This is a modern-English version of Notes and Queries, Vol. III, Number 87, June 28, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc., originally written by Various. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

Scroll to the bottom of this page and you will find a free ePUB download link for this book.


Vol. 3—No. 87. NOTES & QUERIES: A way to communicate FOR Writers, artists, historians, genealogists, etc.

"When found, make a note of."—CAPTAIN CUTTLE.

"When you find it, make a note of it."—CCAPTAIN CUTTLE.

VOL. III.—No. 87.

V3—No. 87.

SATURDAY, JUNE 28. 1851.

Saturday, June 28, 1851.

Price Threepence.   Stamped Edition 4d.

Price 3 pence. Stamped Edition 4d.

TABLE OF CONTENTS.

On the proposed Scheme for preserving a Record of Existing Monuments 513

On the proposed plan for keeping a record of existing monuments 513

NOTES:—

NOTES:—

Illustrations of Chaucer, No. IX.: Astronomical Evidence of True Date of Canterbury Pilgrimage 515

Illustrations of Chaucer, No. IX.: Astronomical Evidence of the Actual Date of the Canterbury Pilgrimage 515

Curious Epigrams on Oliver Cromwell, by J. Friswell 515

Curious Epigrams on Oliver Cromwell, by J. Friswell 515

Folk Lore:—Popular Superstitions in Lancashire—Folk lore in Lancashire—Lancashire Customs—Od—Pigeons 516

Folk Lore:—Common Superstitions in Lancashire—Folk lore in Lancashire—Lancashire Traditions—Od—Pigeons 516

Minor Notes:—Lord Nelson's Dress and Sword at Trafalgar—Crucifix of Mary Queen of Scots—Jonah and the Whale—Anachronisms of Painters 517

Minor Notes:—Lord Nelson's Outfit and Sword at Trafalgar—Crucifix of Mary Queen of Scots—Jonah and the Whale—Anachronisms of Painters 517

QUERIES:—

QUERIES:—

Minor Queries:—Rifles—Stanbridge Earls—Montchesni or Muncey Family—Epitaph on Voltaire—Passage in Coleridge's Table Talk—"Men may live Fools, but Fools they cannot die"—Etymology of Bicêtre—Theobald Anguilbert and Michael Scott—"Suum cuique tribuere," &c. 518

Minor Queries:—Rifles—Stanbridge Earls—Montchesni or Muncey Family—Epitaph on Voltaire—Passage in Coleridge's Table Talk—"Men may live fools, but fools they cannot die"—Etymology of Bicêtre—Theobald Anguilbert and Michael Scott—"To each their own," &c. 518

MINOR QUERIES ANSWERED:—Organs first put up in Churches—Ignoramus, Comœdia, &c.—Drake's Historia Anglo-Scotica 518

MINOR QQUERIES AANSWERED:—Organs first installed in Churches—Ignoramus, Comœdia, &c.—Drake's Historia Anglo-Scotica 518

REPLIES:—

REPLIES:—

Corpse passing makes a Right of Way, by C. H. Cooper 519

Corpse passing gives a Right of Way, by C. H. Cooper 519

Dozen of Bread; Baker's Dozen, by J. B. Colman 520

Dozen of Bread; Baker's Dozen, by J. B. Colman 520

Mosaic 521

Mosaic __A_TAG_PLACEHOLDER_0__

Replies to Minor Queries:—Prenzie—Lady Flora Hastings' Bequest—Arches of Pelaga—Engraved Warming-pans—St. Pancras—Pallavicino and Count d'Olivarez—Mind your P's and Q's—Banks Family—National Debts—Monte di Pietà—Registry of Dissenting Baptisms—Eisell—English Sapphics—Mints at Norwich—Joseph Nobbs—Voltaire, where situated—Meaning of Pilcher—Catalogues of Coins of Canute—Pontoppidan's Natural History of Norway—The First Panorama—Written Sermons—Bogatsky 522

Replies to Minor Queries:—Prenzie—Lady Flora Hastings' Bequest—Archways of Pelaga—Engraved Warming-pans—St. Pancras—Pallavicino and Count d'Olivarez—Mind your P's and Q's—Banks Family—National Debts—Monte di Pietà—Registry of Dissenting Baptisms—Eisell—English Sapphics—Mints at Norwich—Joseph Nobbs—Voltaire, location—Meaning of Pilcher—Catalogs of Coins of Canute—Pontoppidan's Natural History of Norway—The First Panorama—Written Sermons—Bogatsky 522

MISCELLANEOUS:—

MISC:—

Notes on Books, Sales, Catalogues, &c. 526

Notes on Books, Sales, Catalogs, etc. 526

Books and Odd Volumes wanted 527

Books and Rare Editions wanted __A_TAG_PLACEHOLDER_0__

Notices to Correspondents 527

Notices to Correspondents __A_TAG_PLACEHOLDER_0__

Advertisements 527

Advertisements __A_TAG_PLACEHOLDER_0__

ABOUT THE PROPOSED PLAN TO KEEP A RECORD OF CURRENT MONUMENTS.

The following letters, which we have received since we last brought the proposed scheme for preserving a record of existing monuments under the notice of our readers, afford a striking proof how widely the interest in the subject is extending.

The letters we've received since we last shared the proposed plan for keeping a record of existing monuments clearly show how much interest there is in the topic.

We print them now, partly because the Number of "NOTES AND QUERIES" now in the reader's hands completes the present volume, and it is desirable that the various communications upon this point should, as far as possible, be found together; and partly because the time is at hand when many of our readers may have the opportunity, during their summer excursions, of following out the plan described by our valued correspondent YORK HERALD in the following letter:—

We’re printing them now, partly because the number of "NOTES AND QQUERIES" currently in the reader's hands completes this volume, and it’s a good idea to have all the communications on this topic gathered together. It's also because many of our readers may soon have the chance, during their summer trips, to follow the plan described by our respected correspondent YORK HERALD in the following letter:—

References to this subject having appeared in your valuable miscellany, I am unwilling to lose an opportunity it affords me of throwing in my mite of contribution towards the means of preserving monumental inscriptions. It may be better perhaps, to state the humble method I adopt in attempting to rescue from oblivion those memorials of the dead, than to suggest any. I avail myself of occasions, whenever I visit the country, to take notes of monumental inscriptions in churches and other places of sepulture; generally of all within the walls of the sacred edifice, and those of the principal tombs in the surrounding graveyard. Time very often will not allow me to take verbatim copies of inscriptions; so I merely transcribe faithfully every date, genealogical note, and prominent event recorded upon monuments; omitting all circumlocution and mere eulogistical epitaphs. By this means, much time and labour are saved, and much useful and valuable information is secured. I should prefer taking exact copies, or even drawings of the most remarkable monuments; but this would occupy much time, and narrow the means of collecting; and by which I should have lost much that is valuable and interesting; copies, howsoever much they would have been desirable, would not possess the character of legal evidence. Thus, upon mere incidental occasions, I have collected sepulchral memorials from many churches in various parts of the country; and, in some instances, all contained in the village church, and the adjacent burying-ground. I have frequently found also that preserving an account of the relative positions of gravestones is important; especially when groups of family memorials occur in the same locality. I need scarcely add that I preserve memoranda of all armorial insignia found upon tombs and hatchments, forming a collection of arms borne by various families; and whether they stand the test of authority or not, at all events such information is useful. [514]

References to this topic have shown up in your valuable collection, so I don’t want to miss the chance to add my small contribution toward preserving monumental inscriptions. It might be better to explain the simple method I use to help save these memorials of the dead rather than just making suggestions. Whenever I visit the countryside, I take notes of monumental inscriptions in churches and other burial places; typically, I cover everything within the church and the main tombs in the nearby graveyard. Often, I don’t have enough time to write down every inscription word for word, so I faithfully transcribe every date, genealogical note, and important event recorded on the monuments, skipping over unnecessary details and purely flattering epitaphs. This approach saves a lot of time and effort while securing valuable information. I would prefer to take exact copies or even sketch the most remarkable monuments, but that would take too much time and limit my ability to gather information, causing me to miss out on a lot that's valuable and interesting; copies, no matter how desirable, wouldn’t hold the same weight as legal evidence. So, during random visits, I've gathered memorials from many churches across the country, sometimes from all those found in the village church and the nearby graveyard. I've often found that keeping track of the positions of gravestones is important, particularly when family memorials are grouped together in the same area. I should also mention that I keep records of all heraldic symbols found on tombs and shields, creating a collection of arms used by various families; regardless of their authority, this information is still useful. [514]

What store of information might be obtained, by persons having leisure and inclination to pursue such an object, by the simple means of an ordinary pocket-memorandum-book!

What kind of information could be gained by people who have the time and interest to pursue such a goal, using just an ordinary pocket notebook?

THOMAS WILLIAM KING.

THOMAS WILLIAM KING.

Our next communication, from the REV. CANON RAINES, is valuable, as showing that unless some limit is placed to the antiquarian ardour of those who would "collect and record every existing monumental inscription," the historical and genealogical inquirer will be embarrassed by a mass of materials in which, like Gratiano's reasons, the two grains of wheat will be hid in two bushels of chaff—a mass, indeed, which, from its extent, would require to be deposited with the Registrar-General, and arranged by the practised hands of his official staff.

Our next communication, from the Rev. Canon Raines, is important, as it shows that unless we set some limits on the enthusiasm of those who want to "collect and record every existing monumental inscription," anyone researching history or genealogy will be overwhelmed by a huge amount of information where, like Gratiano's reasons, the two grains of wheat will be lost in two bushels of chaff—a collection so extensive that it would need to be submitted to the Registrar-General and organized by his trained staff.

MR. DUNKIN'S proposed record of existing monuments will be, if carried into effect, a very useful contribution to genealogists. Many years since I transcribed all the inscriptions inside the parish church of Rochdale, in Lancashire; but I never contemplated the possibility of any antiquary having the ardour to undertake a similar task outside. There are many thousands of gravestones, covering some acres; and I have understood that when one side of a grave-stone has been covered with inscriptions, the stone has been turned upside down, and the sculptor has again commenced his endless work on the smooth surface. In a great majority of these frail records nothing would be obtained which the parish register could not supply.

Mr. Dunkin's proposed record of existing monuments will, if carried out, be a very useful resource for genealogists. Many years ago, I transcribed all the inscriptions inside the parish church of Rochdale, in Lancashire; but I never considered that any history enthusiast would have the motivation to take on a similar project outside. There are many thousands of gravestones, covering several acres; and I've heard that when one side of a gravestone has been filled with inscriptions, the stone is flipped over, and the sculptor begins again on the smooth surface. In most of these fragile records, there wouldn’t be anything that the parish register couldn’t provide.

F. R. RAINES.

F. R. Raines.

Milnrow Parsonage, Rochdale, June 4.

Milnrow Parsonage, Rochdale, June 4th.

Our correspondent from Bruges furnishes, like YORK HERALD, valuable evidence as to what individual exertion may accomplish; and we are sure, that if he will take the trouble of securing, while he has the opportunity, a copy of the inscriptions in the cemetery allotted to the English at Bruges, confining himself merely to the names, dates, and genealogical information contained in them, and will then deposit his collections either in the Library of the Society of Antiquaries, or the Manuscript Department of the British Museum, he will not only be setting a good example to all antiquaries who may reside in any of the cities of the Continent, but earn for himself hereafter the thanks of many an anxious inquirer after genealogical truth.

Our correspondent from Bruges provides, like the YORK HERALD, valuable proof of what individual effort can achieve. We’re confident that if he takes the time to secure a copy of the inscriptions in the cemetery assigned to the English at Bruges—focusing only on the names, dates, and genealogical details in them—and then submits his findings to either the Library of the Society of Antiquaries or the Manuscript Department of the British Museum, he won’t just be setting a strong example for all antiquarians living in any of the cities on the Continent, but he will also earn the gratitude of many who are eager to uncover genealogical truths in the future.

The communications made in your interesting "NOTES AND QUERIES " have occasioned me much gratification, and if it be in my power to contribute but a mite to this rich treasury of information, I should consider it a privilege to be allowed to do so. To show that I am actuated by a kindred spirit, permit me to inform you, that a few years ago I undertook the formation of a desultory collection of "memorials of the ancient dead," and with that view corresponded with several hundred clergymen, inviting their local assistance; and I need scarcely add that a prompt and courteous attention to my wishes, encouraged my labours, and accomplished (so far as time and opportunity permitted) my object. It will be obvious that I had no intention of aiming at specimens in the higher department of monumental art, which have been so ably executed by Gough, Stothard, Neale, and others, but to content myself with those humbler efforts of skill which lay neglected and sometimes buried in holes and corners in many a rural church in remote districts.

The messages in your fascinating "NOTES AND QQUERIES" brought me a lot of joy, and if I can contribute even a little to this rich collection of information, I would consider it a privilege to do so. To show that I share your passion, I want to let you know that a few years ago, I started putting together a casual collection of "memorials of the ancient dead." To achieve this, I reached out to several hundred clergymen for their local input; I hardly need to mention that their quick and kind responses encouraged my efforts and helped me achieve my goal as much as time and circumstances allowed. It's clear that I wasn't aiming for the higher level of monumental art, which has been excellently done by Gough, Stothard, Neale, and others, but rather, I was focused on those simpler efforts of craftsmanship that are often overlooked and sometimes hidden away in remote rural churches.

The result has put me in possession of a collection of about three hundred illustrations, consisting of pen-and-ink outlines, pencil sketches, Indian ink drawings, and some more highly finished paintings in water colour; and in addition to these, upwards of two hundred autograph letters from clergymen, many of which contain not only inscriptions, but interesting parochial and topographical information.

The outcome has given me a collection of around three hundred illustrations, including pen-and-ink outlines, pencil sketches, Indian ink drawings, and a few more polished watercolor paintings. On top of that, I have over two hundred autograph letters from clergymen, many of which include not just inscriptions but also fascinating local and geographical information.

The illustrations I have arranged (as well as I am able) in centuries, commencing with the plain cope lid of the eleventh century, according to the plan adopted by M. H. Bloxam, Esq., in his admirable treatise modestly intitled A Glimpse at the Monumental Architecture and Sculpture of Great Britain. The volume made for their reception is an atlas-folio, guarded; on one leaf is inserted the drawing, on the other the letter (if any) which accompanied it, to which are added a few brief memoranda of my own: it is still, however, in an unfinished state.

The illustrations I’ve organized (as best as I can) by century, starting with the simple cope lid from the eleventh century, following the approach used by M. H. Bloxam, Esq., in his excellent work titled A Glimpse at the Monumental Architecture and Sculpture of Great Britain. The book created to hold them is an atlas-folio, protected; one page has the drawing, and the other has any accompanying letter, along with a few brief notes of my own. However, it is still not completed.

The book is a very cumbrous one, so that its transmission would be no very easy task; if, however, it should be thought desirable, and the practicability explained, I shall have much pleasure in placing its contents at the disposal of any one engaged in following out the plan proposed.

The book is quite bulky, making it a challenge to handle; however, if it seems worthwhile and the details can be arranged, I would be happy to make its contents available to anyone interested in pursuing the proposed plan.

Allow me to add that, about a mile distant from the quaint and interesting city from whence this "note" is dated (and in which I have resided for some time), we come to the cemetery, a portion of which is allotted to the interment of those English residents, or visitors, who may have terminated their earthly career at this place. Should a copy of the inscriptions in this receptacle (which are numerous) be acceptable, I will endeavour to procure one; but in this case I should be glad to know whether these extracts should be confined to names, dates, and genealogical information only, or include the various tributes of affection or of friendship, by which they are generally accompanied.

Let me add that, about a mile away from the charming and interesting city where this "note" is dated (and where I've lived for a while), we find the cemetery, part of which is designated for the burial of English residents or visitors who may have passed away here. If a copy of the inscriptions in this place (which are quite numerous) would be useful, I will try to get one; but in that case, I'd like to know whether these excerpts should only include names, dates, and family information, or if they should also cover the various expressions of love or friendship that usually accompany them.

M. W. B.

M.W.B.

Bruges. [515]

Bruges. [515]

Notes.

ILLUSTRATIONS OF CHAUCER, NO. IX.
The Astronomical Evidence of the Actual Date of the Canterbury Pilgrimage.

As a conclusion to my investigation of this subject, I wish to place upon record the astronomical results on which I have relied in the course of my observations; in order that their correctness may be open to challenge, and that each reader may compare the actual phenomena, rigidly ascertained with all the helps that modern science affords, with the several approximations arrived at by Chaucer. And when it is recollected that some at least of the facts recorded by him must have been theoretical—incapable of the test of actual observation—it must be admitted that his near approach to truth is remarkable: not the less so that his ideas on some points were certainly erroneous; as, for example, his adoption, in the Treatise on the Astrolabe, of Ptolemy's determination of the obliquity of the ecliptic in preference to the more correct value assigned to it by the Arabians of the middle ages.

As a conclusion to my investigation of this subject, I want to record the astronomical results that I relied on during my observations so that their accuracy can be questioned. This way, each reader can compare the actual phenomena, carefully measured with all the tools that modern science provides, with the various approximations made by Chaucer. And considering that at least some of the facts he recorded were likely theoretical—unable to withstand the test of actual observation—it must be acknowledged that his close approach to the truth is impressive. This is especially true given that some of his ideas were certainly incorrect; for instance, his preference in the Treatise on the Astrolabe for Ptolemy's determination of the obliquity of the ecliptic over the more accurate value given by the Arabians of the Middle Ages.

Assuming that the true date intended by Chaucer was Saturday the 18th of April, 1388, the following particulars of that day are those which have reference to his description:—

Assuming that the actual date Chaucer meant was Saturday, April 18, 1388, the details from that day related to his description are as follows:—

             H.    M.  
    Right Ascension { Of the Sun at noon -   2 . 17·2  
      { Of the Moon at 4 p. m. 12 .   5·7  
      { Of the star (δ. Virginis) 12 . 25     
                   
             °    ′  
    North Declination { Of the Sun at noon - 13 . 47·5  
      { Of the Moon at 4 p. m.    4 . 49·8  
      { Of the star (δ. Virginis)    6 . 43·3  
                   
             °    ′  
    Altitude { Of the Sun at noon - 45 . 15  
      { Of the Sun at 4 p. m.   29 .   15  
      { Of the Moon at 4 p. m.   4 . 53  
      { Of the star at 4 p. m.   4 . 20  
    Azimuth - Of the Sun at rising - 112 . 30  
               
             H.    M.  
    Apparent Time { Of the Sun at half Azimuth 9 . 17 a. m.
      { Of the Sun at altitude 45° 9 . 58 a. m.
      { Of the Sun at altitude 29° 4 .   2 p. m.
      { Of apparent entrance of      
      {     Moon's centre into Libra 3 . 45 a. m.
               

It will be seen that, if the place here assigned to the moon be correct, Chaucer could not have described it more appropriately than by the phrase "In méné Libra:" providing (of which there can be little doubt) that he used those words as synonymous with "in hedde of Libra." "Hedde of Libra," "hedde of Aries," are expressions constantly used by him to describe the equinoctial points; and the analogy that exists between "head," in the sense head-land or promontory, as, for example, "Orme's Head," "Holyhead," "Lizard Head," and the like; and "menez" in the same sense, need not be further insisted upon. Evidence fully sufficient to justify a much less obvious inference has been already produced, and I am enabled to strengthen it still further by the following reference, for which I am indebted to a private communication from H. B. C.

It will be clear that, if the position assigned to the moon here is accurate, Chaucer couldn't have described it more fittingly than with the phrase "In méné Libra:" assuming (which is highly likely) that he used those words interchangeably with "in hedde of Libra." "Hedde of Libra," "hedde of Aries," are terms he frequently used to refer to the equinox points; and the similarity between "head," meaning headland or promontory, as in "Orme's Head," "Holyhead," "Lizard Head," and so on, and "menez" in the same context is worth noting. There is already enough evidence to support a much less clear conclusion, and I can further bolster it with the following reference, for which I owe thanks to a private communication from H. B. C.

"MENEZ, s. m. Grande masse de terre, ou de roche, fort élevée au-dessus du sol de la terre.

"MENEZ, n. m. A large mass of land or rock, significantly raised above the surface of the earth."

"MEAN, ou MAEN, s. m. Pierre, corps dur et solide qui se forme dans la terre.

"MEAN, ou MAEN, n. m. Pierre, un matériau dur et solide qui se forme dans la terre."

"(En Treguier et Cornouailes), MÉNÉ."

"(In Treguier and Cornwall), MÉNÉ."

(Gonidec, Dictionnaire Celto-Breton. Angoulême, 1821.)

(Gonidec, Dictionnaire Celto-Breton. Angoulême, 1821.)

This last reference is doubly valuable, in referring the word méné to the very neighbourhood of the scene of Chaucer's "Frankleine's Tale," and in dispensing with the terminal letter z, thereby giving us the verbum ipsissimum used by Chaucer.

This last reference is especially valuable because it connects the word méné to the area near where Chaucer's "Frankleine's Tale" takes place, and it also avoids the ending letter z, thus providing us with the verbum ipsissimum used by Chaucer.

I must not be understood as entertaining the opinion that Chaucer's knowledge of astronomy—although undoubtedly great, considering the age in which he lived and the nature of his pursuits—would have enabled him to determine the moon's true place, with such correctness, wholly from theory; on the contrary, I look upon it as more probably the result of real observation at the time named, and, as such, adding another link to the chain of presumptive evidence that renders it more probable that Chaucer wrote the prologues to his Canterbury Tales more as a narration (with some embellishments) of events that really took place, than that they were altogether the work of his imagination.

I don’t mean to suggest that Chaucer's knowledge of astronomy—though certainly impressive for his time and given his interests—would have allowed him to accurately determine the moon's position purely from theory; rather, I believe it’s more likely that he based his findings on actual observations during that period. This adds another piece to the puzzle of evidence that makes it more plausible that Chaucer wrote the prologues to his Canterbury Tales as more of a retelling (with some added flair) of real events, rather than entirely from his imagination.

A. E. B.

A. E. B.

Leeds, June, 1851.

Leeds, June 1851.

Curious quotes about Oliver Cromwell.

Looking carefully over a curious copy of the Flagellum, or the Life and Death, Birth and Buriall of O. Cromwell, the late Usurper, printed for Randal Taylor, 1672, I found on the back of the title the following epigrams, written in a handwriting and ink corresponding to the date of the book (which, by the way, is a late edition of the "little brown lying book," by Heath, which Carlyle notices): as they are curious and worth preserving, and I believe not to be met with elsewhere, I presume they may be of some interest to your readers. The book is also full of MS. marginal notes and remarks, evidently by some red-hot royalist, which are also curious in themselves, and with a selection of which I may some day trouble you should you wish it. [516]

Looking closely at an interesting copy of the *Flagellum, or the Life and Death, Birth and Burial of O. Cromwell, the Late Usurper*, printed for Randal Taylor in 1672, I discovered the following epigrams written on the back of the title page in a handwriting and ink that match the book's publication date (by the way, this is a later edition of the “little brown lying book” by Heath, which Carlyle mentions). Since these are intriguing and worth keeping, and I don’t think they can be found elsewhere, I believe your readers might find them interesting. The book is also filled with handwritten marginal notes and comments, clearly made by some passionate royalist, which are also fascinating on their own. I might share a selection of those with you someday if you’re interested. [516]

Under Gen. Cromwell's Picture, hung up in the Royal Exchange, these Lines were written.

These lines were written below General Cromwell's portrait, displayed in the Royal Exchange.

"Ascend ye Throne Greate Captaine and Divine

"Ascend ye Throne Great Captain and Divine

By th' will of God, oh Lyon, for they'r thine;

By the will of God, oh Lyon, for they are yours;

Come priest of God, bring oyle, bring Robes, bring Golde,

Come, priest of God, bring oil, bring robes, bring gold,

Bring crowns, bring scepters, 'tis high time t' unfold

Bring crowns, bring scepters, it's high time to unfold

Yor cloyster'd Buggs, yor State cheates, Lifte ye Rod

Yo cloistered Bugs, yo State cheats, Lift ye Rod

Of Steele, of Iron, of the King of God,—

Of Steele, of Iron, of the King of God,—

Pay all in wrath with interest. Kneeling pray

Pay everything in anger with added interest. Kneel and pray.

To Olivr Torch of Syon, Starr of Day.

To Oliver Torch of Syon, Star of Day.

Shoute then you Townds and Cyties, loudly Sing,

Shout then you towns and cities, sing loudly,

And all bare-headed cry, God save ye King!"

And everyone, with their heads uncovered, shouts, "God save the King!"

The Repartee, unto this Blasphemie.

The Comeback to this Blasphemy.

"Descende thou great Usurper from ye throne,

"Descend, you great Usurper, from the throne,

Thou, throughe thy pride, tooke what was not thine owne;

You, through your pride, took what wasn't yours;

A Rope did better fitte thee than a Crowne,

A rope suits you better than a crown,

Come Carnifex, and put ye Traytor downe,

Come, Carnifex, and take the Traytor down.

For crownes and sceptres, and such sacred things

For crowns and scepters, and other sacred things

Doe not belong to Traytors, but to Kings;

Does not belong to traitors, but to kings;

Let therefoe all true Loyall subjects sing,

Let all true loyal subjects sing,

Vive le Roy! Long Live! God bless ye King!"

Vive le Roi! Long live! God bless the King!

In regard to the little controversy which I started regarding Bunyan's claim to be author of the Visions of Heaven and Hell, I hope soon to decide it, as I am on the scent of a copy of, I believe, a first edition, which does not claim him for author.

About the small controversy I started over Bunyan's claim to be the author of the Visions of Heaven and Hell, I hope to resolve it soon, as I'm on the trail of what I believe is a first edition that doesn't credit him as the author.

JAMES FRISWELL.

JAMES FRISWELL.

12. Brooke Street, Holborn.

12 Brooke Street, Holborn.

Folklore.

Common Superstitions in Lancashire.

—That a man must never "go a courting" on a Friday. If an unlucky fellow is caught with his lady-love on that day, he is followed home by a band of musicians playing on pokers, tongs, pan-lids, &c., unless he can rid himself of his tormentors by giving them money to drink with.

—That a man should never "go courting" on a Friday. If an unfortunate guy is seen with his girlfriend that day, he's followed home by a group of musicians playing on pokers, tongs, pan lids, etc., unless he can get rid of them by giving them money for drinks.

That hooping-cough will never be taken by any child which has ridden upon a bear. While bear baiting was in fashion, great part of the owner's profits arose from the money given by parents whose children had had a ride. The writer knows of cases in which the charm is said certainly to have been effectual.

That whooping cough will never affect any child that has ridden on a bear. When bear baiting was popular, a significant portion of the owner's profits came from the money paid by parents whose kids had taken a ride. The writer knows of instances where the charm is said to have definitely worked.

That hooping-cough may be cured by tying a hairy caterpillar in a small bag round the child's neck, and as the caterpillar dies the cough goes.

That whooping cough can be cured by tying a hairy caterpillar in a small bag around the child's neck, and as the caterpillar dies, the cough disappears.

That Good Friday is the best day of all the year to begin weaning children, which ought if possible to be put off till that day; and a strong hope is sometimes entertained that a very cross child will "be better" after it has been christened.

That Good Friday is the best day of the year to start weaning children, and if possible, this should be delayed until that day; there's also often a strong belief that a very cranky child will "be better" after they’ve been baptized.

That May cats are unlucky, and will suck the breath of children.

That May cats are unlucky and will steal the breath of children.

That crickets are lucky about a house, and will do no harm to those who use them well; but that they eat holes in the worsted stockings of such members of the family as kill them. I was assured of this on the experience of a respectable farmer's family.

Crickets are considered lucky in a home and won’t harm those who treat them well; however, they will make holes in the woolen stockings of anyone in the family who kills them. I learned this from the experience of a respectable farming family.

The belief in ghosts, or bogards, as they are termed, is universal.

The belief in ghosts, or bogards, as they're called, is universal.

In my neighbourhood I hardly know a dell where a running stream crosses a road by a small bridge or stone plat, where there is not frectnin (frightening) to be expected. Wells, ponds, gates, &c., have often this bad repute. I have heard of a calf with eyes like a saucer, a woman without a head, a white greyhound, a column of white foam like a large sugar-loaf in the midst of a pond, a group of little cats, &c., &c., as the shape of the bogard, and sometimes a lady who jumped behind hapless passengers on horseback. It is supposed that a Romish priest can lay them, and that it is best to cheat them to consent to being laid while hollies are green. Hollies being evergreens, the ghosts can reappear no more.

In my neighborhood, I barely know a small valley where a stream runs over a road by a little bridge or stone platform without some kind of spooky encounter expected. Wells, ponds, gates, etc., often have this bad reputation. I've heard stories about a calf with huge eyes, a headless woman, a white greyhound, a column of white foam like a giant sugar loaf in the middle of a pond, a group of little cats, and so on, as part of the local lore, and sometimes a lady who would jump out at unsuspecting people on horseback. It's believed that a Catholic priest can put these spirits to rest, and that it's best to trick them into agreeing to be laid to rest while the holly plants are still green. Since hollies are evergreens, the ghosts won't be able to return.

P. P.

P. P.

Folklore in Lancashire (Vol. 3, p. 55.)

—Most of, if not all the instances mentioned under this head by MR. WILKINSON are, as might be expected, current also in the adjacent district of the West Riding of Yorkshire; and, by his leave, I will add a few more, which are familiar to me:

—Most, if not all, of the examples mentioned here by MR. WILKINSON are, as expected, also found in the nearby area of the West Riding of Yorkshire; and, with his permission, I will add a few more that I know well:

1. If a cock near the door crows with his face towards it, it is a sure prediction of the arrival of a stranger.

1. If a rooster by the door crows facing it, it’s a sure sign that a stranger is coming.

2. If the cat frisks about the house in an unusually lively manner, windy or stormy weather is approaching.

2. If the cat is running around the house in an unusually playful way, windy or stormy weather is on its way.

3. If a dog howls under a window at night, a death will shortly happen in that house.

3. If a dog howls under a window at night, someone in that house will soon die.

4. If a female be the first to enter a house on Christmas or New Year's day, she brings ill luck to that house for the coming year.

4. If a woman is the first to enter a house on Christmas or New Year's day, she brings bad luck to that house for the coming year.

5. For hooping-cough, pass the child nine times over the back and under the belly of an ass. (This ceremony I once witnessed, but cannot vouch for its having had the desired effect.)

5. For whooping cough, pass the child nine times over the back and under the belly of a donkey. (I witnessed this ceremony once, but I can't confirm if it actually worked.)

6. For warts, rub them with a cinder, and this tied up in paper and dropped where four roads meet, will transfer the warts to whoever opens the packet.

6. To get rid of warts, rub them with a cinder, then wrap it in paper and drop it where four roads meet. This will pass the warts on to whoever opens the package.

J. EASTWOOD.

J. E. Eastwood.

Ecclesfield.

Ecclesfield.

Lancashire Traditions.

—The curfew is continued in many of the villages, and until the last ten or fifteen years it was usual at a Roman Catholic funeral to ring a merry peal on the bells as soon as the interment was over. The Roman Catholics seem now to have discontinued this practice.

—The curfew is still in effect in many of the villages, and until the last ten or fifteen years, it was common at a Roman Catholic funeral to ring cheerful bells right after the burial. It seems that Roman Catholics have stopped this practice now.

Carol singing and hand-bell ringing prevail at Christmas, and troops of men and children calling [517] themselves pace eggers, go about in Passion Week, and especially Good Friday, as mummers in the south of England do at Christmas. Large tallow candles may often be seen decorated with evergreens, hanging up in the houses of the poor at Christmas time.

Carol singing and hand-bell ringing are common at Christmas, and groups of men and children calling themselves pace eggers wander around during Passion Week, especially on Good Friday, just like mummers do in the south of England at Christmas. Large tallow candles are often seen decorated with evergreens, hanging in the homes of the less fortunate during the Christmas season.

P. P.

P. P.

Od.

—One of the experiments by which the existence of this agency is tested, consists in attaching a horsehair to the first joint of the forefinger, and suspending to it a smooth gold ring. When the elbow is rested on the table, and the finger held in a horizontal position, the ring begins to oscillate in the plane of the direction of the finger; but if a female takes hold of the left hand of the person thus experimenting, the ring begins forthwith to oscillate in a plane at right angles to that of its former direction. I have never tried the experiment, for the simple reason that I have not been able to prevail upon any married lady of my acquaintance to lend me her wedding-ring for the purpose; and even if I had found it come true, I should still doubt whether the motion were not owing to the pulsations of the finger veins; but whatever be the cause, the fact is not new. My father recently told me, that in his boyhood he had often seen it tried as a charm. For this purpose it is essential, as may be supposed, that the ring be a wedding-ring, and of course the lady towards whom it oscillates is set down as the future spouse of the gentleman experimenting.

—One of the experiments that tests the existence of this phenomenon involves attaching a horsehair to the first joint of the forefinger and suspending a smooth gold ring from it. When the elbow is rested on the table and the finger is held horizontally, the ring starts to swing in the direction of the finger. However, if a woman holds the left hand of the person conducting the experiment, the ring immediately begins to swing in a plane that is perpendicular to its previous direction. I’ve never tried the experiment because I haven't been able to convince any married woman I know to lend me her wedding ring for this purpose. Even if it worked, I would still wonder if the motion was caused by the pulsations in the finger veins. Regardless of the cause, this fact isn’t new. My father recently told me that in his childhood, he often saw it done as a charm. For this to work, as you might expect, the ring must be a wedding ring, and the lady it swings towards is considered to be the future spouse of the gentleman conducting the experiment.

R. D. H.

R.D.H.

Pigeons.

—The popular belief, that a person cannot die with his head resting on a pillow containing pigeons' feathers, is well known; but the following will probably be as new to many of your readers as it was to myself. On applying the other day to a highly respectable farmer's wife to know if she had any pigeons ready to eat, as a sick person had expressed a longing for one, she said, "Ah! poor fellow! is he so far gone? A pigeon is generally almost the last thing they want; I have supplied many a one for the like purpose."

—It's a common belief that a person can't die with their head resting on a pillow filled with pigeon feathers, but what I'm about to share will likely be new to many of your readers, just as it was to me. The other day, I asked a well-respected farmer’s wife if she had any pigeons ready to eat, as someone who was sick had expressed a craving for one. She replied, "Ah! poor guy! Is he that far gone? A pigeon is usually one of the last things they want; I’ve provided many for similar reasons."

J. EASTWOOD.

J. E. Eastwood.

Minor Notes.

Lord Nelson's Uniform and Sword at Trafalgar.

—Perhaps you may think it worth while to preserve a note written by the late Rev. Dr. Scott on the 498th page of the second volume of Harrison's Life of Lord Nelson, in contradiction of a bombastic description therein given of the admiral's dress and appearance at the battle of Trafalgar.

—You might find it useful to keep a note written by the late Rev. Dr. Scott on the 498th page of the second volume of Harrison's Life of Lord Nelson, which contradicts an exaggerated description of the admiral's outfit and appearance at the battle of Trafalgar.

"This is wrong, he wore the same coat he did the day before; nor was there the smallest alteration in his dress whatsoever from other days. In this action he had not his sword with him on deck, which in other actions he had always carried.—A. J. Scott."

"This is wrong, he wore the same coat he did the day before; there was also no change in his outfit compared to other days. During this action, he didn't have his sword with him on deck, which he had always carried in previous actions.—A. J. Scott."

Dr. Scott was the chaplain and friend in whose arms Lord Nelson died.

Dr. Scott was the chaplain and friend in whose arms Lord Nelson passed away.

When the late Sir N. Harris Nicolas was engaged in a controversy in The Times, respecting the sale of Lord Nelson's sword, I sent him a copy of the above note, and told him I had heard Dr. Scott say that "the sword was left hanging in the admiral's cabin." It was not found necessary to make use of this testimony, as the dispute had subsided.

When the late Sir N. Harris Nicolas was involved in a debate in The Times about the sale of Lord Nelson's sword, I sent him a copy of the note above and mentioned that I had heard Dr. Scott say that "the sword was left hanging in the admiral's cabin." It wasn't necessary to use this testimony since the argument had calmed down.

ALFRED GATTY.

A. GATTY.

Crucifix of Mary, Queen of Scots.

—The crucifix that belonged to this unfortunate queen, and which she is said to have held in her hands on the scaffold, is still preserved with great care by its present owners (a titled family in the neighbourhood of Winchester), and at whose seat I have frequently seen it. If I mistake not, the figure of our Saviour is of ivory, and the cross of ebony.

—The crucifix that belonged to this unfortunate queen, and which she is said to have held in her hands on the scaffold, is still preserved with great care by its current owners (a titled family near Winchester), and I have seen it many times at their estate. If I’m not mistaken, the figure of our Savior is made of ivory, and the cross is made of ebony.

THE WHITE ROSE.

The White Rose.

Jonah and the Giant Fish.

—In No. 76., p. 275., MR. GALLATLY calls attention to the popular error in misquoting the expression from Genesis: "In the sweat of thy face," &c. There is another popular error which may not be known to some of your correspondents: it is generally supposed that Jonah is recorded in the book bearing his name as having been swallowed by a whale,—this is quite an error. The expressions is "a great fish," and no such word as whale occurs in the entire "Book of Jonah."

—In No. 76., p. 275., MR. GALLATLY points out the common mistake of misquoting the phrase from Genesis: "In the sweat of your face," etc. There's another common mistake that some of your readers might not know: it's usually believed that Jonah is mentioned in the book named after him as having been swallowed by a whale—this is completely incorrect. The text actually says "a great fish," and the word whale doesn't appear anywhere in the "Book of Jonah."

E. J. K.

E. J. K.

Old-Time Painters' Inaccuracies.

—I send you a further addition to the "Anachronisms of Painters," mentioned in Vol. iii., p. 369., and, like them, not in D'Israeli's list.

—I’m sending you an additional note for the "Anachronisms of Painters," which I mentioned in Vol. iii., p. 369., and, like those, it’s not on D'Israeli's list.

My father (R. Robinson, of the Heath House, Wombourne) has in his collection a picture by Steenwyk, of the "Woman taken in Adultery," in which our Lord is made to write in Dutch! The scene also takes place in a church of the architecture of the thirteenth century!

My father (R. Robinson, of the Heath House, Wombourne) has a painting by Steenwyk in his collection called "Woman Taken in Adultery," where our Lord writes in Dutch! The scene is also set in a church that features thirteenth-century architecture!

G. T. R.

G.T.R.

Wombourne, near Wolverhampton.

Wombourne, close to Wolverhampton.

Questions.

Minor Questions.

Guns.

—"We make the best rifles, and you follow us," said the exhibitor of Colt's revolvers, in my hearing, with a most satisfied assurance, in a way "particularly communicative and easy," as The Times of the 9th of June says of his general manner. I am always desirous of information, but desire the highest authority and evidence before I believe. I would therefore ask the opinion of all experienced sportsmen, such as Mr. Gordon Cumming, or of travelled officers of our Rifle Brigade. I may say, that if the above unqualified remark came from the mouth of an English maker, I should be equally incredulous. Is there any use for which an American rifle is to be preferred to an English one? [518]

—"We make the best rifles, and you follow us," said the exhibitor of Colt's revolvers, confidently and with a tone that was "particularly communicative and easy," as The Times noted on June 9th. I'm always eager for information but want it from the most credible sources before I believe it. Therefore, I'd like to hear from experienced sportsmen, like Mr. Gordon Cumming, or seasoned officers from our Rifle Brigade. I should mention that if this unqualified statement came from an English manufacturer, I would feel just as skeptical. Is there any situation where an American rifle is better than an English one? [518]

A. C.

A. C.

Stanbridge or Standbridge Earls.

—Can any of your correspondents give me any information respecting Stanbridge or Standbridge Earls, near Romsey, Hants? There are the remains of a palace of the Saxon kings still there, many parts of which are in good preservation, the chapel being now used as the kitchen of Stanbridge House?

—Can any of your contacts provide me with any information about Stanbridge or Standbridge Earls, near Romsey, Hants? The remains of a palace of the Saxon kings are still there, and many parts are well-preserved, with the chapel now serving as the kitchen of Stanbridge House.

I have also read that one of the kings was buried in this chapel, and afterwards removed to Winchester; but, having no note of the book, should be glad to be referred to it.

I’ve also read that one of the kings was buried in this chapel and then later moved to Winchester; however, I don’t have a reference to the book, so I would appreciate being pointed to it.

COLLY WOBBLES.

COLLY WOBBLES.

Montchesni, or Muncey Clan.

—Can any of your correspondents inform us what has become of the Norman line of Montchesni, or Muncey, a family which, like those of Maldebauge and De Loges, held baronial rank in England for several generations after the Conquest, though it is now forgotten?

—Can any of your correspondents let us know what happened to the Norman line of Montchesni, or Muncey, a family that, like those of Maldebauge and De Loges, held baronial status in England for several generations after the Conquest, even though it's now forgotten?

P.

P.

Epitaph for Voltaire.

—The late Sir F. Jeffrey, in a review of the correspondence of Baron de Grimm, quotes an epitaph on Voltaire, which he states to have been made by a lady of Lausanne:

—The late Sir F. Jeffrey, in a review of the correspondence of Baron de Grimm, quotes an epitaph on Voltaire, which he claims was made by a lady from Lausanne:

"Ci gît l'enfant gaté du monde qu'il gata."

"Here lies the spoiled child of the world that he spoiled."

Has the name of this lady been ascertained?

Has the name of this woman been found out?

HENRY H. BREEN.

HENRY H. BREEN.

St. Lucia, May, 1851.

St. Lucia, May 1851.

Excerpt from Coleridge's Table Talk.

—In Specimens of Coleridge's Table Talk (p. 165., Murray, 1851) appears the following:—

—In Specimens of Coleridge's Table Talk (p. 165., Murray, 1851) appears the following:—

"So little did the early bishops and preachers think their Christian faith wrapped up in, and solely to be learned from, the New Testament, that I remember a letter from ——[1] to a friend of his, a bishop in the East, in which he most evidently speaks of the Christian scriptures as of works of which the bishop knew little or nothing."

"So little did the early bishops and preachers believe that their Christian faith was entirely contained in the New Testament, that I recall a letter from ——[1] to a friend of his, a bishop in the East, where he clearly refers to the Christian scriptures as writings that the bishop knew little or nothing about."

[1] "I have lost the name which Mr. Coleridge mentioned."—Editor's Note.

[1] "I can't remember the name that Mr. Coleridge mentioned."—Editor's Note.

My object is to know how this blank is to be filled up—probably by the name of some well-known father of the Church.

My goal is to figure out how to fill in this blank—likely with the name of a famous Church father.

GEORGE LEWES.

George Lewes.

Oxford, May 28.

Oxford, May 28th.

"Men may live as fools, but they can't die as fools."

—These words are given in Young's Night Thoughts as a quotation. Can any of your correspondents inform me whence they are taken?

—These words are given in Young's Night Thoughts as a quotation. Can any of your correspondents tell me where they come from?

E. J. K.

E.J.K.

Origin of Bicêtre.

—In a work entitled Description routière et géographique de l'Empire Français, by R. V., Paris, 1813, the following notice of Bicêtre occurs in vol. i. p. 84.:—

—In a book called Description routière et géographique de l'Empire Français, by R. V., Paris, 1813, there is a mention of Bicêtre on page 84 of volume one.:—

"On voit bientôt, à peu de distance à droite, d'abord dans un bas-fond, arrosé par la petite rivière de Bièvre ou des Gobelins, le village de Gentilly, qui se vante de quelqu'ancienneté, et d'un Concile tenu en 767; ensuite, sur une éminence, au bout d'une jolie avenue en berceau, l'hôpital de Bicêtre, qui, fondé en 1290 par un Evêque de Paris, appartint depuis, dit-on, à un Evêque de Wincester ou Wincestre, d'où par corruption on a fait Bicêtre.

"Not far to the right, we soon see the village of Gentilly, first situated in a low area by the small river Bièvre or des Gobelins, boasting its ancient history and a council held in 767; then, on a hill, at the end of a lovely arched avenue, stands the hospital of Bicêtre, which was founded in 1290 by a Bishop of Paris and, it is said, later belonged to a Bishop of Winchester, from which the name Bicêtre was corrupted."

"C'est une chose assez piquante que cette étymologie anglaise. Les auteurs qui nous l'apprennent eussent bien dû nous en apprendre aussi les circonstances. J'ai consulté à cet égard tout ce qui était à consulter, sans faire d'autre découverte que quelques contradictions dans les dates, et sans pouvoir offrir aucun éclaircissement historique à mes lecteurs, aussi curieux que moi, sans doute, de savoir comment un prélat anglais est venu donner le nom de son évêché à un château de France."

"That's quite an intriguing aspect of this English etymology. The authors who tell us about it should have also informed us about the circumstances surrounding it. I’ve looked into everything that was available, but I found nothing except a few contradictions in the dates, and I can't provide any historical clarification to my readers, who are likely as curious as I am to understand how an English bishop ended up naming a castle in France after his diocese."

Is there any warrant in English history for this derivation of Bicêtre; and if so, who was the Bishop of Winchester that gave the name of his diocese to that celebrated hospital?

Is there any basis in English history for this origin of Bicêtre; and if so, who was the Bishop of Winchester that named this famous hospital after his diocese?

HENRY H. BREEN.

HENRY H. BREEN.

St. Lucia, June, 1851.

St. Lucia, June 1851.

Theobald Anguilbert and Michael Scott.

—M. Barbier, in his Dictionnaire des Ouvrages anonymes et pseudonymes, says that Michael Scott is a pseudonyme for Theobald Anguilbert, and ascribes the Mensa philosophica to the latter as the real author. Can any one tell me who is Theobald Anguilbert, for I can find no account of him anywhere? and if there ever was such a person, whether all the writings bearing the name of Michael Scott, who, by all accounts, appears to have been a real person, are to be assigned to the said Anguilbert?

—M. Barbier, in his Dictionnaire des Ouvrages anonymes et pseudonymes, claims that Michael Scott is a pseudonym for Theobald Anguilbert, and attributes the Mensa philosophica to Anguilbert as the actual author. Can anyone tell me who Theobald Anguilbert is? I can't find any information about him anywhere. And if such a person ever existed, should all the writings attributed to Michael Scott, who seems to have been a real person, be assigned to Anguilbert?

TYRO.

TYRO.

Dublin.

Dublin.

"To each his own," &c.

—Can any of your readers tell me where the following passage is to be found?

—Can any of your readers let me know where the following passage can be found?

"Suum cuique tribuere, ea demum summa justitia est."

"To each their own, that is the true essence of justice."

All persons of whom I have inquired, tell me it is from Cicero, but no one can inform me where it is to be found.

Everyone I've asked says it's from Cicero, but no one can tell me where to find it.

M. D.

M.D.

Minor Questions Addressed.

Organs were first placed in churches.

—In the parish register of Buxted, in Sussex, allusion is made to the time when the organs were put up in the church, but which had been taken down. This entry was made in the year 1558. Any information as to the earliest period when organs were placed in our churches will much oblige.

—In the parish register of Buxted, in Sussex, there's a mention of when the organs were installed in the church, but they have since been removed. This entry was made in the year 1558. Any information about when organs were first placed in our churches would be greatly appreciated.

R. W. B.

R.W.B.

[Our correspondent will find some interesting matter on the early use of organs in churches in the Rev. F. D. Wackerbath's Music and the Anglo-Saxons, pp. 6-24. London. 8vo. 1837.]

[Our correspondent will find some interesting information on the early use of organs in churches in Rev. F. D. Wackerbath's Music and the Anglo-Saxons, pp. 6-24. London. 8vo. 1837.]

Ignoramus, Comedy, etc.

—Perhaps some of your correspondents can enlighten me on the following points.

—Maybe some of your contacts can help clarify the following points for me.

1. Who was the author of this play? The Latin is sufficiently ultra-canine for his pedantic majesty himself. [519]

1. Who wrote this play? The Latin is so over-the-top that even his pompous self would approve. [519]

2. Do the words "coram Regia Maiestate Jacobi, Regis Angliæ," &c., mean that the play was acted in the presence of the king? I am inclined to give them that interpretation from some allusions at the end of the last act, as well as from its being written in Latin.

2. Do the words "in the presence of the royal majesty of James, King of England," etc., mean that the play was performed in front of the king? I tend to interpret them that way based on some references at the end of the last act, as well as the fact that it was written in Latin.

3. Are any of the race-courses therein mentioned still used as such?

3. Are any of the racecourses mentioned still in use?

"In Stadio Roystoniensi, Brackliensi, Gatterliensi, Coddington."

"In Stadio Roystoniensi, Brackliensi, Gatterliensi, Coddington."

This is the earliest mention of fixed English race-courses that I have met with, and not being much versed in the secrets of the modern "cespite vivo," I am obliged to inquire of those who are better informed on that subject.

This is the earliest mention of fixed English racetracks that I have come across, and since I'm not very familiar with the secrets of modern "cespite vivo," I have to ask those who know more about it.

F. J.

F. J.

[The author of Ignoramus was George Ruggles, A. M., of Clare Hall, Cambridge. This comedy, as well as that of Albumazar, were both acted before King James I. and the Prince of Wales, during a visit to Cambridge in March, 1614-15. The edition of Ignoramus, edited by J. S. Hawkins, 8vo., 1787, contains a Life of Ruggles, and a valuable Glossary to his "ultra-canine Latin" legal terms. There is also a translation of this comedy, with the following title: "Ignoramus: a Comedy as it was several times acted with extraordinary applause before the Majesty of King James. With a Supplement, which (out of respect to the Students of the Common Law) was hitherto wanting. Written in Latine by R. Ruggles, sometime Master of Arts in Clare Hall, in Cambridge, and translated into English by R. C. [Robert Codrington, A. M.] of Magdalen Colledge, in Oxford. London. 4to. 1662."]

The author of Ignoramus was George Ruggles, A. M., from Clare Hall, Cambridge. This comedy, along with Albumazar, was performed in front of King James I and the Prince of Wales during a visit to Cambridge in March, 1614-15. The edition of Ignoramus, edited by J. S. Hawkins, 8vo., 1787, includes a biography of Ruggles and a helpful glossary for his "ultra-canine Latin" legal terms. There’s also a translation of this comedy titled: "Ignoramus: a Comedy as it was several times acted with extraordinary applause before the Majesty of King James. With a Supplement, which (out of respect to the Students of the Common Law) was previously missing. Written in Latin by R. Ruggles, formerly Master of Arts at Clare Hall, Cambridge, and translated into English by R. C. [Robert Codrington, A. M.] of Magdalen College, Oxford. London. 4to. 1662."

Drake's Anglo-Scottish History.

—Will any of your learned readers inform me, for what reason and by what authority Drake's Historia Anglo-Scotica, published in 1703, was ordered to be burned by the hangman? And where I can meet with a report of the proceedings relating to it?

—Will any of your knowledgeable readers let me know why and by whose authority Drake's Historia Anglo-Scotica, published in 1703, was ordered to be burned by the executioner? And where I can find a record of the proceedings related to it?

FRA. MEWBURN.

FRA. MEWBURN.

Darlington.

Darlington.

[Dr. Drake was not the author, but merely the editor of Historia Anglo-Scotica. In the dedication he says, "Upon a diligent revisal, in order, if possible, to discover the name of the author, and the age of his writing, he found that it was written in, or at least not finished till, the time of Charles I." It is singular, however, that he does not give the least intimation by what mysterious influence the manuscript came to be wafted into his library. It was ordered by the parliament of Scotland, on the 30th of June, 1703, to be burned by the common hangman.]

[Dr. Drake wasn't the author; he was just the editor of Historia Anglo-Scotica. In the dedication, he notes, "After a careful review, in an attempt to find out the author's name and the date of his writing, he discovered that it was written in or at least not completed until the time of Charles I." It's odd, though, that he doesn't mention how the manuscript ended up in his library. On June 30, 1703, the Scottish parliament ordered it to be burned by the common hangman.]

Responses.

CORPSE PASSING CREATES A PROPER PATH.
(Vol. iii., p. 477.)

The fact of the passage of a funeral procession over land, from being an act of user of a very public character, must always have had some influence on the trial of the question whether the owner of the land had dedicated the same to the public; and it is not improbable that in early times very great weight was attached to evidence of this kind: so that the passage of a corpse across land came to be considered in the popular mind as conclusive and incontrovertible evidence of a public right of way over that land. With the reverence for the dead which is so pleasing a characteristic of modern refinement, it is probable that acts of user of this description would now have little weight, inasmuch as no man of right feeling would be disposed to interrupt parties assembled on so mournful and solemn an occasion. I recollect, however, having read a trial in modern times for a riot, arising out of a forcible attempt to carry a corpse over a field against the will of the landowner; the object of the parties in care of the corpse was believed to be the establishment of a public right of way over the field in question, the owner of which, with a body of partisans, forcibly resisted the attempt, on the apparent belief that the act of carrying a corpse across the field would certainly have established the right claimed. I regret I did not "make a Note" of the case, so as to be able to specify the time, place, and circumstances with certainty.

The fact that a funeral procession crosses land, being a very public act, must have influenced the question of whether the landowner had dedicated that land to the public. It's likely that in earlier times, this kind of evidence was given significant weight; over time, the act of carrying a corpse across someone’s land came to be viewed as solid proof of a public right of way. With the respect for the dead that’s a notable aspect of modern sensibilities, it’s likely that such acts today would carry little weight since no decent person would want to disrupt a gathering on such a solemn occasion. However, I remember reading about a recent trial involving a riot that erupted when someone tried to forcibly carry a corpse across a field against the landowner's wishes; the intent of those handling the corpse was thought to be to establish a public right of way over that field, while the owner and his supporters strongly resisted, believing that carrying the corpse across would solidify the claimed right. I wish I had "made a note" of that case to accurately recall the time, place, and details.

That the notion in question is of great antiquity may I think be inferred from the following passage in Prynne's Records, iii. 213., referring to Walter Bronescombe, Bishop of Exeter, 1258-1280 (and as the authority for which, Prynne cites Holinshed's Chronicle, 1303, 1304; and Godwin's Catalogue of Bishops, 326.):—

That the idea we're discussing is very old can be inferred from the following passage in Prynne's Records, iii. 213., which mentions Walter Bronescombe, Bishop of Exeter, 1258-1280 (and for this reference, Prynne cites Holinshed's Chronicle, 1303, 1304; and Godwin's Catalogue of Bishops, 326.):—

"He did by a Policy purchase the Lordship and House of Clift Sachfeld, and enlarged the Barton thereof by gaining of Cornish Wood from the Dean and Chapter fraudulently; building then a very fair and sumptuous house there; he called it Bishop's Clift, and left the same to his successors. Likewise he got the Patronage of Clift Fomesone, now called Sowton, and annexed the same to his new Lordship, which (as it was said) he procured by this means. He had a Frier to be his Chaplain and Confessor, which died in his said House of Clift, and should have been buried at the Parish Church of Faringdon, because the said House was and is in that Parish; but because the Parish Church was somewhat farre off, the wayes foul, and the weather rainy, or for some other causes, the Bishop commanded the corps to be carryed to the parish church of Sowton, then called Clift Fomeson, which is very near, and bordereth upon the Bishop's Lordship; the two Parishes being then divided by a little Lake called Clift. At this time one Fomeson, a Gentleman, was Lord and Patron of Clift Fomeson; and he, being advertised of such a Burial towards in his Parish, and a leech way to be made over to his Land, without his leave or consent required therein; calleth his Tenants together, goeth to the Bridge over the lake between the Bishop's Land and his; there meeteth the Bishop's men, bringing the said Corps, and forbiddeth them to come over the [520] water. The men nothing regarding the Prohibition, do press forwards to come over the water, and the others do withstand, so long, that in the end, my Lord's Fryer is fallen into the Water. The Bishop taketh this matter in such grief, that a holy Fryer, a Religious man, his own Chaplain and Confessor, should be so unreverently cast into the Water, that he falleth out with the Gentleman, and upon what occasion I know not, he sueth him in the Law (in his own Ecclesiastical Court, where he was both party and Judge), and so vexeth and tormenteth him, that in the end he was fain to yeeld himself to the Bishop's devotion, and seeketh all the wayes he could to carry the Bishop's good will, which he could not obtain, until for redemption he had given up and surrendered his patronage of Sowton, with a piece of land; all which the said Bishop annexed to his new Lordship."

He purchased the Lordship and House of Clift Sachfeld through a clever strategy and expanded the estate by fraudulently acquiring Cornish Wood from the Dean and Chapter; he then built a beautiful and grand house there, naming it Bishop's Clift, and left it to his successors. He also obtained the Patronage of Clift Fomesone, now called Sowton, and attached it to his new Lordship, which he supposedly secured through these means. He had a Friar as his Chaplain and Confessor, who died in his house at Clift. Although he was supposed to be buried at the Parish Church of Faringdon, since the house was in that Parish, the church was somewhat far away, the roads were bad, and the weather was rainy, or for some other reasons, the Bishop ordered the body to be taken to the parish church of Sowton, then known as Clift Fomeson, which was much closer and bordered the Bishop's Lordship; the two parishes were separated by a small lake called Clift. At that time, a gentleman named Fomeson was Lord and Patron of Clift Fomeson; when he heard about the burial taking place in his parish and the need for a way over his land, without his permission or consent, he called his tenants together and went to the bridge over the lake between the Bishop's land and his. There, he met the Bishop's men, who were bringing the body, and he forbade them to cross the water. The men ignored the prohibition and tried to cross the water, while the others resisted for so long that eventually, the Bishop's Friar fell into the water. The Bishop was so upset that a holy Friar, a religious man, his own Chaplain and Confessor, should be treated so disrespectfully that he fell out with the gentleman, and for reasons unknown to me, he sued him in law (in his own Ecclesiastical Court, where he was both party and judge), and harassed and tormented him to the point that the gentleman had to submit to the Bishop's authority and sought every way he could to regain the Bishop's favor, which he could not achieve until he surrendered his patronage of Sowton along with a piece of land; all of which the Bishop added to his new Lordship.

In "An Exhortation, to be spoken to such Parishes where they use their Perambulation in Rogation Week; for the Oversight of the Bounds and Limits of their Town," is a curious passage, which I subjoin:

In "An Exhortation, to be spoken to such Parishes where they use their Perambulation in Rogation Week; for the Oversight of the Bounds and Limits of their Town," there is an interesting passage that I’ll include:

"It is a shame to behold the insatiableness of some covetous persons in their doings; that where their ancestors left of their land a broad and sufficient bier-balk, to carry the corpse to the Christian sepulture, how men pinch at such bier-balks, which by long use and custom ought to be inviolably kept for that purpose; and now they quite eat them up, and turn the dead body to be borne farther about in the high streets; or else, if they leave any such meer, it is too straight for two to walk on."—Homilies, ed. Corrie, p. 499.

"It’s unfortunate to see how some greedy people act; where their ancestors left a wide and suitable bier-balk to carry the body to the Christian burial site, now they are trimming down these bier-balks, which should properly be preserved for that purpose; and now they completely consume them, forcing the dead body to be carried further through the busy streets; or, if they do leave any such space, it’s too narrow for two people to walk on."—Homilies, ed. Corrie, p. 499.

It may perhaps be considered not quite irrelevant here to state that there seems once to have been an opinion, that the passage of the sovereign across land had the effect of making a highway thereon. The only allusion, however, to this opinion which I can call to mind, occurs in Peck's Antiquarian Annals of Stanford, lib. xi. s. xii.; an extract from which follows:—

It might be worth mentioning that there once was a belief that when a sovereign traveled across land, it effectively created a highway there. The only reference to this belief that I can recall is from Peck's Antiquarian Annals of Stanford, lib. xi. s. xii.; an excerpt from which follows:—

"From Stanford King Edward, as I conceive, went to Huntingdon; for in a letter of one of our kings dated at that town the 12th of July (without any year or king's name to ascertain the time and person it belongs to), the King writes to the aldermen and bailiffs of Stanford, acquainting them, that, when he came to Stanford, he went through Pilsgate field (coming then I suppose from Peterborough), and, it being usual it seems that whatever way the King rides to any place (though the same was no public way before) for everybody else to claim the same liberty afterwards, and thenceforth to call any such new passage the King's highway; being followed to Huntingdon by divers of his own tenants, inhabitants of Pilsgate, who then and there represented the damage they should sustain by such a practice, the King by his letters immediately commanded that his passing that way should not be made a precedent for other people's so doing, but did utterly forbid and discharge them therefrom. His letter, directed 'to our dearly beloved the alderman, bailiffs, and good people of our Town of Stanford,' upon this occasion, is thus worded:—'Dear and well-beloved friends, by the grievous complaint of our beloved lieges and tenents of the town of Pillesyate near our town of Staunford, we have understood, that, in as much as, on Tuesday last, we passed through the middle of a meadow and a certain pasture there called Pillesyate meadow appertaining to the said town of Pillesyate, you, and others of the country circumjacent, claim to have and use an high way royal to pass through the middle of the said meadow and pasture, to the great damage and disseisin of our said lieges and tenents, whereupon they have supplicated for a remedy; so we will, if it be so, and we command and charge firmly, that you neither make nor use, nor suffer to be made nor used by others of our said town of Staunford, nor others whatsoever, no high road through the middle of the said meadow and pasture; but that you forbear from it entirely, and that you cause it to be openly proclaimed in our said town, that all others of our said town and the country round it, do likewise; to the end that our said tenents may have and peaceably enjoy the said meadow and pasture, so, and in the manner, as they have done before these times, without disturbance or impeachment of you or others, of what estate or condition soever they be, notwithstanding that we passed that way in manner as is said. And this in no manner fail ye. Given under our signet at Huntyngdon the 12th day of July.'"

"From Stanford, King Edward, as I understand it, went to Huntingdon; because in a letter from one of our kings dated in that town on July 12th (without a specific year or king's name to pinpoint the exact time and person), the King writes to the aldermen and bailiffs of Stanford, informing them that, when he came to Stanford, he passed through Pilsgate field (coming, I think, from Peterborough). It seems to be the usual practice that wherever the King rides to any place (even if that wasn’t a public route before), everyone else claims the same right to do so afterward, and then call that new path the King's highway. He was followed to Huntingdon by several of his own tenants, residents of Pilsgate, who raised concerns about the damage they would suffer from such a practice. The King, through his letters, immediately ordered that his passage through that way shouldn't set a precedent for others, and he completely forbade and discharged them from doing so. His letter, addressed 'to our dearly beloved the alderman, bailiffs, and good people of our Town of Stanford,' on this matter reads as follows:—'Dear and well-beloved friends, by the serious complaint of our beloved subjects and tenants of the town of Pillesyate near our town of Stamford, we have learned that, on the last Tuesday, we passed through the middle of a meadow and a specific pasture there known as Pillesyate meadow belonging to the said town of Pillesyate, you and others in the surrounding area claim to have and use a royal highway to pass through the middle of the said meadow and pasture, causing great damage and disruption to our said subjects and tenants. They have therefore requested a remedy; so we will, if this is true, and we firmly command and charge you that you neither create nor use, nor allow to be created or used by others from our said town of Stamford, or from anyone else, any highway through the middle of the said meadow and pasture; but that you completely abstain from it, and that you ensure it is openly proclaimed in our said town, so that all others from our said town and the surrounding area do the same; to ensure that our said tenants may have and peacefully enjoy the said meadow and pasture, just as they have done before these times, without disturbance or interference from you or others, regardless of their status or position, despite we having passed that way as stated. And you must not fail in this. Given under our signet at Huntingdon on the 12th day of July.'"

I am unable to say whether the opinion it was the object of the above royal letter to refute was general, or was peculiar to the "good people" of Stanford, "and others of the country circumjacent."

I can't say whether the opinion that the royal letter aimed to refute was widespread or specific to the "good people" of Stanford and others in the surrounding area.

C. H. COOPER.

C. H. Cooper.

Cambridge, June 18. 1851.

Cambridge, June 18, 1851.

DOZEN OF BREAD; BAKER'S DOZEN
(Vol. ii., p. 298; Vol iii., p. 153).

From the following extracts from two of the "Bury Wills" recently published by the Camden Society, it would appear that a dozen of bread always consisted of twelve loaves; and that the term "Baker's dozen" arose from the practice of giving, in addition to the twelve loaves, a further quantity as "inbread," in the same manner as it is (or until recently was) the custom to give an extra bushel of coals as "ingrain" upon the sale of a large quantity; a chaldron, I believe.

From the following excerpts from two of the "Bury Wills" recently published by the Camden Society, it seems that a dozen bread always meant twelve loaves; and that the term "Baker's dozen" originated from the practice of giving, in addition to the twelve loaves, an extra quantity as "inbread," just like it used to be customary to give an extra bushel of coal as "ingrain" when selling a large amount, like a chaldron, I think.

Francis Pynner, of Bury, Gent., by will, dated April 26, 1639, gave to feoffees certain property upon trust (inter alia) out of the rents, upon the last Friday in every month in the year, to provide one twopenny loaf for each of forty poor people in Bury, to be distributed by the clerk, sexton, and beadle of St. Mary's parish, who were to have the "inbread of the said bread." And the testator also bequeathed certain other property to feoffees upon trust to employ the rents as follows (that is to say):—

Francis Pynner, of Bury, Gent., by will, dated April 26, 1639, entrusted certain property to feoffees with the understanding that, out of the rents, on the last Friday of every month, they would provide a two-penny loaf for each of forty poor people in Bury. This would be distributed by the clerk, sexton, and beadle of St. Mary's parish, who were to receive the "inbread of the said bread." The testator also left certain other property to feoffees, with the rents to be used as follows:—

"The yerely sūme of ffiue pounds p'cell of the said yerely rents to be bestowed in wheaten bread, to be made into penny loaves, and upon eu'y Lord's day, [521] called Sonday, throughout eu'y yere of the said terme [40 years or thereabouts], fowre and twenty loaves of the said bread, wth the inbread allowed by the baker for those twoe dosens of bread, to be timely brought and sett vpon a forme towards the vpp' end of the chancell of the said p'ish church of St. Marie, and ... the same twoe dosens of bread to be giuen and distributed ... to and amongst fowre and twentie poore people ... the p'ish clarke and sexton of the said church, and the beadle of the said p'ish of St. Marie for the time then being, shall alwaies be three wch from time to time shall haue their shares and parts in the said bread. And they, the said clarke, sexton, and bedell, shall alwaies haue the inbread of all the bread aforesaid ovr and besides their shares in the said twoe dosens of bread from time to time——"

"The yearly sum of five pounds, part of the yearly rents, is to be spent on wheat bread, made into penny loaves. Every Sunday throughout the entire term of about 40 years, twenty-four loaves of this bread, along with the allowance for the baker’s in-bread for those two dozen loaves, should be brought and placed on a bench towards the upper end of the chancel of the parish church of St. Mary. ... Those two dozen loaves are to be given and distributed among twenty-four poor people. The parish clerk, sexton, and beadle of the parish of St. Mary at that time will always receive their shares of the bread. Furthermore, the clerk, sexton, and beadle will always receive the in-bread of all the bread mentioned above, in addition to their portions of the two dozen loaves from time to time——"

And William Fiske, of Pakenham, Gent., by will, dated March 20, 1648, provided twelvepence a week to pay weekly for one dozen of bread which his mind was, should "be weekly given vnto twelue or thirteene" persons therein referred to.

And William Fiske, of Pakenham, Gent., by will, dated March 20, 1648, provided twelve pence a week to pay weekly for one dozen of bread which he intended should "be weekly given to twelve or thirteen" persons mentioned therein.

J. B. COLMAN.

J. B. Colman

Eye, June 16. 1851.

Eye, June 16, 1851.

MOSAIC.
(Vol. 3, p. 389.)

Among the various kinds of picturesque representation, practised by the Greeks and Romans, and transmitted by them to after times, is that of Mosaic, a mode of execution which, in its durability of form, and permanency of colour, possesses distinguished advantages, being unaffected by heat or cold, drought or moisture, and perishing only with the building to which it has been originally attached. This art has been known in Rome since the days of the Republic. The severer rulers of that period forbade the introduction of foreign marbles, and the republican mosaics are all in black and white. Under the Empire the art was greatly improved, and not merely by the introduction of marbles of various colours, but by the invention of artificial stones, termed by the Italians Smalti, which can be made of every variety of tint. This art was never entirely lost. On the introduction of pictures into Christian temples, they were first made of mosaic: remaining specimens of them are rude, but profoundly interesting in an historical point of view. When art was restored in Italy, mosaic also was improved; but it attained its greatest perfection in the last and present century. Roman mosaic, as now practised, may be described as being the production of pictures by connecting together numerous minute pieces of coloured marble or artificial stones. These are attached to a ground of copper, by means of a strong cement of gum mastic, and other materials, and are afterwards ground and polished, as a stone would be, to a perfectly level surface. By this art not only are ornaments made on a small scale, but pictures of the largest size are copied. The most remarkable modern works are the copies which have been executed of some of the most important works of the great masters, for the altars in St. Peter's. These are, in every respect, perfect imitations of the originals; and when the originals, in spite of every care, must change and perish, these mosaics will still convey to distant ages a perfect idea of the triumphs of art achieved in the fifteenth century. Twenty years were employed in making one of the copies I have mentioned. The pieces of mosaic vary in size from an eighth to a sixteenth of an inch, and eleven men were employed for that time on each picture. A great improvement was introduced into the art in 1775, by Signor Raffaeli, who thought of preparing the smalti in what may be termed fine threads. The pastes or smalti are manufactured at Venice, in the shape of crayons, or like sticks of sealing-wax, and are afterwards drawn out by the workman, by a blowpipe, into the thickness he requires, often almost to an hair, and are seldom thicker than the finest grass stalk. For tables, and large articles, of course, the pieces are thicker; but the beauty of the workmanship, the soft gradation of the tints, and the cost, depend upon the minuteness of the pieces, and the skill displayed by the artist. A ruin, a group of flowers or figures, will employ a good artist about two months, when only two inches square; and a specimen of such a description costs from 5l. to 20l., according to the execution: a landscape, six inches by four, would require eighteen months, and would cost from 40l. to 50l. For a picture of Pæstum, eight feet long by twenty inches broad, on which four men were occupied for three years, 1000l. sterling was asked. The mosaic work of Florence differs entirely from Roman mosaic, being composed of stones inserted in comparatively large masses. It is called work in pietra dura; the stones used are all of a more or less precious nature. In old specimens, the most beautiful works are those in which the designs are of an arabesque character. The most remarkable specimen of this description of pietra dura, is an octagonal table, in the Gubinetto di Baroccio, in the Florence Gallery. It is valued at 20,000l. sterling, and was commenced in 1623 by Jacopo Detelli, from designs by Ligozzi. Twenty-two artists worked upon it without interruption till it was terminated, in the year 1649.

Among the different kinds of picturesque representation practiced by the Greeks and Romans and passed down through the ages is Mosaic. This technique, known for its durability and vibrant colors, has significant advantages as it is not affected by heat or cold, drought or moisture, and only deteriorates when the building it's attached to falls apart. This art has been present in Rome since the days of the Republic. The stricter rulers of that time banned the use of foreign marbles, so republican mosaics were made entirely in black and white. During the Empire, the art was greatly enhanced, not only through the introduction of colorful marbles but also with the invention of artificial stones called Smalti, which can be produced in a variety of colors. This art was never completely lost. When pictures were first introduced in Christian temples, they were made of mosaic. The remaining examples from that era are rough but historically significant. When art was revived in Italy, mosaic work improved as well, reaching its peak in the last and current centuries. Modern Roman mosaic is characterized by creating pictures by connecting many tiny pieces of colored marble or artificial stones. These are affixed to a copper base using a strong adhesive made of gum mastic and other materials, and then ground and polished like stone to create a perfectly level surface. Through this art, not only small-scale ornaments are made, but large pictures are also reproduced. The most remarkable modern works include the copies of some of the greatest masterpieces by renowned artists created for the altars in St. Peter's. These mosaics perfectly imitate the originals; and while the originals may change and deteriorate over time, these mosaics will still convey a perfect idea of the artistic achievements of the fifteenth century to future generations. It took twenty years to create one of the copies I mentioned. The mosaic pieces range in size from one-eighth to one-sixteenth of an inch, and each picture had eleven workers dedicated to it during that time. A significant advancement in the art came in 1775, when Signor Raffaeli developed a method of creating the smalti in what can be called fine threads. The pastes or smalti are made in Venice in the shape of crayons or like sticks of sealing-wax, and the workers can use a blowpipe to draw them out to the desired thickness, sometimes almost to the width of a hair, and they are rarely thicker than the finest grass stalk. For larger tables and items, the pieces are thicker, but the beauty of the craftsmanship, the smooth gradient of colors, and the cost depend on the minuteness of the pieces and the skill of the artist. A small design, such as a ruin, a bouquet of flowers, or figures, can take a skilled artist about two months to complete when it's only two inches square; such a piece can cost between 5l. and 20l. depending on the quality of work. A landscape measuring six inches by four would take eighteen months and cost between 40l. and 50l.. For a picture from Pæstum that is eight feet long and twenty inches wide, which occupied four men for three years, a price of 1000l. sterling was quoted. The mosaic from Florence is completely different from Roman mosaic, being made up of stones placed in relatively large sections. This is known as pietra dura; the stones used are all somewhat precious. Among older examples, the most stunning pieces are those with designs in an arabesque style. The most notable example of this kind of pietra dura is an octagonal table located in the Gubinetto di Baroccio in the Florence Gallery. It is valued at 20,000l. sterling and was started in 1623 by Jacopo Detelli based on designs by Ligozzi. Twenty-two artists worked on it continuously until it was completed in 1649.

One principal distinction between the ancient and modern mosaic is, I believe, that the former was arranged in patterns, the latter coloured in shades. I shall not take up your columns by dwelling on the ancient mosaic, which, as all know was in use among the Orientals, especially the Persians and Assyrians; and from the Easterns the Greeks received the art. In the Book of Esther, i. 6., we have an allusion to a mosaic pavement; and Schleusner understands the Λιθόστρωτον of St. John, xix. 13., to mean a sort of elevated [522] mosaic pavement. Andrea Tafi, towards the close of the thirteenth century, is said to have revived this art in Italy, having learned it from a Greek named Apollonius, who worked at the church of St. Mark at Venice, and to have been the founder of the modern mosaic.

One main difference between ancient and modern mosaics is that the former was arranged in patterns, while the latter is colored in shades. I won't take up your space by focusing on ancient mosaics, which, as we all know, were used by the Orientals, particularly the Persians and Assyrians; the Greeks learned the art from them. In the Book of Esther, i. 6, there's a reference to a mosaic pavement; and Schleusner interprets the Λιθόστρωτον in St. John, xix. 13, as referring to a type of elevated [522] mosaic pavement. Andrea Tafi, towards the end of the thirteenth century, is said to have revived this art in Italy after learning from a Greek named Apollonius, who worked at the church of St. Mark in Venice, and is considered to be the founder of modern mosaic.

Now for the derivation. The Lithostrata, or tesselated pavements of the Romans, being worked in a regular and mechanical manner, were called opus musivum, opera qua ad amussim facta sunt. Hence the Italian musaico, from whence is derived our appellation of mosaic; but, like most of our arts, through the channel of the French mosaïque. (Vide Pitisci Lexicon, ii. 242.; Roscoe's Life of Lorenzo de Medici; Winkelman; Pompeiana, by Gell; Smith's Greek and Roman Antiq.; Beckman's Inventions; and Récherches sur la Peinture en Mosaïque chez les Anciens, &c., annexed to his Description d'un Pavé en Mosaïque, &c.: Paris, 1802.)

Now for the explanation. The Lithostrata, or tiled floors of the Romans, which were crafted in a systematic and mechanical way, were referred to as opus musivum, opera qua ad amussim facta sunt. This led to the Italian musaico, from which we get our term mosaic; but, like many of our arts, it came through the French mosaïque. (See Pitisci Lexicon, ii. 242.; Roscoe's Life of Lorenzo de Medici; Winkelman; Pompeiana, by Gell; Smith's Greek and Roman Antiq.; Beckman's Inventions; and Récherches sur la Peinture en Mosaïque chez les Anciens, &c., attached to his Description d'un Pavé en Mosaïque, &c.: Paris, 1802.)

GERONIMO.

GERONIMO.

Responses to Minor Questions.

Prenzie (Vol. 3, p. 401.)

—Several words have been suggested to take the place of the unintelligible "prenzie" in Measure for Measure; but none of them appear to me to satisfy all the four conditions justly required by LEGES.

—Several words have been suggested to replace the unclear "prenzie" in Measure for Measure; but none of them seem to meet all four conditions that LEGES rightfully demands.

I would suggest phrensied or phrenzied, a word extremely like prenzie both in sound and appearance, and of the proper metre, thus perfectly satisfying two of the conditions.

I would suggest phrensied or phrenzied, a word very similar to prenzie in sound and appearance, and in the right meter, thus perfectly meeting two of the requirements.

With respect to the propriety of using this word in the two instances where prenzie occurs, Claudio, in the first place, when informed by his sister of the villany of Angelo, may well exclaim in astonishment—

With regard to whether it's appropriate to use this word in the two instances where prenzie appears, Claudio, initially, when his sister tells him about Angelo's wrongdoing, might understandably exclaim in shock—

"The phrenzied Angelo?"

"The frenzied Angelo?"

i.e. "What, is he mad?" or, with a note of admiration, "Why, Angelo must be mad!" Then, I think, naturally follows Isabella's reply:—

i.e. "What, is he crazy?" or, with a hint of admiration, "Wow, Angelo must be crazy!" Then, I think, naturally comes Isabella's response:—

"O 'tis the cunning livery of Hell,

"O it's the clever disguise of Hell,

The damned'st body to invest and cover

The most cursed body to dress and conceal

In phrenzied guards!"

In frantic guards!"

that is, in the disguise or under the cloak of madness.

that is, in the disguise or under the cover of madness.

Johnson defines Frenzy to be

Johnson defines Frenzy as

"Madness; distraction of mind; alienation of understanding; any violent passion approaching to madness."

"Crazy thoughts; distraction of the mind; loss of understanding; any intense emotion that borders on madness."

and surely Angelo's violent passion for Isabella, and his determination to gratify it at all risks, may, properly be said to approach to madness.

and surely Angelo's violent passion for Isabella, and his determination to satisfy it at all costs, could certainly be described as bordering on madness.

W. G. M.

W.G.M.

There is a Scotch word so nearly resembling this, and at the same time so exactly answering to the sense which the passage in Measure for Measure requires, that it may be worth while calling the attention of the Shakspearian commentators to it. In Allan Cunningham's Glossary to Burns, I find Primsie, which he defines to mean demure, precise. An old Scotch proverb is quoted, in which the word is used:

There’s a Scottish word that closely resembles this one and perfectly fits the meaning needed in the passage from Measure for Measure, so it might be worth bringing it to the attention of Shakespearean commentators. In Allan Cunningham's Glossary to Burns, I found Primsie, which he defines as demure and precise. An old Scottish proverb is cited, in which the word appears:

"A primsie damsel makes a laidlae dame."

"A prim and proper lady."

The term is evidently connected with, or formed from, the English prim, which has the same sense. It seems this was formerly sometimes written prin. Halliwell cites from Fletcher's poems the lines—

The term is clearly related to, or derived from, the English prim, which has the same meaning. It appears this was sometimes written as prin in the past. Halliwell refers to a quote from Fletcher's poems that includes the lines—

"He looks as gaunt and prin, as he that spent

He looks as thin and pale as someone who has spent

A tedious twelve years in an eager Lent."

A long twelve years in an anxious wait.

Now if from prim be formed the secondary adjective primsie, so from prin we get prinsie or prinzie. But without resorting to the supposition of the existence of this latter word, it is evident that in primzie, which does or did exist, we have a word answering all the conditions laid down by LEGES for determining the true reading, more nearly than any other that has been suggested.

Now, if we take the word prim to create the secondary adjective primsie, similarly, from prin, we can get prinsie or prinzie. However, without having to assume that this latter word exists, it’s clear that in primzie, which does exist or did exist, we have a term that meets all the criteria set by LEGES for establishing the correct reading, more closely than any other suggestion that has been made.

CEBES.

Cebes.

[Dr. Jamieson, in his Scottish Dictionary, defines PRIMSIE, demure, precise, S. from E. prim.

[Dr. Jamieson, in his Scottish Dictionary, defines PRIMSIE, reserved, exact, S. from E. prim.

"Poor Willie, wi' his bow-kail runt

"Poor Willie, with his stunted kale"

Was brunt wi' primsie Mallie."

Was hit by primsie Mallie.

Burns, iii. 129.]

Burns, vol. 3, p. 129.

Lady Flora Hastings' Legacy (Vol. 3, p. 443.)

—Were the beautiful lines entitled "Lady Flora's Bequest" in reality written by that lamented lady? They are not to be found in the volume of her Poems published after her death by her sister, the Marchioness of Bute; and they did appear in The Christian Lady's Magazine for September, 1839, with the signature of Miss M. A. S. Barber appended to them.

—Were the beautiful lines titled "Lady Flora's Bequest" actually written by that sadly missed lady? They aren't included in the collection of her Poems published after her death by her sister, the Marchioness of Bute; instead, they appeared in The Christian Lady's Magazine for September 1839, signed by Miss M. A. S. Barber.

In the preceding Number of the same magazine there is a very touching account of Lady Flora, from the pen of its talented editress, who mentions the fact of Lady Flora having with her dying hand "delivered to her fond brother a little Bible, the gift of her mother, requesting him to restore it to that beloved parent with the assurance that from the age of seven years, when she received it from her, it had been her best treasure; and, she added, her sole support under all her recent afflictions."

In the previous issue of the same magazine, there's a very moving account of Lady Flora, written by its talented editor. She mentions that Lady Flora, with her dying hand, "gave her dear brother a small Bible, a gift from their mother, asking him to return it to their beloved parent with the assurance that, since she received it at the age of seven, it had been her greatest treasure and her only comfort during all her recent struggles."

If your correspondent ERZA has never seen that obituary notice (Seeleys, publishers) I think she will be glad to meet with it.

If your correspondent ERZA has never come across that obituary notice (Seeleys, publishers), I believe she will be pleased to see it.

L. H. K.

L. H. K.

Pelaga Arches (Vol. 3, p. 478.)

—This term is in common use among sailors, meaning the Mediterranean Archipelago, and they may very often be heard saying—"When I was up the Arches."

—This term is commonly used among sailors, referring to the Mediterranean Archipelago, and you might often hear them say—"When I was in the Arches."

E. N. W.

E. N. W.

Southwark, June 16. 1851.

Southwark, June 16, 1851.

Engraved Warming Pans (Vol. 3, pp. 84, 115.)

—I beg to add to the lists of H. G. T., and E. B. PRICE.

—I would like to add to the lists of H. G. T., and E. B. PRICE.

Some years ago I purchased one in Bradford, [523] [~523] Wilts, and several at Bedwyn Magna in the same county. The Bradford one bears an heraldic nondescript animal with horns on its head and nose, and a coronet round its neck, surrounded by—

Some years ago, I bought one in Bradford, [523] [~523] Wilts, and several at Bedwyn Magna in the same county. The one from Bradford has an unclear heraldic animal with horns on its head and nose, and a coronet around its neck, surrounded by—

"The . Lord . reseve . us . into . His . kingdom . 1616."

"The Lord receives us into His kingdom 1616."

One of the Bedwyn ones bears a lion passant holding a scimitar, with the motto:

One of the Bedwyn coats of arms features a lion walking with a scimitar, along with the motto:

"Feare . God . and . obay . the . king . 161—."

"Fear God and obey the king. 161—."

The last figure of the date is obliterated. Another has a shield bearing three tuns, surrounded by—

The last digit of the date is missing. Another has a shield with three tuns, surrounded by—

"The Vintners' arms."

"The Vintners' crest."

One in the possession of a farmer in the parish of Barton Turf, Norfolk, bears an eagle with a human head at its feet, surrounded by—

One in the possession of a farmer in the parish of Barton Turf, Norfolk, features an eagle with a human head at its feet, surrounded by—

"The . Erl . of . Darbeyes . arms." 1660.

The . Erl . of . Darbeyes . arms." 1660.

W. C. LUKIS.

W. C. LUKIS.

Great Bedwyn, June, 1851.

Great Bedwyn, June 1851.

St. Pancras (Vol. 3, pp. 285, 397.)

—St. Pancras was a native of the province of Phrygia, the son of a nobleman of the name of Cledonius; who, when at the point of death, strongly recommended this his only son, together with his fortune, which was very great, to the care of his brother Dionysius, he being the only near relative in being, the mother having previously deceased.

—St. Pancras was from the province of Phrygia, the son of a nobleman named Cledonius; who, when he was about to die, earnestly recommended his only son, along with his substantial fortune, to the care of his brother Dionysius, as he was the only close relative still alive, the mother having passed away earlier.

This trust Dionysius faithfully fulfilled, bringing up and loving his nephew as he would have done his own son; and when, three years after the death of Cledonius, he quitted his native country and proceeded to Rome, the youthful Pancras accompanied him. Upon reaching the imperial city, the uncle and nephew took up their residence in the same suburb where the Pope Marcellinus had fled for concealment from the persecution which had been raised against the Christians by the Emperors Diocletian and Maximianus. Here they had not been long resident before the fame of the great sanctity and virtue of Marcellinus reached their ears, and caused an ardent desire in both to see and converse with one so highly spoken of. A convenient opportunity was soon found, and in a short time both the uncle and nephew, renouncing their idolatry, became converted to the Christian faith.

Dionysius fulfilled this trust wholeheartedly, raising and loving his nephew as if he were his own son. Three years after the death of Cledonius, he left his home country for Rome, with the young Pancras by his side. Once they arrived in the imperial city, the uncle and nephew settled in the same neighborhood where Pope Marcellinus had sought refuge from the persecution of Christians by Emperors Diocletian and Maximianus. They hadn’t been there long before they heard about the great holiness and virtue of Marcellinus, sparking a strong desire in both of them to meet and talk with someone so highly regarded. A good opportunity soon arose, and before long, both the uncle and nephew abandoned their idol worship and converted to Christianity.

So strong was the effect produced upon them by this change, that the chief desire of both was to die for their religion; and, without waiting for the arrival of the officers who were continually searching for the hidden Christians, they voluntarily surrendered themselves to the ministers of justice.

So powerful was the impact of this change on them that their main wish was to die for their faith; and without waiting for the officers who were always looking for the hidden Christians, they willingly turned themselves in to the authorities.

A few days after this event, however, Dionysius was called hence by a natural death.

A few days after this event, though, Dionysius passed away from natural causes.

Diocletian, who is said to have been a friend of Cledonius, and moved perhaps by the youth and graceful appearance of Pancras, strove by flattery and caresses to induce him to do sacrifice to the heathen gods; to this proposition Pancras absolutely refused to consent, and reproached the Emperor for his weakness in believing to be gods, men, who, while on earth, had been remarkable for their vices. Diocletian, stung by these reproaches, commanded that the youth should be instantly beheaded, which sentence was immediately carried into execution. His death is said to have taken place on 12th May, 303; the martyr being then but fourteen years of age.

Diocletian, who was said to be a friend of Cledonius, and possibly influenced by the youth and attractive appearance of Pancras, tried to use flattery and affection to convince him to sacrifice to the pagan gods. Pancras flatly refused and criticized the Emperor for his foolishness in believing that those who had lived on earth and were known for their vices could be gods. Angered by this criticism, Diocletian ordered the youth to be executed immediately, and the sentence was carried out at once. His death is said to have occurred on May 12, 303, when the martyr was only fourteen years old.

The gate in Rome, rendered so remarkable lately as having been the chief point attacked by the French troops, was formerly called Porta Aurelia; but was subsequently named Porta Pancrazio, after this youthful sufferer.

The gate in Rome, recently noted for being the main target of the French troops, was originally called Porta Aurelia; but it was later renamed Porta Pancrazio, after this young martyr.

R. R. M.

R. R. M.

Pallavicino and Count d'Olivarez(Vol. 3, p. 478.)

—Ferrante Pallavicino was descended from a noble family, seated in Placenza. He entered the monastery of Augustine Friars at Milan, where he became a regular canon of the Lateran congregation. He was a man of fine genius, and possessed great wit, but having employed it in writing several satirical pieces against Urban VIII. during the war between the Barberini and the Duke of Parma and Placenza, he became so detested at the court of Rome, that a price was set on his head. One Charles Morfu, a French villain, was bribed to ensnare him, and pretending to pass for his friend and pity his misfortunes, persuaded him to go to France, which he said would be much to his advantage. Pallavicino gave himself up entirely to the direction of this false friend, who conducted him over the bridge at Sorgues into the territory of Venaissin, where he was arrested by people suborned for that purpose, was carried to Avignon, thrown into a dungeon, from which he tried to make his escape, and in the year 1644, after a fourteen months' imprisonment, was beheaded in the flower of his age. He was the author of a number of small pieces, all of which are marked by the lively genius of the author. They were collected and published at Venice in 1655, and amongst them I found one entitled "La disgracia del Conte d'Olivarez," which, perhaps, may be the work MR. SOULEY has in MS.

—Ferrante Pallavicino came from a noble family based in Piacenza. He joined the Augustinian Friars' monastery in Milan, where he became a regular canon of the Lateran congregation. He was an exceptionally clever man with a sharp wit, but after writing several satirical works against Urban VIII during the conflict between the Barberini family and the Duke of Parma and Piacenza, he became so hated at the court of Rome that a bounty was placed on his head. A man named Charles Morfu, a French scoundrel, was bribed to trap him. Morfu feigned friendship and sympathy for Pallavicino’s misfortunes, convincing him to travel to France, claiming it would benefit him greatly. Pallavicino completely entrusted himself to this deceitful friend, who led him across the bridge at Sorgues into the territory of Venaissin, where he was captured by hired agents. He was taken to Avignon and thrown into a dungeon, from which he attempted to escape. In 1644, after fourteen months of imprisonment, he was executed in the prime of his life. He authored several small works, all showcasing his vibrant intelligence. These were compiled and published in Venice in 1655, and among them, I found one titled "La desgracia del Conte d'Olivarez," which might be the manuscript that MR. SOULEY has.

For a more lengthy account of this unhappy and extraordinary man, I would refer MR. SOULEY to the life prefixed to his collected works, and to that prefixed to a French translation of his Divortio celeste, printed at Amsterdam in 1696; and also to the preface to the English translation of that same very curious work, printed at London in 1718.

For a more detailed story about this unfortunate and remarkable man, I suggest checking out the biography added to his collected works, as well as the one in the French translation of his *Divortio celeste*, printed in Amsterdam in 1696. Additionally, you should look at the preface to the English translation of that intriguing work, published in London in 1718.

WILLIAM BROWN, Jun.

William Brown Jr.

Watch your P's and Q's (Vol. 3, pp. 328, 357, 463.)

—When I proposed this Query, I mentioned that I had heard one derivation of the phrase. As it is different from either of those [524] which have been sent, it may, perhaps, be worth insertion. I was told by a printer that the phrase had originated among those of his craft, since young compositors experience great difficulty in discriminating between the types of the two letters.

—When I brought up this query, I noted that I had heard a different explanation for the phrase. Since it’s distinct from either of the ones that have been sent, it might be worth adding. A printer told me that the phrase originated among people in his profession, as young typesetters often struggle to tell the difference between the two letters.

R. D. H.

R.D.H.

[A correspondent has kindly suggested a new version of this saying, and suggests that for the future our readers should be reminded to mind, not their P's and Q's, but their N's and Q's.]

[A correspondent has kindly proposed a new version of this saying and suggests that in the future, our readers should be reminded to pay attention, not to their P's and Q's, but to their N's and Q's.]

Banks Family (Vol. 3, pp. 390-458.)

—In No. 81. R. C. H. H. asks if John Banks the philosopher was descended from Sir John Banks, Lord Chief Justice in Charles I.'s reign. As a grandson of the former, I take great interest in this, but am sorry to say that I can give no information at present on that branch of the subject. The philosopher's family were settled for some generations at Grange, near Keswick. I should be obliged if R. C. H. H. would communicate the name and publisher of the book on the Lakes which he quotes from, as I am exceedingly anxious to trace the genealogy.

—In No. 81. R. C. H. H. asks if John Banks the philosopher was related to Sir John Banks, Lord Chief Justice during Charles I.'s reign. As a grandson of the former, I’m really interested in this but unfortunately, I can’t provide any information on that part of the topic right now. The philosopher's family had been living in Grange, near Keswick, for several generations. I would appreciate it if R. C. H. H. could share the name and publisher of the book about the Lakes that he references, as I’m very eager to trace the genealogy.

BAY.

BAY.

Liverpool, June 19. 1851.

Liverpool, June 19, 1851.

National Debt (Vol. 3, p. 374.)

—The following extract from La Cronica di Giovanni Villani, lib. xii. c. 35., appears to have some reference to the Query made by F. E. M.:

—The following excerpt from La Cronica di Giovanni Villani, book xii, chapter 35, seems to relate to the question posed by F. E. M.:

"E nel detto mese di Febbraio, 1344, per lo comune si fece ordine, che qualunque cittadino dovesse avere dal comune per le prestanze fatte al tempo de' venti della balia, come addieto facemmo menzione, che si trovarono fiorini cinquecento-settantamila d'oro, sanza il debito di Messer Mastino della Scala, ch' erano presso a centomila fiorini d'oro, che si mettessono in uno registro ordinatemente; e dare il comune ogni anno di provvisione e usufrutto cinque per centinaio, dando ogni mese la paga per rata; e diputossi a fornire il detto guiderdone parte alla gabella delle parti, e parte ad altre gabelle, che montava l'anno da fiorini venticinque mila d'oro, dov' erano assegnate le paghe di Messer Mastino; e pagato lui, fossone assignati alla detta satisfazione; il quale Messer Mastino fu pagato del mese di Dicembre per lo modo che diremo innanzi. E cominciossi la paga della detta provvisione del mese d'Ottobre 1345."

“In the month of February 1344, the council ordered that any citizen who needed to be compensated by the city for the services rendered during the bailiff's term, as previously mentioned, would find that there were five hundred seventy thousand gold florins, excluding the debt owed to Messer Mastino della Scala, which amounted to nearly one hundred thousand gold florins. These were to be properly recorded in a ledger, and the city would provide an annual allowance and interest at five percent, with payments made monthly. It was decided that this compensation would partly go to the taxes of the regions and partly to other taxes, totaling twenty-five thousand gold florins per year, where the payments to Messer Mastino were allocated. After paying him, the funds would be assigned to this compensation. Messer Mastino was paid in December in the manner that will be explained later. The payment for this provision began in October 1345.”

R. R. M.

R. R. M.

Monte di Pietà(Vol. 3, p. 372.)

—In reply to your correspondent W. B. H., requesting to be informed of the connexion between a "Pietà" and a "Monte di Pietà," it may be observed that there does not appear to be any necessary connexion between the two expressions. The term "a Pietà" is generally used to denote the figure of the dead Saviour attended by His Blessed Mother: for example, the celebrated one in St. Peter's at Rome. The word "Monte," besides its signification of "montagna," expresses also "luogo publico ove si danno oi si pigliano denari ad interesse;" also "luogo publico altresì dove col pegno si prestano denari con piccolo interesse."

—In response to your correspondent W.B.H., who is asking about the connection between a "Pietà" and a "Monte di Pietà," it seems there isn't a necessary link between the two terms. The term "Pietà" is usually used to refer to the depiction of the dead Savior with His Blessed Mother, like the famous one in St. Peter's in Rome. The word "Monte," besides meaning "mountain," also refers to "a public place where money is lent or borrowed at interest," as well as "a public place where money is lent with collateral at a low interest rate."

"Pietà," in addition to its signification of "devozione," or "virtù per cui si ama ed onora Dia," &c., which would apply to the figure of the dead Saviour, expresses "compassione amorevole verso il suo simile."

"Pietà," besides meaning "devotion" or "virtue by which one loves and honors God," etc., which relates to the image of the deceased Savior, also conveys "compassionate love towards one's fellow man."

Monte di Pietà would therefore be a place where money was lent at interest, on such terms as were in unison with a kind and compassionate feeling towards our neighbour. This species of establishment was first commenced in Italy towards the end of the fifteenth century, by Il Beato Bernardino da Feltri, who carried his opposition to the Jews so far as to preach a crusade against them. The earliest Monte of which any record appears to exist was founded in the city of Padua in 1491; the effect of which was to cause the closing of twelve loan banks belonging to the Jews.

Monte di Pietà would be a place where money was loaned at interest, under terms that reflected kindness and compassion towards others. This type of establishment first started in Italy in the late fifteenth century, thanks to Il Beato Bernardino da Feltri, who was so opposed to the Jews that he called for a crusade against them. The first recorded Monte was established in the city of Padua in 1491, leading to the closure of twelve loan banks run by the Jews.

From Italy they were shortly afterwards introduced into France.

They were soon introduced to France from Italy.

The first legal sanction given to these establishments was granted by Pope Leo X. in 1551.

The first legal approval given to these establishments was granted by Pope Leo X in 1551.

R. R. M.

R. R. M.

Registry of Nonconformist Baptisms (Vol. 3, pp. 370, 460.)

—From the replies to my Query on this subject that have been published, it is plain that in all parts of England Dissenters have wished to procure the registry of their children's births or baptisms in their parish churches. In some instances they have been registered as dissenting baptisms; and then the fact appears from the Registry itself. In other instances, and probably far the more numerous (though this would be difficult to prove), they were registered among the canonical baptisms; and the fact of their being performed by Dissenting Ministers is only discoverable by reference to the Dissenting Register, when it happens to have been preserved. So in the instances referred to in p. 370., the baptisms are registered without distinction from others in the Registry of St. Peter's Church, Chester; but a duplicate registry as on the same day was made at Cross Lane Meeting House, which is, I believe, not in St. Peter's parish; though, I presume, the residence of the parents was in it.

—From the responses to my query on this topic that have been published, it’s clear that throughout England, Dissenters have wanted to have their children's births or baptisms recorded in their local parish churches. In some cases, they have been registered as dissenting baptisms; and this can be seen directly in the Registry itself. In other cases, and probably many more (though proving this would be difficult), they were registered alongside the canonical baptisms; and the fact that they were performed by Dissenting Ministers can only be found by checking the Dissenting Register, if it has been kept. For instance, the baptisms mentioned on p. 370 are recorded without distinction from others in the Registry of St. Peter's Church, Chester; however, a duplicate record as on the same day was made at Cross Lane Meeting House, which I believe is not in St. Peter's parish; although, I assume the parents lived in it.

D. X.

D. X.

Eisell(Vol. 3, pp. 66, 397.)

—I am not aware that the following passage has been quoted by any of the disputants in the late "Eisell" controversy. It occurs in Jewel's Controversy with Harding, pp. 651-2. of vol. ii. of the Parker Society's edition of Jewel's works.

—I am not aware that the following passage has been quoted by any of the disputants in the recent "Eisell" controversy. It is found in Jewel's Controversy with Harding, pp. 651-2, of vol. ii. of the Parker Society's edition of Jewel's works.

"A Christian man removeth his household, and, having there an image of Christ, equal unto him in length, and breadth, and all proportion, by forgetfulness leaveth it there in a secret place behind him. A Jew after him inhabiteth the same house a long while, and seeth it not; another strange Jew, sitting there at dinner, immediately espieth it standing open against a [525] wall.... Afterward the priests and rulers of the Jews come together, and abuse it with all villany. They crown it with a thorn, make it drink esel and gall, and stick it to the heart with a spear. Out issueth blood in great quantity, the powers of Heaven are shaken; the sun is darkened; the moon loseth her light."

A Christian man moves his household and, having an image of Christ there that is the same size as him in height, width, and all proportions, accidentally leaves it in a secret spot behind him. A Jew moves in afterward and lives in the same house for a long time without noticing it; then another random Jew, sitting there at dinner, suddenly sees it standing against a wall. Afterward, the priests and leaders of the Jews gather and mistreat it with all kinds of wickedness. They crown it with thorns, make it drink vinegar and gall, and pierce its heart with a spear. Blood pours out in great quantity, the forces of Heaven are disturbed; the sun darkens; the moon loses its light.

CUDYN GWYN.

CUDYN GWIN.

English Sapphics (Vol. 3, p. 494.)

—A beautiful specimen of this measure, far superior in rhythm to the attempt of Dr. Watts, appeared in the Youth's Magazine twenty-five years ago. It consisted of the Psalm "By the Waters of Babylon." I remember the last verse only.

—A beautiful example of this measure, much better in rhythm than Dr. Watts' attempt, appeared in the Youth's Magazine twenty-five years ago. It was the Psalm "By the Waters of Babylon." I only remember the last verse.

"Dumb be my tuneful eloquence, if ever

"Dumb be my tuneful eloquence, if ever

Strange echoes answer to a song of Zion;

Strange echoes respond to a song from Zion;

Blasted this right hand, if I should forget thee,

Blasted be this right hand if I ever forget you,

Land of my fathers."

"Land of my ancestors."

H. E. H.

H.E.H.

Mints in Norwich—Joseph Nobbs(Vol. 3, p. 447.)

—I beg to inform COWGILL that the operation of the Mint of the Great Recoinage of 1696-7 was performed in a room at St. Andrew's Hall, in this city; but the amount there coined, or at any of the other places mentioned, I am not able to inform him. The total amount said to be recoined was 6,882,908l. 19s. 7d.

—I want to let COWGILL know that the Mint for the Great Recoinage of 1696-7 was conducted in a room at St. Andrew's Hall in this city; however, I can't tell him the exact amount that was coined there or at any of the other locations mentioned. The total amount reported to be recoined was 6,882,908l. 19s. 7d.

          £    s.    d.
    The amount at the Tower   5,091,121   7   7
    And in the Country Mints   1,791,787 12   0
      ------------------------------------------
      £6,882,908 19   7
           

The following are the names of persons employed in the Mint at Norwich:—

The following are the names of people working at the Mint in Norwich:—

Francis Gardener, Esq., Treasurer.

Francis Gardener, Esq., Treasurer.

Thomas Moore, Gent., Warder; Thomas Allen, his clerk.

Thomas Moore, Gentleman, Warder; Thomas Allen, his assistant.

Anthony Redhead, Gent., Master Worker; Mr. Beaser, his clerk.

Anthony Redhead, Gentleman, Master Worker; Mr. Beaser, his assistant.

William Lamb, Comptroller; Mr. Samuel Oliver, his clerk.

William Lamb, Comptroller; Mr. Samuel Oliver, his assistant.

Heneage Price, Gent., King's clerk.

Heneage Price, Gent., King's secretary.

Mr. Rapier, Weigher and Teller.

Mr. Rapier, Weighmaster and Teller.

Henry Yaxley, Surveyor of the Meltings.

Henry Yaxley, Surveyor of the Meltings.

Mr. John Young, Deputy Graver.

Mr. John Young, Deputy Graver.

John Seabrook, Provost, and Master of the Moneyers.

John Seabrook, Provost and Head of the Moneyers.

Mr. Hartstongue, Assay Master, and his servant.—His brother, Edger, and Lotterer of the Half-Crowns, Shillings, and Sixpences. It is said crowns were not struck here, and I have never seen one of this Mint.

Mr. Hartstongue, the Assay Master, and his servant. His brother, Edger, and Lotterer of the Half-Crowns, Shillings, and Sixpences. It's said that crowns were not minted here, and I've never seen one from this Mint.

The whole of the work was finished here, September 29, 1698.

The entire work was completed here, September 29, 1698.

In pulling up the floor of an old house, in Tombland, in 1847, a quantity of the silver coin minted here was discovered, which, from the appearance of the coins, were never in circulation: they were sold to Mr. Cooper, silversmith, in London Street, for about 20l. No doubt the coins were abstracted from the Mint during the process of coining.

While renovating an old house in Tombland in 1847, a stash of silver coins that had been minted there was found. From the look of the coins, they had never been used in circulation. They were sold to Mr. Cooper, a silversmith on London Street, for around £20. It’s likely that the coins were taken from the Mint during the coining process.

In the Register of Burials at St. Gregory's is the following entry, A. D. 1717:

In the Register of Burials at St. Gregory's is the following entry, A. D. 1717:

"Joseph Nobbs, Parish Clerk of St. Gregory's, aged 89, was buried Novr. 4, 1717, being the year following the last entry in his Chronology. He was then 89 years of age, and, what is somewhat remarkable, that is the age of the present Clerk of St Gregory's."

"Joseph Nobbs, the Parish Clerk of St. Gregory's, passed away on November 4, 1717, at the age of 89, just a year after his last entry in his Chronology. He was 89 years old at the time of his burial, which is interesting since that’s also the age of the current Clerk of St. Gregory's."

G. H. I.

G. H. I.

P. S. Some other matters relative to this Mint are among my memoranda.

P.S. I have some other notes related to this Mint in my records.

Norwich, June 16. 1851.

Norwich, June 16, 1851.

Where is Voltaire located?(Vol. 3, p. 329.)

—Your correspondent V. is informed, that the following particulars on the subject of his Query are given in a note to the article "Voltaire," in Quérard's France Littéraire, vol. x. p. 276.:—

—Your correspondent V. is informed that the following details regarding his query are provided in a note to the article "Voltaire" in Quérard's France Littéraire, vol. x. p. 276.:—

"Voltaire est le nom d'un petit bien de famille, qui appartenait à la mère de l'auteur de la 'Henriade,'—Marie Catherine Daumart, d'une famille noble du Poitou."

"Voltaire is the name of a small family estate that belonged to the mother of the author of 'Henriade,'—Marie Catherine Daumart, from a noble family in Poitou."

HENRY H. BREEN.

HENRY H. GREEN.

St. Lucia, May, 1851.

St. Lucia, May 1851.

Meaning of Pilcher(Vol. 3, p. 476).

—I must say I can see no difficulty at all about pilcher. If the r at the end makes it so strange a word, leave that out, and then you will have a word, as it seems, quite well established—pylche, toga pellice: Lye. Skinner thinks pilchard may be derived from it.

—I must say I see no difficulty at all with pilcher. If the r at the end makes it such a strange word, just drop that, and you'll have a word that seems quite well established—pylche, toga pellice: Lye. Skinner believes pilchard might come from it.

"Pilch, an outer garment generally worn in cold weather, and made of skins of fur. 'Pelicium, a pylche.' (Nominale MS.) The term is still retained in connected senses in our dialects. 'A piece of flannel, or other woollen, put under a child next the clout is, in Kent, called a pilch; a coarse shagged piece of rug laid over a saddle, for ease of a rider, is, in our midland parts, called a pilch.' (MS. Lansd. 1033.) 'Warme pilche and warme shon.' (MS. Digby, 86.) 'In our old dramatists the term is applied to a buff or leather jerkin; and Shakspeare has pilcher for the sheath of a sword." (Halliwell's Dictionary.)

"Pilch is an outer garment usually worn in cold weather, made from fur skins. 'Pelicium, a pylche.' (Nominale MS.) The term is still used in related ways in our dialects. 'A piece of flannel or another woollen fabric placed under a child near the diaper is called a pilch in Kent; a coarse, shaggy piece of rug laid over a saddle for the comfort of a rider is referred to as a pilch in our midland areas.' (MS. Lansd. 1033.) 'Warm pilch and warm shoes.' (MS. Digby, 86.) 'In our old playwriters, the term is used for a buff or leather jerkin; and Shakespeare uses pilcher for the sheath of a sword." (Halliwell's Dictionary.)

"Pilche, or pilcher, a scabbard, from pylche, a skin coat, Saxon. A pilche, or leather coat, seems to have been the common dress for a carman. Coles has 'a pilch for a saddle, instratum,' which explains that it was an external covering, and probably of leather. Kersey also calls it a covering for a saddle; but he likewise gives it the sense of 'a piece of flannel to be wrapt about a young child.' It seems, therefore, to have been used for any covering." (Nares' Glossary.)

"Pilche, or pilcher, means a scabbard, derived from pylche, which is a skin coat, in Saxon. A pilche, or leather coat, appears to have been the typical attire for a carman. Coles describes 'a pilch for a saddle, instratum,' indicating that it was meant as an outer covering, likely made of leather. Kersey also refers to it as a saddle cover; however, he also defines it as 'a piece of flannel to be wrapped around a young child.' Therefore, it seems to have been used for any type of covering." (Nares' Glossary.)

C. B.

C. B.

Canute's Coin Catalogs (Vol. 3, p. 326.)

—The following is a copy of the title-page of the work referred to by [526] Βορεας:—A Catalogue of the Coins of Canute, King of Denmark and England; with Specimens. London: Printed by W. Bowyer and J. Nichols. 4to. 1777. It consists of twenty-four pages, and was compiled by Richard Gough, Esq.

—The following is a copy of the title page of the work mentioned on [526] Βορεας:—A Catalogue of the Coins of Canute, King of Denmark and England; with Specimens. London: Printed by W. Bowyer and J. Nichols. 4to. 1777. It has twenty-four pages and was put together by Richard Gough, Esq.

J. Y.

J.Y.

Pontoppidan's Natural History of Norway(Vol. 3, p. 326.)

—An interesting notice of this work occurs in the Retrospective Review, vol. xiii., pp. 181-213.; but neither in that article nor in any bibliographical or biographical dictionary is the name of the translator given.

—An interesting mention of this work appears in the Retrospective Review, vol. xiii., pp. 181-213.; but neither that article nor any bibliographical or biographical dictionary provides the name of the translator.

J. Y.

J.Y.

The First Panorama (Vol. 3, p. 406.)

—I have often heard my father say, that the first panorama exhibited was painted by Thomas Girtin, and was a semicircular view of London, from the top of the Albion Mills, near Blackfriars Bridge. It was exhibited in St. Martin's Lane, where, not many years back, I saw it, it having been found rolled up in a loft over a carpenter's shop. It was painted about 1793 or 1794, and my father has some of the original sketches.

—I have often heard my dad say that the first panorama ever shown was painted by Thomas Girtin. It was a semicircular view of London from the top of the Albion Mills near Blackfriars Bridge. It was displayed in St. Martin's Lane, where I saw it not long ago after it was found rolled up in a loft above a carpenter's shop. It was painted around 1793 or 1794, and my dad has some of the original sketches.

E. N. W.

E. N. W.

Southwark, June 2.

Southwark, June 2nd.

Written Preaching (Vol. 3, p. 478.)

—If M. C. L. asks, when and why written sermons took the place of extemporaneous discourses, I believe it may be said that written sermons were first in vogue. Certainly, the inability of most men to preach "without book," would be sufficient to ensure their early introduction. According to Bingham (see Ant. of the Christian Church, book xiv. chap. 4.), Origen was the first who preached extemporaneously, and not until after he was sixty years old. The great divines of the time of the English Reformation preached both written and oral sermons: many of these, especially of the former, are included in their printed works. The same remark also applies to the early Fathers of the Church. The use of the homilies, which were drawn up for the ignorant clergy at the Reformation, at once gave a sanction to the practice of writing sermons. The story of the preacher turning over his hour-glass at Paul's Cross, and starting afresh, must of course refer to an unwritten discourse. Sermons, being explications of scripture, used to follow the reading of the psalms and lessons: now, for the same reason, they come after the epistle and gospel. In olden time, the bishop was the only preacher, going from church to church, as now-a-days[2], with the same sermon or charge; and he addressed the people from the altar steps: afterwards the priest, as his deputy, preached in the pulpit, but the deacons were not allowed to preach at all.

—If M. C. L. asks when and why written sermons replaced extemporaneous preaching, I believe it can be said that written sermons were originally more popular. Certainly, the difficulty most people have in preaching "off the cuff" would justify their early use. According to Bingham (see Ant. of the Christian Church, book xiv. chap. 4.), Origen was the first to preach extemporaneously, and he didn't do so until he was over sixty. The prominent theologians during the English Reformation delivered both written and spoken sermons: many of these, especially the written ones, are found in their printed works. The same observation holds true for the early Church Fathers. The use of homilies created for less educated clergy during the Reformation immediately legitimized the practice of writing sermons. The tale of the preacher flipping his hourglass at Paul's Cross and starting over must refer to an unwritten discourse. Sermons, as explanations of scripture, used to follow the reading of the psalms and lessons; now, for the same reason, they come after the epistle and gospel. In the past, the bishop was the only preacher, traveling from church to church, just like today[2], with the same sermon or message; he spoke to the congregation from the altar steps. Later, the priest served as his representative, preaching from the pulpit, while deacons were not permitted to preach at all.

[2] One of the highest dignitaries in our Church recently declined to print a sermon, as requested; because, he frankly said, he should want to preach it again.

[2] One of the top leaders in our Church recently refused to publish a sermon, as requested; because, as he openly stated, he wanted to preach it again.

ALFRED GATTY.

ALFRED GATTY.

Bogatsky(Vol. 3, p. 478.)

—The little work, so justly popular in England, under the title of Bogatsky's Golden Treasury, is by no means a literal translation of the original; but was almost entirely re-written by Venn, the author of the Complete Duty of Man. This I state on good authority, as I believe; but I have never seen the original.

—The small book, which is rightly popular in England under the title of Bogatsky's Golden Treasury, is not a direct translation of the original; it was mostly re-written by Venn, the author of the Complete Duty of Man. I mention this based on reliable information, as I understand it; however, I have never seen the original.

R. D. H.

R.D.H.

Misc.

NOTES ON BOOKS, SALES, CATALOGS, ETC.

Under the title of a Hand-Book of Natural Philosophy and Astronomy: First Course—Mechanics, Hydrostatics, Hydraulics, Pneumatics, Sound, Optics, Dr. Lardner has just issued a small closely printed volume with the object of supplying that "information relating to physical and mechanical science, which is required by the medical and law student, the engineer and artisan, by those who are preparing for the universities, and, in short, by those who, having already entered upon the active pursuits of business, are still desirous to sustain and improve their knowledge of the general truths of physics, and of those laws by which the order and stability of the material world are maintained." The work, which is illustrated with upwards of four hundred woodcuts, is extremely well adapted for the object in question; and will, we have no doubt, obtain, as it deserves, a very extensive circulation among the various classes of readers for whose use it has been composed; and, in short, among all readers who desire to obtain a knowledge of the elements of physics without pursuing them through their mathematical consequences and details. The illustrations are generally of a popular character, and therefore the better calculated to impress upon the mind of the student the principles they are intended to explain.

Under the title of a Handbook of Natural Philosophy and Astronomy: First Course—Mechanics, Hydrostatics, Hydraulics, Pneumatics, Sound, Optics, Dr. Lardner has just released a compact, densely printed volume aimed at providing the "information related to physical and mechanical science that medical and law students, engineers and artisans, those preparing for universities, and, essentially, anyone who has already entered the workforce but still wants to enhance their understanding of the general truths of physics and the laws that maintain the order and stability of the material world" needs. The book, which features over four hundred illustrations, is exceptionally well-suited for its intended purpose and will, we believe, achieve, as it deserves, a broad readership among the various groups it targets, and, broadly, among all readers who want to learn the basics of physics without delving into the mathematical complexities and specifics. The illustrations are mostly straightforward, making them more effective in helping students grasp the principles they aim to clarify.

The new volume of Mr. Bohn's Standard Library consists of the third of Mr. Torrey's translation of Dr. Neander's General History of the Christian Religion and Church. The period included in the present division of this important contribution to ecclesiastical history extends from the end of the Diocletian persecution to the time of Gregory the Great, or from the year 312 to 590. A translation of The Fasti, Tristia, Pontic Epistles, Ibis and Halieuticon of Ovid, with copious notes by Henry T. Riley, B.A., is the last addition made by Mr. Bohn to his Classical Library. Though these translations furnish very imperfect pictures of the manner and style of the original writers, they supply the mere English reader with a good general notion of their matter, especially when they are as copiously annotated as the work before us.

The new volume of Mr. Bohn's Standard Library features the third part of Mr. Torrey's translation of Dr. Neander's General History of the Christian Religion and Church. The time period covered in this section of this significant contribution to church history stretches from the end of the Diocletian persecution to the era of Gregory the Great, specifically from 312 to 590. A translation of The Fasti, Tristia, Pontic Epistles, Ibis, and Halieuticon of Ovid, with extensive notes by Henry T. Riley, B.A., is the latest addition Mr. Bohn has made to his Classical Library. Although these translations offer only limited representations of the original authors' style and manner, they provide English readers with a solid general understanding of the content, especially when they are as thoroughly annotated as the work at hand.

We are informed that, in consequence of the great care and delicacy which is found to be required in the presswork of the Lansdowne Shakspeare, a beautiful volume, unique as a specimen of the art of typography, the publication will be unavoidably postponed for a few weeks.

We have been informed that, due to the careful attention and precision needed in the printing of the Lansdowne Shakspeare, a stunning book that stands out as an example of the art of typography, the release will unfortunately be delayed for a few weeks.

Messrs. Sotheby and Co. (3. Wellington Street, Strand) will commence, on Wednesday next, a seven days' sale of the valuable Library of the date Rev. Dr. Penrose, which is particularly rich in books illustrated [527] with engravings.

Messrs. Sotheby and Co. (3 Wellington Street, Strand) will start a seven-day sale of the valuable library of the late Rev. Dr. Penrose next Wednesday, which is especially rich in illustrated books. [527]

BOOKS RECEIVED.—Illustrations of Mediæval Costume in England, &c., by C. A. Day and J. H. Dines: Part IV., illustrating what the editors call the "mediæval foppery" of Richard II. and his court.—The Traveller's Library, No. IV., Sir Roger de Coverley, by "The Spectator," with Notes and Illustrations, by W. Henry Wills. A delightful shilling's worth, well calculated to make the traveller a wiser and better man.

BBOOKS RRECEIVED.—Illustrations of Medieval Costume in England, etc., by C. A. Day and J. H. Dines: Part IV., illustrating what the editors call the "medieval foppery" of Richard II. and his court.—The Traveller's Library, No. IV., Sir Roger de Coverley, by "The Spectator," with Notes and Illustrations, by W. Henry Wills. A charming shilling's worth, well designed to make the traveler a wiser and better person.

BOOKS AND RARE VOLUMES
WANTED TO BUY.

  • WAAGEN'S TOUR IN ENGLAND.
  • AARTHUR YOUNG'S TRambles in FRANCE.
  • ARTHUR YYOUNG'S TRages in IItaly.
  • BORLAND'S HHISTORY OF THE CCOLONY OF DARIAN.
  • ALBERT LUNEL, a Novel in 3 Vols.
  • DR. ADams SERMON ON THE OOBLIGATION OF VVIRTUE. Any edition.
  • ENGRAVED PPORTRAITS OF BISHOP BButler.
  • RRETROSPECTIVE REVIEW. Vol. IV.
  • DENS THEOLOGIA MORALIS AND DOGMATICA. 8 Vols. 12mo. Dublin, 1832.
  • MARLBOROUGH DDISPATCHES. Volumes IV. and V.
  • ART JJOURNAL, 1839 to 1844 inclusive. Also 1849.
  • BULWER'S NNOVELS. 12mo. Published at 6s. per Vol. Pilgrims of the Rhine, Alice, and Zanoni.
  • STEPHANI TTHESAURUS. Valpy. Parts I., II. X. XI. and XXIX.
  • KIRBY'S BRIDGEWATER TTreatise. 2 Vols.
  • The Second Vol. of CHAMBERS' CENCYCLOPEDIA OF ENGLISH LLITERATURE.
  • MITFORD'SHHISTORY OF GREECE, continued by Davenport. 12mo. 8 Vols. Published by Tegg and Son, 1835. Volume Eight wanted.
  • L'ABBÉ DE SAin't PIERRE, PROJET DE PAIX PERPETUELLE. 3 Vols. 12mo. Utrecht, 1713.
  • AIKIN'S SVOTE WWORKS OF THE BBRITISH POETS. 10 Vols. 24mo. Published by Longmans and Co. 1821. Vols. I. V. and VIII. wanted.
  • CAXTON'SREYNARD THE FOX (Percy Society Edition). Sm. 8vo. 1844.
  • CRESPECT, PERE. Deux Livres de la Haine de Satan et des Malins Esprits contre l'Homme. 8vo. Francfort, 1581.
  • CHEVALIER RAMSAY, ESSAI DE PPOLITIQUE, où l'on traite de la Nécessité, de l'Origine, des Droits, des Bornes et des différentes Formes de la Souveraineté, selon les Principes de l'Auteur de Télémaque. 2 Vols. 12mo. La Haye, without date, but printed in 1719.
  • The same. Second Edition, under the title "Essai Philosophique sur le Gouvernement Civil, selon les Principes de Fénélon," 12mo. Londres, 1721.
  • THE CRY OF THE OOPPRESSED, being a True and Tragical Account of the unparalleled Sufferings of Multitudes of Poor Imprisoned Debtors, &c. London, 1691. 12mo.
  • MARKHAM'S HHISTORY OF FRANCE. Vol. II. 1830.
  • MARKHAM'S HHistory Of ENGLAND. Vol. II. 1836. Sixth Edition.
  • JAMES'S NAVAL HHISTORY. (6 Vols. 8vo.) 1822-4. Vol. VI.
  • HUME'SHHISTORY OF EENGLAND. (8 Vols. 1818.) Vol. IV.
  • RRUSSELL'S EEUROPE, FROM THEPEACE OF UTRECHT. 4to. 1824. Vol. II.
  • CLARE'S RURAL MUse.
  • WAT&T's BLIBRARY BRITANNICA, Part V. 4to.
  • STRUTT'S MANNERS AND CCUSTOMS. Vol. II. 4to.
  • OLD BAYLEY SSESSIONS PAPERS, 1744 To 1774, or any portion thereof. 4to.
  • COLDEN'S HHISTORY OF THE FIVEIINDIAN NATIONS OF CANADA. Vol. I. 12mo. Lond. 1755.
  • HEARN (T.) LELAND’S IITINERARY. Vols. I. II. III. and VII.
  • HORACE-ORELLIUS. 2 Vols.
  • D'ARBLAY'S DIARY. Vol. III.
  • WAagen's WORKS OF ART AND AARTISTS IN EENGLAND. 3 Vols. 8vo. 1838.
  • SMYTH(PROF. W.) LLECTURES ON MMODERN HHISTORY. 3rd Edit. 2 Vols. 8vo. 1811.

*** Letters, stating particulars and lowest price, carriage free, to be sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.

Understood! Please provide the text you would like me to modernize.Sure! Please provide the text you want me to modernize.Got it! Please provide the short text you want me to modernize. Please send letters detailing specifics and the lowest price, shipping included, to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.

Updates for Correspondents.

We this week conclude our Third Volume, and regret that want of space has compelled us to omit from the present Number the Rev. Dr. Todd's Letter on the Edition of Ussher's Works; C. on "The Lord Mayor of London not a Privy Councillor;" and many other communications of great interest; and we have to trust to the kindness of our Correspondents for omitting our usual acknowledgment of REPLIES RECEIVED.

This week we conclude our Third Volume, and we regret that lack of space has forced us to leave out the Rev. Dr. Todd's Letter on the Edition of Ussher's Works; C. on "The Lord Mayor of London not a Privy Councillor;" and many other communications of great interest. We have to rely on the kindness of our Correspondents for not including our usual acknowledgment of REPLIES RRECEIVED.

THE INDEX TO VOLUME THE THIRD is ready for Press. It will be issued on Saturday the 12th, if not ready by next Saturday.

THE IINDEX TO VVOLUME THE THIRD is ready for print. It will be released on Saturday the 12th, unless it’s ready by the following Saturday.

The commencement of a New Volume on Saturday next affords a favourable opportunity to gentlemen resident in the country to commence the work. The Subscription for the Stamped Edition of "NOTES AND QUERIES " is ten shillings for six months, which may be paid by Post-Office Order, drawn in favour of our Publisher, MR. GEORGE BELL, No. 186. Fleet Street.

The start of a new volume next Saturday presents a great opportunity for gentlemen living in the countryside to begin their work. The subscription for the stamped edition of "NNOTES AND QQUERIES " is ten shillings for six months, which can be paid by Post Office Order made out to our publisher, MR. GEORGE BELL, No. 186, Fleet Street.

CIRCULATION OF OUR PROSPECTUSES BY CORRESPONDENTS. The suggestion of T. E. H., that by way of hastening the period when we shall be justified in permanently enlarging our Paper to 24 pages, we should forward copies of our Prospectus to correspondents who would kindly enclose them to such friends as they think likely, from their love of literature, to become subscribers to "NOTES AND QUERIES ," has already been acted upon by several friendly correspondents, to whom we are greatly indebted. We shall be most happy to forward Prospectuses for this purpose to any other of our friends able and willing thus to assist towards increasing our circulation.

COUR CIRCULATION OF PPROSPECTUSES BY CCorrespondents. The suggestion from T. E. H. that, to speed up the time when we can justify permanently expanding our Paper to 24 pages, we should send copies of our Prospectus to correspondents who would kindly forward them to friends they believe, due to their love of literature, would be interested in subscribing to "NOTES AND QUERIES," has already been acted upon by several supportive correspondents, and we are very grateful to them. We would be more than happy to send Prospectuses for this purpose to any other friends who are able and willing to help us increase our circulation.

VOLS. I. and II., each with very copious Index, may still be had, price 9s. 6d. each.

VOLS. I. and II., each with a very detailed index, are still available, priced at 9s. 6d. each.

NOTES AND QUERIES may be procured, by order, of all Booksellers and Newsvenders. It is published at noon on Friday, so that our country subscribers ought not to experience any difficulty in procuring it regularly. Many of the country Booksellers, &c., are, probably, not yet aware of this arrangement, which will enable them to receive NOTES AND QUERIES in their Saturday parcels.

NNOTES AND QQUERIES can be ordered from all booksellers and newsagents. It's published at noon on Friday, so our country subscribers shouldn't have any trouble getting it regularly. Many of the country booksellers, etc., may not be aware of this arrangement yet, which will allow them to include NNOTES AND QQUERIES in their Saturday deliveries.

All communications for the Editor of NOTES AND QUERIES should be addressed to the care of MR. BELL, No. 186. Fleet Street.

All communications for the Editor of NOTES AND QQUERIES should be sent to MR. BELL, 186 Fleet Street.

THE GENTLEMAN'S MAGAZINE FOR JULY

THE GENTLEMAN'S MAGAZINE - JULY

contains the following articles: 1. The Present State of English Historical Literature: the Record Offices; 2. Bill for King Charles's Pedestal at Charing Cross; 3. Anecdotes from the Day-books of Dr. Henry Sampson; 4. The Infinity of Geometric Design (with Engravings); 5. Christian Iconography, by J. G. Walter: Principalities, Archangels, and Angels (with Engravings); 6. Companions of my Solitude; 7. Mr. P. Cunningham's Story of Nell Gwyn, Chapter VII. (with Portraits of her two Sons); 8. Sussex Archæology (with Engravings); 9. Horace Walpole and Mason; 10. National Education; With Notes of the Month, Review of New Publications, Reports of Scientific and Antiquarian Societies, and Obituary, including Memoirs of the Earl of Shaftesbury, the Earl of Cottenham, Right Hon. R. L. Shiel, Rev. W. M. Kinsey, Mrs. Shelley, Mr. Dowton, and other eminent persons recently deceased. Price 2s. 6d.

contains the following articles: 1. The Current State of English Historical Literature: the Record Offices; 2. Proposal for King Charles's Statue at Charing Cross; 3. Anecdotes from the Journals of Dr. Henry Sampson; 4. The Infinity of Geometric Design (with Illustrations); 5. Christian Iconography, by J. G. Walter: Principalities, Archangels, and Angels (with Illustrations); 6. Companions of My Solitude; 7. Mr. P. Cunningham's Story of Nell Gwyn, Chapter VII. (with Portraits of her two Sons); 8. Sussex Archaeology (with Illustrations); 9. Horace Walpole and Mason; 10. National Education; With Monthly Notes, Reviews of New Publications, Reports from Scientific and Antiquarian Societies, and Obituaries, including Tributes to the Earl of Shaftesbury, the Earl of Cottenham, Right Hon. R. L. Shiel, Rev. W. M. Kinsey, Mrs. Shelley, Mr. Dowton, and other notable individuals who recently passed away. Price 2s. 6d.

NICHOLS AND SON, Parliament Street.

Nichols and Son, Parliament Street.

LITERARY AGENCY.—MR. F. G. TOMLINS (Secretary to the Shakespeare Society; Author of "A Brief View of the English Drama," "A Variorum History of England," "Garcia, a Tragedy," "The Topic," "The Self-Educator," &c. &c.)

LITERARY AGENCY.—MR. F. G. TOMLINS (Secretary to the Shakespeare Society; Author of "A Brief View of the English Drama," "A Variorum History of England," "Garcia, a Tragedy," "The Topic," "The Self-Educator," etc.)

is desirous to make it known that a Twenty years' experience with the Press and Literature, as Author and Publisher, enables him to give advice and information to Authors, Publishers and Persons wishing to communicate with the Public, either as to the Editing, Advertising, or Authorship of Books, Pamphlets, or Literary productions of any kind. Opinions obtained on manuscripts previous to publication, and Works edited, written, or supervised for the Press by acknowledged writers in their various departments.

wants to let it be known that twenty years of experience with the press and literature, both as an author and a publisher, allows him to offer advice and information to authors, publishers, and anyone looking to connect with the public, whether it’s about editing, advertising, or writing books, pamphlets, or any type of literary work. Feedback can be provided on manuscripts before publication, and works can be edited, written, or supervised for the press by recognized writers in their respective fields.

OFFICE, 19. SOUTHAMPTON STREET, STRAND,

OFFICE, 19. SOUTHAMPTON STREET, STRAND,

Where Works of Reference for Literary purposes may be obtained or referred to.

Where to find or refer to reference works for literary purposes.

Chippenham, Wilts.

Chippenham, Wiltshire.

MR. F. ALEXANDER has been favoured with instructions to prepare for SALE by AUCTION, on the Premises, on TUESDAY, the 1st of July, 1851, and two following days, commencing at 12 o'clock each day precisely, the Valuable and Select Library of Mr. John Provis, of Chippenham, comprising 3,500 Volumes, including many Works of great value. Among those remarkable for their rarity, &c., will be found a fine copy of Purchas's Pilgrimes, 5 vols., 1625; Nuremburg Chronicle, 1493; Dante, printed at Rome, 1487; Coverdale's Bible, 1539; Cranmer's Bible, 1585; Musée Français, 4 vols.; Chaucer's Works; Philosophical Transactions, 88 vols.; Houbraken's Heads, &c., &c.

MR. F. ALEXANDER has been instructed to prepare for SALE by AUCTION, on the premises, on TUESDAY, July 1st, 1851, and the following two days, starting at 12 o'clock each day sharp, the Valuable and Select Library of Mr. John Provis, of Chippenham, which includes 3,500 volumes, featuring many highly valuable works. Among the notable items for their rarity, you will find a fine copy of Purchas's Pilgrimes, 5 vols., 1625; Nuremburg Chronicle, 1493; Dante, printed in Rome, 1487; Coverdale's Bible, 1539; Cranmer's Bible, 1585; Musée Français, 4 vols.; Chaucer's Works; Philosophical Transactions, 88 vols.; Houbraken's Heads, and more.

May be viewed two days previous to the Sale, by Catalogues only (6d. each), which may be obtained five days prior to the sale, of MESSRS. WICKHAM & YELLAND, 163. Strand, London; at the White Hart Hotel, Bristol; Castle Hotel, Bath; Star Hotel, Oxford; Royal Hotel, Cheltenham; Bear Inn, Devizes; and of the Auctioneer, Chippenham.

You can view the items two days before the sale, but only by catalog (6d each), which will be available five days before the sale from MESSRS. WICKHAM & YELLAND, 163 Strand, London; at the White Hart Hotel, Bristol; Castle Hotel, Bath; Star Hotel, Oxford; Royal Hotel, Cheltenham; Bear Inn, Devizes; and from the auctioneer in Chippenham.

FOR EVERY CHILD IN THE KINGDOM.

FOR EVERY CHILD IN THE KINGDOM.

On 1st July, 1851, Price 2s. 6d., an Enduring Record, full of Interesting Details—Vivid Descriptions—Moral Sentiments—and Beautiful Pictures, entitled

On July 1, 1851, Price 2s. 6d., a Lasting Record, filled with Interesting Details—Vivid Descriptions—Moral Sentiments—and Beautiful Pictures, titled

LITTLE HENRY'S HOLIDAY

Little Henry's Vacation

AT

AT

THE GREAT EXHIBITION,

THE GREAT EXHIBITION,

By the Editor of "PLEASANT PAGES."

By the Editor of "Pleasant Pages."

PLEASANT PAGES.—DOUBLE NUMBERS are now publishing, containing a Course of "OBJECT LESSONS" from the Great Exhibition.—Volume II. is just out. Third Edition of Volume I. is now ready.

PLEASANT PAGES.—DOUBLE NUMBERS are now publishing, featuring a series of "OBJECT LESSONS" from the Great Exhibition.—Volume II. is just released. The Third Edition of Volume I. is now available.

London: HOULSTON AND STONEMAN; and all Booksellers.

London: HOulston and STONEMAN; and all Booksellers.

WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3. Parliament Street, London.

WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3 Parliament Street, London.

VALUABLE NEW PRINCIPLE.

VALUABLE NEW PRINCIPLE.

Payment of premiums may be occasionally suspended without forfeiting the policy, on a new and valuable plan, adopted by this society only, as fully detailed in the prospectus.

Payment of premiums can sometimes be put on hold without losing the policy, according to a new and valuable plan that this society has exclusively adopted, as fully explained in the prospectus.

A. SCRATCHLEY, M.A.,

A. SCRATCHLEY, M.A.,

Actuary and Secretary: Author of "Industrial Investment and Emigration; being a Second Edition of a Treatise on Benefit Building Societies, &c." Price 10s. 6d.

Actuary and Secretary: Author of "Industrial Investment and Emigration; being a Second Edition of a Treatise on Benefit Building Societies, &c." Price £10. 6d.

London: J. W. PARKER, West Strand.

London: J. W. PARKER, West Strand.

Nearly ready, Second Edition, revised and corrected. Dedicated by Special Permission to

Nearly ready, Second Edition, updated and corrected. Dedicated by Special Permission to

THE (LATE) ARCHBISHOP OF CANTERBURY.

THE (LATE) ARCHBISHOP OF CANTERBURY.

PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. The words selected by the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The Music arranged for Four Voices, but applicable also to Two or One, including Chants for the Services, Responses to the Commandments, and a Concise SYSTEM OF CHANTING, by J. B. SALE. Musical Instructor and Organist to Her Majesty. 4to., neat, in morocco cloth, price 25s. To be had of Mr. J. B. SALE, 21. Holywell Street, Millbank, Westminster, on the receipt of a Post Office Order for that amount: and, by order, of the principal Booksellers and Music Warehouses.

PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. Selected by the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The music arranged for four voices, but suitable for two or one, including chants for the services, responses to the commandments, and a concise system of chanting, by J. B. SALE. Musical Instructor and Organist to Her Majesty. 4to., neatly bound in morocco cloth, price 25s. Available from Mr. J. B. SALE, 21 Holywell Street, Millbank, Westminster, upon receipt of a Post Office Order for that amount, and by order from major booksellers and music warehouses.

"A great advance on the works we have hitherto had, connected with our Church and Cathedral Service."—Times.

"A significant improvement over the previous works related to our Church and Cathedral Service."—Times.

"A collection of Psalm Tunes certainly unequalled in this country."—Literary Gazette.

"A collection of Psalm Tunes that's definitely unmatched in this country."—Literary Gazette.

"One of the best collections of tunes which we have yet seen. Well merits the distinguished patronage under which it appears."—Musical World.

"One of the best collections of songs we've seen so far. It definitely deserves the esteemed support it has received."—Musical World.

"A collection of Psalms and Hymns, together with a system of Chanting of a very superior character to any which has hitherto appeared."—John Bull.

"A collection of Psalms and Hymns, along with a chanting system that is much better than any that has come before."—John Bull.

Also, lately published,

Also, recently published,

J. B. SALE'S SANCTUS, COMMANDMENTS and CHANTS as performed at the Chapel Royal St. James, price 2s.

J. B. SALE'S SANCTUS, COMMANDMENTS, and CHANTS as performed at the Chapel Royal St. James, price 2s.

C. LONSDALE, 26. Old Bond Street.

C. LONSDALE, 26. Old Bond Street.

Now ready, price 28s., cloth boards, Volumes III. and IV. of

Now available, priced at 28s., clothbound, Volumes III and IV of

THE JUDGES OF ENGLAND. By EDWARD FOSS, F.S.A. Comprehending the period from Edward I. to Richard III., 1272 to 1485.

THE JUDGES OF ENGLAND. By EDWARD FOpen Source Software, F.S.A. Covering the period from Edward I to Richard III, 1272 to 1485.

Lately published, price 28s.

Just published, price 28s.

VOLUMES I. and II. of the same Work; from the Conquest to the end of Henry III., 1066 to 1272.

VVOLUMES I. and II. of the same Work; from the Conquest to the end of Henry III., 1066 to 1272.

"A work in which a subject of great historical importance is treated with the care, diligence, and learning it deserves; in which Mr. Foss has brought to light many points previously unknown, corrected many errors, and shown such ample knowledge of his subject as to conduct it successfully through all the intricacies of a difficult investigation; and such taste and judgment as will enable him to quit, when occasion requires, the dry details of a professional inquiry, and to impart to his work as he proceeds, the grace and dignity of a philosophical history."—Gent. Mag.

"A work that addresses a subject of great historical significance with the care, diligence, and expertise it deserves; in which Mr. Foss has uncovered many previously unknown details, corrected several mistakes, and demonstrated such extensive knowledge of his topic that he successfully navigates all the complexities of a challenging investigation; and such taste and discernment that he can, when necessary, move away from the dry details of a professional study and infuse his work with the grace and dignity of a philosophical history."—Gent. Mag.

London: LONGMAN, BROWN, GREEN, and LONGMANS.

London: LONGMAN, BROWN, GREEN, and LONGMANS.

In fcap. 8vo., price 7s. 6d., a Third Series of

In fcap. 8vo., price 7s. 6d., a Third Series of

PLAIN SERMONS, addressed to a Country Congregation. By the late Rev. EDWARD BLENCOWE, Curate of Teversal, Notts, and formerly Fellow of Oriel College, Oxford.

PLAIN SERMONS, aimed at a Rural Congregation. By the late Rev. EDWARD BLENCOWE, Curate of Teversal, Notts, and formerly Fellow of Oriel College, Oxford.

Also,

Also,

A NEW EDITION OF THE FIRST SERIES,

A NEW EDITION OF THE FIRST SERIES,

and a SECOND EDITION of the SECOND SERIES, price 7s. 6d. each.

and a SECOND EDITION of the SECOND SERIES, priced at 7s. 6d. each.

"Their style is simple, the sentences are not artfully constructed, and there is an utter absence of all attempt at rhetoric. The language is plain Saxon language, from which 'the men on the wall' can easily gather what it most concerns them to know."—Theologian.

"Their style is straightforward, the sentences are not intricately crafted, and there's a complete lack of any rhetorical effort. The language is plain Saxon, from which 'the men on the wall' can easily understand what they need to know."—Theologian.

"The numerous possessors of Mr. Blencowe's former plain but excellent volumes will be glad to receive the third series of his Plain Sermons, addressed to a Country Congregation, similar in character and texture to the two series which have preceded it."—Guardian.

"The many owners of Mr. Blencowe's previous straightforward yet outstanding books will be pleased to get the third series of his Plain Sermons aimed at a Country Congregation, similar in style and content to the two series that came before it."—Guardian.

London: GEORGE BELL, 186. Fleet Street.

London: George Bell, 186 Fleet Street.

THE CHURCHES OF THE MIDDLE AGES; or, Select Specimens of Early and Middle Pointed Structures; with a few of the Purest Late Pointed Examples, illustrated by Geometric and Perspective Drawings. By HENRY BOWMAN and J. S. CROWTHER, Architects, Manchester. To be completed in Twenty Parts, each containing Six Plates, imperial folio. Price 9s., plain; 10s. 6d. tinted; proofs, large paper, 12s. each. Issued at intervals of Two months. Thirteen parts now published.

THE CHURCHES OF THE MIDDLE AGES; or, Selected Examples of Early and Middle Pointed Architecture; along with a few of the Purest Late Pointed Examples, illustrated with Geometric and Perspective Drawings. By HENRY BOWMAN and J. S. CROWTHER, Architects, Manchester. To be completed in Twenty Parts, each containing Six Plates, imperial folio. Price 9s., plain; 10s. 6d. tinted; proofs, large paper, 12s. each. Issued at intervals of Two months. Thirteen parts have been published so far.

"We can hardly conceive anything more perfect. We heartily recommend the series to all who are able to patronize it."—Ecclesiologist.

"We can hardly imagine anything more perfect. We strongly recommend the series to everyone who is able to support it."—Ecclesiologist.

London: GEORGE BELL, 186. Fleet Street.

London: George Bell, 186. Fleet Street.

GOTHIC ORNAMENTS: being a Series of Examples of Enriched Details and Accessories of the Architecture of Great Britain. Drawn from existing Authorities. By JAMES K. COLLING, Architect. In 2 vols. royal 4to., price 7l. 10s. in appropriate cloth binding, containing 209 plates, nearly 50 of which illustrate the existing finely painted and gilt decorations of the Cathedrals and Churches of the Middle Ages. The work may be also had in numbers, price 3s., or in parts, together or separately.

GOTHIC ORNAMENTS: A Collection of Examples of Enhanced Details and Accessories of the Architecture of Great Britain. Based on Existing Sources. By JAMES K. COLLING, Architect. In 2 volumes, royal 4to, priced at 7l. 10s. in suitable cloth binding, featuring 209 plates, nearly 50 of which showcase the beautifully painted and gilded decorations of the Cathedrals and Churches from the Middle Ages. The work is also available in installments for 3s each, or in parts, either together or separately.

"The completion of this elaborate work affords us an opportunity of doing justice to its great merits. It was necessary to the appreciation of the characteristics and the beauties of Gothic architecture, that some more extensive series of illustrations should be given to the world. Until the appearance of this work, that of Pugin was the only one of any importance and accuracy."—Architectural Quarterly Review.

"The completion of this detailed work gives us a chance to highlight its significant merits. To truly appreciate the features and beauty of Gothic architecture, a more extensive series of illustrations needed to be presented to the world. Before this work came out, Pugin's was the only one that held any real importance and accuracy."—Architectural Quarterly Review.

London: GEORGE BELL, 186. Fleet Street.

London: George Bell, 186 Fleet Street.

EXAMPLES OF ANTIENT PULPITS EXISTING IN ENGLAND. Selected and drawn from Sketches and measurements taken on the Spot, with descriptive Letter-press. By FRANCIS T. DOLLMAN, Architect. Royal 4to., cloth, price 2l. 2s.

EXAMPLES OF ANCIENT PULPITS IN ENGLAND. Selected and created from Sketches and measurements taken on-site, with descriptive text. By FRANCIS T. DOLLMAN, Architect. Royal 4to., cloth, price 2l. 2s.

London: GEORGE BELL, 186. Fleet Street.

London: George Bell, 186. Fleet Street.

Second Edition, 4to., having the plates of the Tesselated Pavements all coloured, 25s., 8vo., plain, 15s.

Second Edition, 4to., with all the plates of the Tesselated Pavements in color, £25, 8vo., plain, £15

ILLUSTRATIONS OF THE REMAINS OF ROMAN ART. By Professor BUCKMAN, F.L.S., F.G.S., and C. H. NEWMARCH, Esq.

ILLUSTRATIONS OF THE REMAINS OF ROMAN ART. By Professor BUCKMAN, F.L.S., F.G.S., and C. H. NEWMARCH, Esq.

"A work which will not only gratify the antiquary by its details, and the beauty and fidelity of its engravings, but enable the general reader to picture to himself the social condition of Corinium when garrisoned by Roman cohorts."—Notes and Queries.

"A book that will not only satisfy history enthusiasts with its details and the beauty and accuracy of its illustrations, but also allow the average reader to visualize the social conditions of Corinium when it was occupied by Roman troops."—Notes and Queries.

"A handsome book, of much research, where the various topics are fully and carefully handled, in a conscientious spirit. There are also well-executed fac-similes of the chief objects and mosaic designs."—Spectator.

"A beautiful book, thoroughly researched, where the different topics are addressed in detail and with care. It also features well-crafted replicas of the main objects and mosaic designs."—Spectator.

"The field successfully explored by Professor Buckman and Mr. Newmarch has produced a series, unique perhaps in Britain, of those interesting decorations in mosaic work which so strikingly evince, in this remote colony, the power of Roman art."—Journal of the Archæological Institute.

"The area thoroughly examined by Professor Buckman and Mr. Newmarch has led to a collection, possibly one of a kind in Britain, of those fascinating mosaic decorations that clearly showcase the influence of Roman art in this distant colony."—Journal of the Archæological Institute.

London: GEORGE BELL, 186. Fleet Street.

London: George Bell, 186. Fleet Street.

Just published, and may be had for the Postage, Six Stamps,

Just published, and can be obtained for the cost of postage, six stamps,

A CATALOGUE OF BOOKS IN ECCLESIASTICAL and MONASTIC HISTORY and BIOGRAPHY, ANTIQUITIES, COUNCILS, &c., comprising the best works on these subjects, and interspersed with general and secular history, with a Classified Index.

A CATALOGUE OF BOOKS IN ECCLESIASTICAL and MONASTIC HISTORY and BIOGRAPHY, ANTIQUITIES, COUNCILS, etc., featuring the top works on these topics, along with general and secular history, complete with a Classified Index.

C. J. STEWART, 11. King William Street, West Strand, London.

C. J. STEWART, 11 King William Street, West Strand, London.

Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New Street Square, in the Parish of St. Bride in the City of London; and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, June 28, 1851.

Printed by THOMAS CLark SHAW, located at No. 8 New Street Square, at No. 5 New Street Square, in the Parish of St. Bride in the City of London; and published by GEORGE BELL, situated at No. 186 Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186 Fleet Street mentioned earlier.—Saturday, June 28, 1851.

Transcriber's Note: Original spelling varieties have not been standardized.

Transcriber's Note: The original spelling variations have not been standardized.

      +---------------+-------------------+-----------+-------------+
      | Notes and Queries Vol. I.                                   |
      +---------------+-------------------+-----------+-------------+
      | Vol., No.     | Date, Year        | Pages     | PG # xxxxx  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No.  1 | November  3, 1849 |   1 -  17 | PG #  8603  |
      | Vol. I No.  2 | November 10, 1849 |  18 -  32 | PG # 11265  |
      | Vol. I No.  3 | November 17, 1849 |  33 -  46 | PG # 11577  |
      | Vol. I No.  4 | November 24, 1849 |  49 -  63 | PG # 13513  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No.  5 | December  1, 1849 |  65 -  80 | PG # 11636  |
      | Vol. I No.  6 | December  8, 1849 |  81 -  95 | PG # 13550  |
      | Vol. I No.  7 | December 15, 1849 |  97 - 112 | PG # 11651  |
      | Vol. I No.  8 | December 22, 1849 | 113 - 128 | PG # 11652  |
      | Vol. I No.  9 | December 29, 1849 | 130 - 144 | PG # 13521  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 10 | January   5, 1850 | 145 - 160 | PG #        |
      | Vol. I No. 11 | January  12, 1850 | 161 - 176 | PG # 11653  |
      | Vol. I No. 12 | January  19, 1850 | 177 - 192 | PG # 11575  |
      | Vol. I No. 13 | January  26, 1850 | 193 - 208 | PG # 11707  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 14 | February  2, 1850 | 209 - 224 | PG # 13558  |
      | Vol. I No. 15 | February  9, 1850 | 225 - 238 | PG # 11929  |
      | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193  |
      | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 18 | March     2, 1850 | 273 - 288 | PG # 13544  |
      | Vol. I No. 19 | March     9, 1850 | 289 - 309 | PG # 13638  |
      | Vol. I No. 20 | March    16, 1850 | 313 - 328 | PG # 16409  |
      | Vol. I No. 21 | March    23, 1850 | 329 - 343 | PG # 11958  |
      | Vol. I No. 22 | March    30, 1850 | 345 - 359 | PG # 12198  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 23 | April     6, 1850 | 361 - 376 | PG # 12505  |
      | Vol. I No. 24 | April    13, 1850 | 377 - 392 | PG # 13925  |
      | Vol. I No. 25 | April    20, 1850 | 393 - 408 | PG # 13747  |
      | Vol. I No. 26 | April    27, 1850 | 409 - 423 | PG # 13822  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 27 | May       4, 1850 | 425 - 447 | PG # 13712  |
      | Vol. I No. 28 | May      11, 1850 | 449 - 463 | PG # 13684  |
      | Vol. I No. 29 | May      18, 1850 | 465 - 479 | PG # 15197  |
      | Vol. I No. 30 | May      25, 1850 | 481 - 495 | PG # 13713  |
      +---------------+-------------------+-----------+-------------+
      | Notes and Queries Vol. II.                                  |
      +----------------+--------------------+---------+-------------+
      | Vol., No.      | Date, Year         | Pages   | PG # xxxxx  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 31 | June  1, 1850      |   1-15  | PG # 12589  |
      | Vol. II No. 32 | June  8, 1850      |  17-32  | PG # 15996  |
      | Vol. II No. 33 | June 15, 1850      |  33-48  | PG # 26121  |
      | Vol. II No. 34 | June 22, 1850      |  49-64  | PG # 22127  |
      | Vol. II No. 35 | June 29, 1850      |  65-79  | PG # 22126  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 36 | July  6, 1850      |  81-96  | PG # 13361  |
      | Vol. II No. 37 | July 13, 1850      |  97-112 | PG # 13729  |
      | Vol. II No. 38 | July 20, 1850      | 113-128 | PG # 13362  |
      | Vol. II No. 39 | July 27, 1850      | 129-143 | PG # 13736  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 40 | August  3, 1850    | 145-159 | PG # 13389  |
      | Vol. II No. 41 | August 10, 1850    | 161-176 | PG # 13393  |
      | Vol. II No. 42 | August 17, 1850    | 177-191 | PG # 13411  |
      | Vol. II No. 43 | August 24, 1850    | 193-207 | PG # 13406  |
      | Vol. II No. 44 | August 31, 1850    | 209-223 | PG # 13426  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 45 | September  7, 1850 | 225-240 | PG # 13427  |
      | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462  |
      | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936  |
      | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 49 | October  5, 1850   | 289-304 | PG # 13480  |
      | Vol. II No. 50 | October 12, 1850   | 305-320 | PG # 13551  |
      | Vol. II No. 51 | October 19, 1850   | 321-351 | PG # 15232  |
      | Vol. II No. 52 | October 26, 1850   | 353-367 | PG # 22624  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 53 | November  2, 1850  | 369-383 | PG # 13540  |
      | Vol. II No. 54 | November  9, 1850  | 385-399 | PG # 22138  |
      | Vol. II No. 55 | November 16, 1850  | 401-415 | PG # 15216  |
      | Vol. II No. 56 | November 23, 1850  | 417-431 | PG # 15354  |
      | Vol. II No. 57 | November 30, 1850  | 433-454 | PG # 15405  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 58 | December  7, 1850  | 457-470 | PG # 21503  |
      | Vol. II No. 59 | December 14, 1850  | 473-486 | PG # 15427  |
      | Vol. II No. 60 | December 21, 1850  | 489-502 | PG # 24803  |
      | Vol. II No. 61 | December 28, 1850  | 505-524 | PG # 16404  |
      +----------------+--------------------+---------+-------------+
      | Notes and Queries Vol. III.                                 |
      +-----------------+-------------------+---------+-------------+
      | Vol., No.       | Date, Year        | Pages   | PG # xxxxx  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 62 | January  4, 1851  |  1-15   | PG # 15638  |
      | Vol. III No. 63 | January 11, 1851  | 17-31   | PG # 15639  |
      | Vol. III No. 64 | January 18, 1851  | 33-47   | PG # 15640  |
      | Vol. III No. 65 | January 25, 1851  | 49-78   | PG # 15641  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 66 | February  1, 1851 | 81-95   | PG # 22339  |
      | Vol. III No. 67 | February  8, 1851 | 97-111  | PG # 22625  |
      | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639  |
      | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 70 | March  1, 1851    | 161-174 | PG # 23204  |
      | Vol. III No. 71 | March  8, 1851    | 177-200 | PG # 23205  |
      | Vol. III No. 72 | March 15, 1851    | 201-215 | PG # 23212  |
      | Vol. III No. 73 | March 22, 1851    | 217-231 | PG # 23225  |
      | Vol. III No. 74 | March 29, 1851    | 233-255 | PG # 23282  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 75 | April  5, 1851    | 257-271 | PG # 23402  |
      | Vol. III No. 76 | April 12, 1851    | 273-294 | PG # 26896  |
      | Vol. III No. 77 | April 19, 1851    | 297-311 | PG # 26897  |
      | Vol. III No. 78 | April 26, 1851    | 313-342 | PG # 26898  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 79 | May  3, 1851      | 345-359 | PG # 26899  |
      | Vol. III No. 80 | May 10, 1851      | 361-382 | PG # 32495  |
      | Vol. III No. 81 | May 17, 1851      | 385-399 | PG # 29318  |
      | Vol. III No. 82 | May 24, 1851      | 401-415 | PG # 28311  |
      | Vol. III No. 83 | May 31, 1851      | 417-440 | PG # 36835  |
      | Vol. III No. 84 | June 7, 1851      | 441-472 | PG # 37379  |
      | Vol. III No. 85 | June 14, 1851     | 473-488 | PG # 37403  |
      | Vol. III No. 86 | June 21, 1851     | 489-511 | PG # 37496  |
      +-----------------+-------------------+---------+-------------+
      | Vol I. Index. [Nov. 1849-May 1850]            | PG # 13536  |
      | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850    | PG # 13571  |
      | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851    | PG # 26770  |
      +-----------------------------------------------+-------------+



        
        
    
Download ePUB

If you like this ebook, consider a donation!