veins, an uneven Polish, or fortuitous Position of the Pores of Glass; unequal and casual Motions in the Air or Æther, the spreading, breaking, or dividing the same Ray into many diverging parts; or the like. For, admitting any such irregularities, it would be impossible for Refractions to render those Rings so very distinct, and well defined, as they do in the 24th Observation. It is necessary therefore that every Ray have its proper and constant degree of Refrangibility connate with it, according to which its refraction is ever justly and regularly perform'd; and that several Rays have several of those degrees.
It also seems that the unequal refractions of different rays don’t come from any random irregularities, like veins, uneven polishing, or the random positioning of glass pores; irregular movements in the air or ether, the spreading, breaking, or splitting of a single ray into many diverging parts; or anything similar. Because if such irregularities existed, it would be impossible for the refractions to create those rings so distinct and well-defined, as seen in the 24th observation. Therefore, it’s necessary for each ray to have its own proper and constant degree of refractivity associated with it, which determines how its refraction is always accurately and consistently carried out, and that different rays have different degrees of refractivity.
And what is said of their Refrangibility may be also understood of their Reflexibility, that is, of their Dispositions to be reflected, some at a greater, and others at a less thickness of thin Plates or Bubbles; namely, that those Dispositions are also connate with[Pg 243] the Rays, and immutable; as may appear by the 13th, 14th, and 15th Observations, compared with the fourth and eighteenth.
And what is said about their ability to bend light can also be understood in terms of their ability to reflect, which means their tendency to bounce back from surfaces, some at a greater thickness and others at a lesser thickness of thin plates or bubbles. Specifically, these tendencies are also inherent to the rays and unchanging, as demonstrated by the 13th, 14th, and 15th Observations, when compared with the fourth and eighteenth.
By the Precedent Observations it appears also, that whiteness is a dissimilar mixture of all Colours, and that Light is a mixture of Rays endued with all those Colours. For, considering the multitude of the Rings of Colours in the 3d, 12th, and 24th Observations, it is manifest, that although in the 4th and 18th Observations there appear no more than eight or nine of those Rings, yet there are really a far greater number, which so much interfere and mingle with one another, as after those eight or nine revolutions to dilute one another wholly, and constitute an even and sensibly uniform whiteness. And consequently that whiteness must be allow'd a mixture of all Colours, and the Light which conveys it to the Eye must be a mixture of Rays endued with all those Colours.
From the previous observations, it’s clear that whiteness is a unique blend of all colors, and that light is a combination of rays that contain all those colors. When you look at the many color rings in the 3rd, 12th, and 24th observations, it’s evident that even though only eight or nine rings are visible in the 4th and 18th observations, there are actually many more that blend and interfere with each other. After those eight or nine cycles, they mix completely, creating a smooth and noticeably uniform whiteness. Therefore, whiteness can be considered a mix of all colors, and the light that reaches our eyes must be a mixture of rays containing all those colors.
But farther; by the 24th Observation it appears, that there is a constant relation between Colours and Refrangibility; the most refrangible Rays being violet, the least refrangible red, and those of intermediate Colours having proportionably intermediate degrees of Refrangibility. And by the 13th, 14th, and 15th Observations, compared with the 4th or 18th there appears to be the same constant relation between Colour and Reflexibility; the violet being in like circumstances reflected at least thicknesses of any thin Plate or Bubble, the red at greatest thicknesses, and the intermediate Colours at intermediate thicknesses.[Pg 244] Whence it follows, that the colorifick Dispositions of Rays are also connate with them, and immutable; and by consequence, that all the Productions and Appearances of Colours in the World are derived, not from any physical Change caused in Light by Refraction or Reflexion, but only from the various Mixtures or Separations of Rays, by virtue of their different Refrangibility or Reflexibility. And in this respect the Science of Colours becomes a Speculation as truly mathematical as any other part of Opticks. I mean, so far as they depend on the Nature of Light, and are not produced or alter'd by the Power of Imagination, or by striking or pressing the Eye.
But further, in the 24th Observation, it seems there is a consistent relationship between colors and refrangibility; the most refrangible rays are violet, while the least refrangible are red, with intermediate colors having correspondingly intermediate degrees of refrangibility. And in the 13th, 14th, and 15th Observations, compared to the 4th or 18th, there appears to be the same constant relationship between color and reflectivity; violet is reflected the least by any thin plate or bubble, red is reflected the most with greater thicknesses, and intermediate colors are reflected at intermediate thicknesses. [Pg 244] Therefore, it follows that the color properties of rays are inherent and unchangeable, and as a result, all the colors and appearances we see in the world come not from any physical change in light caused by refraction or reflection, but only from the various mixtures or separations of rays due to their different refrangibility or reflectivity. In this sense, the science of colors becomes as truly mathematical as any other aspect of optics, at least in terms of its dependence on the nature of light, and is not influenced or altered by the power of imagination, or by striking or pressing the eye.
THE
SECOND BOOK
OF
OPTICKS
PART III.
Of the permanent Colours of natural Bodies, and the Analogy between them and the Colours of thin transparent Plates.
I am now come to another part of this Design, which is to consider how the Phænomena of thin transparent Plates stand related to those of all other natural Bodies. Of these Bodies I have already told you that they appear of divers Colours, accordingly as they are disposed to reflect most copiously the Rays originally endued with those Colours. But their Constitutions, whereby they reflect some Rays more copiously than others, remain to be discover'd; and these I shall endeavour to manifest in the following Propositions.[Pg 246]
I have now reached another part of this discussion, which is to look at how the phenomena of thin transparent plates relate to those of all other natural bodies. I’ve already mentioned that these bodies appear in various colors, depending on how effectively they reflect the rays originally associated with those colors. However, the reasons behind their ability to reflect some rays more effectively than others still need to be uncovered; I will try to explain these in the following propositions.[Pg 246]
Prop. I.
Those Superficies of transparent Bodies reflect the greatest quantity of Light, which have the greatest refracting Power; that is, which intercede Mediums that differ most in their refractive Densities. And in the Confines of equally refracting Mediums there is no Reflexion.
Transparent surfaces reflect the most light when they have the highest refractive power, meaning they separate mediums that vary the most in their refractive densities. In areas where mediums have the same refracting ability, there is no reflection.
The Analogy between Reflexion and Refraction will appear by considering, that when Light passeth obliquely out of one Medium into another which refracts from the perpendicular, the greater is the difference of their refractive Density, the less Obliquity of Incidence is requisite to cause a total Reflexion. For as the Sines are which measure the Refraction, so is the Sine of Incidence at which the total Reflexion begins, to the Radius of the Circle; and consequently that Angle of Incidence is least where there is the greatest difference of the Sines. Thus in the passing of Light out of Water into Air, where the Refraction is measured by the Ratio of the Sines 3 to 4, the total Reflexion begins when the Angle of Incidence is about 48 Degrees 35 Minutes. In passing out of Glass into Air, where the Refraction is measured by the Ratio of the Sines 20 to 31, the total Reflexion begins when the Angle of Incidence is 40 Degrees 10 Minutes; and so in passing out of Crystal, or more strongly refracting Mediums into Air, there is still a less obliquity requisite to cause a total reflexion. Superficies therefore[Pg 247] which refract most do soonest reflect all the Light which is incident on them, and so must be allowed most strongly reflexive.
The analogy between reflection and refraction becomes clear when we consider that when light exits one medium into another at an angle and the second medium refracts light away from the perpendicular, a greater difference in their refractive densities means a smaller angle of incidence is needed to achieve total reflection. Just as the sines correspond to the refraction, the sine of incidence at which total reflection starts relates to the radius of the circle; therefore, the angle of incidence is smallest when there's the greatest difference in the sines. For example, when light moves from water to air, where the refraction is measured by the ratio of the sines as 3 to 4, total reflection begins when the angle of incidence is about 48 degrees and 35 minutes. Similarly, when light travels from glass to air, with the refraction ratio of the sines being 20 to 31, total reflection starts at an angle of incidence of 40 degrees and 10 minutes. In cases where light passes from crystal or other strongly refracting mediums into air, even less angle is needed for total reflection. Therefore, surfaces that refract the most will reflect all the incident light more quickly, making them the most strongly reflective.
But the truth of this Proposition will farther appear by observing, that in the Superficies interceding two transparent Mediums, (such as are Air, Water, Oil, common Glass, Crystal, metalline Glasses, Island Glasses, white transparent Arsenick, Diamonds, &c.) the Reflexion is stronger or weaker accordingly, as the Superficies hath a greater or less refracting Power. For in the Confine of Air and Sal-gem 'tis stronger than in the Confine of Air and Water, and still stronger in the Confine of Air and common Glass or Crystal, and stronger in the Confine of Air and a Diamond. If any of these, and such like transparent Solids, be immerged in Water, its Reflexion becomes, much weaker than before; and still weaker if they be immerged in the more strongly refracting Liquors of well rectified Oil of Vitriol or Spirit of Turpentine. If Water be distinguish'd into two parts by any imaginary Surface, the Reflexion in the Confine of those two parts is none at all. In the Confine of Water and Ice 'tis very little; in that of Water and Oil 'tis something greater; in that of Water and Sal-gem still greater; and in that of Water and Glass, or Crystal or other denser Substances still greater, accordingly as those Mediums differ more or less in their refracting Powers. Hence in the Confine of common Glass and Crystal, there ought to be a weak Reflexion, and a stronger Reflexion in the Confine of common and metalline Glass; though[Pg 248] I have not yet tried this. But in the Confine of two Glasses of equal density, there is not any sensible Reflexion; as was shewn in the first Observation. And the same may be understood of the Superficies interceding two Crystals, or two Liquors, or any other Substances in which no Refraction is caused. So then the reason why uniform pellucid Mediums (such as Water, Glass, or Crystal,) have no sensible Reflexion but in their external Superficies, where they are adjacent to other Mediums of a different density, is because all their contiguous parts have one and the same degree of density.
But the truth of this proposition will become clearer when we observe that the surface between two transparent mediums (like air, water, oil, regular glass, crystal, metal glasses, island glasses, white transparent arsenic, diamonds, etc.) reflects light more or less strongly depending on the refracting power of the surface. For instance, the reflection at the boundary of air and salt is stronger than at the boundary of air and water, and even stronger at the boundary of air and regular glass or crystal, and even stronger at the boundary of air and diamond. If any of these transparent solids are immersed in water, their reflection becomes much weaker than before; it gets even weaker if they are immersed in stronger refracting liquids like well-rectified oil of vitriol or turpentine. If water is divided into two parts by an imaginary surface, there is no reflection at the boundary of those two parts. The reflection at the boundary of water and ice is very minimal; it’s somewhat greater between water and oil; even greater between water and salt; and even more between water and glass, crystal, or other denser substances, depending on how much the mediums differ in their refracting powers. Therefore, at the boundary of regular glass and crystal, we should see a weak reflection, and a stronger reflection at the boundary of regular and metal glass; although I haven’t tested this yet. However, at the boundary of two glasses of equal density, there is hardly any noticeable reflection, as shown in the first observation. The same applies to the surfaces between two crystals, or two liquids, or any other substances where no refraction occurs. Thus, the reason why uniform transparent mediums (like water, glass, or crystal) don’t exhibit noticeable reflection except at their outer surfaces, where they meet other mediums of different densities, is because all their adjacent parts share the same level of density.
Props. II.
The least parts of almost all natural Bodies are in some measure transparent: And the Opacity of those Bodies ariseth from the multitude of Reflexions caused in their internal Parts.
The smallest parts of nearly all natural bodies are somewhat transparent: And the opacity of those bodies comes from the numerous reflections happening within their internal parts.
That this is so has been observed by others, and will easily be granted by them that have been conversant with Microscopes. And it may be also tried by applying any substance to a hole through which some Light is immitted into a dark Room. For how opake soever that Substance may seem in the open Air, it will by that means appear very manifestly transparent, if it be of a sufficient thinness. Only white metalline Bodies must be excepted, which by reason of their excessive density seem to reflect almost all the Light incident on their first Superficies; unless by solution in Menstruums they[Pg 249] be reduced into very small Particles, and then they become transparent.
That this is true has been noted by others and will easily be acknowledged by anyone familiar with microscopes. You can also test this by placing any substance over a hole that lets light into a dark room. No matter how opaque that substance may seem in open air, it will appear clearly transparent if it is thin enough. However, white metallic objects should be excluded because their high density makes them reflect almost all the light that hits their surface; unless, by dissolving them in solvents, they[Pg 249] are reduced to very small particles, in which case they become transparent.
Props. III.
Between the parts of opake and colour'd Bodies are many Spaces, either empty, or replenish'd with Mediums of other Densities; as Water between the tinging Corpuscles wherewith any Liquor is impregnated, Air between the aqueous Globules that constitute Clouds or Mists; and for the most part Spaces void of both Air and Water, but yet perhaps not wholly void of all Substance, between the parts of hard Bodies.
Between the parts of opaque and colored objects, there are many spaces that are either empty or filled with materials of different densities; like water between the colored particles that any liquid contains, or air between the water droplets that make up clouds or mist. Most of the time, these spaces lack both air and water, but they might not be completely free of all substance between the parts of solid objects.
The truth of this is evinced by the two precedent Propositions: For by the second Proposition there are many Reflexions made by the internal parts of Bodies, which, by the first Proposition, would not happen if the parts of those Bodies were continued without any such Interstices between them; because Reflexions are caused only in Superficies, which intercede Mediums of a differing density, by Prop. 1.
The truth of this is shown by the two previous Propositions: The second Proposition reveals that many reflections occur due to the internal parts of bodies, which, according to the first Proposition, wouldn't happen if the parts of those bodies were connected without any gaps between them; because reflections only happen on surfaces where mediums of different densities interact, as stated in Prop. 1.
But farther, that this discontinuity of parts is the principal Cause of the opacity of Bodies, will appear by considering, that opake Substances become transparent by filling their Pores with any Substance of equal or almost equal density with their parts. Thus Paper dipped in Water or Oil, the Oculus Mundi Stone steep'd in Water, Linnen Cloth oiled or varnish'd, and many other Substances soaked in such[Pg 250] Liquors as will intimately pervade their little Pores, become by that means more transparent than otherwise; so, on the contrary, the most transparent Substances, may, by evacuating their Pores, or separating their parts, be render'd sufficiently opake; as Salts or wet Paper, or the Oculus Mundi Stone by being dried, Horn by being scraped, Glass by being reduced to Powder, or otherwise flawed; Turpentine by being stirred about with Water till they mix imperfectly, and Water by being form'd into many small Bubbles, either alone in the form of Froth, or by shaking it together with Oil of Turpentine, or Oil Olive, or with some other convenient Liquor, with which it will not perfectly incorporate. And to the increase of the opacity of these Bodies, it conduces something, that by the 23d Observation the Reflexions of very thin transparent Substances are considerably stronger than those made by the same Substances of a greater thickness.
But further, the main reason that different parts do not connect smoothly is that it causes objects to be opaque. This becomes clear when we see that opaque materials can become transparent by filling their tiny gaps with a substance of similar or nearly similar density. For example, paper dipped in water or oil, the Oculus Mundi stone soaked in water, linen cloth treated with oil or varnish, and many other materials soaked in such[Pg 250] liquids become more transparent as a result. Conversely, the clearest substances can become quite opaque by removing their air pockets or separating their parts. This can happen to salts or wet paper, or the Oculus Mundi stone when it dries, horn when scraped, glass when ground into powder or otherwise broken, turpentine when mixed with water until it doesn’t blend properly, and water when formed into tiny bubbles—either on its own as froth or by shaking it with turpentine oil, olive oil, or another similar liquid that doesn't mix fully. Additionally, as noted in the 23rd Observation, very thin transparent materials have significantly stronger reflections than those of the same materials when they are thicker.
Props. IV.
The Parts of Bodies and their Interstices must not be less than of some definite bigness, to render them opake and colour'd.
The parts of bodies and their gaps must be at least a certain size to make them opaque and colored.
For the opakest Bodies, if their parts be subtilly divided, (as Metals, by being dissolved in acid Menstruums, &c.) become perfectly transparent. And you may also remember, that in the eighth Observation there was no sensible reflexion at the Superficies of the Object-glasses, where they were very[Pg 251] near one another, though they did not absolutely touch. And in the 17th Observation the Reflexion of the Water-bubble where it became thinnest was almost insensible, so as to cause very black Spots to appear on the top of the Bubble, by the want of reflected Light.
For the least transparent materials, if their parts are finely divided (like metals when they’re dissolved in acidic solutions, etc.), they can become completely clear. Also, remember that in the eighth observation, there wasn’t any noticeable reflection on the surfaces of the lenses when they were very[Pg 251] close to each other, even though they didn’t actually touch. In the 17th observation, the reflection of the water bubble at its thinnest point was almost imperceptible, creating very dark spots on the top of the bubble due to the lack of reflected light.
On these grounds I perceive it is that Water, Salt, Glass, Stones, and such like Substances, are transparent. For, upon divers Considerations, they seem to be as full of Pores or Interstices between their parts as other Bodies are, but yet their Parts and Interstices to be too small to cause Reflexions in their common Surfaces.
On these grounds, I understand that water, salt, glass, stones, and similar substances are transparent. For various reasons, they appear to have just as many pores or gaps between their parts as other materials do, but their parts and gaps are simply too small to create reflections on their surfaces.
Props. V.
The transparent parts of Bodies, according to their several sizes, reflect Rays of one Colour, and transmit those of another, on the same grounds that thin Plates or Bubbles do reflect or transmit those Rays. And this I take to be the ground of all their Colours.
The clear parts of bodies, depending on their different sizes, reflect light rays of one color and allow those of another to pass through, similar to how thin plates or bubbles reflect or transmit rays. I believe this is the basis for all their colors.
For if a thinn'd or plated Body, which being of an even thickness, appears all over of one uniform Colour, should be slit into Threads, or broken into Fragments, of the same thickness with the Plate; I see no reason why every Thread or Fragment should not keep its Colour, and by consequence why a heap of those Threads or Fragments should not constitute a Mass or Powder of the same Colour, which the Plate exhibited before it was broken. And the parts of all natural Bodies being like so many[Pg 252] Fragments of a Plate, must on the same grounds exhibit the same Colours.
If a thin or plated object that has an even thickness appears to be one solid color, and you were to cut it into threads or break it into pieces that are the same thickness as the plate, I don't see why each thread or piece wouldn’t maintain its color. Consequently, I don't see why a collection of those threads or pieces wouldn’t form a mass or powder of the same color that the plate showed before it was broken. And since the parts of all natural objects are like so many[Pg 252] pieces of a plate, they should, for the same reasons, show the same colors.
Now, that they do so will appear by the affinity of their Properties. The finely colour'd Feathers of some Birds, and particularly those of Peacocks Tails, do, in the very same part of the Feather, appear of several Colours in several Positions of the Eye, after the very same manner that thin Plates were found to do in the 7th and 19th Observations, and therefore their Colours arise from the thinness of the transparent parts of the Feathers; that is, from the slenderness of the very fine Hairs, or Capillamenta, which grow out of the sides of the grosser lateral Branches or Fibres of those Feathers. And to the same purpose it is, that the Webs of some Spiders, by being spun very fine, have appeared colour'd, as some have observ'd, and that the colour'd Fibres of some Silks, by varying the Position of the Eye, do vary their Colour. Also the Colours of Silks, Cloths, and other Substances, which Water or Oil can intimately penetrate, become more faint and obscure by being immerged in those Liquors, and recover their Vigor again by being dried; much after the manner declared of thin Bodies in the 10th and 21st Observations. Leaf-Gold, some sorts of painted Glass, the Infusion of Lignum Nephriticum, and some other Substances, reflect one Colour, and transmit another; like thin Bodies in the 9th and 20th Observations. And some of those colour'd Powders which Painters use, may have their Colours a little changed, by being very elaborately and finely ground. Where I see not[Pg 253] what can be justly pretended for those changes, besides the breaking of their parts into less parts by that contrition, after the same manner that the Colour of a thin Plate is changed by varying its thickness. For which reason also it is that the colour'd Flowers of Plants and Vegetables, by being bruised, usually become more transparent than before, or at least in some degree or other change their Colours. Nor is it much less to my purpose, that, by mixing divers Liquors, very odd and remarkable Productions and Changes of Colours may be effected, of which no cause can be more obvious and rational than that the saline Corpuscles of one Liquor do variously act upon or unite with the tinging Corpuscles of another, so as to make them swell, or shrink, (whereby not only their bulk but their density also may be changed,) or to divide them into smaller Corpuscles, (whereby a colour'd Liquor may become transparent,) or to make many of them associate into one cluster, whereby two transparent Liquors may compose a colour'd one. For we see how apt those saline Menstruums are to penetrate and dissolve Substances to which they are applied, and some of them to precipitate what others dissolve. In like manner, if we consider the various Phænomena of the Atmosphere, we may observe, that when Vapours are first raised, they hinder not the transparency of the Air, being divided into parts too small to cause any Reflexion in their Superficies. But when in order to compose drops of Rain they begin to coalesce and constitute Globules of all intermediate[Pg 254] sizes, those Globules, when they become of convenient size to reflect some Colours and transmit others, may constitute Clouds of various Colours according to their sizes. And I see not what can be rationally conceived in so transparent a Substance as Water for the production of these Colours, besides the various sizes of its fluid and globular Parcels.
Now, their actions will be clear from the similarities in their properties. The vividly colored feathers of some birds, especially the peacock's tail, show different colors depending on the angle of light, just like thin plates did in the 7th and 19th observations. This means their colors come from the thinness of the transparent parts of the feathers—specifically, the delicate hairs or Capillamenta that grow from the sides of the thicker branches or fibers of those feathers. Similarly, the webs of some spiders, being spun very finely, appear colored, as some have noted, and the colored fibers of certain silks change color based on the angle of view. Additionally, the colors of silks, fabrics, and other materials that can be deeply penetrated by water or oil become fainter and less distinct when submerged in these liquids, regaining their vibrancy when dried, much like the properties of thin materials mentioned in the 10th and 21st observations. Leaf gold, some types of colored glass, the infusion of Lignum Nephriticum, and other substances reflect one color while transmitting another, similar to the thin materials discussed in the 9th and 20th observations. Some colored powders used by painters can also slightly change color when they are finely ground. I don’t see what could reasonably explain these changes besides the breaking down of their components into smaller parts through this grinding, just as the color of a thin plate changes with variations in its thickness. For this reason, the colors of flowers and plants often become more transparent when crushed, or at least change in some way. It's also relevant that mixing different liquids can lead to unusual and notable changes in color, which can be rationally attributed to the saline particles in one liquid interacting with or merging with the coloring particles in another, causing them to swell or shrink (thereby affecting their bulk and density) or to break into smaller particles (thus turning a colored liquid transparent) or to clump together, which allows two transparent liquids to form a colored one. We can see how these saline solvents readily penetrate and dissolve the substances they're applied to, and some can even cause what others dissolve to precipitate. Similarly, if we consider the various phenomena in the atmosphere, we notice that when vapors first rise, they don’t obstruct the transparency of the air, as they are divided into parts too small to reflect light off their surface. However, when they start to coalesce to form raindrops and create globules of varying sizes, those globules, when they reach a suitable size to reflect some colors while transmitting others, can form clouds of different colors based on their sizes. I don’t see how a transparent substance like water could account for these colors other than through the varying sizes of its fluid, globular particles.
Props. VI.
The parts of Bodies on which their Colours depend, are denser than the Medium which pervades their Interstices.
The parts of bodies that determine their colors are denser than the medium that fills their gaps.
This will appear by considering, that the Colour of a Body depends not only on the Rays which are incident perpendicularly on its parts, but on those also which are incident at all other Angles. And that according to the 7th Observation, a very little variation of obliquity will change the reflected Colour, where the thin Body or small Particles is rarer than the ambient Medium, insomuch that such a small Particle will at diversly oblique Incidences reflect all sorts of Colours, in so great a variety that the Colour resulting from them all, confusedly reflected from a heap of such Particles, must rather be a white or grey than any other Colour, or at best it must be but a very imperfect and dirty Colour. Whereas if the thin Body or small Particle be much denser than the ambient Medium, the Colours, according to the 19th Observation, are so little changed by the variation of obliquity, that the Rays which[Pg 255] are reflected least obliquely may predominate over the rest, so much as to cause a heap of such Particles to appear very intensely of their Colour.
This can be understood by recognizing that the color of an object depends not only on the rays that strike it directly but also on those that hit it at various angles. According to the 7th observation, even a slight change in angle can alter the reflected color, especially when the thin object or small particles are less dense than the surrounding medium. In this case, a tiny particle can reflect all kinds of colors at different angles, creating such a wide variety that the combined color reflected from a mass of these particles will appear more white or gray than any other color; at best, it will be a very dull and muddy color. On the other hand, if the thin object or small particle is much denser than the surrounding medium, as noted in the 19th observation, the colors change very little with angle variations, allowing the rays reflected at the least angle to dominate, making a group of these particles appear very vibrant in their color.
It conduces also something to the confirmation of this Proposition, that, according to the 22d Observation, the Colours exhibited by the denser thin Body within the rarer, are more brisk than those exhibited by the rarer within the denser.
It also supports this proposition that, according to the 22nd observation, the colors shown by the denser thin body inside the rarer one are brighter than those shown by the rarer body inside the denser one.
Prop. VII.
The bigness of the component parts of natural Bodies may be conjectured by their Colours.
The size of the various parts of natural bodies can be inferred from their colors.
For since the parts of these Bodies, by Prop. 5. do most probably exhibit the same Colours with a Plate of equal thickness, provided they have the same refractive density; and since their parts seem for the most part to have much the same density with Water or Glass, as by many circumstances is obvious to collect; to determine the sizes of those parts, you need only have recourse to the precedent Tables, in which the thickness of Water or Glass exhibiting any Colour is expressed. Thus if it be desired to know the diameter of a Corpuscle, which being of equal density with Glass shall reflect green of the third Order; the Number 16-1/4 shews it to be (16-1/4)/10000 parts of an Inch.
For the parts of these bodies, as mentioned in Prop. 5, likely show the same colors as a plate of the same thickness, as long as they have the same refractive density. Since their parts generally have a density similar to water or glass, which is clear from various observations, you can find the sizes of these parts by referring to the previous tables, where the thickness of water or glass that reflects any color is listed. So, if you want to know the diameter of a corpuscle, which has the same density as glass and reflects green of the third order, the number 16-1/4 indicates that it is (16-1/4)/10000 parts of an inch.
The greatest difficulty is here to know of what Order the Colour of any Body is. And for this end we must have recourse to the 4th and 18th[Pg 256] Observations; from whence may be collected these particulars.
The biggest challenge is understanding the Order of the Color of any Body. To achieve this, we need to refer to the 4th and 18th[Pg 256]Observations, from which we can gather these details.
Scarlets, and other reds, oranges, and yellows, if they be pure and intense, are most probably of the second order. Those of the first and third order also may be pretty good; only the yellow of the first order is faint, and the orange and red of the third Order have a great Mixture of violet and blue.
Scarlets, along with other reds, oranges, and yellows, if they are pure and vibrant, are most likely of the second order. The first and third order can also be decent; however, the yellow of the first order is pale, and the orange and red of the third order have a significant mix of violet and blue.
There may be good Greens of the fourth Order, but the purest are of the third. And of this Order the green of all Vegetables seems to be, partly by reason of the Intenseness of their Colours, and partly because when they wither some of them turn to a greenish yellow, and others to a more perfect yellow or orange, or perhaps to red, passing first through all the aforesaid intermediate Colours. Which Changes seem to be effected by the exhaling of the Moisture which may leave the tinging Corpuscles more dense, and something augmented by the Accretion of the oily and earthy Part of that Moisture. Now the green, without doubt, is of the same Order with those Colours into which it changeth, because the Changes are gradual, and those Colours, though usually not very full, yet are often too full and lively to be of the fourth Order.
There may be good Greens of the fourth Order, but the purest ones are of the third. In this Order, the green of all vegetables seems to be, partly because of the intensity of their colors, and partly because when they start to wither, some of them turn a greenish yellow, and others transition to a more vibrant yellow, orange, or even red, passing through all the intermediate colors mentioned. These changes seem to happen due to the loss of moisture, which can leave the coloring particles denser and slightly enhanced by the accumulation of the oily and earthy parts of that moisture. Now, the green is undoubtedly in the same Order as the colors it transforms into, because the changes are gradual, and while those colors usually aren't very intense, they are often too vibrant and lively to belong to the fourth Order.
Blues and Purples may be either of the second or third Order, but the best are of the third. Thus the Colour of Violets seems to be of that Order, because their Syrup by acid Liquors turns red, and by urinous and alcalizate turns green. For since it is of the Nature of Acids to dissolve or attenuate, and of[Pg 257] Alcalies to precipitate or incrassate, if the Purple Colour of the Syrup was of the second Order, an acid Liquor by attenuating its tinging Corpuscles would change it to a red of the first Order, and an Alcali by incrassating them would change it to a green of the second Order; which red and green, especially the green, seem too imperfect to be the Colours produced by these Changes. But if the said Purple be supposed of the third Order, its Change to red of the second, and green of the third, may without any Inconvenience be allow'd.
Blues and Purples can belong to either the second or third Order, but the best ones are from the third. The color of Violets appears to be from that Order because their syrup turns red with acidic liquids and green with urine or alkaline substances. Since acids tend to dissolve or break down, and alkalines to thicken or solidify, if the purple color of the syrup were of the second Order, an acidic liquid, by breaking down its coloring particles, would change it to a red of the first Order, and an alkaline would change it to a green of the second Order by thickening them. However, both the red and especially the green seem too imperfect to be the colors resulting from these changes. But if we assume that the purple is of the third Order, then its change to a red of the second Order and a green of the third can be accepted without any problem.
If there be found any Body of a deeper and less reddish Purple than that of the Violets, its Colour most probably is of the second Order. But yet there being no Body commonly known whose Colour is constantly more deep than theirs, I have made use of their Name to denote the deepest and least reddish Purples, such as manifestly transcend their Colour in purity.
If there is any object that is a deeper and less reddish purple than that of violets, its color is probably of the second order. However, since there is no commonly known object whose color is consistently deeper than theirs, I have used their name to refer to the deepest and least reddish purples, which clearly surpass their color in purity.
The blue of the first Order, though very faint and little, may possibly be the Colour of some Substances; and particularly the azure Colour of the Skies seems to be of this Order. For all Vapours when they begin to condense and coalesce into small Parcels, become first of that Bigness, whereby such an Azure must be reflected before they can constitute Clouds of other Colours. And so this being the first Colour which Vapours begin to reflect, it ought to be the Colour of the finest and most transparent Skies, in which Vapours are not arrived to that Grossness requisite to reflect other Colours, as we find it is by Experience.[Pg 258]
The blue of the first Order, while very faint and minimal, could possibly be the color of some substances; specifically, the blue color of the sky seems to belong to this Order. All vapors, when they start to condense and come together into small particles, first appear in this size, which is why that blue must be reflected before they can form clouds of other colors. Since this is the first color that vapors begin to reflect, it should be the color of the clearest and most transparent skies, where vapors haven't thickened enough to reflect other colors, as we observe through experience.[Pg 258]
Whiteness, if most intense and luminous, is that of the first Order, if less strong and luminous, a Mixture of the Colours of several Orders. Of this last kind is the Whiteness of Froth, Paper, Linnen, and most white Substances; of the former I reckon that of white Metals to be. For whilst the densest of Metals, Gold, if foliated, is transparent, and all Metals become transparent if dissolved in Menstruums or vitrified, the Opacity of white Metals ariseth not from their Density alone. They being less dense than Gold would be more transparent than it, did not some other Cause concur with their Density to make them opake. And this Cause I take to be such a Bigness of their Particles as fits them to reflect the white of the first order. For, if they be of other Thicknesses they may reflect other Colours, as is manifest by the Colours which appear upon hot Steel in tempering it, and sometimes upon the Surface of melted Metals in the Skin or Scoria which arises upon them in their cooling. And as the white of the first order is the strongest which can be made by Plates of transparent Substances, so it ought to be stronger in the denser Substances of Metals than in the rarer of Air, Water, and Glass. Nor do I see but that metallick Substances of such a Thickness as may fit them to reflect the white of the first order, may, by reason of their great Density (according to the Tenor of the first of these Propositions) reflect all the Light incident upon them, and so be as opake and splendent as it's possible for any Body to be. Gold, or Copper mix'd with less than half their Weight of[Pg 259] Silver, or Tin, or Regulus of Antimony, in fusion, or amalgamed with a very little Mercury, become white; which shews both that the Particles of white Metals have much more Superficies, and so are smaller, than those of Gold and Copper, and also that they are so opake as not to suffer the Particles of Gold or Copper to shine through them. Now it is scarce to be doubted but that the Colours of Gold and Copper are of the second and third order, and therefore the Particles of white Metals cannot be much bigger than is requisite to make them reflect the white of the first order. The Volatility of Mercury argues that they are not much bigger, nor may they be much less, lest they lose their Opacity, and become either transparent as they do when attenuated by Vitrification, or by Solution in Menstruums, or black as they do when ground smaller, by rubbing Silver, or Tin, or Lead, upon other Substances to draw black Lines. The first and only Colour which white Metals take by grinding their Particles smaller, is black, and therefore their white ought to be that which borders upon the black Spot in the Center of the Rings of Colours, that is, the white of the first order. But, if you would hence gather the Bigness of metallick Particles, you must allow for their Density. For were Mercury transparent, its Density is such that the Sine of Incidence upon it (by my Computation) would be to the Sine of its Refraction, as 71 to 20, or 7 to 2. And therefore the Thickness of its Particles, that they may exhibit the same Colours with those of Bubbles of Water, ought to be less than the Thickness of the[Pg 260] Skin of those Bubbles in the Proportion of 2 to 7. Whence it's possible, that the Particles of Mercury may be as little as the Particles of some transparent and volatile Fluids, and yet reflect the white of the first order.
Whiteness, when it’s most intense and bright, is that of the first Order. If it’s less strong and bright, it’s a mixture of the colors from several Orders. The whiteness of froth, paper, linen, and most white substances falls into this second category; I consider the whiteness of white metals to be in the first category. While the densest metal, gold, is transparent when thinned, and all metals become transparent when dissolved in solvents or turned into glass, the opacity of white metals doesn’t solely come from their density. Since they’re less dense than gold, they would be more transparent than gold if not for another factor that, along with their density, causes them to be opaque. I believe this factor is the size of their particles, which enables them to reflect the whiteness of the first order. If their particles have different thicknesses, they might reflect other colors, as is evident from the colors that appear on heated steel when tempering it, and sometimes on the surface of melted metals as they cool and form a crust or scoria. The whiteness of the first order is the strongest that can be produced by layers of transparent substances, and it should be stronger in the denser substances of metals than in the lighter substances like air, water, and glass. I also see that metallic substances with the right thickness to reflect the whiteness of the first order, due to their high density (according to my first proposition), could reflect all the light hitting them, thus being as opaque and brilliant as any body can be. Gold or copper mixed with less than half their weight of silver or tin, or fusible antimony, or amalgamated with a small amount of mercury, turns white; this shows both that the particles of white metals have considerably more surface area and are smaller than those of gold and copper, and also that they are so opaque that they don’t allow the particles of gold or copper to shine through. It’s clear that the colors of gold and copper belong to the second and third order, meaning the particles of white metals can't be much larger than required to reflect the whiteness of the first order. The volatility of mercury suggests that their size isn’t much larger, nor can they be much smaller, or they would lose their opacity and become either transparent as when they are made into glass or when dissolved, or turn black when ground finer, as with rubbing silver, tin, or lead against other substances to make black lines. The first and only color that white metals take on when grinding their particles smaller is black, so their whiteness must be that which borders the black spot in the center of the color rings, which means it’s the whiteness of the first order. However, if you try to infer the size of metallic particles from this, you must take their density into account. If mercury were transparent, its density would mean that the sine of incidence upon it (according to my calculations) would be to the sine of its refraction as 71 to 20, or 7 to 2. Therefore, the thickness of its particles, to show the same colors as water bubbles, should be thinner than the thickness of the[Pg 260] skin of those bubbles in the ratio of 2 to 7. Thus, it’s possible that the particles of mercury can be as small as the particles of some transparent and volatile fluids while still reflecting the whiteness of the first order.
Lastly, for the production of black, the Corpuscles must be less than any of those which exhibit Colours. For at all greater sizes there is too much Light reflected to constitute this Colour. But if they be supposed a little less than is requisite to reflect the white and very faint blue of the first order, they will, according to the 4th, 8th, 17th and 18th Observations, reflect so very little Light as to appear intensely black, and yet may perhaps variously refract it to and fro within themselves so long, until it happen to be stifled and lost, by which means they will appear black in all positions of the Eye without any transparency. And from hence may be understood why Fire, and the more subtile dissolver Putrefaction, by dividing the Particles of Substances, turn them to black, why small quantities of black Substances impart their Colour very freely and intensely to other Substances to which they are applied; the minute Particles of these, by reason of their very great number, easily overspreading the gross Particles of others; why Glass ground very elaborately with Sand on a Copper Plate, 'till it be well polish'd, makes the Sand, together with what is worn off from the Glass and Copper, become very black: why black Substances do soonest of all others become hot in the Sun's Light and burn, (which Effect may proceed[Pg 261] partly from the multitude of Refractions in a little room, and partly from the easy Commotion of so very small Corpuscles;) and why blacks are usually a little inclined to a bluish Colour. For that they are so may be seen by illuminating white Paper by Light reflected from black Substances. For the Paper will usually appear of a bluish white; and the reason is, that black borders in the obscure blue of the order described in the 18th Observation, and therefore reflects more Rays of that Colour than of any other.
Lastly, to create black, the particles must be smaller than any of those that produce colors. If they are any larger, they reflect too much light to be considered black. However, if they are slightly smaller than what is needed to reflect white and very faint blue light, they will, according to Observations 4, 8, 17, and 18, reflect very little light, making them appear intensely black. They might also refract the light internally for a long time until it's trapped and lost, which is why they look black from any viewpoint without any transparency. This explains why fire, and the more subtle agent of decomposition, turns substances black by breaking them down into smaller particles, and why tiny amounts of black substances can transfer their color strongly and easily to other materials they come into contact with. The tiny particles of black substances, due to their immense numbers, can easily cover the larger particles of other materials. This is also why glass, when finely ground with sand on a copper plate until polished, causes the sand, along with what is worn off from the glass and copper, to turn very black. Additionally, black materials heat up faster in sunlight and burn more easily than others, which may be partly due to the numerous refractions in a small space and partly because of the easy movement of such small particles. Furthermore, blacks often have a slight bluish tint, as seen when white paper is illuminated by light reflected from black objects—the paper tends to look bluish white. This occurs because black edges in the dim blue described in Observation 18 reflect more rays of that color than any other.
In these Descriptions I have been the more particular, because it is not impossible but that Microscopes may at length be improved to the discovery of the Particles of Bodies on which their Colours depend, if they are not already in some measure arrived to that degree of perfection. For if those Instruments are or can be so far improved as with sufficient distinctness to represent Objects five or six hundred times bigger than at a Foot distance they appear to our naked Eyes, I should hope that we might be able to discover some of the greatest of those Corpuscles. And by one that would magnify three or four thousand times perhaps they might all be discover'd, but those which produce blackness. In the mean while I see nothing material in this Discourse that may rationally be doubted of, excepting this Position: That transparent Corpuscles of the same thickness and density with a Plate, do exhibit the same Colour. And this I would have understood not without some Latitude, as well because those Corpuscles may be of irregular Figures, and many Rays[Pg 262] must be obliquely incident on them, and so have a shorter way through them than the length of their Diameters, as because the straitness of the Medium put in on all sides within such Corpuscles may a little alter its Motions or other qualities on which the Reflexion depends. But yet I cannot much suspect the last, because I have observed of some small Plates of Muscovy Glass which were of an even thickness, that through a Microscope they have appeared of the same Colour at their edges and corners where the included Medium was terminated, which they appeared of in other places. However it will add much to our Satisfaction, if those Corpuscles can be discover'd with Microscopes; which if we shall at length attain to, I fear it will be the utmost improvement of this Sense. For it seems impossible to see the more secret and noble Works of Nature within the Corpuscles by reason of their transparency.
In these descriptions, I've been more specific because it’s possible that microscopes may eventually be improved to discover the particles of bodies that their colors depend on, if we haven't already reached that level of perfection. If those instruments can be enhanced enough to clearly represent objects five or six hundred times larger than how they appear to our naked eyes from a foot away, I hope we could discover some of the smallest particles. And with a microscope that could magnify three or four thousand times, perhaps all of them could be detected, except for those that create blackness. In the meantime, I don’t see anything significant in this discussion that could be reasonably doubted, except this claim: that transparent particles of the same thickness and density as a plate show the same color. I’d like this to be understood with some flexibility, partly because those particles might be irregularly shaped, and many rays must hit them at an angle, giving a shorter path through them than the length of their diameters, and also because the confined nature of the medium around such particles might slightly alter its movements or other qualities that affect reflection. However, I am not very suspicious of the latter, since I’ve observed that some small plates of Muscovy glass that were evenly thick appeared to be the same color at their edges and corners, where the enclosed medium ended, as they did in other places. Nonetheless, it would greatly satisfy us if those particles could be discovered with microscopes; if we eventually achieve that, I fear it will be the ultimate enhancement of this sense. It seems impossible to see the more hidden and intricate works of nature within the particles due to their transparency.
Props. VIII.
The Cause of Reflexion is not the impinging of Light on the solid or impervious parts of Bodies, as is commonly believed.
The reason for reflection isn't just light hitting the hard or solid surfaces of objects, as people usually think.
This will appear by the following Considerations. First, That in the passage of Light out of Glass into Air there is a Reflexion as strong as in its passage out of Air into Glass, or rather a little stronger, and by many degrees stronger than in its passage out of Glass into Water. And it seems not probable that Air should have more strongly reflecting[Pg 263] parts than Water or Glass. But if that should possibly be supposed, yet it will avail nothing; for the Reflexion is as strong or stronger when the Air is drawn away from the Glass, (suppose by the Air-Pump invented by Otto Gueriet, and improved and made useful by Mr. Boyle) as when it is adjacent to it. Secondly, If Light in its passage out of Glass into Air be incident more obliquely than at an Angle of 40 or 41 Degrees it is wholly reflected, if less obliquely it is in great measure transmitted. Now it is not to be imagined that Light at one degree of obliquity should meet with Pores enough in the Air to transmit the greater part of it, and at another degree of obliquity should meet with nothing but parts to reflect it wholly, especially considering that in its passage out of Air into Glass, how oblique soever be its Incidence, it finds Pores enough in the Glass to transmit a great part of it. If any Man suppose that it is not reflected by the Air, but by the outmost superficial parts of the Glass, there is still the same difficulty: Besides, that such a Supposition is unintelligible, and will also appear to be false by applying Water behind some part of the Glass instead of Air. For so in a convenient obliquity of the Rays, suppose of 45 or 46 Degrees, at which they are all reflected where the Air is adjacent to the Glass, they shall be in great measure transmitted where the Water is adjacent to it; which argues, that their Reflexion or Transmission depends on the constitution of the Air and Water behind the Glass, and not on the striking of the Rays upon the parts of the Glass.[Pg 264] Thirdly, If the Colours made by a Prism placed at the entrance of a Beam of Light into a darken'd Room be successively cast on a second Prism placed at a greater distance from the former, in such manner that they are all alike incident upon it, the second Prism may be so inclined to the incident Rays, that those which are of a blue Colour shall be all reflected by it, and yet those of a red Colour pretty copiously transmitted. Now if the Reflexion be caused by the parts of Air or Glass, I would ask, why at the same Obliquity of Incidence the blue should wholly impinge on those parts, so as to be all reflected, and yet the red find Pores enough to be in a great measure transmitted. Fourthly, Where two Glasses touch one another, there is no sensible Reflexion, as was declared in the first Observation; and yet I see no reason why the Rays should not impinge on the parts of Glass, as much when contiguous to other Glass as when contiguous to Air. Fifthly, When the top of a Water-Bubble (in the 17th Observation,) by the continual subsiding and exhaling of the Water grew very thin, there was such a little and almost insensible quantity of Light reflected from it, that it appeared intensely black; whereas round about that black Spot, where the Water was thicker, the Reflexion was so strong as to make the Water seem very white. Nor is it only at the least thickness of thin Plates or Bubbles, that there is no manifest Reflexion, but at many other thicknesses continually greater and greater. For in the 15th Observation the Rays of the same Colour were by turns transmitted at one thickness,[Pg 265] and reflected at another thickness, for an indeterminate number of Successions. And yet in the Superficies of the thinned Body, where it is of any one thickness, there are as many parts for the Rays to impinge on, as where it is of any other thickness. Sixthly, If Reflexion were caused by the parts of reflecting Bodies, it would be impossible for thin Plates or Bubbles, at one and the same place, to reflect the Rays of one Colour, and transmit those of another, as they do according to the 13th and 15th Observations. For it is not to be imagined that at one place the Rays which, for instance, exhibit a blue Colour, should have the fortune to dash upon the parts, and those which exhibit a red to hit upon the Pores of the Body; and then at another place, where the Body is either a little thicker or a little thinner, that on the contrary the blue should hit upon its pores, and the red upon its parts. Lastly, Were the Rays of Light reflected by impinging on the solid parts of Bodies, their Reflexions from polish'd Bodies could not be so regular as they are. For in polishing Glass with Sand, Putty, or Tripoly, it is not to be imagined that those Substances can, by grating and fretting the Glass, bring all its least Particles to an accurate Polish; so that all their Surfaces shall be truly plain or truly spherical, and look all the same way, so as together to compose one even Surface. The smaller the Particles of those Substances are, the smaller will be the Scratches by which they continually fret and wear away the Glass until it be polish'd; but be they never so small they can wear away the Glass no[Pg 266] otherwise than by grating and scratching it, and breaking the Protuberances; and therefore polish it no otherwise than by bringing its roughness to a very fine Grain, so that the Scratches and Frettings of the Surface become too small to be visible. And therefore if Light were reflected by impinging upon the solid parts of the Glass, it would be scatter'd as much by the most polish'd Glass as by the roughest. So then it remains a Problem, how Glass polish'd by fretting Substances can reflect Light so regularly as it does. And this Problem is scarce otherwise to be solved, than by saying, that the Reflexion of a Ray is effected, not by a single point of the reflecting Body, but by some power of the Body which is evenly diffused all over its Surface, and by which it acts upon the Ray without immediate Contact. For that the parts of Bodies do act upon Light at a distance shall be shewn hereafter.
This will be clear from the following considerations. First, when light passes from glass into air, there is a reflection that is as strong as when it passes from air into glass, or even slightly stronger, and much stronger than when it goes from glass into water. It seems unlikely that air has more strongly reflecting parts than water or glass. However, even if one were to assume that it does, it wouldn't change the fact that the reflection is just as strong, or even stronger, when the air is removed from the glass (as would happen with an air pump invented by Otto Gueriet, improved and made practical by Mr. Boyle) as when it is next to it. Second, if light exits glass into air at an angle of more than 40 or 41 degrees, it is totally reflected; if at a lesser angle, it is largely transmitted. It’s hard to believe that light at one angle could find enough pores in the air to transmit most of it, while at another angle it finds only parts that reflect it completely, especially since in its passage from air into glass, no matter how angled, it encounters enough pores in the glass to transmit a significant amount. If someone thinks that reflection happens due to the outermost parts of the glass rather than the air, that raises the same issue: besides, such an assumption is unintelligible and will also be proven false if water is placed behind some part of the glass instead of air. For example, at a convenient angle of 45 or 46 degrees, where all rays are reflected with air adjacent to the glass, they would largely be transmitted with water adjacent to it. This shows that reflection or transmission depends on the nature of the air and water behind the glass, not on the rays hitting the glass itself.[Pg 264] Third, if the colors created by a prism at the entrance of a beam of light in a dark room are cast onto a second prism placed further away, in such a way that they all hit it equally, the second prism can be angled so that the blue rays are entirely reflected, while the red rays are significantly transmitted. If the reflection is due to the parts of air or glass, then I would ask why, at the same angle, the blue rays would completely strike those parts and be reflected, while the red rays find enough pores to be transmitted. Fourth, where two pieces of glass touch, there is no noticeable reflection, as mentioned in the first observation; yet there's no reason to think that rays wouldn't strike the glass surfaces as much when they are next to each other as when they are next to air. Fifth, when the top of a water bubble (as mentioned in the 17th observation) became very thin due to the continuous settling and evaporation of the water, only a very small and almost undetectable amount of light was reflected from it, making it appear intensely black; while around that black spot, where the water was thicker, the reflection was strong enough to make the water look very white. It’s not just at the slightest thickness of thin plates or bubbles that there’s no visible reflection, but at many other thicknesses that continually increase. In the 15th observation, rays of the same color were alternately transmitted at one thickness and reflected at another thickness, for an indefinite number of times. Yet on the surface of the thinned body, regardless of the thickness, there are as many parts for the rays to strike as there are at any other thickness. Sixth, if reflection were caused by the parts of reflecting bodies, it would be impossible for thin plates or bubbles at the same spot to reflect rays of one color while transmitting those of another, as they do according to the 13th and 15th observations. It’s hard to believe that at one location, the rays showing a blue color would hit the solid parts of the body, while those showing a red color would hit the pores; and then at another spot, with the body being slightly thicker or thinner, the opposite would occur. Lastly, if the rays of light were reflected by striking the solid parts of bodies, their reflections from polished bodies could not be as regular as they currently are. For when polishing glass with sand, putty, or tripoly, it’s hard to believe those substances can grind and wear the glass down to perfect polish, so that all its tiniest particles align perfectly to make one even surface. The smaller the particles of those substances are, the smaller the scratches they leave as they continually wear down the glass until polished; but no matter how small, they can only wear away the glass by scratching and grinding it, making its surface rougher and finer grain. Therefore, if light were reflected by hitting the solid parts of the glass, it would scatter just as much from the most polished glass as from the roughest. This leaves us with a question: how can glass, polished by grinding substances, reflect light so uniformly? This question can only be answered by suggesting that the reflection of a ray is not performed by a single point on the reflecting body, but rather by an effect of the body that is evenly distributed across its surface, by which it acts on the ray without direct contact. For it will be shown later that parts of bodies can act on light from a distance.
Now if Light be reflected, not by impinging on the solid parts of Bodies, but by some other principle; it's probable that as many of its Rays as impinge on the solid parts of Bodies are not reflected but stifled and lost in the Bodies. For otherwise we must allow two sorts of Reflexions. Should all the Rays be reflected which impinge on the internal parts of clear Water or Crystal, those Substances would rather have a cloudy Colour than a clear Transparency. To make Bodies look black, it's necessary that many Rays be stopp'd, retained, and lost in them; and it seems not probable that any Rays can be[Pg 267] stopp'd and stifled in them which do not impinge on their parts.
Now, if light is reflected not by hitting the solid parts of objects, but by some other principle, it's likely that as many of its rays that hit the solid parts of objects are not reflected but instead absorbed and lost in those objects. Otherwise, we would have to accept two types of reflections. If all the rays were reflected that strike the internal parts of clear water or crystal, those materials would appear more cloudy than clear. To make objects look black, it’s necessary for many rays to be absorbed, trapped, and lost in them; and it doesn't seem likely that any rays can be absorbed and trapped in them without hitting their surfaces.
And hence we may understand that Bodies are much more rare and porous than is commonly believed. Water is nineteen times lighter, and by consequence nineteen times rarer than Gold; and Gold is so rare as very readily and without the least opposition to transmit the magnetick Effluvia, and easily to admit Quicksilver into its Pores, and to let Water pass through it. For a concave Sphere of Gold filled with Water, and solder'd up, has, upon pressing the Sphere with great force, let the Water squeeze through it, and stand all over its outside in multitudes of small Drops, like Dew, without bursting or cracking the Body of the Gold, as I have been inform'd by an Eye witness. From all which we may conclude, that Gold has more Pores than solid parts, and by consequence that Water has above forty times more Pores than Parts. And he that shall find out an Hypothesis, by which Water may be so rare, and yet not be capable of compression by force, may doubtless by the same Hypothesis make Gold, and Water, and all other Bodies, as much rarer as he pleases; so that Light may find a ready passage through transparent Substances.
And so we can see that bodies are much more rare and porous than people usually think. Water is nineteen times lighter, and therefore nineteen times rarer than gold; and gold is so rare that it can easily transmit magnetic influences and allow mercury to enter its pores, as well as let water pass through it. A hollow sphere of gold filled with water, when sealed, has allowed water to leak through under great pressure, forming tiny drops all over its surface, like dew, without breaking or cracking the gold, as I’ve been told by an eyewitness. From all this, we can conclude that gold has more pores than solid matter, and as a result, water has more than forty times more pores than solid parts. Anyone who can develop a theory that explains how water can be so rare yet not compressed by force could likely use that same theory to make gold, water, and all other bodies as rare as they want, allowing light to easily pass through transparent substances.
The Magnet acts upon Iron through all dense Bodies not magnetick nor red hot, without any diminution of its Virtue; as for instance, through Gold, Silver, Lead, Glass, Water. The gravitating Power of the Sun is transmitted through the vast Bodies of the Planets without any diminution, so as to act upon[Pg 268] all their parts to their very centers with the same Force and according to the same Laws, as if the part upon which it acts were not surrounded with the Body of the Planet, The Rays of Light, whether they be very small Bodies projected, or only Motion or Force propagated, are moved in right Lines; and whenever a Ray of Light is by any Obstacle turned out of its rectilinear way, it will never return into the same rectilinear way, unless perhaps by very great accident. And yet Light is transmitted through pellucid solid Bodies in right Lines to very great distances. How Bodies can have a sufficient quantity of Pores for producing these Effects is very difficult to conceive, but perhaps not altogether impossible. For the Colours of Bodies arise from the Magnitudes of the Particles which reflect them, as was explained above. Now if we conceive these Particles of Bodies to be so disposed amongst themselves, that the Intervals or empty Spaces between them may be equal in magnitude to them all; and that these Particles may be composed of other Particles much smaller, which have as much empty Space between them as equals all the Magnitudes of these smaller Particles: And that in like manner these smaller Particles are again composed of others much smaller, all which together are equal to all the Pores or empty Spaces between them; and so on perpetually till you come to solid Particles, such as have no Pores or empty Spaces within them: And if in any gross Body there be, for instance, three such degrees of Particles, the least of which are solid; this Body will have seven[Pg 269] times more Pores than solid Parts. But if there be four such degrees of Particles, the least of which are solid, the Body will have fifteen times more Pores than solid Parts. If there be five degrees, the Body will have one and thirty times more Pores than solid Parts. If six degrees, the Body will have sixty and three times more Pores than solid Parts. And so on perpetually. And there are other ways of conceiving how Bodies may be exceeding porous. But what is really their inward Frame is not yet known to us.
The magnet affects iron through all dense materials that aren't magnetic or red hot, without losing any of its power; for example, through gold, silver, lead, glass, and water. The gravitational force of the sun passes through the vast bodies of the planets without any loss, influencing all their parts down to their very centers with the same strength and following the same laws, as if the part being acted on wasn't surrounded by the body of the planet. Light rays, whether they are tiny particles or simply motion or force being transmitted, travel in straight lines; and if a ray of light hits an obstacle and is redirected from its straight path, it will not return to that straight path, unless by some rare accident. Yet, light can pass through clear solid materials in straight lines over very long distances. It's challenging to imagine how materials can have enough pores to create these effects, but maybe it's not entirely impossible. The colors of materials come from the sizes of the particles that reflect them, as explained earlier. If we think of these particles arranged so that the gaps or empty spaces between them are roughly the same size as the particles themselves; and that these particles consist of even smaller particles, which also have as much empty space between them as the total size of these smaller particles; and that this pattern continues with increasingly smaller particles until we arrive at solid particles that have no pores or empty spaces within them: if in any dense body there are, for instance, three levels of particles where the smallest are solid, that body will have seven times more pores than solid parts. If there are four levels of particles with the smallest solid, the body will have fifteen times more pores than solid parts. With five levels, there will be thirty-one times more pores than solid parts. With six levels, there will be sixty-three times more pores than solid parts. This process can continue endlessly. There are other ways to think about how bodies can be extremely porous. However, we still don't fully understand their internal structure.
Props. IX.
Bodies reflect and refract Light by one and the same power, variously exercised in various Circumstances.
Bodies reflect and bend light using the same ability, applied differently in different situations.
This appears by several Considerations. First, Because when Light goes out of Glass into Air, as obliquely as it can possibly do. If its Incidence be made still more oblique, it becomes totally reflected. For the power of the Glass after it has refracted the Light as obliquely as is possible, if the Incidence be still made more oblique, becomes too strong to let any of its Rays go through, and by consequence causes total Reflexions. Secondly, Because Light is alternately reflected and transmitted by thin Plates of Glass for many Successions, accordingly as the thickness of the Plate increases in an arithmetical Progression. For here the thickness of the Glass determines whether that Power by which Glass acts upon Light shall cause it to be reflected, or[Pg 270] suffer it to be transmitted. And, Thirdly, because those Surfaces of transparent Bodies which have the greatest refracting power, reflect the greatest quantity of Light, as was shewn in the first Proposition.
This can be seen in several ways. First, when light exits glass into air, it does so at the steepest angle possible. If the angle is made even steeper, it becomes completely reflected. This happens because after the glass has bent the light as much as it can, if the angle is made even steeper, the glass’s power is too strong for any of its rays to pass through, resulting in total reflection. Second, light is alternately reflected and transmitted by thin glass plates for many iterations, depending on how the thickness of the plate increases in a predictable manner. In this case, the thickness of the glass determines whether the power the glass has over light will cause it to be reflected or allow it to be transmitted. Third, the surfaces of transparent materials with the highest refractive power reflect the most light, as demonstrated in the first proposition.
Prop. X.
If Light be swifter in Bodies than in Vacuo, in the proportion of the Sines which measure the Refraction of the Bodies, the Forces of the Bodies to reflect and refract Light, are very nearly proportional to the densities of the same Bodies; excepting that unctuous and sulphureous Bodies refract more than others of this same density.
If light moves faster in materials than in a vacuum, proportional to the sines that measure the refraction of those materials, then the forces of the materials to reflect and refract light are almost proportional to the densities of the same materials; except that oily and sulfurous materials refract more than others of the same density.

Let AB represent the refracting plane Surface of any Body, and IC a Ray incident very obliquely upon the Body in C, so that the Angle ACI may be infinitely little, and let CR be the refracted Ray. From a given Point B perpendicular to the refracting Surface erect BR meeting with the refracting Ray CR in R, and if CR represent the Motion of the refracted Ray, and this Motion be distinguish'd into two Motions CB and BR, whereof CB is parallel to the refracting Plane, and BR perpendicular to it: CB[Pg 271] shall represent the Motion of the incident Ray, and BR the Motion generated by the Refraction, as Opticians have of late explain'd.
Let AB represent the refracting surface of any object, and IC a ray striking the object very obliquely at point C, making the angle ACI extremely small. Let CR be the refracted ray. From point B, which is perpendicular to the refracting surface, draw BR that intersects the refracted ray CR at R. If CR represents the motion of the refracted ray, we can break this motion into two parts: CB and BR, where CB is parallel to the refracting plane and BR is perpendicular to it. CB[Pg 271] represents the motion of the incident ray, while BR represents the motion caused by refraction, as recent explanations by opticians have detailed.
Now if any Body or Thing, in moving through any Space of a given breadth terminated on both sides by two parallel Planes, be urged forward in all parts of that Space by Forces tending directly forwards towards the last Plane, and before its Incidence on the first Plane, had no Motion towards it, or but an infinitely little one; and if the Forces in all parts of that Space, between the Planes, be at equal distances from the Planes equal to one another, but at several distances be bigger or less in any given Proportion, the Motion generated by the Forces in the whole passage of the Body or thing through that Space shall be in a subduplicate Proportion of the Forces, as Mathematicians will easily understand. And therefore, if the Space of activity of the refracting Superficies of the Body be consider'd as such a Space, the Motion of the Ray generated by the refracting Force of the Body, during its passage through that Space, that is, the Motion BR, must be in subduplicate Proportion of that refracting Force. I say therefore, that the Square of the Line BR, and by consequence the refracting Force of the Body, is very nearly as the density of the same Body. For this will appear by the following Table, wherein the Proportion of the Sines which measure the Refractions of several Bodies, the Square of BR, supposing CB an unite, the Densities of the Bodies estimated by their Specifick Gravities, and their Refractive Power in[Pg 272] respect of their Densities are set down in several Columns.
If any object or substance moves through a space of a certain width, bounded on both sides by two parallel surfaces, and is pushed forward in all parts of that space by forces directed straight toward the far surface, and before hitting the first surface has little to no motion toward it; and if the forces at equal distances from the surfaces are equal to each other but vary in strength at different distances, the motion generated by the forces throughout the object's travel in that space will be in the square root proportion of the forces, as mathematicians would easily understand. Therefore, if we consider the active space of the refracting surface of the object as such a space, the motion of the ray caused by the refracting force of the object during its travel through that space, meaning the motion BR, must be in the square root proportion of that refracting force. Hence, I conclude that the square of the line BR, and consequently the refracting force of the object, is closely related to the density of the same object. This will be shown in the following table, which displays the proportion of the sines that measure the refractions of various objects, the square of BR (assuming CB is one unit), the densities of the objects based on their specific gravities, and their refractive power in respect to their densities, all organized in separate columns.
The refracting Bodies. | The Proportion of the Sines of Incidence and Refraction of yellow Light. | The Square of BR, to which the refracting force of the Body is proportionate. | The density and specifick gravity of the Body. | The refractive Power of the Body in respect of its density. |
A Pseudo-Topazius, being a natural, pellucid, brittle, hairy Stone, of a yellow Colour. | 23 to 14 | 1'699 | 4'27 | 3979 |
Air. | 3201 to 3200 | 0'000625 | 0'0012 | 5208 |
Glass of Antimony. | 17 to 9 | 2'568 | 5'28 | 4864 |
A Selenitis. | 61 to 41 | 1'213 | 2'252 | 5386 |
Glass vulgar. | 31 to 20 | 1'4025 | 2'58 | 5436 |
Crystal of the Rock. | 25 to 16 | 1'445 | 2'65 | 5450 |
Island Crystal. | 5 to 3 | 1'778 | 2'72 | 6536 |
Sal Gemmæ. | 17 to 11 | 1'388 | 2'143 | 6477 |
Alume. | 35 to 24 | 1'1267 | 1'714 | 6570 |
Borax. | 22 to 15 | 1'1511 | 1'714 | 6716 |
Niter. | 32 to 21 | 1'345 | 1'9 | 7079 |
Dantzick Vitriol. | 303 to 200 | 1'295 | 1'715 | 7551 |
Oil of Vitriol. | 10 to 7 | 1'041 | 1'7 | 6124 |
Rain Water. | 529 to 396 | 0'7845 | 1' | 7845 |
Gum Arabick. | 31 to 21 | 1'179 | 1'375 | 8574 |
Spirit of Wine well rectified. | 100 to 73 | 0'8765 | 0'866 | 10121 |
Camphire. | 3 to 2 | 1'25 | 0'996 | 12551 |
Oil Olive. | 22 to 15 | 1'1511 | 0'913 | 12607 |
Linseed Oil. | 40 to 27 | 1'1948 | 0'932 | 12819 |
Spirit of Turpentine. | 25 to 17 | 1'1626 | 0'874 | 13222 |
Amber. | 14 to 9 | 1'42 | 1'04 | 13654 |
A Diamond. | 100 to 41 | 4'949 | 3'4 | 14556 |
The Refraction of the Air in this Table is determin'd[Pg 273] by that of the Atmosphere observed by Astronomers. For, if Light pass through many refracting Substances or Mediums gradually denser and denser, and terminated with parallel Surfaces, the Sum of all the Refractions will be equal to the single Refraction which it would have suffer'd in passing immediately out of the first Medium into the last. And this holds true, though the Number of the refracting Substances be increased to Infinity, and the Distances from one another as much decreased, so that the Light may be refracted in every Point of its Passage, and by continual Refractions bent into a Curve-Line. And therefore the whole Refraction of Light in passing through the Atmosphere from the highest and rarest Part thereof down to the lowest and densest Part, must be equal to the Refraction which it would suffer in passing at like Obliquity out of a Vacuum immediately into Air of equal Density with that in the lowest Part of the Atmosphere.
The refraction of air in this table is determined[Pg 273] by that of the atmosphere as observed by astronomers. If light passes through multiple refracting substances or media that become progressively denser, and ends with parallel surfaces, the total refraction will equal the single refraction it would undergo if it transitioned directly from the first medium to the last. This is true even if the number of refracting substances increases infinitely and the distances between them decrease, allowing the light to be refracted at every point in its passage and bent into a curved line by continuous refractions. Therefore, the overall refraction of light traveling through the atmosphere from the highest and rarest part down to the lowest and densest part must be equal to the refraction it would experience when entering air of the same density as that in the lowest part of the atmosphere at the same angle.
Now, although a Pseudo-Topaz, a Selenitis, Rock Crystal, Island Crystal, Vulgar Glass (that is, Sand melted together) and Glass of Antimony, which are terrestrial stony alcalizate Concretes, and Air which probably arises from such Substances by Fermentation, be Substances very differing from one another in Density, yet by this Table, they have their refractive Powers almost in the same Proportion to one another as their Densities are, excepting that the Refraction of that strange Substance, Island Crystal is a little bigger than the rest. And particularly Air, which is 3500 Times rarer than the Pseudo-Topaz,[Pg 274] and 4400 Times rarer than Glass of Antimony, and 2000 Times rarer than the Selenitis, Glass vulgar, or Crystal of the Rock, has notwithstanding its rarity the same refractive Power in respect of its Density which those very dense Substances have in respect of theirs, excepting so far as those differ from one another.
Now, even though Pseudo-Topaz, Selenitis, Rock Crystal, Island Crystal, common Glass (which is just sand melted together), and Antimony Glass are all different types of earthly materials and air that likely comes from these substances through fermentation, they have their refractive powers almost in the same ratio as their densities, except for that unusual substance, Island Crystal, which has a slightly higher refraction than the others. Specifically, air, which is 3,500 times less dense than Pseudo-Topaz, 4,400 times less dense than Antimony Glass, and 2,000 times less dense than Selenitis, common Glass, or Rock Crystal, still has the same refractive power compared to its density as those much denser substances do, aside from the differences between them.
Again, the Refraction of Camphire, Oil Olive, Linseed Oil, Spirit of Turpentine and Amber, which are fat sulphureous unctuous Bodies, and a Diamond, which probably is an unctuous Substance coagulated, have their refractive Powers in Proportion to one another as their Densities without any considerable Variation. But the refractive Powers of these unctuous Substances are two or three Times greater in respect of their Densities than the refractive Powers of the former Substances in respect of theirs.
Again, the refraction of camphor, olive oil, linseed oil, turpentine, and amber, which are fatty, sulfurous, oily substances, along with a diamond, which is probably an oily substance that has solidified, shows that their refractive powers are proportional to one another according to their densities without any significant variation. However, the refractive powers of these oily substances are two to three times greater in relation to their densities than the refractive powers of the former substances in relation to theirs.
Water has a refractive Power in a middle degree between those two sorts of Substances, and probably is of a middle nature. For out of it grow all vegetable and animal Substances, which consist as well of sulphureous fat and inflamable Parts, as of earthy lean and alcalizate ones.
Water has a refractive power that sits between those two types of substances, and it’s likely of a moderate nature. From it, all plant and animal substances grow, which are made up of both sulfurous fats and flammable parts as well as earthy, lean, and alkaline components.
Salts and Vitriols have refractive Powers in a middle degree between those of earthy Substances and Water, and accordingly are composed of those two sorts of Substances. For by distillation and rectification of their Spirits a great Part of them goes into Water, and a great Part remains behind in the form of a dry fix'd Earth capable of Vitrification.
Salts and vitriols have refractive properties that fall between those of earthy substances and water, and so they are made up of those two types of substances. Through distillation and purification of their spirits, a significant portion turns into water, while a large part is left behind as a dry fixed earth that can be vitrified.
Spirit of Wine has a refractive Power in a middle[Pg 275] degree between those of Water and oily Substances, and accordingly seems to be composed of both, united by Fermentation; the Water, by means of some saline Spirits with which 'tis impregnated, dissolving the Oil, and volatizing it by the Action. For Spirit of Wine is inflamable by means of its oily Parts, and being distilled often from Salt of Tartar, grow by every distillation more and more aqueous and phlegmatick. And Chymists observe, that Vegetables (as Lavender, Rue, Marjoram, &c.) distilled per se, before fermentation yield Oils without any burning Spirits, but after fermentation yield ardent Spirits without Oils: Which shews, that their Oil is by fermentation converted into Spirit. They find also, that if Oils be poured in a small quantity upon fermentating Vegetables, they distil over after fermentation in the form of Spirits.
Spirit of Wine has a refractive power that falls in between that of water and oily substances, suggesting it is a blend of both, brought together through fermentation. The water, along with some saline spirits it's infused with, dissolves the oil and makes it volatile through this process. Spirit of Wine can catch fire due to its oily components, and when distilled repeatedly from salt of tartar, it becomes increasingly watery and phlegmatic with each distillation. Chemists note that when vegetables (like lavender, rue, marjoram, etc.) are distilled on their own before fermentation, they produce oils without any burning spirits. However, after fermentation, they produce fiery spirits without oils, indicating that their oil transforms into spirit through fermentation. They also find that if oils are added in small amounts to fermenting vegetables, they distill off after fermentation as spirits.
So then, by the foregoing Table, all Bodies seem to have their refractive Powers proportional to their Densities, (or very nearly;) excepting so far as they partake more or less of sulphureous oily Particles, and thereby have their refractive Power made greater or less. Whence it seems rational to attribute the refractive Power of all Bodies chiefly, if not wholly, to the sulphureous Parts with which they abound. For it's probable that all Bodies abound more or less with Sulphurs. And as Light congregated by a Burning-glass acts most upon sulphureous Bodies, to turn them into Fire and Flame; so, since all Action is mutual, Sulphurs ought to act most upon Light. For that the action between Light and[Pg 276] Bodies is mutual, may appear from this Consideration; That the densest Bodies which refract and reflect Light most strongly, grow hottest in the Summer Sun, by the action of the refracted or reflected Light.
So then, based on the table above, all substances seem to have their ability to bend light proportional to their density (or very close to it); except for how much they contain oily sulfur particles, which can increase or decrease their ability to bend light. Therefore, it makes sense to attribute the light-bending ability of all substances mainly, if not entirely, to the sulfur compounds they contain. It's likely that all substances contain varying amounts of sulfur. Just as concentrated light from a magnifying glass affects sulfur-rich substances, causing them to ignite, it follows that sulfur should also exert a strong influence on light since all actions are mutual. The fact that the densest substances, which bend and reflect light most effectively, become hottest in the summer sun due to the effects of refracted or reflected light supports this idea.
I have hitherto explain'd the power of Bodies to reflect and refract, and shew'd, that thin transparent Plates, Fibres, and Particles, do, according to their several thicknesses and densities, reflect several sorts of Rays, and thereby appear of several Colours; and by consequence that nothing more is requisite for producing all the Colours of natural Bodies, than the several sizes and densities of their transparent Particles. But whence it is that these Plates, Fibres, and Particles, do, according to their several thicknesses and densities, reflect several sorts of Rays, I have not yet explain'd. To give some insight into this matter, and make way for understanding the next part of this Book, I shall conclude this part with a few more Propositions. Those which preceded respect the nature of Bodies, these the nature of Light: For both must be understood, before the reason of their Actions upon one another can be known. And because the last Proposition depended upon the velocity of Light, I will begin with a Proposition of that kind.[Pg 277]
I have previously explained how bodies can reflect and refract light, demonstrating that thin transparent plates, fibers, and particles reflect different types of rays depending on their thickness and density, which is why they appear in various colors. Consequently, all it takes to produce the colors of natural bodies is the various sizes and densities of their transparent particles. However, I haven't yet explained why these plates, fibers, and particles reflect different types of rays based on their thicknesses and densities. To shed some light on this issue and prepare for the next part of this book, I will finish this section with a few more propositions. The previous ones relate to the nature of bodies, while these pertain to the nature of light, as understanding both is essential before we can grasp how they interact. Since the last proposition was about the speed of light, I will start with a proposition of that sort.[Pg 277]
Props. XI.
Light is propagated from luminous Bodies in time, and spends about seven or eight Minutes of an Hour in passing from the Sun to the Earth.
Light travels from shining objects over time and takes about seven or eight minutes to go from the Sun to the Earth.
This was observed first by Roemer, and then by others, by means of the Eclipses of the Satellites of Jupiter. For these Eclipses, when the Earth is between the Sun and Jupiter, happen about seven or eight Minutes sooner than they ought to do by the Tables, and when the Earth is beyond the Sun they happen about seven or eight Minutes later than they ought to do; the reason being, that the Light of the Satellites has farther to go in the latter case than in the former by the Diameter of the Earth's Orbit. Some inequalities of time may arise from the Excentricities of the Orbs of the Satellites; but those cannot answer in all the Satellites, and at all times to the Position and Distance of the Earth from the Sun. The mean motions of Jupiter's Satellites is also swifter in his descent from his Aphelium to his Perihelium, than in his ascent in the other half of his Orb. But this inequality has no respect to the position of the Earth, and in the three interior Satellites is insensible, as I find by computation from the Theory of their Gravity.[Pg 278]
This was first noted by Roemer, and then by others, through the Eclipses of the Satellites of Jupiter. During these Eclipses, when the Earth is between the Sun and Jupiter, they occur about seven or eight minutes earlier than predicted by the tables, and when the Earth is beyond the Sun, they happen about seven or eight minutes later than expected. This happens because the light from the Satellites has to travel a longer distance in the latter case than in the former, specifically the diameter of the Earth's orbit. Some timing discrepancies may be due to the eccentricities of the Satellites' orbits, but those discrepancies don't apply to all the Satellites at all times in relation to the Earth's position and distance from the Sun. The average motion of Jupiter's Satellites is also faster when he moves from his farthest point from the Sun (Aphelium) to his closest point (Perihelium), compared to when he moves upward in the other half of his orbit. However, this inconsistency doesn’t relate to the Earth’s position and is negligible in the three inner Satellites, as I have calculated based on the Theory of their Gravity.[Pg 278]
Prop. XII.
Every Ray of Light in its passage through any refracting Surface is put into a certain transient Constitution or State, which in the progress of the Ray returns at equal Intervals, and disposes the Ray at every return to be easily transmitted through the next refracting Surface, and between the returns to be easily reflected by it.
Every ray of light passing through any refracting surface enters a specific temporary state, which recurs at regular intervals as the ray moves along. Each time it returns, the ray is positioned to easily pass through the next refracting surface and to be easily reflected by it in between those returns.
This is manifest by the 5th, 9th, 12th, and 15th Observations. For by those Observations it appears, that one and the same sort of Rays at equal Angles of Incidence on any thin transparent Plate, is alternately reflected and transmitted for many Successions accordingly as the thickness of the Plate increases in arithmetical Progression of the Numbers, 0, 1, 2, 3, 4, 5, 6, 7, 8, &c. so that if the first Reflexion (that which makes the first or innermost of the Rings of Colours there described) be made at the thickness 1, the Rays shall be transmitted at the thicknesses 0, 2, 4, 6, 8, 10, 12, &c. and thereby make the central Spot and Rings of Light, which appear by transmission, and be reflected at the thickness 1, 3, 5, 7, 9, 11, &c. and thereby make the Rings which appear by Reflexion. And this alternate Reflexion and Transmission, as I gather by the 24th Observation, continues for above an hundred vicissitudes, and by the Observations in the next part of this Book, for many thousands, being propagated from one Surface of a Glass Plate to the other, though the thickness[Pg 279] of the Plate be a quarter of an Inch or above: So that this alternation seems to be propagated from every refracting Surface to all distances without end or limitation.
This is evident from the 5th, 9th, 12th, and 15th Observations. These Observations show that the same type of Rays at equal Angles of Incidence on any thin transparent Plate are alternately reflected and transmitted for several cycles as the thickness of the Plate increases systematically by the Numbers 0, 1, 2, 3, 4, 5, 6, 7, 8, etc. So, if the first Reflection (the one that creates the first or innermost of the described Color Rings) happens at a thickness of 1, the Rays will be transmitted at thicknesses 0, 2, 4, 6, 8, 10, 12, etc., creating the central Spot and Rings of Light that are visible by transmission, and reflected at thicknesses 1, 3, 5, 7, 9, 11, etc., forming the Rings that are visible by Reflection. This alternate Reflection and Transmission, as I gather from the 24th Observation, continues for over a hundred cycles, and by the Observations in the next part of this Book, for many thousands, as it propagates from one Surface of a Glass Plate to the other, even if the thickness[Pg 279] of the Plate is a quarter of an Inch or more: Thus, this alternation seems to propagate from every refracting Surface to all distances without end or limitation.
This alternate Reflexion and Refraction depends on both the Surfaces of every thin Plate, because it depends on their distance. By the 21st Observation, if either Surface of a thin Plate of Muscovy Glass be wetted, the Colours caused by the alternate Reflexion and Refraction grow faint, and therefore it depends on them both.
This alternate reflection and refraction relies on both surfaces of every thin plate, as it depends on their distance. According to the 21st observation, if either surface of a thin plate of Muscovy glass is wet, the colors created by the alternate reflection and refraction become faint, and thus it depends on both surfaces.
It is therefore perform'd at the second Surface; for if it were perform'd at the first, before the Rays arrive at the second, it would not depend on the second.
It is therefore done at the second surface; because if it were done at the first, before the rays reach the second, it wouldn’t depend on the second.
It is also influenced by some action or disposition, propagated from the first to the second, because otherwise at the second it would not depend on the first. And this action or disposition, in its propagation, intermits and returns by equal Intervals, because in all its progress it inclines the Ray at one distance from the first Surface to be reflected by the second, at another to be transmitted by it, and that by equal Intervals for innumerable vicissitudes. And because the Ray is disposed to Reflexion at the distances 1, 3, 5, 7, 9, &c. and to Transmission at the distances 0, 2, 4, 6, 8, 10, &c. (for its transmission through the first Surface, is at the distance 0, and it is transmitted through both together, if their distance be infinitely little or much less than 1) the disposition to be transmitted at the distances 2, 4, 6, 8, 10,[Pg 280] &c. is to be accounted a return of the same disposition which the Ray first had at the distance 0, that is at its transmission through the first refracting Surface. All which is the thing I would prove.
It is also affected by some action or behavior that is passed from the first to the second; otherwise, it wouldn't depend on the first at the second. This action or behavior, in its passing, happens in regular intervals, because throughout its progress, it causes the light ray to be reflected by the second surface from one distance to be transmitted by it at another, and this happens at regular intervals through countless variations. The light ray is set to reflect at distances 1, 3, 5, 7, 9, etc., and to transmit at distances 0, 2, 4, 6, 8, 10, etc. (since it transmits through the first surface at distance 0, and it transmits through both surfaces together if their distance is extremely small or much less than 1). The tendency to be transmitted at distances 2, 4, 6, 8, 10, [Pg 280] etc., is regarded as a return of the same tendency that the light ray first had at distance 0, that is, at its transmission through the first refracting surface. All of this is what I aim to prove.
What kind of action or disposition this is; Whether it consists in a circulating or a vibrating motion of the Ray, or of the Medium, or something else, I do not here enquire. Those that are averse from assenting to any new Discoveries, but such as they can explain by an Hypothesis, may for the present suppose, that as Stones by falling upon Water put the Water into an undulating Motion, and all Bodies by percussion excite vibrations in the Air; so the Rays of Light, by impinging on any refracting or reflecting Surface, excite vibrations in the refracting or reflecting Medium or Substance, and by exciting them agitate the solid parts of the refracting or reflecting Body, and by agitating them cause the Body to grow warm or hot; that the vibrations thus excited are propagated in the refracting or reflecting Medium or Substance, much after the manner that vibrations are propagated in the Air for causing Sound, and move faster than the Rays so as to overtake them; and that when any Ray is in that part of the vibration which conspires with its Motion, it easily breaks through a refracting Surface, but when it is in the contrary part of the vibration which impedes its Motion, it is easily reflected; and, by consequence, that every Ray is successively disposed to be easily reflected, or easily transmitted, by every vibration which overtakes it. But whether this Hypothesis be true or false[Pg 281] I do not here consider. I content my self with the bare Discovery, that the Rays of Light are by some cause or other alternately disposed to be reflected or refracted for many vicissitudes.
What kind of action or behavior this is; Whether it involves the Ray moving in a circular or vibrating motion, or the Medium, or something else entirely, I won't delve into here. Those who are reluctant to accept any new discoveries unless they can be explained by a theory may currently believe that just as stones create ripples when they fall into water, and all objects create vibrations in the air when struck, the Rays of Light, upon hitting any refracting or reflecting surface, generate vibrations in the medium or substance that refracts or reflects, and by causing these vibrations stir the solid parts of the refracting or reflecting body, which in turn causes that body to heat up. These vibrations are propagated through the refracting or reflecting medium or substance in a manner similar to how vibrations travel through air to produce sound, moving faster than the rays in order to catch up with them; and when any Ray is in the phase of the vibration that aligns with its motion, it easily passes through a refracting surface, but when it is in the opposing phase of the vibration that obstructs its motion, it is easily reflected; thus, each Ray is successively prone to being easily reflected or easily transmitted depending on the vibrations that encounter it. However, whether this theory is true or false[Pg 281] I will not consider here. I am satisfied with the fundamental discovery that the Rays of Light are influenced by some cause or other to alternate between being reflected or refracted through many changes.
DEFINITION.
The returns of the disposition of any Ray to be reflected I will call its Fits of easy Reflexion, and those of its disposition to be transmitted its Fits of easy Transmission, and the space it passes between every return and the next return, the Interval of its Fits.
The returns of the way any Ray is reflected I will call its Fits of easy Reflection, and those of its way to be transmitted its Fits of easy Transmission, and the space it covers between each return and the next return, the Interval of its Fits.
Props. XIII.
The reason why the Surfaces of all thick transparent Bodies reflect part of the Light incident on them, and refract the rest, is, that some Rays at their Incidence are in Fits of easy Reflexion, and others in Fits of easy Transmission.
The reason all thick transparent materials reflect some of the light that hits them and refract the rest is that some rays are more easily reflected when they strike the surface, while others are more easily transmitted through it.
This may be gather'd from the 24th Observation, where the Light reflected by thin Plates of Air and Glass, which to the naked Eye appear'd evenly white all over the Plate, did through a Prism appear waved with many Successions of Light and Darkness made by alternate Fits of easy Reflexion and easy Transmission, the Prism severing and distinguishing the Waves of which the white reflected Light was composed, as was explain'd above.[Pg 282]
This can be understood from the 24th Observation, where the light reflected by thin layers of air and glass, which looked uniformly white to the naked eye, showed through a prism as having waves of light and darkness caused by alternating easy reflection and easy transmission. The prism separated and distinguished the waves that made up the white reflected light, as explained above.[Pg 282]
And hence Light is in Fits of easy Reflexion and easy Transmission, before its Incidence on transparent Bodies. And probably it is put into such fits at its first emission from luminous Bodies, and continues in them during all its progress. For these Fits are of a lasting nature, as will appear by the next part of this Book.
And so, light experiences moments of easy reflection and easy transmission before it hits transparent objects. It likely enters these states when it first comes from light sources and stays in them throughout its journey. These states have a lasting quality, which will be shown in the next part of this book.
In this Proposition I suppose the transparent Bodies to be thick; because if the thickness of the Body be much less than the Interval of the Fits of easy Reflexion and Transmission of the Rays, the Body loseth its reflecting power. For if the Rays, which at their entering into the Body are put into Fits of easy Transmission, arrive at the farthest Surface of the Body before they be out of those Fits, they must be transmitted. And this is the reason why Bubbles of Water lose their reflecting power when they grow very thin; and why all opake Bodies, when reduced into very small parts, become transparent.[Pg 283]
In this proposition, I assume that transparent materials are thick; because if the thickness of the material is much less than the distance between the points of easy reflection and transmission of the rays, the material loses its ability to reflect. If the rays, which are set for easy transmission when they enter the material, reach the farthest surface of the material before they lose this state, they must be transmitted. This is why water bubbles lose their reflecting capability when they become very thin; and why all opaque materials, when broken down into very small pieces, become transparent.[Pg 283]
Props. XIV.
Those Surfaces of transparent Bodies, which if the Ray be in a Fit of Refraction do refract it most strongly, if the Ray be in a Fit of Reflexion do reflect it most easily.
The surfaces of transparent objects that strongly refract light when the angle is right and easily reflect light when the angle is aligned for reflection.
For we shewed above, in Prop. 8. that the cause of Reflexion is not the impinging of Light on the solid impervious parts of Bodies, but some other power by which those solid parts act on Light at a distance. We shewed also in Prop. 9. that Bodies reflect and refract Light by one and the same power, variously exercised in various circumstances; and in Prop. 1. that the most strongly refracting Surfaces reflect the most Light: All which compared together evince and rarify both this and the last Proposition.
For we showed earlier in Prop. 8 that the reason for reflection isn’t because light hits solid, impenetrable parts of objects, but due to some other force that those solid parts exert on light from a distance. We also demonstrated in Prop. 9 that objects both reflect and refract light through the same force, applied differently under varying conditions; and in Prop. 1, we established that surfaces that refract light the most also reflect the most. All of this together supports and clarifies both this and the previous proposition.
Props. XV.
In any one and the same sort of Rays, emerging in any Angle out of any refracting Surface into one and the same Medium, the Interval of the following Fits of easy Reflexion and Transmission are either accurately or very nearly, as the Rectangle of the Secant of the Angle of Refraction, and of the Secant of another Angle, whose Sine is the first of 106 arithmetical mean Proportionals, between the Sines of Incidence and Refraction, counted from the Sine of Refraction.
In any type of rays that come out at any angle from any refracting surface into the same medium, the gaps between the following points of easy reflection and transmission are either exactly or almost the same as the rectangle formed by the secant of the angle of refraction and the secant of another angle, where the sine is the first of 106 arithmetic mean proportionals between the sines of incidence and refraction, starting from the sine of refraction.
This is manifest by the 7th and 19th Observations.[Pg 284]
This is evident in the 7th and 19th Observations.[Pg 284]
Props. XVI.
In several sorts of Rays emerging in equal Angles out of any refracting Surface into the same Medium, the Intervals of the following Fits of easy Reflexion and easy Transmission are either accurately, or very nearly, as the Cube-Roots of the Squares of the lengths of a Chord, which found the Notes in an Eight, sol, la, fa, sol, la, mi, fa, sol, with all their intermediate degrees answering to the Colours of those Rays, according to the Analogy described in the seventh Experiment of the second Part of the first Book.
In various types of rays emerging at equal angles from any refracting surface into the same medium, the intervals of the following easy reflection and easy transmission harmonics are either exactly or very closely related to the cube roots of the squares of the lengths of a chord, which create the notes in an octave, sol, la, fa, sol, la, mi, fa, sol, with all their intermediate degrees corresponding to the colors of those rays, according to the analogy described in the seventh experiment of the second part of the first book.
This is manifest by the 13th and 14th Observations.
This is evident in the 13th and 14th Observations.
Props. XVII.
If Rays of any sort pass perpendicularly into several Mediums, the Intervals of the Fits of easy Reflexion and Transmission in any one Medium, are to those Intervals in any other, as the Sine of Incidence to the Sine of Refraction, when the Rays pass out of the first of those two Mediums into the second.
If rays of any kind pass straight through different mediums, the intervals of the easy reflection and transmission fits in one medium are to those intervals in another as the sine of incidence is to the sine of refraction when the rays move from the first of those two mediums into the second.
Props. XVIII.
If the Rays which paint the Colour in the Confine of yellow and orange pass perpendicularly out of any Medium into Air, the Intervals of their Fits of easy Reflexion are the 1/89000th part of an Inch. And of the same length are the Intervals of their Fits of easy Transmission.
If the rays that create the colors in the range of yellow and orange move vertically out of any medium into the air, the distances of their easy reflection are 1/89000th of an inch. The distances for their easy transmission are the same.
This is manifest by the 6th Observation. From these Propositions it is easy to collect the Intervals of the Fits of easy Reflexion and easy Transmission of any sort of Rays refracted in any angle into any Medium; and thence to know, whether the Rays shall be reflected or transmitted at their subsequent Incidence upon any other pellucid Medium. Which thing, being useful for understanding the next part of this Book, was here to be set down. And for the same reason I add the two following Propositions.[Pg 286]
This is shown by the 6th Observation. From these Propositions, it's easy to determine the time intervals for the occurrences of simple Reflection and easy Transmission of any type of Rays refracted at any angle into any Medium; and from there, to understand whether the Rays will be reflected or transmitted upon their next encounter with another clear Medium. This information is important for grasping the next part of this Book, which is why it needed to be stated here. For the same reason, I will also include the two following Propositions.[Pg 286]
Property. XIX.
If any sort of Rays falling on the polite Surface of any pellucid Medium be reflected back, the Fits of easy Reflexion, which they have at the point of Reflexion, shall still continue to return; and the Returns shall be at distances from the point of Reflexion in the arithmetical progression of the Numbers 2, 4, 6, 8, 10, 12, &c. and between these Fits the Rays shall be in Fits of easy Transmission.
If any kind of rays strike the smooth surface of a clear medium and are reflected back, the intervals of easy reflection at the point of reflection will continue; and the returns will be at distances from the point of reflection in the arithmetic progression of the numbers 2, 4, 6, 8, 10, 12, etc., and in between these intervals, the rays will be in intervals of easy transmission.
For since the Fits of easy Reflexion and easy Transmission are of a returning nature, there is no reason why these Fits, which continued till the Ray arrived at the reflecting Medium, and there inclined the Ray to Reflexion, should there cease. And if the Ray at the point of Reflexion was in a Fit of easy Reflexion, the progression of the distances of these Fits from that point must begin from 0, and so be of the Numbers 0, 2, 4, 6, 8, &c. And therefore the progression of the distances of the intermediate Fits of easy Transmission, reckon'd from the same point, must be in the progression of the odd Numbers 1, 3, 5, 7, 9, &c. contrary to what happens when the Fits are propagated from points of Refraction.[Pg 287]
Since the states of easy reflection and easy transmission are cyclical, there's no reason for these states, which persisted until the ray reached the reflecting medium and prompted the ray to reflect, to stop. If the ray was in a state of easy reflection at the point of reflection, the progression of distances of these states from that point must start from 0, resulting in the sequence 0, 2, 4, 6, 8, etc. Consequently, the progression of distances of the intermediate states of easy transmission, counted from the same point, must follow the sequence of odd numbers 1, 3, 5, 7, 9, etc., which is different from what occurs when the states are propagated from points of refraction.[Pg 287]
Props. XX.
The Intervals of the Fits of easy Reflexion and easy Transmission, propagated from points of Reflexion into any Medium, are equal to the Intervals of the like Fits, which the same Rays would have, if refracted into the same Medium in Angles of Refraction equal to their Angles of Reflexion.
The time gaps between the instances of easy reflection and easy transmission, spreading from points of reflection into any medium, are the same as the time gaps of similar instances that the same rays would experience if they were refracted into the same medium at angles of refraction equal to their angles of reflection.
For when Light is reflected by the second Surface of thin Plates, it goes out afterwards freely at the first Surface to make the Rings of Colours which appear by Reflexion; and, by the freedom of its egress, makes the Colours of these Rings more vivid and strong than those which appear on the other side of the Plates by the transmitted Light. The reflected Rays are therefore in Fits of easy Transmission at their egress; which would not always happen, if the Intervals of the Fits within the Plate after Reflexion were not equal, both in length and number, to their Intervals before it. And this confirms also the proportions set down in the former Proposition. For if the Rays both in going in and out at the first Surface be in Fits of easy Transmission, and the Intervals and Numbers of those Fits between the first and second Surface, before and after Reflexion, be equal, the distances of the Fits of easy Transmission from either Surface, must be in the same progression after Reflexion as before; that is, from the first Surface which transmitted them in the progression of the even Numbers 0, 2, 4, 6,[Pg 288] 8, &c. and from the second which reflected them, in that of the odd Numbers 1, 3, 5, 7, &c. But these two Propositions will become much more evident by the Observations in the following part of this Book.
When light is reflected by the second surface of thin plates, it then exits freely from the first surface, creating the rings of color that appear through reflection. This free exit makes the colors of these rings more vivid and intense than those seen on the other side of the plates when light is transmitted. The reflected rays are therefore in states of easy transmission as they exit, which wouldn’t always be the case if the intervals of the states within the plate after reflection weren’t equal, both in length and number, to those before. This also confirms the proportions established in the previous proposition. If the rays, both entering and exiting at the first surface, are in states of easy transmission, and the intervals and numbers of those states between the first and second surfaces, before and after reflection, are equal, the distances of the states of easy transmission from either surface must progress the same way after reflection as before; that is, from the first surface that transmitted them in the sequence of even numbers 0, 2, 4, 6,[Pg 288] 8, etc., and from the second surface that reflected them, in the sequence of odd numbers 1, 3, 5, 7, etc. However, these two propositions will become much clearer with the observations in the next part of this book.
THE
SECOND BOOK
OF
OPTICKS
PART IV.
Observations concerning the Reflexions and Colours of thick transparent polish'd Plates.
Observations about the Reflections and Colors of thick transparent polished Plates.
There is no Glass or Speculum how well soever polished, but, besides the Light which it refracts or reflects regularly, scatters every way irregularly a faint Light, by means of which the polish'd Surface, when illuminated in a dark room by a beam of the Sun's Light, may be easily seen in all positions of the Eye. There are certain Phænomena of this scatter'd Light, which when I first observed them, seem'd very strange and surprizing to me. My Observations were as follows.
There is no glass or mirror, no matter how polished, that doesn't scatter a faint light in all directions, besides the regular light it refracts or reflects. Because of this scattered light, a polished surface can be easily seen from all angles when illuminated by a beam of sunlight in a dark room. There are certain phenomena related to this scattered light that seemed very strange and surprising when I first noticed them. My observations were as follows.
Obs. 1. The Sun shining into my darken'd Chamber through a hole one third of an Inch wide,[Pg 290] I let the intromitted beam of Light fall perpendicularly upon a Glass Speculum ground concave on one side and convex on the other, to a Sphere of five Feet and eleven Inches Radius, and Quick-silver'd over on the convex side. And holding a white opake Chart, or a Quire of Paper at the center of the Spheres to which the Speculum was ground, that is, at the distance of about five Feet and eleven Inches from the Speculum, in such manner, that the beam of Light might pass through a little hole made in the middle of the Chart to the Speculum, and thence be reflected back to the same hole: I observed upon the Chart four or five concentric Irises or Rings of Colours, like Rain-bows, encompassing the hole much after the manner that those, which in the fourth and following Observations of the first part of this Book appear'd between the Object-glasses, encompassed the black Spot, but yet larger and fainter than those. These Rings as they grew larger and larger became diluter and fainter, so that the fifth was scarce visible. Yet sometimes, when the Sun shone very clear, there appear'd faint Lineaments of a sixth and seventh. If the distance of the Chart from the Speculum was much greater or much less than that of six Feet, the Rings became dilute and vanish'd. And if the distance of the Speculum from the Window was much greater than that of six Feet, the reflected beam of Light would be so broad at the distance of six Feet from the Speculum where the Rings appear'd, as to obscure one or two of the innermost Rings. And therefore I usually placed the Speculum[Pg 291] at about six Feet from the Window; so that its Focus might there fall in with the center of its concavity at the Rings upon the Chart. And this Posture is always to be understood in the following Observations where no other is express'd.
Obs. 1. The Sun shining into my darkened room through a hole that’s one third of an inch wide,[Pg 290] I let the incoming beam of light fall straight onto a glass mirror that is concave on one side and convex on the other, with a radius of five feet and eleven inches, and coated with quicksilver on the convex side. I held a white opaque sheet or a stack of paper at the center of the sphere to which the mirror was shaped, about five feet and eleven inches away from the mirror, in such a way that the beam of light could pass through a small hole I made in the middle of the sheet to the mirror, and then be reflected back through the same hole. I observed four or five concentric bands of colors, like rainbows, surrounding the hole, similar to those that appeared between the object lenses in the fourth and following observations of the first part of this book, but larger and fainter. As these rings grew larger, they became more diffuse and faint, so that the fifth one was hardly visible. However, sometimes, when the Sun was shining very clearly, faint outlines of a sixth and seventh ring appeared. If the distance of the sheet from the mirror was significantly greater or less than six feet, the rings became diluted and disappeared. If the distance of the mirror from the window was much greater than six feet, the reflected beam of light at six feet from the mirror, where the rings were visible, became so wide that it obscured one or two of the innermost rings. Therefore, I usually placed the mirror[Pg 291] about six feet from the window so that its focus aligned with the center of its concavity at the rings on the sheet. This positioning is always to be understood in the following observations where no other arrangement is specified.
Obs. 2. The Colours of these Rain-bows succeeded one another from the center outwards, in the same form and order with those which were made in the ninth Observation of the first Part of this Book by Light not reflected, but transmitted through the two Object-glasses. For, first, there was in their common center a white round Spot of faint Light, something broader than the reflected beam of Light, which beam sometimes fell upon the middle of the Spot, and sometimes by a little inclination of the Speculum receded from the middle, and left the Spot white to the center.
Obs. 2. The colors of these rainbows appeared one after another from the center outward, following the same pattern and order as those created in the ninth observation of the first part of this book, which were produced by light transmitted through the two lenses rather than reflected. First, there was a white round spot of faint light in the center, slightly wider than the reflected beam of light. Sometimes, this beam fell directly on the center of the spot, and other times, due to a slight tilt of the mirror, it would move away from the center, leaving the spot white at the middle.
This white Spot was immediately encompassed with a dark grey or russet, and that dark grey with the Colours of the first Iris; which Colours on the inside next the dark grey were a little violet and indigo, and next to that a blue, which on the outside grew pale, and then succeeded a little greenish yellow, and after that a brighter yellow, and then on the outward edge of the Iris a red which on the outside inclined to purple.
This white spot was quickly surrounded by a dark gray or reddish-brown, and that dark gray had the colors of the first iris; the colors on the inside next to the dark gray were a bit violet and indigo, followed by blue, which faded on the outside, then turned into a slight greenish-yellow, followed by a brighter yellow, and finally on the outer edge of the iris, there was red that leaned towards purple on the outside.
This Iris was immediately encompassed with a second, whose Colours were in order from the inside outwards, purple, blue, green, yellow, light red, a red mix'd with purple.
This Iris was instantly surrounded by another one, whose colors went from the inside out as follows: purple, blue, green, yellow, light red, and a red mixed with purple.
Then immediately follow'd the Colours of the[Pg 292] third Iris, which were in order outwards a green inclining to purple, a good green, and a red more bright than that of the former Iris.
Then immediately followed the colors of the[Pg 292] third iris, which were arranged from the inside out as a green leaning towards purple, a nice green, and a red that was brighter than that of the previous iris.
The fourth and fifth Iris seem'd of a bluish green within, and red without, but so faintly that it was difficult to discern the Colours.
The fourth and fifth irises appeared bluish-green on the inside and red on the outside, but the colors were so faint that it was hard to distinguish them.
Obs. 3. Measuring the Diameters of these Rings upon the Chart as accurately as I could, I found them also in the same proportion to one another with the Rings made by Light transmitted through the two Object-glasses. For the Diameters of the four first of the bright Rings measured between the brightest parts of their Orbits, at the distance of six Feet from the Speculum were 1-11/16, 2-3/8, 2-11/12, 3-3/8 Inches, whose Squares are in arithmetical progression of the numbers 1, 2, 3, 4. If the white circular Spot in the middle be reckon'd amongst the Rings, and its central Light, where it seems to be most luminous, be put equipollent to an infinitely little Ring; the Squares of the Diameters of the Rings will be in the progression 0, 1, 2, 3, 4, &c. I measured also the Diameters of the dark Circles between these luminous ones, and found their Squares in the progression of the numbers 1/2, 1-1/2, 2-1/2, 3-1/2, &c. the Diameters of the first four at the distance of six Feet from the Speculum, being 1-3/16, 2-1/16, 2-2/3, 3-3/20 Inches. If the distance of the Chart from the Speculum was increased or diminished, the Diameters of the Circles were increased or diminished proportionally.
Obs. 3. While measuring the diameters of these rings on the chart as accurately as I could, I found that they had the same proportion to one another as the rings created by light passing through the two objective lenses. The diameters of the first four bright rings, measured between the brightest parts of their orbits at a distance of six feet from the mirror, were 1-11/16, 2-3/8, 2-11/12, and 3-3/8 inches, and their squares follow an arithmetic progression of the numbers 1, 2, 3, 4. If we count the white circular spot in the center among the rings, and consider its central light, where it appears brightest, as equivalent to an infinitely small ring, the squares of the diameters of the rings will progress as 0, 1, 2, 3, 4, etc. I also measured the diameters of the dark circles between these luminous ones and found their squares progressed as the numbers 1/2, 1-1/2, 2-1/2, 3-1/2, etc., with the diameters of the first four at a distance of six feet from the mirror being 1-3/16, 2-1/16, 2-2/3, and 3-3/20 inches. If the distance from the chart to the mirror was increased or decreased, the diameters of the circles changed proportionally.
Obs. 4. By the analogy between these Rings and those described in the Observations of the first Part[Pg 293] of this Book, I suspected that there were many more of them which spread into one another, and by interfering mix'd their Colours, and diluted one another so that they could not be seen apart. I viewed them therefore through a Prism, as I did those in the 24th Observation of the first Part of this Book. And when the Prism was so placed as by refracting the Light of their mix'd Colours to separate them, and distinguish the Rings from one another, as it did those in that Observation, I could then see them distincter than before, and easily number eight or nine of them, and sometimes twelve or thirteen. And had not their Light been so very faint, I question not but that I might have seen many more.
Obs. 4. By comparing these Rings to those mentioned in the Observations of the first Part[Pg 293] of this Book, I suspected there were many more that blended into one another, mixing their colors and diluting each other to the point where they couldn’t be seen separately. So, I examined them through a Prism, just as I did with those in the 24th Observation of the first Part of this Book. When the Prism was positioned to refract the light from their mixed colors and separate them, making it possible to distinguish the Rings from one another, as it did in that Observation, I could see them more clearly than before. I could easily count eight or nine of them, and sometimes as many as twelve or thirteen. If their light hadn’t been so faint, I have no doubt that I could have seen many more.
Obs. 5. Placing a Prism at the Window to refract the intromitted beam of Light, and cast the oblong Spectrum of Colours on the Speculum: I covered the Speculum with a black Paper which had in the middle of it a hole to let any one of the Colours pass through to the Speculum, whilst the rest were intercepted by the Paper. And now I found Rings of that Colour only which fell upon the Speculum. If the Speculum was illuminated with red, the Rings were totally red with dark Intervals, if with blue they were totally blue, and so of the other Colours. And when they were illuminated with any one Colour, the Squares of their Diameters measured between their most luminous Parts, were in the arithmetical Progression of the Numbers, 0, 1, 2, 3, 4 and the Squares of the Diameters of their dark Intervals in the Progression of the intermediate Numbers 1/2, 1-1/2, 2-1/2, 3-1/2.[Pg 294] But if the Colour was varied, they varied their Magnitude. In the red they were largest, in the indigo and violet least, and in the intermediate Colours yellow, green, and blue, they were of several intermediate Bignesses answering to the Colour, that is, greater in yellow than in green, and greater in green than in blue. And hence I knew, that when the Speculum was illuminated with white Light, the red and yellow on the outside of the Rings were produced by the least refrangible Rays, and the blue and violet by the most refrangible, and that the Colours of each Ring spread into the Colours of the neighbouring Rings on either side, after the manner explain'd in the first and second Part of this Book, and by mixing diluted one another so that they could not be distinguish'd, unless near the Center where they were least mix'd. For in this Observation I could see the Rings more distinctly, and to a greater Number than before, being able in the yellow Light to number eight or nine of them, besides a faint shadow of a tenth. To satisfy my self how much the Colours of the several Rings spread into one another, I measured the Diameters of the second and third Rings, and found them when made by the Confine of the red and orange to be to the same Diameters when made by the Confine of blue and indigo, as 9 to 8, or thereabouts. For it was hard to determine this Proportion accurately. Also the Circles made successively by the red, yellow, and green, differ'd more from one another than those made successively by the green, blue, and indigo. For the Circle made by the violet[Pg 295] was too dark to be seen. To carry on the Computation, let us therefore suppose that the Differences of the Diameters of the Circles made by the outmost red, the Confine of red and orange, the Confine of orange and yellow, the Confine of yellow and green, the Confine of green and blue, the Confine of blue and indigo, the Confine of indigo and violet, and outmost violet, are in proportion as the Differences of the Lengths of a Monochord which sound the Tones in an Eight; sol, la, fa, sol, la, mi, fa, sol, that is, as the Numbers 1/9, 1/18, 1/12, 1/12, 2/27, 1/27, 1/18. And if the Diameter of the Circle made by the Confine of red and orange be 9A, and that of the Circle made by the Confine of blue and indigo be 8A as above; their difference 9A-8A will be to the difference of the Diameters of the Circles made by the outmost red, and by the Confine of red and orange, as 1/18 + 1/12 + 1/12 + 2/27 to 1/9, that is as 8/27 to 1/9, or 8 to 3, and to the difference of the Circles made by the outmost violet, and by the Confine of blue and indigo, as 1/18 + 1/12 + 1/12 + 2/27 to 1/27 + 1/18, that is, as 8/27 to 5/54, or as 16 to 5. And therefore these differences will be 3/8A and 5/16A. Add the first to 9A and subduct the last from 8A, and you will have the Diameters of the Circles made by the least and most refrangible Rays 75/8A and ((61-1/2)/8)A. These diameters are therefore to one another as 75 to 61-1/2 or 50 to 41, and their Squares as 2500 to 1681, that is, as 3 to 2 very nearly. Which proportion differs not much from the proportion of the Diameters of the Circles made by the outmost red[Pg 296] and outmost violet, in the 13th Observation of the first part of this Book.
Obs. 5. I placed a prism by the window to bend the incoming beam of light and create an elongated spectrum of colors on the mirror. To control which colors reached the mirror, I covered it with black paper that had a hole in the middle, allowing only one color to pass through while blocking the others. I observed that only the color hitting the mirror created rings. If the mirror was lit with red, the rings were completely red with dark gaps; if it was blue, the rings were entirely blue, and so on for the other colors. When illuminated by one color, the squares of their diameters measured between the brightest parts followed the numerical progression of 0, 1, 2, 3, 4, while the squares of the diameters of their dark gaps followed the intermediate numbers 1/2, 1-1/2, 2-1/2, 3-1/2.[Pg 294] If I changed the color, their size changed. They were largest in red, smallest in indigo and violet, and the sizes of the rings for the intermediate colors—yellow, green, and blue—varied accordingly, with yellow being larger than green, and green larger than blue. Therefore, I concluded that when the mirror was illuminated with white light, the red and yellow on the outer parts of the rings were produced by the least refracted rays, while blue and violet came from the most refracted. The colors of each ring blended into the neighboring rings on either side, as explained in the first and second parts of this book, mixing together so much that they couldn't be distinguished except near the center, where they mixed the least. In this observation, I could see the rings more clearly and counted eight or nine of them in yellow light, plus a faint shadow of a tenth. To understand how much the colors of the rings blended, I measured the diameters of the second and third rings. I found that when created by the boundary of red and orange, their diameters were in a ratio of about 9 to 8 when created by the boundary of blue and indigo. It was difficult to determine this proportion accurately. Also, the rings produced successively by red, yellow, and green differed more from each other than those produced by green, blue, and indigo. The ring made by violet[Pg 295] was too dark to see. Continuing with the calculations, let's assume that the differences in diameters of the circles made by the outermost red, the boundary between red and orange, the boundary between orange and yellow, the boundary between yellow and green, the boundary between green and blue, the boundary between blue and indigo, the boundary between indigo and violet, and the outermost violet are proportional to the differences in the lengths of a monochord that plays the tones in an octave: sol, la, fa, sol, la, mi, fa, sol, meaning, as the numbers 1/9, 1/18, 1/12, 1/12, 2/27, 1/27, 1/18. If the diameter of the circle created by the boundary between red and orange is 9A, and that of the circle created by the boundary between blue and indigo is 8A as mentioned; their difference (9A-8A) will relate to the difference of diameters of the circles created by the outermost red and by the boundary of red and orange as 1/18 + 1/12 + 1/12 + 2/27 to 1/9, which translates to 8/27 to 1/9, or 8 to 3, and to the difference of the circles made by the outermost violet and by the boundary between blue and indigo as 1/18 + 1/12 + 1/12 + 2/27 to 1/27 + 1/18, which becomes 8/27 to 5/54, or 16 to 5. Thus, these differences will be 3/8A and 5/16A. Adding the first to 9A and subtracting the last from 8A will give the diameters of the circles made by the least and most refracted rays as 75/8A and ((61-1/2)/8)A. Therefore, these diameters are to each other as 75 to 61-1/2 or 50 to 41, and their squares as 2500 to 1681, which is about a ratio of 3 to 2. This ratio is not much different from the proportion of the diameters of the circles made by the outermost red[Pg 296] and the outermost violet, as noted in the 13th observation of the first part of this book.
Obs. 6. Placing my Eye where these Rings appear'd plainest, I saw the Speculum tinged all over with Waves of Colours, (red, yellow, green, blue;) like those which in the Observations of the first part of this Book appeared between the Object-glasses, and upon Bubbles of Water, but much larger. And after the manner of those, they were of various magnitudes in various Positions of the Eye, swelling and shrinking as I moved my Eye this way and that way. They were formed like Arcs of concentrick Circles, as those were; and when my Eye was over against the center of the concavity of the Speculum, (that is, 5 Feet and 10 Inches distant from the Speculum,) their common center was in a right Line with that center of concavity, and with the hole in the Window. But in other postures of my Eye their center had other positions. They appear'd by the Light of the Clouds propagated to the Speculum through the hole in the Window; and when the Sun shone through that hole upon the Speculum, his Light upon it was of the Colour of the Ring whereon it fell, but by its splendor obscured the Rings made by the Light of the Clouds, unless when the Speculum was removed to a great distance from the Window, so that his Light upon it might be broad and faint. By varying the position of my Eye, and moving it nearer to or farther from the direct beam of the Sun's Light, the Colour of the Sun's reflected Light constantly varied upon the Speculum, as it did upon my[Pg 297] Eye, the same Colour always appearing to a Bystander upon my Eye which to me appear'd upon the Speculum. And thence I knew that the Rings of Colours upon the Chart were made by these reflected Colours, propagated thither from the Speculum in several Angles, and that their production depended not upon the termination of Light and Shadow.
Obs. 6. When I looked at the Rings most clearly, I noticed the mirror was covered with waves of colors (red, yellow, green, blue) similar to those I observed earlier in this book between the lenses and on bubbles of water, but they were much larger. Like those earlier examples, they varied in size depending on where I looked, expanding and contracting as I shifted my gaze. They formed arcs of concentric circles, just like the previous ones; and when my eye was directly in front of the center of the mirror's curve (about 5 feet and 10 inches away), their common center aligned in a straight line with that center and the hole in the window. However, in other positions, their center shifted. They were visible due to the light from the clouds coming through the hole in the window onto the mirror; when sunlight came through that hole and hit the mirror, its light matched the color of the ring it struck. However, it was so bright that it obscured the rings created by the light from the clouds, unless the mirror was moved far away from the window, allowing the sunlight to spread out and be less intense. By adjusting the position of my eye and moving it closer to or farther from the direct sunlight, the color of the sun’s reflected light continually changed on the mirror, just as it did on my[Pg 297] eye. The same color that appeared on my eye would also be visible to someone observing me. From this, I concluded that the colored rings on the chart were created by these reflected colors, transmitted from the mirror at different angles, and that their appearance was not just about the interaction of light and shadow.
Obs. 7. By the Analogy of all these Phænomena with those of the like Rings of Colours described in the first part of this Book, it seemed to me that these Colours were produced by this thick Plate of Glass, much after the manner that those were produced by very thin Plates. For, upon trial, I found that if the Quick-silver were rubb'd off from the backside of the Speculum, the Glass alone would cause the same Rings of Colours, but much more faint than before; and therefore the Phænomenon depends not upon the Quick-silver, unless so far as the Quick-silver by increasing the Reflexion of the backside of the Glass increases the Light of the Rings of Colours. I found also that a Speculum of Metal without Glass made some Years since for optical uses, and very well wrought, produced none of those Rings; and thence I understood that these Rings arise not from one specular Surface alone, but depend upon the two Surfaces of the Plate of Glass whereof the Speculum was made, and upon the thickness of the Glass between them. For as in the 7th and 19th Observations of the first part of this Book a thin Plate of Air, Water, or Glass of an even thickness appeared of one[Pg 298] Colour when the Rays were perpendicular to it, of another when they were a little oblique, of another when more oblique, of another when still more oblique, and so on; so here, in the sixth Observation, the Light which emerged out of the Glass in several Obliquities, made the Glass appear of several Colours, and being propagated in those Obliquities to the Chart, there painted Rings of those Colours. And as the reason why a thin Plate appeared of several Colours in several Obliquities of the Rays, was, that the Rays of one and the same sort are reflected by the thin Plate at one obliquity and transmitted at another, and those of other sorts transmitted where these are reflected, and reflected where these are transmitted: So the reason why the thick Plate of Glass whereof the Speculum was made did appear of various Colours in various Obliquities, and in those Obliquities propagated those Colours to the Chart, was, that the Rays of one and the same sort did at one Obliquity emerge out of the Glass, at another did not emerge, but were reflected back towards the Quick-silver by the hither Surface of the Glass, and accordingly as the Obliquity became greater and greater, emerged and were reflected alternately for many Successions; and that in one and the same Obliquity the Rays of one sort were reflected, and those of another transmitted. This is manifest by the fifth Observation of this part of this Book. For in that Observation, when the Speculum was illuminated by any one of the prismatick Colours, that Light made many Rings of the same Colour[Pg 299] upon the Chart with dark Intervals, and therefore at its emergence out of the Speculum was alternately transmitted and not transmitted from the Speculum to the Chart for many Successions, according to the various Obliquities of its Emergence. And when the Colour cast on the Speculum by the Prism was varied, the Rings became of the Colour cast on it, and varied their bigness with their Colour, and therefore the Light was now alternately transmitted and not transmitted from the Speculum to the Chart at other Obliquities than before. It seemed to me therefore that these Rings were of one and the same original with those of thin Plates, but yet with this difference, that those of thin Plates are made by the alternate Reflexions and Transmissions of the Rays at the second Surface of the Plate, after one passage through it; but here the Rays go twice through the Plate before they are alternately reflected and transmitted. First, they go through it from the first Surface to the Quick-silver, and then return through it from the Quick-silver to the first Surface, and there are either transmitted to the Chart or reflected back to the Quick-silver, accordingly as they are in their Fits of easy Reflexion or Transmission when they arrive at that Surface. For the Intervals of the Fits of the Rays which fall perpendicularly on the Speculum, and are reflected back in the same perpendicular Lines, by reason of the equality of these Angles and Lines, are of the same length and number within the Glass after Reflexion as before, by the 19th Proposition of the third part of this Book.[Pg 300] And therefore since all the Rays that enter through the first Surface are in their Fits of easy Transmission at their entrance, and as many of these as are reflected by the second are in their Fits of easy Reflexion there, all these must be again in their Fits of easy Transmission at their return to the first, and by consequence there go out of the Glass to the Chart, and form upon it the white Spot of Light in the center of the Rings. For the reason holds good in all sorts of Rays, and therefore all sorts must go out promiscuously to that Spot, and by their mixture cause it to be white. But the Intervals of the Fits of those Rays which are reflected more obliquely than they enter, must be greater after Reflexion than before, by the 15th and 20th Propositions. And thence it may happen that the Rays at their return to the first Surface, may in certain Obliquities be in Fits of easy Reflexion, and return back to the Quick-silver, and in other intermediate Obliquities be again in Fits of easy Transmission, and so go out to the Chart, and paint on it the Rings of Colours about the white Spot. And because the Intervals of the Fits at equal obliquities are greater and fewer in the less refrangible Rays, and less and more numerous in the more refrangible, therefore the less refrangible at equal obliquities shall make fewer Rings than the more refrangible, and the Rings made by those shall be larger than the like number of Rings made by these; that is, the red Rings shall be larger than the yellow, the yellow than the green, the green than the blue, and the blue than the violet, as they were really[Pg 301] found to be in the fifth Observation. And therefore the first Ring of all Colours encompassing the white Spot of Light shall be red without any violet within, and yellow, and green, and blue in the middle, as it was found in the second Observation; and these Colours in the second Ring, and those that follow, shall be more expanded, till they spread into one another, and blend one another by interfering.
Obs. 7. By comparing all these phenomena with the similar rings of color described in the first part of this book, I realized that these colors were produced by this thick glass plate, much like those were produced by very thin plates. When I experimented, I discovered that if the mercury was wiped off the back of the mirror, the glass alone would create the same rings of color, but much fainter than before. Therefore, the phenomenon does not rely on the mercury, except to the extent that it enhances the reflection from the back of the glass, which increases the brightness of the rings of color. I also found that a metal mirror made a few years ago for optical purposes, which was very well crafted, produced none of those rings. From this, I understood that these rings do not originate from just one reflective surface, but depend on the two surfaces of the glass plate that the mirror was made from, and on the thickness of the glass between them. Just as in the 7th and 19th observations from the first part of this book, a thin plate of air, water, or glass of even thickness appears as one color when the rays are perpendicular to it, a different color when they are slightly oblique, another when more oblique, and so forth; here, in the sixth observation, the light that emerged from the glass at various angles caused the glass to appear in different colors, which then painted rings of those colors on the chart. The reason why a thin plate appears in various colors at different angles of incidence is that rays of the same kind are reflected by the thin plate at one angle and transmitted at another, while rays of different kinds are transmitted where some are reflected, and reflected where others are transmitted. Similarly, the reason why the thick glass plate of the mirror appears in various colors at different angles is that rays of the same kind emerge from the glass at one angle, do not emerge but are reflected back towards the mercury at another, and alternately emerge and are reflected as the angle increases, with one type of ray being reflected and another type transmitted at any given angle. This is clear from the fifth observation of this part of the book. In that observation, when the mirror was illuminated with any one of the prismatic colors, that light created many rings of the same color[Pg 298] on the chart with dark intervals. Thus, as it emerged from the mirror, it was alternately transmitted and not transmitted to the chart multiple times, depending on the different angles of emergence. When the color cast on the mirror by the prism was changed, the rings changed to that color and varied in size according to their color. Therefore, the light was now transmitted and not transmitted from the mirror to the chart at other angles than before. It seemed to me that these rings share the same origin as those from thin plates, but with one difference: the rings from thin plates are formed by the alternating reflections and transmissions of the rays at the second surface of the plate after passing through it once, whereas in this case, the rays go through the plate twice before being alternately reflected and transmitted. First, they pass through from the first surface to the mercury, and then return from the mercury to the first surface, where they are either transmitted to the chart or reflected back to the mercury, depending on their conditions for easy reflection or transmission upon reaching that surface. Because the intervals for the rays that strike the mirror perpendicularly and are reflected back along the same perpendicular lines are of the same length and number within the glass after reflection as they were before, as stated in the 19th proposition of the third part of this book[Pg 299], since all the rays entering through the first surface are in their conditions for easy transmission upon entry, and all of those that are reflected by the second surface are in conditions for easy reflection there, all these rays must return to conditions for easy transmission when they exit back to the first surface, and consequently, they exit the glass to the chart, creating a white spot of light at the center of the rings. This reasoning applies to all ray types, so all types must exit randomly to that spot, mixing to create the white appearance. However, the intervals of rays that are reflected more obliquely upon return must be greater after reflection than before, as explained in the 15th and 20th propositions. Thus, when returning to the first surface, rays at certain angles may be in conditions for easy reflection and go back to the mercury, while at other intermediate angles, they may be in conditions for easy transmission and exit to the chart, painting the colored rings around the white spot. Because the intervals at equal angles are greater and fewer for rays that are less refrangible and smaller and more numerous for those that are more refrangible, the less refrangible rays at equal angles will create fewer rings than the more refrangible rays, and the rings made by those will be larger than the same number of rings made by these. In other words, the red rings will be larger than the yellow, the yellow larger than the green, the green larger than the blue, and the blue larger than the violet, as was actually[Pg 300] found in the fifth observation. Therefore, the first ring of all colors surrounding the white spot of light will be red, without any violet inside, with yellow and green and blue in the middle, as found in the second observation; and these colors in the second ring and those that follow will spread out more, until they blend into each other through interference.
These seem to be the reasons of these Rings in general; and this put me upon observing the thickness of the Glass, and considering whether the dimensions and proportions of the Rings may be truly derived from it by computation.
These appear to be the reasons for these Rings in general; and this led me to observe the thickness of the Glass and to think about whether the sizes and proportions of the Rings can be accurately calculated from it.
Obs. 8. I measured therefore the thickness of this concavo-convex Plate of Glass, and found it every where 1/4 of an Inch precisely. Now, by the sixth Observation of the first Part of this Book, a thin Plate of Air transmits the brightest Light of the first Ring, that is, the bright yellow, when its thickness is the 1/89000th part of an Inch; and by the tenth Observation of the same Part, a thin Plate of Glass transmits the same Light of the same Ring, when its thickness is less in proportion of the Sine of Refraction to the Sine of Incidence, that is, when its thickness is the 11/1513000th or 1/137545th part of an Inch, supposing the Sines are as 11 to 17. And if this thickness be doubled, it transmits the same bright Light of the second Ring; if tripled, it transmits that of the third, and so on; the bright yellow Light in all these cases being in its Fits of Transmission. And therefore if its thickness be multiplied 34386 times, so as[Pg 302] to become 1/4 of an Inch, it transmits the same bright Light of the 34386th Ring. Suppose this be the bright yellow Light transmitted perpendicularly from the reflecting convex side of the Glass through the concave side to the white Spot in the center of the Rings of Colours on the Chart: And by a Rule in the 7th and 19th Observations in the first Part of this Book, and by the 15th and 20th Propositions of the third Part of this Book, if the Rays be made oblique to the Glass, the thickness of the Glass requisite to transmit the same bright Light of the same Ring in any obliquity, is to this thickness of 1/4 of an Inch, as the Secant of a certain Angle to the Radius, the Sine of which Angle is the first of an hundred and six arithmetical Means between the Sines of Incidence and Refraction, counted from the Sine of Incidence when the Refraction is made out of any plated Body into any Medium encompassing it; that is, in this case, out of Glass into Air. Now if the thickness of the Glass be increased by degrees, so as to bear to its first thickness, (viz. that of a quarter of an Inch,) the Proportions which 34386 (the number of Fits of the perpendicular Rays in going through the Glass towards the white Spot in the center of the Rings,) hath to 34385, 34384, 34383, and 34382, (the numbers of the Fits of the oblique Rays in going through the Glass towards the first, second, third, and fourth Rings of Colours,) and if the first thickness be divided into 100000000 equal parts, the increased thicknesses will be 100002908, 100005816, 100008725, and 100011633, and the Angles of which[Pg 303] these thicknesses are Secants will be 26´ 13´´, 37´ 5´´, 45´ 6´´, and 52´ 26´´, the Radius being 100000000; and the Sines of these Angles are 762, 1079, 1321, and 1525, and the proportional Sines of Refraction 1172, 1659, 2031, and 2345, the Radius being 100000. For since the Sines of Incidence out of Glass into Air are to the Sines of Refraction as 11 to 17, and to the above-mentioned Secants as 11 to the first of 106 arithmetical Means between 11 and 17, that is, as 11 to 11-6/106, those Secants will be to the Sines of Refraction as 11-6/106, to 17, and by this Analogy will give these Sines. So then, if the obliquities of the Rays to the concave Surface of the Glass be such that the Sines of their Refraction in passing out of the Glass through that Surface into the Air be 1172, 1659, 2031, 2345, the bright Light of the 34386th Ring shall emerge at the thicknesses of the Glass, which are to 1/4 of an Inch as 34386 to 34385, 34384, 34383, 34382, respectively. And therefore, if the thickness in all these Cases be 1/4 of an Inch (as it is in the Glass of which the Speculum was made) the bright Light of the 34385th Ring shall emerge where the Sine of Refraction is 1172, and that of the 34384th, 34383th, and 34382th Ring where the Sine is 1659, 2031, and 2345 respectively. And in these Angles of Refraction the Light of these Rings shall be propagated from the Speculum to the Chart, and there paint Rings about the white central round Spot of Light which we said was the Light of the 34386th Ring. And the Semidiameters of these Rings shall subtend the Angles of Refraction made at the Concave-Surface[Pg 304] of the Speculum, and by consequence their Diameters shall be to the distance of the Chart from the Speculum as those Sines of Refraction doubled are to the Radius, that is, as 1172, 1659, 2031, and 2345, doubled are to 100000. And therefore, if the distance of the Chart from the Concave-Surface of the Speculum be six Feet (as it was in the third of these Observations) the Diameters of the Rings of this bright yellow Light upon the Chart shall be 1'688, 2'389, 2'925, 3'375 Inches: For these Diameters are to six Feet, as the above-mention'd Sines doubled are to the Radius. Now, these Diameters of the bright yellow Rings, thus found by Computation are the very same with those found in the third of these Observations by measuring them, viz. with 1-11/16, 2-3/8, 2-11/12, and 3-3/8 Inches, and therefore the Theory of deriving these Rings from the thickness of the Plate of Glass of which the Speculum was made, and from the Obliquity of the emerging Rays agrees with the Observation. In this Computation I have equalled the Diameters of the bright Rings made by Light of all Colours, to the Diameters of the Rings made by the bright yellow. For this yellow makes the brightest Part of the Rings of all Colours. If you desire the Diameters of the Rings made by the Light of any other unmix'd Colour, you may find them readily by putting them to the Diameters of the bright yellow ones in a subduplicate Proportion of the Intervals of the Fits of the Rays of those Colours when equally inclined to the refracting or reflecting Surface which caused those Fits, that is,[Pg 305] by putting the Diameters of the Rings made by the Rays in the Extremities and Limits of the seven Colours, red, orange, yellow, green, blue, indigo, violet, proportional to the Cube-roots of the Numbers, 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2, which express the Lengths of a Monochord sounding the Notes in an Eighth: For by this means the Diameters of the Rings of these Colours will be found pretty nearly in the same Proportion to one another, which they ought to have by the fifth of these Observations.
Obs. 8. I measured the thickness of this concavo-convex plate of glass and found it to be exactly 1/4 of an inch everywhere. Now, as noted in the sixth observation from the first part of this book, a thin plate of air transmits the brightest light of the first ring, which is bright yellow, when its thickness is 1/89000th of an inch. According to the tenth observation from the same part, a thin plate of glass transmits the same light of the same ring when its thickness is less in proportion to the sine of refraction and the sine of incidence, specifically when its thickness is 11/1513000th or 1/137545th of an inch, assuming the sines are in the ratio of 11 to 17. If this thickness is doubled, it transmits the same bright light of the second ring; if tripled, it transmits that of the third ring, and so forth. The bright yellow light in all these cases appears in its fits of transmission. Therefore, if the thickness is multiplied by 34386, becoming 1/4 of an inch, it transmits the same bright light of the 34386th ring. Let's suppose this is the bright yellow light transmitted straight from the reflecting convex side of the glass through the concave side to the white spot in the center of the color rings on the chart: And by a rule mentioned in the 7th and 19th observations in the first part of this book, and by the 15th and 20th propositions of the third part of this book, if rays are made oblique to the glass, the required thickness of the glass to transmit the same bright light of the same ring at any angle is to this thickness of 1/4 of an inch as the secant of a certain angle is to the radius, where the sine of that angle is the first among a hundred and six arithmetical means between the sine of incidence and the sine of refraction, counted from the sine of incidence when the refraction occurs from any plated body into any surrounding medium; in this case, from glass into air. Now, if the thickness of the glass is gradually increased so that it relates to its original thickness (that is, 1/4 of an inch) in the proportions which 34386 (the number of fits of the perpendicular rays passing through the glass toward the white spot in the center of the rings) has to 34385, 34384, 34383, and 34382 (the numbers of the fits of the oblique rays passing through the glass toward the first, second, third, and fourth color rings), and if the initial thickness is divided into 100000000 equal parts, the increased thicknesses will be 100002908, 100005816, 100008725, and 100011633, and the angles of which[Pg 303] these thicknesses are secants will be 26´ 13´´, 37´ 5´´, 45´ 6´´, and 52´ 26´´, with the radius being 100000000; and the sines of these angles are 762, 1079, 1321, and 1525, while the proportional sines of refraction are 1172, 1659, 2031, and 2345, with the radius being 100000. Since the sines of incidence from glass into air are in the ratio of 11 to 17, and to the mentioned secants as 11 to the first of the 106 arithmetical means between 11 and 17, meaning that the ratio is as 11 to 11-6/106, those secants will relate to the sines of refraction as 11-6/106 to 17, and this analogy will yield those sines. Thus, if the angles of the rays to the concave surface of the glass are such that the sines of their refraction upon leaving the glass through that surface into the air are 1172, 1659, 2031, and 2345, the bright light of the 34386th ring shall emerge at the thicknesses of the glass, which are to 1/4 of an inch as 34386 to 34385, 34384, 34383, and 34382, respectively. Therefore, if the thickness in all these cases is 1/4 of an inch (as it is in the glass of which the speculum was made), the bright light of the 34385th ring shall emerge where the sine of refraction is 1172, and that of the 34384th, 34383rd, and 34382nd rings where the sine is 1659, 2031, and 2345 respectively. In these angles of refraction, the light of these rings shall be directed from the speculum to the chart, creating rings around the white central spot of light that we stated was the light of the 34386th ring. The semi-diameters of these rings shall subtend the angles of refraction made at the concave surface[Pg 304] of the speculum, and therefore their diameters shall relate to the distance of the chart from the speculum as these doubled sines of refraction relate to the radius, which is to say, as 1172, 1659, 2031, and 2345, doubled, relate to 100000. Hence, if the distance from the chart to the concave surface of the speculum is six feet (as it was in the third of these observations), the diameters of the rings of this bright yellow light on the chart will be 1'688, 2'389, 2'925, 3'375 inches: These diameters are to six feet as the previously mentioned doubled sines are to the radius. Thus, these calculated diameters of the bright yellow rings are the same as the ones measured in the third of these observations, viz. 1-11/16, 2-3/8, 2-11/12, and 3-3/8 inches, confirming that the theory linking these rings to the thickness of the glass plate used for the speculum and the obliquity of the emerging rays aligns with the observations. In this computation, I have compared the diameters of the bright rings created by light of all colors to the diameters of the rings made by bright yellow light since this yellow represents the brightest part of the rings of all colors. If you want the diameters of the rings created by the light of any other pure color, you can find them easily by comparing them to the diameters of the bright yellow rings in a subduplicate proportion based on the fits of the rays of those colors when equally inclined to the refracting or reflecting surface that caused those fits, that is,[Pg 305] by comparing the diameters of the rings created by the rays at the extremes and limits of the seven colors—red, orange, yellow, green, blue, indigo, violet—proportional to the cube roots of the numbers 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2, which express the lengths of a monochord sounding the notes in an octave: This way, the diameters of the rings of these colors will be found nearly proportional to one another, as they should according to the fifth of these observations.
And thus I satisfy'd my self, that these Rings were of the same kind and Original with those of thin Plates, and by consequence that the Fits or alternate Dispositions of the Rays to be reflected and transmitted are propagated to great distances from every reflecting and refracting Surface. But yet to put the matter out of doubt, I added the following Observation.
And so I convinced myself that these rings were of the same type and origin as those made of thin plates, and as a result, that the patterns or alternating arrangements of the rays being reflected and transmitted extend to great distances from every reflecting and refracting surface. But to clarify the issue, I made the following observation.
Obs. 9. If these Rings thus depend on the thickness of the Plate of Glass, their Diameters at equal distances from several Speculums made of such concavo-convex Plates of Glass as are ground on the same Sphere, ought to be reciprocally in a subduplicate Proportion of the thicknesses of the Plates of Glass. And if this Proportion be found true by experience it will amount to a demonstration that these Rings (like those formed in thin Plates) do depend on the thickness of the Glass. I procured therefore another concavo-convex Plate of Glass ground on both sides to the same Sphere with the former Plate. Its thickness was 5/62 Parts of an Inch; and the Diameters[Pg 306] of the three first bright Rings measured between the brightest Parts of their Orbits at the distance of six Feet from the Glass were 3·4-1/6·5-1/8· Inches. Now, the thickness of the other Glass being 1/4 of an Inch was to the thickness of this Glass as 1/4 to 5/62, that is as 31 to 10, or 310000000 to 100000000, and the Roots of these Numbers are 17607 and 10000, and in the Proportion of the first of these Roots to the second are the Diameters of the bright Rings made in this Observation by the thinner Glass, 3·4-1/6·5-1/8, to the Diameters of the same Rings made in the third of these Observations by the thicker Glass 1-11/16, 2-3/8. 2-11/12, that is, the Diameters of the Rings are reciprocally in a subduplicate Proportion of the thicknesses of the Plates of Glass.
Obs. 9. If these rings depend on the thickness of the glass plate, then their diameters, measured at equal distances from several mirrors made of similar concavo-convex glass plates ground on the same sphere, should be inversely proportional to the square root of the thicknesses of the glass plates. If this proportion is confirmed through experimentation, it will serve as proof that these rings, like those formed in thin plates, are indeed affected by the thickness of the glass. Therefore, I obtained another concavo-convex glass plate that was ground on both sides to the same sphere as the previous plate. Its thickness was 5/62 of an inch, and the diameters[Pg 306] of the first three bright rings, measured between the brightest parts of their orbits at a distance of six feet from the glass, were 3·4-1/6·5-1/8· inches. Now, the thickness of the other glass being 1/4 of an inch is to the thickness of this glass as 1/4 is to 5/62, or as 31 to 10, which translates to 310000000 to 100000000, and the square roots of these numbers are 17607 and 10000. The ratio of the first root to the second corresponds to the diameters of the bright rings created in this observation with the thinner glass, 3·4-1/6·5-1/8, compared to the diameters of the same rings measured in the third observation with the thicker glass, 1-11/16, 2-3/8, 2-11/12. This indicates that the diameters of the rings are indeed inversely proportional to the square root of the thicknesses of the glass plates.
So then in Plates of Glass which are alike concave on one side, and alike convex on the other side, and alike quick-silver'd on the convex sides, and differ in nothing but their thickness, the Diameters of the Rings are reciprocally in a subduplicate Proportion of the thicknesses of the Plates. And this shews sufficiently that the Rings depend on both the Surfaces of the Glass. They depend on the convex Surface, because they are more luminous when that Surface is quick-silver'd over than when it is without Quick-silver. They depend also upon the concave Surface, because without that Surface a Speculum makes them not. They depend on both Surfaces, and on the distances between them, because their bigness is varied by varying only that distance. And this dependence is of the same kind with that which the Colours[Pg 307] of thin Plates have on the distance of the Surfaces of those Plates, because the bigness of the Rings, and their Proportion to one another, and the variation of their bigness arising from the variation of the thickness of the Glass, and the Orders of their Colours, is such as ought to result from the Propositions in the end of the third Part of this Book, derived from the Phænomena of the Colours of thin Plates set down in the first Part.
In Glass Plates that are the same shape with one side curving inward and the other curving outward, and both having a reflective silver coating on the outward sides, which only differ in thickness, the diameters of the Rings are inversely proportional to the square root of the thickness of the Plates. This clearly indicates that the Rings depend on both surfaces of the glass. They rely on the outward surface because they appear brighter when that surface is coated with silver compared to when it isn't. They also depend on the inward surface since a mirror alone doesn't create them. They are influenced by both surfaces and the distance between them, as changing that distance alters the size of the Rings. This relationship is similar to how the colors of thin plates depend on the distance between their surfaces, because the size of the Rings, their relative proportions, the changes in size due to the thickness of the glass, and the sequence of their colors align with the principles outlined at the end of the third part of this book, based on the phenomena of thin plate colors discussed in the first part.
There are yet other Phænomena of these Rings of Colours, but such as follow from the same Propositions, and therefore confirm both the Truth of those Propositions, and the Analogy between these Rings and the Rings of Colours made by very thin Plates. I shall subjoin some of them.
There are still other phenomena of these color rings, but they arise from the same principles and thus confirm both the truth of those principles and the similarities between these rings and the color rings created by very thin plates. I will add some of them.
Obs. 10. When the beam of the Sun's Light was reflected back from the Speculum not directly to the hole in the Window, but to a place a little distant from it, the common center of that Spot, and of all the Rings of Colours fell in the middle way between the beam of the incident Light, and the beam of the reflected Light, and by consequence in the center of the spherical concavity of the Speculum, whenever the Chart on which the Rings of Colours fell was placed at that center. And as the beam of reflected Light by inclining the Speculum receded more and more from the beam of incident Light and from the common center of the colour'd Rings between them, those Rings grew bigger and bigger, and so also did the white round Spot, and new Rings of Colours emerged successively out of their common center,[Pg 308] and the white Spot became a white Ring encompassing them; and the incident and reflected beams of Light always fell upon the opposite parts of this white Ring, illuminating its Perimeter like two mock Suns in the opposite parts of an Iris. So then the Diameter of this Ring, measured from the middle of its Light on one side to the middle of its Light on the other side, was always equal to the distance between the middle of the incident beam of Light, and the middle of the reflected beam measured at the Chart on which the Rings appeared: And the Rays which form'd this Ring were reflected by the Speculum in Angles equal to their Angles of Incidence, and by consequence to their Angles of Refraction at their entrance into the Glass, but yet their Angles of Reflexion were not in the same Planes with their Angles of Incidence.
Obs. 10. When the sunlight was reflected back from the mirror not directly to the hole in the window, but to a spot a little away from it, the common center of that spot, along with all the color rings, was located halfway between the incoming light beam and the reflected light beam, and therefore at the center of the spherical curve of the mirror, whenever the chart on which the color rings appeared was positioned at that center. As the beam of reflected light tilted the mirror and moved further away from the incoming light beam and from the common center of the colored rings, those rings became larger, as did the white round spot. New color rings gradually emerged from their common center,[Pg 308] and the white spot transformed into a white ring surrounding them. The incoming and reflected beams of light always struck opposite sides of this white ring, lighting up its edge like two mock suns on opposite sides of an iris. Thus, the diameter of this ring, measured from the center of its light on one side to the center of its light on the other side, was always equal to the distance between the center of the incoming light beam and the center of the reflected beam measured on the chart where the rings were visible. The rays that formed this ring were reflected by the mirror at angles equal to their angles of incidence and consequently to their angles of refraction when entering the glass, but their angles of reflection were not in the same planes as their angles of incidence.
Obs. 11. The Colours of the new Rings were in a contrary order to those of the former, and arose after this manner. The white round Spot of Light in the middle of the Rings continued white to the center till the distance of the incident and reflected beams at the Chart was about 7/8 parts of an Inch, and then it began to grow dark in the middle. And when that distance was about 1-3/16 of an Inch, the white Spot was become a Ring encompassing a dark round Spot which in the middle inclined to violet and indigo. And the luminous Rings encompassing it were grown equal to those dark ones which in the four first Observations encompassed them, that is to say, the white Spot was grown a white Ring equal to the[Pg 309] first of those dark Rings, and the first of those luminous Rings was now grown equal to the second of those dark ones, and the second of those luminous ones to the third of those dark ones, and so on. For the Diameters of the luminous Rings were now 1-3/16, 2-1/16, 2-2/3, 3-3/20, &c. Inches.
Obs. 11. The colors of the new rings were in a different order from those of the old ones, appearing in this way. The white spot of light in the center of the rings remained white until the distance of the incident and reflected beams at the chart reached about 7/8 of an inch, and then it started to get darker in the middle. When that distance was about 1-3/16 inches, the white spot had turned into a ring surrounding a dark spot that leaned toward violet and indigo in the center. The luminous rings surrounding it had become equal to the dark ones that had surrounded them in the first four observations. In other words, the white spot had become a white ring equal to the[Pg 309] first of those dark rings, the first of those luminous rings had now become equal to the second of those dark ones, the second of those luminous ones had matched the third of those dark ones, and so on. The diameters of the luminous rings were now 1-3/16, 2-1/16, 2-2/3, 3-3/20, etc. inches.
When the distance between the incident and reflected beams of Light became a little bigger, there emerged out of the middle of the dark Spot after the indigo a blue, and then out of that blue a pale green, and soon after a yellow and red. And when the Colour at the center was brightest, being between yellow and red, the bright Rings were grown equal to those Rings which in the four first Observations next encompassed them; that is to say, the white Spot in the middle of those Rings was now become a white Ring equal to the first of those bright Rings, and the first of those bright ones was now become equal to the second of those, and so on. For the Diameters of the white Ring, and of the other luminous Rings encompassing it, were now 1-11/16, 2-3/8, 2-11/12, 3-3/8, &c. or thereabouts.
When the space between the incoming and reflected beams of light increased a bit, a blue color appeared in the middle of the dark spot after the indigo, followed by a pale green emerging from that blue, and soon after, a yellow and a red. When the color at the center was at its brightest, positioned between yellow and red, the bright rings matched those in the first four observations that surrounded them; meaning the white spot at the center of those rings had now become a white ring equal to the first of those bright rings, and the first of those bright rings had now become equal to the second one, and so on. The diameters of the white ring and the other luminous rings surrounding it were now approximately 1-11/16, 2-3/8, 2-11/12, 3-3/8, etc.
When the distance of the two beams of Light at the Chart was a little more increased, there emerged out of the middle in order after the red, a purple, a blue, a green, a yellow, and a red inclining much to purple, and when the Colour was brightest being between yellow and red, the former indigo, blue, green, yellow and red, were become an Iris or Ring of Colours equal to the first of those luminous Rings which appeared in the four first Observations, and[Pg 310] the white Ring which was now become the second of the luminous Rings was grown equal to the second of those, and the first of those which was now become the third Ring was become equal to the third of those, and so on. For their Diameters were 1-11/16, 2-3/8, 2-11/12, 3-3/8 Inches, the distance of the two beams of Light, and the Diameter of the white Ring being 2-3/8 Inches.
When the distance between the two beams of light at the chart increased slightly, a series of colors emerged in order: red, purple, blue, green, yellow, and a red leaning toward purple. When the color was brightest, sitting between yellow and red, the previous indigo, blue, green, yellow, and red formed a rainbow or ring of colors that matched the first of the luminous rings observed in the initial four observations, and[Pg 310] the white ring, which became the second luminous ring, matched the second one observed, while the first of those, now the third ring, matched the third observation, and so on. Their diameters were 1-11/16, 2-3/8, 2-11/12, and 3-3/8 inches, with the distance between the two beams of light and the diameter of the white ring both being 2-3/8 inches.
When these two beams became more distant there emerged out of the middle of the purplish red, first a darker round Spot, and then out of the middle of that Spot a brighter. And now the former Colours (purple, blue, green, yellow, and purplish red) were become a Ring equal to the first of the bright Rings mentioned in the four first Observations, and the Rings about this Ring were grown equal to the Rings about that respectively; the distance between the two beams of Light and the Diameter of the white Ring (which was now become the third Ring) being about 3 Inches.
When these two beams moved further apart, a darker round Spot appeared in the middle of the purplish red, followed by a brighter one emerging from the center of that Spot. The previous Colors (purple, blue, green, yellow, and purplish red) formed a Ring equal to the first of the bright Rings mentioned in the initial four Observations, and the Rings around this Ring matched those around that one. The distance between the two Light beams and the Diameter of the white Ring (which had now become the third Ring) measured about 3 Inches.
The Colours of the Rings in the middle began now to grow very dilute, and if the distance between the two Beams was increased half an Inch, or an Inch more, they vanish'd whilst the white Ring, with one or two of the Rings next it on either side, continued still visible. But if the distance of the two beams of Light was still more increased, these also vanished: For the Light which coming from several parts of the hole in the Window fell upon the Speculum in several Angles of Incidence, made Rings of several bignesses, which diluted and blotted out one another, as I knew by intercepting some part of[Pg 311] that Light. For if I intercepted that part which was nearest to the Axis of the Speculum the Rings would be less, if the other part which was remotest from it they would be bigger.
The colors of the rings in the middle started to become very faint, and if the space between the two beams was increased by half an inch or an inch more, they disappeared while the white ring, along with one or two of the adjacent rings on either side, remained visible. However, if the distance between the two beams of light was increased even more, those also disappeared. The light coming from different parts of the hole in the window hit the mirror at various angles, creating rings of different sizes that diluted and canceled each other out, as I realized by blocking some part of[Pg 311] that light. If I blocked the part closest to the axis of the mirror, the rings would be smaller; if I blocked the part farthest from it, the rings would be larger.
Obs. 12. When the Colours of the Prism were cast successively on the Speculum, that Ring which in the two last Observations was white, was of the same bigness in all the Colours, but the Rings without it were greater in the green than in the blue, and still greater in the yellow, and greatest in the red. And, on the contrary, the Rings within that white Circle were less in the green than in the blue, and still less in the yellow, and least in the red. For the Angles of Reflexion of those Rays which made this Ring, being equal to their Angles of Incidence, the Fits of every reflected Ray within the Glass after Reflexion are equal in length and number to the Fits of the same Ray within the Glass before its Incidence on the reflecting Surface. And therefore since all the Rays of all sorts at their entrance into the Glass were in a Fit of Transmission, they were also in a Fit of Transmission at their returning to the same Surface after Reflexion; and by consequence were transmitted, and went out to the white Ring on the Chart. This is the reason why that Ring was of the same bigness in all the Colours, and why in a mixture of all it appears white. But in Rays which are reflected in other Angles, the Intervals of the Fits of the least refrangible being greatest, make the Rings of their Colour in their progress from this white Ring, either outwards or inwards, increase or decrease by the[Pg 312] greatest steps; so that the Rings of this Colour without are greatest, and within least. And this is the reason why in the last Observation, when the Speculum was illuminated with white Light, the exterior Rings made by all Colours appeared red without and blue within, and the interior blue without and red within.
Obs. 12. When the colors of the prism were projected one after the other onto the mirror, the ring that appeared white in the last two observations was the same size across all the colors. However, the rings outside it were larger in green than in blue, even larger in yellow, and the largest in red. Conversely, the rings inside that white circle were smaller in green than in blue, even smaller in yellow, and the smallest in red. This is because the angles of reflection for the rays that formed this ring were equal to their angles of incidence; therefore, the vibrational patterns of each reflected ray inside the glass, after reflection, match in length and number with the patterns of the same ray before it hit the reflecting surface. Since all rays of all types were in a transmission pattern when they entered the glass, they were also in a transmission pattern when returning to the same surface after reflection, allowing them to be transmitted and exit to the white ring on the chart. That’s why this ring was the same size across all colors, and why it appears white when mixed together. However, for rays reflected at different angles, the intervals of the vibrations of the least refrangible rays are the largest, causing the color rings to increase or decrease by the largest amounts as they move away from this white ring, whether outward or inward. This explains why, in the last observation with the mirror illuminated by white light, the outer rings created by all colors appeared red on the outside and blue on the inside, while the inner rings were blue on the outside and red on the inside.
These are the Phænomena of thick convexo-concave Plates of Glass, which are every where of the same thickness. There are yet other Phænomena when these Plates are a little thicker on one side than on the other, and others when the Plates are more or less concave than convex, or plano-convex, or double-convex. For in all these cases the Plates make Rings of Colours, but after various manners; all which, so far as I have yet observed, follow from the Propositions in the end of the third part of this Book, and so conspire to confirm the truth of those Propositions. But the Phænomena are too various, and the Calculations whereby they follow from those Propositions too intricate to be here prosecuted. I content my self with having prosecuted this kind of Phænomena so far as to discover their Cause, and by discovering it to ratify the Propositions in the third Part of this Book.
These are the phenomena of thick convex-concave glass plates, which everywhere have the same thickness. There are also other phenomena when these plates are slightly thicker on one side than on the other, and others when the plates are more or less concave than convex, or plano-convex, or double-convex. In all these cases, the plates create rings of colors, but in different ways; all of which, as far as I have observed so far, stem from the propositions at the end of the third part of this book and serve to confirm the truth of those propositions. However, the phenomena are too varied, and the calculations that result from those propositions are too complex to be explored here. I am satisfied with having investigated this type of phenomenon enough to uncover its cause, and by discovering it, to validate the propositions in the third part of this book.
Obs. 13. As Light reflected by a Lens quick-silver'd on the backside makes the Rings of Colours above described, so it ought to make the like Rings of Colours in passing through a drop of Water. At the first Reflexion of the Rays within the drop, some Colours ought to be transmitted, as in the case of a[Pg 313] Lens, and others to be reflected back to the Eye. For instance, if the Diameter of a small drop or globule of Water be about the 500th part of an Inch, so that a red-making Ray in passing through the middle of this globule has 250 Fits of easy Transmission within the globule, and that all the red-making Rays which are at a certain distance from this middle Ray round about it have 249 Fits within the globule, and all the like Rays at a certain farther distance round about it have 248 Fits, and all those at a certain farther distance 247 Fits, and so on; these concentrick Circles of Rays after their transmission, falling on a white Paper, will make concentrick Rings of red upon the Paper, supposing the Light which passes through one single globule, strong enough to be sensible. And, in like manner, the Rays of other Colours will make Rings of other Colours. Suppose now that in a fair Day the Sun shines through a thin Cloud of such globules of Water or Hail, and that the globules are all of the same bigness; and the Sun seen through this Cloud shall appear encompassed with the like concentrick Rings of Colours, and the Diameter of the first Ring of red shall be 7-1/4 Degrees, that of the second 10-1/4 Degrees, that of the third 12 Degrees 33 Minutes. And accordingly as the Globules of Water are bigger or less, the Rings shall be less or bigger. This is the Theory, and Experience answers it. For in June 1692, I saw by reflexion in a Vessel of stagnating Water three Halos, Crowns, or Rings of Colours about the Sun, like three little Rain-bows, concentrick to his Body. The Colours of the[Pg 314] first or innermost Crown were blue next the Sun, red without, and white in the middle between the blue and red. Those of the second Crown were purple and blue within, and pale red without, and green in the middle. And those of the third were pale blue within, and pale red without; these Crowns enclosed one another immediately, so that their Colours proceeded in this continual order from the Sun outward: blue, white, red; purple, blue, green, pale yellow and red; pale blue, pale red. The Diameter of the second Crown measured from the middle of the yellow and red on one side of the Sun, to the middle of the same Colour on the other side was 9-1/3 Degrees, or thereabouts. The Diameters of the first and third I had not time to measure, but that of the first seemed to be about five or six Degrees, and that of the third about twelve. The like Crowns appear sometimes about the Moon; for in the beginning of the Year 1664, Febr. 19th at Night, I saw two such Crowns about her. The Diameter of the first or innermost was about three Degrees, and that of the second about five Degrees and an half. Next about the Moon was a Circle of white, and next about that the inner Crown, which was of a bluish green within next the white, and of a yellow and red without, and next about these Colours were blue and green on the inside of the outward Crown, and red on the outside of it. At the same time there appear'd a Halo about 22 Degrees 35´ distant from the center of the Moon. It was elliptical, and its long Diameter was perpendicular to the Horizon, verging below farthest from[Pg 315] the Moon. I am told that the Moon has sometimes three or more concentrick Crowns of Colours encompassing one another next about her Body. The more equal the globules of Water or Ice are to one another, the more Crowns of Colours will appear, and the Colours will be the more lively. The Halo at the distance of 22-1/2 Degrees from the Moon is of another sort. By its being oval and remoter from the Moon below than above, I conclude, that it was made by Refraction in some sort of Hail or Snow floating in the Air in an horizontal posture, the refracting Angle being about 58 or 60 Degrees.
Obs. 13. Just like light that is reflected by a lens creates the described rings of color, it should do the same when it passes through a drop of water. When the rays first reflect within the drop, some colors will be transmitted, similar to what happens with a [Pg 313] lens, while others will be reflected back to our eyes. For example, if the diameter of a small drop or globule of water is about 1/500th of an inch, then a red light ray passing through the center of this globule will have 250 opportunities for easy transmission, while all nearby red rays will have slightly fewer—249 opportunities for those closest, 248 for the next group, and so on. These concentric circles of rays will create rings of red on a white paper, assuming the light passing through a single globule is strong enough to be seen. Similarly, rays of other colors will form rings of different colors. Now imagine on a clear day, the sun shines through a thin cloud filled with such globules of water or hail, and if all the globules are the same size, the sun will appear surrounded by the same concentric rings of color. The diameter of the first red ring will be about 7-1/4 degrees, the second ring will be about 10-1/4 degrees, and the third will be around 12 degrees 33 minutes. The size of the rings will change based on the size of the water globules. This is the theory, and it’s confirmed by observation. In June 1692, I saw three halos, crowns, or rings of color around the sun, reflecting in a vessel of still water—like three small rainbows concentric to the sun. The colors of the [Pg 314] innermost crown were blue next to the sun, red on the outside, and white in the middle. The second crown had purple and blue on the inside and pale red on the outside, with green in the middle. The third crown displayed pale blue on the inside and pale red on the outside. These crowns fit closely together, with colors arranged in this consistent order moving outward from the sun: blue, white, red; purple, blue, green, pale yellow, and red; pale blue, pale red. The diameter of the second crown, measured from the center of the yellow and red on one side of the sun to the center of the same color on the other side, was about 9-1/3 degrees. I didn’t have time to measure the diameters of the first and third crowns, but the first looked to be about five or six degrees, and the third around twelve degrees. Similar crowns sometimes appear around the moon; for instance, on February 19, 1664, at night, I saw two such crowns around her. The diameter of the innermost crown was about three degrees, and the second was roughly five and a half degrees. Next to the moon was a white circle, followed by the inner crown with a bluish-green inside next to the white and yellow and red on the outside. Beyond these colors were blue and green on the inside of the outer crown, and red outside. At the same time, I noticed a halo about 22 degrees 35 minutes from the center of the moon. It was elliptical, with its longer diameter perpendicular to the horizon, extending downward and being farthest from [Pg 315] the moon. I’ve heard that the moon sometimes has three or more concentric crowns of color surrounding her. The more equal the water or ice globules are in size, the more color crowns appear, and the colors are more vivid. The halo at approximately 22-1/2 degrees from the moon is different. Its oval shape and being farther from the moon on the bottom than the top suggest it was created by refraction through some hail or snow floating in the air in a horizontal position, with the refracting angle being about 58 or 60 degrees.
THE
THIRD BOOK
OF
OPTICKS
PART I.
Observations concerning the Inflexions of the Rays of Light, and the Colours made thereby.
Observations on the Bending of Light Rays and the Colors They Create.
Grimaldo has inform'd us, that if a beam of the Sun's Light be let into a dark Room through a very small hole, the Shadows of things in this Light will be larger than they ought to be if the Rays went on by the Bodies in straight Lines, and that these Shadows have three parallel Fringes, Bands or Ranks of colour'd Light adjacent to them. But if the Hole be enlarged the Fringes grow broad and run into one another, so that they cannot be distinguish'd. These broad Shadows and Fringes have been reckon'd by some to proceed from the ordinary refraction of the Air, but without due examination of the Matter. For the circumstances of the Phænomenon, so far as I have observed them, are as follows.[Pg 318]
Grimaldo has informed us that if a beam of sunlight enters a dark room through a very small hole, the shadows created in this light will be larger than they should be if the rays traveled in straight lines around objects. He also noted that these shadows display three parallel fringes, bands, or stripes of colored light next to them. However, if the hole is made larger, the fringes become broader and merge into one another, making them indistinguishable. Some have suggested that these broad shadows and fringes are due to the normal refraction of air, but this hasn’t been properly examined. From what I have observed, the details of the phenomenon are as follows.[Pg 318]
Obs. 1. I made in a piece of Lead a small Hole with a Pin, whose breadth was the 42d part of an Inch. For 21 of those Pins laid together took up the breadth of half an Inch. Through this Hole I let into my darken'd Chamber a beam of the Sun's Light, and found that the Shadows of Hairs, Thred, Pins, Straws, and such like slender Substances placed in this beam of Light, were considerably broader than they ought to be, if the Rays of Light passed on by these Bodies in right Lines. And particularly a Hair of a Man's Head, whose breadth was but the 280th part of an Inch, being held in this Light, at the distance of about twelve Feet from the Hole, did cast a Shadow which at the distance of four Inches from the Hair was the sixtieth part of an Inch broad, that is, above four times broader than the Hair, and at the distance of two Feet from the Hair was about the eight and twentieth part of an Inch broad, that is, ten times broader than the Hair, and at the distance of ten Feet was the eighth part of an Inch broad, that is 35 times broader.
Obs. 1. I made a small hole in a piece of lead with a pin, which was the 42nd part of an inch wide. Twenty-one of those pins placed side by side measured half an inch. Through this hole, I allowed a beam of sunlight to enter my darkened room and found that the shadows of hairs, thread, pins, straws, and other similar thin objects placed in this beam of light were noticeably wider than they should be if the light rays were passing by these objects in straight lines. In particular, a hair from a man's head, which was only the 280th part of an inch wide, cast a shadow when held in this light about twelve feet away from the hole. Four inches from the hair, the shadow was the sixtieth part of an inch wide, which is over four times wider than the hair, and at two feet away from the hair, it was about the twenty-eighth part of an inch wide, or ten times wider than the hair. At a distance of ten feet, the shadow was the eighth part of an inch wide, which is 35 times wider.
Nor is it material whether the Hair be encompassed with Air, or with any other pellucid Substance. For I wetted a polish'd Plate of Glass, and laid the Hair in the Water upon the Glass, and then laying another polish'd Plate of Glass upon it, so that the Water might fill up the space between the Glasses, I held them in the aforesaid beam of Light, so that the Light might pass through them perpendicularly, and the Shadow of the Hair was at the same distances as big as before. The Shadows of[Pg 319] Scratches made in polish'd Plates of Glass were also much broader than they ought to be, and the Veins in polish'd Plates of Glass did also cast the like broad Shadows. And therefore the great breadth of these Shadows proceeds from some other cause than the Refraction of the Air.
It doesn’t matter whether the hair is surrounded by air or any other clear substance. I wet a polished glass plate, placed the hair in the water on the glass, and then laid another polished glass plate on top, letting the water fill the space between the glasses. I held them in that beam of light so the light could pass straight through, and the shadow of the hair remained the same size as before. The shadows of scratches made on polished glass plates were also much wider than they should be, and the veins in polished glass plates cast similarly broad shadows. Therefore, the large width of these shadows comes from something other than the refraction of air.
Let the Circle X [in Fig. 1.] represent the middle of the Hair; ADG, BEH, CFI, three Rays passing by one side of the Hair at several distances; KNQ, LOR, MPS, three other Rays passing by the other side of the Hair at the like distances; D, E, F, and N, O, P, the places where the Rays are bent in their passage by the Hair; G, H, I, and Q, R, S, the places where the Rays fall on a Paper GQ; IS the breadth of the Shadow of the Hair cast on the Paper, and TI, VS, two Rays passing to the Points I and S without bending when the Hair is taken away. And it's manifest that all the Light between these two Rays TI and VS is bent in passing by the Hair, and turned aside from the Shadow IS, because if any part of this Light were not bent it would fall on the Paper within the Shadow, and there illuminate the Paper, contrary to experience. And because when the Paper is at a great distance from the Hair, the Shadow is broad, and therefore the Rays TI and VS are at a great distance from one another, it follows that the Hair acts upon the Rays of Light at a good distance in their passing by it. But the Action is strongest on the Rays which pass by at least distances, and grows weaker and weaker accordingly as the Rays pass by at distances greater and greater, as is represented[Pg 320] in the Scheme: For thence it comes to pass, that the Shadow of the Hair is much broader in proportion to the distance of the Paper from the Hair, when the Paper is nearer the Hair, than when it is at a great distance from it.
Let the Circle X [in Fig. 1.] represent the center of the Hair; ADG, BEH, CFI are three Rays passing by one side of the Hair at different distances; KNQ, LOR, MPS are three other Rays passing by the opposite side of the Hair at the same distances; D, E, F, and N, O, P are the points where the Rays bend as they pass by the Hair; G, H, I, and Q, R, S are the points where the Rays hit the Paper GQ; IS is the width of the Shadow of the Hair cast on the Paper, and TI, VS are two Rays going to the points I and S without bending when the Hair is removed. It is clear that all the Light between these two Rays TI and VS bends as it passes by the Hair and is diverted from the Shadow IS, because if any part of this Light weren't bent, it would hit the Paper within the Shadow and light it up, which is not the case. When the Paper is far away from the Hair, the Shadow is wider, so the Rays TI and VS are farther apart, indicating that the Hair influences the Rays of Light over a good distance as they pass by. However, the effect is strongest on the Rays that pass by at the smallest distances and becomes weaker as the Rays come by from increasingly greater distances, as shown[Pg 320] in the Scheme: This is why the Shadow of the Hair is much broader relative to the distance of the Paper from the Hair when the Paper is closer to the Hair than when it is farther away.
Obs. 2. The Shadows of all Bodies (Metals, Stones, Glass, Wood, Horn, Ice, &c.) in this Light were border'd with three Parallel Fringes or Bands of colour'd Light, whereof that which was contiguous to the Shadow was broadest and most luminous, and that which was remotest from it was narrowest, and so faint, as not easily to be visible. It was difficult to distinguish the Colours, unless when the Light fell very obliquely upon a smooth Paper, or some other smooth white Body, so as to make them appear much broader than they would otherwise do. And then the Colours were plainly visible in this Order: The first or innermost Fringe was violet and deep blue next the Shadow, and then light blue, green, and yellow in the middle, and red without. The second Fringe was almost contiguous to the first, and the third to the second, and both were blue within, and yellow and red without, but their Colours were very faint, especially those of the third. The Colours therefore proceeded in this order from the Shadow; violet, indigo, pale blue, green, yellow, red; blue, yellow, red; pale blue, pale yellow and red. The Shadows made by Scratches and Bubbles in polish'd Plates of Glass were border'd with the like Fringes of colour'd Light. And if Plates of Looking-glass sloop'd off near the edges with a Diamond-cut, be held in the same beam of Light, the Light which passes through the parallel Planes of the Glass will be border'd with the like Fringes of Colours where those Planes meet with the Diamond-cut, and by this means there will sometimes appear four or five Fringes of Colours. Let AB, CD [in Fig. 2.] represent the parallel Planes of a Looking-glass, and BD the Plane of the Diamond-cut, making at B a very obtuse Angle with the Plane AB. And let all the Light between the Rays ENI and FBM pass directly through the parallel Planes of the Glass, and fall upon the Paper between I and M, and all the Light between the Rays GO and HD be refracted by the oblique Plane of the Diamond-cut BD, and fall upon the Paper between K and L; and the Light which passes directly through the parallel Planes of the Glass, and falls upon the Paper between I and M, will be border'd with three or more Fringes at M.[Pg 321]
Obs. 2. The shadows of all objects (metals, stones, glass, wood, horn, ice, etc.) in this light were surrounded by three parallel fringes or bands of colored light. The fringe closest to the shadow was the widest and brightest, while the one furthest away was the narrowest and so faint that it was hard to see. It was difficult to differentiate the colors unless the light hit a smooth piece of paper or another smooth white object at a sharp angle, making the colors appear much broader than they actually were. Then, the colors were clearly visible in this order: the innermost fringe was violet, then deep blue next to the shadow, followed by light blue, green, and yellow in the middle, with red on the outside. The second fringe was nearly touching the first, and the third was close to the second, both having blue on the inside and yellow and red on the outside, but their colors were very faint, especially the third. The colors clearly progressed from the shadow; violet, indigo, pale blue, green, yellow, red; blue, yellow, red; pale blue, pale yellow, and red. The shadows created by scratches and bubbles in polished glass plates were bordered with similar fringes of colored light. If plates of mirrors were sliced off at the edges with a diamond-cut and held in the same beam of light, the light that passes through the parallel surfaces of the glass would be surrounded by similar fringes of colors where those surfaces meet the diamond-cut, and sometimes, four or five fringes of colors would appear. Let AB, CD [in Fig. 2.] represent the parallel surfaces of a mirror, and BD the surface of the diamond-cut, making a very obtuse angle at B with surface AB. And let all the light between rays ENI and FBM pass directly through the parallel surfaces of the glass and hit the paper between I and M, and all the light between the rays GO and HD be refracted by the slanted plane of the diamond-cut BD, and hit the paper between K and L; and the light that goes directly through the parallel surfaces of the glass and falls on the paper between I and M will be bordered with three or more fringes at M.[Pg 321]


So by looking on the Sun through a Feather or black Ribband held close to the Eye, several Rain-bows will appear; the Shadows which the Fibres or Threds cast on the Tunica Retina, being border'd with the like Fringes of Colours.
By looking at the Sun through a feather or a black ribbon held close to the eye, several rainbows will appear; the shadows that the fibers or threads cast on the Tunica Retina are bordered with similar fringes of color.
Obs. 3. When the Hair was twelve Feet distant from this Hole, and its Shadow fell obliquely upon a flat white Scale of Inches and Parts of an Inch placed half a Foot beyond it, and also when the Shadow fell perpendicularly upon the same Scale placed nine Feet beyond it; I measured the breadth of the Shadow and Fringes as accurately as I could, and found them in Parts of an Inch as follows.[Pg 323]
Obs. 3. When the Hair was twelve feet away from this hole, its shadow fell at an angle on a flat white scale of inches and parts of an inch placed six inches past it. Additionally, when the shadow fell straight down on the same scale positioned nine feet away, I measured the width of the shadow and the fringes as accurately as possible and found them in parts of an inch as follows.[Pg 323]
At the Distance of | half a Foot | Nine Feet |
The breadth of the Shadow | 1/54 | 1/9 |
The breadth between the Middles of the brightest Light of the innermost Fringes on either side the Shadow | 1/38 or 1/39 | 7/50 |
The breadth between the Middles of the brightest Light of the middlemost Fringes on either side the Shadow | 1/23-1/2 | 4/17 |
The breadth between the Middles of the brightest Light of the outmost Fringes on either side the Shadow | 1/18 or 1/18-1/2 | 3/10 |
The distance between the Middles of the brightest Light of the first and second Fringes | 1/120 | 1/21 |
The distance between the Middles of the brightest Light of the second and third Fringes | 1/170 | 1/31 |
The breadth of the luminous Part (green, white, yellow, and red) of the first Fringe | 1/170 | 1/32 |
The breadth of the darker Space between the first and second Fringes | 1/240 | 1/45 |
The breadth of the luminous Part of the second Fringe | 1/290 | 1/55 |
The breadth of the darker Space between the second and third Fringes | 1/340 | 1/63 |
These Measures I took by letting the Shadow of the Hair, at half a Foot distance, fall so obliquely on the Scale, as to appear twelve times broader than when it fell perpendicularly on it at the same distance, and setting down in this Table the twelfth part of the Measures I then took.
These measures I took by allowing the shadow of the hair, at half a foot away, to fall at an angle on the scale, making it look twelve times wider than when it fell straight down at the same distance, and recording in this table one-twelfth of the measurements I then took.
Obs. 4. When the Shadow and Fringes were cast obliquely upon a smooth white Body, and that Body was removed farther and farther from the Hair, the first Fringe began to appear and look brighter than the rest of the Light at the distance of less than a quarter of an Inch from the Hair, and the dark Line or Shadow between that and the second Fringe began to appear at a less distance from the Hair than that of the third part of an Inch. The second Fringe began to appear at a distance from the Hair of less than half an Inch, and the Shadow between that and the third Fringe at a distance less than an inch, and the third Fringe at a distance less than three Inches. At greater distances they became much more sensible, but kept very nearly the same proportion of their breadths and intervals which they had at their first appearing. For the distance between the middle of the first, and middle of the second Fringe, was to the distance between the middle of the second and middle of the third Fringe, as three to two, or ten to seven. And the last of these two distances was equal to the breadth of the bright Light or luminous part of the first Fringe. And this breadth was to the breadth of the bright Light of the second Fringe as seven to four, and to the dark Interval of the first[Pg 325] and second Fringe as three to two, and to the like dark Interval between the second and third as two to one. For the breadths of the Fringes seem'd to be in the progression of the Numbers 1, √(1/3), √(1/5), and their Intervals to be in the same progression with them; that is, the Fringes and their Intervals together to be in the continual progression of the Numbers 1, √(1/2), √(1/3), √(1/4), √(1/5), or thereabouts. And these Proportions held the same very nearly at all distances from the Hair; the dark Intervals of the Fringes being as broad in proportion to the breadth of the Fringes at their first appearance as afterwards at great distances from the Hair, though not so dark and distinct.
Obs. 4. When the shadow and fringes were cast at an angle onto a smooth white surface, and that surface was moved farther away from the hair, the first fringe started to show and looked brighter than the surrounding light at a distance of less than a quarter of an inch from the hair. The dark line or shadow between that fringe and the second fringe began to appear at a distance from the hair that was less than a third of an inch. The second fringe appeared at a distance of less than half an inch from the hair, and the shadow between that fringe and the third fringe was at a distance of under an inch, while the third fringe appeared at a distance of less than three inches. At greater distances, the fringes became much more noticeable but maintained a nearly constant ratio of their widths and gaps as when they first appeared. The distance between the center of the first and the center of the second fringe was to the distance between the center of the second and the center of the third fringe as three to two, or ten to seven. The last of these two distances was equal to the width of the bright light or illuminated part of the first fringe. This width related to the width of the bright light of the second fringe as seven to four, and to the dark gap between the first and second fringes as three to two, and to the similar dark gap between the second and third as two to one. The widths of the fringes seemed to follow the progression of the numbers 1, √(1/3), √(1/5), and their intervals followed a similar progression; that is, both the fringes and their intervals together followed a continuous progression of the numbers 1, √(1/2), √(1/3), √(1/4), √(1/5), or thereabouts. These ratios remained nearly the same at all distances from the hair, with the dark intervals of the fringes being proportionally as wide compared to the widths of the fringes at their initial appearance as they were later at greater distances from the hair, though they were not as dark and distinct.
Obs. 5. The Sun shining into my darken'd Chamber through a hole a quarter of an Inch broad, I placed at the distance of two or three Feet from the Hole a Sheet of Pasteboard, which was black'd all over on both sides, and in the middle of it had a hole about three quarters of an Inch square for the Light to pass through. And behind the hole I fasten'd to the Pasteboard with Pitch the blade of a sharp Knife, to intercept some part of the Light which passed through the hole. The Planes of the Pasteboard and blade of the Knife were parallel to one another, and perpendicular to the Rays. And when they were so placed that none of the Sun's Light fell on the Pasteboard, but all of it passed through the hole to the Knife, and there part of it fell upon the blade of the Knife, and part of it passed by its edge; I let this part of the Light which passed[Pg 326] by, fall on a white Paper two or three Feet beyond the Knife, and there saw two streams of faint Light shoot out both ways from the beam of Light into the shadow, like the Tails of Comets. But because the Sun's direct Light by its brightness upon the Paper obscured these faint streams, so that I could scarce see them, I made a little hole in the midst of the Paper for that Light to pass through and fall on a black Cloth behind it; and then I saw the two streams plainly. They were like one another, and pretty nearly equal in length, and breadth, and quantity of Light. Their Light at that end next the Sun's direct Light was pretty strong for the space of about a quarter of an Inch, or half an Inch, and in all its progress from that direct Light decreased gradually till it became insensible. The whole length of either of these streams measured upon the paper at the distance of three Feet from the Knife was about six or eight Inches; so that it subtended an Angle at the edge of the Knife of about 10 or 12, or at most 14 Degrees. Yet sometimes I thought I saw it shoot three or four Degrees farther, but with a Light so very faint that I could scarce perceive it, and suspected it might (in some measure at least) arise from some other cause than the two streams did. For placing my Eye in that Light beyond the end of that stream which was behind the Knife, and looking towards the Knife, I could see a line of Light upon its edge, and that not only when my Eye was in the line of the Streams, but also when it was without that line either towards the point of the Knife, or[Pg 327] towards the handle. This line of Light appear'd contiguous to the edge of the Knife, and was narrower than the Light of the innermost Fringe, and narrowest when my Eye was farthest from the direct Light, and therefore seem'd to pass between the Light of that Fringe and the edge of the Knife, and that which passed nearest the edge to be most bent, though not all of it.
Obs. 5. The Sun was shining into my darkened room through a hole a quarter of an inch wide. I placed a sheet of cardboard, which was completely black on both sides, about two or three feet away from the hole. In the center of the cardboard, I cut a hole about three-quarters of an inch square for the light to pass through. Behind this hole, I attached a sharp knife blade to the cardboard using pitch to block some of the light coming through the hole. The surfaces of the cardboard and the knife blade were parallel to each other and perpendicular to the rays of light. When they were positioned so that none of the Sun's light hit the cardboard but all of it passed through the hole to the knife, part of the light struck the blade of the knife while some passed by its edge. I let the light that passed by fall on a white paper two or three feet beyond the knife, and I saw two faint streams of light extending both ways from the beam of light into the shadow, resembling comet tails. However, the direct sunlight was so bright on the paper that it obscured these faint streams, making them nearly impossible to see, so I made a small hole in the middle of the paper for that light to pass through and fall onto a black cloth behind it. After doing that, I could clearly see the two streams. They looked similar and were almost equal in length, width, and amount of light. The light at the end closest to the Sun's direct light was pretty strong for about a quarter to half an inch, gradually decreasing until it became imperceptible. The total length of either stream on the paper, three feet from the knife, measured about six to eight inches, creating an angle at the edge of the knife of about 10 to 12 degrees, or at most 14 degrees. Sometimes I thought I saw it extend three or four degrees further, but the light was so faint that I could barely make it out, and I suspected it might (at least in part) come from something other than the two streams. When I placed my eye in that light beyond the end of the stream that was behind the knife and looked towards the knife, I could see a line of light along its edge. This happened not only when my eye was in line with the streams but also when it was off to either side, towards the tip or the handle of the knife. This line of light appeared to be touching the edge of the knife and was narrower than the light of the innermost fringe, being narrowest when my eye was farthest from the direct light. It seemed to pass between the light of that fringe and the edge of the knife, with the light closest to the edge bending the most, though not all of it.
Obs. 6. I placed another Knife by this, so that their edges might be parallel, and look towards one another, and that the beam of Light might fall upon both the Knives, and some part of it pass between their edges. And when the distance of their edges was about the 400th part of an Inch, the stream parted in the middle, and left a Shadow between the two parts. This Shadow was so black and dark that all the Light which passed between the Knives seem'd to be bent, and turn'd aside to the one hand or to the other. And as the Knives still approach'd one another the Shadow grew broader, and the streams shorter at their inward ends which were next the Shadow, until upon the contact of the Knives the whole Light vanish'd, leaving its place to the Shadow.
Obs. 6. I placed another knife alongside this one so that their edges would be parallel and face each other, allowing a beam of light to hit both knives, with some of it passing between their edges. When the distance between their edges was about 1/400th of an inch, the light split in the middle, creating a shadow between the two parts. This shadow was so deep and dark that all the light passing between the knives seemed to bend, shifting to one side or the other. As the knives continued to come closer together, the shadow expanded, and the streams of light shortened at the ends closest to the shadow, until, upon contact between the knives, the entire light disappeared, leaving the shadow in its place.
And hence I gather that the Light which is least bent, and goes to the inward ends of the streams, passes by the edges of the Knives at the greatest distance, and this distance when the Shadow begins to appear between the streams, is about the 800th part of an Inch. And the Light which passes by the edges of the Knives at distances still less and less, is more and more bent, and goes to those parts of the[Pg 328] streams which are farther and farther from the direct Light; because when the Knives approach one another till they touch, those parts of the streams vanish last which are farthest from the direct Light.
And so I conclude that the Light which is least bent and travels to the inner ends of the streams passes by the edges of the Knives at the greatest distance, and this distance, when the Shadow starts to appear between the streams, is about the 800th part of an inch. The Light that passes by the edges of the Knives at even shorter distances becomes increasingly bent and reaches those parts of the[Pg 328] streams that are further away from the direct Light; because when the Knives get close enough to touch, the parts of the streams that disappear last are those that are farthest from the direct Light.
Obs. 7. In the fifth Observation the Fringes did not appear, but by reason of the breadth of the hole in the Window became so broad as to run into one another, and by joining, to make one continued Light in the beginning of the streams. But in the sixth, as the Knives approached one another, a little before the Shadow appeared between the two streams, the Fringes began to appear on the inner ends of the Streams on either side of the direct Light; three on one side made by the edge of one Knife, and three on the other side made by the edge of the other Knife. They were distinctest when the Knives were placed at the greatest distance from the hole in the Window, and still became more distinct by making the hole less, insomuch that I could sometimes see a faint lineament of a fourth Fringe beyond the three above mention'd. And as the Knives continually approach'd one another, the Fringes grew distincter and larger, until they vanish'd. The outmost Fringe vanish'd first, and the middlemost next, and the innermost last. And after they were all vanish'd, and the line of Light which was in the middle between them was grown very broad, enlarging it self on both sides into the streams of Light described in the fifth Observation, the above-mention'd Shadow began to appear in the middle of this line, and divide it along the middle into two lines of Light, and increased[Pg 329] until the whole Light vanish'd. This enlargement of the Fringes was so great that the Rays which go to the innermost Fringe seem'd to be bent above twenty times more when this Fringe was ready to vanish, than when one of the Knives was taken away.
Obs. 7. In the fifth Observation, the Fringes didn’t show up, but because of how wide the hole in the Window was, they became so broad that they blended together to form one continuous Light at the start of the streams. However, in the sixth Observation, as the Knives moved closer together, just before the Shadow appeared between the two streams, the Fringes began to show up at the inner ends of the Streams on both sides of the direct Light; there were three on one side created by the edge of one Knife, and three on the other side created by the edge of the other Knife. The Fringes were clearest when the Knives were placed farthest from the hole in the Window, and they became even clearer as the hole was made smaller, to the point where I could sometimes see a faint hint of a fourth Fringe beyond the three mentioned above. As the Knives continued to move toward each other, the Fringes became clearer and larger until they disappeared. The outermost Fringe disappeared first, then the middle one, and finally the innermost one. Once they had all vanished, the line of Light in the middle between them had become very broad, expanding on both sides into the streams of Light described in the fifth Observation. The aforementioned Shadow then began to appear in the middle of this line, dividing it into two lines of Light and increasing[Pg 329] until the whole Light disappeared. This enlargement of the Fringes was so significant that the Rays heading towards the innermost Fringe seemed to bend more than twenty times more when this Fringe was about to vanish compared to when one of the Knives was removed.
And from this and the former Observation compared, I gather, that the Light of the first Fringe passed by the edge of the Knife at a distance greater than the 800th part of an Inch, and the Light of the second Fringe passed by the edge of the Knife at a greater distance than the Light of the first Fringe did, and that of the third at a greater distance than that of the second, and that of the streams of Light described in the fifth and sixth Observations passed by the edges of the Knives at less distances than that of any of the Fringes.
And from this and the previous observation compared, I conclude that the light of the first fringe traveled by the edge of the knife at a distance greater than 1/800 of an inch, and the light of the second fringe passed by the edge of the knife at a distance greater than that of the first fringe, and the light of the third fringe at a distance greater than that of the second. Additionally, the streams of light mentioned in the fifth and sixth observations passed by the edges of the knives at distances shorter than any of the fringes.
Obs. 8. I caused the edges of two Knives to be ground truly strait, and pricking their points into a Board so that their edges might look towards one another, and meeting near their points contain a rectilinear Angle, I fasten'd their Handles together with Pitch to make this Angle invariable. The distance of the edges of the Knives from one another at the distance of four Inches from the angular Point, where the edges of the Knives met, was the eighth part of an Inch; and therefore the Angle contain'd by the edges was about one Degree 54: The Knives thus fix'd together I placed in a beam of the Sun's Light, let into my darken'd Chamber through a Hole the 42d Part of an Inch wide, at the distance of 10 or 15 Feet from the Hole, and let the Light which[Pg 330] passed between their edges fall very obliquely upon a smooth white Ruler at the distance of half an Inch, or an Inch from the Knives, and there saw the Fringes by the two edges of the Knives run along the edges of the Shadows of the Knives in Lines parallel to those edges without growing sensibly broader, till they met in Angles equal to the Angle contained by the edges of the Knives, and where they met and joined they ended without crossing one another. But if the Ruler was held at a much greater distance from the Knives, the Fringes where they were farther from the Place of their Meeting, were a little narrower, and became something broader and broader as they approach'd nearer and nearer to one another, and after they met they cross'd one another, and then became much broader than before.
Obs. 8. I had the edges of two knives ground perfectly straight, and positioned their points into a board so that their edges faced each other, meeting near their tips to form a straight angle. I secured their handles together with pitch to keep this angle fixed. The distance between the edges of the knives, four inches from the angle where they met, was an eighth of an inch, which made the angle between the edges about one degree and 54 minutes. I then placed the knives, fixed together, in a beam of sunlight streaming into my darkened room through a hole that was 1/42nd of an inch wide, situated about 10 or 15 feet from the hole. I allowed the light that passed between their edges to hit a smooth white ruler at a distance of half an inch or an inch from the knives. There, I observed the fringes created by the two edges of the knives running along the edges of their shadows in lines parallel to those edges, without becoming noticeably wider, until they converged at angles equal to the angle formed by the edges of the knives, and where they joined, they ended without crossing each other. However, when the ruler was held much further away from the knives, the fringes farther from their meeting point were slightly narrower, but became gradually wider as they approached each other, and after intersecting, they became significantly broader than before.
Whence I gather that the distances at which the Fringes pass by the Knives are not increased nor alter'd by the approach of the Knives, but the Angles in which the Rays are there bent are much increased by that approach; and that the Knife which is nearest any Ray determines which way the Ray shall be bent, and the other Knife increases the bent.
I understand that the distances at which the Fringes pass by the Knives aren't changed by how close the Knives get to each other, but the angles at which the Rays are bent are greatly increased by their approach. The Knife closest to any Ray decides which direction the Ray will bend, while the other Knife enhances that bend.
Obs. 9. When the Rays fell very obliquely upon the Ruler at the distance of the third Part of an Inch from the Knives, the dark Line between the first and second Fringe of the Shadow of one Knife, and the dark Line between the first and second Fringe of the Shadow of the other knife met with one another, at the distance of the fifth Part of an Inch from the end of the Light which passed between the Knives at the[Pg 331] concourse of their edges. And therefore the distance of the edges of the Knives at the meeting of these dark Lines was the 160th Part of an Inch. For as four Inches to the eighth Part of an Inch, so is any Length of the edges of the Knives measured from the point of their concourse to the distance of the edges of the Knives at the end of that Length, and so is the fifth Part of an Inch to the 160th Part. So then the dark Lines above-mention'd meet in the middle of the Light which passes between the Knives where they are distant the 160th Part of an Inch, and the one half of that Light passes by the edge of one Knife at a distance not greater than the 320th Part of an Inch, and falling upon the Paper makes the Fringes of the Shadow of that Knife, and the other half passes by the edge of the other Knife, at a distance not greater than the 320th Part of an Inch, and falling upon the Paper makes the Fringes of the Shadow of the other Knife. But if the Paper be held at a distance from the Knives greater than the third Part of an Inch, the dark Lines above-mention'd meet at a greater distance than the fifth Part of an Inch from the end of the Light which passed between the Knives at the concourse of their edges; and therefore the Light which falls upon the Paper where those dark Lines meet passes between the Knives where the edges are distant above the 160th part of an Inch.
Obs. 9. When the rays hit the ruler at a sharp angle, just a third of an inch away from the knives, the dark line between the first and second fringes of the shadow of one knife and the dark line between the first and second fringes of the shadow of the other knife intersected at a distance of one-fifth of an inch from the end of the light that passed between the knives at the[Pg 331] meeting point of their edges. Therefore, the distance between the edges of the knives at the intersection of these dark lines was one-sixtieth of an inch. Just as four inches correspond to one-eighth of an inch, any length of the knife edges measured from their intersection to the distance at the ends of that length corresponds similarly to the relationship between one-fifth of an inch and one-sixtieth of an inch. Thus, the aforementioned dark lines meet in the middle of the light passing between the knives where they are spaced one-sixtieth of an inch apart, with half of that light reaching the edge of one knife at a distance no greater than one-three-hundred-twentieth of an inch, creating the fringes of that knife's shadow on the paper. The other half reaches the edge of the second knife at a distance also no greater than one-three-hundred-twentieth of an inch, forming the fringes of that knife's shadow on the paper as well. However, if the paper is held further away from the knives than one-third of an inch, the aforementioned dark lines meet at a distance greater than one-fifth of an inch from the end of the light that passed between the knives at the junction of their edges; therefore, the light falling on the paper where these dark lines meet passes between the knives where the edges are spaced greater than one-sixtieth of an inch apart.
For at another time, when the two Knives were distant eight Feet and five Inches from the little hole in the Window, made with a small Pin as above, the[Pg 332] Light which fell upon the Paper where the aforesaid dark lines met, passed between the Knives, where the distance between their edges was as in the following Table, when the distance of the Paper from the Knives was also as follows.
For another moment, when the two Knives were eight feet and five inches away from the small hole in the Window, made with a tiny Pin as mentioned above, the[Pg 332] Light that hit the Paper where the dark lines crossed passed between the Knives, where the gap between their edges was shown in the following Table, when the distance of the Paper from the Knives was also as follows.
Distances of the Paper from the Knives in Inches. | Distances between the edges of the Knives in millesimal parts of an Inch. |
1-1/2. | 0'012 |
3-1/3. | 0'020 |
8-3/5. | 0'034 |
32. | 0'057 |
96. | 0'081 |
131. | 0'087 |
And hence I gather, that the Light which makes the Fringes upon the Paper is not the same Light at all distances of the Paper from the Knives, but when the Paper is held near the Knives, the Fringes are made by Light which passes by the edges of the Knives at a less distance, and is more bent than when the Paper is held at a greater distance from the Knives.[Pg 333]
And so I conclude that the light creating the fringes on the paper isn't the same at all distances from the knives. When the paper is close to the knives, the fringes are produced by light that passes by the edges of the knives at a shorter distance and is bent more than when the paper is farther away from the knives.[Pg 333]

Obs. 10. When the Fringes of the Shadows of the Knives fell perpendicularly upon a Paper at a great distance from the Knives, they were in the form of Hyperbola's, and their Dimensions were as follows. Let CA, CB [in Fig. 3.] represent Lines drawn upon the Paper parallel to the edges of the Knives, and between which all the Light would fall, if it passed between the edges of the Knives without inflexion; DE a Right Line drawn through C making the Angles ACD, BCE, equal to one another, and terminating all the Light which falls upon the Paper from the point where the edges of the Knives meet; eis, fkt, and glv, three hyperbolical Lines representing the Terminus of the Shadow of one of the Knives, the dark Line between the first and second Fringes of that Shadow, and the dark Line between the second and third Fringes of the same Shadow; xip, ykq, and zlr, three other hyperbolical Lines representing the Terminus of the Shadow of the other Knife, the dark Line between the first and second Fringes of that Shadow, and the dark line between the second and third Fringes of the same Shadow. And conceive that these three Hyperbola's are like and equal to the former three, and cross them in the points i, k, and l, and that the Shadows of the Knives are terminated and distinguish'd from the first luminous Fringes by the lines eis and xip, until the meeting and crossing of the Fringes, and then those lines cross the Fringes in the form of dark lines, terminating the first luminous Fringes within side, and distinguishing them from another Light which begins to appear at i, and illuminates all the triangular space ipDEs comprehended by these dark lines, and the right line DE. Of these Hyperbola's one Asymptote is the line DE, and their other Asymptotes are parallel to the lines CA and CB. Let rv represent a line drawn any where upon the Paper parallel to the Asymptote DE, and let this line cross the right lines AC in m, and BC in n, and the six dark hyperbolical[Pg 335] lines in p, q, r; s, t, v; and by measuring the distances ps, qt, rv, and thence collecting the lengths of the Ordinates np, nq, nr or ms, mt, mv, and doing this at several distances of the line rv from the Asymptote DD, you may find as many points of these Hyperbola's as you please, and thereby know that these curve lines are Hyperbola's differing little from the conical Hyperbola. And by measuring the lines Ci, Ck, Cl, you may find other points of these Curves.
Obs. 10. When the shadows cast by the knives fell straight down onto a piece of paper far from the knives, they appeared as hyperbolas, with the following dimensions. Let CA, CB [in Fig. 3.] represent lines drawn on the paper parallel to the edges of the knives, between which all light would fall if it passed directly between the edges of the knives without bending; DE is a straight line drawn through C, creating angles ACD and BCE that are equal to each other, and marking the point where all light hitting the paper comes from where the knife edges meet; eis, fkt, and glv are three hyperbolic lines representing the edge of the shadow from one knife, the dark line between the first and second fringes of that shadow, and the dark line between the second and third fringes of the same shadow; xip, ykq, and zlr are three other hyperbolic lines marking the edge of the shadow from the other knife, the dark line between the first and second fringes of that shadow, and the dark line between the second and third fringes of the same shadow. Imagine these three hyperbolas are identical to the first three and intersect them at points i, k, and l, and that the shadows of the knives are defined and differentiated from the first bright fringes by lines eis and xip, up until the interference of the fringes, where those lines cross the fringes as dark lines, marking the end of the first bright fringes and separating them from another light that starts to emerge at i, illuminating the triangular area ipDEs defined by these dark lines and the straight line DE. One asymptote of these hyperbolas is the line DE, and their other asymptotes are parallel to lines CA and CB. Let rv be a line drawn anywhere on the paper parallel to the asymptote DE, and let this line intersect the straight lines AC at m and BC at n, and the six dark hyperbolic lines at p, q, r; s, t, v; and by measuring the distances ps, qt, rv, and then gathering the lengths of the ordinates np, nq, nr or ms, mt, mv, and doing this at various distances of the line rv from the asymptote DD, you can find as many points of these hyperbolas as you want, confirming that these curves are hyperbolas very similar to conical hyperbolas. And by measuring the lines Ci, Ck, Cl, you can find other points of these curves.
For instance; when the Knives were distant from the hole in the Window ten Feet, and the Paper from the Knives nine Feet, and the Angle contained by the edges of the Knives to which the Angle ACB is equal, was subtended by a Chord which was to the Radius as 1 to 32, and the distance of the line rv from the Asymptote DE was half an Inch: I measured the lines ps, qt, rv, and found them 0'35, 0'65, 0'98 Inches respectively; and by adding to their halfs the line 1/2 mn, (which here was the 128th part of an Inch, or 0'0078 Inches,) the Sums np, nq, nr, were 0'1828, 0'3328, 0'4978 Inches. I measured also the distances of the brightest parts of the Fringes which run between pq and st, qr and tv, and next beyond r and v, and found them 0'5, 0'8, and 1'17 Inches.
For example, when the knives were ten feet away from the hole in the window, and the paper was nine feet away from the knives, and the angle formed by the edges of the knives, which is equal to angle ACB, was subtended by a chord that was in a ratio of 1 to 32 with the radius, and the distance of line rv from the asymptote DE was half an inch: I measured the lines ps, qt, rv, and found them to be 0.35, 0.65, and 0.98 inches respectively; and by adding to their halves the line 1/2 mn, (which here was the 128th part of an inch, or 0.0078 inches), the sums np, nq, nr, were 0.1828, 0.3328, and 0.4978 inches. I also measured the distances of the brightest parts of the fringes running between pq and st, qr and tv, and just beyond r and v, and found them to be 0.5, 0.8, and 1.17 inches.
Obs. 11. The Sun shining into my darken'd Room through a small round hole made in a Plate of Lead with a slender Pin, as above; I placed at the hole a Prism to refract the Light, and form on the opposite Wall the Spectrum of Colours, described in the third Experiment of the first Book. And then I found that the Shadows of all Bodies held in the colour'd[Pg 336] Light between the Prism and the Wall, were border'd with Fringes of the Colour of that Light in which they were held. In the full red Light they were totally red without any sensible blue or violet, and in the deep blue Light they were totally blue without any sensible red or yellow; and so in the green Light they were totally green, excepting a little yellow and blue, which were mixed in the green Light of the Prism. And comparing the Fringes made in the several colour'd Lights, I found that those made in the red Light were largest, those made in the violet were least, and those made in the green were of a middle bigness. For the Fringes with which the Shadow of a Man's Hair were bordered, being measured cross the Shadow at the distance of six Inches from the Hair, the distance between the middle and most luminous part of the first or innermost Fringe on one side of the Shadow, and that of the like Fringe on the other side of the Shadow, was in the full red Light 1/37-1/4 of an Inch, and in the full violet 7/46. And the like distance between the middle and most luminous parts of the second Fringes on either side the Shadow was in the full red Light 1/22, and in the violet 1/27 of an Inch. And these distances of the Fringes held the same proportion at all distances from the Hair without any sensible variation.
Obs. 11. The Sun shone into my darkened room through a small round hole made in a plate of lead with a slender pin, as mentioned above. I placed a prism at the hole to refract the light and create a spectrum of colors on the opposite wall, as described in the third experiment of the first book. I discovered that the shadows of all objects held in the colored[Pg 336] light between the prism and the wall were edged with fringes of the color of that light. In full red light, they were completely red without any noticeable blue or violet; in deep blue light, they were entirely blue without any noticeable red or yellow; and in green light, they were fully green, except for a little yellow and blue mixed into the green light from the prism. Comparing the fringes created in the different colored lights, I found that those in red light were the largest, those in violet were the smallest, and those in green were of a medium size. For the fringes that bordered the shadow of a person's hair, when measured across the shadow six inches from the hair, the distance between the center and the brightest part of the first or innermost fringe on one side of the shadow and the corresponding fringe on the other side in full red light was 1/37-1/4 of an inch, and in full violet light it was 7/46. The distance between the center and the brightest parts of the second fringes on either side of the shadow was 1/22 in full red light and 1/27 of an inch in violet light. These distances of the fringes maintained the same proportion at all distances from the hair without any noticeable variation.
So then the Rays which made these Fringes in the red Light passed by the Hair at a greater distance than those did which made the like Fringes in the violet; and therefore the Hair in causing these[Pg 337] Fringes acted alike upon the red Light or least refrangible Rays at a greater distance, and upon the violet or most refrangible Rays at a less distance, and by those actions disposed the red Light into Larger Fringes, and the violet into smaller, and the Lights of intermediate Colours into Fringes of intermediate bignesses without changing the Colour of any sort of Light.
So, the rays that created these fringes in the red light traveled a greater distance than those that made similar fringes in the violet light. Therefore, the hair caused these[Pg 337] fringes by interacting with the red light, or the least refrangible rays, from a greater distance, and with the violet light, or the most refrangible rays, from a closer distance. This resulted in the red light forming larger fringes and the violet light forming smaller ones, while the lights of intermediate colors created fringes of intermediate sizes, without altering the color of any type of light.
When therefore the Hair in the first and second of these Observations was held in the white beam of the Sun's Light, and cast a Shadow which was border'd with three Fringes of coloured Light, those Colours arose not from any new modifications impress'd upon the Rays of Light by the Hair, but only from the various inflexions whereby the several Sorts of Rays were separated from one another, which before separation, by the mixture of all their Colours, composed the white beam of the Sun's Light, but whenever separated compose Lights of the several Colours which they are originally disposed to exhibit. In this 11th Observation, where the Colours are separated before the Light passes by the Hair, the least refrangible Rays, which when separated from the rest make red, were inflected at a greater distance from the Hair, so as to make three red Fringes at a greater distance from the middle of the Shadow of the Hair; and the most refrangible Rays which when separated make violet, were inflected at a less distance from the Hair, so as to make three violet Fringes at a less distance from the middle of the Shadow of the Hair. And other Rays[Pg 338] of intermediate degrees of Refrangibility were inflected at intermediate distances from the Hair, so as to make Fringes of intermediate Colours at intermediate distances from the middle of the Shadow of the Hair. And in the second Observation, where all the Colours are mix'd in the white Light which passes by the Hair, these Colours are separated by the various inflexions of the Rays, and the Fringes which they make appear all together, and the innermost Fringes being contiguous make one broad Fringe composed of all the Colours in due order, the violet lying on the inside of the Fringe next the Shadow, the red on the outside farthest from the Shadow, and the blue, green, and yellow, in the middle. And, in like manner, the middlemost Fringes of all the Colours lying in order, and being contiguous, make another broad Fringe composed of all the Colours; and the outmost Fringes of all the Colours lying in order, and being contiguous, make a third broad Fringe composed of all the Colours. These are the three Fringes of colour'd Light with which the Shadows of all Bodies are border'd in the second Observation.
When the hair was placed in the white beam of sunlight and created a shadow bordered by three fringes of colored light, those colors didn't come from any new changes made to the light rays by the hair. Instead, they arose from the different angles through which the various types of rays were separated from each other. Before they were separated, the mixture of all their colors formed the white beam of sunlight. However, once separated, they created lights of the individual colors they naturally display. In this 11th Observation, where the colors are separated before the light passes by the hair, the least refrangible rays, which appear red when separated, were deflected further away from the hair, resulting in three red fringes positioned farther from the center of the shadow of the hair. The most refrangible rays, which make violet when separated, were deflected closer to the hair, creating three violet fringes nearer to the center of the shadow. Rays of intermediate refrangibility were deflected at intermediate distances from the hair, forming fringes of intermediate colors at those distances from the middle of the shadow of the hair. In the second Observation, where all the colors are mixed in the white light passing by the hair, these colors are separated by the different angles of the rays, and the fringes they create appear together. The innermost fringes are adjacent and form one broad fringe composed of all the colors in the correct order, with violet closest to the shadow, red farthest away, and blue, green, and yellow in the middle. Similarly, the middlemost fringes of all the colors in order, and being adjacent, create another broad fringe made up of all the colors. The outermost fringes of all the colors in order, and being adjacent, create a third broad fringe made of all the colors. These are the three fringes of colored light that border the shadows of all bodies in the second Observation.
When I made the foregoing Observations, I design'd to repeat most of them with more care and exactness, and to make some new ones for determining the manner how the Rays of Light are bent in their passage by Bodies, for making the Fringes of Colours with the dark lines between them. But I was then interrupted, and cannot now think of taking these things into farther Consideration. And since I[Pg 339] have not finish'd this part of my Design, I shall conclude with proposing only some Queries, in order to a farther search to be made by others.
When I made the above observations, I intended to revisit most of them with greater care and precision, and to come up with some new ideas about how light rays bend when passing through objects, creating colorful fringes with dark lines in between. However, I was interrupted and can't think about continuing this line of inquiry right now. Since I[Pg 339] haven't completed this part of my plan, I'll wrap up by suggesting a few questions for others to explore further.
Query 1. Do not Bodies act upon Light at a distance, and by their action bend its Rays; and is not this action (cæteris paribus) strongest at the least distance?
Query 1. Don’t bodies influence light from a distance and bend its rays through their action? And isn’t this effect strongest when the distance is the smallest?
Qu. 2. Do not the Rays which differ in Refrangibility differ also in Flexibity; and are they not by their different Inflexions separated from one another, so as after separation to make the Colours in the three Fringes above described? And after what manner are they inflected to make those Fringes?
Qu. 2. Don't the rays that differ in refrangibility also differ in flexibility? And aren't they separated from each other by their different inflections, creating the colors in the three fringes mentioned above? How exactly are they inflected to form those fringes?
Qu. 3. Are not the Rays of Light in passing by the edges and sides of Bodies, bent several times backwards and forwards, with a motion like that of an Eel? And do not the three Fringes of colour'd Light above-mention'd arise from three such bendings?
Qu. 3. Aren't the rays of light, when they pass by the edges and sides of objects, bent back and forth multiple times, kind of like the movement of an eel? And don't the three fringes of colored light mentioned above come from these three bends?
Qu. 4. Do not the Rays of Light which fall upon Bodies, and are reflected or refracted, begin to bend before they arrive at the Bodies; and are they not reflected, refracted, and inflected, by one and the same Principle, acting variously in various Circumstances?
Qu. 4. Don't the rays of light that hit objects and are reflected or refracted start to bend before they reach those objects? And are they not reflected, refracted, and bent by the same principle, acting differently depending on the circumstances?
Qu. 5. Do not Bodies and Light act mutually upon one another; that is to say, Bodies upon Light in emitting, reflecting, refracting and inflecting it, and Light upon Bodies for heating them, and putting their parts into a vibrating motion wherein heat consists?
Qu. 5. Do bodies and light interact with each other? In other words, do bodies affect light by emitting, reflecting, refracting, and bending it, and does light affect bodies by heating them and causing their parts to vibrate, which is what heat is?
Qu. 6. Do not black Bodies conceive heat more easily from Light than those of other Colours do, by[Pg 340] reason that the Light falling on them is not reflected outwards, but enters the Bodies, and is often reflected and refracted within them, until it be stifled and lost?
Q. 6. Do dark objects absorb heat more easily from light than those of other colors do, because the light that hits them is not reflected back out, but instead enters the objects, reflecting and refracting inside them until it is absorbed and lost?
Qu. 7. Is not the strength and vigor of the action between Light and sulphureous Bodies observed above, one reason why sulphureous Bodies take fire more readily, and burn more vehemently than other Bodies do?
Qu. 7. Isn't the strength and intensity of the interaction between light and sulfurous substances mentioned earlier one reason why sulfurous substances ignite more easily and burn more fiercely than other substances?
Qu. 8. Do not all fix'd Bodies, when heated beyond a certain degree, emit Light and shine; and is not this Emission perform'd by the vibrating motions of their parts? And do not all Bodies which abound with terrestrial parts, and especially with sulphureous ones, emit Light as often as those parts are sufficiently agitated; whether that agitation be made by Heat, or by Friction, or Percussion, or Putrefaction, or by any vital Motion, or any other Cause? As for instance; Sea-Water in a raging Storm; Quick-silver agitated in vacuo; the Back of a Cat, or Neck of a Horse, obliquely struck or rubbed in a dark place; Wood, Flesh and Fish while they putrefy; Vapours arising from putrefy'd Waters, usually call'd Ignes Fatui; Stacks of moist Hay or Corn growing hot by fermentation; Glow-worms and the Eyes of some Animals by vital Motions; the vulgar Phosphorus agitated by the attrition of any Body, or by the acid Particles of the Air; Amber and some Diamonds by striking, pressing or rubbing them; Scrapings of Steel struck off with a Flint; Iron hammer'd very nimbly till it become so hot as to kindle Sulphur[Pg 341] thrown upon it; the Axletrees of Chariots taking fire by the rapid rotation of the Wheels; and some Liquors mix'd with one another whose Particles come together with an Impetus, as Oil of Vitriol distilled from its weight of Nitre, and then mix'd with twice its weight of Oil of Anniseeds. So also a Globe of Glass about 8 or 10 Inches in diameter, being put into a Frame where it may be swiftly turn'd round its Axis, will in turning shine where it rubs against the palm of ones Hand apply'd to it: And if at the same time a piece of white Paper or white Cloth, or the end of ones Finger be held at the distance of about a quarter of an Inch or half an Inch from that part of the Glass where it is most in motion, the electrick Vapour which is excited by the friction of the Glass against the Hand, will by dashing against the white Paper, Cloth or Finger, be put into such an agitation as to emit Light, and make the white Paper, Cloth or Finger, appear lucid like a Glowworm; and in rushing out of the Glass will sometimes push against the finger so as to be felt. And the same things have been found by rubbing a long and large Cylinder or Glass or Amber with a Paper held in ones hand, and continuing the friction till the Glass grew warm.
Qu. 8. Don't all solid objects, when heated beyond a certain point, give off light and shine? Isn't this emission caused by the vibrating movements of their particles? And don’t all objects rich in earthly components, especially those containing sulfur, emit light whenever those components are sufficiently stirred up; whether that stirring happens due to heat, friction, percussion, decay, some vital movement, or any other cause? For example: seawater during a storm; mercury stirred in vacuum; the back of a cat, or the neck of a horse, being rubbed or struck in a dark space; wood, flesh, and fish as they decay; vapors rising from decaying waters, commonly known as Ignes Fatui; stacks of damp hay or corn that heat up due to fermentation; glow-worms and the eyes of some animals due to vital processes; common phosphorus agitated by contact with another object or by acidic particles in the air; amber and some diamonds when struck, pressed, or rubbed; bits of steel scraped off with flint; iron hammered quickly until it becomes hot enough to ignite sulfur[Pg 341] placed upon it; the axles of chariots catching fire from the rapid spinning of the wheels; and some liquids mixed together whose particles collide forcefully, like oil of vitriol distilled from a quantity of nitrate and then combined with twice its weight of oil of anise. Similarly, a glass globe about 8 or 10 inches in diameter, when placed in a frame that allows it to be spun quickly around its axis, will shine where it rubs against the palm of a hand. If at the same time a piece of white paper or cloth, or the tip of someone's finger, is positioned about a quarter to half an inch away from the most active part of the glass, the electric vapor generated by the friction between the glass and the hand will collide with the white paper, cloth, or finger, causing it to become agitated enough to emit light, making the paper, cloth, or finger appear luminous like a glowworm; and as it exits the glass, it can sometimes make contact with the finger strongly enough to be felt. The same results have been observed by rubbing a long, large cylinder or a piece of glass or amber with paper held in hand, continuing the friction until the glass became warm.
Qu. 9. Is not Fire a Body heated so hot as to emit Light copiously? For what else is a red hot Iron than Fire? And what else is a burning Coal than red hot Wood?
Qu. 9. Isn’t fire just a material that’s heated so much that it gives off a lot of light? What else is a piece of red-hot iron if not fire? And what else is a burning coal if not red-hot wood?
Qu. 10. Is not Flame a Vapour, Fume or Exhalation heated red hot, that is, so hot as to shine? For[Pg 342] Bodies do not flame without emitting a copious Fume, and this Fume burns in the Flame. The Ignis Fatuus is a Vapour shining without heat, and is there not the same difference between this Vapour and Flame, as between rotten Wood shining without heat and burning Coals of Fire? In distilling hot Spirits, if the Head of the Still be taken off, the Vapour which ascends out of the Still will take fire at the Flame of a Candle, and turn into Flame, and the Flame will run along the Vapour from the Candle to the Still. Some Bodies heated by Motion, or Fermentation, if the heat grow intense, fume copiously, and if the heat be great enough the Fumes will shine and become Flame. Metals in fusion do not flame for want of a copious Fume, except Spelter, which fumes copiously, and thereby flames. All flaming Bodies, as Oil, Tallow, Wax, Wood, fossil Coals, Pitch, Sulphur, by flaming waste and vanish into burning Smoke, which Smoke, if the Flame be put out, is very thick and visible, and sometimes smells strongly, but in the Flame loses its smell by burning, and according to the nature of the Smoke the Flame is of several Colours, as that of Sulphur blue, that of Copper open'd with sublimate green, that of Tallow yellow, that of Camphire white. Smoke passing through Flame cannot but grow red hot, and red hot Smoke can have no other appearance than that of Flame. When Gun-powder takes fire, it goes away into Flaming Smoke. For the Charcoal and Sulphur easily take fire, and set fire to the Nitre, and the Spirit of the Nitre being thereby rarified into Vapour,[Pg 343] rushes out with Explosion much after the manner that the Vapour of Water rushes out of an Æolipile; the Sulphur also being volatile is converted into Vapour, and augments the Explosion. And the acid Vapour of the Sulphur (namely that which distils under a Bell into Oil of Sulphur,) entring violently into the fix'd Body of the Nitre, sets loose the Spirit of the Nitre, and excites a great Fermentation, whereby the Heat is farther augmented, and the fix'd Body of the Nitre is also rarified into Fume, and the Explosion is thereby made more vehement and quick. For if Salt of Tartar be mix'd with Gun-powder, and that Mixture be warm'd till it takes fire, the Explosion will be more violent and quick than that of Gun-powder alone; which cannot proceed from any other cause than the action of the Vapour of the Gun-powder upon the Salt of Tartar, whereby that Salt is rarified. The Explosion of Gun-powder arises therefore from the violent action whereby all the Mixture being quickly and vehemently heated, is rarified and converted into Fume and Vapour: which Vapour, by the violence of that action, becoming so hot as to shine, appears in the form of Flame.
Qu. 10. Isn't flame just vapor, fume, or exhalation heated to the point of glowing red? Because[Pg 342] substances don't flame without giving off a strong fume, and this fume burns in the flame. The Ignis Fatuus is a vapor that glows without heat, and isn't there a difference between this vapor and flame, just like there's a difference between rotten wood that glows without heat and burning coals? When distilling hot spirits, if you remove the head of the still, the vapor rising will ignite at the flame of a candle and turn into flame, which will travel from the candle to the still. Some substances heated by motion or fermentation, when the heat becomes intense, release a lot of fume, and if the heat is high enough, the fumes will glow and turn into flame. Metals in molten form don’t flame because they lack a strong fume, except for spelter, which produces plenty of fume and thus flames. All flaming substances, like oil, tallow, wax, wood, coal, pitch, and sulfur, waste away by burning and turn into smoke. This smoke, if the flame is extinguished, is thick and visible and sometimes has a strong odor, but in the flame, it loses its smell. Depending on the type of smoke, the flame can appear in different colors, like blue for sulfur, green for copper when sublimated, yellow for tallow, and white for camphor. Smoke passing through flame inevitably becomes red hot, and red-hot smoke can only look like flame. When gunpowder ignites, it turns into flaming smoke. The charcoal and sulfur catch fire easily and ignite the nitrate, and the spirit of the nitrate then turns into vapor,[Pg 343] rushing out with an explosion, much like how water vapor rushes out of an æolipile. The volatile sulfur also becomes vapor, increasing the explosion. The acid vapor of the sulfur (that which distills under a bell into oil of sulfur) forcefully enters the fixed body of the nitrate, releasing the spirit of the nitrate and triggering a significant fermentation, which further increases the heat and turns the fixed body of the nitrate into fume, making the explosion even more intense and rapid. If you mix salt of tartar with gunpowder and heat this mixture until it ignites, the explosion will be more violent and swift than gunpowder alone; this must come from the reaction of the vapor from the gunpowder on the salt of tartar, which causes that salt to become vaporized. Therefore, the explosion of gunpowder comes from the violent action that rapidly heats the entire mixture, converting it into fume and vapor: this vapor, through the force of the reaction, becomes hot enough to glow and appears as flame.
Qu. 11. Do not great Bodies conserve their heat the longest, their parts heating one another, and may not great dense and fix'd Bodies, when heated beyond a certain degree, emit Light so copiously, as by the Emission and Re-action of its Light, and the Reflexions and Refractions of its Rays within its Pores to grow still hotter, till it comes to a certain period of heat, such as is that of the Sun? And are not the[Pg 344] Sun and fix'd Stars great Earths vehemently hot, whose heat is conserved by the greatness of the Bodies, and the mutual Action and Reaction between them, and the Light which they emit, and whose parts are kept from fuming away, not only by their fixity, but also by the vast weight and density of the Atmospheres incumbent upon them; and very strongly compressing them, and condensing the Vapours and Exhalations which arise from them? For if Water be made warm in any pellucid Vessel emptied of Air, that Water in the Vacuum will bubble and boil as vehemently as it would in the open Air in a Vessel set upon the Fire till it conceives a much greater heat. For the weight of the incumbent Atmosphere keeps down the Vapours, and hinders the Water from boiling, until it grow much hotter than is requisite to make it boil in vacuo. Also a mixture of Tin and Lead being put upon a red hot Iron in vacuo emits a Fume and Flame, but the same Mixture in the open Air, by reason of the incumbent Atmosphere, does not so much as emit any Fume which can be perceived by Sight. In like manner the great weight of the Atmosphere which lies upon the Globe of the Sun may hinder Bodies there from rising up and going away from the Sun in the form of Vapours and Fumes, unless by means of a far greater heat than that which on the Surface of our Earth would very easily turn them into Vapours and Fumes. And the same great weight may condense those Vapours and Exhalations as soon as they shall at any time begin to ascend from the Sun, and make them[Pg 345] presently fall back again into him, and by that action increase his Heat much after the manner that in our Earth the Air increases the Heat of a culinary Fire. And the same weight may hinder the Globe of the Sun from being diminish'd, unless by the Emission of Light, and a very small quantity of Vapours and Exhalations.
Qu. 11. Don’t large bodies hold onto their heat the longest, with their parts warming each other? And don’t large, dense, and solid bodies, when heated beyond a certain point, emit light so abundantly that, through the emission and reaction of their light, along with the reflections and refractions of their rays within their pores, they become even hotter, until they reach a certain temperature, like that of the Sun? Aren’t the [Pg 344] Sun and fixed stars immense, intensely heated planets, whose heat is maintained by their large size and mutual action and reaction between them, as well as the light they emit? Their parts are kept from dispersing, not only by their stability but also by the immense weight and density of the atmospheres pressing down on them, which compresses and condenses the vapors and emissions that arise from them. For if water is heated in any clear vessel that is emptied of air, that water in the vacuum will bubble and boil just as vigorously as it would in open air in a vessel placed over a fire, until it reaches a much higher temperature. The weight of the surrounding atmosphere holds back the vapors and prevents the water from boiling until it gets much hotter than what is necessary for it to boil in vacuo. Similarly, a mixture of tin and lead placed on red-hot iron in vacuo emits smoke and flames, but the same mixture in open air, due to the surrounding atmosphere, hardly even emits any visible smoke. Likewise, the immense weight of the atmosphere surrounding the Sun may prevent substances there from rising and escaping as vapors and fumes, unless they are subjected to a far greater heat than what would easily turn them into vapors and fumes on the surface of our Earth. This same great weight may condense those vapors and emissions as soon as they begin to rise from the Sun, causing them to[Pg 345] immediately fall back into it, thus increasing its heat similarly to how the air amplifies the heat of a cooking fire on Earth. This weight may also prevent the Sun from losing mass, except through the emission of light and a tiny amount of vapors and exhalations.
Qu. 12. Do not the Rays of Light in falling upon the bottom of the Eye excite Vibrations in the Tunica Retina? Which Vibrations, being propagated along the solid Fibres of the optick Nerves into the Brain, cause the Sense of seeing. For because dense Bodies conserve their Heat a long time, and the densest Bodies conserve their Heat the longest, the Vibrations of their parts are of a lasting nature, and therefore may be propagated along solid Fibres of uniform dense Matter to a great distance, for conveying into the Brain the impressions made upon all the Organs of Sense. For that Motion which can continue long in one and the same part of a Body, can be propagated a long way from one part to another, supposing the Body homogeneal, so that the Motion may not be reflected, refracted, interrupted or disorder'd by any unevenness of the Body.
Qu. 12. Don't the rays of light, when they hit the back of the eye, create vibrations in the retina? These vibrations travel along the solid fibers of the optic nerves to the brain, which allows us to see. Because dense materials hold onto heat for a long time, and the densest materials hold onto heat the longest, the vibrations within them can last a while. This means they can travel long distances through solid fibers made of uniform dense material, transmitting the impressions made on all the sensory organs to the brain. Motion that can persist in one part of a body can also travel far from one part to another, as long as the body is homogeneous and the motion isn’t reflected, refracted, interrupted, or disrupted by any irregularities in the material.
Qu. 13. Do not several sorts of Rays make Vibrations of several bignesses, which according to their bignesses excite Sensations of several Colours, much after the manner that the Vibrations of the Air, according to their several bignesses excite Sensations of several Sounds? And particularly do not the most refrangible Rays excite the shortest Vibrations for[Pg 346] making a Sensation of deep violet, the least refrangible the largest for making a Sensation of deep red, and the several intermediate sorts of Rays, Vibrations of several intermediate bignesses to make Sensations of the several intermediate Colours?
Qu. 13. Don't different types of rays create vibrations of different sizes, which, based on their sizes, trigger sensations of various colors, similar to how air vibrations create sensations of different sounds? Specifically, don't the most refracted rays produce the shortest vibrations to create the sensation of deep violet, while the least refracted rays produce the largest vibrations to create the sensation of deep red, and the various intermediate types of rays, vibrations of intermediate sizes to produce sensations of the various intermediate colors?
Qu. 14. May not the harmony and discord of Colours arise from the proportions of the Vibrations propagated through the Fibres of the optick Nerves into the Brain, as the harmony and discord of Sounds arise from the proportions of the Vibrations of the Air? For some Colours, if they be view'd together, are agreeable to one another, as those of Gold and Indigo, and others disagree.
Qu. 14. Could the harmony and clash of colors come from the proportions of the vibrations traveling through the fibers of the optic nerves to the brain, just like the harmony and clash of sounds come from the proportions of air vibrations? Some colors, when viewed together, are pleasing to each other, like gold and indigo, while others are not.
Qu. 15. Are not the Species of Objects seen with both Eyes united where the optick Nerves meet before they come into the Brain, the Fibres on the right side of both Nerves uniting there, and after union going thence into the Brain in the Nerve which is on the right side of the Head, and the Fibres on the left side of both Nerves uniting in the same place, and after union going into the Brain in the Nerve which is on the left side of the Head, and these two Nerves meeting in the Brain in such a manner that their Fibres make but one entire Species or Picture, half of which on the right side of the Sensorium comes from the right side of both Eyes through the right side of both optick Nerves to the place where the Nerves meet, and from thence on the right side of the Head into the Brain, and the other half on the left side of the Sensorium comes in like manner from the left side of both Eyes. For[Pg 347] the optick Nerves of such Animals as look the same way with both Eyes (as of Men, Dogs, Sheep, Oxen, &c.) meet before they come into the Brain, but the optick Nerves of such Animals as do not look the same way with both Eyes (as of Fishes, and of the Chameleon,) do not meet, if I am rightly inform'd.
Qu. 15. Aren't the types of objects seen by both eyes combined where the optic nerves meet before reaching the brain? The fibers on the right side of both nerves join there, and after merging, they continue into the brain through the nerve on the right side of the head. Similarly, the fibers on the left side of both nerves unite in the same spot and then proceed into the brain through the nerve on the left side of the head. These two nerves connect in the brain in such a way that their fibers create one complete image, with the right half in the sensorium coming from the right side of both eyes via the right optic nerves to the meeting point, and from there, going into the brain on the right side of the head. The left half in the sensorium comes in the same way from the left side of both eyes. For[Pg 347], the optic nerves of animals that look the same way with both eyes (like humans, dogs, sheep, oxen, etc.) do meet before entering the brain, but the optic nerves of animals that do not look the same way with both eyes (like fish and the chameleon) do not meet, as far as I know.
Qu. 16. When a Man in the dark presses either corner of his Eye with his Finger, and turns his Eye away from his Finger, he will see a Circle of Colours like those in the Feather of a Peacock's Tail. If the Eye and the Finger remain quiet these Colours vanish in a second Minute of Time, but if the Finger be moved with a quavering Motion they appear again. Do not these Colours arise from such Motions excited in the bottom of the Eye by the Pressure and Motion of the Finger, as, at other times are excited there by Light for causing Vision? And do not the Motions once excited continue about a Second of Time before they cease? And when a Man by a stroke upon his Eye sees a flash of Light, are not the like Motions excited in the Retina by the stroke? And when a Coal of Fire moved nimbly in the circumference of a Circle, makes the whole circumference appear like a Circle of Fire; is it not because the Motions excited in the bottom of the Eye by the Rays of Light are of a lasting nature, and continue till the Coal of Fire in going round returns to its former place? And considering the lastingness of the Motions excited in the bottom of the Eye by Light, are they not of a vibrating nature?
Qu. 16. When a person in the dark presses either corner of their eye with their finger and looks away from it, they will see a ring of colors similar to those in a peacock's tail. If both the eye and the finger stay still, these colors fade away in about a minute, but if the finger moves with a slight shaking motion, the colors reappear. Don't these colors come from the motions stimulated in the back of the eye by the pressure and movement of the finger, similar to how light causes vision? And don't the movements once stimulated last for about a second before stopping? And when someone sees a flash of light from a blow to their eye, are not similar movements triggered in the retina by the impact? Also, when a glowing coal is quickly moved around the edge of a circle, making the whole edge look like a ring of fire, isn't it because the movements triggered in the back of the eye by the rays of light are persistent and continue until the coal of fire returns to its original spot? And considering how long the movements triggered in the back of the eye by light last, are they not of a vibrating nature?
Qu. 17. If a stone be thrown into stagnating Water,[Pg 348] the Waves excited thereby continue some time to arise in the place where the Stone fell into the Water, and are propagated from thence in concentrick Circles upon the Surface of the Water to great distances. And the Vibrations or Tremors excited in the Air by percussion, continue a little time to move from the place of percussion in concentrick Spheres to great distances. And in like manner, when a Ray of Light falls upon the Surface of any pellucid Body, and is there refracted or reflected, may not Waves of Vibrations, or Tremors, be thereby excited in the refracting or reflecting Medium at the point of Incidence, and continue to arise there, and to be propagated from thence as long as they continue to arise and be propagated, when they are excited in the bottom of the Eye by the Pressure or Motion of the Finger, or by the Light which comes from the Coal of Fire in the Experiments above-mention'd? and are not these Vibrations propagated from the point of Incidence to great distances? And do they not overtake the Rays of Light, and by overtaking them successively, do they not put them into the Fits of easy Reflexion and easy Transmission described above? For if the Rays endeavour to recede from the densest part of the Vibration, they may be alternately accelerated and retarded by the Vibrations overtaking them.
Qu. 17. When a stone is thrown into still water,[Pg 348] the waves created in the spot where the stone enters continue to rise for a while and spread out as concentric circles across the water's surface, reaching far distances. Similarly, the vibrations or tremors created in the air by the impact continue to move from the point of impact in concentric spheres to great distances. Likewise, when a ray of light hits the surface of any transparent object and is refracted or reflected, can it not create waves of vibrations or tremors in the refracting or reflecting medium at the point of impact? These waves can continue to arise from that point and spread out as long as they are generated, just like when they are triggered at the bottom of the eye by pressure, motion of a finger, or light from a burning coal in the experiments mentioned earlier. Don't these vibrations spread from the point of incidence over large distances? And don’t they catch up with the rays of light, and by catching up with them successively, don’t they cause them to experience the conditions of easy reflection and easy transmission described above? If the rays try to move away from the densest part of the vibration, they may be alternately sped up and slowed down by the vibrations that catch up to them.
Qu. 18. If in two large tall cylindrical Vessels of Glass inverted, two little Thermometers be suspended so as not to touch the Vessels, and the Air be drawn out of one of these Vessels, and these Vessels[Pg 349] thus prepared be carried out of a cold place into a warm one; the Thermometer in vacuo will grow warm as much, and almost as soon as the Thermometer which is not in vacuo. And when the Vessels are carried back into the cold place, the Thermometer in vacuo will grow cold almost as soon as the other Thermometer. Is not the Heat of the warm Room convey'd through the Vacuum by the Vibrations of a much subtiler Medium than Air, which after the Air was drawn out remained in the Vacuum? And is not this Medium the same with that Medium by which Light is refracted and reflected, and by whose Vibrations Light communicates Heat to Bodies, and is put into Fits of easy Reflexion and easy Transmission? And do not the Vibrations of this Medium in hot Bodies contribute to the intenseness and duration of their Heat? And do not hot Bodies communicate their Heat to contiguous cold ones, by the Vibrations of this Medium propagated from them into the cold ones? And is not this Medium exceedingly more rare and subtile than the Air, and exceedingly more elastick and active? And doth it not readily pervade all Bodies? And is it not (by its elastick force) expanded through all the Heavens?
Q. 18. If two large, tall glass vessels are turned upside down and two small thermometers are suspended inside so that they don't touch the vessels, and if the air is removed from one of these vessels, then these prepared vessels[Pg 349] are taken from a cold place to a warm one; the thermometer in the vacuum will warm up as much, and almost as quickly as the thermometer that is not in the vacuum. When the vessels are taken back to the cold place, the thermometer in the vacuum will cool down almost as fast as the other thermometer. Isn't the heat from the warm room transmitted through the vacuum by the vibrations of a much finer medium than air, which remained in the vacuum after the air was removed? And is this medium not the same as the one by which light is refracted and reflected, and through whose vibrations light transfers heat to objects, enabling easy reflection and transmission? Don't the vibrations of this medium in hot objects enhance both the intensity and duration of their heat? And do hot objects not transfer their heat to adjacent cold objects through vibrations of this medium, which propagate from them into the colder ones? Is this medium not significantly rarer and finer than air, and much more elastic and active? Does it not easily permeate all objects? And is it not expanded throughout the heavens by its elastic force?
Qu. 19. Doth not the Refraction of Light proceed from the different density of this Æthereal Medium in different places, the Light receding always from the denser parts of the Medium? And is not the density thereof greater in free and open Spaces void of Air and other grosser Bodies, than within the Pores of Water, Glass, Crystal, Gems, and other compact[Pg 350] Bodies? For when Light passes through Glass or Crystal, and falling very obliquely upon the farther Surface thereof is totally reflected, the total Reflexion ought to proceed rather from the density and vigour of the Medium without and beyond the Glass, than from the rarity and weakness thereof.
Qu. 19. Doesn't the refraction of light come from the different densities of this ethereal medium in various places, with light always moving away from the denser parts of the medium? And isn't the density greater in open spaces that are free of air and other heavier substances than within the pores of water, glass, crystal, gems, and other solid[Pg 350] materials? Because when light passes through glass or crystal and strikes the farther surface at a sharp angle, resulting in total reflection, this total reflection should happen more because of the density and intensity of the medium outside the glass than because of its rarity and weakness.
Qu. 20. Doth not this Æthereal Medium in passing out of Water, Glass, Crystal, and other compact and dense Bodies into empty Spaces, grow denser and denser by degrees, and by that means refract the Rays of Light not in a point, but by bending them gradually in curve Lines? And doth not the gradual condensation of this Medium extend to some distance from the Bodies, and thereby cause the Inflexions of the Rays of Light, which pass by the edges of dense Bodies, at some distance from the Bodies?
Qu. 20. Doesn't this ethereal medium, when moving from water, glass, crystal, and other solid, dense materials into empty space, become denser and denser over time, and as a result, bend the light rays not at a single point, but gradually along curved lines? And doesn't the gradual thickening of this medium reach a distance from the objects, causing the bending of the light rays that pass by the edges of dense objects, even at some distance away?
Qu. 21. Is not this Medium much rarer within the dense Bodies of the Sun, Stars, Planets and Comets, than in the empty celestial Spaces between them? And in passing from them to great distances, doth it not grow denser and denser perpetually, and thereby cause the gravity of those great Bodies towards one another, and of their parts towards the Bodies; every Body endeavouring to go from the denser parts of the Medium towards the rarer? For if this Medium be rarer within the Sun's Body than at its Surface, and rarer there than at the hundredth part of an Inch from its Body, and rarer there than at the fiftieth part of an Inch from its Body, and rarer there than at the Orb of Saturn; I see no reason why the Increase of[Pg 351] density should stop any where, and not rather be continued through all distances from the Sun to Saturn, and beyond. And though this Increase of density may at great distances be exceeding slow, yet if the elastick force of this Medium be exceeding great, it may suffice to impel Bodies from the denser parts of the Medium towards the rarer, with all that power which we call Gravity. And that the elastick force of this Medium is exceeding great, may be gather'd from the swiftness of its Vibrations. Sounds move about 1140 English Feet in a second Minute of Time, and in seven or eight Minutes of Time they move about one hundred English Miles. Light moves from the Sun to us in about seven or eight Minutes of Time, which distance is about 70,000,000 English Miles, supposing the horizontal Parallax of the Sun to be about 12´´. And the Vibrations or Pulses of this Medium, that they may cause the alternate Fits of easy Transmission and easy Reflexion, must be swifter than Light, and by consequence above 700,000 times swifter than Sounds. And therefore the elastick force of this Medium, in proportion to its density, must be above 700000 x 700000 (that is, above 490,000,000,000) times greater than the elastick force of the Air is in proportion to its density. For the Velocities of the Pulses of elastick Mediums are in a subduplicate Ratio of the Elasticities and the Rarities of the Mediums taken together.
Qu. 21. Isn’t this medium much rarer within the dense bodies of the Sun, stars, planets, and comets than in the empty space between them? And as we move away from them to greater distances, doesn’t it become denser and denser continually, thereby causing the gravity of those large bodies to pull toward one another, and of their parts toward the bodies; each body trying to move from the denser parts of the medium to the rarer ones? For if this medium is rarer within the Sun’s body than at its surface, and rarer there than at a hundredth of an inch from its body, and rarer there than at a fiftieth of an inch from its body, and rarer there than at the orbit of Saturn; I see no reason why the increase of [Pg 351] density should stop anywhere, rather than continue through all distances from the Sun to Saturn, and beyond. And although this increase of density might be very slow at great distances, if the elastic force of this medium is extremely strong, it might be enough to push bodies from the denser parts of the medium toward the rarer ones, with all the power we call gravity. The fact that the elastic force of this medium is exceedingly strong can be inferred from the speed of its vibrations. Sounds travel about 1140 feet in a second. In seven or eight minutes, they cover about one hundred miles. Light travels from the Sun to us in about seven or eight minutes, which is roughly 70,000,000 miles, assuming the horizontal parallax of the Sun is about 12″. And the vibrations or pulses of this medium, in order to enable the alternating fits of easy transmission and easy reflection, must be faster than light, and consequently over 700,000 times faster than sound. Therefore, the elastic force of this medium, in proportion to its density, must be over 700,000 x 700,000 (that is, over 490,000,000,000) times greater than the elastic force of air in relation to its density. The velocities of the pulses of elastic mediums are in a subduplicate ratio of the elasticities and the rarities of the mediums taken together.
As Attraction is stronger in small Magnets than in great ones in proportion to their Bulk, and Gravity is greater in the Surfaces of small Planets than in[Pg 352] those of great ones in proportion to their bulk, and small Bodies are agitated much more by electric attraction than great ones; so the smallness of the Rays of Light may contribute very much to the power of the Agent by which they are refracted. And so if any one should suppose that Æther (like our Air) may contain Particles which endeavour to recede from one another (for I do not know what this Æther is) and that its Particles are exceedingly smaller than those of Air, or even than those of Light: The exceeding smallness of its Particles may contribute to the greatness of the force by which those Particles may recede from one another, and thereby make that Medium exceedingly more rare and elastick than Air, and by consequence exceedingly less able to resist the motions of Projectiles, and exceedingly more able to press upon gross Bodies, by endeavouring to expand it self.
As attraction is stronger in small magnets than in large ones relative to their size, and gravity is greater on the surfaces of small planets than on those of large ones in proportion to their size, and small bodies are much more influenced by electric attraction than larger ones, the smallness of light rays may greatly enhance the power of the agent that refracts them. So, if someone were to think that ether (like our air) might contain particles that try to move away from each other (since I don't really know what this ether is), and that its particles are much smaller than those of air, or even smaller than those of light: the extreme smallness of its particles may increase the strength at which those particles push away from one another. This would make that medium much rarer and more elastic than air, and consequently, much less capable of resisting the movements of projectiles, while being much more capable of exerting pressure on larger bodies by attempting to expand itself.
Qu. 22. May not Planets and Comets, and all gross Bodies, perform their Motions more freely, and with less resistance in this Æthereal Medium than in any Fluid, which fills all Space adequately without leaving any Pores, and by consequence is much denser than Quick-silver or Gold? And may not its resistance be so small, as to be inconsiderable? For instance; If this Æther (for so I will call it) should be supposed 700000 times more elastick than our Air, and above 700000 times more rare; its resistance would be above 600,000,000 times less than that of Water. And so small a resistance would scarce make any sensible alteration in the Motions of the Planets[Pg 353] in ten thousand Years. If any one would ask how a Medium can be so rare, let him tell me how the Air, in the upper parts of the Atmosphere, can be above an hundred thousand thousand times rarer than Gold. Let him also tell me, how an electrick Body can by Friction emit an Exhalation so rare and subtile, and yet so potent, as by its Emission to cause no sensible Diminution of the weight of the electrick Body, and to be expanded through a Sphere, whose Diameter is above two Feet, and yet to be able to agitate and carry up Leaf Copper, or Leaf Gold, at the distance of above a Foot from the electrick Body? And how the Effluvia of a Magnet can be so rare and subtile, as to pass through a Plate of Glass without any Resistance or Diminution of their Force, and yet so potent as to turn a magnetick Needle beyond the Glass?
Q. 22. Can’t planets and comets, along with all other large objects, move more freely and with less resistance in this ether than in any fluid that fills all space completely without leaving any gaps, and is therefore much denser than mercury or gold? Could its resistance be so minimal that it’s negligible? For example, if we assume this ether (that’s what I’ll call it) is 700,000 times more elastic than our air and over 700,000 times less dense, its resistance would be more than 600,000,000 times less than that of water. Such small resistance would hardly cause any noticeable change in the motions of the planets[Pg 353] over ten thousand years. If someone asks how a medium can be so rare, let them explain how the air in the upper atmosphere can be more than a hundred trillion times rarer than gold. Also, how can an electrified body emit an exhalation that is so rare and subtle, yet so powerful that its emission doesn’t noticeably reduce the weight of the electrified body, and can expand through a sphere with a diameter of more than two feet, while still being able to lift and move leaf copper or leaf gold from over a foot away? And how can the effluvia of a magnet be so rare and subtle that it passes through a glass plate without any resistance or loss of strength, yet still be strong enough to turn a magnetized needle beyond the glass?
Qu. 23. Is not Vision perform'd chiefly by the Vibrations of this Medium, excited in the bottom of the Eye by the Rays of Light, and propagated through the solid, pellucid and uniform Capillamenta of the optick Nerves into the place of Sensation? And is not Hearing perform'd by the Vibrations either of this or some other Medium, excited in the auditory Nerves by the Tremors of the Air, and propagated through the solid, pellucid and uniform Capillamenta of those Nerves into the place of Sensation? And so of the other Senses.
Qu. 23. Isn't vision mainly caused by the vibrations of this medium, which are triggered in the back of the eye by light rays, and transmitted through the solid, clear, and uniform fibers of the optical nerves to the sensation area? And isn't hearing caused by the vibrations of this or another medium, triggered in the auditory nerves by air movements, and carried through the solid, clear, and uniform fibers of those nerves to the sensation area? The same goes for the other senses.
Qu. 24. Is not Animal Motion perform'd by the Vibrations of this Medium, excited in the Brain by the power of the Will, and propagated from thence[Pg 354] through the solid, pellucid and uniform Capillamenta of the Nerves into the Muscles, for contracting and dilating them? I suppose that the Capillamenta of the Nerves are each of them solid and uniform, that the vibrating Motion of the Æthereal Medium may be propagated along them from one end to the other uniformly, and without interruption: For Obstructions in the Nerves create Palsies. And that they may be sufficiently uniform, I suppose them to be pellucid when view'd singly, tho' the Reflexions in their cylindrical Surfaces may make the whole Nerve (composed of many Capillamenta) appear opake and white. For opacity arises from reflecting Surfaces, such as may disturb and interrupt the Motions of this Medium.
Qu. 24. Isn't animal movement caused by vibrations of this medium, triggered in the brain by the power of will, and then transmitted through the solid, clear, and uniform fibers of the nerves into the muscles, causing them to contract and relax? I assume that the fibers of the nerves are solid and uniform so that the vibrating motion of the ether can move through them smoothly and without interruption from one end to the other. Blockages in the nerves lead to paralysis. To ensure they are sufficiently uniform, I believe they appear clear when viewed individually, even though reflections on their cylindrical surfaces can make the entire nerve (made up of many fibers) look opaque and white. Opacity comes from reflective surfaces that can disrupt and interfere with the movements of this medium.
Qu. 25. Are there not other original Properties of the Rays of Light, besides those already described? An instance of another original Property we have in the Refraction of Island Crystal, described first by Erasmus Bartholine, and afterwards more exactly by Hugenius, in his Book De la Lumiere. This Crystal is a pellucid fissile Stone, clear as Water or Crystal of the Rock, and without Colour; enduring a red Heat without losing its transparency, and in a very strong Heat calcining without Fusion. Steep'd a Day or two in Water, it loses its natural Polish. Being rubb'd on Cloth, it attracts pieces of Straws and other light things, like Ambar or Glass; and with Aqua fortis it makes an Ebullition. It seems to be a sort of Talk, and is found in form of an oblique Parallelopiped, with six parallelogram Sides and eight solid Angles.[Pg 355] The obtuse Angles of the Parallelograms are each of them 101 Degrees and 52 Minutes; the acute ones 78 Degrees and 8 Minutes. Two of the solid Angles opposite to one another, as C and E, are compassed each of them with three of these obtuse Angles, and each of the other six with one obtuse and two acute ones. It cleaves easily in planes parallel to any of its Sides, and not in any other Planes. It cleaves with a glossy polite Surface not perfectly plane, but with some little unevenness. It is easily scratch'd, and by reason of its softness it takes a Polish very difficultly. It polishes better upon polish'd Looking-glass than upon Metal, and perhaps better upon Pitch, Leather or Parchment. Afterwards it must be rubb'd with a little Oil or white of an Egg, to fill up its Scratches; whereby it will become very transparent and polite. But for several Experiments, it is not necessary to polish it. If a piece of this crystalline Stone be laid upon a Book, every Letter of the Book seen through it will appear double, by means of a double Refraction. And if any beam of Light falls either perpendicularly, or in any oblique Angle upon any Surface of this Crystal, it becomes divided into two beams by means of the same double Refraction. Which beams are of the same Colour with the incident beam of Light, and seem equal to one another in the quantity of their Light, or very nearly equal. One of these Refractions is perform'd by the usual Rule of Opticks, the Sine of Incidence out of Air into this Crystal being to the Sine of Refraction, as five to three. The[Pg 356] other Refraction, which may be called the unusual Refraction, is perform'd by the following Rule.
Qu. 25. Are there other unique properties of light rays, besides the ones we've already talked about? One example of another unique property can be found in the refraction of island crystal, first noted by Erasmus Bartholine and later described in more detail by Hugenius in his book De la Lumiere. This crystal is a clear, fissile stone, as transparent as water or rock crystal, and lacks color. It can withstand red heat without losing its transparency and can be calcined in very high temperatures without melting. When soaked in water for a day or two, it loses its natural polish. If rubbed on cloth, it attracts bits of straw and other light materials, like amber or glass; and when mixed with Aqua fortis, it causes bubbling. It appears to be a type of talc and is found in the shape of an angled parallelepiped, with six parallelogram sides and eight solid angles.[Pg 355] The obtuse angles of the parallelograms each measure 101 degrees and 52 minutes, while the acute ones measure 78 degrees and 8 minutes. Two of the solid angles, opposite each other like C and E, are surrounded by three obtuse angles each, while each of the other six is surrounded by one obtuse and two acute angles. It cleaves easily along planes parallel to any of its sides, but not along other planes. The cleavage is smooth and shiny, though not perfectly flat, with some minor unevenness. It can be easily scratched, and due to its softness, it takes a polish quite slowly. It polishes better against polished glass than against metal, and possibly better against pitch, leather, or parchment. Afterward, it should be rubbed with a bit of oil or egg white to fill in scratches, which will make it very transparent and smooth. However, for many experiments, polishing isn't necessary. If a piece of this crystal is placed on a book, every letter seen through it will appear doubled due to double refraction. Additionally, if a beam of light strikes the surface of this crystal either straight on or at any angle, it splits into two beams because of the same double refraction. These beams share the same color as the incoming light beam and appear roughly equal in brightness. One type of refraction follows the typical rule of optics, with the sine of incidence from air into this crystal being five to three compared to the sine of refraction. The[Pg 356] other refraction, which could be called the unusual refraction, follows a different rule.

Let ADBC represent the refracting Surface of the Crystal, C the biggest solid Angle at that Surface, GEHF the opposite Surface, and CK a perpendicular on that Surface. This perpendicular makes with the edge of the Crystal CF, an Angle of 19 Degr. 3'. Join KF, and in it take KL, so that the Angle KCL be 6 Degr. 40'. and the Angle LCF 12 Degr. 23'. And if ST represent any beam of Light incident at T in any Angle upon the refracting Surface ADBC, let TV be the refracted beam determin'd by the given Portion of the Sines 5 to 3, according to the usual Rule of Opticks. Draw VX parallel and equal to KL. Draw it the same way from V in which L lieth from K; and joining TX, this line TX shall be the other refracted beam carried from T to X, by the unusual Refraction.[Pg 357]
Let ADBC represent the refracting surface of the crystal, C the largest solid angle at that surface, GEHF the opposite surface, and CK a perpendicular line on that surface. This perpendicular creates an angle of 19 degrees 3' with the edge of the crystal CF. Connect KF, and take KL from it, ensuring that angle KCL is 6 degrees 40' and angle LCF is 12 degrees 23'. If ST represents any beam of light hitting point T at any angle on the refracting surface ADBC, let TV be the refracted beam determined by the given ratio of the sines 5 to 3, according to the standard optical rule. Draw VX parallel and equal to KL. Position it the same way from V as L is from K; then, connecting TX, this line TX will be the other refracted beam traveling from T to X, due to the unusual refraction.[Pg 357]
If therefore the incident beam ST be perpendicular to the refracting Surface, the two beams TV and TX, into which it shall become divided, shall be parallel to the lines CK and CL; one of those beams going through the Crystal perpendicularly, as it ought to do by the usual Laws of Opticks, and the other TX by an unusual Refraction diverging from the perpendicular, and making with it an Angle VTX of about 6-2/3 Degrees, as is found by Experience. And hence, the Plane VTX, and such like Planes which are parallel to the Plane CFK, may be called the Planes of perpendicular Refraction. And the Coast towards which the lines KL and VX are drawn, may be call'd the Coast of unusual Refraction.
If the incident beam ST is perpendicular to the refracting surface, the two beams TV and TX, which it divides into, will be parallel to the lines CK and CL; one of these beams passes through the crystal perpendicularly, as it should according to the usual laws of optics, and the other TX undergoes an unusual refraction, diverging from the perpendicular, forming an angle VTX of about 6-2/3 degrees, as observed experimentally. Thus, the plane VTX, along with other planes parallel to the plane CFK, can be referred to as the planes of perpendicular refraction. The region towards which the lines KL and VX are directed can be called the region of unusual refraction.
In like manner Crystal of the Rock has a double Refraction: But the difference of the two Refractions is not so great and manifest as in Island Crystal.
In the same way, Crystal of the Rock has double refraction. However, the difference between the two refractions isn't as significant and obvious as it is in Island Crystal.
When the beam ST incident on Island Crystal is divided into two beams TV and TX, and these two beams arrive at the farther Surface of the Glass; the beam TV, which was refracted at the first Surface after the usual manner, shall be again refracted entirely after the usual manner at the second Surface; and the beam TX, which was refracted after the unusual manner in the first Surface, shall be again refracted entirely after the unusual manner in the second Surface; so that both these beams shall emerge out of the second Surface in lines parallel to the first incident beam ST.
When the beam ST hits Island Crystal and splits into two beams TV and TX, both beams reach the far side of the Glass. The beam TV, which was refracted at the first Surface in the usual way, will be refracted again in the usual way at the second Surface. Meanwhile, the beam TX, which was refracted at the first Surface in an unusual way, will also be refracted in the unusual way at the second Surface. As a result, both beams will come out of the second Surface in lines parallel to the original incident beam ST.
And if two pieces of Island Crystal be placed one after another, in such manner that all the Surfaces[Pg 358] of the latter be parallel to all the corresponding Surfaces of the former: The Rays which are refracted after the usual manner in the first Surface of the first Crystal, shall be refracted after the usual manner in all the following Surfaces; and the Rays which are refracted after the unusual manner in the first Surface, shall be refracted after the unusual manner in all the following Surfaces. And the same thing happens, though the Surfaces of the Crystals be any ways inclined to one another, provided that their Planes of perpendicular Refraction be parallel to one another.
And if you place two pieces of Island Crystal one after the other so that all the surfaces of the second crystal are parallel to all the corresponding surfaces of the first: The rays that are refracted in the usual way at the first surface of the first crystal will be refracted in the same way at all the following surfaces; and the rays that are refracted in an unusual way at the first surface will continue to be refracted in that unusual way at all the following surfaces. The same applies even if the surfaces of the crystals are tilted in different directions, as long as their planes of perpendicular refraction are parallel to each other.
And therefore there is an original difference in the Rays of Light, by means of which some Rays are in this Experiment constantly refracted after the usual manner, and others constantly after the unusual manner: For if the difference be not original, but arises from new Modifications impress'd on the Rays at their first Refraction, it would be alter'd by new Modifications in the three following Refractions; whereas it suffers no alteration, but is constant, and has the same effect upon the Rays in all the Refractions. The unusual Refraction is therefore perform'd by an original property of the Rays. And it remains to be enquired, whether the Rays have not more original Properties than are yet discover'd.
There is, therefore, a fundamental difference in the Rays of Light, which leads to some Rays being consistently refracted in the usual way during this Experiment, while others are refracted in an unusual way. If this difference were not fundamental but rather a result of new modifications applied to the Rays during their first refraction, it would change with new modifications in the next three refractions. However, it remains unchanged and has the same effect on the Rays in all refractions. Thus, the unusual refraction is caused by an inherent property of the Rays. It also raises the question of whether the Rays have more inherent properties yet to be discovered.
Qu. 26. Have not the Rays of Light several sides, endued with several original Properties? For if the Planes of perpendicular Refraction of the second Crystal be at right Angles with the Planes of perpendicular Refraction of the first Crystal, the Rays which[Pg 359] are refracted after the usual manner in passing through the first Crystal, will be all of them refracted after the unusual manner in passing through the second Crystal; and the Rays which are refracted after the unusual manner in passing through the first Crystal, will be all of them refracted after the usual manner in passing through the second Crystal. And therefore there are not two sorts of Rays differing in their nature from one another, one of which is constantly and in all Positions refracted after the usual manner, and the other constantly and in all Positions after the unusual manner. The difference between the two sorts of Rays in the Experiment mention'd in the 25th Question, was only in the Positions of the Sides of the Rays to the Planes of perpendicular Refraction. For one and the same Ray is here refracted sometimes after the usual, and sometimes after the unusual manner, according to the Position which its Sides have to the Crystals. If the Sides of the Ray are posited the same way to both Crystals, it is refracted after the same manner in them both: But if that side of the Ray which looks towards the Coast of the unusual Refraction of the first Crystal, be 90 Degrees from that side of the same Ray which looks toward the Coast of the unusual Refraction of the second Crystal, (which may be effected by varying the Position of the second Crystal to the first, and by consequence to the Rays of Light,) the Ray shall be refracted after several manners in the several Crystals. There is nothing more required to determine whether the Rays of Light[Pg 360] which fall upon the second Crystal shall be refracted after the usual or after the unusual manner, but to turn about this Crystal, so that the Coast of this Crystal's unusual Refraction may be on this or on that side of the Ray. And therefore every Ray may be consider'd as having four Sides or Quarters, two of which opposite to one another incline the Ray to be refracted after the unusual manner, as often as either of them are turn'd towards the Coast of unusual Refraction; and the other two, whenever either of them are turn'd towards the Coast of unusual Refraction, do not incline it to be otherwise refracted than after the usual manner. The two first may therefore be call'd the Sides of unusual Refraction. And since these Dispositions were in the Rays before their Incidence on the second, third, and fourth Surfaces of the two Crystals, and suffered no alteration (so far as appears,) by the Refraction of the Rays in their passage through those Surfaces, and the Rays were refracted by the same Laws in all the four Surfaces; it appears that those Dispositions were in the Rays originally, and suffer'd no alteration by the first Refraction, and that by means of those Dispositions the Rays were refracted at their Incidence on the first Surface of the first Crystal, some of them after the usual, and some of them after the unusual manner, accordingly as their Sides of unusual Refraction were then turn'd towards the Coast of the unusual Refraction of that Crystal, or sideways from it.
Qu. 26. Do the Rays of Light have multiple sides, each with different original Properties? If the planes of perpendicular Refraction of the second Crystal are at right angles to the planes of perpendicular Refraction of the first Crystal, the Rays that[Pg 359] are refracted in the usual way when passing through the first Crystal will all be refracted in the unusual way when passing through the second Crystal; and the Rays that are refracted in the unusual way when passing through the first Crystal will all be refracted in the usual way when passing through the second Crystal. Therefore, there aren't two types of Rays that differ in nature, one that is always refracted in the usual way and the other that is always refracted in the unusual way, regardless of position. The difference between the two types of Rays in the Experiment mentioned in the 25th Question was only in the positions of the sides of the Rays relative to the planes of perpendicular Refraction. A single Ray can be refracted sometimes in the usual way and sometimes in the unusual way, depending on the position of its sides in relation to the Crystals. If the sides of the Ray are aligned the same way with both Crystals, it is refracted in the same way in both. However, if the side of the Ray that faces the unusual Refraction of the first Crystal is at a 90-degree angle to that side of the same Ray which faces the unusual Refraction of the second Crystal (which can be achieved by altering the position of the second Crystal in relation to the first and thus the Rays of Light), the Ray will be refracted in different ways in the two Crystals. To determine whether the Rays of Light[Pg 360] falling on the second Crystal will be refracted in the usual or unusual way, you just need to rotate this Crystal so that the side of this Crystal with unusual Refraction is facing either side of the Ray. Thus, every Ray can be thought of as having four sides or quarters, two of which, when facing the side of unusual Refraction, cause the Ray to be refracted unusually, and the other two sides, when facing the side of unusual Refraction, do not cause it to be refracted in any way other than the usual manner. The first two can be referred to as the Sides of unusual Refraction. Since these dispositions existed in the Rays before they hit the second, third, and fourth surfaces of the two Crystals and did not seem to change (as far as we can tell) due to the Refraction of the Rays as they passed through those surfaces, and because the Rays were refracted under the same laws at all four surfaces, it appears that these dispositions were originally in the Rays and did not change during the first Refraction. This means that, because of those dispositions, the Rays were refracted at the moment they hit the first surface of the first Crystal, some in the usual way and some in the unusual way, depending on whether their unusual Refraction sides were turned towards or away from the unusual Refraction of that Crystal.
Every Ray of Light has therefore two opposite Sides, originally endued with a Property on which the[Pg 361] unusual Refraction depends, and the other two opposite Sides not endued with that Property. And it remains to be enquired, whether there are not more Properties of Light by which the Sides of the Rays differ, and are distinguished from one another.
Every ray of light has two opposite sides, each originally endowed with a property on which the[Pg 361] unusual refraction depends, while the other two opposite sides lack that property. We should investigate whether there are additional properties of light that cause the sides of the rays to differ and be distinguished from each other.
In explaining the difference of the Sides of the Rays above mention'd, I have supposed that the Rays fall perpendicularly on the first Crystal. But if they fall obliquely on it, the Success is the same. Those Rays which are refracted after the usual manner in the first Crystal, will be refracted after the unusual manner in the second Crystal, supposing the Planes of perpendicular Refraction to be at right Angles with one another, as above; and on the contrary.
In explaining the difference in the sides of the rays mentioned earlier, I've assumed that the rays hit the first crystal straight on. However, if they hit it at an angle, the result is the same. Rays that are bent in the usual way in the first crystal will be bent in an unusual way in the second crystal, assuming the planes of perpendicular refraction are at right angles to each other, as mentioned above, and vice versa.
If the Planes of the perpendicular Refraction of the two Crystals be neither parallel nor perpendicular to one another, but contain an acute Angle: The two beams of Light which emerge out of the first Crystal, will be each of them divided into two more at their Incidence on the second Crystal. For in this case the Rays in each of the two beams will some of them have their Sides of unusual Refraction, and some of them their other Sides turn'd towards the Coast of the unusual Refraction of the second Crystal.
If the planes of perpendicular refraction of the two crystals are neither parallel nor perpendicular to each other, but form an acute angle: the two beams of light that come out of the first crystal will each split into two more when they hit the second crystal. In this situation, some rays in each of the two beams will have their sides with unusual refraction, while others will have their opposite sides facing the region of unusual refraction of the second crystal.
Qu. 27. Are not all Hypotheses erroneous which have hitherto been invented for explaining the Phænomena of Light, by new Modifications of the Rays? For those Phænomena depend not upon new Modifications, as has been supposed, but upon the original and unchangeable Properties of the Rays.[Pg 362]
Qu. 27. Aren't all the theories created so far to explain the phenomena of light by altering the rays incorrect? Those phenomena rely not on new modifications, as was thought, but on the original and unchanging properties of the rays.[Pg 362]
Qu. 28. Are not all Hypotheses erroneous, in which Light is supposed to consist in Pression or Motion, propagated through a fluid Medium? For in all these Hypotheses the Phænomena of Light have been hitherto explain'd by supposing that they arise from new Modifications of the Rays; which is an erroneous Supposition.
Qu. 28. Aren't all hypotheses incorrect when they suggest that light is made up of pressure or motion traveling through a fluid medium? In all these hypotheses, the phenomena of light have been explained by assuming that they come from new modifications of the rays, which is a mistaken assumption.
If Light consisted only in Pression propagated without actual Motion, it would not be able to agitate and heat the Bodies which refract and reflect it. If it consisted in Motion propagated to all distances in an instant, it would require an infinite force every moment, in every shining Particle, to generate that Motion. And if it consisted in Pression or Motion, propagated either in an instant or in time, it would bend into the Shadow. For Pression or Motion cannot be propagated in a Fluid in right Lines, beyond an Obstacle which stops part of the Motion, but will bend and spread every way into the quiescent Medium which lies beyond the Obstacle. Gravity tends downwards, but the Pressure of Water arising from Gravity tends every way with equal Force, and is propagated as readily, and with as much force sideways as downwards, and through crooked passages as through strait ones. The Waves on the Surface of stagnating Water, passing by the sides of a broad Obstacle which stops part of them, bend afterwards and dilate themselves gradually into the quiet Water behind the Obstacle. The Waves, Pulses or Vibrations of the Air, wherein Sounds consist, bend manifestly, though not so much as the Waves of Water.[Pg 363] For a Bell or a Cannon may be heard beyond a Hill which intercepts the sight of the sounding Body, and Sounds are propagated as readily through crooked Pipes as through streight ones. But Light is never known to follow crooked Passages nor to bend into the Shadow. For the fix'd Stars by the Interposition of any of the Planets cease to be seen. And so do the Parts of the Sun by the Interposition of the Moon, Mercury or Venus. The Rays which pass very near to the edges of any Body, are bent a little by the action of the Body, as we shew'd above; but this bending is not towards but from the Shadow, and is perform'd only in the passage of the Ray by the Body, and at a very small distance from it. So soon as the Ray is past the Body, it goes right on.
If light were just pressure moving without any actual motion, it wouldn't be able to affect and heat objects that refract and reflect it. If it were motion moving instantaneously over great distances, it would need an infinite amount of force every moment in each shining particle to create that motion. And if it were pressure or motion moving either instantly or over time, it would bend into shadows. Pressure or motion cannot travel in straight lines through a fluid beyond an obstacle that stops part of the motion; instead, it bends and spreads in all directions into the still medium that lies beyond the obstacle. Gravity pulls downward, but the pressure of water from gravity acts in all directions with equal force, and it moves as effectively sideways as it does downward, and through crooked paths just as easily as through straight ones. Waves on the surface of still water, passing by the sides of a wide obstacle that stops part of them, bend and gradually spread into the calm water behind the obstacle. The waves, pulses, or vibrations of air that create sound clearly bend, although not as much as water waves do. A bell or cannon can be heard beyond a hill that blocks the view of the sound source, and sounds travel just as easily through crooked pipes as they do through straight ones. But light never bends through crooked paths or into shadows. When any planet obstructs the fixed stars, they can no longer be seen. The parts of the sun also disappear when blocked by the moon, Mercury, or Venus. Rays that pass very close to the edges of any body are slightly bent by that body’s influence, as we showed above; however, this bending occurs away from the shadow and only happens while the ray is passing by the body and at a very close distance to it. As soon as the ray moves past the body, it goes straight on.
To explain the unusual Refraction of Island Crystal by Pression or Motion propagated, has not hitherto been attempted (to my knowledge) except by Huygens, who for that end supposed two several vibrating Mediums within that Crystal. But when he tried the Refractions in two successive pieces of that Crystal, and found them such as is mention'd above; he confessed himself at a loss for explaining them. For Pressions or Motions, propagated from a shining Body through an uniform Medium, must be on all sides alike; whereas by those Experiments it appears, that the Rays of Light have different Properties in their different Sides. He suspected that the Pulses of Æther in passing through the first Crystal might receive certain new Modifications, which might determine them to be propagated in this or that Medium[Pg 364] within the second Crystal, according to the Position of that Crystal. But what Modifications those might be he could not say, nor think of any thing satisfactory in that Point. And if he had known that the unusual Refraction depends not on new Modifications, but on the original and unchangeable Dispositions of the Rays, he would have found it as difficult to explain how those Dispositions which he supposed to be impress'd on the Rays by the first Crystal, could be in them before their Incidence on that Crystal, and in general, how all Rays emitted by shining Bodies, can have those Dispositions in them from the beginning. To me, at least, this seems inexplicable, if Light be nothing else than Pression or Motion propagated through Æther.
To explain the unusual refraction of Island Crystal caused by pressure or motion, no one has attempted it until now (to my knowledge) except for Huygens, who suggested that there were two different vibrating media within that crystal. However, when he tested the refractions in two successive pieces of that crystal and found them to behave as mentioned above, he admitted he couldn’t figure it out. Pressure or motion coming from a shining body through a uniform medium should be the same in all directions; however, those experiments show that the rays of light have different properties on different sides. He suspected that the pulses of Æther passing through the first crystal might undergo certain new modifications, which could determine how they are propagated in this or that medium[Pg 364] within the second crystal, depending on the position of that crystal. But he couldn’t say what those modifications were or come up with anything satisfying on that matter. If he had known that the unusual refraction doesn’t depend on new modifications but on the original and unchangeable dispositions of the rays, he would have found it just as difficult to explain how those dispositions, which he thought were impressed on the rays by the first crystal, could exist in the rays before they even struck that crystal. In general, he would grapple with how all rays emitted by shining bodies could have those dispositions from the very start. To me, at least, this seems inexplicable if light is nothing more than pressure or motion passing through Æther.
And it is as difficult to explain by these Hypotheses, how Rays can be alternately in Fits of easy Reflexion and easy Transmission; unless perhaps one might suppose that there are in all Space two Æthereal vibrating Mediums, and that the Vibrations of one of them constitute Light, and the Vibrations of the other are swifter, and as often as they overtake the Vibrations of the first, put them into those Fits. But how two Æthers can be diffused through all Space, one of which acts upon the other, and by consequence is re-acted upon, without retarding, shattering, dispersing and confounding one anothers Motions, is inconceivable. And against filling the[Pg 365] Heavens with fluid Mediums, unless they be exceeding rare, a great Objection arises from the regular and very lasting Motions of the Planets and Comets in all manner of Courses through the Heavens. For thence it is manifest, that the Heavens are void of all sensible Resistance, and by consequence of all sensible Matter.
And it's just as hard to explain with these theories how rays can switch between being easily reflected and easily transmitted; unless maybe you assume that there are two ethereal vibrating mediums throughout all of space, and that the vibrations of one create light, while the vibrations of the other are faster and, whenever they catch up to the vibrations of the first, cause those fluctuations. But how two ethers can spread through all of space, with one affecting the other and consequently being affected back, without slowing down, shattering, dispersing, or confusing each other's motions, is unimaginable. Additionally, there's a significant objection to filling the[Pg 365] heavens with fluid mediums, unless they are extremely rare, considering the consistent and long-lasting motions of the planets and comets moving in all sorts of paths through the heavens. This clearly shows that the heavens lack any noticeable resistance, and therefore lack any noticeable matter.
For the resisting Power of fluid Mediums arises partly from the Attrition of the Parts of the Medium, and partly from the Vis inertiæ of the Matter. That part of the Resistance of a spherical Body which arises from the Attrition of the Parts of the Medium is very nearly as the Diameter, or, at the most, as the Factum of the Diameter, and the Velocity of the spherical Body together. And that part of the Resistance which arises from the Vis inertiæ of the Matter, is as the Square of that Factum. And by this difference the two sorts of Resistance may be distinguish'd from one another in any Medium; and these being distinguish'd, it will be found that almost all the Resistance of Bodies of a competent Magnitude moving in Air, Water, Quick-silver, and such like Fluids with a competent Velocity, arises from the Vis inertiæ of the Parts of the Fluid.
The resistance of fluids comes from two main sources: the friction between the particles of the fluid and the inertia of the matter itself. The resistance that a sphere experiences from the friction of the fluid is roughly proportional to its diameter, or at most the square of the diameter, combined with the sphere's speed. Meanwhile, the resistance due to the inertia of the matter is proportional to the square of that diameter. By identifying these two types of resistance in any fluid, it becomes clear that nearly all the resistance experienced by objects of a reasonable size moving through air, water, mercury, and similar fluids, at a suitable speed, comes from the inertia of the fluid's particles.
Now that part of the resisting Power of any Medium which arises from the Tenacity, Friction or Attrition of the Parts of the Medium, may be diminish'd by dividing the Matter into smaller Parts, and making the Parts more smooth and slippery: But that part of the Resistance which arises from the Vis inertiæ, is proportional to the Density of the Matter,[Pg 366] and cannot be diminish'd by dividing the Matter into smaller Parts, nor by any other means than by decreasing the Density of the Medium. And for these Reasons the Density of fluid Mediums is very nearly proportional to their Resistance. Liquors which differ not much in Density, as Water, Spirit of Wine, Spirit of Turpentine, hot Oil, differ not much in Resistance. Water is thirteen or fourteen times lighter than Quick-silver and by consequence thirteen or fourteen times rarer, and its Resistance is less than that of Quick-silver in the same Proportion, or thereabouts, as I have found by Experiments made with Pendulums. The open Air in which we breathe is eight or nine hundred times lighter than Water, and by consequence eight or nine hundred times rarer, and accordingly its Resistance is less than that of Water in the same Proportion, or thereabouts; as I have also found by Experiments made with Pendulums. And in thinner Air the Resistance is still less, and at length, by ratifying the Air, becomes insensible. For small Feathers falling in the open Air meet with great Resistance, but in a tall Glass well emptied of Air, they fall as fast as Lead or Gold, as I have seen tried several times. Whence the Resistance seems still to decrease in proportion to the Density of the Fluid. For I do not find by any Experiments, that Bodies moving in Quick-silver, Water or Air, meet with any other sensible Resistance than what arises from the Density and Tenacity of those sensible Fluids, as they would do if the Pores of those Fluids, and all other Spaces, were filled with a dense[Pg 367] and subtile Fluid. Now if the Resistance in a Vessel well emptied of Air, was but an hundred times less than in the open Air, it would be about a million of times less than in Quick-silver. But it seems to be much less in such a Vessel, and still much less in the Heavens, at the height of three or four hundred Miles from the Earth, or above. For Mr. Boyle has shew'd that Air may be rarified above ten thousand times in Vessels of Glass; and the Heavens are much emptier of Air than any Vacuum we can make below. For since the Air is compress'd by the Weight of the incumbent Atmosphere, and the Density of Air is proportional to the Force compressing it, it follows by Computation, that at the height of about seven and a half English Miles from the Earth, the Air is four times rarer than at the Surface of the Earth; and at the height of 15 Miles it is sixteen times rarer than that at the Surface of the Earth; and at the height of 22-1/2, 30, or 38 Miles, it is respectively 64, 256, or 1024 times rarer, or thereabouts; and at the height of 76, 152, 228 Miles, it is about 1000000, 1000000000000, or 1000000000000000000 times rarer; and so on.
Now, part of the resistance in any medium that comes from the stickiness, friction, or wear of its parts can be reduced by breaking the matter into smaller pieces and making those pieces smoother and slicker. However, the resistance that comes from the Vis inertiæ is proportional to the density of the matter, and it can't be lessened by simply dividing the matter into smaller parts or through any method other than decreasing the density of the medium. For these reasons, the density of fluid mediums is closely related to their resistance. Liquids that don't differ much in density, like water, alcohol, turpentine, and hot oil, also have similar resistance. Water is about thirteen or fourteen times lighter than mercury, so it is correspondingly thirteen or fourteen times less dense, and its resistance is less than that of mercury in the same proportion, as I've found in experiments using pendulums. The open air we breathe is eight or nine hundred times lighter than water, making it eight or nine hundred times less dense, and therefore its resistance is also less than water in the same proportion, or thereabouts, as I've observed in pendulum experiments too. In thinner air, the resistance decreases even more, until it becomes negligible in a near-vacuum. Light feathers falling in open air face significant resistance, but in a tall glass that has had the air removed, they fall as fast as lead or gold, which I've seen tested several times. Thus, the resistance seems to decrease in proportion to the fluid's density. My experiments indicate that objects moving through mercury, water, or air only encounter noticeable resistance due to the density and stickiness of these fluids, much like they would if the pores and all other spaces in those fluids were filled with a dense and subtle fluid. If the resistance in a vessel that has been well emptied of air is only a hundred times less than in open air, then it would be around a million times less than in mercury. However, it appears to be much less in such a vessel and even less in the heavens at altitudes of three or four hundred miles or more above the Earth. Mr. Boyle has shown that air can be rarified more than ten thousand times in glass vessels, and the heavens are much emptier of air than any vacuum we can achieve on the ground. Since the air is compressed by the weight of the surrounding atmosphere, and the air's density is proportional to the force compressing it, calculations show that at about seven and a half English miles above the Earth, the air is four times rarer than at the surface. At fifteen miles in altitude, it becomes sixteen times rarer than at the surface; at heights of 22.5, 30, or 38 miles, it is roughly 64, 256, or 1024 times rarer, respectively; and at heights of 76, 152, or 228 miles, it is about 1,000,000, 1,000,000,000,000, or 1,000,000,000,000,000,000 times rarer, and so on.
Heat promotes Fluidity very much by diminishing the Tenacity of Bodies. It makes many Bodies fluid which are not fluid in cold, and increases the Fluidity of tenacious Liquids, as of Oil, Balsam, and Honey, and thereby decreases their Resistance. But it decreases not the Resistance of Water considerably, as it would do if any considerable part of the Resistance of Water arose from the Attrition or Tenacity of its Parts. And therefore the Resistance of Water arises[Pg 368] principally and almost entirely from the Vis inertiæ of its Matter; and by consequence, if the Heavens were as dense as Water, they would not have much less Resistance than Water; if as dense as Quick-silver, they would not have much less Resistance than Quick-silver; if absolutely dense, or full of Matter without any Vacuum, let the Matter be never so subtil and fluid, they would have a greater Resistance than Quick-silver. A solid Globe in such a Medium would lose above half its Motion in moving three times the length of its Diameter, and a Globe not solid (such as are the Planets,) would be retarded sooner. And therefore to make way for the regular and lasting Motions of the Planets and Comets, it's necessary to empty the Heavens of all Matter, except perhaps some very thin Vapours, Steams, or Effluvia, arising from the Atmospheres of the Earth, Planets, and Comets, and from such an exceedingly rare Æthereal Medium as we described above. A dense Fluid can be of no use for explaining the Phænomena of Nature, the Motions of the Planets and Comets being better explain'd without it. It serves only to disturb and retard the Motions of those great Bodies, and make the Frame of Nature languish: And in the Pores of Bodies, it serves only to stop the vibrating Motions of their Parts, wherein their Heat and Activity consists. And as it is of no use, and hinders the Operations of Nature, and makes her languish, so there is no evidence for its Existence, and therefore it ought to be rejected. And if it be rejected, the Hypotheses that Light consists in Pression[Pg 369] or Motion, propagated through such a Medium, are rejected with it.
Heat greatly increases fluidity by reducing the stickiness of substances. It turns many solid substances into liquids that don’t flow when cold, and enhances the flow of thick liquids like oil, balsam, and honey, thus lowering their resistance. However, it doesn't significantly reduce the resistance of water, as it would if a major part of water's resistance came from the friction or stickiness of its molecules. Therefore, the resistance of water primarily comes from the inertia of its matter; consequently, if the heavens were as dense as water, they wouldn't have much less resistance than water itself; if as dense as mercury, they'd have about the same resistance as mercury; and if completely dense, or filled with matter without any vacuum, no matter how fine and fluid the matter is, they would have even greater resistance than mercury. A solid sphere in such a medium would lose more than half its motion after traveling three times its diameter, while a non-solid sphere (like those of the planets) would slow down even faster. Thus, to allow for the consistent and enduring motions of planets and comets, it's essential to clear the heavens of all matter, except perhaps for some very thin vapors, steams, or emissions from the atmospheres of the earth, planets, and comets, alongside the extremely rarefied ethereal medium described earlier. A dense fluid is of no use for explaining the phenomena of nature, as the motions of planets and comets can be better explained without it. It only serves to disrupt and slow down the movements of these large bodies and makes the structure of nature suffer. In the pores of substances, it only obstructs the vibrating movements of their parts, which is where their heat and activity come from. Since it is unnecessary and hinders the functions of nature, causing her to falter, there is also no evidence for its existence, so it should be dismissed. If it's dismissed, then the hypotheses suggesting that light consists of pressure or motion transmitted through such a medium are also eliminated.
And for rejecting such a Medium, we have the Authority of those the oldest and most celebrated Philosophers of Greece and Phœnicia, who made a Vacuum, and Atoms, and the Gravity of Atoms, the first Principles of their Philosophy; tacitly attributing Gravity to some other Cause than dense Matter. Later Philosophers banish the Consideration of such a Cause out of natural Philosophy, feigning Hypotheses for explaining all things mechanically, and referring other Causes to Metaphysicks: Whereas the main Business of natural Philosophy is to argue from Phænomena without feigning Hypotheses, and to deduce Causes from Effects, till we come to the very first Cause, which certainly is not mechanical; and not only to unfold the Mechanism of the World, but chiefly to resolve these and such like Questions. What is there in places almost empty of Matter, and whence is it that the Sun and Planets gravitate towards one another, without dense Matter between them? Whence is it that Nature doth nothing in vain; and whence arises all that Order and Beauty which we see in the World? To what end are Comets, and whence is it that Planets move all one and the same way in Orbs concentrick, while Comets move all manner of ways in Orbs very excentrick; and what hinders the fix'd Stars from falling upon one another? How came the Bodies of Animals to be contrived with so much Art, and for what ends were their several Parts? Was the Eye contrived without Skill[Pg 370] in Opticks, and the Ear without Knowledge of Sounds? How do the Motions of the Body follow from the Will, and whence is the Instinct in Animals? Is not the Sensory of Animals that place to which the sensitive Substance is present, and into which the sensible Species of Things are carried through the Nerves and Brain, that there they may be perceived by their immediate presence to that Substance? And these things being rightly dispatch'd, does it not appear from Phænomena that there is a Being incorporeal, living, intelligent, omnipresent, who in infinite Space, as it were in his Sensory, sees the things themselves intimately, and throughly perceives them, and comprehends them wholly by their immediate presence to himself: Of which things the Images only carried through the Organs of Sense into our little Sensoriums, are there seen and beheld by that which in us perceives and thinks. And though every true Step made in this Philosophy brings us not immediately to the Knowledge of the first Cause, yet it brings us nearer to it, and on that account is to be highly valued.
And for rejecting such a Medium, we have the authority of some of the oldest and most celebrated philosophers from Greece and Phœnicia, who established a Vacuum, Atoms, and the Gravity of Atoms as the foundational principles of their philosophy; they implicitly attributed Gravity to some other cause beyond dense matter. Later philosophers excluded consideration of such a cause from natural philosophy, creating hypotheses to explain everything mechanically, while pushing other causes into metaphysics. However, the main purpose of natural philosophy is to reason from phenomena without creating hypotheses and to derive causes from effects until we reach the very first cause, which is definitely not mechanical. Our goal is not only to understand the mechanics of the world but primarily to address questions like these: What exists in areas almost devoid of matter, and why do the Sun and planets attract each other without dense matter between them? Why does nature do nothing in vain, and where does all the order and beauty we observe in the world come from? What is the purpose of comets, and why do planets all move the same way in concentric orbits, while comets move in all sorts of ways in very eccentric orbits? What prevents the fixed stars from colliding with each other? How did the bodies of animals come to be so artfully designed, and what are the functions of their various parts? Was the eye created without expertise in optics, and the ear without knowledge of sound? How do the body's movements stem from the will, and what explains instinct in animals? Is the sensory part of animals the space where the sensitive substance is present, into which the sensible species of things are transmitted through the nerves and brain, so that they can be perceived through their direct presence to that substance? And when these matters are rightly addressed, doesn’t it become evident from phenomena that there exists a being that is incorporeal, living, intelligent, and omnipresent, who, in infinitely vast space, perceives things directly and comprehensively by their immediate presence to himself? In us, only the images are carried through the organs of sense into our small sensoriums, where they are seen and recognized by our perceiving and thinking faculties. Although every true advancement made in this philosophy doesn't immediately lead us to the knowledge of the first cause, it does bring us closer to it, which makes it highly valuable.
Qu. 29. Are not the Rays of Light very small Bodies emitted from shining Substances? For such Bodies will pass through uniform Mediums in right Lines without bending into the Shadow, which is the Nature of the Rays of Light. They will also be capable of several Properties, and be able to conserve their Properties unchanged in passing through several Mediums, which is another Condition of the Rays of Light. Pellucid Substances act upon the Rays of[Pg 371] Light at a distance in refracting, reflecting, and inflecting them, and the Rays mutually agitate the Parts of those Substances at a distance for heating them; and this Action and Re-action at a distance very much resembles an attractive Force between Bodies. If Refraction be perform'd by Attraction of the Rays, the Sines of Incidence must be to the Sines of Refraction in a given Proportion, as we shew'd in our Principles of Philosophy: And this Rule is true by Experience. The Rays of Light in going out of Glass into a Vacuum, are bent towards the Glass; and if they fall too obliquely on the Vacuum, they are bent backwards into the Glass, and totally reflected; and this Reflexion cannot be ascribed to the Resistance of an absolute Vacuum, but must be caused by the Power of the Glass attracting the Rays at their going out of it into the Vacuum, and bringing them back. For if the farther Surface of the Glass be moisten'd with Water or clear Oil, or liquid and clear Honey, the Rays which would otherwise be reflected will go into the Water, Oil, or Honey; and therefore are not reflected before they arrive at the farther Surface of the Glass, and begin to go out of it. If they go out of it into the Water, Oil, or Honey, they go on, because the Attraction of the Glass is almost balanced and rendered ineffectual by the contrary Attraction of the Liquor. But if they go out of it into a Vacuum which has no Attraction to balance that of the Glass, the Attraction of the Glass either bends and refracts them, or brings them back and reflects them. And this is still more evident by laying together[Pg 372] two Prisms of Glass, or two Object-glasses of very long Telescopes, the one plane, the other a little convex, and so compressing them that they do not fully touch, nor are too far asunder. For the Light which falls upon the farther Surface of the first Glass where the Interval between the Glasses is not above the ten hundred thousandth Part of an Inch, will go through that Surface, and through the Air or Vacuum between the Glasses, and enter into the second Glass, as was explain'd in the first, fourth, and eighth Observations of the first Part of the second Book. But, if the second Glass be taken away, the Light which goes out of the second Surface of the first Glass into the Air or Vacuum, will not go on forwards, but turns back into the first Glass, and is reflected; and therefore it is drawn back by the Power of the first Glass, there being nothing else to turn it back. Nothing more is requisite for producing all the variety of Colours, and degrees of Refrangibility, than that the Rays of Light be Bodies of different Sizes, the least of which may take violet the weakest and darkest of the Colours, and be more easily diverted by refracting Surfaces from the right Course; and the rest as they are bigger and bigger, may make the stronger and more lucid Colours, blue, green, yellow, and red, and be more and more difficultly diverted. Nothing more is requisite for putting the Rays of Light into Fits of easy Reflexion and easy Transmission, than that they be small Bodies which by their attractive Powers, or some other Force, stir up Vibrations in what they act upon, which Vibrations[Pg 373] being swifter than the Rays, overtake them successively, and agitate them so as by turns to increase and decrease their Velocities, and thereby put them into those Fits. And lastly, the unusual Refraction of Island-Crystal looks very much as if it were perform'd by some kind of attractive virtue lodged in certain Sides both of the Rays, and of the Particles of the Crystal. For were it not for some kind of Disposition or Virtue lodged in some Sides of the Particles of the Crystal, and not in their other Sides, and which inclines and bends the Rays towards the Coast of unusual Refraction, the Rays which fall perpendicularly on the Crystal, would not be refracted towards that Coast rather than towards any other Coast, both at their Incidence and at their Emergence, so as to emerge perpendicularly by a contrary Situation of the Coast of unusual Refraction at the second Surface; the Crystal acting upon the Rays after they have pass'd through it, and are emerging into the Air; or, if you please, into a Vacuum. And since the Crystal by this Disposition or Virtue does not act upon the Rays, unless when one of their Sides of unusual Refraction looks towards that Coast, this argues a Virtue or Disposition in those Sides of the Rays, which answers to, and sympathizes with that Virtue or Disposition of the Crystal, as the Poles of two Magnets answer to one another. And as Magnetism may be intended and remitted, and is found only in the Magnet and in Iron: So this Virtue of refracting the perpendicular Rays is greater in Island-Crystal, less in Crystal of[Pg 374] the Rock, and is not yet found in other Bodies. I do not say that this Virtue is magnetical: It seems to be of another kind. I only say, that whatever it be, it's difficult to conceive how the Rays of Light, unless they be Bodies, can have a permanent Virtue in two of their Sides which is not in their other Sides, and this without any regard to their Position to the Space or Medium through which they pass.
Qu. 29. Aren't the rays of light really tiny particles emitted from shining substances? These particles travel through uniform media in straight lines without bending into shadow, which is how light rays behave. They also possess various properties and maintain those properties unchanged as they pass through different media, which is another characteristic of light rays. Transparent substances affect the rays of light from a distance by refracting, reflecting, and inflecting them, and the rays interact with the particles of those substances at a distance, heating them; this action and reaction at a distance closely resemble an attractive force between bodies. If refraction occurs due to the attraction of the rays, then the sines of incidence must relate to the sines of refraction in a specific proportion, as we demonstrated in our Principles of Philosophy: and this rule is confirmed by experience. When light rays move from glass into a vacuum, they bend towards the glass; and if they strike the vacuum at too oblique an angle, they bend back into the glass and are totally reflected; this reflection can't be attributed to the resistance of an absolute vacuum, but must be caused by the glass's power attracting the rays as they exit into the vacuum, pulling them back. If the outer surface of the glass is moistened with water or clear oil, or liquid clear honey, the rays that would otherwise reflect will enter the water, oil, or honey; hence, they aren't reflected until they reach the outer surface of the glass and start to exit. If they pass into the water, oil, or honey, they continue on because the glass's attraction is nearly balanced and rendered ineffective by the opposing attraction of the liquid. However, if they exit into a vacuum that has no attraction to balance that of the glass, the glass's attraction either bends and refracts them or brings them back and reflects them. This is even more evident when laying two prisms of glass, or two objective lenses of very long telescopes, next to each other, one flat and the other slightly convex, compressing them so they don’t fully touch or are too far apart. The light that strikes the outer surface of the first glass when the gap between the glasses is no more than a ten hundred thousandth of an inch will pass through that surface, through the air or vacuum between the glasses, and enter the second glass, as explained in the first, fourth, and eighth observations of the first part of the second book. But if you remove the second glass, the light that exits the second surface of the first glass into the air or vacuum won’t continue forward but turns back into the first glass and is reflected; thus, it is pulled back by the power of the first glass, as there is nothing else to turn it back. To produce all the different colors and degrees of refraction, it’s only necessary for the rays of light to be bodies of different sizes. The smallest may take on violet, the weakest and darkest color, and are more easily diverted by refracting surfaces from their straight path; as they get larger, they can create stronger and clearer colors like blue, green, yellow, and red, and become increasingly harder to divert. To transition the rays of light into states of easy reflection and easy transmission, all that’s needed is for them to be small bodies that, through their attractive powers or another force, stir up vibrations in whatever they interact with, which vibrations, being quicker than the rays, catch up to them one after the other, stirring them in a way that alternately increases and decreases their speeds, thereby putting them into those states. Lastly, the unusual refraction of Icelandic crystal makes it look as though it might be caused by some form of attractive force located on certain sides of both the rays and the particles of the crystal. For if there weren’t some form of disposition or virtue present on certain sides of the crystal particles, and not on their other sides, which directs and bends the rays toward the area of unusual refraction, then the rays that hit the crystal perpendicularly would not be refracted towards that area instead of any other area, both when they enter and when they emerge, causing them to emerge perpendicularly due to the opposing situation of the area of unusual refraction at the second surface; the crystal acts on the rays after they have passed through it and are emerging into the air; or, if you prefer, into a vacuum. And since the crystal, by this disposition or virtue, doesn’t affect the rays unless one of their sides with unusual refraction faces that area, this suggests a virtue or disposition in those sides of the rays that corresponds to and resonates with the virtue or disposition of the crystal, just like the poles of two magnets respond to each other. And just as magnetism can be manifested and withdrawn, and is found only in magnets and iron: so this virtue of refracting the perpendicular rays is stronger in Icelandic crystal, weaker in rock crystal, and has yet to be found in other bodies. I’m not saying that this virtue is magnetic: it seems to be something different. I only claim that whatever it is, it’s hard to imagine how the rays of light, unless they are bodies, can have a permanent virtue on two of their sides that isn’t on the other sides, and this without any regard to their position relative to the space or medium they are passing through.
What I mean in this Question by a Vacuum, and by the Attractions of the Rays of Light towards Glass or Crystal, may be understood by what was said in the 18th, 19th, and 20th Questions.
What I’m referring to in this question by a Vacuum, and by the way light rays are attracted to glass or crystal, can be understood by what was discussed in Questions 18, 19, and 20.
Quest. 30. Are not gross Bodies and Light convertible into one another, and may not Bodies receive much of their Activity from the Particles of Light which enter their Composition? For all fix'd Bodies being heated emit Light so long as they continue sufficiently hot, and Light mutually stops in Bodies as often as its Rays strike upon their Parts, as we shew'd above. I know no Body less apt to shine than Water; and yet Water by frequent Distillations changes into fix'd Earth, as Mr. Boyle has try'd; and then this Earth being enabled to endure a sufficient Heat, shines by Heat like other Bodies.
Quest. 30. Aren't solid bodies and light interchangeable, and can bodies derive much of their activity from the particles of light that become part of them? All solid bodies emit light when heated, as long as they stay hot enough, and light gets absorbed by bodies whenever its rays hit their surfaces, as we showed earlier. I know of no substance less likely to shine than water; however, water can be transformed into solid earth through repeated distillation, as Mr. Boyle has demonstrated; and once this earth can withstand enough heat, it shines from heat like other bodies.
The changing of Bodies into Light, and Light into Bodies, is very conformable to the Course of Nature, which seems delighted with Transmutations. Water, which is a very fluid tasteless Salt, she changes by Heat into Vapour, which is a sort of Air, and by Cold into Ice, which is a hard, pellucid, brittle, fusible Stone; and this Stone returns into Water by Heat,[Pg 375] and Vapour returns into Water by Cold. Earth by Heat becomes Fire, and by Cold returns into Earth. Dense Bodies by Fermentation rarify into several sorts of Air, and this Air by Fermentation, and sometimes without it, returns into dense Bodies. Mercury appears sometimes in the form of a fluid Metal, sometimes in the form of a hard brittle Metal, sometimes in the form of a corrosive pellucid Salt call'd Sublimate, sometimes in the form of a tasteless, pellucid, volatile white Earth, call'd Mercurius Dulcis; or in that of a red opake volatile Earth, call'd Cinnaber; or in that of a red or white Precipitate, or in that of a fluid Salt; and in Distillation it turns into Vapour, and being agitated in Vacuo, it shines like Fire. And after all these Changes it returns again into its first form of Mercury. Eggs grow from insensible Magnitudes, and change into Animals; Tadpoles into Frogs; and Worms into Flies. All Birds, Beasts and Fishes, Insects, Trees, and other Vegetables, with their several Parts, grow out of Water and watry Tinctures and Salts, and by Putrefaction return again into watry Substances. And Water standing a few Days in the open Air, yields a Tincture, which (like that of Malt) by standing longer yields a Sediment and a Spirit, but before Putrefaction is fit Nourishment for Animals and Vegetables. And among such various and strange Transmutations, why may not Nature change Bodies into Light, and Light into Bodies?
The transformation of bodies into light and light into bodies aligns perfectly with the natural order, which seems to thrive on change. Water, a fluid and tasteless salt, transforms into vapor, a type of air, when heated, and into ice, a solid, clear, brittle, and meltable stone, when cooled. This stone converts back to water with heat, [Pg 375] and vapor returns to water with cold. Earth turns into fire with heat and reverts to earth when cooled. Dense substances can ferment into various types of air, and this air can sometimes, with or without fermentation, revert to dense substances. Mercury can appear as a liquid metal, a hard brittle metal, a corrosive clear salt known as Sublimate, a tasteless, transparent, volatile white substance referred to as Mercurius Dulcis, a red opaque volatile earth called Cinnabar, or as a red or white precipitate, or a liquid salt; during distillation, it turns into vapor and, when stirred in Vacuo, shines like fire. After all these transformations, it returns to its original form of mercury. Eggs develop from tiny sizes into animals; tadpoles turn into frogs; and worms become flies. All birds, beasts, and fish, along with insects, trees, and other plants, grow from water and watery solutions and salts, only to revert to watery substances through decay. Water left standing for a few days in the open air will yield a tincture that, like malt, produces sediment and spirit if left longer, but before decaying, it serves as suitable nourishment for animals and plants. Amidst such varied and fascinating transformations, why shouldn't nature also turn bodies into light and light into bodies?
Quest. 31. Have not the small Particles of Bodies certain Powers, Virtues, or Forces, by which they[Pg 376] act at a distance, not only upon the Rays of Light for reflecting, refracting, and inflecting them, but also upon one another for producing a great Part of the Phænomena of Nature? For it's well known, that Bodies act one upon another by the Attractions of Gravity, Magnetism, and Electricity; and these Instances shew the Tenor and Course of Nature, and make it not improbable but that there may be more attractive Powers than these. For Nature is very consonant and conformable to her self. How these Attractions may be perform'd, I do not here consider. What I call Attraction may be perform'd by impulse, or by some other means unknown to me. I use that Word here to signify only in general any Force by which Bodies tend towards one another, whatsoever be the Cause. For we must learn from the Phænomena of Nature what Bodies attract one another, and what are the Laws and Properties of the Attraction, before we enquire the Cause by which the Attraction is perform'd. The Attractions of Gravity, Magnetism, and Electricity, reach to very sensible distances, and so have been observed by vulgar Eyes, and there may be others which reach to so small distances as hitherto escape Observation; and perhaps electrical Attraction may reach to such small distances, even without being excited by Friction.
Quest. 31. Don’t the tiny particles of matter have certain powers, virtues, or forces that allow them to act at a distance, not only affecting light rays by reflecting, refracting, and bending them, but also influencing each other to create many of nature's phenomena? It's well known that bodies interact through gravity, magnetism, and electricity; these examples show the consistency and flow of nature, suggesting that there may be even more attractive powers than these. Nature is quite harmonious and consistent with itself. I’m not considering how these attractions operate here. What I refer to as attraction may occur through direct force or other unknown means. I use the term here to generally describe any force that causes bodies to move toward one another, regardless of the cause. We need to learn from nature’s phenomena which bodies attract each other, and what the laws and properties of that attraction are, before investigating the cause of the attraction itself. The attractions of gravity, magnetism, and electricity are observable over considerable distances, making them visible to the ordinary eye, and there might be other attractions that operate over such small distances that they have gone unnoticed; perhaps electrical attraction even exists at these tiny distances without needing to be stimulated by friction.
For when Salt of Tartar runs per Deliquium, is not this done by an Attraction between the Particles of the Salt of Tartar, and the Particles of the Water which float in the Air in the form of Vapours? And why does not common Salt, or Salt-petre, or Vitriol,[Pg 377] run per Deliquium, but for want of such an Attraction? Or why does not Salt of Tartar draw more Water out of the Air than in a certain Proportion to its quantity, but for want of an attractive Force after it is satiated with Water? And whence is it but from this attractive Power that Water which alone distils with a gentle luke-warm Heat, will not distil from Salt of Tartar without a great Heat? And is it not from the like attractive Power between the Particles of Oil of Vitriol and the Particles of Water, that Oil of Vitriol draws to it a good quantity of Water out of the Air, and after it is satiated draws no more, and in Distillation lets go the Water very difficultly? And when Water and Oil of Vitriol poured successively into the same Vessel grow very hot in the mixing, does not this Heat argue a great Motion in the Parts of the Liquors? And does not this Motion argue, that the Parts of the two Liquors in mixing coalesce with Violence, and by consequence rush towards one another with an accelerated Motion? And when Aqua fortis, or Spirit of Vitriol poured upon Filings of Iron dissolves the Filings with a great Heat and Ebullition, is not this Heat and Ebullition effected by a violent Motion of the Parts, and does not that Motion argue that the acid Parts of the Liquor rush towards the Parts of the Metal with violence, and run forcibly into its Pores till they get between its outmost Particles, and the main Mass of the Metal, and surrounding those Particles loosen them from the main Mass, and set them at liberty to float off into the Water? And when the acid Particles, which alone[Pg 378] would distil with an easy Heat, will not separate from the Particles of the Metal without a very violent Heat, does not this confirm the Attraction between them?
For when Salt of Tartar liquefies, isn't this caused by an attraction between the particles of the Salt of Tartar and the particles of water that are floating in the air as vapor? And why doesn’t common salt, or saltpeter, or vitriol liquefy, except for lack of such attraction? Or why doesn’t Salt of Tartar absorb more water from the air than a certain amount relative to its quantity, if not for lack of an attractive force once it is saturated with water? And isn't it due to this attractive power that water, which only distills with gentle warm heat, won’t distill from Salt of Tartar without significant heat? And isn't it because of a similar attractive power between the particles of oil of vitriol and the particles of water that oil of vitriol draws a substantial amount of water from the air, but after it is saturated, it draws no more, and during distillation releases the water very slowly? And when water and oil of vitriol are poured into the same vessel and heat up significantly upon mixing, doesn't this heat indicate a great motion in the parts of the liquids? And doesn’t this motion imply that the parts of the two liquids are violently merging and, consequently, rushing toward one another at an accelerated speed? And when aqua fortis, or spirit of vitriol, is poured onto filings of iron and dissolves them with intense heat and bubbling, isn’t this heat and bubbling caused by a strong motion of the parts, and doesn’t that motion suggest that the acidic parts of the liquid rush toward the metal's parts with force, effectively entering its pores until they surround the outer particles of the metal, loosening them from the bulk and allowing them to float away into the water? And when the acidic particles, which alone would distill with moderate heat, won’t separate from the metal’s particles without extreme heat, doesn’t this confirm the attraction between them?
When Spirit of Vitriol poured upon common Salt or Salt-petre makes an Ebullition with the Salt, and unites with it, and in Distillation the Spirit of the common Salt or Salt-petre comes over much easier than it would do before, and the acid part of the Spirit of Vitriol stays behind; does not this argue that the fix'd Alcaly of the Salt attracts the acid Spirit of the Vitriol more strongly than its own Spirit, and not being able to hold them both, lets go its own? And when Oil of Vitriol is drawn off from its weight of Nitre, and from both the Ingredients a compound Spirit of Nitre is distilled, and two parts of this Spirit are poured on one part of Oil of Cloves or Carraway Seeds, or of any ponderous Oil of vegetable or animal Substances, or Oil of Turpentine thicken'd with a little Balsam of Sulphur, and the Liquors grow so very hot in mixing, as presently to send up a burning Flame; does not this very great and sudden Heat argue that the two Liquors mix with violence, and that their Parts in mixing run towards one another with an accelerated Motion, and clash with the greatest Force? And is it not for the same reason that well rectified Spirit of Wine poured on the same compound Spirit flashes; and that the Pulvis fulminans, composed of Sulphur, Nitre, and Salt of Tartar, goes off with a more sudden and violent Explosion than Gun-powder, the acid Spirits of the[Pg 379] Sulphur and Nitre rushing towards one another, and towards the Salt of Tartar, with so great a violence, as by the shock to turn the whole at once into Vapour and Flame? Where the Dissolution is slow, it makes a slow Ebullition and a gentle Heat; and where it is quicker, it makes a greater Ebullition with more heat; and where it is done at once, the Ebullition is contracted into a sudden Blast or violent Explosion, with a heat equal to that of Fire and Flame. So when a Drachm of the above-mention'd compound Spirit of Nitre was poured upon half a Drachm of Oil of Carraway Seeds in vacuo, the Mixture immediately made a flash like Gun-powder, and burst the exhausted Receiver, which was a Glass six Inches wide, and eight Inches deep. And even the gross Body of Sulphur powder'd, and with an equal weight of Iron Filings and a little Water made into Paste, acts upon the Iron, and in five or six hours grows too hot to be touch'd, and emits a Flame. And by these Experiments compared with the great quantity of Sulphur with which the Earth abounds, and the warmth of the interior Parts of the Earth, and hot Springs, and burning Mountains, and with Damps, mineral Coruscations, Earthquakes, hot suffocating Exhalations, Hurricanes, and Spouts; we may learn that sulphureous Steams abound in the Bowels of the Earth and ferment with Minerals, and sometimes take fire with a sudden Coruscation and Explosion; and if pent up in subterraneous Caverns, burst the Caverns with a great shaking of the Earth, as in springing of a Mine. And then the Vapour[Pg 380] generated by the Explosion, expiring through the Pores of the Earth, feels hot and suffocates, and makes Tempests and Hurricanes, and sometimes causes the Land to slide, or the Sea to boil, and carries up the Water thereof in Drops, which by their weight fall down again in Spouts. Also some sulphureous Steams, at all times when the Earth is dry, ascending into the Air, ferment there with nitrous Acids, and sometimes taking fire cause Lightning and Thunder, and fiery Meteors. For the Air abounds with acid Vapours fit to promote Fermentations, as appears by the rusting of Iron and Copper in it, the kindling of Fire by blowing, and the beating of the Heart by means of Respiration. Now the above-mention'd Motions are so great and violent as to shew that in Fermentations the Particles of Bodies which almost rest, are put into new Motions by a very potent Principle, which acts upon them only when they approach one another, and causes them to meet and clash with great violence, and grow hot with the motion, and dash one another into pieces, and vanish into Air, and Vapour, and Flame.
When the Spirit of Vitriol is mixed with common salt or saltpeter, it bubbles up and combines with it, and during distillation, the spirit of the common salt or saltpeter comes over much more readily than before, while the acidic part of the Spirit of Vitriol remains behind. Doesn't this suggest that the fixed alkali of the salt attracts the acidic spirit of the Vitriol more strongly than its own spirit, and unable to retain both, it releases its own? And when oil of Vitriol is separated from its weight of nitre, and a compound spirit of nitre is distilled from both ingredients, if two parts of this spirit are combined with one part of oil of cloves, caraway seeds, or any heavy oil from plants or animals, or oil of turpentine thickened with a bit of balsam of sulfur, the mixtures become very hot upon mixing, causing a flaming eruption. Doesn't this intense and sudden heat indicate that the two liquids mix violently, with their components rushing toward each other quickly and colliding with great force? Isn't that the same reason a well-purified spirit of wine ignites when added to the same compound spirit, and why the pulvis fulminans—composed of sulfur, nitre, and salt of tartar—explodes suddenly and violently, more so than gunpowder, with the acid spirits of sulfur and nitre racing toward one another and the salt of tartar with immense force, creating a shock that transforms everything into vapor and flame at once? When the dissolution is slow, it results in gentle bubbling and mild heat; when it's faster, it leads to greater bubbling and more heat; and when it's instantaneous, the bubbling becomes a sudden blast or violent explosion, with a heat comparable to that of fire and flame. So when a drachm of the aforementioned compound spirit of nitre was poured onto half a drachm of oil of caraway seeds in a vacuum, the mixture flashed like gunpowder and shattered the exhausted receiver, which was a glass cylinder six inches wide and eight inches deep. Even powdered sulfur mixed with an equal weight of iron filings and a bit of water to form a paste can react with the iron, becoming too hot to touch in five or six hours and emitting a flame. These experiments, when compared with the abundant sulfur in the Earth, the warmth in its inner layers, hot springs, burning mountains, along with dampness, mineral sparks, earthquakes, hot suffocating gases, hurricanes, and waterspouts, teach us that sulfurous vapors are plentiful in the Earth's depths and ferment with minerals, sometimes igniting suddenly and exploding; and if trapped in underground caverns, they can cause violent eruptions that shake the ground like a mine's explosion. Following this, the vapor generated by the explosion escapes through the Earth's pores, feeling hot and suffocating, creating storms and hurricanes, and sometimes causing landslides or boiling seas, with drops carried upward by their weight, falling back down in jets. Additionally, sulfurous vapors rising into the air when the ground is dry can ferment with nitrous acids, sometimes igniting and causing lightning, thunder, and fiery meteors. The air is filled with acidic vapors that promote fermentation, evident in the rusting of iron and copper, the ignition of fire by blowing, and our heartbeat through breathing. Now, these significant and violent motions demonstrate that during fermentations, the particles of nearly motionless bodies are set into motion by a powerful principle, which only acts upon them when they come close to one another, causing them to collide forcefully, heat up from the motion, break apart, and vanish into air, vapor, and flame.
When Salt of Tartar per deliquium, being poured into the Solution of any Metal, precipitates the Metal and makes it fall down to the bottom of the Liquor in the form of Mud: Does not this argue that the acid Particles are attracted more strongly by the Salt of Tartar than by the Metal, and by the stronger Attraction go from the Metal to the Salt of Tartar? And so when a Solution of Iron in Aqua fortis dissolves the Lapis Calaminaris, and lets go the Iron, or a Solution[Pg 381] of Copper dissolves Iron immersed in it and lets go the Copper, or a Solution of Silver dissolves Copper and lets go the Silver, or a Solution of Mercury in Aqua fortis being poured upon Iron, Copper, Tin, or Lead, dissolves the Metal and lets go the Mercury; does not this argue that the acid Particles of the Aqua fortis are attracted more strongly by the Lapis Calaminaris than by Iron, and more strongly by Iron than by Copper, and more strongly by Copper than by Silver, and more strongly by Iron, Copper, Tin, and Lead, than by Mercury? And is it not for the same reason that Iron requires more Aqua fortis to dissolve it than Copper, and Copper more than the other Metals; and that of all Metals, Iron is dissolved most easily, and is most apt to rust; and next after Iron, Copper?
When tartaric salt per deliquium is added to a solution of any metal, it causes the metal to precipitate and settle at the bottom of the liquid like mud. Doesn’t this suggest that the acid particles are attracted more strongly to the tartaric salt than to the metal, and that this stronger attraction makes them leave the metal to join the tartaric salt? So, when a solution of iron in aqua fortis dissolves lapis calaminaris and releases the iron, or when a solution of copper dissolves iron that’s submerged in it and releases the copper, or when a solution of silver dissolves copper and releases the silver, or when a solution of mercury in aqua fortis is poured over iron, copper, tin, or lead, dissolving the metal and releasing the mercury; doesn’t this indicate that the acid particles in the aqua fortis are attracted more strongly to lapis calaminaris than to iron, more strongly to iron than to copper, more strongly to copper than to silver, and more strongly to iron, copper, tin, and lead than to mercury? And isn’t it for the same reason that iron needs more aqua fortis to dissolve it than copper requires, and copper needs more than the other metals? Of all metals, iron dissolves the easiest and is most likely to rust, with copper coming next after iron.
When Oil of Vitriol is mix'd with a little Water, or is run per deliquium, and in Distillation the Water ascends difficultly, and brings over with it some part of the Oil of Vitriol in the form of Spirit of Vitriol, and this Spirit being poured upon Iron, Copper, or Salt of Tartar, unites with the Body and lets go the Water; doth not this shew that the acid Spirit is attracted by the Water, and more attracted by the fix'd Body than by the Water, and therefore lets go the Water to close with the fix'd Body? And is it not for the same reason that the Water and acid Spirits which are mix'd together in Vinegar, Aqua fortis, and Spirit of Salt, cohere and rise together in Distillation; but if the Menstruum be poured on Salt of Tartar, or on Lead, or Iron, or any fix'd Body which[Pg 382] it can dissolve, the Acid by a stronger Attraction adheres to the Body, and lets go the Water? And is it not also from a mutual Attraction that the Spirits of Soot and Sea-Salt unite and compose the Particles of Sal-armoniac, which are less volatile than before, because grosser and freer from Water; and that the Particles of Sal-armoniac in Sublimation carry up the Particles of Antimony, which will not sublime alone; and that the Particles of Mercury uniting with the acid Particles of Spirit of Salt compose Mercury sublimate, and with the Particles of Sulphur, compose Cinnaber; and that the Particles of Spirit of Wine and Spirit of Urine well rectified unite, and letting go the Water which dissolved them, compose a consistent Body; and that in subliming Cinnaber from Salt of Tartar, or from quick Lime, the Sulphur by a stronger Attraction of the Salt or Lime lets go the Mercury, and stays with the fix'd Body; and that when Mercury sublimate is sublimed from Antimony, or from Regulus of Antimony, the Spirit of Salt lets go the Mercury, and unites with the antimonial metal which attracts it more strongly, and stays with it till the Heat be great enough to make them both ascend together, and then carries up the Metal with it in the form of a very fusible Salt, called Butter of Antimony, although the Spirit of Salt alone be almost as volatile as Water, and the Antimony alone as fix'd as Lead?
When Oil of Vitriol is mixed with a little water, or is run per deliquium, and in distillation the water rises slowly, bringing some of the Oil of Vitriol with it in the form of Spirit of Vitriol, this Spirit, when poured onto iron, copper, or salt of tartar, combines with the material and releases the water. Doesn’t this show that the acidic Spirit is attracted to the water, but more so to the solid material than to the water, and therefore releases the water to bond with the solid? Is it not the same reason that when water and acidic spirits are mixed in vinegar, Aqua fortis, and Spirit of Salt, they stick together and rise in distillation? However, if the Menstruum is poured over salt of tartar, lead, iron, or any solid body that it can dissolve, the acid adheres more strongly to the solid and releases the water. Isn’t it also due to mutual attraction that the spirits of soot and sea salt combine to form the particles of sal armoniac, which are less volatile because they are denser and less water-filled? And that during sublimation, the particles of sal armoniac carry up the particles of antimony, which cannot sublime on their own? Additionally, that the particles of mercury combine with the acidic particles of Spirit of Salt to form mercury sublimate, and with particles of sulfur to create cinnabar? And that the particles of rectified Spirit of Wine and Spirit of Urine unite, releasing the water that dissolved them, to form a cohesive material? And that in sublimating cinnabar from salt of tartar or from quick lime, the sulfur, due to a stronger attraction to the salt or lime, releases the mercury and remains with the solid? And that when mercury sublimate is derived from antimony or from regulus of antimony, the Spirit of Salt releases the mercury and bonds with the antimonial metal, which attracts it more intensely, staying with it until the heat is sufficient to make them both rise together, carrying the metal up in the form of a very fusible salt, called Butter of Antimony, even though the Spirit of Salt alone is nearly as volatile as water, and the antimony alone is as solid as lead?
When Aqua fortis dissolves Silver and not Gold, and Aqua regia dissolves Gold and not Silver, may it not be said that Aqua fortis is subtil enough to[Pg 383] penetrate Gold as well as Silver, but wants the attractive Force to give it Entrance; and that Aqua regia is subtil enough to penetrate Silver as well as Gold, but wants the attractive Force to give it Entrance? For Aqua regia is nothing else than Aqua fortis mix'd with some Spirit of Salt, or with Sal-armoniac; and even common Salt dissolved in Aqua fortis, enables the Menstruum to dissolve Gold, though the Salt be a gross Body. When therefore Spirit of Salt precipitates Silver out of Aqua fortis, is it not done by attracting and mixing with the Aqua fortis, and not attracting, or perhaps repelling Silver? And when Water precipitates Antimony out of the Sublimate of Antimony and Sal-armoniac, or out of Butter of Antimony, is it not done by its dissolving, mixing with, and weakening the Sal-armoniac or Spirit of Salt, and its not attracting, or perhaps repelling the Antimony? And is it not for want of an attractive virtue between the Parts of Water and Oil, of Quick-silver and Antimony, of Lead and Iron, that these Substances do not mix; and by a weak Attraction, that Quick-silver and Copper mix difficultly; and from a strong one, that Quick-silver and Tin, Antimony and Iron, Water and Salts, mix readily? And in general, is it not from the same Principle that Heat congregates homogeneal Bodies, and separates heterogeneal ones?
When Aqua fortis dissolves silver but not gold, and Aqua regia dissolves gold but not silver, can we not say that Aqua fortis is subtle enough to[Pg 383] penetrate gold as well as silver, but lacks the attractive force to gain entry? And that Aqua regia is subtle enough to penetrate silver as well as gold, but also lacks the attractive force to gain entry? Aqua regia is simply Aqua fortis mixed with some spirit of salt or sal ammoniac; even common salt dissolved in Aqua fortis allows the solution to dissolve gold, despite the salt being a coarse substance. So, when spirit of salt precipitates silver from Aqua fortis, isn't it because it attracts and mixes with Aqua fortis, rather than attracting or perhaps repelling the silver? And when water precipitates antimony from the sublimate of antimony and sal ammoniac, or from butter of antimony, isn't it because water dissolves, mixes with, and weakens the sal ammoniac or spirit of salt, rather than attracting or perhaps repelling the antimony? And is it not due to the lack of an attractive force between water and oil, mercury and antimony, lead and iron, that these substances do not mix? And is it by weak attraction that mercury and copper mix with difficulty, and by strong attraction that mercury and tin, antimony and iron, water and salts mix easily? In general, isn't it the same principle that causes heat to bring together similar substances and separate dissimilar ones?
When Arsenick with Soap gives a Regulus, and with Mercury sublimate a volatile fusible Salt, like Butter of Antimony, doth not this shew that Arsenick, which is a Substance totally volatile, is compounded[Pg 384] of fix'd and volatile Parts, strongly cohering by a mutual Attraction, so that the volatile will not ascend without carrying up the fixed? And so, when an equal weight of Spirit of Wine and Oil of Vitriol are digested together, and in Distillation yield two fragrant and volatile Spirits which will not mix with one another, and a fix'd black Earth remains behind; doth not this shew that Oil of Vitriol is composed of volatile and fix'd Parts strongly united by Attraction, so as to ascend together in form of a volatile, acid, fluid Salt, until the Spirit of Wine attracts and separates the volatile Parts from the fixed? And therefore, since Oil of Sulphur per Campanam is of the same Nature with Oil of Vitriol, may it not be inferred, that Sulphur is also a mixture of volatile and fix'd Parts so strongly cohering by Attraction, as to ascend together in Sublimation. By dissolving Flowers of Sulphur in Oil of Turpentine, and distilling the Solution, it is found that Sulphur is composed of an inflamable thick Oil or fat Bitumen, an acid Salt, a very fix'd Earth, and a little Metal. The three first were found not much unequal to one another, the fourth in so small a quantity as scarce to be worth considering. The acid Salt dissolved in Water, is the same with Oil of Sulphur per Campanam, and abounding much in the Bowels of the Earth, and particularly in Markasites, unites it self to the other Ingredients of the Markasite, which are, Bitumen, Iron, Copper, and Earth, and with them compounds Allum, Vitriol, and Sulphur. With the Earth alone it compounds Allum; with the Metal alone, or Metal[Pg 385] and Earth together, it compounds Vitriol; and with the Bitumen and Earth it compounds Sulphur. Whence it comes to pass that Markasites abound with those three Minerals. And is it not from the mutual Attraction of the Ingredients that they stick together for compounding these Minerals, and that the Bitumen carries up the other Ingredients of the Sulphur, which without it would not sublime? And the same Question may be put concerning all, or almost all the gross Bodies in Nature. For all the Parts of Animals and Vegetables are composed of Substances volatile and fix'd, fluid and solid, as appears by their Analysis; and so are Salts and Minerals, so far as Chymists have been hitherto able to examine their Composition.
When arsenic combined with soap produces a regulus, and mercury sublimated creates a volatile, fusible salt, similar to antimony butter, doesn’t this show that arsenic, which is a completely volatile substance, is made up of both fixed and volatile parts that strongly bond through mutual attraction, meaning the volatile won’t rise without taking the fixed along? Similarly, when equal amounts of alcohol and sulfuric acid are mixed together and distilled, yielding two fragrant and volatile spirits that won’t mix, with a solid black substance left behind, doesn’t this indicate that sulfuric acid consists of volatile and fixed components strongly united by attraction, so they rise together as a volatile, acidic, fluid salt until the alcohol attracts and separates the volatile parts from the fixed? Therefore, since oil of sulfur per Campanam shares the same nature as sulfuric acid, can we not conclude that sulfur is also a mixture of volatile and fixed parts that are tightly bound by attraction, allowing them to rise together in sublimation? When dissolving sulfur flowers in turpentine oil and then distilling the solution, it’s found that sulfur consists of an inflammable thick oil or fat bitumen, an acidic salt, a very fixed earth, and a small amount of metal. The first three components were found to be nearly equal, while the fourth was in such a small quantity that it’s hardly worth noting. The acidic salt dissolved in water is the same as oil of sulfur per Campanam, which is abundant in the Earth’s crust, particularly in marcasites, combining with other ingredients found in marcasite, such as bitumen, iron, copper, and earth to form alum, vitriol, and sulfur. When combined only with earth, it creates alum; with metal alone, or metal and earth together, it generates vitriol; and with bitumen and earth, it produces sulfur. This explains why marcasites are rich in these three minerals. Isn’t it the case that the mutual attraction of these components causes them to stick together to form these minerals, and that the bitumen helps lift the other sulfur components that would not sublime without it? The same question could be posed about all, or nearly all, the substantial bodies in nature. Because all the parts of animals and plants consist of volatile and fixed, fluid and solid substances, as demonstrated by their analysis; and so do salts and minerals, based on what chemists have been able to investigate regarding their composition.
When Mercury sublimate is re-sublimed with fresh Mercury, and becomes Mercurius Dulcis, which is a white tasteless Earth scarce dissolvable in Water, and Mercurius Dulcis re-sublimed with Spirit of Salt returns into Mercury sublimate; and when Metals corroded with a little acid turn into rust, which is an Earth tasteless and indissolvable in Water, and this Earth imbibed with more acid becomes a metallick Salt; and when some Stones, as Spar of Lead, dissolved in proper Menstruums become Salts; do not these things shew that Salts are dry Earth and watry Acid united by Attraction, and that the Earth will not become a Salt without so much acid as makes it dissolvable in Water? Do not the sharp and pungent Tastes of Acids arise from the strong Attraction whereby the acid Particles rush upon and agitate the[Pg 386] Particles of the Tongue? And when Metals are dissolved in acid Menstruums, and the Acids in conjunction with the Metal act after a different manner, so that the Compound has a different Taste much milder than before, and sometimes a sweet one; is it not because the Acids adhere to the metallick Particles, and thereby lose much of their Activity? And if the Acid be in too small a Proportion to make the Compound dissolvable in Water, will it not by adhering strongly to the Metal become unactive and lose its Taste, and the Compound be a tasteless Earth? For such things as are not dissolvable by the Moisture of the Tongue, act not upon the Taste.
When mercury sublimation is re-sublimed with fresh mercury, it turns into Mercurius Dulcis, which is a white, tasteless substance that hardly dissolves in water. When Mercurius Dulcis is re-sublimed with salt spirit, it turns back into mercury sublimation. When metals are corroded with a little acid, they turn into rust, which is a tasteless substance that doesn’t dissolve in water. This rust, when mixed with more acid, becomes a metallic salt. Some stones, like lead spar, when dissolved in the right Menstruums, also turn into salts. Don’t these examples show that salts are dry earth and watery acid combined through attraction, and that the earth cannot become a salt without enough acid to make it dissolvable in water? Don’t the sharp and pungent tastes of acids come from the strong attraction that causes the acid particles to rush toward and stimulate the [Pg 386] particles on the tongue? And when metals dissolve in acidic Menstruums, the acids interact differently with the metal, resulting in a compound that has a much milder taste—sometimes even a sweet one. Isn’t this because the acids cling to the metallic particles, reducing their activity? And if the acid is present in too small a proportion to make the compound dissolvable in water, doesn't it cling tightly to the metal, becoming inactive and losing its taste, resulting in a tasteless earth? Because substances that aren't dissolvable by the moisture of the tongue do not affect taste.
As Gravity makes the Sea flow round the denser and weightier Parts of the Globe of the Earth, so the Attraction may make the watry Acid flow round the denser and compacter Particles of Earth for composing the Particles of Salt. For otherwise the Acid would not do the Office of a Medium between the Earth and common Water, for making Salts dissolvable in the Water; nor would Salt of Tartar readily draw off the Acid from dissolved Metals, nor Metals the Acid from Mercury. Now, as in the great Globe of the Earth and Sea, the densest Bodies by their Gravity sink down in Water, and always endeavour to go towards the Center of the Globe; so in Particles of Salt, the densest Matter may always endeavour to approach the Center of the Particle: So that a Particle of Salt may be compared to a Chaos; being dense, hard, dry, and earthy in the Center; and rare, soft, moist, and watry in the Circumference.[Pg 387] And hence it seems to be that Salts are of a lasting Nature, being scarce destroy'd, unless by drawing away their watry Parts by violence, or by letting them soak into the Pores of the central Earth by a gentle Heat in Putrefaction, until the Earth be dissolved by the Water, and separated into smaller Particles, which by reason of their Smallness make the rotten Compound appear of a black Colour. Hence also it may be, that the Parts of Animals and Vegetables preserve their several Forms, and assimilate their Nourishment; the soft and moist Nourishment easily changing its Texture by a gentle Heat and Motion, till it becomes like the dense, hard, dry, and durable Earth in the Center of each Particle. But when the Nourishment grows unfit to be assimilated, or the central Earth grows too feeble to assimilate it, the Motion ends in Confusion, Putrefaction, and Death.
As gravity makes the sea flow around the denser and heavier parts of the Earth, attraction can cause watery acid to flow around the denser and more compact particles of Earth to form the particles of salt. Otherwise, the acid wouldn't act as a medium between the Earth and regular water to make salts dissolve in water; nor would salt of tartar easily draw the acid away from dissolved metals, nor would metals pull the acid from mercury. Just like the densest bodies in the Earth and sea sink in water due to gravity and always try to go toward the center of the globe, the densest matter in salt particles also strives to move toward the center of the particle. A salt particle can be compared to chaos; it is dense, hard, dry, and earthy in the center, while it is rare, soft, moist, and watery at the edges.[Pg 387] This suggests that salts have a lasting nature, rarely getting destroyed unless their watery parts are violently removed, or if they are allowed to soak into the pores of the central Earth through gentle heat in decay, until the Earth dissolves in water and breaks down into smaller particles, which, due to their small size, make the decayed compound appear black. It may also explain why the parts of animals and plants maintain their distinct forms and assimilate their nourishment; the soft and moist nourishment easily changes its texture through gentle heat and movement until it resembles the dense, hard, dry, and durable Earth in the center of each particle. However, when the nourishment becomes unsuitable for assimilation, or the central Earth becomes too weak to assimilate it, the process results in confusion, decay, and death.
If a very small quantity of any Salt or Vitriol be dissolved in a great quantity of Water, the Particles of the Salt or Vitriol will not sink to the bottom, though they be heavier in Specie than the Water, but will evenly diffuse themselves into all the Water, so as to make it as saline at the top as at the bottom. And does not this imply that the Parts of the Salt or Vitriol recede from one another, and endeavour to expand themselves, and get as far asunder as the quantity of Water in which they float, will allow? And does not this Endeavour imply that they have a repulsive Force by which they fly from one another, or at least, that they attract the Water more strongly[Pg 388] than they do one another? For as all things ascend in Water which are less attracted than Water, by the gravitating Power of the Earth; so all the Particles of Salt which float in Water, and are less attracted than Water by any one Particle of Salt, must recede from that Particle, and give way to the more attracted Water.
If a tiny amount of any salt or vitriol is dissolved in a large amount of water, the particles of the salt or vitriol won’t settle at the bottom, even though they’re heavier than water; instead, they will evenly mix throughout the water, making it just as salty at the top as at the bottom. Doesn’t this suggest that the particles of the salt or vitriol move away from each other, trying to spread out as much as the amount of water allows? Doesn’t this effort indicate that they have a repulsive force pushing them away from each other, or at least that they attract the water more strongly[Pg 388] than they do each other? Just as all things that experience less attraction than water rise in water due to the Earth’s gravity, so all the salt particles floating in water, which are attracted to water more than they are to any individual particle of salt, must move away from that particle and yield to the more strongly attracted water.
When any saline Liquor is evaporated to a Cuticle and let cool, the Salt concretes in regular Figures; which argues, that the Particles of the Salt before they concreted, floated in the Liquor at equal distances in rank and file, and by consequence that they acted upon one another by some Power which at equal distances is equal, at unequal distances unequal. For by such a Power they will range themselves uniformly, and without it they will float irregularly, and come together as irregularly. And since the Particles of Island-Crystal act all the same way upon the Rays of Light for causing the unusual Refraction, may it not be supposed that in the Formation of this Crystal, the Particles not only ranged themselves in rank and file for concreting in regular Figures, but also by some kind of polar Virtue turned their homogeneal Sides the same way.
When any salty liquid is evaporated to a thin film and then allowed to cool, the salt forms into regular shapes. This suggests that the salt particles, before they solidified, were evenly spaced out in the liquid, acting on each other in a way that was equal at equal distances and different at unequal distances. Because of this force, they align themselves uniformly; without it, they would float randomly and come together in a chaotic way. Since the particles in Island-Crystal behave similarly toward light, causing unusual refraction, could it be that during the formation of this crystal, the particles not only lined up in regular shapes but also, due to some kind of polar force, oriented their uniform sides in the same direction?
The Parts of all homogeneal hard Bodies which fully touch one another, stick together very strongly. And for explaining how this may be, some have invented hooked Atoms, which is begging the Question; and others tell us that Bodies are glued together by rest, that is, by an occult Quality, or rather by nothing; and others, that they stick together by conspiring[Pg 389] Motions, that is, by relative rest amongst themselves. I had rather infer from their Cohesion, that their Particles attract one another by some Force, which in immediate Contact is exceeding strong, at small distances performs the chymical Operations above-mention'd, and reaches not far from the Particles with any sensible Effect.
The parts of all solid, uniform bodies that are in complete contact stick together very tightly. To explain why this happens, some people have suggested the idea of hooked atoms, which just avoids the real question. Others claim that bodies are held together by rest, meaning some hidden quality, or really just nothing at all; and others say they stick together through coordinated movements, or by relative rest with each other. I would rather conclude from their cohesion that their particles attract each other with a force that is extremely strong when they are in direct contact, performs the previously mentioned chemical operations at short distances, and has only a minimal effect beyond that range.
All Bodies seem to be composed of hard Particles: For otherwise Fluids would not congeal; as Water, Oils, Vinegar, and Spirit or Oil of Vitriol do by freezing; Mercury by Fumes of Lead; Spirit of Nitre and Mercury, by dissolving the Mercury and evaporating the Flegm; Spirit of Wine and Spirit of Urine, by deflegming and mixing them; and Spirit of Urine and Spirit of Salt, by subliming them together to make Sal-armoniac. Even the Rays of Light seem to be hard Bodies; for otherwise they would not retain different Properties in their different Sides. And therefore Hardness may be reckon'd the Property of all uncompounded Matter. At least, this seems to be as evident as the universal Impenetrability of Matter. For all Bodies, so far as Experience reaches, are either hard, or may be harden'd; and we have no other Evidence of universal Impenetrability, besides a large Experience without an experimental Exception. Now if compound Bodies are so very hard as we find some of them to be, and yet are very porous, and consist of Parts which are only laid together; the simple Particles which are void of Pores, and were never yet divided, must be much harder. For such hard Particles being heaped up together, can scarce[Pg 390] touch one another in more than a few Points, and therefore must be separable by much less Force than is requisite to break a solid Particle, whose Parts touch in all the Space between them, without any Pores or Interstices to weaken their Cohesion. And how such very hard Particles which are only laid together and touch only in a few Points, can stick together, and that so firmly as they do, without the assistance of something which causes them to be attracted or press'd towards one another, is very difficult to conceive.
All bodies seem to be made up of solid particles; otherwise, liquids wouldn’t freeze, like water, oils, vinegar, and sulfuric acid. Mercury can be affected by lead fumes, and the combination of nitric acid and mercury occurs when the mercury dissolves and the vapor condenses. The spirits of wine and urine mix after being distilled, and the spirit of urine combined with salt results in the sublimation that creates ammonium chloride. Even light rays appear to consist of solid bodies; otherwise, they wouldn’t maintain different properties on different sides. Therefore, hardness can be considered a characteristic of all uncombined matter. This point seems as clear as the universal impenetrability of matter. So far as experience shows, all bodies are either hard or can become hard; there’s no evidence for universal impenetrability apart from extensive experience without any experimental exceptions. If combined bodies are as hard as some are, yet very porous and just consist of parts loosely put together, the simple particles that have no pores and have never been divided must be much harder. When such hard particles are piled up, they can hardly touch each other except at a few points, meaning they must be separable with far less force than what’s necessary to break a solid particle, whose parts connect throughout their entire volume without any pores or gaps to weaken their cohesion. It’s quite challenging to understand how these very hard particles, which are only placed next to each other and only touch at a few points, can adhere so tightly without some force that pulls or presses them together.
The same thing I infer also from the cohering of two polish'd Marbles in vacuo, and from the standing of Quick-silver in the Barometer at the height of 50, 60 or 70 Inches, or above, when ever it is well-purged of Air and carefully poured in, so that its Parts be every where contiguous both to one another and to the Glass. The Atmosphere by its weight presses the Quick-silver into the Glass, to the height of 29 or 30 Inches. And some other Agent raises it higher, not by pressing it into the Glass, but by making its Parts stick to the Glass, and to one another. For upon any discontinuation of Parts, made either by Bubbles or by shaking the Glass, the whole Mercury falls down to the height of 29 or 30 Inches.
I also deduce the same thing from two polished marbles sticking together in a vacuum and from the mercury level in a barometer sitting at heights of 50, 60, or 70 inches, or even higher, when it's properly purged of air and carefully poured in, ensuring that its parts are completely touching one another and the glass. The atmosphere presses down on the mercury, pushing it up the glass to around 29 or 30 inches. Another force lifts it higher, not by pushing it into the glass, but by causing its particles to adhere to the glass and to each other. If there's any disruption of the particles, whether from bubbles or shaking the glass, all the mercury drops back down to 29 or 30 inches.
And of the same kind with these Experiments are those that follow. If two plane polish'd Plates of Glass (suppose two pieces of a polish'd Looking-glass) be laid together, so that their sides be parallel and at a very small distance from one another, and then their lower edges be dipped into Water, the[Pg 391] Water will rise up between them. And the less the distance of the Glasses is, the greater will be the height to which the Water will rise. If the distance be about the hundredth part of an Inch, the Water will rise to the height of about an Inch; and if the distance be greater or less in any Proportion, the height will be reciprocally proportional to the distance very nearly. For the attractive Force of the Glasses is the same, whether the distance between them be greater or less; and the weight of the Water drawn up is the same, if the height of it be reciprocally proportional to the distance of the Glasses. And in like manner, Water ascends between two Marbles polish'd plane, when their polish'd sides are parallel, and at a very little distance from one another, And if slender Pipes of Glass be dipped at one end into stagnating Water, the Water will rise up within the Pipe, and the height to which it rises will be reciprocally proportional to the Diameter of the Cavity of the Pipe, and will equal the height to which it rises between two Planes of Glass, if the Semi-diameter of the Cavity of the Pipe be equal to the distance between the Planes, or thereabouts. And these Experiments succeed after the same manner in vacuo as in the open Air, (as hath been tried before the Royal Society,) and therefore are not influenced by the Weight or Pressure of the Atmosphere.
Similar to these experiments are the following ones. If you place two smooth, polished glass plates (like two pieces of a polished mirror) together, keeping their sides parallel and very close to each other, and then dip their lower edges into water, the[Pg 391] water will rise between them. The smaller the gap between the glass plates, the higher the water will rise. If the distance is about one-hundredth of an inch, the water can rise to about an inch. If the distance changes, the height will inversely relate to the distance quite closely. The attractive force of the glass remains the same, regardless of whether the gap is larger or smaller, and the weight of the water that gets drawn up is consistent as long as its height is inversely proportional to the distance between the glass plates. Similarly, water also rises between two polished marbles when their smooth sides are parallel and slightly apart. If you dip the end of thin glass tubes into still water, the water will rise inside the tube, and the height it rises to will be inversely proportional to the diameter of the tube. It will equal the height the water rises between two glass plates if the radius of the tube’s cavity is about the same as the distance between the plates. These experiments work the same way in vacuo as they do in open air (as has been tested before the Royal Society), showing they are not affected by the weight or pressure of the atmosphere.
And if a large Pipe of Glass be filled with sifted Ashes well pressed together in the Glass, and one end of the Pipe be dipped into stagnating Water, the Water will rise up slowly in the Ashes, so as in[Pg 392] the space of a Week or Fortnight to reach up within the Glass, to the height of 30 or 40 Inches above the stagnating Water. And the Water rises up to this height by the Action only of those Particles of the Ashes which are upon the Surface of the elevated Water; the Particles which are within the Water, attracting or repelling it as much downwards as upwards. And therefore the Action of the Particles is very strong. But the Particles of the Ashes being not so dense and close together as those of Glass, their Action is not so strong as that of Glass, which keeps Quick-silver suspended to the height of 60 or 70 Inches, and therefore acts with a Force which would keep Water suspended to the height of above 60 Feet.
And if a large glass tube is filled with sifted ashes that are tightly packed together, and one end of the tube is dipped into still water, the water will slowly rise into the ashes so that in [Pg 392] about a week or two, it will reach a height of 30 or 40 inches above the still water. The water rises to this height solely because of the action of the particles of the ashes that are on the surface of the elevated water; the particles within the water attract or repel it equally in both directions. Therefore, the influence of the particles is quite strong. However, since the particles of the ashes are not as dense and closely packed as those of glass, their influence is not as strong as that of glass, which can hold mercury suspended at a height of 60 or 70 inches, and consequently exerts a force that would keep water suspended at heights over 60 feet.
By the same Principle, a Sponge sucks in Water, and the Glands in the Bodies of Animals, according to their several Natures and Dispositions, suck in various Juices from the Blood.
By the same principle, a sponge absorbs water, and the glands in the bodies of animals, depending on their different natures and characteristics, absorb various juices from the blood.
If two plane polish'd Plates of Glass three or four Inches broad, and twenty or twenty five long, be laid one of them parallel to the Horizon, the other upon the first, so as at one of their ends to touch one another, and contain an Angle of about 10 or 15 Minutes, and the same be first moisten'd on their inward sides with a clean Cloth dipp'd into Oil of Oranges or Spirit of Turpentine, and a Drop or two of the Oil or Spirit be let fall upon the lower Glass at the other; so soon as the upper Glass is laid down upon the lower, so as to touch it at one end as above, and to touch the Drop at the other end, making with the lower Glass an Angle of about 10 or 15[Pg 393] Minutes; the Drop will begin to move towards the Concourse of the Glasses, and will continue to move with an accelerated Motion, till it arrives at that Concourse of the Glasses. For the two Glasses attract the Drop, and make it run that way towards which the Attractions incline. And if when the Drop is in motion you lift up that end of the Glasses where they meet, and towards which the Drop moves, the Drop will ascend between the Glasses, and therefore is attracted. And as you lift up the Glasses more and more, the Drop will ascend slower and slower, and at length rest, being then carried downward by its Weight, as much as upwards by the Attraction. And by this means you may know the Force by which the Drop is attracted at all distances from the Concourse of the Glasses.
If you take two smooth plates of glass that are three or four inches wide and twenty or twenty-five inches long, and place one of them parallel to the horizon while laying the other on top so that they touch at one end and form an angle of about 10 or 15 minutes, then moisten the inner sides with a clean cloth dipped in orange oil or turpentine. Let a drop or two of the oil or spirit fall on the lower glass at the other end. As soon as you place the upper glass on the lower glass so that it touches at one end and the drop at the other end, making an angle of about 10 or 15[Pg 393] minutes, the drop will start to move toward the point where the glasses meet, and it will continue to accelerate until it reaches that point. The two glasses attract the drop, causing it to move in the direction of their pull. If you lift the end of the glasses where they touch, toward which the drop is moving, the drop will rise between the glasses, indicating that it is being attracted. As you continue to lift the glasses higher, the drop will rise more slowly until it eventually comes to a stop, being pulled down by its weight just as much as it's being pulled up by the attraction. This way, you can determine the force that is attracting the drop at various distances from the point where the glasses meet.
Now by some Experiments of this kind, (made by Mr. Hauksbee) it has been found that the Attraction is almost reciprocally in a duplicate Proportion of the distance of the middle of the Drop from the Concourse of the Glasses, viz. reciprocally in a simple Proportion, by reason of the spreading of the Drop, and its touching each Glass in a larger Surface; and again reciprocally in a simple Proportion, by reason of the Attractions growing stronger within the same quantity of attracting Surface. The Attraction therefore within the same quantity of attracting Surface, is reciprocally as the distance between the Glasses. And therefore where the distance is exceeding small, the Attraction must be exceeding great. By the Table in the second Part of the second Book, wherein the[Pg 394] thicknesses of colour'd Plates of Water between two Glasses are set down, the thickness of the Plate where it appears very black, is three eighths of the ten hundred thousandth part of an Inch. And where the Oil of Oranges between the Glasses is of this thickness, the Attraction collected by the foregoing Rule, seems to be so strong, as within a Circle of an Inch in diameter, to suffice to hold up a Weight equal to that of a Cylinder of Water of an Inch in diameter, and two or three Furlongs in length. And where it is of a less thickness the Attraction may be proportionally greater, and continue to increase, until the thickness do not exceed that of a single Particle of the Oil. There are therefore Agents in Nature able to make the Particles of Bodies stick together by very strong Attractions. And it is the Business of experimental Philosophy to find them out.
Through some experiments of this kind, conducted by Mr. Hauksbee, it has been discovered that the attraction is almost inversely proportional to double the distance from the center of the drop to the point where the glasses meet, i.e. inversely proportional in a straightforward way due to the spreading of the drop and its contact with a larger surface area of each glass; and again inversely proportional in a straightforward way because the attractions become stronger within the same amount of attracting surface. Therefore, the attraction within the same amount of attracting surface is inversely related to the distance between the glasses. Consequently, where the distance is extremely small, the attraction must be extremely strong. According to the table in the second part of the second book, where the[Pg 394] thicknesses of colored plates of water between two glasses are noted, the thickness of the plate that appears very black is three-eighths of a ten-millionth of an inch. When the oil of oranges between the glasses is this thick, the attraction calculated by the aforementioned rule appears to be so strong that it could support a weight equal to that of a cylinder of water with a diameter of one inch and a length of two or three furlongs within a circle of one inch in diameter. When it is thinner, the attraction may be proportionally greater and continue to increase until the thickness does not exceed that of a single particle of the oil. Therefore, there are forces in nature capable of causing the particles of bodies to stick together with very strong attractions. It is the role of experimental philosophy to uncover these forces.
Now the smallest Particles of Matter may cohere by the strongest Attractions, and compose bigger Particles of weaker Virtue; and many of these may cohere and compose bigger Particles whose Virtue is still weaker, and so on for divers Successions, until the Progression end in the biggest Particles on which the Operations in Chymistry, and the Colours of natural Bodies depend, and which by cohering compose Bodies of a sensible Magnitude. If the Body is compact, and bends or yields inward to Pression without any sliding of its Parts, it is hard and elastick, returning to its Figure with a Force rising from the mutual Attraction of its Parts. If the Parts slide upon one another, the Body is malleable or soft. If they[Pg 395] slip easily, and are of a fit Size to be agitated by Heat, and the Heat is big enough to keep them in Agitation, the Body is fluid; and if it be apt to stick to things, it is humid; and the Drops of every fluid affect a round Figure by the mutual Attraction of their Parts, as the Globe of the Earth and Sea affects a round Figure by the mutual Attraction of its Parts by Gravity.
Now the smallest particles of matter can stick together due to strong attractions and combine to form larger particles with weaker properties. Many of these can group together to form even bigger particles, whose properties are still weaker, and this process continues through various stages until it leads to the largest particles that chemical reactions and the colors of natural substances rely on. These larger particles combine to create bodies of a noticeable size. If a body is dense and compresses inward under pressure without its parts sliding, it is hard and elastic, returning to its original shape through the force created by the attraction between its parts. If the parts can slide past each other, the body is malleable or soft. If they slip easily and are the right size to be stirred by heat, and the heat is sufficient to keep them moving, the body is fluid; if it tends to stick to things, it is humid. Drops of every fluid take on a round shape due to the mutual attraction between their parts, just as the globe of the Earth and sea forms a round shape due to the gravitational attraction between its parts.
Since Metals dissolved in Acids attract but a small quantity of the Acid, their attractive Force can reach but to a small distance from them. And as in Algebra, where affirmative Quantities vanish and cease, there negative ones begin; so in Mechanicks, where Attraction ceases, there a repulsive Virtue ought to succeed. And that there is such a Virtue, seems to follow from the Reflexions and Inflexions of the Rays of Light. For the Rays are repelled by Bodies in both these Cases, without the immediate Contact of the reflecting or inflecting Body. It seems also to follow from the Emission of Light; the Ray so soon as it is shaken off from a shining Body by the vibrating Motion of the Parts of the Body, and gets beyond the reach of Attraction, being driven away with exceeding great Velocity. For that Force which is sufficient to turn it back in Reflexion, may be sufficient to emit it. It seems also to follow from the Production of Air and Vapour. The Particles when they are shaken off from Bodies by Heat or Fermentation, so soon as they are beyond the reach of the Attraction of the Body, receding from it, and also from one another with great Strength, and keeping at a distance,[Pg 396] so as sometimes to take up above a Million of Times more space than they did before in the form of a dense Body. Which vast Contraction and Expansion seems unintelligible, by feigning the Particles of Air to be springy and ramous, or rolled up like Hoops, or by any other means than a repulsive Power. The Particles of Fluids which do not cohere too strongly, and are of such a Smallness as renders them most susceptible of those Agitations which keep Liquors in a Fluor, are most easily separated and rarified into Vapour, and in the Language of the Chymists, they are volatile, rarifying with an easy Heat, and condensing with Cold. But those which are grosser, and so less susceptible of Agitation, or cohere by a stronger Attraction, are not separated without a stronger Heat, or perhaps not without Fermentation. And these last are the Bodies which Chymists call fix'd, and being rarified by Fermentation, become true permanent Air; those Particles receding from one another with the greatest Force, and being most difficultly brought together, which upon Contact cohere most strongly. And because the Particles of permanent Air are grosser, and arise from denser Substances than those of Vapours, thence it is that true Air is more ponderous than Vapour, and that a moist Atmosphere is lighter than a dry one, quantity for quantity. From the same repelling Power it seems to be that Flies walk upon the Water without wetting their Feet; and that the Object-glasses of long Telescopes lie upon one another without touching; and that dry Powders are difficultly[Pg 397] made to touch one another so as to stick together, unless by melting them, or wetting them with Water, which by exhaling may bring them together; and that two polish'd Marbles, which by immediate Contact stick together, are difficultly brought so close together as to stick.
Since metals dissolve in acids and attract only a small amount of acid, their attractive force only extends a short distance from them. And just like in algebra, where positive quantities disappear and negative ones emerge, in mechanics, where attraction stops, a repulsive force should follow. The existence of such a force seems to be evidenced by the reflection and refraction of light rays. The rays are repelled by objects in these instances, even without direct contact with the reflecting or refracting body. This also appears to apply to the emission of light; once a ray is released from a shining body by the vibrating motion of the body’s particles and moves out of the attraction range, it is propelled away at a very high speed. The force that can redirect it in reflection may also be strong enough to emit it. This idea can also be observed in the formation of air and vapor. When particles are shaken off from bodies due to heat or fermentation, as soon as they are out of the attraction range, they retreat from each other with great force, sometimes occupying over a million times more space than they did when in solid form. This significant contraction and expansion seems inexplicable unless you consider that air particles have a repulsive force rather than being springy, branched, or rolled up like hoops. The particles of fluids that don’t cling tightly together and are small enough to be very responsive to the movements that keep liquids in a fluid state are most easily separated and turned into vapor. In terms used by chemists, they are volatile, easily becoming vapor with heat and condensing with cold. However, particles that are larger and less responsive to agitation or held together by stronger attraction are not separated without higher heat or possibly not without fermentation. These last particles are what chemists refer to as fixed, and when they are turned into vapor by fermentation, they become true permanent air; these particles repel each other powerfully and are difficult to bring together, but they cling very strongly upon contact. Because the particles of permanent air are coarser and originate from denser materials than those of vapor, true air is heavier than vapor, making a moist atmosphere lighter than a dry one, volume for volume. The same repelling force seems to be why flies can walk on water without getting their feet wet; why the lenses of long telescopes rest on each other without touching; and why dry powders are hard to make stick together unless melted or moistened with water, which can draw them closer, and why two polished marbles, which stick when in direct contact, are tricky to bring together closely enough to adhere.
And thus Nature will be very conformable to her self and very simple, performing all the great Motions of the heavenly Bodies by the Attraction of Gravity which intercedes those Bodies, and almost all the small ones of their Particles by some other attractive and repelling Powers which intercede the Particles. The Vis inertiæ is a passive Principle by which Bodies persist in their Motion or Rest, receive Motion in proportion to the Force impressing it, and resist as much as they are resisted. By this Principle alone there never could have been any Motion in the World. Some other Principle was necessary for putting Bodies into Motion; and now they are in Motion, some other Principle is necessary for conserving the Motion. For from the various Composition of two Motions, 'tis very certain that there is not always the same quantity of Motion in the World. For if two Globes joined by a slender Rod, revolve about their common Center of Gravity with an uniform Motion, while that Center moves on uniformly in a right Line drawn in the Plane of their circular Motion; the Sum of the Motions of the two Globes, as often as the Globes are in the right Line described by their common Center of Gravity, will be bigger than the Sum of their Motions, when they are in a Line perpendicular[Pg 398] to that right Line. By this Instance it appears that Motion may be got or lost. But by reason of the Tenacity of Fluids, and Attrition of their Parts, and the Weakness of Elasticity in Solids, Motion is much more apt to be lost than got, and is always upon the Decay. For Bodies which are either absolutely hard, or so soft as to be void of Elasticity, will not rebound from one another. Impenetrability makes them only stop. If two equal Bodies meet directly in vacuo, they will by the Laws of Motion stop where they meet, and lose all their Motion, and remain in rest, unless they be elastick, and receive new Motion from their Spring. If they have so much Elasticity as suffices to make them re-bound with a quarter, or half, or three quarters of the Force with which they come together, they will lose three quarters, or half, or a quarter of their Motion. And this may be try'd, by letting two equal Pendulums fall against one another from equal heights. If the Pendulums be of Lead or soft Clay, they will lose all or almost all their Motions: If of elastick Bodies they will lose all but what they recover from their Elasticity. If it be said, that they can lose no Motion but what they communicate to other Bodies, the consequence is, that in vacuo they can lose no Motion, but when they meet they must go on and penetrate one another's Dimensions. If three equal round Vessels be filled, the one with Water, the other with Oil, the third with molten Pitch, and the Liquors be stirred about alike to give them a vortical Motion; the Pitch by its Tenacity will lose its Motion quickly, the Oil[Pg 399] being less tenacious will keep it longer, and the Water being less tenacious will keep it longest, but yet will lose it in a short time. Whence it is easy to understand, that if many contiguous Vortices of molten Pitch were each of them as large as those which some suppose to revolve about the Sun and fix'd Stars, yet these and all their Parts would, by their Tenacity and Stiffness, communicate their Motion to one another till they all rested among themselves. Vortices of Oil or Water, or some fluider Matter, might continue longer in Motion; but unless the Matter were void of all Tenacity and Attrition of Parts, and Communication of Motion, (which is not to be supposed,) the Motion would constantly decay. Seeing therefore the variety of Motion which we find in the World is always decreasing, there is a necessity of conserving and recruiting it by active Principles, such as are the cause of Gravity, by which Planets and Comets keep their Motions in their Orbs, and Bodies acquire great Motion in falling; and the cause of Fermentation, by which the Heart and Blood of Animals are kept in perpetual Motion and Heat; the inward Parts of the Earth are constantly warm'd, and in some places grow very hot; Bodies burn and shine, Mountains take fire, the Caverns of the Earth are blown up, and the Sun continues violently hot and lucid, and warms all things by his Light. For we meet with very little Motion in the World, besides what is owing to these active Principles. And if it were not for these Principles, the Bodies of the Earth, Planets, Comets, Sun, and all things in them,[Pg 400] would grow cold and freeze, and become inactive Masses; and all Putrefaction, Generation, Vegetation and Life would cease, and the Planets and Comets would not remain in their Orbs.
And so Nature will be very consistent with itself and very straightforward, carrying out all the major movements of celestial bodies through the attraction of gravity that acts on those bodies, and almost all the smaller movements of their particles through some other attractive and repelling forces that act on the particles. The Vis inertiæ is a passive principle that causes bodies to maintain their motion or rest, receive motion relative to the force applied, and resist as much as they are resisted. By this principle alone, there could never have been any motion in the world. Another principle was necessary to put bodies in motion; and once they are in motion, another principle is necessary to maintain that motion. Because of the various compositions of two motions, it’s clear that there isn't always the same amount of motion in the world. For instance, if two spheres connected by a thin rod revolve around their common center of gravity with a uniform motion, while that center moves uniformly in a straight line in the plane of their circular motion; the total motion of the two spheres, whenever they are aligned with the straight line described by their common center of gravity, will be greater than the total motion when they are aligned with a line perpendicular [Pg 398] to that straight line. This example shows that motion can be gained or lost. However, due to the viscosity of fluids, the friction of their parts, and the weakness of elasticity in solids, motion is much more likely to be lost than gained, and is always declining. Bodies that are either completely hard or so soft that they lack elasticity won't rebound off one another. Impenetrability only causes them to stop. If two equal bodies collide directly in vacuo, they will, by the laws of motion, stop at the point of collision, lose all their motion, and remain at rest, unless they are elastic and gain new motion from their spring. If they have enough elasticity to rebounce with one quarter, half, or three quarters of the force with which they collided, they will lose three quarters, half, or a quarter of their motion. This can be tested by letting two equal pendulums fall toward each other from equal heights. If the pendulums are made of lead or soft clay, they will lose all or almost all their motion; if they are made of elastic materials, they will lose everything except what they regain from their elasticity. If it is claimed that they can lose no motion except what they pass on to other bodies, the result is that in vacuo they can lose no motion, and when they collide they must continue moving and penetrate each other's dimensions. If three equal round vessels are filled, one with water, another with oil, and the third with molten pitch, and the liquids are stirred together similarly to give them a swirling motion; the pitch, due to its viscosity, will quickly lose its motion, the oil will maintain it longer because it's less viscous, and the water, being even less viscous, will keep it the longest, but will also lose it in a short time. From this, it's easy to see that if many adjacent vortices of molten pitch were each as large as those believed to revolve around the sun and fixed stars, these and all their parts would, due to their viscosity and stiffness, transfer their motion to one another until they all rested among themselves. Vortices of oil or water or some fluid matter might continue in motion longer; but unless the matter were completely free from all viscosity, friction between parts, and the transfer of motion, (which is not something we can assume), the motion would constantly decline. Therefore, since the variety of motion we observe in the world is always decreasing, there is a need to maintain and replenish it through active principles, such as those causing gravity, by which planets and comets keep their motion in their orbits and bodies gain great velocity when they fall; and the cause of fermentation, which keeps the heart and blood of animals in constant motion and heat; the inner parts of the Earth are continuously warmed, and in some places become very hot; bodies burn and emit light, mountains catch fire, the Earth's caverns explode, and the sun remains intensely hot and bright, warming everything with its light. We encounter very little motion in the world besides what is caused by these active principles. Without these principles, the bodies of the Earth, planets, comets, the sun, and everything within them, [Pg 400] would cool down and freeze, becoming inactive masses; and all decay, reproduction, vegetation, and life would cease, and the planets and comets would not stay in their orbits.
All these things being consider'd, it seems probable to me, that God in the Beginning form'd Matter in solid, massy, hard, impenetrable, moveable Particles, of such Sizes and Figures, and with such other Properties, and in such Proportion to Space, as most conduced to the End for which he form'd them; and that these primitive Particles being Solids, are incomparably harder than any porous Bodies compounded of them; even so very hard, as never to wear or break in pieces; no ordinary Power being able to divide what God himself made one in the first Creation. While the Particles continue entire, they may compose Bodies of one and the same Nature and Texture in all Ages: But should they wear away, or break in pieces, the Nature of Things depending on them, would be changed. Water and Earth, composed of old worn Particles and Fragments of Particles, would not be of the same Nature and Texture now, with Water and Earth composed of entire Particles in the Beginning. And therefore, that Nature may be lasting, the Changes of corporeal Things are to be placed only in the various Separations and new Associations and Motions of these permanent Particles; compound Bodies being apt to break, not in the midst of solid Particles, but where those Particles are laid together, and only touch in a few Points.[Pg 401]
Considering all these factors, it seems likely to me that God initially created matter as solid, massive, hard, impenetrable, movable particles, with specific sizes, shapes, and other properties, arranged in proportion to space in a way that best served the purpose for which He designed them. These original particles, being solid, are unbelievably harder than any porous substances made from them; they are so hard that they never wear down or break apart, with no ordinary force capable of dividing what God made to be one in the first creation. As long as the particles remain intact, they can form bodies that share the same nature and texture throughout the ages. However, if they wear away or break apart, the characteristics of the things that depend on them would change. Water and earth made from old worn particles and fragments would not have the same nature and texture now as water and earth made from unbroken particles at the beginning. Therefore, for nature to be enduring, changes in physical things should be understood as variations in the separations, new associations, and movements of these permanent particles; compound bodies tend to break not in the middle of solid particles, but where those particles are joined together and only touch at a few points.[Pg 401]
It seems to me farther, that these Particles have not only a Vis inertiæ, accompanied with such passive Laws of Motion as naturally result from that Force, but also that they are moved by certain active Principles, such as is that of Gravity, and that which causes Fermentation, and the Cohesion of Bodies. These Principles I consider, not as occult Qualities, supposed to result from the specifick Forms of Things, but as general Laws of Nature, by which the Things themselves are form'd; their Truth appearing to us by Phænomena, though their Causes be not yet discover'd. For these are manifest Qualities, and their Causes only are occult. And the Aristotelians gave the Name of occult Qualities, not to manifest Qualities, but to such Qualities only as they supposed to lie hid in Bodies, and to be the unknown Causes of manifest Effects: Such as would be the Causes of Gravity, and of magnetick and electrick Attractions, and of Fermentations, if we should suppose that these Forces or Actions arose from Qualities unknown to us, and uncapable of being discovered and made manifest. Such occult Qualities put a stop to the Improvement of natural Philosophy, and therefore of late Years have been rejected. To tell us that every Species of Things is endow'd with an occult specifick Quality by which it acts and produces manifest Effects, is to tell us nothing: But to derive two or three general Principles of Motion from Phænomena, and afterwards to tell us how the Properties and Actions of all corporeal Things follow from those manifest Principles, would be a very great step in[Pg 402] Philosophy, though the Causes of those Principles were not yet discover'd: And therefore I scruple not to propose the Principles of Motion above-mention'd, they being of very general Extent, and leave their Causes to be found out.
It seems to me further that these particles not only have a property of inertia, along with the passive laws of motion that naturally result from that force, but they are also influenced by certain active principles, like gravity and what causes fermentation and the cohesion of bodies. I consider these principles not as hidden qualities that supposedly come from the specific forms of things, but as general laws of nature that shape the things themselves; their truth is evident to us through phenomena, even though their causes are not yet discovered. For these are obvious qualities, and only their causes are hidden. The Aristotelians referred to hidden qualities, not manifest qualities, but to those that they thought lay hidden in bodies as the unknown causes of observable effects: such as the causes of gravity and of magnetic and electric attractions and of fermentations, if we were to assume that these forces or actions came from qualities unknown to us and impossible to discover. Such hidden qualities hindered the progress of natural philosophy and have thus been rejected in recent years. Claiming that every species of things is endowed with a hidden specific quality that enables it to act and produce observable effects tells us nothing. However, deriving two or three general principles of motion from phenomena, and then explaining how the properties and actions of all physical things follow from those clear principles, would be a significant advancement in philosophy, even if the causes of those principles are still unknown. Therefore, I have no hesitation in proposing the aforementioned principles of motion, as they are very broadly applicable, while leaving their causes to be uncovered.
Now by the help of these Principles, all material Things seem to have been composed of the hard and solid Particles above-mention'd, variously associated in the first Creation by the Counsel of an intelligent Agent. For it became him who created them to set them in order. And if he did so, it's unphilosophical to seek for any other Origin of the World, or to pretend that it might arise out of a Chaos by the mere Laws of Nature; though being once form'd, it may continue by those Laws for many Ages. For while Comets move in very excentrick Orbs in all manner of Positions, blind Fate could never make all the Planets move one and the same way in Orbs concentrick, some inconsiderable Irregularities excepted, which may have risen from the mutual Actions of Comets and Planets upon one another, and which will be apt to increase, till this System wants a Reformation. Such a wonderful Uniformity in the Planetary System must be allowed the Effect of Choice. And so must the Uniformity in the Bodies of Animals, they having generally a right and a left side shaped alike, and on either side of their Bodies two Legs behind, and either two Arms, or two Legs, or two Wings before upon their Shoulders, and between their Shoulders a Neck running down into a Back-bone, and a Head upon it; and in the Head two[Pg 403] Ears, two Eyes, a Nose, a Mouth, and a Tongue, alike situated. Also the first Contrivance of those very artificial Parts of Animals, the Eyes, Ears, Brain, Muscles, Heart, Lungs, Midriff, Glands, Larynx, Hands, Wings, swimming Bladders, natural Spectacles, and other Organs of Sense and Motion; and the Instinct of Brutes and Insects, can be the effect of nothing else than the Wisdom and Skill of a powerful ever-living Agent, who being in all Places, is more able by his Will to move the Bodies within his boundless uniform Sensorium, and thereby to form and reform the Parts of the Universe, than we are by our Will to move the Parts of our own Bodies. And yet we are not to consider the World as the Body of God, or the several Parts thereof, as the Parts of God. He is an uniform Being, void of Organs, Members or Parts, and they are his Creatures subordinate to him, and subservient to his Will; and he is no more the Soul of them, than the Soul of Man is the Soul of the Species of Things carried through the Organs of Sense into the place of its Sensation, where it perceives them by means of its immediate Presence, without the Intervention of any third thing. The Organs of Sense are not for enabling the Soul to perceive the Species of Things in its Sensorium, but only for conveying them thither; and God has no need of such Organs, he being every where present to the Things themselves. And since Space is divisible in infinitum, and Matter is not necessarily in all places, it may be also allow'd that God is able to create Particles of Matter of several Sizes and[Pg 404] Figures, and in several Proportions to Space, and perhaps of different Densities and Forces, and thereby to vary the Laws of Nature, and make Worlds of several sorts in several Parts of the Universe. At least, I see nothing of Contradiction in all this.
With the help of these principles, it seems that all material things were composed of the hard and solid particles mentioned earlier, arranged in various ways during the initial creation by an intelligent agent. It was fitting for the one who created them to organize them. If he did this, then it's unreasonable to look for any other origin of the world or to suggest that it could emerge from chaos purely through the laws of nature; although once formed, it may persist through those laws for many ages. While comets move in very eccentric orbits in all kinds of positions, blind fate could never cause all the planets to move together in the same way in concentric orbits, except for minor irregularities that might arise from the interactions between comets and planets, which are likely to increase until this system needs reform. Such remarkable uniformity in the planetary system must be seen as the result of choice. The same must be said for the uniformity in the bodies of animals, which generally have a right and left side that is similarly shaped, with two legs at the back on either side, and either two arms, two legs, or two wings at the front on their shoulders. Between their shoulders is a neck leading down to a backbone, supporting a head; and on the head are two ears, two eyes, a nose, a mouth, and a tongue, all in similar positions. The initial design of those highly specialized parts of animals, including the eyes, ears, brain, muscles, heart, lungs, diaphragm, glands, larynx, hands, wings, swim bladders, natural spectacles, and other organs of sense and movement, as well as the instincts of animals and insects, must come from the wisdom and skill of a powerful, ever-living agent, who is present everywhere and more capable by his will of moving bodies within his vast, uniform sensorium, thus forming and reforming parts of the universe than we are by our will to move the parts of our own bodies. Yet we shouldn't think of the world as the body of God or its various parts as parts of God. He is a uniform being, without organs, members, or parts, while they are his creatures, subordinate to him and serving his will; and he is no more the soul of them than the soul of man is the soul of the species of things brought through the organs of sense into the place of sensation, where it perceives them through its immediate presence, without the help of any third thing. The organs of sense don't enable the soul to perceive the species of things in its sensorium; they merely convey them there. God doesn't need such organs, as he is present everywhere to the things themselves. Since space can be divided infinitely, and matter isn't necessarily everywhere, it can also be accepted that God has the ability to create particles of matter in various sizes and shapes, potentially with different densities and forces, thus varying the laws of nature and creating different kinds of worlds in different parts of the universe. At the very least, I see nothing contradictory in all this.
As in Mathematicks, so in Natural Philosophy, the Investigation of difficult Things by the Method of Analysis, ought ever to precede the Method of Composition. This Analysis consists in making Experiments and Observations, and in drawing general Conclusions from them by Induction, and admitting of no Objections against the Conclusions, but such as are taken from Experiments, or other certain Truths. For Hypotheses are not to be regarded in experimental Philosophy. And although the arguing from Experiments and Observations by Induction be no Demonstration of general Conclusions; yet it is the best way of arguing which the Nature of Things admits of, and may be looked upon as so much the stronger, by how much the Induction is more general. And if no Exception occur from Phænomena, the Conclusion may be pronounced generally. But if at any time afterwards any Exception shall occur from Experiments, it may then begin to be pronounced with such Exceptions as occur. By this way of Analysis we may proceed from Compounds to Ingredients, and from Motions to the Forces producing them; and in general, from Effects to their Causes, and from particular Causes to more general ones, till the Argument end in the most general. This is the Method of Analysis: And the[Pg 405] Synthesis consists in assuming the Causes discover'd, and establish'd as Principles, and by them explaining the Phænomena proceeding from them, and proving the Explanations.
Just like in mathematics, in natural philosophy, the investigation of complex issues through the method of analysis should always come before the method of composition. This analysis involves conducting experiments and making observations, drawing general conclusions from them through induction, and only considering objections that arise from experiments or other reliable truths. Hypotheses shouldn't be taken into account in experimental philosophy. Although reasoning from experiments and observations through induction doesn't strictly prove general conclusions, it's the most effective way to argue based on the nature of things, and it becomes stronger the more general the induction is. If no exceptions arise from phenomena, the conclusion can be stated generally. However, if any exceptions come up later from experiments, the conclusion should then be stated with those exceptions. Through this method of analysis, we can move from compounds to ingredients, from motions to the forces causing them, and generally from effects to their causes, as well as from specific causes to more general ones, until the argument reaches the most general. This is the method of analysis. The [Pg 405] synthesis involves assuming the causes that have been discovered and established as principles, using them to explain the phenomena that come from them, and validating the explanations.
In the two first Books of these Opticks, I proceeded by this Analysis to discover and prove the original Differences of the Rays of Light in respect of Refrangibility, Reflexibility, and Colour, and their alternate Fits of easy Reflexion and easy Transmission, and the Properties of Bodies, both opake and pellucid, on which their Reflexions and Colours depend. And these Discoveries being proved, may be assumed in the Method of Composition for explaining the Phænomena arising from them: An Instance of which Method I gave in the End of the first Book. In this third Book I have only begun the Analysis of what remains to be discover'd about Light and its Effects upon the Frame of Nature, hinting several things about it, and leaving the Hints to be examin'd and improv'd by the farther Experiments and Observations of such as are inquisitive. And if natural Philosophy in all its Parts, by pursuing this Method, shall at length be perfected, the Bounds of Moral Philosophy will be also enlarged. For so far as we can know by natural Philosophy what is the first Cause, what Power he has over us, and what Benefits we receive from him, so far our Duty towards him, as well as that towards one another, will appear to us by the Light of Nature. And no doubt, if the Worship of false Gods had not blinded the Heathen, their moral Philosophy would have gone farther than[Pg 406] to the four Cardinal Virtues; and instead of teaching the Transmigration of Souls, and to worship the Sun and Moon, and dead Heroes, they would have taught us to worship our true Author and Benefactor, as their Ancestors did under the Government of Noah and his Sons before they corrupted themselves.
In the first two books of these Opticks, I used this analysis to identify and demonstrate the original differences in the rays of light regarding refrangibility, reflectivity, and color, along with their alternating tendencies for easy reflection and easy transmission, as well as the properties of both opaque and transparent bodies that determine their reflections and colors. These findings, once validated, can be utilized in the composition method to explain the phenomena that arise from them: I provided an example of this method at the end of the first book. In this third book, I have only started analyzing what else needs to be discovered about light and its effects on the natural world, suggesting several ideas and leaving these suggestions to be examined and developed through further experiments and observations by those who are curious. If natural philosophy is perfected in all its parts by following this method, it will also expand the boundaries of moral philosophy. Because the more we understand through natural philosophy about the first cause, the power it has over us, and the benefits we receive from it, the clearer our responsibilities toward it and each other will become by the light of nature. Undoubtedly, if the worship of false gods had not blinded the pagans, their moral philosophy would have advanced beyond the four cardinal virtues; instead of teaching the reincarnation of souls and the worship of the sun, moon, and dead heroes, they would have taught us to honor our true creator and benefactor, just as their ancestors did under the leadership of Noah and his sons before they became corrupted.
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