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THE LIFE OF CESARE BORGIA
Of France, Duke of Valentinois and Romagna, Prince of Andria and Venafri
Count of Dyois, Lord of Piombino, Camerino and Urbino, Gonfalonier and
Captain-General of Holy Church
A History and Some Criticisms
By Rafael Sabatini
CONTENTS
PREFACE
BOOK I. THE HOUSE OF THE BULL
CHAPTER I. THE RISE OF THE HOUSE OF BORGIA
CHAPTER II. THE REIGNS OF SIXTUS IV AND INNOCENT VIII
CHAPTER III. ALEXANDER VI
CHAPTER IV. BORGIA ALLIANCES
BOOK II. THE BULL PASCANT
CHAPTER I. THE FRENCH INVASION
CHAPTER II. THE POPE AND THE SUPERNATURAL
CHAPTER III. THE ROMAN BARONS
CHAPTER IV. THE MURDER OF THE DUKE OF GANDIA
CHAPTER V. THE RENUNCIATION OF THE PURPLE
BOOK III. THE BULL RAMPANT
CHAPTER I. THE DUCHESS OF VALENTINOIS
CHAPTER II. THE KNELL OF THE TYRANTS
CHAPTER III. IMOLA AND FORLI
CHAPTER IV. GONFALONIER OF THE CHURCH
CHAPTER V. THE MURDER OF ALFONSO OF ARAGON
CHAPTER VI. RIMINI AND PESARO
CHAPTER VII. THE SIEGE OF FAENZA
CHAPTER VIII. ASTORRE MANFREDI
CHAPTER IX. CASTEL BOLOGNESE AND PIOMBINO
CHAPTER X. THE END OF THE HOUSE OF ARAGON
CHAPTER XI. THE LETTER TO SILVIO SAVELLI
CHAPTER XII. LUCREZIA’S THIRD MARRIAGE
CHAPTER XIII. URBINO AND CAMERINO
CHAPTER XIV. THE REVOLT OF THE CONDOTTIERI
CHAPTER XV. MACCHIAVELLI’S LEGATION
CHAPTER XVI. RAMIRO DE LORQUA
CHAPTER XVII. "THE BEAUTIFUL STRATAGEM”
CHAPTER XVIII. THE ZENITH
BOOK IV. THE BULL CADENT
CHAPTER I. THE DEATH OF ALEXANDER VI
CHAPTER II. PIUS III
CHAPTER III. JULIUS II
CHAPTER IV. ATROPOS
CONTENTS
__A_TAG_PLACEHOLDER_0__
__A_TAG_PLACEHOLDER_1__ THE HOUSE OF THE BULL
__A_TAG_PLACEHOLDER_2__ THE RISE OF THE HOUSE OF BORGIA
__A_TAG_PLACEHOLDER_3__ THE REIGNS OF SIXTUS IV AND INNOCENT VIII
__A_TAG_PLACEHOLDER_4__ ALEXANDER VI
__A_TAG_PLACEHOLDER_5__ BORGIA ALLIANCES
__A_TAG_PLACEHOLDER_6__ THE BULL PASCANT
__A_TAG_PLACEHOLDER_7__ THE FRENCH INVASION
__A_TAG_PLACEHOLDER_8__ THE POPE AND THE SUPERNATURAL
__A_TAG_PLACEHOLDER_9__ THE ROMAN BARONS
__A_TAG_PLACEHOLDER_10__ THE MURDER OF THE DUKE OF GANDIA
__A_TAG_PLACEHOLDER_11__ THE RENUNCIATION OF THE PURPLE
__A_TAG_PLACEHOLDER_12__ THE BULL RAMPANT
__A_TAG_PLACEHOLDER_13__ THE DUCHESS OF VALENTINOIS
__A_TAG_PLACEHOLDER_14__ THE KNOCK OF THE TYRANTS
__A_TAG_PLACEHOLDER_15__ IMOLA AND FORLI
__A_TAG_PLACEHOLDER_16__ GONFALONIER OF THE CHURCH
__A_TAG_PLACEHOLDER_17__ THE MURDER OF ALFONSO OF ARAGON
__A_TAG_PLACEHOLDER_18__ RIMINI AND PESARO
__A_TAG_PLACEHOLDER_19__ THE SIEGE OF FAENZA
__A_TAG_PLACEHOLDER_20__ ASTORRE MANFREDI
__A_TAG_PLACEHOLDER_21__ CASTEL BOLOGNESE AND PIOMBINO
__A_TAG_PLACEHOLDER_22__ THE END OF THE HOUSE OF ARAGON
__A_TAG_PLACEHOLDER_23__ THE LETTER TO SILVIO SAVELLI
__A_TAG_PLACEHOLDER_24__ LUCREZIA’S THIRD MARRIAGE
__A_TAG_PLACEHOLDER_25__ URBINO AND CAMERINO
__A_TAG_PLACEHOLDER_26__ THE REVOLT OF THE CONDOTTIERI
__A_TAG_PLACEHOLDER_27__ MACCHIAVELLI’S LEGATION
__A_TAG_PLACEHOLDER_28__ RAMIRO DE LORQUA
__A_TAG_PLACEHOLDER_29__ "THE BEAUTIFUL STRATAGEM”
__A_TAG_PLACEHOLDER_30__ THE HIGHEST POINT
__A_TAG_PLACEHOLDER_31__ THE BULL FALLING
__A_TAG_PLACEHOLDER_32__ THE DEATH OF ALEXANDER VI
__A_TAG_PLACEHOLDER_33__ PIUS III
__A_TAG_PLACEHOLDER_34__ JULIUS II
__A_TAG_PLACEHOLDER_35__ ATROPOS
PREFACE
This is no Chronicle of Saints. Nor yet is it a History of Devils. It is a record of certain very human, strenuous men in a very human, strenuous age; a lustful, flamboyant age; an age red with blood and pale with passion at white-heat; an age of steel and velvet, of vivid colour, dazzling light and impenetrable shadow; an age of swift movement, pitiless violence and high endeavour, of sharp antitheses and amazing contrasts.
This is neither a Chronicle of Saints nor a History of Devils. It's a record of certain very human, intense men in a very human, intense time; a lustful, flamboyant time; a time filled with blood and heated passion; a time of steel and velvet, of vibrant colors, bright light and deep shadows; a time of rapid movement, ruthless violence and great effort, full of sharp contrasts and incredible oppositions.
To judge it from the standpoint of this calm, deliberate, and correct century—as we conceive our own to be—is for sedate middle-age to judge from its own standpoint the reckless, hot, passionate, lustful humours of youth, of youth that errs grievously and achieves greatly.
To evaluate it from the perspective of this calm, careful, and accurate century—as we see our own to be—is for composed middle age to assess from its own viewpoint the reckless, intense, passionate, and impulsive behaviors of youth, of youth that makes serious mistakes and also accomplishes significant things.
So to judge that epoch collectively is manifestly wrong, a hopeless procedure if it be our aim to understand it and to be in sympathy with it, as it becomes broad-minded age to be tolerantly in sympathy with the youth whose follies it perceives. Life is an ephemeral business, and we waste too much of it in judging where it would beseem us better to accept, that we ourselves may come to be accepted by such future ages as may pursue the study of us.
So judging that time period as a whole is clearly misguided, and it's a futile effort if we want to truly understand it and empathize with it, just as it's wise to be open-minded in understanding the youth and their mistakes. Life is fleeting, and we spend too much of it criticizing when we should be more accepting, so that we might be accepted by future generations who will study us.
But if it be wrong to judge a past epoch collectively by the standards of our own time, how much more is it not wrong to single out individuals for judgement by those same standards, after detaching them for the purpose from the environment in which they had their being? How false must be the conception of them thus obtained! We view the individuals so selected through a microscope of modern focus. They appear monstrous and abnormal, and we straight-way assume them to be monsters and abnormalities, never considering that the fault is in the adjustment of the instrument through which we inspect them, and that until that is corrected others of that same past age, if similarly viewed, must appear similarly distorted.
But if it’s wrong to judge a past era using our current standards, how much worse is it to judge individuals by those same standards after removing them from the context in which they lived? The view we get of them is completely skewed! We examine these chosen individuals with a modern lens. They look monstrous and abnormal, and we immediately label them as monsters and anomalies, never stopping to consider that the issue lies in how we’re looking at them. Until we fix our perspective, others from the same past era, if looked at in the same way, will also appear just as distorted.
Hence it follows that some study of an age must ever prelude and accompany the study of its individuals, if comprehension is to wait upon our labours. To proceed otherwise is to judge an individual Hottentot or South Sea Islander by the code of manners that obtains in Belgravia or Mayfair.
Hence, some study of a culture must always come before and go hand in hand with the study of its people if we want to understand our efforts. To do otherwise is like judging an individual Hottentot or South Sea Islander by the social norms that exist in Belgravia or Mayfair.
Mind being the seat of the soul, and literature being the expression of the mind, literature, it follows, is the soul of an age, the surviving and immortal part of it; and in the literature of the Cinquecento you shall behold for the looking the ardent, unmoral, naïve soul of this Renaissance that was sprawling in its lusty, naked infancy and bellowing hungrily for the pap of knowledge, and for other things. You shall infer something of the passionate mettle of this infant: his tempestuous mirth, his fierce rages, his simplicity, his naïveté, his inquisitiveness, his cunning, his deceit, his cruelty, his love of sunshine and bright gewgaws.
The mind is the seat of the soul, and literature expresses the mind. Therefore, literature is the soul of a period, the part that survives and remains immortal. In the literature of the Cinquecento, you can see reflected the passionate, unrestrained, innocent soul of the Renaissance, which was energetically emerging and eagerly craving knowledge and other experiences. You can gather something about the intense spirit of this youthful era: its wild joy, fierce anger, simplicity, innocence, curiosity, cleverness, deceit, cruelty, and love for sunshine and shiny trinkets.
To realize him as he was, you need but to bethink you that this was the age in which the Decamerone of Giovanni Boccaccio, the Facetiae of Poggio, the Satires of Filelfo, and the Hermaphroditus of Panormitano afforded reading-matter to both sexes. This was the age in which the learned and erudite Lorenzo Valla—of whom more anon—wrote his famous indictment of virginity, condemning it as against nature with arguments of a most insidious logic. This was the age in which Casa, Archbishop of Benevento, wrote a most singular work of erotic philosophy, which, coming from a churchman’s pen, will leave you cold with horror should you chance to turn its pages. This was the age of the Discovery of Man; the pagan age which stripped Christ of His divinity to bestow it upon Plato, so that Marsilio Ficino actually burnt an altar-lamp before an image of the Greek by whose teachings—in common with so many scholars of his day—he sought to inform himself.
To understand him as he truly was, you just need to remember that this was the time when the Decameron by Giovanni Boccaccio, the Facetiae by Poggio, the Satires by Filelfo, and the Hermaphroditus by Panormitano provided reading material for both men and women. This was the time when the learned Lorenzo Valla—more on him later—wrote his famous critique of virginity, arguing that it was unnatural with some very clever reasoning. This was also the time when Casa, the Archbishop of Benevento, wrote a rather unusual work of erotic philosophy, which, coming from a churchman's pen, might leave you feeling cold with horror if you happen to read it. This was the age of the Discovery of Man; a pagan era that stripped Christ of His divinity to give it to Plato, to the extent that Marsilio Ficino even burned an altar-lamp before an image of the Greek philosopher whose teachings—like many scholars of his time—he sought to learn from.
It was an age that had become unable to discriminate between the merits of the Saints of the Church and the Harlots of the Town. Therefore it honoured both alike, extolled the carnal merits of the one in much the same terms as were employed to extol the spiritual merits of the other. Thus when a famous Roman courtesan departed this life in the year 1511, at the early age of twenty-six, she was accorded a splendid funeral and an imposing tomb in the Chapel Santa Gregoria with a tablet bearing the following inscription:
It was a time that couldn't tell the difference between the virtues of the Saints of the Church and the Harlots of the Town. As a result, it honored both equally, praising the physical attributes of one in much the same way as it celebrated the spiritual qualities of the other. So when a well-known Roman courtesan died in 1511 at the young age of twenty-six, she was given a grand funeral and a magnificent tomb in the Chapel Santa Gregoria with a plaque that read:
“IMPERIA CORTISANA ROMANA QUAE DIGNA TANTO NOMINE, RARAE INTER MORTALES FORMAE SPECIMEN DEDIT.”
“IMPERIA CORTISANA ROMANA QUAE DIGNA TANTO NOMINE, RARAE INTER MORTALES FORMAE SPECIMEN DEDIT.”
It was, in short, an age so universally immoral as scarcely to be termed immoral, since immorality may be defined as a departure from the morals that obtain a given time and in a given place. So that whilst from our own standpoint the Cinquecento, taken collectively, is an age of grossest licence and immorality, from the standpoint of the Cinquecento itself few of its individuals might with justice be branded immoral.
It was, in short, a time so widely accepted as immoral that it could hardly be called immoral, since immorality can be defined as a deviation from the morals that exist at a specific time and place. So, while from our perspective the 1500s, taken as a whole, seems like a period of extreme license and immorality, from the perspective of those in the 1500s, few individuals could justly be labeled as immoral.
For the rest, it was an epoch of reaction from the Age of Chivalry: an epoch of unbounded luxury, of the cult and worship of the beautiful externally; an epoch that set no store by any inward virtue, by truth or honour; an epoch that laid it down as a maxim that no inconvenient engagement should be kept if opportunity offered to evade it.
For everyone else, it was a time of backlash against the Age of Chivalry: a time of limitless luxury and a focus on external beauty; a time that valued no inner virtues, like truth or honor; a time that established the principle that no inconvenient commitment should be honored if there was a chance to avoid it.
The history of the Cinquecento is a history developed in broken pledges, trusts dishonoured and basest treacheries, as you shall come to conclude before you have read far in the story that is here to be set down.
The history of the Cinquecento is a story filled with broken promises, betrayed trusts, and low betrayals, as you will realize before you get deep into the tale that is about to be told.
In a profligate age what can you look for but profligates? Is it just, is it reasonable, or is it even honest to take a man or a family from such an environment, for judgement by the canons of a later epoch? Yet is it not the method that has been most frequently adopted in dealing with the vast subject of the Borgias?
In a reckless time, what can you expect but reckless people? Is it fair, is it reasonable, or is it even honest to judge a person or a family from such a background based on the standards of a different era? Yet, isn't that the approach that has often been taken when discussing the vast topic of the Borgias?
To avoid the dangers that must wait upon that error, the history of that House shall here be taken up with the elevation of Calixtus III to the Papal Throne; and the reign of the four Popes immediately preceding Roderigo Borgia—who reigned as Alexander VI—shall briefly be surveyed that a standard may be set by which to judge the man and the family that form the real subject of this work.
To steer clear of the dangers associated with that error, this account of the House will begin with the rise of Calixtus III to the Papal Throne. It will also briefly cover the reigns of the four Popes who came immediately before Roderigo Borgia—who was known as Alexander VI—so we can have a standard to evaluate the man and the family that are the main focus of this work.
The history of this amazing Pope Alexander is yet to be written. No attempt has been made to exhaust it here. Yet of necessity he bulks large in these pages; for the history of his dazzling, meteoric son is so closely interwoven with his own that it is impossible to present the one without dealing at considerable length with the other.
The story of this incredible Pope Alexander still needs to be told. No effort has been made to cover everything here. However, he plays a significant role in these pages; the history of his brilliant, short-lived son is so tightly connected with his own that it's impossible to talk about one without spending a lot of time on the other.
The sources from which the history of the House of Borgia has been culled are not to be examined in a preface. They are too numerous, and they require too minute and individual a consideration that their precise value and degree of credibility may be ascertained. Abundantly shall such examination be made in the course of this history, and in a measure as the need arises to cite evidence for one side or for the other shall that evidence be sifted.
The sources that make up the history of the House of Borgia shouldn't be discussed in the preface. There are too many to cover, and they need careful consideration to determine their exact value and reliability. This detailed examination will take place throughout the history, and whenever it's necessary to provide evidence for one side or the other, that evidence will be thoroughly evaluated.
Never, perhaps, has anything more true been written of the Borgias and their history than the matter contained in the following lines of Rawdon Brown in his Ragguagli sulla Vita e sulle Opere di Marino Sanuto: “It seems to me that history has made use of the House of Borgia as of a canvas upon which to depict the turpitudes of the fifteenth and sixteenth centuries.”
Never has anything more accurate been written about the Borgias and their history than what is found in the following lines by Rawdon Brown in his Ragguagli sulla Vita e sulle Opere di Marino Sanuto: “It seems to me that history has used the House of Borgia as a canvas to portray the corruptions of the fifteenth and sixteenth centuries.”
Materials for the work were very ready to the hand; and although they do not signally differ from the materials out of which the histories of half a dozen Popes of the same epoch might be compiled, they are far more abundant in the case of the Borgia Pope, for the excellent reason that the Borgia Pope detaches from the background of the Renaissance far more than any of his compeers by virtue of his importance as a political force.
Materials for the work were readily available, and even though they don't significantly differ from the materials used to compile the histories of half a dozen Popes from the same era, they are much more plentiful in the case of the Borgia Pope. This is largely because the Borgia Pope stands out against the backdrop of the Renaissance much more than his peers due to his significance as a political figure.
In this was reason to spare for his being libelled and lampooned even beyond the usual extravagant wont. Slanders concerning him and his son Cesare were readily circulated, and they will generally be found to spring from those States which had most cause for jealousy and resentment of the Borgia might—Venice, Florence, and Milan, amongst others.
In this, there was reason to hold back on criticizing him and making fun of him more than usual. Rumors about him and his son Cesare were easily spread, and they often came from those states that had the most reasons to be jealous and resentful of the Borgia power—Venice, Florence, and Milan, among others.
No rancour is so bitter as political rancour—save, perhaps, religious rancour, which we shall also trace; no warfare more unscrupulous or more prone to use the insidious weapons of slander than political warfare. Of this such striking instances abound in our own time that there can scarce be the need to labour the point. And from the form taken by such slanders as are circulated in our own sedate and moderate epoch may be conceived what might be said by political opponents in a fierce age that knew no pudency and no restraint. All this in its proper place shall be more closely examined.
No bitterness is as deep as political bitterness—except maybe religious bitterness, which we’ll also explore; no conflict is more ruthless or more likely to use the sneaky tactics of slander than political conflict. There are so many clear examples in our own time that it hardly needs emphasis. And from the way such slanders are spread in our calm and measured era, we can imagine what political opponents might say in a heated time that had no shame or limits. All of this will be looked at more closely in its proper context.
For many of the charges brought against the House of Borgia some testimony exists; for many others—and these are the more lurid, sensational, and appalling covering as they do rape and murder, adultery, incest, and the sin of the Cities of the Plain—no single grain of real evidence is forthcoming. Indeed, at this time of day evidence is no longer called for where the sins of the Borgias are concerned. Oft-reiterated assertion has usurped the place of evidence—for a lie sufficiently repeated comes to be credited by its very utterer. And meanwhile the calumny has sped from tongue to tongue, from pen to pen, gathering matter as it goes. The world absorbs the stories; it devours them greedily so they be sensational, and writers well aware of this have been pandering to that morbid appetite for some centuries now with this subject of the Borgias. A salted, piquant tale of vice, a ghastly story of moral turpitude and physical corruption, a hair-raising narrative of horrors and abominations—these are the stock-in-trade of the sensation-monger. With the authenticity of the matters he retails such a one has no concern. “Se non é vero é ben trovato,” is his motto, and in his heart the sensation-monger—of whatsoever age—rather hopes the thing be true. He will certainly make his public so believe it; for to discredit it would be to lose nine-tenths of its sensational value. So he trims and adjusts his wares, adds a touch or two of colour and what else he accounts necessary to heighten their air of authenticity, to dissemble any peeping spuriousness.
For many of the accusations against the House of Borgia, there is some evidence; for many others—and these are the more shocking, sensational, and horrific, covering things like rape, murder, adultery, incest, and the sins of the Cities of the Plain—there isn’t a single piece of solid proof. In fact, nowadays, evidence is no longer required when it comes to the sins of the Borgias. Repeated claims have replaced actual evidence—because a lie, when told often enough, ends up being believed by the one who says it. Meanwhile, the slander has spread from person to person, from writer to writer, picking up more details along the way. The public eagerly absorbs these stories; they devour them if they are sensational, and writers have been catering to this morbid curiosity about the Borgias for centuries now. A spicy, provocative tale of vice, a gruesome story of moral decay and physical corruption, a terrifying account of horrors and abominations—these are the bread and butter of sensationalists. They have no concern for the authenticity of the stories they tell. “If it’s not true, it’s well invented,” is their motto, and deep down, the sensationalist—no matter the era—hopes it's true. They will definitely make their audience believe it; because discrediting it would mean losing most of its sensational impact. So they tweak and adjust their stories, adding a few colorful details and anything else they think is needed to enhance their appearance of truthfulness, disguising any hint of falsehood.
A form of hypnosis accompanies your study of the subject—a suggestion that what is so positively and repeatedly stated must of necessity be true, must of necessity have been proved by irrefutable evidence at some time or other. So much you take for granted—for matters which began their existence perhaps as tentative hypotheses have imperceptibly developed into established facts.
A kind of hypnosis goes along with learning about the subject—a suggestion that what is repeatedly and confidently claimed must be true and has, at some point, been proven by undeniable evidence. You accept this without question—issues that may have started as tentative ideas have gradually turned into accepted facts.
Occasionally it happens that we find some such sentence as the following summing up this deed or that one in the Borgia histories: “A deal of mystery remains to be cleared up, but the Verdict of History assigns the guilt to Cesare Borgia.”
Occasionally, we come across a sentence like the following in the Borgia histories that sums up this deed or that one: “There’s still a lot of mystery to resolve, but History’s Verdict assigns the blame to Cesare Borgia.”
Behold how easy it is to dispense with evidence. So that your tale be well-salted and well-spiced, a fico for evidence! If it hangs not overwell together in places, if there be contradictions, lacunae, or openings for doubt, fling the Verdict of History into the gap, and so strike any questioner into silence.
Look at how simple it is to ignore evidence. To make your story engaging and exciting, who needs evidence? If some parts don’t quite fit together, if there are contradictions, gaps, or reasons to doubt, just throw in the Verdict of History to fill the void and silence any critics.
So far have matters gone in this connection that who undertakes to set down to-day the history of Cesare Borgia, with intent to do just and honest work, must find it impossible to tell a plain and straightforward tale—to present him not as a villain of melodrama, not a monster, ludicrous, grotesque, impossible, but as human being, a cold, relentless egotist, it is true, using men for his own ends, terrible and even treacherous in his reprisals, swift as a panther and as cruel where his anger was aroused, yet with certain elements of greatness: a splendid soldier, an unrivalled administrator, a man pre-eminently just, if merciless in that same justice.
So far, things have progressed in such a way that anyone who tries to write the history of Cesare Borgia today, with the aim of being fair and honest, will find it impossible to tell a simple and clear story. They can’t depict him just as a melodramatic villain, a monster that's laughable, bizarre, or unrealistic. Instead, he must be portrayed as a human being—cold, ruthless, and self-serving, yes, using people for his own purposes, terrifying and even treacherous in his revenge, quick as a panther and cruel when his anger was provoked. Yet, he also had certain qualities of greatness: an exceptional soldier, an unmatched administrator, and a man who, though merciless in his sense of justice, was undeniably fair.
To present Cesare Borgia thus in a plain straightforward tale at this time of day, would be to provoke the scorn and derision of those who have made his acquaintance in the pages of that eminent German scholar, Ferdinand Gregorovius, and of some other writers not quite so eminent yet eminent enough to serve serious consideration. Hence has it been necessary to examine at close quarters the findings of these great ones, and to present certain criticisms of those same findings. The author is overwhelmingly conscious of the invidious quality of that task; but he is no less conscious of its inevitability if this tale is to be told at all.
To tell the story of Cesare Borgia in a simple, straightforward way today would likely invite the scorn and ridicule of those familiar with his life through the works of the notable German scholar Ferdinand Gregorovius and some other writers who, while not as famous, still warrant serious attention. Therefore, it's essential to closely examine the conclusions drawn by these scholars and provide some critiques of those findings. The author is acutely aware of the difficult nature of this task; however, he also understands that it is necessary if this story is to be told at all.
Whilst the actual sources of historical evidence shall be examined in the course of this narrative, it may be well to examine at this stage the sources of the popular conceptions of the Borgias, since there will be no occasion later to allude to them.
While the actual sources of historical evidence will be examined throughout this narrative, it might be helpful to look at the sources of the popular ideas about the Borgias at this point, since there won't be a chance to mention them later.
Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them—the distortion of character to suit the romancer’s ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. Many writers frankly make no pretence—leastways none that can be discerned—of aiming at historical precision; others, however, invest their work with a spurious scholarliness, go the length of citing authorities to support the point of view which they have taken, and which they lay before you as the fruit of strenuous lucubrations.
Without diving into a detailed discussion about historical romance, it's clear that, in the right hands, it has been and should remain one of the most treasured forms of literary expression. To keep it that way, though, it's important to set clear boundaries on the freedom that writers can have; the work must be genuine. Preparing for it requires thorough and careful study of the time being depicted, so that an accurate impression can be formed and effectively shared. Considering how much more influential a novel is compared to other literary forms, the positive outcomes of such efforts are undeniable. Ignoring these principles—twisting characters to fit the writer's agenda, distorting historical facts, and creating glaring anachronisms due to lack of research—has greatly harmed the reputation of historical romance. Many authors openly admit they are not aiming for historical accuracy—at least not in any way that can be easily detected—while others, however, mask their work with false credibility, going so far as to cite sources to back up their viewpoints, presenting them as the result of intense study.
These are the dangerous ones, and of this type is Victor Hugo’s famous tragedy Lucrezia Borgia, a work to which perhaps more than to any other (not excepting Les Borgias in Crimes Célèbres of Alexandre Dumas) is due the popular conception that prevails to-day of Cesare Borgia’s sister.
These are the dangerous ones, and of this type is Victor Hugo’s famous tragedy Lucrezia Borgia, a work that may have contributed more than any other (not excluding Les Borgias in Crimes Célèbres by Alexandre Dumas) to the common idea we have today of Cesare Borgia’s sister.
It is questionable whether anything has ever flowed from a distinguished pen in which so many licences have been taken with the history of individuals and of an epoch; in which there is so rich a crop of crude, transpontine absurdities and flagrant, impossible anachronisms. Victor Hugo was a writer of rare gifts, a fertile romancer and a great poet, and it may be unjust to censure him for having taken the fullest advantages of the licences conceded to both. But it would be difficult to censure him too harshly for having—in his Lucrezia Borgia—struck a pose of scholarliness, for having pretended and maintained that his work was honest work founded upon the study of historical evidences. With that piece of charlatanism he deceived the great mass of the unlettered of France and of all Europe into believing that in his tragedy he presented the true Lucrezia Borgia.
It’s questionable whether anything has ever come from a notable writer who took so many liberties with the lives of individuals and an entire era; one that features such a wealth of ridiculous, outlandish absurdities and blatant, impossible anachronisms. Victor Hugo was a writer with rare talent, a prolific storyteller, and a great poet, and it might be unfair to criticize him for fully exploiting the freedoms that both roles allow. But it would be hard to criticize him too leniently for having—in his Lucrezia Borgia—adopted a pose of scholarly respectability, pretending and insisting that his work was genuine and based on the study of historical evidence. With that act of deceit, he misled a large portion of the uneducated population of France and all of Europe into believing that he presented the true Lucrezia Borgia in his tragedy.
“If you do not believe me,” he declared, “read Tommaso Tommasi, read the Diary of Burchard.”
“If you don’t believe me,” he said, “check out Tommaso Tommasi, read the Diary of Burchard.”
Read, then, that Diary, extending over a period of twenty-three years, from 1483 to 1506, of the Master of Ceremonies of the Vatican (which largely contributes the groundwork of the present history), and the one conclusion to which you will be forced is that Victor Hugo himself had never read it, else he would have hesitated to bid you refer to a work which does not support a single line that he has written.
Read that diary, covering a period of twenty-three years, from 1483 to 1506, of the Master of Ceremonies of the Vatican (which significantly contributes to the foundation of this history), and the one conclusion you’ll reach is that Victor Hugo himself must not have read it, or else he would have thought twice about asking you to refer to a work that doesn’t support a single line he wrote.
As for Tommaso Tommasi—oh, the danger of a little learning! Into what quagmires does it not lead those who flaunt it to impress you!
As for Tommaso Tommasi—oh, the risks of a bit of knowledge! Into what messes does it not lead those who show off to impress you!
Tommasi’s place among historians is on precisely the same plane as Alexandre Dumas’s. His Vita di Cesare Borgia is on the same historical level as Les Borgias, much of which it supplied. Like Crimes Célèbres, Tommasi’s book is invested with a certain air of being a narrative of sober fact; but like Crimes Célèbres, it is none the less a work of fiction.
Tommasi’s status among historians is on the same level as Alexandre Dumas’s. His Vita di Cesare Borgia is at the same historical standard as Les Borgias, much of which it contributed. Like Crimes Célèbres, Tommasi’s book carries a certain vibe of being a narrative of serious fact; but similar to Crimes Célèbres, it is nonetheless a work of fiction.
This Tommaso Tommasi, whose real name was Gregorio Leti—and it is under this that such works of his as are reprinted are published nowadays—was a most prolific author of the seventeenth century, who, having turned Calvinist, vented in his writings a mordacious hatred of the Papacy and of the religion from which he had seceded. His Life of Cesare Borgia was published in 1670. It enjoyed a considerable vogue, was translated into French, and has been the chief source from which many writers of fiction and some writers of “fact” have drawn for subsequent work to carry forward the ceaseless defamation of the Borgias.
This Tommaso Tommasi, whose real name was Gregorio Leti—and it's under this name that his reprinted works are published today—was a highly prolific author of the seventeenth century. After he became a Calvinist, he expressed a biting hatred of the Papacy and the religion he had left in his writings. His Life of Cesare Borgia was published in 1670. It gained significant popularity, was translated into French, and has been the main source for many fiction writers and some non-fiction writers who have continued the relentless defamation of the Borgias.
History should be as inexorable as Divine Justice. Before we admit facts, not only should we call for evidence and analyse it when it is forthcoming, but the very sources of such evidence should be examined, that, as far as possible, we may ascertain what degree of credit they deserve. In the study of the history of the Borgias, we repeat, there has been too much acceptance without question, too much taking for granted of matters whose incredibility frequently touches and occasionally oversteps the confines of the impossible.
History should be as unyielding as Divine Justice. Before we accept facts, we should not only ask for evidence and analyze it when it’s available, but we should also investigate the sources of that evidence to determine how much trust we can place in them. In studying the history of the Borgias, we emphasize that there's been too much unquestioning acceptance and too much taking for granted of things that are often unbelievable and sometimes even cross into the realm of the impossible.
One man knew Cesare Borgia better, perhaps, than did any other contemporary, of the many who have left more or less valuable records; for the mind of that man was the acutest of its age, one of the acutest Italy and the world have ever known. That man was Niccolô Macchiavelli, Secretary of State to the Signory of Florence. He owed no benefits to Cesare; he was the ambassador of a power that was ever inimical to the Borgias; so that it is not to be dreamt that his judgement suffered from any bias in Cesare’s favour. Yet he accounted Cesare Borgia—as we shall see—the incarnation of an ideal conqueror and ruler; he took Cesare Borgia as the model for his famous work The Prince, written as a grammar of statecraft for the instruction in the art of government of that weakling Giuliano de’Medici.
One man knew Cesare Borgia perhaps better than any other contemporary who has left varying records; for that man's mind was the sharpest of its time, one of the sharpest Italy and the world have ever seen. That man was Niccolò Machiavelli, Secretary of State to the Signory of Florence. He owed no favors to Cesare; he was the ambassador of a power that was always hostile to the Borgias; so it’s hard to believe that his judgment was influenced in Cesare’s favor. Yet he regarded Cesare Borgia—as we will see—the embodiment of the ideal conqueror and ruler; he used Cesare Borgia as the model for his famous work The Prince, written as a guide to statecraft for the instruction in governance of that weak Giuliano de’ Medici.
Macchiavelli pronounces upon Cesare Borgia the following verdict:
Macchiavelli delivers this judgment on Cesare Borgia:
“If all the actions of the duke are taken into consideration, it will be seen how great were the foundations he had laid to future power. Upon these I do not think it superfluous to discourse, because I should not know what better precept to lay before a new prince than the example of his actions; and if success did not wait upon what dispositions he had made, that was through no fault of his own, but the result of an extraordinary and extreme malignity of fortune.”
“If you consider all the actions of the duke, you’ll realize how strong the foundations he built for future power were. I don’t think it’s unnecessary to talk about this because I can't think of a better lesson for a new prince than the example of his actions. If success didn’t follow from his plans, it wasn’t due to any fault of his own, but rather the result of an unusual and extreme twist of fate.”
In its proper place shall be considered what else Macchiavelli had to say of Cesare Borgia and what to report of events that he witnessed connected with Cesare Borgia’s career.
In its proper place, we'll consider what else Machiavelli had to say about Cesare Borgia and what to share about the events he witnessed related to Cesare Borgia’s career.
Meanwhile, the above summary of Macchiavelli’s judgement is put forward as a justification for the writing of this book, which has for scope to present to you the Cesare Borgia who served as the model for The Prince.
Meanwhile, the summary of Machiavelli's judgment is presented as a justification for writing this book, which aims to introduce you to Cesare Borgia, who served as the model for The Prince.
Before doing so, however, there is the rise of the House of Borgia to be traced, and in the first two of the four books into which this history will be divided it is Alexander VI, rather than his son, who will hold the centre of the stage.
Before doing so, however, we need to trace the rise of the House of Borgia. In the first two of the four books that this history will be divided into, it will be Alexander VI, rather than his son, who takes the spotlight.
If the author has a mercy to crave of his critics, it is that they will not impute it to him that he has set out with the express aim of “whitewashing”—as the term goes—the family of Borgia. To whitewash is to overlay, to mask the original fabric under a superadded surface. Too much superadding has there been here already. By your leave, all shall be stripped away. The grime shall be removed and the foulness of inference, of surmise, of deliberate and cold-blooded malice, with which centuries of scribblers, idle, fantastic, sensational, or venal, have coated the substance of known facts.
If the author has one favor to ask of his critics, it’s that they don’t assume he’s trying to “whitewash” the Borgia family. To whitewash means to cover up or disguise the original truth with a false layer. There’s already been too much of that here. With your permission, everything will be stripped away. The dirt will be removed, along with the ugliness of assumptions, guesses, and the deliberate, cold-hearted malice that centuries of lazy, fanciful, sensational, or corrupt writers have added to the known facts.
But the grime shall be preserved and analysed side by side with the actual substance, that you may judge if out of zeal to remove the former any of the latter shall have been included in the scraping.
But the dirt will be kept and analyzed alongside the actual material, so you can determine if in the eagerness to remove the former any of the latter has been included in the scraping.
The author expresses his indebtedness to the following works which, amongst others, have been studied for the purposes of the present history:
The author acknowledges his gratitude to the following works which, among others, have been examined for the current history:
Alvisi, Odoardo, Cesare Borgia, Duca di Romagna. Imola, 1878. Auton, Jean d’, Chroniques de Louis XII (Soc. de l’Hist. de France). Paris, 1889. Baldi, Bernardino, Della Vita e Fatti di Guidobaldo. Milano, 1821. Barthélemy, Charles, Erreurs et Mensonges Historiques. Paris, 1873. Bernardi, Andrea, Cronache Forlivese, 1476-1517. Bologna, 1897. Bonnaffé, Edmond, Inventaire de la Duchesse de Valentinois, Paris, 1878. Bonoli, Paolo, Istorie della Città di Forli. Forli, 1661. Bourdeilles, Pierre, Vie des Hommes Illustres. Leyde, 1666. Brown, Rawdon, Ragguagli Sulla Vita e sulle Opere di Marino Sanuto. Venezia, 1837. Buonaccorsi, Biagio, Diario. Firenze, 1568. Burchard, Joannes, Diarium, sive Rerum Urbanarum Commentarii. (Edited by L. Thuasne.) Paris, 1885. Burckhardt, Jacob, Der Cultur der Renaissance in Italien. Basel, 1860. Castiglione, Baldassare, Il Cortigiano. Firenze, 1885. Chapelles, Grillon des, Esquisses Biographiques. Paris, 1862. Cerri, Domenico, Borgia. Tonino, 1857. Clementini, Cesare, Raccolto Istorico delle Fondatione di Rimino. Rimini, 1617. Corio, Bernardino, Storia di Milano. Milano, 1885. Corvo, Baron, Chronicles of the House of Borgia. London, 1901. Espinois, Henri de l’, Le Pape Alexandre VI (in the Revue des Questions Historiques, Vol. XXIX). Paris, 1881. Giovio, Paolo, La Vita di Dicenove Uomini Illustri. Venetia, 1561. Giovio, Paolo, Delle Istorie del Suo Tempo. Venetia, 1608. Giustiniani, Antonio, Dispacci, 1502-1505. (Edited by Pasquale Villari.) Firenze, 1876. Granata, F., Storia Civile di Capua. 1752. Gregorovius, Ferdinand, Geschichte der Stadt Rom im Mittelalter. Stuttgart, 1889. Gregorovius, Ferdinand, Lacrezia Borgia (Italian translation). Firenze, 1855. Guicciardini, Francesco, Istoria d’Italia. Milan, 1803. Guingené, P. L., Histoire Littéraire d’Italie. Milano, 1820. Infessura, Stefano, Diarum Rerum Romanum. (Edited by 0. Tommassini.) Roma, 1887. Leonetti, A., Papa Alessandro VI. Bologna, 1880. Leti, Gregorio (“Tommaso Tommasi”), Vita di Cesare Borgia, Milano, 1851. Lucaire, Achille, Alain le Grand, Sire d’Albret. Paris, 1877. Macchiavelli, Niccolô, Il Principe. Torino, 1853. Macchiavelli, Niccolô, Le Istorie Fiorentine. Firenze, 1848. Macchiavelli, Niccolô, Opere Minori. Firenze, 1852. Matarazzo, Francesco, Cronaca della Città di Perugia, 1492-1503. (Edited by F. Bonaini and F. Polidori.) In Archivio Storico Italiano, Firenze, 1851. Panvinio, Onofrio, Le Vite dei Pontefici. Venezia, 1730. Pascale, Aq., Racconto del Sacco di Capova. Napoli, 1632. Righi, B., Annali di Faenza. Faenza, 1841. Sanazzaro, Opere. Padua, 1723. Sanuto Marino, Diarii, Vols. I to V. (Edited by F. Stefani.) Venice, 1879. Tartt, W. M., Pandolfo Collenuccio, Memoirs connected with his life. 1868. “Tommaso Tommasi” (Gregorio Leti), Vita di Cesare Borgia. 1789. Varchi, Benedetto, Storia Fiorentina. Florence, 1858. Visari, Gustavo, Vita degli Artefici. Villari, Pasquale, La Storia di Girolamo Savonarola, etc. Florence, 1861. Villari, Pasquale, Niccolò Machiavelli e I suoi Tempi. Milano, 1895. Yriarte, Charles, La Vie de César Borgia. Paris, 1889. Yriarte, Charles, Autour des Borgia. Paris, 1891. Zurita, Geronimo, Historia del Rey Don Hernando el Catolico (in Anales). Çaragoça, 1610.
Alvisi, Odoardo, Cesare Borgia, Duke of Romagna. Imola, 1878. Auton, Jean d’, Chronicles of Louis XII (Soc. de l’Hist. de France). Paris, 1889. Baldi, Bernardino, The Life and Deeds of Guidobaldo. Milano, 1821. Barthélemy, Charles, Historical Errors and Lies. Paris, 1873. Bernardi, Andrea, Chronicles of Forli, 1476-1517. Bologna, 1897. Bonnaffé, Edmond, Inventory of the Duchess of Valentinois, Paris, 1878. Bonoli, Paolo, Histories of the City of Forli. Forli, 1661. Bourdeilles, Pierre, Lives of Illustrious Men. Leyden, 1666. Brown, Rawdon, Reports on the Life and Works of Marino Sanuto. Venice, 1837. Buonaccorsi, Biagio, Diary. Florence, 1568. Burchard, Joannes, Diary, or Comments on Urban Affairs. (Edited by L. Thuasne.) Paris, 1885. Burckhardt, Jacob, The Culture of the Renaissance in Italy. Basel, 1860. Castiglione, Baldassare, The Courtier. Florence, 1885. Chapelles, Grillon des, Biographical Sketches. Paris, 1862. Cerri, Domenico, Borgia. Tonino, 1857. Clementini, Cesare, Historical Collection of the Foundations of Rimini. Rimini, 1617. Corio, Bernardino, History of Milan. Milano, 1885. Corvo, Baron, Chronicles of the House of Borgia. London, 1901. Espinois, Henri de l’, Pope Alexander VI (in the Revue des Questions Historiques, Vol. XXIX). Paris, 1881. Giovio, Paolo, The Lives of Nineteen Illustrious Men. Venice, 1561. Giovio, Paolo, Histories of His Time. Venice, 1608. Giustiniani, Antonio, Dispatches, 1502-1505. (Edited by Pasquale Villari.) Florence, 1876. Granata, F., Civil History of Capua. 1752. Gregorovius, Ferdinand, History of the City of Rome in the Middle Ages. Stuttgart, 1889. Gregorovius, Ferdinand, Lucrezia Borgia (Italian translation). Florence, 1855. Guicciardini, Francesco, History of Italy. Milan, 1803. Guingéné, P. L., Literary History of Italy. Milano, 1820. Infessura, Stefano, Diary of Roman Affairs. (Edited by O. Tommassini.) Rome, 1887. Leonetti, A., Pope Alexander VI. Bologna, 1880. Leti, Gregorio (“Tommaso Tommasi”), Life of Cesare Borgia, Milan, 1851. Lucaire, Achille, Alain le Grand, Lord of Albret. Paris, 1877. Machiavelli, Niccolò, The Prince. Turin, 1853. Machiavelli, Niccolò, The Florentine Histories. Florence, 1848. Machiavelli, Niccolò, Minor Works. Florence, 1852. Matarazzo, Francesco, Chronicle of the City of Perugia, 1492-1503. (Edited by F. Bonaini and F. Polidori.) In Archivio Storico Italiano, Florence, 1851. Panvinio, Onofrio, The Lives of the Popes. Venice, 1730. Pascale, Aq., Account of the Sack of Capova. Naples, 1632. Righi, B., Annals of Faenza. Faenza, 1841. Sanazzaro, Works. Padua, 1723. Sanuto Marino, Diaries, Vols. I to V. (Edited by F. Stefani.) Venice, 1879. Tartt, W. M., Pandolfo Collenuccio, Memoirs Connected with His Life. 1868. “Tommaso Tommasi” (Gregorio Leti), Life of Cesare Borgia. 1789. Varchi, Benedetto, Florentine History. Florence, 1858. Visari, Gustavo, Lives of the Artists. Villari, Pasquale, The History of Girolamo Savonarola, etc. Florence, 1861. Villari, Pasquale, Niccolò Machiavelli and His Times. Milano, 1895. Yriarte, Charles, The Life of Caesar Borgia. Paris, 1889. Yriarte, Charles, Around the Borgias. Paris, 1891. Zurita, Geronimo, History of King Ferdinand the Catholic (in Annals). Zaragoza, 1610.
BOOK I. THE HOUSE OF THE BULL
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“Borgia stirps: BOS: atque Ceres transcendit Olympo, Cantabat nomen saecula cuncta suum.”
"Borgia family: BOS: and Ceres rises above Olympus, singing her name through all the ages."
Michele Ferno
Michele Ferno
CHAPTER I. THE RISE OF THE HOUSE OF BORGIA
Although the House of Borgia, which gave to the Church of Rome two popes and at least one saint,(1) is to be traced back to the eleventh century, claiming as it does to have its source in the Kings of Aragon, we shall take up its history for our purposes with the birth at the city of Xativa, in the kingdom of Valencia, on December 30, 1378, of Alonso de Borja, the son of Don Juan Domingo de Borja and his wife Doña Francisca.
Although the House of Borgia, which provided the Church of Rome with two popes and at least one saint,(1) can be traced back to the eleventh century, claiming to originate from the Kings of Aragon, we will start its history with the birth of Alonso de Borja in the city of Xativa, in the kingdom of Valencia, on December 30, 1378. He was the son of Don Juan Domingo de Borja and his wife Doña Francisca.
1 St. Francisco Borgia, S.J.—great-grandson of Pope Alexander VI, born at Gandia, in Spain, in 1510.
1 St. Francisco Borgia, S.J.—great-grandson of Pope Alexander VI, born in Gandia, Spain, in 1510.
To this Don Alonso de Borja is due the rise of his family to its stupendous eminence. An able, upright, vigorous-minded man, he became a Professor and Doctor of Jurisprudence at the University of Lerida, and afterwards served Alfonso I of Aragon, King of Naples and the Two Sicilies, in the capacity of secretary. This office he filled with the distinction that was to be expected from one so peculiarly fitted for it by the character of the studies he had pursued.
To this, Don Alonso de Borja is credited with elevating his family to great heights. A capable, honest, and strong-minded man, he became a Professor and Doctor of Law at the University of Lerida, and later served Alfonso I of Aragon, King of Naples and the Two Sicilies, as his secretary. He handled this role with the distinction expected from someone so well-suited for it by the nature of his studies.
He was made Bishop of Valencia, created Cardinal in 1444, and finally—in 1455—ascended the throne of St. Peter as Calixtus III, an old man, enfeebled in body, but with his extraordinary vigour of mind all unimpaired.
He became the Bishop of Valencia, was made a Cardinal in 1444, and finally—in 1455—took the throne of St. Peter as Calixtus III. Though he was an old man and physically weak, his sharp mind remained completely intact.
Calixtus proved himself as much a nepotist as many another Pope before and since. This needs not to be dilated upon here; suffice it that in February of 1456 he gave the scarlet hat of Cardinal-Deacon of San Niccoló, in Carcere Tulliano, to his nephew Don Roderigo de Lanzol y Borja.
Calixtus showed himself to be just as much a nepotist as many other Popes before and after him. There’s no need to elaborate on that here; it’s enough to say that in February of 1456, he gave the red hat of Cardinal-Deacon of San Niccoló, in Carcere Tulliano, to his nephew Don Roderigo de Lanzol y Borja.
Born in 1431 at Xativa, the son of Juana de Borja (sister of Calixtus) and her husband Don Jofrè de Lanzol, Roderigo was in his twenty-fifth year at the time of his being raised to the purple, and in the following year he was further created Vice-Chancellor of Holy Church with an annual stipend of eight thousand florins. Like his uncle he had studied jurisprudence—at the University of Bologna—and mentally and physically he was extraordinarily endowed.
Born in 1431 in Xativa, Roderigo was the son of Juana de Borja (sister of Calixtus) and her husband Don Jofrè de Lanzol. When he was promoted to cardinal, he was twenty-five years old, and the following year he was appointed Vice-Chancellor of the Holy Church with an annual salary of eight thousand florins. Like his uncle, he studied law at the University of Bologna, and both mentally and physically, he was exceptionally gifted.
From the pen-portraits left of him by Gasparino of Verona, and Girolamo Porzio, we know him for a tall, handsome man with black eyes and full lips, elegant, courtly, joyous, and choicely eloquent, of such health and vigour and endurance that he was insensible to any fatigue. Giasone Maino of Milan refers to his “elegant appearance, serene brow, royal glance, a countenance that at once expresses generosity and majesty, and the genial and heroic air with which his whole personality is invested.” To a similar description of him Gasparino adds that “all women upon whom he so much as casts his eyes he moves to love him; attracting them as the lodestone attracts iron;” which is, it must be admitted, a most undesirable reputation in a churchman.
From the descriptions left by Gasparino of Verona and Girolamo Porzio, we know him to be a tall, handsome man with black eyes and full lips, elegant, charming, joyful, and very articulate, with such health, strength, and stamina that he felt no fatigue. Giasone Maino from Milan mentions his “elegant appearance, calm brow, regal gaze, a face that expresses both generosity and majesty, and the friendly and heroic demeanor that defines his whole character.” Gasparino adds to this description that “all women he merely looks at are drawn to love him; attracting them like a magnet attracts iron;” which, it must be said, is quite an undesirable reputation for a churchman.
A modern historian(1) who uses little restraint when writing of Roderigo Borgia says of him that “he was a man of neither much energy nor determined will,” and further that “the firmness and energy wanting to his character were, however, often replaced by the constancy of his evil passions, by which he was almost blinded.” How the constancy of evil passions can replace firmness and energy as factors of worldly success is not readily discernible, particularly if their possessor is blinded by them. The historical worth of the stricture may safely be left to be measured by its logical value. For the rest, to say that Roderigo Borgia was wanting in energy and in will is to say something to which his whole career gives the loud and derisive lie, as will—to some extent at least—be seen in the course of this work.
A modern historian(1) who holds little back when writing about Roderigo Borgia claims that “he was a man of neither much energy nor determined will,” and goes on to say that “the firmness and energy missing in his character were often overshadowed by the consistency of his evil passions, which almost blinded him.” It’s not easy to see how the consistency of evil passions can take the place of firmness and energy in achieving worldly success, especially if the person is blinded by them. The historical value of this criticism can be assessed based on its logical merit. Furthermore, stating that Roderigo Borgia lacked energy and will is directly contradicted by his entire career, as will—at least to some degree—be illustrated throughout this work.
1 Pasquale Villari in his Machiavelli i suoi Tempi
1 Pasquale Villari in his Machiavelli and His Times
His honours as Cardinal-Deacon and Vice-Chancellor of the Holy See he owed to his uncle; but that he maintained and constantly improved his position—and he a foreigner, be it remembered—under the reigns of the four succeeding Popes—Pius II, Paul II, Sixtus IV, and Innocent VIII—until finally, six-and-twenty years after the death of Calixtus III, he ascended, himself, the Papal Throne, can be due only to the unconquerable energy and stupendous talents which have placed him where he stands in history—one of the greatest forces, for good or ill, that ever occupied St. Peter’s Chair.
His honors as Cardinal-Deacon and Vice-Chancellor of the Holy See were thanks to his uncle; however, the fact that he maintained and continuously enhanced his position—and he was a foreigner, remember—during the reigns of four successive Popes—Pius II, Paul II, Sixtus IV, and Innocent VIII—until finally, twenty-six years after the death of Calixtus III, he himself ascended the Papal Throne, can only be attributed to the unstoppable drive and incredible talents that have placed him in history as one of the greatest forces, for better or worse, to ever occupy St. Peter’s Chair.
Say of him that he was ambitious, worldly, greedy of power, and a prey to carnal lusts. All these he was. But for very sanity’s sake do not let it be said that he was wanting either in energy or in will, for he was energy and will incarnate.
Say that he was ambitious, materialistic, power-hungry, and driven by physical desires. All of this was true. But for the sake of fairness, don’t say that he lacked either energy or determination, because he embodied both energy and will.
Consider that with Calixtus III’s assumption of the Tiara Rome became the Spaniard’s happy hunting-ground, and that into the Eternal City streamed in their hundreds the Catalan adventurers—priests, clerks, captains of fortune, and others—who came to seek advancement at the hands of a Catalan Pope. This Spanish invasion Rome resented. She grew restive under it.
Consider that when Calixtus III took on the Papal Tiara, Rome became a playground for the Spaniards, and hundreds of Catalan adventurers—priests, clerks, fortune-seekers, and others—flooded into the Eternal City to seek opportunities from a Catalan Pope. Rome resented this Spanish invasion. She became restless under it.
Roderigo’s elder brother, Don Pedro Luis de Lanzol y Borja, was made Gonfalonier of the Church, Castellan of all pontifical fortresses and Governor of the Patrimony of St. Peter, with the title of Duke of Spoleto and, later, Prefect of Rome, to the displacement of an Orsini from that office. Calixtus invested this nephew with all temporal power that it was in the Church’s privilege to bestow, to the end that he might use it as a basis to overset the petty tyrannies of Romagna, and to establish a feudal claim on the Kingdom of Naples.
Roderigo's older brother, Don Pedro Luis de Lanzol y Borja, was appointed Gonfalonier of the Church, Castellan of all papal fortresses, and Governor of the Patrimony of St. Peter, with the title of Duke of Spoleto, and later, Prefect of Rome, replacing an Orsini in that position. Calixtus granted this nephew all the temporal power that the Church could bestow, so that he could use it to challenge the small tyrannies of Romagna and establish a feudal claim on the Kingdom of Naples.
Here already we see more than a hint of that Borgia ambition which was to become a byword, and the first attempt of this family to found a dynasty for itself and a State that should endure beyond the transient tenure of the Pontificate, an aim that was later to be carried into actual—if ephemeral—fulfilment by Cesare Borgia.
Here we can already see a clear sign of that Borgia ambition that would become famous, and the first attempt by this family to establish a dynasty for themselves and a State that would last beyond the temporary hold of the Papacy, a goal that was later pursued in reality—though briefly—by Cesare Borgia.
The Italians watched this growth of Spanish power with jealous, angry eyes. The mighty House of Orsini, angered by the supplanting of one of its members in the Prefecture of Rome, kept its resentment warm, and waited. When in August of 1458 Calixtus III lay dying, the Orsini seized the chance: they incited the city to ready insurgence, and with fire and sword they drove the Spaniards out.
The Italians watched the rise of Spanish power with jealousy and anger. The powerful House of Orsini, upset by the replacement of one of its members as the Prefect of Rome, held onto its resentment and bided its time. When Calixtus III was on his deathbed in August of 1458, the Orsini seized the opportunity: they stirred up the city to prepare for rebellion, and with fire and sword, they drove the Spaniards out.
Don Pedro Luis made haste to depart, contrived to avoid the Orsini, who had made him their special quarry, and getting a boat slipped down the Tiber to Civita Vecchia, where he died suddenly some six weeks later, thereby considerably increasing the wealth of Roderigo, his brother and his heir.
Don Pedro Luis quickly left, managed to steer clear of the Orsini, who had become particularly focused on him, and took a boat down the Tiber to Civita Vecchia, where he suddenly died about six weeks later, significantly boosting the wealth of Roderigo, his brother and heir.
Roderigo’s cousin, Don Luis Juan, Cardinal-Presbyter of Santi Quattro Coronati, another member of the family who owed his advancement to his uncle Calixtus, thought it also expedient to withdraw from that zone of danger to men of his nationality and name.
Roderigo’s cousin, Don Luis Juan, Cardinal-Presbyter of Santi Quattro Coronati, another family member who owed his rise to his uncle Calixtus, also thought it wise to leave that area of danger for men of his nationality and name.
Roderigo de Lanzol y Borja alone remained—leastways, the only prominent member of his house—boldly to face the enmity of the majority of the Sacred College, which had looked with grim disfavour upon his uncle’s nepotism. Unintimidated, he entered the Conclave for the election of a successor to Calixtus, and there the chance which so often prefers to bestow its favours upon him who knows how to profit by them, gave him the opportunity to establish himself as firmly as ever at the Vatican, and further to advance his interests.
Roderigo de Lanzol y Borja was the only prominent member of his family left to boldly confront the hostility of most of the Sacred College, which disapproved of his uncle’s favoritism. Undeterred, he entered the Conclave to elect a successor to Calixtus, and there, luck—which often favors those who know how to seize it—gave him the chance to secure his position at the Vatican and further his ambitions.
It fell out that when the scrutiny was taken, two cardinals stood well in votes—the brilliant, cultured Enea Silvio Bartolomeo de’ Piccolomini, Cardinal of Siena, and the French Cardinal d’Estouteville—though neither had attained the minimum majority demanded. Of these two, the lead in number of votes lay with the Cardinal of Siena, and his election therefore might be completed by Accession—that is, by the voices of such cardinals as had not originally voted for him—until the minimum majority, which must exceed two-thirds, should be made up.
When the voting took place, two cardinals were in the lead—the brilliant, cultured Enea Silvio Bartolomeo de’ Piccolomini, Cardinal of Siena, and the French Cardinal d’Estouteville—though neither had reached the minimum majority required. Of these two, the most votes went to the Cardinal of Siena, so his election could proceed by Accession—meaning he could gain the support of cardinals who hadn't originally voted for him—until he secured the minimum majority, which needed to exceed two-thirds.
The Cardinal Vice-Chancellor Roderigo de Lanzol y Borja led this accession, with the result that the Cardinal of Siena became Pontiff—as Pius II—and was naturally enough disposed to advance the interests of the man who had been instrumental in helping him to that eminence. Thus, his position at the Vatican, in the very face of all hostility, became stronger and more prominent than ever.
The Cardinal Vice-Chancellor Roderigo de Lanzol y Borja led this accession, leading to the Cardinal of Siena becoming Pope—as Pius II—and it was only natural that he would want to promote the interests of the man who had helped him achieve that status. Consequently, his position at the Vatican, despite all the opposition, became stronger and more prominent than ever.
A letter written two years later from the Baths at Petriolo by Pius II to Roderigo when the latter was in Siena—whither he had been sent by his Holiness to superintend the building of the Cathedral and the Episcopal and Piccolomini palaces—is frequently cited by way of establishing the young prelate’s dissolute ways. It is a letter at once stern and affectionate, and it certainly leaves no doubt as to what manner of man was the Cardinal Vice-Chancellor in his private life, and to what manner of unecciesiastical pursuits he inclined. It is difficult to discover in it any grounds upon which an apologist may build.
A letter written two years later from the Baths at Petriolo by Pius II to Roderigo, who was in Siena—where he had been sent by the Pope to oversee the construction of the Cathedral and the Episcopal and Piccolomini palaces—is often referenced to highlight the young prelate’s reckless behavior. The letter is both strict and caring, and it clearly reveals the kind of person the Cardinal Vice-Chancellor was in his personal life and the secular interests he pursued. It's hard to find any basis in it for an apology.
“BELOVED SON,
"DEAR SON,"
“When four days ago, in the gardens of Giovanni de Bichis, were assembled several women of Siena addicted to worldly vanity, your worthiness, as we have learnt, little remembering the office which you fill, was entertained by them from the seventeenth to the twenty-second hour. For companion you had one of your colleagues, one whom his years if not the honour of the Holy See should have reminded of his duty. From what we have heard, dancing was unrestrainedly indulged, and not one of love’s attractions was absent, whilst your behaviour was no different from that which might have been looked for in any worldly youth. Touching what happened there, modesty imposes silence. Not only the circumstance itself, but the very name of it is unworthy in one of your rank. The husbands, parents, brothers, and relations of these young women were excluded, in order that your amusements should be the more unbridled. You with a few servants undertook to direct and lead those dances. It is said that nothing is now talked of in Siena but your frivolity. Certain it is that here at the baths, where the concourse of ecclesiastics and laity is great, you are the topic of the day. Our displeasure is unutterable, since all this reflects dishonourably upon the sacerdotal estate and office. It will be said of us that we are enriched and promoted not to the end that we may lead blameless lives, but that we may procure the means to indulge our pleasures. Hence the contempt of us entertained by temporal princes and powers and the daily sarcasms of the laity. Hence also the reproof of our own mode of life when we attempt to reprove others. The very Vicar of Christ is involved in this contempt, since he appears to countenance such things. You, beloved son, have charge of the Bishopric of Valencia, the first of Spain; you are also Vice-Chancellor of the Church; and what renders your conduct still more blameworthy is that you are among the cardinals, with the Pope, one of the counsellors of the Holy See. We submit it to your own judgement whether it becomes your dignity to court young women, to send fruit and wine to her you love, and to have no thought for anything but pleasure. We are censured on your account; the blessed memory of your uncle Calixtus is vituperated, since in the judgement of many he was wrong to have conferred so many honours upon you. If you seek excuses in your youth, you are no longer so young that you cannot understand what duties are imposed upon you by your dignity. A cardinal should be irreproachable, a model of moral conduct to all. And what just cause have we for resentment when temporal princes bestow upon us titles that are little honourable, dispute with us our possessions, and attempt to bend us to their will? In truth it is we who inflict these wounds upon ourselves, and it is we who occasion ourselves these troubles, undermining more and more each day by our deeds the authority of the Church. Our guerdon is shame in this world and condign punishment in the next. May your prudence therefore set a restraint upon these vanities and keep you mindful of your dignity, and prevent that you be known for a gallant among married and unmarried women. But should similar facts recur, we shall be compelled to signify that they have happened against our will and to our sorrow, and our censure must be attended by your shame. We have always loved you, and we have held you worthy of our favour as a man of upright and honest nature. Act therefore in such a manner that we may maintain such an opinion of you, and nothing can better conduce to this than that you should lead a well-ordered life. Your age, which is such as still to promise improvement, admits that we should admonish you paternally.”
“When four days ago, in the gardens of Giovanni de Bichis, a group of women from Siena who are caught up in worldly vanity gathered, your worthiness, as we have learned, seemed to forget your position and was entertained by them from 5 PM to 10 PM. You were accompanied by a colleague, someone whose age, if not the honor of the Holy See, should have reminded him of his responsibilities. From what we've heard, the dancing was unrestricted, and nothing related to love was missing, while your behavior was no different from that of any worldly young man. Regarding what took place there, modesty requires silence. Not only is the event itself improper, but even its name is unworthy for someone of your rank. The husbands, parents, brothers, and relatives of these young women were excluded so that your amusements could be even more uninhibited. You, along with a few servants, took the lead in directing those dances. It is said that nothing else is being discussed in Siena but your frivolity. It is certain that here at the baths, where both clergy and laity gather, you are the center of attention. Our displeasure is beyond words, as all this reflects poorly on the priestly estate and office. It will be suggested about us that we are promoted not to live blameless lives, but to find ways to indulge our pleasures. This leads to the contempt we face from temporal princes and powers, as well as the daily sarcasm from the laity. It also results in criticism of our own lifestyle when we attempt to admonish others. The very Vicar of Christ is caught up in this disdain, as he seems to tolerate such behavior. You, beloved son, hold the Bishopric of Valencia, the top position in Spain; you are also the Vice-Chancellor of the Church; and what makes your behavior even more reproachable is that you are among the cardinals, one of the advisors to the Pope. We leave it to your judgment whether it suits your dignity to pursue young women, to send fruit and wine to the one you love, and to think only of pleasure. We are criticized because of you; the blessed memory of your uncle Calixtus is slandered, as many believe he was wrong to have honored you so greatly. If you try to excuse yourself by claiming youth, you are no longer so young that you cannot recognize the responsibilities your position imposes on you. A cardinal should be above reproach, a model of moral integrity for all. What justification do we have for resentment when temporal princes grant us titles that carry little honor, dispute our possessions, and try to manipulate us? In truth, we are the ones inflicting these wounds upon ourselves, and we are the cause of our troubles, undermining the authority of the Church more each day through our actions. Our reward is shame in this life and just punishment in the next. May your wisdom therefore restrain these vanities and keep you aware of your dignity, and prevent you from being known as a gallant among married and unmarried women. But if similar incidents happen again, we will be forced to state that they occurred against our will and to our sorrow, and our criticism must come with your shame. We have always loved you and considered you worthy of our favor as a person of upright and honest character. Therefore, act in a way that allows us to maintain such an opinion of you, and nothing would do this better than leading a well-ordered life. Your age, which still holds the promise of improvement, allows us to offer this paternal advice.”
“PETRIOLO, June 11, 1460.”
“PETRIOLO, June 11, 1460.”
Such a letter is calculated to shock us in our modern notions of a churchman. To us this conduct on the part of a prelate is scandalous beyond words; that it was scandalous even then is obvious from the Pontiff’s letter; but that it was scandalous in an infinitely lesser degree is no less obvious from the very fact that the Pontiff wrote that letter (and in such terms) instead of incontinently unfrocking the offender.
Such a letter is likely to surprise us with our modern views of a clergyman. To us, this behavior from a bishop is utterly shocking; it’s clear from the Pope’s letter that it was scandalous even then, but even more obviously, it was scandalous to a much lesser extent, considering that the Pope chose to write that letter (and in such terms) instead of immediately removing the offender from the clergy.
In considering Roderigo’s conduct, you are to consider—as has been urged already—the age in which he lived. You are to remember that it was an age in which the passions and the emotions wore no such masks as they wear to-day, but went naked and knew no shame of their nudity; an age in which personal modesty was as little studied as hypocrisy, and in which men, wore their vices as openly as their virtues.
In looking at Roderigo’s behavior, you should think about—the point has been made already—the time he lived in. Remember that it was a time when feelings and emotions were not hidden behind any facades like they are today; they were raw and unashamed of their exposure. It was a time when personal modesty was barely a consideration, just like hypocrisy, and where people displayed their flaws just as openly as they did their good qualities.
No amount of simple statement can convey an adequate notion of the corrupt state of the clergy at the time. To form any just appreciation of this, it is necessary to take a peep at some of the documents that have survived—such a document, for instance, as that Bull of this Pope Pius II which forbade priests from plying the trades of keeping taverns, gaming-houses, and brothels.
No simple explanation can adequately describe how corrupt the clergy were at that time. To truly understand this, it's essential to look at some of the surviving documents—like the Bull from Pope Pius II, which prohibited priests from running taverns, gambling houses, and brothels.
Ponder also that under his successor, Sixtus IV, the tax levied upon the courtesans of Rome enriched the pontifical coffers to the extent of some 20,000 ducats yearly. Ponder further that when the vicar of the libidinous Innocent VIII published in 1490 an edict against the universal concubinage practised by the clergy, forbidding its continuation under pain of excommunication, all that it earned him was the severe censure of the Holy Father, who disagreed with the measure and who straightway repealed and cancelled the edict.(1)
Think about the fact that under his successor, Sixtus IV, the tax imposed on the courtesans of Rome filled the pope's treasury with about 20,000 ducats each year. Consider too that when the representative of the indulgent Innocent VIII issued an edict in 1490 against the widespread concubinage practiced by the clergy, forbidding it under the threat of excommunication, all it earned him was harsh criticism from the Holy Father, who disagreed with the ruling and immediately repealed it.
1 See Burchard’s Diarium, Thuasne Edition, Vol. II. p.442 et seq.
1 See Burchard’s Diary, Thuasne Edition, Vol. II, p.442 and following.
All this being considered, and man being admittedly a creature of his environment, can we still pretend to horror at this Roderigo and at the fact that being the man he was—prelate though he might be—handsome, brilliant, courted, in the full vigour of youth, and a voluptuary by nature, he should have succumbed to the temptations by which he was surrounded?
All this taken into account, and since it’s clear that a person is shaped by their surroundings, can we really be shocked by Roderigo and the fact that, despite being a man of the cloth—being attractive, talented, popular, in the prime of his youth, and naturally indulgent—he fell for the temptations around him?
One factor only could have caused him to use more restraint—the good example of his peers. That example he most certainly had not.
One thing could have made him hold back more—the positive influence of his peers. He definitely didn’t have that example.
Virtue is a comparative estate, when all is said; and before we can find that Roderigo was vile, that he deserves unqualified condemnation for his conduct, we must ascertain that he was more or less exceptional in his licence, that he was less scrupulous than his fellows. Do we find that? To find the contrary we do not need to go beyond the matter which provoked that letter from the Pontiff. For we see that he was not even alone, as an ecclesiastic, in the adventure; that he had for associate on that amorous frolic one Giacopo Ammanati, Cardinal-Presbyter of San Crisogno, Roderigo’s senior and an ordained priest, which—without seeking to make undue capital out of the circumstance—we may mention that Roderigo was not. He was a Cardinal-Deacon, be it remembered.(1) We know that the very Pontiff who admonished these young prelates, though now admittedly a man of saintly ways, had been a very pretty fellow himself in his lusty young days in Siena; we know that Roderigo’s uncle—the Calixtus to whom Pius II refers in that letter as of “blessed memory”—had at least one acknowledged son.(2) We know that Piero and Girolamo Riario, though styled by Pope Sixtus IV his “nephews,” were generally recognized to be his sons.(3) And we know that the numerous bastards of Innocent VIII—Roderigo’s immediate precursor on the Pontifical Throne—were openly acknowledged by their father. We know, in short, that it was the universal custom of the clergy to forget its vows of celibacy, and to circumvent them by dispensing with the outward form and sacrament of marriage; and we have it on the word of Pius II himself, that “if there are good reasons for enjoining the celibacy of the clergy, there are better and stronger for enjoining them to marry.”
Virtue is a relative concept, ultimately. Before we can conclude that Roderigo was despicable and deserves full condemnation for his actions, we need to determine whether he was significantly more reckless than his peers. Is there evidence for that? To argue otherwise, we don’t even need to look further than the issue that prompted the letter from the Pope. We see that he wasn’t even alone as a cleric in this escapade; he was accompanied by Giacopo Ammanati, the Cardinal-Presbyter of San Crisogno, who was older than Roderigo and an ordained priest—something Roderigo was not, since he was a Cardinal-Deacon, as you may recall. We know that the very Pope who warned these young churchmen, despite being a man of saintly reputation now, had been quite a handsome and lively character in his youth back in Siena. We also know that Roderigo’s uncle—the Calixtus mentioned by Pius II in that letter as being of “blessed memory”—had at least one recognized son. We know that Piero and Girolamo Riario, although referred to by Pope Sixtus IV as his “nephews,” were widely regarded as his sons. Additionally, we know that Innocent VIII, Roderigo’s immediate predecessor on the Papal throne, openly acknowledged many illegitimate children. In short, it was a common practice among clergy to ignore their vows of celibacy and to get around them by bypassing the formalities of marriage. Pius II himself stated that “if there are good reasons for enforcing the celibacy of the clergy, there are even better and stronger reasons for encouraging them to marry.”
1 He was not ordained priest until 1471, after the election of Sixtus IV. 2 Don Francisco de Borja, born at Valencia in 1441. 3 Macchiavelli, Istorie Fiorentine.
1 He wasn't ordained as a priest until 1471, after Sixtus IV was elected. 2 Don Francisco de Borja was born in Valencia in 1441. 3 Machiavelli, Florentine Histories.
What more is there to say? If we must be scandalized, let us be scandalized by the times rather than by the man. Upon what reasonable grounds can we demand that he should be different from his fellows; and if we find him no different, what right or reason have we for picking him out and rendering him the object of unparalleled obloquy?
What else is there to say? If we need to be shocked, let's be shocked by the times instead of by the man. On what reasonable basis can we expect him to be different from others; and if we see no difference, what right or reason do we have to single him out and make him the target of intense criticism?
If we are to deal justly with Roderigo Borgia, we must admit that, in so far as his concessions to his lusts are concerned, he was a typical churchman of his day; neither more nor less—as will presently grow abundantly clear.
If we're going to be fair to Roderigo Borgia, we have to acknowledge that, when it comes to giving in to his desires, he was just like any other churchman of his time; neither more nor less—as will soon become very clear.
It may be objected by some that had such been the case the Pope would not have written him such a letter as is here cited. But consider a moment the close relations existing between them. Roderigo was the nephew of the late Pope; in a great measure Pius II owed his election, as we have seen, to Roderigo’s action in the Conclave. That his interest in him apart from that was paternal and affectionate is shown in every line of that letter. And consider further that Roderigo’s companion is shown by that letter to be equally guilty in so far as the acts themselves are to be weighed, guilty in a greater degree when we remember his seniority and his actual priesthood. Yet to Cardinal Ammanati the Pope wrote no such admonition. Is not that sufficient proof that his admonition of Roderigo was dictated purely by his personal affection for him?
Some might argue that if that were true, the Pope wouldn't have written such a letter as the one mentioned here. But let's take a moment to think about their close relationship. Roderigo was the nephew of the previous Pope; much of Pius II's election, as we've seen, was due to Roderigo's influence in the Conclave. The letter shows that his feelings for Roderigo were caring and paternal. Furthermore, the letter indicates that Roderigo’s companion shares the same guilt regarding the actions being considered and is even more guilty when we take into account his seniority and actual priesthood. Yet, the Pope sent no such warning to Cardinal Ammanati. Isn’t that enough evidence that the Pope's warning to Roderigo was solely based on his personal affection for him?
In this same year 1460 was born to Cardinal Roderigo a son—Don Pedro Luis de Borja—by a spinster (mulier soluta) unnamed. This son was publicly acknowledged and cared for by the cardinal.
In the same year, 1460, Cardinal Roderigo had a son—Don Pedro Luis de Borja—with an unnamed unmarried woman. The cardinal publicly recognized and took care of this son.
Seven years later—in 1467—he became the father of a daughter—Girolama de Borja—by a spinster, whose name again does not transpire. Like Pedro Luis she too was openly acknowledged by Cardinal Roderigo. It was widely believed that this child’s mother was Madonna Giovanna de’ Catanei, who soon became quite openly the cardinal’s mistress, and was maintained by him in such state as might have become a maîtresse en titre. But, as we shall see later, the fact of that maternity of Girolama is doubtful in the extreme. It was never established, and it is difficult to understand why not if it were the fact.
Seven years later—in 1467—he became the father of a daughter—Girolama de Borja—by a woman whose name is not known. Like Pedro Luis, she was openly acknowledged by Cardinal Roderigo. Many believed that the mother of this child was Madonna Giovanna de’ Catanei, who soon became the cardinal’s mistress and was supported by him in a way that would have suited an official mistress. However, as we will see later, the question of Girolama's mother is highly uncertain. It was never confirmed, and it’s hard to understand why not if it were true.
Meanwhile Paul II—Pietro Barbo, Cardinal of Venice—had succeeded Pius II in 1464, and in 1471 the latter was in his turn succeeded by the formidable Sixtus IV—Cardinal Francesco Maria della Rovere—a Franciscan of the lowest origin, who by his energy and talents had become general of his order and had afterwards been raised to the dignity of the purple.
Meanwhile, Paul II—Pietro Barbo, Cardinal of Venice—succeeded Pius II in 1464, and in 1471, he was followed by the formidable Sixtus IV—Cardinal Francesco Maria della Rovere—a Franciscan of humble beginnings, who through his energy and talent became the leader of his order and was later elevated to the dignity of cardinal.
It was Cardinal Roderigo de Lanzol y Borja who, in his official capacity of Archdeacon of Holy Church, performed the ceremony of coronation and placed the triple crown on the head of Pope Sixtus. It is probable that this was his last official act as Archdeacon, for in that same year 1471, at the age of forty, he was ordained priest and consecrated Bishop of Albano.
It was Cardinal Roderigo de Lanzol y Borja who, in his role as Archdeacon of the Holy Church, conducted the coronation ceremony and placed the triple crown on Pope Sixtus's head. This was likely his last official act as Archdeacon, because later that same year, 1471, at the age of forty, he was ordained a priest and consecrated as the Bishop of Albano.
CHAPTER II. THE REIGNS OF SIXTUS IV AND INNOCENT VIII
The rule of Sixtus was as vigorous as it was scandalous. To say—as has been said—that with his succession to St. Peter’s Chair came for the Church a still sadder time than that which had preceded it, is not altogether true. Politically, at least, Sixtus did much to strengthen the position of the Holy See and of the Pontificate. He was not long in giving the Roman factions a taste of his stern quality. If he employed unscrupulous means, he employed them against unscrupulous men—on the sound principle of similia similibus curantur—and to some extent they were justified by the ends in view.
The reign of Sixtus was both intense and controversial. It’s not entirely accurate to claim— as has been suggested— that his taking over St. Peter's Chair marked an even gloomier time for the Church than the one before. Politically, Sixtus did a lot to strengthen the position of the Holy See and the Papacy. He quickly showed the Roman factions his tough approach. Though he used questionable methods, he targeted them at unscrupulous individuals—based on the principle that similar things cure each other— and, to some degree, his actions were justified by their intended outcomes.
He found the temporal throne of the Pontiffs tottering when he ascended it. Stefano Porcaro and his distinguished following already in 1453 had attempted the overthrow of the pontifical authority, inspired, no doubt, by the attacks that had been levelled against it by the erudite and daring Lorenzo Valla.
He found the papal throne shaky when he took his place on it. Stefano Porcaro and his notable supporters had already tried to challenge the pope’s authority in 1453, clearly inspired by the bold criticisms made by the knowledgeable Lorenzo Valla.
This Valla was the distinguished translator of Homer, Herodotus, and Thucydides, who more than any one of his epoch advanced the movement of Greek and Latin learning, which, whilst it had the effect of arresting the development of Italian literature, enriched Europe by opening up to it the sources of ancient erudition, of philosophy, poetry, and literary taste. Towards the year 1435 he drifted to the court of Alfonso of Aragon, whose secretary he ultimately became. Some years later he attacked the Temporal Power and urged the secularization of the States of the Church. “Ut Papa,” he wrote, “tantum Vicarius Christi sit, et non etiam Coesari.” In his De falso credita et ementita Constantini Donatione, he showed that the decretals of the Donation of Constantine, upon which rests the Pope’s claim to the Pontifical States, was an impudent forgery, that Constantine had never had the power to give, nor had given, Rome to the Popes, and that they had no right to govern there. He backed up this terrible indictment by a round attack upon the clergy, its general corruption and its practices of simony; and as a result he fell into the hands of the Inquisition. There it might have gone very ill with him but that King Alfonso rescued him from the clutches of that dread priestly tribunal.
This Valla was the well-known translator of Homer, Herodotus, and Thucydides, who more than anyone of his time advanced the movement of Greek and Latin learning. While this movement somewhat halted the growth of Italian literature, it enriched Europe by revealing the sources of ancient knowledge, philosophy, poetry, and literary taste. Around 1435, he arrived at the court of Alfonso of Aragon, where he eventually became the secretary. A few years later, he criticized the Temporal Power and advocated for the secularization of the Papal States. “So the Pope,” he wrote, “is merely the Vicar of Christ and not also the Emperor.” In his work De falso credita et ementita Constantini Donatione, he revealed that the decretals of the Donation of Constantine, which the Pope's claim to the Pontifical States is based on, were a blatant forgery, and that Constantine had never had the authority to give, nor had he ever given, Rome to the Popes, meaning they had no right to rule there. He supported this serious accusation with a scathing critique of the clergy, pointing out its widespread corruption and practices of simony. As a result, he fell into the hands of the Inquisition. It could have gone very badly for him there, but King Alfonso rescued him from the grasp of that dreaded religious tribunal.
Meanwhile, he had fired his petard. If a pretext had been wanting to warrant the taking up of arms against the Papacy, that pretext Valla had afforded. Never was the temporal power of the Church in such danger, and ultimately it must inevitably have succumbed but for the coming of so strong and unscrupulous a man as Sixtus IV to stamp out the patrician factions that were heading the hostile movement.
Meanwhile, he had blown up his own plans. If there had been a need for a reason to justify going to war against the Papacy, Valla had provided that reason. The Church's political power had never been in such jeopardy, and it would have likely fallen if it weren't for the arrival of such a powerful and ruthless man as Sixtus IV, who came to crush the noble factions leading the opposition.
His election, it is generally admitted, was simoniacal; and by simony he raised the funds necessary for his campaign to reestablish and support the papal authority. This simony of his, says Dr. Jacob Burckhardt, “grew to unheard-of proportions, and extended from the appointment of cardinals down to the sale of the smallest benefice.”
His election is widely recognized as corrupt, and through this corruption, he gathered the money needed for his campaign to restore and uphold papal authority. This corrupt practice of his, according to Dr. Jacob Burckhardt, “reached unprecedented levels and included everything from appointing cardinals to selling even the smallest positions.”
Had he employed these means of raising funds for none but the purpose of putting down the assailants of the Pontificate, a measure of justification (political if not ecclesiastical) might be argued in his favour. Unfortunately, having discovered these ready sources of revenue, he continued to exploit them for purposes far less easy to condone.
Had he used these ways to raise funds solely to defeat the attackers of the Pontificate, he might have some justification (political if not religious) to stand by. Unfortunately, after finding these easy sources of income, he kept using them for reasons that are much harder to accept.
As a nepotist Sixtus was almost unsurpassed in the history of the Papacy. Four of his nephews and their aggrandizement were the particular objects of his attentions, and two of these—as we have already said—Piero and Girolamo Riario, were universally recognized to be his sons.
As a nepotist, Sixtus was nearly unmatched in the history of the Papacy. Four of his nephews and their rise to power were the main focus of his attention, and two of these—Piero and Girolamo Riario, as we’ve mentioned before—were widely believed to be his sons.
Piero, who was a simple friar of twenty-six years of age at the time that his father became Pope, was given the Archbishopric of Florence, made Patriarch of Constantinople, and created Cardinal to the title of San Sisto, with a revenue of 60,000 crowns.
Piero, a humble friar at the age of twenty-six when his father became Pope, was appointed Archbishop of Florence, made Patriarch of Constantinople, and elevated to Cardinal with the title of San Sisto, receiving an income of 60,000 crowns.
We have it on the word of Cardinal Ammanati(1)—the same gentleman who, with Roderigo de Lanzol y Borja made so scandalously merry in de Bichis’ garden at Siena—that Cardinal Riario’s luxury “exceeded all that had been displayed by our forefathers or that can even be imagined by our descendants”; and Macchiavelli tells us(2) that “although of very low origin and mean rearing, no sooner had he obtained the scarlet hat than he displayed a pride and ambition so vast that the Pontificate seemed too small for him, and he gave a feast in Rome which would have appeared extraordinary even for a king, the expense exceeding 20,000 florins.”
We have it from Cardinal Ammanati(1)—the same guy who, with Roderigo de Lanzol y Borja, had such a scandalous good time in de Bichi’s garden in Siena—that Cardinal Riario’s extravagance “went beyond anything our ancestors displayed or what our descendants could even imagine”; and Machiavelli tells us(2) that “even though he came from a very low background and humble beginnings, as soon as he got the scarlet hat, he showed such enormous pride and ambition that the Papacy seemed too small for him, and he threw a feast in Rome that would have seemed extraordinary even for a king, costing more than 20,000 florins.”
1 In a letter to Francesco Gonzaga. 2 Istorie Florentine.
1 In a letter to Francesco Gonzaga. 2 Florentine Histories.
Knowing so much, it is not difficult to understand that in one year or less he should have dissipated 200,000 florins, and found himself in debt to the extent of a further 60,000.
Knowing so much, it’s easy to see how in a year or less he could have blown through 200,000 florins and ended up owing an additional 60,000.
In 1473, Sixtus being at the time all but at war with Florence, this Cardinal Riario visited Venice and Milan. In the latter State he was planning with Duke Galeazzo Maria that the latter should become King of Lombardy, and then assist him with money and troops to master Rome and ascend the Papal Throne—which, it appears, Sixtus was quite willing to yield to him—thus putting the Papacy on a hereditary basis like any other secular State.
In 1473, while Sixtus was almost at war with Florence, Cardinal Riario visited Venice and Milan. In Milan, he was discussing plans with Duke Galeazzo Maria for the duke to become King of Lombardy. They intended for the duke to then provide money and troops to take over Rome and take the Papal Throne, which Sixtus seemed open to handing over to him, effectively making the Papacy hereditary like any other secular state.
It is as well, perhaps, that he should have died on his return to Rome in January of 1474—worn out by his excesses and debaucheries, say some; of poison administered by the Venetians, say others—leaving a mass of debts, contracted in his transactions with the World, the Flesh, and the Devil, to be cleared up by the Vicar of Christ.
It might be for the best that he died when he returned to Rome in January of 1474—exhausted from his excesses and indulgences, according to some; or from poison given to him by the Venetians, according to others—leaving behind a pile of debts incurred through his dealings with the World, the Flesh, and the Devil, which the Vicar of Christ had to resolve.
His brother Girolamo, meanwhile, had married Caterina Sforza, a natural daughter of Duke Galeazzo Maria. She brought him as her dowry the City of Imola, and in addition to this he received from his Holiness the City of Forli, to which end the Ordelaffi were dispossessed of it. Here again we have a papal attempt to found a family dynasty, and an attempt that might have been carried further under circumstances more propitious and had not Death come to check their schemes.
His brother Girolamo had married Caterina Sforza, an illegitimate daughter of Duke Galeazzo Maria. She brought him the City of Imola as her dowry, and on top of that, he received the City of Forli from the Pope, which led to the Ordelaffi being removed from power there. Once again, we see a papal effort to establish a family dynasty—an effort that might have progressed further if the circumstances had been more favorable and Death hadn't interrupted their plans.
The only one of the four “nephews” of Sixtus—and to this one was imputed no nearer kinship—who was destined to make any lasting mark in history was Giuliano della Rovere. He was raised by his uncle to the purple with the title of San Pietro in Vincoli, and thirty-two years later he was to become Pope (as Julius II). Of him we shall hear much in the course of this story.
The only one of Sixtus's four "nephews"—and this one had no closer family connection—who was destined to leave a lasting impact on history was Giuliano della Rovere. His uncle elevated him to high rank with the title of San Pietro in Vincoli, and thirty-two years later he would become Pope (as Julius II). We will hear a lot about him throughout this story.
Under the pontificate of Sixtus IV the position and influence of Cardinal Roderigo were greatly increased, for once again the Spanish Cardinal had made the most of his opportunities. As at the election of Pius II, so at the election of Sixtus IV it was Cardinal Roderigo who led the act of accession which gave the new Pope his tiara, and for this act Roderigo—in common with the Cardinals Orsini and Gonzaga who acceded with him—was richly rewarded and advanced, receiving as his immediate guerdon the wealthy Abbey of Subiaco.
Under Pope Sixtus IV, Cardinal Roderigo's position and influence significantly grew, as the Spanish Cardinal seized his opportunities once again. Just like at the election of Pius II, Cardinal Roderigo played a key role in the accession act that crowned the new Pope. For this action, Roderigo—along with Cardinals Orsini and Gonzaga who joined him—was generously rewarded and promoted, immediately receiving the wealthy Abbey of Subiaco as his reward.
At about this time, 1470, must have begun the relations between Cardinal Roderigo and Giovanna Catanei, or Vannozza Catanei, as she is styled in contemporary documents—Vannozza being a corruption or abbreviation of Giovannozza, an affectionate form of Giovanna.
At around 1470, the relationship between Cardinal Roderigo and Giovanna Catanei, also known as Vannozza Catanei in contemporary documents, likely began—Vannozza being a shortened or altered version of Giovannozza, an endearing form of Giovanna.
Who she was, or whence she came, are facts that have never been ascertained. She is generally assumed to have been a Roman; but there are no obvious grounds for the assumption, her name, for instance, being common to many parts of Italy. And just as we have no sources of information upon her origin, neither have we any elements from which to paint her portrait. Gregorovius rests the probability that she was beautiful upon the known characteristics and fastidious tastes of the cardinal. Since it is unthinkable that such a man would have been captivated by an ugly woman or would have been held by a stupid one, it is fairly reasonable to conclude that she was beautiful and ready-witted.
Who she was or where she came from are facts that have never been figured out. She's generally believed to have been Roman, but there’s no clear reason to think that, as her name is common in many parts of Italy. Just as we lack information about her background, we also don’t have anything to help us picture her. Gregorovius suggests that she was likely beautiful based on the known qualities and refined tastes of the cardinal. Since it’s hard to imagine such a man being taken in by an unattractive woman or being interested in a dull one, it’s reasonable to conclude that she was beautiful and sharp-witted.
All that we do know of her up to the time of her liaison with Cardinal Roderigo is that she was born on July 13, 1442, this fact being ascertainable by a simple calculation from the elements afforded by the inscription on her tomb in Santa Maria del Popolo:
All we know about her before her relationship with Cardinal Roderigo is that she was born on July 13, 1442. This can be confirmed by a simple calculation based on the information provided by the inscription on her tomb in Santa Maria del Popolo:
Vix ann. LXXVI m. IV d. XII Objit anno MDXVIII XXVI, Nov.
Vix ann. LXXVI m. IV d. XII Objit anno MDXVIII XXVI, Nov.
And again, just as we know nothing of her family origin, neither have we any evidence of what her circumstances were when she caught the magnetic eye of Cardinal Roderigo de Lanzol y Borja—or Borgia as by now his name, which had undergone italianization, was more generally spelled.
And again, just as we know nothing about her family background, we also have no evidence of her situation when she caught the attention of Cardinal Roderigo de Lanzol y Borja—or Borgia, as his name had been more commonly spelled after being Italianized.
Infessura states in his diaries that Roderigo desiring later—as Pope Alexander VI—to create cardinal his son by her, Cesare Borgia, he caused false witness to be borne to the fact that Cesare was the legitimate son of one Domenico d’Arignano, to whom he, the Pope, had in fact married her. Guicciardini(1) makes the same statement, without, however, mentioning name of this d’Arignano.
Infessura writes in his diaries that Roderigo, later known as Pope Alexander VI, wanted to make his son Cesare Borgia a cardinal. To achieve this, he arranged for false testimony to claim that Cesare was the legitimate son of one Domenico d’Arignano, to whom the Pope had actually married her. Guicciardini(1) makes the same claim, but he doesn't mention the name of this d’Arignano.
1 Istoria d’Italia.
History of Italy.
Now, bastards were by canon law excluded from the purple, and it is probably upon this circumstance that both Infessura and Guicciardini have built the assumption that some such means as these had been adopted to circumvent the law, and—as so often happens in chronicles concerning the Borgias—the assumption is straightway stated as a fact. But there were other ways of circumventing awkward commandments, and, unfortunately for the accuracy of these statements of Infessura and Guicciardini, another way was taken in this instance. As early as 1480, Pope Sixtus IV had granted Cesare Borgia—in a Bull dated October 1(1)—dispensation from proving the legitimacy of his birth. This entirely removed the necessity for any such subsequent measures as those which are suggested by these chroniclers.
Now, illegitimate children were excluded from power by canon law, and it’s likely that both Infessura and Guicciardini based their claims on the idea that some tactics were used to get around this law. As often happens in stories about the Borgias, this assumption is immediately presented as fact. However, there were other ways to bypass inconvenient rules, and sadly for the accuracy of Infessura and Guicciardini's accounts, a different approach was taken in this case. As early as 1480, Pope Sixtus IV had granted Cesare Borgia—in a Bull dated October 1(1)—an exemption from having to prove the legitimacy of his birth. This completely eliminated the need for any of the measures these chroniclers suggested.
1 See the supplement to the Appendix of Thuasne’s edition of Burchard’s Diarium.
1 See the supplement to the Appendix of Thuasne’s edition of Burchard’s Diarium.
Moreover, had Cardinal Roderigo desired to fasten the paternity of Cesare on another, there was ready to his hand Vannozza’s actual husband, Giorgio della Croce.(2) When exactly this man became her husband is not to be ascertained. All that we know is that he was so in 1480, and that she was living with him in that year in a house in Piazza Pizzo di Merlo (now Piazza Sforza Cesarini) not far from the house on Banchi Vecchi which Cardinal Roderigo, as Vice-Chancellor, had converted into a palace for himself, and a palace so sumptuous as to excite the wonder of that magnificent age.
Moreover, if Cardinal Roderigo had wanted to pin Cesare's paternity on someone else, he could have easily chosen Vannozza's actual husband, Giorgio della Croce. We can't determine exactly when this man became her husband, but we do know he was her husband in 1480, and that she was living with him that year in a house on Piazza Pizzo di Merlo (now Piazza Sforza Cesarini). This was not far from the house on Banchi Vecchi, which Cardinal Roderigo, as Vice-Chancellor, had turned into a palace for himself—a palace so lavish it amazed everyone in that spectacular era.
2 D’Arignano is as much a fiction as the rest of Infessura’s story.
2 D'Arignano is just as fictional as the rest of Infessura's story.
This Giorgio della Croce was a Milanese, under the protection of Cardinal Roderigo, who had obtained for him a post at the Vatican as apostolic secretary. According to some, he married him to Vannozza in order to afford her an official husband and thus cloak his own relations with her. It is an assumption which you will hesitate to accept. If we know our Cardinal Roderigo at all, he was never the man to pursue his pleasures in a hole-and-corner fashion, nor one to bethink him of a cloak for his amusements. Had he but done so, scandalmongers would have had less to fasten upon in their work of playing havoc with his reputation. What is far more likely is that della Croce owed Cardinal Roderigo’s protection and the appointment as apostolic secretary to his own complacency in the matter of his wife’s relations with the splendid prelate. However we look at it, the figure cut in this story by della Croce is not heroic.
This Giorgio della Croce was from Milan and was supported by Cardinal Roderigo, who got him a job at the Vatican as an apostolic secretary. Some say he married Vannozza to give her an official husband and hide his own relationship with her. That's a theory many might hesitate to accept. If we know Cardinal Roderigo at all, he was never the type to pursue his pleasures secretly or to think he needed to hide his fun. If he had, gossipmongers would have had less to cling to in their efforts to damage his reputation. It's much more likely that della Croce benefited from Cardinal Roderigo’s protection and his role as apostolic secretary due to his own acceptance of his wife's relationship with the prominent cardinal. No matter how we look at it, della Croce's role in this story is far from heroic.
Between the years 1474 and 1476, Vannozza bore Roderigo two sons, Cesare Borgia (afterwards Cardinal of Valencia and Duke of Valentinois), the central figure of our story, and Giovanni Borgia (afterwards Duke of Gandia).
Between the years 1474 and 1476, Vannozza gave birth to Roderigo's two sons, Cesare Borgia (later Cardinal of Valencia and Duke of Valentinois), the main character of our story, and Giovanni Borgia (later Duke of Gandia).
Lucrezia Borgia, we know from documentary evidence before us, was born on April 19, 1479.
Lucrezia Borgia, as we can see from the documentary evidence available, was born on April 19, 1479.
But there is a mystery about the precise respective ages of Vannozza’s two eldest sons, and we fear that at this time of day it has become impossible to establish beyond reasonable doubt which was the firstborn; and this in spite of the documents discovered by Gregorovius and his assertion that they remove all doubt and enable him definitely to assert that Giovanni was born in 1474 and Cesare in 1476.
But there’s a mystery about the exact ages of Vannozza’s two oldest sons, and we worry that at this point, it’s become impossible to definitively establish which one was born first; this is despite the documents found by Gregorovius and his claim that they eliminate all doubt and allow him to confidently state that Giovanni was born in 1474 and Cesare in 1476.
Let us look at these documents. They are letters from ambassadors to their masters; probably correct, and the more credible since they happen to agree and corroborate one another; still, not so utterly and absolutely reliable as to suffice to remove the doubts engendered by the no less reliable documents whose evidence contradicts them.
Let’s check out these documents. They are letters from ambassadors to their leaders; likely accurate, and more trustworthy since they happen to support and confirm each other; however, they’re not completely and totally reliable enough to eliminate the doubts raised by the equally reliable documents that contradict them.
The first letters quoted by Gregorovius are from the ambassador Gianandrea Boccaccio to his master, the Duke of Ferrara, in 1493. In these he mentions Cesare Borgia as being sixteen to seventeen years of age at the time. But the very manner of writing—“sixteen to seventeen years”—is a common way of vaguely suggesting age rather than positively stating it. So we may pass that evidence over, as of secondary importance.
The first letters quoted by Gregorovius are from the ambassador Gianandrea Boccaccio to his boss, the Duke of Ferrara, in 1493. In these, he mentions Cesare Borgia as being around sixteen to seventeen years old at the time. However, the way of writing—“sixteen to seventeen years”—is a typical way of vaguely indicating age instead of stating it clearly. So we can consider that evidence less significant.
Next is a letter from Gerardo Saraceni to the Duke of Ferrara, dated October 26, 1501, and it is more valuable, claiming as it does to be the relation of something which his Holiness told the writer. It is in the post-scriptum that this ambassador says: “The Pope gave me to understand that the said Duchess [Lucrezia Borgia] will complete twenty-two years of age next April, and at that same time the Duke of Romagna will complete his twenty-sixth year.”(1)
Next is a letter from Gerardo Saraceni to the Duke of Ferrara, dated October 26, 1501, and it is more valuable, as it claims to recount something His Holiness told the writer. In the post-script, this ambassador states: “The Pope made it clear to me that the Duchess [Lucrezia Borgia] will turn twenty-two next April, and at that same time, the Duke of Romagna will turn twenty-six.”(1)
1 “Facendomi intendere the epsa Duchessa é di etá di anni ventidui, li quali finiranno a questo Aprile; in el qual tempo anche lo Illmo. Duca di Romagna fornirá anni ventisei.”
1 “Making me understand that the Duchess is twenty-one years old, which will turn into twenty-two this April; during which time the Illustrious Duke of Romagna will also be twenty-six.”
This certainly fixes the year of Cesare’s birth as 1476; but we are to remember that Saraceni is speaking of something that the Pope had recently told him; exactly how recently does not transpire. An error would easily be possible in so far as the age of Cesare is concerned. In so far as the age of Lucrezia is concerned, an error is not only possible, but has actually been committed by Saraceni. At least the age given in his letter is wrong by one year, as we know by a legal document drawn up in February of 1491—Lucrezia’s contract of marriage with Don Juan Cherubin de Centelles.(2)
This definitely confirms that Cesare was born in 1476; however, we should keep in mind that Saraceni is referring to something the Pope had recently told him, though it’s unclear exactly how recently. There's a possibility of error regarding Cesare's age. When it comes to Lucrezia's age, not only is a mistake possible, but Saraceni actually made one. The age stated in his letter is off by a year, as shown by a legal document created in February of 1491—Lucrezia’s marriage contract with Don Juan Cherubin de Centelles.(2)
2 A contract never executed.
A contract not signed.
According to this protocol in old Spanish, dated February 26, 1491, Lucrezia completed her twelfth year on April 19, 1491,(3) which definitely and positively gives us the date of her birth as April 19, 1479.
According to this protocol in old Spanish, dated February 26, 1491, Lucrezia completed her twelfth year on April 19, 1491,(3) which definitely and positively gives us the date of her birth as April 19, 1479.
3 “Item mes attenent que dita Dona Lucretia a XVIIII de Abril prop. vinent entrará in edat de dotze anys.”
3 “Item they mention that said Dona Lucretia will turn twelve years old on the 18th of April next year.”
A quite extraordinary error is that made by Gregorovius when he says that Lucrezia Borgia was born on April 18, 1480, extraordinary considering that he made it apparently with this very protocol under his eyes, and cites it, in fact (Document IV in the Appendix to his Lucrezia Borgia) as his authority.
A rather remarkable mistake was made by Gregorovius when he claims that Lucrezia Borgia was born on April 18, 1480. It’s extraordinary, especially since he apparently had the very protocol right in front of him, and he actually cites it (Document IV in the Appendix to his Lucrezia Borgia) as his source.
To return, however, to Cesare and Giovanni, there is yet another evidence quoted by Gregorovius in support of his contention that the latter was the elder and born in 1474; but it is of the same nature and of no more, nor less, value than those already mentioned.
To go back to Cesare and Giovanni, there's another piece of evidence cited by Gregorovius to back up his claim that Giovanni was the older one, born in 1474; however, it's the same kind and doesn't hold any more or less value than the ones already mentioned.
Worthy of more consideration in view of their greater official and legal character are the Ossuna documents, given in the Supplement of the Appendix in Thuasne’s edition of Burchard’s Diary, namely:
Worthy of more consideration due to their greater official and legal importance are the Ossuna documents, presented in the Supplement of the Appendix in Thuasne’s edition of Burchard’s Diary, specifically:
(a) October 1, 1480.—A Bull from Sixtus IV, already mentioned, dispensing Cesare from proving his legitimacy. In this he is referred to as in his sixth year—“in sexto tuo aetatis anno.”
(a) October 1, 1480.—A Bull from Sixtus IV, previously mentioned, granting Cesare permission to skip proving his legitimacy. In this document, he is referred to as being in his sixth year—“in sexto tuo aetatis anno.”
This, assuming Boccaccio’s letter to be correct in the matter of April being the month of Cesare’s birth, fixes the year of his birth as 1475.
This, if Boccaccio’s letter is accurate about April being the month of Cesare’s birth, sets the year of his birth as 1475.
(b) August 16, 1482.—A Bull of Sixtus IV, appointing Roderigo Borgia administrator of Cesare’s benefices. In this he is mentioned as being seven years of age (i.e., presumably in his eighth year), which again gives us his birth-year as 1475.
(b) August 16, 1482.—A Bull of Sixtus IV, appointing Roderigo Borgia administrator of Cesare’s benefices. In this document, he is noted as being seven years old (i.e., presumably in his eighth year), which again confirms his birth year as 1475.
(c) September 12, 1484.—A Bull of Sixtus IV, appointing Cesare treasurer of the Church of Carthage. In this he is mentioned as in his ninth year—“in nono tuo aetatis anno.” This is at variance with the other two, and gives us 1476 as the year of his birth.
(c) September 12, 1484.—A bull from Sixtus IV appointing Cesare treasurer of the Church of Carthage. In this document, he is referred to as being in his ninth year—“in nono tuo aetatis anno.” This contradicts the other two documents and indicates that he was born in 1476.
To these evidences, conflicting as they are, may be added Burchard’s mention in his diary under date of September 12, 1491, that Cesare was then seventeen years of age. This would make him out to have been born in 1474.
To these pieces of evidence, conflicting as they are, we can add Burchard’s note in his diary dated September 12, 1491, stating that Cesare was then seventeen years old. This would mean he was born in 1474.
Clearly the matter cannot definitely be settled upon such evidence as we have. All that we can positively assert is that he was born between the years 1474 and 1476, and we cannot, we think, do better for the purposes of this story than assume his birth-year to have been 1475.
Clearly, the issue can't be definitively resolved based on the evidence we have. All we can confidently say is that he was born between 1474 and 1476, and for the sake of this story, we think it's best to assume his birth year was 1475.
We know that between those same years, or in one or the other of them, was born Giovanni Borgia; but just as the same confusion prevails with regard to his exact age, so is it impossible to determine with any finality whether he was Cesare’s junior or senior.
We know that during those same years, or in one of them, Giovanni Borgia was born; but just like the ongoing confusion about his exact age, it’s also impossible to say definitively whether he was younger or older than Cesare.
The one document that appears to us to be the most important in this connection is that of the inscription on their mother’s tomb. This runs:
The one document that seems to us to be the most important in this context is the inscription on their mother’s tomb. This reads:
FAUSTIAE CATHANAE, CESARE VALENTINAE, JOHANNAE CANDIAE, JUFFREDO SCYLATII, ET LUCRETIA FERRARIAE DUCIB. FILIIS NOBILI PROBITATE INSIGNI, RELIGIONE EXIMIA, ETC., ETC.
FAUSTIA CATHANA, CESARE VALENTINA, JOHANNA CANDIA, JUFFREDO SCYLATIA, AND LUCRETIA FERRARIA, THE NOBLE SONS AND DAUGHTERS OF LEADERS, DISTINGUISHED BY THEIR OUTSTANDING INTEGRITY, EXCEPTIONAL FAITH, AND SO ON.
If Giovanni was, as is claimed, the eldest of her children, why does his name come second? If Cesare was her second son, why does his name take the first place on that inscription?
If Giovanni was, as claimed, the oldest of her kids, why is his name listed second? If Cesare was her second son, why is his name in the top spot on that inscription?
It has been urged that if Cesare was the elder of these two, he, and not Giovanni, would have succeeded to the Duchy of Gandia on the death of Pedro Luis—Cardinal Roderigo’s eldest son, by an unknown mother. But that does not follow inevitably; for it is to be remembered that Cesare was already destined for an ecclesiastical career, and it may well be that his father was reluctant to change his plans.
It has been suggested that if Cesare was the older of the two, he, not Giovanni, would have taken over the Duchy of Gandia after the death of Pedro Luis—Cardinal Roderigo’s oldest son, whose mother is unknown. However, that’s not a certainty; we must remember that Cesare was already set for a church career, and it’s possible that his father was hesitant to alter his plans.
Meanwhile the turbulent reign of Sixtus IV went on, until his ambition to increase his dominions had the result of plunging the whole of Italy into war.
Meanwhile, the chaotic rule of Sixtus IV continued, until his desire to expand his territories led to war across all of Italy.
Lorenzo de’Medici had thwarted the Pope’s purposes in Romagna, coming to the assistance of Città di Castello when this was attacked in the Pope’s interest by the warlike Giuliano della Rovere. To avenge himself for this, and to remove a formidable obstacle to his family’s advancement, the Pope inspired the Pazzi conspiracy against the lives of the famous masters of Florence. The conspiracy failed; for although Giuliano de’Medici fell stabbed to the heart—before Christ’s altar, and at the very moment of the elevation of the Host—Lorenzo escaped with slight hurt, and, by the very risk to which he had been exposed, rallied the Florentines to him more closely than ever.
Lorenzo de' Medici had disrupted the Pope’s plans in Romagna by coming to the aid of Città di Castello when it was attacked in the Pope’s interest by the aggressive Giuliano della Rovere. To get revenge and remove a major hurdle to his family's progress, the Pope orchestrated the Pazzi conspiracy against the lives of the renowned leaders of Florence. The plot failed; although Giuliano de' Medici was fatally stabbed—right before Christ’s altar, at the moment of the elevation of the Host—Lorenzo escaped with only minor injuries and, by surviving such a perilous situation, garnered even stronger support from the Florentines than ever before.
Open war was the only bolt remaining in the papal quiver, and open war he declared, preluding it by a Bull of Excommunication against the Florentines. Naples took sides with the Pope. Venice and Milan came to the support of Florence, whereupon Milan’s attentions were diverted to her own affairs, Genoa being cunningly set in revolt against her.
Open war was the only option left in the pope's arsenal, and he declared it, starting with a Bull of Excommunication against the people of Florence. Naples sided with the Pope. Venice and Milan supported Florence, but then Milan’s focus shifted to its own issues, as Genoa was slyly incited to rebel against it.
In 1480 a peace was patched up; but it was short-lived. A few months later war flared out again from the Holy See, against Florence this time, and on the pretext of its having joined the Venetians against the Pope in the late war. A complication now arose, created by the Venetians, who seized the opportunity to forward their own ambitions and increase their territories on the mainland, and upon a pretext of the pettiest themselves declared war upon Ferrara. Genoa and some minor tyrannies were drawn into the quarrel on the one side, whilst on the other Florence, Naples, Mantua, Milan, and Bologna stood by Ferrara. Whilst the papal forces were holding in check the Neapolitans who sought to pass north to aid Ferrara, whilst the Roman Campagna was being harassed by the Colonna, and Milan was engaged with Genoa, the Venetians invested Ferrara, forced her to starvation and to yielding-point. Thereupon the Pope, perceiving the trend of affairs, and that the only likely profit to be derived from the campaign would lie with Venice, suddenly changed sides that he might avoid a contingency so far removed from all his aims.
In 1480, a temporary peace was established, but it didn’t last long. A few months later, war broke out again from the Holy See, this time against Florence, on the pretext that it had allied with the Venetians against the Pope in the recent conflict. Complicating matters, the Venetians seized the chance to pursue their own ambitions and expand their territories on the mainland, using the smallest of excuses to declare war on Ferrara. Genoa and some minor tyrannies joined one side, while on the other side, Florence, Naples, Mantua, Milan, and Bologna supported Ferrara. As the papal forces held off the Neapolitans trying to move north to help Ferrara, while the Roman Campagna was being troubled by the Colonna, and Milan was engaged with Genoa, the Venetians laid siege to Ferrara, forcing it to the brink of starvation and surrender. Realizing the direction events were heading and that Venice was likely to gain the most from the campaign, the Pope suddenly switched sides to avoid a situation that was far from his goals.
He made a treaty with Naples, and permitted the Neapolitan army passage through his territories, of which they availed themselves to convey supplies to Ferrara and neutralize the siege. At the same time the Pope excommunicated the Venetians, and urged all Italy to make war upon them.
He formed a treaty with Naples and allowed the Neapolitan army to pass through his lands, which they used to transport supplies to Ferrara and break the siege. Meanwhile, the Pope excommunicated the Venetians and called on all of Italy to wage war against them.
In this fashion the campaign dragged on to every one’s disadvantage and without any decisive battle fought, until at last the peace of Bagnolo was concluded in August of 1484, and the opposing armies withdrew from Ferrara.
In this way, the campaign continued to everyone's disadvantage and without any decisive battle taking place, until finally, the peace of Bagnolo was signed in August of 1484, and the opposing armies left Ferrara.
The news of it literally killed Sixtus. When the ambassadors declared to him the terms of the treaty he was thrown into a violent rage, and declared the peace to be at once shameful and humiliating. The gout from which he suffered flew to his heart, and on the following day—August 12, 1484—he died.
The news of it literally killed Sixtus. When the ambassadors told him the terms of the treaty, he was filled with a violent rage and called the peace both shameful and humiliating. The gout he suffered from attacked his heart, and the next day—August 12, 1484—he died.
Two things he did during his reign to the material advantage of the Church, however much he may have neglected the spiritual. He strengthened her hold upon her temporal possessions and he enriched the Vatican by the addition of the Sistine Chapel. For the decoration of this he procured the best Tuscan talent of his day—and of many days—and brought Alessandro Filipeppi (Botticelli), Pietro Vannuccio (Il Perugino), and Domenico Bigordi (IL Ghirlandajo) from Florence to adorn its walls with their frescoes.(1)
Two things he did during his reign that benefited the Church materially, even if he may have overlooked the spiritual aspects. He strengthened her control over her earthly possessions and he enriched the Vatican by adding the Sistine Chapel. To decorate it, he hired the best Tuscan artists of his time—and of many others—and brought Alessandro Filipeppi (Botticelli), Pietro Vannuccio (Il Perugino), and Domenico Bigordi (Il Ghirlandajo) from Florence to embellish its walls with their frescoes.(1)
1 The glory of the Sistine Chapel, however, is Michelangelo’s “Last Judgement,” which was added later, in the reign of Pope Julius II (Giuliano della Rovere).
1 The glory of the Sistine Chapel, however, is Michelangelo’s “Last Judgment,” which was added later, during the reign of Pope Julius II (Giuliano della Rovere).
In the last years of the reign of Pope Sixtus, Cardinal Roderigo’s family had suffered a loss and undergone an increase.
In the final years of Pope Sixtus's reign, Cardinal Roderigo's family experienced both a loss and a growth.
In 1481 Vannozza bore him another son—Giuffredo Borgia, and in the following year died his eldest son (by an unknown mother) Pedro Luis de Borgia, who had reached the age of twenty-two and was betrothed at the time of his decease to the Princess Maria d’Aragona.
In 1481, Vannozza gave birth to another son—Giuffredo Borgia. The next year, his eldest son (from an unknown mother), Pedro Luis de Borgia, died at the age of twenty-two. At the time of his death, he was engaged to Princess Maria d’Aragona.
In January of that same year, 1482, Cardinal Roderigo had married his daughter Girolama—now aged fifteen—to Giovanni Andrea Cesarini, the scion of a patrician Roman house. The alliance strengthened the bonds of good feeling which for some considerable time had prevailed between the two families. Unfortunately the young couple were not destined to many years of life together, as in 1483 both died.
In January of that same year, 1482, Cardinal Roderigo married his daughter Girolama—now fifteen—to Giovanni Andrea Cesarini, the heir of a noble Roman family. This alliance strengthened the positive relationship that had existed between the two families for some time. Unfortunately, the young couple weren't meant to have many years together, as both died in 1483.
Of Cesare all that we know at this period is what we learn from the Papal Bulls conferring several benefices upon him. In July 1482 he was granted the revenues from the prebendals and canonries of Valencia; in the following month he was appointed Canon of Valencia and apostolic notary. In April 1484 he was made Provost of Alba, and in September of the same year treasurer of the Church of Carthage. No doubt he was living with his mother, his brothers, and his sister at the house in the Piazza Pizzo di Merlo, where an ample if not magnificent establishment was maintained.
All we know about Cesare at this time comes from the Papal Bulls that granted him several benefices. In July 1482, he was given the revenues from the prebendals and canonries of Valencia; in the following month, he was appointed Canon of Valencia and apostolic notary. In April 1484, he became Provost of Alba, and in September of the same year, he was made treasurer of the Church of Carthage. It's likely that he was living with his mother, brothers, and sister at the house in Piazza Pizzo di Merlo, where they maintained a comfortable if not lavish household.
By this time Cardinal Roderigo’s wealth and power had grown to stupendous proportions, and he lived in a splendour well worthy of his lofty rank. He was now fifty-three years of age, still retaining the air and vigour of a man in his very prime, which, no doubt, he owed as much as to anything to his abstemious and singularly sparing table-habits. He derived a stupendous income from his numerous abbeys in Italy and Spain, his three bishoprics of Valencia, Porto, and Carthage, and his ecclesiastical offices, among which the Vice-Chancellorship alone yielded him annually eight thousand florins.(1)
By this time, Cardinal Roderigo’s wealth and power had reached incredible levels, and he lived in a splendor befitting his high rank. At fifty-three years old, he still had the demeanor and energy of a man in his prime, which, no doubt, he attributed largely to his disciplined and notably modest eating habits. He earned a massive income from his many abbeys in Italy and Spain, his three bishoprics in Valencia, Porto, and Carthage, and his church offices, among which the Vice-Chancellorship alone brought him eight thousand florins each year.(1)
1 The gold florin, ducat, or crown was equal to ten shillings of our present money, and had a purchasing power of five times that amount.
1 The gold florin, ducat, or crown was worth ten shillings in today’s currency and had a purchasing power five times that amount.
Volterra refers with wonder to the abundance of his plate, to his pearls, his gold embroideries, and his books, the splendid equipment of his beds, the trappings of his horses, and other similar furnishings in gold, in silver, and in silk. In short, he was the wealthiest prince of the Church of his day, and he lived with a magnificence worthy of a king or of the Pope himself.
Volterra marvels at the abundance on his plate, his pearls, his gold embroidery, and his books, the extravagant bedding, the decorations of his horses, and other similar items made of gold, silver, and silk. In short, he was the richest prince of the Church in his time, living with a grandeur fit for a king or the Pope himself.
Of the actual man, Volterra, writing in 1586, says: “He is of a spirit capable of anything, and of a great intelligence. A ready speaker, and of distinction, notwithstanding his indifferent literary culture; naturally astute, and of marvellous talent in the conduct of affairs.”
Of the real man, Volterra, writing in 1586, says: “He has a spirit that can do anything and possesses great intelligence. He’s a skilled speaker and stands out, despite his lackluster literary education; naturally sharp and has amazing talent in managing affairs.”
In the year in which Volterra wrote of Cardinal Roderigo in such terms Vannozza was left a widow by the death of Giorgio della Croce. Her widowhood was short, however, for in the same year—on June 6—she took a second husband, possibly at the instance of Roderigo Borgia, who did not wish to leave her unprotected; that, at least, is the general inference, although there is very little evidence upon which to base it. This second husband was Carlo Canale, a Mantovese scholar who had served Cardinal Francesco Gonzaga in the capacity of chamberlain, and who had come to Rome on the death of his patron.
In the year Volterra wrote about Cardinal Roderigo in such a way, Vannozza became a widow after Giorgio della Croce passed away. Her time as a widow was brief, though, because in the same year—on June 6—she remarried, possibly at the suggestion of Roderigo Borgia, who didn’t want to leave her unprotected; that’s the general belief, even if there’s not much evidence to support it. Her second husband was Carlo Canale, a scholar from Mantova who had worked as a chamberlain for Cardinal Francesco Gonzaga and had come to Rome following his patron's death.
The marriage contract shows that by this time Vannozza had removed her residence to Piazza Branchis. In addition to this she had by this time acquired a villa with its beautiful gardens and vineyards in the Suburra near S. Pietro in Vincoli. She is also known to have been the proprietor of an inn—the Albergo del Leone—in Via del Orso, opposite the Torre di Nona, for she figures with della Croce in a contract regarding a lease of it in 1483.
The marriage contract indicates that by this time, Vannozza had moved her home to Piazza Branchis. Additionally, she had acquired a villa with beautiful gardens and vineyards in the Suburra, near S. Pietro in Vincoli. She is also known to have owned an inn—the Albergo del Leone—on Via del Orso, across from the Torre di Nona, as she appears alongside della Croce in a lease agreement for it in 1483.
With her entrance into second nuptials, her relations with Cardinal Roderigo came to an end, and his two children by her, then in Rome—Lucrezia and Giuffredo—went to take up their residence with Adriana Orsini (née de Mila) at the Orsini Palace on Monte Giordano. She was a cousin of Roderigo’s, and the widow of Lodovico Orsini, by whom she had a son, Orso Orsini, who from early youth had been betrothed to Giulia Farnese, the daughter of a patrician family, still comparatively obscure, but destined through this very girl to rise to conspicuous eminence.
With her remarriage, her relationship with Cardinal Roderigo ended, and their two children together, Lucrezia and Giuffredo, who were in Rome, went to live with Adriana Orsini (née de Mila) at the Orsini Palace on Monte Giordano. She was a cousin of Roderigo's and the widow of Lodovico Orsini, with whom she had a son, Orso Orsini. From a young age, he had been promised to Giulia Farnese, the daughter of a relatively unknown patrician family, but destined to gain significant prominence through this very girl.
For her surpassing beauty this Giulia Farnese has been surnamed La Bella—and as Giulia La Bella was she known in her day—and she has been immortalized by Pinturicchio and Guglielmo della Porta. She sat to the former as a model for his Madonna in the Borgia Tower of the Vatican, and to the latter for the statue of Truth which adorns the tomb of her brother Alessandro Farnese, who became Pope Paul III.
For her stunning beauty, Giulia Farnese was nicknamed La Bella—and during her time, she was known as Giulia La Bella. She has been immortalized by Pinturicchio and Guglielmo della Porta. She posed for the former as a model for his Madonna in the Borgia Tower of the Vatican, and for the latter for the statue of Truth that decorates the tomb of her brother Alessandro Farnese, who became Pope Paul III.
Here in Adriana Orsini’s house, where his daughter Lucrezia was being educated, Cardinal Roderigo, now at the mature age of some six-and-fifty years, made the acquaintance and became enamoured of this beautiful golden-headed Giulia, some forty years his junior. To the fact that she presently became his mistress—somewhere about the same time that she became Orso Orsini’s wife—is due the sudden rise of the House of Farnese. This began with her handsome, dissolute brother Alessandro’s elevation to the purple by her lover, and grew to vast proportions during his subsequent and eminently scandalous occupation of the Papal Throne as Paul III.
Here in Adriana Orsini’s house, where his daughter Lucrezia was being educated, Cardinal Roderigo, now at the mature age of about fifty-six, met and fell in love with the beautiful golden-haired Giulia, who was around forty years younger than him. The fact that she became his mistress around the same time she married Orso Orsini led to the sudden rise of the House of Farnese. This began with her handsome, reckless brother Alessandro being elevated to cardinal by her lover, and grew significantly during his subsequent and notoriously scandalous time as Pope Paul III.
In the year 1490 Lucrezia was the only one of Roderigo’s children by Vannozza who remained in Rome.
In 1490, Lucrezia was the only one of Roderigo's children with Vannozza who stayed in Rome.
Giovanni Borgia was in Spain, whither he had gone on the death of his brother Pedro Luis, to take posession of the Duchy of Gandia, which the power of his father’s wealth and vast influence at the Valencian Court had obtained for that same Pedro Luis. To this Giovanni now succeeded.
Giovanni Borgia was in Spain, where he had gone after his brother Pedro Luis died, to take possession of the Duchy of Gandia, which their father's wealth and significant influence at the Valencian Court had secured for Pedro Luis. Now, Giovanni was the one taking over.
Cesare Borgia—now aged fifteen—had for some two years been studying his humanities in an atmosphere of Latinity at the Sapienza of Perugia. There, if we are to believe the praises of him uttered by Pompilio, he was already revealing his unusual talents and a precocious wit. In the preface of the Syllabica on the art of Prosody dedicated to him by Pompilio, the latter hails him as the hope and ornament of the Hous of Borgia—“Borgiae familiae spes et decus.”
Cesare Borgia—now fifteen—had been studying the humanities for about two years in a Latin-speaking environment at Sapienza in Perugia. There, according to the praises shared by Pompilio, he was showcasing his exceptional talents and early wit. In the preface of the Syllabica on the art of Prosody dedicated to him by Pompilio, the latter calls him the hope and pride of the House of Borgia—“Borgiae familiae spes et decus.”
From Perugia he was moved in 1491 to the famous University of Pisa, a college frequented by the best of Italy. For preceptor he had Giovanni Vera of Arcilla, a Spanish gentleman who was later created a cardinal by Cesare’s father. There in Pisa Cesare maintained an establishment of a magnificence in keeping with his father’s rank and with the example set him by that same father.
From Perugia, he was transferred in 1491 to the renowned University of Pisa, a college attended by the best students in Italy. His tutor was Giovanni Vera of Arcilla, a Spanish nobleman who was later made a cardinal by Cesare's father. In Pisa, Cesare maintained a lavish lifestyle befitting his father's status and following the example set by that same father.
It was Cardinal Roderigo’s wish that Cesare should follow an ecclesiastical career; and the studies of canon law which he pursued under Filippo Decis, the most rated lecturer on canon law of his day, were such as peculiarly to fit him for that end and for the highest honours the Church might have to bestow upon him later. At the age of seventeen, while still at Pisa, he was appointed prothonotary of the Church and preconized Bishop of Pampeluna.
It was Cardinal Roderigo’s wish for Cesare to pursue a career in the Church, and the studies of canon law he undertook under Filippo Decis, the top lecturer on canon law of his time, were particularly suited to prepare him for that path and for the highest honors the Church could later grant him. At the age of seventeen, while still in Pisa, he was appointed prothonotary of the Church and officially named Bishop of Pampeluna.
Sixtus IV died, as we have seen, in August 1482. The death of a Pope was almost invariably the signal for disturbances in Rome, and they certainly were not wanting on this occasion. The Riario palaces were stormed and looted, and Girolamo Riario—the Pope’s “nepot”—threw himself into the castle of Sant’ Angelo with his forces.
Sixtus IV died, as we have seen, in August 1482. The death of a Pope almost always triggered unrest in Rome, and this time was no different. The Riario palaces were stormed and looted, and Girolamo Riario—the Pope’s “nephew”—took refuge in the castle of Sant’ Angelo with his troops.
The Orsini and Colonna were in arms, “so that in a few days incendiarism, robbery, and murder raged in several parts of the city. The cardinals besought the Count to surrender the castle to the Sacred College, withdraw his troops, and deliver Rome from the fear of his forces; and he, that he might win the favour of the future Pope, obeyed, and withdrew to Imola.”(1)
The Orsini and Colonna were fighting, causing incidents of arson, theft, and murder to break out in various parts of the city within a few days. The cardinals pleaded with the Count to hand over the castle to the Sacred College, pull back his troops, and free Rome from the threat of his army; wanting to gain the favor of the future Pope, he complied and retreated to Imola.”(1)
1 Macchiavelli, Istorie Fiorentine.
Machiavelli, Florentine Histories.
The cardinals, having thus contrived to restore some semblance of order, proceeded to the creation of a new Pontiff, and a Genoese, Giovanni Battista Cibo, Cardinal of Malfetta, was elected and took the name of Innocent VIII.
The cardinals, having managed to bring back some level of order, went on to elect a new Pope. A Genoese named Giovanni Battista Cibo, Cardinal of Malfetta, was chosen and took the name Innocent VIII.
Again, as in the case of Sixtus, there is no lack of those who charge this Pontiff with having obtained his election by simony. The Cardinals Giovanni d’ Aragona (brother to the King of Naples) and Ascanio Sforza (brother of Lodovico, Duke of Milan) are said to have disposed of their votes in the most open and shameless manner, practically putting them up for sale to the highest bidder. Italy rang with the scandal of it, we are told.
Again, like with Sixtus, there are many who accuse this Pope of getting his election through simony. The Cardinals Giovanni d’Aragona (brother of the King of Naples) and Ascanio Sforza (brother of Lodovico, Duke of Milan) are said to have openly and shamelessly sold their votes to the highest bidder. Italy buzzed with the scandal of it, they say.
Under Innocent’s lethargic rule the Church again began to lose much of the vigour with which Sixtus had inspired it. If the reign of Sixtus had been scandalous, infinitely worse was that of Innocent—a sordid, grasping sensualist, without even the one redeeming virtue of strength that had been his predecessor’s. Nepotism had characterized many previous pontificates; open paternity was to characterize his, for he was the first Pope who, in flagrant violation of canon law, acknowledged his children for his own. He proceeded to provide for some seven bastards, and that provision appears to have been the only aim and scope of his pontificate.
Under Innocent’s sluggish leadership, the Church started to lose much of the energy that Sixtus had instilled in it. If Sixtus's time was scandalous, Innocent’s was even worse—a greedy, indulgent sensualist, lacking even the one redeeming quality of strength that his predecessor had. Nepotism had marked many past papacies; open fatherhood would define his, as he was the first Pope to openly acknowledge his children in blatant disregard of canon law. He went on to financially support about seven illegitimate children, and that seemed to be the only goal of his papacy.
Not content with raising money by the sale of preferments, Innocent established a traffic in indulgences, the like of which had never been seen before. In the Rome of his day you might, had you the money, buy anything, from a cardinal’s hat to a pardon for the murder of your father.
Not satisfied with making money from selling church positions, Innocent created a trade in indulgences unlike anything seen before. In his time in Rome, if you had the cash, you could buy pretty much anything, from a cardinal’s hat to a pardon for killing your father.
The most conspicuous of his bastards was Francesco Cibo—conspicuous chiefly for the cupidity which distinguished him as it distinguished the Pope his father. For the rest he was a poor-spirited fellow who sorely disappointed Lorenzo de’Medici, whose daughter Maddalena he received in marriage. Lorenzo had believed that, backed by the Pope’s influence, Francesco would establish for himself a dynasty in Romagna. But father and son were alike too invertebrate—the one to inspire, the other to execute any such designs as had already been attempted by the nepots of Calixtus III and Sixtus IV.
The most obvious of his illegitimate children was Francesco Cibo—noticeable mainly for the greed that marked him, just as it did his father, the Pope. Otherwise, he was a weak-willed man who deeply disappointed Lorenzo de’Medici, who married him to his daughter, Maddalena. Lorenzo thought that, with the Pope’s support, Francesco would create a dynasty in Romagna. But both father and son were too spineless—the former to provide inspiration, the latter to carry out any plans similar to those already attempted by the nephews of Calixtus III and Sixtus IV.
Under the weak and scandalous rule of Innocent VIII Rome appears to have been abandoned to the most utter lawlessness. Anarchy, robbery, and murder preyed upon the city. No morning dawned without revealing corpses in the streets; and if by chance the murderer was caught, there was pardon for him if he could afford to buy it, or Tor di Nona and the hangman’s noose if he could not.
Under the weak and scandalous leadership of Innocent VIII, Rome seemed to have been left to complete lawlessness. Anarchy, robbery, and murder plagued the city. Every morning brought the sight of corpses in the streets; and if, by chance, a murderer was caught, he could buy his way to freedom or face Tor di Nona and the executioner's noose if he couldn’t afford it.
It is not wonderful that when at last Innocent VIII died Infessura should have blessed the day that freed the world of such a monster.
It’s not surprising that when Innocent VIII finally died, Infessura celebrated the day that rid the world of such a monster.
But his death did not happen until 1492. A feeble old man, he had become subject to lethargic or cataleptic trances, which had several times already deceived those in attendance into believing him dead. He grew weaker and weaker, and it became impossible to nourish him upon anything but woman’s milk. Towards the end came, Infessura tells us, a Hebrew physician who claimed to have a prescription by which he could save the Pope’s life. For his infusion(1) he needed young human blood, and to obtain it he took three boys of the age of ten, and gave them a ducat apiece for as much as he might require of them. Unfortunately he took so much that the three boys incontinently died of his phlebotomy, and the Hebrew was obliged to take to flight to save his own life, for the Pope, being informed of what had taken place, execrated the deed and ordered the physician’s arrest. “Judeus quidem aufugit, et Papa sanatus not est,” concludes Infessura.
But his death didn't occur until 1492. As a frail old man, he became prone to lethargic or cataleptic trances, which had already fooled those around him into thinking he was dead several times. He grew weaker and weaker, and it became impossible to feed him anything but breast milk. Towards the end, Infessura tells us, a Hebrew doctor came forward claiming he had a treatment to save the Pope’s life. For his remedy, he needed fresh human blood, and to get it, he took three boys aged ten, paying them each a ducat for as much blood as he needed. Unfortunately, he took so much that all three boys quickly died from the bloodletting, forcing the doctor to flee for his life. When the Pope learned what had happened, he condemned the act and ordered the physician's arrest. “Judeus quidem aufugit, et Papa sanatus not est,” concludes Infessura.
1 The silly interpretation of this afforded by later writers, that this physician attempted transfusion of blood—silly, because unthinkable in an age which knew nothing of the circulation of the blood—has already been exploded.
1 The ridiculous interpretation of this put forth by later writers, that this doctor tried to transfuse blood—ridiculous because it’s unimaginable in a time when people had no understanding of blood circulation—has already been debunked.
Innocent VIII breathed his last on July 25, 1492.
Innocent VIII passed away on July 25, 1492.
CHAPTER III. ALEXANDER VI
The ceremonies connected with the obsequies of Pope Innocent VIII lasted—as prescribed—nine days; they were concluded on August 5, 1492, and, says Infessura naïvely, “sic finita fuit eius memoria.”
The ceremonies related to the funeral of Pope Innocent VIII lasted—as required—nine days; they ended on August 5, 1492, and, Infessura says innocently, “thus his memory was concluded.”
The Sacred College consisted at the time of twenty-seven cardinals, four of whom were absent at distant sees and unable to reach Rome in time for the immuring of the Conclave. The twenty-three present were, in the order of their seniority: Roderigo Borgia, Oliviero Caraffa, Giuliano della Rovere, Battista Zeno, Giovanni Michieli, Giorgio Costa, Girolamo della Rovere, Paolo Fregosi, Domenico della Rovere, Giovanni dei Conti, Giovanni Giacomo Sclafetani, Lorenzo Cibo, Ardicino della Porta, Antoniotto Pallavicino, Maffeo Gerardo, Francesco Piccolomini, Raffaele Riario, Giovanni Battista Savelli, Giovanni Colonna, Giovanni Orsini, Ascanio Maria Sforza, Giovanni de’Medici, and Francesco Sanseverino.
The Sacred College at that time had twenty-seven cardinals, four of whom were away in far-off areas and couldn’t reach Rome in time for the Conclave's closing. The twenty-three who were present, in order of seniority, were: Roderigo Borgia, Oliviero Caraffa, Giuliano della Rovere, Battista Zeno, Giovanni Michieli, Giorgio Costa, Girolamo della Rovere, Paolo Fregosi, Domenico della Rovere, Giovanni dei Conti, Giovanni Giacomo Sclafetani, Lorenzo Cibo, Ardicino della Porta, Antoniotto Pallavicino, Maffeo Gerardo, Francesco Piccolomini, Raffaele Riario, Giovanni Battista Savelli, Giovanni Colonna, Giovanni Orsini, Ascanio Maria Sforza, Giovanni de’ Medici, and Francesco Sanseverino.
On August 6 they assembled in St. Peter’s to hear the Sacred Mass of the Holy Ghost, which was said by Giuliano della Rovere on the tomb of the Prince of the Apostles, and to listen to the discourse “Pro eligendo Pontefice,” delivered by the learned and eloquent Bishop of Carthage. Thereafter the Cardinals swore upon the Gospels faithfully to observe their trust, and thereupon the Conclave was immured.
On August 6, they gathered in St. Peter’s to attend the Sacred Mass of the Holy Ghost, which was celebrated by Giuliano della Rovere at the tomb of the Prince of the Apostles, and to hear the speech “Pro eligendo Pontefice,” given by the knowledgeable and eloquent Bishop of Carthage. After that, the Cardinals swore on the Gospels to uphold their duty, and then the Conclave was sealed off.
According to the dispatches of Valori, the Ferrarese ambassador in Rome, it was expected that either the Cardinal of Naples (Oliviero Caraffa) or the Cardinal of Lisbon (Giorgio Costa) would be elected to the Pontificate; and according to the dispatch of Cavalieri the ambassador of Modena, the King of France had deposited 200,000 ducats with a Roman banker to forward the election of Giuliano della Rovere. Nevertheless, early on the morning of August 11 it was announced that Roderigo Borgia was elected Pope, and we have it on the word of Valori that the election was unanimous, for he wrote on the morrow to the Council of Eight (the Signory of Florence) that after long contention Alexander VI was created “omnium consensum—ne li manco un solo voto.”
According to reports from Valori, the Ferrarese ambassador in Rome, it was expected that either Cardinal of Naples (Oliviero Caraffa) or Cardinal of Lisbon (Giorgio Costa) would be elected pope. Additionally, according to a report from Cavalieri, the ambassador from Modena, the King of France had deposited 200,000 ducats with a Roman banker to support the election of Giuliano della Rovere. However, early on the morning of August 11, it was announced that Roderigo Borgia had been elected pope, and Valori confirmed that the election was unanimous. He wrote the next day to the Council of Eight (the Signory of Florence) that after considerable debate, Alexander VI was elected “with the consent of all—without even a single dissenting vote.”
The subject of this election is one with which we rarely find an author dealing temperately or with a proper and sane restraint. To vituperate in superlatives seems common to most who have taken in hand this and other episodes in the history of the Borgias. Every fresh writer who comes to the task appears to be mainly inspired by a desire to emulate his forerunners, allowing his pen to riot zestfully in the accumulation of scandalous matter, and seeking to increase if possible its lurid quality by a degree or two. As a rule there is not even an attempt made to put forward evidence in substantiation of anything that is alleged. Wild and sweeping statement takes the place that should be held by calm deduction and reasoned comment.
The topic of this election is one that authors rarely approach with moderation or a clear and sensible restraint. Insulting in extreme terms seems typical for most who have tackled this and other events in the history of the Borgias. Every new writer who takes on the task seems mainly driven by a desire to mimic their predecessors, allowing their writing to wildly indulge in the collection of scandalous content and trying to amplify its shocking nature by a notch or two. Usually, there isn't even an effort made to present evidence supporting any claims. Reckless and broad statements replace the thoughtful analysis and rational commentary that should be present.
“He was the worst Pontiff that ever filled St. Peter’s Chair,” is one of these sweeping statements, culled from the pages of an able, modern, Italian author, whose writings, sound in all that concerns other matters, are strewn with the most foolish extravagances and flagrant inaccuracies in connection with Alexander VI and his family.
“He was the worst Pope to ever occupy St. Peter’s Chair,” is one of those over-the-top claims, taken from the work of a skilled, contemporary Italian author, whose writings, reliable on many other subjects, are filled with ridiculous exaggerations and blatant inaccuracies regarding Alexander VI and his family.
To say of him, as that writer says, that “he was the worst Pontiff that ever filled St. Peter’s Chair,” can only be justified by an utter ignorance of papal history. You have but to compare him calmly and honestly—your mind stripped of preconceptions—with the wretched and wholly contemptible Innocent VIII whom he succeeded, or with the latter’s precursor, the terrible Sixtus IV.
To claim, as that writer does, that “he was the worst Pope to ever sit in St. Peter’s Chair,” shows a complete lack of understanding of papal history. All you need to do is compare him thoughtfully and honestly—free from bias—to the miserable and completely despised Innocent VIII whom he replaced, or with his predecessor, the dreadful Sixtus IV.
That he was better than these men, morally or ecclesiastically, is not to be pretended; that he was worse—measuring achievement by opportunity—is strenuously to be denied. For the rest, that he was infinitely more gifted and infinitely more a man of affairs is not to be gainsaid by any impartial critic.
That he was better than these guys, in terms of morals or church standing, can't be claimed; that he was worse—if you look at success based on opportunity—is something that can't be accepted. Furthermore, it can't be denied by any fair critic that he was way more talented and much more of a person of action.
If we take him out of the background of history in which he is set, and judge him singly and individually, we behold a man who, as a churchman and Christ’s Vicar, fills us with horror and loathing, as a scandalous exception from what we are justified in supposing from his office must have been the rule. Therefore, that he may be judged by the standard of his own time if he is to be judged at all, if we are even to attempt to understand him, have we given a sketch of the careers of those Popes who immediately preceded him, with whom as Vice-Chancellor he was intimately associated, and whose examples were the only papal examples that he possessed.
If we take him out of the historical context he’s in and judge him on his own, we see a man who, as a church leader and Christ’s representative, fills us with horror and disgust, as a shocking exception to what we would expect from someone in his position. Therefore, if we're going to judge him, it should be based on the standards of his own time—if we’re even going to try to understand him. That's why we’ve provided a brief overview of the careers of the Popes who came right before him, with whom he was closely connected as Vice-Chancellor, and whose examples were the only papal models he had.
That this should justify his course we do not pretend. A good churchman in his place would have bethought him of his duty to the Master whose Vicar he was, and would have aimed at the sorely needed reform. But we are not concerned to study him as a good churchman. It is by no means clear that we are concerned to study him as a churchman at all. The Papacy had by this time become far less of an ecclesiastical than a political force; the weapons of the Church were there, but they were being employed for the furtherance not of churchly, but of worldly aims. If the Pontiffs in the pages of this history remembered or evoked their spiritual authority, it was but to employ it as an instrument for the advancement of their temporal schemes. And personal considerations entered largely into these.
We don't claim that this justifies his actions. A good church member in his position would have thought about his duty to the Master he represented and would have aimed for the much-needed reform. However, we're not focused on examining him as a good church member. It's not at all clear that we are interested in studying him as a church member at all. By this time, the Papacy had become much more of a political force than a religious one; the Church's tools were present, but they were being used to promote worldly goals rather than spiritual ones. If the Popes in this history recalled or referenced their spiritual authority, it was mainly to use it as a means to advance their earthly agendas. Personal motivations played a significant role in these endeavors.
Self-aggrandizement, insufferable in a cleric, is an ambition not altogether unpardonable in a temporal prince; and if Alexander aimed at self-aggrandizement and at the founding of a permanent dynasty for his family, he did not lack examples in the careers of those among his predecessors with whom he had been associated.
Self-promotion, which is unbearable in a religious leader, is a somewhat forgivable ambition in a ruler; and if Alexander sought to elevate himself and establish a lasting dynasty for his family, he had plenty of examples from the lives of his predecessors he had worked with.
That the Papacy was Christ’s Vicarage was a fact that had long since been obscured by the conception that the Papacy was a kingdom of this world. In striving, then, for worldly eminence by every means in his power, Alexander is no more blameworthy than any other. What, then, remains? The fact that he succeeded better than any of his forerunners. But are we on that account to select him for the special object of our vituperation? The Papacy had tumbled into a slough of materialism in which it was to wallow even after the Reformation had given it pause and warning. Under what obligation was Alexander VI, more than any other Pope, to pull it out of that slough? As he found it, so he carried it on, as much a self-seeker, as much a worldly prince, as much a family man and as little a churchman as any of those who had gone immediately before him.
That the Papacy was Christ’s representative was something that had long been hidden by the idea that the Papacy was just a worldly kingdom. In his pursuit of worldly power by any means necessary, Alexander isn’t any more at fault than anyone else. So, what’s left? The fact that he succeeded better than any of his predecessors. Should we then single him out for our criticism because of that? The Papacy had fallen into a pit of materialism, which it continued to dwell in even after the Reformation had given it a wake-up call. Why should Alexander VI be more obligated than any other Pope to pull it out of that pit? He continued it as he found it, just as much a self-interested individual, just as much a worldly prince, just as much a family man, and as little a churchman as any of those who came right before him.
By the outrageous discrepancy between the Papacy’s professed and actual aims it was fast becoming an object of execration, and it is Alexander’s misfortune that, coming when he did, he has remained as the type of his class.
By the shocking difference between the Papacy's stated goals and its real intentions, it was quickly becoming something people hated, and it’s Alexander’s misfortune that, given his timing, he has become a symbol of his kind.
The mighty of this world shall never want for detractors. The mean and insignificant, writhing under the consciousness of his shortcomings, ministers to his self-love by vilifying the great that he may lessen the gap between himself and them. To achieve greatness is to achieve enemies. It is to excite envy; and as envy no seed can raise up such a crop of hatred.
The powerful in this world will always have critics. The small and insignificant, struggling with their own shortcomings, try to boost their self-esteem by attacking the great in order to close the gap between themselves and them. To become great is to gain enemies. It's to stir up envy, and from envy, no seed can grow such a harvest of hatred.
Does this need labouring? Have we not abundant instances about us of the vulgar tittle-tattle and scandalous unfounded gossip which, born Heaven alone knows on what back-stairs or in what servants’ hall, circulates currently to the detriment of the distinguished in every walk of life? And the more conspicuously great the individual, the greater the incentive to slander him, for the interest of the slander is commensurate with the eminence of the personage assailed.
Does this need explaining? Don’t we have plenty of examples around us of the petty gossip and baseless rumors that, God knows where they come from, circulate freely and harm people in every profession? And the more famous someone is, the stronger the temptation to slander them, because the interest in the gossip matches the prominence of the person being targeted.
Such to a great extent is the case of Alexander VI. He was too powerful for the stomachs of many of his contemporaries, and he and his son Cesare had a way of achieving their ends. Since that could not be denied, it remained to inveigh loudly against the means adopted; and with pious uplifting of hands and eyes, to cry, “Shame!” and “Horror!” and “The like has never been heard of!” in wilful blindness to what had been happening at the Vatican for generations.
So much is true of Alexander VI. He was too powerful for many of his contemporaries to handle, and he and his son Cesare had a knack for getting what they wanted. Since that couldn’t be denied, they resorted to loudly criticizing the methods used, raising their hands and eyes in pious outrage, crying, “Shame!” and “Horror!” and “We've never seen anything like this!” while willfully ignoring what had been happening at the Vatican for generations.
Later writers take up the tale of it. It is a fine subject about which to make phrases, and the passion for phrase-making will at times outweigh the respect for truth. Thus Villari with his “the worst Pontiff that ever filled St. Peter’s Chair,” and again, elsewhere, echoing what many a writer has said before him from Guicciardini downwards, in utter and diametric opposition to the true facts of the case: “The announcement of his election was received throughout Italy with universal dismay.” To this he adds the ubiquitous story of King Ferrante’s bursting into tears at the news—“though never before known to weep for the death of his own children.”
Later writers continue the story. It's a great topic for crafting phrases, and the desire to create clever phrases sometimes overshadows the commitment to truth. For instance, Villari calls him “the worst Pope to ever sit in St. Peter’s Chair,” and again, he echoes what many writers have said before him, from Guicciardini onward, in complete contradiction to the actual facts: “The announcement of his election was met with universal dismay across Italy.” He goes on to include the well-known tale of King Ferrante bursting into tears at the news—“though he had never been known to cry for the death of his own children.”
Let us pause a moment to contemplate the grief the Neapolitan King. What picture is evoked in your minds by that statement of his bursting into tears at Alexander’s election? We see—do we not?—a pious, noble soul, horror-stricken at the sight of the Papacy’s corruption; a truly sublime figure, whose tears will surely stand to his credit in heaven; a great heart breaking; a venerable head bowed down with lofty, righteous grief, weeping over the grave of Christian hopes. Such surely is the image we are meant to see by Guicciardini and his many hollow echoers.
Let’s take a moment to think about the sorrow of the King of Naples. What image comes to mind when you hear about him bursting into tears at Alexander’s election? We see—a noble, pious person, horrified by the corruption of the Papacy; a truly admirable figure, whose tears will definitely count in his favor in heaven; a big heart breaking; an esteemed head bowed down with profound, righteous sadness, mourning the loss of Christian ideals. That’s clearly the image Guicciardini and his many empty imitators want us to see.
Turn we now for corroboration of that noble picture to the history of this same Ferrante. A shock awaits us. We find, in this bastard of the great and brilliant Alfonso a cruel, greedy, covetous monster, so treacherous and so fiendishly brutal that we are compelled to extend him the charity of supposing him to be something less than sane. Let us consider but one of his characteristics. He loved to have his enemies under his own supervision, and he kept them so—the living ones caged and guarded, the dead ones embalmed and habited as in life; and this collection of mummies was his pride and delight. More, and worse could we tell you of him. But—ex pede, Herculem.
Let’s now look for evidence of that noble image in the history of Ferrante. A shock awaits us. We discover that this illegitimate son of the great and brilliant Alfonso is actually a cruel, greedy, and covetous monster, so treacherous and fiendishly brutal that we’re forced to consider him possibly less than sane. Let’s examine just one of his traits. He enjoyed having his enemies under his own control, and he kept them that way—the living ones caged and guarded, the dead ones embalmed and dressed as they were in life; this collection of mummies was his pride and joy. We could tell you more, and worse, about him. But—ex pede, Herculem.
This man shed tears we are told. Not another word. It is left to our imagination to paint for us a picture of this weeping; it is left to us to conclude that these precious tears were symbolical of the grief of Italy herself; that the catastrophe that provoked them must have been terrible indeed.
This man cried, we're told. No further explanation. It's up to us to imagine what this weeping looked like; we must conclude that these precious tears represented the sorrow of Italy itself; that the disaster that caused them must have been truly awful.
But now that we know what manner of man was this who wept, see how different is the inference that we may draw from his sorrow. Can we still imagine it—as we are desired to do—to have sprung from a lofty, Christian piety? Let us track those tears to their very source, and we shall find it to be compounded of rage and fear.
But now that we understand what kind of man he was who cried, notice how different the conclusion we can draw from his sadness is. Can we still picture it—as we are meant to do—as coming from deep, Christian devotion? Let’s trace those tears back to their origin, and we will discover they are made up of anger and fear.
Ferrante saw trouble ahead of him with Lodovico Sforza, concerning a matter which shall be considered in the next chapter, and not at all would it suit him at such a time that such a Pope as Alexander—who, he had every reason to suppose, would be on the side of Lodovico—should rule in Rome.
Ferrante anticipated problems with Lodovico Sforza regarding an issue that will be discussed in the next chapter, and at such a moment, it would be very inconvenient for him to have a Pope like Alexander—who he had every reason to believe would support Lodovico—ruling in Rome.
So he had set himself, by every means in his power, to oppose Roderigo’s election. His rage at the news that all his efforts had been vain, his fear of a man of Roderigo’s mettle, and his undoubted dread of the consequences to himself of his frustrated opposition of that man’s election, may indeed have loosened the tears of this Ferrante who had not even wept at the death of his own children. We say “may” advisedly; for the matter, from beginning to end, is one of speculation. If we leave it for the realm of fact, we have to ask—Were there any tears at all? Upon what authority rests the statement of the Florentine historian? What, in fact, does he say?
So he had resolved, by every means at his disposal, to fight against Roderigo’s election. His anger at the news that all his efforts had been in vain, his fear of a man like Roderigo, and his clear anxiety about the consequences for himself from his failed opposition to that man’s election may have indeed caused tears to fall from this Ferrante, who hadn’t even cried at the death of his own children. We say “may” carefully; because the matter, from start to finish, is up for debate. If we consider it as fact, we have to ask—Were there any tears at all? What evidence supports the claim of the Florentine historian? What, in fact, does he say?
“It is well known that the King of Naples, for all that in public he dissembled the pain it caused him, signified to the queen, his wife, with tears—which were Unusual in him even on the death of his children—that a Pope had been created who would be most pernicious to Italy.”
“It is well known that the King of Naples, despite hiding his pain in public, showed his wife, the queen, with tears—something rare for him even during the death of his children—that a Pope had been appointed who would be extremely harmful to Italy.”
So that, when all is said, Ferrante shed his kingly tears to his wife in private, and to her in private he delivered his opinion of the new Pontiff. How, then, came Guicciardini to know of the matter? True, he says, “It is well known”—meaning that he had those tears upon hearsay. It is, of course, possible that Ferrante’s queen may have repeated what passed between herself and the king; but that would surely have been in contravention of the wishes of her husband, who had, be it remembered, “dissembled his grief in public.” And Ferrante does not impress one as the sort of husband whose wishes his wife would be bold enough to contravene.
So, after everything was said and done, Ferrante cried private tears with his wife and shared his thoughts about the new Pope with her in private as well. How, then, did Guicciardini find out about it? He claims, “It is well known”—which means he heard about those tears from someone else. It's possible that Ferrante's queen might have talked about what happened between her and the king, but that would definitely go against her husband's wishes, who had, remember, “hidden his grief in public.” Ferrante doesn’t seem like the type of husband whose wishes his wife would feel free to ignore.
It is surprising that upon no better authority than this should these precious tears of Ferrante’s have been crystallized in history.
It’s surprising that these precious tears of Ferrante's should be recorded in history based on no better authority than this.
If this trivial instance has been dealt with at such length it is because, for one reason, it is typical of the foundation of so many of the Borgia legends, and, for another, because when history has been carefully sifted for evidence of the “universal dismay with which the election of Roderigo Borgia was received” King Ferrante’s is the only case of dismay that comes through the mesh at all. Therefore was it expedient to examine it minutely.
If this minor example has been discussed in detail, it’s because, for one thing, it reflects the foundation of many Borgia legends, and, for another, when history has been thoroughly examined for proof of the “widespread shock at Roderigo Borgia’s election,” King Ferrante’s case is the only one that stands out. So, it was necessary to look at it closely.
That “universal dismay”—like the tears of Ferrante—rests upon the word of Guicciardini. He says that “men were filled with dread and horror by this election, because it had been effected by such evil ways [con arte si brutte]; and no less because the nature and condition of the person elected were largely known to many.”
That “universal dismay”—like the tears of Ferrante—rests upon the words of Guicciardini. He says that “people were filled with dread and horror by this election because it had been carried out through such terrible means [con arte si brutte]; and no less because the nature and condition of the person elected were widely known to many.”
Guicciardini is to be read with the greatest caution and reserve when he deals with Rome. His bias against, and his enmity of, the Papacy are as obvious as they are notorious, and in his endeavours to bring it as much as possible into discredit he does not even spare his generous patrons, the Medicean Popes—Leo X and Clement VII. If he finds it impossible to restrain his invective against these Pontiffs, who heaped favours and honours upon him, what but virulence can be expected of him when he writes of Alexander VI? He is largely to blame for the flagrant exaggeration of many of the charges brought against the Borgias; that he hated them we know, and that when he wrote of them he dipped his golden Tuscan pen in vitriol and set down what he desired the world to believe rather than what contemporary documents would have revealed to him, we can prove here and now from that one statement of his which we have quoted.
Guicciardini should be approached with great caution and restraint when he writes about Rome. His bias against and hostility toward the Papacy are as clear as they are well-known, and in his efforts to discredit it as much as possible, he doesn’t even hold back on his generous patrons, the Medici Popes—Leo X and Clement VII. If he finds it impossible to keep his anger in check against these Pontiffs, who honored and favored him, what kind of venom can we expect from him when he writes about Alexander VI? He is largely responsible for the outrageous exaggeration of many of the accusations against the Borgias; we know he hated them, and that when he wrote about them, he dipped his golden Tuscan pen in vitriol and recorded what he wanted the world to believe rather than what contemporary documents would have shown him. We can demonstrate this right now from the one statement of his that we have quoted.
Who were the men who were filled with dismay, horror, or dread at Roderigo’s election?
Who were the men who felt dismay, horror, or dread at Roderigo’s election?
The Milanese? No. For we know that Cardinal Ascanio Sforza, the Duke of Milan’s brother, was the most active worker in favour of Roderigo’s election, and that this same election was received and celebrated in Milan with public rejoicings.
The Milanese? No. Because we know that Cardinal Ascanio Sforza, the Duke of Milan’s brother, was the most dedicated supporter of Roderigo’s election, and that this same election was welcomed and celebrated in Milan with public festivities.
The Florentines? No. For the Medici were friendly to the House of Borgia, and we know that they welcomed the election, and that from Florence Manfredi—the Ferrarese ambassador—wrote home: “It is said he will be a glorious Pontiff” (“Dicesi che sará glorioso Pontefice”).
The Florentines? No. The Medici were on good terms with the House of Borgia, and we know that they welcomed the election. From Florence, Manfredi—the ambassador from Ferrara—wrote home: “They say he will be a glorious Pope” (“Dicesi che sará glorioso Pontefice”).
Were Venice, Genoa, Mantua, Siena, or Lucca dismayed by this election? Surely not, if the superlatively laudatory congratulations of their various ambassadors are of any account.
Were Venice, Genoa, Mantua, Siena, or Lucca upset by this election? Surely not, considering the extremely complimentary congratulations from their different ambassadors.
Venice confessed that “a better pastor could not have been found for the Church,” since he had proved himself “a chief full of experience and an excellent cardinal.”
Venice admitted that “they couldn't have found a better leader for the Church,” since he had shown himself to be “a chief with plenty of experience and an outstanding cardinal.”
Genoa said that “his merit lay not in having been elected, but in having been desired.”
Genoa said that “his worth was not in being elected, but in being wanted.”
Mantua declared that it “had long awaited the pontificate of one who, during forty years, had rendered himself, by his wisdom and justice, capable of any office.”
Mantua stated that it "had long been waiting for the papacy of someone who, for forty years, had made himself capable of any position through his wisdom and fairness."
Siena expressed its joy at seeing the summit of eminence attained by a Pope solely upon his merits—“Pervenuto alla dignitá pontificale meramente per meriti proprii.”
Siena celebrated the achievement of reaching the highest position of a Pope based solely on his own merits—“Pervenuto alla dignitá pontificale meramente per meriti propri.”
Lucca praised the excellent choice made, and extolled the accomplishments, the wisdom, and experience of the Pontiff.
Lucca praised the great choice made and highlighted the achievements, wisdom, and experience of the Pope.
Not dismay, then, but actual rejoicing must have been almost universal in Italy on the election of Pope Alexander VI. And very properly—always considering the Pontificate as the temporal State it was then being accounted; for Roderigo’s influence was vast, his intelligence was renowned, and had again and again been proved, and his administrative talents and capacity for affairs were known to all. He was well-born, cultured, of a fine and noble presence, and his wealth was colossal, comprising the archbishoprics of Valencia and Porto, the bishoprics of Majorca, Carthage, Agria, the abbeys of Subiaco, the Monastery of Our Lady of Bellefontaine, the deaconry of Sancta Maria in Via Lata, and his offices of Vice-Chancellor and Dean of Holy Church.
Not to be dismayed, but rather to rejoice, must have been almost universal in Italy with the election of Pope Alexander VI. And quite rightly—considering the Papacy as the temporal State it was at that time; for Roderigo’s influence was extensive, his intelligence was well-known, consistently demonstrated, and his administrative skills and ability to handle affairs were acknowledged by all. He came from a good family, was educated, had a dignified and noble appearance, and his wealth was immense, including the archbishoprics of Valencia and Porto, the bishoprics of Majorca, Carthage, Agria, the abbeys of Subiaco, the Monastery of Our Lady of Bellefontaine, the deaconry of Sancta Maria in Via Lata, along with his positions as Vice-Chancellor and Dean of Holy Church.
We are told that he gained his election by simony. It is very probable that he did. But the accusation has never been categorically established, and until that happens it would be well to moderate the vituperation hurled at him. Charges of that simony are common; conclusive proof there is none. We find Giacomo Trotti, the French ambassador in Milan, writing to the Duke of Ferrara a fortnight after Roderigo’s election that “the Papacy has been sold by simony and a thousand rascalities, which is a thing ignominious and detestable.”
We're told that he got elected through simony. It's very likely that he did. However, the accusation has never been definitively proven, and until that happens, it would be wise to tone down the insults directed at him. Accusations of simony are common; there’s no conclusive evidence. We see Giacomo Trotti, the French ambassador in Milan, writing to the Duke of Ferrara two weeks after Roderigo’s election that “the Papacy has been sold by simony and a thousand scams, which is a disgraceful and detestable thing.”
Ignominious and detestable indeed, if true; but be it remembered that Trotti was the ambassador of France, whose candidate, backed by French influence and French gold, as we have seen, was della Rovere; and, even if his statement was true, the “ignominious and detestable thing” was at least no novelty. Yet Guicciardini, treating of this matter, says: “He gained the Pontificate owing to discord between the Cardinals Ascanio Sforza and Giuliano di San Pietro in Vincoli; and still more because, in a manner without precedent in that age [con esempio nuovo in quella etá] he openly bought the votes of many cardinals, some with money, some with promises of his offices and benefices, which were very great.”
Disgraceful and disgusting for sure, if true; but let's remember that Trotti was the ambassador of France, whose candidate, supported by French influence and French money, as we've seen, was della Rovere. Even if his claim was accurate, the "disgraceful and disgusting thing" was certainly not something new. Yet Guicciardini, discussing this issue, says: "He attained the Papacy due to the conflict between Cardinals Ascanio Sforza and Giuliano di San Pietro in Vincoli; and even more because, in a way unprecedented for that time, he openly bought the votes of many cardinals, some with cash, others with promises of his positions and benefits, which were very substantial."
Again Guicciardini betrays his bias by attempting to render Roderigo’s course, assuming it for the moment to be truly represented, peculiarly odious by this assertion that it was without precedent in that age.
Again, Guicciardini shows his bias by trying to depict Roderigo’s actions, assuming for the moment that they are accurately portrayed, as particularly despicable with his claim that there was nothing like it in that time.
Without precedent! What of the accusations of simony against Innocent VIII, which rest upon a much sounder basis than these against Alexander, and what of those against Sixtus IV? Further, if a simoniacal election was unprecedented, what of Lorenzo Valla’s fierce indictment of simony—for which he so narrowly escaped the clutches of the Inquisition some sixty years before this date?
Without precedent! What about the accusations of simony against Innocent VIII, which are based on a much stronger foundation than those against Alexander, and what about those against Sixtus IV? Furthermore, if a simoniacal election was unprecedented, what about Lorenzo Valla’s strong condemnation of simony—for which he narrowly avoided the grasp of the Inquisition about sixty years before this date?
Simony was rampant at the time, and it is the rankest hypocrisy to make this outcry against Alexander’s uses of it, and to forget the others.
Simony was everywhere back then, and it’s complete hypocrisy to protest Alexander’s use of it while ignoring everyone else’s.
Whether he really was elected by simony or not depends largely—so far as the evidence available goes—upon what we are to consider as simony. If payment in the literal sense was made or promised, then unquestionably simony there was. But this, though often asserted, still awaits proof. If the conferring of the benefices vacated by a cardinal on his elevation to the Pontificate is to be considered simony, then there never was a Pope yet against whom the charge could not be levelled and established.
Whether he was actually elected through simony or not depends mainly—based on the available evidence—on how we define simony. If payment was made or promised in a literal sense, then simony certainly occurred. However, this claim, while often made, still lacks proof. If the granting of the positions left vacant by a cardinal upon his rise to the Papacy is seen as simony, then there has never been a Pope who couldn't be accused and proven guilty of it.
Consider that by his election to the Pontificate his Archbishoprics, offices, nay, his very house itself—which at the time of which we write it was customary to abandon to pillage—are vacated; and remember that, as Pope, they are now in his gift and that they must of necessity be bestowed upon somebody. In a time in which Pontiffs are imbued with a spiritual sense of their office and duties, they will naturally make such bestowals upon those whom they consider best fitted to use them for the greater honour and glory of God. But we are dealing with no such spiritual golden age as that when we deal with the Cinquecento, as we have already seen; and, therefore, all that we can expect of a Pope is that he should bestow the preferment he has vacated upon those among the cardinals whom he believes to be devoted to himself. Considering his election in a temporal sense, it is natural that he should behave as any other temporal prince; that he should remember those to whom he owes the Pontificate, and that he should reward them suitably. Alexander VI certainly pursued such a course, and the greatest profit from his election was derived by the Cardinal Sforza who—as Roderigo himself admitted—had certainly exerted all his influence with the Sacred College to gain him the Pontificate. Alexander gave him the vacated Vice-Chancellorship (for which, when all is said, Ascanio Sforza was excellently fitted), his vacated palace on Banchi Vecchi, the town of Nepi, and the bishopric of Agri.
Think about how his election as Pope results in his archbishoprics, offices, and even his house— which was typically left open for looting at that time—being vacated. And remember that, as Pope, these positions are now in his control and must be given to someone. In an era where Popes are deeply aware of the spiritual responsibilities of their role, they would typically appoint those they feel are best suited to use these roles to honor and glorify God. However, we are not in such a spiritually enlightened time like the Cinquecento, as we've already noted; therefore, all we can expect from a Pope is that he will give the positions he has vacated to those cardinals he believes are loyal to him. If we consider his election in a worldly sense, it's only natural for him to act like any other temporal leader; he should keep in mind those who helped him secure the Papacy and reward them accordingly. Alexander VI definitely took this approach, and the biggest benefit from his election went to Cardinal Sforza, who— as Roderigo himself acknowledged—had used all his influence with the Sacred College to help him become Pope. Alexander gave him the vacant Vice-Chancellorship (which, to be fair, Ascanio Sforza was well qualified for), his empty palace on Banchi Vecchi, the town of Nepi, and the bishopric of Agri.
To Orsini he gave the Church of Carthage and the legation of Marche; to Colonna the Abbey of Subiaco; to Savelli the legation of Perugia (from which he afterwards recalled him, not finding him suited to so difficult a charge); to Raffaele Riario went Spanish benefices worth four thousand ducats yearly; to Sanseverino Roderigo’s house in Milan, whilst he consented that Sanseverino’s nephew—known as Fracassa—should enter the service of the Church with a condotta of a hundred men-at-arms and a stipend of thirteen thousand ducats yearly.
To Orsini, he gave the Church of Carthage and the legation of Marche; to Colonna, he granted the Abbey of Subiaco; to Savelli, he assigned the legation of Perugia (but later recalled him, finding him unsuitable for such a challenging role); Raffaele Riario received Spanish benefices worth four thousand ducats a year; to Sanseverino, Roderigo’s house in Milan, while he allowed Sanseverino’s nephew—known as Fracassa—to join the Church's service with a contingent of a hundred men-at-arms and an annual salary of thirteen thousand ducats.
Guicciardini says of all this that Ascanio Sforza induced many of the cardinals “to that abominable contract, and not only by request and persuasion, but by example; because, corrupt and of an insatiable appetite for riches, he bargained for himself, as the reward of so much turpitude, the Vice-Chancellorships, churches, fortresses [the very plurals betray the frenzy of exaggeration dictated by his malice] and his [Roderigo’s] palace in Rome full of furniture of great value.”
Guicciardini remarks that Ascanio Sforza persuaded many of the cardinals “to enter into that disgraceful agreement, not just through requests and persuasion, but by setting an example; because, being corrupt and having an insatiable hunger for wealth, he negotiated for himself, as the reward for such shameful behavior, the Vice-Chancellorships, churches, forts [the plural forms themselves reveal the exaggeration driven by his malice], and his [Roderigo’s] palace in Rome filled with valuable furnishings.”
What possible proof can Guicciardini have—what possible proof can there be—of such a “bargain”? It rests upon purest assumption formed after those properties had changed hands—Ascanio being rewarded by them for his valuable services, and, also—so far as the Vice-Chancellorship was concerned—being suitably preferred. To say that Ascanio received them in consequence of a “bargain” and as the price of his vote and electioneering services is not only an easy thing to say, but it is the obvious thing for any one to say who aims at defaming.
What proof does Guicciardini have—what proof can there possibly be—of such a “deal”? It’s based on pure assumption formed after those properties had changed hands—Ascanio being rewarded for his valuable services, and also—at least in terms of the Vice-Chancellorship—being appropriately favored. To claim that Ascanio received them because of a “deal” and as the price for his vote and campaign contributions is not only easy to claim, but it’s also the obvious thing for anyone who wants to slander.
It is surprising that we should find in Guicciardini no mention of the four mule-loads of silver removed before the election from Cardinal Roderigo’s palace on Banchi Vecchi to Cardinal Ascanio’s palace in Trastevere. This is generally alleged to have been part of the price of Ascanio’s services. Whether it was so, or whether, as has also been urged, it was merely removed to save it from the pillaging by the mob of the palace of the cardinal elected to the Pontificate, the fact is interesting as indicating in either case Cardinal Roderigo’s assurance of his election.
It's surprising that Guicciardini doesn't mention the four mule-loads of silver that were moved before the election from Cardinal Roderigo’s palace on Banchi Vecchi to Cardinal Ascanio’s palace in Trastevere. This is usually said to have been part of the payment for Ascanio’s services. Whether that's true or, as some have suggested, it was just moved to protect it from being looted by the mob from the palace of the newly elected cardinal, it's interesting because it shows Cardinal Roderigo’s confidence in his own election either way.
M. Yriarte does not hesitate to say: “We know to-day, by the dispatches of Valori, the narrative of Girolamo Porzio, and the Diarium of Burchard, the Master of Ceremonies, each of the stipulations made with the electors whose votes were bought.”
M. Yriarte doesn't hold back in stating: “Today, we know from the dispatches of Valori, the account by Girolamo Porzio, and the Diarium of Burchard, the Master of Ceremonies, all the agreements made with the electors whose votes were purchased.”
Now whilst we do know from Valori and Porzio what benefices Alexander actually conferred, we do not know, nor could they possibly have told us, what stipulations had been made which these benefices were insinuated to satisfy.
Now, while we know from Valori and Porzio what benefits Alexander actually gave out, we don’t know, nor could they have possibly told us, what conditions were set that these benefits were meant to fulfill.
Burchard’s Diarium might be of more authority on this subject, for Burchard was the Master of Ceremonies at the Vatican; but, unfortunately for the accuracy of M. Yriarte’s statement, Burchard is silent on the subject, for the excellent reason that there is no diary for the period under consideration. Burchard’s narrative is interrupted on the death of Innocent VIII, on July 12, and not resumed until December 2, when it is not retrospective.
Burchard’s Diarium might be more authoritative on this topic because Burchard was the Master of Ceremonies at the Vatican. However, unfortunately for the accuracy of M. Yriarte’s statement, Burchard is quiet on the matter for the simple reason that there is no diary for the period in question. Burchard’s account stops with the death of Innocent VIII on July 12 and doesn't pick back up until December 2, when it isn't retrospective.
There is, it is true, the Diarium of Infessura. But that is of no more authority on such a matter than the narrative of Porzio or the letters of Valori.
There is, it's true, the Diarium of Infessura. But that holds no more authority on this matter than Porzio's narrative or Valori's letters.
Lord Acton—in his essay upon this subject—has not been content to rest the imputation of simony upon such grounds as satisfied M. Yriarte. He has realized that the only testimony of any real value in such a case would be the actual evidence of such cardinals as might be willing to bear witness to the attempt to bribe them. And he takes it for granted—as who would not at this time of day, and in view of such positive statements as abound?—that such evidence has been duly collected; thus, he tells us confidently that the charge rests upon the evidence of those cardinals who refused Roderigo’s bribes.
Lord Acton—in his essay on this subject—wasn't satisfied to base the accusation of simony on the same grounds as M. Yriarte. He understood that the only reliable evidence in such a case would be the actual testimony of any cardinals willing to speak about the bribery attempts. He assumes—who wouldn’t in today’s context, considering the strong statements out there?—that such evidence has been properly gathered; therefore, he assures us that the accusation is supported by the testimonies of those cardinals who turned down Roderigo’s bribes.
That it most certainly does not. If it did there would be an end to the matter, and so much ink would not have been spilled over it; but no single cardinal has left any such evidence as Lord Acton supposes and alleges. It suffices to consider that, according to the only evidences available—the Casanatense Codices(1) and the dispatches of that same Valori(2) whom M. Yriarte so confidently cites, Roderigo Borgia’s election was unanimous. Who, then, were these cardinals who refused his bribes? Or are we to suppose that, notwithstanding that refusal—a refusal which we may justifiably suppose to have been a scandalized and righteously indignant one—they still afforded him their votes?
That most definitely does not happen. If it did, the issue would be settled, and there wouldn’t be so much ink spilled over it; but no single cardinal has provided the evidence that Lord Acton claims. It’s enough to note that, based on the only available evidence—the Casanatense Codices(1) and the dispatches from the same Valori(2) that M. Yriarte confidently cites—Roderigo Borgia’s election was unanimous. So, who were these cardinals that turned down his bribes? Or should we believe that, despite their refusal—a refusal that we can assume was both scandalized and justifiably outraged—they still cast their votes for him?
1 “...essendo concordi tutti i cardinali, quasi da contrari voti rivolti tutti in favore di uno solo, crearono lui sommo ponteflce” (Casanatense MSS). See P. Leonetti, Alessandro VI. 2 “Fu pubblicato il Cardinale Vice-Cancelliere in Sommo Pontefice Alessandro VI(to) nuncupato, el quale dopo una lunga contentione fu creato omnium consensum—ne ii manco un solo voto” (Valori’s letter to the Otto di Pratica, August 12, 1492). See Supplement to Appendix in E. Thuasne’s edition of Burchard’s Diarium.
1 “...with all the cardinals in agreement, almost all opposing votes turned in favor of one person, they made him the Pope” (Casanatense MSS). See P. Leonetti, Alessandro VI. 2 “The Cardinal Vice-Chancellor was declared Pope Alessandro VI, who after a long dispute was elected unanimously—there wasn't even a single dissenting vote” (Valori’s letter to the Otto di Pratica, August 12, 1492). See Supplement to Appendix in E. Thuasne’s edition of Burchard’s Diarium.
This charge of simony was levelled with the object of making Alexander VI appear singularly heinous. So much has that object engrossed and blinded those inspired by it, that, of itself, it betrays them. Had their horror been honest, had it sprung from true principles, had it been born of any but a desire to befoul and bespatter at all costs Roderigo Borgia, it is not against him that they would have hurled their denunciations, but against the whole College of Cardinals which took part in the sacrilege and which included three future Popes.(1)
This accusation of simony was aimed at making Alexander VI seem particularly guilty. Their fixation on this goal has consumed and blinded those motivated by it, revealing their true intentions. If their outrage had been genuine, if it had come from real principles, if it had been inspired by anything other than a desire to tarnish and slander Roderigo Borgia at any cost, they wouldn't have directed their attacks solely at him but rather against the entire College of Cardinals that participated in the wrongdoing, which included three future Popes.(1)
1 Cardinals Piccolomini, de’Medici, and Giuliano della Rovere.
1 Cardinals Piccolomini, de' Medici, and Giuliano della Rovere.
Assuming not only that there was simony, but that it was on as wholesale a scale as was alleged, and that for gold—coined or in the form of benefices—Roderigo bought the cardinal’s votes, what then? He bought them, true. But they—they sold him their sacred trust, their duty to their God, their priestly honour, their holy vows. For the gold he offered them they bartered these. So much admitted, then surely, in that transaction, those cardinals were the prostitutes! The man who bought so much of them, at least, was on no baser level than were they. Yet invective singles him out for its one object, and so betrays the aforethought malice of its inspiration.
Assuming there was indeed simony and that it happened on a grand scale as claimed, and that Roderigo purchased the cardinal’s votes with gold—whether in coins or as part of church positions—then what? Sure, he bought their votes. But they— they sold him their sacred trust, their duty to God, their priestly honor, and their holy vows. For the gold he gave them, they traded these away. If we accept this, then surely in that deal, those cardinals were the ones who compromised their integrity! The man who bought so much from them was no lower than they were. Yet, he is the sole target of harsh criticism, which reveals the prior malice behind it.
Our quarrel is with that; with that, and with those writers who have taken Alexander’s simony for granted—eagerly almost—for the purpose of heaping odium upon him by making him appear a scandalous exception to the prevailing rule.
Our issue is with that; with that, and with those writers who have accepted Alexander’s simony without question—almost eagerly—so they can blame him by portraying him as a shocking exception to the general rule.
If, nevertheless, we hold, as we have said, that simony probably did take place, we do so, not so much upon the inconclusive evidence of the fact, as upon the circumstance that it had become almost an established custom to purchase the tiara, and that Roderigo Borgia—since his ambition clearly urged him to the Pontificate—would have been an exception had he refrained.
If we still believe, as we've mentioned, that simony probably occurred, it's not so much because of the inconclusive evidence, but rather because it had almost become a common practice to buy the tiara. Additionally, Roderigo Borgia—driven by his ambition for the papacy—would have been the odd one out if he had not participated.
It may seem that to have disputed so long to conclude by admitting so much is no better than a waste of labour. Not so, we hope. Our aim has been to correct the adjustment of the focus and properly to trim the light in which Roderigo Borgia is to be viewed, to the end that you may see him as he was—neither better nor worse—the creature of his times, of his environment, and of the system in which he was reared and trained. Thus shall you also get a clearer view of his son Cesare, when presently he takes the stage more prominently.
It might seem like arguing for so long just to admit this much is a waste of effort. We hope that’s not the case. Our goal has been to adjust the focus and properly illuminate how Roderigo Borgia should be seen, so you can understand him as he truly was—neither better nor worse—a product of his time, his surroundings, and the system that shaped him. This will also give you a clearer picture of his son Cesare when he steps into the spotlight more prominently.
During the seventeen days of the interregnum between the death of Innocent and the election of Alexander the wild scenes usual to such seasons had been taking place in Rome; and, notwithstanding the Cardinal-Chamberlain’s prompt action in seizing the gates and bridges, and the patrols’ endeavours to maintain order, crime was unfettered to such an extent that some 220 murders are computed to have taken place—giving the terrible average of thirteen a day.
During the seventeen days between the death of Innocent and the election of Alexander, the typical chaos of such times unfolded in Rome. Despite the Cardinal-Chamberlain’s quick actions to secure the gates and bridges, and the patrols' attempts to keep order, crime was so rampant that it's estimated around 220 murders occurred— averaging out to a shocking thirteen a day.
It was a very natural epilogue to the lax rule of the lethargic Innocent. One of the first acts of Alexander’s reign was to deal summarily with this lawlessness. He put down violence with a hard hand that knew no mercy. He razed to the ground the house of a murderer caught red-handed, and hanged him above the ruins, and so dealt generally that such order came to prevail as had never before been known in Rome.
It was a fitting conclusion to the easygoing rule of the lazy Innocent. One of the first actions of Alexander’s reign was to quickly address this chaos. He crushed violence with an iron fist that showed no mercy. He leveled the house of a murderer who was caught in the act and hanged him above the ruins. He enforced measures so that a level of order emerged that had never been seen in Rome before.
Infessura tells us how, in the very month of his election, he appointed inspectors of prisons and four commissioners to administer justice, and that he himself gave audience on Tuesdays and settled disputes, concluding, “et justitiam mirabili modo facere coepit.”
Infessura tells us that, in the very month of his election, he appointed prison inspectors and four commissioners to oversee justice, and that he personally held hearings on Tuesdays and resolved disputes, concluding, “and he began to achieve justice in a remarkable way.”
He paid all salaries promptly—a striking departure, it would seem, from what had been usual under his predecessor—and the effect of his improved and strenuous legislation was shortly seen in the diminished prices of commodities.
He paid all salaries on time—a noticeable change from what had been common with his predecessor—and the results of his better and more intense legislation were quickly reflected in the lower prices of goods.
He was crowned Pope on August 6, on the steps of the Basilica of St. Peter, by the Cardinal-Archdeacon Piccolomini. The ceremony was celebrated with a splendour worthy of the splendid figure that was its centre. Through the eyes of Michele Ferno—despite his admission that he is unable to convey a worthy notion of the spectacle—you may see the gorgeous procession to the Lateran in which Alexander VI showed himself to the applauding Romans; the multitude of richly adorned men, gay and festive; the seven hundred priests and prelates, with their familiars the splendid cavalcade of knights and nobles of Rome; the archers and Turkish horsemen, and the Palatine Guard, with its great halberds and flashing shields; the twelve white horses, with their golden bridles, led by footmen; and then Alexander himself on a snow-white horse, “serene of brow and of majestic dignity,” his hand uplifted—the Fisherman’s Ring upon its forefinger—to bless the kneeling populace. The chronicler flings into superlatives when he comes to praise the personal beauty of the man, his physical vigour and health, “which go to increase the veneration shown him.”
He was crowned Pope on August 6, on the steps of St. Peter's Basilica, by Cardinal-Archdeacon Piccolomini. The ceremony was celebrated with a splendor worthy of the impressive figure at its center. Through the eyes of Michele Ferno—despite his admission that he can’t capture the grandeur of the event—you can see the magnificent procession to the Lateran, where Alexander VI presented himself to the applauding Romans; the crowd of richly dressed men, cheerful and festive; the seven hundred priests and prelates, along with their attendants; the splendid cavalcade of knights and nobles of Rome; the archers and Turkish horsemen, and the Palatine Guard, with their large halberds and shining shields; the twelve white horses, with golden bridles, led by footmen; and then Alexander himself on a snow-white horse, “calm and dignified,” with his hand raised—the Fisherman’s Ring on his finger—to bless the kneeling public. The chronicler goes all out in superlatives when he praises the man’s personal beauty, his physical strength and health, “which only adds to the respect shown him.”
Thus in the brilliant sunshine of that Italian August, amid the plaudits of assembled Rome, amid banners and flowers, music and incense, the flash of steel and the blaze of decorations with the Borgian arms everywhere displayed—or, a grazing steer gules—Alexander VI passes to the Vatican, the aim and summit of his vast ambition.
Thus, in the bright sunshine of that Italian August, surrounded by the applause of gathered Rome, with banners and flowers, music and incense, the shine of steel and the glow of decorations featuring the Borgian arms everywhere displayed—or a grazing red steer—Alexander VI makes his way to the Vatican, the goal and peak of his great ambition.
Friends and enemies alike have sung the splendours of that coronation, and the Bull device—as you can imagine—plays a considerable part in those verses, be they paeans or lampoons. The former allude to Borgia as “the Bull,” from the majesty and might of the animal that was displayed upon their shield; the latter render it the subject of much scurrilous invective, to which it lends itself as readily. And thereafter, in almost all verse of their epoch, writers ever say “the Bull” when they mean the Borgia.
Friends and foes alike have praised the grandeur of that coronation, and the Bull symbol— as you can imagine— plays a significant role in those poems, whether they're praises or insults. The former refer to Borgia as "the Bull," highlighting the majesty and power of the animal featured on their shield; the latter turn it into the target of plenty of harsh criticisms, which it easily accommodates. After that, in nearly all the poetry of their time, writers consistently say "the Bull" when they're talking about the Borgia.
CHAPTER IV. BORGIA ALLIANCES
At the time of his father’s election to the throne of St. Peter, Cesare Borgia—now in his eighteenth year—was still at the University of Pisa.
At the time his father was elected to the throne of St. Peter, Cesare Borgia—now eighteen years old—was still at the University of Pisa.
It is a little odd, considering the great affection for his children which was ever one of Roderigo’s most conspicuous characteristics, that he should not have ordered Cesare to Rome at once, to share in the general rejoicings. It has been suggested that Alexander wished to avoid giving scandal by the presence of his children at such a time. But that again looks like a judgement formed upon modern standards, for by the standards of his day one cannot conceive that he would have given very much scandal; moreover, it is to be remembered that Lucrezia and Giuffredo, at least, were in Rome at the time of their father’s election to the tiara.
It’s a bit strange, considering how much Roderigo loved his children, that he didn’t immediately send Cesare to Rome to join in the celebrations. Some have suggested that Alexander wanted to avoid causing a scandal by having his kids present at such a time. But that seems to be a judgment based on modern views, because in his time, it’s hard to believe he would have caused much of a scandal; furthermore, it’s important to remember that Lucrezia and Giuffredo were, at least, in Rome when their father was elected pope.
However that may be, Cesare did not quit Pisa until August of that year 1492, and even then not for Rome, but for Spoleto—in accordance with his father’s orders—where he took up his residence in the castle. Thence he wrote a letter to Piero de’Medici, which is interesting, firstly, as showing the good relations prevailing between them; secondly, as refuting a story in Guicciardini, wherewith that historian, ready, as ever, to belittle the Borgias, attempts to show him cutting a poor figure. He tells us(1) that, whilst at Pisa, Cesare had occasion to make an appeal to Piero de’Medici in the matter of a criminal case connected with one of his familiars; that he went to Florence and waited several hours in vain for an audience, whereafter he returned to Pisa “accounting himself despised and not a little injured.”
However that may be, Cesare didn't leave Pisa until August of that year, 1492, and even then he didn’t head to Rome, but to Spoleto—following his father’s orders—where he settled in the castle. From there, he wrote a letter to Piero de’Medici, which is interesting for two reasons: first, it demonstrates the good relations between them; and second, it counters a story from Guicciardini, who, as usual, tries to diminish the Borgias' reputation by suggesting that Cesare was embarrassed. He tells us(1) that while in Pisa, Cesare needed to reach out to Piero de’Medici about a criminal case involving one of his associates; he went to Florence and waited several hours without getting an audience, after which he returned to Pisa feeling disrespected and somewhat wronged.
1 Istoria d’Italia, tom. V.
History of Italy, vol. V.
No doubt Guicciardini is as mistaken in this as in many another matter, for the letter written from Spoleto expresses his regret that, on the occasion of his passage through Florence (on his way from Pisa to Spoleto), he should not have had time to visit Piero, particularly as there was a matter upon which he desired urgently to consult with him. He recommends to Piero his faithful Remolino, whose ambition it is to occupy the chair of canon law at the University of Pisa, and begs his good offices in that connection. That Juan Vera, Cesare’s preceptor and the bearer of that letter, took back a favourable answer is highly probable, for in Fabroni’s Hist. Acad. Pisan we find this Remolino duly established as a lecturer on canon law in the following year.
No doubt Guicciardini is as wrong about this as he is about many other things, because the letter written from Spoleto shows his disappointment that he didn’t have time to visit Piero during his stop in Florence (on his way from Pisa to Spoleto), especially since there was something urgent he wanted to discuss with him. He recommends his loyal Remolino to Piero, who aspires to hold the canon law chair at the University of Pisa, and asks for Piero's support in that regard. It’s very likely that Juan Vera, Cesare’s tutor and the one delivering the letter, brought back a positive response, as we find in Fabroni’s Hist. Acad. Pisan that Remolino was established as a canon law lecturer the following year.
The letter is further of interest as showing Cesare’s full consciousness of the importance of his position; its tone and its signature—“your brother, Cesar de Borgia, Elect of Valencia”—being such as were usual between princes.
The letter is also interesting because it shows Cesare's full awareness of how important his position is; its tone and signature—“your brother, Cesar de Borgia, Elect of Valencia”—reflect the usual way princes communicate.
The two chief aims of Alexander VI, from the very beginning of his pontificate, were to re-establish the power of the Church, which was then the most despised of the temporal States of Italy, and to promote the fortune of his children. Already on the very day of his coronation he conferred upon Cesare the bishopric of Valencia, whose revenues amounted to an annual yield of sixteen thousand ducats. For the time being, however, he had his hands very full of other matters, and it behoved him to move slowly at first and with the extremest caution.
The two main goals of Alexander VI, from the very start of his papacy, were to restore the power of the Church, which was then the least respected of the secular states in Italy, and to further the interests of his children. On the very day of his coronation, he granted Cesare the bishopric of Valencia, with an annual income of sixteen thousand ducats. However, at that moment, he had a lot to deal with, so he needed to proceed slowly and with great caution.
The clouds of war were lowering heavily over Italy when Alexander came to St. Peter’s throne, and it was his first concern to find for himself a safe position against the coming of the threatening storm. The chief menace to the general peace was Lodovico Maria Sforza, surnamed Il Moro,(1) who sat as regent for his nephew, Duke Gian Galeazzo, upon the throne of Milan. That regency he had usurped from Gian Galeazzo’s mother, and he was now in a fair way to usurp the throne itself. He kept his nephew virtually a prisoner in the Castle of Pavia, together with his young bride, Isabella of Aragon, who had been sent thither by her father, the Duke of Calabria, heir to the crown of Naples.
The clouds of war were hanging heavily over Italy when Alexander took the throne of St. Peter, and his primary concern was to secure a safe position against the looming threat. The main danger to overall peace was Lodovico Maria Sforza, nicknamed Il Moro, who was acting as regent for his nephew, Duke Gian Galeazzo, on the throne of Milan. He had taken that regency from Gian Galeazzo’s mother and was now on the verge of seizing the throne itself. He kept his nephew effectively a prisoner in the Castle of Pavia, along with his young bride, Isabella of Aragon, who had been sent there by her father, the Duke of Calabria, the heir to the crown of Naples.
1 Touching Lodovico Maria’s by-name of “Il Moro”—which is generally translated as “The Moor,” whilst in one writer we have found him mentioned as “Black Lodovico,” Benedetto Varchi’s explanation (in his Storia Fiorentina) may be of interest. He tells us that Lodovico was not so called on account of any swarthiness of complexion, as is supposed by Guicciardini, because, on the contrary, he was fair; nor yet on account of his device, showing a Moorish squire, who, brush in hand, dusts the gown of a young woman in regal apparel, with the motto, “Per Italia nettar d’ogni bruttura”; this device of the Moor, he tells us, was a rébus or pun upon the word “moro,” which also means the mulberry, and was so meant by Lodovico. The mulberry burgeons at the end of winter and blossoms very early. Thus Lodovico symbolized his own prudence and readiness to seize opportunity betimes.
1 Regarding Lodovico Maria's nickname "Il Moro"—which is usually translated as "The Moor," although one writer referred to him as "Black Lodovico"—Benedetto Varchi’s explanation in his *Storia Fiorentina* might be interesting. He explains that Lodovico wasn’t called this due to any dark skin, as Guicciardini thought, since, in fact, he had a fair complexion. Nor was it solely because of his emblem, which depicts a Moorish servant dusting a young woman in royal attire, with the motto "Per Italia nettar d’ogni bruttura"; this Moorish device, he says, was a play on the word "moro," which also means the mulberry, and that was the intention of Lodovico. The mulberry blooms at the end of winter and flowers very early. In this way, Lodovico represented his own wisdom and eagerness to take advantage of opportunities early on.
Gian Galeazzo thus bestowed, Lodovico Maria went calmly about the business of governing, like one who did not mean to relinquish the regency save to become duke. But it happened that a boy was born to the young prisoners at Pavia, whereupon, spurred perhaps into activity by this parenthood and stimulated by the thought that they had now a son’s interests to fight for as well as their own, they made appeal to King Ferrante of Naples that he should enforce his grandson-in-law’s rights to the throne of Milan. King Ferrante could desire nothing better, for if his grandchild and her husband reigned in Milan, and by his favour and contriving, great should be his influence in the North of Italy. Therefore he stood their friend.
Gian Galeazzo, having granted authority, allowed Lodovico Maria to manage the government calmly, as if he had no plans to give up the regency unless it was to become duke. However, when a boy was born to the young prisoners in Pavia, they were perhaps motivated by this new role of parenthood and inspired by the realization that they now had a son's interests to protect along with their own. They approached King Ferrante of Naples, asking him to support his grandson-in-law's claim to the Milan throne. King Ferrante welcomed this, as having his grandchild and her husband in power in Milan would greatly enhance his influence in Northern Italy, so he became their ally.
Matters were at this stage when Alexander VI ascended the papal throne.
Matters were at this point when Alexander VI took the papal throne.
This election gave Ferrante pause, for, as we have seen, he had schemed for a Pope devoted to his interests, who would stand by him in the coming strife, and his schemes were rudely shaken now. Whilst he was still cogitating the matter of his next move, the wretched Francesco Cibo (Pope Innocent’s son) offered to sell the papal fiefs of Cervetri and Anguillara, which had been made over to him by his father, to Gentile Orsini—the head of his powerful house. And Gentile purchased them under a contract signed at the palace of Cardinal Giuliano della Rovere, on September 3, for the sum of forty thousand ducats advanced him by Ferrante.
This election made Ferrante stop and think because, as we've seen, he had been plotting for a Pope who would support his interests and stand by him in the upcoming conflict, and now his plans were abruptly disrupted. While he was still considering his next move, the unfortunate Francesco Cibo (Pope Innocent's son) offered to sell the papal estates of Cervetri and Anguillara, which had been granted to him by his father, to Gentile Orsini—the leader of his powerful family. Gentile bought them under a contract signed at the palace of Cardinal Giuliano della Rovere on September 3, for the amount of forty thousand ducats that Ferrante had advanced to him.
Alexander protested strongly against this illegal transaction, for Cervetri and Anguillara were fiefs of the Church, and neither had Cibo the right to sell nor Orsini the right to buy them. Moreover, that they should be in the hands of a powerful vassal of Naples such as Orsini suited the Pope as little as it suited Lodovico Maria Sforza. It stirred the latter into taking measures against the move he feared Ferrante might make to enforce Gian Galeazzo’s claims.
Alexander strongly opposed this illegal deal because Cervetri and Anguillara were properties of the Church, and neither Cibo had the right to sell them nor Orsini the right to buy them. Furthermore, having them in the control of a powerful vassal of Naples like Orsini was just as unacceptable to the Pope as it was to Lodovico Maria Sforza. This situation prompted Sforza to take action against the move he feared Ferrante might make to assert Gian Galeazzo’s claims.
Lodovico Maria went about this with that sly shrewdness so characteristic of him, so well symbolized by his mulberry badge—a humorous shrewdness almost, which makes him one of the most delightful rogues in history, just as he was one of the most debonair and cultured. He may indeed be considered as one of the types of the subtle, crafty, selfish politician that was the ideal of Macchiavelli.
Lodovico Maria approached this with the clever cunning that was so typical of him, well represented by his mulberry badge—a nearly humorous cleverness that makes him one of history's most charming rogues, just as he was one of the most polished and cultured. He can really be seen as one of the examples of the subtle, crafty, and selfish politician that Machiavelli idealized.
You see him, then, effacing the tight-lipped, cunning smile from his comely face and pointing out to Venice with a grave, sober countenance how little it can suit her to have the Neapolitan Spaniards ruffling it in the north, as must happen if Ferrante has his way with Milan. The truth of this was so obvious that Venice made haste to enter into a league with him, and into the camp thus formed came, for their own sakes, Mantua, Ferrara, and Siena. The league was powerful enough thus to cause Ferrante to think twice before he took up the cudgels for Gian Galeazzo. If Lodovico could include the Pope, the league’s might would be so paralysing that Ferrante would cease to think at all about his grandchildren’s affairs.
You see him then, wiping the tight-lipped, sly smile off his attractive face and seriously pointing out to Venice how unwise it would be for her to have the Neapolitan Spaniards causing trouble in the north, especially if Ferrante gets his way with Milan. This was so clear that Venice quickly agreed to form an alliance with him, and for their own interests, Mantua, Ferrara, and Siena joined the camp as well. The alliance was strong enough to make Ferrante reconsider before jumping in to support Gian Galeazzo. If Lodovico could get the Pope on board, the alliance's power would be so overwhelming that Ferrante would stop worrying about his grandchildren’s issues altogether.
Foreseeing this, Ferrante had perforce to dry the tears Guicciardini has it that he shed, and, replacing them by a smile, servile and obsequious, repaired, hat in hand, to protest his friendship for the Pope’s Holiness.
Foreseeing this, Ferrante had to dry the tears that Guicciardini says he shed and replace them with a smile, servile and obsequious, as he went, hat in hand, to express his friendship for the Pope’s Holiness.
And so, in December of 1492, came the Prince of Altamura—Ferrante’s second son—to Rome to lay his father’s homage at the feet of the Pontiff, and at the same time to implore his Holiness to refuse the King of Hungary the dispensation the latter was asking of the Holy See, to enable him to repudiate his wife, Donna Leonora—Ferrante’s daughter.
And so, in December of 1492, the Prince of Altamura—Ferrante’s second son—arrived in Rome to pay his father’s respects to the Pope, and at the same time to urge His Holiness to deny the King of Hungary the permission he was requesting from the Vatican, which would allow him to divorce his wife, Donna Leonora—Ferrante’s daughter.
Altamura was received in Rome and sumptuously entertained by the Cardinal Giuliano della Rovere. This cardinal had failed, as we have seen, to gain the Pontificate for himself, despite the French influence by which he had been supported. Writhing under his defeat, and hating the man who had defeated him with a hatred so bitter and venomous that the imprint of it is on almost every act of his life—from the facilities he afforded for the assignment to Orsini of the papal fiefs that Cibo had to sell—he was already scheming for the overthrow of Alexander. To this end he needed great and powerful friends; to this end had he lent himself to the Cibo-Orsini transaction; to this end did he manifest himself the warm well-wisher of Ferrante; to this end did he cordially welcome the latter’s son and envoy, and promise his support to Ferrante’s petition.
Altamura was welcomed in Rome and generously entertained by Cardinal Giuliano della Rovere. This cardinal had failed, as we’ve seen, to secure the papacy for himself, despite the French support he had. Struggling with his defeat and harboring such intense hatred for the man who had beaten him that it affects nearly every action in his life—from the opportunities he created for the assignment of papal lands that Cibo had to sell—he was already plotting to bring down Alexander. To achieve this, he needed powerful allies; that’s why he got involved in the Cibo-Orsini deal; that’s why he showed himself to be a strong supporter of Ferrante; and that’s why he warmly welcomed Ferrante’s son and envoy, promising his backing for Ferrante’s requests.
But the Holy Father was by no means as anxious for the friendship of the old wolf of Naples. The matter of the King of Hungary was one that required consideration, and, meanwhile, he may have hinted slyly there was between Naples and Rome a little matter of two fiefs to be adjusted.
But the Holy Father was definitely not as eager for the friendship of the old wolf of Naples. The situation with the King of Hungary needed careful thought, and in the meantime, he might have subtly suggested that there was a small issue regarding two fiefs that needed to be settled between Naples and Rome.
Thus his most shrewd Holiness thought to gain a little time, and in that time he might look about him and consider what alliances would suit his interests best.
Thus, his very clever Holiness decided to buy himself some time, and during that time, he could look around and think about which alliances would benefit him the most.
At this Cardinal della Rovere, in high dudgeon, flung out of Rome and away to his Castle of Ostia to fortify—to wield the sword of St. Paul, since he had missed the keys of St. Peter. It was a shrewd move. He foresaw the injured dignity of the Spanish House of Naples, and Ferrante’s wrath at the Pope’s light treatment of him and apathy for his interests; and the cardinal knew that with Ferrante were allied the mighty houses of Colonna and Orsini. Thus, by his political divorcement from the Holy See, he flung in his lot with theirs, hoping for red war and the deposition of Alexander.
At this point, Cardinal della Rovere, in a fit of anger, left Rome and headed to his Castle of Ostia to prepare himself—to wield the sword of St. Paul, since he had lost the keys of St. Peter. It was a clever move. He anticipated the offended dignity of the Spanish House of Naples and Ferrante’s anger at the Pope’s dismissive treatment of him and lack of concern for his interests; the cardinal knew that Ferrante was allied with the powerful Colonna and Orsini families. Therefore, by distancing himself from the Holy See, he aligned himself with them, hoping for war and the removal of Alexander.
But surely he forgot Milan and Lodovico Maria, whose brother, Ascanio Sforza, was at the Pope’s elbow, the energetic friend to whose efforts Alexander owed the tiara, and who was therefore hated by della Rovere perhaps as bitterly as Alexander himself.
But he must have forgotten Milan and Lodovico Maria, whose brother, Ascanio Sforza, was close to the Pope, the dynamic ally whose efforts helped Alexander secure the tiara, and who was thus probably hated by della Rovere just as much as Alexander himself.
Alexander went calmly about the business of fortifying the Vatican and the Castle of Sant’ Angelo, and gathering mercenaries into his service. And, lest any attempt should be made upon his life when he went abroad, he did so with an imposing escort of men-at-arms; which so vexed and fretted King Ferrante, that he did not omit to comment upon it in scathing terms in a letter that presently we shall consider. For the rest, the Pope’s Holiness preserved an unruffled front in the face of the hostile preparations that were toward in the kingdom of Naples, knowing that he could check them when he chose to lift his finger and beckon the Sforza into alliance. And presently Naples heard an alarming rumour that Lodovico Maria had, in fact, made overtures to the Pope, and that the Pope had met these advances to the extent of betrothing his daughter Lucrezia to Giovanni Sforza, Lord of Pesaro and cousin to Lodovico.
Alexander went about fortifying the Vatican and the Castle of Sant’ Angelo calmly while gathering mercenaries to work for him. To avoid any attempts on his life while he was out, he did this with a large escort of armed men, which annoyed King Ferrante so much that he made sure to criticize it in harsh terms in a letter that we will look at shortly. Meanwhile, the Pope remained calm despite the hostile preparations happening in the kingdom of Naples, knowing he could put a stop to them anytime by calling the Sforza for help. Soon, Naples heard a worrying rumor that Lodovico Maria had actually reached out to the Pope, and that the Pope had responded by arranging a marriage between his daughter Lucrezia and Giovanni Sforza, Lord of Pesaro and cousin to Lodovico.
So back to the Vatican went the Neapolitan envoys with definite proposals of an alliance to be cemented by a marriage between Giuffredo Borgia—aged twelve—and Ferrante’s granddaughter Lucrezia of Aragon. The Pope, with his plans but half-matured as yet, temporized, was evasive, and continued to arm and to recruit. At last, his arrangements completed, he abruptly broke off his negotiations with Naples, and on April 25, 1493, publicly proclaimed that he had joined the northern league.
So the Neapolitan envoys returned to the Vatican with concrete proposals for an alliance, to be solidified by a marriage between twelve-year-old Giuffredo Borgia and Ferrante’s granddaughter Lucrezia of Aragon. The Pope, with his plans still in early stages, hesitated, was noncommittal, and kept arming and recruiting. Finally, once his preparations were finished, he suddenly ended his negotiations with Naples and on April 25, 1493, publicly announced that he had joined the northern league.
The fury of Ferrante, who realized that he had been played with and outwitted, was expressed in a rabid letter to his ambassador at the Court of Spain.
The rage of Ferrante, who understood that he had been toyed with and outsmarted, was conveyed in a furious letter to his ambassador at the Court of Spain.
“This Pope,” he wrote, “leads a life that is the abomination of all, without respect for the seat he occupies. He cares for nothing save to aggrandize his children, by fair means or foul, and this is his sole desire. From the beginning of his Pontificate he has done nothing but disturb the peace, molesting everybody, now in one way, now in another. Rome is more full of soldiers than of priests, and when he goes abroad it is with troops of men-at-arms about him, with helmets on their heads and lances by their sides, all his thoughts being given to war and to our hurt; nor does he overlook anything that can be used against us, not only inciting in France the Prince of Salerno and other of our rebels, but befriending every bad character in Italy whom he deems our enemy; and in all things he proceeds with the fraud and dissimulation natural to him, and to make money he sells even the smallest office and preferment.”
“This Pope,” he wrote, “leads a life that is an abomination to everyone, without any respect for the position he holds. He cares for nothing except to promote his children, by any means necessary, and that is his only goal. Since he became Pope, he has done nothing but disrupt the peace, bothering everyone in one way or another. Rome is filled with more soldiers than priests, and when he goes out, he’s surrounded by armed men wearing helmets and carrying lances, with all his thoughts focused on war and harming us; he doesn’t miss a chance to turn things against us, inciting the Prince of Salerno and other rebels in France, while also siding with every unsavory character in Italy that he considers our enemy; and in everything he does, he moves with the deceit and cunning that comes naturally to him, even selling off the smallest positions and favors to make money.”
Thus Ferrante of the man whose friendship he had been seeking some six weeks earlier, and who had rejected his advances. It is as well to know the precise conditions under which that letter was indited, for extracts from it are too often quoted against Alexander. These conditions known, and known the man who wrote it, the letter’s proper value is at once apparent.
Thus Ferrante of the man whose friendship he had been seeking about six weeks earlier, and who had turned him down. It's important to understand the exact circumstances under which that letter was written, since excerpts from it are frequently used against Alexander. With these conditions in mind, and knowing the man who wrote it, the true value of the letter becomes clear immediately.
It was Ferrante’s hope, and no doubt the hope of Giuliano della Rovere, that the King of Spain would lend an ear to these grievances, and move in the matter of attempting to depose Alexander; but an event more important than any other in the whole history of Spain—or of Europe, for that matter—was at the moment claiming its full attention, and the trifling affairs of the King of Naples—trifling by comparison—went all unheeded. For this was the year in which the Genoese navigator, Cristofero Colombo, returned to tell of the new and marvellous world he had discovered beyond the seas, and Ferdinand and Isabella were addressing an appeal to the Pope—as Ruler of the World—to establish them in the possession of the discovered continent. Whereupon the Pope drew a line from pole to pole, and granted to Spain the dominion over all lands discovered, or to be discovered, one hundred miles westward of Cape Verde and the Azores.
It was Ferrante’s hope, and surely Giuliano della Rovere's hope too, that the King of Spain would pay attention to these complaints and take action to try to get rid of Alexander. However, a more significant event in the entire history of Spain—and Europe, for that matter—was demanding full attention at that moment, and the minor issues of the King of Naples—minor in comparison—were completely overlooked. This was the year when the Genoese navigator, Christopher Columbus, returned to share news of the new and amazing world he had found across the seas, and Ferdinand and Isabella were appealing to the Pope—as the Ruler of the World—to recognize their claim to the newly discovered continent. In response, the Pope drew a line from pole to pole and granted Spain control over all lands discovered, or yet to be discovered, one hundred miles west of Cape Verde and the Azores.
And thus Ferrante’s appeal to Spain against a Pope who showed himself so ready and complaisant a friend to Spain went unheeded by Ferdinand and Isabella. And what time the Neapolitan nursed his bitter chagrin, the alliance between Rome and Milan was consolidated by the marriage of Lucrezia Borgia to Giovanni Sforza, the comely weakling who was Lord of Pesaro and Cotignola.
And so Ferrante’s plea to Spain against a Pope who was so willing and accommodating to Spain was ignored by Ferdinand and Isabella. While the Neapolitan dealt with his deep frustration, the alliance between Rome and Milan was strengthened by the marriage of Lucrezia Borgia to Giovanni Sforza, the attractive but weak man who was the Lord of Pesaro and Cotignola.
Lucrezia Borgia’s story has been told elsewhere; her rehabilitation has been undertaken by a great historian(1) among others, and all serious-minded students must be satisfied at this time of day that the Lucrezia Borgia of Hugo’s tragedy is a creature of fiction, bearing little or no resemblance to the poor lady who was a pawn in the ambitious game played by her father and her brother Cesare, before she withdrew to Ferrara, where eventually she died in child-birth in her forty-first year. We know that she left the duke, her husband, stricken with a grief that was shared by his subjects, to whom she had so deeply endeared herself by her exemplary life and loving rule.(2)
Lucrezia Borgia’s story has been told by others; her recovery has been addressed by a prominent historian(1) among others, and all serious students today should acknowledge that the Lucrezia Borgia depicted in Hugo’s tragedy is a fictional character, bearing little or no resemblance to the unfortunate woman who was a pawn in the ambitious schemes of her father and her brother Cesare, before she moved to Ferrara, where she ultimately died in childbirth at the age of forty-one. We know that she left the duke, her husband, in deep grief that was shared by his people, to whom she had endeared herself through her exemplary life and caring leadership.(2)
1 Ferdinand Gregorovius, Lucrezia Borgia. 2 See, inter alia, the letters of Alfonso d’Este and Giovanni Gonzaga on her death, quoted in Gregorovius, Lucrezia Borgia.
1 Ferdinand Gregorovius, Lucrezia Borgia. 2 See, among other things, the letters of Alfonso d’Este and Giovanni Gonzaga regarding her death, quoted in Gregorovius, Lucrezia Borgia.
Later, in the course of this narrative, where she crosses the story of her brother Cesare, it will be necessary to deal with some of the revolting calumnies concerning her that were circulated, and, in passing, shall be revealed the sources of the malice that inspired them and the nature of the evidence upon which they rest, to the eternal shame alike of those pretended writers of fact and those avowed writers of fiction who, as dead to scruples as to chivalry, have not hesitated to make her serve their base melodramatic or pornographic ends.
Later, in this narrative, when she shares the story of her brother Cesare, it will be important to address some of the disgusting rumors spread about her. Along the way, I'll reveal the sources of the hatred that fueled these lies and the kind of evidence they were based on, bringing eternal shame to both the so-called factual writers and the openly fictional ones who, completely lacking in morals and honor, didn't hesitate to use her for their sleazy melodramatic or pornographic purposes.
At present, however, there is no more than her first marriage to be recorded. She was fourteen years of age at the time, and, like all the Borgias, of a rare personal beauty, with blue eyes and golden hair. Twice before, already, had she entered into betrothal contracts with gentlemen of her father’s native Spain; but his ever-soaring ambition had caused him successively to cancel both those unfulfilled contracts. A husband worthy of the daughter of Cardinal Roderigo Borgia was no longer worthy of the daughter of Pope Alexander VI, for whom an alliance must now be sought among Italy’s princely houses. And so she came to be bestowed upon the Lord of Pesaro, with a dowry of 30,000 ducats.
Right now, there’s only her first marriage to mention. She was fourteen at the time and, like all the Borgias, exceptionally beautiful, with blue eyes and golden hair. She had already entered into two betrothal contracts with gentlemen from her father’s homeland of Spain, but his relentless ambition led him to cancel both of those agreements. A husband worthy of the daughter of Cardinal Roderigo Borgia no longer fit for the daughter of Pope Alexander VI, so an alliance needed to be arranged among Italy’s ruling families. Thus, she was married off to the Lord of Pesaro, with a dowry of 30,000 ducats.
Her nuptials were celebrated in the Vatican on June 12, 1493, in the splendid manner worthy of the rank of all concerned and of the reputation for magnificence which the Borgia had acquired. That night the Pope gave a supper-party, at which were present some ten cardinals and a number of ladies and gentlemen of Rome, besides the ambassadors of Ferrara, Venice, Milan, and France. There was vocal and instrumental music, a comedy was performed, the ladies danced, and they appear to have carried their gaieties well into the dawn. Hardly the sort of scene for which the Vatican was the ideal stage. Yet at the time it should have given little or no scandal. But what a scandal was there not, shortly afterwards, in connection with it, and how that scandal was heaped up later, by stories so revolting of the doings of that night that one is appalled at the minds that conceived them and the credulity that accepted them.
Her wedding was celebrated in the Vatican on June 12, 1493, in a grand style that matched the status of everyone involved and the reputation for extravagance that the Borgia family had gained. That night, the Pope hosted a dinner party attended by about ten cardinals and various ladies and gentlemen from Rome, along with ambassadors from Ferrara, Venice, Milan, and France. There was singing and music, a comedy performance, the ladies danced, and they seemed to have continued their festivities well into the early morning. It was hardly the kind of scene fitting for the Vatican. However, at the time, it should have caused little or no scandal. But what a scandal arose shortly after, with stories so shocking about the events of that night that it’s unsettling to think about the minds that created them and the gullibility that accepted them.
Infessura writes of what he heard, and he writes venomously, as he betrays by the bitter sarcasm with which he refers to the fifty silver cups filled with sweetmeats which the Pope tossed into the laps of ladies present at the earlier part of the celebration. “He did it,” says Infessura, “to the greater honour and glory of Almighty God and the Church of Rome.” Beyond that he ventures into no great detail, checking himself betimes, however, with a suggested motive for reticence a thousand times worse than any formal accusation. Thus: “Much else is said, of which I do not write, because either it is not true, or, if true, incredible.”(1)
Infessura talks about what he heard, and he does so with a lot of bitterness, as shown by the sharp sarcasm he uses when mentioning the fifty silver cups filled with sweets that the Pope threw into the laps of the women at the beginning of the celebration. “He did it,” Infessura says, “for the greater honor and glory of Almighty God and the Church of Rome.” Other than that, he doesn’t go into much detail, holding back at times with a suggested reason for his silence that's much worse than any formal accusation. He states: “Much else is said, of which I do not write, because either it is not true, or, if true, incredible.”(1)
1 “Et multa alia dicta sunt; que hic non scribo, que aut non sunt; vel si sunt, incredibilia” (Infessura, Diarium).
1 “And many other things were said, which I do not write here, whether they are not true; or if they are, they are unbelievable” (Infessura, Diarium).
It is amazing that the veil which Infessura drew with those words should have been pierced—not indeed by the cold light of fact, but by the hot eye of prurient imagination; amazing that he should be quoted at all—he who was not present—considering that we have the testimony of what did take place from the pen of an eye-witness, in a letter from Gianandrea Boccaccio, the ambassador of Ferrara, to his master.
It's surprising that the barrier Infessura created with those words has been broken—not by the cold light of truth, but by the heated gaze of curious imagination; surprising that he is even quoted at all—he who wasn't there—especially since we have the account of what actually happened from an eyewitness, in a letter from Gianandrea Boccaccio, the ambassador of Ferrara, to his ruler.
At the end of his letter, which describes the proceedings and the wedding-gifts and their presentation, he tells us how the night was spent. “Afterwards the ladies danced, and, as an interlude, a worthy comedy was performed, with much music and singing, the Pope and all the rest of us being present throughout. What else shall I add? It would make a long letter. The whole night was spent in this manner; let your lordship decide whether well or ill.”
At the end of his letter, which talks about the events and the wedding gifts and how they were given, he tells us how the night went. “After that, the ladies danced, and as a break, a great comedy was performed, with a lot of music and singing, with the Pope and all of us there the whole time. What more should I say? It would make for a long letter. The entire night was spent like this; let your lordship decide if it was good or bad.”
Is not that sufficient to stop the foul mouth of inventive slander? What need to suggest happenings unspeakable? Yet it is the fashion to quote the last sentence above from Boccaccio’s letter in the original—“totam noctem comsumpsimus; judicet modo Ex(ma.) Dominatio vestra si bene o male”—as though decency forbade its translation; and at once this poisonous reticence does its work, and the imagination—and not only that of the unlettered—is fired, and all manner of abominations are speculatively conceived.
Isn't that enough to silence the malicious gossip? Why suggest unspeakable events? Yet it's trendy to quote the last sentence from Boccaccio’s letter in the original—“totam noctem comsumpsimus; judicet modo Ex(ma.) Dominatio vestra si bene o male”—as if decency prevented its translation; and immediately this toxic silence does its job, igniting the imagination—and not just of the uneducated—and all sorts of terrible things are imaginatively created.
Infessura, being absent, says that the comedies performed were licentious (“lascive”). But what comedies of that age were not? It was an age which had not yet invented modesty, as we understand it. That Boccaccio, who was present, saw nothing unusual in the comedy—there was only one, according to him—is proved by his description of it as “worthy” (“una degna commedia.”)
Infessura, who wasn't there, claims that the comedies performed were risqué. But honestly, what comedies from that time weren't? It was an era that hadn't yet figured out modesty as we know it. The fact that Boccaccio, who was present, didn't find anything strange about the comedy—there was only one, in his view—is shown by his description of it as “worthy.”
M. Yriarte on this same subject(1) is not only petty, but grotesque. He chooses to relate the incident from the point of view of Infessura, whom, by the way, he translates with an amazing freedom,(2) and he makes bold to add regarding Gianandrea Boccaccio that: “It must also be said that the ambassador of Ferrara, either because he did not see everything, or because he was less austere than Infessura, was not shocked by the comedies, etc.” (“soit qu’il n’ait pas tout vu, soit qu’il ait été moins austère qu’Infessura, n’est pas choqué....”)
M. Yriarte on this same subject(1) is not just petty, but ridiculous. He decides to tell the story from Infessura's perspective, whom he translates with surprising freedom(2), and boldly adds about Gianandrea Boccaccio that: “It should also be noted that the ambassador of Ferrara, either because he didn’t see everything, or because he was less strict than Infessura, was not offended by the comedies, etc.” (“soit qu’il n’ait pas tout vu, soit qu’il ait été moins austère qu’Infessura, n’est pas choqué....”)
1 La Vie de César Borgia. 2 Thus in the matter of the fifty silver cups tossed by the Pope into the ladies’ laps, “sinum” is the word employed by Infessura—a word which has too loosely been given its general translation of “bosom,” ignoring that it equally means “lap” and that “lap” it obviously means in this instance. M. Yriarte, however, goes a step further, and prefers to translate it as “corsage,” which at once, and unpleasantly, falsifies the picture; and he adds matter to dot the I’s to an extent certainly not warranted even by Infessura.
1 The Life of Cesare Borgia. 2 So, regarding the fifty silver cups tossed by the Pope into the laps of the ladies, “sinum” is the term used by Infessura—a term that has been too loosely translated as “bosom,” disregarding that it also means “lap” and that in this case, it clearly refers to “lap.” M. Yriarte, though, takes it a step further and prefers to translate it as “corsage,” which immediately and unpleasantly alters the image; he also adds details that definitely aren't backed up by Infessura.
M. Yriarte, you observe, does not scruple to opine that Boccaccio, who was present, did not see everything; but he has no doubt that Infessura, who was not present, and who wrote from “hearsay,” missed nothing.
M. Yriarte, you notice, isn't hesitant to say that Boccaccio, who was there, didn't see everything; but he firmly believes that Infessura, who wasn't there and who wrote based on “hearsay,” didn’t miss a thing.
Alas! Too much of the history of the Borgias has been written in this spirit, and the discrimination in the selection of authorities has ever been with a view to obtaining the more sensational rather than the more truthful narrative.
Alas! Too much of the history of the Borgias has been written in this way, and the choice of sources has always been aimed at getting more sensational stories rather than a more accurate account.
Although it is known that Cesare came to Rome in the early part of 1493—for his presence there is reported by Gianandrea Boccaccio in March of that year—there is no mention of him at this time in connection with his sister’s wedding. Apparently, then, he was not present, although it is impossible to suggest where he might have been at the time.
Although it’s known that Cesare arrived in Rome in early 1493—his presence there is reported by Gianandrea Boccaccio in March of that year—there’s no mention of him during his sister’s wedding. So, it seems he wasn’t there, though it’s impossible to say where he might have been at that time.
Boccaccio draws a picture of him in that letter, which is worthy of attention, “On the day before yesterday I found Cesare at home in Trastevere. He was on the point of setting out to go hunting, and entirely in secular habit; that is to say, dressed in silk and armed. Riding together, we talked a while. I am among his most intimate acquaintances. He is man of great talent and of an excellent nature; his manners are those of the son of a great prince; above everything, he is joyous and light-hearted. He is very modest, much superior to, and of a much finer appearance than, his brother the Duke of Gandia, who also is not short of natural gifts. The archbishop never had any inclination for the priesthood. But his benefice yields him over 16,000 ducats.”
Boccaccio paints a picture of him in that letter, which is worth noticing: “The day before yesterday, I found Cesare at home in Trastevere. He was about to head out for a hunt, completely dressed in ordinary clothes; that is to say, in silk and armed. As we rode together, we chatted for a while. I’m one of his closest friends. He's a man of great talent and an excellent character; he carries himself like the son of a great prince; above all, he's cheerful and easygoing. He's very modest, much better looking and more refined than his brother the Duke of Gandia, who also has his own natural talents. The archbishop never wanted to be a priest. But his position pays him over 16,000 ducats.”
It may not be amiss—though perhaps no longer very necessary, after what has been written—to say a word at this stage on the social position of bastards in the fifteenth and sixteenth centuries, to emphasize the fact that no stigma attached to Cesare Borgia or to any other member of his father’s family on the score of the illegitimacy of their birth.
It might be worth mentioning—although it may not be as essential now, considering what has already been said—about the social standing of bastards in the fifteenth and sixteenth centuries. It's important to highlight that there was no stigma associated with Cesare Borgia or any other member of his father's family because of their illegitimate birth.
It is sufficient to consider the marriages they contracted to perceive that, however shocking the circumstances may appear to modern notions, the circumstance of their father being a Pope not only cannot have been accounted extraordinarily scandalous (if scandalous at all) but, on the contrary, rendered them eligible for alliances even princely.
It’s enough to look at the marriages they entered into to see that, no matter how shocking the situation might seem by today’s standards, their father being a Pope couldn’t have been seen as especially scandalous (if scandalous at all). In fact, it likely made them suitable for even royal alliances.
In the fifteenth and sixteenth centuries we see the bastard born of a noble, as noble as his father, displaying his father’s arms without debruisement and enjoying his rank and inheritance unchallenged on the score of his birth, even though that inheritance should be a throne—as witness Lucrezia’s husband Giovanni, who, though a bastard of the house of Sforza, succeeded, nevertheless, his father in the Tyranny of Pesaro and Cotignola.
In the 15th and 16th centuries, we see the illegitimate child of a noble, just as noble as his father, proudly displaying his father’s coat of arms without any alteration and fully enjoying his status and inheritance without being questioned about his birth, even if that inheritance is a throne—like Lucrezia’s husband Giovanni, who, despite being a bastard from the Sforza family, still succeeded his father in the rule of Pesaro and Cotignola.
Later we shall see this same Lucrezia, her illegitimacy notwithstanding, married into the noble House of Este and seated upon the throne of Ferrara. And before then we shall have seen the bastard Cesare married to a daughter of the royal House of Navarre. Already we have seen the bastard Francesco Cibo take to wife the daughter of the great Lorenzo de’Medici, and we have seen the bastard Girolamo Riario married to Caterina Sforza—a natural daughter of the ducal House of Milan—and we have seen the pair installed in the Tyranny of Imola and Forli. A score of other instances might be added; but these should suffice.
Later, we'll see Lucrezia, despite her illegitimacy, married into the noble House of Este and sitting on the throne of Ferrara. Before that, we'll witness Cesare, also a bastard, marrying a daughter of the royal House of Navarre. We've already seen Francesco Cibo, another illegitimate son, take the daughter of the great Lorenzo de’Medici as his wife, and we've seen Girolamo Riario, yet another bastard, married to Caterina Sforza—a natural daughter of the ducal House of Milan—and we've seen them both installed in the tyranny of Imola and Forli. There are many other examples that could be added, but these should be enough.
The matter calls for the making of no philosophies, craves no explaining, and, above all, needs no apology. It clears itself. The fifteenth and sixteenth centuries—more just than our own more enlightened times—attributed no shame to the men and women born out of wedlock, saw no reason—as no reason is there, Christian or Pagan—why they should suffer for a condition that was none of their contriving.
The situation doesn't need any complex philosophies, doesn't require explaining, and, most importantly, doesn't need an apology. It stands on its own. The 15th and 16th centuries—more fair than our own supposedly more enlightened times—felt no shame for those born out of wedlock and saw no reason—because there is no valid reason, whether Christian or Pagan—why they should face suffering for something they didn't cause.
To mention it may be of help in visualizing and understanding that direct and forceful epoch, and may even suggest some lenience in considering a Pope’s carnal paternity. To those to whom the point of view of the Renaissance does not promptly suggest itself from this plain statement of fact, all unargued as we leave it, we recommend a perusal of Gianpietro de Crescenzi’s Il Nobile Romano.
To bring it up might help in visualizing and understanding that intense time, and might even suggest some leniency when considering a Pope’s bodily parentage. For those who don’t immediately see the Renaissance perspective from this straightforward statement, unargued as we leave it, we recommend reading Gianpietro de Crescenzi’s Il Nobile Romano.
The marriage of Lucrezia Borgia to Giovanni Sforza tightened the relations between the Pope and Milan, as the Pope intended. Meanwhile, however, the crafty and mistrustful Lodovico, having no illusions as to the true values of his allies, and realizing them to be self-seekers like himself, with interests that were fundamentally different from his own, perceived that they were likely only to adhere to him for just so long as it suited their own ends. He bethought him, therefore, of looking about him for other means by which to crush the power of Naples. France was casting longing eyes upon Italy, and it seemed to Lodovico that in France was a ready catspaw. Charles VIII, as the representative of the House of Anjou, had a certain meagre claim upon the throne of Naples; if he could be induced to ride south, lance on thigh, and press that claim there would be an end to the dominion of the House of Aragon, and so an end to Lodovico’s fears of a Neapolitan interference with his own occupation of the throne of Milan.
The marriage of Lucrezia Borgia to Giovanni Sforza strengthened the ties between the Pope and Milan, as the Pope intended. However, the crafty and suspicious Lodovico, seeing through the true nature of his allies and recognizing that they were just as self-serving as he was, realized their interests were fundamentally different from his own. He understood that they would only stay loyal to him as long as it benefited them. Therefore, he began to look for other ways to undermine the power of Naples. France was eyeing Italy, and Lodovico saw France as a potential ally. Charles VIII, representing the House of Anjou, had a slim claim to the throne of Naples. If he could be convinced to head south with his lance ready and press that claim, it would put an end to the House of Aragon's rule and eliminate Lodovico’s worries about Neapolitan interference with his control over the throne of Milan.
To an ordinary schemer that should have been enough; but as a schemer Lodovico was wholly extraordinary. His plans grew in the maturing, and took in side-issues, until he saw that Naples should be to Charles VIII as the cheese within the mouse-trap. Let his advent into Italy to break the power of Naples be free and open; but, once within, he should find Milan and the northern allies between himself and his retreat, and Lodovico’s should it be to bring him to his knees. Thus schemed Lodovico to shiver, first Naples and then France, before hurling the latter back across the Alps. A daring, bold, and yet simple plan of action. And what a power in Italy should not Lodovico derive from its success!
To an ordinary planner, that would have been enough; but as a planner, Lodovico was truly exceptional. His ideas developed over time, incorporating various aspects, until he realized that Naples would serve Charles VIII like cheese in a mouse trap. Let Charles enter Italy freely to weaken Naples; but once inside, he would find Milan and the northern allies blocking his way back, and it would be Lodovico's goal to force him to surrender. So, Lodovico devised a plan to weaken both Naples and then France before pushing the latter back over the Alps. It was a bold, daring, and yet straightforward course of action. And what power in Italy could Lodovico gain from its success!
Forthwith he got secretly to work upon it, sending his invitation to Charles to come and make good his claim to Naples, offering the French troops free passage through his territory.(1) And in the character of his invitation he played upon the nature of malformed, ambitious Charles, whose brain was stuffed with romance and chivalric rhodomontades. The conquest of Naples was an easy affair, no more than a step in the glorious enterprise that awaited the French king, for from Naples he could cross to engage the Turk, and win back the Holy Sepulchre, thus becoming a second Charles the Great.
Immediately, he got to work on it in secret, inviting Charles to come and assert his claim to Naples, offering the French troops free passage through his land.(1) In the style of his invitation, he played on the nature of the ambitious and misguided Charles, whose mind was filled with tales of romance and chivalry. The conquest of Naples was a simple task, just a step in the glorious venture that awaited the French king, for from Naples he could travel to confront the Turk and reclaim the Holy Sepulchre, thus becoming a second Charles the Great.
1 See Corlo, Storia di Milano, and Lodovico’s letter to Charles VIII, quoted therein, lib. vii.
1 See Corlo, History of Milan, and Lodovico’s letter to Charles VIII, quoted in it, book vii.
Thus Lodovico Maria the crafty, to dazzle Charles the romantic, and to take the bull of impending invasion by the very horns.
Thus, Lodovico Maria the crafty, aimed to impress Charles the romantic and to confront the looming threat of invasion head-on.
We have seen the failure of the appeal to Spain against the Pope made by the King of Naples. To that failure was now added the tightening of Rome’s relations with Milan by the marriage between Lucrezia Borgia and Giovanni Sforza, and Ferrante—rumours of a French invasion, with Naples for its objective being already in the air—realized that nothing remained him but to make another attempt to conciliate the Pope’s Holiness. And this time he went about his negotiations in a manner better calculated to serve his ends, since his need was grown more urgent. He sent the Prince of Altamura again to Rome for the ostensible purpose of settling the vexatious matter of Cervetri and Anguillara and making alliance with the Holy Father, whilst behind Altamura was the Neapolitan army ready to move upon Rome should the envoy fail this time.
We have seen the failure of the appeal to Spain made by the King of Naples against the Pope. To that failure was added the strengthening of Rome’s ties with Milan through the marriage of Lucrezia Borgia and Giovanni Sforza, and Ferrante—amid rumors of a French invasion targeting Naples—realized that he had no choice but to try once more to win over the Pope. This time, he approached his negotiations in a way that was better suited to achieve his goals, as his need had become more urgent. He sent the Prince of Altamura back to Rome, ostensibly to resolve the annoying issue of Cervetri and Anguillara and to form an alliance with the Holy Father. Meanwhile, the Neapolitan army was behind Altamura, ready to march on Rome if the envoy failed again.
But on the terms now put forward, Alexander was willing to negotiate, and so a peace was patched up between Naples and the Holy See, the conditions of which were that Orsini should retain the fiefs for his lifetime, but that they should revert to Holy Church on his death, and that he should pay the Church for the life-lease of them the sum of 40,000 ducats, which already he had paid to Francesco Cibo; that the peace should be consolidated by the marriage of the Pope’s bastard, Giuffredo, with Sancia of Aragon, the natural daughter of the Duke of Calabria, heir to the throne of Naples, and that she should bring the Principality of Squillace and the County of Coriate as her dowry.
But under the new terms proposed, Alexander was open to negotiation, so a peace agreement was reached between Naples and the Holy See. The conditions were that Orsini would keep the fiefs for his lifetime, but they would revert to the Church upon his death. He would also pay the Church a sum of 40,000 ducats for the life-lease of these lands, which he had already paid to Francesco Cibo. Additionally, the peace would be solidified by the marriage of the Pope's illegitimate son, Giuffredo, to Sancia of Aragon, the natural daughter of the Duke of Calabria, who was the heir to the throne of Naples. She would bring the Principality of Squillace and the County of Coriate as her dowry.
The other condition demanded by Naples—at the suggestion of Cardinal Giuliano della Rovere—was that the Pope should disgrace and dismiss his ViceChancellor, Ascanio Sforza, which would have shattered the pontifical relations with Milan. To this, however, the Pope would not agree, but he met Naples in the matter to the extent of consenting to overlook Cardinal della Rovere’s defection and receive him back into favour.
The other condition requested by Naples—at the suggestion of Cardinal Giuliano della Rovere—was that the Pope should disgrace and fire his Vice-Chancellor, Ascanio Sforza, which would have broken the papal ties with Milan. However, the Pope refused to agree to this, but he did compromise with Naples by choosing to overlook Cardinal della Rovere’s betrayal and allowed him to return to favor.
On these terms the peace was at last concluded in August of 1493, and immediately afterwards there arrived in Rome the Sieur Peron de Basche, an envoy from the King of France charged with the mission to prevent any alliance between Rome and Naples.
On these terms, the peace was finally settled in August of 1493, and right after that, the Sieur Peron de Basche, an envoy from the King of France, arrived in Rome with the task of blocking any alliance between Rome and Naples.
The Frenchman was behind the fair. The Pope took the only course possible under the awkward circumstances, and refused to see the ambasssador. Thereupon the offended King of France held a grand council “in which were proposed and treated many things against the Pope and for the reform of the Church.”
The Frenchman was behind the fair. The Pope took the only option he could in the uncomfortable situation and refused to meet with the ambassador. In response, the upset King of France held a large council "where many issues against the Pope and for the reform of the Church were proposed and discussed."
These royal outbursts of Christianity, these pious kingly frenzies to unseat an unworthy Pontiff and reform the Church, follow always, you will observe, upon the miscarriage of royal wishes.
These royal outbursts of Christianity, these devout kingly frenzies to remove an unworthy Pope and reform the Church, always occur, as you will notice, after the failure of royal desires.
In the Consistory of September 1493 the Pope created twelve new cardinals to strengthen the Sacred College in general and his own hand in particular.
In the Consistory of September 1493, the Pope appointed twelve new cardinals to enhance the Sacred College in general and to consolidate his own power in particular.
Amongst these new creations were the Pope’s son Cesare, and Alessandro Farnese, the brother of the beautiful Giulia. The grant of the red hat to the latter appears to have caused some scandal, for, owing to the Pope’s relations with his sister, to which it was openly said that Farnese owed the purple, he received the by-name of Cardinal della Gonella—Cardinal of the Petticoat.
Among these new figures were the Pope’s son Cesare and Alessandro Farnese, the brother of the beautiful Giulia. The granting of the red hat to the latter seemed to cause some scandal because, due to the Pope’s connection with his sister—people openly said that Farnese got the purple because of it—he was given the nickname Cardinal della Gonella—Cardinal of the Petticoat.
That was the first important step in the fortunes of the House of Farnese, which was to give dukes to Parma, and reach the throne of Spain (in the person of Isabella Farnese) before becoming extinct in 1758.
That was the first significant step in the history of the House of Farnese, which would provide dukes for Parma and ascend to the throne of Spain (through Isabella Farnese) before becoming extinct in 1758.
BOOK II. THE BULL PASCANT
Roma Bovem invenit tunc, cum fundatur aratro, Et nunc lapsa suo est ecce renata Bove.
Roma found the Bull when it was being laid to rest, And now it has fallen and look, it has been revived.
From an inscription quoted by Bernardino Coaxo.
From an inscription referenced by Bernardino Coaxo.
CHAPTER I. THE FRENCH INVASION
You see Cesare Borgia, now in his nineteenth year, raised to the purple with the title of Cardinal-Deacon of Santa Maria Nuova—notwithstanding which, however, he continues to be known in preference, and, indeed, to sign himself by the title of his archbishopric, Cardinal of Valencia.
You see Cesare Borgia, now in his nineteenth year, elevated to the position of Cardinal-Deacon of Santa Maria Nuova—but he still prefers to be known by, and signs himself as, the Cardinal of Valencia, his archbishopric title.
It is hardly necessary to mention that, although already Bishop of Pampeluna and Archbishop of Valencia, he had received so far only his first tonsure. He never did receive any ecclesiastical orders beyond the minor and revocable ones.
It’s hardly worth mentioning that, even though he was already the Bishop of Pampeluna and the Archbishop of Valencia, he had only received his first tonsure so far. He never received any church orders beyond the minor and revocable ones.
It was said by Infessura, and has since been repeated by a multitude of historians, upon no better authority than that of this writer on hearsay and inveterate gossip, that, to raise Cesare to the purple, Alexander was forced to prove the legitimacy of that young man’s birth, and that to this end he procured false witnesses to swear that he was “the son of Vannozza de’ Catanei and her husband, Domenico d’Arignano.” Already has this been touched upon in an earlier chapter, here it was shown that Vannozza never had a husband of the name of d’Arignano, and it might reasonably be supposed that this circumstance alone would have sufficed to restrain any serious writer from accepting and repeating Infessura’s unauthoritative statement.
It was said by Infessura, and has since been echoed by many historians, based on nothing more solid than this writer's hearsay and persistent rumors, that to elevate Cesare to a position of power, Alexander had to prove that the young man was legitimately born. To achieve this, he supposedly got false witnesses to claim that Cesare was “the son of Vannozza de’ Catanei and her husband, Domenico d’Arignano.” This has already been addressed in an earlier chapter, where it was shown that Vannozza never had a husband named d’Arignano. It seems reasonable to think that this fact alone should have been enough to stop any serious writer from accepting and repeating Infessura’s unverified claim.
But if more they needed, it was ready to their hands in the Bull of Sixtus IV of October 1, 1480—to which also allusion has been made—dispensing Cesare from proving his legitimacy: “Super defectum natalium od ordines et quoecumque beneficia.”
But if they needed more, it was available to them in the Bull of Sixtus IV from October 1, 1480—to which reference has also been made—excusing Cesare from having to prove his legitimacy: “Super defectum natalium od ordines et quoecumque beneficia.”
Besides that, of what avail would any false swearing have been, considering that Cesare was openly named Borgia, that he was openly acknowledged by his father, and that in the very Bull above mentioned he is stated to be the son of Roderigo Borgia?
Besides that, what good would any false swearing have done, given that Cesare was openly called Borgia, that he was publicly recognized by his father, and that in the very Bull mentioned, he is described as the son of Roderigo Borgia?
This is another instance of the lightness, the recklessness with which Alexander VI has been accused of unseemly and illicit conduct, which it may not be amiss to mention at this stage, since, if not the accusation itself, at least the matter that occasioned it belongs chronologically here.
This is another example of the carelessness and irresponsibility with which Alexander VI has been accused of inappropriate and illegal behavior, which might be worth mentioning at this point, since, if not the accusation itself, at least the issue that caused it fits chronologically here.
During the first months of his reign—following in the footsteps of predecessors who had made additions to the Vatican—Alexander set about the building of the Borgia Tower. For its decoration he brought Perugino, Pinturicchio, Volterrano, and Peruzzi to Rome. Concerning Pinturicchio and Alexander, Vasari tells us, in his Vita degli Artefici, that over the door of one of the rooms in the Borgia Tower the artist painted a picture of the Virgin Mary in the likeness of Giulia Farnese (who posed to him as the model) with Alexander kneeling to her in adoration, arrayed in full pontificals.
During the first months of his reign—following in the footsteps of his predecessors who had expanded the Vatican—Alexander set to work on building the Borgia Tower. For its decoration, he brought Perugino, Pinturicchio, Volterrano, and Peruzzi to Rome. Regarding Pinturicchio and Alexander, Vasari tells us in his *Vita degli Artefici* that above the door of one of the rooms in the Borgia Tower, the artist painted a picture of the Virgin Mary resembling Giulia Farnese (who posed as the model) with Alexander kneeling before her in worship, dressed in full papal attire.
Such a thing would have been horrible, revolting, sacrilegious. Fortunately it does not even amount to a truth untruly told; and well would it be if all the lies against the Borgias were as easy to refute. True, Pinturicchio did paint Giulia Farnese as the Madonna; true also that he did paint Alexander kneeling in adoration—but not to the Madonna, not in the same picture at all. The Madonna for which Giulia Farnese was the model is over a doorway, as Vasari says. The kneeling Alexander is in another room, and the object of his adoration is the Saviour rising from His tomb.
Such a thing would have been awful, disgusting, and sacrilegious. Thankfully, it doesn't even come close to being a truth told falsely; and it would be great if all the lies about the Borgias were as easy to disprove. It's true that Pinturicchio painted Giulia Farnese as the Madonna; it's also true that he painted Alexander kneeling in reverence—but not to the Madonna, and not in the same painting at all. The Madonna for which Giulia Farnese was the model is above a doorway, as Vasari mentions. The kneeling Alexander is in another room, and the object of his worship is the Savior rising from His tomb.
Yet one reputable writer after another has repeated that lie of Vasari’s, and shocked us by the scandalous spectacle of a Pope so debauched and lewd that he kneels in pontificals, in adoration, at the feet of his mistress depicted as the Virgin Mary.
Yet one respected writer after another has repeated Vasari's lie, shocking us with the scandalous image of a Pope so depraved and corrupt that he kneels in his papal robes, worshipping at the feet of his mistress portrayed as the Virgin Mary.
In October of that same year of 1493 Cesare accompanied his father on a visit to Orvieto, a journey which appears to have been partly undertaken in response to an invitation from Giulia Farnese’s brother Alessandro.
In October of 1493, Cesare went with his father on a trip to Orvieto, which seems to have been partly in response to an invitation from Giulia Farnese's brother, Alessandro.
Orvieto was falling at the time into decay and ruin, no longer the prosperous centre it had been less than a hundred years earlier; but the shrewd eye of Alexander perceived its value as a stronghold, to be used as an outpost of Rome or as a refuge in time of danger, and he proceeded to repair and fortify it. In the following summer Cesare was invested with its governorship, at the request of its inhabitants, who sent an embassy to the Pope with their proposal,—by way, no doubt, of showing their gratitude for his interest in the town.
Orvieto was falling into decay and ruin at the time, no longer the thriving center it had been less than a hundred years earlier; but Alexander's sharp eye recognized its potential as a stronghold, to be used as a base for Rome or a refuge in times of trouble, so he set about repairing and fortifying it. The following summer, Cesare was appointed governor at the request of the locals, who sent a delegation to the Pope with their proposal—likely to express their gratitude for his interest in the town.
But in the meantime, towards the end of 1493, King Ferrante’s uneasiness at the ever-swelling rumours of the impending French invasion was quickened by the fact that the Pope had not yet sent his son Giuffredo to Naples to marry Donna Sancia, as had been contracted. Ferrante feared the intrigues of Milan with Alexander, and that the latter might be induced, after all, to join the northern league. In a frenzy of apprehension, the old king was at last on the point of going to Milan to throw himself at the feet of Lodovico Sforza, who was now his only hope, when news reached him that his ambassadors had been ordered to leave France.
But in the meantime, towards the end of 1493, King Ferrante’s anxiety about the growing rumors of an impending French invasion was intensified by the fact that the Pope had not yet sent his son Giuffredo to Naples to marry Donna Sancia, as planned. Ferrante worried about the intrigues of Milan with Alexander, and that the latter might actually be persuaded to join the northern league. In a frenzy of fear, the old king was finally about to go to Milan to throw himself at the feet of Lodovico Sforza, who was now his only hope, when he received news that his ambassadors had been ordered to leave France.
That death-blow to his hopes was a death-blow to the man himself. Upon receiving the news he was smitten by an apoplexy, and upon January 25, 1494, he departed this life without the consolation of being able to suppose that any of his schemes had done anything to avert the impending ruin of his house.
That devastating blow to his hopes was also a devastating blow to him as a person. When he got the news, he was struck by a stroke, and on January 25, 1494, he passed away without the comfort of believing that any of his plans had done anything to prevent the coming downfall of his family.
In spite of all Alexander’s intercessions and representations, calculated to induce Charles VIII to abandon his descent upon Italy; in spite, no less, of the counsel he received at home from such far-seeing men as had his ear, the Christian King was now determined upon the expedition and his preparations were well advanced. In the month of March he assumed the title of King of Sicily, and sent formal intimation of it to Alexander, demanding his investiture at the hands of the Pope and offering to pay him a heavy annual tribute. Alexander was thus given to choose between the wrath of France and the wrath of Naples, and—to put the basest construction on his motives—he saw that the peril from an enemy on his very frontiers would be more imminent than that of an enemy beyond the Alps. It is also possible that he chose to be guided by his sense of justice and to do in the matter what he considered right. By whatever motive he was prompted, the result was that he refused to accede to the wishes of the Christian King.
Despite all of Alexander's attempts and arguments aimed at persuading Charles VIII to give up his invasion of Italy; despite the advice he received from wise individuals who had his ear, the Christian King was now set on the expedition and had made significant progress in his preparations. In March, he claimed the title of King of Sicily and officially notified Alexander, requesting his investiture from the Pope and promising to pay a large annual tribute. Alexander was then faced with a choice between the anger of France and the anger of Naples, and—if we consider his motives cynically—he realized that the threat from an enemy at his doorstep was more urgent than that of an enemy across the Alps. It’s also possible that he let his sense of justice guide him to do what he believed was right. Regardless of his motivations, he ultimately refused to fulfill the Christian King’s requests.
The Consistory which received the French ambassador—Peron de Basche—became the scene of stormy remonstrances, Cardinal Giuliano della Rovere, of course, supporting the ambassador and being supported in his act of insubordination by the Vice-Chancellor Ascanio Sforza (who represented his brother Lodovico in the matter) and the Cardinals Sanseverino, Colonna, and Savelli, all attached to French interests. Peron de Basche so far presumed, no doubt emboldened by this support, as to threaten the Pope with deposition if he persisted in his refusal to obey the King of France.
The Consistory that met with the French ambassador—Peron de Basche—turned into a heated confrontation, with Cardinal Giuliano della Rovere, naturally, backing the ambassador and being backed in his defiance by the Vice-Chancellor Ascanio Sforza (who was representing his brother Lodovico in this issue) and Cardinals Sanseverino, Colonna, and Savelli, all aligned with French interests. Peron de Basche, likely feeling encouraged by this support, even went so far as to threaten the Pope with ousting if he continued to refuse to obey the King of France.
You see once more that kingly attitude, and you shall see it yet again presently and be convinced of its precise worth. In one hand a bribe of heavy annual tribute, in the other a threat of deposition; it was thus they conducted their business with the Holy Father. In this instance his Holiness took the threat, and dismissed the insolent ambassador. Della Rovere, conceiving that in France he had a stouter ally than in Naples, and seeing that he had once more incurred the papal anger by his open enmity, fled back to Ostia; and, not feeling safe there, for the pontifical forces were advancing upon his fortress, took ship to Genoa, and thence to France, to plot the Pope’s ruin with the exasperated Charles; and, the charge of simony being the only weapon with which they could attack Alexander’s seat upon the papal throne, the charge of simony was once more brandished.
You see that royal attitude again, and you’ll see it again shortly and realize its true value. In one hand, a hefty annual bribe, and in the other, a threat of removal; that’s how they handled their dealings with the Holy Father. This time, His Holiness responded to the threat and sent the arrogant ambassador away. Della Rovere, thinking he had a stronger ally in France than in Naples, and realizing he had once again provoked the papal anger with his blatant hostility, fled back to Ostia. Unsure of his safety there, as the papal forces were closing in on his fortress, he took a ship to Genoa and from there to France, to conspire with the furious Charles against the Pope’s downfall; and since the accusation of simony was the only way they could challenge Alexander’s position on the papal throne, the accusation of simony was once again waved around.
His Holiness took the matter with a becoming and stately calm. He sent his nephew, Giovanni Borgia, to Naples to crown Alfonso, and with him went Giuffredo Borgia to carry out the marriage contract with Alfonso’s daughter, and thus strengthen the alliance between Rome and Naples.
His Holiness handled the situation with a dignified and composed attitude. He sent his nephew, Giovanni Borgia, to Naples to crown Alfonso, and along with him went Giuffredo Borgia to finalize the marriage agreement with Alfonso’s daughter, thereby reinforcing the alliance between Rome and Naples.
By the autumn Charles had crossed the Alps with the most formidable army that had ever been sent out of France, full ninety thousand strong. And so badly was the war conducted by the Neapolitan generals who were sent to hold him in check that the appearance of the French under the very walls of Rome was almost such as to take the Pope by surprise. Charles’s advance from the north had been so swift and unhindered that Alexander contemptuously said the French soldiers had come into Italy with wooden spurs and chalk in their hands to mark their lodgings.
By autumn, Charles had crossed the Alps with the most impressive army ever dispatched from France, a staggering ninety thousand strong. The Neapolitan generals tasked with stopping him handled the war so poorly that the French appeared right at the walls of Rome, nearly catching the Pope off guard. Charles's rapid and unobstructed advance from the north had been so incredible that Alexander scoffed, claiming the French soldiers had entered Italy with wooden spurs and chalk to mark where they stayed.
Charles had been well received by the intriguing Lodovico Sforza, with whom he visited the Castle of Pavia and the unfortunate Gian Galeazzo, who from long confinement, chagrin, and other causes was now reduced to the sorriest condition. Indeed, on October 22, some days after that visit, the wretched prince expired. Whether or not Lodovico had him poisoned, as has been alleged—a charge, which, after all, rests on no proof, nor even upon the word of any person of reliance—his death most certainly lies at his ambitious uncle’s door.
Charles was warmly welcomed by the intriguing Lodovico Sforza, with whom he toured the Castle of Pavia and the unfortunate Gian Galeazzo, who, due to his long imprisonment, distress, and other factors, was now in a very poor state. In fact, on October 22, just a few days after that visit, the miserable prince passed away. Whether or not Lodovico had him poisoned, as has been claimed—a charge that, ultimately, has no evidence or even the support of any credible witness—his death certainly falls on his ambitious uncle.
Charles was at Piacenza when the news of Gian Galeazzo’s death reached him. Like the good Christian that he accounted himself, he ordered the most solemn and imposing obsequies for the poor youth for whom in life he had done nothing.
Charles was in Piacenza when he heard the news of Gian Galeazzo's death. Being the good Christian he believed himself to be, he arranged the most solemn and grand funeral for the poor young man for whom he had done nothing in life.
Gian Galeazzo left a heart-broken girl-widow and two children to succeed him to the throne he had never been allowed to occupy—the eldest, Francesco Sforza, being a boy of five. Nevertheless, Lodovico was elected Duke of Milan. Not only did he suborn the Parliament of Milan to that end, but he induced the Emperor to confirm him in the title. To this the Emperor consented, seeking to mask the unscrupulous deed by a pitiful sophism. He expounded that the throne of Milan should originally have been Lodovico’s, and never Galeazzo Maria’s (Gian Galeazzo’s father), because the latter was born before Francesco Sforza had become Duke of Milan, whereas Lodovico was born when he already was so.
Gian Galeazzo left behind a heartbroken young widow and two children to take over a throne he had never been allowed to rule—the eldest, Francesco Sforza, being just five years old. Still, Lodovico was elected Duke of Milan. He not only manipulated the Parliament of Milan to achieve this but also convinced the Emperor to confirm his title. The Emperor agreed, trying to disguise the unethical act with a pathetic argument. He argued that the throne of Milan should have originally belonged to Lodovico, not Galeazzo Maria (Gian Galeazzo’s father), because Galeazzo was born before Francesco Sforza became Duke of Milan, while Lodovico was born at a time when he already held the title.
The obsequies of Gian Galeazzo completed, Charles pushed on. From Florence he issued his manifesto, and although this confined itself to claiming the kingdom of Naples, and said no word of punishing the Pope for his disobedience in crowning Alfonso and being now in alliance with him, it stirred up grave uneasiness at the Vatican.
The funeral of Gian Galeazzo finished, Charles continued his advance. From Florence, he released his manifesto, which mainly focused on claiming the kingdom of Naples and didn’t mention punishing the Pope for his disobedience in crowning Alfonso and now being allied with him. This caused significant concern at the Vatican.
The Pope’s position was becoming extremely difficult; nevertheless, he wore the boldest possible face when he received the ambassadors of France, and on December 9 refused to grant the letters patent of passage through the Pontifical States which the French demanded. Thereupon Charles advanced threateningly upon Rome, and was joined now by those turbulent barons Orsini, Colonna, and Savelli.
The Pope's situation was getting really tough; however, he put on the bravest face possible when he met with the French ambassadors, and on December 9, he refused to grant the French the letters patent to pass through the Pontifical States. Then, Charles advanced menacingly toward Rome, joined by the disruptive barons Orsini, Colonna, and Savelli.
Alexander VI has been widely accused of effecting a volte-face at this stage and betraying his Neapolitan allies; but his conduct, properly considered, can hardly amount to that. What concessions he made to France were such as a wise and inadequately supported man must make to an army ninety thousand strong. To be recklessly and quixotically heroic is not within the function of Popes; moreover, Alexander had Rome to think of, for Charles had sent word that, if he were resisted he would leave all in ruins, whereas if a free passage were accorded him he would do no hurt nor suffer any pillage to be done in Rome.
Alexander VI has been widely criticized for seemingly flipping sides at this point and betraying his Neapolitan allies; however, if you examine his actions closely, they hardly amount to that. The concessions he made to France were those that a wise and under-resourced leader must make to a formidable army of ninety thousand soldiers. Being recklessly and idealistically heroic isn’t part of a Pope's responsibilities; besides, Alexander had to consider the well-being of Rome, as Charles had warned that if he faced resistance, he would leave everything in ruins, but if he was allowed safe passage, he wouldn't harm anyone or allow any looting in Rome.
So the Pope did the only thing consistent with prudence: he made a virtue of necessity and gave way where it was utterly impossible for him to resist. He permitted Charles the passage through his territory which Charles was perfectly able to take for himself if refused. There ensued an interchange of compliments between Pope and King, and early in January Charles entered Rome in such warlike panoply as struck terror into the hearts of all beholders. Of that entrance Paolo Giovio has left us an impressive picture.
So the Pope did the only sensible thing: he made the best of a tough situation and conceded where he had no choice but to give in. He allowed Charles to pass through his territory, which Charles could easily have taken by force if he had been turned away. This led to a friendly exchange between the Pope and the King, and early in January, Charles marched into Rome in such a formidable display that it frightened everyone who saw it. Paolo Giovio has left us a striking account of that entrance.
The vanguard was composed of Swiss and German mercenaries—tall fellows, these professional warriors, superb in their carriage and stepping in time to the beat of their drums; they were dressed in variegated, close-fitting garments that revealed all their athletic symmetry. A fourth of them were armed with long, square-bladed halberts, new to Italy; the remainder trailed their ten-foot pikes, and carried a short sword at their belts, whilst to every thousand of them there were a hundred arquebusiers. After them came the French infantry, without armour save the officers, who wore steel corselets and head-pieces. These, again, were followed by five thousand Gascon arbalisters, each shouldering his arbalest—a phalanx of short, rude fellows, not to be compared with the stately Swiss. Next came the cavalry, advancing in squadrons, glittering and resplendent in their steel casings; 2,500 of these were in full heavy armour, wielding iron maces and the ponderous lances that were usual also in Italy. Every man-at-arms had with him three horses, mounted by a squire and two valets (four men going to the lance in France). Some 5,000 of the cavalry were more lightly armed, in corselets and head-piece only, and they carried long wooden bows in the English fashion; whilst some were armed with pikes, intended to complete the work of the heavier cavalry. These were followed by 200 knights—the very flower of French chivalry for birth and valour—shouldering their heavy iron maces, their armour covered by purple, gold-embroidered surcoats. Behind them came 400 mounted archers forming the bodyguard of the king.
The front line was made up of Swiss and German mercenaries—tall guys, these professional fighters, impressive in their poise and marching in sync with the beat of their drums; they wore colorful, snug-fitting outfits that showcased their athletic builds. A quarter of them were equipped with long, square-edged halberds, a new sight in Italy; the rest carried ten-foot pikes and had short swords at their sides, with every thousand men having a hundred arquebusiers. Following them were the French infantry, with no armor except for the officers, who wore steel chest plates and helmets. Next came five thousand Gascon crossbowmen, each shouldering his crossbow—a line of shorter, rougher men, not comparable to the impressive Swiss. The cavalry followed, advancing in formations, shining and brilliant in their steel armor; 2,500 of them were fully armored, wielding iron maces and the hefty lances typical in Italy as well. Every knight had three horses, mounted by a squire and two attendants (four men going to the lance in France). About 5,000 of the cavalry were lightly armed, wearing only chest plates and helmets, and they carried long wooden bows in the English style; while some were armed with pikes, meant to support the heavier cavalry. These were followed by 200 knights—the elite of French chivalry in terms of birth and bravery—carrying their heavy iron maces, their armor covered by purple, gold-embroidered overcoats. Behind them came 400 mounted archers serving as the king's bodyguard.
The misshapen monarch himself was the very caricature of a man, hideous and grotesque as a gargoyle. He was short of stature, spindle-shanked, rachitic and malformed, and of his face, with its colossal nose, loose mouth and shallow brow, Giovio says that “it was the ugliest ever seen on man.”
The misshapen monarch himself was a complete caricature of a man, ugly and grotesque like a gargoyle. He was short, skinny, deformed, and misshapen, and of his face, with its huge nose, loose mouth, and flat forehead, Giovio says that “it was the ugliest ever seen on a man.”
Such was the person of the young king—he was twenty-four years of age at the time—who poured his legions into Rome, and all full-armed as if for work of immediate destruction. Seen, as they were, by torchlight and the blaze of kindled bonfires—for night had fallen long before the rearguard had entered the city—they looked vague, fantastic, and terrifying. But the most awe-inspiring sight of all was kept for the end; it consisted of the thirty-six pieces of artillery which brought up the rear, each piece upon a carriage swiftly drawn by horses, and the longest measuring eight feet, weighing six thousand pounds, and discharging an iron ball as big as a man’s head.
Such was the young king—he was twenty-four years old at the time—who sent his legions into Rome, fully armed as if for immediate destruction. Seen by torchlight and the glow of lit bonfires—since night had fallen long before the rearguard entered the city—they appeared vague, strange, and frightening. But the most impressive sight came at the end; it was the thirty-six pieces of artillery that brought up the rear, each on a carriage quickly pulled by horses, the longest measuring eight feet, weighing six thousand pounds, and firing an iron ball as big as a man's head.
The king lay in the Palace of San Marco, where a lodging had been prepared for him, and thither on the day after his entrance came Cesare Borgia, with six Cardinals, from the Castle of Sant’ Angelo, whither the Pope had withdrawn, to wait upon his Christian Majesty. Charles immediately revealed the full and exigent nature of his demands. He required the Pope’s aid and counsel in the conquest of Naples, upon which he was proceeding; that Cesare Borgia be delivered into his hands as a hostage to ensure the Pope’s friendliness; and that the Castle of Sant’ Angelo be handed over to him to be used as a retreat in case of need or danger. Further, he demanded that Prince Djem—the brother of Sultan Bajazet, who was in the Pope’s hands—should be delivered up to him as a further hostage.
The king was in the Palace of San Marco, where arrangements had been made for his stay, and the day after he arrived, Cesare Borgia came with six Cardinals from the Castle of Sant’ Angelo, where the Pope had gone to wait on his Christian Majesty. Charles quickly laid out his urgent demands. He needed the Pope’s support and advice for his campaign to conquer Naples, which he was set on pursuing; he wanted Cesare Borgia handed over to him as a hostage to guarantee the Pope's goodwill; and he asked for the Castle of Sant’ Angelo to be given to him as a safe place in case of emergency or threat. Additionally, he requested that Prince Djem—the brother of Sultan Bajazet, who was in the Pope’s custody—be turned over to him as another hostage.
This Djem (Gem, or Zizim, as his name is variously spelled) was the second son of Mahomet II, whose throne he had disputed with his brother Bajazet on their father’s death. He had raised an army to enforce his claim, and had not lacked for partisans; but he was defeated and put to flight by his brother. For safety he had delivered himself up to the Knights of Rhodes, whom he knew to be Bajazet’s implacable enemies. They made him very welcome, for d’Aubusson, the Grand Master of Rhodes, realized that the possession of the prince’s person was a very fortunate circumstance for Christianity, since by means of such a hostage the Turk could be kept in submission. Accordingly d’Aubusson had sent him to France, and wrote: “While Djem lives, and is in our hands, Bajazet will never dare to make war upon Christians, who will thus enjoy great peace. Thus is it salutary that Djem should remain in our power.” And in France Djem had been well received and treated with every consideration due to a person of his princely rank.
This Djem (Gem, or Zizim, as his name is spelled in different ways) was the second son of Mahomet II, and he contested the throne with his brother Bajazet after their father died. He had raised an army to support his claim and had supporters, but he was defeated and forced to flee by his brother. For his safety, he surrendered to the Knights of Rhodes, who he knew were Bajazet's fierce enemies. They welcomed him warmly, as d’Aubusson, the Grand Master of Rhodes, understood that having the prince as a hostage was a fortunate situation for Christianity because it would keep the Turk in check. So, d’Aubusson sent him to France and wrote: “As long as Djem lives and is in our custody, Bajazet will never dare to go to war against Christians, allowing them to enjoy great peace. Therefore, it is beneficial for Djem to remain in our power.” In France, Djem was received well and treated with all the respect due to someone of his royal status.
But he appears to have become a subject of contention among the Powers, several of which urged that he could be of greater service to Christianity in their hands than in those of France. Thus, the King of Hungary had demanded him because, being a neighbour of Bajazet’s, he was constantly in apprehension of Turkish raids. Ferdinand of Spain had desired him because the possession of him would assist the Catholic King in the expulsion of the Moors. Ferrante of Naples had craved him because he lived in perpetual terror of a Turkish invasion.
But he seems to have become a point of debate among the Powers, several of which argued that he could be more useful to Christianity in their control than in France's. So, the King of Hungary requested him because, as a neighbor to Bajazet, he was always worried about Turkish attacks. Ferdinand of Spain wanted him because having him would help the Catholic King in getting rid of the Moors. Ferrante of Naples wanted him because he lived in constant fear of a Turkish invasion.
In the end he had been sent to Rome, whither he went willingly under the advice of the Knights of Rhodes, whose prisoner he really considered himself. They had discovered that Bajazet was offering enormous bribes to Charles for the surrender of him, and they feared lest Charles should succumb to the temptation.
In the end, he was sent to Rome, and he went willingly at the suggestion of the Knights of Rhodes, who he truly considered himself a prisoner of. They had found out that Bajazet was offering huge bribes to Charles to hand him over, and they were worried that Charles might give in to the temptation.
So Prince Djem had come to Rome in the reign of Pope Innocent VIII, and there he had since remained, Sultan Bajazet making the Pope an annual allowance of forty thousand ducats for his brother’s safe custody. He was a willing prisoner, or rather a willing exile, for, far from being kept a prisoner, he was treated at Rome with every consideration, associating freely with those about the Pontifical Court, and being frequently seen abroad in company with the Pope and the Duke of Gandia.
So Prince Djem had arrived in Rome during Pope Innocent VIII's reign, and he had stayed there ever since, with Sultan Bajazet providing the Pope an annual payment of forty thousand ducats for his brother's safe keeping. He was a willing prisoner, or more like a willing exile, because instead of being locked away, he was treated in Rome with great respect, mingling easily with people at the Pontifical Court, and often seen out and about with the Pope and the Duke of Gandia.
Now Charles was aware that the Pope, in his dread of a French invasion, and seeing vain all his efforts to dissuade Charles from making his descent upon Italy, had appealed for aid to Bajazet. For so doing he has been severely censured, and with some justice, for the picture of the Head of Christianity making appeal to the infidel to assist him against Christians is not an edifying one. Still, it receives some measure of justification when we reflect what was the attitude of these same Christians towards their Head.
Now Charles knew that the Pope, fearing a French invasion and realizing that all his attempts to convince Charles not to invade Italy were useless, had asked Bajazet for help. He's been harshly criticized for this, and rightly so, because the image of the leader of Christianity seeking help from an infidel against fellow Christians isn't a good look. However, it becomes somewhat understandable when we consider how these same Christians had treated their leader.
Bajazet himself, thrown into a panic at the thought of Djem falling into the hands of a king who proposed to make a raid upon him, answered the Pope begging his Holiness to “have Djem removed from the tribulations of this world, and his soul transported to another, where he might enjoy a greater peace.” For this service he offered the Pope 300,000 ducats, to be paid on delivery of the prince’s body; and, if the price was high, so was the service required, for it would have ensured Bajazet a peace of mind he could not hope to enjoy while his brother lived.
Bajazet, panicking at the thought of Djem being captured by a king who planned to attack him, wrote to the Pope, asking His Holiness to "remove Djem from the troubles of this world and transport his soul to another, where he could find greater peace." For this service, he offered the Pope 300,000 ducats, to be paid upon delivery of the prince's body; and while the price was steep, so was the service required, as it would guarantee Bajazet a peace of mind that he couldn't hope for while his brother was alive.
This letter was intercepted by Giovanni della Rovere, the Prefect of Sinigaglia, who very promptly handed it to his brother, the Cardinal Giuliano. The cardinal, in his turn, laid it before the King of France, who now demanded of the Pope the surrender of the person of this Djem as a further hostage.
This letter was intercepted by Giovanni della Rovere, the Prefect of Sinigaglia, who quickly passed it on to his brother, Cardinal Giuliano. The cardinal then presented it to the King of France, who now requested the Pope to surrender Djem as an additional hostage.
Alexander began by rejecting the king’s proposals severally and collectively, but Charles pressed him to reconsider his refusal, and so, being again between the sword and the wall, the Pope was compelled to submit. A treaty was drawn up and signed on January 15, the king, on his side, promising to recognize the Pope and to uphold him in all his rights.
Alexander started by individually and collectively rejecting the king’s proposals, but Charles urged him to rethink his rejection. So, caught between a rock and a hard place, the Pope had no choice but to give in. A treaty was prepared and signed on January 15, with the king pledging to acknowledge the Pope and support him in all his rights.
On the following day Charles made solemn act of veneration to the Pontiff in Consistory, kissing his ring and his foot, and professing obedience to him as the kings of France, his forbears, had ever done. Words for deeds!
On the next day, Charles paid a serious tribute to the Pope in the Consistory, kissing his ring and his foot, and declaring his obedience to him just as the kings of France, his ancestors, had always done. Actions speak louder than words!
Charles remained twelve days longer in Rome, and set out at last, on January 28, upon the conquest of Naples. First he went solemnly to take his leave of the Pope, and they parted with every outward mark of a mutual esteem which they most certainly cannot have experienced. When Charles knelt for the Pope’s blessing, Alexander raised him up and embraced him; whilst Cesare completed the show of friendliness by presenting Charles with six beautiful chargers.
Charles stayed in Rome for twelve more days and finally set off on January 28 to conquer Naples. First, he went to say goodbye to the Pope, and they parted with all the outward signs of mutual respect, which they definitely didn’t feel. When Charles knelt for the Pope’s blessing, Alexander lifted him up and hugged him, while Cesare added to the friendly gesture by giving Charles six beautiful horses.
They set out immediately afterwards, the French king taking with him his hostages, neither of which he was destined to retain for long, with Cesare riding in the place of honour on his right.
They set out right after, with the French king bringing along his hostages, neither of whom he was meant to keep for long, while Cesare rode in the prestigious spot on his right.
The army lay at Marino that night, and on the following at Velletri. In the latter city Charles was met by an ambassador of Spain—Antonio da Fonseca. Ferdinand and Isabella were moved at last to befriend their cousins of Naples, whom all else had now abandoned, and at the same time serve their own interests. Their ambassador demanded that Charles should abandon his enterprise and return to France, or else be prepared for war with Spain.
The army was camped in Marino that night, and the next day in Velletri. In Velletri, Charles met with a Spanish ambassador, Antonio da Fonseca. Ferdinand and Isabella finally felt moved to support their relatives in Naples, who had been left by everyone else, while also looking out for their own interests. Their ambassador insisted that Charles should drop his plans and go back to France, or else get ready for a war with Spain.
It is eminently probable that Cesare had knowledge of this ultimatum to Charles, and that his knowledge influenced his conduct. However that may be, he slipped out of Velletri in the dead of that same night disguised as a groom. Half a mile out of the town, Francesco del Sacco, an officer of the Podestá of Velletri, awaited him with a horse, and on this he sped back to Rome, where he arrived on the night of the 30th. He went straight to the house of one Antonio Flores, an auditor of the Tribunal of the Ruota and a person of his confidence, who through his influence and protection was destined to rise to the eminence of the archbishopric of Avignon and Papal Nuncio to the Court of France.
It’s very likely that Cesare knew about this ultimatum to Charles, and that this knowledge influenced his actions. Regardless, he sneaked out of Velletri in the dead of night disguised as a stable hand. Half a mile outside the town, Francesco del Sacco, an officer of the Podestá of Velletri, was waiting for him with a horse, and on it, he raced back to Rome, arriving on the night of the 30th. He went straight to the house of Antonio Flores, an auditor of the Tribunal of the Ruota and someone he trusted, who, through his influence and protection, was destined to achieve the prestigious position of archbishop of Avignon and Papal Nuncio to the Court of France.
Cesare remained at Flores’s house, sending word to the Pope of his presence, but not attempting to approach the Vatican. On the following day he withdrew to the stronghold of Spoleto.
Cesare stayed at Flores’s house, informing the Pope of his presence but not trying to get close to the Vatican. The next day, he retreated to the stronghold of Spoleto.
Meanwhile Rome was thrown into a panic by the young cardinal’s action and the dread of reprisals on the part of France. The quaking municipality sent representatives to Charles to assure him that Rome had had nothing to do with this breach of the treaty, and to implore him not to visit it upon the city. The king replied by a special embassy to the Pope, and there apparently dropped the matter, for a few days later Cesare reappeared at the Vatican.
Meanwhile, Rome was thrown into a panic by the young cardinal’s actions and the fear of retaliation from France. The anxious city officials sent representatives to Charles to assure him that Rome had nothing to do with this violation of the treaty and to beg him not to punish the city for it. The king responded with a special delegation to the Pope and seemed to let the matter drop, as a few days later, Cesare reappeared at the Vatican.
Charles, meanwhile, despite the threats of Spain, pushed on to accomplish his easy conquest.
Charles, on the other hand, despite Spain's threats, continued strongly to achieve his quick victory.
King Alfonso had already fled the kingdom (January 25), abdicating in favour of his brother Federigo. His avowed object was to withdraw to Sicily, retire from the world, and do penance for his sins, for which no doubt there was ample occasion. The real spur was probably—as opined by Commines—cowardice; for, says that Frenchman, “Jamais homme cruel ne fut hardi.”
King Alfonso had already left the kingdom (January 25), stepping down in favor of his brother Federigo. His stated goal was to go to Sicily, retreat from the world, and atone for his sins, of which there was certainly plenty to atone for. The real reason, as Commines suggested, was likely cowardice; for, as that Frenchman said, “No cruel man was ever brave.”
Federigo’s defence of the realm consigned to him was not conspicuous, for the French entered Naples almost without striking a blow within twenty days of their departure from Rome.
Federigo’s defense of the territory assigned to him wasn’t very notable, as the French took Naples almost without fighting within twenty days of leaving Rome.
Scarcely had Charles laid aside his armour when death robbed him of the second hostage he had brought from the Vatican. On February 25, after a week’s illness, Prince Djem died of dysentery at the Castle of Capua, whither Charles had sent him.
Scarcely had Charles taken off his armor when death took away the second hostage he had brought from the Vatican. On February 25, after a week of illness, Prince Djem died of dysentery at the Castle of Capua, where Charles had sent him.
Rumours that he had been poisoned by the Pope arose almost at once; but, considering that twentyeight days had elapsed since his parting from Alexander, it was, with the best intentions in the world, rather difficult to make that poisoning credible, until the bright notion was conceived, and made public, that the poison used was a “white powder” of unknown components, which did its work slowly, and killed the victim some time after it had been administered. Thus, by a bold and brazen invention, an impossible falsehood was made to wear a possible aspect.
Rumors that he had been poisoned by the Pope surfaced almost immediately; however, considering that twenty-eight days had passed since his departure from Alexander, it was, even with the best intentions, quite difficult to believe in the poisoning. That changed when the clever idea was proposed and made public that the poison used was a “white powder” with unknown ingredients, which acted slowly and killed the victim some time after it had been given. In this way, through a bold and shameless fabrication, an impossible lie was given a plausible appearance.
And in that you have most probably the origin of the famous secret poison of the Borgias. Having been invented to fit the alleged poisoning of Prince Djem, which it was desired to fasten upon the Pope by hook or by crook, it was found altogether too valuable an invention not to be used again. By means of it, it became possible to lay almost any death in the world at the door of Alexander.
And in this, you likely have the origin of the famous secret poison of the Borgias. It was created to shift the blame for the alleged poisoning of Prince Djem onto the Pope, no matter the means. It turned out to be too useful an invention not to use again. With it, it became possible to attribute nearly any death in the world to Alexander.
Before proceeding to inquire further into this particular case, let us here and now say that, just as to-day there is no inorganic toxin known to science that will either lie fallow for weeks in the human system, suddenly to become active and slay, or yet to kill by slow degrees involving some weeks in the process, so none was known in the Borgian or any other era. Science indeed will tell you that the very notion of any such poison is flagrantly absurd, and that such a toxic action is against all the laws of nature.
Before we dig deeper into this specific case, let's be clear that, just like today, there are no inorganic toxins recognized by science that can sit inactive in the human body for weeks and suddenly become lethal, nor those that cause a slow death over several weeks. The same was true in the Borgian era or any other time. Science will tell you that the very idea of such a poison is completely ridiculous and contradicts all natural laws.
But a scientific disquisition is unnecessary. For our present needs arguments of common sense should abundantly suffice. This poison—this white powder—was said to be a secret of the Borgias. If that is so, by what Borgia was the secret of its existence ever divulged? Or, if it never was divulged, how comes it to be known that a poison so secret, and working at such distances of time, was ever wielded by them?
But a scientific discussion isn’t needed. For what we need right now, common sense should be more than enough. This poison—this white powder—was said to be a secret of the Borgias. If that’s true, which Borgia ever revealed the secret of its existence? Or, if it was never revealed, how do we know that such a secret poison, effective over time, was ever used by them?
The very nature of its alleged action was such as utterly to conceal the hand that had administered it; yet here, on the first recorded occasion of its alleged use, it was more or less common knowledge if Giovio and Guicciardini are to be believed!
The nature of its supposed action was such that it completely hid the hand that carried it out; yet, on the first documented instance of its supposed use, it was more or less common knowledge if we are to trust Giovio and Guicciardini!
Sagredo(1) says that Djem died at Terracina three days after having been consigned to Charles VIII, of poison administered by Alexander, to whom Bajazet had promised a large sum of money for the deed. The same is practically Giovio’s statement, save that Giovio causes him to die at a later date and at Gaeta; Guicciardini and Corio tell a similar story, but inform us that he died in Naples.
Sagredo(1) says that Djem died in Terracina three days after being handed over to Charles VIII, from poison given by Alexander, who Bajazet had promised a large sum of money for the act. This is essentially what Giovio states as well, except he claims Djem died later and in Gaeta; Guicciardini and Corio tell a similar story but inform us that he died in Naples.
1 In Mem. Storiche dei Monarchi Ottomani.
1 In Mem. Storiche dei Monarchi Ottomani.
It is entirely upon the authority of these four writers that the Pope is charged with having poisoned Djem, and it is noteworthy that in the four narratives we find different dates and three different places given as the date and place of the Turk’s death, and more noteworthy still that in not one instance of these four is date or place correctly stated.
It is completely based on the accounts of these four writers that the Pope is accused of having poisoned Djem, and it's interesting to note that in the four stories, we find different dates and three different locations given as the time and place of the Turk's death. Even more noteworthy is that in none of these four cases are the date or place accurately reported.
Now the place where Djem died, and the date of his death, were public facts about which there was no mystery; they were to be ascertained—as they are still—by any painstaking examiner. His poisoning, on the other hand, was admittedly a secret matter, the truth of which it was impossible to ascertain with utter and complete finality. Yet of this poisoning they know all the secrets, these four nimble writers who cannot correctly tell us where or when the man died!
Now, the location of Djem's death and the date of his passing were public knowledge that anyone could verify, just as they still can today, with some effort. However, the poisoning was clearly a hidden issue, and the absolute truth about it could never be fully uncovered. Yet, these four quick writers, who are unable to accurately inform us of where or when the man died, seem to know all the secrets about his poisoning!
We will turn from the fictions they have left us—which, alas! have but too often been preferred by subsequent writers to the true facts which lay just as ready to their hands, but of course were less sensational—and we will consider instead the evidence of those contemporaries who do, at least, know the time and place of Djem’s decease.
We will move away from the stories they left us—which, unfortunately, have often been favored by later writers over the actual facts that were just as accessible to them, but were obviously less dramatic—and instead, we will look at the accounts of those who were alive at the time and actually know when and where Djem died.
If any living man might have known of a secret poison of the Borgias at this stage, that man was Burchard the Caeremoniarius, and, had he known of it, not for a moment would he have been silent on the point. Yet not a word of this secret poison shall you find in his diaries, and concerning the death of Djem he records that “on February 25 died at the Castle of Capua the said Djem, through meat or drink that disagreed with him.”
If any living person could have known about a secret poison of the Borgias at this point, it would have been Burchard the Caeremoniarius, and if he had known about it, he definitely wouldn’t have kept quiet. Yet, you won’t find a single mention of this secret poison in his diaries, and regarding Djem's death, he notes that “on February 25, the said Djem died at the Castle of Capua from food or drink that didn’t agree with him.”
Panvinio, who, being a Neapolitan, was not likely to be any too friendly to the Pope—as, indeed, he proves again and again—tells us positively that Djem died of dysentry at Capua.(1)
Panvinio, who was from Naples, wasn't exactly friendly towards the Pope—as he demonstrates repeatedly—confirms that Djem died of dysentery in Capua.(1)
1 Vitis Pontif. Rom.
1 Vitis Pontif. Rom.
Sanuto, writing to the Council of Ten, says that Djem took ill at Capua of a catarrh, which “descended to his stomach”; and that so he died.
Sanuto, writing to the Council of Ten, says that Djem got sick in Capua with a cold that “went down to his stomach”; and that's how he died.
And now mark Sanuto’s reasoning upon his death, which is the very reasoning we should ourselves employ finally to dispose of this chatter of poisoning, did we not find it awaiting quotation, more authoritative therefore than it could be from us, and utterly irrefutable and conclusive in its logic. “This death is very harmful to the King of France, to all Italy, and chiefly to the Pope, who is thereby deprived of 40,000 ducats yearly, which was paid him by his [Djem’s] brother for his custody. And the king showed himself greatly grieved by this death, and it was suspected that the Pope had poisoned him, which, however, was not to be believed, as it would have been to his own loss.”
And now note Sanuto’s reasoning about his death, which is the same reasoning we should use to finally put an end to this talk of poisoning, especially since we found it expressed more authoritatively than we could say and completely irrefutable and conclusive in its logic. “This death is very harmful to the King of France, to all of Italy, and especially to the Pope, who is now deprived of 40,000 ducats yearly that his [Djem’s] brother paid him for his custody. The king was very upset about this death, and there were suspicions that the Pope had poisoned him, which, however, doesn't make sense, as it would have been to his own detriment.”
Just so—to his own infinite loss, not only of the 40,000 ducats yearly, but of the hold which the custody of Djem gave him upon the Turks.
Just like that—to his own immense loss, not only of the 40,000 ducats each year, but also of the leverage that taking care of Djem gave him over the Turks.
The reason assigned by those who charged Alexander with this crime was the bribe of 300,000 ducats offered by Bajezet in the intercepted letter. The offer—which, incidentally, had never reached the Pope—was instantly taken as proof of its acceptance—a singular case of making cause follow upon effect, a method all too prevalent with the Borgian chroniclers. Moreover, they entirely overlooked the circumstance that, for Djem’s death in the hands of France, the Pope could make no claim upon Bajazet.
The reason given by those who accused Alexander of this crime was the bribe of 300,000 ducats offered by Bajezet in the intercepted letter. The offer—which, by the way, had never actually reached the Pope—was immediately taken as evidence of its acceptance—a unique case of assuming cause from effect, a method far too common among the Borgian chroniclers. Furthermore, they completely ignored the fact that, for Djem’s death at the hands of France, the Pope had no grounds to claim anything from Bajazet.
Finally—though the danger be incurred of becoming tedious upon this point—they also forgot that, years before, Bajazet had offered such bribes to Charles for the life of Djem as had caused the Knights of Rhodes to remove the Turk from French keeping. Upon that circumstance they might, had it sorted with their inclinations, have set up a stronger case of poisoning against Charles than against the Pope, and they would not have been put to the necessity of inventing a toxin that never had place in any earthly pharmacopoeia.
Finally—though it risks becoming boring to keep going on this point—they also forgot that years earlier, Bajazet had offered such bribes to Charles for Djem's life that it led the Knights of Rhodes to take the Turk out of French custody. Based on that situation, they could have made a stronger case for poisoning against Charles than against the Pope, and they wouldn't have had to create a poison that doesn’t exist in any real pharmacopoeia.
It is not, by this, suggested that there is any shadow of a case against Charles. Djem died a perfectly natural death, as is established by the only authorities competent to speak upon the matter, and his death was against the interests of everybody save his brother Bajazet; and against nobody’s so much as the Pope’s.
It is not suggested by this that there is any hint of a case against Charles. Djem died a completely natural death, as confirmed by the only authorities qualified to comment on the issue, and his death was against the interests of everyone except his brother Bajazet; and against nobody’s interests, not even the Pope’s.
CHAPTER II. THE POPE AND THE SUPERNATURAL
By the middle of March of that year 1495 the conquest of Naples was a thoroughly accomplished fact, and the French rested upon their victory, took their ease, and made merry in the capital of the vanquished kingdom.
By mid-March of 1495, the conquest of Naples was a complete success, and the French relaxed in their victory, enjoying themselves and celebrating in the capital of the defeated kingdom.
But in the north Lodovico Sforza-now Duke of Milan de facto, as we have seen—set about the second part of the game that was to be played. He had a valuable ally in Venice, which looked none too favourably on the French and was fully disposed to gather its forces against the common foe. The Council of Ten sent their ambassador, Zorzi, to the Pope to propose an alliance.
But in the north, Lodovico Sforza—now the de facto Duke of Milan, as we’ve seen—began the second part of the game that was about to unfold. He had a strong ally in Venice, which wasn't too keen on the French and was fully ready to rally its forces against the common enemy. The Council of Ten sent their ambassador, Zorzi, to the Pope to propose an alliance.
News reached Charles in Naples of the league that was being formed. He laughed at it, and the matter was made the subject of ridicule in some of the comedies that were being performed for the amusement of his Court. Meanwhile, the intrigue against him went forward; on March 26 his Holiness sent the Golden Rose to the Doge, and on Palm Sunday the league was solemnly proclaimed in St. Peter’s. Its terms were vague; there was nothing in it that was directly menacing to Charles; it was simply declared to have been formed for the common good. But in the north the forces were steadily gathering to cut off the retreat of the French, and suddenly Lodovico Sforza threw aside the mask and made an attack upon the French navy at Genoa.
News got to Charles in Naples about the alliance that was being formed. He laughed it off, and the situation became the punchline in some of the comedies being performed for his Court's entertainment. Meanwhile, the conspiracy against him continued; on March 26, his Holiness sent the Golden Rose to the Doge, and on Palm Sunday, the alliance was officially announced in St. Peter’s. Its terms were unclear; there was nothing in it that directly threatened Charles; it was simply stated to have been established for the common good. But in the north, forces were steadily assembling to block the French retreat, and suddenly, Lodovico Sforza dropped the facade and launched an attack on the French navy at Genoa.
At last Charles awoke to his danger and began to care for his safety. Rapidly he organized the occupation of Naples, and, leaving Montpensier as Viceroy and d’Aubigny as Captain-General, he set out for Rome with his army, intent upon detaching the Pope from the league; for the Pope, being the immediate neighbour of Naples, would be as dangerous as an enemy as he was valuable as an ally to Charles.
At last, Charles realized the danger he was in and started to prioritize his safety. He quickly organized the takeover of Naples, appointing Montpensier as Viceroy and d’Aubigny as Captain-General. Then, he set off for Rome with his army, determined to pull the Pope away from the alliance. Since the Pope was right next to Naples, he would be just as threatening as an enemy, but also incredibly valuable as an ally to Charles.
He entered Rome on June 1. The Pope, however, was not there to receive him. Alexander had left on May 28 for Orvieto, accompanied by Cesare, the Sacred College, 200 men-at-arms, and 1,000 horse and 3,000 foot, supplied by Venice. At Orvieto, on June 3, the Pontiff received an ambassador from the Emperor, who had joined the league, and on the 4th he refused audience to the ambassador of France, sent to him from Ronciglione, where the King had halted. Charles, insistent, sent again, determined to see the Pope; but Alexander, quite as determined not to see the king, pushed on to Perugia with his escort.
He arrived in Rome on June 1. However, the Pope wasn't there to welcome him. Alexander had left on May 28 for Orvieto, along with Cesare, the Sacred College, 200 soldiers, and 1,000 cavalry and 3,000 infantry provided by Venice. In Orvieto, on June 3, the Pope met with an ambassador from the Emperor, who had joined the alliance, and on the 4th he refused to meet with the ambassador from France, who had come from Ronciglione, where the King was staying. Charles, persistent, sent another envoy, determined to see the Pope; but Alexander, equally determined to avoid the king, continued on to Perugia with his escort.
There his Holiness abode until the French and Italians had met on the River Taro and joined battle at Fornovo, of which encounter both sides claimed the victory. If Charles’s only object was to win through, then the victory undoubtedly was his, for he certainly succeeded in cutting a way through the Italians who disputed his passage. But he suffered heavily, and left behind him most of his precious artillery, his tents and carriages, and the immense Neapolitan booty he was taking home, with which he had loaded (says Gregorovius) twenty thousand mules. All this fell into the hands of the Italian allies under Gonzaga of Mantua, whilst from Fornovo Charles’s retreat was more in the nature of a flight. Thus he won back to France, no whit the better for his expedition, and the only mark of his passage which he left behind him was an obscene ailment, which, with the coming of the French into Italy, first manifested itself in Europe, and which the Italians paid them the questionable compliment of calling “the French disease”—morbo gallico, or il mal francese.
There, his Holiness stayed until the French and Italians met on the River Taro and clashed at Fornovo, with both sides claiming victory. If Charles’s only goal was to break through, then the victory was definitely his, as he managed to carve a path through the Italians who blocked his way. However, he suffered significant losses and left behind much of his valuable artillery, along with his tents, carriages, and the vast Neapolitan treasure he was taking back, which he had loaded, as Gregorovius states, onto twenty thousand mules. All of this fell into the hands of the Italian allies led by Gonzaga of Mantua, while Charles’s retreat from Fornovo resembled more of a flight. Thus, he returned to France, no better off for his expedition, and the only trace he left behind was a vile disease that, with the arrival of the French in Italy, first appeared in Europe, and which the Italians ironically dubbed “the French disease”—morbo gallico, or il mal francese.
During the Pope’s visit to Perugia an incident occurred which is not without importance to students of his character, and of the character left of him by his contemporaries and others.
During the Pope’s visit to Perugia, an incident happened that is significant for those studying his character, as well as the impression he left on his contemporaries and others.
There lived in Perugia at this time a young nun of the Order of St. Dominic, who walked in the way of St. Catherine of Siena, Colomba da Rieti by name. You will find some marvellous things about her in the Perugian chronicles of Matarazzo, which, for that matter, abound in marvellous things—too marvellous mostly to be true.
There was a young nun in Perugia during this time, part of the Order of St. Dominic, named Colomba da Rieti, who followed the path of St. Catherine of Siena. You can read some amazing things about her in the Perugian chronicles of Matarazzo, which, by the way, are filled with incredible stories—most of which are too unbelievable to be true.
When he deals with events happening beyond the walls of his native town Matarazzo, as an historian, is contemptible to a degree second only to that of those who quote him as an authority. When he deals with matters that, so to speak, befell under his very eyes, he is worthy, if not of credit at least of attention, for his “atmosphere” is valuable.
When Matarazzo talks about events outside of his hometown, he really falls short as a historian, just slightly better than those who refer to him as an authority. However, when he discusses things that he actually witnessed, he earns, if not trust, at least some attention, because his “atmosphere” has its own value.
Of this Sister Colomba Matarazzo tells us that she ate not nor drank, save sometimes some jujube fruit, and even these but rarely. “On the day of her coming to Perugia (which happened in 1488), as she was Crossing the Bridge of St. Gianni some young men attempted to lay hands upon her, for she was comely and beautiful; but as they did so, she showed them the jujube fruit which she carried in a white cloth, whereupon they instantly stood bereft of strength and wits.”
Of this, Sister Colomba Matarazzo tells us that she neither ate nor drank, except for the occasional jujube fruit, and even that was rare. “On the day she arrived in Perugia (which was in 1488), as she was crossing the Bridge of St. Gianni, some young men tried to grab her, because she was attractive and beautiful; but when they did, she revealed the jujube fruit that she had wrapped in a white cloth, and they were immediately left powerless and confused.”
Next he tells us how she would pass from life for an hour or two, and sometimes for half a day, and her pulse would cease to beat, and she would, seem all dead. And then she would quiver and come to herself again, and prophesy the future, and threaten disaster. And again: “One morning two of her teeth were found to have fallen out, which had happened in fighting with the devil; and, for the many intercessions which she made, and the scandals which she repaired by her prayers, the people came to call her saint.”
Next, he tells us how she would slip away from life for an hour or two, and sometimes for half a day, her pulse would stop beating, and she would seem entirely dead. Then she would tremble and come back to herself, predicting the future and warning of disaster. Again: “One morning, two of her teeth were found to have fallen out, which happened in her battle with the devil; and for the many prayers she made and the scandals she fixed through her prayers, people began to call her a saint.”
Notwithstanding all this, and the fact that she lived without nourishment, he tells us that the brothers of St. Francis had little faith in her. Nevertheless, the community built her a very fine monastery, which was richly endowed, and many nuns took the habit of her Order.
Notwithstanding all this, and the fact that she lived without nourishment, he tells us that the brothers of St. Francis had little faith in her. Still, the community built her a beautiful monastery, which was richly endowed, and many nuns joined her Order.
Now it happened that whilst at Perugia in his student days, Cesare had witnessed a miracle performed by this poor ecstatic girl; or rather he had arrived on the scene—the Church of St. Catherine of Siena—to find her, with a little naked boy in her lap, the centre of an excited, frenzied crowd, which was proclaiming loudly that the child had been dead and that she had resurrected him. This was a statement which the Prior of the Dominicans did not seem disposed unreservedly to accept, for, when approached with a suggestion that the bells should be rung in honour of the event, he would not admit that he saw any cause to sanction such a course.
While he was studying in Perugia, Cesare witnessed a miracle performed by a poor, ecstatic girl. He arrived at the Church of St. Catherine of Siena to find her with a little naked boy in her lap, the center of an excited and frenzied crowd, loudly proclaiming that the child had been dead and that she had brought him back to life. The Prior of the Dominicans, however, didn't seem ready to fully accept this claim. When asked if the bells should be rung in honor of the event, he refused to agree, stating that he saw no reason to approve such a decision.
In the few years that were sped since then, however, sister Colomba had acquired the great reputation of which Matarazzo tells us, so that, throughout the plain of Tiber, the Dominicans were preaching her fame from convent to convent. In December of 1495 Charles VIII heard of her at Siena, and was stirred by a curiosity which he accounted devotional—the same curiosity that caused one of his gentlemen to entreat Savonarola to perform “just a little miracle” for the King’s entertainment. You can picture the gloomy fanatic’s reception of that invitation.
In the few years that passed since then, sister Colomba gained the great reputation that Matarazzo mentions, so much so that the Dominicans were spreading her fame from convent to convent throughout the Tiber plain. In December of 1495, Charles VIII heard about her in Siena and felt a curiosity he considered spiritual—the same curiosity that led one of his nobles to ask Savonarola to perform “just a little miracle” for the King’s amusement. You can imagine how that gloomy fanatic responded to that request.
The Pope now took the opportunity of his sojourn in Perugia to pay Colomba da Rieti a visit, and there can be no doubt that he did so in a critical spirit. Accompanied by Cesare and some cardinals and gentlemen of his following, he went to the Church of St. Dominic and was conducted to the sister’s cell by the Prior—the same who in Cesare’s student-days had refused to have the bells rung.
The Pope took the chance during his stay in Perugia to visit Colomba da Rieti, and it’s clear he approached this visit with a critical mindset. Accompanied by Cesare and some cardinals and other gentlemen in his entourage, he went to the Church of St. Dominic and was escorted to the sister’s cell by the Prior—the same one who had refused to let the bells ring during Cesare’s student days.
Upon seeing the magnificent figure of the Pontiff filling the doorway of her little chamber, Sister Colomba fell at his feet, and, taking hold of the hem of his gown, she remained prostrate and silent for some moments, when at last she timidly arose. Alexander set her some questions concerning the Divine Mysteries. These she answered readily at first, but, as his questions grew, she faltered, became embarrassed, and fell silent, standing before him white and trembling, no doubt a very piteous figure. The Pope, not liking this, turned to the Prior to demand an explanation, and admonished him sternly: “Caveto, Pater, quia ego Papa sum!”
Upon seeing the impressive figure of the Pope standing in the doorway of her small room, Sister Colomba fell at his feet and, grabbing the hem of his robe, stayed there quietly for a few moments until she finally stood up shyly. Alexander asked her some questions about the Divine Mysteries. She answered easily at first, but as his questions became more difficult, she stumbled, grew anxious, and fell silent, standing before him pale and shaking, clearly a very pitiful sight. The Pope, disapproving of this, turned to the Prior to seek an explanation and sternly warned him, “Beware, Father, because I am the Pope!”
This had the effect of throwing the Prior into confusion, and he set himself to explain that she was in reality very wonderful, that he himself had not at first believed in her, but that he had seen so much that he had been converted. At this stage Cesare came to his aid, bearing witness, as he could, that he himself had seen the Prior discredit her when others were already hailing her as a saint, wherefore, if he now was convinced, he must have had very good evidence to convince him. We can imagine the Prior’s gratitude to the young cardinal for that timely word when he saw himself in danger perhaps of being called to account for fostering and abetting an imposture.
This threw the Prior into confusion, and he tried to explain that she was actually very amazing, that he himself hadn’t initially believed in her, but that he had seen so much that he had changed his mind. At that point, Cesare came to his rescue, testifying that he had witnessed the Prior dismiss her when others were already praising her as a saint. So, if he was now convinced, he must have had very strong evidence to change his mind. We can imagine how grateful the Prior was to the young cardinal for that timely support when he realized he might be held accountable for promoting a fraud.
What was Alexander’s opinion of her in the end we do not know; but we do know that he was not readily credulous. When, for instance, he heard that the stigmata were alleged to have appeared upon the body of Lucia di Narni he did what might be expected of a sceptic of our own times rather than of a churchman of his superstitious age—he sent his physicians to examine her.
What Alexander thought of her in the end is unclear; however, we know he wasn't easily convinced. For example, when he heard that the stigmata were said to have appeared on Lucia di Narni's body, he acted more like a skeptic of today than a churchman from his superstitious era—he sent his doctors to examine her.
That is but one instance of his common-sense attitude towards supernatural manifestations. His cold, calm judgement caused him to seek, by all available and practical means, to discriminate between the true and the spurious in an age in which men, by their credulity, were but too ready to become the prey of any impostor. It argues a breadth of mind altogether beyond the times in which he had his being. Witches and warlocks, who elsewhere—and even in much later ages, and in Protestant as well as Catholic States—were given to the fire, he contemptuously ignored. The unfortunate Moors and Jews, who elsewhere in Europe were being persecuted by the Holy Inquisition and burnt at the stake as an act of faith for the good of their souls and the greater honour and glory of God, found in Alexander a tolerant protector and in Rome a safe shelter.
That’s just one example of his practical approach to supernatural events. His cool, rational judgment led him to use every available and sensible method to distinguish between what was real and what was fake in a time when people's gullibility made them easy targets for any fraud. It shows a mindset that was far ahead of the era in which he lived. He dismissed witches and warlocks—who, elsewhere, even in much later times and in both Protestant and Catholic regions—were often executed. The unfortunate Moors and Jews, who were being persecuted in other parts of Europe by the Holy Inquisition and burned at the stake as a misguided act of faith for their souls’ salvation and for God’s greater glory, found in Alexander a tolerant protector and in Rome a safe haven.
These circumstances concerning him are not sufficiently known; it is good to know them for their own sake. But, apart from that, they have a great historical value which it is well to consider. It is not to be imagined that such breadth of views could be tolerated in a Pope in the dawn of the sixteenth century. The times were not ripe for it; men did not understand it; and what men do not understand they thirst to explain, and have a way of explaining in their own fashion and according to their own lights.
These circumstances about him are not widely known; it's important to be aware of them for their own merit. However, beyond that, they hold significant historical value that deserves consideration. It's hard to believe that such open-mindedness could be accepted in a Pope at the beginning of the sixteenth century. The times weren't ready for it; people didn't get it; and when people don't understand something, they feel compelled to explain it, often in their own way and based on their own perspectives.
A Pope who did such things could not be a good Pope, since such things must be abhorrent to God—as men conceived God then.
A Pope who did those things couldn't be a good Pope, since those actions must be repulsive to God—as people understood God at that time.
To understand this is to understand much of the bad feeling against Alexander and his family, for this is the source of much of it. Because he did not burn witches and magicians it was presently said that he was himself a warlock, and that he practised black magic. It was not, perhaps, wanton calumny; it was said in good faith, for it was the only reason the times could think of that should account for his restraint. Because he tolerated Moors and Jews it was presently said by some that he was a Moor, by others that he was a Jew, and by others still that he was both.
To get this is to grasp much of the negative sentiment towards Alexander and his family, as this is where a lot of it comes from. Because he didn't execute witches and sorcerers, people soon claimed that he was a warlock himself and practiced black magic. It wasn't necessarily malicious slander; they genuinely believed it, as it was the only explanation the people of the time could come up with for his restraint. Because he accepted Moors and Jews, some claimed he was a Moor, others said he was a Jew, and still others insisted he was both.
What wonder, then, if the rancorous Cardinal Giuliano della Rovere venomously dubbed him Moor and Jew, and the rabid fanatic Savonarola screamed that he was no Pope at all, that he was not a Christian, nor did he believe in any God?
What a surprise, then, if the bitter Cardinal Giuliano della Rovere maliciously called him a Moor and a Jew, and the wildly fanatical Savonarola yelled that he wasn’t a real Pope at all, that he wasn't a Christian, and didn’t believe in any God?
Misunderstood in these matters, he was believed to be an infidel, and no crime was too impossible to be fastened upon the man who was believed to be that in the Italy of the Cinquecento.
Misunderstood in these matters, he was thought to be a nonbeliever, and no crime was too far-fetched to be pinned on the man who was seen as that in the Italy of the 1500s.
Alexander, however, was very far from being an infidel, very far from not being a Christian, very far from not believing in God, as he has left abundant evidence in the Bulls he issued during his pontificate. It is certainly wrong to assume—and this is pointed out by l’Espinois—that a private life which seems to ignore the commandments of the Church must preclude the possibility of a public life devoted to the service of the Church. This is far from being the case. Such a state of things—such a dual personality—is by no means inconsistent with churchmen of the fifteenth, or, for that matter, of the twentieth century.
Alexander, however, was far from being an unbeliever, far from not being a Christian, and far from not believing in God, as he showed through the many Bulls he issued during his papacy. It's definitely a mistake to think—and l’Espinois points this out—that a private life that seems to disregard the Church's commandments must rule out the possibility of a public life dedicated to serving the Church. This is not the case at all. Such a situation—a dual personality—does not conflict with the behavior of church leaders from the fifteenth century, or even from the twentieth century.
The whole truth of the matter is contained in a Portuguese rhyme, which may roughly be translated:
The complete truth of the matter is found in a Portuguese rhyme, which can be roughly translated:
Soundly Father Thomas preaches. Don’t do as he does; do as he teaches.
Father Thomas preaches with conviction. Don’t follow his actions; follow his teachings.
A debauchee may preach virtue with salutary effect, just as a man may preach hygiene without practising the privations which it entails, or may save you from dyspepsia by pointing out to you what is indigestible without himself abstaining from it.
A party animal can preach virtue effectively, just like someone can talk about hygiene without actually following the strict rules that come with it, or can help you avoid indigestion by telling you what’s hard to digest without giving it up themselves.
Such was the case of Alexander VI, as we are justified in concluding from the evidence that remains.
Such was the case with Alexander VI, as we can conclude from the evidence that remains.
Let us consider the apostolic zeal revealed by his Bull granting America to Spain. This was practically conceded—as the very terms of it will show—on condition that Spain should employ the dominion accorded her over the New World for the purpose of propagating the Christian faith and the conversion and baptism of the heathen. This is strictly enjoined, and emphasized by the command that Spain shall send out God-fearing men who are learned in religion and capable of teaching it to the people of the newly discovered lands.
Let’s look at the enthusiastic commitment shown by his Bull giving America to Spain. This was basically granted—as the specific terms will demonstrate—on the condition that Spain would use its control over the New World to spread the Christian faith and to convert and baptize nonbelievers. This requirement is clearly stated and stressed by the order that Spain should send out devout individuals who are knowledgeable in religion and capable of teaching it to the people of the newly discovered lands.
Thus Alexander invented the missionary.
Thus Alexander created the missionary.
To King Manuel the Fortunate (of Portugal), who sought his authority for the conquest of Africa, he similarly enjoined that he should contrive that the name of the Saviour be adored there, and the Catholic faith spread and honoured, to the end that the king “might win eternal life and the blessing of the Holy See.”
To King Manuel the Fortunate (of Portugal), who sought his authority for the conquest of Africa, he similarly instructed that he should ensure the name of the Savior is honored there, and the Catholic faith is spread and respected, so that the king “might gain eternal life and the blessing of the Holy See.”
To the soldiers going upon this expedition his Holiness granted the same indulgences as to those who fought in the Holy Land, and he aided the kings of Spain and Portugal in this propagation of Christianity out of the coffers of the Church.
To the soldiers going on this expedition, his Holiness granted the same indulgences as those who fought in the Holy Land, and he supported the kings of Spain and Portugal in spreading Christianity with funds from the Church.
He sent to America a dozen of the children of St. Francis, as apostles to preach the Faith, and he invested them with the amplest powers.
He sent a dozen children of St. Francis to America as ambassadors to share the Faith, and he gave them extensive authority.
He prosecuted with stern rigour the heretics of Bohemia, who were obscenely insulting Church and Sacraments, and he proceeded similarly against the “Picards” and “Vaudois.” Against the Lombard demoniacs, who had grown bold, were banding themselves together and doing great evil to property, to life, and to religion, Alexander raised his mighty arm.
He aggressively prosecuted the heretics in Bohemia, who were openly insulting the Church and its Sacraments, and he took similar action against the “Picards” and “Vaudois.” Against the Lombard troublemakers, who had become bold, were uniting, and causing significant harm to property, lives, and faith, Alexander raised his powerful arm.
Then there is his Bull of June 1, 1501, against those who already were turning to evil purposes the newly discovered printing-press. In this he inveighed against the printing of matter prejudicial to healthy doctrine, to good manners, and, above all, to the Catholic Faith or anything that should give scandal to the faithful. He threatened the printers of impious works with excommunication should they persist, and enlisted secular weapons to punish them in a temporal as well as a spiritual manner. He ordered the preparation of indexes of all works containing anything hurtful to religion, and pronounced a ban of excommunication against all who should peruse the books so indexed.
Then there is his Bull from June 1, 1501, targeting those who were already misusing the newly invented printing press. In this document, he criticized the publication of material harmful to sound doctrine, good behavior, and, most importantly, the Catholic Faith or anything that could scandalize the faithful. He threatened the printers of immoral works with excommunication if they continued, and he called on secular authorities to punish them both legally and spiritually. He ordered the creation of lists of all works that contained anything damaging to religion and declared a ban of excommunication against anyone who read the books on those lists.
Thus Alexander invented the Index Expurgatorius.
Thus Alexander created the Index Expurgatorius.
There is abundant evidence that he was a fervid celebrant, and of his extreme devotion to the Blessed Virgin—in whose honour he revived the ringing of the Angelus Bell—shall be considered later.
There is plenty of evidence that he was a passionate supporter, and his deep devotion to the Blessed Virgin—in whose honor he brought back the ringing of the Angelus Bell—will be discussed later.
Whatever his private life, it is idle to seek to show that his public career was other than devoted to the upholding of the dignity and honour of the Church.
Whatever his personal life, it's pointless to argue that his public career was anything other than dedicated to maintaining the dignity and honor of the Church.
CHAPTER III. THE ROMAN BARONS
Having driven Charles VIII out of Italy, it still remained for the allies to remove all traces of his passage from Naples and to restore the rule of the House of Aragon. In this they had the aid of Ferdinand and Isabella, who sent an army under the command of that distinguished soldier Gonzalo de Cordoba, known in his day as the Great Captain.
Having driven Charles VIII out of Italy, the allies still needed to erase all evidence of his presence in Naples and restore the power of the House of Aragon. They had help from Ferdinand and Isabella, who sent an army led by the notable soldier Gonzalo de Cordoba, known in his time as the Great Captain.
He landed in Calabria in the spring of 1496, and war broke out afresh through that already sorely devastated land. The Spaniards were joined by the allied forces of Venice and the Church under the condotta of the Marquis Gonzaga of Mantua, the leader of the Italians at Fornovo.
He arrived in Calabria in the spring of 1496, and war erupted again in that already badly damaged land. The Spaniards teamed up with the allied forces of Venice and the Church led by the Marquis Gonzaga of Mantua, the Italian leader at Fornovo.
Lodovico had detached himself from the league, and again made terms with France for his own safety’s sake. But his cousin, Giovanni Sforza, Tyrant of Pesaro—the husband of Lucrezia Borgia—continued in the pontifical army at the head of a condotta of 600 lances. Another command in the same ranks was one of 700 lances under the youthful Giuffredo Borgia, now Prince of Squillace and the husband of Doña Sancia of Aragon, a lady of exceedingly loose morals, who had brought to Rome the habits acquired in the most licentious Court of that licentious age.
Lodovico had distanced himself from the alliance and once again made a deal with France for his own safety. However, his cousin Giovanni Sforza, the ruler of Pesaro and husband of Lucrezia Borgia, remained in the papal army leading a group of 600 lances. Another unit in the same ranks was led by the young Giuffredo Borgia, now Prince of Squillace and married to Doña Sancia of Aragon, a woman known for her scandalous behavior, who had brought to Rome the habits formed in the most debauched court of that era.
The French lost Naples even more easily than they had conquered it, and by July 7 Ferdinand II was able to reenter his capital and reascend his throne. D’Aubigny, the French general, withdrew to France, whilst Montpensier, the Viceroy, retired to Pozzuoli, where he died in the following year.
The French lost Naples even more easily than they had taken it, and by July 7, Ferdinand II was able to return to his capital and reclaim his throne. D’Aubigny, the French general, went back to France, while Montpensier, the Viceroy, went to Pozzuoli, where he died the following year.
Nothing could better have suited the purposes of Alexander than the state of things which now prevailed, affording him, as it did, the means to break the power of the insolent Roman barons, who already had so vexed and troubled him. So in the Consistory of June 1 he published a Bull whereby Gentile Virginio Orsini, Giangiordano Orsini, and his bastard Paolo Orsini and Bartolomeo d’Alviano, were declared outlawed for having borne arms with France against the Church, and their possessions were confiscated to the State. This decree was to be enforced by the sword, and, for the purposes of the impending war, the Duke of Gandia was recalled to Rome. He arrived early in August, having left at Gandia his wife Maria Enriquez, a niece of the Royal House of Spain. It was Cesare Borgia who took the initiative in the pomp with which his brother was received in Rome, riding out at the head of the entire Pontifical Court to meet and welcome the young duke.
Nothing could have suited Alexander's goals better than the situation that currently existed, which provided him the opportunity to weaken the power of the arrogant Roman barons who had already caused him so much trouble. So, in the Consistory on June 1, he issued a Bull declaring Gentile Virginio Orsini, Giangiordano Orsini, his illegitimate son Paolo Orsini, and Bartolomeo d’Alviano as outlaws for taking up arms with France against the Church, and their properties were seized by the State. This decree was to be executed by force, and in light of the upcoming war, the Duke of Gandia was summoned back to Rome. He arrived in early August, having left his wife Maria Enriquez, a niece of the Royal House of Spain, back in Gandia. It was Cesare Borgia who took the lead in the grand reception of his brother in Rome, riding out at the head of the entire Pontifical Court to greet and welcome the young duke.
In addition to being Duke of Gandia, Giovanni Borgia was already Duke of Sessa and Prince of Teano, which further dignities had been conferred upon him on the occasion of his brother Giuffredo’s marriage to Donna Sancia. To these the Pope now added the governorship of Viterbo and of the Patrimony of St. Peter, dispossessing Cardinal Farnese of the latter office to bestow it upon this well-beloved son.
In addition to being Duke of Gandia, Giovanni Borgia was already Duke of Sessa and Prince of Teano, titles that were awarded to him when his brother Giuffredo married Donna Sancia. The Pope then further elevated him by giving him the governorship of Viterbo and the Patrimony of St. Peter, taking the latter position away from Cardinal Farnese to give it to this favored son.
In Venice it was being related, a few months later,—in October—that Gandia had brought a woman from Spain for his father, and that the latter had taken her to live with him. The story is given in Sanuto, and of course has been unearthed and served up by most historians and essayists. It cannot positively be said that it is untrue; but it can be said that it is unconfirmed. There is, for instance, no word of it in Burchard’s Diarium, and when you consider how ready a chronicler of scandalous matter was this Master of Ceremonies, you will no doubt conclude that, if any foundation there had been for that Venetian story, Burchard would never have been silent on the subject.
In Venice, it was mentioned a few months later, in October, that Gandia had brought a woman from Spain for his father, who had taken her to live with him. This story is found in Sanuto and, of course, has been brought up by most historians and essayists. It can't be definitively said that it's false, but it can be stated that it's unverified. For example, there’s no mention of it in Burchard’s Diarium, and considering how eager this Master of Ceremonies was to chronicle scandalous events, you would likely conclude that if there was any basis for that Venetian story, Burchard would never have remained silent on the matter.
The Pope had taken into his pay that distinguished condottiero, Duke Guidobaldo of Urbino, who later was to feel the relentless might of Cesare. To Guidobaldo’s command was now entrusted the punitive expedition against the Orsini, and with him was to go the Duke of Gandia, ostensibly to share the leadership, in reality that, under so able a master, he might serve his apprenticeship to the trade of arms. So on October 25 Giovanni Borgia was very solemnly created Gonfalonier of the Church and Captain-General of the pontifical troops. On the same day the three standards were blessed in St. Peter’s—one being the Papal Gonfalon bearing the arms of the Church and the other two the personal banners of Guidobaldo and Gandia. The two condottieri attended the ceremony, arrayed in full armour, and received the white truncheons that were the emblems of their command.
The Pope had hired the notable mercenary leader, Duke Guidobaldo of Urbino, who would later face the unyielding power of Cesare. Guidobaldo was now put in charge of the punitive mission against the Orsini, and accompanying him was the Duke of Gandia, supposedly to share the leadership, but in reality, to gain experience under such a skilled master in the art of warfare. So on October 25, Giovanni Borgia was officially appointed as Gonfalonier of the Church and Captain-General of the papal troops. On that same day, the three banners were blessed in St. Peter’s—one being the Papal Gonfalon with the Church's arms and the other two being the personal banners of Guidobaldo and Gandia. The two mercenary leaders attended the ceremony, dressed in full armor, and received the white staffs that symbolized their command.
On the following day the army set out, accompanied by the Cardinal de Luna as papal legate a latere, and within a month ten Orsini strongholds had surrendered.
On the next day, the army moved out, joined by Cardinal de Luna as the papal legate a latere, and within a month, ten Orsini strongholds had given up.
So far all had been easy for the papal forces; but now the Orsini rallied in the last three fortresses that remained them—Bracciano, Trevignano, and Anguillara, and their resistance suddenly acquired a stubborn character, particularly that of Bracciano, which was captained by Bartolomeo d’Alviano, a clever, resourceful young soldier who was destined to go far. Thus the campaign, so easily conducted at the outset, received a check which caused it to drag on into the winter. And now the barons received further reinforcements. Vitellozzo Vitelli, the Tyrant of Città di Castello, came to the aid of the Orsini, as did also the turbulent Baglioni of Perugia, the della Rovere in Rome, and all those who were inimical to Alexander VI. On the other hand, however, the barons Colonna and Savelli ranged themselves on the side of the Pope.
So far, everything had been easy for the papal forces, but now the Orsini gathered their strength in the last three fortresses left to them—Bracciano, Trevignano, and Anguillara. Their resistance suddenly became fierce, especially in Bracciano, which was led by Bartolomeo d’Alviano, a smart and resourceful young soldier who was destined for greatness. Thus, the campaign, which had started so smoothly, faced a setback that extended it into the winter. Meanwhile, the barons received more reinforcements. Vitellozzo Vitelli, the Tyrant of Città di Castello, came to the Orsini's aid, along with the unruly Baglioni of Perugia, the della Rovere in Rome, and all those who opposed Alexander VI. On the other side, however, the barons Colonna and Savelli joined forces with the Pope.
Already Trevignano had fallen, and the attack of the pontifical army was concentrated upon Bracciano. Hard pressed, and with all supplies cut off, Bartolomeo d’Alviano was driven to the very verge of surrender, when over the hills came Carlo Orsini, with the men of Vitellozzo Vitelli, to take the papal forces by surprise and put them to utter rout. Guidobaldo was made prisoner, whilst the Duke of Gandia, Fabrizio Colonna, and the papal legate narrowly escaped, and took shelter in Ronciglione, the Pope’s son being slightly wounded in the face.
Already, Trevignano had fallen, and the attack by the papal army was focused on Bracciano. Under intense pressure and with all supplies cut off, Bartolomeo d’Alviano was on the brink of surrender when Carlo Orsini came over the hills with the men of Vitellozzo Vitelli, surprising the papal forces and utterly routing them. Guidobaldo was captured, while the Duke of Gandia, Fabrizio Colonna, and the papal legate narrowly escaped and took refuge in Ronciglione, with the Pope’s son suffering a minor wound to his face.
It was a severe and sudden conclusion to a war that had begun under such excellent auspices for the Pontificals. Yet, notwithstanding that defeat, which had left guns and baggage in the hands of the enemy, the Pope was the gainer by the campaign, having won eleven strongholds from the Orsini in exchange for one battle lost.
It was a harsh and unexpected end to a war that had started so favorably for the Papal forces. Yet, despite that defeat, which had handed over weapons and supplies to the enemy, the Pope actually came out ahead from the campaign, having gained eleven fortresses from the Orsini in return for just one lost battle.
The barons now prepared to push home their advantage and complete the victory; but the Pope checkmated them by an appeal to Gonzalo de Cordoba, who promptly responded and came with Prospero Colonna to the aid of the Church. He laid siege to Ostia, which was being held for the Cardinal della Rovere, and compelled it to a speedy surrender, thereby bringing the Orsini resistance practically to an end. For the present the might of the barons was broken, and they were forced to pay Alexander the sum of 50,000 ducats to redeem their captured fortresses.
The barons were ready to capitalize on their advantage and finish the victory, but the Pope countered their plans by appealing to Gonzalo de Cordoba, who quickly responded and arrived with Prospero Colonna to support the Church. He besieged Ostia, which was held for Cardinal della Rovere, and forced it to surrender quickly, effectively ending the Orsini resistance. For now, the power of the barons was diminished, and they were required to pay Alexander 50,000 ducats to reclaim their captured fortresses.
Gonzalo de Cordoba made a triumphal entry into Rome, bringing with him Monaldo da Guerra, the unfortunate defender of Ostia, in chains. He was received with great honour by the Duke of Gandia, accompanied by his brother-in-law, Giovanni Sforza, and they escorted him to the Vatican, where the Pope awaited him.
Gonzalo de Cordoba made a grand entrance into Rome, bringing along Monaldo da Guerra, the unfortunate defender of Ostia, in chains. He was received with great honor by the Duke of Gandia, along with his brother-in-law, Giovanni Sforza, and they escorted him to the Vatican, where the Pope was waiting for him.
This was but one of the many occasions just then on which Giovanni Sforza was conspicuous in public in close association with his father-in-law, the Pope. Burchard mentions his presence at the blessing of the candles on the Feast of the Purification, and shows him to us as a candle-bearer standing on the Pope’s right hand. Again we see him on Palm Sunday in attendance upon Alexander, he and Gandia standing together on the steps of the pontifical throne in the Sixtine Chapel during the Blessing of the Palms. There and elsewhere Lucrezia’s husband is prominently in the public eye during those months of February and March of 1497, and we generally see him sharing, with the Duke of Gandia, the honour of close attendance upon the Pontiff, all of which but serves to render the more marked his sudden disappearance from that scene.
This was just one of the many times when Giovanni Sforza was clearly visible in public alongside his father-in-law, the Pope. Burchard notes his presence at the candle blessing during the Feast of the Purification and describes him as a candle-bearer standing to the right of the Pope. We also see him on Palm Sunday accompanying Alexander, standing together with Gandia on the steps of the papal throne in the Sistine Chapel during the Blessing of the Palms. During those months of February and March in 1497, Lucrezia’s husband was prominently in the public eye, often seen alongside the Duke of Gandia, sharing the honor of being close to the Pontiff, which only makes his sudden disappearance from that scene more striking.
The matter of his abrupt and precipitate flight from Rome is one concerning which it is unlikely that the true and complete facts will ever be revealed. It was public gossip at this time that his marriage with Lucrezia was not a happy one, and that discord marred their life together. Lucrezia’s reported grievance upon this subject reads a little vaguely to us now, whatever it may have conveyed at the time. She complained that Giovanni “did not fittingly keep her company,”(1) which may be taken to mean that a good harmony did not prevail between them, or, almost equally well, that there were the canonical grounds for complaint against him as a husband which were afterwards formally preferred and made the grounds for the divorce. It is also possible that Alexander’s ambition may have urged him to dissolve the marriage to the end that she might be free to be used again as a pawn in his far-reaching game.
The issue of his sudden and hasty departure from Rome is one that is unlikely to ever fully come to light. At that time, there was public speculation that his marriage to Lucrezia was not a happy one, and that their life together was marked by conflict. Lucrezia's complaints about this situation come across as somewhat vague to us now, even if they conveyed more at the time. She stated that Giovanni “did not fittingly keep her company,”(1) which could mean that they didn’t have a good relationship or, just as easily, that there were valid reasons for her complaints against him as a husband that later formed the basis for their divorce. It's also possible that Alexander's ambitions might have driven him to end the marriage so that she would be free to serve as a pawn in his broader schemes.
1 “Che non gli faceva buona compagnia.”
1 “That he wasn’t good company for him.”
All that we do know positively is that, one evening in Holy Week, Sforza mounted a Turkish horse, and, on the pretext of going as far as the Church of Sant’ Onofrio to take the air, he slipped out of Rome, and so desperately did he ride that, twenty-four hours later, he was home in Pesaro, his horse dropping dead as he reached the town.
All we definitely know is that, one evening during Holy Week, Sforza got on a Turkish horse and, pretending to go to the Church of Sant’ Onofrio for some fresh air, he sneaked out of Rome. He rode so fiercely that, twenty-four hours later, he arrived home in Pesaro, with his horse collapsing dead as he entered the town.
Certainly some terrible panic must have urged him, and this rather lends colour to the story told by Almerici in the Memorie di Pesaro. According to this, the Lord of Pesaro’s chamberlain, Giacomino, was in Lucrezia’s apartments one evening when Cesare was announced, whereupon, by Lucrezia’s orders, Giacomino concealed himself behind a screen. The Cardinal of Valencia entered and talked freely with his sister, the essence of his conversation being that the order had been issued for her husband’s death.
Certainly, some intense panic must have pushed him, and this gives some credibility to the story recounted by Almerici in the Memorie di Pesaro. According to this account, the Lord of Pesaro’s chamberlain, Giacomino, was in Lucrezia’s rooms one evening when Cesare was announced. At Lucrezia’s request, Giacomino hid behind a screen. The Cardinal of Valencia came in and spoke openly with his sister, and the main point of their conversation was that the order for her husband’s death had been given.
The inference to be drawn from this is that Giovanni had been given to choose in the matter of a divorce, and that he had refused to be a party to it, whence it was resolved to remove him in a still more effective manner.
The conclusion to be drawn from this is that Giovanni had the option to decide about the divorce, and he chose not to participate in it, leading to the decision to eliminate him in an even more effective way.
Be that as it may, the chroniclers of Pesaro proceed to relate that, after Cesare had left her, Lucrezia asked Giacomino if he had heard what had been said, and, upon being answered in the affirmative, urged him to go at once and warn Giovanni. It was as a consequence of this alleged warning that Giovanni made his precipitate departure.
Be that as it may, the chroniclers of Pesaro go on to say that after Cesare had left her, Lucrezia asked Giacomino if he had heard what was said, and when he confirmed he had, she urged him to go immediately and warn Giovanni. It was because of this supposed warning that Giovanni made his hasty departure.
A little while later, at the beginning of June, Lucrezia left the Vatican and withdrew to the Convent of San Sisto, in the Appian Way, a step which immediately gave rise to speculation and to unbridled gossip, all of which, however, is too vague to be worthy of the least attention. Aretino’s advices to the Cardinal Ippolito d’Este suggest that she did not leave the Vatican on good terms with her family, and it is very possible, if what the Pesaro chroniclers state is true, that her withdrawal arose out of her having warned Giovanni of his danger and enabled him to escape.
A little while later, at the beginning of June, Lucrezia left the Vatican and moved to the Convent of San Sisto on the Appian Way. This decision quickly sparked speculation and wild gossip, all of which is too vague to merit any serious attention. Aretino’s advice to Cardinal Ippolito d'Este suggests that she didn’t leave the Vatican on good terms with her family, and it’s quite possible, if the Pesaro chroniclers are to be believed, that her departure was prompted by her warning Giovanni about his danger, allowing him to escape.
At about the same time that Lucrezia withdrew to her convent her brother Gandia was the recipient of further honours at the hands of his fond father. The Pope had raised the fief of Benevento to a dukedom, and as a dukedom conferred it upon his son, to him and to his legitimate heirs for ever. To this he added the valuable lordships of Terracina and Pontecorvo.
At around the same time that Lucrezia went to her convent, her brother Gandia received more honors from their loving father. The Pope upgraded the fief of Benevento to a dukedom and granted it to his son, along with his legitimate heirs, forever. He also added the valuable lordships of Terracina and Pontecorvo.
Cesare, meanwhile, had by no means been forgotten, and already this young cardinal was—with perhaps the sole exception of the Cardinal d’Estouteville—the richest churchman in Christendom. To his many other offices and benefices it was being proposed to add that of Chamberlain of the Holy See, Cardinal Riario, who held the office, being grievously ill and his recovery despaired of. Together with that office it was the Pope’s avowed intention to bestow upon Cesare the palace of the late Cardinal of Mantua, and with it, no doubt, he would receive a proportion of the dead cardinal’s benefices.
Cesare, in the meantime, had definitely not been forgotten, and this young cardinal was—perhaps except for Cardinal d’Estouteville—the wealthiest church leader in Christendom. It was being suggested to add the position of Chamberlain of the Holy See to his numerous other roles and benefits, as Cardinal Riario, who currently held the position, was seriously ill and not expected to recover. Along with that role, the Pope was openly planning to give Cesare the palace of the late Cardinal of Mantua, and without a doubt, he would also receive a share of the deceased cardinal’s benefits.
Cesare was twenty-two years of age at the time; tall, of an athletic slenderness, and exceedingly graceful in his movements, he was acknowledged to be the handsomest man of his age. His face was long and pale, his brow lofty, his nose delicately aquiline. He had long auburn hair, and his hazel eyes, large, quick in their movements, and singularly searching in their glance, were alive with the genius of the soul behind them. He inherited from his father the stupendous health and vigour for which Alexander had been remarkable in his youth, and was remarkable still in his old age. The chase had ever been Cesare’s favourite pastime, and the wild boar his predilect quarry; and in the pursuit of it he had made good use of his exceptional physical endowments, cultivating them until—like his father before him—he was equal to the endurance of almost any degree of fatigue.
Cesare was twenty-two at the time; tall, athletic, and incredibly graceful in his movements, he was recognized as the most handsome man of his age. His face was long and pale, his forehead high, and his nose elegantly aquiline. He had long auburn hair, and his hazel eyes, large and quick-moving, had a unique intensity that revealed the brilliance of the soul within him. He inherited from his father the remarkable health and energy for which Alexander had been known in his youth and still maintained in his old age. The hunt had always been Cesare’s favorite hobby, particularly pursuing wild boar; in this pursuit, he made good use of his extraordinary physical abilities, training them until—like his father before him—he could endure almost any level of fatigue.
In the Consistory of June 8 he was appointed legate a latere to go to Naples to crown King Federigo of Aragon—for in the meanwhile another change had taken place on the Neapolitan throne by the death of young Ferdinand II, who had been succeeded by his uncle, Federigo, Prince of Altamura.
In the Consistory on June 8, he was appointed legate a latere to go to Naples to crown King Federigo of Aragon—during this time, another change occurred on the Neapolitan throne due to the death of young Ferdinand II, who was succeeded by his uncle, Federigo, Prince of Altamura.
Cesare made ready for his departure upon this important mission, upon which he was to be accompanied by his brother Giovanni, Duke of Gandia. They were both to be back in Rome by September, when Gandia was to return to Spain, taking with him his sister Lucrezia.
Cesare prepared for his departure on this important mission, which he would be taking with his brother Giovanni, Duke of Gandia. They were both expected to be back in Rome by September, when Gandia was set to return to Spain, bringing along his sister Lucrezia.
Thus had the Pope disposed; but the Borgia family stood on the eve of the darkest tragedy associated with its name, a tragedy which was to alter all these plans.
Thus had the Pope decided; but the Borgia family was on the brink of the darkest tragedy connected with its name, a tragedy that would change all these plans.
CHAPTER IV. THE MURDER OF THE DUKE OF GANDIA
On June 14, 1497, the eve of Cesare and Giovanni Borgia’s departure for Naples, their mother Vannozza gave them a farewell supper in her beautiful vineyard in Trastevere. In addition to the two guests of honour several other kinsmen and friends were present, among whom were the Cardinal of Monreale and young Giuffredo Borgia. They remained at supper until an advanced hour of the night, when Cesare and Giovanni took their departure, attended only by a few servants and a mysterious man in a mask, who had come to Giovanni whilst he was at table, and who almost every day for about a month had been in the habit of visiting him at the Vatican.
On June 14, 1497, the night before Cesare and Giovanni Borgia were set to leave for Naples, their mother Vannozza hosted a farewell dinner in her lovely vineyard in Trastevere. Along with the two guests of honor, several other relatives and friends were there, including the Cardinal of Monreale and young Giuffredo Borgia. They stayed at dinner until late into the night, when Cesare and Giovanni left, accompanied only by a few servants and a mysterious man in a mask. This man had approached Giovanni while he was at the table and had been visiting him at the Vatican almost every day for about a month.
The brothers and these attendants rode together into Rome and as far as the Vice-Chancellor Ascanio Sforza’s palace in the Ponte Quarter. Here Giovanni drew rein, and informed Cesare that he would not be returning to the Vatican just yet, as he was first “going elsewhere to amuse himself.” With that he took his leave of Cesare, and, with one single exception—in addition to the man in the mask—dismissed his servants. The latter continued their homeward way with the cardinal, whilst the Duke, taking the man in the mask upon the crupper of his horse and followed his single attendant, turned and made off in the direction of the Jewish quarter.
The brothers and their attendants rode together into Rome, all the way to Vice-Chancellor Ascanio Sforza’s palace in the Ponte Quarter. Here, Giovanni pulled back his horse and told Cesare that he wouldn't be going back to the Vatican just yet because he was “going elsewhere to have some fun.” With that, he said goodbye to Cesare and, with one exception—besides the man in the mask—dismissed his servants. The others went home with the cardinal while the Duke, taking the masked man behind him on his horse and followed by his one attendant, turned and headed toward the Jewish quarter.
In the morning it was found that Giovanni had not yet returned, and his uneasy servants informed the Pope of his absence and of the circumstances of it. The Pope, however, was not at all alarmed. Explaining his son’s absence in the manner so obviously suggested by Giovanni’s parting words to Cesare on the previous night, he assumed that the gay young Duke was on a visit to some complacent lady and that presently he would return.
In the morning, it was discovered that Giovanni still hadn't come back, and his anxious servants informed the Pope about his absence and the situation surrounding it. The Pope, however, wasn't worried at all. Interpreting his son's absence in the way clearly hinted at by Giovanni's parting words to Cesare the night before, he figured that the carefree young Duke was off visiting some charming lady and would be back soon.
Later in the day, however, news was brought that his horse had been found loose in the streets, in the neighbourhood of the Cardinal of Parma’s palace, with only one stirrup-leather, the other having clearly been cut from the saddle, and, at the same time, it was related that the servant who had accompanied him after he had separated from the rest had been found at dawn in the Piazza della Giudecca mortally wounded and beyond speech, expiring soon after his removal to a neighbouring house.
Later in the day, however, news came that his horse had been found wandering in the streets near the Cardinal of Parma’s palace, with only one stirrup leather; the other had obviously been cut from the saddle. At the same time, it was reported that the servant who had gone with him after parting from the others had been discovered at dawn in the Piazza della Giudecca, mortally wounded and unable to speak, dying shortly after he was taken to a nearby house.
Alarm spread through the Vatican, and the anxious Pope ordered inquiries to be made in every quarter where it was possible that anything might be learned. It was in answer to these inquiries that a boatman of the Schiavoni—one Giorgio by name—came forward with the story of what he had seen on the night of Wednesday. He had passed the night on board his boat, on guard over the timber with which she was laden. She was moored along the bank that runs from the Bridge of Sant’ Angelo to the Church of Santa Maria Nuova.
Alarm spread through the Vatican, and the anxious Pope ordered inquiries to be made in every place where it might be possible to learn anything. In response to these inquiries, a boatman from the Schiavoni—named Giorgio—came forward with the story of what he had witnessed on Wednesday night. He had spent the night on his boat, watching over the timber with which it was loaded. The boat was moored along the bank that runs from the Bridge of Sant’ Angelo to the Church of Santa Maria Nuova.
He related that at about the fifth hour of the night, just before daybreak, he had seen two men emerge from the narrow street alongside the Hospital of San Girolamo, and stand on the river’s brink at the spot where it was usual for the scavengers to discharge their refuse carts into the water. These men had looked carefully about, as if to make sure that they were not being observed. Seeing no one astir, they made a sign, whereupon a man well mounted on a handsome white horse, his heels armed with golden spurs, rode out of that same narrow street. Behind him, on the crupper of his horse, Giorgio beheld the body of a man, the head hanging in one direction and the legs in the other. This body was supported there by two other men on foot, who walked on either side of the horseman.
He reported that around the fifth hour of the night, just before dawn, he saw two men come out from the narrow street next to the Hospital of San Girolamo and stand at the river’s edge where the garbage collectors usually emptied their carts. These men looked around carefully, as if to ensure they weren’t being watched. Not seeing anyone awake, they signaled, and then a man on a fine white horse, with golden spurs on his heels, rode out from that same narrow street. Behind him, on the back of his horse, Giorgio saw the body of a man, with the head hanging to one side and the legs to the other. This body was being held there by two other men on foot, who walked on either side of the rider.
Arrived at the water’s edge, they turned the horse’s hind-quarters to the river; then, taking the body between them, two of them swung it well out into the stream. After the splash, Giorgio had heard the horseman inquire whether they had thrown well into the middle, and had heard him receive the affirmative answer—“Signor, Si.” The horseman then sat scanning the surface a while, and presently pointed out a dark object floating, which proved to be their victim’s cloak. The men threw stones at it, and so sank it, whereupon they turned, and all five departed as they had come.
Arriving at the water's edge, they turned the horse's back to the river; then, with the body between them, two of them tossed it out into the stream. After the splash, Giorgio heard the horseman ask if they had thrown it far enough into the middle, and he heard the reply—"Sir, yes." The horseman then sat for a while, scanning the surface, before pointing out a dark object floating, which turned out to be the victim's cloak. The men threw stones at it until it sank, and then they all turned and left as they had come.
Such is the boatman’s story, as related in the Diarium of Burchard. When the Pope had heard it, he asked the fellow why he had not immediately gone to give notice of what he had witnessed, to which this Giorgio replied that, in his time, he had seen over a hundred bodies thrown into the Tiber without ever anybody troubling to know anything about them.
Such is the boatman's story, as told in the Diarium of Burchard. When the Pope heard it, he asked the man why he hadn't immediately reported what he had seen, to which Giorgio replied that, in his experience, he had seen more than a hundred bodies dumped into the Tiber without anyone ever bothering to find out anything about them.
This story and Gandia’s continued absence threw the Pope into a frenzy of apprehension. He ordered the bed of the river to be searched foot by foot. Some hundreds of boatmen and fishermen got to work, and on that same afternoon the body of the ill-fated Duke of Gandia was brought up in one of the nets. He was not only completely dressed—as was to have been expected from Giorgio’s story—but his gloves and his purse containing thirty ducats were still at his belt, as was his dagger, the only weapon he had carried; the jewels upon his person, too, were all intact, which made it abundantly clear that his assassination was not the work of thieves.
This story and Gandia’s ongoing absence sent the Pope into a panic. He ordered that the riverbed be searched thoroughly. Hundreds of boatmen and fishermen sprang into action, and that same afternoon, the body of the ill-fated Duke of Gandia was pulled up in one of the nets. Not only was he fully dressed—as Giorgio had described—but his gloves, purse containing thirty ducats, and dagger, the only weapon he carried, were still on him. The jewels he had were also untouched, making it very clear that his murder wasn’t a robbery.
His hands were still tied, and there were from ten to fourteen wounds on his body, in addition to which his throat had been cut.
His hands were still tied, and there were between ten and fourteen wounds on his body, plus his throat had been cut.
The corpse was taken in a boat to the Castle of Sant’ Angelo, where it was stripped, washed, and arrayed in the garments of the Captain-General of the Church. That same night, on a bier, the body covered with a mantle of brocade, the face “looking more beautiful than in life,” he was carried by torchlight from Sant’ Angelo to Santa Maria del Popolo for burial, quietly and with little pomp.
The body was taken in a boat to the Castle of Sant’ Angelo, where it was stripped, washed, and dressed in the attire of the Captain-General of the Church. That same night, on a bier covered with a brocade mantle, the face “looking more beautiful than in life,” he was transported by torchlight from Sant’ Angelo to Santa Maria del Popolo for burial, quietly and with minimal ceremony.
The Pope’s distress was terrible. As the procession was crossing the Bridge of Sant’ Angelo, those who stood there heard his awful cries of anguish, as is related in the dispatches of an eye-witness quoted by Sanuto. Alexander shut himself up in his apartments with his passionate sorrow, refusing to see anybody; and it was only by insistence that the Cardinal of Segovia and some of the Pope’s familiars contrived to gain admission to his presence; but even then, not for three days could they induce him to taste food, nor did he sleep.
The Pope was in incredible distress. As the procession crossed the Bridge of Sant’ Angelo, those present heard his terrible cries of anguish, as noted in the reports of an eyewitness quoted by Sanuto. Alexander locked himself in his chambers, consumed by grief, refusing to see anyone; it was only through persistence that the Cardinal of Segovia and a few of the Pope’s close associates managed to gain access to him. Even then, for three days, they couldn’t convince him to eat, and he didn’t sleep.
At last he roused himself, partly in response to the instances of the Cardinal of Segovia, partly spurred by the desire to avenge the death of his child, and he ordered Rome to be ransacked for the assassins; but, although the search was pursued for two months, it proved utterly fruitless.
At last, he stirred himself, partly due to the insistence of the Cardinal of Segovia and partly motivated by the need to seek revenge for his child's death. He commanded that Rome be scoured for the assassins, but despite the search going on for two months, it turned out to be completely useless.
That is the oft-told story of the death of the Duke of Gandia. Those are all the facts concerning it that are known or that ever will be known. The rest is speculation, and this speculation follows the trend of malice rather than of evidence.
That is the frequently told story about the death of the Duke of Gandia. Those are all the facts that are known or ever will be known. The rest is just speculation, and this speculation tends to lean more towards malice than actual evidence.
Suspicion fell at first upon Giovanni Sforza, who was supposed to have avenged himself thus upon the Pope for the treatment he had received. There certainly existed that reasonable motive to actuate him, but not a particle of evidence against him.
Suspicion initially fell on Giovanni Sforza, who was thought to have taken revenge on the Pope for how he had been treated. There was certainly a reasonable motive for him to do so, but there was not a shred of evidence against him.
Next rumour had it that Cardinal Ascanio Sforza’s was the hand that had done this work, and with this rumour Rome was busy for months. It was known that he had quarrelled violently with Gandia, who had been grossly insulted by a chamberlain of Ascanio’s, and who had wiped out the insult by having the man seized and hanged.
Next, the rumor spread that Cardinal Ascanio Sforza was responsible for this act, and with that, Rome was abuzz for months. It was known that he had had a fierce argument with Gandia, who had been severely insulted by one of Ascanio's chamberlains, and Gandia had avenged the insult by having the man captured and hanged.
Sanuto quotes a letter from Rome on July 21, which states that “it is certain that Ascanio murdered the Duke of Gandia.” Cardinal Ascanio’s numerous enemies took care to keep the accusation alive at the Vatican, and Ascanio, in fear for his life, had left Rome and fled to Grottaferrata. When summoned to Rome, he had refused to come save under safeconduct. His fears, however, appear to have been groundless, for the Pope attached no importance to the accusation against him, convinced of his innocence, as he informed him.
Sanuto cites a letter from Rome dated July 21, which claims that “it is clear that Ascanio killed the Duke of Gandia.” Cardinal Ascanio had many enemies who kept the accusation alive at the Vatican, and out of fear for his life, he left Rome and fled to Grottaferrata. When he was summoned to Rome, he refused to go unless he was guaranteed safe passage. However, his fears seem to have been unfounded, as the Pope paid no attention to the accusation against him, believing in his innocence, as he communicated to him.
Thereupon public opinion looked about for some other likely person upon whom to fasten its indictment, and lighted upon Giuffredo Borgia, Gandia’s youngest brother. Here, again, a motive was not wanting. Already has mention been made of the wanton ways of Giuffredo’s Neapolitan wife, Doña Sancia. That she was prodigal of her favours there is no lack of evidence, and it appears that, amongst those she admitted to them, was the dead duke. Jealousy, then, it was alleged, was the spur that had driven Giuffredo to the deed; and that the rumour of this must have been insistent is clear when we find the Pope publicly exonerating his youngest son.
Then public opinion looked for someone else to blame and landed on Giuffredo Borgia, Gandia’s youngest brother. Once again, there was a motive. It has already been mentioned that Giuffredo’s Neapolitan wife, Doña Sancia, had a reputation for her promiscuous behavior. There is plenty of evidence that she was generous with her affections, and it seems that among those she was involved with was the deceased duke. Jealousy, it was said, was what drove Giuffredo to commit the act; and it’s clear that the rumors must have been persistent since the Pope publicly cleared his youngest son of wrongdoing.
Thus matters stood, and thus had public opinion spoken, when in the month of August the Pope ordered the search for the murderer to cease. Bracci, the Florentine ambassador, explains this action of Alexander’s. He writes that his Holiness knew who were the murderers, and that he was taking no further steps in the matter in the hope that thus, conceiving themselves to be secure, they might more completely discover themselves.
Thus matters stood, and thus had public opinion spoken, when in August the Pope ordered the search for the murderer to stop. Bracci, the Florentine ambassador, explains this action of Alexander’s. He writes that his Holiness knew who the murderers were and that he was taking no further steps in the matter in the hope that, feeling secure, they might reveal themselves more completely.
Bracci’s next letter bears out the supposition that he writes from inference, and not from knowledge. He repeats that the investigations have been suspended, and that to account for this some say what already he has written, whilst others deny it; but that the truth of the matter is known to none.
Bracci’s next letter confirms the idea that he writes based on conclusions rather than actual knowledge. He reiterates that the investigations have been put on hold, and to explain this, some people repeat what he has already stated, while others deny it; but the reality is that no one really knows the truth.
Later in the year we find the popular voice denouncing Bartolomeo d’Alviano and the Orsini. Already in August the Ferrarese ambassador, Manfredi, had written that the death of the Duke of Gandia was being imputed to Bartolomeo d’Alviano, and in December we see in Sanuto a letter from Rome which announces that it is positively stated that the Orsini had caused the death of Giovanni Borgia.
Later in the year, we see the popular opinion criticizing Bartolomeo d’Alviano and the Orsini. Back in August, the Ferrarese ambassador, Manfredi, had written that Bartolomeo d’Alviano was being blamed for the death of the Duke of Gandia, and in December, we find a letter in Sanuto from Rome confirming that it was claimed the Orsini were responsible for Giovanni Borgia's death.
These various rumours were hardly worth mentioning for their own values, but they are important as showing how public opinion fastened the crime in turn upon everybody it could think of as at all likely to have had cause to commit it, and more important still for the purpose of refuting what has since been written concerning the immediate connection of Cesare Borgia with the crime in the popular mind.
These various rumors weren't really worth discussing for their own sake, but they matter in showing how public opinion blamed anyone it could think of who might have had a reason to commit the crime. It's even more important for countering what's been written about Cesare Borgia's supposed direct connection to the crime in the public's mind.
Not until February of the following year was the name of Cesare ever mentioned in connection with the deed. The first rumour of his guilt synchronized with that of his approaching renunciation of his ecclesiastical career, and there can be little doubt that the former sprang from the latter. The world conceived that it had discovered on Cesare’s part a motive for the murder of his brother. That motive—of which so very much has been made—shall presently be examined. Meanwhile, to deal with the actual rumour, and its crystallization into history. The Ferrarese ambassador heard it in Venice on February 12, 1498. Capello seized upon it, and repeated it two and a half years later, stating on September 28, 1500: “etiam amazó il fratello.”
Not until February of the next year was Cesare's name ever mentioned in connection with the act. The first rumor of his guilt coincided with his impending resignation from his church career, and it’s clear that the former arose from the latter. The public believed they had found a motive for Cesare to murder his brother. That motive—which has been greatly discussed—will be examined shortly. In the meantime, we must address the actual rumor and how it became part of history. The Ferrarese ambassador heard it in Venice on February 12, 1498. Capello picked up on it and repeated it two and a half years later, stating on September 28, 1500: “etiam amazó il fratello.”
And there you have the whole source of all the unbridled accusations subsequently launched against Cesare, all of which find a prominent place in Gregorovius’s Geschichte der Stadt Rom, whilst the rumours accusing others, which we have mentioned here, are there slurred over.
And there you have the entire source of all the wild accusations later directed at Cesare, all of which are prominently featured in Gregorovius’s Geschichte der Stadt Rom, while the rumors accusing others, which we’ve mentioned here, are barely touched upon.
One hesitates to attack the arguments and conclusions of the very eminent author of that mighty History of Rome in the Middle Ages, but conscience and justice demand that his chapter upon this subject be dealt with as it deserves.
One hesitates to challenge the arguments and conclusions of the highly esteemed author of that powerful History of Rome in the Middle Ages, but conscience and fairness require that his chapter on this topic be addressed as it ought to be.
The striking talents of Gregorovius are occasionally marred by the egotism and pedantry sometimes characteristic of the scholars of his nation. He is too positive; he seldom opines; he asserts with finality the things that only God can know; occasionally his knowledge, transcending the possible, quits the realm of the historian for that of the romancer, as for instance—to cite one amid a thousand—when he actually tells us what passes in Cesare Borgia’s mind at the coronation of the King of Naples. In the matter of authorities, he follows a dangerous and insidious eclecticism, preferring those who support the point of view which he has chosen, without a proper regard for their intrinsic values.
The impressive talents of Gregorovius are sometimes overshadowed by the arrogance and pedantry that can be typical of scholars from his country. He is overly assertive; he rarely expresses opinions; instead, he states things as if they are absolute truths, even about matters that only God could know. Occasionally, his knowledge goes beyond what is actually possible, stepping away from the realm of the historian into that of a storyteller, like when he claims to know what Cesare Borgia is thinking during the coronation of the King of Naples. In terms of sources, he adopts a risky and deceptive eclecticism, favoring those who back his chosen perspective without properly considering their actual worth.
He tells us definitely that, if Alexander had not positive knowledge, he had at least moral conviction that it was Cesare who had killed the Duke of Gandia. In that, again, you see the God-like knowledge which he usurps; you see him clairvoyant rather than historical. Starting out with the positive assertion that Cesare Borgia was the murderer, he sets himself to prove it by piling up a mass of worthless evidence, whose worthlessness it is unthinkable he should not have realized.
He clearly states that, if Alexander didn't have actual proof, he at least believed strongly that it was Cesare who killed the Duke of Gandia. Here, you can see the god-like understanding he claims; he seems more like a clairvoyant than a historian. Beginning with the firm claim that Cesare Borgia was the murderer, he tries to back it up by putting together a bunch of useless evidence, the uselessness of which it's hard to believe he didn't recognize.
“According to the general opinion of the day, which in all probability was correct, Cesare was the murderer of his brother.”
“According to the general opinion at the time, which was likely accurate, Cesare was the murderer of his brother.”
Thus Gregorovius in his Lucrezia Borgia. A deliberate misstatement! For, as we have been at pains to show, not until the crime had been fastened upon everybody whom public opinion could conceive to be a possible assassin, not until nearly a year after Gandia’s death did rumour for the first time connect Cesare with the deed. Until then the ambassadors’ letters from Rome in dealing with the murder and reporting speculation upon possible murderers never make a single allusion to Cesare as the guilty person.
Thus Gregorovius in his Lucrezia Borgia. A deliberate misstatement! For, as we have tried to demonstrate, not until the crime had been pinned on everyone whom public opinion could imagine as a possible murderer, not until nearly a year after Gandia’s death did rumors first link Cesare to the act. Until then, the ambassadors’ letters from Rome discussing the murder and speculating about possible killers never mention Cesare as the one responsible.
Later, when once it had been bruited, it found its way into the writings of every defamer of the Borgias, and from several of these it is taken by Gregorovius to help him uphold that theory.
Later, when it was first rumored, it made its way into the writings of every critic of the Borgias, and several of these sources are used by Gregorovius to support his theory.
Two motives were urged for the crime. One was Cesare’s envy of his brother, whom he desired to supplant as a secular prince, fretting in the cassock imposed upon himself which restrained his unbounded ambition. The other—and no epoch but this one under consideration, in its reaction from the age of chivalry, could have dared to level it without a careful examination of its sources—was Cesare’s jealousy, springing from the incestuous love for their sister Lucrezia, which he is alleged to have disputed with his brother. Thus, as l’Espinois has pointed out, to convict Cesare Borgia of a crime which cannot absolutely be proved against him, all that is necessary is that he should be charged with another crime still more horrible of which even less proof exists.
Two reasons were put forward for the crime. One was Cesare’s jealousy of his brother, whom he wanted to replace as a secular leader, frustrated by the restraining influence of the cassock he imposed on himself that held back his ambition. The second reason—and no period except this one, reacting against the age of chivalry, could have brought it up without thoroughly investigating its roots—was Cesare’s jealousy, arising from an incestuous affection for their sister Lucrezia, which he is said to have contended with his brother. Thus, as l’Espinois noted, to accuse Cesare Borgia of a crime that cannot be definitively proven against him, all that is needed is to charge him with another, even more terrible crime, for which there is even less evidence.
This latter motive, it is true, is rejected by Gregorovius. “Our sense of honesty,” he writes, “repels us from attaching faith to the belief spread in that most corrupt age.” Yet the authorities urging one motive are commonly those urging the other, and Gregorovius quotes those that suit him, without considering that, if he is convinced they lie in one connection, he has not the right to assume them truthful in another.
This later motive, it's true, is dismissed by Gregorovius. “Our sense of honesty,” he writes, “pushes us away from believing in the ideas spread during that most corrupt time.” However, the authorities promoting one motive are usually the same ones promoting the other, and Gregorovius cites those that fit his argument without recognizing that if he believes they are lying in one context, he doesn't have the right to take them at their word in another.
The contemporary, or quasi-contemporary writers upon whose “authority” it is usual to show that Cesare Borgia was guilty of both those revolting crimes are: Sanazzaro, Capello, Macchiavelli, Matarazzo, Sanuto, Pietro Martire d’Anghiera, Guicciardini, and Panvinio.
The modern or somewhat modern writers whose "authority" is often used to argue that Cesare Borgia committed both of those horrific crimes include: Sanazzaro, Capello, Machiavelli, Matarazzo, Sanuto, Pietro Martire d’Anghiera, Guicciardini, and Panvinio.
A formidable array! But consider them, one by one, at close quarters, and take a critical look at what they actually wrote:
A powerful lineup! But think about them individually, up close, and seriously examine what they really wrote:
SANAZZARO was a Neapolitan poet and epigrammatist, who could not—his times being what they were—be expected to overlook the fact that in these slanderous rumours of incest was excellent matter for epigrammatical verse. Therefore, he crystallized them into lines which, whilst doing credit to his wit, reveal his brutal cruelty. No one will seriously suppose that such a man would be concerned with the veracity of the matter of his verses—even leaving out of the question his enmity towards the House of Borgia, which will transpire later. For him a ben trovato was as good matter as a truth, or better. He measured its value by its piquancy, by its adaptability to epigrammatic rhymes.
SANAZZARO was a Neapolitan poet and writer of epigrams who, given the times he lived in, couldn't ignore the fact that the slanderous rumors of incest provided great material for witty verse. So, he turned them into lines that showcased his cleverness but also revealed his harshness. No one would seriously think that such a person would care about the truth of the content of his verses—especially considering his hostility towards the House of Borgia, which will become evident later. For him, a well-constructed story was just as valuable as the truth, if not more so. He judged its worth by its shock value and how well it fit into epigrammatic form.
Conceive the heartlessness of the man who, at the moment of Alexander’s awful grief at the murder of his son—a grief which so moved even his enemies that the bitter Savonarola, and the scarcely less bitter Cardinal della Rovere, wrote to condole with him—could pen that terrible epigram:
Conceive the heartlessness of the man who, at the moment of Alexander’s terrible grief over the murder of his son—a sorrow that even touched his enemies, causing the harsh Savonarola and the almost equally harsh Cardinal della Rovere to write their condolences—could write that dreadful epigram:
Piscatorem hominum ne te non, Sexte, putemus, Piscaris notum retibus ecce tuum.
Do not think, Sextus, that we won't see you fishing for people; Look, you're famous for catching them in your nets.
Consider the ribaldry of that, and ask yourselves whether this is a man who would immolate the chance of a witticism upon the altar of Truth.
Consider the humor in that, and ask yourselves whether this is a man who would sacrifice the opportunity for a clever remark in the name of Truth.
It is significant that Sanazzaro, for what he may be worth, confines himself to the gossip of incest. Nowhere does he mention that Cesare was the murderer, and we think that his silence upon the matter, if it shows anything, shows that Cesare’s guilt was not so very much the “general opinion of the day,” as Gregorovius asks us to believe.
It’s important to note that Sanazzaro, for whatever he might be worth, limits himself to the rumors of incest. He never states that Cesare was the murderer, and we believe that his silence suggests that Cesare’s guilt wasn't as widely accepted as "the general opinion of the day," as Gregorovius wants us to think.
CAPPELLO was not in Rome at the time of the murder, nor until three years later, when he merely repeated the rumour that had first sprung up some eight months after the crime.
CAPPELLO was not in Rome when the murder happened, nor for three years afterward, when he just repeated the rumor that had first emerged about eight months after the crime.
The precise value of his famous “relation” (in which this matter is recorded, and to which we shall return in its proper place) and the spirit that actuated him is revealed in another accusation of murder which he levels at Cesare, an accusation which, of course, has also been widely disseminated upon no better authority than his own. It is Capello who tells us that Cesare stabbed the chamberlain Perrotto in the Pope’s very arms; he adds the details that the man had fled thither for shelter from Cesare’s fury, and that the blood of him, when he was stabbed, spurted up into the very face of the Pope. Where he got the story is not readily surmised—unless it be assumed that he evolved it out of his feelings for the Borgias. The only contemporary accounts of the death of this Perrotto—or Pedro Caldes, as was his real name—state that he fell by accident into the Tiber and was drowned.
The exact value of his famous “relation” (where this matter is recorded, and we will revisit it later) and the motivation behind it is shown in another murder accusation he levels at Cesare, an accusation that has also been widely spread based solely on his own claims. Capello reports that Cesare stabbed the chamberlain Perrotto right in the Pope’s presence; he adds that the man had sought refuge from Cesare’s wrath and that blood sprayed onto the Pope’s face when he was stabbed. It's unclear where this story came from—unless it's assumed that he made it up based on his feelings towards the Borgias. The only contemporary reports about Perrotto’s death—or Pedro Caldes, as he was really named—say that he accidentally fell into the Tiber and drowned.
Burchard, who could not have failed to know if the stabbing story had been true, and would not have failed to report it, chronicles the fact that Perrotto was fished out of Tiber, having fallen in six days earlier—“non libenter.” This statement, coming from the pen of the Master of Ceremonies at the Vatican, requires no further corroboration. Yet corroboration there actually is in a letter from Rome of February 20, 1498, quoted by Marino Sanuto in his Diarii. This states that Perrotto had been missing for some days, no one knowing what had become of him, and that now “he has been found drowned in the Tiber.”
Burchard, who surely knew whether the stabbing story was true and would have reported it, records that Perrotto was pulled out of the Tiber after falling in six days earlier—“not willingly.” This account, written by the Master of Ceremonies at the Vatican, needs no further proof. However, there is actually confirmation in a letter from Rome dated February 20, 1498, cited by Marino Sanuto in his Diarii. It mentions that Perrotto had been missing for several days, with no one aware of his whereabouts, and that now “he has been found drowned in the Tiber.”
We mention this, in passing, with the twofold object of slaying another calumny, and revealing the true value of Capello, who happens to be the chief “witness for the prosecution” put forward by Gregorovius. “Is it not of great significance,” inquires the German historian, “that the fact should have been related so positively by an ambassador who obtained his knowledge from the best sources?”
We bring this up briefly to address another false accusation and to highlight the true worth of Capello, who is the main “witness for the prosecution” presented by Gregorovius. “Is it not very important,” asks the German historian, “that this fact was shared so confidently by an ambassador who got his information from the best sources?”
The question is frivolous, for the whole trouble in this matter is that there were no sources at all, in the proper sense of the word—good or bad. There was simply gossip, which had been busy with a dozen names already.
The question is trivial because the real issue here is that there were no credible sources—neither good nor bad. It was just gossip, which had already spread around a dozen names.
MACCHIAVELLI includes a note in his Extracts from Letters to the Ten, in which he mentions the death of Gandia, adding that “at first nothing was known, and then men said it was done by the Cardinal of Valencia.”
MACCHIAVELLI includes a note in his Extracts from Letters to the Ten, in which he mentions the death of Gandia, adding that “at first nothing was known, and then people said it was done by the Cardinal of Valencia.”
There is nothing very conclusive in that. Besides, incidentally it may be mentioned, that it is not clear when or how these extracts were compiled by Macchiavelli (in his capacity of Secretary to the Signory of Florence) from the dispatches of her ambassadors. But it has been shown—though we are hardly concerned with that at the moment—that these extracts are confused by comments of his own, either for his own future use or for that of another.
There isn’t anything definitive in that. Also, it’s worth noting that it’s unclear when or how these excerpts were put together by Machiavelli (as Secretary to the Signory of Florence) from the reports of their ambassadors. However, it has been demonstrated—though that’s not our main focus right now—that these excerpts are mixed with his own comments, either for his personal use or for someone else.
MATARAZZO is the Perugian chronicler of whom we have already expressed the only tenable opinion. The task he set himself was to record the contemporary events of his native town—the stronghold of the blood-dripping Baglioni. He enlivened it by every scrap of scandalous gossip that reached him, however alien to his avowed task. The authenticity of this scandalmongering chronicle has been questioned; but, even assuming it to be authentic, it is so wildly inaccurate when dealing with matters happening beyond the walls of Perugia as to be utterly worthless.
MATARAZZO is the chronicler from Perugia we've already discussed with the only reasonable viewpoint. His goal was to document the current events of his hometown—the stronghold of the bloodthirsty Baglioni. He added every bit of scandalous gossip that came his way, no matter how unrelated it was to his stated purpose. The authenticity of this gossip-filled account has been doubted; however, even if we take it at face value, it is so incredibly inaccurate when it comes to events outside the walls of Perugia that it's completely pointless.
Matarazzo relates the story of the incestuous relations prevailing in the Borgia family, and with an unsparing wealth of detail not to be found elsewhere; but on the subject of the murder he has a tale to tell entirely different from any other that has been left us. For, whilst he urges the incest as the motive of the crime, the murderer, he tells us, was Giovanni Sforza, the outraged husband; and he gives us the fullest details of that murder, time and place and exactly how committed, and all the other matters which have never been brought to light.
Matarazzo shares the story of the incestuous relationships within the Borgia family, providing an incredible amount of detail that you won't find anywhere else. However, when it comes to the murder, he has a completely different narrative compared to anything we've seen. While he claims that incest was the motive for the crime, he reveals that the killer was Giovanni Sforza, the wronged husband. He presents all the details about the murder—when and where it happened, how it was carried out, and other aspects that have never been exposed.
It is all a worthless, garbled piece of fiction, most obviously; as such it has ever been treated; but it is as plausible as it is untrue, and, at least, as authoritative as any available evidence assigning the guilt to Cesare.
It’s all a useless, confusing piece of fiction, clearly. It has always been treated that way; however, it’s as believable as it is false, and, at the very least, as credible as any evidence pointing to Cesare’s guilt.
SANUTO we accept as a more or less careful and painstaking chronicler, whose writings are valuable; and Sanuto on the matter of the murder confines himself to quoting the letter of February 1498, in which the accusation against Cesare is first mentioned, after having given other earlier letters which accuse first Ascanio and then Orsini far more positively than does the latter letter accuse Cesare.
SANUTO is regarded as a fairly meticulous and thorough chronicler, whose writings hold value. In discussing the murder, Sanuto sticks to quoting the letter from February 1498, where the accusation against Cesare is first noted, after first presenting earlier letters that accuse Ascanio and then Orsini more definitively than the subsequent letter accuses Cesare.
On the matter of the incest there is no word in Sanuto; but there is mention of Doña Sancia’s indiscretions, and the suggestion that, through jealousy on her account, it was rumoured that the murder had been committed—another proof of how vague and ill-defined the rumours were.
On the topic of incest, Sanuto doesn't say anything; however, it does mention Doña Sancia's indiscretions and suggests that, due to jealousy over her, there were rumors that a murder had taken place—another indication of how vague and unclear the rumors were.
PIETRO MARTIRE D’ANGHIERA writes from Burgos, in Spain, that he is convinced of the fratricide. It is interesting to know of that conviction of his; but difficult to conceive how it is to be accepted as evidence.
PIETRO MARTIRE D’ANGHIERA writes from Burgos, Spain, that he is convinced of the fratricide. It's interesting to know about his conviction; however, it’s hard to understand how it can be accepted as evidence.
If more needs to be said of him, let it be mentioned that the letter in which he expresses that conviction is dated April 1497—two months before the murder took place! So that even Gregorovius is forced to doubt the authenticity of that document.
If there's more to say about him, it should be noted that the letter where he shares that belief is dated April 1497—two months before the murder happened! So even Gregorovius has to question the authenticity of that document.
GUICCIARDINI is not a contemporary chronicler of events as they happened, but an historian writing some thirty years later. He merely repeats what Capello and others have said before him. It is for him to quote authorities for what he writes, and not to be set up as an authority. He is not reliable, and he is a notorious defamer of the Papacy, sparing nothing that will serve his ends. He dilates with gusto upon the accusation of incest.
GUICCIARDINI is not a modern-day chronicler documenting events as they occurred, but rather a historian writing about thirty years later. He simply reiterates what Capello and others have said before him. His role is to reference sources for what he writes, not to be considered an authority himself. He is not trustworthy and is known for disparaging the Papacy, using any means necessary to achieve his goals. He eagerly elaborates on the accusation of incest.
Lastly, PANVINTO is in the same category as Guicciardini. He was not born until some thirty years after these events, and his History of the Popes was not written until some sixty years after the murder of the Duke of Gandia. This history bristles with inaccuracies; he never troubles to verify his facts, and as an authority he is entirely negligible.
Lastly, PANVINTO is in the same category as Guicciardini. He wasn't born until about thirty years after these events, and his History of the Popes was written around sixty years after the murder of the Duke of Gandia. This history is full of inaccuracies; he never bothers to check his facts, and as a source, he is completely disregarded.
In the valuable Diarium of Burchard there is unfortunately a lacuna at this juncture, from the day after the murder (of which he gives the full particulars to which we have gone for our narrative of that event) until the month of August following. And now we may see Gregorovius actually using silence as evidence. He seizes upon that lacuna, and goes so far as to set up the tentative explanation that Burchard “perhaps purposely interrupted his Diary that he might avoid mentioning the fratricide.”
In the valuable diary of Burchard, there is unfortunately a gap at this point, from the day after the murder (which he details fully and from which we've taken information for our narrative of that event) until August of the following year. Now we can see Gregorovius actually using this silence as evidence. He points out that gap and even suggests that Burchard “might have deliberately interrupted his diary to avoid mentioning the fratricide.”
If such were the case, it would be a strange departure from Burchard’s invariable rule, which is one of cold, relentless, uncritical chronicling of events, no matter what their nature. Besides, any significance with which that lacuna might be invested is discounted by the fact that such gaps are of fairly common occurrence in the course of Burchard’s record. Finally it remains to be shown that the lacuna in question exists in the original diaries, which have yet to be discovered.
If that were true, it would be an odd break from Burchard’s usual practice, which is to coldly and relentlessly document events, regardless of what they are. Plus, any meaning that might be attached to that gap is lessened by the reality that such omissions happen quite often in Burchard’s records. Finally, it needs to be proven that the specific gap actually exists in the original diaries, which have not been found yet.
So much for the valuable authorities, out of which—and by means of a selection which is not quite clearly defined—Gregorovius claims to have proved that the murderer of the Duke of Gandia was his brother Cesare Borgia, Cardinal of Valencia.(1)
So much for the credible sources, from which—and through a selection that isn’t very clearly defined—Gregorovius claims to have shown that the murderer of the Duke of Gandia was his brother Cesare Borgia, Cardinal of Valencia.(1)
1 It is rather odd that, in the course of casting about for a possible murderer of Gandia, public opinion should never have fastened upon Cardinal Alessandro Farnese. He had lately been stripped of the Patrimony of St. Peter that the governorship of this might be bestowed upon Gandia; his resentment had been provoked by that action of the Pope’s, and the relations between himself and the Borgias were strained in consequence. Possibly there was clear proof that he could have had no connection with the crime.
1 It’s pretty strange that, while looking for a potential murderer of Gandia, no one ever suspected Cardinal Alessandro Farnese. He had recently lost the Patrimony of St. Peter so that the governorship could be given to Gandia; this decision by the Pope had made him really resentful, and as a result, his relationship with the Borgias was tense. Perhaps there was solid evidence that he had no ties to the crime.
Now to examine more closely the actual motives given by those authorities and by later, critical writers, for attributing the guilt to Cesare.
Now let's take a closer look at the reasons provided by those in power and by later critical writers for blaming Cesare.
In September of the year 1497, the Pope had dissolved the marriage of his daughter Lucrezia and Giovanni Sforza, and the grounds for the dissolution were that the husband was impotens et frigidus natura—admitted by himself.(2)
In September 1497, the Pope had annulled the marriage of his daughter Lucrezia and Giovanni Sforza, citing the reason for the annulment as the husband's impotence and lack of desire—acknowledged by him personally.(2)
2 “El S. de Pesaro ha scripto qua de sua mano non haverla mai cognosciuta et esser impotente, alias la sententia non se potea dare. El prefato S. dice pero haver scripto cosi per obedire el Duca de Milano et Aschanio” (Collenuccio’s letter from Rome to the Duke of Ferrara, Dec. 25, 1497).
2 “The S. of Pesaro has written here by his own hand that he has never known her and is incapable; otherwise, the verdict could not be given. The aforementioned S. states, however, that he has written this to obey the Duke of Milan and Ascanio” (Collenuccio’s letter from Rome to the Duke of Ferrara, Dec. 25, 1497).
If you know anything of the Italy of to-day, you will be able to conceive for yourself how the Italy of the fifteenth century must have held her sides and pealed her laughter at the contemptible spectacle of an unfortunate who afforded such reason to be bundled out of a nuptial bed. The echo of that mighty burst of laughter must have rung from Calabria to the Alps, and well may it have filled the handsome weakling who was the object of its cruel ridicule with a talion fury. The weapons he took up wherewith to defend himself were a little obvious. He answered the odious reflections upon his virility by a wholesale charge of incest against the Borgia family; he screamed that what had been said of him was a lie invented by the Borgias to serve their own unutterable ends.(1) Such was the accusation with which the squirming Lord of Pesaro retaliated, and, however obvious, yet it was not an accusation that the world of his day would lightly cast aside, for all that the perspicacious may have rated it at its proper value.
If you know anything about modern-day Italy, you can imagine how Italy in the fifteenth century must have doubled over with laughter at the pathetic sight of someone who deserved to be kicked out of a wedding bed. The sound of that enormous laughter must have echoed from Calabria to the Alps, and it’s no wonder the handsome weakling on the receiving end of the cruel mockery was filled with rage. The way he chose to defend himself was pretty obvious. He responded to the nasty comments about his manhood by launching a sweeping accusation of incest against the Borgia family; he shouted that the things said about him were lies created by the Borgias to fulfill their own terrible purposes. That was the charge made by the squirming Lord of Pesaro in retaliation, and while it was straightforward, it wasn’t something the society of his time would dismiss easily, even if some insightful people might have seen it for what it really was.
1 “Et mancho se e curato de fare prova de qua con Done per poterne chiarire el Rev. Legato che era qua, sebbene sua Excellentia tastandolo sopra cio gli ne abbia facto offerta.” And further: “Anzi haverla conosciuta infinite volte, ma chel Papa non geiha tolta per altro se non per usare con lei” (Costabili’s letter from Milan to the Duke of Ferrara, June 23, 1497).
1 “And I am obliged to prove this to ensure clarity for the Reverend Legate who was here, although His Excellency touched on it and offered it to me.” And furthermore: “In fact, I have known her countless times, but the Pope has not taken her for any other reason except to use her” (Costabili’s letter from Milan to the Duke of Ferrara, June 23, 1497).
What is of great importance to students of the history of the Borgias is that this was the first occasion on which the accusation of incest was raised. Of course it persisted; such a charge could not do otherwise. But now that we see in what soil it had its roots we shall know what importance to attach to it.
What’s really significant for students of Borgia history is that this was the first time the accusation of incest came up. Naturally, it continued; such a claim couldn’t help but do so. But now that we understand the context it came from, we’ll know how much importance to give it.
Not only did it persist, but it developed, as was but natural. Cesare and the dead Gandia were included in it, and presently it suggested a motive—not dreamed of until then—why Cesare might have been his brother’s murderer.
Not only did it continue, but it also evolved, as was only natural. Cesare and the deceased Gandia were part of it, and soon it hinted at a motive—one that hadn’t been considered until then—for why Cesare might have been his brother’s killer.
Then, early in 1498, came the rumour that Cesare was intending to abandon the purple, and later Writers, from Capello down to our own times, have chosen to see in Cesare’s supposed contemplation of that step a motive so strong for the crime as to prove it in the most absolutely conclusive manner. In no case could it be such proof, even if it were admitted as a motive. But is it really so to be admitted? Did such a motive exist at all? Does it really follow—as has been taken for granted—that Cesare must have remained an ecclesiastic had Gandia lived? We cannot see that it does. Indeed, such evidence as there is, when properly considered, points in the opposite direction, even if no account is taken of the fact that this was not the first occasion on which it was proposed that Cesare should abandon the ecclesiastical career, as is shown by the Ferrarese ambassador’s dispatches of March 1493.
Then, early in 1498, rumors started circulating that Cesare planned to give up his title, and later writers, from Capello to modern times, have interpreted Cesare's supposed consideration of this decision as a motive strong enough to confirm his guilt beyond doubt. However, this could never be seen as proof, even if it were recognized as a motive. But is it really something that should be accepted? Did such a motive actually exist? Does it really follow—as has often been assumed—that Cesare would have continued as a churchman if Gandia had lived? We don't think so. In fact, the available evidence, when examined closely, suggests the opposite, even without considering that this wasn’t the first time it was suggested Cesare should leave his ecclesiastical career, as indicated by the Ferrarese ambassador’s reports from March 1493.
It is contended that Gandia was a stumbling-block to Cesare, and that Gandia held the secular possessions which Cesare coveted; but if that were really the case why, when eventually (some fourteen months after Gandia’s death) Cesare doffed the purple to replace it by a soldier’s harness, did he not assume the secular possessions that had been his brother’s?
It is argued that Gandia was an obstacle for Cesare and that Gandia owned the worldly possessions Cesare wanted; but if that were true, then why, when Cesare finally put aside his royal robes for a soldier's armor (about fourteen months after Gandia’s death), didn't he take on the worldly possessions that had belonged to his brother?
His dead brother’s lands and titles went to his dead brother’s son, whilst Cesare’s career was totally different, as his aims were totally different, from any that had been Gandia’s, or that might have been Gandia’s had the latter lived. True, Cesare became Captain-General of the Church in his dead brother’s place; but for that his brother’s death was not necessary. Gandia had neither the will nor the intellect to undertake the things that awaited Cesare. He was a soft-natured, pleasure-loving youth, whose way of life was already mapped out for him. His place was at Gandia, in Spain, and, whilst he might have continued lord of all the possessions that were his, it would have been Cesare’s to become Duke of Valentinois, and to have made himself master of Romagna, precisely as he did.
His late brother’s lands and titles went to his late brother’s son, while Cesare’s path was completely different, as his ambitions were entirely unlike those of Gandia, or what Gandia's ambitions might have been had he lived. Although Cesare became Captain-General of the Church in his late brother’s stead, his brother's death wasn’t a requirement for that to happen. Gandia lacked the determination and the intellect to pursue the challenges that awaited Cesare. He was a gentle, pleasure-seeking young man whose future was already laid out for him. His role was in Gandia, Spain, and while he could have kept all his possessions, it was Cesare’s destiny to become Duke of Valentinois and to make himself the master of Romagna, just as he did.
In conclusion, Gandia’s death no more advanced, than his life could have impeded, the career which Cesare afterwards made his own, and to say that Cesare murdered him to supplant him is to set up a theory which the subsequent facts of Cesare’s life will nowise justify.
In conclusion, Gandia's death did not advance or hinder the career that Cesare later claimed for himself, and to suggest that Cesare killed him to take his place is to propose a theory that the later events in Cesare's life do not support.
It is idle of Gregorovius to say that the logic of the crime is inexorable—in its assigning the guilt to Cesare—fatuous of him to suppose that, as he claims, he has definitely proved Cesare to be his brother’s murderer.
It’s pointless for Gregorovius to claim that the logic of the crime is unavoidable—in blaming Cesare for the guilt—silly for him to think that, as he asserts, he has definitively proven Cesare to be his brother’s killer.
There is much against Cesare Borgia, but it never has been proved, and never will be proved, that he was a fratricide. Indeed the few really known facts of the murder all point to a very different conclusion—a conclusion more or less obvious, which has been discarded, presumably for no better reason than because it was obvious.
There are many accusations against Cesare Borgia, but it has never been proven, and will never be proven, that he was a fratricide. In fact, the few well-known facts about the murder suggest a very different conclusion—a conclusion that is somewhat obvious, which has been dismissed, likely for no better reason than that it was obvious.
Where was all this need to go so far afield in quest of a probable murderer imbued with political motives? Where the need to accuse in turn every enemy that Gandia could possibly possess before finally fastening upon his own brother?
Where was all this need to go so far away in search of a likely murderer driven by political motives? Why was there a need to accuse every possible enemy Gandia might have before finally blaming his own brother?
Certain evidence is afforded by the known facts of the case, scant as they are. It may not amount to much, but at least it is sufficient to warrant a plausible conclusion, and there is no justification for discarding it in favour of something for which not a particle of evidence is forthcoming.
Certain evidence is provided by the known facts of the case, limited as they are. It may not be substantial, but it's enough to support a reasonable conclusion, and there's no reason to dismiss it in favor of something that has no evidence at all.
There is, first of all, the man in the mask to be accounted for. That he is connected with the crime is eminently probable, if not absolutely certain.
There’s, first of all, the guy in the mask to think about. It’s highly likely that he’s linked to the crime, if not completely certain.
It is to be remembered that for a month—according to Burchard—he had been in the habit of visiting Gandia almost daily. He comes to Vannozza’s villa on the night of the murder. Is it too much to suppose that he brought a message from some one from whom he was in the habit of bringing messages?
It should be noted that for a month—according to Burchard—he had been visiting Gandia almost every day. He arrives at Vannozza’s villa on the night of the murder. Is it too much to think that he brought a message from someone he usually carried messages from?
He was seen last on the crupper of Gandia’s horse as the latter rode away towards the Jewish quarter.(1) Gandia himself announced that he was bound on pleasure—going to amuse himself. Even without the knowledge which we possess of his licentious habits, no doubt could arise as to the nature of the amusement upon which he was thus bound at dead of night; and there are the conclusions formed in the morning by his father, when it was found that Gandia had not returned.
He was last seen on the back of Gandia’s horse as he rode off toward the Jewish quarter.(1) Gandia announced that he was off for a good time—going to have some fun. Even without our knowledge of his wild ways, it was clear what kind of fun he was up to in the middle of the night. In the morning, his father drew conclusions when it was found that Gandia hadn’t come back.
1 The Ghetto was not yet in existence. It was not built until 1556, under Paul IV.
1 The Ghetto didn’t exist yet. It wasn’t established until 1556, during the reign of Paul IV.
Is it so very difficult to conceive that Gandia, in the course of the assignation to which he went, should have fallen into the hands of an irate father, husband, or brother? Is it not really the obvious inference to draw from the few facts that we possess? That it was the inference drawn by the Pope and clung to even some time after the crime and while rumours of a different sort were rife, is shown by the perquisition made in the house of Antonio Pico della Mirandola, who had a daughter whom it was conceived might have been the object of the young duke’s nocturnal visit, and whose house was near the place where Gandia was flung into the Tiber.
Is it really that hard to believe that Gandia, during the meeting he attended, could have ended up in the hands of an angry father, husband, or brother? Isn’t it the most obvious conclusion to draw from the limited facts we have? The fact that the Pope believed this and held onto it even after the crime, despite rumors of other possibilities circulating, is evident from the search conducted at the home of Antonio Pico della Mirandola, whose daughter was thought to be the target of the young duke’s late-night visit, and whose house was close to where Gandia was thrown into the Tiber.
We could hazard speculations that would account for the man in the mask, but it is not our business to speculate save where the indications are fairly clear.
We could take guesses about the man in the mask, but it's not our job to speculate unless the clues are pretty obvious.
Let us consider the significance of Gandia’s tied hands and the wounds upon his body in addition to the mortal gash across his throat. To what does this condition point? Surely not to a murder of expediency so much as to a fierce, lustful butchery of vengeance. Surely it suggests that Gandia may have been tortured before his throat was cut. Why else were his wrists pinioned? Had he been swiftly done to death there would have been no need for that. Had hired assassins done the work they would not have stayed to pinion him, nor do we think they would have troubled to fling him into the river; they would have slain and left him where he fell.
Let’s think about the importance of Gandia’s tied hands and the injuries on his body, especially the fatal wound on his throat. What does this situation imply? It clearly doesn’t point to a quick murder out of convenience but instead to a brutal, passionate act of revenge. It definitely suggests that Gandia might have been tortured before his throat was cut. Why else would his wrists be bound? If he had been killed quickly, there would have been no need for that. If hired killers had done the job, they wouldn't have stayed to tie him up, nor would we believe they would have bothered to dump him in the river; they would have just killed him and left him where he fell.
The whole aspect of the case suggests the presence of the master, of the personal enemy himself. We can conceive Gandia’s wrists being tied, to the end that this personal enemy might do his will upon the wretched young man, dealing him one by one the ten or fourteen wounds in the body before making an end of him by cutting his throat. We cannot explain the pinioned wrists in any other way. Then the man on the handsome white horse, the man whom the four others addressed as men address their lord. Remember his gold spurs—a trifle, perhaps; but hired assassins do not wear gold spurs, even though their bestriding handsome white horses may be explainable.
The entire situation in the case hints at the presence of the master, the personal enemy himself. We can imagine Gandia’s wrists being tied so this personal enemy could do whatever he wanted with the poor young man, inflicting one by one the ten or fourteen wounds before finishing him off by cutting his throat. We can't make sense of the tied wrists any other way. Then there's the man on the beautiful white horse, the one whom the four others addressed like they would a lord. Remember his gold spurs—maybe a minor detail; but hired killers don’t wear gold spurs, even if their impressive white horses can be explained.
Surely that was the master, the personal enemy himself—and it was not Cesare, for Cesare at the time was at the Vatican.
Surely that was the master, the personal enemy himself—and it wasn't Cesare, because at that time Cesare was at the Vatican.
There we must leave the mystery of the murder of the Duke of Gandia; but we leave it convinced that, such scant evidence as there is, points to an affair of sordid gallantry, and nowise implicates his brother Cesare.
There we must leave the mystery of the murder of the Duke of Gandia; but we leave it convinced that, based on the little evidence available, it suggests an affair of sordid romance, and does not implicate his brother Cesare in any way.
CHAPTER V. THE RENUNCIATION OF THE PURPLE
At the Consistory of June 19, 1497 the Sacred College beheld a broken-hearted old man who declared that he had done with the world, and that henceforth life could offer him nothing that should endear it to him.
At the Consistory of June 19, 1497, the Sacred College saw a heartbroken old man who stated that he was done with the world and that from now on, life had nothing to offer him that would make it appealing.
“A greater sorrow than this could not be ours, for we loved him exceedingly, and now we can hold neither the Papacy nor any other thing as of concern. Had we seven Papacies, we would give them all to restore the duke to life.” So ran his bitter lament.
“A greater sorrow than this could not be ours, for we loved him exceedingly, and now we can hold neither the Papacy nor any other thing as of concern. Had we seven Papacies, we would give them all to restore the duke to life.” So ran his bitter lament.
He denounced his course of life as not having been all that it should have been, and appeared to see in the murder of his son a punishment for the evil of his ways. Much has been made of this, and quite unnecessarily. It has been taken eagerly as an admission of his unparalleled guilt. An admission of guilt it undoubtedly was; but what man is not guilty? and how many men—ay, and saints even—in the hour of tribulation have cried out that they were being made to feel the wrath of God for the sins that no man is without?
He criticized his life, saying it hadn't been what it should have been, and seemed to see the murder of his son as a punishment for his wrongdoings. This has been discussed a lot, and really, it's unnecessary. It's been eagerly accepted as proof of his unmatched guilt. It was definitely an admission of guilt, but who isn't guilty? And how many people—even saints—during tough times have shouted that they were feeling God's wrath for the sins that everyone has?
If humanity contains a type that would not have seen in such a cause for sorrow a visitation of God, it is the type of inhuman monster to which we are asked to believe that Alexander VI belonged. A sinner unquestionably he was, and a great one; but a human sinner, and not an incarnate devil, else there could have been no such outcry from him in such an hour as this.
If humanity has a type that wouldn't view such a sorrow as a sign from God, it's the type of inhuman monster we're supposed to believe Alexander VI was. He was undoubtedly a great sinner, but a human sinner, not an embodiment of evil; otherwise, he wouldn't have cried out so desperately in a moment like this.
He announced that henceforth the spiritual needs of the Church should be his only care. He inveighed against the corruption of the ecclesiastical estate, confessing himself aware of how far it had strayed from the ancient discipline and from the laws that had been framed to bridle licence and cupidity, which were now rampant and unchecked; and he proclaimed his intention to reform the Curia and the Church of Rome. To this end he appointed a commission consisting of the Cardinal-Bishops Oliviero Caraffa and Giorgio Costa, the Cardinal-Priests Antonietto Pallavicino and Gianantonio Sangiorgio, and the Cardinal-Deacons Francesco Piccolomini and Raffaele Riario.
He declared that from now on, the spiritual needs of the Church would be his only concern. He criticized the corruption within the clergy, admitting that he was aware of how far it had deviated from the traditional practices and the rules that were meant to control excess and greed, which had now become widespread and uncontrolled; and he announced his plan to reform the Curia and the Church of Rome. To achieve this, he appointed a commission made up of Cardinal-Bishops Oliviero Caraffa and Giorgio Costa, Cardinal-Priests Antonietto Pallavicino and Gianantonio Sangiorgio, and Cardinal-Deacons Francesco Piccolomini and Raffaele Riario.
There was even a suggestion that he was proposing to abdicate, but that he was prevailed upon to do nothing until his grief should have abated and his judgement be restored to its habitual calm. This suggestion, however, rests upon no sound authority.
There was even a suggestion that he was planning to step down, but he was convinced to hold off until his grief had lessened and his judgment returned to its usual calm. However, this suggestion is not based on any solid evidence.
Letters of condolence reached him on every hand. Even his arch-enemy, Cardinal Giuliano della Rovere, put aside his rancour in the face of the Pope’s overwhelming grief—and also because it happened to consort with his own interests, as will presently transpire. He wrote to Alexander from France that he was truly pained to the very soul of him in his concern for the Pope’s Holiness—a letter which, no doubt, laid the foundations to the reconciliation that was toward between them.
Letters of condolence flooded in from all sides. Even his greatest foe, Cardinal Giuliano della Rovere, set aside his bitterness in light of the Pope’s deep sorrow—and also because it happened to align with his own interests, as will soon become clear. He wrote to Alexander from France that he was genuinely pained to the core in his concern for the Pope’s Holiness—a letter which, no doubt, paved the way for the reconciliation that was to come between them.
Still more remarkable was it that the thaumaturgical Savonarola should have paused in the atrabilious invective with which he was inflaming Florence against the Pope, should have paused to send him a letter of condolence in which he prayed that the Lord of all mercy might comfort his Holiness in his tribulation.
Even more notable was the fact that the miraculous Savonarola took a break from his bitter attacks that were stirring up Florence against the Pope to send him a letter of condolence, in which he asked that the Lord of all mercy would comfort his Holiness in his time of trouble.
That letter is a singular document; singularly human, yielding a singular degree of insight into the nature of the man who penned it. A whole chapter of intelligent speculation upon the character of Savonarola, based upon a study of externals, could not reveal as much of the mentality of that fanatical demagogue as the consideration of just this letter.
That letter is a unique document; uniquely human, providing a unique level of insight into the nature of the person who wrote it. A whole chapter of thoughtful analysis on Savonarola's character, based on external observations, couldn't reveal as much about the mindset of that fanatical leader as examining just this letter.
The sympathy by which we cannot doubt it to have been primarily inspired is here overspread by the man’s rampant fanaticism, there diluted by the prophecies from which he cannot even now refrain; and, throughout, the manner is that of the pulpit-thumping orator. The first half of his letter is a prelude in the form of a sermon upon Faith, all very trite and obvious; and the notion of this excommunicated friar holding forth to the Pope’s Holiness in polemical platitudes delivered with all the authority of inspired discoveries of his own is one more proof that at the root of fanaticism in all ages and upon all questions, lies an utter lack of a sense of fitness and proportion. Having said that “the just man liveth in the Lord by faith,” and that “the Lord in His mercy passeth over all our sins,” he proclaims that he announces things of which he is assured, and for which he is ready to suffer all persecutions, and begs his Holiness to turn a favourable eye upon the work of faith in which he is labouring, and to give heed no more to the impious, promising the Holy Father that thus shall the Lord bestow upon him the essence of joy instead of the spirit of grief. Having begun, as we have seen, with an assurance that “the Lord in His mercy passeth over all our sins,” he concludes by prophesying, with questionable logic, that “the thunders of His wrath will ere long be heard.” Nor does he omit to mention—with an apparent arrogance that again betrays that same want of a sense of proportion—that all his predictions are true.
The sympathy that we can't deny inspired him at first is overshadowed by the man's extreme fanaticism in some places and watered down by the prophecies he can’t help but share; throughout it all, his style is that of a pulpit-thumping preacher. The first half of his letter is just a lead-up in the form of a sermon about Faith, which is all very cliché and obvious. The idea of this excommunicated friar preaching to the Pope with empty platitudes, as if his words carry the weight of personal revelations, is yet another indication that at the heart of fanaticism across all ages and topics is a complete lack of perspective and balance. After stating that “the just person lives in the Lord by faith” and that “the Lord in His mercy overlooks all our sins,” he insists that he speaks of truths he is certain about, ready to face any persecution for them. He requests the Pope to favorably regard the work of faith he is involved in and to ignore the wicked, promising the Holy Father that this will bring him the essence of joy instead of grief. Having started with the assurance that “the Lord in His mercy overlooks all our sins,” he wraps up by predicting, with shaky reasoning, that “the thunders of His wrath will soon be heard.” He even goes so far as to declare—with a kind of arrogance that again shows his lack of proportionality—that all of his predictions are true.
His letter, however, and that of Cardinal della Rovere, among so many others, show us how touched was the world by the Pope’s loss and overwhelming grief, how shocked at the manner in which this had been brought about.
His letter, along with Cardinal della Rovere's and many others, shows us how deeply the world was affected by the Pope’s loss and immense grief, and how shocked everyone was by the way it happened.
The commission which Alexander had appointed for the work of reform had meanwhile got to work, and the Cardinal of Naples edited the articles of a constitution which was undoubtedly the object of prolonged study and consideration, as is revealed by the numerous erasures and emendations which it bears. Unfortunately—for reasons which are not apparent—it was never published by Alexander. Possibly by the time that it was concluded the aggrandizement of the temporal power was claiming his entire attention to the neglect of the spiritual needs of the Holy See. It is also possible—as has been abundantly suggested—that the stern mood of penitence had softened with his sorrow, and was now overpast.
The commission that Alexander set up to work on reform had started its tasks, and the Cardinal of Naples put together the articles for a constitution that clearly took a lot of study and thought, as shown by the many corrections and edits it contains. Unfortunately—due to reasons that aren’t clear—it was never published by Alexander. By the time it was finished, he might have been too focused on increasing his temporal power to pay attention to the spiritual needs of the Holy See. It’s also possible—as has been widely suggested—that his earlier serious mood of repentance had faded along with his sorrow.
Nevertheless, it may have been some lingering remnant of this fervour of reform that dictated the severe punishment which fell that year upon the flagitious Bishop of Cosenza. A fine trade was being driven in Rome by the sale of forged briefs of indulgence. Raynaldus cites a Bull on that score addressed by Alexander, in the first year of his pontificate, to the bishops of Spain, enjoining them to visit with punishment all who in that kingdom should be discovered to be pursuing such a traffic. On September 4, 1497, Burchard tells us, three servants of the Pontifical Secretary, the Archbishop of Cosenza (Bartolomeo Florido) were arrested in consequence of the discovery of twenty forged briefs issued by them. In their examination they incriminated their master the archbishop, who was consequently put upon his trial and found guilty. Alexander deposed, degraded, and imprisoned him in Sant’ Angelo in a dark room, where he was supplied with oil for his lamp and bread and water for his nourishment until he died. His underlings were burnt in the Campo di Fiori in the following month.
Nevertheless, it might have been some leftover passion for reform that led to the harsh punishment handed out that year to the notorious Bishop of Cosenza. There was a thriving business in Rome selling fake indulgence letters. Raynaldus references a Bull on this matter, issued by Alexander in the first year of his papacy, directing the bishops of Spain to punish anyone in that kingdom found to be involved in such trade. On September 4, 1497, Burchard tells us that three servants of the Pontifical Secretary, the Archbishop of Cosenza (Bartolomeo Florido), were arrested after twenty forged letters issued by them were discovered. During their interrogation, they implicated their boss, the archbishop, who was then put on trial and found guilty. Alexander removed him from his position, stripped him of his rank, and imprisoned him in Sant’ Angelo in a dark cell, where he received oil for his lamp and bread and water for sustenance until he died. His accomplices were executed by burning in the Campo di Fiori the following month.
The Duke of Gandia left a widow and two children—Giovanni, a boy of three years of age, and Isabella, a girl of two. In the interests of her son, the widowed duchess applied to the Governor of Valencia in the following September for the boy’s investiture in the rights of his deceased father. This was readily granted upon authority from Rome, and so the boy Giovanni was recognized as third Duke of Gandia, Prince of Sessa and Teano, and Lord of Cerignola and Montefoscolo, and the administration of his estates during his minority was entrusted to his uncle, Cesare Borgia.
The Duke of Gandia left behind a widow and two kids—Giovanni, a three-year-old boy, and Isabella, a two-year-old girl. For the sake of her son, the widowed duchess reached out to the Governor of Valencia the following September to secure her son’s recognition of his late father's rights. This was quickly approved with authority from Rome, and so Giovanni was recognized as the third Duke of Gandia, Prince of Sessa and Teano, and Lord of Cerignola and Montefoscolo. The management of his estates during his childhood was given to his uncle, Cesare Borgia.
The Lordship of Benevento—the last grant made to Giovanni Borgia—was not mentioned; nor was it then nor ever subsequently claimed by the widow. It is the one possession of Gandia’s that went to Cesare, who was confirmed in it by the King of Naples.
The Lordship of Benevento—the last gift given to Giovanni Borgia—was not mentioned; nor was it claimed by the widow at that time or ever later. It is the only possession of Gandia’s that went to Cesare, who was confirmed in it by the King of Naples.
The Gandia branch of the Borgia family remained in Spain, prospered and grew in importance, and, incidentally, produced St. Francis de Borgia. This Duke of Gandia was Master of the Household to Charles V, and thus a man of great worldly consequence; but it happened that he was so moved by the sight of the disfigured body of his master’s beautiful queen that he renounced the world and entered the Society of Jesus, eventually becoming its General. He died in 1562, and in the fulness of time was canonized.
The Gandia branch of the Borgia family stayed in Spain, thrived, and became more significant, and, by the way, produced St. Francis de Borgia. This Duke of Gandia was the Master of the Household to Charles V, making him a man of considerable influence; however, he was so affected by seeing the disfigured body of his master's beautiful queen that he gave up his worldly life and joined the Society of Jesus, eventually becoming its General. He died in 1562, and in due time was canonized.
Cesare’s departure for Naples as legate a latere to anoint and crown Federigo of Aragon was naturally delayed by the tragedy that had assailed his house, and not until July 22 did he take his leave of the Pope and set out with an escort of two hundred horse.
Cesare’s departure for Naples as a legate a latere to anoint and crown Federigo of Aragon was understandably delayed by the tragedy that struck his family, and it wasn’t until July 22 that he said goodbye to the Pope and left with an escort of two hundred horses.
Naples was still in a state of ferment, split into two parties, one of which favoured France and the other Aragon, so that disturbances were continual. Alexander expressed the hope that Cesare might appear in that distracted kingdom in the guise of an “angel of peace,” and that by his coronation of King Federigo he should set a term to the strife that was toward.
Naples was still in turmoil, divided into two factions, one supporting France and the other backing Aragon, leading to constant unrest. Alexander hoped that Cesare would arrive in that chaotic kingdom as an "angel of peace" and that by crowning King Federigo, he would bring an end to the ongoing conflict.
The city of Naples itself was now being ravaged by fever, and in consequence of this it was determined that Cesare should repair instead to Capua, where Federigo would await him. Arrived there, however, Cesare fell ill, and the coronation ceremony again suffered a postponement until August 10. Cesare remained a fortnight in the kingdom, and on August 22 set out to return to Rome, and his departure appears to have been a matter of relief to Federigo, for so impoverished did the King of Naples find himself that the entertainment of the legate and his numerous escort had proved a heavy tax upon his flabby purse.
The city of Naples was being hit hard by fever, so it was decided that Cesare should go instead to Capua, where Federigo would be waiting for him. However, once he arrived there, Cesare got sick, and the coronation ceremony had to be postponed again until August 10. Cesare stayed in the kingdom for two weeks, and on August 22, he set out to return to Rome. His departure seemed to relieve Federigo, as the King of Naples found himself so strapped for cash that hosting the legate and his large entourage had taken a serious toll on his already thin wallet.
On the morning of September 6 all the cardinals in Rome received a summons to attend at the Monastery of Santa Maria Nuova to welcome the returned Cardinal of Valencia. In addition to the Sacred College all the ambassadors of the Powers were present, and, after the celebration of the Mass, the entire assembly proceeded to the Vatican, where the Pope was waiting to receive his son. When the young cardinal presented himself at the foot of the papal throne Alexander opened his arms to him, embraced, and kissed him, speaking no word.
On the morning of September 6, all the cardinals in Rome were called to the Monastery of Santa Maria Nuova to welcome back the Cardinal of Valencia. Along with the Sacred College, all the ambassadors of the Powers were there, and after the Mass, everyone went to the Vatican, where the Pope was ready to greet his son. When the young cardinal approached the papal throne, Alexander opened his arms, embraced him, and kissed him, saying nothing.
This rests upon the evidence of two eye-witnesses,(1) and the circumstance has been urged and propounded into the one conclusive piece of evidence that Cesare had murdered his brother, and that the Pope knew it. In this you have some more of what Gregorovius terms “inexorable logic.” He kissed him, but he spake no word to him; therefore, they reason, Cesare murdered Gandia. Can absurdity be more absurd, fatuity more fatuous? Lucus a non lucendo! To square the circle should surely present no difficulty to these subtle logicians.
This is based on the accounts of two eyewitnesses,(1) and this has been presented as the one undeniable piece of evidence that Cesare killed his brother, and that the Pope was aware of it. Here, you have more of what Gregorovius calls "inexorable logic." He kissed him, but didn’t say a word to him; so, they conclude, Cesare killed Gandia. Can absurdity be any more absurd, or foolishness any more foolish? Lucus a non lucendo! Surely, solving the circle must be easy for these clever logicians.
1 “Non dixit verbum Pape Valentinus, nec Papa sibi, sed eo deosculato, descendit de solio” (Burchard’s Diarium, and “Solo lo bació,” in letter from Rome in Sanuto’s Diarii)
1 “Valentinus said nothing to the Pope, nor did the Pope speak to him, but after embracing him, he descended from the throne” (Burchard’s Diarium, and “He only kissed him,” in a letter from Rome in Sanuto’s Diarii)
It was, as we have seen, in February of 1498 that it was first rumoured that Cesare intended to put off the purple; and that the rumour had ample foundation was plain from the circumstance that the Pope was already laying plans whose fulfilment must be dependent upon that step, and seeking to arrange a marriage for Cesare with Carlotta of Aragon, King Federigo of Naples’s daughter, stipulating that her dowry should be such that Cesare, in taking her to wife, should become Prince of Altamura and Tarentum.
It was, as we have seen, in February of 1498 that rumors first started circulating that Cesare planned to put off the purple. The rumors had a solid basis, as it was clear the Pope was already making plans that depended on this move. He was looking to arrange a marriage for Cesare with Carlotta of Aragon, the daughter of King Federigo of Naples, insisting that her dowry be structured so that when Cesare married her, he would become Prince of Altamura and Tarentum.
But Federigo showed himself unwilling, possibly in consideration of the heavy dowry demanded and of the heavy draft already made by the Borgias—through Giuffredo Borgia, Prince of Squillace—upon this Naples which the French invasion had so impoverished. He gave out that he would not have his daughter wedded to a priest who was the son of a priest and that he would not give his daughter unless the Pope could contrive that a cardinal might marry and yet retain his hat.
But Federigo made it clear that he wasn’t interested, likely because of the huge dowry that was being asked for and the heavy demand already placed by the Borgias—through Giuffredo Borgia, Prince of Squillace—on Naples, which had been so drained by the French invasion. He claimed that he wouldn’t marry off his daughter to a priest who was also the son of a priest and that he wouldn’t let his daughter marry unless the Pope could arrange for a cardinal to get married while still keeping his title.
It all sounded as if he were actuated by nice scruples and high principles; but the opinion is unfortunately not encouraged when we find him, nevertheless, giving his consent to the marriage of his nephew Alfonso to Lucrezia Borgia upon the pronouncement of her divorce from Giovanni Sforza. The marriage, let us say in passing, was celebrated at the Vatican on June 20, 1498, Lucrezia receiving a dowry of 40,000 ducats. But the astute Alexander saw to it that his family should acquire more than it gave, and contrived that Alfonso should receive the Neapolitan cities of Biselli and Quadrata, being raised to the title of Prince of Biselli.
It all seemed like he was motivated by good morals and strong principles; however, that idea is unfortunately not supported when we see him agreeing to the marriage of his nephew Alfonso to Lucrezia Borgia after her divorce from Giovanni Sforza. Just to mention, the wedding took place at the Vatican on June 20, 1498, with Lucrezia receiving a dowry of 40,000 ducats. But the clever Alexander made sure that his family would gain more than it gave, arranging for Alfonso to receive the Neapolitan cities of Biselli and Quadrata, and he was given the title of Prince of Biselli.
Nevertheless, there was a vast difference between giving in marriage a daughter who must take a weighty dowry out of the kingdom and receiving a daughter who would bring a handsome dowry with her. And the facts suggest that such was the full measure of Federigo’s scruples.
Nevertheless, there was a huge difference between marrying off a daughter who had to leave the kingdom with a heavy dowry and receiving a daughter who would bring a nice dowry with her. The facts indicate that this was exactly the extent of Federigo’s concerns.
Meanwhile, to dissemble his reluctance to let Cesare have his daughter to wife, Federigo urged that he must first take the feeling of Ferdinand and Isabella in this matter.
Meanwhile, to hide his unwillingness to let Cesare marry his daughter, Federigo insisted that he first needed to get Ferdinand and Isabella's opinion on the matter.
While affairs stood thus, Charles VIII died suddenly at Amboise in April of that year 1498. Some work was being carried out there by artists whom he had brought from Naples for the purpose, and, in going to visit this, the king happened to enter a dark gallery, and struck his forehead so violently against the edge of a door that he expired the same day—at the age of twenty-eight. He was a poor, malformed fellow, as we have seen, and “of little understanding,” Commines tells us, “but so good that it would have been impossible to have found a kinder creature.”
While things stood like this, Charles VIII died suddenly at Amboise in April of 1498. Some artists he had brought from Naples for a project were working there, and while visiting, the king accidentally walked into a dark gallery and hit his forehead violently against the edge of a door, causing him to die that same day—at the age of twenty-eight. He was a weak, misshapen man, as we’ve seen, and “of little understanding,” Commines tells us, “but so good that it would have been impossible to find a kinder person.”
With him the Valois dynasty came to an end. He was succeeded by his cousin, the Duke of Orleans, who, upon his coronation at Rheims, assumed the title of King of France and the Two Sicilies and Duke of Milan—a matter which considerably perturbed Federigo of Aragon and Lodovico Sforza. Each of these rulers saw in that assumption of his own title by Louis XII a declaration of enmity, the prelude to a declaration of open war; wherefore, deeming it idle to send their ambassadors to represent them at the Court of France, they refrained from doing so.
With his passing, the Valois dynasty came to an end. He was succeeded by his cousin, the Duke of Orleans, who, during his coronation at Rheims, took the title of King of France and the Two Sicilies and Duke of Milan—this greatly unsettled Federigo of Aragon and Lodovico Sforza. Each of these rulers interpreted Louis XII's assumption of their titles as a sign of hostility, a precursor to an outright declaration of war; therefore, considering it pointless to send their ambassadors to the Court of France, they chose not to.
Louis XII’s claim upon the Duchy of Milan was based upon his being the grandson of Valentina Visconti, and, considering himself a Visconti, he naturally looked upon the Sforza dominion as no better than a usurpation which too long had been left undisturbed. To disturb it now was the first aim of his kingship. And to this end, as well as in another matter, the friendship of the Pope was very desirable to Louis.
Louis XII claimed the Duchy of Milan because he was the grandson of Valentina Visconti, and since he considered himself a Visconti, he viewed the Sforza rule as nothing more than an illegitimate takeover that had gone unchallenged for too long. Disrupting it became his top priority as king. To achieve this, as well as to address another issue, Louis greatly needed the Pope's support.
The other matter concerned his matrimonial affairs. No sooner did he find himself King of France than he applied to Rome for the dissolution of his marriage with Jeanne de Valois, the daughter of Louis XI. The grounds he urged were threefold: Firstly, between himself and Jeanne there existed a relationship of the fourth degree and a spiritual affinity, resulting from the fact that her father, Louis XI, had held him at the baptismal font—which before the Council of Trent did constitute an impediment to marriage. Secondly, he had not been a willing party to the union, but had entered into it as a consequence of intimidation from the terrible Louis XI, who had threatened his life and possessions if not obeyed in this. Thirdly, Jeanne laboured under physical difficulties which rendered her incapable of maternity.
The other matter was about his marriage. As soon as he became King of France, he requested the Pope to annul his marriage to Jeanne de Valois, the daughter of Louis XI. He gave three reasons: First, he and Jeanne were related within the fourth degree and had a spiritual connection because her father, Louis XI, had held him at the baptismal font, which, before the Council of Trent, was a valid reason to prevent marriage. Second, he hadn’t willingly entered into the marriage; he was forced into it by the harsh Louis XI, who had threatened his life and property if he didn’t comply. Third, Jeanne had physical issues that made her incapable of bearing children.
Of such a nature was the appeal he made to Alexander, and Alexander responded by appointing a commission presided over by the Cardinal of Luxembourg, and composed of that same cardinal and the Bishops of Albi and Ceuta, assisted by five other bishops as assessors, to investigate the king’s grievance. There appears to be no good reason for assuming that the inquiry was not conducted fairly and honourably or that the finding of the bishops and ultimate annulment of the marriage was not in accordance with their consciences. We are encouraged to assume that all this was indeed so, when we consider that Jeanne de Valois submitted without protest to the divorce, and that neither then nor subsequently at any time did she prefer any complaint, accepting the judgement, it is presumable, as a just and fitting measure.
The appeal he made to Alexander was significant, and Alexander responded by appointing a commission led by the Cardinal of Luxembourg, which included that same cardinal and the Bishops of Albi and Ceuta, along with five other bishops as advisors, to look into the king’s complaint. There seems to be no reason to believe that the inquiry was not carried out fairly and honorably or that the bishops' conclusion and the eventual annulment of the marriage were not in line with their consciences. We are led to believe this was the case, especially when we consider that Jeanne de Valois accepted the divorce without protest, and at no point did she later file any complaints, seemingly accepting the ruling as just and appropriate.
She applied to the Pope for permission to found a religious order, whose special aim should be the adoration and the emulation of the perfections of the Blessed Virgin, a permission which Alexander very readily accorded her. He was, himself, imbued with a very special devotion for the Mother of the Saviour. We see the spur of this special devotion of his in the votive offering of a silver effigy to her famous altar of the Santissima Nunziata in Florence, which he had promised in the event of Rome being freed from Charles VIII. Again, after the accident of the collapse of a roof in the Vatican, in which he narrowly escaped death, it is to Santa Maria Nuova that we see him going in procession to hold a solemn thanksgiving service to Our Lady. In a dozen different ways did that devotion find expression during his pontificate; and be it remembered that Catholics owe it to Alexander VI that the Angelus-bell is rung thrice daily in honour of the Blessed Virgin.
She asked the Pope for permission to establish a religious order dedicated to the worship and imitation of the virtues of the Blessed Virgin, and Alexander readily granted her request. He had a deep devotion to the Mother of the Savior himself. This special devotion is evident in his votive offering of a silver figure to her famous altar of the Santissima Nunziata in Florence, which he promised if Rome was freed from Charles VIII. Additionally, after a roof collapsed in the Vatican, nearly taking his life, he went in procession to Santa Maria Nuova to hold a solemn thanksgiving service to Our Lady. His devotion found expression in many ways during his papacy, and it should be noted that Catholics owe the ringing of the Angelus bell three times a day in honor of the Blessed Virgin to Alexander VI.
To us this devotion to the Mother of Chastity on the part of a churchman openly unchaste in flagrant subversion of his vows is a strange and incongruous spectacle. But the incongruity of it is illumining. It reveals Alexander’s simple attitude towards the sins of the flesh, and shows how, in common with most churchmen of his day, he found no conscientious difficulty in combining fervid devotion with perfervid licence. Whatever it may seem by ours, by his lights—by the light of the examples about him from his youth, by the light of the precedents afforded him by his predecessors in St. Peter’s Chair—his conduct was a normal enough affair, which can have afforded him little with which to reproach himself.
To us, this devotion to the Mother of Chastity from a churchman who is openly unchaste and clearly goes against his vows is a strange and mismatched sight. But this oddity sheds light on the situation. It shows Alexander’s simple view on the sins of the flesh and illustrates how, like most churchmen of his time, he saw no moral conflict in balancing intense devotion with indulgent behavior. Whatever it might look like to us, by his own standards—by the examples he grew up with and the precedents set by those before him in St. Peter’s Chair—his actions were quite normal and likely left him with little to criticize himself for.
In the matter of the annulment of the marriage of Louis XII it is to be conceded that Alexander made the most of the opportunity it afforded him. He perceived that the moment was propitious for enlisting the services of the King of France to the achievement of his own ends, more particularly to further the matter of the marriage of Cesare Borgia with Carlotta of Aragon, who was being reared at the Court of France. Accordingly Alexander desired the Bishop of Ceuta to lay his wishes in the matter before the Christian King, and, to the end that Cesare might find a fitting secular estate awaiting him when eventually he emerged from the clergy, the Pope further suggested to Louis, through the bishop’s agency, that Cesare should receive the investiture of the counties of Valentinois and Dyois in Dauphiny. On the face of it this wears the look of inviting bribery. In reality it scarcely amounted to so much, although the opportunism that prompted the request is undeniable. Yet it is worthy of consideration that in what concerned the counties of Valentinois and Dyois, the Pope’s suggestion constituted a wise political step. These territories had been in dispute between France and the Holy See for a matter of some two hundred years, during which the Popes had been claiming dominion over them. The claims had been admitted by Louis XI, who had relinquished the counties to the Church; but shortly after his death the Parliament of Dauphiny had restored them to the crown of France. Charles VIII and Innocent VIII had wrangled over them, and an arbitration was finally projected, but never held.
In the case of the annulment of Louis XII's marriage, it must be acknowledged that Alexander seized the opportunity it presented. He recognized that this was a good time to enlist the King of France’s support for his own goals, especially to advance the marriage of Cesare Borgia with Carlotta of Aragon, who was being raised at the French court. Therefore, Alexander asked the Bishop of Ceuta to communicate his wishes to the Christian King, and to ensure that Cesare would have a suitable secular position waiting for him once he left the clergy, the Pope also suggested to Louis, through the bishop, that Cesare should be granted the titles to the counties of Valentinois and Dyois in Dauphiny. At first glance, this seems to imply a bribe. In reality, it was not quite that, though the opportunism behind the request is undeniable. However, it is important to note that regarding the counties of Valentinois and Dyois, the Pope's suggestion was a clever political move. These regions had been contested between France and the Holy See for about two hundred years, during which the Popes had asserted control over them. Louis XI had acknowledged these claims and had given the counties to the Church; but shortly after his death, the Parliament of Dauphiny returned them to the French crown. Charles VIII and Innocent VIII had argued over them, and while an arbitration was ultimately planned, it never took place.
Alexander now perceived a way to solve the difficulty by a compromise which should enrich his son and give the latter a title to replace that of cardinal which he was to relinquish. So his proposal to Louis XII was that the Church should abandon its claim upon the territories, whilst the king, raising Valentinois to the dignity of a duchy, should so confer it upon Cesare Borgia.
Alexander now saw a way to resolve the issue through a compromise that would enrich his son and give him a title to replace the cardinal position he was about to give up. So, his proposal to Louis XII was that the Church should renounce its claim on the territories while the king would elevate Valentinois to the status of a duchy, granting it to Cesare Borgia.
Although the proposal was politically sound, it constituted at the same time an act of flagrant nepotism. But let us bear in mind that Alexander did not lack a precedent for this particular act. When Louis XI had surrendered Valentinois to Sixtus IV, this Pope had bestowed it upon his nephew Girolamo, thereby vitiating any claim that the Holy See might subsequently have upon the territory. We judge it—under the circumstances that Louis XI had surrendered it to the Church—to be a far more flagrant piece of nepotism than was Alexander’s now.
Although the proposal was politically reasonable, it was also an obvious act of nepotism. However, we should remember that Alexander had a precedent for this specific action. When Louis XI handed Valentinois over to Sixtus IV, this Pope gave it to his nephew Girolamo, effectively undermining any claims the Holy See might have later had on the territory. Given that Louis XI had given it to the Church, we see it as a much more blatant act of nepotism than Alexander's actions now.
Louis XII, nothing behind the Pope in opportunism, saw in the concession asked of him the chance of acquiring Alexander’s good-will. He consented, accompanying his consent by a request for a cardinal’s hat for Georges d’Amboise, Bishop of Rouen, who had been his devoted friend in less prosperous times, and the sharer of his misfortunes under the previous reign, and was now his chief counsellor and minister. In addition he besought—dependent, of course, upon the granting of the solicited divorce—a dispensation to marry Anne of Brittany, the beautiful widow of Charles VIII. This was Louis’s way of raising the price, as it were, of the concession and services asked of him; yet, that there might be no semblance of bargaining, his consent to Cesare’s being created Duke of Valentinois was simultaneous with his request for further favours.
Louis XII, who was just as opportunistic as the Pope, viewed the request made of him as a chance to win Alexander's favor. He agreed, along with a request for a cardinal's hat for Georges d’Amboise, Bishop of Rouen, who had been his loyal friend during tougher times and had shared his misfortunes under the previous reign. d’Amboise was now his main advisor and minister. Additionally, he requested—relying, of course, on the approval of the divorce he was seeking—a dispensation to marry Anne of Brittany, the stunning widow of Charles VIII. This was Louis's way of increasing the value of the concession and services he was being asked for; however, to avoid any appearance of negotiation, he granted his consent for Cesare to be made Duke of Valentinois at the same time as he made his requests for more favors.
With the Royal Patents conferring that duchy upon the Pope’s son, Louis de Villeneuve reached Rome on August 7, 1498. On the same day the young cardinal came before the Sacred College, assembled in Consistory, to crave permission to doff the purple.
With the Royal Patents granting that duchy to the Pope’s son, Louis de Villeneuve arrived in Rome on August 7, 1498. On the same day, the young cardinal presented himself before the Sacred College, gathered in Consistory, to request permission to take off the purple.
After the act of adoration of the Pope’s Holiness, he humbly submitted to his brother cardinals that his inclinations had ever been in opposition to his embracing the ecclesiastical dignity, and that, if he had entered upon it at all, this had been solely at the instances of his Holiness, just as he had persevered in it to gratify him; but that, his inclinations and desires for the secular estate persisting, he implored the Holy Father, of his clemency, to permit him to put off his habit and ecclesiastical rank, to restore his hat and benefices to the Church, and to grant him dispensation to return to the world and be free to contract marriage. And he prayed the very reverend cardinals to use their good offices on his behalf, adding to his own their intercessions to the Pope’s Holiness to accord him the grace he sought.
After showing his respect for the Pope, he humbly told his fellow cardinals that he had always been against taking on the church's high position. He admitted that if he had accepted it, it was only because the Pope had urged him to do so, and he had continued in the role just to please the Pope. However, his true desires for a secular life remained strong, so he begged the Holy Father to allow him to give up his religious clothing and position, return his hat and church benefits, and grant him permission to go back to the secular world and marry. He also requested that the esteemed cardinals support his plea and add their voices to his in asking the Pope for the grace he desired.
The cardinals relegated the decision of the matter to the Pope. Cardinal Ximenes alone—as the representative of Spain—stood out against the granting of the solicited dispensation, and threw obstacles in the way of it. In this, no doubt, he obeyed his instructions from Ferdinand and Isabella, who saw to the bottom of the intrigue with France that was toward, and of the alliance that impended between Louis XII and the Holy See—an alliance not at all to the interests of Spain.
The cardinals passed the decision on the matter to the Pope. Cardinal Ximenes, representing Spain, opposed the requested dispensation and put up obstacles against it. Undoubtedly, he was following the orders from Ferdinand and Isabella, who understood the underlying intrigue with France and the alliance that was forming between Louis XII and the Holy See—an alliance that was definitely not in Spain's interests.
The Pope made a speedy rout of the cardinal’s objections with the most apostolic and irresistible of all weapons. He pointed out that it was not for him to hinder the Cardinal of Valencia’s renunciation of the purple, since that renunciation was clearly become necessary for the salvation of his soul—“Pro salutae animae suae”—to which, of course, Ximenes had no answer.
The Pope quickly dismissed the cardinal’s objections with the most powerful and persuasive weapon of all. He pointed out that it wasn’t his place to interfere with the Cardinal of Valencia’s decision to give up his title, since that decision was clearly necessary for the salvation of his soul—“Pro salutae animae suae”—to which, of course, Ximenes had no response.
But, with the object of conciliating Spain, this ever-politic Pope indicated that, if Cesare was about to become a prince of France, his many ecclesiastical benefices, yielding some 35,000 gold florins yearly, being mostly in Spain, would be bestowed upon Spanish churchmen, and he further begged Ximenes to remember that he already had a “nephew” at the Court of Spain in the person of the heir of Gandia, whom he particularly commended to the favour of Ferdinand and Isabella.
But, aiming to smooth things over with Spain, this shrewd Pope suggested that if Cesare was about to become a prince of France, his numerous church benefits, which brought in about 35,000 gold florins each year—mostly located in Spain—would be given to Spanish clerics. He also asked Ximenes to remember that he already had a “nephew” at the Spanish court in the heir of Gandia, whom he particularly recommended to Ferdinand and Isabella’s favor.
Thus was Cesare Borgia’s petition granted, and his return to the world accomplished. And, by a strange chance of homonymy, his title remained unchanged despite his change of estate. The Cardinal of Valencia, in Spain, became the Duke of Valence—or Valentinois—in France and in Italy Valentino remained Valentino.
Thus, Cesare Borgia's request was approved, and he made his comeback. And, oddly enough, his title stayed the same even though his situation changed. The Cardinal of Valencia, in Spain, became the Duke of Valence—or Valentinois—in France, and in Italy, Valentino stayed Valentino.
BOOK III. THE BULL RAMPANT
“Cum numine Caesaris omen.”
(motto on Cesare Borgia’s sword.)
(motto on Cesare Borgia’s sword.)
CHAPTER I. THE DUCHESS OF VALENTINOIS
King Louis XII dispatched the Sieur de Sarenon by sea, with a fleet of three ships and five galleys, to the end that he should conduct the new duke to France, which fleet was delayed so that it did not drop its anchors at Ostia until the end of September.
King Louis XII sent the Sieur de Sarenon by sea, with a fleet of three ships and five galleys, to bring the new duke to France. However, the fleet was delayed and didn't drop anchor at Ostia until the end of September.
Meanwhile, Cesare’s preparations for departure had been going forward, and were the occasion of a colossal expenditure on the part of his sire. For the Pope desired that his son, in going to France to assume his estate, and for the further purposes of marrying a wife, of conveying to Louis the dispensation permitting his marriage with Anne of Brittany, and of bearing the red hat to Amboise, should display the extraordinary magnificence for which the princes of cultured and luxurious Italy were at the time renowned.
Meanwhile, Cesare was getting ready to leave, which resulted in a huge expense for his father. The Pope wanted his son to impress everyone when he went to France to take over his estate, to marry, to deliver the dispensation that allowed Louis to marry Anne of Brittany, and to present the red hat to Amboise. He expected Cesare to showcase the extraordinary grandeur that the princes of refined and opulent Italy were famous for at that time.
His suite consisted of fully a hundred attendants, what with esquires, pages, lacqueys and grooms, whilst twelve chariots and fifty sumpter-mules were laden with his baggage. The horses of his followers were all sumptuously caparisoned with bridles and stirrups of solid silver; and, for the rest, the splendour of the liveries, the weapons and the jewels, and the richness of the gifts he bore with him were the amazement even of that age of dazzling displays.
His entourage included a hundred attendants, including squires, pages, servants, and grooms, while twelve carriages and fifty pack mules carried his luggage. The horses of his followers were all lavishly adorned with silver bridles and stirrups; moreover, the magnificence of the uniforms, weapons, jewels, and the wealth of the gifts he brought with him astonished even the people of that time known for their extravagant displays.
In Cesare’s train went Ramiro de Lorqua, the Master of his Household; Agabito Gherardi, his secretary; and his Spanish physician, Gaspare Torella—the only medical man of his age who had succeeded in discovering a treatment for the pudendagra which the French had left in Italy, and who had dedicated to Cesare his learned treatise upon that disease.
In Cesare's train were Ramiro de Lorqua, his Household Master; Agabito Gherardi, his secretary; and his Spanish doctor, Gaspare Torella—the only doctor of his time who had managed to find a treatment for the pudendagra that the French had left in Italy, and who dedicated his scholarly work on that disease to Cesare.
As a body-guard, or escort of honour, Cesare took with him thirty gentlemen, mostly Romans, among whom were Giangiordano Orsini, Pietro Santa Croce, Mario di Mariano, Domenico Sanguigna, Giulio Alberini, Bartolomeo Capranica, and Gianbattista Mancini—all young, and all members of those patrician families which Alexander VI had skilfully attached to his own interest.
As a bodyguard or honor escort, Cesare brought along thirty gentlemen, mostly Romans, including Giangiordano Orsini, Pietro Santa Croce, Mario di Mariano, Domenico Sanguigna, Giulio Alberini, Bartolomeo Capranica, and Gianbattista Mancini—all young and all part of the patrician families that Alexander VI had cleverly aligned with his own interests.
The latest of these was the Orsini family, with which an alliance was established by the marriage celebrated at the Vatican on September 28 of that same year between Fabio Orsini and Girolama Borgia, a niece of the Pope’s.
The most recent of these was the Orsini family, with whom an alliance was formed through the wedding held at the Vatican on September 28 of that same year between Fabio Orsini and Girolama Borgia, a niece of the Pope.
Cesare’s departure took place on October 1, in the early morning, when he rode out with his princely retinue, and followed the Tiber along Trastevere, without crossing the city. He was mounted on a handsome charger, caparisoned in red silk and gold brocade—the colours of France, in which he had also dressed his lacqueys. He wore a doublet of white damask laced with gold, and carried a mantle of black velvet swinging from his shoulders. Of black velvet, too, was the cap on his auburn head, its sable colour an effective background for the ruddy effulgence of the great rubies—“as large as beans”—with which it was adorned.
Cesare left on October 1, early in the morning, riding out with his princely entourage, following the Tiber through Trastevere without entering the city. He was on a beautiful horse, dressed in red silk and gold brocade—the colors of France, which he also used for his servants' outfits. He wore a white damask doublet laced with gold and had a black velvet cloak draped over his shoulders. His cap, also made of black velvet, sat atop his auburn hair, its dark color highlighting the large rubies—“as big as beans”—that decorated it.
Of the gentlemen who followed him, the Romans were dressed in the French mode, like himself, whilst the Spaniards adhered to the fashions of their native Spain.
Of the gentlemen who followed him, the Romans were dressed in the French style, just like him, while the Spaniards stuck to the fashions of their home country, Spain.
He was escorted as far as the end of the Banchi by four cardinals, and from a window of the Vatican the Pope watched the imposing cavalcade and followed it with his eyes until it was lost to view, weeping, we are told, for very joy at the contemplation of the splendour and magnificence which it had been his to bestow upon his beloved son—“the very heart of him,” as he wrote to the King of France in that letter of which Cesare was the bearer.
He was accompanied to the end of the Banchi by four cardinals, and from a window of the Vatican, the Pope observed the grand procession with his eyes until it vanished from sight, weeping, as we are told, out of joy at the sight of the splendor and magnificence he had given to his beloved son—“the very heart of him,” as he wrote to the King of France in that letter that Cesare carried.
On October 12 the Duke of Valentinois landed at Marseilles, where he was received by the Bishop of Dijon, whom the king had sent to meet him, and who now accompanied the illustrious visitor to Avignon. There Cesare was awaited by the Cardinal Giuliano della Rovere. This prelate was now anxious to make his peace with Alexander—and presently we shall look into the motives that probably inspired him, a matter which has so far, we fancy, escaped criticism for reasons that we shall also strive to make apparent. To the beginnings of a reconciliation with the Pontiff afforded by his touching letter of condolence on the death of the Duke of Gandia, he now added a very cordial reception and entertainment of Cesare; and throughout his sojourn in France the latter received at the hands of della Rovere the very friendliest treatment, the cardinal missing no opportunity of working in the duke’s interests and for the advancement of his ends.
On October 12, the Duke of Valentinois arrived in Marseilles, where he was welcomed by the Bishop of Dijon, who had been sent by the king to greet him and accompanied the distinguished visitor to Avignon. There, Cesare was awaited by Cardinal Giuliano della Rovere. This cardinal was eager to mend his relationship with Alexander—and soon we'll explore the motivations behind this, which have so far largely gone unexamined, for reasons we will also clarify. To the initial steps toward reconciliation with the Pope, highlighted by his heartfelt condolence letter on the death of the Duke of Gandia, he now added a warm welcome and hospitality for Cesare; during his entire stay in France, Cesare was treated very graciously by della Rovere, who seized every opportunity to promote the duke’s interests and support his goals.
The Pope wrote to the cardinal commending Cesare to his good graces, and the cardinal replied with protestations which he certainly proceeded to make good.
The Pope wrote to the cardinal, recommending Cesare to his favor, and the cardinal responded with promises that he definitely delivered on.
Della Rovere was to escort Cesare to the king, who was with his Court then at Chinon, awaiting the completion of the work that was being carried out at his Castle of Blois, which presently became his chief residence. But Cesare appears to have tarried in Avignon, for he was still there at the end of October, nor did he reach Chinon until the middle of December. The pomp of his entrance was a thing stupendous. We find a detailed relation of it in Brantôme, translated into prose form some old verses which, he tells us, that he found in the family treasury. He complains of their coarseness, and those who are acquainted with the delightful old Frenchman’s own frankness of expression may well raise their brows at that criticism of his. Whatever the coarse liberties taken with the subject—of which we are not allowed more than an occasional glimpse—and despite the fact that the relation was in verse, which ordinarily makes for the indulgence of the rhymer’s fancy—the description appears to be fairly accurate, for it corresponds more or less with the particulars given in Sanuto.
Della Rovere was supposed to escort Cesare to the king, who was then at Chinon with his Court, waiting for the work at his Castle of Blois to be finished, which became his main residence. However, Cesare seems to have delayed in Avignon, as he was still there at the end of October and didn't arrive in Chinon until mid-December. His grand entrance was quite spectacular. We find a detailed account of it in Brantôme, who translated some old verses he discovered in the family treasury into prose. He expresses dissatisfaction with their roughness, and those familiar with the charming old Frenchman's straightforward style might raise their eyebrows at that critique. Despite the crude liberties taken with the subject—of which we only get occasional glimpses—and although the account was in verse, which usually allows for some poetic license, the description seems to be fairly accurate, as it aligns somewhat with the details provided in Sanuto.
At the head of the cavalcade went twenty-four sumpter-mules, laden with coffers and other baggage under draperies embroidered with Cesare’s arms—prominent among which would be the red bull, the emblem of his house, and the three-pointed flame, his own particular device. Behind these came another twenty-four mules, caparisoned in the king’s colours of scarlet and gold, to be followed in their turn by sixteen beautiful chargers led by hand, similarly caparisoned, and their bridles and stirrups of solid silver. Next came eighteen pages on horseback, sixteen of whom were in scarlet and yellow, whilst the remaining two were in cloth of gold. These were followed by a posse of lacqueys in the same liveries and two mules laden with coffers draped with cloth of gold, which contained the gifts of which Cesare was the bearer. Behind these rode the duke’s thirty gentlemen, in cloth of gold and silver, and amongst them came the duke himself.
At the front of the procession were twenty-four pack mules carrying chests and other luggage covered with tapestries embroidered with Cesare’s coat of arms—prominent among them were the red bull, the symbol of his family, and the three-pointed flame, his personal emblem. Following these were another twenty-four mules, adorned in the king’s colors of red and gold, which were followed in turn by sixteen stunning horses led by hand, similarly dressed up, with their bridles and stirrups made of solid silver. Next came eighteen pages on horseback, sixteen of whom wore red and yellow, while the remaining two were dressed in gold cloth. These were followed by a group of servants in the same uniforms and two mules loaded with chests draped in gold cloth, containing the gifts that Cesare was carrying. Behind these rode the duke’s thirty gentlemen, dressed in gold and silver cloth, and among them was the duke himself.
Cesare was mounted on a superb war-horse that was all empanoplied in a cuirass of gold leaves of exquisite workmanship, its head surmounted by a golden artichoke, its tail confined in a net of gold abundantly studded with pearls. The duke was in black velvet, through the slashings of which appeared the gold brocade of the undergarment. Suspended from a chain said by Brantôme’s poet to be worth thirty thousand ducats, a medallion of diamonds blazed upon his breast, and in his black velvet cap glowed those same wonderful rubies that we saw on the occasion of his departure from Rome. His boots were of black velvet, laced with gold thread that was studded with gems.
Cesare was riding a magnificent war horse covered in a beautiful golden armor, its head topped with a golden artichoke and its tail tied up in a net of gold decorated with plenty of pearls. The duke wore black velvet, with slashes revealing the gold brocade of his undershirt. Hanging from a chain, which Brantôme's poet claimed was worth thirty thousand ducats, a diamond medallion sparkled on his chest, and in his black velvet cap shone those same stunning rubies we saw when he left Rome. His boots were made of black velvet, laced with gold thread adorned with gems.
The rear of the cavalcade was brought up by more mules and the chariots bearing his plate and tents and all the other equipage with which a prince was wont to travel.
The back of the procession was followed by more mules and the carts carrying his dishes, tents, and all the other gear that a prince usually traveled with.
It is said by some that his horse was shod with solid gold, and there is also a story—pretty, but probably untrue—that some of his mules were shod in the same metal, and that, either because the shoes were loosely attached of intent, or because the metal, being soft, parted readily from the hoofs, these golden shoes were freely cast and left as largesse for those who might care to take them.
It’s said by some that his horse had solid gold shoes, and there’s also a story—charming, but likely not true—that some of his mules were shod in the same metal. Either because the shoes were loosely attached on purpose, or because the soft metal came off easily from the hooves, these golden shoes were left behind as a gift for anyone who wanted to take them.
The Bishop of Rouen—that same Georges d’Amboise for whom he was bringing the red hat—the Seneschal of Toulouse and several gentlemen of the Court went to meet him on the bridge, and escorted him up through the town to the castle, where the king awaited him. Louis XII gave him a warm and cordial welcome, showing him then and thereafter the friendliest consideration. Not so, however, the lady he was come to woo. It was said in Venice that she was in love with a young Breton gentleman in the following of Queen Anne. Whether this was true, and Carlotta acted in the matter in obedience to her own feelings, or whether she was merely pursuing the instructions she had received from Naples, she obstinately and absolutely refused to entertain or admit the suit of Cesare.
The Bishop of Rouen, the same Georges d’Amboise for whom he was bringing the red hat, the Seneschal of Toulouse, and several court dignitaries went to meet him on the bridge and escorted him through the town to the castle, where the king was waiting. Louis XII gave him a warm and friendly welcome, showing him great consideration both then and afterward. However, the lady he came to court did not feel the same way. It was rumored in Venice that she was in love with a young Breton gentleman who was part of Queen Anne’s entourage. Whether this was true, and Carlotta was acting based on her true feelings, or if she was simply following instructions she had received from Naples, she stubbornly and completely refused to entertain or accept Cesare's proposal.
Della Rovere, on January 18, wrote to the Pope from Nantes, whither the Court had moved, a letter in which he sang the praises of the young Duke of Valentinois.
Della Rovere, on January 18, wrote to the Pope from Nantes, where the Court had moved, a letter in which he praised the young Duke of Valentinois.
“By his modesty his readiness, his prudence, and his other virtues he has known how to earn the affections of every one.” Unfortunately, there was one important exception, as the cardinal was forced to add: “The damsel, either out of her own contrariness, or because so induced by others, which is easier to believe, constantly refuses to hear of the wedding.”
“Through his humility, willingness, caution, and other qualities, he has managed to win everyone’s affection.” Unfortunately, there was one notable exception that the cardinal had to mention: “The young woman, either due to her own stubbornness or influenced by others— which is more likely—continually refuses to consider the marriage.”
Della Rovere was quite justified in finding it easier to believe that Carlotta was acting upon instructions from others, for, when hard pressed to consent to the alliance, she demanded that the Neapolitan ambassador should himself say that her father desired her to do so—a statement which, it seems, the ambassador could not bring himself to make.
Della Rovere was completely right in thinking it was easier to believe that Carlotta was following orders from someone else because, when she was strongly urged to agree to the alliance, she insisted that the Neapolitan ambassador himself say that her father wanted her to do it—a statement that, apparently, the ambassador couldn’t bring himself to say.
Baffled by the persistence of that refusal, Cesare all but returned a bachelor to Italy. So far, indeed, was his departure a settled matter that in February of 1489, at the Castle of Loches, he received the king’s messages for the Pope. Yet Louis hesitated to let him go without having bound his Holiness to his own interests by stronger bonds.
Baffled by the constant refusal, Cesare was almost ready to head back to Italy as a bachelor. His departure was so certain that in February of 1489, at the Castle of Loches, he received the king's messages for the Pope. Yet Louis hesitated to let him leave without making sure the Pope was more strongly tied to his own interests.
In the task of tracing the annals of the Borgias, the honest seeker after truth is compelled to proceed axe in hand that he may hack himself a way through the tangle of irresponsible or malicious statements that have grown up about this subject, driving their roots deep into the soil of history. Not a single chance does malignity, free or chartered, appear to have missed for the invention of flagitious falsehoods concerning this family, or for the no less flagitious misinterpretation of known facts.
In the effort to uncover the history of the Borgias, anyone genuinely seeking the truth must come prepared to cut through the mess of false or spiteful claims that have accumulated around this topic, deeply embedded in historical narratives. Malice, whether open or subtle, seems to have seized every opportunity to create outrageous lies about this family and to equally misinterpret established facts.
Amid a mass of written nonsense dealing with Cesare’s sojourn in France is the oft-repeated, totally unproven statement that he withheld from Louis the dispensation enabling the latter to marry Anne of Brittany, until such time as he should have obtained from Louis all that he desired of him—in short, that he sold him the dispensation for the highest price he could extract. The only motive served by this statement is once more to show Alexander and his son in the perpetration of simoniacal practices, and the statement springs, beyond doubt, from a passage in Macchiavelli’s Extracts from Dispatches to the Ten. Elsewhere has been mentioned the confusion prevailing in those extracts, and their unreliability as historical evidences. That circumstance can be now established. The passage in question runs as follows:
Amid a lot of written nonsense about Cesare’s time in France, there's the frequently repeated, totally unproven claim that he held back from Louis the dispensation that would allow him to marry Anne of Brittany until he got everything he wanted from Louis—in other words, that he sold him the dispensation for the highest price he could get. The only purpose of this claim is to paint Alexander and his son as engaging in simoniacal practices, and it likely comes from a section in Macchiavelli’s Extracts from Dispatches to the Ten. The confusion in those extracts and their unreliability as historical evidence has been pointed out elsewhere. That fact can now be established. The relevant passage states:
“This dispensation was given to Valentinois when he went to France without any one being aware of its existence, with orders to sell it dearly to the king, and not until satisfied of the wife and his other desires. And, whilst these things were toward, the king learnt from the Bishop of Ceuta that the dispensation already existed, and so, without having received or even seen it the marriage was celebrated, and for revealing this the Bishop of Ceuta was put to death by order of Valentinois.”
“This dispensation was given to Valentinois when he went to France without anyone knowing it existed, with orders to sell it dearly to the king and not until he was satisfied with his wife and other desires. And while this was happening, the king learned from the Bishop of Ceuta that the dispensation already existed, so without having received or even seen it, the marriage was celebrated, and for revealing this, the Bishop of Ceuta was executed by order of Valentinois.”
Now, to begin with, Macchiavelli admits that what passed between Pope and duke was secret. How, then, does he pretend to possess these details of it? But, leaving that out of the question, his statement—so abundantly repeated by later writers—is traversed by every one of the actual facts of the case.
Now, to start off, Machiavelli acknowledges that what happened between the Pope and the duke was confidential. So, how can he claim to know these details? But setting that aside, his assertion—so often repeated by later writers—is contradicted by all the actual facts of the situation.
That there can have been no secret at all about the dispensation is made plain by the fact that Manfredi, the Ferrarese ambassador, writes of it to Duke Ercole on October 2—the day after Cesare’s departure from Rome. And as for the death of Fernando d’Almeida Bishop of Ceuta, this did not take place then, nor until two years later (on January 7, 1499) at the siege of Forli, whither he had gone in Cesare’s train—as is related in Bernardi’s Chronicles and Bonoli’s history of that town.
That there couldn’t have been any secret about the arrangement is clear from the fact that Manfredi, the ambassador from Ferrara, wrote to Duke Ercole on October 2—the day after Cesare left Rome. As for the death of Fernando d’Almeida, Bishop of Ceuta, that didn’t happen then, but two years later (on January 7, 1499) during the siege of Forli, where he had gone with Cesare, as described in Bernardi’s Chronicles and Bonoli’s history of that town.
To return to the matter of Cesare’s imminent departure unwed from France, Louis XII was not the only monarch to whom this was a source of anxiety. Keener far was the anxiety experienced on that score by the King of Naples, who feared that its immediate consequence would be to drive the Holy Father into alliance with Venice, which was paying its court to him at the time and with that end in view. Eager to conciliate Alexander in this hour of peril, Federigo approached him with alternative proposals, and offered to invest Cesare in the principalities of Salerno and Sanseverino, which had been taken from the rebel barons. To this the Pope might have consented, but that, in the moment of considering it, letters reached him from Cesare which made him pause.
To get back to Cesare’s upcoming departure from France without getting married, Louis XII wasn’t the only ruler worried about this. The King of Naples was even more anxious about it, fearing it would push the Pope into teaming up with Venice, which was trying to win his favor at that time. Wanting to secure Alexander’s support during this risky time, Federigo approached him with different proposals and offered to grant Cesare the principalities of Salerno and Sanseverino, which had been taken from the rebel barons. The Pope might have agreed to this, but just as he was considering it, he received letters from Cesare that made him hesitate.
Louis XII had also discovered an alternative to the marriage of Cesare with Carlotta, and one that should more surely draw the Pope into the alliance with Venice and himself.
Louis XII had also found another option for Cesare's marriage to Carlotta, one that would more effectively pull the Pope into an alliance with Venice and himself.
Among the ladies of the Court of Queen Anne—Louis had now been wedded a month—there were, besides Carlotta, two other ladies either of whom might make Cesare a suitable duchess. One of these was a niece of the king’s, the daughter of the Comte de Foix; the other was Charlotte d’Albret, a daughter of Alain d’Albret, Duc de Guyenne, and sister to the King of Navarre. Between these two Cesare was now given to choose by Louis, and his choice fell upon Charlotte.
Among the ladies at Queen Anne's court—Louis had now been married for a month—there were, besides Carlotta, two other women who could make a suitable duchess for Cesare. One was the king's niece, the daughter of the Comte de Foix; the other was Charlotte d’Albret, daughter of Alain d’Albret, Duc de Guyenne, and sister to the King of Navarre. Louis presented Cesare with the option to choose between these two, and he chose Charlotte.
She was seventeen years of age and said to be the most beautiful maid in France, and she had been reared at the honourable and pious Court of Jeanne de Valois, whence she had passed into that of Anne of Brittany, which latter, says Hilarion de Coste,(1) was “a school of virtue, an academy of honour.”
She was seventeen and known as the most beautiful girl in France. She was raised at the noble and devout court of Jeanne de Valois, then moved to that of Anne of Brittany, which, according to Hilarion de Coste, was “a school of virtue, an academy of honor.”
1 Éloges et vies des Reynes, Princesses, etc.
1 Éloges et vies des Reynes, Princesses, etc.
Negotiations for her hand were opened with Alain, who, it is said, was at first unwilling, but in the end won over to consent. Navarre had need of the friendship of the King of France, that it might withstand the predatory humours of Castille; and so, for his son’s sake, Alain could not long oppose the wishes of Louis. Considering closely the pecuniary difficulties under which this Alain d’Albret was labouring and his notorious avarice, one is tempted to conclude that such difficulties as he may have made were dictated by his reduced circumstances, his impossibility, or unwillingness, to supply his daughter with a dowry fitting her rank, and an unworthy desire to drive in the matter the best bargain possible. And this is abundantly confirmed by the obvious care and hard-headed cunning with which the Sieur d’Albret investigated Cesare’s circumstances and sources of revenue to verify their values to be what was alleged.
Negotiations for her hand began with Alain, who was reportedly hesitant at first, but eventually agreed. Navarre needed the friendship of the King of France to withstand the predatory ideas from Castille; therefore, for his son’s sake, Alain couldn’t resist Louis’s wishes for long. When you take a closer look at the financial troubles Alain d’Albret was facing and his well-known greed, it’s hard not to think that any difficulties he created were a result of his strained situation, his inability or unwillingness to provide his daughter with a dowry appropriate for her status, and a desire to negotiate the best deal possible. This is further supported by the clear care and shrewdness with which Sieur d’Albret examined Cesare’s financial situation and income sources to ensure their worth matched the claims made.
Eventually he consented to endow her with 30,000 livres Tournois (90,000 francs) to be paid as follows: 6,000 livres on the celebration of the marriage, and the balance by annual instalments of 1,500 livres until cleared off. This sum, as a matter of fact, represented her portion of the inheritance from her deceased mother, Françoise de Bretagne, and it was tendered subject to her renouncing all rights and succession in any property of her father’s or her said deceased mother’s.
Eventually, he agreed to give her 30,000 livres Tournois (90,000 francs), to be paid as follows: 6,000 livres at the wedding and the rest in annual installments of 1,500 livres until it was fully paid. This amount actually represented her share of the inheritance from her late mother, Françoise de Bretagne, and it was offered on the condition that she would give up any rights to her father’s or her late mother’s property.
Thus is it set forth in the contract drawn up by Alain at Castel-Jaloux on March 23, 1499, which contract empowers his son Gabriel and one Regnault de St. Chamans to treat and conclude the marriage urged by the king between the Duke of Valentinois and Alain’s daughter, Charlotte d’Albret. But that was by no means all. Among other conditions imposed by Alain, he stipulated that the Pope should endow his daughter with 100,000 livres Tournois, and that for his son, Amanieu d’Albret, there should be a cardinal’s hat—for the fulfilment of both of which conditions Cesare took it upon himself to engage his father.
Thus, it's outlined in the contract created by Alain at Castel-Jaloux on March 23, 1499. This contract allows his son Gabriel and Regnault de St. Chamans to negotiate and finalize the marriage proposed by the king between the Duke of Valentinois and Alain’s daughter, Charlotte d’Albret. But that wasn't all. Among other conditions set by Alain, he specified that the Pope should give his daughter a dowry of 100,000 livres Tournois, and that his son, Amanieu d’Albret, should be granted a cardinal’s hat—both of which Cesare took it upon himself to promise his father.
On April 15 the treaty between France and Venice was signed at Blois. It was a defensive and offensive alliance directed against all, with the sole exception of the reigning Pontiff, who should have the faculty to enter into it if he so elected. This was the first decisive step against the House of Sforza, and so secretly were the negotiations conducted that Lodovico Sforza’s first intimation of them resulted from the capture in Milanese territory of a courier from the Pope with letters to Cesare in France. From these he learnt, to his dismay, not only of the existence of the league, but that the Pope had joined it. The immediate consequence of this positive assurance that Alexander had gone over to Sforza’s enemies was Ascanio Sforza’s hurried departure from Rome on July 13.
On April 15, the treaty between France and Venice was signed in Blois. It was a defensive and offensive alliance aimed at everyone except the current Pope, who could choose to join if he wanted. This was the first major move against the House of Sforza, and the negotiations were kept so secret that Lodovico Sforza only found out about them when a courier from the Pope was captured in Milanese territory with letters to Cesare in France. From these letters, he learned, to his shock, not only about the alliance but also that the Pope had joined it. The immediate result of this confirmation that Alexander had sided with Sforza’s enemies was Ascanio Sforza's quick exit from Rome on July 13.
In the meantime Cesare’s marriage had followed almost immediately upon the conclusion of the treaty. The nuptials were celebrated on May 12, and on the 19th he received at the hands of the King of France the knightly Order of St. Michael, which was then the highest honour that France could confer. When the news of this reached the Pope he celebrated the event in Rome with public festivities and illuminations.
In the meantime, Cesare got married almost right after the treaty was finalized. The wedding took place on May 12, and on the 19th, he was awarded the knightly Order of St. Michael by the King of France, which was the highest honor France could offer at that time. When the Pope heard the news, he marked the occasion in Rome with public celebrations and fireworks.
Of Cesare’s courtship we have no information. The fact that the marriage was purely one of political expediency would tend to make us conceive it as invested with that sordid lovelessness which must so often attend the marriages of princes. But there exists a little data from which we may draw certain permissible inferences. This damsel of seventeen was said to be the loveliest in France, and there is more than a suggestion in Le Feron’s De Gestis Regnum Gallorum, that Cesare was by no means indifferent to her charms. He tells us that the Duke of Valentinois entered into the marriage very heartily, not only for the sake of its expediency, but for “the beauty of the lady, which was equalled by her virtues and the sweetness of her nature.”
We don’t have any information about Cesare’s courtship. Since the marriage was purely a political move, it’s easy to think it lacked love, which often happens in royal marriages. However, there are a few details we can use to make some reasonable assumptions. This seventeen-year-old girl was said to be the most beautiful in France, and Le Feron’s De Gestis Regnum Gallorum hints that Cesare was definitely attracted to her. He notes that the Duke of Valentinois entered into the marriage not just for its practicality, but also because of “the beauty of the lady, which was matched by her virtues and the sweetness of her nature.”
Cesare, we have it on more than one authority, was the handsomest man of his day. The gallantry of his bearing merited the approval of so fastidious a critic in such matters as Baldassare Castiglione, who mentions it in his Il Cortigiano. Of his personal charm there is also no lack of commendation from those who had his acquaintance at this time. Added to this, his Italian splendour and flamboyance may well have dazzled a maid who had been reared amid the grey and something stern tones of the Court of Jeanne de Valois.
Cesare was considered by more than one source to be the most handsome man of his time. The elegance of his demeanor won praise from the discerning Baldassare Castiglione, who notes it in his work Il Cortigiano. Many who knew him during this period have also praised his personal charm. Additionally, his Italian flair and flamboyance likely captivated a young woman raised in the more austere and serious environment of the Court of Jeanne de Valois.
And so it may well be that they loved, and that they were blessed in their love for the little space allotted them in each other’s company. The sequel justifies in a measure the assumption. Just one little summer out of the span of their lives—brief though those lives were—did they spend together, and it is good to find some little evidence that, during that brief season at least, they inhabited life’s rose-garden.
And so it’s possible they loved each other and felt fortunate for the little time they had together. The following events support this idea to some extent. Just one short summer out of their lives—though those lives were brief—was spent together, and it's nice to see some proof that, during that short time at least, they experienced the beauty of life.
In September—just four short months after the wedding-bells had pealed above them—the trumpets of war blared out their call to arms. Louis’s preparations for the invasion of Milan were complete and he poured his troops through Piedmont under the command of Giangiacomo Trivulzio.
In September—just four short months after the wedding bells had rung for them—the sound of war echoed with its call to arms. Louis was ready for the invasion of Milan and sent his troops through Piedmont under the command of Giangiacomo Trivulzio.
Cesare was to accompany Louis into Italy. He appointed his seventeen-year-old duchess governor and administrator of his lands and lordships in France and Dauphiny under a deed dated September 8, and he made her heiress to all his moveable possessions in the event of his death. Surely this bears some witness, not only to the prevailing of a good understanding between them, but to his esteem of her and the confidence he reposed in her mental qualities. The rest her later mourning of him shows.
Cesare was set to accompany Louis into Italy. He appointed his seventeen-year-old duchess as the governor and administrator of his lands and lordships in France and Dauphiny under a deed dated September 8, and he made her the heir to all his movable possessions in case of his death. This clearly indicates not only the good relationship they had but also his respect for her and the trust he placed in her intelligence. Her later mourning of him confirms this.
Thus did Cesare take leave of the young wife whom he was never to see again. Their child—born in the following spring—he was never to see at all. The pity of it! Ambition-driven, to fulfil the destiny expected of him, he turned his back upon that pleasant land of Dauphiny where the one calm little season of his manhood had been spent, where happiness and peace might have been his lifelong portion had he remained. He set his face towards Italy and the storm and stress before him, and in the train of King Louis he set out upon the turbulent meteoric course that was to sear so deep and indelible a brand across the scroll of history.
Thus, Cesare said goodbye to the young wife he would never see again. Their child—born the following spring—he would never see at all. What a shame! Driven by ambition to fulfill the destiny that was expected of him, he turned his back on the beautiful land of Dauphiny where the one peaceful period of his adulthood had been spent, a place where he could have found happiness and tranquility for his entire life had he stayed. He faced Italy and the chaos ahead of him, and along with King Louis, he embarked on the turbulent and meteoric path that would leave a deep and indelible mark on the pages of history.
CHAPTER II. THE KNELL OF THE TYRANTS
In the hour of his need Lodovico Sforza found himself without friends or credit, and he had to pay the price of the sly, faithless egotistical policy he had so long pursued with profit.
In his time of need, Lodovico Sforza found himself alone, without friends or support, and he had to pay the price for the clever, deceitful, self-serving strategy he had followed for so long to his advantage.
His far-reaching schemes were flung into confusion because a French king had knocked his brow against a door, and had been succeeded by one who conceived that he had a legal right to the throne of Milan, and the intent and might to enforce it, be the right legal or not. It was in vain now that Lodovico turned to the powers of Italy for assistance, in vain that his cunning set fresh intrigues afoot. His neighbours had found him out long since; he had played fast and loose with them too often, and there was none would trust him now.
His ambitious plans fell apart because a French king had accidentally bumped his head on a door, and was replaced by one who believed he had a legal claim to the throne of Milan and the will and power to pursue it, whether the claim was legitimate or not. It was pointless now for Lodovico to seek help from the powers of Italy or to come up with new schemes. His neighbors had figured him out long ago; he had deceived them too many times, and no one would trust him anymore.
Thus he found himself isolated, and in no case to withstand the French avalanche which rolled down upon his duchy. The fall of Milan was a matter of days; of resistance there was practically none. Town after town threw up its gates to the invaders, and Lodovico, seeing himself abandoned on all sides, sought in flight the safety of his own person.
Thus he found himself isolated, unable to resist the French onslaught that came crashing down on his duchy. The fall of Milan was just days away; there was practically no resistance. Town after town opened their gates to the invaders, and Lodovico, realizing he was abandoned on all sides, sought safety for himself through flight.
Cesare took no part in the war, which, after all, was no war—no more than an armed progress. He was at Lyons with the King, and he did not move into Italy until Louis went to take possession of his new duchy.
Cesare didn't participate in the war, which really wasn't a war—just an armed advancement. He was in Lyons with the King, and he didn't enter Italy until Louis went to claim his new duchy.
Amid the acclamations of the ever-fickle mob, hailing him as its deliverer, Louis XII rode triumphantly into Milan on October 6, attended by a little host of princes, including the Prince of Savoy, the Dukes of Montferrat and Ferrara, and the Marquis of Mantua. But the place of honour went to Cesare Borgia, who rode at the king’s side, a brilliant and arresting figure. This was the occasion on which Baldassare Castiglione—who was in the Marquis of Mantua’s suite—was moved to such praise of the appearance and gallant bearing of the duke, and of the splendid equipment of his suite, which outshone those of all that little host of attendant princes.
Amid the cheers of the ever-changing crowd, celebrating him as their savior, Louis XII rode proudly into Milan on October 6, joined by a small group of princes, including the Prince of Savoy, the Dukes of Montferrat and Ferrara, and the Marquis of Mantua. But the spotlight was on Cesare Borgia, who rode alongside the king, a dazzling and striking figure. This was the moment when Baldassare Castiglione—who was part of the Marquis of Mantua’s entourage—was moved to praise the duke's impressive appearance and noble demeanor, as well as the magnificent attire of his entourage, which outshone all those of the other attending princes.
From this time onward Cesare signs himself “Cesare Borgia of France,” and quarters on his shield the golden lilies of France with the red bull of the House of Borgia.
From this point on, Cesare refers to himself as “Cesare Borgia of France,” and displays the golden lilies of France alongside the red bull of the House of Borgia on his shield.
The conditions on which Alexander VI joined the league of France and Venice became apparent at about this time. They were to be gathered from the embassy of his nephew, the Cardinal Giovanni Borgia, to Venice in the middle of September. There the latter announced to the Council of Ten that the Pope’s Holiness aimed at the recovery to the Church of those Romagna tyrannies which originally were fiefs of the Holy See and held by her vicars, who, however, had long since repudiated the Pontifical authority, refused the payment of their tributes, and in some instances had even gone so far as to bear arms against the Church.
The reasons why Alexander VI joined the alliance with France and Venice became clear around this time. They were revealed during the visit of his nephew, Cardinal Giovanni Borgia, to Venice in mid-September. There, he informed the Council of Ten that the Pope’s main goal was to reclaim those Romagna territories that were originally under the Holy See’s control and managed by its representatives. However, these representatives had long rejected the Pope's authority, refused to pay their dues, and in some cases even fought against the Church.
With one or two exceptions the violent and evil misgovernment of these turbulent princelings was a scandal to all Italy. They ruled by rapine and murder, and rendered Romagna little better than a nest of brigands. Their state of secession from the Holy See arose largely out of the nepotism practised by the last Popes—a nepotism writers are too prone to overlook when charging Alexander with the same abuse. Such Popes as Sixtus IV and Innocent VIII had broken up the States of the Church that they might endow their children and their nephews. The nepotism of such as these never had any result but to impoverish the Holy See; whilst, on the other hand, the nepotism of Alexander—this Pope who is held up to obloquy as the archetype of the nepotist—had a tendency rather to enrich it. It was not to the States of the Church, not by easy ways of plundering the territories of the Holy See, that he turned to found dominions and dynasties for his children. He went beyond and outside of them, employing princely alliances as the means to his ends. Gandia was a duke in Spain; Giuffredo a prince in Naples, and Cesare a duke in France. For none of these could it be said that territories had been filched from Rome, whilst the alliances made for them were such as tended to strengthen the power of the Pope, and, therefore, of the Church.
With one or two exceptions, the violent and corrupt rule of these turbulent princes was a scandal throughout Italy. They governed through theft and murder, making Romagna little better than a den of bandits. Their break from the Holy See largely stemmed from the nepotism practiced by the last Popes—a favoritism that writers often overlook when blaming Alexander for the same issue. Popes like Sixtus IV and Innocent VIII dismantled the States of the Church to provide for their children and nephews. The nepotism of these Popes only served to weaken the Holy See; meanwhile, the nepotism of Alexander—this Pope who is often criticized as the poster child for nepotism—actually had a tendency to enrich it. He did not turn to the States of the Church, nor did he take the easy route of plundering the Holy See’s territories to establish realms and dynasties for his children. Instead, he looked beyond them, using royal alliances to achieve his goals. Gandia was a duke in Spain; Giuffredo became a prince in Naples, and Cesare was a duke in France. For none of these could it be said that lands were taken from Rome, while the alliances formed for them helped to bolster the power of the Pope, and thus, the Church.
The reconsolidation of the States of the Church, the recovery of her full temporal power, which his predecessors had so grievously dissipated, had ever been Alexander’s aim; Louis XII afforded him, at last, his opportunity, since with French aid the thing now might be attempted.
The restoration of the Papal States and the reclaiming of her complete temporal power, which his predecessors had so severely wasted, had always been Alexander's goal. Louis XII finally gave him his chance, as with French support, this could now be pursued.
His son Cesare was the Hercules to whom was to be given the labour of cleaning out the Augean stable of the Romagna.
His son Cesare was the Hercules who was assigned the task of cleaning out the Augean stables of Romagna.
That Alexander may have been single-minded in his purpose has never been supposed. It might, indeed, be to suppose too much; and the general assumption that, from the outset, his chief aim was to found a powerful State for his son may be accepted. But let us at least remember that such had been the aims of several Popes before him. Sixtus IV and Innocent VIII had similarly aimed at founding dynasties in Romagna for their families, but, lacking the talents and political acuteness of Alexander and a son of the mettle and capacity of Cesare Borgia, the feeble trail of their ambition is apt to escape attention. It is also to be remembered that, whatever Alexander’s ulterior motive, the immediate results of the campaign with which he inspired his son were to reunite to the Church the States which had fallen away from her, and to re-establish her temporal sway in the full plenitude of its dominion. However much he may have been imbued with the desire to exalt and aggrandize his children politically, he did nothing that did not at the same time make for the greater power and glory of the Church.
That Alexander may have been focused on his goals has never been considered. It might even be too much to assume; the general belief that his main aim was to establish a strong State for his son can be accepted. But let's at least remember that several Popes before him had similar ambitions. Sixtus IV and Innocent VIII also aimed to create dynasties in Romagna for their families, but lacking the skills and political savvy of Alexander and a son with the strength and capability of Cesare Borgia, the weak trace of their ambitions tends to go unnoticed. It’s also worth noting that, regardless of Alexander’s deeper motives, the immediate outcomes of the campaign he inspired in his son were to bring back the States that had broken away to the Church, and to restore her temporal authority in full. No matter how much he wanted to elevate and enrich his children politically, he did nothing that didn’t also contribute to the greater power and glory of the Church.
His formidable Bull published in October set forth how, after trial, it had been found that the Lords or Vicars of Rimini, Pesaro, Imola, Forli, Camerino and Faenza, with other feudatories of the Holy See (including the duchy of Urbino) had never paid the yearly tribute due to the Church, wherefore he, by virtue of his apostolic authority, deprived them of all their rights, and did declare them so deprived.
His powerful Bull published in October explained how, after investigation, it was determined that the Lords or Vicars of Rimini, Pesaro, Imola, Forli, Camerino, and Faenza, along with other feudal lords of the Holy See (including the duchy of Urbino), had never paid the annual tribute owed to the Church. Therefore, he, by his apostolic authority, stripped them of all their rights and formally declared them deprived.
It has been said again and again that this Bull amounting to a declaration of war, was no more than a pretext to indulge his rapacity; but surely it bears the impress of a real grievance, and, however blameable the results that followed out of it, for the measure itself there were just and ample grounds.
It has been repeated many times that this Bull, which was essentially a declaration of war, was just an excuse to satisfy his greed; however, it clearly shows signs of a genuine grievance, and regardless of the blameworthy outcomes that resulted from it, there were fair and sufficient reasons for the action itself.
The effect of that Bull, issued at a moment when Cesare stood at arms with the might of France at his back, ready to enforce it, was naturally to throw into a state of wild dismay these Romagna tyrants whose acquaintance we shall make at closer quarters presently in the course of following Cesare’s campaign. Cesare Borgia may have been something of a wolf; but you are not to suppose that the Romagna was a fold of lambs.
The impact of that Bull, issued when Cesare was prepared for battle with the strength of France behind him, was obviously to send these Romagna tyrants into a panic. We’ll get to know them more closely as we follow Cesare’s campaign. Cesare Borgia might have had a wolf-like nature, but don’t think for a second that the Romagna was filled with innocent lambs.
Giovanni Sforza—Cesare’s sometime brother-inlaw, and Lord of Pesaro—flies in hot haste to Venice for protection. There are no lengths to which he will not go to thwart the Borgias in their purpose, to save his tyranny from falling into the power of this family which he hates most rabidly, and of which he says that, having robbed him of his honour, it would now deprive him of his possessions. He even offers to make a gift of his dominions to the Republic.
Giovanni Sforza—Cesare’s occasional brother-in-law and Lord of Pesaro—rushes to Venice seeking protection. He’ll do anything to stop the Borgias from achieving their goals and to save his rule from falling into the hands of the family he despises the most. He claims that, having taken away his honor, they now want to take away his lands. He even offers to gift his territories to the Republic.
There was much traders’ blood in Venice, and, trader-like, she was avid of possessions. You can surmise how she must have watered at the mouth to see so fine a morsel cast thus into her lap, and yet to know that the consumption of it might beget a woeful indigestion. Venice shook her head regretfully. She could not afford to quarrel with her ally, King Louis, and so she made answer—a thought contemptuously, it seems—that Giovanni should have made his offer while he was free to do so.
There were a lot of traders in Venice, and like a true trader, she was eager for wealth. You can imagine how she must have salivated at the sight of such a tempting prize dropped into her lap, yet realizing that indulging in it could lead to serious consequences. Venice sighed regretfully. She couldn't afford to upset her ally, King Louis, and so she replied—seemingly with a hint of disdain—that Giovanni should have made his offer while he still had the chance.
The Florentines exerted themselves to save Forli from the fate that threatened it. They urged a league of Bologna, Ferrara, Forli, Piombino, and Siena for their common safety—a proposal which came to nothing, probably because Ferrara and Siena, not being threatened by the Bull, saw no reason why, for the sake of others, they should call down upon themselves the wrath of the Borgias and their mighty allies.
The Florentines worked hard to save Forli from the danger it faced. They suggested that Bologna, Ferrara, Forli, Piombino, and Siena form an alliance for their mutual protection—a plan that ultimately failed, likely because Ferrara and Siena, not being targeted by the Bull, saw no reason to invite the anger of the Borgias and their powerful allies just to help others.
Venice desired to save Faenza, whose tyrant, Manfredi, was also attainted for non-payment of his tributes, and to this end the Republic sent an embassy to Rome with the moneys due. But the Holy Father refused the gold, declaring that it was too late for payment.
Venice wanted to rescue Faenza, whose ruler, Manfredi, was also in trouble for not paying his taxes. To achieve this, the Republic sent an envoy to Rome with the money owed. However, the Pope rejected the gold, stating that it was too late for payment.
Forli’s attempt to avert the danger was of a different sort, and not exerted until this danger—in the shape of Cesare himself—stood in arms beneath her walls. Two men, both named Tommaso—though it does not transpire that they were related—one a chamberlain of the Palace of Forli, the other a musician, were so devoted to the Countess Sforza-Riario, the grim termagant who ruled the fiefs of her murdered husband, Girolamo Riario, as to have undertaken an enterprise from which they cannot have hoped to emerge with their lives. It imported no less than the murder of the Pope. They were arrested on November 21, and in the possession of one of them was found a hollow cane containing a letter “so impregnated with poison that even to unfold it would be dangerous.” This letter was destined for the Holy Father.
Forli's attempt to prevent the threat was different, and it didn't happen until the danger—in the form of Cesare himself—was armed and standing beneath her walls. Two men, both named Tommaso—though it turns out they weren't related—one a chamberlain of the Palace of Forli, the other a musician, were so devoted to Countess Sforza-Riario, the fierce woman who controlled the lands of her murdered husband, Girolamo Riario, that they took on a mission from which they could not have expected to survive. It involved nothing less than the assassination of the Pope. They were arrested on November 21, and one of them was found with a hollow cane that contained a letter “so saturated with poison that even unfolding it would be dangerous.” This letter was meant for the Holy Father.
The story reads like a gross exaggeration emanating from men who, on the subject of poisoning, display the credulity of the fifteenth century, so ignorant in these matters and so prone to the fantastic. And our minds receive a shock upon learning that, when put to the question, these messengers actually made a confession—upon which the story rests—admitting that they had been sent by the countess to slay the Pope, in the hope that thus Forli might be saved to the Riarii. At first we conclude that those wretched men, examined to the accompaniment of torture, confessed whatever was required of them, as so frequently happened in such cases. Such, indeed, is the very explanation advanced by more than one writer, coupled with the suggestion, in some instances, that the whole affair was trumped up by the Pope to serve his own ends.
The story sounds like a huge exaggeration from guys who, when it comes to poisoning, have the same gullibility as people from the fifteenth century, completely clueless about these issues and easily swayed by the unbelievable. We’re taken aback to find out that, when pressed, these messengers actually confessed—this confession is the foundation of the tale—admitting they were sent by the countess to kill the Pope, hoping this would save Forli for the Riarii. Initially, we think that these miserable men, tortured during their questioning, confessed to whatever was demanded of them, as often happened in such situations. This is actually the explanation given by several writers, with some suggesting that the whole thing was fabricated by the Pope for his own purposes.
They will believe the wildest and silliest of poisoning stories (such as those of Djem and Cardinal Giovanni Borgia) which reveal the Borgias as the poisoners; but, let another be accused and the Borgias be the intended victims, and at once they grow rational, and point out to you the wildness of the statement, the impossibility of its being true. Yet it is a singular fact that a thorough investigation of this case of the Countess Sforza-Riario’s poisoned letter reveals it to be neither wild nor impossible but simply diabolical. The explanation of the matter is to be found in Andrea Bernardi’s Chronicles of Forli. He tells us exactly how the thing was contrived, with a precision of detail which we could wish to see emulated by other contemporaries of his who so lightly throw out accusations of poisoning. He informs us that a deadly and infectious disease was rampant in Forli in that year 1499, and that, before dispatching her letter to the Pope, the Countess caused it to be placed upon the body of one who was sick of this infection—thus hoping to convey it to his Holiness.(1)
They'll believe the craziest and most ridiculous poisoning stories (like those about Djem and Cardinal Giovanni Borgia) that paint the Borgias as the poisoners; but if someone else is accused and the Borgias are the intended victims, suddenly they become logical and point out how absurd the claim is, how impossible it is to be true. Yet it’s a strange fact that a thorough investigation into the Countess Sforza-Riario’s poisoned letter shows that it’s neither absurd nor impossible, but simply evil. The explanation can be found in Andrea Bernardi’s Chronicles of Forli. He describes exactly how it was done, with a level of detail we wish other contemporaries would match instead of casually tossing around poisoning accusations. He tells us that a deadly and infectious disease was spreading in Forli in the year 1499, and that before sending her letter to the Pope, the Countess had it placed on the body of someone suffering from this infection—hoping to transmit it to His Holiness.(1)
1 “Dite litre lei le aveva fate tocare et tenere adose ad uno nostro infetado.”—Andrea Bernardi (Cronache di Forli).
1 “You told her to let them touch and hold close to one of our infected.” —Andrea Bernardi (Cronache di Forli).
Alexander held a thanksgiving service for his escape at Santa Maria della Pace, and Cardinal Raffaele Riario fled precipitately from Rome, justly fearful of being involved in the papal anger that must fall upon his house.
Alexander held a thanksgiving service for his escape at Santa Maria della Pace, and Cardinal Raffaele Riario quickly left Rome, justifiably worried about getting caught up in the papal wrath that would likely come down on his family.
By that time, however, Cesare had already taken the field. The support of Louis, conqueror of Milan, had been obtained, and in this Cardinal Giuliano della Rovere had once more been helpful to the Borgias.
By that time, however, Cesare had already gone into battle. The backing of Louis, the conqueror of Milan, had been secured, and Cardinal Giuliano della Rovere had once again been supportive of the Borgias.
His reconciliation with the Pope, long since deserved by the services he had rendered the House of Borgia in forwarding Cesare’s aims, as we have seen, was completed now by an alliance which bound the two families together. His nephew, Francesco della Rovere, had married Alexander’s niece, Angela Borgia.
His reconnection with the Pope, well-deserved for the help he had given the House of Borgia in advancing Cesare’s goals, as we’ve seen, was now finalized by an alliance that linked the two families. His nephew, Francesco della Rovere, had married Alexander’s niece, Angela Borgia.
There is a letter from Giuliano to the Pope, dated October 12, 1499, in which he expresses his deep gratitude in the matter of this marriage, which naturally redounded to the advantage of his house, and pledges himself to exert all the influence which he commands with Louis XII for the purpose of furthering the Duke of Valentinois’ wishes. So well does he keep this promise that we see him utterly abandoning his cousins the Riarii, who were likely to be crushed under the hoofs of the now charging bull, and devoting himself strenuously to equip Cesare for that same charge. So far does he go in this matter that he is one of the sureties—the other being the Cardinal Giovanni Borgia—for the loan of 45,000 ducats raised by Cesare in Milan towards the cost of his campaign.
There’s a letter from Giuliano to the Pope, dated October 12, 1499, in which he expresses his heartfelt gratitude concerning this marriage, which obviously benefits his family, and commits to using all his influence with Louis XII to support the Duke of Valentinois’ goals. He keeps this promise so well that he completely abandons his cousins the Riarii, who were likely to be crushed under the now charging bull, and dedicates himself to preparing Cesare for that same charge. He goes so far in this that he becomes one of the guarantors—the other being Cardinal Giovanni Borgia— for the loan of 45,000 ducats raised by Cesare in Milan to fund his campaign.
This is the moment in which to pause and consider this man, who, because he was a bitter enemy of Alexander’s, and who, because earlier he had covered the Pope with obloquy and insult and is to do so again later, is hailed as a fine, upright, lofty, independent, noble soul.
This is the moment to stop and think about this man, who, because he was a bitter enemy of Alexander and because he had previously slandered and insulted the Pope and is set to do so again later, is praised as a good, honorable, noble, and independent person.
Not so fine, upright, or noble but that he can put aside his rancour when he finds that there is more profit in fawning than in snarling; not so independent but that he can become a sycophant who writes panegyrics of Cesare and letters breathing devotion to the Pope, once he has realized that thus his interests will be better served. This is the man, remember, who dubbed Alexander a Jew and a Moor; this the man who agitated at the Courts of France and Spain for Alexander’s deposition from the Pontificate on the score of the simony of his election; this the man whose vituperations of the Holy Father are so often quoted, since—coming from lips so honest—they must, from the very moment that he utters them, be merited. If only the historian would turn the medal about a little, and allow us a glimpse of the reverse as well as of the obverse, what a world of trouble and misconceptions should we not be spared!
Not so fine, upright, or noble that he can’t set aside his bitterness when he sees there's more benefit in flattering than in barking; not so independent that he can’t turn into a sycophant who writes praises of Cesare and letters full of devotion to the Pope, once he realizes that this will better serve his interests. This is the same man, remember, who labeled Alexander a Jew and a Moor; this is the man who stirred up trouble at the Courts of France and Spain for Alexander's removal from the papacy based on the simony of his election; this is the man whose insults against the Holy Father are often referenced, since—coming from someone so honest—they must, the moment he says them, be justified. If only the historian would flip the coin around a bit and let us see both sides, how much trouble and confusion could be avoided!
Della Rovere had discovered vain his work of defamation, vain his attempts to induce the Kings of France and Spain to summon a General Council and depose the man whose seat he coveted, so he had sought to make his peace with the Holy See. The death of Charles VIII, and the succession of a king who had need of the Pope’s friendship and who found a friend in Alexander, rendered it all the more necessary that della Rovere should set himself to reconquer, by every means in his power, the favour of Alexander.
Della Rovere realized that his efforts at slandering others and trying to convince the Kings of France and Spain to call a General Council to remove the man whose position he desired were pointless. So, he aimed to reconcile with the Holy See. With the death of Charles VIII and the rise of a king who needed the Pope's support and found an ally in Alexander, it became even more important for Della Rovere to use every possible method to regain Alexander's favor.
And so you see this honourable, upright man sacrificing his very family to gain that personal end. Where now is that stubbornly honest conscience of his which made him denounce Alexander as no Christian and no Pope? Stifled by self-interest. It is as well that this should be understood, for this way lies the understanding of many things.
And so you see this respectable, honest man sacrificing his own family to achieve his personal goals. Where has that stubbornly honest conscience gone that made him call out Alexander as neither a Christian nor a Pope? It's been stifled by self-interest. It's important to recognize this, as it leads to a better understanding of many things.
The funds for the campaign being found, Cesare received from Louis three hundred lances captained by Yves d’Allègre and four thousand foot, composed of Swiss and Gascons, led by the Bailie of Dijon. Further troops were being assembled for him at Cesena—the one fief of Romagna that remained faithful to the Church—by Achille Tiberti and Ercole Bentivogli, and to these were to be added the Pontifical troops that would be sent to him; so that Cesare found himself ultimately at the head of a considerable army, some ten thousand strong, well-equipped and supported by good artillery.
The funds for the campaign secured, Cesare received three hundred lances from Louis, led by Yves d’Allègre, along with four thousand foot soldiers made up of Swiss and Gascons, commanded by the Bailie of Dijon. Additional troops were being gathered for him at Cesena—the only fief in Romagna that stayed loyal to the Church—by Achille Tiberti and Ercole Bentivogli, and these would be joined by the Pontifical troops that would be sent his way. As a result, Cesare found himself ultimately in command of a significant army, around ten thousand strong, well-equipped and supported by good artillery.
Louis XII left Milan on November 7—one month after his triumphal entrance—and set out to return to France, leaving Trivulzio to represent him as ruler of the Milanese. Two days later Cesare’s army took the road, and he himself went with his horse by way of Piacenza, whilst the foot, under the Bailie of Dijon, having obtained leave of passage through the territories of Ferrara and Cremona, followed the Po down to Argenta.
Louis XII left Milan on November 7—one month after his grand entrance—and started his journey back to France, leaving Trivulzio in charge as the ruler of Milan. Two days later, Cesare’s army hit the road, and he rode with his cavalry through Piacenza, while the infantry, led by the Bailie of Dijon, secured permission to pass through the territories of Ferrara and Cremona, followed the Po River down to Argenta.
Thus did Cesare Borgia—personally attended by a caesarian guard, wearing his livery—set out upon the conquest of the Romagna. Perhaps at no period of his career is he more remarkable than at this moment. To all trades men serve apprenticeships, and to none is the apprenticeship more gradual and arduous than to the trade of arms. Yet Cesare Borgia served none. Like Minerva, springing full-grown and armed into existence, so Cesare sprang to generalship in the hour that saw him made a soldier. This was the first army in which he had ever marched, yet he marched at the head of it. In his twenty-four years of life he had never so much as witnessed a battle pitched; yet here was he riding to direct battles and to wrest victories. Boundless audacity and swiftest intelligence welded into an amazing whole!
Thus, Cesare Borgia—personally accompanied by a guard in his livery—set out to conquer the Romagna. Perhaps he was never more impressive than at this moment. Every profession has its apprenticeships, and none is tougher or more gradual than the military trade. Yet Cesare had no apprenticeship. Like Minerva, who appeared fully grown and armed, Cesare stepped into leadership the moment he became a soldier. This was the first army he had ever marched with, yet he led it. In his twenty-four years, he had never even seen a battle; yet here he was, riding to command battles and achieve victories. Incredible bravery and sharp intelligence combined to create something truly remarkable!
CHAPTER III. IMOLA AND FORLI
Between his departure from Milan and his arrival before Imola, where his campaign was to be inaugurated, Cesare paid a flying visit to Rome and his father, whom he had not seen for a full year. He remained three days at the Vatican, mostly closeted with the Pope’s Holiness. At the end of that time he went north again to rejoin his army, which by now had been swelled by the forces that had joined it from Cesena, some Pontifical troops, and a condotta under Vitellozzo Vitelli.
Between leaving Milan and arriving at Imola, where his campaign was set to begin, Cesare made a quick stop in Rome to see his father, whom he hadn't seen in a whole year. He stayed for three days at the Vatican, mostly meeting privately with the Pope. After that, he headed north again to reconnect with his army, which had now grown with forces that had joined from Cesena, some Papal troops, and a contingent led by Vitellozzo Vitelli.
The latter, who was Lord of Castello, had gone to Milan to seek justice at the hands of Louis XII against the Florentines, who had beheaded his brother Paolo—deservedly, for treason in the conduct of the war against Pisa. This Vitellozzo was a valuable and experienced captain. He took service with Cesare, spurred by the hope of ultimately finding a way to avenge himself upon the Florentines, and in Cesare’s train he now advanced upon Imola and Forli.
The latter, who was the Lord of Castello, had traveled to Milan to seek justice from Louis XII against the Florentines, who had executed his brother Paolo—rightfully so, for his betrayal during the war against Pisa. This Vitellozzo was a skilled and seasoned commander. He joined Cesare's service, motivated by the hope of eventually finding a way to take revenge on the Florentines, and now he moved with Cesare toward Imola and Forli.
The warlike Countess Caterina Sforza-Riario had earlier been granted by her children full administration of their patrimony during their minority. To the defence of this she now addressed herself with all the resolution of her stern nature. Her life had been unfortunate, and of horrors she had touched a surfeit. Her father, Galeazzo Sforza, was murdered in Milan Cathedral by a little band of patriots; her brother Giangaleazzo had died, of want or poison, in the Castle of Pavia, the victim of her ambitious uncle, Lodovico; her husband, Girolamo Riario, she had seen butchered and flung naked from a window of the very castle which she now defended; Giacomo Feo, whom she had secretly married in second nuptials, was done to death in Forli, under her very eyes, by a party of insurrectionaries. Him she had terribly avenged. Getting her men-at-arms together, she had ridden at their head into the quarter inhabited by the murderers, and there ordered—as Macchiavelli tells us—the massacre of every human being that dwelt in it, women and children included, whilst she remained at hand to see it done. Thereafter she took a third husband, in Giovanni di Pierfrancesco de’Medici, who died in 1498. By him this lusty woman had a son whose name was to ring through Italy as that of one of the most illustrious captains of his day—Giovanni delle Bande Nere.
The warlike Countess Caterina Sforza-Riario had previously been granted full control over her children's inheritance while they were still minors. Now, she was fully committed to defending this right with all the determination of her stern character. Her life had been filled with misfortune, and she had experienced more horrors than most. Her father, Galeazzo Sforza, was killed in Milan Cathedral by a small group of patriots; her brother Giangaleazzo had died—either from starvation or poison—at the Castle of Pavia, falling victim to her ambitious uncle, Lodovico; she had witnessed her husband, Girolamo Riario, being murdered and thrown naked from a window of the very castle she now defended; and her second husband, Giacomo Feo, was killed right before her eyes in Forli by a group of insurrectionists. She took terrible revenge for his death. Gathering her soldiers, she led them into the area where the murderers lived and ordered—a fact noted by Machiavelli—the massacre of everyone there, including women and children, while she oversaw the brutal act. After that, she married again, this time to Giovanni di Pierfrancesco de’Medici, who died in 1498. From this spirited woman, she had a son who would become known throughout Italy as one of the most famous captains of his time—Giovanni delle Bande Nere.
Such was the woman whom Sanuto has called “great-souled, but a most cruel virago,” who now shut herself into her castle to defy the Borgia.
Such was the woman whom Sanuto referred to as “great-souled, but a very cruel warrior,” who now locked herself inside her castle to stand up against the Borgia.
She had begun by answering the Pope’s Bull of attainder with the statement that, far from owing the Holy See the tribute which it claimed, the Holy See was actually in her debt, her husband, Count Girolamo Riario, having been a creditor of the Church for the provisions made by him in his office of Captain-General of the Pontifical forces. This subterfuge, however, had not weighed with Alexander, whereupon, having also been frustrated in her attempt upon the life of the Pope’s Holiness, she had proceeded to measures of martial resistance. Her children and her treasures she had dispatched to Florence that they might be out of danger, retaining of the former only her son Ottaviano, a young man of some twenty years; but, for all that she kept him near her, it is plain that she did not account him worthy of being entrusted with the defence of his tyranny, for it was she, herself, the daughter of the bellicose race of Sforza, who set about the organizing of this.
She started by responding to the Pope’s Bull of attainder, stating that, instead of owing the Holy See the tribute it demanded, the Holy See actually owed her money since her husband, Count Girolamo Riario, had been a creditor of the Church based on the provisions he made while serving as Captain-General of the Papal forces. However, this argument didn't convince Alexander. After failing in her attempt to take the Pope's life, she turned to military resistance. She sent her children and her valuables to Florence to keep them safe, keeping only her son Ottaviano, a young man of about twenty, with her. Even though she kept him close, it was clear she didn't think he was capable of defending against tyranny, as it was her—descendant of the fierce Sforza family—who took charge of organizing the efforts.
Disposing of forces that were entirely inadequate to take the field against the invader, she entrenched herself in her fortress of Forli, provisioning it to withstand a protracted siege and proceeding to fortify it by throwing up outworks and causing all the gates but one to be built up.
Disposing of troops that were completely insufficient to defend against the invader, she strengthened her position in her fortress of Forli, stocking it to endure a long siege and working to fortify it by adding defenses and closing off all the gates except for one.
Whilst herself engaged upon military measures she sent her son Ottaviano to Imola to exhort the Council to loyalty and the defence of the city. But his mission met with no success. Labouring against him was a mighty factor which in other future cases was to facilitate Cesare’s subjection of the Romagna. The Riarii—in common with so many other of the Romagna tyrants—had so abused their rule, so ground the people with taxation, so offended them by violence, and provoked such deep and bitter enmity that in this hour of their need they found themselves deservedly abandoned by their subjects. The latter were become eager to try a change of rulers, in the hope of finding thus an improved condition of things; a worse, they were convinced, would be impossible.
While she was focused on military actions, she sent her son Ottaviano to Imola to encourage the Council to remain loyal and defend the city. However, his mission was unsuccessful. A major factor working against him, which would later help Cesare dominate the Romagna, was the Riarii—like many other tyrants in the Romagna—who had abused their power, heavily taxed the people, used violence against them, and provoked deep resentment. In this time of need, they found themselves justly abandoned by their subjects. The people were eager to try a change in leadership, hoping to improve their situation; they were convinced that it couldn't possibly get worse.
So detested were the Riarii and so abhorred the memory they left behind them in Imola that for years afterwards the name of Cesare Borgia was blessed there as that of a minister of divine justice (“tanquam minister divina justitiae”) who had lifted from them the harsh yoke by which they had been oppressed.
So hated were the Riarii and so loathed the memory they left behind in Imola that for years afterward, the name of Cesare Borgia was revered there as that of a minister of divine justice (“tanquam minister divina justitiae”) who had freed them from the harsh burden under which they had suffered.
And so it came to pass that, before ever Cesare had come in sight of Imola, he was met by several of its gentlemen who came to offer him the town, and he received a letter from the pedagogue Flaminio with assurances that, if it should be at all possible to them, the inhabitants would throw open the gates to him on his approach. And Flaminio proceeded to implore the duke that should he, nevertheless, be constrained to have recourse to arms to win admittance, he should not blame the citizens nor do violence to the city by putting it to pillage, assuring him that he would never have a more faithful, loving city than Imola once this should be in his power.
And so it happened that, before Cesare even saw Imola, several of its local leaders came to offer him the town. He also received a letter from the teacher Flaminio, assuring him that if it was at all possible, the townspeople would open the gates for him upon his arrival. Flaminio went on to urge the duke that if he still had to resort to force to gain entry, he shouldn't blame the citizens or harm the city by looting it, insisting that he would never find a more loyal and loving city than Imola once it was under his control.
The duke immediately sent forward Achille Tiberti with a squadron of horse to demand the surrender of the town. And the captain of the garrison of Imola replied that he was ready to capitulate, since that was the will of the people. Three days later—on November 27—Cesare rode in as conqueror.
The duke quickly sent Achille Tiberti with a group of cavalry to ask for the town's surrender. The captain of the garrison in Imola said he was willing to give up, as that was what the people wanted. Three days later—on November 27—Cesare entered as the victor.
The example of the town, however, was not followed by the citadel. Under the command of Dionigio di Naldo the latter held out, and, as the duke’s army made its entrance into Imola, the castellan signified his resentment by turning his cannon upon the town itself, with such resolute purpose that many houses were set on fire and demolished. This Naldo was one of the best reputed captains of foot of his day, and he had seen much service under the Sforza; but his experience could avail him little here.
The town's example, however, wasn’t followed by the citadel. Under the command of Dionigio di Naldo, the citadel held strong, and as the duke’s army marched into Imola, the castellan expressed his anger by aiming his cannons at the town itself, with such determination that many houses were set ablaze and destroyed. Naldo was one of the most highly regarded infantry captains of his time, and he had served extensively under the Sforza; but his experience didn’t help him much in this situation.
On the 28th Cesare opened the attack, training his guns upon the citadel; but it was not until a week later that, having found a weak spot in the walls on the side commanding the town, he opened a breach through which his men were able to force a passage, and so possess themselves of a half-moon. Seeing the enemy practically within his outworks, and being himself severely wounded in the head, Naldo accounted it time to parley. He begged a three-days’ armistice, pledging himself to surrender at the end of that time should he not receive reinforcements in the meanwhile; and to this arrangement the duke consented.
On the 28th, Cesare launched his attack, aiming his cannons at the fortress; however, it wasn’t until a week later that he discovered a weak point in the walls facing the town. He created a breach through which his men managed to break through and take control of a half-moon. With the enemy almost at his defenses and suffering a serious head injury himself, Naldo decided it was time to negotiate. He requested a three-day ceasefire, promising to surrender at the end of that period if he didn’t get reinforcements in the meantime; the duke agreed to this arrangement.
The good faith of Naldo has been questioned, and it has been suggested that his asking for three days’ grace was no better than a cloak to cover his treacherous sale of the fortress to the besieger. It seems, however, to be no more than one of those lightly-uttered, irresponsible utterances with which the chronicles of the time abound, for Naldo had left his wife and children at Forli in the hands of the Countess, as hostages for his good faith, and this renders improbable the unsupported story of his baseness.
The sincerity of Naldo has been questioned, and some have suggested that his request for three days' grace was just a cover for his deceitful sale of the fortress to the attacker. However, this seems to be just one of those careless, unfounded claims that fill the chronicles of the time, since Naldo had left his wife and children in Forli under the Countess's care as collateral for his sincerity, making the baseless story of his treachery unlikely.
On December 7, no reinforcements having reached him, Naldo made formal surrender of the citadel, safe-conduct having been granted to his garrison.
On December 7, with no reinforcements arriving, Naldo officially surrendered the citadel, and his garrison was granted safe passage.
A week later there arrived at Imola Cesare’s cousin, the Cardinal Giovanni Borgia, whom the Pope had constituted legate in Bologna and the Romagna in place of the Cardinal Ascanio Sforza, and whom he had sent to support Cesare’s operations with ecclesiastical authority. Cardinal Giovanni, as the Pope’s representative, received in the Church of San Domenico the oath of fealty of the city to the Holy See. This was pledged by four representative members of the Council of Thirty; and by that act the conquest and subjection of the town became a fully accomplished fact.
A week later, Cesare's cousin, Cardinal Giovanni Borgia, arrived in Imola. The Pope had appointed him as legate in Bologna and the Romagna, replacing Cardinal Ascanio Sforza, and sent him to back up Cesare’s efforts with church authority. As the Pope’s representative, Cardinal Giovanni took the oath of loyalty from the city to the Holy See in the Church of San Domenico. This was sworn by four members representing the Council of Thirty, and with that, the town was officially conquered and under control.
The lesser strongholds of the territory threw up their gates one by one before the advancing enemy, until only Forli remained to be taken. Cesare pushed forward to reduce it.
The smaller fortresses in the area opened their gates one by one to the advancing enemy, until only Forli was left to be captured. Cesare moved ahead to conquer it.
On his way he passed through Faenza, whose tyrant, Manfredi, deeming himself secure in the protection of Venice and in view of the circumstance that the republic had sent to Rome the arrears of tribute due from his fief, and anxious to conciliate the Pope, received and entertained Cesare very cordially.
On his way, he passed through Faenza, where the ruler, Manfredi, feeling confident in the support of Venice and considering that the republic had sent the overdue tribute from his territory to Rome, and eager to win over the Pope, welcomed and hosted Cesare warmly.
At Forli the case of Imola was practically repeated. Notwithstanding that the inhabitants were under the immediate eye of the formidable countess, and although she sent her brother, Alessandro Sforza, to exhort the people and the Council to stand by her, the latter, weary as the rest of the oppressive tyranny of her family, dispatched their representatives to Cesare to offer him the town.
At Forli, the situation in Imola basically happened again. Even though the people were closely monitored by the powerful countess, and she sent her brother, Alessandro Sforza, to encourage the citizens and the Council to support her, they, tired like everyone else of her family's harsh rule, sent their representatives to Cesare to offer him the town.
The Countess’s valour was of the sort that waxes as the straits become more desperate. Since the town abandoned and betrayed her, she would depend upon her citadel, and by a stubborn resistance make Cesare pay as dearly as possible for the place. To the danger which she seems almost eager to incur for her own part, this strong-minded, comely matron will not subject the son she has kept beside her until now; and so she packs Ottaviano off to Florence and safety. That done, she gives her mutinous subjects a taste of her anger by attempting to seize half a dozen of the principal citizens of Forli. As it happened, not only did this intent miscarry, but it went near being the means of involving her in battle even before the duke’s arrival; for the people, getting wind of the affair, took up arms to defend their threatened fellow-citizens.
The Countess’s bravery grows stronger as the situation becomes more desperate. Since the town has abandoned and betrayed her, she intends to rely on her fortress and, through her stubborn resistance, make Cesare pay as much as possible for the location. Despite her willingness to face danger herself, this determined and attractive woman will not put her son, whom she has kept by her side until now, in harm’s way; so, she sends Ottaviano off to Florence for safety. Once that’s sorted, she shows her rebellious subjects her anger by trying to capture half a dozen of the leading citizens of Forli. However, not only did this plan fail, but it also nearly led to her being involved in a battle before the duke even arrived; the people, learning of the situation, armed themselves to defend their threatened fellow citizens.
She consoled herself, however, by seizing the persons of Nicolo Tornielli and Lodovico Ercolani, whom the Council had sent to inform her that their representatives had gone to Cesare with the offer of the town. Further, to vent her rage and signify her humour, she turned her cannon upon the Communal Palace and shattered the tower of it.
She comforted herself by capturing Nicolo Tornielli and Lodovico Ercolani, who the Council had sent to tell her that their representatives had gone to Cesare with the offer for the town. Additionally, to express her anger and show how she felt, she aimed her cannons at the Communal Palace and destroyed its tower.
Meanwhile Cesare advanced. It was again Tiberti who now rode forward with his horse to demand the surrender of Forli. This was accorded as readily as had been that of Imola, whereupon Cesare came up to take possession in person; but, despite the cordial invitation of the councillors, he refused to enter the gates until he had signed the articles of capitulation.
Meanwhile, Cesare moved forward. It was once again Tiberti who rode ahead with his horse to request the surrender of Forli. This was granted just as easily as Imola had been, after which Cesare arrived to take possession himself; however, despite the warm invitation from the councillors, he declined to enter through the gates until he had signed the terms of surrender.
On December 19, under a deluge of rain, Cesare, in full armour, the banner of the Church borne ahead of him, rode into Forli with his troops. He was housed in the palace of Count Luffo Nomaglie (one of the gentlemen whom Caterina had hoped to capture), and his men were quartered through the town. These foreign soldiers of his seem to have got a little out of hand here at Forli, and they committed a good many abuses, to the dismay and discomfort of the Citizens.
On December 19, in heavy rain, Cesare, fully armored and carrying the Church's banner ahead of him, rode into Forli with his troops. He stayed in the palace of Count Luffo Nomaglie (one of the gentlemen Caterina had hoped to capture), while his men were stationed throughout the town. These foreign soldiers seemed to have gotten a bit out of control in Forli and committed many abuses, causing distress and discomfort for the citizens.
Sanuto comments upon this with satisfaction, accounting the city well served for having yielded herself up like a strumpet. It is a comment more picturesque than just, for obviously Forli did not surrender through pusillanimity, but to the end that it might be delivered from the detestable rule of the Riarii.
Sanuto comments on this with satisfaction, saying the city is well served for giving itself up like a cheap woman. It’s a remark more colorful than accurate, as obviously Forli didn’t surrender out of cowardice, but to get free from the awful rule of the Riarii.
The city occupied, it now remained to reduce the fortress and bring its warrior-mistress to terms. Cesare set about this at once, nor allowed the Christmas festivities to interfere with his labours, but kept his men at work to bring the siege-guns into position. On Christmas Day the countess belatedly attempted a feeble ruse in the hope of intimidating them. She flew from her battlements a banner, bearing the device of the lion of St. Mark, thinking to trick Cesare into the belief that she had obtained the protection of Venice, or, perhaps, signifying thus that she threw herself into the arms of the republic, making surrender of her fiefs to the Venetians to the end that she might spite a force which she could not long withstand—as Giovanni Sforza had sought to do.
The city was taken, and it was now time to take down the fortress and bring its warrior mistress to terms. Cesare got to work immediately and didn’t let the Christmas celebrations get in the way of his efforts, keeping his men busy setting up the siege guns. On Christmas Day, the countess made a late and weak attempt at a trick to scare them off. She raised a banner with the lion of St. Mark from her battlements, hoping to fool Cesare into thinking she had the support of Venice or, perhaps, indicating that she was surrendering to the republic, giving up her lands to the Venetians so she could get back at a force she couldn't resist for much longer—just like Giovanni Sforza had tried to do.
But Cesare, nowise disturbed by that banner, pursued his preparations, which included the mounting of seven cannons and ten falconets in the square before the Church of St. John the Baptist. When all was ready for the bombardment, he made an effort to cause her to realize the hopelessness of her resistance and the vain sacrifice of life it must entail. He may have been moved to this by the valour she displayed, or it may have been that he obeyed the instincts of generalship which made him ever miserly in the matter of the lives of his soldiers. Be that as it may, with intent to bring her to a reasonable view of the situation, he rode twice to the very edge of the ditch to parley with her; but all that came of his endeavours was that on the occasion of his second appeal to her, he had a narrow escape of falling a victim to her treachery, and so losing his life.
But Cesare, completely unfazed by that banner, continued his preparations, which involved setting up seven cannons and ten small cannons in the square in front of the Church of St. John the Baptist. Once everything was ready for the bombardment, he tried to make her understand the futility of her resistance and the pointless loss of life it would cause. He might have been influenced by her bravery, or perhaps he was guided by the instincts of a commander who was always cautious about the lives of his soldiers. Regardless, aiming to have her see the reality of the situation, he rode twice to the edge of the ditch to negotiate with her; however, all that resulted from his efforts was that during his second attempt to appeal to her, he narrowly escaped falling victim to her treachery, potentially losing his life.
She came down from the ramparts, and, ordering the lowering of the bridge, invited him to meet her upon it that there they might confer more at their ease, having, meanwhile, instructed her castellan to raise the bridge again the moment the duke should set foot upon it. The castellan took her instructions too literally, for even as the duke did set one foot upon it there was a grind and clank of machinery, and the great structure swung up and clattered into place. The duke remained outside, saved by a too great eagerness on the part of those who worked the winches, for had they waited but a second longer they must have trapped him.
She came down from the ramparts and, instructing them to lower the bridge, asked him to meet her on it so they could talk more comfortably. Meanwhile, she directed her castellan to raise the bridge again as soon as the duke stepped onto it. The castellan took her orders too literally, because just as the duke put one foot on the bridge, there was a grind and clank of machinery, and the massive structure swung up and clattered into place. The duke was left outside, saved by the eagerness of those operating the winches; if they had waited just a second longer, they would have trapped him.
Cesare returned angry to Forli, and set a price upon Caterina’s head—20,000 ducats if taken alive, 10,000 if dead; and on the morrow he opened fire. For a fortnight this was continued without visible result, and daily the countess was to be seen upon the walls with her castellan, directing the defences. But on January 12, Cesare’s cannon having been concentrated upon one point, a breach was opened at last. Instantly the waiting citizens, who had been recruited for the purpose, made forward with their faggots, heaping them up in the moat until a passage was practicable. Over this went Cesare’s soldiers to force an entrance.
Cesare returned to Forli in a rage and put a bounty on Caterina’s head—20,000 ducats if captured alive, 10,000 if dead; and the next day he launched an attack. This went on for two weeks without any noticeable results, and each day the countess could be seen on the walls with her castellan, managing the defenses. But on January 12, after focusing his cannons on one spot, a breach was finally created. Right away, the citizens, who had been gathered for this purpose, moved forward with their bundles of sticks, piling them up in the moat until a pathway was cleared. Cesare’s soldiers then crossed over to storm the entrance.
A stubborn fight ensued within the ravelin, where the duke’s men were held in check by the defenders, and not until some four hundred corpses choked that narrow space did the besieged give ground before them.
A fierce battle broke out in the ravelin, where the duke’s soldiers were held back by the defenders, and it wasn't until about four hundred bodies filled that tight space that the besieged started to retreat.
Like most of the Italian fortresses of the period, the castle of Forli consisted of a citadel within a citadel. In the heart of the main fabric—but cut off from it again by its own moat—arose the great tower known as the Maschio. This was ever the last retreat of the besieged when the fortress itself had been carried by assault, and, in the case of the Maschio of the Citadel of Forli, so stout was its construction that it was held to be practically invulnerable.
Like most Italian fortresses of the time, the castle of Forli had a citadel within another citadel. In the center of the main structure—separated by its own moat—stood the large tower known as the Maschio. This was always the final refuge for those under siege when the fortress was taken by force, and in the case of the Maschio of the Citadel of Forli, it was so well-built that it was considered almost unassailable.
Had the countess’s soldiers made their retreat in good order to this tower, where all the munitions and provisions were stored, Cesare would have found the siege but in the beginning; but in the confusion of that grim hour, besieged and besiegers, Borgian and Riarian, swept forward interlocked, a writhing, hacking, bleeding mob of men-at-arms. Thus they flung themselves in a body across the bridge that spanned the inner moat, and so into the Maschio, whilst the stream of Cesare’s soldiers that poured uninterruptedly across in the immediate wake of that battling mass rendered it impossible for the defenders to take up the bridge.
Had the countess’s soldiers managed to retreat properly to this tower, where all the weapons and supplies were kept, Cesare would have found the siege just starting; but in the chaos of that dark moment, the besieged and the besiegers, the Borgians and the Riarans, surged forward together, a tangled, fighting, bleeding mass of armed men. They charged as a group across the bridge that connected to the inner moat, and into the Maschio, while the continuous flow of Cesare’s soldiers following closely behind that fighting crowd made it impossible for the defenders to take control of the bridge.
Within the tower the carnage went on, and the duke’s men hacked their way through what remained of the Forlivese until they had made themselves masters of that inner stronghold whither Caterina had sought her last refuge.
Within the tower, the slaughter continued, and the duke's men cut their way through what was left of the Forlivese until they had taken control of that inner stronghold where Caterina had sought her final refuge.
A Burgundian serving under the Bailie of Dijon was the first to come upon her in the room to which she had fled with a few attendants and a handful of men, amongst whom were Alessandro Sforza, Paolo Riario, and Scipione Riario—this last an illegitimate son of her first husband’s, whom she had adopted. The Burgundian declared her his prisoner, and held her for the price that had been set upon her head until the arrival of Cesare, who entered the citadel with his officers a little while after the final assault had been delivered.
A Burgundian serving under the Bailiff of Dijon was the first to find her in the room where she had taken refuge with a few attendants and a handful of men, including Alessandro Sforza, Paolo Riario, and Scipione Riario—this last one being an illegitimate son of her first husband, whom she had taken in. The Burgundian declared her his prisoner and kept her for the bounty that had been placed on her head until Cesare arrived, entering the citadel with his officers shortly after the final assault had happened.
Cesare received and treated her with the greatest courtesy, and, seeing her for the moment destitute, he presented her with a purse containing two hundred ducats for her immediate needs. Under his escort she left the castle, and was conducted, with her few remaining servants, to the Nomaglie Palace to remain in the Duke’s care, his prisoner. Her brother and the other members of her family found with her were similarly made prisoners.
Cesare welcomed her with the utmost courtesy, and seeing that she was momentarily in need, he gave her a purse with two hundred ducats for her immediate needs. Accompanied by him, she left the castle and was taken, along with her few remaining servants, to the Nomaglie Palace to remain in the Duke’s custody as his prisoner. Her brother and the other family members who were with her were also taken prisoner.
After her departure the citadel was given over to pillage, and all hell must have raged in it if we may judge from an incident related by Bernardi in his chronicles. A young clerk, named Evangelista da Monsignane, being seized by a Burgundian soldier who asked him if he had any money, produced and surrendered a purse containing thirteen ducats, and so got out of the mercenaries’ clutches, but only to fall into the hands of others, one of whom again declared him a prisoner. The poor youth, terrified at the violence about him, and eager to be gone from that shambles, cried out that, if they would let him go, he would pay them a ransom of a hundred ducats.
After she left, the citadel was looted, and chaos must have erupted inside if we can believe an incident mentioned by Bernardi in his chronicles. A young clerk named Evangelista da Monsignane was grabbed by a Burgundian soldier who asked him if he had any money. He took out and handed over a purse with thirteen ducats, managing to escape from the mercenaries, but only to get caught by others, one of whom once again declared him a prisoner. The poor young man, terrified by the violence around him and desperate to get away from the mayhem, shouted that if they let him go, he would pay them a ransom of a hundred ducats.
Thereupon “Surrender to me!” cried one of the soldiers, and, as the clerk was about to do so, another, equally greedy for the ransom, thrust himself forward. “No. Surrender to me, rather,” demanded this one.
Thereupon “Surrender to me!” yelled one of the soldiers, and, just as the clerk was about to comply, another, equally eager for the ransom, pushed his way forward. “No. Surrender to me instead,” insisted this one.
The first insisted that the youth was his prisoner, whereupon the second brandished his sword, threatening to kill Evangelista. The clerk, in a panic, flung himself into the arms of a monk who was with him, crying out for mercy, and there in the monk’s arms he was brutally slain, “to put an end,” said his murderer, “to the dispute.”
The first claimed that the young man was his prisoner, and then the second waved his sword, threatening to kill Evangelista. The clerk, in a panic, threw himself into the arms of a monk who was with him, pleading for mercy, and there in the monk’s arms, he was brutally killed, “to put an end,” said his murderer, “to the dispute.”
Forlimpopoli surrendered a few days later to Yves d’Allègre, whom Cesare had sent thither, whilst in Forli, as soon as he had reduced the citadel, and before even attempting to repair the damage done, the duke set about establishing order and providing for the dispensation of justice, exerting to that end the rare administrative ability which not even his bitterest detractors have denied him.
Forlimpopoli surrendered a few days later to Yves d’Allègre, whom Cesare had sent there, while in Forli, as soon as he had taken the citadel, and before even trying to fix the damage done, the duke started establishing order and ensuring justice was served, showcasing the rare administrative skills that even his fiercest critics can't deny.
He sent a castellan to Forlimpopoli and fetched from Imola a Podestà for Forli.(1) He confirmed the Council of Forty that ruled Forli—being ten for each quarter of the city—and generally made sound and wise provision for the town’s well-being, which we shall presently see bearing fruit.
He sent a manager to Forlimpopoli and brought in a leader from Imola for Forli.(1) He confirmed the Council of Forty that governed Forli—ten representatives from each quarter of the city—and generally made smart and effective plans for the town’s welfare, which we will soon see paying off.
1 It was customary throughout Italy that the Podestà, or chief magistrate, should never be a native of the town—rarely of the State—in which he held his office. Thus, having no local interests or relationships, he was the likelier to dispense justice with desirable single-mindedness.
1 It was common across Italy that the Podestà, or chief magistrate, should never be a local of the town—rarely from the State—where he held his position. Therefore, without any local ties or interests, he was more likely to administer justice with the necessary focus.
Next the repairing of the fortress claimed his attention, and he disposed for this, entrusting the execution of his instructions to Ramiro de Lorqua, whom he left behind as governor. In the place where the breach was opened by his cannon he ordered the placing of a marble panel bearing his arms; and there it is to be seen to this day: Dexter, the sable bars of the House of Lenzol; Sinister, the Borgia bull in chief, and the lilies of France; and, superimposed, an inescutcheon bearing the Pontifical arms.
Next, he turned his attention to repairing the fortress and set things in motion by appointing Ramiro de Lorqua as governor to carry out his orders. Where his cannon had made a breach, he had a marble panel installed that displays his coat of arms, and it can still be seen today: on the right, the black bars of the House of Lenzol; on the left, the Borgia bull at the top, along with the lilies of France; and on top of that, a smaller shield featuring the Pontifical arms.
All measures being taken so far as Forli was concerned, Cesare turned his attention to Pesaro, and prepared to invade it. Before leaving, however, he awaited the return of his absent cousin, the Cardinal Giovanni Borgia, who, as papal legate, was to receive the oath of fealty of the town; but, instead of the cardinal whom he was expecting, came a messenger with news of his death of fever at Fossombrone.
All the steps taken regarding Forli, Cesare focused on Pesaro and got ready to invade it. However, before he left, he waited for his cousin, Cardinal Giovanni Borgia, to return. The cardinal, as the papal legate, was supposed to receive the oath of loyalty from the town. Instead of the cardinal he was expecting, a messenger arrived with news of his death from a fever at Fossombrone.
Giovanni Borgia had left Forli on December 28 to go to Cesena, with intent, it was said, to recruit to his cousin’s army those men of Rimini, who, exiled and in rebellion against their tyrant Malatesta, had sought shelter in that Pontifical fief. Thence he had moved on to Urbino, where—in the ducal palace—he awaited news of the fall of Forli, and where, whilst waiting, he fell ill. Nevertheless, when the tidings of Cesare’s victory reached him, he insisted upon getting to horse, to repair to Forli; but, discovering himself too ill to keep the saddle, he was forced to abandon the journey at Fossombrone, whilst the outcome of the attempt was an aggravation of the fever resulting in the cardinal’s death.
Giovanni Borgia left Forli on December 28 to head to Cesena, with the aim, it was said, of recruiting men from Rimini for his cousin’s army. These men, exiled and in rebellion against their tyrant Malatesta, had sought refuge in that Papal fief. From there, he moved on to Urbino, where—in the ducal palace—he waited for news about the fall of Forli, and while he was waiting, he fell ill. However, when the news of Cesare’s victory reached him, he insisted on getting on horseback to travel to Forli. But, realizing he was too sick to ride, he had to give up the journey at Fossombrone, which only worsened his fever and led to the cardinal’s death.
Cesare appears to have been deeply grieved by the loss of Giovanni, and there is every cause to suppose that a sincere attachment prevailed between the cousins. Yet Cesare has been charged with his death, and accused of having poisoned him, and, amidst the host of silly, baseless accusations levelled against Cesare, you shall find none more silly or baseless than this. In other instances of unproven crimes with which he has been charged there may be some vestiges of matter that may do duty for evidence or be construed into motives; here there is none that will serve one purpose or the other, and the appalling and rabid unscrupulousness, the relentless malice of Borgian chroniclers is in nothing so completely apparent as in this accusation.
Cesare seems to have been deeply saddened by Giovanni's death, and there’s every reason to believe there was a genuine bond between the cousins. However, Cesare has been accused of his murder, specifically of poisoning him, and among the many absurd, groundless accusations made against Cesare, none are more ridiculous or unfounded than this one. In other cases of unproven crimes he has faced, there might be some fragments of information that could pass for evidence or be interpreted as motives; in this instance, there’s absolutely nothing that serves either purpose. The shocking and outrageous dishonesty, along with the relentless malice of Borgian chroniclers, is most clearly demonstrated in this accusation.
Sanuto mentions the advices received, and the rumours which say that Cesare murdered him through jealousy, knowing him beloved by the Pope, seeing him a legate, and fearing that he might come to be given the governorship of some Romagna fief.
Sanuto discusses the advice he received and the rumors that Cesare killed him out of jealousy, aware that he was favored by the Pope, seeing him as a legate, and fearing that he could be appointed as the governor of some territory in Romagna.
When Gandia died and Cesare was accused of having murdered him, the motive advanced was that Cesare, a papal legate, resented a brother who was a duke. Now, Cesare, being a duke, resents a cousin’s being a papal legate. You will observe that, if this method of discovering motives is pursued a little further, there is no man who died in Cesare’s life-time whom Cesare could not be shown to have had motives for murdering.
When Gandia died and Cesare was accused of murdering him, the suggested motive was that Cesare, a papal legate, was envious of his brother, who was a duke. Now, Cesare, as a duke, is jealous of a cousin being a papal legate. If we keep digging into this way of figuring out motives, you'll see there isn't a single person who died during Cesare's lifetime for whom motives couldn't be found to suggest Cesare might have killed them.
Sillier even than Sanuto’s is the motive with which Giovio attempts to bolster up the accusation which he reports: “He [Cesare] poisoned him because he [Giovanni] favoured the Duke of Gandia.”
Sillier even than Sanuto’s is the motive that Giovio uses to support the accusation he reports: “He [Cesare] poisoned him because he [Giovanni] favored the Duke of Gandia.”
That, apparently, was the best that Giovio could think of. It is hardly intelligible—which is perhaps inevitable, for it is not easy to be intelligible when you don’t quite know, yourself, what you mean, which must have been Giovio’s case.
That seems to be the best that Giovio could come up with. It's barely understandable—which is probably expected, since it's hard to be clear when you don’t fully grasp what you mean, which must have been the case for Giovio.
The whole charge is so utterly foolish, stupid, and malicious that it would scarcely be worth mentioning, were it not that so many modern writers have included this among the Borgia crimes. As a matter of fact—and as a comparison of the above-cited dates will show—eighteen days had elapsed between Giovanni Borgia’s leaving Cesare at Forli and his succumbing at Urbino—which in itself disposes of the matter. It may be mentioned that this is a circumstance which those foolish or deliberately malicious calumniators either did not trouble to ascertain or else thought it wiser to slur over. Although, had they been pressed, there was always the death of Djem to be cited and the fiction of the slow-working poison specially invented to meet and explain his case.
The entire allegation is so completely ridiculous, dumb, and spiteful that it wouldn’t even be worth mentioning, if not for the fact that so many contemporary writers have included this in the list of Borgia crimes. In reality—and as a comparison of the dates noted above will reveal—eighteen days passed between Giovanni Borgia’s departure from Cesare at Forli and his death at Urbino—which alone clarifies the situation. It’s worth mentioning that this is a detail that those ignorant or intentionally malicious slanderers either didn’t bother to check or thought it best to gloss over. However, if they had been challenged, they could always point to Djem’s death and the made-up story of the slow-acting poison specifically created to fit and explain his situation.
The preparations for the invasion of Pesaro were complete, and it was determined that on January 22 the army should march out of Forli; but on the night of the 21st a disturbance occurred. The Swiss under the Bailie of Dijon became mutinous—they appear throughout to have been an ill-conditioned lot—and they clamoured now for higher pay if they were to go on to Pesaro, urging that already they had served the Duke of Valentinois as far as they had pledged themselves to the King of France.
The plans for the invasion of Pesaro were all set, and it was decided that on January 22 the army would leave Forli. However, on the night of the 21st, there was a disturbance. The Swiss troops under the Bailie of Dijon became rebellious—they seemed to have been a difficult group throughout—and they demanded higher pay if they were to continue to Pesaro, arguing that they had already served the Duke of Valentinois as far as they had committed to the King of France.
Towards the third hour of the night the Bailie himself, with these mutineers at his heels, presented himself at the Nomaglie Palace to demand that the Countess Sforza-Riario should be delivered into his hands. His claim was that she was his prisoner, since she had been arrested by a soldier of his own, and that her surrender was to France, to which he added—a thought inconsequently, it seems—that the French law forbade that women should be made prisoners. Valentinois, taken utterly by surprise, and without the force at hand to resist the Bailie and his Swiss, was compelled to submit and to allow the latter to carry the countess off to his own lodging; but he dispatched a messenger to Forlimpopoli with orders for the immediate return of Allègre and his horse, and in the morning, after Mass, he had the army drawn up in the market-place; and so, backed by his Spanish, French, and Italian troops, he faced the threatening Swiss.
Around the third hour of the night, the Bailie himself, followed by these mutineers, arrived at the Nomaglie Palace to demand the delivery of Countess Sforza-Riario into his custody. He claimed she was his prisoner since a soldier under his command had arrested her, asserting that her surrender was to France. He added—though it seemed like an irrelevant thought—that French law prohibited the imprisonment of women. Valentinois, completely caught off guard and lacking the forces to oppose the Bailie and his Swiss troops, had no choice but to comply and let them take the countess to his own lodgings. However, he sent a messenger to Forlimpopoli with orders for the immediate return of Allègre and his horse. The next morning, after Mass, he had his army assembled in the market square; and so, supported by his Spanish, French, and Italian troops, he prepared to confront the threatening Swiss.
The citizens were in a panic, expecting to see battle blaze out at any moment, and apprehensive of the consequences that might ensue for the town.
The citizens were in a panic, expecting a fight to break out at any moment and worried about the consequences that might follow for the town.
The Swiss had grown more mutinous than ever overnight, and they now refused to march until they were paid. It was Cesare’s to quell and restore them to obedience. He informed them that they should be paid when they reached Cesena, and that, if they were retained thereafter in his employ, their pay should be on the improved scale which they demanded. Beyond that he made no concessions. The remainder of his harangue was matter to cow them into submission, for he threatened to order the ringing of the alarm-bells, and to have them cut to pieces by the people of Forli whom their gross and predatory habits had already deeply offended.
The Swiss had become more rebellious than ever overnight, and they now refused to march until they got paid. It was Cesare’s job to calm them down and bring them back into line. He told them that they would be paid when they reached Cesena, and that if they stayed on in his service after that, their pay would reflect the higher rates they were asking for. He didn’t make any other concessions. The rest of his speech was meant to intimidate them into submission, as he threatened to call for the alarm bells and have them attacked by the people of Forli, who were already deeply offended by their rude and predatory behavior.
Order was at last restored, and the Bailie of Dijon was compelled to surrender back the countess to Cesare. But their departure was postponed until the morrow. On that day, January 23, after receiving the oath of fealty from the Anziani in the Church of San Mercuriale, the duke marched his army out of Forli and took the road to Pesaro.
Order was finally restored, and the Bailie of Dijon had to hand the countess back to Cesare. However, their departure was delayed until the next day. On January 23, after getting the pledge of loyalty from the Anziani in the Church of San Mercuriale, the duke led his army out of Forli and headed toward Pesaro.
Caterina Sforza Riario went with him. Dressed in black and mounted upon a white horse, the handsome amazon rode between Cesare Borgia and Yves d’Allègre.
Caterina Sforza Riario went with him. Dressed in black and riding a white horse, the striking warrior woman rode between Cesare Borgia and Yves d’Allègre.
At Cesena the duke made a halt, and there he left the countess in the charge of d’Allègre whilst he himself rode forward to overtake the main body of his army, which was already as far south as Cattolica. As for Giovanni Sforza, despite the fact that the Duke of Urbino had sent some foot to support him, he was far more likely to run than to fight, and in fact he had already taken the precaution of placing his money and valuables in safety and was disposing, himself, to follow them. But it happened that there was not yet the need. Fate—in the shape of his cousin Lodovico of Milan—postponed the occasion.
At Cesena, the duke took a break and left the countess in d’Allègre's care while he rode ahead to catch up with the main part of his army, which was already down in Cattolica. As for Giovanni Sforza, even though the Duke of Urbino had sent some infantry to support him, he was much more likely to run than to fight. In fact, he had already taken steps to secure his money and valuables and was planning to follow them. However, it turned out that there was no need to do that yet. Fate—in the form of his cousin Lodovico of Milan—delayed the situation.
On the 26th Cesare lay at Montefiori, and there he was reached by couriers sent at all speed from Milan by Trivulzio. Lodovico Sforza had raised an army of Swiss and German mercenaries to reconquer his dominions, and the Milanese were opening their arms to receive him back, having already discovered that, in exchanging his rule for that of the French, they had but exchanged King Log for King Stork. Trivulzio begged for the instant return of the French troops serving under Cesare, and Cesare, naturally compelled to accede, was forced to postpone the continuance of his campaign, a matter which must have been not a little vexatious at such a moment.
On the 26th, Cesare was at Montefiori when he received urgent messages from Milan sent by Trivulzio. Lodovico Sforza had gathered an army of Swiss and German mercenaries to reclaim his territories, and the people of Milan were welcoming him back, realizing that by trading one ruler for another, they had merely swapped one problem for another. Trivulzio urgently requested the immediate return of the French troops serving under Cesare, and Cesare, having no choice but to agree, was forced to delay his campaign, which must have been quite frustrating at such a critical time.
He returned to Cesena, where, on the 27th, he dismissed Yves d’Allègre and his men, who made all haste back to Milan, so that Cesare was left with a force of not more than a thousand foot and five hundred horse. These, no doubt, would have sufficed him for the conquest of Pesaro, but Giovanni Sforza, encouraged by his cousin’s return, and hopeful now of assistance, would certainly entrench himself and submit to a siege which must of necessity be long-drawn, since the departure of the French had deprived Cesare of his artillery.
He went back to Cesena, where, on the 27th, he let go of Yves d’Allègre and his men, who quickly rushed back to Milan, leaving Cesare with no more than a thousand foot soldiers and five hundred cavalry. This force would likely have been enough for him to conquer Pesaro, but Giovanni Sforza, encouraged by his cousin’s return and now hopeful for support, would definitely fortify himself and withstand a siege that would have to be prolonged, since the departure of the French had left Cesare without his artillery.
Therefore the duke disposed matters for his return to Rome instead, and, leaving Ercole Bentivogli with five hundred horse and Gonsalvo de Mirafuente with three hundred foot to garrison Forli, he left Cesena with the remainder of his forces, including Vitelli’s horse, on January 30. With him went Caterina Sforza-Riario, and of course there were not wanting those who alleged that, during the few days at Cesena he had carried his conquest of her further than the matter of her territories(1)—a rumour whose parent was, no doubt, the ribald jest made in Milan by Trivulzio when he heard of her capture.
Therefore, the duke arranged everything for his return to Rome instead, and, leaving Ercole Bentivogli with five hundred cavalry and Gonsalvo de Mirafuente with three hundred infantry to garrison Forli, he departed from Cesena with the rest of his forces, including Vitelli’s cavalry, on January 30. With him was Caterina Sforza-Riario, and of course, there were those who claimed that, during his few days in Cesena, he had taken his conquest of her further than just her territories— a rumor likely originating from the crude joke made in Milan by Trivulzio when he heard about her capture.
1 “Teneva detta Madona (la qual é belissima dona, fiola del Ducha Galeazo di Milan) di zorno e di note in la sna camera, con la quale—judicio omnium—si deva piacer” (Sanuto’s Diarii).
1 “Teneva detta Madona (who is a beautiful lady, daughter of Duke Galeazo of Milan) day and night in her chamber, with whom—according to everyone’s judgment—one should be pleased” (Sanuto’s Diarii).
He conducted her to Rome—in golden chains, “like another Palmyra,” it is said—and there she was given the beautiful Belvedere for her prison until she attempted an escape in the following June; whereupon, for greater safety, she was transferred to the Castle of Sant’ Angelo. There she remained until May of 1501, when, by the intervention of the King of France, she was set at liberty and permitted to withdraw to Florence to rejoin her children. In the city of the lilies she abode, devoting herself to good works until she ended her turbulent, unhappy life in 1509.
He took her to Rome—in golden chains, “like another Palmyra,” it’s said—and there she was locked up in the beautiful Belvedere until she tried to escape the following June. To keep her safer, she was moved to the Castle of Sant’ Angelo. She stayed there until May of 1501, when, thanks to the King of France, she was freed and allowed to return to Florence to reunite with her children. In the city of lilies, she lived, dedicating herself to good deeds until she ended her troubled, unhappy life in 1509.
The circumstance that she was not made to pay with her life for her attempt to poison the Pope is surely something in favour of the Borgias, and it goes some way towards refuting the endless statements of their fierce and vindictive cruelty. Of course, it has been urged that they spared her from fear of France; but, if that is admitted, what then becomes of the theory of that secret poison which might so well have been employed in such a case as this?
The fact that she didn't have to pay with her life for trying to poison the Pope is definitely something positive for the Borgias, and it challenges the many claims about their brutal and vengeful cruelty. Some have argued that they spared her out of fear of France; however, if that's true, then what happens to the idea of that secret poison that could have easily been used in a situation like this?
CHAPTER IV. GONFALONIER OF THE CHURCH
Although Cesare Borgia’s conquest of Imola and Forli cannot seriously be accounted extraordinary military achievements—save by consideration of the act that this was the first campaign he had conducted—yet in Rome the excitement caused by his victory was enormous. Possibly this is to be assigned to the compelling quality of the man’s personality, which was beginning to manifest and assert itself and to issue from the shadow into which it had been cast hitherto by that of his stupendous father.
Although Cesare Borgia’s takeover of Imola and Forli can't really be seen as remarkable military accomplishments—except when you consider that this was the first campaign he led—the excitement it stirred in Rome was huge. This might be due to the powerful nature of his personality, which was starting to show itself and emerge from the shadow of his incredible father.
The enthusiasm mounted higher and higher whilst preparations were being made for his reception, and reached its climax on February 26, when, with overpowering pomp, he made an entrance into Rome that was a veritable triumph.
The excitement grew more and more as plans were made for his arrival, peaking on February 26, when he entered Rome with such grand splendor that it was truly a triumph.
Sanuto tells us that, as news came of his approach, the Pope, in his joyous impatience and excitement, became unable to discharge the business of his office, and no longer would give audience to any one. Alexander had ever shown himself the fondest of fathers to his children, and now he overflowed with pride in this son who already gave such excellent signs of his capacity as a condottiero, and justified his having put off the cassock to strap a soldier’s harness to his lithe and comely body.
Sanuto tells us that, as news of his arrival spread, the Pope, filled with joyful impatience and excitement, became unable to handle his duties and stopped meeting with anyone. Alexander had always been the most loving of fathers to his children, and now he was bursting with pride for this son who was already showing remarkable promise as a mercenary leader, validating his decision to trade the clerical robes for a soldier’s armor on his fit and attractive frame.
Cardinals Farnese and Borgia, with an imposing suite, rode out some way beyond the gates of Santa Maria del Popolo to meet the duke. At the gate itself a magnificent reception had been prepared him, and the entire Pontifical Court, prelates, priests, ambassadors of the Powers, and officials of the city and curia down to the apostolic abbreviators and secretaries, waited to receive him.
Cardinals Farnese and Borgia, with a grand entourage, rode out past the gates of Santa Maria del Popolo to meet the duke. At the gate, a spectacular welcome had been set up for him, and the entire Pontifical Court, including prelates, priests, ambassadors from various powers, and city and curia officials, down to the apostolic abbreviators and secretaries, waited to greet him.
It was towards evening—between the twenty-second and the twenty-third hours—when he made his entrance. In the van went the baggage-carts, and behind these marched a thousand foot in full campaign apparel, headed by two heralds in the duke’s livery and one in the livery of the King of France. Next came Vitellozzo’s horse followed by fifty mounted gentlemen-at-arms—the duke’s Caesarean guard—immediately preceding Cesare himself.
It was in the evening—between 10 PM and 11 PM—when he arrived. In front were the baggage carts, and behind them marched a thousand foot soldiers in full campaign gear, led by two heralds in the duke’s colors and one in the King of France’s colors. Next came Vitellozzo’s horse, followed by fifty mounted knights—the duke’s Caesarean guard—right before Cesare himself.
The handsome young duke—“bello e biondo”—was splendidly mounted, but very plainly dressed in black velvet with a simple gold chain for only ornament, and he had about him a hundred guards on foot, also in black velvet, halbert on shoulder, and a posse of trumpeters in a livery that displayed his arms. In immediate attendance upon him came several cardinals on their mules, and behind these followed the ambassadors of the Powers, Cesare’s brother Giuffredo Borgia, and Alfonso of Aragon, Duke of Biselli and Prince of Salerno—Lucrezia’s husband and the father of her boy Roderigo, born some three months earlier. Conspicuous, too, in Cesare’s train would be the imposing figure of the formidable Countess Sforza-Riario, in black upon her white horse, riding in her golden shackles between her two attendant women.
The handsome young duke—“bello e biondo”—was beautifully mounted, but dressed simply in black velvet with just a plain gold chain for decoration. He was surrounded by a hundred guards on foot, also in black velvet, with halberds on their shoulders, along with a group of trumpeters in livery that showcased his coat of arms. Right next to him were several cardinals on their mules, and behind them followed the ambassadors from the Powers, Cesare’s brother Giuffredo Borgia, and Alfonso of Aragon, Duke of Biselli and Prince of Salerno—Lucrezia’s husband and the father of her son Roderigo, born about three months earlier. Also notable in Cesare’s entourage was the striking figure of the formidable Countess Sforza-Riario, dressed in black on her white horse, riding with her golden shackles between her two attendant women.
As the procession reached the Bridge of Sant’ Angelo a salute was thundered forth by the guns from the castle, where floated the banners of Cesare and of the Church. The press of people from the Porta del Popolo all the way to the Vatican was enormous. It was the year of the Papal Jubilee, and the city was thronged, with pilgrims from all quarters of Europe who had flocked to Rome to obtain the plenary indulgence offered by the Pope. So great was the concourse on this occasion that the procession had the greatest difficulty in moving forward, and the progress through the streets, packed with shouting multitudes, was of necessity slow. At last, however, the Bridge of Sant’ Angelo being crossed, the procession pushed on to the Vatican along the new road inaugurated for the Jubilee by Alexander in the previous December.
As the procession reached the Bridge of Sant’ Angelo, the guns from the castle fired a salute, with the banners of Cesare and the Church waving above. The crowd from the Porta del Popolo to the Vatican was massive. It was the year of the Papal Jubilee, and the city was filled with pilgrims from all over Europe who had come to Rome to receive the plenary indulgence offered by the Pope. The gathering was so large that the procession struggled to move forward, and making progress through the streets, packed with cheering crowds, was necessarily slow. Finally, after crossing the Bridge of Sant’ Angelo, the procession continued to the Vatican along the new road that Alexander had opened for the Jubilee the previous December.
From the loggia above the portals of the Vatican the Pope watched his son’s imposing approach, and when the latter dismounted at the steps his Holiness, with his five attendant cardinals, descended to the Chamber of the Papagallo—the papal audiencechamber, contiguous to the Borgia apartments—to receive the duke. Thither sped Cesare with his multitude of attendants, and at sight of him now the Pope’s eyes were filled with tears of joy. The duke advanced gravely to the foot of the throne, where he fell upon his knees, and was overheard by Burchard to express to his father, in their native Spanish, all that he owed to the Pope’s Holiness, to which Alexander replied in the same tongue. Then Cesare stooped and kissed the Pope’s feet and then his hand, whereupon Alexander, conquered no doubt by the paternal instincts of affection that were so strong in him, raised his son and took him fondly in his arms.
From the loggia above the entrance of the Vatican, the Pope watched his son approach with great importance. When Cesare got off his horse at the steps, His Holiness, accompanied by his five cardinals, went down to the Chamber of the Papagallo—the papal audience chamber next to the Borgia apartments—to greet the duke. Cesare quickly made his way there with his many attendants, and upon seeing him, the Pope was filled with tears of joy. The duke approached solemnly to the foot of the throne, knelt down, and was heard by Burchard expressing in their native Spanish everything he owed to the Pope, to which Alexander responded in the same language. Then Cesare leaned down to kiss the Pope's feet and then his hand, after which Alexander, clearly moved by his strong paternal instincts, lifted his son up and embraced him warmly.
The festivities in honour of Cesare’s return were renewed in Rome upon the morrow, and to this the circumstance that the season was that of carnival undoubtedly contributed and lent the displays a threatrical character which might otherwise have been absent. In these the duke’s victories were made the subject of illustration. There was a procession of great chariots in Piazza Navona, with groups symbolizing the triumphs of the ancient Caesar, in the arrangement of which, no doubt, the assistance had been enlisted of that posse of valiant artists who were then flocking to Rome and the pontifical Court.
The celebrations for Cesare’s return kicked off again in Rome the next day, and the fact that it was carnival season definitely added a dramatic flair that might have been missing otherwise. The duke’s victories were featured prominently in these displays. There was a parade of grand chariots in Piazza Navona, with groups representing the triumphs of the ancient Caesar. No doubt, a team of skilled artists who were arriving in Rome and the papal Court helped organize it all.
Yriarte, mixing his facts throughout with a liberal leaven of fiction, tells us that “this is the precise moment in which Cesare Borgia, fixing his eyes upon the Roman Caesar, takes him definitely for his model and adopts the device ‘Aut Caesar, aut nihil.’”
Yriarte, blending his facts with a generous amount of fiction, tells us that “this is the exact moment when Cesare Borgia, setting his sights on the Roman Caesar, takes him as his definitive model and adopts the motto ‘Aut Caesar, aut nihil.’”
Cesare Borgia never adopted that device, and never displayed it. In connection with him it is only to be found upon the sword of honour made for him when, while still a cardinal, he went to crown the King of Naples. It is not at all unlikely that the inscription of the device upon that sword—which throughout is engraved with illustrations of the career of Julius Caesar—may have been the conceit of the sword-maker as a rather obvious play upon Cesare’s name.(1) Undoubtedly, were the device of Cesare’s own adoption we should find it elsewhere, and nowhere else is it to be found.
Cesare Borgia never used or showed that symbol. The only place it's connected to him is on the honor sword made for him when, while still a cardinal, he went to crown the King of Naples. It’s quite possible that the inscription of the symbol on that sword—which is decorated with images representing Julius Caesar’s life—was the sword-maker's clever twist on Cesare’s name. If the symbol had been really adopted by Cesare himself, we would likely see it in other places, but it doesn’t appear anywhere else.
1 The scabbard of this sword is to be seen in the South Kensington Museum; the sword itself is in the possession of the Caetani family.
1 The scabbard of this sword can be seen in the South Kensington Museum; the sword itself is owned by the Caetani family.
Shortly after Cesare’s return to Rome, Imola and Forli sent their ambassadors to the Vatican to beseech his Holiness to sign the articles which those cities had drawn up and by virtue of which they created Cesare their lord in the place of the deposed Riarii.
Shortly after Cesare returned to Rome, Imola and Forli sent their ambassadors to the Vatican to ask his Holiness to sign the articles that those cities had prepared, which appointed Cesare as their lord in place of the ousted Riarii.
It is quite true that Alexander had announced that, in promoting the Romagna campaign, he had for object to restore to the Church the States which had rebelliously seceded from her. Yet there is not sufficient reason to suppose that he was flagrantly breaking his word in acceding to the request of which those ambassadors were the bearers and in creating his son Count of Imola and Forli. Admitted that this was to Cesare’s benefit and advancement, it is still to be remembered that those fiefs must be governed for the Church by a Vicar, as had ever been the case.
It’s true that Alexander claimed that, in promoting the Romagna campaign, his goal was to restore the territories that had rebelliously broken away from the Church. However, there's not enough evidence to suggest that he was openly going back on his word by agreeing to the request brought by those ambassadors and making his son Count of Imola and Forli. While it’s true that this was to Cesare’s advantage and advancement, it’s still important to remember that those fiefs would have to be governed for the Church by a Vicar, as had always been the practice.
That being so, who could have been preferred to Cesare for the dignity, seeing that not only was the expulsion of the tyrants his work, but that the inhabitants themselves desired him for their lord? For the rest, granted his exceptional qualifications, it is to be remembered that the Pope was his father, and—setting aside the guilt and scandal of that paternity—it is hardly reasonable to expect a father to prefer some other to his son for a stewardship for which none is so well equipped as that same son. That Imola and Forli were not free gifts to Cesare, detached, for the purpose of so making them, from the Holy See, is clear from the title of Vicar with which Cesare assumed control of them, as set forth in the Bull of investiture.
That being said, who else could have been chosen over Cesare for the position, considering that not only was the removal of the tyrants his achievement, but the locals also wanted him as their leader? Additionally, despite his remarkable abilities, it’s important to remember that the Pope was his father, and—setting aside the issues and controversy surrounding that relationship—it’s not really fair to expect a father to choose someone else over his son for a role that the son is most qualified for. It is evident that Imola and Forli were not simply given to Cesare as gifts, separated from the Holy See for that purpose, which is clear from the title of Vicar that Cesare took on when he became in charge of them, as outlined in the Bull of investiture.
In addition to his receiving the rank of Vicar and Count of Imola and Forli, it was in this same month of March at last—and after Cesare may be said to have earned it—that he received the Gonfalon of the Church. With the unanimous concurrence of the Sacred College, the Pope officially appointed him Captain-General of the Pontifical forces—the coveting of which position was urged, it will be remembered, as one of his motives for his alleged murder of the Duke of Gandia three years earlier.
In addition to being named Vicar and Count of Imola and Forli, it was finally this March—after Cesare had truly earned it—that he received the Gonfalon of the Church. With the unanimous agreement of the Sacred College, the Pope officially appointed him Captain-General of the Pontifical forces—the desire for which position was previously noted as one of the motivations for his supposed murder of the Duke of Gandia three years before.
On March 29 Cesare comes to St. Peter’s to receive his new dignity and the further honour of the Golden Rose which the Pope is to bestow upon him—the symbol of the Church Militant and the Church Triumphant.
On March 29, Cesare arrives at St. Peter’s to accept his new title and the additional honor of the Golden Rose that the Pope will give him—the symbol of the Church Militant and the Church Triumphant.
Having blessed the Rose, the Pope is borne solemnly into St. Peter’s, preceded by the College of Cardinals. Arrived before the High Altar, he puts off his tiara—the conical, richly jewelled cap, woven from the plumage of white peacocks—and bareheaded kneels to pray; whereafter he confesses himself to the Cardinal of Benevento, who was the celebrant on this occasion. That done, he ascends and takes his seat upon the Pontifical Throne, whither come the cardinals to adore him, while the organ peals forth and the choir gives voice. Last of all comes Cesare, dressed in cloth of gold with ermine border, to kneel upon the topmost step of the throne, whereupon the Pope, removing his tiara and delivering it to the attendant Cardinal of San Clemente, pronounces the beautiful prayer of the investiture. That ended, the Pope receives from the hands of the Cardinal of San Clemente the splendid mantle of gonfalonier, and sets it about the duke’s shoulders with the prescribed words: “May the Lord array thee in the garment of salvation and surround thee with the cloak of happiness.” Next he takes from the hands of the Master of the Ceremonies—that same Burchard whose diary supplies us with these details—the gonfalonier’s cap of scarlet and ermine richly decked with pearls and surmounted by a dove—the emblem of the Holy Spirit—likewise wrought in pearls. This he places upon Cesare’s auburn head; whereafter, once more putting off his tiara, he utters the prescribed prayer over the kneeling duke.
Having blessed the Rose, the Pope is solemnly escorted into St. Peter’s, preceded by the College of Cardinals. Once he arrives at the High Altar, he removes his tiara—the conical, jewel-encrusted cap made from the feathers of white peacocks—and kneels bareheaded to pray. After that, he confesses to the Cardinal of Benevento, who is the celebrant for this occasion. Once that’s done, he ascends and takes his seat on the Pontifical Throne, where the cardinals come to adore him, while the organ plays and the choir sings. Last to arrive is Cesare, dressed in gold cloth with an ermine border, who kneels on the top step of the throne. The Pope then removes his tiara and hands it to the attendant Cardinal of San Clemente, delivering the beautiful prayer of investiture. After that, the Pope receives the splendid mantle of gonfalonier from the hands of the Cardinal of San Clemente and places it around the duke’s shoulders with the words: “May the Lord clothe you in the garment of salvation and surround you with the cloak of happiness.” Next, he takes from the Master of the Ceremonies—Burchard, whose diary provides these details—the gonfalonier’s cap of scarlet and ermine, adorned with pearls and topped with a dove—the symbol of the Holy Spirit—also crafted from pearls. He places it on Cesare’s auburn head and, after once again removing his tiara, recites the prescribed prayer over the kneeling duke.
That done, and the Holy Father resuming his seat and his tiara, Cesare stoops to kiss the Pope’s feet, then rising, goes in his gonfalonier apparel, the cap upon his head, to take his place among the cardinals. The organ crashes forth again; the choir intones the “Introito ad altare Deum”; the celebrant ascends the altar, and, having offered incense, descends again and the Mass begins.
That done, and the Pope sitting back down with his tiara, Cesare bends down to kiss the Pope’s feet. Then he stands up and, dressed in his gonfalonier attire with a cap on his head, takes his place among the cardinals. The organ starts up again; the choir sings the “Introito ad altare Deum”; the celebrant goes up to the altar, offers incense, comes back down, and the Mass begins.
The Mass being over, and the celebrant having doffed his sacred vestments and rejoined his brother cardinals, the Cardinal of San Clemente repairs once more to the Papal Throne, preceded by two chamberlains who carry two folded banners, one bearing the Pope’s personal arms, the other the arms of Holy Church. Behind the cardinal follows an acolyte with the censer and incense-boat and another with the holy water and the aspersorio, and behind these again two prelates with a Missal and a candle. The Pope rises, blesses the folded banners and incenses them, having received the censer from the hands of a priest who has prepared it. Then, as he resumes his seat, Cesare steps forward once more, and, kneeling, places both hands upon the Missal and pronounces in a loud, clear voice the words of the oath of fealty to St. Peter and the Pope, swearing ever to protect the latter and his successors from harm to life, limb, or possessions. Thereafter the Pope takes the blessed banners and gives the charge of them to Cesare, delivering into his hands the white truncheon symbolic of his office, whilst the Master of Ceremonies hands the actual banners to the two deputies, who in full armour have followed to receive them, and who attach them to the lances provided for the purpose.
Once the Mass is finished and the celebrant has taken off his sacred vestments to rejoin his fellow cardinals, the Cardinal of San Clemente goes back to the Papal Throne, followed by two chamberlains carrying two folded banners—one with the Pope's personal coat of arms and the other with the emblem of Holy Church. Next, an acolyte carries the censer and incense-boat, followed by another acolyte with holy water and the aspersorio, and behind them are two prelates with a Missal and a candle. The Pope stands up, blesses the folded banners, and incenses them after receiving the censer from a priest who prepared it. As he sits back down, Cesare steps forward again, kneels, places both hands on the Missal, and loudly recites the oath of loyalty to St. Peter and the Pope, pledging to always protect the Pope and his successors from harm to life, body, or property. After that, the Pope takes the blessed banners and hands them over to Cesare, giving him the white truncheon that symbolizes his office, while the Master of Ceremonies gives the actual banners to the two armored deputies who have come to receive them, and they attach the banners to the lances set aside for that purpose.
The investiture is followed by the bestowal of the Golden Rose, whereafter Cesare, having again kissed the Pope’s feet and the Ring of the Fisherman on his finger, has the cap of office replaced upon his head by Burchard himself, and so the ceremonial ends.
The investiture is followed by the giving of the Golden Rose, after which Cesare, having again kissed the Pope’s feet and the Ring of the Fisherman on his finger, has the cap of office placed back on his head by Burchard himself, and thus the ceremony concludes.
The Bishop of Isernia was going to Cesena to assume the governorship of that Pontifical fief, and, profiting by this, Cesare appointed him his lieutenant-general in Romagna, with authority over all his other officers there and full judicial powers. Further, he desired him to act as his deputy and receive the oath of fealty of the duke’s new subjects.
The Bishop of Isernia was heading to Cesena to take over the governorship of that Papal fief, and taking advantage of this, Cesare appointed him as his lieutenant-general in Romagna, giving him authority over all his other officers there and full judicial powers. Additionally, he wanted him to serve as his deputy and receive the oath of loyalty from the duke’s new subjects.
Meanwhile, Cesare abode in Rome, no doubt impatient of the interruption which his campaign had suffered, and which it seemed must continue yet awhile. Lodovico Sforza had succeeded in driving the French out of his dominions as easily as he, himself, had been driven out by them a few months earlier. But Louis XII sent down a fresh army under La Trémouille, and Lodovico, basely betrayed by his Swiss mercenaries at Novara in April, was taken prisoner.
Meanwhile, Cesare stayed in Rome, probably frustrated by the disruption to his campaign, which seemed like it would go on for a while longer. Lodovico Sforza had managed to push the French out of his territory as easily as he had been pushed out by them a few months before. However, Louis XII sent a new army led by La Trémouille, and Lodovico, who was shamefully betrayed by his Swiss mercenaries at Novara in April, was captured.
That was the definite end of the Sforza rule in Milan. For ten years the crafty, scheming Lodovico was left to languish a prisoner in the Castle of Loches, at the end of which time he miserably died.
That was the clear end of the Sforza rule in Milan. For ten years, the cunning and manipulative Lodovico was stuck as a prisoner in the Castle of Loches, after which he sadly died.
Immediately upon the return of the French to Milan, the Pope asked for troops that Cesare might resume his enterprise not only against Pesaro, Faenza, and Rimini, but also against Bologna, where Giovanni Bentivogli had failed to support—as in duty bound—the King of France against Lodovico Sforza. But Bentivogli repurchased the forfeited French protection at the price of 40,000 ducats, and so escaped the impending danger; whilst Venice, it happened, was growing concerned to see no profit accruing to herself out of this league with France and Rome; and that was a matter which her trader spirit could not brook. Therefore, Venice intervened in the matter of Rimini and Faenza, which she protected in somewhat the same spirit as the dog protected the straw in the manger. Next, when, having conquered the Milanese, Louis XII turned his thoughts to the conquest of Naples, and called upon Venice to march with him as became a good ally, the Republic made it quite clear that she was not disposed to move unless there was to be some profit to herself. She pointed out that Mantua and Ferrara were in the same case as Bologna, for having failed to lend assistance to the French in the hour of need, and proposed to Louis XII the conquest and division of those territories.
As soon as the French returned to Milan, the Pope requested troops so that Cesare could continue his campaign not just against Pesaro, Faenza, and Rimini, but also against Bologna, where Giovanni Bentivogli had failed to support the King of France against Lodovico Sforza as he was supposed to. However, Bentivogli bought back the lost French protection for 40,000 ducats and managed to avoid the impending threat. Meanwhile, Venice became increasingly worried that she wasn't benefiting from her alliance with France and Rome, something her merchant mindset couldn't tolerate. Consequently, Venice got involved in the affairs of Rimini and Faenza, protecting them similarly to how a dog would guard the straw in a manger. Later, when Louis XII, having conquered the Milanese, aimed to conquer Naples and called on Venice to join him as a loyal ally, the Republic made it clear that she wouldn't move unless it meant she would gain something for herself. She pointed out that Mantua and Ferrara were in the same situation as Bologna for not aiding the French when needed and suggested to Louis XII the conquest and division of those territories.
Thus matters stood, and Cesare had perforce to await the conclusion of the Pisan War in which the French were engaged, confident, however, that, once that was at an end, Louis, in his anxiety to maintain friendly relations with the Pope, would be able to induce Venice to withdraw her protection from Rimini and Faenza. So much accomplished for him, he was now in a position to do the rest without the aid of French troops if necessary. The Jubilee—protracted for a further year, so vast and continuous was the concourse of the faithful, 200,000 of whom knelt in the square before St. Peter’s on Easter Day to receive the Pope’s blessing—was pouring vast sums of money into the pontifical coffers, and for money men were to be had in plenty by a young condottiero whose fame had been spreading ever since his return from the Romagna. He was now the hope of the soldiers of fortune who abounded in Italy, attracted thither from all quarters by the continual opportunities for employment which that tumultuous land afforded.
Thus matters stood, and Cesare had to wait for the end of the Pisan War that the French were involved in, confident that once it was over, Louis, eager to maintain friendly relations with the Pope, would get Venice to lift their protection from Rimini and Faenza. With that done, he would be able to handle the rest without the need for French troops if necessary. The Jubilee—extended for another year due to the huge and ongoing influx of the faithful, 200,000 of whom knelt in the square in front of St. Peter’s on Easter Day to receive the Pope’s blessing—was pouring large amounts of money into the papal treasury. For money, there were plenty of men available for a young condottiero whose fame had been growing ever since his return from the Romagna. He was now the hope of the mercenaries who thrived in Italy, drawn there from all over by the constant opportunities for work that this chaotic land provided.
It is in speaking of him at about this time, and again praising his personal beauty and fine appearance, that Capello says of him that, if he lives, he will be one of Italy’s greatest captains.
It is while talking about him around this time, and once again admiring his good looks and impressive appearance, that Capello remarks that if he survives, he will become one of Italy’s greatest leaders.
Such glimpses as in the pages of contemporary records we are allowed of Cesare during that crowded time of the Papal Jubilee are slight and fleeting. On April 13 we see him on horseback accompanying the Pope through Rome in the cavalcade that visited the four Basilicas to win the indulgence offered, and, as usual, he is attended by his hundred armed grooms in black.
Such glimpses as we get from contemporary records of Cesare during the busy time of the Papal Jubilee are brief and fleeting. On April 13, we see him on horseback riding alongside the Pope through Rome in the procession that visited the four Basilicas to receive the offered indulgence. As usual, he is accompanied by his hundred armed attendants in black.
On another occasion we behold him very differently engaged—giving an exhibition of his superb physical gifts, his strength, his courage, and his matchless address. On June 24, at a bull-fight held in Rome—Spanish tauromachia having been introduced from Naples, where it flourished under the Aragon dominion—he went down into the arena, and on horseback, armed only with a light lance, he killed five wild bulls. But the master-stroke he reserved for the end. Dismounting, and taking a doublehanded sword to the sixth bull that was loosed against him, he beheaded the great beast at one single stroke, “a feat which all Rome considered great.”
On another occasion, we see him engaged in a very different way—showcasing his incredible physical abilities, his strength, his bravery, and his unmatched skill. On June 24, at a bullfight held in Rome—Spanish bullfighting having been brought in from Naples, where it thrived under Aragon rule—he entered the arena on horseback, armed only with a light lance, and killed five wild bulls. But he saved his greatest feat for last. Dismounting and taking up a two-handed sword to face the sixth bull released against him, he beheaded the massive beast with a single stroke, “a feat that everyone in Rome admired.”
Thus sped the time of waiting, and meanwhile he gathered about him a Court not only of captains of fortune, but of men of art and letters, whom he patronized with a liberality—indeed, a prodigality—so great that it presently became proverbial, and, incidentally, by its proportions provoked his father’s disapproval. In the brilliant group of men of letters who enjoyed his patronage were such writers as Justolo, Sperulo, and that unfortunate poet Serafino Cimino da Aquila, known to fame and posterity as the great Aquilano. And it would be, no doubt, during these months that Pier di Lorenzo painted that portrait of Cesare which Vasari afterwards saw in Florence, but which, unfortunately, is not now known to exist. Bramante, too, was of his Court at this time, as was Michelangelo Buonarroti, whose superb group of “Mercy,” painted for Cardinal de Villiers, had just amazed all Rome. With Pinturicchio, and Leonardi da Vinci—whom we shall see later beside Cesare—Michelangelo was ever held in the highest esteem by the duke.
As the waiting continued, he surrounded himself with a Court made up not just of fortune’s favorites, but also of artists and writers, whom he supported with such generosity—and indeed, such extravagance—that it soon became a saying, and incidentally, it stirred his father’s disapproval. Among the talented writers who benefitted from his patronage were Justolo, Sperulo, and the unfortunate poet Serafino Cimino da Aquila, best known as the great Aquilano. It’s likely that during these months, Pier di Lorenzo created that portrait of Cesare, which Vasari later saw in Florence, although unfortunately, it is not known to exist today. Bramante was also part of his Court at this time, along with Michelangelo Buonarroti, whose magnificent group of “Mercy,” painted for Cardinal de Villiers, had just astonished all of Rome. Alongside Pinturicchio and Leonardo da Vinci—who we will see later next to Cesare—Michelangelo was always held in the highest regard by the duke.
The story of that young sculptor’s leap into fame may not be so widely known but that its repetition may be tolerated here, particularly since, remotely at least, it touches Cesare Borgia.
The story of that young sculptor’s rise to fame might not be very well known, but it’s worth repeating here, especially because, at least in a distant way, it connects to Cesare Borgia.
When, in 1496, young Buonarroti, at the age of twenty-three, came from Florence to Rome to seek his fortune at the opulent Pontifical Court, he brought a letter of recommendation to Cardinal Sforza-Riario. This was the time of the great excavations about Rome; treasures of ancient art were daily being rescued from the soil, and Cardinal Sforza-Riario was a great dilletante and collector of the antique. With pride of possession, he conducted the young sculptor through his gallery, and, displaying his statuary to him, inquired could he do anything that might compare with it. If the cardinal meant to use the young Florentine cavalierly, his punishment was immediate and poetic, for amid the antiques Michelangelo beheld a sleeping Cupid which he instantly claimed as his own work. Riario was angry; no doubt suspicious, too, of fraud. This Cupid was—as its appearance showed—a genuine antique, which the cardinal had purchased from a Milanese dealer for two hundred ducats. Michelangelo, in a passion, named the dealer—one Baldassare—to whom he had sent the statue after treating it, with the questionable morality of the cinquecentist, so as to give it the appearance of having lain in the ground, to the end that Baldassare might dispose of it as an antique.
When, in 1496, a young Buonarroti, at the age of twenty-three, arrived in Rome from Florence to pursue his dreams at the wealthy Pontifical Court, he brought a letter of recommendation to Cardinal Sforza-Riario. This was during a time of major excavations in Rome; treasures of ancient art were being unearthed daily, and Cardinal Sforza-Riario was a notable enthusiast and collector of antiques. With a sense of pride, he showed the young sculptor around his gallery and, displaying his statues, asked if Michelangelo could produce anything that would compare. If the cardinal intended to use the young Florentine in a dismissive way, he faced immediate and poetic retribution, as among the antiques, Michelangelo spotted a sleeping Cupid that he immediately claimed as his own work. Riario was furious and likely suspicious of deceit. This Cupid was, as its appearance indicated, a genuine antique that the cardinal had bought from a Milanese dealer for two hundred ducats. In a fit of passion, Michelangelo named the dealer—one Baldassare—to whom he had sent the statue after treating it, with the questionable ethics of the time, to make it look like it had been buried, so Baldassare could sell it off as an antique.
His present fury arose from his learning the price paid by the cardinal to Baldassare, from whom Michelangelo had received only thirty ducats. In his wrath he demanded—very arbitrarily it seems—the return of his statue. But to this the cardinal would not consent until Baldassare had been arrested and made to disgorge the money paid him. Then, at last, Sforza-Riario complied with Michelangelo’s demands and delivered him his Cupid—a piece of work whose possession had probably ceased to give any pleasure to that collector of the antique.
His current anger came from finding out the amount the cardinal paid Baldassare, from whom Michelangelo had only received thirty ducats. In his rage, he demanded—seemingly quite unjustly—the return of his statue. However, the cardinal refused to agree to this until Baldassare had been arrested and forced to return the money he was given. Finally, Sforza-Riario agreed to Michelangelo’s demands and returned his Cupid—a work of art that likely no longer brought any joy to that collector of antiques.
But the story was bruited abroad, and cultured Rome was agog to see the statue which had duped so astute a judge as Sforza-Riario. The fame of the young sculptor spread like a ripple over water, and it was Cesare Borgia—at that time still Cardinal of Valencia who bought the Cupid. Years later he sent it to Isabella d’Este, assuring her that it had not its equal among contemporary works of art.
But the story spread far and wide, and sophisticated Rome was excited to see the statue that had fooled such a sharp judge as Sforza-Riario. The young sculptor's reputation grew like ripples in water, and Cesare Borgia—who was still Cardinal of Valencia at the time—bought the Cupid. Years later, he sent it to Isabella d’Este, claiming it was unmatched among contemporary works of art.
CHAPTER V. THE MURDER OF ALFONSO OF ARAGON
We come now to the consideration of an event which, despite the light that so many, and with such assurance, have shed upon it, remains wrapped in uncertainty, and presents a mystery second only to that of the murder of the Duke of Gandia.
We now turn to the discussion of an event that, even though many have confidently analyzed it, still remains unclear and presents a mystery only slightly less puzzling than the murder of the Duke of Gandia.
It was, you will remember, in July of 1498 that Lucrezia took a second husband in Alfonso of Aragon, the natural son of Alfonso II of Naples and nephew of Federigo, the reigning king. He was a handsome boy of seventeen at the time of his marriage—one year younger than Lucrezia—and, in honour of the event and in compliance with the Pope’s insistence, he was created by his uncle Duke of Biselli and Prince of Salerno. On every hand the marriage was said to be a love-match, and of it had been born, in November of 1499, the boy Roderigo.
It was, as you may recall, in July of 1498 that Lucrezia married for the second time, this time to Alfonso of Aragon, the natural son of Alfonso II of Naples and nephew of Federigo, the current king. He was a handsome seventeen-year-old at the time of their marriage—just one year younger than Lucrezia—and, to honor the occasion and comply with the Pope’s wishes, his uncle made him Duke of Biselli and Prince of Salerno. Everyone said the marriage was based on love, and they welcomed their son Roderigo in November of 1499.
On July 15, 1500, at about the third hour of the night, Alfonso was assaulted and grievously wounded—mortally, it was said at first—on the steps of St. Peter’s.
On July 15, 1500, around 3 AM, Alfonso was attacked and seriously injured—mortally, it was initially claimed—on the steps of St. Peter’s.
Burchard’s account of the affair is that the young prince was assailed by several assassins, who wounded him in the head, right arm, and knee. Leaving him, no doubt, for dead, they fled down the steps, at the foot of which some forty horsemen awaited them, who escorted them out of the city by the Pertusa Gate. The prince was residing in the palace of the Cardinal of Santa Maria in Portico, but so desperate was his condition that those who found him upon the steps of the Basilica bore him into the Vatican, where he was taken to a chamber of the Borgia Tower, whilst the Cardinal of Capua at once gave him absolution in articulo mortis.
Burchard’s account of the incident is that the young prince was attacked by several assassins, who injured him in the head, right arm, and knee. Believing him to be dead, they fled down the steps, where about forty horsemen were waiting to escort them out of the city through the Pertusa Gate. The prince was staying in the palace of the Cardinal of Santa Maria in Portico, but his condition was so critical that those who found him on the steps of the Basilica carried him into the Vatican, where he was taken to a room in the Borgia Tower, while the Cardinal of Capua immediately gave him absolution as he was close to death.
The deed made a great stir in Rome, and was, of course, the subject of immediate gossip, and three days later Cesare issued an edict forbidding, under pain of death, any man from going armed between Sant’ Angelo and the Vatican.
The act caused a huge uproar in Rome and quickly became the talk of the town. Three days later, Cesare released an edict banning anyone from being armed between Sant’ Angelo and the Vatican, with a death penalty for violators.
News of the event was carried immediately to Naples, and King Federigo sent his own physician, Galieno, to treat and tend his nephew. In the care of that doctor and a hunchback assistant, Alfonso lay ill of his wounds until August 17, when suddenly be died, to the great astonishment of Rome, which for some time had believed him out of danger. In recording his actual death, Burchard is at once explicit and reticent to an extraordinary degree. “Not dying,” he writes, “from the wound he had taken, he was yesterday strangled in his bed at the nineteenth hour.”
News of the event quickly reached Naples, and King Federigo sent his own doctor, Galieno, to care for his nephew. Under the care of that doctor and a hunchbacked assistant, Alfonso suffered from his wounds until August 17, when he suddenly died, shocking Rome, which had believed he was out of danger for some time. In documenting his actual death, Burchard is both clear and surprisingly reserved. "Not dying," he writes, "from the wound he had sustained, he was yesterday strangled in his bed at the nineteenth hour."
Between the chronicling of his having been wounded on the steps of St. Peter’s and that of his death, thirty-three days later, there is no entry in Burchard’s diary relating to the prince, nor anything that can in any way help the inquirer to a conclusion; whilst, on the subject of the strangling, not another word does the Master of Ceremonies add to what has above been quoted. That he should so coldly—almost cynically—state that Alfonso was strangled, without so much as suggesting by whom, is singular in one who, however grimly laconic, is seldom reticent—notwithstanding that he may have been so accounted by those who despaired of finding in his diary the confirmation of such points of view as they happen to have chosen and of such matters as it pleased them to believe and propagate.
Between the record of his being wounded on the steps of St. Peter’s and his death thirty-three days later, there’s no mention of the prince in Burchard’s diary, nor anything that could help the investigator reach a conclusion. As for the strangling, the Master of Ceremonies adds nothing more to what has already been quoted. It’s striking that he would so coldly—almost cynically—report that Alfonso was strangled without even hinting at who did it. This is unusual for someone who, while often terse, isn't typically quiet, even if some might have thought that way when they couldn't find confirmation in his diary for the perspectives they chose to believe and spread.
That same evening Alfonso’s body was borne, without pomp, to St. Peter’s, and placed in the Chapel of Santa Maria delle Febbre. It was accompanied by Francesco Borgia, Archbishop of Cosenza.
That same evening, Alfonso's body was taken, without ceremony, to St. Peter's and placed in the Chapel of Santa Maria delle Febbre. It was accompanied by Francesco Borgia, Archbishop of Cosenza.
The doctor who had been in attendance upon the deceased and the hunchback were seized, taken to Sant’ Angelo and examined, but shortly thereafter set at liberty.
The doctor who had been attending to the deceased and the hunchback were arrested, taken to Sant’ Angelo for questioning, but were released soon after.
So far we are upon what we may consider safe ground. Beyond that we cannot go, save by treading the uncertain ways of speculation, and by following the accounts of the various rumours circulated at the time. Formal and absolutely positive evidence of the author of Alfonso’s murder there is none.
So far, we are on relatively safe ground. Beyond this, we can only venture into the uncertain realm of speculation and follow the various rumors that were going around at the time. There is no formal or definitive evidence regarding the identity of Alfonso’s murderer.
The Venetian ambassador, the ineffable, gossipmongering Paolo Capello, whom we have seen possessed of the fullest details concerning the Duke of Gandia’s death—although he did not come to Rome until two and a half years after the crime—is again as circumstantial in this instance. You see in this Capello the forerunner of the modern journalist of the baser sort, the creature who prowls in quest of scraps of gossip and items of scandal, and who, having found them, does not concern himself greatly in the matter of their absolute truth so that they provide him with sensational “copy.” It is this same Capello, bear in mind, who gives us the story of Cesare’s murdering in the Pope’s very arms that Pedro Caldes who is elsewhere shown to have fallen into Tiber and been drowned, down to the lurid details of the blood’s spurting into the Pope’s face.
The Venetian ambassador, the unforgettable, gossip-loving Paolo Capello, who we see had all the details about the Duke of Gandia’s death—despite not arriving in Rome until two and a half years after the crime—continues to be just as detailed in this case. You can see in Capello the precursor to today’s sensationalist journalist, the kind who hunts for bits of gossip and scandalous news, and who, once he finds them, doesn't care much about their truth as long as they give him exciting “copy.” Remember, it’s Capello who tells us the story of Cesare murdering Pedro Caldes right in the Pope’s arms, even though elsewhere it’s mentioned that Caldes fell into the Tiber and drowned, complete with shocking details about blood splattering onto the Pope's face.
His famous Relazione to the Senate in September of 1500 is little better than an epitome of all the scandal current in Rome during his sojourn there as ambassador, and his resurrection of the old affair of the murder of Gandia goes some way towards showing the spirit by which he was actuated and his love of sensational matter. It has pleased most writers who have dealt with the matter of the murder of Alfonso of Aragon to follow Capello’s statements; consequently these must be examined.
His famous report to the Senate in September 1500 is barely more than a summary of all the gossip circulating in Rome during his time there as an ambassador, and his revival of the old case of Gandia's murder reveals the mindset he had and his interest in sensational stories. Most writers who have looked into the murder of Alfonso of Aragon have chosen to follow Capello’s account, so these statements need to be scrutinized.
He writes from Rome—as recorded by Sanuto—that on July 16 Alfonso of Biselli was assaulted on the steps of St. Peter’s, and received four wounds, “one in the head, one in the arm, one in the shoulder, and one in the back.” That was all that was known to Capello at the time he wrote that letter, and you will observe already the discrepancy between his statement, penned upon hearsay, and Burchard’s account—which, considering the latter’s position at the Vatican, must always be preferred. According to Burchard the wounds were three, and they were in the head, right arm, and knee.
He writes from Rome—according to Sanuto—that on July 16, Alfonso of Biselli was attacked on the steps of St. Peter’s and sustained four wounds, “one in the head, one in the arm, one in the shoulder, and one in the back.” That was all Capello knew when he wrote that letter, and you can already see the difference between his version, based on rumors, and Burchard’s account—which, given Burchard’s position at the Vatican, should always be prioritized. According to Burchard, there were three wounds located in the head, right arm, and knee.
On the 19th Capello writes again, and, having stated that Lucrezia—who was really prostrate with grief at her husband’s death—was stricken with fever, adds that “it is not known who has wounded the Duke of Biselli, but it is said that it was the same who killed and threw into Tiber the Duke of Gandia. My Lord of Valentinois has issued an edict that no one shall henceforth bear arms between Sant’ Angelo and the Vatican.”
On the 19th, Capello writes again, mentioning that Lucrezia—who was truly devastated by her husband’s death—was suffering from a fever. He adds that “it’s unclear who injured the Duke of Biselli, but it’s rumored to be the same person who killed and dumped the Duke of Gandia into the Tiber. My Lord of Valentinois has issued a decree that no one is allowed to carry weapons between Sant' Angelo and the Vatican from now on.”
On the face of it, that edict of Valentinois’ seems to argue vexation at what had happened, and the desire to provide against its repetition—a provision hardly likely to be made by the man who had organized the assault, unless he sought, by this edict, to throw dust into the eyes of the world; and one cannot associate after the event and the fear of criticism with such a nature as Cesare’s or with such a character as is given him by those who are satisfied that it was he who murdered Biselli.
At first glance, that decree from Valentinois appears to show frustration about what occurred and the wish to prevent it from happening again—a measure unlikely to be taken by someone who orchestrated the attack, unless he aimed to mislead the public with this decree; and it’s hard to connect the aftermath and fear of criticism with someone like Cesare or with the kind of personality portrayed by those convinced he was the one who killed Biselli.
The rumour that Alfonso had been assailed by the murderer of Gandia is a reasonable enough rumour, so long as the latter remains unnamed, for it would simply point to some enemy of the House of Borgia who, having slain one of its members, now attempts to slay another. Whether Capello actually meant Cesare when he penned those words on July 19, is not as obvious as may be assumed, for it is to be borne in mind that, at this date, Capello had not yet compiled the “relation” in which he deals with Gandia’s murder.
The rumor that Alfonso was attacked by Gandia’s killer is a plausible one, as long as the killer remains unidentified, because it would suggest an enemy of the House of Borgia who, after killing one member, is now trying to kill another. Whether Capello actually intended to refer to Cesare when he wrote those words on July 19 isn’t as clear as one might think, since it’s important to remember that at that time, Capello had not yet put together the “report” in which he discusses Gandia’s murder.
On July 23 he wrote that the duke was very ill, indeed, from the wound in his head, and on the 28th that he was in danger owing to the same wound although the fever had abated.
On July 23, he wrote that the duke was very sick from the wound on his head, and on the 28th, he mentioned that the duke was in danger because of the same wound, even though the fever had lessened.
On August 18 he announces Alfonso’s death in the following terms: “The Duke of Biselli, Madonna Lucrezia’s husband, died to-day because he was planning the death of the Duke [of Valentinois] by means of an arbalest-bolt when he walked in the garden; and the duke has had him cut to pieces in his room by his archers.”
On August 18, he announces Alfonso’s death like this: “The Duke of Biselli, Madonna Lucrezia’s husband, died today while he was plotting the Duke [of Valentinois]’s death with a crossbow bolt as he walked in the garden; and the duke had him killed in his room by his archers.”
This “cutting-to-pieces” form of death is one very dear to the imagination of Capello, and bears some witness to his sensation-mongering proclivities.
This "cutting-to-pieces" way of dying is something Capello is quite fond of in his imagination, and it reflects his tendency to seek out sensational experiences.
Coming to matters more public, and upon which his evidence is more acceptable, he writes on the 20th that some servants of the prince’s have been arrested, and that, upon being put to the question, they confessed to the prince’s intent to kill the Duke of Valentinois, adding that a servant of the duke’s was implicated. On the 23rd Capello circumstantially confirms this matter of Alfonso’s attempt upon Cesare’s life, and states that this has been confessed by the master of Alfonso’s household, “the brother of his mother, Madonna Drusa.”
When it comes to more public matters, where his evidence carries more weight, he writes on the 20th that some of the prince's servants have been arrested, and during questioning, they confessed to the prince's plan to kill the Duke of Valentinois, mentioning that a servant of the duke's was involved. On the 23rd, Capello provides detailed confirmation of Alfonso's plot against Cesare's life, stating that this was confessed by Alfonso's household master, "the brother of his mother, Madonna Drusa."
That is the sum of Capello’s reports to the Senate, as recorded by Sanuto. The rest, the full, lurid, richly-coloured, sensational story, is contained in his “relation” of September 20. He prefaces the narrative by informing the Senate that the Pope is on very bad terms with Naples, and proceeds to relate the case of Alfonso of Aragon as follows:
That is the total of Capello’s reports to the Senate, as noted by Sanuto. The rest, the complete, vivid, colorful, sensational story, is found in his “report” from September 20. He starts the narrative by telling the Senate that the Pope has a really bad relationship with Naples, and goes on to explain the situation with Alfonso of Aragon as follows:
“He was wounded at the third hour of night near the palace of the Duke of Valentinois, his brotherin-law, and the prince ran to the Pope, saying that he had been wounded and that he knew by whom; and his wife Lucrezia, the Pope’s daughter, who was in the room, fell into anguish. He was ill for thirty-three days, and his wife and sister, who is the wife of the Prince of Squillace, another son of the Pope’s, were with him and cooked for him in a saucepan for fear of his being poisoned, as the Duke of Valentinois so hated him. And the Pope had him guarded by sixteen men for fear that the duke should kill him. And when the Pope went to visit him Valentinois did not accompany him, save on one occasion, when he said that what had not been done at breakfast might be done at supper.... On August 17 he [Valentinois] entered the room where the prince was already risen from his bed, and, driving out the wife and sister, called in his man, named Michieli, and had the prince strangled; and that night he was buried.”
“He was injured at the third hour of night near the residence of the Duke of Valentinois, his brother-in-law. The prince hurried to the Pope, saying he had been wounded and knew who was responsible. His wife, Lucrezia, the Pope’s daughter, who was in the room, was filled with anguish. He was sick for thirty-three days, and his wife and sister, who is married to the Prince of Squillace, another son of the Pope, stayed with him and cooked for him in a saucepan out of fear of poisoning, as the Duke of Valentinois despised him so much. The Pope had him protected by sixteen men for fear that the duke would kill him. When the Pope went to visit him, Valentinois did not accompany him, except for one occasion when he said that what hadn’t been done at breakfast could be done at supper... On August 17, he [Valentinois] entered the room where the prince had already gotten out of bed, sent his wife and sister away, called in his man, named Michieli, and had the prince strangled; and that night he was buried.”
Now the following points must arise to shake the student’s confidence in this narrative, and in Capello as an authority upon any of the other matters that he relates: (i) “He was wounded near the palace of the Duke of Valentinois.” This looks exceedingly like an attempt to pile up evidence against Cesare, and shows a disposition to resort to the invention of it. Whatever may not have been known about Alfonso’s death, it was known by everybody that he was wounded on the steps of St. Peter’s, and Capello himself, in his dispatches, had said so at the time. A suspicion that Capello’s whole relation is to serve the purpose of heaping odium upon Cesare at once arises and receives confirmation when we consider that, as we have already said, it is in this same relation that the fiction about Pedro Caldes finds place and that the guilt of the murder of the Duke of Gandia is definitely fixed upon Cesare. (ii) “He ran to the Pope [‘Corse dal Papa’] saying that he had been wounded, and that he knew by whom.” A man with a wound in his head which endangered his life for over a week would hardly be conscious on receiving it, nor is it to be supposed that, had he been conscious, his assailants would have departed. It cannot be doubted that they left him for dead. He was carried into the palace, and we know, from Burchard, that the Cardinal of Capua gave him absolution in articulo mortis, which abundantly shows his condition. It is unthinkable that he should have been able to “run to the Pope,” doubtful that he should have been able to speak; and, if he did, who was it reported his words to the Venetian ambassador? Capello wisely refrains from saying. (iii) Lucrezia and Sancia attempt to protect him from poison by cooking his food in his room. This is quite incredible. Even admitting the readiness to do so on the part of these princesses, where was the need, considering the presence of the doctor—admitted by Capello—sent from Naples and his hunchback assistant? (iv) “The Pope had him guarded by sixteen men for fear the duke should kill him.” Yet when, according to Capello, the duke comes on his murderous errand, attended only by Michieli (who has been generally assumed by writers to have been Don Michele da Corella, one of Cesare’s captains), where were these sixteen guards? Capello mentions the dismissal only of Lucrezia and Sancia. (v) “Valentinois...said that what had not been done at breakfast might be done at supper.” It will be observed that Capello never once considers it necessary to give his authorities for anything that he states. It becomes, perhaps, more particularly noteworthy than usual in the case of this reported speech of Cesare’s. He omits to say to whom Cesare addressed those sinister words, and who reported them to him. The statement is hardly one to be accepted without that very necessary mention of authorities, nor can we conceive Capello omitting them had he possessed them.
Now the following points must come up to shake the student's confidence in this account and in Capello as a reliable authority on any of the other matters he discusses: (i) “He was wounded near the palace of the Duke of Valentinois.” This seems very much like an attempt to gather evidence against Cesare and suggests a tendency to fabricate it. Whatever may not have been known about Alfonso’s death, everyone knew that he was injured on the steps of St. Peter’s, and Capello himself had stated so at the time in his dispatches. A doubt about Capello’s entire narrative serving to tarnish Cesare’s reputation arises immediately and is confirmed when we note that, as mentioned earlier, this same narrative includes the fiction about Pedro Caldes and that the blame for the murder of the Duke of Gandia is clearly placed on Cesare. (ii) “He ran to the Pope [‘Corse dal Papa’] saying that he had been wounded, and that he knew by whom.” A man with a head wound that threatened his life for over a week would hardly be aware when he received it, nor is it likely that, had he been aware, his attackers would have left. There’s no doubt that they thought he was dead. He was taken into the palace, and we know from Burchard that the Cardinal of Capua gave him absolution at the point of death, which clearly indicates his condition. It’s unimaginable that he could have “run to the Pope,” and it’s questionable whether he could have spoken; if he did, who relayed his words to the Venetian ambassador? Capello wisely doesn’t specify. (iii) Lucrezia and Sancia try to protect him from poison by cooking his food in his room. This is quite unbelievable. Even if these princesses were willing to do so, why would there be a need for it considering the doctor—acknowledged by Capello—sent from Naples and his hunchback assistant? (iv) “The Pope had him guarded by sixteen men for fear the duke might kill him.” Yet when, according to Capello, the duke comes to kill him, attended only by Michieli (who most writers assume to be Don Michele da Corella, one of Cesare’s captains), where were these sixteen guards? Capello only mentions the dismissal of Lucrezia and Sancia. (v) “Valentinois...said that what had not been done at breakfast might be done at supper.” It should be noted that Capello never considers it necessary to provide sources for anything he claims. This becomes especially significant in the case of this alleged statement by Cesare. He fails to specify to whom Cesare directed those ominous words and who reported them to him. This statement is hardly one to be accepted without that crucial mention of sources, nor can we imagine Capello leaving them out if he had them.
It will be seen that it is scarcely necessary to go outside of Capello’s own relation for the purpose of traversing the statements contained in it, so far as the death of Alfonso of Aragon is concerned.
It’s clear that it’s hardly necessary to look beyond Capello’s own account to examine the statements it contains regarding the death of Alfonso of Aragon.
It is, however, still to be considered that, if Alfonso knew who had attempted his life—as Capello states that he told the Pope—and knew that he was in hourly danger of death from Valentinois, it may surely be taken for granted that he would have imparted the information to the Neapolitan doctor sent him by his uncle, who must have had his confidence.
It is still worth considering that if Alfonso knew who had tried to kill him, as Capello says he told the Pope, and realized he was in constant danger of death from Valentinois, we can assume he would have shared this information with the Neapolitan doctor sent by his uncle, who must have had his trust.
We know that, after the prince’s death, the physician and his hunchback assistant were arrested, but subsequently released. They returned to Naples, and in Naples, if not elsewhere, the truth must have been known—definite and authentic facts from the lips of eye-witnesses, not mere matters of rumour, as was the case in Rome. It is to Neapolitan writings, then, that we must turn for the truth of this affair; and yet from Naples all that we find is a rumour—the echo of the Roman rumour—“They say,” writes the Venetian ambassador at the Court of King Federigo, “that he was killed by the Pope’s son.”
We know that after the prince died, the doctor and his hunchback assistant were arrested but later released. They went back to Naples, and in Naples, if not elsewhere, the truth must have been known—clear and verified facts from the mouths of eyewitnesses, not just hearsay, as was the case in Rome. It’s to Neapolitan writings that we should look for the truth of this matter; however, all we find from Naples is a rumor—the echo of the Roman rumor—“They say,” writes the Venetian ambassador at King Federigo’s Court, “that he was killed by the Pope’s son.”
A more mischievous document than Capello’s Relazione can seldom have found its way into the pages of history; it is the prime source of several of the unsubstantiated accusations against Cesare Borgia upon which subsequent writers have drawn—accepting without criticism—and from which they have formed their conclusions as to the duke’s character. Even in our own times we find the learned Gregorovius following Capello’s relation step by step, and dealing out this matter of the murder of the Duke of Biselli in his own paraphrases, as so much substantiated, unquestionable fact. We find in his Lucrezia Borgia the following statement: “The affair was no longer a mystery. Cesare himself publicly declared that he had killed the duke because his life had been attempted by the latter.”
A more mischievous document than Capello’s Relazione has probably never made its way into the pages of history; it is the main source of several unfounded accusations against Cesare Borgia that later writers have taken at face value—without any criticism—and from which they have drawn conclusions about the duke’s character. Even today, we see the scholar Gregorovius following Capello’s account closely, presenting the details of the murder of the Duke of Biselli in his own words as if they were established, undeniable facts. In his book Lucrezia Borgia, he makes the following statement: “The affair was no longer a mystery. Cesare himself publicly declared that he had killed the duke because the latter had attempted on his life.”
To say that Cesare “publicly declared that he had killed the duke” is to say a very daring thing, and is dangerously to improve upon Capello. If it is true that Cesare made this public declaration how does it happen that no one but Capello heard him? for in all other documents there is no more than offered us a rumour of how Alfonso died. Surely it is to be supposed that, had Cesare made any such declaration, the letters from the ambassadors would have rung with it. Yet they will offer you nothing but statements of what is being rumoured!
To say that Cesare “openly admitted he killed the duke” is to make a bold claim and is dangerously stretching what Capello wrote. If it’s true that Cesare said this publicly, how come only Capello heard him? In all other records, there’s nothing more than rumors about how Alfonso died. Surely, if Cesare had made such a declaration, the letters from the ambassadors would have been full of it. But instead, they only provide statements about what’s being rumored!
Nor does Gregorovius confine himself to that in his sedulous following of Capello’s Relation. He serves up out of Capello the lying story of the murder of Pedro Caldes. “What,” he says of Cesare, to support his view that Cesare murdered Alfonso of Aragon, “could be beyond this terrible man who had poignarded the Spaniard Pedro Caldes...under the Pope’s very cloak, so that his blood spurted up into the Pope’s face?” This in his History of Rome. In his Lucrezia Borgia he almost improves upon it when he says that “The Venetian ambassador, Paolo Capello, reports how Cesare Borgia stabbed the chamberlain Perotto, etc., but Burchard makes no mention of the fact.” Of the fact of the stabbing, Burchard certainly makes no mention; but he does mention that the man was accidentally drowned, as has been considered. It is again—and more flagrantly than ever—a case of proving Cesare guilty of a crime of which there is no conclusive evidence by charging him with another, which—in this instance—there is actually evidence that he did not commit.
Nor does Gregorovius limit himself to that in his careful examination of Capello’s account. He retells from Capello the false story about the murder of Pedro Caldes. “What,” he says about Cesare to support his claim that Cesare killed Alfonso of Aragon, “could this terrible man have not done who stabbed the Spaniard Pedro Caldes...right under the Pope’s very cloak, causing his blood to spurt into the Pope’s face?” This is in his History of Rome. In his Lucrezia Borgia, he even embellishes it when he states that “The Venetian ambassador, Paolo Capello, reports how Cesare Borgia stabbed the chamberlain Perotto, etc., but Burchard makes no mention of this.” While Burchard certainly doesn’t mention the stabbing, he does note that the man accidentally drowned, as has been suggested. Once again—and more blatantly than before—it’s a case of trying to prove Cesare guilty of a crime for which there’s no solid evidence by accusing him of another crime for which, in this case, there is actually evidence that he didn’t commit.
But this is by the way.
But this is just a side note.
Burchard’s entries in his diary relating to the assault upon Alfonso of Aragon can no more escape the criticism of the thoughtful than can Capello’s relation. His forty horsemen, for instance, need explaining. Apart from the fact that this employment of forty horsemen would be an altogether amazing and incredible way to set about the murder of a single man, it is to be considered that such a troop, drawn up in the square before St. Peter’s, must of necessity have attracted some attention. It was the first hour of the night, remember—according to Burchard—that is to say, at dusk. Presumably, too, those horsemen were waiting when the prince arrived. How then, did he—and why was he allowed—to pass them, only to be assailed in ascending the steps? Burchard, presumably, did not himself see these horsemen; certainly he cannot have seen them escorting the murderers to the Pertusa Gate. Therefore he must have had the matter reported to him. Naturally enough, had the horsemen existed, they must have been seen. How, then, does it happen that Capello did not hear of them? nor the Florentine ambassador, who says that the murderers were four, nor any one else apparently?
Burchard’s diary entries about the attack on Alfonso of Aragon can’t escape criticism any more than Capello’s account can. For example, his mention of forty horsemen raises questions. Aside from the fact that using forty horsemen to murder one man would be shocking and unbelievable, it’s important to note that such a group gathered in the square before St. Peter’s would definitely attract attention. Remember, it was the first hour of the night, according to Burchard, which means it was dusk. Presumably, those horsemen were already waiting when the prince showed up. So, how did he manage to pass them—and why was he allowed to—only to be attacked while going up the steps? Burchard likely didn’t see these horsemen himself; he certainly couldn’t have seen them taking the murderers to the Pertusa Gate. So, he must have gotten this information from someone else. Logically, if the horsemen really were there, someone would have noticed them. So, how come Capello didn’t hear about them? Nor did the Florentine ambassador, who claims there were only four murderers, nor anyone else apparently?
To turn for a moment to the Florentine ambassador’s letters upon the subject, we find in this other Capello—Francesco Capello was his name—accounts which differ alike from Paolo Capello’s and from Burchard’ stories. But he is careful to say that he is simply repeating the rumours that are abroad, and cites several different versions that are current, adding that the truth of the affair is not known to anybody. His conclusions, however, particularly those given in cipher, point to Cesare Borgia as the perpetrator of the deed, and hint at some such motive of retaliation for an attempt upon his own life as that which is given by the ambassador of Venice.
To take a moment to look at the Florentine ambassador’s letters on the topic, we find another account from Capello—his name was Francesco Capello—that differs from both Paolo Capello’s and Burchard’s stories. However, he is careful to note that he is merely repeating the rumors out there and lists several different versions that are circulating, adding that no one really knows the truth of the matter. His conclusions, though, especially those written in code, suggest that Cesare Borgia is responsible for the act and imply a motive of revenge for an attempt on his own life, similar to what the Venetian ambassador mentioned.
There is much mystery in the matter, despite Gregorovius’s assertion to the contrary—mystery which mere assertion will not dissipate. This conclusion, however, it is fair to draw: if, on Capello’s evidence, we are to accept it that Cesare Borgia is responsible for the death of Alfonso of Aragon, then, on the same evidence, we must accept the motive as well as the deed. We must accept as equally exact his thrice-repeated statement in letters to the Senate that the prince had planned Cesare’s death by posting crossbow-men to shoot him.(1)
There's a lot of mystery in this situation, even though Gregorovius claims otherwise—mystery that mere claims won't clear up. However, it’s reasonable to conclude this: if we accept Capello’s evidence that Cesare Borgia is responsible for Alfonso of Aragon's death, then we must also accept the motive along with the act. We have to take his statement, which he repeated three times in letters to the Senate, as equally accurate: that the prince had plotted Cesare's death by hiring crossbowmen to shoot him. (1)
1 It is extremely significant that Capello’s Relazione contains no mention of Alfonso’s plot against Cesare’s life, a matter which, as we have seen, had figured so repeatedly in that ambassador’s dispatches from Rome at the time of the event. This omission is yet another proof of the malicious spirit by which the “relation” was inspired. The suppression of anything that might justify a deed attributed to Cesare reveals how much defamation and detraction were the aims of this Venetian.
1 It’s very important that Capello’s report doesn’t mention Alfonso’s plot against Cesare’s life, a topic that, as we’ve seen, was often included in that ambassador’s messages from Rome during the event. This omission is yet another example of the malicious intent behind the “report.” The exclusion of anything that could justify an action attributed to Cesare shows just how much defamation and derision were the goals of this Venetian.
Either we must accept all, or we must reject all, that Capello tells us. If we reject all, then we are left utterly without information as to how Alfonso of Aragon died. If we accept all, then we find that it was as a measure of retaliation that Cesare compassed the death of his brother-in-law, which made it not a murder, but a private execution—justifiable under the circumstances of the provocation received and as the adjustment of these affairs was understood in the Cinquecento.
Either we have to accept everything that Capello tells us, or we have to reject it all. If we reject everything, then we have no information at all about how Alfonso of Aragon died. If we accept everything, then we discover that Cesare orchestrated his brother-in-law's death as a form of retaliation, which makes it not a murder, but a private execution—justifiable given the provocation he faced and how these matters were viewed in the Cinquecento.
CHAPTER VI. RIMINI AND PESARO
In the autumn of 1500, fretting to take the field again, Cesare was occupied in raising and equipping an army—an occupation which received an added stimulus when, towards the end of August, Louis de Villeneuve, the French ambassador, arrived in Rome with the articles of agreement setting forth the terms upon which Louis XII was prepared further to assist Cesare in the resumption of his campaign. In these it was stipulated that, in return for such assistance, Cesare should engage himself, on his side, to aid the King of France in the conquest of Naples when the time for that expedition should be ripe. Further, Loius XII was induced to make representations to Venice to the end that the Republic should remove her protection from the Manfredi of Faenza and the Malatesta of Rimini.
In the fall of 1500, eager to take the field again, Cesare was busy raising and equipping an army—an effort that gained additional momentum when, towards the end of August, Louis de Villeneuve, the French ambassador, arrived in Rome with the agreements detailing the terms under which Louis XII was willing to further assist Cesare in resuming his campaign. These agreements stipulated that, in return for such assistance, Cesare would commit to helping the King of France conquer Naples when the time was right for that expedition. Additionally, Louis XII was persuaded to urge Venice to withdraw its protection from the Manfredi of Faenza and the Malatesta of Rimini.
Venice being at the time in trouble with the Turk, and more anxious than ever to conciliate France and the Pope, was compelled to swallow her reluctance and submit with the best grace she could assume. Accordingly she dispatched her ambassadors to Rome to convey her obedience to the Pope’s Holiness, and formally to communicate the news that she withdrew her protection from the proscribed fiefs.
Venice, facing trouble with the Turks and more eager than ever to make peace with France and the Pope, had to set aside its reluctance and submit as gracefully as possible. Therefore, it sent ambassadors to Rome to express its obedience to the Pope and officially announce that it was withdrawing its protection from the outlawed fiefs.
Later in the year—in the month of October—the Senate was to confer upon Cesare Borgia the highest honour in her gift, the honour of which the Venetians were jealous above all else—the honour of Venetian citizenship, inscribing his name in the Golden Book, bestowing upon him a palace in Venice and conferring the other marks of distinction usual to the occasion. One is tempted to ask, Was it in consequence of Paolo Capello’s lurid Relation that the proud Republic considered him qualified for such an honour?
Later in the year—in October—the Senate was set to grant Cesare Borgia the highest honor in its power, the honor the Venetians coveted above all else—the honor of Venetian citizenship, adding his name to the Golden Book, giving him a palace in Venice, and conferring the usual other distinctions for the occasion. One might wonder, was it because of Paolo Capello’s sensational account that the proud Republic deemed him worthy of such an honor?
To return, however, to the matter of the Republic’s removal of her shield from Rimini and Faenza, Alexander received the news of this with open joy and celebrated it with festivities in the Vatican, whilst from being angry with Venice and from declaring that the Republic need never again look to him for favour, he now veered round completely and assured the Venetian envoys, in a burst of gratitude, that he esteemed no Power in the world so highly. Cesare joined in his father’s expressions of gratitude and appreciation, and promised that Alexander should be succeeded in St. Peter’s Chair by such a Pope as should be pleasing to Venice, and that, if the cardinals but remained united, the Pontificate should go to none but a Venetian.
To get back to the issue of the Republic taking its shield away from Rimini and Faenza, Alexander was overjoyed when he heard the news and celebrated it with festivities at the Vatican. After being angry with Venice and stating that the Republic should never expect his favor again, he completely changed his stance and told the Venetian envoys, in a moment of gratitude, that he held no one in the world in higher regard. Cesare echoed his father's expressions of thanks and promised that Alexander would be succeeded in St. Peter’s Chair by a Pope who would be favored by Venice, and that, as long as the cardinals remained united, the Papacy would go to a Venetian.
Thus did Cesare, sincerely or otherwise, attempt to lessen the Republic’s chagrin to see him ride lance-on-thigh as conqueror into the dominions which she so long had coveted.
Thus did Cesare, whether genuinely or not, try to ease the Republic's disappointment at seeing him ride with his lance on his thigh as a conqueror into the territories that she had long desired.
France once more placed Yves d’Allègre at Cesare’s disposal, and with him went six hundred lances and six hundred Swiss foot. These swelled the forces which already Cesare had assembled into an army some ten thousand strong. The artillery was under the command of Vitellozzo Vitelli, whilst Bartolomeo da Capranica was appointed camp-master. Cesare’s banner was joined by a condotta under Paolo Orsini—besides whom there were several Roman gentlemen in the duke’s following, including most of those who had formed his guard of honour on the occasion of his visit to France, and who had since then continued to follow his fortunes. Achille Tiberti came to Rome with a condotta which he had levied in the Romagna of young men who had been moved by Cesare’s spreading fame to place their swords at his disposal. A member of the exiled Malvezzi family of Bologna headed a little troop of fellow-exiles which came to take service with the duke, whilst at Perugia a strong body of foot awaited him under Gianpaolo Baglioni.
France once again assigned Yves d’Allègre to Cesare, along with six hundred lances and six hundred Swiss infantry. This increased the forces Cesare had already gathered into an army of about ten thousand. The artillery was commanded by Vitellozzo Vitelli, while Bartolomeo da Capranica was appointed as camp-master. Cesare’s banner was joined by a group led by Paolo Orsini, alongside several Roman gentlemen in the duke’s entourage, many of whom had served as his honor guard during his visit to France and had since continued to follow him. Achille Tiberti arrived in Rome with a group he had recruited from the Romagna, composed of young men inspired by Cesare’s growing reputation to offer their swords. A member of the exiled Malvezzi family from Bologna led a small band of fellow exiles who came to serve the duke, while a strong contingent of infantry awaited him in Perugia under Gianpaolo Baglioni.
In addition to these condotte, numerous were the adventurers who came to offer Cesare their swords; indeed he must have possessed much of that personal magnetism which is the prime equipment of every born leader, for he stirred men to the point of wild enthusiasm in those days, and inspired other than warriors to bear arms for him. We see men of letters, such as Justolo, Calmeta, Sperulo, and others throwing down their quills to snatch up swords and follow him. Painters, and sculptors, too, are to be seen abandoning the ideals of art to pursue the ugly realities of war in this young condottiero’s train. Among these artists, bulks the great Pietro Torrigiani. The astounding pen of his brother-sculptor, Benvenuto Cellini, has left us a sharp portrait of this man, in which he speaks of his personal beauty and tells us that he had more the air of a great soldier than a sculptor (which must have been, we fancy, Cellini’s own case). Torrigiani lives in history chiefly for two pieces of work widely dissimilar in character—the erection of the tomb of Henry VII of England, and the breaking of the nose of Michelangelo Buonarroti in the course of a quarrel which he had with him in Florence when they were fellow-students under Masaccio. Of nothing that he ever did in life was he so proud—as we may gather from Cellini—as of having disfigured Michelangelo, and in that sentiment the naïve spirit of his age again peeps forth.
Along with these mercenaries, many adventurers came to offer Cesare their swords; he must have had a lot of that personal charm that every born leader possesses since he inspired wild enthusiasm in those days and encouraged not just warriors to fight for him. We see scholars like Justolo, Calmeta, Sperulo, and others dropping their pens to grab swords and join him. Painters and sculptors also abandoned their artistic ideals to pursue the harsh realities of war alongside this young mercenary leader. Among these artists was the great Pietro Torrigiani. The remarkable pen of his fellow sculptor, Benvenuto Cellini, gives us a vivid portrait of Torrigiani, describing his personal beauty and noting that he looked more like a great soldier than a sculptor (which, we imagine, was true for Cellini himself). Torrigiani is mostly remembered in history for two very different achievements: the construction of the tomb of Henry VII of England and breaking Michelangelo Buonarroti's nose during a fight they had in Florence when they were both studying under Masaccio. He was prouder of nothing else in life—as we can gather from Cellini—than having disfigured Michelangelo, and that sentiment reveals the naïve spirit of his time.
We shall also see Leonardo da Vinci joining the duke’s army as engineer—but that not until some months later.
We will also see Leonardo da Vinci joining the duke's army as an engineer—but that won't happen for several months.
Meanwhile his forces grew daily in Rome, and his time was consumed in organizing, equipping, and drilling these, to bring about that perfect unity for which his army was to be conspicuous in spite of the variety of French, Italian, Spanish, and Swiss elements of which it was composed. So effectively were his troops armed and so excellent was the discipline prevailing among them, that their like had probably never before been seen in the peninsula, and they were to excite—as much else of Cesare’s work—the wonder and admiration of that great critic Macchiavelli.
Meanwhile, his forces in Rome grew daily, and he spent his time organizing, equipping, and training them to achieve the perfect unity for which his army would stand out, despite its mix of French, Italian, Spanish, and Swiss soldiers. His troops were armed so effectively, and the discipline among them was so impressive, that probably no other army like it had ever been seen in the peninsula, and they were set to amaze—just like much of Cesare’s work—great critic Machiavelli.
So much, however, was not to be achieved without money, and still more would be needed for the campaign ahead. For this the Church provided. Never had the coffers of the Holy See been fuller than at this moment. Additional funds accrued from what is almost universally spoken of as “the sale of twelve cardinals’ hats.”
So much, however, couldn’t be accomplished without money, and even more would be needed for the upcoming campaign. For this, the Church stepped in. The coffers of the Holy See had never been fuller than they were at this moment. Additional funds came from what is commonly referred to as “the sale of twelve cardinals’ hats.”
In that year—in September—twelve new cardinals were appointed, and upon each of those was levied, as a tax, a tithe of the first year’s revenues of the benefices upon which they entered. The only justifiable exception that can be taken to this lies in the number of cardinals elected at one time, which lends colour to the assumption that the sole aim of that election was to raise additional funds for Cesare’s campaign. Probably it was also Alexander’s aim further to strengthen his power with the Sacred College, so that he could depend upon a majority to ensure his will in all matters. But we are at the moment concerned with the matter of the levied tax.
In that year—in September—twelve new cardinals were appointed, and each of them was charged a tax equal to a tenth of the first year’s income from the benefices they took on. The only reasonable criticism of this is the number of cardinals elected at once, which suggests that the main goal of the election was to raise extra funds for Cesare’s campaign. It’s likely that Alexander also aimed to further solidify his power with the Sacred College, ensuring he had a majority to back his decisions on all matters. But right now, we’re focusing on the tax that was imposed.
It has been dubbed “an atrocious act of simony;” but the reasoning that so construes it is none so clear. The cardinals’ hats carried with them vast benefices. These benefices were the property of the Church; they were in the gift and bestowal of the Pope, and in the bestowing of them the Pope levied a proportionate tax. Setting aside the argument that this tax was not an invention of Alexander’s, does such a proceeding really amount to a “sale” of benefices? A sale presupposes bargaining, a making of terms between two parties, an adjusting of a price to be paid. There is evidence of no such marketing of these benefices; indeed one cardinal, vowed to poverty, received his hat without the imposition of a tax, another was Cesare’s brother-in-law, Amanieu d’Albret, who had been promised the hat a year ago. It is further to be borne in mind that, four months earlier, the Pope had levied a similar decima, or tax, upon the entire College of Cardinals and every official in the service of the Holy See, for the purposes of the expedition against the Muslim, who was in arms against Christianity. Naturally that tax was not popular with luxurious, self-seeking, cinquecento prelates, who in the main cared entirely for their own prosperity and not at all for that of Christianity, and you may realize how, by levying it, Alexander laid himself open to harsh criticism.
It has been called “an atrocious act of simony,” but the reasoning behind that view isn’t very clear. The cardinal's hats came with significant benefits. These benefits belonged to the Church; they were granted by the Pope, who charged a tax for giving them out. Setting aside the fact that this tax wasn’t something Alexander invented, does this really count as a “sale” of benefits? A sale implies negotiation, reaching an agreement between two parties, and setting a price. There’s no evidence of any such trading of these benefits; in fact, one cardinal, who had taken a vow of poverty, received his hat without having to pay a tax, and another was Cesare’s brother-in-law, Amanieu d’Albret, who had been promised the hat a year earlier. It's also worth noting that, four months prior, the Pope had imposed a similar tax on the entire College of Cardinals and every official in the Holy See’s service for the campaign against the Muslim, who was threatening Christianity. Naturally, that tax wasn’t popular with the wealthy, self-serving prelates of the Renaissance, who mostly cared about their own wealth rather than that of Christianity, and you can see how levying it opened Alexander up to serious criticism.
The only impugnable matter in the deed lies, as has been said, in the number of cardinals so created at a batch. But the ends to be served may be held to justify, if not altogether, at least in some measure, the means adopted. The Romagna war for which the funds were needed was primarily for the advancement of the Church, to expunge those faithless vicars who, appointed by the Holy See and holding their fiefs in trust for her, refused payment of just tribute and otherwise so acted as to alienate from the Church the States which she claimed for her own. Their restoration to the Church—however much it might be a means of founding a Borgia dynasty in the Romagna—made for the greater power and glory of the Holy See. Let us remember this, and that such was the end which that tax, levied upon those newly elected cardinals, went to serve. The aggrandizement of the House of Borgia was certainly one of the results to be expected from the Romagna campaign, but we are not justified in accounting it the sole aim and end of that campaign.
The only questionable aspect of the deed, as mentioned, is the number of cardinals created at once. However, the goals to be achieved may justify, if not completely, at least to some extent, the means used. The war in Romagna, for which the funds were necessary, was mainly aimed at advancing the Church by removing those unfaithful vicarages who, appointed by the Holy See and holding their lands in trust, refused to pay their rightful dues and acted in ways that distanced the claimed states from the Church. Their return to the Church—no matter how much it might also serve to establish a Borgia dynasty in Romagna—ultimately contributed to the greater power and glory of the Holy See. We should keep this in mind, as the tax imposed on the newly elected cardinals was meant to support this goal. While the expansion of the House of Borgia was certainly one expected outcome of the Romagna campaign, we shouldn’t consider it the only purpose of that campaign.
Alexander had this advantage over either Sixtus IV or Innocent VIII—not to go beyond those Popes whom he had served as Vice-Chancellor, for instances of flagrant nepotism—that he at least served two purposes at once, and that, in aggrandizing his own family, he strengthened the temporal power of the Church, whereas those others had done nothing but undermine it that they might enrich their progeny.
Alexander had an advantage over both Sixtus IV and Innocent VIII—not to mention those Popes he had served as Vice-Chancellor—regarding blatant nepotism. He managed to serve two purposes at once: by elevating his own family, he also reinforced the Church's temporal power, while the others only weakened it to enrich their own descendants.
And whilst on this subject of the “sale” of cardinals’ hats, it may not be amiss to say a word concerning the “sale” of indulgences with which Alexander has been so freely charged. Here again there has been too loud an outcry against Alexander—an outcry whose indignant stridency leads one to suppose that the sale of indulgences was a simony invented by him, or else practised by him to an extent shamefully unprecedented. Such is very far from being the case. The arch-type of indulgence-seller—as of all other simoniacal practices—is Innocent VIII. In his reign we have seen the murderer commonly given to choose between the hangman and the purchase of a pardon, and we have seen the moneys so obtained providing his bastard, the Cardinal Francesco Cibo, with the means for the luxuriously licentious life whose gross disorders prematurely killed him.
And while we're on the topic of the “sale” of cardinals’ hats, it might be worth mentioning the “sale” of indulgences that Alexander has been heavily criticized for. Once again, there's been an excessive outcry against Alexander—an outcry so loud and indignant that it seems to suggest that he either invented the sale of indulgences or practiced it to a shamelessly unprecedented degree. This is far from the truth. The original indulgence seller—like all other simoniacal practices—is Innocent VIII. During his reign, we saw murderers typically given the choice between the hangman and buying a pardon, and we saw the money raised from this providing his illegitimate son, Cardinal Francesco Cibo, with the means for a luxuriously indulgent life that ultimately led to his premature death.
To no such flagitious lengths as these can it be shown that Alexander carried the “sale” of the indulgences he dispensed. He had no lack of precedent for the practice, and, so far as the actual practice itself is concerned, it would be difficult to show that it was unjustifiable or simoniacal so long as confined within certain well-defined bounds, and so long as the sums levied by it were properly employed to the benefit of Christianity. It is a practice comparable to the mulcting of a civil offender against magisterial laws. Because our magistrates levy fines, it does not occur to modern critics to say that they sell pardons and immunity from gaol. It is universally recognized as a wise and commendable measure, serving the twofold purpose of punishing the offender and benefiting the temporal State against which he has offended. Need it be less commendable in the case of spiritual offences against a spiritual State? It is more useful than the imposition of the pattering of a dozen prayers at bedtime, and since, no doubt, it falls more heavily upon the offender, it possibly makes to an even greater extent for his spiritual improvement.
It's not possible to show that Alexander went to such extreme lengths in the "sale" of the indulgences he offered. He had plenty of precedent for this practice, and as for the practice itself, it would be hard to argue that it was unjust or corrupt as long as it stayed within certain clear limits and the money collected was used for the benefit of Christianity. It's similar to how civil offenders are fined for breaking laws. Modern critics don’t claim that magistrates are selling pardons or immunity from jail just because they impose fines. It's widely accepted as a sensible and good approach, serving the dual purpose of punishing the offender and benefiting the state. Should it be any less acceptable in the case of spiritual offenses against a spiritual community? It's likely more helpful than simply requiring a dozen prayers at bedtime, and since it probably weighs more heavily on the offender, it can lead to even greater spiritual growth.
Thus considered, this “sale” of indulgences loses a deal of the heinousness with which it has been invested. The funds so realized go into the coffers of the Church, which is fit and proper. What afterwards becomes of them at the hands of Alexander opens up another matter altogether, one in which we cannot close our eyes to the fact that he was as undutiful as many another who wore the Ring of the Fisherman before him. Yet this is to be said for him: that, if he plunged his hands freely into the treasury of the Holy See, at least he had the ability to contrive that this treasury should be well supplied; and the circumstance that, when he died, he left the church far wealthier and more powerful than she had been for centuries, with her dominions which his precursors had wantonly alienated reconsolidated into that powerful State that was to endure for three hundred years, is an argument to the credit of his pontificate not lightly to be set aside.
When you look at it this way, the “sale” of indulgences isn’t as terrible as it’s often made out to be. The money raised goes to the Church, which is appropriate. What happens to it afterward under Alexander is a whole different issue, and we can’t ignore that he was just as neglectful as many others who held the Ring of the Fisherman before him. However, it’s worth mentioning that even though he took freely from the treasury of the Holy See, he was also able to ensure that the treasury was well-stocked. The fact that he left the Church significantly richer and more powerful than it had been in centuries—reuniting territories that his predecessors had recklessly lost into a strong State that would last for three hundred years—is a point in favor of his papacy that shouldn’t be dismissed lightly.
Imola and Forli had, themselves, applied to the Pontiff to appoint Cesare Borgia their ruler in the place of the deposed Riarii. To these was now added Cesena. In July disturbances occurred there between Guelphs and Ghibellines. Swords were drawn and blood flowed in the streets, until the governor was constrained to summon Ercole Bentivogli and his horse from Forli to quell the rioting. The direct outcome of this was that—the Ghibellines predominating in council—Cesena sent an embassy to Rome to beg his Holiness to give the lordship of the fief to the Duke of Valentinois. To this the Pope acceded, and on August 2 Cesare was duly appointed Lord Vicar of Cesena. He celebrated his investiture by remitting a portion of the taxes, abolishing altogether the duty on flour, and by bringing about a peace between the two prevailing factions.
Imola and Forli had asked the Pope to make Cesare Borgia their ruler instead of the deposed Riarii. Cesena joined their request. In July, there were disturbances there between the Guelphs and Ghibellines. Swords were drawn, and blood spilled in the streets, forcing the governor to call for Ercole Bentivogli and his cavalry from Forli to restore order. As a result, with the Ghibellines gaining the upper hand in council, Cesena sent an envoy to Rome asking the Pope to grant the lordship of the fief to the Duke of Valentinois. The Pope agreed, and on August 2, Cesare was officially appointed Lord Vicar of Cesena. He marked his investiture by reducing some taxes, completely eliminating the duty on flour, and facilitating peace between the two dominant factions.
By the end of September Cesare’s preparations for the resumption of the campaign were completed, and early in October (his army fortified in spirit by the Pope’s blessing) he set out, and made his first halt at Nepi. Lucrezia was there, with her Court and her child Roderigo, having withdrawn to this her castle to mourn her dead husband Alfonso; and there she abode until recalled to Rome by her father some two months later.
By the end of September, Cesare had finished getting ready to resume the campaign, and in early October (his army uplifted by the Pope’s blessing) he set out and made his first stop in Nepi. Lucrezia was there with her court and her child Roderigo, having retreated to her castle to grieve for her late husband Alfonso; she stayed there until her father called her back to Rome about two months later.
Thence Cesare pushed on, as swiftly as the foul weather would allow him, by way of Viterbo, Assisi, and Nocera to cross the Apennines at Gualdo. Here he paused to demand the release of certain prisoners in the hill fortress of Fossate, and to be answered by a refusal. Angered by this resistance of his wishes and determined to discourage others from following the example of Fossate, he was swift and terrible in his rejoinder. He seized the Citadel, and did by force what had been refused to his request. Setting at liberty the prisoners in durance there, he gave the territory over to devastation by fire and pillage.
Then Cesare continued on, as quickly as the bad weather would let him, through Viterbo, Assisi, and Nocera to cross the Apennines at Gualdo. Here he stopped to demand the release of certain prisoners in the hill fortress of Fossate, only to be met with a refusal. Angered by this resistance to his wishes and determined to discourage others from following Fossate's example, he was swift and brutal in his response. He took the Citadel by force and did what had been refused to him. Releasing the prisoners held there, he allowed the territory to be devastated by fire and looting.
That done he resumed his march, but the weather retarded him more and more. The heavy and continuous rains had reduced the roads to such a condition that his artillery fell behind, and he was compelled to call a halt once more, at Deruta, and wait there four days for his guns to overtake him.
That done, he continued his march, but the weather kept slowing him down more and more. The heavy, constant rain had made the roads so bad that his artillery lagged behind, and he had to stop again at Deruta, where he waited four days for his guns to catch up.
In Rimini the great House of Malatesta was represented by Pandolfo—Roberto Malatesta’s bastard and successor—a degenerate so detested by his subjects that he was known by the name of Pandolfaccio (a contumelious augmentative, expressing the evil repute in which he was held).
In Rimini, the prominent House of Malatesta was represented by Pandolfo—Roberto Malatesta’s illegitimate son and successor—who was so disliked by his subjects that he was nicknamed Pandolfaccio (a derogatory term emphasizing his poor reputation).
Among his many malpractices and the many abuses to which he resorted for the purposes of extorting money from his long-suffering subjects was that of compelling the richer men of Rimini to purchase from him the estates which he confiscated from the fuorusciti—those who had sought in exile safety from the anger provoked by their just resentment of his oppressive misrule. He was in the same case as other Romagna tyrants, and now that Venice had lifted from him her protecting aegis, he had no illusions as to the fate in store for him. So when once more the tramp of Cesare Borgia’s advancing legions rang through the Romagna, Pandolfaccio disposed himself, not for battle, but for surrender on the best terms that he might succeed in making.
Among his many wrongdoings and the numerous abuses he used to extort money from his long-suffering subjects was the tactic of forcing the wealthier men of Rimini to buy back the properties he had seized from the fuorusciti—those who had gone into exile to escape the anger caused by their justified resentment of his oppressive rule. He was in the same situation as other tyrants in Romagna, and now that Venice had removed its protective shield from him, he had no illusions about what would happen next. So when the sound of Cesare Borgia’s advancing troops echoed through Romagna once again, Pandolfaccio prepared himself, not for a fight, but for surrender on whatever terms he could negotiate.
He was married to Violante, the daughter of Giovanni Bentivogli of Bologna, and in the first week of October he sent her, with their children, to seek shelter at her father’s Court. Himself, he withdrew into his citadel—the famous fortress of his terrible grandfather Sigismondo. The move suggested almost that he was preparing to resist the Duke of Valentinois, and it may have prompted the message sent him by the Council to inquire what might be his intention.
He was married to Violante, the daughter of Giovanni Bentivogli from Bologna, and during the first week of October, he sent her and their kids to take refuge at her father's court. He, on the other hand, retreated into his citadel—the well-known fortress built by his formidable grandfather Sigismondo. This action almost hinted that he was getting ready to stand against the Duke of Valentinois, which might have led to the message from the Council asking about his intentions.
Honour was a thing unknown to this Pandolfaccio—even so much honour as may be required for a dignified retreat. Since all was lost it but remained—by his lights—to make the best bargain that he could and get the highest possible price in gold for what he was abandoning. So he replied that the Council must do whatever it considered to its best advantage, whilst to anticipate its members in any offer of surrender, and thus seek the favour and deserve good terms at the hands of this man who came to hurl him from the throne of his family, he dispatched a confidential servant to Cesare to offer him town and citadel.
Honour was something this Pandolfaccio didn’t understand—even the kind of honour needed for a dignified retreat. Since he had lost everything, his only choice was to make the best deal he could and get the highest price in gold for what he was leaving behind. So he responded that the Council should do whatever it thought was best for itself, while he would not jump ahead of its members with an offer of surrender. Instead, in hopes of winning favor and getting a good deal from the man who was about to take him down from his family throne, he sent a trusted servant to Cesare to offer him the town and citadel.
In the meantime—as Pandolfo fully expected—the Council also sent proposals of surrender to Cesare, as well as to his lieutenant-general of Romagna, Bishop Olivieri, at Cesena. The communications had the effect of bringing Olivieri immediately to Rimini, and there, on October 10, the articles of capitulation were signed by the bishop, as the duke’s representative, and by Pandolfo Malatesta. It was agreed in these that Malatesta should have safe-conduct for himself and his familiars, 3,000 ducats and the value—to be estimated—of the artillery which he left in the citadel. Further, for the price of 5,500 ducats he abandoned also the strongholds of Sarsina and Medola and the castles of the Montagna.
In the meantime—as Pandolfo fully expected—the Council also sent surrender proposals to Cesare, as well as to his lieutenant-general of Romagna, Bishop Olivieri, at Cesena. The messages prompted Olivieri to come to Rimini right away, and there, on October 10, the terms of surrender were signed by the bishop, representing the duke, and by Pandolfo Malatesta. It was agreed that Malatesta would receive safe passage for himself and his associates, 3,000 ducats, and the estimated value of the artillery he left in the citadel. Additionally, for the sum of 5,500 ducats, he also gave up the strongholds of Sarsina and Medola and the castles of the Montagna.
His tyranny thus disposed of, Pandolfaccio took ship to Ravenna, where the price of his dishonour was to be paid him, and in security for which he took with him Gianbattista Baldassare, the son of the ducal commissioner.
His tyranny dealt with, Pandolfaccio took a ship to Ravenna, where he was to pay the price for his dishonor, and for security, he brought along Gianbattista Baldassare, the son of the ducal commissioner.
On the day of his departure, to celebrate the bloodless conquest of Rimini, solemn High Mass was sung in the Cathedral, and Bishop Olivieri received the city’s oath of allegiance to the Holy See, whither very shortly afterwards Rimini sent her ambassadors to express to the Pope her gratitude for her release from the thraldom of Pandolfaccio.
On the day he left, to celebrate the peaceful takeover of Rimini, a solemn High Mass was held in the Cathedral, and Bishop Olivieri received the city's pledge of loyalty to the Holy See. Shortly after, Rimini sent her ambassadors to thank the Pope for freeing them from the rule of Pandolfaccio.
Like Rimini, Pesaro too fell without the striking of a blow, for all that it was by no means as readily relinquished on the part of its ruler. Giovanni Sforza had been exerting himself desperately for the past two months to obtain help that should enable him to hold his tyranny against the Borgia might. But all in vain. His entreaties to the emperor had met with no response, whilst his appeal to Francesco Gonzaga of Mantua—whose sister, it will be remembered, had been his first wife—had resulted in the Marquis’s sending him a hundred men under an Albanian, named Giacopo.
Like Rimini, Pesaro also fell without a fight, even though its ruler didn't want to give it up easily. Giovanni Sforza had been desperately trying for the last two months to get help that would allow him to maintain his control against the power of the Borgia family. But it was all pointless. His pleas to the emperor went unanswered, and his request to Francesco Gonzaga of Mantua—whose sister, as you might recall, was his first wife—led to the Marquis sending him a hundred men led by an Albanian named Giacopo.
What Giovanni was to do with a hundred men it is difficult to conceive, nor are the motives of Gonzaga’s action clear. We know that at this time he was eagerly seeking Cesare’s friendship, sorely uneasy as to the fate that might lie in store for his own dominions, once the Duke of Valentinois should have disposed of the feudatories of the Church. Early in that year 1500 he had asked Cesare to stand godfather for his child, and Cesare had readily consented, whereby a certain bond of relationship and good feeling had been established between them, which everything shows Gonzaga most anxious to preserve unsevered. The only reasonable conclusion in the matter of that condotta of a hundred men is that Gonzaga desired to show friendliness to the Lord of Pesaro, yet was careful not to do so to any extent that might be hurtful to Valentinois.
What Giovanni was supposed to do with a hundred men is hard to imagine, and the reasons for Gonzaga’s actions aren’t clear. We know that at this time he was desperately trying to gain Cesare’s friendship, quite worried about what might happen to his own territories once the Duke of Valentinois dealt with the Church's vassals. Early in that year, 1500, he had asked Cesare to be the godfather of his child, and Cesare had agreed, creating a certain bond of kinship and goodwill between them, which Gonzaga clearly wanted to maintain. The only reasonable conclusion about that hire of a hundred men is that Gonzaga wanted to show goodwill to the Lord of Pesaro but was careful not to overdo it in a way that could upset Valentinois.
As for Giovanni Sforza of whom so many able pens have written so feelingly as the constant, unfortunate victim of Borgia ambition, there is no need to enter into analyses for the purpose of judging him here. His own subjects did so in his own day. When a prince is beloved by all classes of his people, it must follow that he is a good prince and a wise ruler; when his subjects are divided into two factions, one to oppose and the other to support him, he may be good or bad, or good and bad; but when a prince can find none to stand by him in the hour of peril, it is to be concluded that he has deserved little at the hands of those whom he has ruled. The latter is the case of Giovanni Sforza—this prince whom, Yriarte tells us, “rendered sweet the lives of his subjects.” The nobility and the proletariate of Pesaro abhorred him; the trader classes stood neutral, anxious to avoid the consequences of partisanship, since it was the class most exposed to those consequences.
As for Giovanni Sforza, about whom so many talented writers have expressed so passionately as the constant, unfortunate victim of Borgia ambition, there’s no need to analyze him here. His own subjects did that in his time. When a prince is loved by all segments of his people, it naturally follows that he is a good prince and a wise ruler; when his subjects are split into two factions, one against him and the other supporting him, he could be good or bad, or both; but when a prince finds no one to stand by him in times of danger, it suggests that he hasn’t earned much respect from those he governs. This is the situation with Giovanni Sforza—this prince who, according to Yriarte, “made the lives of his subjects sweet.” The nobility and the working class of Pesaro hated him; the merchant class remained neutral, eager to avoid the repercussions of choosing sides, since they were the most vulnerable to those consequences.
On Sunday, October 11—the day after Pandolfo Malatesta had relinquished Rimini—news reached Pesaro that Ercole Bentivogli’s horse was marching upon the town, in advance of the main body of Cesare’s army. Instantly there was an insurrection against Giovanni, and the people, taking to arms, raised the cry of “Duca!” in acclamation of the Duke of Valentinois, under the very windows of their ruler’s palace.
On Sunday, October 11—the day after Pandolfo Malatesta had given up Rimini—news hit Pesaro that Ercole Bentivogli’s horse was heading toward the town, ahead of Cesare’s main army. Immediately, there was a revolt against Giovanni, and the people grabbed their weapons, shouting “Duca!” in support of the Duke of Valentinois, right under their ruler’s palace windows.
Getting together the three hundred men that constituted his army, Giovanni beat a hasty retreat to Pesaro’s magnificent fortress, and that same night he secretly took ship to Ravenna accompanied by the Albanian Giacopo, and leaving his half-brother, Galeazzo Sforza di Cotignola, in command of the citadel. Thence Giovanni repaired to Bologna, and, already repenting his precipitate flight, he appealed for help to Bentivogli, who was himself uneasy, despite the French protection he enjoyed. Similarly, Giovanni addressed fresh appeals to Francesco Gonzaga; but neither of these tyrants could or dared avail him, and, whilst he was still imploring their intervention his fief had fallen into Cesare’s power.
Gathering the three hundred men that made up his army, Giovanni quickly retreated to Pesaro’s impressive fortress. That same night, he secretly boarded a ship to Ravenna, accompanied by his Albanian ally Giacopo, while leaving his half-brother, Galeazzo Sforza di Cotignola, in charge of the citadel. From there, Giovanni went to Bologna and, already regretting his hasty escape, sought help from Bentivogli, who was feeling anxious despite the protection he had from the French. Giovanni also reached out for assistance from Francesco Gonzaga, but neither of these leaders could or dared to help him, and while he was still asking for their support, his fief had fallen into Cesare’s control.
Ercole Bentivogli, with a small body of horse, had presented himself at the gates of Pesaro on October 21, and Galeazzo Sforza, having obtained safe-conduct for the garrison, surrendered.
Ercole Bentivogli, with a small group of troops, arrived at the gates of Pesaro on October 21, and Galeazzo Sforza, having secured safe passage for the garrison, surrendered.
Cesare, meanwhile, was at Fano, where he paused to allow his army to come up with him, for he had outridden it from Fossate, through foul wintry weather, attended only by his light horse. It was said that he hoped that Fano might offer itself to him as other fiefs had done, and—if Pandolfo Collenuccio is correct—he had been counselled by the Pope not to attempt to impose himself upon Fano, but to allow the town a free voice in the matter. If his hopes were as stated, he was disappointed in them, for Fano made no offer to him, and matters remained for the present as they were.
Cesare, meanwhile, was in Fano, where he paused to let his army catch up with him since he had outpaced it from Fossate, riding through harsh winter weather, accompanied only by his light cavalry. It was said that he hoped Fano would surrender to him like other fiefs had, and—if Pandolfo Collenuccio is correct—he had been advised by the Pope not to force his presence on Fano but to let the town decide for itself. If his hopes were as described, he was let down because Fano made no offer to him, and things stayed as they were for the time being.
On the 27th, with the banners of the bull unfurled, he rode into Pesaro at the head of two thousand men, making his entrance with his wonted pomp, of whose dramatic values he was so fully aware. He was met at the gates by the Council, which came to offer him the keys of the town, and, despite the pouring rain under which he entered the city, the people of Pesaro thronged the streets to acclaim him as he rode.
On the 27th, with the bull banners flying, he rode into Pesaro at the front of two thousand men, making his entrance with the usual grandeur that he was well aware of. He was greeted at the gates by the Council, who came to give him the keys to the town, and despite the heavy rain he faced as he entered the city, the people of Pesaro filled the streets to cheer for him as he rode by.
He took up his lodgings at the Sforza Palace, so lately vacated by Giovanni—the palace where Lucrezia Borgia had held her Court when, as Giovanni’s wife, she had been Countess of Pesaro and Cotignola. Early on the morrow he visited the citadel, which was one of the finest in Italy, rivalling that of Rimini for strength. On his arrival there, a flourish of trumpets imposed silence, while the heralds greeted him formally as Lord of Pesaro. He ordered one of the painters in his train to draw up plans of the fortress to be sent to the Pope, and issued instructions for certain repairs and improvements which he considered desirable.
He settled into his accommodations at the Sforza Palace, recently vacated by Giovanni—the palace where Lucrezia Borgia had held her court when she was Giovanni’s wife and the Countess of Pesaro and Cotignola. The next morning, he visited the citadel, which was one of the finest in Italy, rivaling the strength of Rimini. Upon his arrival, a flourish of trumpets signaled silence as the heralds formally greeted him as the Lord of Pesaro. He instructed one of the painters in his entourage to create plans of the fortress to send to the Pope and issued orders for certain repairs and improvements he deemed necessary.
Here in Pesaro came to him the famous Pandolfo Collenuccio, as envoy from the Duke of Ferrara, to congratulate Cesare upon the victory. In sending Collenuccio at such a time Ercole d’Este paid the Duke of Valentinois a subtle, graceful compliment. This distinguished poet, dramatist, and historian was a native of Pesaro who had been exiled ten years earlier by Giovanni—which was the tyrant’s way of showing his gratitude to the man who, more than any other, had contributed to the bastard Sforza’s succession to his father as Lord of Pesaro and Cotignola.
Here in Pesaro, the well-known Pandolfo Collenuccio arrived as an envoy from the Duke of Ferrara to congratulate Cesare on his victory. By sending Collenuccio at such a time, Ercole d’Este gave a subtle and graceful compliment to the Duke of Valentinois. This distinguished poet, playwright, and historian was originally from Pesaro, but he had been exiled ten years earlier by Giovanni, which was the tyrant’s way of showing his gratitude to the man who had done more than anyone else to help the illegitimate Sforza take over from his father as Lord of Pesaro and Cotignola.
Collenuccio was one of the few literary men of his day who was not above using the Italian tongue, treating it seriously as a language and not merely as a debased form of Latin. He was eminent as a jurisconsult, and, being a man of action as well as a man of letters, he had filled the office of Podestá in various cities; he had found employment under Lorenzo dei Medici, and latterly under Ercole d’Este, whom we now see him representing.
Collenuccio was one of the few literary figures of his time who didn’t see the Italian language as beneath him, taking it seriously instead of just viewing it as a lesser form of Latin. He was well-known as a legal expert and, being both a person of action and a scholar, he held the position of Podestá in several cities. He had worked under Lorenzo dei Medici and more recently under Ercole d’Este, whom he is now representing.
Cesare received him with all honour, sending the master of his household, Ramiro de Lorqua, to greet him on his arrival and to bear him the usual gifts of welcome, of barley, wine, capons, candles, sweet-meats, etc., whilst on the morrow the duke gave him audience, treating him in the friendliest manner, as we see from Collenuccio’s own report to the Duke of Ferrara. In this he says of Cesare: “He is accounted valiant, joyous, and open-handed, and it is believed that he holds honest men in great esteem. Harsh in his vengeance, according to many, he is great of spirit and of ambition, athirst for eminence and fame.”
Cesare welcomed him with great respect, sending his chief servant, Ramiro de Lorqua, to greet him upon his arrival and to offer the usual gifts of barley, wine, capons, candles, sweets, and so on. The next day, the duke met with him, treating him very warmly, as noted in Collenuccio’s report to the Duke of Ferrara. In this report, he describes Cesare as: “He is regarded as brave, cheerful, and generous, and people believe he greatly values honest individuals. Though harsh in his retribution, according to many, he is ambitious and has a strong spirit, eager for prominence and recognition.”
Collenuccio was reinstated by Cesare in the possessions of which Giovanni had stripped him, a matter which so excited the resentment of the latter that, when ultimately he returned to his dominions, one of his first acts was to avenge it. Collenuccio, fearing that he might not stand well with the tyrant, had withdrawn from Pesaro. But Giovanni, with all semblance of friendliness, treacherously lured him back to cast him into prison and have him strangled—a little matter which those who, to the detriment of the Borgia, seek to make a hero of this Giovanni Sforza, would do well not to suppress.
Collenuccio was restored by Cesare to the lands that Giovanni had taken from him, which infuriated Giovanni so much that when he eventually returned to his territory, one of his first actions was to seek revenge. Fearing he wouldn't be in good favor with the tyrant, Collenuccio had left Pesaro. However, Giovanni, appearing friendly, deceitfully lured him back with the intention of imprisoning him and having him strangled—a small detail that those who, to the detriment of the Borgia, attempt to make a hero out of Giovanni Sforza, should not overlook.
A proof of the splendid discipline prevailing in Cesare’s army is afforded during his brief sojourn in Pesaro. In the town itself, some two thousand of his troops were accommodated, whilst some thousands more swarmed in the surrounding country. Occupation by such an army was, naturally enough, cause for deep anxiety on the part of a people who were but too well acquainted with the ways of the fifteenthcentury men-at-arms. But here was a general who knew how to curb and control his soldiers. Under the pain of death his men were forbidden from indulging any of the predations or violences usual to their kind; and, as a consequence, the inhabitants of Pesaro had little to complain of.
A clear example of the excellent discipline in Cesare’s army can be seen during his short stay in Pesaro. In the town itself, about two thousand of his troops were housed, while several thousand more filled the surrounding countryside. The presence of such an army understandably caused significant worry for the locals, who were all too familiar with the behavior of fifteenth-century soldiers. However, here was a general who could manage and control his men. Under the threat of death, his soldiers were not allowed to engage in the looting or violence that was typical for their kind; as a result, the people of Pesaro had little to complain about.
Justolo gives us a picture of the Duke of Valentinois on the banks of the River Montone, which again throws into relief the discipline which his very presence—such was the force of his personality—was able to enforce. A disturbance arose among his soldiers at the crossing of this river, which was swollen with rains and the bridge of which had been destroyed. It became necessary to effect the crossing in one small boat—the only craft available—and the men, crowding to the bank, stormed and fought for precedence until the affair grew threatening. Cesare rode down to the river, and no more than his presence was necessary to restore peace. Under that calm, cold eye of his the men instantly became orderly, and, whilst he sat his horse and watched them, the crossing was soberly effected, and as swiftly as the single craft would permit.
Justolo provides a depiction of the Duke of Valentinois by the River Montone, highlighting the discipline his presence—such was the strength of his character—was able to instill. A disturbance erupted among his soldiers at the river crossing, which had swelled due to recent rains and where the bridge had been destroyed. They had to cross in a single small boat—the only one available—and the men, rushing to the bank, clamored and fought for priority until the situation became dangerous. Cesare rode down to the river, and just his presence was enough to restore order. Under his calm, piercing gaze, the men quickly fell into line, and while he sat on his horse observing them, they crossed in an orderly manner as quickly as the single boat would allow.
The duke remained but two days in Pesaro. On the 29th, having appointed a lieutenant to represent him, and a captain to the garrison, he marched out again, to lie that night at Cattolica and enter Rimini on the morrow.
The duke stayed just two days in Pesaro. On the 29th, after appointing a lieutenant to stand in for him and a captain for the garrison, he set out again, planning to stay that night in Cattolica and enter Rimini the next day.
There again he was received with open arms, and he justified the people’s welcome of him by an immediate organization of affairs which gave universal satisfaction. He made ample provision for the proper administration of justice and the preservation of the peace; he recalled the fuorusciti exiled by the unscrupulous Pandolfaccio, and he saw them reinstated in the property of which that tyrant had dispossessed them. As his lieutenant in Rimini, with strict injunctions to preserve law and order, he left Ramiro de Lorqua, when, on November 2, he departed to march upon Faenza, which had prepared for resistance.
There, once again, he was welcomed with open arms, and he justified the people's warm reception by quickly organizing things in a way that pleased everyone. He made sure there was a proper system to administer justice and maintain peace; he brought back the exiles who had been kicked out by the ruthless Pandolfaccio, and he made sure they were restored to their properties that the tyrant had taken from them. He left Ramiro de Lorqua as his deputy in Rimini, with strict orders to uphold law and order, before departing on November 2 to head toward Faenza, which had gotten ready to fight back.
What Cesare did in Rimini was no more than he was doing throughout the Romagna, as its various archives bear witness. They bear witness no less to his vast ability as an administrator, showing how he resolved the prevailing chaos into form and order by his admirable organization and suppression of injustice. The same archives show us also that he found time for deeds of beneficence which endeared him to the people, who everywhere hailed him as their deliverer from thraldom. It would not be wise to join in the chorus of those who appear to have taken Cesare’s altruism for granted. The rejection of the wild stories that picture him as a corrupt and murderous monster, utterly inhuman, and lay a dozen ghastly crimes to his account need not entail our viewing Cesare as an angel of deliverance, a divine agent almost, rescuing a suffering people from oppression out of sheer humanitarianism.
What Cesare did in Rimini was just a part of what he was doing throughout the Romagna, as the various archives show. They also demonstrate his impressive skills as an administrator, illustrating how he transformed the existing chaos into structure and order through his excellent organization and the suppression of injustice. The same archives reveal that he also took time for charitable acts that endeared him to the people, who everywhere regarded him as their savior from oppression. It wouldn't be wise to join in with those who seem to have taken Cesare’s altruism for granted. Dismissing the outrageous stories that portray him as a corrupt and murderous monster, completely inhuman, and attributing a dozen horrific crimes to him doesn’t mean we have to see Cesare as an angel of salvation, almost a divine figure, rescuing a suffering populace from oppression purely out of humanitarian concern.
He is the one as little as the other. He is just—as Collenuccio wrote to Ercole d’Este—“great of spirit and of ambition, athirst for eminence and fame.” He was consumed by the desire for power and worldly greatness, a colossus of egotism to whom men and women were pieces to be handled by him on the chess-board of his ambition, to be sacrificed ruthlessly where necessary to his ends, but to be husbanded and guarded carefully where they could serve him.
He is as small as the other. He is just—as Collenuccio wrote to Ercole d’Este—“great in spirit and ambition, eager for success and recognition.” He was driven by the desire for power and worldly success, a giant of self-importance who viewed men and women as pawns on the chessboard of his ambition, willing to sacrifice them without hesitation when it suited his goals, but also to nurture and protect them when they could be useful to him.
With his eyes upon the career of Cesare Borgia, Macchiavelli was anon to write of principalities newly-acquired, that “however great may be the military resources of a prince, he will discover that, to obtain firm footing in a province, he must engage the favour and interest of the inhabitants.”
With his sights set on the career of Cesare Borgia, Machiavelli was soon to write about newly acquired principalities, stating that “no matter how strong a prince's military resources might be, he will find that, to establish a solid presence in a province, he must win the favor and interests of the locals.”
That was a principle self-evident to Cesare—the principle upon which he acted throughout in his conquest of the Romagna. By causing his new subjects to realize at once that they had exchanged an oppressive for a generous rule, he attached them to himself.
That was a principle obvious to Cesare—the principle he followed during his conquest of the Romagna. By making his new subjects quickly understand that they had traded an oppressive regime for a generous one, he gained their loyalty.
CHAPTER VII. THE SIEGE OF FAENZA
The second campaign of the Romagna had opened for Cesare as easily as had the first. So far his conquest had been achieved by little more than a processional display of his armed legions. Like another Joshua, he reduced cities by the mere blare of his trumpets. At last, however, he was to receive a check. Where grown men had fled cravenly at his approach, it remained for a child to resist him at Faenza, as a woman had resisted him at Forli.
The second campaign in Romagna started for Cesare just as smoothly as the first. So far, he had conquered with little more than a show of his armed legions. Like another Joshua, he made cities surrender just by the sound of his trumpets. However, he was finally going to face some resistance. While grown men had cowardly fled from him, it would take a child to stand up to him in Faenza, just as a woman had stood up to him in Forli.
His progress north from Pesaro was of necessity slow. He paused, as we have seen, at Rimini, and he paused again, and for a rather longer spell, at Forli, so that it was not until the second week of November that Astorre Manfredi—the boy of sixteen who was to hold Faenza—caught in the distance the flash of arms and the banners with the bull device borne by the host which the Duke of Valentinois led against him.
His journey north from Pesaro had to be slow. He stopped, as we’ve seen, at Rimini, and then he stopped again, for a longer period, at Forli. Because of that, it wasn’t until the second week of November that Astorre Manfredi—the sixteen-year-old who was supposed to defend Faenza—saw in the distance the glint of armor and the banners with the bull emblem carried by the army that the Duke of Valentinois was leading against him.
At first it had been Astorre’s intent to follow the examples set him by Malatesta and Sforza, and he had already gone so far as to remove his valuables to Ravenna, whither he, too, meant to seek refuge. But he was in better case than any of the tyrants so far deposed inasmuch as his family, which had ruled Faenza for two hundred years, had not provoked the hatred of its subjects, and these were now ready and willing to stand loyally by their young lord. But loyalty alone can do little, unless backed by the might of arms, against such a force as Cesare was prepared to hurl upon Faenza. This Astorre realized, and for his own and his subjects’ sake was preparing to depart, when, to his undoing, support reached him from an unexpected quarter.
At first, Astorre intended to follow the examples set by Malatesta and Sforza, and he had even gone as far as to move his valuables to Ravenna, where he also planned to seek refuge. However, he was in a better position than any of the tyrants who had been overthrown so far because his family had ruled Faenza for two hundred years without provoking the hatred of its subjects, who were now ready and willing to stand by their young lord. But loyalty alone isn’t enough unless it’s backed by military strength, especially against the force Cesare was ready to unleash on Faenza. Astorre understood this, and for the sake of himself and his subjects, he was preparing to leave when, to his surprise, support came to him from an unexpected source.
Bologna—whose ruler, Giovanni Bentivogli, was Astorre’s grandfather—in common with Florence and Urbino, grew daily more and more alarmed at the continual tramp of armed multitudes about her frontiers, and at the steady growth in numbers and in capacity of this splendid army which followed Casare—an army captained by such enemies of the Bentivogli as the Baglioni, the Orsini, and the exiled Malvezzi.
Bologna—whose ruler, Giovanni Bentivogli, was Astorre’s grandfather—along with Florence and Urbino, became increasingly worried about the constant movement of armed crowds near its borders and the steady increase in size and strength of the impressive army following Casare—an army led by enemies of the Bentivogli like the Baglioni, the Orsini, and the exiled Malvezzi.
Bentivogli had good grounds for his anxiety, not knowing how long he might depend upon the protection of France, and well aware that, once that protection was removed, there would be no barrier between Bologna and Cesare’s manifest intentions concerning her.
Bentivogli had good reasons to be anxious, not knowing how long he could rely on France's protection, and fully aware that once that support was gone, there would be nothing standing between Bologna and Cesare’s obvious plans for it.
Next to Cesare’s utter annihilation, to check his progress was the desire dearest just then to the heart of Bentivogli, and with this end in view he dispatched Count Guido Torella to Faenza, in mid-October, with an offer to assist Astorre with men and money.
Next to Cesare’s complete destruction, stopping his advance was the thing Bentivogli wanted most at that moment. To achieve this, he sent Count Guido Torella to Faenza in mid-October, offering to support Astorre with troops and funds.
Astorre, who had succeeded Galeotto Manfredi in the tyranny of Faenza at the age of three, had been and still continued under the tutelage of the Council which really governed his territories. To this Council came Count Torella with Bentivogli’s offer, adding the proposal that young Astorre should be sent to Venice for his personal safety. But to this the Council replied that it would be useless, if that course were adopted, to attempt resistance, as the people could only be urged to it by their affection for their young lord, and that, if he were removed from their midst, they would insist upon surrender.
Astorre, who took over from Galeotto Manfredi as the ruler of Faenza at just three years old, had been and still was under the guidance of the Council that actually managed his lands. Count Torella came to this Council with Bentivogli’s offer, suggesting that young Astorre be sent to Venice for his safety. However, the Council responded that it would be pointless to try to resist, since the people could only be motivated by their love for their young lord, and that if he were taken away from them, they would demand to surrender.
News of these negotiations reached Rome, and on October 24 Alexander sent Bentivogli his commands to refrain, under pain of excommunication, from interfering in the affairs of Faenza. Bentivogli made a feeble attempt to mask his disobedience. The troops with which he intended to assist his grandson were sent ostensibly to Castel Bolognese, but with instructions to desert thence and make for Faenza. This they did, and thus was Astorre strengthened by a thousand men, whilst the work of preparing his city for resistance went briskly forward.
News of these negotiations reached Rome, and on October 24, Alexander sent Bentivogli orders to stop interfering in the affairs of Faenza or face excommunication. Bentivogli tried weakly to hide his disobedience. The troops he planned to send to help his grandson were officially sent to Castel Bolognese, but they were actually instructed to desert from there and head for Faenza. They did just that, which strengthened Astorre by a thousand men, while preparations for the city's defense were moving quickly.
Meanwhile, ahead of Cesare Borgia, swept Vitellozzo Vitelli with his horse into Astorre’s dominions. He descended upon the valley of the Lamone, and commenced hostilities by the capture and occupation of Brisghella on November 7. The other lesser strongholds and townships offered no resistance to Cesare’s arms. Indeed they were induced into ready rebellion against their lord by Dionigio di Naldo—the sometime defender of Imola, who had now taken service with Cesare.
Meanwhile, ahead of Cesare Borgia, Vitellozzo Vitelli rode his horse into Astorre’s territories. He descended into the valley of the Lamone and began hostilities by capturing and occupying Brisghella on November 7. The other smaller strongholds and towns offered no resistance to Cesare’s forces. In fact, they were easily swayed into rebelling against their lord by Dionigio di Naldo—the former defender of Imola, who had now joined Cesare's service.
On November 10 Cesare himself halted his host beneath the walls of Faenza and called upon the town to surrender. Being denied, he encamped his army for the siege. He chose the eastern side of the town, between the rivers Lamone and Marzano, and, that his artillery might have free play, he caused several houses to be demolished.
On November 10, Cesare himself stopped his army just outside the walls of Faenza and demanded that the town surrender. When they refused, he set up camp to lay siege. He selected the eastern side of the town, between the Lamone and Marzano rivers, and to ensure his artillery could operate freely, he had several houses torn down.
In Faenza itself, meanwhile, the easy conquest of the valley had not produced a good effect. Moreover, the defenders had cause to fear treachery within their gates, for a paper had been picked up out of the moat containing an offer of terms of surrender. It had been shot into the castle attached to an arbalestbolt, and was intended for the castellan Castagnini. This Castagnini was arrested, thrown into prison, and his possessions confiscated, whilst the Council placed the citadel in the hands of four of its own members together with Gianevangelista Manfredi—Astorre’s half-brother, and a bastard of Galeotto’s. These set about defending it against Cesare, who had now opened fire. The duke caused the guns to be trained upon a certain bastion through which he judged that a good assault might be delivered and an entrance gained. Night and day was the bombardment of that bastion kept up, yet without producing visible effect until the morning of the 20th, when suddenly one of its towers collapsed thunderously into the moat.
In Faenza, the easy takeover of the valley hadn't had a positive outcome. The defenders were also worried about betrayal from within, as a piece of paper had been found in the moat offering terms of surrender. It had been shot into the castle attached to a crossbow bolt and was meant for the castellan, Castagnini. Castagnini was arrested, thrown in jail, and his belongings were seized, while the Council handed control of the citadel to four of its members along with Gianevangelista Manfredi—Astorre’s half-brother and Galeotto’s illegitimate child. They began to defend it against Cesare, who had now started his assault. The duke positioned the cannons to focus on a specific bastion, which he believed would be vulnerable for a successful attack and entry. The bombardment of that bastion continued day and night, but it didn't show any results until the morning of the 20th, when suddenly one of its towers collapsed with a loud crash into the moat.
Instantly, and without orders, the soldiers, all eager to be among the first to enter, flung themselves forward in utter and fierce disorder to storm the breach. Cesare, at breakfast—as he himself wrote to the Duke of Urbino—sprang up at the great noise, and, surmising what was taking place, dashed out to restrain his men. But the task was no easy one, for, gathering excitement and the frenzy of combat as they ran, they had already gained the edge of the ditch, and thither Cesare was forced to follow them, using voice and hands to beat back again.
Instantly, and without any orders, the soldiers, all eager to be among the first to enter, rushed forward in complete and chaotic disorder to storm the breach. Cesare, at breakfast—as he himself wrote to the Duke of Urbino—jumped up at the loud noise and, guessing what was happening, ran out to hold back his men. But the task wasn’t easy; as they filled with excitement and the frenzy of battle, they had already reached the edge of the ditch, and Cesare was forced to follow them, using his voice and hands to push them back.
At last he succeeded in regaining control of them, and in compelling them to make an orderly retreat, and curb their impatience until the time for storming should have come, which was not yet. In the affair Cesare had a narrow escape from a stone-shot fired from the castle, whilst one of his officers—Onorio Savelli—was killed by a cannon-ball from the duke’s own guns, whose men, unaware of what was taking place, were continuing the bombardment.
At last, he managed to regain control of them, making them pull back in an organized way and hold off their impatience until it was actually time to attack, which wasn’t yet. During the incident, Cesare narrowly avoided being hit by a stone shot fired from the castle, while one of his officers—Onorio Savelli—was killed by a cannonball from the duke’s own artillery, whose soldiers, unaware of the situation, kept bombarding the area.
Hitherto the army had been forced to endure foul weather—rain, fogs, and wind; but there was worse come. Snow began to fall on the morning of the 22nd. It grew to a storm, and the blizzard continued all that day, which was a Sunday, all night, and all the following day, and lashed the men pitilessly and blindingly. The army, already reduced by shortness of victuals, was now in a miserable plight in its unsheltered camp, and the defenders of Faenza, as if realizing this, made a sortie on the 23rd, from which a fierce fight ensued, with severe loss to both sides. On the 25th the snow began again, whereupon the hitherto unconquerable Cesare, defeated at last by the elements and seeing that his men could not possibly continue to endure the situation, was compelled to strike camp on the 26th and go into winter quarters, no doubt with immense chagrin at leaving so much work unaccomplished.
Until now, the army had been forced to deal with terrible weather—rain, fog, and wind; but worse was yet to come. Snow started falling on the morning of the 22nd. It turned into a storm, and the blizzard raged throughout that day, which was a Sunday, all night, and into the next day, hitting the men mercilessly and blinding them. The army, already weakened by a shortage of supplies, found itself in a dire situation in its exposed camp, and the defenders of Faenza, apparently aware of this, launched an attack on the 23rd, leading to a fierce battle with heavy losses on both sides. On the 25th, the snow began again, and the previously unstoppable Cesare, finally beaten by the harsh conditions and realizing his men could not possibly endure any longer, was forced to break camp on the 26th and settle into winter quarters, no doubt deeply frustrated at leaving so much unfinished.
So he converted the siege into a blockade, closing all roads that lead to Faenza, with a view to shutting out supplies from the town; and he distributed troops throughout the villages of the territory with orders constantly to harass the garrison and allow it no rest.
So he turned the siege into a blockade, closing all the roads leading to Faenza, aiming to cut off supplies to the town; and he deployed troops across the villages in the area with orders to continually disrupt the garrison and not give it any rest.
He also sent an envoy with an offer of terms of surrender, but the Council rejected it with the proud answer that its members “had agreed, in general assembly, to defend the dominions of Manfredi to the death.”
He also sent a messenger with a proposal for surrender, but the Council turned it down, responding proudly that its members “had agreed, in general assembly, to defend the lands of Manfredi to the death.”
Thereupon Cesare withdrew to Forli with 150 lances and 2,500 foot, and here he affords a proof of his considerateness. The town had already endured several occupations and the severities of being the seat of war during the siege of the citadel. Cesare was determined that it should feel the present occupation as little as possible; so he issued an order to the inhabitants upon whom his soldiers were billeted to supply the men only with bed, light, and fire. What more they required must be paid for, and, to avoid disputes as to prices of victuals and other necessaries, he ordered the Council to draw up a tariff, and issued an edict forbidding his soldiers, under pain of death, from touching any property of the townsfolk. Lest they should doubt his earnestness, he hanged two of his soldiers on December 7—a Piedmontese and a Gascon—and on the 13th a third, all from the windows of his own palace, and all with a label hanging from their feet proclaiming that they had been hanged for taking goods of others in spite of the ban of the Lord Duke, etc.
Then Cesare went to Forli with 150 horsemen and 2,500 foot soldiers, where he showed his thoughtfulness. The town had already experienced several occupations and the harshness of being a war zone during the siege of the citadel. Cesare was determined to minimize the impact of the current occupation on the town, so he ordered the residents, who were housing his soldiers, to provide them only with beds, light, and fire. Anything else they needed had to be paid for, and to avoid arguments over the prices of food and other essentials, he instructed the Council to create a price list. He also issued a decree forbidding his soldiers, under penalty of death, from touching any property belonging to the townspeople. To prove his seriousness, he hanged two of his soldiers on December 7—a Piedmontese and a Gascon—and on the 13th, a third, all from the windows of his own palace, each with a sign hanging from their feet stating they had been executed for stealing from others despite the Duke's ban, etc.
He remained in Forli until the 23rd, when he departed to Cesena, which was really his capital in Roomagna, and in the huge citadel of which there was ample accommodation for the troops that accompanied him. In Forli he left, as his lieutenants, the Bishop of Trani and Don Michele da Corella—the “Michieli” of Capello’s Relation and the “Michelotto” of so many Borgia fables. That this officer ruled the soldiers left with him in Forli in accordance with the stern example set him by his master we know from the chronicles of Bernardi.
He stayed in Forli until the 23rd, when he left for Cesena, which was actually his capital in Romagna, and in the large citadel there was plenty of room for the troops that traveled with him. In Forli, he left the Bishop of Trani and Don Michele da Corella as his lieutenants—the “Michieli” mentioned in Capello’s account and the “Michelotto” from many Borgia legends. We know from Bernardi's chronicles that this officer governed the soldiers left in Forli according to the strict example set by his master.
In Cesena the duke occupied the splendid palace of Malatesta Novello, which had been magnificently equipped for him, and there, on Christmas Eve, he entertained the Council of the town and other important citizens to a banquet worthy of the repuation for lavishness which he enjoyed. He was very different in this from his father, whose table habits were of the most sparing—to which, no doubt, his Holiness owed the wonderful, almost youthful vigour which he still enjoyed in this his seventieth year. It was notorious that ambassadors cared little for invitations to the Pope’s table, where the meal never consisted of more than one dish.
In Cesena, the duke stayed in the impressive Malatesta Novello palace, which had been lavishly prepared for him. There, on Christmas Eve, he hosted the town council and other important citizens for a banquet that truly reflected his reputation for extravagance. He was very different from his father, who had very simple dining habits—something that likely contributed to the amazing, almost youthful energy he still had at seventy. It was well known that ambassadors were not particularly enthusiastic about invitations to the Pope’s table, where the meal typically consisted of only one dish.
On Christmas Day the duke attended Mass at the Church of San Giovanni Evangelista with great pomp, arrayed in the ducal chlamys and followed by his gentlemen. With these young patricians Cesare made merry during the days that followed. The time was spent in games and joustings, in all of which the duke showed himself freely, making display of his physical perfections, fully aware, no doubt, of what a short cut these afforded him to the hearts of the people, ever ready to worship physical beauty, prowess, and address.
On Christmas Day, the duke attended Mass at the Church of San Giovanni Evangelista with great splendor, dressed in the ducal chlamys and accompanied by his gentlemen. During the following days, Cesare enjoyed himself with these young nobles. They spent their time playing games and participating in jousts, where the duke showcased his physical attributes, clearly aware that this was an easy way to win the hearts of the people, who were always eager to admire physical beauty, skill, and charm.
Yet business was not altogether neglected, for on January 4 he went to Porto Cesenatico, and there published an edict against all who had practised with the fuorusciti from his States, forbidding the offence under pain of death and forfeiture of possessions.
Yet business was not completely ignored, because on January 4 he went to Porto Cesenatico and there issued a decree against anyone who had collaborated with the outlaws from his territories, prohibiting the offense under penalty of death and seizure of property.
He remained in winter quarters until the following April, from which, however, it is not to be concluded that Faenza was allowed to be at peace for that spell. The orders which he had left behind him, that the town was constantly to be harassed, were by no means neglected. On the night of January 21, by arrangement with some of the inhabitants of the beleaguered city, the foot surrounding Faenza attempted to surprise the garrison by a secret escalade. They were, however, discovered betimes in the attempt and repulsed, some who had the mischance—as it happened—to gain the battlements before the alarm was raised being taken and hanged. The duke’s troops, however, consoled themselves by capturing Russi and Solarolo, the last two strongholds in the valley that had held for Astorre.
He stayed in winter quarters until the following April, but that doesn’t mean Faenza was at peace during that time. The orders he left behind for the town to be constantly harassed were definitely not ignored. On the night of January 21, some of the residents of the besieged city collaborated with the foot soldiers surrounding Faenza to try and surprise the garrison with a secret assault. However, they were discovered early in their attempt and pushed back. Some of those who managed to reach the battlements before the alarm was raised were caught and hanged. Meanwhile, the duke’s troops found some comfort in capturing Russi and Solarolo, the last two strongholds in the valley that had remained loyal to Astorre.
Meanwhile, Cesare and his merry young patricians spent the time as agreeably as might be in Cesena during that carnival. The author of the Diario Cesenate is moved by the duke’s pastimes to criticize him severely as indulging in amusements unbecoming the dignity of his station. He is particularly shocked to know that the duke should have gone forth in disguise with a few companions to repair to carnival festivities in the surrounding villages and there to wrestle with the rustics. It is not difficult to imagine the discomfiture suffered by many a village Hercules at the hands of this lithe young man, who could behead a bull at a single stroke of a spadoon and break a horseshoe in his fingers. The diary in question, you will have gathered, is that of a pedant, prim and easily scandalized. So much being obvious, it is noteworthy that Cesare’s conduct should have afforded him no subject for graver strictures than these, Cesare being such a man as has been represented, and the time being that of carnival when licence was allowed full play.
Meanwhile, Cesare and his cheerful young aristocrats were having a great time in Cesena during the carnival. The author of the Diario Cesenate harshly criticizes the duke for indulging in activities unworthy of his position. He is particularly appalled to learn that the duke went out in disguise with a few friends to enjoy the carnival celebrations in nearby villages and even wrestled with the locals. It's easy to picture the embarrassment faced by many a village strongman at the hands of this agile young man, who could take down a bull with a single swing of a spoon and bend a horseshoe with his fingers. As you've likely gathered, the diary belongs to a stuffy, easily shocked pedant. Given that, it's notable that Cesare’s behavior only attracted such mild criticisms, considering he was portrayed as quite the character and it was during carnival, a time when indulgence was expected.
The Pope accounted that the check endured by Cesare before Faenza was due not so much to the foul weather by which his army had been beset as to the assistance which Giovanni Bentivogli had rendered his grandson Astorre, and bitter were the complaints of it which he addressed to the King of France. Alarmed by this, and fearing that he might have compromised himself and jeopardized the French protection by his action in the matter, Bentivogli made haste to recall his troops, and did in fact withdraw them from Faenza early in December, shortly after Cesare had gone into winter quarters. Nevertheless, the Pope’s complaints continued, Alexander in his secret, crafty heart no doubt rejoicing that Bentivogli should have afforded him so sound a grievance. As Louis XII desired, for several reasons, to stand well with Rome, he sent an embassy to Bentivogli to express his regret and censure of the latter’s intervention in the affairs of Faenza. He informed Bentivogli that the Pope was demanding the return of Bologna to the States of the Church, and, without expressing himself clearly as to his own view of the matter, he advised Bentivogli to refrain from alliances with the enemies of the Holy See and to secure Bologna to himself by some sound arrangement. This showed Bentivogli in what danger he stood, and his uneasiness was increased by the arrival at Modena of Yves d’Allègre, sent by the King of France with a condotta of 500 horse for purposes which were not avowed but which Bentivogli sorely feared might prove to be hostile to himself.
The Pope noted that the trouble Cesare faced before Faenza was not only because of the bad weather impacting his army but also due to the support Giovanni Bentivogli had given his grandson Astorre. The Pope made strong complaints about this to the King of France. Worried that he might have compromised himself and risked French protection, Bentivogli quickly called back his troops and indeed withdrew them from Faenza in early December, shortly after Cesare had settled in for the winter. Still, the Pope’s complaints persisted, and Alexander likely took secret pleasure in having such a solid grievance against Bentivogli. Since Louis XII wanted to maintain a good relationship with Rome for various reasons, he sent a delegation to Bentivogli to express his regret and disapproval of Bentivogli’s involvement in Faenza’s issues. He informed Bentivogli that the Pope was demanding Bologna be returned to the Church and, while being vague about his own opinion, advised Bentivogli to avoid forming alliances with the enemies of the Holy See and to secure Bologna through a solid arrangement. This made Bentivogli aware of the danger he was in, and his anxiety grew with the arrival in Modena of Yves d’Allègre, sent by the King of France with a group of 500 cavalry for undisclosed purposes, which Bentivogli feared might be aimed against him.
At the beginning of February Cesare moved his quarters from Cesena to Imola, and thence he sent his envoys to demand winter quarters for his troops in Castel Bolognese. This flung Bentivogli into positive terror, as he interpreted the request as a threat of invasion. Castel Bolognese was too valuable a stronghold to be so lightly placed in the duke’s hands. Thence Bentivogli might, in case of need, hold the duke in check, the fortress commanding, as it did, the road from Imola to Faenza. He had the good sense, however, to compromise the matter by returning Cesare an offer of accommodation for his men with victuals, artillery, etc., but without the concession of Castel Bolognese. With this Cesare was forced to be content, there being no reasonable grounds upon which he could decline so generous an offer. It was a cunning concession on Bentivogli’s part, for, without strengthening the duke’s position, it yet gave the latter what he ostensibly required, and left no cause for grievance and no grounds upon which to molest Bologna. So much was this the case that on February 26 the Pope wrote to Bentivogli expressing his thanks at the assistance which he had thus given Cesare in the Faenza emprise.
At the start of February, Cesare moved his base from Cesena to Imola, and from there he sent his messengers to request winter quarters for his troops in Castel Bolognese. This threw Bentivogli into a state of panic because he saw the request as a threat of invasion. Castel Bolognese was too important a stronghold to be easily given to the duke. From there, Bentivogli could, if necessary, keep the duke in check since the fortress controlled the road from Imola to Faenza. However, he wisely chose to compromise by offering Cesare accommodations for his men, including food, artillery, and so on, but without giving up Castel Bolognese. Cesare had to accept this since there were no reasonable grounds to refuse such a generous offer. It was a clever move by Bentivogli; without strengthening the duke’s position, he still provided what Cesare seemed to want and avoided giving any reason for irritation or conflict in Bologna. This was so clear that on February 26, the Pope wrote to Bentivogli to thank him for the help he had given Cesare in the Faenza campaign.
It was during this sojourn of Cesare’s at Imola that the abduction took place of Dorotea Caracciolo, the young wife of Gianbattista Caracciolo, a captain of foot in the Venetian service. The lady, who was attached to the Duchess of Urbino, had been residing at the latter’s Court, and in the previous December Caracciolo had begged leave of the Council of Ten that he might himself go to Urbino for the purpose of escorting her to Venice. The Council, however, had replied that he should send for her, and this the captain had done. Near Cervia, on the confines of the Venetian territory, towards evening of February 14, the lady’s escort was set upon by ten wellarmed men, and rudely handled by them, some being wounded and one at least killed, whilst the lady and a woman who was with her were carried off.
It was during Cesare's stay in Imola that Dorotea Caracciolo, the young wife of Gianbattista Caracciolo, a captain in the Venetian army, was kidnapped. The lady, who was close to the Duchess of Urbino, had been living at her court, and the previous December, Caracciolo had requested permission from the Council of Ten to go to Urbino to escort her back to Venice. However, the Council responded that he should send for her instead, which is what the captain did. Near Cervia, on the edge of Venetian territory, in the evening of February 14, the lady's escort was attacked by ten armed men, resulting in several injuries and at least one death, while the lady and another woman with her were taken away.
The Podestá of Cervia reported to the Venetian Senate that the abductors were Spaniards of the army of the Duke of Valentinois, and it was feared in Venice—according to Sanuto—that the deed might be the work of Cesare.
The Podestà of Cervia informed the Venetian Senate that the kidnappers were Spaniards from the army of the Duke of Valentinois, and there were concerns in Venice—according to Sanuto—that this act could have been orchestrated by Cesare.
The matter contained in that Relation of Capello’s to the Senate must by now have been widespread, and of a man who could perpetrate the wickednesses therein divulged anything could be believed. Indeed, it seems to have followed that, where any act of wickedness was brought to light, at once men looked to see if Cesare might not be responsible, nor looked close enough to make quite sure. To no other cause can it be assigned that, in the stir which the Senate made, the name of Cesare was at once suggested as that of the abductor, and this so broadly that letters poured in upon him on all sides begging him to right this cruel wrong. So much do you see assumed, upon no more evidence than was contained in that letter from the Podestá of Cervia, which went no further than to say that the abductors were “Spaniards of the Duke of Valentinois’ army.” The envoy Manenti was dispatched at once to Cesare by the Senate, and he went persuaded, it is clear, that Cesare Borgia was the guilty person. He enlisted the support of Monsieur de Trans (the French ambassador then on his way to Rome) and that of Yves d’Allègre, and he took them with him to the Duke at Imola.
The information in Capello’s report to the Senate must have spread widely by now, and given the man’s capacity for the evils described, anything could be believed about him. It seems that whenever an act of wrongdoing surfaced, people immediately suspected Cesare might be behind it, often without investigating thoroughly enough. This must be why, during the uproar in the Senate, Cesare’s name was quickly brought up as the possible kidnapper, to the extent that letters flooded in from all directions urging him to correct this harsh injustice. So much was assumed based on nothing more than the letter from the Podestá of Cervia, which simply stated that the abductors were “Spaniards from the Duke of Valentinois’ army.” The Senate quickly sent the envoy Manenti to Cesare, who clearly went believing that Cesare Borgia was the one at fault. He sought the backing of Monsieur de Trans (the French ambassador on his way to Rome) and Yves d’Allègre, and took them with him to meet the Duke in Imola.
There, acting upon his strong suspicions, Manenti appears to have taken a high tone, representing to the duke that he had done an unworthy thing, and imploring him to restore the lady to her husband. Cesare’s patience under the insolent assumption in justification of which Manenti had not a single grain of evidence to advance, is—guilty or innocent—a rare instance of self-control. He condescended to take oath that he had not done this thing which they imputed to him. He admitted that he had heard of the outrage, and he expressed the belief that it was the work of one Diego Ramires—a captain of foot in his service. This Ramires, he explained, had been in the employ of the Duke of Urbino, and in Urbino had made the acquaintance and fallen enamoured of the lady; and he added that the fellow had lately disappeared, but that already he had set on foot a search for him, and that, once taken, he would make an example of him.
There, acting on his strong suspicions, Manenti seems to have taken a bold stance, telling the duke that he had done an unworthy thing and pleading with him to return the lady to her husband. Cesare’s patience in the face of the arrogant claim, for which Manenti had no evidence to support, is—guilty or innocent—an unusual example of self-control. He condescended to swear that he hadn’t done what they accused him of. He acknowledged that he had heard about the incident and believed it was the work of one Diego Ramires—a foot soldier in his service. He explained that Ramires had previously worked for the Duke of Urbino and had met and fallen in love with the lady while there; he also mentioned that the guy had recently gone missing, but that he was already searching for him, and that once caught, he would make an example of him.
In conclusion he begged that the Republic should not believe this thing against him, assuring the envoy that he had not found the ladies of the Romagna so difficult that he should be driven to employ such rude and violent measures.
In conclusion, he urged the Republic not to believe this accusation against him, assuring the envoy that he had not found the women of Romagna to be so difficult that he would resort to such harsh and violent actions.
The French ambassador certainly appears to have attached implicit faith to Cesare’s statement, and he privately informed Manenti that Ramires was believed to be at Medola, and that the Republic might rest assured that, if he were taken, exemplary justice would be done.
The French ambassador definitely seems to have fully trusted Cesare’s statement and privately told Manenti that Ramires was thought to be at Medola, assuring the Republic that, if he were captured, justice would be served.
All this you will find recorded in Sanuto. After that his diary entertains us with rumours which were reaching Venice, now that the deed was the duke’s, now that the lady was with Ramires. Later the two rumours are consolidated into one, in a report of the Podestá of Cervia to the effect that “the lady is in the Castle of Forli with Ramires, and that he took her there by order of the duke.” The Podestá says that a man whom he sent to gather news had this story from one Benfaremo. But he omits to say who and what is this Benfaremo, and what the source of his information.
All this is recorded in Sanuto. After that, his diary tells us about the rumors reaching Venice, first saying the deed was done by the duke, and then that the lady was with Ramires. Eventually, these two rumors merge into one, based on a report from the Podestá of Cervia stating that “the lady is in the Castle of Forli with Ramires, and that he took her there on the duke's orders.” The Podestá mentions that a man he sent to gather information heard this story from someone named Benfaremo. However, he doesn't explain who Benfaremo is or where his information came from.
Matters remaining thus, and the affair appearing in danger of being forgotten, Caracciolo goes before the Senate on March 16 and implores permission to deal with it himself. This permission is denied him, the Doge conceiving that the matter will best be dealt with by the Senate, and Caracciolo is ordered back to his post at Gradisca. Thence he writes to the Senate on March 30 that he is certain his wife is in the citadel of Forli.
Matters stood this way, and the situation seemed at risk of being overlooked, Caracciolo went before the Senate on March 16 and asked for permission to handle it himself. This request was denied, as the Doge believed the matter would be better addressed by the Senate, and Caracciolo was sent back to his post in Gradisca. From there, he wrote to the Senate on March 30, stating that he was sure his wife was in the citadel of Forli.
After this Sanuto does not mention the matter again until December of 1503—nearly three years later—when we gather that, under pressure of constant letters from the husband, the Venetian ambassador at the Vatican makes so vigorous a stir that the lady is at last delivered up, and goes for the time being into a convent. But we are not told where or how she is found, nor where the convent in which she seeks shelter. That is Sanuto’s first important omission.
After this, Sanuto doesn't mention the issue again until December 1503—almost three years later—when we learn that, due to constant letters from the husband, the Venetian ambassador at the Vatican makes such a strong push that the lady is finally handed over and temporarily goes to a convent. However, we're not told where or how she is found, nor where the convent is where she seeks refuge. That’s Sanuto’s first major omission.
And now an odd light is thrown suddenly upon the whole affair, and it begins to look as if the lady had been no unwilling victim of an abduction, but, rather, a party to an elopement. She displays a positive reluctance to return to her husband; she is afraid to do so—“in fear for her very life”—and she implores the Senate to obtain from Caracciolo some security for her, or else to grant her permission to withdraw permanently to a convent.
And now a strange light suddenly sheds new perspective on the whole situation, and it starts to seem like the lady was not an unwilling victim of a kidnapping, but rather, she was involved in a romantic getaway. She shows a clear hesitation to go back to her husband; she is scared to do so—“afraid for her very life”—and she begs the Senate to get some protection from Caracciolo for her, or alternatively to allow her to leave permanently for a convent.
The Senate summons the husband, and represents the case to him. He assures the Senate that he has forgiven his wife, believing her to be innocent. This, however, does not suffice to allay her uneasiness—or her reluctance—for on January 4, 1504, Sanuto tells us that the Senate has received a letter of thanks from her in which she relates her misfortunes, and in which again she begs that her husband be compelled to pledge security to treat her well (“darli buona vita”) or else that she should be allowed to return to her mother. Of the nature of the misfortunes which he tells us she related in her letter, Sanuto says nothing. That is his second important omission.
The Senate calls in the husband and presents the situation to him. He tells the Senate that he has forgiven his wife, believing her to be innocent. However, this doesn’t ease her worries or her hesitations—on January 4, 1504, Sanuto notes that the Senate has received a thank-you letter from her, where she shares her troubles and again pleads for her husband to be required to promise to treat her well (“darli buona vita”), or else she should be allowed to return to her mother. Sanuto doesn’t mention the specifics of the troubles she describes in her letter, which is another significant omission.
The last mention of the subject in Sanuto relates to her restoration to her husband. He tells us that Caracciolo received her with great joy; but he is silent on the score of the lady’s emotions on that occasion.
The last mention of the subject in Sanuto relates to her being reunited with her husband. He tells us that Caracciolo welcomed her with great joy; however, he doesn't mention the lady’s feelings at that moment.
There you have all that is known of Dorotea Caracciolo’s abduction, which later writers—including Bembo in his Historiae—have positively assigned to Cesare Borgia, drawing upon their imagination to fill up the lacunae in the story so as to support their point of view.
There you have everything known about Dorotea Caracciolo’s abduction, which later writers—like Bembo in his Historiae—have confidently attributed to Cesare Borgia, using their imagination to fill in the gaps in the story to bolster their perspective.
Those lacunae, however, are invested with a certain eloquence which it is well not to disregard. Admitting that the construing of silence into evidence is a dangerous course, all fraught with pitfalls, yet it seems permissible to pose the following questions:
Those gaps, however, carry a certain eloquence that shouldn't be ignored. While acknowledging that interpreting silence as evidence can be a risky path filled with dangers, it seems acceptable to ask the following questions:
If the revelation of the circumstances under which she was found, the revelations contained in her letters to the Senate, and the revelations which one imagines must have followed her return to her husband, confirm past rumours and convict Cesare of the outrage, how does it happen that Sanuto—who has never failed to record anything that could tell against Cesare—should be silent on the matter? And how does it happen that so many pens that busied themselves greedily with scandal that touched the Borgias should be similarly silent? Is it unreasonable to infer that those revelations did not incriminate him—that they gave the lie to all the rumours that had been current? If that is not the inference, then what is?
If the details about how she was found, the truths in her letters to the Senate, and what must have come out after her return to her husband support past rumors and accuse Cesare of the wrongdoing, then why is Sanuto—who has always been quick to record anything that could harm Cesare—quiet about it? And why are so many writers who eagerly spread gossip about the Borgias also silent? Isn’t it fair to suggest that these revelations didn’t point to his guilt—that they contradicted all the rumors that had been circulating? If that's not a reasonable conclusion, then what is?
It is further noteworthy that on January 16—after Dorotea’s letter to the Senate giving the details of her misfortunes, which details Sanuto has suppressed—Diego Ramires, the real and known abductor, is still the object of a hunt set afoot by some Venetians. Would that be the case had her revelations shown Ramires to be no more than the duke’s instrument? Possibly; but not probably. In such a case he would not have been worth the trouble of pursuing.
It’s also important to note that on January 16—after Dorotea’s letter to the Senate detailing her misfortunes, which Sanuto has kept quiet—Diego Ramires, the actual and known kidnapper, is still being hunted down by some Venetians. Would that still be true if her revelations revealed Ramires to be just the duke’s pawn? Maybe, but probably not. In that scenario, he wouldn’t have been worth the trouble of looking for.
Reasonably may it be objected: How, if Cesare was not guilty, does it happen that he did not carry out his threat of doing exemplary justice upon Ramires when taken—since Ramires obviously lay in his power for years after the event? The answer to that you will find in the lady’s reluctance to return to Caracciolo, and the tale it tells. It is not in the least illogical to assume that, when Cesare threatened that vengeance upon Ramires for the outrage which it was alleged had been committed, he fully intended to execute it; but that, upon taking Ramires, and upon discovering that here was no such outrage as had been represented, but just the elopement of a couple of lovers, he found there was nothing for him to avenge. Was it for Cesare Borgia to set up as a protector and avenger of cuckolds? Rather would it be in keeping with the feelings of his age and race to befriend the fugitive pair who had planted the antlers upon the brow of the Venetian captain.
It's reasonable to ask: If Cesare wasn't guilty, why didn't he follow through on his threat to bring Ramires to justice when he had the chance—especially since Ramires had been within his reach for years afterward? The answer lies in the lady’s unwillingness to return to Caracciolo and the story that unfolds. It's not illogical to think that when Cesare threatened vengeance against Ramires for the alleged crime, he genuinely meant to carry it out; however, upon capturing Ramires and realizing there was no crime as claimed—just the elopement of two lovers—he found there was nothing to avenge. Should Cesare Borgia really act as the protector and avenger of wronged husbands? It would seem more fitting for him, aligned with the values of his time and background, to support the runaway couple who had humiliated the Venetian captain.
Lastly, Cesare’s attitude towards women may be worth considering, that we may judge whether such an act as was imputed to him is consistent with it. Women play no part whatever in his history. Not once shall you find a woman’s influence swaying him; not once shall you see him permitting dalliance to retard his advancement or jeopardize his chances. With him, as with egotists of his type, governed by cold will and cold intellect, the sentimental side of the relation of the sexes has no place. With him one woman was as another woman; as he craved women, so he took women, but with an almost contemptuous undiscrimination. For all his needs concerning them the lupanaria sufficed.
Lastly, it’s worth considering Cesare’s attitude towards women to determine if the act he was accused of aligns with this perspective. Women have no role in his story. Not once will you see a woman’s influence affecting him; not once will you find him allowing a romantic distraction to slow his progress or put his opportunities at risk. For him, like many egotists of his kind, driven by a cold will and rationality, the emotional aspect of relationships between the sexes doesn’t matter. To him, one woman was just like another; he pursued women as he desired, but with a nearly contemptuous indifference. For all his needs regarding them, the brothels were enough.
Is this mere speculation, think you? Is there no evidence to support it, do you say? Consider, pray, in all its bearings the treatise on pudendagra dedicated to a man of Cesare Borgia’s rank by the physician Torella, written to meet his needs, and see what inference you draw from that. Surely such an inference as will invest with the ring of truth—expressing as it does his intimate nature, and confirming further what has here been said—that answer of his to the Venetian envoy, “that he had not found the ladies of Romagna so difficult that he should be driven to such rude and violent measures.”
Is this just speculation, you think? Do you say there's no evidence to support it? Consider, please, the treatise on pudendagra dedicated to someone of Cesare Borgia’s status by the physician Torella, written to meet his needs, and see what conclusion you come to. Surely you'll come to a conclusion that rings true—reflecting his true nature and further confirming what has been discussed here—like his response to the Venetian envoy, “that he had not found the ladies of Romagna so difficult that he should resort to such harsh and violent measures.”
CHAPTER VIII. ASTORRE MANFREDI
On March 29 Cesare Borgia departed from Cesena—whither, meanwhile, he had returned—to march upon Faenza, resume the attack, and make an end of the city’s stubborn resistance.
On March 29, Cesare Borgia left Cesena—where he had returned—to head towards Faenza, restart the assault, and put an end to the city’s stubborn resistance.
During the past months, however, and notwithstanding the presence of the Borgia troops in the territory, the people of Faenza had been able to increase their fortifications by the erection of out-works and a stout bastion in the neighbourhood of the Osservanza Hospital, well beyond the walls. This bastion claimed Cesare’s first attention, and it was carried by assault on April 12. Thither he now fetched his guns, mounted them, and proceeded to a steady bombardment of the citadel. But the resistance continued with unabated determination—a determination amounting to heroism, considering the hopelessness of their case and the straits to which the Faentini were reduced by now. Victuals and other necessaries of life had long since been running low. Still the men of Faenza tightened their belts, looked to their defences, and flung defiance at the Borgia. The wealthier inhabitants distributed wine and flour at prices purely nominal, and lent Astorre money for the payment of his troops. It is written that to the same end the very priests, their patriotism surmounting their duty to the Holy Father in whose name this war was waged, consented to the despoiling of the churches and the melting down of the sacred vessels.
In the past few months, despite the presence of Borgia troops in the area, the people of Faenza managed to strengthen their defenses by building outworks and a strong bastion near the Osservanza Hospital, well outside the walls. This bastion caught Cesare’s attention first, and it was taken by assault on April 12. He brought his cannons there, set them up, and began a steady bombardment of the citadel. But the resistance continued with unwavering determination—a determination that reached the level of heroism given the hopelessness of their situation and the hardships the Faentini were enduring by then. Food and other essentials had been running low for some time. Still, the men of Faenza tightened their belts, focused on their defenses, and defiantly challenged the Borgia. Wealthier residents provided wine and flour at very low prices, and lent Astorre money to pay his troops. It's said that for the same purpose, even the priests, putting their patriotism above their duty to the Holy Father in whose name this war was fought, agreed to the plunder of churches and the melting down of sacred vessels.
Even the women of Faenza bore their share of the burden of defence, carrying to the ramparts the heavy stones that were to be hurled down upon the besiegers, or actually donning casque and body-armour and doing sentry duty on the walls while the men rested.
Even the women of Faenza took on their part of the defense, hauling heavy stones up to the ramparts to throw down on the attackers or putting on helmets and body armor to stand guard on the walls while the men took a break.
But the end was approaching. On April 18 the Borgia cannon opened at last a breach in the walls, and Cesare delivered a terrible assault upon the citadel. The fight upon the smoking ruins was fierce and determined on both sides, the duke’s men pressing forward gallantly under showers of scalding pitch and a storm of boulders, launched upon them by the defenders, who used the very ruins of the wall for ammunition. For four hours was that assault maintained; nor did it cease until the deepening dusk compelled Cesare to order the retreat, since to continue in the failing light was but to sacrifice men to no purpose.
But the end was near. On April 18, the Borgia cannon finally broke through the walls, and Cesare launched a brutal assault on the citadel. The battle among the smoking ruins was fierce and determined on both sides, with the duke’s men bravely pushing forward under showers of boiling pitch and a barrage of boulders thrown by the defenders, who used the very remains of the wall as ammunition. The assault went on for four hours and didn’t stop until the encroaching darkness forced Cesare to call for a retreat, as continuing in the diminishing light would only mean sacrificing men for no reason.
Cesare’s appreciation of the valour of the garrison ran high. It inspired him with a respect which shows his dispassionate breadth of mind, and he is reported to have declared that with an army of such men as those who held Faenza against him he would have conquered all Italy. He did not attempt a second assault, but confined himself during the three days that followed to continuing the bombardment.
Cesare really admired the bravery of the garrison. It earned his respect, showing his fair-mindedness, and he’s said to have claimed that with an army of men like those who defended Faenza against him, he could have conquered all of Italy. He didn’t make a second attack but instead spent the next three days just continuing the bombardment.
Within Faenza men were by now in desperate case. Weariness and hunger were so exhausting their endurance, so sapping their high valour that nightly there were desertions to the duke’s camp of men who could bear no more. The fugitives from the town were well received, all save one—a man named Grammante, a dyer by trade—who, in deserting to the duke, came in to inform him that at a certain point of the citadel the defences were so weak that an assault delivered there could not fail to carry it.
Within Faenza, men were in a desperate situation. Exhaustion and hunger were draining their strength and diminishing their bravery, leading to nightly desertions to the duke’s camp by those who could no longer endure. The runaways from the town were welcomed, except for one— a man named Grammante, a dyer by trade— who, upon deserting to the duke, came to inform him that at a certain point in the citadel, the defenses were so weak that an attack there would surely succeed.
This man afforded Cesare an opportunity of marking his contempt for traitors and his respect for the gallant defenders of Faenza. The duke hanged him for his pains under the very walls of the town he had betrayed.
This man gave Cesare a chance to show his disdain for traitors and his admiration for the brave defenders of Faenza. The duke executed him for his troubles right under the walls of the town he had betrayed.
On the 21st the bombardment was kept up almost without interruption for eight hours, and so shattered was the citadel by that pitiless cannonade that the end was in sight at last. But the duke’s satisfaction was tempered by his chagrin at the loss of Achille Tiberti, one of the most valiant of his captains, and one who had followed his fortunes from the first with conspicuous devotion. He was killed by the bursting of a gun. A great funeral at Cesena bore witness to the extent to which Cesare esteemed and honoured him.
On the 21st, the bombardment continued almost nonstop for eight hours, and the citadel was so damaged by that relentless cannon fire that the end was finally in sight. However, the duke's satisfaction was mixed with disappointment over the loss of Achille Tiberti, one of his most courageous captains, who had remained devoted to him from the very beginning. He was killed by the explosion of a cannon. A grand funeral in Cesena showed just how much Cesare valued and honored him.
Astorre, now seeing the citadel in ruins and the possibility of further resistance utterly exhausted, assembled the Council of Faenza to determine upon their course of action, and, as a result of their deliberations, the young tyrant sent his ambassadors to the duke to propose terms of surrender. It was a belated proposal, for there was no longer on Cesare’s part the necessity to make terms. The city’s defences were destroyed, and to talk of surrender now was to talk of giving something that no longer existed. Yet Cesare met the ambassadors in a spirit of splendid generosity.
Astorre, now witnessing the citadel in ruins and realizing that any chance of resistance was completely gone, called together the Council of Faenza to decide on their next steps. From their discussions, the young tyrant sent his envoys to the duke to suggest terms of surrender. This proposal came too late, as Cesare no longer needed to negotiate. The city’s defenses had been obliterated, and discussing surrender at this point meant offering something that was no longer there. Still, Cesare welcomed the ambassadors with remarkable generosity.
The terms proposed were that the people of Faenza should have immunity for themselves and their property; that Astorre should have freedom to depart and to take with him his moveable possessions, his immoveables remaining at the mercy of the Pope. By all the laws of war Cesare was entitled to a heavy indemnity for the losses he had sustained through the resistance opposed to him. Considering those same laws and the application they were wont to receive in his day, no one could have censured him had he rejected all terms and given the city over to pillage. Yet not only does he grant the terms submitted to him, but in addition he actually lends an ear to the Council’s prayer that out of consideration for the great suffering of the city in the siege he should refrain from exacting any indemnity. This was to be forbearing indeed; but he was to carry his forbearance even further. In answer to the Council’s expressed fears of further harm at the hands of his troopers once these should be in Faenza, he actually consented to effect no entrance into the town.
The proposed terms were that the people of Faenza would have protection for themselves and their property; that Astorre would have the freedom to leave and take his movable possessions, while his immovable ones would remain at the mercy of the Pope. According to all the laws of war, Cesare was entitled to a significant compensation for the losses he experienced due to the resistance against him. Given those same laws and how they were usually applied in his time, no one could have criticized him if he had rejected all terms and allowed the city to be looted. Yet, not only did he accept the terms presented to him, but he also listened to the Council’s request that, considering the city's great suffering during the siege, he should refrain from demanding any compensation. This was indeed very generous; but he went even further with his leniency. In response to the Council’s concerns about further harm from his troops once they were in Faenza, he actually agreed to not let them enter the town.
We are not for a moment to consider Cesare as actuated in all this by any lofty humanitarianism. He was simply pursuing that wise policy of his, in refraining from punishing conquered States which were to be subject henceforth to his rule, and which, therefore, must be conciliated that they might be loyal to him. But it is well that you should at least appreciate this policy and the fruit it bore when you read that Cesare Borgia was a blood-glutted monster of carnage who ravaged the Romagna, rending and devouring it like some beast of prey.
We shouldn't for a second think that Cesare was motivated by any noble humanitarian ideals. He was just following his smart strategy of not punishing the conquered states that would now be under his control, so he needed to win them over to ensure their loyalty. It's important to understand this approach and the results it had when you read that Cesare Borgia was a bloodthirsty monster who devastated the Romagna, tearing it apart like a wild animal.
On the 26th the Council waited upon Cesare at the Hospital of the Osservanza—where he was lodged—to tender the oath of fealty. That same evening Astorre himself, attended by a few of his gentlemen, came to the duke.
On the 26th, the Council visited Cesare at the Hospital of the Osservanza, where he was staying, to present the oath of loyalty. That same evening, Astorre himself, accompanied by a few of his associates, went to see the duke.
To this rather sickly and melancholy lad, who had behind him a terrible family history of violence, and to his bastard brother, Gianevangelista, the duke accorded the most gracious welcome. Indeed, so amiable did Astorre find the duke that, although the terms of surrender afforded him perfect liberty to go whither he listed, he chose to accept the invitation Cesare extended to him to remain in the duke’s train.
To this rather sickly and gloomy young man, who had a disturbing family history of violence, and to his illegitimate brother, Gianevangelista, the duke gave a warm welcome. In fact, Astorre found the duke so friendly that, even though the terms of surrender allowed him complete freedom to go wherever he wanted, he chose to accept the invitation from Cesare to stay in the duke’s company.
It is eminently probable, however, that the duke’s object in keeping the young man about him was prompted by another phase of that policy of his which Macchiavelli was later to formulate into rules of conduct, expedient in a prince:
It is highly likely, however, that the duke’s reason for keeping the young man around was driven by another aspect of that strategy of his which Machiavelli would later outline as principles of behavior suitable for a ruler:
“In order to preserve a newly acquired State particular attention should be given to two points. In the first place care should be taken entirely to extinguish the family of the ancient sovereign; in the second, laws should not be changed, nor taxes increased.”
“In order to maintain a newly acquired State, special attention should be paid to two things. First, all steps should be taken to completely eliminate the family of the former ruler; second, laws should remain unchanged and taxes should not be raised.”
Thus Macchiavelli. The second point is all that is excellent; the first is all that is wise—cold, horrible, and revolting though it be to our twentieth-century notions.
Thus Machiavelli. The second point is everything that is excellent; the first is everything that is wise—cold, horrible, and revolting as it may be to our 20th-century ideas.
Cesare Borgia, as a matter of fact, hardly went so far as Macchiavelli advises. He practised discrimination. He did not, for instance, seek the lives of Pandolfaccio Malatesta, or of Caterina Sforza-Riario. He saw no danger in their living, no future trouble to apprehend from them. The hatred borne them by their subjects was to Cesare a sufficient guarantee that they would not be likely to attempt a return to their dominions, and so he permitted them to keep their lives. But to have allowed Astorre Manfredi, or even his bastard brother, to live would have been bad policy from the appallingly egotistical point of view which was Cesare’s—a point of view, remember, which receives Macchiavelli’s horribly intellectual, utterly unsentimental, revoltingly practical approval.
Cesare Borgia, in fact, didn't go as far as Machiavelli suggests. He made careful judgments. For example, he didn't seek the lives of Pandolfaccio Malatesta or Caterina Sforza-Riario. He saw no threat in keeping them alive and believed they wouldn't pose any future problems. The fact that their subjects hated them was, for Cesare, a solid indication that they were unlikely to try to reclaim their territories, so he allowed them to live. However, letting Astorre Manfredi, or even his illegitimate brother, survive would have been poor strategy from Cesare's disturbingly selfish perspective—a perspective that Machiavelli notoriously views with cold, unfeeling, and shockingly pragmatic approval.
So—to anticipate a little—we see Cesare taking Astorre and Gianevangelista Manfredi to Rome when he returned thither in the following June. A fortnight later—on June 26—the formidable amazon of Forli, the Countess Sforza-Riario, was liberated, as we know, from the Castle of Sant’ Angelo, and permitted to withdraw to Florence. But the gates of that grim fortress, in opening to allow her to pass out, opened also for the purpose of admitting Astorre and Gianevangelista, upon whom they closed.
So—to give a heads-up—we see Cesare taking Astorre and Gianevangelista Manfredi to Rome when he went back there the following June. Two weeks later—on June 26—the formidable woman warrior of Forli, Countess Sforza-Riario, was released from the Castle of Sant’ Angelo and allowed to return to Florence. But as the gates of that dark fortress opened to let her out, they also opened to let in Astorre and Gianevangelista, after which they shut behind them.
All that is known positively of the fate of these unfortunate young men is that they never came forth again alive.
All that's definitely known about what happened to these unfortunate young men is that they never came back alive.
The record in Burchard (June 9, 1502) of Astorre’s body having been found in the Tiber with a stone round his neck, suffers in probability from the addition that, “together with it were found the bodies of two young men with their arms tied, a certain woman, and many others.”
The account in Burchard (June 9, 1502) that Astorre’s body was discovered in the Tiber with a stone around his neck is less credible due to the claim that, “along with it were found the bodies of two young men with their arms tied, a certain woman, and many others.”
The dispatch of Giustiniani to the effect that: “It is said that this night were thrown into Tiber and drowned the two lords of Faenza together with their seneschal,” was never followed up by any other dispatch confirming the rumour, nor is it confirmed by any dispatch so far discovered from any other ambassador, nor yet does the matter find place in the Chronicles of Faenza.
The message from Giustiniani stating that "It’s reported that the two lords of Faenza and their steward were thrown into the Tiber and drowned last night" was never backed up by any other message confirming the rumor, nor is it confirmed by any communication discovered from other ambassadors, and it is also not recorded in the Chronicles of Faenza.
But that is of secondary importance. The ugliest feature of the case is not the actual assassination of the young men, but the fact that Cesare had pledged himself that Astorre should go free, and yet had kept him by him—at first, it would seem, in his train, and later as a prisoner—until he put an end to his life. It was an ugly, unscrupulous deed; but there is no need to exaggerate its heinousness, as is constantly done, upon no better authority than Guicciardini’s, who wrote that the murder had been committed “saziata prima la libidine di qualcuno.”
But that’s not the main point. The worst part of the case isn’t the actual assassination of the young men, but the fact that Cesare had promised that Astorre would go free, yet kept him close—first, it seems, as part of his entourage, and later as a prisoner—until he ended his life. It was a nasty, ruthless act; but there’s no need to overstate its wickedness, as is often done, based on nothing more than Guicciardini’s claim that the murder was committed “after satisfying someone’s lust.”
Of all the unspeakable calumnies of which the Borgias have been the subject, none is more utterly wanton than this foul exhalation of Guicciardini’s lewd invention. Let the shame that must eternally attach to him for it brand also those subsequent writers who repeated and retailed that abominable and utterly unsupported accusation, and more particularly those who have not hesitated to assume that Guicciardini’s “qualcuno” was an old man in his seventy-second year—Pope Alexander VI.
Of all the terrible lies about the Borgias, none is more malicious than this disgusting fabrication from Guicciardini’s twisted imagination. The shame that will forever stick to him for this should also extend to the writers who later echoed and spread that horrendous and completely unfounded claim, especially to those who didn’t hesitate to assume that Guicciardini’s “someone” was an old man in his seventy-second year—Pope Alexander VI.
Others a little more merciful, a little more careful of physical possibilities (but no whit less salacious) have taken it that Cesare was intended by the Florentine historian.
Others, a bit more compassionate and more considerate of physical realities (but not any less scandalous), believe that Cesare was meant by the Florentine historian.
But, under one form or another, the lie has spread as only such foulness can spread. It has become woven into the warp of history; it has grown to be one of those “facts” which are unquestioningly accepted, but it stands upon no better foundation than the frequent repetition which a charge so monstrous could not escape. Its source is not a contemporary one. It is first mentioned by Guicciardini; and there is no logical conclusion to be formed other than that Guicciardini invented it. Another story which owes its existence mainly, and its particulars almost entirely, to Guicciardini’s libellous pen—the story of the death of Alexander VI, which in its place shall be examined—provoked the righteous anger of Voltaire. Atheist and violent anti-clerical though he was, the story’s obvious falseness so revolted him that he penned his formidable indictment in which he branded Guicciardini as a liar who had deceived posterity that he might vent his hatred of the Borgias. Better cause still was there in this matter of Astorre Manfredi for Voltaire’s indignation, as there is for the indignation of all conscientious seekers after truth.
But, in one way or another, the lie has spread as only such ugliness can. It has become woven into the fabric of history; it has turned into one of those “facts” that people accept without question, yet it rests on no better foundation than the frequent repetition that such a monstrous claim could not escape. Its source isn’t contemporary. It was first mentioned by Guicciardini, and there’s no logical conclusion except that Guicciardini made it up. Another story that exists mainly, and its details almost entirely, because of Guicciardini’s defamatory writing—the story of the death of Alexander VI, which will be examined later—triggered the justified anger of Voltaire. Even though he was an atheist and a fierce anti-clerical, the story’s obvious falsehood so disgusted him that he wrote a powerful condemnation in which he labeled Guicciardini a liar who misled future generations to express his hatred for the Borgias. There was even more reason for Voltaire’s outrage in the case of Astorre Manfredi, as there is for the anger of all conscientious seekers of truth.
CHAPTER IX. CASTEL BOLOGNESE AND PIOMBINO
To return to the surrender of Faenza on April 26, 1501, we see Cesare on the morrow of that event, striking camp with such amazing suddenness that he does not even pause to provide for the government of the conquered tyranny, but appoints a vicar four days later to attend to it.
To go back to the surrender of Faenza on April 26, 1501, we see Cesare the day after that event, breaking camp so quickly that he doesn't even take a moment to set up a government for the conquered territory; instead, he appoints a vicar four days later to handle it.
He makes his abrupt departure from Faenza, and is off like a whirlwind to sweep unexpectedly into the Bolognese territory, and, by striking swiftly, to terrify Bentivogli into submission in the matter of Castel Bolognese.
He makes a sudden exit from Faenza and takes off like a whirlwind, unexpectedly sweeping into Bolognese territory, intending to strike quickly and scare Bentivogli into submission regarding Castel Bolognese.
This fortress, standing in the duke’s dominions, on the road between Faenza and Imola, must be a menace to him whilst in the hands of a power that might become actively hostile.
This fortress, located in the duke’s territory, on the road between Faenza and Imola, must be a threat to him as long as it’s controlled by a force that could turn hostile.
Ahead of him Cesare sent an envoy to Bentivogli, to demand its surrender.
Ahead of him, Cesare sent a messenger to Bentivogli to demand its surrender.
The alarmed Lord of Bologna, having convened his Council (the Reggimento), replied that they must deliberate in the matter; and two days later they dispatched their ambassador to lay before Cesare the fruits of these deliberations. They were to seek the duke at Imola; but they got no farther than Castel S. Pietro, which to their dismay they found already in the hands of Vitellozzo Vitelli’s men-atarms. For, what time Bentivogli had been deliberating, Cesare Borgia had been acting with that promptness which was one of his most salient characteristics, and, in addition to Castel S. Pietro he had already captured Casalfiuminense, Castel Guelfo, and Medecina, which were now invested by his troops.
The worried Lord of Bologna called a meeting with his Council (the Reggimento) and said they needed to discuss the situation. Two days later, they sent their ambassador to share the results of their discussions with Cesare. They planned to meet the duke at Imola, but they didn’t get past Castel S. Pietro, which, to their surprise, they found already occupied by Vitellozzo Vitelli’s soldiers. While Bentivogli was meeting, Cesare Borgia had been acting swiftly, which was one of his standout traits, and besides taking Castel S. Pietro, he had also seized Casalfiuminense, Castel Guelfo, and Medicina, which were now surrounded by his troops.
When the alarming news of this swift action reached Bologna it caused Bentivogli to bethink him at last of Louis XII’s advice, that he should come to terms with Cesare Borgia, and he realized that the time to do so could no longer be put off. He made haste, therefore, to agree to the surrender of Castel Bolognese to the duke, to concede him stipend for one hundred lances of three men each, and to enter into an undertaking to lend him every assistance for one year against any power with which he might be at war, the King of France excepted. In return, Cesare was to relinquish the captured strongholds and undertake that the Pope should confirm Bentivogli in his ancient privileges. On April 29 Paolo Orsini went as Cesare’s plenipotentiary to Bologna to sign this treaty.
When the alarming news of this swift action reached Bologna, it finally made Bentivoglio remember Louis XII’s advice to come to terms with Cesare Borgia, and he realized that he could no longer delay doing so. He quickly agreed to surrender Castel Bolognese to the duke, to provide him with funding for one hundred lances of three men each, and to commit to lending him every assistance for one year against any power he might be at war with, except for the King of France. In return, Cesare would release the captured strongholds and ensure that the Pope confirmed Bentivoglio in his ancient privileges. On April 29, Paolo Orsini went as Cesare’s representative to Bologna to sign this treaty.
It was a crafty arrangement on Bentivogli’s part, for, over and above the pacification of Cesare and the advantage of an alliance with him, he gained as a result the alliance also of those famous condottieri Vitelli and Orsini, both bitter enemies of Florence—the latter intent upon the restoration of the Medici, the former impatient to avenge upon the Signory the execution of his brother Paolo. As an instalment, on account of that debt, Vitelli had already put to death Pietro da Marciano—the brother of Count Rinuccio da Marciano—when this gentleman fell into his hands at Medicina.
It was a clever move by Bentivogli because, in addition to calming Cesare down and benefiting from an alliance with him, he also secured the support of the famous mercenaries Vitelli and Orsini, who were both fierce enemies of Florence. The latter was focused on restoring the Medici, while the former was eager to take revenge on the Signory for the execution of his brother Paolo. As a first step to settling that score, Vitelli had already killed Pietro da Marciano—the brother of Count Rinuccio da Marciano—when this gentleman was captured at Medicina.
Two days before the treaty was signed, Bentivogli had seized four members of the powerful House of Marescotti. This family was related to the exiled Malvezzi, who were in arms with Cesare, and Bentivogli feared that communications might be passing between the two to his undoing. On that suspicion he kept them prisoners for the present, nor did be release them when the treaty was signed, nor yet when, amid public rejoicings expressing the relief of the Bolognese, it was published on May 2.
Two days before the treaty was signed, Bentivogli captured four members of the influential House of Marescotti. This family was connected to the exiled Malvezzi, who were fighting alongside Cesare, and Bentivogli was worried that they might be communicating with each other and plotting against him. Based on that suspicion, he decided to keep them imprisoned for the time being, and he didn't release them even when the treaty was signed or later, during the public celebrations on May 2, which showed the relief of the people of Bologna.
Hermes Bentivogli—Giovanni’s youngest son—was on guard at the palace with several other young Bolognese patricians, and he incited these to go with him to make an end of the traitors who had sought to destroy the peace by their alleged plottings with Bentivogli’s enemies in Cesare’s camp. He led his companions to the chamber where the Marescotti were confined, and there, more or less in cold blood, those four gentlemen were murdered for no better reason—ostensibly—than because it was suspected they had been in communication with their relatives in the Duke of Valentinois’s army. That was the way of the Cinquecento, which appears to have held few things of less account than human life.
Hermes Bentivogli—Giovanni’s youngest son—was on guard at the palace with several other young Bolognese nobles, and he encouraged them to join him in dealing with the traitors who had tried to ruin the peace by supposedly conspiring with Bentivogli’s enemies in Cesare’s camp. He led his friends to the room where the Marescotti were held, and there, more or less without provocation, those four men were killed for no better reason—outwardly—than the suspicion that they had been in touch with their relatives in the Duke of Valentinois’s army. That was the reality of the Cinquecento, which seemed to value human life very little.
In passing, it may be mentioned that Guicciardini, of course, does his ludicrous best to make this murder appear—at least indirectly, since directly it would be impossible—the work of Cesare Borgia.
In passing, it's worth noting that Guicciardini, of course, does his ridiculous best to make this murder seem—at least indirectly, since directly it would be impossible—the work of Cesare Borgia.
As for Castel Bolognese itself, Cesare Borgia sent a thousand demolishers in the following July to raze it to the ground. It is said to have been the most beautiful castle in the Romagna; but Cesare had other qualities than beauty to consider in the matter of a stronghold. Its commanding position rendered it almost in the nature of a gateway controlling, as we know, the road from Faenza to Imola, and its occupation by the Bolognese or other enemies in time of disturbance might be of serious consequence to Cesare. Therefore he ruthlessly ordered Ramiro de Lorqua to set about its demolition.
As for Castel Bolognese, Cesare Borgia sent a thousand demolishers in the following July to tear it down completely. It's said to have been the most beautiful castle in the Romagna, but Cesare had to think about more than just beauty when it came to a stronghold. Its strategic location made it almost like a gateway, controlling the road from Faenza to Imola, and if the Bolognese or other enemies took it during a time of unrest, it could seriously impact Cesare. So, he coldly ordered Ramiro de Lorqua to start its demolition.
The Council of Castel Bolognese made great protest, and implored Ramiro to stay his hand until they should have communicated with the duke petitioning for the castle’s preservation; but Ramiro—a hard, stern man, and Cesare’s most active officer in the Romagna—told them bluntly that to petition the duke in such a matter would be no better than a waste of time. He was no more than right; for Cesare, being resolved upon the expediency of the castle’s destruction, would hardly be likely to listen to sentimental reasonings for its preservation. Confident of this, Ramiro without more ado set about the execution of the orders he had received. He pulled down the walls and filled up the moat, until nothing remained so much as to show the place where the fortress had stood.
The Council of Castel Bolognese protested strongly and begged Ramiro to hold off until they could talk to the duke about saving the castle. But Ramiro—a tough, stern man and Cesare's most active officer in the Romagna—told them flat out that asking the duke about this would just be a waste of time. He was completely right; Cesare was determined to destroy the castle and wasn't likely to listen to emotional arguments for its preservation. Confident of this, Ramiro immediately got to work on fulfilling his orders. He tore down the walls and filled in the moat until there was nothing left to even indicate where the fortress had been.
Another fortress which shared the fate of Castel Bolognese was the Castle of Sant’ Arcangelo, and similarly would Cesare have disposed of Solarolo, but that, being of lesser importance and the inhabitants offering, in their petition for its preservation, to undertake, themselves, the payment of the Castellan, he allowed it to remain.
Another fortress that met the same fate as Castel Bolognese was the Castle of Sant’ Arcangelo. Similarly, Cesare would have taken action against Solarolo, but since it was less significant and the residents offered, in their plea for its preservation, to cover the Castellan's salary themselves, he permitted it to stay.
Scarcely was the treaty with Bologna signed than Cesare received letters from the Pope recalling him to Rome, and recommending that he should not molest the Florentines in his passage—a recommendation which Alexander deemed very necessary considering the disposition towards Florence of Vitelli and Orsini. He foresaw that they would employ arguments to induce Valentinois into an enterprise of which all the cost would be his, and all the possible profit their own.
As soon as the treaty with Bologna was signed, Cesare got letters from the Pope asking him to return to Rome and suggesting that he should not disturb the Florentines on his way—a suggestion that Alexander thought was very important given Vitelli and Orsini's attitudes towards Florence. He anticipated that they would try to convince Valentinois to take on a venture where all the expenses would be his, while all the potential benefits would go to them.
The duke would certainly have obeyed and avoided Tuscany, but that—precisely as the shrewd Pope had feared—Vitelli and Orsini implored him to march through Florentine territory. Vitelli, indeed, flung himself on his knees before Cesare in the vehemence of his supplications, urging that his only motive was to effect the deliverance from his unjust imprisonment of Cerbone, who had been his executed brother’s chancellor. Beyond that, he swore he would make no demands upon Florence, that he would not attempt to mix himself in the affairs of the Medici, and that he would do no violence to town or country.
The duke would definitely have stayed away from Tuscany, but—just as the clever Pope had feared—Vitelli and Orsini begged him to go through Florentine territory. Vitelli even threw himself on his knees before Cesare in his passionate pleas, insisting that his only intention was to free Cerbone, who had been the chancellor of his executed brother, from his unjust imprisonment. He swore he wouldn't make any demands on Florence, wouldn't interfere in the Medici's affairs, and wouldn't harm the town or countryside.
Thus implored, Cesare gave way. Probably he remembered the very circumstances under which Vitelli had joined his banner, and considered that he could not now oppose a request backed by a promise of so much moderation; so on May 7 he sent his envoys to the Signory to crave leave of passage for his troops through Florentine territory.
Thus urged, Cesare relented. He likely recalled the circumstances under which Vitelli had allied with him and thought he couldn’t reject a request supported by such a promise of moderation; so on May 7, he sent his envoys to the Signory to ask for permission for his troops to pass through Florentine territory.
Whilst still in the Bolognese he was sought out by Giuliano de’Medici, who begged to be allowed to accompany him, a request which Cesare instantly refused, as being contrary to that to which he had engaged himself, and he caused Giuliano to fall behind at Lojano. Nor would he so much as receive in audience Piero de’Medici, who likewise sought to join him in Siennese territory, as soon as he perceived what was toward. Yet, however much the duke protested that he had no intention to make any change in the State of Florence, there were few who believed him. Florence, weary and sorely reduced by the long struggle of the Pisan war, was an easy prey. Conscious of this, great was her anxiety and alarm at Cesare’s request for passage. The Signory replied granting him the permission sought, but imposing the condition that he should keep to the country, refraining from entering any town, nor bring with him into Florentine territory Vitelli, Orsini, or any other enemy of the existing government. It happened, however, that when the Florentine ambassador reached him with this reply the duke was already over the frontier of Tuscany with the excluded condottieri in his train.
While still in Bologna, Giuliano de' Medici sought Cesare out, asking to accompany him. Cesare immediately refused, saying it went against his commitments, and he made sure Giuliano was left behind at Lojano. He even refused to meet with Piero de' Medici when he tried to join him in Siennese territory as soon as Cesare saw what was happening. Despite the duke insisting that he had no plans to change the state of Florence, few believed him. Florence, worn down and weakened by the long Pisan war, was an easy target. Aware of this, she was extremely anxious and alarmed by Cesare’s request for passage. The Signory replied, granting him the requested permission but imposing conditions that he stay in the countryside, avoid entering any towns, and not bring Vitelli, Orsini, or any other enemies of the current government into Florentine territory. However, when the Florentine ambassador brought this message to him, the duke had already crossed into Tuscany with the excluded mercenaries in tow.
It was incumbent upon him, as a consequence, to vindicate this high-handed anticipation of the unqualified Florentine permission which had not arrived. So he declared that he had been offended last year by Florence in the matter of Forli, and again this year in the matter of Faenza, both of which cities he charged the Signory with having assisted to resist him, and he announced that, to justify his intentions so far as Florence was concerned, he would explain himself at Barberino.
It was his responsibility, therefore, to justify this bold expectation of the unconditional approval from Florence that had not yet come. He stated that he had been wronged by Florence last year regarding Forli, and again this year concerning Faenza, both of which cities he accused the Signory of having helped to oppose him. He declared that, to clarify his intentions with regards to Florence, he would share his explanation at Barberino.
There, on May 12, he gave audience to the ambassador. He declared to him that he desired a good understanding with Florence, and that she should offer no hindrance to the conquest of Piombino, upon which he was now bound; adding that since he placed no trust in the present government, which already had broken faith with him, he would require some good security for the treaty to be made. Of reinstating the Medici he said nothing; but he demanded that some satisfaction be given Vitelli and Orsini, and, to quicken Florence in coming to a decision, he pushed forward with his army as far as Forno dei Campi—almost under her very walls.
There, on May 12, he met with the ambassador. He told him that he wanted a good relationship with Florence and that they should not interfere with the conquest of Piombino, which he was now committed to; he added that since he didn’t trust the current government, which had already betrayed him, he would need some solid security for the treaty to be established. He didn’t mention reinstating the Medici but insisted that some compensation be given to Vitelli and Orsini. To prompt Florence to make a decision, he moved his army forward as far as Forno dei Campi—almost right outside their walls.
The Republic was thrown into consternation. Instantly she got together what forces she disposed of, and proceeded to fling her artillery into the Arno, to the end that she should be constrained neither to refuse it to Cesare upon his demand, nor yet to deliver it.
The Republic was thrown into chaos. Immediately, she gathered what forces she had and started to throw her artillery into the Arno, so that she would be forced to neither refuse it to Cesare when he asked for it, nor to hand it over.
Macchiavelli censures the Signory’s conduct of this affair as impolitic. He contends that the duke, being in great strength of arms, and Florence not armed at all, and therefore in no case to hinder his passage, it would have been wiser and the Signory would better have saved its face and dignity, had it accorded Cesare the permission to pass which he demanded, rather than have been subjected to behold him enforce that passage by weight of arms. But all that now concerned the Florentines was to be rid of an army whose presence in their territory was a constant menace. And to gain that end they were ready to give any undertakings, just as they were resolved to fulfil none.
Machiavelli criticizes the Signory's handling of this situation as unwise. He argues that since the duke had a strong military force and Florence was completely unarmed, they really had no way to stop him. It would have been smarter for the Signory to grant Cesare the passage he requested, helping them maintain their dignity, instead of watching him force his way through with his army. However, what really mattered to the Florentines was getting rid of an army that posed a constant threat in their territory. To achieve that, they were willing to make any promises, even though they had no intention of keeping them.
Similarly, it chanced that Cesare was in no less a hurry to be gone; for he had received another letter from the Pope commanding his withdrawal, and in addition, he was being plagued by Vitelli and Orsini—grown restive—with entreaties for permission to go into either Florence or Pistoja, where they did not lack for friends. To resist them Cesare had need of all the severity and resolution he could command; and he even went so far as to back his refusal by a threat himself to take up arms against them if they insisted.
Similarly, Cesare was just as eager to leave. He had received another letter from the Pope ordering him to withdraw, and on top of that, he was being pestered by Vitelli and Orsini—who were getting restless—with requests to be allowed to go to either Florence or Pistoja, where they had plenty of friends. To stand firm against them, Cesare needed all the seriousness and determination he could muster; he even went so far as to back up his refusal with a threat to take up arms against them if they pushed the issue.
On the 15th, at last, the treaty—which amounted to an offensive and defensive alliance—was signed. By the terms of this, Florence undertook to give Cesare a condotta of 300 lances for three years, to be used in Florentine service, with a stipend of 36,000 ducats yearly. How much this really meant the duke was to discover two days later, when he sent to ask the Signory to lend him some cannon for the emprise against Piombino, and to pay him the first instalment of one quarter of the yearly stipend before he left Florentine territory. The Signory replied that, by the terms of the agreement, there was no obligation for the immediate payment of the instalment, whilst in the matter of the artillery they put him off from day to day, until Cesare understood that their only aim in signing the treaty had been the immediate one of being rid of his army.
On the 15th, the treaty—a mutual defense and offense agreement—was finally signed. According to this, Florence agreed to give Cesare a contract for 300 lances for three years to be used in Florentine service, with a salary of 36,000 ducats a year. How significant this really was for the duke became clear two days later when he asked the Signory to borrow some cannons for his campaign against Piombino and requested the first payment of a quarter of the yearly salary before he left Florentine land. The Signory responded that, according to the agreement, there was no obligation for immediate payment of the installment. As for the artillery, they kept postponing it day by day until Cesare realized that their only goal in signing the treaty had been to get rid of his army.
The risk Florence incurred in so playing fast-and-loose with such a man, particularly in a moment of such utter unfitness to resist him, is, notwithstanding the French protection enjoyed by the Signory, amazing in its reckless audacity. It was fortunate for Florence that the Pope’s orders tied the duke’s hands—and it may be that of this the Signory had knowledge, and that it was upon such knowledge, in conjunction with France’s protection, that it was presuming. Cesare took the matter in the spirit of an excellent loser.
The risk Florence took by playing games with such a man, especially when she was completely unprepared to deal with him, is, despite the French protection the Signory had, truly shocking in its reckless boldness. It was lucky for Florence that the Pope’s orders restricted the duke’s actions—and perhaps the Signory was aware of this, relying on that knowledge along with France’s protection. Cesare approached the situation like a gracious loser.
Not a hint of his chagrin and resentment did he betray; instead, he set about furnishing his needs elsewhere, sending Vitelli to Pisa with a request for artillery, a request to which Pisa very readily responded, as much on Vitelli’s account as on the duke’s. As for Florence, if Cesare Borgia could be terribly swift in punishing, he could also be formidably slow. If he could strike upon the instant where the opening for a blow appeared, he could also wait for months until the opening should be found. He waited now.
Not a trace of his frustration and resentment showed; instead, he started looking to meet his needs elsewhere, sending Vitelli to Pisa with a request for artillery, which Pisa quickly fulfilled, both for Vitelli's sake and the duke's. As for Florence, while Cesare Borgia could be extremely quick to punish, he could also be very slow. He could strike at the moment an opportunity presented itself, but he could also wait for months until the right moment was found. He was waiting now.
It would be at about this time that young Loenardo da Vinci sought employment in Cesare Borgia’s service. Leonardo had been in Milan until the summer of 1500, when he repaired to Florence in quest of better fortune; but, finding little or no work to engage him there, he took the chance of the duke of Valentinois’s passage to offer his service to one whose liberal patronage of the arts was become proverbial. Cesare took him into his employ as engineer and architect, leaving him in the Romagna for the present. Leonardo may have superintended the repairs of the Castle of Forli, whilst he certainly built the canal from Cesena to the Porto Cesenatico, before rejoining the duke in Rome.
It was around this time that young Leonardo da Vinci looked for a job with Cesare Borgia. Leonardo had been in Milan until the summer of 1500 when he returned to Florence hoping for better luck; however, after finding little to no work there, he seized the opportunity to offer his services to the Duke of Valentinois, known for his generous support of the arts. Cesare hired him as an engineer and architect, assigning him to the Romagna for the time being. Leonardo likely oversaw repairs to the Castle of Forli and certainly constructed the canal from Cesena to Porto Cesenatico before rejoining the duke in Rome.
On May 25 Cesare moved by the way of the valley of Cecina to try conclusions with Giacomo d’Appiano, Tyrant of Piombino, who with some Genoese and some Florentine aid, was disposed to offer resistance to the duke. The first strategic movement in this affair must be the capture of the Isle of Elba, whence aid might reach Piombino on its promontory thrusting out into the sea. For this purpose the Pope sent from Civita Vecchia six galleys, three brigantines, and two galleons under the command of Lodovico Mosca, captain of the papal navy, whilst Cesare was further reinforced by some vessels sent him from Pisa together with eight pieces of cannon. With these he made an easy capture of Elba and Pianosa. That done, he proceeded to lay siege to Piombino, which, after making a gallant resistance enduring for two months, was finally pressed to capitulate.
On May 25, Cesare traveled through the Cecina Valley to confront Giacomo d’Appiano, the Tyrant of Piombino, who, with support from some Genoese and Florentine allies, was ready to resist the duke. The first strategic move in this situation was to capture the Isle of Elba, from which help could reach Piombino, located on its coastal promontory. To assist, the Pope sent six galleys, three brigantines, and two galleons from Civita Vecchia, led by Lodovico Mosca, the captain of the papal navy. Additionally, Cesare received more ships from Pisa along with eight cannons. With these forces, he easily took Elba and Pianosa. After that, he began the siege of Piombino, which, after a courageous two-month defense, was ultimately forced to surrender.
Long before that happened, however, Cesare had taken his departure. Being awaited in Rome, he was unable to conduct the siege operations in person. So he quitted Piombino in June to join the French under d’Aubigny, bound at last upon the conquest of Naples, and claiming—as their treaty with him provided—Cesare’s collaboration.
Long before that happened, though, Cesare had already left. Since he was expected in Rome, he couldn't lead the siege operations himself. So, he left Piombino in June to join the French under d’Aubigny, finally heading towards the conquest of Naples, and expecting—according to their agreement with him—Cesare’s support.
CHAPTER X. THE END OF THE HOUSE OF ARAGON
Cesare arrived in Rome on June 13. There was none of the usual pomp on this occasion. He made his entrance quietly, attended only by a small body of men-at-arms, and he was followed, on the morrow, by Yves d’Allègre with the army—considerably reduced by the detachments which had been left to garrison the Romagna, and to lay siege to Piombino.
Cesare arrived in Rome on June 13. There was no typical fanfare this time. He entered quietly, accompanied only by a small group of soldiers, and was followed the next day by Yves d’Allègre with the army—significantly diminished due to the units that had been left to guard Romagna and to lay siege to Piombino.
Repairing to his quarters in the Vatican, the duke remained so close there for the few weeks that he abode in Rome on this occasion(1) that, from now onward, it became a matter of the utmost difficulty to obtain audience from him. This may have been due to his habit of turning night into day and day into night, whether at work or at play, which in fact was the excuse offered by the Pope to certain envoys sent to Cesare from Rimini, who were left to cool their heels about the Vatican ante-chambers for a fortnight without succeeding in obtaining an audience.
Repairing to his rooms in the Vatican, the duke stayed there for the few weeks he was in Rome this time(1), making it incredibly difficult to get a meeting with him from that point on. This might have been because he had a habit of turning night into day and day into night, whether he was working or playing, which was actually the excuse the Pope gave to some envoys sent to Cesare from Rimini, who were left waiting around the Vatican's waiting rooms for two weeks without managing to get a meeting.
1 “Mansit in Palatio secrete,” says Burchard.
1 “He remained secretively in the palace,” says Burchard.
Cesare Borgia was now Lord of Imola, Forli, Rimini, Faenza and Piombino, warranting his assumption of the inclusive title of Duke of Romagna which he had taken immediately after the fall of Faenza.
Cesare Borgia was now the Lord of Imola, Forli, Rimini, Faenza, and Piombino, allowing him to take on the all-encompassing title of Duke of Romagna, which he had adopted right after the fall of Faenza.
As his State grew, so naturally did the affairs of government; and, during those four weeks in Rome, business claimed his attention and an enormous amount of it was dispatched. Chiefly was he engaged upon the administration of the affairs of Faenza, which he had so hurriedly quitted. In this his shrewd policy of generosity is again apparent. As his representative and lieutenant he appointed a prominent citizen of Faenza named Pasi, one of the very members of that Council which had been engaged in defending the city and resisting Cesare. The duke gave it as his motive for the choice that the man was obviously worthy of trust in view of his fidelity to Astorre.
As his state expanded, so did the government's responsibilities; and during those four weeks in Rome, he focused on business and dealt with a massive amount of it. Most of his time was spent managing the affairs of Faenza, which he had left in a hurry. His clever strategy of generosity is clearly visible here. He appointed a prominent citizen of Faenza named Pasi as his representative and deputy, someone who was one of the very members of the Council that had been defending the city against Cesare. The duke stated that he chose this man because he clearly deserved trust due to his loyalty to Astorre.
And there you have not only the shrewdness of the man who knows how to choose his servants—which is one of the most important factors of success—but a breadth of mind very unusual indeed in the Cinquecento.
And there you see not just the cleverness of someone who knows how to pick their employees—which is one of the key elements of success—but also a level of insight that was actually quite rare in the 1500s.
In addition to the immunity from indemnity provided for by the terms of the city’s capitulation, Cesare actually went so far as to grant the peasantry of the valley 2,000 ducats as compensation for damage done in the war. Further, he supported the intercessions of the Council to the Pope for the erection of a new convent to replace the one that had been destroyed in the bombardment. In giving his consent to this—in a brief dated July 12, 1501—the Pope announces that he does so in response to the prayers of the Council and of the duke.
In addition to the immunity from compensation outlined in the city's surrender, Cesare went as far as to give the farmers in the valley 2,000 ducats as compensation for the damage caused by the war. Moreover, he backed the Council’s requests to the Pope for the building of a new convent to replace the one that was destroyed during the bombardment. In his approval of this—in a letter dated July 12, 1501—the Pope states that he is responding to the petitions of both the Council and the duke.
Giovanni Vera, Cesare’s erstwhile preceptor—and still affectionately accorded this title by the duke—was now Archbiship of Salerno, Cardinal of Santa Balbina, and papal legate in Macerata, and he was chosen by the Pope to go to Pesaro and Fano for the purpose of receiving the oath of fealty. With him Cesare sent, as his own personal representative, his secretary, Agabito Gherardi, who had been in his employ in that capacity since the duke’s journey into France, and who was to follow his fortunes to the end.
Giovanni Vera, Cesare’s former teacher—and still affectionately referred to by that title by the duke—was now the Archbishop of Salerno, Cardinal of Santa Balbina, and papal legate in Macerata. The Pope chose him to go to Pesaro and Fano to receive the oath of loyalty. Cesare also sent his own personal representative, his secretary, Agabito Gherardi, who had been working for him in that role since the duke's trip to France, and who was going to stick by him until the end.
However the people of Fano may have refrained from offering themselves to the duke’s dominion when, in the previous October, he had afforded them by his presence the opportunity of doing so, their conduct now hardly indicated that the earlier abstention had been born of reluctance, or else their minds had undergone, in the meanwhile, a considerable change. For, when they received the brief appointing him their lord, they celebrated the event by public rejoicings and illuminations; whilst on July 21 the Council, representing the people, in the presence of Vera and Gherardi, took oath upon the Gospels of allegiance to Cesare and his descendants for ever.
However, the people of Fano may have chosen not to offer themselves to the duke’s rule when, back in October, he gave them the chance to do so with his presence, their actions now hardly suggested that this earlier choice was out of reluctance, or perhaps their feelings had significantly changed in the meantime. Because, when they received the official notice appointing him their lord, they celebrated the occasion with public festivities and lights; while on July 21, the Council, representing the people, swore an oath on the Gospels of loyalty to Cesare and his descendants forever.
In the Consistory of June 25 of that year the French and Spanish ambassadors came formally to notify the Holy Father of the treaty of Granada, entered into in the previous November by Louis XII of the one part, and Ferdinand and Isabella of the other, concerning the conquest and division of the Kingdom of Naples. The rival claimants had come to a compromise by virtue of which they were to undertake together the conquest and thereafter share the spoil—Naples and the Abruzzi going to France, and Calabria and Puglia to Spain.
In the Consistory on June 25 of that year, the ambassadors from France and Spain officially informed the Pope about the treaty of Granada, which was agreed upon the previous November by Louis XII on one side and Ferdinand and Isabella on the other, regarding the capture and division of the Kingdom of Naples. The competing parties came to an agreement where they would jointly conquer the territory and then share the rewards—France getting Naples and the Abruzzi, while Spain would receive Calabria and Puglia.
Alexander immediately published his Bull declaring Federigo of Naples deposed for disobedience to the Church, and for having called the Turk to his aid, either of which charges it would have taxed Alexander’s ingenuity—vast though it was—convincingly to have established; or, being established, to censure when all the facts were considered. The charges were no better than pretexts for the spoliation of the unfortunate king who, in the matter of his daughter’s alliance with Cesare, had conceived that he might flout the Borgias with impunity.
Alexander quickly published his Bull declaring Federigo of Naples deposed for disobeying the Church and for calling on the Turk for help. Either of these accusations would have challenged Alexander’s considerable cleverness to prove effectively, or, if proven, to criticize once all the facts were taken into account. The charges were merely excuses for robbing the unfortunate king, who, in regard to his daughter’s marriage to Cesare, had thought he could disregard the Borgias without consequence.
On June 28 d’Aubigny left Rome with the French troops, accompanied by the bulk of the considerable army with which Cesare supported his French ally, besides 1,000 foot raised by the Pope and a condotta of 100 lances under Morgante Baglioni. As the troops defiled before the Castle of Sant’ Angelo they received the apostolic benediction from the Pope, who stood on the lower ramparts of the fortress.
On June 28, d’Aubigny left Rome with the French troops, along with most of the large army that Cesare had used to support his French ally, as well as 1,000 foot soldiers raised by the Pope and a group of 100 lancers led by Morgante Baglioni. As the troops passed in front of the Castle of Sant’ Angelo, they received the Pope's blessing, who was standing on the lower walls of the fortress.
Cesare himself cannot have followed to join the army until after July 10, for as late as that date there is an edict indited by him against all who should offer injury to his Romagna officers. At about the same time that he quitted Rome to ride after the French, Gonsalo de Cordoba landed a Spanish army in Calabria, and the days of the Aragon dominion in Naples were numbered.
Cesare couldn't have joined the army until after July 10, because as late as that date, there's an order he issued against anyone who harmed his Romagna officials. Around the same time he left Rome to pursue the French, Gonsalo de Cordoba arrived with a Spanish army in Calabria, and the days of Aragon's rule in Naples were running out.
King Federigo prepared to face the foe. Whilst himself remaining in Naples with Prospero Colonna, he sent the bulk of his forces to Capua under Fabrizio Colonna and Count Rinuccio Marciano—the brother of that Marciano whom Vitelli had put to death in Tuscany.
King Federigo got ready to confront the enemy. While staying in Naples with Prospero Colonna, he dispatched most of his troops to Capua under Fabrizio Colonna and Count Rinuccio Marciano—the brother of that Marciano whom Vitelli had killed in Tuscany.
Ravaging the territory and forcing its strongholds as they came, the allies were under the walls of Capua within three weeks of setting out; but on July 17, when within two miles of the town, they were met by six hundred lances under Colonna, who attempted to dispute their passage. It was Cesare Borgia himself who led the charge against them. Jean d’Auton—in his Chronicles of Louis XII—speaks in warm terms of the duke’s valour and of the manner in which, by words and by example, he encouraged his followers to charge the Colonna forces, with such good effect that they utterly routed the Neapolitans, and drove them headlong back to the shelter of Capua’s walls.
Devastating the land and attacking its strongholds as they advanced, the allies reached the walls of Capua within three weeks of their departure; however, on July 17, just two miles from the town, they encountered six hundred lances led by Colonna, who tried to block their way. It was Cesare Borgia himself who led the charge against them. Jean d’Auton—in his Chronicles of Louis XII—speaks highly of the duke’s bravery and how he inspired his followers to attack the Colonna forces, which resulted in a complete defeat of the Neapolitans, forcing them to retreat back to the safety of Capua’s walls.
The allies brought up their cannon, and opened the bombardment. This lasted incessantly from July 17—which was a Monday—until the following Friday, when two bastions were so shattered that the French were able to gain possession of them, putting to the sword some two hundred Neapolitan soldiers who had been left to defend those outworks. Thence admittance to the town itself was gained four days later—on the 25th—through a breach, according to some, through the treacherous opening of a gate, according to others. Through gate or breach the besiegers stormed to meet a fierce resistance, and the most horrible carnage followed. Back and back they drove the defenders, fighting their way through the streets and sparing none in the awful fury that beset them. The defence was shattered; resistance was at an end; yet still the bloody work went on. The combat had imperceptibly merged into a slaughter; demoralized and panic-stricken in the reaction from their late gallantry, the soldiers of Naples flung down their weapons and fled, shrieking for quarter. But none was given. The invader butchered every human thing he came upon, indiscriminant of age or sex, and the blood of some four thousand victims flowed through the streets of Capua like water after a thundershower. That sack of Capua is one of the most horrid pages in the horrid history of sacks. You will find full details in d’Auton’s chronicle, if you have a mind for such horrors. There is a brief summary of the event in Burchard’s diary under date of July 26, 1501, which runs as follows:
The allies set up their cannons and began the bombardment. This continued non-stop from July 17—which was a Monday—until the following Friday, when two bastions were so destroyed that the French were able to take them, slaughtering about two hundred Neapolitan soldiers who had been left to defend those outworks. Four days later—on the 25th—they gained entry to the town itself through a breach, according to some, or through the treacherous opening of a gate, according to others. Whether through gate or breach, the attackers charged in to face fierce resistance, resulting in horrific violence. They pushed back the defenders, fighting through the streets and sparing no one in their wrath. The defense was broken; resistance had ended; yet the bloody carnage continued. The battle had quietly turned into a massacre; demoralized and panicked from their earlier bravery, the Neapolitan soldiers dropped their weapons and fled, crying out for mercy. But none was granted. The invaders killed everyone they encountered, regardless of age or gender, and the blood of around four thousand victims flowed through the streets of Capua like water after a heavy rain. The sack of Capua is one of the most gruesome chapters in the dreadful history of looting. You can find all the details in d’Auton’s chronicle if you're interested in such horrors. There’s a brief summary of the event in Burchard’s diary dated July 26, 1501, which reads as follows:
“At about the fourth hour last night the Pope had news of the capture of Capua by the Duke of Valentinois. The capture was due to the treason of one Fabrizio—a citizen of Capua—who secretly introduced the besiegers and was the first to be killed by them. After him the same fate was met by some three thousand foot and some two hundred horse-soldiers, by citizens, priests, conventuals of both sexes, even in the very churches and monasteries, and all the women taken were given in prey to the greatest cruelty. The total number of the slain is estimated at four thousand.”
“At around 4 AM last night, the Pope heard about the capture of Capua by the Duke of Valentinois. The takeover was thanks to the betrayal of a man named Fabrizio—a citizen of Capua—who secretly let the attackers in and was the first one to be killed by them. Following him, about three thousand foot soldiers and around two hundred horsemen faced the same fate, along with citizens, priests, members of religious orders from both genders, even in the churches and monasteries. All the women that were taken were subjected to horrific cruelty. The total number of those killed is estimated to be four thousand.”
D’Auton, too, bears witness to this wholesale violation of the women, “which,” he adds, “is the very worst of all war’s excesses.” He informs us further that “the foot-soldiers of the Duke of Valentinois acquitted themselves so well in this, that thirty of the most beautiful women went captive to Rome,” a figure which is confirmed by Burchard.
D’Auton also reports on this massive violation of women, “which,” he adds, “is the worst of all war’s excesses.” He further informs us that “the foot soldiers of the Duke of Valentinois did such a good job in this that thirty of the most beautiful women were taken captive to Rome,” a number that Burchard also confirms.
“What an opportunity was not this for Guicciardini! The foot-soldiers of the Duke of Valentinois acquitted themselves so well in this, that thirty of the most beautiful women went captive to Rome.”
“What an opportunity this was for Guicciardini! The foot soldiers of the Duke of Valentinois performed so well in this that thirty of the most beautiful women were taken captive to Rome.”
Under his nimble, malicious, unscrupulous pen that statement is re-edited until not thirty but forty is the number of the captured victims taken to Rome, and not Valentinois’s foot, but Valentinois himself the ravisher of the entire forty! But hear the elegant Florentine’s own words:
Under his quick, cunning, and unscrupulous pen, that statement is revised until it says not thirty but forty is the number of victims taken to Rome, and not Valentinois's foot, but Valentinois himself is the abductor of all forty! But listen to the elegant Florentine’s own words:
“It was spread about [divulgossi]” he writes, “that, besides other wickednesses worthy of eternal infamy, many women who had taken refuge in a tower, and thus escaped the first fury of the assault, were found by the Duke of Valentinois, who, with the title of King’s Lieutenant, followed the army with no more people than his gentlemen and his guards.(1) He desired to see them all, and, after carefully examining them [consideratele diligentemente] he retained forty of the most beautiful.”
“It was rumored,” he writes, “that, besides other wicked acts deserving of lasting shame, many women who had taken refuge in a tower and escaped the initial rage of the attack were discovered by the Duke of Valentinois, who, as the King’s Lieutenant, accompanied the army with no more people than his gentlemen and guards. He wanted to see them all, and after carefully examining them, he kept forty of the most beautiful.”
1 This, incidentally, is another misstatement. Valentinois had with him, besides the thousand foot levied by the Pope and the hundred lances under Morgante Baglioni, an army some thousands strong led for him by Yves d’Allègre.
1 This, by the way, is another mistake. Valentinois had with him, in addition to the thousand foot soldiers raised by the Pope and the hundred lances under Morgante Baglioni, an army of several thousand strong led for him by Yves d’Allègre.
Guicciardini’s aim is, of course, to shock you; he considers it necessary to maintain in Cesare the character of ravenous wolf which he had bestowed upon him. The marvel is not that Guicciardini should have penned that utterly ludicrous accusation, but that more or less serious subsequent writers—and writers of our own time even—instead of being moved to contemptuous laughter at the wild foolishness of the story, instead of seeking in the available records the germ of true fact from which it was sprung, should sedulously and unblushingly have carried forward its dissemination.
Guicciardini’s goal is clearly to shock you; he believes it’s important to keep Cesare’s image as a greedy wolf that he created. The surprising part isn’t that Guicciardini made that completely ridiculous accusation, but that some more or less serious writers after him—and even some modern ones—didn’t just laugh in contempt at the absurdity of the tale. Instead of looking in the existing records for the kernel of truth behind it, they have carefully and shamelessly continued to spread its falsehood.
Yriarte not only repeats the tale with all the sober calm of one utterly destitute of a sense of the ridiculous, but he improves upon it by a delicious touch, worthy of Guicciardini himself, when he assures us that Cesare took these forty women for his harem!
Yriarte not only retells the story with the complete seriousness of someone who has no sense of the ridiculous, but he also enhances it with a delightful addition, worthy of Guicciardini himself, when he tells us that Cesare took these forty women for his harem!
It is a nice instance of how Borgia history has grown, and is still growing.
It’s a great example of how Borgia history has developed and continues to evolve.
If verisimilitude itself does not repudiate Guicciardini’s story, there are the Capuan chronicles to do it—particularly that of Pellegrini, who witnessed the pillage. In those chronicles from which Guicciardini drew the matter for this portion of his history of Italy, you will seek in vain for any confirmation of that fiction with which the Florentine historian—he who had a pen of gold for his friends and one of iron for his foes—thought well to adorn his facts.
If truthfulness itself doesn’t disprove Guicciardini’s account, the Capuan chronicles certainly do—especially Pellegrini’s, who saw the looting firsthand. In those chronicles, which Guicciardini used to gather material for this part of his history of Italy, you’ll look in vain for any proof of the fabrication that the Florentine historian—who had a golden pen for his friends and an iron one for his enemies—decided to embellish his facts with.
If the grotesque in history-building is of interest to you, you may turn the pages of the Storia Civile di Capua, by F. Granata, published in 1752. This writer has carefully followed the Capuan chroniclers in their relation of the siege; but when it comes to these details of the forty ladies in the tower (in which those chroniclers fail him) he actually gives Guicciardini as his authority, setting a fashion which has not lacked for unconscious, and no less egregious, imitators.
If you're interested in the bizarre aspects of history, you might want to check out the *Storia Civile di Capua* by F. Granata, published in 1752. This author has closely followed the Capuan chroniclers in their accounts of the siege; however, when he discusses the specifics about the forty ladies in the tower (where those chroniclers fall short), he actually cites Guicciardini as his source, setting a trend that has certainly attracted unintentional, yet equally remarkable, followers.
To return from the criticism of fiction to the consideration of fact, Fabrizio Colonna and Rinuccio da Marciano were among the many captains of the Neapolitan army that were taken prisoners. Rinuccio was the head of the Florentine faction which had caused the execution of Paolo Vitelli, and Giovio has it that Vitellozzo Vitelli, who had already taken an instalment of vengeance by putting Pietro da Marciano to death in Tuscany, caused Rinuccio’s wounds to be poisoned, so that he died two days later.
To shift from criticizing fiction back to discussing reality, Fabrizio Colonna and Rinuccio da Marciano were among the many leaders of the Neapolitan army who were captured. Rinuccio led the Florentine faction that was responsible for the execution of Paolo Vitelli. Giovio reports that Vitellozzo Vitelli, who had already taken a part of his revenge by killing Pietro da Marciano in Tuscany, had Rinuccio's wounds poisoned, resulting in his death two days later.
The fall of Capua was very shortly followed by that of Gaeta, and, within a week, by that of Naples, which was entered on August 3 by Cesare Borgia in command of the vanguard of the army. “He who had come as a cardinal to crown King Federigo, came now as a condottiero to depose him.”
The fall of Capua was quickly followed by Gaeta, and within a week, Naples fell as well, which Cesare Borgia entered on August 3 as the leader of the army's vanguard. “He who had come as a cardinal to crown King Federigo, now came as a mercenary leader to remove him.”
Federigo offered to surrender to the French all the fortresses that still held for him, on condition that he should have safe-conduct to Ischia and liberty to remain there for six months. This was agreed, and Federigo was further permitted to take with him his moveable possessions and his artillery, which latter, however, he afterwards sold to the Pope.
Federigo agreed to surrender all the fortresses still loyal to him to the French, on the condition that he would be granted safe passage to Ischia and the freedom to stay there for six months. This was accepted, and Federigo was also allowed to take his movable possessions and his artillery with him; however, he later sold the artillery to the Pope.
Thus the last member of the House of Aragon to sit upon the throne of Naples took his departure, accompanied by the few faithful ones who loved him well enough to follow him into exile; amongst these was that poet Sanazzaro, who, to avenge the wrong suffered by the master whom he loved, was to launch his terrible epigrams against Alexander, Cesare, and Lucrezia, and by means of those surviving verses enable the enemies of the House of Borgia to vilify their memories through centuries to follow.
Thus the last member of the House of Aragon to sit on the throne of Naples left, accompanied by the few loyal people who cared enough to follow him into exile. Among these was the poet Sanazzaro, who, to avenge the wrongs done to his beloved master, would unleash his fierce epigrams against Alexander, Cesare, and Lucrezia. Through those enduring verses, he would allow the enemies of the House of Borgia to tarnish their memories for centuries to come.
Federigo’s captains Prospero and Fabrizio Colonna, upon being ransomed, took their swords to Gonzalo de Cordoba, hoping for the day when they might avenge upon the Borgia the ruin which, even in this Neapolitan conquest they attributed to the Pope and his son.
Federigo’s captains, Prospero and Fabrizio Colonna, after being ransomed, took their swords to Gonzalo de Cordoba, waiting for the day when they could take revenge on the Borgia for the destruction they blamed on the Pope and his son, even during this conquest of Naples.
And here, so far as Naples is concerned, closes the history of the House of Aragon. In Italy it was extinct; and it was to become so, too, in Spain within the century.
And here, as far as Naples is concerned, ends the history of the House of Aragon. In Italy, it was gone; and it would also disappear in Spain within the century.
CHAPTER XI. THE LETTER TO SILVIO SAVELLI
By September 15 Cesare was back in Rome, the richer in renown, in French favour, and in a matter of 40,000 ducats, which is estimated as the total of the sums paid him by France and Spain for the support which his condotta had afforded them.
By September 15, Cesare was back in Rome, now more famous, favored by the French, and with a total of 40,000 ducats, which is the amount estimated to have been paid to him by France and Spain for the support his mercenary forces had provided.
During his absence two important events had taken place: the betrothal of his widowed sister Lucrezia to Alfonso d’Este, son of Duke Ercole of Ferrara, and the publication of the Bull of excommunication (of August 20) against the Savelli and Colonna in consideration of all that they had wrought against the Holy See from the pontificate of Sixtus IV to the present time. By virtue of that Bull the Pope ordered the confiscation of the possessions of the excommunicated families, whilst the Caetani suffered in like manner at the same time.
During his absence, two important events occurred: the engagement of his widowed sister Lucrezia to Alfonso d’Este, the son of Duke Ercole of Ferrara, and the publication of the Bull of excommunication (dated August 20) against the Savelli and Colonna due to everything they had done against the Holy See from the papacy of Sixtus IV up to that time. Because of that Bull, the Pope ordered the confiscation of the properties belonging to the excommunicated families, while the Caetani faced similar consequences at the same time.
These possessions were divided into two parts, and by the Bull of September 17 they were bestowed, one upon Lucrezia’s boy Roderigo, and with them the title of Duke of Sermoneta; the other to a child, Giovanni Borgia (who is made something of a mystery) with the title of Duke of Nepi and Palestrina.
These possessions were split into two parts, and by the Bull of September 17, one was given to Lucrezia’s son Roderigo, along with the title of Duke of Sermoneta; the other went to a child, Giovanni Borgia (who remains a bit of a mystery), with the title of Duke of Nepi and Palestrina.
The entire proceeding is undoubtedly open to grave censure, since the distribution of the confiscated fiefs subjects to impeachment the purity of the motives that prompted this confiscation. It was on the part of Alexander a gross act of nepotism, a gross abuse of his pontifical authority; but there is, at least, this to be said, that in perpetrating it he was doing no more than in his epoch it was customary for Popes to do. Alexander, it may be said again in this connection, was part of a corrupt system, not the corrupter of a pure one.
The entire process is certainly open to serious criticism, as the distribution of the seized lands raises questions about the sincerity of the motives behind this confiscation. Alexander's actions were a blatant act of nepotism and a major abuse of his papal authority; however, it should be noted that in his time, what he did was typical for Popes. It can also be said in this context that Alexander was part of a corrupt system, not the one creating a corruption in an otherwise pure system.
Touching the boy Giovanni Borgia, the mystery attaching to him concerns his parentage, and arises out of the singular circumstance that there are two papal Bulls, both dated September 1, 1501, in each of which a different father is assigned to him, the second appearing to supplement and correct the first.
Touching the boy Giovanni Borgia, the mystery surrounding him relates to his parentage and stems from the unusual fact that there are two papal Bulls, both dated September 1, 1501, which each name a different father for him, with the second seeming to supplement and correct the first.
The first of these Bulls, addressed to “Dilecto Filio Nobili Joanni de Borgia, Infanti Romano,” declares him to be a child of three years of age, the illegitimate son of Cesare Borgia, unmarried (as Cesare was at the time of the child’s birth) and of a woman (unnamed, as was usual in such cases) also unmarried.
The first of these Bulls, addressed to “Dear Son Noble Giovanni de Borgia, Roman Infant,” states that he is three years old, the illegitimate son of Cesare Borgia, who was unmarried (as Cesare was at the time of the child’s birth) and of a woman (unnamed, as was typical in such cases) who was also unmarried.
The second declares him, instead, to be the son of Alexander, and runs: “Since you bear this deficiency not from the said duke, but from us and the said woman, which we for good reasons did not desire to express in the preceding writing.”
The second states instead that he is the son of Alexander, and says: “Since you have this flaw not from the duke mentioned, but from us and the woman referred to, which we for valid reasons chose not to mention in the earlier writing.”
That the second Bull undoubtedly contains the truth of the matter is the only possible explanation of its existence, and the “good reasons” that existed for the first one are, no doubt, as Gregorovius says, that officially and by canon law the Pope was inhibited from recognizing children. (His other children, be it remembered, were recognized by him during his cardinalate and before his elevation to St. Peter’s throne.) Hence the attempt by these Bulls to circumvent the law to the end that the child should not suffer in the matter of his inheritance.
That the second Bull clearly contains the truth of the matter is the only reasonable explanation for its existence. The "good reasons" for the first one, as Gregorovius suggests, are that the Pope was officially and by canon law barred from recognizing children. (It's important to remember that his other children were acknowledged by him while he was still a cardinal and before he became Pope.) This is why these Bulls were created to get around the law so that the child wouldn’t be disadvantaged in terms of inheritance.
Burchard, under date of November 3 of that year, freely mentions this Giovanni Borgia as the son of the Pope and “a certain Roman woman” (“quadam Romana”).
Burchard, on November 3 of that year, openly refers to this Giovanni Borgia as the son of the Pope and “a certain Roman woman” (“quadam Romana”).
On the same date borne by those two Bulls a third one was issued confirming the House of Este perpetually in the dominion of Ferrara and its other Romagna possessions, and reducing by one-third the tribute of 4,000 ducats yearly imposed upon that family by Sixtus IV; and it was explicitly added that these concessions were made for Lucrezia and her descendants.
On the same date marked by those two Bulls, a third one was issued confirming the House of Este's permanent control over Ferrara and its other properties in Romagna, and it reduced the annual tribute of 4,000 ducats that Sixtus IV had imposed on that family by one-third; it was specifically noted that these concessions were granted for Lucrezia and her descendants.
Three days later a courier from Duke Ercole brought the news that the marriage contract had been signed in Ferrara, and it was in salvoes of artillery that day and illuminations after dark that the Pope gave expression to the satisfaction afforded him by the prospect of his daughter’s entering one of the most ancient families and ascending one of the noblest thrones in Italy.
Three days later, a courier from Duke Ercole delivered the news that the marriage contract had been signed in Ferrara. That day, the Pope celebrated with cannon fire and illuminations after dark, expressing his joy at the prospect of his daughter joining one of the oldest families and ascending one of the most prestigious thrones in Italy.
It would be idle to pretend that the marriage was other than one of convenience. Love between the contracting parties played no part in this transaction, and Ercole d’Este was urged to it under suasion of the King of France, out of fear of the growing might of Cesare, and out of consideration for the splendid dowry which he demanded and in the matter of which he displayed a spirit which Alexander contemptuously described as that of a tradesman. Nor would Ercole send the escort to Rome for the bride until he had in his hands the Bull of investiture in the fiefs of Cento and Pieve, which, with 100,000 ducats, constituted Lucrezia’s dowry. Altogether a most unromantic affair.
It would be pointless to pretend that the marriage was anything but one of convenience. Love between the two parties had no role in this deal, and Ercole d’Este was pushed into it by the King of France, worried about Cesare's growing power and motivated by the impressive dowry he demanded, which Alexander scornfully compared to that of a merchant. Ercole also refused to send an escort to Rome for the bride until he secured the Bull of investiture for the fiefs of Cento and Pieve, which, along with 100,000 ducats, made up Lucrezia’s dowry. Overall, a very unromantic situation.
The following letter from the Ferrarese ambassador in Rome, dated September 23, is of interest in connection with this marriage:
The following letter from the Ferrarese ambassador in Rome, dated September 23, is noteworthy in relation to this marriage:
“MOST ILLUSTRIOUS PRINCE AND MOST NOBLE LORD,
“MOST ILLUSTRIOUS PRINCE AND MOST NOBLE LORD,
“His Holiness the Pope, taking into consideration such matters as might occasion displeasure not only to your Excellency and to the Most Illustrious Don Alfonso, but also to the duchess and even to himself, has charged us to write to your Excellency to urge you so to contrive that the Lord Giovanni of Pesaro, who, as your Excellency is aware, is in Mantua, shall not be in Ferrara at the time of the nuptials. Notwithstanding that his divorce from the said duchess is absolutely legitimate and accomplished in accordance with pure truth, as is publicly known not only from the proceedings of the trial but also from the free confession of the said Don Giovanni, it is possible that he may still be actuated by some lingering ill-will; wherefore, should he find himself in any place where the said lady might be seen by him, her Excellency might, in consequence, be compelled to withdraw into privacy, to be spared the memory of the past. Wherefore, his Holiness exhorts your Excellency to provide with your habitual prudence against such a contingency.”
“His Holiness the Pope, considering the issues that might upset not only you and the Most Illustrious Don Alfonso but also the duchess and himself, has instructed us to write to you, urging that you arrange things so that Lord Giovanni of Pesaro, who, as you know, is in Mantua, will not be in Ferrara during the wedding. Although his divorce from the duchess is completely legitimate and finalized according to the truth, as is widely known from the trial proceedings and Don Giovanni's own admission, there’s a chance he might still harbor some resentment. Therefore, if he happens to be in a location where he could see the duchess, she might feel compelled to retreat into privacy to avoid recalling the past. For this reason, his Holiness advises you to use your usual wisdom to prevent such a situation.”
Meanwhile, the festivities wherewith her betrothal was celebrated went merrily amain, and into the midst of them, to bear his share, came Cesare crowned with fresh laurels gained in the Neapolitan war. No merry-makings ever held under the auspices of Pope Alexander VI at the Vatican had escaped being the source of much scandalous rumour, but none had been so scandalous and disgraceful as the stories put abroad on this occasion. These found a fitting climax in that anonymous Letter to Silvio Savelli, published in Germany—which at the time, be it borne in mind, was extremely inimical to the Pope, viewing with jaundiced eyes his ever-growing power, and stirred perhaps to this unspeakable burst of venomous fury by the noble Este alliance, so valuable to Cesare in that it gave him a friend upon the frontier of his Romagna possessions.
Meanwhile, the festivities celebrating her engagement were in full swing, and in the middle of it all, Cesare arrived, crowned with fresh laurels earned in the Neapolitan war. No celebrations held under the guidance of Pope Alexander VI at the Vatican had been free from scandalous rumors, but none were as outrageous and disgraceful as the stories circulating on this occasion. These stories reached a fitting climax with an anonymous letter to Silvio Savelli, published in Germany—which, at the time, was extremely hostile toward the Pope, viewing his increasing power with suspicion, and perhaps fueled by furious envy over the noble Este alliance, which was especially valuable to Cesare as it gave him an ally on the border of his Romagna territories.
The appalling publication, which is given in full in Burchard, was fictitiously dated from Gonzola de Cordoba’s Spanish camp at Taranto on November 25. A copy of this anonymous pamphlet, which is the most violent attack on the Borgias ever penned, perhaps the most terrible indictment against any family ever published—a pamphlet which Gregorovius does not hesitate to call “an authentic document of the state of Rome under the Borgias”—fell into the hands of the Cardinal of Modena, who on the last day of the year carried it to the Pope.
The shocking publication, which is fully detailed in Burchard, was falsely dated from Gonzola de Cordoba’s Spanish camp at Taranto on November 25. A copy of this anonymous pamphlet, which is the most aggressive attack on the Borgias ever written—perhaps the worst condemnation of any family ever published—a pamphlet that Gregorovius doesn’t hesitate to label “an authentic document of the state of Rome under the Borgias”—was handed to the Cardinal of Modena, who brought it to the Pope on the last day of the year.
Before considering that letter it is well to turn to the entries in Burchard’s diary under the dates of October 27 and November 11 of that same year. You will find two statements which have no parallel in the rest of the entire diary, few parallels in any sober narrative of facts. The sane mind must recoil and close up before them, so impossible does it seem to accept them.
Before looking at that letter, it's important to check the entries in Burchard’s diary from October 27 and November 11 of the same year. You’ll find two statements that are unlike anything else in the whole diary and rare in any serious account of events. A rational person must be taken aback and shut down in response to them, as it seems so far-fetched to accept them.
The first of these is the relation of the supper given by Cesare in the Vatican to fifty courtesans—a relation which possibly suggested to the debauched Regent d’Orléans his fêtes d’Adam, a couple of centuries later.
The first of these is the account of the dinner hosted by Cesare in the Vatican for fifty courtesans—a story that likely inspired the indulgent Regent d’Orléans for his Adam parties, a couple of centuries later.
Burchard tells us how, for the amusement of Cesare, of the Pope, and of Lucrezia, these fifty courtesans were set to dance after supper with the servants and some others who were present, dressed at first and afterwards not so. He draws for us a picture of those fifty women on all fours, in all their plastic nudity, striving for the chestnuts flung to them in that chamber of the Apostolic Palace by Christ’s Vicar—an old man of seventy—by his son and his daughter. Nor is that all by any means. There is much worse to follow—matter which we dare not translate, but must leave more or less discreetly veiled in the decadent Latin of the Caerimoniarius:
Burchard tells us how, for the entertainment of Cesare, the Pope, and Lucrezia, fifty courtesans were made to dance after dinner with the servants and a few others who were there, initially dressed and then undressed. He paints a vivid picture of those fifty women on all fours, in all their nakedness, competing for the chestnuts tossed to them in that room of the Apostolic Palace by Christ’s representative—an old man of seventy—along with his son and daughter. And that's not the end of it. There's much worse to come—details we can't translate but must leave somewhat discreetly concealed in the decadent Latin of the Caerimoniarius:
“Tandem exposita dona ultima, diploides de serico, paria caligarum, bireta ed alia pro illis qui pluries dictas meretrices carnaliter agnoscerent; que fuerunt ibidem in aula publice carnaliter tractate arbitrio presentium, dona distributa victoribus.”
“Tandem exposita dona ultima, diploides de serico, paria caligarum, bireta ed alia pro illis qui pluries dictas meretrices carnaliter agnoscerent; que fuerunt ibidem in aula publice carnaliter tractate arbitrio presentium, dona distributa victoribus.”
Such is the monstrous story!
What a monstrous story!
Gregorovius, in his defence of Lucrezia Borgia, refuses to believe that she was present; but he is reluctant to carry his incredulity any further.
Gregorovius, in his defense of Lucrezia Borgia, doesn't believe she was there; but he's hesitant to take his disbelief any further.
“Some orgy of that nature,” he writes, “or something similar may very well have taken place. But who will believe that Lucrezia, already the legal wife of Alfonso d’Este and on the eve of departure for Ferrara, can have been present as a smiling spectator?”
“Some party like that,” he writes, “or something similar might very well have happened. But who would believe that Lucrezia, already the legal wife of Alfonso d’Este and just about to leave for Ferrara, could have been there as a cheerful onlooker?”
Quite so. Gregorovius puts his finger at once upon one of the obvious weaknesses of the story. But where there is one falsehood there are usually others; and if we are not to believe that Lucrezia was present, why should we be asked to believe in the presence of the Pope? If Burchard was mistaken in the one, why might he not be mistaken in the other? But the question is not really one of whom you will believe to have been present at that unspeakable performance, but rather whether you can possibly bring yourself to believe that it ever took place as it is related in the Diarium.
Absolutely. Gregorovius immediately points out one of the clear weaknesses in the story. But when there's one lie, there are often more; if we can’t trust that Lucrezia was there, why should we accept that the Pope was present? If Burchard was wrong about one, why couldn’t he be wrong about the other? However, the real issue isn’t about who you choose to believe was at that horrific event, but whether you can actually convince yourself that it happened the way it's described in the Diarium.
Gregorovius says, you will observe, “Some orgy of that nature, or something similar, may very well have taken place.” We could credit that Cesare held “some orgy of that nature.” He had apartments in the Vatican, and if it shock you to think that it pleased him, with his gentlemen, to make merry by feasting a parcel of Roman harlots, you are—if you value justice—to be shocked at the times rather than the man. The sense of humour of the Cinquecento was primitive, and in primitive humour prurience plays ever an important part, as is discernible in the literature and comedies of that age. If you would appreciate this to the full, consider Burchard’s details of the masks worn at Carnival by some merry-makers (“Venerunt ad plateam St. Petri larvati...habentes nasos lungos et grossos in forma priaporum”) and you must realize that in Cesare’s conduct in this matter there would have been nothing so very abnormal considered from the point of view of the Cinquecento, even though it were to approach the details given by Burchard.
Gregorovius notes, you’ll see, “Some orgy of that nature, or something similar, may very well have happened.” We could assume that Cesare held “some orgy of that nature.” He had rooms in the Vatican, and if it shocks you to think that he enjoyed feasting with a group of Roman prostitutes, you should be shocked at the era rather than the man. The sense of humor in the 1500s was basic, and in basic humor, lewdness always plays a significant role, as seen in the literature and comedies of that time. To fully appreciate this, think about Burchard’s descriptions of the masks worn at Carnival by some party-goers (“Venerunt ad plateam St. Petri larvati...habentes nasos lungos et grossos in forma priaporum”) and you must realize that in Cesare’s actions regarding this matter, there was nothing particularly abnormal from the perspective of the 1500s, even if it came close to the specifics described by Burchard.
But even so, you will hesitate before you accept the story of that saturnalia in its entirety, and before you believe that an old man of seventy, a priest and Christ’s Vicar, was present with Cesare and his friends. Burchard does not say that he himself was a witness of what he relates. But the matter shall presently be further considered.
But even so, you'll hesitate before fully accepting the story of that celebration, and before believing that an old man of seventy, a priest and Christ’s representative, was present with Cesare and his friends. Burchard doesn’t claim that he witnessed what he describes. But this will be discussed further soon.
Meanwhile, let us pass to the second of these entries in the diary, and (a not unimportant detail) on the very next page of it, under the date of November 11. In this it is related that certain peasants entered Rome by the Viridarian Gate, driving two mares laden with timber; that, in crossing the Square of St. Peter’s, some servants of the Pope’s ran out and cut the cords so that the timber was loosened and the beasts relieved of their burden; they were then led to a courtyard within the precincts of the palace, where four stallions were loosed upon them. “Ascenderunt equas et coierunt cum eis et eas graviter pistarunt et leserunt,” whilst the Pope at a window above the doorway of the Palace, with Madonna Lucrezia, witnessed with great laughter and delight, the show which it is suggested was specially provided for their amusement.
Meanwhile, let’s move on to the second entry in the diary, which is actually on the very next page, dated November 11. It describes how some peasants entered Rome through the Viridarian Gate, driving two mares loaded with timber. As they crossed St. Peter’s Square, some of the Pope’s servants rushed out and cut the ropes, freeing the timber and lightening the load on the animals. They were then taken to a courtyard within the palace grounds, where four stallions were let loose on them. “Ascenderunt equas et coierunt cum eis et eas graviter pistarunt et leserunt,” while the Pope watched from a window above the palace doorway, alongside Madonna Lucrezia, laughing and enjoying the spectacle, which seems to have been arranged just for their entertainment.
The improbabilities of the saturnalia of the fifty courtesans pale before the almost utter impossibility of this narrative. To render it possible in the case of two chance animals as these must have been under the related circumstances, a biological coincidence is demanded so utterly unlikely and incredible that we are at once moved to treat the story with scorn, and reject it as a fiction. Yet not one of those many writers who have retailed that story from Burchard’s Diarium as a truth incontestable as the Gospels, has paused to consider this—so blinded are we when it is a case of accepting that which we desire to accept.
The improbabilities of the debauchery involving the fifty courtesans fade in comparison to the nearly impossible nature of this story. For it to be credible with two random animals like these must have been under the given circumstances, we would need a biological coincidence that is so unlikely and unbelievable that it immediately leads us to treat the tale with disdain and dismiss it as fiction. Yet none of those many writers who have recounted this story from Burchard’s Diarium as a truth as undeniable as the Gospels have stopped to consider this—so blinded are we when it comes to accepting what we want to believe.
The narrative, too, is oddly—suspiciously—circumstantial, even to the unimportant detail of the particular gate by which the peasants entered Rome. In a piece of fiction it is perfectly natural to fill in such minor details to the end that the picture shall be complete; but they are rare in narratives of fact. And one may be permitted to wonder how came the Master of Ceremonies at the Vatican to know the precise gate by which those peasants came. It is not—as we have seen—the only occasion on which an excess of detail in the matter of a gate renders suspicious the accuracy of a story of Burchard’s.
The story is oddly—suspiciously—detailed, right down to the specific gate where the peasants entered Rome. In fiction, it's totally normal to include these little details to create a complete picture; however, they’re uncommon in factual narratives. One might question how the Master of Ceremonies at the Vatican knew the exact gate that the peasants used. As we've noted, this isn't the only instance where too much detail about a gate raises doubts about the accuracy of one of Burchard’s accounts.
Both these affairs find a prominent place in the Letter to Silvio Savelli. Indeed Gregorovius cites the pamphlet as one of the authorities to support Burchard, and to show that what Burchard wrote must have been true; the other authority he cites is Matarazzo, disregarding not only the remarkable discrepancy between Matarazzo’s relation and that of Burchard, but the circumstance that the matter of that pamphlet became current throughout Italy, and that it was thus—and only thus—that Matarazzo came to hear of the scandal.(1)
Both of these matters are prominently discussed in the Letter to Silvio Savelli. Gregorovius actually references the pamphlet as one of the sources to back up Burchard’s claims, implying that what Burchard said must have been accurate. The other source he mentions is Matarazzo, ignoring not only the significant differences between Matarazzo’s account and Burchard’s but also the fact that the content of that pamphlet became widely known across Italy, which is how Matarazzo eventually learned about the scandal.(1)
1 The frequency with which the German historian cites Matarazzo as an authority is oddly inconsistent, considering that when he finds Matarazzo’s story of the murder of the Duke of Gandia upsetting the theory which Gregorovius himself prefers, by fastening the guilt upon Giovanni Sforza, he devotes some space to showing—with perfect justice—that Matarazzo is no authority at all.
1 The number of times the German historian refers to Matarazzo as an authority is surprisingly inconsistent. When he discovers that Matarazzo’s account of the Duke of Gandia's murder challenges the theory that Gregorovius favors, which places the blame on Giovanni Sforza, he spends a fair amount of time demonstrating—rightfully so—that Matarazzo is not an authority at all.
The Letter to Silvio Savelli opens by congratulating him upon his escape from the hands of the robbers who had stripped him of his possessions, and upon his having found a refuge in Germany at the Emperor’s Court. It proceeds to marvel that thence he should have written letters to the Pope begging for justice and reinstatement, his wonder being at the credulity of Savelli in supposing that the Pope—“betrayer of the human race, who has spent his life in betrayals”—will ever do any just thing other than through fear or force. Rather does the writer suggest the adoption of other methods; he urges Savelli to make known to the Emperor and all princes of the Empire the atrocious crimes of that “infamous wild beasts” which have been perpetrated in contempt of God and religion. He then proceeds to relate these crimes. Alexander, Cesare, and Lucrezia, among others of the Borgia family, bear their share of the formidable accusations. Of the Pope are related perfidies, simonies, and ravishments; against Lucrezia are urged the matter of her incest, the supper of the fifty courtesans, and the scene of the stallions; against Cesare there are the death of Biselli, the murder of Pedro Caldes, the ruin of the Romagna, whence he has driven out the legitimate lords, and the universal fear in which he is held.
The Letter to Silvio Savelli starts by congratulating him on escaping from the robbers who took his belongings and for finding refuge in Germany at the Emperor’s Court. It then expresses amazement that he would write letters to the Pope asking for justice and restoration, noting his naivety in thinking that the Pope—“the betrayer of humanity, who has spent his life betraying others”—will ever act justly except out of fear or coercion. Instead, the writer suggests other approaches; he encourages Savelli to inform the Emperor and all the princes of the Empire about the terrible crimes committed by those “infamous wild beasts” who have acted in defiance of God and religion. He then goes on to detail these crimes. Alexander, Cesare, and Lucrezia, among others from the Borgia family, are accused of serious offenses. The Pope is charged with treachery, simony, and abductions; Lucrezia faces allegations of incest, hosting a banquet for fifty courtesans, and other scandals; while Cesare is implicated in the deaths of Biselli and Pedro Caldes, the devastation of Romagna, where he has ousted the legitimate lords, and the widespread fear he instills.
It is, indeed, a compendium of all the stories which from Milan, Naples, and Venice—the three States where the Borgias for obvious reasons are best hated—have been disseminated by their enemies, and a more violent work of rage and political malice was never uttered. This malice becomes particularly evident in the indictment of Cesare for the ruin of the Romagna. Whatever Cesare might have done, he had not done that—his bitterest detractor could not (without deliberately lying) say that the Romagna was other than benefiting under his sway. That is not a matter of opinion, not a matter of inference or deduction. It is a matter of absolute fact and irrefutable knowledge.
It is certainly a collection of all the stories that have been spread by the enemies of the Borgias from Milan, Naples, and Venice—the three regions where the Borgias are most disliked for obvious reasons—and a more intense work of anger and political spite has never been expressed. This spite becomes particularly clear in the accusation against Cesare for the destruction of the Romagna. No matter what Cesare might have done, he did not cause that—his fiercest critic could not (without blatantly lying) claim that the Romagna was anything but thriving under his rule. This is not a matter of opinion, inference, or deduction. It is an undeniable fact and irrefutable knowledge.
To return now to the two entries in Burchard’s Diarium when considered in conjunction with the Letter to Silvio Savelli (which Burchard quotes in full), it is remarkable that nowhere else in the discovered writings of absolute contemporaries is there the least mention of either of those scandalous stories. The affair of the stallions, for instance, must have been of a fairly public character. Scandal-mongering Rome could not have resisted the dissemination of it. Yet, apart from the Savelli letter, no single record of it has been discovered to confirm Burchard.
To return now to the two entries in Burchard’s Diarium when looked at alongside the Letter to Silvio Savelli (which Burchard quotes in full), it's striking that nowhere else in the known writings of absolute contemporaries is there any mention of either of those scandalous stories. The incident with the stallions, for example, must have been quite public. Scandal-loving Rome couldn't have resisted spreading the news. Yet, aside from the Savelli letter, no record has been found to back up Burchard's claims.
At this time, moreover, it is to be remembered, Lucrezia’s betrothal to Alfonso d’Este was already accomplished; preparations for her departure and wedding were going forward, and the escort from Ferrara was daily expected in Rome. If Lucrezia had never been circumspect, she must be circumspect now, when the eyes of Italy were upon her, and there were not wanting those who would have been glad to have thwarted the marriage—the object, no doubt, of the pamphlet we are considering. Yet all that was written to Ferrara was in praise of her—in praise of her goodness and her modesty, her prudence, her devoutness, and her discretion, as presently we shall see.
At this time, it's important to remember that Lucrezia was already engaged to Alfonso d’Este; preparations for her departure and wedding were underway, and her escort from Ferrara was expected to arrive in Rome any day now. If Lucrezia had never been careful before, she definitely needed to be careful now, with all of Italy watching her, and there were those who would have loved to sabotage the marriage—the very purpose of the pamphlet we're discussing. Yet, everything written to Ferrara praised her—for her kindness, modesty, prudence, devotion, and discretion, as we will soon see.
If from this we are to conclude—as seems reasonable—that there was no gossip current in Rome of the courtesans’ supper and the rest, we may assume that there was no knowledge in Rome of such matters; for with knowledge silence would have been impossible. So much being admitted, it becomes a matter of determining whether the author of the Letter to Silvio Savelli had access to the diary of Burchard for his facts, or whether Burchard availed himself of the Letter to Silvio Savelli to compile these particular entries. The former alternative being out of the question, there but remains the latter—unless it is possible that the said entries have crept into the copies of the “Diarium” and are not present in the original, which is not available.
If we conclude—from what seems reasonable—that there was no gossip in Rome about the courtesans’ dinner and other events, we can assume that people in Rome were unaware of such things; because if they knew, they wouldn't have been able to keep silent. With that accepted, the next step is to figure out whether the author of the Letter to Silvio Savelli had access to Burchard's diary for his information, or if Burchard used the Letter to Silvio Savelli to create these specific entries. The first option is ruled out, leaving only the second—unless it's possible that these entries have made their way into copies of the “Diarium” while not being present in the original, which we don't have.
This theory of interpolation, tentatively put forward, is justified, to some extent at least, by the following remarkable circumstances: that two such entries, having—as we have said—absolutely no parallel in the whole of the Diarium, should follow almost immediately the one upon the other; and that Burchard should relate them coldly, without reproof or comment of any kind—a most unnatural reticence in a writer who loosed his indignation one Easter-tide to see Lucrezia and her ladies occupying the choir of St. Peter’s, where women never sat.
This theory of interpolation, which is proposed tentatively, is justified, at least to some extent, by the following striking circumstances: two such entries, which as we've mentioned have absolutely no parallel in the entire Diarium, should appear almost immediately after each other; and that Burchard should recount them in a detached manner, without any criticism or comment whatsoever—a rather odd silence from a writer who expressed his outrage one Easter when he saw Lucrezia and her ladies sitting in the choir of St. Peter’s, where women were never allowed.
The Pope read the anonymous libel when it was submitted to him by the Cardinal of Modena—read it, laughed it to scorn, and treated it with the contempt which it deserved, yet a contempt which, considering its nature, asks a certain greatness of mind.
The Pope read the anonymous slander when the Cardinal of Modena brought it to him—laughed it off, and dismissed it with the disdain it deserved, although that disdain, given its nature, requires a certain level of greatness of character.
If the libel was true it is almost incredible that he should not have sought to avenge it, for an ugly truth is notoriously hurtful and provocative of resentment, far more so than is a lie. Cesare, however, was not of a temper quite as long-suffering as his father. Enough and more of libels and lampoons had he endured already. Early in December a masked man—a Neapolitan of the name of Mancioni—who had been going through Rome uttering infamies against him was seized and so dealt with that he should in future neither speak nor write anything in any man’s defamation. His tongue was cut out and his right hand chopped off, and the hand, with the tongue attached to its little finger, was hung in sight of all and as a warning from a window of the Church of Holy Cross.
If the libel was true, it’s almost unbelievable that he wouldn’t have tried to take revenge, because a hurtful truth is known to be damaging and likely to provoke anger, much more than a lie. Cesare, however, didn’t have the same patience as his father. He had already put up with more than enough libels and insults. In early December, a masked man—a Neapolitan named Mancioni—who had been going around Rome spreading slander against him was caught and dealt with in a way that would ensure he wouldn’t speak or write anything defamatory ever again. His tongue was cut out and his right hand was chopped off, and the hand, with the tongue hanging from its little finger, was displayed as a warning from a window of the Church of Holy Cross.
And towards the end of January, whilst Cesare’s fury at that pamphlet out of Germany was still unappeased, a Venetian was seized in Rome for having translated from Greek into Latin another libel against the Pope and his son. The Venetian ambassador intervened to save the wretch, but his intervention was vain. The libeller was executed that same night.
And towards the end of January, while Cesare was still furious about that pamphlet from Germany, a Venetian was arrested in Rome for translating another attack against the Pope and his son from Greek into Latin. The Venetian ambassador tried to save the poor man, but it was no use. The person who wrote the libel was executed that same night.
Costabili—the Ferrara ambassador—who spoke to the Pope on the matter of this execution, reported that his Holiness said that more than once had he told the duke that Rome was a free city, in which any one was at liberty to say or write what he pleased; that of himself, too, much evil was being spoken, but that he paid no heed to it.
Costabili—the Ferrara ambassador—who talked to the Pope about this execution, reported that His Holiness said he had told the duke more than once that Rome was a free city, where anyone could say or write whatever they wanted; that he himself was often spoken of negatively, but he didn't pay any attention to it.
“The duke,” proceeded Alexander, “is good-natured, but he has not yet learnt to bear insult.” And he added that, irritated, Cesare had protested that, “However much Rome may be in the habit of speaking and writing, for my own part I shall give these libellers a lesson in good manners.”
“The duke,” Alexander continued, “is good-natured, but he hasn’t learned to handle insults yet.” He also mentioned that, feeling irritated, Cesare had declared, “No matter how much Rome is used to gossiping and writing, I’m going to teach these troublemakers a thing or two about manners.”
The lesson he intended was not one they should live to practise.
The lesson he meant was not one they should live to apply.
CHAPTER XII. LUCREZIA’S THIRD MARRIAGE
At about the same time that Burchard was making in his Diarium those entries which reflect so grossly upon the Pope and Lucrezia, Gianluca Pozzi, the ambassador of Ferrara at the Vatican, was writing the following letter to his master, Duke Ercole, Lucrezia’s father-in-law elect:
At roughly the same time that Burchard was jotting down those entries in his Diarium that harshly criticize the Pope and Lucrezia, Gianluca Pozzi, the ambassador of Ferrara at the Vatican, was writing the following letter to his boss, Duke Ercole, who was set to be Lucrezia’s father-in-law:
“This evening, after supper, I accompanied Messer Gerardo Saraceni to visit the Most Illustrious Madonna Lucrezia in your Excellency’s name and that of the Most Illustrious Don Alfonso. We entered into a long discussion touching various matters. In truth she showed herself a prudent, discreet, and good-natured lady.”(1)
“This evening, after dinner, I went with Messer Gerardo Saraceni to visit the Most Illustrious Madonna Lucrezia on behalf of your Excellency and the Most Illustrious Don Alfonso. We engaged in a lengthy discussion about various topics. Truly, she presented herself as a wise, discreet, and pleasant lady.”(1)
1 See Gregorovius’s Lucrezia Borgia.
Check out Gregorovius’s Lucrezia Borgia.
The handsome, athletic Cardinal Ippolito d’Este, with his brothers Sigismondo and Fernando, had arrived in Rome on December 23 with the imposing escort that was to accompany their brother Alfonso’s bride back to Ferrara.
The handsome, athletic Cardinal Ippolito d’Este, along with his brothers Sigismondo and Fernando, arrived in Rome on December 23 with the impressive escort that was meant to take their brother Alfonso’s bride back to Ferrara.
Cesare was prominent in the welcome given them. Never, perhaps, had he made greater display than on the occasion of his riding out to meet the Ferrarese, accompanied by no fewer than 4,000 men-at-arms, and mounted on a great war-horse whose trappings of cloth of gold and jewels were estimated at 10,000 ducats.
Cesare stood out in the welcome they received. Perhaps he had never made a grander show than when he rode out to meet the Ferrarese, accompanied by no fewer than 4,000 knights, and mounted on a massive war horse adorned with cloth of gold and jewels valued at 10,000 ducats.
The days and nights that followed, until Lucrezia’s departure a fortnight later, were days and nights of gaiety and merry-making at the Vatican; in banquets, dancing, the performance of comedies, masques, etc., was the time made to pass as agreeably as might be for the guests from Ferrara, and in all Cesare was conspicuous, either for the grace and zest with which he nightly danced, or for the skill and daring which he displayed in the daily joustings and entertainments, and more particularly in the bull-fight that was included in them.
The days and nights that followed, leading up to Lucrezia’s departure two weeks later, were filled with joy and celebration at the Vatican. There were banquets, dancing, performances of comedies, and masquerades, all arranged to ensure that the guests from Ferrara had a wonderful time. Throughout it all, Cesare stood out, either for the charm and enthusiasm he brought to his nightly dances or for the skill and bravery he showed in the daily tournaments and events, especially in the bullfight that was part of them.
Lucrezia was splendidly endowed, to the extent, it was estimated, of 300,000 ducats, made up by 100,000 ducats in gold, her jewels and equipage, and the value of the Castles of Pieve and Cento. Her departure from Rome took place on January 6, and so she passes out of this chronicle, which, after all, has been little concerned with her.
Lucrezia was incredibly wealthy, estimated to have about 300,000 ducats, consisting of 100,000 ducats in gold, her jewels and possessions, and the worth of the Castles of Pieve and Cento. She left Rome on January 6, marking the end of her story in this account, which, after all, hasn't focused much on her.
Of the honour done her everywhere on that journey to Ferrara, the details are given elsewhere, particularly in the book devoted to her history and rehabilitation by Herr Gregorovius. After all, the real Lucrezia Borgia fills a comparatively small place in the actual history of her house. It is in the fictions concerning her family that she is given such unenviable importance, and presented as a Maenad, a poisoner, and worse. In reality she appears to us, during her life in Rome, as a rather childish, naïve, and entirely passive figure, important only in so far as she found employment at her father’s or brother’s hands for the advancement of their high ambitions and unscrupulous aims.
Of the honor she received during her journey to Ferrara, the details are covered elsewhere, especially in the book about her history and redemption by Herr Gregorovius. In truth, the real Lucrezia Borgia plays a relatively minor role in the actual history of her family. It's in the stories about her family that she is given such unwanted notoriety, depicted as a Maenad, a poisoner, and worse. In reality, during her life in Rome, she comes across as rather childish, naïve, and completely passive, significant only in how she facilitated her father’s or brother’s ambitions and ruthless goals.
In the popular imagination she lives chiefly as a terrific poisoner, an appalling artist in venenation. It is remarkable that this should be the case, for not even the scandal of her day so much as suggests that she was connected—directly or even indirectly—with a single case of poisoning. No doubt that popular conception owes its being entirely to Victor Hugo’s drama.
In popular belief, she is mainly seen as a terrible poisoner, an awful expert in poisoning. It's surprising that this is how she's perceived, because not even the scandals of her time suggest that she was linked—directly or indirectly—to a single poisoning case. This widespread view likely stems entirely from Victor Hugo’s play.
Away from Rome and settled in Ferrara from the twenty-second year of her age, to become anon its duchess, her life is well known and admits of no argument. The archives of the State she ruled show her devout, god-fearing, and beloved in life, and deeply mourned in death by a sorrowing husband and a sorrowing people. Not a breath of scandal touches her from the moment that she quits the scandalous environment of the Papal Court.
Away from Rome and settled in Ferrara at the age of twenty-two, soon to become its duchess, her life is well-known and beyond debate. The state archives reflect her as devout, god-fearing, and beloved in life, deeply mourned in death by a grieving husband and a mourning populace. Not a whiff of scandal surrounds her from the moment she leaves the scandalous atmosphere of the Papal Court.
Cesare continued at the Vatican after her departure. His duchess was to have come to Rome in that Easter of 1502, and it had been disposed that the ladies and gentlemen who had gone as escort of honour with Lucrezia should proceed—after leaving her in Ferrara—to Lombardy, to do the like office by Charlotte d’Albret, and, meeting her there, accompany her to Rome. She was coming with her brother, the Cardinal Amanieu d’Albret, and bringing with her Cesare’s little daughter, Louise de Valentinois, now two years of age. But the duchess fell ill at the last moment, and was unable to undertake the journey, of which Cardinal d’Albret brought word to Rome, where he arrived on February 7.
Cesare stayed at the Vatican after her departure. His duchess was supposed to come to Rome that Easter of 1502, and it was arranged for the ladies and gentlemen who had gone as an honor guard with Lucrezia to then proceed—after leaving her in Ferrara—to Lombardy, to do the same for Charlotte d’Albret. They would meet her there and accompany her to Rome. She was coming with her brother, Cardinal Amanieu d’Albret, and bringing Cesare’s little daughter, Louise de Valentinois, who was now two years old. However, the duchess fell ill at the last moment and couldn’t make the trip, which Cardinal d’Albret reported upon his arrival in Rome on February 7.
Ten days later Cesare set out with his father for Piombino, for which purpose six galleons awaited them at Civita Vecchia under the command of Lodovico Mosca, the captain of the Pontifical navy. On these the Pope and his son embarked, upon their visit to the scene of the latest addition to Cesare’s ever-growing dominions.
Ten days later, Cesare left with his father for Piombino, where six galleons were ready for them at Civita Vecchia under the command of Lodovico Mosca, the captain of the Papal navy. The Pope and his son boarded these ships for their visit to the latest addition to Cesare’s expanding territories.
They landed at Piombino on February 21, and made a solemn entrance into the town, the Pope carried in state in the Sedia Gestatoria, under a canopy, attended by six cardinals and six singers from the Sixtine Chapel, whilst Cesare was accompanied by a number of his gentlemen.
They arrived in Piombino on February 21 and made a grand entrance into the town, with the Pope carried in style in the Sedia Gestatoria, under a canopy, attended by six cardinals and six singers from the Sistine Chapel, while Cesare was accompanied by several of his associates.
They abode four days in Piombino, whence they crossed to Elba, for the purpose of disposing for the erection there of two fortresses—a matter most probably entrusted to Leonardo da Vinci, who continued in the ducal train as architect and engineer.
They stayed four days in Piombino, from where they crossed to Elba, to arrange for the construction of two fortresses there—a task most likely assigned to Leonardo da Vinci, who remained in the duke's entourage as architect and engineer.
On March 1 they took ship to return to Rome; but they were detained at sea for five days by a tempest which seems to have imperilled the vessels. The Pope was on board the captain’s galley with his cardinals-in-waiting and servants, and when these were reduced by the storm and the imminent danger to a state of abject terror, the Pope—this old man of seventy-one—sat calm and intrepid, occasionally crossing himself and pronouncing the name of Jesus, and encouraging the very sailors by his example as much as by his words.
On March 1, they boarded a ship to return to Rome, but they were stuck at sea for five days due to a storm that seemed to threaten the vessels. The Pope was on the captain’s galley with his waiting cardinals and servants, and when the storm and imminent danger caused these men to panic, the Pope—this seventy-one-year-old man—sat calm and fearless, occasionally crossing himself and saying the name of Jesus, encouraging the sailors both by his example and his words.
In Piombino Cesare had left Michele da Corella as his governor. This Corella was a captain of foot, a soldier of fortune, who from the earliest days of Cesare’s military career had followed the duke’s fortunes—the very man who is alleged to have strangled Alfonso of Aragon by Cesare’s orders. He is generally assumed to have been a Spaniard, and is commonly designated as Michelotto, or Don Miguel; but Alvisi supposes him, from his name of Corella, to have been a Venetian, and he tells us that by his fidelity to Cesare and the implicit manner in which he executed his master’s orders, he earned—as is notorious—considerable hatred. He has been spoken of, indeed, as the âme damnée of Cesare Borgia; but that is a purely romantic touch akin to that which gave the same designation to Richelieu’s Father Joseph.
In Piombino, Cesare left Michele da Corella as his governor. Corella was a captain of infantry, a soldier of fortune, who had followed the duke since the start of Cesare’s military career—the very guy who is said to have strangled Alfonso of Aragon on Cesare’s orders. He’s generally thought to be Spanish and is often referred to as Michelotto or Don Miguel; however, Alvisi believes that, due to his name of Corella, he might have been Venetian. He tells us that through his loyalty to Cesare and the way he carried out his master’s orders without question, he earned— as is well known— considerable hatred. In fact, he has been referred to as the âme damnée of Cesare Borgia; but that’s a purely romantic label similar to the one given to Richelieu’s Father Joseph.
The Romagna was at this time administered for Cesare Borgia by Ramiro de Lorqua, who, since the previous November, had held the office of Governor in addition to that of Lieutenant-General in which he had been earlier invested. His power in the Romagna was now absolute, all Cesare’s other officers, even the very treasurers, being subject to him.
The Romagna was being managed for Cesare Borgia by Ramiro de Lorqua, who, since the previous November, had held the position of Governor along with the role of Lieutenant-General he had been given earlier. His authority in the Romagna was now total, as all of Cesare’s other officers, including the treasurers, were under his command.
He was a man of some fifty years of age, violent and domineering, feared by all, and the dispenser of a harsh justice which had at least the merit of an impartiality that took no account of persons.
He was a man around fifty years old, aggressive and overbearing, feared by everyone, and he handed out harsh justice that at least had the advantage of being impartial and not favoring anyone.
Bernardi gives us an instance of the man’s stern, uncompromising, pitiless nature. On January 29, 1502, two malefactors were hanged in Faenza. The rope suspending one of them broke while the fellow was alive, and the crowd into which he tumbled begged for mercy for him at first, then, swayed by pity, the people resolved to save him in spite of the officers of justice who demanded his surrender. Preventing his recapture, the mob bore him off to the Church of the Cerviti. The Lieutenant of Faenza came to demand the person of the criminal, but he was denied by the Prior, who claimed to extend him sanctuary.
Bernardi shows us a clear example of the man’s harsh, unyielding, and merciless nature. On January 29, 1502, two criminals were hanged in Faenza. The rope supporting one of them broke while he was still alive, and the crowd he fell into initially begged for his mercy. Then, moved by compassion, the people decided to save him despite the demands of the law enforcement officers for his return. To prevent his recapture, the mob took him to the Church of the Cerviti. The Lieutenant of Faenza came to claim the criminal, but the Prior refused, insisting on providing him sanctuary.
But the days of sanctuary were overpast, and the laws of the time held that any church or consecrated place in which a criminal took refuge should ipso facto be deemed unconsecrated by his pursuers, and further, that any ecclesiastic sheltering such a fugitive did so under peril of excommunication from his bishop. This law Ramiro accounted it his duty to enforce when news was carried to him at Imola of what had happened.
But the days of sanctuary were long gone, and the laws of the time stated that any church or sacred place where a criminal sought refuge would automatically be considered desecrated by those pursuing him. Additionally, any clergyman who sheltered such a fugitive did so at the risk of excommunication from his bishop. Ramiro believed it was his responsibility to enforce this law when he received news in Imola of what had occurred.
He came at once to Faenza, and, compelling the Prior by actual force to yield up the man he sheltered, he hanged the wretch, for the second time, from a window of the Palace of the Podestá. At the same time he seized several who were alleged to have been ringleaders of the fellow’s rescue from the hands of the officers, and made the citizens of Faenza compromise for the lives of these by payment of a fine of 10,000 ducats, giving them a month in which to find the money.
He immediately went to Faenza and, using actual force, forced the Prior to hand over the man he was hiding. He hanged the poor guy, for the second time, from a window of the Palace of the Podestà. At the same time, he captured several people who were said to be the leaders of the man's rescue from the officers and made the citizens of Faenza pay a fine of 10,000 ducats to save their lives, giving them a month to come up with the money.
The Faentini sent their envoys to Ramiro to intercede with him; but that harsh man refused so much as to grant them audience—which was well for them, for, as a consequence, the Council sent ambassadors to Rome to submit the case to the Pope’s Holiness and to the Duke of Valentinois, together with a petition that the fine should be remitted—a petition that was readily granted.
The Faentini sent their envoys to Ramiro to ask him for help; but that tough guy wouldn’t even give them the time of day—which turned out to be a good thing for them, because as a result, the Council sent ambassadors to Rome to present their case to the Pope and the Duke of Valentinois, along with a request to have the fine waived—a request that was quickly approved.
Harsh as it was, however, Ramiro’s rule was salutary, its very harshness necessary in a province where lawlessness had become a habit through generations of misgovernment. Under Cesare’s dominion the change already was remarkable. During his two years of administration—to count from its commencement—the Romagna was already converted from a seething hell of dissensions, disorders and crimes—chartered brigandage and murder—into a powerful State, law-abiding and orderly, where human life and personal possessions found zealous protection, and where those who disturbed the peace met with a justice that was never tempered by mercy.
Harsh as it was, Ramiro’s rule was beneficial; its strictness was necessary in a region where lawlessness had become a norm over generations of poor governance. Under Cesare’s leadership, the change was already impressive. In his two years of administration—counting from when it began—the Romagna had transformed from a chaotic hell of conflicts, disorders, and crimes—legalized banditry and murder—into a strong, law-abiding State, where human life and personal property received strong protection, and where those who disrupted the peace faced justice that was never softened by mercy.
A strong hand was wanted there, and the duke, supreme judge of the tools to do his work, ruled the Romagna and crushed its turbulence by means of the iron hand of Ramiro de Lorqua.
A strong hand was needed there, and the duke, the ultimate judge of the tools to get his work done, ruled Romagna and suppressed its unrest with the iron fist of Ramiro de Lorqua.
It was also under the patronage of Valentinois that the first printing-press of any consequence came to be established in Italy. This was set up at Fano by Girolamo Sancino in 1501, and began the issue of worthy books. One of the earliest works undertaken (says Alvisi) was the printing of the Statutes of Fano for the first time in January of 1502. And it was approved by the Council, civil and ecclesiastical, that Sancino should undertake this printing of the Statutes “Ad perpetuam memoriam Illmi. Domini nostri Ducis.”
It was also thanks to Valentinois that the first significant printing press was established in Italy. This was set up in Fano by Girolamo Sancino in 1501, marking the beginning of the publication of noteworthy books. One of the earliest projects started (according to Alvisi) was the printing of the Statutes of Fano for the first time in January 1502. The civil and ecclesiastical Council approved Sancino's undertaking of this printing of the Statutes “Ad perpetuam memoriam Illmi. Domini nostri Ducis.”
CHAPTER XIII. URBINO AND CAMERINO
It may well be that it was about this time that Cesare, his ambition spreading—as men’s ambition will spread with being gratified—was considering the consolidation of Central Italy into a kingdom of which he would assume the crown.
It’s likely that around this time, Cesare, with his ambition growing—as people’s ambition tends to grow when they get what they want—was thinking about unifying Central Italy into a kingdom that he would rule as king.
It was a scheme in the contemplation of which he was encouraged by Vitellozzo Vitelli, who no doubt conceived that in its fulfilment the ruin of Florence would be entailed—which was all that Vitelli cared about. What to Cesare would have been no more than the means, would have been to Vitelli a most satisfactory end.
It was a plan that he was encouraged to consider by Vitellozzo Vitelli, who certainly thought that its success would lead to the downfall of Florence—which was all Vitelli cared about. What would have been just a means to Cesare was, for Vitelli, a very satisfying outcome.
Before, however, going so far there was still the work of subjugating the States of the Church to be completed, as this could not be so considered until Urbino, Camerino, and Sinigaglia should be under the Borgia dominion.
Before moving forward, there was still the task of bringing the States of the Church under control, as this couldn't be finalized until Urbino, Camerino, and Sinigaglia were under Borgia rule.
For this, no doubt, Cesare was disposing during that Easter of 1502 which he spent in Rome, and during which there were heard from the south the first rumblings of the storm of war whereof ill-starred Naples was once more—for the third time within ten years—to be the scene. The allies of yesterday were become the antagonists of to-day, and France and Spain were ready to fly at each other’s throats over the division of the spoil, as a consequence of certain ill-definitions of the matter in the treaty of Granada. The French Viceroy, Louis d’Armagnac, and the great Spanish Captain, Gonzalo de Cordoba, were on the point of coming to blows.
For this reason, Cesare was making plans during Easter in 1502, which he spent in Rome. During that time, the first signs of the coming war could be heard from the south, where the unfortunate city of Naples was about to become the battleground for the third time in ten years. Former allies were now rivals, as France and Spain prepared to go at each other over the division of the spoils, stemming from some vague terms in the treaty of Granada. The French Viceroy, Louis d’Armagnac, and the prominent Spanish commander, Gonzalo de Cordoba, were on the verge of fighting.
Nor was the menace of disturbance confined to Naples. In Florence, too, the torch of war was alight, and if—as he afterwards swore—Cesare Borgia had no hand in kindling it, it is at least undeniable that he complacently watched the conflagration, conscious that it would make for the fulfilment of his own ends. Besides, there was still that little matter of the treaty of Forno dei Campi between Cesare and Florence, a treaty which the Signory had never fulfilled and never intended to fulfil, and Cesare was not the man to forget how he had been fooled.
Nor was the threat of unrest limited to Naples. In Florence, the war was also ignited, and if— as he later claimed—Cesare Borgia wasn’t responsible for starting it, he certainly watched the chaos unfold, knowing it would help him achieve his own goals. Plus, there was still the issue of the treaty of Forno dei Campi between Cesare and Florence, a treaty that the Signory had never honored and never planned to honor, and Cesare wasn’t the type to forget how he had been deceived.
But for the protection of France which she enjoyed, Florence must long ere this have been called to account by him, and crushed out of all shape under the weight of his mailed hand. As it was she was to experience the hurt of his passive resentment, and find this rather more than she could bear.
But for the protection France provided her, Florence should have been held accountable by him a long time ago and crushed into submission under the weight of his armored hand. Instead, she was about to endure the pain of his quiet resentment, which would prove to be more than she could handle.
Vitellozzo Vitelli, that vindictive firebrand whose original motive in allying himself with Cesare had been the hope that the duke might help him to make Florence expiate his brother’s blood, finding that Cesare withheld the expected help, was bent at last upon dealing, himself, with Florence. He entered into plots with the exiled Piero de’Medici to restore the latter to his dominion; he set intrigues afoot in Pisa, where his influence was vast, and in Siena, whose tyrant, Pandolfo Petrucci, was ready and willing to forward his designs, and generally made so disturbing a stir in Tuscany that the Signory became gravely alarmed.
Vitellozzo Vitelli, that vengeful troublemaker whose initial goal in teaming up with Cesare was the hope that the duke would help him make Florence pay for his brother’s death, realized that Cesare wasn’t providing the expected support. He then decided to take matters into his own hands regarding Florence. He conspired with the exiled Piero de’Medici to restore him to power, initiated plots in Pisa where he had significant influence, and in Siena, where the ruler, Pandolfo Petrucci, was eager to assist his plans. His actions caused such unrest in Tuscany that the Signory grew seriously worried.
Cesare certainly took no apparent active part in the affair. He lent Vitelli no aid; but neither did he attempt to restrain him or any other of the Borgia condottieri who were allied with him.
Cesare definitely didn’t seem to play an active role in the situation. He didn’t help Vitelli at all; however, he also didn’t try to stop him or any of the other Borgia mercenaries who were on his side.
The unrest, spreading and growing sullenly a while, burst suddenly forth in Arezzo on June 4, when the cries of “Medici!” and “Marzocco!” rang in its streets, to announce that the city was in arms against the government of Florence. Arezzo followed this up by summoning Vitelli, and the waiting, watchful condottiero was quick to answer the desired call. He entered the town three days later at the head of a small body of foot, and was very shortly afterwards followed by his brother Giulio Vitelli, Bishop of Città di Castello, with the artillery, and, presently, by Gianpaolo Baglioni with a condotta of horse.
The unrest, which had been simmering for a while, suddenly erupted in Arezzo on June 4, when the shouts of “Medici!” and “Marzocco!” filled the streets, signaling that the city was rising up against the government of Florence. Arezzo then called for Vitelli, and the waiting, alert mercenary was quick to respond. He entered the town three days later at the head of a small group of foot soldiers, soon followed by his brother Giulio Vitelli, Bishop of Città di Castello, who brought the artillery, and shortly after by Gianpaolo Baglioni with a group of cavalry.
A few days later Vitelli was in possession of all the strongholds of the Val di Chiana, and panic-stricken Florence was speeding ambassadors hot-foot to Rome to lay her complaints of these matters before the Pope.
A few days later, Vitelli had taken control of all the strongholds in the Val di Chiana, and terrified Florence was sending ambassadors quickly to Rome to present their complaints about these issues to the Pope.
Alexander was able to reply that, far from supporting the belligerents, he had launched a Bull against them, provoked by the poisoning of the Bishop de’Pazzi.
Alexander was able to respond that, instead of supporting the warring parties, he had issued a Bull against them, triggered by the poisoning of Bishop de’Pazzi.
Cesare looked on with the inscrutable calm for which Macchiavelli was presently to find him so remarkable. Aware as he was of the French protection which Florence enjoyed and could invoke, he perceived how vain must ultimately prove Vitelli’s efforts, saw, perhaps, in all this the grave danger of ultimate ruin which Vitelli was incurring. Yet Vitelli’s action served Cesare’s own purposes, and, so that his purposes were served, there were no other considerations likely to weigh with that cold egotist. Let Vitelli be caught in the toils he was spinning, and be choked in them. Meanwhile, Florence was being harrowed, and that was all to Cesare’s satisfaction and advantage. When sufficiently humbled, it might well befall that the Republic should come on her knees to implore his intervention, and his pardon for having flouted him.
Cesare watched with the unreadable calm that Macchiavelli would later find so impressive. Even though he knew Florence had the French protection it could rely on, he understood how futile Vitelli’s efforts would ultimately be, and perhaps he even recognized the serious risk of total ruin that Vitelli was facing. Still, Vitelli’s actions served Cesare’s own interests, and as long as those interests were met, other considerations didn’t matter to that cold egotist. Let Vitelli get trapped in the web he was weaving and suffocate in it. In the meantime, Florence was suffering, and that only pleased Cesare and worked to his advantage. When sufficiently humbled, it’s likely the Republic would end up on its knees begging for his help and forgiveness for having disrespected him.
While matters stood so in Arezzo, Pisa declared spontaneously for Cesare, and sent (on June 10) to offer herself to his dominion and to announce to him that his banner was already flying from her turrets—and the growth of Florence’s alarm at this is readily conceived.
While things were like this in Arezzo, Pisa spontaneously declared her support for Cesare and sent a message (on June 10) to offer her allegiance and to inform him that his banner was already flying from her towers—and it's easy to see how this heightened Florence's alarm.
To Cesare it must have been a sore temptation. To accept such a pied-à-terre in Tuscany as was now offered him would have been the first great step towards founding that kingdom of his dreams. An impulsive man had surely gulped the bait. But Cesare, boundless in audacity, most swift to determine and to act, was not impulsive. Cold reason, foresight and calculation were the ministers of his indomitable will. He looked ahead and beyond in the matter of Pisa’s offer, and he perceived the danger that might await him in the acceptance. The time for that was not yet. To take what Pisa offered might entail offending France, and although Cesare was now in case to dispense with French support, he was in no case to resist her opposition.
To Cesare, it must have been a tempting offer. Accepting the place in Tuscany that was now being presented to him would have been his first major step toward creating the kingdom he dreamed of. An impulsive person might have jumped at the chance. But Cesare, who was bold and quick to make decisions and take action, was not impulsive. He relied on calm reasoning, foresight, and careful planning to guide his strong will. He considered the future implications of Pisa’s offer and recognized the potential risks involved in accepting it. The time for that was not yet right. Accepting what Pisa offered could upset France, and even though Cesare was in a position to manage without French support, he was not equipped to face their opposition.
And so, the matter being considered and determined, Cesare quitted Rome on the 12th and left it for the Pope to give answer to the Pisan envoys in the Consistory of June 14—that neither his Holiness nor the Duke of Valentinois could assent to the proposals which Pisa made.
And so, after considering and deciding on the matter, Cesare left Rome on the 12th and left it to the Pope to respond to the Pisan envoys in the Consistory of June 14—stating that neither His Holiness nor the Duke of Valentinois could agree to the proposals that Pisa made.
From Rome Cesare travelled swiftly to Spoleto, where his army, some ten thousand strong, was encamped. He was bent at last upon the conquest of Camerino, and, ever an opportunist, he had seized the moment when Florence, which might have been disposed to befriend Varano, Tyrant of Camerino, was over-busy with her own affairs.
From Rome, Cesare quickly traveled to Spoleto, where his army, numbering around ten thousand, was camped. He was finally intent on conquering Camerino, and, always the opportunist, he had taken advantage of the moment when Florence, which might have been inclined to support Varano, the Tyrant of Camerino, was preoccupied with its own issues.
In addition to the powerful army awaiting him at Spoleto, the duke had a further 2,000 men in the Romagna; another 1,000 men held themselves at his orders between Sinigaglia and Urbino, and Dionigio di Naldo was arming yet another 1,000 men at Verucchio for his service. Yet further to increase this force, Cesare issued an edict during his brief sojourn at Spoleto ordering every house in the Romagna to supply him with one man-at-arms.
In addition to the strong army waiting for him at Spoleto, the duke had another 2,000 men in the Romagna; another 1,000 men were ready to serve him between Sinigaglia and Urbino, and Dionigio di Naldo was gathering yet another 1,000 men at Verucchio for his service. To further boost this force, Cesare put out a decree during his short stay at Spoleto, ordering every household in the Romagna to provide him with one man-at-arms.
It was whilst here—as he afterwards wrote to the Pope—that news reached him that Guidobaldo da Montefeltre, Duke of Urbino, was arming men and raising funds for the assistance of Camerino. He wrote that he could not at first believe it, but that shortly afterwards—at Foligni—he took a chancellor of Camerino who admitted that the hopes of this State were all founded upon Urbino’s assistance; and later, a messenger from Urbino falling into his hands, he discovered that there was a plot afoot to seize the Borgia artillery as it passed through Ugubio, it being known that, as Cesare had no suspicions, the guns would be guarded only by a small force. Of this treachery the duke strongly expressed his indignation in his letter to the Pope.
It was while he was here—as he later wrote to the Pope—that he received news that Guidobaldo da Montefeltre, Duke of Urbino, was gathering men and raising funds to support Camerino. He mentioned that he couldn't believe it at first, but soon after—at Foligni—he captured a chancellor from Camerino who admitted that the hopes of this State depended entirely on Urbino’s help; later, a messenger from Urbino fell into his hands, and he discovered that there was a plot to seize the Borgia artillery as it passed through Ugubio, knowing that, since Cesare was unaware, the guns would only be guarded by a small force. The duke expressed his strong outrage over this betrayal in his letter to the Pope.
Whether the matter was true—or whether Cesare believed it to be true—it is impossible to ascertain with absolute conviction. But it is in the highest degree unlikely that Cesare would have written such a letter to his father solely by way of setting up a pretext. Had that been his only aim, letters expressing his simulated indignation would have been in better case to serve his ends had they been addressed to others.
Whether the matter was true—or whether Cesare believed it to be true—it’s impossible to know for sure. However, it’s highly unlikely that Cesare would have written such a letter to his father just as a pretext. If that had been his only goal, letters showing his fake outrage would have been more effective if they were sent to someone else.
If Guidobaldo did engage in such an act, amounting to a betrayal, he was certainly paid by Cesare in kind and with interest. If the duke had been short of a pretext for carrying a drawn sword into the dominions of Guidobaldo, he had that pretext now in this act of enmity against himself and the Holy See.
If Guidobaldo really did something like that, which was a betrayal, Cesare definitely got back at him in a serious way. If the duke had been lacking a reason to bring a drawn sword into Guidobaldo’s territory, he had that reason now with this hostile act against him and the Holy See.
First, however, he disposed for the attack upon Camerino. This State, lying on the Eastern spurs of the Apennines, midway between Spoleto and Urbino, was ruled by Giulio Cesare Varano, an old war-dog of seventy years of age, ruthless and bloodthirsty, who owed his throne to his murder of his own brother.
First, however, he prepared for the attack on Camerino. This state, located on the eastern foothills of the Apennines, halfway between Spoleto and Urbino, was ruled by Giulio Cesare Varano, a seasoned warrior at seventy years old, ruthless and bloodthirsty, who had gained his throne by murdering his own brother.
He was aided in the government of his tyranny by his four sons, Venanzio, Annibale, Pietro, and Gianmaria.
He was supported in ruling his tyranny by his four sons, Venanzio, Annibale, Pietro, and Gianmaria.
Several times already had he been menaced by Cesare Borgia, for he was one of the Vicars proscribed for the non-payment of tribute due to the Holy See, and at last his hour was come. Against him Cesare now dispatched an army under the command of Francesco Orsini, Duke of Gravina, and Oliverotto Eufreducci, another murderous, bloody gentleman who had hitherto served the duke in Vitelli’s condotta, and who, by an atrocious act of infamy and brigandage, had made himself Lord of Fermo, which he pretended—being as sly as he was bloody—to hold as Vicar for the Holy See.
Several times already, Cesare Borgia had threatened him because he was one of the Vicars targeted for not paying the tribute owed to the Holy See, and finally, his time had come. Cesare now sent an army led by Francesco Orsini, Duke of Gravina, and Oliverotto Eufreducci, another ruthless and violent man who had previously served the duke in Vitelli’s mercenary group. Through a vile act of treachery and banditry, he had made himself Lord of Fermo, which he deceitfully claimed—being as cunning as he was brutal—to hold as Vicar for the Holy See.
This Oliverotto Eufreducci—hereafter known as Oliverotto da Fermo—was a nephew of Giovanni Fogliano, Lord of Fermo. He had returned home to his uncle’s Court in the early part of that year, and was there received with great honour and affection by Fogliano and his other relatives. To celebrate his home-coming, Oliverotto invited his uncle and the principal citizens of Fermo to a banquet, and at table contrived to turn the conversation upon the Pope and the Duke of Valentinois; whereupon, saying that these were matters to be discussed more in private, he rose from table and begged them to withdraw with him into another room.
This Oliverotto Eufreducci—hereafter referred to as Oliverotto da Fermo—was the nephew of Giovanni Fogliano, the Lord of Fermo. He had returned to his uncle's court earlier that year, where he was received with great honor and affection by Fogliano and his other relatives. To celebrate his return, Oliverotto invited his uncle and the key citizens of Fermo to a banquet, and during the meal, he skillfully directed the conversation towards the Pope and the Duke of Valentinois; then, claiming these were matters better discussed privately, he stood up and asked them to join him in another room.
All unsuspecting—what should old Fogliano suspect from one so loved and so deeply in his debt?—they followed him to the chamber where he had secretly posted a body of his men-at-arms. There, no sooner had the door closed upon this uncle, and those others who had shown him so much affection, than he gave the signal for the slaughter that had been concerted. His soldiers fell upon those poor, surprised victims of his greed, and made a speedy and bloody end of all.
All unsuspecting—what could old Fogliano suspect from someone so loved and so deeply in his debt?—they followed him to the room where he had secretly gathered a group of his soldiers. There, as soon as the door closed on his uncle and those others who had shown him so much affection, he signaled for the massacre that had been planned. His soldiers attacked those poor, unsuspecting victims of his greed, quickly and brutally ending all of their lives.
That first and chief step being taken, Oliverotto flung himself on his horse, and, gathering his men-at-arms about him, rode through Fermo on the business of butchering what other relatives and friends of Fogliano might remain. Among these were Raffaele della Rovere and two of his children, one of whom was inhumanly slaughtered in its mother’s lap.
That first important step completed, Oliverotto jumped on his horse and, rallying his soldiers around him, rode through Fermo to carry out the task of killing any remaining relatives and friends of Fogliano. Among them were Raffaele della Rovere and two of his children, one of whom was brutally murdered in its mother's lap.
Thereafter he confiscated to his own uses the property of those whom he had murdered, and of those who, more fortunate, had fled his butcher’s hands. He dismissed the existing Council and replaced it by a government of his own. Which done—to shelter himself from the consequences—he sent word to the Pope that he held Fermo as Vicar of the Church.
Thereafter, he took for himself the possessions of those he had killed, as well as those who, more fortunate, had escaped his violent grip. He dismissed the current Council and set up a government of his own. Once that was done—to protect himself from the fallout—he informed the Pope that he held Fermo as the Church's Vicar.
Whilst a portion of his army marched on Camerino, Cesare, armed with his pretext for the overthrow of Guidobaldo, set himself deliberately and by an elaborate stratagem to the capture of Urbino. Of this there can be little doubt. The cunning of the scheme is of an unsavoury sort, when considered by the notions that obtain to-day, for the stratagem was no better than an act of base treachery. Yet, lest even in this you should be in danger of judging Cesare Borgia by standards which cannot apply to his age, you will do well to consider that there is no lack of evidence that the fifteenth century applauded the business as a clever coup.
While part of his army moved toward Camerino, Cesare, with his excuse to overthrow Guidobaldo, intentionally used a complex plan to take Urbino. There's little doubt about this. The cleverness of the scheme is quite distasteful by today’s standards, as the ploy was nothing more than a deceitful betrayal. However, to avoid judging Cesare Borgia by modern criteria that don’t fit his time, it's important to note that there’s plenty of evidence showing that the fifteenth century regarded the act as a smart maneuver.
Guidobaldo da Montefeltre was a good prince. None in all Italy was more beloved by his people, towards whom he bore himself with a kindly, paternal bonhomie. He was a cultured, scholarly man, a patron of the arts, happiest in the splendid library of the Palace of Urbino. It happened, unfortunately, that he had no heir, which laid his dominions open to the danger of division amongst the neighbouring greedy tyrants after his death. To avoid this he had adopted Francesco Maria della Rovere, hereditary Prefect of Sinigaglia, his sister’s child and a nephew of Cardinal Giuliano della Rovere’s. There was wisdom and foresight in the adoption, considering the favour enjoyed in Rome and in France by the powerful cardinal.
Guidobaldo da Montefeltre was a good prince. No one in all of Italy was more beloved by his people, to whom he showed a warm, fatherly kindness. He was a cultured, educated man and a patron of the arts, happiest in the magnificent library of the Palace of Urbino. Unfortunately, he had no heir, which put his lands at risk of being divided among the greedy neighboring tyrants after his death. To prevent this, he adopted Francesco Maria della Rovere, the hereditary Prefect of Sinigaglia, who was his sister's child and a nephew of Cardinal Giuliano della Rovere. The adoption was wise and forward-thinking, given the favor the powerful cardinal had in Rome and France.
From Nocera Cesare sent Guidobaldo a message calculated to allay whatever uneasiness he may have been feeling, and to throw him completely off his guard. The duke notified him that he was marching upon Camerino—which was at once true and untrue—and begged Guidobaldo to assist him in this enterprise by sending him provisions to Gubbio, which he should reach on the morrow—since he was marching by way of Cagli and Sassoferrato. Further—and obviously with intent that the Duke of Urbino should reduce the forces at his disposal—he desired Guidobaldo to send Vitelli the support of a thousand men, which the latter had earlier solicited, but which Guidobaldo had refused to supply without orders from the Pope. Cesare concluded his letter with protestations of brotherly love—the Judas’ kiss which makes him hateful to us in this affair.
From Nocera, Cesare sent Guidobaldo a message meant to ease any worries he might be having and to completely catch him off guard. The duke informed him that he was moving towards Camerino—both true and false—and asked Guidobaldo to help him with this mission by sending provisions to Gubbio, where he would arrive the next day since he was traveling through Cagli and Sassoferrato. Additionally—and clearly intending for the Duke of Urbino to reduce his available forces—he wanted Guidobaldo to send Vitelli the support of a thousand men, which Vitelli had previously requested, but Guidobaldo had declined to provide without orders from the Pope. Cesare ended his letter with declarations of brotherly love—the Judas’ kiss that makes him detestable to us in this situation.
It all proved very reassuring to Guidobaldo who set his mind at ease and never bethought him of looking to his defences, when, from Nocera, Cesare made one of those sudden movements, terrible in their swiftness as the spring of a tiger—enabling him to drive home his claws where least expected. Leaving all baggage behind him, and with provisions for only three days, he brought his troops by forced marches to Cagli, within the Urbino State, and possessed himself of it almost before the town had come to realize his presence.
It all made Guidobaldo feel very reassured, putting his mind at ease, and he didn’t think about checking his defenses when Cesare made one of his sudden moves from Nocera, quick and fierce like a tiger’s leap—allowing him to attack where it was least expected. Leaving all his baggage behind and with supplies for only three days, he marched his troops quickly to Cagli, within the Urbino State, and seized control almost before the town even realized he was there.
Not until the citadel, taken entirely by surprise, was in Cesare’s hands did a messenger speed to Guidobaldo with the unwelcome tidings that the Duke of Valentinois was in arms, as an enemy, within the territory. Together with that message came others into the garden of the Zoccolanti monastery—that favourite resort of Guidobaldo’s—where he was indulging his not unusual custom of supping in the cool of that summer evening. They brought him word that, while Valentinois was advancing upon him from the south, a force of 1,000 men were marching upon Urbino from Isola di Fano in the east, and twice that number through the passes of Sant’ Angelo and Verucchio in the north—all converging upon his capital.
Not long after the citadel was completely caught off guard and fell into Cesare's hands, a messenger rushed to Guidobaldo with the bad news that the Duke of Valentinois was armed and invading as an enemy in the territory. Along with that message came others to the garden of the Zoccolanti monastery—one of Guidobaldo’s favorite spots—where he was enjoying his usual habit of having dinner in the cool of that summer evening. They informed him that, while Valentinois was advancing towards him from the south, a force of 1,000 men was marching towards Urbino from Isola di Fano in the east, and twice that number was coming through the passes of Sant’ Angelo and Verucchio in the north—all heading towards his capital.
The attack had been shrewdly planned and timed, and if anything can condone the treachery by which Guidobaldo was lulled into his false security, it is the circumstance that this conduct of the matter avoided bloodshed—a circumstance not wholly negligible, and one that was ever a part of Cesare Borgia’s policy, save where punishment had to be inflicted or reprisals taken.
The attack was cleverly planned and executed, and if anything can justify the betrayal that lulled Guidobaldo into a false sense of security, it's the fact that this approach prevented bloodshed—an aspect that shouldn't be overlooked, and one that was always part of Cesare Borgia's strategy, except when punishment needed to be meted out or revenge taken.
Guidobaldo, seeing himself thus beset upon all sides at once, and being all unprepared for resistance, perceived that nothing but flight remained him; and that very night he left Urbino hurriedly, taking with him the boy Francesco Maria, and intending at first to seek shelter in his Castle of S. Leo—a fortress that was practically impregnable. But already it was too late. The passes leading thither were by now in the hands of the enemy, as Guidobaldo discovered at dawn. Thereupon, changing his plans, he sent the boy and his few attendants to Bagno, and, himself, disguised as a peasant, took to the hills, despite the gout by which he was tormented. Thus he won to Ravenna, which was fast becoming a home for dethroned princes.
Guidobaldo, realizing he was surrounded on all sides and unprepared to fight back, saw that his only option was to flee. That very night, he hurriedly left Urbino, bringing along the boy Francesco Maria and initially planning to seek refuge in his Castle of S. Leo—a fortress that was nearly impossible to breach. But by then, it was already too late. The routes leading there were now controlled by the enemy, as Guidobaldo found out at dawn. Changing his strategy, he sent the boy and a few attendants to Bagno, while he disguised himself as a peasant and took to the hills, despite suffering from gout. This way, he made his way to Ravenna, which was quickly becoming a refuge for deposed princes.
Urbino, meanwhile, in no case to resist, sent its castellan to meet Cesare and to make surrender to him—whereof Cesare, in the letter already mentioned, gives news to the Pope, excusing himself for having undertaken this thing without the Pope’s knowledge, but that “the treachery employed against me by Guidobaldo was so enormous that I could not suffer it.”
Urbino, meanwhile, unable to resist, sent its castellan to meet Cesare and surrender to him. Cesare, in the letter previously mentioned, informed the Pope, explaining that he took this action without the Pope's knowledge, but that “the betrayal I faced from Guidobaldo was so great that I couldn’t tolerate it.”
Within a few hours of poor Guidobaldo’s flight Cesare was housed in Urbino’s splendid palace, whose stupendous library was the marvel of all scholars of that day. Much of this, together with many of the art-treasures collected by the Montefeltri, Cesare began shortly afterwards to transfer to Cesena.
Within a few hours of poor Guidobaldo’s escape, Cesare was settled in Urbino’s magnificent palace, whose incredible library was the envy of all scholars of that time. Shortly after, Cesare began to move much of this, along with many of the art treasures collected by the Montefeltri, to Cesena.
In addition to publishing an edict against pillage and violence in the City of Urbino, Cesare made doubly sure that none should take place by sending his soldiers to encamp at Fermignano, retaining near him in Urbino no more than his gentlemen-at-arms. The capital being taken, the remainder of the duchy made ready surrender, all the strongholds announcing their submission to Cesare with the exception of that almost inaccessible Castle of S. Leo, which capitulated only after a considerable resistance.
In addition to issuing a decree against looting and violence in the City of Urbino, Cesare ensured that nothing happened by sending his soldiers to camp at Fermignano, keeping only his gentlemen-at-arms close by in Urbino. Once the capital was captured, the rest of the duchy prepared to surrender, with all the strongholds declaring their submission to Cesare except for the nearly inaccessible Castle of S. Leo, which only surrendered after considerable resistance.
From Urbino Cesare now entered into communication with the Florentines, and asked that a representative should be sent to come to an agreement with him. In response to this request, the Republic sent him Bishop Soderini as her ambassador. The latter arrived in Urbino on June 25 and was immediately and very cordially received by the duke. With him, in the subordinate capacity of secretary, came a lean, small-headed, tight-lipped man, with wide-set, intelligent eyes and prominent cheek-bones—one Niccolò Macchiavelli, who, in needy circumstances at present, and comparatively obscure, was destined to immortal fame. Thus did Macchiavelli meet Cesare Borgia for the first time, and, for all that we have no records of it, it is not to be doubted that his study of that remarkable man began then in Urbino, to be continued presently, as we shall see, when Macchiavelli returns to him in the quality of an ambassador himself.
From Urbino, Cesare now reached out to the Florentines and requested that they send a representative to negotiate with him. In response, the Republic sent Bishop Soderini as their ambassador. He arrived in Urbino on June 25 and was warmly welcomed by the duke. Accompanying him, in the role of secretary, was a thin, small-headed, tight-lipped man with intelligent, wide-set eyes and prominent cheekbones—Niccolò Machiavelli, who, despite his current struggles and relative obscurity, was destined for lasting fame. This was the first meeting between Machiavelli and Cesare Borgia, and although we lack records of it, there's no doubt that Machiavelli began his study of that extraordinary man at that moment in Urbino, which he would continue, as we shall see, when Machiavelli himself returns in the capacity of an ambassador.
To Soderini the duke expounded his just grievance, founded upon the Florentines’ unobservance of the treaty of Forno dei Campi; he demanded that a fresh treaty should be drawn up to replace the broken one, and that, for the purpose, Florence should change her government, as in the ruling one, after what had passed, he could repose no faith. He disclaimed all associations with the affair of Vitelli, but frankly declared himself glad of it, as it had, no doubt, led Florence to perceive what came of not keeping faith with him. He concluded by assuring Soderini that, with himself for their friend, the Florentines need fear no molestation from any one; but he begged that the Republic should declare herself in the matter, since, if she did not care to have him for her friend, she was, of course, at liberty to make of him her enemy.
To Soderini, the duke expressed his valid complaint about the Florentines not honoring the treaty of Forno dei Campi. He insisted that a new treaty be created to replace the broken one and that, for this to happen, Florence needed to change its government, as he could not trust the current one after everything that had happened. He denied any involvement in the Vitelli matter but openly said he was glad about it, as it had surely shown Florence the consequences of not being loyal to him. He ended by assuring Soderini that, with him as their ally, the Florentines had nothing to worry about from anyone; however, he requested that the Republic clarify its stance, since if they didn't want him as a friend, they were free to make him their enemy.
So impressed was Soderini by Cesare Borgia that on that same night he wrote to the Signory:
So impressed was Soderini by Cesare Borgia that on that same night he wrote to the Signory:
“This lord is very magnificent and splendid, and so spirited in feats of arms that there is nothing so great but that it must seem small to him. In the pursuit of glory and in the acquisition of dominions he never rests, and he knows neither danger nor fatigue. He moves so swiftly that he arrives at a place before it is known that he has set out for it. He knows how to make himself beloved of his soldiers, and he has in his service the best men of Italy. These things render him victorious and formidable, and to these is yet to be added his perpetual good fortune. He argues,” the Florentine envoy proceeds, “with such sound reason that to dispute with him would be a long affair, for his wit and eloquence never fail him” (“dello ingegno e della lingua si vale quanto vuole”).
“This lord is incredibly impressive and vibrant, so skilled in battle that nothing seems too great for him. In his quest for glory and to expand his territories, he never stops, facing neither danger nor exhaustion. He moves so quickly that he arrives at his destination before anyone even realizes he has left. He knows how to win the affection of his soldiers, and he has the finest men of Italy serving under him. These qualities make him both victorious and formidable, and on top of that, he has constant good luck. He argues,” the Florentine envoy continues, “with such sound reasoning that disputing with him would take a long time, as his wit and eloquence never let him down.”
You are to remember that this homage is one of the few surviving impressions of one who came into personal contact with Cesare, and of one, moreover, representing a Government more or less inimical to him, who would therefore have no reason to draw a favourable portrait of him for that Government’s benefit. One single page of such testimony is worth a dozen volumes of speculation and inference drawn afterwards by men who never knew him—in many cases by men who never began to know his epoch.
You should keep in mind that this tribute is one of the few remaining accounts from someone who actually met Cesare, and it comes from someone representing a government that was somewhat opposed to him, meaning they wouldn't have any incentive to paint a positive picture of him for that government's sake. Just one page of this kind of testimony is more valuable than a dozen volumes of theories and assumptions made later by people who never knew him—often by people who didn’t even start to understand his time.
The envoy concludes by informing the Signory that he has the duke’s assurances that the latter has no thought of attempting to deprive Florence of any of her possessions, as “the object of his campaign has not been to tyrannize, but to extirpate tyrants.”
The envoy finishes by letting the Signory know that he has the duke’s assurance that he has no intention of taking any possessions from Florence, as “the goal of his campaign has not been to rule harshly, but to eliminate tyrants.”
Whilst Cesare awaited the Florentines’ reply to their ambassador’s communication, he withdrew to the camp at Fermignano, where he was sought on July 6 by a herald from Louis XII. This messenger came to exhort Cesare to embark upon no enterprise against the Florentine Republic, because to offend Florence would be to offend the Majesty of France. Simultaneously, however, Florence received messages from the Cardinal d’Amboise, suggesting that they should come to terms with Valentinois by conceding him at least a part of what had been agreed in the Treaty of Forno dei Campi.
While Cesare awaited the Florentines’ response to their ambassador's message, he retreated to the camp at Fermignano, where he was approached on July 6 by a herald from Louis XII. This messenger urged Cesare not to launch any attacks against the Florentine Republic, as doing so would upset the authority of France. At the same time, however, Florence received messages from Cardinal d’Amboise, suggesting they should negotiate with Valentinois by giving him at least part of what had been agreed upon in the Treaty of Forno dei Campi.
As a consequence, Soderini was able to inform Cesare that the Republic was ready to treat with him, but that first he must withdraw Vitelli from Arezzo, and compel him to yield up the captured fortresses. The duke, not trusting—as he had frankly avowed—a Government which once already had broken faith with him, and perceiving that, if he whistled his war-dogs to heel as requested, he would have lost the advantages of his position, refused to take any such steps until the treaty should be concluded. He consented, however, to enforce meanwhile an armistice.
As a result, Soderini was able to let Cesare know that the Republic was prepared to negotiate with him, but first, he needed to pull Vitelli out of Arezzo and make him hand over the captured fortresses. The duke, mistrusting—a fact he openly admitted—a government that had once already betrayed him, and realizing that if he called his troops off as requested, he would lose his leverage, refused to take any action until the treaty was finalized. He did agree, however, to enforce a ceasefire in the meantime.
But now it happened that news reached Florence of the advance of Louis XII with an army of 20,000 men, bound for Naples to settle the dispute with Spain. So the Republic—sly and treacherous as any other Italian Government of the Cinquecento—instructed Soderini to temporize with the duke; to spend the days in amiable, inconclusive interviews and discussions of terms which the Signory did not mean to make. Thus they counted upon gaining time, until the arrival of the French should put an end to the trouble caused by Vitelli, and to the need for any compromise.
But then news reached Florence that Louis XII was advancing with an army of 20,000 men, headed for Naples to resolve the conflict with Spain. So the Republic—sly and treacherous like any other Italian government of the 1500s—told Soderini to stall with the duke; to spend his days in friendly, inconclusive meetings and discussions about terms that the Signory had no intention of agreeing to. This way, they hoped to buy time until the French arrived and put an end to the chaos caused by Vitelli, removing the need for any compromise.
But Cesare, though forced to submit, was not fooled by Soderini’s smooth, evasive methods. He too—having private sources of information in France—was advised of the French advance and of the imminence of danger to himself in consequence of the affairs of Florence. And it occasioned him no surprise to see Soderini come on July 19 to take his leave of him, advised by the Signory that the French vanguard was at hand, and that, consequently, the negotiations might now with safety be abandoned.
But Cesare, although compelled to comply, was not deceived by Soderini’s slick, evasive tactics. He also—having private contacts in France—was informed about the French advance and the impending danger to himself due to the situation in Florence. So it came as no surprise to him when Soderini came on July 19 to say goodbye, having been informed by the Signory that the French vanguard was approaching, and that, therefore, the negotiations could now safely be called off.
To console him, he had news on the morrow of the conquest of Camerino.
To comfort him, he had news the next day of the conquest of Camerino.
The septuagenarian Giulio Cesare Varano had opposed to the Borgia forces a stout resistance, what time he sent his two sons Pietro and Gianmaria to Venice for help. It was in the hope of this solicited assistance that he determined to defend his tyranny, and the war opened by a cavalry skirmish in which Venanzio Varano routed the Borgia horse under the command of the Duke of Gravina. Thereafter, however, the Varani had to endure a siege; and the old story of the Romagna sieges was repeated. Varano had given his subjects too much offence in the past, and it was for his subjects now to call the reckoning.
The seventy-year-old Giulio Cesare Varano fiercely resisted the Borgia forces while sending his two sons, Pietro and Gianmaria, to Venice for help. It was in hopes of getting this assistance that he decided to defend his rule, and the conflict began with a cavalry skirmish where Venanzio Varano defeated the Borgia cavalry led by the Duke of Gravina. However, the Varani soon faced a siege; the old tale of the Romagna sieges played out again. Varano had upset his subjects too much in the past, and now it was time for them to settle the score.
A strong faction, led by a patrician youth of Camerino, demanded the surrender of the State, and, upon being resisted, took arms and opened the gates to the troops of Valentinois. The three Varani were taken prisoners. Old Giulio Cesare was shut up in the Castle of Pergola, where he shortly afterwards died—which was not wonderful or unnatural at his time of life, and does not warrant Guicciardini for stating, without authority, that he was strangled. Venanzio and Annibale were imprisoned in the fortress of Cattolica.
A powerful faction, led by a young patrician from Camerino, demanded the surrender of the State. When they were resisted, they armed themselves and opened the gates to Valentinois' troops. The three Varani were taken captive. Old Giulio Cesare was locked up in the Castle of Pergola, where he soon died—which was neither surprising nor unnatural given his age, and doesn't support Guicciardini's claim, lacking evidence, that he was strangled. Venanzio and Annibale were imprisoned in the fortress of Cattolica.
In connection with this surrender of Camerino, Cesare wrote the following affectionate letter to his sister Lucrezia—who was dangerously ill at Ferrara in consequence of her delivery of a still-born child:
In relation to this surrender of Camerino, Cesare wrote the following heartfelt letter to his sister Lucrezia—who was seriously ill in Ferrara due to the birth of a stillborn child:
“Most Illustrious and most Excellent Lady, our very dear Sister,—Confident of the circumstance that there can be no more efficacious and salutary medicine for the indisposition from which you are at present suffering than the announcement of good and happy news, we advise you that at this very moment we have received sure tidings of the capture of Camerino. We beg that you will do honour to this message by an immediate improvement, and inform us of it, because, tormented as we are to know you so ill, nothing, not even this felicitous event, can suffice to afford us pleasure. We beg you also kindly to convey the present to the Illustrious Lord Don Alfonso, your husband and our beloved Brother-in-law, to whom we are not writing to-day.”
“Most Illustrious and Excellent Lady, our dear Sister,—Confident that there is no better remedy for your current illness than good news, we want to let you know that we have just received reliable news about the capture of Camerino. We hope you will honor this message by recovering quickly and letting us know how you’re doing, because we are deeply troubled by your condition, and nothing, not even this happy news, can bring us joy while you are unwell. Please also give our regards to the Illustrious Lord Don Alfonso, your husband and our beloved Brother-in-law, to whom we are not writing today.”
CHAPTER XIV. THE REVOLT OF THE CONDOTTIERI
The coincidence of the arrival of the French army with the conquest of Urbino and Camerino and the Tuscan troubles caused one more to be added to that ceaseless stream of rumours that flowed through Italy concerning the Borgias. This time the envy and malice that are ever provoked by success and power gave voice in that rumour to the thing it hoped, and there ensued as pretty a comedy as you shall find in the pages of history.
The arrival of the French army coinciding with the conquest of Urbino and Camerino, along with the issues in Tuscany, led to yet another wave of rumors spreading through Italy about the Borgias. This time, the jealousy and spite that always come with success and power fueled the rumors, resulting in a delightful comedy that you won’t find in any other pages of history.
The rumour had it that Louis XII, resentful and mistrustful of the growth of Cesare’s might, which tended to weaken France in Italy and became a menace to the French dominions, was come to make an end of him. Instantly Louis’s Court in Milan was thronged by all whom Cesare had offended—and they made up by now a goodly crowd, for a man may not rise so swiftly to such eminence without raising a rich crop of enemies.
The rumor was that Louis XII, feeling bitter and suspicious about Cesare’s rising power, which was weakening France in Italy and posing a threat to French territories, had come to take him down. Almost immediately, Louis’s Court in Milan was filled with everyone Cesare had wronged—and they were quite a crowd by then, because it’s hard for someone to rise so quickly to such heights without creating plenty of enemies.
Meanwhile, however, Valentinois in the Montefeltre Palace at Urbino remained extremely at ease. He was not the man to be without intelligences. In the train of Louis was Francesco Troche, the Pope’s confidential chamberlain and Cesare’s devoted servant, who, possessed of information, was able to advise Valentinois precisely what were the intentions of the King of France. Gathering from these advices that it was Louis’s wish that the Florentines should not be molested further, and naturally anxious not to run counter to the king’s intentions, Cesare perceived that the time to take action had arrived, the time for passivity in the affairs of Florence was at an end.
Meanwhile, Valentinois in the Montefeltre Palace at Urbino was completely at ease. He was not the type to lack information. Accompanying Louis was Francesco Troche, the Pope’s trusted chamberlain and Cesare’s loyal servant, who, armed with insights, was able to inform Valentinois exactly what the King of France intended. From this information, Cesare understood that Louis wanted the Florentines to be left alone, and eager to align with the king’s wishes, Cesare realized that it was time to act; the period of doing nothing in Florence was over.
So he dispatched an envoy to Vitelli, ordering his instant evacuation of Arezzo and his withdrawal with his troops from Tuscany, and he backed the command by a threat to compel Vitelli by force of arms, and to punish disobedience by depriving him of his state of Città di Castello—“a matter,” Cesare informed him, “which would be easily accomplished, as the best men of that State have already offered themselves to me.”
So he sent a messenger to Vitelli, demanding that he immediately evacuate Arezzo and pull his troops out of Tuscany. He reinforced the order with a threat to use military force to make Vitelli comply and to punish any defiance by taking away his control of Città di Castello—“something,” Cesare told him, “that would be easy to do, since the best people from that State have already pledged their support to me.”
It was a command which Vitelli had no choice but to obey, not being in sufficient force to oppose the duke. So on July 29, with Gianpaolo Baglioni, he relinquished the possession of Arezzo and departed out of Tuscany, as he had been bidden. But so incensed was he against the duke for this intervention between himself and his revenge, and so freely did he express himself in the matter, that it was put about at once that he intended to go against Cesare.
It was an order that Vitelli had no choice but to follow, as he didn't have enough strength to go against the duke. So, on July 29, he gave up control of Arezzo with Gianpaolo Baglioni and left Tuscany, as instructed. However, he was so angry with the duke for interfering with his plans for revenge and expressed his feelings so openly that rumors quickly spread that he was planning to take action against Cesare.
And that is the first hint of the revolt of the condottieri.
And that's the first sign of the uprising of the condottieri.
Having launched that interdict of his, Cesare, on July 25, in the garb of a knight of St. John of Jerusalem, and with only four attendants, departed secretly from Urbino to repair to Milan and King Louis. He paused for fresh horses at Forli on the morrow, and on the 28th reached Ferrara, where he remained for a couple of hours to visit Lucrezia, who was now in convalescence. Ahead of him he dispatched, thence, a courier to Milan to announce his coming, and, accompanied by Alfonso d’Este, resumed his journey.
Having issued his interdict, Cesare, on July 25, dressed as a knight of St. John of Jerusalem and with only four attendants, secretly left Urbino to head to Milan and meet King Louis. He stopped for fresh horses in Forli the next day, and on the 28th, he arrived in Ferrara, where he stayed for a couple of hours to visit Lucrezia, who was recovering. From there, he sent a courier ahead to Milan to announce his arrival, and along with Alfonso d’Este, he continued his journey.
Meanwhile, the assembly of Cesare’s enemies had been increasing daily in Milan, whither they repaired to support Louis and to vent their hatred of Cesare and their grievances against him. There, amongst others, might be seen the Duke of Urbino, Pietro Varano (one of the sons of the deposed Lord of Camerino), Giovanni Sforza of Pesaro, and Francesco Gonzaga of Mantua—which latter was ever ready to turn whichever way the wind was blowing, and was now loudest in his denunciations of Cesare and eagerly advocating the formation of a league against him.
Meanwhile, the gathering of Cesare’s enemies was growing every day in Milan, where they came to support Louis and express their hatred for Cesare along with their grievances against him. There, among others, was the Duke of Urbino, Pietro Varano (one of the sons of the ousted Lord of Camerino), Giovanni Sforza of Pesaro, and Francesco Gonzaga of Mantua—who was always quick to switch sides depending on the circumstances, and was now the loudest in his denouncements of Cesare while eagerly promoting the formation of a league against him.
Louis received the news of Cesare’s coming, and—endowed, it is clear, with a nice sense of humour-kept the matter secret until within a few hours of the duke’s actual arrival. On the morning of August 5, according to Bernardi,(1) he whispered the information in Trivulzio’s ear-and whispered it loudly enough to be overheard by those courtiers who stood nearest.
Louis heard the news about Cesare's arrival and, clearly with a good sense of humor, kept it a secret until just a few hours before the duke actually showed up. On the morning of August 5, according to Bernardi,(1) he quietly shared the information with Trivulzio—loud enough for the nearby courtiers to overhear.
1 Cronache Forlivesi.
1 Forlì Chronicles.
Whatever check their satisfaction at the supposed state of things may have received then was as nothing to their feelings a few hours later when they witnessed the greeting that passed between king and duke. Under their uneasy eyes Louis rode forth to meet his visitor, and gave him a glad and friendly welcome, addressing him as “cousin” and “dear relative,” and so, no doubt, striking dismay into the hearts of those courtiers, who may well have deemed that perhaps they had expressed themselves too freely.
Whatever doubts they had about their satisfaction with the current situation were nothing compared to how they felt a few hours later when they saw the interaction between the king and the duke. Under their anxious gaze, Louis rode out to greet his visitor, welcoming him warmly and calling him “cousin” and “dear relative.” This likely filled the courtiers’ hearts with dread, as they might have realized they had spoken too openly.
Louis, in person, accompanied Valentinois to the apartments prepared for him in the Castle of Milan, and on the morrow gave a banquet and commanded merry-makings in his visitor’s honour.
Louis, in person, took Valentinois to the rooms set up for him in the Castle of Milan, and the next day hosted a banquet and ordered festivities in his guest’s honor.
Conceive the feelings of those deposed tyrants and their friends, and the sudden collapse of the hopes which they had imagined the king to be encouraging. They did, of course, the only thing there was to do. They took their leave precipitately and went their ways—all save Gonzaga, whom the king retained that he might make his peace with Cesare, and engage in friendship with him, a friendship consolidated there and then by the betrothal of their infant children: little Francesco Gonzaga and Louise de Valentinois, aged two, the daughter whom Cesare had never beheld and was never to behold.
Imagine the emotions of those deposed tyrants and their supporters, and the sudden downfall of the expectations they thought the king was fostering. They did, of course, the only thing left for them to do. They quickly took their leave and went their separate ways—all except for Gonzaga, whom the king held back to negotiate peace with Cesare and to forge a friendship with him. This friendship was solidified right then by the betrothal of their young children: little Francesco Gonzaga and Louise de Valentinois, both two years old, the daughter Cesare had never seen and would never see.
Two factors were at work in the interests of Valentinois—the coming war in Naples with the Spaniard, which caused Louis to desire to stand well with the Pope; and the ambition of Louis’s friend and counsellor, the Cardinal d’Amboise, to wear the tiara, which caused this prelate to desire to stand well with Cesare himself, since the latter’s will in the matter of a Pope to succeed his father should be omnipotent with the Sacred College.
Two factors influenced Valentinois's interests: the upcoming war in Naples against the Spaniards, which made Louis eager to maintain a good relationship with the Pope; and the ambition of Louis’s friend and advisor, Cardinal d’Amboise, to become Pope, which led this churchman to want to maintain a good relationship with Cesare himself, since Cesare’s opinion on who should succeed his father would be extremely powerful within the Sacred College.
Therefore, that they might serve their interests in the end, both king and cardinal served Cesare’s in the meantime.
Therefore, to ultimately serve their own interests, both the king and the cardinal supported Cesare in the meantime.
The Duke of Valentinois’s visit to Milan had served to increase the choler of Vitelli, who accounted that by this action Cesare had put him in disgrace with the King of France; and Vitelli cried out that thus was he repaid for having sought to make Cesare King of Tuscany. In such high dudgeon was the fierce Tyrant of Città di Castello that he would not go to pay his court to Louis, and was still the more angry to hear of the warm welcome accorded in Milan to the Cardinal Orsini. In this he read approval of the Orsini for having stood neutral in the Florentine business, and, by inference from that, disapproval of himself.
The Duke of Valentinois’s visit to Milan had increased Vitelli's anger, as he believed that by doing this, Cesare had disgraced him with the King of France. Vitelli exclaimed that this was his reward for trying to make Cesare the King of Tuscany. The fierce Tyrant of Città di Castello was so upset that he refused to go and pay his respects to Louis, and he was even more infuriated to hear about the warm welcome given to Cardinal Orsini in Milan. He interpreted this as a sign that the Orsini were being praised for remaining neutral in the Florentine affair, which he took to mean that he was being disapproved of.
Before accusing Valentinois of treachery to his condottieri, before saying that he shifted the blame of the Tuscan affair on to the shoulders of his captains, it would be well to ascertain that there was any blame to shift—that is to say, any blame that must originally have fallen upon Cesare. Certainly he made no effort to restrain Vitelli until the King of France had arrived and he had secret information which caused him to deem it politic to intervene. But of what avail until that moment, would any but an armed intervention have been with so vindictive and one-idea’d a man, and what manner of fool would not Cesare have been to have spent his strength in battle with his condottieri for the purpose of befriending a people who had never shown themselves other than his own enemies?
Before accusing Valentinois of betrayal to his mercenaries, before claiming that he shifted the blame for the Tuscan affair onto his captains, it’s important to determine if there was any blame to shift—that is, any blame that originally fell on Cesare. He certainly didn’t try to restrain Vitelli until the King of France arrived, and he had secret information that made him think it was smart to intervene. But what good would it have done until that point? Only an armed intervention would have worked with such a vengeful and single-minded man, and what kind of fool would Cesare have been to waste his strength fighting alongside his mercenaries to help a people who had always been his enemies?
Like the perfect egotist he was, he sat on the fence, and took pleasure in the spectacle of the harassing of his enemies by his friends, prepared to reap any advantages there might be, but equally prepared to avoid any disadvantages.
Like the ultimate egotist he was, he sat on the sidelines and enjoyed watching his friends harass his enemies, ready to take any benefits that came his way, but also ready to dodge any drawbacks.
It was not heroic, it was not noble; but it was extremely human.
It wasn't heroic, it wasn't noble; but it was very human.
Cesare was with the King of France in Genoa at the end of August, and remained in his train until September 2, when finally he took his leave of him. When they heard of his departure from the Court of Louis, his numerous enemies experienced almost as much chagrin as that which had been occasioned them by his going thither. For they had been consoling themselves of late with a fresh rumour; and again they were believing what it pleased them to believe. Rumours, you perceive, were never wanting where the Borgias were concerned, and it may be that you are beginning to rate these voces populi at their proper value, and to apprehend the worth of many of those that have been embalmed as truths in the abiding records.
Cesare was with the King of France in Genoa at the end of August and stayed with him until September 2, when he finally took his leave. When his departure from Louis's court was announced, his many enemies felt almost as much dismay as they had when he initially went there. They had recently been finding comfort in a new rumor and were once again believing what they wanted to believe. You see, rumors were always circulating about the Borgias, and you might be starting to assess these voices of the people at their true worth and recognize the value of many of those that have been preserved as truths in historical records.
This last one had it that Louis was purposely keeping Cesare by him, and intended ultimately to carry him off to France, and so put an end to the disturbances the duke was creating in Italy. What a consolation would not that have been to those Italian princelings to whose undoing he had warred! And can you marvel that they believed and circulated so readily the thing for which they hoped so fondly? By your appreciation of that may you measure the fresh disappointment that was theirs.
This last one suggested that Louis was intentionally keeping Cesare close and planned to take him to France to put a stop to the chaos the duke was causing in Italy. What a relief that would have been for those Italian princes who had been hurt by him! And can you blame them for believing and spreading the news so eagerly about something they wished for so dearly? By understanding that, you can gauge the new disappointment they faced.
So mistaken were they, indeed, as it now transpired, that Louis had actually, at last, removed his protection from Bologna, under the persuasion of Cesare and the Pope. Before the duke took his departure from King Louis’s Court, the latter entered into a treaty with him in that connection to supply him with three hundred lances: “De bailler au Valentinois trois cents lances pour l’aider à conquérir Bologne au nome de l’Eglise, et opprimer les Ursins, Baillons et Vitelozze.”
They were so mistaken, as it turned out, that Louis had actually lifted his protection from Bologna, influenced by Cesare and the Pope. Before the duke left King Louis’s Court, the king made an agreement with him to provide three hundred lances: “To supply the Valentinois with three hundred lances to help him conquer Bologna in the name of the Church, and to suppress the Ursins, Baillons, and Vitelozze.”
It was a double-dealing age, and Louis’s attitude in this affair sorted well with it. Feeling that he owed Bologna some explanation, he presently sent a singularly lame one by Claude de Seyssel. He put it that the Bentivogli personally were none the less under his protection than they had been hitherto, but that the terms of the protection provided that it was granted exclusively of the rights and authority of the Holy Roman See over Bologna, and that the king could not embroil himself with the Pope. With such a shifty message went M. de Seyssel to make it quite clear to Bentivogli what his position was. And on the heels of it came, on September 2, a papal brief citing Bentivogli and his two sons to appear before the Pontiff within fifteen days for the purpose of considering with his Holiness the matter of the pacification and better government of Bologna, which for so many years had been so disorderly and turbulent. Thus the Pope’s summons, with a menace that was all too thinly veiled.
It was a time of deceit, and Louis’s attitude in this situation fit right in. Feeling that he owed Bologna some explanation, he soon sent a particularly weak one through Claude de Seyssel. He expressed that the Bentivogli were still under his protection, just as they had been before, but that this protection was granted exclusively of the rights and authority of the Holy Roman See over Bologna, and that the king couldn't get into a conflict with the Pope. With such a shifty message, M. de Seyssel went to make it clear to the Bentivogli what their situation was. Following that, on September 2, a papal brief was issued, summoning Bentivogli and his two sons to appear before the Pope within fifteen days to discuss with his Holiness the issues of pacification and better governance of Bologna, which had been so chaotic and turbulent for many years. Thus came the Pope’s summons, with a barely concealed threat.
But Bentivogli was not taken unawares. He was not even astonished. Ever since Cesare’s departure from Rome in the previous spring he had been disposing against such a possibility as this—fortifying Bologna, throwing up outworks and erecting bastions beyond the city, and levying and arming men, in all of which he depended largely upon the citizens and particularly upon the art-guild, which was devoted to the House of Bentivogli.
But Bentivogli was not caught off guard. He wasn’t even surprised. Ever since Cesare left Rome the previous spring, he had been preparing for something like this—strengthening Bologna, building fortifications and creating bastions outside the city, and recruiting and arming men, mainly relying on the citizens and especially on the art guild, which was loyal to the House of Bentivogli.
Stronger than the affection for their lord—which, when all is said, was none too great in Bologna—was the deep-seated hatred of the clergy entertained by the Bolognese. This it was that rallied to Bentivogli such men as Fileno della Tuate, who actually hated him. But it was a choice of evils with Fileno and many of his kidney. Detesting the ruling house, and indignant at the injustices it practised, they detested the priests still more—so much that they would have taken sides with Satan himself against the Pontificals. In this spirit did they carry their swords to Bentivogli.
Stronger than their love for their lord—which, to be honest, wasn’t very strong in Bologna—was the intense hatred that the people of Bologna had for the clergy. This animosity brought men like Fileno della Tuate to support Bentivogli, despite actually despising him. For Fileno and many others like him, it was a choice between two evils. They hated the ruling house and were outraged by its injustices, but they loathed the priests even more—so much so that they would have joined forces with Satan himself against the Papacy. With this mindset, they took up their swords for Bentivogli.
Upon the nobles Bentivogli could not count—less than ever since the cold-blooded murder of the Marescotti; but in the burghers’ adherence he deemed himself secure, and indeed on September 17 he had some testimony of it.
Upon the nobles Bentivogli could not count—less than ever since the cold-blooded murder of the Marescotti; but in the townspeople’s loyalty he felt secure, and in fact on September 17 he had some evidence of it.
On that date—the fortnight’s grace expiring—the brief was again read to the Reggimento; but it was impossible to adopt any resolution. The people were in arms, and, with enormous uproar, protested that they would not allow Giovanni Bentivogli or his sons to go to Rome, lest they should be in danger once they had left their own State.
On that date—the two-week grace period ending—the brief was read again to the Assembly; however, it was impossible to reach any decision. The people were armed and, with a huge outcry, protested that they would not allow Giovanni Bentivogli or his sons to go to Rome, fearing for their safety once they left their own territory.
Italy was full of rumours at the time of Cesare’s proposed emprise against Bologna, and it was added that he intended, further, to make himself master of Città di Castello and Perugia, and thus, by depriving them of their tyrannies, punish Vitelli and Baglioni for their defection.
Italy was buzzing with rumors during Cesare’s plan to attack Bologna, and it was said that he also aimed to take control of Città di Castello and Perugia, avenging the Vitelli and Baglioni for their betrayal by taking away their power.
This was the natural result of the terms of Cesare’s treaty with France having become known; but the part of it which regarded the Orsini, Vitelli, and Baglioni was purely provisional. Considering that these condottieri were now at odds with Cesare, they might see fit to consider themselves bound to Bentivogli by the Treaty of Villafontana, signed by Vitelli and Orsini on the duke’s behalf at the time of the capitulation of Castel Bolognese. They might choose to disregard the fact that this treaty had already been violated by Bentivogli himself, through the non-fulfilment of the terms of it, and refuse to proceed against him upon being so bidden by Valentinois.
This was the natural outcome of the terms of Cesare’s treaty with France becoming known; however, the part of it that involved the Orsini, Vitelli, and Baglioni was purely temporary. Since these condottieri were now in conflict with Cesare, they might feel inclined to see themselves as bound to Bentivogli by the Treaty of Villafontana, which was signed by Vitelli and Orsini on the duke’s behalf during the surrender of Castel Bolognese. They might choose to ignore the fact that Bentivogli had already breached this treaty himself by not fulfilling its terms and decline to take action against him even when instructed to do so by Valentinois.
It was for such a contingency as this that provision was made by the clause concerning them in Cesare’s treaty with Louis.
It was for a situation like this that the clause about them was included in Cesare’s treaty with Louis.
The Orsini were still in the duke’s service, in command of troops levied for him and paid by him, and considering that with them Cesare had no quarrel, it is by no means clear why they should have gone over to the alliance of the condottieri that was now forming against the duke. Join it, however, they did. They, too, were in the Treaty of Villafontana; but that they should consider themselves bound by it, would have been—had they urged it—more in the nature of a pretext than a reason. But they chose a pretext even more slender. They gave out that in Milan Louis XII had told Cardinal Orsini that the Pope’s intention was to destroy the Orsini.
The Orsini were still in the duke’s service, in charge of troops raised and paid by him, and since Cesare had no issues with them, it’s unclear why they decided to join the alliance of the mercenaries forming against the duke. Nonetheless, they did join. They were also part of the Treaty of Villafontana; however, if they claimed to be bound by it, it would have been more of an excuse than a genuine reason. Instead, they chose an even weaker excuse. They claimed that in Milan, Louis XII had informed Cardinal Orsini that the Pope intended to wipe out the Orsini family.
To accept such a statement as true, we should have to believe in a disloyalty and a double-dealing on the part of Louis XII altogether incredible. To what end should he, on the one side, engage to assist Cesare with 300 lances to “oppress” the Orsini—if necessary, and among others—whilst, on the other, he goes to Orsini with the story which they attribute to him? What a mean, treacherous, unkingly figure must he not cut as a consequence! He may have been—we know, indeed, that he was—no more averse to doubledealing than any other Cinquecentist; but he was probably as averse to being found out in a meanness and made to look contemptible as any double-dealer of our own times. It is a consideration worth digesting.
To accept such a statement as true, we would have to believe in a betrayal and a level of deceit from Louis XII that is utterly unbelievable. Why would he, on one hand, agree to help Cesare with 300 lances to “oppress” the Orsini—if necessary, and among others—while on the other hand, he goes to the Orsini with the story they claim he told? What a petty, treacherous, unkingly image he would present as a result! He may have been—we know, in fact, that he was—no more opposed to deceit than anyone else from the Renaissance; but he was probably just as concerned about being exposed for his pettiness and looking disgraceful as any deceiver in our own times. It's a point worth considering.
When word of the story put about by the Orsini was carried to the Pope he strenuously denied the imputation, and informed the Venetian ambassador that he had written to complain of this to the King of France, and that, far from such a thing being true, Cesare was so devoted to the Orsini as to be “more Orsini than Borgian.”
When the story spread by the Orsini reached the Pope, he strongly denied the accusation and told the Venetian ambassador that he had written to the King of France to complain about it. He insisted that, far from being true, Cesare was so loyal to the Orsini that he was "more Orsini than Borgian."
It is further worth considering that the defection of the Orsini was neither immediate nor spontaneous, as must surely have been the case had the story been true. It was the Baglioni and Vitelli only who first met to plot at Todi, to declare that they would not move against their ally of Bologna, and to express the hope that they might bring the Orsini to the same mind. They succeeded so well that the second meeting was held at Magione—a place belonging to the powerful Cardinal Orsini, situated near the Baglioni’s stronghold of Perugia. Vitellozzo was carried thither on his bed, so stricken with the morbo gallico—which in Italy was besetting most princes, temporal and ecclesiastical—that he was unable to walk.
It’s important to note that the Orsini’s defection wasn’t immediate or spontaneous, which would have been expected if the story were true. It was just the Baglioni and Vitelli who first gathered in Todi to conspire, deciding not to act against their ally from Bologna and hoping to persuade the Orsini to think the same way. They were so successful that the second meeting took place at Magione—a property owned by the influential Cardinal Orsini, located close to the Baglioni’s stronghold in Perugia. Vitellozzo was brought there on his bed, as he was so severely affected by the morbo gallico—which was afflicting many princes in Italy, both secular and religious—that he couldn’t walk.
Gentile and Gianpaolo Baglioni, Cardinal Gianbattista Orsini, Francesco Orsini, Duke of Gravina, Paolo Orsini, the bastard son of the Archbishop of Trani, Pandolfo Petrucci—Lord of Siena—and Hermes Bentivogli were all present. The last-named, prone to the direct methods of murder by which he had rid Bologna of the Marescotti, is said to have declared that he would kill Cesare Borgia if he but had the opportunity, whilst Vitelli swore solemnly that within a year he would slay or capture the duke, or else drive him out of Italy.
Gentile and Gianpaolo Baglioni, Cardinal Gianbattista Orsini, Francesco Orsini, Duke of Gravina, Paolo Orsini, the illegitimate son of the Archbishop of Trani, Pandolfo Petrucci—Lord of Siena—and Hermes Bentivogli were all there. The last one mentioned, known for his straightforward murder tactics that helped him eliminate the Marescotti in Bologna, reportedly claimed he would kill Cesare Borgia if he got the chance, while Vitelli vowed that within a year, he would either kill or capture the duke, or force him out of Italy.
From this it will be seen that the Diet of Magione was no mere defensive alliance, but actually an offensive one, with the annihilation of Cesare Borgia for its objective.
From this, it's clear that the Diet of Magione wasn't just a defensive alliance; it was actually an offensive one, aimed at the destruction of Cesare Borgia.
They certainly had the power to carry out their resolutions, for whilst Cesare disposed at that moment of not more than 2,500 foot, 300 men-at-arms, and the 100 lances of his Caesarean guard of patricians, the confederates had in arms some 9,000 foot and 1,000 horse. Conscious of their superior strength, they determined to strike at once, before Cesare should be further supported by the French lances, and to make sure of him by assailing him on every side at once. To this end it was resolved that Bentivogli should instantly march upon Imola, where Cesare lay, whilst the others should possess themselves of Urbino and Pesaro simultaneously.
They definitely had the strength to follow through with their plans, because while Cesare had only about 2,500 infantry, 300 mounted soldiers, and 100 lancers from his elite guard of nobles at that moment, the allies had around 9,000 infantry and 1,000 cavalry. Aware of their numerical advantage, they decided to act immediately, before Cesare received more support from the French lancers, and to ensure his defeat by attacking him from all sides at once. To achieve this, they decided that Bentivogli should immediately march on Imola, where Cesare was located, while the others would simultaneously take control of Urbino and Pesaro.
They even approached Florence and Venice in the matter, inviting the Republics to come into the league against Valentinois.
They even reached out to Florence and Venice about this, inviting the Republics to join the alliance against Valentinois.
The Florentines, however, could not trust such enemies of their own as Vitelli and the Orsini, nor dared they join in an enterprise which had for scope to make war upon an ally of France; and they sent word to Cesare of their resolve to enter into no schemes against him.
The Florentines, however, couldn't trust enemies like Vitelli and the Orsini from their own ranks, nor did they dare to join a plan aimed at waging war against a French ally; they informed Cesare of their decision to not get involved in any plots against him.
The Venetians would gladly have moved to crush a man who had snatched the Romagna from under their covetous eyes; but in view of the league with France they dared not. What they dared, they did. They wrote to Louis at length of the evils that were befalling Italy at the hands of the Duke of Valentinois, and of the dishonour to the French crown which lay for Louis in his alliance with Cesare Borgia. They even went so far—and most treacherously, considering the league—as to allow their famous captain, Bartolomeo d’Alviano, to reconduct Guidobaldo to Urbino, as we shall presently see.
The Venetians would have happily moved to eliminate a man who had taken the Romagna right from under their greedy noses; but given their alliance with France, they didn’t dare to act. Instead, they took the actions they thought they could. They wrote to Louis, detailing the troubles Italy was facing because of the Duke of Valentinois and how his alliance with Cesare Borgia was bringing shame to the French crown. They even went so far—quite treacherously, considering the alliance—as to let their renowned captain, Bartolomeo d’Alviano, escort Guidobaldo back to Urbino, as we will see shortly.
Had the confederates but kept faith with one another Cesare’s knell had soon been tolled. But they were a weak-kneed pack of traitors, irresolute in their enmity as in their friendships. The Orsini hung back. They urged that they did not trust themselves to attack Cesare with men actually in his pay; whilst Bentivogli—treacherous by nature to the back-bone of him—actually went so far as to attempt to open secret negotiations with Cesare through Ercole d’Este of Ferrara.
If the confederates had just stayed loyal to each other, Cesare's end would have come quickly. Instead, they were a weak-willed group of traitors, uncertain in their hostility as much as in their friendships. The Orsini held back. They argued that they didn't trust themselves to attack Cesare when they had men who were actually on his payroll; meanwhile, Bentivogli—naturally treacherous to the core—went as far as to try to start secret talks with Cesare through Ercole d’Este of Ferrara.
CHAPTER XV. MACCHIAVELLI’S LEGATION
On October 2 news of the revolt of the condottieri and the diet of Magione had reached the Vatican and rendered the Pope uneasy. Cesare, however, had been informed of it some time before at Imola, where he was awaiting the French lances that should enable him to raid the Bolognese and drive out the Bentivogli.
On October 2, news of the revolt of the condottieri and the diet of Magione reached the Vatican, making the Pope anxious. Cesare, however, had learned about it earlier in Imola, where he was waiting for the French lancers to help him invade Bologna and oust the Bentivogli.
Where another might have been paralyzed by a defection which left him almost without an army, and would have taken the course of sending envoys to the rebels to attempt to make terms and by concessions to patch up a treaty, Cesare, with characteristic courage, assurance, and promptitude of action, flung out officers on every side to levy him fresh troops.
Where someone else might have been paralyzed by a betrayal that left him almost without an army and would have chosen to send envoys to the rebels to try to negotiate terms and patch up a treaty through concessions, Cesare, with his usual courage, confidence, and quickness to act, sent out officers in every direction to recruit new troops.
His great reputation as a condottiero, the fame of his wealth and his notorious liberality, stood him now in excellent stead. The response to his call was instantaneous. Soldiers of fortune and mercenaries showed the trust they had in him, and flocked to his standard from every quarter. One of the first to arrive was Gasparo Sanseverino, known as Fracassa, a condottiero of great renown, who had been in the Pontifical service since the election of Pope Alexander. He was a valuable acquisition to Cesare, who placed him in command of the horse. Another was Lodovico Pico della Mirandola, who brought a small condotta of 60 lances and 60 light horse. Ranieri della Sassetta rode in at the head of 100 mounted arbalisters, and Francesco de Luna with a body of 50 arquebusiers.(1)
His strong reputation as a mercenary leader, the fame of his wealth, and his well-known generosity were extremely beneficial for him now. The response to his call was immediate. Fortune-seekers and mercenaries showed their trust in him and gathered around his banner from all directions. One of the first to arrive was Gasparo Sanseverino, known as Fracassa, a famous mercenary who had served the Pope since the election of Pope Alexander. He was a valuable addition to Cesare, who appointed him to lead the cavalry. Another was Lodovico Pico della Mirandola, who brought a small force of 60 lancers and 60 light cavalry. Ranieri della Sassetta rode in at the head of 100 mounted crossbowmen, and Francesco de Luna arrived with a group of 50 arquebusiers.(1)
1 The arquebus, although it had existed in Italy for nearly a century, was only just coming into general use.
1 The arquebus, which had been around in Italy for almost a hundred years, was just starting to become widely used.
Valentinois sent out Raffaele dei Pazzi and Galeotto Pallavicini, the one into Lombardy to recruit 1,000 Gascons, the other to raise a body of Swiss mercenaries. Yet, when all is said, these were but supplementary forces; the main strength of Cesare’s new army lay in the troops raised in the Romagna, which, faithful to him and confident of his power and success, rallied to him now in the hour of his need. Than this there can be no more eloquent testimony to the quality of his rule. In command of these Romagnuoli troops he placed such Romagnuoli captains as Dionigio di Naldo and Marcantonio da Fano, thereby again affording proof of his wisdom, by giving these soldiers their own compatriots and men with whom they were in sympathy for their leaders.
Valentinois sent Raffaele dei Pazzi and Galeotto Pallavicini, one into Lombardy to recruit 1,000 Gascons, and the other to gather a group of Swiss mercenaries. However, these were just additional forces; the main strength of Cesare’s new army came from the troops raised in the Romagna, who, loyal to him and confident in his power and success, came to his aid in his time of need. This is a powerful testament to the quality of his leadership. In charge of these Romagnuoli troops, he appointed local captains like Dionigio di Naldo and Marcantonio da Fano, demonstrating his wisdom by choosing leaders who were compatriots and sympathetic to their soldiers.
With such speed had he acted, and such was the influence of his name, that already, by October 14, he had assembled an army of upwards of 6,000 men, which his officers were diligently drilling at Imola, whilst daily now were the French lances expected, and the Swiss and Gascon mercenaries he had sent to levy.
He moved so quickly and his name carried such weight that by October 14, he had gathered an army of over 6,000 men, which his officers were actively training at Imola. Meanwhile, they were now expecting the French cavalry daily, along with the Swiss and Gascon mercenaries he had dispatched to recruit.
It may well be that this gave the confederates pause, and suggested to them that they should reconsider their position and ask themselves whether the opportunity for crushing Cesare had not slipped by whilst they had stood undecided.
It’s possible that this made the confederates think twice and led them to reconsider their stance, questioning whether the chance to defeat Cesare had passed while they hesitated.
It was Pandolfo Petrucci who took the first step towards a reconciliation, by sending word to Valentinois that it was not his intention to take any measures that might displease his Excellency. His Excellency will no doubt have smiled at that belated assurance from the sparrow to the hawk. Then, a few days later, came news that Giulio Orsini had entered into an agreement with the Pope. This appeared to give the confederacy its death-blow, and Paolo Orsini was on the point of setting out to seek Cesare at Imola for the purpose of treating with him—which would definitely have given burial to the revolt—when suddenly there befell an event which threw the scales the other way.
It was Pandolfo Petrucci who made the first move toward reconciliation by letting Valentinois know that he had no plans to take any actions that might upset his Excellency. His Excellency probably had a good laugh at that late reassurance from the sparrow to the hawk. Then, a few days later, news came that Giulio Orsini had reached an agreement with the Pope. This seemed to deal a fatal blow to the confederacy, and Paolo Orsini was about to head out to find Cesare at Imola to negotiate with him—which would have definitely squashed the revolt—when suddenly an event occurred that flipped the situation entirely.
Cesare’s people were carrying out some work in the Castle of S. Leo, in the interior of which a new wall was in course of erection. For the purposes of this, great baulks of timber were being brought into the castle from the surrounding country. Some peasants, headed by one Brizio, who had been a squire of Guidobaldo’s, availed themselves of the circumstance to capture the castle by a stratagem. Bringing forward some great masses of timber and felled trees, they set them down along the drawbridge in such a manner as to prevent its being hoisted. That done, an attack in force was directed against the fortress. The place, whose natural defences rendered it practically impregnable, was but slightly manned; being thus surprised, and unable to raise the bridge, it was powerless to offer any resistance, so that the Montefeltre peasants, having killed every Borgia soldier of the garrison, took possession of it and held it for Duke Guidobaldo.
Cesare’s people were doing some work in the Castle of S. Leo, where a new wall was being built inside. To do this, large beams of timber were being brought into the castle from the surrounding area. Some peasants, led by a man named Brizio, who had been a squire for Guidobaldo, took advantage of this situation to capture the castle with a clever plan. They brought in large pieces of timber and fallen trees and placed them along the drawbridge in a way that stopped it from being raised. Once that was done, they launched a strong attack on the fortress. The castle, which was naturally well-defended and nearly impossible to conquer, had only a small number of soldiers. Caught by surprise and unable to raise the bridge, it couldn't put up any resistance, so the Montefeltre peasants killed every Borgia soldier in the garrison, took control of the castle, and held it for Duke Guidobaldo.
This capture of S. Leo was as a spark that fired a train. Instantly the hardy hillmen of Urbino were in arms to reconquer Guidobaldo’s duchy for him. Stronghold after stronghold fell into their hands, until they were in Urbino itself. They made short work of the capital’s scanty defenders, flung Cesare’s governor into prison, and finally obtained possession of the citadel.
This capture of S. Leo was like a spark that ignited a chain reaction. Immediately, the tough mountaineers of Urbino took up arms to reclaim Guidobaldo’s duchy. Stronghold after stronghold fell to them until they reached Urbino itself. They quickly dealt with the few defenders of the capital, threw Cesare’s governor in prison, and finally took control of the citadel.
It was the news of this that caused the confederates once more to pause. Before declaring themselves, they waited to see what action Venice would take, whilst in the meantime they sought shelter behind a declaration that they were soldiers of the Church and would do nothing against the will of the Pontiff. They were confidently assured that Venice would befriend Guidobaldo, and help him back to his throne now that his own people had done so much towards that end. It remained, however, to be seen whether Venice would at the same time befriend Pesaro and Rimini.
It was this news that made the confederates pause again. Before making any decisions, they waited to see what Venice would do, while they hid behind a statement that they were soldiers of the Church and wouldn’t act against the wishes of the Pope. They were sure Venice would support Guidobaldo and help him return to his throne since his own people had already done a lot to make that happen. However, it was still uncertain whether Venice would also support Pesaro and Rimini.
Instantly Cesare Borgia—who was assailed by grave doubts concerning the Venetians—took his measures. He ordered Bartolomeo da Capranica, who was chief in command of his troops in Urbino, to fall back upon Rimini with all his companies, whilst to Pesaro the duke dispatched Michele da Corella and Ramiro de Lorqua.
Instantly, Cesare Borgia—who was troubled by serious doubts about the Venetians—took action. He ordered Bartolomeo da Capranica, who was in charge of his troops in Urbino, to retreat to Rimini with all his forces, while he sent Michele da Corella and Ramiro de Lorqua to Pesaro.
It was a busy time of action with the duke at Imola, and yet, amid all the occupation which this equipment of a new army must have given him, he still found time for diplomatic measures, and, taking advantage of the expressed friendliness of Florence, he had replied by desiring the Signory to send an envoy to confer with him. Florence responded by sending, as her representative, that same Niccolò Macchiavelli who had earlier accompanied Soderini on a similar mission to Valentinois, and who had meanwhile been advanced to the dignity of Secretary of State.
It was a hectic time for the duke at Imola, and even with all the work involved in setting up a new army, he still managed to make time for diplomacy. Taking advantage of Florence's expressed friendliness, he asked the Signory to send an envoy to discuss matters with him. Florence responded by sending Niccolò Machiavelli as her representative, the same person who had previously gone with Soderini on a similar mission to Valentinois, and who had since been promoted to Secretary of State.
Macchiavelli has left us, in his dispatches to his Government, the most precious and valuable information concerning that period of Cesare Borgia’s history during which he was with the duke on the business of his legation. Not only is it the rare evidence of an eye-witness that Macchiavelli affords us, but the evidence, as we have said, of one endowed with singular acumen and an extraordinary gift of psychological analysis. The one clear and certain inference to be drawn, not only from those dispatches, but from the Florentine secretary’s later writings, is that, at close quarters with Cesare Borgia, a critical witness of his methods, he conceived for him a transcending admiration which was later to find its fullest expression in his immortal book The Prince—a book, remember, compiled to serve as a guide in government to Giuliano de’Medici, the feeble brother of Pope Leo X, a book inspired by Cesare Borgia, who is the model prince held up by Macchiavelli for emulation.
Macchiavelli provided us, in his reports to his government, the most valuable and insightful information about the period in Cesare Borgia’s history when he was working with the duke on his diplomatic mission. Not only does Macchiavelli offer us the rare perspective of an eyewitness, but he also shares the insights of someone with exceptional sharpness and a remarkable ability for psychological analysis. The one clear takeaway from both those reports and Macchiavelli’s later writings is that, while closely observing Cesare Borgia and critically evaluating his methods, he developed a profound admiration for him, which later found its fullest expression in his timeless book, The Prince—a book, keep in mind, written as a guide for governance for Giuliano de’Medici, the weak brother of Pope Leo X, and a book inspired by Cesare Borgia, who is the ideal prince that Macchiavelli presents for others to imitate.
Does it serve any purpose, in the face of this work from the pen of the acknowledged inventor of state-craft, to describe Cesare’s conquest of the Romagna by opprobrious epithets and sweeping statements of condemnation and censure—statements kept carefully general, and never permitted to enter into detail which must destroy their own ends and expose their falsehood?
Does it really help, given this work from the renowned creator of statecraft, to talk about Cesare’s takeover of Romagna with insulting language and broad accusations of condemnation? These claims are always vague and never go into the specifics that would undermine their purpose and reveal their dishonesty?
Gregorovius, in this connection, is as full of contradictions as any man must be who does not sift out the truth and rigidly follow it in his writings. Consider the following scrupulously translated extracts from his Geschichte der Stadt Rom: (a) “Cesare departed from Rome to resume his bloody work in the Romagna.” (b) “...the frightful deeds performed by Cesare on both sides of the Apennines. He assumes the semblance of an exterminating angel, and performs such hellish iniquities that we can only shudder at the contemplation of the evil of which human nature is capable.”
Gregorovius, in this regard, is as full of contradictions as anyone who doesn't sift through the truth and stick to it in his writings. Consider these carefully translated excerpts from his Geschichte der Stadt Rom: (a) “Cesare left Rome to continue his bloody work in the Romagna.” (b) “...the dreadful acts committed by Cesare on both sides of the Apennines. He takes on the appearance of an exterminating angel and carries out such hellish atrocities that we can only shudder at the thought of the evil that human nature is capable of.”
And now, pray, consider and compare with those the following excerpt from the very next page of that same monumental work:
And now, please, think about and compare the following excerpt from the very next page of that same important work:
“Before him [Cesare] cities trembled; the magistrates prostrated themselves in the dust; sycophantic courtiers praised him to the stars. Yet it is undeniable that his government was energetic and good; for the first time Romagna enjoyed peace and was rid of her vampires. In the name of Cesare justice was administered by Antonio di Monte Sansovino, President of the Ruota of Cesena, a man universally beloved.”
“Before him, cities shook; the officials threw themselves to the ground; flattering courtiers sang his praises to the skies. Yet, it’s true that his rule was active and effective; for the first time, Romagna experienced peace and was free from her oppressors. In Cesare’s name, justice was served by Antonio di Monte Sansovino, President of the Ruota of Cesena, a man who was loved by everyone.”
It is almost as if the truth had slipped out unawares, for the first period hardly seems a logical prelude to the second, by which it is largely contradicted. If Cesare’s government was so good that Romagna knew peace at last and was rid of her vampires, why did cities tremble before him? There is, by the way, no evidence of such trepidations in any of the chronicles of the conquered States, one and all of which hail Cesare as their deliverer. Why, if he was held in such terror, did city after city—as we have seen—spontaneously offer itself to Cesare’s dominion?
It’s almost as if the truth slipped out without anyone realizing it, because the first part doesn’t really make sense as a lead-up to the second, which contradicts it. If Cesare's government was so great that Romagna finally experienced peace and got rid of its oppressors, why were the cities so fearful of him? By the way, there’s no evidence of such fear in any of the records from the conquered States, all of which praise Cesare as their savior. If he was so terrifying, why did city after city, as we’ve seen, willingly submit to Cesare’s rule?
But to rebut those statements of Gregorovius’s there is scarce the need to pose these questions; sufficiently does Gregorovius himself rebut them. The men who praised Cesare, the historian tells us, were sycophantic courtiers. But where is the wonder of his being praised if his government was as good as Gregorovius admits it to have been? What was unnatural in that praise? What so untruthful as to deserve to be branded sycophantic? And by what right is an historian to reject as sycophants the writers who praise a man, whilst accepting every word of his detractors as the words of inspired evangelists, even when their falsehoods are so transparent as to provoke the derision of the thoughtful and analytic?
But to counter Gregorovius's claims, there's really no need to ask these questions; Gregorovius himself effectively addresses them. The historian tells us that the men who praised Cesare were flattering courtiers. But what’s surprising about him receiving praise if his government was as good as Gregorovius acknowledges? What was so unnatural about that praise? What is so untruthful that it deserves to be called sycophantic? And by what right does an historian dismiss the writers who praise a man as sycophants while accepting every word from his critics as if they're the words of inspired prophets, even when their falsehoods are so obvious that they provoke laughter from the thoughtful and analytical?
As l’Espinois points out in his masterly essay in the Revue des Questions Historiques, Gregorovius refuses to recognize in Cesare Borgia the Messiah of a united Central Italy, but considers him merely as a high-flying adventurer; whilst Villari, in his Life and Times of Macchiavelli, tells you bluntly that Cesare Borgia was neither a statesman nor a soldier but a brigand-chief.
As l’Espinois highlights in his impressive essay in the Revue des Questions Historiques, Gregorovius doesn't see Cesare Borgia as the savior of a united Central Italy but rather views him as just an ambitious adventurer. On the other hand, Villari, in his Life and Times of Machiavelli, straightforwardly states that Cesare Borgia was neither a statesman nor a soldier, but a bandit leader.
These are mere words; and to utter words is easier than to make them good.
These are just words; and saying words is easier than making them meaningful.
“High-flying adventurer,” or “brigand-chief,” by all means, if it please you. What but a high-flying adventurer was the wood-cutter, Muzio Attendolo, founder of the ducal House of Sforza? What but a high-flying adventurer was that Count Henry of Burgundy who founded the kingdom of Portugal? What else was the Norman bastard William, who conquered England? What else the artillery officer, Napoleon Bonaparte, who became Emperor of the French? What else was the founder of any dynasty but a high-flying adventurer—or a brigand-chief, if the melodramatic term is more captivating to your fancy?
“High-flying adventurer” or “brigand-chief,” whichever you prefer. What else could the daring woodcutter, Muzio Attendolo, founder of the ducal House of Sforza, be but a high-flying adventurer? What else was Count Henry of Burgundy, who established the kingdom of Portugal? What else was the Norman bastard William, who conquered England? What else was the artillery officer, Napoleon Bonaparte, who became Emperor of the French? What else was the founder of any dynasty but a high-flying adventurer—or a brigand-chief, if that dramatic term sounds more appealing to you?
These terms are used to belittle Cesare. They achieve no more, however, than to belittle those who penned them; for, even as they are true, the marvel is that the admirable matter in these truths appears to have escaped those authors.
These terms are used to insult Cesare. They do nothing more than make the authors look small; because, even though they are true, it's amazing that the impressive content in these truths seems to have gone over the heads of those writers.
What else Gregorovius opines—that Cesare was no Messiah of United Italy—is true enough. Cesare was the Messiah of Cesare. The well-being of Italy for its own sake exercised his mind not so much as the well-being of the horse he rode. He wrought for his own aggrandisement—but he wrought wisely; and, whilst the end in view is no more to be censured than the ambition of any man, the means employed are in the highest degree to be commended, since the well-being of the Romagna, which was not an aim, was, nevertheless, an essential and praiseworthy incident.
What Gregorovius says—that Cesare was not a savior of United Italy—is certainly true. Cesare was really just a savior for himself. The welfare of Italy didn't occupy his thoughts as much as the well-being of the horse he rode. He acted for his own gain—but he did so wisely; and while his ambitions shouldn't be criticized any more than those of any man, the methods he used are definitely commendable, as the welfare of the Romagna, although not his goal, was still a significant and admirable outcome.
When it can be shown that every other of those conquerors who cut heroic figures in history were purest altruists, it will be time to damn Cesare Borgia for his egotism.
When it can be proven that every other conqueror who made a heroic mark in history was completely selfless, then it will be the right time to condemn Cesare Borgia for his selfishness.
What Villari says, for the purpose of adding rhetorical force to his “brigand-chief”—that Cesare was no statesman and no soldier—is entirely of a piece with the rest of the chapter in which it occurs(1)—a chapter rich in sweeping inaccuracies concerning Cesare. But it is staggering to find the statement in such a place, amid Macchiavelli’s letters on Cesare, breathing an obvious and profound admiration of the duke’s talents as a politician and a soldier—an admiration which later is to go perilously near to worship. To Macchiavelli, Cesare is the incarnation of a hazy ideal, as is abundantly shown in The Prince. For Villari to reconcile all this with his own views must seem impossible. And impossible it is; yet Villari achieves it, with an audacity that leaves you breathless.
What Villari claims, in an effort to enhance his description of the “brigand-chief” — that Cesare wasn’t a statesman and wasn't a soldier — aligns completely with the rest of the chapter in which it appears(1) — a chapter full of sweeping inaccuracies about Cesare. However, it’s shocking to see such a statement in this context, especially given Machiavelli’s letters on Cesare, which show a clear and deep admiration for the duke’s skills as a politician and a soldier — an admiration that borders on worship later on. For Machiavelli, Cesare represents a vague ideal, as is clearly illustrated in The Prince. For Villari to reconcile this with his own opinions must seem impossible. And it is impossible; yet Villari manages to do it, with a boldness that leaves you stunned.
1 In his Niccolò Machiavelli.
In Niccolò Machiavelli's work.
No—he practically tells you—this Macchiavelli, who daily saw and spoke with Cesare for two months (and during a critical time, which is when men best reveal their natures), this acute Florentine—the acutest man of his age, perhaps—who studied and analysed Cesare, and sent his Government the results of his analyses, and was inspired by them later to write The Prince—this man did not know Cesare Borgia. He wrote, not about Cesare himself, but about a creation of his own intellect.
No—he basically tells you—this Machiavelli, who saw and talked to Cesare every day for two months (during a crucial period, when people reveal their true selves), this sharp-minded Florentine—the sharpest guy of his time, maybe—who studied and analyzed Cesare, and sent his findings to the government, and was later inspired to write The Prince—this guy didn’t really know Cesare Borgia. He wrote, not about Cesare himself, but about a figment of his own imagination.
That is what Villari pretends. Macchiavelli, the representative of a power unfriendly at heart under the mask of the expedient friendliness, his mind already poisoned by all the rumours current throughout Italy, comes on this mission to Valentinois. Florence, fearing and hating Valentinois as she does, would doubtless take pleasure in detractory advices. Other ambassadors—particularly those of Venice—pander to their Governments’ wishes in this respect, conscious that there is a sycophancy in slander contrasted with which the ordinary sycophancy of flattery is as water to wine; they diligently send home every scrap of indecent or scandalous rumour they can pick up in the Roman ante-chambers, however unlikely, uncorroborated, or unconcerning the business of an ambassador.
That’s what Villari pretends. Machiavelli, representing a power that is secretly hostile while pretending to be friendly, arrives on this mission to Valentinois, his mind already tainted by all the gossip circulating throughout Italy. Florence, which fears and despises Valentinois, would certainly enjoy receiving negative advice. Other ambassadors—especially those from Venice—cater to their governments’ desires in this regard, knowing that there’s a level of sycophancy in slander that is far more intense than the usual sycophancy of flattery; they eagerly report back every bit of inappropriate or scandalous rumor they can pick up in the Roman waiting rooms, no matter how unlikely, unverified, or irrelevant to an ambassador's business.
But Macchiavelli, in Cesare Borgia’s presence, is overawed by his greatness, his force and his intellect, and these attributes engage him in his dispatches. These same dispatches are a stumbling-block to all who prefer to tread the beaten, sensational track, and to see in Cesare Borgia a villain of melodrama, a monster of crime, brutal, and, consequently, of no intellectual force. But Villari contrives to step more or less neatly, if fatuously, over that formidable obstacle, by telling you that Macchiavelli presents to you not really Cesare Borgia, but a creation of his own intellect, which he had come to admire. It is a simple, elementary expedient by means of which every piece of historical evidence ever penned may be destroyed—including all that which defames the House of Borgia.
But Machiavelli, in Cesare Borgia’s presence, is awestruck by his greatness, strength, and intellect, and these qualities are reflected in his writings. These same writings create a hurdle for those who prefer to follow the clichéd, dramatic narrative and see Cesare Borgia as a villain from a play, a criminal monster, brutal, and thus lacking any intellectual depth. However, Villari manages to navigate this significant challenge, albeit rather foolishly, by suggesting that Machiavelli doesn’t actually present Cesare Borgia but rather a creation of his own intellect that he had come to admire. It’s a simple, basic tactic that allows every historical piece of evidence ever written to be disregarded—including all that tarnishes the House of Borgia.
Macchiavelli arrived at Imola on the evening of October 7, 1502, and, all travel-stained as he was, repaired straight to the duke, as if the message with which he was charged was one that would not brook a moment’s delay in its deliverance. Actually, however, he had nothing to offer Cesare but the empty expressions of Florence’s friendship and the hopes she founded upon Cesare’s reciprocation. The crafty young Florentine—he was thirty-three at the time—was sent to temporize and to avoid committing himself or his Government.
Macchiavelli arrived in Imola on the evening of October 7, 1502, and, despite being travel-worn, went straight to the duke, as if the message he carried couldn’t wait for a second. In reality, he had nothing to give Cesare except the hollow words of Florence's friendship and the hopes that came from Cesare’s response. The clever young Florentine—who was thirty-three at the time—was sent to stall and avoid making any commitments for himself or his government.
Valentinois listened to the specious compliments, and replied by similar protestations and by reminding Florence how he had curbed the hand of those very condottieri who had now rebelled against him as a consequence. He showed himself calm and tranquil at the loss of Urbino, telling Macchiavelli that he “had not forgotten the way to reconquer it,” when it should suit him. Of the revolted condottieri he contemptuously said that he accounted them fools for not having known how to choose a more favourable moment in which to harm him, and that they would presently find such a fire burning under their feet as would call for more water to quench it than such men as these disposed of.
Valentinois listened to the insincere compliments and responded with similar reassurances, reminding Florence how he had controlled those very mercenaries who had now turned against him as a result. He remained calm and composed about losing Urbino, telling Machiavelli that he “hadn't forgotten how to take it back” whenever it suited him. Regarding the rebellious mercenaries, he scornfully said that he considered them fools for not choosing a better time to attack him and that they would soon discover a fire burning beneath them that would require more water to extinguish than they were capable of providing.
Meanwhile, the success of those rustics of Urbino who had risen, and the ease of their victories, had fired others of the territory to follow their example. Fossombrone and Pergola were the next to rebel and to put the Borgia garrisons to the sword; but, in their reckless audacity, they chose their moment ill, for Michele da Corella was at hand with his lances, and, although his orders had been to repair straight to Pesaro, he ventured to depart from them to the extent of turning aside to punish the insurgence of those towns by launching his men-at-arms upon them and subjecting them to an appalling and pitiless sack.
Meanwhile, the success of those rural folks from Urbino who had risen up, along with the ease of their victories, inspired others in the area to follow suit. Fossombrone and Pergola were the next to rebel and attack the Borgia garrisons; however, in their reckless boldness, they picked a bad time to do so, as Michele da Corella was nearby with his troops. Although he had been ordered to head straight to Pesaro, he decided to deviate from those instructions to punish the uprisings in those towns by unleashing his soldiers on them, leading to a horrifying and merciless pillaging.
When Cesare heard the news of it and the details of the horrors that had been perpetrated, he turned, smiling cruelly, to Macchiavelli, who was with him, and, “The constellations this year seem unfavourable to rebels,” he observed.
When Cesare heard the news and the details of the terrible things that had happened, he turned to Machiavelli, who was with him, and smiled cruelly. “The stars this year don't seem to favor rebels,” he remarked.
A battle of wits was toward between the Florentines’ Secretary of State and the Duke of Valentinois, each mistrustful of the other. In the end Cesare, a little out of patience at so much inconclusiveness, though outwardly preserving his immutable serenity, sought to come to grips by demanding that Florence should declare whether he was to account her his friend or not. But this was precisely what Macchiavelli’s instructions forbade him from declaring. He answered that he must first write to the Signory, and begged the duke to tell him what terms he proposed should form the treaty. But there it was the duke’s turn to fence and to avoid a direct answer, desiring that Florence should open the negotiations and that from her should come the first proposal.
A battle of wits was happening between the Secretary of State for the Florentines and the Duke of Valentinois, with each distrusting the other. In the end, Cesare, getting a bit impatient with all the indecisiveness, though outwardly maintaining his calm demeanor, sought to get to the point by demanding that Florence declare whether he should consider her his friend or not. But this was exactly what Machiavelli’s instructions prohibited him from saying. He replied that he needed to write to the Signory first and asked the duke to state the terms he proposed for the treaty. But now it was the duke’s turn to play it safe and avoid a direct answer, insisting that Florence should initiate the negotiations and that the first proposal should come from her.
He reminded Macchiavelli that Florence would do well to come to a decision before the Orsini sought to patch up a peace with him, since, once that was done, there would be fresh difficulties, owing, of course, to Orsini’s enmity to the existing Florentine Government. And of such a peace there was now every indication, Paolo Orsini having at last sent Cesare proposals for rejoining him, subject to his abandoning the Bologna enterprise (in which, the Orsini argued, they could not bear a hand without breaking faith with Bentivogli) and turning against Florence. Vitelli, at the same time, announced himself ready to return to Cesare’s service, but first he required some “honest security.”
He reminded Machiavelli that Florence needed to make a decision soon, before the Orsini tried to negotiate a peace with him. Once that happened, new challenges would arise, primarily because of Orsini’s hostility toward the current Florentine Government. There were already signs of such a peace, as Paolo Orsini had finally sent Cesare proposals to reunite, provided that he abandoned the Bologna mission (which, according to the Orsini, they couldn't support without betraying Bentivoglio) and turned against Florence. At the same time, Vitelli expressed his willingness to return to Cesare’s service, but first he needed some “honest security.”
Well might it have pleased Cesare to oblige the Orsini to the letter, and to give a lesson in straight-dealing to these shuffling Florentine pedlars who sent a nimble-witted Secretary of State to hold him in play with sweet words of barren meaning. But there was France and her wishes to be considered, and he could not commit himself. So his answer was peremptory and condescending. He told them that, if they desired to show themselves his friends, they could set about reconquering and holding Urbino for him.
It would have definitely pleased Cesare to take the Orsini at their word and teach those tricky Florentine merchants a lesson about honesty, especially since they sent a clever Secretary of State to keep him engaged with empty sweet talk. But he had to think about France and her interests, so he couldn't fully commit. His response was strict and patronizing. He told them that if they wanted to prove they were his friends, they should start working on reconquering and holding Urbino for him.
It looked as if the condottieri agreed to this, for on October 11 Vitelli seized Castel Durante, and on the next day Baglioni was in possession of Cagli.
It seemed like the condottieri were on board with this, because on October 11, Vitelli took Castel Durante, and the following day, Baglioni took control of Cagli.
In view of this, Cesare bade the troops which he had withdrawn to advance again upon the city of Urbino and take possession of it. But suddenly, on the 12th, a messenger from Guidobaldo rode into Urbino to announce their duke’s return within a few days to defend the subjects who had shown themselves so loyal to him. This, the shifty confederates accounted, must be done with the support of Venice, whence they concluded that Venice must have declared against Valentinois, and again they treacherously changed sides.
In light of this, Cesare ordered the troops he had pulled back to advance again on the city of Urbino and take control of it. But suddenly, on the 12th, a messenger from Guidobaldo arrived in Urbino to announce that their duke would be returning in a few days to protect the subjects who had remained so loyal to him. The slippery confederates figured this had to be done with Venice's support, leading them to conclude that Venice must have turned against Valentinois, and once again, they treacherously switched sides.
The Orsini proceeded to prompt action. Assured of their return to himself, and counting upon their support in Urbino, Cesare had contented himself with sending thither a small force of 100 lances and 200 light horse. Upon these fell the Orsini, and put them to utter rout at Calmazzo, near Fossombrone, capturing Ugo di Moncada, who commanded one of the companies, but missing Michele da Corella, who contrived to escape to Fossombrone.
The Orsini moved quickly. Confident in their loyalty and counting on their support in Urbino, Cesare was satisfied to send a small force of 100 lancers and 200 light cavalry there. The Orsini attacked these troops and completely routed them at Calmazzo, near Fossombrone, capturing Ugo di Moncada, who led one of the units, but failing to catch Michele da Corella, who managed to escape to Fossombrone.
The conquerors entered Urbino that evening, and, as if to put it on record that they burnt their boats with Valentinois, Paolo Orsini wrote that same night to the Venetian Senate advices of the victory won. Three days later—on October 18—Guidobaldo, accompanied by his nephews Ottaviano Fregioso and Gianmaria Varano, re-entered his capital amid the cheers and enthusiasm of his loyal and loving people.
The conquerors entered Urbino that evening, and to make it clear they'd turned their backs on Valentinois, Paolo Orsini wrote to the Venetian Senate the same night to report the victory. Three days later—on October 18—Guidobaldo, with his nephews Ottaviano Fregioso and Gianmaria Varano, returned to his city to the cheers and excitement of his loyal and loving people.
Vitelli made haste to place his artillery at Guidobaldo’s disposal for the reduction of Cagli, Pergola, and Fossombrone, which were still held for Valentinois, whilst Oliverotto da Fermo went with Gianmaria Varano to attempt the reconquest of Camerino, and Gianpaolo Baglioni to Fano, which, however, he did not attempt to enter as an enemy—an idle course, seeing how loyally the town held for Cesare—but as a ducal condottiero.
Vitelli hurried to put his artillery at Guidobaldo’s service to capture Cagli, Pergola, and Fossombrone, which were still under Valentinois's control, while Oliverotto da Fermo joined Gianmaria Varano to try to retake Camerino, and Gianpaolo Baglioni headed to Fano. However, he didn’t try to enter Fano as an enemy—something pointless, considering how loyally the town supported Cesare—but as a duke's mercenary leader.
Fired by Orsini’s example, Bentivogli also took the offensive, and began by ordering the canonists of Bologna University to go to the churches and encourage the people to disregard the excommunications launched against the city. He wrote to the King of France to complain that Cesare had broken the Treaty of Villafontana by which he had undertaken never again to molest Bologna—naïvely ignoring the circumstance that he himself had been the first to violate the terms of that same treaty, and that it was precisely upon such grounds that Cesare was threatening him.
Fired up by Orsini’s example, Bentivogli took the initiative and started by ordering the canonists of Bologna University to go to the churches and encourage the people to ignore the excommunications against the city. He wrote to the King of France to complain that Cesare had broken the Treaty of Villafontana, which he had promised never to disturb Bologna again—naively ignoring the fact that he himself had been the first to break the terms of that same treaty, and that it was exactly on those grounds that Cesare was threatening him.
Thus matters stood, the confederates turning anxious eyes towards Venice, and, haply, beginning to wonder whether the Republic was indeed going to move to their support as they had so confidently expected, and realizing perhaps by now their rashness, and the ruin that awaited them should Venice fail them. And fail them Venice did. The Venetians had received a reply from Louis XII to that letter in which they had heaped odium upon the Borgia and shown the king what dishonour to himself dwelt in his alliance with Valentinois. Their criticisms and accusations were ignored in that reply, which resolved itself into nothing more than a threat that “if they opposed themselves to the enterprise of the Church they would be treated by him as enemies,” and of this letter he sent Cesare a copy, as Cesare himself told Macchiavelli.
Thus matters stood, the confederates anxiously looking towards Venice, and perhaps beginning to wonder whether the Republic would actually come to their aid as they had confidently expected, and realizing by now their rashness and the disaster that awaited them if Venice let them down. And let them down Venice did. The Venetians received a reply from Louis XII to their letter in which they criticized the Borgia and showed the king the dishonor in his alliance with Valentinois. Their criticisms and accusations were ignored in the reply, which boiled down to nothing more than a threat that “if they opposed the Church’s enterprise, they would be treated as enemies,” and he sent Cesare a copy of this letter, as Cesare himself told Machiavelli.
So, whilst Valentinois in Imola was able to breathe more freely, the condottieri in Urbino may well have been overcome with horror at their position and at having been thus left in the lurch by Venice. None was better aware than Pandolfo Petrucci of the folly of their action and of the danger that now impended, and he sent his secretary to Valentinois to say that if the duke would but reassure them on the score of his intentions they would return to him and aid him in recovering what had been lost.
So, while Valentinois in Imola could breathe a little easier, the condottieri in Urbino were probably filled with dread about their situation and being abandoned by Venice. No one understood the foolishness of their actions and the looming danger better than Pandolfo Petrucci, who sent his secretary to Valentinois to say that if the duke could just reassure them about his intentions, they would come back to him and help him regain what had been lost.
Following upon this message came Paolo Orsini himself to Imola on the 25th, disguised as a courier, and having first taken the precaution of obtaining a safe-conduct. He left again on the 29th, bearing with him a treaty the terms of which had been agreed between himself and Cesare during that visit. These were that Cesare should engage to protect the States of all his allied condottieri, and they to serve him and the Church in return. A special convention was to follow, to decide the matter of the Bentivogli, which should be resolved by Cesare, Cardinal Orsini, and Pandolfo Petrucci in consultation, their judgment to be binding upon all.
Following this message, Paolo Orsini himself arrived in Imola on the 25th, disguised as a courier and having first taken the necessary step of securing a safe-conduct. He left again on the 29th, carrying with him a treaty that he and Cesare had agreed on during that visit. The terms were that Cesare would commit to protecting the states of all his allied condottieri, and in return, they would serve him and the Church. A special agreement was to be made later to address the situation with the Bentivogli, which would be resolved through discussions between Cesare, Cardinal Orsini, and Pandolfo Petrucci, with their decision being final for everyone involved.
Cesare’s contempt for the Orsini and the rest of the shifty men who formed that confederacy—that “diet of bankrupts,” as he had termed it—was expressed plainly enough to Macchiavelli.
Cesare's disdain for the Orsini and the other untrustworthy men who made up that alliance—what he called a “diet of bankrupts”—was clear to Machiavelli.
“To-day,” said he, “Messer Paolo is to visit me, and to-morrow there will be the cardinal; and thus they think to befool me, at their pleasure. But I, on my side, am only dallying with them. I listen to all they have to say and bide my own time.”
“Today,” he said, “Messer Paolo is coming to see me, and tomorrow the cardinal will be here; they think they can trick me however they want. But I’m just playing along with them. I listen to everything they say and wait for my moment.”
Later, Macchiavelli was to remember those words, which meanwhile afforded him matter for reflection.
Later, Machiavelli would remember those words, which gave him something to think about in the meantime.
As Paolo Orsini rode away from Imola, the duke’s secretary, Gherardi, followed and overtook him to say that Cesare desired to add to the treaty another clause—one relating to the King of France. To this Paolo Orsini refused to consent, but, upon being pressed in the matter by Gherardi, went so far as to promise to submit the clause to the others.
As Paolo Orsini rode away from Imola, the duke's secretary, Gherardi, followed and caught up to him to say that Cesare wanted to add another clause to the treaty—one concerning the King of France. Paolo Orsini refused to agree, but when Gherardi pressed him on it, he promised to bring the clause to the attention of the others.
On October 30 Cesare published a notice in the Romagna, intimating the return to obedience on the part of his captains.
On October 30, Cesare published a notice in the Romagna, announcing that his captains were returning to obedience.
Macchiavelli was mystified by this, and apprehensive—as men will be of the things they cannot fathom—of what might be reserved in it for Florence. It was Gherardi who reassured him, laughing in the face of the crafty Florentine, as he informed him that even children should come to smile at such a treaty as this. He added that he had gone after Paolo Orsini to beg the addition of another clause, intentionally omitted by the duke.
Macchiavelli was puzzled by this and worried—like people are about things they can't understand—about what it might mean for Florence. It was Gherardi who calmed him down, laughing in the face of the sly Florentine, telling him that even kids should smile at a treaty like this. He mentioned that he had gone to find Paolo Orsini to ask for the addition of another clause that the duke had purposely left out.
“If they accept that clause,” concluded Messer Agabito, “it will open a window; if they refuse it, a door, by which the duke can issue from the treaty.”
“If they accept that clause,” concluded Messer Agabito, “it will open a window; if they refuse it, a door, through which the duke can exit the treaty.”
Macchiavelli’s wonder increased. But the subject of it now was that the condottieri should be hoodwinked by a document in such terms, and well may he have bethought him then of those words which Cesare had used to him a few days earlier.
Macchiavelli's amazement grew. But now he wondered how the condottieri could be fooled by a document like that, and he likely remembered the words Cesare had said to him a few days before.
CHAPTER XVI. RAMIRO DE LORQUA
It really seemed as if the condottieri were determined to make their score as heavy as possible. For even whilst Paolo Orsini had been on his mission of peace to Cesare, and whilst they awaited his return, they had continued in arms against the duke. The Vitelli had aided Guidobaldo to reconquer his territory, and had killed, in the course of doing so, Bartolomeo da Capranica, Cesare’s most valued captain and Vitelli’s brotherin-arms of yesterday. The Baglioni were pressing Michele da Corella in Pesaro, but to little purpose; whilst the butcher Oliverotto da Fermo in Camerino—of which he had taken possession with Gianmaria Varano—was slaughtering every Spaniard he could find.
It really seemed like the condottieri were set on making their score as big as possible. Even while Paolo Orsini was on his peace mission to Cesare and they waited for his return, they kept fighting against the duke. The Vitelli helped Guidobaldo take back his territory and, in the process, killed Bartolomeo da Capranica, Cesare’s most valued captain and the Vitelli’s former comrade. The Baglioni were pushing Michele da Corella in Pesaro, but it was mostly useless; meanwhile, the butcher Oliverotto da Fermo in Camerino—who had taken control of it with Gianmaria Varano—was killing every Spaniard he could find.
On the other side, Corella in Pesaro hanged five men whom he caught practising against the duke’s government, and, having taken young Pietro Varano—who was on his way to join his brother in Camerino in view of the revolt there—he had him strangled in the market-place. There is a story that, with life not yet extinct, the poor youth was carried into church by the pitiful crowd. But here a friar, discovering that he still lived, called in the soldiers and bade them finish him. This friar, going later through Cagli, was recognized, set upon by a mob, and torn to pieces—in which, if the rest of the tale be true, he was richly served.
On the other side, Corella in Pesaro hanged five men he caught plotting against the duke’s government. He also captured young Pietro Varano—who was on his way to join his brother in Camerino because of the uprising there—and had him strangled in the market square. There’s a story that, before he died, the poor kid was carried into church by the grieving crowd. But then a friar, noticing he was still alive, called in the soldiers and ordered them to finish him off. This friar, later passing through Cagli, was recognized, attacked by a mob, and torn to pieces—in which, if the rest of the story is true, he got what he deserved.
Into the theatre of bloodshed came Paolo Orsini from his mission to Valentinois, bringing with him the treaty for signature by the condottieri. Accustomed as they were to playing fast and loose, they opined that, so far as Urbino was concerned, enough changes of government had they contrived there already. Vitelli pointed out the unseemliness of once again deposing Guidobaldo, whom they had just reseated upon his throne. Besides, he perceived in the treaty the end of his hopes of a descent upon Florence, which was the cause of all his labours. So he rejected it.
Into the theater of bloodshed came Paolo Orsini from his mission to Valentinois, bringing the treaty for the condottieri to sign. Used to playing fast and loose, they believed that, as far as Urbino was concerned, they had already caused enough changes in government. Vitelli pointed out how inappropriate it would be to depose Guidobaldo again, whom they had just reinstated on his throne. Also, he saw that the treaty meant the end of his hopes for an attack on Florence, which was the reason for all his efforts. So he rejected it.
But Valentinois had already got the Orsini and Pandolfo Petrucci on his side, and so the confederacy was divided. Another factor came to befriend the duke. On November 2 he was visited by Antonio Galeazzo Bentivogli, sent by his father Giovanni to propose a treaty with him—this state of affairs having been brought about by the mediation of Ercole d’Este. From the negotiations that followed it resulted that, on the 13th, the Orsini had word from Cesare that he had entered into an alliance with the Bentivogli—which definitely removed their main objection to bearing arms with him.
But Valentinois had already secured the support of the Orsini and Pandolfo Petrucci, which split the confederacy. Another factor came into play for the duke. On November 2, he was visited by Antonio Galeazzo Bentivogli, sent by his father Giovanni to propose a treaty—this situation had been facilitated by the mediation of Ercole d’Este. From the following negotiations, it turned out that, on the 13th, the Orsini received word from Cesare that he had formed an alliance with the Bentivogli, which completely eliminated their main objection to fighting alongside him.
It was resigning much on Cesare’s part, but the treaty, after all, was only for two years, and might, of course, be broken before then, as they understood these matters. This treaty was signed at the Vatican on the 23rd, between Borgia and Bentivogli, to guarantee the States of both. The King of France, the Signory of Florence, and the Duke of Ferrara guaranteed the alliance.
It was a big decision for Cesare, but the treaty was only for two years and could definitely be broken before that, as they knew how things worked. This treaty was signed at the Vatican on the 23rd, between Borgia and Bentivogli, to protect the States of both. The King of France, the Signory of Florence, and the Duke of Ferrara were the ones backing the alliance.
Inter alia, it was agreed between them that Bologna should supply Cesare with 100 lances and 200 light horse for one or two enterprises within the year, and that the condotta of 100 lances which Cesare held from Bologna by the last treaty should be renewed. The terms of the treaty were to be kept utterly secret for the next three months, so that the affairs of Urbino and Camerino should not be prejudiced by their publication.
Inter alia, they agreed that Bologna would provide Cesare with 100 lances and 200 light cavalry for one or two campaigns within the year, and that the contract for the 100 lances Cesare had from Bologna under the last agreement would be renewed. The terms of the treaty were to be kept completely secret for the next three months, so that the matters of Urbino and Camerino would not be affected by their release.
The result was instantaneous. On November 27 Paolo Orsini was back at Imola with the other treaty, which bore now the signatures of all the confederates. Vitelli, finding himself isolated, had swallowed his chagrin in the matter of Florence, and his scruples in the matter of Urbino, abandoning the unfortunate Guidobaldo to his fate. This came swiftly. From Imola, Paolo Orsini rode to Fano on the 29th, and ordered his men to advance upon Urbino and seize the city in the Duke of Valentinois’s name, proclaiming a pardon for all rebels who would be submissive.
The result was immediate. On November 27, Paolo Orsini returned to Imola with the other treaty, now signed by all the confederates. Vitelli, feeling isolated, had set aside his disappointment regarding Florence and his concerns about Urbino, leaving the unfortunate Guidobaldo to his fate. This fate came fast. From Imola, Paolo Orsini rode to Fano on the 29th and instructed his men to move towards Urbino and take the city in the name of the Duke of Valentinois, announcing a pardon for all rebels who would submit.
Guidobaldo and the ill-starred Lord of Faenza were the two exceptions in Romagna—the only two who had known how to win the affections of their subjects. For Guidobaldo there was nothing that the men of Urbino would not have done. They rallied to him now, and the women of Valbone—like the ladies of England to save Coeur-de-Lion—came with their jewels and trinkets, offering them that he might have the means to levy troops and resist. But this gentle, kindly Guidobaldo could not subject his country to further ravages of war; and so he determined, in his subjects’ interests as much as in his own, to depart for the second time.
Guidobaldo and the unfortunate Lord of Faenza were the only two exceptions in Romagna—the only ones who had been able to win the love of their people. For Guidobaldo, there was nothing the men of Urbino wouldn't do for him. They supported him now, and the women of Valbone—just like the ladies of England to save Richard the Lionheart—came with their jewels and trinkets, offering them so he could raise troops and resist. But this gentle, kind-hearted Guidobaldo couldn’t put his country through more destruction from war; so he decided, for the sake of his people as much as his own, to leave for the second time.
Early in December the Orsini troops are in his territory, and Paolo, halting them a few miles out of Urbino, sends to beg Guidobaldo’s attendance in his camp. Guidobaldo, crippled by gout and unable at the time to walk a step, sends Paolo his excuses and begs that he will come to Urbino, where he awaits him. There Guidobaldo makes formal surrender to him, takes leave of his faithful friends, enjoins fidelity to Valentinois and trust in God, and so on December 19 he departs into exile, the one pathetic noble figure amid so many ignoble ones. Paolo, taking possession of the duchy, assumes the title of governor.
Early in December, the Orsini troops enter his territory, and Paolo, stopping them a few miles outside of Urbino, sends a message asking Guidobaldo to join him at his camp. Guidobaldo, suffering from gout and unable to walk at the moment, sends his regrets and asks Paolo to come to Urbino, where he’s waiting for him. There, Guidobaldo formally surrenders to him, says goodbye to his loyal friends, urges loyalty to Valentinois and faith in God, and on December 19, he leaves for exile, the only noble figure standing out among so many dishonorable ones. Paolo takes control of the duchy and assumes the title of governor.
The Florentines had had their chance of an alliance with Cesare, and had deliberately neglected it. Early in November they had received letters from the King of France urging them to come to an accord with Cesare, and they had made known to the duke that they desired to reoccupy Pisa and to assure themselves of Vitelli; but, when he pressed that Florence should give him a condotta, Macchiavelli—following his instructions not to commit the Republic in any way—had answered “that his Excellency must not be considered as other lords, but as a new potentate in Italy, with whom it is more seemly to make an alliance or a friendship than to grant him a condotta; and, as alliances are maintained by arms, and that is the only power to compel their observance, the Signory could not perceive what security they would have when three-quarters or three-fifths of their arms would be in the duke’s hands.” Macchiavelli added diplomatically that “he did not say this to impugn the duke’s good faith, but to show him that princes should be circumspect and never enter into anything that leaves a possibility of their being put at a disadvantage.”(1)
The Florentines had their opportunity for an alliance with Cesare but chose to ignore it. In early November, they received letters from the King of France urging them to come to an agreement with Cesare. They informed the duke that they wanted to retake Pisa and secure Vitelli; however, when he insisted that Florence should grant him a condotta, Machiavelli—following his instructions not to compromise the Republic—responded that “his Excellency should not be seen like other lords, but as a new power in Italy, with whom it’s more appropriate to form an alliance or friendship than to grant him a condotta; and since alliances are maintained through military force, which is the only way to ensure compliance, the Signory could not see what security they would have when a large portion of their military power would be under the duke's control.” Machiavelli also diplomatically remarked that “he didn't say this to question the duke’s integrity, but to indicate that princes should be cautious and never engage in anything that could leave them vulnerable.”(1)
1 See the twenty-first letter from Macchiavelli on this legation.
1 See the twenty-first letter from Machiavelli regarding this legation.
Cesare answered him calmly (“senza segno d’alterazione alcuna”) that without a condotta, he didn’t know what to make of a private friendship whose first principles were denied him. And there the matter hung, for Macchiavelli’s legation had for only aim to ensure the immunity of Tuscany and to safeguard Florentine interests without conceding any advantages to Cesare—as the latter had perceived from the first.
Cesare calmly replied that without a contract, he didn’t know how to understand a private friendship built on principles that were being denied to him. And that was where things stood, because Machiavelli’s mission aimed solely to protect Tuscany and keep Florentine interests safe without giving any benefits to Cesare—as he had realized from the beginning.
On December 10 Cesare moved from Imola with his entire army, intent now upon the conquest of Sinigaglia, which State Giuliano della Rovere had been unable to save for his nephew, as king and Pope had alike turned a deaf ear upon the excuses he had sought to make for the Prefetessa, Giovanna da Montefeltre—the mother of the young prefect—who had aided her brother Guidobaldo in the late war in Urbino.
On December 10, Cesare left Imola with his whole army, focused now on taking Sinigaglia, which Giuliano della Rovere had failed to protect for his nephew. Both the king and the Pope had ignored the justifications he had tried to provide for the Prefetessa, Giovanna da Montefeltre—the mother of the young prefect—who had supported her brother Guidobaldo in the recent war in Urbino.
On the morrow Valentinois arrived in Cesena and encamped his army there for Christmas, as in the previous year. The country was beginning to feel the effects of this prolonged vast military occupation, and although the duke, with intent to relieve the people, had done all that was possible to provision the troops, and had purchased from Venice 30,000 bushels of wheat for the purpose, yet all had been consumed. “The very stones have been eaten,” says Macchiavelli.
On the next day, Valentinois arrived in Cesena and set up camp with his army for Christmas, just like the year before. The area was starting to feel the impact of this long military presence, and even though the duke had tried to help the people by provisioning the troops and had bought 30,000 bushels of wheat from Venice for that purpose, everything had been used up. “The very stones have been eaten,” says Machiavelli.
To account for this state of things—and possibly for certain other matters—Messer Ramiro de Lorqua, the Governor-General, was summoned from Pesaro; whilst to avert the threatened famine Cesare ordered that the cereals in the private granaries of Cesena should be sold at reduced prices, and he further proceeded, at heavy expense, to procure grain from without. Another, less far-seeing than Valentinois, might have made capital out of Urbino’s late rebellion, and pillaged the country to provide for pressing needs. But that would have been opposed to Cesare’s policy, of fostering the goodwill of the people he subjected.
To explain this situation—and maybe some other issues—Messer Ramiro de Lorqua, the Governor-General, was called from Pesaro. To prevent the looming famine, Cesare decided to sell the grains in the private granaries of Cesena at lower prices, and he also chose to spend a lot of money to bring in grain from outside. Someone less wise than Valentinois might have taken advantage of Urbino’s recent rebellion and plundered the area to meet immediate needs. But that approach would have gone against Cesare’s strategy of gaining the support of the people he ruled over.
On December 20 three of the companies of French lances that had been with Cesare took their leave of him and returned to Lombardy, so that Cesare was left with only one company. There appears to be some confusion as to the reasons for this, and it is stated by some that those companies were recalled to Milan by the French governor. Macchiavelli, ever inquisitive and inquiring, questioned one of the French officers in the matter, to be told that the lances were returning because the duke no longer needed them, the inference being that this was in consequence of the return of the condottieri to their allegiance. But the astute secretary did not at the time account this convincing, arguing that the duke could not yet be said to be secure, nor could he know for certain how far he might trust Vitelli and the Orsini. Presumably, however, he afterwards obtained more certain information, for he says later that Valentinois himself dismissed the French, and that the dismissal was part of the stratagem he was preparing, and had for object to reassure Vitelli and the other confederates, and to throw them off their guard, by causing them to suppose him indifferently supported.
On December 20, three of the companies of French lancers that had been with Cesare took leave and returned to Lombardy, leaving Cesare with only one company. There's some confusion about the reasons for this; some say that the French governor called the companies back to Milan. Machiavelli, always curious and probing, asked one of the French officers about it and was told that the lancers were going back because the duke no longer needed them, implying that this was due to the condottieri returning to their loyalties. However, the clever secretary didn't find this explanation convincing at the time, arguing that the duke couldn't yet be considered secure and didn't know how much he could trust Vitelli and the Orsini. Presumably, he later got more reliable information because he later stated that Valentinois himself dismissed the French, and that this dismissal was part of a strategy he was planning, aimed at reassuring Vitelli and the other confederates and catching them off guard by making them think he was not well supported.
But the departure of the French did not take place without much discussion being provoked, and rumour making extremely busy, whilst it was generally assumed that it would retard the Sinigaglia conquest. Nevertheless, the duke calmly pursued his preparations, and proceeded now to send forward his artillery. There was no real ground upon which to assume that he would adopt any other course. Cesare was now in considerable strength, apart from French lances, and even as these left him he was joined by a thousand Swiss, and another six hundred Romagnuoli from the Val di Lamone. Moreover, as far as the reduction of Sinigaglia was concerned, no resistance was to be expected, for Cardinal Giuliano della Rovere had written enjoining the people to surrender peacefully to the duke.
But the French left after a lot of discussion and speculation, with many believing it would slow down the conquest of Sinigaglia. However, the duke continued his preparations calmly and sent out his artillery. There was no real reason to think he would do anything differently. Cesare was now quite strong, not counting the French troops, and as they departed, he was joined by a thousand Swiss and another six hundred Romagnuoli from the Val di Lamone. Furthermore, regarding the capture of Sinigaglia, no resistance was expected, as Cardinal Giuliano della Rovere had instructed the people to surrender peacefully to the duke.
What matters Cesare may have found in Cesena to justify the arrest of his Governor-General we do not know to the full with absolute certainty. On December 22 Ramiro de Lorqua, coming from Pesaro in response to his master’s summons, was arrested on his arrival and flung into prison. His examination was to follow.
What Cesare might have discovered in Cesena to justify the arrest of his Governor-General is not entirely clear. On December 22, Ramiro de Lorqua, arriving from Pesaro after his master's request, was arrested upon arrival and thrown into prison. His interrogation was set to take place afterward.
Macchiavelli, reporting the arrest, says: “It is thought he [Cesare] may sacrifice him to the people, who have a very great desire of it.”
Macchiavelli, reporting the arrest, says: “People believe he [Cesare] might sacrifice him to the public, who are very eager for it.”
Ramiro had made himself detested in Romagna by the ruthlessness of his rule, and a ruthless servant reflects upon his master, a matter which could nowise suit Borgia. To all who have read The Prince it will be clear that upon that ground alone—of having brought Valentinois’s justice into disrepute by the harshness which in Valentinois’s name he practised—Macchiavelli would have approved the execution of Ramiro. He would have accounted it perfectly justifiable that Ramiro should be sacrificed to the people for no better reason than because he had provoked their hatred, since this sacrifice made for the duke’s welfare. He does, as a matter of fact, justify this execution, but upon much fuller grounds than these. Still, had the reasons been no better than are mentioned, he would still have justified it upon those. So much is clear; and, when so much is clear, much more will be clear to you touching this strange epoch.
Ramiro had made himself hated in Romagna because of his harsh rule, and a ruthless servant reflects poorly on his master, which was not something Borgia wanted. For anyone who has read The Prince, it’s clear that on that basis alone—having tarnished Valentinois’s reputation for justice through the cruelty he practiced in Valentinois’s name—Machiavelli would have supported Ramiro's execution. He would have considered it entirely justifiable for Ramiro to be sacrificed for the people simply because he had stirred their anger, as this sacrifice would benefit the duke. In fact, he does justify this execution, but for much more substantial reasons than just that. Still, even if the reasons were only those mentioned, he would have justified it on those grounds. This much is clear; and when this much is clear, much more will become evident to you regarding this unusual period.
There was, however, more than a matter of sacrificing the Governor-General to the hatred of the people. There was, for one thing, the matter of that wheat which had disappeared. Ramiro was charged with having fraudulently sold it to his own dishonest profit, putting the duke to the heavy expense of importing fresh supplies for the nourishment of the people. The seriousness of the charge will be appreciated when it is considered that, had a famine resulted from this peculation, grave disorder might have ensued and perhaps even a rebellion against a government which could provide no better.
There was, however, more at stake than just sacrificing the Governor-General to the people's anger. For one thing, there was the issue of the wheat that had gone missing. Ramiro was accused of selling it for his own dishonest gain, forcing the duke to spend a lot on importing new supplies to feed the people. The seriousness of the accusation becomes clear when you think about the fact that if a famine had come from this theft, it could have led to serious chaos and maybe even a rebellion against a government that could do no better.
The duke published the news of the governor’s arrest throughout Romagna. He announced his displeasure and regret at the harshnesses and corrupt practices of Ramiro de Lorqua, in spite of the most urgent admonishings that he should refrain from all undue exactions and the threat of grave punishment should he disobey. These frauds, corruption, extortion, and rapine practised by the governor were so grave, continuous and general, stated the duke in his manifesto, that “there is no city, country-side, or castle, nor any place in all Romagna, nor officer or minister of the duke’s, who does not know of these abuses; and, amongst others, the famine of wheat occasioned by the traffic which he held against our express prohibition, sending out such quantities as would abundantly have sufficed for the people and the army.”
The duke shared the news of the governor’s arrest across Romagna. He expressed his disappointment and regret over the harsh actions and corrupt practices of Ramiro de Lorqua, despite urgent warnings for him to stop any unfair demands and the threat of serious punishment if he did not comply. These frauds, corruption, extortion, and theft carried out by the governor were so severe, ongoing, and widespread, the duke stated in his manifesto, that “there is no city, countryside, castle, or any place in all of Romagna, nor any officer or minister of the duke’s, who does not know about these abuses; and, among other things, the wheat famine caused by the trade he conducted against our explicit prohibition, sending out such amounts that would have more than adequately supplied both the people and the army.”
He concludes with assurances of his intention that, in the future, they shall be ruled with justice and integrity, and he urges all who may have charges to prefer against the said governor to bring them forward immediately.
He finishes by promising that, in the future, they will be governed with fairness and honesty, and he encourages anyone who has complaints against the governor to come forward right away.
It was freely rumoured that the charges against Ramiro by no means ended there, and in Bologna—and from Bologna the truth of such a matter might well transpire, all things considered—it was openly said that Ramiro had been in secret treaty with the Bentivogli, Orsini, and Vitelli, against the Duke of Valentinois: “Aveva provixione da Messer Zoane Bentivogli e da Orsini e Vitelozo contro el duca,” writes Fileno della Tuate, who, it will be borne in mind, was no friend of the Borgia, and would be at no pains to find justification for the duke’s deeds.
It was widely rumored that the charges against Ramiro didn't stop there, and in Bologna—and considering that the truth about such matters often came out from there—it was openly claimed that Ramiro had been secretly working with the Bentivogli, Orsini, and Vitelli against the Duke of Valentinois: “He had support from Messer Zoane Bentivogli and from Orsini and Vitelozo against the duke,” writes Fileno della Tuate, who, it’s important to note, was no friend of the Borgia and wouldn’t strive to justify the duke’s actions.
But of that secret treaty there was, for the moment, no official mention. Later the rumour of it was to receive the fullest confirmation, and, together with that, we shall give, in the next chapter, the duke’s obvious reasons for having kept the matter secret at first. Matter enough and to spare was there already upon which to dispose of Messer Ramiro de Lorqua and disposed of he was, with the most summary justice.
But at that moment, there was no official mention of the secret treaty. Later, the rumor was confirmed fully, and in the next chapter, we will explain the duke’s clear reasons for keeping it secret initially. There was already plenty to deal with regarding Messer Ramiro de Lorqua, and he was dealt with swiftly and decisively.
On the morning of December 26 the first folk to be astir in Cesena beheld, in the grey light of that wintry dawn, the body of Ramiro lying headless in the square. It was richly dressed, with all his ornaments upon it, a scarlet cloak about it, and the hands were gloved. On a pike beside the body the black-bearded head was set up to view, and so remained throughout that day, a terrible display of the swift and pitiless justice of the duke.
On the morning of December 26, the first people to wake up in Cesena saw, in the dim light of that cold dawn, Ramiro's headless body lying in the square. It was dressed in fine clothes, adorned with all his jewelry, and covered with a scarlet cloak, while the hands were gloved. Next to the body, his black-bearded head was displayed on a pike, and it remained there all day, a shocking reminder of the duke's quick and ruthless justice.
Macchiavelli wrote: “The reason of his death is not properly known” (“non si sa bene la cagione della sua morte”) “beyond the fact that such was the pleasure of the prince, who shows us that he can make and unmake men according to their deserts.”
Macchiavelli wrote: “The reason for his death is not well understood” (“non si sa bene la cagione della sua morte”) “other than the fact that this was the prince's wish, who demonstrates that he has the power to make and unmake men based on their actions.”
The Cronica Civitas Faventiae, the Diariurn Caesenate, and the Cronache Forlivese, all express the people’s extreme satisfaction at the deed, and endorse the charges of brutality against the man which are contained in Cesare’s letter.
The Cronica Civitas Faventiae, the Diariurn Caesenate, and the Cronache Forlivese all show the people's strong approval of the act and support the claims of violence against the man mentioned in Cesare's letter.
CHAPTER XVII. “THE BEAUTIFUL STRATAGEM”
Cesare left Cesena very early on the morning of December 26—the morning of Ramiro’s execution—and by the 29th he was at Fano, where he received the envoys who came from Ancona with protestations of loyalty, as well as a messenger from Vitellozzo Vitelli, who brought him news of the surrender of Sinigaglia. The citadel itself was still being held by Andrea Doria—the same who was afterwards to become so famous in Genoa; this, it was stated, was solely because Doria desired to make surrender to the duke himself. The Prefectress, Giovanna da Montefeltre, had already departed from the city, which she ruled as regent for her eleven-year old boy, and had gone by sea to Venice.
Cesare left Cesena very early on the morning of December 26—the morning of Ramiro’s execution—and by the 29th, he was in Fano, where he met with envoys from Ancona who vouched for their loyalty, along with a messenger from Vitellozzo Vitelli, who brought him news of the surrender of Sinigaglia. The citadel itself was still being held by Andrea Doria—the same person who would later become famous in Genoa; it was reported that Doria wanted to surrender to the duke himself. The Prefectress, Giovanna da Montefeltre, had already left the city, where she served as regent for her eleven-year-old son, and had gone by sea to Venice.
The duke returned answer to Vitelli that he would be in Sinigaglia himself upon the morrow, and he invited the condottieri to receive him there, since he was decided to possess himself of the citadel at once, whether Doria chose to surrender it peacefully or not; and that, to provide for emergencies, he would bring his artillery with him. Lastly, Vitelli was bidden to prepare quarters within the new town for the troops that would accompany Cesare. To do this it was necessary to dispose the soldiers of Oliverotto da Fermo in the borgo. These were the only troops with the condottieri in Sinigaglia; the remainder of their forces were quartered in the strongholds of the territory at distances of from five to seven miles of the town.
The duke replied to Vitelli that he would personally arrive in Sinigaglia the next day and invited the mercenaries to welcome him there. He was determined to take control of the citadel immediately, regardless of whether Doria surrendered it peacefully or not, and to prepare for any situation, he would bring his artillery along. Finally, Vitelli was instructed to set up accommodations in the new town for the troops accompanying Cesare. To do this, it was necessary to move Oliverotto da Fermo’s soldiers into the borgo. These were the only troops the mercenaries had in Sinigaglia; the rest of their forces were stationed in strongholds around the area, about five to seven miles from the town.
On the last day of that year 1502 Cesare Borgia appeared before Sinigaglia to receive the homage of those men who had used him so treacherously, and whom—with the exception of Paolo Orsini—he now met face to face for the first time since their rebellion. Here were Francesco Orsini, Duke of Gravina, with Paolo and the latter’s son Fabio; here was Oliverotto, the ruffianly Lord of Fermo, who had won his lordship by the cold-blooded murder of his kinsman, and concerning whom a rumour ran in Rome that Cesare had sworn to choke him with his own hands; and here was Vitellozzo Vitelli, the arch-traitor of them all.
On the last day of the year 1502, Cesare Borgia showed up in Sinigaglia to receive the loyalty of the men who had betrayed him so badly, and whom—besides Paolo Orsini—he was now facing for the first time since their rebellion. There were Francesco Orsini, Duke of Gravina, along with Paolo and his son Fabio; there was also Oliverotto, the ruthless Lord of Fermo, who had gained his title by the cold-blooded murder of his relative, and there were rumors in Rome that Cesare had vowed to kill him with his bare hands; and then there was Vitellozzo Vitelli, the biggest traitor of them all.
Gianpaolo Baglioni was absent through illness—a matter less fatal to him than was their health to those who were present—and the Cardinal and Giulio Orsini were in Rome.
Gianpaolo Baglioni was absent due to illness—something that affected him less seriously than the health of those who were there—and the Cardinal and Giulio Orsini were in Rome.
Were these captains mad to suppose that such a man as Cesare Borgia could so forget the wrong they had done him, and forgive them in this easy fashion, exacting no amends? Were they mad to suppose that, after such proofs as they had given him of what manner of faith they kept, he would trust them hereafter with their lives to work further mischief against him? (Well might Macchiavelli have marvelled when he beheld the terms of the treaty the duke had made with them.) Were they mad to imagine that one so crafty as Valentinois would so place himself into their hands—the hands of men who had sworn his ruin and death? Truly, mad they must have been—rendered so by the gods who would destroy them.
Were these captains crazy to think that someone like Cesare Borgia could just forget the harm they had caused him and forgive them so easily without asking for anything in return? Were they insane to believe that, after showing him how untrustworthy they were, he would ever trust them again with their lives to cause him more trouble? (It’s no wonder Machiavelli was surprised when he saw the terms of the treaty the duke had made with them.) Were they foolish to believe that someone as clever as Valentinois would put himself in the hands of those who had sworn to bring about his ruin and death? They must have been mad—driven to madness by the gods who wished to see them fall.
The tale of that happening is graphically told by the pen of the admiring Macchiavelli, who names the affair “Il Bellissimo Inganno.” That he so named it should suffice us and restrain us from criticisms of our own, accepting that criticism of his. To us, judged from our modern standpoint, the affair of Sinigaglia is the last word in treachery and iscariotism. But you are here concerned with the standpoint of the Cinquecento, and that standpoint Macchiavelli gives you when he describes this business as “the beautiful stratagem.” To offer judgment in despite of that is to commit a fatuity, which too often already has been committed.
The story of that event is vividly recounted by the admiring Machiavelli, who calls it “Il Bellissimo Inganno.” The fact that he named it this should be enough for us and keep us from criticizing it on our own terms, accepting instead his critique. From our modern perspective, the events in Sinigaglia represent the ultimate in betrayal and treachery. However, you need to consider the viewpoint of the Cinquecento, which Machiavelli provides when he refers to this incident as “the beautiful stratagem.” To pass judgment regardless is to commit a foolish error that has already been made too often.
Here, then, is Macchiavelli’s story of the event:
Here’s Macchiavelli’s version of the event:
On the morning of December 31 Cesare’s army, composed of 10,000 foot and 3,000 horse,(1) was drawn up on the banks of the River Metauro—some five miles from Sinigaglia—in accordance with his orders, awaiting his arrival. He came at daybreak, and immediately ordered forward 200 lances under the command of Don Michele da Corella; he bade the foot to march after these, and himself brought up the rear with the main body of the horse.
On the morning of December 31, Cesare’s army, made up of 10,000 infantry and 3,000 cavalry,(1) was lined up on the banks of the River Metauro—about five miles from Sinigaglia—following his orders and waiting for his arrival. He showed up at dawn and quickly ordered 200 lances, led by Don Michele da Corella, to move forward; he instructed the infantry to follow, while he took up the rear with the main group of cavalry.
1 This is Macchiavelli’s report of the forces; but, it appears to be an exaggeration, for, upon leaving Cesena, Cesare does not appear to have commanded more than 10,000 men in all.
1 This is Machiavelli's report on the forces; however, it seems to be exaggerated, because upon leaving Cesena, Cesare doesn't appear to have commanded more than 10,000 men in total.
In Sinigaglia, as we have seen, the condottieri had only the troops of Oliverotto—1,000 foot and 150 horse—which had been quartered in the borgo, and were now drawn up in the market-place, Oliverotto at their head, to do honour to the duke.
In Sinigaglia, as we’ve noted, the mercenaries had only Oliverotto's troops—1,000 foot soldiers and 150 cavalry—that had been stationed in the town and were now lined up in the marketplace, with Oliverotto at the front, to honor the duke.
As the horse under Don Michele gained the little river Misa and the bridge that spanned it, almost directly opposite to the gates of Sinigaglia, their captain halted them and drew them up into two files, between which a lane was opened. Through this the foot went forward and straight into the town, and after came Cesare himself, a graceful, youthful figure, resplendent in full armour at the head of his lances. To meet him advanced now the three Orsini and Vitellozzo Vitelli. Macchiavelli tells us of the latter’s uneasiness, of his premonitions of evil, and the farewells (all of which Macchiavelli had afterwards heard reported) which he had taken of his family before coming to Sinigaglia. Probably these are no more than the stories that grow up about such men after such an event as that which was about to happen.
As the horse carrying Don Michele crossed the small river Misa and the bridge over it, almost directly across from the gates of Sinigaglia, their captain stopped them and organized them into two lines, creating a path. Through this path, the foot soldiers moved forward right into the town, followed by Cesare himself, a graceful, youthful figure, shining in full armor at the front of his soldiers. To greet him came the three Orsini and Vitellozzo Vitelli. Machiavelli mentions Vitellozzo’s anxiety, his bad feelings, and the goodbyes he said to his family before arriving in Sinigaglia (all of which Machiavelli later heard were reported). These are likely just stories that develop around such individuals after a significant event like the one about to unfold.
The condottieri came unarmed, Vitelli mounted on a mule, wearing a cloak with a green lining. In that group he is the only man deserving of any respect or pity—a victim of his sense of duty to his family, driven to his rebellion and faithlessness to Valentinois by his consuming desire to avenge his brother’s death upon the Florentines. The others were poor creatures, incapable even of keeping faith with one another. Paolo Orsini was actually said to be in secret concert with Valentinois since his mission to him at Imola, and to have accepted heavy bribes from him. Oliverotto you have seen at work, making a holocaust of his family and friends under the base spur of his cupidity; whilst of the absent ones, Pandolfo Petrucci alone was a man of any steadfastness and honesty.
The mercenaries arrived unarmed, with Vitelli riding a mule and wearing a cloak with a green lining. In that group, he is the only one worthy of any respect or sympathy—a victim of his responsibility to his family, driven to rebel and betray Valentinois by his intense desire to avenge his brother’s death at the hands of the Florentines. The others were pitiful figures, unable to even remain loyal to each other. Paolo Orsini was reportedly in secret collaboration with Valentinois since his mission to him at Imola, and he was said to have accepted large bribes from him. You’ve seen Oliverotto in action, making a sacrifice of his family and friends under the selfish motivation of his greed; among those who were absent, only Pandolfo Petrucci stood out as a man of any principle and integrity.
The duke’s reception of them was invested with that gracious friendliness of which none knew the art better than did he, intent upon showing them that the past was forgiven and their offences against himself forgotten. As they turned and rode with him through the gates of Sinigaglia some of the duke’s gentlemen hemmed them about in the preconcerted manner, lest even now they should be taken with alarm. But it was all done unostentatiously and with every show of friendliness, that no suspicions should be aroused.
The duke welcomed them with a warm friendliness that he knew how to deliver better than anyone else, eager to demonstrate that the past was forgiven and their wrongs against him were forgotten. As they turned and rode with him through the gates of Sinigaglia, some of the duke’s attendants surrounded them in a planned way, just in case they felt nervous. But everything was done subtly and with a friendly demeanor, so no one would get suspicious.
From the group Cesare had missed Oliverotto, and as they now approached the market-square, where the Tyrant of Fermo sat on his horse at the head of his troops, Cesare made a sign with his eyes to Don Michele, the purport of which was plain to the captain. He rode ahead to suggest to Ohiverotto that this was no time to have his men under arms and out of their lodgings, and to point out to him that, if they were not dismissed they would be in danger of having their quarters snatched from them by the duke’s men, from which trouble might arise. To this he added that the duke was expecting his lordship.
From the group, Cesare noticed that Oliverotto was missing, and as they approached the market square, where the Tyrant of Fermo was mounted on his horse at the front of his troops, Cesare signaled to Don Michele with his eyes, which the captain understood clearly. He rode ahead to suggest to Oliverotto that this wasn't the right time for his men to be armed and out of their lodgings, and to remind him that if they weren't sent back, they risked having their quarters taken over by the duke's men, which could lead to trouble. He also added that the duke was expecting him.
Oliverotto, persuaded, gave the order for the dismissal of his troops, and the duke, coming up at that moment, called to him. In response he went to greet him, and fell in thereafter with the others who were riding with Valentinois.
Oliverotto, convinced, gave the order to dismiss his troops, and the duke, arriving just then, called out to him. He went over to greet him and then joined the others who were riding with Valentinois.
In amiable conversation with them all, and riding between Vitelli and Francesco Orsini, the duke passed from the borgo into the town itself, and so to the palace, where the condottieri disposed to take their leave of him. But Cesare was not for parting with them yet; he bade them in with him, and they perforce must accept his invitation. Besides, his mood was so agreeable that surely there could be nought to fear.
In friendly conversation with them all, and riding between Vitelli and Francesco Orsini, the duke moved from the village into the town itself, and then to the palace, where the mercenary leaders were ready to say their goodbyes. But Cesare wasn’t ready to let them go just yet; he invited them to join him inside, and they had no choice but to accept his invitation. Besides, he was in such a pleasant mood that there was surely nothing to worry about.
But scarce were they inside when his manner changed of a sudden, and at a sign from him they were instantly overpowered and arrested by those gentlemen of his own who were of the party and who came to it well schooled in what they were to do.
But they had barely stepped inside when his demeanor changed abruptly, and at his signal, they were quickly overwhelmed and apprehended by his associates from the party, who were well-prepared for their task.
Buonaccorsi compiled his diary carefully from the letters of Macchiavelli to the Ten, in so far as this and other affairs are concerned; and to Buonaccorsi we must now turn for what immediately follows, which is no doubt from Macchiavelli’s second letter of December 31, in which the full details of the affair are given. His first letter no more than briefly states the happening; the second unfortunately is missing; so that the above particulars—and some yet to follow—are culled from the relations which he afterwards penned (“Del modo tenuto,” etc.), edited, however, by the help of his dispatches at the time in regard to the causes which led to the affair. Between these and the actual relation there are some minor discrepancies. Unquestionably the dispatches are the more reliable, so that, where such discrepancies occur, the version in the dispatches has been preferred.
Buonaccorsi carefully put together his diary from the letters of Machiavelli to the Ten, as it relates to this and other matters. We should now look to Buonaccorsi for what comes next, which is undoubtedly from Machiavelli’s second letter dated December 31, where he provides all the details of the incident. His first letter only briefly mentions what happened; unfortunately, the second letter is missing. Therefore, the details above—and some that will come—are gathered from the accounts he later wrote (“Del modo tenuto,” etc.), though these have been edited with the help of his dispatches from that time concerning the reasons behind the event. There are some minor discrepancies between these and the actual account. The dispatches are definitely more trustworthy, so where there are discrepancies, the version in the dispatches has been preferred.
To turn for a moment to Buonaccorsi, he tells us that, as the Florentine envoy (who was, of course, Macchiavelli) following the Duke of Valentinois entered the town later, after the arrest of the condottieri, and found all uproar and confusion, he repaired straight to the palace to ascertain the truth. As he approached he met the duke, riding out in full armour to quell the rioting and restrain his men, who were by now all out of hand and pillaging the city. Cesare, perceiving the secretary, reined in and called him.
To briefly mention Buonaccorsi, he says that when the Florentine envoy (who was obviously Machiavelli) entered the town after the Duke of Valentinois, he found chaos following the arrest of the condottieri. He headed straight to the palace to find out what was really going on. As he got closer, he encountered the duke, who was riding out in full armor to stop the rioting and control his men, who were now completely out of control and looting the city. Cesare, seeing the secretary, pulled up his horse and called out to him.
“This,” he said, “is what I wanted to tell Monsignor di Volterra [Soderini] when he came to Urbino, but I could not entrust him with the secret. Now that my opportunity has come, I have known very well how to make use of it, and I have done a great service to your masters.”
“This,” he said, “is what I wanted to tell Monsignor di Volterra [Soderini] when he came to Urbino, but I couldn’t share the secret with him. Now that the chance has come, I’ve known exactly how to use it, and I’ve done a great service for your masters.”
And with that Cesare left him, and, calling his captains about him, rode down into the town to put an end to the horrors that were being perpetrated there.
And with that, Cesare left him and, gathering his captains around him, rode down into the town to put a stop to the atrocities happening there.
Immediately upon the arrest of the condottieri Cesare had issued orders to attack the soldiers of Vitelli and Orsini, and to dislodge them from the castles of the territory where they were quartered, and similarly to dislodge Oliverotto’s men and drive them out of Sinigaglia. This had been swiftly accomplished. But the duke’s men were not disposed to leave matters at that. Excited by the taste of battle that had been theirs, they returned to wreak their fury upon the town, and were proceeding to put it to sack, directing particular attention to the wealthy quarter occupied by the Venetian merchants, which is said to have been plundered by them to the extent of some 20,000 ducats. They would have made an end of Sinigaglia but for the sudden appearance amongst them of the duke himself. He rode through the streets, angrily ordering the pillage to cease; and, to show how much he was in earnest, with his own hands he cut down some who were insolent or slow to obey him; thus, before dusk, he had restored order and quiet.
Immediately after the arrest of the condottieri, Cesare had given orders to attack the soldiers of Vitelli and Orsini and to drive them out of the castles in the area where they were stationed, as well as to remove Oliverotto’s men from Sinigaglia. This was done quickly. However, the duke’s men weren’t satisfied with that. Fueled by their taste for battle, they returned to unleash their anger on the town, planning to pillage it, especially targeting the wealthy area inhabited by Venetian merchants, which they reportedly plundered for around 20,000 ducats. They would have completely ravaged Sinigaglia if it weren't for the sudden appearance of the duke himself among them. He rode through the streets, angrily commanding them to stop the looting; to prove he meant business, he personally struck down some of those who were disrespectful or slow to comply with his orders. By nightfall, he had restored order and peace.
As for the condottieri, Vitelli and Oliverotto were dealt with that very night. There is a story that Oliverotto, seeing that all was lost, drew a dagger and would have put it through his heart to save himself from dying at the hands of the hangman. If it is true, then that was his last show of spirit. He turned craven at the end, and protested tearfully to his judges—for a trial was given them—that the fault of all the wrong wrought against the duke lay with his brother-in-law, Vitellozzo. More wonderful was it that the grim Vitelli’s courage also should break down at the end, and that he should beg that the Pope be implored to grant him a plenary indulgence and that his answer be awaited.
As for the mercenaries, Vitelli and Oliverotto were handled that very night. There's a story that Oliverotto, realizing everything was lost, pulled out a dagger and nearly stabbed himself to avoid being executed by the hangman. If that's true, then that was his last moment of bravery. He became cowardly in the end and tearfully pleaded with his judges—for they were given a trial—that all the blame for the wrongs done to the duke rested with his brother-in-law, Vitellozzo. Even more surprising was that the tough Vitelli’s courage also broke at the end, and he asked for the Pope to be petitioned for a plenary indulgence, waiting for a response.
But at dawn—the night having been consumed in their trial—they were placed back to back, and so strangled, and their bodies were taken to the church of the Misericordia Hospital.
But at dawn—after the night had been spent in their trial—they were positioned back to back, and then strangled, and their bodies were taken to the church of the Misericordia Hospital.
The Orsini were not dealt with just yet. They were kept prisoners, and Valentinois would go no further until he should have heard from Rome that Giulio Orsini and the powerful cardinal were also under arrest. To put to death at present the men in his power might be to alarm and so lose the others. They are right who say that his craft was devilish; but what else was to be expected of the times?
The Orsini weren't dealt with just yet. They were kept as prisoners, and Valentinois wouldn’t move forward until he heard from Rome that Giulio Orsini and the powerful cardinal were also arrested. Executing the men he had in custody right now could scare off the others and jeopardize his plans. People who say his tactics were ruthless aren't wrong; but what else could be expected during these times?
On the morrow—January 1, 1503—the duke issued dispatches to the Powers of Italy giving his account of the deed. It set forth that the Orsini and their confederates, notwithstanding the pardon accorded them for their first betrayal and revolt, upon learning of the departure of the French lances—and concluding that the duke was thereby weakened, and left with only a few followers of no account—had plotted a fresh and still greater treachery. Under pretence of assisting him in the taking of Sinigaglia, whither it was known that he was going, they had assembled there in their full strength, but displaying only one-third of it, and concealing the remainder in the castles of the surrounding country. They had then agreed with the castellan of Sinigaglia, that on that night they should attack him on every side of the new town, which, being small, could contain, as they knew, but few of his people. This treachery coming to his knowledge, he had been able to forestall it, and, entering Sinigaglia with all his troops, he had seized the traitors and taken the forces of Oliverotto by surprise. He concluded by exhorting all to render thanks unto God that an end was set to the many calamities suffered in Italy in consequence of those malignant ones.(1)
On the next day—January 1, 1503—the duke sent out messages to the leaders of Italy, explaining what had happened. He stated that the Orsini and their allies, despite having been forgiven for their earlier betrayal and rebellion, upon hearing about the departure of the French forces—concluding that the duke was now weakened and left with only a few insignificant followers—had plotted another, even greater betrayal. Pretending to assist him in the capture of Sinigaglia, where he was known to be heading, they had gathered in full force but showed only a third of their numbers, hiding the rest in the surrounding castles. They then made an agreement with the governor of Sinigaglia to attack him from all sides that night, knowing the small town could only hold a few of his men. Once he learned of this betrayal, he managed to prevent it, entering Sinigaglia with all his troops and catching the traitors and Oliverotto's forces off guard. He ended by urging everyone to give thanks to God for bringing an end to the many troubles caused in Italy by those wicked individuals.
1 See this letter in the documents appended to Alvisi’s Cesare Borgia, document 76.
1 See this letter in the documents attached to Alvisi’s Cesare Borgia, document 76.
For once Cesare Borgia is heard giving his own side of an affair. But are the particulars of his version true? Who shall say positively? His statement is not by any means contrary to the known facts, although it sets upon them an explanation rather different to that afforded us by Macchiavelli. But it is to be remembered that, after all, Macchiavelli had to fall back upon the inferences which he drew from what he beheld, and that there is no scrap of evidence directly to refute any one of Cesare’s statements. There is even confirmation of the statement that the condottieri conceived that he was weakened by the departure of the French lances and left with only a few followers of no account. For Macchiavelli himself dwells upon the artifice with which Cesare broke up his forces and disposed of them in comparatively small numbers here and there to the end that his full strength should remain concealed; and he admires the strategy of that proceeding.
For once, Cesare Borgia shares his own perspective on an event. But are the details of his account true? Who can say for sure? His statement doesn't contradict the known facts, although it offers an explanation that's quite different from what Machiavelli provided. It's important to remember that Machiavelli had to rely on the inferences he made from what he observed, and there's no evidence that directly disproves any of Cesare’s claims. In fact, there's support for the claim that the condottieri believed he was weakened by the departure of the French lances, left only with a few insignificant followers. Machiavelli himself points out the cleverness with which Cesare divided his forces and spread them out into relatively small groups, so his full strength would stay hidden; he even admires the strategy behind this approach.
Certainly the duke’s narrative tends to increase his justification for acting as he did. But at best it can only increase it, for the actual justification was always there, and by the light of his epoch it is difficult to see how he should be blamed. These men had openly sworn to have his life, and from what has been seen of them there is little reason to suppose they would not have kept their word had they but been given the opportunity.
Certainly, the duke’s story tends to bolster his reasoning for acting the way he did. But at most, it can only strengthen it, since the actual justification was always present. In the context of his time, it's hard to see why he should be blamed. These men had openly declared they wanted him dead, and based on what we've seen of them, there’s little reason to believe they wouldn't have followed through if they had the chance.
In connection with Cesare’s version, it is well to go back for a moment to the execution of Ramiro de Lorqua, and to recall the alleged secret motives that led to it. Macchiavelli himself was not satisfied that all was disclosed, and that the governor’s harshness and dishonesty had been the sole causes of the justice done upon him. “The reason of his death is not properly known,” wrote the Florentine secretary. Another envoy of that day would have filled his dispatches with the rumours that were current, with the matters that were being whispered at street corners. But Macchiavelli’s habit was to disregard rumours as a rule, knowing their danger—a circumstance which renders his evidence the most valuable which we possess.
In connection with Cesare’s version, it's useful to take a moment to look back at the execution of Ramiro de Lorqua and remember the alleged secret motives behind it. Machiavelli himself wasn’t entirely satisfied that everything was revealed, believing that the governor’s cruelty and dishonesty weren’t the only reasons for the punishment he faced. “The reason for his death is not properly known,” wrote the Florentine secretary. Another envoy from that time might have filled his reports with the rumors that were going around and the gossip that people were sharing on street corners. But Machiavelli typically ignored rumors, understanding the risks they carried—this makes his insights the most valuable evidence we have.
It is perhaps permissible to ask: What dark secrets had the torture of the cord drawn from Messer Ramiro? Had these informed the duke of the true state of affairs at Sinigaglia, and had the knowledge brought him straight from Cesena to deal with the matter?
It might be okay to ask: What dark secrets did the torture of the cord reveal from Messer Ramiro? Did these expose the duke to the real situation in Sinigaglia, and did that knowledge prompt him to come directly from Cesena to address the issue?
There is justification for these questions, inasmuch as on January 4 the Pope related to Giustiniani—for which see his dispatches—that Ramiro de Lorqua, being sentenced to death, stated that he desired to inform the duke of certain matters, and informed him that he had concerted with the Orsini to give the latter the territory of Cesena; but that, as this could not now be done, in consequence of Cesare’s treaty with the condottieri, Vitelli had arranged to kill the duke, in which design he had the concurrence of Oliverotto. They had planned that a crossbow-man should shoot the duke as he rode into Sinigaglia, in consequence of which the duke took great care of himself and never put off his armour until the affair was over. Vitellozzo, the Pope said, had confessed before he died that all that Ramiro had told the duke was true, and at the Consistory of January 6, when the Sacred College begged for the release of the old Cardinal Orsini—who had been taken with the Archbishop of Florence, Giacomo di Santacroce, and Gianbattista da Virginio—the Pope answered by informing the cardinals of this plot against the duke’s life.
There is a reason for these questions because on January 4, the Pope told Giustiniani—see his messages—that Ramiro de Lorqua, who was sentenced to death, said he wanted to inform the duke about some things. He told the duke that he had made arrangements with the Orsini family to give them the territory of Cesena. However, since that couldn't happen now due to Cesare's agreement with the condottieri, Vitelli planned to kill the duke, and Oliverotto was in on it. They intended for a crossbowman to shoot the duke as he rode into Sinigaglia, which is why the duke was very cautious and never took off his armor until the situation was resolved. The Pope mentioned that Vitellozzo admitted before he died that everything Ramiro told the duke was true. At the Consistory on January 6, when the Sacred College requested the release of the old Cardinal Orsini—who had been captured with the Archbishop of Florence, Giacomo di Santacroce, and Gianbattista da Virginio—the Pope responded by informing the cardinals about this plot against the duke's life.
These statements by Cesare and his father are perfectly consistent with each other and with the events. Yet, for want of independent confirmation, they are not to be insisted upon as affording the true version—as, of course, the Pope may have urged what he did as a pretext to justify what was yet to follow.
These statements by Cesare and his father match up perfectly with each other and the events. However, without independent confirmation, they shouldn't be taken as the definitive account—after all, the Pope might have used what he said as an excuse to justify what was yet to happen.
It is readily conceivable that Ramiro, under torture, or in the hope perhaps of saving his life, may have betrayed the alleged plot to murder Cesare. And it is perfectly consistent with Cesare’s character and with his age that he should have entered into a bargain to learn what Ramiro might have to disclose, and then have repudiated it and given him to the executioner. If Cesare, under such circumstances as these, had learnt what was contemplated, he would very naturally have kept silent on the score of it until he had dealt with the condottieri. To do otherwise might be to forewarn them. He was, as Macchiavelli says, a secret man, and the more dangerous for his closeness, since he never let it be known what he intended until he had executed his designs.
It’s easy to imagine that Ramiro, while being tortured or hoping to save his life, might have revealed the supposed plot to kill Cesare. It also makes sense, given Cesare’s character and age, that he would have struck a deal to find out what Ramiro might disclose, only to then betray him and hand him over to the executioner. If Cesare had learned about the plan under such circumstances, he would likely have stayed silent about it until he dealt with the condottieri. Speaking out could have put them on alert. As Machiavelli says, he was a secretive man, and his secrecy made him even more dangerous since he never revealed his intentions until he carried them out.
Guicciardini, of course, has called the Sinigaglia affair a villainy (“scelleragine”) whilst Fabio Orsini and a nephew of Vitelli’s who escaped from Sinigaglia and arrived two days later at Perugia, sought to engage sympathy by means of an extraordinary tale, so alien to all the facts—apart from their obvious reasons to lie and provoke resentment against Cesare—as not to be worth citing.
Guicciardini, of course, labeled the Sinigaglia incident as a villainous act ("scelleragine"), while Fabio Orsini and a nephew of Vitelli, who escaped from Sinigaglia and reached Perugia two days later, tried to gain sympathy with an outrageous story. This tale was so far from the truth—besides their clear motives to lie and stir up anger against Cesare—that it’s not even worth mentioning.
CHAPTER XVIII. THE ZENITH
Andrea Doria did not remain to make formal surrender of the citadel of Sinigaglia to the duke—for which purpose, be it borne in mind, had Cesare been invited, indirectly, to come to Sinigaglia. He fled during the night that saw Vitelli and Oliverotto writhing their last in the strangler’s hands. And his flight adds colour to the versions of the affair that were afforded the world by Cesare and his father. Andrea Doria, waiting to surrender his trust, had nothing to fear from the duke, no reason to do anything but remain. Andrea Doria, intriguing against the duke’s life with the condottieri, finding them seized by the duke, and inferring that all was discovered, had every reason to fly.
Andrea Doria didn’t stick around to formally surrender the citadel of Sinigaglia to the duke—remember, Cesare had been indirectly invited to come to Sinigaglia for that purpose. He fled during the night when Vitelli and Oliverotto were meeting their end in the strangler’s grip. His escape enhances the stories about the event that were shared with the public by Cesare and his father. Andrea Doria, ready to hand over his trust, had nothing to fear from the duke and no reason to leave. However, Andrea Doria, plotting against the duke’s life with the condottieri, realized they had been captured by the duke and inferred that everything was exposed, which gave him every reason to escape.
The citadel made surrender on that New Year’s morning, when Cesare summoned it to do so, whilst the troops of the Orsini and Vitelli lodged in the castles of the territory, being taken unawares, were speedily disposed of. So, there being nothing more left to do in Sinigaglia, Cesare once more marshalled his men and set out for Città di Castello—the tyranny of the Vitelli, which he found undefended and of which he took possession in the name of the Church. Thence he rushed on towards Perugia, for he had word that Guidobaldo of Urbino, Fabio Orsini, Annibale and Venanzio Varano, and Vitelli’s nephew were assembled there under the wing of Gianpaolo Baglioni, who, with a considerable condotta at his back, was making big talk of resisting the Duke of Romagna and Valentinois. In this, Gianpaolo persevered most bravely until he had news that the duke was as near as Gualdo, when precipitately he fled—leaving his guests to shift for themselves. He had remembered, perhaps, at the last moment how narrow an escape he had had of it at Sinigaglia, and he repaired to Siena to join Pandolfo Petrucci, who had been equally fortunate in that connection.
The citadel surrendered on that New Year’s morning when Cesare ordered it to, while the troops of the Orsini and Vitelli, who were stationed in the area’s castles, were caught off guard and quickly dealt with. With nothing more to do in Sinigaglia, Cesare gathered his men again and headed for Città di Castello—the stronghold of the Vitelli, which he found unprotected and took over in the name of the Church. From there, he hurried towards Perugia, having learned that Guidobaldo of Urbino, Fabio Orsini, Annibale and Venanzio Varano, and Vitelli’s nephew were gathered there under Gianpaolo Baglioni, who, with a sizable group of mercenaries, was boasting about resisting the Duke of Romagna and Valentinois. Gianpaolo held his ground bravely until he got word that the duke was as close as Gualdo, at which point he quickly fled—abandoning his allies to fend for themselves. He likely recalled how narrowly he had escaped at Sinigaglia and made his way to Siena to join Pandolfo Petrucci, who had also been fortunate in that regard.
To meet the advancing and irresistible duke came ambassadors from Perugia with smooth words of welcome, the offer of the city, and their thanks for his having delivered them of the tyrants that oppressed them; and there is not the slightest cause to suppose that this was mere sycophancy, for a more bloody, murderous crew than these Baglioni—whose feuds not only with the rival family of the Oddi, but among their very selves, had more than once embrued the walls of that city in the hills—it would be difficult to find in Italy, or anywhere in Europe. The history of the Baglioni is one record of slaughter. Under their rule in Perugia human blood seems commonly to have flowed anywhere more freely than in human veins. It is no matter for wonder that the people sent their ambassador to thank Cesare for having delivered them from the yoke that had oppressed them.
To meet the powerful and unstoppable duke, ambassadors from Perugia arrived with smooth words of welcome, offering the city’s loyalty and expressing their gratitude for freeing them from the tyrants who had oppressed them. There’s no reason to think this was just flattery, because it would be hard to find a more violent and ruthless group than these Baglioni. Their feuds, not only with the rival Oddi family but also among themselves, had repeatedly stained the walls of that hillside city with blood. The history of the Baglioni is a continuous record of violence. Under their rule in Perugia, human blood seemed to flow more freely than it does in veins. It's no surprise that the people sent their ambassador to thank Cesare for liberating them from their oppressive yoke.
Perugia having rendered him her oath of fealty, the duke left her his secretary, Agabito Gherardi, as his commissioner, whilst sending Vincenzo Calmeta to Fermo—Oliverotto’s tyranny—another State which was very fervent in the thanks it expressed for this deliverance.
Perugia, having pledged her loyalty, the duke left his secretary, Agabito Gherardi, as his representative, while he sent Vincenzo Calmeta to Fermo—Oliverotto’s tyranny—another state that was very grateful for this rescue.
Scarcely was Cesare gone from Perugia when into the hands of his people fell the person of the Lady Panthasilea Baglioni d’Alviano—the wife of the famous Venetian condottiero Bartolomeo d’Alviano—and they, aware of the feelings prevailing between their lord and the Government of Venice, bethought them that here was a valuable hostage. So they shut her up in the Castle of Todi, together with her children and the women who had been with her when she was taken.
Scarcely had Cesare left Perugia when his followers captured Lady Panthasilea Baglioni d’Alviano—the wife of the well-known Venetian mercenary Bartolomeo d’Alviano. Knowing the tension between their lord and the Venetian government, they figured she would make a valuable hostage. So, they locked her up in the Castle of Todi, along with her children and the women who had been with her at the time of her capture.
As in the case of Dorotea Caracciolo, the rumour is instantly put about that it was Cesare who had seized her, that he had taken her to his camp, and that this poor woman had fallen a prey to that lustful monster. So—and in some such words—ran the story, and such a hold did it take upon folks’ credulity that we see Piero di Bibieno before the Council of Ten, laying a more or less formal charge against the duke in rather broader terms than are here set down. So much, few of those who have repeated his story omit to tell you. But for some reason, not obviously apparent, they do not think it worth while to add that the Doge himself—better informed, it is clear, for he speaks with finality in the matter—reproved him by denying the rumour and definitely stating that it was not true, as you may read in the Diary of Marino Sanuto. That same diary shows you the husband—a person of great consequence in Venice—before the Council, clamouring for the enlargement of his lady; yet never once does he mention the name of Valentinois. The Council of Ten sends an envoy to wait upon the Pope; and the Pope expresses his profound regret and his esteem for Alviano, and informs the envoy that he is writing to Valentinois to demand her instant release—in fact, shows the envoy the letter.
As with Dorotea Caracciolo, rumors quickly spread that Cesare had captured her, taken her to his camp, and that this poor woman had become a victim of that lustful monster. This was the gist of the story, and it took such a strong hold on people's belief that we see Piero di Bibieno before the Council of Ten, formally accusing the duke in broader terms than are noted here. Most who recount his story will tell you this much. However, for some unclear reason, they often don't mention that the Doge himself—clearly better informed, as he speaks definitively on the matter—rebuked him by denying the rumor and stating plainly that it wasn't true, as you can read in the Diary of Marino Sanuto. That same diary shows the husband—a significant figure in Venice—before the Council, demanding the release of his wife; yet he never once mentions Valentinois. The Council of Ten sends an envoy to the Pope; the Pope expresses his deep regret and esteem for Alviano, letting the envoy know he is writing to Valentinois to request her immediate release—in fact, he shows the envoy the letter.
To that same letter the duke replied on January 29 that he had known nothing of the matter until this communication reached him; that he has since ascertained that the lady was indeed captured and that she has since been detained in the Castle of Todi with all the consideration due to her rank; and that, immediately upon ascertaining this he had commanded that she should be set at liberty, which was done.
To that same letter, the duke replied on January 29 that he hadn’t known anything about the situation until he received that communication; that he has since confirmed that the lady was indeed captured and that she has been held in the Castle of Todi with all the respect due to her rank; and that, as soon as he learned this, he ordered her to be released, which was done.
And so the Lady Panthasilea returned unharmed to her husband.
And so Lady Panthasilea came back safely to her husband.
In Assisi Cesare received the Florentine ambassador Salviati, who came to congratulate the duke upon the affair of Sinigaglia and to replace Macchiavelli—the latter having been ordered home again. Congratulations indeed were addressed to him by all those Powers that had received his official intimation of the event. Amongst these were the felicitations of the beautiful and accomplished Isabella d’Este, Marchioness of Gonzaga—whose relations with him were ever of the friendliest, even when Faenza by its bravery evoked her pity—and with these she sent him, for the coming carnival, a present of a hundred masks of rare variety and singular beauty, because she opined that “after the fatigues he had suffered in these glorious enterprises, he would desire to contrive for some recreation.”
In Assisi, Cesare met with the Florentine ambassador Salviati, who came to congratulate the duke on the situation in Sinigaglia and to take over for Macchiavelli—the latter having been sent back home. Indeed, he received congratulations from all the powers that had been officially notified of the event. Among these were the well-wishes from the beautiful and talented Isabella d’Este, Marchioness of Gonzaga—who always had a friendly relationship with him, even when Faenza's bravery made her feel sympathy—and along with her congratulations, she sent him a gift of a hundred masks of rare variety and unique beauty for the upcoming carnival, believing that “after the hard work he had endured in these glorious ventures, he would want to enjoy some leisure.”
Here in Assisi, too, he received the Siennese envoys who came to wait upon him, and he demanded that, out of respect for the King of France, they should drive out Pandolfo Petrucci from Siena. For, to use his own words, “having deprived his enemies of their weapons, he would now deprive them of their brain,” by which he paid Petrucci the compliment of accounting him the “brain” of all that had been attempted against him. To show the Siennese how much he was in earnest, he leaves all baggage and stores at Assisi, and, unhampered, makes one of his sudden swoops towards Siena, pausing on January 13 at Castel della Pieve to publish, at last, his treaty with Bentivogli. The latter being now sincere, no doubt out of fear of the consequences of further insincerity, at once sends Cesare 30 lances and 100 arbalisters under the command of Antonio della Volta.
Here in Assisi, he also welcomed the Siennese envoys who came to pay their respects to him. He insisted that, out of respect for the King of France, they should expel Pandolfo Petrucci from Siena. To put it in his own words, “after taking away his enemies’ weapons, he would now take away their brains,” which was his way of acknowledging Petrucci as the “brain” behind all the plots against him. To demonstrate to the Siennese how serious he was, he left all his baggage and supplies in Assisi and, unburdened, made a sudden move towards Siena, stopping on January 13 at Castel della Pieve to finally announce his treaty with Bentivogli. The latter, now genuine—probably out of fear of the repercussions of further deceit—immediately sent Cesare 30 lances and 100 crossbowmen under the command of Antonio della Volta.
It was there in Assisi, on the morning of striking his camp again, that Cesare completed the work that had been begun at Sinigaglia by having Paolo Orsini and the Duke of Gravina strangled. There was no cause to delay the matter longer. He had word from Rome of the capture of Cardinal Orsini, of Gianbattista da Virginio, of Giacomo di Santacroce, and Rinaldo Orsini, Archbishop of Florence.
It was there in Assisi, on the morning of breaking camp again, that Cesare finished the task that had started at Sinigaglia by having Paolo Orsini and the Duke of Gravina strangled. There was no reason to postpone the matter any longer. He received news from Rome about the capture of Cardinal Orsini, Gianbattista da Virginio, Giacomo di Santacroce, and Rinaldo Orsini, Archbishop of Florence.
On January 27, Pandolfo Petrucci being still in Siena, and Cesare’s patience exhausted, he issued an ultimatum from his camp at Sartiano in which he declared that if, within twenty-four hours, Petrucci had not been expelled from the city, he would loose his soldiers upon Siena to devastate the territory, and would treat every inhabitant “as a Pandolfo and an enemy.”
On January 27, while Pandolfo Petrucci was still in Siena and Cesare's patience had run out, he sent an ultimatum from his camp at Sartiano. In it, he declared that if Petrucci wasn't removed from the city within twenty-four hours, he would unleash his soldiers on Siena to destroy the area and treat every resident “as a Pandolfo and an enemy.”
Siena judged it well to bow before that threatening command, and Cesare, seeing himself obeyed, was free to depart to Rome, whither the Pope had recalled him and where work awaited him. He was required to make an end of the resistance of the barons, a task which had been entrusted to his brother Giuffredo, but which the latter had been unable to carry out.
Siena thought it best to submit to that intimidating command, and Cesare, feeling the weight of his authority, was free to head to Rome, where the Pope had summoned him and where tasks awaited him. He needed to put an end to the barons' resistance, a job that had been given to his brother Giuffredo, but which he had been unable to accomplish.
In this matter Cesare and his father are said to have violently disagreed, and it is reported that high words flew between them; for Cesare—who looked ahead and had his own future to consider, which should extend beyond the lifetime of Alexander VI—would not move against Silvio Savelli in Palombara, nor Gian Giordano in Bracciano, alleging, as his reason for the latter forbearance, that Gian Giordano, being a knight of St. Michael like himself, he was inhibited by the terms of that knighthood from levying war upon him. To that he adhered, whilst disposing, however, to lay siege to Ceri, where Giulio and Giovanni Orsini had taken refuge.
In this situation, Cesare and his father reportedly had a heated argument, and tensions rose between them. Cesare—who was looking to the future and had his own ambitions to consider beyond Alexander VI's rule—refused to attack Silvio Savelli in Palombara or Gian Giordano in Bracciano. He claimed as his reason for not going after Gian Giordano that, since they were both knights of St. Michael, the rules of knighthood prevented him from waging war against him. He stuck to this reasoning while still planning to lay siege to Ceri, where Giulio and Giovanni Orsini had taken refuge.
In the meantime, the Cardinal Gianbattista Orsini had breathed his last in the Castle of Sant’ Angelo.
In the meantime, Cardinal Gianbattista Orsini passed away in the Castle of Sant’ Angelo.
Soderini had written ironically to Florence on February 15: “Cardinal Orsini, in prison, shows signs of frenzy. I leave your Sublimities to conclude, in your wisdom, the judgment that is formed of such an illness.”
Soderini had written ironically to Florence on February 15: “Cardinal Orsini, in prison, is showing signs of madness. I’ll let your Eminences decide, based on your wisdom, what judgment to make of such an illness.”
It was not, however, until a week later—on February 22—that he succumbed, when the cry of “Poison!” grew so loud and general that the Pope ordered the cardinal’s body to be carried on a bier with the face exposed, that all the world might see its calm and the absence of such stains as were believed usually to accompany venenation.
It wasn't until a week later—on February 22—that he gave in, when the shout of “Poison!” became so loud and widespread that the Pope ordered the cardinal’s body to be displayed on a bier with the face uncovered, so everyone could see its calmness and the lack of the typical marks thought to indicate poisoning.
Nevertheless, the opinion spread that he had been poisoned—and the poisoning of Cardinal Orsini has been included in the long list of the Crimes of the Borgias with which we have been entertained. That the rumour should have spread is not in the least wonderful, considering in what bad odour were the Orsini at the Vatican just then, and—be it remembered—what provocation they had given. Although Valentinois dubbed Pandolfo Petrucci the “brain” of the conspiracy against him, the real guiding spirit, there can be little doubt, was this Cardinal Orsini, in whose stronghold at Magione the diet had met to plot Valentinois’s ruin—the ruin of the Gonfalonier of the Church, and the fresh alienation from the Holy See of the tyrannies which it claimed for its own, and which at great cost had been recovered to it.
However, the belief spread that he had been poisoned—and the poisoning of Cardinal Orsini has been added to the extensive list of the Crimes of the Borgias that we’ve heard about. It’s not surprising that the rumor took hold, especially considering how poorly the Orsini were regarded at the Vatican at that time, and—remember—what provocation they had caused. Although Valentinois called Pandolfo Petrucci the “brain” of the conspiracy against him, it’s clear that the real mastermind was Cardinal Orsini, who hosted the meeting at Magione where they plotted Valentinois’s downfall—the downfall of the Gonfalonier of the Church, and the renewed separation from the Holy See of the tyrannies it claimed as its own, which had been regained at great expense.
Against the Pope, considered as a temporal ruler, that was treason in the highest degree, and punishable by death; and, assuming that Alexander did cause the death of Cardinal Orsini, the only just censure that could fall upon him for the deed concerns the means employed. Yet even against that it might be urged that thus was the dignity of the purple saved the dishonouring touch of the hangman’s hands.
Against the Pope, seen as a political leader, that was treason at the highest level and punishable by death. And if Alexander was responsible for Cardinal Orsini's death, the only fair criticism of him for this act relates to the methods used. However, it could also be argued that this way, the dignity of the Church was protected from the disgrace of executioner's hands.
Some six weeks later—on April 10—died Giovanni Michieli, Cardinal of Sant’ Angelo, and Giustiniani, the Venetian ambassador, wrote to his Government that the cardinal had been ill for only two days, and that his illness had been attended by violent sickness. This—and the reticence of it—was no doubt intended to arouse the suspicion that the cardinal had been poisoned. Giustiniani adds that Michieli’s house was stripped that very night by the Pope, who profited thereby to the extent of some 150,000 ducats, besides plate and other valuables; and this was intended to show an indecent eagerness on the Pope’s part to possess himself of that which by the cardinal’s death he inherited, whereas, in truth, the measure would be one of wise precaution against the customary danger of pillage by the mob.
Some six weeks later—on April 10—Giovanni Michieli, Cardinal of Sant’ Angelo, passed away. Giustiniani, the Venetian ambassador, informed his government that the cardinal had only been sick for two days and that his illness had been accompanied by severe vomiting. This—and the way it was presented—was likely meant to create suspicion that the cardinal had been poisoned. Giustiniani also noted that Michieli’s house was looted that very night by the Pope, who benefited to the tune of about 150,000 ducats, along with silverware and other valuables. This was meant to suggest the Pope was unreasonably eager to claim what he inherited from the cardinal’s death; however, in reality, it was a wise precaution against the usual risk of looting by the mob.
But in March of the year 1504, under the pontificate of Julius II (Cardinal Giuliano della Rovere) a subdeacon, named Asquino de Colloredo, was arrested for defaming the dead cardinal (“interfector bone memorie Cardinalis S. Angeli”).(1) What other suspicions were entertained against him, what other revelations it was hoped to extract from him, cannot be said; but Asquino was put to the question, to the usual accompaniment of the torture of the cord, and under this he confessed that he had poisoned Cardinal Michieli, constrained to it by Pope Alexander VI and the Duke of Valentinois, against his will and without reward (“verumtamen non voluisse et pecunias non habuisse”).
But in March of 1504, during the papacy of Julius II (Cardinal Giuliano della Rovere), a subdeacon named Asquino de Colloredo was arrested for slandering the deceased cardinal ("interfector bone memorie Cardinalis S. Angeli").(1) We don't know what other suspicions were held against him or what further information they hoped to get from him; however, Asquino was subjected to questioning, accompanied by the usual torture method known as the cord. Under this torture, he confessed that he had poisoned Cardinal Michieli, forced to do so by Pope Alexander VI and the Duke of Valentinois, against his own will and with no payment ("verumtamen non voluisse et pecunias non habuisse").
1 Burchard’s Diarium, March 6, 1504.
1 Burchard's Diary, March 6, 1504.
Now if Asquino defamed the memory of Cardinal Michieli it seems to follow naturally that he had hated the cardinal; and, if we know that he hated him, we need not marvel that, out of that hatred, he poisoned him. But something must have been suspected as a motive for his arrest in addition to the slanders he was uttering, otherwise how came the questions put to him to be directed so as to wring from him the confession that he had poisoned the cardinal? If you choose to believe his further statement that he was constrained to it by Pope Alexander and the Duke of Valentinois, you are, of course, at liberty to do so. But you will do well first to determine precisely what degree of credit such a man might be worth when seeking to extenuate a fault admitted under pressure of the torture—and offering the extenuation likeliest to gain him the favour of the della Rovere Pope, whose life’s task—as we shall see—was the defamation of the hated Borgias. You will also do well closely to examine the last part of his confession—that he was constrained to it “against his will and without reward.” Would the deed have been so very much against the will of one who went about publishing his hatred of the dead cardinal by the slanders he emitted?
If Asquino defamed the memory of Cardinal Michieli, it naturally follows that he must have hated the cardinal. And if we know he hated him, it’s not surprising that he poisoned him out of that hatred. However, there must have been some suspicion regarding the reason for his arrest beyond the slanders he was spreading; otherwise, why would the questions directed at him be aimed at getting him to confess that he had poisoned the cardinal? If you choose to believe his further claim that he was forced into it by Pope Alexander and the Duke of Valentinois, that’s your choice. But it’s wise to first consider how much credit you can give a man trying to lessen a confessed wrongdoing under torture—especially when the excuse he offers is most likely to win him the favor of the della Rovere Pope, whose primary mission—as we’ll see—was to tarnish the reputation of the despised Borgias. You should also closely examine the latter part of his confession—that he was compelled to it “against his will and without reward.” Would the act have truly been so against the will of someone who openly expressed his hatred of the deceased cardinal through the slanders he spread?
Upon such evidence as that the accusation of the Pope’s murder of Cardinal Michieli has been definitely established—and it must be admitted that it is, if anything, rather more evidence than is usually forthcoming of the vampirism and atrocities alleged against him.
Upon the evidence that firmly establishes the accusation of the Pope murdering Cardinal Michieli—and it must be acknowledged that there is, if anything, even more evidence than is typically presented regarding the vampirism and atrocities claimed against him.
Giustiniani, writing to his Government in the spring of 1503, informs the Council of Ten that it is the Pope’s way to fatten his cardinals before disposing of them—that is to say, enriching them before poisoning them, that he may inherit their possessions. It was a wild and sweeping statement, dictated by political animus, and it has since grown to proportions more monstrous than the original. You may read usque ad nauseam of the Pope and Cesare’s constant practice of poisoning cardinals who had grown rich, for the purpose of seizing their possessions, and you are very naturally filled with horror at so much and such abominable turpitude. In this matter, assertion—coupled with whorling periods of vituperation—have ever been considered by the accusers all that was necessary to establish the accusations. It has never, for instance, been considered necessary to cite the names of the cardinals composing that regiment of victims. That, of course, would be to challenge easy refutation of the wholesale charge; and refutation is not desired by those who prefer the sensational manner.
Giustiniani, writing to his government in the spring of 1503, informs the Council of Ten that the Pope has a strategy of enriching his cardinals before getting rid of them—that is, making them wealthy before poisoning them so he can inherit their wealth. It was a dramatic and sweeping claim, driven by political bias, and it has since grown into something more monstrous than the original. You can read endlessly about the Pope and Cesare's supposed habit of poisoning rich cardinals to seize their possessions, and it’s natural to feel horrified by such atrocious behavior. In this case, assertion—combined with flowery language of condemnation—has always been viewed by the accusers as sufficient to support their claims. For example, it has never been deemed necessary to name the cardinals in this alleged group of victims. That would, of course, invite easy refutation of the sweeping accusation; and those who favor sensationalism do not want to be challenged.
The omission may, in part at least, be repaired by giving a list of the cardinals who died during the eleven years of the pontificate of Alexander VI. Those deaths, in eleven years, number twenty-one—representing, incidentally, a percentage that compares favourably with any other eleven years of any other pontificate or pontificates. They are:
The omission might be partially fixed by providing a list of the cardinals who died during the eleven years of Alexander VI's papacy. During those eleven years, there were twenty-one deaths—representing a percentage that compares favorably with any other eleven-year period of any other papacy. They are:
Ardicino della Porta . . In 1493, at Rome Giovanni de’Conti. . . In 1493, at Rome Domenico della Rovere . . In 1494, at Rome Gonzalo de Mendoza. . . In 1495, in Spain Louis André d’Epinay . . In 1495, in France Gian Giacomo Sclafetano. . In 1496, at Rome Bernardino di Lunati . . In 1497, at Rome Paolo Fregosi. . . . In 1498, at Rome Gianbattista Savelli . . In 1498, at Rome Giovanni della Grolaye . . In 1499, at Rome Giovanni Borgia . . . In 1500, at Fossombrone Bartolomeo Martini. . . In 1500, at Rome John Morton. . . . In 1500, in England Battista Zeno. . . . In 1501, at Rome Juan Lopez . . . . In 1501, at Rome Gianbattista Ferrari . . In 1502, at Rome Hurtado de Mendoza. . . In 1502, in Spain Gianbattista Orsini. . . In 1503, at Rome Giovanni Michieli. . . In 1503, at Rome Giovanni Borgia (Seniore). . In 1503, at Rome Federico Casimir . . . In 1503, in Poland
Ardicino della Porta . . In 1493, in Rome Giovanni de’Conti. . . In 1493, in Rome Domenico della Rovere . . In 1494, in Rome Gonzalo de Mendoza. . . In 1495, in Spain Louis André d’Epinay . . In 1495, in France Gian Giacomo Sclafetano. . In 1496, in Rome Bernardino di Lunati . . In 1497, in Rome Paolo Fregosi. . . . In 1498, in Rome Gianbattista Savelli . . In 1498, in Rome Giovanni della Grolaye . . In 1499, in Rome Giovanni Borgia . . . In 1500, in Fossombrone Bartolomeo Martini. . . In 1500, in Rome John Morton. . . . In 1500, in England Battista Zeno. . . . In 1501, in Rome Juan Lopez . . . . In 1501, in Rome Gianbattista Ferrari . . In 1502, in Rome Hurtado de Mendoza. . . In 1502, in Spain Gianbattista Orsini. . . In 1503, in Rome Giovanni Michieli. . . In 1503, in Rome Giovanni Borgia (Seniore). . In 1503, in Rome Federico Casimir . . . In 1503, in Poland
Now, search as you will, not only such contemporary records as diaries, chronicles, and dispatches from ambassadors in Rome during that period of eleven years but also subsequent writings compiled from them, and you shall find no breath of scandal attaching to the death of seventeen of those cardinals, no suggestion that they died other than natural deaths.
Now, look through all the contemporary records like diaries, chronicles, and reports from ambassadors in Rome during those eleven years, as well as later writings based on them, and you won't find any hint of scandal connected to the deaths of seventeen of those cardinals; there's no indication that they died in any way other than from natural causes.
Four remain: Cardinals Giovanni Borgia (Giuniore), Gianbattista Ferrari (Cardinal of Modena), Gianbattista Orsini, and Giovanni Michieli, all of whom the Pope and Cesare have, more or less persistently, been accused of poisoning.
Four remain: Cardinals Giovanni Borgia (Giuniore), Gianbattista Ferrari (Cardinal of Modena), Gianbattista Orsini, and Giovanni Michieli, all of whom the Pope and Cesare have, more or less consistently, been accused of poisoning.
Giovanni Borgia’s death at Fossombrone has been dealt with at length in its proper place, and it has been shown how utterly malicious and groundless was the accusation.
Giovanni Borgia’s death at Fossombrone has been discussed in detail in its proper section, and it has been demonstrated how completely malicious and baseless the accusation was.
Giovanni Michieli’s is the case that has just been reviewed, and touching which you may form your own conclusions.
Giovanni Michieli's case has just been reviewed, and you can draw your own conclusions about it.
Gianbattista Orsini’s also has been examined. It rests upon rumour; but even if that rumour be true, it is unfair to consider the deed in any but the light of a political execution.
Gianbattista Orsini's situation has also been looked into. It's based on rumors; but even if those rumors are true, it's unjust to view the act in any way other than as a political execution.
There remains the case of the Cardinal of Modena, a man who had amassed enormous wealth in the most questionable manner, and who was universally execrated. The epigrams upon his death, in the form of epitaphs, dealt most terribly with “his ignominious memory”—as Burchard has it. Of these the Master of Ceremonies collected upwards of a score, which he gives in his Diarium. Let one suffice here as a fair example of the rest, the one that has it that the earth has the cardinal’s body, the bull (i.e. the Borgia) his wealth, and hell his soul.
There’s still the case of the Cardinal of Modena, a man who had gathered an enormous fortune in the most questionable ways and who was hated by everyone. The poems written after his death, in the form of epitaphs, dealt harshly with “his shameful memory,” as Burchard puts it. The Master of Ceremonies collected over twenty of these, which he includes in his Diarium. Let’s just mention one as a good example of the rest: it says that the earth has the cardinal’s body, the bull (i.e. the Borgia) has his wealth, and hell has his soul.
“Hac Janus Baptista jacet Ferrarius urna, Terra habuit corpus, Bos bona, Styx animam.”
“Here lies Janus Baptista Ferrarius in a urn, The earth held the body, the good cow (had) the spirit.”
The only absolutely contemporary suggestion of his having been poisoned emanated from the pen of that same Giustiniani. He wrote to the Venetian Senate to announce the cardinal’s death on July 20. In his letter he relates how his benefices were immediately distributed, and how the lion’s share fell to the cardinal’s secretary, Sebastiano Pinzone, and that it was said (“é fama”) that this man had received them as the price of blood (“in premium sanguinis”), “since it is held, from many evident signs, that the cardinal died from poison” (“ex veneno”).
The only really modern suggestion that he might have been poisoned came from Giustiniani. He wrote to the Venetian Senate to announce the cardinal’s death on July 20. In his letter, he details how his benefits were quickly handed out, and how the largest portion went to the cardinal’s secretary, Sebastiano Pinzone, and that it was rumored (“é fama”) that this man received them as a price for blood (“in premium sanguinis”), “since many clear signs suggest that the cardinal died from poison” (“ex veneno”).
Already on the 11th he had written: “The Cardinal of Modena lies ill, with little hope of recovery. Poison is suspected” (“si dubita di veleno”).
Already on the 11th, he had written: “The Cardinal of Modena is sick, with little hope of recovery. Poison is suspected” (“si dubita di veleno”).
That was penned on the eighth day of the cardinal’s sickness, for he was taken ill on the 3rd—as Burchard shows. Burchard, further, lays before us the whole course of the illness; tells us how, from the beginning, the cardinal refused to be bled or to take medicine of any kind, tells us explicitly and positively that the cardinal was suffering from a certain fever—so prevalent and deadly in Rome during the months of July and August; he informs us that, on the 11th (the day on which Giustiniani wrote the above-cited dispatch), the fever abated, to return on the 16th. He was attended (Burchard continues) by many able physicians, who strove to induce him to take their medicines; but he refused persistently until the following day, when he accepted a small proportion of the doses proposed. On July 20—after an illness of seventeen days—he finally expired.
That was written on the eighth day of the cardinal’s illness, which began on the 3rd, as Burchard shows. Burchard also presents the entire timeline of the illness; he reveals how the cardinal, from the start, refused to be bled or take any kind of medicine, and he clearly states that the cardinal was suffering from a particular fever—one that was widespread and deadly in Rome during July and August. He notes that on the 11th (the day Giustiniani wrote the previously mentioned dispatch), the fever lessened, only to come back on the 16th. Burchard continues by mentioning that many skilled doctors attended him, trying to convince him to take their treatments; however, he persistently refused until the next day when he agreed to take a small amount of the suggested doses. On July 20—after being ill for seventeen days—he finally passed away.
Those entries in the diary of the Master of Ceremonies constitute an incontrovertible document, an irrefutable testimony against the charges of poisoning when taken in conjunction with the evidence of fact afforded by the length of the illness.
Those entries in the diary of the Master of Ceremonies are an undeniable record, a solid proof against the poisoning allegations when considered alongside the evidence provided by the duration of the illness.
It is true that, under date of November 20, 1504 (under the pontificate of Julius II), there is the following entry:
It is true that, on November 20, 1504 (during the papacy of Julius II), there is the following entry:
“Sentence was pronounced in the ‘Ruota’ against Sebastiano Pinzone, apostolic scribe, contumaciously absent, and he was deprived of all benefices and offices in that he had caused the death of the Cardinal of Modena, his patron, who had raised him from the dust.”
“Sentence was pronounced in the ‘Ruota’ against Sebastiano Pinzone, apostolic scribe, who was absent without justification, and he was stripped of all his benefits and positions because he was responsible for the death of the Cardinal of Modena, his patron, who had elevated him from nothing.”
But not even that can shake the conviction that must leap to every honest mind from following the entries in the diary contemporary with the cardinal’s decease. They are too circumstantial and conclusive to be overthrown by this recorded sentence of the Ruota two years later against a man who was not even present to defend himself. Besides, it is necessary to discriminate. Burchard is not stating opinions of his own when he writes “in that he caused the death of the Cardinal of Modena,” etc.; he is simply—and obviously—recording the finding of the Tribunal of the Ruota, without comment of his own. Lastly, it is as well to observe that in that verdict against Pinzone—of doubtful justice as it is—there is no mention made of the Borgias.
But even that can't shake the belief that should arise in every honest mind from looking at the diary entries from the time of the cardinal’s death. They are too detailed and convincing to be overturned by this recorded statement from the Ruota two years later against a man who wasn't even there to defend himself. Additionally, it's important to distinguish. Burchard isn't expressing his own opinions when he writes "in that he caused the death of the Cardinal of Modena," etc.; he is simply—and clearly—reporting the findings of the Tribunal of the Ruota, without adding his own thoughts. Finally, it's worth noting that in the verdict against Pinzone—questionable as it may be—there is no mention of the Borgias.
The proceedings instituted against Sebastiano Pinzone were of a piece with those instituted against Asquino de Colloredo and others yet to be considered; they were set on foot by Giuliano della Rovere—that implacable enemy of the House of Borgia—when he became Pope, for the purpose of heaping ignominy upon the family of his predecessor. But that shall be further dealt with presently.
The legal actions taken against Sebastiano Pinzone were consistent with those taken against Asquino de Colloredo and others yet to be discussed; they were initiated by Giuliano della Rovere—an unyielding adversary of the House of Borgia—when he became Pope, intending to bring shame upon the family of his predecessor. But that will be addressed further soon.
Another instance of the unceasing growth of Borgia history is afforded in connection with this Sebastiano Pinzone by Dr. Jacob Burckhardt (in Der Cultur der Renaissance in Italien) who, in the course of the usual sweeping diatribe against Cesare, mentions “Michele da Corella, his strangler, and Sebastiano Pinzone, his poisoner.” It is an amazing statement; for, whilst obviously leaning upon Giustiniani’s dispatch for the presumption that Pinzone was a poisoner at all, he ignores the statement contained in it that Pinzone was the secretary and favourite of Cardinal Ferrari, nor troubles to ascertain that the man was never in Cesare Borgia’s service at all, nor is ever once mentioned anywhere as connected in any capacity whatever with the duke. Dr. Burckhardt felt, no doubt, the necessity of linking Pinzone to the Borgias, that the alleged guilt of the former may recoil upon the latter, and so he accomplished it in this facile and irresponsible manner.
Another example of the continuous growth of Borgia history is found in relation to Sebastiano Pinzone by Dr. Jacob Burckhardt (in Der Cultur der Renaissance in Italien), who, during his usual sweeping criticism of Cesare, mentions “Michele da Corella, his strangler, and Sebastiano Pinzone, his poisoner.” It’s a remarkable statement; while clearly relying on Giustiniani’s dispatch for the assumption that Pinzone was a poisoner at all, he overlooks the report within it that Pinzone was the secretary and favorite of Cardinal Ferrari, and doesn’t bother to confirm that the man was never actually in Cesare Borgia’s service at all, nor is he ever mentioned in any context related to the duke. Dr. Burckhardt likely felt the need to connect Pinzone to the Borgias so that the supposed wrongdoing of the former could reflect on the latter, and he did so in this easy and careless way.
Now, notwithstanding the full and circumstantial evidence afforded by Burchard’s Diarium of the Cardinal of Modena’s death of a tertian fever, the German scholar Gregorovius does not hesitate to write of this cardinal’s death: “It is certain that it was due to their [the Borgias’] infallible white powders.”
Now, despite the detailed and thorough evidence provided by Burchard's Diarium regarding the Cardinal of Modena's death from a tertian fever, the German scholar Gregorovius confidently states about this cardinal's death: “It is certain that it was caused by their [the Borgias’] infallible white powders.”
Oh the art of writing history in sweeping statements to support a preconceived point of view! Oh that white powder of the Borgias!
Oh, the skill of writing history in broad statements to back up a pre-existing opinion! Oh, that white powder from the Borgias!
Giovio tells us all about it. Cantarella, he calls it—Cantharides. Why Cantarella? Possibly because it is a pleasing, mellifluous word that will help a sentence hang together smoothly; possibly because the notorious aphrodisiac properties of that drug suggested it to Giovio as just the poison to be kept handy by folk addicted to the pursuits which he and others attribute to the Borgias. Can you surmise any better reason? For observe that Giovio describes the Cantarella for you—a blunder of his which gives the lie to his statement. “A white powder of a faint and not unpleasing savour,” says he; and that, as you know, is nothing like cantharides, which is green, intensely acrid, and burning. Yet who cares for such discrepancies? Who will ever question anything that is uttered against a Borgia? “Cantarella—a white powder of a faint and not unpleasing savour,” answers excellently the steady purpose of supporting a defamation and pandering to the tastes of those who like sensations in their reading—and so, from pen to pen, from book to book it leaps, as unchallenged as it is impossible.
Giovio tells us all about it. He calls it Cantarella—Cantharides. Why Cantarella? Probably because it’s a nice-sounding word that helps the sentence flow smoothly; maybe because the well-known aphrodisiac properties of that drug made Giovio think it was the perfect poison for people drawn to the activities he and others associate with the Borgias. Can you think of a better reason? Notice that Giovio describes Cantarella for you—a mistake of his that contradicts his statement. “A white powder with a faint and somewhat pleasant smell,” he says; and that, as you know, is nothing like cantharides, which is green, intensely bitter, and burning. Yet who cares about such inconsistencies? Who will ever dispute anything said against a Borgia? “Cantarella—a white powder with a faint and somewhat pleasant smell,” perfectly serves the ongoing effort to support a slander and appeal to those who enjoy sensational stories—and so, from writer to writer, from book to book, it spreads, as unchallenged as it is unbelievable.
Whilst Cesare’s troops were engaged in laying siege to Ceri, and, by engines contrived by Leonardo da Vinci, pressing the defenders so sorely that at the end of a month’s resistance they surrendered with safe-conduct, the inimical and ever-jealous Venetians in the north were stirring up what trouble they could. Chafing under the restraint of France, they but sought a pretext that should justify them in the eyes of Louis for making war upon Cesare, and when presently envoys came to lay before the Pope the grievance of the Republic at the pillage by Borgian soldiery of the Venetian traders in Sinigaglia, Cesare had no delusions concerning their disposition towards himself.
While Cesare’s troops were busy laying siege to Ceri, and using machines designed by Leonardo da Vinci to pressure the defenders so much that after a month of resistance they surrendered safely, the hostile and constantly envious Venetians in the north were stirring up as much trouble as they could. Frustrated by the control of France, they were looking for a reason that would justify them in Louis’s eyes for waging war against Cesare. When envoys came to present the Pope with the Republic’s complaint about the looting of Venetian traders in Sinigaglia by Borgian soldiers, Cesare had no illusions about their intentions towards him.
Growing uneasy lest they should make this a reason for assailing his frontiers, he sent orders north recommending vigilance and instructing his officers to deal severely with all enemies of his State, whilst he proceeded to complete the provisions for the government of the Romagna. To replace the Governor-General he appointed four seneschals: Cristoforo della Torre for Forli, Faenza and Imola; Hieronimo Bonadies for Cesena, Rimini, and Pesaro; Andrea Cossa for Fano, Sinigaglia, Fossombrone, and Pergola; and Pedro Ramires for the duchy of Urbino. This last was to find a deal of work for his hands; for Urbino was not yet submissive, Majolo and S. Leo still holding for Guidobaldo.
Growing uneasy that they might use this as an excuse to attack his borders, he sent orders north urging caution and instructing his officers to take strong action against all enemies of his State while he worked to finalize the governance structure for the Romagna. To replace the Governor-General, he appointed four seneschals: Cristoforo della Torre for Forli, Faenza, and Imola; Hieronimo Bonadies for Cesena, Rimini, and Pesaro; Andrea Cossa for Fano, Sinigaglia, Fossombrone, and Pergola; and Pedro Ramires for the duchy of Urbino. The last appointee would have plenty to do, as Urbino had not yet submitted, with Majolo and S. Leo still loyal to Guidobaldo.
Ramires began by reducing Majolo, and then proceeded to lay siege to S. Leo. But the Castellan—one Lattanzio—encouraged by the assurances given him that the Venetians would render Guidobaldo assistance to reconquer his dominions, resisted stubbornly, and was not brought to surrender until the end of June, after having held the castle for six months.
Ramires started by taking down Majolo, then moved on to siege S. Leo. However, the Castellan—named Lattanzio—was encouraged by the promises he received that the Venetians would help Guidobaldo reclaim his lands, so he fought back fiercely and didn’t surrender until the end of June, after holding the castle for six months.
If Venice was jealous and hostile in the north, Florence was scarcely less so in mid-Italy—though perhaps with rather more justification, for Cesare’s growing power and boundless ambition kept the latter Republic in perpetual fear of being absorbed into his dominions—into that kingdom which it was his ultimate aim to found. There can be little doubt that Francesco da Narni, who appeared in Tuscany early in the March of that year, coming from the French Court for the purpose of arranging a league of Florence, Bologna, Siena, and Lucca—the four States more or less under French protection—had been besought by Florence, to the obvious end that these four States, united, might inter-defend themselves against Valentinois. And Florence even went so far as to avail herself of this to the extent of restoring Pandolfo Petrucci to the lordship of Siena—preferring even this avowed enemy to the fearful Valentinois. Thus came about Petrucci’s restoration towards the end of March, despite the fact that the Siennese were divided on the subject of his return.
If Venice was jealous and hostile in the north, Florence was hardly any better in central Italy—though perhaps with a bit more reason, since Cesare’s growing power and endless ambition kept the Republic constantly worried about being absorbed into his territories—the kingdom he ultimately aimed to establish. There’s little doubt that Francesco da Narni, who showed up in Tuscany early in March that year, arriving from the French Court to organize a league among Florence, Bologna, Siena, and Lucca—the four States that were more or less under French protection—had been asked by Florence to help unite them, so they could defend themselves against Valentinois. Florence even went so far as to restore Pandolfo Petrucci to the lordship of Siena—preferring this open enemy over the terrifying Valentinois. This led to Petrucci’s reinstatement by the end of March, even though the people of Siena were divided about his return.
With the single exception of Camerino, where disturbances still continued, all was quiet in the States of the Church by that summer of 1503.
With the one exception of Camerino, where unrest was still ongoing, everything was peaceful in the States of the Church by the summer of 1503.
This desirable state of things had been achieved by Cesare’s wise and liberal government, which also sufficed to ensure its continuance.
This ideal situation had been reached through Cesare’s smart and generous leadership, which was also enough to make sure it would last.
He had successfully combated the threatened famine by importing grain from Sicily. To Sinigaglia—his latest conquest—he had accorded, as to the other subjected States, the privilege of appointing her own native officials, with, of course, the exception of the Podestà (who never could be a native of any place where he dispensed justice) and the Castellan. In Cesena a liberal justice was measured out by the Tribunal of the Ruota, which Cesare had instituted there, equipping it with the best jurisconsults of the Romagna.
He had successfully tackled the looming famine by bringing in grain from Sicily. To Sinigaglia—his most recent conquest—he had granted, just like to the other conquered states, the privilege of choosing its own local officials, though the Podestà (who could never be a local where he administered justice) and the Castellan were exceptions. In Cesena, fair justice was served by the Tribunal of the Ruota, which Cesare had set up there, supplying it with the best legal experts from Romagna.
In Rome he proceeded to a military organization on a new basis, and with a thoroughness never before seen in Italy—or elsewhere, for that matter—but which was thereafter the example all sought to copy. We have seen him issuing an edict that every house in the Romagna should furnish him one man-at-arms to serve him when necessary. The men so levied were under obligation to repair to the market-place of their native town when summoned thither by the ringing of the bells, and it was estimated that this method of conscription would yield him six or seven thousand men, who could be mobilized in a couple of days. He increased the number of arquebusiers, appreciating the power and value of a weapon which—although invented nearly a century earlier—was still regarded with suspicion. He was also the inventor of the military uniform, putting his soldiers into a livery of his own, and causing his men-at-arms to wear over their armour a smock, quartered red and yellow with the name CESARE lettered on the breast and back, whilst the gentlemen of his guard wore surcoats of his colours in gold brocade and crimson velvet.
In Rome, he started a military organization on a new level, with a thoroughness never before seen in Italy—or anywhere else, for that matter—but it became the standard everyone wanted to follow. We’ve seen him issue a decree that every household in the Romagna should provide him one soldier to serve when needed. The men drafted were required to gather in the marketplace of their hometown when called by the ringing of the bells, and it was estimated that this method of conscription would provide him with six or seven thousand men, who could be mobilized in just a couple of days. He increased the number of arquebusiers, recognizing the power and value of a weapon that, although invented nearly a century earlier, was still viewed with skepticism. He also created the military uniform, dressing his soldiers in his own livery and making his men-at-arms wear a smock over their armor, divided into red and yellow with the name CESARE written on the front and back, while the gentlemen of his guard wore surcoats in his colors of gold brocade and crimson velvet.
He continued to levy troops and to arm them, and it is scarcely over-stating the case to say that hardly a tyrant of the Romagna would have dared to do so much for fear of the weapons being turned against himself. Cesare knew no such fear. He enjoyed a loyalty from the people he had subjected which was almost unprecedented in Italy. The very officers he placed in command of the troops of his levying were, for the most part, natives of the Romagna. Is there no inference concerning him to be drawn from that!
He kept recruiting and arming troops, and it's not an exaggeration to say that very few tyrants in the Romagna would have risked doing something so bold for fear that those weapons might be used against them. Cesare didn’t have that fear. He had a level of loyalty from the people he had conquered that was almost unmatched in Italy. Most of the officers he appointed to command the troops he raised were locals from the Romagna. Isn’t there a conclusion to be drawn about him from that?
For every man in his service Cesare ordered a back-and-breast and headpiece of steel, and the armourers’ shops of Brescia rang busily that summer with the clang of metal upon metal, as that defensive armour for Cesare’s troops was being forged. At the same time the foundries were turning out fresh cannon in that season which saw Cesare at the very height and zenith of his power, although he himself may not have accounted that, as yet, he was further than at the beginning.
For every man in his service, Cesare ordered a back-and-breast plate and a steel helmet, and the armor shops in Brescia were bustling that summer with the sound of metal clanging together as they forged defensive armor for Cesare's troops. At the same time, the foundries were producing new cannons during a season that marked Cesare at the peak of his power, although he might not have believed he was any further along than at the start.
But the catastrophe that was to hurl him irretrievably from the eminence to which in three short years he had climbed was approaching with stealthy, relentless foot, and was even now upon him.
But the disaster that would throw him irretrievably from the height he had reached in just three short years was creeping up on him quietly and relentlessly, and was already upon him.
BOOK IV. THE BULL CADENT
“Cesar Borgia che era della gente Per armi e per virtú tenuto un sole, Mancar dovendo andó dove andar sole Phebo, verso la sera, al Occidente.
“Cesar Borgia, who was esteemed for his military prowess and virtues, had to leave and went where the sun sets, just like Phoebus does in the evening, towards the West.”
“Girolamo Casio—Epitaffi.”
“Girolamo Casio—Epitaphs.”
CHAPTER I. THE DEATH OF ALEXANDER VI
Unfortunate Naples was a battle-field once more. France and Spain were engaged there in a war whose details belong elsewhere.
Unfortunate Naples was a battleground once again. France and Spain were involved in a war there, and the details belong elsewhere.
To the aid of France, which was hard beset and with whose arms things were going none too well, Cesare was summoned to fulfil the obligations under which he was placed by virtue of his treaty with King Louis.
To help France, which was struggling and whose military situation was not looking great, Cesare was called upon to meet the obligations set by his treaty with King Louis.
Rumours were rife that he was negotiating secretly with Gonzalo de Cordoba, the Great Captain, and the truth of whether or not he was guilty of so base a treachery has never been discovered. These rumours had been abroad since May, and, if not arising out of, they were certainly stimulated by, an edict published by Valentinois concerning the papal chamberlain, Francesco Troche. In this edict Cesare enjoined all subjects of the Holy See to arrest, wherever found, this man who had fled from Rome, and whose flight “was concerned with something against the honour of the King of France.”
Rumors were widespread that he was secretly negotiating with Gonzalo de Cordoba, the Great Captain, and the truth about whether he was guilty of such a betrayal has never been uncovered. These rumors had been circulating since May, and while they may not have originated from it, they were certainly fueled by an edict published by Valentinois regarding the papal chamberlain, Francesco Troche. In this edict, Cesare commanded all subjects of the Holy See to arrest this man, who had fled from Rome, wherever he was found, and whose escape “was related to something against the honor of the King of France.”
Francesco Troche had been Alexander’s confidential chamberlain and secretary; he had been a diligent servant of the House of Borgia, and when in France had acted as a spy for Valentinois, keeping the duke supplied with valuable information at a critical time, as we have seen.
Francesco Troche had been Alexander’s trusted chamberlain and secretary; he had been a hardworking servant of the House of Borgia, and while in France had acted as a spy for Valentinois, providing the duke with important information at a crucial time, as we have seen.
Villari says of him that he was “one of the Borgias’ most trusted assassins.” That he has never been so much as alleged to have murdered anyone does not signify. He was a servant—a trusted servant—of the Borgias; therefore the title of “assassin” is, ipso facto, to be bestowed upon him.
Villari says he was “one of the Borgias' most trusted assassins.” The fact that he's never even been accused of killing anyone doesn't matter. He was a servant—a trusted servant—of the Borgias; so the title of “assassin” is, by default, given to him.
The flight of a man holding such an intimate position as Troche’s was naturally a subject of much speculation and gossip, but a matter upon which there was no knowledge. Valentinois was ever secret. In common with his father—though hardly in so marked a degree, and if we except the case of the scurrilous Letter to Silvio Savelli—he showed a contemptuous indifference to public opinion on the whole which is invested almost with a certain greatness. At least it is rarely other than with greatness that we find such an indifference associated. It was not for him to take the world into his confidence in matters with which the world was not concerned. Let the scandalmongers draw what inferences they pleased. It was a lofty and dignified procedure, but one that was fraught with peril; and the Borgias have never ceased to pay the price of that excessive dignity of reserve. For tongues must be wagging, and, where knowledge is lacking, speculation will soon usurp its place, and presently be invested with all the authority of “fact.”
The departure of a man in such a close relation as Troche drew a lot of speculation and gossip, but it was based on no real knowledge. Valentinois was always secretive. Like his father—though not to the same extent, and except for that nasty Letter to Silvio Savelli—he displayed a dismissive disregard for public opinion that almost carries a certain nobility. It's rare that such indifference is linked with anything other than greatness. He didn't feel the need to share his thoughts with the world on issues that didn't concern it. Let the gossipers make whatever assumptions they wanted. It was a noble and dignified approach, but one that came with risks, and the Borgias have always paid for that excess of reserved dignity. People will gossip, and when knowledge is absent, speculation quickly takes its place, gaining the weight of “fact.”
Out of surmises touching that matter “which concerned the honour of the King of France” grew presently—and contradictorily—the rumour that Troche was gone to betray to France Valentinois’s intention of going over to the Spanish side. A motive was certainly required to account for Troche’s action; but the invention of motives does not appear ever to have troubled the Cinquecentist.
Out of assumptions about the issue “which concerned the honor of the King of France” quickly arose—and contradictorily—the rumor that Troche had gone to betray Valentinois’s plan to switch to the Spanish side. A reason was definitely needed to explain Troche’s actions; however, it seems that inventing motives was never a concern for those in the Cinquecento.
It was now said that Troche was enraged at having been omitted from the list of cardinals to be created at the forthcoming Consistory. It is all mystery, even to the end he made; for, whereas some said that, after being seized on board a ship that was bound for Corsica, Troche in his despair threw himself overboard and was drowned, others reported that he was brought back to Rome and strangled in a prison in Trastevere.
It was now reported that Troche was furious about being left out of the list of cardinals to be appointed at the upcoming Consistory. It's all a mystery, even to the end he met; while some claimed that after being captured on a ship headed for Corsica, Troche, in his despair, jumped overboard and drowned, others said that he was brought back to Rome and strangled in a prison in Trastevere.
The following questions crave answer:
The following questions need answers:
If it was Troche’s design to betray such a treachery of the Borgias against France, what was he doing on board a vessel bound for Corsica a fortnight after his flight from Rome? Would not his proper goal have been the French camp in Naples, which he could have reached in a quarter of that time, and where not only could he have vented his desire for vengeance by betraying Alexander and Valentinois, but he could further have found complete protection from pursuit?
If Troche intended to expose the Borgias' betrayal of France, why was he on a ship headed for Corsica two weeks after escaping from Rome? Shouldn't he have aimed for the French camp in Naples, which he could have reached in a fraction of the time? There, not only could he have satisfied his desire for revenge by betraying Alexander and Valentinois, but he would also have found total protection from being tracked down.
It is idle and unprofitable to dwell further upon the end of Francesco Troche. The matter is a complete mystery, and whilst theory is very well as theory, it is dangerous to cause it to fill the place of fact.
It’s pointless and unproductive to keep talking about the end of Francesco Troche. The situation is a total mystery, and while theories are fine in their own way, it’s risky to let them replace actual facts.
Troche was drowned or was strangled as a consequence of his having fled out of motives that were “against the honour of the King of France.” And straightway the rumour spread of Valentinois’s intended treachery, and the rumour was kept alive and swelled by Venice and Florence in pursuit of their never-ceasing policy of discrediting Cesare with King Louis, to the end that they might encompass his expedient ruin.
Troche was drowned or strangled because he ran away for reasons that "went against the honor of the King of France." Immediately, rumors began to circulate about Valentinois's planned betrayal, and these rumors were fueled and amplified by Venice and Florence as part of their ongoing strategy to undermine Cesare in front of King Louis, so they could achieve his eventual downfall.
The lie was given to them to no small extent by the Pope, when, in the Consistory of July 28, he announced Cesare’s departure to join the French army in Naples with five hundred horse and two thousand foot assembled for the purpose.
The lie was largely spread by the Pope when, during the Consistory on July 28, he announced Cesare’s departure to join the French army in Naples with five hundred cavalry and two thousand infantry gathered for that purpose.
For this Cesare made now his preparations, and on the eve of departure he went with his father—on the evening of August 5—to sup at the villa of Cardinal Adriano Corneto, outside Rome.
For this, Cesare made his preparations, and on the night before leaving, he went with his father—on the evening of August 5—to have dinner at the villa of Cardinal Adriano Corneto, just outside of Rome.
Once before we have seen him supping at a villa of the Suburra on the eve of setting out for Naples, and we know the tragedy that followed—a tragedy which he has been accused of having brought about. Here again, in a villa of the Suburra, at a supper on the eve of setting out for Naples, Death was the unseen guest.
Once before we saw him having dinner at a villa in the Suburra the night before heading to Naples, and we know about the tragedy that followed—a tragedy he's been blamed for causing. Here again, in a villa in the Suburra, at a dinner the night before heading to Naples, Death was the hidden guest.
They stayed late at the vineyard of Cardinal Corneto, enjoying the treacherous cool of the evening, breathing the death that was omnipresent in Rome that summer, the pestilential fever which had smitten Cardinal Giovanni Borgia (Seniore) on the 1st of that month, and of which men were dying every day in the most alarming numbers.
They stayed late at Cardinal Corneto’s vineyard, enjoying the chilly evening air, inhaling the ever-present sense of death that hung over Rome that summer, the deadly fever that had struck Cardinal Giovanni Borgia (Seniore) on the 1st of the month, and of which people were dying every day in alarming numbers.
On the morning of Saturday 12, Burchard tells us, the Pope felt ill, and that evening he was taken with fever. On the 15th Burchard records that he was bled, thirteen ounces of blood being taken from him. It relieved him somewhat, and, seeking distraction, he bade some of the cardinals to come and sit by his bed and play at cards.
On the morning of Saturday the 12th, Burchard tells us that the Pope felt unwell, and that evening he developed a fever. On the 15th, Burchard noted that he was bled, with thirteen ounces of blood drawn from him. This provided him some relief, and looking for a distraction, he asked some of the cardinals to come and sit by his bed to play cards.
Meanwhile, Cesare was also stricken, and in him the fever raged so fierce and violently that he had himself immersed to the neck in a huge jar of ice-cold water—a drastic treatment in consequence of which he came to shed all the skin from his body.
Meanwhile, Cesare was also afflicted, and the fever hit him so hard and intensely that he had himself submerged up to his neck in a giant jar of ice-cold water—a drastic measure that caused him to lose all the skin from his body.
On the 17th the Pope was much worse, and on the 18th, the end being at hand, he was confessed by the Bishop of Culm, who administered Extreme Unction, and that evening he died.
On the 17th, the Pope was in much worse condition, and on the 18th, as the end was near, he was confessed by the Bishop of Culm, who gave him his last rites, and that evening he passed away.
That, beyond all manner of question, is the true story of the passing of Alexander VI, as revealed by the Diarium of Burchard, by the testimony of the physician who attended him, and by the dispatches of the Venetian, Ferrarese, and Florentine ambassadors. At this time of day it is accepted by all serious historians, compelled to it by the burden of evidence.
That, without a doubt, is the true account of the death of Alexander VI, as shown by Burchard’s Diarium, the testimony of the doctor who treated him, and the reports from the ambassadors of Venice, Ferrara, and Florence. Nowadays, this is accepted by all serious historians, who are convinced by the weight of the evidence.
The ambassador of Ferrara had written to Duke Ercole, on August 14, that it was no wonder the Pope and the duke were ill, as nearly everybody in Rome was ill as a consequence of the bad air (“Per la mala condictione de aere”).
The ambassador of Ferrara had written to Duke Ercole, on August 14, that it was no surprise the Pope and the duke were sick, as almost everyone in Rome was unwell because of the bad air (“Per la mala condictione de aere”).
Cardinal Soderini was also stricken with the fever, whilst Corneto was taken ill on the day after that supper-party, and, like Cesare, is said to have shed all the skin of his body before he recovered.
Cardinal Soderini also came down with the fever, while Corneto got sick the day after that dinner party and, like Cesare, is said to have shed all the skin on his body before he got better.
Even Villari and Gregorovius, so unrestrained when writing of the Borgias, discard the extraordinary and utterly unwarranted stories of Guicciardini, Giovio, and Bembo, which will presently be considered. Gregorovius does this with a reluctance that is almost amusing, and with many a fond, regretful, backward glance—so very apparent in his manner—at the tale of villainy as told by Guicciardini and the others, which the German scholar would have adopted but that he dared not for his credit’s sake. This is not stated on mere assumption. It is obvious to any one who reads Gregorovius’s histories.
Even Villari and Gregorovius, who are usually candid when discussing the Borgias, choose to ignore the bizarre and completely unfounded tales of Guicciardini, Giovio, and Bembo, which will be addressed shortly. Gregorovius does this with a reluctance that is almost funny, frequently glancing back fondly and regretfully—so clearly present in his style—at the story of treachery as narrated by Guicciardini and the others, which the German scholar would have accepted but refrained from due to concerns about his reputation. This isn't just a guess; it's clear to anyone who reads Gregorovius's histories.
Burchard tells us—as certainly matter for comment—that, during his last illness, Alexander never once asked for Cesare nor ever once mentioned the name of Lucrezia. So far as Cesare is concerned, the Pope knew, no doubt, that he was ill and bedridden, for all that the gravity of the duke’s condition would, probably, have been concealed from him. That he should not have mentioned Lucrezia—nor, we suppose, Giuffredo—is remarkable. Did he, with the hand of Death already upon him, reproach himself with this paternity which, however usual and commonplace in priests of all degrees, was none the less a scandal, and the more scandalous in a measure as the rank of the offender was higher? It may well be that in those last days that sinful, worldly old man bethought him of the true scope and meaning of Christ’s Vicarship, which he had so wantonly abused and dishonoured, and considered that to that Judge before whom he was summoned to appear the sins of his predecessors would be no justification or mitigation of his own. It may well be that, grown introspective upon his bed of death, he tardily sought to thrust from his mind the worldly things that had so absorbed it until the spiritual were forgotten, and had given rise to all the scandal concerning him that was spread through Christendom, to the shame and dishonour of the Church whose champion he should have been.
Burchard tells us—definitely worth mentioning—that during his last illness, Alexander never once asked for Cesare nor mentioned Lucrezia’s name. Regarding Cesare, the Pope probably knew that he was sick and bedridden, even if he might not have been fully aware of the seriousness of the duke’s condition. It's striking that he didn't mention Lucrezia—or, we assume, Giuffredo. Did he, with Death’s hand already on him, feel guilty about his fatherhood, which, although common among priests, was still a scandal, especially given his high status? It’s possible that in those final days, that sinful, worldly old man reflected on the true nature and purpose of Christ’s Vicarship, which he had so recklessly abused and dishonored. He may have realized that when he stood before the Judge he was about to meet, the sins of his predecessors wouldn’t justify or lessen his own. It’s likely that, growing introspective on his deathbed, he tried to push aside the worldly concerns that had consumed him, allowing the spiritual matters to be forgotten, which had led to all the scandal surrounding him and to the shame and disgrace of the Church he should have defended.
Thus may it have come to pass that he summoned none of his children in his last hours, nor suffered their names to cross his lips.
Thus it may have happened that he called none of his children in his last hours, nor allowed their names to pass his lips.
When the news of his father’s death was brought to Cesare, the duke, all fever-racked as he was, more dead than living, considered his position and issued his orders to Michele da Corella, that most faithful of all his captains, who so richly shared with Cesare the execration of the latter’s enemies.
When Cesare, the duke, received the news of his father’s death, he was so feverish and weak, it felt like he was more dead than alive. He thought about his situation and gave orders to Michele da Corella, his most loyal captain, who shared in Cesare's deep hatred for his enemies.
Of tears for his father there is no record, just as at no time are we allowed to see that stern spirit giving way to any emotion, conceiving any affection, or working ever for the good of any but himself. Besides, in such an hour as this, the consciousness of the danger in which he stood by virtue of the Pope’s death and his own most inopportune sickness, which disabled him from taking action to make his future secure, must have concerned him to the exclusion of all else.
Of tears for his father, there’s no record; we never see that stern spirit show any emotion, feel any affection, or act for anyone’s benefit but his own. Besides, at a time like this, his awareness of the danger he faced because of the Pope’s death and his own inconvenient illness, which prevented him from taking action to secure his future, must have weighed on him above everything else.
Meanwhile, however, Rome was quiet, held so in the iron grip of Michele da Corella and the ducal troops. The Pope’s death was being kept secret for the moment, and was not announced to the people until nightfall, by when Corella had carried out his master’s orders, including the seizure of the Pope’s treasure. And Burchard tells us how some of Valentinois’s men entered the Vatican—all the gates of which were held by the ducal troops—and, seizing Cardinal Casanova, they demanded, with a dagger at his throat and a threat to fling his corpse from the windows if he refused them, the Pope’s keys. These the cardinal surrendered, and Corella possessed himself of plate and jewels to the value of some 200,000 ducats, besides two caskets containing about 100,000 ducats in gold. Thereafter the servants of the palace completed the pillage by ransacking the wardrobes and taking all they could find, so that nothing was left in the papal apartments but the chairs, a few cushions, and the tapestries of the walls.
Meanwhile, Rome was quiet, firmly controlled by Michele da Corella and the ducal troops. The Pope’s death was kept a secret for the time being and wasn’t revealed to the public until nightfall, by which time Corella had followed through with his orders, including taking possession of the Pope’s treasures. Burchard recounts how some of Valentinois’s men entered the Vatican—all the gates were secured by the ducal troops—and, seizing Cardinal Casanova, they threatened him with a dagger against his throat, demanding the Pope’s keys and threatening to throw his body out the windows if he refused. The cardinal handed over the keys, and Corella took control of plates and jewels worth around 200,000 ducats, along with two chests containing about 100,000 ducats in gold. Afterwards, the palace servants finished the looting by searching through the wardrobes and taking everything they could find, leaving nothing in the papal apartments except chairs, a few cushions, and the wall tapestries.
All his life Alexander had been the victim of the most ribald calumnies. Stories had ever sprung up and thriven, like ill weeds, about his name and reputation. His sins, great and scandalous in themselves, were swelled by popular rumour, under the spur of malice, to monstrous and incredible proportions. As they had exaggerated and lied about the manner of his life, so—with a consistency worthy of better scope—they exaggerated and lied about the manner of his death, and, the age being a credulous one, the stories were such that writers of more modern and less credulous times dare not insist upon them, lest they should discredit—as they do—what else has been alleged against him.
All his life, Alexander had been the target of the most outrageous rumors. Stories sprang up and thrived, like pesky weeds, about his name and reputation. His real sins, significant and scandalous as they were, were inflated by gossip and malice into monstrous and unbelievable proportions. Just as they exaggerated and lied about how he lived, they also—in a consistent manner that deserved a better cause—exaggerated and lied about how he died. Given that the era was gullible, the tales became so outrageous that writers from more modern and skeptical times hesitate to endorse them, for fear of discrediting the other accusations against him.
Thus when, in his last delirium, the Pope uttered some such words as: “I am coming; I am coming. It is just. But wait a little,” and when those words were repeated, it was straightway asserted that the Devil was the being he thus addressed in that supreme hour. The story grew in detail; that is inevitable with such matter. He had bargained with the devil, it was said, for a pontificate of twelve years, and, the time being completed, the devil was come for him. And presently, we even have a description of Messer the Devil as he appeared on that occasion—in the shape of a baboon. The Marquis Gonzaga of Mantua, in all seriousness, writes to relate this. The chronicler Sanuto, receiving the now popularly current story from another source, in all seriousness gives it place in his Diarii, thus:
So, when the Pope was in his last moments and said something like, “I’m coming; I’m coming. It’s only fair. But hold on a bit,” and those words were echoed, people immediately claimed that it was the Devil he was addressing at that final moment. The story expanded with more details, which is what always happens with these things. It was said that he had made a deal with the devil for a twelve-year reign, and now that time was up, the devil had come for him. Soon, we even got a description of the Devil as he appeared that day—in the form of a baboon. The Marquis Gonzaga of Mantua seriously writes about this. The chronicler Sanuto, hearing the now widely told tale from another source, seriously included it in his Diarii, like this:
“The devil was seen to leap out of the room in the shape of a baboon. And a cardinal ran to seize him, and, having caught him, would have presented him to the Pope; but the Pope said, ‘Let him go, let him go. It is the devil,’ and that night he fell ill and died.”(1)
“The devil was seen jumping out of the room in the form of a baboon. A cardinal rushed to catch him, and after capturing him, intended to present him to the Pope; but the Pope said, ‘Let him go, let him go. It is the devil,’ and that night he fell ill and died.”(1)
1 “Il diavolo sarebbe saltato fuori della camera in forma di babuino, et un cardinale corso per piarlo, e preso volendolo presentar al papa, il papa disse lasolo, lasolo ché ii diavolo. E poi la notte si amaló e morite.”—Marino Sanuto, Diarii.
1 “The devil would jump out of the room in the shape of a baboon, and a cardinal ran after it to catch it and present it to the pope, but the pope said to let it go, let it go because it’s the devil. And then that night he got sick and died.”—Marino Sanuto, Diarii.
That story, transcending the things which this more practical age considers possible, is universally rejected; but it is of vast importance to the historical student; for it is to be borne in mind that it finds a place in the pages of those same Diarii upon the authority of which are accepted many defamatory stories without regard to their extreme improbability so long as they are within the bounds of bare possibility.
That story, going beyond what this more practical age thinks is possible, is widely dismissed; but it’s really significant for historians. It’s important to remember that it’s included in the Diarii, which are used as the basis for accepting many damaging tales without considering how unlikely they are as long as they stay within the realm of basic possibility.
After Alexander was dead it was said that water boiled in his mouth, and that steam issued from it as he lay in St. Peter’s, and much else of the same sort, which the known laws of physiology compel so many of us very reluctantly to account exaggerations. But, again, remember that the source of these stories was the same as the source of many other exaggerations not at issue with physiological laws.
After Alexander died, people claimed that water boiled in his mouth and that steam came out of it while he lay in St. Peter’s, along with other similar tales, which the basic laws of physiology force many of us to reluctantly dismiss as exaggerations. But again, keep in mind that the source of these stories was the same as that of many other exaggerations that don’t conflict with physiological laws.
The circumstances of Alexander’s funeral are in the highest degree scandalous, and reflect the greatest discredit upon his age.
The situation surrounding Alexander’s funeral is extremely scandalous and casts serious shame on his time.
On the morrow, as the clergy were chanting the Libera me, Domine in St. Peter’s, where the body was exposed on a catafalque in full pontificals, a riot occurred, set on foot by the soldiers present for reasons which Burchard—who records the event—does not make clear.
On the next day, as the clergy were chanting the Libera me, Domine in St. Peter’s, where the body was displayed on a catafalque in full pontificals, a riot broke out, sparked by the soldiers present for reasons that Burchard—who recorded the event—does not explain.
The clerics fled for shelter to the sacristy, the chants were cut short, and the Pope’s body almost entirely abandoned.
The clerics ran for cover to the sacristy, the chants stopped abruptly, and the Pope’s body was almost completely left behind.
But the most scandalous happening occurred twenty-four hours later. The Pope’s remains were removed to the Chapel of Santa Maria delle Febbre by six bearers who laughed and jested at the expense of the poor corpse, which was in case to provoke the coarse mirth of the lower classes of an age which, setting no value upon human life, knew no respect for death. By virtue of the malady that had killed him, of his plethoric habit of body, and of the sweltering August heat, the corpse was decomposing rapidly, so that the face had become almost black and assumed an aspect grotesquely horrible, fully described by Burchard:
But the most shocking event happened twenty-four hours later. The Pope’s body was taken to the Chapel of Santa Maria delle Febbre by six bearers who laughed and joked at the expense of the poor corpse, which was bound to provoke the crude laughter of the lower classes of a time that, valuing human life so little, had no respect for death. Due to the illness that had caused his death, his overly full body, and the sweltering August heat, the corpse was decomposing rapidly, making the face turn almost black and take on a grotesquely horrible appearance, fully described by Burchard:
“Factus est sicut pannus vel morus nigerrimus, livoris totus plenus, nasus plenus, os amplissimum, lingua duplex in ore, que labia tota implebat, os apertum et adeo horribile quod nemo viderit unquam vel esse tale dixerit.”
“His appearance was like a black cloth or a very dark mulberry, completely full of anger, with a full nose, an enormous mouth, a double tongue in his mouth that filled his entire lips, his mouth open and so horrifying that no one had ever seen anything like it or would ever say it existed.”
Two carpenters waited in the chapel with the coffin which they had brought; but, either through carelessness it had been made too narrow and too short, or else the body, owing to its swollen condition, did not readily fit into this receptable; whereupon, removing the mitre, for which there was no room, they replaced it by a piece of old carpet, and set themselves to force and pound the corpse into the coffin. And this was done “without candle or any light being burned in honour of the dead, and without the presence of any priest or other person to care for the Pope’s remains.” No explanation of this is forthcoming; it was probably due to the panic earlier occasioned the clergy by the ducal men-at-arms.
Two carpenters waited in the chapel with the coffin they had brought; but either due to carelessness, it was made too narrow and too short, or the body, because of its swollen condition, didn’t easily fit into this container. So, after removing the mitre, which didn’t fit, they replaced it with a piece of old carpet and set about forcing and pounding the corpse into the coffin. This was done “without a candle or any light burned in honor of the dead, and without the presence of any priest or anyone else to care for the Pope’s remains.” There’s no explanation for this; it was likely due to the panic caused earlier among the clergy by the ducal guards.
The story that he had been poisoned was already spreading like a conflagration through Rome, arising out of the appearance of the body, which was such as was popularly associated with venenation.
The story that he had been poisoned was already spreading like wildfire through Rome, sparked by the sight of the body, which looked just like what people associated with poisoning.
But a Borgia in the rôle of a victim was altogether too unusual to be acceptable, and too much opposed to the taste to which the public had been educated; so the story must be edited and modified until suitable for popular consumption. The supper-party at Cardinal Corneto’s villa was remembered, and upon that a tale was founded, and trimmed by degrees into plausible shape.
But a Borgia as a victim was just too unusual to be accepted and too much against what the public had gotten used to; so the story had to be edited and changed until it was suitable for popular consumption. The dinner party at Cardinal Corneto’s villa was recalled, and from that, a story was created and gradually shaped into something believable.
Alexander had intended to poison Corneto—so ran this tale—that he might possess himself of the cardinal’s vast riches; in the main a well-worn story by now. To this end Cesare had bribed a butler to pour wine for the cardinal from a flask which he entrusted to him. Exit Cesare. Exit presently the butler, carelessly leaving the poisoned wine upon a buffet. (The drama, you will observe, is perfectly mechanical, full of author’s interventions, and elementary in its “preparations”). Enter the Pope. He thirsts, and calls for wine. A servant hastens; takes up, of course, the poisoned flask in ignorance of its true quality, and pours for his Beatitude. Whilst the Pope drinks re-enters Cesare, also athirst, and, seating himself, he joins the Pope in the poisoned wine, all unsuspicious and having taken no precautions to mark the flask. Poetic justice is done, and down comes the curtain upon that preposterous tragi-farce.
Alexander had planned to poison Corneto—so the story goes—so he could take the cardinal’s enormous wealth; it’s a pretty familiar tale by now. To make this happen, Cesare bribed a butler to serve the cardinal wine from a flask he gave him. Cesare leaves. Shortly after, the butler exits, carelessly leaving the poisoned wine on a side table. (As you can see, the drama is quite mechanical, filled with the author’s interference, and basic in its “setups.”) The Pope enters. He’s thirsty and asks for wine. A servant rushes in, unknowingly grabs the poisoned flask, and pours for His Holiness. While the Pope drinks, Cesare comes back in, also thirsty, and sits down to join the Pope with the poisoned wine, completely unaware and without taking any precautions to identify the flask. Poetic justice is served, and the curtain falls on that absurd tragicomedy.
Such is the story which Guicciardini and Giovio and a host of other more or less eminent historians have had the audacity to lay before their readers as being the true circumstances of the death of Alexander VI.
Such is the story that Guicciardini, Giovio, and many other more or less famous historians have boldly presented to their readers as the real details surrounding the death of Alexander VI.
It is a noteworthy matter that in all that concerns the history of the House of Borgia, and more particularly those incidents in it that are wrapped in mystery, circumstantial elucidation has a habit of proceeding from the same quarters.
It’s important to note that when it comes to the history of the House of Borgia, especially the mysterious events within it, detailed explanations often come from the same sources.
You will remember, for instance, that the Venetian Paolo Capello (though not in Rome at the time) was one of those who was best informed in the matter of the murder of the Duke of Gandia. And it was Capello again who was possessed of the complete details of the scarcely less mysterious business of Alfonso of Aragon. Another who on the subject of the murder of Gandia “had no doubts”—as he himself expressed it—was Pietro Martire d’Anghiera, in Spain at the time, whence he wrote to inform Italy of the true circumstances of a case that had happened in Italy.
You’ll recall, for example, that the Venetian Paolo Capello (even though he wasn’t in Rome at the time) was one of the most knowledgeable about the murder of the Duke of Gandia. It was also Capello who had all the details about the almost as mysterious situation involving Alfonso of Aragon. Another person who “had no doubts”—as he put it—about the murder of Gandia was Pietro Martire d’Anghiera, who was in Spain at the time, from where he wrote to inform Italy about the true circumstances of an event that occurred in Italy.
It is again Pietro Martire d’Anghiera who, on November 10, 1503, writes from Burgos in Spain to inform Rome of the true facts of Alexander’s death—for it is in that letter of his that the tale of the flask of wine, as here set down, finds place for the first time.
It’s once again Pietro Martire d’Anghiera who, on November 10, 1503, writes from Burgos in Spain to inform Rome about the real details of Alexander’s death—since it’s in that letter of his that the story of the flask of wine, as mentioned here, first appears.
It is unprofitable to pursue the matter further, since at this time of day even the most reluctant to reject anything that tells against a Borgia have been compelled to admit that the burden of evidence is altogether too overwhelming in this instance, and that it is proved to the hilt that Alexander died of the tertian fever then ravaging Rome.
It isn't worth it to keep discussing this, because at this point, even those who are hesitant to believe anything negative about a Borgia have had to agree that the evidence is just too convincing in this case. It's clear that Alexander died from the tertian fever that was spreading through Rome at the time.
And just as the Pope’s death was the subject of the wildest fictions which have survived until very recent days, so too, was Cesare’s recovery.
And just like the Pope's death fueled the most outrageous stories that have persisted even until now, Cesare's recovery did the same.
Again, it was the same Pietro Martire d’Anghiera who from Burgos wrote to inform Rome of what was taking place in the privacy of the Duke of Valentinois’s apartments in the Vatican. Under his facile and magic pen, the jar of ice-cold water into which Cesare was believed to have been plunged was transmuted into a mule which was ripped open that the fever-stricken Cesare might be packed into the pulsating entrails, there to sweat the fever out of him.
Again, it was the same Pietro Martire d’Anghiera who from Burgos wrote to inform Rome about what was happening in the private quarters of the Duke of Valentinois in the Vatican. With his clever and enchanting writing, the jar of ice-cold water that Cesare was thought to have been plunged into was transformed into a mule that was cut open so that the feverish Cesare could be stuffed into its warm insides, where he could sweat out the fever.
But so poor and sexless a beast as this seeming in the popular mind inadequate to a man of Cesare’s mettle, it presently improved upon and converted it into a bull—so much more appropriate, too, as being the emblem of his house.
But how poor and sexless a creature this seemed in the public's eyes, inadequate for a man of Cesare's strength. It quickly transformed it into a bull—much more fitting as it represented his family emblem.
Nor does it seem that even then the story has gone far enough. Facilis inventis addere. There comes a French writer with an essay on the Borgias, than which—submitted as sober fact—nothing more amazingly lurid has been written. In this, with a suggestive cleverness entirely Gallic, he causes us to gather an impression of Cesare in the intestinal sudatorium of that eventrated bull, as of one who is at once the hierophant and devotee of a monstrous, foul, and unclean rite of some unspeakable religion—a rite by comparison with which the Black Mass of the Abbé Gribourg becomes a sweet and wholesome thing.
Nor does it seem that even then the story has gone far enough. It's easy to add to what's already been said. A French writer comes along with an essay on the Borgias, and submitted as a serious fact, nothing more shockingly vivid has been written. In this, with a cleverness that's distinctly French, he makes us picture Cesare in the gruesome gut of that disemboweled bull, as someone who is both the high priest and the worshipper of a monstrous, filthy, and unclean ritual of some unspeakable faith—a ritual that makes the Black Mass of Abbé Gribourg seem innocent and wholesome by comparison.
But hear the man himself:
But listen to the man himself:
“Cet homme de meurtres et d’inceste, incarné dans l’animal des hécatombes et des bestialités antiques en évoque les monstrueuses images. Je crois entendre le taureau de Phalaris et le taureau de Pasiphaë répondre, de loin, par d’effrayants mugissements, aux cris humains de ce bucentaure.”
“ This man of murders and incest, embodied in the beast of sacrifices and ancient bestialities, evokes monstrous images. I can almost hear the bull of Phalaris and the bull of Pasiphaë responding from afar with terrifying bellowing to the human cries of this bucentaur.”
That is the top note on this subject. Hereafter all must pale to anti-climax.
That’s the main point on this topic. From now on, everything else has to feel like a letdown.
CHAPTER II. PIUS III
The fever that racked Cesare Borgia’s body in those days can have been as nothing to the fever that racked his mind, the despairing rage that must have whelmed his soul to see the unexpected—the one contingency against which he had not provided—cutting the very ground from underneath his feet.
The fever that shook Cesare Borgia's body during those days might have been nothing compared to the fever that tormented his mind, the desperate anger that must have consumed his soul to witness the unexpected—the one possibility he hadn't planned for—erasing the very ground beneath him.
As he afterwards expressed himself to Macchiavelli, and as Macchiavelli has left on record, Cesare had thought of everything, had provided for everything that might happen on his father’s death, save that in such a season—when more than ever he should have need for all his strength of body and of mind—he should, himself, be lying at the point of death.
As he later told Machiavelli, and as Machiavelli has noted, Cesare had considered everything and prepared for every possible outcome after his father's death, except that in such a time—when he needed all his strength, both physical and mental—the irony was that he himself was close to death.
Scarce was Alexander’s body cold than the duke’s enemies began to lift their heads. Already by the 20th of that month—two days after the Pope had breathed his last—the Orsini were in arms and had led a rising, in retort to which Michele da Corella fired their palace on Montegiordano.
Scarce had Alexander's body grown cold when the duke's enemies started to raise their heads. Already by the 20th of that month—two days after the Pope had passed away—the Orsini were armed and had started a revolt, in response to which Michele da Corella set their palace on Montegiordano ablaze.
Venice and Florence bethought them that the protection of France had been expressly for the Church and not for Cesare personally. So the Venetians at once supplied Guidobaldo da Montefeltre with troops wherewith to reconquer his dominions, and by the 24th he was master of S. Leo. In the city of Urbino itself Ramires, the governor, held out as long as possible, then beat a retreat to Cesena, whilst Valentinois’s partisans in Urbino were mercilessly slaughtered and their houses pillaged.
Venice and Florence realized that France’s support was specifically for the Church and not for Cesare himself. So, the Venetians quickly provided Guidobaldo da Montefeltre with troops to help him take back his lands, and by the 24th, he had control of S. Leo. In the city of Urbino, the governor Ramires held out for as long as he could before retreating to Cesena, while Valentinois’s supporters in Urbino were ruthlessly killed and their homes looted.
Florence supported the Baglioni in the conquest of Magione from the Borgias, and they aided Giacopo d’Appiano to repossess himself of Piombino, which had so gladly seen him depart out of it eighteen months ago.
Florence backed the Baglioni in taking Magione from the Borgias, and they helped Giacopo d’Appiano regain Piombino, a place that had been all too happy to see him leave eighteen months earlier.
From Magione, Gianpaolo Baglioni marches his Florentine troops to Camerino to aid the only remaining Varano to regain the tyranny of his fathers. The Vitelli are back in Città di Castello, carrying a golden calf in triumph through the streets; and so by the end of August, within less than a fortnight, all the appendages of the Romagna are lost to Cesare, whilst at Cesare’s very gates the Orsini men-at-arms are clamouring with insistent menace.
From Magione, Gianpaolo Baglioni leads his Florentine troops to Camerino to help the last remaining Varano reclaim the power of his ancestors. The Vitelli are back in Città di Castello, parading a golden calf triumphantly through the streets; and by the end of August, in less than two weeks, all of Romagna is lost to Cesare, while at Cesare’s very gates, the Orsini soldiers are threatening loudly.
The Duke’s best friend, in that crisis, was his secretary Agabito Gherardi. For it is eminently probable—as Alvisi opines—that it was Gherardi who urged his master to make an alliance with the Colonna, Gherardi himself being related to that powerful family. The alliance of these old enemies—Colonna and Borgia—was in their common interests, that they might stand against their common enemy, Orsini—the old friends of the Borgias.
The Duke’s closest ally during that crisis was his secretary Agabito Gherardi. It’s very likely—like Alvisi suggests—that Gherardi was the one who encouraged his boss to form an alliance with the Colonna, as he was actually related to that powerful family. The alliance between these old rivals—Colonna and Borgia—was in their best interest, helping them unite against their mutual enemy, Orsini—the old friends of the Borgias.
On August 22 Prospero Colonna came to Rome, and terms were made and cemented, in the usual manner, by a betrothal—that of the little Rodrigo—(Lucrezia’s child)—to a daughter of the House of Colonna. On the same day the Sacred College confirmed Cesare in his office of Captain-General and Gonfalonier of the Church, pending the election of a new Pope.
On August 22, Prospero Colonna arrived in Rome, and agreements were reached and sealed, as usual, by a betrothal— that of little Rodrigo—(Lucrezia's child)—to a daughter of the Colonna family. On the same day, the Sacred College confirmed Cesare in his role as Captain-General and Gonfalonier of the Church, while waiting for the election of a new Pope.
Meanwhile, sick almost to the point of death, and scarce able to stir hand or foot, so weak in body had he been left by the heroic treatment to which he had submitted, Cesare continued mentally a miracle of energy and self-possession. He issued orders for the fortifying of the Vatican, and summoned from Romagna 200 horse and 1,000 foot to his aid in Rome, bidding Remolino, who brought these troops, to quarter himself at Orvieto, and there await his further orders.
Meanwhile, sick almost to the point of death and barely able to move a hand or foot, so weak in body had he been left by the intense treatment he had undergone, Cesare continued to demonstrate an extraordinary level of mental energy and self-control. He gave orders for the fortification of the Vatican and summoned 200 cavalry and 1,000 infantry from Romagna to assist him in Rome, instructing Remolino, who brought these troops, to stay at Orvieto and await further instructions.
Considering that the Colonna were fighting in Naples under the banner of Gonzalo de Cordoba, it was naturally enough supposed, from Cesare’s alliance with the former, that this time he was resolved to go over to the side of Spain. Of this, M. de Trans came to protest to Valentinois on behalf of Louis XII, to be answered by the duke’s assurances that the alliance into which he had entered was strictly confined to the Colonna, that it entailed no treaty with Spain; nor had he entered into any; that his loyalty to the King of France continued unimpaired, and that he was ready to support King Louis with the entire forces he disposed of, whenever his Majesty should desire him so to do. In reply, he was assured by the French ambassador and Cardinal Sanseverino of the continued protection of Louis, and that France would aid him to maintain his dominions in Italy and reconquer any that might have seceded; and of this declaration copies were sent to Florence, Venice, and Bologna on September 1, as a warning to those Powers not to engage in anything to the hurt of Valentinois.
Considering that the Colonna were fighting in Naples under the banner of Gonzalo de Cordoba, it was naturally assumed that Cesare’s alliance with them meant he intended to side with Spain this time. M. de Trans protested to Valentinois on behalf of Louis XII, but the duke assured him that his alliance was strictly with the Colonna and did not include any treaty with Spain; nor had he entered into any such agreement. He confirmed that his loyalty to the King of France remained strong and that he was ready to support King Louis with all his forces, whenever the King requested it. In response, the French ambassador and Cardinal Sanseverino assured him of Louis's continued protection and that France would help him maintain his territories in Italy and reclaim any that may have been lost. Copies of this declaration were sent to Florence, Venice, and Bologna on September 1, as a warning to those powers not to take any actions against Valentinois.
Thus sped the time of the novendiali—the nine days’ obsequies of the dead Pope—which were commenced on September 4.
Thus passed the time of the novendiali—the nine days of mourning for the deceased Pope—which started on September 4.
As during the conclave that was immediately to follow it was against the law for armed men to be in Rome, Cesare was desired by the Sacred College to withdraw his troops. He did so on September 2, and himself went with them.
As the conclave that was about to happen prohibited armed men from being in Rome, the Sacred College asked Cesare to pull back his troops. He complied on September 2 and accompanied them himself.
Cardinal Sanseverino and the French ambassador escorted him out of Rome and saw him take the road to Nepi—a weak, fever-ravaged, emaciated man, borne in a litter by a dozen of his halberdiers, his youth, his beauty, his matchless strength of body all sapped from him by the insidious disease which had but grudgingly spared his very life.
Cardinal Sanseverino and the French ambassador accompanied him out of Rome and watched him head towards Nepi—a frail, fever-ridden, emaciated man, carried in a litter by a dozen of his halberdiers, his youth, his beauty, and his unmatched physical strength all drained from him by the sneaky illness that had only begrudgingly allowed him to survive.
At Nepi he was awaited by his brother Giuffredo, who had preceded him thither from Rome. A shadowy personage this Giuffredo, whose unimportant personality is tantalizingly elusive in the pages where mention is made of him. His incontinent wife, Doña Sancia, had gone to Naples under the escort of Prospero Colonna, having left the Castle of Sant’ Angelo where for some time she had been confined by order of her father-in-law, the Pope, on account of the disorders of her frivolous life.
At Nepi, his brother Giuffredo was waiting for him, having arrived there from Rome ahead of him. Giuffredo is a somewhat mysterious figure, and his minor role is frustratingly unclear in the texts that mention him. His impulsive wife, Doña Sancia, had traveled to Naples with Prospero Colonna, after being confined in the Castle of Sant’ Angelo for some time by her father-in-law, the Pope, due to the chaos caused by her frivolous lifestyle.
And now the advices of the fresh treaty between Cesare Borgia and the King of France were producing their effect upon Venice and Florence, who were given additional pause by the fierce jealousy of each other, which was second only to their jealousy of the duke.
And now the terms of the new treaty between Cesare Borgia and the King of France were affecting Venice and Florence, who were further hesitant due to their intense jealousy of each other, which was only surpassed by their jealousy of the duke.
From Venice—with or without the sanction of his Government—Bartolomeo d’Alviano had ridden south into the Romagna with his condotta immediately upon receiving news of the death of Alexander, and, finding Pandolfaccio Malatesta at Ravenna, he proceeded to accompany him back to that Rimini which the tyrant had sold to Cesare. Rimini, however, refused to receive him back, and showed fight to the forces under d’Alviano. So that, for the moment, nothing was accomplished. Whereupon the Republic, which at first had raised a feeble, make-believe protest at the action of her condottiero, now deemed it as well to find a pretext for supporting him. So Venice alleged that a courier of hers had been stripped of a letter, and, with such an overwhelming cause as that for hostilities, dispatched reinforcements to d’Alviano to the end that he might restore Pandolfaccio to a dominion in which he was abhorred. Further, d’Alviano was thereafter to proceed to do the like office for Giovanni Sforza, who already had taken ship for Pesaro, and who was restored to his lordship on September 3.
From Venice—whether with the approval of his government or not—Bartolomeo d’Alviano rode south into the Romagna with his troops immediately after hearing about Alexander’s death. He found Pandolfaccio Malatesta in Ravenna and went with him back to Rimini, which the tyrant had sold to Cesare. However, Rimini refused to take him back and fought against d’Alviano's forces. So, for the time being, nothing was achieved. Initially, the Republic had made a half-hearted protest about her condottiero’s actions, but soon decided it was better to find a reason to support him. Venice claimed that one of its couriers had been robbed of a letter, and with such a significant reason for conflict, sent reinforcements to d’Alviano so he could restore Pandolfaccio to a position he was hated in. Furthermore, d’Alviano was then to do the same for Giovanni Sforza, who had already set sail for Pesaro and was restored to his lordship on September 3.
Thence, carrying the war into the Romagna itself, d’Alviano marched upon Cesena. But the Romagna was staunch and loyal to her duke. The governor had shut himself up in Cesena with what troops he could muster, including a thousand veterans under the valiant Dionigio di Naldo, and there, standing firm and resolute, he awaited the onslaught of the Venetians.
Thence, taking the fight directly into Romagna, d'Alviano marched towards Cesena. However, Romagna remained steadfast and loyal to her duke. The governor had barricaded himself in Cesena with whatever troops he could gather, including a thousand veterans led by the brave Dionigio di Naldo, and there, standing strong and determined, he prepared for the assault from the Venetians.
D’Alviano advanced rapidly and cruelly, a devastator laying waste the country in his passage, until to check him came suddenly the Borgia troops, which had ventured upon a sally. The Venetians were routed and put to flight.
D'Alviano moved forward quickly and ruthlessly, destroying everything in his path, until the Borgia troops suddenly appeared to stop him with a surprise attack. The Venetians were defeated and forced to retreat.
On September 16 the restored tyrants of Rimini, Pesaro, Castello, Perugia, Camerino, Urbino, and Sinigaglia entered into and signed at Perugia a league, whose chiefs were Bartolomeo d’Alviano and Gianpaolo Baglioni, for their common protection.
On September 16, the restored rulers of Rimini, Pesaro, Castello, Perugia, Camerino, Urbino, and Sinigaglia came together and signed a pact in Perugia, led by Bartolomeo d’Alviano and Gianpaolo Baglioni, for their mutual protection.
Florence was invited to join the allies. Intimidated, however, by France, not only did the Signory refuse to be included, but—in her usual manner—actually went so far as to advise Cesare Borgia of that refusal and to offer him her services and help.
Florence was invited to join the allies. However, feeling intimidated by France, the Signory not only declined the offer but also, in their typical fashion, went so far as to inform Cesare Borgia of their refusal and to offer him their services and assistance.
On the same date the Sacred College assembled in Rome, at the Mass of the Holy Spirit, to beseech the grace of inspiration in the election of the new Pontiff. The part usually played by the divine afflatus in these matters was so fully understood and appreciated that the Venetian ambassador received instructions from the Republic(1) to order the Venetian cardinals to vote for Giuliano della Rovere, whilst the King of France sent a letter—in his own hand—to the Sacred College desiring it to elect his friend the Cardinal d’Amboise, and Spain, at the same time, sought to influence the election of Carvajal.
On the same date, the Sacred College gathered in Rome for the Mass of the Holy Spirit to ask for inspiration in choosing the new Pope. Everyone clearly understood and valued the role of divine guidance in this process, so the Venetian ambassador received orders from the Republic(1) to have the Venetian cardinals vote for Giuliano della Rovere. Meanwhile, the King of France sent a handwritten letter to the Sacred College requesting the election of his friend, Cardinal d’Amboise, and Spain was simultaneously trying to sway the election in favor of Carvajal.
1 See Sanuto’s Diarrii.
Check out Sanuto’s Diary.
The chances of the last-named do not appear ever to have amounted to very much. The three best supported candidates were della Rovere, d’Amboise, and Ascanio Sforza—who made his reappearance in Rome, released from his French prison at last, in time to attend this Conclave.
The chances of the last-mentioned candidate don't seem to have ever been very strong. The three most popular candidates were della Rovere, d’Amboise, and Ascanio Sforza—who reappeared in Rome, finally released from his French prison, just in time to attend this Conclave.
None of these three factions was strong enough to ensure the election of its own candidate, but any two were strong enough to prevent the election of the candidate of the third. Wherefore it happened that, as a result of so much jealousy and competition, recourse was had to temporizing by electing the oldest and feeblest cardinal in the College. Thus there should presently be another election, and meantime the candidates would improve the time by making their arrangements and canvassing their supporters so as to control the votes of the College at that future Conclave. Therefore Francesco Piccolomini, Cardinal of Siena (nephew of Pius II), a feeble octogenarian, tormented by an ulcer, which, in conjunction with an incompetent physician, was to cut his life even shorter than they hoped, was placed upon the throne of St. Peter, and assumed with the Pontificate the name of Pius III.
None of these three factions was strong enough to ensure the election of its own candidate, but any two were strong enough to block the election of the candidate from the third. As a result of all this jealousy and competition, they ended up choosing the oldest and weakest cardinal in the College as a temporary solution. This meant there would soon be another election, while the candidates used this time to make their plans and rally their supporters to secure votes for the upcoming Conclave. Consequently, Francesco Piccolomini, Cardinal of Siena (nephew of Pius II), a frail octogenarian suffering from an ulcer—made worse by an incompetent doctor—was placed on the throne of St. Peter and took on the name Pius III upon his Pontificate.
The new Pope was entirely favourable to Cesare Borgia, and confirmed him in all his offices, signifying his displeasure to Venice at her attempt upon the Romagna, and issuing briefs to the allied tyrants commanding them to desist from their opposition to the will of the Holy See.
The new Pope fully supported Cesare Borgia and reaffirmed him in all his positions, expressing his discontent to Venice over its actions in the Romagna, and sending orders to the allied rulers instructing them to stop opposing the wishes of the Holy See.
Cesare returned to Rome, still weak on his legs and ghastly to behold, and on October 6 he received in St. Peter’s his confirmation as Captain-General and Gonfalonier of the Church.
Cesare returned to Rome, still unsteady on his feet and looking terrible, and on October 6 he received his confirmation as Captain-General and Gonfalonier of the Church in St. Peter’s.
The Venetians had meanwhile been checked by a letter from Louis from lending further assistance to the allies. The latter, however, continued their hostilities in spite of that. They had captured Sinigaglia, and now they made an attempt on Fano and Fermo, but were repulsed in both places by Cesare’s loyal subjects. At the same time the Ordelaffi—who in the old days had been deposed from the Tyranny of Forli to make room for the Riarii—deemed the opportunity a good one to attempt to regain their lordship; but their attempt, too, was frustrated.
The Venetians had meanwhile been stopped by a letter from Louis from lending any more help to the allies. However, the allies continued their attacks regardless. They had taken Sinigaglia, and now they tried to take Fano and Fermo, but were pushed back in both places by Cesare’s loyal subjects. At the same time, the Ordelaffi—who had been overthrown from the rule of Forli to make way for the Riarii—saw this as a good chance to try to reclaim their power; but their attempt also failed.
Cesare sat impotent in Rome, no doubt vexed by his own inaction. He cannot have lacked the will to go to the Romagna to support the subjects who showed him such loyalty; but he lacked the means. Owing to the French and Spanish dispute in Naples, his army had practically melted away. The terms of his treaty with Louis compelled him to send the bulk of it to the camp at Garigliano to support the French, who were in trouble. The force that Remolino had quartered at Orvieto to await the duke’s orders he had been unable to retain there. Growing uneasy at their position, and finding it impossible either to advance or to retreat, being threatened on the one side by the Baglioni and on the other by the Orsini, these troops had steadily deserted; whilst most of Cesare’s Spanish captains and their followers had gone to the aid of their compatriots under Gonzalo de Cordoba in response to that captain’s summons of every Spaniard in the peninsula.
Cesare sat helpless in Rome, undoubtedly frustrated by his own inaction. He must have wanted to go to Romagna to support the subjects who showed him such loyalty, but he just didn't have the means. Because of the conflict between the French and Spanish in Naples, his army had nearly disappeared. The terms of his treaty with Louis forced him to send most of his troops to the camp at Garigliano to support the French, who were in trouble. The forces that Remolino had stationed at Orvieto to wait for the duke’s orders were impossible for him to keep there. Growing uneasy with their situation and finding it impossible to move forward or retreat—being threatened on one side by the Baglioni and on the other by the Orsini—these troops gradually deserted; meanwhile, most of Cesare’s Spanish captains and their men had gone to help their fellow countrymen under Gonzalo de Cordoba, responding to his call for every Spaniard in the peninsula.
Thus did it come about that Cesare had no force to afford his Romagna subjects. His commissioners in the north did what was possible to repair the damage effected by the allies, and they sent Dionigio di Naldo with six hundred of his foot, and, further, a condotta of two hundred horse, against Rimini. This was captured by them in one day and almost without resistance, Pandolfaccio flying for his life to Pesaro.
Thus, it happened that Cesare couldn't provide any support for his subjects in Romagna. His representatives in the north did their best to fix the damage caused by the allies, and they sent Dionigio di Naldo with six hundred infantry and a contingent of two hundred cavalry to Rimini. They captured it in a single day and almost without resistance, with Pandolfaccio fleeing for his life to Pesaro.
Next the allies, by attempting to avenge the rout they had suffered at Cesena, afforded the ducal troops an opportunity of scoring another victory. They prepared a second attack against Cesare’s capital, and with an army of considerable strength they advanced to the very walls of the stronghold, laying the aqueduct in ruins and dismantling what other buildings they found in their way. But in Cesena the gallant Pedro Ramires lay in wait for them. Issuing to meet them, he not only put them to flight and drove them for shelter into the fortress of Montebello, but laid siege to them there and broke them utterly, with a loss, as was reputed, of some three hundred men in slain alone.
Next, the allies, trying to take revenge for the defeat they suffered at Cesena, gave the ducal troops a chance to achieve another victory. They organized a second attack on Cesare’s capital and, with a strong army, advanced right up to the walls of the stronghold, destroying the aqueduct and demolishing any buildings in their path. But in Cesena, the brave Pedro Ramires was waiting for them. When he confronted them, he not only routed them and forced them to seek refuge in the fortress of Montebello, but he also laid siege to them there and completely defeated them, with reports estimating a loss of around three hundred men killed alone.
The news of this came to cheer Valentinois, who, moreover, had now the Pope and France to depend upon. Further, and in view of that same protection, the Orsini were already treating with him for a reconciliation, despite the fact that the Orsini blood was scarce dry upon his hands. But he had a resolute, sly, and desperate enemy in Venice, and on October 10 there arrived in Rome Bartolomeo d’Alviano and Gianpaolo Baglioni, who repaired to the Venetian ambassador and informed him that they were come in quest of the person of Valentinois, intending his death.
The news brought cheer to Valentinois, who now had the Pope and France to rely on. Furthermore, with that protection in mind, the Orsini were already negotiating with him for a reconciliation, even though there was still Orsini blood on his hands. However, he had a determined, cunning, and ruthless enemy in Venice, and on October 10, Bartolomeo d’Alviano and Gianpaolo Baglioni arrived in Rome. They went to the Venetian ambassador and informed him that they had come to pursue Valentinois, intending to kill him.
To achieve their ends they united themselves to the Orsini, who were now in arms in Rome, their attempted reconciliation with Cesare having aborted. Valentinois’s peril became imminent, and from the Vatican he withdrew for shelter to the Castle of Sant’ Angelo, going by way of the underground passage built by his father.
To reach their goals, they joined forces with the Orsini, who were now armed in Rome after their failed attempt to reconcile with Cesare. Valentinois was in serious danger, so he left the Vatican for safety at the Castle of Sant’ Angelo, taking the underground passage his father had built.
Thence he summoned Michele da Corella, who was at Rocca Soriana with his foot, and Taddeo della Volpe (a valiant captain and a great fighter, who had already lost an eye in Cesare’s service) and Baldassare Scipione, who were in the Neapolitan territory with their men-at-arms. He was gathering his sinews for a spring, when suddenly the entire face of affairs was altered and all plans were checked by the death of Pius III on October 18, after a reign of twenty-six days.
Then he called for Michele da Corella, who was at Rocca Soriana with his foot soldiers, and Taddeo della Volpe (a brave captain and a skilled fighter, who had already lost an eye while serving Cesare) and Baldassare Scipione, who were in the Neapolitan area with their troops. He was preparing for an offensive, when suddenly everything changed and all plans were disrupted by the death of Pius III on October 18, just twenty-six days into his reign.
Once more there was an end to Cesare’s credit. No man might say what the future held in store. Giustiniani, indeed, wrote to his Government that Cesare was about to withdraw to France, and that he had besought a safe-conduct of the Orsini—which report is as true as many another communication from the same Venetian pen, ever ready to write what it hoped might be true; and it is flatly contradicted by the better-informed Macchiavelli, who was writing at the same time:
Once again, Cesare's credit ran out. No one could predict what the future would bring. Giustiniani, in fact, wrote to his government that Cesare was getting ready to go to France and that he had asked the Orsini for safe passage—this claim is as reliable as many other things written by that same Venetian, always eager to write what he wished were true; and it is directly contradicted by the more knowledgeable Machiavelli, who was writing at the same time:
“The duke is in Sant’ Angelo, and is more hopeful than ever of accomplishing great things, presupposing a Pope according to the wishes of his friends.”
“The duke is in Sant’ Angelo and is more optimistic than ever about achieving great things, assuming there’s a Pope who aligns with what his friends want.”
But the Romagna was stirred once more to the turbulence from which it had scarcely settled. Forli and Rimini were lost almost at once, the Ordelaffi succeeding in capturing the former in this their second attempt, whilst Pandolfaccio once more sat in his palace at Rimini, having cut his way to it through a sturdy resistance. Against Imola Bentivogli dispatched a force of two thousand foot; but this was beaten off.
But Romagna was once again thrown into turmoil from which it had barely settled. Forli and Rimini were quickly lost, with the Ordelaffi managing to capture Forli on their second attempt, while Pandolfaccio was back in his palace at Rimini after fighting through tough resistance. Bentivogli sent a force of two thousand infantry against Imola, but they were defeated.
The authority of France appeared to have lost its weight, and in vain did Cardinal d’Amboise thunder threats in the name of his friend King Louis, and send envoys to Florence, Venice, Bologna, and Urbino, to complain of the injuries that were being done to the Duke of Valentinois.
The power of France seemed to have diminished, and Cardinal d’Amboise's attempts to intimidate in the name of his ally King Louis were futile as he sent messengers to Florence, Venice, Bologna, and Urbino to express his grievances about the wrongs being done to the Duke of Valentinois.
CHAPTER III. JULIUS II
Giuliano della Rovere, Cardinal of S. Pietro in Vincoli, had much in his character that was reminiscent of his terrible uncle, Sixtus IV. Like that uncle of his, he had many failings highly unbecoming any Christian—laic or ecclesiastic—which no one has attempted to screen; and, incidentally, he cultivated morality in his private life and observed his priestly vows of chastity as little as did any other churchman of his day. For you may see him, through the eyes of Paride de Grassi,(1) unable one Good Friday to remove his shoes for the adoration of the cross in consequence of his foot’s affliction—ex morbo gallico. But with one great and splendid virtue was he endowed in the eyes of the enemies of the House of Borgia—contemporary, and subsequent down to our times—a most profound, unchristian, and mordacious hatred of all Borgias.
Giuliano della Rovere, Cardinal of S. Pietro in Vincoli, had much in his character that reminded people of his terrible uncle, Sixtus IV. Like his uncle, he had many flaws that were quite unbefitting for any Christian—whether layperson or clergyman—and no one has tried to hide these. Additionally, he maintained a sense of morality in his private life but observed his priestly vows of chastity as little as any other clergy member of his time. You can see how Paride de Grassi described him as being unable on one Good Friday to take off his shoes to adore the cross due to a foot condition—ex morbo gallico. However, he was endowed with one significant and noteworthy virtue in the eyes of his enemies from the House of Borgia—both during his time and continuing to the present day—an intense, un-Christian, and bitter hatred of all Borgias.
1 Burchard’s successor in the office of Master of Ceremonies.
1 Burchard's successor as Master of Ceremonies.
Roderigo Borgia had defeated him in the Conclave of 1492, and for twelve years had kept him out of the coveted pontificate. You have seen how he found expression for his furious jealousy at his rival’s success. You have seen him endeavouring to his utmost to accomplish the deposition of the Borgia Pope, wielding to that end the lever of simony and seeking a fulcrum for it, first in the King of France and later in Ferdinand and Isabella; but failing hopelessly in both instances. You have seen him, when he realized the failure of an attempt which had made Rome too dangerous for him and compelled him to remain in exile, suddenly veering round to fawn and flatter and win the friendship of one whom his enmity could not touch.
Roderigo Borgia had beaten him in the 1492 Conclave and had kept him out of the desired papacy for twelve years. You’ve seen how he expressed his intense jealousy over his rival’s success. You’ve seen him trying his hardest to achieve the removal of the Borgia Pope, using simony as his tool and looking for support first from the King of France and later from Ferdinand and Isabella, but failing miserably in both cases. You’ve seen him, when he realized his attempt had failed and made Rome too dangerous for him, suddenly switch to fawning and flattering to win the friendship of someone he couldn’t successfully oppose.
This man who, as Julius II, was presently to succeed Pius III, has been accounted a shining light of virtue amid the dark turpitude of the Church in the Renaissance. An ignis fatuus, perhaps; a Jack-o’-lanthorn begotten of putrescence. Surely no more than that.
This man who, as Julius II, was soon to take over from Pius III, has been seen as a beacon of virtue amidst the corrupt state of the Church during the Renaissance. A will-o'-the-wisp, maybe; a jack-o'-lantern born from decay. Certainly no more than that.
Dr. Jacob Burckhardt, in that able work of his to which reference already has been made, follows the well-worn path of unrestrained invective against the Borgias, giving to the usual empty assertions the place which should be assigned to evidence and argument. Like his predecessors along that path, he causes Giuliano della Rovere to shine heroically by contrast—a foil to throw into greater relief the blackness of Alexander. But he carries assertion rather further than do others when he says of Cardinal della Rovere that “He ascended the steps of St. Peter’s Chair without simony and amid general applause, and with him ceased, at all events, the undisguised traffic in the highest offices of the Church.”
Dr. Jacob Burckhardt, in that impressive work of his that has already been mentioned, takes the familiar route of harsh criticism aimed at the Borgias, replacing solid evidence and logic with the usual unfounded claims. Like others before him, he makes Giuliano della Rovere seem heroic by comparison—a contrast that highlights the darkness of Alexander. However, he pushes his claims further than most when he states about Cardinal della Rovere that “He rose to the position of St. Peter’s Chair without any shady dealings and was met with general approval, marking, at least, the end of the blatant trading of the highest Church offices.”
Other writers in plenty have suggested this, but none has quite so plainly and resoundingly thrown down the gauntlet, which we will make bold to lift.
Other writers have suggested this a lot, but none have boldly and clearly challenged us like this, which we will daringly accept.
That Dr. Burckhardt wrote in other than good faith is not to be imputed. It must therefore follow that an entry in the Diarium of the Caerimoniarius under date of October 29, 1503, escaped him utterly in the course of his researches. For the Diarium informs us that on that day, in the Apostolic Palace, Giuliano della Rovere, Cardinal of S. Pietro in Vincoli, concluded the terms of an agreement with the Duke of Valentinois and the latter’s following of Spanish cardinals, by which he undertook that, in consideration of his receiving the votes of these Spanish cardinals and being elected Pope, he would confirm Cesare in his office of Gonfalonier and Captain-General, and would preserve him in the dominion of the Romagna. And, in consideration of that undertaking, the Spanish cardinals, on their side, promised to give him their suffrages.
That Dr. Burckhardt wrote in anything less than good faith shouldn't be blamed on him. It follows, then, that he completely missed an entry in the Diarium of the Caerimoniarius dated October 29, 1503, during his research. The Diarium tells us that on that day, in the Apostolic Palace, Giuliano della Rovere, Cardinal of S. Pietro in Vincoli, finalized an agreement with the Duke of Valentinois and his group of Spanish cardinals. In this agreement, he promised that, in exchange for receiving the votes of these Spanish cardinals and being elected Pope, he would confirm Cesare in his position as Gonfalonier and Captain-General, and would keep his control over the Romagna. In return for this promise, the Spanish cardinals agreed to give him their votes.
Here are the precise words in which Burchard records the transaction:
Here are the exact words in which Burchard records the transaction:
“Eadem die, 29 Octobris, Rmus. D. S. Petri ad Vincula venit in palatio apostolico cum duce Valentino et cardinalibus suis Hispanis et concluserunt capitula eorum per que, inter alia, cardinalis S. Petri ad Vincula, postquam esset papa, crearet confalonierium Ecclesiae generalem ducem ac ei faveret et in statibus suis (relinqueret) et vice versa dux pape; et promiserunt omnes cardinalis Hispani dare votum pro Cardinali S. Petri ad Vincula ad papatum.”
“On the same day, October 29, Rmu. D. S. Peter in Chains came to the apostolic palace with Duke Valentino and his Spanish cardinals, and they finalized their agreements, including that, among other things, Cardinal St. Peter in Chains, after becoming pope, would create a general banneret of the Church and support him in his states (he would leave) and vice versa the duke would support the pope; and all the Spanish cardinals promised to vote for Cardinal St. Peter in Chains for the papacy.”
If that does not entail simony and sacrilege, then such things do not exist at all. More, you shall hunt in vain for any accusation so authoritative, formal and complete, regarding the simony practised by Alexander VI on his election. And this same Julius, moreover, was the Pope who later was to launch his famous Bull de Simoniaca Electione, to add another stain to the besmirched escutcheon of the Borgia Pontiff.
If that isn’t considered simony and sacrilege, then those concepts don’t exist at all. Furthermore, you will search in vain for any accusation that is as authoritative, formal, and complete regarding the simony practiced by Alexander VI when he was elected. And this same Julius, by the way, was the Pope who later issued his famous Bull de Simoniaca Electione, adding another blemish to the already tarnished reputation of the Borgia Pope.
His conciliation of Cesare and his obtaining, thus, the support of the Spanish cardinals, who, being Alexander’s creatures, were now Cesare’s very faithful servants, ensured the election of della Rovere; for, whilst those cardinals’ votes did not suffice to place him in St. Peter’s Chair, they would abundantly have sufficed to have kept him out of it had Cesare so desired them.
His efforts to make peace with Cesare and gain the support of the Spanish cardinals—who, being loyal to Alexander, were now very faithful servants of Cesare—secured della Rovere's election. While those cardinals' votes alone weren't enough to put him in St. Peter’s Chair, they would have easily been enough to keep him out of it if Cesare had wanted that.
In coming to terms with Cardinal della Rovere, Cesare made the first great mistake of his career, took the first step towards ruin. He should have known better than to have trusted such a man. He should have remembered the ancient bitter rancour; should have recognized, in the amity of later times, the amity of the self-seeker, and mistrusted it. But della Rovere had acquired a reputation for honesty and for being a man of his word. How far he deserved it you may judge from what is presently to follow. He had acquired it, however, and Cesare, to his undoing, attached faith to that reputation. He may, to some extent, have counted upon the fact that, of Cardinal della Rovere’s bastard children, only a daughter—Felice della Rovere—survived. Raffaele, the last of his bastard boys, had died a year ago. Thus, Cesare may have concluded that the cardinal having no sons whose fortunes he must advance, would lack temptation to break faith with him.
In dealing with Cardinal della Rovere, Cesare made the first major mistake of his career and took the first step toward his downfall. He should have known better than to trust someone like that. He should have remembered the deep-seated animosity from the past and recognized the friendship of recent years as the self-serving kind, and been wary of it. But della Rovere had built a reputation for honesty and keeping his word. You can judge how much he deserved it from what happens next. Despite this, Cesare foolishly believed in that reputation. He may have thought that since only one of Cardinal della Rovere’s illegitimate children—a daughter, Felice della Rovere—was still alive, and the last of his illegitimate sons had died a year earlier, the cardinal would have no reason to betray him.
From all this it resulted that, at the Conclave of November 1, Giuliano della Rovere was elected Pope, and took the name of Julius II; whilst Valentinois, confident now that his future was assured, left the Castle of Sant’ Angelo to take up his residence at the Vatican, in the Belvedere, with forty gentlemen constituting his suite.
From all of this, it followed that at the Conclave on November 1, Giuliano della Rovere was elected Pope and took the name Julius II. Meanwhile, Valentinois, now confident that his future was secure, left the Castle of Sant’ Angelo to move into the Vatican’s Belvedere, accompanied by forty gentlemen as his entourage.
On November 3 Julius II issued briefs to the Romagna, ordering obedience to Cesare, with whom he was now in daily and friendliest intercourse.
On November 3, Julius II sent out letters to the Romagna, demanding obedience to Cesare, with whom he was now in regular and friendly contact.
In the Romagna, meanwhile, the disturbances had not only continued, but they had taken a fresh turn. Venice, having reseated Malatesta on the throne, now vented at last the covetousness she had ever, herself, manifested of that dominion, and sent a force to drive him out again and conquer Rimini for the Republic.
In Romagna, the unrest not only persisted but also escalated. Venice, after reinstating Malatesta to power, finally expressed her longstanding desire to control that territory and dispatched troops to oust him once more and seize Rimini for the Republic.
Florence, in a spasm of jealous anger at this, inquired was the Pope to become the chaplain of Venice, and dispatched Macchiavelli to bear the tale of these doings to Julius.
Florence, in a fit of jealous anger over this, asked if the Pope was going to become the chaplain of Venice, and sent Machiavelli to tell Julius about these events.
Under so much perpetual strife the strength of the Romagna was gradually crumbling, and Cesare, angry with Florence for never going beyond lip-service, expressed that anger to Macchiavelli, informing the ambassador that the Signory could have saved the Romagna for him with a hundred men-at-arms.
Under constant conflict, the strength of the Romagna was slowly deteriorating, and Cesare, frustrated with Florence for only paying lip service, shared that frustration with Machiavelli, telling the ambassador that the Signory could have saved the Romagna for him with just a hundred soldiers.
The duke sent for Giustiniani, the ambassador of Venice, who, however, excused himself and did not go. This within a week of the new Pope’s election, showing already how men discerned what was in store for Valentinois. Giustiniani wrote to his Government that he had not gone lest his going should give the duke importance in the eyes of others.(1) The pettiness and meanness of the man, revealed in that dispatch, will enable you to attach to Giustiniani the label that belongs to him.
The duke called for Giustiniani, the ambassador of Venice, who, however, made excuses and did not attend. This was just a week after the new Pope was elected, already indicating how people perceived what would happen to Valentinois. Giustiniani informed his government that he hadn’t gone because he didn’t want to give the duke any importance in the eyes of others. The pettiness and small-mindedness of the man, shown in that message, will allow you to label Giustiniani appropriately.
1 “Per non dar materia ad altri che fazino un po di lui mazor estimazion di quel che fanno quando lo vedessero in parte alcuna favorito.”—Giustiniani, Dispatch of November 6, 1503.
1 “To avoid giving others reason to hold him in higher regard based on what they see when he is favored in some way.” —Giustiniani, Dispatch of November 6, 1503.
To cheer Valentinois in those days of depression came news that his subjects of Imola had successfully resisted an attack on the part of the Venetians. So stimulated was he that he prepared at once to go, himself, into the Romagna, and obtained from the Pope, from d’Amboise, and from Soderini, letters to Florence desiring the Signory to afford him safe-conduct through Tuscany for himself and his army.
To lift Valentinois's spirits during those tough times, he received news that his people in Imola had successfully defended themselves against an attack from the Venetians. This news energized him so much that he immediately decided to head to Romagna himself, and he secured letters from the Pope, d’Amboise, and Soderini to Florence asking the Signory for safe passage through Tuscany for himself and his army.
The Pope expressed himself, in his letter, that he would count such safe-conduct as a great favour to himself, and urged the granting of it out of his “love for Cesare,” owing to the latter’s “great virtues and shining merits.”(2) Yet on the morrow of dispatching that brief, this man, who was accounted honest, straightforward, and imbued with a love of truth, informed Giustiniani—or else Giustiniani lied in his dispatches—that he understood that the Venetians were assailing the Romagna, not out of enmity to the Church, but to punish the demerits of Cesare, and he made it plain to Giustiniani that, if he complained of the conduct of the Venetians, it was on his own behalf and not on Cesare’s, as his aim was to preserve the Romagna, not for the duke, but for the Church.
The Pope stated in his letter that he would consider granting safe-conduct a significant favor and urged that it be given out of his “love for Cesare,” due to Cesare’s “great virtues and shining merits.” Yet, the day after sending that letter, this man, known to be honest, straightforward, and dedicated to the truth, told Giustiniani—or maybe Giustiniani lied in his reports—that he understood the Venetians were attacking the Romagna, not out of hostility to the Church, but to punish Cesare's shortcomings. He made it clear to Giustiniani that if he complained about the Venetians' actions, it was for his own sake, not Cesare’s, as his goal was to protect the Romagna, not for the duke, but for the Church.
2 “In quo nobis rem gratissimam facietis ducis enim ipsum propter ejus insignes virtutes et praeclara merita praecipuo affectur et caritate praecipua complectimur.”—Archivio di Stato, Firenze. (See Alvisi, Doct. 96.)
2 “In what way will you do something very pleasing for us? We hold the leader in high regard because of his remarkable virtues and outstanding merits, and we embrace him with special affection.”—Archivio di Stato, Firenze. (See Alvisi, Doct. 96.)
With the aim we have no quarrel. It was laudable enough in a Pontiff. But it foreshadows Cesare’s ruin, in spite of the love-protesting letter to Florence, in spite of the bargain struck by virtue of which Julius had obtained the pontificate. Whether the Pope went further in his treachery, whether, having dispatched that brief to Florence, he sent other communications to the Signory, is not ascertainable; but the suspicion of some such secret action is inspired by what ensued.
With the aim, we have no conflict. It was admirable enough for a Pope. But it hints at Cesare’s downfall, despite the love-filled letter to Florence, and despite the deal that helped Julius obtain the papacy. It’s unclear if the Pope went further in his betrayal, or if after sending that brief to Florence he sent other messages to the Signory; however, the events that followed raise suspicion of some secret actions.
On November 13 Cesare was ready to leave Rome; but no safe-conduct had arrived. Out of all patience at this, he begged the Pope that the captain of the pontifical navy should prepare him five galleons at Ostia, by which he could take his foot to Genoa, and thence proceed into Romagna by way of Ferrara.
On November 13, Cesare was set to leave Rome, but no safe passage had arrived. Frustrated, he asked the Pope to have the commander of the papal navy prepare five galleons at Ostia so he could travel to Genoa and then head to Romagna through Ferrara.
Macchiavelli, at the same time, was frenziedly importuning Florence to grant the duke the desired safe-conduct lest in despair Cesare should make a treaty with Venice—“or with the devil”—and should go to Pisa, employing all his money, strength, and influence to vent his wrath upon the Signory. But the Signory knew more, perhaps, than did Macchiavelli, for no attention was paid to his urgent advice.
Macchiavelli was desperately urging Florence to give the duke the safe-conduct he needed, fearing that in his frustration, Cesare might make a deal with Venice—“or even with the devil”—and head to Pisa, using all his resources, power, and influence to take his anger out on the Signory. However, the Signory might have been more aware than Macchiavelli, as they ignored his urgent recommendations.
On the 19th Cesare left Rome to set out for Genoa by way of Ostia, and his departure threw Giustiniani into alarm—fearing that the duke would now escape.
On the 19th, Cesare left Rome to head to Genoa via Ostia, and his departure caused Giustiniani to panic—worried that the duke would now get away.
But there was no occasion for his fears. On the very day of Cesare’s departure Julius sent fresh briefs to the Romagna, different indeed from those of November 3. In these he now expressed his disapproval of Alexander’s having conferred the vicarship of the Romagna upon Cesare Borgia, and he exhorted all to range themselves under the banner of the Church, under whose protection he intended to keep them.
But there was no reason for his fears. On the very day Cesare left, Julius sent new briefs to the Romagna, which were quite different from those issued on November 3. In these, he stated that he disapproved of Alexander granting the vicarship of the Romagna to Cesare Borgia, and he urged everyone to rally under the banner of the Church, under whose protection he planned to keep them.
Events followed quickly upon that. Two days later news reached the Pope that the Venetians had captured Faenza, whereupon he sent a messenger after Valentinois to suggest to the latter that he should surrender Forli and the other fiefs into pontifical hands. With this Cesare refused to comply, and, as a result, he was detained by the captain of the navy, in obedience to the instructions from Julius. At the same time the Pope broke the last link of the treaty with Cesare by appointing a new Governor of Romagna in the person of Giovanni Sacchi, Bishop of Ragusa. He commanded the latter to take possession of the Romagna in the name of the Church, and he issued another brief—the third within three weeks—demanding the State’s obedience to the new governor.
Events unfolded rapidly after that. Two days later, the Pope received word that the Venetians had taken Faenza, prompting him to send a message to Valentinois suggesting that he surrender Forli and the other fiefs to the Church. Cesare refused to do this, leading to his detention by the naval commander, following Julius's orders. At the same time, the Pope severed the last connection of the treaty with Cesare by appointing a new Governor of Romagna, Giovanni Sacchi, Bishop of Ragusa. He instructed Sacchi to take control of Romagna in the name of the Church and issued another brief—his third in three weeks—demanding the State's compliance with the new governor.
On November 26, Remolino, who had been at Ostia with Cesar; came to Rome, and, throwing himself at the feet of the Pontiff, begged for mercy for his lord, whom he now accounted lost. He promised Julius that Cesare should give him the countersigns of the strongholds, together with security for their surrender. This being all that the Pope could desire, he issued orders that Cesare be brought back to Rome, and in Consistory advised the Sacred College—by way, no doubt, of exculpating himself to men who knew that he was refusing to pay the price at which he had bought the Papacy—that the Venetians in the Romagna were not moving against the Church, but against Cesare himself—wherefore he had demanded of Cesare the surrender of the towns he held, that thus there might be an end to the war.
On November 26, Remolino, who had been in Ostia with Cesare, came to Rome and, throwing himself at the feet of the Pope, begged for mercy for his lord, whom he now considered lost. He promised Julius that Cesare would provide him with the countersigns for the strongholds, along with assurance of their surrender. This was everything the Pope could want, so he ordered that Cesare be brought back to Rome and, in Consistory, informed the Sacred College—likely to justify himself to those who knew he was refusing to pay the price for the Papacy—that the Venetians in Romagna were not acting against the Church but against Cesare himself. For this reason, he had asked Cesare to surrender the towns he controlled, hoping to bring an end to the war.
It was specious—which is the best that can be said for it.
It was misleading—which is the best that can be said for it.
As for putting an end to the war, the papal brief was far indeed from achieving any such thing, as was instantly plain from the reception it met with in the Romagna, which persisted in its loyalty to Cesare in despite of the very Pope himself. When that brief was read in Cesena a wild tumult ensued, and the people ran through the streets clamouring angrily for their duke.
As for ending the war, the papal message clearly did not accomplish that, as was immediately obvious from how it was received in Romagna, which remained loyal to Cesare despite the Pope himself. When that message was read in Cesena, a chaotic uproar broke out, and the people rushed through the streets shouting angrily for their duke.
It was very plain what short work would have been made of such men as the Ordelaffi and the Malatesta had Cesare gone north. But Cesare was fast at the Vatican, treated by the Pope with all outward friendliness and consideration, but virtually a prisoner none the less. Julius continued to press for the surrender of the Romagna strongholds, which Remolino had promised in his master’s name; but Cesare persisted obstinately to refuse, until the news reached him that Michele da Corella and della Volpe, who had gone north with seven hundred horse to support his Romagnuoli, had been cut to pieces in Tuscany by the army of Gianpaolo Baglioni.
It was obvious how quickly men like the Ordelaffi and the Malatesta would have been dealt with if Cesare had gone north. But Cesare was stuck at the Vatican, treated by the Pope with all outward friendliness and respect, yet essentially a prisoner. Julius kept insisting on the surrender of the Romagna strongholds, which Remolino had committed to in his master’s name; but Cesare stubbornly refused until he heard that Michele da Corella and della Volpe, who had gone north with seven hundred horse to support his Romagnuoli, had been wiped out in Tuscany by Gianpaolo Baglioni's army.
Cesare bore his burning grievance to the Pope. The Pope sympathized with him most deeply; then went to write a letter to the Florentines to thank them for what had befallen and to beg them to send him Michele da Corella under a strong escort—that redoubtable captain having been taken prisoner together with della Volpe.
Cesare brought his intense complaint to the Pope. The Pope empathized with him deeply and then wrote a letter to the Florentines to thank them for what had happened and to ask them to send him Michele da Corella under heavy guard—since that formidable captain had been captured alongside della Volpe.
Corella was known to be fully in the duke’s confidence, and there were rumours that he was accused of many things perpetrated on the duke’s behalf. Julius, bent now on Cesare’s ruin, desired to possess himself of this man in the hope of being able to put him upon his trial under charges which should reflect discredit upon Cesare.
Corella was known to have the full trust of the duke, and there were rumors that he was accused of many acts done on the duke’s behalf. Julius, now intent on bringing down Cesare, wanted to capture this man in the hope of putting him on trial for charges that would discredit Cesare.
At last the duke realized that he was betrayed, and that all was lost, and so he submitted to the inevitable, and gave the Pope the countersigns he craved. With these Julius at once dispatched an envoy into the Romagna, and, knowing the temper of Cesare’s captains, he insisted that this envoy should be accompanied by Piero d’Orvieto, as Cesare’s own commissioner, to demand that surrender.
At last, the duke understood that he had been betrayed and that everything was lost. So, he accepted reality and gave the Pope the passwords he wanted. With these, Julius quickly sent an envoy to the Romagna and, knowing the attitudes of Cesare’s captains, insisted that this envoy should be accompanied by Piero d’Orvieto, serving as Cesare’s own representative, to demand the surrender.
But the intrepid Pedro Ramires, who held Cesena, knowing the true facts of the case, and conceiving how his duke had been constrained, instead of making ready to yield, proceeded further to fortify for resistance. When the commissioners appeared before his gates he ordered the admission of Piero d’Orvieto. That done, he declared that he desired to see his duke at liberty before he would surrender the citadel which he held for him, and, taking d’Orvieto, he hanged him from the battlements as a traitor and a bad servant who did a thing which the duke, had he been at liberty, would never have had him do.
But the fearless Pedro Ramires, who controlled Cesena, knowing the real situation and understanding how his duke had been forced into this position, instead of preparing to give up, took further steps to strengthen his defenses. When the commissioners arrived at his gates, he allowed Piero d’Orvieto to enter. Once that was done, he stated that he wanted to see his duke free before he would surrender the citadel he was holding for him. Then, taking d'Orvieto, he hanged him from the battlements as a traitor and a disloyal servant who did something the duke, if he had been free, would never have asked him to do.
Moncalieri, the papal envoy, returned to Rome with the news, and this so inflamed the Pope that the Cardinals Lodovico Borgia and Francesco Remolino, together with other Borgia partisans, instantly fled from Rome, where they no longer accounted themselves safe, and sought refuge with Gonzalo de Cordoba in the Spanish camp at Naples, imploring his protection at the same time for Cesare.
Moncalieri, the papal envoy, came back to Rome with the news, and this made the Pope so furious that Cardinals Lodovico Borgia and Francesco Remolino, along with other Borgia supporters, immediately fled from Rome, feeling unsafe there, and sought refuge with Gonzalo de Cordoba in the Spanish camp in Naples, asking him to protect Cesare as well.
The Pope’s anger first vented itself in the confiscation of the Duke of Valentinois’s property wherever possible, to satisfy the claims of the Riarii (the Pope’s nephews) who demanded an indemnity of 50,000 ducats, of Guidobaldo, who demanded 200,000 ducats, and of the Florentine Republic, which claimed the same. The duke’s ruin was by now—within six weeks of the election of Julius II—an accomplished fact; and many were those who chose to fall with him rather than abandon him in his extremity. They afford a spectacle of honour and loyalty that was exceedingly rare in the Italy of the Renaissance; clinging to their duke, even when the last ray of hope was quenched, they lightened for him the tedium of those last days at the Vatican during which he was no better than a prisoner of state.
The Pope’s anger first showed itself through the confiscation of the Duke of Valentinois’s property whenever possible, to satisfy the demands of the Riarii (the Pope’s nephews) who wanted 50,000 ducats, Guidobaldo, who wanted 200,000 ducats, and the Florentine Republic, which claimed the same amount. The duke’s downfall was already a done deal—just six weeks after Julius II was elected; many chose to go down with him rather than leave him in his time of need. They provided a rare display of honor and loyalty in Renaissance Italy; sticking by their duke, even when all hope was lost, they made his last days at the Vatican a bit more bearable, during which he was effectively a state prisoner.
Suddenly came news of Gonzalo de Cordoba’s splendid victory at Garigliano—a victory which definitely broke the French and gave the throne of Naples to Spain. Naturally this set Spanish influence once more, and mightily, in the ascendant, and the Spanish cardinals, together with the ambassador of Spain, came to exert with the Pope an influence suddenly grown weighty.
Suddenly, news arrived of Gonzalo de Cordoba’s impressive victory at Garigliano—a victory that decisively defeated the French and secured the throne of Naples for Spain. Naturally, this boosted Spanish influence once again, and powerfully, and the Spanish cardinals, along with the Spanish ambassador, came to exert a suddenly significant influence over the Pope.
As a consequence, Cesare, escorted by Carvajal, Cardinal of Santa Croce, was permitted to depart to Ostia, whence he was to take ship for France. Leastways, such was the understanding upon which he left the Vatican. But the Pope was not minded, even now, to part with him so easily, and his instructions to Carvajal were that at Ostia he should await further orders before sailing.
As a result, Cesare, accompanied by Carvajal, Cardinal of Santa Croce, was allowed to leave for Ostia, where he was supposed to catch a ship to France. At least, that was the arrangement he had when he left the Vatican. However, the Pope was not ready to let him go so easily, and his instructions to Carvajal were to wait for further orders at Ostia before sailing.
But on December 26, news reaching the Spanish cardinal that the Romagna fortresses—persuaded that Cesare had been liberated—had finally surrendered, Carvajal took it upon himself to allow Cesare to depart, upon receiving from him a written undertaking never to bear arms against Pope Julius II.
But on December 26, news came to the Spanish cardinal that the Romagna fortresses—convinced that Cesare had been freed—had finally surrendered. Carvajal decided to let Cesare leave after receiving a written promise from him that he would never take up arms against Pope Julius II.
So the Duke of Valentinois at last regained his freedom. Whether, in repairing straight to Naples, as he did, he put a preconceived plan into execution, or whether, even now, he mistrusted his enlargement, and thought thus to make himself secure, cannot be ascertained. But straight to Gonzalo de Cordoba’s Spanish camp he went, equipped with a safe-conduct from the Great Captain, obtained for Cesare by Cardinal Remolino.
So the Duke of Valentinois finally got his freedom. It’s unclear whether he immediately went to Naples with a specific plan in mind or if he still doubted his release and thought this would make him safe. However, he went straight to Gonzalo de Cordoba’s Spanish camp, armed with a safe-conduct from the Great Captain, which Cardinal Remolino had secured for Cesare.
There he found a court of friends already awaiting him, among whom were his brother Giuffredo and the Cardinal Lodovico Borgia, and he received from Gonzalo a very cordial welcome.
There he found a group of friends already waiting for him, including his brother Giuffredo and Cardinal Lodovico Borgia, and he received a very warm welcome from Gonzalo.
Spain was considering the invasion of Tuscany with the ultimate object of assailing Milan and driving the French out of the peninsula altogether. Piero de’Medici—killed at Garigliano—had no doubt been serving Spain with some such end in view as the conquest of Florence, and, though Piero was dead, there was no reason why the plan should be abandoned; rather, all the more reason to carry it forward, since now Spain would more directly profit by it. Bartolomeo d’Alviano was to have commanded the army destined for that campaign; but Cesare, by virtue of his friends and influence in Pisa, Siena, and Piombino, was so preferable a captain for such an expedition that Gonzalo gave him charge of it within a few days of his arrival at the Spanish camp.
Spain was looking into invading Tuscany with the main goal of attacking Milan and pushing the French completely out of the peninsula. Piero de’ Medici—who was killed at Garigliano—likely had been working with Spain towards something like the conquest of Florence, and even though Piero was dead, there was no reason to abandon the plan; in fact, it made even more sense to move forward with it, since Spain would benefit more directly now. Bartolomeo d’Alviano was set to lead the army for that campaign, but Cesare, because of his connections and influence in Pisa, Siena, and Piombino, was seen as a better choice for such an expedition, so Gonzalo gave him command just a few days after he arrived at the Spanish camp.
To Cesare this would have been the thin end of a mighty edge. Here was a chance to begin all over again, and, beginning thus, backed by Spanish arms, there was no saying how far he might have gone. Meanwhile, what a beginning! To avenge himself thus upon that Florentine Republic which, under the protection of France, had dared at every turn to flout him and had been the instrument of his ultimate ruin! Sweet to him would have been the poetic justice he would have administered—as sweet to him as it would have been terrible to Florence, upon which he would have descended like another scourge of God.
To Cesare, this would have been the first step of a significant advantage. Here was a chance to start fresh, and with Spanish support, there was no telling how far he could have gone. In the meantime, what a way to start! To get revenge on that Florentine Republic which, under French protection, had constantly mocked him and had been the cause of his ultimate downfall! The poetic justice he could have delivered would have been as satisfying to him as it would have been devastating to Florence, which he would have attacked like another scourge of God.
Briskly and with high-running hopes he set about his preparations during that spring of 1504 what time the Pope’s Holiness in Rome was seeking to justify his treachery by heaping odium upon the Borgias. Thus he thought to show that if he had broken faith, he had broken faith with knaves deserving none. It was in pursuit of this that Michele da Corella was now pressed with questions, which, however, yielded nothing, and that Asquino de Colloredo (the sometime servant of Cardinal Michaeli) was tortured into confessing that he had poisoned his master at the instigation of Alexander and Cesare—as has been seen—which confession Pope Julius was very quick to publish.
Briskly and with high hopes, he started his preparations during the spring of 1504 while the Pope in Rome was trying to justify his betrayal by blaming the Borgias. He wanted to show that if he had betrayed someone, it was with dishonest people who deserved it. In this pursuit, Michele da Corella was bombarded with questions, but they produced no useful information, and Asquino de Colloredo (once a servant of Cardinal Michaeli) was tortured into confessing that he had poisoned his master at the urging of Alexander and Cesare—as has been noted—which confession Pope Julius was quick to share.
But in Naples, it may well be that Cesare cared nought for these matters, busy and hopeful as he was just then. He dispatched Baldassare da Scipione to Rome to enlist what lances he could find, and Scipione put it about that his lord would soon be returning to his own and giving his enemies something to think about.
But in Naples, it’s possible that Cesare didn’t care at all about these things, busy and optimistic as he was at that moment. He sent Baldassare da Scipione to Rome to gather as many soldiers as he could, and Scipione spread the word that his lord would soon be back home and giving his enemies something to worry about.
And then, suddenly, out of clearest heavens, fell a thunderbolt to shiver this last hope.
And then, suddenly, out of the clearest skies, a lightning bolt struck to shatter this final hope.
On the night of May 26, as Cesare was leaving Gonzalo’s quarters, where he had supped, an officer stepped forward to demand his sword. He was under arrest.
On the night of May 26, as Cesare was leaving Gonzalo’s room, where he had eaten dinner, an officer stepped forward to demand his sword. He was under arrest.
Julius II had out-manoeuvred him. He had written to Spain setting forth what was his agreement with Valentinois in the matter of the Romagna—the original agreement which was the price of the Pontificate, had, of course, been conveniently effaced from the pontifical memory. He addressed passionate complaints to Ferdinand and Isabella that Gonzalo de Cordoba and Cardinal Carvajal between them were affording Valentinois the means to break that agreement, and to undertake matters that were hostile to the Holy See. And Ferdinand and Isabella had put it upon Gonzalo de Cordoba, that most honourable and gallant captain, to do this thing in gross violation of his safe-conduct and plighted word to Valentinois. It was a deed under the shame of which the Great Captain confessedly laboured to the end of his days, as his memory has laboured under it ever since. For great captains are not afforded the immunity enjoyed by priests and popes jointly with other wearers of the petticoat from the consequences of falsehood and violated trust.
Julius II had outsmarted him. He had written to Spain explaining his agreement with Valentinois concerning the Romagna—the original deal that secured the papacy had, of course, been conveniently forgotten. He sent passionate complaints to Ferdinand and Isabella, claiming that Gonzalo de Cordoba and Cardinal Carvajal were enabling Valentinois to break that agreement and do things that were against the interests of the Holy See. Ferdinand and Isabella had assigned the honorable and brave Gonzalo de Cordoba to carry out this action, which was a serious violation of his safe-conduct and promise to Valentinois. This act weighed heavily on the Great Captain until the end of his days, and his reputation has suffered from it ever since. Unlike priests and popes, who often escape the consequences of lies and breached trust, great captains are not granted such immunity.
Fierce and bitter were Valentinois’s reproaches of the Great Captain for this treachery—as fierce and bitter as they were unavailing. On August 20, 1504, Cesare Borgia took ship for Spain—a prisoner bound for a Spanish dungeon. Thus, at the early age of twenty-nine, he passed from Italy and the deeds that well might have filled a lifetime.
Fierce and bitter were Valentinois’s accusations against the Great Captain for this betrayal—just as fierce and bitter as they were futile. On August 20, 1504, Cesare Borgia boarded a ship for Spain—a prisoner heading to a Spanish dungeon. Thus, at the young age of twenty-nine, he left Italy and the actions that could have easily defined a lifetime.
Conspicuous amid those he left behind him who remained loyal to their duke was Baldassare Scipione, who published throughout Christendom a cartel, wherein he challenged to trial by combat any Spaniard who dared deny that the Duke of Valentinois had been detained a prisoner in Naples in spite of the safe-conduct granted him in the name of Ferdinand and Isabella, “with great shame and infamy to their crown.”(1)
Conspicuous among those he left behind who stayed loyal to their duke was Baldassare Scipione, who published a challenge throughout Christendom, daring any Spaniard to a trial by combat who claimed that the Duke of Valentinois had not been held as a prisoner in Naples, despite the safe-conduct issued in the name of Ferdinand and Isabella, “with great shame and infamy to their crown.”(1)
1 Quoted by Alvisi, on the authority of a letter of Luigi da Porto, March 16, 1510, in Lettere Storiche.
1 Quoted by Alvisi, based on a letter from Luigi da Porto, March 16, 1510, in Lettere Storiche.
This challenge was never taken up.
This issue was never resolved.
Amongst other loyal ones was that fine soldier of fortune, Taddeo della Volpe, who, in his Florentine prison, refused all offers to enter the service of the Signory until he had learnt that his lord was gone from Italy.
Among other loyal supporters was the brave mercenary, Taddeo della Volpe, who, while in his Florentine prison, rejected all offers to serve the Signory until he found out that his lord had left Italy.
Fracassa and Mirafuente had held Forli until they received guarantees for Cesare’s safety (after he had left Ostia to repair to the Spanish camp). They then rode out, with the honours of war, lance on thigh. Dionigio di Naldo, that hardy captain of foot, entered the service of Venice; but to the end he wore the device of his dear lord, and imposed the same upon all who served under his banner.
Fracassa and Mirafuente had held Forli until they got guarantees for Cesare’s safety (after he left Ostia to head to the Spanish camp). They then rode out, with the honors of war, lance on thigh. Dionigio di Naldo, the tough captain of foot, joined the service of Venice; but until the end, he wore the emblem of his beloved lord and made sure everyone under his banner did the same.
Don Michele da Corella was liberated by Julius II after an interrogatory which can have revealed nothing defamatory to Cesare or his father; as it is unthinkable that a Pope who did all that man could do to ruin the House of Borgia and to befoul its memory, should have preserved silence touching any such revelations as were hoped for when Corella was put to torture. That most faithful of all Cesare’s officers—and sharer of the odium that has been heaped upon Cesare’s name—entered the service of the Signory of Florence.
Don Michele da Corella was freed by Julius II after an interrogation that likely revealed nothing damaging to Cesare or his father; it's hard to believe a Pope who did everything possible to destroy the Borgia family and tarnish its reputation would have remained quiet about any disclosures that were hoped for when Corella was tortured. The most loyal of all Cesare’s officers—and someone who shared in the blame that has fallen on Cesare’s name—joined the service of the Signory of Florence.
CHAPTER IV. ATROPOS
Vain were the exertions put forth by the Spanish cardinals to obtain Cesare’s enlargement, and vainer still the efforts of his sister Lucrezia, who wrote letter after letter to Francesco Gonzaga of Mantua—now Gonfalonier of the Church, and a man of influence at the Vatican—imploring him to use his interest with the Pope to the same end.
Vain were the efforts made by the Spanish cardinals to secure Cesare's release, and even more futile were the attempts by his sister Lucrezia, who wrote letter after letter to Francesco Gonzaga of Mantua—now the Gonfalonier of the Church and an influential figure at the Vatican—begging him to leverage his connection with the Pope for the same purpose.
Julius II remained unmoved, fearing the power of Cesare Borgia, and resolved that he should trouble Italy no more. On the score of that, no blame attaches to the Pope. The States which Borgia had conquered in the name of the Church should remain adherent to the Church. Upon that Julius was resolved, and the resolve was highly laudable. He would have no duke who controlled such a following as did Cesare, using those States as stepping-stones to greater dominions in which, no doubt, he would later have absorbed them, alienating them, so, from the Holy See.
Julius II stayed firm, worried about the influence of Cesare Borgia, and decided he wouldn't let him cause any more trouble in Italy. Because of this, the Pope shouldn't be blamed. The territories that Borgia had taken in the name of the Church should remain loyal to the Church. Julius was determined about this, and his decision was commendable. He wouldn't accept a duke who had such a following as Cesare, using those territories as a means to gain even more power, which would ultimately lead to their separation from the Holy See.
In all this Julius II was most fully justified. The odious matter in his conduct, however, is the abominable treachery it entailed, following as it did upon the undertaking by virtue of which he gained the tiara.
In all this, Julius II was completely justified. However, the unpleasant aspect of his actions is the terrible betrayal it involved, coming as it did after the effort through which he obtained the tiara.
For some months after his arrival in Spain, Cesare was confined in the prison of Chinchilla, whence—as a result, it is said, of an attempt on his part to throw the governor bodily over the battlements—he was removed to the fortress of Medina del Campo, and kept well guarded by orders of the Pope.
For several months after arriving in Spain, Cesare was held in the Chinchilla prison, where—reportedly due to an attempt to throw the governor over the battlements—he was transferred to the fortress of Medina del Campo, under strict guard by the Pope's orders.
Rumours that he had been liberated by the King of Spain overran the Romagna more than once, and set the country in a ferment, even reaching the Vatican and shaking the stout-hearted Julius into alarm.
Rumors that he had been freed by the King of Spain spread through Romagna multiple times, causing unrest in the region and even reaching the Vatican, making the strong-willed Julius nervous.
One chance of regaining his ancient might, and wreaking a sweet and terrific vengeance upon his betrayers came very close to him, but passed him by. This chance occurred in 1505, when—Queen Isabella being dead—King Ferdinand discovered that Gonzalo de Cordoba was playing him false in Naples. The Spanish king conceived a plan—according to the chronicles of Zurita—to employ Cesare as a flail for the punishment of the Great Captain. He proposed to liberate the duke, set him at the head of an army, and loose him upon Naples, trusting to the formidable alliance of Cesare’s military talents with his hatred of Gonzalo—who had betrayed him—to work the will of his Catholic Majesty.
One opportunity to regain his former power and get sweet revenge on those who betrayed him came very close, but ultimately slipped away. This opportunity arose in 1505, when—after the death of Queen Isabella—King Ferdinand found out that Gonzalo de Cordoba was deceiving him in Naples. The Spanish king came up with a plan—according to the chronicles of Zurita—to use Cesare as a weapon against the Great Captain. He intended to free the duke, place him at the head of an army, and send him against Naples, relying on the powerful combination of Cesare’s military skills and his hatred for Gonzalo—who had betrayed him—to carry out the will of his Catholic Majesty.
Unfortunately for Cesare, there were difficulties. Ferdinand’s power was no longer absolute in Castille now that Isabella was dead. He sought to overcome these difficulties; but the process was a slow one, and in the course of it, spurred also by increased proofs of his lieutenant’s perfidy, Ferdinand lost patience, and determined—the case having grown urgent—to go to Naples in person to deal with Gonzalo.
Unfortunately for Cesare, there were challenges. Ferdinand’s power was no longer absolute in Castile now that Isabella had died. He tried to overcome these challenges, but it was a slow process, and during that time, fueled by more evidence of his lieutenant’s betrayal, Ferdinand lost his patience and decided—the situation becoming urgent—to go to Naples himself to deal with Gonzalo.
Plainly, Cesare’s good fortune, which once had been proverbial, had now utterly deserted him.
Clearly, Cesare’s good luck, which used to be well-known, had completely abandoned him now.
He had received news of what was afoot, and his hopes had run high once more, only to suffer cruel frustration when he learnt that Ferdinand had sailed, himself, for Naples. In his despair the duke roused himself to a last effort to win his freedom.
He had heard about what was going on, and his hopes had risen once again, only to be crushed when he found out that Ferdinand had set sail for Naples. In his despair, the duke gathered himself for one last push to gain his freedom.
His treatment in prison was fairly liberal, such as is usually measured out to state prisoners of consideration. He was allowed his own chaplain and several attendants, and, whilst closely guarded and confined to the Homenaje Tower of the fortress, yet he was not oppressively restrained. He was accorded certain privileges and liberties; he enjoyed the faculty of corresponding with the outer world, and even of receiving visits. Amongst his visitors was the Count of Benavente—a powerful lord of the neighbourhood, who, coming under the spell of Cesare’s fascination, became so attached to him, and so resolved to do his will and effect his liberation, that—says Zurita—he was prepared even to go the length of accomplishing it by force of arms should no other way present itself.(1)
His treatment in prison was quite lenient, typical for state prisoners of his status. He had his own chaplain and several attendants, and although he was closely guarded and confined to the Homenaje Tower of the fortress, he wasn’t overly restricted. He was granted certain privileges and freedoms; he could communicate with the outside world and even receive visitors. Among his visitors was the Count of Benavente—a powerful local lord—who, drawn in by Cesare’s charm, became so attached to him and so determined to fulfill his wishes and secure his freedom that, as Zurita notes, he was even willing to resort to using force if necessary. (1)
1 Sanuto confirms Zurita, in the main, by letters received by the Venetian Senate.
1 Sanuto mostly confirms Zurita through letters received by the Venetian Senate.
Another way, however, did present itself, and Benavente and the duke hatched a plot of evasion in which they had the collaboration of the chaplain and a servant of the governor’s, named Garcia.
Another way, however, came up, and Benavente and the duke came up with a plan to escape with the help of the chaplain and a servant of the governor named Garcia.
One September night a cord was let down from the crenels of the tower, and by this the duke was to descend from his window to the castle ditch, where Benavente’s men awaited him. Garcia was to go with him since, naturally, it would not be safe for the servants to remain behind, and Garcia now let himself down that rope, hand over hand, from the terrible height of the duke’s window. It was only when he had reached the end of it that he discovered that the rope was not long enough, and that below him there was still a chasm that might well have appalled even desperate men.
One September night, a rope was lowered from the battlements of the tower, allowing the duke to climb down from his window into the castle ditch, where Benavente’s men were waiting for him. Garcia was to accompany him since, of course, it wouldn’t be safe for the servants to stay behind, and Garcia began to lower himself down the rope, hand over hand, from the daunting height of the duke’s window. It was only when he reached the end of the rope that he realized it wasn’t long enough, and that below him was still a drop that could have scared even the most desperate men.
To return was impossible. The duke above was growing impatient. Garcia loosed his hold, and dropped the remainder of the distance, breaking both his legs in the fall. Groaning, he lay there in the ditch, whilst hand over hand now came the agile, athletic duke, unconscious of his predecessor’s fate, and of what awaited him at the end. He reached it, and was dangling there, perhaps undecided whether or not to take that daring leap, when suddenly his doubts were resolved for him. His evasion was already discovered. The castle was in alarm, and some one above him cut the rope and precipitated him into the ditch.
To go back was impossible. The duke above was getting impatient. Garcia let go and dropped the rest of the way, breaking both his legs in the fall. Groaning, he lay there in the ditch, while the agile, athletic duke climbed up, unaware of what had happened to the one before him and what was waiting at the end. He reached the top and was hanging there, perhaps unsure whether to take that daring leap, when suddenly his doubts were taken away. His escape had already been discovered. The castle was on high alert, and someone above him cut the rope, sending him crashing into the ditch.
Benavente’s men—we do not know how many of them were at hand—ran to him instantly. They found him seriously injured, and that he, too, had broken bones is beyond doubt. They lifted him up, and bore him with all speed to the horses. They contrived, somehow, to mount him upon one, and, holding him in the saddle, they rode off as fast as was possible under the circumstances. There was no time to go back for the unfortunate Garcia. The castle was all astir by now to stop the fugitives, and to have returned would have been to suffer capture themselves as well as the duke, without availing the servant.
Benavente’s men—we don’t know how many were there—ran to him right away. They found him seriously hurt, and it’s clear he had broken bones as well. They picked him up and rushed him to the horses. They managed to get him on one, and while holding him in the saddle, they rode off as quickly as they could under the circumstances. There was no time to go back for the unfortunate Garcia. The castle was in chaos trying to stop the fugitives, and going back would only risk their own capture along with the duke, without being able to save the servant.
So poor Garcia was left to his fate. He was found by the governor where he had fallen, and he was immediately put to death.
So poor Garcia was left to his fate. He was found by the governor where he had fallen, and he was immediately executed.
If the people of Medina organized a pursuit it availed them nothing, for Cesare was carried safely to Benavente’s stronghold at Villalon.
If the people of Medina organized a chase, it did them no good, because Cesare was safely taken to Benavente’s stronghold at Villalon.
There he lay for some five or six weeks to recover from the hurts he had taken in escaping, and to allow his hands—the bones of which were broken—to become whole again. At last, being in the main recovered, though with hands still bandaged, he set out with two attendants and made for Santander. Thence they took ship to Castro Urdiales, Cesare aiming now at reaching the kingdom of Navarre and the protection of his brother-in-law the king.
There he lay for about five or six weeks to recover from the injuries he sustained while escaping and to let his broken hands heal. Finally, mostly recovered but still with his hands bandaged, he set out with two attendants and headed for Santander. From there, they took a ship to Castro Urdiales, with Cesare now aiming to reach the kingdom of Navarre and the protection of his brother-in-law, the king.
At the inn at Santander, where, weary and famished, they sat down to dine after one of the grooms had made arrangements for a boat, they had a near escape of capture. The alcalde, hearing of the presence of these strangers, and his suspicions being aroused by the recklessly high price they had agreed to pay the owner of the vessel which they had engaged, came to examine them. But they had a tale ready that they were wheat-merchants in great haste to reach Bernico, that a cargo of wheat awaited them there, and that they would suffer great loss by delay. The tale was smooth enough to satisfy the alcalde, and they were allowed to depart. They reached Castro Urdiales safely, but were delayed there for two days, owing to the total lack of horses; and they were forced, in the end, to proceed upon mules obtained from a neighbouring convent. On these they rode to Durango, where they procured two fresh mules and a horse, and so, after further similar vicissitudes, they arrived at Pampeluna on December 3, 1506, and Cesare startled the Court of his brother-in-law, King Jean of Navarre, by suddenly appearing in it—“like the devil.”
At the inn in Santander, where they sat down to eat, tired and hungry, after one of the grooms arranged for a boat, they nearly got caught. The alcalde, hearing about the presence of these strangers and becoming suspicious of the unusually high price they agreed to pay the boat owner, came to check on them. But they had a ready story that they were wheat merchants in a hurry to get to Bernico, where a cargo of wheat awaited them, and that they would suffer significant losses if delayed. Their story was convincing enough to satisfy the alcalde, and they were allowed to leave. They reached Castro Urdiales safely but were held up for two days due to a complete lack of horses, and they ended up having to proceed on mules they got from a nearby convent. They rode these to Durango, where they got two fresh mules and a horse, and after going through more similar troubles, they arrived in Pampeluna on December 3, 1506, surprising the Court of his brother-in-law, King Jean of Navarre, by suddenly showing up—“like the devil.”
The news of his evasion had already spread to Italy and set it in a ferment, inspiring actual fear at the Vatican. The Romagna was encouraged by it to break out into open and armed insurrection against the harsh rule of Julius II—who seems to have been rendered positively vindictive towards the Romagnuoli by their fidelity to Valentinois. Thus had the Romagna fallen again into the old state of insufferable oppression from which Cesare had once delivered it. The hopes of the Romagnuoli rose in a measure, as the alarm spread among the enemies of Cesare—for Florence and Venice shared now the anxiety of the Vatican. Zurita, commenting upon this state of things, pays Cesare the following compliment, which the facts confirm as just:
The news of his escape had already made its way to Italy, causing a stir and actual fear at the Vatican. The Romagna felt encouraged to rise up in armed rebellion against the harsh rule of Julius II—who seemed to have become quite vengeful towards the Romagnuoli because of their loyalty to Valentinois. As a result, the Romagna fell back into the unbearable oppression from which Cesare had once rescued it. The hopes of the Romagnuoli increased somewhat as alarm spread among Cesare’s enemies—Florence and Venice now shared the Vatican's anxiety. Zurita, commenting on this situation, gives Cesare the following compliment, which the facts confirm as accurate:
“The duke was such that his very presence was enough to set all Italy agog; and he was greatly beloved, not only by men of war, but also by many people of Tuscany and of the States of the Church.”
“The duke was so impressive that just his presence could captivate all of Italy; he was greatly admired, not only by soldiers but also by many people from Tuscany and the States of the Church.”
Cesare’s wife—Charlotte d’Albret—whom he had not seen since that September of 1499, was at Bourges at the Court of her friend, the saintly, repudiated first wife of Louis XII. It is to be supposed that she would be advised of her husband’s presence at her brother’s Court; but there is no information on this score, nor do we know that they ever met.
Cesare’s wife—Charlotte d’Albret—whom he hadn’t seen since that September of 1499, was in Bourges at the Court of her friend, the saintly, rejected first wife of Louis XII. It’s likely she was informed of her husband’s presence at her brother’s Court; however, there’s no information on this, nor do we know if they ever met.
Within four days of reaching Pampeluna Cesare dispatched his secretary Federico into Italy to bear the news of his escape to his sister Lucrezia at Ferrara, and a letter to Francesco Gonzaga, of Mantua, which was little more than one of introduction, the more important matters to be conveyed to Gonzaga going, no doubt, by word of mouth. Federico was arrested at Bologna by order of Julius II, after he had discharged his mission.
Within four days of arriving in Pampeluna, Cesare sent his secretary Federico to Italy to inform his sister Lucrezia in Ferrara about his escape. He also included a letter to Francesco Gonzaga in Mantua, which was mainly an introduction, as the more important messages for Gonzaga were likely communicated verbally. Federico was arrested in Bologna under orders from Julius II after he completed his mission.
France was now Cesare’s only hope, and he wrote to Louis begging his royal leave to come to take his rank as a prince of that country, and to serve her.
France was now Cesare’s only hope, and he wrote to Louis, asking for his royal permission to come and take his place as a prince of that country, and to serve her.
You may justly have opined, long since, that the story here set down is one never-ending record of treacheries and betrayals. But you will find little to surpass the one to come. The behaviour of Louis at this juncture is contemptible beyond words, obeying as it does the maxim of that age, which had it that no inconvenient engagement should be observed if there was opportunity for breaking it.
You might have rightly thought, a long time ago, that the story recorded here is an endless tale of betrayals and treacheries. But you won’t find anything more shocking than what’s about to unfold. Louis’s actions at this point are utterly despicable, following the common belief of that time that no inconvenient commitment needed to be honored if there was a chance to break it.
Following this detestable maxim, Louis XII had actually gone the length of never paying to Charlotte d’Albret the dot of 100,000 livres Tournois, to which he had engaged himself by written contract. When Cesare, in prison at Medina and in straits for money, had solicited payment through his brother-in-law of Navarre, his claim had been contemptuously disregarded.
Following this awful principle, Louis XII never actually paid Charlotte d’Albret the dowry of 100,000 livres Tournois, which he had promised in a written contract. When Cesare, imprisoned in Medina and short on cash, had asked for payment through his brother-in-law from Navarre, his request was dismissively ignored.
But there was worse to follow. Louis now answered Cesare’s request for leave to come to France by a letter (quoted in full by M. Yriarte from the Archives des Basses Pyrénées) in which his Very Christian Majesty announces that the duchy of Valentinois and the County of Dyois have been restored to the crown of France, as also the lordship of Issoudun. And then follows the pretext, of whose basely paltry quality you shall judge for yourselves. It runs:
But worse was to come. Louis responded to Cesare’s request to come to France with a letter (fully quoted by M. Yriarte from the Archives des Basses Pyrénées) in which his Very Christian Majesty announces that the duchy of Valentinois and the County of Dyois have been returned to the crown of France, along with the lordship of Issoudun. And then comes the excuse, whose utterly trivial nature you can judge for yourselves. It goes:
“After the decease of the late Pope Alexander, when our people and our army were seeking the recovery of the kingdom of Naples, he [Cesare] went over to the side of our enemies, serving, favouring, and assisting them at arms and otherwise against ourselves and our said people and army, which resulted to us in great and irrecoverable loss.”
“After the death of the late Pope Alexander, when our people and army were trying to reclaim the kingdom of Naples, he [Cesare] switched sides to our enemies, helping and supporting them in battle and in other ways against us and our people and army, which led to significant and irreversible losses on our part.”
The climax is in the deliberate falsehood contained in the closing words. Poor Cesare, who had served France at her call—in spite of what was rumoured of his intentions—as long as he had a man-at-arms to follow him, had gone to Naples only in the hour of his extreme need. True, he had gone to offer himself to Spain as a condottiero when naught else was left to him; but he took no army with him—he went alone, a servant, not an ally, as that false letter pretends. He had never come to draw his sword against France, and certainly no loss had been suffered by France in consequence of any action of his. Louis’s army was definitely routed at Garigliano, with Cesare’s troops fighting in its ranks.
The climax lies in the deliberate deception found in the final words. Poor Cesare, who had served France whenever called—despite rumors about his motives—had gone to Naples only when he was in desperate need. True, he had gone to offer himself to Spain as a mercenary when he had nothing left; but he took no army with him—he went alone, as a servant, not as an ally, as that misleading letter suggests. He had never come to fight against France, and there was certainly no setback for France due to anything he did. Louis’s army was decisively defeated at Garigliano, with Cesare’s troops fighting alongside them.
But Pope Alexander was dead; Cesare’s might in in Italy was dissipated; his credit gone. There lay no profit for Louis in keeping faith with him; there lay some profit in breaking it. Alas, that a king should stain his honour with base and vulgar lies to minister to his cupidity, and that he should set them down above his seal and signature to shame him through centuries still in the womb of Time!
But Pope Alexander was dead; Cesare’s power in Italy was fading; his reputation was gone. There was no benefit for Louis in staying loyal to him; there was some benefit in betraying him. It’s unfortunate that a king should tarnish his honor with cheap and shameful lies to satisfy his greed, and that he would put them down with his seal and signature to disgrace him for centuries to come!
Cesare Borgia, landless, without right to any title, he that had held so many, betrayed and abandoned on every side, had now nothing to offer in the world’s market but his stout sword and his glad courage. These went to the first bidder for them, who happened to be his brother-in-law King Jean.
Cesare Borgia, without land or any title—despite having held many—betrayed and abandoned on all sides, now had nothing to offer in the world's marketplace except his strong sword and his brave spirit. These were taken by the first bidder, who was his brother-in-law King Jean.
Navarre at the time was being snarled and quarrelled over by France and Spain, both menacing its independence, each pretending to claims upon it which do not, in themselves, concern us.
Navarre was caught in a conflict between France and Spain, with both threatening its independence and each making claims on it that don’t really concern us.
In addition, the country itself was torn by two factions—the Beaumontes and the Agramontes—and it was entrusted to Cesare to restore Navarre to peace and unity at home before proceeding—with the aid upon which he depended from the Emperor Maximilian—to deal with the enemies beyond her frontiers.
In addition, the country itself was divided by two factions—the Beaumontes and the Agramontes—and it was up to Cesare to bring peace and unity back to Navarre before moving on—with the help he relied on from Emperor Maximilian—to confront the enemies beyond its borders.
The Castle of Viana was being held by Louis de Beaumont—chief of the faction that bore his name—and refused to surrender to the king. To reduce it and compel Beaumont to obedience went Cesare as Captain-General of Navarre, early in February of 1507. He commanded a considerable force, some 10,000 strong, and with this and his cannon he laid siege to the citadel.
The Castle of Viana was held by Louis de Beaumont—leader of the faction named after him—and refused to give it up to the king. To conquer it and force Beaumont to comply, Cesare went as Captain-General of Navarre, early in February 1507. He led a significant army of about 10,000 troops, and with this force and his cannons, he laid siege to the citadel.
The natural strength of the place was such as might have defied any attempt to reduce it by force; but victuals were running low, and there was every likelihood of its being speedily starved into surrender. To frustrate this, Beaumont conceived the daring plan of attempting to send in supplies from Mendavia. The attempt being made secretly, by night and under a strong escort, was entirely successful; but, in retreating, the Beaumontese were surprised in the dawn of that February morning by a troop of reinforcements coming to Cesare’s camp. These, at sight of the rebels, immediately gave the alarm.
The natural strength of the place was so impressive that it could have resisted any attempt to take it by force; however, food supplies were running low, and it was very likely that it would be forced to surrender due to starvation. To prevent this, Beaumont came up with the bold idea of sending supplies from Mendavia. The operation was carried out secretly, at night, and with a strong escort, and it was completely successful; but as the Beaumontese were retreating, they were caught off guard at dawn on that February morning by a group of reinforcements heading to Cesare’s camp. These reinforcements immediately raised the alarm upon seeing the rebels.
The most hopeless confusion ensued in the town, where it was at once imagined that a surprise attack was being made upon the Royalists, and that they had to do with the entire rebel army.
The town was thrown into complete chaos as everyone immediately thought that a surprise attack was happening against the Royalists and that they were facing the entire rebel army.
Cesare, being aroused by the din and the blare of trumpets calling men to arms, sprang for his weapons, armed himself in haste, flung himself on a horse, and, without pausing so much as to issue a command to his waiting men-at-arms, rode headlong down the street to the Puerta del Sol. Under the archway of the gate his horse stumbled and came down with him. With an oath, Cesare wrenched the animal to its feet again, gave it the spur, and was away at a mad, furious gallop in pursuit of the retreating Beaumont rearguard.
Cesare, stirred by the noise and the sound of trumpets summoning men to battle, grabbed his weapons, quickly got ready, jumped on a horse, and without even stopping to give a command to his waiting soldiers, charged down the street to the Puerta del Sol. Under the archway of the gate, his horse stumbled and fell with him. Cursing, Cesare yanked the horse up again, urged it forward, and took off in a frenzied gallop after the retreating Beaumont rearguard.
The citizens, crowding to the walls of Viana, watched that last reckless ride of his with amazed, uncomprehending eyes. The peeping sun caught his glittering armour as he sped, so that of a sudden he must have seemed to them a thing of fire—meteoric, as had been his whole life’s trajectory which was now swiftly dipping to its nadir.
The citizens gathered at the walls of Viana, watching his final reckless ride with amazed, confused expressions. The emerging sunlight reflected off his shining armor as he raced by, making him appear like a being of fire—meteoric, just like his entire life’s journey, which was now quickly descending to its lowest point.
Whether he was frenzied with the lust of battle, riding in the reckless manner that was his wont, confident that his men followed, yet too self-centred to ascertain, or whether—as seems more likely—it was simply that his horse had bolted with him, will never be known until all things are known.
Whether he was caught up in the thrill of battle, riding in his usual reckless style, confident that his men were trailing behind him, yet too absorbed in himself to check, or whether—as seems more likely—his horse had simply taken off with him, will never be understood until everything is revealed.
Suddenly he was upon the rearguard of the fleeing rebels. His sword flashed up and down; again and again they may have caught the gleam of it from Viana’s walls, as he smote the foe. Irresistible as a thunderbolt, he clove himself a way through those Beaumontese. He was alone once more, a flying, dazzling figure of light, away beyond that rearguard which he left scathed and disordered by his furious passage. Still his mad career continued, and he bore down upon the main body of the escort.
Suddenly, he was right behind the retreating rebels. His sword flashed up and down; again and again they might have seen its gleam from Viana’s walls as he struck the enemy. Unstoppable like a thunderbolt, he carved a path through the Beaumontese. Once again, he was alone, a fast-moving, dazzling figure of light, far beyond the rearguard that he left battered and disorganized from his furious advance. Still, his wild charge continued, and he closed in on the main body of the escort.
Beaumont sat his horse to watch, in such amazement as you may conceive, the wild approach of this unknown rider.
Beaumont sat on his horse, watching in complete astonishment as the unknown rider approached wildly.
Seeing him unsupported, some of the count’s men detached themselves to return and meet this single foe and oblige him with the death he so obviously appeared to seek.
Seeing him without support, some of the count’s men broke away to go back and confront this lone enemy, intending to grant him the death he clearly seemed to desire.
They hedged him about—we do not know their number—and, engaging him, they drew him from the road and down into the hollow space of a ravine.
They surrounded him—we don’t know how many there were—and, as they engaged him, they pulled him off the road and down into the hollow of a ravine.
And so, in the thirty-second year of his age, and in all the glory of his matchless strength, his soul possessed of the lust of combat, sword in hand, warding off the attack that rains upon him, and dealing death about him, he meets his end. From the walls of Viana his resplendent armour renders him still discernible, until, like a sun to its setting, he passes below the rim of that ravine, and is lost to the watcher’s view.
And so, at thirty-two years old, in all the glory of his unmatched strength, filled with the desire for battle, sword in hand, fending off the attacks coming at him while striking down his enemies, he meets his end. From the walls of Viana, his shining armor still makes him visible until, like a sun setting, he disappears below the edge of the ravine and is lost to the observer's sight.
Death awaited him amid the shadows of that hollow place.
Death waited for him in the shadows of that empty space.
Unhorsed by now, he fought with no concern for the odds against him, and did sore execution upon his assailants, ere a sword could find an opening in his guard to combine with a gap in his armour and so drive home. That blade had found, maybe, his lungs. Still he swung his sword, swaying now upon his loosening knees. His mouth was full of blood. It was growing dark. His hands began to fail him. He reeled like a drunkard, sapped of strength, and then the end came quickly. Blows unwarded showered upon him now.
Unhorsed by now, he fought without caring about the odds against him and inflicted serious damage on his attackers before a sword could find an opening in his defense to exploit a gap in his armor and strike a fatal blow. That blade might have hit his lungs. Still, he swung his sword, swaying on his weakening knees. His mouth was filled with blood. It was getting dark. His hands began to fail him. He stumbled like a drunk, drained of strength, and then the end came quickly. Unprotected blows fell on him now.
He crashed down in all the glory of his rich armour, which those brigand-soldiers already coveted. And thus he died—mercifully, maybe happily, for he had no time in which to taste the bitterness of death—that awful draught which he had forced upon so many.
He fell to the ground in all the glory of his shiny armor, which those bandit-soldiers already envied. And so he died—mercifully, perhaps happily, since he had no time to experience the bitterness of death—that terrible fate he had inflicted on so many.
Within a few moments of his falling, this man who had been a living force, whose word had carried law from the Campagna to the Bolognese, was so much naked, blood-smeared carrion—for those human vultures stripped him to the skin; his very shirt must they have. And there, a stark, livid corpse, of no more account than any dog that died last Saturday, they left Cesare Borgia of France, Duke of Romagna and Valentinois, Prince of Andria, and Lord of a dozen Tyrannies.
Within moments of his fall, this man who had once been a powerful figure, whose commands had enforced laws from the Campagna to Bologna, was reduced to nothing more than a bloodied, naked corpse—those human vultures stripped him bare; they took even his shirt. And there, a stark, pale body, of no more value than any dog that died last Saturday, they left Cesare Borgia of France, Duke of Romagna and Valentinois, Prince of Andria, and Lord of a dozen Tyrannies.
The body was found there anon by those who so tardily rode after their leader, and his dismayed troopers bore those poor remains to Viana. The king, arriving there that very day, horror-stricken at the news and sight that awaited him, ordered Cesare a magnificent funeral, and so he was laid to rest before the High Altar of Sainte Marie de Viane.
The body was found there right away by those who had been slow to chase after their leader, and his shocked soldiers took those poor remains to Viana. The king, arriving there that same day, horrified by the news and the sight that awaited him, ordered Cesare a grand funeral, and he was laid to rest before the High Altar of Sainte Marie de Viane.
To rest? May the soul of him rest at least, for men—Christian men—have refused to vouchsafe that privilege to his poor ashes.
To rest? May his soul find peace at least, for men—Christian men—have denied that privilege to his poor ashes.
Nearly two hundred years later—at the close of the seventeenth century, a priest of God and a bishop, one who preached a gospel of love and mercy so infinite that he dared believe by its lights no man to have been damned, came to disturb the dust of Cesare Borgia. This Bishop of Calahorra—lineal descendant in soul of that Pharisee who exalted himself in God’s House, thrilled with titillations of delicious horror at the desecrating presence of the base publican—had his pietist’s eyes offended by the slab that marked Cesare Borgia’s resting-place.(1)
Nearly two hundred years later—at the end of the seventeenth century, a priest and bishop, who preached a gospel of love and mercy so boundless that he believed, based on that belief, that no man could be damned, came to disturb the dust of Cesare Borgia. This Bishop of Calahorra—a spiritual descendant of that Pharisee who exalted himself in God's House, thrilled by the delicious horror of the lowly tax collector’s presence—was offended by the grave marker of Cesare Borgia.
1 It bore the following legend: AQUI YACE EN POCA TIERRA AL QUE TODO LE TEMIA EL QUE LA PAZ Y LA GUERRA EN LA SUA MANO TENIA. OH TU QUE VAS A BUSCAR COSAS DIGNAS DE LOAR SI TU LOAS LO MAS DIGNO AQUI PARE TU CAMINO NO CURES DE MAS ANDAR.
1 It bore the following legend: HERE LIES IN LITTLE EARTH THE ONE WHO FEARED EVERYTHING THE ONE WHO HELD PEACE AND WAR IN HIS HAND. OH YOU WHO COME TO SEEK THINGS WORTHY OF PRAISE IF YOU PRAISE THE MOST WORTHY HERE STOP YOUR PATH DO NOT BE IN A HURRY TO MOVE ON.
which, more or less literally may be Englished as follows: “Here in a little earth, lies one whom all did fear; one whose hands dispensed both peace and war. Oh, you that go in search of things deserving praise, if you would praise the worthiest, then let your journey end here, nor trouble to go farther.”
which, more or less literally may be translated as follows: “Here in this small piece of land, lies someone whom everyone feared; someone whose actions brought both peace and conflict. Oh, you who seek out things worthy of praise, if you wish to honor the greatest, let your search end here, and don't bother to go any further.”
The pious, Christian bishop had read of this man—perhaps that life of him published by the apostate Gregorio Leti under the pen-name of Tommaso Tommasi, which had lately seen the light—and he ordered the tomb’s removal from that holy place. And thus it befell that the ashes of Cesare Borgia were scattered and lost.
The devout Christian bishop had read about this man—maybe the biography published by the traitor Gregorio Leti under the pseudonym Tommaso Tommasi, which had recently come out—and he ordered the tomb to be moved from that sacred site. As a result, the ashes of Cesare Borgia were scattered and lost.
Charlotte d’Albret was bereft of her one friend, Queen Jeanne, in that same year of Cesare’s death. The Duchess of Valentinois withdrew to La MotteFeuilly, and for the seven years remaining of her life was never seen other than in mourning; her very house was equipped with sombre, funereal furniture, and so maintained until her end, which supports the view that she had conceived affection and respect for the husband of whom she had seen so little.
Charlotte d’Albret lost her only friend, Queen Jeanne, in the same year that Cesare died. The Duchess of Valentinois retreated to La MotteFeuilly, and for the next seven years of her life, she was only seen dressed in mourning. Her home was decorated with dark, funereal furniture, and it stayed that way until her death, suggesting that she had developed feelings of affection and respect for her husband, whom she had barely seen.
On March 14, 1514, that poor lady passed from a life which appears to have offered her few joys.
On March 14, 1514, that unfortunate woman left behind a life that seemed to offer her few joys.
Louise de Valentinois—a handsome damsel of the age of fourteen—remained for three years under the tutelage of the Duchess of Angoulême—the mother of King Francis I—to whom Charlotte d’Albret had entrusted her child. Louise married, at the age of seventeen, Louis de la Trémouille, Prince de Talmont and Vicomte de Thouars, known as the Knight Sans Peur et Sans Reproche. She maintained some correspondence with her aunt, Lucrezia Borgia, whom she had never seen, and ever signed herself “Louise de Valentinois.” At the age of thirty—Trémouille having been killed at Pavia—she married, in second nuptials, Philippe de Bourbon-Busset.
Louise de Valentinois—a beautiful girl of fourteen—spent three years learning under the Duchess of Angoulême, the mother of King Francis I, who had been entrusted with her care by Charlotte d’Albret. At seventeen, Louise married Louis de la Trémouille, Prince de Talmont and Vicomte de Thouars, known as the Knight Without Fear and Beyond Reproach. She kept in touch with her aunt, Lucrezia Borgia, whom she had never met, and always signed her letters as “Louise de Valentinois.” At thirty—after Trémouille was killed at Pavia—she married Philippe de Bourbon-Busset in her second marriage.
Lucrezia died in 1519, one year after her mother, Vanozza de’Catanei, with whom she corresponded to the end.
Lucrezia died in 1519, one year after her mother, Vanozza de’Catanei, with whom she kept in touch until the end.
REQUIESCANT!
Rest in peace!
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