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THELMA
By
Marie Corelli
Contents
BOOK I.
THE LAND OF THE MIDNIGHT SUN.
CHAPTER I.
"Dream by dream shot through her eyes, and each Outshone the last that lighted." |
SWINBURNE.
SWINBURNE.
Midnight,—without darkness, without stars! Midnight—and the unwearied sun stood, yet visible in the heavens, like a victorious king throned on a dais of royal purple bordered with gold. The sky above him,—his canopy,—gleamed with a cold yet lustrous blue, while across it slowly flitted a few wandering clouds of palest amber, deepening, as they sailed along, to a tawny orange. A broad stream of light falling, as it were, from the centre of the magnificent orb, shot lengthwise across the Altenfjord, turning its waters to a mass of quivering and shifting color that alternated from bronze to copper,—from copper to silver and azure. The surrounding hills glowed with a warm, deep violet tint, flecked here and there with touches of bright red, as though fairies were lighting tiny bonfires on their summits. Away in the distance a huge mass of rock stood out to view, its rugged lines transfigured into ethereal loveliness by a misty veil of tender rose pink,—a hue curiously suggestive of some other and smaller sun that might have just set. Absolute silence prevailed. Not even the cry of a sea-mew or kittiwake broke the almost deathlike stillness,—no breath of wind stirred a ripple on the glassy water. The whole scene might well have been the fantastic dream of some imaginative painter, whose ambition soared beyond the limits of human skill. Yet it was only one of those million wonderful effects of sky and sea which are common in Norway, especially on the Altenfjord, where, though beyond the Arctic circle, the climate in summer is that of another Italy, and the landscape a living poem fairer than the visions of Endymion.
Midnight—without darkness, without stars! Midnight—and the tireless sun remained visible in the sky, like a victorious king seated on a throne of royal purple edged with gold. The sky above him—his canopy—shimmered with a cool yet brilliant blue, while a few wandering clouds of pale amber drifted across, deepening into a tawny orange as they moved along. A broad stream of light pouring from the center of the magnificent orb shot across the Altenfjord, turning its waters into a mass of shimmering, shifting colors that changed from bronze to copper, then copper to silver and azure. The surrounding hills glowed with a warm, deep violet hue, dotted here and there with bright red spots, as if fairies were lighting tiny bonfires on their peaks. In the distance, a large rock formation stood out, its rugged lines transformed into ethereal beauty by a misty veil of soft rose pink—a shade oddly reminiscent of a smaller sun that might have just set. An absolute silence prevailed. Not even the call of a seagull or kittiwake broke the almost deathlike stillness—no breath of wind stirred a ripple on the smooth water. The whole scene could easily have been the fantastic dream of an imaginative artist whose ambition surpassed what human skill can achieve. Yet it was just one of those million incredible effects of sky and sea that are common in Norway, especially on the Altenfjord, where, despite being beyond the Arctic Circle, the summer climate feels like another Italy, and the landscape is a living poem more beautiful than the visions of Endymion.
There was one solitary watcher of the splendid spectacle. This was a man of refined features and aristocratic appearance, who, reclining on a large rug of skins which he had thrown down on the shore for that purpose, was gazing at the pageant of the midnight sun and all its stately surroundings, with an earnest and rapt expression in his clear hazel eyes.
There was one lone observer of the magnificent sight. This was a man with refined features and an aristocratic look, who, lying back on a large rug made of animal skins that he had spread out on the shore for that purpose, was staring at the display of the midnight sun and all its grand surroundings, with an intense and captivated expression in his clear hazel eyes.
"Glorious! beyond all expectation, glorious!" he murmured half aloud, as he consulted his watch and saw that the hands marked exactly twelve on the dial. "I believe I'm having the best of it, after all. Even if those fellows get the Eulalie into good position they will see nothing finer than this."
"Glorious! Beyond all expectation, glorious!" he murmured aloud as he checked his watch and saw that the hands pointed exactly to twelve. "I think I'm having the best experience, after all. Even if those guys manage to get the Eulalie into a good spot, they won't see anything better than this."
As he spoke he raised his field-glass and swept the horizon in search of a vessel, his own pleasure yacht,—which had taken three of his friends, at their special desire, to the opposite island of Seiland,—Seiland, rising in weird majesty three thousand feet above the sea, and boasting as its chief glory the great peak of Jedkè, the most northern glacier in all the wild Norwegian land. There was no sign of a returning sail, and he resumed his study of the sumptuous sky, the colors of which were now deepening and burning with increasing lustre, while an array of clouds of the deepest purple hue, swept gorgeously together beneath the sun as though to form his footstool.
As he spoke, he lifted his binoculars and scanned the horizon for a boat—his own pleasure yacht—that had taken three of his friends to the island of Seiland at their request. Seiland rose majestically three thousand feet above the sea and was renowned for its prominent peak, Jedkè, which was the northernmost glacier in all of wild Norway. There was no sign of a returning sail, so he turned his attention back to the stunning sky, the colors of which were deepening and glowing with increasing brightness, while a collection of deep purple clouds gathered beautifully beneath the sun as if to create a footstool for him.
"One might imagine that the trump of the Resurrection had sounded, and that all this aerial pomp,—this strange silence,—was just the pause, the supreme moment before the angels descended," he mused, with a half-smile at his own fancy, for though something of a poet at heart, he was much more of a cynic. He was too deeply imbued with modern fashionable atheism to think seriously about angels or Resurrection trumps, but there was a certain love of mysticism and romance in his nature, which not even his Oxford experiences and the chilly dullness of English materialism had been able to eradicate. And there was something impressive in the sight of the majestic orb holding such imperial revel at midnight,—something almost unearthly in the light and life of the heavens, as compared with the referential and seemingly worshipping silence of the earth,—that, for a few moments, awed him into a sense of the spiritual and unseen. Mythical passages from the poets he loved came into his memory, and stray fragments of old songs and ballads he had known in his childhood returned to him with haunting persistence. It was, for him, one of those sudden halts in life which we all experience,—an instant,—when time and the world seem to stand still, as though to permit us easy breathing; a brief space,—in which we are allowed to stop and wonder awhile at the strange unaccountable force within us, that enables us to stand with such calm, smiling audacity, on our small pin's point of the present, between the wide dark gaps of past and future; a small hush,—in which the gigantic engines of the universe appear to revolve no more, and the immortal Soul of man itself is subjected and over-ruled by supreme and eternal Thought. Drifting away on those delicate imperceptible lines that lie between reality and dreamland, the watcher of the midnight sun gave himself up to the half painful, half delicious sense of being drawn in, absorbed, and lost in infinite imaginings, when the intense stillness around him was broken by the sound of a voice singing, a full, rich contralto, that rang through the air with the clearness of a golden bell. The sweet liquid notes were those of an old Norwegian mountain melody, one of those wildly pathetic folk-songs that seem to hold all the sorrow, wonder, wistfulness, and indescribable yearning of a heart too full for other speech than music. He started to his feet and looked around him for the singer. There was no one visible. The amber streaks in the sky were leaping into crimson flame; the Fjord glowed like the burning lake of Dante's vision; one solitary sea-gull winged its graceful, noiseless flight far above, its white pinions shimmering like jewels as it crossed the radiance of the heavens. Other sign of animal life there was none. Still the hidden voice rippled on in a stream of melody, and the listener stood amazed and enchanted at the roundness and distinctness of every note that fell from the lips of the unseen vocalist.
"One might think the sound of the Resurrection had echoed, and that all this display in the sky—this eerie silence—was just the pause, the ultimate moment before the angels arrived," he reflected, smiling slightly at his own imagination, because even though he had a bit of a poetic side, he was mostly a cynic. He was too immersed in the trendy atheism of his time to seriously consider angels or the sounds of resurrection, but there was a part of him that appreciated mysticism and romance, which even his experiences at Oxford and the cold monotony of English materialism couldn't wipe away. And there was something striking in the sight of the grand orb hosting such an imperial celebration at midnight—something almost otherworldly in the light and life of the sky, especially compared to the quiet and seemingly reverent stillness of the earth—that, for a few moments, made him feel a sense of the spiritual and unseen. Poetic verses he loved flashed through his mind, and fragments of old songs and ballads from his childhood lingered in his thoughts with haunting persistence. It was one of those sudden pauses in life we all go through—an instant—when time and the world seem to freeze, as if allowing us to breathe more easily; a brief moment—in which we can stop and ponder the strange, inexplicable force inside us that lets us stand with calm, confident audacity on our tiny point of the present, wedged between the vast dark voids of the past and future; a small silence—in which the colossal forces of the universe seem to come to a halt, and the eternal soul of humanity itself bows to supreme and timeless thought. Drifting away on those delicate, barely noticeable threads that separate reality from dreams, the watcher of the midnight sun surrendered to the mixture of pain and pleasure that comes from being drawn in, absorbed, and lost in endless imaginations, when the intense stillness around him was interrupted by a voice singing—a full, rich contralto that rang out with the clarity of a golden bell. The sweet, flowing notes were from an old Norwegian mountain melody, one of those deeply moving folk songs that seem to contain all the sorrow, wonder, longing, and indescribable yearning of a heart too full for anything but music. He jumped to his feet and searched for the singer. There was no one in sight. The amber hues in the sky were transforming into crimson flames; the fjord glowed like Dante's fiery lake; a lone seagull glided above silently, its white wings sparkling like jewels as it passed through the light of the heavens. There was no other sign of life. Still, the hidden voice flowed on in a melody, and the listener stood in awe and enchantment at the roundness and clarity of every note that fell from the lips of the unseen singer.
"A woman's voice," he thought; "but where is the woman?"
"A woman's voice," he thought; "but where's the woman?"
Puzzled, he looked to the right and left, then out to the shining Fjord, half expecting to see some fisher-maiden rowing along, and singing as she rowed, but there was no sign of any living creature. While he waited, the voice suddenly ceased, and the song was replaced by the sharp grating of a keel on the beach. Turning in the direction of this sound, he perceived a boat being pushed out by invisible hands towards the water's edge from a rocky cave, that jutted upon the Fjord, and, full of curiosity, he stepped towards the arched entrance, when,—all suddenly and unexpectedly,—a girl sprang out from the dark interior, and standing erect in her boat, faced the intruder. A girl of about nineteen, she seemed, taller than most women,—with a magnificent uncovered mass of hair, the color of the midnight sunshine, tumbled over her shoulders, and flashing against her flushed cheeks and dazzlingly fair skin. Her deep blue eyes had an astonished and certainly indignant expression in them, while he, utterly unprepared for such a vision of loveliness at such a time and in such a place, was for a moment taken aback and at a loss for words. Recovering his habitual self-possession quickly, however, he raised his hat, and, pointing to the boat, which was more than half way out of the cavern, said simply—
Puzzled, he looked to his right and left, then out at the shimmering fjord, half expecting to see a fisher maiden rowing by, singing as she went, but there was no sign of any living being. As he waited, the voice suddenly stopped, and the song was replaced by the sharp sound of a keel scraping against the beach. Turning towards this sound, he noticed a boat being pushed out by unseen hands toward the water from a rocky cave that jutted into the fjord. Filled with curiosity, he stepped toward the arched entrance when—suddenly and unexpectedly—a girl sprang out from the shadowy interior and stood upright in her boat, facing the intruder. She looked about nineteen, taller than most women, with a stunning mass of hair the color of midnight sunshine cascading over her shoulders, contrasting beautifully with her flushed cheeks and dazzlingly fair skin. Her deep blue eyes held a look of surprise and certainly indignation, while he, completely unprepared for such a vision of beauty at that moment and in that place, was momentarily taken aback and at a loss for words. Recovering his usual composure quickly, he raised his hat and, pointing to the boat that was more than halfway out of the cave, said simply—
"May I assist you?"
"How can I help you?"
She was silent, eyeing him with a keen glance which had something in it of disfavor and suspicion.
She was quiet, watching him with a sharp look that carried a hint of disapproval and distrust.
"I suppose she doesn't understand English," he thought, "and I can't speak a word of Norwegian. I must talk by signs."
"I guess she doesn't understand English," he thought, "and I can't say a word of Norwegian. I have to communicate with gestures."
And forthwith he went through a labored pantomime of gesture, sufficiently ludicrous in itself, yet at the same time expressive of his meaning. The girl broke into a laugh—a laugh of sweet amusement which brought a thousand new sparkles of light into her lovely eyes.
And right away he went through a complicated pantomime of gestures, which was pretty funny on its own, but also clearly conveyed what he meant. The girl burst out laughing—a laugh full of sweet amusement that brought a thousand new sparkles of light into her beautiful eyes.
"That is very well done," she observed graciously, speaking English with something of a foreign accent. "Even the Lapps would understand you, and they are very stupid, poor things!"
"That's really well done," she remarked graciously, speaking English with a slight foreign accent. "Even the Lapps would understand you, and they're quite simple, poor things!"
Half vexed by her laughter, and feeling that he was somehow an object of ridicule to this tall, bright-haired maiden, he ceased his pantomimic gestures abruptly and stood looking at her with a slight flush of embarrassment on his features.
Half annoyed by her laughter, and sensing that he was somehow the target of ridicule from this tall, bright-haired girl, he suddenly stopped his exaggerated gestures and stood there looking at her with a slight blush of embarrassment on his face.
"I know your language," she resumed quietly, after a brief pause, in which she had apparently considered the stranger's appearance and general bearing. "It was rude of me not to have answered you at once. You can help me if you will. The keel has caught among the pebbles, but we can easily move it between us." And, jumping lightly out of her boat, she grasped its edge firmly with her strong white hands, exclaiming gaily, as she did so, "Push!"
"I understand your language," she said softly after a short pause, clearly taking in the stranger's looks and overall demeanor. "It was rude of me not to respond right away. You can help me if you're willing. The boat's stuck on some pebbles, but we can easily move it together." Then, jumping gracefully out of her boat, she firmly grabbed the edge with her strong white hands, joyfully exclaiming, "Push!"
Thus adjured, he lost no time in complying with her request, and, using his great strength and muscular force to good purpose, the light little craft was soon well in the water, swaying to and fro as though with impatience to be gone. The girl sprang to her seat, discarding his eagerly proffered assistance, and, taking both oars, laid them in their respective rowlocks, and seemed about to start, when she paused and asked abruptly—
Thus urged, he wasted no time in following her request, and, using his considerable strength, the light little boat was quickly in the water, rocking back and forth as if eager to set off. The girl jumped into her seat, ignoring his enthusiastic offer of help, and, taking both oars, placed them in their rowlocks, ready to begin, when she stopped and asked abruptly—
"Are you a sailor?"
"Are you a sailor?"
He smiled. "Not I! Do I remind you of one?"
He smiled. "Not me! Do I remind you of someone?"
"You are strong, and you manage a boat as though you were accustomed to the work. Also you look as if you had been at sea."
"You’re strong, and you handle that boat like you’ve done it before. You also look like you’ve spent a lot of time at sea."
"Rightly guessed!" he replied, still smiling; "I certainly have been at sea; I have been coasting all about your lovely land. My yacht went across to Seiland this afternoon."
"Got it right!" he said, still smiling; "I definitely have been at sea; I've been sailing all around your beautiful country. My yacht crossed over to Seiland this afternoon."
She regarded him more intently, and observed, with the critical eye of a woman, the refined taste displayed in his dress, from the very cut of his loose travelling coat, to the luxurious rug of fine fox-shins, that lay so carelessly cast on the shore at a little distance from him. Then she gave a gesture of hauteur and half-contempt.
She looked at him more closely and noted, with the critical eye of a woman, the refined taste shown in his clothing, from the cut of his loose travel coat to the luxurious fur rug made of fine fox skins, which was carelessly thrown on the beach a short distance away. Then she made a gesture of arrogance and half-contempt.
"You have a yacht? Oh! then you are a gentleman. You do nothing for your living?"
"You have a yacht? Oh! Then you must be a gentleman. You don’t work for a living?"
"Nothing, indeed!" and he shrugged his shoulders with a mingled air of weariness and self-pity, "except one thing—I live!"
"Nothing, really!" he said with a mix of exhaustion and self-pity as he shrugged his shoulders. "Except for one thing—I’m alive!"
"Is that hard work?" she inquired wonderingly.
"Is that hard work?" she asked, surprised.
"Very."
"Very."
They were silent then, and the girl's face grew serious as she rested on her oars, and still surveyed him with a straight, candid gaze, that, though earnest and penetrating, had nothing of boldness in it. It was the look of one in whose past there were no secrets—the look of a child who is satisfied with the present and takes no thought for the future. Few women look so after they have entered their teens. Social artifice, affectation, and the insatiate vanity that modern life encourages in the feminine nature—all these things soon do away with the pellucid clearness and steadfastness of the eye—the beautiful, true, untamed expression, which, though so rare, is, when seen infinitely more bewitching than all the bright arrows of coquetry and sparkling invitation that flash from the glances of well-bred society dames, who have taken care to educate their eyes if not their hearts. This girl was evidently not trained properly; had she been so, she would have dropped a curtain over those wide, bright windows of her soul; she would have remembered that she was alone with a strange man at midnight—at midnight, though the sun shone; she would have simpered and feigned embarrassment, even if she could not feel it. As it happened, she did nothing of the kind, only her expression softened and became more wistful and earnest, and when she spoke again her voice was mellow with a suave gentleness, that had something in it of compassion.
They were quiet then, and the girl's face took on a serious look as she rested on her oars, still watching him with a direct, honest gaze that, while earnest and intense, lacked any boldness. It was the expression of someone whose past holds no secrets—the look of a child who is content with the present and doesn’t worry about the future. Few women maintain such a demeanor once they enter their teenage years. The social pressures, pretense, and endless vanity that modern life promotes in women—all these things soon diminish the clear, steady look in their eyes—the beautiful, genuine, untamed expression, which, though rare, is far more captivating than all the flirtatious glances and sparkling invitations from well-mannered society ladies, who have trained their eyes better than their hearts. This girl was clearly not trained properly; had she been, she would have covered those wide, bright windows of her soul; she would have remembered that she was alone with a strange man at midnight—even if the sun was shining; she would have played coy and pretended to be shy, even if she didn't genuinely feel it. Instead, she did none of that; her expression simply softened and grew more longing and sincere, and when she spoke again, her voice was warm with a smooth gentleness, carrying a hint of compassion.
"If you do not love life itself," she said, "you love the beautiful things of life, do you not? See yonder! There is what we call the meeting of night and morning. One is glad to be alive at such a moment. Look quickly! The light soon fades."
"If you don’t love life itself," she said, "you love the beautiful things in life, right? Look over there! That’s what we call the meeting of night and morning. It’s a joy to be alive at that moment. Hurry and look! The light fades quickly."
She pointed towards the east. Her companion gazed in that direction, and uttered an exclamation,—almost a shout,—of wonder and admiration. Within the space of the past few minutes the aspect of the heavens had completely changed. The burning scarlet and violet hues had all melted into a transparent yet brilliant shade of pale mauve,—as delicate as the inner tint of a lilac blossom,—and across this stretched two wing-shaped gossamer clouds of watery green, fringed with soft primrose. Between these cloud-wings, as opaline in lustre as those of a dragon-fly, the face of the sun shone like a shield of polished gold, while his rays, piercing spear-like through the varied tints of emerald, brought an unearthly radiance over the landscape—a lustre as though the moon were, in some strange way, battling with the sun for mastery over the visible universe though, looking southward, she could dimly be perceived, the ghost of herself—a poor, fainting, pallid goddess,—a perishing Diana.
She pointed toward the east. Her companion looked in that direction and exclaimed—almost shouted—in wonder and admiration. In just a few minutes, the sky had totally transformed. The bright scarlet and violet colors had merged into a clear yet vibrant shade of pale mauve—delicate like the inner color of a lilac bloom—and across this, two wing-shaped, sheer clouds of watery green stretched out, edged with soft primrose. Between these cloud-wings, shining as opal-like as a dragonfly's wings, the sun glowed like a polished gold shield, while its rays pierced through the different shades of emerald, casting an otherworldly glow over the landscape—a shine as if the moon was somehow competing with the sun for control over the visible universe. Yet, looking southward, she could vaguely see the ghost of herself—a faint, pale goddess—fading like a dying Diana.
Bringing his glance down from the skies, the young man turned it to the face of the maiden near him, and was startled at her marvellous beauty—beauty now heightened by the effect of the changeful colors that played around her. The very boat in which she sat glittered with a bronze-like, metallic brightness as it heaved gently to and fro on the silvery green water; the midnight sunshine bathed the falling glory of her long hair, till each thick tress, each clustering curl, appeared to emit an amber spark of light. The strange, weird effect of the sky seemed to have stolen into her eyes, making them shine with witch-like brilliancy,—the varied radiance flashing about her brought into strong relief the pureness of her profile, drawing as with a fine pencil the outlines of her noble forehead, sweet mouth, and rounded chin. It touched the scarlet of her bodice, and brightened the quaint old silver clasps she wore at her waist and throat, till she seemed no longer an earthly being, but more like some fair wondering sprite from the legendary Norse kingdom of Alfheim, the "abode of the Luminous Genii."
Bringing his gaze down from the sky, the young man looked at the face of the girl nearby and was amazed by her stunning beauty—beauty enhanced by the shifting colors surrounding her. The very boat she sat in sparkled with a bronze-like, metallic shine as it gently bobbed on the silvery green water; the twilight sunshine illuminated her flowing hair, making each thick strand and each curling lock seem to glow with an amber light. The unusual, enchanting effect of the sky seemed to have entered her eyes, causing them to shine with a magical brilliance—the varied light around her accentuated the purity of her profile, sharply defining the contours of her noble forehead, sweet mouth, and rounded chin. It highlighted the red of her bodice and brightened the old silver clasps she wore at her waist and throat, making her seem less like a person and more like some beautiful enchanted spirit from the legendary Norse realm of Alfheim, the "home of the Luminous Genii."
She was gazing upwards,—heavenwards,—and her expression was one of rapt and almost devotional intensity. Thus she remained for some moments, motionless as the picture of an expectant angel painted by Raffaele or Correggio; then reluctantly and with a deep sigh she turned her eyes towards earth again. In so doing she met the fixed and too visibly admiring gaze of her companion. She started, and a wave of vivid color flushed her cheeks. Quickly recovering her serenity, however, she saluted him slightly, and, moving her oars in unison, was on the point of departure.
She was looking up—toward heaven—and her expression was one of deep, almost spiritual intensity. She stayed like that for a few moments, completely still, like a painting of an expectant angel by Raphael or Correggio; then, reluctantly and with a heavy sigh, she turned her eyes back to the ground. In doing so, she caught the fixed and rather admiring gaze of her companion. She jumped a little, and a wave of color rushed to her cheeks. Quickly regaining her composure, though, she gave him a slight nod and, moving her oars in sync, was about to leave.
Stirred by an impulse he could not resist, he laid one hand detainingly on the rim of her boat.
Stirred by an urge he couldn't ignore, he placed one hand gently on the edge of her boat.
"Are you going now?" he asked.
"Are you leaving now?" he asked.
She raised her eyebrows in some little surprise and smiled.
She raised her eyebrows in slight surprise and smiled.
"Going?" she repeated. "Why, yes. I shall be late in getting home as it is."
"Going?" she repeated. "Yeah, I will be late getting home as it is."
"Stop a moment," he said eagerly, feeling that he could not let this beautiful creature leave him as utterly as a midsummer night's dream without some clue as to her origin and destination. "Will you not tell me your name?"
"Wait a second," he said eagerly, feeling he couldn't let this beautiful person leave him completely like a midsummer night's dream without knowing something about where she came from and where she was headed. "Will you tell me your name?"
She drew herself erect with a look of indignation.
She straightened up with a look of anger.
"Sir, I do not know you. The maidens of Norway do not give their names to strangers."
"Sir, I don't know you. The young women of Norway don't share their names with strangers."
"Pardon me," he replied, somewhat abashed. "I mean no offense. We have watched the midnight sun together, and—and—I thought—"
"Sorry," he said, a bit embarrassed. "I didn’t mean to offend. We’ve watched the midnight sun together, and—and—I thought—"
He paused, feeling very foolish, and unable to conclude his sentence.
He paused, feeling really foolish, and unable to finish his sentence.
She looked at him demurely from under her long, curling lashes.
She looked at him shyly from beneath her long, curly lashes.
"You will often find a peasant girl on the shores of the Altenfjord watching the midnight sun at the same time as yourself," she said, and there was a suspicion of laughter in her voice. "It is not unusual. It is not even necessary that you should remember so little a thing."
"You'll often find a peasant girl on the shores of the Altenfjord watching the midnight sun just like you," she said, and there was a hint of laughter in her voice. "It's not unusual. You don't even need to remember such a small detail."
"Necessary or not, I shall never forget it," he said with sudden impetuosity. "You are no peasant! Come; if I give you my name will you still deny me yours?"
"Whether it's needed or not, I will never forget it," he said impulsively. "You’re not a peasant! Come on; if I tell you my name, will you still refuse to give me yours?"
Her delicate brows drew together in a frown of haughty and decided refusal. "No names please my ears save those that are familiar," she said, with intense coldness. "We shall not meet again. Farewell!"
Her delicate brows knitted together in a frown of proud and firm refusal. "No names, please; my ears only for those I know," she said, with intense coldness. "We won't meet again. Goodbye!"
And without further word or look, she leaned gracefully to the oars, and pulling with a long, steady, resolute stroke, the little boat darted away as lightly and swiftly as a skimming swallow out on the shimmering water, he stood gazing after it till it became a distant speck sparkling like a diamond in the light of sky and wave, and when he could no more watch it with unassisted eyes, he took up his field glass and followed its course attentively. He saw it cutting along as straightly as an arrow, then suddenly it dipped round to the westward, apparently making straight for some shelving rocks, that projected far into the Fjord. It reached them; it grew less and less—it disappeared. At the same time the lustre of the heavens gave way to a pale pearl-like uniform grey tint, that stretched far and wide, folding up as in a mantle all the regal luxury of the Sun-king's palace. The subtle odor and delicate chill of the coming dawn stole freshly across the water. A light haze rose and obscured the opposite islands. Something of the tender melancholy of autumn, though it was late June, toned down the aspect of the before brilliant landscape. A lark rose swiftly from its nest in an adjacent meadow, and, soaring higher and higher, poured from its tiny throat a cascade of delicious melody. The midnight sun no longer shone at midnight; his face smiled with a sobered serenity through the faint early mists of approaching morning.
And without saying another word or looking back, she leaned gracefully to the oars, and with long, steady, determined strokes, the little boat glided away as lightly and quickly as a swallow skimming over the shimmering water. He watched her until she became a distant speck sparkling like a diamond in the light of the sky and waves, and when he could no longer see her clearly, he picked up his binoculars and followed her path closely. He saw her moving straight like an arrow, then suddenly she turned westward, seemingly heading straight for some rocky shelves that jutted far into the Fjord. She reached them; she grew smaller and smaller—it vanished. At the same time, the brightness of the sky faded into a pale, uniform grey that spread across the horizon, covering all the regal splendor of the Sun-king's palace like a cloak. The subtle scent and coolness of the approaching dawn drifted softly across the water. A light mist rose and blurred the view of the islands opposite. There was a hint of the gentle melancholy of autumn, even though it was late June, that softened the once-brilliant landscape. A lark quickly flew up from its nest in a nearby meadow, and, soaring higher and higher, released a cascade of beautiful melody from its tiny throat. The midnight sun no longer shone at midnight; his face smiled with a calm serenity through the light morning mists of the approaching day.
CHAPTER II.
"Baffled!" he exclaimed, with a slight vexed laugh, as the boat vanished from his sight. "By a woman, too! Who would have thought it?"
"Baffled!" he said, with a slight annoyed laugh, as the boat disappeared from his view. "By a woman, no less! Who would have guessed?"
Who would have thought it, indeed! Sir Philip Bruce-Errington, Baronet, the wealthy and desirable parti for whom many match-making mothers had stood knee-deep in the chilly though sparkling waters of society, ardently plying rod and line with patient persistence, vainly hoping to secure him as a husband for one of their highly proper and passionless daughters,—he, the admired, long-sought-after "eligible," was suddenly rebuffed, flouted—by whom? A stray princess, or a peasant. He vaguely wondered, as he lit a cigar and strolled up and down on the shore, meditating, with a puzzled, almost annoyed expression on his handsome features. He was not accustomed to slights of any kind, however trifling; his position being commanding and enviable enough to attract flattery and friendship from most people. He was the only son of a baronet as renowned for eccentricity as for wealth. He had been the spoilt darling of his mother; and now, both his parents being dead, he was alone in the world, heir to his father's revenues, and entire master of his own actions. And as part of the penalty he had to pay for being rich and good-looking to boot, he was so much run after by women that he found it hard to understand the haughty indifference with which he had just been treated by one of the most fair, if not the fairest of her sex. He was piqued, and his amour propre was wounded.
Who would have thought it, right? Sir Philip Bruce-Errington, Baronet, the wealthy and desirable catch that many matchmaking mothers had stood knee-deep in the chill yet sparkling waters of society, eagerly fishing for with determined persistence, hoping to secure him as a husband for one of their highly proper and passionless daughters—he, the admired and long-sought-after "eligible" bachelor, was suddenly rejected and disregarded—by whom? A random princess, or a peasant. He wondered vaguely, as he lit a cigar and strolled along the shore, contemplating with a puzzled, almost annoyed expression on his handsome face. He wasn't used to any kind of snub, no matter how minor; his position was commanding and desirable enough to attract flattery and friendship from most people. He was the only son of a baronet known for his eccentricity as much as for his wealth. He had been the pampered favorite of his mother, and now that both his parents were gone, he was alone in the world, heir to his father's fortune, and completely in control of his own life. And as part of the price he had to pay for being both rich and good-looking, he was pursued so much by women that he found it hard to understand the haughty indifference with which he had just been treated by one of the most beautiful, if not the most beautiful of her kind. He felt insulted, and his pride was hurt.
"I'm sure my question was harmless enough," he mused, half crossly, "She might have answered it."
"I'm sure my question was harmless," he thought, a bit irritated, "She could have answered it."
He glanced out impatiently over the Fjord. There was no sign of his returning yacht as yet.
He looked out impatiently over the fjord. There was still no sign of his returning yacht.
"What a time those fellows are!" he said to himself. "If the pilot were not on board, I should begin to think they had run the Eulalie aground."
"What a time those guys are having!" he said to himself. "If the pilot weren’t on board, I’d start to think they had run the Eulalie aground."
He finished his cigar and threw the end of it into the water; then he stood moodily watching the ripples as they rolled softly up and caressed the shining brown shore at his feet, thinking all the while of that strange girl, so wonderfully lovely in face and form, so graceful and proud of bearing, with her great blue eyes and masses of dusky gold hair.
He finished his cigar and tossed the stub into the water; then he stood there, feeling a bit down as he watched the ripples gently roll up and touch the shiny brown shore at his feet, all the while thinking about that intriguing girl, beautifully striking in both face and figure, so elegant and confident, with her vibrant blue eyes and flowing dark gold hair.
His meeting with her was a sort of adventure in its way—the first of the kind he had had for some time. He was subject to fits of weariness or caprice, and it was in one of these that he had suddenly left London in the height of the season, and had started for Norway on a yachting cruise with three chosen companions, one of whom, George Lorimer, once an Oxford fellow-student, was now his "chum"—the Pythias to his Damon, the fidus Achates of his closest confidence. Through the unexpected wakening up of energy in the latter young gentleman, who was usually of a most sleepy and indolent disposition, he happened to be quite alone on this particular occasion, though, as a general rule, he was accompanied in his rambles by one if not all three of his friends. Utter solitude was with him a rare occurrence, and his present experience of it had chanced in this wise. Lorimer the languid, Lorimer the lazy, Lorimer who had remained blandly unmoved and drowsy through all the magnificent panorama of the Norwegian coast, including the Sogne Fjord and the toppling peaks of the Justedal glaciers; Lorimer who had slept peacefully in a hammock on deck, even while the yacht was passing under the looming splendors of Melsnipa; Lorimer, now that he had arrived at the Alton Fjord, then at its loveliest in the full glory of the continuous sunshine, developed a new turn of mind, and began to show sudden and abnormal interest in the scenery. In this humor he expressed his desire to "take a sight" of the midnight sun from the island of Seiland, and also declared his resolve to try the nearly impossible ascent of the great Jedkè glacier.
His meeting with her was kind of an adventure—the first of its kind he’d had in a while. He often felt tired or moody, and it was during one of these moments that he suddenly left London in the peak of the season and set off for Norway on a yachting trip with three close friends. One of them, George Lorimer, once a fellow student from Oxford, was now his "buddy"—the Pythias to his Damon, the fidus Achates of his deepest trust. Thanks to a surprising burst of energy from the usually sleepy and lazy Lorimer, he found himself quite alone this time, although he typically traveled with one or all three of his friends. Being completely alone was a rare experience for him, and this particular moment of solitude came about in this way. Lorimer the lethargic, Lorimer the laid-back, Lorimer who had stayed blissfully unbothered and drowsy through the stunning views of the Norwegian coast, including the Sogne Fjord and the towering peaks of the Justedal glaciers; Lorimer, who had snoozed peacefully in a hammock on deck, even while the yacht sailed past the breathtaking Melsnipa; now that they had reached Alton Fjord at its most beautiful under the bright sun, he suddenly showed a newfound interest in the scenery. In this mood, he expressed a wish to "catch a glimpse" of the midnight sun from the island of Seiland and declared his intent to attempt the nearly impossible climb of the great Jedkè glacier.
Errington laughed at the idea. "Don't tell me," he said, "that you are going in for climbing. And do you suppose I believe that you are interested—you of all people—in the heavenly bodies?"
Errington laughed at the idea. "Don't tell me," he said, "that you're getting into climbing. And do you really think I believe that you're interested—you of all people—in the stars?"
"Why not?" asked Lorimer, with a candid smile. "I'm not in the least interested in earthly bodies, except my own. The sun's a jolly fellow. I sympathize with him in his present condition. He's in his cups—that's what's the matter—and he can't be persuaded to go to bed. I know his feelings perfectly; and I want to survey his gloriously inebriated face from another point of view. Don't laugh, Phil; I'm in earnest! And I really have quite a curiosity to try my skill in amateur mountaineering. Jedkè's the very place for a first effort. It offers difficulties, and"—this with a slight yawn—"I like to surmount difficulties; it's rather amusing."
"Why not?" Lorimer asked with a genuine smile. "I'm not really interested in earthly bodies, except for my own. The sun's a fun guy. I get why he's feeling this way. He's had a bit too much to drink—that's the issue—and he won't be convinced to turn in. I completely understand his feelings; I just want to see his gloriously tipsy face from a different angle. Don’t laugh, Phil; I mean it! And I'm actually quite curious to test my skills in amateur mountaineering. Jedkè is the perfect spot for a first try. It comes with challenges, and"—he yawned slightly—"I enjoy overcoming challenges; it's kind of amusing."
His mind was so evidently set upon the excursion, that Sir Philip made no attempt to dissuade him from it, but excused himself from accompanying the party on the plea that he wanted to finish a sketch he had recently begun. So that when the Eulalie got up her steam, weighed anchor, and swept gracefully away towards the coast of the adjacent islands, her owner was left, at his desire, to the seclusion of a quiet nook on the shore of the Altenfjord, where he succeeded in making a bold and vivid picture of the scene before him. The colors of the sky had, however, defied his palette, and after one or two futile attempts to transfer to his canvas a few of the gorgeous tints that illumed the landscape, he gave up the task in despair, and resigned himself to the dolce far niente of absolute enjoyment. From his half pleasing, half melancholy reverie the voice of the unknown maiden had startled him, and now,—now she had left him to resume it if he chose,—left him, in chill displeasure, with a cold yet brilliant flash of something like scorn in her wonderful eyes.
His mind was clearly set on the trip, so Sir Philip didn't try to talk him out of it. Instead, he excused himself from joining the group by saying he wanted to finish a sketch he had just started. So when the Eulalie fired up its steam, weighed anchor, and glided away towards the coast of the nearby islands, he was left, as he wished, to enjoy the peace of a quiet spot on the shore of the Altenfjord. There, he managed to create a bold and vivid picture of the scene in front of him. However, the colors of the sky proved too challenging for his palette. After a couple of unsuccessful attempts to capture some of the beautiful hues lighting up the landscape, he gave up in frustration and allowed himself to fully enjoy the blissful idleness. His thoughts, which were a mix of pleasure and melancholy, were interrupted by the voice of the unknown maiden, and now—now she had left him alone to either continue his daydream or not—leaving him in chilly displeasure, with a cold yet brilliant flash of something like scorn in her beautiful eyes.
Since her departure the scenery, in some unaccountable way, seemed less attractive to him, the songs of the birds, who were all awake, fell on inattentive ears; he was haunted by her face and voice, and he was, moreover, a little out of humor with himself for having been such a blunderer as to give her offense and thus leave an unfavorable impression on her mind.
Since she left, the scenery somehow seemed less appealing to him. The songs of the birds, who were all awake, went unheard; he was haunted by her face and voice, and he was also feeling a bit irritated with himself for having messed up and offended her, leaving a bad impression in her mind.
"I suppose I was rude," he considered after a while. "She seemed to think so, at any rate. By Jove! what a crushing look she gave me! A peasant? Not she! If she had said she was an empress I shouldn't have been much surprised. But a mere common peasant, with that regal figure and those white hands! I don't believe it. Perhaps our pilot, Valdemar, knows who she is; I must ask him."
"I guess I was rude," he thought after a moment. "She definitely seemed to think so. Wow! What a harsh look she gave me! A peasant? No way! If she had told me she was an empress, I wouldn't have been too surprised. But just a regular peasant, with that royal figure and those pristine hands! I can't believe it. Maybe our pilot, Valdemar, knows who she is; I should ask him."
All at once he bethought himself of the cave whence she had emerged. It was close at hand—a natural grotto, arched and apparently lofty. He resolved to explore it. Glancing at his watch he saw it was not yet one o'clock in the morning, yet the voice of the cuckoo called shrilly from the neighboring hills, and a circling group of swallows flitted around him, their lovely wings glistening like jewels in the warm light of the ever-wakeful sun. Going to the entrance of the cave, he looked in. It was formed of rough rock, hewn out by the silent work of the water, and its floor was strewn thick with loose pebbles and polished stones. Entering it, he was able to walk upright for some few paces, then suddenly it seemed to shrink in size and to become darker. The light from the opening gradually narrowed into a slender stream too small for him to see clearly where he was going, thereupon he struck a fusee. At first he could observe no sign of human habitation, not even a rope, or chain, or hook, to intimate that it was a customary shelter for a boat. The fusee went out quickly, and he lit another. Looking more carefully and closely about him, he perceived on a projecting shelf of rock, a small antique lamp, Etruscan in shape, made of iron and wrought with curious letters. There was oil in it, and a half-burnt wick; it had evidently been recently used. He availed himself at once of this useful adjunct to his explorations, and lighting it, was able by the clear and steady flame it emitted, to see everything very distinctly. Right before him was an uneven flight of steps leading down to a closed door.
All of a sudden, he remembered the cave from which she had come. It was nearby—a natural grotto, arching high and seemingly spacious. He decided to check it out. Looking at his watch, he noticed it was still not quite one o'clock in the morning, yet the cuckoo's call rang out loudly from the nearby hills, and a group of swallows danced around him, their beautiful wings shining like jewels in the warm glow of the ever-active sun. Approaching the cave’s entrance, he peered inside. It was made of rough rock, shaped by the quiet flow of water, and the floor was covered with loose pebbles and shiny stones. Once inside, he could stand upright for a little way, but then the passage suddenly seemed to tighten and darken. The light from the entrance gradually narrowed into a thin beam, too small for him to see clearly where he was heading, so he struck a flare. At first, he saw no signs of human presence, not even a rope, chain, or hook indicating it had ever been a regular shelter for a boat. The flare went out quickly, so he lit another. Looking more closely around him, he noticed on a jutting shelf of rock a small, antique lamp, Etruscan in design, made of iron and engraved with strange letters. It contained oil and had a half-burned wick; it had clearly been used recently. He quickly took advantage of this helpful tool for his exploration, lighting it so that the clear, steady flame allowed him to see everything clearly. Right in front of him was an uneven set of steps leading down to a closed door.
He paused and listened attentively. There was no sound but the slow lapping of the water near the entrance; within, the thickness of the cavern walls shut out the gay carolling of the birds, and all the cheerful noises of awakening nature. Silence, chillness, and partial obscurity are depressing influences, and the warm blood flowing through his veins, ran a trifle more slowly and coldly as he felt the sort of uncomfortable eerie sensation which is experienced by the jolliest and most careless traveller, when he first goes down to the catacombs in Rome. A sort of damp, earthy shudder creeps through the system, and a dreary feeling of general hopelessness benumbs the faculties; a morbid state of body and mind which is only to be remedied by a speedy return to the warm sunlight, and a draught of generous wine.
He paused and listened carefully. There was no sound except for the gentle lapping of the water by the entrance; inside, the thick cavern walls blocked out the cheerful singing of the birds and all the happy sounds of nature waking up. Silence, coldness, and dim light can be really depressing, and the warm blood in his veins felt a little slower and chillier as he experienced that strange, uncomfortable sensation that even the happiest and most carefree traveler feels when they first enter the catacombs in Rome. A damp, earthy chill crept through him, and a bleak feeling of hopelessness numbed his senses; a gloomy state of body and mind that can only be cured by a quick return to the warm sunlight and a good drink of wine.
Sir Philip, however, held the antique lamp aloft, and descended the clumsy steps cautiously, counting twenty steps in all, at the bottom of which he found himself face to face with the closed door. It was made of hard wood, so hard as to be almost like iron. It was black with age, and covered with quaint carvings and inscriptions; but in the middle, standing out in bold relief among the numberless Runic figures and devices, was written in large well-cut letters the word—
Sir Philip, however, held the old lamp up high and carefully descended the awkward steps, counting a total of twenty steps. At the bottom, he found himself staring at a closed door. It was made of solid wood, so tough it was almost like iron. It was black with age and covered in strange carvings and inscriptions; but in the center, standing out prominently among the countless Runic symbols and designs, the word was written in large, clearly carved letters—
THELMA
THELMA
"By Jove!" he exclaimed, "I have it! The girl's name, of course! This is some private retreat of hers, I suppose,—a kind of boudoir like my Lady Winsleigh's, only with rather a difference."
"Wow!" he exclaimed, "I got it! The girl's name, of course! This must be her private hideaway, I guess—a sort of boudoir like Lady Winsleigh's, but a bit different."
And he laughed aloud, thinking of the dainty gold-satin hangings of a certain room in a certain great mansion in Park Lane, where an aristocratic and handsome lady-leader of fashion had as nearly made love to him as it was possible for her to do without losing her social dignity. His laugh was echoed back with a weird and hollow sound, as though a hidden demon of the cave were mocking him, a demon whose merriment was intense but also horrible. He heard the unpleasant jeering repetition with a kind of careless admiration.
And he laughed out loud, thinking about the delicate gold-satin curtains in a specific room of a grand mansion on Park Lane, where an elegant and attractive fashion leader had almost made a move on him without jeopardizing her social status. His laughter bounced back with an eerie and hollow sound, as if some hidden demon in the cave was mocking him, a demon whose amusement was both intense and disturbing. He listened to the unpleasant, taunting echo with a kind of nonchalant appreciation.
"That echo would make a fortune in Faust, if it could be persuaded to back up Mephistopheles with that truly fiendish, 'Ha Ha!'" he said, resuming his examination of the name on the door. Then an odd fancy seized him, and he called loudly—
"That echo would make a fortune in Faust, if it could be convinced to support Mephistopheles with that truly wicked, 'Ha Ha!'" he said, continuing to look at the name on the door. Then he had a strange idea and called out loudly—
"Thelma!"
"Thelma!"
"Thelma!" shouted the echo.
"Thelma!" shouted the echo.
"Is that her name?"
"Is that her name?"
"Her name!" replied the echo.
"Her name!" replied the echo.
"I thought so!" And Philip laughed again, while the echo laughed wildly in answer. "Just the sort of name to suit a Norwegian nymph or goddess. Thelma is quaint and appropriate, and as far as I can remember there's no rhyme to it in the English language. Thelma!" And he lingered on the pronunciation of the strange word with a curious sensation of pleasure. "There is something mysteriously suggestive about the sound of it; like a chord of music played softly in the distance. Now, can I get through this door, I wonder?"
"I knew it!" Philip laughed again, and the echo responded with wild laughter. "That's exactly the kind of name that would fit a Norwegian nymph or goddess. Thelma is unique and just right, and as far as I remember, there's no rhyme for it in English. Thelma!" He emphasized the pronunciation of the unusual word with a strange feeling of delight. "There's something intriguingly suggestive about how it sounds; like a soft chord of music playing in the distance. Now, I wonder if I can get through this door?"
He pushed it gently. It yielded very slightly, and he tried again and yet again. Finally, he put down the lamp and set his shoulder against the wooden barrier with all his force. A dull creaking sound rewarded his efforts, and inch by inch the huge door opened into what at first appeared immeasurable darkness. Holding up the light he looked in, and uttered a smothered exclamation. A sudden gust of wind rushed from the sea through the passage and extinguished the lamp, leaving him in profound gloom. Nothing daunted he sought his fusee case; there was just one left in it. This he hastily struck, and shielding the glow carefully with one hand, relit his lamp, and stepped boldly into the mysterious grotto.
He pushed it gently. It budged a little, so he tried again and again. Finally, he set down the lamp and braced his shoulder against the wooden door with all his strength. A dull creaking sound rewarded his efforts, and slowly, the enormous door opened into what initially seemed like endless darkness. Holding the light up, he peered inside and let out a muffled exclamation. A sudden gust of wind rushed in from the sea through the passage and blew out the lamp, leaving him in deep gloom. Undeterred, he searched for his fusee case and found there was just one left. He quickly struck it, shielding the glow carefully with one hand, relit his lamp, and stepped confidently into the mysterious cave.
The murmur of the wind and waves, like spirit-voices in unison, followed him as he entered. He found himself in a spacious winding corridor, that had evidently been hollowed out in the rocks and fashioned by human hands. Its construction was after the ancient Gothic method; but the wonder of the place consisted in the walls, which were entirely covered with shells,—shells of every shape and hue,—some delicate as rose-leaves, some rough and prickly, others polished as ivory, some gleaming with a thousand irridescent colors, others pure white as the foam on high billows. Many of them were turned artistically in such a position as to show their inner sides glistening with soft tints like the shades of fine silk or satin,—others glittered with the opaline sheen of mother-o'-pearl. All were arranged in exquisite patterns, evidently copied from fixed mathematical designs,—there were stars, crescents, roses, sunflowers, hearts, crossed daggers, ships and implements of war, all faithfully depicted with extraordinary neatness and care, as though each particular emblem had served some special purpose.
The soft sounds of the wind and waves, like voices of spirits in harmony, followed him as he stepped inside. He found himself in a spacious, winding corridor that had clearly been carved from the rocks by human hands. Its design was in the ancient Gothic style, but the true wonder of the place was the walls, which were completely covered in shells—shells of every shape and color—some as delicate as rose petals, some rough and spiky, others polished like ivory, and some shimmering with a thousand iridescent shades, while others were pure white like the foam on tall waves. Many shells were turned in such a way that their inner sides glistened with soft tones resembling fine silk or satin, while others sparkled with the opalescent shine of mother-of-pearl. All were arranged in beautiful patterns, clearly inspired by fixed mathematical designs—stars, crescents, roses, sunflowers, hearts, crossed daggers, ships, and weapons were all depicted with extraordinary precision and care, as if each symbol had a special significance.
Sir Philip walked along very slowly, delighted with his discovery, and,—pausing to examine each panel as he passed,—amused himself with speculations as to the meaning of this beautiful cavern, so fancifully yet skillfully decorated.
Sir Philip walked slowly, thrilled with his discovery, and—stopping to look at each panel as he went by—entertained himself with guesses about the significance of this stunning cave, which was both imaginatively and expertly adorned.
"Some old place of worship, I suppose," he thought. "There must be many such hidden in different parts of Norway. It has nothing to do with the Christian faith, for among all these devices I don't perceive a single cross."
"Some old place of worship, I guess," he thought. "There must be a lot of these hidden in various parts of Norway. It has nothing to do with Christianity, because among all these artifacts, I don’t see a single cross."
He was right. There were no crosses; but there were many designs of the sun—the sun rising, the sun setting, the sun in full glory, with all his rays embroidered round him in tiny shells, some of them no bigger than a pin's head. "What a waste of time and labor," he mused. "Who would undertake such a thing nowadays? Fancy the patience and delicacy of finger required to fit all these shells in their places! and they are embedded in strong mortar too, as if the work were meant to be indestructible."
He was right. There were no crosses, but there were many designs of the sun—the sun rising, the sun setting, the sun in full glory, with all its rays surrounded by tiny shells, some of them as small as a pinhead. "What a waste of time and effort," he thought. "Who would take on such a task today? Just imagine the patience and delicate touch needed to position all these shells! And they're set in strong mortar too, as if the work were meant to last forever."
Full of pleased interest, he pursued his way, winding in and out through different arches, all more or less richly ornamented, till he came to a tall, round column, which seemingly supported the whole gallery, for all the arches converged towards it. It was garlanded from top to bottom with their roses and their leaves, all worked in pink and lilac shells, interspersed with small pieces of shining amber and polished malachite. The flicker of the lamp he carried, made it glisten like a mass of jewel-work, and, absorbed in his close examination of this unique specimen of ancient art, Sir Philip did not at once perceive that another light beside his own glimmered from out the furthest archway a little beyond him,—an opening that led into some recess he had not as yet explored. A peculiar lustre sparkling on one side of the shell-work however, at last attracted his attention, and, glancing up quickly, he saw, to his surprise, the reflection of a strange radiance, rosily tinted and brilliant.
Full of curious excitement, he made his way through various arches, each more elaborately decorated than the last, until he reached a tall, round column that seemed to support the entire gallery, as all the arches met at it. It was adorned from top to bottom with roses and leaves, crafted in pink and lilac shells, mixed with small pieces of shiny amber and polished malachite. The flicker of the lamp he carried made it sparkle like a treasure trove of jewels, and lost in his close inspection of this unique piece of ancient art, Sir Philip didn’t immediately notice that another light, besides his own, shimmered from the farthest archway just beyond him—a passage that led to a section he hadn’t explored yet. A peculiar glow sparkling on one side of the shell-work eventually caught his eye, and, glancing up quickly, he was surprised to see the reflection of a strange, rosy-hued and brilliant light.
Turning in its direction, he paused, irresolute. Could there be some one living in that furthest chamber to which the long passage he had followed evidently led? some one who would perhaps resent his intrusion as an impertinence? some eccentric artist or hermit who had made the cave his home? Or was it perhaps a refuge for smugglers? He listened anxiously. There was no sound. He waited a minute or two, then boldly advanced, determined to solve the mystery.
Turning in that direction, he paused, uncertain. Could there be someone living in that farthest room at the end of the long hallway he had followed? Someone who might take offense at his presence as an intrusion? Perhaps an eccentric artist or a recluse who had made the cave their home? Or was it maybe a hideout for smugglers? He listened intently. There was no sound. After a minute or two, he confidently moved forward, resolved to uncover the mystery.
This last archway was lower than any of those he had passed through, and he was forced to take off his hat and stoop as he went under it. When he raised his head he remained uncovered, for he saw at a glance that the place was sacred. He was in the presence, not of Life, but Death. The chamber in which he stood was square in form, and more richly ornamented with shell-designs than any other portion of the grotto he had seen, and facing the east was an altar hewn out of the solid rock and studded thickly with amber, malachite and mother-o'-pearl. It was covered with the incomprehensible emblems of a bygone creed worked in most exquisite shell-patterns, but on it,—as though in solemn protest against the past,—stood a crucifix of ebony and carved ivory, before which burned steadily a red lamp.
This last archway was lower than any of the others he had passed through, and he had to take off his hat and bend down as he walked under it. When he raised his head, he kept it bare because he instantly realized that this place was sacred. He was in the presence of Death, not Life. The room he was in was square and more richly decorated with shell designs than any other part of the grotto he had seen. Facing east was an altar carved from solid rock and thickly adorned with amber, malachite, and mother-of-pearl. It was covered with mysterious symbols of a past faith intricately arranged in shell patterns, but on it—seeming to stand in solemn protest against the past—was a crucifix made of ebony and carved ivory, in front of which a red lamp burned steadily.
The meaning of the mysterious light was thus explained, but what chiefly interested Errington was the central object of the place,—a coffin,—of rather a plain granite sarcophagus which was placed on the floor lying from north to south. Upon it,—in strange contrast to the sombre coldness of the stone,—reposed a large wreath of poppies freshly gathered. The vivid scarlet of the flowers, the gleam of the shining shells on the walls, the mournful figure of the ivory Christ stretched on the cross among all those pagan emblems,—the intense silence broken only by the slow drip, drip of water trickling somewhere behind the cavern,—and more than these outward things,—his own impressive conviction that he was with the imperial Dead—imperial because past the sway of empire—all made a powerful impression on his mind. Overcoming by degrees his first sensations of awe, he approached the sarcophagus and examined it. It was solidly closed and mortared all round, so that it might have been one compact coffin-shaped block of stone so far as its outward appearance testified. Stooping more closely, however, to look at the brilliant poppy-wreath, he started back with a slight exclamation. Cut deeply in the hard granite he read for the second time that odd name—
The meaning of the mysterious light was explained, but what really caught Errington's attention was the main object in the place—a coffin—a rather plain granite sarcophagus lying on the floor from north to south. On it, contrasting sharply with the dull coldness of the stone, rested a large wreath of freshly gathered poppies. The bright scarlet of the flowers, the gleam of the shiny shells on the walls, the mournful figure of the ivory Christ stretched on the cross among all those pagan symbols—the intense silence broken only by the slow drip of water trickling somewhere behind the cavern—and more than just these external details—his own strong feeling that he was in the presence of the imperial Dead—imperial because beyond the reach of any empire—all made a powerful impression on his mind. Gradually overcoming his initial feelings of awe, he approached the sarcophagus and examined it. It was solidly closed and mortared all around, so it looked like one solid coffin-shaped block of stone based on its outward appearance. Leaning in closer to look at the bright poppy wreath, he suddenly pulled back with a small exclamation. Cut deeply into the hard granite, he read for the second time that odd name—
THELMA
THELMA
It belonged to some one dead, then—not to the lovely living woman who had so lately confronted him in the burning glow of the midnight sun? He felt dismayed at his unthinking precipitation,—he had, in his fancy, actually associated her, so full of radiant health and beauty, with what was probably a mouldering corpse in that hermetically sealed tenement of stone! This idea was unpleasant, and jarred upon his feelings. Surely she, that golden-haired nymph of the Fjord, had nothing to do with death! He had evidently found his way into some ancient tomb. "Thelma" might be the name or title of some long-departed queen or princess of Norway, yet, if so, how came the crucifix there,—the red lamp, the flowers?
It belonged to someone who was dead, then—not to the beautiful living woman who had just faced him in the blazing light of the midnight sun? He felt disheartened by his thoughtless rush—he had, in his imagination, actually linked her, so full of radiant health and beauty, with what was likely a decaying corpse in that airtight stone building! This thought was unpleasant and disturbed his feelings. Surely she, that golden-haired nymph of the Fjord, had nothing to do with death! He had clearly stumbled into some ancient tomb. "Thelma" might be the name or title of some long-gone queen or princess of Norway, yet if that was the case, how did the crucifix get there—the red lamp, the flowers?
He lingered, looking curiously about him, as if he fancied the shell-embroidered walls might whisper some answer to his thoughts. The silence offered no suggestions. The plaintive figure of the tortured Christ suspended on the cross maintained an immovable watch over all things, and there was a subtle, faint odor floating about as of crushed spices or herbs. While he still stood there absorbed in perplexed conjectures, he became oppressed by want of air. The red hue of the poppy-wreath mingled with the softer glow of the lamp on the altar,—the moist glitter of the shells and polished pebbles, seemed to dazzle and confuse his eyes. He felt dizzy and faint—and hastily made his way out of that close death-chamber into the passage, where he leaned for a few minutes against the great central column to recover himself. A brisk breath of wind from the Fjord came careering through the gallery, and blew coldly upon his forehead. Refreshed by it, he rapidly overcame the sensation of giddiness, and began to retrace his steps through the winding arches, thinking with some satisfaction as he went, what a romantic incident he would have to relate to Lorimer and his other friends, when a sudden glare of light illumined the passage, and he was brought to an abrupt standstill by the sound of a wild "Halloo!" The light vanished; it reappeared. It vanished again, and again appeared, flinging a strong flare upon the shell-worked walls as it approached. Again the fierce "Halloo!" resounded through the hollow cavities of the subterranean temple, and he remained motionless, waiting for an explanation of this unlooked-for turn to the events of the morning.
He lingered, looking around with curiosity, as if he thought the shell-embroidered walls might whisper some answer to his thoughts. The silence offered no hints. The sorrowful figure of the tortured Christ hanging on the cross kept an unyielding watch over everything, and there was a subtle, faint smell in the air that reminded him of crushed spices or herbs. While he stood there lost in confusing thoughts, he started to feel suffocated. The red poppy wreath blended with the softer glow of the lamp on the altar—the shiny shells and polished pebbles dazzled and confused his eyes. He felt dizzy and faint—and quickly made his way out of that cramped, deathly room into the passage, where he leaned against the large central column for a few minutes to regain his composure. A refreshing gust of wind from the Fjord rushed through the gallery and blew coldly against his forehead. Rejuvenated by it, he quickly shook off the dizziness and began to make his way back through the winding arches, feeling satisfied about the romantic story he would share with Lorimer and his other friends when suddenly a bright light lit up the passage, and he came to a sudden halt at the sound of a wild "Halloo!" The light flickered away; then it came back. It disappeared again and reappeared, casting a strong beam on the shell-decorated walls as it got closer. The fierce "Halloo!" echoed through the hollow spaces of the underground temple, and he stood still, waiting for an explanation for this unexpected twist to the events of the morning.
He had plenty of physical courage, and the idea of any addition to his adventure rather pleased him than otherwise. Still, with all his bravery, he recoiled a little when he first caught sight of the extraordinary being that emerged from the darkness—a wild, distorted figure that ran towards him with its head downwards, bearing aloft in one skinny hand a smoking pine-torch, from which the sparks flew like so many fireflies. This uncanny personage, wearing the semblance of man, came within two paces of Errington before perceiving him; then, stopping short in his headlong career, the creature flourished his torch and uttered a defiant yell.
He had a lot of physical courage, and the thought of anything adding to his adventure actually excited him. However, despite his bravery, he flinched a bit when he first saw the strange figure that emerged from the darkness—a wild, twisted shape that charged toward him with its head down, holding a smoking pine torch in one thin hand, from which sparks flew like a swarm of fireflies. This eerie figure, resembling a man, came within a couple of steps of Errington before noticing him; then, suddenly halting in its reckless rush, the creature waved its torch and let out a challenging yell.
Philip surveyed him coolly and without alarm, though so weird an object might well have aroused a pardonable distrust, and even timidity. He saw a misshapen dwarf, not quite four feet high, with large, ungainly limbs out of all proportion to his head, which was small and compact. His features were of almost feminine fineness, and from under his shaggy brows gleamed a restless pair of large, full, wild blue eyes. His thick, rough flaxen hair was long and curly, and hung in disordered profusion over his deformed shoulders. His dress was of reindeer skin, very fancifully cut, and ornamented with beads of different colors,—and twisted about him as though in an effort to be artistic, was a long strip of bright scarlet woollen material, which showed up the extreme pallor and ill-health of the meagre countenance, and the brilliancy of the eyes that now sparkled with rage as they met those of Errington. He, from his superior height, glanced down with pity on the unfortunate creature, whom he at once took to be the actual owner of the cave he had explored. Uncertain what to do, whether to speak or remain silent, he moved slightly as though to pass on; but the shock-headed dwarf leaped lightly in his way, and, planting himself firmly before him, shrieked some unintelligible threat, of which Errington could only make out the last words, "Nifleheim" and "Nastrond."
Philip looked at him calmly and without fear, even though such a strange figure might have understandably sparked some distrust or anxiety. He saw a misshapen dwarf, who was just under four feet tall, with large, awkward limbs that didn’t match his small, compact head. His features were almost delicately fine, and from beneath his shaggy brows shone a restless pair of large, full, wild blue eyes. His thick, rough flaxen hair was long and curly, cascading messily over his deformed shoulders. He wore a fancifully cut outfit made from reindeer skin, decorated with beads of various colors, and wrapped around him in an artistic flourish was a long strip of bright red wool fabric, which highlighted the extreme pallor and poor health of his thin face, as well as the brilliance of his eyes that now sparkled with rage as they met Errington's gaze. From his greater height, Errington looked down with pity on the unfortunate creature, whom he assumed to be the rightful owner of the cave he had explored. Unsure of what to do—whether to speak or stay quiet—he moved slightly as if to continue on; however, the wild-haired dwarf jumped in front of him, planted himself firmly in place, and shrieked some incomprehensible threat, from which Errington could only catch the last words, "Nifleheim" and "Nastrond."
"I believe he is commending me to the old Norwegian inferno," thought the young baronet with a smile, amused at the little man's evident excitement. "Very polite of him, I'm sure! But, after all, I had no business here. I'd better apologize." And forthwith he began to speak in the simplest English words he could choose, taking care to pronounce them very slowly and distinctly.
"I think he's sending me to the old Norwegian hell," thought the young baronet with a smile, finding the little man's clear excitement amusing. "How polite of him, I'm sure! But really, I shouldn’t be here. I should apologize." And right away, he started to speak in the simplest English words he could think of, making sure to say them very slowly and clearly.
"I cannot understand you, my good sir; but I see you are angry. I came here by accident. I am going away now at once."
"I don’t understand you, my good sir; but I can see you’re angry. I came here by accident. I’m leaving right now."
His explanation had a strange effect. The dwarf drew nearer, twirled himself rapidly round three times as though waltzing; then, holding his torch a little to one side, turned up his thin, pale countenance, and, fixing his gaze on Sir Philip, studied every feature of his face with absorbing interest. Then he burst into a violent fit of laughter.
His explanation had a weird effect. The dwarf moved closer, spun around three times as if he were waltzing; then, tilting his torch slightly to one side, he raised his thin, pale face and, locking his gaze on Sir Philip, examined every detail of his face with intense curiosity. Then he suddenly broke into a fit of loud laughter.
"At last—at last?" he cried in fluent English. "Going now? Going, you say? Never! never! You will never go away any more. No, not without something stolen! The dead have summoned you here! Their white bony fingers have dragged you across the deep! Did you not hear their voices, cold and hollow as the winter wind, calling, calling you, and saying, 'Come, come, proud robber, from over the far seas; come and gather the beautiful rose of the northern forest'? Yes, Yes! You have obeyed the dead—the dead who feign sleep, but are ever wakeful;—you have come as a thief in the golden midnight, and the thing you seek is the life of Sigurd! Yes—yes! it is true. The spirit cannot lie. You must kill, you must steal! See how the blood drips, drop by drop, from the heart of Sigurd! And the jewel you steal—ah, what a jewel!—you shall not find such another in Norway!"
"At last—at last?" he exclaimed in perfect English. "Leaving now? You say you’re leaving? Never! Never! You’ll never leave again. No, not without taking something! The dead have called you here! Their white, bony fingers have pulled you across the deep! Didn’t you hear their voices, cold and hollow like the winter wind, calling you, saying, 'Come, come, proud thief from far across the seas; come and gather the beautiful rose of the northern forest'? Yes, yes! You have listened to the dead—the dead who pretend to sleep but are always alert;—you’ve come like a thief in the golden midnight, and what you seek is the life of Sigurd! Yes—yes! It’s true. The spirit cannot lie. You must kill, you must steal! Look how the blood drips, drop by drop, from Sigurd’s heart! And the jewel you steal—oh, what a jewel!—you won’t find another like it in Norway!"
His excited voice sank by degrees to a plaintive and forlorn whisper, and dropping his torch with a gesture of despair on the ground, he looked at it burning, with an air of mournful and utter desolation. Profoundly touched, as he immediately understood the condition of his companion's wandering wits, Errington spoke to him soothingly.
His excited voice gradually faded into a sad and hopeless whisper, and dropping his torch in a gesture of despair, he watched it burn with a look of deep and complete desolation. Deeply moved, as he quickly realized the state of his companion's confused mind, Errington spoke to him gently.
"You mistake me," he said in gentle accents; "I would not steal anything from you, nor have I come to kill you. See," and he held out his hand, "I wouldn't harm you for the world. I didn't know this cave belonged to you. Forgive me for having entered it. I am going to rejoin my friends. Good-bye!"
"You've got me wrong," he said softly. "I wouldn't take anything from you, and I'm not here to hurt you. Look," and he extended his hand, "I wouldn't harm you for anything. I didn't realize this cave was yours. I'm sorry for coming in. I'm just heading back to my friends. Goodbye!"
The strange, half-crazy creature touched his outstretched hand timidly, and with a sort of appeal.
The odd, somewhat unhinged creature timidly touched his outstretched hand, as if seeking some kind of connection.
"Good-bye, good-bye!" he muttered. "That is what they all say,—even the dead,—good-bye; but they never go—never, never! You cannot be different to the rest. And you do not wish to hurt poor Sigurd?"
"Goodbye, goodbye!" he muttered. "That’s what they all say—even the dead—goodbye; but they never leave—never, never! You can’t be any different from the others. And you don’t want to hurt poor Sigurd?"
"Certainly not, if you are Sigurd," said Philip, half laughing; "I should be very sorry to hurt you."
"Definitely not, if you are Sigurd," Philip said with a half-laugh; "I would hate to hurt you."
"You are sure?" he persisted, with a sort of obstinate eagerness. "You have eyes which tell truths; but there are other things which are truer than eyes—things in the air, in the grass, in the waves, and they talk very strangely of you. I know you, of course! I knew you ages ago—long before I saw you dead on the field of battle, and the black-haired Valkyrie galloped with you to Valhalla! Yes; I knew you long before that, and you knew me; for I was your King, and you were my vassal, wild and rebellious—not the proud, rich Englishman you are to-day."
"You’re sure?" he pressed on, with a kind of stubborn eagerness. "You have eyes that reveal the truth, but there are other truths that are even more real than what we see—things in the air, in the grass, in the waves, and they speak very oddly about you. I know you, of course! I knew you a long time ago—way before I saw you fall on the battlefield, and the dark-haired Valkyrie rode with you to Valhalla! Yes; I knew you long before that, and you knew me; because I was your King, and you were my rebellious vassal—not the proud, wealthy Englishman you are today."
Errington startled. How could this Sigurd, as he called himself, be aware of either his wealth or nationality?
Errington was taken aback. How could this Sigurd, as he referred to himself, know anything about his wealth or nationality?
The dwarf observed his movement of surprise with a cunning smile.
The dwarf watched his surprised reaction with a sly smile.
"Sigurd is wise,—Sigurd is brave! Who shall deceive him? He knows you well; he will always know you. The old gods teach Sigurd all his wisdom—the gods of the sea and the wind—the sleepy gods that lie in the hearts of the flowers—the small spirits that sit in shells and sing all day and all night." He paused, and his eyes filled with a wistful look of attention. He drew closer.
"Sigurd is wise—Sigurd is brave! Who can fool him? He knows you well; he’ll always know you. The old gods teach Sigurd all his wisdom—the gods of the sea and the wind—the sleepy gods that rest in the hearts of the flowers—the little spirits that sit in shells and sing all day and all night." He paused, and his eyes filled with a longing gaze of attention. He drew closer.
"Come," he said earnestly, "come, you must listen to my music; perhaps you can tell me what it means."
"Come," he said earnestly, "come, you have to listen to my music; maybe you can tell me what it means."
He picked up his smouldering torch and held it aloft again; then, beckoning Errington to follow him, he led the way to a small grotto, cut deeply into the wall of the cavern. Here there were no shell patterns. Little green ferns grew thickly out of the stone crevices, and a minute runlet of water trickled slowly down from above, freshening the delicate frondage as it fell. With quick, agile fingers he removed a loose stone from this aperture, and as he did so, a low shuddering wail resounded through the arches—a melancholy moan that rose and sank, and rose again in weird, sorrowful minor echoes.
He picked up his smoldering torch and held it high again; then, motioning for Errington to follow him, he led the way to a small grotto carved deeply into the wall of the cave. Here, there were no shell patterns. Little green ferns grew thickly from the stone crevices, and a tiny stream of water trickled slowly down from above, refreshing the delicate fronds as it fell. With quick, nimble fingers, he removed a loose stone from the opening, and as he did, a low shuddering wail echoed through the arches—a melancholy moan that rose and fell, rising again in strange, sorrowful minor echoes.
"Hear her," murmured Sigurd plaintively. "She is always complaining; it is a pity she cannot rest! She is a spirit, you know. I have often asked her what troubles her, but she will not tell me; she only weeps!"
"Hear her," Sigurd said sadly. "She is always complaining; it's a shame she can't find peace! She is a spirit, you know. I've often asked her what's bothering her, but she won't tell me; she just cries!"
His companion looked at him compassionately. The sound that so affected his disordered imagination was nothing but the wind blowing through the narrow hole formed by the removal of the stone; but it was useless to explain this simple fact to one in his condition.
His companion looked at him with sympathy. The noise that so disturbed his chaotic thoughts was just the wind blowing through the narrow gap left by the missing stone; but it would be pointless to explain this simple fact to someone in his state.
"Tell me," and Sir Philip spoke very gently, "is this your home?"
"Tell me," Sir Philip said softly, "is this your home?"
The dwarf surveyed him almost scornfully. "My home!" he echoed. "My home is everywhere—on the mountains, in the forests, on the black rocks and barren shores! My soul lives between the sun and the sea; my heart is with Thelma!"
The dwarf looked at him with a hint of disdain. "My home!" he repeated. "My home is everywhere—on the mountains, in the forests, on the rugged rocks and desolate shores! My soul exists between the sun and the sea; my heart is with Thelma!"
Thelma! Here was perhaps a clue to the mystery.
Thelma! This might be a hint to the mystery.
"Who is Thelma?" asked Errington somewhat hurriedly.
"Who is Thelma?" Errington asked a bit anxiously.
Sigurd broke into violent and derisive laughter. "Do you think I will tell you?" he cried loudly. "You,—one of that strong, cruel race who must conquer all they see; who covet everything fair under heaven, and will buy it, even at the cost of blood and tears! Do you think I will unlock the door of my treasure to you? No, no; besides," and his voice sank lower, "what should you do with Thelma? She is dead!"
Sigurd burst into harsh, mocking laughter. "Do you really think I'm going to tell you?" he shouted. "You,—one of those strong, ruthless people who have to dominate everything they see; who crave everything beautiful in the world and will pay for it, even with blood and tears! Do you really think I'm going to open the door to my treasure for you? No way; and besides," his voice dropped lower, "what would you do with Thelma? She’s dead!"
And, as if possessed by a sudden access of frenzy, he brandished his pine-torch wildly above his head till it showered a rain of bright sparks above him, and exclaimed furiously—"Away, away, and trouble me not! The days are not yet fulfilled,—the time is not yet ripe. Why seek to hasten my end? Away, away, I tell you! Leave me in peace! I will die when Thelma bids me; but not till then!"
And, as if overtaken by a sudden burst of madness, he waved his pine torch wildly above his head until it showered bright sparks all around him, and shouted angrily—"Go away, go away, and don't bother me! The days are not over yet—the time isn't right. Why try to speed up my end? Go away, go away, I’m telling you! Leave me in peace! I will die when Thelma tells me to; but not before!"
And he rushed down the long gallery and disappeared in the furthest chamber, where he gave vent to a sort of long, sobbing cry, which rang dolefully through the cavern and then subsided into utter silence.
And he rushed down the long hallway and disappeared into the farthest room, where he let out a long, sobbing cry that echoed sadly through the cavern before fading into complete silence.
Feeling as if he were in a chaotic dream, Errington pursued his interrupted course through the winding passages with a bewildered and wondering mind. What strange place had he inadvertently lighted on? and who were the still stranger beings in connection with it? First the beautiful girl herself; next the mysterious coffin, hidden in its fanciful shell temple; and now this deformed madman, with the pale face and fine eyes; whose utterances, though incoherent, savored somewhat of poesy and prophecy. And what spell was attached to that name of Thelma? The more he thought of his morning's adventure, the more puzzled he became. As a rule, he believed more in the commonplace than in the romantic—most people do. But truth to tell, romance is far more common than the commonplace. There are few who have not, at one time or other of their lives, had some strange or tragic episode woven into the tissue of their every-day existence; and it would be difficult to find one person even among humdrum individuals, who, from birth to death, has experienced nothing out of the common.
Feeling like he was in a chaotic dream, Errington continued his interrupted path through the winding hallways with a confused and curious mind. What strange place had he stumbled upon? And who were the even stranger beings connected to it? First, there was the beautiful girl; next, the mysterious coffin, hidden in its elaborate temple; and now this deformed madman, with the pale face and striking eyes, whose words, though jumbled, had a hint of poetry and prophecy. And what was the significance of the name Thelma? The more he thought about his morning's adventure, the more confused he became. Generally, he believed more in the ordinary than the romantic—most people do. But honestly, romance is much more common than the ordinary. Few people haven't, at some point in their lives, had a strange or tragic experience woven into their daily existence; and it would be hard to find even one person among the dullest individuals who, from birth to death, hasn't experienced something out of the ordinary.
Errington generally dismissed all tales of adventure as mere exaggerations of heated fancy; and, had he read in some book, of a respectable nineteenth-century yachtsman having such an interview with a madman in a sea-cavern, he would have laughed at the affair as an utter improbability, though he could not have explained why he considered it improbable. But now it had occurred to himself, he was both surprised and amused at the whole circumstance; moreover, he was sufficiently interested and curious to be desirous of sifting the matter to its foundation.
Errington generally dismissed all adventure stories as just exaggerations of excited imagination; and if he had read in some book about a respectable nineteenth-century yachtsman having an encounter with a madman in a sea cave, he would have laughed at it as completely unlikely, even though he couldn’t explain why he found it improbable. But now that it had happened to him, he was both surprised and amused by the whole situation; moreover, he was interested enough to want to get to the bottom of it.
It was, however, somewhat of a relief to him when he again reached the outer cavern. He replaced the lamp on the shelf where he had found it, and stepped once more into the brilliant light of the very early dawn, which then had all the splendor of full morning. There was a deliciously balmy wind, the blue sky was musical with a chorus of larks, and every breath of air that waved aside the long grass sent forth a thousand odors from hidden beds of wild thyme and bog-myrtle.
It was, however, somewhat of a relief to him when he again reached the outer cavern. He put the lamp back on the shelf where he had found it and stepped once more into the bright light of the early dawn, which felt as glorious as full morning. There was a pleasantly warm breeze, the blue sky was filled with the sound of singing larks, and every breath of air that rustled the long grass released a thousand scents from hidden patches of wild thyme and bog-myrtle.
He perceived the Eulalie at anchor in her old place on the Fjord; she had returned while he was absent on his explorations. Gathering together his rug and painting materials, he blew a whistle sharply three times; he was answered from the yacht, and presently a boat, manned by a couple of sailors, came skimming over the water towards him. It soon reached the shore, and, entering it, he was speedily rowed away from the scene of his morning's experience back to his floating palace, where, as yet, none of his friends were stirring.
He spotted the Eulalie anchored in her usual spot on the Fjord; she had come back while he was off exploring. Gathering his blanket and painting supplies, he blew a whistle sharply three times; he got a response from the yacht, and soon a boat with a couple of sailors glided over the water towards him. It quickly reached the shore, and as he got in, he was soon rowed away from the site of his morning's experience back to his floating home, where none of his friends were awake yet.
"How about Jedkè?" he inquired of one of his men. "Did they climb it?"
"How about Jedkè?" he asked one of his men. "Did they climb it?"
A slow grin overspread the sailor's brown face.
A slow smile spread across the sailor's brown face.
"Lord bless you, no, sir! Mr. Lorimer, he just looked at it and sat down in the shade; the other gentleman played pitch-and-toss with pebbles. They was main hungry too, and ate a mighty sight of 'am and pickles. Then they came on board and all turned in at once."
"Goodness, no, sir! Mr. Lorimer just took a glance at it and sat down in the shade; the other guy was tossing pebbles around. They were really hungry too and ate a ton of ham and pickles. Then they came on board and all went to bed at the same time."
Errington laughed. He was amused at the utter failure of Lorimer's recent sudden energy, but not surprised. His thoughts were, however, busied with something else, and he next asked—"Where's our pilot?"
Errington laughed. He found it funny how completely Lorimer's recent burst of energy had flopped, but he wasn't shocked. His mind, though, was occupied with something else, so he then asked, "Where's our pilot?"
"Valdemar Svensen, sir? He went down to his bunk as soon as we anchored, for a snooze, he said."
"Valdemar Svensen, sir? He went to his bunk as soon as we anchored, saying he needed a nap."
"All right. If he comes on deck before I do, just tell him not to go ashore for anything till I see him. I want to speak to him after breakfast."
"Okay. If he comes on deck before I do, just let him know not to go ashore for anything until I see him. I want to talk to him after breakfast."
"Ay, ay, sir."
"Aye, aye, captain."
Whereupon Sir Philip descended to his private cabin. He drew the blind at the port-hole to shut out the dazzling sunlight, for it was nearly three o'clock in the morning, and quickly undressing, he flung himself into his berth with a slight, not altogether unpleasant, feeling of exhaustion. To the last, as his eyes closed drowsily, he seemed to hear the slow drip, drip of the water behind the rocky cavern, and the desolate cry of the incomprehensible Sigurd, while through these sounds that mingled with the gurgle of little waves lapping against the sides of the Eulalie, the name of "Thelma" murmured itself in his ears till slumber drowned his senses in oblivion.
Whereupon Sir Philip went down to his private cabin. He lowered the blind at the porthole to block out the bright sunlight, since it was almost three o'clock in the morning, and after quickly getting undressed, he threw himself onto his bed with a slight, not entirely unpleasant, feeling of exhaustion. Just as his eyes began to close drowsily, he seemed to hear the slow drip of the water behind the rocky cave, and the distant cry of the mysterious Sigurd, while these sounds mixed with the gentle lapping of little waves against the sides of the Eulalie, and the name "Thelma" whispered in his ears until sleep overwhelmed him into oblivion.
CHAPTER III.
KEATS.
Keats.
"This is positively absurd," murmured Lorimer, in mildly injured tones, seven hours later, as he sat on the edge of his berth, surveying Errington, who, fully dressed, and in the highest spirits, had burst in to upbraid him for his laziness while he was yet but scantily attired. "I tell you, my good fellow, there are some things which the utmost stretch of friendship will not stand. Here am I in shirt and trousers with only one sock on, and you dare to say you have had an adventure! Why, if you had cut a piece out of the sun, you ought to wait till a man is shaved before mentioning it."
"This is just ridiculous," Lorimer said softly, sounding a bit hurt, seven hours later as he sat on the edge of his bed, looking at Errington, who, fully dressed and in great spirits, had come in to scold him for being lazy while he was still barely dressed. "I tell you, my friend, there are some things that even the strongest friendship won't accept. Here I am in my shirt and pants with only one sock on, and you have the nerve to say you've had an adventure! Honestly, if you had taken a piece from the sun, you should at least wait until a man has had a chance to shave before bringing it up."
"Don't be snappish, old boy!" laughed Errington gaily. "Put on that other sock and listen. I don't want to tell those other fellows just yet, they might go making inquiries about her—"
"Don't be grumpy, mate!" laughed Errington cheerfully. "Put on that other sock and listen. I don't want to tell those other guys just yet; they might start asking questions about her—"
"Oh, there is a 'her' in the case, is there?" said Lorimer, opening his eyes rather widely. "Well, Phil! I thought you had had enough, and something too much, of women."
"Oh, so there's a 'her' in this situation, huh?" said Lorimer, his eyes widening slightly. "Well, Phil! I thought you had your fill, and then some, of women."
"This is not a woman!" declared Philip with heat and eagerness, "at least not the sort of woman I have ever known! This is a forest-empress, sea-goddess, or sun-angel! I don't know what she is, upon my life!"
"This is not a woman!" Philip exclaimed passionately, "at least not the kind of woman I have ever known! This is a forest queen, a sea goddess, or a sun angel! I have no idea what she is, honestly!"
Lorimer regarded him with an air of reproachful offense.
Lorimer looked at him with a disapproving expression.
"Don't go on—please don't!" he implored. "I can't stand it—I really can't! Incipient verse-mania is too much for me. Forest-empress, sea-goddess, sun-angel—by Jove! what next? You are evidently in a very bad way. If I remember rightly, you had a flask of that old green Chartreuse with you. Ah! that accounts for it! Nice stuff, but a little too strong."
"Please don’t keep going—just don’t!" he pleaded. "I can’t handle it—I really can’t! This budding obsession with poetry is too overwhelming for me. Forest queen, sea goddess, sun angel—good grief! What’s next? You clearly aren’t doing well. If I remember correctly, you had a bottle of that old green Chartreuse with you. Ah! That explains it! It’s good stuff, but a bit too strong."
Errington laughed, and, unabashed by his friend's raillery, proceeded to relate with much vivacity and graphic fervor the occurrences of the morning. Lorimer listened patiently with a forbearing smile on his open, ruddy countenance. When he had heard everything he looked up and inquired calmly—
Errington laughed, and without being bothered by his friend's teasing, went on to describe the events of the morning with a lot of energy and vivid detail. Lorimer listened patiently, keeping a tolerant smile on his friendly, rosy face. After Errington finished, he looked up and asked calmly—
"This is not a yarn, is it?"
"This isn't a story, is it?"
"A yarn!" exclaimed Philip. "Do you think I would invent such a thing?"
"A story!" Philip exclaimed. "Do you really think I would make something like that up?"
"Can't say," returned Lorimer imperturbably. "You are quite capable of it. It's a very creditable crammer, due to Chartreuse. Might have been designed by Victor Hugo; it's in his style. Scene, Norway—midnight. Mysterious maiden steals out of a cave and glides away in a boat over the water; man, the hero, goes into cave, finds a stone coffin, says—'Qu'est-ce que c'est? Dieu! C'est la mort!' Spectacle affreux! Staggers back perspiring; meets mad dwarf with torch; mad dwarf talks a good deal—mad people always do,—then yells and runs away. Man comes out of cave and—and—goes home to astonish his friends; one of them won't be astonished,—that's me!"
"Can't say," Lorimer replied calmly. "You're totally capable of it. It's a really impressive cram job, thanks to Chartreuse. It could have been designed by Victor Hugo; it has his style. The setting is Norway—midnight. A mysterious girl sneaks out of a cave and glides away in a boat over the water; the hero enters the cave, finds a stone coffin, and exclaims—'What is it? God! It’s death!' A horrifying sight! He staggers back, sweating; then he meets a crazy dwarf with a torch; crazy people always talk a lot—then he screams and runs away. The man comes out of the cave and—and—goes home to shock his friends; one of them won’t be shocked—that’s me!"
"I don't care," said Errington. "It's a true story for all that. Only, I say, don't talk of it before the others; let's keep our own counsel—"
"I don't care," Errington said. "It’s a true story no matter what. Just, let’s not talk about it in front of the others; let’s keep it to ourselves—"
"No poachers allowed on the Sun-Angel Manor!" interrupted Lorimer gravely. Philip went on without heeding him.
"No poachers allowed at Sun-Angel Manor!" Lorimer interrupted seriously. Philip continued on, ignoring him.
"I'll question Valdemar Svensen after breakfast. He knows everybody about here. Come and have a smoke on deck when I give you the sign, and we'll cross-examine him."
"I'll ask Valdemar Svensen after breakfast. He knows everyone around here. Come and have a smoke on deck when I give you the signal, and we'll interrogate him."
Lorimer still looked incredulous. "What's the good of it?" he inquired languidly. "Even if it's all true you had much better leave this goddess, or whatever you call her, alone, especially if she has any mad connections. What do you want with her?"
Lorimer still looked skeptical. "What's the point of it?" he asked wearily. "Even if it's all true, you’re better off leaving this goddess, or whatever you call her, alone, especially if she has any crazy connections. What do you want with her?"
"Nothing!" declared Errington, though hiss color heightened. "Nothing, I assure you! It's just a matter of curiosity with me. I should like to know who she is—that's all! The affair won't go any further."
"Nothing!" declared Errington, though his color heightened. "Nothing, I promise you! It's simply a matter of curiosity for me. I just want to know who she is—that's all! It won't go any further."
"How do you know?" and Lorimer began to brush his stiff curly hair with a sort of vicious vigor. "How can you tell? I'm not a spiritualist, nor any sort of a humbug at all, I hope, but I sometimes indulge in presentiments. Before we started on this cruise, I was haunted by that dismal old ballad of Sir Patrick Spens—"
"How do you know?" Lorimer started to brush his stiff, curly hair with a kind of intense energy. "How can you tell? I’m not a spiritualist or any kind of fraud, I hope, but I sometimes get these feelings. Before we left on this trip, that gloomy old ballad about Sir Patrick Spens kept bothering me—"
"And here you have found her, or so it appears. What's to come of it, I wonder?"
"And here you found her, or at least it seems that way. I wonder what will happen next?"
"Nothing's to come of it; nothing will come of it!" laughed Philip. "As I told you, she said she was a peasant. There's the breakfast-bell! Make haste, old boy, I'm as hungry as a hunter!"
"Nothing's going to come of it; nothing will come of it!" laughed Philip. "As I told you, she said she was a peasant. There's the breakfast bell! Hurry up, old boy, I'm as hungry as a hunter!"
And he left his friend to finish dressing, and entered the saloon, where he greeted his two other companions, Alec, or, as he was oftener called, Sandy Macfarlane, and Pierre Duprèz; the former an Oxford student,—the latter a young fellow whose acquaintance he had made in Paris, and with whom he had kept up a constant and friendly intercourse. A greater contrast than these two presented could scarcely be imagined. Macfarlane was tall and ungainly, with large loose joints that seemed to protrude angularly out of him in every direction,—Duprèz was short, slight and wiry, with a dapper and by no means ungraceful figure. The one had formal gauche manners, a never-to-be-eradicated Glasgow accent, and a slow, infinitely tedious method of expressing himself,—the other was full of restless movement and pantomimic gesture, and being proud of his English, plunged into that language recklessly, making it curiously light and flippant, though picturesque, as he went. Macfarlane was destined to become a shining light of the established Church of Scotland, and therefore took life very seriously,—Duprèz was the spoilt only child of an eminent French banker, and had very little to do but enjoy himself, and that he did most thoroughly, without any calculation or care for the future. On all points of taste and opinion they differed widely; but there was no doubt about their both being good-hearted fellows, without any affectation of abnormal vice or virtue.
And he left his friend to finish getting ready and walked into the bar, where he greeted his two other friends, Alec, or as he was often called, Sandy Macfarlane, and Pierre Duprèz; the former an Oxford student, and the latter a young man he had met in Paris and had maintained a constant and friendly relationship with. You couldn't imagine a bigger contrast between the two. Macfarlane was tall and awkward, with large loose joints that seemed to stick out at odd angles—Duprèz was short, slim, and wiry, with a neat and not at all ungraceful figure. One had formal, clumsy manners, an unmistakable Glasgow accent, and a slow, incredibly tedious way of speaking—the other was full of restless energy and expressive gestures, and proud of his English, he jumped into that language carelessly, making it strangely light and playful, yet vivid. Macfarlane was set to become a prominent figure in the established Church of Scotland, so he took life very seriously—Duprèz was the pampered only child of a wealthy French banker and had very little to do but enjoy himself, which he did thoroughly, without any thought or concern for the future. They had vastly different tastes and opinions, but there was no doubt that they were both good-hearted guys, without any pretense of unusual vice or virtue.
"So you did not climb Jedkè after all!" remarked Errington laughingly, as they seated themselves at the breakfast table.
"So you didn't climb Jedkè after all!" Errington said with a laugh as they sat down at the breakfast table.
"My friend, what would you!" cried Duprèz. "I have not said that I will climb it; no! I never say that I will do anything, because I'm not sure of myself. How can I be? It is that cher enfant, Lorimer, that said such brave words! See! . . . we arrive; we behold the shore—all black, great, vast! . . . rocks like needles, and, higher than all, this most fierce Jedkè—bah! what a name!—straight as the spire of a cathedral. One must be a fly to crawl up it, and we, we are not flies—ma foi! no! Lorimer, he laugh, he yawn—so! He say, 'not for me to-day; I very much thank you!' And then, we watch the sun. Ah! that was grand, glorious, beautiful!" And Duprèz kissed the tips of his fingers in ecstacy.
"My friend, what are you thinking!" Duprèz exclaimed. "I never said I would climb it; no! I never promise anything because I'm not certain about myself. How could I be? It was that cher enfant, Lorimer, who said those brave words! Look! . . . we arrive; we see the shore—totally black, immense, vast! . . . rocks like needles, and, towering above all, this fierce Jedkè—ugh! what a name!—straight as a cathedral spire. You’d need to be a fly to crawl up it, and we are no flies—ma foi! No! Lorimer, he laughs, he yawns—just like that! He says, 'Not for me today; I really appreciate it!' And then, we watch the sun. Ah! that was magnificent, glorious, beautiful!" And Duprèz kissed the tips of his fingers in ecstasy.
"What did you think about it, Sandy?" asked Sir Philip.
"What did you think about it, Sandy?" asked Sir Philip.
"I didna think much," responded Macfarlane, shortly. "It's no sae grand a sight as a sunset in Skye. And it's an uncanny business to see the sun losin' a' his poonctooality, and remainin' stock still, as it were, when it's his plain duty to set below the horizon. Mysel', I think it's been fair over-rated. It's unnatural an' oot o' the common, say what ye like."
"I didn't think it was that great," Macfarlane replied curtly. "It's not as beautiful as a sunset in Skye. And it's really strange to see the sun losing all its punctuality, just hanging there as if it’s supposed to set below the horizon. Honestly, I think it's been pretty overrated. It's unnatural and out of the ordinary, no matter what you say."
"Of course it is," agreed Lorimer, who just then sauntered in from his cabin. "Nature is most unnatural. I always thought so. Tea for me, Phil, please; coffee wakes me up too suddenly. I say, what's the programme to-day?"
"Of course it is," agreed Lorimer, who just then strolled in from his cabin. "Nature is really strange. I’ve always thought that. Tea for me, Phil, please; coffee is too jolting. So, what's the plan for today?"
"Fishing in the Alten," answered Errington promptly.
"Fishing in the Alten," Errington replied quickly.
"That suits me perfectly," said Lorimer, as he leisurely sipped his tea. "I'm an excellent fisher. I hold the line and generally forget to bait it. Then,—while it trails harmlessly in the water, I doze; thus both the fish and I are happy."
"That works for me," said Lorimer, as he casually sipped his tea. "I'm a great fisherman. I keep the line in place and usually forget to put bait on it. Then—while it just floats around in the water, I drift off; this way, both the fish and I are content."
"And this evening," went on Errington, "we must return the minister's call. He's been to the yacht twice. We're bound to go out of common politeness."
"And this evening," continued Errington, "we need to return the minister's call. He's visited the yacht twice. We have to go out of basic politeness."
"Spare us, good Lord!" groaned Lorimer.
"Please save us, good Lord!" groaned Lorimer.
"What a delightfully fat man is that good religious!" cried Duprèz. "A living proof of the healthiness of Norway!"
"What a wonderfully plump guy that good religious is!" exclaimed Duprèz. "A living testament to how healthy Norway is!"
"He's not a native," put in Macfarlane; "he's frae Yorkshire. He's only been a matter of three months here, filling the place o' the settled meenister who's awa' for a change of air."
"He's not a local," said Macfarlane; "he's from Yorkshire. He's only been here for about three months, taking the place of the regular minister who is away for a change of scenery."
"He's a precious specimen of a humbug, anyhow," sighed Lorimer drearily. "However, I'll be civil to him as long as he doesn't ask me to hear him preach. At that suggestion I'll fight him. He's soft enough to bruise easily."
"He's a real piece of work, anyway," Lorimer sighed wearily. "But I'll be polite to him as long as he doesn't ask me to listen to him preach. If he suggests that, I'll stand my ground. He's fragile enough to break easily."
"Ye're just too lazy to fight onybody," declared Macfarlane.
"You're just too lazy to fight anyone," declared Macfarlane.
Lorimer smiled sweetly. "Thanks, awfully! I dare say you're right. I've never found it worth while as yet to exert myself in any particular direction. No one has asked me to exert myself; no one wants me to exert myself; therefore, why should I?"
Lorimer smiled gently. "Thanks a lot! I guess you're right. I haven’t really found it worthwhile to put in effort in any specific direction so far. No one has asked me to try hard; no one wants me to try hard; so, why should I?"
"Don't ye want to get on in the world?" asked Macfarlane, almost brusquely.
"Don't you want to get ahead in life?" asked Macfarlane, almost abruptly.
"Dear me, no! What an exhausting idea! Get on in the world—what for? I have five hundred a year, and when my mother goes over to the majority (long distant be that day, for I'm very fond of the dear old lady), I shall have five thousand—more than enough to satisfy any sane man who doesn't want to speculate on the Stock Exchange. Your case, my good Mac, is different. You will be a celebrated Scotch divine. You will preach to a crowd of pious numskulls about predestination, and so forth. You will be stump-orator for the securing of seats in paradise. Now, now, keep calm!—don't mind me. It's only a figure of speech! And the numskulls will call you a 'rare powerful rousin' preacher'—isn't that the way they go on? and when you die—for die you must, most unfortunately—they will give you a three-cornered block of granite (if they can make up their minds to part with the necessary bawbees) with your name prettily engraved thereon. That's all very nice; it suits some people. It wouldn't suit me."
"Dear me, no! What an exhausting thought! Get ahead in life—why? I have five hundred a year, and when my mother passes away (let's hope that's far off, because I really care for the dear old lady), I’ll have five thousand—more than enough to satisfy any sane person who doesn’t want to gamble on the Stock Exchange. Your situation, my good Mac, is different. You’re going to be a famous Scottish preacher. You’ll speak to a crowd of devout fools about predestination, and so on. You’ll be the one rallying support for securing seats in heaven. Now, now, stay calm!—don’t take it personally. It’s just a figure of speech! And the fools will call you a 'rare, powerful, rousing preacher'—isn’t that how they say it? And when you die—for die you must, unfortunately—they’ll give you a three-sided block of granite (if they can bear to part with the cash) with your name nicely engraved on it. That’s all very lovely; it suits some people. It wouldn't suit me."
"What would suit you?" queried Errington. "You find everything more or less of a bore."
"What would work for you?" asked Errington. "You think everything is kind of a drag."
"Ah, my good little boy!" broke in Duprèz. "Paris is the place for you. You should live in Paris. Of that you would never fatigue yourself."
"Ah, my good little boy!" interrupted Duprèz. "Paris is the place for you. You should live in Paris. You would never get tired of it."
"Too much absinthe, secret murder and suicidal mania," returned Lorimer, meditatively. "That was a neat idea about the coffins though. I never hoped to dine off a coffin."
"Too much absinthe, hidden murder, and suicidal craziness," Lorimer replied thoughtfully. "That coffin idea was clever, though. I never expected to eat off a coffin."
"Ah! you mean the Taverne de l'Enfer?" exclaimed Duprèz. "Yes; the divine waitresses wore winding sheets, and the wine was served in imitation skulls. Excellent! I remember; the tables were shaped like coffins."
"Ah! You mean the Tavern of Hell?" Duprèz exclaimed. "Yes; the beautiful waitresses wore burial shrouds, and the wine was served in fake skulls. Wonderful! I remember; the tables were shaped like coffins."
"Gude Lord Almighty!" piously murmured Macfarlane. "What a fearsome sicht!"
"Gosh, Lord Almighty!" Macfarlane murmured devoutly. "What a terrifying sight!"
As he pronounced these words with an unusually marked accent, Duprèz looked inquiring.
As he said these words with a distinct accent, Duprèz looked curious.
"What does our Macfarlane say?"
"What does our Macfarlane say?"
"He says it must have been a 'fearsome sicht,'" repeated Lorimer, with even a stronger accent than Sanby's own, "which, mon cher Pierre, means all the horrors in your language; affreux, epouvantable, navrant—anything you like, that is sufficiently terrible."
"He says it must have been a 'terrifying sight,'" Lorimer repeated, with an even stronger accent than Sanby's own, "which, my dear Pierre, means all the horrors in your language; awful, frightening, heartbreaking—anything you want that sounds truly terrible."
"Mais, point du tout!" cried Duprèz energetically. "It was charming! It made us laugh at death—so much better than to cry! And there was a delicious child in a winding-sheet; brown curls, laughing eyes and little mouth; ha ha! but she was well worth kissing!"
"Not at all!" exclaimed Duprèz energetically. "It was delightful! It made us laugh at death—way better than crying! And there was a charming child in a shroud; brown curls, sparkling eyes, and a tiny mouth; ha ha! She was definitely worth kissing!"
"I'd rather follow ma own funeral, than kiss a lass in a winding-sheet," said Sandy, in solemn and horrified tones. "It's just awfu' to think on."
"I'd rather attend my own funeral than kiss a girl wrapped in a shroud," said Sandy, in serious and horrified tones. "It's just awful to think about."
"But, see, my friend," persisted Duprèz, "you would not be permitted to follow your own funeral, not possible,—voilà! You are permitted to kiss the pretty one in the winding-sheet. It is possible. Behold the difference!"
"But, you see, my friend," Duprèz insisted, "you wouldn't be allowed to follow your own funeral, that's impossible—voilà! You can kiss the pretty one in the shroud. That is possible. Look at the difference!"
"Never mind the Taverne de l'Enfer just now," said Errington, who had finished his breakfast hurriedly. "It's time for you fellows to get your fishing toggery on. I'm off to speak to the pilot."
"Forget about the Taverne de l'Enfer for now," said Errington, who had quickly finished his breakfast. "It's time for you guys to get your fishing gear on. I'm heading off to talk to the pilot."
And away he went, followed more slowly by Lorimer, who, though he pretended indifference, was rather curious to know more, if possible, concerning his friend's adventure of the morning. They found the pilot, Valdemar Svensen, leaning at his ease against the idle wheel, with his face turned towards the eastern sky. He was a stalwart specimen of Norse manhood, tall and strongly built, with thoughtful, dignified features, and keen, clear hazel eyes. His chestnut hair, plentifully sprinkled with gray, clustered thickly over a broad brow, that was deeply furrowed with many a line of anxious and speculative thought, and the forcible brown hand that rested lightly on the spokes of the wheel, told its own tale of hard and honest labor. Neither wife nor child, nor living relative had Valdemar; the one passion of his heart was the sea. Sir Philip Errington had engaged him at Christiansund, hearing of him there as a man to whom the intricacies of the Fjords, and the dangers of rock-bound coasts, were more familiar than a straight road on dry lake, and since then the management of the Eulalie had been entirely entrusted to him. Though an eminently practical sailor, he was half a mystic, and believed in the wildest legends of his land with more implicit faith than many so-called Christians believe in their sacred doctrines. He doffed his red cap respectfully now as Errington and Lorimer approached, smilingly wishing them "a fair day." Sir Philip offered him a cigar, and, coming to the point at once, asked abruptly—
And off he went, followed slowly by Lorimer, who, although he acted uninterested, was quite curious to learn more about his friend's adventure that morning. They found the pilot, Valdemar Svensen, casually leaning against the idle wheel, gazing at the eastern sky. He was a strong example of Norse manhood, tall and well-built, with thoughtful, dignified features and sharp, clear hazel eyes. His chestnut hair, heavily sprinkled with gray, was thickly clustered over a broad forehead, marked by deep lines of worry and contemplation, and the sturdy brown hand resting lightly on the spokes of the wheel told a story of hard and honest work. Valdemar had neither wife nor child, nor any living relatives; his only passion was the sea. Sir Philip Errington had hired him in Christiansund, having heard he was someone who knew the intricacies of the Fjords and the dangers of rocky shores better than a straight road on dry land, and since then, the management of the Eulalie had been completely entrusted to him. Though he was a very practical sailor, he was also somewhat of a mystic, believing in the wild legends of his homeland with more faith than many so-called Christians have in their own sacred beliefs. He took off his red cap respectfully as Errington and Lorimer approached, smilingly wishing them "a fair day." Sir Philip offered him a cigar and, getting straight to the point, asked bluntly—
"I say, Svensen, are there any pretty girls in Bosekop?"
"I ask you, Svensen, are there any cute girls in Bosekop?"
The pilot drew the newly lit cigar from his mouth, and passed his rough hand across his forehead in a sort of grave perplexity.
The pilot took the freshly lit cigar from his mouth and rubbed his rough hand across his forehead, looking seriously confused.
"It is a matter in which I am foolish," he said at last, "for my ways have always gone far from the ways of women. Girls there are plenty, I suppose, but—" he mused with pondering patience for awhile. Then a broad smile broke like sunshine over his embrowned countenance, as he continued, "Now, gentlemen, I do remember well; it is said that at Bosekop yonder, are to be found some of the homeliest wenches in all Norway."
"It’s something I’m foolish about," he finally said, "because my ways have never really aligned with those of women. There are certainly plenty of girls, I guess, but—" he paused thoughtfully for a moment. Then a wide smile spread across his tanned face like sunshine as he continued, "Now, gentlemen, I remember well; they say that at Bosekop over there, you can find some of the plainest girls in all of Norway."
Errington's face fell at this reply. Lorimer turned away to hide the mischievous smile that came on his lips at his friend's discomfiture.
Errington's expression dropped at this response. Lorimer turned away to conceal the playful smirk that appeared on his lips at his friend's embarrassment.
"I know it was that Chartreuse," he thought to himself. "That and the midnight sun-effects. Nothing else!"
"I know it was that Chartreuse," he thought. "That and the midnight sun effects. Nothing else!"
"What!" went on Philip. "No good-looking girls at all about here, eh?"
"What!" Philip continued. "No attractive girls around here, huh?"
Svensen shook his head, still smilingly.
Svensen shook his head, still smiling.
"Not at Bosekop, sir, that I ever heard of."
"Not at Bosekop, sir, that's the first I've heard of it."
"I say!" broke in Lorimer, "are there any old tombs or sea-caves, or places of that sort close by, worth exploring?"
"I say!" interrupted Lorimer, "are there any old tombs or sea-caves, or similar spots nearby that are worth exploring?"
Valdemar Svensen answered this question readily, almost eagerly.
Valdemar Svensen answered this question quickly, almost enthusiastically.
"No, sir! There are no antiquities of any sort; and as for caves, there are plenty, but only the natural formations of the sea, and none of these are curious or beautiful on this side of the Fjord."
"No, sir! There aren't any antiques at all; and as for caves, there are a lot, but they're just natural formations from the sea, and none of them are interesting or pretty on this side of the Fjord."
Lorimer poked his friend secretly in the ribs.
Lorimer secretly nudged his friend in the ribs.
"You've been dreaming, old fellow!" he whispered slyly. "I knew it was a crammer!"
"You've been dreaming, my friend!" he whispered mischievously. "I knew it was a scam!"
Errington shook him off good-humoredly.
Errington playfully shook him off.
"Can you tell me," he said, addressing Valdemar again in distinct accents, "whether there is any place, person, or thing near here called Thelma?"
"Can you tell me," he said, directing his attention to Valdemar once more, "if there’s any place, person, or thing around here called Thelma?"
The pilot started; a look of astonishment and fear came into his eyes; his hand went instinctively to his red cap, as though in deference to the name.
The pilot started; a look of shock and fear appeared in his eyes; his hand instinctively went to his red cap, almost as if out of respect for the name.
"The Fröken Thelma!" he exclaimed, in low tones. "Is it possible that you have seen her?"
"The Miss Thelma!" he exclaimed, in a quiet voice. "Is it possible you have seen her?"
"Ah, George, what do you say now?" cried Errington delightedly. "Yes, yes, Valdemar; the Fröken Thelma, as you call her. Who is she? . . . What is she?—and how can there be no pretty girls in Bosekop if such a beautiful creature as she lives there?"
"Wow, George, what do you think now?" exclaimed Errington excitedly. "Yeah, yeah, Valdemar; the Fröken Thelma, as you refer to her. Who is she? . . . What is she?—and how can there be no attractive girls in Bosekop if such a gorgeous person as her lives there?"
Valdemar looked troubled and vexed.
Valdemar looked upset and annoyed.
"Truly, I thought not of the maiden," he said gravely. "'Tis not for me to speak of the daughter of Olaf," here his voice sank a little, and his face grew more and more sombre. "Pardon me, sir, but how did you meet her?"
"Honestly, I wasn't thinking about the girl," he said seriously. "It's not my place to talk about Olaf's daughter," his voice dropped a bit, and his expression became increasingly gloomy. "Excuse me, sir, but how did you meet her?"
"By accident," replied Errington promptly, not caring to relate his morning's adventure for the pilot's benefit. "Is she some great personage here?"
"By accident," replied Errington quickly, not wanting to share his morning's adventure with the pilot. "Is she someone important here?"
Svensen sighed, and smiled somewhat dubiously.
Svensen sighed and smiled a bit uncertainly.
"Great? Oh, no; not what you would call great. Her father, Olaf Güldmar, is a bonde,—that is, a farmer in his own right. He has a goodly house, and a few fair acres well planted and tilled,—also he pays his men freely,—but those that work for him are all he sees,—neither he nor his daughter ever visit the town. They dwell apart, and have nothing in common with their neighbors."
"Great? Oh no, not what you would call great. Her father, Olaf Güldmar, is a farmer, which means he owns his own land. He has a decent house and a few well-kept acres, plus he pays his workers well, but the only people he sees are the ones who work for him. Neither he nor his daughter ever go into town. They live separately and have nothing in common with their neighbors."
"And where do they live?" asked Lorimer, becoming as interested as he had formerly been incredulous.
"And where do they live?" asked Lorimer, becoming as curious as he had once been skeptical.
The pilot leaned lightly over the rail of the deck and pointed towards the west.
The pilot leaned slightly over the deck railing and pointed west.
"You see that great rock shaped like a giant's helmet, and behind it a high green knoll, clustered thick with birch and pine?"
"You see that huge rock that looks like a giant's helmet, and behind it, there's a tall green hill covered in birch and pine trees?"
They nodded assent.
They nodded in agreement.
"At the side of the knoll is the bonde's house, a good eight-mile walk from the outskirts of Bosekop. Should you ever seek to rest there, gentlemen," and Svensen spoke with quiet resolution, "I doubt whether you will receive a pleasant welcome."
"At the side of the hill is the bonde's house, a good eight-mile walk from the edge of Bosekop. If you ever decide to stop there, gentlemen," Svensen said with calm determination, "I’m afraid you won’t get a warm welcome."
And he looked at them both with an inquisitive air, as though seeking to discover their intentions.
And he looked at both of them with a curious expression, as if trying to figure out what they were planning.
"Is that so?" drawled Lorimer lazily, giving his friend an expressive nudge. "Ah! We shan't trouble them! Thanks for your information, Valdemar! We don't intend to hunt up the—what d'ye call him?—the bonde, if he's at all surly. Hospitality that gives you greeting and a dinner for nothing,—that's what suits me."
"Is that so?" Lorimer said lazily, nudging his friend playfully. "Oh! We won't bother them! Thanks for the heads-up, Valdemar! We don't plan to seek out the—what do you call him?—the bonde, if he's in a bad mood. Hospitality that offers you a warm welcome and a free dinner—that's what I like."
"Our people are not without hospitality," said the pilot, with a touch of wistful and appealing dignity. "All along your journey, gentlemen, you have been welcomed gladly, as you know. But Olaf Güldmar is not like the rest of us; he has the pride and fierceness of olden days; his manners and customs are different; and few like him. He is much feared."
"Our people do have hospitality," said the pilot, carrying a hint of nostalgic dignity. "Throughout your journey, gentlemen, you’ve been welcomed warmly, as you know. But Olaf Güldmar isn’t like the rest of us; he carries the pride and intensity of ancient times; his manners and customs are different, and there aren’t many like him. He is greatly feared."
"You know him then?" inquired Errington carelessly.
"You know him, right?" Errington asked casually.
"I know him," returned Valdemar quietly. "And his daughter is fair as the sun and the sea. But it is not my place to speak of them—." He broke off, and after a slightly embarrassed pause, asked, "Will the Herren wish to sail to-day?"
"I know him," Valdemar said quietly. "And his daughter is as beautiful as the sun and the sea. But it's not my place to talk about them—." He stopped, and after a brief, slightly awkward pause, asked, "Do the Herren want to sail today?"
"No Valdemar," answered Errington indifferently. "Not till to-morrow, when we'll visit the Kaa Fjord if the weather keeps fair."
"No, Valdemar," replied Errington casually. "Not until tomorrow, when we'll check out Kaa Fjord if the weather stays nice."
"Very good, sir," and the pilot, tacitly avoiding any further converse with his employer respecting the mysterious Thelma and her equally mysterious father, turned to examine the wheel and compass as though something there needed his earnest attention. Errington and Lorimer strolled up and down the polished white deck arm-in-arm, talking in low tones.
"Sure thing, sir," and the pilot, silently deciding to avoid any more conversation with his boss about the mysterious Thelma and her equally enigmatic father, focused on the wheel and compass as if something there required his full attention. Errington and Lorimer walked back and forth on the shiny white deck, shoulder to shoulder, speaking in quiet voices.
"You didn't ask him about the coffin and the dwarf," said Lorimer.
"You didn't ask him about the coffin and the little person," Lorimer said.
"No; because I believe he knows nothing of either, and it would be news to him which I'm not bound to give. If I can manage to see the girl again the mystery of the cave may explain itself."
"No; because I think he doesn’t know anything about either, and it would be news to him that I’m not obligated to share. If I can find a way to see the girl again, the mystery of the cave might reveal itself."
"Well, what are you going to do?"
"Well, what are you going to do?"
Errington looked meditative. "Nothing at present. We'll go fishing with the others. But, I tell you what, if you're up to it, we'll leave Duprèz and Macfarlane at the minister's house this evening and tell them to wait for us there,—once they all begin to chatter they never know how time goes. Meanwhile you and I will take the boat and row over in search of this farmer's abode. I believe there's a short cut to it by water; at any rate I know the way she went."
Errington looked thoughtful. "Nothing for now. We'll go fishing with the others. But, here’s the plan: if you're up for it, we'll leave Duprèz and Macfarlane at the minister's house this evening and tell them to wait there. Once they start chatting, they lose track of time. Meanwhile, you and I will take the boat and row over to find this farmer's place. I think there's a shortcut by water; anyway, I know the route she took."
"'I know the way she went home with her maiden posy!'" quoted Lorimer, with a laugh. "You are hit Phil, 'a very palpable hit'! Who would have thought it! Clara Winsleigh needn't poison her husband after all in-order to marry you, for nothing but a sun-empress will suit you now."
"'I know how she went home with her bridal bouquet!'" Lorimer joked, laughing. "You got it, Phil, 'a very obvious hit'! Who would have guessed it! Clara Winsleigh doesn’t need to poison her husband to marry you now, because only a sun-empress will do for you."
"Don't be a fool, George," said Errington, half vexedly, as the hot color mounted to his face in spite of himself. "It is all idle curiosity, nothing else. After what Svensen told us, I'm quite as anxious to see this gruff old bonde as his daughter."
"Don’t be an idiot, George," Errington said, half annoyed, as he felt his face flush despite himself. "It's all just idle curiosity, nothing more. After what Svensen told us, I’m just as eager to meet this grumpy old bonde as his daughter."
Lorimer held up a reproachful finger. "Now, Phil, don't stoop to duplicity—not with me, at any rate. Why disguise your feelings? Why, as the tragedians say, endeavor to crush the noblest and best emotions that ever warm the boo-zum of man? Chivalrous sentiment and admiration for beauty,—chivalrous desire to pursue it and catch it and call it your own,—I understand it all, my dear boy! But my prophetic soul tells me you will have to strangle the excellent Olaf Güldmar—heavens! what a name!—before you will be allowed to make love to his fair chee-ild. Then don't forget the madman with the torch,—he may turn up in the most unexpected fashion and give you no end of trouble. But, by Jove, it is a romantic affair, positively quite stagey! Something will come of it, serious or comic. I wonder which?"
Lorimer raised a questioning finger. "Now, Phil, don't sink to deceit—not with me, at least. Why hide your feelings? Why, as the actors say, try to stifle the noblest and most beautiful emotions that ever warm the boo-zum of humanity? Noble feelings and admiration for beauty,—the noble desire to pursue it and capture it and claim it as your own,—I get it all, my dear boy! But my gut tells me you'll have to deal with the excellent Olaf Güldmar—wow, what a name!—before you’ll be allowed to woo his lovely chee-ild. And don’t forget about the madman with the torch—he could show up in the most unexpected ways and cause you endless trouble. But, by Jove, it is a romantic situation, truly quite theatrical! Something will come of it, serious or funny. I wonder which?"
Errington laughed, but said nothing in reply, as their two companions ascended from the cabin at that moment, in full attire for the fishing expedition, followed by the steward bearing a large basket of provisions for luncheon,—and all private conversation came to an end. Hastening the rest of their preparations, within twenty minutes they were skimming across the Fjord in a long boat manned by four sailors, who rowed with a will and sent the light craft scudding through the water with the swiftness of an arrow. Landing, they climbed the dewy hills spangled thick with forget-me-nots and late violets, till they reached a shady and secluded part of the river, where, surrounded by the songs of hundreds of sweet-throated birds, they commenced their sport, which kept them, well employed till a late hour in the afternoon.
Errington laughed but didn’t say anything in response as their two friends came out of the cabin at that moment, fully dressed for the fishing trip, followed by the steward carrying a large basket of lunch supplies—and all private conversation came to a halt. Rushing to finish their preparations, they were sailing across the Fjord in a long boat rowed by four sailors, who rowed energetically and made the light vessel glide through the water like an arrow. After landing, they climbed the dewy hills filled with forget-me-nots and late violets until they found a cool and quiet spot by the river, surrounded by the songs of hundreds of sweet-singing birds. They started their fishing, which kept them busy until late in the afternoon.
CHAPTER IV.
"Thou art violently carried away from grace; there is a devil haunts thee in the likeness of a fat old man,—a tun of man is thy companion." SHAKESPEARE.
"You are being forcefully taken away from grace; there’s a devil that haunts you in the form of a fat old man—a large man is your companion." SHAKESPEARE.
The Reverend Charles Dyceworthy sat alone in the small dining-room of his house at Bosekop, finishing a late tea, and disposing of round after round of hot buttered toast with that suave alacrity he always displayed in the consumption of succulent eatables. He was a largely made man, very much on the wrong side of fifty, with accumulations of unwholesome fat on every available portion of his body. His round face was cleanly shaven and shiny, as though its flabby surface were frequently polished with some sort of luminous grease instead of the customary soap. His mouth was absurdly small and pursy for so broad a countenance,—his nose seemed endeavoring to retreat behind his puffy cheeks as though painfully aware of its own insignificance,—and he had little, sharp, ferret-like eyes of a dull mahogany brown, which were utterly destitute of even the faintest attempt at any actual expression. They were more like glass beads than eyes, and glittered under their scanty fringe of pale-colored lashes with a sort of shallow cunning which might mean malice or good-humor,—no one looking at them could precisely determine which. His hair was of an indefinite shade, neither light nor dark, somewhat of the tinge of a dusty potato before it is washed clean. It was neatly brushed and parted in the middle with mathematical precision, while from the back of his head it was brought forward in two projections, one on each side, like budding wings behind his ears. It was impossible for the most fastidious critic to find fault with the Reverend Mr. Dyceworthy's hands. He had beautiful hands, white, soft, plump and well-shaped,—his delicate filbert nails were trimmed with punctilious care, and shone with a pink lustre that was positively charming. He was evidently an amiable man, for he smiled to himself over his tea,—he had a trick of smiling,—ill-natured people said he did it on purpose, in order to widen his mouth and make it more in pro-portion to the size of his face. Such remarks, however, emanated only from the spiteful and envious who could not succeed in winning the social popularity that everywhere attended Mr. Dyceworthy's movements. For he was undoubtedly popular,—no one could deny that. In the small Yorkshire town where he usually had his abode, he came little short of being adored by the women of his own particular sect, who crowded to listen to his fervent discourses, and came away from them on the verge of hysteria, so profoundly moved were their sensitive souls by his damnatory doctrines. The men were more reluctant in their admiration, yet even they were always ready to admit "that he was an excellent fellow, with his heart in the right place."
The Reverend Charles Dyceworthy sat alone in the small dining room of his house in Bosekop, finishing a late tea and eagerly devouring slice after slice of hot buttered toast with the same enthusiasm he always showed for delicious food. He was a big man, well over fifty, with an unhealthy layer of fat on every part of his body. His round face was clean-shaven and shiny, as if its soft surface was often polished with some kind of bright grease instead of regular soap. His mouth was oddly small and pursed for such a broad face—his nose seemed to be trying to hide behind his chubby cheeks as if painfully aware of how insignificant it was—and he had small, sharp, ferret-like eyes of a dull mahogany brown, completely lacking any hint of real expression. They resembled glass beads more than eyes and sparkled under their sparse fringes of pale lashes with a kind of shallow cunning that could suggest malice or good humor—no one could quite figure out which. His hair was an unclear shade, neither light nor dark, somewhat like a dusty potato before it's washed. It was neatly brushed and parted in the middle with mathematical precision, while from the back of his head it came forward in two projections on either side, like budding wings behind his ears. The most fastidious critic would have found it impossible to fault the Reverend Mr. Dyceworthy’s hands. He had beautiful hands: white, soft, plump, and well-shaped—his delicate, almond-shaped nails were trimmed with meticulous care and gleamed with a charming pink luster. He was clearly a friendly man, smiling to himself over his tea—he had a habit of smiling, which ill-tempered people claimed he did deliberately to widen his mouth and make it more proportionate to his face. However, such remarks came only from spiteful and envious individuals who couldn’t achieve the social popularity that always accompanied Mr. Dyceworthy. For he was undoubtedly popular—no one could deny that. In the small Yorkshire town where he usually lived, the women of his particular sect nearly adored him, crowding to hear his passionate sermons and leaving them on the verge of hysteria, profoundly moved by his damning doctrines. The men were more hesitant in their admiration, yet they were always willing to acknowledge that “he was an excellent guy, with his heart in the right place.”
He had a convenient way of getting ill at the proper seasons, and of requiring immediate change of air, whereupon his grateful flock were ready and willing to subscribe the money necessary for their beloved preacher to take repose and relaxation in any part of the world he chose. This year, however, they had not been asked to furnish the usual funds for travelling expenses, for the resident minister of Bosekop, a frail, gentle old man, had been seriously prostrated during the past winter with an affection of the lungs, which necessitated his going to a different climate for change and rest. Knowing Dyceworthy as a zealous member of the Lutheran persuasion, and, moreover, as one who had in his youth lived for some years in Christiania,—thereby gaining a knowledge of the Norwegian tongue,—he invited him to take his place for his enforced time of absence, offering him his house, his servants, his pony-carriage and an agreeable pecuniary douceur in exchange for his services,—proposals which the Reverend Charles eagerly accepted. Though Norway was not exactly new to him, the region of the Alten Fjord was, and he at once felt, though he knew not why, that the air there would be the very thing to benefit his delicate constitution. Besides, it looked well for at least one occasion, to go away for the summer without asking his congregation to pay for his trip. It was generous on his part, almost noble.
He had a knack for getting sick at just the right times and needing a quick change of scenery, which made his appreciative congregation more than willing to chip in the money necessary to let their beloved preacher relax anywhere in the world he wanted. This year, though, they hadn’t been asked to provide the usual funds for travel expenses, as the local minister of Bosekop, a frail and gentle old man, had been seriously laid low over the past winter with a lung condition that required him to seek a different climate for recovery. Knowing Dyceworthy as a passionate member of the Lutheran faith and as someone who had, in his youth, lived in Christiania—thus picking up some knowledge of Norwegian—he invited him to take over during his unavoidable absence, offering his house, his staff, his pony carriage, and a pleasant monetary incentive in return for his help—an offer the Reverend Charles eagerly accepted. Although Norway wasn’t entirely unfamiliar to him, the Alten Fjord region was, and he immediately sensed, though he wasn’t sure why, that the air there would be just what his delicate health needed. Plus, it looked good for at least one summer to leave without asking his congregation to foot the bill for his trip. It was generous on his part, almost noble.
The ladies of his flock wept at his departure and made him socks, comforters, slippers, and other consoling gear of the like description to recall their sweet memories to his saintly mind during his absence from their society. But, truth to tell, Mr. Dyceworthy gave little thought to these fond and regretful fair ones; he was much too comfortable at Bosekop to look back with any emotional yearning to the ugly, precise little provincial town he had left behind him. The minister's quaint, pretty house suited him perfectly; the minister's servants were most punctual in their services: the minister's phaeton conveniently held his cumbrous person, and the minister's pony was a quiet beast, that trotted good-temperedly wherever it was guided, and shied at nothing. Yes, he was thoroughly comfortable,—as comfortable as a truly pious fat man deserves to be, and all the work he had to do was to preach twice on Sundays, to a quiet, primitive, decently ordered congregation, who listened to his words respectfully though without displaying any emotional rapture. Their stolidity, however, did not affect him,—he preached to please himself,—loving above all things to hear the sound of his own voice, and never so happy as when thundering fierce denunciations against the Church of Rome. His thoughts seemed tending in that direction now, as he poured himself out his third cup of tea and smilingly shook his head over it, while he stirred the cream and sugar in,—for he took from his waistcoat pocket a small glittering object and laid it before him on the table, still shaking his head and smiling with a patient, yet reproachful air of superior wisdom. It was a crucifix of mother-o'-pearl and silver, the symbol of the Christian faith. But it seemed to carry no sacred suggestions to the soul of Mr. Dyceworthy. On the contrary, he looked at it with an expression of meek ridicule,—ridicule that bordered on contempt.
The women in his congregation cried when he left and made him socks, comforters, slippers, and other thoughtful gifts to remind him of them during his time away. But honestly, Mr. Dyceworthy didn’t think much about these affectionate ladies; he was way too comfortable at Bosekop to feel any emotional longing for the dull, tidy little town he had departed. The minister's charming, lovely house fit him perfectly; the minister's servants were always prompt; the minister's carriage accommodated his hefty figure, and the minister's pony was a calm animal that trotted cheerfully wherever it was led and wasn’t startled by anything. Yes, he was completely at ease—just as a genuinely pious overweight man ought to be, and all he had to do was preach twice on Sundays to a quiet, simple, decently organized congregation, who listened to him respectfully but without any show of emotional excitement. Their stoicism didn’t bother him—he preached for his own enjoyment—loving above all to hear his own voice, and he was never happier than when forcefully denouncing the Church of Rome. His thoughts seemed to drift in that direction now as he poured his third cup of tea and smiled while shaking his head about it, stirring in the cream and sugar. From his waistcoat pocket, he took out a small shiny object and placed it on the table, still shaking his head and smiling with a patient but somewhat reproachful air of superiority. It was a crucifix made of mother-of-pearl and silver, a symbol of the Christian faith. Yet it seemed to hold no sacred meaning for Mr. Dyceworthy. On the contrary, he regarded it with a meek mockery—mockery that almost verged on disdain.
"A Roman," he murmured placidly to himself, between two large bites of toast. "The girl is a Roman, and thereby hopelessly damned."
"A Roman," he quietly said to himself between two big bites of toast. "The girl is a Roman, and so she's hopelessly doomed."
And he smiled again,—more sweetly than before, as though the idea of hopeless damnation suggested some peculiarly agreeable reflections. Unfolding his fine cologne-scented cambric handkerchief, he carefully wiped his fat white fingers free from the greasy marks of the toast, and, taking up the objectionable cross gingerly, as though it were red-hot, he examined it closely on all sides. There were some words engraved on the back of it, and after some trouble Mr. Dyceworthy spelt them out. They were "Passio Christi, conforta me. Thelma."
And he smiled again, even sweeter than before, as if the thought of hopeless damnation brought to mind some oddly pleasant reflections. Unfolding his fragrant cologne-scented handkerchief, he carefully wiped his chubby white fingers clean of the greasy toast marks and, picking up the bothersome cross gingerly, as if it were red-hot, he examined it closely from all angles. There were some words engraved on the back, and after a bit of effort, Mr. Dyceworthy spelled them out. They read, "Passio Christi, conforta me. Thelma."
He shook his head with a sort of resigned cheerfulness.
He shook his head with a kind of accepting cheerfulness.
"Hopelessly damned," he murmured again gently, "unless—"
"Hopelessly doomed," he softly said again, "unless—"
What alternative suggested itself to his mind was not precisely apparent, for his thoughts suddenly turned in a more frivolous direction. Rising from the now exhausted tea-table, he drew out a small pocket-mirror and surveyed himself therein with a mild approval. With the extreme end of his handkerchief he tenderly removed two sacrilegious crumbs that presumed to linger in the corners of his piously pursed mouth. In the same way he detached a morsel of congealed butter that clung pertinaciously to the end of his bashfully retreating nose. This done, he again looked at himself with increased satisfaction, and, putting by his pocket-mirror, rang the bell. It was answered at once by a tall, strongly built woman, with a colorless, stolid countenance,—that might have been carved out of wood for any expression it had in it.
What alternative came to his mind wasn’t exactly clear, as his thoughts quickly shifted to something lighter. Getting up from the now-empty tea table, he pulled out a small pocket mirror and checked himself out with mild approval. With the tip of his handkerchief, he gently wiped away two pesky crumbs that lingered in the corners of his neatly closed mouth. He also removed a stubborn piece of congealed butter that clung to the end of his slightly retreating nose. Having done that, he looked at himself with even more satisfaction and, setting aside his pocket mirror, rang the bell. It was answered immediately by a tall, sturdy woman with a blank, expressionless face—that could have been carved from wood for all the expression it had.
"Ulrika," said Mr. Dyceworthy blandly, "you can clear the table."
"Ulrika," Mr. Dyceworthy said casually, "you can clear the table."
Ulrika, without answering, began to pack the tea-things together in a methodical way, without clattering so much as a plate or spoon, and, piling them compactly on a tray, was about to leave the room, when Mr. Dyceworthy called to her, "Ulrika!"
Ulrika, without responding, started to gather the tea items together in an organized manner, making sure not to clatter a single plate or spoon. After stacking them neatly on a tray, she was ready to leave the room when Mr. Dyceworthy called out to her, "Ulrika!"
"Sir?"
"Excuse me?"
"Did you ever see a thing like this before?" and he held up the crucifix to her gaze.
"Have you ever seen anything like this before?" he asked, holding the crucifix up for her to see.
The woman shuddered, and her dull eyes lit up with a sudden terror.
The woman shivered, and her lifeless eyes sparked with sudden fear.
"It is the witch's charm!" she muttered thickly, while her pale face grew yet paler. "Burn it, sir!—burn it, and the power will leave her."
"It’s the witch’s charm!” she murmured heavily, her pale face becoming even more washed out. “Burn it, sir!—burn it, and the power will stop with her."
Mr. Dyceworthy laughed indulgently. "My good woman, you mistake," he said suavely. "Your zeal for the true gospel leads you into error. There are thousands of misguided persons who worship such a thing as this. It is often all of our dear Lord they know. Sad, very sad! But still, though they, alas! are not of the elect, and are plainly doomed to perdition,—they are not precisely what are termed witches, Ulrika."
Mr. Dyceworthy chuckled kindly. "My dear lady, you're mistaken," he said smoothly. "Your passion for the true gospel is leading you astray. There are thousands of misguided people who believe in something like this. It's often all they know of our dear Lord. It’s unfortunate, very unfortunate! But still, even though they are clearly not among the chosen ones and are likely doomed, they are not exactly what you would call witches, Ulrika."
"She is," replied the woman with a sort of ferocity; "and, if I had my way, I would tell her so to her face, and see what would happen to her then!"
"She is," replied the woman with a fierce intensity; "and if it were up to me, I would tell her that to her face and see what happens next!"
"Tut, tut!" remarked Mr. Dyceworthy amiably. "The days of witchcraft are past. You show some little ignorance, Ulrika. You are not acquainted with the great advancement of recent learning."
"Tsk, tsk!" Mr. Dyceworthy said kindly. "The days of witchcraft are behind us. You're showing a bit of ignorance, Ulrika. You're not aware of the significant progress in recent knowledge."
"Maybe, maybe," and Ulrika turned to go; but she muttered sullenly as she went, "There be them that know and could tell, and them that will have her yet."
"Maybe, maybe," Ulrika said as she turned to leave; but she grumbled under her breath as she walked away, "There are some who know and could share, and others who will still have her."
She shut the door behind her with a sharp clang, and, left to himself, Mr. Dyceworthy again smiled—such a benignant, fatherly smile! He then walked to the window and looked out. It was past seven o'clock, an hour that elsewhere would have been considered evening, but in Bosekop at that season it still seemed afternoon.
She closed the door behind her with a loud bang, and, left alone, Mr. Dyceworthy smiled again—such a kind, fatherly smile! He then walked over to the window and looked outside. It was past seven o'clock, a time that would be considered evening elsewhere, but in Bosekop at this time of year, it still felt like afternoon.
The sun was shining brilliantly, and in the minister's front garden the roses were all wide awake. A soft moisture glittered on every tiny leaf and blade of grass. The penetrating and delicious odor of sweet violets scented each puff of wind, and now and then the call of the cuckoo pierced the air with a subdued, far-off shrillness.
The sun was shining brightly, and in the minister's front yard, the roses were fully awake. A soft moisture sparkled on every little leaf and blade of grass. The strong and lovely scent of sweet violets filled every gust of wind, and now and then, the call of the cuckoo pierced the air with a faint, distant shrillness.
From his position Mr. Dyceworthy could catch a glimpse through the trees of the principal thoroughfare of Bosekop—a small, primitive street enough, of little low houses, which, though unpretending from without, were roomy and comfortable within. The distant, cool sparkle of the waters of the Fjord, the refreshing breeze, the perfume of the flowers, and the satisfied impression left on his mind by recent tea and toast—all these things combined had a soothing effect on Mr. Dyceworthy, and with a sigh of absolute comfort he settled his large person in a deep easy chair and composed himself for pious meditation.
From his spot, Mr. Dyceworthy could see past the trees to the main road of Bosekop—a small, simple street lined with low houses that, while plain on the outside, were spacious and cozy inside. The distant, cool shimmer of the Fjord, the fresh breeze, the scent of the flowers, and the content feeling left from his recent tea and toast—all these things together had a calming effect on Mr. Dyceworthy. With a sigh of complete comfort, he settled his large frame into a deep armchair and got ready for some thoughtful reflection.
He meditated long,—with fast-closed eyes and open mouth, while the earnestness of his inward thoughts was clearly demonstrated now and then by an irrepressible,—almost triumphant,—cornet-blast from that trifling elevation of his countenance called by courtesy a nose, when his blissful reverie was suddenly broken in upon by the sound of several footsteps crunching slowly along the garden path, and, starting up from his chair, he perceived four individuals clad in white flannel costumes and wearing light straw hats trimmed with fluttering blue ribbons, who were leisurely sauntering up to his door, and stopping occasionally to admire the flowers on their way. Mr. Dyceworthy's face reddened visibly with excitement.
He meditated for a long time—with his eyes tightly shut and his mouth open—while the intensity of his thoughts occasionally burst forth in an uncontrollable, almost triumphant, puff from what might kindly be called his nose. Just as he was lost in blissful daydreams, the sound of several footsteps crunching slowly along the garden path broke his focus. Jerking up from his chair, he saw four people dressed in white flannel outfits and wearing light straw hats adorned with fluttering blue ribbons, strolling casually up to his door and stopping now and then to admire the flowers along the way. Mr. Dyceworthy's face turned visibly red with excitement.
"The gentlemen from the yacht," he murmured to himself, hastily settling his collar and cravat, and pushing up his cherubic wings of hair more prominently behind his ears. "I never thought they would come. Dear me! Sir Philip Errington himself, too! I must have refreshments instantly."
"The guys from the yacht," he said to himself, quickly adjusting his collar and tie, and pushing his curly hair back behind his ears more noticeably. "I never thought they would show up. Wow! Sir Philip Errington himself, too! I need to get some refreshments right away."
And he hurried from the room, calling his orders to Ulrika as he went, and before the visitors had time to ring, he had thrown open the door to them himself, and stood smiling urbanely on the threshold, welcoming them with enthusiasm,—and assuring Sir Philip especially how much honored he felt, by his thus visiting, familiarly and unannounced, his humble dwelling. Errington waved his many compliments good-humoredly aside, and allowed himself and his friends to be marshalled into the best parlor, the drawing-room of the house, a pretty little apartment whose window looked out upon a tangled yet graceful wilderness of flowers.
And he quickly left the room, shouting his orders to Ulrika as he went, and before the guests had a chance to ring the bell, he had opened the door for them himself, standing there with a friendly smile on the threshold, enthusiastically welcoming them—and especially assuring Sir Philip how honored he was that he was visiting his humble home so casually and unexpectedly. Errington waved off his many compliments with good humor and let himself and his friends be guided into the best parlor, the drawing room of the house, a charming little room with a window that overlooked a beautifully tangled wilderness of flowers.
"Nice, cosy place this," remarked Lorimer, as he seated himself negligently on the arm of the sofa. "You must be pretty comfortable here?"
"Nice, cozy place you have here," Lorimer said, casually sitting on the arm of the sofa. "You must feel pretty comfortable here?"
Their perspiring and affable host rubbed his soft white hands together gently.
Their sweating and friendly host rubbed his soft, pale hands together gently.
"I thank Heaven it suits my simple needs," he answered meekly. "Luxuries do not become a poor servant of God."
"I thank Heaven it meets my simple needs," he replied modestly. "Luxuries are not fitting for a poor servant of God."
"Ah, then you are different to many others who profess to serve the same Master," said Duprèz with a sourire fin that had the devil's own mockery in it. "Monsieur le bon Dieu is very impartial! Some serve Him by constant over-feeding, others by constant over-starving; it is all one to Him apparently! How do you know which among His servants He likes best, the fat or the lean?"
"Ah, so you’re different from many others who claim to serve the same Master," Duprèz said with a sourire fin that held the devil's own mockery. "Monsieur le bon Dieu is very fair! Some serve Him by constantly overindulging, while others do so by constantly depriving themselves; it all seems the same to Him! How can you tell which of His servants He prefers, the fat ones or the skinny ones?"
Sandy Macfarlane, though slightly a bigot for his own form of doctrine, broke into a low chuckle of irrepressible laughter at Duprèz's levity, but Mr. Dyceworthy's flabby face betokened the utmost horror.
Sandy Macfarlane, although a bit narrow-minded about his own beliefs, couldn't help but let out a soft chuckle at Duprèz's lightheartedness, while Mr. Dyceworthy's flabby face showed complete horror.
"Sir," he said gravely, "there are subjects concerning which it is not seemly to speak without due reverence. He knoweth His own elect. He hath chosen them out from the beginning. He summoned forth from the million, the glorious apostle of reform, Martin Luther—"
"Sir," he said seriously, "there are topics we should approach with the proper respect. He knows His own chosen ones. He selected them from the very start. He called forth from the masses the great apostle of reform, Martin Luther—"
"Le bon gaillard!" laughed Duprèz. "Tempted by a pretty nun! What man could resist! Myself, I would try to upset all the creeds of this world if I saw a pretty nun worth my trouble. Yes, truly! A pity though, that the poor Luther died of over-eating; his exit from life so undignified!"
"The good fellow!" laughed Duprèz. "Tempted by a beautiful nun! What man could say no! Personally, I would challenge all the beliefs of this world if I saw a beautiful nun worth my effort. Yes, really! It's a shame though, that the poor Luther died from overeating; his departure from life was so undignified!"
"Shut up, Duprèz," said Errington severely. "You displease Mr. Dyceworthy by your fooling."
"Shut up, Duprèz," Errington said sternly. "You’re annoying Mr. Dyceworthy with your nonsense."
"Oh, pray do not mention it, Sir Philip," murmured the reverend gentleman with a mild patience. "We must accustom ourselves to hear with forbearance the opinions of all men, howsoever contradictory, otherwise our vocation is of no avail. Yet is it sorely grievous to me to consider that there should be any person or persons existent who lack the necessary faith requisite for the performance of God's promises."
"Oh, please don't mention it, Sir Philip," the reverend gentleman said with mild patience. "We have to learn to listen to everyone's opinions, no matter how contradictory they may be; otherwise, our calling is meaningless. Still, it truly pains me to think that there are people who lack the faith needed to believe in God's promises."
"Ye must understand, Mr. Dyceworthy," said Macfarlane in his slow, deliberate manner, "that ye have before ye a young Frenchman who doesna believe in onything except himsel'—and even as to whether he himsel' is a mon or a myth, he has his doots—vera grave doots."
"You need to understand, Mr. Dyceworthy," said Macfarlane in his slow, careful way, "that you have a young Frenchman in front of you who doesn’t believe in anything except himself—and even he has doubts about whether he’s a man or a myth—very serious doubts."
Duprèz nodded delightedly. "That is so!" he exclaimed. "Our dear Sandy puts it so charmingly! To be a myth seems original,—to be a mere man, quite ordinary. I believe it is possible to find some good scientific professor who would prove me to be a myth—the moving shadow of a dream—imagine!—how perfectly poetical!"
Duprèz nodded happily. "That's right!" he said. "Our dear Sandy expresses it so beautifully! To be a myth feels unique—to be just an ordinary guy, pretty mundane. I’m sure we could find some brilliant professor who would prove I'm a myth—the shifting shadow of a dream—can you imagine?—how wonderfully poetic!"
"You talk too much to be a dream, my boy," laughed Errington, and turning to Mr. Dyceworthy, he added, "I'm afraid you must think us a shocking set. We are really none of us very religious, I fear, though," and he tried to look serious; "if it had not been for Mr. Lorimer, we should have come to church last Sunday. Mr. Lorimer was, unfortunately, rather indisposed."
"You talk way too much to be a dream, kid," laughed Errington, and turning to Mr. Dyceworthy, he added, "I'm afraid you must think we're a terrible bunch. Honestly, none of us are very religious, I’m afraid, though," and he tried to look serious; "if it hadn’t been for Mr. Lorimer, we would have gone to church last Sunday. Mr. Lorimer was, unfortunately, feeling a bit under the weather."
"Ya-as!" drawled that gentleman, turning from the little window where he had been gathering a rose for his button-hole. "I was knocked up; had fits, and all that sort of thing; took these three fellows all their time on Sunday to hold me down!"
"Yeah!" that guy said, turning away from the small window where he had been picking a rose for his button-hole. "I passed out; had seizures, and all that stuff; it took these three guys all of Sunday to keep me still!"
"Dear me!" and Mr. Dyceworthy was about to make further inquiries concerning Mr. Lorimer's present state of health, when the door opened, and Ulrika entered, bearing a large tray laden with wine and other refreshments. As she set it down, she gave a keen, covert glance round the room, as though rapidly taking note of the appearance and faces of all the young men, then, with a sort of stiff curtsey, she departed as noiselessly as she had come,—not, however, without leaving a disagreeable impression on Errington's mind.
"Goodness!" Mr. Dyceworthy was about to ask more about Mr. Lorimer's current health when the door opened, and Ulrika walked in, carrying a large tray full of wine and other snacks. As she set it down, she quickly scanned the room, taking in the looks and expressions of all the young men. Then, with a stiff curtsey, she left as quietly as she had arrived—leaving a negative impression on Errington's mind.
"Rather a stern Phyllis, that waiting-maid of yours," he remarked, watching his host, who was carefully drawing the cork from one of the bottles of wine.
"Your waiting-maid, Phyllis, seems pretty stern," he commented, observing his host as he skillfully removed the cork from one of the wine bottles.
Mr. Dyceworthy smiled. "Oh, no, no! not stern at all," he answered sweetly. "On the contrary, most affable and kind-hearted. Her only fault is that she is a little zealous,—over-zealous for the purity of the faith; and she has suffered much; but she is an excellent woman, really excellent! Sir Philip, will you try this Lacrima Christi?"
Mr. Dyceworthy smiled. "Oh, no, no! Not stern at all," he replied pleasantly. "On the contrary, very friendly and kind-hearted. Her only flaw is that she is a bit too passionate—over-passionate about the purity of the faith; and she has gone through a lot; but she is a wonderful woman, really wonderful! Sir Philip, would you like to try this Lacrima Christi?"
"Lacrima Christi!" exclaimed Duprèz. "You do not surely get that in Norway?"
"Lacrima Christi!" Duprèz exclaimed. "You definitely don't get that in Norway?"
"It seems strange, certainly," replied Mr. Dyceworthy, "but it is a fact that the Italian or Papist wines are often used here. The minister whose place I humbly endeavor to fill has his cellar stocked with them. The matter is easy of comprehension when once explained. The benighted inhabitants of Italy, a land, lost in the darkness of error, still persist in their fasts, notwithstanding the evident folly of their ways—and the Norwegian sailors provide them with large quantities of fish for their idolatrous customs, bringing back their wines in exchange."
"It may sound strange, for sure," replied Mr. Dyceworthy, "but it’s true that Italian or Catholic wines are often used here. The minister whose job I’m trying to take over has his cellar stocked with them. It makes sense once you understand it. The misguided people of Italy, a place lost in confusion, still follow their fasts, despite how foolish it is—and the Norwegian sailors supply them with large amounts of fish for their rituals, bringing back their wines in return."
"A very good idea," said Lorimer, sipping the Lacrima with evident approval—"Phil, I doubt if your brands on board the Eulalie are better than this."
"A great idea," said Lorimer, sipping the Lacrima with clear approval—"Phil, I doubt your brands on the Eulalie are better than this."
"Hardly so good," replied Errington with some surprise, as he tasted the wine and noted its delicious flavor. "The minister must be a fine connoisseur. Are there many other families about here, Mr. Dyceworthy, who know how to choose their wines so well?"
"Not quite that good," replied Errington, a bit surprised, as he tasted the wine and noticed its delicious flavor. "The minister must be quite the connoisseur. Are there many other families around here, Mr. Dyceworthy, who know how to choose their wines so well?"
Mr. Dyceworthy smiled with a dubious air.
Mr. Dyceworthy smiled doubtfully.
"There is one other household that in the matter of choice liquids is almost profanely particular," he said. "But they are people who are ejected with good reason from respectable society, and,—it behooves me not to speak of their names."
"There’s one other household that is almost shockingly picky about their drink choices," he said. "But they’re people who have been rightly cast out from decent society, and—it's best if I don’t mention their names."
"Oh, indeed!" said Errington, while a sudden and inexplicable thrill of indignation fired his blood and sent it in a wave of color up to his forehead—"May I ask—"
"Oh, definitely!" said Errington, while a sudden and confusing rush of anger surged through him and flushed his face—"Can I ask—"
But he was interrupted by Lorimer, who, nudging him slyly on one side, muttered, "Keep cool, old fellow! You can't tell whether he's talking about the Güldmar folk! Be quiet—you don't want every one to know your little game."
But he was interrupted by Lorimer, who, nudging him slyly on one side, muttered, "Stay calm, buddy! You can't tell if he's talking about the Güldmar people! Keep it down—you don’t want everyone to find out about your little scheme."
Thus adjured, Philip swallowed a large gulp of wine, to keep down his feelings, and strove to appear interested in the habits and caprices of bees, a subject into which Mr. Dyceworthy had just inveigled Duprèz and Macfarlane.
Thus urged, Philip took a big gulp of wine to suppress his feelings and tried to seem interested in the habits and quirks of bees, a topic that Mr. Dyceworthy had just drawn Duprèz and Macfarlane into.
"Come and see my bees," said the Reverend Charles almost pathetically. "They are emblems of ever-working and patient industry,—storing up honey for others to partake thereof."
"Come and check out my bees," said Reverend Charles, nearly begging. "They symbolize hard work and patience—gathering honey for others to enjoy."
"They wudna store it up at a', perhaps, if they knew that," observed Sandy significantly.
"They wouldn’t keep it to themselves at all, maybe, if they knew that," Sandy noted importantly.
Mr. Dyceworthy positively shone all over with beneficence.
Mr. Dyceworthy spread kindness everywhere.
"They would store it up, sir; yes, they would, even if they knew! It is God's will that they should store it up; it is God's will that they should show an example of unselfishness, that they should flit from flower to flower sucking therefrom the sweetness to impart into strange palates unlike their own. It is a beautiful lesson; it teaches us who are the ministers of the Lord to likewise suck the sweetness from the flowers of the living gospel, and impart it gladly to the unbelievers who shall find it sweeter than the sweetest honey!"
"They would save it up, sir; yes, they would, even if they knew! It’s God's will that they should save it; it’s God's will that they should set an example of selflessness, that they should move from flower to flower, taking the sweetness to share with those who are different from them. It’s a beautiful lesson; it teaches us, the ministers of the Lord, to also take the sweetness from the flowers of the living gospel and gladly share it with the unbelievers who will find it sweeter than the sweetest honey!"
And he shook his head piously several times, while the pores of his fat visage exuded holy oil. Duprèz sniggered secretly. Macfarlane looked preternaturally solemn.
And he shook his head piously several times, while the pores of his fat face oozed holy oil. Duprèz snickered quietly. Macfarlane looked unusually serious.
"Come," repeated the reverend gentleman, with an inviting smile. "Come and see my bees,—also my strawberries! I shall be delighted to send a basket of the fruit to the yacht, if Sir Philip will permit me?"
"Come," the reverend gentleman said again with a welcoming smile. "Come see my bees—and my strawberries too! I'd be happy to send a basket of fruit to the yacht if Sir Philip would allow it?"
Errington expressed his thanks with due courtesy, and hastened to seize the opportunity that presented itself for breaking away from the party.
Errington thanked them politely and quickly took the chance to slip away from the group.
"If you will excuse us for twenty minutes or so, Mr. Dyceworthy," he said, "Lorimer and I want to consult a fellow here in Bosekop about some new fishing tackle. We shan't be gone long. Mac, you and Duprèz wait for us here. Don't commit too many depredations on Mr. Dyceworthy's strawberries."
"If you could give us about twenty minutes, Mr. Dyceworthy," he said, "Lorimer and I need to talk to someone here in Bosekop about some new fishing gear. We won't be gone long. Mac, you and Duprèz wait for us here. Try not to eat too many of Mr. Dyceworthy's strawberries."
The reason for their departure was so simply and naturally given, that it was accepted without any opposing remarks. Duprèz was delighted to have the chance of amusing himself by harassing the Reverend Charles with open professions of utter atheism, and Macfarlane, who loved an argument more than he loved whiskey, looked forward to a sharp discussion presently concerning the superiority of John Knox, morally and physically, over Martin Luther. So that when the others went their way, their departure excited no suspicion in the minds of their friends, and most unsuspecting of all was the placid Mr. Dyceworthy, who, had he imagined for an instant the direction which they were going, would certainly not have discoursed on the pleasures of bee-keeping with the calmness and placid conviction, that always distinguished him when holding forth on any subject that was attractive to his mind. Leading the way through his dewy, rose-grown garden, and conversing amicably as he went, he escorted Macfarlane and Duprèz to what he called with a gentle humor his "Bee-Metropolis," while Errington and Lorimer returned to the shore of the Fjord, where they had left their boat moored to a small, clumsily constructed pier,—and entering it, they set themselves to the oars and pulled away together with the long, steady, sweeping stroke rendered famous by the exploits of the Oxford and Cambridge men. After some twenty minutes' rowing, Lorimer looked up and spoke as he drew his blade swiftly through the bright green water.
The reason for their departure was explained so straightforwardly and naturally that no one questioned it. Duprèz was thrilled to have the opportunity to have some fun by teasing the Reverend Charles with bold statements of outright atheism, while Macfarlane, who preferred a good debate over whiskey, eagerly anticipated a lively discussion soon about the moral and physical superiority of John Knox over Martin Luther. So, when the others left, their departure raised no suspicions among their friends, especially the unsuspecting Mr. Dyceworthy. If he had even for a moment considered their true destination, he certainly wouldn’t have discussed the joys of bee-keeping with the usual calmness and unwavering belief he had when talking about any topic that fascinated him. Leading the way through his dewy, rose-filled garden and chatting amiably as he went, he took Macfarlane and Duprèz to what he humorously called his "Bee-Metropolis," while Errington and Lorimer made their way back to the shore of the Fjord, where they had left their boat tied to a small, clumsily built pier. They climbed into the boat, picked up their oars, and began rowing together with the long, smooth strokes made famous by the Oxford and Cambridge teams. After about twenty minutes of rowing, Lorimer looked up and spoke as he swiftly pulled his blade through the bright green water.
"I feel as though I were aiding and abetting you in some crime, Phil. You know, my first impression of this business remains the same. You had much better leave it alone."
"I feel like I'm helping you commit a crime, Phil. You know, my first impression of this situation hasn’t changed. You really should just stay away from it."
"Why?" asked Errington coolly.
"Why?" asked Errington casually.
"Well, 'pon my life I don't know why. Except that, from long experience, I have proved that it's always dangerous and troublesome to run after a woman. Leave her to run after you—she'll do it fast enough."
"Honestly, I have no idea why. Except that, from a lot of experience, I've learned that chasing after a woman is always risky and complicated. Let her chase after you—she'll do it quickly enough."
"Wait till you see her. Besides, I'm not running after any woman," averred Philip with some heat.
"Just wait until you see her. Besides, I'm not chasing after any woman," Philip insisted passionately.
"Oh, I beg your pardon—I forgot. She's not a woman; she's a Sun-angel. You are rowing, not running, after a Sun-angel. Is that correct? I say, don't drive through the water like that; you'll pull the boat round."
"Oh, my bad—I forgot. She's not a woman; she's a Sun-angel. You're rowing, not running, after a Sun-angel. Is that right? I mean, don't paddle through the water like that; you'll tip the boat over."
Errington slackened his speed and laughed. "It's only curiosity," he said, lifting his hat, and pushing back the clustering dark-brown curls from his brow. "I bet you that sleek Dyceworthy fellow meant the old bonde and his daughter, when he spoke of persons who were 'ejected' from the social circles of Bosekop. Fancy Bosekop society presuming to be particular—what an absurd idea!"
Errington slowed down and laughed. "It's just curiosity," he said, lifting his hat and pushing back his thick, dark-brown curls from his forehead. "I bet that slick Dyceworthy guy was talking about the old bonde and his daughter when he mentioned people who were 'kicked out' from the social scene of Bosekop. Can you believe Bosekop society thinking they're so special—what a ridiculous idea!"
"My good fellow, don't pretend to be so deplorably ignorant! Surely you know that a trumpery village or a two-penny town is much more choice and exclusive in its 'sets' than a great city? I wouldn't live in a small place for the world. Every inhabitant would know the cut of my clothes by heart, and the number of buttons on my waistcoat. The grocer would copy the pattern of my trousers,—the butcher would carry a cane like mine. It would be simply insufferable. To change the subject, may I ask you if you know which way you are going, for it seems to me we're bound straight for a smash on that uncomfortable-looking rock, where there is certainly no landing-place."
"My good friend, don’t act so unbelievably clueless! Surely you know that a tacky village or a tiny town is way more selective and exclusive in its social circles than a big city? I wouldn’t live in a small place for anything. Every resident would memorize the style of my clothes and the number of buttons on my jacket. The grocer would copy the design of my pants—the butcher would walk around with a cane like mine. It would be completely unbearable. Changing the topic, can I ask if you know where we’re headed? Because it looks to me like we’re headed straight for a crash on that scary-looking rock, where there’s definitely no place to land."
Errington stopped pulling, and, standing up in the boat, began to examine the surroundings with keen interest. They were close to the great crag "shaped like a giant's helmet," as Valdemar Svensen had said. It rose sheer out of the water, and its sides were almost perpendicular. Some beautiful star-shaped sea anemones clung to it in a vari-colored cluster on one projection, and the running ripple of the small waves broke on its jagged corners with a musical splash, and sparkle of white foam. Below them, in the emerald mirror of the Fjord, it was so clear that they could see the fine white sand lying at the bottom, sprinkled thick with shells and lithe moving creatures of all shapes, while every now and then, there streamed past them, brilliantly tinted specimens of the Medusae, with their long feelers or tendrils, looking like torn skins of crimson and azure floss silk.
Errington stopped pulling and stood up in the boat, looking around with great interest. They were close to the huge crag "shaped like a giant's helmet," as Valdemar Svensen had described it. It shot straight up from the water, and its sides were almost vertical. Some beautiful star-shaped sea anemones clung to it in a colorful cluster on one outcrop, and the small waves crashed on its jagged edges with a musical splash and a sparkling white foam. Below them, in the emerald mirror of the fjord, the water was so clear that they could see the fine white sand at the bottom, thickly sprinkled with shells and agile creatures of all shapes. Every now and then, brilliantly colored jellyfish would pass by, their long tentacles resembling torn pieces of crimson and blue silk.
The place was very silent; only the sea-gulls circled round and round the summit of the great rock, some of them occasionally swooping down on the unwary fishes, their keen eyes perceived in the waters beneath, then up again they soared, swaying their graceful wings and uttering at intervals that peculiar wild cry that in solitary haunts sounds so intensely mournful. Errington gazed about him in doubt for some minutes, then suddenly his face brightened. He sat down again in the boat and resumed his oar.
The place was very quiet; only the seagulls circled around the top of the big rock, some occasionally diving down on the unsuspecting fish they spotted in the water below, then soaring back up, gracefully moving their wings and occasionally letting out that unique wild cry that sounds so profoundly sad in lonely spots. Errington looked around in uncertainty for a few minutes, then suddenly his expression brightened. He sat back down in the boat and picked up his oar again.
"Row quietly, George," he said in a subdued tone "Quietly—round to the left."
"Row quietly, George," he said in a soft voice. "Quietly—head to the left."
The oars dipped noiselessly, and the boat shot forward,—then swerved sharply round in the direction,—and there before them lay a small sandy creek, white and shining as though sprinkled with powdered silver. From this, a small but strongly-built wooden pier ran out into the sea. It was carved all over with fantastic figures, and in it at equal distances, were fastened iron rings, such as are used for the safe mooring of boats. One boat was there already, and Errington recognized it with delight. It was that in which he had seen the mysterious maiden disappear. High and dry on the sand, out of reach of the tides, was a neat sailing-vessel; its name was painted round the stern—The Valkyrie.
The oars dipped silently, and the boat sped forward—then suddenly turned sharply in their direction—and there before them was a small sandy creek, white and shiny as if sprinkled with powdered silver. From this creek, a small but sturdy wooden pier extended out into the sea. It was intricately carved with fantastic designs, and at equal intervals, iron rings were bolted in, meant for securely mooring boats. There was already one boat there, and Errington recognized it with joy. It was the one in which he had seen the mysterious maiden disappear. High and dry on the sand, out of reach of the tides, was a neat sailing vessel; its name painted on the back—The Valkyrie.
As the two friends ran their boat on shore, and fastened it to the furthest ring of the convenient pier, they caught the distant sound of the plaintiff "coo-cooing" of turtle doves.
As the two friends brought their boat to shore and tied it to the farthest ring of the handy pier, they heard the faint sound of turtle doves softly cooing in the distance.
"You've done it this time, old boy," said Lorimer, speaking in a whisper, though he knew not why. "This is the old bonde's own private landing-place evidently, and here's a footpath leading somewhere. Shall we follow it?"
"You've really messed up this time, buddy," said Lorimer, speaking in a whisper, though he wasn't sure why. "This is clearly the old bonde's private landing spot, and there's a footpath leading somewhere. Should we check it out?"
Philip emphatically assented, and, treading softly, like the trespassers they felt themselves to be, they climbed the ascending narrow way that guided them up from the seashore, round through a close thicket of pines, where their footsteps fell noiselessly on a thick carpet of velvety green moss, dotted prettily here and there with the red gleam of ripening wild strawberries. Everything was intensely still, and as yet there seemed no sign of human habitation. Suddenly a low whirring sound broke upon their ears, and Errington, who was a little in advance of his companion, paused abruptly with a smothered exclamation, and drew back on tip-toe, catching Lorimer by the arm.
Philip agreed eagerly, and, walking quietly, like the intruders they felt they were, they made their way up the steep, narrow path that led them from the shore, weaving through a dense thicket of pines. Their footsteps were silent on the thick carpet of soft green moss, prettily speckled with the red glow of ripening wild strawberries. Everything was perfectly still, and there appeared to be no sign of human life yet. Suddenly, a low buzzing sound reached their ears, and Errington, who was slightly ahead of his friend, stopped suddenly with a muffled exclamation and pulled back on tiptoes, grabbing Lorimer by the arm.
"By Jove!" he whispered excitedly, "we've come right up to the very windows of the house. Look!"
"Wow!" he whispered excitedly, "we're right up against the windows of the house. Check it out!"
Lorimer obeyed, and for once, the light jest died upon his tips. Surprise and admiration held him absolutely silent.
Lorimer complied, and for once, the light joke faded on his lips. Shock and admiration left him completely speechless.
CHAPTER V.
Before them, close enough for their outstretched hands to have touched it, was what appeared to be a framed picture, exquisitely painted,—a picture perfect in outline matchless in color, faultless in detail,—but which was in reality nothing but a large latticed window thrown wide open to admit the air. They could now see distinctly through the shadows cast by the stately pines, a long, low, rambling house, built roughly, but strongly, of wooden rafters, all overgrown with green and blossoming creepers; but they scarcely glanced at the actual building, so strongly was their attention riveted on the one window before them. It was surrounded by an unusually broad framework, curiously and elaborately carved, and black as polished ebony. Flowers grew all about it,—sweet peas, mignonette, and large purple pansies—while red and white climbing roses rioted in untrained profusion over its wide sill. Above it was a quaintly built dovecote, where some of the strutting fan-tailed inhabitants were perched, swelling out their snowy breasts, and discoursing of their domestic trials in notes of dulcet melancholy; while lower down, three or four ring-doves nestled on the roof in a patch of sunlight, spreading up their pinions like miniature sails, to catch the warmth and lustre.
Before them, close enough for them to reach out and touch it, was what looked like a beautifully framed painting—a picture perfect in shape, unmatched in color, and flawless in detail—but in reality, it was just a large latticed window wide open to let in the fresh air. They could clearly see beyond the shadows cast by the tall pines, a long, low, sprawling house, roughly but sturdily built from wooden beams, all overgrown with lush green and blooming vines; but they hardly looked at the actual building, so captivated were they by the one window in front of them. It was framed by an unusually wide border, intricately and elaborately carved, and as black as polished ebony. Flowers surrounded it—sweet peas, mignonette, and large purple pansies—while red and white climbing roses spilled over its wide sill in an unrestrained chaos. Above it was a quaintly designed dovecote, where some fan-tailed birds puffed out their white chests, discussing their domestic issues in sweet, sad tones; while lower down, three or four ring-doves nestled on the roof in a patch of sunlight, spreading their wings like tiny sails to soak up the warmth and glow.
Within the deep, shadowy embrasure, like a jewel placed on dark velvet, was seated a girl spinning,—no other than the mysterious maiden of the shell cavern. She was attired in a plain, straight gown, of some soft white woolen stuff, cut squarely at her throat; her round, graceful arms were partially bare, and as the wheel turned swiftly, and her slender hands busied themselves with the flax, she smiled, as though some pleasing thought had touched her mind. Her smile had the effect of sudden sunshine in the dark room where she sat and span,—it was radiant and mirthful as the smile of a happy child. Yet her dark blue eyes remained pensive and earnest, and the smile soon faded, leaving her fair face absorbed and almost dreamy. The whirr-whirring of the wheel grew less and less rapid,—it slackened,—it stopped altogether,—and, as though startled by some unexpected sound, the girl paused and listened, pushing away the clustering masses of her rich hair from her brow. Then rising slowly from her seat, she advanced to the window, put aside the roses with one hand, and looked out,—thus forming another picture as beautiful, if not more beautiful, than the first.
Within the deep, shadowy alcove, like a jewel on dark velvet, sat a girl spinning—none other than the mysterious maiden of the shell cavern. She wore a simple, straight gown made of soft white wool, cut square at the neck; her round, graceful arms were partially bare, and as the wheel turned quickly, her slender hands worked with the flax. She smiled, as if a pleasant thought had crossed her mind. Her smile brought sudden sunshine into the dark room where she sat and spun—it was bright and cheerful like the smile of a happy child. Yet her dark blue eyes remained thoughtful and serious, and the smile soon faded, leaving her fair face absorbed and almost dreamy. The whirr of the wheel slowed—became less rapid—then stopped completely. As if startled by an unexpected sound, the girl paused and listened, brushing the thick waves of her rich hair away from her forehead. Then, slowly rising from her seat, she walked to the window, pushed the roses aside with one hand, and looked out—creating another image just as beautiful, if not more so, than the first.
Lorimer drew his breath hard. "I say, old fellow," he whispered; but Errington pressed his arm with vice-like firmness, as a warning to him to be silent, while they both stepped farther back into the dusky gloom of the pine boughs.
Lorimer took a deep breath. "Hey, buddy," he whispered, but Errington tightened his grip on his arm, silently warning him to be quiet, as they both retreated further into the shadows of the pine branches.
The girl, meanwhile, stood motionless, in a half-expectant attitude, and, seeing her there, some of the doves on the roof flew down and strutted on the ground before her, coo-cooing proudly, as though desirous of attracting her attention. One of them boldly perched on the window-sill; she glanced at the bird musingly, and softly stroked its opaline wings and shining head without terrifying it. It seemed delighted to be noticed, and almost lay down under her hand in order to be more conveniently caressed. Still gently smoothing its feathers, she leaned further out among the clambering wealth of blossoms, and called in a low, penetrating tone, "Father! father! is that you?"
The girl stood still, in a half-expectant pose, and as she did, some of the doves on the roof flew down and strutted around her, cooing proudly, as if trying to catch her attention. One of them boldly landed on the window sill; she looked at the bird thoughtfully and gently stroked its iridescent wings and shiny head without scaring it away. It seemed happy to get her attention and almost lay down under her hand to be petted more easily. While still gently smoothing its feathers, she leaned further out among the abundant flowers and called softly, "Dad! Dad! Is that you?"
There was no answer; and, after waited a minute or two, she moved and resumed her former seat, the stray doves flew back to their customary promenade on the roof, and the drowsy whirr-whirr of the spinning-wheel murmured again its monotonous hum upon the air.
There was no response, and after waiting a minute or two, she shifted and went back to her original seat. The stray doves returned to their usual stroll on the roof, and the sleepy whirr of the spinning wheel resumed its monotonous hum in the air.
"Come on, Phil," whispered Lorimer, determined not to be checked this time; "I feel perfectly wretched! It's mean of us to be skulking about here, as if we were a couple of low thieves waiting to trap some of those birds for a pigeon-pie. Come away,—you've seen her; that's enough."
"Come on, Phil," whispered Lorimer, determined not to back down this time; "I feel absolutely awful! It's unfair of us to be lurking here, like we're a couple of petty thieves waiting to catch some of those birds for a pigeon pie. Let's go— you've seen her; that's enough."
Errington did not move. Holding back a branch of pine, he watched the movements of the girl at her wheel with absorbed fascination.
Errington didn’t move. Holding back a branch of pine, he watched the girl at her wheel with intense fascination.
Suddenly her sweet lips parted, and she sang a weird, wild melody, that seemed, like a running torrent, to have fallen from the crests of the mountains, bringing with it echoes from the furthest summits, mingled with soft wailings of a mournful wind.
Suddenly, her soft lips opened, and she sang a strange, wild tune that seemed to rush down like a torrent from the mountain peaks, bringing with it echoes from the farthest heights, mixed with the gentle cries of a sorrowful wind.
Her voice was pure as the ring of fine crystal—deep, liquid, and tender, with a restrained passion in it that stirred Errington's heart and filled it with a strange unrest and feverish yearning,—emotions which were new to him, and which, while he realized their existence, moved him to a sort of ashamed impatience. He would have willingly left his post of observation now, if only for the sake of shaking off his unwonted sensations; and he took a step or two backwards for that purpose, when Lorimer, in his turn, laid a detaining hand on his shoulder.
Her voice was as pure as the sound of fine crystal—deep, smooth, and gentle, with a quiet intensity that touched Errington’s heart and filled him with a strange restlessness and passionate longing—feelings that were new to him, and which, even as he recognized them, made him feel a bit ashamed and impatient. He would have gladly stepped away from his spot now, just to shake off these unfamiliar feelings; and he took a couple of steps back to do just that when Lorimer, in turn, placed a hand on his shoulder to stop him.
"For Heaven's sake, let us hear the song through!" he said in subdued tones. "What a voice! A positive golden flute!"
"For heaven's sake, let us listen to the song all the way through!" he said softly. "What a voice! It's like a golden flute!"
His rapt face betokened his enjoyment, and Errington, nothing loth, still lingered, his eyes fixed on the white-robed slim figure framed in the dark old rose-wreathed window—the figure that swayed softly with the motion of the wheel and the rhythm of the song,—while flickering sunbeams sparkled now and then on the maiden's dusky gold hair, or touched up a warmer tint on her tenderly flushed cheeks, and fair neck, more snowy than the gown she wore. Music poured from her lips as from the throat of a nightingale. The words she sang were Norwegian, and her listeners understood nothing of them; but the melody,—the pathetic appealing melody,—soul-moving as all true melody must be, touched the very core of their hearts, and entangled them in a web of delicious reveries.
His captivated expression showed how much he was enjoying it, and Errington, not wanting to leave, lingered with his gaze fixed on the slim figure in a white robe framed by the dark window adorned with rose vines. She swayed gently with the motion of the wheel and the rhythm of the song, while flickering sunbeams occasionally danced on her dusky gold hair or highlighted a warmer tone on her softly flushed cheeks and fair neck, which was even whiter than her dress. Music flowed from her lips like the song of a nightingale. The words she sang were in Norwegian, and her audience didn’t understand them, but the melody—an emotionally captivating melody, moving as all true melodies are—touched the very depths of their hearts and wrapped them in a web of delightful daydreams.
"Talk of Ary Scheffer's Gretchen!" murmured Lorimer with a sigh. "What a miserable, pasty, milk-and-watery young person she is beside that magnificent, unconscious beauty! I give in, Phil! I admit your taste. I'm willing to swear that she's a Sun-Angel if you like. Her voice has convinced me of that."
"Talk about Ary Scheffer's Gretchen!" Lorimer whispered with a sigh. "What a sad, pale, bland young woman she is compared to that stunning, unaware beauty! I give up, Phil! I admit you have good taste. I’d even swear she’s a Sun-Angel if that’s what you want. Her voice has convinced me of that."
At that instant the song ceased. Errington turned and regarded him steadfastly.
At that moment, the song stopped. Errington turned and looked at him intently.
"Are you hit, George?" he said softly, with a forced smile.
"Are you hurt, George?" he said softly, with a forced smile.
Lorimer's face flushed, but he met his friend's eyes frankly.
Lorimer's face turned red, but he looked his friend in the eye honestly.
"I am no poacher, old fellow," he answered in the same quiet accents; "I think you know that. If that girl's mind is as lovely as her face, I say, go in and win!"
"I’m not a poacher, my friend," he replied in the same calm tone; "I believe you know that. If that girl’s mind is as beautiful as her face, I say, go for it!"
Sir Philip smiled. His brow cleared and an expression of relief settled there. The look of gladness was unconscious; but Lorimer saw it at once and noted it.
Sir Philip smiled. His forehead relaxed, and a look of relief spread across his face. The smile was natural, but Lorimer noticed it immediately and took note of it.
"Nonsense!" he said in a mirthful undertone. "How can I go in and win, as you say? What am I to do? I can't go up to that window and speak to her,—she might take me for a thief."
"Nonsense!" he said with a lighthearted tone. "How can I just go in and win, like you say? What am I supposed to do? I can't just walk up to that window and talk to her—she might think I'm a thief."
"You look like a thief," replied Lorimer, surveying his friend's athletic figure, clad in its loose but well-cut yachting suit of white flannel, ornamented with silver anchor buttons, and taking a comprehensive glance from the easy pose of the fine head and handsome face, down to the trim foot with the high and well-arched instep, "very much like a thief? I wonder I haven't noticed it before. Any London policeman would arrest you on the mere fact of your suspicious appearance."
"You look like a thief," Lorimer said, eyeing his friend's athletic build, dressed in a loose but well-tailored white flannel yachting suit with silver anchor buttons. He took a thorough look, from the relaxed posture of the strong head and handsome face down to the neat foot with its high, well-arched instep. "You really do look like a thief. It's surprising I didn't notice it before. Any London cop would probably arrest you just based on how suspicious you look."
Errington laughed. "Well, my boy, whatever my looks may testify, I am at this moment an undoubted trespasser on private property,—and so are you for that matter. What shall we do?"
Errington laughed. "Well, my boy, no matter what my appearance suggests, I am currently a definite trespasser on private property—and so are you, for that matter. What should we do?"
"Find the front door and ring the bell," suggested George promptly. "Say we are benighted travellers and have lost our way. The bonde can but flay us. The operation, I believe, is painful, but it cannot last long."
"Find the front door and ring the bell," George suggested quickly. "Just say we’re lost travelers and need help. The bonde can only punish us. I believe it’ll be painful, but it won’t take long."
"George, you are incorrigible! Suppose we go back and try the other side of this pine-wood? That might lead us to the front of the house."
"George, you’re impossible! How about we go back and check out the other side of this pine wood? That might take us to the front of the house."
"I don't see why we shouldn't walk coolly past that window," said Lorimer. "If any observation is made by the fair 'Marguerite' yonder, we can boldly say we have come to see the bonde."
"I don't see why we shouldn't just walk past that window," said Lorimer. "If the lovely 'Marguerite' over there notices us, we can confidently say we came to see the bonde."
Unconsciously they had both raised their voices a little during the latter part of their hasty dialogue, and at the instant when Lorimer uttered the last words, a heavy hand was laid on each of their shoulders,—a hand that turned them round forcibly away from the window they had been gazing at, and a deep, resonant voice addressed them.
Unknowingly, they both raised their voices slightly during the later part of their quick conversation, and just as Lorimer finished speaking, a heavy hand was placed on each of their shoulders—a hand that turned them sharply away from the window they had been looking at, and a deep, powerful voice spoke to them.
"The bonde? Truly, young men, you need seek no further,—I am Olaf Güldmar!"
"The bonde? Seriously, young guys, you don’t need to look any further—I’m Olaf Güldmar!"
Had he said, "I am an Emperor!" he could not have spoken with more pride.
Had he said, "I am an Emperor!" he couldn't have expressed more pride.
Errington and his friend were for a moment speechless,—partly from displeasure at the summary manner in which they had been seized and twisted round like young uprooted saplings, and partly from surprise and involuntary admiration for the personage who had treated them with such scant courtesy. They saw before them a man somewhat above the middle height, who might have served an aspiring sculptor as a perfect model for a chieftain of old Gaul, or a dauntless Viking. His frame was firmly and powerfully built, and seemed to be exceptionally strong and muscular; yet an air of almost courtly grace pervaded his movements, making each attitude he assumed more or less picturesque. He was broad-shouldered and deep-chested; his face was full and healthily colored, while his head was truly magnificent. Well-poised and shapely, it indicated power, will, and wisdom; and was furthermore adorned by a rough, thick mass of snow-white hair that shone in the sunlight like spun silver. His beard was short and curly, trimmed after the fashion of the warriors of old Rome; and, from under his fierce, fuzzy, grey eyebrows, a pair of sentinel eyes, that were keen, clear, and bold as an eagle's, looked out with a watchful steadiness—steadiness that like the sharp edge of a diamond, seemed warranted to cut through the brittle glass of a lie. Judging by his outward appearance, his age might have been guessed at as between fifty-eight and sixty, but he was, in truth, seventy-two, and more strong, active, and daring than many another man whose years are not counted past the thirties. He was curiously attired, after something of the fashion of the Highlander, and something yet more of the ancient Greek, in a tunic, vest, and loose jacket all made of reindeer skin, thickly embroidered with curious designs worked in coarse thread and colored beads; while thrown carelessly over his shoulders and knotted at his waist, was a broad scarf of white woollen stuff, or wadmel, very soft-looking and warm. In his belt he carried a formidable hunting-knife, and as he faced the two intruders on his ground, he rested one hand lightly yet suggestively on a weighty staff of pine, which was notched all over with quaint letters and figures, and terminated in a curved handle at the top. He waited for the young men to speak, and finding they remained silent, he glanced at them half angrily and again repeated his words—
Errington and his friend were momentarily speechless—partly from irritation at how abruptly they had been grabbed and twisted like young saplings, and partly from surprise and a reluctant admiration for the person who had treated them so rudely. Standing before them was a man slightly taller than average, who could have easily inspired a sculptor looking to create a perfect model of an ancient Gaul chieftain or a fearless Viking. His build was strong and powerful, appearing exceptionally fit and muscular, yet he moved with an almost noble grace that made each of his poses look striking. He had broad shoulders, a deep chest, and a full, healthy complexion, with a truly impressive head atop his shoulders. Well-shaped and poised, it suggested strength, determination, and wisdom; topped off with a thick, wild mane of snow-white hair that glittered in the sunlight like spun silver. His beard was short and curly, styled like those of ancient Roman warriors, and beneath his fierce, bushy grey eyebrows, a pair of sharp, clear eyes, bold as an eagle’s, gazed out with a steady vigilance—one that could slice through falsehoods like a diamond cuts glass. From his appearance, one might guess he was between fifty-eight and sixty, but in reality, he was seventy-two, yet stronger, more agile, and bolder than many men in their thirties. He was dressed in a mix of Highland and ancient Greek styles, wearing a tunic, vest, and a loose jacket all made from reindeer skin, richly embroidered with intricate designs in thick thread and colored beads; draped over his shoulders and knotted at his waist was a soft, warm scarf of white wool, or wadmel. In his belt, he carried a formidable hunting knife, and as he faced the two intruders on his territory, he rested one hand lightly yet meaningfully on a hefty pine staff, which was engraved with strange letters and figures and had a curved handle at the top. He waited for the young men to speak, and when they remained silent, he glanced at them with irritation and repeated his words—
"I am the bonde,—Olaf Güldmar. Speak your business and take your departure; my time is brief!"
"I am the bonde,—Olaf Güldmar. Get to the point and leave; I have little time!"
Lorimer looked up with his usual nonchalance,—a faint smile playing about his lips. He saw at once that the old farmer was not a man to be trifled with, and he raised his cap with a ready grace as he spoke.
Lorimer looked up with his usual indifference, a slight smile on his lips. He immediately recognized that the old farmer was not someone to mess with, and he raised his cap with effortless charm as he spoke.
"Fact is," he said frankly, "we've no business here at all—not the least in the world. We are perfectly aware of it! We are trespassers, and we know it. Pray don't be hard on us, Mr.—Mr. Güldmar!"
"Honestly," he said openly, "we really have no reason to be here at all—not even a little. We know that! We're intruders, and we're aware of it. Please don't be too harsh on us, Mr.—Mr. Güldmar!"
The bonde glanced him over with a quick lightening of the eyes, and the suspicion of a smile in the depths of his curly beard. He turned to Errington.
The bonde gave him a quick look, his eyes brightening slightly, and a hint of a smile appearing behind his curly beard. He turned to Errington.
"Is this true? You came here on purpose, knowing the ground was private property?"
"Is this true? You came here on purpose, knowing this land is private property?"
Errington, in his turn, lifted his cap from his clustering brown curls with that serene and stately court manner which was to him second nature.
Errington, in turn, lifted his cap from his messy brown curls with that calm and dignified court manner that felt completely natural to him.
"We did," he confessed, quietly following Lorimer's cue, and seeing also that it was best to be straightforward. "We heard you spoken of in Bosekop, and we came to see if you would permit us the honor of your acquaintance."
"We did," he admitted, quietly taking Lorimer's lead and realizing that being direct was the best approach. "We heard people talking about you in Bosekop, and we came to see if you would allow us the pleasure of getting to know you."
The old man struck his pine-staff violently into the ground, and his face flushed wrathfully.
The old man slammed his wooden staff hard into the ground, and his face turned red with anger.
"Bosekop!" he exclaimed. "Talk to me of a wasp's nest! Bosekop! You shall hear of me there enough to satisfy your appetite for news. Bosekop! In the days when my race ruled the land, such people as they that dwell there would have been put to sharpen my sword on the grindstone, or to wait, hungry and humble, for the refuse of the food left from my table!"
"Bosekop!" he shouted. "Let's talk about a wasp's nest! Bosekop! You'll hear enough about me there to satisfy your craving for news. Bosekop! Back in the days when my people ruled this land, anyone living there would have been made to sharpen my sword or wait, starving and desperate, for the scraps from my table!"
He spoke with extraordinary heat and passion,—it was evidently necessary to soothe him. Lorimer took a covert glance backward over his shoulder towards the lattice window, and saw that the white figure at the spinning-wheel had disappeared.
He spoke with intense heat and passion—it was clear that he needed to be calmed down. Lorimer cast a discreet glance over his shoulder at the lattice window and noticed that the white figure at the spinning wheel was gone.
"My dear Mr. Güldmar," he then said with polite fervor, "I assure you I think the Bosekop folk by no means deserve to sharpen your sword on the grindstone, or to enjoy the remains of your dinner! Myself, I despise them! My friend here, Sir Philip Errington, despises them—don't you, Phil?"
"My dear Mr. Güldmar," he said with polite enthusiasm, "I assure you I don't think the Bosekop people deserve to use your sword for sharpening or to enjoy what’s left of your dinner! Personally, I can't stand them! My friend here, Sir Philip Errington, can't stand them either—can you, Phil?"
Errington nodded demurely.
Errington nodded quietly.
"What my friend said just now is perfectly true," continued Lorimer. "We desire the honor of your acquaintance,—it will charm and delight us above all things!"
"What my friend just said is completely true," Lorimer continued. "We would love to get to know you—it would bring us so much joy and happiness!"
And his face beamed with a candid, winning, boyish smile, which was very captivating in its own way, and which certainly had its effect on the old bonde, for his tone softened, though he said gravely—
And his face lit up with a genuine, charming, boyish smile, which was quite captivating in its own way, and definitely influenced the old bonde, as his tone softened, although he spoke seriously—
"My acquaintance, young men, is never sought by any. Those who are wise, keep away from me. I love not strangers, it is best you should know it. I freely pardon your trespass; take your leave, and go in peace."
"My friends, nobody seeks my company. The wise avoid me. I do not care for strangers, and it's best you understand that. I forgive your intrusion; feel free to leave and go in peace."
The two friends exchanged disconsolate looks. There really seemed nothing for it, but to obey this unpleasing command. Errington made one more venture.
The two friends exchanged sad glances. It really seemed like there was no choice but to follow this unpleasant command. Errington tried one more time.
"May I hope, Mr. Güldmar," he said with persuasive courtesy, "that you will break through your apparent rule of seclusion for once and visit me on board my yacht? You have no doubt seen her—the Eulalie—she lies at anchor in the Fjord."
"Can I hope, Mr. Güldmar," he said with charming politeness, "that you'll break your apparent habit of staying away and visit me on my yacht? You've probably seen her—the Eulalie—she's anchored in the Fjord."
The bonde looked him straight in the eyes. "I have seen her. A fair toy vessel to amuse an idle young man's leisure! You are he that in that fool's hole of a Bosekop, is known as the 'rich Englishman,'—an idle trifler with time,—an aimless wanderer from those dull shores where they eat gold till they die of surfeit! I have heard of you,—a mushroom knight, a fungus of nobility,—an ephemeral growth on a grand decaying old tree, whose roots lie buried in the annals of a far forgotten past."
The bonde looked him straight in the eyes. "I have seen her. A pretty little boat to entertain a bored young man! You’re the one in that ridiculous place, Bosekop, known as the 'rich Englishman'—a lazy piddler with time—an aimless wanderer from those dull shores where they consume gold until they choke! I’ve heard about you—a flash-in-the-pan knight, a growth of nobility that’s here today and gone tomorrow, sprouting from a grand, rotting old tree, whose roots are buried in the history of a long-forgotten past."
The rich, deep voice of the old man quivered as he spoke, and a shadow of melancholy flitted across his brow. Errington listened with unruffled patience. He heard himself, his pleasures, his wealth, his rank, thus made light of, without the least offense. He met the steady gaze of the bonde quietly, and slightly bent his head as though in deference to his remarks.
The rich, deep voice of the old man trembled as he spoke, and a hint of sadness crossed his face. Errington listened with calm patience. He heard himself, his pleasures, his wealth, and his status, being dismissed without any offense taken. He met the steady gaze of the bonde quietly and slightly nodded his head as if to show respect for his comments.
"You are quite right," he said simply. "We modern men are but pigmies compared with the giants of old time. Royal blood itself is tainted nowadays. But, for myself, I attach no importance to the mere appurtenances of life,—the baggage that accompanies one on that brief journey. Life itself is quite enough for me."
"You’re absolutely right," he said plainly. "Today’s men are just small compared to the giants of the past. Even royal blood has lost its luster these days. But for me, I don’t care about the superficial things in life—the baggage you carry during that short trip. Life itself is more than enough for me."
"And for me too," averred Lorimer, delighted that his friend had taken the old farmer's scornful observations so good-naturedly. "But, do you know, Mr. Güldmar, you are making life unpleasant for us just now, by turning us out? The conversation is becoming interesting! Why not prolong it? We have no friends in Bosekop, and we are to anchor here for some days. Surely you will allow us to come and see you again?"
"And for me too," Lorimer said, pleased that his friend had taken the old farmer's mocking comments so well. "But, you know, Mr. Güldmar, you're making things uncomfortable for us by kicking us out. The conversation is getting interesting! Why not keep it going? We don’t have any friends in Bosekop, and we're supposed to stay here for a few days. Surely you’ll let us come back and visit you?"
Olaf Güldmar was silent. He advanced a step nearer, and studied them both with such earnest and searching scrutiny, that as they remembered the real attraction that had drawn them thither, the conscious blood mounted to their faces, flushing Errington's forehead to the very roots of his curly brown hair. Still the old man gazed as though he sought to read their very souls. He muttered something to himself in Norwegian, and, finally, to their utter astonishment, he drew his hunting-knife from its sheath, and with a rapid, wild gesture, threw it on the ground and placed his foot upon it.
Olaf Güldmar was quiet. He stepped a little closer and looked at both of them with such earnest and intense scrutiny that, as they recalled the real reason that had brought them there, they felt their faces flush, turning Errington's forehead red all the way to the roots of his curly brown hair. Still, the old man stared as if he was trying to read their very souls. He muttered something to himself in Norwegian and, to their complete surprise, he pulled his hunting knife out of its sheath and, with a swift, wild motion, threw it on the ground and placed his foot on it.
"Be it so!" he said briefly. "I cover the blade! You are men; like men you speak truth. As such, I receive you! Had you told me a lie concerning your coming here,—had you made pretense of having lost your way, or other such shifty evasion, your path would never have again crossed mine. As it is,—welcome!"
"Fine!" he said shortly. "I put away the weapon! You’re men; you speak the truth like men do. Because of that, I accept you! If you had lied to me about coming here—if you had pretended to be lost or made any other kind of excuse, you would never have crossed my path again. But as it stands—welcome!"
And he held out his hand with a sort of royal dignity, still resting one foot on the fallen weapon. The young men, struck by his action and gratified by his change of manner and the genial expression that now softened his rugged features, were quick to respond to his friendly greeting, and the bonde, picking up and re-sheathing his hunting-knife as if he had done nothing at all out of the common, motioned them towards the very window on which their eyes had been so long and so ardently fixed.
And he extended his hand with a kind of royal grace, still keeping one foot on the fallen weapon. The young men, impressed by his action and pleased by his shift in demeanor and the friendly look that now softened his rough features, quickly returned his warm greeting. The bonde, picking up and re-sheathing his hunting knife as if nothing unusual had happened, gestured them toward the exact window they had been watching so eagerly for so long.
"Come!" he said. "You must drain a cup of wine with me before you leave. Your unguided footsteps led you by the wrong path,—I saw your boat moored to my pier, and wondered who had been venturesome enough to trample through my woodland. I might have guessed that only a couple of idle boys like yourselves, knowing no better, would have pushed their way to a spot that all worthy dwellers in Bosekop, and all true followers of the Lutheran devilry, avoid as though the plague were settled in it."
"Come on!" he said. "You have to share a glass of wine with me before you go. Your wandering steps took you the wrong way—I saw your boat tied up at my dock and wondered who was brave enough to wander through my woods. I should have guessed that only a couple of bored boys like you, not knowing any better, would have made their way to a place that all decent folks in Bosekop, and all true followers of the Lutheran nonsense, stay away from as if there was a plague in it."
And the old man laughed, a splendid, mellow laugh, with the ring of true jollity in it,—a laugh that was infectious, for Errington and Lorimer joined in it heartily without precisely knowing why. Lorimer, however, thought it seemly to protest against the appellation "idle boys."
And the old man laughed, a rich, warm laugh, filled with genuine joy—a laugh that was contagious, as Errington and Lorimer joined in enthusiastically without really understanding why. Lorimer, however, felt it was appropriate to object to being called "idle boys."
"What do you take us for, sir?" he said with lazy good-nature. "I carry upon my shoulders the sorrowful burden of twenty-six years,—Philip, there, is painfully conscious of being thirty,—may we not therefore dispute the word 'boys' as being derogatory to our dignity? You called us 'men' a while ago,—remember that!"
"What do you think we are, sir?" he said casually. "I've been carrying the heavy weight of twenty-six years on my shoulders—Philip over there is painfully aware that he's thirty—so can we not argue that the term 'boys' is disrespectful to our dignity? You referred to us as 'men' a little while ago—don't forget that!"
Olaf Güldmar laughed again. His suspicious gravity had entirely disappeared, leaving his face a beaming mirror of beneficence and good-humor.
Olaf Güldmar laughed again. His serious demeanor had completely vanished, leaving his face shining with kindness and good spirits.
"So you are men," he said cheerily, "men in the bud, like leaves on a tree. But you seem boys to a tough old stump of humanity such as I am. That is my way,—my child Thelma, though they tell me she is a woman grown, is always a babe to me. 'Tis one of the many privileges of the old, to see the world about them always young and full of children."
"So you are men," he said cheerfully, "men just starting out, like leaves on a tree. But you come across as boys to a tough old stump of humanity like me. That’s how I see it—my child Thelma, even though they say she’s all grown up, will always be a baby to me. It’s one of the perks of getting older, to see the world around you as always young and full of kids."
And he led the way past the wide-open lattice, where they could dimly perceive the spinning-wheel standing alone, as though thinking deeply of the fair hands that had lately left it idle, and so round to the actual front of the house, which was exceedingly picturesque, and literally overgrown with roses from ground to roof. The entrance door stood open;—it was surrounded by a wide, deep porch richly carved and grotesquely ornamented, having two comfortable seats within it, one on each side. Through this they went, involuntarily brushing down as they passed, a shower of pink and white rose-leaves, and stepped into a wide passage, where upon walls of dark, polished pine, hung a large collection of curiously shaped weapons, all of primitive manufacture, such as stone darts and rough axes, together with bows and arrows and two-handled swords, huge as the fabled weapon of William Wallace.
And he led the way past the wide-open lattice, where they could vaguely see the spinning wheel sitting alone, as if lost in thought about the beautiful hands that had recently left it unused, and then around to the actual front of the house, which was incredibly picturesque and completely covered in roses from the ground to the roof. The entrance door stood open; it was surrounded by a wide, deep porch that was richly carved and oddly decorated, featuring two comfortable seats inside, one on each side. As they passed through, they brushed against a shower of pink and white rose petals and stepped into a spacious hallway, where on the dark, polished pine walls hung a large collection of oddly shaped weapons, all made in a primitive style, such as stone darts and rough axes, along with bows and arrows and two-handed swords, huge like the legendary weapon of William Wallace.
Opening a door to the right the bonde stood courteously aside and bade them enter, and they found themselves in the very apartment where they had seen the maiden spinning.
Opening a door to the right, the bonde stepped aside respectfully and invited them in, and they found themselves in the same room where they had seen the young woman spinning.
"Sit down, sit down!" said their host hospitably. "We will have wine directly, and Thelma shall come hither. Thelma! Thelma! Where is the child? She wanders hither and thither like a mountain sprite. Wait here, my lads, I shall return directly."
"Sit down, sit down!" their host said warmly. "We’ll have some wine soon, and Thelma will be here. Thelma! Thelma! Where are you, kid? She’s wandering around like a forest fairy. Hang tight here, guys, I’ll be right back."
And he strode away, leaving Errington and Lorimer delighted at the success of their plans, yet somewhat abashed too. There was a peace and gentle simplicity about the little room in which they were, that touched the chivalrous sentiment in their natures and kept them silent. On one side of it, half a dozen broad shelves supported a goodly row of well-bound volumes, among which the time-honored golden names of Shakespeare and Scott glittered invitingly, together with such works as Chapman's Homer, Byron's "Childe Harold," the Poems of John Keats, Gibbon's Rome, and Plutarch; while mingled with these were the devotional works in French of Alphonse de Liguori, the "Imitation," also in French,—and a number of books with titles in Norwegian,—altogether an heterogenous collection of literature, yet not without interest as displaying taste and culture on the part of those to whom it belonged. Errington, himself learned in books, was surprised to see so many standard works in the library of one who professed to be nothing but a Norwegian farmer, and his respect for the sturdy old bonde increased. There were no pictures in the room,—the wide lattice window on one hand, looking out on the roses and pine-wood, and the other smaller one, close to the entrance door, from which the Fjord was distinctly visible, were sufficient pictures in themselves, to need no others. The furniture was roughly made of pine, and seemed to have been carved by hand,—some of the chairs were very quaint and pretty and would have sold in a bric-a-brac shop for more than a sovereign apiece. On the wide mantle-shelf was a quantity of curious old china that seemed to have been picked up from all parts of the world,—most of it was undoubtedly valuable. In one dark corner stood an ancient harp; then there was the spinning-wheel,—itself a curiosity fit for a museum,—testifying dumbly of the mistress of all these surroundings, and on the floor there was something else,—something that both the young men were strongly inclined to take possession of. It was only a bunch of tiny meadow daisies, fastened together with a bit of blue silk. It had fallen,—they guessed by whom it had been worn,—but neither made any remark, and both, by some strange instinct, avoided looking at it, as though the innocent little blossoms carried within them some terrible temptation. They were conscious of a certain embarrassment, and making an effort to break through it, Lorimer remarked softly—
And he walked away, leaving Errington and Lorimer thrilled about their successful plans, yet a bit embarrassed too. The little room they were in had a calm and simple charm that touched their noble spirits and kept them quiet. On one side, a row of sturdy shelves held a great collection of well-bound books, where the classic titles of Shakespeare and Scott shone invitingly, along with works like Chapman's Homer, Byron's "Childe Harold," the Poems of John Keats, Gibbon's Rome, and Plutarch; mixed in were devotional books in French by Alphonse de Liguori, the "Imitation" in French too, and several books with titles in Norwegian—altogether a diverse mix of literature that, while eclectic, showcased taste and culture from those who owned it. Errington, knowledgeable about books, was surprised to see so many classic works in the library of someone who claimed to be just a Norwegian farmer, and his respect for the sturdy old bonde grew. There were no pictures in the room—the large window on one side looked out at the roses and pine forest, while the smaller window near the entrance offered a clear view of the Fjord, both serving as beautiful scenes on their own. The furniture was roughly made from pine, looking hand-carved—some chairs were quite unique and would have sold for more than a pound in a thrift shop. On the large mantle was an assortment of interesting old china collected from all over the world—most of it likely valuable. In one dark corner stood an ancient harp; nearby was the spinning wheel—a true curiosity fit for a museum—silently testifying to the lady of the house, and on the floor was something else—something both young men felt strongly drawn to. It was just a small bunch of tiny daisies, tied with a bit of blue silk. It had fallen—they guessed by whom it had been worn—but neither said a word, and both, by some strange instinct, avoided looking at it, as if the innocent little flowers carried an awful temptation within them. They felt a certain awkwardness, and in an effort to break the silence, Lorimer quietly remarked—
"By Jove, Phil, if this old Güldmar really knew what you are up to, I believe he would bundle you out of this place like a tramp! Didn't you feel a sneak when he said we had told the truth like men?"
"Wow, Phil, if this old Güldmar really knew what you're up to, I bet he would kick you out of here like a bum! Didn't you feel uneasy when he said we had told the truth like men?"
Philip smiled dreamily. He was seated in one of the quaintly carved chairs, half absorbed in what was evidently a pleasing reverie.
Philip smiled dreamily. He was sitting in one of the uniquely carved chairs, half absorbed in what was clearly a pleasant daydream.
"No; not exactly," he replied. "Because we did tell him the truth; we did want to know him, and he's worth knowing too! He is a magnificent-looking fellow; don't you think so?"
"No, not really," he replied. "Because we did tell him the truth; we did want to get to know him, and he's definitely worth it! He's a stunning-looking guy; don't you think so?"
"Rather!" assented Lorimer, with emphasis. "I wish there were any hope of my becoming such a fine old buffer in my decadence,—it would be worth living for if only to look at myself in the glass now and then. He rather startled me when he threw down that knife, though. I suppose it is some old Norwegian custom?"
"Absolutely!" agreed Lorimer, with emphasis. "I wish there was any chance of me turning into such a distinguished old man in my old age—it would be worth living for just to catch a glimpse of myself in the mirror now and then. He did catch me off guard when he tossed down that knife, though. I guess it's some old Norwegian tradition?"
"I suppose so," Errington answered, and then was silent, for at that moment the door opened and the old farmer returned, followed by a girl bearing a tray glittering with flasks of Italian wine, and long graceful glasses shaped like round goblets, set on particularly slender stems. The sight of the girl disappointed the eager visitors, for though she was undeniably pretty, she was not Thelma. She was short and plump, with rebellious nut-brown locks, that rippled about her face and from under her close white cap with persistent untidiness. Her cheeks were as round and red as lore-apples, and she had dancing blue eyes that appeared for ever engaged in good-natured efforts to outsparkle each other. She wore a spotless apron, lavishly trimmed with coquettish little starched frills,—her hands were, unfortunately, rather large and coarse,—but her smile, as she set down the tray and curtsied respectfully to the young men, was charming, disclosing as it did, tiny teeth as even and white as a double row of small pearls.
"I guess so," Errington replied, and then fell silent, because at that moment the door swung open and the old farmer came back, followed by a girl carrying a tray sparkling with bottles of Italian wine and elegant glasses shaped like round goblets, perched on especially slender stems. The sight of the girl disappointed the eager guests, because even though she was definitely pretty, she wasn't Thelma. She was short and plump, with unruly nut-brown hair that curled around her face and peeked out from under her tidy white cap in a somewhat messy way. Her cheeks were rosy and round like apples, and her bright blue eyes seemed to be constantly trying to outshine each other in a good-humored way. She wore a clean apron, adorned with cute little starched frills—but unfortunately, her hands were rather large and rough—but her smile as she placed the tray down and curtsied respectfully to the young men was lovely, revealing tiny teeth as even and white as a double row of small pearls.
"That is well, Britta," said Güldmar, speaking in English, and assisting her to place the glasses. "Now, quick! . . . run after thy mistress to the shore,—her boat cannot yet have left the creek,—bid her return and come to me,—tell her there are friends here who will be glad of her presence."
"That’s good, Britta," said Güldmar, speaking in English and helping her set up the glasses. "Now, hurry! ... Run after your mistress to the shore—her boat shouldn’t have left the creek yet—tell her to come back and see me—let her know there are friends here who will be happy to see her."
Britta hurried away at once, but Errington's heart sank. Thelma had gone!—gone, most probably, for one of those erratic journeys across the Fjord to the cave where he had first seen her. She would not come back, he felt certain; not even at her father's request would that beautiful, proud maiden consent to alter her plans. What an unlucky destiny was his! Absorbed in disappointed reflections, he scarcely heard the enthusiastic praises Lorimer was diplomatically bestowing on the bonde's wine. He hardly felt its mellow flavor on his own palate, though it was in truth delicious, and fit for the table of a monarch. Güldmar noticed the young baronet's abstraction, and addressed him with genial kindness.
Britta quickly rushed away, but Errington felt a heavy weight in his heart. Thelma was gone!—most likely off on one of her unpredictable trips across the Fjord to the cave where he had first met her. He was sure she wouldn’t return; even at her father’s request, that beautiful, proud woman wouldn’t change her plans. What a terrible fate he had! Lost in his disappointed thoughts, he scarcely registered the enthusiastic compliments Lorimer was diplomatically giving about the bonde's wine. He hardly tasted its rich flavor, even though it was genuinely delicious and worthy of a king's table. Güldmar noticed the young baronet was lost in thought and spoke to him with friendly warmth.
"Are you thinking, Sir Philip, of my rough speeches to you yonder? No offense was meant, no offense! . . ." the old fellow paused, and laughed over his wine-glass. "Yet I may as well be honest about it! Offense was meant; but when I found that none was taken, my humor changed."
"Are you thinking about my blunt remarks to you back there, Sir Philip? I didn’t mean any offense, really! ...” The old guy paused and chuckled over his wine glass. “But I might as well be honest! I did mean some offense; however, when I saw that you didn’t take any, my mood shifted."
A slight, half-weary smile played on Errington's lips. "I assure you, sir," he said, "I agreed with you then and agree with you now in every word you uttered. You took my measure very correctly, and allow me to add that no one can be more conscious of my own insignificance that I am myself. The days we live in are insignificant; the chronicle of our paltry doings will be skipped by future readers of the country's history. Among a society of particularly useless men, I feel myself to be one of the most useless. If you could show me any way to make my life valuable—"
A slight, tired smile touched Errington's lips. "I assure you, sir," he said, "I agreed with you back then and I agree with you now on everything you said. You saw me clearly, and I must add that no one is more aware of my own unimportance than I am. The times we live in are trivial; the record of our insignificant actions will be overlooked by future historians of this country. Among a group of particularly pointless men, I see myself as one of the most pointless. If you could show me any way to make my life meaningful—"
He paused abruptly, and his heart beat with inexplicable rapidity. A light step and the rustle of a dress was heard coming through the porch; another perfumed shower of rose-leaves fell softly on the garden path; the door of the room opened, and a tall, fair, white-robed figure shone forth from the dark background of the outer passage; a figure that hesitated on the threshold, and then advanced noiselessly and with a reluctant shyness. The old bonde turned round in his chair with a smile.
He suddenly stopped, and his heart raced for no reason. He heard a light step and the sound of a dress rustling coming through the porch; another gentle sprinkle of rose petals fell softly on the garden path; the door to the room opened, and a tall, fair figure in a white robe appeared from the dark hallway; the figure paused at the threshold and then moved forward quietly with a shy hesitation. The old bonde turned around in his chair with a smile.
"Ah, here she is!" he said fondly. "Where hast thou been, my Thelma?"
"Ah, here she is!" he said affectionately. "Where have you been, my Thelma?"
CHAPTER VI.
"And Sigurd the Bishop said, 'The old gods are not dead, For the great Thor still reigns, And among the Jarls and Thanes The old witchcraft is spread.'" |
LONGFELLOW'S Saga of King Olaf.
LONGFELLOW'S Saga of King Olaf.
The girl stood silent, and a faint blush crimsoned her cheeks. The young men had risen at her entrance, and in one fleeting glance she recognized Errington, though she gave no sign to that effect.
The girl stood silently, and a faint blush colored her cheeks. The young men had gotten up when she entered, and in one quick glance, she recognized Errington, though she didn’t show it.
"See, my darling," continued her father, "here are English visitors to Norway. This is Sir Philip Errington, who travels through our wild waters in the great steam yacht now at anchor in the Fjord; and this is his friend, Mr.—Mr.—Lorimer,—have I caught your name rightly, my lad?" he continued, turning to George Lorimer with a kindly smile.
"Look, my dear," her father continued, "here are some English visitors in Norway. This is Sir Philip Errington, who is cruising through our wild waters on the big steam yacht that's currently anchored in the Fjord; and this is his friend, Mr.—Mr.—Lorimer,—did I get your name right, my boy?" he said, turning to George Lorimer with a warm smile.
"You have, sir," answered that gentleman promptly, and then he was mute, feeling curiously abashed in the presence of this royal-looking young lady, who, encircled by her father's arm, raised her deep, dazzling blue eyes, and serenely bent her stately head to him as his name was mentioned.
"You have, sir," replied that gentleman immediately, and then he fell silent, feeling strangely shy in front of this regal-looking young lady, who, wrapped in her father's embrace, raised her striking blue eyes and gracefully lowered her dignified head when his name was mentioned.
The old farmer went on, "Welcome them, Thelma mine!—friends are scarce in these days, and we must not be ungrateful for good company. What! what! I know honest lads when I see them! Smile on them, my Thelma!—and then we will warm their hearts with another cup of wine."
The old farmer continued, "Welcome them, my Thelma! Friends are hard to come by these days, and we shouldn't take good company for granted. What! What! I can spot honest guys when I see them! Give them a smile, my Thelma!—and then we’ll warm their hearts with another cup of wine."
As he spoke, the maiden advanced with a graceful, even noble air, and extending both her hands to each of the visitors in turn, she said—
As he spoke, the young woman approached with a graceful, almost royal presence, and extending both her hands to each of the guests in turn, she said—
"I am your servant, friends; in entering this house you do possess it. Peace and heart's greeting!"
"I’m your servant, friends; by coming into this house, you take ownership of it. Peace and warm wishes!"
The words were a literal translation of a salutation perfectly common in many parts of Norway—a mere ordinary expression of politeness; but, uttered in the tender, penetrating tones, of the most musical voice they had ever heard, and accompanied by the warm, frank, double handclasp of those soft, small, daintily shaped hands, the effect on the minds of the generally self-possessed, fashionably bred young men of the world, was to confuse and bewilder them to the last degree. What could they answer to this poetical, quaint formula of welcome? The usual latitudes, such as "Delighted, I'm sure;" or, "Most happy—am charmed to meet you?" No; these remarks, deemed intelligent by the lady rulers of London drawing-rooms, would, they felt, never do here. As well put a gentleman in modern evening dress en face with a half-nude scornfully beautiful statue of Apollo, as trot out threadbare, insincere commonplaces in the hearing of this clear-eyed child of nature, whose pure, perfect face seemed to silently repel the very passing shadow of a falsehood.
The words were a straightforward translation of a greeting that’s quite common in many parts of Norway—a simple expression of politeness. But, when spoken in the tender, captivating tones of the most beautiful voice they had ever heard, and paired with the warm, sincere double handshake of those soft, small, delicately shaped hands, it completely confused and astonished the typically composed, well-bred young men of the world. What could they possibly say in response to this poetic, charming welcome? The usual phrases like, “Delighted, I’m sure,” or, “Most happy—it's great to meet you?” No; they instinctively felt that those remarks, seen as polite by the ladies of London drawing rooms, would not suffice here. It would be as ridiculous as putting a man in modern evening attire before a half-nude, strikingly beautiful statue of Apollo, as to trot out worn-out, insincere clichés in front of this clear-eyed child of nature, whose pure, flawless face seemed to silently reject even the slightest hint of deception.
Philip's brain whirled round and about in search of some suitable reply, but could find none; and Lorimer felt himself blushing like a schoolboy, as he stammered out something incoherent and eminently foolish, though he had sense enough left to appreciate the pressure of those lovely hands as long as it lasted.
Philip's mind raced as he tried to find a decent response, but he couldn't come up with anything. Lorimer felt himself turning red like a schoolboy while he stumbled through some jumbled and utterly foolish words, though he was still aware enough to appreciate the warmth of those lovely hands for as long as it lasted.
Thelma, however, appeared not to notice their deep embarrassment—she had not yet done with them. Taking the largest goblet on the table, she filled it to the brim with wine, and touched it with her lips,—then with a smile in which a thousand radiating sunbeams seemed to quiver and sparkle, she lifted it towards Errington. The grace of her attitude and action wakened him out of his state of dreamy bewilderment—in his soul he devoutly blessed these ancient family customs, and arose to the occasion like a man. Clasping with a tender reverence the hands that upheld the goblet, he bent his handsome head and drank a deep draught, while his dark curls almost touched her fair ones,—and then an insane jealousy possessed him for a moment, as he watched her go through the same ceremony with Lorimer.
Thelma, however, didn’t seem to notice their deep embarrassment—she wasn’t done with them yet. Taking the largest goblet on the table, she filled it to the brim with wine and touched it to her lips. Then, with a smile that seemed to radiate a thousand sunbeams, she lifted it towards Errington. The grace of her gesture snapped him out of his dreamy confusion; deep down, he appreciated these old family traditions and rose to the occasion like a man. Holding the hands that supported the goblet with tender reverence, he leaned his handsome head down and took a deep sip, his dark curls almost brushing against her fair ones. For a moment, an insane jealousy swept over him as he watched her perform the same ritual with Lorimer.
She next carried the now more than half-emptied cup to the bonde, and said as she held it, laughing softly—
She then took the now more than half-empty cup to the bonde, and said, laughing softly—
"Drink it all, father!—if you leave a drop, you know these gentlemen will quarrel with us, or you with them."
"Drink it all, Dad!—if you leave even a drop, you know these guys will argue with us, or you will with them."
"That is true!" said Olaf Güldmar with great gravity; "but it will not be my fault, child, nor the fault of wasted wine."
"That's true!" said Olaf Güldmar with a serious tone; "but it won't be my fault, kid, nor the fault of wasted wine."
And he drained the glass to its dregs and set it upside down on the table with a deep sigh of satisfaction and refreshment. The ceremony concluded, it was evident the ice of reserve was considered broken, for Thelma seated herself like a young queen, and motioned her visitors to do the same with a gesture of gracious condescension.
And he finished the drink and set the glass upside down on the table with a deep sigh of satisfaction and refreshment. With the ceremony over, it was clear that the tension had lifted, as Thelma sat down like a young queen and motioned for her guests to do the same with a gesture of gracious condescension.
"How did you find your way here?" she asked with sweet, yet direct abruptness, giving Sir Philip a quick glance, in which there was a sparkle of mirth, though her long lashes veiled it almost instantly.
"How did you get here?" she asked with a sweet but straightforward directness, giving Sir Philip a quick look, in which there was a hint of amusement, though her long eyelashes concealed it almost immediately.
Her entire lack of stiffness and reserve set the young men at their ease, and they fell into conversation freely, though Errington allowed Lorimer to tell the story of their trespass in his own fashion without interference. He instinctively felt that the young lady who listened with so demure a smile to that plausible narrative, knew well enough the real motive that had brought them thither though she apparently had her own reasons for keeping silence on the point, as whatever she may have thought, she said nothing.
Her complete lack of stiffness and formality put the young men at ease, and they easily started chatting. Errington let Lorimer share the story of their indiscretion in his own way without interrupting. He could sense that the young woman, who listened with such a modest smile to that convincing tale, was well aware of the true reason that brought them there, even though she seemed to have her own reasons for not mentioning it, as she remained silent about her thoughts.
Lorimer skillfully avoided betraying the fact that they had watched her through the window, and had listened to her singing. And Thelma heard all the explanations patiently till Bosekop was mentioned, and then her fair face grew cold and stern.
Lorimer expertly concealed that they had been watching her through the window and had heard her singing. Thelma listened to all the explanations patiently until Bosekop was mentioned, at which point her lovely face turned cold and serious.
"From whom did you hear of us there?" she inquired. "We do not mix with the people,—why should they speak of us?"
"Who told you about us?" she asked. "We don’t socialize with people—so why would they talk about us?"
"The truth is," interposed Errington, resting his eyes with a sense of deep delight on the beautiful rounded figure and lovely features that were turned towards him, "I heard of you first through my pilot—one Valdemar Svensen."
"The truth is," Errington said, taking in the beautiful curves and lovely features directed at him with a sense of deep delight, "I first heard about you from my pilot—one Valdemar Svensen."
"Ha, ha!" cried old Güldmar with some excitement, "there is a fellow who cannot hold his tongue! What have I said to thee, child? A bachelor is no better than a gossiping old woman. He that is always alone must talk, if it be only to woods and waves. It is the married men who know best how excellent it is to keep silence!"
"Ha, ha!" laughed old Güldmar with some excitement, "there's someone who can't keep quiet! What did I tell you, kid? A bachelor is just as bad as a gossiping old woman. Anyone who’s always alone has to talk, even if it’s just to the trees and the waves. It's the married men who really understand how great it is to stay silent!"
They all laughed, though Thelma's eyes had a way of looking pensive even when she smiled.
They all laughed, but Thelma's eyes had a way of looking thoughtful even when she smiled.
"You would not blame poor Svensen because he is alone, father?" she said. "Is he not to be pitied? Surely it is a cruel fate to have none to love in all the wide world. Nothing can be more cruel!"
"You wouldn't blame poor Svensen for being alone, would you, father?" she said. "Isn’t he deserving of pity? It’s definitely a cruel fate to have no one to love in this vast world. Nothing could be more cruel!"
Güldmar surveyed her humorously. "Hear her!" he said. "She talks as if she knew all about such things; and if ever a child was ignorant of sorrow, surely it is my Thelma! Every flower and bird in the place loves her. Yes; I have thought sometimes the very sea loves her. It must; she is so much upon it. And as for her old father"—he laughed a little, though a suspicious moisture softened his keen eyes—"why, he doesn't love her at all. Ask her! She knows it."
Güldmar looked at her with amusement. "Listen to her!" he said. "She talks like she knows everything about those things; and if there was ever a child who was unaware of sadness, it’s definitely my Thelma! Every flower and bird around here loves her. Honestly, sometimes I think the sea loves her too. It has to; she spends so much time on it. And as for her old man"—he chuckled a bit, though a hint of moisture softened his sharp eyes—"well, he doesn't love her at all. Just ask her! She knows it."
Thelma rose quickly and kissed him. How deliciously those sweet lips pouted, thought Errington, and what an unreasonable and extraordinary grudge he seemed to bear towards the venerable bonde for accepting that kiss with so little apparent emotion!
Thelma quickly got up and kissed him. How wonderfully those soft lips pouted, Errington thought, and what an unreasonable and strange resentment he seemed to hold against the elderly bonde for taking that kiss with so little visible feeling!
"Hush, father!" she said. "These friends can see too plainly how much you spoil me. Tell me,"—and she turned with a sudden pretty imperiousness to Lorimer, who started at her voice as a racehorse starts at its rider's touch,—"what person in Bosekop spoke of us?"
"Hush, Dad!" she said. "These friends can see too clearly how much you spoil me. Tell me,"—and she turned with a sudden charming authority to Lorimer, who jumped at her voice like a racehorse reacts to its rider's cue,—"who in Bosekop mentioned us?"
Lorimer was rather at a loss, inasmuch as no one in the small town had actually spoken of them, and Mr. Dyceworthy's remarks concerning those who were "ejected with good reason from respectable society," might not, after all, have applied to the Güldmar family. Indeed, it now seemed an absurd and improbable supposition. Therefore he replied cautiously—
Lorimer was pretty confused since no one in the small town had actually talked about them, and Mr. Dyceworthy's comments about those who were "kicked out for good reasons from respectable society" might not have actually applied to the Güldmar family. In fact, it now seemed like a silly and unlikely idea. So, he responded carefully—
"The Reverend Mr. Dyceworthy, I think, has some knowledge of you. Is he not a friend of yours?"
"The Reverend Mr. Dyceworthy, I believe, knows you. Isn't he a friend of yours?"
These simple words had a most unexpected effect. Olaf Güldmar sprang up from his seat flaming with wrath. It was in vain that his daughter laid a restraining hand upon his arm. The name of the Lutheran divine had sufficed to put him in a towering passion, and he turned furiously upon the astonished Errington.
These simple words had a completely unexpected impact. Olaf Güldmar jumped up from his seat, blazing with anger. It was pointless for his daughter to place a calming hand on his arm. Just the mention of the Lutheran minister was enough to send him into a rage, and he turned furiously towards the shocked Errington.
"Had I known you came from the devil, sir, you should have returned to him speedily, with hot words to hasten your departure! I would have split that glass to atoms before I would have drained it after you! The friends of a false heart are no friends for me,—the followers of a pretended sanctity find no welcome under my roof! Why not have told me at once that you came as spies, hounded on by the liar Dyceworthy? Why not have confessed it openly? .. . . and not have played the thief's trick on an old fool, who, for once, misled by your manly and upright bearing, consented to lay aside the rightful suspicions he at first entertained of your purpose? Shame on you, young men! shame!"
"Had I known you came from the devil, sir, you should have quickly returned to him, with harsh words to speed up your exit! I would have smashed that glass to pieces before I would have drunk from it after you! Friends of a deceitful heart are no friends of mine; the followers of fake piety won’t be welcomed in my home! Why didn’t you just tell me right away that you came as spies, sent by the liar Dyceworthy? Why not confess openly? ... instead of pulling a sneaky trick on an old fool who, misled by your confident and honest demeanor, decided to ignore the rightful suspicions he initially had about your intentions? Shame on you, young men! Shame!"
The words coursed impetuously from his lips; his face burned with indignation. He had broken away from his daughter's hold, while she, pale and very still, stood leaning one hand upon the table. His white hair was tossed back from his brow; his eyes flashed; his attitude though vengeful and threatening, was at the same time so bold and commanding that Lorimer caught himself lazily admiring the contour of his figure, and wondering how he would look in marble as an infuriated Viking.
The words rushed out of his mouth; his face blazed with anger. He had pulled away from his daughter's grasp while she, pale and completely still, leaned one hand on the table. His white hair was pushed back from his forehead; his eyes were intense; his posture, although vengeful and threatening, was also so bold and commanding that Lorimer found himself lazily admiring the shape of his figure and wondering how he would look in marble as an enraged Viking.
One excellent thing in the dispositions of both Errington and Lorimer was that they never lost temper. Either they were too lazy or too well-bred. Undoubtedly they both considered it "bad form." This indifference stood them in good stead now. They showed no sign whatever of offense, though the old farmer's outbreak of wrath was so sudden and unlooked for, that they remained for a moment silent out of sheer surprise. Then rising with unruffled serenity, they took up their caps preparatory to departure. Errington's gentle, refined voice broke the silence.
One great thing about both Errington and Lorimer was that they never lost their temper. They were either too lazy or too well-mannered. Surely, they both saw it as "bad form." This indifference really helped them now. They showed no signs of being offended, even though the old farmer's sudden outburst of anger was unexpected and caught them off guard, leaving them momentarily silent from surprise. Then, rising with calm composure, they picked up their caps to get ready to leave. Errington's soft, refined voice broke the silence.
"You are in error, Mr. Güldmar," he said in chilly but perfectly polite tones. "I regret you should be so hasty in your judgment of us. If you accepted us as 'men' when you first met us, I cannot imagine why you should now take us for spies. The two terms are by no means synonymous. I know nothing of Mr. Dyceworthy beyond that he called upon me, and that I, as in duty bound, returned his call. I am ignorant of his character and disposition. I may add that I have no desire to be enlightened respecting them. I do not often take a dislike to anybody, but it so happens that I have done so in the case of Mr. Dyceworthy. I know Lorimer doesn't care for him, and I don't think my other two friends are particularly attached to him. I have nothing more to say, except that I fear we have outstayed our welcome. Permit us now to wish you good evening. And you,"—he hesitated, and turned with a low bow to Thelma, who had listened to his words with a gradually dawning brightness on her face—"you will, I trust, exonerate us from any intentional offense towards your father or yourself? Our visit has proved unlucky, but—"
"You’re mistaken, Mr. Güldmar," he said in a cool yet perfectly polite tone. "I regret that you are so quick to judge us. If you saw us as 'men' when we first met, I can’t understand why you now think we're spies. Those two ideas are not the same at all. I don’t know anything about Mr. Dyceworthy other than that he visited me, and I, as I should, returned his visit. I have no knowledge of his character or personality. I should also say that I have no desire to learn about them. I don’t usually dislike anyone, but for some reason, I have developed a dislike for Mr. Dyceworthy. I know Lorimer doesn’t like him, and I don’t think my other two friends are particularly fond of him either. I have nothing more to add, except that I fear we’ve overstayed our welcome. Allow us to wish you good evening now. And you,"—he hesitated and turned with a slight bow to Thelma, who had listened to his words with an increasingly bright expression on her face—"I hope you will forgive us for any unintentional offense towards your father or yourself. Our visit has turned out unfortunate, but—"
Thelma interrupted him by laying her fair little hand on his arm with a wistful, detaining gesture, which, though seemingly familiar, was yet perfectly sweet and natural. The light touch thrilled his blood, and sent it coursing through his veins at more than customary speed.
Thelma stopped him by placing her small, delicate hand on his arm with a longing, gentle gesture that felt familiar yet completely sweet and natural. The light touch sent a thrill through him, speeding up his pulse more than usual.
"Ah, then, you also will be foolish!" she said, with a naïve protecting air of superior dignity. "Do you not see my father is sorry? Have we all kissed the cup for nothing, or was the wine wasted? Not a drop was spilt; how then, if we are friends should we part in coldness? Father, it is you to be ashamed,—not these gentleman, who are strangers to the Altenfjord, and know nothing of Mr. Dyceworthy, or an other person dwelling here. And when their vessel sails away again over the wide seas to their own shores, how will you have them think of you? As one whose heart was all kindness, and who helped to make their days pass pleasantly? or as one who, in unreasonable anger, forgot the duties of sworn hospitality?"
"Ah, so you're being foolish too!" she said, with a naive air of superiority. "Can't you see that my father feels bad? Did we all raise our glasses for nothing, or was the wine just wasted? Not a drop was spilled; so how can we part coldly if we’re friends? Father, you should be the one ashamed—not these gentlemen, who are strangers to Altenfjord and know nothing about Mr. Dyceworthy or anyone else living here. And when their ship sails away across the wide seas back to their own shores, how do you want them to remember you? As someone whose heart was full of kindness and who helped make their days enjoyable? Or as someone who, in unreasonable anger, forgot the duties of hospitality?"
The bonde listened to her full, sweet, reproachful voice as a tough old lion might listen to the voice of its tamer, uncertain whether to yield or spring. He wiped his heated brow and stared around him shamefacedly. Finally, as though swallowing his pride with a gulp, he drew a long breath, took a couple of determined strides forward, and held out his hands, one to Errington and the other to Lorimer, by whom they were warmly grasped.
The bonde listened to her rich, sweet, accusing voice like a tough old lion might listen to its trainer, unsure whether to give in or attack. He wiped his sweaty brow and looked around him, embarrassed. Finally, as if swallowing his pride, he took a deep breath, stepped forward with determination, and reached out his hands, one toward Errington and the other toward Lorimer, who both took them warmly.
"There, my lads," he said rapidly. "I'm sorry I spoke! Forgive and forget! That is the worst of me—my blood is up in a minute, and old though I am, I'm not old enough yet to be patient. And when I hear the name of that sneak Dyceworthy—by the gates of Valhalla, I feel as if my own house would not hold me! No, no; don't go yet! Nearly ten? Well, no matter, the night is like the day here, you see—it doesn't matter when one goes to bed. Come and sit in the porch awhile; I shall get cool out there. Ah, Thelma, child! I see thee laughing at thy old father's temper! Never mind, never mind; is it not for thy sake after all?"
“There, my friends,” he said quickly. “I’m sorry I said that! Let’s just move on! That’s my worst trait—my temper flares up in a second, and even though I’m older, I’m not old enough to be patient yet. And when I hear that sneak Dyceworthy’s name—by the gates of Valhalla, I feel like I can’t stay in my own house! No, no; don’t leave yet! Almost ten? Well, it doesn’t matter; the night is like the day here, you see—it doesn’t matter when you go to bed. Come and sit on the porch for a while; I’ll cool down out there. Ah, Thelma, my child! I see you laughing at your old dad’s temper! Never mind, never mind; isn’t it all for your sake in the end?”
And, holding Errington by the arm, he led the way into the fine old porch, Lorimer following with rather a flushed face, for he, as he passed out of the room, had managed to pick up and secrete the neglected little bunch of daisies, before noticed as having fallen on the floor. He put them quickly in his breast pocket with a curious sense of satisfaction, though he had no intention of keeping them, and leaned idly against the clambering roses, watching Thelma, as she drew a low stool to her father's feet and sat there. A balmy wind blew in from the Fjord, and rustled mysteriously among the pines; the sky was flecked here and there with fleecy clouds, and a number of birds were singing in full chorus. Old Güldmar heaved a sigh of relief, as though his recent outburst of passion had done him good.
And, holding Errington by the arm, he led the way into the beautiful old porch, with Lorimer following closely, his face a bit flushed because, as he left the room, he managed to pick up and hide the neglected little bunch of daisies that had fallen on the floor. He quickly tucked them into his breast pocket, feeling a strange sense of satisfaction even though he had no intention of keeping them. He leaned casually against the climbing roses, watching Thelma as she pulled a low stool to her father's feet and sat down. A warm breeze blew in from the Fjord, rustling softly among the pines; the sky was dotted with fluffy clouds, and a number of birds were singing joyfully together. Old Güldmar let out a sigh of relief, as if his recent outburst of emotion had done him some good.
"I will tell you, Sir Philip," he said, ruffling his daughter's curls as he spoke,—"I will tell you why I detest the villain Dyceworthy. It is but fair you should know it. Now, Thelma!—why that push to my knee? You fear I may offend our friends again? Nay, I will take good care. And so, first of all, I ask you, what is your religion? Though I know you cannot be Lutherans."
"I’ll tell you, Sir Philip," he said, playfully messing up his daughter's curls as he spoke, "I’ll tell you why I can’t stand that guy Dyceworthy. You deserve to know. Now, Thelma!—why did you push my knee like that? Are you worried I might upset our friends again? Don’t worry, I’ll be careful. So, let me ask you first, what’s your religion? Even though I know you can’t be Lutherans."
Errington was somewhat taken aback by the question. He smiled.
Errington was a bit surprised by the question. He smiled.
"My dear sir," he replied at last; "to be frank with you, I really do not think I have any religion. If I had, I suppose I should call myself a Christian, though, judging from the behavior of Christians in general, I cannot be one of them after all,—for I belong to no sect, I go to no church, and I have never read a tract in my life. I have a profound reverence and admiration for the character and doctrine of Christ, and I believe if I had had the privilege of knowing and conversing with Him, I should not have deserted Him in extremity as his timorous disciples did. I believe in an all-wise Creator; so you see I am not an atheist. My mother was an Austrian and a Catholic, and I have a notion that, as a small child, I was brought up in that creed; but I'm afraid I don't know much about it now."
"My dear sir," he finally replied, "to be honest with you, I don’t really think I have any religion. If I did, I guess I would call myself a Christian, but based on the behavior of Christians in general, I can't see myself as one after all—since I don't belong to any denomination, I don’t go to church, and I’ve never read a pamphlet in my life. I have deep respect and admiration for the character and teachings of Christ, and I believe that if I had the chance to know and talk to Him, I wouldn’t have abandoned Him in His time of need like His fearful disciples did. I believe in an all-wise Creator, so you can see I’m not an atheist. My mother was Austrian and Catholic, and I have a feeling that as a little kid, I was raised in that belief; but I’m afraid I don’t know much about it now."
The bonde nodded gravely. "Thelma, here," he said, "is a Catholic, as her mother was—" he stopped abruptly, and a deep shadow of pain darkened his features. Thelma looked up,—her large blue eyes filled with sudden tears, and she pressed her father's hand between her own, as though in sympathy with some undeclared grief; then she looked at Errington with a sort of wistful appeal. Philip's heart leaped as he met that soft beseeching glance, which seemed to entreat his patience with the old man for her sake—he felt himself drawn into a bond of union with her thoughts, and in his innermost soul he swore as knightly a vow of chivalry and reverence for the fair maiden, who thus took him into her silent confidence, as though he were some gallant Crusader of old time, pledged to defend his lady's honor unto death. Olaf Güldmar, after a long and apparently sorrowful pause, resumed his conversation.
The bonde nodded seriously. "Thelma, here," he said, "is a Catholic, just like her mother was—" he suddenly stopped, and a deep shadow of pain crossed his face. Thelma looked up, her large blue eyes filled with tears, and she took her father's hand in hers, as if sharing in some unspoken sorrow; then she looked at Errington with a kind of hopeful plea. Philip's heart raced as he met that soft, pleading look, which seemed to ask for his patience with the old man for her sake—he felt himself connected to her thoughts, and deep down, he made a knightly vow to honor and protect the beautiful maiden, who had silently trusted him, as if he were a noble Crusader of ancient times, sworn to defend his lady's honor to the end. After a long and seemingly sorrowful pause, Olaf Güldmar continued his conversation.
"Yes," he said, "Thelma is a Catholic, though here she has scarcely any opportunity for performing the duties of her religion. It is a pretty and a graceful creed,—well fitted for women. As for me, I am made of sterner stuff, and the maxims of that gentle creature, Christ, find no echo in my soul. But you, young sir," he added, turning suddenly on Lorimer, who was engaged in meditatively smoothing out on his palm one of the fallen rose-petals—"you have not spoken. What faith do you profess? It is no curiosity that prompts me to ask,—I only seek not to offend."
"Yes," he said, "Thelma is Catholic, but here she hardly has any chance to practice her faith. It’s a lovely and graceful belief system, well-suited for women. As for me, I’m made of tougher stuff, and the teachings of that gentle figure, Christ, don’t resonate with me. But you, young man," he added, suddenly turning to Lorimer, who was thoughtfully smoothing out one of the fallen rose petals in his palm—"you haven't said anything. What faith do you follow? I’m not asking out of curiosity; I just want to avoid offending you."
Lorimer laughed languidly. "Upon my life, Mr. Güldmar, you really ask too much of me. I haven't any faith at all; not a shred! It's been all knocked out of me. I tried to hold on to a last remaining bit of Christian rope in the universal ship-wreck, but that was torn out of my hands by a scientific professor, who ought to know what he is about, and—and—now I drift along anyhow!"
Lorimer laughed weakly. "Honestly, Mr. Güldmar, you're asking way too much of me. I have no faith at all; not a single bit! It's all been stripped away from me. I tried to cling to the last piece of Christian hope in this universal wreck, but it was ripped out of my hands by a science professor who should know better, and—and—now I'm just drifting along!"
Güldmar smiled dubiously; but Thelma looked at the speaker with astonished, regretful eyes.
Güldmar smiled skeptically, but Thelma gazed at the speaker with shocked, regretful eyes.
"I am sorry," she said simply. "You must be often unhappy."
"I'm sorry," she said plainly. "You must be unhappy a lot."
Lorimer was not disconcerted, though her evident pity caused an unwanted flush on his face.
Lorimer wasn’t bothered, even though her obvious pity made him blush.
"Oh no," he said in answer to her, "I am not a miserable sort of fellow by any means. For instance, I'm not afraid of death,—lots of very religious people are horribly afraid of it, though they all the time declare it's the only path to heaven. They're not consistent at all. You see I believe in nothing,—I came from nothing,—I am nothing,—I shall be nothing. That being plain, I am all right."
"Oh no," he replied to her, "I’m not a miserable person at all. For example, I’m not afraid of death—many very religious people are terrified of it, even though they constantly say it’s the only way to heaven. They’re not consistent at all. You see, I believe in nothing—I came from nothing—I am nothing—I will be nothing. With that clear, I’m good."
Güldmar laughed. "You are an odd lad," he said good-humoredly. "You are in the morning of life; there are always mists in the morning as there are in the evening. In the light of your full manhood you will see these things differently. Your creed of Nothing provides no moral law,—no hold on the conscience, no restraint on the passions,—don't you see that?"
Güldmar laughed. "You're a strange kid," he said with a smile. "You're at the beginning of life; there are always mists in the morning just like in the evening. When you reach the peak of your adulthood, you'll view these things differently. Your belief in Nothing offers no moral guidance—no grip on your conscience, no limits on your desires—don't you get that?"
Lorimer smiled with a very winning and boyish candor. "You are exceedingly good, sir, to credit me with a conscience! I don't think I have one,—I'm sure I have no passions. I have always been too lazy to encourage them, and as for moral law,—I adhere to morality with the greatest strictness, because if a fellow is immoral, he ceases to be a gentleman. Now, as there are very few gentlemen nowadays, I fancy I'd like to be one as long as I can."
Lorimer smiled with a charming and youthful honesty. "You're very kind, sir, to think I have a conscience! I don't believe I have one—I’m sure I have no passions. I've always been too lazy to nurture them, and when it comes to moral law—I follow morality very strictly, because if someone is immoral, they stop being a gentleman. Now, since there are hardly any gentlemen around these days, I think I’d like to be one for as long as possible."
Errington here interposed. "You mustn't take him seriously. Mr. Güldmar," he said; "he's never serious himself, I'll give you his character in a few words. He belongs to no religious party, it's true,—but he's a first-rate fellow,—the best fellow I know!"
Errington stepped in. "You shouldn't take him seriously, Mr. Güldmar," he said; "he never takes anything seriously himself. Let me sum him up for you. He doesn't belong to any religious group, that's true—but he's an awesome guy—the best guy I know!"
Lorimer glanced at him quietly with a gratified expression on his face. But he said nothing, for Thelma was regarding him with a most bewitching smile.
Lorimer looked at him quietly with a pleased expression on his face. But he didn't say anything, as Thelma was looking at him with a captivating smile.
"Ah!" she said, shaking a reproachful finger at him, "you do love all nonsense, that I can see! You would make every person laugh, if you could,—is it not so?"
"Ah!" she said, shaking a disapproving finger at him, "you really love all this nonsense, I can tell! You’d make everyone laugh if you could, right?"
"Well, yes," admitted George, "I think I would! But it's a herculean task sometimes. If you had ever been to London, Miss Güldmar, you would understand how difficult it is to make people even smile,—and when they do, the smile is not a very natural one."
"Well, yes," George admitted, "I think I would! But it can be an enormous challenge sometimes. If you had ever been to London, Miss Güldmar, you would understand how hard it is to get people to even smile—and when they do, the smile isn’t really genuine."
"Why?" she exclaimed. "Are they all so miserable?"
"Why?" she exclaimed. "Are they all that unhappy?"
"They pretend to be, if they're not," said Lorimer; "it is the fashion there to find fault with everything and everybody."
"They act like they are, even if they aren't," said Lorimer; "it's fashionable there to criticize everything and everyone."
"That is so," said Güldmar thoughtfully. "I visited London once and thought I was in hell. Nothing but rows of hard, hideously built houses, long streets, and dirty alleys, and the people had weary faces all, as though Nature had refused to bless them. A pitiful city,—doubly pitiful to the eyes of a man like myself, whose life has been passed among fjords and mountains such as these. Well, now, as neither of you are Lutherans,—in fact, as neither of you seem to know what you are," and he laughed, "I can be frank, and speak out as to my own belief. I am proud to say I have never deserted the faith of my fathers, the faith that makes a man's soul strong and fearless, and defiant of evil,—the faith that is supposed to be crushed out among us, but that is still alive and rooted in the hearts of many who can trace back their lineage to the ancient Vikings as I can,—yes!—rooted firm and fast,—and however much some of the more timorous feign to conceal it, in the tacit acceptance of another creed, there are those who can never shake it off, and who never desire to forsake it. I am one of these few. Shame must fall on the man who willfully deserts the faith of his warrior-ancestry! Sacred to me for ever be the names of Odin and Thor!"
"That's true," said Güldmar thoughtfully. "I visited London once and felt like I was in hell. Just rows of ugly, poorly built houses, long streets, and dirty alleys, and everyone had tired faces, as if Nature had decided not to bless them. It’s a sad city—especially sad for someone like me, who has spent my life among fjords and mountains like these. Now, since neither of you are Lutherans—in fact, it's clear neither of you really knows what you are," and he laughed, "I can be honest and share my beliefs. I'm proud to say I've never abandoned the faith of my ancestors, the faith that strengthens a man's soul and makes him fearless, standing up to evil— the faith that is said to have been wiped out among us, but is still alive and deeply rooted in the hearts of many who can trace their lineage back to the ancient Vikings, just like I can—yes!—rooted deep and strong—and no matter how much some of the more fearful pretend to hide it, accepting another belief, there are those who can never shake it off and don't want to give it up. I am one of those few. Shame on the man who willingly abandons the faith of his warrior ancestors! The names of Odin and Thor will always be sacred to me!"
He raised his hand aloft with a proud gesture, and his eyes flashed. Errington was interested, but not surprised: the old bonde's declaration of his creed seemed eminently fitted to his character. Lorimer's face brightened,—here was a novelty—a man, who in all the conflicting storms of modern opinion, sturdily clung to the traditions of his forefathers.
He raised his hand high with a proud gesture, and his eyes lit up. Errington was intrigued but not surprised: the old bond's statement of his beliefs seemed completely aligned with his character. Lorimer's face lit up—here was something new—a man who, amidst all the chaotic debates of today, firmly held on to the traditions of his ancestors.
"By Jove!" he exclaimed eagerly, "I think the worship of Odin would suit me perfectly! It's a rousing, fighting sort of religion,—I'm positive it would make a man of me. Will you initiate me into the mysteries, Mr. Güldmar? There's a fellow in London who writes poetry on Indian subjects, and who, it is said, thinks Buddhism might satisfy his pious yearnings,—but I think Odin would be a personage to command more respect than Buddha,—at any rate, I should like to try him. Will you give me a chance?"
"By gosh!" he exclaimed eagerly, "I think the worship of Odin would be perfect for me! It's an exciting, warrior-like religion—I'm sure it would make a man out of me. Will you teach me the secrets, Mr. Güldmar? There's someone in London who writes poetry about Indian themes, and apparently thinks Buddhism might fulfill his spiritual needs—but I believe Odin would deserve more respect than Buddha—anyway, I'd like to give it a shot. Will you give me a chance?"
Olaf Güldmar smiled gravely, and rising from his seat, pointed to the western sky.
Olaf Güldmar smiled seriously, and getting up from his seat, pointed at the western sky.
"See yonder threads of filmy white," he said, "that stretch across the wide expanse of blue! They are the lingering, fading marks of light clouds,—and even while we watch them, they shall pass and be no more. Such is the emblem of your life, young man—you that would, for an idle jest or pastime, presume to search into the mysteries of Odin! For you they are not,—your spirit is not of the stern mould that waits for death as gladly as the bridegroom waits for the bride! The Christian heaven is an abode for girls and babes,—Valhalla is the place for men! I tell you, my creed is as divine in its origin as any that ever existed on the earth! The Rainbow Bridge is a fairer pathway from death to life than the doleful Cross,—and better far the dark summoning eyes of a beauteous Valkyrie, than the grinning skull and cross-bones, the Christian emblem of mortality. Thelma thinks,—and her mother before her thought also,—that different as my way of belief is to the accepted new creeds of to-day, it will be all right with me in the next world—that I shall have as good a place in heaven as any Christian. It may be so,—I care not! But see you,—the key-note of all the civilization of to-day is discontent, while I,—thanks to the gods of my fathers, am happy, and desire nothing that I have not."
"Look at those threads of wispy white," he said, "that stretch across the vast blue sky! They are the fading marks of light clouds—and even as we watch them, they'll disappear. This symbolizes your life, young man—you who would, for a silly joke or a pastime, dare to explore the mysteries of Odin! These aren't for you—your spirit isn't the kind that awaits death as eagerly as a groom awaits his bride! The Christian heaven is a place for girls and children—Valhalla is where real men go! I tell you, my belief is as divine in its origins as any that has ever existed on this earth! The Rainbow Bridge is a much more beautiful path from death to life than the mournful Cross—and far better are the dark, inviting eyes of a beautiful Valkyrie than the grinning skull and crossbones, the Christian symbol of mortality. Thelma believes—and her mother before her believed too—that despite how different my beliefs are from the accepted new creeds of today, it will all be fine for me in the next world—that I’ll have as good a place in heaven as any Christian. Maybe that's true—I don't care! But you see, the central theme of all today's civilization is discontent, while I—thanks to the gods of my ancestors—am happy and desire nothing that I don't already have."
He paused and seemed absorbed. The young men watched his fine inspired features with lively interest. Thelma's head was turned away from them so that her face was hidden. By-and-by he resumed in quieter tones—
He paused and seemed lost in thought. The young men observed his impressive features with keen interest. Thelma had her head turned away from them, keeping her face hidden. After a while, he continued speaking in a softer voice—
"Now, my lads, you know what we are—both of us accursed in the opinion of the Lutheran community. My child belongs to the so-called idolatrous Church of Rome. I am one of the very last of the 'heathen barbarians,'"—and the old fellow smiled sarcastically, "though, truth to tell, for a barbarian, I am not such a fool as some folks would have you think. If the snuffling Dyceworthy and I competed at a spelling examination, I'm pretty sure 'tis I would have the prize! But, as I said,—you know us,—and if our ways are likely to offend you, then let us part good friends before the swords are fairly drawn."
"Now, guys, you know what we are—both of us looked down upon by the Lutheran community. My kid belongs to the so-called idolatrous Church of Rome. I’m one of the last of the 'heathen barbarians,'"—and the old man smiled sarcastically, "though, honestly, for a barbarian, I’m not as foolish as some people would have you believe. If the sniveling Dyceworthy and I were to compete in a spelling bee, I’m pretty sure I’d take home the prize! But, as I said—you know us—and if our ways are likely to offend you, then let’s part as good friends before any real conflict arises."
"No sword will be drawn on my side, I assure you, sir," said Errington, advancing and laying one hand on the bonde's shoulder. "I hope you will believe me when I say I shall esteem it an honor and a privilege to know more of you."
"No sword will be drawn on my side, I assure you, sir," said Errington, stepping forward and placing a hand on the bonde's shoulder. "I hope you'll believe me when I say it would be an honor and a privilege to get to know you better."
"And though you won't accept me as a servant of Odin," added Lorimer, "you really cannot prevent me from trying to make myself agreeable to you. I warn you, Mr. Güldmar, I shall visit you pretty frequently! Such men as you are not often met with."
"And even though you won't see me as a servant of Odin," Lorimer added, "you really can't stop me from trying to be pleasant to you. I warn you, Mr. Güldmar, I will visit you quite often! Men like you are hard to come by."
Olaf Güldmar looked surprised. "You really mean it?" he said. "Nothing that I have told you affects you? You still seek our friendship?"
Olaf Güldmar looked shocked. "Are you serious?" he said. "None of what I told you matters to you? You still want to be friends?"
They both earnestly assured him that they did, and as they spoke Thelma rose from her low seat and faced them with a bright smile.
They both sincerely promised him that they did, and as they spoke, Thelma stood up from her low seat and confronted them with a bright smile.
"Do you know," she said, "that you are the first people who, on visiting us once, have ever cared to come again? Ah, you look surprised, but it is so, is it not, father?"
"Do you know," she said, "that you are the first people who, after visiting us once, have ever bothered to come back? Ah, you look surprised, but it's true, isn't it, dad?"
Güldmar nodded a grave assent.
Güldmar nodded seriously.
"Yes," she continued demurely, counting on her little white fingers, "we are three things—first, we are accursed; secondly, we have the evil eye; thirdly, we are not respectable!"
"Yeah," she said modestly, counting on her little white fingers, "we are three things—first, we’re cursed; second, we have the evil eye; and third, we’re not respectable!"
And she broke into a peal of laughter, ringing and sweet as a chime of bells. The young men joined her in it; and, still with an amused expression on her lovely face, leaning her head back against a cluster of pale roses, she went on—
And she burst into a fit of laughter, bright and sweet like a chime of bells. The young men laughed along with her; and, still with a playful look on her beautiful face, leaning her head back against a bunch of pale roses, she continued—
"My father dislikes Mr. Dyceworthy so much, because he wants to—to—oh, what is it they do to savages, father? Yes, I know,—to convert us,—to make us Lutherans. And when he finds it all no use, he is angry; and, though he is so religious, if he hears any one telling some untruth about us in Bosekop, he will add another thing equally untrue, and so it grows and grows, and—why! what is the matter with you?" she exclaimed in surprise as Errington scowled and clenched his fist in a peculiarly threatening manner.
"My dad really can't stand Mr. Dyceworthy because he wants to—oh, what is it they do to people in primitive societies, Dad? Yes, I know—to convert us—make us Lutherans. And when he sees it’s all pointless, he gets mad; and even though he's really religious, if he hears someone spreading false information about us in Bosekop, he’ll throw in another lie just as false, and then it just keeps growing and growing. And—why! What’s wrong with you?" she exclaimed in surprise as Errington scowled and clenched his fist in a distinctly threatening way.
"I should like to knock him down!" he said briefly under his breath.
"I really want to knock him down!" he said quietly to himself.
Old Güldmar laughed and looked at the young baronet approvingly.
Old Güldmar laughed and gave the young baronet an approving look.
"Who knows, who knows!" he said cheerfully. "You may do it some day! It will be a good deed! I will do it myself if he troubles me much more. And now let us make some arrangement with you. When will you come and see, us again?"
"Who knows, who knows!" he said cheerfully. "You might just do it someday! It would be a nice thing to do! I’ll take care of it myself if he bothers me any more. Now, let’s figure something out with you. When will you come see us again?"
"You must visit me first," said Sir Philip quickly. "If you and your daughter will honor me with your company to-morrow, I shall be proud and pleased. Consider the yacht at your service."
"You need to come see me first," Sir Philip said quickly. "If you and your daughter would do me the honor of joining me tomorrow, I would be proud and happy. Think of the yacht as yours to use."
Thelma, resting among the roses, looked across at him with serious, questioning eyes—eyes that seemed to be asking his intentions towards both her and her father.
Thelma, lounging among the roses, gazed at him with serious, questioning eyes—eyes that seemed to be inquiring about his intentions toward both her and her father.
Güldmar accepted the invitation at once, and, the hour for their visit next day being fixed and agreed upon, the young men began to take their leave. As Errington clasped Thelma's hand in farewell, he made a bold venture. He touched a rose that hung just above her head almost dropping on her hair.
Güldmar immediately accepted the invitation, and with the time for their visit the next day set and confirmed, the young men started to say their goodbyes. As Errington held Thelma's hand in farewell, he took a daring chance. He reached up to touch a rose that was hanging just above her head, nearly brushing against her hair.
"May I have it?" he asked in a low tone.
"Can I have it?" he asked in a quiet voice.
Their eyes met. The girl flushed deeply, and then grew pale. She broke off the flower and gave it to him,—then turned to Lorimer to say good-bye. They left her then, standing under the porch, shading her brow with one hand from the glittering sunlight, as she watched them descending the winding path to the shore, accompanied by her lather, who hospitably insisted on seeing them into their boat. They looked back once or twice, always to see the slender, tall white figure standing there like an angel resting in a bower of roses, with the sunshine flashing on a golden crown of hair. At the last in the pathway Philip raised his hat and waved it, but whether she condescended to wave her hand in answer he could not see.
Their eyes met. The girl blushed deeply, then became pale. She picked the flower and handed it to him, then turned to Lorimer to say goodbye. They left her standing under the porch, shielding her eyes from the bright sunlight with one hand as she watched them walking down the winding path to the shore, accompanied by her father, who graciously insisted on seeing them to their boat. They looked back one or two times, always finding the slender, tall white figure standing there like an angel resting in a bower of roses, with the sunlight reflecting off her golden crown of hair. In the end, on the path, Philip tipped his hat and waved it, but whether she waved back he couldn’t tell.
Left alone, she sighed, and went slowly into the house to resume her spinning. Hearing the whirr of the wheel, the servant Britta entered.
Left alone, she sighed and walked slowly into the house to continue her spinning. Hearing the whirr of the wheel, the servant Britta came in.
"You are not going in the boat, Fröken?" she asked in a tone of mingled deference and affection.
"You’re not getting in the boat, Miss?" she asked in a tone of mixed respect and warmth.
Thelma looked up, smiled faintly, and shook her head in the negative.
Thelma glanced up, gave a faint smile, and shook her head no.
"It is late, Britta, and I am tired."
"It’s late, Britta, and I’m tired."
And the deep blue eyes had an intense dreamy light within them as they wandered from the wheel to the wide-open window, and rested on the majestic darkness of the overshadowing, solemn pines.
And the deep blue eyes had an intense dreamy light in them as they moved from the wheel to the wide-open window, and focused on the majestic darkness of the towering, solemn pines.
CHAPTER VII.
"In mezzo del mio core c' e una spina; Non c' e barbier che la possa levare,— Solo il mio amore colla sua manina" |
Rime Popolari.
Popular Rhymes.
Errington and Lorimer pulled away across the Fjord in a silence that lasted for many minutes. Old Güldmar stood on the edge of his little pier to watch them out of sight. So, till their boat turned the sharp corner of the protecting rock, that hid the landing-place from view, they saw his picturesque figure and gleaming silvery hair outlined clearly against the background of the sky—a sky now tenderly flushed with pink like the inside of a delicate shell. When they could no longer perceive him they still rowed on speaking no word,—the measured, musical plash of the oars through the smooth, dark olive-green water alone breaking the stillness around them. There was a curious sort of hushed breathlessness in the air; fantastic, dream-like lights and shadows played on the little wrinkling waves; sudden flushes of crimson came and went in the western horizon, and over the high summits of the surrounding mountains mysterious shapes, formed of purple and grey mist, rose up and crept softly downwards, winding in and out deep valleys and dark ravines, like wandering spirits sent on some secret and sorrowful errand. After a while Errington said almost vexedly—
Errington and Lorimer moved away across the fjord in silence that stretched on for several minutes. Old Güldmar stood at the edge of his small pier, watching until they disappeared from view. As their boat rounded the sharp corner of the protective rock that concealed the landing spot, they could still see his striking figure and shining silver hair clearly against the backdrop of the sky—a sky now gently tinged with pink like the inside of a delicate shell. Once they could no longer see him, they continued rowing without a word—the rhythmic, soothing splash of the oars through the smooth, dark olive-green water was the only sound breaking the stillness around them. An unusual sort of hushed anticipation filled the air; surreal, dream-like lights and shadows danced on the small rippling waves; sudden bursts of crimson flared and faded in the western horizon, and over the lofty peaks of the surrounding mountains, mysterious shapes formed of purple and gray mist rose up and softly drifted downwards, weaving in and out of deep valleys and dark ravines, like wandering spirits on some secret and sorrowful mission. After a while, Errington said almost irritably—
"Are you struck dumb, George? Haven't you a word to say to a fellow?"
"Are you speechless, George? Don’t you have anything to say to your friend?"
"Just what I was about to ask you," replied Lorimer carelessly; "and I was also going to remark that we hadn't seen your mad friend up at the Güldmar residence."
"That’s exactly what I was going to ask you," replied Lorimer casually; "and I was also going to mention that we haven't seen your crazy friend at the Güldmar place."
"No. Yet I can't help thinking he has something to do with them, all the same," returned Errington meditatively. "I tell you, he swore at me by some old Norwegian infernal place or other. I dare say he's an Odin worshipper, too. But never mind him. What do you think of her?"
"No. Still, I can't shake the feeling that he’s connected to them in some way," Errington replied, deep in thought. "I mean, he swore at me by some old Norwegian hellish place or something. I wouldn’t be surprised if he’s into Odin worship, too. But forget about him. What do you think of her?"
Lorimer turned lazily round in the boat, so that he faced his companion.
Lorimer turned around in the boat, facing his companion.
"Well, old fellow, if you ask me frankly, I think she is the most beautiful woman I ever saw, or, for that matter, ever heard of. And I am an impartial critic—perfectly impartial."
"Well, my friend, if you want my honest opinion, I think she’s the most beautiful woman I’ve ever seen, or even heard of. And I’m an unbiased critic—completely unbiased."
And, resting on his oar, he dipped the blade musingly in and out of the water, watching the bright drops fall with an oil-like smoothness as they trickled from the polished wood and glittered in the late sunshine like vari-colored jewels. Then he glanced curiously at Philip, who sat silent, but whose face was very grave and earnest,—even noble, with that shade of profound thought upon it. He looked like one who had suddenly accepted a high trust, in which there was not only pride, but tenderness. Lorimer shook himself together, as he himself would have expressed it, and touched his friend's arm half-playfully.
And, resting on his oar, he dipped the blade thoughtfully in and out of the water, watching the bright droplets fall smoothly like oil as they trickled from the polished wood and sparkled in the late sunlight like colorful jewels. Then he looked curiously at Philip, who sat quietly, but whose face was very serious and earnest—almost noble, with a look of deep thought on it. He resembled someone who had suddenly taken on a significant responsibility, feeling both pride and tenderness. Lorimer gathered himself, as he would have put it, and playfully touched his friend's arm.
"You've met the king's daughter of Norroway after all, Phil;" and his light accents had a touch of sadness in them; "and you'll have to bring her home, as the old song says. I believe the 'eligible' is caught at last. The 'woman' of the piece has turned up, and your chum must play second fiddle—eh, old boy?"
"You've met the king's daughter of Norroway after all, Phil;" and his light tone had a hint of sadness in it; "and you'll have to bring her home, just like the old song says. I think the 'eligible' one is finally caught. The 'woman' of the story has shown up, and your buddy will have to take a backseat—right, old friend?"
Errington flushed hotly, but caught Lorimer's hand and pressed it with tremendous fervor.
Errington blushed, but grabbed Lorimer's hand and squeezed it with intense passion.
"By Jove, I'll wring it off your wrist if you talk in that fashion, George!" he said, with a laugh. "You'll always be the same to me, and you know it. I tell you," and he pulled his moustache doubtfully, "I don't know quite what's the matter with me. That girl fascinates me! I feel a fool in her presence. Is that a sign of being in love I wonder?"
"Seriously, I'll take it off your wrist if you talk like that, George!" he said with a laugh. "You'll always be the same in my eyes, and you know it. I swear," and he tugged at his mustache uncertainly, "I don't really know what's going on with me. That girl really draws me in! I feel like an idiot when she's around. Is that what being in love feels like, I wonder?"
"Certainly not!" returned George promptly; "for I feel a fool in her presence, and I'm not in love."
"Definitely not!" George replied quickly; "because I feel like a fool around her, and I'm not in love."
"How do you know that?" And Errington glanced at him keenly and inquiringly.
"How do you know that?" Errington looked at him intently and with curiosity.
"How do I know? Come, I like that! Have I studied myself all these years for nothing? Look here,"—and he carefully drew out the little withering bunch of daisies he had purloined—"these are for you. I knew you wanted them, though you hadn't the impudence to pick them up, and I had. I thought you might like to put them under your pillow, and all that sort of thing, because if one is resolved to become love-lunatic, one may as well do the thing properly out and out,—I hate all half-measures. Now, if the remotest thrill of sentiment were in me, you can understand, I hope, that wild horses would not have torn this adorable posy from my possession! I should have kept it, and you would never have known of it," and he laughed softly. "Take it, old fellow! You're rich now, with the rose she gave you besides. What is all your wealth compared with the sacred preciousness of such blossoms! There, don't look so awfully estactic, or I shall be called upon to ridicule you in the interests of common sense. So you're in love with the girl at once, and have done with it. Don't beat about the bush!"
"How do I know? Come on, I like that! Have I studied myself all these years for nothing? Look here,"—and he carefully pulled out the little, wilting bunch of daisies he had taken—"these are for you. I knew you wanted them, even though you didn't have the nerve to pick them up, and I did. I thought you might like to put them under your pillow and all that sort of thing, because if someone is determined to be love-struck, they might as well do it properly—I can't stand half-measures. Now, if there were even a hint of sentiment in me, you can understand, I hope, that nothing would have pried this adorable bouquet from my hands! I would have kept it, and you would never have known about it," and he laughed softly. "Take it, my friend! You're rich now, with the rose she gave you too. What is all your wealth compared to the sacred preciousness of flowers like these! There, don't look so incredibly happy, or I'll have to tease you for the sake of common sense. So, you're in love with the girl right away, and that's that. Don't beat around the bush!"
"I'm not sure about it," said Philip, taking the daisies gratefully, however, and pressing them in his pocket-book. "I don't believe in love at first sight!"
"I'm not sure about it," Philip said, gratefully taking the daisies and pressing them into his wallet. "I don't believe in love at first sight!"
"I do," returned Lorimer decidedly. "Love is electricity. Two telegrams are enough to settle the business,—one from the eyes of the man, the other from those of the woman. You and Miss Güldmar must have exchanged a dozen such messages at least."
"I do," Lorimer replied firmly. "Love is like electricity. Just two messages are enough to get the point across—one from the man's eyes and the other from the woman's. You and Miss Güldmar must have exchanged at least a dozen of those messages."
"And you?" inquired Errington persistently. "You had the same chance as myself."
"And you?" Errington asked, staying on the topic. "You had the same opportunity as I did."
George shrugged his shoulders. "My dear boy, there are no wires of communication between the Sun-angel and myself; nothing but a blank, innocent landscape, over which perhaps some day, the mild lustre of friendship may beam. The girl is beautiful—extraordinarily so; but I'm not a 'man o' wax,' as Juliet's gabbling old nurse says—not in the least impressionable."
George shrugged his shoulders. "My dear boy, there are no lines of communication between the Sun-angel and me; just a blank, innocent landscape, where maybe one day, the gentle glow of friendship could shine. The girl is beautiful—extraordinarily so; but I'm not a 'man of wax,' as Juliet's chatty old nurse says—I'm not impressionable at all."
And forthwith he resumed his oar, saying briskly as he did so—
And right away he picked up his oar again, saying cheerfully as he did so—
"Phil, do you know those other fellows must be swearing at us pretty forcibly for leaving them so long with Dyceworthy. We've been away two hours!"
"Phil, do you realize those other guys are probably cursing us pretty loudly for leaving them with Dyceworthy for so long? We've been gone for two hours!"
"Not possible!" cried Errington, amazed, and wielding his oar vigorously. "They'll think me horribly rude. By Jove, they must be bored to death!"
"That's impossible!" shouted Errington, astonished and paddling his oar energetically. "They'll think I'm really rude. By God, they must be so bored!"
And, stimulated by the thought of the penance their friends were enduring, they sent the boat spinning swiftly through the water, and rowed as though they were trying for a race, when they were suddenly pulled up by a loud "Halloo!" and the sight of another boat coming slowly out from Bosekop, wherein two individuals were standing up, gesticulating violently.
And, driven by the idea of the punishment their friends were going through, they sent the boat gliding rapidly through the water and rowed as if they were competing in a race, when they were abruptly stopped by a loud "Hey!" and the sight of another boat slowly coming out from Bosekop, where two people were standing up, waving their arms wildly.
"There they are!" exclaimed Lorimer. "I say, Phil, they've hired a special tub, and are coming out to us."
"There they are!" Lorimer exclaimed. "Hey, Phil, they've rented a special boat and are coming out to us."
So it proved. Duprèz and Macfarlane had grown tired of waiting for their truant companions, and had taken the first clumsy wherry that presented itself, rowed by an even clumsier Norwegian boatman, whom they had been compelled to engage also, as he would not let his ugly punt out of his sight, for fear some harm might chance to befall it. Thus attended, they were on their way back to the yacht. With a few long, elegant strokes, Errington and Lorimer soon brought their boat alongside, and their friends gladly jumped into it, delighted to be free of the company of the wooden-faced mariner they had so reluctantly hired, and who now, on receiving his fee, paddled awkwardly away in his ill-constructed craft, without either a word of thanks or salutation. Errington began to apologize at once for his long absence, giving as a reason for it, the necessity he found himself under of making a call on some persons of importance in the neighborhood, whom he had, till now, forgotten.
So it turned out. Duprèz and Macfarlane had grown tired of waiting for their missing friends and had taken the first awkward small boat they could find, rowed by an even more awkward Norwegian boatman, who they had to hire as well, since he wouldn’t let his ugly little boat out of his sight, worried that something might happen to it. With his help, they were on their way back to the yacht. With a few long, graceful strokes, Errington and Lorimer quickly brought their boat alongside, and their friends happily jumped in, glad to be rid of the stern mariner they had so reluctantly hired, who now, after receiving his payment, paddled awkwardly away in his poorly built craft, without so much as a thank you or a goodbye. Errington immediately started to apologize for his lengthy absence, explaining that he had to stop by and visit some important people in the area, who he had, until now, forgotten about.
"My good Phil-eep!" cried Duprèz, in his cheery sing song accent, "why apologize? We have amused ourselves! Our dear Sandy has a vein of humor that is astonishing! We have not wasted our time. No! We have made Mr. Dyceworthy our slave; we have conquered him; we have abased him! He is what we please,—he is for all gods or for no god,—just as we pull the string! In plain words, mon cher, that amiable religious is drunk!"
"My good Philip!" exclaimed Duprèz, in his cheerful sing-song accent, "why apologize? We’ve had a great time! Our dear Sandy has an incredible sense of humor! We haven't wasted our time. No! We've made Mr. Dyceworthy our puppet; we’ve taken control of him; we’ve humiliated him! He is whatever we want—he believes in any god or no god at all—just like we pull the strings! In simple terms, my dear, that charming religious guy is drunk!"
"Drunk!" cried Errington and Lorimer together. "Jove! you don't mean it?"
"Drunk!" yelled Errington and Lorimer in unison. "Wow! You can't be serious?"
Macfarlane looked up with a twinkle of satirical humor in his deep-set grey eyes.
Macfarlane looked up with a glint of sarcastic humor in his deep-set gray eyes.
"Ye see," he said seriously, "the Lacrima, or Papist wine as he calls it, was strong—we got him to take a good dose o't—a vera feir dose indeed. Then, doun he sat, an' fell to convairsing vera pheelosophically o' mony things,—it wad hae done ye gude to hear him,—he was fair lost in the mazes o' his metapheesics, for twa flies took a bit saunter through the pleasant dewy lanes o' his forehead, an' he never raised a finger to send them awa' aboot their beeziness. Then I thoet I wad try him wi' the whusky—I had ma pocket flask wi' me—an' O mon! he was sairly glad and gratefu' for the first snack o't! He said it was deevilish fine stuff, an' so he took ane drappikie, an' anither drappikie, and yet anither drappikie,"—Sandy's accent got more and more pronounced as he went on—"an' after a bit, his heed dropt doun, an' he took a wee snoozle of a minute or twa,—then he woke up in a' his strength an' just grappit the flask in his twa hands an' took the hale o't off at a grand, rousin' gulp! Ma certes! after it ye shuld ha' seen him laughin' like a feckless fule, an' rubbin' an' rubbin' his heed, till his hair was like the straw kicked roond by a mad coo!"
"You see," he said seriously, "the Lacrima, or Catholic wine as he calls it, was strong—we managed to get him to take a good amount of it—a really hefty dose for sure. Then, he sat down and started talking very philosophically about many things—you would have enjoyed hearing him—he was completely lost in the complexities of his metaphysics, as two flies took a little stroll through the nice, dewy paths of his forehead, and he didn’t lift a finger to shoo them away. Then I thought I’d try him with the whiskey—I had my pocket flask with me—and oh man! he was really happy and grateful for the first sip of it! He said it was incredibly good stuff, and so he took a little sip, then another sip, and yet another sip,"—Sandy's accent grew more pronounced as he continued—"and after a while, his head drooped down, and he took a little nap for a minute or two—then he woke up feeling great and just grabbed the flask with both hands and downed it in one big, hearty gulp! Goodness! You should have seen him laughing like a silly fool, rubbing and rubbing his head, until his hair looked like straw kicked around by a mad cow!"
Lorimer lay back in the stern of the boat and laughed uproariously at this extraordinary picture, as did the others.
Lorimer leaned back in the back of the boat and laughed loudly at this amazing sight, just like the others.
"But that is not all," said Duprèz, with delighted mischief sparkling in his wicked little dark eyes; "the dear religious opened his heart to us. He spoke thickly, but we could understand him. He was very impressive! He is quite of my opinion. He says all religion is nonsense, fable, imposture,—Man is the only god, Woman his creature and subject. Again,—man and woman conjoined, make up divinity, necessity, law. He was quite clear on that point. Why did he preach what he did not believe, we asked? He almost wept! He replied that the children of this world liked fairy-stories and he was paid to tell them. It was his bread and butter,—would we wish him to have no bread and butter? We assured him so cruel a thought had no place in our hearts! Then he is amorous—yes! the good fat man is amorous! He would have become a priest, but on close examination of the confessionals he saw there was no possibility of seeing, much less kissing a lady penitent through the grating. So he gave up that idea! In his form of faith he can kiss, he says,—he does kiss!—always a holy kiss, of course! He is so ingenuous,—so delightfully frank, it is quite charming!"
"But that's not all," Duprèz said, with mischievous delight sparkling in his wicked little dark eyes. "The dear religious man opened his heart to us. He spoke slowly, but we could understand him. He was really impressive! He totally agrees with me. He says all religion is nonsense, just stories and deceit—Man is the only god, and Woman is his creation and subordinate. Furthermore—man and woman together make up divinity, necessity, and law. He was very clear on that point. When we asked him why he preached what he didn't believe, he almost cried! He replied that the people of this world enjoy fairy tales, and he was paid to tell them. It was his livelihood—would we want him to be without a livelihood? We assured him such a cruel thought had no place in our hearts! So he is amorous—yes! The good fat man is amorous! He would have become a priest, but upon closer inspection of the confessionals, he realized there was no chance of seeing, let alone kissing, a lady penitent through the grating. So he gave up that idea! In his form of faith, he says he *can* kiss—he *does* kiss!—always a holy kiss, of course! He is so genuine—so delightfully straightforward, it’s quite charming!"
They laughed again. Sir Philip looked somewhat disgusted.
They laughed again. Sir Philip looked a bit disgusted.
"What an old brute he must be!" he said. "Somebody ought to kick him—a holy kick, of course, and therefore more intense and forcible than other kicks."
"What an old jerk he must be!" he said. "Somebody should kick him—a righteous kick, of course, and therefore stronger and more powerful than other kicks."
"You begin, Phil," laughed Lorimer, "and we'll all follow suit. He'll be like that Indian in 'Vathek' who rolled himself into a ball; no one could resist kicking as long as the ball bounded before them,—we, similarly, shall not be able to resist, if Dyceworthy's fat person is once left at our mercy."
"You start, Phil," laughed Lorimer, "and we'll all jump in after you. He'll be like that Indian in 'Vathek' who rolled himself into a ball; no one could resist kicking as long as the ball was bouncing in front of them—similarly, we won’t be able to hold back if Dyceworthy's fat guy is left at our mercy."
"That was a grand bit he told us, Errington," resumed Macfarlane. "Ye should ha' heard him talk aboot his love-affair! . . . the saft jelly of a man that he is, to be making up to ony woman."
"That was quite a story he told us, Errington," Macfarlane continued. "You should have heard him talk about his love life! … the soft-hearted guy that he is, trying to win over any woman."
At that moment they ran alongside of the Eulalie and threw up their oars.
At that moment, they raced alongside the Eulalie and lifted their oars.
"Stop a bit," said Errington. "Tell us the rest on board."
"Hold on for a second," said Errington. "Share the rest with us on the boat."
The ladder was lowered; they mounted it, and their boat was hauled up to its place.
The ladder was lowered; they climbed it, and their boat was pulled up to its spot.
"Go on!" said Lorimer, throwing himself lazily into a deck arm-chair and lighting a cigar, while the others leaned against the yacht rails and followed his example. "Go on, Sandy—this is fun! Dyceworthy's amours must be amusing. I suppose he's after that ugly wooden block of a woman we saw at his house who is so zealous for the 'true gospel'?"
"Go ahead!" said Lorimer, casually sinking into a deck chair and lighting a cigar, while the others leaned against the yacht's railing and did the same. "Keep going, Sandy—this is entertaining! Dyceworthy's love life must be interesting. I assume he's chasing that unattractive woman we saw at his place who is so passionate about the 'real gospel'?"
"Not a bit of it," replied Sandy, with immense gravity. "The auld Silenus has better taste. He says there's a young lass running after him, fit to break her heart aboot him,—puir thing, she must have vera little choice o' men! He hasna quite made up his mind, though he admeets she's as fine a lass as ony man need require. He's sorely afraid she has set herself to catch him, as he says she's an eye like a warlock for a really strong good-looking fellow like himself," and Macfarlane chuckled audibly. "Maybe he'll take pity on her, maybe he wont; the misguided lassie will be sairly teazed by him from a' he tauld us in his cups. He gave us her name,—the oddest in a' the warld for sure,—I canna just remember it."
"Not at all," replied Sandy, very seriously. "The old Silenus has better taste. He says there's a young woman chasing after him, ready to break her heart for him—poor thing, she must have very few options when it comes to men! He hasn't fully decided yet, although he admits she's as beautiful a girl as any man could ask for. He's really worried that she's trying to catch him, since he claims she has a look like a sorceress for a truly strong and good-looking guy like himself," and Macfarlane chuckled loudly. "Maybe he'll feel sorry for her, maybe he won't; that unfortunate girl will be sorely teased by him from everything he told us when he was drinking. He mentioned her name—the strangest in the whole world for sure—I just can't remember it."
"I can," said Duprèz glibly. "It struck me as quaint and pretty—Thelma Güldmar."
"I can," Duprèz said casually. "I found it charming and beautiful—Thelma Güldmar."
Errington started so violently, and flushed so deeply, that Lorimer was afraid of some rash outbreak of wrath on his part. But he restrained himself by a strong effort. He merely took his cigar from his mouth and puffed a light cloud of smoke into the air before replying, then he said coldly—
Errington started so suddenly and blushed so deeply that Lorimer feared he might lash out in anger. But he controlled himself with a strong effort. He simply took his cigar out of his mouth and blew a light cloud of smoke into the air before responding, then he said coldly—
"I should say Mr. Dyceworthy, besides being a drunkard, is a most consummate liar. It so happens that the Güldmars are the very people I have just visited,—highly superior in every way to anybody we have yet met in Norway. In fact, Mr. and Miss Güldmar will come on board to-morrow. I have invited them to dine with us; you will then be able to judge for yourselves whether the young lady is at all of the description Mr. Dyceworthy gives of her."
"I should mention that Mr. Dyceworthy, apart from being a drunk, is a complete liar. It just so happens that the Güldmars are the very people I just visited—far superior in every way to anyone we've met in Norway so far. In fact, Mr. and Miss Güldmar will come on board tomorrow. I've invited them to dinner; you'll then be able to see for yourselves whether the young lady is at all like the way Mr. Dyceworthy describes her."
Duprèz and Macfarlane exchanged astonished looks.
Duprèz and Macfarlane exchanged shocked glances.
"Are ye quite sure," the latter ventured to remark cautiously, "that ye're prudent in what ye have done? Remember ye have asked no pairson at a' to dine with ye as yet,—it's a vera sudden an' exceptional freak o' hospitality."
"Are you really sure," the latter cautiously suggested, "that you're being sensible about what you've done? Remember, you haven't invited anyone to dine with you yet—it's quite a sudden and uncommon act of hospitality."
Errington smoked on peacefully and made no answer. Duprèz hummed a verse of a French chansonnette under his breath and smiled. Lorimer glanced at him with a lazy amusement.
Errington smoked calmly and didn’t respond. Duprèz quietly hummed a line of a French chansonnette and smiled. Lorimer looked at him with a relaxed amusement.
"Unburden yourself, Pierre, for heaven's sake!" he said. "Your mind is as uncomfortable as a loaded camel. Let it lie down, while you take off its packages, one by one, and reveal their contents. In short, what's up?"
"Let it all out, Pierre, for goodness' sake!" he said. "Your mind is as heavy as a packed camel. Let it rest while you unpack it, piece by piece, and show what's inside. So, what's going on?"
Duprèz made a rapid, expressive gesture with his hands.
Duprèz made a quick, expressive movement with his hands.
"Mon cher, I fear to displease Phil-eep! He has invited these people; they are coming,—bien! there is no more to say."
"My dear, I'm worried about upsetting Phil-eep! He has invited these people; they are coming,—good! There’s nothing more to say."
"I disagree with ye," interposed Macfarlane "I think Errington should hear what we ha' heard; it's fair an' just to a mon that he should understand what sort o' folk are gaun to pairtake wi' him at his table. Ye see, Errington, ye should ha' thought a wee, before inviting pairsons o' unsettled an' dootful chairacter—"
"I disagree with you," interrupted Macfarlane. "I think Errington should hear what we have heard; it’s fair and just for him to understand what kind of people will be joining him at his table. You see, Errington, you should have thought a bit before inviting people of uncertain and questionable character—"
"Who says they are?" demanded Errington half-angrily. "The drunken Dyceworthy?"
"Who says they are?" Errington asked, half-angrily. "The drunk Dyceworthy?"
"He was no sae drunk at the time he tauld us." persisted Macfarlane in his most obstinate, most dictatorial manner. "Ye see, it's just this way—"
"He wasn't that drunk when he told us." Macfarlane insisted in his most stubborn, bossy tone. "You see, it's just like this—"
"Ah, pardon!" interrupted Duprèz briskly. "Our dear Sandy is an excellent talker, but he is a little slow. Thus it is, mon cher Errington. This gentleman named Güldmar had a most lovely wife—a mysterious lady, with an evident secret. The beautiful one was never seen in the church or in any town or village; she was met sometimes on hills, by rivers, in valleys, carrying her child in her arms. The people grew afraid of her; but, now, see what happens! Suddenly, she appears no more; some one ventures to ask this Monsieur Güldmar, 'What has become of Madame?' His answer is brief. 'She is dead!' Satisfactory so far, yet not quite; for, Madame being dead, then what has become of the corpse of Madame? It was never seen,—no coffin was ever ordered,—and apparently it was never buried! Bien! What follows? The good people of Bosekop draw the only conclusion possible—Monsieur Güldmar, who is said to have a terrific temper, killed Madame and made away with her body. Voilà!"
"Ah, excuse me!" interrupted Duprèz quickly. "Our dear Sandy is a great talker, but he takes his time. So it is, my dear Errington. This gentleman named Güldmar had a very lovely wife—a mysterious woman with an obvious secret. The beautiful woman was never seen in church or in any town or village; she was sometimes spotted on hills, by rivers, or in valleys, carrying her child in her arms. People started to fear her; but now, look what happens! Suddenly, she disappears; someone dares to ask Monsieur Güldmar, 'What happened to Madame?' His answer is short. 'She is dead!' That’s fine so far, but not quite; because if Madame is dead, then what happened to her body? It was never seen—no coffin was ever arranged—and apparently, she was never buried! Well! What happens next? The kind people of Bosekop come to the only conclusion they can—Monsieur Güldmar, who is said to have a terrible temper, killed Madame and disposed of her body. There you go!"
And Duprèz waved his hand with an air of entire satisfaction.
And Duprèz waved his hand with complete satisfaction.
Errington's brow grew sombre. "This is the story, is it?" he asked at last.
Errington's brow furrowed. "So this is the story, huh?" he finally asked.
"It is enough, is it not?" laughed Duprèz. "But, after all, what matter? It will be novel to dine with a mur—"
"It’s enough, isn’t it?" Duprèz laughed. "But really, what does it matter? It’ll be interesting to have dinner with a mur—"
"Stop!" said Philip fiercely, with so much authority that the sparkling Pierre was startled. "Call no man by such a name till you know he deserves it. If Güldmar was suspected, as you say, why didn't somebody arrest him on the charge?"
"Stop!" Philip said fiercely, with so much authority that the sparkling Pierre was taken aback. "Don’t call anyone that until you know he deserves it. If Güldmar was suspected, as you say, why didn't someone arrest him on those charges?"
"Because, ye see," replied Macfarlane, "there was not sufficient proof to warrant such a proceeding. Moreover, the actual meenister of the parish declared it was a' richt, an' said this Güldmar was a mon o' vera queer notions, an' maybe, had buried his wife wi' certain ceremonies peculiar to himself—What's wrong wi' ye now?"
"Because you see," replied Macfarlane, "there wasn't enough evidence to justify such an action. Besides, the actual minister of the parish said it was all fine and mentioned that this Güldmar had some really strange ideas, and maybe he had buried his wife with some unique rituals of his own—What's wrong with you now?"
For a light had flashed on Errington's mind, and with the quick comprehension it gave him, his countenance cleared. He laughed.
For a light had flashed on Errington's mind, and with the quick comprehension it gave him, his countenance cleared. He laughed.
"That's very likely," he said; "Mr. Güldmar is a character. He follows the faith of Odin, and not even Dyceworthy can convert him to Christianity."
"That's very likely," he said. "Mr. Güldmar is quite a character. He believes in Odin, and not even Dyceworthy can change his mind about Christianity."
Macfarlane stared with a sort of stupefied solemnity.
Macfarlane stared with a kind of blank seriousness.
"Mon!" he exclaimed, "ye never mean to say there's an actual puir human creature that in this blessed, enlightened nineteenth century of ours, is so far misguidit as to worship the fearfu' gods o' the Scandinavian meethology?"
"Mon!" he exclaimed, "you can't be serious that there’s an actual poor human being who, in this blessed, enlightened nineteenth century of ours, is so misguided as to worship the terrifying gods of Scandinavian mythology?"
"Ah!" yawned Lorimer, "you may wonder away, Sandy, but it's true enough! Old Güldmar is an Odinite. In this blessed, enlightened nineteenth century of ours, when Christians amuse themselves by despising and condemning each other, and thus upsetting all the precepts of the Master they profess to follow, there is actually a man who sticks to the traditions of his ancestors. Odd, isn't it? In this delightful, intellectual age, when more than half of us are discontented with life and yet don't want to die, there is a fine old gentleman, living beyond the Arctic circle, who is perfectly satisfied with his existence—not only that, he thinks death the greatest glory that can befall him. Comfortable state of things altogether! I'm half inclined to be an Odinite too."
"Ah!" yawned Lorimer, "you might find it strange, Sandy, but it's true! Old Güldmar is an Odinite. In this blessed, enlightened nineteenth century of ours, when Christians take pleasure in looking down on and judging one another, completely disregarding the teachings of the Master they claim to follow, there's actually a guy who stays true to his ancestors' traditions. Weird, right? In this wonderful intellectual age, when more than half of us are unhappy with life yet don't want to die, there's a wonderful old man living beyond the Arctic Circle who is completely content with his life—not only that, he sees death as the highest honor he could achieve. Quite a nice situation overall! I'm thinking I might want to be an Odinite too."
Sandy still remained lost in astonishment. "Then ye don't believe that he made awa' wi' his wife?" he inquired slowly.
Sandy was still in shock. "So you don't believe that he ran off with his wife?" he asked slowly.
"Not in the least!" returned Lorimer decidedly; "neither will you, to-morrow, when you see him. He's a great deal better up in literature than you are, my boy, I'd swear, judging from the books he has. And when he mentioned his wife, as he did once, you could see in his face he had never done her any harm. Besides, his daughter—"
"Not at all!" Lorimer replied firmly; "and you definitely won't tomorrow when you meet him. He's way better than you in literature, my friend, I can tell just by the books he has. And when he talked about his wife, like he did once, you could see on his face that he had never hurt her. Plus, his daughter—"
"Ah! but I forgot," interposed Duprèz again. "The daughter, Thelma, was the child the mysteriously vanished lady carried in her arms, wandering with it all about the woods and hills. After her disappearance, another thing extraordinary happens. The child also disappears, and Monsieur Güldmar lives alone, avoided carefully by every respectable person. Suddenly the child returns, grown to be nearly a woman—and they say, lovely to an almost impossible extreme. She lives with her father. She, like her strange mother, never enters a church, town, or village—nowhere, in fact, where persons are in any numbers. Three years ago, it appears, she vanished again, but came back at the end of ten months, lovelier than ever. Since then she has remained quiet—composed—but always apart,—she may disappear at any moment. Droll, is it not, Errington? and the reputation she has is natural!"
"Ah! but I forgot," Duprèz chimed in again. "The daughter, Thelma, was the child that the mysteriously vanished woman carried in her arms, wandering around the woods and hills with her. After her disappearance, something else extraordinary happened. The child also went missing, and Monsieur Güldmar lived alone, carefully avoided by every respectable person. Then suddenly, the child returned, now almost a woman—and they say she’s stunning to an almost unbelievable degree. She lives with her father. Like her strange mother, she never goes into a church, town, or village—nowhere, in fact, where there are lots of people. Three years ago, it seems, she disappeared again, but came back after ten months, more beautiful than ever. Since then, she has kept to herself—calm—but always apart—she could vanish at any moment. Funny, isn't it, Errington? And her reputation is understandable!"
"Pray state it," said Philip, with freezing coldness. "The reputation of a woman is nothing nowadays. Fair game—go on!"
“Go ahead and say it,” Philip said with a chilling detachment. “A woman’s reputation means nothing these days. It’s open season—let’s hear it!”
But his face was pale, and his eyes blazed dangerously. Almost unconsciously his hand toyed with the rose Thelma had given him, that still ornamented his button-hole.
But his face was pale, and his eyes burned with intensity. Almost without realizing it, his hand played with the rose Thelma had given him, which still adorned his button-hole.
"Mon Dieu!" cried Duprèz in amazement. "But look not at me like that! It seems to displease you, to put you en fureur, what I say! It is not my story,—it is not I,—I know not Mademoiselle Güldmar. But as her beauty is considered superhuman, they say it is the devil who is her parfumeur, her coiffeur, and who sees after her complexion; in brief, she is thought to be a witch in full practice, dangerous to life and limb."
"OMG!" cried Duprèz in shock. "But don’t look at me like that! It seems to upset you, to make you furious, what I’m saying! It's not my story—it's not me—I don't know Mademoiselle Güldmar. But because her beauty is seen as otherworldly, people say it’s the devil who is her stylist, her hairdresser, and who takes care of her complexion; in short, she’s believed to be a practicing witch, dangerous to life and limb."
Errington laughed loudly, he was so much relieved.
Errington laughed out loud; he felt so relieved.
"Is that all?" he said with light contempt. "By Jove! what a pack of fools there must be about here,—ugly fools too, if they think beauty is a sign of witchcraft. I wonder Dyceworthy isn't scared out of his skin if he positively thinks the so-called witch is setting her cap at him."
"Is that it?" he said with a hint of disdain. "Wow! There must be a lot of idiots around here—ugly idiots too, if they believe beauty is a sign of witchcraft. I wonder how Dyceworthy isn't terrified out of his mind if he genuinely thinks the so-called witch is after him."
"Ah, but he means to convairt her," said Macfarlane seriously. "To draw the evil oot o' her, as it were. He said he wad do't by fair means or foul."
"Ah, but he intends to convert her," said Macfarlane seriously. "To draw the evil out of her, so to speak. He said he would do it by fair means or foul."
Something in these latter words struck Lorimer, for, raising himself in his seat, he asked, "Surely Mr. Dyceworthy, with all his stupidity, doesn't carry it so far as to believe in witchcraft?"
Something in these last words caught Lorimer's attention, so he sat up in his seat and asked, "Surely Mr. Dyceworthy, despite his foolishness, doesn’t actually believe in witchcraft?"
"Oh, indeed he does," exclaimed Duprèz; "he believes in it à la lettre! He has Bible authority for his belief. He is very firm—firmest when drunk!" And he laughed gaily.
"Oh, he absolutely does," exclaimed Duprèz; "he believes in it literally! He has biblical authority for his belief. He's really firm—firmest when he's drunk!" And he laughed cheerfully.
Errington muttered something not very flattering to Mr. Dyceworthy's intelligence, which escaped the hearing of his friends; then he said—
Errington mumbled something that wasn't very nice about Mr. Dyceworthy's smarts, which his friends didn't catch; then he said—
"Come along, all of you, down into the saloon. We want something to eat. Let the Güldmars alone; I'm not a bit sorry I've asked them to come to-morrow. I believe you'll all like them immensely."
"Come on, everyone, let's head down to the saloon. We want something to eat. Leave the Güldmars alone; I'm not sorry at all that I invited them for tomorrow. I really think you'll all like them a lot."
They all descended the stair-way leading to the lower part of the yacht, and Macfarlane asked as he followed his host—
They all went down the stairs to the lower part of the yacht, and Macfarlane asked as he followed his host—
"Is the lass vera bonnie did ye say?"
"Is the girl really pretty, you said?"
"Bonnie's not the word for it this time," said Lorimer, coolly answering instead of Errington. "Miss Güldmar is a magnificent woman. You never saw such a one, Sandy, my boy; she'll make you sing small with one look; she'll wither you up into a kippered herring! And as for you, Duprèz," and he regarded the little Frenchman critically, "let me see,—you may possibly reach up to her shoulder,—certainly not beyond it."
"Awesome isn’t the word for it this time," Lorimer said, coolly responding instead of Errington. "Miss Güldmar is an incredible woman. You’ve never seen anyone like her, Sandy, my boy; she’ll make you feel tiny with just one look; she’ll dry you out like a kippered herring! And as for you, Duprèz," he said, eyeing the little Frenchman critically, "let me see—you might just reach up to her shoulder—definitely not beyond it."
"Pas possible!" cried Duprèz. "Mademoiselle is a giantess."
"No way!" exclaimed Duprèz. "The young lady is a giantess."
"She needn't be a giantess to overtop you, mon ami," laughed Lorimer with a lazy shrug. "By Jove, I am sleepy, Errington, old boy; are we never going to bed? It's no good waiting till it's dark here, you know."
"She doesn't need to be a giant to tower over you, my friend," laughed Lorimer with a relaxed shrug. "Good grief, I am tired, Errington, my old friend; are we ever going to bed? There's no point in waiting until it gets dark here, you know."
"Have something first," said Sir Philip, seating himself at the saloon table, where his steward had laid out a tasty cold collation. "We've had a good deal of climbing about and rowing; it's taken it out of us a little."
"Have something first," said Sir Philip as he sat down at the table in the lounge, where his steward had set out a delicious cold spread. "We've done a lot of climbing and rowing; it's worn us out a bit."
Thus hospitably adjured, they took their places, and managed to dispose of an excellent supper. The meal concluded, Duprèz helped himself to a tiny liqueur glass of Chartreuse, as a wind-up to the exertions of the day, a mild luxury in which the others joined him, with the exception of Macfarlane, who was wont to declare that a "mon without his whusky was nae mon at a'," and who, therefore, persisted in burning up his interior mechanism with alcohol in spite of the doctrines of hygiene, and was now absorbed in the work of mixing his lemon, sugar, hot water, and poison—his usual preparation for a night's rest.
So they graciously accepted the invitation, took their seats, and enjoyed a great dinner. After the meal, Duprèz treated himself to a small glass of Chartreuse to round off the day’s efforts, a little luxury that the others joined him in, except for Macfarlane, who always insisted that a "man without his whiskey is no man at all," and who, despite all the health advice, continued to fuel his body with alcohol. He was now busy mixing his lemon, sugar, hot water, and poison—his usual recipe for winding down at night.
Lorimer, usually conversational, watched him in abstracted silence. Rallied on this morose humor, he rose, shook himself like a retriever, yawned, and sauntered to the piano that occupied a dim corner of the saloon, and began to play with that delicate, subtle touch, which, though it does not always mark the brilliant pianist, distinguishes the true lover of music, to whose ears a rough thump on the instrument, or a false note would be most exquisite agony. Lorimer had no pretense to musical talent; asked, he confessed he could "strum a little," and he seemed to see the evident wonder and admiration he awakened in the minds of many to whom such "strumming" as his was infinitely more delightful than more practiced, finished playing. Just now he seemed undecided,—he commenced a dainty little prelude of Chopin's, then broke suddenly off, and wandered into another strain, wild, pleading, pitiful, and passionate,—a melody so weird and dreamy that even the stolid Macfarlane paused in his toddy-sipping, and Duprèz looked round in some wonderment.
Lorimer, usually chatty, watched him in thoughtful silence. Boosted by this gloomy mood, he got up, shook himself like a retriever, yawned, and strolled over to the piano in a dim corner of the bar. He started playing with that delicate, subtle touch that, while not always found in brilliant pianists, sets apart true music lovers, for whom a rough note or a wrong key would be pure torture. Lorimer didn't claim to have musical talent; when asked, he admitted he could "strum a little," and he seemed to notice the genuine surprise and admiration in the faces of many for whom his "strumming" was far more enjoyable than more polished performances. Right now, he seemed unsure—he began a delicate little prelude of Chopin's, then suddenly stopped and drifted into another tune, wild, pleading, heart-wrenching, and passionate—a melody so strange and dreamy that even the usually stoic Macfarlane paused his drink, and Duprèz looked around in some amazement.
"Comme c'est beau, ça!" he murmured.
"How beautiful it is!" he murmured.
Errington said nothing; he recognized the tune as that which Thelma had sung at her spinning-wheel, and his bold bright eyes grew pensive and soft, as the picture of the fair face and form rose up again before his mind. Absorbed in a reverie, he almost started when Lorimer ceased playing, and said lightly—
Errington said nothing; he recognized the tune as the one Thelma had sung at her spinning wheel, and his sharp, bright eyes became thoughtful and soft as the image of her lovely face and figure appeared in his mind again. Lost in a daydream, he nearly jumped when Lorimer stopped playing and said casually—
"By-bye, boys! I'm off to bed! Phil, don't wake me so abominably early as you did this morning. If you do, friendship can hold out no longer—we must part!"
"Bye-bye, boys! I'm heading to bed! Phil, please don't wake me up so ridiculously early like you did this morning. If you do, friendship can't take it anymore—we'll have to part ways!"
"All right!" laughed Errington good-humoredly, watching his friend as he sauntered out of the saloon; then seeing Duprèz and Macfarlane rise from the table, he added courteously, "Don't hurry away on Lorimer's account, you two. I'm not in the least sleepy,—I'll sit up with you to any hour."
"All right!" laughed Errington, in a good mood, watching his friend stroll out of the saloon. Then, seeing Duprèz and Macfarlane get up from the table, he added politely, "Don't rush off on Lorimer's account, you two. I'm not in the least bit tired—I'll stay up with you as late as you want."
"It is droll to go to bed in broad daylight," said Duprèz. "But it must be done. Cher Philippe, your eyes are heavy. 'To bed, to bed,' as the excellent Madame Macbeth says. Ah! quelle femme! What an exciting wife she was for a man? Come, let us follow our dear Lorimer,—his music was delicious. Good night or good morning? . . . I know not which it is in this strange land where the sun shines always! It is confusing!"
"It’s funny to go to bed while it’s still light outside," said Duprèz. "But it has to be done. Cher Philippe, your eyelids are drooping. 'To bed, to bed,' as the great Madame Macbeth says. Ah! quelle femme! What an exciting wife she was for a man! Come on, let’s follow our dear Lorimer—his music was delightful. Good night or good morning? . . . I can’t tell what it is in this strange place where the sun always shines! It’s so confusing!"
They shook hands and separated. Errington, however, unable to compose his mind to rest, went into his cabin merely to come out of it again and betake himself to the deck, where he decided to walk up and down till he felt sleepy. He wished to be alone with his own thoughts for awhile—to try and resolve the meaning of this strange new emotion that possessed him,—a feeling that was half pleasing, half painful, and that certainly moved him to a sort of shame. A man, if he be strong and healthy, is always more or less ashamed when Love, with a single effort, proves him to be weaker than a blade of grass swaying in the wind. What! all his dignity, all his resoluteness, all his authority swept down by the light touch of a mere willow wand? for the very sake of his own manhood and self-respect, he cannot help but be ashamed! It is as though a little nude, laughing child mocked at a lion's strength, and made him a helpless prisoner with a fragile daisy chain. So the god Eros begins his battles, which end in perpetual victory,—first fear and shame,—then desire and passion,—then conquest and possession. And afterwards? ah! . . . afterwards the pagan deity is powerless,—a higher God, a grander force, a nobler creed must carry Love to its supreme and best fulfillment.
They shook hands and parted ways. Errington, however, unable to settle his thoughts, went into his cabin only to come back out again and head to the deck, where he decided to pace back and forth until he felt sleepy. He wanted to be alone with his thoughts for a while—to try and make sense of this strange new feeling that had taken hold of him—a sensation that was both pleasant and painful, and that definitely made him feel a bit ashamed. A man, if he is strong and healthy, often feels some shame when Love, with a single gesture, shows him to be weaker than a blade of grass swaying in the wind. What! All his dignity, all his determination, all his authority wiped away by the light touch of a simple willow branch? For the sake of his own manhood and self-respect, he can't help but feel ashamed! It's like a little naked, laughing child mocking the strength of a lion and turning him into a helpless captive with a delicate daisy chain. That's how the god Eros starts his battles, which always end in victory—first with fear and shame—then desire and passion—then conquest and possession. And what comes next? Ah! ... after that, the pagan deity is powerless—a higher God, a greater force, a nobler belief must carry Love to its ultimate and best fulfillment.
CHAPTER VIII.
"Le vent qui vient à travers la montagne M'a rendu fou!" |
VICTOR HUGO.
Victor Hugo.
It was half an hour past midnight. Sir Philip was left in absolute solitude to enjoy his meditative stroll on deck, for the full radiance of light that streamed over the sea and land was too clear and brilliant to necessitate the attendance of any of the sailors for the purpose of guarding the Eulalie. She was safely anchored and distinctly visible to all boats or fishing craft crossing the Fjord, so that unless a sudden gale should blow, which did not seem probable in the present state of the weather, there was nothing for the men to do that need deprive them of their lawful repose. Errington paced up and down slowly, his yachting shoes making no noise, even as they left no scratch on the spotless white deck, that shone in the night sunshine like polished silver. The Fjord was very calm,—on one side it gleamed like a pool of golden oil in which the outline of the Eulalie was precisely traced, her delicate masts and spars and drooping flag being drawn in black lines on the yellow water as though with a finely pointed pencil. There was a curious light in the western sky; a thick bank of clouds, dusky brown in color, were swept together and piled one above the other in mountainous ridges, that rose up perpendicularly from the very edge of the sea-line, while over their dark summits a glimpse of the sun, like a giant's eye, looked forth, darting dazzling descending rays through the sullen smoke-like masses, tinging them with metallic green and copper hues as brilliant and shifting as the bristling points of lifted spears. Away to the south, a solitary wreath of purple vapor floated slowly as though lost from some great mountain height; and through its faint, half disguising veil the pale moon peered sorrowfully, like a dying prisoner lamenting joy long past, but unforgotten.
It was half an hour past midnight. Sir Philip was completely alone, enjoying a quiet stroll on deck, as the bright light streaming over the sea and land was so clear that the sailors didn’t need to be around to guard the Eulalie. She was safely anchored and easily visible to any boats or fishing vessels crossing the Fjord, so unless an unexpected storm hit, which didn’t seem likely given the current weather, the crew had nothing to do that would keep them from their well-deserved rest. Errington walked back and forth slowly, his yachting shoes making no sound and leaving no marks on the spotless white deck, which shone under the night sun like polished silver. The Fjord was very calm—on one side it glimmered like a pool of golden oil where the outline of the Eulalie was perfectly mirrored; her delicate masts, spars, and drooping flag were drawn in black lines against the yellow water, like a fine pencil drawing. There was a strange light in the western sky; a thick bank of clouds, a dusky brown color, was piled high in mountainous ridges that rose steeply from the edge of the sea, while a glimpse of the sun, like a giant’s eye, peeked through, sending dazzling rays through the dark, smoke-like clouds, tinging them with metallic green and copper shades as bright and shifting as the tips of raised spears. Far to the south, a solitary wisp of purple vapor floated slowly as if it had broken free from some great mountain height; and through its faint, half-concealing veil, the pale moon looked out sadly, like a dying prisoner mourning for a joy long gone but not forgotten.
A solemn silence reigned; and Errington, watching sea and sky, grew more and more absorbed and serious. The scornful words of the proud old Olaf Güldmar rankled in his mind and stung him. "An idle trifler with time—an aimless wanderer!" Bitter, but, after all, true! He looked back on his life with a feeling kin to contempt. What had he done that was at all worth doing? He had seen to the proper management of his estates,—well! any one with a grain of self-respect and love of independence would do the same. He had travelled and amused himself,—he had studied languages and literature,—he had made many friends; but after all said and done, the bonde's cutting observations had described him correctly enough. The do-nothing, care-nothing tendency, common to the very wealthy in this age, had crept upon him unconsciously; the easy, cool, indifferent nonchalance common to men of his class and breeding was habitual with him, and he had never thought it worth while to exert his dormant abilities. Why then, should he now begin to think it was time to reform all this,—to rouse himself to an effort,—to gain for himself some honor, some distinction, some renown that should mark him out as different to other men? why was he suddenly seized with an insatiate desire to be something more than a mere "mushroom knight, a fungus of nobility"—why? if not to make himself worthy of—ah! There he had struck a suggestive key-note! Worthy of what? of whom? There was no one in all the world, excepting perhaps Lorimer, who cared what became of Sir Philip Errington, Baronet, in the future, so long as he would, for the present, entertain and feast his numerous acquaintances and give them all the advantages, social and political, his wealth could so easily obtain. Then why, in the name of well-bred indolence, should he muse with such persistent gloom, on his general unworthiness at this particular moment? Was it because this Norwegian maiden's grand blue eyes had met his with such beautiful trust and candor?
A heavy silence filled the air, and Errington, gazing at the sea and sky, became increasingly absorbed and serious. The scornful words of the proud old Olaf Güldmar stuck with him and stung him. "An idle waster of time—an aimless wanderer!" Bitter, yet, in some ways, true! He reflected on his life with a sense of contempt. What had he actually accomplished that mattered? He had managed his estates well—anyone with a bit of self-respect and a desire for independence would have done that. He had traveled and entertained himself; he had studied languages and literature; he had made many friends. But when all was said and done, the bonde's sharp insights had captured his essence accurately. The tendency to do nothing and care about nothing, common among the very wealthy today, had crept up on him without his noticing; the easy, cool, indifferent attitude typical of his class had become second nature, and he had never felt it necessary to use his latent abilities. So why should he suddenly feel it was time to change all this—to push himself to make an effort—to earn some honor, some distinction, some recognition that would set him apart from others? Why was he suddenly overcome with an insatiable desire to be something more than just a "mushroom knight, a fungus of nobility"—why? If not to make himself worthy of—ah! He had touched on something significant! Worthy of what? Of whom? There was no one in the world, except maybe Lorimer, who cared what happened to Sir Philip Errington, Baronet, in the future, as long as he would, for now, entertain and host his many acquaintances and provide them with all the social and political advantages that his wealth could easily secure. So then, why, in the name of cultivated laziness, should he dwell so gloomily on his overall unworthiness at this moment? Was it because the Norwegian maiden's stunning blue eyes had met his with such genuine trust and openness?
He had known many women, queens of society, titled beauties, brilliant actresses, sirens of the world with all their witcheries in full play, and he had never lost his self-possession or his heart; with the loveliest of them he had always felt himself master of the situation, knowing that, in their opinion he was always "a catch," "an eligible," and, therefore, well worth winning. Now, for the first time, he became aware of his utter insignificance,—this tall, fair goddess knew none of the social slang—and her fair, pure face, the mirror of a fair, pure soul, showed that the "eligibility" of a man from a pecuniary point of view was a consideration that would never present itself to her mind. What she would look at would be the man himself,—not his pocket. And, studied from such an exceptional height,—a height seldom climbed by modern marrying women,—Philip felt himself unworthy. It was a good sign; there are great hopes of any man who is honestly dissatisfied with himself. Folding his arms, he leaned idly on the deck-rails, and looked gravely and musingly down into the motionless water where the varied lines of the sky were clearly mirrored,—when a slight creaking, cracking sound was heard, as of some obstacle grazing against or bumping the side of the yacht. He looked, and saw, to his surprise, a small rowing boat close under the gunwale, so close indeed that the slow motion of the tide heaved it every now and then into a jerky collision with the lower framework of the Eulalie—a circumstance which explained the sound which had attracted his attention. The boat was not unoccupied—there was some one in it lying straight across the seats, with face turned upwards to the sky—and, walking noiselessly to a better post of observation, Errington's heart beat with some excitement as he recognized the long, fair, unkempt locks, and eccentric attire of the strange personage who had confronted him in the cave—the crazy little man who had called himself "Sigurd." There he was, beyond a doubt, lying flat on his back with his eyes closed. Asleep or dead? He might have been the latter,—his thin face was so pale and drawn,—his lips were so set and colorless. Errington, astonished to see him there, called softly—
He had met many women—society queens, beautiful ladies with titles, talented actresses, and enchanting sirens, all using their charms to the fullest. Yet, he had always maintained his composure and heart; with the most beautiful among them, he had felt in control, knowing that they viewed him as "a catch" and "eligible," making him someone worth pursuing. But now, for the first time, he realized how insignificant he truly was—this tall, radiant goddess didn’t speak any of the social lingo, and her fair, pure face, reflecting her equally pure soul, revealed that a man's financial status was not something she would ever care about. She would focus on the man himself, not his bank account. Viewed from such an extraordinary perspective—one rarely reached by modern brides—Philip felt unworthy. This was a good sign; there is hope for any man who is genuinely dissatisfied with himself. Folding his arms, he leaned casually on the deck rail and gazed thoughtfully down into the still water where the varied lines of the sky were perfectly mirrored—when he heard a slight creaking sound, as if something was scraping against or bumping into the side of the yacht. He looked and was surprised to see a small rowboat right next to the edge, so close that the slow tide caused it to bump awkwardly against the lower part of the Eulalie—the source of the noise that had caught his attention. The boat wasn’t empty; someone lay across the seats with their face turned up to the sky. Moving quietly for a better view, Errington’s heart raced with excitement as he recognized the long, messy fair hair and quirky outfit of the strange figure he had encountered in the cave—the odd little man who called himself "Sigurd." There he was, unmistakably, lying flat on his back with his eyes closed. Was he asleep or dead? He could easily be the latter—his thin face was so pale and drawn, and his lips so colorless. Errington, astonished to see him there, called softly—
"Sigurd! Sigurd!" There was no answer; Sigurd's form seemed inanimate—his eyes remained fast shut.
"Sigurd! Sigurd!" There was no reply; Sigurd's body appeared lifeless—his eyes stayed tightly closed.
"Is he in a trance?" thought Sir Philip wonderingly; "or has he fainted from some physical exhaustion?"
"Is he in a trance?" Sir Philip wondered. "Or has he fainted from some physical exhaustion?"
He called again, but again received no reply. He now observed in the stem of the boat a large bunch of pansies, dark as velvet, and evidently freshly gathered,—proving that Sigurd had been wandering in the deep valleys and on the sloping sides of the hills, where these flowers may be frequently found in Norway during the summer. He began to feel rather uncomfortable, as he watched that straight stiff figure in the boat, and was just about to swing down the companion-ladder for the purpose of closer inspection, when a glorious burst of light streamed radiantly over the Fjord,—the sun conquered the masses of dark cloud that had striven to conceal his beauty, and now,—like a warrior clad in golden armor, surmounted and trod down his enemies, shining forth in all his splendor. With that rush of brilliant effulgence, the apparently lifeless Sigurd stirred,—he opened his eyes, and as they were turned upwards, he naturally, from his close vicinity to the side of the Eulalie, met Errington's gaze fixed inquiringly and somewhat anxiously upon him. He sprang up with such sudden and fierce haste that his frail boat rocked dangerously and Philip involuntarily cried out—
He called again, but once more got no answer. He then noticed a large bunch of pansies in the boat, deep purple and clearly freshly picked, proving that Sigurd had been wandering in the deep valleys and on the sloped hillsides, where these flowers are often found in Norway during the summer. He started to feel a bit uneasy as he watched that stiff figure in the boat, and was just about to climb down the companion ladder for a closer look when a brilliant burst of light flooded the Fjord— the sun triumphed over the dark clouds that had tried to hide its beauty, and now, like a warrior in golden armor, it rose up and defeated its enemies, shining in all its glory. With that rush of bright light, the seemingly lifeless Sigurd stirred—he opened his eyes and, since he was right next to the side of the Eulalie, naturally met Errington's concerned and somewhat anxious gaze. He jumped up with such sudden and intense urgency that his fragile boat rocked dangerously, making Philip shout out involuntarily—
"Take care!"
"Take care!"
Sigurd stood upright in his swaying skiff and laughed scornfully.
Sigurd stood tall in his rocking boat and laughed mockingly.
"Take care!" he echoed derisively. "It is you who should take care! You,—poor miserable moth on the edge of a mad storm! It is you to fear—not I! See how the light rains over the broad sky. All for me! Yes, all the light, all the glory for me; all the darkness, all the shame for you!"
"Watch out!" he said mockingly. "You should be the one to watch out! You—poor, pitiful moth caught in a crazy storm! You’re the one who should be scared—not me! Look at how the light pours down from the wide sky. It’s all for me! Yes, all the light, all the glory for me; all the darkness, all the shame for you!"
Errington listened to these ravings with an air of patience and pitying gentleness, then he said with perfect coolness—
Errington listened to these ramblings with a patient and sympathetic demeanor, then he said with complete calm—
"You are quite right, Sigurd! You are always right, I am sure. Come up here and see me; I won't hurt you! Come along!"
"You’re absolutely right, Sigurd! You’re always right, I know it. Come up here and see me; I promise I won’t hurt you! Let’s go!"
The friendly tone and gentle manner appeared to soothe the unhappy dwarf, for he stared doubtfully, then smiled,—and finally, as though acting under a spell, he took up an oar and propelled himself skillfully enough to the gangway, where Errington let down the ladder and with his own hand assisted his visitor to mount, not forgetting to fasten the boat safely to the steps as he did so. Once on deck, Sigurd gazed about him perplexedly. He had brought his bunch of pansies with him, and he fingered their soft leaves thoughtfully. Suddenly his eyes flashed.
The friendly tone and gentle manner seemed to calm the unhappy dwarf, who looked on uncertainly before smiling. Finally, as if under a spell, he picked up an oar and skillfully paddled himself to the gangway, where Errington lowered the ladder and helped his guest climb up, making sure to secure the boat to the steps as he did so. Once on deck, Sigurd looked around in confusion. He had brought his bunch of pansies with him and was thoughtfully touching their soft leaves. Suddenly, his eyes lit up.
"You are alone here?" he asked abruptly.
"You alone here?" he asked suddenly.
Fearing to scare his strange guest by the mention of his companions, Errington answered simply—"Yes, quite alone just now, Sigurd."
Fearing to scare his unusual guest by mentioning his companions, Errington answered simply, "Yes, I’m all alone right now, Sigurd."
Sigurd took a step closer towards him. "Are you not afraid?" he said in an awe-struck, solemn voice.
Sigurd moved a bit closer to him. "Aren't you scared?" he asked in a voice filled with wonder and seriousness.
Sir Philip smiled. "I never was afraid of anything in my life!" he answered.
Sir Philip smiled. "I've never been afraid of anything in my life!" he replied.
The dwarf eyed him keenly. "You are not afraid," he went on, "that I shall kill you?"
The dwarf looked at him intently. "Aren't you worried," he continued, "that I might kill you?"
"Not in the least," returned Errington calmly. "You would not do anything so foolish, my friend."
"Not at all," Errington replied calmly. "You wouldn't do something so foolish, my friend."
Sigurd laughed. "Ha ha! You call me 'friend.' You think that word a safeguard! I tell you, no! There are no friends now; the world is a great field of battle,—each man fights the other. There is no peace,—none anywhere! The wind fights with the forests; you can hear them slashing and slaying all night long—when it is night—the long, long night! The sun fights with the sky, the light with the dark, and life with death. It is all a bitter quarrel; none are satisfied, none shall know friendship any more; it is too late! We cannot be friends!"
Sigurd laughed. "Ha ha! You call me 'friend.' You think that word is a protection! I’m telling you, it’s not! There are no friends left; the world is a massive battlefield—everyone is against each other. There’s no peace—none at all! The wind battles the forests; you can hear them clashing and destroying each other all night long—when it’s night—the long, endless night! The sun fights with the sky, light battles dark, and life struggles against death. It’s all a bitter conflict; no one is happy, and no one will know friendship again; it’s too late! We can’t be friends!"
"Well, have it your own way," said Philip good-naturedly, wishing that Lorimer were awake to interview this strange specimen of human wit gone astray; "we'll fight if you like. Anything to please you!"
"Alright, do it your way," Philip said warmly, wishing Lorimer were awake to talk to this odd example of misguided human humor; "we'll fight if that's what you want. Anything to make you happy!"
"We are fighting," said Sigurd with intense passion in his voice. "You may not know it; but I know it! I have felt the thrust of your sword; it has crossed mine. Stay!" and his eyes grew vague and dreamy. "Why was I sent to seek you out—let me think—let me think!"
"We are fighting," Sigurd said passionately. "You might not realize it, but I do! I've felt the sting of your sword; it has clashed with mine. Stay!" His eyes became distant and dreamy. "Why was I sent to find you—let me think—let me think!"
And he seated himself forlornly on one of the deck chairs and seemed painfully endeavoring to put his scattered ideas in order. Errington studied him with a gentle forbearance; inwardly he was very curious to know whether this Sigurd had any connection with the Güldmars, but he refrained from asking too many questions. He simply said in a cheery tone—
And he sat down sadly on one of the deck chairs, looking like he was trying hard to sort out his jumbled thoughts. Errington watched him with patient interest; inside, he was really curious to find out if this Sigurd was related to the Güldmars, but he held back from asking too many questions. He just said in a cheerful tone—
"Yes, Sigurd,—why did you come to see me? I'm glad you did; it's very kind of you, but I don't think you even know my name."
"Yes, Sigurd—why did you come to see me? I'm really glad you came; it's very nice of you, but I don't think you even know my name."
To his surprise, Sigurd looked up with a more settled and resolved expression of face, and answered almost as connectedly as any sane man could have done.
To his surprise, Sigurd looked up with a calmer and more determined expression and answered almost as coherently as any reasonable person could have.
"I know your name very well," he said in a low composed manner. "You are Sir Philip Errington, a rich English nobleman. Fate led you to her grave—a grave that no strange feet have ever passed, save yours—and so I know you are the man for whom her spirit has waited,—she has brought you hither. How foolish to think she sleeps under the stone, when she is always awake and busy,—always at work opposing me! Yes, though I pray her to lie still, she will not!"
"I know your name very well," he said calmly. "You are Sir Philip Errington, a wealthy English nobleman. Fate has brought you to her grave—a grave that no one else has ever visited, except for you—and so I know you are the one her spirit has been waiting for. She has brought you here. How naive to think she rests beneath the stone when she is always awake and active—constantly working against me! Yes, even though I ask her to stay still, she won't!"
His voice grew wild again, and Philip asked quietly—
His voice became wild again, and Philip asked quietly—
"Of whom are you speaking, Sigurd?"
"Who are you talking about, Sigurd?"
His steady tone seemed to have some compelling influence on the confused mind of the half-witted creature, who answered readily and at once—
His calm tone seemed to have a strong effect on the confused mind of the dim-witted being, who responded quickly and immediately—
"Of whom should I speak but Thelma? Thelma, the beautiful rose of the northern forest—Thelma—"
"Who else should I talk about but Thelma? Thelma, the stunning rose of the northern forest—Thelma—"
He broke off abruptly with a long shuddering sigh, and rocking himself drearily to and fro, gazed wistfully out to the sea. Errington hazarded a guess as to the purpose of that coffin hidden in the shell cavern.
He stopped suddenly with a long, shuddering sigh, and rocking himself back and forth, stared longingly out at the sea. Errington took a guess about the purpose of that coffin hidden in the shell cavern.
"Do you mean Thelma living? . . . or Thelma dead?"
"Do you mean Thelma is alive? ... or Thelma is dead?"
"Both," answered Sigurd promptly. "They are one and the same,—you cannot part them. Mother and child,—rose and rosebud! One walks the earth with the step of a queen, the other floats in the air like a silvery cloud; but I see them join and embrace and melt into each other's arms till they unite in one form, fairer than the beauty of angels! And you—you know this as well as I do—you have seen Thelma, you have kissed the cup of friendship with her; but remember!—not with me—not with me!"
"Both," Sigurd replied right away. "They are the same—you can't separate them. Mother and child—rose and rosebud! One walks the earth like a queen, while the other drifts through the air like a shining cloud; but I see them come together, embrace, and blend into one shape, more beautiful than the beauty of angels! And you—you know this just as well as I do—you've seen Thelma, you’ve shared a moment of friendship with her; but remember!—not with me—not with me!"
He started from his seat, and, running close up to Errington, laid one meagre hand on his chest.
He got up from his seat and, running up to Errington, placed one thin hand on his chest.
"How strong you are, how broad and brave," he exclaimed with a sort of childish admiration. "And can you not be generous too?"
"You're so strong, so broad and brave," he said with a kind of playful admiration. "Can't you be generous as well?"
Errington looked down upon him compassionately. He had learned enough from his incoherent talk to clear up what had seemed a mystery. The scandalous reports concerning Olaf Güldmar were incorrect,—he had evidently laid the remains of his wife in the shell-cavern, for some reason connected with his religious belief, and Thelma's visits to the sacred spot were now easy of comprehension. No doubt it was she who placed fresh flowers there every day, and kept the little lamp burning before the crucifix as a sign of the faith her departed mother had professed, and which she herself followed. But who was Sigurd, and what was he to the Güldmars? Thinking this, he replied to the dwarf's question by a counter-inquiry.
Errington looked down at him with compassion. He had gathered enough from his jumbled speech to solve what had seemed like a mystery. The scandalous rumors about Olaf Güldmar were wrong—he had clearly placed his wife's remains in the shell-cavern for some reason related to his religious beliefs, which made Thelma's visits to that sacred place understandable. It was likely her who brought fresh flowers there every day and kept the small lamp lit in front of the crucifix as a sign of the faith her late mother had practiced and that she herself followed. But who was Sigurd, and what connection did he have to the Güldmars? With that thought in mind, he answered the dwarf's question with a question of his own.
"How shall I be generous, Sigurd? Tell me! What can I do to please you?"
"How can I be generous, Sigurd? Tell me! What can I do to make you happy?"
Sigurd's wild blue eyes sparkled with pleasure.
Sigurd's bright blue eyes gleamed with joy.
"Do!" he cried. "You can go away, swiftly, swiftly, over the seas, and the Altenfjord need know you no more! Spread your white sails!" and he pointed excitedly up to the tall tapering masts of the Eulalie. "You are king here. Command and you are obeyed! Go from us, go! What is there here to delay you? Our mountains are dark and gloomy,—the fields are wild and desolate,—there are rocks, glaciers and shrieking torrents that hiss like serpents gliding into the sea! Oh, there must be fairer lands than this one,—lands where oceans and sky are like twin jewels set in one ring,—where there are sweet flowers and fruits and bright eyes to smile on you all day—yes! for you are as a god in your strength and beauty—no woman will be cruel to you! Ah! say you will go away!" and Sigurd's face was transfigured into a sort of pained beauty as he made his appeal. "That is what I came to seek you for,—to ask you to set sail quickly and go, for why should you wish to destroy me? I have done you no harm as yet. Go!—and Odin himself shall follow your path with blessings!"
"Do it!" he shouted. "You can leave, quickly, quickly, across the seas, and the Altenfjord won't know about you anymore! Spread your white sails!" He pointed excitedly at the tall, narrow masts of the Eulalie. "You’re in charge here. Give the command and people will follow! Leave us, just go! What’s keeping you here? Our mountains are dark and gloomy—the fields are wild and deserted—there are rocks, glaciers, and roaring torrents that hiss like snakes slipping into the sea! Oh, there must be nicer lands than this one—places where the oceans and sky are like twin jewels in a single ring—where there are sweet flowers, fruits, and bright eyes to smile at you all day—yes! Because you are like a god in your strength and beauty—no woman will be cruel to you! Ah! Please say you’ll go away!" Sigurd's face transformed into a kind of painful beauty as he made his plea. "That’s why I came to find you—to ask you to sail away quickly and go, because why would you want to destroy me? I haven’t harmed you yet. Go!—and Odin himself will bless your journey!"
He paused, almost breathless with his own earnest pleading. Errington was silent. He considered the request a mere proof of the poor creature's disorder. The very idea that Sigurd seemed to entertain of his doing him any harm, showed a reasonless terror and foreboding that was simply to be set down as caused by his unfortunate mental condition. To such an appeal there could be no satisfactory reply. To sail away from the Altenfjord and its now most fascinating attractions, because a madman asked him to do so, was a proposition impossible of acceptance, so Sir Philip said nothing. Sigurd, however, watching his face intently, saw, or thought he saw, a look of resolution in the Englishman's clear, deep grey eyes,—and with the startling quickness common to many whose brains, like musical instruments, are jarred, yet not quite unstrung, he grasped the meaning of that expression instantly.
He paused, almost breathless with his own sincere pleading. Errington was silent. He viewed the request as merely a sign of the poor guy's instability. The fact that Sigurd seemed to think he would hurt him showed an irrational fear and dread that could only be attributed to his unfortunate mental state. There was no way to respond satisfactorily to such a plea. To leave the Altenfjord and its now extremely captivating sights just because a madman asked him to was a proposal that couldn't be accepted, so Sir Philip said nothing. Sigurd, however, watching his face closely, saw—or thought he saw—a look of determination in the Englishman's clear, deep grey eyes—and with the quickness that often characterizes those whose minds, like musical instruments, are shaken yet not completely out of tune, he instantly grasped the meaning of that expression.
"Ah! cruel and traitorous!" he exclaimed fiercely. "You will not go; you are resolved to tear my heart out for your sport! I have pleaded with you as one pleads with a king and all in vain—all in vain! You will not go? Listen, see what you will do," and he held up the bunch of purple pansies, while his voice sank to an almost feeble faintness. "Look!" and he fingered the flowers, "look! . . . they are dark and soft as a purple sky,—cool and dewy and fresh;—they are the thoughts of Thelma; such thoughts! So wise and earnest, so pure and full of tender shadows!—no hand has grasped them rudely, no rough touch has spoiled their smoothness! They open full-faced to the sky, they never droop or languish; they have no secrets, save the marvel of their beauty. Now you have come, you will have no pity,—one by one you will gather and play with her thoughts as though they were these blossoms,—your burning hand will mar their color,—they will wither and furl up and die, all of them,—and you,—what will you care? Nothing! no man ever cares for a flower that is withered,—not even though his own hand slew it."
"Ah! cruel and treacherous!" he exclaimed fiercely. "You won't leave; you’re determined to rip my heart out for your amusement! I’ve begged you like someone begs a king, and it’s all been for nothing—all in vain! You’re not going to leave? Listen, see what you will do," and he held up the bunch of purple pansies, while his voice faded to a near whisper. "Look!" He touched the flowers, "Look! … they are dark and soft like a purple sky,—cool, dewy, and fresh;—they represent Thelma’s thoughts; such thoughts! So wise and earnest, so pure and full of tender shadows!—no hand has grasped them roughly, no harsh touch has ruined their smoothness! They face the sky openly, they never droop or wilt; they hold no secrets, except the wonder of their beauty. Now that you’ve arrived, you will show no mercy,—one by one you will gather and toy with her thoughts as if they were these blossoms,—your burning hand will ruin their color,—they will wither, curl up, and die, all of them,—and you,—what will you care? Nothing! No one ever cares for a flower that has withered,—not even if their own hand caused it."
The intense melancholy that vibrated through Sigurd's voice touched his listener profoundly. Dimly he guessed that the stricken soul before him had formed the erroneous idea that he, Errington, had come to do some great wrong to Thelma or her belongings, and he pitied the poor creature for his foolish self-torture.
The deep sadness in Sigurd's voice affected his listener deeply. He vaguely sensed that the troubled person in front of him mistakenly believed that he, Errington, had come to cause some major harm to Thelma or her possessions, and he felt sorry for the poor soul for their misguided suffering.
"Listen to me, Sigurd," he said, with a certain imperativeness; "I cannot promise you to go away, but I can promise that I will do no harm to you or to—to—Thelma. Will that content you?"
"Listen to me, Sigurd," he said, with a sense of urgency; "I can't promise that I'll leave, but I can promise that I won't harm you or—Thelma. Does that satisfy you?"
Sigurd smiled vacantly and shook his head. He looked at the pansies wistfully and laid them down very gently on one of the deck benches.
Sigurd smiled blankly and shook his head. He gazed at the pansies with a sense of longing and carefully placed them on one of the deck benches.
"I must go," he said in a faint voice:—"She is calling me."
"I have to go," he said in a weak voice, "She's calling me."
"Who is calling you?" demanded Errington astonished.
"Who’s calling you?" Errington asked in shock.
"She is," persisted Sigurd, walking steadily to the gangway. "I can hear her! There are the roses to water, and the doves to feed, and many other things." He looked steadily at Sir Philip, who, seeing he was bent on departure, assisted him to descend the companion ladder into his little boat. "You are sure you will not sail away?"
"She is," Sigurd insisted, walking steadily to the gangway. "I can hear her! There are roses to water, doves to feed, and a lot of other things." He looked directly at Sir Philip, who, noticing he was determined to leave, helped him down the companion ladder into his small boat. "Are you sure you won't sail away?"
Errington balanced himself lightly on the ladder and smiled.
Errington lightly balanced on the ladder and smiled.
"I am sure, Sigurd! I have no wish to sail away. Are you all right there?"
"I’m sure of it, Sigurd! I don’t want to leave. Are you okay there?"
He spoke cheerily, feeling in his own mind that it was scarcely safe for a madman to be quite alone in a cockle-shell of a boat on a deep Fjord, the shores of which were indented with dangerous rocks as sharp as the bristling teeth of fabled sea-monsters, but Sigurd answered him almost contemptuously.
He spoke cheerfully, thinking to himself that it was hardly safe for a madman to be all alone in a tiny boat on a deep fjord, the shores of which were lined with dangerous rocks as sharp as the teeth of legendary sea monsters, but Sigurd replied to him with almost a sneer.
"All right!" he echoed. "That is what the English say always. All right! As if it were ever wrong with me, and the sea! We know each other,—we do each other no harm. You may die on the sea, but I shall not! No, there is another way to Valhalla!"
"Alright!" he repeated. "That’s what the English always say. Alright! As if there was ever anything wrong with me and the sea! We know each other—we don’t harm one another. You might die at sea, but I won’t! No, there’s another path to Valhalla!"
"Oh, I dare say there are no end of ways," said Errington good-temperedly, still poising himself on the ladder, and holding on to the side of his yacht, as he watched his late visitor take the oars and move off. "Good-bye, Sigurd! Take care of yourself! Hope I shall see you again soon."
"Oh, I bet there are plenty of ways," said Errington cheerfully, still balancing on the ladder and holding onto the side of his yacht as he watched his recent visitor grab the oars and row away. "Goodbye, Sigurd! Take care of yourself! Hope to see you again soon."
But Sigurd replied not. Bending to the oars, he rowed swiftly and strongly, and Sir Philip, pulling up the ladder and closing the gangway, saw the little skiff flying over the water like a bird in the direction of the Güldmar's landing-place. He wondered again and again what relationship, if any, this half-crazed being bore to the bonde and his daughter. That he knew all about them was pretty evident; but how? Catching sight of the pansies left on the deck bench, Errington took them, and, descending to the saloon, set them on the table in a tumbler of water.
But Sigurd didn’t respond. He bent to the oars, rowing quickly and powerfully, while Sir Philip pulled up the ladder and closed the gangway, watching the small boat glide over the water like a bird toward the Güldmar's landing area. He kept wondering about any connection this half-crazed person might have with the bonde and his daughter. It was clear that he knew all about them; but how? Spotting the pansies left on the deck bench, Errington picked them up and went down to the saloon, placing them on the table in a glass of water.
"Thelma's thoughts, the poor little fellow called them," he mused, with a smile. "A pretty fancy of his, and linked with the crazy imaginings of Ophelia too. 'There's pansies, that's for thoughts,' she said, but Sigurd's idea is different; he believes they are Thelma's own thoughts in flower. 'No rough touch has spoiled their smoothness,' he declared; he's right there, I'm sure. And shall I ruffle the sweet leaves; shall I crush the tender petals? or shall I simply transform them, from pansies into roses,—from the dream of love,—into love itself?"
"Thelma's thoughts, the poor little guy called them," he thought with a smile. "What a nice idea, connected to Ophelia's wild fantasies too. 'There are pansies, that's for thoughts,' she said, but Sigurd’s perspective is different; he thinks they are Thelma’s own thoughts blooming. 'No rough touch has messed up their smoothness,' he said; he's right about that, I'm sure. And should I disturb the sweet leaves; should I crush the delicate petals? Or should I simply change them, from pansies to roses—from the dream of love to love itself?"
His eyes softened as he glanced at the drooping rose he wore, which Thelma herself had given him, and as he went to his sleeping cabin, he carefully detached it from his button-hole, and taking down a book,—one which he greatly prized, because it had belonged to his mother,—he prepared to press the flower within its leaves. It was the "Imitation of Christ," bound quaintly and fastened with silver clasps, and as he was about to lay his fragrant trophy on the first page that opened naturally of itself, he glanced at the words that there presented themselves to his eyes.
His eyes softened as he looked at the wilting rose he wore, given to him by Thelma. As he headed to his sleeping cabin, he carefully took it off his buttonhole, and grabbing a book—one he treasured because it had belonged to his mother—he got ready to press the flower between its pages. It was the "Imitation of Christ," with a unique binding and silver clasps, and just as he was about to place his fragrant keepsake on the first page that naturally opened, he noticed the words that caught his eye.
"Nothing is sweeter than love, nothing stronger, nothing higher, nothing wider, nothing more pleasant, nothing fuller or better in heaven or in earth!" And with a smile and a warmer flush of color than usual on his handsome face, he touched the rose lightly yet tenderly with his lips and shut it reverently within its sacred resting-place.
"Nothing is sweeter than love, nothing stronger, nothing higher, nothing wider, nothing more pleasant, nothing fuller or better in heaven or on earth!" With a smile and a warmer flush on his handsome face than usual, he gently and lovingly touched the rose with his lips and reverently placed it in its sacred resting place.
CHAPTER IX.
MONTAIGNE.
MONTAIGNE.
The next day was very warm and bright, and that pious Lutheran divine, the Reverend Charles Dyceworthy, was seriously encumbered by his own surplus flesh material as he wearily rowed himself across the Fjord towards Olaf Güldmar's private pier. As the perspiration bedewed his brow, he felt that Heaven had dealt with him somewhat too liberally in the way of fat—he was provided too amply with it ever to excel as an oarsman. The sun was burning hot, the water was smooth as oil, and very weighty—it seemed to resist every stroke of his clumsily wielded blades. Altogether it was hard, uncongenial work,—and, being rendered somewhat flabby and nerveless by his previous evening's carouse with Macfarlane's whisky, Mr. Dyceworthy was in a plaintive and injured frame of mind, he was bound on a mission—a holy and edifying errand, which would have elevated any minister of his particular sect. He had found a crucifix with the name of Thelma engraved thereon,—he was now about to return it to the evident rightful owner, and in returning it, he purposed denouncing it as an emblem of the "Scarlet Woman, that sitteth on the Seven Hills," and threatening all those who dared to hold it sacred, as doomed to eternal torture, "where the worm dieth not." He had thought over all he meant to say; he had planned several eloquent and rounded sentences, some of which he murmured placidly to himself as he propelled his slow boat along.
The next day was very warm and bright, and that devout Lutheran minister, the Reverend Charles Dyceworthy, was seriously weighed down by his own excess weight as he tiredly rowed himself across the Fjord toward Olaf Güldmar's private pier. As sweat trickled down his forehead, he felt that Heaven had been a bit too generous with him in the fat department—he was so well endowed that he would never excel as an oarsman. The sun was blazing hot, the water was smooth as oil, and felt heavy—it seemed to push back against every stroke of his awkwardly handled oars. Overall, it was hard, uncomfortable work—and, feeling a bit weak and drained from the previous night's drinking with Macfarlane's whisky, Mr. Dyceworthy was in a complaining and wounded mood. He was on a mission—an important and uplifting task that would have elevated any minister of his particular denomination. He had found a crucifix with the name Thelma engraved on it—he was now about to return it to its obvious rightful owner, and in doing so, he planned to denounce it as a symbol of the "Scarlet Woman who sits on the Seven Hills," and threaten anyone who dared to consider it sacred with eternal torment, "where the worm does not die." He had thought through everything he intended to say; he had crafted several eloquent and polished sentences, some of which he quietly repeated to himself as he slowly moved his boat along.
"Yea!" he observed in a mild sotto-voce—"ye shall be cut off root and branch! Ye shall be scorched even as stubble,—and utterly destroyed." Here he paused and mopped his streaming forehead with his clean perfumed handkerchief. "Yea!" he resumed peacefully, "the worshippers of idolatrous images are accursèd; they shall have ashes for food and gall for drink! Let them turn and repent themselves, lest the wrath of God consume them as straw whirled on the wind. Repent! . . . or ye shall be cast into everlasting fire. Beauty shall avail not, learning shall avail not, meekness shall avail not; for the fire of hell is a searching, endless, destroying—" here Mr. Dyceworthy, by plunging one oar with too much determination into the watery depths, caught a crab, as the saying is, and fell violently backward in a somewhat undignified posture. Recovering himself slowly, he looked about him in a bewildered way, and for the first time noticed the vacant, solitary appearance of the Fjord. Some object was missing; he realized what it was immediately—the English yacht Eulalie was gone from her point of anchorage.
"Yeah!" he said quietly, "you will be cut off root and branch! You will be burned up like dry grass, and completely destroyed." He paused and wiped his sweating forehead with his clean, scented handkerchief. "Yeah!" he continued calmly, "the worshippers of idol images are cursed; they will have ashes for food and bile for drink! They should turn and repent, or else the wrath of God will consume them like straw in the wind. Repent!... or you will be thrown into eternal fire. Beauty won't help, knowledge won't help, humility won't help; for the fire of hell is a searching, endless, destructive—" here Mr. Dyceworthy, by pushing one oar too forcefully into the water, caught a crab, as the saying goes, and fell backward in a rather undignified manner. Once he regained his balance, he looked around in confusion and for the first time noticed the empty, lonely appearance of the Fjord. Something was missing; he realized immediately what it was—the English yacht Eulalie was gone from its anchorage.
"Dear me!" said Mr. Dyceworthy, half aloud, "what a very sudden departure! I wonder, now, if those young men have gone for good, or whether they are coming back again? Pleasant fellows, very pleasant! flippant, perhaps, but pleasant."
"Well, this is unexpected!" Mr. Dyceworthy said, mostly to himself. "I wonder if those young guys have left for good or if they'll be back. Nice guys, really nice! A bit cheeky, maybe, but nice."
And he smiled benevolently. He had no remembrance of what had occurred, after he had emptied young Macfarlane's flask of Glenlivet; he had no idea that he had been almost carried from his garden into his parlor, and there flung on the sofa and left to sleep off the effects of his strong tipple; least of all did he dream that he had betrayed any of his intentions towards Thelma Güldmar, or given his religious opinions with such free and undisguised candor. Blissfully ignorant on these points, he resumed his refractory oars, and after nearly an hour of laborious effort, succeeded at last in reaching his destination. Arrived at the little pier, he fastened up his boat, and with the lofty air of a thoroughly moral man, he walked deliberately up to the door of the bonde's house. Contrary to custom, it was closed, and the place seemed strangely silent and deserted. The afternoon heat was so great that the song-birds were hushed, and in hiding under the cool green leaves,—the clambering roses round the porch hung down their bright heads for sheer faintness,—and the only sounds to be heard were the subdued coo-cooing of the doves on the roof and the soft trickling rush of a little mountain stream that flowed through the grounds. Some what surprised, though not abashed, at the evident "not-at-home" look of the farm-house, Mr. Dyceworthy rapped loudly at the rough oaken door with his knuckles, there being no such modern convenience as a bell or a knocker. He waited sometime before he was answered, repeating his summons violently at frequent intervals, and swearing irreligiously under his breath as he did so. But at last the door was flung sharply open, and the tangle-haired, rosy-cheeked Britta confronted him with an aspect which was by no means encouraging or polite. Her round blue eyes sparkled saucily, and she placed her bare, plump, red arms, wet with recent soapsuds, akimbo on her sturdy little hips, with an air that was decidedly impertinent.
And he smiled kindly. He couldn’t remember what had happened after he finished young Macfarlane's flask of Glenlivet; he had no clue that he had been almost carried from his garden into his living room, where he was thrown onto the sofa and left to sleep off the effects of his strong drink. Least of all did he think he had revealed any of his feelings toward Thelma Güldmar or shared his religious beliefs so openly and honestly. Blissfully unaware of these things, he picked up his stubborn oars again, and after nearly an hour of hard work, he finally reached his destination. Once at the little pier, he secured his boat and, with the proud air of a completely moral man, walked purposefully to the door of the bonde's house. Contrary to the usual routine, the door was closed, and the place felt oddly quiet and deserted. The afternoon heat was so intense that the songbirds were silent and hiding under the cool green leaves—the climbing roses around the porch hung their bright heads in weakness—and the only sounds were the soft cooing of the doves on the roof and the gentle trickle of a small mountain stream flowing through the grounds. A bit surprised, but not put off by the obvious “not-at-home” vibe of the farmhouse, Mr. Dyceworthy knocked loudly on the rough oak door with his knuckles, as there was no modern convenience like a bell or a knocker. He waited a while before getting a response, banging again at regular intervals and swearing under his breath. But finally, the door swung open sharply, and the tousle-haired, rosy-cheeked Britta faced him with an expression that was definitely not welcoming or polite. Her round blue eyes sparkled mischievously, and she placed her bare, plump, red arms, still wet with soap, on her sturdy little hips, with an air that was quite cheeky.
"Well, what do you want?" she demanded with rude abruptness.
"Well, what do you want?" she asked abruptly and rudely.
Mr. Dyceworthy regarded her in speechless dignity. Vouchsafing no reply, he attempted to pass her and enter the house. But Britta settled her arms more defiantly than ever, and her voice had a sharper ring as she said—
Mr. Dyceworthy looked at her with silent dignity. Without responding, he tried to walk past her and enter the house. But Britta crossed her arms even more defiantly, and her voice had a sharper tone as she said—
"It's no use your coming in! There's no one here but me. The master has gone out for the day."
"It's pointless for you to come in! I'm the only one here. The master is out for the day."
"Young woman," returned Mr. Dyceworthy with polite severity, "I regret to see that your manners stand in sore need of improvement. Your master's absence is of no importance to me. It is with the Fröken Thelma I desire to speak."
"Young woman," Mr. Dyceworthy replied with a polite but firm tone, "I'm sorry to say that your manners really need some improvement. Your master's absence doesn't concern me. I wish to speak with Fröken Thelma."
Britta laughed and tossed her rough brown curls back from her forehead. Mischievous dimples came and went at the corners of her mouth—indications of suppressed fun.
Britta laughed and flipped her tousled brown curls away from her forehead. Playful dimples appeared and disappeared at the corners of her mouth—signs of hidden amusement.
"The Fröken is out too," she said demurely. "It's time she had a little amusement; and the gentlemen treat her as if she were a queen!"
"The Fröken is out too," she said shyly. "It's time she had some fun; and the guys treat her like she's royalty!"
Mr. Dyceworthy started, and his red visage became a trifle paler.
Mr. Dyceworthy flinched, and his face turned slightly paler.
"Gentlemen? What gentlemen?" he demanded with some impatience.
"Gentlemen? What gentlemen?" he asked, a bit impatiently.
Britta's inward delight evidently increased.
Britta's inner joy clearly grew.
"The gentlemen from the yacht, of course," she said. "What other gentlemen are there?" This with a contemptuous up-and-down sort of look at the Lutheran minister's portly form. "Sir Philip Errington was here with his friend yesterday evening and stayed a long time—and today a fine boat with four oars came to fetch the master and Fröken Thelma, and they are all gone for a sail to the Kaa Fjord or some other place near here—I cannot remember the name. And I am SO glad!" went on Britta, clasping her plump hands in ecstasy. "They are the grandest, handsomest Herren I have ever seen, and one can tell they think wonders of the Fröken—nothing is too good for her!"
"The guys from the yacht, of course," she said. "What other guys are there?" This accompanied by a disdainful look at the Lutheran minister's stout figure. "Sir Philip Errington was here with his friend yesterday evening and stayed for quite a while—and today a nice boat with four rowers came to take the master and Fröken Thelma away, and they’ve all gone for a sail to the Kaa Fjord or some other place nearby—I can’t remember the name. And I am SO glad!" continued Britta, clasping her chubby hands in delight. "They are the most impressive, good-looking Herren I have ever seen, and you can tell they think the world of the Fröken—nothing is too good for her!"
Mr. Dyceworthy's face was the picture of dismay. This was a new turn to the course of events, and one, more over, that he had never once contemplated. Britta watched him amusedly.
Mr. Dyceworthy's face was a complete picture of shock. This was a surprising twist in the situation, one that he had never considered. Britta watched him with amusement.
"Will you leave any message for them when they return?" she asked.
"Will you leave a message for them when they get back?" she asked.
"No," said the minister dubiously. "Yet, stay; yes! I will! Tell the Fröken that I have found something which belongs to her, and that when she wishes to have it, I will myself bring it."
"No," said the minister doubtfully. "But wait; yes! I will! Tell the Fröken that I have found something that belongs to her, and that when she wants it, I will personally deliver it."
Britta looked cross. "If it is hers you have no business to keep it," she said brusquely. "Why not leave it,—whatever it is,—with me?"
Britta looked annoyed. "If it’s hers, you shouldn’t be keeping it," she said sharply. "Why not just leave it—with me—whatever it is?"
Mr. Dyceworthy regarded her with a bland and lofty air.
Mr. Dyceworthy looked at her with an indifferent and superior attitude.
"I trust no concerns of mine or hers to the keeping of a paid domestic," he said. "A domestic, moreover, who deserts the ways of her own people,—who hath dealings with the dwellers in darkness,—who even bringeth herself to forget much of her own native tongue, and who devoteth herself to—"
"I trust no concerns of mine or hers to the care of a hired help," he said. "A help, moreover, who abandons the customs of her own people—who associates with those who dwell in darkness—who even manages to forget much of her own native language, and who dedicates herself to—"
What he would have said was uncertain, as at that moment he was nearly thrown down by a something that slipped agilely between his legs, pinching each fat calf as it passed—a something that looked like a ball, but proved to be a human creature—no other than the crazy Sigurd, who, after accomplishing his uncouth gambol successfully, stood up, shaking back his streaming fair locks and laughing wildly.
What he might have said was unclear, as at that moment he was almost knocked over by something that darted between his legs, pinching each of his thick calves as it went by—a thing that resembled a ball, but turned out to be a person—none other than the wild Sigurd, who, after successfully completing his awkward leap, stood up, tossing his long, flowing hair back and laughing maniacally.
"Ha, ha!" he exclaimed. "That was good; that was clever! If I had upset you now, you would have said your prayers backward! What are you here for? This is no place for you! They are all gone out of it. She has gone—all the world is empty! There is nothing any where but air, air, air!—no birds, no flowers, no trees, no sunshine! All gone with her on the sparkling, singing water!" and he swung his arms round violently, and snapped his fingers in the minister's face. "What an ugly man your are!" he exclaimed with refreshing candor. "I think you are uglier than I am! You are straight,—but you are like a load of peat—heavy and barren and fit to burn. Now, I—I am the crooked bough of a tree, but I have bright leaves where a bird hides and sings all day! You—you have no song, no foliage; only ugly and barren and fit to burn!" He laughed heartily, and, catching sight of Britta, where she stood in the doorway entirely unconcerned at his eccentric behavior, he went up to her and took hold of the corner of her apron. "Take me in, Britta dear—pretty Britta!" he said coaxingly. "Sigurd is hungry! Britta, sweet little Britta,—come and talk to me and sing! Good-bye, fat man!" he added suddenly, turning round once more on Dyceworthy. "You will never overtake the big ship that has gone away with Thelma over the water. Thelma will come back,—yes! . . . but one day she will go never to come back." He dropped his voice to a mysterious whisper. "Last night I saw a little spirit come out of a rose,—he carried a tiny golden hammer and nail, and a ball of cord like a rolled-up sunbeam. He flew away so quickly I could not follow him; but I know where he went! He fastened the nail in the heart of Thelma, deeply, so that the little drops of blood flowed,—but she felt no pain; and then he tied the golden cord to the nail and left her, carrying the other end of the string with him—to whom? Some other heart must be pierced! Whose heart?" Sigurd looked infinitely cunning as well as melancholy, and sighed deeply.
"Ha, ha!" he exclaimed. "That was good; that was clever! If I had upset you now, you would have said your prayers backward! What are you doing here? This is no place for you! They've all left. She is gone—all the world feels empty! There’s nothing around but air, air, air!—no birds, no flowers, no trees, no sunshine! All gone with her on the sparkling, singing water!" He swung his arms around energetically and snapped his fingers in the minister's face. "What an ugly man you are!" he exclaimed with surprising honesty. "I think you’re uglier than I am! You’re tall,—but you’re like a pile of peat—heavy, barren, and ready to burn. Now, I—I am the crooked branch of a tree, but I have bright leaves where a bird hides and sings all day! You—you have no song, no leaves; just ugly, barren, and ready to burn!" He laughed heartily and, catching sight of Britta standing in the doorway completely unfazed by his strange behavior, he walked over to her and grabbed the corner of her apron. "Take me in, Britta dear—pretty Britta!" he said sweetly. "Sigurd is hungry! Britta, sweet little Britta,—come and talk to me and sing! Goodbye, fat man!" he suddenly added, turning back to Dyceworthy. "You will never catch up to the big ship that has sailed away with Thelma. Thelma will come back,—yes! . . . but one day she will leave and never return." He lowered his voice to a mysterious whisper. "Last night I saw a little spirit come out of a rose,—he carried a tiny golden hammer and nail, and a ball of cord like a rolled-up sunbeam. He flew away so fast I couldn’t follow him; but I know where he went! He drove the nail into Thelma's heart, deep enough for tiny drops of blood to flow,—but she felt no pain; and then he tied the golden cord to the nail and left her, taking the other end of the string with him—to whom? Some other heart must be pierced! Whose heart?" Sigurd looked both sly and sad, and sighed deeply.
The Reverend Mr. Dyceworthy was impatient and disgusted.
The Reverend Mr. Dyceworthy was frustrated and repulsed.
"It is a pity," he said with an air of solemn patience, "that this hapless creature, accursèd of God and man, is not placed in some proper abode suitable to the treatment of his affliction. You, Britta, as the favored servant of a—a—well, let us say, of a peculiar mistress, should persuade her to send this—this—person away, lest his vagaries become harmful."
"It’s a shame," he said with a serious and patient demeanor, "that this unfortunate soul, cursed by both God and man, isn’t put in a suitable place for his care. You, Britta, as the favored servant of a—a—let’s say, an unusual mistress, should convince her to send this—this—person away, before his odd behavior becomes a problem."
Britta glanced very kindly at Sigurd, who still held her apron with the air of a trustful child.
Britta looked at Sigurd warmly, who was still holding her apron like a trusting child.
"He's no more harmful than you are," she said promptly, in answer to the minister's remark. "He's a good fellow and if he talks strangely he can make himself useful,—which is more than can be said of certain people. He can saw and chop the wood, make hay, feed the cattle, pull a strong oar, and sweep and keep the garden,—can't you, Sigurd?" She laid her hand on Sigurd's shoulder, and he nodded his head emphatically, as she enumerated his different talents. "And as for climbing,—he can guide you anywhere over the hills, or up the streams to the big waterfalls—no one better. And if you mean by peculiar,—that my mistress is different to other people, why, I know she is, and am glad of it,—at any rate, she's a great deal too kind-hearted to shut this poor boy up in a house for madmen! He'd die if he couldn't have the fresh air." She paused, out of breath with her rapid utterance, and Mr. Dyceworthy held up his hands in dignified astonishment.
"He's not any more harmful than you are," she replied immediately to the minister's comment. "He's a good guy, and if he talks a bit oddly, he can be really helpful—which is more than can be said for some people. He can saw and chop wood, make hay, tend the cattle, row a strong oar, and keep the garden clean—right, Sigurd?" She placed her hand on Sigurd's shoulder, and he nodded vigorously as she listed his various skills. "And when it comes to climbing, he can take you anywhere over the hills or up the streams to the big waterfalls—better than anyone else. And if by 'peculiar' you mean that my mistress is different from others, well, she is, and I'm glad about it—at least she’s way too kind-hearted to lock this poor boy up in a mental institution! He'd die if he couldn’t get fresh air." She paused, catching her breath after speaking so quickly, and Mr. Dyceworthy raised his hands in dignified surprise.
"You talk too glibly, young woman," he said. "It is necessary that I should instruct you without loss of time, as to how you should be sparing of your words in the presence of your superiors and betters—"
"You speak too casually, young woman," he said. "I need to teach you right away how to be careful with your words around your superiors and those better than you—"
Bang! The door was closed with a decision that sent a sharp echo through the silent, heated air, and Mr. Dyceworthy was left to contemplate it at his leisure. Full of wrath, he was about to knock peremptorily and insist that it should be re-opened; but on second thoughts he decided that it was beneath his dignity to argue with a servant, much less with a declared lunatic like Sigurd,—so he made the best of his way back to his boat, thinking gloomily of the hard labor awaiting him in the long pull back to Bosekop.
Bang! The door slammed shut with a decisive sound that echoed through the quiet, warm air, leaving Mr. Dyceworthy to think it over at his own pace. Filled with anger, he almost knocked insistently and demanded that it be opened again; but then he reconsidered, realizing it was beneath him to argue with a servant, especially someone as crazy as Sigurd. So, he headed back to his boat, gloomily reflecting on the tough work ahead of him during the long trip back to Bosekop.
Other thoughts, too, tortured and harrassed his brain, and as he again took the oars and plied them wearily through the water, he was in an exceedingly unchristian humor. Though a specious hypocrite, he was no fool. He knew the ways of men and women, and he thoroughly realized the present position of affairs. He was quite aware of Thelma Güldmar's exceptional beauty,—and he felt pretty certain that no man could look upon her without admiration. But up to this time, she had been, as it were, secluded from all eyes,—a few haymakers and fishermen were the only persons of the male sex who had ever been within the precincts of Olaf Güldmar's dwelling, with the exception of himself, Dyceworthy,—who, being armed with a letter of introduction from the actual minister of Bosekop, whose place, he, for the present, filled, had intruded his company frequently and persistently on the bonde and his daughter, though he knew himself to be entirely unwelcome. He had gathered together as much as he could, all the scraps of information concerning them; how Olaf Güldmar was credited with having made away with his wife by foul means; how nobody even knew where his wife had come from; how Thelma had been mysteriously educated, and had learned strange things concerning foreign lands, which no one else in the place understood anything about; how she was reputed to be a witch, and was believed to have cast her spells on the unhappy Sigurd, to the destruction of his reason,—and how nobody could tell where Sigurd himself had come from.
Other thoughts also tormented and troubled his mind, and as he once again took the oars and rowed wearily through the water, he was in a really bad mood. Though he pretended to be pious, he wasn't naive. He understood the nature of people, and he was fully aware of the current situation. He recognized Thelma Güldmar's exceptional beauty and felt sure that no man could look at her without feeling admiration. However, until now, she had been kept away from all eyes—only a few haymakers and fishermen had ever entered Olaf Güldmar's home, apart from himself, Dyceworthy. He frequently intruded on the farmer and his daughter, armed with a letter of introduction from the current minister of Bosekop, a position he was temporarily filling, even though he knew he wasn't welcome. He had gathered all the bits of information he could about them: how Olaf Güldmar was rumored to have killed his wife; how no one even knew where she had come from; how Thelma had received a mysterious education and learned strange things about foreign lands that nobody else in the area understood; how she was said to be a witch and was believed to have cast spells on the unfortunate Sigurd, driving him mad; and how no one knew where Sigurd himself had come from.
All this Mr. Dyceworthy had heard with much interest, and as the sensual part of his nature was always more or less predominant, he had resolved in his own mind that here was a field of action suitable to his abilities. To tame and break the evil spirit in the reputed witch; to convert her to the holy and edifying Lutheran faith; to save her soul for the Lord, and take her beautiful body for himself; these were Mr. Dyceworthy's laudable ambitions. There was no rival to oppose him, and he had plenty of time to mature his plans. So he had thought. He had not bargained for the appearance of Sir Philip Bruce Errington on the scene,—a man, young, handsome, and well-bred, with vast wealth to back up his pretensions, should he make any.
Mr. Dyceworthy listened to all this with great interest, and since the more indulgent aspects of his nature were always somewhat dominant, he had decided that this situation was a perfect fit for his skills. To tame and break the evil spirit in the so-called witch; to convert her to the holy and uplifting Lutheran faith; to save her soul for the Lord and take her beautiful body for himself—these were Mr. Dyceworthy's admirable goals. There was no rival to stand in his way, and he had plenty of time to develop his plans. Or so he thought. He hadn't anticipated the arrival of Sir Philip Bruce Errington—a young, handsome, and well-bred man, with considerable wealth to support his claims, if he chose to make any.
"How did he find her out?" thought the Reverend Charles, as he dolefully pulled his craft along. "And that brutal pagan Güldmar, too, who pretends he cannot endure strangers!"
"How did he figure her out?" thought Reverend Charles, as he sadly pulled his boat along. "And that brutal pagan Güldmar, too, who pretends he can't stand strangers!"
And as he meditated, a flush of righteous indignation crimsoned his flabby features.
And as he thought about it, a wave of righteous anger turned his soft features crimson.
"Let her take care," he half muttered, with a smile that was not pleasant; "let her take care! There are more ways than one to bring down her pride! Sir Philip Errington must be too rich and popular in his own country to think of wishing to marry a girl who is only a farmer's daughter after all. He may trifle with her; yes! . . . and he will help me by so doing. The more mud on her name, the better for me; the more disgrace, the more need of rescue, and the more grateful she will have to be. Just a word to Ulrika,—and the scandal will spread. Patience, patience!"
"Let her take care," he half-mumbled, with a smile that wasn’t genuine; "let her take care! There are many ways to bring down her pride! Sir Philip Errington must be too wealthy and well-liked in his own country to consider marrying a girl who’s just a farmer's daughter after all. He might play with her feelings; yes! ... and that will work in my favor. The more dirt there is on her name, the better for me; the more disgrace, the greater the need for rescue, and the more grateful she’ll have to be. Just a word to Ulrika—and the gossip will spread. Patience, patience!"
And somewhat cheered by his own reflections, though still wearing an air of offended dignity, he rowed on, glancing up every now and then to see if the Eulalie had returned, but her place was still empty.
And feeling a bit uplifted by his thoughts, although still holding onto a sense of injured pride, he continued rowing, occasionally looking up to see if the Eulalie had come back, but her spot was still vacant.
Meanwhile, as he thought and planned, other thoughts and plans were being discussed at a meeting which was held in a little ruined stone hut, situated behind some trees on a dreary hill just outside Bosekop. It was a miserable place, barren of foliage,—the ground was dry and yellow, and the hut itself looked as if it had been struck by lightning. The friends, whose taste had led them to select this dilapidated dwelling as a place of conference, were two in number, both women,—one of them no other than the minister's servant, the drear-faced Ulrika. She was crouched on the earth-floor in an attitude of utter abasement, at the feet of her companion,—an aged dame of tall and imposing appearance, who, standing erect, looked down upon her with an air of mingled contempt and malevolence. The hut was rather dark, for the roof was not sufficiently destroyed to have the advantage of being open to the sky. The sunlight fell through holes of different shapes and sizes,—one specially bright patch of radiance illumining the stately form, and strongly marked, though withered features of the elder woman, whose eyes, deeply sunken in her head, glittered with a hawk-like and evil lustre, as they rested on the prostrate figure before her. When she spoke, her accents were harsh and commanding.
Meanwhile, as he was thinking and planning, other ideas and strategies were being discussed at a meeting held in a small ruined stone hut nestled behind some trees on a gloomy hill just outside Bosekop. It was a dismal place, lacking foliage—the ground was dry and yellow, and the hut itself looked like it had been struck by lightning. The friends, whose choice led them to pick this run-down building as a meeting spot, were two women—one of them was the minister's servant, the gloomy-faced Ulrika. She was crouched on the earthen floor in a posture of total submission at the feet of her companion, an elderly woman of tall and imposing stature, who stood upright and looked down at her with a mixture of contempt and malice. The hut was rather dark, as the roof wasn't destroyed enough to be open to the sky. Sunlight streamed through holes of various shapes and sizes—one particularly bright patch illuminated the dignified form and sharply defined, though withered, features of the older woman, whose deeply sunken eyes glittered with a hawk-like and malevolent gleam as they rested on the prostrate figure before her. When she spoke, her voice was harsh and authoritative.
"How long?" she said, "how long must I wait? How long must I watch the work of Satan in the land? The fields are barren and will not bring forth; the curse of bitter poverty is upon us all: and only he, the pagan Güldmar, prospers and gathers in harvest, while all around him starve! Do I not know the devil's work when I see it,—I, the chosen servant of the Lord?" And she struck a tall staff she held violently into the ground to emphasize her words. "Am I not left deserted in my age? The child Britta,—sole daughter of my sole daughter,—is she not stolen, and kept from me? Has not her heart been utterly turned away from mine? All through that vile witch,—accursèd of God and man! She it is who casts the blight on our land; she it is who makes the hands and hearts of our men heavy and careless, so that even luck has left the fishing; and yet you hesitate,—you delay, you will not fulfill your promise! I tell you, there are those in Bosekop who, at my bidding, would cast her naked into the Fjord, leave her there, to sink or swim according to her nature!"
"How long?" she asked. "How long must I wait? How long must I watch the work of evil in the land? The fields are empty and won’t yield any crops; we’re all cursed with bitter poverty, while he, the heathen Güldmar, thrives and reaps the harvest while everyone around him starves! Don’t I recognize the devil’s work when I see it—I, the chosen servant of the Lord?" And she slammed the tall staff she held forcefully into the ground to emphasize her words. "Am I not left abandoned in my old age? The child Britta—the only daughter of my only daughter—is she not stolen and kept away from me? Hasn’t her heart completely turned away from mine? All because of that wicked witch—cursed by God and man! She is the one who has brought destruction to our land; she is the one making our men’s hands and hearts heavy and careless, so that even luck has abandoned the fishing; and yet you hesitate—you delay—you won’t keep your promise! I tell you, there are those in Bosekop who, at my command, would throw her naked into the Fjord, leaving her there to sink or swim based on her true nature!"
"I know," murmured Ulrika humbly, raising herself slightly from her kneeling posture; "I know it well! . . . . but, good Lovisa, be patient! I work for the best! Mr. Dyceworthy will do more for us than we can do for ourselves; he is wise and cautious—"
"I know," Ulrika said softly, lifting herself slightly from her kneeling position. "I know it well! … but, dear Lovisa, please be patient! I'm working for the best! Mr. Dyceworthy will do more for us than we can do for ourselves; he’s wise and careful—"
Lovisa interrupted her with a fierce gesture. "Fool!" she cried. "What need of caution? A witch is a witch, burn her, drown her! There is no other remedy! But two days since, the child of my neighbor Engla passed her on the Fjord; and now the boy has sickened of some strange disease, and 'tis said he will die. Again, the drove of cattle owned by Hildmar Bjorn were herded home when she passed by. Now they are seized by the murrain plague! Tell your good saint Dyceworthy these things; if he can find no cure, I can,—and will!"
Lovisa cut her off with a sharp gesture. "Fool!" she shouted. "What’s the point of being careful? A witch is a witch—burn her, drown her! There’s no other solution! Just two days ago, my neighbor Engla's child saw her on the Fjord; now the boy is suffering from a strange illness, and they say he will die. Also, Hildmar Bjorn’s cattle were being herded home when she walked by. Now they’re infected with murrain! Tell your precious saint Dyceworthy these things; if he can't find a cure, I can—and will!"
Ulrika shuddered slightly as she rose from the ground and stood erect, drawing her shawl closely about her.
Ulrika shivered a little as she got up from the ground and stood straight, pulling her shawl tightly around her.
"You hate her so much, Lovisa?" she asked, almost timidly.
"You hate her that much, Lovisa?" she asked, a bit nervously.
Lovisa's face darkened, and her yellow, claw-like hand closed round her strong staff in a cruel and threatening manner.
Lovisa's expression turned grim, and her yellow, claw-like hand gripped her sturdy staff in a menacing way.
"Hate her!" she muttered, "I have hated her ever since she was born! I hated her mother before her! A nest of devils, every one of them; and the curse will always be upon us while they dwell here."
"Hate her!" she whispered, "I've hated her since the day she was born! I hated her mother before her! A whole bunch of devils, every single one of them; and the curse will always hang over us as long as they’re around."
She paused and looked at Ulrika steadily.
She stopped and looked at Ulrika firmly.
"Remember!" she said, with an evil leer on her lips, "I hold a secret of yours that is worth the keeping! I give you two weeks more; within that time you must act! Destroy the witch,—bring back to me my grandchild Britta, or else—it will be my turn!"
"Remember!" she said, with a wicked grin on her lips, "I have a secret of yours that's worth keeping! You have two more weeks; during that time, you need to take action! Get rid of the witch—bring my grandchild Britta back to me, or else—it will be my turn!"
And she laughed silently. Ulrika's face grew paler, and the hand that grasped the folds of her shawl trembled violently. She made an effort, however, to appear composed, as she answered—"I have sworn to obey you, Lovisa,—and I will. But tell me one thing—how do you know that Thelma Güldmar is indeed a witch?"
And she laughed quietly. Ulrika's face turned paler, and the hand gripping her shawl shook uncontrollably. She tried to look calm as she replied, "I’ve promised to obey you, Lovisa, and I will. But tell me one thing—how do you know that Thelma Güldmar is actually a witch?"
"How do I know?" almost yelled Lovisa. "Have I lived all these years for nothing? Look at her! Am I like her? Are you like her? Are any of the honest women of the neighborhood like her? Meet her on the hills with knives and pins,—prick her, and see if the blood will flow! I swear it will not—not one drop! Her skin is too white; there is no blood in those veins—only fire! Look at the pink in her cheeks,—the transparency of her flesh,—the glittering light in her eyes, the gold of her hair, it is all devil's work, it is not human, it is not natural! I have watched her,—I used to watch her mother, and curse her every time I saw her—ay! curse her till I was breathless with cursing—"
"How would I know?" Lovisa almost shouted. "Have I lived all these years for nothing? Look at her! Am I like her? Are you like her? Are any of the decent women in the neighborhood like her? Meet her on the hills with knives and pins—prick her, and see if the blood flows! I swear it won’t—not a single drop! Her skin is too white; there’s no blood in those veins—only fire! Look at the blush in her cheeks, the clarity of her skin—the shining light in her eyes, the gold of her hair; it’s all devil’s work, it’s not human, it’s not natural! I’ve watched her—I used to watch her mother and curse her every time I saw her—yes! curse her until I was breathless with cursing—"
She stopped abruptly. Ulrika gazed at her with as much wonder as her plain, heavy face was capable of expressing. Lovisa saw the look and smiled darkly.
She halted suddenly. Ulrika looked at her with as much curiosity as her simple, sturdy face could show. Lovisa noticed the expression and smirked subtly.
"One would think you had never known what love is!" she said, with a sort of grim satire in her tone. "Yet even your dull soul was on fire once! But I—when I was young, I had beauty such as you never had, and I loved—Olaf Güldmar."
"One would think you had never known what love is!" she said, with a kind of harsh sarcasm in her tone. "Yet even your boring soul was passionate once! But I—when I was young, I had a beauty unlike yours, and I loved—Olaf Güldmar."
Ulrika uttered an exclamation of astonishment. "You! and yet you hate him now?"
Ulrika exclaimed in surprise, "You! And yet you hate him now?"
Lovisa raised her hand with an imperious gesture.
Lovisa raised her hand with a commanding gesture.
"I have grown hate like a flower in my breast," she said, with a sort of stern impressiveness. "I have fostered it year after year, and now,—it has grown too strong for me! When Olaf Güldmar was young he told me I was fair; once he kissed my cheek at parting! For those words,—for that kiss,—I loved him then—for the same things I hate him now! When I know he had married, I cursed him; on the day of my own marriage with a man I despised, I cursed him! I have followed him and all his surroundings with more curses than there are hours in the day! I have had some little revenge—yes!"—and she laughed grimly—"but I want more! For Britta has been caught by his daughter's evil spell. Britta is mine, and I must have her back. Understand me well!—do what you have to do without delay! Surely it is an easy thing to ruin a woman!"
"I've grown hatred like a flower in my heart," she said, with a kind of grim intensity. "I've nurtured it year after year, and now—it's too strong for me! When Olaf Güldmar was young, he told me I was beautiful; once he kissed my cheek when we said goodbye! For those words— for that kiss—I loved him then—for the same reasons I hate him now! When I found out he married, I cursed him; on the day of my own wedding to a man I couldn't stand, I cursed him! I've followed him and everything around him with more curses than there are hours in a day! I've had some small revenge—yes!"—and she laughed harshly—"but I want more! Britta has fallen under his daughter's wicked influence. Britta is mine, and I need to get her back. Understand me clearly!—do what you have to do without delay! It must be easy to destroy a woman!"
Ulrika stood as though absorbed in meditation, and said nothing for some moments. At last she murmured as though to herself—
Ulrika stood like she was deep in thought and didn’t say anything for a little while. Finally, she whispered as if to herself—
"Mr. Dyceworthy could do much—if—"
"Mr. Dyceworthy could do a lot—if—"
"Ask him, then," said Lovisa imperatively. "Tell him the village is in fear of her. Tell him that if he will do nothing we will. And if all fails, come to me again; and remember! . . . I shall not only act,—I shall speak!"
"Then ask him," Lovisa said firmly. "Tell him the village is scared of her. Tell him that if he doesn’t do anything, we will. And if everything fails, come back to me; and remember! ... I won’t just take action—I will speak up!"
And emphasizing the last word as a sort of threat, she turned and strode out of the hut.
And stressing the last word like a threat, she turned and walked out of the hut.
Ulrika followed more slowly, taking a different direction to that in which her late companion was seen rapidly disappearing. On returning to the minister's dwelling, she found that Mr. Dyceworthy had not yet come back from his boating excursion. She gave no explanation of her absence to her two fellow-servants, but went straight up to her own room—a bare attic in the roof—where she deliberately took off her dress and bared her shoulders and breast. Then she knelt down on the rough boards, and clasping her hands, began to writhe and wrestle as though she were seized with a sudden convulsion. She groaned and tortured the tears from her eyes; she pinched her own flesh till it was black and blue, and scratched it with her nails till it bled,—and she prayed inaudibly, but with evident desperation. Sometimes her gestures were frantic, sometimes appealing; but she made no noise that was loud enough to attract attention from any of the dwellers in the house. Her stolid features were contorted with anguish,—and had she been an erring nun of the creed she held in such bitter abhorrence, who, for some untold crime, endured a self-imposed penance, she could not have punished her own flesh much more severely.
Ulrika followed at a slower pace, taking a different route than the one her companion had taken as he quickly disappeared. When she returned to the minister's house, she found that Mr. Dyceworthy hadn't come back from his boating trip yet. She didn't explain her absence to her two fellow servants but headed straight up to her room—a bare attic in the roof—where she intentionally removed her dress and exposed her shoulders and chest. Then she knelt down on the rough floorboards, clasped her hands, and began to writhe and struggle as if seized by a sudden convulsion. She groaned and forced tears from her eyes; she pinched her own skin until it turned black and blue and scratched it with her nails until it bled—and she prayed quietly, but with clear desperation. Sometimes her movements were frantic, sometimes pleading; but she didn't make any noise loud enough to get the attention of anyone else in the house. Her expression was twisted with pain—and had she been a sinful nun of the faith she loathed so much, suffering a self-imposed punishment for some unspoken sin, she couldn't have inflicted any harsher treatment on herself.
She remained some quarter of an hour or twenty minutes thus; then rising from her knees, she wiped the tears from her eyes and re-clothed herself,—and with her usual calm, immovable aspect—though smarting from the injuries she had inflicted on herself—she descended to the kitchen, there to prepare Mr. Dyceworthy's tea with all the punctilious care and nicety befitting the meal of so good a man and so perfect a saint.
She stayed like that for about fifteen or twenty minutes; then, getting up from her knees, she wiped the tears from her eyes and got dressed again. With her usual calm and steady demeanor—despite the pain from the injuries she had caused herself—she went down to the kitchen to prepare Mr. Dyceworthy's tea with all the meticulous care and attention that such a good man and perfect saint deserved.
CHAPTER X.
HAFIZ.
Hafez.
As the afternoon lengthened, and the sun lowered his glittering shield towards that part of the horizon where he rested a brief while without setting, the Eulalie,—her white sails spread to the cool, refreshing breeze,—swept gracefully and swiftly back to her old place on the Fjord, and her anchor dropped with musical clank and splash, just as Mr. Dyceworthy entered his house, fatigued, perspiring, and ill-tempered at the non-success of his day. All on board the yacht were at dinner—a dinner of the most tasteful and elegant description, such as Sir Philip Errington well knew how to order and superintend, and Thelma, leaning against the violet velvet cushions that were piled behind her for her greater ease, looked,—as she indeed was,—the veritable queen of the feast. Macfarlane and Duprèz had been rendered astonished and bashful by her excessive beauty. From the moment she came on board with her father, clad in her simple white gown, with a deep crimson hood drawn over her fair hair, and tied under her rounded chin, she had taken them all captive—they were her abject slaves in heart, though they put on very creditable airs of manly independence and nonchalance. Each man in his different way strove to amuse or interest her, except, strange to say, Errington himself, who, though deeply courteous to her, kept somewhat in the background and appeared more anxious to render himself agreeable to old Olaf Güldmar, than to win the good graces of his lovely daughter. The girl was delighted with everything on board the yacht,—she admired its elegance and luxury with child-like enthusiasm; she gloried in the speed with which its glittering prow cleaved the waters; she clapped her hands at the hiss of the white foam as it split into a creaming pathway for the rushing vessel; and she was so unaffected and graceful in all her actions and attitudes, that the slow blood of the cautious Macfarlane began to warm up by degrees to a most unwonted heat of admiration. When she had first arrived, Errington, in receiving her, had seriously apologized for not having some lady to meet her, but she seemed not to understand his meaning. Her naïve smile and frankly uplifted eyes put all his suddenly conceived notions of social stiffness to flight.
As the afternoon stretched on and the sun lowered its shiny disk towards the horizon, where it lingered for a moment without fully setting, the Eulalie—her white sails catching the cool, refreshing breeze—glided back to her usual spot on the Fjord. Her anchor dropped with a melodic clang and splash, just as Mr. Dyceworthy entered his house, tired, sweating, and irritated by the lack of success in his day. Everyone on board the yacht was at dinner—an elegant meal that Sir Philip Errington expertly ordered and managed. Thelma, leaning against the violet velvet cushions piled behind her for comfort, looked like the true queen of the feast. Macfarlane and Duprèz were left astonished and shy by her overwhelming beauty. From the moment she boarded with her father, in her simple white dress and a deep crimson hood pulled over her fair hair and tied under her chin, she had captivated them all—they were her devoted fans at heart, even though they maintained a front of manly independence and casualness. Each man, in his own way, tried to entertain or engage her, except, oddly enough, Errington himself, who, while very polite to her, remained in the background and seemed more focused on gaining the favor of old Olaf Güldmar than impressing his beautiful daughter. The girl was thrilled by everything on the yacht—she admired its elegance and luxury with childlike excitement; she reveled in the speed with which its gleaming bow sliced through the water; she clapped her hands at the sound of the white foam as it scattered into a frothy path for the speeding vessel; and her natural grace and ease in every movement began to awaken a surprising warmth of admiration in the usually restrained Macfarlane. When she first arrived, Errington had sincerely apologized for not having a lady to welcome her, but she seemed not to understand his concern. Her innocent smile and openly raised eyes dismissed all his suddenly formed thoughts of social awkwardness.
"Why should a lady come?" she asked sweetly. "It is not necessary? . . ."
"Why should a woman come?" she asked sweetly. "Is it really necessary? ... "
"Of course it isn't!" said Lorimer promptly and delightedly. "I am sure we shall be able to amuse you, Miss Güldmar."
"Of course it isn't!" Lorimer replied quickly and happily. "I'm sure we can entertain you, Miss Güldmar."
"Oh,—for that!" she replied, with a little shrug that had something French about it, "I amuse myself always! I am amused now,—you must not trouble yourselves!"
"Oh,—for that!" she replied, with a little shrug that had a hint of French flair, "I always keep myself entertained! I'm amused right now,—you don't need to worry!"
As she was introduced to Duprèz and Macfarlane, she gave them each a quaint, sweeping curtsy, which had the effect of making them feel the most ungainly lumbersome fellows on the face of the earth. Macfarlane grew secretly enraged at the length of his legs,—while Pierre Duprèz, though his bow was entirely Parisian, decided in his own mind that it was jerky, and not good style. She was perfectly unembarrassed with all the young men; she laughed at their jokes, and turned her glorious eyes full on them with the unabashed sweetness of innocence; she listened to the accounts they gave her of their fishing and climbing excursions with the most eager interest,—and in her turn, she told them of fresh nooks and streams and waterfalls, of which they had never even heard the names. Not only were they enchanted with her, but they were thoroughly delighted with her father, Olaf Güldmar. The sturdy old pagan was in the best of humors,—and seemed determined to be pleased with everything,—he told good stories,—and laughed that rollicking, jovial laugh of his with such unforced heartiness that it was impossible to be dull in his company,—and not one of Errington's companions gave a thought to the reports concerning him and his daughter, which had been so gratuitously related by Mr. Dyceworthy.
As she was introduced to Duprèz and Macfarlane, she gave each of them a charming, sweeping curtsy, making them feel like the most awkward, clumsy guys in the world. Macfarlane quietly grew angry at the length of his legs, while Pierre Duprèz, despite his completely Parisian bow, thought to himself that it was stiff and not stylish. She was completely at ease with all the young men; she laughed at their jokes and gazed at them with her dazzling eyes, radiating innocent sweetness. She listened eagerly to their stories about fishing and climbing trips, and in return, she shared tales of hidden spots, streams, and waterfalls they had never even heard of. Not only were they captivated by her, but they were also thoroughly charmed by her father, Olaf Güldmar. The sturdy old man was in a great mood and seemed determined to enjoy everything. He told great stories and laughed that boisterous, cheerful laugh of his with such genuine warmth that it was impossible to be bored in his presence, and none of Errington's friends considered the rumors about him and his daughter that Mr. Dyceworthy had spread.
They had had a glorious day's sail, piloted by Valdemar Svensen, whose astonishment at seeing the Güldmars on board the Eulalie was depicted in his face, but who prudently forebore from making any remarks thereon. The bonde hailed him good-humoredly as an old acquaintance,—much in the tone of a master addressing a servant,—and Thelma smiled kindly at him,—but the boundary line between superior and inferior was in this case very strongly marked, and neither side showed any intention of overstepping it. In the course of the day, Duprèz had accidentally lapsed into French, whereupon to his surprise Thelma had answered him in the same tongue,—though with a different and much softer pronunciation. Her "bien zoli!" had the mellifluous sweetness of the Provencal dialect, and on his eagerly questioning her, he learned that she had received her education in a large convent at Arles, where she had learned French from the nuns. Her father overheard her talking of her school-days, and he added—
They had a fantastic day of sailing, helmed by Valdemar Svensen, whose surprise at seeing the Güldmars on board the Eulalie was clear on his face, but he wisely chose not to comment. The bonde cheerfully greeted him as an old friend—much like a boss addressing an employee—and Thelma smiled warmly at him, but the distinction between superior and subordinate was very pronounced in this case, and neither side showed any desire to cross that line. During the day, Duprèz accidentally slipped into speaking French, and to his surprise, Thelma responded in the same language—though with a different and much softer accent. Her "bien zoli!" had the melodious charm of the Provençal dialect, and when he eagerly asked her about it, he learned that she had been educated in a large convent in Arles, where she had learned French from the nuns. Her father overheard her reminiscing about her school days, and he added—
"Yes, I sent my girl away for her education, though I know the teaching is good in Christiania. Yet it did not seem good enough for her. Besides, your modern 'higher education' is not the thing for a woman,—it is too heavy and commonplace. Thelma knows nothing about mathematics or algebra. She can sing and read and write,—and, what is more, she can spin and sew; but even these things were not the first consideration with me. I wanted her disposition trained, and her bodily health attended to. I said to those good women at Arles—'Look here,—here's a child for you! I don't care how much or how little she knows about accomplishments. I want her to be sound and sweet from head to heel—a clean mind in a wholesome body. Teach her self-respect, and make her prefer death to a lie. Show her the curse of a shrewish temper, and the blessing of cheerfulness. That will satisfy me!' I dare say, now I come to think of it, those nuns thought me an odd customer; but, at any rate, they seemed to understand me. Thelma was very happy with them, and considering all things"—the old man's eyes twinkled fondly—"she hasn't turned out so badly!"
"Yes, I sent my daughter away for her education, even though I know the teaching in Christiania is good. Still, it didn’t seem good enough for her. Besides, your modern 'higher education' isn’t suitable for a woman—it’s too heavy and average. Thelma doesn’t know anything about math or algebra. She can sing, read, and write—and, more importantly, she can spin and sew; but even those skills weren't my main concern. I wanted her character developed and her physical health taken care of. I told those wonderful women at Arles, 'Look here—here’s a child for you! I don’t care how much or how little she knows about skills. I want her to be sound and sweet from head to toe—a clear mind in a healthy body. Teach her self-respect, and make her value truth over everything. Show her the curse of having a bad temper and the blessing of being cheerful. That’s what will satisfy me!' I suspect those nuns thought I was a bit strange; but anyway, they seemed to get me. Thelma was very happy with them, and considering everything”—the old man’s eyes twinkled fondly—“she hasn’t turned out so badly!"
They laughed,—and Thelma blushed as Errington's dreamy eyes rested on her with a look, which, though he was unconscious of it, spoke passionate admiration. The day passed too quickly with them all,—and now, as they sat at dinner in the richly ornamented saloon, there was not one among them who could contemplate without reluctance the approaching break-up of so pleasant a party. Dessert was served, and as Thelma toyed with the fruit on her plate and sipped her glass of champagne, her face grew serious and absorbed,—even sad,—and she scarcely seemed to hear the merry chatter of tongues around her, till Errington's voice asking a question of her father roused her into swift attention.
They laughed, and Thelma blushed as Errington's dreamy eyes lingered on her with a gaze that, even though he was unaware of it, conveyed deep admiration. The day flew by for all of them, and now, as they sat down for dinner in the beautifully decorated dining room, not one of them could bear to think about the inevitable end of such a delightful gathering. Dessert was served, and as Thelma played with the fruit on her plate and sipped her glass of champagne, her expression turned serious and contemplative—almost sad—and she seemed barely aware of the cheerful conversations around her until Errington's voice, asking a question of her father, snapped her back to attention.
"Do you know any one of the name of Sigurd?" he was saying, "a poor fellow whose wits are in heaven let us hope,—for they certainly are not on earth."
"Do you know anyone by the name of Sigurd?" he was saying, "a poor guy whose mind we can only hope is in the clouds—because it definitely isn't on the ground."
Olaf Güldmar's fine face softened with pity, and he replied—
Olaf Güldmar's handsome face softened with compassion, and he responded—
"Sigurd? Have you met him then? Ah, poor boy, his is a sad fate! He has wit enough, but it works wrongly; the brain is there, but 'tis twisted. Yes, we know Sigurd well enough—his home is with us in default of a better. Ay, ay! we snatched him from death—perhaps unwisely,—yet he has a good heart, and finds pleasure in his life."
"Sigurd? Have you met him? Ah, poor guy, he has a sad fate! He's smart enough, but it doesn't work right; the brain is there, but it's twisted. Yes, we know Sigurd well enough—he stays with us since there’s nowhere else for him. Yeah, we rescued him from death—maybe not the best decision—but he has a good heart and enjoys his life."
"He is a kind of poet in his own way," went on Errington, watching Thelma as she listened intently to their conversation. "Do you know he actually visited me on board here last night and begged me to go away from the Altenfjord altogether? He seemed afraid of me, as if he thought I meant to do him some harm."
"He’s a bit of a poet in his own way," Errington continued, watching Thelma as she listened closely to their conversation. "Do you know he actually came to visit me on board here last night and asked me to leave the Altenfjord completely? He seemed scared of me, like he thought I was trying to hurt him."
"How strange!" murmured Thelma. "Sigurd never speaks to visitors,—he is too shy. I cannot understand his motive!"
"How weird!" Thelma whispered. "Sigurd never talks to visitors—he's too shy. I just don't get his reasoning!"
"Ah, my dear!" sighed her father. "Has he any motive at all? . . . and does he ever understand himself? His fancies change with every shifting breeze! I will tell you," he continued, addressing himself to Errington, "how he came to be, as it were, a bit of our home. Just before Thelma was born, I was walking with my wife one day on the shore, when we both caught sight of something bumping against our little pier, like a large box or basket. I managed to get hold of it with a boat-hook and drag it in; it was a sort of creel such as is used to pack fish in, and in it was the naked body of a half-drowned child. It was an ugly little creature—a newly born infant deformity—and on its chest there was a horrible scar in the shape of a cross, as though it had been gashed deeply with a pen-knife. I thought it was dead, and was for throwing it back into the Fjord, but my wife,—a tender-hearted angel—took the poor wretched little wet body in her arms, and found that it breathed. She warmed it, dried it, and wrapped it in her shawl,—and after awhile the tiny monster opened its eyes and stared at her. Well! . . . somehow, neither of us could forget the look it gave us,—such a solemn, warning, pitiful, appealing sort of expression! There was no resisting it,—so we took the foundling and did the best we could for him. We gave him the name of Sigurd,—and when Thelma was born, the two babies used to play together all day, and we never noticed anything wrong with the boy, except his natural deformity, till he was about ten or twelve years old. Then we saw to our sorrow that the gods had chosen to play havoc with his wits. However, we humored him tenderly, and he was always manageable. Poor Sigurd! He adored my wife; I have known him listen for hours to catch the sound of her footstep; he would actually deck the threshold with flowers in the morning that she might tread on them as she passed by." The old bonds sighed and rubbed his hand across his eyes with a gesture half of pain, half of impatience—"And now he is Thelma's slave,—a regular servant to her. She can manage him best of us all,—he is as docile as a lamb, and will do anything she tells him."
"Ah, my dear!" sighed her father. "Does he have any motive at all? ... and does he even understand himself? His whims change with every little breeze! Let me tell you," he said, turning to Errington, "how he became a part of our home. Just before Thelma was born, my wife and I were walking along the shore one day when we noticed something bumping against our little pier, like a big box or basket. I managed to grab it with a boat hook and pulled it in; it was a type of creel used for packing fish, and inside was the naked body of a half-drowned child. It was a rather ugly little thing—a deformed newborn—and on its chest was a horrible scar shaped like a cross, as if it had been sliced deeply with a penknife. I thought it was dead and wanted to throw it back into the fjord, but my wife—such a tender-hearted angel—picked up the poor, wet little body and discovered it was still breathing. She warmed it, dried it off, and wrapped it in her shawl, and after a while, the tiny creature opened its eyes and stared at her. Well! ... somehow, neither of us could forget that look it gave us—such a solemn, warning, pitiful, pleading expression! We couldn't resist it—so we took the foundling and did our best for him. We named him Sigurd, and when Thelma was born, the two babies played together all day; we never noticed anything wrong with the boy except for his natural deformity until he was about ten or twelve years old. Then we sadly realized that the gods had decided to mess with his mind. Still, we treated him with kindness, and he was always manageable. Poor Sigurd! He adored my wife; I've watched him listen for hours to catch the sound of her footsteps; he would even decorate the door with flowers in the morning so she could step on them as she passed by." The old man sighed and rubbed his eyes with a gesture that was half pain, half impatience—"And now he is Thelma's servant—a complete slave to her. She can manage him better than any of us—he's as obedient as a lamb and will do whatever she tells him."
"I am not surprised at that," said the gallant Duprèz; "there is reason in such obedience!"
"I’m not surprised by that," said the brave Duprèz; "there’s a good reason for such obedience!"
Thelma looked at him inquiringly, ignoring the implied compliment.
Thelma looked at him questioningly, brushing aside the implied compliment.
"You think so?" she said simply "I am glad! I always hope that he will one day be well in mind,—and every little sign of reason in him is pleasant to me."
"You think so?" she said casually. "I'm glad! I always hope that one day he will be clear-minded, and every little sign of rationality in him is nice to see."
Duprèz was silent. It was evidently no use making even an attempt at flattering this strange girl; surely she must be dense not to understand compliments that most other women compel from the lips of men as their right? He was confused—his Paris breeding was no use to him—in fact he had been at a loss all day, and his conversation had, even to himself, seemed particularly shallow and frothy. This Mademoiselle Güldmar, as he called her, was by no means stupid—she was not a mere moving statue of lovely flesh and perfect color whose outward beauty was her only recommendation,—she was, on the contrary, of a most superior intelligence,—she had read much and thought more,—and the dignified elegance of her manner, and bearing would have done honor to a queen. After all, thought Duprèz musingly, the social creeds of Paris might be wrong—it was just possible! There might be women who were womanly,—there might be beautiful girls who were neither vain nor frivolous,—there might even be creatures of the feminine sex, besides whom a trained Parisian coquette would seem nothing more than a painted fiend of the neuter gender. These were new and startling considerations to the feather-light mind of the Frenchman,—and unconsciously his fancy began to busy itself with the old romantic histories of the ancient French chivalry, when faith, and love, and loyalty, kept white the lilies of France, and the stately courtesy and unflinching pride of the ancien régime made its name honored throughout the world. An odd direction indeed for Pierre Duprèz's reflection to wander in—he, who never reflected on either past or future, but was content to fritter away the present as pleasantly as might be—and the only reason to which his unusually serious reverie could be attributed was the presence of Thelma. She certainly had a strange influence on them all, though she herself was not aware of it,—and not only Errington, but each one of his companions had been deeply considering during the day, that notwithstanding the unheroic tendency of modern living, life itself might be turned to good and even noble account, if only an effort were made in the right direction.
Duprèz was silent. Clearly, trying to flatter this unusual girl was pointless; she must be really dense not to get compliments that most other women seem to demand from men as their right. He was confused—his Paris upbringing wasn’t helping—actually, he had felt lost all day, and even to himself, his conversation seemed particularly shallow and superficial. This Mademoiselle Güldmar, as he called her, was by no means stupid—she wasn’t just a pretty face with perfect skin whose beauty was her only merit; on the contrary, she was exceptionally intelligent—she had read a lot and thought even more—and the dignified elegance of her demeanor would have honored a queen. After all, Duprèz thought to himself, maybe the social norms of Paris were wrong—it could be possible! There might be women who were genuinely womanly—there might be beautiful girls who were neither vain nor superficial—there might even be women who made a trained Parisian flirt look like a mere painted devil without any real substance. These were new and shocking thoughts for the light-hearted Frenchman, and unconsciously his mind began to wander toward the old romantic tales of ancient French chivalry, when faith, love, and loyalty kept the lilies of France pure, and the graceful courtesy and unwavering pride of the ancien régime made it respected around the world. It was a strange path for Pierre Duprèz's thoughts to take—he, who never considered the past or the future, but was content to enjoy the moment as pleasantly as possible—the only reason for his unusually serious reflection could be attributed to Thelma's presence. She certainly had a peculiar effect on everyone, though she was unaware of it herself—and not just Errington, but each of his friends had been deep in thought throughout the day, realizing that despite the unheroic nature of modern life, it could still be turned into something good and even noble if only one made an effort in the right direction.
Such was the compelling effect of Thelma's stainless mind reflected in her pure face, on the different dispositions of all the young men; and she, perfectly unconscious of it, smiled at them, and conversed gaily,—little knowing as she talked, in her own sweet and unaffected way, that the most profound resolutions were being formed, and the most noble and unselfish deeds, were being planned in the souls of her listeners,—all forsooth! because one fair, innocent woman had, in the clear, grave glances of her wondrous sea-blue eyes, suddenly made them aware of their own utter unworthiness. Macfarlane, meditatively watching the girl from under his pale eyelashes, thought of Mr. Dyceworthy's matrimonial pretensions, with a humorous smile hovering on his thin lips.
The impact of Thelma's pure mind, shown in her clear face, was striking on all the young men; and she, completely unaware, smiled at them and chatted cheerfully—little knowing that as she spoke in her own sweet and natural way, the deepest decisions were being made, and the most honorable and selfless actions were being planned in the hearts of those listening—all because one beautiful, innocent woman had, in the clear, serious look of her amazing sea-blue eyes, made them realize their own total unworthiness. Macfarlane, thoughtfully observing the girl from under his pale eyelashes, considered Mr. Dyceworthy's marriage ambitions, with a playful smile lingering on his thin lips.
"Ma certes! the fellow has an unco' gude opeenion o' himself," he mused. "He might as well offer his hand in marriage to the Queen while he's aboot it,—he wad hae just as muckle chance o' acceptance."
"Well, he definitely has a pretty high opinion of himself," he thought. "He might as well propose to the Queen while he's at it—he’d have just as much chance of being accepted."
Meanwhile, Errington, having learned all he wished to know concerning Sigurd, was skillfully drawing out old Olaf Güldmar, and getting him to give his ideas on things in general, a task in which Lorimer joined.
Meanwhile, Errington, having learned everything he wanted to know about Sigurd, was skillfully engaging old Olaf Güldmar and getting him to share his thoughts on various topics, a task in which Lorimer participated.
"So you don't think we're making any progress nowadays?" inquired the latter with an appearance of interest, and a lazy amusement in his blue eyes as he put the question.
"So you don't think we're making any progress these days?" the other asked with a look of interest and a hint of lazy amusement in his blue eyes as he posed the question.
"Progress!" exclaimed Güldmar. "Not a bit of it! It is all a going backward; it may not seem apparent, but it is so. England, for instance, is losing the great place she once held in the world's history,—and these things always happen to all nations when money becomes more precious to the souls of the people than honesty and honor. I take the universal wide-spread greed of gain to be one of the worst signs of the times,—the forewarning of some great upheaval and disaster, the effects of which no human mind can calculate. I am told that America is destined to be the dominating power of the future,—but I doubt it! Its politics are too corrupt,—its people live too fast, and burn their candle at both ends, which is unnatural and most unwholesome; moreover, it is almost destitute of Art in its highest forms,—and is not its confessed watchward 'the almighty Dollar?' And such a country as that expects to arrogate to itself the absolute sway of the world? I tell you, no—ten thousand times no! It is destitute of nearly everything that has made nations great and all-powerful in historic annals,—and my belief is that what, has been, will be again,—and that what has never been, will never be."
"Progress!" Güldmar exclaimed. "Not at all! We're actually going backward; it might not be obvious, but it is. England, for example, is losing the prominent place it once held in world history—and this always happens to nations when money becomes more valuable to people than honesty and honor. I see the widespread greed for wealth as one of the worst signs of our times—a warning of some major upheaval and disaster, the effects of which no one can fully predict. I’ve heard that America is set to be the leading power of the future—but I have my doubts! Its politics are too corrupt, its people live too fast, and they burn the candle at both ends, which is unnatural and unhealthy; plus, it lacks true Art in its highest forms—and isn’t its acknowledged motto 'the almighty Dollar?' And a country like that expects to claim absolute control of the world? I tell you, no—ten thousand times no! It's lacking nearly everything that has made nations great and powerful in history—and I believe that what has happened before will happen again—and that what has never happened will never happen."
"You mean by that, I suppose, that there is no possibility of doing anything new,—no way of branching out in some, better and untried direction?" asked Errington.
"You mean, I guess, that there's no chance of doing anything new—no way to explore a better and untested direction?" Errington asked.
Olaf Güldmar shook his head emphatically. "You can't do it," he said decisively. "Everything in every way has been begun and completed and then forgotten over and over in this world,—to be begun and completed and forgotten again, and so on to the end of the chapter. No one nation is better than another in this respect,—there is,—there can be nothing new. Norway, for example, has had its day; whether it will ever have another I know not,—at any rate, I shall not live to see it. And yet, what a past!—" He broke off and his eyes grew meditative.
Olaf Güldmar shook his head emphatically. "You can't do it," he said firmly. "Everything has been started, finished, and then forgotten again and again in this world—to be started, finished, and forgotten once more, and so on until the end of time. No one country is better than another in this way—there is, and there can be nothing new. Norway, for example, has had its time; whether it will ever have another, I can't say—I won't be around to see it. And yet, what a history!—" He paused, his eyes becoming thoughtful.
Lorimer looked at him. "You would have been a Viking, Mr. Güldmar, had you lived in the old days," he said with a smile.
Lorimer looked at him. "You would have been a Viking, Mr. Güldmar, if you had lived back then," he said with a smile.
"I should, indeed!" returned the old man, with an unconsciously haughty gesture of his head; "and no better fate could have befallen me! To sail the seas in hot pursuit of one's enemies, or in search of further conquest,—to feel the very wind and sun beating up the blood in one's veins,—to live the life of a man—a true man! . . . in all the pride and worth of strength, and invincible vigor!—how much better than the puling, feeble, sickly existence, led by the majority of men to-day! I dwell apart from them as much as I can,—I steep my mind and body in the joys of Nature, and the free fresh air,—but often I feel that the old days of the heroes must have been best,—when Gorm the Bold and the fierce Siegfried seized Paris, and stabled their horses in the chapel where Charlemagne lay buried!"
"I certainly should!" replied the old man, with an unconsciously arrogant nod; "and no better fate could have come my way! To sail the seas in pursuit of my enemies or to seek further conquests—to feel the wind and sun energizing my blood—to live the life of a man—a true man!... in all the pride and strength, and unstoppable vigor!—how much better than the whiny, weak, sickly lives that most men live today! I try to stay away from them as much as I can—I immerse my mind and body in the joys of Nature and the fresh air—but often I think that the old days of heroes must have been the best—when Gorm the Bold and the fierce Siegfried took Paris and kept their horses in the chapel where Charlemagne was buried!"
Pierre Duprèz looked up with a faint smile. "Ah, pardon! But that was surely a very long time ago!"
Pierre Duprèz looked up with a slight smile. "Ah, excuse me! But that was definitely a very long time ago!"
"True!" said Güldmar quietly. "And no doubt you will not believe the story at this distance of years. But the day is coming when people will look back on the little chronicle of your Empire,—your commune,—your republic, all your little affairs, and will say, 'Surely these things are myths; they occurred—if they occurred at all,—a very long time ago!"
"True!" said Güldmar softly. "And I’m sure you won't believe the story after all these years. But there will come a time when people will look back on the brief history of your Empire—your community—your republic, all your small matters, and they’ll say, 'Surely these things are myths; they happened—if they happened at all—a very long time ago!'"
"Monsieur is a philosopher!" said Duprèz, with a good-humored gesture; "I would not presume to contradict him."
"Monsieur is a philosopher!" said Duprèz, with a playful gesture; "I wouldn’t dare to disagree with him."
"You see, my lad," went on Güldmar more gently, "there is much in our ancient Norwegian history that is forgotten or ignored by students of to-day. The travellers that come hither come to see the glories of our glaciers and fjords,—but they think little or nothing of the vanished tribe of heroes who once possessed the land. If you know your Greek history, you must have heard of Pythias, who lived three hundred and fifty-six years before Christ, and who was taken captive by a band of Norseman and carried away to see 'the place where the sun slept in winter.' Most probably he came to this very spot, the Altenfjord,—at any rate the ancient Greeks had good words to say for the 'Outside Northwinders,' as they called us Norwegians, for they reported us to be 'persons living in peace with their gods and themselves.' Again, one of the oldest tribes in the world came among us in times past,—the Phoenicians,—there are traces among us still of their customs and manners. Yes! we have a great deal to look back upon with pride as well as sorrow,—and much as I hear of the wonders of the New World, the marvels and the go-ahead speed of American manners and civilization,—I would rather be a Norseman than a Yankee." And he laughed.
"You see, my friend," Güldmar said more softly, "there’s a lot in our ancient Norwegian history that students today have forgotten or overlooked. The travelers who come here want to see the beauty of our glaciers and fjords—but they think very little, if at all, about the great heroes who once lived in this land. If you know your Greek history, you must have heard of Pythias, who lived 356 years before Christ and was captured by a group of Norsemen and taken to see 'the place where the sun slept in winter.' He probably came to this very spot, the Altenfjord—in any case, the ancient Greeks had good things to say about the 'Outside Northwinders,' as they referred to us Norwegians, saying we were 'people living in peace with their gods and themselves.' Also, one of the oldest tribes in the world, the Phoenicians, visited us in the past—there are still traces of their customs and ways among us. Yes! We have a lot to look back on with both pride and sorrow—and as much as I hear about the wonders of the New World, the marvels and fast pace of American life and culture—I’d still choose to be a Norseman over a Yankee." And he laughed.
"There's more dignity in the name, at any rate," said Lorimer. "But I say, Mr. Güldmar, you are 'up' in history much better than I am. The annals of my country were grounded into my tender soul early in life, but I have a very hazy recollection of them. I know Henry VIII. got rid of his wives expeditiously and conveniently,—and I distinctly remember that Queen Elizabeth wore the first pair of silk stockings, and danced a kind of jig in them with the Earl of Leicester; these things interested me at the time,—and they now seen firmly impressed on my memory to the exclusion of everything else that might possibly be more important."
"There's more dignity in the name, anyway," said Lorimer. "But I have to admit, Mr. Güldmar, you're much more knowledgeable about history than I am. The history of my country was drilled into me when I was young, but I hardly remember it. I know that Henry VIII got rid of his wives quickly and conveniently, and I clearly remember that Queen Elizabeth was the first to wear silk stockings and did a sort of jig in them with the Earl of Leicester; those things interested me back then, and they’re now stuck in my memory, overshadowing everything else that might actually be more important."
Old Güldmar smiled, but Thelma laughed outright and her eyes danced mirthfully.
Old Güldmar smiled, but Thelma burst out laughing, and her eyes sparkled with joy.
"Ah, I do know you now!" she said, nodding her fair head at him wisely. "You are not anything that is to be believed! So I shall well understand you,—that is, you are a very great scholar,—but that it pleases you to pretend you are a dunce!"
"Ah, I know you now!" she said, nodding her fair head at him knowingly. "You’re not someone anyone would believe! So I get you—you're a really smart scholar—but you like to pretend you're just an idiot!"
Lorimer's face brightened into a very gentle and winning softness as he looked at her.
Lorimer's face lit up with a soft and charming warmth as he looked at her.
"I assure you, Miss Güldmar, I am not pretending in the least. I'm no scholar. Errington is, if you like! If it hadn't been for him, I should never have learned anything at Oxford at all. He used to leap over a difficulty while I was looking at it. Phil, don't interrupt me,—you know you did! I tell you he's up to everything: Greek, Latin, and all the rest of it,—and, what's more, he writes well,—I believe,—though he'll never forgive me for mentioning it,—that he has even published some poems."
"I promise you, Miss Güldmar, I’m not faking at all. I’m no expert. Errington is, if you want to put it that way! If it weren’t for him, I wouldn’t have learned anything at Oxford. He used to jump over challenges while I was just staring at them. Phil, don’t interrupt me—you know you did! I’m telling you he knows everything: Greek, Latin, and all the rest of it—and what’s more, he writes well—I believe—though he’ll never forgive me for bringing it up—that he has even published some poems."
"Be quiet, George!" exclaimed Errington, with a vexed laugh. "You are boring Miss Güldmar to death!"
"Shut up, George!" Errington said, laughing in annoyance. "You're boring Miss Güldmar to death!"
"What is boring?" asked Thelma gently, and then turning her eyes full on the young Baronet, she added, "I like to hear that you will pass your days sometimes without shooting the birds and killing the fish; it can hurt nobody for you to write." And she smiled that dreamy pensive smile, of hers that was so infinitely bewitching. "You must show me all your sweet poems!"
"What is boring?" Thelma asked softly, and then directing her gaze fully at the young Baronet, she added, "I’m glad to hear you’ll spend some of your time not hunting birds or catching fish; it won’t hurt anyone for you to write." And she smiled that dreamy, thoughtful smile of hers that was so incredibly charming. "You have to show me all your beautiful poems!"
Errington colored hotly. "They are all nonsense, Miss Güldmar," he said quickly. "There's nothing 'sweet' about them, I tell you frankly! All rubbish, every line of them!"
Errington blushed fiercely. "They're all nonsense, Miss Güldmar," he said quickly. "There's nothing 'sweet' about them, I can tell you honestly! Total rubbish, every single line!"
"Then you should not write them," said Thelma quietly. "It is only a pity and a disappointment."
"Then you shouldn't write them," Thelma said softly. "It's just a shame and a letdown."
"I wish every one were of your opinion," laughed Lorimer, "it would spare us a lot of indifferent verse."
"I wish everyone felt the same way you do," laughed Lorimer, "it would save us from a lot of mediocre poetry."
"Ah! you have the chief Skald of all the world in your land!" cried Güldmar, bringing his fist down with a jovial thump on the table. "He can teach you all that you need to know."
"Ah! You have the top Skald of the entire world in your country!" exclaimed Güldmar, slamming his fist down on the table with a cheerful thud. "He can teach you everything you need to know."
"Skald?" queried Lorimer dubiously. "Oh, you mean bard. I suppose you allude to Shakespeare?"
"Skald?" Lorimer asked skeptically. "Oh, you mean bard. I guess you're talking about Shakespeare?"
"I do," said the old bonde enthusiastically, "he is the only glory of your country I envy! I would give anything to prove him a Norwegian. By Valhalla! had he but been one of the Bards of Odin, the world might have followed the grand old creed still! If anything could ever persuade me to be a Christian, it would be the fact that Shakespeare was one. If England's name is rendered imperishable, it will be through the fame of Shakespeare alone,—just as we have a kind of tenderness for degraded modern Greece, because of Homer. Ay, ay! countries and nations are worthless enough; it is only the great names of heroes that endure, to teach the lesson that is never learned sufficiently,—namely, that man and man alone is fitted to grasp the prize of immortality."
"I do," said the old bonde excitedly, "he's the only glory of your country I envy! I'd give anything to prove he's Norwegian. By Valhalla! If he had just been one of Odin's Bards, the world might still follow that grand old belief! If anything could ever convince me to be a Christian, it would be that Shakespeare was one. If England’s name is made immortal, it will be thanks to Shakespeare alone—just like we feel a kind of affection for degraded modern Greece because of Homer. Yeah, yeah! Countries and nations aren't worth much; it's only the great names of heroes that last, teaching the lesson that's never fully learned—that man, and man alone, is meant to grasp the prize of immortality."
"Ye believe in immortality?" inquired Macfarlane seriously.
"Do you believe in immortality?" Macfarlane asked seriously.
Güldmar's keen eyes lighted on him with fiery impetuousness.
Güldmar's sharp eyes focused on him with intense urgency.
"Believe in it? I possess it! How can it be taken from me? As well make a bird without wings, a tree without sap, an ocean without depths, as expect to find a man without an immortal soul! What a question to ask? Do you not possess heaven's gift? and why should not I?"
"Believe in it? I have it! How could it be taken from me? It’s as impossible as making a bird without wings, a tree without sap, or an ocean without depths, to think you could find a man without an immortal soul! What kind of question is that? Don’t you have heaven's gift? So why shouldn’t I?"
"No offense," said Macfarlane, secretly astonished at the old bonde's fervor,—for had not he, though himself intending to become a devout minister of the Word,—had not he now and then felt a creeping doubt as to whether, after all, there was any truth in the doctrine of another life than this one. "I only thocht ye might have perhaps questioned the probabeelity o't, in your own mind?"
"No offense," Macfarlane said, secretly amazed by the old man's enthusiasm—because hadn't he, even though he planned to be a devoted minister of the Word, occasionally doubted whether there was any truth to the idea of an afterlife? "I just thought you might have questioned the likelihood of it in your own mind?"
"I never question Divine authority," replied Olaf Güldmar, "I pity those that do!"
"I never question Divine authority," replied Olaf Güldmar, "I feel sorry for those who do!"
"And this Divine authority?" said Duprèz suddenly with a delicate sarcastic smile, "how and where do you perceive it?"
"And this Divine authority?" Duprèz said suddenly with a subtle sarcastic smile, "how and where do you see it?"
"In the very Law that compels me to exist, young sir," said Güldmar,—"in the mysteries of the universe about me,—the glory of the heavens,—the wonders of the sea! You have perhaps lived in cities all your life, and your mind is cramped a bit. No wonder, . . . you can hardly see the stars above the roofs of a wilderness of houses. Cities are men's work,—the gods have never had a finger in the building of them. Dwelling in them, I suppose you cannot help forgetting Divine authority altogether; but here,—here among the mountains, you would soon remember it! You should live here,—it would make a man of you!"
"In the very law that makes me exist, young man," said Güldmar, "in the mysteries of the universe around me—in the glory of the heavens—the wonders of the sea! You might have spent your whole life in cities, so your mind is probably a bit restricted. No surprise there... you can barely see the stars above the rooftops of a sea of houses. Cities are built by humans—the gods have never been involved in their construction. Living there, I guess you can't help but forget about Divine authority completely; but here—here among the mountains, you'd quickly remember it! You should live here—it would truly shape you into a man!"
"And you do not consider me a man?" inquired Duprèz with imperturbable good-humor.
"And you don’t see me as a man?" Duprèz asked, completely unfazed and in good spirits.
Güldmar laughed. "Well, not quite!" he admitted candidly, "there's not enough muscle about you. I confess I like to see strong fellows—fellows fit to rule the planet on which they are placed. That's my whim!—but you're a neat little chap enough, and I dare say you can hold your own!"
Güldmar laughed. "Well, not really!" he admitted honestly, "there's not enough muscle on you. I have to say I like to see strong guys—guys fit to rule the world they're in. That's my thing!—but you're a pretty neat little guy, and I bet you can hold your own!"
And his eyes twinkled good-temperedly as he filled himself another glass of his host's fine Burgundy, and drank it off, while Duprèz, with a half-plaintive, half-comical shrug of resignation to Güldmar's verdict on his personal appearance, asked Thelma if she would favor them with a song. She rose from her seat instantly, without any affected hesitation, and went to the piano. She had a delicate touch, and accompanied herself with great taste,—but her voice, full, penetrating, rich and true,—was one of the purest and most sympathetic ever possessed by woman, and its freshness was unspoilt by any of the varied "systems" of torture invented by singing-masters for the ingenious destruction of the delicate vocal organ. She sang a Norwegian love-song in the original tongue, which might be roughly translated as follows:—
And his eyes sparkled amiably as he poured himself another glass of his host's fine Burgundy and downed it, while Duprèz, with a mix of mock sorrow and humor about Güldmar's opinion on his looks, asked Thelma if she would treat them to a song. She immediately stood up without any put-on hesitation and made her way to the piano. Her touch was gentle, and she accompanied herself with great style— but her voice, full, penetrating, rich, and true—was one of the purest and most resonant ever possessed by a woman, and its freshness was untouched by any of the various "techniques" devised by singing instructors for the clever destruction of the delicate vocal cords. She sang a Norwegian love song in the original language, which could be roughly translated as follows:—
"Lovest thou me for my beauty's sake?
Love me not then!
Love the victorious, glittering Sun,
The fadeless, deathless, marvellous One!"
"Lovest thou me for my youth's sake?
Love me not then!
Love the triumphant, unperishing Spring,
Who every year new charms doth bring!"
"Lovest thou me for treasure's sake?
Oh, love me not then!
Love the deep, the wonderful Sea,
Its jewels are worthier love than me!"
"Lovest thou me for Love's own sake?
Ah sweet, then love me!
More than the Sun and the Spring and the Sea,
Is the faithful heart I will yield to thee!"
"Do you love me for my beauty?
Then don’t love me!
Love the victorious, shining Sun,
The everlasting, timeless, amazing One!"
"Do you love me for my youth?
Then don’t love me!
Love the triumphant, eternal Spring,
Who brings new charms every year!"
"Do you love me for my wealth?
Oh, don’t love me now!
Love the deep, wonderful Sea,
Its treasures are more worthy of love than I!"
"Do you love me for love itself?
Oh sweet, then love me!
More than the Sun and the Spring and the Sea,
Is the loyal heart that I will give to you!"
A silence greeted the close of her song. Though the young men were ignorant of the meaning of the words still old Güldmar translated them for their benefit, they could feel the intensity of the passion vibrating through her ringing tones,—and Errington sighed involuntarily. She heard the sigh, and turned round on the music-stool laughing.
A silence followed the end of her song. Even though the young men didn't understand the meaning of the words, old Güldmar translated them for their benefit. They could feel the deep passion resonating in her vibrant voice, and Errington let out a sigh without thinking. She noticed the sigh and turned around on the music stool, laughing.
"Are you so tired, or sad, or what is it?" she asked merrily. "It is too melancholy a tune? And I was foolish to sing it,—because you cannot understand the meaning of it. It is all about love,—and of course love is always sorrowful."
"Are you really tired, or sad, or what’s going on?" she asked cheerfully. "Is it too sad of a song? And I was silly to sing it—because you can’t grasp its meaning. It’s all about love—and of course, love is always a bit sorrowful."
"Always?" asked Lorimer, with a half-smile.
"Always?" Lorimer asked, half-smiling.
"I do not know," she said frankly, with a pretty deprecatory gesture of her hands,—"but all books say so! It must be a great pain, and also a great happiness. Let me think what I can sing to you now,—but perhaps you will yourself sing?"
"I don’t know," she said honestly, with a cute dismissive gesture of her hands, —"but all books say that! It must be a huge pain, and also a big happiness. Let me think about what I can sing for you now,—but maybe you’ll want to sing yourself?"
"Not one of us have a voice, Miss Güldmar," said Errington. "I used to think I had, but Lorimer discouraged my efforts."
"None of us have a voice, Miss Güldmar," said Errington. "I used to think I did, but Lorimer discouraged me."
"Men shouldn't sing," observed Lorimer; "if they only knew how awfully ridiculous they look, standing up in dress-coats and white ties, pouring forth inane love-ditties that nobody wants to hear, they wouldn't do it. Only a woman looks pretty while singing."
"Men shouldn't sing," Lorimer noted; "if they only realized how utterly ridiculous they look, standing there in fancy suits and white ties, belting out silly love songs that nobody wants to hear, they wouldn't do it. Only women look good when they sing."
"Ah, that is very nice!" said Thelma, with a demure smile. "Then I am agreeable to you when I sing?"
"Ah, that’s really nice!" Thelma said with a shy smile. "So you like it when I sing?"
Agreeable? This was far too tame a word—they all rose from the table and came towards her, with many assurances of their delight and admiration; but she put all their compliments aside with a little gesture that was both incredulous and peremptory.
Agreeable? That was way too weak of a word—they all got up from the table and approached her, showering her with compliments and expressions of their joy and admiration. But she brushed aside all their flattery with a small gesture that was both doubtful and decisive.
"You must not say so many things in praise of me," she said, with a swift upward glance at Errington, where he leaned on the piano regarding her. "It is nothing to be able to sing. It is only like the birds, but we cannot understand the words they say, just as you cannot understand Norwegian. Listen,—here is a little ballad you will all know," and she played a soft prelude, while her voice, subdued to a plaintive murmur, rippled out in the dainty verses of Sainte-Beuve—
"You shouldn't say so many nice things about me," she said, glancing up quickly at Errington, who was leaning on the piano and looking at her. "Singing isn't a big deal. It's just like the birds, but we can't understand their words, just like you can't understand Norwegian. Listen—here’s a little ballad you all know," and she played a soft introduction, while her voice, lowered to a soft murmur, flowed out in the delicate verses of Sainte-Beuve—
"Sur ma lyre, l'autre fois
Dans un bois,
Ma main préludait à peine;
Une colombe descend
En passant,
Blanche sur le luth d'ébène"
"Mais au lieu d'accords touchants,
De doux chants,
La colombe gemissante
Me demande par pitié
Sa moitié
Sa moitié loin d'elle absente!"
"On my lyre, the other day
In a woods,
My hand barely played a note;
A dove descends
As it goes by,
White against the ebony lute"
"But instead of touching chords,
Catchy tunes,
The lamenting dove
Pleads with me for pity
For its partner
Its other half far away from it!"
She sang this seriously and sweetly till she came to the last three lines, when, catching Errington's earnest gaze, her voice quivered and her cheeks flushed. She rose from the piano as soon as she had finished, and said to the bonde, who had been watching her with proud and gratified looks—
She sang this seriously and sweetly until she reached the last three lines, when, caught by Errington's intense gaze, her voice trembled and her cheeks reddened. She stood up from the piano as soon as she finished and said to the bonde, who had been watching her with proud and pleased expressions—
"It is growing late, father. We must say good-bye to our friends and return home."
"It’s getting late, Dad. We need to say goodbye to our friends and head home."
"Not yet!" eagerly implored Sir Philip. "Come up on deck,—we will have coffee there, and afterwards you shall leave us when you will."
"Not yet!" Sir Philip eagerly urged. "Come up on deck—we'll have coffee there, and after that, you can leave us whenever you want."
Güldmar acquiesced in this arrangement, before his daughter had time to raise any objection, and they all went on deck, where a comfortable lounging chair was placed for Thelma, facing the most gorgeous portion of the glowing sky, which on this evening was like a moving mass of molten gold, split asunder here and there by angry ragged-looking rifts of crimson. The young men grouped themselves together at the prow of the vessel in order to smoke their cigars without annoyance to Thelma. Old Güldmar did not smoke, but he talked,—and Errington after seeing them all fairly absorbed in an argument on the best methods of spearing salmon, moved quietly away to where the girl was sitting, her great pensive eyes fixed on the burning splendors of the heavens.
Güldmar agreed to this plan before his daughter could object, and they all went on deck, where a comfy lounge chair was set up for Thelma, facing the most beautiful part of the vibrant sky, which that evening looked like a moving mass of molten gold, interrupted here and there by angry, jagged rifts of crimson. The young men huddled together at the front of the boat to smoke their cigars without bothering Thelma. Old Güldmar didn’t smoke, but he talked— and Errington, seeing them all deeply engaged in a debate about the best ways to spear salmon, quietly moved over to where the girl was sitting, her thoughtful eyes fixed on the dazzling colors of the sky.
"Are you warm enough there?" he asked, and there was an unconscious tenderness in his voice as he asked the question, "or shall I fetch you a wrap?"
"Are you warm enough?" he asked, with an unconscious tenderness in his voice, "or should I get you a wrap?"
She smiled. "I have my hood," she said. "It is the warmest thing I ever wear, except, of course, in winter."
She smiled. "I have my hoodie," she said. "It's the warmest thing I ever wear, except, of course, in winter."
Philip looked at the hood as she drew it more closely over her head, and thought that surely no more becoming article of apparel ever was designed for woman's wear. He had never seen anything like it either in color or texture,—it was of a peculiarly warm, rich crimson, like the heart of a red damask rose, and it suited the bright hair and tender, thoughtful eyes of its owner to perfection.
Philip watched as she pulled the hood tighter over her head, thinking that surely no piece of clothing could be more flattering for a woman. He had never seen anything like it before in terms of color or texture—it was a uniquely warm, rich crimson, resembling the heart of a red damask rose, and it perfectly complemented her bright hair and gentle, thoughtful eyes.
"Tell me," he said, drawing a little nearer and speaking in a lower tone, "have you forgiven me for my rudeness the first time I saw you?"
"Tell me," he said, moving a bit closer and speaking softly, "have you forgiven me for being rude the first time we met?"
She looked a little troubled.
She looked a bit troubled.
"Perhaps also I was rude," she said gently. "I did not know you. I thought—"
"Maybe I was rude too," she said softly. "I didn’t know you. I thought—"
"You were quite right," he eagerly interrupted her. "It was very impertinent of me to ask you for your name. I should have found it out for myself, as I have done."
"You were totally right," he eagerly interrupted her. "It was really rude of me to ask for your name. I should have figured it out myself, like I have done."
And he smiled at her as he said the last words with marked emphasis. She raised her eyes wistfully.
And he smiled at her as he said the last words with noticeable emphasis. She looked up at him longingly.
"And you are glad?" she asked softly and with a sort of wonder in her accents.
"And you're happy?" she asked softly, a hint of wonder in her voice.
"Glad to know your name? glad to know you! Of course! Can you ask such a question?"
"Happy to know your name? Happy to know you! Absolutely! How could you even ask such a question?"
"But why?" persisted Thelma. "It is not as if you were lonely,—you have friends already. We are nothing to you. Soon you will go away, and you will think of the Altenfjord as a dream,—and our names will be forgotten. That is natural!"
"But why?" Thelma kept asking. "It's not like you're lonely—you already have friends. We don't mean anything to you. Soon you'll leave, and you'll think of the Altenfjord as just a dream, and our names will be forgotten. That makes sense!"
What a foolish rush of passion filled his heart as she spoke in those mellow, almost plaintive accents,—what wild words leaped to his lips and what an effort it cost him to keep them hack. The heat and impetuosity of Romeo,—whom up to the present he had been inclined to consider a particularly stupid youth,—was now quite comprehensible to his mind, and he, the cool, self-possessed Englishman, was ready at that moment to outrival Juliet's lover, in his utmost excesses of amorous folly. In spite of his self-restraint, his voice quivered a little as he answered her—
What a crazy rush of feelings filled his heart as she spoke in those soft, almost sad tones—what wild words sprang to his lips and how hard it was for him to hold them back. The passion and impulsiveness of Romeo—whom until now he had thought of as a particularly foolish guy—was now completely understandable to him, and he, the calm, composed Englishman, was ready at that moment to outdo Juliet's lover in the depths of romantic foolishness. Despite his self-control, his voice trembled a bit as he replied to her—
"I shall never forget the Altenfjord or you, Miss Güldmar. Don't you know there are some things that cannot be forgotten? such as a sudden glimpse of fine scenery,—a beautiful song, or a pathetic poem?" She bent her head in assent. "And here there is so much to remember—the light of the midnight sun,—the glorious mountains, the loveliness of the whole land!"
"I'll never forget the Altenfjord or you, Miss Güldmar. Don't you realize there are things that can’t be forgotten? Like a sudden view of stunning scenery, a beautiful song, or a touching poem?" She nodded in agreement. "And there's so much here to remember—the light of the midnight sun, the magnificent mountains, the beauty of the entire land!"
"Is it better than other countries you have seen?" asked the girl with some interest.
"Is it better than other countries you've seen?" asked the girl, sounding a bit curious.
"Much better!" returned Sir Philip fervently. "In fact, there is no place like it in my opinion." He paused at the sound of her pretty laughter.
"Much better!" Sir Philip replied enthusiastically. "Honestly, there's no place like it in my opinion." He paused at the sound of her lovely laughter.
"You are—what is it?—ecstatic!" she said mirthfully. "Tell me, have you been to the south of France and the Pyrenees?"
"You are—what is it?—so happy!" she said playfully. "Tell me, have you been to the south of France and the Pyrenees?"
"Of course I have," he replied. "I have been all over the Continent,—travelled about it till I'm tired of it. Do you like the south of France better than Norway?"
"Of course I have," he replied. "I've traveled all over the continent—explored it until I'm worn out. Do you prefer the south of France to Norway?"
"No,—not so very much better," she said dubiously. "And yet a little. It is so warm and bright there, and the people are gay. Here they are stern and sullen. My father loves to sail the seas, and when I first went to school at Arles, he took me a long and beautiful voyage. We went from Christiansund to Holland, and saw all those pretty Dutch cities with their canals and quaint bridges. Then we went through the English Channel to Brest,—then by the Bay of Biscay to Bayonne. Bayonne seemed to me very lovely, but we left it soon, and travelled a long way by land, seeing all sorts of wonderful things, till we came to Arles. And though it is such a long route, and not one for many persons to take, I have travelled to Arles and back twice that way, so all there is familiar to me,—and in some things I do think it better than Norway."
"No, not really much better," she said with uncertainty. "But a little. It’s so warm and bright there, and the people are cheerful. Here, they are strict and gloomy. My dad loves to sail the seas, and when I first went to school in Arles, he took me on a long and beautiful journey. We traveled from Christiansund to Holland and saw all those charming Dutch cities with their canals and quirky bridges. Then we went through the English Channel to Brest, and then by the Bay of Biscay to Bayonne. Bayonne seemed so beautiful to me, but we left it quickly and traveled a long way by land, seeing all sorts of amazing things until we reached Arles. And even though it’s such a long route, and not one many people take, I’ve traveled to Arles and back twice that way, so everything is familiar to me—and in some ways, I do think it’s better than Norway."
"What induced your father to send you so far away from him?" asked Philip rather curiously.
"What made your dad send you so far away from him?" Philip asked, quite curious.
The girl's eyes softened tenderly. "Ah, that is easy to understand!" she said. "My mother came from Arles."
The girl's eyes softened gently. "Oh, that makes sense!" she said. "My mom is from Arles."
"She was French, then?" he exclaimed with some surprise.
"She was French, then?" he said, a bit surprised.
"No," she answered gravely. "She was Norwegian, because her father and mother both were of this land. She was what they call 'born sadly.' You must not ask me any more about her, please!"
"No," she replied seriously. "She was Norwegian because both her father and mother were from this land. She was what they call 'born sad.' Please don’t ask me any more about her!"
Errington apologized at once with some embarrassment, and a deeper color than usual on his face. She looked up at him quite frankly.
Errington immediately apologized, feeling a bit embarrassed and with a deeper blush than usual on his face. She looked up at him openly.
"It is possible I will tell you her history some day," she said, "when we shall know each other better. I do like to talk to you very much! I suppose there are many Englishmen like you?"
"It’s possible I’ll share her story with you someday," she said, "when we know each other better. I really enjoy talking to you! I guess there are a lot of Englishmen like you?"
Philip laughed. "I don't think I am at all exceptional! why do you ask?"
Philip laughed. "I don't think I'm special at all! Why do you ask?"
She shrugged her shoulders. "I have seen some of them," she said slowly, "and they are stupid. They shoot, shoot,—fish, fish, all day, and eat a great deal. . . ."
She shrugged. "I've seen some of them," she said slowly, "and they’re dumb. They shoot, shoot—fish, fish, all day, and eat a lot. . . ."
"My dear Miss Güldmar, I also do all these things!" declared Errington amusedly. "These are only our surface faults. Englishmen are the best fellows to be found anywhere. You mustn't judge them by their athletic sports, or their vulgar appetites. You must appeal to their hearts when you want to know them."
"My dear Miss Güldmar, I do all these things too!" Errington said with a chuckle. "These are just our superficial flaws. Englishmen are the nicest guys you'll find anywhere. You can't judge them by their sports or their crudeness. You need to connect with their hearts if you really want to understand them."
"Or to their pockets, and you will know them still better!" said Thelma almost mischievously, as she raised herself in her chair to take a cup of coffee from the tray that was then being handed to her by the respectful steward. "Ah, how good this is! It reminds me of our coffee luncheon at Arles!"
"Or look at their wallets, and you'll know them even better!" said Thelma playfully, as she sat up in her chair to grab a cup of coffee from the tray that was being handed to her by the respectful steward. "Ah, this tastes great! It reminds me of our coffee lunch in Arles!"
Errington watched her with a half-smile, but said no more, as the others now came up to claim their share of her company.
Errington watched her with a slight smile but didn’t say anything else, as the others approached to join her.
"I say!" said Lorimer, lazily throwing himself full length on the deck and looking up at her, "come and see us spear a salmon to-morrow, Miss Güldmar. Your father is going to show us how to do it in the proper Norse style."
"I mean it!" said Lorimer, stretching out on the deck and looking up at her. "Come watch us catch a salmon tomorrow, Miss Güldmar. Your dad is going to show us how it's done the right way, Norse style."
"That is for men," said Thelma loftily. "Women must know nothing about such things."
"That's for men," Thelma said with an air of superiority. "Women shouldn't know anything about stuff like that."
"By Jove!" and Lorimer looked profoundly astonished. "Why, Miss Güldmar, women are going in for everything nowadays! Hunting, shooting, bull-fighting, duelling, horse-whipping, lecturing,—heaven knows what! They stop at nothing—salmon-spearing is a mere trifle in the list of modern feminine accomplishments."
"By Jove!" Lorimer said, looking truly shocked. "Well, Miss Güldmar, women are getting into everything these days! Hunting, shooting, bullfighting, dueling, horse-whipping, giving lectures—who knows what else! They don’t hold back—salmon fishing is just a small part of the list of modern women’s skills."
Thelma smiled down upon him benignly. "You will always be the same," she said with a sort of indulgent air. "It is your delight to say things upside down? But you shall not make me believe that women do all these dreadful things. Because, how is it possible? The men would not allow them!"
Thelma looked down at him with a kind smile. "You’re always going to be the same," she said with a kind of tolerant vibe. "Is it your pleasure to twist things around? But you can’t convince me that women do all these awful things. Because, how could that even happen? The men wouldn’t let them!"
Errington laughed, and Lorimer appeared stupefied with surprise.
Errington laughed, and Lorimer looked completely taken aback.
"The men—would—not—allow them?" he repeated slowly. "Oh, Miss Güldmar, little do you realize the state of things at the present day! The glamor of Viking memories clings about you still! Don't you know the power of man has passed away, and that ladies do exactly as they like? It is easier to control the thunderbolt than to prevent a woman having her own way."
"The men—would—not—allow them?" he said slowly. "Oh, Miss Güldmar, you have no idea how things are nowadays! The allure of Viking memories still surrounds you! Don't you see that men's power has faded, and that women do exactly what they want? It's easier to control a lightning bolt than to stop a woman from getting her way."
"All that is nonsense!" said Thelma decidedly. "Where there is a man to rule, he must rule, that is certain."
"That's all nonsense!" Thelma declared confidently. "Where there's a man in charge, he has to be in charge, that's for sure."
"Is that positively your opinion?" and Lorimer looked more astonished than ever.
"Is that really how you feel?" Lorimer looked more surprised than ever.
"It is everybody's opinion, of course!" averred Thelma. "How foolish it would be if women did not obey men! The world would be all confusion! Ah, you see you cannot make me think your funny thoughts; it is no use!" And she laughed and rose from her chair, adding with a gentle persuasive air, "Father dear, is it not time to say good-bye?"
"It’s everyone's opinion, of course!" Thelma insisted. "How ridiculous would it be if women didn’t listen to men! The world would be total chaos! Ah, you see, you can’t make me believe your silly ideas; it’s pointless!" And she laughed as she got up from her chair, adding with a gentle persuasive tone, "Dad, isn’t it time to say goodbye?"
"Truly I think it is!" returned Güldmar, giving himself a shake like an old lion, as he broke off a rather tedious conversation he had been having with Macfarlane. "We shall have Sigurd coming to look for us, and poor Britta will think we have left her too long alone. Thank you, my lad!" this to Sir Philip, who instantly gave orders for the boat to be lowered. "You have given us a day of thorough, wholesome enjoyment. I hope I shall be able to return it in some way. You must let me see as much of you as possible."
"Honestly, I really think so!" Güldmar replied, shaking himself off like an old lion as he ended a rather dull conversation with Macfarlane. "We'll have Sigurd coming to find us, and poor Britta will worry that we've left her alone for too long. Thanks, my friend!" he said to Sir Philip, who immediately ordered the boat to be lowered. "You've given us a day of pure, enjoyable fun. I hope I can repay you somehow. You have to let me spend as much time with you as possible."
They shook hands cordially, and Errington proposed to escort them back as far as their own pier, but this offer Güldmar refused.
They shook hands warmly, and Errington offered to walk them back to their pier, but Güldmar declined the offer.
"Nonsense!" he exclaimed cheerily. "With four oarsmen to row us along, why should we take you away from your friends? I won't hear of such a thing! And now, regarding the great fall of Njedegorze; Mr. Macfarlane here says you have not visited it yet. Well the best guide you can have there is Sigurd. We'll make up a party and go when it is agreeable to you; it is a grand sight,—well worth seeing. To-morrow we shall meet again for the salmon-spearing,—I warrant I shall be able to make the time pass quickly for you! How long do you think of staying here?"
"Nonsense!" he said cheerfully. "With four rowers to take us along, why should we pull you away from your friends? I'm not having that! Now, about the great fall of Njedegorze; Mr. Macfarlane here mentioned you haven't seen it yet. The best guide for that is Sigurd. We'll gather a group and go whenever it works for you; it’s a fantastic sight—definitely worth checking out. We'll meet again tomorrow for the salmon-spearing—I promise I’ll make the time fly for you! How long do you plan to stay here?"
"As long as possible!" answered Errington absently, his eyes wandering to Thelma, who was just then shaking hands with his friends and bidding them farewell.
"As long as possible!" replied Errington absentmindedly, his gaze drifting to Thelma, who was currently shaking hands with his friends and saying goodbye to them.
Güldmar laughed and clapped him on the shoulder. "That means till you are tired of the place," he said good-humoredly. "Well you shall not be dull if I can prevent it! Good-bye, and thanks for your hospitality."
Güldmar laughed and patted him on the shoulder. "That means until you're tired of the place," he said playfully. "Well, I won’t let you be bored if I can help it! Goodbye, and thanks for your hospitality."
"Ah, yes!" added Thelma gently, coming up at that moment and laying her soft hand in his. "I have been so happy all day, and it is all your kindness! I am very grateful!"
"Ah, yes!" Thelma said softly, approaching at that moment and placing her gentle hand in his. "I've been so happy all day, and it’s all because of your kindness! I really appreciate it!"
"It is I who have cause to be grateful," said Errington hurriedly, clasping her hand warmly, "for your company and that of your father. I trust we shall have many more pleasant days together."
"It’s me who should be grateful," Errington said quickly, holding her hand warmly, "for your company and your father's. I hope we have many more enjoyable days together."
"I hope so too!" she answered simply, and then, the boat being ready, they departed. Errington and Lorimer leaned on the deck-rails, waving their hats and watching them disappear over the gleaming water, till the very last glimpse of Thelma's crimson hood had vanished, and then they turned to rejoin their companions, who were strolling up and down smoking.
"I hope so too!" she replied simply, and then, with the boat ready, they set off. Errington and Lorimer leaned on the deck rails, waving their hats and watching them disappear over the shimmering water, until the last sight of Thelma's red hood had faded away. Then they turned to rejoin their friends, who were walking back and forth while smoking.
"Belle comme un ange!" said Duprèz briefly. "In short, I doubt if the angels are so good-looking!"
"Beautiful like an angel!" said Duprèz briefly. "In short, I doubt the angels are that attractive!"
"The auld pagan's a fine scholar," added Macfarlane meditatively. "He corrected me in a bit o' Latin."
"The old pagan is quite the scholar," Macfarlane added thoughtfully. "He corrected me on a bit of Latin."
"Did he, indeed?" And Lorimer laughed indolently. "I suppose you think better of him now, Sandy?"
"Did he, really?" Lorimer laughed casually. "I guess you have a better opinion of him now, Sandy?"
Sandy made no reply, and as Errington persisted in turning the conversation away from the merits or demerits of their recent guests, they soon entered on other topics. But that night, before retiring to rest, Lorimer laid a hand on his friend's shoulder, and said quietly, with a keen look—
Sandy didn’t respond, and as Errington kept trying to steer the conversation away from discussing the pros and cons of their recent guests, they quickly moved on to other subjects. However, that night, before going to bed, Lorimer put a hand on his friend’s shoulder and said quietly, with an intense look—
"Well, old man, have you made up your mind? Have I seen the future Lady Bruce-Errington?"
"Well, old man, have you made your decision? Have I met the future Lady Bruce-Errington?"
Sir Philip smiled,—then, after a brief pause, answered steadily—
Sir Philip smiled, then, after a short pause, replied calmly—
"Yes, George, you have! That is,—if I can win her!"
"Yes, George, you have! That is,—if I can win her over!"
Lorimer laughed a little and sighed. "There's no doubt about that, Phil." And eyeing Errington's fine figure and noble features musingly, he repeated again thoughtfully—"No doubt about that, my boy!" Then after a pause he said, somewhat abruptly, "Time to turn in—good night!"
Lorimer chuckled softly and sighed. "No denying that, Phil." Glancing at Errington's impressive physique and striking features thoughtfully, he reiterated, "No denying that, my boy!" After a moment, he added, a bit suddenly, "Time to head to bed—good night!"
"Good night, old fellow!" And Errington wrung his hand warmly, and left him to repose.
"Good night, my friend!" Errington shook his hand warmly and left him to rest.
But Lorimer had rather a bad night,—he tossed and tumbled a good deal, and had dreams,—unusual visitors with him,—and once or twice he muttered in his sleep,—"No doubt about it—not the least in the world—and if there were—"
But Lorimer had a pretty rough night—he tossed and turned quite a bit, and he had dreams—with unusual visitors—and once or twice he mumbled in his sleep—“No doubt about it—not at all—and if there were—”
But the conclusion of this sentence was inaudible.
But the end of this sentence was silent.
CHAPTER XI.
"Tu vas faire un beau rève, Et t'enivrer d'un plaisir dangereux. Sur ton chemin l'étoile qui se leve Longtemps encore éblouira les yeux!" |
DE MUSSET.
DE MUSSET.
A fortnight passed. The first excursion in the Eulalie had been followed by others of a similar kind, and Errington's acquaintance with the Güldmars was fast ripening into a pleasant intimacy. It had grown customary for the young men to spend that part of the day which, in spite of persistent sunshine, they still called evening, in the comfortable, quaint parlor of the old farmhouse,—looking at the view through the rose-wreathed windows,—listening to the fantastic legends of Norway as told by Olaf Güldmar,—or watching Thelma's picturesque figure, as she sat pensively apart in her shadowed corner spinning. They had fraternized with Sigurd too—that is, as far as he would permit them—for the unhappy dwarf was uncertain of temper, and if at one hour he were docile and yielding as a child, the next he would be found excited and furious at some imaginary slight that he fancied had been inflicted upon him. Sometimes, if good-humored, he would talk almost rationally,—only allowing his fancy to play with poetical ideas concerning the sea, the flowers, or the sunlight,—but he was far more often sullen and silent. He would draw a low chair to Thelma's side, and sit there with half-closed eyes and compressed lips, and none could tell whether he listened to the conversation around him, or was utterly indifferent to it. He had taken a notable fancy to Lorimer, but he avoided Errington in the most marked and persistent manner. The latter did his best to overcome this unreasonable dislike, but his efforts were useless,—and deciding in his own mind that it was best to humor Sigurd's vagaries, he soon let him alone, and devoted his attention more entirely to Thelma.
Two weeks went by. The first trip on the Eulalie had been followed by several more, and Errington's friendship with the Güldmars was quickly turning into a nice closeness. It became usual for the young men to spend the part of the day they still called evening, despite the bright sunshine, in the cozy, charming parlor of the old farmhouse—taking in the view through the rose-covered windows, listening to Olaf Güldmar's fantastic Norwegian legends, or watching Thelma's picturesque figure as she sat quietly in her shadowy corner spinning. They had also become friends with Sigurd—at least as much as he would allow—for the troubled dwarf was unpredictable. One moment he could be as docile and compliant as a child, and the next he might be furious over some imagined offense he thought had been directed at him. Sometimes, if he was in a good mood, he'd engage in conversation almost reasonably, only allowing his imagination to wander through poetic thoughts about the sea, flowers, or sunlight, but he was much more often sulky and silent. He would pull up a small chair next to Thelma, sitting there with partially closed eyes and pressed lips, leaving everyone unsure if he was paying attention to the conversation around him or if he simply didn't care. He had taken a particular liking to Lorimer, but he pointedly avoided Errington. Errington tried his best to resolve this unreasonable animosity, but his efforts were in vain, so he decided it was best to indulge Sigurd's quirks and soon left him alone, focusing his attention more completely on Thelma.
One evening, after supper at the farmhouse, Lorimer, who for some time had been watching Philip and Thelma conversing together in low tones near the open window, rose from his seat quietly, without disturbing the hilarity of the bonde, who was in the middle of a rollicking sea-story, told for Macfarlane's entertainment,—and slipped out into the garden, where he strolled along rather absently till he found himself in the little close thicket of pines,—the very same spot where he and Philip had stood on the first day of their visit thither. He threw himself down on the soft emerald moss and lit a cigar, sighing rather drearily as he did so.
One evening, after dinner at the farmhouse, Lorimer, who had been watching Philip and Thelma chatting quietly by the open window for a while, quietly got up from his seat, not wanting to interrupt the laughter of the bonde, who was in the middle of telling a lively sea story for Macfarlane's amusement,—and slipped out into the garden, where he wandered aimlessly until he found himself in the small thicket of pines—the same place where he and Philip had stood on their first day there. He collapsed onto the soft green moss and lit a cigar, letting out a rather dreary sigh as he did.
"Upon my life," he mused, with a half-smile, "I am very nearly being a hero,—a regular stage-martyr,—the noble creature of the piece! By Jove, I wish I were a soldier! I'm certain I could stand the enemy's fire better than this! Self-denial? Well, no wonder the preachers make such a fuss about it, It's a tough, uncomfortable duty. But am I self-denying? Not a bit of it! Look here, George Lorimer"—here he tapped himself very vigorously on his broad chest—"don't you imagine yourself to be either virtuous or magnanimous! If you were anything of a man at all you would never let your feelings get the better of you,—you would be sublimely indifferent, stoically calm,—and, as it is,—you know what a sneaking, hang-dog state of envy you were in just now when you came out of that room! Aren't you ashamed of yourself,—rascal?"
"Honestly," he thought with a smirk, "I'm almost a hero—like a real stage martyr—the noble character in this story! Man, I wish I were a soldier! I bet I could handle enemy fire way better than this! Self-denial? No wonder the preachers make such a big deal out of it. It's a tough, uncomfortable responsibility. But am I self-denying? Not at all! Listen here, George Lorimer"—he thumped his broad chest confidently—"don’t think for a second that you're virtuous or noble! If you were any kind of man, you wouldn't let your emotions take control of you—you would be completely indifferent, calmly stoic—and right now, you know how envious and pathetic you felt when you came out of that room! Aren't you embarrassed, you scoundrel?"
The inner self he thus addressed was most probably abashed by this adjuration, for his countenance cleared a little, as though he had received an apology from his own conscience. He puffed lazily at his cigar, and felt somewhat soothed. Light steps below him attracted his attention, and, looking down from the little knoll on which he lay, he saw Thelma and Philip pass. They were walking slowly along a little winding path that led to the orchard, which was situated at some little distance from the house. The girl's head was bent, and Philip was talking to her with evident eagerness. Lorimer looked after them earnestly, and his honest eyes were full of trouble.
The inner self he was talking to was probably embarrassed by this plea, as his expression brightened a bit, as if he had just received an apology from his own conscience. He lazily puffed on his cigar and felt somewhat comforted. Light footsteps below caught his attention, and, looking down from the small hill where he lay, he saw Thelma and Philip passing by. They were strolling slowly along a winding path that led to the orchard, a bit of a distance from the house. The girl's head was down, and Philip was talking to her with clear enthusiasm. Lorimer watched them intently, and his sincere eyes were filled with concern.
"God bless them both!" he murmured half aloud. "There's no harm in saying that, any how! Dear old Phil! I wonder whether—"
"God bless them both!" he murmured half aloud. "There's no harm in saying that, anyway! Dear old Phil! I wonder if—"
What he would have said was uncertain, for at that moment he was considerably startled by the sight of a meagre, pale face peering through the parted pine boughs,—a face in which two wild eyes shone with a blue-green glitter, like that of newly sharpened steel.
What he would have said was uncertain, because at that moment he was pretty startled by the sight of a thin, pale face peeking through the parted pine branches—a face with two wild eyes that sparkled with a blue-green glint, like freshly sharpened steel.
"Hello, Sigurd!" said Lorimer good-naturedly, as he recognized his visitor. "What are you up to? Going to climb a tree?"
"Hey, Sigurd!" said Lorimer cheerfully, as he recognized his visitor. "What are you up to? Going to climb a tree?"
Sigurd pushed aside the branches cautiously and approached. He sat down by Lorimer, and, taking his hand, kissed it deferentially.
Sigurd carefully pushed aside the branches and moved closer. He sat down next to Lorimer, and, taking his hand, kissed it respectfully.
"I followed you. I saw you go away to grieve alone. I came to grieve also!" he said with a patient gentleness.
"I followed you. I saw you leave to grieve by yourself. I came to grieve too!" he said with a calm kindness.
Lorimer laughed languidly. "By Jove, Sigurd, you're too clever for your age! Think I came away to grieve, eh? Not so, my boy—came away to smoke! There's a come-down for you! I never grieve—don't know how to do it. What is grief?"
Lorimer laughed lazily. "Wow, Sigurd, you're too smart for your age! You think I left to be sad, huh? Not at all, my boy—I came to smoke! That's the reality! I never feel sad—I don’t even know how to! What is grief anyway?”
"To love!" answered Sigurd promptly. "To see a beautiful elf with golden wings come fluttering, fluttering gently down from the sky,—you open your arms to catch her—so! . . . and just as you think you have her, she leans only a little bit on one side, and falls, not into your heart—no!—into the heart of some one else! That is grief, because, when she has gone, no more elves come down from the sky,—for you, at any rate,—good things may come for others,—but for you the heavens are empty!"
"To love!" Sigurd replied immediately. "To see a beautiful elf with golden wings fluttering gently down from the sky—you open your arms to catch her—like this! . . . and just when you think you've got her, she leans a little to one side and falls, not into your heart—no!—but into the heart of someone else! That’s the pain, because once she’s gone, no more elves come down from the sky—for you, at least—good things might come for others—but for you, the heavens are empty!"
Lorimer was silent, looking at the speaker curiously.
Lorimer stayed quiet, watching the speaker with curiosity.
"How do you get all this nonsense into your head, eh?" he inquired kindly.
"How do you manage to get all this nonsense into your head, huh?" he asked kindly.
"I do not know," replied Sigurd with a sigh. "It comes! But, tell me,"—and he smiled wistfully—"it is true, dear friend—good friend—it is all true, is it not? For you the heavens are empty? You know it!"
"I don’t know," Sigurd replied with a sigh. "It's happening! But, tell me,"—and he smiled sadly—"it's true, my dear friend—good friend—it’s all true, right? For you, the skies are empty? You know it!"
Lorimer flushed hotly, and then grew strangely pale. After a pause, he said in his usual indolent way—
Lorimer flushed brightly and then turned oddly pale. After a pause, he spoke in his usual lazy manner—
"Look here, Sigurd; you're romantic! I'm not. I know nothing about elves or empty heavens. I'm all right! Don't you bother yourself about me."
"Listen, Sigurd; you're a romantic! I'm not. I don’t know anything about elves or empty skies. I’m fine! Don’t worry about me."
The dwarf studied his face attentively, and a smile of almost fiendish cunning suddenly illumined his thin features. He laid his weak-looking white hand on the young man's arm and said in a lower tone—
The dwarf examined his face closely, and a smile of almost devilish cleverness suddenly lit up his thin features. He placed his frail white hand on the young man's arm and said in a softer tone—
"I will tell you what to do. Kill him!"
"I'll tell you what to do. Take him out!"
The last two words were uttered with such intensity of meaning that Lorimer positively recoiled from the accents, and the terrible look which accompanied them.
The last two words were said with such powerful meaning that Lorimer actually flinched from the tone and the frightening expression that went with them.
"I say, Sigurd, this won't do," he remonstrated gravely. "You mustn't talk about killing, you know! It's not good for you. People don't kill each other nowadays so easily as you seem to think. It can't be done, Sigurd! Nobody wants to do it."
"I’m telling you, Sigurd, this isn’t right," he said seriously. "You can’t talk about killing like that! It’s not good for you. People don’t just kill each other so easily these days, like you think. It’s not possible, Sigurd! No one actually wants to do it."
"It can be done!" reiterated the dwarf imperatively. "It must be done, and either you or I will do it! He shall not rob us,—he shall not steal the treasure of the golden midnight. He shall not gather the rose of all roses—"
"It can be done!" the dwarf insisted firmly. "It must be done, and either you or I will make it happen! He will not rob us—he will not take the treasure of the golden midnight. He will not collect the rose of all roses—"
"Stop!" said Lorimer suddenly. "Who are you talking about?"
"Stop!" Lorimer said suddenly. "Who are you talking about?"
"Who!" cried Sigurd excitedly. "Surely you know. Of him—that tall, proud, grey-eyed Englishman,—your foe, your rival; the rich, cruel Errington. . . ."
"Who!" exclaimed Sigurd excitedly. "You must know who I'm talking about—the tall, proud, grey-eyed Englishman, your enemy, your competitor; the wealthy, ruthless Errington. . . ."
Lorimer's hand fell heavily on his shoulder, and his voice was very stern.
Lorimer's hand landed firmly on his shoulder, and his voice was quite serious.
"What nonsense, Sigurd! You don't know what you are talking about to-day. Errington my foe! Good heavens! Why, he's my best friend! Do you hear?"
"What nonsense, Sigurd! You have no idea what you're talking about today. Errington my enemy? Good heavens! He's my best friend! Do you hear me?"
Sigurd stared up at him in vacant surprise, but nodded feebly.
Sigurd looked up at him in blank surprise, but nodded weakly.
"Well, mind you remember it! The spirits tell lies, my boy, if they say that he is my enemy. I would give my life to save his!"
"Well, just remember that! The spirits are lying, my boy, if they say he’s my enemy. I would give my life to save him!"
He spoke quietly, and rose from his seat on the moss as he finished his words, and his face had an expression that was both noble and resolute.
He spoke softly and got up from his spot on the moss as he finished his words, his face showing an expression that was both noble and determined.
Sigurd still gazed upon him. "And you,—you do not love Thelma?" he murmured.
Sigurd continued to stare at him. "And you—you don't love Thelma?" he whispered.
Lorimer started, but controlled himself instantly. His frank English eyes met the feverishly brilliant ones fixed so appealingly upon him.
Lorimer started but quickly regained his composure. His straightforward English eyes met the intensely bright ones that were fixed so appealingly on him.
"Certainly not!" he said calmly, with a serene smile. "What makes you think of such a thing? Quite wrong, Sigurd,—the spirits have made a mistake again! Come along,—let us join the others."
"Definitely not!" he said calmly, with a peaceful smile. "What makes you think that? You're mistaken, Sigurd—the spirits have messed up again! Come on, let's join the others."
But Sigurd would not accompany him. He sprang away like a frightened animal, in haste, and abruptly plunging into the depths of a wood that bordered on Olaf Güldmar's grounds, was soon lost to sight. Lorimer looked after him in a little perplexity.
But Sigurd wouldn't go with him. He jumped away like a scared animal, quickly running into the depths of a forest that was next to Olaf Güldmar's land, and soon disappeared from view. Lorimer watched him leave, feeling a bit confused.
"I wonder if he ever gets dangerous?" he thought. "A fellow with such queer notions might do some serious harm without meaning it. I'll keep an eye on him!"
"I wonder if he ever gets dangerous?" he thought. "A guy with such weird ideas could cause some real trouble without even realizing it. I'll keep an eye on him!"
And once or twice during that same evening, he felt inclined to speak to Errington on the subject, but no suitable opportunity presented itself—and after a while, with his habitual indolence, he partly forgot the circumstance.
And once or twice that same evening, he felt like talking to Errington about it, but no good chance came up—and after a while, with his usual laziness, he partly forgot about it.
On the following Sunday afternoon Thelma sat alone under the wide blossom-covered porch, reading. Her father and Sigurd,—accompanied by Errington and his friends,—had all gone for a mountain ramble, promising to return for supper, a substantial meal which Britta was already busy preparing. The afternoon was very warm,—one of those long, lazy stretches of heat and brilliancy in which Nature seems to have lain down to rest like a child tired of play, sleeping in the sunshine with drooping flowers in her hands. The very ripple of the stream seemed hushed, and Thelma, though her eyes were bent seriously on the book she held, sighed once or twice heavily as though she were tired. There was a change in the girl,—an undefinable something seemed to have passed over her and toned down the redundant brightness of her beauty. She was paler,—and there were darker shadows than usual under the splendor of her eyes. Her very attitude, as she leaned her head against the dark, fantastic carving of the porch, had a touch of listlessness and indifference in it; her sweetly arched lips drooped with a plaintive little line at the corners, and her whole air was indicative of fatigue, mingled with sadness. She looked up now and then from the printed page, and her gaze wandered over the stretch of the scented, flower-filled garden, to the little silvery glimmer of the Fjord from whence arose, like delicate black streaks against the sky, the slender masts of the Eulalie,—and then she would resume her reading with a slight movement of impatience.
On the following Sunday afternoon, Thelma sat alone under the wide, blossom-covered porch, reading. Her father and Sigurd, along with Errington and his friends, had all gone for a mountain hike, promising to return for dinner, a hearty meal that Britta was already busy preparing. The afternoon was very warm—one of those long, lazy stretches of heat and brilliance where Nature seemed to have settled down to rest like a child tired of playing, sleeping in the sunshine with drooping flowers in her hands. The gentle ripple of the stream seemed hushed, and Thelma, although her eyes were focused intently on the book she held, sighed heavily a couple of times as if she were exhausted. There was a change in the girl—an indefinable something seemed to have washed over her and toned down the excessive brightness of her beauty. She appeared paler, and there were darker shadows than usual under the brilliance of her eyes. Her very posture, as she leaned her head against the dark, intricate carving of the porch, carried a hint of listlessness and indifference; her sweetly arched lips drooped with a sad little line at the corners, and her whole demeanor suggested fatigue mixed with sadness. She looked up now and then from the printed page, and her gaze wandered over the stretch of the fragrant, flower-filled garden to the small silvery glimmer of the Fjord, from which arose, like delicate black streaks against the sky, the slender masts of the Eulalie; then she would return to her reading with a slight movement of impatience.
The volume she held was Victor Hugo's "Orientales," and though her sensitive imagination delighted in poetry as much as in sunshine, she found it for once hard to rivet her attention as closely as she wished to do, on the exquisite wealth of language, and glow of color, that distinguishes the writings of the Shakespeare of France. Within the house Britta was singing cheerily at her work, and the sound of her song alone disturbed the silence. Two or three pale-blue butterflies danced drowsily in and out a cluster of honeysuckle that trailed downwards, nearly touching Thelma's shoulder, and a diminutive black kitten, with a pink ribbon round its neck, sat gravely on the garden path, washing its face with its tiny velvety paws, in that deliberate and precise fashion, common to the spoiled and petted members of its class. Everything was still and peaceful as became a Sunday afternoon,—so that when the sound of a heavy advancing footstep disturbed the intense calm, the girl was almost nervously startled, and rose from her seat with so much precipitation, that the butterflies, who had possibly been considering whether her hair might not be some new sort of sunflower, took fright and flew far upwards, and the demure kitten scared out of its absurd self-consciousness, scrambled hastily up the nearest little tree. The intruder on the quietude of Güldmar's domain was the Rev. Mr. Dyceworthy,—and as Thelma, standing erect in the porch, beheld him coming, her face grew stern and resolute, and her eyes flashed disdainfully.
The book she was holding was Victor Hugo's "Orientales," and even though her sensitive imagination enjoyed poetry as much as sunlight, she found it difficult this time to focus as intently as she wanted on the beautiful richness of language and vibrant imagery that set apart the writings of France's Shakespeare. Inside the house, Britta was cheerfully singing while she worked, and the sound of her song was the only thing breaking the silence. A couple of pale-blue butterflies floated lazily in and out of a cluster of honeysuckle that trailed down, almost brushing Thelma's shoulder, and a tiny black kitten, wearing a pink ribbon around its neck, sat seriously on the garden path, washing its face with its small, velvety paws in that careful and methodical way typical of pampered pets. Everything was calm and peaceful, as one would expect on a Sunday afternoon—so when the sound of a heavy approaching footstep disturbed the deep tranquility, Thelma was almost nervously startled and jumped up from her seat so quickly that the butterflies, who might have been wondering if her hair was some new version of a sunflower, got scared and flew up high, while the shy little kitten, frightened out of its silly self-consciousness, hurriedly climbed the nearest small tree. The person interrupting the peace of Güldmar's domain was the Rev. Mr. Dyceworthy—and as Thelma stood upright in the porch and saw him coming, her face became serious and determined, and her eyes flashed with disdain.
Ignoring the repellant, almost defiant dignity of the girl's attitude, Mr. Dyceworthy advanced, rather out of breath and somewhat heated,—and smiling benevolently, nodded his head by way of greeting, without removing his hat.
Ignoring the off-putting, almost defiant dignity of the girl's attitude, Mr. Dyceworthy approached, slightly out of breath and a bit heated—and smiling kindly, he nodded his head in greeting without taking off his hat.
"Ah, Fröken Thelma!" he observed condescendingly. "And how are you to-day? You look remarkably well—remarkably so, indeed!" And he eyed her with mild approval.
"Ah, Miss Thelma!" he remarked in a patronizing tone. "And how are you today? You look really well—really, you do!" And he looked at her with gentle approval.
"I am well, I thank you," she returned quietly. "My father is not in, Mr. Dyceworthy."
"I’m doing well, thank you," she replied softly. "My father isn’t home, Mr. Dyceworthy."
The Reverend Charles wiped his hot face, and his smile grew wider.
The Reverend Charles wiped his sweaty face, and his smile got even bigger.
"What matter?" he inquired blandly. "We shall, no doubt, entertain ourselves excellently without him! It is with you alone, Fröken, that I am desirous to hold converse."
"What’s the matter?" he asked casually. "I'm sure we can have a great time without him! It's you, Miss, that I'm interested in talking to."
And, without waiting for her permission, he entered the porch, and settled himself comfortably on the bench opposite to her, heaving a sigh of relief as he did so. Thelma remained standing—and the Lutheran minister's covetous eye glanced greedily over the sweeping curves of her queenly figure, the dazzling whiteness of her slim arched throat, and the glitter of her rich hair. She was silent—and there was something in her manner as she confronted him that made it difficult for Mr. Dyceworthy to speak. He hummed and hawed several times, and settled his stiff collar once or twice as though it hurt him; finally he said with an evident effort—
And, without waiting for her permission, he walked onto the porch and made himself comfortable on the bench across from her, letting out a sigh of relief as he did so. Thelma stood there—while the Lutheran minister's eager gaze roamed over the graceful curves of her regal figure, the bright whiteness of her slim, arched neck, and the shine of her luxurious hair. She was silent—and there was something in her demeanor as she faced him that made it hard for Mr. Dyceworthy to find his words. He cleared his throat several times and adjusted his stiff collar a couple of times as if it was bothering him; finally, he said with a noticeable effort—
"I have found a—a—trinket of yours—a trifling toy—which, perhaps, you would be glad to have again." And he drew carefully out of his waistcoat pocket, a small parcel wrapped up in tissue paper, which he undid with his fat fingers, thus displaying the little crucifix he had kept so long in his possession. "Concerning this," he went on, holding it up before her, "I am grievously troubled,—and would fain say a few necessary words—"
"I found a little keepsake of yours—a small trinket—that you might want back." He carefully pulled out of his waistcoat pocket a small parcel wrapped in tissue paper, which he unwrapped with his chubby fingers, revealing the little crucifix he had held onto for so long. "About this," he continued, holding it up for her to see, "I’m really troubled, and I’d like to say a few important things—"
She interrupted him, reaching out her hand for the cross as she spoke.
She interrupted him, extending her hand for the cross as she spoke.
"That was my mother's crucifix," she said in solemn, infinitely tender accents, with a mist as of unshed tears in her sweet blue eyes. "It was round her neck when she died. I knew I had lost it, and was very unhappy about it. I do thank you with all my heart for bringing it back to me!"
"That was my mom's crucifix," she said in a serious, deeply gentle voice, with a hint of unshed tears in her sweet blue eyes. "It was around her neck when she died. I knew I had lost it, and I was really upset about it. I truly thank you from the bottom of my heart for bringing it back to me!"
And the hauteur of her face relaxed, and her smile—that sudden sweet smile of hers,—shone forth like a gleam of sunshine athwart a cloud.
And the arrogance in her face faded, and her smile—that sudden, sweet smile of hers—shone like a ray of sunshine breaking through a cloud.
Mr. Dyceworthy's breath came and went with curious rapidity. His visage grew pale, and a clammy dew broke out upon his forehead. He took the hand she held out,—a fair, soft hand with a pink palm like an upcurled shell,—and laid the little cross within it, and still retaining his hold of her, he stammeringly observed—
Mr. Dyceworthy's breath came and went quickly. His face got pale, and a cold sweat formed on his forehead. He took the hand she offered—a fair, soft hand with a pink palm like a curled-up shell—and placed the small cross in it. Still holding on to her, he awkwardly said—
"Then we are friends, Fröken Thelma! . . . good friends, I hope?"
"Then we are friends, Miss Thelma! ... good friends, I hope?"
She withdrew her fingers quickly from his hot, moist clasp, and her bright smile vanished.
She pulled her fingers away quickly from his warm, clammy grip, and her bright smile disappeared.
"I do not see that at all!" she replied frigidly. "Friendship is very rare. To be friends, one must have similar tastes and sympathies,—many things which we have not,—and which we shall never have. I am slow to call any person my friend."
"I don’t see that at all!" she answered coldly. "Friendship is really rare. To be friends, you need to have similar interests and feelings—many things we don’t have—and things we’ll never share. I'm cautious about calling anyone my friend."
Mr. Dyceworthy's small pursy mouth drew itself into a tight thin line.
Mr. Dyceworthy's small, plump mouth tightened into a thin line.
"Except," he said, with a suave sneer, "except when 'any person' happens to be a rich Englishman with a handsome face and easy manners! . . . then you are not slow to make friends, Fröken,—on the contrary, you are remarkably quick!"
"Except," he said, with a smooth sneer, "except when 'any person' happens to be a wealthy Englishman with a good-looking face and charming demeanor! ... then you’re quick to make friends, Fröken—on the contrary, you’re remarkably fast!"
The cold haughty stare with which the girl favored him might have frozen a less conceited man to a pillar of ice.
The cold, haughty look the girl gave him could have turned a less arrogant man into a solid block of ice.
"What do you mean?" she asks abruptly, and with an air of surprise.
"What do you mean?" she asks suddenly, sounding surprised.
The minister's little ferret-like eyes, drooped under their puny lids, and he fidgeted on the seat with uncomfortable embarrassment. He answered her in the mildest of mild voices.
The minister's small, ferret-like eyes, weighed down by their tiny lids, darted around as he squirmed uncomfortably in his seat. He replied to her in the softest, most gentle tone.
"You are unlike yourself, my dear Fröken!" he said, with a soothing gesture of one of his well-trimmed white hands. "You are generally frank and open, but to-day I find you just a little,—well!—what shall I say—secretive! Yes, we will call it secretive! Oh, fie!" and Mr. Dyceworthy laughed a gentle little laugh; "you must not pretend ignorance of what I mean! All the neighborhood is talking of you and the gentleman you are so often seen with. Notably concerning Sir Philip Errington,—the vile tongue of rumor is busy,—for, according to his first plans when his yacht arrived here, he was bound for the North Cape,—and should have gone there days ago. Truly, I think,—and there are others who think also in the same spirit of interest for you,—that the sooner this young man leaves our peaceful Fjord the better,—and the less he has to do with the maidens of the district, the safer we shall be from the risk of scandal." And he heaved a pious sigh.
"You seem different today, my dear Fröken!" he said, making a calming gesture with one of his well-groomed white hands. "You're usually so open and straightforward, but today you come off as just a bit—well!—what should I say—secretive! Yes, let’s call it secretive! Oh, come now!" Mr. Dyceworthy chuckled softly; "You can’t pretend you don’t know what I mean! Everyone around here is talking about you and the man you’re frequently seen with. Especially regarding Sir Philip Errington—the gossip is rampant—since he was supposed to head to the North Cape when his yacht arrived and should have left days ago. Honestly, I think—and others share this concern for you—that the sooner this young man departs from our peaceful Fjord, the better it will be—and the less he interacts with the young women here, the less chance we have of any scandal." He sighed piously.
Thelma turned her eyes upon him in wonderment.
Thelma looked at him in amazement.
"I do not understand you," she said coldly. "Why do you speak of others? No others are interested in what I do? Why should they be? Why should you be? There is no need!"
"I don't get you," she said icily. "Why do you talk about others? No one else cares about what I do. Why should they? Why should you? It's not necessary!"
Mr. Dyceworthy grew slightly excited. He felt like a runner nearing the winning-post.
Mr. Dyceworthy grew a bit excited. He felt like a runner approaching the finish line.
"Oh, you wrong yourself, my dear Fröken," he murmured softly, with a sickly attempt at tenderness in his tone. "You really wrong yourself! It is impossible,—for me at least, not to be interested in you,—even for our dear Lord's sake. It troubles me to the inmost depths of my soul to behold in you one of the foolish virgins whose light hath been extinguished for lack of the saving oil,—to see you wandering as a lost sheep in the paths of darkness and error, without a hand to rescue your steps from the near and dreadful precipice! Ay, truly! . . . my spirit yearneth for you as a mother for an own babe—fain would I save you from the devices of the evil one,—fain would I—" here the minister drew out his handkerchief and pressed it lightly to his eyes,—then, as if with an effort overcoming his emotion, he added, with the gravity of a butcher presenting an extortionate bill, "but first,—before my own humble desires for your salvation—first, ere I go further in converse, it behoveth me to enter on the Lord's business!"
"Oh, you're doing yourself a disservice, my dear Miss," he murmured softly, with a feeble attempt at tenderness in his tone. "You really are! It's impossible for me, at least, not to be interested in you—even for our dear Lord's sake. It deeply troubles me to see you as one of the foolish virgins whose light has gone out for lack of the saving oil—to see you lost like a sheep wandering in darkness and error, without anyone to guide you away from the looming and dreadful edge! Yes, truly! . . . my spirit aches for you like a mother for her own baby—I wish I could save you from the schemes of evil—I wish I could—" Here the minister pulled out his handkerchief and pressed it lightly to his eyes—then, as if overcoming his emotions, he added, with the seriousness of someone presenting an outrageous bill, "but first—before my own humble hopes for your salvation—first, before I go further in our conversation, I need to attend to the Lord's business!"
Thelma bent her head slightly, with an air as though she said: "Indeed; pray do not be long about it!" And, leaning back against the porch, she waited somewhat impatiently.
Thelma tilted her head a little, as if to say, "Seriously; please don't take too long!" Then, leaning back against the porch, she waited with a bit of impatience.
"The image I have just restored to you," went on Mr. Dyceworthy in his most pompous and ponderous manner, "you say belonged to your unhappy—"
"The image I just restored for you," Mr. Dyceworthy continued in his most pompous and serious tone, "you say belonged to your unfortunate—"
"She was not unhappy," interposed the girl, calmly.
"She wasn't unhappy," the girl said calmly.
"Ay, ay!" and the minister nodded with a superior air of wisdom. "So you imagine, so you think,—you must have been too young to judge of these things. She died—"
"Ay, ay!" the minister nodded with a condescending air of wisdom. "So you think, so you believe—you must have been too young to understand these things. She died—"
"I saw her die," again she interrupted, with a musing tenderness in her voice. "She smiled and kissed me,—then she laid her thin, white hand on this crucifix, and, closing her eyes, she went to sleep. They told me it was death, since then I have known that death is beautiful!"
"I saw her die," she interrupted again, her voice filled with a thoughtful softness. "She smiled and kissed me—then she placed her thin, white hand on this crucifix, and, closing her eyes, she drifted off to sleep. They told me it was death; since then, I’ve understood that death is beautiful!"
Mr. Dyceworthy coughed,—a little cough of quiet incredulity. He was not fond of sentiment in any form, and the girl's dreamily pensive manner annoyed him. Death "beautiful?" Faugh! it was the one thing of all others that he dreaded; it was an unpleasant necessity, concerning which he thought as little as possible. Though he preached frequently on the peace of the grave and the joys of heaven,—he was far from believing in either,—he was nervously terrified of illness, and fled like a frightened hare from the very rumor of any infectious disorder, and he had never been known to attend a death-bed. And now, in answer to Thelma, he nodded piously and rubbed his hands, and said—
Mr. Dyceworthy coughed—a slight cough of quiet disbelief. He wasn't a fan of sentiment in any form, and the girl's dreamily thoughtful demeanor irritated him. Death "beautiful?" Ugh! It was the one thing he dreaded above all else; it was an unpleasant necessity that he tried not to think about. Although he often preached about the peace of the grave and the joys of heaven—he didn't really believe in either—he was nervously terrified of getting sick and ran away like a scared rabbit at the mere hint of any contagious illness. He had never been known to be present at a deathbed. Now, in response to Thelma, he nodded piously, rubbed his hands together, and said—
"Yes, yes; no doubt, no doubt! All very proper on your part, I am sure! But concerning this same image of which I came to speak,—it is most imperative that you should be brought to recognize it as a purely carnal object, unfitting a maiden's eyes to rest upon. The true followers of the Gospel are those who strive to forget the sufferings of our dear Lord as much as possible,—or to think of them only in spirit. The minds of sinners, alas! are easily influenced,—and it is both unseemly and dangerous to gaze freely upon the carven semblance of the Lord's limbs! Yea, truly, it hath oft been considered as damnatory to the soul,—more especially in the cases of women immured as nuns, who encourage themselves in an undue familiarity with our Lord, by gazing long and earnestly upon his body nailed to the accursèd tree."
"Yes, yes; no doubt about it! I'm sure you have good intentions! But about the image I came to discuss—it’s crucial that you see it as a purely physical object, inappropriate for a young woman to look at. True followers of the Gospel are those who try to forget our dear Lord’s sufferings as much as possible—or think about them only in spirit. Unfortunately, sinners’ minds are easily swayed—and it’s both inappropriate and dangerous to look freely at the carved representation of the Lord’s body! Indeed, it’s often thought to be harmful to the soul—especially in the case of women in convents, who indulge in an inappropriate familiarity with our Lord by staring long and hard at his body nailed to the cursed tree."
Here Mr. Dyceworthy paused for breath. Thelma was silent, but a faint smile gleamed on her face.
Here Mr. Dyceworthy paused to catch his breath. Thelma was quiet, but a slight smile shimmered on her face.
"Wherefore," he went on, "I do adjure you, as you desire grace and redemption, to utterly cast from you the vile trinket, I have,—Heaven knows how reluctantly! . . . returned to your keeping,—to trample upon it, and renounce it as a device of Satan. . ." He stopped, surprised and indignant, as she raised the much-abused emblem to her lips and kissed it reverently.
"Therefore," he continued, "I urge you, as you seek grace and redemption, to completely throw away the filthy trinket I have—Heaven knows how reluctantly! . . . returned to your possession—to trample it underfoot and reject it as a tool of Satan . . ." He paused, shocked and angry, as she brought the much-abused emblem to her lips and kissed it with reverence.
"It is the sign of peace and salvation," she said steadily, "to me, at least. You waste your words, Mr. Dyceworthy; I am a Catholic."
"It’s a symbol of peace and salvation," she said firmly, "at least to me. You're wasting your breath, Mr. Dyceworthy; I’m a Catholic."
"Oh, say not so!" exclaimed the minister, now thoroughly roused to a pitch of unctuous enthusiasm. "Say not so. Poor child! who knowest not the meaning of the word used. Catholic signifies universal. God forbid a universal Papacy! You are not a Catholic—no! You are a Roman—by which name we understand all that is most loathsome and unpleasing unto God! But I will wrestle for your soul,—yea, night and day will I bend my spiritual sinews to the task,—I will obtain the victory,—I will exorcise the fiend! Alas, alas! you are on the brink of hell—think of it!" and Mr. Dyceworthy stretched out his hand with his favorite pulpit gesture. "Think of the roasting and burning,—the scorching and withering of souls! Imagine, if you can, the hopeless, bitter, eternal damnation," and here he smacked his lips as though he were tasting something excellent,—"from which there is no escape! . . . for which there shall be no remedy!"
"Oh, don’t say that!" exclaimed the minister, completely fueled by his intense enthusiasm. "Don’t say that. Poor child! You don’t understand what the word means. Catholic means universal. God forbid a universal Papacy! You're not a Catholic—no! You're a Roman—which we see as all that is most disgusting and displeasing to God! But I will fight for your soul—I will devote myself night and day to the task—I will achieve victory—I will banish the evil spirit! Alas, alas! You're on the edge of hell—think about it!" And Mr. Dyceworthy extended his hand with his favorite gesture from the pulpit. "Think of the roasting and burning—the scorching and withering of souls! Imagine, if you can, the hopeless, bitter, eternal damnation," and here he smacked his lips as if savoring something delicious—"from which there is no escape!... for which there shall be no remedy!"
"It is a gloomy picture," said Thelma, with a quiet sparkle in her eye. "I am sorry,—for you. But I am happier,—my faith teaches of purgatory—there is always a little hope!"
"It’s a bleak situation," Thelma said, a subtle sparkle in her eye. "I feel bad—for you. But I’m happier—my faith talks about purgatory—there’s always a bit of hope!"
"There is none! there is none!" exclaimed the minister rising in excitement from his seat, and swaying ponderously to and fro as he gesticulated with hands and head. "You are doomed,—doomed! There is no middle course between hell and heaven. It must be one thing or the other; God deals not in half-measures! Pause, oh pause, ere you decide to fall! Even at the latest hour the Lord desires to save your soul,—the Lord yearns for your redemption, and maketh me to yearn also. Fröken Thelma!" and Mr. Dyceworthy's voice deepened in solemnity, "there is a way which the Lord hath whispered in mine ears,—a way that pointeth to the white robe and the crown of glory,—a way by which you shall possess the inner peace of the heart with bliss on earth as the forerunner of bliss in heaven!"
"There is none! There is none!" the minister exclaimed, jumping up from his seat, swaying back and forth as he gestured with his hands and head. "You are doomed—doomed! There’s no middle ground between hell and heaven. It has to be one or the other; God doesn’t deal in half-measures! Pause, oh pause, before you choose to fall! Even at the last moment, the Lord wants to save your soul—the Lord yearns for your redemption, and makes me yearn too. Fröken Thelma!" Mr. Dyceworthy's voice grew more serious, "there’s a path that the Lord has whispered in my ear—a path that leads to the white robe and the crown of glory—a path by which you will find inner peace and happiness on earth as the precursor to happiness in heaven!"
She looked at him steadfastly. "And that way is—what?" she inquired.
She looked at him firmly. "And what way is that?" she asked.
Mr. Dyceworthy hesitated, and wished with all his heart that this girl was not so thoroughly self-possessed. Any sign of timidity in her would have given him an increase of hardihood. But her eyes were coldly brilliant, and glanced him over without the smallest embarrassment. He took refuge in his never-failing remedy, his benevolent smile—a smile that covered a multitude of hypocrisies.
Mr. Dyceworthy hesitated, wishing more than anything that this girl wasn’t so completely confident. Any hint of shyness from her would have boosted his courage. But her eyes were cool and bright, examining him without the slightest hint of embarrassment. He fell back on his go-to solution, his friendly smile—a smile that masked a lot of insincerities.
"You ask a plain question, Fröken," he said sweetly, "and I should be loth not to give you a plain answer. That way—that glorious way of salvation for you is—through me!"
"You ask a straightforward question, Miss," he said kindly, "and I would be reluctant not to give you a straightforward answer. That way—that amazing path to salvation for you is—through me!"
And his countenance shone with smug self-satisfaction as he spoke, and he repeated softly, "Yes, yes; that way is through me!"
And his face gleamed with smug self-satisfaction as he spoke, and he repeated softly, "Yes, yes; that way is through me!"
She moved with a slight gesture of impatience. "It is a pity to talk any more," she said rather wearily. "It is all no use! Why do you wish to change me in my religion? I do not wish to change you. I do not see why we should speak of such things at all."
She moved with a small sign of impatience. "It's a shame to keep talking," she said a bit tiredly. "It's pointless! Why do you want to change my beliefs? I don't want to change you. I don't see why we should discuss this at all."
"Of course!" replied Mr. Dyceworthy blandly. "Of course you do not see. And why? Because you are blind." Here he drew a little nearer to her, and looked covetously at the curve of her full, firm waist.
"Of course!" Mr. Dyceworthy said smoothly. "Of course you can't see. And why? Because you're blind." He took a step closer to her and looked greedily at the curve of her full, firm waist.
"Oh, why!" he resumed in a sort of rapture—"why should we say it is a pity to talk any more? Why should we say it is all no use? It is of use,—it is noble, it is edifying to converse of the Lord's good pleasure! And what is His good pleasure at this moment? To unite two souls in His service! Yea, He hath turned my desire towards you, Fröken Thelma,—even as Jacob's desire was towards Rachel! Let me see this hand." He made a furtive grab at the white taper fingers that played listlessly with the jessamine leaves on the porch, but the girl dexterously withdrew them from his clutch and moved a little further back, her face flushing proudly. "Oh, will it not come to me? Cruel hand!" and he rolled his little eyes with an absurdly sentimental air of reproach. "It is shy—it will not clasp the hand of its protector! Do not be afraid, Fröken! . . . I, Charles Dyceworthy, am not the man to trifle with your young affections! Let them rest where they have flown! I accept them! Yea! . . . in spite of wrath and error and moral destitution,—my spirit inclineth towards you,—in the language of carnal men, I love you! More than this, I am willing to take you as my lawful wife—"
"Oh, why!" he continued with a kind of excitement—"why should we say it's a shame to talk any more? Why should we say it's all pointless? It is useful—it’s wonderful, it’s uplifting to talk about the Lord's good will! And what is His good will at this moment? To bring two souls together in His service! Yes, He has directed my longing towards you, Fröken Thelma,—just like Jacob’s longing was for Rachel! Let me see this hand." He made a quick grab at the delicate fingers that were idly playing with the jasmine leaves on the porch, but the girl skillfully pulled them away from his reach and moved a bit further back, her face flushing with pride. "Oh, will it not come to me? Cruel hand!" and he rolled his eyes dramatically with an overly sentimental expression of reproach. "It’s shy—it won’t grasp the hand of its protector! Don’t be afraid, Fröken! . . . I, Charles Dyceworthy, am not the kind of man to play with your young feelings! Let them rest where they have flown! I accept them! Yes! . . . despite wrath and flaws and moral shortcomings,—my spirit turns towards you,—in the words of ordinary people, I love you! More than that, I’m ready to take you as my lawful wife—"
He broke off abruptly, somewhat startled at the bitter scorn of the flashing eyes that, like two quivering stars, were blazing upon him. Her voice, clear as a bell ringing in frosty air, cut through the silence like a sweep of a sword-blade.
He stopped suddenly, a bit taken aback by the sharp disdain in her flashing eyes that burned into him like two trembling stars. Her voice, clear as a bell ringing in cold air, pierced the silence like a sword cutting through.
"How dare you!" she said, with a wrathful thrill in her low, intense tones. "How dare you come here to insult me!"
"How could you!" she said, her low, intense voice filled with anger. "How could you come here to insult me!"
Insult her! He,—the Reverend Charles Dyceworthy,—considered guilty of insult in offering honorable marriage to a mere farmer's daughter! He could not believe his own ears,—and in his astonishment he looked up at her. Looking, he recoiled and shrank into himself, like a convicted knave before some queenly accuser. The whole form of the girl seemed to dilate with indignation. From her proud mouth, arched like a bow, sprang barbed arrows of scorn that flew straightly and struck home.
Insult her! He—the Reverend Charles Dyceworthy—felt guilty for insulting her by proposing marriage to a simple farmer's daughter! He couldn't believe what he was hearing, and in his shock, he looked up at her. As he looked, he shrank back, like a convicted criminal facing a royal accuser. The girl seemed to swell with indignation. From her proud lips, curved like a bow, came sharp words of scorn that hit directly and cut deep.
"Always I have guessed what you wanted," she went on in that deep, vibrating tone which had such a rich quiver of anger within it; "but I never thought you would—" She paused, and a little disdainful laugh broke from her lips. "You would make me your wife—me? You think me likely to accept such an offer?" And she drew herself up with a superb gesture, and regarded him fixedly.
"All along, I've known what you wanted," she continued in that deep, resonant voice that carried a strong undercurrent of anger; "but I never thought you would—" She paused, and a small, dismissive laugh escaped her lips. "You want to make me your wife—me? You really think me likely to accept such a proposal?" Then she straightened herself with a grand gesture and stared at him intently.
"Oh, pride, pride!" murmured the unabashed Dyceworthy, recovering from the momentary abasement into which he had been thrown by her look and manner. "How it overcometh our natures and mastereth our spirits! My dear, my dearest Fröken,—I fear you do not understand me! Yet it is natural that you should not; you were not prepared for the offer of my—my affections,"—and he beamed all over with benevolence,—"and I can appreciate a maidenly and becoming coyness, even though it assume the form of a repellant and unreasonable anger. But take courage, my—my dear girl!—our Lord forbid that I should wantonly play with the delicate emotions of your heart! Poor little heart! does it flutter?" and Mr. Dyceworthy leered sweetly. "I will give it time to recover itself! Yes, yes! a little time! and then you will put that pretty hand in mine"—here he drew nearer to her, "and with one kiss we will seal the compact!"
"Oh, pride, pride!" murmured the unapologetic Dyceworthy, recovering from the brief embarrassment caused by her look and demeanor. "How it takes over our natures and controls our spirits! My dear, my dearest Fröken, I fear you don't understand me! But it's natural that you wouldn't; you weren't ready for my—my feelings,"—and he smiled warmly,—"and I can appreciate a sense of modesty that, even if it looks like unreasonable anger, is still charming. But don't worry, my—my dear girl!—I promise I won't mess with the delicate emotions of your heart! Poor little heart! Is it fluttering?" and Mr. Dyceworthy leered sweetly. "I'll give it time to recover! Yes, yes! Just a little time! And then you will put that lovely hand in mine"—here he moved closer to her—"and with one kiss, we will seal the deal!"
And he attempted to steal his arm round her waist, but the girl sprang back indignantly, and pulling down a thick branch of the clambering prickly roses from the porch, held it in front of her by way of protection. Mr. Dyceworthy laughed indulgently.
And he tried to put his arm around her waist, but the girl jumped back, offended, and pulled down a thick branch of the climbing prickly roses from the porch, holding it in front of her for protection. Mr. Dyceworthy laughed indulgently.
"Very pretty—very pretty indeed!" he mildly observed, eyeing her as she stood at bay barricaded by the roses. "Quite a picture! There, there! do not be frightened,—such shyness is very natural! We will embrace in the Lord another day! In the meantime one little word—the word—will suffice me,—yea, even one little smile,—to show me that you understand my words,—that you love me"—here he clasped his plump hands together in flabby ecstasy—"even as you are loved!"
"Very pretty—really pretty!" he gently remarked, watching her as she stood defensively surrounded by the roses. "What a beautiful sight! Don't be scared; that shyness is totally normal! We'll connect in the Lord another time! For now, just one little word—the word—will be enough for me, or even just a small smile—to show me that you understand what I’m saying—that you love me"—here he clasped his soft hands together in weak excitement—"just as you are loved!"
His absurd attitude,—the weak, knock-kneed manner in which his clumsy legs seemed, from the force of sheer sentiment, to bend under his weighty body, and the inanely amatory expression of his puffy countenance, would have excited most women to laughter,—and Thelma was perfectly conscious of his utterly ridiculous appearance, but she was too thoroughly indignant to take the matter in a humorous light.
His ridiculous attitude—the awkward, wobbly way his clumsy legs seemed to buckle under his heavy body, and the overly romantic look on his round face—would have made most women laugh. Thelma was fully aware of how completely ridiculous he looked, but she was too angry to see the humor in it.
"Love you!" she exclaimed, with a movement of irrepressible loathing. "You must be mad! I would rather die than marry you!"
"Love you!" she shouted, with an uncontrollable expression of disgust. "You must be crazy! I’d rather die than marry you!"
Mr. Dyceworthy's face grew livid and his little eyes sparkled vindictively,—but he restrained his inward rage, and merely smiled, rubbing his hands softly one against the other.
Mr. Dyceworthy's face turned pale with anger, and his small eyes sparkled with malice—but he held back his inner fury and just smiled, gently rubbing his hands together.
"Let us be calm!" he said soothingly. "Whatever we do, let us be calm! Let us not provoke one another to wrath! Above all things, let us, in a spirit of charity and patience, reason out this matter without undue excitement. My ears have most painfully heard your last words, which, taken literally, might mean that you reject my honorable offer. The question is, do they mean this? I cannot,—I will not believe that you would foolishly stand in the way of your own salvation,"—and he shook his head with doleful gentleness. "Moreover, Fröken Thelma, though it sorely distresses me to speak of it,—it is my duty, as a minister of the Lord, to remind you that an honest marriage,—a marriage of virtue and respectability such as I propose, is the only way to restore your reputation,—which, alas! is sorely damaged, and—"
"Let’s stay calm!" he said gently. "Whatever we do, let’s stay calm! Let’s not provoke each other to anger! Above all, let’s discuss this matter with charity and patience, without getting overly excited. My ears have painfully heard your last words, which, taken literally, could mean that you’re rejecting my honorable offer. The question is, do they mean that? I cannot—I will not believe that you would foolishly block your own path to salvation,"—and he shook his head with sad kindness. "Furthermore, Fröken Thelma, even though it greatly troubles me to mention it,—as a minister of the Lord, it’s my duty to remind you that an honest marriage—a marriage of virtue and respectability like the one I propose—is the only way to restore your reputation—which, unfortunately, is badly damaged, and—"
Mr. Dyceworthy stopped abruptly, a little alarmed, as she suddenly cast aside the barrier of roses and advanced toward him, her blue eyes blazing.
Mr. Dyceworthy stopped suddenly, a bit alarmed, as she threw aside the barrier of roses and walked toward him, her blue eyes burning with intensity.
"My reputation!" she said haughtily. "Who speaks of it?"
"My reputation!" she said arrogantly. "Who even talks about it?"
"Oh dear, dear me!" moaned the minister pathetically. "Sad! . . . very sad to see so ungovernable a temper, so wild and untrained a disposition! Alas, alas! how frail we are without the Lord's support,—without the strong staff of the Lord's mercy to lean upon! Not I, my poor child, not I, but the whole village speaks of you; to you the ignorant people attribute all the sundry evils that of late have fallen sorely upon them,—bad harvests, ill-luck with the fishing, poverty, sickness,"—here Mr. Dyceworthy pressed the tips of his fingers delicately together, and looked at her with a benevolent compassion,—"and they call it witchcraft,—yes! strange, very strange! But so it is,—ignorant as they are, such ignorance is not easily enlightened,—and though I," he sighed, "have done my poor best to disabuse their minds of the suspicions against you, I find it is a matter in which I, though a humble mouthpiece of the Gospel, am powerless—quite powerless!"
"Oh dear, dear me!" the minister lamented sadly. "It's so sad... very sad to see such an uncontrollable temper, such a wild and unruly nature! Alas, how fragile we are without the Lord's support—without the strong support of the Lord's mercy to rely on! Not just me, my poor child, but the whole village talks about you; they blame you for all the various troubles that have recently befallen them—bad harvests, bad luck with fishing, poverty, sickness,"—here Mr. Dyceworthy delicately pressed his fingertips together and looked at her with a kind, compassionate expression,—"and they call it witchcraft—yes! It's strange, very strange! But that's how it is—ignorant as they may be, such ignorance isn't easily corrected—and even though I," he sighed, "have tried my best to clear their minds of the suspicions against you, I find it's a matter where I, even as a humble messenger of the Gospel, am powerless—totally powerless!"
She relaxed her defiant attitude, and moved away from him; the shadow of a smile was on her lips.
She let go of her defiant attitude and moved away from him; a hint of a smile was on her lips.
"It is not my fault if the people are foolish," she said coldly; "I have never done harm to any one that I know of." And turning abruptly, she seemed about to enter the house, but the minister dexterously placed himself in her way, and barred her passage.
"It’s not my fault if people are foolish," she said coldly. "I've never harmed anyone that I know of." And turning abruptly, she looked like she was about to go inside, but the minister skillfully positioned himself in her way and blocked her path.
"Stay, oh, stay!" he exclaimed with unctuous fervor. "Pause, unfortunate girl, ere you reject the strong shield and buckler that the Lord has, in His great mercy, offered you, in my person! For I must warn you,—Fröken Thelma, I must warn you seriously of the danger you run! I will not pain you by referring to the grave charges brought against your father, who is, alas! in spite of my spiritual wrestling with the Lord for his sake, still no better than a heathen savage; no! I will say nothing of this. But what,—what shall I say,"—here he lowered his voice to a tone of mysterious and weighty reproach,—"what shall I say of your most unseemly and indiscreet companionship with these worldly young men who are visiting the Fjord for their idle pastime? Ah dear, dear! This is indeed a heavy scandal and a sore burden to my soul,—for up to this time I have, in spite of many faults in your disposition, considered you were at least of a most maidenly and decorous deportment,—but now—now! to think that you should, of your own free will and choice, consent to be the plaything of this idle stroller from the wicked haunts of fashion,—the hour's toy of this Sir Philip Errington! Fröken Thelma, I would never have believed it of you!" And he drew himself up with ponderous and sorrowful dignity.
"Stay, please stay!" he exclaimed with exaggerated intensity. "Hold on, unfortunate girl, before you turn away from the strong protection that the Lord has, in His great mercy, offered you through me! I must warn you—Fröken Thelma, I must seriously warn you about the danger you're putting yourself in! I won’t trouble you by bringing up the serious accusations against your father, who, sadly, despite my spiritual struggles with the Lord for his sake, is still no better than a heathen savage; no! I won't mention that. But what—what can I say,"—here he lowered his voice to a tone of mysterious and heavy reproach,—"what can I say about your most inappropriate and indiscreet association with these worldly young men who are visiting the Fjord for their leisure? Oh dear, this is indeed a heavy scandal and a painful burden to my soul—for until now, despite many flaws in your character, I believed you were at least of a very proper and modest demeanor—but now—now! to think that you would, of your own free will, choose to be the plaything of this idle wanderer from the sinful realms of fashion—the momentary pastime of this Sir Philip Errington! Fröken Thelma, I never would have believed this of you!" And he straightened himself with a heavy and sorrowful dignity.
A burning blush had covered Thelma's face at the mention of Errington's name, but it soon faded, leaving her very pale. She changed her position so that she confronted Mr. Dyceworthy,—her clear blue eyes regarded him steadfastly.
A deep blush had spread across Thelma's face at the mention of Errington's name, but it quickly faded, leaving her very pale. She adjusted her position so that she faced Mr. Dyceworthy—her clear blue eyes looked at him intently.
"Is this what is said of me?" she asked calmly.
"Is this what people are saying about me?" she asked calmly.
"It is,—it is, most unfortunately!" returned the minister, shaking his bullet-like head a great many times; then, with a sort of elephantine cheerfulness, he added, "but what matter? There is time to remedy these things. I am willing to set myself as a strong barrier against the evil noises of rumor! Am I selfish or ungenerous? The Lord forbid it! No matter how I am compromised, no matter how I am misjudged,—I am still willing to take you as my lawful wife Fröken Thelma,—but," and here he shook his forefinger at her with a pretended playfulness, "I will permit no more converse with Sir Philip Errington; no, no! I cannot allow it! . . . I cannot, indeed!"
"It is—it's most unfortunate!" replied the minister, shaking his head a lot. Then, with a sort of clumsy cheerfulness, he added, "But what does it matter? There's still time to fix these things. I’m ready to stand as a strong barrier against the harmful rumors! Am I being selfish or unkind? God forbid! No matter how I am misunderstood, no matter how I am judged, I’m still ready to take you as my lawful wife, Fröken Thelma—but," and here he shook his finger at her playfully, "I won’t allow any more conversations with Sir Philip Errington; no, no! I can't allow it! . . . I really can't!"
She still looked straight at him,—her bosom rose and fell rapidly with her passionate breath, and there was such an eloquent breath of scorn in her face that he winced under it as though struck by a sharp scourge.
She kept looking directly at him—her chest rising and falling quickly with her intense breaths, and there was such a powerful expression of disdain on her face that he flinched as if he had been struck by a sharp whip.
"You are not worth my anger!" she said slowly, this time without a tremor in her rich voice. "One must have something to be angry with, and you—you are nothing! Neither man nor beast,—for men are brave, and beasts tell no lies! Your wife! I!" and she laughed aloud,—then with a gesture of command, "Go!" she exclaimed, "and never let me see your face again!"
"You’re not worth my anger!" she said slowly, this time without a shake in her rich voice. "You have to be worthy of anger, and you—you are nothing! Neither man nor beast—for men are brave, and beasts don’t lie! Your wife! Me!" and she laughed out loud—then with a commanding gesture, "Leave!" she shouted, "and don’t ever let me see you again!"
The clear scornful laughter,—the air of absolute authority with which she spoke,—would have stung the most self-opinionated of men, even though his conscience were enveloped in a moral leather casing of hypocrisy and arrogance. And, notwithstanding his invariable air of mildness, Mr. Dyceworthy had a temper. That temper rose to a white heat just now,—every drop of blood receded from his countenance,—and his soft hands clenched themselves in a particularly ugly and threatening manner. Yet he managed to preserve his suave composure.
The clear, scornful laughter—the way she spoke with total authority—would have hurt even the most arrogant man, even if his conscience was wrapped in a shield of hypocrisy and pride. And, despite his usual gentle demeanor, Mr. Dyceworthy had a temper. That temper flared up now—his face drained of color—and his soft hands clenched in a particularly ugly and threatening way. Still, he managed to maintain his smooth composure.
"Alas, alas!" he murmured. "How sorely my soul is afflicted to see you thus, Fröken! I am amazed—I am distressed! Such language from your lips! oh fie, fie! And has it come to this! And must I resign the hope I had of saving your poor soul? and must I withdraw my spiritual protection from you?" This he asked with a suggestive sneer of his prim mouth,—and then continued, "I must—alas, I must! My conscience will not permit me to do more than pray for you! And as is my duty, I shall, in a spirit of forbearance and charity, speak warningly to Sir Philip concerning—"
"Alas, alas!" he murmured. "How deeply my soul is pained to see you like this, Fröken! I'm shocked—I’m upset! Such words coming from you! Oh no, no! Has it really come to this? Must I give up the hope I had of saving your poor soul? Do I really have to take away my spiritual protection from you?" He asked this with a knowing sneer on his proper lips—and then continued, "I must—oh, I must! My conscience won't allow me to do anything more than pray for you! And as is my duty, I will, with a spirit of patience and kindness, speak to Sir Philip with a warning about—"
But Thelma did not permit him to finish his sentence. She sprang forward like a young leopardess, and with a magnificent outward sweep of her arm motioned him down the garden path.
But Thelma didn't let him finish. She leaped forward like a young leopard and with a grand sweep of her arm gestured for him to go down the garden path.
"Out of my sight,—coward!" she cried, and then stood waiting for him to obey her, her whole frame vibrating with indignation like a harp struck too roughly. She looked so terribly beautiful, and there was such a suggestive power in that extended bare white arm of hers, that the minister, though quaking from head to heel with disappointment and resentment, judged it prudent to leave her.
"Get out of my sight,—coward!" she shouted, then stood there waiting for him to obey, her whole body shaking with anger like a harp that had been struck too hard. She looked so stunningly beautiful, and there was such an alluring power in her extended bare white arm, that the minister, though trembling with disappointment and anger, thought it best to walk away from her.
"Certainly, I will take my departure, Fröken!" he said meekly, while his teeth glimmered wolfishly through his pale lips, in a snarl more than a smile. "It is best you should be alone to recover yourself—from this—this undue excitement! I shall not repeat my—my—offer; but I am sure your good sense will—in time—show you how very unjust and hasty you have been in this matter—and—and you will be sorry! Yes, indeed! I am quite sure you will be sorry! I wish you good day, Fröken Thelma!"
"Sure, I’ll take my leave, Miss!" he said softly, while his teeth flashed like a wolf's through his pale lips, more of a snarl than a smile. "It’s best for you to be alone to calm down from this—this unwarranted excitement! I won’t repeat my—my—offer; but I’m sure you’ll realize, in time, how unfair and hasty you’ve been in this situation—and—and you’ll regret it! Yes, absolutely! I’m quite sure you’ll regret it! I wish you a good day, Miss Thelma!"
She made him no reply, and he turned from the house and left her, strolling down the flower-bordered path as though he were in the best of all possible moods with himself and the universe. But, in truth, he muttered a heavy oath under his breath—an oath that was by no means in keeping with his godly and peaceful disposition. Once, as he walked, he looked back,—and saw the woman he coveted now more than ever, standing erect in the porch, tall, fair and loyal in her attitude, looking like some proud empress who had just dismissed an unworthy vassal. A farmer's daughter! and she had refused Mr. Dyceworthy with disdain! He had much ado to prevent himself shaking his fist at her!
She didn’t respond, and he turned away from the house, walking down the flower-lined path as if he were in the best mood possible, feeling good about himself and the world. But in reality, he muttered a harsh curse under his breath—one that didn’t match his supposedly virtuous and calm nature. At one point, as he walked, he glanced back and saw the woman he wanted now more than ever, standing tall on the porch, looking elegant and loyal, like a proud empress who had just sent away a worthless servant. A farmer's daughter! And she had turned down Mr. Dyceworthy with contempt! He had to fight the urge to shake his fist at her!
"The lofty shall be laid low, and the stiff-necked shall be humbled," he thought, as with a vicious switch of his stick he struck off a fragrant head of purple clover. "Conceited fool of a girl! Hopes to be 'my lady' does she? She had better take care!"
"The proud will be brought down, and the stubborn will be humbled," he thought, as he viciously swiped his stick and knocked off a fragrant head of purple clover. "Conceited fool of a girl! She thinks she can be 'my lady'? She'd better watch out!"
Here he stopped abruptly in his walk as if a thought had struck him,—a malignant joy sparkled in his eyes, and he flourished his stick triumphantly in the air. "I'll have her yet!" he exclaimed half-aloud. "I'll set Lovisa on her!" And his countenance cleared; he quickened his pace like a man having some pressing business to fulfill, and was soon in his boat, rowing towards Bosekop with unaccustomed speed and energy.
Here he suddenly stopped in his tracks as if a thought had hit him—an evil joy sparkled in his eyes, and he waved his stick triumphantly in the air. "I'll get her yet!" he said almost out loud. "I'll send Lovisa after her!" His expression brightened; he picked up his pace like a man with urgent business to attend to and soon found himself in his boat, rowing toward Bosekop with unusual speed and energy.
Meanwhile Thelma stood motionless where he had left her,—she watched the retreating form of her portly suitor till he had altogether disappeared,—then she pressed one hand on her bosom, sighed, and laughed a little. Glancing at the crucifix so lately restored to her, she touched it with her lips and fastened it to a small silver chain she wore, and then a shadow swept over her fair face that made it strangely sad and weary. Her lips quivered pathetically; she shaded her eyes with her curved fingers as though the sunlight hurt her,—then with faltering steps she turned away from the warm stretch of garden, brilliant with blossom, and entered the house. There was a sense of outrage and insult upon her, and though in her soul she treated Mr. Dyceworthy's observations with the contempt they deserved, his coarse allusion to Sir Philip Errington had wounded her more than she cared to admit to herself. Once in the quiet sitting-room, she threw herself on her knees by her father's arm-chair, and laying her proud little golden head down on her folded arms, she broke into a passion of silent tears.
Meanwhile, Thelma stood still where he had left her—she watched her plump suitor until he was completely out of sight—then she pressed one hand to her chest, sighed, and laughed a bit. Looking at the crucifix that had just been returned to her, she kissed it and attached it to a small silver chain she was wearing. Then a shadow crossed her fair face, making it look oddly sad and tired. Her lips trembled a bit; she shaded her eyes with her curved fingers as if the sunlight was hurting her—then, with unsteady steps, she turned away from the warm, flower-filled garden and went inside the house. She felt a sense of outrage and insult, and even though deep down she dismissed Mr. Dyceworthy's comments as they deserved, his crude reference to Sir Philip Errington hurt her more than she wanted to admit. Once in the quiet sitting room, she knelt by her father's armchair, resting her proud little golden head on her folded arms, and broke into a silent outburst of tears.
Who shall unravel the mystery of a woman's weeping? Who shall declare whether it is a pain or a relief to the overcharged heart? The dignity of a crowned queen is capable of utterly dissolving and disappearing in a shower of tears, when Love's burning finger touches the pulse and marks its slow or rapid beatings. And Thelma wept as many of her sex weep, without knowing why, save that all suddenly she felt herself most lonely and forlorn like Sainte Beuve's—
Who can figure out the reason behind a woman's tears? Who can say if it’s a pain or a relief for a heart that feels too much? The dignity of a crowned queen can completely melt away in a flood of tears when Love’s intense touch hits her heart and marks its slow or fast beats. And Thelma cried like many women do, without understanding why, except that she suddenly felt incredibly lonely and abandoned like Sainte Beuve’s—
"Colombe gemissante,
Qui demande par pitié
Sa moitié,
Sa moitié loin d'elle absente!"
"Sad dove,"
Who pleads for mercy
For her partner,
Her other half far away and missing!"
CHAPTER XII.
"A wicked will, |
A woman's will; a cankered grandame's will!" |
King John.
King John.
"By Jove!"
"By God!"
And Lorimer, after uttering this unmeaning exclamation, was silent out of sheer dismay. He stood hesitating and looking in at the door of the Güldmar's sitting-room, and the alarming spectacle he saw was the queenly Thelma down on the floor in an attitude of grief,—Thelma giving way to little smothered sobs of distress,—Thelma actually crying! He drew a long breath and stared, utterly bewildered. It was a sight for which he was unprepared,—he was not accustomed to women's tears. What should he do? Should he cough gently to attract her attention, or should he retire on tip-toe and leave her to indulge her grief as long as she would, without making any attempt to console her? The latter course seemed almost brutal, yet he was nearly deciding upon it, when a slight creak of the door against which he leaned, caused her to look up suddenly. Seeing him, she rose quickly from her desponding position and faced him, her cheeks somewhat deeply flushed and her eyes glittering feverishly.
And Lorimer, after making this pointless exclamation, fell silent out of sheer shock. He hesitated, looking into the Güldmar's sitting room, and what he saw was alarming: the regal Thelma on the floor, looking devastated—Thelma quietly stifling sobs of distress—Thelma actually crying! He took a deep breath and stared, completely confused. It was a sight he wasn’t prepared for; he wasn’t used to seeing women cry. What should he do? Should he gently cough to get her attention, or should he quietly tiptoe away and let her be, allowing her to grieve as long as she needed without trying to comfort her? The second option felt almost cruel, yet he was nearly choosing it when a slight creak from the door he was leaning against made her look up suddenly. Spotting him, she quickly got up from her despondent position and faced him, her cheeks slightly flushed and her eyes shining with intensity.
"Mr. Lorimer!" she exclaimed, forcing a faint smile to her quivering lips. "You here? Why, where are the others?"
"Mr. Lorimer!" she said, forcing a faint smile onto her trembling lips. "You’re here? Where are the others?"
"They are coming on after me," replied Lorimer, advancing into the room, and diplomatically ignoring the girl's efforts to hide the tears that still threatened to have their way. "But I was sent in advance to tell you not to be frightened. There has been a slight accident—"
"They're coming in after me," Lorimer said, stepping into the room and skillfully ignoring the girl's attempts to hide the tears that were still ready to spill. "But I was sent ahead to let you know not to be afraid. There was a minor accident—"
She grew very pale. "Is it my father?" she asked tremblingly. "Sir Philip—"
She turned very pale. "Is it my dad?" she asked, shaking. "Sir Philip—"
"No, no!" answered Lorimer reassuringly. "It is nothing serious, really, upon my honor! Your father's all right,—so is Phil,—our lively friend Pierre is the victim. The fact is, we've had some trouble with Sigurd. I can't think what has come to the boy! He was as amiable as possible when we started, but after we had climbed about half-way up the mountain, he took it into his head to throw stones about rather recklessly. It was only fun, he said. Your father tried to make him leave off, but he was obstinate. At last, in a particularly bright access of playfulness, he got hold of a large flint, and nearly put Phil's eye out with it,—Phil dodged it, and it flew straight at Duprèz, splitting open his cheek in rather an unbecoming fashion—Don't look so horrified, Miss Güldmar,—it is really nothing!"
"No, no!" Lorimer replied reassuringly. "It's nothing serious, I swear! Your dad is fine, and so is Phil—our spirited friend Pierre is the one in trouble. The truth is, we've had some issues with Sigurd. I can't figure out what's gotten into the kid! He was super friendly when we started, but after we climbed about halfway up the mountain, he decided to throw stones around recklessly. He said it was just for fun. Your father tried to get him to stop, but he was stubborn. Finally, in a particularly playful moment, he grabbed a big rock and almost hit Phil in the eye—luckily, Phil dodged it, and it went straight for Duprèz, slicing open his cheek in a rather unflattering way—Don't look so horrified, Miss Güldmar—it's really nothing!"
"Oh, but indeed it is something!" she said, with true womanly anxiety in her voice. "Poor fellow! I am so sorry! Is he much hurt? Does he suffer?"
"Oh, but it really is something!" she said, with genuine concern in her voice. "Poor guy! I feel so bad! Is he seriously hurt? Is he in pain?"
"Pierre? Oh, no, not a bit of it! He's as jolly as possible! We bandaged him up in a very artistic fashion; he looks quite interesting, I assure you. His beauty's spoilt for a time, that's all. Phil thought you might be alarmed when you saw us bringing home the wounded,—that is why I came on to tell you all about it."
"Pierre? Oh, not at all! He’s as cheerful as ever! We wrapped him up in a really artistic way; he looks quite intriguing, I promise you. His looks are a bit messed up for now, that’s all. Phil thought you might worry when you saw us bringing home the injured—that's why I came to fill you in on everything."
"But what can be the matter with Sigurd?" asked the girl, raising her hand furtively to dash off a few tear-drops that still hung on her long lashes. "And where is he?"
"But what could be wrong with Sigurd?" asked the girl, subtly raising her hand to wipe away a few tears that still clung to her long lashes. "And where is he?"
"Ah, that I can't tell you!" answered Lorimer. "He is perfectly incomprehensible to-day. As soon as he saw the blood flowing from Duprèz's cheek, he tittered a howl as if some one had shot him, and away he rushed into the woods as fast as he could go. We called him, and shouted his name till we were hoarse,—all no use! He wouldn't come back. I suppose he'll find his way home by himself?"
"Ah, I can't tell you that!" Lorimer replied. "He's totally incomprehensible today. The moment he saw the blood running from Duprèz's cheek, he let out a scream like someone had shot him and ran off into the woods as fast as he could. We called for him and shouted his name until we lost our voices—totally useless! He wouldn’t come back. I guess he'll find his way home on his own?"
"Oh, yes," said Thelma gravely. "But when he comes I will scold him very much! It is not like him to be so wild and cruel. He will understand me when I tell him how wrong he has been."
"Oh, yes," Thelma said seriously. "But when he gets here, I'm going to give him a stern talking-to! It's not like him to be so reckless and harsh. He'll see my point when I explain how wrong he's been."
"Oh, don't break his heart, poor little chap!" said Lorimer easily. "Your father has given him a terrible scolding already. He hasn't got his wits about him you know,—he can't help being queer sometimes. But what have you been doing with yourself during our absence?" And he regarded her with friendly scrutiny. "You were crying when I came in. Now, weren't you?"
"Oh, don't hurt his feelings, poor guy!" said Lorimer casually. "Your dad has already given him a huge talking-to. He's not all there right now, you know—he can’t help being a bit odd sometimes. But what have you been up to while we were gone?" He looked at her with a friendly gaze. "You were crying when I walked in. Weren't you?"
She met his gaze quite frankly. "Yes!" she replied, with a plaintive thrill in her voice. "I could not help it! My heart ached and the tears came. Somehow I felt that everything was wrong,—and that it was all my fault—"
She looked him in the eye honestly. "Yes!" she said, her voice filled with emotion. "I couldn't help it! My heart hurt, and the tears flowed. Somehow I felt that everything was wrong—and that it was all my fault—"
"Your fault!" murmured Lorimer, astonished. "My dear Miss Güldmar, what do you mean? What is your fault?"
"Your fault!" whispered Lorimer, shocked. "My dear Miss Güldmar, what do you mean? What is your fault?"
"Everything!" she answered sadly, with a deep sigh. "I am very foolish; and I am sure I often do wrong without meaning it. Mr. Dyceworthy has been here and—" she stopped abruptly, and a wave of color flushed her face.
"Everything!" she replied sadly, letting out a deep sigh. "I’m really foolish; and I know I often mess up without meaning to. Mr. Dyceworthy has been here and—" she suddenly stopped, her face flushing with color.
Lorimer laughed lightly. "Dyceworthy!" he exclaimed. "The mystery is explained! You have been bored by 'the good religious,' as Pierre calls him. You know what boring means now, Miss Güldmar, don't you?" She smiled slightly, and nodded. "The first time you visited the Eulalie, you didn't understand the word, I remember,—ah!" and he shook his head—"if you were in London society, you'd find that expression very convenient,—it would come to your lips pretty frequently, I can tell you!"
Lorimer chuckled lightly. "Dyceworthy!" he said. "The mystery is solved! You’ve been bored by 'the good religious,' as Pierre puts it. You know what boring means now, Miss Güldmar, right?" She smiled a little and nodded. "The first time you visited the Eulalie, you didn’t get the word, I remember—ah!" He shook his head. "If you were in London society, you’d find that expression really handy—it would come to your lips pretty often, believe me!"
"I shall never see London," she said, with a sort of resigned air. "You will all go away very soon, and I—I shall be lonely—"
"I'll never see London," she said, sounding a bit resigned. "You will all leave really soon, and I—I’ll be lonely—"
She bit her lips in quick vexation, as her blue eyes filled again with tears in spite of herself.
She bit her lips in quick frustration, as her blue eyes filled with tears once again despite herself.
Lorimer turned away and pulled a chair to the open window.
Lorimer turned away and moved a chair to the open window.
"Come and sit down here," he said invitingly. "We shall be able to see the others coming down the hill. Nothing like fresh air for blowing away the blues." Then, as she obeyed him, he added, "What has Dyceworthy been saying to you?"
"Come and sit down here," he said invitingly. "We'll be able to see the others coming down the hill. There's nothing like fresh air to clear the mind." Then, as she complied, he added, "What has Dyceworthy been saying to you?"
"He told me I was wicked," she murmured; "and that all the people here think very badly of me. But that was not the worst"—and a little shudder passed over her—"there was something else—something that made me very angry—so angry!"—and here she raised her eyes with a gravely penitent air—"Mr. Lorimer, I do not think I have ever had so bad and fierce a temper before!"
"He told me I was terrible," she whispered; "and that everyone here thinks the worst of me. But that wasn’t the worst part"—and a slight shiver ran through her—"there was something else—something that made me really angry—so angry!"—and here she looked up with a serious, regretful expression—"Mr. Lorimer, I don’t think I’ve ever had such a bad and fierce temper before!"
"Good gracious!" exclaimed Lorimer, with a broad smile. "You alarm me, Miss Güldmar! I had no idea you were a 'bad, fierce' person,—I shall get afraid of you—I shall, really!"
"Wow!" exclaimed Lorimer, grinning widely. "You’re scaring me, Miss Güldmar! I had no clue you were a 'bad, fierce' person—I might actually start being afraid of you—I really might!"
"Ah, you laugh!" and she spoke half-reproachfully. "You will not be serious for one little moment!"
"Ah, you're laughing!" she said, partly scolding. "You can't be serious for even a second!"
"Yes I will! Now look at me," and he assumed a solemn expression, and drew himself up with an air of dignity. "I am all attention! Consider me your father-confessor. Miss Güldmar, and explain the reason of this 'bad, fierce' temper of yours."
"Yes, I will! Now look at me," he said, putting on a serious face and straightening up with a sense of dignity. "I'm all ears! Think of me as your father-confessor, Miss Güldmar, and tell me what's behind this 'bad, fierce' temper of yours."
She peeped at him shyly from under her silken lashes.
She glanced at him shyly from underneath her silky lashes.
"It is more dreadful than you think," she answered in a low tone. "Mr. Dyceworthy asked me to marry him."
"It’s worse than you think," she replied quietly. "Mr. Dyceworthy proposed to me."
Lorimer's keen eyes flashed with indignation. This was beyond a jest,—and he clenched his fist as he exclaimed—
Lorimer's sharp eyes sparkled with anger. This was beyond a joke,—and he clenched his fist as he shouted—
"Impudent donkey! What a jolly good thrashing he deserves! . . . and I shouldn't be surprised if he got it one of these days! And so, Miss Güldmar,"—and he studied her face with some solicitude—"you were very angry with him?"
"Cheeky donkey! He really deserves a good beating! ... and I wouldn't be surprised if he gets one of these days! So, Miss Güldmar,"—and he looked at her face with some concern—"you were really angry with him?"
"Oh yes!" she replied, "but when I told him he was a coward, and that he must go away, he said some very cruel things—" she stopped, and blushed deeply; then, as if seized by some sudden impulse, she laid her small hand on Lorimer's and said in the tone of an appealing child, "you are very good and kind to me, and you are clever,—you know so much more than I do! You must help me,—you will tell me, will you not? . . . if it is wrong of me to like you all,—it is as if we had known each other a long time and I have been very happy with you and your friends. But you must teach me to behave like the girls you have seen in London,—for I could not bear that Sir Philip should think me wicked!"
"Oh yes!" she replied, "but when I told him he was a coward and that he needed to leave, he said some really hurtful things—" she paused and blushed deeply; then, as if seized by a sudden impulse, she placed her small hand on Lorimer's and said in the tone of a pleading child, "You are very good and kind to me, and you're so clever—you know so much more than I do! You have to help me—you'll tell me, right? . . . if it's wrong for me to like all of you—it feels like we've known each other for a long time, and I've been really happy with you and your friends. But you need to teach me how to act like the girls you've seen in London—because I couldn't handle it if Sir Philip thought I was bad!"
"Wicked!" and Lorimer drew a long breath. "Good heavens! If you knew what Phil's ideas about you are, Miss Güldmar—"
"Wicked!" Lorimer exclaimed, taking a deep breath. "Wow! If you knew what Phil thinks about you, Miss Güldmar—"
"I do not wish to know," interrupted Thelma steadily. "You must quite understand me,—I am not clever to hide my thoughts, and—and—, you are glad when you talk sometimes to Sir Philip, are you not?" He nodded, gravely studying every light and shadow on the fair, upturned, innocent face.
"I don’t want to know," Thelma interrupted firmly. "You need to understand me—I’m not good at hiding my thoughts, and—and—you’re happy when you talk to Sir Philip sometimes, right?" He nodded, seriously observing every light and shadow on her fair, upturned, innocent face.
"Yes!" she continued with some eagerness, "I see you are! Well, it is the same with me,—I do love to hear him speak! You know how his voice is like music, and how his kind ways warm the heart,—it is pleasant to be in his company—I am sure you also find it so! But for me,—it seems it is wrong,—it is not wise for me to show when I am happy. I do not care what other people say,—but I would not have him think ill of me for all the world!"
"Yes!" she said eagerly, "I see you are! Well, it's the same for me—I really love listening to him talk! You know how his voice is like music, and how his kind nature warms your heart—it's nice to be around him—I’m sure you feel the same way! But for me, it seems wrong—it’s not smart for me to show when I’m happy. I don’t care what other people think—but I wouldn’t want him to think poorly of me for anything!"
Lorimer took her hand and held it in his with a most tender loyalty and respect. Her naïve, simple words had, all unconsciously to herself, laid bare the secret of her soul to his eyes,—and though his heart beat with a strange sickening sense of unrest that flavored of despair, a gentle reverence filled him, such as a man might feel if some little snow-white shrine, sacred to purity and peace, should be suddenly unveiled before him.
Lorimer took her hand and held it gently, with deep loyalty and respect. Her innocent, straightforward words had, completely unknowingly to her, exposed the secret of her soul to him—and even though his heart thumped with a strange, unsettling feeling tinged with despair, he was filled with a gentle reverence, like a man who suddenly sees a small, pristine shrine dedicated to purity and peace.
"My dear Miss Güldmar," he said earnestly, "I assure you, you have no cause to be uneasy! You must not believe a word Dyceworthy says—every one with a grain of common sense can see what a liar and hypocrite he is! And as for you, you never do anything wrong,—don't imagine such nonsense! I wish there were more women like you!"
"My dear Miss Güldmar," he said sincerely, "I promise you, there's no reason to be worried! Don't believe anything Dyceworthy says—everyone with a bit of common sense can see what a liar and hypocrite he is! And as for you, you never do anything wrong—don't think like that! I wish there were more women like you!"
"Ah, that is very kind of you!" half laughed the girl, still allowing her hand to rest in his. "But I do not think everybody would have such a good opinion." They both started, and their hands fell asunder as a shadow darkened the room, and Sir Philip stood before them.
"Ah, that's really nice of you!" the girl half-laughed, still letting her hand stay in his. "But I don’t think everyone would feel the same way." They both jumped, and their hands dropped apart as a shadow crossed the room, and Sir Philip appeared before them.
"Excuse me!" he said stiffly, lifting his hat with ceremonious politeness. "I ought to have knocked at the door—I—"
"Excuse me!" he said awkwardly, lifting his hat with exaggerated politeness. "I should have knocked at the door—I—"
"Why?" asked Thelma, raising her eyebrows in surprise.
"Why?" Thelma asked, raising her eyebrows in surprise.
"Yes—why indeed?" echoed Lorimer, with a frank look at his friend.
"Yes—why is that?" Lorimer said, looking openly at his friend.
"I am afraid,"—and for once the generally good-humored Errington looked positively petulant—"I am afraid I interrupted a pleasant conversation!" And he gave a little forced laugh of feigned amusement, but evident vexation.
"I’m afraid,"—and for once the usually good-natured Errington looked genuinely annoyed—"I’m afraid I interrupted a nice conversation!" And he let out a small, forced laugh that pretended to be amused, but clearly showed his irritation.
"And if it was pleasant, shall you not make it still more so?" asked Thelma, with timid and bewitching sweetness, though her heart beat very fast,—she was anxious. Why was Sir Philip so cold and distant? He looked at her, and his pent-up passion leaped to his eyes and filled them with a glowing and fiery tenderness,—her head drooped suddenly, and she turned quickly, to avoid that searching, longing gaze. Lorimer glanced from one to the other with, a slight feeling of amusement.
"And if it was enjoyable, shouldn't you make it even better?" Thelma asked, with a shy and enchanting sweetness, even though her heart was racing—she was nervous. Why was Sir Philip so cold and distant? He looked at her, and his suppressed passion flared in his eyes, filling them with a warm and intense longing—her head dropped suddenly, and she turned away quickly to escape that intense, yearning gaze. Lorimer glanced between the two with a hint of amusement.
"Well Phil," he inquired lazily, "how did you get here so soon? You must have glided into the garden like a ghost, for I never heard you coming."
"Well Phil," he asked casually, "how did you get here so fast? You must have slipped into the garden like a ghost, because I didn't hear you at all."
"So I imagine!" retorted Errington, with, an effort to be sarcastic, in which he utterly failed as he met his friend's eyes,—then after a slight and somewhat embarrassed pause he added more mildly! "Duprèz cannot get on very fast,—his wound still bleeds, and he feels rather faint now and then. I don't think we bandaged him up properly, and I came on to see if Britta could prepare something for him."
"So I can see!" replied Errington, trying to sound sarcastic, but he completely missed the mark when he locked eyes with his friend. After a brief and slightly awkward pause, he continued in a softer tone, "Duprèz isn't recovering very quickly; his wound is still bleeding, and he feels faint sometimes. I don't think we bandaged him up right, and I came to see if Britta could make something for him."
"But you will not need to ask Britta," said Thelma quietly, with a pretty air of authority, "for I shall myself do all for Mr. Duprèz. I understand well how to cure his wound, and I do think he will like me as well as Britta." And, hearing footsteps approaching, she looked out at the window. "Here they come!" she exclaimed. "Ah, poor Monsieur Pierre! he does look very pale! I will go and meet them."
"But you won't need to ask Britta," Thelma said softly with a confident flair, "because I will take care of everything for Mr. Duprèz. I know just how to treat his wound, and I think he’ll like me just as much as Britta." Hearing footsteps approaching, she glanced out the window. "Here they come!" she exclaimed. "Oh, poor Monsieur Pierre! He looks really pale! I'm going to go meet them."
And she hurried from the room, leaving the two young men together. Errington threw himself into Olaf Güldmar's great arm-chair, with a slight sigh.
And she rushed out of the room, leaving the two young men alone. Errington flopped down into Olaf Güldmar's large armchair with a slight sigh.
"Well?" said Lorimer inquiringly.
"Well?" Lorimer asked.
"Well!" he returned somewhat gruffly.
"Well!" he replied somewhat gruffly.
Lorimer laughed, and crossing the room, approached him and clapped a hand on his shoulder.
Lorimer laughed, walked across the room, and put a hand on his shoulder.
"Look here, old man!" he said earnestly, "don't be a fool! I know that 'love maketh men mad,' but I never supposed the lunacy would lead you to the undesirable point of distrusting your friend,—your true friend, Phil,—by all the Gods of the past and present!"
"Listen up, old man!" he said seriously, "don't be an idiot! I know that 'love drives people crazy,' but I never thought that this madness would make you distrust your friend — your true friend, Phil — by all the gods of the past and present!"
And he laughed again,—a little huskily this time, for there was a sudden unaccountable and unwished-for lump in his throat, and a moisture in his eyes which he had not bargained for. Philip looked up,—and silently held out his hand, which Lorimer as silently clasped. There was a moment's hesitation, and then the young baronet spoke out manfully.
And he laughed again—a bit hoarsely this time, because he felt a sudden, unexpected lump in his throat and moisture in his eyes that he hadn’t anticipated. Philip looked up—and silently extended his hand, which Lorimer silently took. There was a brief pause, and then the young baronet spoke up boldly.
"I'm ashamed of myself, George! I really am! But I tell you, when I came in and saw you two standing there,—you've no idea what a picture you made! . . . by Jove! . . . I was furious!" And he smiled. "I suppose I was jealous!"
"I'm so ashamed of myself, George! I really am! But honestly, when I walked in and saw you two standing there—you have no idea how perfect you looked! … I was so mad!" And he smiled. "I guess I was jealous!"
"I suppose you were!" returned Lorimer amusedly.
"I suppose you were!" Lorimer replied with a chuckle.
"Novel sensation, isn't it? A sort of hot, prickly, 'have-at-thee-villain' sort of thing; must be frightfully exhausting! But why you should indulge this emotion at my expense is what I cannot, for the life of me, understand!"
"Novel experience, right? A kind of intense, prickly, 'bring it on, villain' vibe; it must be incredibly tiring! But why you should enjoy this feeling at my expense is something I just can't understand!"
"Well," murmured Errington, rather abashed, "you see, her hands were in yours—"
"Well," murmured Errington, a bit embarrassed, "you see, her hands were in yours—"
"As they will be again, and yet again, I trust!" said Lorimer with cheery fervor. "Surely you'll allow me to shake hands with your wife?"
"As they will be again and again, I hope!" Lorimer said enthusiastically. "Surely you'll let me shake hands with your wife?"
"I say, George, be quiet!" exclaimed Philip warningly, as at that moment Thelma passed the window with Pierre Duprèz leaning on her arm, and her father and Macfarlane following.
"I tell you, George, be quiet!" Philip said warningly, just as Thelma walked by the window with Pierre Duprèz leaning on her arm, followed by her father and Macfarlane.
She entered the room with the stately step of a young queen,—her tall, beautiful figure forming a strong contrast to that of the narrow-shouldered little Frenchman, upon whom she smiled down with an air of almost maternal protection.
She walked into the room with the elegant stride of a young queen—her tall, stunning figure creating a striking contrast to that of the narrow-shouldered little Frenchman, whom she smiled at with a nearly maternal sense of protection.
"You will sit here, Monsieur Duprèz," she said, leading him to the bonde's arm-chair which Errington instantly vacated, "and father will bring you a good glass of wine. And the pain will be nothing when I have attended to that cruel wound. But I am so sorry,—so very sorry, to see you suffer!"
"You can sit here, Monsieur Duprèz," she said, guiding him to the bonde's armchair that Errington immediately left, "and my father will get you a nice glass of wine. The pain won’t matter once I take care of that awful wound. But I feel so bad—so very bad, to see you in pain!"
Pierre did indeed present rather a dismal spectacle. There was a severe cut on his forehead as well as his cheek; his face was pale and streaked with blood, while the hastily-improvised bandages which were tied under his chin, by no means improved his personal appearance. His head ached with the pain, and his eyes smarted with the strong sunlight to which he had been exposed all the day, but his natural gaiety was undiminished, and he laughed as he answered—
Pierre looked pretty rough. He had a deep cut on his forehead and another on his cheek; his face was pale and stained with blood, and the makeshift bandages tied under his chin didn’t help his look at all. His head throbbed with pain, and his eyes burned from the bright sunlight he had been in all day, but his natural cheerfulness was still intact, and he laughed as he replied—
"Chère Mademoiselle, you are too good to me! It is a piece of good fortune that Sigurd threw that stone—yes! since it brings me your pity! But do not trouble; a little cold water and a fresh handkerchief is all I need."
"Dear Miss, you are too kind to me! It's lucky that Sigurd threw that stone—yes! because it brings me your sympathy! But don't worry; a bit of cold water and a clean handkerchief is all I need."
But Thelma was already practicing her own simple surgery for his benefit. With deft, soft fingers she laid bare the throbbing wound,—washed and dressed it carefully and skillfully,—and used with all such exceeding gentleness, that Duprèz closed his eyes in a sort of rapture during the operation, and wished it could last longer. Then taking the glass of wine her father brought in obedience to her order, she said in a tone of mild authority—
But Thelma was already performing her own simple surgery for his benefit. With gentle, skillful fingers, she exposed the throbbing wound—washed it, carefully dressed it, and handled it with such tenderness that Duprèz closed his eyes in a kind of bliss during the procedure, wishing it could go on longer. Then, taking the glass of wine her father brought in response to her request, she said in a tone of calm authority—
"Now, you will drink this Monsieur Pierre, and you will rest quite still till it is time to go back to the yacht; and to-morrow you will not feel any pain, I am sure. And I do think it will not be an ugly scar for long."
"Now, you’re going to drink this, Mr. Pierre, and you’ll stay completely still until it’s time to head back to the yacht; and tomorrow you won’t feel any pain, I’m sure. I also believe it won’t leave a bad scar for long."
"If it is," answered Pierre, "I shall say I received it in a duel! Then I shall be great—glorious! and all the pretty ladies will love me!"
"If it is," replied Pierre, "I'll say I got it in a duel! Then I'll be great—glorious! and all the beautiful ladies will adore me!"
She laughed,—but looked grave a moment afterwards.
She laughed, but then looked serious a moment later.
"You must never say what is not true," she said. "It is wrong to deceive any one,—even in a small matter."
"You should never say something that isn’t true," she said. "It's wrong to deceive anyone, even about something minor."
Duprèz gazed up at her wonderingly, feeling very much like a chidden child.
Duprèz looked up at her in awe, feeling very much like a scolded child.
"Never say what is not true!" he thought. "Mon Dieu! what would become of my life?"
"Never say something that's not true!" he thought. "Oh my God! What would happen to my life?"
It was a new suggestion, and he reflected upon it with astonishment. It opened such a wide vista of impossibilities to his mind.
It was a new suggestion, and he thought about it in amazement. It opened up so many possibilities in his mind.
Meanwhile old Güldmar was engaged in pouring out wine for the other young men, talking all the time.
Meanwhile, old Güldmar was busy pouring wine for the other young men, chatting the whole time.
"I tell thee, Thelma mine," he said seriously, "something must be very wrong with our Sigurd. The poor lad has always been gentle and tractable, but to-day he was like some wild animal for mischief and hardihood. I grieve to see it! I fear the time may come when he may no longer be a safe servant for thee, child!"
"I tell you, my Thelma," he said seriously, "something must be really wrong with our Sigurd. The poor kid has always been gentle and easygoing, but today he was like some wild animal, full of mischief and bravado. It makes me sad to see it! I'm afraid the time may come when he won't be a safe servant for you, dear!"
"Oh, father!"—and the girl's voice was full of tender anxiety—"surely not! He is too fond of us to do us any harm—he is so docile and affectionate!"
"Oh, Dad!"—the girl's voice was filled with tender worry—"he wouldn't! He cares about us too much to hurt us—he's so gentle and loving!"
"Maybe, maybe!" and the old farmer shook his head doubtfully. "But when the wits are away the brain is like a ship without ballast—there is no safe sailing possible. He would not mean any harm, perhaps,—and yet in his wild moods he might do it, and be sorry for it directly afterwards. 'Tis little use to cry when the mischief is done,—and I confess I do not like his present humor."
"Maybe, maybe!" the old farmer shook his head in doubt. "But when common sense is gone, the mind is like a ship without ballast—there’s no safe sailing ahead. He probably doesn’t intend to cause any trouble, but in his wild moments, he might do something and regret it right after. It’s not much use to cry after the damage is done, and I admit I don’t like his current vibe."
"By-the-by," observed Lorimer, "that reminds me! Sigurd has taken an uncommonly strong aversion to Phil. It's curious but it's a fact. Perhaps it is that which upsets his nerves?"
"By the way," Lorimer noted, "that reminds me! Sigurd has developed a really strong dislike for Phil. It's strange, but it's true. Maybe that's what's upsetting his nerves?"
"I have noticed it myself," said Errington, "and I'm sorry for it, for I've done him no harm that I can remember. He certainly asked me to go away from the Altenfjord, and I refused,—I'd no idea he had any serious meaning in his request. But it's evident he can't endure my company."
"I've noticed it too," Errington said, "and I feel bad about it because I don't remember doing him any harm. He definitely asked me to leave the Altenfjord, and I turned him down—had no idea he wanted me to take it seriously. But it's clear he can't stand being around me."
"Ah, then!" said Thelma simply and sorrowfully, "he must be very ill,—because it is natural for every one to like you."
"Ah, then!" said Thelma softly and sadly, "he must be really sick—because it's only natural for everyone to like you."
She spoke in perfect good faith and innocence of heart; but Errington's eyes flashed and he smiled—one of those rare, tender smiles of his which brightened his whole visage.
She spoke with complete sincerity and a pure heart; but Errington's eyes sparkled and he smiled—one of those rare, gentle smiles of his that lit up his entire face.
"You are very kind to say so, Miss Güldmar!"
"You're really sweet to say that, Miss Güldmar!"
"It is not kindness; it is the truth!" she replied frankly.
"It’s not kindness; it’s the truth!" she answered honestly.
At that moment a very rosy face and two sparkling eyes peered in at the door.
At that moment, a very rosy face and two sparkling eyes looked in through the door.
"Yes, Britta!" Thelma smiled; "we are quite ready!"
"Yes, Britta!" Thelma smiled; "we're all set!"
Whereupon the face disappeared, and Olaf Güldmar led the way into the kitchen, which was at the same time the dining-room, and where a substantial supper was spread on the polished pine table.
Whereupon the face vanished, and Olaf Güldmar guided everyone into the kitchen, which also served as the dining room, where a hearty supper was laid out on the shiny pine table.
The farmer's great arm-chair was brought in for Duprèz, who, though he declared he was being spoilt by too much attention, seemed to enjoy it immensely,—and they were all, including Britta, soon clustered round the hospitable board whereon antique silver and quaint glasses of foreign make sparkled bravely, their effect enhanced by the snowy whiteness of the homespun table-linen.
The farmer's big armchair was brought in for Duprèz, who, even though he said he was being spoiled by too much attention, clearly enjoyed it a lot. Soon, everyone, including Britta, gathered around the welcoming table where antique silver and unique glasses from abroad sparkled brightly, their beauty enhanced by the crisp whiteness of the homemade tablecloth.
A few minutes set them all talking gaily. Macfarlane vied with the ever-gallant Duprèz in making a few compliments to Britta, who was pretty and engaging enough to merit attention, and who, after all, was something more than a mere servant, possessing, as she did, a great deal of her young mistress's affection and confidence, and being always treated by Güldmar himself as one of the family. There was no reserve or coldness in the party, and the hum of their merry voices echoed up to the cross-rafters of the stout wooden ceiling and through the open door and window, from whence a patch of the gorgeous afternoon sky could be seen, glimmering redly, like a distant lake of fire. They were in the full enjoyment of their repast, and the old farmer's rollicking "Ha, ha, ha!" in response to a joke of Lorimer's, had just echoed jovially through the room, when a strong, harsh voice called aloud—"Olaf Güldmar!"
A few minutes had everyone chatting happily. Macfarlane was trying to outdo the ever-charming Duprèz with compliments to Britta, who was pretty and charming enough to deserve the attention. Plus, she was more than just a servant; she had a lot of her young mistress's affection and trust and was always treated by Güldmar as part of the family. There was no awkwardness or coldness among them, and the sound of their cheerful voices echoed up to the sturdy wooden ceiling and through the open door and window, where a glimpse of the stunning afternoon sky could be seen, glowing red like a distant lake of fire. They were fully enjoying their meal, and the old farmer's boisterous "Ha, ha, ha!" in response to one of Lorimer's jokes had just joyfully resonated through the room when a strong, harsh voice called out—"Olaf Güldmar!"
There was a sudden silence. Each one looked at the other in surprise. Again the voice called—"Olaf Güldmar!"
There was a sudden silence. Each person looked at the other in surprise. Again the voice called—"Olaf Güldmar!"
"Well!" roared the bonde testily, turning sharply round in his chair, "who calls me?"
"Well!" shouted the bonde irritably, spinning around in his chair, "who's calling me?"
"I do!" and the tall, emaciated figure of a woman advanced and stood on the threshold, without actually entering the room. She dropped the black shawl that enveloped her, and, in so doing, disordered her hair, which fell in white, straggling locks about her withered features, and her dark eyes gleamed maliciously as she fixed them on the assembled party. Britta, on perceiving her, uttered a faint shriek, and without considering the propriety of her action, buried her nut-brown curls and sparkling eyes in Duprèz's coat-sleeve, which, to do the Frenchman justice, was exceedingly prompt to receive and shelter its fair burden. The bonde rose from his chair, and his face grew stern.
"I do!" said the tall, thin woman as she stepped forward and stood at the doorway without actually entering the room. She let her black shawl fall, and in doing so, her hair became disheveled, cascading in white, messy strands around her gaunt face. Her dark eyes gleamed with malice as she fixated on the group. Britta gasped faintly and, without thinking about whether it was proper, buried her chestnut curls and sparkling eyes in Duprèz's coat sleeve, which, to give the Frenchman credit, was quick to receive and shelter her delicate form. The bonde stood up from his chair, his expression turning serious.
"What do you here, Lovisa Elsland? Have you walked thus far from Talvig to pay a visit that must needs be unwelcome?"
"What are you doing here, Lovisa Elsland? Did you walk all the way from Talvig to make a visit that’s clearly unwelcome?"
"Unwelcome I know I am," replied Lovisa, disdainfully noting the terror of Britta and the astonished glances if Errington and his friends—"unwelcome at all times,—but most unwelcome at the hour of feasting and folly,—for who can endure to receive a message from the Lord when the mouth is full of savory morsels, and the brain reels with the wicked wine? Yet I have come in spite of your iniquities. Olaf Güldmar,—strong in the strength of the Lord, I dare to set foot upon your accursèd threshold, and once more make my just demand. Give me back the child of my dead daughter! . . . restore to me the erring creature who should be the prop of my defenceless age, had not your pagan spells alienated her from me,—release her,—and bid her return with me to my desolate hearth and home. This done,—I will stay the tempest that threatens your habitation—I will hold back the dark cloud of destruction—I will avert the wrath of the Lord,—yes! for the sake of the past—for the sake of the past!"
"Unwelcome, I know I am," Lovisa replied, dismissively observing Britta's terror and the astonished looks from Errington and his friends—"unwelcome at all times, but most unwelcome during a time of feasting and fun—who can stand to hear a message from the Lord when their mouth is stuffed with delicious food, and their mind is clouded by strong drink? Yet I have come despite your wrongdoings. Olaf Güldmar—empowered by the strength of the Lord, I boldly step onto your cursed doorstep and make my rightful demand once again. Give me back the child of my late daughter!... restore to me the misguided creature who should be the support of my vulnerable old age, had not your pagan spells driven her away from me—release her—and tell her to return with me to my lonely hearth and home. Once this is done, I will calm the storm that threatens your dwelling—I will hold back the dark cloud of destruction—I will avert the Lord's wrath—yes! for the sake of the past—for the sake of the past!"
These last words she muttered in a low tone, more to herself than to Güldmar; and, having spoken, she averted her eyes from the company, drew her shawl closely about her, and waited for an answer.
These last words she whispered softly, more to herself than to Güldmar; and after speaking, she turned her gaze away from the group, wrapped her shawl tightly around her, and waited for a response.
"By all the gods of my fathers!" shouted the bonde in a towering passion. "This passes my utmost endurance! Have I not told thee again and again, thou silly soul! . . . that thy grandchild is no slave? She is free—free to return to thee an' she will; free also to stay with us, where she has found a happier home than thy miserable hut at Talvig, Britta!" and he thumped his fist on the table. "Look up, child! Speak for thyself! Thou hast a spirit of thine own. Here is thy one earthly relation. Wilt go with her? Neither thy mistress nor I will stand in the way of thy pleasure."
"By all the gods of my ancestors!" yelled the bonde in a furious rage. "This is more than I can bear! Haven't I told you over and over, you foolish person! ... that your grandchild is not a slave? She is free—free to come back to you if she wants; free also to stay with us, where she has found a happier home than your miserable hut at Talvig, Britta!" He slammed his fist on the table. "Look up, child! Speak for yourself! You have your own spirit. Here is your only living relative. Will you go with her? Neither your mistress nor I will interfere with your choice."
Thus adjured Britta looked up so suddenly that Duprèz,—who had rather enjoyed the feel of her little nestling head hidden upon his arm,—was quite startled, and he was still more so at the utter defiance that flashed into the small maiden's round, rosy face.
Thus urged, Britta looked up so suddenly that Duprèz,—who had rather enjoyed the feel of her little nestling head resting on his arm,—was quite startled, and he was even more taken aback by the complete defiance that flashed across the small maiden's round, rosy face.
"Go with you!" she cried shrilly, addressing the old woman, who remained standing in the same attitude, with an air of perfect composure. "Do you think I have forgotten how you treated my mother, or how you used to beat me and starve me? You wicked old woman! How dare you come here? I'm ashamed of you! You frightened my mother to death—you know you did! . . . and now you want to do the same to me! But you won't—I can tell you! I'm old enough to do as I like, and I'd rather die than live with you!"
"Go away with you!" she shouted sharply at the old woman, who stood there unmoving, completely composed. "Do you think I’ve forgotten how you treated my mom, or how you used to hit me and starve me? You awful old woman! How dare you come here? I’m embarrassed for you! You scared my mom to death—you know you did! . . . and now you want to do the same to me! But you won't—I promise you! I'm old enough to make my own choices, and I’d rather die than live with you!"
Then, overcome by excitement and temper, she burst out crying, heedless of Pierre Duprèz's smiling nods of approval, and the admiring remarks he was making under his breath, such as—"Brava, ma petite! C'est bien fait! c'est joliment bien dit! Mais je crois bien!"
Then, overwhelmed by excitement and anger, she started crying, ignoring Pierre Duprèz's smiling nods of approval and the compliments he was muttering to himself, like—"Brava, ma petite! C'est bien fait! c'est joliment bien dit! Mais je crois bien!"
Lovisa seemed unmoved; she raised her head and looked, at Güldmar.
Lovisa seemed unaffected; she lifted her head and looked at Güldmar.
"Is this your answer?" she demanded.
"Is this your answer?" she asked.
"By the sword of Odin!" cried the bonde, "the woman must be mad! my answer? The girl has spoken for herself,—and plainly enough too! Art thou deaf, Lovisa Elsland? or are thy wits astray?"
"By Odin's sword!" shouted the bonde, "that woman must be crazy! My response? The girl has made her point clearly! Are you deaf, Lovisa Elsland? Or have you lost your mind?"
"My hearing is very good," replied Lovisa calmly, "and my mind, Olaf Güldmar, is as clear as yours. And, thanks to your teaching in mine early days,"—she paused and looked keenly at him, but he appeared to see no meaning in her allusion,—"I know the English tongue, of which we hear far too much,—too often! There is nothing Britta has said that I do not understand. But I know well it is not the girl herself that speaks—it is a demon in her,—and that demon shall be cast forth before I die! Yea, with the help of the Lord I shall—" She stopped abruptly and fixed her eyes, glowing with fierce wrath, on Thelma. The girl met her evil glance with a gentle surprise. Lovisa smiled malignantly.
"My hearing is really good," Lovisa replied calmly, "and my mind, Olaf Güldmar, is as clear as yours. And thanks to your teaching in my early days,"—she paused and looked sharply at him, but he seemed to miss the meaning behind her words,—"I understand English, which we hear way too much of—too often! There's nothing Britta has said that I don't get. But I know it's not really the girl talking—it's a demon inside her—and that demon will be cast out before I die! Yes, with the Lord's help, I will—" She stopped abruptly and fixed her eyes, blazing with intense anger, on Thelma. The girl met her intimidating gaze with gentle surprise. Lovisa smiled maliciously.
"You know me, I think!" said Lovisa. "You have seen me before?"
"You know me, right?" said Lovisa. "Have you seen me before?"
"Often," answered Thelma mildly. "I have always been sorry for you."
"Often," Thelma replied gently. "I've always felt sorry for you."
"Sorry for me!" almost yelled the old woman. "Why—why are you sorry for me?"
"Sorry for me!" nearly shouted the old woman. "Why—why are you sorry for me?"
"Do not answer her, child!" interrupted Güldmar angrily. "She is mad as the winds of a wild winter, and will but vex thee."
"Don't answer her, kid!" Güldmar interrupted angrily. "She's as crazy as the winds of a wild winter, and she’ll just annoy you."
But Thelma laid her hand soothingly on her father's, and smiled peacefully as she turned her fair face again towards Lovisa.
But Thelma gently placed her hand on her father's, smiling softly as she turned her fair face back towards Lovisa.
"Why?" she said. "Because you seem so very lonely and sad—and that must make you cross with every one who is happy! And it is a pity, I think, that you do not let Britta alone—you only quarrel with each other when you meet. And would you not like her to think kindly of you when you are dead?"
"Why?" she asked. "Because you seem really lonely and sad—and that must make you upset with everyone who's happy! And I think it's a shame that you don't just leave Britta alone—you both just end up arguing when you see each other. And wouldn’t you want her to remember you fondly when you’re gone?"
Lovisa seemed choking with anger,—her face worked into such hideous grimaces, that all present, save Thelma, were dismayed at her repulsive aspect.
Lovisa looked like she was about to explode with anger—her face twisted into such ugly expressions that everyone there, except for Thelma, was shocked by her disturbing appearance.
"When I am dead!" she muttered hoarsely. "So you count upon that already, do you? Ah! . . . but do you know which of us shall die first!" Then raising her voice with an effort she exclaimed—
"When I'm dead!" she said hoarsely. "So you’re already counting on that, huh? Ah! ... But do you know which of us will die first?" Then, with some effort, she raised her voice and exclaimed—
"Stand forth, Thelma Güldmar! Let me see you closely—face to face!"
"Step forward, Thelma Güldmar! I want to see you up close—face to face!"
Errington said something in a low tone, and the bonde would have again interfered, but Thelma shook her head, smiled and rose from her seat at table.
Errington said something quietly, and the bonde would have intervened again, but Thelma shook her head, smiled, and stood up from her seat at the table.
"Anything to soothe her, poor soul!" she whispered, as she left Errington's side and advanced towards Lovisa till she was within reach of the old woman's hand. She looked like some grand white angel, who had stepped down from a cathedral altar, as she stood erect and stately with a gravely pitying expression in her lovely eyes, confronting the sable-draped, withered, leering hag, who fixed upon her a steady look of the most cruel and pitiless hatred.
"Anything to comfort her, poor thing!" she whispered, as she left Errington's side and walked over to Lovisa until she was close enough to grab the old woman's hand. She looked like a magnificent white angel who had come down from a cathedral altar, standing tall and dignified with a seriously pitying look in her beautiful eyes, facing the dark-cloaked, withered, sneering witch, who stared at her with a gaze full of the most cruel and merciless hatred.
"Daughter of Satan!" said Lovisa then, in intense piercing tones that somehow carried with them a sense of awe and horror. "Creature, in whose veins the fire of hell burns without ceasing,—my curse upon you! My curse upon the beauty of your body—may it grow loathsome in the sight of all men! May those who embrace you, embrace misfortune and ruin!—may love betray you and forsake you! May your heart be broken even as mine has been!—may your bridal bed be left deserted!—may your children wither and pine from their hour of birth! Sorrow track you to the grave!—may your death be lingering and horrible! God be my witness and fulfill my words!"
"Daughter of Satan!" Lovisa shouted, her voice intense and piercing, filled with a mix of awe and horror. "You, who have hell's fire running through your veins—my curse on you! My curse on the beauty of your body—may it become loathsome in everyone's eyes! May those who embrace you find only misfortune and ruin! May love betray and abandon you! May your heart break just like mine has!—may your wedding bed remain empty!—may your children wither away from the moment they’re born! May sorrow follow you to the grave!—may your death be long and terrible! God be my witness and make my words come true!"
And, raising her arms with wild gesture, she turned and left the house. The spell of stupefied silence was broken with her disappearance. Old Güldmar prepared to rush after her and force her to retract her evil speech,—Errington was furious, and Britta cried bitterly. The lazy Lorimer was excited and annoyed.
And, throwing her arms up dramatically, she turned and left the house. The stunned silence shattered with her exit. Old Güldmar got ready to chase after her and make her take back her harmful words—Errington was enraged, and Britta was crying hard. The laid-back Lorimer was both excited and irritated.
"Fetch her back," he said, "and I'll dance upon her!"
"Bring her back," he said, "and I'll dance on her!"
But Thelma stood where the old woman had left her—she smiled faintly, but she was very pale. Errington approached her,—she turned to him and stretched out her hands with a little appealing gesture.
But Thelma stood where the old woman had left her—she smiled weakly, but she looked very pale. Errington came closer to her; she turned to him and reached out her hands with a small, pleading gesture.
"My friend," she said softly, "do you think I deserve so many curses? Is there something about me that is evil?"
"My friend," she said gently, "do you think I deserve all these curses? Is there something about me that’s wrong?"
What Errington would have answered is doubtful,—his heart beat wildly—he longed to draw those little hands in his own, and cover them with passionate kisses,—but he was intercepted by old Güldmar, who caught his daughter in his arms and hugged her closely, his silvery beard mingling with the gold of her rippling hair.
What Errington would have said is uncertain—his heart raced wildly—he wanted to take those small hands in his own and shower them with passionate kisses—but he was interrupted by old Güldmar, who picked up his daughter and held her tightly, his silvery beard mixing with the gold of her flowing hair.
"Never fear a wicked tongue, my bird!" said the old man fondly. "There is naught of harm that would touch thee either on earth or in heaven,—and a foul-mouthed curse must roll off thy soul like water from a dove's wing! Cheer thee, my darling—cheer thee! What! Thine own creed teaches thee that the gentle Mother of Christ, with her little white angels round her, watches over all innocent maids,—and thinkest thou she will let an old woman's malice and envy blight thy young days? No, no! Thou accursed?" And the bonde laughed loudly to hide the tears that moistened his keen eyes. "Thou art the sweetest blessing of my heart, even as thy mother was before thee! Come, come! Raise thy pretty head—here are these merry lads growing long-faced,—and Britta is weeping enough salt water to fill a bucket! One of thy smiles will set us all right again,—ay, there now!"—as she looked up and, meeting Philip's eloquent eyes, blushed, and withdrew herself gently from her father's arms,—"Let us finish our supper and think no more of yonder villainous old hag—she is crazy, I believe, and knows not what she says half her time. Now, Britta, cease thy grunting and sighing—'twill spoil thy face and will not mend the hole in thy grandmother's brain!"
"Don't worry about a wicked tongue, my dear!" the old man said affectionately. "Nothing harmful will touch you, either on earth or in heaven, and a nasty curse will just slide off your soul like water off a dove's wing! Cheer up, my darling—cheer up! What? Your own faith teaches you that the gentle Mother of Christ, with her little white angels around her, watches over all innocent girls—do you think she would let an old woman's spite and jealousy ruin your youth? No, no! You cursed?" And the farmer laughed loudly to hide the tears in his sharp eyes. "You are the sweetest blessing of my heart, just like your mother was before you! Come on! Lift your lovely head—those merry lads are getting long-faced, and Britta is crying enough to fill a bucket! One of your smiles will set us all right again—ah, there now!"—as she looked up and, meeting Philip's expressive eyes, blushed and gently pulled away from her father's arms—"Let’s finish our supper and not think about that villainous old hag anymore—she's crazy, I believe, and doesn’t know half the time what she’s saying. Now, Britta, stop your grumbling and sighing—it'll ruin your face and won't fix the hole in your grandmother's head!"
"Wicked, spiteful, ugly old thing!" sobbed Britta; "I'll never, never, never forgive her!" Then, running to Thelma, she caught her hand and kissed it affectionately. "Oh, my dear, my dear! To think she should have cursed you, what dreadful, dreadful wickedness! Oh!" and Britta looked volumes of wrath. "I could have beaten her black and blue!"
"Wicked, spiteful, ugly old thing!" Britta cried, tears streaming down her face. "I’ll never, never, never forgive her!" Then, rushing over to Thelma, she took her hand and kissed it warmly. "Oh, my dear, my dear! Can you believe she cursed you? What terrible, terrible evil! Oh!" Britta's face showed her intense anger. "I could have beaten her to a pulp!"
Her vicious eagerness was almost comic—every one laughed, including Thelma, though she pressed the hand of her little servant very warmly.
Her ruthless enthusiasm was almost funny—everyone laughed, including Thelma, although she held her little servant's hand very affectionately.
"Oh fie!" said Lorimer seriously. "Little girls mustn't whip their grandmothers; it's specially forbidden in the Prayer-book, isn't it, Phil?"
"Oh come on!" said Lorimer seriously. "Little girls shouldn't hit their grandmothers; it's specifically forbidden in the Prayer-book, right, Phil?"
"I'm sure I don't know!" replied Errington merrily. "I believe there is something to the effect that a man may not marry his grandmother—perhaps that is what you mean?"
"I'm not sure!" Errington replied cheerfully. "I think there's something that says a man can't marry his grandmother—maybe that's what you're referring to?"
"Ah, no doubt!" murmured Lorimer languidly, as, with the others, he resumed his seat at the supper-table. "I knew there was a special mandate respecting one's particularly venerable relations, with a view to self-guidance in case they should prove troublesome, like Britta's good grand-mamma. What a frightfully picturesque mouthing old lady she is!"
"Ah, no doubt!" Lorimer said lazily as he took his seat at the dinner table with the others. "I knew there was a special rule about dealing with your particularly elderly relatives, to help you manage if they become a hassle, like Britta's sweet grandma. What a wonderfully dramatic old woman she is!"
"She is la petroleuse of Norway!" exclaimed Duprèz. "She would make an admirable dancer in the Carmagnole!"
"She is la petroleuse of Norway!" shouted Duprèz. "She would be an amazing dancer in the Carmagnole!"
Macfarlane, who had preserved a discreet silence throughout the whole scene, here looked up.
Macfarlane, who had kept quiet during the entire scene, looked up now.
"She's just a screech-owl o' mistaken piety," he said. "She minds me o' a glowerin' auld warlock of an aunt o' mine in Glasgie, wha sits in her chair a' day wi' ae finger on the Bible. She says she's gaun straight to heaven by special invitation o' the Lord, leavin' a' her blood relations howlin' vainly after her from their roastin' fires down below. Ma certes! she'll give ye a good rousin' curse if ye like! She's cursed me ever since I can remember her,—cursed me in and out from sunrise to sunset,—but I'm no the worse for't as yet,—an' it's dootful whether she's any the better."
"She's just a loud, self-righteous hypocrite," he said. "She reminds me of a grumpy old aunt of mine in Glasgow, who sits in her chair all day with one finger on the Bible. She claims she's headed straight to heaven by special invitation from the Lord, leaving all her relatives howling after her from their roasting fires down below. Goodness! She'll give you a strong curse if you want one! She's been cursing me as long as I can remember—cursing me in and out from sunrise to sunset—but I haven't been any worse for it yet, and it's doubtful whether she's any better off."
"And yet Lovisa Elsland used to be as merry and lissom a lass as ever stepped," said Güldmar musingly. "I remember her well when both she and I were young. I was always on the sea at that time,—never happy unless the waves tossed me and my vessel from one shore to another. I suppose the restless spirit of my fathers was in me. I was never contented unless I saw some new coast every six months or so. Well! . . . Lovisa was always foremost among the girls of the village who watched me leave the Fjord,—and however long or short a time I might be absent, she was certain to be on the shore when my ship came sailing home again. Many a joke I have cracked with her and her companions—and she was a bonnie enough creature to look at then, I tell you,—though now she is like a battered figure-head on a wreck. Her marriage, spoiled her temper,—her husband was as dark and sour a man as could be met with in all Norway, and when he and his fishing-boat sank in a squall off the Lofoden Islands, I doubt if she shed many tears for his loss. Her only daughter's husband went down in the same storm,—and he but three months wedded,—and the girl,—Britta's mother,—pined and pined, and even when her child was born took no sort of comfort in it. She died four years after Britta's birth—her death was hastened, so I have heard, through old Lovisa's harsh treatment,—anyhow the little lass she left behind her had no very easy time of it all alone with her grandmother,—eh Britta?"
"And yet Lovisa Elsland used to be as cheerful and lively a girl as ever walked by," Güldmar said thoughtfully. "I remember her well from when we were both young. Back then, I was always out at sea—never happy unless the waves were tossing me and my boat from one shore to another. I guess the restless spirit of my ancestors was in me. I was never satisfied unless I saw some new coast every six months or so. Well!... Lovisa was always at the front among the village girls who watched me leave the Fjord—and no matter how long I was gone, she was sure to be on the shore when my ship returned home. I cracked plenty of jokes with her and her friends—and she was quite a pretty sight back then, I tell you—though now she looks like a worn-out figurehead on a shipwreck. Her marriage changed her attitude—her husband was as dark and unpleasant a guy as you could find in all of Norway, and when he and his fishing boat sank in a storm off the Lofoten Islands, I doubt she shed many tears for him. Her only daughter's husband went down in the same storm—and he had only been married for three months—and the girl—Britta's mother—grieved and grieved, and even when her child was born, she found no comfort in it. She died four years after Britta was born—her death was hastened, so I’ve heard, by old Lovisa's harsh treatment—anyway, the little girl she left behind certainly didn’t have it easy living with her grandmother—right, Britta?"
Britta looked up and shook her head emphatically.
Britta looked up and shook her head vigorously.
"Then," went on Güldmar, "when my girl came back the last time from France, Britta chanced to see her, and, strangely enough,"—here he winked shrewdly—"took a fancy to her face,—odd, wasn't it? However, nothing would suit her but that she must be Thelma's handmaiden, and here she is. Now you know her history,—she would be happy enough if her grandmother would let her alone; but the silly old woman thinks the girl is under a spell, and that Thelma is the witch that works it;"—and the old farmer laughed. "There's a grain of truth in the notion too, but not in the way she has of looking at it."
"Then," continued Güldmar, "when my girl returned the last time from France, Britta happened to see her and, oddly enough,"—he winked knowingly—"took a liking to her face,—strange, right? But nothing would satisfy her except that she had to be Thelma's handmaiden, and here she is. Now you know her story,—she would be perfectly happy if her grandmother would just leave her alone; but the silly old woman believes the girl is under some sort of spell, and that Thelma is the witch casting it;"—and the old farmer chuckled. "There's a bit of truth to that idea too, but not in the way she thinks."
"All women are witches!" said Duprèz. "Britta is a little witch herself!"
"All women are witches!" Duprèz declared. "Britta is a little witch too!"
Britta's rosy cheeks grew rosier at this, and she tossed her chestnut curls with an air of saucy defiance that delighted the Frenchman. He forgot his wounded cheek and his disfiguring bandages in the contemplation of the little plump figure, cased in its close-fitting scarlet bodice, and the tempting rosy lips that were in such close proximity to his touch.
Britta's flushed cheeks got even redder at this, and she tossed her chestnut curls with a cheeky defiance that thrilled the Frenchman. He forgot all about his injured cheek and the bandages covering it as he focused on the petite figure clad in her snug scarlet bodice, and the enticing rosy lips that were so close to his touch.
"If it were not for those red hands!" he thought. "Dieu! what a charming child she would be! One would instantly kill the grandmother and kiss the granddaughter!"
"If it weren't for those red hands!" he thought. "Wow! What a lovely girl she would be! You'd just want to get rid of the grandmother and kiss the granddaughter!"
And he watched her with admiration as she busied herself about the supper-table, attending to every one with diligence and care, but reserving her special services for Thelma, whom she waited on with a mingled tenderness, and reverence, that were both touching and pretty to see.
And he watched her with admiration as she worked around the dinner table, taking care of everyone with attention and care, but giving her special focus to Thelma, whom she served with a blend of tenderness and respect that was both moving and lovely to see.
The conversation now became general, and nothing further occurred to disturb the harmony and hilarity of the party—only Errington seemed somewhat abstracted, and answered many questions that were put to him at haphazard, without knowing, or possibly caring, whether his replies were intelligible or incoherent. His thoughts were dreamlike and brilliant with fairy sunshine. He understood at last what poets meant by their melodious musings, woven into golden threads of song—he seemed to have grasped some hitherto unguessed secret of his being—a secret that filled him with as much strange pain as pleasure. He felt as though he were endowed with a thousand senses,—each one keenly alive and sensitive to the smallest touch,—and there was a pulsation in his blood that was new and beyond his control,—a something that beat wildly in his heart at the sound of Thelma's voice, or the passing flutter of her white garments near him. Of what use to disguise it from himself any longer? He loved her! The terrible, beautiful tempest of love had broken over his life at last; there was no escape from its thunderous passion and dazzling lightning glory.
The conversation shifted to a more general tone, and nothing else seemed to disrupt the group's harmony and fun—only Errington appeared somewhat distracted, answering many questions thrown at him randomly, without really knowing or perhaps caring whether his answers made sense or not. His thoughts were dreamy and bright, filled with a magical light. He finally understood what poets meant by their beautiful musings, woven into golden threads of song—he felt like he had uncovered some previously unknown secret about himself—a secret that brought him as much strange pain as it did pleasure. It was as if he had a thousand senses, each one acutely aware and sensitive to the slightest touch, and there was a new pulsation in his blood that he couldn't control—a sensation that raced wildly in his heart at the sound of Thelma's voice or the soft rustle of her white dress nearby. What was the point of hiding it from himself anymore? He loved her! The intense, beautiful storm of love had finally hit his life; there was no way to escape its raging passion and dazzling brilliance.
He drew a sharp quick breath—the hum of the gay voices around him was more meaningless to his ears than the sound of the sea breaking on the beach below. He glanced at the girl—the fair and innocent creature who had, in his imagination, risen to a throne of imperial height, from whence she could bestow on him death or salvation. How calm she seemed! She was listening with courteous patience to a long story of Macfarlane's whose Scotch accent rendered it difficult for her to understand. She was pale, Philip thought, and her eyes were heavy; but she smiled now and then,—such a smile! Even so sweetly might the "kiss-worthy" lips of the Greek Aphrodite part, could that eloquent and matchless marble for once breathe into life. He looked at her with a sort of fear. Her hands held his fate. What if she could not love him? What if he must lose her utterly? This idea overpowered him; his brain whirled, and he suddenly pushed away his untasted glass of wine, and rose abruptly from the table, heedless of the surprise his action excited.
He took a sharp, quick breath—the cheerful chatter around him was more meaningless than the sound of the waves crashing on the beach below. He glanced at the girl—the fair and innocent one who, in his mind, had ascended to a throne of great importance, from where she could offer him either destruction or salvation. How calm she appeared! She was listening patiently to a long story from Macfarlane, whose Scottish accent made it hard for her to follow. She looked pale to Philip, and her eyes seemed heavy; but she smiled now and then—such a smile! Even the "kiss-worthy" lips of Greek Aphrodite might part that sweetly, if that exquisite and unmatched marble could ever come to life. He looked at her with a kind of fear. Her hands held his destiny. What if she couldn't love him? What if he had to lose her completely? This thought overwhelmed him; his mind spun, and he abruptly pushed away his untouched glass of wine, standing up suddenly from the table, oblivious to the surprise his actions caused.
"Hullo, Phil, where are you off to?" cried Lorimer. "Wait for me!"
"Hellо, Phil, where are you headed?" shouted Lorimer. "Wait for me!"
"Tired of our company, my lad?" said Güldmar kindly, "You've had a long day of it,—and what with the climbing and the strong air, no doubt you'll be glad to turn in."
"Tired of our company, my boy?" Güldmar said kindly, "You've had a long day, and with all the climbing and the fresh air, I'm sure you'll be happy to settle down."
"Upon my life, sir," answered Errington, with some confusion, "I don't know why I got up just now! I was thinking,—I'm rather a dreamy sort of fellow sometimes, and—"
"Honestly, sir," replied Errington, sounding a bit flustered, "I have no idea why I got up just now! I was thinking—I can be a bit of a daydreamer sometimes, and—"
"He was asleep, and doesn't want to own it!" interrupted Lorimer sententiously. "You will excuse him; he means well! He looks rather seedy. I think, Mr. Güldmar, we'll be off to the yacht. By the way, you're coming with us to-morrow, aren't you?"
"He was asleep and doesn’t want to admit it!” interrupted Lorimer with a serious tone. “You should excuse him; he has good intentions! He looks a bit rough. I think, Mr. Güldmar, we’re heading off to the yacht. By the way, you’re joining us tomorrow, right?”
"Oh yes," said Thelma. "We will sail with you round by Soroe,—it is weird and dark and grand; but I think it is beautiful. And there are many stories of the elves and berg-folk, who are said to dwell there among the deep ravines. Have you heard about the berg-folk?" she continued, addressing herself to Errington, unaware of the effort he was making to appear cool and composed in her presence. "No? Then I must tell you to-morrow."
"Oh yes," said Thelma. "We’ll sail with you around Soroe—it’s strange and dark and majestic; but I think it’s beautiful. And there are many stories about the elves and mountain folk, who are said to live there among the deep ravines. Have you heard about the mountain folk?" she continued, speaking to Errington, not noticing the effort he was making to seem calm and collected in front of her. "No? Then I’ll have to tell you tomorrow."
They all walked out of the house into the porch, and while her father was interchanging farewells with the others, she looked at Sir Philip's grave face with some solicitude.
They all walked out of the house onto the porch, and while her father was saying goodbye to the others, she looked at Sir Philip's serious face with some concern.
"I am afraid you are very tired, my friend?" she asked softly, "or your head aches,—and you suffer?"
"I’m worried you’re really tired, my friend?" she asked gently, "or does your head hurt—and are you in pain?"
He caught her hands swiftly and raised them to his lips.
He quickly took her hands and brought them to his lips.
"Would you care much,—would you care at all, if I suffered?" he murmured in a low tone.
"Would you even care—would you care at all, if I was suffering?" he whispered softly.
Then before she could speak or move, he let go her hands again, and turned with his usual easy courtesy to Güldmar. "Then we may expect you without fail to-morrow, sir! Good night!"
Then, before she could say anything or move, he released her hands again and turned with his usual effortless politeness to Güldmar. "So, we'll be expecting you tomorrow, sir! Good night!"
"Good night, my lad!"
"Good night, buddy!"
And with many hearty salutations the young men took their departure, raising their hats to Thelma as they turned down the winding path to the shore. She remained standing near her father,—and, when the sound of their footsteps had died away, she drew closer still and laid her head against his breast.
And with many warm greetings, the young men said goodbye, tipping their hats to Thelma as they walked down the winding path to the shore. She stayed close to her father, and when the sound of their footsteps faded away, she moved even closer and rested her head against his chest.
"Cold, my bird?" queried the old man. "Why, thou art shivering, child!—and yet the sunshine is as warm as wine. What ails thee?"
"Cold, my dear?" asked the old man. "You're shivering, child!—and yet the sunshine is as warm as wine. What's wrong with you?"
"Nothing, father!" And she raised her eyes, glowing and brilliant as stars. "Tell me,—do you think often of my mother now!"
"Nothing, Dad!" And she looked up, her eyes shining and bright like stars. "Tell me, do you think about my mom a lot nowadays?"
"Often!" And Güldmar's fine resolute face grew sad and tender. "She is never absent from my mind! I see her night and day, ay! I can feel her soft arms clinging round my neck,—why dost thou ask so strange a question, little one? Is it possible to forget what has been once loved?"
"Often!" And Güldmar's strong, determined face became sad and gentle. "She's always on my mind! I see her day and night, yes! I can feel her soft arms wrapped around my neck—why do you ask such a strange question, little one? Is it possible to forget something that was once loved?"
Thelma was silent for many minutes. Then she kissed her father and said "good night." He held her by the hand and looked at her with a sort of vague anxiety.
Thelma was quiet for a long time. Then she kissed her dad and said, "good night." He held her hand and looked at her with a hint of nervousness.
"Art thou well, my child?" he asked. "This little hand burns like fire,—and thine eyes are too bright, surely, for sleep to visit them? Art sure that nothing ails thee?"
"Are you alright, my child?" he asked. "This little hand feels like it's burning, and your eyes are too bright, surely, for sleep to touch them. Are you sure nothing is wrong?"
"Sure, quite sure," answered the girl with a strange, dreamy smile. "I am quite well,—and happy!"
"Yeah, really sure," replied the girl with a strange, dreamy smile. "I'm doing well—and I'm happy!"
And she turned to enter the house.
And she turned to go into the house.
"Stay!" called the father. "Promise me thou wilt think no more of Lovisa!"
"Stay!" called the father. "Promise me you won't think about Lovisa anymore!"
"I had nearly forgotten her," she responded. "Poor thing! She cursed me because she is so miserable, I suppose—all alone and unloved; it must be hard! Curses sometimes turn to blessings, father! Good night!"
"I had almost forgotten her," she said. "Poor thing! She cursed me because she's so miserable, I guess—all alone and unloved; it must be tough! Sometimes curses become blessings, dad! Good night!"
And she ascended the one flight of wooden stairs in the house to her own bedroom—a little three-cornered place as clean and white as the interior of a shell. Never once glancing at the small mirror that seemed to invite her charms to reflect themselves therein, she went to the quaint latticed window and knelt down by it, folding her arms on the sill while she looked far out to the Fjord. She could see the English flag fluttering from the masts of the Eulalie; she could almost hear the steady plash of the oars wielded by Errington and his friends as they rowed themselves back to the yacht. Bright tears filled her eyes, and brimmed over, falling warmly on her folded hands.
And she climbed the one flight of wooden stairs in the house to her bedroom—a small triangular space as clean and white as the inside of a shell. Without looking at the little mirror that seemed to invite her beauty to reflect back, she went to the charming latticed window and knelt down beside it, resting her arms on the sill while she gazed far out at the Fjord. She could see the English flag fluttering from the masts of the Eulalie; she could almost hear the steady splashing of the oars as Errington and his friends rowed back to the yacht. Bright tears filled her eyes and overflowed, falling warmly onto her folded hands.
"Would I care if you suffered?" she whispered. "Oh, my love! . . . my love!"
"Would I care if you were in pain?" she whispered. "Oh, my love! . . . my love!"
Then, as if afraid lest the very winds should have heard her half-breathed exclamation, she shut her window in haste, and a hot blush crimsoned her cheeks.
Then, as if afraid that the very winds had caught her quiet exclamation, she quickly shut her window, and her cheeks flushed a deep red.
Undressing quickly, she slipped into her little white bed and, closing her eyes, fancied she slept, though her sleep was but a waking dream of love in which all bright hopes reached their utmost fulfillment, and yet were in some strange way crossed with shadows which she had no power to disperse. And later on, when old Güldmar slumbered soundly, and the golden mid-night sunshine lit up every nook and gable of the farmhouse with its lustrous glory, making Thelma's closed lattice sparkle like a carven jewel,—a desolate figure lay prone on the grass beneath her window, with meagre pale face, and wide-open wild blue eyes upturned to the fiery brilliancy of the heavens. Sigurd had come home;—Sigurd was repentant, sorrowful, ashamed,—and broken-hearted.
Undressing quickly, she climbed into her little white bed and, closing her eyes, imagined she was asleep, even though her sleep was just a waking dream of love where all her bright hopes were fully realized, yet somehow mixed with shadows she couldn’t shake off. Later on, when old Güldmar was sound asleep, and the golden midnight sunlight lit up every corner and gable of the farmhouse with its radiant glow, making Thelma's closed window sparkle like a carved jewel, a lonely figure lay on the grass beneath her window, with a thin pale face and wide-open wild blue eyes turned toward the brilliant sky. Sigurd had come home;—Sigurd was regretful, sorrowful, ashamed,—and heartbroken.
CHAPTER XIII.
"O Love! O Love! O Gateway of Delight! "O Love! O Love! O Gateway of Delight! |
ERIC MACKAY'S Love-letters of a Violinist.
ERIC MACKAY'S Love Letters of a Violinist.
On the following morning the heat was intense,—no breath of wind stirred a ripple on the Fjord, and there was a heaviness in the atmosphere which made the very brightness of the sky oppressive. Such hot weather was unusual for that part of Norway, and according to Valdemar Svensen, betokened some change. On board the Eulalie everything was ready for the trip to Soroe,—steam was getting up prior to departure,—and a group of red-capped sailors stood prepared to weigh the anchor as soon as the signal was given. Breakfast was over,—Macfarlane was in the saloon writing his journal, which he kept with great exactitude, and Duprèz, who, on account of his wound, was considered something of an invalid, was seated in a lounge chair on deck, delightedly turning over a bundle of inflammatory French political journals received that morning. Errington and Lorimer were pacing the deck arm in arm, keeping a sharp look-out for the first glimpse of the returning boat which had been sent off to fetch Thelma and her father. Errington looked vexed and excited,—Lorimer bland and convincing.
The next morning, the heat was intense—there wasn't a breath of wind to create a ripple on the Fjord, and the heaviness in the air made the bright sky feel oppressive. Such hot weather was uncommon for that part of Norway, and according to Valdemar Svensen, it signaled some kind of change. On board the Eulalie, everything was ready for the trip to Soroe—steam was building up for departure—and a group of sailors in red caps stood ready to raise the anchor as soon as they got the signal. Breakfast was over—Macfarlane was in the saloon writing in his journal, which he kept with great care, while Duprèz, considered somewhat of an invalid due to his wound, was relaxing in a lounge chair on deck, happily flipping through a stack of inflammatory French political magazines he had received that morning. Errington and Lorimer were strolling on the deck arm in arm, keeping a close watch for the first sight of the returning boat sent to fetch Thelma and her father. Errington looked annoyed and excited, while Lorimer appeared calm and reassuring.
"I can't help it, Phil!" he said. "It's no use fretting and fuming at me. It was like Dyceworthy's impudence, of course,—but there's no doubt he proposed to her,—and it's equally certain that she rejected him. I thought I'd tell you you had a rival,—not in me, as you seemed to think yesterday,—but in our holy fat friend."
"I can't help it, Phil!" he said. "It's pointless to stress and blame me. It was like Dyceworthy's audacity, of course—but there's no doubt he asked her out—and it's definitely true that she turned him down. I just wanted to let you know you have competition—not from me, as you seemed to think yesterday—but from our chubby friend."
"Rival! pshaw!" returned Errington, with an angry laugh. "He is not worth kicking!"
"Rival? Please!" Errington replied with an annoyed laugh. "He's not even worth the effort!"
"Possibly not! Still I have a presentiment that he's the sort of fellow that won't take 'no' for an answer. He'll dodge that poor girl and make her life miserable if he can, unless—"
"Maybe not! But I have a feeling that he’s the kind of guy who won’t take 'no' for an answer. He’ll avoid that poor girl and make her life a nightmare if he can, unless—"
"Unless what?" asked Philip quickly.
"Unless what?" Philip asked quickly.
Lorimer stopped in his walk, and, leaning against the deck-railings, looked his friend straight in the eyes.
Lorimer stopped walking, leaned against the deck railing, and looked his friend straight in the eyes.
"Unless you settle the matter," he said with a slight effort. "You love her,—tell her so!"
"Unless you figure this out," he said with a bit of effort. "You love her—tell her!"
Errington laid one hand earnestly on his shoulder.
Errington laid one hand sincerely on his shoulder.
"Ah, George, you don't understand!" he said in a low tone, while his face was grave and full of trouble. "I used to think I was fairly brave, but I find I am a positive coward. I dare not tell her! She—Thelma—is not like other women. You may think me a fool,—I dare say you do,—but I swear to you I am afraid to speak, because—because, old boy,—if she were to refuse me,—if I knew there was no hope—well, I don't want to be sentimental,—but my life would be utterly empty and worthless,—so useless, that I doubt if I should care to live it out to the bitter end!"
"Ah, George, you don't get it!" he said quietly, his face serious and troubled. "I used to think I was pretty brave, but I realize I'm a complete coward. I can't tell her! She—Thelma—isn't like other women. You might think I'm an idiot—I wouldn't blame you for that—but I promise you I'm scared to say anything because—because, buddy—if she were to say no—if I knew there was no chance—well, I don't want to get all sentimental—but my life would feel completely empty and pointless—so pointless that I don't think I’d even want to stick around to the bitter end!"
Lorimer heard him in silence,—a silence maintained partly out of sympathy, and partly that he might keep his own feelings well under control.
Lorimer listened to him in silence—partly out of sympathy and partly to keep his own emotions in check.
"But why persist in looking at the gloomy side of the picture?" he said at last. "Suppose she loves you?"
"But why keep focusing on the negative side of things?" he finally said. "What if she loves you?"
"Suppose an angel flew down from Heaven!" replied Philip, with rather a sad smile. "My dear fellow, who am I that I should flatter myself so far? If she were one of those ordinary women to whom marriage is the be-all and end-all of existence, it would be different—but she is not. Her thoughts are like those of a child or a poet,—why should I trouble them by the selfishness of my passion? for all passion is selfish, even at its best. Why should I venture to break the calm friendship she may have for me, by telling her of a love which might prove unwelcome!"
"Imagine if an angel flew down from Heaven!" replied Philip, with a rather sad smile. "My dear friend, who am I to think so highly of myself? If she were one of those everyday women who see marriage as the ultimate goal in life, it would be different—but she's not. Her thoughts are like those of a child or a poet—why should I disturb them with the selfishness of my feelings? Because all passion is selfish, even at its best. Why should I risk breaking the peaceful friendship she has for me by telling her about a love that she might not want?"
Lorimer looked at him with gentle amusement depicted in his face.
Lorimer looked at him with a soft smile on his face.
"Phil, you are less conceited than I thought you were," he said, with a light laugh, "or else you are blind—blind as a bat, old man! Take my advice,—don't lose any more time about it. Make the 'king's daughter of Norroway' happy, . . ." and a brief sigh escaped him. "You are the man to do it. I am surprised at your density; Sigurd, the lunatic, has more perception. He sees which way the wind blows,—and that's why he's so desperately unhappy. He thinks—and thinks rightly too—that he will lose his 'beautiful rose of the northern forest,' as he calls her,—and that you are to be the robber. Hence his dislike to you. Dear me!" and Lorimer lit a cigarette and puffed at it complacently. "It seems to me that my wits are becoming sharper as I grow older, and that yours, my dear boy,—pardon me! . . . are getting somewhat blunted, otherwise you would certainly have perceived—" he broke off abruptly.
"Phil, you're less full of yourself than I thought," he said with a light laugh, "or maybe you're just clueless—totally clueless, old man! Here’s my advice—don't waste any more time on this. Make the 'king's daughter of Norroway' happy, ..." and he let out a brief sigh. "You're the one who can do it. I'm surprised by how dense you are; Sigurd, the crazy guy, has more insight. He knows which way the wind is blowing—and that's why he’s so miserable. He thinks—and he’s right—that he’s going to lose his 'beautiful rose of the northern forest,' as he calls her—and he thinks that you’re the thief. That’s why he dislikes you. Goodness!" and Lorimer lit a cigarette and puffed at it contentedly. "It seems like my mind is getting sharper as I age, while yours, my dear boy—excuse me! ... is getting a bit dull, otherwise you would have definitely noticed—" he stopped abruptly.
"Well, go on!" exclaimed Philip eagerly, with flashing eyes. "Perceived what?"
"Well, go on!" Philip exclaimed eagerly, his eyes shining. "What did you see?"
Lorimer laughed. "That the boat containing your Sun-empress is coming along very rapidly, old fellow, and that you'd better make haste to receive her!"
Lorimer laughed. "The boat with your Sun-empress is coming along really quickly, my friend, and you'd better hurry to meet her!"
This was the fact, and Duprèz had risen from his chair and was waving his French newspaper energetically to the approaching visitors. Errington hastened to the gangway with a brighter flush than usual on his handsome face, and his heart beating with a new sense of exhilaration and excitement. If Lorimer's hints had any foundation of truth—if Thelma loved him ever so little—how wild a dream it seemed! . . . why not risk his fate? He resolved to speak to her that very day if opportunity favored him,—and, having thus decided, felt quite masterful and heroic about it.
This was the reality, and Duprèz had gotten up from his chair, energetically waving his French newspaper at the approaching visitors. Errington rushed to the gangway with an unusual brightness on his handsome face, his heart racing with a fresh sense of exhilaration and excitement. If Lorimer's hints had any truth to them—if Thelma loved him even a little—what a wild dream that was! ... why not take the chance? He decided he would talk to her that very day if the opportunity arose—and with that decision made, he felt completely confident and heroic about it.
This feeling of proud and tender elation increased when Thelma stepped on deck that morning and laid her hands in his. For, as he greeted her and her father, he saw at a glance that she was slightly changed. Some restless dream must have haunted her—or his hurried words beneath the porch, when he parted from her the previous evening, had startled her and troubled her mind. Her blue eyes were no longer raised to his in absolute candor,—her voice was timid, and she had lost something of her usual buoyant and graceful self-possession. But she looked lovelier than ever with that air of shy hesitation and appealing sweetness. Love had thrown his network of light about her soul and body till, like Keats's "Madeleine,"
This feeling of proud and tender excitement grew when Thelma stepped onto the deck that morning and took his hands. As he greeted her and her father, he noticed right away that she seemed a bit different. Some restless dream must have lingered in her mind—or his rushed words under the porch when he said goodbye to her the night before had unsettled her thoughts. Her blue eyes no longer looked at him with complete openness—her voice was hesitant, and she seemed to have lost some of her usual lively confidence. But she looked more beautiful than ever, with that sense of shy uncertainty and touching sweetness. Love had wrapped its light around her soul and body until, like Keats's "Madeleine,"
"She seemed a splendid angel newly drest
Save wings, for heaven!"
"She looked like a beautiful angel just dressed up
Except for her wings, for heaven!"
As soon as the Güldmars were on board, the anchor was weighed with many a cheery and musical cry from the sailors; the wheel revolved rapidly under Valdemar Svensen's firm hand,—and with a grand outward sweeping curtsy to the majestic Fjord she left behind her, the Eulalie steamed away, cutting a glittering line of white foam through the smooth water as she went, and threading her way swiftly among the clustering picturesque islands,—while the inhabitants of every little farm and hamlet on the shores, stopped for a while in their occupations to stare at the superb vessel, and to dreamily envy the wealth of the English Herren who could afford to pass the summer months in such luxury and idleness. Thelma seated herself at once by Duprèz, and seemed glad to divert attention from herself to him.
As soon as the Güldmars were on board, the anchor was lifted with cheerful, musical shouts from the sailors; the wheel turned quickly under Valdemar Svensen's steady grip, and with a grand sweeping bow to the majestic Fjord left behind, the Eulalie steamed away, cutting a sparkling line of white foam through the smooth water as she moved, threading her way swiftly among the clusters of picturesque islands. The residents of every little farm and village along the shores paused in their work to gaze at the magnificent vessel and dreamily envied the wealth of the English Herren who could afford to spend the summer months in such luxury and leisure. Thelma sat down right next to Duprèz, clearly pleased to shift the focus from herself to him.
"You are better, Monsieur Duprèz, are you not?" she asked gently. "We saw Sigurd this morning; he came home last night. He is very, very sorry to have hurt you!"
"You’re feeling better, right, Monsieur Duprèz?" she asked softly. "We saw Sigurd this morning; he got back last night. He’s really, really sorry for hurting you!"
"He need not apologize," said Duprèz cheerfully. "I am delighted he gave me this scar, otherwise I am confident he would have put out the eye of Phil-eep. And that would have been a misfortune! For what would the ladies in London say if le beau Errington returned to them with one eye! Mon Dieu! they would all be en desespoir!"
"He doesn't need to apologize," Duprèz said cheerfully. "I'm actually glad he gave me this scar; otherwise, I’m sure he would have knocked out Phil-eep's eye. And that would have been a tragedy! What would the ladies in London think if le beau Errington came back to them with only one eye! Mon Dieu! They would all be in despair!"
Thelma looked up. Philip was standing at some little distance with Olaf Güldmar and Lorimer, talking and laughing gaily. His cap was slightly pushed off his forehead, and the sun shone on his thick dark-chestnut curls; his features, warmly colored by the wind and sea, were lit up with mirth, and his even white teeth sparkled in an irresistible smile of fascinating good-humor. He was the beau-ideal of the best type of Englishman, in the full tide of youth, health and good spirits.
Thelma looked up. Philip was standing a little way off with Olaf Güldmar and Lorimer, chatting and laughing happily. His cap was slightly askew on his forehead, and the sun glinted off his thick dark-chestnut curls; his features, nicely colored by the wind and sea, were bright with joy, and his even white teeth shone in an irresistible smile of charming good-nature. He was the perfect example of the best kind of Englishman, in the prime of youth, health, and good spirits.
"I suppose he is a great favorite with all those beautiful ladies?" she asked very quietly.
"I guess he's a big favorite with all those gorgeous ladies?" she asked softly.
Something of gentle resignation in her tone struck the Frenchman's sense of chivalry; had she been like any ordinary woman, bent on conquest, he would have taken a mischievous delight in inventing a long list of fair ones supposed to be deeply enamored of Errington's good looks,—but this girl's innocent inquiring face inspired him with quite a different sentiment.
Something about her gently resigned tone caught the Frenchman’s sense of chivalry; if she had been like any ordinary woman, focused on winning him over, he would have taken playful pleasure in coming up with a long list of beautiful women who were supposedly infatuated with Errington’s charm—but this girl’s innocent, curious expression evoked a completely different feeling in him.
"Mais certainement!" he said frankly and emphatically. "Phil-eep is a favorite everywhere! Yet not more so with women than with men. I love him extremely—he is a charming boy! Then you see, chère Mademoiselle, he is rich,—very rich,—and there are so many pretty girls who are very poor,—naturally they are enchanted with our Errington—voyez-vous?"
"Of course!" he said openly and with conviction. "Phil-eep is a favorite everywhere! But that doesn't mean he's more popular with women than with men. I really like him—he's a charming guy! So, you see, dear Miss, he’s rich—very rich—and there are so many pretty girls who are quite poor—naturally, they’re captivated by our Errington—you see?"
"I do not understand," she said, with a puzzled brow. "It is not possible that they should like him better because he is rich. He would be the same man without money as with it—it makes no difference!"
"I don't understand," she said, looking confused. "They can't possibly like him more just because he's wealthy. He would be the same person without money as he is with it—it doesn't change anything!"
"Perhaps not to you," returned Duprèz, with a smile; "but to many it would make an immense difference! Chère Mademoiselle, it is a grand thing to have plenty of money,—believe me!"
"Maybe not to you," Duprèz replied with a smile, "but for many, it would make a huge difference! Chère Mademoiselle, having lots of money is truly a wonderful thing—believe me!"
Thelma shrugged her shoulders. "Perhaps," she answered indifferently. "But one cannot spend much on one's self, after all. The nuns at Arles used to tell me that poverty was a virtue, and that to be very rich was to be very miserable. They were poor,—all those good women,—and they were always cheerful."
Thelma shrugged her shoulders. "Maybe," she replied casually. "But you can't spend too much on yourself, after all. The nuns at Arles used to tell me that poverty is a virtue, and that being very rich means being very unhappy. They were poor—all those good women—and they were always cheerful."
"The nuns! ah, mon Dieu!" cried Duprèz. "The darlings know not the taste of joy—they speak of what they cannot understand! How should they know what it is to be happy or unhappy, when they bar their great convent doors against the very name of love!"
"The nuns! oh, my God!" cried Duprèz. "The poor things don’t even know what joy is—they talk about things they can’t understand! How could they know what it means to be happy or sad when they shut their big convent doors against the very idea of love!"
She looked at him, and her color rose.
She looked at him, and her cheeks flushed.
"You always talk of love," she said, half reproachfully, "as if it were so common a thing! You know it is sacred—why will you speak as if it were all a jest?"
"You always talk about love," she said, somewhat accusingly, "as if it's such an ordinary thing! You know it’s sacred—why do you make it sound like it’s just a joke?"
A strange emotion of admiring tenderness stirred Pierre's heart—he was very impulsive and impressionable.
A strange feeling of affectionate admiration stirred in Pierre's heart—he was quite impulsive and sensitive.
"Forgive me!" he murmured penitently. Then he added suddenly, "You should have lived ages ago, ma belle,—the world of to-day will not suit you! You will be made very sorrowful in it, I assure you,—it is not a place for good women!"
"Forgive me!" he whispered regretfully. Then he added suddenly, "You should have lived long ago, ma belle—the world today won't be good for you! It will bring you a lot of sadness, I promise—you don’t belong in a place like this!"
She laughed. "You are morose," she said. "That is not like you! No one is good,—we all live to try and make ourselves better."
She laughed. "You're feeling down," she said. "That's not like you! No one is perfect—we all live to try and improve ourselves."
"What highly moral converse is going on here?" inquired Lorimer, strolling leisurely up to them. "Are you giving Duprèz a lecture, Miss Güldmar? He needs it,—so do I. Please give me a scolding!"
"What kind of moral conversation is happening here?" Lorimer asked, walking casually over to them. "Are you lecturing Duprèz, Miss Güldmar? He could use it—so could I. Go ahead and give me a scolding!"
And he folded his hands with an air of demure appeal.
And he folded his hands with a shy look of request.
A sunny smile danced in the girl's blue eyes. "Always you will be foolish!" she said. "One can never know you because I am sure you never show your real self to anybody. No,—I will not scold you, but I should like to find you out!"
A bright smile sparkled in the girl's blue eyes. "You'll always be silly!" she said. "You can never really be known because I’m sure you never reveal your true self to anyone. No—I won’t scold you, but I would like to figure you out!"
"To find me out!" echoed Lorimer. "Why, what do you mean?"
"To figure me out!" Lorimer exclaimed. "What do you mean?"
She nodded her bright head with much sagacity.
She nodded wisely.
"Ah, I do observe you often! There is something you hide; it is like when my father has tears in his eyes; he pretends to laugh, but the tears are there all the time. Now I see in you—" she paused, and her questioning eyes rested on his, seriously.
"Ah, I notice you a lot! There’s something you’re keeping hidden; it’s like when my dad has tears in his eyes; he acts like he’s laughing, but the tears are always there. Now I see in you—" she paused, and her questioning eyes focused on his, seriously.
"This is interesting!" said Lorimer, lazily drawing a camp-stool opposite to her, and seating himself thereon. "I had no idea I was a human riddle. Can you read me, Miss Güldmar?"
"This is interesting!" said Lorimer, casually pulling a camp stool over to sit across from her. "I had no idea I was a human puzzle. Can you figure me out, Miss Güldmar?"
"Yes," she answered slowly and meditatively. "Just a little. But I will not say anything; no—except this—that you are not altogether what you seem."
"Yes," she replied slowly and thoughtfully. "Just a little. But I won’t say anything; no—except this—that you’re not entirely what you appear to be."
"Here, Phil!" called Lorimer, as he saw Errington approaching, arm in arm with Olaf Güldmar, "come and admire this young lady's power of perception. She declares I am not such a fool as I look!"
"Hey, Phil!" called Lorimer, as he noticed Errington walking up, arm in arm with Olaf Güldmar, "come and check out this young lady's ability to read people. She says I'm not as big a fool as I seem!"
"Now," said Thelma, shaking her forefinger at him, "you know very well that I did not put it in that way. But is it not true, Sir Philip—" and she looked up for a moment, though her eyes drooped again swiftly under his ardent gaze, "is it not true that many people do hide their feelings, and pretend to be quite different to what they are?"
"Now," Thelma said, shaking her forefinger at him, "you know very well that I didn't put it that way. But isn't it true, Sir Philip—" she glanced up for a moment, though her eyes quickly dropped again under his intense gaze, "isn't it true that many people hide their feelings and pretend to be totally different from who they really are?"
"I should say it was a very common fault," replied Errington. "It is a means of self-defense against the impertinent curiosity of outsiders. But Lorimer is free from it,—he has nothing to hide. At any rate, he has no secrets from me,—I'm sure of that!" And he clapped his hand heartily on his friend's shoulder.
"I would say it was a pretty common issue," replied Errington. "It's a way to protect oneself from the rude curiosity of outsiders. But Lorimer doesn't have it—he's got nothing to hide. Anyway, he has no secrets from me—I'm confident of that!" And he patted his friend's shoulder enthusiastically.
Lorimer flushed slightly, but made no remark, and at that moment Macfarlane emerged from the saloon, where the writing of his journal had till now detained him. In the general handshaking and salutations which followed, the conversation took a different turn, for which Lorimer was devoutly thankful. His face was a tell-tale one,—and he was rather afraid of Philip's keen eyes. "I hope to Heaven he'll speak to her to-day," he thought, vexedly. "I hate being in suspense! My mind will be easier when I once know that he has gained his point,—and that there's not the ghost of a chance for any other fellow!"
Lorimer blushed a bit but didn’t say anything, and at that moment, Macfarlane came out of the saloon, where he had been busy writing in his journal. As everyone shook hands and exchanged greetings, the conversation shifted in a way that relieved Lorimer, who was grateful for the change. His expression was easy to read, and he was quite nervous about Philip’s sharp eyes. "I really hope he talks to her today," he thought, feeling frustrated. "I can’t stand the uncertainty! I’ll feel so much better once I know he’s succeeded—and that there’s no chance for any other guy!"
Meanwhile the yacht skimmed along by the barren and rocky coast of Seiland; the sun was dazzling; yet there was a mist in the air as though the heavens were full of unshed tears. A bank of nearly motionless clouds hung behind the dark, sharp peaks of the Altenguard mountains, which now lay to the southward, as the vessel pursued her course. There was no wind; the flag on the mast flapped idly now and then with the motion of the yacht; and Thelma found herself too warm with her pretty crimson hood,—she therefore unfastened it and let the sunshine play on the uncovered gold of her hair. They had a superb view of the jagged glacier of Jedkè,—black in some parts, and in others white with unmelted snow,—and seeming, as it rose straight up against the sky, to be the majestic monument of some giant Viking. Presently, at her earnest request, Errington brought his portfolio of Norwegian sketches for Thelma to look at; most of them were excellently well done, and elicited much admiration from the bonde.
Meanwhile, the yacht glided along the barren and rocky coast of Seiland; the sun was dazzling, yet there was a mist in the air as if the heavens were full of unshed tears. A bank of nearly motionless clouds hung behind the dark, sharp peaks of the Altenguard mountains, which lay to the south as the vessel continued its course. There was no wind; the flag on the mast flapped idly now and then with the yacht's movement, and Thelma found herself too warm in her pretty crimson hood—so she unfastened it and let the sunshine play on the uncovered gold of her hair. They had a stunning view of the jagged glacier of Jedkè—black in some areas and in others white with unmelted snow—and seeming, as it rose straight up against the sky, to be the majestic monument of some giant Viking. Soon, at her eager request, Errington brought his portfolio of Norwegian sketches for Thelma to look at; most of them were excellently done and drew much admiration from the bonde.
"It is what I have wondered at all my life," said he, "that skill of the brush dipped in color. Pictures surprise me as much as poems. Ah, men are marvellous creatures, when they are once brought to understand that they are men,—not beasts! One will take a few words and harmonize them into a song or a verse that clings to the world for ever; another will mix a few paints and dab a brush in them, and give you a picture that generation after generation shall flock to see. It is what is called genius,—and genius is a sort of miracle. Yet I think it is fostered by climate a good deal,—the further north, the less inspiration. Warmth, color, and the lightness of heart that a generally bright sky brings, enlarges the brain and makes it capable of creative power."
"It’s something I’ve wondered about my entire life," he said. "The talent of a brush dipped in color fascinates me just like poetry does. Ah, humans are incredible beings once they realize that they are human—not animals! One person can take a few words and turn them into a song or a verse that remains in the world forever; another can blend some paints and use a brush to create a picture that generations will flock to admire. This is what we call genius—and genius is a kind of miracle. However, I believe it’s greatly influenced by the climate; the further north you go, the less inspiration there seems to be. Warmth, color, and the lightness of spirit that comes from a generally bright sky expand the mind and enhance its capacity for creativity."
"My dear sir," said Lorimer, "England does not possess these climatic advantages, and yet Shakespeare was an Englishman."
"My dear sir," said Lorimer, "England doesn’t have these climatic advantages, and yet Shakespeare was an Englishman."
"He must have travelled," returned Güldmar positively. "No one will make me believe that the man never visited Italy. His Italian scenes prove it,—they are full of the place and the people. The whole of his works, full of such wonderful learning, and containing so many types of different nations, show,—to my mind, at least,—that countries were his books of study. Why I, who am only a farmer and proprietor of a bit of Norwegian land,—I have learned many a thing from simply taking a glance at a new shore each year. That's the way I used to amuse myself when I was young,—now I am old, the sea tempts me less, and I am fonder of my arm-chair; yet I've seen a good deal in my time—enough to provide me with memories for my declining days. And it's a droll thing, too," he added, with a laugh, "the further south you go, the more immoral and merry are the people; the further north, the more virtuous and miserable. There's a wrong balance somewhere,—but where, 'tis not easy to find out."
"He must have traveled," Güldmar insisted. "There's no way I'm going to believe that the guy never visited Italy. His Italian scenes prove it—they're filled with the place and the people. The entirety of his work, packed with amazing knowledge and showcasing so many different types of people, shows—at least in my opinion—that countries were his textbooks. I, a simple farmer and owner of a small plot of land in Norway, have learned quite a bit just by taking a look at a new shore each year. That’s how I used to entertain myself when I was young—now that I'm older, the sea appeals to me less, and I prefer my easy chair; yet I've seen a fair amount in my time—enough to give me memories for my later years. And it’s a funny thing, too," he added with a laugh, "the further south you go, the more carefree and fun-loving the people are; the further north, the more virtuous and miserable they become. There’s definitely something off balance there—but figuring out exactly what it is isn’t easy."
"Weel," said Macfarlane, "I can give ye a direct contradeection to your theory. Scotland lies to the north, and ye'll not find a grander harvest o' sinfu' souls anywhere between this an' the day o' judgment. I'm a Scotchman, an' I'm just proud o' my country—I'd back its men against a' the human race,—but I wadna say much for the stabeelity o' its women. I wad just tak to my heels and run if I saw a real, thumpin', red-cheeked, big-boned Scotch lassie makin' up to me. There's nae bashfulness in they sort, and nae safety."
"Well," said Macfarlane, "I can directly contradict your theory. Scotland is up north, and you won’t find a bigger harvest of sinful souls anywhere between now and judgment day. I’m a Scotsman, and I’m proud of my country—I’d put its men up against the whole human race—but I wouldn’t say much for the stability of its women. I’d just take off running if I saw a real, sturdy, red-cheeked, big-boned Scottish girl flirting with me. There’s no shyness in those kinds, and no safety."
"I will go to Scotland!" said Duprèz enthusiastically. "I feel that those—what do you call them, lassies?—will charm me!"
"I’m going to Scotland!" Duprèz said excitedly. "I just know those—what do you call them, lassies?—are going to enchant me!"
"Scotland I never saw," said Güldmar. "From all I have heard, it seems to me 'twould be too much like Norway. After one's eyes have rested long on these dark mountains and glaciers, one likes now and then to see a fertile sunshiny stretch of country such as France, or the plains of Lombardy. Of course there may be exceptions, but I tell you climatic influences have a great deal to do with the state of mind and morals. Now, take the example of that miserable old Lovisa Elsland. She is the victim of religious mania—and religious mania, together with superstition of the most foolish kind, is common in Norway. It happens often during the long winters; the people have not sufficient to occupy their minds; no clergyman—not even Dyceworthy—can satisfy the height of their fanaticism. They preach and pray and shriek and groan in their huts; some swear that they have the spirit of prophecy,—others that they are possessed of devils,—others imagine witchcraft, like Lovisa—and altogether there is such a howling on the name of Christ, that I am glad to be out of it,—for 'tis a sight to awaken the laughter and contempt of a pagan such as I am!"
"Scotland I’ve never seen," said Güldmar. "From everything I’ve heard, it seems like it would be too much like Norway. After staring at these dark mountains and glaciers for a long time, you sometimes want to see a sunny, fertile area like France or the plains of Lombardy. Of course, there might be exceptions, but I can tell you that weather has a big impact on people's mindset and morals. Take that miserable old Lovisa Elsland, for example. She is a victim of religious obsession—and that kind of obsession, along with the most ridiculous superstitions, is common in Norway. It often happens during the long winters when people don’t have enough to keep their minds occupied; no clergyman—not even Dyceworthy—can meet their extreme fanaticism. They preach and pray, scream and groan in their huts; some swear they have the gift of prophecy, others that they're possessed by demons, and others imagine witchcraft, like Lovisa. Altogether, it creates such a ruckus in the name of Christ that I’m just glad to be away from it—because it's something that would make a pagan like me laugh and scoff!"
Thelma listened with a slight shadow of pain on her features.
Thelma listened with a faint hint of pain on her face.
"Father is not a pagan," she declared, turning to Lorimer. "How can one be pagan if one believes that there is good in everything,—and that nothing happens except for the best?"
"Father isn't a pagan," she said, looking at Lorimer. "How can someone be pagan if they believe there’s good in everything—and that nothing happens except for the best?"
"It sounds to me more Christian than pagan," averred Lorimer, with a smile. "But it's no use appealing to me on such matters, Miss Güldmar. I am an advocate of the Law of Nothing. I remember a worthy philosopher who,—when he was in his cups,—earnestly assured me it was all right—'everything was nothing, and nothing was everything.' 'You are sure that is so?' I would say to him. 'My dear young friend—hic—I am positive! I have—hic—worked out the problem with—hic—care!' And he would shake me by the hand warmly, with a mild and moist smile, and would retire to bed walking sideways in the most amiable manner. I'm certain his ideas were correct as well as luminous."
"It sounds more Christian than pagan to me," said Lorimer, smiling. "But it’s no use asking me about such things, Miss Güldmar. I believe in the Law of Nothing. I remember a certain philosopher who, when he had a few drinks, earnestly told me it was all good—'everything is nothing, and nothing is everything.' 'Are you sure that's true?' I would ask him. 'My dear young friend—hic—I’m sure! I have—hic—figured it all out with—hic—care!' And he would shake my hand warmly, with a gentle, slightly damp smile, and then walk sideways to bed in the most pleasant way. I’m convinced his ideas were both correct and insightful."
They laughed, and then looking up saw that they were passing a portion of the coast of Seiland which was more than usually picturesque. Facing them was a great cavernous cleft in the rocks, tinted with a curious violet hue intermingled with bronze,—and in the strong sunlight these colors flashed with the brilliancy of jewels, reflecting themselves in the pale slate-colored sea. By Errington's orders the yacht slackened speed, and glided along with an almost noiseless motion,—and they were silent, listening to the dash and drip of water that fell invisibly from the toppling crags that frowned above, while the breathless heat and stillness of the air added to the weird solemnity of the scene. They all rose from their chairs and leaned on the deck-rails, looking, but uttering no word.
They laughed, and then looked up to see they were passing a part of the Seiland coast that was unusually beautiful. In front of them was a large, deep split in the rocks, colored with a strange violet tint mixed with bronze—and in the bright sunlight, these colors sparkled like jewels, reflecting off the pale slate-colored sea. Following Errington's orders, the yacht slowed down and glided along almost silently—and they were quiet, listening to the sound of water splashing and dripping invisibly from the towering cliffs above, while the stifling heat and stillness of the air added to the eerie solemnity of the scene. They all got up from their chairs and leaned on the deck rails, gazing but saying nothing.
"In one of these islands," said Thelma at last, very softly—"it was either Seiland or Soroe—they once found the tomb of a great chief. There was an inscription outside that warned all men to respect it, but they laughed at the warning and opened the tomb. And they saw, seated in a stone chair, a skeleton with a gold crown on its head and a great carved seal in its hand, and at its feet there was a stone casket. The casket was broken open, and it was full of gold and jewels. Well, they took all the gold and jewels, and buried the skeleton—and now,—do you know what happens? At midnight a number of strange persons are seen searching on the shore and among the rocks for the lost treasure, and it is said they often utter cries of anger and despair. And those who robbed the tomb all died suddenly."
"In one of these islands," Thelma finally said, softly—"it was either Seiland or Soroe—they once discovered the tomb of a great chief. There was an inscription outside warning everyone to respect it, but they laughed off the warning and opened the tomb. They found a skeleton seated in a stone chair, wearing a gold crown and holding a great carved seal, and at its feet was a stone casket. The casket was broken open, revealing a treasure trove of gold and jewels. They took all the gold and jewels and buried the skeleton—and now, do you know what happens? At midnight, strange figures can be seen searching the shore and among the rocks for the lost treasure, and it's said they often cry out in anger and despair. And those who robbed the tomb all died suddenly."
"Served them right!" said Lorimer. "And now they are dead, I suppose the wronged ghosts don't appear any more?"
"Served them right!" said Lorimer. "And now that they're dead, I guess the wronged ghosts don't show up anymore?"
"Oh yes, they do," said Güldmar very seriously. "If any sailor passes at midnight, and sees them or hears their cries, he is doomed."
"Oh yes, they do," Güldmar said very seriously. "If any sailor goes by at midnight and sees them or hears their cries, he’s doomed."
"But does he see or hear them?" asked Errington, with a smile.
"But does he see or hear them?" asked Errington, smiling.
"Well, I don't know," returned Güldmar, with a grave shake of his head. "I'm not superstitious myself, but I should be sorry to say anything against the berg-folk. You see they may exist, and it's no use offending them."
"Well, I don't know," Güldmar replied, shaking his head seriously. "I'm not superstitious myself, but I'd hate to say anything bad about the mountain people. You see, they might exist, and it's pointless to offend them."
"And what do ye mean by the berg-folk?" inquired Macfarlane.
"And what do you mean by the mountain people?" Macfarlane asked.
"They are supposed to be the souls of persons who died impenitent," said Thelma, "and they are doomed to wander, on the hills till the day of judgment. It is a sort of purgatory."
"They're said to be the souls of people who died without repenting," Thelma said, "and they're doomed to wander on the hills until the day of judgment. It's like a kind of purgatory."
Duprèz shook his fingers emphatically in the air.
Duprèz shook his fingers emphatically in the air.
"Ah, bah!" he said; "what droll things remain still in the world! Yes, in spite of liberty, equality, fraternity! You do not believe in foolish legends, Mademoiselle? For example,—do you think you will suffer purgatory?"
"Ah, come on!" he said. "What silly things still exist in the world! Yes, despite liberty, equality, fraternity! You don't believe in ridiculous legends, do you, Mademoiselle? For instance, do you think you'll go through purgatory?"
"Indeed yes!" she replied. "No one can be good enough to go straight to heaven. There must be some little stop on the way in which to be sorry for all the bad things one has done."
"Absolutely!" she said. "No one is good enough to go straight to heaven. There has to be a little pause along the way to regret all the bad things you've done."
"'Tis the same idea as ours," said Güldmar. "We have two places of punishment in the Norse faith; one, Nifleheim, which is a temporary thing like the Catholic purgatory; the other Nastrond, which is the counterpart of the Christian hell. Know you not the description of Nifleheim in the Edda?—'tis terrible enough to satisfy all tastes. 'Hela, or Death rules over the Nine Worlds of Nifleheim. Her hall is called Grief. Famine is her table, and her only servant is Delay. Her gate is a precipice, her porch Faintness, her bed Leanness,—Cursing and Howling are her tent. Her glance is dreadful and terrifying,—and her lips are blue with the venom of Hatred.' These words," he added, "sound finer in Norwegian, but I have given the meaning fairly."
"It’s the same concept as ours," Güldmar said. "We have two places of punishment in Norse belief; one, Nifleheim, which is temporary like the Catholic purgatory; the other, Nastrond, which is similar to the Christian hell. Don't you know the description of Nifleheim in the Edda?—it's frightening enough to satisfy everyone. 'Hela, or Death, rules over the Nine Worlds of Nifleheim. Her hall is called Grief. Famine is her table, and her only servant is Delay. Her gate is a cliff, her porch is Faintness, her bed is Leanness,—Cursing and Howling are her tent. Her gaze is dreadful and terrifying,—and her lips are blue with the poison of Hatred.' These words," he added, "sound better in Norwegian, but I've conveyed the meaning pretty well."
"Ma certes!" said Macfarlane chuckling. "I'll tell my aunt in Glasgie aboot it. This Nifleheim wad suit her pairfectly,—she wad send a' her relations there wi' tourist tickets, not available for the return journey!"
"Well, of course!" said Macfarlane, laughing. "I'll tell my aunt in Glasgow about it. This Nifleheim would be perfect for her—she would send all her relatives there with tourist tickets that aren’t valid for the return trip!"
"It seems to me," observed Errington, "that the Nine Worlds of Nifleheim have a resemblance to the different circles of Dante's Purgatory."
"It seems to me," said Errington, "that the Nine Worlds of Nifleheim are similar to the different circles of Dante's Purgatory."
"Exactly so," said Lorimer. "All religions seem to me to be more or less the same,—the question I can never settle is,—which is the right one?"
"Exactly," said Lorimer. "All religions seem pretty similar to me—what I can never figure out is, which one is the right one?"
"Would you follow it if you knew?" asked Thelma, with a slight smile. Lorimer laughed.
"Would you follow it if you knew?" Thelma asked with a slight smile. Lorimer laughed.
"Well, upon my life, I don't know!" he answered frankly, "I never was a praying sort of fellow,—I don't seem to grasp the idea of it somehow. But there's one thing I'm certain of,—I can't endure a bird without song,—a flower without scent, or a woman without religion—she seems to me no woman at all."
"Well, honestly, I don’t know!” he replied openly, “I’ve never been the praying type—I just can’t seem to get my head around it. But there’s one thing I know for sure—I can’t stand a bird without song, a flower without fragrance, or a woman without faith—she doesn’t feel like a woman to me at all."
"But are there any such women?" inquired the girl surprised.
"But are there any women like that?" the girl asked, surprised.
"Yes, there are undoubtedly! Free-thinking, stump-orator, have-your-rights sort of creatures. You don't know anything about them, Miss Güldmar—be thankful! Now, Phil, how long is this vessel of yours going to linger here?"
"Yes, there definitely are! Independent thinkers, passionate speakers, rights-advocating types. You don't know anything about them, Miss Güldmar—consider yourself lucky! Now, Phil, how much longer is this ship of yours going to stay here?"
Thus reminded, Errington called to the pilot, and in a few minutes the Eulalie resumed her usual speed, and bore swiftly on towards Soroe. This island, dreary and dark in the distance, grew somewhat more inviting in aspect on a nearer approach. Now and then a shaft of sunlight fell on some glittering point of felspar or green patch of verdure.—and Valdemar Svensen stated that he knew of a sandy creek where, if the party chose, they could land and see a small cave of exquisite beauty, literally hung all over with stalactites.
Thus reminded, Errington called to the pilot, and in a few minutes the Eulalie picked up her usual speed and moved quickly towards Soroe. This island, gloomy and distant, looked a bit more welcoming as they got closer. Occasionally, a ray of sunlight highlighted a sparkling patch of felspar or a green spot of vegetation. Valdemar Svensen mentioned that he knew of a sandy creek where, if the group wanted to, they could land and explore a small cave of stunning beauty, literally covered in stalactites.
"I never heard of this cave," said Güldmar, fixing a keen eye on the pilot. "Art thou a traveller's guide to all such places in Norway?"
"I've never heard of this cave," said Güldmar, eyeing the pilot closely. "Are you a guide for travelers to all these spots in Norway?"
Somewhat to Errington's surprise, Svensen changed color and appeared confused; moreover, he removed his red cap altogether when he answered the bonde, to whom he spoke deferentially in rapid Norwegian. The old man laughed as he listened, and seemed satisfied; then, turning away, he linked his arm through Philip's, and said,
Somewhat to Errington's surprise, Svensen turned pale and looked confused; furthermore, he took off his red cap entirely when he responded to the bonde, speaking respectfully in quick Norwegian. The old man laughed as he listened and seemed pleased; then, turning away, he hooked his arm through Philip's and said,
"You must pardon him, my lad, that he spoke in your presence a tongue unfamiliar to you. No offense was meant. He is of my creed, but fears to make it known, lest he should lose all employment—which is likely enough, seeing that so many of the people are fanatics. Moreover, he is bound to me by an oath,—which in olden days would have made him my serf,—but which leaves him free enough just now,—with one exception."
"You need to forgive him, my boy, for speaking a language you're not familiar with in front of you. He didn't mean any offense. He shares my beliefs but is afraid to reveal them, fearing he might lose his job—which is quite possible, considering how many people are zealots. Besides, he's sworn an oath to me—which in the past would have made him my servant—but it doesn't tie him down too much right now—except for one thing."
"And that exception?" asked Errington with some interest.
"And what’s that exception?" Errington asked, intrigued.
"Is, that should I ever demand a certain service at his hands, he dare not refuse it. Odd, isn't it? or so it seems to you," and Güldmar pressed the young man's arm lightly and kindly; "but our Norse oaths, are taken with great solemnity, and are as binding as the obligation of death itself. However, I have not commanded Valdemar's obedience yet, nor do I think I am likely to do so for some time. He is a fine, faithful fellow,—though too much given to dreams."
"Well, if I ever ask him for a favor, he wouldn't dare say no. It's kind of strange, isn't it? Or at least it seems that way to you," Güldmar said, lightly and warmly squeezing the young man's arm. "But our Norse oaths are taken very seriously and are as binding as a deathbed promise. Still, I haven't asked Valdemar to obey me yet, and I don't think I will for a while. He's a good, loyal guy—though he tends to daydream a bit too much."
A gay chorus of laughter here broke from the little group seated on deck, of which Thelma was the centre,—and Güldmar stopped in his walk, with an attentive smile on his open, ruddy countenance.
A cheerful chorus of laughter erupted from the small group sitting on the deck, with Thelma at the center. Güldmar paused in his stroll, wearing an attentive smile on his warm, flushed face.
"'Tis good for the heart to hear the merriment of young folks," he said. "Think you not my girl's laugh is like the ripple of a lark's song? just so clear and joyous?"
"'It’s good for the heart to hear the joy of young people," he said. "Don’t you think my girl's laughter is like the sound of a lark's song? Just as clear and cheerful?"
"Her voice is music itself!" declared Philip quickly and warmly. "There is nothing she says, or does, or looks,—that is not absolutely beautiful!"
"Her voice is like music!" Philip said quickly and warmly. "Everything she says, does, or how she looks is just absolutely beautiful!"
Then, suddenly aware of his precipitation, he stopped abruptly. His face flushed as Güldmar regarded him fixedly, with a musing and doubtful air. But whatever the old man thought, he said nothing. He merely held the young baronet's arm a little closer, and together they joined the others,—though it was noticeable that during the rest of the day the bonde was rather abstracted and serious,—and that every now and then his eyes rested on his daughter's face with an expression of tender yearning and melancholy.
Then, suddenly realizing his rush, he stopped short. His face turned red as Güldmar stared at him intently, looking pensive and uncertain. But whatever the old man was thinking, he said nothing. He just held the young baronet's arm a little tighter, and together they joined the others—though it was clear that for the rest of the day, the bonde was somewhat lost in thought and serious—and that now and then his gaze fell on his daughter's face with an expression of deep longing and sadness.
It was about two hours after luncheon that the Eulalie approached the creek spoken of by the pilot, and they were all fascinated by the loveliness as well as by the fierce grandeur of the scene. The rocks on that portion of Soroe appeared to have split violently asunder to admit some great in-rushing passage of the sea, and were piled up in toppling terraces to the height of more than two thousand feet above the level of the water. Beneath these wild and craggy fortresses of nature a shining stretch of beach had formed itself, on which the fine white sand, mixed with crushed felspar, sparkled like powdered silver. On the left-hand side of this beach could be distinctly seen the round opening of the cavern to which Valdemar Svensen directed their attention. They decided to visit it—the yacht was brought to a standstill, and the long-boat lowered. They took no sailors with them, Errington and his companions rowing four oars, while Thelma and her father occupied the stern. A landing was easily effected, and they walked toward the cavern, treading on thousands of beautiful little shells which strewed the sand beneath their feet. There was a deep stillness everywhere—the island was so desolate that it seemed as though the very seabirds refused to make their homes in the black clefts of such steep and barren rocks.
It was about two hours after lunch when the Eulalie reached the creek mentioned by the pilot, and everyone was captivated by both the beauty and the dramatic intensity of the scene. The rocks in that area of Soroe appeared to have split apart violently to create a massive passage for the sea, forming towering terraces that soared more than two thousand feet above the water level. Beneath these rugged natural fortresses, a shining stretch of beach had formed, where the fine white sand, mixed with crushed felspar, sparkled like powdered silver. On the left side of this beach, they could clearly see the round opening of the cavern that Valdemar Svensen had pointed out. They decided to visit it—the yacht came to a halt, and the long-boat was lowered. They didn't take any sailors with them; Errington and his friends rowed with four oars while Thelma and her father sat in the stern. They easily landed and walked toward the cavern, stepping on thousands of beautiful little shells scattered across the sand. There was a deep silence everywhere—the island was so desolate that it felt like even the seabirds refused to make their homes in the dark crevices of such steep and barren cliffs.
At the entrance of the little cave Güldmar looked back to the sea.
At the entrance of the small cave, Güldmar glanced back at the sea.
"There's a storm coming!" he announced. "Those clouds we saw this morning have sailed thither almost as quickly as ourselves!"
"There's a storm coming!" he said. "Those clouds we saw this morning have moved over there almost as fast as we did!"
The sky had indeed grown darker, and little wrinkling waves disturbed the surface of the water. But the sun as yet retained his sovereignty, and there was no wind. By the pilot's advice, Errington and his friends had provided themselves each with a pine torch, in order to light up the cavern as soon as they found themselves within it. The smoky crimson flare illuminated what seemed at a first glance to be a miniature fairy palace studded thickly with clusters of diamonds. Long pointed stalactites hung from the roof at almost mathematically even distances from one another,—the walls glistened with varying shades of pink and green and violet,—and in the very midst of the cave was a still pool of water in which all the fantastic forms and hues of the place mirrored themselves in miniature. In one corner the stalactites had clustered into the shape of a large chair overhung by a canopy, and Duprèz perceiving it, exclaimed—he listened, and seemed satisfied; then, turning away, he linked his arm through Philip's, and said,
The sky had definitely gotten darker, and small rippling waves disturbed the surface of the water. But the sun still held its power, and there was no wind. Following the pilot's advice, Errington and his friends each grabbed a pine torch to light up the cavern as soon as they entered. The smoky crimson glow revealed what looked at first like a tiny fairy palace covered in clusters of diamonds. Long, pointed stalactites hung from the ceiling at almost perfectly even intervals—the walls shimmered with different shades of pink, green, and violet—and right in the middle of the cave was a still pool of water that reflected all the fantastic shapes and colors of the place in miniature. In one corner, the stalactites had formed the shape of a large chair with a canopy overhead, and Duprèz, noticing it, exclaimed—he listened, seeming satisfied; then, turning away, he linked his arm through Philip's and said,
"Voilà! A queen's throne! Come Mademoiselle Güldmar, you must sit in it!"
"There it is! A queen's throne! Come on, Mademoiselle Güldmar, you have to sit in it!"
"But I am not a queen," laughed Thelma. "A throne is for a king—will not Sir Phillip sit there?"
"But I'm not a queen," laughed Thelma. "A throne is for a king—won't Sir Phillip sit there?"
"There's a compliment for you, Phil!" cried Lorrimer, waving his torch enthusiastically. "Let us awaken the echoes with the shout of 'Long live the King!'"
"Here’s a compliment for you, Phil!" Lorrimer shouted, waving his flashlight excitedly. "Let’s wake up the echoes with a shout of 'Long live the King!'"
But Errington approached Thelma, and taking her hand in his, said gently—
But Errington approached Thelma, and taking her hand in his, said gently—
"Come! let us see you throned in state, Queen Thelma! To please me,—come!"
"Come on! Let's see you sitting majestically, Queen Thelma! To make me happy—come!"
She looked up—the flame of the bright torch he carried illumined his face, on which love had written what she could not fail to read,—but she trembled as with cold, and there was a kind of appalling wonder in her troubled eyes. He whispered, "come, Queen Thelma!" As in a dream, she allowed him to lead her to the stalactite chair, and when she was seated therein, she endeavored to control the rapid beating of her heart, and to smile unconcernedly on the little group that surrounded her with shouts of mingled mirth and admiration.
She looked up—the bright flame of the torch he carried lit up his face, where love was clearly written for her to see—but she shivered as if cold, and there was a kind of frightening wonder in her worried eyes. He whispered, "Come, Queen Thelma!" As if in a dream, she let him take her to the stalactite chair, and when she sat down, she tried to steady her racing heart and smile casually at the small group around her, who were shouting with a mix of laughter and admiration.
"Ye look just fine!" said Macfarlane with undisguised delight. "Ye'd mak' a grand picture, wouldn't she, Errington?"
"You're looking great!" said Macfarlane with obvious pleasure. "She'd make a fantastic picture, wouldn't she, Errington?"
Phillip gazed at her, but said nothing—his head was too full. Sitting there among the glittering, intertwisted, and suspended rocks,—with the blaze from the torches flashing on her winsome face and luxuriant hair,—with that half-troubled, half-happy look in her eyes, and an uncertain shadowy smile quivering on her sweet lips, the girl looked almost dangerously lovely,—Helen of Troy could scarce have fired more passionate emotion among the old-world heroes than she unconsciously excited at that moment in the minds of all who beheld her. Duprèz for once understood what it was to reverence a woman's beauty, and decided that the flippant language of compliment was out of place—he therefore said nothing, and Lorrimer, too, was silent battling bravely against the wild desires that were now, in his opinion, nothing but disloyalty to his friend. Old Güldmar's hearty voice roused and startled them all.
Phillip stared at her but said nothing—his mind was too crowded. Sitting there among the sparkling, twisted, and hanging rocks—with the light from the torches dancing on her charming face and rich hair—with that mix of troubled and happy look in her eyes, and a tentative, shadowy smile trembling on her sweet lips, the girl was almost dangerously beautiful—Helen of Troy could hardly have sparked more intense emotions in the ancient heroes than she unconsciously stirred in the minds of everyone who saw her at that moment. Duprèz, for once, grasped what it meant to truly admire a woman's beauty and figured that casual compliments were unsuitable—so he said nothing, and Lorrimer, too, remained quiet, struggling against the intense feelings that he believed were nothing but betrayal to his friend. Old Güldmar's booming voice jolted and surprised them all.
"Now Thelma, child! If thou art a queen, give orders to these lads to be moving! 'Tis a damp place to hold a court in, and thy throne must needs be a cold one. Let us out to the blessed sunshine again—maybe we can climb one of yon wild rocks and get a view worth seeing."
"Now Thelma, dear! If you’re a queen, tell these guys to get moving! This is a damp place to hold court, and your throne is bound to be chilly. Let’s go out into the blessed sunshine again—maybe we can climb one of those wild rocks and see a view worth having."
"All right, sir!" said Lorimer, chivalrously resolving that now Errington should have a chance. "Come on, Mac! Allons, marchons,—Pierre! Mr. Güldmar exacts our obedience! Phil, you take care of the queen!"
"Okay, sir!" said Lorimer, gallantly deciding that it was Errington's turn now. "Let's go, Mac! Allons, marchons,—Pierre! Mr. Güldmar demands our respect! Phil, you look after the queen!"
And skillfully pushing on Duprèz and Macfarlane before him, he followed Güldmar, who preceded them all,—thus leaving his friend in a momentary comparative solitude with Thelma. The girl was a little startled as she saw them thus taking their departure, and sprang up from her stalactite throne in haste. Sir Philip had laid aside his torch in order to assist her with both hands to descend the sloping rocks; but her embarrassment at being left almost alone with him made her nervous and uncertain of foot,—she was hurried and agitated and anxious to overtake the others, and in trying to walk quickly she slipped and nearly fell. In one second she was caught in his arms and clasped passionately to his heart.
And skillfully pushing Duprèz and Macfarlane ahead of him, he followed Güldmar, who was leading the way, leaving his friend in a brief moment of solitude with Thelma. The girl was a bit taken aback as she saw them leaving and quickly got up from her stalactite throne. Sir Philip had set aside his torch to help her down the sloping rocks with both hands; however, her discomfort at being almost alone with him made her nervous and unsure of her footing. She felt rushed and anxious to catch up with the others, and while trying to walk quickly, she slipped and nearly fell. In an instant, he caught her in his arms and held her tightly against his heart.
"Thelma! Thelma!" he whispered, "I love you, my darling—I love you!"
"Thelma! Thelma!" he whispered, "I love you, my darling—I love you!"
She trembled in his strong embrace, and strove to release herself, but he pressed her more closely to him, scarcely knowing that he did so, but feeling that he held the world, life, time, happiness, and salvation in this one fair creature. His brain was in a wild whirl—the glitter of the stalactite cave turned to a gyrating wheel of jewel-work, there was nothing any more—no universe, no existence—nothing but love, love, love, beating strong hammer-strokes through every fibre of his frame. He glanced up, and saw that the slowly retreating forms of his friends had nearly reached the outer opening of the cavern. Once there, they would look back and—
She shook in his strong embrace and tried to pull away, but he held her tighter, barely aware he was doing it, feeling that he had the world, life, time, happiness, and salvation wrapped up in this one beautiful person. His mind was in a wild spin—the sparkle of the stalactite cave transformed into a spinning wheel of jewels—there was nothing else—no universe, no existence—only love, love, love, pulsing like a hammer through every part of him. He looked up and saw that the slowly fading figures of his friends had almost reached the entrance of the cave. Once they got there, they would look back and—
"Quick, Thelma!" and his warm breath touched her cheek. "My darling! my love! if you are not angry,—kiss me! I shall understand."
"Quick, Thelma!" His warm breath brushed against her cheek. "My darling! My love! If you're not upset—kiss me! I'll understand."
She hesitated. To Philip that instant of hesitation seemed a cycle of slow revolving years. Timidly she lifted her head. She was very pale, and her breath came and went quickly. He gazed at her in speechless suspense,—and saw as in a vision the pure radiance of her face and star-like eyes shining more and more closely upon him. Then came a touch,—soft and sweet as a roseleaf pressed against his lips,—and for one mad moment he remembered nothing,—he was caught up like Homer's Paris in a cloud of gold, and knew not which was earth or heaven.
She hesitated. To Philip, that moment of hesitation felt like a long stretch of slow-moving years. Timidly, she lifted her head. She was very pale, and her breath came and went quickly. He looked at her in speechless anticipation, and saw, as if in a vision, the pure glow of her face and star-like eyes shining ever more brightly on him. Then came a touch—soft and sweet like a rose petal against his lips—and for one crazy moment, he forgot everything. He was swept away like Homer’s Paris in a cloud of gold, unable to tell which was earth and which was heaven.
"You love me, Thelma?" he murmured in a sort of wondering rapture. "I cannot believe it, sweet! Tell me—you love me?"
"You love me, Thelma?" he whispered in a kind of amazed bliss. "I can’t believe it, sweetheart! Tell me—you love me?"
She looked up. A new, unspeakable glory flushed her face, and her eyes glowed with the mute eloquence of awakening passion.
She looked up. A new, indescribable glory flushed her face, and her eyes sparkled with the silent expression of rising passion.
"Love you?" she said in a voice so low and sweet that it might have been the whisper of a passing fairy. "Ah, yes! more than my life!"
"Love you?" she said in a voice so soft and sweet that it could have been the whisper of a passing fairy. "Oh, yes! more than my life!"
CHAPTER XIV.
Each singly wooed and won!"
DANTE ROSETTI.
Dante Rossetti.
"Hallo, ho!" shouted Güldmar vociferously, peering back into the shadows of the cavern from whence the figures of his daughter and Errington were seen presently emerging. "Why, what kept you so long, my lad? We thought you were close behind us. Where's your torch?"
"Hello, ho!" shouted Güldmar loudly, looking back into the shadows of the cave where his daughter and Errington were just coming out. "What took you so long, my friend? We thought you were right behind us. Where's your flashlight?"
"It went out," replied Philip promptly, as he assisted Thelma with grave and ceremonious politeness to cross over some rough stones at the entrance, "and we had some trouble to find our way."
"It went out," Philip replied quickly, as he helped Thelma with serious and formal politeness to walk over some uneven stones at the entrance, "and we had some trouble finding our way."
"Ye might hae called to us i' the way o' friendship," observed Macfarlane somewhat suspiciously, "and we wad hae lighted ye through."
"You could have called us in a friendly way," Macfarlane said somewhat suspiciously, "and we would have guided you through."
"Oh, it was no matter!" said Thelma, with a charming smile. "Sir Philip seemed well to know the way, and it was not so very dark!"
"Oh, it’s no big deal!" said Thelma, with a charming smile. "Sir Philip seemed to know the way just fine, and it wasn’t that dark!"
Lorimer glanced at her and read plainly all that was written in her happy face. His heart sank a little; but, noticing that the old bonde was studying his daughter with a slight air of vexation and surprise, he loyally determined to divert the general attention from her bright blushes and too brilliantly sparkling eyes.
Lorimer looked at her and saw everything her happy face expressed. His heart sank a bit; however, noticing that the old bonde was examining his daughter with a hint of annoyance and surprise, he resolutely decided to shift the focus away from her flushed cheeks and overly sparkling eyes.
"Well! . . . here you both are, at any rate," he said lightly, "and I should strongly advise that we attempt no more exploration of the island of Soroe to-day. Look at the sky; and just now there was a clap of thunder."
"Well! ... here you both are, at least," he said casually, "and I suggest we don’t do any more exploring of Soroe Island today. Look at the sky; there was just a clap of thunder."
"Thunder?" exclaimed Errington. "I never heard it!"
"Thunder?" exclaimed Errington. "I've never heard it!"
"I dare say not!" said Lorimer, with a quiet smile. "Still we heard it pretty distinctly, and I think we'd better make for the yacht."
"I definitely don't think so!" said Lorimer, with a calm smile. "Still, we heard it pretty clearly, and I think we should head for the yacht."
"All right!" and Sir Philip sprang gaily into the long-boat to arrange the cushions in the stern for Thelma. Never had he looked handsomer or more high-spirited, and his elation was noticed by all his companions.
"All right!" Sir Philip said cheerfully as he jumped into the long-boat to set up the cushions in the back for Thelma. He had never looked more handsome or more spirited, and all his friends noticed his excitement.
"Something joyous has happened to our Phil-eep," said Duprèz in a half-whisper. "He is in the air!"
"Something amazing has happened to our Phil-eep," said Duprèz in a low voice. "He’s on cloud nine!"
"And something in the ither way has happened vera suddenly to Mr. Güldmar," returned Macfarlane. "Th' auld man is in the dumps."
"And something in the other direction has happened very suddenly to Mr. Güldmar," replied Macfarlane. "The old man is feeling down."
The bonde's face in truth looked sad and somewhat stern. He scarcely spoke at all as he took his place in the boat beside his daughter,—once he raised her little hand, looked at it, and kissed it fondly.
The bonde's face really looked sad and a bit serious. He hardly spoke as he sat in the boat next to his daughter—once, he lifted her tiny hand, looked at it, and kissed it affectionately.
They were all soon on their way back to the Eulalie over a sea that had grown rough and white-crested during their visit to the stalactite cave. Clouds had gathered thickly over the sky, and though a few shafts of sunlight still forced a passage through them, the threatening darkness spread with steady persistency, especially to the northern side of the horizon, where Storm hovered in the shape of a black wing edged with coppery crimson. As they reached the yacht a silver glare of lightning sprang forth from beneath this sable pinion, and a few large drops of rain began to fall. Errington hurried Thelma on deck and down into the saloon. His friends, with Güldmar, followed,—and the vessel was soon plunging through waves of no small height on her way back to the Altenfjord. A loud peal of thunder like a salvo of artillery accompanied their departure from Soroe, and Thelma shivered a little as she heard it.
They were all soon heading back to the Eulalie over a sea that had become rough and white-capped during their visit to the stalactite cave. Clouds had thickly gathered in the sky, and although a few rays of sunlight still managed to break through, the ominous darkness spread steadily, especially towards the northern horizon, where a storm loomed like a black wing edged with coppery red. As they reached the yacht, a flash of lightning burst forth from beneath this dark wing, and a few large drops of rain began to fall. Errington quickly ushered Thelma on deck and down into the saloon. His friends, along with Güldmar, followed, and soon the vessel was plunging through waves of considerable height on her way back to the Altenfjord. A loud clash of thunder like the blast of artillery accompanied their departure from Soroe, and Thelma shivered slightly as she heard it.
"You are nervous, Mademoiselle Güldmar?" asked Duprèz, noticing her tremor.
"You’re nervous, Miss Güldmar?" asked Duprèz, noticing her shake.
"Oh no," she answered brightly. "Nervous? That is to be afraid,—I am not afraid of a storm, but I do not like it. It is a cruel, fierce thing; and I should have wished to-day to be all sunshine—all gladness!" She paused, and her eyes grew soft and humid.
"Oh no," she replied cheerfully. "Nervous? That's something to be scared of—I'm not scared of a storm, but I really don't like it. It's a harsh, wild thing; and I would have preferred today to be full of sunshine—just pure happiness!" She paused, and her eyes grew soft and misty.
"Then you have been happy to-day?" said Lorimer in a low and very gentle voice.
"Then you've been happy today?" said Lorimer in a soft and very gentle voice.
She smiled up at him from the depths of the velvet lounge in which Errington had placed her.
She smiled up at him from the depths of the velvet lounge where Errington had put her.
"Happy? I do not think I have ever been so happy before!" She paused, and a bright blush crimsoned her cheeks; then, seeing the piano open, she said suddenly "Shall I sing to you? or perhaps you are all tired, and would rather rest?"
"Happy? I don’t think I've ever been this happy before!" She paused, and a bright blush stained her cheeks; then, noticing the piano open, she suddenly asked, "Should I sing for you? Or maybe you're all tired and would prefer to rest?"
"Music is rest," said Lorimer rather dreamily, watching her as she rose from her seat,—a tall, supple, lithe figure,—and moved towards the instrument. "And your voice. Miss Güldmar, would soothe the most weary soul that ever dwelt in clay."
"Music is rest," Lorimer said dreamily, watching her as she got up from her seat—a tall, graceful figure—and walked towards the instrument. "And your voice, Miss Güldmar, would soothe the most tired soul that ever lived in the flesh."
She glanced round at him, surprised at his sad tone.
She looked over at him, taken aback by his sad tone.
"Ah, you are very, very tired, Mr. Lorimer, I am sure! I will sing you a Norse cradle-song to make you go to sleep. You will not understand the words though—will that matter?"
"Ah, you must be really tired, Mr. Lorimer! I’ll sing you a Norse lullaby to help you drift off to sleep. You won’t understand the words, though—will that be a problem?"
"Not in the least!" answered Lorimer, with a smile. "The London girls sing in German, Italian, Spanish, and English. Nobody knows what they are saying: they scarcely know themselves—but it's all right, and quite fashionable."
"Not at all!" replied Lorimer with a smile. "The girls from London sing in German, Italian, Spanish, and English. No one knows what they're saying; they barely know themselves—but it's totally fine and definitely trendy."
Thelma laughed gaily. "How funny!" she exclaimed. "It is to amuse people, I suppose! Well,—now listen." And, playing a soft prelude, her rich contralto rippled forth in a tender, passionate, melancholy melody,—so sweet and heart-penetrating that the practical Macfarlane sat as one in a dream,—Duprèz forgot to finish making the cigarette he was daintily manipulating between his fingers, and Lorimer had much ado to keep tears from his eyes. From one song she glided to another and yet another; her soul seemed possessed by the very spirit of music. Meanwhile Errington, in obedience to an imperative sign from old Güldmar, left the saloon, with him,—once outside the doors the bonde said in a somewhat agitated voice—
Thelma laughed joyfully. "How amusing!" she said. "It's meant to be entertaining, I guess! Well,—now pay attention." And, starting a gentle intro, her deep, rich voice flowed into a tender, passionate, and melancholic tune—so sweet and moving that the practical Macfarlane was lost in a dream, Duprèz forgot to finish rolling the cigarette he was carefully working on, and Lorimer struggled to hold back tears. She smoothly transitioned from one song to another and then another; it felt like her soul was completely taken over by the essence of music. Meanwhile, Errington, responding to a strong signal from old Güldmar, left the saloon with him,—once outside the doors, the bonde spoke in a somewhat nervous tone—
"I desire to speak to you, Sir Philip, alone and undisturbed, if such a thing be possible."
"I want to talk to you, Sir Philip, just the two of us, without any interruptions, if that’s possible."
"By all means!" answered Philip. "Come to my 'den' on deck. We shall be quite solitary there."
"Definitely!" replied Philip. "Come to my 'den' on the deck. We'll be all alone there."
He led the way, and Olaf Güldmar followed him in silence.
He took the lead, and Olaf Güldmar followed him quietly.
It was raining fiercely, and the waves, green towers of strength, broke every now and then over the sides of the yacht with a hissing shower of salt white spray. The thunder rolled along the sky in angry reverberating echoes,—frequent flashes of lightning leaped out like swords drawn from dark scabbards,—yet towards the south the sky was clearing, and arrowy beams of pale gold fell from the hidden sun, with a soothing and soft lustre on the breast of the troubled water.
It was pouring rain, and the waves, tall and powerful, crashed over the sides of the yacht, sending up a hissing spray of salty white water. Thunder rumbled across the sky in angry echoes—frequent flashes of lightning shot out like swords drawn from dark sheaths—but to the south, the sky was clearing, and thin beams of pale gold shone down from the hidden sun, casting a soft and soothing light on the restless water.
Güldmar looked about him, and heaved a deep sigh of refreshment. His eyes rested lovingly on the tumbling billows,—he bared his white head to the wind and rain.
Güldmar looked around and let out a deep sigh of relief. His eyes fondly took in the rolling waves as he exposed his white head to the wind and rain.
"This is the life, the blood, the heart of a man!" he said, while a sort of fierce delight shone in his keen eyes. "To battle with the tempest,—to laugh at the wrath of waters,—to set one's face against the wild wind,—to sport with the elements as though they were children or serfs,—this is the joy of manhood! A joy," he added slowly, "that few so-called men of to-day can ever feel."
"This is life, the essence, the core of a man!" he said, a fierce joy shining in his sharp eyes. "To fight against the storm—to laugh at the fury of the waves—to stand firm against the wild winds—to play with the elements as if they were kids or servants—this is the joy of being a man! A joy," he added slowly, "that few so-called men today can ever experience."
Errington smiled gravely. "Perhaps you are right, sir," he said; "but perhaps, at the same time, you forget that life has grown very bitter to all of us during the last hundred years or so. Maybe the world is getting old and used up, maybe the fault is in ourselves,—but it is certain that none of us nowadays are particularly happy, except at rare intervals when—"
Errington smiled thoughtfully. "Maybe you're right, sir," he said; "but at the same time, perhaps you forget that life has become pretty harsh for all of us over the last hundred years or so. Maybe the world is getting old and worn out, maybe the problem is with us—but it's clear that none of us today are especially happy, except for a few rare moments when—"
At that moment, in a lull of the storm, Thelma's voice pealed upwards from the saloon. She was singing a French song, and the refrain rang out clearly—
At that moment, during a break in the storm, Thelma's voice rose up from the saloon. She was singing a French song, and the chorus echoed clearly—
Errington paused abruptly in his speech, and turning towards a little closed and covered place on deck which was half cabin, half smoking-room, and which he kept as his own private sanctum, he unlocked it, saying—
Errington suddenly stopped speaking and turned to a small, enclosed area on the deck that was half cabin, half smoking room, which he used as his private space. He unlocked it and said—
"Will you come in here, sir? It's not very spacious, but I think it's just the place for a chat,—especially a private one."
"Could you come in here, sir? It's not very big, but I think it's the perfect spot for a conversation—especially a private one."
Güldmar entered, but did not sit down,—Errington shut the door against the rain and beating spray and also remained standing. After a pause, during which the bonde seemed struggling with some inward emotion, he said resolutely—
Güldmar came in but didn't take a seat—Errington closed the door to block out the rain and splashing water and also stayed standing. After a moment, during which the bonde appeared to be battling with some inner feelings, he spoke firmly—
"Sir Philip, you are a young man, and I am an old one. I would not willingly offend you—for I like you—yes!" And the old man looked up frankly: "I like you enough to respect you—which is more than I can say to many men I have known! But I have a weight on my heart that must be lifted. You and my child have been much together for many days,—and I was an old fool not to have foreseen the influence your companionship might have upon her. I may be mistaken in the idea that has taken hold of me—some wild words let fall by the poor boy Sigurd this morning, when he entreated my pardon for his misconduct of yesterday, have perhaps misled my judgment,—but—by the gods! I cannot put it into suitable words! I—"
"Sir Philip, you're a young man, and I'm an old one. I wouldn't want to offend you—because I like you—yes!" The old man looked up sincerely: "I like you enough to respect you—which is more than I can say about many men I've known! But I have a heavy burden on my heart that needs to be lifted. You and my child have spent a lot of time together over the past few days, and I was foolish not to have anticipated the impact your friendship might have on her. I could be wrong about this feeling that's taken hold of me—some wild things the poor boy Sigurd said this morning, when he asked for my forgiveness for his behavior yesterday, might have clouded my judgment—but—by the gods! I can't find the right words! I—"
"You think I love your daughter?" said Sir Philip quietly. "You are not mistaken, Sir! I love her with my whole heart and soul! I want you to give her to me as my wife."
"You think I love your daughter?" Sir Philip said softly. "You're not wrong, Sir! I love her completely—every part of me! I want you to give her to me as my wife."
A change passed over the old farmer's face. He grew deathly pale, and put out one hand feebly as though to seek some support. Errington caught it in his own and pressed it hard.
A change swept across the old farmer's face. He turned deathly pale and reached out one hand weakly, as if looking for something to hold on to. Errington took it in his own and squeezed it tightly.
"Surely you are not surprised, Sir?" he added with eagerness. "How can I help loving her! She is the best and loveliest girl I have ever seen! Believe me,—I would make her happy!"
"Surely you aren't surprised, Sir?" he added eagerly. "How can I help loving her! She's the best and most beautiful girl I've ever seen! Believe me—I would make her happy!"
"And have you thought, young man," returned Güldmar slowly, "that you would make me desolate?—or, thinking it, have you cared?"
"And have you considered, young man," Güldmar replied slowly, "that you would leave me feeling empty?—or, if you thought about it, did you even care?"
There was an infinite pathos in his voice, and Errington was touched and silent. He found no answer to this reproach. Güldmar sat down, leaning his head on his hand.
There was an endless sadness in his voice, and Errington was moved and quiet. He had no response to this accusation. Güldmar sat down, resting his head on his hand.
"Let me think a little," he said. "My mind is confused a bit. I was not prepared for—"
"Let me think for a moment," he said. "I'm feeling a bit confused. I wasn't ready for—"
He paused and seemed lost in sorrowful meditation. By-and-by he looked up, and meeting Errington's anxious gaze, he broke into a short laugh.
He paused and looked deep in thought, looking sad. After a while, he looked up, and when he saw Errington's worried expression, he let out a short laugh.
"Don't mind me, my lad!" he said sturdily. "'Tis a blow, you see! I had not thought so far as this. I'll tell you the plain truth, and you must forgive me for wronging you. I know what young blood is, all the world over. A fair face fires it—and impulse makes it gallop beyond control. 'Twas so with me when I was your age,—though no woman, I hope, was ever the worse for my harmless lovemaking. But Thelma is different from most women,—she has a strange nature,—moreover, she has a heart and a memory,—if she once learns the meaning of love, she will never unlearn the lesson. Now, I thought, that like most young men of your type, you might, without meaning any actual evil, trifle with her—play with her feelings—"
"Don't worry about me, kid!" he said firmly. "It's a shock, you know! I hadn't thought it would come to this. I'll be honest with you, and I hope you'll forgive me for the misunderstanding. I know what young passion is like, everywhere in the world. An attractive face ignites it—and excitement pushes it way out of control. It was the same for me when I was your age—though I like to think no woman was ever harmed by my innocent flirting. But Thelma is different from most women—she has a unique nature—plus, she has a heart and a memory—once she understands the meaning of love, she won't forget it. Now, I figured that like most young guys, you might, without any real bad intentions, play around with her—mess with her feelings—"
"I understand, Sir," said Philip coolly, without displaying any offense. "To put it plainly, in spite of your liking for me, you thought me a snob."
"I get it, Sir," Philip replied calmly, not showing any offense. "To be clear, even though you like me, you think I'm a snob."
This time the old man laughed heartily and unforcedly.
This time the old man laughed loudly and genuinely.
"Dear, dear!" he exclaimed. "You are what is termed in your own land, a peppery customer! Never mind—I like it. Why, my lad, the men of to-day think it fair sport to trifle with a pretty woman now and then—"
"Wow!" he said. "You're what they'd call a feisty person back home! No worries—I like it. You know, these days, guys think it's fun to mess around with a pretty woman every now and then—"
"Pardon!" interrupted Philip curtly. "I must defend my sex. We may occasionally trifle with those women who show us that they wish to be trifled with—but never with those who, like your daughter, win every man's respect and reverence."
"Pardon!" Philip interrupted sharply. "I have to stand up for my gender. We might occasionally play around with women who show us they want to be treated that way—but never with those who, like your daughter, earn every man's respect and admiration."
Güldmar rose and grasped his hand fervently.
Güldmar stood up and shook his hand warmly.
"By all the gods, I believe you are a true gentleman!" he said. "I ask your pardon if I have offended you by so much as a thought. But now"—and his face grew very serious—"we must talk this matter over. I will not speak of the suddenness of your love for my child, because I know, from my own past experience, that love is a rapid impulse—a flame ignited in a moment. Yes, I know that well!" He paused, and his voice trembled a little, but he soon steadied it and went on—"I think, however, my lad, that you have been a little hasty,—for instance, have you thought what your English friends and relatives will say to your marrying a farmer's daughter who,—though she has the blood of kings in her veins,—is, nevertheless, as this present world would judge, beneath you in social standing? I say, have you thought of this?"
"By all the gods, I think you’re a true gentleman!" he said. "I apologize if I’ve offended you even by a thought. But now"—his face turned very serious—"we need to discuss this matter. I won’t mention the suddenness of your love for my child because I understand, from my own experiences, that love can strike quickly—a flame sparked in an instant. Yes, I know that very well!" He paused, his voice shaking slightly, but he soon steadied himself and continued. "However, my boy, I think you’ve been a bit impulsive—have you considered what your English friends and family will think about you marrying a farmer's daughter who, although she has royal blood, is still, as today’s world would see it, below you socially? I ask you, have you thought about this?"
Philip smiled proudly. "Certainly, sir, I have not thought of any such trifle as the opinion of society,—if that is what you mean. I have no relatives to please or displease—no friends in the truest sense of the world except Lorimer. I have a long list of acquaintances undoubtedly,—infinite bores, most of them,—and whether they approve or disapprove of my actions is to me a matter of profound indifference."
Philip smiled proudly. "Of course, sir, I have not given a thought to any such trivial matter as society's opinion—if that's what you mean. I have no family to please or upset—only Lorimer is a true friend to me. I definitely have a long list of acquaintances—most of them are just annoying anyway—and whether they approve or disapprove of what I do is something I couldn't care less about."
"See you!" said the bonde firmly and earnestly. "It would be an ill day for me if I gave my little one to a husband who might—mind! I only say might,—in the course of years, regret having married her."
"See you!" said the bonde firmly and earnestly. "It would be a bad day for me if I handed my little one over to a husband who might—just to be clear, I only say might—regret marrying her at some point in the future."
"Regret!" cried Philip excitedly, then quieting down, he said gently. "My good friend, I do not think you understand me. You talk as if Thelma were beneath me. Good God! It is I who am infinitely beneath her! I am utterly unworthy of her in every way, I assure you—and I tell you so frankly. I have led a useless life, and a more or less selfish one. I have principally sought to amuse and interest myself all through it. I've had my vices too, and have them still. Beside Thelma's innocent white soul, mine looks villainous! But I can honestly say I never knew what love was till I saw her,—and now—well! I would give my life away gladly to save her from even a small sorrow."
"Regret!" Philip exclaimed excitedly, then calming down, he said softly, "My dear friend, I don’t think you really get me. You speak as if Thelma is beneath me. Good God! It’s I who am so much beneath her! I am completely unworthy of her in every way, I promise you—and I’m telling you this honestly. I've lived a pretty pointless life, and a selfish one at that. Mostly, I've just tried to entertain and interest myself all this time. I've had my flaws too, and I still do. Next to Thelma's pure, innocent soul, mine seems wicked! But I can truthfully say I never understood what love was until I met her—and now—well! I would gladly give my life to protect her from even a little bit of sadness."
"I believe you—I thoroughly believe you!" said Güldmar. "I see you love the child. The gods forbid that I should stand in the way of her happiness! I am getting old, and 'twas often a sore point with me to know what would become of my darling when I was gone,—for she is fair to look upon, and there are many human wolves ready to devour such lambs. Still, my lad, you must learn all. Do you know what is said of me in Bosekop?"
"I believe you—I really believe you!" said Güldmar. "I can see you love the child. The gods forbid that I should interfere with her happiness! I’m getting old, and it used to worry me to think about what would happen to my darling when I was gone—she is beautiful, and there are many predatory people ready to take advantage of such innocents. Still, my boy, you need to know everything. Do you know what they say about me in Bosekop?"
Errington smiled and nodded in the affirmative.
Errington smiled and nodded in agreement.
"You do?" exclaimed the old man, somewhat surprised. "You know they say I killed my wife—my wife! the creature before whom my soul knelt in worship night and day—whose bright head was the sunlight of life! Let me tell you of her, Sir Philip—'tis a simple story. She was the child of my dearest friend, and many years younger than myself. This friend of mine, Erik Erlandsen, was the captain of a stout Norwegian barque, running constantly between these wild waters and the coast of France. He fell in love with, and married a blue-eyed beauty from the Sogne Fjord, he carried her secretly away from her parents, who would not consent to the marriage. She was a timid creature, in spite of her queenly ways, and, for fear of her parents, she would never land again on the shores of Norway. She grew to love France,—and Erik often left her there in some safe shelter when he was bound on some extra long and stormy passage. She took to the Catholic creed, too, in France, and learned to speak the French tongue, so Erik said, as though it were her own. At the time of the expected birth of her child, her husband had taken her far inland to Arles, and there business compelled him to leave her for some days. When he returned she was dead!—laid out for burial, with flowers and tapers round her. He fell prone on her body insensible,—and not for many hours did the people of the place dare to tell him that he was the father of a living child—a girl, with the great blue eyes and white skin of her mother. He would scarce look at it—but at last, when roused a bit, he carried the little thing in his arms to the great Convent at Arles, and, giving the nuns money, he bade them take it and bring it up as they would, only giving it the name of Thelma. Then poor Erlandsen came home—he sought me out:—he said, 'Olaf, I feel that I am going on my last voyage. Promise you will see to my child—guard her, if you can, from an evil fate! For me there is no future!' I promised, and strove to cheer him—but he spoke truly—his ship went down in a storm on the Bay of Biscay, and all on board were lost. Then it was that I commenced my journeyings to and fro, to see the little maiden that was growing up in the Convent at Arles. I watched her for sixteen years—and when she reached her seventeenth birthday, I married her and brought her to Norway."
"You do?" the old man exclaimed, a bit surprised. "You know they say I killed my wife—my wife! the woman who made me worship her day and night—whose radiant presence was the light of my life! Let me tell you about her, Sir Philip—it's a simple story. She was the daughter of my closest friend and much younger than me. This friend, Erik Erlandsen, was the captain of a sturdy Norwegian ship, constantly traveling between these rugged waters and the coast of France. He fell in love with and married a beautiful blue-eyed girl from the Sogne Fjord, secretly taking her away from her parents, who wouldn’t approve of the marriage. She was a shy girl, despite her regal demeanor, and out of fear for her parents, she never returned to Norway. She learned to love France, and Erik often left her there in some safe place while he embarked on longer, more dangerous journeys. She embraced the Catholic faith while in France and learned to speak French, as Erik said, as if it were her native language. When she was about to give birth, Erik took her far inland to Arles, but business forced him to leave her there for a few days. When he came back, she was dead!—laid out for burial with flowers and candles around her. He collapsed beside her body, unconscious, and it took the locals many hours to gather the courage to tell him he was the father of a living child—a girl with her mother’s stunning blue eyes and fair skin. He could hardly look at her—but eventually, when he regained some composure, he carried the baby to the convent in Arles, gave the nuns some money, and asked them to raise her, just naming her Thelma. After that, poor Erlandsen came back to find me—he said, 'Olaf, I feel like I'm going on my last voyage. Promise me you'll take care of my child—protect her from a terrible fate! There's no future for me!' I promised and tried to comfort him—but he was right—his ship sank in a storm in the Bay of Biscay, and everyone on board perished. That’s when I started my travels back and forth to visit the little girl growing up in the convent in Arles. I watched her for sixteen years—and when she turned seventeen, I married her and brought her to Norway."
"And she was Thelma's mother?" said Errington with interest.
"And she was Thelma's mom?" Errington asked, intrigued.
"She was Thelma's mother," returned the bonde, "and she was more beautiful than even Thelma is now. Her education had been almost entirely French, but, as a child, she had learnt that I generally spoke English, and as there happened to be an English nun in the Convent, she studied that language and mastered it for the love of me—yes!" he repeated with musing tenderness, "all for the love of me,—for she loved me, Sir Philip—ay! as passionately as I loved her, and that is saying a great deal! We lived a solitary happy life,—but we did not mix with our neighbors—our creeds were different,—our ways apart from theirs. We had some time of perfect happiness together. Three years passed before our child was born, and then"—the bonde paused awhile, and again continued,—"then my wife's health grew frail and uncertain. She liked to be in the fresh air, and was fond of wandering about the hills with her little one in her arms. One day—shall I ever forget it! when Thelma was about two and a half years old, I missed them both, and went out to search for them, fearing my wife had lost her way, and knowing that our child could not toddle far without fatigue. I found them"—the bonde shuddered-"but how? My wife had slipped and fallen through a chasm in the rocks,—high enough, indeed, to have killed her,—she was alive, but injured for life. She lay there white and motionless—little Thelma meanwhile sat smilingly on the edge of the rock, assuring me that her mother had gone to sleep 'down there.' Well!" and Güldmar brushed the back of his hand across his eyes, "to make a long story short, I carried my darling home in my arms a wreck—she lingered for ten years of patient suffering, ten long years! She could only move about on crutches,—the beauty of her figure was gone—but the beauty of her face grew more perfect every day! Never again was she seen on the hills,—and so to the silly folks of Bosekop she seemed to have disappeared. Indeed, I kept her very existence a secret,—I could not endure that others should hear of the destruction of all that marvellous grace and queenly loveliness! She lived long enough to see her daughter blossom into girlhood,—then,—she died. I could not bear to have her laid in the damp, wormy earth—you know in our creed earth-burial is not practiced,—so I laid her tenderly away in a king's tomb of antiquity,—a tomb known only to myself and one who assisted me to lay her in her last resting-place. There she sleeps right royally,—and now is your mind relieved, my lad? For the reports of the Bosekop folk must certainly have awakened some suspicions in your mind?"
"She was Thelma's mother," replied the bonde, "and she was even more beautiful than Thelma is now. Her education was almost entirely in French, but as a child, she learned that I usually spoke English. Since there happened to be an English nun in the Convent, she studied that language and mastered it for my sake—yes!" he repeated with thoughtful tenderness, "all for my sake—for she loved me, Sir Philip—oh yes! as passionately as I loved her, and that’s saying a lot! We lived a happy, solitary life, but we didn’t mingle with our neighbors—our beliefs were different, and our ways apart from theirs. We had a time of perfect happiness together. Three years passed before our child was born, and then"—the bonde paused for a moment and continued—"then my wife's health became weak and uncertain. She loved being outdoors and enjoyed wandering around the hills with our little one in her arms. One day—I'll never forget it! when Thelma was about two and a half years old, I noticed they were both missing and went out to look for them, fearing my wife had lost her way and knowing our child couldn't walk very far without getting tired. I found them"—the bonde shuddered—"but how? My wife had slipped and fallen through a gap in the rocks—high enough that it could have killed her—she was alive but injured for life. She lay there pale and motionless—little Thelma meanwhile sat happily on the edge of the rock, telling me that her mother had gone to sleep 'down there.' Well!" and Güldmar wiped his eyes with the back of his hand, "to make a long story short, I carried my darling home in my arms as a wreck—she lingered for ten years of patient suffering, ten long years! She could only move around on crutches—the beauty of her figure was gone—but the beauty of her face grew more perfect every day! She was never seen on the hills again—and to the silly folks of Bosekop, she seemed to have disappeared. In fact, I kept her very existence a secret—I couldn't bear for others to hear about the destruction of all that marvelous grace and queenly beauty! She lived long enough to see her daughter bloom into girlhood—then—she died. I couldn’t bear to lay her in the damp, wormy earth—you know in our faith, we don’t practice earth burial—so I gently placed her away in a king’s tomb of antiquity—a tomb known only to me and one who helped me lay her to rest. There she sleeps royally—and now is your mind at ease, my lad? For the stories from the Bosekop folks must have certainly raised some suspicions in your mind?"
"Your story has interested me deeply, sir," said Errington; "but I assure you I never had any suspicions of you at all. I always disregard gossip—it is generally scandalous, and seldom true. Besides, I took your face on trust, as you took mine."
"Your story has really caught my attention, sir," said Errington; "but I promise you I never had any doubts about you at all. I usually ignore gossip—it’s mostly scandalous and rarely accurate. Plus, I relied on your face just like you relied on mine."
"Then," declared Güldmar, with a smile, "I have nothing more to say,—except"—and he stretched out both hands—"may the great gods prosper your wooing! You offer a fairer fate to Thelma than I had dreamed of for her—but I know not what the child herself may say—"
"Then," said Güldmar with a smile, "I have nothing more to say—except"—and he stretched out both hands—"may the great gods bless your pursuit! You promise a better future for Thelma than I ever imagined for her—but I can't say what the child herself might think—"
Philip interrupted him. His eyes flashed, and he smiled.
Philip cut him off. His eyes lit up, and he grinned.
"She loves me!" he said simply. Güldmar looked at him, laughed a little, and sighed.
"She loves me!" he said casually. Güldmar looked at him, chuckled a bit, and sighed.
"She loves thee?" he said, relapsing into the thee and thou he was wont to use with his daughter. "Thou hast lost no time, my lad? When didst thou find that out?"
"She loves you?" he said, slipping back into the you and your pronouns he usually used with his daughter. "You didn't waste any time, did you? When did you figure that out?"
"To-day!" returned Philip, with that same triumphant smile playing about his lips. "She told me so—yet even now I cannot believe it!"
"Today!" Philip replied, a triumphant smile still on his lips. "She told me that—yet even now I can’t believe it!"
"Ah, well, thou mayest believe it truly," said Güldmar, "for Thelma says nothing that she does not mean! The child has never stooped to even the smallest falsehood."
"Ah, well, you can believe it for real," said Güldmar, "because Thelma never says anything she doesn’t mean! The girl has never told even the smallest lie."
Errington seemed lost in a happy dream. Suddenly he roused himself and took Güldmar by the arm.
Errington looked like he was caught in a joyful daydream. Suddenly, he snapped back to reality and took Güldmar by the arm.
"Come," he said, "let us go to her! She will wonder why we are so long absent. See! the storm has cleared—the sun is shining. It is understood? You will give her to me?"
"Come," he said, "let's go to her! She'll wonder why we've been gone so long. Look! The storm has passed—the sun is shining. Is that clear? You'll give her to me?"
"Foolish lad!" said Güldmar gently. "What have I to do with it? She has given herself to thee! Love has overwhelmed both of your hearts, and before the strong sweep of such an ocean what can an old man's life avail? Nothing—less than nothing! Besides, I should be happy—if I have regrets,—if I feel the tooth of sorrow biting at my heart—'tis naught but selfishness. 'Tis my own dread of parting with her"—his voice trembled, and his fine face quivered with suppressed emotion.
"Foolish boy!" Güldmar said softly. "What do I have to do with this? She has given herself to you! Love has taken over both of your hearts, and against the powerful tide of such an ocean, what can an old man's life matter? Nothing—less than nothing! Besides, I should be happy—if I have regrets—if I feel the pain of sorrow gnawing at my heart—it's nothing but selfishness. It's my own fear of losing her”—his voice shook, and his handsome face trembled with repressed emotion.
Errington pressed his arm. "Our house shall be yours, sir!" he said eagerly. "Why not leave this place and come with us?"
Errington pressed his arm. "Our home will be yours, sir!" he said eagerly. "Why not leave this place and come with us?"
Güldmar shook his head. "Leave Norway!" he said—"leave the land of my fathers—turn my back on these mountains and fjords and glaziers? Never! No, no, my lad, you're kind-hearted and generous as becomes you, and I thank you from my heart. But 'twould be impossible! I should be like a caged eagle, breaking my wings against the bars of English conventionalities. Besides, young birds must make their nest without interference from the old ones."
Güldmar shook his head. "Leave Norway!" he said—"leave the land of my ancestors—turn my back on these mountains and fjords and glaciers? Never! No, my friend, you're kind-hearted and generous, and I truly appreciate it. But it would be impossible! I would feel like a caged eagle, breaking my wings against the constraints of English customs. Besides, young birds need to build their nests without interference from the older ones."
He stepped out on deck as Errington opened the little cabin door, and his features kindled with enthusiasm as he looked on the stretch of dark mountain scenery around him, illumined by the brilliant beams of the sun that shone out now in full splendor, as though in glorious defiance of the retreating storm, which had gradually rolled away in clouds that were tumbling one over the other at the extreme edge of the northern horizon, like vanquished armies taking to hasty flight.
He stepped out onto the deck as Errington opened the small cabin door, and his face lit up with excitement as he took in the expanse of dark mountain scenery around him, illuminated by the bright rays of the sun now shining in full glory, as if boldly challenging the retreating storm, which had gradually drifted away in clouds tumbling over one another at the far edge of the northern horizon, like defeated armies making a quick escape.
"Could I stand the orderly tameness of your green England, think you, after this?" he exclaimed, with a comprehensive gesture of his hand. "No, no! When death comes—and 'twill not be long coming—let it find me with my face turned to the mountains, and nothing but their kingly crests between me and the blessed sky! Come, my lad!" and he relapsed into his ordinary tone. "If thou art like me when I was thy age, every minute passed away from thy love seems an eternity! Let us go to her—we had best wait till the decks are dry before we assemble up here again."
"Could I handle the calmness of your green England, you think, after this?" he exclaimed, gesturing widely with his hand. "No, no! When death comes—and it won’t be long now—let it find me facing the mountains, with nothing but their majestic peaks between me and the beautiful sky! Come on, my friend!" He shifted back to his usual tone. "If you're anything like I was at your age, every minute apart from your love feels like forever! Let's go to her—we should probably wait until the decks are dry before we gather up here again."
They descended at once into the saloon, where they found Thelma being initiated into the mysteries of chess by Duprèz, while Macfarlane and Lorimer looked idly on. She glanced up from the board as her father and Errington entered, and smiled at them both with a slightly heightened color.
They immediately went down to the lounge, where they saw Thelma being taught the secrets of chess by Duprèz, while Macfarlane and Lorimer watched casually. She looked up from the board when her father and Errington walked in, smiling at both of them with a little blush.
"This is such a wonderful game, father!" she said. "And I am so stupid, I cannot understand it! So Monsieur Pierre is trying to make me remember the moves."
"This is such an amazing game, Dad!" she said. "And I'm so clueless, I can't figure it out! So Monsieur Pierre is trying to help me remember the moves."
"Nothing is easier!" declared Duprèz. "I was showing you how the bishop goes, so—cross-ways," and he illustrated his lesson. "He is a dignitary of the Church, you perceive. Bien! it follows that he cannot go in a straight line,—if you observe them well, you will see that all the religious gentlemen play at cross purposes. You are very quick, Mademoiselle Güldmar,—you have perfectly comprehended the move of the Castle, and the pretty plunge of the knight. Now, as I told you, the queen can do anything—all the pieces shiver in their shoes before her!"
"Nothing could be easier!" declared Duprèz. "I was showing you how the bishop moves—diagonally," and he demonstrated his point. "He’s a high-ranking member of the Church, you see. Bien! Therefore, he can't move in a straight line—if you pay close attention, you’ll notice that all the clergy play at cross purposes. You’re very sharp, Mademoiselle Güldmar—you’ve completely understood how the Castle moves and the beautiful leap of the knight. Now, as I mentioned, the queen can do anything—all the pieces shake in their boots in front of her!"
"Why?" she asked, feeling a little embarrassed, as Sir Philip came and sat beside her, looking at her with an undoubtedly composed air of absolute proprietorship.
"Why?" she asked, feeling a bit embarrassed as Sir Philip came and sat next to her, looking at her with an undeniably calm air of complete ownership.
"Why? Enfin, the reason is simple!" answered Pierre. "The queen is a woman,—everything must give way to her wish!"
"Why? Finally, the reason is simple!" Pierre replied. "The queen is a woman—everything has to bend to her wishes!"
"And the king?" she inquired.
"And what about the king?" she asked.
"Ah! Le pauvre Roi! He can do very little—almost nothing! He can only move one step at a time, and that with much labor and hesitation—he is the wooden image of Louis XVI!"
"Ah! The poor King! He can do very little—almost nothing! He can only move one step at a time, and that with a lot of effort and uncertainty—he is the wooden figure of Louis XVI!"
"Then," said the girl quickly, "the object of the game is to protect a king who is not worth protecting!"
"Then," said the girl quickly, "the point of the game is to protect a king who's not worth saving!"
Duprèz laughed. "Exactly! And thus, in this charming game, you have the history of many nations! Mademoiselle Güldmar has put the matter excellently! Chess is for those who intend to form republics. All the worry and calculation—all the moves of pawns, bishops, knights, castles, and queens,—all to shelter the throne which is not worth protecting! Excellent! Mademoiselle, you are not in favor of monarchies!"
Duprèz laughed. "Exactly! And so, in this delightful game, you have the history of many nations! Mademoiselle Güldmar has expressed it perfectly! Chess is for those who plan to establish republics. All the worry and strategy—all the moves of pawns, bishops, knights, castles, and queens—all to guard the throne that isn't worth protecting! Brilliant! Mademoiselle, you don't support monarchies!"
"I do not know," said Thelma; "I have never thought of such things. But kings should be great men,—wise and powerful, better and braver than all their subjects, should they not?"
"I don't know," Thelma said; "I've never thought about it. But kings should be great people—wise and powerful, better and braver than all their subjects, right?"
"Undoubtedly!" remarked Lorimer; "but, it's a curious thing, they seldom are. Now, our queen, God bless her—"
"Definitely!" Lorimer said; "but it's interesting, they hardly ever are. Now, our queen, God bless her—"
"Hear, hear!" interrupted Errington, laughing good-humoredly. "I won't have a word said against the dear old lady, Lorimer! Granted that she hates London, and sees no fun in being stared at by vulgar crowds, I think she's quite right,—and I sympathize heartily with her liking for a cup of tea in peace and quiet with some old Scotch body who doesn't care whether she's a queen or a washerwoman."
"Hear, hear!" interrupted Errington, laughing good-naturedly. "I won’t let anyone say a bad word about the dear old lady, Lorimer! Sure, she hates London and doesn’t find any joy in being gawked at by rude crowds, but I think she’s completely justified—and I really relate to her preference for enjoying a cup of tea in peace and quiet with some old Scottish person who doesn’t care whether she’s a queen or a washerwoman."
"I think," said Macfarlane slowly, "that royalty has its duties, ye see, an' though I canna say I object to Her Majesty's homely way o' behavin', still there are a few matters that wad be the better for her pairsonal attention."
"I think," Macfarlane said slowly, "that royalty has its responsibilities, you see, and while I can't say I mind Her Majesty's down-to-earth way of behaving, there are still a few issues that would benefit from her personal attention."
"Oh bother!" said Errington gaily. "Look at that victim of the nation, the Prince of Wales! The poor fellow hasn't a moment's peace of his life,—what with laying foundation stones, opening museums, inspecting this and visiting that, he is like a costermonger's donkey, that must gee-up or gee-wo as his master, the people bid. If he smiles at a woman, it is instantly reported that he's in love with her,—if he frankly says he considers her pretty, there's no end to the scandal. Poor royal wretch! I pity him from my heart! The unwashed, beer-drinking, gin-swilling classes, who clamor for shortened hours of labor, and want work to be expressly invented for their benefit, don't suffer a bit more than Albert Edward, who is supposed to be rolling idly in the very lap of luxury, and who can hardly call his soul his own. Why, the man can't eat a mutton-chop without there being a paragraph in the papers headed, 'Diet of the Prince of Wales.' His life is made an infinite bore to him, I'm positive!"
"Oh man!" said Errington cheerfully. "Look at that public figure, the Prince of Wales! The poor guy can’t find a moment of peace in his life—between laying foundation stones, opening museums, checking this out and visiting that, he’s like a street vendor’s donkey, who has to move left or right as the crowd directs. If he smiles at a woman, it’s immediately reported that he’s in love with her—if he honestly says he thinks she’s pretty, the gossip never ends. Poor royal guy! I feel for him! The unwashed, beer-drinking, gin-guzzling folks, who demand shorter work hours and want jobs specifically created for them, don’t suffer any more than Albert Edward, who’s supposed to be lounging in luxury but can hardly call his life his own. I mean, the guy can't even eat a mutton chop without seeing a news article titled, 'Diet of the Prince of Wales.' I’m sure his life is just one long bore!"
Güldmar looked thoughtful. "I know little about kings or princes," he said, "but it seems to me, from what I do know, that they have but small power. They are mere puppets. In olden times they possessed supremacy, but now—"
Güldmar looked pensive. "I don’t know much about kings or princes," he said, "but it seems to me, based on what I do know, that they have very little power. They’re just puppets. In the past, they held great authority, but now—"
"I will tell you," interrupted Duprèz excitedly, "who it is that rules the people in these times,—it is the Pen—Madame La Plume. A little black, sharp, scratching devil she is,—empress of all nations! No crown but a point,—no royal robe save ink! It is certain that as long as Madame la Plume gambols freely over her realms of paper, so long must kings and autocrats shake in their shoes and be uncertain of their thrones. Mon Dieu! if I had but the gift of writing, I would conquer the world!"
"I'll tell you," Duprèz interrupted excitedly, "who rules the people these days—it's the Pen—Madame La Plume. She's a little black, sharp, scratching devil—empress of all nations! No crown, just a point—no royal robe except ink! It's clear that as long as Madame la Plume plays freely across her realms of paper, kings and dictators will tremble in their boots and be unsure of their thrones. My God! if I only had the gift of writing, I would conquer the world!"
"There are an immense number of people writing just now, Pierre," remarked Lorimer, with a smile, "yet they don't do much in the conquering line."
"There are a ton of people writing right now, Pierre," remarked Lorimer with a smile, "yet they aren't really achieving much in terms of conquering."
"Because they are afraid!" said Duprèz. "Because they have not the courage of their opinions! Because they dare not tell the truth!"
"Because they are scared!" said Duprèz. "Because they lack the courage to stand by their beliefs! Because they won’t speak the truth!"
"Upon my life, I believe you are right!" said Errington. "If there were a man bold enough to declare truths and denounce lies, I should imagine it quite possible that he might conquer the world,—or, at any rate, make it afraid of him."
"Honestly, I think you’re right!" said Errington. "If there was a man brave enough to speak the truth and call out lies, I could totally see him conquering the world—or at least instilling some fear in it."
"But is the world so full of lies?" asked Thelma timidly.
"But is the world really so full of lies?" Thelma asked nervously.
Lorimer looked at her gravely. "I fear so, Miss Güldmar! I think it has a tolerable harvest of them every year,—a harvest, too, that never fails! But I say, Phil! Look at the sun shining! Let us go up on deck,—we shall soon be getting back to the Altenfjord."
Lorimer looked at her seriously. "I'm afraid so, Miss Güldmar! I believe it produces a decent number of them every year—a harvest that never disappoints! But hey, Phil! Look at the sun shining! Let's head up on deck—we'll be getting back to the Altenfjord soon."
They all rose, threw on their caps, and left the saloon with the exception of Errington, who lingered behind, watching his opportunity, and as Thelma followed her father he called her back softly—
They all stood up, put on their hats, and exited the bar, except for Errington, who stayed behind, waiting for his chance. As Thelma walked after her father, he gently called her back—
"Thelma!"
"Thelma!"
She hesitated, and then turned towards him,—her father saw her movement, smiled at her, and nodded kindly, as he passed through the saloon doors and disappeared. With a beating heart, she sprang quickly to her lover's side, and as he caught her in his arms, she whispered—
She hesitated, then turned toward him—her father noticed her movement, smiled at her, and nodded kindly as he walked through the saloon doors and vanished. With a racing heart, she quickly jumped to her lover's side, and as he wrapped his arms around her, she whispered—
"You have told him?"
"Did you tell him?"
"Your father? Yes, my darling!" murmured Philip, as he kissed her sweet, upturned lips. "Be quite happy—he knows everything. Come, Thelma! tell me again you love me—I have not heard you say it properly yet!"
"Your dad? Yes, my darling!" Philip whispered, kissing her sweet, turned-up lips. "Be happy—he knows everything. Come on, Thelma! Tell me again that you love me—I haven't heard you say it right yet!"
She smiled dreamily as she leaned against his breast and looked up into his eyes.
She smiled dreamily as she leaned against his chest and looked up into his eyes.
"I cannot say it properly!" she said. "There is no language for my heart! If I could tell you all I feel, you would think it foolish, I am sure, because it is all so wild and strange,"—she stopped, and her face grew pale,—"oh!" she murmured with a slight tremor; "it is terrible!"
"I can't express it right!" she said. "There aren't words for what I'm feeling! If I could share everything inside me, you would probably think it's silly, I know, because it’s all so intense and unusual,"—she paused, her face turning pale,—"oh!" she whispered with a slight shake; "it’s overwhelming!"
"What is terrible, my sweet one?" asked Errington drawing her more closely, and folding her more tightly in his arms.
"What’s wrong, my love?" asked Errington, pulling her in closer and holding her tighter in his arms.
She sighed deeply. "To have no more life of my own!" she answered, while her low voice quivered with intense feeling. "It has all gone—to you! And yours has come to me!—is it not strange and almost sad? How your heart beats, poor boy!—I can hear it throb, throb—so fast!—here, where I am resting my head." She looked up, and her little white hand caressed his cheek. "Philip," she said very softly, "what are you thinking about? Your eyes shine so brightly—do you know you have beautiful eyes?"
She sighed deeply. "To have no more life of my own!" she replied, her soft voice shaking with strong emotion. "It’s all gone—to you! And yours has come to me! Isn’t it strange and kind of sad? I can feel how fast your heart is beating, poor boy!—I can hear it throb, throb—so quickly!—right here, where I'm resting my head." She looked up and gently stroked his cheek with her little white hand. "Philip," she said very softly, "what are you thinking about? Your eyes are shining so brightly—did you know you have beautiful eyes?"
"Have I?" he murmured abstractedly, looking down on that exquisite, innocent, glowing face, and trembling with the force of the restrained passion that kindled through him. "I don't know about that!—yours seem to me like two stars fallen from heaven! Oh, Thelma, my darling!—God make me worthy of you."
"Have I?" he said quietly, gazing at that beautiful, pure, radiant face, and shaking with the intensity of the passion building inside him. "I don't know about that!—yours look to me like two stars that have fallen from the sky! Oh, Thelma, my love!—God, help me be worthy of you."
He spoke with intense fervor,—kissing her with a tenderness, in which there was something of reverence as well as fear. The whole soul of the man was startled and roused to inexpressible devotion, by the absolute simplicity and purity of her nature—the direct frankness with which she had said her life was his—his!—and in what way was HE fitted to be the guardian and possessor of this white lily from the garden of God? She was so utterly different to all women as he had known them—as different as a bird of paradise to a common house-sparrow. Meanwhile, as these thoughts flitted through his brain, she moved gently from his embrace and smiled proudly, yet sweetly.
He spoke with intense passion, kissing her with a tenderness that held both reverence and fear. The man’s entire soul was awakened to an overwhelming devotion by the complete simplicity and purity of her nature—the direct way she had declared that her life was his—his!—and how was HE suited to be the guardian and owner of this white lily from the garden of God? She was completely different from all the women he had known—so different, in fact, that she was like a bird of paradise compared to a common house sparrow. Meanwhile, as these thoughts raced through his mind, she gently moved from his embrace and smiled, both proudly and sweetly.
"Worthy of me?" she said softly and wonderingly. "It is I that will pray to be made worthy of you! You must not put it wrongly, Philip!"
"Worthy of me?" she said softly and with a sense of wonder. "I’m the one who will pray to be made worthy of you! You must not get it twisted, Philip!"
He made no answer, but looked at her as she stood before him, majestic as a young empress in her straight, unadorned white gown.
He didn't respond, but gazed at her as she stood before him, striking like a young empress in her simple, unembellished white dress.
"Thelma!" he said suddenly, "do you know how lovely you are?"
"Thelma!" he said suddenly, "do you know how beautiful you are?"
"Yes!" she answered simply; "I know it, because I am like my mother. But it is not anything to be beautiful,—unless one is loved,—and then it is different! I feel much more beautiful now, since you think me pleasant to look at!"
"Yes!" she replied simply; "I know it because I’m like my mom. But being beautiful doesn’t mean anything—unless you’re loved—and then it’s different! I feel much more beautiful now that you find me nice to look at!"
Philip laughed and caught her hand. "What a child you are!" he said. "Now let me see this little finger." And he loosened from his watch-chain a half-hoop ring of brilliants. "This belonged to my mother, Thelma," he continued gently, "and since her death I have always carried it about with me. I resolved never to part with it, except to—" He paused and slipped it on the third finger of her left hand, where it sparkled bravely.
Philip laughed and took her hand. "You're such a child!" he said. "Now let me see this little finger." He took a half-hoop ring of diamonds off his watch-chain. "This belonged to my mother, Thelma," he added softly, "and since she passed away, I've always kept it with me. I promised myself I'd never give it away, except to—" He stopped and slipped it onto the third finger of her left hand, where it sparkled brightly.
She gazed at it in surprise. "You part with it now?" she asked, with wonder in her accents. "I do not understand!"
She stared at it in surprise. "You're giving it up now?" she asked, with amazement in her voice. "I don't understand!"
He kissed her. "No? I will explain again, Thelma!—and you shall not laugh at me as you did the very first time I saw you! I resolved never to part with this ring, I say, except to—my promised wife. Now do you understand?"
He kissed her. "What? Let me explain again, Thelma!—and you can’t laugh at me like you did the very first time I saw you! I decided I would never part with this ring, I say, except for my promised wife. Now do you get it?"
She blushed deeply, and her eyes dropped before his ardent gaze.
She blushed deeply, and her eyes fell under his intense gaze.
"I do thank you very much, Philip,"—she faltered timidly,—she was about to say something further when suddenly Lorimer entered the saloon. He glanced from Errington to Thelma, and from Thelma back again to Errington,—and smiled. So have certain brave soldiers been known to smile in face of a death-shot. He advanced with his usual languid step and nonchalant air, and removing his cap, bowed gravely and courteously.
"I really appreciate it, Philip," she said hesitantly, about to add more when Lorimer suddenly walked into the room. He looked from Errington to Thelma and then back to Errington, and smiled. Some courageous soldiers have been known to smile in the face of danger. He approached with his usual relaxed stride and casual demeanor, and removing his cap, bowed respectfully and politely.
"Let me be the first to offer my congratulations to the future Lady Errington! Phil, old man! . . . I wish you joy!"
"Let me be the first to congratulate the future Lady Errington! Phil, my friend! . . . I wish you all the happiness!"
CHAPTER XV.
"Why, sir, in the universal game of double-dealing, shall not the cleverest tricksters play each other false by haphazard, and so betray their closest secrets, to their own and their friends' infinite amazement?"—CONGREVE.
"Why, sir, in the global game of deception, shouldn't the smartest tricksters outsmart each other randomly, and end up revealing their deepest secrets, to the surprise of themselves and their friends?"—CONGREVE.
When Olaf Güldmar and his daughter left the yacht that evening, Errington accompanied them, in order to have the satisfaction of escorting his beautiful betrothed as far as her own door. They were all three very silent—the bonde was pensive, Thelma shy, and Errington himself was too happy for speech. Arriving at the farmhouse, they saw Sigurd curled up under the porch, playing idly with the trailing rose-branches, but, on hearing their footsteps, he looked up, uttered a wild exclamation, and fled. Güldmar tapped his own forehead significantly.
When Olaf Güldmar and his daughter left the yacht that evening, Errington joined them so he could have the pleasure of walking his beautiful fiancée to her door. The three of them were very quiet—Güldmar was thoughtful, Thelma was shy, and Errington was too happy to say anything. When they reached the farmhouse, they spotted Sigurd curled up under the porch, idly playing with the hanging rose branches, but when he heard their footsteps, he looked up, shouted in surprise, and ran away. Güldmar tapped his forehead knowingly.
"He grows worse and worse, the poor lad!" he said somewhat sorrowfully. "And yet there is a strange mingling of foresight and wit with his wild fancies. Wouldst thou believe it, Thelma, child," and here he turned to his daughter and encircled her waist with his arm—"he seemed to know how matters were with thee and Philip, when I was yet in the dark concerning them!"
"He's getting worse and worse, the poor kid!" he said with a hint of sadness. "And yet there’s a weird mix of insight and cleverness in his wild ideas. Would you believe it, Thelma, sweetheart," and here he turned to his daughter and wrapped his arm around her waist—"he seemed to know what was going on with you and Philip when I was still clueless about it!"
This was the first allusion her father had made to her engagement, and her head drooped with a sort of sweet shame.
This was the first hint her father had dropped about her engagement, and her head hung low with a kind of pleasant embarrassment.
"Nay, now, why hide thy face?" went on the old man cheerily. "Didst thou think I would grudge my bird her summer-time? Not I! And little did I hope for thee, my darling, that thou wouldst find a shelter worthy of thee in this wild world!" He paused a moment, looking tenderly down upon her, as she nestled in mute affection against his breast,—then addressing himself to Errington, he went on—
"Nah, now, why are you hiding your face?" the old man said cheerfully. "Did you think I would keep my bird from her summer? Not a chance! And I never really hoped, my darling, that you would find a home worthy of you in this wild world!" He paused for a moment, looking down at her with tenderness as she snuggled in silent affection against his chest—then turning to Errington, he continued—
"We have a story in our Norse religion, my lad, of two lovers who declared their passion to each other, on one stormy night in the depth of winter. They were together in a desolate hut on the mountains, and around them lay unbroken tracts of frozen snow. They were descended from the gods, and therefore the gods protected them—and it happened that after they had sworn their troth, the doors of the snow-bound hut flew suddenly open, and lo! the landscape had changed—the hills were gay with grass and flowers,—the sky was blue and brilliant, the birds sang, and everywhere was heard the ripple of waters let loose from their icy fetters, and gamboling down the rocks in the joyous sun. This was the work of the goddess Friga,—the first kiss exchanged by the lovers she watched over, banished Winter from the land, and Spring came instead. 'Tis a pretty story, and true all the world over—true for all men and women of all creeds! It must be an ice-bound heart indeed that will not warm to the touch of love—and mine, though aged, grows young again in the joy of my children." He put his daughter gently from him to-wards Philip, saying with more gravity, "Go to him, child!—go—with thy old father's blessing! And take with thee the three best virtues of a wife,—truth, humility, and obedience. Good night, my son!" and he wrung Errington's hand with fervor. "You'll take longer to say good night to Thelma," and he laughed, "so I'll go in and leave you to it!"
"We have a story in our Norse religion, my boy, about two lovers who expressed their love for each other on a stormy night in the midst of winter. They were together in a lonely cabin in the mountains, surrounded by endless stretches of frozen snow. They were descendants of the gods, and because of that, the gods protected them. After they pledged their love, the doors of the snowbound cabin suddenly swung open, and to their surprise, the landscape had transformed—the hills were bright with grass and flowers, the sky was clear and radiant, birds were singing, and everywhere they could hear the joyful sound of waters released from their icy chains, rushing down the rocks in the warm sun. This was the work of the goddess Friga—she watched over the lovers' first kiss, banishing Winter from the land and bringing Spring in its place. It's a lovely story, and it's true everywhere—in every corner of the world, it speaks to all men and women of every belief! It must truly be a frozen heart that doesn't melt at the touch of love—and mine, though old, feels young again in the happiness of my children." He gently directed his daughter toward Philip, saying more seriously, "Go to him, child!—go—with your old father's blessing! And take with you the three best qualities of a wife—truth, humility, and obedience. Good night, my son!" He shook Errington's hand warmly. "You’ll take longer to say good night to Thelma," he chuckled, "so I’ll head inside and leave you to it!"
And with a good-natured nod, he entered the house whistling a tune as he went, that they might not think he imagined himself lonely or neglected,—and the two lovers paced slowly up and down the garden-path together, exchanging those first confidences which to outsiders seem so eminently foolish, but which to those immediately concerned are most wonderful, delightful, strange, and enchanting beyond all description. Where, from a practical point of view, is the sense of such questions as these—"When did you love me first?" "What did you feel when I said so-and-so?" "Have you dreamt of me often?" "Will you love me always, always, always?" and so on ad infinitum. "Ridiculous rubbish!" exclaims the would-be strong-minded, but secretly savage old maid,—and the selfishly matter-of-fact, but privately fidgety and lonely old bachelor. Ah! but there are those who could tell you that at one time or another of their lives this "ridiculous rubbish" seemed far more important than the decline and fall of empires,—more necessary to existence than light and air,—more fraught with hope, fear, suspense, comfort, despair, and anxiety than anything that could be invented or imagined! Philip and Thelma,—man and woman in the full flush of youth, health, beauty, and happiness,—had just entered their Paradise,—their fairy-garden,—and every little flower and leaf on the way had special, sweet interest for them. Love's indefinable glories,—Love's proud possibilities,—Love's long ecstasies,—these, like so many spirit-figures, seemed to smile and beckon them on, on, on, through golden seas of sunlight,—through flower-filled fields of drowsy entrancement,—through winding ways of rose-strewn and lily-scented leafage,—on, on, with eyes and hearts absorbed in one another,—unseeing any end to the dreamlike wonders that, like some heavenly picture-scroll, unrolled slowly and radiantly before them. And so they murmured those unwise, tender things which no wisdom in the world has ever surpassed, and when Philip at last said "Good night!" with more reluctance than Romeo, and pressed his parting kiss on his love's sweet, fresh mouth,—the riddle with which he had puzzled himself so often was resolved at last,—life was worth living, worth cherishing, worth ennobling. The reason of all things seemed clear to him,—Love, and Love only, supported, controlled, and grandly completed the universe! He accepted this answer to all perplexities,—his heart expanded with a sense of large content—his soul was satisfied.
And with a friendly nod, he walked into the house whistling a tune so they wouldn’t think he felt lonely or overlooked. Meanwhile, the two lovers strolled slowly up and down the garden path together, sharing those initial secrets that seem silly to outsiders but are truly amazing, joyful, strange, and enchanting beyond words to those involved. From a practical viewpoint, what’s the point of questions like "When did you first love me?" "How did you feel when I said that?" "Do you dream about me often?" "Will you love me forever and ever?" and so on ad infinitum. "What nonsense!" exclaims the supposedly strong-minded but secretly bitter old maid—and the selfishly practical yet privately anxious old bachelor. But there are those who could tell you that at certain moments in their lives, this "ridiculous nonsense" felt far more significant than the rise and fall of empires—more essential to existence than light and air—filled with more hope, fear, suspense, comfort, despair, and anxiety than anything that could be created or imagined! Philip and Thelma—man and woman in the full bloom of youth, health, beauty, and happiness—had just stepped into their Paradise, their fairy-garden, and every little flower and leaf along the path held a special, sweet significance for them. The indescribable glories of love—the proud possibilities of love—the long ecstasies of love—these, like so many ethereal figures, seemed to smile and beckon them forward, through golden seas of sunlight, through flower-filled fields of dreamy bliss, through winding paths of rose-strewn and lily-scented foliage—onward, with their eyes and hearts entirely focused on each other, unaware of any end to the dreamlike marvels that slowly and radiantly unfolded before them like a celestial scroll. And so they whispered those foolish, tender things that no wisdom in the world has ever surpassed, and when Philip finally said "Good night!" with more reluctance than Romeo, and pressed a parting kiss on his love's sweet, fresh lips—the riddle he had often pondered was finally solved—life was worth living, worth cherishing, worth uplifting. The reason for everything felt clear to him—Love, and only Love, sustained, governed, and brilliantly completed the universe! He embraced this answer to all his doubts—his heart swelled with a sense of deep content—his soul was fulfilled.
Meanwhile, during his friend's absence from the yacht, Lorimer took it upon himself to break the news to Duprèz and Macfarlane. These latter young gentlemen had had their suspicions already, but they were not quite prepared to hear them so soon confirmed. Lorimer told the matter in his own way.
Meanwhile, while his friend was away from the yacht, Lorimer decided to inform Duprèz and Macfarlane. These two young men had already suspected something, but they weren't really ready to hear it confirmed so soon. Lorimer shared the news in his own style.
"I say, you fellows!" he remarked carelessly, as he sat smoking in their company on deck, "you'd better look out! If you stare at Miss Güldmar too much, you'll have Phil down upon you!"
"I say, you guys!" he said casually, as he sat smoking with them on deck, "you'd better watch out! If you keep staring at Miss Güldmar, you'll have Phil coming after you!"
"Ha, ha!" exclaimed Duprèz slyly, "the dear Phil-eep is in love?"
"Ha, ha!" Duprèz said mischievously, "the dear Philip is in love?"
"Something more than that," said Lorimer, looking absently at the cigarette he held between his fingers,—"he's an engaged man."
"Something more than that," Lorimer said, staring blankly at the cigarette in his fingers, "he's engaged."
"Engaged!" cried Macfarlane excitedly. "Ma certes! He has the deevil's own luck! He's just secured for himself the grandest woman in the warld!"
"Engaged!" shouted Macfarlane excitedly. "No way! He has the devil's own luck! He's just landed the most amazing woman in the world!"
"Je le crois bien!" said Duprèz gravely, nodding his head several times. "Phil-eep is a wise boy! He is the fortunate one! I am not for marriage at all—no! not for myself,—it is to tie one's hands, to become a prisoner,—and that would not suit me; but if I were inclined to captivity, I should like Mademoiselle Güldmar for my beautiful gaoler. And beautiful she is, mon Dieu! . . . beyond all comparison!"
"I believe it!" Duprèz said seriously, nodding his head several times. "Phil-eep is a smart guy! He’s the lucky one! I'm not into marriage at all—no! Not for me—it just ties you down, makes you a prisoner—and that wouldn’t work for me; but if I were up for being trapped, I’d choose Mademoiselle Güldmar as my beautiful warden. And she is beautiful, mon Dieu! . . . beyond compare!"
Lorimer was silent, so was Macfarlane. After a pause Duprèz spoke again.
Lorimer was quiet, and so was Macfarlane. After a moment, Duprèz spoke again.
"And do you know, cher Lorimer, when our Phil-eep will marry?"
"And do you know, dear Lorimer, when our Phil-eep is going to get married?"
"I haven't the slightest idea," returned Lorimer. "I know he's engaged, that's all."
"I have no idea," Lorimer replied. "I just know he's engaged, that’s it."
Suddenly Macfarlane broke into a chuckling laugh.
Suddenly, Macfarlane burst into a laughing chuckle.
"I say, Lorimer," he said, with his deep-set, small grey eyes sparkling with mischief. "'Twould be grand fun to see auld Dyceworthy's face when he hears o't. By the Lord! He'll fall to cursin' an' swearin' like ma pious aunt in Glasgie, or that auld witch that cursed Miss Thelma yestreen!"
"I say, Lorimer," he said, with his deep-set, small gray eyes sparkling with mischief. "It would be great fun to see old Dyceworthy's face when he hears about it. By the Lord! He'll start cursing and swearing like my pious aunt in Glasgow, or that old witch who cursed Miss Thelma last night!"
"An eminently unpleasant old woman she was!" said Lorimer musingly. "I wonder what she meant by it!"
"She was an incredibly unpleasant old woman!" said Lorimer, lost in thought. "I wonder what she meant by that!"
"She meant, mon cher," said Duprèz airily, "that she knew herself to be ugly and venerable, while Mademoiselle was youthful and ravishing,—it is a sufficient reason to excite profanity in the mind of a lady!"
"She meant, my dear," said Duprèz casually, "that she was aware she was unattractive and aging, while Mademoiselle was young and stunning—it's a good enough reason to drive a lady to swear!"
"Here comes Errington!" said Macfarlane, pointing to the approaching boat that was coming swiftly back from the Güldmars' pier. "Lorimer, are we to congratulate him?"
"Here comes Errington!" Macfarlane said, pointing to the boat that was quickly returning from the Güldmars' pier. "Lorimer, should we congratulate him?"
"If you like!" returned Lorimer. "I dare say he won't object."
"If you want!" replied Lorimer. "I bet he won't mind."
So that as soon as Sir Philip set foot on the yacht, his hands were cordially grasped, and his friends out-vied each other in good wishes for his happiness. He thanked them simply and with a manly straightforwardness, entirely free from the usual affected embarrassment that some modern young men think it seemly to adopt under similar circumstances.
So as soon as Sir Philip stepped onto the yacht, his hands were warmly shaken, and his friends competed to offer their best wishes for his happiness. He thanked them sincerely and with a genuine straightforwardness, completely free from the usual pretentious awkwardness that some young men today feel is appropriate in similar situations.
"The fact is," he said frankly, "I congratulate myself,—I'm more lucky than I deserve, I know!"
"The truth is," he said honestly, "I pat myself on the back—I'm luckier than I deserve, I know!"
"What a sensation she will make in London, Phil!" said Lorimer suddenly. "I've just thought of it! Good Heavens! Lady Winsleigh will cry for sheer spite and vexation!"
"What a scene she'll cause in London, Phil!" Lorimer said suddenly. "I just realized it! Good grief! Lady Winsleigh will be furious out of pure spite and annoyance!"
Philip laughed. "I hope not," he said. "I should think it would need immense force to draw a tear from her ladyship's cold bright eyes."
Philip laughed. "I hope not," he said. "It would take a lot of force to make her ladyship shed a tear from those cold, bright eyes."
"She used to like you awfully, Phil!" said Lorimer. "You were a great favorite of hers."
"She really liked you a lot, Phil!" Lorimer said. "You were one of her favorites."
"All men are her favorites with the exception of one—her husband!" observed Errington gaily. "Come along, let's have some champagne to celebrate the day! We'll propose toasts and drink healths—we've got a fair excuse for jollity this evening."
"All men are her favorites except for one—her husband!" Errington said cheerfully. "Come on, let’s have some champagne to celebrate the day! We'll make toasts and cheers—we have a good reason to be cheerful this evening."
They all descended into the saloon, and had a merry time of it, singing songs and telling good stories, Lorimer being the gayest of the party, and it was long past midnight when they retired to their cabins, without even looking at the wonders of, perhaps, the most gorgeous sky that had yet shone on their travels—a sky of complete rose-color, varying from the deepest shade up to the palest, in which the sun glowed with a subdued radiance like an enormous burning ruby.
They all went down to the bar and had a great time, singing songs and sharing funny stories, with Lorimer being the liveliest of the group. It was well past midnight when they headed back to their cabins, not even glancing at the stunning sky, probably the most beautiful one they had seen during their travels—a completely pink sky, shifting from deep shades to pale hues, where the sun shone softly, looking like a huge burning ruby.
Thelma saw it, standing under her house-porch, where her father had joined her,—Sigurd saw it,—he had come out from some thicket where he had been hiding, and he now sat, in a humble, crouching posture at Thelma's feet. All three were silent, reverently watching the spreading splendor of the heavens. Once Güldmar addressed his daughter in a soft tone.
Thelma saw it, standing under her porch, where her father had joined her—Sigurd saw it too—he had come out from some bushes where he had been hiding, and he was now sitting in a humble, crouching position at Thelma's feet. All three were silent, respectfully watching the unfolding beauty of the sky. Once, Güldmar spoke to his daughter in a gentle voice.
"Thou are happy, my bird?"
"Are you happy, my bird?"
She smiled—the expression of her face was almost divine in its rapture.
She smiled—the look on her face was almost heavenly in its joy.
"Perfectly happy, my father!"
"Totally happy, my dad!"
At the sound of her dulcet voice, Sigurd looked up. His large blue eyes were full of tears, he took her hand and held it in his meagre and wasted one.
At the sound of her sweet voice, Sigurd looked up. His large blue eyes were filled with tears; he took her hand and held it in his thin and frail one.
"Mistress!" he said suddenly, "do you think I shall soon die?"
"Mistress!" he said suddenly, "do you think I’m going to die soon?"
She turned her pitying eyes down upon him, startled by the vibrating melancholy of his tone.
She looked down at him with a mix of pity and surprise, taken aback by the deep sadness in his voice.
"Thou wilt die, Sigurd," answered Güldmar gently, "when the gods please,—not one second sooner or later. Art thou eager to see Valhalla?"
"You're going to die, Sigurd," answered Güldmar gently, "when the gods decide—not a second sooner or later. Are you eager to see Valhalla?"
Sigurd nodded dreamily. "They will understand me there!" he murmured. "And I shall grow straight and strong and brave! Mistress, if you meet me in Valhalla, you will love me!"
Sigurd nodded dreamily. "They'll understand me there!" he murmured. "And I'll grow tall, strong, and brave! Mistress, if you see me in Valhalla, you'll love me!"
She stroked his wild fair locks. "I love you now, Sigurd," she said tenderly. "But perhaps we shall all love each other better in heaven."
She ran her fingers through his messy blonde hair. "I love you now, Sigurd," she said gently. "But maybe we'll all love each other more in heaven."
"Yes, yes!" exclaimed Sigurd, patting her hand caressingly. "When we are all dead, dead! When our bodies crumble away and turn to flowers and birds and butterflies,—and our souls come out like white and red flames,—yes! . . . then we shall love each other and talk of such strange, strange things!" He paused and laughed wildly. Then his voice sank again into melancholy monotony—and he added: "Mistress, you are killing poor Sigurd!"
"Yes, yes!" Sigurd exclaimed, gently patting her hand. "When we're all gone, gone! When our bodies decay and become flowers, birds, and butterflies—and our souls emerge like white and red flames—yes! . . . then we’ll love each other and talk about all those strange, strange things!" He paused and laughed wildly. Then his voice turned back to a sad monotone, and he added: "Mistress, you’re killing poor Sigurd!"
Thelma's face grow very earnest and anxious. "Are you vexed with me, dear?" she asked soothingly. "Tell me what it is that troubles you?"
Thelma's face grew serious and worried. "Are you upset with me, darling?" she asked gently. "What’s bothering you?"
Sigurd met her eyes with a look of speechless despair and shook his head.
Sigurd met her gaze with an expression of silent anguish and shook his head.
"I cannot tell you!" he muttered. "All my thoughts have gone to drown themselves one by one in the cold sea! My heart was buried yesterday, and I saw it sealed down into its coffin. There is something of me left,—something that dances before me like a flame,—but it will not rest, it does not obey me. I call it, but it will not come! And I am getting tired, mistress—very, very tired!" His voice broke, and a low sob escaped him,—he hid his face in the folds of her dress. Güldmar looked at the poor fellow compassionately.
"I can't tell you!" he murmured. "All my thoughts have drowned one by one in the cold sea! My heart was buried yesterday, and I saw it sealed in its coffin. There's still a part of me left—something that dances in front of me like a flame—but it won't settle down, it doesn't listen to me. I call for it, but it won't come! And I'm getting tired, my lady—so very, very tired!" His voice broke, and a soft sob escaped him—he buried his face in the folds of her dress. Güldmar looked at the poor guy with compassion.
"The wits wander further and further away!" he said to his daughter in a low tone. "'Tis a mind like a broken rainbow, split through by storm—'twill soon vanish. Be patient with him, child,—it cannot be for long!"
"The wits are drifting further and further away!" he said to his daughter in a low voice. "It's a mind like a shattered rainbow, split apart by a storm—it will soon fade. Be patient with him, sweetie—it can't last much longer!"
"No, not for long!" cried Sigurd, raising his head brightly. "That is true—not for long! Mistress, will you come to-morrow with me and gather flowers? You used to love to wander with your poor boy in the fields,—but you have forgotten,—and I cannot find any blossoms without you! They will not show themselves unless you come! Will you? dear, beautiful mistress! will you come?"
"No, not for long!" shouted Sigurd, lifting his head enthusiastically. "That’s true—definitely not for long! Mistress, will you come with me tomorrow to pick flowers? You used to love roaming the fields with your poor boy—but you've forgotten, and I can’t find any blooms without you! They won’t appear unless you come! Will you? My dear, beautiful mistress! Will you join me?"
She smiled, pleased to see him a little more cheerful. "Yes, Sigurd," she said; "I will come. We will go together early to-morrow morning and gather all the flowers we can find. Will that make you happy?"
She smiled, happy to see him a bit more cheerful. "Yes, Sigurd," she said. "I’ll come. We'll go together early tomorrow morning and pick all the flowers we can find. Will that make you happy?"
"Yes!" he said, softly kissing the hem of her dress. "It will make me happy—for the last time."
"Yes!" he said, gently kissing the edge of her dress. "It will make me happy—for the last time."
Then he rose in an attitude of attention, as though he had been called by some one at a distance,—and with a grave, preoccupied air he moved away, walking on tip-toe as though he feared to interrupt the sound of some soft invisible music. Güldmar sighed as he watched him disappear.
Then he stood up straight, as if someone far away had called him, and with a serious, thoughtful expression, he walked away, stepping lightly as if he was afraid to break the spell of some gentle, unseen music. Güldmar sighed as he watched him fade from view.
"May the gods make us thankful for a clear brain when we have it!" he said devoutly; and then turning to his daughter, he bade her good night, and laid his hands on her golden head in silent but fervent blessing. "Child," he said tremulously, "in the new joys that await thee, never forget how thy old father loves thee!"
"May the gods help us appreciate a clear mind when we have it!" he said earnestly; and then turning to his daughter, he wished her good night and placed his hands on her golden hair in a silent but heartfelt blessing. "Child," he said shakily, "in the new joys that are coming your way, never forget how much your old father loves you!"
Then, not trusting himself to say more, he strode into the house and betook himself to slumber. Thelma followed his example, and the old farmhouse was soon wrapped in the peace and stillness of the strange night—a night of glittering sunshine. Sigurd alone was wakeful,—he lay at the foot of one of the tallest pine-trees, and stared persistently at the radiant sky through the network of dark branches. Now and then he smiled as though he saw some beatific vision—sometimes he plucked fitfully at the soft long moss on which he had made his couch, and sometimes he broke into a low, crooning song. God alone knew the broken ideas, the dim fancies, the half born desires, that glimmered like pale ghosts in the desert of his brain,—God alone, in the great Hereafter, could solve the problem of his sorrows and throw light on his soul's darkness.
Then, not trusting himself to say more, he walked into the house and went to sleep. Thelma did the same, and soon the old farmhouse was enveloped in the peace and stillness of the strange night—a night of bright sunshine. Sigurd was the only one awake—he lay at the base of one of the tallest pine trees, staring intently at the bright sky through the dark branches. Occasionally, he smiled as if he saw some beautiful vision—sometimes he absentmindedly tugged at the soft, long moss where he had made his bed, and sometimes he broke into a soft, humming song. Only God knew the fragmented thoughts, the vague ideas, the half-formed desires that flickered like faint ghosts in the emptiness of his mind—only God, in the great Hereafter, could untangle the mystery of his sorrows and illuminate the darkness of his soul.
It was past six in the morning when he arose, and smoothing back his tangled locks, went to Thelma's window and sat down beneath it, in mute expectancy. He had not long to wait,—at the expiration of ten or fifteen minutes, the little lattice was thrown wide open, and the girl's face, fresh as a rose, framed in a shower of amber locks, smiled down upon him.
It was past six in the morning when he got up, and after brushing his messy hair back, he went to Thelma's window and sat down beneath it, waiting in silence. He didn't have to wait long—after about ten or fifteen minutes, the little window was thrown wide open, and the girl's face, fresh like a rose and framed by a cascade of golden hair, smiled down at him.
"I am coming, Sigurd!" she cried softly and joyously. "How lovely the morning is! Stay for me there! I shall not be long."
"I’m coming, Sigurd!" she called out cheerfully. "What a beautiful morning it is! Wait for me there! I won’t be long."
And she disappeared, leaving her window open. Sigurd heard her singing little scraps of song to herself, as she moved about in the interior of her room. He listened, as though his soul were drawn out of him by her voice,—but presently the rich notes ceased, and there was a sudden silence. Sigurd knew or guessed the reason of that hush,—Thelma was at her prayers. Instinctively the poor forlorn lad folded his wasted hands—most piteously and most imploringly he raised his bewildered eyes to the blue and golden glory of the sky. His conception of God was indefinable; his dreams of heaven, chaotic minglings of fairy-land with Valhalla,—but he somehow felt that wherever Thelma's holy aspirations turned, there the angels must be listening.
And she vanished, leaving her window open. Sigurd heard her humming little snippets of song to herself as she moved around in her room. He listened, like his soul was being pulled out by her voice—but soon the beautiful notes stopped, and there was a sudden silence. Sigurd knew or guessed why it was quiet—Thelma was praying. Instinctively, the poor lonely boy clasped his thin hands—most pitifully and desperately he lifted his confused eyes to the blue and golden splendor of the sky. His idea of God was vague; his visions of heaven were a chaotic mix of fairyland and Valhalla—but he somehow felt that wherever Thelma's holy thoughts went, the angels must be listening.
Presently she came out of the house, looking radiant as the morning itself,—her luxuriant hair was thrown back over her shoulders, and fell loosely about her in thick curls, simply confined by a knot of blue ribbon. She carried a large osier basket, capacious, and gracefully shaped.
Presently, she stepped out of the house, glowing like the morning itself—her thick hair was tossed back over her shoulders, falling in loose curls, held back simply by a blue ribbon knot. She carried a large wicker basket, spacious and elegantly shaped.
"Now, Sigurd," she called sweetly, "I am ready! Where shall we go?"
"Now, Sigurd," she said cheerfully, "I’m ready! Where should we go?"
Sigurd hastened to her side, happy and smiling.
Sigurd rushed to her side, happy and smiling.
"Across there," he said, pointing toward the direction of Bosekop. "There is a stream under the trees that laughs to itself all day—you know it, mistress? And the poppies are in the field as you go—and by the banks there are the heart's-ease flowers—we cannot have too many of them! Shall we go?"
"Over there," he said, pointing toward Bosekop. "There's a stream under the trees that laughs to itself all day—you know it, right? And the poppies are in the field as you walk—and by the banks, there are heart's-ease flowers—we can't have too many of those! Should we go?"
"Wherever you like, dear," answered Thelma tenderly, looking down from her stately height on the poor stunted creature at her side, who held her dress as though he were a child clinging to her as his sole means of guidance. "All the land is pleasant to-day."
"Wherever you want, dear," Thelma replied gently, looking down from her elegant height at the poor, small creature beside her, who clung to her dress like a child relying on her for guidance. "Everything looks nice today."
They left the farm and its boundaries. A few men were at work on one of Güldmar's fields, and these looked up,—half in awe, half in fear,—as Thelma and her fantastic servitor passed along.
They left the farm and its borders. A few men were working in one of Güldmar's fields, and they looked up—partly in awe, partly in fear—as Thelma and her extraordinary servant walked by.
"'Tis a fine wench!" said one man, resting on his spade, and following with his eyes the erect, graceful figure of his employer's daughter.
"She's a fine woman!" said one man, leaning on his shovel and watching the tall, graceful figure of his boss's daughter.
"Maybe, maybe!" said another gruffly; "but a fine wench is a snare of the devil! Do ye mind what Lovisa Elsland told us?"
"Maybe, maybe!" said another in a rough voice; "but a beautiful woman is a trap set by the devil! Do you remember what Lovisa Elsland told us?"
"Ay, ay," answered the first speaker, "Lovisa knows,—Lovisa is the wisest woman we have in these parts—that's true! The girl's a witch, for sure!"
"Yeah, yeah," replied the first speaker, "Lovisa knows—Lovisa is the smartest woman we have around here—that’s true! The girl’s definitely a witch!"
And they resumed their work in gloomy silence. Not one of them would have willingly labored on Olaf Güldmar's land, had not the wages he offered been above the usual rate of hire,—and times were bad in Norway. But otherwise, the superstitious fear of him was so great that his fields might have gone untilled and his crops ungathered,—however, as matters stood, none of them could deny that he was a good paymaster, and just in his dealings with those whom he employed.
And they went back to work in a heavy silence. None of them would have willingly worked on Olaf Güldmar's land if his pay hadn’t been better than the average rate, especially since times were tough in Norway. But still, their superstitious fear of him was so strong that his fields could have remained untended and his crops unharvested. However, as things were, none could deny that he was a fair payer and dealt justly with those he hired.
Thelma and Sigurd took their way in silence across a perfumed stretch of meadow-land,—the one naturally fertile spot in that somewhat barren district. Plenty of flowers blossomed at their feet, but they did not pause to gather these, for Sigurd was anxious to get to the stream where the purple pansies grew. They soon reached it—it was a silvery clear ribbon of water that unrolled itself in bright folds, through green, transparent tunnels of fern and waving grass—leaping now and then with a swift dash over a smooth block of stone or jagged rock—but for the most part gliding softly, with a happy, self-satisfied murmur, as though it were some drowsy spirit dreaming joyous dreams. Here nodded the grave, purple-leaved pansies,—legendary consolers of the heart,—their little, quaint, expressive physiognomies turned in every direction; up to the sky, as though absorbing the sunlight,—down to the ground, with an almost severe air of meditation, or curled sideways on their stems in a sort of sly reflectiveness.
Thelma and Sigurd walked quietly through a fragrant area of meadow—the only truly fertile spot in that somewhat dry region. Many flowers bloomed at their feet, but they didn’t stop to pick any, as Sigurd was eager to reach the stream where the purple pansies grew. They soon arrived—it was a clear, shimmering ribbon of water, flowing in bright folds through green, transparent tunnels of ferns and swaying grass—occasionally sprinting over a smooth stone or jagged rock, but mostly gliding gently, with a cheerful, content murmur, as if it were a sleepy spirit dreaming happy dreams. Here, the serious purple-leaved pansies nodded—legendary comforters of the heart—their little, charming, expressive faces turned in every direction; up to the sky, as if soaking up the sunlight, down to the ground with a somewhat thoughtful air, or leaning sideways on their stems in a kind of sly contemplation.
Sigurd was among them at once—they were his friends,—his playmates, his favorites,—and he gathered them quickly, yet tenderly, murmuring as he did so, "Yes, you must all die; but death does not hurt; no! life hurts, but not death! See! as I pluck you, you all grow wings and fly away—away to other meadows, and bloom again." He paused, and a puzzled look came into his eyes. He turned toward Thelma, who had seated herself on a little knoll just above the stream, "Tell me, mistress," he said, "do the flowers go to heaven?"
Sigurd was right there with them—they were his friends, his playmates, his favorites—and he gathered them quickly yet gently, murmuring as he did, "Yes, you all have to die; but death doesn’t hurt; no! Life hurts, but not death! Look! As I pick you, you all grow wings and fly away—away to other meadows, and bloom again." He paused, and a confused look came into his eyes. He turned toward Thelma, who had sat down on a small hill just above the stream, "Tell me, mistress," he said, "do the flowers go to heaven?"
She smiled. "I think so, dear Sigurd," she said; "I hope so! I am almost sure they do."
She smiled. "I think so, dear Sigurd," she said; "I hope so! I'm almost sure they do."
Sigurd nodded with an air of satisfaction.
Sigurd nodded, looking satisfied.
"That is right," he observed. "It would never do to leave them behind, you know! They would be missed, and we should have to come down again and fetch them—" A crackling among the branches of some trees startled him,—he looked round, and uttered a peculiar cry like the cry of a wild animal, and exclaimed, "Spies, spies! ha! ha! secret, wicked faces that are afraid to show themselves! Come out! Mistress, mistress! make them come out!"
"Exactly," he said. "We can’t leave them behind, you know! They’d be missed, and we’d have to come back and get them—" A rustling in the branches of some trees caught his attention—he turned around and let out a strange cry like that of a wild animal, shouting, "Spies, spies! Ha! Ha! Secret, wicked faces that are too scared to show themselves! Come out! Mistress, mistress! Make them come out!"
Thelma rose, surprised as his gesticulations, and came towards him; to her utter astonishment she found herself confronted by old Lovisa Elsland, and the Reverend Mr. Dyceworthy's servant, Ulrika. On both women's faces there was a curious expression of mingled fear, triumph, and malevolence. Lovisa was the first to break silence.
Thelma got up, surprised by his gestures, and walked over to him; to her shock, she found herself face-to-face with old Lovisa Elsland and the Reverend Mr. Dyceworthy's servant, Ulrika. Both women's faces showed a strange mix of fear, triumph, and malice. Lovisa was the first to speak.
"At last!" she croaked, in a sort of slow, monotonous tone "At last, Thelma Güldmar, the Lord has delivered you into my hands!"
"Finally!" she croaked in a slow, flat tone. "Finally, Thelma Güldmar, the Lord has put you right where I wanted you!"
Thelma drew Sigurd close to her, and slipped one arm around him.
Thelma pulled Sigurd close and wrapped an arm around him.
"Poor soul!" she said softly, with sweet pitying eyes fixed fearlessly on the old hag's withered, evil visage. "You must be tired, wandering about on the hills as you do! If you are her friend," she added, addressing Ulrika, "why do you not make her rest at home and keep warm? She is so old and feeble!"
"Poor thing!" she said gently, her kind eyes looking bravely at the old hag's wrinkled, malevolent face. "You must be exhausted, wandering around the hills like this! If you're her friend," she added, turning to Ulrika, "why don't you get her to rest at home and stay warm? She's so old and fragile!"
"Feeble!" shrieked Lovisa; "feeble!" And she seemed choking with passion. "If I had my fingers at your throat, you should then see if I am feeble! I—" Ulrika pulled her by the arm, and whispered something which had the effect of calming her a little. "Well," she said, "you speak then! I can wait!"
"Weak!" shrieked Lovisa; "weak!" And she seemed to be choking with rage. "If I had my hands around your throat, then you'd see if I'm weak! I—" Ulrika grabbed her arm and whispered something that calmed her down a bit. "Alright," she said, "you go ahead and speak! I can wait!"
Ulrika cleared her husky voice, and fixed her dull eyes on the girl's radiant countenance.
Ulrika cleared her rough voice and focused her tired eyes on the girl's glowing face.
"You must go away," she said coldly and briefly; "You and your father, and this creature," and she pointed contemptuously to the staring Sigurd. "Do you understand? You must leave the Alten Fjord. The people are tired of you—tired of bad harvests, ill-luck, sickness, and continued poverty. You are the cause of all our miseries,—and we have resolved you shall not stay among us. Go quickly,—take the blight and pestilence of your presence elsewhere! Go! or if you will not—"
"You need to leave," she said coldly and briefly; "You, your father, and this thing," and she pointed disdainfully at the staring Sigurd. "Do you get it? You need to leave Alten Fjord. The people are done with you—done with bad harvests, misfortune, illness, and ongoing poverty. You’re the reason for all our troubles—and we've decided you can't stay with us. Leave quickly—take the blight and sickness of your presence somewhere else! Go! Or if you won't—"
"We shall burn, burn, burn, and utterly destroy!" interrupted Lovisa, with a sort of eldritch shriek. "The strong pine rafters of Olaf Güldmar's dwelling shall be kindled into flame to light the hills with crimson, far and near! Not a plank shall be spared!—not a vestige of his pride be left—"
"We're going to burn, burn, burn, and completely destroy!" Lovisa shouted, letting out a kind of eerie scream. "The sturdy pine beams of Olaf Güldmar's house will be set ablaze to light up the hills in red, far and wide! Not a single board will be spared!—not a trace of his pride will be left—"
"Stop!" said Thelma quietly. "What do you mean? You must both be very mad or very wicked! You want us to go away—you threaten to set fire to our home—why? We have done you no harm. Tell me, poor soul!" and she turned with queenly forbearance to Lovisa, "is it for Britta's sake that you would burn the house she lives in? That is not wise! You cursed me the other day,—and why? What have I done that you should hate me?"
"Stop!" Thelma said softly. "What do you mean? You must be either really angry or really cruel! You want us to leave—you threaten to burn down our home—why? We haven’t hurt you. Tell me, poor thing!" She turned with graceful patience to Lovisa, "Is this about Britta that you want to burn down her house? That’s not smart! You cursed me the other day—why? What have I done to make you hate me?"
The old woman regarded her with steadfast, cruel eyes.
The old woman looked at her with unwavering, harsh eyes.
"You are your mother's child!" she said. "I hated her—I hate you! You are a witch!—the village knows it—Mr. Dyceworthy knows it! Mr. Dyceworthy says we shall be justified in the Lord's sight for wreaking evil upon you! Evil, evil be on those of evil deeds!"
"You are your mother's child!" she exclaimed. "I hated her—I hate you! You’re a witch! The whole village knows it—Mr. Dyceworthy knows it! Mr. Dyceworthy says we will be justified in the Lord's eyes for doing you harm! Evil, evil be upon those who do evil deeds!"
"Then shall the evil fall on Mr. Dyceworthy," said the girl calmly. "He is wicked in himself,—and doubly wicked to encourage you in wickedness. He is ignorant and false—why do you believe in such a man?"
"Then the evil will come to Mr. Dyceworthy," the girl said calmly. "He is wicked in himself—and even more wicked for encouraging you in your wrongdoings. He is ignorant and deceitful—why do you trust someone like that?"
"He is a saint—a saint!" cried Lovisa wildly. "And shall the daughter of Satan withstand his power?" And she clapped her hands in a sort of fierce ecstasy.
"He is a saint—a saint!" Lovisa shouted passionately. "And can the daughter of Satan stand against his power?" And she clapped her hands in a kind of intense excitement.
Thelma glanced at her pityingly and smiled. "A saint! Poor thing, how little you know him!" she said. "And it is a pity you should hate me, for I have done you no wrong. I would do good to all if I knew how,—tell me can I comfort you, or make your life more cheerful? It must be hard to be so old and all alone!"
Thelma looked at her with sympathy and smiled. "A saint! Poor thing, you have no idea who he really is!" she said. "And it's a shame that you should dislike me, because I haven't done anything to hurt you. I would help everyone if I knew how—tell me, can I comfort you or make your life a bit happier? It must be tough to be so old and all alone!"
"Your death would comfort me!" returned Lovisa grimly. "Why do you keep Britta from me?"
"Your death would make me feel better!" Lovisa replied grimly. "Why are you keeping Britta away from me?"
"I do not keep her," Thelma answered. "She stays with me because she is happy. Why do you grudge her, her happiness? And as for burning my father's house, surely you would not do so wicked and foolish a thing!—but still, you must do as you choose, for it is not possible that we shall leave the Altenfjord to please you."
"I don't keep her," Thelma replied. "She stays with me because she's happy. Why do you resent her happiness? And as for burning my father's house, surely you wouldn't do something so evil and foolish!—but still, you have to do what you want, because there's no way we're leaving the Altenfjord just to please you."
Here Ulrika started forward angrily. "You defy us!" she cried. "You will not go?" And in her excitement she seized Thelma's arm roughly.
Here Ulrika moved forward angrily. "You’re defying us!" she shouted. "You’re not going?" In her excitement, she grabbed Thelma's arm roughly.
This action was too much for Sigurd; he considered it an attack on the person of his beloved mistress and he resented it at once in his own fashion. Throwing himself on Ulrika with sudden ferocity, he pushed and beat her back as though he were a wolf-hound struggling with refractory prey; and though the ancient Lovisa rushed to the rescue, and Thelma imploringly called upon her zealous champion to desist,—all remonstrances were unavailing, till Sigurd had reduced his enemy to the most abject and whimpering terror.
This action was too much for Sigurd; he saw it as an attack on his beloved mistress and immediately felt angry about it. Throwing himself at Ulrika with sudden intensity, he pushed and hit her back as if he were a wolfhound grappling with stubborn prey. Even though the old Lovisa rushed in to help, and Thelma pleaded with her passionate protector to stop, none of their pleas mattered until Sigurd had completely frightened his opponent into a state of helpless terror.
"A demon—a demon!" she sobbed and moaned, as the valiant dwarf at last released her from his clutches; and, tossing his long, fair locks over his misshapen shoulders, laughed loudly and triumphantly with delight at his victory. "Lovisa! Lovisa Elsland! this is your doing; you brought this upon me! I may die now, and you will not care! O Lord, Lord, have mercy—"
"A demon—a demon!" she cried and sobbed, as the brave dwarf finally let her go; and, tossing his long, light hair over his oddly shaped shoulders, he laughed loudly and triumphantly with glee at his win. "Lovisa! Lovisa Elsland! this is your fault; you brought this on me! I might die now, and you won't care! O Lord, Lord, have mercy—"
Suddenly she stopped; her eyes dilated,—her face grew grey with the sickening pallor of fear. Slowly she raised her hand and pointed to Sigurd—his fantastic dress had become disordered in the affray, and his jacket was torn open,—and on his bare chest a long red scar in the shape of a cross was distinctly visible. "That scar!" she muttered. "How did he get that scar?"
Suddenly, she stopped; her eyes widened, and her face turned pale with the sickening shade of fear. Slowly, she raised her hand and pointed at Sigurd—his wild outfit was in disarray from the fight, and his jacket was torn open—revealing a long red scar in the shape of a cross on his bare chest. "That scar!" she murmured. "How did he get that scar?"
Lovisa stared at her in impatient derision. Thelma was too surprised to answer immediately, and Sigurd took it upon himself to furnish what he considered a crushing reply.
Lovisa looked at her with impatient mockery. Thelma was too shocked to respond right away, and Sigurd felt it was his duty to provide what he thought was a devastating comeback.
"Odin's mark!" he said, patting the scar with much elation. "No wonder you are afraid of it! Everybody knows it—birds, flowers, trees, and stars! Even you—you are afraid!"
"Odin's mark!" he exclaimed, tapping the scar with excitement. "It's no surprise you're scared of it! Everyone knows about it—birds, flowers, trees, and stars! Even you—you're afraid!"
And he laughed again, and snapped his fingers in her face. The woman shuddered violently. Step by step she drew near to the wondering Thelma, and spoke in low and trembling accents, without a trace of her former anger.
And he laughed again, snapping his fingers in her face. The woman shuddered violently. Slowly, she approached the bewildered Thelma, speaking in quiet, shaky tones, with no hint of her earlier anger.
"They say you are wicked," she said slowly, "and that the devil has your soul ready, before you are dead! But I am not afraid of you. No; I will forgive you, and pray for you, if you will tell me, . . ." She paused, and then continued, as with a strong effort. "Yes—tell me who is this Sigurd?"
"They say you're evil," she said slowly, "and that the devil has your soul on hold before you die! But I’m not scared of you. No; I will forgive you and pray for you if you just tell me, . . . " She paused, then continued with great effort. "Yes—just tell me who this Sigurd is?"
"Sigurd is a foundling," answered Thelma simply. "He was floating about in the Fjord in a basket, and my father saved him. He was quite a baby. He had this scar on his chest then. He has lived with us ever since."
"Sigurd is a foundling," Thelma replied straightforwardly. "He was floating in the Fjord in a basket, and my dad rescued him. He was just a baby. He had this scar on his chest back then. He’s lived with us ever since."
Ulrika looked at her searchingly,—then bent her head,—whether in gratitude or despair it was difficult to say.
Ulrika looked at her intently, then lowered her head; it was hard to tell if it was out of gratitude or despair.
"Lovisa Elsland," she said monotonously, "I am going home. I cannot help you any longer! I am tired—ill." Here she suddenly broke down, and, throwing up her arms with a wild gesture, she cried, "O God, God! O God!" and burst into a stormy passion of sobs and tears.
"Lovisa Elsland," she said flatly, "I’m going home. I can't help you anymore! I'm exhausted—sick." Then she suddenly broke down, throwing her arms up in a frantic gesture, and cried, "Oh God, God! Oh God!" before bursting into a fit of sobs and tears.
Thelma, touched by her utter misery, would have offered consolation, but Lovisa repelled her with a fierce gesture.
Thelma, feeling deeply sorry for her complete misery, would have offered her comfort, but Lovisa pushed her away with an angry gesture.
"Go!" said the old woman harshly. "You have cast your spells upon her—I am witness of your work! And shall you escape just punishment? No; not while there is a God in heaven, and I, Lovisa Elsland, live to perform His bidding! Go,—white devil that you are!—go and carry misfortune upon misfortune to your fine gentleman-lover! Ah!" and she chuckled maliciously as the girl recoiled from her, her proud face growing suddenly paler, "have I touched you there? Lie in his breast, and it shall be as though a serpent stung him,—kiss his lips, and your touch shall be poison,—live in doubt, and die in misery! Go! and may all evil follow you!"
"Go!" the old woman said sharply. "You've cast your spells on her—I’ve seen what you’ve done! And do you think you'll escape justice? No; not while there’s a God in heaven and I, Lovisa Elsland, am alive to carry out His will! Go,—you white devil!—go and bring misfortune upon misfortune to your fancy gentleman-lover! Ah!" she cackled wickedly as the girl recoiled from her, her proud face suddenly paling, "Did I hit a nerve? Lie in his heart, and it’ll feel like a serpent has bitten him,—kiss his lips, and your touch will be poison,—live in doubt, and die in misery! Go! and may all evil follow you!"
She raised her staff and waved it majestically, as though she drew a circle in the air,—Thelma smiled pityingly, but deigned no answer to her wild ravings.
She lifted her staff and waved it grandly, as if she were drawing a circle in the air—Thelma smiled with pity but chose not to respond to her wild rants.
"Come, Sigurd!" she said simply, "let us return home. It is growing late—father will wonder where we are."
"Come on, Sigurd!" she said casually, "let's head home. It's getting late—Dad will start to worry about us."
"Yes, yes," agreed Sigurd, seizing the basket full of the pansies he had plucked. "The sunshine is slipping away, and we cannot live with shadows! These are not real women, mistress; they are dreams—black dreams,—I have often fought with dreams, and I know how to make them afraid! See how the one weeps because she knows me,—and the other is just going to fall into a grave. I can hear the clods thrown on her head—thump—thump! It does not take long to bury a dream! Come, mistress, let us follow the sunshine!"
"Yeah, yeah," agreed Sigurd, grabbing the basket full of pansies he had picked. "The sunshine is fading, and we can't live in shadows! These aren't real women, mistress; they're dreams—dark dreams. I've often battled with dreams, and I know how to make them scared! Look at how one weeps because she knows me—and the other is about to fall into a grave. I can hear the dirt hitting her head—thump—thump! It doesn't take long to bury a dream! Come on, mistress, let’s chase the sunshine!"
And, taking the hand she extended towards him, he turned away, looking back once, however, to call out loudly—
And, grabbing the hand she held out to him, he turned away, but glanced back once to shout—
"Good-bye, bad dreams!"
"Bye-bye, bad dreams!"
As they disappeared behind the trees, Lovisa turned angrily to the still-sobbing Ulrika.
As they vanished behind the trees, Lovisa turned angrily to the still-sobbing Ulrika.
"What is this folly?" she exclaimed, striking her staff fiercely into the ground. "Art mad or bewitched?"
"What is this nonsense?" she shouted, driving her staff hard into the ground. "Am I crazy or under some spell?"
Ulrika looked up,—her plain face swollen and stained with weeping.
Ulrika looked up, her plain face swollen and marked by tears.
"O Lord, have mercy upon me! O Lord, forgive me!" she moaned. "I did not know it—how could I know?"
"O Lord, have mercy on me! O Lord, forgive me!" she cried. "I didn't know it—how could I know?"
Lovisa grew so impatient that she seized her by the shoulder and shook her violently.
Lovisa got so impatient that she grabbed her by the shoulder and shook her hard.
"Know what?" she cried; "know what?"
"Guess what?" she yelled; "guess what?"
"Sigurd is my son!" said Ulrika, with a sort of solemn resignation,—then, with a sudden gesture, she threw her hands above her head, crying, "My son, my son! The child I thought I had killed! The Lord be praised I did not murder him!"
"Sigurd is my son!" Ulrika said, with a heavy sense of acceptance. Then, with a sudden motion, she raised her hands above her head, crying, "My son, my son! The child I thought I had killed! Thank God I didn't murder him!"
Lovisa Elsland seemed stupefied with surprise. "Is this the truth?" she asked at last, slowly and incredulously.
Lovisa Elsland looked completely shocked. "Is this really true?" she finally asked, slowly and with disbelief.
"The truth, the truth!" cried Ulrika passionately. "It is always the truth that comes to light! He is my child, I tell you! . . . I gave him that scar!" She paused, shuddering, and continued in a lower tone, "I tried to kill him with a knife, but when the blood flowed, it sickened me, and I could not! He was an infant abortion—the evil fruit of an evil deed—and I threw him out to the waves,—as I told you, long ago. You have had good use of my confession, Lovisa Elsland; you have held me in your power by means of my secret, but now—"
"The truth, the truth!" Ulrika cried passionately. "It's always the truth that comes out! He is my child, I swear! . . . I gave him that scar!" She paused, trembling, then continued in a quieter voice, "I tried to kill him with a knife, but when the blood flowed, it made me sick, and I couldn't do it! He was an unwanted baby—the terrible result of a terrible act—and I abandoned him to the waves, just as I told you a long time ago. You've made good use of my confession, Lovisa Elsland; you've held power over me because of my secret, but now—"
The old woman interrupted her with a low laugh of contempt and malice.
The old woman cut her off with a quiet laugh filled with scorn and spite.
"As the parents are, so are the children!" she said scornfully. "Your lover must have been a fine man, Ulrika, if the son is like his father!"
"As the parents are, so are the children!" she said mockingly. "Your boyfriend must have been a great guy, Ulrika, if the son is just like his dad!"
Ulrika glared at her vengefully, then drew herself up with an air of defiance.
Ulrika shot her a hateful look, then straightened up with a sense of defiance.
"I care nothing for your taunts, Lovisa Elsland!" she said. "You can do me no harm! All is over between us! I will help in no mischief against the Güldmars. Whatever their faults, they saved—my child!"
"I don't care about your insults, Lovisa Elsland!" she said. "You can't hurt me! It's all over between us! I won't help with any trouble against the Güldmars. No matter their flaws, they saved—my child!"
"Is that so great a blessing?" asked Lovisa ironically.
"Is that really such a great blessing?" Lovisa asked, sounding ironic.
"It makes your threats useless," answered Ulrika. "You cannot call me murderess again!"
"It makes your threats pointless," Ulrika replied. "You can't call me murderess again!"
"Coward and fool!" shrieked Lovisa. "Was it your intent that the child should live? Were you not glad to think it dead? And cannot I spread the story of your infamy through all the villages where you are known? Is not the wretched boy himself a living witness of the attempt you made to kill him? Does not that scar speak against you? Would not Olaf Güldmar relate the story of the child's rescue to any one that asked him? Would you like all Bosekop to know of your intrigue with an escaped criminal, who was afterwards caught and hung! The virtuous Ulrika—the zealous servant of the Gospel—the pious, praying Ulrika!" and the old woman trembled with rage and excitement. "Out of my power? Never, never! As long as there is breath in my body I will hold you down! Not a murderess, you say—?"
"Coward and fool!" Lovisa yelled. "Did you really want the child to survive? Weren't you secretly relieved to think he was dead? And can’t I spread the word about your disgrace throughout all the villages where you’re known? Isn’t the poor boy himself a living proof of your attempt to kill him? Doesn’t that scar speak volumes against you? Wouldn’t Olaf Güldmar tell anyone who asks about the child's rescue? Do you want everyone in Bosekop to know about your involvement with an escaped criminal who later got caught and hanged? The virtuous Ulrika—the devoted servant of the Gospel—the pious, praying Ulrika!" The old woman shook with rage and excitement. "Out of my reach? Never, never! As long as I have breath in my body, I will keep you down! Not a murderess, you say—?"
"No," said Ulrika very calmly, with a keen look, "I am not—but you are!"
"No," Ulrika said very calmly, looking sharply at him, "I am not—but you are!"
CHAPTER XVI.
"Il n'y a personne qui ait eu autant à souffrir à votre sujet que moi depuis ma naissance! aussi je vous supplie à deux genoux et au nom de Dien, d'avoir pitié de moi!"—Old Breton Ballad.
"There's no one who has suffered as much because of you as I have since the day I was born! So I beg you on my knees and in the name of God, have pity on me!"—Old Breton Ballad.
In a few more days Thelma's engagement to Sir Philip Bruce-Errington was the talk of the neighborhood. The news spread gradually, having been, in the first place, started by Britta, whose triumph in her mistress's happiness was charming to witness. It reached the astonished and reluctant ears of the Reverend Mr. Dyceworthy, whose rage was so great that it destroyed his appetite for twenty-four hours. But the general impression in the neighborhood, where superstition maintained so strong a hold on the primitive and prejudiced minds of the people, was that the reckless young Englishman would rue the day on which he wedded "the white witch of the Altenfjord."
In just a few days, Thelma's engagement to Sir Philip Bruce-Errington became the talk of the neighborhood. The news spread slowly, initially sparked by Britta, whose delight in her mistress's happiness was lovely to see. It reached the shocked and unwilling ears of the Reverend Mr. Dyceworthy, whose anger was so intense that it ruined his appetite for a whole day. However, the overall feeling in the neighborhood, where superstition had a strong grip on the simple and biased minds of the people, was that the reckless young Englishman would regret the day he married "the white witch of the Altenfjord."
Güldmar was regarded with more suspicion than ever, as having used some secret and diabolical influence to promote the match; and the whole party were, as it seemed, tabooed, and looked upon as given up to the most unholy practices.
Güldmar was viewed with even more suspicion than before, as if he had used some secret and evil influence to support the match; and the entire group seemed to be shunned and regarded as being involved in the most corrupt practices.
Needless to say, the opinions of the villagers had no effect whatever on the good spirits of those who were thus unfavorably criticised, and it would have been difficult to find a merrier group than that assembled one fine morning in front of Güldmar's house, all equipped from top to toe for some evidently unusually lengthy and arduous mountain excursion. Each man carried a long, stout stick, portable flask, knapsack, and rug—the latter two articles strapped together and slung across the shoulder—and they all presented an eminently picturesque appearance, particularly Sigurd, who stood at a little distance from the others, leaning on his tall staff and gazing at Thelma with an air of peculiar pensiveness and abstraction.
Needless to say, the villagers' opinions had no impact on the good mood of those being criticized, and it would have been hard to find a happier group than the one gathered one fine morning in front of Güldmar's house, all geared up for what was clearly going to be a long and challenging mountain hike. Each person carried a sturdy walking stick, a portable flask, a knapsack, and a rug—the last two items strapped together and slung over their shoulder—and they all looked quite picturesque, especially Sigurd, who stood a bit apart from the others, leaning on his tall stick and gazing at Thelma with a uniquely thoughtful and abstract expression.
She was at that moment busied in adjusting Errington's knapsack more comfortably, her fair, laughing face turned up to his, and her bright eyes alight with love and tender solicitude.
She was at that moment busy adjusting Errington's backpack to make it more comfortable, her lovely, smiling face turned up to his, and her bright eyes shining with love and care.
"I've a good mind not to go at all," he whispered in her ear. "I'll come back and stay with you all day."
"I really don't feel like going at all," he whispered in her ear. "I'll come back and hang out with you all day."
"You foolish boy!" she answered merrily. "You would miss seeing the grand fall—all for what? To sit with me and watch me spinning, and you would grow so very sleepy! Now, if I were a man, I would go with you."
"You silly boy!" she replied playfully. "You would miss seeing the amazing waterfall—all for what? To sit with me and watch me spin, and you would get so very tired! Now, if I were a guy, I would go with you."
"I'm very glad you're not a man!" said Errington, pressing the little hand that had just buckled his shoulder-strap. "Though I wish you were going with us. But I say, Thelma, darling, won't you be lonely?"
"I'm really glad you're not a man!" said Errington, squeezing the little hand that had just fastened his shoulder strap. "Though I wish you were coming with us. But I have to ask, Thelma, darling, won't you feel lonely?"
She laughed gaily. "Lonely? I? Why, Britta is with me—besides, I am never lonely now." She uttered the last word softly, with a shy, upward glance. "I have so much to think about—" She paused and drew her hand away from her lover's close clasp. "Ah," she resumed, with a mischievous smile, "you are a conceited boy! You want to be missed! You wish me to say that I shall feel most miserable all the time you are away! If I do, I shall not tell you!"
She laughed happily. "Lonely? Me? Come on, Britta is here with me—besides, I’m never lonely now." She said the last word softly, glancing up shyly. "I have so much on my mind—" She stopped and pulled her hand away from her lover's tight grip. "Ah," she continued with a playful smile, "you’re such a cocky guy! You want me to miss you! You want me to say that I’ll feel completely miserable while you’re gone! If I do, I won’t tell you!"
"Thelma, child?" called Olaf Güldmar, at this juncture "keep the gates bolted and doors barred while we are absent. Remember, thou and Britta must pass the night alone here,—we cannot be at home till late in the evening of to-morrow. Let no one inside the garden, and deny thyself to all comers. Dost thou hear?"
"Thelma, sweetie?" called Olaf Güldmar at this point. "Make sure to keep the gates locked and the doors secured while we’re away. Remember, you and Britta have to spend the night alone here—we won’t be home until late tomorrow evening. Don’t let anyone into the garden, and turn away anyone who comes to the door. Do you understand?"
"Yes, father," she responded meekly.
"Yeah, dad," she replied softly.
"And let Britta keep good guard that her crazy hag of a grandam come not hither to disturb or fright thee with her croaking,—for thou hast not even Sigurd to protect thee."
"And make sure Britta keeps a close watch so that her crazy old grandmother doesn't come here to disturb or scare you with her croaking—because you don't even have Sigurd to protect you."
"Not even Sigurd!" said that personage, with a meditative smile. "No, mistress; not even poor Sigurd!"
"Not even Sigurd!" said that person, with a thoughtful smile. "No, ma'am; not even poor Sigurd!"
"One of us might remain behind," suggested Lorimer, with a side-look at his friend.
"One of us could stay behind," Lorimer suggested, glancing at his friend.
"Oh no, no!" exclaimed Thelma anxiously. "It would vex me so much! Britta and I have often been alone before. We are quite safe, are we not, father?"
"Oh no, no!" Thelma exclaimed anxiously. "It would upset me so much! Britta and I have been alone together many times before. We're completely safe, right, Dad?"
"Safe enough!" said the old man, with a laugh. "I know of no one save Lovisa Elsland who has the courage to face thee, child! Still, pretty witch as thou art, 'twill not harm thee to put the iron bar across the house door, and to lock fast the outer gate when we have gone. This done, I have no fear of thy safety. Now," and he kissed his daughter heartily, "now lads, 'tis time we were on the march! Sigurd, my boy, lead on!"
"Safe enough!" said the old man, laughing. "I don’t know anyone except Lovisa Elsland who has the guts to face you, kid! Still, pretty witch that you are, it wouldn’t hurt to put the iron bar across the front door and lock the outer gate once we leave. Once that's done, I’m not worried about your safety. Now," and he kissed his daughter warmly, "now guys, it’s time to get going! Sigurd, lead the way!"
"Wait!" cried Sigurd, springing to Thelma's side. "I must say good-bye!" And he caught the girl's hand and kissed it,—then plucking a rose, he left it between her fingers. "That will remind you of Sigurd, mistress! Think of him once to-day!—once again when the midnight glory shines. Good-bye, mistress! that is what the dead say, . . . Good-bye!"
"Wait!" Sigurd shouted, rushing to Thelma's side. "I have to say goodbye!" He took the girl's hand and kissed it, then picked a rose and placed it between her fingers. "That will remind you of Sigurd, my lady! Think of him once today!—and again when the midnight glow shines. Goodbye, my lady! That’s what the dead say... Goodbye!"
And with a passionate gesture of farewell, he ran and placed himself at the head of the little group that waited for him, saying exultingly—
And with a heartfelt wave of goodbye, he ran to the front of the small group that was waiting for him, saying excitedly—
"Now follow me! Sigurd knows the way! Sigurd is the friend of all the wild waterfall! Up the hills,—across the leaping stream,—through the sparkling foam!" And he began chanting to himself a sort of wild mountain song.
"Now follow me! Sigurd knows the way! Sigurd is a friend to all the wild waterfalls! Up the hills,—across the rushing stream,—through the sparkling foam!" And he started singing a kind of wild mountain song to himself.
Macfarlane looked at him dubiously. "Are ye sure?" he said to Güldmar. "Are ye sure that wee chap kens whaur he's gaun? He'll no lead us into a ditch an' leave us there, mistakin' it for the Fall?"
Macfarlane looked at him skeptically. "Are you sure?" he asked Güldmar. "Are you sure that little guy knows where he's going? He won't lead us into a ditch and leave us there, thinking it's the Fall?"
Güldmar laughed heartily. "Never fear! Sigurd's the best guide you can have, in spite of his fancies. He knows all the safest and surest paths; and Njedegorze is no easy place to reach, I can tell you!"
Güldmar laughed loudly. "Don't worry! Sigurd's the best guide you could ask for, despite his quirks. He knows all the safest and most reliable routes; and I can tell you, Njedegorze isn't an easy place to get to!"
"Pardon! How is it called?" asked Duprèz eagerly.
"Excuse me! What is it called?" asked Duprèz eagerly.
"Njedegorze."
"Njedegorze."
The Frenchman shrugged his shoulders. "I give it up!" he said smilingly. "Mademoiselle Güldmar, if anything happens to me at this cascade with the name unpronounceable, you will again be my doctor, will you not?"
The Frenchman shrugged. "I give up!" he said with a smile. "Mademoiselle Güldmar, if anything happens to me at this unpronounceable cascade, you'll be my doctor again, right?"
Thelma laughed as she shook hands with him. "Nothing will happen," she rejoined; "unless, indeed, you catch cold by sleeping in a hut all night. Father, you must see that they do not catch cold!"
Thelma laughed as she shook his hand. "Nothing will happen," she replied; "unless, of course, you catch a cold from sleeping in a hut all night. Dad, you have to make sure they don't catch a cold!"
The bonde nodded, and motioned the party forward, Sigurd leading the way,—Errington, however, lingered behind on pretense of having forgotten something, and, drawing his betrothed in his arms, kissed her fondly.
The bonde nodded and signaled for the group to move ahead, with Sigurd taking the lead; however, Errington hung back, pretending he had forgotten something, and pulled his fiancée into his arms, kissing her affectionately.
"Take care of yourself, darling!" he murmured,—and then hurrying away he rejoined his friends, who had discreetly refrained from looking back, and therefore had not seen the lovers embrace.
"Take care of yourself, sweetheart!" he whispered,—and then, rushing off, he rejoined his friends, who had politely avoided looking back, and therefore had not seen the couple embrace.
Sigurd, however, had seen it, and the sight apparently gave fresh impetus to his movements, for he sprang up the adjacent hill with so much velocity that those who followed had some difficulty to keep up with him,—and it was not till they were out of sight of the farmhouse that he resumed anything like a reasonable pace.
Sigurd, however, had spotted it, and the sight seemed to give him a new boost of energy as he rushed up the nearby hill with such speed that those who were following had a hard time keeping up with him. It wasn’t until they were out of sight of the farmhouse that he slowed down to a more reasonable pace.
As soon as they had disappeared, Thelma turned into the house and seated herself at her spinning-wheel. Britta soon entered the room, carrying the same graceful implement of industry, and the two maidens sat together for some time in a silence unbroken, save by the low melodious whirring of the two wheels, and the mellow complaints of the strutting doves on the window-sill.
As soon as they were gone, Thelma went into the house and sat down at her spinning wheel. Britta soon walked in with her own graceful tool, and the two young women sat together for a while in silence, broken only by the soft, melodic whirring of the wheels and the gentle cooing of the pigeons on the window sill.
"Fröken Thelma!" said Britta at last, timidly.
"Miss Thelma!" Britta finally said, hesitantly.
"Yes, Britta?" And her mistress looked up inquiringly.
"Yes, Britta?" Her mistress looked up with a questioning expression.
"Of what use is it for you to spin now?" queried the little handmaid. "You will be a great lady, and great ladies do not work at all!"
"What's the point of you spinning now?" asked the little maid. "You'll become a high-class lady, and high-class ladies don’t work at all!"
Thelma's wheel revolved more and more slowly, till at last it stopped altogether.
Thelma's wheel spun slower and slower, until it finally came to a complete stop.
"Do they not?" she said half inquiringly and musingly. "I think you must be wrong, Britta. It is impossible that there should be people who are always idle. I do not know what great ladies are like."
"Don’t they?" she said, half curious and thoughtful. "I think you must be mistaken, Britta. It’s impossible for there to be people who are always lazy. I have no idea what high society women are like."
"I do!" And Britta nodded her curly head sagaciously. "There was a girl from Hammerfest who went to Christiania to seek service—she was handy at her needle, and a fine spinner, and a great lady took her right away from Norway to London. And the lady bought her spinning-wheel for a curiosity she said,—and put it in the corner of a large parlor, and used to show it to her friends, and they would all laugh and say, 'How pretty!' And Jansena,—that was the girl—never span again—she wore linen that she got from the shops,—and it was always falling into holes, and Jansena was always mending, mending, and it was no good!"
"I do!" Britta nodded her curly head wisely. "There was a girl from Hammerfest who went to Christiania looking for work—she was great with her needle, an excellent spinner, and a wealthy lady took her straight from Norway to London. The lady bought her spinning wheel because she thought it was interesting—and placed it in the corner of a big living room, showing it off to her friends. They would all laugh and say, 'How pretty!' But Jansena— that was the girl's name—never spun again—she wore linen from the stores, and it constantly ripped, so Jansena was always busy mending, mending, and it never worked!"
Thelma laughed. "Then it is better to spin, after all, Britta—is it not?"
Thelma laughed. "So it's better to keep spinning, after all, Britta—right?"
Britta looked dubious. "I do not know," she answered; "but I am sure great ladies do not spin. Because, as I said to you, Fröken, this Jansena's mistress was a great lady, and she never did anything,—no! nothing at all,—but she put on wonderful dresses, and sat in her room, or was driven about in a carriage. And that is what you will do also, Fröken!"
Britta looked skeptical. "I don’t know," she replied; "but I’m pretty sure that high-ranking ladies don’t spin. Because, as I told you, miss, this Jansena's mistress was a fancy lady, and she never did anything—no! Nothing at all—except wear stunning dresses, stay in her room, or be driven around in a carriage. And that’s what you’ll do too, miss!"
"Oh no, Britta," said Thelma decisively. "I could not be so idle. Is it not fortunate I have so much linen ready? I have quite enough for marriage."
"Oh no, Britta," Thelma said firmly. "I can't just sit around. Isn't it lucky that I have so much linen prepared? I have more than enough for a wedding."
The little maid looked wistful. "Yes, dear Fröken," she murmured hesitatingly; "but I was thinking if it is right for you to wear what you have spun. Because, you see, Jansena's mistress had wonderful things all trimmed with lace,—and they would all come back from the washing torn and hanging in threads, and Jansena had to mend those as well as her own clothes. You see, they do not last at all—and they cost a large sum of money; but it is proper for great ladies to wear them."
The little maid looked a bit sad. "Yes, dear Miss," she said hesitantly; "but I was wondering if it’s really okay for you to wear what you’ve spun. Because, you know, Jansena's mistress had beautiful things all trimmed with lace—and they would come back from the wash all torn and frayed, and Jansena had to fix those as well as her own clothes. You see, they don’t last at all—and they cost quite a bit of money; but it’s expected for ladies of high status to wear them."
"I am not sure of that, Britta," said Thelma, still musingly. "But still, it may be—my bridal things may not please Philip. If you know anything about it, you must tell me what is right."
"I’m not really sure about that, Britta," Thelma said, still deep in thought. "But it could be—my wedding things might not appeal to Philip. If you know anything, you have to let me know what’s right."
Britta was in a little perplexity. She had gathered some idea from her friend Jansena concerning life in London,—she had even a misty notion of what was meant by a "trousseau" with all its dainty, expensive, and often useless fripperies; but she did not know how to explain herself to her young mistress, whose simple, almost severe tastes would, she instinctively felt, recoil from anything like ostentation in dress, so she was discreetly silent.
Britta was a bit confused. She had picked up some ideas from her friend Jansena about life in London—she even had a vague notion of what a "trousseau" included with all its fancy, costly, and often pointless decorations; but she didn't know how to express herself to her young mistress, whose straightforward, almost strict tastes would, she instinctively sensed, shy away from anything that seemed showy in clothing, so she kept quiet.
"You know, Britta," continued Thelma gently, "I shall be Philip's wife, and I must not vex him in any little thing. But I do not quite understand. I have always dressed in the same way,—and he has never said that he thought me wrongly clothed."
"You know, Britta," Thelma said softly, "I’m going to be Philip's wife, and I shouldn’t upset him over anything small. But I don’t really get it. I’ve always dressed the same way, and he’s never said he thought I was dressed incorrectly."
And she looked down with quite a touching pathos at her straight, white woolen gown, and smoothed its folds doubtfully. The impulsive Britta sprang to her side and kissed her with girlish and unaffected enthusiasm.
And she looked down with a really touching sadness at her straight, white wool dress, and smoothed its folds with uncertainty. The impulsive Britta rushed to her side and kissed her with genuine, youthful enthusiasm.
"My dear, my dear! You are more lovely and sweet than anybody in the world!" she cried. "And I am sure Sir Philip thinks so too!"
"My dear, my dear! You are more beautiful and sweet than anyone in the world!" she exclaimed. "And I'm sure Sir Philip thinks so too!"
A beautiful roseate flush suffused Thelma's cheeks, and she smiled.
A lovely pink blush spread across Thelma's cheeks, and she smiled.
"Yes, I know he does!" she replied softly. "And, after all, it does not matter what one wears."
"Yeah, I know he does!" she replied softly. "And, in the end, it doesn't really matter what you wear."
Britta was meditating,—she looked lovingly at her mistress's rippling wealth of hair.
Britta was meditating—she gazed affectionately at her mistress's flowing, abundant hair.
"Diamonds!" she murmured to herself in a sort of satisfied soliloquy. "Diamonds, like those you have on your finger, Fröken,—diamonds all scattered among your curls like dew-drops! And white satin, all shining, shining!—people would take you for an angel!"
"Diamonds!" she whispered to herself in a moment of contentment. "Diamonds, like the ones on your finger, Miss—diamonds scattered in your hair like dew! And white satin, all shiny, shiny!—people would think you're an angel!"
Thelma laughed merrily. "Britta, Britta! You are talking such nonsense! Nobody dresses so grandly except queens in fairy-tales."
Thelma laughed happily. "Britta, Britta! You're talking such nonsense! No one dresses so grandly except for queens in fairy tales."
"Do they not?" and the wise Britta looked more profound than ever. "Well, we shall see, dear Fröken—we shall see!"
"Do they not?" and the wise Britta appeared deeper than ever. "Well, we shall see, dear Fröken—we shall see!"
"We?" queried Thelma with surprised emphasis.
"We?" Thelma asked, shocked.
Her little maid blushed vividly, and looked down demurely, twisting and untwisting the string of her apron.
Her little maid blushed brightly and looked down shyly, twisting and untwisting the string of her apron.
"Yes, Fröken," she said in a low tone. "I have asked Sir Philip to let me go with you when you leave Norway."
"Yes, Miss," she said softly. "I've asked Sir Philip if I can go with you when you leave Norway."
"Britta!" Thelma's astonishment was too great for more than this exclamation.
"Britta!" Thelma was so astonished that she could only manage this exclamation.
"Oh, my dear! don't be angry with me!" implored Britta, with sparkling eyes, rosy cheeks, and excited tongue all pleading eloquently together, "I should die here without you! I told the bonde so; I did, indeed! And then I went to Sir Philip—he is such a grand gentleman,—so proud and yet so kind,—and I asked him to let me still be your servant. I said I knew all great ladies had a maid, and if I was not clever enough I could learn, and—and—" here Britta began to sob, "I said I did not want any wages—only to live in a little corner of the same house where you were,—to sew for you, and see you, and hear your voice sometimes—" Here the poor little maiden broke down altogether and hid her face in her apron crying bitterly.
"Oh, my dear! Please don’t be angry with me!" Britta pleaded, her eyes sparkling, cheeks flushed, and her excited voice expressing everything she felt, "I’d be lost without you! I told the bonde that! I really did! Then I went to Sir Philip—he's such a distinguished gentleman—so proud yet so kind—and I asked him if I could still be your servant. I mentioned that I knew all important ladies have a maid, and if I wasn't skilled enough, I could learn, and—and—" Here, Britta started to cry, "I said I didn’t need any pay—just to live in a small corner of the same house where you are—to sew for you, and see you, and hear your voice sometimes—" At this point, the poor girl completely broke down and hid her face in her apron, crying uncontrollably.
The tears were in Thelma's eyes too, and she hastened to put her arm round Britta's waist, and tried to soothe her by every loving word she could think of.
The tears were in Thelma's eyes too, and she quickly wrapped her arm around Britta's waist, trying to comfort her with every loving word she could think of.
"Hush, Britta dear! you must not cry," she said tenderly. "What did Philip say?"
"Hush, dear Britta! You shouldn't cry," she said gently. "What did Philip say?"
"He said," jerked out Britta convulsively, "that I was a g-good little g-girl, and that he was g-glad I wanted to g-go!" Here her two sparkling wet eyes peeped out of the apron inquiringly, and seeing nothing but the sweetest affection on Thelma's attentive face, she went on more steadily. "He p-pinched my cheek, and he laughed—and he said he would rather have me for your maid than anybody—there!"
"He said," Britta blurted out nervously, "that I was a good little girl, and that he was glad I wanted to go!" Here her two sparkling, tear-filled eyes peeked out from the apron curiously, and seeing nothing but the sweetest affection on Thelma's attentive face, she continued more confidently. "He pinched my cheek, and he laughed—and he said he would rather have me as your maid than anyone else—there!"
And this last exclamation was uttered with so much defiance that she dashed away the apron altogether, and stood erect in self-congratulatory glory, with a particularly red little nose and very trembling lips. Thelma smiled, and caressed the tumbled brown curls.
And this last exclamation was said with so much defiance that she threw the apron aside completely and stood tall in self-congratulatory glory, with a particularly red little nose and very trembling lips. Thelma smiled and gently stroked the messy brown curls.
"I am very glad, Britta!" she said earnestly. "Nothing could have pleased me more! I must thank Philip. But it is of father I am thinking—what will father and Sigurd do?"
"I’m so happy, Britta!" she said sincerely. "Nothing could make me happier! I need to thank Philip. But I’m worried about Father—what will he and Sigurd do?"
"Oh, that is all settled, Fröken," said Britta, recovering herself rapidly from her outburst. "The bonde means to go for one of his long voyages in the Valkyrie—it is time she was used again, I'm sure,—and Sigurd will go with him. It will do them both good—and the tongues of Bosekop can waggle as much as they please, none of us will be here to mind them!"
"Oh, that's all sorted out, Miss," said Britta, quickly getting control of her emotions. "The farmer plans to go on one of his long trips in the Valkyrie—it's definitely time to use her again, I'm sure—and Sigurd will go with him. It will be good for both of them—and the gossipers in Bosekop can talk as much as they want, none of us will be around to hear it!"
"And you will escape your grandmother!" said Thelma amusedly, as she once more set her spinning-wheel in motion.
"And you'll get away from your grandma!" Thelma said playfully as she started her spinning wheel again.
Britta laughed delightedly. "Yes! she will not find her way to England without some trouble!" she exclaimed. "Oh, how happy I shall be! And you"—she looked pleadingly at her mistress—"you do not dislike me for your servant?"
Britta laughed with joy. "Yes! She’ll have a hard time finding her way to England!" she exclaimed. "Oh, how happy I’ll be! And you"—she looked hopefully at her mistress—"you don’t dislike me because I’m your servant?"
"Dislike!" and Thelma gave her a glance of mingled reproach and tenderness. "You know how fond I am of you, Britta! It will be like having a little bit of my old home always with me."
"Dislike!" Thelma said, giving her a look filled with both disappointment and affection. "You know how much I care about you, Britta! It’ll be like having a piece of my old home with me always."
Silently Britta kissed her hand, and then resumed her work. The monotonous murmur of the two wheels recommenced,—this time pleasantly accompanied by the rippling chatter of the two girls, who, after the fashion of girls all the world over, indulged in many speculations as to the new and strange life that lay before them.
Silently, Britta kissed her hand and then got back to work. The steady hum of the two wheels started again, this time pleasantly accompanied by the cheerful chatter of the two girls, who, like girls everywhere, shared many thoughts about the new and unfamiliar life that awaited them.
Their ideas were of the most primitive character,—Britta had never been out of Norway, and Thelma's experiences, apart from her home life, extended merely to the narrow and restricted bounds of simple and severe convent discipline, where she had been taught that the pomps and vanities of the world were foolish and transient shows, and that nothing could please God more than purity and rectitude of soul. Her character was formed, and set upon a firm basis—firmer than she herself was conscious of. The nuns who had been entrusted with her education had fulfilled their task with more than their customary zeal—they were interested in the beautiful Norwegian child for the sake of her mother, who had also been their charge. One venerable nun in particular had bestowed a deep and lasting benefit on her, for, seeing her extraordinary beauty, and forestalling the dangers and temptations into which the possession of such exceptional charms might lead her, she adopted a wise preventive course, that cased her as it were in armor, proof against all the assailments of flattery. She told the girl quite plainly that she was beautiful,—but at the same time made her aware that beauty was common,—that she shared it alike with birds, flowers, trees, and all the wonderful objects of nature—moreover, that it was nothing to boast of, being so perishable.
Their ideas were very basic—Britta had never left Norway, and Thelma's experiences, aside from her home life, were limited to strict convent rules, where she learned that the worldly attractions were foolish and temporary, and that nothing pleased God more than a pure and upright soul. Her character was developed and built on a solid foundation—more solid than she realized. The nuns responsible for her education had gone above and beyond their usual efforts—they were invested in the beautiful Norwegian girl because of her mother, who had also been under their care. One particularly wise nun had provided her with a valuable and lasting insight, as she recognized Thelma's extraordinary beauty and anticipated the dangers and temptations that such beauty could bring. She took a smart preventative approach, effectively equipping her with armor against the flattery of others. She told the girl outright that she was beautiful—but also reminded her that beauty was common—that she shared it with birds, flowers, trees, and all the amazing things in nature—adding that it wasn't something to be proud of since it was so fleeting.
"Suppose a rose foolish enough to boast of its pretty leaves," said the gentle religieuse on one occasion. "They all fall to the ground in a short time, and become decayed and yellow—it is only the fragrance, or the soul of the rose that lasts." Such precepts, that might have been wasted on a less sensitive and thoughtful nature, sank deeply into Thelma's mind—she accepted them not only in theory but in practice, and the result was that she accepted her beauty as she accepted her health,—as a mere natural occurrence—no more. She was taught that the three principal virtues of a woman were chastity, humility, and obedience,—these were the laws of God, fixed and immutable, which no one dared break without committing grievous and unpardonable sin. So she thought, and according to her thoughts she lived. What a strange world, then, lay before her in the contemplated change that was about to take place in the even tenor of her existence! A world of intrigue and folly—a world of infidelity and falsehood!—how would she meet it? It was a question she never asked herself—she thought London a sort of magnified Christiania, or at best, the Provencal town of Arles on a larger scale. She had heard her father speak of it, but only in a vague way, and she had been able to form no just idea even to herself of the enormous metropolis crowded to excess with its glad and sorrowful, busy and idle, rich and poor millions. England itself floated before her fancy as a green, fertile, embowered island where Shakespeare had lived—and it delighted her to know that her future home, Errington Manor, was situated in Warwickshire, Shakespeare's county. Of the society that awaited her she had no notion,—she was prepared to "keep house" for her husband in a very simple way—to spin his household linen, to spare him all trouble and expense, and to devote herself body and soul to his service. As may be well imagined, the pictures she drew of her future married life, as she sat and span with Britta on that peaceful afternoon, were widely different to the destined reality that every day approached her more nearly.
"Imagine a rose foolish enough to brag about its pretty leaves," said the gentle religieuse one day. "They all fall to the ground soon and become decayed and yellow—it’s only the fragrance, or the soul of the rose that lasts." Such lessons, that might have been lost on someone less sensitive and thoughtful, sunk deeply into Thelma's mind—she accepted them not just in theory but in practice, leading her to view her beauty the same way she viewed her health—just a natural occurrence, nothing more. She was taught that the three main virtues of a woman were chastity, humility, and obedience—these were the laws of God, strict and unchangeable, which no one dared break without committing a serious and unforgivable sin. So she believed, and she lived by these beliefs. A strange world lay ahead of her with the change that was about to happen in her otherwise steady life! A world of intrigue and foolishness—a world of betrayal and lies!—how would she face it? It was a question she never considered—she thought of London as just a bigger version of Christiania, or at best, the Provencal town of Arles on a grander scale. She had heard her father talk about it, but only vaguely, and she couldn't form a clear idea even in her own mind of the massive city packed with its joyful and sorrowful, busy and idle, rich and poor millions. England itself appeared to her as a green, fertile, tree-filled island where Shakespeare had lived—and it brought her joy to know that her future home, Errington Manor, was located in Warwickshire, Shakespeare’s county. She had no clue about the society that awaited her—she was ready to "keep house" for her husband in a very simple way—to make his household linen, to save him any trouble and expense, and to dedicate herself completely to his service. As you can imagine, the visions she painted of her future married life while she sat spinning with Britta on that peaceful afternoon were vastly different from the reality that drew closer every day.
Meantime, while the two girls were at home and undisturbed in the quiet farm house, the mountaineering party, headed by Sigurd, were well on their way towards the great Fall of Njedegorze. They had made a toilsome ascent of the hills by the side of the Alten river—they had climbed over craggy boulders and slippery rocks, sometimes wading knee-deep in the stream, or pausing to rest and watch the salmon leap and turn glittering somersaults in the air close above the diamond-clear water,—and they had beguiled their fatigue with songs and laughter, and the telling of fantastic legends and stories in which Sigurd had shone at his best—indeed, this unhappy being was in a singularly clear and rational frame of mind, disposed, too, to be agreeable even towards Errington. Lorimer, who for reasons of his own, had kept a close watch on Sigurd ever since his friend's engagement to Thelma, was surprised and gratified at this change in his former behavior, and encouraged him in it, while Errington himself responded to the dwarf's proffered friendship, and walked beside him, chatting cheerfully, during the most part of the excursion to the Fall. It was a long and exceedingly difficult journey—and in some parts dangerous—but Sigurd proved himself worthy of the commendations bestowed on him by the bonde, and guided them by the easiest and most secure paths, till at last, about seven o'clock in the evening, they heard the rush and roar of the rapids below the Fall, and with half an hour's more exertion, came in sight of them, though not as yet of the Fall itself. Yet the rapids were grand enough to merit attention—and the whole party stopped to gaze on the whirling wonders of water that, hissing furiously, circled round and round giddily in wheels of white foam, and then, as though enraged, leaped high over obstructing stones and branches, and rushed onward and downward to the smoother length of the river.
Meanwhile, while the two girls were home and undisturbed in the quiet farmhouse, the mountaineering group, led by Sigurd, was well on their way to the great Fall of Njedegorze. They had made a tiring climb up the hills alongside the Alten River—they had scrambled over rocky boulders and slippery stones, sometimes wading knee-deep in the stream, or taking breaks to rest and watch the salmon leap and perform glittering flips in the air just above the crystal-clear water. They lightened their fatigue with songs and laughter, sharing fantastic legends and stories where Sigurd really stood out. In fact, this troubled soul was in an unusually clear and rational frame of mind, even willing to be friendly towards Errington. Lorimer, who had been keeping a close watch on Sigurd ever since his friend's engagement to Thelma for his own reasons, was surprised and pleased by this change in his behavior and encouraged him, while Errington responded to the dwarf’s offered friendship and walked alongside him, chatting cheerfully for most of the hike to the Fall. It was a long and very challenging journey—and in some places, dangerous—but Sigurd proved himself worthy of the praise given to him by the bonde, guiding them along the easiest and safest paths. Finally, around seven o'clock in the evening, they heard the rush and roar of the rapids below the Fall, and after another half hour of effort, they caught sight of them, although they couldn’t see the Fall itself yet. Still, the rapids were impressive enough to capture their attention—and the whole group stopped to marvel at the whirling wonders of water that, hissing furiously, swirled around in dizzying circles of white foam, and then, as if angry, leaped high over rocks and branches, rushing onward and downward to the smoother stretch of the river.
The noise was deafening,—they could not hear each other speak unless by shouting at the top of their voices, and even then the sounds were rendered almost indistinct by the riotous uproar. Sigurd, however, who knew all the ins and outs of the place, sprang lightly on a jutting crag, and, putting both hands to his mouth, uttered a peculiar, shrill, and far-reaching cry. Clear above the turmoil of the restless waters, that cry was echoed back eight distinct times from the surrounding rocks and hills. Sigurd laughed triumphantly.
The noise was deafening—they couldn’t hear each other unless they shouted at the top of their lungs, and even then, their voices got lost in the chaotic uproar. Sigurd, however, who was familiar with the area, quickly climbed onto a jutting rock and cupped his hands around his mouth to let out a unique, sharp, and powerful cry. Above the clamor of the restless waters, his cry echoed back eight times from the nearby rocks and hills. Sigurd laughed triumphantly.
"You see!" he exclaimed, as he resumed his leadership of the party, "they all know me! They are obliged to answer me when I call—they dare not disobey!" And his blue eyes flashed with that sudden wild fire that generally foretold some access of his particular mania.
"You see!" he exclaimed, taking charge of the group again, "they all know me! They have to respond when I call—they can’t dare to disobey!" And his blue eyes sparkled with that familiar wild intensity that usually signaled the onset of one of his particular obsessions.
Errington saw this and said soothingly, "Of course not, Sigurd! No one would dream of disobeying you! See how we follow you to-day—we all do exactly what you tell us."
Errington saw this and said soothingly, "Of course not, Sigurd! No one would even think about disobeying you! Look at how we’re following you today—we all do exactly what you say."
"We are sheep, Sigurd," added Lorimer lazily; "and you are the shepherd!"
"We're sheep, Sigurd," Lorimer said casually, "and you're the shepherd!"
Sigurd looked from one to the other half doubtingly, half cunningly. He smiled.
Sigurd glanced from one person to the other, a mix of doubt and cleverness in his expression. He smiled.
"Yes!" he said. "You will follow me, will you not? Up to the very top of the Fall?"
"Yes!" he said. "You'll follow me, right? All the way to the top of the Fall?"
"By all means!" answered Sir Philip gaily. "Anywhere you choose to go!"
"Of course!" replied Sir Philip cheerfully. "Wherever you want to go!"
Sigurd seemed satisfied, and lapsing into the calm, composed manner which had distinguished him all day, he led the way as before, and they resumed their march, this time in silence, for conversation was well-nigh impossible. The nearer they came to the yet invisible Fall, the more thunderous grew the din—it was as though they approached some vast battle-field, where opposing armies were in full action, with all the tumult of cannonade and musketry. The ascent grew steeper and more difficult—at times the high barriers of rocks seemed almost impassable,—often they were compelled to climb over confused heaps of huge stones, through which the eddying water pushed its way with speed and fury,—but Sigurd's precision was never at fault,—he leaped crag after crag swiftly and skillfully, always lighting on a sure foothold, and guiding the others to do the same. At last, at a sharp turn of one of these rocky eminences, they perceived an enormous cloud of white vapor rising up like smoke from the earth, and twisting itself as it rose, in swaying, serpentine folds, as though some giant spirit-hand were shaking it to and fro like a long flowing veil in the air. Sigurd paused and pointed forward.
Sigurd appeared content, and slipping back into the calm, composed demeanor that had characterized him all day, he led the way as before, and they continued their march, this time in silence, as conversation was nearly impossible. The closer they got to the still-hidden Falls, the louder the noise became—it was as if they were approaching a massive battlefield, where opposing armies were engaged in fierce combat, with all the chaos of cannon fire and gunshots. The climb became steeper and more challenging—at times, the towering rock walls seemed nearly impossible to navigate; often, they had to scramble over piles of large stones, through which the rushing water surged with speed and intensity—but Sigurd’s accuracy never faltered; he jumped from rock to rock nimbly and skillfully, always landing on solid ground, and guiding the others to follow suit. Finally, at a sharp bend in one of these rocky peaks, they spotted a massive cloud of white mist rising like smoke from the ground, twisting as it ascended in flowing, serpentine shapes, as if some giant spirit hand were waving it back and forth like a long, flowing veil in the air. Sigurd stopped and pointed ahead.
"Njedegorze!" he cried.
"Njedegorze!" he shouted.
They all pressed on with some excitement. The ground vibrated beneath their feet with the shock of the falling torrent, and the clash and uproar of the disputing waters rolled in their ears like the grand, sustained bass of some huge cathedral organ. Almost blinded by the spray that dashed its disdainful drops in their faces, deafened by the majestic, loud, and ceaseless eloquence that poured its persuasive force into the splitting hearts of the rocks around them,—breathless with climbing, and well-nigh tread out, they struggled on, and broke into one unanimous shout of delight and triumph when they at last reached the small hut that had been erected for the convenience of travellers who might choose that way to journey to the Altenfjord,—and stood face to face with the magnificent cascade, one of the grandest in Norway. What a sublime spectacle it was!—that tempest of water sweeping sheer down the towering rocks in one straight, broad, unbroken sheet of foam! A myriad rainbows flashed in the torrent and vanished, to reappear again instantly with redoubled lustre,—while the glory of the evening sunlight glittering on one side of the fall made it gleam like a sparkling shower of molten gold.
They all moved forward with some excitement. The ground vibrated beneath their feet with the force of the rushing waterfall, and the clash and roar of the struggling waters echoed in their ears like the deep, resonant notes of a giant cathedral organ. Almost blinded by the spray that splashed against their faces and deafened by the loud, unending noise that poured its power into the cracking hearts of the surrounding rocks,—breathless from climbing and nearly worn out, they pressed on and erupted into a collective shout of joy and triumph when they finally reached the small hut built for travelers heading to the Altenfjord,—and stood in front of the stunning waterfall, one of the most impressive in Norway. What a breathtaking sight it was!—that torrent of water cascading straight down the towering rocks in one wide, uninterrupted sheet of foam! Countless rainbows flashed in the waterfall and disappeared, only to reappear with even more brilliance,—while the brilliance of the evening sunlight shining on one side of the fall made it shimmer like a sparkling shower of molten gold.
"Njedegorze!" cried Sigurd again, giving a singularly musical pronunciation to the apparently uncouth name. "Come! still a little further,—to the top of the Fall!"
"Njedegorze!" Sigurd shouted again, pronouncing the seemingly awkward name with a surprising melody. "Come! Just a little further—to the top of the waterfall!"
Olaf Güldmar, however, paid no attention to this invitation. He was already beginning to busy himself with preparations for passing the night comfortably in the hut before mentioned. Stout old Norseman as he was, there were limits to his endurance, and the arduous exertions of the long day had brought fatigue to him as well as to the rest of the party.
Olaf Güldmar, however, ignored this invitation. He was already starting to get ready to spend the night comfortably in the hut mentioned earlier. Despite being a strong old Norseman, he had his limits, and the hard work of the long day had worn him out just like the rest of the group.
Macfarlane was particularly exhausted. His frequent pulls at the whiskey flask had been of little or no avail as a support to his aching limbs, and, now he had reached his destination, he threw himself full length on the turf in front of the hut and groaned most dismally.
Macfarlane was especially tired. His constant sips from the whiskey flask hadn’t done much to ease his sore muscles, and now that he had arrived at his destination, he collapsed fully onto the grass in front of the hut and groaned loudly.
Lorimer surveyed him amusedly, and stood beside him, the very picture of a cool young Briton whom nothing could possibly discompose.
Lorimer looked at him with amusement and stood next to him, the perfect image of a calm young Brit who couldn’t be shaken by anything.
"Done up—eh, Sandy?" he inquired.
"All dressed up—right, Sandy?" he inquired.
"Done up!" growled Macfarlane. "D'ye think I'm a Norseman or a jumping Frenchy?" This with a look of positive indignation at the lively Duprèz, who, if tired, was probably too vain to admit it, for he was strutting about, giving vent to his genuine admiration of the scene before him with the utmost freshness and enthusiasm. "I'm just a plain Scotchman, an' no such a fule at climbin' either! Why, man, I've been up Goatfell in Arran, an' Ben Lomond an' Ben Nevis—there's a mountain for ye, if ye like! But a brae like this, wi' a' the stanes lyin' helter-skelter, an' crags that ye can barely hold on to—and a mad chap guidin' ye on at the speed o' a leapin' goat—I tell ye, I havena been used to't." Here he drew out his flask and took another extensive pull at it. Then he added suddenly, "Just look at Errington! He'll be in a fair way to break his neck if he follows yon wee crazy loon any further."
"Done up!" growled Macfarlane. "Do you think I'm a Norseman or a jumping Frenchman?" This was said with genuine indignation aimed at the lively Duprèz, who, if he was tired, probably couldn't admit it, because he was strutting around, expressing his genuine admiration for the scene before him with total freshness and enthusiasm. "I'm just a regular Scotsman, and not that great at climbing either! I mean, I've been up Goatfell in Arran, and Ben Lomond and Ben Nevis—there's a mountain for you, if you want one! But a slope like this, with all the stones lying around everywhere, and cliffs that you can barely hang onto—and some mad guy leading you at the speed of a jumping goat—I tell you, I'm not used to that." Here he pulled out his flask and took another long drink from it. Then he suddenly added, "Just look at Errington! He's going to break his neck if he keeps following that little crazy guy any further."
At these words Lorimer turned sharply round, and perceived his friend following Sigurd step by step up a narrow footing in the steep ascent of some rough, irregular crags that ran out and formed a narrow ledge, ending in a sharp point, jutting directly over the full fury of the waterfall. He watched the two climbing figures for an instant without any anxiety,—then he suddenly remembered that Philip had promised to go with Sigurd "to the top of the Fall." Acting on a rapid impulse which he did not stop to explain to himself, Lorimer at once started off after them,—but the ascent was difficult; they were some distance ahead, and though he shouted vociferously, the roar of the cascade rendered his voice inaudible. Gaining on them, however, by slow degrees, he was startled when all at once they disappeared at the summit—and, breathless with his rapid climb, he paused, bewildered. By-and-by he saw Sigurd creeping cautiously out along the rocky shelf that overhung the tumbling torrent—his gaze grew riveted with a sort of deadly fascination on the spot.
At these words, Lorimer turned sharply and noticed his friend following Sigurd step by step up a narrow path on the steep climb of some rough, uneven rocks that extended out and formed a narrow ledge, ending in a sharp point jutting directly over the raging waterfall. He watched the two climbing figures for a moment without feeling anxious—then suddenly remembered that Philip had promised to go with Sigurd "to the top of the Fall." Acting on a quick impulse that he didn’t stop to analyze, Lorimer took off after them—but the climb was tough; they were quite a distance ahead, and even though he shouted loudly, the roar of the waterfall made his voice unheard. Gradually gaining on them, he was shocked when they suddenly vanished at the top—and, out of breath from his rapid climb, he paused, confused. After a moment, he saw Sigurd carefully creeping out along the rocky ledge that hung over the rushing water—his gaze became fixed on the spot with a sort of deadly fascination.
"Good God!" he muttered under his breath. "Surely Phil will not follow him there!"
"Good God!" he muttered quietly. "Surely Phil won't follow him there!"
He watched with strained eyes,—and a smothered cry escaped him as Errington's tall figure, erect and bold, appeared on that narrow and dangerous platform! He never knew how he clambered up the rest of the slippery ascent. A double energy seemed given to his active limbs. He never paused again for one second till he also stood on the platform, without being heard or perceived by either Sigurd or Philip. Their backs were turned to him, and he feared to move or speak, lest a sudden surprised movement on their parts should have the fatal result of precipitating one or both into the fall. He remained, therefore, behind them, silent and motionless,—looking, as they looked, at the terrific scene below. From that point, Njedegorze was as a huge boiling caldron, from which arose twisted wreaths and coiling lengths of white vapor, faintly colored with gold and silvery blue. Dispersing in air, these mists took all manner of fantastic forms,—ghostly arms seemed to wave and beckon, ghostly hands to unite in prayer,—and fluttering creatures in gossamer draperies of green and crimson, appeared to rise and float, and retire and shrink, to nothingness again in the rainbow drift and sweep of whirling foam. Errington gazed unconcernedly down on the seething abyss. He pushed back his cap from his brow, and let the fresh wind play among his dark, clustering curls. His nerves were steady, and he surveyed the giddily twisting wheels of shining water, without any corresponding giddiness in his own brain. He had that sincere delight in a sublime natural spectacle, which is the heritage of all who possess a poetic and artistic temperament; and though he stood on a frail ledge of rock, from which one false or unwary step might send him to certain destruction, he had not the slightest sense of possible danger in his position. Withdrawing his eyes from the Fall, he looked kindly down at Sigurd, who in turn was staring up at him with a wild fixity of regard.
He watched with tense eyes, and a muffled cry escaped him as Errington's tall figure, upright and fearless, appeared on that narrow and risky platform! He never knew how he scrambled up the rest of the slippery slope. It felt like a surge of energy coursed through his limbs. He didn't stop for even a second until he was also on the platform, unnoticed by either Sigurd or Philip. They had their backs to him, and he was afraid to move or speak, fearing that any sudden surprise from them might cause one or both to fall. So, he stayed behind them, quiet and still, looking at the terrifying scene below just like they were. From that spot, Njedegorze looked like a massive boiling cauldron, sending up twisted wreaths and spirals of white vapor, faintly touched with gold and silver blue. As these mists dispersed in the air, they took on all sorts of fantastical shapes—ghostly arms seemed to wave and beckon, ghostly hands appeared to clasp in prayer—and fluttering beings draped in delicate green and crimson seemed to rise, float, retreat, and shrink to nothing in the rainbow drift and swirl of foaming water. Errington gazed down at the boiling abyss without a hint of concern. He pushed his cap off his forehead and let the cool wind play through his dark, tousled curls. His nerves were steady, and he surveyed the dizzying whirl of gleaming water without feeling dizzy himself. He felt a genuine joy in the breathtaking natural spectacle, a feeling shared by those with a poetic and artistic spirit; and despite standing on a fragile ledge of rock, from which one misstep could lead to disaster, he had no sense of the danger in his position. Looking away from the waterfall, he glanced down kindly at Sigurd, who was also staring up at him with a wild, fixed gaze.
"Well, old boy," he said cheerfully, "this is a fine sight! Have you had enough of it? Shall we go back?"
"Well, buddy," he said happily, "this is a great view! Have you seen enough? Should we head back?"
Sigurd drew imperceptibly nearer. Lorimer, from his point of vantage behind a huge bowlder, drew nearer also.
Sigurd quietly moved closer. Lorimer, from his hiding spot behind a large boulder, also moved in.
"Go back?" echoed Sigurd. "Why should we go back?"
"Go back?" Sigurd repeated. "Why would we go back?"
"Why, indeed!" laughed Errington, lightly balancing himself on the trembling rocks beneath him. "Except that I should scarcely think this is the best place on which to pass the night! Not enough room, and too much noise! What say you?"
"Why, really!" laughed Errington, casually balancing on the shaky rocks below him. "But I really don’t think this is the best spot to spend the night! Not enough space and way too much noise! What do you think?"
"Oh, brave, brave, fool!" cried the dwarf in sudden excitement. "Are you not afraid?"
"Oh, brave, brave, fool!" shouted the dwarf in a burst of excitement. "Aren't you afraid?"
The young baronet's keen eyes glanced him over with amused wonder.
The young baronet's sharp eyes took him in with amused curiosity.
"What of?" he demanded coolly. Still nearer came Sigurd—nearer also came the watchful, though almost invisible Lorimer.
"What’s going on?" he asked coolly. Sigurd came closer—so did the watchful, though nearly invisible, Lorimer.
"Look down there!" continued Sigurd in shrill tones, pointing to the foaming gulf. "Look at the Elf-danz—see the beautiful spirits with the long pale green hair and glittering wings! See how they beckon, beckon, beckon! They want some one to join them—look how their white arms wave,—they throw back their golden veils and smile at us! They call to you—you with the strong figure and the proud eyes—why do you not go to them? They will kiss and caress you—they have sweet lips and snow-white bosoms,—they will love you and take care of you—they are as fair as Thelma!"
"Look down there!" Sigurd shouted excitedly, pointing to the churning waves. "Check out the Elf-danz—see those beautiful spirits with long, light green hair and sparkly wings! Look how they wave us over, beckoning us! They want someone to join them—see how their white arms are moving, how they toss back their golden veils and smile at us! They’re calling to you—you with the strong build and proud eyes—why don’t you go to them? They’ll kiss and cuddle you—they have sweet lips and pure white chests—they’ll love you and take care of you—they’re as gorgeous as Thelma!"
"Are they? I doubt it!" and Errington smiled dreamily as he turned his head again towards the fleecy whirl of white water, and saw at once with an artist's quick eye what his sick-brained companion meant by the Elf-danz, in the fantastic twisting, gliding shapes tossed up in the vaporous mist of the Fall. "But I'll take your word, Sigurd, without making the elves' personal acquaintance! Come along—this place is bad for you—we'll dance with the green-haired nymphs another time."
"Are they? I don't think so!" Errington smiled dreamily as he turned his head back to the fluffy swirl of white water. With an artist's quick eye, he instantly understood what his mentally unstable companion meant by the Elf-danz, seeing the fantastic twisting, gliding shapes created in the mist of the Fall. "But I'll trust you on this, Sigurd, without meeting the elves myself! Let's go—this place isn't good for you—we'll dance with the green-haired nymphs another time."
And with a light laugh he was about to turn away, when he was surprised by a sudden, strange convulsion of Sigurd's countenance—his blue eyes flashed with an almost phosphorescent lustre,—his pale skin flushed deeply red, and the veins in his forehead started into swelled and knotted prominence.
And with a light laugh, he was about to turn away when he was taken aback by a sudden, strange change in Sigurd's face—his blue eyes flashed with an almost glowing brightness, his pale skin turned deep red, and the veins in his forehead bulged and became prominently knotted.
"Another time!" he screamed loudly; "no, no! Now—now! Die, robber of Thelma's love! Die—die—die!"
"Another time!" he yelled loudly; "no, no! Now—now! Die, thief of Thelma's love! Die—die—die!"
Repeating these words like quick gasps of fury, he twisted his meager arms tightly round Errington, and thrust him fiercely with all his might towards the edge of the Fall. For one second Philip strove against him—the next, he closed his eyes—Thelma's face smiled on his mind in that darkness as though in white farewell—the surging blood roared in his ears with more thunder than the terrific tumble of the torrent—"God!" he muttered, and then—then he stood safe on the upper part of the rocky platform with Lorimer's strong hand holding him in a vice-like grasp, and Lorimer's face, pale, but looking cheerfully into his. For a moment he was too bewildered to speak. His friend loosened him and laughed rather forcedly—a slight tremble of his lips was observable under his fair moustache.
Repeating these words like quick bursts of anger, he wrapped his thin arms tightly around Errington and shoved him intensely with all his strength towards the edge of the Fall. For a moment, Philip struggled against him—then he shut his eyes—Thelma's face smiled in his mind in that darkness as if saying goodbye—blood surged in his ears louder than the tremendous roar of the waterfall—"God!" he muttered, and then—he found himself safely on the upper part of the rocky platform with Lorimer's strong hand gripping him tightly, and Lorimer's face, pale but smiling cheerfully at him. For a moment, he was too confused to say anything. His friend released him and laughed a bit awkwardly—a slight tremor in his lips was visible under his fair moustache.
"By Jove, Phil," he remarked in his usual nonchalant manner, "that was rather a narrow shave! Fortunate I happened to be there!"
"Wow, Phil," he said casually, "that was a close call! Lucky I was there!"
Errington gazed about him confusedly. "Where's Sigurd?" he asked.
Errington looked around, puzzled. "Where's Sigurd?" he asked.
"Gone! Ran off like a 'leapin' goat,' as Sandy elegantly describes him. I thought at first he meant to jump over the Fall, in which case I should have been compelled to let him have his own way, as my hands were full. But he's taken a safe landward direction."
"Gone! He ran off like a 'leapin' goat,' as Sandy puts it. I thought he was going to jump over the Fall, and if that were the case, I would have had to let him do what he wanted since my hands were full. But he's headed safely toward land."
"Didn't he try to push me over?"
"Didn't he try to shove me?"
"Exactly! He was quite convinced that the mermaids wanted you. But I considered that Miss Thelma's wishes had a prior claim on my regard."
"Exactly! He was sure that the mermaids wanted you. But I thought that Miss Thelma's wishes were more important to me."
"Look here, old man," said Errington suddenly, "don't jest about it! You saved my life!"
"Hey, old man," Errington said suddenly, "don't joke about it! You saved my life!"
"Well!" and Lorimer laughed. "Quite by accident, I assure you."
"Well!" Lorimer laughed. "It was purely by accident, I promise you."
"Not by accident!" and Philip flushed up, looking very handsome and earnest. "I believe you followed us up here thinking something might happen. Now didn't you?"
"Not by accident!" Philip said, his cheeks turning red as he appeared both handsome and serious. "I’m pretty sure you came up here thinking something might go down. Am I right?"
"Suppose I did," began Lorimer, but he was interrupted by his friend, who seized his hand, and pressed it with a warm, close, affectionate fervor. Their eyes met—and Lorimer blushed as though he had performed some action meriting blame rather than gratitude. "That'll do, old fellow," he said almost nervously. "As we say in polite society when some one crushes our favorite corn under his heel—don't mention it! You see Sigurd is cracked,—there's not the slightest doubt about that,—and he's hardly accountable for his vagaries. Then I know something about him that perhaps you don't. He loves your Thelma!"
"Suppose I did," Lorimer started, but his friend interrupted him, grabbing his hand and squeezing it with warm, affectionate intensity. Their eyes locked—Lorimer blushed as if he’d done something worthy of reproach instead of thanks. "That's enough, buddy," he said almost nervously. "As we say in polite company when someone steps on our favorite toe—don’t mention it! You see, Sigurd is definitely not right in the head—there's no doubt about that—and he can hardly be held responsible for his strange behavior. Plus, I know something about him that you might not. He loves your Thelma!"
They were making the descent of the rocks together, and Errington stopped short in surprise.
They were climbing down the rocks together, and Errington suddenly stopped in surprise.
"Loves Thelma! You mean as a brother—"
"Loves Thelma! You mean like a brother—"
"Oh no, I don't! I mean that he loves her as brothers often love other people's sisters—his affection is by no means fraternal—if it were only that—"
"Oh no, I don't! I mean that he loves her like brothers often love other people's sisters—his feelings are definitely not brotherly—if it were only that—"
"I see!" and Philip's eyes filled with a look of grave compassion. "Poor fellow! I understand his hatred of me now. Good Heavens! how he must suffer! I forgive him with all my heart. But—I say, Thelma has no idea of this!"
"I see!" Philip exclaimed, his eyes filled with a deep compassion. "Poor guy! I get why he hates me now. Oh my God! He must be in so much pain! I truly forgive him. But—I mean, Thelma doesn’t know anything about this!"
"Of course not. And you'd better not tell her. What's the good of making her unhappy?"
"Of course not. And you'd better not tell her. What's the point in making her unhappy?"
"But how did you learn it?" inquired Philip, with a look of some curiosity at his friend.
"But how did you learn that?" Philip asked, looking at his friend with curiosity.
"Oh, I!" and Lorimer laughed carelessly; "I was always an observing sort of fellow—fond of putting two and two together and making four of them, when I wasn't too exhausted and the weather wasn't too hot for the process. Sigurd's rather attached to me—indulges me with some specially private ravings now and then—I soon found out his secret, though I believe the poor little chap doesn't understand his own feelings himself."
"Oh, me!" Lorimer laughed casually. "I've always been the kind of guy who notices things—enjoys putting two and two together to get four, as long as I'm not too tired and the weather isn't too hot for it. Sigurd is kind of attached to me—lets me indulge in some private ramblings every now and then. I figured out his secret pretty quickly, though I think the poor kid doesn't even grasp his own feelings."
"Well," said Errington thoughtfully, "under the circumstances you'd better not mention this affair of the Fall to Güldmar. It will only vex him. Sigurd won't try such a prank again."
"Well," said Errington, thinking it over, "given the situation, you should probably avoid bringing up this Fall incident with Güldmar. It will just annoy him. Sigurd won't pull a stunt like that again."
"I'm not so sure of that," replied Lorimer; "but you know enough now to be on your guard with him." He paused and looked up with a misty softness in his frank blue eyes—then went on in a subdued tone—"When I saw you on the edge of that frightful chasm, Phil—" He broke off as if the recollection were too painful, and exclaimed suddenly—"Good God! if I had lost you!"
"I'm not so sure about that," Lorimer replied. "But you know enough now to watch out for him." He paused and looked up with a gentle softness in his honest blue eyes, then continued in a quieter tone, "When I saw you on the edge of that terrifying cliff, Phil—" He stopped as if the memory was too painful and suddenly exclaimed, "Oh my God! If I had lost you!"
Errington clapped one hand on his shoulder.
Errington put a hand on his shoulder.
"Well! What if you had?" he asked almost mirthfully, though there was a suspicious tremble in his ringing voice.
"Well! What if you did?" he asked almost playfully, though there was a hint of nervousness in his ringing voice.
"I should have said with Horatio, 'I am more an antique Roman than a Dane,'—and gone after you," laughed Lorimer. "And who knows what a jolly banquet we might not have been enjoying in the next world by this time? If I believe in anything at all, I believe in a really agreeable heaven—nectar and ambrosia, and all that sort of thing, and Hebes to wait upon you."
"I should have said with Horatio, 'I'm more of an ancient Roman than a Dane,'—and followed you," Lorimer laughed. "And who knows what a great feast we could be enjoying in the afterlife by now? If I believe in anything, it's in a truly pleasant heaven—nectar and ambrosia, and all that kind of stuff, with Hebes serving you."
As he spoke they reached the sheltering hut, where Güldmar, Duprèz, and Macfarlane were waiting rather impatiently for them.
As he talked, they arrived at the sheltering hut, where Güldmar, Duprèz, and Macfarlane were waiting somewhat impatiently for them.
"Where's Sigurd?" cried the bonde.
"Where's Sigurd?" cried the farmer.
"Gone for a ramble on his own account," answered Errington readily. "You know his fancies!"
"Gone for a walk by himself," Errington replied easily. "You know how he is!"
"I wish his fancies would leave him," grumbled Güldmar. "He promised to light a fire and spread the meal—and now, who knows whither he has wandered?"
"I wish his daydreams would stop bothering him," grumbled Güldmar. "He promised to start a fire and set out the food—and now, who knows where he has gone?"
"Never mind, sir," said Lorimer. "Engage me as a kitchen-boy. I can light a fire, and can also sit beside it when it is properly kindled. More I cannot promise. As the housemaids say when they object to assist the cook,—it would be beneath me."
"Don't worry about it, sir," said Lorimer. "Hire me as a kitchen boy. I can start a fire, and I can also sit by it once it’s properly lit. I can’t promise more than that. Just like the housemaids say when they refuse to help the cook—it's beneath me."
"Cook!" cried Duprèz, catching at this word. "I can cook! Give me anything to broil. I will broil it! You have coffee—I will make it!" And in the twinkling of an eye he had divested himself of his coat, turned up his cuffs, and manufactured the cap of a chef out of a newspaper which he stuck jauntily on his head. "Behold me, messieurs, à votre service!"
"Cook!" shouted Duprèz, seizing on the idea. "I can cook! Just give me anything to broil. I’ll broil it! You have coffee—I’ll make it!" In the blink of an eye, he had taken off his coat, rolled up his sleeves, and crafted a chef's hat out of a newspaper that he placed proudly on his head. "Look at me, gentlemen, at your service!"
His liveliness was infectious; they all set to work with a will, and in a few moments a crackling wood-fire blazed cheerily on the ground, and the gipsy preparations for the al fresco supper went on apace amid peals of laughter. Soon the fragrance of steaming coffee arose and mingled itself with the resinous odors of the surrounding pine-trees,—while Macfarlane distinguished himself by catching a fine salmon trout in a quiet nook of the rushing river, and this Duprèz cooked in a style that would have done honor to a cordon bleu. They made an excellent meal, and sang songs in turn and told stories,—Olaf Güldmar, in particular, related eerie legends of the Dovre-fjelde, and many a striking history of ancient origin, full of terror and superstition,—concerning witches, devils, and spirits both good and evil, who are still believed to have their abode on the Norwegian hills,—for, as the bonde remarked with a smile, "when civilization has driven these unearthly beings from every other refuge in the world, they will always be sure of a welcome in Norway."
His energy was contagious; they all jumped into action, and in no time a crackling wood fire blazed cheerfully on the ground, while the gipsy preparations for the al fresco dinner were in full swing amid bursts of laughter. Soon, the aroma of steaming coffee filled the air, mixing with the resinous scents of the surrounding pine trees—while Macfarlane stood out by catching a fine salmon trout in a quiet spot of the rushing river, which Duprèz cooked in a way that would impress a cordon bleu. They enjoyed a fantastic meal, sang songs in turns, and shared stories—Olaf Güldmar, in particular, recounted eerie tales of the Dovre-fjelde along with many striking legends of ancient origin, filled with dread and superstition—about witches, devils, and spirits both good and evil, who are still believed to reside on the Norwegian hills—for, as the bonde commented with a smile, "when civilization has driven these otherworldly beings from every other refuge in the world, they can always count on a warm welcome in Norway."
It was eleven o'clock when they at last retired within the hut to rest for the night, and the errant Sigurd had not returned. The sun shone brilliantly, but there was no window to the small shed, and light and air came only through the door, which was left wide open. The tired travellers lay down on their spread-out rugs and blankets, and wishing each other a cheerful "good night," were soon fast asleep. Errington was rather restless, and lay awake for some little time, listening to the stormy discourse of the Fall; but at last his eyelids yielded to the heaviness that oppressed them, and he sank into a light slumber.
It was eleven o'clock when they finally settled into the hut to rest for the night, and Sigurd had not returned. The sun was shining brightly, but there was no window in the small shed, and light and air came only through the door, which was left wide open. The tired travelers laid down on their rugs and blankets, and after wishing each other a cheerful "good night," they quickly fell asleep. Errington was a bit restless and lay awake for a while, listening to the roaring conversations of the Fall; but eventually, his eyelids gave in to the heaviness weighing them down, and he drifted into a light sleep.
Meanwhile the imperial sun rode majestically downwards to the edge of the horizon,—and the sky blushed into the pale tint of a wild rose, that deepened softly and steadily with an ever-increasing fiery brilliance as the minutes glided noiselessly on to the enchanted midnight hour. A wind began to rustle mysteriously among the pines—then gradually growing wrathful, strove to whistle a loud defiance to the roar of the tumbling waters. Through the little nooks and crannies of the roughly constructed cabin, where the travellers slept, it uttered small wild shrieks of warning or dismay—and, suddenly, as though touched by an invisible hand, Sir Philip awoke. A crimson glare streaming through the open door dazzled his drowsy eyes—was it a forest on fire? He started up in dreamy alarm,—then remembered where he was. Realizing that there must be an exceptionally fine sky to cast so ruddy a reflection on the ground, he threw on his cloak and went outside.
Meanwhile, the imperial sun moved gracefully down towards the horizon, and the sky turned a soft blush of wild rose, which deepened steadily into a fiery brilliance as the minutes quietly passed toward the enchanted midnight hour. A wind began to rustle mysteriously among the pines—gradually growing intense, it tried to whistle a loud defiance to the roar of the rushing waters. Through the small gaps in the roughly built cabin where the travelers slept, it let out sharp cries of warning or fear—and suddenly, as if touched by an invisible hand, Sir Philip woke up. A crimson glow streaming through the open door blinded his sleepy eyes—was there a fire in the forest? He jumped up in dreamy alarm—then remembered where he was. Realizing that there had to be an exceptionally beautiful sky to cast such a red reflection on the ground, he threw on his cloak and stepped outside.
What a wondrous, almost unearthly scene greeted him! His first impulse was to shout aloud in sheer ecstasy—his next to stand silent in reverential awe. The great Fall was no longer a sweeping flow of white foam—it had changed to a sparkling shower of rubies, as though some great genie, tired of his treasures, were flinging them away by giant handfuls, in the most reckless haste and lavish abundance. From the bottom of the cascade a crimson vapor arose, like smoke from flame, and the whirling rapids, deeply red for the most part, darkened here and there into an olive-green flecked with gold, while the spray, tossed high over interrupting rocks and boulders, glittered as it fell like, small fragments of broken opal. The sky was of one dense uniform rose-color from west to east,—soft and shimmering as a broad satin pavilion freshly unrolled,—the sun was invisible, hidden behind the adjacent mountains, but his rays touched some peaks in the distance, on which white wreaths of snow lay, bringing them into near and sparkling prominence.
What a stunning, almost otherworldly sight met him! His first instinct was to shout out in sheer happiness—his next was to stay silent in respectful awe. The great Fall was no longer a rush of white foam—it had transformed into a sparkling shower of rubies, as if some great genie, bored with his treasures, was throwing them away by the handful, in the most frenzied and lavish way. From the bottom of the waterfall, a crimson mist rose, like smoke from fire, and the swirling rapids, mostly deep red, occasionally darkened into an olive-green speckled with gold, while the spray, tossed high over the rocks and boulders, sparkled as it fell like small pieces of shattered opal. The sky was a solid, uniform rose color from west to east—soft and shimmering like a newly unrolled satin tent—the sun was hidden from view behind the nearby mountains, but its rays touched some peaks in the distance, revealing white crowns of snow that shimmered brightly.
The whole landscape was transformed—the tall trees, rustling and swaying in the now boisterous wind, took all flickering tints of color on their trunks and leaves,—the grey stones and pebbles turned to lumps of gold and heaps of diamonds, and on the other side of the rapids, a large tuft of heather in a cleft of the rocks glowed with extraordinary vividness and warmth, like a suddenly kindled fire. A troop of witches dancing wildly on the sward,—a ring of fairies,—kelpies tripping from crag to crag,—a sudden chorus of sweet-voiced water-nymphs—nothing unreal or fantastical would have surprised Errington at that moment. Indeed, he almost expected something of the kind—the scene was so eminently fitted for it.
The entire landscape was changed—the tall trees, rustling and swaying in the now lively wind, reflected all sorts of flickering colors on their trunks and leaves—the gray stones and pebbles transformed into lumps of gold and piles of diamonds, and on the other side of the rapids, a large patch of heather in a crack in the rocks glowed with incredible brightness and warmth, like a fire suddenly lit. A group of witches dancing wildly on the grass—a circle of fairies—kelpies leaping from rock to rock—a sudden chorus of sweet-voiced water nymphs—nothing unreal or fantastical would have surprised Errington at that moment. In fact, he almost expected something like that—the scene was so perfectly suited for it.
"Positively, I must wake Lorimer," he thought to himself. "He oughtn't to miss such a gorgeous spectacle as this."
"Definitely, I need to wake Lorimer," he thought to himself. "He shouldn't miss such an amazing sight as this."
He moved a little more in position to view the Fall. What was that small dark object running swiftly yet steadily along on the highest summit of those jutting crags? He rubbed his eyes amazedly—was it—could it be Sigurd? He watched it for a moment,—then uttered a loud cry as he saw it pause on the very ledge of rock from which but a short while since, he himself had been so nearly precipitated. The figure was now distinctly visible, outlined in black against the flaming crimson of the sky,—it stood upright and waved its arms with a frantic gesture. There was no mistaking it—it was Sigurd!
He shifted his position a bit to get a better view of the Fall. What was that small dark object moving quickly yet steadily along the highest peak of those jutting cliffs? He rubbed his eyes in disbelief—was it—could it be Sigurd? He watched it for a moment, then let out a loud shout as he saw it pause on the very ledge of rock he had almost fallen from not long ago. The figure was now clearly visible, outlined in black against the bright crimson sky—it stood upright and waved its arms frantically. There was no doubt about it—it was Sigurd!
Without another second's hesitation Errington rushed back to the hut and awoke, with clamorous alarm, the rest of the party. His brief explanation sufficed—they all hurried forth in startled excitement. Sigurd still occupied his hazardous position, and as they looked at him he seemed to dance wildly nearer the extreme edge of the rocky platform. Old Güldmar turned pale. "The gods preserve him!" he muttered in his beard—then turning he began resolutely to make the ascent of the rocks with long, rapid strides—the young men followed him eager and almost breathless, each and all bent upon saving Sigurd from the danger in which he stood, and trying by different ways to get more quickly near the unfortunate lad and call, or draw him back by force from his point of imminent deadly peril. They were more than half-way up, when a piercing cry rang clearly above the thunderous din of the fall—a cry that made them pause for a moment.
Without a second thought, Errington dashed back to the hut and woke the rest of the group in a panic. His quick explanation was enough—they all rushed out, startled and excited. Sigurd was still in his dangerous spot, and as they looked at him, he seemed to be dancing precariously near the edge of the rocky platform. Old Güldmar turned pale. "May the gods protect him!" he muttered under his breath—then he turned and began climbing the rocks with long, swift strides—the young men followed him, eager and nearly out of breath, all determined to save Sigurd from the danger he faced, trying to find different ways to get to him quickly and either call him back or pull him away from the edge of peril. They were more than halfway up when a chilling scream cut through the thunderous noise of the waterfall—a scream that made them pause for a moment.
Sigurd had caught sight of the figures advancing to his rescue, and was waving them back with eloquent gesture of anger and defiance. His small misshapen body was alive with wrath,—it seemed as though he were some dwarf king ruling over the glittering crimson torrent, and grimly forbidding strangers to enter on the boundaries of his magic territory. They, however, pressed on with renewed haste,—and they had nearly reached the summit when another shrill cry echoed over the sunset-colored foam.
Sigurd had spotted the figures coming to his aid and was waving them off with a powerful gesture of anger and defiance. His small, awkward body was filled with rage—it looked like he was a dwarf king reigning over the shimmering red torrent, sternly warning outsiders to stay out of his enchanted realm. They, however, pushed on with increased urgency—and they were almost at the top when another sharp cry rang out over the sunset-colored foam.
Once more they paused—they were in full view of the distraught Sigurd, and he turned his head towards them, shaking back his long fair hair with his old favorite gesture and laughing in apparent glee. Then he suddenly raised his arms, and, clasping his hands together, poised himself as though he were some winged thing about to fly.
Once again they stopped—they could see the upset Sigurd clearly, and he turned to them, tossing his long, light hair back with his familiar gesture and laughing joyfully. Then he suddenly raised his arms, and, bringing his hands together, positioned himself as if he were a winged creature ready to take flight.
"Sigurd! Sigurd!" shouted Güldmar, his strong voice tremulous with anguish. "Come back! come back to Thelma!"
"Sigurd! Sigurd!" shouted Güldmar, his powerful voice shaking with pain. "Come back! Come back to Thelma!"
At the sound of that beloved name, the unhappy creature seemed to hesitate, and, profiting by that instant of irresolution, Errington and Lorimer rushed forward—Too late! Sigurd saw them coming, and glided with stealthy caution to the very brink of the torrent, where there was scarcely any foothold—there he looked back at his would-be rescuers with an air of mystery and cunning, and broke into a loud derisive laugh.
At the sound of that cherished name, the unhappy creature seemed to pause, and taking advantage of that moment of uncertainty, Errington and Lorimer rushed forward—But it was too late! Sigurd noticed them coming and slipped with careful stealth right to the edge of the torrent, where there was hardly any ground to stand on—there he looked back at his would-be rescuers with an air of mystery and slyness, and erupted into a loud mocking laugh.
Then—still with clasped hands and smiling face—unheeding the shout of horror that broke from those who beheld him—he leaped, and fell! Down, down into the roaring abyss! For one half-second—one lightning flash—his twisted figure, like a slight black speck was seen against the wide roseate glory of the tumbling cascade—then it disappeared, engulfed and lost for ever! Gone,—with all his wild poet fancies and wandering dreams—gone, with his unspoken love and unguessed sorrows—gone where dark things shall be made light,—and where the broken or tangled chain of the soul's intelligence shall be mended and made perfect by the tender hands of the All-Wise and the All-Loving One, whose ways are too gloriously vast for our finite comprehension.
Then—still with hands clasped and a smiling face—ignoring the cries of horror from those watching—he jumped and fell! Down, down into the roaring abyss! For half a second—like a lightning flash—his twisted figure, like a tiny black speck, was visible against the broad, rosy splendor of the tumbling waterfall—then it vanished, swallowed up and lost forever! Gone—with all his wild poetic imaginations and wandering dreams—gone, with his unspoken love and unrecognized sorrows—gone to where dark things shall be made bright,—and where the broken or tangled chain of the soul’s understanding shall be repaired and perfected by the gentle hands of the All-Wise and the All-Loving One, whose ways are too magnificently vast for our limited understanding.
"Gone, mistress!" as he would have said to the innocent cause of his heart's anguish. "Gone where I shall grow straight and strong and brave! Mistress, if you meet me in Valhalla, you will love me!"
"Gone, my lady!" he would have said to the innocent source of his heart's pain. "Gone to a place where I will become strong, confident, and brave! My lady, if you see me in Valhalla, you will love me!"
CHAPTER XVII.
"Do not, I pray you, think evilly of so holy a man! He has a sore combat against the flesh and the devil!"—The Maid of Honor.
"Please, I beg you, don’t think negatively of such a holy man! He is in a difficult struggle against the flesh and the devil!"—The Maid of Honor.
The horror-stricken spectators of the catastrophe stood for a minute inert and speechless,—stupefied by its suddenness and awful rapidity. Then with one accord they hurried down to the level shore of the torrent, moved by the unanimous idea that they might possibly succeed in rescuing Sigurd's frail corpse from the sharp teeth of the jagged rocks, that, piercing upwards through the foam of the roaring rapids, were certain to bruise, tear, and disfigure it beyond all recognition. But even this small satisfaction was denied them. There was no sign of a floating or struggling body anywhere visible. And while they kept an eager look-out, the light in the heavens slowly changed. From burning crimson it softened to a tender amethyst hue, as smooth and delicate as the glossy pale tint of the purple clematis,—and with it the rosy foam of the Fall graduated to varying tints of pink, from pink to tender green, and lastly, it became as a shower of amber wine. Güldmar spoke first in a voice broken by deep emotion.
The horrified spectators of the disaster stood frozen and speechless for a minute, stunned by how sudden and fast it happened. Then, as if on cue, they rushed down to the edge of the torrent, driven by the shared hope that they might be able to save Sigurd's fragile body from the sharp rocks that jutted out through the foam of the raging rapids, which would surely bruise, tear, and maim it beyond recognition. But even that small comfort was taken from them. There was no sign of a floating or struggling body anywhere in sight. As they kept a hopeful lookout, the light in the sky gradually shifted. From bright crimson, it softened to a gentle amethyst hue, as smooth and delicate as the shiny pale tint of purple clematis—and with it, the rosy foam of the Falls transitioned through shades of pink, from pink to soft green, and finally it turned into a cascade of amber wine. Güldmar spoke first, his voice thick with deep emotion.
"'Tis all over with him, poor lad!" he said, and tears glittered thickly in his keen old eyes. "And—though the gods, of a surety, know best—this is an end I looked not for! A mournful home-returning shall we have—for how to break the news to Thelma is more than I can tell!"
"It's all over for him, poor kid!" he said, and tears shimmered heavily in his sharp old eyes. "And—though the gods surely know best—this is not the ending I expected! We're going to have a sad return home—figuring out how to tell Thelma is more than I can manage!"
And he shook his head sorrowfully while returning the warm and sympathizing pressure of Errington's hand.
And he shook his head sadly while returning the warm and comforting grip of Errington's hand.
"You see," he went on, with a wistful look at the grave and compassionate face of his accepted son-in-law—"the boy was no boy of mine, 'tis true—and the winds had more than their share of his wits—yet—we knew him from a baby—and my wife loved him for his sad estate, which he was not to blame for. Thelma, too—he was her first playmate—"
"You see," he continued, gazing fondly at the serious and caring face of his son-in-law—"the kid wasn’t mine, it's true—and the winds took a good part of his sanity—but still—we watched him grow from a baby—and my wife cared for him because of his unfortunate situation, which he didn't cause. Thelma, too—he was her first friend—"
The bonde could trust himself to say no more, but turned abruptly away, brushing one hand across his eyes, and was silent for many minutes. The young men, too, were silent,—Sigurd's determined suicide had chilled and sickened them. Slowly they returned to the hut to pass the remaining hours of the night—though sleep was, of course, after what they had witnessed, impossible. They remained awake, therefore, talking in low tones of the fatal event, and listening to the solemn sough of the wind through the pines, that sounded to Errington's ears like a monotonous forest dirge. He thought of the first time he had ever seen the unhappy creature whose wandering days had just ended,—of that scene in the mysterious shell cavern,—of the wild words he had then uttered—how strangely they came back to Philip's memory now!
The bonde could trust himself to say no more, but he turned away abruptly, wiping his eyes with one hand, and stayed silent for several minutes. The young men were quiet too—Sigurd's shocking suicide had left them cold and nauseated. Slowly, they went back to the hut to spend the rest of the night together—though sleep was, of course, impossible after what they'd just witnessed. So, they stayed awake, talking in hushed voices about the tragic event and listening to the solemn sough of the wind through the pines, which sounded to Errington like a haunting forest dirge. He thought about the first time he had seen the unfortunate soul whose wandering days had just concluded—about that scene in the mysterious shell cavern—and of the wild words he had spoken then—how strangely they returned to Philip's mind now!
"You have come as a thief in the golden midnight, and the thing you seek is the life of Sigurd! Yes—yes! it is true—the spirit cannot lie! You must kill, you must steal—see how the blood drips, drop by drop, from the heart of Sigurd! and the jewel you steal,—ah! what a jewel! You shall not find such another in Norway!" Was not the hidden meaning of these incoherent phrases rendered somewhat clear now? though how the poor lad's disordered imagination had been able thus promptly to conjure up with such correctness, an idea of Errington's future relations with Thelma, was a riddle impossible of explanation. He thought, too, with a sort of generous remorse, of that occasion when Sigurd had visited him on board the yacht to implore him to leave the Altenfjord. He realized everything,—the inchoate desires of the desolate being, who, though intensely capable of loving, felt himself in a dim, sad way, unworthy of love,—the struggling passions in him that clamored for utterance—the instinctive dread and jealousy of a rival, while knowing that he was both physically and mentally unfitted to compete with one,—all these things passed through Philip's mind, and filled him with a most profound pity for the hidden sufferings, the tortures and inexplicable emotions which had racked Sigurd's darkened soul. And, still busy with these reflections, he turned on his arm as he lay, and whispered softly to his friend who was close by him—"I say, Lorimer,—I feel as if I had been to blame somehow in this affair! If I had never come on the scene, Sigurd would still have been happy in his own way."
"You've come like a thief in the golden midnight, and what you’re after is Sigurd's life! Yes—yes! It's true—the spirit can’t lie! You have to kill, you have to steal—look how the blood drips, drop by drop, from Sigurd's heart! And the jewel you steal—oh! What a jewel! You won’t find another like it in Norway!" Wasn't the hidden meaning behind these jumbled phrases becoming a bit clearer now? Although how the poor kid's disordered mind managed to so quickly conjure such an accurate idea of Errington's future relationship with Thelma was a mystery that couldn't be explained. He also thought, with a sense of generous regret, about the time Sigurd had visited him on the yacht to plead with him to leave the Altenfjord. He understood everything—the vague desires of the lonely being who, even though he was deeply capable of love, felt dimly and sadly unworthy of it—the conflicting passions within him that wanted to be expressed—the instinctive fear and jealousy of a rival, all while knowing he was both physically and mentally unfit to compete with one—these thoughts filled Philip's mind, stirring a profound pity for the hidden suffering, torture, and inexplicable feelings that had tormented Sigurd's darkened soul. Still lost in these reflections, he turned on his side as he lay and softly whispered to his friend nearby—"Hey, Lorimer—I feel like I've been somehow at fault in this whole situation! If I had never come along, Sigurd would still be happy in his own way."
Lorimer was silent. After a pause, Errington went on still in the same low tone.
Lorimer was quiet. After a moment, Errington continued speaking in the same soft voice.
"Poor little fellow! Do you know, I can't imagine anything more utterly distracting than having to see such a woman as Thelma day after day,—loving her all the time, and knowing such love to be absolutely hopeless! Why, it was enough to make him crazier than ever!"
"Poor little guy! You know, I can't think of anything more completely distracting than having to see a woman like Thelma every single day—loving her all the time and realizing that love is totally hopeless! Honestly, it was enough to drive him crazier than ever!"
Lorimer moved restlessly. "Yes, it must have been hard on him!" he answered at last, in a gentle, somewhat sad tone. "Perhaps it's as well he's out of it all. Life is infinitely perplexing to many of us. By this time he's no doubt wiser than you or I, Phil,—he could tell us the reason why love is such a blessing to some men, and such a curse to others!"
Lorimer shifted around uneasily. "Yeah, it must have been tough for him!" he finally replied in a soft, slightly sorrowful voice. "Maybe it's for the best that he's out of it all. Life is incredibly confusing for a lot of us. By now, he’s probably wiser than both of us, Phil—he could explain why love is such a blessing for some guys and such a curse for others!"
Errington made no answer, and they relapsed into silence—silence which was almost unbroken save by an occasional deep sigh from Olaf Güldmar and a smothered exclamation such as, "Poor lad, poor lad! Who would have thought it?"
Errington didn't respond, and they fell into silence—a silence that was almost complete except for the occasional deep sigh from Olaf Güldmar and a muffled exclamation like, "Poor guy, poor guy! Who would have guessed it?"
With the early dawn they were all up and ready for the homeward journey,—though with very different feelings to those with which they had started on their expedition. The morning was dazzlingly bright and clear,—and the cataract of Njedegorze rolled down in glittering folds of creamy white and green, uttering its ceaseless psalm of praise to the Creator in a jubilant roar of musical thunder. They paused and looked at it for the last time before leaving,—it had assumed for them a new and solemn aspect—it was Sigurd's grave. The bonde raised his cap from his rough white hair,—instinctively the others followed his example.
With the early morning light, they were all up and ready for the trip back home, though their feelings were very different from when they first set out. The morning was brilliantly bright and clear, and the waterfall at Njedegorze cascaded down in sparkling layers of creamy white and green, producing a constant song of praise to the Creator in a joyful roar of musical thunder. They stopped and took one last look at it before leaving—it had taken on a new and serious meaning to them—it was Sigurd's grave. The bonde lifted his cap from his rough white hair, and instinctively the others followed his lead.
"May the gods grant him good rest!" said the old man reverently. "In the wildest waters they say there is a calm underflow,—maybe the lad has found it and is glad to sleep." He paused and stretched his hands forth with an eloquent and touching gesture. "Peace be with him!"
"May the gods give him a peaceful rest!" said the old man with respect. "In the wildest waters, they say there’s a calm current underneath—maybe the boy has found it and is happy to sleep." He paused and extended his hands with a moving and heartfelt gesture. "Peace be with him!"
Then, without more words, and as though disdaining his own emotion, he turned abruptly away, and began to descend the stony and precipitous hill, up which Sigurd had so skillfully guided them the day before. Macfarlane and Duprèz followed him close,—Macfarlane casting more than once a keen look over the rapids.
Then, without saying anything else and seemingly dismissing his own feelings, he turned sharply and started to head down the rocky and steep hill that Sigurd had skillfully guided them up the day before. Macfarlane and Duprèz followed closely behind him, with Macfarlane taking more than one sharp glance at the rapids.
"'Tis a pity we couldna find his body," he said in a low tone.
"'It's a pity we couldn't find his body," he said in a low tone.
Duprèz shrugged his shoulders. Sigurd's death had shocked him considerably by its suddenness, but he was too much of a volatile Frenchman to be morbidly anxious about securing the corpse.
Duprèz shrugged his shoulders. Sigurd's death had really shocked him with how sudden it was, but he was too much of a passionate Frenchman to be overly worried about handling the body.
"I think not so at all," he said. "Of what use would it be? To grieve mademoiselle? to make her cry? That would be cruel,—I would not assist in it! A dead body is not a sight for ladies,—believe me, things are best as they are."
"I don't think so at all," he said. "What good would it do? To upset mademoiselle? To make her cry? That would be cruel—I won't be a part of that! A dead body isn't something ladies should see—believe me, it's best this way."
They went on, while Errington and Lorimer lingered yet a moment longer.
They continued on, while Errington and Lorimer stayed back for a moment longer.
"A magnificent sepulchre!" said Lorimer, dreamily eyeing for the last time the sweeping flow of the glittering torrent. "Better than all the monuments ever erected! Upon my life, I would not mind having such a grave myself! Say what you like, Phil, there was something grand in Sigurd's choice of a death. We all of us have to get out of life somehow one day—that's certain—but few of us have the chance of making such a triumphant exit!"
"Amazing tomb!" Lorimer said, gazing dreamily for the last time at the shimmering river. "It's better than any monument that's ever been built! Honestly, I wouldn't mind having a grave like this! No matter what you say, Phil, there was something impressive about how Sigurd chose to die. Eventually, we all have to leave life someday—that's a given—but not many of us get the chance to make such a grand exit!"
Errington looked at him with a grave smile. "How you talk, George!" he said half-reproachfully. "One would think you envied the end of that unfortunate, half-witted fellow! You've no reason to be tired of your life, I'm sure,—all your bright days are before you."
Errington looked at him with a serious smile. "The way you talk, George!" he said, half-jokingly. "You'd think you were jealous of that poor, clueless guy's fate! You really have no reason to be tired of your life, I'm sure—your best days are still ahead of you."
"Are they?" And Lorimer's blue eyes looked slightly melancholy. "Well, I dare say they are! Let's hope so at all events. There need be something before me,—there isn't much behind except wasted opportunities. Come on, Phil!"
"Are they?" Lorimer's blue eyes appeared a bit sad. "Well, I guess they are! Let's hope so, at least. There has to be something ahead for me—there isn't much behind me except missed chances. Come on, Phil!"
They resumed their walk, and soon rejoined the others. The journey back to the Altenfjord was continued all day with but one or two interruptions for rest and refreshment. It was decided that on reaching home, old Güldmar should proceed a little in advance, in order to see his daughter alone first, and break to her the news of the tragic event that had occurred,—so that when, after a long and toilsome journey, they caught sight, at about eight in the evening, of the familiar farmhouse through the branches of the trees that surrounded and sheltered it, they all came to a halt.
They continued their walk and soon rejoined the others. The journey back to Altenfjord lasted all day, with just one or two breaks for rest and snacks. They decided that when they got home, old Güldmar would go ahead a bit to see his daughter alone first and tell her the news about the tragic event that had happened—so that when, after a long and exhausting journey, they finally saw the familiar farmhouse through the branches of the trees that surrounded it, they all stopped.
The young men seated themselves on a pleasant knoll under some tall pines, there to wait a quarter of an hour or so, while the bonde went forward to prepare Thelma. On second thoughts, the old man asked Errington to accompany him,—a request to which he very readily acceded, and these two, leaving the others to follow at their leisure, went on their way rapidly. They arrived at, and entered the garden,—their footsteps made a crunching noise on the pebbly path,—but no welcoming face looked forth from any of the windows of the house. The entrance door stood wide open,—there was not a living soul to be seen but the kitten asleep in a corner of the porch, and the doves drowsing on the roof in the sunshine. The deserted air of the place was unmistakable, and Güldmar and Errington exchanged looks of wonder not unmixed with alarm.
The young men settled down on a nice hill under some tall pines, waiting for about fifteen minutes while the bonde went ahead to get Thelma ready. After a moment, the old man asked Errington to join him, and he quickly agreed. The two of them left the others to make their way at a slower pace and went on their way swiftly. They reached and entered the garden—their footsteps crunched on the pebbly path—but there wasn't a friendly face to be seen in any of the house's windows. The front door stood wide open, and there was no one around except for a kitten sleeping in a corner of the porch and some doves dozing on the roof in the sunshine. The place felt deserted, and Güldmar and Errington exchanged looks of surprise mixed with concern.
"Thelma! Thelma!" called the bonde anxiously. There was no response. He entered the house and threw open the kitchen door. There was no fire,—and not the slightest sign of any of the usual preparations for supper.
"Thelma! Thelma!" called the bonde anxiously. There was no response. He entered the house and pushed open the kitchen door. There was no fire—and not even a hint of the usual preparations for dinner.
"Britta!" shouted Güldmar. Still no answer. "By the gods!" he exclaimed, turning to the astonished Philip, "this is a strange thing! Where can the girls be? I have never known both of them to be absent from the house at the same time. Go down to the shore, my lad, and see if Thelma's boat is missing, while I search the garden."
"Britta!" Güldmar shouted. Still no response. "By the gods!" he said, turning to the shocked Philip, "this is odd! Where could the girls be? I've never seen both of them away from the house at the same time. Go down to the shore, kid, and check if Thelma's boat is gone, while I look around the garden."
Errington obeyed—hurrying off on his errand with a heart beating fast from sudden fear and anxiety. For he knew Thelma was not likely to have gone out of her own accord, at the very time she would have naturally expected her father and his friends back, and the absence of Britta too, was, to say the least of it, extraordinary. He reached the pier very speedily, and saw at a glance that the boat was gone. He hastened back to report this to Güldmar, who was making the whole place resound with his shouts of "Thelma!" and "Britta!" though he shouted altogether in vain.
Errington hurried off, his heart racing with sudden fear and anxiety. He knew Thelma probably wouldn’t have left on her own, especially since she would naturally expect her father and his friends to return. The fact that Britta was also missing was, to say the least, strange. He reached the pier quickly and immediately saw that the boat was gone. He rushed back to inform Güldmar, who was loudly calling out "Thelma!" and "Britta!" but was shouting in vain.
"Maybe," he said dubiously, on hearing of the missing boat—"Maybe the child has gone on the Fjord—'tis often her custom,—but, then, where is Britta? Besides, they must have expected us—they would have prepared supper—they would have been watching for our return. No, no! there is something wrong about this—'tis altogether unusual."
"Maybe," he said uncertainly when he heard about the missing boat—"Maybe the kid went to the Fjord—she often does that—but where is Britta? They must have been expecting us—they would have made dinner—they would have been waiting for us to come back. No, no! Something is off about this—it's just not normal."
And he looked about him in a bewildered way, while Sir Philip, noting his uneasiness, grew more and more uneasy himself.
And he looked around him in confusion, while Sir Philip, seeing his discomfort, became increasingly anxious himself.
"Let me go and search for them, sir," he said, eagerly. "They may be in the woods, or up towards the orchard."
"Let me go and look for them, sir," he said eagerly. "They might be in the woods or up by the orchard."
Güldmar shook his head and drew his fuzzy white brows together in puzzled meditation—suddenly he started and struck his staff forcibly on the ground.
Güldmar shook his head and furrowed his fuzzy white brows in thought—suddenly, he jumped and slammed his staff down hard on the ground.
"I have it!" he exclaimed. "That old hag Lovisa is at the bottom of this!"
"I've got it!" he said. "That old witch Lovisa is behind all of this!"
"By Jove!" cried Errington. "I believe you're right! What shall we do?"
"Wow!" exclaimed Errington. "I think you're right! What should we do?"
At that moment, Lorimer, Duprèz, and Macfarlane came on the scene, thinking they had kept aloft long enough,—and the strange disappearance of the two girls was rapidly explained to them. They listened astonished and almost incredulous, but agreed with the bonde as to Lovisa's probable share in the matter.
At that moment, Lorimer, Duprèz, and Macfarlane arrived, believing they had stayed away long enough,—and the unusual disappearance of the two girls was quickly explained to them. They listened in astonishment and disbelief, but agreed with the bonde about Lovisa's likely involvement in the situation.
"Look here!" said Lorimer excitedly. "I'm not in the least tired,—show me the way to Talvig, where that old screech-owl lives, and I'll go there straight as a gun! Shouldn't wonder if she has not forced away her grandchild, in which case Miss Thelma may have gone after her."
"Look here!" said Lorimer excitedly. "I'm not tired at all—show me the way to Talvig, where that old screech-owl lives, and I'll head there right away! I wouldn't be surprised if she drove her grandchild away, in which case Miss Thelma might have gone after her."
"I'll come with you!" said Errington. "Let's lose no time about it."
"I'll go with you!" said Errington. "Let's not waste any time."
But Güldmar shook his head. "'Tis a long way, my lads,—and you do not know the road. No—'twill be better we should take the boat and pull over to Bosekop; there we can get a carriole to take two of us at least to Talvig—"
But Güldmar shook his head. "It's a long way, guys, — and you don't know the road. No — it'll be better if we take the boat and row over to Bosekop; there we can get a carriage to take at least two of us to Talvig—"
He stopped, interrupted by Macfarlane, who looked particularly shrewd.
He stopped, cut off by Macfarlane, who looked especially sharp.
"I should certainly advise ye to try Bosekop first," he remarked cautiously. "Mr. Dyceworthy might be able to provide ye with valuable information."
"I would definitely suggest you try Bosekop first," he said carefully. "Mr. Dyceworthy might have some useful information for you."
"Dyceworthy!" roared the bonde, becoming inflammable at once. "He knows little of me or mine, thank the gods! and I would not by choice step within a mile of his dwelling. What makes you think of him, sir?"
"Dyceworthy!" shouted the bonde, getting angry right away. "He knows nothing about me or my family, thank the gods! And I definitely wouldn't choose to go within a mile of his house. What makes you think of him, sir?"
Lorimer laid a hand soothingly on his arm.
Lorimer gently placed a hand on his arm.
"Now, my dear Mr. Güldmar, don't get excited! Mac is right. I dare say Dyceworthy knows as much in his way as the ancient Lovisa. At any rate, it isn't his fault if he does not. Because you see—" Lorimer hesitated and turned to Errington. "You tell him, Phil! you know all about it."
"Now, my dear Mr. Güldmar, don’t get worked up! Mac is correct. I’d say Dyceworthy knows as much in his field as the old Lovisa. In any case, it’s not his fault if he doesn’t. Because you see—" Lorimer paused and looked at Errington. "You explain it to him, Phil! You know everything about it."
"The fact is," said Errington, while Güldmar gazed from one to the other in speechless amazement, "Thelma hasn't told you because she knew how angry you'd be—but Dyceworthy asked her to marry him. Of course she refused him, and I doubt if he's taken his rejection very resignedly."
"The truth is," said Errington, while Güldmar looked back and forth between them in stunned silence, "Thelma didn't tell you because she knew you'd be really upset—but Dyceworthy proposed to her. Naturally, she turned him down, and I don't think he handled the rejection very well."
The face of the old farmer as he heard these words was a study. Wonder, contempt, pride, and indignation struggled for the mastery on his rugged features.
The old farmer's face as he heard these words was a sight to see. Wonder, contempt, pride, and anger battled for dominance on his weathered features.
"Asked—her—to—marry—him!" he repeated slowly. "By the sword of Odin! Had I known it I would have throttled him!" His eyes blazed and he clenched his hand. "Throttled him, lads! I would! Give me the chance and I'll do it now! I tell you, the mere look of such a man as that is a desecration to my child,—liar and hypocrite as he is! may the gods confound him!" He paused—then suddenly bracing himself up, added. "I'll away to Bosekop at once—they've been afraid of me there for no reason—I'll teach them to be afraid of me in earnest! Who'll come with me?"
"Asked her to marry him!" he repeated slowly. "By the sword of Odin! If I had known, I would have choked him! His eyes burned with rage, and he clenched his fist. "Choked him, guys! I would! Just give me the chance, and I'll do it right now! I'm telling you, just the sight of a man like that is an insult to my child—liar and hypocrite that he is! May the gods punish him!" He paused, then suddenly, steeling himself, added, "I’m going to Bosekop right now—they’ve been scared of me there for no reason—I’ll show them they should really be scared! Who’s coming with me?"
All eagerly expressed their desire to accompany him with the exception of one,—Pierre Duprèz,—he had disappeared.
All eagerly expressed their desire to join him except for one—Pierre Duprèz—who had vanished.
"Why, where has he gone?" demanded Lorimer in some surprise.
"Why, where did he go?" Lorimer asked in surprise.
"I canna tell," replied Macfarlane. "He just slipped awa' while ye were haverin' about Dyceworthy—he'll maybe join us at the shore."
"I can't say," replied Macfarlane. "He just slipped away while you were rambling on about Dyceworthy—he might join us at the shore."
To the shore they at once betook themselves, and were soon busied in unmooring Güldmar's own rowing-boat, which, as it had not been used for some time, was rather a tedious business,—moreover they noted with concern that the tide was dead against them.
To the shore they quickly went and soon began the task of untying Güldmar's rowing boat, which hadn’t been used in a while and was quite a hassle to deal with. They also noticed with worry that the tide was pushing against them.
Duprèz did not appear,—the truth is, that he had taken into his head to start off for Talvig on foot without waiting for the others. He was fond of an adventure and here was one that suited him precisely—to rescue distressed damsels from the grasp of persecutors. He was tired, but he managed to find the road,—and he trudged on determinedly, humming a song of Beranger's as he walked to keep him cheerful. But he had not gone much more than a mile when he discerned in the distance a carriole approaching him,—and approaching so swiftly that it appeared to swing from side to side of the road at imminent risk of upsetting altogether. There seemed to be one person in it—an excited person too, who lashed the stout little pony and urged it on to fresh exertions with gesticulations and cries. That plump buxom figure—that tumbled brown hair streaming wildly on, the breeze,—that round rosy face—why! it was Britta! Britta, driving all alone, with the reckless daring of a Norwegian peasant girl accustomed to the swaying, jolting movement of the carriole as well as the rough roads and sharp turnings. Nearer she came and nearer—and Duprèz hailed her with a shout of welcome. She saw him, answered his call, and drove still faster,—soon she came up beside him, and without answering his amazed questions, she cried breathlessly—
Duprèz didn’t show up—the truth is, he decided to head to Talvig on foot without waiting for anyone else. He loved adventures, and this one was perfect for him—rescuing distressed damsels from their captors. He was tired, but he managed to find the road and trudged on determinedly, humming a song by Béranger to keep his spirits up. But he hadn’t walked more than a mile when he spotted a carriole approaching him in the distance, coming so fast that it seemed on the verge of tipping over. It looked like there was one person inside—an excited person too, who whipped the sturdy little pony and urged it on with animated gestures and shouts. That plump, cheerful figure, with tumbled brown hair streaming wildly in the breeze, and that round, rosy face—wait! It was Britta! Britta, driving all by herself, with the fearless tenacity of a Norwegian peasant girl used to the swaying, bouncing motion of the carriole and the rough roads and sharp turns. She came closer and closer, and Duprèz greeted her with a shout of welcome. She spotted him, responded to his call, and drove even faster—soon she was right next to him, and without addressing his astonished questions, she exclaimed breathlessly—
"Jump in—jump in! We must go on as quickly as possible to Bosekop! Quick—quick! Oh my poor Fröken! The old villain! Wait till I get at him!"
"Jump in—jump in! We need to move as fast as we can to Bosekop! Hurry—hurry! Oh my poor Miss! That old scoundrel! Just wait until I get my hands on him!"
"But, my leet-le child!" expostulated Pierre, climbing up into the queer vehicle—"What is all this? I am in astonishment—I understand not at all! How comes it that you are run away from home, and Mademoiselle also?"
"But, my little child!" exclaimed Pierre, climbing into the strange vehicle—"What is going on? I'm in shock—I don't understand at all! How did you end up running away from home, and Mademoiselle too?"
Britta only waited till he was safely seated, and then lashed the pony with redoubled force. Away they clattered at a break-neck pace, the Frenchman having much ado to prevent himself from being jolted out again on the road.
Britta waited until he was securely seated, then hit the pony with renewed force. They took off at a breakneck speed, and the Frenchman struggled to keep himself from being jolted out again on the road.
"It is a wicked plot!" she then exclaimed, panting with excitement—"a wicked, wicked plot! This afternoon Mr. Dyceworthy's servant came and brought Sir Philip's card. It said that he had met with an accident and had been brought back to Bosekop, and that he wished the Fröken to come to him at once. Of course, the darling believed it all—and she grew so pale, so pale! And she went straight away in her boat all by herself! Oh my dear—my dear!"
"It’s a terrible scheme!" she exclaimed, breathing heavily with excitement—"a terrible, terrible scheme! This afternoon, Mr. Dyceworthy’s servant came and delivered Sir Philip’s card. It said he had an accident and was brought back to Bosekop, and that he wanted the Fröken to come to him right away. Of course, the poor girl believed it completely—and she went so pale, so pale! And she left in her boat all by herself! Oh my dear—my dear!”
Britta gasped for breath, and Duprèz soothingly placed an arm round her waist, an action which the little maiden seemed not to be aware of. She resumed her story—"Then the Fröken had not been gone so very long, and I was watching for her in the garden, when a woman passed by—a friend of my grandmother's. She called out—'Hey, Britta! Do you know they have got your mistress down at Talvig, and they'll burn her for a witch before they sleep!' 'She has gone to Bosekop,' I answered, 'so I know you tell a lie.' 'It is no lie,' said the old woman, 'old Lovisa has her this time for sure.' And she laughed and went away. Well, I did not stop to think twice about it—I started off for Talvig at once—I ran nearly all the way. I found my grandmother alone—I asked her if she had seen the Fröken? She screamed and clapped her hands like a mad woman! she said that the Fröken was with Mr. Dyceworthy—Mr. Dyceworthy would know what to do with her!"
Britta gasped for breath, and Duprèz gently wrapped an arm around her waist, which the little girl didn't seem to notice. She continued her story—"So the Fröken hadn't been gone long, and I was waiting for her in the garden when a woman walked by—a friend of my grandmother's. She called out—'Hey, Britta! Do you know they’ve got your mistress down at Talvig, and they’re going to burn her as a witch before they sleep!' 'She went to Bosekop,' I replied, 'so I know you’re lying.' 'It’s not a lie,' said the old woman, 'old Lovisa has her for sure this time.' And she laughed and walked away. Well, I didn’t stop to think twice about it—I took off for Talvig right away—I ran almost the whole way. I found my grandmother alone—I asked her if she had seen the Fröken? She screamed and clapped her hands like a crazy person! She said the Fröken was with Mr. Dyceworthy—Mr. Dyceworthy would know what to do with her!"
"Sapristi!" ejaculated Duprèz. "This is serious!"
"Wow!" exclaimed Duprèz. "This is serious!"
Britta glanced anxiously at him, and went on. "Then she tried to shut the doors upon me and beat me—but I escaped. Outside I saw a man I knew with his carriole, and I borrowed it of him and came back as fast as I could—but oh! I am so afraid—my grandmother said such dreadful things!"
Britta looked at him nervously and continued. "Then she tried to close the doors on me and hit me—but I got away. Outside, I saw a man I knew with his carriage, and I borrowed it from him and came back as quickly as I could—but oh! I'm so scared—my grandmother said such terrible things!"
"The others have taken a boat to Bosekop," said Duprèz, to reassure her. "They may be there by now."
"The others have taken a boat to Bosekop," Duprèz said, trying to reassure her. "They might be there by now."
Britta shook her head. "The tide is against them—no! we shall be there first. But," and she looked wistfully at Pierre, "my grandmother said Mr. Dyceworthy had sworn to ruin the Fröken. What did she mean, do you think?"
Britta shook her head. "The odds are not in their favor—no! we’ll be there first. But," and she looked longingly at Pierre, "my grandmother said Mr. Dyceworthy swore he would destroy the Fröken. What do you think she meant?"
Duprèz did not answer,—he made a strange grimace and shrugged his shoulders. Then he seized the whip and lashed the pony.
Duprèz didn't respond—he made a weird face and shrugged his shoulders. Then he grabbed the whip and struck the pony.
"Faster, faster, mon chère!" he cried to that much-astonished, well-intentioned animal. "It is not a time to sleep, ma foi!" Then to Britta—"My little one, you shall see! We shall disturb the good clergyman at his peaceful supper—yes indeed! Be not afraid!"
"Faster, faster, my dear!" he shouted to the very surprised, well-meaning animal. "This is not the time to sleep, I swear!" Then to Britta—"My little one, you will see! We will interrupt the good clergyman at his peaceful dinner—yes indeed! Don't be afraid!"
And with such reassuring remarks he beguiled the rest of the way, which to both of them seemed unusually long, though it was not much past nine when they rattled into the little village called by courtesy a town, and came to a halt within a few paces of the minister's residence. Everything was very quiet—the inhabitants of the place retired to rest early—and the one principal street was absolutely deserted. Duprèz alighted.
And with such comforting words, he charmed them the rest of the way, which felt unusually long to both of them, even though it was barely past nine when they arrived in the little village that was called a town, and stopped just a few steps from the minister's house. Everything was very quiet—the locals went to bed early—and the main street was completely empty. Duprèz got out.
"Stay you here, Britta," he said, lightly kissing the hand that held the pony's reins. "I will make an examination of the windows of the house. Yes—before knocking at the door! You wait with patience. I will let you know everything!"
"Stay here, Britta," he said, lightly kissing the hand that held the pony's reins. "I’ll check the windows of the house. Yes—before I knock on the door! Just be patient. I'll keep you updated!"
And with a sense of pleasurable excitement in his mind, he stole softly along on tip-toe—entered the minister's garden, fragrant with roses and mignonette, and then, attracted by the sound of voices, went straight up to the parlor window. The blind was down and he could see nothing, but he heard Mr. Dyceworthy's bland persuasive tones, echoing out with a soft sonorousness, as though he were preaching to some refractory parishioner. He listened attentively.
And feeling a thrilling excitement, he quietly tiptoed into the minister's garden, filled with the scent of roses and mignonette. Then, drawn in by the sound of voices, he approached the parlor window. The blind was closed, so he couldn't see anything, but he heard Mr. Dyceworthy's smooth, persuasive voice resonating softly, as if he were preaching to a stubborn parishioner. He listened intently.
"Oh strange, strange!" said Mr. Dyceworthy. "Strange that you will not see how graciously the Lord hath delivered you into my hands! Yea,—and no escape is possible! For lo, you yourself, Fröken Thelma," Dyceworthy started, "you yourself came hither unto my dwelling, a woman all unprotected, to a man equally unprotected,—and who, though a humble minister of saving grace, is not proof against the offered surrender of your charms! Make the best of it, my sweet girl!—make the best of it! You can never undo what you have done to-night."
"Oh, how strange!" said Mr. Dyceworthy. "It's strange that you can't see how graciously the Lord has delivered you into my hands! Yes—and there's no escape possible! For look, you yourself, Miss Thelma," Dyceworthy continued, "you came here to my home, a woman completely unprotected, to a man just as defenseless—who, although a humble minister of saving grace, can't resist your charms! Make the best of it, my sweet girl!—make the best of it! You can never undo what you've done tonight."
"Coward! . . . coward!" and Thelma's rich low voice caused Pierre to almost leap forward from the place where he stood concealed. "You,—you made me come here—you sent me that card—you dared to use the name of my betrothed husband, to gain your vile purpose! You have kept me locked in this room all these hours—and do you think you will not be punished? I will let the whole village know of your treachery and falsehood!"
"Coward!... coward!" Thelma's deep voice made Pierre almost jump out of his hiding spot. "You—you made me come here—you sent me that card—you dared to use the name of my fiancé to achieve your disgusting goal! You've kept me trapped in this room for all these hours—and do you really think you won't be punished? I'll make sure the whole village knows about your betrayal and lies!"
Mr. Dyceworthy laughed gently. "Dear me, dear me!" he remarked sweetly. "How pretty we look in a passion, to be sure! And we talk of our 'betrothed husband' do we? Tut-tut! Put that dream out of your mind, my dear girl—Sir Philip Bruce-Errington will have nothing to do with you after your little escapade of to-night! Your honor is touched!—yes, yes! and honor is everything to such a man as he. As for the 'card' you talk about, I never sent a card—not I!" Mr. Dyceworthy made this assertion in a tone of injured honesty. "Why should I! No—no! You came here of your own accord,—that is certain and—" here he spoke more slowly and with a certain malicious glee, "I shall have no difficulty in proving it to be so, should the young man Errington ask me for an explanation! Now you had better give me a kiss and make the peace! There's not a soul in the place who will believe anything you say against me; you, a reputed witch, and I, a minister of the Gospel. For your father I care nothing, a poor sinful pagan can never injure a servant of the Lord. Come now, let me have that kiss! I have been very patient—I am sure I deserve it!"
Mr. Dyceworthy chuckled softly. "Oh dear, oh dear!" he said sweetly. "Aren't we lovely all worked up, indeed? And we're talking about our 'betrothed husband,' are we? Nonsense! Forget that fantasy, my dear girl—Sir Philip Bruce-Errington will absolutely want nothing to do with you after your little stunt tonight! Your reputation is compromised!—yes, yes! And reputation means everything to a man like him. As for the 'card' you mention, I never sent a card—not me!" Mr. Dyceworthy stated this with a tone of wounded honesty. "Why would I? No—no! You came here of your own free will—that much is clear—and," here he spoke more slowly with a hint of malicious delight, "I can easily prove that if young Mr. Errington asks me for an explanation! Now you should just give me a kiss and make peace! No one here will believe a word you say against me; you, a rumored witch, and me, a minister of the Gospel. Your father doesn’t concern me; a sinful pagan can never harm a servant of the Lord. Come now, give me that kiss! I've been very patient—I think I deserve it!"
There was a sudden rushing movement in the room, and a slight cry.
There was a sudden rush in the room, followed by a faint cry.
"If you touch me!" cried Thelma, "I will kill you! I will! God will help me!"
"If you touch me!" shouted Thelma, "I will kill you! I really will! God will help me!"
Again Mr. Dyceworthy laughed sneeringly. "God will help you!" he exclaimed as though in wonder. "As if God ever helped a Roman! Fröken Thelma, be sensible. By your strange visit to me to-night you have ruined your already damaged character—I say you have ruined it,—and if anything remains to be said against you, I can say it—moreover, I will!"
Again Mr. Dyceworthy laughed mockingly. "God will help you!" he said with a hint of disbelief. "As if God ever helped a Roman! Miss Thelma, be reasonable. By your unusual visit to me tonight, you've further tarnished your already questionable reputation—I’m telling you, you’ve ruined it,—and if there's anything else to be said against you, I can say it—what’s more, I will!"
A crash of breaking window-glass followed these words, and before Mr. Dyceworthy could realize what had happened, he was pinioned against his own wall by an active, wiry, excited individual, whose black eyes sparkled with gratified rage, whose clenched fist was dealing him severe thumps all over his fat body.
A crash of breaking glass followed these words, and before Mr. Dyceworthy could figure out what had happened, he was pinned against his own wall by a lively, wiry, excited person whose black eyes sparkled with intense anger, and whose clenched fist was delivering painful punches all over his plump body.
"Ha, ha! You will, will you!" cried Duprèz, literally dancing up against him and squeezing him as though he were a jelly. "You will tell lies in the service of le Bon Dieu? No—not quite, not yet!" And still pinioning him with one hand, he dragged at his collar with the other till he succeeded, in spite of the minister's unwieldly efforts to defend himself, in rolling him down upon the floor, where he knelt upon him in triumph. "Voilà! Je sais faire la boxe, moi!" Then turning to Thelma, who stood an amazed spectator of the scene, her flushed cheeks and tear-swollen eyes testifying to the misery of the hours she had passed, he said, "Run, Mademoiselle, run! The little Britta is outside, she has a pony-car—she will drive you home. I will stay here till Phil-eep comes. I shall enjoy myself! I will begin—Phil-eep with finish! Then we will return to you."
"Ha, ha! You will, will you?" Duprèz shouted, literally dancing up to him and squeezing him like he was a jelly. "You’re going to lie in the service of le Bon Dieu? No—not quite, not yet!" Still holding him with one hand, he yanked at his collar with the other until, despite the minister's clumsy attempts to defend himself, he managed to roll him onto the floor, where he knelt on him in triumph. "Voilà! Je sais faire la boxe, moi!" Then he turned to Thelma, who stood there amazed, her flushed cheeks and tear-swollen eyes showing the misery of the hours she had gone through, and said, "Run, Mademoiselle, run! The little Britta is outside; she has a pony car—she'll drive you home. I’ll stay here until Phil-eep comes. I’ll enjoy myself! I’ll start—Phil-eep will finish! Then we’ll come back to you."
Thelma needed no more words, she rushed to the door, threw it open, and vanished like a bird in air. Britta's joy at seeing her was too great for more than an exclamation of welcome,—and the carriole, with the two girls safely in it, was soon on its rapid way back to the farm. Meanwhile, Olaf Güldmar, with Errington and the others, had just landed at Bosekop after a heavy pull across the Fjord, and they made straight for Mr. Dyceworthy's house, the bonde working himself up as he walked into a positive volcano of wrath. Finding the street-door open as it had just been left by the escaped Thelma, they entered, and on the threshold of the parlor, stopped abruptly, in amazement at the sight that presented itself. Two figures were rolling about on the floor, apparently in a close embrace,—one large and cumbrous, the other small and slight. Sometimes they shook each other,—sometimes they lay still,—sometimes they recommenced rolling. Both were perfectly silent, save that the larger personage seemed to breathe somewhat heavily. Lorimer stepped into the room to secure a better view—then he broke into an irrepressible laugh.
Thelma didn’t need any more words; she rushed to the door, flung it open, and disappeared like a bird in the sky. Britta’s joy at seeing her was so overwhelming that all she could do was exclaim a welcome, and soon the carriole, with the two girls safely inside, was speeding back to the farm. Meanwhile, Olaf Güldmar, along with Errington and the others, had just landed at Bosekop after a strenuous trip across the Fjord, and they headed straight for Mr. Dyceworthy’s house. The farmer was getting himself worked up into a rage as he walked. Finding the street door open—just as Thelma had left it when she escaped—they walked in, and as they reached the threshold of the parlor, they stopped suddenly, amazed at the scene before them. Two figures were tumbling around on the floor, seemingly in a tight embrace—one large and heavy, the other small and delicate. At times they shook each other, at other times they lay still, and sometimes they started rolling again. Both were completely silent, except for the larger one, who seemed to be breathing rather heavily. Lorimer stepped into the room for a better view—then he burst into an uncontrollable laugh.
"It's Duprèz," he cried, for the benefit of the others that stood at the door. "By Jove! How did he get here, I wonder?"
"It's Duprèz," he called out, for the sake of those standing at the door. "Wow! How did he get here, I wonder?"
Hearing his name, Duprèz looked up from that portion of Mr. Dyceworthy's form in which he had been burrowing, and smiled radiantly.
Hearing his name, Duprèz looked up from the part of Mr. Dyceworthy's form he had been digging into and smiled brightly.
"Ah, cher Lorimer! Put your knee here, will you? So! that is well—I will rest myself!" And he rose, smoothing his roughened hair with both hands, while Lorimer in obedience to his request, kept one knee artistically pressed on the recumbent figure of the minister. "Ah! and there is our Phil-eep, and Sandy, and Monsieur Güldmar! But I do not think," here he beamed all over, "there is much more to be done! He is one bruise, I assure you! He will not preach for many Sundays;—it is bad to be so fat—he will be so exceedingly suffering!"
"Ah, dear Lorimer! Can you put your knee here for me? Great! That feels good—I’ll take a break now!" He stood up, smoothing his tousled hair with both hands, while Lorimer, following his request, kept one knee stylishly pressed against the minister’s reclining figure. "Ah! And there are our Phil-eep, Sandy, and Monsieur Güldmar! But I don’t think," he said with a bright smile, "there's much more to do! He’s one big bruise, I promise you! He won’t be preaching for many Sundays; being so heavy is not good—he’ll be in a lot of pain!"
Errington could not forbear smiling at Pierre's equanimity. "But what has happened?" he asked. "Is Thelma here?"
Errington couldn't help but smile at Pierre's calmness. "But what happened?" he asked. "Is Thelma here?"
"She was here," answered Duprèz. "The religious had decoyed her here by means of some false writing,—supposed to be from you. He kept her locked up here the whole afternoon. When I came he was making love and frightening her,—I am pleased I was in time. But"—and he smiled again—"he is well beaten!"
"She was here," Duprèz replied. "The religious people lured her in with some fake message—supposedly from you. He kept her locked up here all afternoon. When I arrived, he was flirting and scaring her—I'm glad I got here in time. But"—he smiled again—"he really got beaten!"
Sir Philip strode up to the fallen Dyceworthy, his face darkening with wrath.
Sir Philip marched up to the fallen Dyceworthy, his expression growing stormy with anger.
"Let him go, Lorimer," he said sternly. Then, as the reverend gentleman slowly struggled to his feet, moaning with pain, he demanded, "What have you to say for yourself, sir? Be thankful if I do not give you the horse-whipping you deserve, you scoundrel!"
"Let him go, Lorimer," he said firmly. Then, as the reverend slowly got to his feet, groaning in pain, he demanded, "What do you have to say for yourself, sir? Be grateful if I don’t give you the beating you deserve, you scoundrel!"
"Let me get at him!" vociferated Güldmar at this juncture, struggling to free himself from the close grasp of the prudent Macfarlane. "I have longed for such a chance! Let me get at him!"
"Let me at him!" yelled Güldmar at this point, trying to break free from the tight hold of the cautious Macfarlane. "I've been waiting for this opportunity! Let me at him!"
But Lorimer assisted to restrain him from springing forward,—and the old man chafed and swore by his gods in vain.
But Lorimer helped hold him back from rushing forward—and the old man cursed and swore by his gods, but it was useless.
Mr. Dyceworthy meanwhile meekly raised his eyes, and folded his hands with a sort of pious resignation.
Mr. Dyceworthy, in the meantime, quietly looked up and clasped his hands with a kind of devout acceptance.
"I have been set upon and cruelly abused," he said mournfully, "and there is no part of me without ache and soreness!" He sighed deeply. "But I am punished rightly for yielding unto carnal temptation, put before me in the form of the maiden who came hither unto me with delusive entrancements—"
"I've been attacked and severely mistreated," he said sadly, "and every part of me hurts!" He sighed heavily. "But I'm being punished justly for giving in to physical temptation, presented to me as the young woman who came here with misleading charms—"
He stopped, shrinking back in alarm from the suddenly raised fist of the young baronet.
He stopped, recoiling in shock from the young baronet's suddenly raised fist.
"You'd better be careful!" remarked Philip coolly, with dangerously flashing eyes; "there are four of us here, remember!"
"You'd better watch out!" Philip said coolly, his eyes flashing dangerously. "There are four of us here, just so you know!"
Mr. Dyceworthy coughed, and resumed an air of outraged dignity.
Mr. Dyceworthy coughed and took on an expression of offended dignity.
"Truly, I am aware of it!" he said; "and it surpriseth me not at all that the number of the ungodly outweigheth that of the righteous! Alas! 'why do the heathen rage so furiously together?' Why, indeed! Except that 'in their hearts they imagine a vain thing!' I pardon you, Sir Philip, I freely pardon you! And you also, sir," turning gravely to Duprèz, who received his forgiveness with a cheerful and delighted bow. "You can indeed injure—and you have injured this poor body of mine—but you cannot touch the soul! No, nor can you hinder that freedom of speech"—here his malignant smile was truly diabolical—"which is my glory, and which shall forever be uplifted against all manner of evil-doers, whether they be fair women and witches, or misguided pagans—"
"Honestly, I’m aware of it!" he said; "and it doesn’t surprise me at all that there are more wicked people than righteous ones! Alas! 'why do the heathen rage so furiously together?' Why, indeed! Except that 'in their hearts they imagine a vain thing!' I forgive you, Sir Philip, I freely forgive you! And you too, sir," he said, turning seriously to Duprèz, who accepted his forgiveness with a cheerful and delighted bow. "You can certainly harm me—and you have harmed this poor body of mine—but you can’t touch the soul! No, nor can you stop that freedom of speech"—here his malicious smile was truly devilish—"which is my pride, and which will always stand up against all kinds of wrongdoers, whether they are beautiful women and witches, or misguided pagans—"
Again he paused, rather astonished at Errington's scornful laugh.
Again he paused, somewhat surprised by Errington's mocking laugh.
"You low fellow!" said the baronet. "From Yorkshire, are you? Well, I happen to know a good many people in that part of the world—and I have some influence there, too. Now, understand me—I'll have you hounded out of the place! You shall find it too hot to hold you—that I swear! Remember! I'm a man of my word! And if you dare to mention the name of Miss Güldmar disrespectfully, I'll thrash you within an inch of your life!"
"You low life!" said the baronet. "So, you're from Yorkshire, huh? Well, I know a lot of people from that area—and I have some connections there, too. So listen up—I’ll make sure you’re driven out of here! You’ll find it too uncomfortable to stay—that I promise! Remember! I’m a man of my word! And if you even think about disrespecting Miss Güldmar, I’ll beat you to within an inch of your life!"
Mr. Dyceworthy blinked feebly, and drew out his handkerchief.
Mr. Dyceworthy blinked weakly and pulled out his handkerchief.
"I trust, Sir Philip," he said mildly, "you will reconsider your words! It would ill beseem you to strive to do me harm in the parish were my ministrations are welcome, as appealing to that portion of the people who follow the godly Luther. Oh yes,"—and he smiled cheerfully—"you will reconsider your words. In the meantime—I—I"—he stammered slightly—"I apologize! I meant naught but good to the maiden—but I have been misunderstood, as is ever the case with the servants of the Lord. Let us say no more about it! I forgive!—let us all forgive! I will even extend my pardon to the pagan yonder—"
"I trust, Sir Philip," he said gently, "you'll reconsider what you've said! It wouldn't look good for you to try to harm me in the parish where my services are appreciated, especially among those who follow the righteous Luther. Oh yes,"—and he smiled warmly—"you will reconsider your words. In the meantime—I—I"—he paused for a moment—"I apologize! I meant nothing but good for the girl—but I've been misunderstood, as is always the case with the servants of the Lord. Let's not dwell on it! I forgive!—let's all forgive! I’ll even extend my forgiveness to that pagan over there—"
But the "pagan" at that moment broke loose from the friendly grasp in which he had been hitherto held, and strode up to the minister, who recoiled like a beaten cur from the look of that fine old face flushed with just indignation, and those clear blue eyes fiery as the flash of steel.
But at that moment, the "pagan" broke free from the friendly hold he had been in, and walked over to the minister, who flinched away like a beaten dog at the sight of that dignified old face flushed with rightful anger, and those clear blue eyes blazing like a flash of steel.
"Pagan, you call me!" he cried. "I thank the gods for it—I am proud of the title! I would rather be the veriest savage that ever knelt in untutored worship to the great forces of Nature, than such a thing as you—a slinking, unclean animal, crawling coward-like between earth and sky, and daring to call itself a Christian! Faugh! Were I the Christ, I should sicken at sight of you!"
"Pagan, you call me!" he shouted. "I thank the gods for it—I’m proud of that title! I would rather be the most primitive savage who ever knelt in uneducated worship of the great forces of Nature than be a thing like you—a sneaky, filthy creature, crawling cowardly between earth and sky, and having the nerve to call itself a Christian! Gross! If I were Christ, I would feel nauseated just looking at you!"
Dyceworthy made no reply, but his little eyes glittered evilly.
Dyceworthy didn’t respond, but his small eyes glinted with malice.
Errington, not desiring any further prolongation of the scene, managed to draw the irate bonde away, saying in a low tone—
Errington, wanting to avoid any more tension in the situation, managed to pull the upset bonde aside, speaking quietly—
"We've had enough of this, sir! Let us get home to Thelma."
"We've had enough of this, sir! Let us go home to Thelma."
"I was about to suggest a move," added Lorimer. "We are only wasting time here."
"I was about to propose a change," Lorimer added. "We're just wasting time here."
"Ah!" exclaimed Duprèz radiantly—"and Monsieur Dyceworthy will be glad to be in bed! He will be very stiff to-morrow, I am sure! Here is a lady who will attend him."
"Ah!" Duprèz exclaimed brightly, "and Monsieur Dyceworthy will be happy to be in bed! I'm sure he will be very sore tomorrow! Here’s a lady who will take care of him."
This with a courteous salute to the wooden-faced Ulrika, who suddenly confronted them in the little passage. She seemed surprised to see them, and spoke in a monotonous dreamy tone, as though she walked in her sleep.
This with a polite nod to the expressionless Ulrika, who unexpectedly appeared in the small hallway. She looked taken aback to see them and spoke in a flat, dreamy voice, as if she were sleepwalking.
"The girl has gone?" she added slowly.
"The girl is gone?" she added slowly.
Duprèz nodded briskly. "She has gone! And let me tell you, madame, that if it had not been for you, she would not have come here at all. You took that card to her?"
Duprèz nodded quickly. "She's gone! And let me tell you, ma'am, that if it weren't for you, she wouldn't have come here at all. You took that card to her?"
Ulrika frowned. "I was compelled," she said. "She made me take it. I promised." She turned her dull eyes slowly on Güldmar. "It was Lovisa's fault. Ask Lovisa about it." She paused, and moistened her dry lips with her tongue. "Where is your crazy lad?" she asked, almost anxiously. "Did he come with you?"
Ulrika frowned. "I had to," she said. "She forced me to do it. I promised." She slowly turned her lifeless eyes to Güldmar. "It's Lovisa's fault. You should ask Lovisa about it." She paused and wet her dry lips with her tongue. "Where's your crazy guy?" she asked, almost nervously. "Did he come with you?"
"He is dead!" answered Güldmar, with grave coldness.
"He’s dead!" replied Güldmar, with a serious coldness.
"Dead!" And to their utter amazement, she threw up her arms and burst into a fit of wild laughter. "Dead! Thank God! Thank God! Dead! And through no fault of mine! The Lord be praised! He was only fit for death—never mind how he died—it is enough that he is dead—dead! I shall see him no more—he cannot curse me again!—the Lord be thankful for all His mercies!"
"Dead!" And to their complete surprise, she threw up her arms and broke into wild laughter. "Dead! Thank God! Thank God! Dead! And it's not my fault! Praise the Lord! He was only meant for death—no matter how he died—it’s enough that he’s dead—dead! I won’t see him again—he can’t curse me anymore!—thank the Lord for all His blessings!"
And her laughter ceased—she threw her apron over her head and broke into a passion of weeping.
And her laughter stopped—she threw her apron over her head and started to cry uncontrollably.
"The woman must be crazy!" exclaimed the bonde, thoroughly mystified,—then placing his arm through Errington's, he said impatiently, "You're right, my lad! We've had enough of this. Let us shake the dust of this accursed place off our feet and get home. I'm tired out!"
"The woman must be out of her mind!" exclaimed the bonde, completely puzzled,—then linking his arm with Errington's, he said impatiently, "You’re right, my friend! We’ve had enough of this. Let’s shake off the dust of this cursed place and head home. I’m exhausted!"
They left the minister's dwelling and made straight for the shore, and were soon well on their journey back to the farm across the Fjord. This time the tide was with them—the evening was magnificent, and the coolness of the breeze, the fresh lapping of the water against the boat, and the brilliant tranquility of the landscape, soon calmed their over-excited feelings. Thelma was waiting for them under the porch as usual, looking a trifle paler than her wont, after all the worry and fright and suspense she had undergone,—but the caresses of her father and lover soon brought back the rosy warmth on her fair face, and restored the lustre to her eyes. Nothing was said about Sigurd's fate just then,—when she asked for her faithful servitor, she was told he had "gone wandering as usual," and it was not till Errington and his friends returned to their yacht that old Güldmar, left alone with his daughter, broke the sad news to her very gently. But the shock, so unexpected and terrible, was almost too much for her already overwrought nerves,—and such tears were shed for Sigurd as Sigurd himself might have noted with gratitude. Sigurd—the loving, devoted Sigurd—gone for ever! Sigurd,—her playmate,—her servant,—her worshiper,—dead! Ah, how tenderly she mourned him!—how regretfully she thought of his wild words! "Mistress, you are killing poor Sigurd!" Wistfully she wondered if, in her absorbing love for Philip, she had neglected the poor crazed lad,—his face, in all its pale, piteous appeal, haunted her, and her grief for his loss was the greatest she had ever known since the day on which she had seen her mother sink into the last long sleep. Britta, too, wept and would not be comforted—she had been fond of Sigurd in her own impetuous little way,—and it was some time before either she or her mistress, could calm themselves sufficiently to retire to rest. And long after Thelma was sleeping, with tears still wet on her cheeks, her father sat alone under his porch, lost in melancholy meditation. Now and then he ruffled his white hair impatiently with his hand,—his daughter's adventure in Mr. Dyceworthy's house had vexed his proud spirit. He knew well enough that the minister's apology meant nothing—that the whole village would be set talking against Thelma more, even than before,—that there was no possibility of preventing scandal so long as Dyceworthy was there to start it. He thought and thought and puzzled himself with probabilities—till at last, when he finally rose to enter his dwelling for the night, he muttered half-aloud. "If it must be, it must! And the sooner the better now, I think, for the child's sake."
They left the minister's house and headed straight for the shore, quickly making their way back to the farm across the fjord. This time, the tide was in their favor—the evening was beautiful, and the cool breeze, the gentle sound of the water lapping against the boat, and the stunning calm of the landscape soon eased their heightened emotions. Thelma was waiting for them under the porch as usual, looking a bit paler than usual after all the worry and fear she had experienced—but the hugs from her father and lover soon brought the rosy color back to her cheeks and sparkled in her eyes. Nobody mentioned Sigurd’s fate at that moment—when she asked about her loyal servant, they told her he had "gone wandering as usual," and it wasn’t until Errington and his friends went back to their yacht that old Güldmar, left alone with his daughter, gently broke the sad news to her. But the shock, so unexpected and terrible, was almost too much for her already frayed nerves—and she shed tears for Sigurd that he himself would have appreciated. Sigurd—the loving, devoted Sigurd—was gone forever! Sigurd—her playmate—her servant—her admirer—was dead! Oh, how tenderly she mourned him!—how regretfully she recalled his wild words! "Mistress, you are killing poor Sigurd!" She wondered wistfully if, in her deep love for Philip, she had neglected the poor troubled boy—his face, with its pale, pitiful expression, haunted her, and her grief for his loss was the greatest she had ever felt since the day she had seen her mother slip into eternal rest. Britta, too, cried and wouldn’t be comforted—she had cared for Sigurd in her own passionate way—and it took some time before either she or her mistress could calm down enough to go to bed. Even long after Thelma had fallen asleep, tears still on her cheeks, her father sat alone under the porch, lost in sorrowful thought. Occasionally, he ruffled his white hair in frustration—his daughter's ordeal at Mr. Dyceworthy's house had troubled his proud spirit. He knew that the minister's apology meant nothing—that the whole village would gossip about Thelma even more than before—that there was no way to stop scandal as long as Dyceworthy was around to stir it up. He thought and thought, puzzling over possibilities—until finally, when he got up to go into the house for the night, he muttered to himself. "If it has to happen, it has to! And the sooner the better now, for the child's sake."
The next morning Sir Philip arrived unusually early,—and remained shut up with the bonde, in private conversation for more than an hour. At the expiration of that time, Thelma was called, and taken into their confidence. The result of their mysterious discussion was not immediately evident,—though for the next few days, the farm-house lost its former tranquility and became a scene of bustle and excitement. Moreover, to the astonishment of the Bosekop folk, the sailing-brig known as the Valkyrie, belonging to Olaf Güldmar, which had been hauled up high and dry on the shore for many months, was suddenly seen afloat on the Fjord, and Valdemar Svensen, Errington's pilot, appeared to be busily engaged upon her decks, putting everything in ship-shape order. It was no use asking him any questions—he was not the man to gratify impertinent curiosity. By-and-by a rumor got about in the village—Lovisa had gained her point in one particular,—the Güldmars were going away—going to leave the Altenfjord!
The next morning, Sir Philip arrived unusually early and spent over an hour in a private conversation with the bonde. After that, Thelma was called in and included in their plans. The outcome of their secret discussion wasn’t clear right away, but for the next few days, the farmhouse lost its usual calm and became lively and chaotic. To the surprise of the Bosekop locals, the sailing brig known as the Valkyrie, owned by Olaf Güldmar, which had been stuck on the shore for months, was suddenly seen floating in the Fjord. Valdemar Svensen, Errington's pilot, was spotted busily working on her deck, getting everything in shape. Asking him questions was pointless — he wasn't one to satisfy nosy curiosity. Eventually, a rumor spread in the village — Lovisa had succeeded in one thing: the Güldmars were leaving — they were going to leave the Altenfjord!
At first, the report was received with incredulity—but gained ground, as people began to notice that several packages were being taken in boats from the farm-house to both the Eulalie and the Valkyrie. These preparations excited a great deal of interest and inquisitiveness,—but no one dared ask for information as to what was about to happen. The Reverend Mr. Dyceworthy was confined to his bed "from a severe cold"—as he said, and therefore was unable to perform his favorite mission of spy;—so that when, one brilliant morning, Bosekop was startled by the steam-whistle of the Eulalie blowing furiously, and echoing far and wide across the surrounding rocky islands, several of the lounging inhabitants paused on the shore, or sauntered down to the rickety pier, to see what was the cause of the clamor. Even the long-suffering minister crawled out of bed and applied his fat, meek visage to his window, from whence he could command an almost uninterrupted view of the glittering water. Great was his amazement, and discomfiture to see the magnificent yacht moving majestically out of the Fjord, with Güldmar's brig in tow behind her, and the English flag fluttering gaily from her middle-mast, as she curtsied her farewell to the dark mountains, and glided swiftly over the little hissing waves. Had Mr. Dyceworthy been possessed of a field-glass, he might have been able to discern on her deck, the figure of a tall, fair girl, who, drawing her crimson hood over her rich hair, stood gazing with wistful, dreamy blue eyes, at the last receding shores of the Altenfjord—eyes that smiled and yet were tearful.
At first, the report was met with disbelief—but it gained traction as people started noticing several packages being loaded onto boats from the farmhouse to both the Eulalie and the Valkyrie. This buzz sparked a lot of interest and curiosity, but no one dared to ask for details about what was going to happen. The Reverend Mr. Dyceworthy was stuck in bed "with a bad cold," as he put it, which meant he couldn’t carry out his favorite role as a spy. So when, one bright morning, Bosekop was jolted by the steam whistle of the Eulalie blowing loudly, echoing across the nearby rocky islands, several of the idly lounging locals paused on the shore or strolled down to the shaky pier to see what was making all the noise. Even the long-suffering minister managed to crawl out of bed and leaned his plump, mild face against his window, where he could get an almost uninterrupted view of the glimmering water. He was both amazed and disconcerted to see the stunning yacht gracefully making its way out of the Fjord, with Güldmar's brig in tow behind her, and the English flag waving cheerfully from her middle mast as she took her leave of the dark mountains and smoothly glided over the little hissing waves. Had Mr. Dyceworthy had a pair of binoculars, he might have spotted a tall, fair girl on her deck, pulling her crimson hood over her luxurious hair, gazing with wistful, dreamy blue eyes at the vanishing shores of the Altenfjord—eyes that were both smiling and tearful.
"Are you sorry, Thelma?" asked Errington gently, as he passed one arm tenderly round her. "Sorry to trust your life to me?"
"Are you sorry, Thelma?" Errington asked softly, wrapping his arm gently around her. "Sorry that you trusted your life to me?"
She laid her little hand in playful reproach against his lips.
She playfully pressed her small hand against his lips in a teasing way.
"Sorry! you foolish boy! I am glad and grateful! But it is saying good-bye to one's old life, is it not? The dear old home!—and poor Sigurd!"
"Sorry! you silly boy! I'm happy and thankful! But it's like saying goodbye to your old life, isn't it? The beloved old home!—and poor Sigurd!"
Her voice trembled, and bright tears fell.
Her voice shook, and tears streamed down her face.
"Sigurd is happy,"—said Errington gravely, taking the hand that caressed him, and reverently kissing it. "Believe me, love,—if he had lived some cruel misery might have befallen him—it is better as it is!"
"Sigurd is happy," Errington said seriously, taking the hand that was gently touching him and kissing it respectfully. "Believe me, love—if he had lived, some terrible suffering might have come to him—this is better!"
Thelma did not answer for a minute or two—then she said suddenly—"Philip,—do you remember where I saw you first?"
Thelma didn’t respond for a minute or two—then she suddenly said—"Philip, do you remember where I first saw you?"
"Perfectly!" he answered, looking fondly into the sweet upturned face. "Outside a wonderful cavern, which I afterwards explored."
"Perfectly!" he replied, gazing affectionately at the lovely upturned face. "Outside was an amazing cave that I explored later."
She started and seemed surprised. "You went inside?—you saw—?"
She jumped and looked surprised. "You went inside?—you saw—?"
"Everything!"—and Philip related his adventure of that morning, and his first interview with Sigurd. She listened attentively—then she whispered softly—
"Everything!"—and Philip shared his adventure from that morning and his first meeting with Sigurd. She listened closely—then she whispered softly—
"My mother sleeps there, you know,—yesterday I went to take her some flowers for the last time. Father came with me—we asked her blessing. And I think she will give it, Philip—she must know how good you are and how happy I am."
"My mom sleeps there, you know—yesterday I went to bring her some flowers for the last time. Dad came with me—we asked for her blessing. And I think she will give it, Philip—she has to know how good you are and how happy I am."
He stroked her silky hair tenderly and was silent. The Eulalie had reached the outward bend of the Altenfjord, and the station of Bosekop was rapidly disappearing. Olaf Güldmar and the others came on deck to take their last look of it.
He gently stroked her smooth hair and remained quiet. The Eulalie had reached the outer curve of the Altenfjord, and the station of Bosekop was quickly fading from view. Olaf Güldmar and the others came on deck to take their final look at it.
"I shall see the old place again, I doubt not, long before you do, Thelma, child," said the stout old bonde, viewing, with a keen, fond glance, the stretch of the vanishing scenery. "Though when once you are safe married at Christiania, Valdemar Svensen and I will have a fine toss on the seas in the Valkyrie,—and I shall grow young again in the storm and drift of the foam and the dark wild waves! Yes—a wandering life suits me—and I am not sorry to have a taste of it once more. There's nothing like it—nothing like a broad ocean and a sweeping wind!"
"I'll definitely see the old place again long before you do, Thelma, dear," said the stout old man, looking fondly at the fading scenery. "But once you're safely married in Christiania, Valdemar Svensen and I will have a great time sailing on the Valkyrie, and I'll feel young again in the storms and swells of the dark, wild waves! Yes—a wandering life is perfect for me—and I'm not upset to experience it again. There's nothing like it—nothing like a wide ocean and a strong wind!"
And he lifted his cap and drew himself erect, inhaling the air like an old warrior scenting battle. The others listened, amused at his enthusiasm,—and, meanwhile, the Altenfjord altogether disappeared, and the Eulalie was soon plunging in a rougher sea. They were bound for Christiania, where it was decided Thelma's marriage should at once take place—after which Sir Philip would leave his yacht at the disposal of his friends, for them to return in it to England. He himself intended to start directly for Germany with his bride, a trip in which Britta was to accompany them as Thelma's maid. Olaf Güldmar, as he had just stated, purposed making a voyage in the Valkyrie, as soon as he should get her properly manned and fitted, which he meant to do at Christiania.
And he took off his cap and stood tall, breathing in the air like an old warrior sensing a fight. The others listened, amused by his excitement, and meanwhile, the Altenfjord completely disappeared, and the Eulalie was soon plunging into rougher seas. They were headed for Christiania, where it was decided that Thelma's wedding would happen right away—after which Sir Philip would leave his yacht for his friends to use to return to England. He planned to head straight for Germany with his bride, and Britta was going to go along as Thelma's maid. Olaf Güldmar, as he had just mentioned, intended to make a trip on the Valkyrie as soon as he got it properly manned and equipped, which he planned to do in Christiania.
Such were their plans,—and, meanwhile, they were all together on the Eulalie,—a happy and sociable party,—Errington having resigned his cabin to the use of his fair betrothed, and her little maid, whose delight at the novel change in her life, and her escape from the persecution of her grandmother, was extreme. Onward they sailed,—past the grand Lofoden Islands and all the magnificent scenery extending thence to Christiansund, while the inhabitants of Bosekop looked in vain for their return to the Altenfjord.
Such were their plans, and in the meantime, they were all together on the Eulalie, a happy and friendly group. Errington had given up his cabin for his lovely fiancée and her little maid, who was thrilled about the exciting change in her life and her escape from her grandmother's control. They sailed on, passing the stunning Lofoten Islands and the beautiful scenery all the way to Christiansund, while the people of Bosekop waited in vain for their return to the Altenfjord.
The short summer there was beginning to draw to a close,—some of the birds took their departure from the coast,—the dull routine of the place went on as usual, rendered even duller by the absence of the "witch" element of discord,—a circumstance that had kept the superstitious villagers, more or less on a lively tension of religious and resentful excitement—and by-and-by, the rightful minister of Bosekop came back to his duties and released the Reverend Charles Dyceworthy, who straightway returned to his loving flock in Yorkshire. It was difficult to ascertain whether the aged Lovisa was satisfied or wrathful, at the departure of the Güldmars with her granddaughter Britta in their company—she kept herself almost buried in her hut at Talvig, and saw no one but Ulrika, who seemed to grow more respectably staid than ever, and who, as a prominent member of the Lutheran congregation, distinguished herself greatly by her godly bearing and uncompromising gloom.
The short summer was starting to come to an end—some of the birds left the coast—the usual boring routine of the place continued, even more tedious without the "witch" element of conflict, which had kept the superstitious villagers in a constant state of religious excitement and resentment. Eventually, the rightful minister of Bosekop returned to his duties and relieved the Reverend Charles Dyceworthy, who immediately went back to his beloved congregation in Yorkshire. It was hard to tell whether the elderly Lovisa was pleased or angry with the departure of the Güldmars, who took her granddaughter Britta with them—she mostly stayed hidden in her hut at Talvig and only interacted with Ulrika, who seemed to become even more respectable and serious, and stood out in the Lutheran congregation with her devout attitude and strict demeanor.
Little by little, the gossips ceased to talk about the disappearance of the "white witch" and her father—little by little they ceased to speculate as to whether the rich Englishman, Sir Philip Errington, really meant to marry her—a consummation of things which none of them seemed to think likely—the absence of their hated neighbors, was felt by them as a relief, while the rumored fate of the crazy Sigurd was of course looked upon as evidence of fresh crime on the part of the "pagan," who was accused of having, in some way or other, caused the unfortunate lad's death. And the old farm-house on the pine-covered knoll was shut up and silent,—its doors and windows safely barred against wind and rain,—and only the doves, left to forage for themselves, crooned upon its roof, all day, or strutting on the deserted paths, ruffled their plumage in melancholy meditation, as though wondering at the absence of the fair ruling spirit of the place, whose smile had been brighter than the sunshine. The villagers avoided it as though it were haunted—the roses drooped and died untended,—and by degrees the old homestead grew to look like a quaint little picture of forgotten joys, with its deserted porch and fading flowers.
Little by little, people stopped talking about the disappearance of the "white witch" and her father. They gradually stopped speculating about whether the wealthy Englishman, Sir Philip Errington, actually intended to marry her—something none of them seemed to think was likely. The absence of their disliked neighbors felt like a relief to them, while the rumored fate of the troubled Sigurd was viewed as proof of more wrongdoing by the "pagan," who was blamed for somehow causing the young man's death. The old farmhouse on the pine-covered hill was shut up and quiet—its doors and windows securely locked against wind and rain—while only the doves, left to fend for themselves, cooed on the roof all day, or strutted along the empty paths, fluffing their feathers in sad contemplation, as if wondering about the absence of the lovely spirit of the place, whose smile had outshone the sun. The villagers stayed away, treating it as if it were haunted—the roses drooped and died without care—and gradually, the old homestead began to resemble a charming little picture of forgotten happiness, with its empty porch and wilting flowers.
Meanwhile, a thrill of amazement, incredulity, disappointment, indignation, and horror, rushed like a violent electric shock through the upper circles of London society, arousing the deepest disgust in the breasts of match-making matrons, and seriously ruffling the pretty feathers of certain bird-like beauties who had just began to try their wings, and who "had expectations." The cause of the sensation was very simple. It was an announcement in the Times—under the head of "Marriages"—and ran as follows:
Meanwhile, a wave of shock, disbelief, disappointment, anger, and horror surged through the upper echelons of London society, awakening deep disgust in the hearts of matchmaking matrons and seriously disturbing the delicate appearances of certain bird-like beauties who had just begun to spread their wings and who "had expectations." The reason for the uproar was quite simple. It was an announcement in the Times—under the section "Marriages"—and it read as follows:
"At the English Consulate, Christiania, Sir Philip Bruce-Errington, Bart., to Thelma, only daughter of Olaf Güldmar, bonde, of the Altenfjord, Norway. No cards."
"At the English Consulate, Christiania, Sir Philip Bruce-Errington, Bart., to Thelma, the only daughter of Olaf Güldmar, farmer, of the Altenfjord, Norway. No cards."
BOOK II.
THE LAND OF MOCKERY
CHAPTER XVIII.
"There's nothing serious in mortality: All is but toys."
"There's nothing serious about death: Everything is just playthings."
MACBETH.
MACBETH.
"I think," said Mrs. Rush-Marvelle deliberately, laying down the Morning Post beside her breakfast-cup, "I think his conduct is perfectly disgraceful!"
"I think," said Mrs. Rush-Marvelle thoughtfully, setting the Morning Post down next to her breakfast cup, "I think his behavior is absolutely disgraceful!"
Mr. Rush-Marvelle, a lean gentleman with a sallow, clean-shaven face and an apologetic, almost frightened manner, looked up hastily.
Mr. Rush-Marvelle, a thin man with a pale, clean-shaven face and an apologetic, nearly scared demeanor, glanced up quickly.
"Of whom are you speaking, my dear?" he inquired.
"Who are you talking about, my dear?" he asked.
"Why, of that wretched young man Bruce-Errington! He ought to be ashamed of himself!"
"Why, that miserable young man Bruce-Errington! He should be ashamed of himself!"
And Mrs. Marvelle fixed her glasses more firmly on her small nose, and regarded her husband almost reproachfully. "Don't tell me, Montague, that you've forgotten that scandal about him! He went off last year, in the middle of the season, to Norway, in his yacht, with three of the very fastest fellows he could pick out from his acquaintance—regular reprobates, so I'm told—and after leading the most awful life out there, making love to all the peasant girls in the place, he married one of them,—a common farmer's daughter. Don't you remember? We saw the announcement of his marriage in the Times."
And Mrs. Marvelle adjusted her glasses more securely on her small nose and looked at her husband with a hint of disapproval. "Don't tell me, Montague, that you've forgotten that scandal about him! He left last year, right in the middle of the season, to Norway, on his yacht, with three of the fastest guys he could find from his circle—total troublemakers, or so I’ve heard—and after living it up out there, flirting with all the local girls, he ended up marrying one of them—a regular farmer's daughter. Don’t you remember? We saw the announcement of his marriage in the Times."
"Ah yes, yes!" And Mr. Rush-Marvelle smiled a propitiatory smile, intended to soothe the evidently irritated feelings of his better-half, of whom he stood always in awe. "Of course, of course! A very sad mésalliance. Yes, yes! Poor fellow! And is there fresh news of him?"
"Ah yes, yes!" Mr. Rush-Marvelle smiled a conciliatory smile, meant to calm his clearly annoyed wife, whom he always respected. "Of course, of course! A very unfortunate mésalliance. Yes, yes! Poor guy! Is there any new information about him?"
"Read that,"—and the lady handed the Morning Post across the table, indicating by a dent of her polished finger-nail, the paragraph that had offended her sense of social dignity. Mr. Marvelle read it with almost laborious care—though it was remarkably short and easy of comprehension.
"Read that," the lady said, handing the Morning Post across the table and pointing to the paragraph that had upset her sense of social dignity with a carefully manicured finger. Mr. Marvelle read it with an almost painstaking attention, even though it was quite short and easy to understand.
"Sir Philip and Lady Bruce-Errington have arrived at their house in Prince's Gate from Errington Manor."
"Sir Philip and Lady Bruce-Errington have arrived at their home in Prince's Gate from Errington Manor."
"Well, my dear?" he inquired, with a furtive and anxious glance at his wife. "I suppose—er—it—er—it was to be expected?"
"Well, my dear?" he asked, casting a worried and anxious look at his wife. "I guess—um—it—uh—it was to be expected?"
"No, it was not to be expected," said Mrs. Rush-Marvelle, rearing her head, and heaving her ample bosom to and fro in rather a tumultuous manner. "Of course it was to be expected that Bruce-Errington would behave like a fool—his father was a fool before him. But I say it was not to be expected that he would outrage society by bringing that common wife of his to London, and expecting us to receive her! The thing is perfectly scandalous! He has had the decency to keep away from town ever since his marriage—part of the time he has staid abroad, and since January he has been at his place in Warwickshire,—and this time—observe this!" and Mrs. Marvelle looked most impressive—"not a soul has been invited to the Manor—not a living soul! The house used to be full of people during the winter season—of course, now, he dare not ask anybody lest they should be shocked at his wife's ignorance. That's as clear as daylight! And now he has the impudence to actually bring her here,—into society! Good Heavens! He must be mad! He will be laughed at wherever he goes!"
"No, it was not to be expected," said Mrs. Rush-Marvelle, lifting her head and heaving her ample bosom back and forth in quite an agitated manner. "Of course, it was to be expected that Bruce-Errington would act like a fool—his father was a fool before him. But I say it was not to be expected that he would shock society by bringing that ordinary wife of his to London and expecting us to welcome her! It’s absolutely scandalous! He’s had the decency to stay away from town ever since his marriage—part of the time he’s been abroad, and since January he's been at his place in Warwickshire,—and this time—mark this!" and Mrs. Marvelle looked very serious—"not a soul has been invited to the Manor—not a single soul! The house used to be full of people during the winter season—of course, now, he can’t ask anyone because they might be appalled by his wife's lack of sophistication. That's as clear as day! And now he has the nerve to actually bring her here,—into society! Good heavens! He must be insane! He’ll be ridiculed wherever he goes!"
Mr. Rush-Marvelle scratched his bony chin perplexedly.
Mr. Rush-Marvelle scratched his bony chin in confusion.
"It makes it a little awkward for—for you," he remarked feelingly.
"It makes it a bit awkward for you," he said sincerely.
"Awkward! It is abominable!" And Mrs. Marvelle rose from her chair, and shook out the voluminous train of her silken breakfast-gown, an elaborate combination of crimson with grey chinchilla fur. "I shall have to call on the creature—just imagine it! It is most unfortunate for me that I happen to be one of Bruce-Errington's oldest friends—otherwise I might have passed him over in some way—as it is I can't. But fancy having to meet a great coarse peasant woman, who, I'm certain, will only be able to talk about fish and whale-oil! It is really quite dreadful!"
"Awkward! This is terrible!" Mrs. Marvelle exclaimed as she got up from her chair and fluffed out the long train of her luxurious silk breakfast gown, a stunning mix of crimson and grey chinchilla fur. "I’ll have to pay a visit to that woman—can you imagine? It's really unfortunate that I’m one of Bruce-Errington's oldest friends—otherwise, I might have been able to avoid her—but now I can’t. Just think about having to meet a rough peasant woman who I’m sure will only want to talk about fish and whale oil! It’s absolutely quite dreadful!"
Mr. Rush-Marvelle permitted himself to smile faintly.
Mr. Rush-Marvelle allowed himself to smile slightly.
"Let us hope she will not turn out so badly," he said soothingly,—"but, you know, if she proves to be—er—a common person of,—er—a very uneducated type—you can always let her drop gently—quite gently!"
"Let's hope she doesn’t end up badly," he said soothingly, "but, you know, if she turns out to be—uh—a pretty ordinary person, you can always let her go—very gently!"
And he waved his skinny hand with an explanatory flourish.
And he waved his thin hand with a dramatic gesture.
But Mrs. Marvelle did not accept his suggestion in good part.
But Mrs. Marvelle didn’t take his suggestion well.
"You know nothing about it," she said somewhat testily. "Keep to your own business, Montague, such as it is. The law suits your particular form of brain—society does not. You would never be in society at all if it were not for me—now you know you wouldn't!"
"You don’t know anything about it," she said a bit annoyed. "Stick to your own business, Montague, whatever that is. The law fits your type of thinking—society doesn’t. You wouldn’t even be in society if it weren’t for me—now you know that’s true!"
"My love," said Mr. Marvelle, with a look of meek admiration at his wife's majestic proportions. "I am aware of it! I always do you justice. You are a remarkable woman!"
"My love," Mr. Marvelle said, gazing at his wife's impressive figure with admiration. "I know! I always appreciate you for who you are. You are an amazing woman!"
Mrs. Marvelle smiled, somewhat mollified. "You see," she then condescended to explain—"the whole thing is so extremely disappointing to me. I wanted Marcia Van Clupp to go in for the Errington stakes,—it would have been such an excellent match,—money on both sides. And Marcia would have been just the girl to look after that place down in Warwickshire—the house is going to rack and ruin, in my opinion."
Mrs. Marvelle smiled, a bit softened. "You see," she then kindly explained—"it's just so incredibly disappointing to me. I wanted Marcia Van Clupp to enter the Errington stakes—it would have been such a perfect match—money on both sides. And Marcia would have been just the right person to take care of that place down in Warwickshire—the house is falling apart, in my opinion."
"Ah, yes!" agreed her husband mildly. "Van Clupp is a fine girl—a very fine girl! No end of 'go' in her. And so Errington Manor needs a good deal of repairing, perhaps?" This query was put by Mr. Marvelle, with his head very much on one side, and his bilious eyes blinking drowsily.
"Ah, yes!" her husband agreed lightly. "Van Clupp is a great girl—a really great girl! She has so much energy! And Errington Manor needs quite a bit of fixing up, right?" Mr. Marvelle asked this with his head tilted to one side, his tired eyes blinking sleepily.
"I don't know about repairs," replied Mrs. Marvelle. "It is a magnificent place, and certainly the grounds are ravishing. But one of the best rooms in the house, is the former Lady Errington's boudoir—it is full of old-fashioned dirty furniture, and Bruce-Errington won't have it touched,—he will insist on keeping it as his mother left it. Now that is ridiculous—perfectly morbid! It's just the same thing with his father's library—he won't have that touched either—and the ceiling wants fresh paint, and the windows want new curtains—and all sorts of things ought to be done. Marcia would have managed all that splendidly—she'd have had everything new throughout—Americans are so quick, and there's no nonsensical antiquated sentiment about Marcia."
"I don't know much about repairs," replied Mrs. Marvelle. "It's a beautiful place, and the grounds are stunning. But one of the best rooms in the house is the former Lady Errington's boudoir—it's filled with old, worn-out furniture, and Bruce-Errington won't let anyone touch it—he insists on keeping it just the way his mother left it. That's just ridiculous—so morbid! It's the same with his father's library—he won't let anyone touch that either—and the ceiling needs fresh paint, the windows need new curtains—and a whole bunch of other things should be taken care of. Marcia would have handled all of that wonderfully—she would have made everything new throughout—Americans are so quick, and there's no silly outdated sentiment with Marcia."
"She might even have had new pictures and done away with the old ones," observed Mr. Marvelle, with a feeble attempt at satire. His wife darted a keen look at him, but smiled a little too. She was not without a sense of humor.
"She might have even gotten new pictures and gotten rid of the old ones," Mr. Marvelle said, trying to be witty. His wife shot him a sharp glance but smiled a bit too. She had a sense of humor as well.
"Nonsense, Montague! She knows the value of works of art better than many a so-called connoisseur. I won't have you make fun of her. Poor girl! She did speculate on Bruce-Errington,—you know he was very attentive to her, at that ball I gave just before he went off to Norway."
"Nonsense, Montague! She understands the value of art better than many so-called experts. I won’t let you make fun of her. Poor girl! She really did have an interest in Bruce-Errington—you know he was very attentive to her at that party I threw right before he left for Norway."
"He certainly seemed rather amused by her," said Mr. Marvelle. "Did she take it to heart when she heard he was married?"
"He definitely seemed pretty amused by her," said Mr. Marvelle. "Did she take it personally when she found out he was married?"
"I should think not," replied Mrs. Marvelle loftily. "She has too much sense. She merely said, 'All right! I must stick to Masherville!'"
"I don't think so," replied Mrs. Marvelle with a haughty tone. "She's too sensible for that. She just said, 'Okay! I have to stay in Masherville!'"
Mr. Marvelle nodded blandly. "Admirable,—admirable!" he murmured, with a soft little laugh, "A very clever girl—a very bright creature! And really there are worse fellows than Masherville! The title is old."
Mr. Marvelle nodded casually. "Impressive—impressive!" he said with a light chuckle, "A very smart girl—a really sharp one! And honestly, there are worse guys than Masherville! The title is old."
"Yes, the title is all very well," retorted his wife—"but there's no money—or at least very little."
"Yeah, the title is nice and all," his wife shot back, "but there’s no money—or at least very little."
"Marcia has sufficient to cover any deficit?" suggested Mr. Marvelle, in a tone of meek inquiry.
"Marcia has enough to cover any shortfall?" Mr. Marvelle suggested, in a tone of gentle questioning.
"An American woman never has sufficient," declared Mrs. Marvelle. "You know that as well as I do. And poor dear Mrs. Van Clupp has so set her heart on a really brilliant match for her girl—and I had positively promised she should have Bruce-Errington. It is really too bad!" And Mrs. Marvelle paced the room with a stately, sweeping movement, pausing every now and then to glance at herself approvingly in the mirror above the chimney-piece, while her husband resumed his perusal of the Times. By-and-by she said abruptly—
"An American woman never has enough," Mrs. Marvelle stated. "You know that as well as I do. And poor dear Mrs. Van Clupp is so fixated on finding a truly great match for her daughter—and I had seriously promised she would have Bruce-Errington. It’s really too bad!" Mrs. Marvelle walked around the room with a grand, sweeping motion, stopping occasionally to admire herself in the mirror above the fireplace, while her husband went back to reading the Times. After a while, she said suddenly—
"Montague!"
"Montague!"
Mr. Marvelle dropped his paper with an alarmed air.
Mr. Marvelle dropped his newspaper with a look of alarm.
"My dear!"
"My love!"
"I shall go to Clara Winsleigh this morning—and see what she means to do in the matter. Poor Clara! She must be disgusted at the whole affair!"
"I’m going to see Clara Winsleigh this morning to find out what she plans to do about it. Poor Clara! She must be really upset about the whole situation!"
"She had rather a liking for Errington, hadn't she?" inquired Mr. Marvelle, folding up the Times in a neat parcel, preparatory to taking it with him in order to read it in peace on his way to the Law Courts.
"She really liked Errington, didn't she?" asked Mr. Marvelle, folding the Times into a neat bundle, getting ready to take it with him to read in peace on his way to the Law Courts.
"Liking? Well!" And Mrs. Marvelle, looking at herself once more in the glass, carefully arranged the ruffle of Honiton lace about her massive throat,—"It was a little more than liking—though, of course, her feelings were perfectly proper, and all that sort of thing,—at least, I suppose they were! She had a great friendship for him,—one of those emotional, perfectly spiritual and innocent attachments, I believe, which are so rare in this wicked world." Mrs. Marvelle sighed, then suddenly becoming practical again, she continued. "Yes, I shall go there and stop to luncheon, and talk this thing over. Then I'll drive on to the Van Clupps, and bring Marcia home to dinner. I suppose you don't object?"
"Liking? Well!" Mrs. Marvelle said, looking at herself in the mirror again as she carefully adjusted the ruffle of Honiton lace around her large neck. "It was a bit more than just liking—though, of course, her feelings were perfectly appropriate and all that,—at least, I think they were! She had a deep friendship for him—one of those emotional, completely spiritual and innocent connections, I believe, which are so rare in this wicked world." Mrs. Marvelle sighed, then suddenly becoming practical again, she continued, "Yes, I’ll go there for lunch and talk this over. Then I’ll head to the Van Clupps and bring Marcia home for dinner. I assume you don’t mind?"
"Object!" Mr. Marvelle made a deprecatory gesture, and raised his eyes in wonder. As if he dared object to anything whatsoever that his wife desired!
"Object!" Mr. Marvelle waved his hand dismissively and looked up in surprise. As if he could ever disagree with anything his wife wanted!
She smiled graciously as he approached, and respectfully kissed her smooth cool cheek, before taking his departure for his daily work as a lawyer in the city, and when he was gone, she betook herself to her own small boudoir, where she busied herself for more than an hour in writing letters, and answering invitations.
She smiled warmly as he came over and gently kissed her smooth, cool cheek before heading off to his daily job as a lawyer in the city. Once he left, she went to her small dressing room, where she spent over an hour writing letters and responding to invitations.
She was, in her own line, a person of importance. She made it her business to know everything and everybody—she was fond of meddling with other people's domestic concerns, and she had a finger in every family pie. She was, moreover, a regular match-maker,—fond of taking young ladies under her maternal wing, and "introducing" them to the proper quarters, and when, as was often the case, a distinguished American of many dollars but no influence offered her three or four hundred guineas for chaperoning his daughter into English society and marrying her well, Mrs. Rush-Marvelle pocketed the douceur quite gracefully, and did her best for the girl. She was a good-looking woman, tall, portly, and with an air of distinction about her, though her features were by no means striking, and the smallness of her nose was out of all proportion to the majesty of her form—but she had a very charming smile, and a pleasant, taking manner, and she was universally admired in that particular "set" wherein she moved. Girls adored her, and wrote her gushing letters, full of the most dulcet flatteries—married ladies on the verge of a scandal came to her to help them out of their difficulties—old dowagers, troubled with rheumatism or refractory daughters, poured their troubles into her sympathizing ears—in short, her hands were full of other people's business to such an extent that she had scarcely any leisure to attend to her own. Mr. Rush-Marvelle,—but why describe this gentleman at all? He was a mere nonentity—known simply as the husband of Mrs. Rush-Marvelle. He knew he was nobody—and, unlike many men placed in a similar position, he was satisfied with his lot. He admired his wife intensely, and never failed to flatter her vanity to the utmost excess, so that, on the whole, they were excellent friends, and agreed much better than most married people.
She was, in her own way, an important person. She made it her mission to know everything and everyone—she enjoyed getting involved in other people's personal matters and had a role in every family issue. Additionally, she was a dedicated matchmaker, eager to take young women under her wing and "introducing" them to suitable prospects. When a wealthy American offered her three or four hundred guineas to guide his daughter into English society and help her find a good marriage, Mrs. Rush-Marvelle accepted the payment gracefully and did her best for the girl. She was an attractive woman, tall, plump, and exuding an air of distinction, even though her features weren’t particularly striking and her small nose seemed out of proportion to her grand presence—but she had a lovely smile and a charming, engaging demeanor that earned her widespread admiration in her social circle. Young women adored her, sending her enthusiastic letters filled with sweet compliments—married women on the brink of scandal sought her help to navigate their troubles—older women, dealing with rheumatism or rebellious daughters, shared their woes with her sympathetic ear—in short, she was so caught up in other people's affairs that she hardly had time to focus on her own. As for Mr. Rush-Marvelle—why describe him at all? He was a complete nonentity, known only as Mrs. Rush-Marvelle's husband. He recognized his lack of significance and, unlike many men in similar situations, was content with his role. He admired his wife deeply and never missed a chance to indulge her vanity to the fullest, so on the whole, they were great friends and got along better than most married couples.
It was about twelve o'clock in the day, when Mrs. Rush-Marvelle's neat little brougham and pair stopped at Lord Winsleigh's great house in Park Lane. A gorgeous flunkey threw open the door with a virtuously severe expression on his breakfast-flushed countenance,—an expression which relaxed into a smile of condescension on seeing who the visitor was.
It was around noon when Mrs. Rush-Marvelle's tidy little carriage and pair pulled up at Lord Winsleigh's grand house on Park Lane. An impressive servant opened the door with a seriously haughty look on his breakfast-flushed face—an expression that softened into a condescending smile when he recognized the visitor.
"I suppose Lady Winsleigh is at home, Briggs?" inquired Mrs. Marvelle, with the air of one familiar with the ways of the household.
"I guess Lady Winsleigh is at home, Briggs?" asked Mrs. Marvelle, sounding like someone who knows the household's routine well.
"Yes'm," replied Briggs slowly, taking in the "style" of Mrs. Rush-Marvelle's bonnet, and mentally calculating its cost. "Her ladyship is in the boo-dwar."
"Yes, ma'am," replied Briggs slowly, taking in the "style" of Mrs. Rush-Marvelle's bonnet and mentally estimating its cost. "Her ladyship is in the boudoir."
"I'll go there," said Mrs. Marvelle, stepping into the hall, and beginning to walk across it, in her own important and self-assertive manner. "You needn't announce me."
"I'll go there," Mrs. Marvelle said, stepping into the hall and walking across it with her usual confident and assertive demeanor. "You don't need to announce me."
Briggs closed the street-door, settled his powdered wig, and looked after her meditatively. Then he shut up one eye in a sufficiently laborious manner and grinned. After this he retired slowly to a small ante-room, where he found the World with its leaves uncut. Taking up his master's ivory paper-knife, he proceeded to remedy this slight inconvenience,—and, yawning heavily, he seated himself in a velvet arm-chair, and was soon absorbed in perusing the pages of the journal in question.
Briggs closed the front door, adjusted his powdered wig, and watched her thoughtfully. Then he squinted with one eye in a somewhat exaggerated way and smiled. After that, he slowly made his way to a small anteroom, where he found the World with its pages uncut. Picking up his master's ivory paper knife, he set out to fix this minor issue—and, yawning deeply, he sat down in a velvet armchair and soon got lost in reading the pages of the journal.
Meanwhile Mrs. Marvelle, in her way across the great hall to the "boo-dwar," had been interrupted and nearly knocked down by the playful embrace of a handsome boy, who sprang out upon her suddenly with a shout of laughter,—a boy of about twelve years old, with frank, bright blue eyes and clustering dark curls.
Meanwhile, Mrs. Marvelle, on her way across the spacious hall to the "boo-dwar," was interrupted and almost knocked over by the playful hug of a good-looking boy who suddenly jumped out at her with a laugh—a boy of about twelve, with open, bright blue eyes and a mass of dark curls.
"Hullo, Mimsey!" cried this young gentleman—"here you are again! Do you want to see papa? Papa's in there!"—pointing to the door from which he had emerged—"he's correcting my Latin exercise. Five good marks to-day, and I'm going to the circus this afternoon! Isn't it jolly?"
"Helloo, Mimsey!" shouted the young man—"there you are again! Do you want to see Dad? Dad's in there!"—pointing to the door he had just come out of—"he's going over my Latin homework. I got five good marks today, and I'm going to the circus this afternoon! Isn't that awesome?"
"Dear me, Ernest!" exclaimed Mrs. Marvelle half crossly, yet with an indulgent smile,—"I wish you would not be so boisterous! You've nearly knocked my bonnet off."
"Goodness, Ernest!" exclaimed Mrs. Marvelle half irritated, yet with a forgiving smile, "I wish you wouldn't be so loud! You've almost knocked my hat off."
"No, I haven't," laughed Ernest; "it's as straight as—wait a bit!" And waving a lead pencil in the air, he drew an imaginary stroke with it. "The middle feather is bobbing up and down just on a line with your nose—it couldn't be better!"
"No, I haven't," laughed Ernest; "it's as straight as—hold on!" And waving a pencil in the air, he drew an imaginary line with it. "The middle feather is bouncing up and down right in line with your nose—it couldn't be better!"
"There, go along, you silly boy!" said Mrs. Marvelle, amused in spite of herself. "Get back to your lessons. There'll be no circus for you if you don't behave properly! I'm going to see your mother."
"There, go on, you silly boy!" said Mrs. Marvelle, amused despite herself. "Get back to your lessons. No circus for you if you don't behave! I'm going to see your mom."
"Mamma's reading," announced Ernest. "Mudie's cart has just been and brought a lot of new novels. Mamma wants to finish them all before night. I say, are you going to stop to lunch?"
"Mom's reading," announced Ernest. "Mudie's cart just came by and dropped off a bunch of new novels. Mom wants to finish them all before tonight. By the way, are you going to stick around for lunch?"
"Ernest, why are you making such a noise in the passage?" said a gentle, grave voice at this juncture. "I am waiting for you, you know. You haven't finished your work yet. Ah, Mrs. Marvelle! How do you do?"
"Ernest, why are you making so much noise in the hallway?" said a gentle, serious voice at that moment. "I'm waiting for you, you know. You haven't finished your work yet. Ah, Mrs. Marvelle! How are you?"
And Lord Winsleigh came forward and shook hands. "You will find her ladyship in, I believe. She will be delighted to see you. This young scapegrace," here he caressed his son's clustering curls tenderly—"has not yet done with his lessons—the idea of the circus to-day seems to have turned his head."
And Lord Winsleigh stepped forward and shook hands. "I believe you'll find her ladyship at home. She'll be thrilled to see you. This young troublemaker," he said, affectionately ruffling his son's tousled curls, "still has not finished his lessons—the thought of the circus today seems to have gotten to him."
"Papa, you promised you'd let me off Virgil this morning!" cried Ernest, slipping his arm coaxingly through his father's. Lord Winsleigh smiled. Mrs. Rush-Marvelle shook her head with a sort of mild reproachfulness.
"Dad, you promised you'd let me off Virgil this morning!" cried Ernest, slipping his arm playfully through his father's. Lord Winsleigh smiled. Mrs. Rush-Marvelle shook her head with a hint of gentle disapproval.
"He really ought to go to school," she said, feigning severity. "You will find him too much for you, Winsleigh, in a little while."
"He really should go to school," she said, pretending to be serious. "You’ll find him too much for you, Winsleigh, before long."
"I think not," replied Lord Winsleigh, though an anxious look troubled for an instant the calm of his deep-set grey eyes. "We get on very well together, don't we, Ernest?" The boy glanced up fondly at his father's face and nodded emphatically. "At a public-school, you see, the boys are educated on hard and fast lines—all ground down to one pattern,—there's no chance of any originality possible. But don't let me detain you, Mrs. Marvelle—you have no doubt much to say to Lady Winsleigh. Come, Ernest! If I let you off Virgil, you must do the rest of your work thoroughly."
"I think not," replied Lord Winsleigh, though an anxious look briefly disturbed the calm of his deep-set grey eyes. "We get along really well together, don’t we, Ernest?" The boy looked up affectionately at his father's face and nodded vigorously. "At a public school, you see, the boys are taught in a strict way—all molded to one standard—there's no chance for any originality. But don’t let me keep you, Mrs. Marvelle—you probably have a lot to discuss with Lady Winsleigh. Come on, Ernest! If I let you skip Virgil, you need to make sure you do the rest of your work thoroughly."
And with a courteous salute, the grave, kindly-faced nobleman re-entered his library, his young son clinging to his arm and pouring forth boyish confidences, which seemingly received instant attention and sympathy,—while Mrs. Rush-Marvelle looked after their retreating figures with something of doubt and wonder on her placid features. But whatever her thoughts, they were not made manifest just then. Arriving at a door draped richly with old-gold plush and satin, she knocked.
And with a polite nod, the serious, kind-faced nobleman went back into his library, his young son hanging onto his arm and sharing excited boyish secrets, which seemed to get his immediate attention and understanding—while Mrs. Rush-Marvelle watched their departing figures with a mix of doubt and curiosity on her calm face. But whatever she was thinking, she didn't show it at that moment. When she reached a door covered in luxurious old-gold plush and satin, she knocked.
"Come in!" cried a voice that, though sweet in tone, was also somewhat petulant.
"Come in!" called a voice that, while sweet-sounding, also had a bit of a whiny edge.
Mrs. Marvelle at once entered, and the occupant of the room sprang up in haste from her luxurious reading-chair, where she was having her long tresses brushed out by a prim-looking maid, and uttered an exclamation of delight.
Mrs. Marvelle instantly walked in, and the person in the room quickly got up from her comfy reading chair, where a neatly dressed maid was brushing out her long hair, and exclaimed with joy.
"My dearest Mimsey!" she cried, "this is quite too sweet of you! You're just the very person I wanted to see!" And she drew an easy fauteuil to the sparkling fire,—for the weather was cold, with that particularly cruel coldness common to an English May,—and dismissed her attendant. "Now sit down, you dear old darling," she continued, "and let me have all the news!"
"My dearest Mimsey!" she exclaimed, "this is so sweet of you! You're exactly the person I wanted to see!" And she pulled up a comfortable chair to the sparkling fire—because the weather was cold, with that especially harsh chill typical of an English May—and sent her attendant away. "Now sit down, you dear old thing," she continued, "and let me hear all the news!"
Throwing herself back on her lounge, she laughed, and tossed her waving hair loose over her shoulders, as the maid had left it,—then she arranged, with a coquettish touch here and there, the folds of her pale pink dressing-gown, showered with delicate Valenciennes. She was undeniably a lovely woman. Tall and elegantly formed, with an almost regal grace of manner, Clara, Lady Winsleigh, deserved to be considered, as she was, one of the reigning beauties of the day. Her full dark eyes were of a bewitching and dangerous softness,—her complexion was pale, but of such a creamy, transparent pallor as to be almost brilliant,—her mouth was small and exquisitely shaped. True,—her long eyelashes were not altogether innocent of "kohl,"—true, there was a faint odor about her as of rare perfumes and cosmetics,—true, there was something not altogether sincere or natural even in her ravishing smile and fascinating ways—but few, save cynics, could reasonably dispute her physical perfections, or question the right she had to tempt and arouse the passions of men, or to trample underfoot? with an air of insolent superiority, the feelings of women less fair and fortunate. Most of her sex envied her,—but Mrs. Rush-Marvelle, who was past the prime of life, and, who, moreover, gained her social successes through intelligence and tact alone, was far too sensible to grudge any woman her beauty. On the contrary, she was a frank admirer of handsome persons, and she surveyed Lady Winsleigh now through her glasses with a smile of bland approval.
Throwing herself back on the couch, she laughed and let her wavy hair fall loose over her shoulders, just as the maid had left it. Then she adjusted the folds of her pale pink dressing gown, which was adorned with delicate Valenciennes lace, with a flirtatious touch here and there. She was undeniably a beautiful woman. Tall and elegantly shaped, with a regal grace, Clara, Lady Winsleigh, rightly earned her status as one of the reigning beauties of the day. Her full dark eyes had a captivating and dangerous softness—her complexion was pale but had a creamy, transparent quality that was almost radiant—her mouth was small and perfectly shaped. It was true that her long eyelashes weren't entirely free of "kohl," and it was true that there was a faint scent around her of expensive perfumes and cosmetics. Yes, her enchanting smile and irresistible charm had an air of being somewhat insincere, but few, except for cynics, could reasonably deny her physical perfection or question her right to tempt and spark the passions of men, or to casually brush aside the feelings of women less beautiful and fortunate. Most women envied her, but Mrs. Rush-Marvelle, who was past her prime and achieved her social success through intelligence and tact alone, was far too sensible to begrudge any woman her beauty. On the contrary, she was a genuine admirer of attractive people, and she looked at Lady Winsleigh now through her glasses with a smile of calm approval.
"You are looking very well, Clara," she said. "Let me see—you went to Kissingen in the summer, didn't you?"
"You look really good, Clara," she said. "Let me see—you went to Kissingen in the summer, right?"
"Of course I did," laughed her ladyship. "It was delicious! I suppose you know Lennie came after me there! Wasn't it ridiculous!"
"Of course I did," laughed her ladyship. "It was delicious! I guess you know Lennie came after me there! Wasn't it ridiculous!"
Mrs. Marvelle coughed dubiously. "Didn't Winsleigh put in an appearance at all?" she asked.
Mrs. Marvelle coughed skeptically. "Did Winsleigh not show up at all?" she asked.
Lady Clara's brow clouded. "Oh yes! For a couple of weeks or so. Ernest came with him, of course, and they rambled about together all the time. The boy enjoyed it."
Lady Clara's expression darkened. "Oh yes! For a couple of weeks or so. Ernest came with him, of course, and they hung out together all the time. The boy loved it."
"I remember now," said Mrs. Marvelle. "But I've not seen anything of you since you came back, Clara, except once in the park and once at the theatre. You've been all the time at Winsleigh Court—by-the-by, was Sir Francis Lennox there too?"
"I remember now," said Mrs. Marvelle. "But I haven't seen you at all since you got back, Clara, except once in the park and once at the theater. You've been at Winsleigh Court the whole time—by the way, was Sir Francis Lennox there too?"
"Why, naturally!" replied the beauty, with a cool smile. "He follows me everywhere like a dog! Poor Lennie!"
"Of course!" replied the beauty, with a cool smile. "He follows me everywhere like a puppy! Poor Lennie!"
Again the elder lady coughed significantly.
Again, the older woman coughed notably.
Clara Winsleigh broke into a ringing peal of laughter, and rising from her lounge, knelt beside her visitor in a very pretty coaxing attitude.
Clara Winsleigh burst into a bright, happy laugh and, getting up from her sofa, knelt next to her guest in a charmingly persuasive pose.
"Come, Mimsey!" she said, "you are not going to be proper at this time of day! That would be a joke! Darling, indulgent, good old Mimsey!—you don't mean to turn into a prim, prosy, cross Mrs. Grundy! I won't believe it! And you mustn't be severe on poor Lennie—he's such a docile, good boy, and really not bad-looking!"
"Come on, Mimsey!" she said, "you’re not going to act all proper at this time of day! That would be ridiculous! Sweet, easygoing, good old Mimsey!—you don’t really intend to become a stuffy, boring, cranky Mrs. Grundy! I refuse to believe it! And you shouldn’t be so harsh on poor Lennie—he's such a compliant, good guy, and honestly not bad-looking!"
Mrs. Marvelle fidgeted a little on her chair. "I don't want to talk about Lennie, as you call him," she said, rather testily—"Only I think you'd better be careful how far you go with him. I came to consult you on something quite different. What are you going to do about the Bruce-Errington business? You know it was in the Post to-day that they've arrived in town. The idea of Sir Philip bringing his common wife into society!—It's too ridiculous!"
Mrs. Marvelle shifted in her chair. "I don't want to talk about Lennie, as you call him," she said, a bit annoyed—"I just think you should be careful about how involved you get with him. I came to discuss something completely different. What are you going to do about the Bruce-Errington situation? You saw in the Post today that they’ve arrived in town. The thought of Sir Philip bringing his ordinary wife into society!—It's just absurd!"
Lady Winsleigh sprang to her feet, and her eyes flashed disdainfully.
Lady Winsleigh jumped to her feet, and her eyes sparked with disdain.
"What am I going to do?" she repeated, in accents of bitter contempt. "Why, receive them, of course! It will be the greatest punishment Bruce-Errington can have! I'll get all the best people here that I know—and he shall bring his peasant woman among them, and blush for her! It will be the greatest fun out! Fancy a Norwegian farmer's girl lumbering along with her great feet and red hands! . . . and, perhaps, not knowing whether to eat an ice with a spoon or with her fingers! I tell you Bruce-Errington will be ready to die for shame—and serve him right too!"
"What am I going to do?" she repeated, with a tone full of bitter contempt. "Well, welcome them, of course! It’ll be the biggest punishment Bruce-Errington could face! I’ll invite all the best people I know, and he’ll have to bring his peasant woman along, and feel embarrassed for her! It’ll be hilarious! Just imagine a Norwegian farmer's girl clomping along with her big feet and red hands! . . . and maybe not even knowing whether to eat an ice cream with a spoon or her fingers! I'm telling you, Bruce-Errington will be mortified—and he deserves every bit of it!"
Mrs. Marvelle was rather startled at the harsh, derisive laughter with which her ladyship concluded her excited observations, but she merely observed mildly—
Mrs. Marvelle was quite taken aback by the cruel, mocking laughter with which her ladyship finished her enthusiastic remarks, but she simply responded calmly—
"Well, then, you will leave cards?"
"Well, are you going to leave some cards?"
"Certainly?"
"Really?"
"Very good—so shall I," and Mrs. Marvelle sighed resignedly. "What must be, must be! But it's really dreadful to think of it all—I would never have believed Philip Errington could have so disgraced himself!"
"That's fine—so will I," Mrs. Marvelle sighed, feeling defeated. "What has to happen, happens! But it's really awful to think about it all—I would never have thought Philip Errington could have embarrassed himself so much!"
"He is no gentleman!" said Lady Winsleigh freezingly. "He has low tastes and low desires. He and his friend Lorimer are two cads, in my opinion!"
"He is not a gentleman!" said Lady Winsleigh coldly. "He has cheap tastes and low ambitions. He and his friend Lorimer are two cads, in my view!"
"Clara!" exclaimed Mrs. Marvelle warningly. "You were fond of him once!—now, don't deny it!"
"Clara!" Mrs. Marvelle said with a warning tone. "You liked him once!—don't deny it!"
"Why should I deny it?" and her ladyship's dark eyes blazed with concentrated fury. "I loved him! There! I would have done anything for him! He might have trodden me down under his feet! He knew it well enough—cold, cruel, heartless cynic as he was and is! Yes, I loved him!—but I hate him now!"
"Why should I deny it?" Her dark eyes blazed with intense anger. "I loved him! There! I would have done anything for him! He could have walked all over me! He knew that well enough—cold, cruel, heartless cynic that he was and still is! Yes, I loved him!—but I hate him now!"
And she stamped her foot to give emphasis to her wild words. Mrs. Marvelle raised her hands and eyes in utter amazement.
And she stomped her foot to emphasize her wild words. Mrs. Marvelle raised her hands and eyes in complete astonishment.
"Clara, Clara! Pray, pray be careful! Suppose any one else heard you going on in this manner! Your reputation would suffer, I assure you! Really, you're horribly reckless! Just think of your husband—"
"Clara, Clara! Please, please be careful! What if someone else heard you talking like this? Your reputation would take a hit, I promise! Seriously, you're being extremely reckless! Just consider your husband—"
"My husband!" and a cold gleam of satire played round Lady Winsleigh's proud mouth. She paused and laughed a little. Then she resumed in her old careless way—"You must be getting very goody-goody, Mimsey, to talk to me about my husband! Why don't you read me a lecture on the duties of wives and the education of children? I am sure you know how profoundly it would interest me!"
"My husband!" A sharp glint of sarcasm flashed across Lady Winsleigh's proud lips. She paused and chuckled a bit. Then she went back to her usual laid-back tone—"You must be getting quite righteous, Mimsey, to bring up my husband! Why don't you give me a lecture on the responsibilities of wives and raising kids? I'm sure I'd find it incredibly fascinating!"
She paced up and down the room slowly while Mrs. Marvelle remained discreetly silent. Presently there came a tap at the door, and the gorgeous Briggs entered. He held himself like an automaton, and spoke as though repeating a lesson.
She slowly paced back and forth in the room while Mrs. Marvelle stayed quietly in the background. Soon, there was a knock at the door, and the stunning Briggs walked in. He carried himself like a robot and spoke as if he was reciting a lesson.
"His lordship's compliments, and will her la'ship lunch in the dining-room to-day?"
"His lordship sends his regards, and will her ladyship have lunch in the dining room today?"
"No," said Lady Winsleigh curtly. "Luncheon for myself and Mrs. Marvelle can be sent up here."
"No," Lady Winsleigh said sharply. "You can send lunch for me and Mrs. Marvelle up here."
Briggs still remained immovable. "His lordship wished to know if Master Hernest was to come to your la'ship before goin' out?"
Briggs still stayed put. "His lordship wanted to know if Master Hernest was coming to see you before heading out?"
"Certainly not!" and Lady Winsleigh's brows drew together in a frown. "The boy is a perfect nuisance!"
"Definitely not!" Lady Winsleigh said, furrowing her brow in annoyance. "That kid is such a hassle!"
Briggs bowed and vanished. Mrs. Rush-Marvelle grew more and more restless. She was a good-hearted woman, and there was something in the nature of Clara Winsleigh that, in spite of her easy-going conscience, she could not altogether approve of.
Briggs bowed and disappeared. Mrs. Rush-Marvelle became increasingly agitated. She was a kind-hearted woman, and there was something about Clara Winsleigh that, despite her laid-back conscience, she couldn't fully accept.
"Do you never lunch with your husband, Clara?" she asked at last.
"Don't you ever have lunch with your husband, Clara?" she finally asked.
Lady Winsleigh looked surprised. "Very seldom. Only when there is company, and I am compelled to be present. A domestic meal would be too ennuyant! I wonder you can think of such a thing! And we generally dine out."
Lady Winsleigh looked surprised. "Very rarely. Only when there are guests, and I have to be there. A home-cooked meal would be too boring! I can't believe you'd even think of that! And we usually eat out."
Mrs. Marvelle was silent again, and, when she did speak, it was on a less delicate matter.
Mrs. Marvelle was quiet again, and when she finally spoke, it was about a less sensitive topic.
"When is your great 'crush,' Clara?" she inquired, "You sent me a card, but I forget the date."
"When is your big 'crush,' Clara?" she asked. "You sent me a card, but I can't remember the date."
"On the twenty-fifth," replied Lady Winsleigh. "This is the fifteenth. I shall call on Lady Bruce-Errington"—here she smiled scornfully—"this afternoon—and to-morrow I shall send them their invitations. My only fear is whether they mayn't refuse to come. I would not miss the chance for the world! I want my house to be the first in which her peasant-ladyship distinguishes herself by her blunders!"
"On the twenty-fifth," Lady Winsleigh replied. "Today is the fifteenth. I’ll visit Lady Bruce-Errington"—she smirked dismissively—"this afternoon, and tomorrow I’ll send them their invitations. My only worry is that they might refuse to come. I wouldn’t miss the chance for anything! I want my house to be the first where her peasant-ladyship makes her memorable mistakes!"
"I'm afraid it'll be quite a scandal!" sighed Mrs. Rush-Marvelle. "Quite! Such a pity! Bruce-Errington was such a promising, handsome young man!"
"I'm worried it's going to be a huge scandal!" sighed Mrs. Rush-Marvelle. "Absolutely! It's such a shame! Bruce-Errington was such a promising, good-looking young guy!"
At that moment Briggs appeared again with an elegantly set luncheon-tray, which he placed on the table with a flourish.
At that moment, Briggs came back with a beautifully arranged lunch tray, which he set down on the table dramatically.
"Order the carriage at half-past three," commanded Lady Winsleigh. "And tell Mrs. Marvelle's coachman that he needn't wait,—I'll drive her home myself."
"Order the carriage for 3:30," directed Lady Winsleigh. "And let Mrs. Marvelle's driver know he doesn’t need to wait—I’ll take her home myself."
"But, my dear Clara," remonstrated Mrs. Marvelle, "I must call at the Van Clupps'—"
"But, my dear Clara," Mrs. Marvelle protested, "I have to stop by the Van Clupps'—"
"I'll call there with you. I owe them a visit. Has Marcia caught young Masherville yet?"
"I'll go there with you. I owe them a visit. Has Marcia managed to catch young Masherville yet?"
"Well," hesitated Mrs. Marvelle, "he is rather slippery, you know—so undecided and wavering!"
"Well," Mrs. Marvelle hesitated, "he's pretty slippery, you know—so unsure and indecisive!"
Lady Winsleigh laughed. "Never mind that! Marcia's a match for him! Rather a taking girl—only what an accent! My nerves are on edge whenever I hear her speak."
Lady Winsleigh laughed. "Never mind that! Marcia can handle him! She's quite charming—only what an accent! My nerves get frayed every time I hear her talk."
"It's a pity she can't conquer that defect," agreed Mrs. Marvelle. "I know she has tried. But, after all, they're not the best sort of Americans—"
"It's a shame she can't overcome that flaw," Mrs. Marvelle agreed. "I know she's made an effort. But, after all, they're not the best kind of Americans—"
"The best sort! I should think not! But they're of the richest sort, and that's something, Mimsey! Besides, though everybody knows what Van Clupp's father was, they make a good pretense at being well-born,—they don't cram their low connections down your throat, as Bruce-Errington wants to do with his common wife. They ignore all their vulgar belongings delightfully! They've been cruelly 'cut' by Mrs. Rippington—she's American—but, then, she's perfect style. Do you remember that big 'at home' at the Van Clupp's when they had a band to play in the back-yard, and everybody was deafened by the noise? Wasn't it quite too ridiculous!"
"The best kind! I certainly don't think so! But they are of the richest kind, and that's something, Mimsey! Plus, even though everyone knows what Van Clupp's dad was, they put on a good act of being upper-class—they don't shove their low connections in your face, like Bruce-Errington tries to do with his average wife. They completely overlook all their tacky ties! They've been harshly snubbed by Mrs. Rippington—she's American—but she's got perfect style. Do you remember that big 'at home' event at the Van Clupps when they had a band playing in the backyard, and everyone was deafened by the noise? Wasn't it just too ridiculous!"
Lady Winsleigh laughed over this reminiscence, and then betook herself to the consideration of lunch,—a tasty meal which both she and Mrs. Marvelle evidently enjoyed, flavored as it was with the high spice of scandal concerning their most immediate and mutual friends, who were, after much interesting discussion, one by one condemned as of "questionable" repute, and uncertain position. Then Lady Winsleigh summoned her maid, and was arrayed cap-à-pie in "carriage-toilette," while Mrs. Marvelle amused herself by searching the columns of Truth for some new tit-bit of immorality connected with the royalty or nobility of England. And at half-past three precisely, the two ladies drove off together in an elegant victoria drawn by a dashing pair of greys, with a respectably apoplectic coachman on the box, supported by the stately Briggs, in all the glory of the olive-green and gold liveries which distinguished the Winsleigh equipage. By her ladyship's desire, they were driven straight to Prince's Gate.
Lady Winsleigh laughed at this memory and then turned her attention to lunch—a delicious meal that both she and Mrs. Marvelle clearly enjoyed, especially because it was spiced with juicy gossip about their closest mutual friends, who, after a lively discussion, were each condemned as having "questionable" reputations and uncertain standings. Then, Lady Winsleigh called for her maid and got dressed from head to toe in her "carriage outfit," while Mrs. Marvelle entertained herself by scouring the pages of *Truth* for some fresh scandal involving the royalty or nobility of England. At exactly half-past three, the two ladies set off together in a stylish victoria pulled by a flashy pair of greys, with a somewhat flushed coachman up front, accompanied by the dignified Briggs, all decked out in the olive-green and gold uniforms that marked the Winsleigh carriage. At her ladyship's request, they headed straight to Prince's Gate.
"We may as well leave our cards together," said Clara, with a malicious little smile, "though I hope to goodness the creature won't be at home."
"We might as well leave our cards together," Clara said with a sly little smile, "but I really hope the creature isn't home."
Bruce-Errington's town-house was a very noble-looking mansion—refined and simple in outer adornment, with a broad entrance, deep portico, and lofty windows—windows which fortunately were not spoilt by gaudy hangings of silk or satin in "æsthetic" colors. The blinds were white—and, what could be seen of the curtains from the outside, suggested the richness of falling velvets, and gold-woven tapestries. The drawing-room balconies were full of brilliant flowers, shaded by quaint awnings of Oriental pattern, thus giving the place an air of pleasant occupation and tasteful elegance.
Bruce-Errington's townhouse was a grand mansion—refined and simple in its exterior, featuring a wide entrance, deep porch, and tall windows—windows that thankfully weren’t ruined by bright silk or satin drapes in trendy colors. The blinds were white, and what could be seen of the curtains from outside hinted at the richness of flowing velvets and gold-threaded tapestries. The drawing-room balconies were filled with vibrant flowers, sheltered by charming awnings in Oriental designs, giving the place an atmosphere of delightful activity and stylish elegance.
Lady Winsleigh's carriage drew up at the door, and Briggs descended.
Lady Winsleigh's carriage pulled up to the door, and Briggs stepped out.
"Inquire if Lady Bruce-Errington is at home," said his mistress. "And if not, leave these cards."
"Inquire if Lady Bruce-Errington is home," said his mistress. "And if she isn't, leave these cards."
Briggs received the scented glossy bits of pasteboard in his yellow-gloved hand with due gravity, and rang the bell marked "Visitors" in his usual ponderous manner, with a force that sent it clanging loudly through the corridors of the stately mansion. The door was instantly opened by a respectable man with grey hair and a gentle, kindly face, who was dressed plainly in black, and who eyed the gorgeous Briggs with the faintest suspicion of a smile. He was Errington's butler, and had served the family for twenty-five years.
Briggs took the fragrant, shiny pieces of cardboard in his yellow-gloved hand with the seriousness it deserved and rang the "Visitors" bell in his usual heavy-handed way, making it clang loudly through the hallways of the grand mansion. The door was quickly opened by a respectable man with gray hair and a warm, friendly face, dressed simply in black, who looked at the flashy Briggs with the slightest hint of a smile. He was Errington's butler and had been with the family for twenty-five years.
"Her ladyship is driving in the Park," he said in response to the condescending inquiries of Briggs. "She left the house about half an hour ago."
"Her ladyship is driving in the park," he said in response to Briggs' condescending questions. "She left the house about half an hour ago."
Briggs thereupon handed in the cards, and forthwith reported the result of his interview to Lady Winsleigh, who said with some excitement—
Briggs then submitted the cards and immediately reported the outcome of his meeting to Lady Winsleigh, who remarked with some excitement—
"Turn into the Park and drive up and down till I give further orders."
"Turn into the park and drive around until I give you further instructions."
Briggs mutely touched his hat, mounted the box, and the carriage rapidly bowled in the required direction, while Lady Winsleigh remarked laughingly to Mrs. Marvelle—
Briggs silently tipped his hat, got onto the driver's seat, and the carriage quickly rolled off in the right direction, while Lady Winsleigh jokingly said to Mrs. Marvelle—
"Philip is sure to be with his treasure! If we can catch a glimpse of her, sitting, staring open-mouthed at everything, it will be amusing! We shall then know what to expect."
"Philip is definitely with his treasure! If we can catch a glimpse of her, sitting there, wide-eyed at everything, it will be entertaining! Then we'll know what to expect."
Mrs. Marvelle said nothing, though she too was more or less curious to see the "peasant" addition to the circle of fashionable society,—and when they entered the Park, both she and Lady Winsleigh kept a sharp look-out for the first glimpse of the quiet grey and silver of the Bruce-Errington liveries. They watched, however, in vain—it was not yet the hour for the crowding of the Row—and there was not a sign of the particular equipage they were so desirous to meet. Presently Lady Winsleigh's face flushed—she laughed, and bade her coachman come to a halt.
Mrs. Marvelle didn't say anything, but she was also curious to see the “peasant” joining their fashionable circle. When they arrived at the Park, both she and Lady Winsleigh kept a close eye out for the first sighting of the quiet grey and silver of the Bruce-Errington uniforms. However, they looked in vain—it wasn't time yet for the crowd to fill the Row—and there was no sign of the carriage they were so eager to see. Soon, Lady Winsleigh's face flushed with excitement—she laughed and told her driver to stop.
"It is only Lennie," she said in answer to Mrs. Marvelle's look of inquiry. "I must speak to him a moment!"
"It’s just Lennie," she replied in response to Mrs. Marvelle's questioning look. "I have to talk to him for a minute!"
And she beckoned coquettishly to a slight, slim young man with a dark moustache and rather handsome features, who was idling along on the footpath, apparently absorbed in a reverie, though it was not of so deep a character that he failed to be aware of her ladyship's presence—in fact he had seen her as soon as she appeared in the Park. He saw everything apparently without looking—he had lazily drooping eyes, but a swift under-glance which missed no detail of whatever was going on. He approached now with an excessively languid air, raising his hat slowly, as though the action bored him.
And she playfully signaled to a tall, slim young man with a dark mustache and good looks, who was strolling along the sidewalk, seemingly lost in thought, though not so much that he didn’t notice her presence—in fact, he had spotted her as soon as she entered the park. He seemed to take everything in without seeming to pay attention—his eyes were lazily half-closed, but he had a quick glance that caught every detail of what was happening. He approached now with an exaggeratedly relaxed demeanor, lifting his hat slowly, as if the motion was tedious to him.
"How do, Mrs. Marvelle!" he drawled lazily, addressing himself first to the elder lady, who responded somewhat curtly,—then leaning his arms on the carriage door, he fixed Lady Winsleigh with a sleepy stare of admiration. "And how is our Clara? Looking charming, as usual! By Jove! Why weren't you here ten minutes ago? You never saw such a sight in your life! Thought the whole Row was going crazy, 'pon my soul!"
"Hello, Mrs. Marvelle!" he said lazily, first speaking to the older woman, who answered a bit sharply. Then, resting his arms on the carriage door, he gave Lady Winsleigh a sleepy look of admiration. "And how is our Clara? Looking lovely, as always! Wow! Why weren't you here ten minutes ago? You wouldn't believe what you missed! I thought everyone on the Row was losing it, I swear!"
"Why, what happened?" asked Lady Winsleigh, smiling graciously upon him. "Anything extraordinary?"
"What's going on?" asked Lady Winsleigh, smiling warmly at him. "Is anything out of the ordinary?"
"Well, I don't know what you'd call extraordinary;" and Sir Francis Lennox yawned and examined the handle of his cane attentively. "I suppose if Helen of Troy came driving full pelt down the Row all of a sudden, there'd be some slight sensation!"
"Well, I don't know what you would consider extraordinary," Sir Francis Lennox yawned, focusing intently on the handle of his cane. "I guess if Helen of Troy suddenly came racing down the Row, there would definitely be a bit of a stir!"
"Dear me!" said Clara Winsleigh pettishly. "You talk in enigmas to-day. What on earth do you mean?"
"Goodness!" Clara Winsleigh said with irritation. "You're speaking in riddles today. What do you actually mean?"
Sir Francis condescended to smile. "Don't be waxy, Clara!" he urged—"I mean what I say—a new Helen appeared here to-day, and instead of 'tall Troy' being on fire, as Dante Rossetti puts it, the Row was in a burning condition of excitement—fellows on horseback galloped the whole length of the Park to take a last glimpse of her—her carriage dashed off to Richmond after taking only four turns. She is simply magnificent!"
Sir Francis smiled down at her. "Don't be upset, Clara!" he said. "I mean it—a new Helen showed up here today, and instead of 'tall Troy' being on fire, like Dante Rossetti says, the Row was buzzing with excitement—guys on horseback raced the entire length of the Park to catch a last look at her—her carriage sped off to Richmond after making just four stops. She's absolutely stunning!"
"Who is she?" and in spite of herself, Lady Winsleigh's smile vanished and her lips quivered.
"Who is she?" And despite herself, Lady Winsleigh's smile disappeared and her lips trembled.
"Lady Bruce-Errington," answered Sir Francis readily. "The loveliest woman in the world, I should say! Phil was beside her—he looks in splendid condition—and that meek old secretary fellow sat opposite—Neville—isn't that his name? Anyhow they seemed as jolly as pipers,—as for that woman, she'll drive everybody out of their wits about her before half the season's over."
"Lady Bruce-Errington," Sir Francis replied quickly. "She's the most beautiful woman in the world, in my opinion! Phil was next to her—he looks in great shape—and that quiet old secretary guy was sitting across from them—Neville, isn't that his name? Either way, they all seemed as happy as could be. As for that woman, she'll have everyone going crazy about her before half the season is over."
"But she's a mere peasant!" said Mrs. Marvelle loftily. "Entirely uneducated—a low, common creature!"
"But she's just a peasant!" Mrs. Marvelle said with arrogance. "Totally uneducated—a low, ordinary person!"
"Ah, indeed!" and Sir Francis again yawned extensively. "Well, I don't know anything about that! She was exquisitely dressed, and she held herself like a queen. As for her hair—I never saw such wonderful hair,—there's every shade of gold in it."
"Ah, definitely!" Sir Francis yawned broadly again. "Well, I don't know anything about that! She was stunningly dressed, and she carried herself like a queen. As for her hair—I’ve never seen such amazing hair—it has every shade of gold in it."
"Dyed!" said Lady Winsleigh, with a sarcastic little laugh. "She's been in Paris,—I dare say a good coiffeur has done it for her there artistically!"
"Dyed!" said Lady Winsleigh with a sarcastic laugh. "She's been in Paris—I bet a good coiffeur did it for her there artistically!"
This time Sir Francis's smile was a thoroughly amused one.
This time, Sir Francis smiled with genuine amusement.
"Commend me to a woman for spite!" he said carelessly. "But I'll not presume to contradict you, Clara! You know best, I dare say! Ta-ta! I'll come for you to-night,—you know we're bound for the theatre together. By-bye, Mrs. Marvelle! You look younger than ever!"
"Give me a woman for revenge!" he said casually. "But I won’t disagree with you, Clara! You know best, I'm sure! See you later! I’ll pick you up tonight—you know we’re going to the theater together. Bye-bye, Mrs. Marvelle! You look younger than ever!"
And Sir Francis Lennox sauntered easily away, leaving the ladies to resume their journey through the Park. Lady Winsleigh looked vexed—Mrs. Marvelle bewildered.
And Sir Francis Lennox casually walked away, leaving the women to continue their stroll through the Park. Lady Winsleigh looked annoyed—Mrs. Marvelle was confused.
"Do you think," inquired this latter, "she can really be so wonderfully lovely?"
"Do you think," asked the latter, "she can really be that incredibly beautiful?"
"No, I don't!" answered Clara snappishly. "I dare say she's a plump creature with a high color—men like fat women with brick-tinted complexions—they think it's healthy. Helen of Troy indeed! Pooh! Lennie must be crazy."
"No, I don't!" Clara replied sharply. "I bet she's a chubby girl with a rosy complexion—guys like curvy women with a flush—they think it looks healthy. Helen of Troy, really! Ugh! Lennie must be out of her mind."
The rest of their drive was very silent,—they were both absorbed in their own reflections. On arriving at the Van Clupps', they found no one at home—not even Marcia—so Lady Winsleigh drove her "dearest Mimsey" back to her own house in Kensington, and there left her with many expressions of tender endearment—then, returning home, proceeded to make an elaborate and brilliant toilette for the enchantment and edification of Sir Francis Lennox that evening. She dined alone, and was ready for her admirer when he called for her in his private hansom, and drove away with him to the theatre, where she was the cynosure of many eyes; meanwhile her husband, Lord Winsleigh, was pressing a good-night kiss on the heated forehead of an excited boy, who, plunging about in his little bed and laughing heartily, was evidently desirous of emulating the gambols of the clown who had delighted him that afternoon at Hengler's.
The rest of their drive was pretty quiet—they were both lost in their thoughts. When they got to the Van Clupps', they found no one home—not even Marcia—so Lady Winsleigh took her "dearest Mimsey" back to her house in Kensington and left her there with lots of sweet affection. Then, after returning home, she got ready with an elaborate and stunning outfit for her evening with Sir Francis Lennox. She dined alone and was set for her date when he picked her up in his private cab, and they headed to the theater, where she attracted many eyes. Meanwhile, her husband, Lord Winsleigh, was giving a good-night kiss to their excited son, who was tossing around in his little bed and laughing joyfully, clearly wanting to copy the clown who had entertained him that afternoon at Hengler's.
"Papa! could you stand on your head and shake hands with your foot?" demanded this young rogue, confronting his father with towzled curls and flushed cheeks.
"Papa! Can you stand on your head and shake hands with your foot?" demanded this mischievous kid, facing his father with messy curls and rosy cheeks.
Lord Winsleigh laughed. "Really, Ernest, I don't think I could!" he answered good-naturedly. "Haven't you talked enough about the circus by this time? I thought you were ready for sleep, otherwise I should not have come up to say good-night."
Lord Winsleigh laughed. "Honestly, Ernest, I don't think I could!" he replied with a smile. "Haven't you said enough about the circus by now? I thought you were getting ready for bed, or I wouldn't have come up to say good-night."
Ernest studied the patient, kind features of his father for a moment, and then slipped penitently under the bedclothes, settling his restless young head determinedly on the pillow.
Ernest looked at his father's patient, kind face for a moment, then slipped under the covers with a sense of guilt, firmly placing his restless young head on the pillow.
"I'm all right now!" he murmured, with a demure, dimpling smile. Then, with a tender upward twinkle of his merry blue eyes, he added, "Good-night, papa dear! God bless you!"
"I'm good now!" he said softly, with a shy, cheerful smile. Then, with a warm sparkle in his joyful blue eyes, he added, "Goodnight, dad! God bless you!"
A sort of wistful pathos softened the grave lines of Lord Winsleigh's countenance as he bent once more over the little bed, and pressed his bearded lips lightly on the boy's fresh cheek, as cool and soft as a rose-leaf.
A kind of bittersweet sadness softened the serious lines of Lord Winsleigh's face as he leaned down again over the little bed and gently pressed his bearded lips on the boy's fresh cheek, which was cool and soft like a rose petal.
"God bless you, little man!" he answered softly, and there was a slight quiver in his calm voice. Then he put out the light and left the room, closing the door after him with careful noiselessness. Descending the broad stairs slowly, his face changed from its late look of tenderness to one of stern and patient coldness, which was evidently its habitual expression. He addressed himself to Briggs, who was lounging aimlessly in the hall.
"God bless you, little man!" he said softly, and there was a slight tremor in his calm voice. Then he turned off the light and left the room, closing the door behind him quietly. As he slowly went down the wide stairs, his expression shifted from its earlier tenderness to one of harsh and patient coldness, which clearly seemed to be his usual look. He spoke to Briggs, who was lounging idly in the hall.
"Her ladyship is out?"
"Is her ladyship out?"
"Yes, my lord! Gone to the theayter with Sir Francis Lennox."
"Yes, my lord! Went to the theater with Sir Francis Lennox."
Lord Winsleigh turned upon him sharply. "I did not ask you, Briggs, where she had gone, or who accompanied her. Have the goodness to answer my questions simply, without adding useless and unnecessary details."
Lord Winsleigh turned to him sharply. "I didn't ask you, Briggs, where she went, or who went with her. Please answer my questions directly, without adding any extra and unnecessary details."
Briggs's mouth opened a little in amazement at his master's peremptory tone, but he answered promptly—
Briggs's mouth opened slightly in surprise at his master's commanding tone, but he quickly replied—
"Very good, my lord!"
"Very good, my lord!"
Lord Winsleigh paused a moment, and seemed to consider. Then he said—
Lord Winsleigh paused for a moment, seeming to think it over. Then he said—
"See that her ladyship's supper is prepared in the dining-room. She will most probably return rather late. Should she inquire for me, say I am at the Carlton."
"Make sure her ladyship's dinner is ready in the dining room. She’ll probably be back pretty late. If she asks for me, tell her I’m at the Carlton."
Again Briggs responded, "Very good, my lord!" And, like an exemplary servant as he was, he lingered about the passage while Lord Winsleigh entered his library, and, after remaining there some ten minutes or so, came out again in hat and great coat. The officious Briggs handed him his cane, and inquired—
Again, Briggs replied, "Sure thing, my lord!" And, like the perfect servant he was, he hung around the hallway while Lord Winsleigh went into his library. After staying in there for around ten minutes, he came out again wearing his hat and coat. The eager Briggs handed him his cane and asked—
"'Ansom, my lord?"
"Ansom, my lord?"
"Thanks, no. I will walk."
"No thanks, I'll walk."
It was a fine moonlight night, and Briggs stood for some minutes on the steps, airing his shapely calves and watching the tall, dignified figure of his master walking, with the upright, stately bearing which always distinguished him, in the direction of Pall Mall. Park Lane was full of crowding carriages with twinkling lights, all bound to the different sources of so-called "pleasure" by which the opening of the season is distinguished. Briggs surveyed the scene with lofty indifference, sniffed the cool breeze, and, finding it somewhat chilly, re-entered the house and descended to the servant's hall. Here all the domestics of the Winsleigh household were seated at a large table loaded with hot and savory viands,—a table presided over by a robust and perspiring lady, with a very red face and sturdy arms bare to the elbow.
It was a lovely moonlit night, and Briggs stood for a few minutes on the steps, showing off his fit calves while watching the tall, dignified figure of his master walk with the upright, stately presence that always set him apart, heading toward Pall Mall. Park Lane was bustling with carriages lit up with twinkling lights, all heading to various places of so-called "pleasure" that marked the start of the season. Briggs took in the scene with detached indifference, sniffed the cool breeze, and, feeling a bit chilly, went back inside the house and headed down to the servants' hall. There, all the staff of the Winsleigh household were gathered around a large table piled high with hot and delicious food—a table overseen by a robust, sweaty lady with a very red face and sturdy arms exposed to the elbow.
"Lor', Mr. Briggs!" cried this personage, rising respectfully as he approached, "'ow late you are! Wot 'ave you been a-doin' on? 'Ere I've been a-keepin' your lamb-chops and truffles 'ot all this time, and if they's dried up 'taint my fault, nor that of the hoven, which is as good a hoven as you can wish to bake in. . . ."
"Wow, Mr. Briggs!" exclaimed this person, standing up respectfully as he got closer. "You're so late! What have you been doing? I've been keeping your lamb chops and truffles hot all this time, and if they've dried up, that's not my fault, nor the oven's, which is as good an oven as you could hope to bake in..."
She paused breathless, and Briggs smiled blandly.
She paused, catching her breath, and Briggs smiled blankly.
"Now, Flopsie!" he said in a tone of gentle severity. "Excited again—as usual! It's bad for your 'elth—very bad! Hif the chops is dried, your course is plain—cook some more! Not that I am enny ways particular—but chippy meat is bad for a delicate digestion. And you would not make me hill, my Flopsie, would you?"
"Now, Flopsie!" he said in a gently stern tone. "Excited again—as always! It's not good for your health—really not good! If the chops are dry, your options are clear—cook some more! Not that I'm picky—but oily meat is bad for a sensitive stomach. And you wouldn't want to upset me, would you, my Flopsie?"
Whereupon he seated himself, and looked condescendingly round the table. He was too great a personage to be familiar with such inferior creatures as housemaids, scullery-girls, and menials of that class,—he was only on intimate terms with the cook, Mrs. Flopper, or, as he called her, "Flopsie,"—the coachman, and Lady Winsleigh's own maid, Louise Rénaud, a prim, sallow-faced Frenchwoman, who, by reason of her nationality, was called by all the inhabitants of the kitchen, "mamzelle," as being a name both short, appropriate, and convenient.
He then sat down and looked down his nose at everyone around the table. He was too important to mix with people like housemaids, kitchen staff, and other lowly workers—he was only close with the cook, Mrs. Flopper, or as he affectionately called her, "Flopsie," the coachman, and Lady Winsleigh's own maid, Louise Rénaud, a proper, pale-faced Frenchwoman, who, because of her nationality, was referred to by everyone in the kitchen as "mamzelle," a name that was both short and fitting.
On careful examination, the lamb-chops turned out satisfactorily—"chippiness" was an epithet that could not justly be applied to them,—and Mr. Briggs began to eat them leisurely, flavoring them with a glass or two of fine port out of a decanter which he had taken the precaution to bring down from the dining-room sideboard.
On close inspection, the lamb chops looked good—“chippiness” was a term that definitely didn’t fit them—and Mr. Briggs started to eat them slowly, enhancing the flavor with a glass or two of fine port from a decanter that he had wisely brought down from the sideboard in the dining room.
"I ham, late," he then graciously explained—"not that I was detained in enny way by the people upstairs. The gay Clara went out early, but I was absorbed in the evenin' papers—Winsleigh forgot to ask me for them. But he'll see them at his club. He's gone there now on foot—poor fellah!"
"I ham, late," he then kindly explained—"not that I was held up in any way by the people upstairs. The cheerful Clara left early, but I got caught up in the evening papers—Winsleigh forgot to ask me for them. But he'll find them at his club. He walked there now—poor guy!"
"I suppose she's with the same party?" grinned the fat Flopsie, as she held a large piece of bacon dipped in vinegar on her fork, preparatory to swallowing it with a gulp.
"I guess she's with the same group?" grinned the overweight Flopsie, as she held a large piece of bacon dipped in vinegar on her fork, getting ready to swallow it in one gulp.
Briggs nodded gravely, "The same! Not a fine man at all, you know—no leg to speak of, and therefore no form. Legs—good legs—are beauty. Now, Winsleigh's not bad in that particular,—and I dare say Clara can hold her own,—but I wouldn't bet on little Francis."
Briggs nodded seriously, "The same! Not a good man at all, you know—no leg to talk about, and so no form. Legs—good legs—are beauty. Now, Winsleigh's not bad in that regard,—and I bet Clara can stand her ground,—but I wouldn't put money on little Francis."
Flopsie shrieked with laughter till she had a "stitch in her side," and was compelled to restrain her mirth.
Flopsie laughed so hard that she got a cramp in her side and had to hold back her giggles.
"Lor', Mr. Briggs!" she gasped, wiping the moisture from her eyes, "you are a regular one, aren't you! Mussy on us, you ought to put all wot you say in the papers—you'd make your fortin!"
"Lor', Mr. Briggs!" she exclaimed, wiping the tears from her eyes, "you really are something else, aren't you! Honestly, you should publish everything you say—you'd make a fortune!"
"Maybe, maybe, Flopsie," returned Briggs with due dignity. "I will not deny that there may be wot is called 'sparkle' in my natur. And 'sparkle' is wot is rekwired in polite literatoor. Look at 'Hedmund' and ''Enery!' Sparkle again,—read their magnificent productions, the World and Truth,—all sparkle, every line! It is the secret of success, Flopsie—be a sparkler and you've got everything before you."
"Maybe, maybe, Flopsie," Briggs replied with proper dignity. "I won’t deny that there’s something called 'sparkle' in my nature. And 'sparkle' is what’s needed in polite literature. Just look at 'Edmund' and 'Henry!' More sparkle—read their amazing works, the World and Truth—everything sparkles, every line! It’s the secret to success, Flopsie—if you can sparkle, you’ve got everything ahead of you."
Louise Rénaud looked across at him half-defiantly. Her prim, cruel mouth hardened into a tight line.
Louise Rénaud glanced at him with a hint of defiance. Her straight, unforgiving lips formed a tight line.
"To spark-el?" she said—"that is what we call étinceler—éclater. Yes, I comprehend! Miladi is one spark-el! But one must be a very good jewel to spark-el always—yes—yes—not a sham!"
"To spark-el?" she said—"that's what we call étinceler—éclater. Yes, I get it! Miladi is definitely a spark-el! But you have to be a really good jewel to spark-el all the time—yes—yes—not a fake!"
And she nodded a great many times, and ate her salad very fast. Briggs surveyed her with much complacency.
And she nodded many times and ate her salad quickly. Briggs looked at her with a sense of satisfaction.
"You are a talented woman, Mamzelle," he said, "very talented! I admire your ways—I really do!"
"You are a talented woman, Mamzelle," he said, "very talented! I really admire your style—I truly do!"
Mamzelle smiled with a gratified air, and Briggs settled his wig, eyeing her anew with fresh interest.
Mamzelle smiled with a satisfied look, and Briggs adjusted his wig, watching her again with new interest.
"Wot a witness you would be in a divorce case!" he continued enthusiastically. "You'd be in your helement!"
"What a witness you would be in a divorce case!" he continued enthusiastically. "You'd be in your element!"
"I should—I should indeed!" exclaimed Mamzelle, with sudden excitement,—then as suddenly growing calm, she made a rapid gesture with her hands—"But there will be no divorce. Milord Winsleigh is a fool!"
"I should—I definitely should!" exclaimed Mamzelle, with sudden excitement,—then, just as quickly becoming calm, she made a quick gesture with her hands—"But there will be no divorce. Lord Winsleigh is an idiot!"
Briggs appeared doubtful about this, and meditated for a long time over his third glass of port with the profound gravity of a philosopher.
Briggs looked unsure about this and pondered for a long time over his third glass of port, with the deep seriousness of a philosopher.
"No, Mamzelle," he said at last, when he rose from the table to return to his duties upstairs—"No! there I must differ from you. I am a close observer. Wotever Winsleigh's faults,—and I do not deny that they are many,—he is a gentleman—that I must admit—and with hevery respect for you, Mamzelle—I can assure you he's no fool!"
"No, Mamzelle," he said finally, as he stood up from the table to head back to his responsibilities upstairs—"No! I have to disagree with you on that. I'm a keen observer. Whatever Winsleigh's faults are—and I won’t deny that there are many—he is a gentleman—that I must admit—and with all due respect to you, Mamzelle—I can assure you he's no fool!"
And with these words Briggs betook himself to the library to arrange the reading-lamp and put the room in order for his master's return, and as he did so, he paused to look at a fine photograph of Lady Winsleigh that stood on the oak escritoire, opposite her husband's arm-chair.
And with these words, Briggs went to the library to adjust the reading lamp and tidy up the room for his master's return. As he did this, he paused to look at a beautiful photograph of Lady Winsleigh that was on the oak desk, across from her husband's armchair.
"No," he muttered to himself. "Wotever he thinks of some goings-on, he ain't blind nor deaf—that's certain. And I'd stake my character and purfessional reputation on it—wotever he is, he's no fool!"
"No," he muttered to himself. "Whatever he thinks about what's going on, he's neither blind nor deaf—that's for sure. And I’d bet my reputation and professional credibility on it—whatever he is, he's no fool!"
For once in his life, Briggs was right. He was generally wrong in his estimate of both persons and things—but it so happened on this particular occasion that he had formed a perfectly correct judgment.
For once in his life, Briggs was right. He was usually off in his views about people and things—but this time, he had made a completely accurate assessment.
CHAPTER XIX.
"Could you not drink her gaze like wine? Yet in its splendor swoon Into the silence languidly, As a tune into a tune?" |
DANTE ROSSETTI.
Dante Rossetti.
On the morning of the twenty-fifth of May, Thelma, Lady Bruce-Errington, sat at breakfast with her husband in their sun-shiny morning-room, fragrant with flowers and melodious with the low piping of a tame thrush in a wild gilded cage, who had the sweet habit of warbling his strophes to himself very softly now and then, before venturing to give them full-voiced utterance. A bright-eyed, feathered poet he was, and an exceeding favorite with his fair mistress, who occasionally leaned back in her low chair to look at him and murmur an encouraging "Sweet, sweet!" which caused the speckled plumage on his plump breast to ruffle up with suppressed emotion and gratitude.
On the morning of May twenty-fifth, Thelma, Lady Bruce-Errington, sat at breakfast with her husband in their sunny morning room, filled with the scent of flowers and the soft sounds of a tame thrush in a fancy gilded cage. The thrush had the charming habit of softly singing to himself every now and then before finally belting out his songs. He was a bright-eyed, feathered poet and a great favorite of his lovely mistress, who would sometimes lean back in her low chair to watch him and whisper an encouraging "Sweet, sweet!" This made the speckled feathers on his plump chest puff up with hidden emotion and gratitude.
Philip was pretending to read the Times, but the huge, self-important printed sheet had not the faintest interest for him,—his eyes wandered over the top of its columns to the golden gleam of his wife's hair, brightened just then by the sunlight streaming through the window,—and finally he threw it down beside him with a laugh.
Philip was pretending to read the Times, but the large, self-important newspaper didn’t interest him at all. His eyes drifted over the top of the columns to the golden shine of his wife's hair, which was brightened by the sunlight coming through the window. Finally, he tossed it aside with a laugh.
"There's no news," he declared. "There never is any news!"
"There's no news," he said. "There never is any news!"
Thelma smiled, and her deep-blue eyes sparkled.
Thelma smiled, and her deep blue eyes sparkled.
"No?" she half inquired—then taking her husband's cup from his hand to re-fill it with coffee, she added, "but I think you do not give yourself time to find the news, Philip. You will never read the papers more than five minutes."
"No?" she half asked—then taking her husband's cup from his hand to refill it with coffee, she added, "but I think you don't give yourself enough time to catch up on the news, Philip. You never read the papers for more than five minutes."
"My dear girl," said Philip gaily, "I am more conscientious than you are, at any rate, for you never read them at all!"
"My dear girl," Philip said cheerfully, "I'm definitely more responsible than you are, since you never read them at all!"
"Ah, but you must remember," she returned gravely, "that is because I do not understand them! I am not clever. They seem to me to be all about such dull things—unless there is some horrible murder or cruelty or accident—and I would rather not hear of these. I do prefer books always—because the books last, and news is never certain—it may not even be true."
"Ah, but you have to remember," she replied seriously, "it's because I don't get them! I'm not smart. To me, they all seem to focus on such boring stuff—unless there's some terrible murder, cruelty, or accident—and I’d rather not hear about those. I always prefer books—because books last, and news is never guaranteed—it might not even be true."
Her husband looked at her fondly; his thoughts were evidently very far away from newspapers and their contents.
Her husband looked at her affectionately; it was clear his mind was miles away from newspapers and what they contained.
As she met his gaze, the rich color flushed her soft cheeks and her eyes drooped shyly under their long lashes. Love, with her, had not yet proved an illusion,—a bright toy to be snatched hastily and played with for a brief while, and then thrown aside as broken and worthless. It seemed to her a most marvellous and splendid gift of God, increasing each day in worth and beauty,—widening upon her soul and dazzling her life in ever new and expanding circles of glory. She felt as if she could never sufficiently understand it,—the passionate adoration Philip lavished upon her, filled her with a sort of innocent wonder and gratitude, while her own overpowering love and worship of him, sometimes startled her by its force into a sweet shame and hesitating fear. To her mind he was all that was great, strong, noble, and beautiful—he was her master, her king,—and she loved to pay him homage by her exquisite humility, clinging tenderness, and complete, contented submission. She was neither weak nor timid,—her character, moulded on grand and simple lines of duty, saw the laws of Nature in their true light, and accepted them without question. It seemed to her quite clear that man was the superior,—woman the inferior, creature—and she could not understand the possibility of any wife not rendering instant and implicit obedience to her husband, even in trifles.
As she looked into his eyes, the deep color made her cheeks flush, and her eyelashes cast a shy shadow over her eyes. For her, love hadn't yet proven to be an illusion—a shiny toy to be hastily grabbed, played with briefly, and then discarded as broken and worthless. It felt to her like an incredible and beautiful gift from God, growing more valuable and gorgeous every day—expanding in her soul and lighting up her life with ever-widening circles of glory. She felt as if she could never fully grasp it—the passionate devotion Philip showed her filled her with a kind of innocent awe and appreciation, while her own overwhelming love and admiration for him sometimes caught her off guard, leading to a sweet sense of shame and hesitant fear. To her, he was everything great, strong, noble, and beautiful—he was her master, her king—and she loved to honor him with her delicate humility, affectionate tenderness, and complete, contented submission. She was neither weak nor timid; her character, shaped by grand and simple principles of duty, recognized the laws of nature clearly and accepted them without question. It seemed obvious to her that man was the superior being and woman the inferior, and she couldn't understand how any wife could fail to offer immediate and complete obedience to her husband, even in small matters.
Since her wedding-day no dark cloud had crossed her heaven of happiness, though she had been a little confused and bewildered at first by the wealth and dainty luxury with which Sir Philip had delighted to surround her. She had been married quietly at Christiania, arrayed in one of her own simple white gowns, with no ornament save a cluster of pale blush-roses, the gift of Lorimer. The ceremony was witnessed by her father and Errington's friends,—and when it was concluded they had all gone on their several ways,—old Güldmar for a "toss" on the Bay of Biscay,—the yacht Eulalie, with Lorimer, Macfarlane, and Duprèz on board, back to England, where these gentlemen had separated to their respective homes,—while Errington, with his beautiful bride, and Britta in demure and delighted attendance on her, went straight to Copenhagen. From there they travelled to Hamburg, and through Germany to the Schwarzwald, where they spent their honeymoon at a quiet little hotel in the very heart of the deep-green Forest.
Since her wedding day, no dark cloud had crossed her sky of happiness, even though she had felt a bit confused and overwhelmed at first by the wealth and delicate luxury that Sir Philip had joyfully surrounded her with. She had a simple wedding in Christiania, wearing one of her own plain white dresses, with no decoration except for a bunch of pale blush roses, a gift from Lorimer. The ceremony was witnessed by her father and Errington's friends, and once it was over, they all went their separate ways—old Güldmar headed off for a "toss" on the Bay of Biscay, while the yacht Eulalie, with Lorimer, Macfarlane, and Duprèz on board, returned to England, where those gentlemen parted ways to their respective homes. Errington, along with his beautiful bride and Britta, who was quietly and happily attending her, went straight to Copenhagen. From there, they traveled to Hamburg and across Germany to the Schwarzwald, where they spent their honeymoon at a cozy little hotel deep in the lush green Forest.
Days of delicious dreaming were these,—days of roaming on the emerald green turf under the stately and odorous pines, listening to the dash of the waterfalls, or watching the crimson sunset burning redly through the darkness of the branches,—and in the moonlit evenings sitting under the trees to hear the entrancing music of a Hungarian string-band, which played divine and voluptuous melodies of the land,—"lieder" and "walzer" that swung the heart away on a golden thread of sound to a paradise too sweet to name! Days of high ecstacy, and painfully passionate joy!—when "love, love!" palpitated in the air, and struggled for utterance in the jubilant throats of birds, and whispered wild suggestions in the rustling of the leaves! There were times when Thelma,—lost and amazed and overcome by the strength and sweetness of the nectar held to her innocent lips by a smiling and flame-winged Eros,—would wonder vaguely whether she lived indeed, or whether she were not dreaming some gorgeous dream, too brilliant to last? And even when her husband's arms most surely embraced her, and her husband's kiss met hers in all the rapture of victorious tenderness, she would often question herself as to whether she were worthy of such perfect happiness, and she would pray in the depths of her pure heart to be made more deserving of this great and wonderful gift of love—this supreme joy, almost too vast for her comprehension.
These were days of delightful dreams—days spent wandering on the lush green grass beneath the tall, fragrant pines, listening to the sound of waterfalls or watching the crimson sunset blazing through the dark branches. In the moonlit evenings, she would sit under the trees, absorbed in the captivating music of a Hungarian string band playing divine melodies—“songs” and “waltzes” that carried her heart away on a golden thread of sound to a paradise too sweet to describe! Days of intense ecstasy and deeply passionate joy!—when “love, love!” pulsed in the air, hung in the jubilant songs of birds, and whispered wild ideas in the rustling leaves! There were moments when Thelma—lost, amazed, and overwhelmed by the strength and sweetness of the nectar that a smiling, flame-winged Eros offered to her innocent lips—wondered vaguely whether she was truly alive or if she was dreaming a magnificent dream that was too dazzling to endure. Even when her husband’s arms held her securely and his kiss met hers in the joy of triumphant tenderness, she often questioned whether she deserved such perfect happiness. She would pray deep in her pure heart to become more worthy of this incredible gift of love—this supreme joy, almost too immense for her to grasp.
On the other hand, Errington's passion for his wife was equally absorbing—she had become the very moving-spring of his existence. His eyes delighted in her beauty,—but more than this, he revelled in and reverenced the crystal-clear parity and exquisite refinement of her soul. Life assumed for him a new form,—studied by the light of Thelma's straightforward simplicity and intelligence, it was no longer, as he had once been inclined to think, a mere empty routine,—it was a treasure of inestimable value fraught with divine meanings. Gradually, the touch of modern cynicism that had at one time threatened to spoil his nature, dropped away from him like the husk from an ear of corn,—the world arrayed itself in bright and varying colors—there was good—nay, there was glory—in everything.
On the other hand, Errington's love for his wife was just as intense—she had become the very center of his life. His eyes reveled in her beauty, but even more, he admired and respected the clear purity and exquisite refinement of her soul. Life took on a new meaning for him—viewed through Thelma's straightforward simplicity and intelligence, it was no longer, as he had once thought, just a dull routine—it was a priceless treasure filled with divine significance. Gradually, the modern cynicism that had once threatened to taint his spirit fell away from him like the husk from an ear of corn—the world presented itself in bright and varied colors—there was goodness—indeed, there was glory—in everything.
With these ideas, and the healthy satisfaction they engendered, his heart grew light and joyous,—his eyes more lustrous,—his step gay and elastic,—and his whole appearance was that of man at his best,—man, as God most surely meant him to be—not a rebellious, feebly-repining, sneering wretch, ready to scoff at the very sunlight,—but a being both brave and intelligent, strong and equally balanced in temperament, and not only contented, but absolutely glad to be alive,—glad to feel the blood flowing through the veins,—glad and grateful for the gifts of breathing and sight.
With these ideas, and the healthy satisfaction they brought, his heart felt light and joyful—his eyes sparkled more—his step was lively and springy—and his whole appearance was that of a man at his best—man, as God surely intended him to be—not a rebellious, weak, grumbling wretch, ready to mock the very sunlight—but a being who was both brave and smart, strong and well-balanced emotionally, and not just content, but truly happy to be alive—happy to feel the blood flowing through his veins—happy and grateful for the gifts of breathing and sight.
As each day passed, the more close and perfect grew the sympathies of husband and wife,—they were like two notes of a perfect chord, sounding together in sweetest harmony. Naturally, much of this easy and mutual blending of character and disposition arose from Thelma's own gracious and graceful submissiveness,—submissiveness which, far from humiliating her, actually placed her (though she knew it not) on a throne of almost royal power, before which Sir Philip was content to kneel—an ardent worshipper of her womanly sweetness. Always without question or demur, she obeyed his wishes implicitly,—though, as has been before mentioned, she was at first a little overpowered and startled by the evidences of his wealth, and did not quite know what to do with all the luxuries and gifts he heaped upon her. Britta's worldly prognostications had come true,—the simple gowns her mistress had worn at the Altenfjord were soon discarded for more costly apparel,—though Sir Philip had an affection for his wife's Norwegian costumes, and in his heart thought they were as pretty, if not prettier, than the most perfect triumphs of a Parisian modiste.
As each day went by, the bond between husband and wife grew closer and more perfect—they were like two notes in a perfect chord, resonating together in beautiful harmony. Much of this effortless blending of their personalities came from Thelma's own gracious and graceful willingness to submit. This submissiveness, far from making her feel inferior, actually placed her (though she didn’t realize it) on a throne of almost royal power, before which Sir Philip willingly knelt—an eager admirer of her feminine charm. Without question or resistance, she followed his wishes completely—though, as mentioned before, she was initially a bit overwhelmed and surprised by the displays of his wealth and didn’t quite know how to handle all the luxuries and gifts he showered on her. Britta’s worldly predictions had come true—the simple dresses her mistress had worn at the Altenfjord were soon replaced by more expensive outfits—although Sir Philip had a fondness for his wife's Norwegian attire, and in his heart, he thought they were just as lovely, if not more so, than the finest creations of a Parisian designer.
But in the social world, Fashion, the capricious deity, must be followed, if not wholly, yet in part; and so Thelma's straight, plain garments were laid carefully by as souvenirs of the old days, and were replaced by toilettes of the most exquisite description,—some simple,—some costly,—and it was difficult to say in which of them the lovely wearer looked her best. She herself was indifferent in the matter—she dressed to please Philip,—if he was satisfied, she was happy—she sought nothing further. It was Britta whose merry eyes sparkled with pride and admiration when she saw her "Fröken" arrayed in gleaming silk or sweeping velvets, with the shine of rare jewels in her rippling hair,—it was Britta who took care of all the dainty trifles that gradually accumulated on Thelma's dressing table,—in fact, Britta had become a very important personage in her own opinion. Dressed neatly in black, with a coquettish muslin apron and cap becomingly frilled, she was a very taking little maid, with her demure rosy face and rebellious curls, though very different to the usual trained spy whose officious ministrations are deemed so necessary by ladies of position, whose lofty station in life precludes them from the luxury of brushing their own hair. Britta's duties were slight—she invented most of them—yet she was always busy sewing, dusting, packing, or polishing. She was a very wide-awake little person, too,—no hint was lost upon her,—and she held her own wherever she went with her bright eyes and sharp tongue. Though secretly in an unbounded state of astonishment at everything new she saw, she was too wise to allow this to be noticed, and feigned the utmost coolness and indifference, even when they went from Germany to Paris, where the brilliancy and luxury of the shops almost took away her breath for sheer wonderment.
But in the social world, Fashion, the fickle goddess, has to be followed, if not completely, then at least in part; so Thelma's straight, simple clothes were carefully set aside as reminders of the past, and were replaced by outfits of the most exquisite nature—some simple, some expensive—and it was hard to say which of them made the lovely wearer look her best. She herself didn’t really care about it—she dressed to impress Philip; if he was happy, she was happy—she wanted nothing more. It was Britta whose cheerful eyes sparkled with pride and admiration when she saw her "Fröken" dressed in shining silk or flowing velvets, with the sparkle of rare jewels in her cascading hair—Britta took care of all the delicate little things that gradually piled up on Thelma's dressing table—in fact, Britta had come to see herself as a very important person. Dressed neatly in black, with a playful muslin apron and a charmingly frilled cap, she was a very appealing young maid, with her modest rosy face and rebellious curls, though quite different from the usual trained assistant that ladies of status rely on, who are too elevated to have the luxury of brushing their own hair. Britta's tasks were minimal—she made up most of them—but she was always busy sewing, dusting, packing, or polishing. She was also a very alert little person—she missed nothing—and she held her own wherever she went with her bright eyes and sharp tongue. Although she was secretly in a constant state of amazement at everything new she encountered, she was smart enough not to show it, putting on an air of complete calm and indifference, even when they traveled from Germany to Paris, where the brilliance and luxury of the shops nearly took her breath away in sheer wonder.
In Paris, Thelma's wardrobe was completed—a certain Madame Rosine, famous for "artistic arrangements," was called into requisition, and viewing with a professional eye the superb figure and majestic carriage of her new customer, rose to the occasion in all her glory, and resolved that Miladi Bruce-Errington's dresses should be the wonder and envy of all who beheld them.
In Paris, Thelma's wardrobe was finally ready—she enlisted a certain Madame Rosine, known for her "artistic arrangements," who, with a professional eye, admired her new client's stunning figure and elegant presence. Rising to the challenge, she decided that Lady Bruce-Errington's outfits would be the talk of the town and admired by everyone who saw them.
"For," said Madame, with a grand air, "it is to do me justice. That form so magnificent is worth draping,—it will support my work to the best advantage. And persons without figures will hasten to me and entreat me for costumes, and will think that if I dress them I can make them look as well as Miladi. And they will pay!"—Madame shook her head with much shrewdness—"Mon Dieu! they will pay!—and that they still look frightful will not be my fault."
"For," said Madame, with a grand attitude, "it's about giving me my due. That stunning figure deserves to be dressed—it's going to showcase my work perfectly. And people who aren’t so well-endowed will come to me and beg for outfits, thinking that if I dress them, I can make them look as good as Miladi. And they'll pay!"—Madame shook her head knowingly—"Mon Dieu! they will pay!—and if they still look terrible, that won’t be my fault."
And undoubtedly Madame surpassed her usual skill in all she did for Thelma,—she took such pains, and was so successful in all her designs, that "Miladi," who did not as a rule show more than a very ordinary interest in her toilette, found it impossible not to admire the artistic taste, harmonious coloring, and exquisite fit of the few choice gowns supplied to her from the "Maison Rosine"—and only on one occasion had she any discussion with the celebrated modiste. This was when Madame herself, with much pride, brought home an evening dress of the very palest and tenderest sea-green silk, showered with pearls and embroidered in silver, a perfect chef-d'oeuvre of the dressmaker's art. The skirt, with its billowy train and peeping folds of delicate lace, pleased Thelma,—but she could not understand the bodice, and she held that very small portion of the costume in her hand with an air of doubt and wonderment. At last she turned her grave blue eyes inquiringly on Madame.
And no doubt Madame exceeded her usual skill in everything she did for Thelma. She put in so much effort, and was so successful in all her plans, that "Miladi," who typically showed only a passing interest in her wardrobe, found it impossible not to admire the artistic flair, harmonious colors, and perfect fit of the few select gowns provided by "Maison Rosine." They only had one discussion, which was when Madame proudly brought home an evening dress made of the softest sea-green silk, adorned with pearls and silver embroidery, a true masterpiece of the dressmaker's craft. The skirt, with its flowing train and delicate lace details, pleased Thelma, but she couldn’t figure out the bodice. She held that small part of the outfit in her hand with a look of confusion and curiosity. Finally, she turned her serious blue eyes to Madame, seeking answers.
"It is not finished?" she asked. "Where is the upper part of it and the sleeves?"
"It’s not done?" she asked. "Where’s the top part and the sleeves?"
Madame Rosine gesticulated with her hands and smiled.
Madame Rosine waved her hands around and smiled.
"Miladi, there is no more!" she declared. "Miladi will perceive it is for the evening wear—it is décolletée—it is to show to everybody Miladi's most beautiful white neck and arms. The effect will be ravishing!"
"Madam, there's nothing left!" she announced. "Madam will see that it's for evening wear—it's décolletée—it's meant to showcase Madam's most beautiful white neck and arms. The effect will be stunning!"
Thelma's face grew suddenly grave—almost stern.
Thelma's expression suddenly turned serious—almost strict.
"You must be very wicked!" she said severely, to the infinite amazement of the vivacious Rosine. "You think I would show myself to people half clothed? How is it possible! I would not so disgrace myself! It would bring shame to my husband!"
"You must be really terrible!" she said sternly, to the complete shock of the lively Rosine. "Do you think I would expose myself to people in just half an outfit? How could that even happen! I would never embarrass myself like that! It would bring shame to my husband!"
Madame was almost speechless with surprise. What strange lady was this who was so dazzlingly beautiful and graceful, and yet so ignorant of the world's ways? She stared,—but was soon on the defensive.
Madame was almost speechless with surprise. Who was this strange lady who was so incredibly beautiful and graceful, yet so clueless about how the world worked? She stared, but soon went on the defensive.
"Miladi is in a little error!" she said rapidly and with soft persuasiveness. "It is la mode. Miladi has perhaps lived in a country where the fashions are different. But if she will ask the most amiable Sieur Bruce-Errington, she will find that her dress is quite in keeping with les convenances."
"Milady is mistaken!" she said quickly and gently. "It’s la mode. Milady might have lived in a place where the styles are different. But if she asks the very charming Sieur Bruce-Errington, she'll see that her dress is perfectly in line with les convenances."
A pained blush crimsoned Thelma's fair cheek. "I do not like to ask my husband such a thing," she said slowly, "but I must. For I could not wear this dress without shame. I cannot think he would wish me to appear in it as you have made it—but—" She paused, and taking up the objectionable bodice, she added gently—"You will kindly wait here, madame, and I will see what Sir Philip says."
A pained blush colored Thelma's fair cheek. "I really don’t want to ask my husband something like this," she said slowly, "but I have to. I couldn’t wear this dress without feeling embarrassed. I can't believe he would want me to appear in it the way you've made it—but—" She paused, and picking up the awkward bodice, she added gently, "Please wait here, ma'am, and I’ll see what Sir Philip thinks."
And she retired, leaving the modiste in a state of much astonishment, approaching resentment. The idea was outrageous,—a woman with such divinely fair skin,—a woman with the bosom of a Venus, and arms of a shape to make sculptors rave,—and yet she actually wished to hide these beauties from the public gaze! It was ridiculous—utterly ridiculous,—and Madame sat fuming impatiently, and sniffing the air in wonder and scorn. Meanwhile Thelma, with flushing cheeks and lowered eyes, confided her difficulty to Philip, who surveyed the shocking little bodice she brought for his inspection with a gravely amused, but very tender smile.
And she left, leaving the modiste in a state of great surprise and almost resentment. The idea was outrageous—a woman with such beautifully fair skin—a woman with the figure of a goddess, and arms that would inspire any sculptor—and yet she actually wanted to hide these beauties from the public! It was ridiculous—completely ridiculous—and Madame sat there fuming impatiently, sniffing the air in bewilderment and disdain. Meanwhile, Thelma, with flushed cheeks and downcast eyes, shared her problem with Philip, who looked at the awful little bodice she brought for him to see with a seriously amused but very gentle smile.
"There certainly doesn't seem much of it, does there, darling?" he said. "And so you don't like it?"
"There doesn't seem to be much of it, does there, darling?" he said. "And so you don't like it?"
"No," she confessed frankly—"I think I should feel quite undressed in it. I often wear just a little opening at the throat—but this—! Still, Philip, I must not displease you—and I will always wear what you wish, even if it is uncomfortable to myself."
"No," she admitted openly—"I think I’d feel really exposed in it. I usually wear just a small opening at the throat—but this—! Still, Philip, I don’t want to upset you—and I will always wear what you want, even if it’s uncomfortable for me."
"Look here, my pet," and he encircled her waist fondly with his arm, "Rosine is quite right. The thing's perfectly fashionable,—and there isn't a woman in society who wouldn't be perfectly charmed with it. But your ideas are better than Rosine's and all society's put together. Obey your own womanly instinct, Thelma!"
"Listen, my dear," he said, wrapping his arm around her waist affectionately, "Rosine is absolutely right. It's totally in style—and there isn’t a woman in society who wouldn’t be completely taken in by it. But your ideas are better than Rosine’s and everyone else’s combined. Trust your own instincts, Thelma!"
"But what do you wish?" she asked earnestly. "You must tell me. It is to please you that I live."
"But what do you want?" she asked sincerely. "You have to tell me. I live to make you happy."
He kissed her. "You want me to issue a command about the affair?" he said half laughingly.
He kissed her. "Do you want me to give an order about the situation?" he said half-jokingly.
She smiled up into his eyes. "Yes!—and I will obey!"
She smiled up into his eyes. "Yes!—and I'll do what you say!"
"Very well! Now listen!" and he held her by both hands, and looked with sudden gravity into her sweet face—"Thelma, my wife, thus sayeth your lord and master,—despise the vulgar indecencies of fashion, and you will gratify me more than words can say;—keep your pure and beautiful self sacred from the profaning gaze of the multitude,—sacred to me and my love for you, and I shall be the proudest man living! Finally,"—and he smiled again—"give Rosine back this effort at a bodice, and tell her to make something more in keeping with the laws of health and modesty. And Thelma—one more kiss! You are a darling!"
"Alright! Now listen!" He took her hands in his, looking seriously into her sweet face. "Thelma, my wife, this is what your lord and master says: ignore the tacky trends of fashion, and you’ll make me happier than words can express; keep your pure and beautiful self safe from the degrading gaze of the crowd—sacred to me and my love for you, and I'll be the proudest man alive! Lastly,"—he smiled again—"give Rosine back this attempt at a bodice, and ask her to create something more appropriate for health and modesty. And Thelma—just one more kiss! You're a sweetheart!"
She laughed softly and left him, returning at once to the irate dressmaker who waited for her.
She laughed gently and walked away from him, promptly going back to the annoyed dressmaker who was waiting for her.
"I am sorry," she said very sweetly, "to have called you wicked! You see, I did not understand! But though this style of dress is fashionable, I do not wish to wear it—so you will please make me another bodice, with a small open square at the throat, and elbow-sleeves,—and you will lose nothing at all—for I shall pay you for this one just the same. And you must quite pardon me for my mistake and hasty words!"
"I'm sorry," she said very kindly, "for calling you wicked! You see, I didn’t understand! But even though this style of dress is in fashion, I don't want to wear it—so please make me another bodice with a small open square at the neck and elbow sleeves, and you won’t lose anything at all—I'll pay you for this one just the same. And you have to forgive me for my mistake and my hasty words!"
Maladi's manner was so gracious and winning, that Madame Rosine found it impossible not to smile in a soothed and mollified way,—and though she deeply regretted that so beautiful a neck and arms were not to be exposed to public criticism, she resigned herself to the inevitable, and took away the offending bodice, replacing it in a couple of days by one much prettier and more becoming by reason of its perfect modesty.
Maladi's demeanor was so charming and pleasant that Madame Rosine couldn't help but smile in a relaxed and appeased way. Although she truly wished that such a beautiful neck and arms wouldn't have to face public judgment, she accepted the situation and removed the unsuitable bodice, replacing it a few days later with one that was much prettier and more flattering because of its perfect modesty.
On leaving Paris, Sir Philip had taken his wife straight home to his fine old Manor in Warwickshire. Thelma's delight in her new abode was unbounded—the stately oaks that surrounded it,—the rose-gardens, the conservatories,—the grand rooms, with their fine tapestries, oak furniture, and rare pictures,—the splendid library, the long, lofty drawing-rooms, furnished and decorated after the style of Louis Quinze,—all filled her with a tender pride and wistful admiration. This was Philip's home! and she was here to make it bright and glad for him!—she could imagine no fairer fate. The old servants of the place welcomed their new mistress with marked respect and evident astonishment at her beauty, though, when they knew her better, they marvelled still more at her exceeding gentleness and courtesy. The housekeeper, a stately white-haired dame, who had served the former Lady Errington, declared she was "an angel"—while the butler swore profoundly that "he knew what a queen was like at last!"
On leaving Paris, Sir Philip took his wife straight home to his beautiful old Manor in Warwickshire. Thelma was overjoyed with her new home—the majestic oaks surrounding it, the rose gardens, the conservatories, the grand rooms filled with fine tapestries, oak furniture, and rare artworks, the impressive library, and the long, high drawing-rooms decorated in the style of Louis Quinze—all of it filled her with a tender pride and a wistful admiration. This was Philip's home, and she was here to make it lively and happy for him! She couldn't imagine a better fate. The longtime servants of the house welcomed their new mistress with great respect and clear astonishment at her beauty; however, as they got to know her better, they were even more amazed by her incredible kindness and grace. The housekeeper, a dignified white-haired lady who had served the former Lady Errington, declared she was "an angel," while the butler swore passionately that "he finally knew what a queen was like!"
The whole household was pervaded with an affectionate eagerness to please her, though, perhaps, the one most dazzled by her entrancing smile and sweet consideration for his comfort was Edward Neville, Sir Philip's private secretary and librarian,—a meek, mild-featured man of some five and forty years old, whose stooping shoulders, grizzled hair, and weak eyes gave him an appearance of much greater age. Thelma was particularly kind to Neville, having heard his history from her husband. It was brief and sad. He had married a pretty young girl whom he had found earning a bare subsistence as a singer in provincial music-halls,—loving her, he had pitied her unprotected state, and had rescued her from the life she led—but after six months of comparative happiness, she had suddenly deserted him, leaving no clue as to where or why she had gone. His grief for her loss, weighed heavily upon his mind—he brooded incessantly upon it—and though his profession was that of a music master and organist, he grew so abstracted and inattentive to the claims of the few pupils he had, that they fell away from him one by one—and, after a bit, he lost his post as organist to the village church as well. This smote him deeply, for he was passionately fond of music, and was, moreover, a fine player,—and it was at this stage of his misfortunes that he met by chance Bruce-Errington. Philip, just then, was almost broken-hearted—his father and mother had died suddenly within a week of one another,—and he, finding the blank desolation of his home unbearable, was anxious to travel abroad for a time, so soon as he could find some responsible person in whose hands to leave the charge of the Manor, with its invaluable books and pictures, during his absence.
The entire household was filled with a loving eagerness to please her, though perhaps the person most captivated by her enchanting smile and thoughtful concern for his comfort was Edward Neville, Sir Philip's private secretary and librarian—a gentle, mild-looking man in his mid-forties, whose slumped shoulders, graying hair, and weak eyes made him seem much older. Thelma was especially kind to Neville, having learned his story from her husband. It was brief and sorrowful. He had married a beautiful young woman whom he had found barely scraping by as a singer in local music halls—out of love, he had felt sorry for her vulnerable situation and rescued her from her life—but after six months of relative happiness, she had suddenly left him, without any clue as to where or why she had gone. His sorrow over her loss weighed heavily on his mind—he constantly brooded over it—and though he worked as a music teacher and organist, he became so distracted and inattentive to the few students he had that they gradually disappeared one by one—and eventually, he also lost his position as the organist at the village church. This hit him hard, as he was passionate about music and a talented player, and it was at this low point in his fortunes that he happened to meet Bruce-Errington. Philip, at that time, was nearly heartbroken—his parents had both died unexpectedly within a week of each other—and he, finding the emptiness of his home unbearable, wanted to travel abroad for a while, as soon as he could find a trustworthy person to take care of the Manor, along with its priceless books and artworks, during his absence.
Hearing Neville's history through a mutual friend, he decided, with his usual characteristic impulse, that here was the very man for him—a gentleman by birth, rumored to be an excellent scholar,—and he at once offered him the post he had in view,—that of private secretary at a salary of 200 pounds per annum. The astonished Neville could not at first believe in his good fortune, and began to stammer forth his gratitude with trembling lips and moistening eyes,—but Errington cut him short by declaring the whole thing settled, and desiring him to enter on his duties at once. He was forthwith installed in his position,—a highly enviable one for a man of his dreamy and meditative turn of mind. To him, literature and music were precious as air and light, he handled the rare volumes on the Errington book-shelves with lingering tenderness, and often pored over some difficult manuscript, or dusty folio till long past midnight, almost forgetful of his griefs in the enchantment thus engendered. Nor did he lack his supreme comforter, music,—there was a fine organ at the lower end of the long library, and seated at his beloved instrument, he wiled away many an hour,—steeping his soul in the divine and solemn melodies of Palestrina and Pergolesi, till the cruel sorrow that had darkened his life seemed nothing but a bad dream, and the face of his wife as he had first known it, fair, trustful, and plaintive, floated before his eyes unchanged, and arousing in him the old foolish throbbing emotions of rapture and passion that had gladdened the bygone days.
Hearing Neville's background from a mutual friend, he impulsively decided that this was the perfect man for him—a gentleman by birth, rumored to be a great scholar—and immediately offered him the position he had in mind: private secretary with a salary of 200 pounds a year. The stunned Neville could hardly believe his good luck at first and began to express his gratitude with trembling lips and tear-filled eyes, but Errington interrupted him, declaring the matter settled and asking him to start his duties right away. He was soon installed in his position, which was highly desirable for someone with his dreamy and introspective nature. For him, literature and music were as essential as air and light; he handled the rare books on the Errington bookshelves with lingering affection and often lost himself in difficult manuscripts or dusty folios until well past midnight, nearly forgetting his sorrows in the magic they inspired. He also had his ultimate comfort—music. There was a beautiful organ at the far end of the long library, and sitting at his cherished instrument, he spent countless hours immersing himself in the divine and moving melodies of Palestrina and Pergolesi. It made the deep sorrow that had clouded his life feel like nothing but a bad dream, and the image of his wife as he had first known her—beautiful, trusting, and tender—floated before him unchanged, rekindling the old, foolish wave of joy and passion that had brightened his earlier days.
He never lost the hope of meeting her again, and from time to time he renewed his search for her, though all uselessly—he studied the daily papers with an almost morbid anxiety lest he should see the notice of her death—and he would even await each post with a heart beating more rapidly than usual, in case there should be some letter from her, imploring forgiveness, explaining everything, and summoning him once more to her side. He found a true and keenly sympathizing friend in Sir Philip, to whom he became profoundly attached,—to satisfy his wishes, to forward his interests, to attend to his affairs with punctilious exactitude—all this gave Neville the supremest happiness. He felt some slight doubt and anxiety, when he first received the sudden announcement of his patron's marriage,—but all forebodings as to the character and disposition of the new Lady Bruce-Errington fled like mist before sunshine, when he saw Thelma's fair face and felt her friendly hand-clasp.
He never gave up hope of seeing her again, and occasionally he searched for her, even though it was pointless—he anxiously scanned the daily papers, almost obsessively, so he wouldn’t miss any news of her passing—and he would eagerly await each mail delivery, his heart racing more than usual, hoping for a letter from her, asking for forgiveness, explaining everything, and inviting him back to her side. He found a true and deeply understanding friend in Sir Philip, to whom he became very close—catering to his wishes, promoting his interests, and managing his affairs with meticulous care—all this brought Neville immense happiness. He felt a bit of doubt and anxiety when he first heard the unexpected news of his patron's marriage—but all his worries about the character and nature of the new Lady Bruce-Errington vanished like fog in the sun when he saw Thelma's lovely face and felt her warm handshake.
Every morning on her way to the breakfast-room, she would look in at the door of his little study, which adjoined the library, and he learned to watch for the first glimmer of her dress, and to listen for her bright "Good morning, Mr. Neville!" with a sensation of the keenest pleasure. It was a sort of benediction on the whole day. A proud man was he when she asked him to give her lessons on the organ,—and never did he forget the first time he heard her sing. He was playing an exquisite "Ave Maria," by Stradella, and she, standing by her husband's side was listening, when she suddenly exclaimed—
Every morning on her way to the breakfast room, she would peek into the door of his little study, which was next to the library, and he learned to look for the first glimpse of her dress and to listen for her cheerful "Good morning, Mr. Neville!" with a feeling of intense joy. It was like a blessing for the entire day. He felt so proud when she asked him to give her organ lessons—and he never forgot the first time he heard her sing. He was playing a beautiful "Ave Maria" by Stradella when she, standing by her husband's side, was listening, and suddenly exclaimed—
"Why, we used to sing that at Arles!"—and her rich, round voice pealed forth clear, solemn, and sweet, following with pure steadiness the sustained notes of the organ. Neville's heart thrilled,—he heard her with a sort of breathless wonder and rapture, and when she ceased, it seemed as though heaven had closed upon him.
"Wow, we used to sing that in Arles!"—and her full, beautiful voice rang out loud, serious, and sweet, perfectly matching the steady notes of the organ. Neville's heart raced—he listened in awe and joy, and when she stopped, it felt like heaven had shut down around him.
"One cannot praise such a voice as that!" he said. "It would be a kind of sacrilege. It is divine!"
"One can't praise a voice like that!" he said. "It would be somewhat sacrilegious. It's divine!"
After this, many were the pleasant musical evenings they all passed together in the grand old library, and,—as Mrs. Rush-Marvelle had so indignantly told her husband,—no visitors were invited to the Manor during that winter. Errington was perfectly happy—he wanted no one but his wife, and the idea of entertaining a party of guests who would most certainly interfere with his domestic enjoyment, seemed almost abhorrent to him. The county-people called,—but missed seeing Thelma, for during the daytime she was always out with her husband taking long walks and rambling excursions to the different places hallowed by Shakespeare's presence,—and when she, instructed by Sir Philip, called on the county-people, they also seemed to be never at home.
After that, they shared many enjoyable musical evenings in the grand old library, and—as Mrs. Rush-Marvelle had angrily told her husband—no guests were invited to the Manor that winter. Errington was completely happy—he wanted nothing but his wife, and the thought of hosting a group of guests who would disrupt their domestic bliss felt almost repulsive to him. The county folks would drop by—but missed seeing Thelma, because during the day she was always out with her husband taking long walks and exploring places associated with Shakespeare. And when she, following Sir Philip's instructions, visited the county folks, they also always seemed to be out.
And so, as yet, she had made no acquaintances, and now that she had been married eight months and had come to London, the same old story repeated itself. People called on her in the afternoon just at the time when she went out driving,—when she returned their visits, she, in her turn, found them absent. She did not as yet understand the mystery of having "a day" on which to receive visitors in shoals—a day on which to drink unlimited tea, talk platitudes, and utterly bored and exhausted at the end thereof—in fact, she did not see the necessity of knowing many people,—her husband was all-sufficient for her,—to be in his society was all she cared for. She left her card at different houses because he told her to do so, but this social duty amused her immensely.
And so, she still hadn’t made any friends, and now that she’d been married for eight months and had moved to London, the same old story played out. People would visit her in the afternoon, right when she was going out for a drive—when she returned their visits, she’d find them not home. She didn’t yet understand the whole idea of having a specific “day” for welcoming visitors—a day filled with endless tea, small talk, and feeling completely drained by the end. In fact, she didn’t see the point in knowing a lot of people—her husband was more than enough for her; being with him was all that mattered. She left her card at various houses because he suggested it, but she found this social obligation really amusing.
"It is like a game!" she declared, laughing, "some one comes and leaves these little cards which explain who they are, on me,—then I go and leave my little cards and yours, explaining who we are on that some one—and we keep on doing this, yet we never see each other by any chance! It is so droll!"
"It’s like a game!" she said, laughing. "Someone comes and leaves these little cards that explain who they are about me,—then I go and leave my little cards and yours, explaining who we are to that someone—and we keep doing this, but we never actually see each other! It’s so funny!"
Errington did not feel called upon to explain what was really the fact,—namely, that none of the ladies who had left cards on his wife had given her the option of their "at home" day on which to call,—he did not think it necessary to tell her what he knew very well, that his "set," both in county and town, had resolved to "snub" her in every petty fashion they could devise,—that he had already received several invitations which, as they did not include her, he had left unanswered,—and that the only house to which she had as yet been really asked in proper form was that of Lady Winsleigh. He was more amused than vexed at the resolute stand made by the so-called "leaders" of society against her, knowing as he did, most thoroughly, how she must conquer them all in the end. She had been seen nowhere as yet but in the Park, and Philip had good reason to be contented with the excitement her presence had created there,—but he was a little astonished at Lady Winsleigh's being the first to extend a formal welcome to his unknown bride. Her behavior seemed to him a little suspicious,—for he certainly could not disguise from himself that she had at one time been most violently and recklessly in love with him. He recollected one or two most painful scenes he had had with her, in which he had endeavored to recall her to a sense of the duty she owed to her husband,—and his face often flushed with vexation when he thought of her wild and wicked abandonment of despair, her tears, her passion, and distracted, dishonoring words. Yet she was the very woman who now came forward in the very front of society to receive his wife!—he could not quite understand it. After all, he was a man,—and the sundry artful tricks and wiles of fashionable ladies were, naturally, beyond him. Thelma had never met Lady Winsleigh—not even for a passing glance in the Park,—and when she received the invitation for the grand reception at Winsleigh House, she accepted it, because her husband wished her so to do, not that she herself anticipated any particular pleasure from it. When the day came round at last she scarcely thought of it, till at the close of their pleasant breakfast tête-à-tête described at the commencement of this chapter, Philip suddenly said,—"By-the-by, Thelma, I have sent to the bank for the Errington diamonds. They'll be here presently. I want you to wear them to-night."
Errington didn't feel the need to explain what was really happening—specifically, that none of the ladies who had left their cards for his wife had given her the option of their "at home" day to visit. He didn’t think it was necessary to tell her that his social circle, both in the county and town, had decided to "snub" her in every petty way they could think of. He had already received several invitations that didn’t include her, which he had left unanswered, and the only place she had been invited to in a proper manner was the home of Lady Winsleigh. He found the strong stance taken by the so-called "leaders" of society against her more amusing than frustrating, knowing full well that she would eventually win them over. She had only been seen in the Park so far, and Philip had good reason to be pleased with the buzz her presence had created there—but he was a bit surprised that Lady Winsleigh was the first to formally welcome his unknown bride. Her actions seemed a bit suspicious to him because he couldn’t deny that at one time, she had been incredibly and recklessly in love with him. He remembered a couple of painful encounters they had, where he had tried to bring her back to a sense of duty to her husband, and he often flushed with annoyance thinking about her wild and reckless despair, her tears, her passion, and her hurtful words. Yet, she was the very woman now stepping forward in society to welcome his wife! He couldn’t quite wrap his head around it. After all, he was a man, and the various clever tricks and manipulations of fashionable women were, naturally, not something he understood. Thelma had never met Lady Winsleigh—not even for a brief look in the Park—and when she received the invitation for the grand reception at Winsleigh House, she accepted it because her husband wanted her to, not because she expected any particular enjoyment from it. When the day finally arrived, she barely thought about it until, at the end of their lovely breakfast tête-à-tête described at the beginning of this chapter, Philip suddenly said, “By the way, Thelma, I’ve sent to the bank for the Errington diamonds. They’ll be here soon. I want you to wear them tonight.”
Thelma looked puzzled and inquiring. "To-night? What is it that we do? I forget! Oh! now I know—it is to go to Lady Winsleigh. What will it be like, Philip?"
Thelma looked confused and curious. "Tonight? What are we doing? I can't remember! Oh! now I remember—it’s to go to Lady Winsleigh. What’s it like, Philip?"
"Well, there'll be heaps of people all cramming and crowding up the stairs and down them again,—you'll see all those women who have called on you, and you'll be introduced to them,—I dare say there'll be some bad music and an indigestible supper—and—and—that's all!"
"Well, there will be a lot of people squeezing up and down the stairs—you'll see all those women who have visited you, and you'll be introduced to them—I bet there will be some awful music and a heavy meal—and—and—that's it!"
She laughed and shook her head reproachfully. "I cannot believe you, my naughty boy!" she said, rising from her seat, and kneeling beside him with arms round his neck, and soft eyes gazing lovingly into his. "You are nearly as bad as that very bad Mr. Lorimer, who will always see strange vexations in everything! I am quite sure Lady Winsleigh will not have crowds up and down her stairs,—that would be bad taste. And if she has music, it will be good—and she would not give her friends a supper to make them ill."
She laughed and shook her head playfully. "I can't believe you, my naughty boy!" she said, getting up from her seat and kneeling beside him, wrapping her arms around his neck and looking lovingly into his eyes. "You're almost as bad as that troublesome Mr. Lorimer, who always finds something to complain about! I'm pretty sure Lady Winsleigh won't have crowds going up and down her stairs—that would be in bad taste. And if she does have music, it'll be great—and she wouldn’t host a dinner that would make her friends uncomfortable."
Philip did not answer. He was studying every delicate tint in his wife's dazzling complexion and seemed absorbed.
Philip didn’t respond. He was observing every subtle shade in his wife’s stunning complexion and appeared completely captivated.
"Wear that one gown you got from Worth," he said abruptly. "I like it—it suits you."
"Wear that dress you got from Worth," he said suddenly. "I like it—it looks great on you."
"Of course I will wear it if you wish," she answered, laughing still. "But why? What does it matter? You want me to be something very splendid in dress to-night?"
"Of course I'll wear it if that's what you want," she replied, still laughing. "But why? Does it really matter? Do you want me to look really fancy tonight?"
Philip drew a deep breath. "I want you to eclipse every woman in the room!" he said with remarkable emphasis.
Philip took a deep breath. "I want you to outshine every woman in the room!" he said with strong emphasis.
She grew rather pensive. "I do not think that would be pleasant," she said gravely. "Besides, it is impossible. And it would be wrong to wish me to make every one else dissatisfied with themselves. That is not like you, my Philip!"
She became quite thoughtful. "I don't think that would be enjoyable," she said seriously. "Besides, it's impossible. And it would be unfair to want me to make everyone else unhappy with themselves. That's not like you, my Philip!"
He touched with tender fingers the great glistening coil of hair that was twisted up at the top of her graceful head.
He gently ran his fingers over the beautiful, shiny coil of hair twisted up on top of her graceful head.
"Ah, darling! You don't know what a world it is, and what very queer people there are in it! Never mind! . . . don't bother yourself about it. You'll have a good bird's-eye view of society tonight, and you shall tell me afterwards how you like it. I shall be curious to know what you think of Lady Winsleigh."
"Ah, sweetheart! You have no idea what a crazy world it is and how strange some people are! But don't worry about it. You'll get a great overview of society tonight, and then you can tell me what you think. I'm really curious to hear your thoughts on Lady Winsleigh."
"She is beautiful, is she not?"
"She's stunning, right?"
"Well, she is considered so by most of her acquaintances, and by herself," he returned with a smile.
"Well, that's what most of her acquaintances think, and she believes it too," he replied with a smile.
"I do like to see very pretty faces," said Thelma warmly; "it is as if one looked at pictures. Since I have been in London I have seen so many of them—it is quite pleasant. Yet none of these lovely ladies seem to me as if they were really happy or strong in health."
"I really enjoy seeing beautiful faces," Thelma said warmly; "it's like looking at pictures. Since I got to London, I've seen so many of them—it's actually nice. But none of these lovely ladies appear to be genuinely happy or in good health."
"Half of them have got nervous diseases and all sorts of things wrong with them from over-much tea and tight lacing," replied Errington, "and the few who are tolerably healthy are too bouncing by half, going in for hunting and such-like amusements till they grow blowsy and fat, and coarse as tom-boys or grooms. They can never hit the juste milieu. Well!" and he rose from the breakfast-table. "I'll go and see Neville and attend to business. We'll drive out this afternoon for some fresh air, and afterwards you must rest, my pet—for you'll find an 'at home' more tiring than climbing a mountain in Norway."
"Half of them have nervous issues and all kinds of problems from too much tea and tight corsets," Errington said. "And the few who are reasonably healthy are way too energetic, off hunting and doing other activities until they get all puffy and overweight, acting rough like tomboys or stable hands. They can never find the right balance. Well!" He stood up from the breakfast table. "I'll go see Neville and take care of business. We'll head out this afternoon for some fresh air, and after that, you need to rest, my dear—because you'll find a 'get-together' more exhausting than climbing a mountain in Norway."
He kissed, and left her to her usual occupations, of which she had many, for she had taken great pains to learn all the details of the work in the Errington Establishment,—in fact, she went every morning to the little room where Mistress Parton, the housekeeper, received her with much respect and affection, and duly instructed her on every point of the domestic management and daily expenditure, so that she was thoroughly acquainted with everything that went on.
He kissed her and left her to her usual activities, of which she had plenty, because she had worked hard to learn all the details of the tasks at the Errington Establishment. In fact, she went every morning to the small room where Mistress Parton, the housekeeper, greeted her with great respect and warmth and taught her everything about managing the household and daily expenses, so she was completely informed about everything that happened.
She had very orderly quiet ways of her own, and though thoughtful for the comfort and well-being of the lowest servant in her household she very firmly checked all extravagance and waste, yet in such a gentle, unobtrusive manner that her control was scarcely felt—though her husband at once recognized it in the gradually decreasing weekly expenses, while to all appearance, things were the same as ever. She had plenty of clear, good common sense,—she saw no reason why she should waste her husband's wealth simply because it was abundant,—so that under her mild sway, Sir Philip found himself getting richer without any trouble on his own part. His house assumed an air of lighter and more tasteful elegance,—flowers, always arranged by Thelma herself, adorned the rooms,—birds filled the great conservatory with their delicious warblings, and gradually that strange fairy sweet fabric known as "Home" rose smilingly around him. Formerly he had much disliked his stately town mansion—he had thought it dull and cold—almost gloomy,—but now he considered it charming, and wondered he had missed so many of its good points before.
She had a very organized and quiet way about her, and while she was considerate of the comfort and well-being of even the lowest servant in her household, she firmly kept all extravagance and waste in check. Yet she did it in such a gentle, subtle way that her control was hardly felt—though her husband quickly noticed it in the gradually decreasing weekly expenses, while everything seemed the same as always. She had plenty of clear, good common sense—she saw no reason to waste her husband’s wealth just because it was plentiful—so under her gentle guidance, Sir Philip found himself getting richer without any effort on his part. His home took on an air of lighter and more tasteful elegance—flowers, arranged by Thelma herself, adorned the rooms—birds filled the large conservatory with their lovely songs, and gradually that strange, enchanting thing we call "Home" rose cheerfully around him. He had previously disliked his grand town mansion—finding it dull, cold, and almost gloomy—but now he thought it was charming and wondered why he had overlooked so many of its good qualities before.
And when the evening for Lady Winsleigh's "crush" came,—he looked regretfully round the lovely luxurious drawing-room with its bright fire, deep easy chairs, books, and grand piano, and wished he and his wife could remain at home in peace. He glanced at his watch—it was ten o'clock. There was no hurry—he had not the least intention of arriving at Winsleigh House too early. He knew what the effect of Thelma's entrance would be—and he smiled as he thought of it. He was waiting for her now,—he himself was ready in full evening dress—and remarkably handsome he looked. He walked up and down restlessly for a minute or so,—then taking up a volume of Keats, he threw himself into an easy chair and soon became absorbed. His eyes were still on the printed page, when a light touch on his shoulder startled him,—a soft, half-laughing voice inquired—"Philip! Do I please you?"
And when the evening of Lady Winsleigh's "crush" arrived, he looked around the beautiful, luxurious living room with its bright fire, deep armchairs, books, and grand piano, wishing he and his wife could stay home and relax. He checked his watch—it was ten o'clock. There was no rush—he definitely didn't plan on getting to Winsleigh House too early. He knew what the impact of Thelma's entrance would be—and he smiled at the thought. He was waiting for her now—he was all dressed up in formal evening wear—and he looked quite handsome. He paced back and forth restlessly for a minute or so—then picked up a book of Keats, sank into an armchair, and quickly lost himself in it. His eyes were still on the words on the page when a light touch on his shoulder startled him—a soft, half-laughing voice asked, "Philip! Do I please you?"
He sprang up and faced her,—but for a moment could not speak. The perfection of her beauty had never ceased to arouse his wonder and passionate admiration,—but on this night, as she stood before him, arrayed in a simple, trailing robe of ivory-tinted velvet, with his family diamonds flashing in a tiara of light on her hair, glistening against the whiteness of her throat and rounded arms, she looked angelically lovely—so radiant, so royal, and withal so innocently happy, that, wistfully gazing at her, and thinking of the social clique into which she was about to make her entry, he wondered vaguely whether he was not wrong to take so pure and fair a creature among the false glitter and reckless hypocrisy of modern fashion and folly. And so he stood silent, till Thelma grew anxious.
He jumped up and faced her—but for a moment he couldn't find the words. The beauty of her features had always amazed him and filled him with passionate admiration—but on this night, as she stood in front of him wearing a simple, flowing robe made of ivory-tinted velvet, with his family's diamonds sparkling in a tiara on her hair, glistening against the whiteness of her throat and smooth arms, she looked angelically beautiful—so radiant, so regal, and yet so innocently happy that, gazing at her longingly and thinking about the social scene she was about to enter, he wondered vaguely whether it was right to bring such a pure and beautiful person into the fake glitz and reckless hypocrisy of modern fashion and foolishness. And so he remained silent until Thelma grew concerned.
"Ah, you are not satisfied!" she said plaintively. "I am not as you wish! There is something wrong."
"Ah, you're not happy!" she said sorrowfully. "I'm not what you want! Something is off."
He drew her closely into his arms, kissing her with an almost pathetic tenderness.
He pulled her close to him, kissing her with a kind of tender vulnerability.
"Thelma, my love, my sweet one!" and his strong voice trembled. "You do not know—how should you? what I think of you! Satisfied? Pleased? Good Heavens—what little words those are to express my feelings! I can tell you how you look, for nothing can ever make you vain. You are beautiful! . . . you are the most beautiful woman I have ever seen, and you look your very best tonight. But you are more than beautiful—you are good and pure and true, while society is—But why should I destroy your illusions? Only, my wife,—we have been all in all to each other,—and now I have a foolish feeling as if things were going to be different—as if we should not be so much together—and I wish—I wish to God I could keep you all to myself without anybody's interference!"
"Thelma, my love, my sweet one!" His strong voice shook. "You have no idea—how could you?—what I think of you! Satisfied? Pleased? Good heavens—what small words to express my feelings! I can describe how you look, because nothing could ever make you vain. You are beautiful! ... you are the most beautiful woman I’ve ever seen, and you look your absolute best tonight. But you are more than beautiful—you are good and pure and true, while society is—But why should I ruin your illusions? Still, my wife, we have meant everything to each other—and now I have this silly feeling that things are going to change—as if we won’t be together as much—and I wish—I wish to God I could keep you all to myself without anyone interfering!"
She looked at him in wonder, though she smiled.
She looked at him in amazement, but she smiled.
"But you have changed, my boy, since the morning," she said. "Then you did wish me to be particular in dress,—and to wear your jewels, for this Lady Winsleigh. Now your eyes are sad, and you seem as if you would rather not go at all. Well, is it not easy to remain at home? I will take off these fine things, and we will sit together and read. Shall it be so?"
"But you’ve changed, my boy, since this morning," she said. "Back then, you wanted me to dress up and wear your jewels for this Lady Winsleigh. Now your eyes look sad, and it seems like you'd rather not go at all. Well, isn't it easy to stay home? I can take off these fancy clothes, and we can sit together and read. Does that sound good?"
He laughed. "I believe you would do it if I asked you!" he said.
He laughed. "I think you would do it if I asked you!" he said.
"But, of course! I am quite happy alone with you. I care nothing for this party,—what is it to me if you do not wish to go?"
"But, of course! I'm perfectly happy just being here with you. I couldn't care less about this party—what does it matter to me if you don't want to go?"
He kissed her again. "Thelma, don't spoil me too much! If you let me have my own way to such an extent, who knows what an awful domestic tyrant I may become! No, dear—we must go tonight—there's no help for it. You see we've accepted the invitation, and it's no use being churlish. Besides, after all"—he gazed at her admiringly—"I want them to see my Norwegian rose! Come along! The carriage is waiting."
He kissed her again. "Thelma, don't spoil me too much! If you let me have my way this much, who knows what a terrible household tyrant I might turn into! No, dear—we have to go tonight—there's no way around it. You see, we accepted the invitation, and there's no point in being rude. Besides, after all"—he looked at her with admiration—"I want them to see my Norwegian rose! Let's go! The carriage is waiting."
They passed out into the hall, where Britta was in attendance with a long cloak of pale-blue plush lined with white fur, in which she tenderly enveloped her beloved "Fröken," her rosy face beaming with affectionate adoration as she glanced from the fair diamond-crowned head down to the point of a small pearl-embroidered shoe that peeped beneath the edge of the rich, sheeny white robe, and saw that nothing was lacking to the most perfect toilette that ever woman wore.
They stepped out into the hall, where Britta was waiting with a long cloak of soft pale blue, lined with white fur. She gently wrapped her beloved "Fröken" in it, her rosy face glowing with affectionate admiration as she looked from the fair diamond-crowned head down to the tip of a small pearl-embroidered shoe that peeked out from under the edge of the luxurious, shiny white robe, and saw that nothing was missing from the most perfect outfit any woman had ever worn.
"Good-night, Britta!" said Thelma kindly. "You must not sit up for me. You will be tired."
"Good night, Britta!" said Thelma kindly. "You shouldn't stay up for me. You'll get tired."
Britta smiled—it was evident she meant to outwatch the stars, if necessary, rather than allow her mistress to be unattended on her return. But she said nothing—she waited at the door while Philip assisted his wife into the carriage—and still stood musingly under the wide portico, after they had driven away.
Britta smiled—it was clear she was determined to stay up longer than the stars, if needed, rather than let her mistress be alone when she came back. But she didn’t say anything—she waited by the door while Philip helped his wife into the carriage—and continued to stand thoughtfully under the wide porch after they had left.
"Hadn't you better come in, Miss Britta?" said the butler respectfully,—he had a great regard for her ladyship's little maid.
"Wouldn't it be better for you to come in, Miss Britta?" said the butler respectfully—he held a lot of respect for her ladyship's young maid.
Britta, recalled to herself, started, turned, and re-entered the hall.
Britta, coming back to herself, jumped, turned, and walked back into the hall.
"There will be many fine folks there to-night, I suppose?" she asked.
"There are going to be a lot of nice people there tonight, I guess?" she asked.
The butler rubbed his nose perplexedly. "Fine folks at Winsleigh House? Well, as far as clothes go, I dare say there will. But there'll be no one like her ladyship—no one!" And he shook his grey head emphatically.
The butler rubbed his nose, looking confused. "Nice people at Winsleigh House? Sure, when it comes to clothes, there might be. But there won't be anyone like her ladyship—no one!" And he shook his gray head decisively.
"Of course not!" said Britta, with a sort of triumphant defiance. "We know that very well, Morris! There's no one like her ladyship anywhere in the wide world! But I tell you what—I think a great many people will be jealous of her."
"Of course not!" said Britta, with a kind of triumphant defiance. "We know that very well, Morris! There's no one like her ladyship anywhere in the whole world! But I’ll tell you this—I think a lot of people will be jealous of her."
Morris smiled. "You may take your oath of that, Miss Britta," he said with placid conviction. "Jealous! Jealous isn't the word for it! Why," and he surveyed Britta's youthful countenance with fatherly interest, "you're only a child as it were, and you don't know the world much. Now, I've been five and twenty years in this family, and I knew Sir Philip's mother, the Lady Eulalie—he named his yacht after her. Ah! she was a sweet creature—she came from Austria, and she was as dark as her present ladyship is fair. Wherever she went, I tell you, the women were ready to cry for spite and envy of her good looks—and they would say anything against her they could invent. That's the way they go on sometimes in society, you know."
Morris smiled. "You can bet on that, Miss Britta," he said with calm certainty. "Jealousy! Jealousy doesn't even cover it! Why," and he looked at Britta's youthful face with a fatherly interest, "you're just a kid, really, and you don't know much about the world. Now, I've spent twenty-five years with this family, and I knew Sir Philip's mother, Lady Eulalie—he named his yacht after her. Ah! she was such a lovely person—she came from Austria and was as dark as her current lady is light. Wherever she went, I tell you, the women were ready to cry out of spite and envy for her looks—and they would say whatever they could come up with against her. That's how it can be in society sometimes, you know."
"As bad as in Bosekop," murmured Britta, more to herself than to him, "only London is a larger place." Then raising her voice again, she said, "Perhaps there will be some people wicked enough to hate her ladyship, Morris?"
"As bad as in Bosekop," Britta said softly, more to herself than to him, "only London is a bigger place." Then, raising her voice again, she asked, "Do you think there will be some people nasty enough to hate her ladyship, Morris?"
"I shouldn't wonder," said Morris philosophically. "I shouldn't wonder at all! There's a deal of hate about one way or another,—and if a lady is as beautiful as an angel, and cuts out everybody wherever she goes, why you can't expect the other ladies to be very fond of her. 'Tisn't in human nature—at least not in feminine human nature. Men don't care much about their looks, one way or the other, unless they're young chaps—then one has a little patience with them and they come all right."
"I wouldn't be surprised," Morris said thoughtfully. "Not at all! There's a lot of jealousy floating around, one way or another—and if a woman is as gorgeous as an angel and outshines everyone she meets, you can't really expect the other women to like her too much. It's just not in human nature—at least not in women's nature. Men usually don't worry much about their looks, unless they're young guys—then you can be a bit more patient with them, and they'll be fine."
But Britta had become meditative again. She went slowly up into her mistress's room and began arranging the few trifles that had been left in disorder.
But Britta had become thoughtful again. She slowly went up to her mistress's room and started organizing the few items that had been left in disarray.
"Just fancy!"—she said to herself—"some one may hate the Fröken even in London just as they hated her in Bosekop, because she is so unlike everybody else. I shall keep my eyes open,—and I shall soon find out any wickedness against her! My beautiful, dear darling! I believe the world is a cruel place after all,—but she shan't be made unhappy in it, if I can help it!"
"Just imagine!"—she said to herself—"someone might hate the Fröken even in London just like they hated her in Bosekop, because she’s so different from everyone else. I will keep my eyes peeled,—and I will quickly uncover any wrongdoing against her! My beautiful, dear darling! I really think the world can be a harsh place after all,—but she won’t be unhappy in it, if I can help it!"
And with this emphatic declaration, she kissed a little shoe of Thelma's that she was just putting by—and, smoothing her curls, went down to her supper.
And with this strong statement, she kissed a little shoe of Thelma's that she was just setting aside—and, smoothing her curls, headed down for her dinner.
CHAPTER XX.
"Such people there are living and flourishing in the world,—Faithless, Hopeless, Charityless,—let us have at them, dear friends, with might and main!"—THACKERAY.
"Such people are living and thriving in the world—Faithless, Hopeless, Charityless—let's go after them, dear friends, with all our strength!" —THACKERAY.
Who can adequately describe the thrilling excitement attending an aristocratic "crush,"—an extensive, sweeping-off-of-old-cores "at home,"—that scene of bewildering confusion which might be appropriately set forth to the minds of the vulgar in the once-popular ditty, "Such a getting-up-stairs I never did see!" Who can paint in sufficiently brilliant colors the mere outside of a house thus distinguished by this strange festivity, in which there is no actual pleasure,—this crowding of carriages—this shouting of small boys and policemen?—who can, in words, delineate the various phases of lofty indignation and offense on the countenances of pompous coachmen, forced into contention with vulgar but good-natured "cabbys"—for right of way? . . . who can sufficiently set forth the splendors of a striped awning avenue, lined on both sides with a collection of tropical verdure, hired for the occasion at so much per dozen pots, and illuminated with Chinese lanterns! Talk of orange groves in Italy and the languid light of a southern moon! What are they compared to the marvels of striped awning? Mere trees—mere moonlight—(poor products of Nature!) do not excite either wonder or envy—but, strange to say, an awning avenue invariably does! As soon as it is erected in all its bland suggestiveness, no matter at what house, a small crowd of street-arabs and nursemaids collect to stare at it,—and when tired of staring, pass and repass under it with peculiar satisfaction; the beggar, starving for a crust, lingers doubtfully near it, and ventures to inquire of the influenza-smitten crossing-sweeper whether it is a wedding or a party? And if Awning Avenue means matrimony, the beggar waits to see the guests come out; if, on the contrary, it stands for some evening festivity, he goes, resolving to return at the appointed hour, and try if he cannot persuade one "swell" at least to throw him a penny for his night's supper. Yes—a great many people endure sharp twinges of discontent at the sight of Awning Avenue,—people who can't afford to give parties, and who wish they could,—pretty, sweet girls who never go to a dance in their lives, and long with all their innocent hearts for a glimpse,—just one glimpse!—of what seems to them inexhaustible, fairy-like delight,—lonely folks, who imagine in their simplicity that all who are privileged to pass between the lines of hired tropical foliage aforementioned, must perforce be the best and most united of friends—hungry men and women who picture, with watering mouths, the supper-table that lies beyond the awning, laden with good things, of the very names of which they are hopelessly ignorant,—while now and then a stern, dark-browed Thinker or two may stalk by and metaphorically shake his fist at all the waste, extravagance, useless luxury, humbug, and hypocrisy Awning Avenue usually symbolizes, and may mutter in his beard, like an old-fashioned tragedian, "A time will come!" Yes, Sir Thinker!—it will most undoubtedly—it must—but not through you—not through any mere human agency. Modern society contains within itself the seed of its own destruction,—the most utter Nihilist that ever swore deadly oath need but contain his soul in patience and allow the seed to ripen. For God's justice is as a circle that slowly surrounds an evil and as slowly closes on it with crushing and resistless force,—and feverish, fretting humanity, however nobly inspired, can do nothing either to hasten or retard the round, perfect, absolute and Divine Law. So let the babes of the world play on, and let us not frighten them with stories of earthquakes; they are miserable enough as it is, believe it!—their toys are so brittle, and snap in their feeble hands so easily, that one is inclined to pity them! And Awning Avenue, with its borrowed verdure and artificial light, is frequently erected for the use of some of the most wretched among the children of the earth,—children who have trifled with and lost everything,—love, honor, hope, and faith, and who are travelling rapidly to the grave with no consolation save a few handfuls, of base coin, which they must, perforce, leave behind them at the last.
Who can really capture the thrilling excitement of an aristocratic “crush,”—a grand, sweeping “at home”—that scene of bewildering chaos that could be fittingly summed up by those who don’t get it in the once-popular line, “Such a getting-up-stairs I never did see!” Who can vividly describe the mere outside of a house marked by this peculiar festivity, where there’s no real enjoyment—this crowding of carriages, this shouting of small boys and policemen?—who can use words to illustrate the various phases of high indignation and offense on the faces of pompous drivers, forced to compete with unrefined but good-natured “cabbys”—for the right of way? … Who can adequately portray the splendor of a striped awning avenue, lined on both sides with a collection of tropical greenery, rented for the occasion at a certain price per dozen pots, and lit up with Chinese lanterns! Talk of orange groves in Italy and the soft glow of a southern moon! What do they compare to the wonders of a striped awning? Just trees—just moonlight—(poor products of Nature!) don’t inspire either wonder or envy—but, strangely enough, an awning avenue always does! As soon as it is set up in all its inviting suggestiveness, regardless of which house it’s at, a small crowd of street-kids and nannies gather to gaze at it—and when they tire of staring, they walk back and forth under it with noticeable satisfaction; the beggar, starving for a morsel, hesitates nearby and dares to ask the flu-ridden crossing-sweeper whether it’s a wedding or a party? And if Awning Avenue hints at a wedding, the beggar waits to see the guests emerge; if, however, it indicates some evening gathering, he leaves, promising to return at the scheduled time, hoping to convince at least one “swell” to toss him a penny for his supper. Yes—a lot of people feel sharp pangs of dissatisfaction at the sight of Awning Avenue—people who can’t afford to host parties and wish they could—pretty, sweet girls who never go to dances and yearn with all their innocent hearts for just one peek!—of what looks to them like endless, fairy-tale joy—lonely individuals who naively believe that everyone privileged to stroll between the lines of rented tropical foliage must be the best of friends—hungry men and women who imagine, with mouths watering, the supper table that lies beyond the awning, full of delicious foods they know nothing about—while once in a while, a stern, dark-browed Thinker may pass by, symbolically shaking his fist at all the waste, extravagance, useless luxury, sham, and hypocrisy Awning Avenue usually represents, muttering to himself like an old-fashioned tragic hero, “A time will come!” Yes, Sir Thinker!—it will certainly—it must—but not through you—not through any mere human effort. Modern society carries within it the seed of its own downfall—the most extreme Nihilist who ever swore a deadly oath just needs to contain his soul in patience and let the seed mature. Because God’s justice is like a circle that slowly surrounds an evil and gradually closes in on it with an overpowering, relentless force—and restless, anxious humanity, however nobly motivated, can do nothing to hasten or delay the round, perfect, absolute, and Divine Law. So let the kids of the world play on, and let’s not scare them with stories of earthquakes; they’re already miserable enough, believe me!—their toys are fragile, and break in their tiny hands so easily, that it’s hard not to feel sorry for them! And Awning Avenue, with its borrowed greenery and fake lights, is often set up for some of the most unfortunate among the children of the earth—children who have toyed with and lost everything—love, honor, hope, and faith, and who are quickly heading towards the grave with no solace except for a few coins, which they must ultimately leave behind when it’s all over.
So it may be that the crippled crossing-sweeper outside Winsleigh House is a very great deal happier than the master of that stately mansion. He has a new broom,—and Master Ernest Winsleigh has given him two oranges, and a rather bulky stick of sugar candy. He is a protégé of Ernest's—that bright handsome boy considers it a "jolly shame"—to have only one leg,—and has said so with much emphasis,—and though the little sweeper himself has never regarded his affliction quite in that light, he is exceedingly grateful for the young gentleman's patronage and sympathy thus frankly expressed. And on this particular night of the grand reception he stands, leaning on his broom and munching his candy, a delighted spectator of the scene in Park Lane,—the splendid equipages, the prancing horses, the glittering liveries, the excited cabmen, the magnificent toilettes of the ladies, the solemn and resigned deportment of the gentlemen,—and he envies none of them—not he! Why should he? His oranges are in his pocket—untouched as yet—and it is doubtful whether the crowding guests at the Winsleigh supper-table shall find anything there to yield them such entire enjoyment as he will presently take in his humble yet refreshing desert. And he is pleased as a child at a pantomime—the Winsleigh "at home" is a show that amuses him,—and he makes sundry remarks on "'im" and "'er" in a meditative sotto voce. He peeps up Awning Avenue heedless of the severe eye of the policeman on guard,—he sweeps the edge of the crimson felt foot-cloth tenderly with his broom,—and if he has a desire ungratified, it is that he might take a peep just for a minute inside the front door, and see how "they're all a'goin' it!"
So it might be that the disabled street cleaner outside Winsleigh House is much happier than the owner of that grand mansion. He has a new broom, and Master Ernest Winsleigh has given him two oranges and a pretty hefty stick of candy. He’s a protégé of Ernest’s— that bright, handsome boy thinks it’s a "real shame" for him to have only one leg, and he’s said so quite emphatically. Although the little sweeper has never thought of his situation that way, he’s extremely grateful for the young gentleman’s support and sympathy that is so openly shown. And on this particular night of the grand reception, he stands leaning on his broom and munching his candy, happily watching the scene in Park Lane—the splendid carriages, the prancing horses, the sparkling uniforms, the excited cab drivers, the magnificent outfits of the ladies, the serious and composed demeanor of the gentlemen—and he envies none of them! Why would he? His oranges are in his pocket—still untouched—and it’s doubtful whether the guests at the Winsleigh supper table will find anything that brings them as much joy as he will soon have from his humble yet refreshing treat. He is as pleased as a child at a show—the Winsleigh "at home" is a spectacle that entertains him—and he makes various remarks about "'im" and "'er" in a thoughtful sotto voce. He glances up Awning Avenue, ignoring the stern gaze of the policeman on duty—he gently sweeps the edge of the crimson felt foot mat with his broom—and if he has one unfulfilled wish, it's to peek just for a moment inside the front door and see how "they're all a'going on!"
And how are they a'goin' it! Well, not very hilariously, if one may judge by the aspect of the gentlemen in the hall and on the stairs,—gentlemen of serious demeanor, who are leaning, as though exhausted, against the banisters, with a universal air of profound weariness and dissatisfaction. Some of these are young fledglings of manhood,—callow birds who, though by no means innocent,—are more or less inexperienced,—and who have fluttered hither to the snare of Lady Winsleigh's "at home," half expecting to be allowed to make love to their hostess, and so have something to boast of afterwards,—others are of the middle-aged complacent type, who, though infinitely bored, have condescended to "look in" for ten minutes or so, to see if there are any pretty women worth the honor of their criticism—others again (and these are the most unfortunate) are the "nobodies"—or husbands, fathers, and brothers of "beauties," whom they have dutifully escorted to the scene of triumph, in which they, unlucky wights! are certainly not expected to share. A little desultory conversation goes on among these stair-loungers,—conversation mingled with much dreary yawning,—a trained opera-singer is shaking forth chromatic roulades and trills in the great drawing-room above,—there is an incessant stream of people coming and going,—there is the rustle of silk and satin,—perfume, shaken out of lace kerchiefs, and bouquets oppresses the warm air,—the heat is excessive,—and there is a never-ending monotonous hum of voices, only broken at rare intervals by the "society laugh"—that unmeaning giggle on the part of the women,—that strained "ha, ha, ha!" on the part of the men, which is but the faint ghostly echo of the farewell voice of true mirth.
And how are they doing it! Well, not very cheerfully, if you judge by the looks of the guys in the hall and on the stairs—guys with serious faces, leaning, as if tired, against the railings, wearing an overall expression of deep weariness and dissatisfaction. Some of these are young men—naive but not exactly innocent—who’ve come to Lady Winsleigh's "at home" half expecting to charm their hostess and have something to brag about later. Others are middle-aged and complacent, who, although incredibly bored, have decided to stop by for ten minutes to see if there are any attractive women worth their critique. Then there are the unfortunate "nobodies"—or the husbands, fathers, and brothers of "beauties," whom they have dutifully accompanied to this scene of glory, where they, poor souls! definitely aren’t expected to be included. A bit of scattered conversation happens among these stair loungers—conversation mixed with plenty of dreary yawning—a trained opera singer is belting out chromatic melodies and trills in the grand drawing room above—there's a constant flow of people coming and going—the rustle of silk and satin—perfume wafting from lace handkerchiefs and bouquets filling the warm air—the heat is overwhelming—and there's a never-ending monotonous buzz of voices, only occasionally interrupted by the "society laugh"—that meaningless giggle from the women and that forced "ha, ha, ha!" from the men, which is just a faint echo of genuine laughter.
Presently, out of the ladies' cloak-room come two fascinating figures—the one plump and matronly, with grey hair and a capacious neck glittering with diamonds,—the other a slim girl in pale pink, with dark eyes and a ravishing complexion, for whom the lazy gentlemen on the stairs make immediate and respectful room.
Currently, two captivating figures emerge from the ladies' cloakroom—the first is a plump, motherly woman with grey hair and a broad neck sparkling with diamonds, while the second is a slender girl dressed in pale pink, with dark eyes and a stunning complexion, for whom the relaxed gentlemen on the stairs immediately make way.
"How d'ye do, Mrs. Van Clupp?" says one of the loungers.
"How are you, Mrs. Van Clupp?" says one of the people hanging out.
"Glad to see you, Miss Marcia!" says another, a sandy-haired young man, with a large gardenia in his button-hole, and a glass in his eye.
"Great to see you, Miss Marcia!" says another, a sandy-haired young man, with a big gardenia in his buttonhole, and a drink in his hand.
At the sound of his voice Miss Marcia stops and regards him with a surprised smile. She is very pretty, is Marcia,—bewitchingly pretty,—and she has an air of demure grace and modesty about her that is perfectly charming. Why? oh, why does she not remain in that sylph-like, attitude of questioning silence? But she speaks—and the charm is broken.
At the sound of his voice, Miss Marcia stops and looks at him with a surprised smile. She is really pretty—captivatingly pretty—and she has an air of shy grace and modesty that is absolutely charming. Why, oh why, doesn’t she stay in that delicate, questioning silence? But she speaks—and the charm is gone.
"Waal now! Dew tell!" she exclaims. "I thought yew were in Pa-ar—is! Ma, would yew have concluded to find Lord Algy here? This is too lovely! If I'd known yew were coming I'd have stopped at home—yes, I would—that's so!"
"Wow! Really?!" she exclaims. "I thought you were in Paris! Mom, would you have expected to find Lord Algy here? This is too lovely! If I'd known you were coming, I would have stayed home—yes, I would—that's for sure!"
And she nods her little head, crowned with its glossy braids of chestnut hair, in a very coquettish manner, while her mother, persistently beaming a stereotyped company smile on all around her, begins to ascend the stairs, beckoning her daughter to follow. Marcia does so, and Lord Algernon Masherville escorts her.
And she nods her little head, topped with shiny chestnut braids, in a very flirtatious way, while her mother, constantly wearing a typical company smile for everyone, starts to go up the stairs, signaling for her daughter to follow. Marcia does, and Lord Algernon Masherville walks with her.
"You—you didn't mean that!" he stammers rather feebly—"You—you don't mind my being here, do you? I'm—I'm awfully glad to see you again, you know—and—er—all that sort of thing!"
"You—you didn't mean that!" he stammers weakly—"You—you don't mind me being here, do you? I'm—I'm really glad to see you again, you know—and—um—all that sort of thing!"
Marcia darts a keen glance at him,—the glance of an observant, clear-headed magpie.
Marcia gives him a sharp look, like an observant, clear-headed magpie.
"Oh yes! I dare say!" she remarks with airy scorn. "S'pect me to believe yew! Waal! Did yew have a good time in Pa-ar—is?"
"Oh yes! I seriously doubt it!" she says with a light scoff. "You expect me to believe you! Well! Did you have a good time in Paris?"
"Fairly so," answers Lord Masherville indifferently. "I only came back two days ago. Lady Winsleigh met me by chance at the theatre, and asked me to look in to-night for 'some fun' she said. Have you any idea what she meant?"
"Fair enough," replies Lord Masherville casually. "I just got back two days ago. Lady Winsleigh bumped into me at the theater and asked me to stop by tonight for 'some fun,' as she put it. Do you have any idea what she meant?"
"Of course!" says the fair New Yorker, with a little nasal laugh,—"don't yew know? We're all here to see the fisherwoman from the wilds of Norway,—the creature Sir Philip Errington married last year. I conclude she'll give us fits all round, don't yew?"
"Of course!" says the pretty New Yorker with a slight nasal laugh, "don't you know? We're all here to see the fisherwoman from the wilds of Norway—the woman Sir Philip Errington married last year. I bet she'll keep us all on our toes, don't you?"
Lord Masherville, at this, appears to hesitate. His eye-glass troubles him, and he fidgets with its black string. He is not intellectual—he is the most vacillating, most meek and timid of mortals—but he is a gentleman in his own poor fashion, and has a sort of fluttering chivalry about him, which, though feeble, is better than none.
Lord Masherville seems to hesitate at this. His eye-glass annoys him, and he fiddles with its black string. He isn't very intellectual—he's the most indecisive, meek, and timid person around—but he is a gentleman in his own clumsy way, and has a kind of nervous chivalry about him, which, although weak, is better than nothing.
"I really cannot tell you, Miss Marcia," he replies almost nervously. "I hear—at the Club,—that—that Lady Bruce-Errington is a great beauty."
"I honestly can't say, Miss Marcia," he responds almost anxiously. "I've heard at the Club that Lady Bruce-Errington is really beautiful."
"Dew tell!" shrieks Marcia, with a burst of laughter. "Is she really though! But I guess her looks won't mend her grammar any way!"
"Dude, no way!" Marcia exclaims, bursting into laughter. "Is she really? But I guess her looks won't fix her grammar anyway!"
He makes no reply, as by this time they have reached the crowded drawing-room, where Lady Winsleigh, radiant in ruby velvet and rose-brilliants, stands receiving her guests, with a cool smile and nod for mere acquaintances,—and a meaning flash of her dark eyes for her intimates, and a general air of haughty insolence and perfect self-satisfaction pervading her from head to foot. Close to her is her husband, grave, courtly, and kind to all comers, and fulfilling his duty as host to perfection,—still closer is Sir Francis Lennox, who in the pauses of the incoming tide of guests finds occasion to whisper trifling nothings in her tiny white ear, and even once ventures to arrange more tastefully a falling cluster of pale roses that rests lightly on the brief shoulder-strap (called by courtesy a sleeve) which, keeps her ladyship's bodice in place.
He doesn't respond, as by now they have entered the busy drawing-room, where Lady Winsleigh, glowing in ruby velvet and sparkling with diamonds, stands greeting her guests with a cool smile and a nod for mere acquaintances—and a meaningful glance from her dark eyes for those close to her, all while exuding an air of haughty arrogance and perfect self-satisfaction. Right next to her is her husband, serious, polite, and kind to everyone, doing his job as host flawlessly—closer still is Sir Francis Lennox, who, during the lulls in the flow of guests, finds moments to whisper trivial remarks in her tiny white ear, and even once dares to adjust a falling cluster of pale roses that rests lightly on the narrow shoulder strap (politely referred to as a sleeve) holding her bodice in place.
Mrs. Rush-Marvelle is here too, in all her glory,—her good-humored countenance and small nose together beam with satisfaction,—her voluminous train of black satin showered with jet gets in everybody's way,—her ample bosom heaves like the billowy sea, somewhat above the boundary line of transparent lace that would fain restrain it—but in this particular she is prudence itself compared with her hostess, whose charms are exhibited with the unblushing frankness of a ballet-girl,—and whose example is followed, it must be confessed, by most of the women in the room. Is Mr. Rush-Marvelle here? Oh yes—after some little trouble we discover him,—squeezed against the wall and barricaded by the grand piano,—in company with a large album, over which he pores, feigning an almost morbid interest in the portraits of persons he has never seen, and never will see. Beside him is a melancholy short man with long hair and pimples, who surveys the increasing crowd in the room with an aspect that is almost tragic. Once or twice he eyes Mr. Marvelle dubiously as though he would speak—and, finally, he does speak, tapping that album-entranced gentleman on the arm with an energy that is somewhat startling.
Mrs. Rush-Marvelle is here too, in all her glory—her cheerful face and small nose radiate satisfaction—her flowing train of black satin sprinkled with jet gets in everyone's way—her ample bosom rises like the rolling sea, somewhat above the sheer lace that tries to hold it back—but in this regard, she is quite modest compared to her hostess, whose charms are displayed with the unabashed openness of a ballet dancer—and most of the women in the room, it must be said, follow her example. Is Mr. Rush-Marvelle here? Oh yes—after a bit of searching, we find him—squeezed against the wall and blocked by the grand piano—immersed in a large album, pretending to be deeply interested in the portraits of people he has never met and never will meet. Next to him is a sad short man with long hair and pimples, who looks at the growing crowd in the room with an almost tragic expression. Once or twice, he glances at Mr. Marvelle doubtfully as though he wants to speak—and finally, he does speak, tapping that absorbed gentleman on the arm with an intensity that is somewhat surprising.
"It is to blay I am here!" he announces. "To blay ze biano! I am great artist!" He rolls his eyes wildly and with a sort of forced calmness proceeds to enumerate on his fingers—"Baris, Vienna, Rome, Berlin, St. Betersburg—all know me! All resbect me! See!" And he holds out his button-hole in which there is a miniature red ribbon. "From ze Emberor! Kaiser Wilhelm!" He exhibits a ring on his little finger. "From ze Tsar!" Another rapid movement and a pompous gold watch is thrust before the bewildered gaze of his listener. "From my bubils in Baris! I am bianist—I am here to blay!"
"It’s to play I’m here!" he announces. "To play the piano! I’m a great artist!" He rolls his eyes dramatically and, with a forced calmness, starts counting on his fingers—"Paris, Vienna, Rome, Berlin, St. Petersburg—all know me! Everyone respects me! See!" He holds out his buttonhole, where there’s a tiny red ribbon. "From the Emperor! Kaiser Wilhelm!" He shows off a ring on his little finger. "From the Tsar!" With another swift gesture, he thrusts a flashy gold watch in front of his listener's bewildered gaze. "From my fans in Paris! I’m a pianist—I’m here to play!"
And raking his fingers through his long locks, he stares defiantly around him. Mr. Rush-Marvelle is a little frightened. This is an eccentric personage—he must be soothed. Evidently he must be soothed!
And running his fingers through his long hair, he looks around defiantly. Mr. Rush-Marvelle feels a bit scared. This is a strange character—he needs to be calmed down. Clearly, he needs to be calmed down!
"Yes, yes, I quite understand!" he says, nodding persuasively at the excited genius. "You are here to play. Exactly! Yes, yes! We shall all have the pleasure of hearing you presently. Delightful, I'm sure! You are the celebrated Herr—?"
"Yes, yes, I totally get it!" he says, nodding enthusiastically at the excited genius. "You're here to perform. Exactly! Yes, yes! We’ll all get to enjoy your talent soon. It’ll be delightful, I'm sure! You’re the famous Mr.—?"
"Machtenklinken," adds the pianist haughtily. "Ze celebrated Machtenklinken!"
"Machtenklinken," the pianist adds arrogantly. "They celebrated Machtenklinken!"
"Yes—oh—er,—yes!" And Mr. Marvelle grapples desperately with this terrible name. "Oh—er—yes! I—er know you by reputation Herr—er—Machten—. Oh, er—yes! Pray excuse me for a moment!"
"Yes—oh—um,—yes!" Mr. Marvelle struggles awkwardly with this awful name. "Oh—um—yes! I—um—know you by reputation, Herr—um—Machten—. Oh, um—yes! Please excuse me for a moment!"
And thankfully catching the commanding eye of his wife, he scrambles hastily away from the piano and joins her. She is talking to the Van Clupps, and she wants him to take away Mr. Van Clupp, a white-headed, cunning-looking old man, for a little conversation, in order that she may be free to talk over certain naughty bits of scandal with Mrs. Van Clupp and Marcia.
And luckily catching the firm glance of his wife, he quickly rushes away from the piano and joins her. She is chatting with the Van Clupps, and she wants him to take Mr. Van Clupp, a white-haired, sly-looking old man, away for a brief conversation so that she can freely discuss some juicy gossip with Mrs. Van Clupp and Marcia.
To-night there is no place to sit down in all the grand extent of the Winsleigh drawing-rooms,—puffy old dowagers occupy the sofas, ottomans, and chairs, and the largest and most brilliant portion of the assemblage are standing, grinning into each other's faces with praiseworthy and polite pertinacity, and talking as rapidly as though their lives depended on how many words they could utter within the space of two minutes. Mrs. Rush-Marvelle, Mrs. Van Clupp and Marcia make their way slowly through the gabbling, pushing, smirking crowd till they form a part of the little coterie immediately round Lady Winsleigh, to whom, at the first opportunity, Mrs. Marvelle whispers—
Tonight, there’s nowhere to sit in the vast Winsleigh drawing rooms—puffy old ladies occupy the sofas, ottomans, and chairs, and the largest and most dazzling part of the group are standing, grinning at each other with commendable and polite persistence, talking as fast as if their lives depended on the number of words they could say in two minutes. Mrs. Rush-Marvelle, Mrs. Van Clupp, and Marcia slowly navigate through the chattering, pushing, smirking crowd until they become part of the small coterie directly around Lady Winsleigh, to whom, at the first chance, Mrs. Marvelle whispers—
"Have they come?"
"Have they arrived?"
"The modern Paris and the new Helen?" laughs Lady Clara, with a shrug of her snowy shoulders. "No, not yet. Perhaps they won't turn up at all! Marcia dear, you look quite charming! Where is Lord Algy?"
"The modern Paris and the new Helen?" laughs Lady Clara, shrugging her white shoulders. "No, not yet. Maybe they won't show up at all! Marcia dear, you look quite charming! Where's Lord Algy?"
"I guess he's not a thousand miles away!" returns Marcia, with a knowing twinkle of her dark eyes. "He'll hang round here presently! Why,—there's Mr. Lorimer worrying in at the doorway!"
"I guess he's not that far away!" Marcia replies, her dark eyes sparkling with understanding. "He'll be hanging around here soon! Look—there's Mr. Lorimer coming in through the doorway!"
"Worrying in" is scarcely the term to apply to the polite but determined manner in which George Lorimer coolly elbows a passage among the heaving bare shoulders, backs, fat arms, and long trains that seriously obstruct his passage, but after some trouble he succeeds in his efforts to reach his fair hostess, who receives him with rather a supercilious uplifting of her delicate eyebrows.
"Worrying in" isn’t quite the right phrase for the polite yet persistent way George Lorimer seamlessly navigates through the crowd of bare shoulders, backs, heavy arms, and long trains that block his way. After some effort, he manages to reach his charming hostess, who greets him with a rather condescending raise of her delicate eyebrows.
"Dear me, Mr. Lorimer, you are quite a stranger!" she observes somewhat satirically. "We thought you had made up your mind to settle in Norway!"
"Well, Mr. Lorimer, you really are a stranger!" she says with a touch of sarcasm. "We thought you had decided to move to Norway!"
"Did you really, though!" and Lorimer smiles languidly. "I wonder at that,—for you knew I came back from that region in the August of last year."
"Did you really, though!" Lorimer smiles lazily. "I'm curious about that, since you knew I returned from that area in August of last year."
"And since then I suppose you have played the hermit?" inquires her ladyship indifferently, unfurling her fan of ostrich feathers and waving it slowly to and fro.
"And I guess you've been living like a hermit since then?" her ladyship asks casually, opening her ostrich feather fan and waving it back and forth slowly.
"By no means! I went off to Scotland with a friend, Alec Macfarlane, and had some excellent shooting. Then, as I never permit my venerable mamma to pass the winter in London, I took her to Nice, from which delightful spot we returned three weeks ago."
"Not at all! I went to Scotland with my friend, Alec Macfarlane, and had some great shooting. Then, since I never let my dear mom spend the winter in London, I took her to Nice, from which lovely place we returned three weeks ago."
Lady Winsleigh laughs. "I did not ask you for a categorical explanation of your movements, Mr. Lorimer," she says lightly—"I'm sure I hope you enjoyed yourself?"
Lady Winsleigh laughs. "I didn’t ask for a detailed account of where you’ve been, Mr. Lorimer," she says playfully—"I trust you had a good time?"
He bows gravely. "Thanks! Yes,—strange to say, I did manage to extract a little pleasure here and there out of the universal dryness of things."
He bows seriously. "Thanks! Yes—strangely enough, I did find a bit of joy here and there amidst the overall dullness of everything."
"Have you seen your friend, Sir Philip, since he came to town?" asks Mrs. Rush-Marvelle in her stately way.
"Have you seen your friend, Sir Philip, since he arrived in town?" asks Mrs. Rush-Marvelle in her elegant manner.
"Several times. I have dined with him and Lady Errington frequently. I understand they are to be here to-night?"
"Several times. I have had dinner with him and Lady Errington often. I hear they are coming here tonight?"
Lady Winsleigh fans herself a little more rapidly, and her full crimson lips tighten into a thin, malicious line.
Lady Winsleigh fans herself a bit faster, and her full crimson lips press into a thin, spiteful line.
"Well, I asked them, of course,—as a matter of form," she says carelessly,—"but I shall, on the whole, be rather relieved if they don't come."
"Well, I asked them, of course,—just to be polite," she says casually,—"but honestly, I'll be kind of relieved if they don't show up."
A curious, amused look comes over Lorimer's face.
A curious, amused expression appears on Lorimer's face.
"Indeed! May I ask why?"
"Sure! Can I ask why?"
"I should think the reason ought to be perfectly apparent to you"—and her ladyship's eyes flash angrily. "Sir Philip is all very well—he is by birth a gentleman,—but the person he has married is not a lady, and it is an exceedingly unpleasant duty for me to have to receive her."
"I think the reason should be perfectly clear to you"—and her ladyship's eyes flash angrily. "Sir Philip is fine—he's a gentleman by birth—but the person he married is not a lady, and it’s a really uncomfortable obligation for me to have to welcome her."
A feint tinge of color flushes Lorimer's brow. "I think," he says slowly, "I think you will find yourself mistaken, Lady Winsleigh. I believe—" Here he pauses, and Mrs. Rush-Marvelle fixes him with a stony stare.
A slight hint of color appears on Lorimer's forehead. "I think," he says slowly, "I think you're mistaken, Lady Winsleigh. I believe—" Here he pauses, and Mrs. Rush-Marvelle gives him a cold glare.
"Are we to understand that she is educated?" she inquires freezingly. "Positively well-educated?"
"Are we really to believe that she’s educated?" she asks coldly. "Absolutely well-educated?"
Lorimer laughs. "Not according to the standard of modern fashionable requirements!" he replies.
Lorimer laughs. "Not by today's trendy standards!" he replies.
Mrs. Marvelle sniffs the air portentously,—Lady Clara curls her lip. At that moment everybody makes respectful way for one of the most important guests of the evening—a broad-shouldered man of careless attire, rough hair, fine features, and keen, mischievous eyes—a man of whom many stand in wholesome awe,—Beaufort Lovelace, or as he is commonly called. "Beau" Lovelace, a brilliant novelist, critic, and pitiless satirist. For him society is a game,—a gay humming-top which he spins on the palm of his hand for his own private amusement. Once a scribbler in an attic, subsisting bravely on bread and cheese and hope, he now lords it more than half the year in a palace of fairy-like beauty on the Lago di Como,—and he is precisely the same person who was formerly disdained and flouted by fair ladies because his clothes were poor and shabby, yet for whom they now practise all the arts known to their sex, in fruitless endeavors to charm and conciliate him. For he laughs at them and their pretty ways,—and his laughter is merciless. His arrowy glance discovers the "poudre de riz" on their blooming cheeks,—the carmine on their lips, and the "kohl" on their eyelashes. He knows purchased hair from the natural growth—and he has a cruel eye for discerning the artificial contour of a "made-up" figure. And like a merry satyr dancing in a legendary forest, he capers and gambols in the vast fields of Humbug—all forms of it are attacked and ridiculed by his powerful and pungent pen,—he is a sort of English Heine, gathering in rich and daily harvests from the never-perishing incessantly-growing crop of fools. And as he,—in all the wickedness of daring and superior intellect,—approaches, Lady Winsleigh draws herself up with the conscious air of a beauty who knows she is nearly perfect,—Mrs. Rush-Marvelle makes a faint endeavor to settle the lace more modestly over her rebellious bosom,—Marcia smiles coquettishly, and Mrs. Van Clupp brings her diamond pendant (value, a thousand guineas) more prominently forward,—for as she thinks, poor ignorant soul! "wealth always impresses these literary men more than anything!" In one swift glance Beau Lovelace observes all these different movements,—and the inner fountain of his mirth begins to bubble. "What fun those Van Clupps are!" he thinks. "The old woman's got a diamond plaster on her neck! Horrible taste! She's anxious to show how much she's worth, I suppose! Mrs. Marvelle wants a shawl, and Lady Clara a bodice. By Jove! What sights the women do make of themselves!"
Mrs. Marvelle sniffs the air dramatically—Lady Clara curls her lip. At that moment, everyone respectfully steps aside for one of the most significant guests of the evening—a broad-shouldered man in casual clothes, with unkempt hair, attractive features, and sharp, playful eyes—a man whom many regard with a healthy dose of awe—Beaufort Lovelace, or as he's commonly known, "Beau" Lovelace, a brilliant novelist, critic, and unyielding satirist. To him, society is just a game—a lively spinning top that he twirls in the palm of his hand for his own amusement. Once a struggling writer living in an attic, bravely surviving on bread, cheese, and hope, he now spends more than half the year in a palace of enchanting beauty on Lake Como—and he is exactly the same person who was once looked down upon and mocked by elegant ladies for his poor, shabby clothing, yet now they employ every trick in the book to attract and win him over. He laughs at them and their charming antics—and his laughter is merciless. His sharp gaze reveals the makeup on their blooming cheeks—the rouge on their lips, and the eyeliner on their eyelashes. He can tell fake hair from natural—and he has a sharp eye for spotting the artificial silhouette of a crafted figure. Like a playful satyr dancing in a mythical forest, he frolics through the vast landscape of Humbug—all its forms are targeted and mocked by his powerful and biting pen—he is a kind of English Heine, reaping rich and constant harvests from the ever-growing crop of fools. And as he—full of daring wickedness and superior intellect—approaches, Lady Winsleigh straightens up with the confident air of someone who knows she is nearly flawless—Mrs. Rush-Marvelle makes a slight effort to adjust her lace modestly over her defiant cleavage—Marcia smiles playfully, and Mrs. Van Clupp pushes her diamond pendant (worth a thousand guineas) further forward—for she thinks, poor deluded soul! "Wealth always impresses these literary types more than anything!" In one quick glance, Beau Lovelace takes in all these different movements—and the inner source of his amusement starts to bubble. "What a laugh those Van Clupps are!" he thinks. "The old woman’s got a diamond plastered on her neck! Terrible taste! I guess she wants to show off her worth! Mrs. Marvelle wants a shawl, and Lady Clara needs a new bodice. Good heavens! What a sight the women make of themselves!"
But his face betrays none of these reflections,—its expression is one of polite gravity, though a sudden sweetness smooths it as he shakes hands with Lord Winsleigh and Lorimer,—a sweetness that shows how remarkably handsome Beau can look if he chooses. He rests one hand on Lorimer's shoulder.
But his face shows none of these thoughts—its expression is one of polite seriousness, though a sudden warmth softens it as he shakes hands with Lord Winsleigh and Lorimer—a warmth that reveals just how strikingly handsome Beau can look when he wants to. He rests one hand on Lorimer's shoulder.
"Why, George, old boy, I thought you were playing the dutiful son at Nice? Don't tell me you've deserted the dear old lady! Where is she? You know I've got to finish that argument with her about her beloved Byron."
"Why, George, my friend, I thought you were being the good son in Nice? Don’t tell me you’ve abandoned the dear old lady! Where is she? You know I need to wrap up that discussion with her about her favorite Byron."
Lorimer laughs. "Go and finish it when you like, Beau," he answers. "My mother's all right. She's at home. You know she's always charmed to see you. She's delighted with that new book of yours."
Lorimer laughs. "Go ahead and finish it whenever you want, Beau," he replies. "My mom's fine. She's at home. You know she always loves seeing you. She's thrilled with that new book of yours."
"Is she? She finds pleasure in trifles then—"
"Is that so? She takes pleasure in little things then—"
"Oh no, Mr. Lovelace!" interrupts Lady Clara, with a winning glance. "You must not run yourself down! The book is exquisite! I got it at once from the library, and read every line of it!"
"Oh no, Mr. Lovelace!" interrupts Lady Clara, with a charming smile. "You shouldn't put yourself down! The book is amazing! I grabbed it right away from the library and read every single line!"
"I am exceedingly flattered!" says Lovelace, with a grave bow, though there is a little twinkling mockery in his glance. "When a lady so bewitching condescends to read what I have written, how can I express my emotion!"
"I am really flattered!" says Lovelace, with a serious bow, though there's a hint of playful mockery in his eyes. "When such an enchanting lady takes the time to read what I've written, how can I possibly express my feelings!"
"The press is unanimous in its praise of you," remarks Lord Winsleigh cordially. "You are quite the lion of the day!"
"The media is all in agreement about how great you are," says Lord Winsleigh warmly. "You’re definitely the star of the moment!"
"Oh quite!" agrees Beau laughing. "And do I not roar 'as sweet as any nightingale'? But I say, where's the new beauty?"
"Oh, definitely!" Beau laughs in agreement. "And don't I sing 'as sweet as any nightingale'? But I have to ask, where's the new beauty?"
"I really do not know to whom you allude, Mr. Lovelace," replies Lady Winsleigh coldly. Lorimer smiles and is silent. Beau looks from one to the other amusedly.
"I really don't know who you're talking about, Mr. Lovelace," Lady Winsleigh replies coldly. Lorimer smiles and stays quiet. Beau looks back and forth between the two of them, amused.
"Perhaps I've made a mistake," he says, "but the Duke of Roxwell is responsible. He told me that if I came here to-night I should see one of the loveliest women living,—Lady Bruce-Errington. He saw her in the park. I think this gentleman"—indicating Sir Francis Lennox, who bites his moustache vexedly—"said quite openly at the Club last night that she was the new beauty,—and that she would be here this evening."
"Maybe I've messed up," he says, "but the Duke of Roxwell is to blame. He told me that if I came here tonight, I would see one of the most beautiful women alive—Lady Bruce-Errington. He spotted her in the park. I think this guy"—pointing to Sir Francis Lennox, who is nervously biting his mustache—"stated very clearly at the Club last night that she is the new beauty, and that she would be here this evening."
Lady Winsleigh darts a side glance at her "Lennie" that is far from pleasant.
Lady Winsleigh shoots an unpleasant side glance at her "Lennie."
"Really it's perfectly absurd!" she says, with a scornful toss of her head. "We shall have housemaids and bar-girls accepted as 'quite the rage' next. I do not know Sir Philip's wife in the least,—I hear she was a common farmer's daughter. I certainly invited her to-night out of charity and kindness in order that she might get a little accustomed to society—for, of course, poor creature! entirely ignorant and uneducated as she is, everything will seem strange to her. But she has not come—"
"Honestly, it's completely ridiculous!" she says, tossing her head in disbelief. "Next, we'll be welcoming housemaids and bar girls as 'totally in vogue.' I don't know Sir Philip's wife at all—I hear she was just a farmer's daughter. I invited her tonight out of kindness, hoping she'd get a bit more comfortable in social settings—because, poor thing! she's so completely uneducated and clueless, everything will be strange to her. But she didn't come—"
"Sir Philip and Lady Bruce-Errington!" announces Briggs at this juncture.
"Sir Philip and Lady Bruce-Errington!" announces Briggs at this point.
There is a sudden hush—a movement of excitement,—and the groups near the door fall apart staring, and struck momentarily dumb with surprise, as a tall, radiant figure in dazzling white, with diamonds flashing on a glittering coil of gold hair, and wondrous sea-blue earnest eyes, passes through their midst with that royal free step and composed grace of bearing that might distinguish an Empress of many nations.
There’s a sudden silence—a ripple of excitement—and the groups near the door break apart, staring, momentarily speechless with surprise, as a tall, radiant figure in bright white, with diamonds sparkling in a beautiful coil of gold hair and deep sea-blue eyes, walks through their midst with a regal stride and calm grace that could belong to an Empress of many nations.
"Good heavens! What a magnificent woman!" mutters Beau Lovelace—"Venus realized!"
"Wow! What an amazing woman!" mutters Beau Lovelace—"Venus come to life!"
Lady Winsleigh turns very pale,—she trembles and can scarcely regain her usual composure as Sir Philip, with a proud tenderness lighting up the depths of his hazel eyes, leads this vision of youth and perfect loveliness up to her, saying simply—
Lady Winsleigh turns very pale—she shakes and can barely get back her usual calm as Sir Philip, a proud tenderness shining in his hazel eyes, brings this vision of youth and perfect beauty to her, saying simply—
"Lady Winsleigh, allow me to introduce to you—my wife! Thelma, this is Lady Winsleigh."
"Lady Winsleigh, let me introduce you to—my wife! Thelma, this is Lady Winsleigh."
There is a strange sensation in Lady Winsleigh's throat as though a very tight string were suddenly drawn round it to almost strangling point—and it is certain that she feels as though she must scream, hit somebody with her fan, and rush from the room in an undignified rage. But she chokes back these purely feminine emotions—she smiles and extends her jewelled hand.
There’s a weird feeling in Lady Winsleigh’s throat, like a really tight string is suddenly pulling around it almost to the point of choking her—and she definitely feels like she has to scream, whack someone with her fan, and storm out of the room in a fit of anger. But she holds back these entirely feminine feelings—she smiles and reaches out her jeweled hand.
"So good of you to come to-night!" she says sweetly. "I have been longing to see you, Lady Errington! I dare say you know your husband is quite an old acquaintance of mine!"
"So great of you to come tonight!" she says sweetly. "I've been looking forward to seeing you, Lady Errington! I'm sure you know your husband is quite an old friend of mine!"
And a langourous glance, like fire seen through smoke, leaps from beneath her silky eyelashes at Sir Philip—but he sees it not—he is chatting and laughing gaily with Lorimer and Beau Lovelace.
And a languorous glance, like fire through smoke, leaps from beneath her silky eyelashes at Sir Philip—but he doesn’t notice it—he is chatting and laughing cheerfully with Lorimer and Beau Lovelace.
"Indeed, yes!" answers Thelma, in that soft low voice of hers, which had such a thrilling richness within it—"and it is for that reason I am very glad to meet you. It is always pleasant for me to know my husband's friends."
"Absolutely!" replies Thelma, in her soft, low voice that has such a captivating richness—"and that's why I'm really happy to meet you. It's always nice for me to get to know my husband's friends."
Here she raises those marvellous, innocent eyes of hers and smiles;—why does Lady Winsleigh shrink from that frank and childlike openness of regard? Why does she, for one brief moment, hate herself?—why does she so suddenly feel herself to be vile and beneath contempt? God only knows!—but the first genuine blush that has tinged her ladyship's cheek for many a long day, suddenly spreads a hot and embarrassing tide of crimson over the polished pallor of her satiny skin, and she says hurriedly—
Here she lifts her amazing, innocent eyes and smiles;—why does Lady Winsleigh pull back from that honest and childlike gaze? Why does she, for just a moment, feel self-loathing?—why does she suddenly see herself as disgusting and worthless? Only God knows!—but the first real blush that has touched her ladyship's cheek in a long time suddenly spreads a warm and awkward tide of crimson over the smooth pallor of her satiny skin, and she says quickly—
"I must find you some people to talk to. This is my dear friend, Mrs. Rush-Marvelle—I am sure you will like each other. Let me introduce Mrs. Van Clupp to you—Mrs. Van Clupp, and Miss Van Clupp!"
"I need to find you some people to talk to. This is my dear friend, Mrs. Rush-Marvelle—I’m sure you two will get along great. Let me introduce you to Mrs. Van Clupp—Mrs. Van Clupp, and Miss Van Clupp!"
The ladies bow stiffly while Thelma responds to their prim salutation with easy grace.
The ladies bow rigidly while Thelma replies to their formal greeting with effortless poise.
"Sir Francis Lennox"—continues Lady Winsleigh, and there is something like a sneer in her smile, as that gentleman makes a deep and courtly reverence, with an unmistakable look of admiration in his sleepy tiger-brown eyes,—then she turns to Lord Winsleigh and adds in a casual way, "My husband!" Lord Winsleigh advances rather eagerly—there is a charm in the exquisite nobility of Thelma's face that touches his heart and appeals to the chivalrous and poetical part of his nature.
"Sir Francis Lennox," Lady Winsleigh continues, a hint of a sneer in her smile as he makes a deep, graceful bow, his sleepy tiger-brown eyes clearly filled with admiration. Then she casually turns to Lord Winsleigh and adds, "My husband!" Lord Winsleigh steps forward eagerly—there's something enchanting about Thelma's perfectly noble face that warms his heart and appeals to both his chivalrous and poetic side.
"Sir Philip and I have known each other for some years," he says, pressing her little fair hand cordially. "It is a great pleasure for me to see you to-night, Lady Errington—I realize how very much my friend deserves to be congratulated on his marriage!"
"Sir Philip and I have known each other for a few years," he says, shaking her small, fair hand warmly. "It's a real pleasure to see you tonight, Lady Errington—I truly recognize how much my friend deserves to be congratulated on his marriage!"
Thelma smiles. This little speech pleases her, but she does not accept the compliment implied to herself.
Thelma smiles. This little speech makes her happy, but she doesn't accept the compliment directed at her.
"You are very kind, Lord Winsleigh"—she answers; "I am glad indeed that you like Philip. I do think with you that he deserves every one's good wishes. It is my great desire to make him always happy."
"You are very kind, Lord Winsleigh," she replies. "I'm really glad you like Philip. I believe, just like you, that he deserves everyone's best wishes. It's my biggest wish to keep him happy all the time."
A brief shadow crosses Lord Winsleigh's thoughtful brow, and he studies her sweet eyes attentively. Is she sincere? Does she mean what she says? Or is she, like others of her sex, merely playing a graceful part? A slight sigh escapes him,—absolute truth, innocent love, and stainless purity are written in such fair, clear lines on that perfect countenance that the mere idea of questioning her sincerity seems a sacrilege.
A brief shadow crosses Lord Winsleigh's thoughtful brow as he studies her sweet eyes closely. Is she being genuine? Does she really mean what she says? Or is she, like others of her gender, just playing a graceful part? A slight sigh escapes him—absolute truth, innocent love, and pure purity are so clearly expressed in her beautiful face that even thinking about questioning her sincerity feels like a sacrilege.
"Your desire is gratified, I am sure," he returns, and his voice is somewhat sad. "I never saw him looking so well. He seems in excellent spirits."
"Your wish is fulfilled, I'm sure," he replies, his voice a bit sad. "I've never seen him look so good. He seems really happy."
"Oh, for that!" and she laughs. "He is a very light-hearted boy! But once he would tell me very dreadful things about the world—how it was not at all worth living in—but I do think he must have been lonely. For he is very pleased with everything now, and finds no fault at all!"
"Oh, for that!" she laughs. "He's such a carefree kid! But there was a time when he'd share some really terrible things about the world—how it wasn't worth living in at all—but I really think he must have been lonely. Because now he seems to be happy with everything and doesn't complain at all!"
"I can quite understand that!" and Lord Winsleigh smiles, though that shadow of pain still rests on his brow.
"I totally get that!" Lord Winsleigh smiles, although that hint of pain still lingers on his forehead.
Mrs. Rush-Marvelle and the Van Clupps are listening to the conversation with straining ears. What strange person is this? She does not talk bad grammar, though her manner of expressing herself is somewhat quaint and foreign. But she is babyish—perfectly babyish! The idea of any well-bred woman condescending to sing the praises of her own husband in public! Absurd! "Deserves every-one's good wishes!"—pooh! her "great desire is to make him always happy!"—what utter rubbish!—and he is a "light-hearted boy!" Good gracious!—what next? Marcia Van Clupp is strongly inclined to giggle, and Mrs. Van Clupp is indignantly conscious that the Errington diamonds far surpass her own, both for size and lustre.
Mrs. Rush-Marvelle and the Van Clupps are listening intently to the conversation. Who is this strange person? She doesn’t speak in poor grammar, but her way of expressing herself is a bit odd and foreign. Yet, she is so childish—completely childish! The idea of a well-bred woman stooping to sing the praises of her own husband in public! Ridiculous! "Deserves everyone's good wishes!"—pfft! her "great desire is to make him always happy!"—what complete nonsense!—and he is a "light-hearted boy!" Good grief!—what's next? Marcia Van Clupp is fighting back laughter, and Mrs. Van Clupp is angrily aware that the Errington diamonds are much better than her own, both in size and sparkle.
At that moment Sir Philip approaches his wife, with George Lorimer and Beau Lovelace. Thelma's smile at Lorimer is the greeting of an old friend—a sun-bright glance that makes his heart beat a little quicker than usual. He watches her as she turns to be introduced to Lovelace,—while Miss Van Clupp, thinking of the relentless gift of satire with which that brilliant writer is endowed, looks out for "some fun"—for, as she confides in a low tone to Mrs. Marvelle—"she'll never know how to talk to that man!"
At that moment, Sir Philip walks up to his wife with George Lorimer and Beau Lovelace. Thelma's smile at Lorimer is like the greeting of an old friend—a bright look that makes his heart race a bit faster than usual. He watches her as she turns to be introduced to Lovelace, while Miss Van Clupp, thinking about the sharp wit that the brilliant writer possesses, looks for "some entertainment"—because, as she quietly tells Mrs. Marvelle, "she'll never know how to talk to that guy!"
"Thelma," says Sir Philip, "this is the celebrated author, Beaufort Lovelace,—you have often heard me speak of him."
"Thelma," says Sir Philip, "this is the famous author, Beaufort Lovelace—you’ve often heard me talk about him."
She extends both her hands, and her eyes deepen and flash.
She reaches out with both hands, and her eyes shine with intensity.
"Ah! you are one of those great men whom we all love and admire!" she says, with direct frankness,—and the cynical Beau, who has never yet received so sincere a compliment, feels himself coloring like a school-girl. "I am so very proud to meet you! I have read your wonderful book, 'Azaziel,' and it made me glad and sorry together. For why do you draw a noble example and yet say at the same time that it is impossible to follow it? Because in one breath you inspire us to be good, and yet you tell us we shall never become so! That is not right,—is it?"
"Wow! You’re one of those amazing people we all admire!" she says, with total honesty—and the cynical guy, who has never received such a genuine compliment, feels himself blushing like a schoolgirl. "I’m really proud to meet you! I read your incredible book, 'Azaziel,' and it made me feel happy and sad at the same time. Why do you present such a noble example yet also say it’s impossible to live up to it? Because in one breath you inspire us to be good, but then you tell us we’ll never be! That doesn’t seem fair—does it?"
Beau meets her questioning glance with a grave smile.
Beau responds to her questioning glance with a serious smile.
"It is most likely entirely wrong from your point of view, Lady Errington," he said. "Some day we will talk over the matter. You shall show me the error of my ways. Perhaps you will put life, and the troublesome business of living, in quite a new light for me! You see, we novelists have an unfortunate trick of looking at the worst or most ludicrous side of everything—we can't help it! So many apparently lofty and pathetic tragedies turn out, on close examination, to be the meanest and most miserable of farces,—it's no good making them out to be grand Greek poems when they are only base doggerel rhymes. Besides, it's the fashion nowadays to be chiffonniers in literature—to pick up the rags of life and sort them in all their uncomeliness before the morbid eyes of the public. What's the use of spending thought and care on the manufacture of a jewelled diadem, and offering it to the people on a velvet cushion, when they prefer an olla-podrida of cast-off clothing, dried bones and candle-ends? In brief, what would it avail to write as grandly as Shakespeare or Scott, when society clamors for Zola and others of his school?"
"It’s probably completely off-base from your perspective, Lady Errington," he said. "One day we’ll discuss this. You’ll show me where I’m wrong. Maybe you’ll help me see life and the tricky nature of living in a whole new way! You see, we novelists have a frustrating habit of focusing on the worst or most ridiculous sides of everything—we can’t help it! Many supposed grand and tragic stories, when looked at closely, turn out to be the most pathetic and miserable farces—there’s no point pretending they’re grand Greek poems when they’re just bad rhymes. Plus, it’s trendy these days to be chiffonniers in literature—to collect and display the rags of life and show all their ugliness to the public’s morbid gaze. What’s the point of putting thought and effort into creating a jeweled crown and presenting it to people on a velvet cushion when they’d rather have a mix of discarded clothes, dried bones, and candle stubs? In short, what good would it do to write as grandly as Shakespeare or Scott when society is demanding Zola and those like him?"
There was a little group round them by this time,—men generally collected wherever Beau Lovelace aired his opinions,—and a double attraction drew them together now in the person of the lovely woman to whom he was holding forth.
There was a small crowd around them by this time—men typically gathered wherever Beau Lovelace shared his thoughts—and a double attraction brought them together now in the presence of the beautiful woman he was speaking to.
Marcia Van Clupp stared mightily—surely the Norwegian peasant would not understand Beau's similes,—for they were certainly incomprehensible to Marcia. As for his last remark—why! she had read all Zola's novels in the secrecy of her own room, and had gloated over them;—no words could describe her intense admiration of books that were so indelicately realistic! "He is jealous of other writers, I suppose," she thought; "these literary people hate each other like poison."
Marcia Van Clupp stared hard—surely the Norwegian peasant wouldn’t get Beau’s comparisons, since they were definitely unclear to Marcia. As for his last comment—well! she had read all of Zola’s novels in the privacy of her own room and had reveled in them; no words could capture her deep admiration for books that were so unashamedly realistic! “He must be jealous of other writers,” she thought; “these literary folks can’t stand each other.”
Meanwhile Thelma's blue eyes looked puzzled. "I do not know that name," she said. "Zola!—what is he? He cannot be great. Shakespeare I know,—he is the glory of the world, of course; I think him as noble as Homer. Then for Walter Scott—I love all his beautiful stories—I have read them many, many times, nearly as often as I have read Homer and the Norse Sagas. And the world must surely love such writings—or how should they last so long?" She laughed and shook her bright head archly. "Chiffonnier! Point du tout! Monsieur, les divines pensées que vous avez donné au monde ne sont pas des chiffons."
Meanwhile, Thelma's blue eyes looked confused. "I don’t know that name," she said. "Zola! What is he? He can't be great. I know Shakespeare—he's the glory of the world, of course; I think he’s as noble as Homer. And as for Walter Scott—I love all his beautiful stories—I’ve read them so many times, nearly as often as I’ve read Homer and the Norse Sagas. The world must really love such writings—or how could they last so long?" She laughed and shook her bright head playfully. "Chiffonnier! Not at all! Sir, the divine thoughts you’ve given to the world are not mere rags."
Beau smiled again, and offered her his arm. "Let me find you a chair!" he said. "It will be rather a difficult matter,—still I can but try. You will be fatigued if you stand too long." And he moved through the swaying crowd, with her little gloved hand resting lightly on his coat-sleeve,—while Marcia Van Clupp and her mother exchanged looks of wonder and dismay. The "fisherwoman" could speak French,—moreover, she could speak it with a wonderfully soft and perfect accent,—the "person" had studied Homer and Shakespeare, and was conversant with the best literature,—and, bitterest sting of all, the "peasant" could give every woman in the room a lesson in deportment, grace, and perfect taste in dress. Every costume looked tawdry beside her richly flowing velvet draperies—every low bodice became indecent compared with the modesty of that small square opening at Thelma's white throat—an opening just sufficient to display her collar of diamonds—and every figure seemed either dumpy and awkward, too big or too fat, or too lean and too lanky—when brought into contrast with her statuesque outlines.
Beau smiled again and offered her his arm. "Let me find you a chair!" he said. "It might be a bit tricky, but I can at least try. You’ll get tired if you stand for too long." He moved through the swaying crowd, her little gloved hand resting lightly on his coat sleeve, while Marcia Van Clupp and her mother exchanged looks of surprise and concern. The "fisherwoman" could speak French—moreover, she spoke it with a wonderfully soft and perfect accent—the "person" had studied Homer and Shakespeare, and was familiar with the best literature—and, the bitterest sting of all, the "peasant" could give every woman in the room a lesson in poise, grace, and perfect taste in fashion. Every outfit looked cheap next to her richly flowing velvet drapery—every low-cut bodice seemed inappropriate compared to the modest small square opening at Thelma's white throat—an opening just wide enough to showcase her diamond collar—and every figure appeared either short and awkward, too big or too heavy, or too skinny and lanky when placed alongside her statuesque silhouette.
The die was cast,—the authority of Beau Lovelace was nearly supreme in fashionable and artistic circles, and from the moment he was seen devoting his attention to the "new beauty," excited whispers began to flit from mouth to mouth,—"She will be the rage this season!"—"We must ask her to come to us!"—"Do ask Lady Winsleigh to introduce us!"—"She must come to our house!" and so on. And Lady Winsleigh was neither blind nor deaf—she saw and heard plainly enough that her reign was over, and in her secret soul she was furious. The "common farmer's daughter" was neither vulgar nor uneducated—and she was surpassingly lovely—even Lady Winsleigh could not deny so plain and absolute a fact. But her ladyship was a woman of the world, and she perceived at once that Thelma was not. Philip had married a creature with the bodily loveliness of a goddess and the innocent soul of a child—and it was just that child-like, pure soul looking serenely out of Thelma's eyes that had brought the long-forgotten blush of shame to Clara Winsleigh's cheek. But that feeling of self-contempt soon passed—she was no better and no worse than other women of her set, she thought—after all, what had she to be ashamed of? Nothing, except—except—perhaps, her "little affair" with "Lennie." A new emotion now stirred her blood—one of malice and hatred, mingled with a sense of outraged love and ungratified passion—for she still admired Philip to a foolish excess. Her dark eyes flashed scornfully as she noted the attitude of Sir Francis Lennox,—he was leaning against the marble mantel-piece, stroking his moustache with one hand, absorbed in watching Thelma, who, seated in an easy chair which Beau Lovelace had found for her, was talking and laughing gaily with those immediately around her, a group which increased in size every moment, and in which the men were most predominant.
The die was cast—the authority of Beau Lovelace was almost absolute in fashionable and artistic circles, and from the moment he was seen focusing on the "new beauty," excited whispers began to spread from person to person—"She will be the trend this season!"—"We have to invite her!"—"Do ask Lady Winsleigh to introduce us!"—"She must come to our place!" and so on. And Lady Winsleigh was neither blind nor deaf—she clearly saw and heard that her time was up, and deep down she was furious. The "common farmer's daughter" was neither tacky nor uneducated—and she was incredibly stunning—even Lady Winsleigh couldn't deny such a clear and undeniable fact. But her ladyship was a worldly woman, and she immediately realized that Thelma was not. Philip had married someone with the physical beauty of a goddess and the innocent soul of a child—and it was that child-like, pure soul shining serenely from Thelma's eyes that had brought the long-forgotten blush of shame to Clara Winsleigh's cheeks. But that feeling of self-contempt soon faded—she was no better or worse than other women in her social circle, she thought—after all, what did she have to be ashamed of? Nothing, except—except—maybe her "little affair" with "Lennie." A new emotion now stirred within her—one of malice and hatred, mixed with a sense of wounded love and unfulfilled desire—for she still admired Philip to a ridiculous degree. Her dark eyes flashed with scorn as she observed Sir Francis Lennox's demeanor—he was leaning against the marble mantelpiece, stroking his mustache with one hand, absorbed in watching Thelma, who, seated in a comfortable chair that Beau Lovelace had found for her, was chatting and laughing joyfully with those around her, a group that grew in size with each moment, and in which the men were most prominent.
"Fool!" muttered Lady Winsleigh to herself, apostrophizing "Lennie" in this uncomplimentary manner. "Fool! I wonder if he thinks I care! He may play hired lacquey to all the women in London if he likes! He looks a prig compared to Philip!"
"Idiot!" Lady Winsleigh murmured to herself, addressing "Lennie" in this disrespectful way. "Idiot! I wonder if he thinks I care! He can be a servant to all the women in London if he wants! He seems so self-righteous next to Philip!"
And her gaze wandered,—Philip was standing by his wife, engaged in an animated conversation with Lord Winsleigh. They were all near the grand piano—and Lady Clara, smoothing her vexed brow, swept her ruby velvets gracefully up to that quarter of the room. Before she could speak, the celebrated Herr Machtenklinken confronted her with some sternness.
And her gaze drifted around—the way Philip was talking passionately with Lord Winsleigh by his wife caught her attention. They were all gathered around the grand piano, and Lady Clara, trying to calm her troubled mind, elegantly moved in that direction. Before she could say anything, the famous Herr Machtenklinken faced her with a certain seriousness.
"Your ladyshib vill do me ze kindness to remember," he said, loftily, "zat I am here to blay! Zere has been no obbortunity—ze biano could not make itself to be heard in zis fery moch noise. It is bossible your ladyshib shall require not ze music zis efening? In zat case I shall take my fery goot leave."
"Your ladyship will do me the kindness to remember," he said pompously, "that I am here to play! There hasn't been any opportunity—the piano couldn’t be heard over this much noise. It's possible your ladyship might not want music this evening? In that case, I'll take my very good leave."
Lady Winsleigh raised her eyes with much superciliousness.
Lady Winsleigh lifted her eyes with a lot of arrogance.
"As you please," she said coolly. "If you are so indifferent to your advantages—then all I can say is, so am I! You are, perhaps, known on the Continent, Herr Machtenklinken,—but not here—and I think you ought to be more grateful for my influence."
"As you wish," she replied casually. "If you don’t care about your opportunities—then all I can say is, neither do I! You might be recognized on the Continent, Herr Machtenklinken,—but not here—and I think you should appreciate my influence more."
So saying, she passed on, leaving the luckless pianist in a state of the greatest indignation.
So saying, she moved on, leaving the unlucky pianist in a state of extreme anger.
"Gott in Himmel!" he gasped, in a sort of infuriated sotto voce. "Ze Emberor himself would not have speak to me so! I come here as a favor—her ladyshib do not offer me one pfenning,—ach! ze music is not for such beoble! I shall brefer to blay to bigs! Zere is no art in zis country!—"
"God in heaven!" he exclaimed, in an annoyed whisper. "The Emperor himself wouldn't speak to me like that! I come here as a favor—her ladyship doesn’t offer me a single penny—ugh! The music is not for such people! I’d rather play for pigs! There’s no art in this country!—"
And he began to make his way out of the room, when he was overtaken by Beau Lovelace, who had followed him in haste.
And he started to leave the room when Beau Lovelace caught up with him, having hurried in after him.
"Where are you off to, Hermann?" he asked good-naturedly. "We want you to play. There is a lady here who heard you in Paris quite recently—she admires you immensely. Won't you come and be introduced to her?"
"Where are you heading, Hermann?" he asked warmly. "We want you to play. There’s a lady here who heard you in Paris not too long ago—she thinks you’re amazing. Will you come and meet her?"
Herr Machtenklinken paused, and a smile softened his hitherto angry countenance.
Herr Machtenklinken paused, and a smile softened his previously angry expression.
"You are fery goot, Mr. Lofelace," he remarked—"and I would do moch for you—but her ladyshib understands me not—she has offend me—it is better I should take my leave."
"You are very good, Mr. Lofelace," he said, "and I would do a lot for you—but her ladyship doesn't understand me—she has offended me—it’s better if I take my leave."
"Oh, bother her ladyship!" said Beau lightly. "Come along, and give us something in your best style."
"Oh, come on, your ladyship!" said Beau playfully. "Join us, and show us something in your best style."
So saying, he led the half-reluctant artist back to the piano, where he was introduced to Thelma, who gave him so sweet a smile that he was fairly dazzled.
So saying, he led the somewhat hesitant artist back to the piano, where he was introduced to Thelma, who gave him such a sweet smile that he was completely dazzled.
"It is you who play Schumann so beautifully," she said. "My husband and I heard you at one of Lamoureux's concerts in Paris. I fear," and she looked wistfully at him, "that you would think it very rude and selfish of me if I asked you to play just one little piece? Because, of course, you are here to enjoy yourself, and talk to your friends, and it seems unkind to take you away from them!"
"It’s you who plays Schumann so beautifully," she said. "My husband and I heard you at one of Lamoureux's concerts in Paris. I’m afraid," and she looked at him longing, "that you’d find it really rude and selfish if I asked you to play just one little piece? Because, of course, you’re here to enjoy yourself and chat with your friends, and it feels unfair to take you away from them!"
A strange moisture dimmed the poor German's eyes. This was the first time in England that the "celebrate" had been treated as a friend and a gentleman. Up to this moment, at all the "at homes" and "assemblies," he had not been considered as a guest at all,—he was an "artist," "a good pianist,"—"a man who had played before the Emperor of Germany"—and he was expected to perform for nothing, and be grateful for the "influence" exercised on his behalf—influence which as yet had not put one single extra guinea in his pocket. Now, here was a great lady almost apologizing for asking him to play, lest it should take him away from his "friends"! His heart swelled with emotion and gratitude—the poor fellow had no "friends" in London, except Beau Lovelace, who was kind to him, but who had no power in the musical world,—and, as Thelma's gentle voice addressed him, he could have knelt and kissed her little shoe for her sweet courtesy and kindness.
A strange moisture filled the poor German's eyes. This was the first time in England that the "celebrity" had been treated like a friend and a gentleman. Until this moment, at all the "at homes" and "assemblies," he hadn’t been regarded as a guest at all—he was an "artist," "a good pianist,"—"a man who had played for the Emperor of Germany"—and he was expected to perform for free, while being grateful for the "influence" exercised on his behalf—which so far hadn’t put a single extra guinea in his pocket. Now, here was a great lady almost apologizing for asking him to play, as if it might take him away from his "friends"! His heart swelled with emotion and gratitude—the poor fellow had no "friends" in London, except Beau Lovelace, who was kind to him but had no sway in the music world—and as Thelma’s gentle voice spoke to him, he could have knelt and kissed her little shoe for her sweet courtesy and kindness.
"Miladi," he said, with a profound reverence, "I will blay for you with bleasure,—it will be a joy for ze music to make itself beautiful for you!"
"Milady," he said, with deep respect, "I will play for you with pleasure—it will be a joy for the music to be beautiful for you!"
And with this fantastic attempt at a compliment, he seated himself at the instrument and struck a crashing chord to command silence.
And with this bold attempt at a compliment, he sat down at the piano and hit a loud chord to demand silence.
The hum of conversation grew louder than ever—and to Thelma's surprise Lady Winsleigh seated herself by her and began to converse. Herr Machtenklinken struck another chord,—in vain! The deafening clamor of tongues continued, and Lady Winsleigh asked Thelma with much seeming interest if the scenery was very romantic in Norway?
The buzz of conversation got louder than ever—and to Thelma's surprise, Lady Winsleigh sat down next to her and started chatting. Herr Machtenklinken played another chord—but it didn't matter! The overwhelming noise of voices went on, and Lady Winsleigh asked Thelma, with a lot of apparent interest, if the scenery in Norway was very romantic.
The girl colored deeply, and after a little hesitation, said—
The girl blushed deeply, and after a moment of hesitation, said—
"Excuse me,—I would rather not speak till the music is over. It is impossible for a great musician to think his thoughts out properly unless there is silence. Would it not be better to ask every one to leave off talking while this gentleman plays?"
"Excuse me, but I’d prefer not to talk until the music is finished. It's hard for a great musician to fully express his ideas unless there’s silence. Wouldn’t it make more sense to ask everyone to stop talking while this guy plays?"
Clara Winsleigh looked amused. "My dear, you don't know them," she said carelessly. "They would think me mad to propose such a thing! There are always a few who listen."
Clara Winsleigh looked amused. "My dear, you don't know them," she said casually. "They would think I'm crazy to suggest something like that! There are always a few who pay attention."
Once more the pianist poised his hands over the keys of the instrument,—Thelma looked a little troubled and grieved. Beau Lovelace saw it, and acting on a sudden impulse, turned towards the chattering crowds, and, holding up his hand, called, "Silence, please!"
Once again, the pianist positioned his hands over the keys of the instrument—Thelma appeared a bit troubled and sad. Beau Lovelace noticed it, and acting on a sudden impulse, turned toward the noisy crowds and, raising his hand, called out, "Quiet, please!"
There was an astonished hush. Beau laughed. "We want to hear some music," he said, with the utmost coolness. "Conversation can be continued afterwards." He then nodded cheerfully towards Herr Machtenklinken, who, inspired by this open encouragement, started off like a race-horse into one of the exquisite rambling preludes of Chopin. Gradually, as he played, his plain face took upon itself a noble, thoughtful, rapt expression,—his wild eyes softened,—his furrowed, frowning brow smoothed,—and, meeting the grave, rare blue eyes of Thelma, he smiled. His touch grew more and more delicate and tender—from the prelude he wandered into a nocturne of plaintive and exceeding melancholy, which he played with thrilling and exquisite pathos—anon, he glided into one of those dreamily joyous yet sorrowful mazurkas, that remind one of bright flowers growing in wild luxuriance over lonely and forsaken graves. The "celebrate" had reason to boast of himself—he was a perfect master of the instrument,—and as his fingers closed on the final chord, a hearty burst of applause rewarded his efforts, led by Lovelace and Lorimer. He responded by the usual bow,—but his real gratitude was all for Thelma. For her he had played his best—and he had seen tears in her lovely eyes. He felt as proud of her appreciation as of the ring he had received from the Tsar,—and bent low over the fair hand she extended to him.
There was a stunned silence. Beau laughed. "We want to hear some music," he said, completely relaxed. "We can keep talking afterwards." He then nodded happily at Herr Machtenklinken, who, inspired by this encouragement, took off like a racehorse into one of Chopin's beautiful, flowing preludes. Gradually, as he played, his ordinary face transformed into one of noble, thoughtful bliss—his wild eyes softened—his furrowed brow relaxed—and when he met Thelma's serious, rare blue eyes, he smiled. His touch became more delicate and tender—after the prelude, he drifted into a nocturne laden with deep, moving melancholy, which he played with electric and exquisite emotion—then he smoothly transitioned into one of those dreamily joyful yet sorrowful mazurkas that remind one of vibrant flowers growing wildly over lonely, forgotten graves. The "celebrate" had every reason to be confident—he was a true master of the instrument—and as his fingers concluded the final chord, a loud round of applause erupted in appreciation, led by Lovelace and Lorimer. He responded with the usual bow—but his genuine gratitude was directed entirely at Thelma. He had played his best for her—and he noticed tears in her beautiful eyes. He felt as proud of her appreciation as he did of the ring he had received from the Tsar—and he leaned low over the lovely hand she offered him.
"You must be very happy," she said, "to feel all those lovely sounds in your heart! I hope I shall see and hear you again some day,—I thank you so very much for the pleasure you have given me!"
"You must be really happy," she said, "to feel all those beautiful sounds in your heart! I hope I can see and hear you again someday—I really appreciate all the joy you've brought me!"
Lady Winsleigh said nothing—and she listened to Thelma's words with a sort of contempt.
Lady Winsleigh said nothing, and she listened to Thelma's words with a sense of contempt.
"Is the girl half-witted?" she thought. "She must be, or she would not be so absurdly enthusiastic! The man plays well,—but it is his profession to play well—it's no good praising these sort of people,—they are never grateful, and they always impose upon you." Aloud she asked Sir Philip—
"Is the girl clueless?" she thought. "She must be, or she wouldn’t be so ridiculously enthusiastic! The man plays well—but it's his job to play well—it’s pointless to praise people like that—they’re never grateful and always take advantage of you." Out loud, she asked Sir Philip—
"Does Lady Errington play?"
"Is Lady Errington playing?"
"A little," he answered. "She sings."
"A bit," he replied. "She sings."
At once there was a chorus of inanely polite voices round the piano, "Oh, do sing, Lady Errington! Please, give us one song!" and Sir Francis Lennox, sauntering up, fixed his languorous gaze on Thelma's face, murmuring, "You will not be so cruel as to refuse us such delight?"
At that moment, a chorus of overly polite voices gathered around the piano, "Oh, please sing, Lady Errington! Come on, sing us a song!" Sir Francis Lennox strolled over, focusing his lazy gaze on Thelma's face, and said, "You wouldn't be so mean as to turn us down for such a treat, would you?"
"But, of course not!" answered the girl, greatly surprised at all these unnecessary entreaties. "I am always pleased to sing." And she drew off her long loose gloves and seated herself at the piano without the least affectation of reluctance. Then, glancing at her husband with a bright smile, she asked, "What song do you think will be best, Philip?"
"But, of course not!" the girl replied, clearly surprised by all these unnecessary requests. "I always love to sing." She took off her long, loose gloves and sat down at the piano without any pretense of hesitation. Then, looking at her husband with a bright smile, she asked, "What song do you think would be best, Philip?"
"One of those old Norse mountain-songs," he answered.
"One of those old Norse mountain songs," he replied.
She played a soft minor prelude—there was not a sound in the room now—everybody pressed towards the piano, staring with a curious fascination at her beautiful face and diamond-crowned hair. One moment—and her voice, in all its passionate, glorious fullness, rang out with a fresh vibrating tone that thrilled to the very heart—and the foolish crowd that gaped and listened was speechless, motionless, astonished, and bewildered.
She played a gentle minor prelude—there was complete silence in the room now—everyone leaned in towards the piano, captivated by her beautiful face and diamond-studded hair. In a moment—and her voice, with all its passionate, glorious richness, burst out with a fresh, vibrant tone that sent a thrill to the very core—and the stunned crowd that gawked and listened was speechless, frozen, amazed, and bewildered.
A Norse mountain-song was it? How strange, and grand, and wild! George Lorimer stood apart—his eyes ached with restrained tears. He knew the melody well—and up before him rose the dear solemnity of the Altenguard hills, the glittering expanse of the Fjord, the dear old farmhouse behind its cluster of pines. Again he saw Thelma as he had seen her first—clad in her plain white gown, spinning in the dark embrasure of the rose-wreathed window—again the words of the self-destroyed Sigurd came back to his recollection, "Good things may come for others—but for you the heavens are empty!" He looked at her now,—Philip's wife—in all the splendor of her rich attire;—she was lovelier than ever, and her sweet nature was as yet unspoilt by all the wealth and luxury around her.
A Norse mountain song, was it? How strange, grand, and wild! George Lorimer stood off to the side—his eyes ached with held-back tears. He recognized the melody well—and before him rose the familiar solemnity of the Altenguard hills, the shimmering expanse of the Fjord, and the beloved old farmhouse nestled among the pines. He saw Thelma again, just as he had seen her for the first time—dressed in her simple white gown, spinning in the dark recess of the rose-wreathed window—once more the words of the self-destructive Sigurd echoed in his mind, "Good things may come for others—but for you the heavens are empty!" He looked at her now,—Philip's wife—surrounded by the richness of her elegant outfit;—she was more beautiful than ever, and her sweet nature was still untainted by all the wealth and luxury surrounding her.
"Good God! what an inferno she has come into!" he thought vaguely. "How will she stand these people when she gets to know them? The Van Clupps, the Rush-Marvelles, and others like them,—and as for Clara Winsleigh—" He turned to study her ladyship attentively. She was sitting quite close to the piano—her eyes were cast down, but the rubies on her bosom heaved quickly and restlessly, and she furled and unfurled her fan impatiently. "I shouldn't wonder," he went on meditating gravely, "if she doesn't try and make some mischief somehow. She looks it."
"Good God! What an inferno she’s stepped into!" he thought vaguely. "How will she handle these people once she really gets to know them? The Van Clupps, the Rush-Marvelles, and others like them—and don’t get me started on Clara Winsleigh—" He turned to observe her ladyship closely. She was sitting pretty close to the piano—her eyes were downcast, but the rubies on her chest moved quickly and restlessly, and she was furiously opening and closing her fan. "I wouldn't be surprised," he continued to think seriously, "if she tries to stir up some trouble somehow. She definitely looks like it."
At that moment Thelma ceased singing, and the room rang with applause. Herr Machtenklinken was overcome with admiration.
At that moment, Thelma stopped singing, and the room erupted with applause. Herr Machtenklinken was filled with admiration.
"It is a voice of heaven!" he said in a rapture.
"It’s a voice from heaven!" he said, overwhelmed with joy.
The fair singer was surrounded with people.
The beautiful singer was surrounded by people.
"I hope," said Mrs. Van Clupp, with her usual ill-bred eagerness to ingratiate herself with the titled and wealthy, "I hope you will come and see me, Lady Errington? I am at home every Friday evening to my friends."
"I hope," said Mrs. Van Clupp, with her usual lack of decorum in trying to win over the rich and famous, "I hope you will come and visit me, Lady Errington? I'm available every Friday evening for my friends."
"Oh yes," said Thelma, simply. "But I am not your friend yet! When we do know each other better I will come. We shall meet each other many times first,—and then you will see if you like me to be your friend. Is it not so?"
"Oh yes," Thelma said simply. "But I'm not your friend yet! Once we get to know each other better, I will come. We'll meet each other many times first, and then you can decide if you want me to be your friend. Isn't that right?"
A scarcely concealed smile reflected itself on the faces of all who heard this naïve, but indefinite acceptance of Mrs. Van Clupp's invitation, while Mrs. Van Clupp herself was somewhat mortified, and knew not what to answer. This Norwegian girl was evidently quite ignorant of the usages of polite society, or she would at once have recognized the fact that an "at home" had nothing whatsoever to do with the obligations of friendship—besides, as far as friendship was concerned, had not Mrs. Van Clupp tabooed several of her own blood-relations and former intimate acquaintances? . . . for the very sensible reason that while she had grown richer, they had grown poorer. But now Mrs. Rush-Marvelle sailed up in all her glory, with her good-natured smile and matronly air. She was a privileged person, and she put her arm round Thelma's waist.
A barely hidden smile spread across the faces of everyone who heard this innocent but vague acceptance of Mrs. Van Clupp's invitation, while Mrs. Van Clupp herself felt somewhat embarrassed and didn't know how to respond. This Norwegian girl clearly had no clue about the norms of polite society; otherwise, she would have immediately understood that an "at home" event had nothing to do with the duties of friendship. Besides, regarding friendship, hadn't Mrs. Van Clupp cut off several of her own relatives and former close friends? ... for the very practical reason that while she had gotten richer, they had become poorer. But now Mrs. Rush-Marvelle came over with all her flair, sporting her friendly smile and matronly demeanor. She was someone who had the right to do so, and she wrapped her arm around Thelma's waist.
"You must come to me, my dear," she said with real kindness—her motherly heart had warmed to the girl's beauty and innocence,—"I knew Philip when he was quite a boy. He will tell you what a dreadfully old woman I am! You must try to like me for his sake."
"You have to come to me, my dear," she said with genuine kindness—her motherly heart had softened toward the girl's beauty and innocence,—"I knew Philip when he was just a boy. He'll tell you how terribly old I am! You should try to like me for his sake."
Thelma smiled radiantly. "I always wish to like Philip's friends," she said frankly. "I do hope I shall please you!"
Thelma grinned brightly. "I always want to get along with Philip's friends," she said openly. "I really hope I make you happy!"
A pang of remorse smote Mrs. Rush-Marvelle's heart as she remembered how loth she had been to meet Philip's "peasant" wife,—she hesitated,—then, yielding to her warm impulse, drew the girl closer and kissed her fair rose-tinted cheek.
A wave of regret hit Mrs. Rush-Marvelle as she recalled how reluctant she had been to meet Philip's "peasant" wife. She paused, then, giving in to her warm feelings, pulled the girl closer and kissed her fair, rosy cheek.
"You please everybody, my child," she said honestly. "Philip is a lucky man! Now I'll say good night, for it is getting late,—I'll write to you to-morrow and fix a day for you to come and lunch with me."
"You make everyone happy, my child," she said sincerely. "Philip is a lucky guy! Now I'll say goodnight, since it's getting late—I'll write to you tomorrow and arrange a day for you to come and have lunch with me."
"But you must also come and see Philip," returned Thelma, pressing her hand.
"But you have to come and see Philip too," Thelma said, squeezing her hand.
"So I will—so I will!" and Mrs. Rush-Marvelle nodded beamingly, and made her way up to Lady Winsleigh, saying, "Bye-bye, Clara! Thanks for a most charming evening!"
"So I will—so I will!" Mrs. Rush-Marvelle exclaimed with a bright smile as she walked up to Lady Winsleigh, saying, "Bye-bye, Clara! Thanks for a lovely evening!"
Clara pouted. "Going already, Mimsey?" she queried,—then, in a lower tone, she said, "Well! what do you think of her?"
Clara pouted. "Leaving already, Mimsey?" she asked, —then, in a quieter voice, she said, "So, what do you think of her?"
"A beautiful child—no more!" answered Mrs. Marvelle,—then, studying with some gravity the brilliant brunette face before her, she added in a whisper, "Leave her alone, Clara,—don't make her miserable! You know what I mean! It wouldn't take much to break her heart."
"A beautiful child—nothing more!" replied Mrs. Marvelle, then, with a serious look at the striking brunette face in front of her, she added in a whisper, "Leave her alone, Clara—don't make her unhappy! You know what I'm saying! It wouldn't take much to shatter her heart."
Clara laughed harshly and played with her fan.
Clara laughed sharply and toyed with her fan.
"Dear me, Mimsey! . . . you are perfectly outrageous! Do you think I'm an ogress ready to eat her up? On the contrary, I mean to be a friend to her."
"Goodness, Mimsey! ... you're completely outrageous! Do you really think I'm a monster ready to gobble her up? On the contrary, I just want to be her friend."
Mrs. Marvelle still looked grave.
Mrs. Marvelle still looked serious.
"I'm glad to hear it," she said; "only some friends are worse than declared enemies."
"I'm glad to hear that," she said, "but some friends can be worse than open enemies."
Lady Winsleigh shrugged her shoulders.
Lady Winsleigh shrugged.
"Go along, Mimsey,—go home to bed!" she exclaimed impatiently. "You are insensé! I hate sentimental philosophy and copy-book platitudes!" She laughed again and folded her hands with an air of mock penitence, "There! I didn't mean to be rude! Good-night, dear old darling!"
"Come on, Mimsey—head home to bed!" she said, a bit annoyed. "You’re being ridiculous! I can’t stand sentimental philosophy and those cliché sayings!" She laughed again and folded her hands in a teasingly repentant way, "There! I didn’t mean to be rude! Good night, my dear old darling!"
"Good-night, Clara!" and Mrs. Marvelle, summoning her timid husband from some far corner, where he had remained in hiding, took her departure with much stateliness.
"Good night, Clara!" Mrs. Marvelle called, beckoning her shy husband from some distant corner where he had been hiding, and left with great elegance.
A great many people were going down to supper by this time, but Sir Philip was tired of the heat and glare and noise, and whispered as much to Thelma, who at once advanced to bid her hostess farewell.
A lot of people were heading down to dinner by this time, but Sir Philip was fed up with the heat, brightness, and noise, and he whispered this to Thelma, who immediately stepped forward to say goodbye to her hostess.
"Won't you have some supper?" inquired her ladyship. "Don't go yet!"
"Won't you have some dinner?" her ladyship asked. "Don't leave yet!"
But Thelma was determined not to detain her husband a moment longer than he wished—so Lady Winsleigh, seeing remonstrances were of no avail, bade them both an effusive good-night.
But Thelma was set on not keeping her husband any longer than he wanted—so Lady Winsleigh, realizing that objections were pointless, wished them both a very warm good-night.
"We must see a great deal of each other!" she said, pressing Thelma's hands warmly in her own: "I hope we shall be quite dear friends!"
"We really need to spend more time together!" she said, warmly holding Thelma's hands in hers. "I hope we become really close friends!"
"Thank you!" said Thelma, "I do hope so too, if you wish it so much. Good-night, Lord Winsleigh!"
"Thank you!" said Thelma, "I really hope so too, if you want it that much. Goodnight, Lord Winsleigh!"
"Let me escort you to your carriage," said her noble host, at once offering her his arm.
"Allow me to walk you to your carriage," said her noble host, immediately offering her his arm.
"And allow me to follow," added Beau Lovelace, slipping his arm through Errington's, to whom he whispered, "How dare you, sir! How dare you be such a provokingly happy man in this miserable old world?" Errington laughed—and the little group had just reached the door of the drawing-room when Thelma suddenly turned with a look of inquiry in her eyes.
"And let me join you," said Beau Lovelace, slipping his arm through Errington's, and whispering to him, "How can you, sir! How can you be such an annoyingly cheerful guy in this miserable old world?" Errington laughed—and just as the little group reached the door of the drawing-room, Thelma suddenly turned with a questioning look in her eyes.
"Where is Mr. Lorimer?" she said. "I have forgotten to say good-night to him, Philip."
"Where's Mr. Lorimer?" she asked. "I forgot to say goodnight to him, Philip."
"Here I am, Lady Errington," and Lorimer sauntered forward with rather a forced smile,—a smile which altogether vanished, leaving his face strangely pale, as she stretched out her hand to him, and said laughingly—
"Here I am, Lady Errington," Lorimer said as he walked up with a somewhat forced smile—a smile that completely disappeared, making his face look unusually pale, as she reached out her hand to him and said with a laugh—
"You bad Mr. Lorimer! Where were you? You know it would make me quite unhappy not to wish you good-night. Ah, you are a very naughty brother!"
"You naughty Mr. Lorimer! Where have you been? You know it really makes me unhappy if I can't say good-night to you. Ah, you are such a mischievous brother!"
"Come home with us, George," said Sir Philip eagerly. "Do, there's a good fellow!"
"Come home with us, George," Sir Philip urged excitedly. "Please, there's a good guy!"
"I can't, Phil!" answered Lorimer, almost pathetically. "I can't to-night—indeed, I can't! Don't ask me!" And he wrung his friend's hand hard,—and then bravely met Thelma's bright glance.
"I can't, Phil!" Lorimer replied, sounding almost desperate. "I can't tonight—really, I can't! Please don't ask me!" He squeezed his friend's hand tightly, then bravely met Thelma's bright gaze.
"Forgive me!" he said to her. "I know I ought to have presented myself before—I'm a dreadfully lazy fellow, you know! Good-night!"
"Forgive me!" he said to her. "I know I should have introduced myself earlier—I'm really a terribly lazy guy, you know! Good night!"
Thelma regarded him steadfastly.
Thelma looked at him intently.
"You look,—what is it you call yourself sometimes—seedy?" she observed. "Not well at all. Mind you come to us to-morrow!"
"You look—what do you call yourself sometimes—seedy?" she noticed. "Not well at all. Make sure to come by tomorrow!"
He promised—and then accompanied them down to their carriage—he and Beau Lovelace assisting to cover Thelma with her fur cloak, and being the last to shake hands with Sir Philip as he sprang in beside his wife, and called to the coachman "Home!" The magic word seemed to effect the horses, for they started at a brisk trot, and within a couple of minutes the carriage was out of sight. It was a warm star-lit evening,—and as Lorimer and Lovelace re-entered Winsleigh House, Beau stole a side-glance at his silent companion.
He promised—and then walked with them to their carriage—he and Beau Lovelace helped cover Thelma with her fur cloak and were the last to shake hands with Sir Philip as he jumped in next to his wife and called to the coachman, "Home!" The magic word seemed to energize the horses, as they began to trot briskly, and within a couple of minutes, the carriage disappeared from view. It was a warm, starry evening, and as Lorimer and Lovelace went back into Winsleigh House, Beau took a sideways glance at his quiet companion.
"A plucky fellow!" he mused; "I should say he'd die game. Tortures won't wring his secret out of him." Aloud he said, "I say, haven't we had enough of this? Don't let us sup here—nothing but unsubstantial pastry and claretcup—the latter abominable mixture would kill me. Come on to the Club, will you?"
"A brave guy!" he thought; "I bet he'd go down fighting. No amount of torture will get his secret out." Then he said, "Hey, haven’t we had enough of this? Let’s not eat here—just some light snacks and claret cup—the latter horrible mix would make me sick. Let’s head to the Club, okay?"
Lorimer gladly assented—they got their over-coats from the officious Briggs, tipped him handsomely, and departed arm in arm. The last glimpse they caught of the Winsleigh festivities was Marcia Van Clupp sitting on the stairs, polishing off with much gusto the wing and half-breast of a capon,—while the mild Lord Masherville stood on the step just above her, consoling his appetite with a spoonful of tepid yellow jelly. He had not been able to secure any capon for himself—he had been frightened away by the warning cry of "Ladies first!" shouted forth by a fat gentleman, who was on guard at the head of the supper-table, and who had already secreted five plates of different edibles for his own consumption, in a neat corner behind the window-curtains. Meanwhile, Sir Philip Bruce-Errington, proud, happy, and triumphant, drew his wife into a close embrace as they drove home together, and said, "You were the queen of the evening, my Thelma! Have you enjoyed yourself?"
Lorimer happily agreed—they got their overcoats from the overzealous Briggs, tipped him generously, and left arm in arm. The last sight they had of the Winsleigh festivities was Marcia Van Clupp sitting on the stairs, eagerly finishing off the wing and half-breast of a capon, while the mild Lord Masherville stood on the step just above her, trying to satisfy his hunger with a spoonful of lukewarm yellow jelly. He hadn't been able to get any capon for himself—he'd been scared off by the loud shout of "Ladies first!" from a large gentleman guarding the head of the supper table, who had already hidden five plates of various food for his own use in a tidy corner behind the window curtains. Meanwhile, Sir Philip Bruce-Errington, proud, happy, and victorious, pulled his wife into a close embrace as they drove home together and said, "You were the queen of the evening, my Thelma! Did you enjoy yourself?"
"Oh, I do not call that enjoyment!" she declared. "How is it possible to enjoy anything among so many strangers?"
"Oh, I don't consider that enjoyment!" she declared. "How can anyone enjoy anything with so many strangers around?"
"Well, what is it?" he asked laughingly.
"Well, what is it?" he asked with a laugh.
She laughed also. "I do not know indeed what it is!" she said. "I have never been to anything like it before. It did seem to me as if all the people were on show for some reason or other. And the gentlemen did look very tired—there was nothing for them to do. Even you, my boy! You made several very big yawns! Did you know that?"
She laughed too. "I really have no idea what this is!" she said. "I've never been to anything like it before. It felt like everyone was on display for some reason. And the guys looked so tired—there was nothing for them to do. Even you, my boy! You yawned really big several times! Did you know that?"
Philip laughed more than ever. "I didn't know it, my pet!" he answered; "but I'm not surprised. Big yawns are the invariable result of an 'at home.' Do you like Beau Lovelace?"
Philip laughed harder than ever. "I didn't know that, my dear!" he replied; "but I'm not surprised. Big yawns are always the result of a gathering. Do you like Beau Lovelace?"
"Very much," she answered readily. "But, Philip, I should not like to have so many friends as Lady Winsleigh. I thought friends were rare?"
"Definitely," she replied quickly. "But, Philip, I wouldn’t want as many friends as Lady Winsleigh has. I thought friends were supposed to be rare?"
"So they are! She doesn't care for these people a bit. They are mere acquaintances."
"So they are! She doesn't care about these people at all. They are just acquaintances."
"Whom does she care for then?" asked Thelma suddenly. "Of course I mean after her husband. Naturally she loves him best."
"Who does she care about then?" Thelma asked suddenly. "I mean after her husband. Of course she loves him the most."
"Naturally," and Philip paused, adding, "she has her son—Ernest—he's a fine bright boy—he was not there to-night. You must see him some day. Then I think her favorite friend is Mrs. Rush-Marvelle."
“Of course,” Philip paused, adding, “she has her son—Ernest—he's a smart, bright boy—he wasn't there tonight. You should meet him someday. Then I believe her best friend is Mrs. Rush-Marvelle.”
"I do like that lady too," said Thelma. "She spoke very kindly to me and kissed me."
"I like that lady too," said Thelma. "She was really nice to me and gave me a kiss."
"Did she really!" and Philip smiled. "I think she was more to be congratulated on taking the kiss than you in receiving it! But she's not a bad old soul,—only a little too fond of money. But, Thelma, whom do you care for most? You did tell me once, but I forget!"
"Did she really!" Philip smiled. "I think she deserves more praise for initiating the kiss than you do for receiving it! But she's not a bad person—just a bit too in love with money. But, Thelma, who do you care about the most? You told me once, but I can't remember!"
She turned her lovely face and star-like eyes upon him, and, meeting his laughing look, she smiled.
She turned her beautiful face and sparkling eyes toward him, and, seeing his joyful expression, she smiled.
"How often must I tell you!" she murmured softly. "I do think you will never tire of hearing! You know that it is you for whom I care most, and that all the world would be empty to me without you! Oh, my husband—my darling! do not make me try to tell you how much I love you! I cannot—my heart is too full!"
"How many times do I have to tell you?" she whispered. "I really think you'll never get tired of hearing it! You know that you are the one I care about the most, and that the whole world would feel empty without you! Oh, my husband—my love! Please don’t make me explain how much I love you! I can’t—my heart is too full!"
The rest of their drive homeward was very quiet—there are times when silence is more eloquent than speech.
The rest of their drive home was really quiet—sometimes silence speaks louder than words.
CHAPTER XXI.
"A small cloud, so slight as to be a mere speck on the fair blue sky, was all the warning we received."—PLINY.
"A small cloud, so tiny it was hardly noticeable against the clear blue sky, was all the warning we got."—PLINY.
After that evening great changes came into Thelma's before peaceful life. She had conquered her enemies, or so it seemed,—society threw down all its barricades and rushed to meet her with open arms. Invitations crowded upon her,—often she grew tired and bewildered in the multiplicity of them all. London life wearied her,—she preferred the embowered seclusion of Errington Manor, the dear old house in green-wooded Warwickshire. But the "season" claimed her,—its frothy gaieties were deemed incomplete without her—no "at home" was considered quite "the" thing unless she was present. She became the centre of a large and ever-widening social circle,—painters, poets, novelists, wits savants, and celebrities of high distinction crowded her rooms, striving to entertain her as well as themselves with that inane small talk and gossip too often practiced by the wisest among us,—and thus surrounded, she began to learn many puzzling and painful things of which in her old Norwegian life, she had been happily ignorant.
After that evening, great changes came into Thelma's once peaceful life. She had defeated her enemies, or so it seemed—society dropped all its barriers and rushed to welcome her with open arms. Invitations flooded in—often she felt tired and confused by the sheer number of them. London life exhausted her—she preferred the sheltered solitude of Errington Manor, the beloved old house in the green-wooded Warwickshire. But the "season" demanded her presence—its lively festivities were seen as incomplete without her—no "at home" was considered quite "the" thing unless she showed up. She became the center of a large and ever-expanding social circle—painters, poets, novelists, witty thinkers, and celebrated figures crowded her rooms, trying to entertain her as well as themselves with that pointless small talk and gossip often engaged in even by the wisest among us—and thus surrounded, she began to discover many confusing and painful truths of which she had been blissfully unaware in her old life in Norway.
For instance, she had once imagined that all the men and women of culture who followed the higher professions must perforce be a sort of "Joyous Fraternity," superior to other mortals not so gifted,—and, under this erroneous impression, she was at first eager to know some of the so-called "great" people who had distinguished themselves in literature or the fine arts. She had fancied that they must of necessity be all refined, sympathetic, large-hearted, and noble-minded—alas! how grievously was she disappointed! She found, to her sorrow, that the tree of modern Art bore but few wholesome roses and many cankered buds—that the "Joyous Fraternity" were not joyous at all—but, on the contrary, inclined to dyspepsia and discontentment. She found that even poets, whom she had fondly deemed were the angel-guides among the children of this earth,—were most of them painfully conceited, selfish in aim and limited in thought,—moreover, that they were often so empty of all true inspiration, that they were actually able to hate and envy one another with a sort of womanish spite and temper,—that novelists, professing to be in sympathy with the heart of humanity, were no sooner brought into contact one with another, than they plainly showed by look, voice, and manner, the contempt they entertained for each other's work,—that men of science were never so happy as when trying to upset each other's theories;—that men of religious combativeness were always on the alert to destroy each other's creeds,—and that, in short, there was a very general tendency to mean jealousies, miserable heart-burnings and utter weariness all round.
For example, she used to think that all the cultured men and women in higher professions must be a kind of "Joyous Fraternity," superior to other folks who weren't as gifted. Under this false impression, she was initially excited to meet some of the so-called "great" individuals who had made their mark in literature or the fine arts. She imagined they must all be refined, understanding, big-hearted, and noble-minded—sadly, she was deeply disappointed! She discovered that the world of modern Art produced few healthy roses and many damaged buds—that the "Joyous Fraternity" was not joyful at all; in fact, they seemed more likely to suffer from indigestion and unhappiness. She found that even poets, whom she had lovingly viewed as guiding angels among humanity, were mostly painfully arrogant, self-centered, and narrow-minded. Moreover, they often lacked true inspiration, resulting in a capacity to hate and envy one another with a petty malice. She noticed that novelists, who claimed to empathize with the human experience, revealed their disdain for each other's work through their expressions, tone, and behavior as soon as they interacted. Scientists seemed happiest when they were attempting to dismantle each other's theories. Those engaged in religious debates were always ready to undermine each other's beliefs, and overall, there was a widespread tendency toward petty jealousies, bitter resentments, and sheer exhaustion everywhere.
On one occasion, she, in the sweetest simplicity, invited two lady authoresses of note to meet at one of her "at homes,". . . she welcomed both the masculine-looking ladies with a radiant smile, and introduced them, saying gently,—"You will be so pleased to know each other!" But the stony stare, stiff nod, portentous sniff, and scornful smile with which these two eminent females exchanged cold greetings, were enough to daunt the most sympathetic hostess that ever lived—and when they at once retired to different corners of the room and sat apart with their backs turned to one another for the remainder of the evening, their attitude was so uncompromising that it was no wonder the gentle Thelma felt quite dismayed and wretched at the utter failure of the rencontre.
On one occasion, she, in the sweetest simplicity, invited two well-known female authors to one of her "at homes." She greeted both the masculine-looking ladies with a radiant smile and introduced them, saying gently, “You will be so pleased to know each other!” But the cold stare, stiff nod, dramatic sniff, and scornful smile exchanged between these two prominent women were enough to intimidate even the most sympathetic hostess. When they immediately retreated to different corners of the room and sat apart with their backs turned to each other for the rest of the evening, their uncompromising attitude made it no surprise that the gentle Thelma felt quite dismayed and miserable at the total failure of the rencontre.
"They would not be sociable!" she afterwards complained to Lady Winsleigh. "They tried to be as rude to each other as they could!"
"They would not be friendly!" she later complained to Lady Winsleigh. "They tried to be as rude to each other as possible!"
Lady Winsleigh laughed. "Of course!" she said. "What else did you expect! But if you want some fun, ask a young, pretty, and brilliant authoress (there are a few such) to meet an old, ugly and dowdy one (and there are many such), and watch the dowdy one's face! It will be a delicious study of expression, I assure you!"
Lady Winsleigh laughed. "Of course!" she said. "What else did you expect! But if you want some fun, get a young, pretty, and talented author (there are a few out there) to meet an old, unattractive, and plain one (and there are plenty of those), and just see the plain one's reaction! It will be a fascinating study of expression, I promise you!"
But Thelma would not try this delicate experiment,—in fact, she began rather to avoid literary people, with the exception of Beau Lovelace. His was a genial, sympathetic nature, and, moreover, he had a winning charm of manner which few could resist. He was not a bookworm,—he was not, strictly speaking, a literary man,—and he was entirely indifferent to public praise or blame. He was, as he himself expressed it, "a servant and worshipper of literature," and there is a wide gulf of difference between one who serves literature for its own sake and one who uses it basely as a tool to serve himself.
But Thelma wouldn’t attempt this delicate experiment—in fact, she started to avoid literary people, except for Beau Lovelace. He had a friendly, understanding personality, and on top of that, he had a charming manner that few could resist. He wasn’t a bookworm—he wasn’t, strictly speaking, a literary guy—and he didn’t care at all about public praise or criticism. He was, in his own words, "a servant and worshipper of literature," and there’s a big difference between someone who serves literature for its own sake and someone who uses it selfishly as a tool for their own gain.
But in all her new and varied experiences, perhaps Thelma was most completely bewildered by the women she met. Her simple Norse beliefs in the purity and gentleness of womanhood were startled and outraged,—she could not understand London ladies at all. Some of them seemed to have no idea beyond dress and show,—others looked upon their husbands, the lawful protectors of their name and fame, with easy indifference, as though they were mere bits of household furniture,—others, having nothing better to do, "went in" for spiritualism,—the low spiritualism that manifests itself in the turning of tables and moving of side-boards—not the higher spiritualism of an improved, perfected, and saint-like way of life—and these argued wildly on the theory of matter passing through matter, to the extent of declaring themselves able to send a letter or box through the wall without making a hole in it,—and this with such obstinate gravity as made Thelma fear for their reason. Then there were the women-atheists,—creatures who had voluntarily crushed all the sweetness of the sex within them—foolish human flowers without fragrance, that persistently turned away their faces from the sunlight and denied its existence, preferring to wither, profitless, on the dry stalk of their own theory;—there were the "platform-women," unnatural products of an unnatural age,—there were the great ladies of the aristocracy who turned with scorn from a case of real necessity, and yet spent hundreds of pounds on private theatricals wherein they might have the chance of displaying themselves in extravagant costumes,—and there were the "professional" beauties, who, if suddenly deprived of elegant attire and face-cosmetics, turned out to be no beauties at all, but very ordinary, unintelligent persons.
But in all her new and varied experiences, Thelma was probably most completely confused by the women she met. Her straightforward Norse beliefs in the purity and gentleness of womanhood were shocked and outraged—she couldn't understand London ladies at all. Some of them seemed to care only about fashion and appearances—others viewed their husbands, the legal protectors of their name and reputation, with casual indifference, as if they were just pieces of furniture—others, having nothing better to do, got into spiritualism—the kind that shows itself in table-turning and moving sideboards—not the higher spiritualism of a better, perfected, saintly way of life—and these would argue wildly about the theory of matter passing through matter, even claiming they could send a letter or box through a wall without making a hole in it—and they did this with such stubborn seriousness that made Thelma worry for their sanity. Then there were the atheist women—people who had willingly crushed all the sweetness of their femininity—silly human flowers without fragrance, who persistently turned their faces from the sunlight and denied its existence, preferring to wither away, useless, on the dry stem of their own theory; there were the "platform women," unnatural products of an unnatural age—there were the highborn ladies who turned away in scorn from a genuine case of need, yet spent hundreds of pounds on private performances just so they could show off in extravagant costumes—and there were the "professional" beauties who, if suddenly stripped of their elegant clothes and makeup, turned out to be no beauties at all, but very ordinary, unintelligent people.
"What is the exact meaning of the term, 'professional beauty'?" Thelma had asked Beau Lovelace on one occasion. "I suppose it is some very poor beautiful woman, who takes money for showing herself to the public, and having her portraits sold in the shops? And who is it that pays her?"
"What does 'professional beauty' really mean?" Thelma had asked Beau Lovelace once. "I guess it refers to a pretty woman who earns money by showcasing herself and having her pictures sold in stores? And who's the one paying her?"
Lovelace broke into a laugh. "Upon my word, Lady Errington,—you have put the matter in a most original but indubitably correct light! Who pays the 'professional beauty,' you ask? Well, in the case of Mrs. Smith-Gresham, whom you met the other day, it is a certain Duke who pays her to the tune of several thousands a year. When he gets tired of her, or she of him, she'll find somebody else—or perhaps she'll go on the stage and swell the list of bad amateurs. She'll get on somehow, as long as she can find a fool ready to settle her dressmaker's bill."
Lovelace burst into laughter. "Honestly, Lady Errington, you’ve presented the issue in a truly unique yet undeniably accurate way! You’re wondering who pays the 'professional beauty'? Well, in the case of Mrs. Smith-Gresham, whom you met the other day, it’s a certain Duke who supports her with several thousand a year. When he gets bored of her, or she of him, she’ll just find someone new—or maybe she’ll try to make it on stage and join the ranks of mediocre performers. She’ll figure it out somehow, as long as she can find a sucker willing to cover her dressmaker's bills."
"I do not understand!" said Thelma,—and her fair brows drew together in that pained grave look that was becoming rather frequent with her now.
"I don’t understand!" said Thelma, and her light brows knitted together in that pained, serious expression that was becoming more common for her now.
And she began to ask fewer questions concerning the various strange phases of social life that puzzled her,—why, for instance, religious theorists made so little practical use of their theories,—why there were cloudy-eyed eccentrics who admired the faulty drawing of Watts, and the common-place sentence-writing of Walt Whitman,—why members of Parliament talked so much and did so little,—why new poets, however nobly inspired, were never accepted unless they had influential friends on the press,—why painters always married their models or their cooks, and got heartily ashamed of them afterwards,—and why people all round said so many things they did not mean. And confused by the general insincerity, she clung,—poor child!—to Lady Winsleigh, who had the tact to seem what she was not,—and the cleverness to probe into Thelma's nature and find out how translucently clear and pure it was—a perfect well of sweet water, into which one drop of poison, or better still, several drops, gradually and insidiously instilled, might in time taint its flavor and darken its brightness. For if a woman have an innocent, unsuspecting soul as delicate as the curled cup of a Nile lily, the more easily will it droop and wither in the heated grasp of a careless, cruel hand. And to this flower-crushing task Lady Winsleigh set herself,—partly for malice pretense against Errington, whose coldness to herself in past days had wounded her vanity, and partly for private jealousy of Thelma's beauty and attractiveness.
And she started to ask fewer questions about the various strange aspects of social life that confused her—like why, for example, religious theorists rarely put their ideas into practice; why there were dreamy eccentrics who admired the imperfect art of Watts and the ordinary writing of Walt Whitman; why members of Parliament talked a lot but accomplished so little; why new poets, no matter how inspired, were never accepted unless they had influential friends in the media; why painters always married their models or their cooks and later felt ashamed of them; and why people all around said so many things they didn’t mean. Confused by the general insincerity, she clung—poor thing!—to Lady Winsleigh, who had the skill to appear as something she wasn’t and the cleverness to dig into Thelma's character and discover how transparently clear and pure it was—a perfect well of sweet water, where just one drop of poison, or better yet, several drops introduced gradually and insidiously, could eventually taint its taste and darken its brilliance. If a woman has an innocent, unsuspecting soul as delicate as the curled cup of a Nile lily, it will easily droop and wither in the heated grip of a careless, cruel hand. To this flower-crushing mission, Lady Winsleigh committed herself—partly out of spite against Errington, whose coldness toward her in the past had hurt her pride, and partly out of personal jealousy of Thelma's beauty and charm.
Within a short time she had completely won the girl's confidence and affection,—Sir Philip, forgetting his former suspicions of her, was touched and disarmed by the attachment and admiration she openly displayed towards his young wife,—she and Thelma were constantly seen together, and Mrs. Rush-Marvelle, far-sighted as she generally was, often sighed doubtfully and rubbed her nose in perplexity as she confessed she "couldn't quite understand Clara." But Mrs. Rush-Marvelle had her hands full of other matters,—she was aiding and abetting Marcia Van Clupp to set traps for that mild mouse Lord Masherville,—and she was too much absorbed in this difficult and delicate business to attend to anything else just then. Otherwise, it is possible she might have scented danger for Thelma's peace of mind, and being good-natured, might have warded it off before it approached too closely,—but, like policeman who are never within call when wanted, so friends are seldom at hand when their influence might be of real benefit.
Within a short time, she had completely gained the girl's trust and affection. Sir Philip, forgetting his previous suspicions about her, was touched and disarmed by the attachment and admiration she openly showed toward his young wife. She and Thelma were frequently seen together, and Mrs. Rush-Marvelle, usually so perceptive, often sighed and rubbed her nose in confusion as she admitted she "couldn't quite understand Clara." However, Mrs. Rush-Marvelle had her hands full with other things—she was helping Marcia Van Clupp set traps for that mild-mannered Lord Masherville—and she was too absorbed in this tricky and sensitive task to focus on anything else at the moment. Otherwise, she might have sensed danger for Thelma's peace of mind and, being good-natured, could have deflected it before it got too close. But just like policemen are rarely around when needed, true friends are seldom there when their support could really help.
The Van Clupps were people Thelma could not get on with at all—she tried to do so because Mrs. Rush-Marvelle had assured her they were "charming"—and she liked Mrs. Marvelle sufficiently well to be willing to please her. But, in truth, these rich and vulgar Yankees seemed to her mind less to be esteemed than the peasants of the Altenfjord, who in many instances possessed finer tact and breeding than old Van Clupp, the man of many dollars, whose father had been nothing but a low navvy, but of whom he spoke now with smirking pride as a real descendant of the Pilgrim Fathers. An odd thing it is, by the way, how fond some Americans are of tracing back their ancestry to these virtuous old gentlemen! The Van Clupps were of course not the best types of their country—they were of that class who, because they have money, measure everything by the money-standard, and hold even a noble poverty in utter contempt. Poor Van Clupp! It was sometimes pitiable to see him trying to be a gentleman—"going in" for "style"—to an excess that was ludicrous,—cramming his house with expensive furniture like an upholsterer's show-room,—drinking his tea out of pure Sevres, with a lofty ignorance of its beauty and value,—dressing his wife and daughter like shilling fashion-plates, and having his portrait taken in precisely the same attitude as that assumed by the Duke of Wrigglesbury when his Grace sat to the same photographer! It was delicious to hear him bragging of his pilgrim ancestor,—while in the same breath he would blandly sneer at certain "poor gentry" who could trace back their lineage to Coeur de Lion! But because the Erringtons were rich as well as titled persons, Van Clupp and his belongings bent the servile knee before them, flattering Thelma with that ill-judged eagerness and zealous persistency which distinguish inborn vulgarity, and which, far from pleasing her, annoyed and embarrassed her because she could not respond sincerely to such attentions.
The Van Clupps were people Thelma just couldn't connect with at all—she tried to get along because Mrs. Rush-Marvelle had assured her they were "charming"—and she liked Mrs. Marvelle enough to want to make her happy. But honestly, these rich and flashy Yankees seemed to her less respectable than the peasants of Altenfjord, who often had more grace and refinement than old Van Clupp, the man with a lot of money, whose father had been just a lowly laborer, yet he spoke of him with a smug pride as if he were a true descendant of the Pilgrim Fathers. It's funny how some Americans love to trace their ancestry back to those virtuous old gentlemen! The Van Clupps were not exactly the best representatives of their country—they belonged to that class who, because they have money, judge everything by financial worth and look down on even noble poverty. Poor Van Clupp! It was sometimes sad to see him trying to be a gentleman—going all out for "style"—to an extent that was ridiculous, filling his house with expensive furniture like an upholstery showroom, drinking his tea out of fine Sevres, with no real appreciation for its beauty or worth, dressing his wife and daughter like cheap fashion models, and posing for his portrait in exactly the same way that the Duke of Wrigglesbury did when he sat for the same photographer! It was entertaining to hear him brag about his pilgrim ancestor—while in the same breath casually sneering at certain "poor gentry" who could trace their lineage back to Coeur de Lion! But since the Erringtons were both rich and titled, Van Clupp and his family bowed to them, flattering Thelma with that misguided eagerness and over-the-top eagerness that reveals inherent crudeness, which only annoyed and embarrassed her because she couldn’t genuinely respond to such attention.
There were many others too, not dollar-crusted Americans, whose excessive adulation and ceaseless compliment vexed the sincere, frank spirit of the girl,—a spirit fresh and pure as the wind blowing over her own Norse mountains. One of these was Sir Francis Lennox, that fashionable young man of leisure,—and she had for him an instinctive, though quite unreasonable aversion. He was courtesy itself—he spared no pains to please her. Yet she felt as if his basilisk brown eyes were always upon her,—he seemed to be ever at hand, ready to watch over her in trifles, such as the passing of a cup of tea, the offering of her wrap,—the finding of a chair,—the holding of a fan,—he was always on the alert, like a remarkably well-trained upper servant. She could not, without rudeness, reject such unobtrusive, humble services,—and yet—they rendered her uncomfortable, though she did not quite know why. She ventured to mention her feeling concerning him to her friend Lady Winsleigh, who heard her timid remarks with a look on her face that was not quite pleasant.
There were many others too, not wealthy Americans, whose excessive flattery and constant compliments annoyed the sincere, straightforward spirit of the girl—a spirit fresh and pure like the wind blowing over her own Norse mountains. One of these was Sir Francis Lennox, that trendy young man with too much time on his hands—and she felt an instinctive, though completely unreasonable dislike for him. He was the epitome of politeness—he went out of his way to make her happy. Yet she felt as though his sharp brown eyes were always on her—he seemed to be constantly nearby, ready to assist with small things like passing a cup of tea, offering her a wrap, finding a chair, or holding a fan—always alert, like a particularly well-trained servant. She couldn't, without being rude, refuse such subtle, humble assistance—but still, it made her uneasy, though she didn’t really understand why. She dared to mention her feelings about him to her friend Lady Winsleigh, who listened to her hesitant comments with a look on her face that wasn't entirely pleasant.
"Poor Sir Francis!" her ladyship said with a slight, mocking laugh. "He's never happy unless he plays puppy-dog! Don't mind him, Thelma! He won't bite, I assure you,—he means no harm. It's only his little way of making himself agreeable!"
"Poor Sir Francis!" her ladyship said with a slight, mocking laugh. "He's never happy unless he acts like a puppy! Don't pay attention to him, Thelma! He won't bite, I promise—you have nothing to worry about. It's just his quirky way of trying to be charming!"
George Lorimer, during this particular "London season," fled the field of action, and went to Paris to stay with Pierre Duprèz. He felt that it was dangerous to confront the fair enemy too often, for he knew in his own honest heart that his passion for Thelma increased each time he saw her—so, he avoided her. She missed him very much from her circle of intimates, and often went to see his mother, Mrs. Lorimer, one of the sweetest old ladies in the world,—who had at once guessed her son's secret, but, like a prudent dame, kept it to herself. There were few young women as pretty and charming as old Mrs. Lorimer, with her snow-white parted hair and mild blue eyes, and voice as cheery as the note of a thrush in spring-time. After Lady Winsleigh, Thelma liked her best of all her new friends, and was fond of visiting her quiet little house in Kensington,—for it was very quiet, and seemed like a sheltered haven of rest from the great rush of frivolity and folly in which the fashionable world delighted.
George Lorimer, during this particular "London season," left the scene and went to Paris to stay with Pierre Duprèz. He felt it was risky to face his lovely rival too often because he knew deep down that his feelings for Thelma grew stronger every time he saw her—so, he stayed away. She missed him a lot from her circle of friends and often visited his mother, Mrs. Lorimer, one of the sweetest old ladies in the world—who had quickly figured out her son’s secret but, being wise, kept it to herself. There were few young women as pretty and charming as Mrs. Lorimer, with her snow-white hair and gentle blue eyes, and a voice as cheerful as a thrush's song in spring. After Lady Winsleigh, Thelma liked her best among her new friends and enjoyed visiting her cozy little house in Kensington—because it was very peaceful and felt like a safe refuge from the hectic world of frivolity and folly that the fashionable crowd loved.
And Thelma was often now in need of rest. As the season drew towards its close, she found herself strangely tired and dispirited. The life she was compelled to lead was all unsuited to her nature—it was artificial and constrained,—and she was often unhappy. Why? Why, indeed! She did her best,—but she made enemies everywhere. Again, why? Because she had a most pernicious,—most unpleasant habit of telling the truth. Like Socrates, she seemed to say—"If any man should appear to me not to possess virtue, but to pretend that he does, I shall reproach him." This she expressed silently in face, voice, and manner,—and, like Socrates, she might have added that she went about "perceiving, indeed, and grieving and alarmed that she was making herself odious." For she discovered, by degrees, that many people looked strangely upon her—that others seemed afraid of her—and she continually heard that she was considered "eccentric." So she became more reserved—even cold,—she was content to let others argue about trifles, and air their whims and follies without offering an opinion on any side.
And Thelma often needed rest. As the season came to an end, she found herself feeling unusually tired and down. The life she was forced to live just didn't fit her— it felt artificial and restricting—and she was often unhappy. Why? Why, really! She tried her best, but she ended up making enemies everywhere. Again, why? Because she had a really annoying habit of telling the truth. Like Socrates, she seemed to think, "If someone appears to lack virtue but pretends they have it, I’m going to call them out." She conveyed this silently through her expressions, voice, and behavior, and like Socrates, she might have added that she was going around "noticing, grieving, and worrying that she was becoming detestable." Gradually, she realized that many people looked at her oddly—that others seemed afraid of her—and she constantly heard that she was seen as "eccentric." So she became more reserved—even cold—she was fine with letting others debate trivial matters and share their quirks and foolishness without giving her opinion on any side.
And by-and-by the first shadow began to sweep over the fairness of her married life. It happened at a time when she and her husband were not quite so much together,—society and its various claims had naturally separated them a little, but now a question of political ambition separated them still more. Some well-intentioned friends had persuaded Sir Philip to stand for Parliament—and this idea no sooner entered his head, than he decided with impulsive ardor that he had been too long without a "career,"—and a "career" he must have in order to win distinction for his wife's sake. Therefore, summoning his secretary, Neville to his aid, he plunged headlong into the seething, turgid waters of English politics, and shut himself up in his library day after day, studying blue-books, writing and answering letters, and drawing up addresses,—and with the general proneness of the masculine mind to attend to one thing only at a time, he grew so absorbed in his work that his love for Thelma, though all unchanged and deep as ever, fell slightly into the background of his thoughts. Not that he neglected her,—he simply concerned himself more with other things. So it happened that a certain indefinable sense of loss weighed upon her,—a vague, uncomprehended solitude began to encompass her,—a solitude even more keenly felt when she was surrounded by friends than when she was quite alone,—and as the sweet English June drew to its end, she grew languid and listless, and her blue eyes often filled with sudden tears. Her little watch-dog, Britta, began to notice this, and to wonder concerning the reason of her mistress's altered looks.
And before long, the first shadow started to fall over the happiness of her married life. This happened at a time when she and her husband were spending less time together—society and its various demands had naturally pulled them apart a bit, but now a question of political ambition drove them even further apart. Some well-meaning friends had convinced Sir Philip to run for Parliament—and as soon as this idea took hold, he impulsively decided he had been without a "career" for too long, and he needed one to gain recognition for his wife's sake. So, he called on his secretary, Neville, for help and dove headfirst into the tumultuous waters of English politics, locking himself in his library day after day, studying reports, writing and responding to letters, and drafting speeches. With the typical focus of a man, he became so engrossed in his work that his love for Thelma, although unchanged and as deep as ever, started to fade slightly into the background of his thoughts. It wasn't that he neglected her; he just became more focused on other matters. As a result, a subtle sense of loss began to weigh on her—a vague, unrecognized feeling of loneliness enveloped her—one that felt more intense when she was surrounded by friends than when she was alone. As the lovely English June came to an end, she grew weak and indifferent, and her blue eyes often brimmed with sudden tears. Her little watch-dog, Britta, started to notice this and wondered about the reason for her mistress's changed appearance.
"It is this dreadful London," thought Britta. "So hot and stifling—there's no fresh air for her. And all this going about to balls and parties and shows—no wonder she is tired out!"
"It’s this awful London," thought Britta. "So hot and stuffy—there’s no fresh air for her. And all this running around to balls, parties, and shows—no wonder she’s exhausted!"
But it was something more than mere fatigue that made Thelma's eyes look sometimes so anxious, so gravely meditative and earnest. One day she seemed so much abstracted and lost in painful musings that Britta's loving heart ached, and she watched her for some moments without venturing to say a word. At last she spoke out bravely—
But it was more than just fatigue that made Thelma's eyes look anxious, gravely thoughtful, and serious at times. One day, she appeared so deep in troubling thoughts that Britta's caring heart ached for her, and she observed her for a while without daring to say anything. Finally, she spoke up boldly—
"Fröken!"—she paused,—Thelma seemed not to hear her. "Fröken!—has anything vexed or grieved you today?"
"Miss!"—she paused,—Thelma didn't seem to hear her. "Miss!—has anything upset you or made you sad today?"
Thelma started nervously. "Vexed me—grieved me?" she repeated. "No, Britta—why do you ask?"
Thelma started nervously. "Bothered me—upset me?" she repeated. "No, Britta—why do you ask?"
"You look very tired, dear Fröken," continued Britta gently. "You are not as bright as you were when we first came to London."
"You look really tired, Miss," Britta said softly. "You're not as lively as you were when we first arrived in London."
Thelma's lips quivered. "I—I am not well, Britta," she murmured, and suddenly her self-control gave way, and she broke into tears. In an instant Britta was kneeling by her, coaxing and caressing her, and calling her by every endearing name she could think of, while she wisely forbore from asking any more questions. Presently her sobs grew calmer,—she rested her fair head against Britta's shoulder and smiled faintly. At that moment a light tap was heard outside, and a voice called—
Thelma's lips trembled. "I—I’m not feeling well, Britta," she said softly, and suddenly she lost control and started crying. In an instant, Britta was down on her knees next to her, comforting and soothing her, calling her every sweet name she could think of, while wisely holding back any further questions. Eventually, her sobs became quieter—she leaned her delicate head against Britta's shoulder and gave a faint smile. Just then, a light knock was heard from outside, and a voice called—
"Thelma! Are you there?"
"Thelma! Are you around?"
Britta opened the door, and Sir Philip entered hurriedly and smiling—but stopped short to survey his wife in dismay.
Britta opened the door, and Sir Philip rushed in with a smile—but hesitated to take in the sight of his wife in shock.
"Why, my darling!" he exclaimed distressfully. "Have you been crying?"
"Why, my love!" he said with concern. "Have you been crying?"
Here the discreet Britta retired.
Here the discreet Britta stepped back.
Thelma sprang to her husband and nestled in his arms.
Thelma rushed to her husband and cuddled in his arms.
"Philip, do not mind it," she murmured. "I felt a little sad—it is nothing! But tell me—you do love me? You will never tire of me? You have always loved me, I am sure?"
"Philip, don’t worry about it," she whispered. "I felt a little down—it’s nothing! But tell me—you do love me? You’ll never get tired of me? You’ve always loved me, I’m sure?"
He raised her face gently with one hand, and looked at her in surprise.
He gently lifted her face with one hand and looked at her in surprise.
"Thelma—what strange questions from you! Love you? Is not every beat of my heart for you? Are you not my life, my joy—my everything in this world?" And he pressed her passionately in his arms and kissed her.
"Thelma—what odd questions from you! Do I love you? Isn't every beat of my heart for you? Aren't you my life, my joy—my everything in this world?" And he held her tightly in his arms and kissed her.
"You have never loved any one else so much?" she whispered, half abashed.
"You've never loved anyone else this much?" she whispered, a bit embarrassed.
"Never!" he answered readily. "What makes you ask such a thing?"
"Never!" he replied quickly. "Why would you ask something like that?"
She was silent. He looked down at her flushing cheeks and tear-wet lashes attentively.
She was quiet. He gazed down at her blushing cheeks and tear-streaked lashes intently.
"You are fanciful to-day, my pet," he said at last. "You've been tiring yourself too much. You must rest. You'd better not go to the Brilliant Theatre to-night—it's only a burlesque, and is sure to be vulgar and noisy. We'll stop at home and spend a quiet evening together—shall we?"
"You’re feeling imaginative today, my dear," he finally said. "You’ve been wearing yourself out too much. You need to rest. It’s probably best if you don’t go to the Brilliant Theatre tonight—it’s just a burlesque, and it’s bound to be crass and loud. Let’s stay in and enjoy a calm evening together—how does that sound?"
She raised her eyes half wistfully and smiled. "I should like that very, very much, Philip!" she murmured; "but you know we did promise Clara to go with her to-night. And as we are so soon to leave London and return to Warwickshire, I should not like to disappoint her."
She looked up with a hint of longing and smiled. "I would really love that, Philip!" she said softly; "but you know we promised Clara we would go with her tonight. Since we’re leaving London for Warwickshire soon, I don’t want to let her down."
"You are very fond of Clara?" he asked suddenly.
"You really like Clara a lot?" he asked out of the blue.
"Very!" She paused and sighed slightly. "She is so kind and clever—much more clever than I can ever be—and she knows many things about the world which I do not. And she admires you so much, Philip!"
"Very!" She paused and let out a small sigh. "She's incredibly kind and smart—way smarter than I'll ever be—and she knows so much about the world that I don’t. And she thinks so highly of you, Philip!"
"Does she indeed?" Philip laughed and colored a little. "Very good of her, I'm sure! And so you'd really like to go to the Brilliant to-night?"
"Does she really?" Philip laughed and blushed a bit. "That's very nice of her, I'm sure! So you actually want to go to the Brilliant tonight?"
"I think so," she said hesitatingly. "Clara says it will be very amusing. And you must remember how much I enjoyed 'Faust' and 'Hamlet.'"
"I think so," she said hesitantly. "Clara says it will be really fun. And you have to remember how much I enjoyed 'Faust' and 'Hamlet.'"
Errington smiled. "You'll find the Brilliant performance very different to either," he said amusedly. "You don't know what a burlesque is like!"
Errington smiled. "You'll find the Brilliant performance very different from either," he said with a grin. "You have no idea what a burlesque is like!"
"Then I must be instructed," replied Thelma, smiling also, "I need to learn many things. I am very ignorant!"
"Then I need some guidance," replied Thelma, smiling as well. "I have a lot to learn. I'm really clueless!"
"Ignorant!" and he swept aside with a caressing touch the clustering hair from her broad, noble brow. "My darling, you possess the greatest wisdom—the wisdom of innocence. I would not change it for all the learning of the sagest philosophers!"
"Ignorant!" he said, gently pushing the hair away from her wide, noble forehead. "My darling, you have the greatest wisdom—the wisdom of innocence. I wouldn't trade it for all the knowledge of the wisest philosophers!"
"You really mean that?" she asked half timidly.
"You really mean that?" she asked, a bit shyly.
"I really mean that!" he answered fondly. "Little sceptic! As if I would ever say anything to you that I did not mean! I shall be glad when we're out of London and back at the Manor—then I shall have you all to myself again—for a time, at least."
"I really mean that!" he replied affectionately. "You little skeptic! As if I would ever say anything to you that I didn't mean! I’ll be so glad when we’re out of London and back at the Manor—then I’ll have you all to myself again—for a while, at least."
She raised her eyes full of sudden joy,—all traces of her former depression had disappeared.
She lifted her eyes, filled with sudden joy—every trace of her previous sadness was gone.
"And I shall have you!" she said gladly. "And we shall not disappoint Lady Winsleigh to-night, Philip—I am not tired—and I shall be pleased to go to the theatre."
"And I will have you!" she said happily. "And we won't disappoint Lady Winsleigh tonight, Philip—I’m not tired—and I’d love to go to the theater."
"All right!" responded Philip cheerfully. "So let it be! Only I don't believe you'll like the piece,—though it certainly won't make you cry. Yet I doubt if it will make you laugh, either. However, it will be a new experience for you."
"Sure thing!" Philip replied happily. "So be it! I just don't think you're going to enjoy the piece,—though it's definitely not going to make you cry. Still, I’m not sure it will make you laugh, either. But it will definitely be a new experience for you."
And a new experience it decidedly was,—an experience, too, which brought some strange and perplexing results to Thelma of which she never dreamed.
And it was definitely a new experience—an experience that also brought some strange and confusing outcomes for Thelma, things she never imagined.
She went to the Brilliant, accompanied by Lady Winsleigh and her husband,—Neville, the secretary, making the fourth in their box; and during the first and second scene of the performance the stage effects were so pretty and the dancing so graceful that she nearly forgot the bewildered astonishment she had at first felt at the extreme scantiness of apparel worn by the ladies of the ballet. They represented birds, bees, butterflies, and the other winged denizens of the forest-world,—and the tout-ensemble was so fairy-like and brilliant with swift movement, light, and color that the eye was too dazzled and confused to note objectionable details. But in the third scene, when a plump, athletic young woman leaped on the stage in the guise of a humming-bird, with a feather tunic so short that it was a mere waist-belt of extra width,—a flesh-colored bodice about three inches high, and a pair of blue wings attached to her fat shoulders, Thelma started and half rose from her seat in dismay, while a hot tide of color crimsoned her cheeks. She looked nervously at her husband.
She went to the Brilliant with Lady Winsleigh and her husband, with Neville, the secretary, making up the fourth person in their box. During the first and second scenes of the performance, the stage effects were so pretty and the dancing so graceful that she nearly forgot the bewildered astonishment she initially felt at how little the ladies of the ballet wore. They represented birds, bees, butterflies, and other winged creatures of the forest, and the whole spectacle was so fairy-like and vibrant with swift movement, light, and color that the eye became too dazzled and confused to notice any objectionable details. But in the third scene, when a plump, athletic young woman sprang onto the stage dressed as a hummingbird, with a feather tunic that was nothing more than a wide waist-belt, a flesh-colored bodice about three inches high, and a pair of blue wings attached to her broad shoulders, Thelma gasped and half rose from her seat in shock, a hot flush coloring her cheeks. She glanced nervously at her husband.
"I do not think this is pleasant to see," she said in a low tone. "Would it not be best to go away? I—I think I would rather be at home."
"I don't think this is nice to look at," she said quietly. "Wouldn't it be better to leave? I—I think I'd rather be at home."
Lady Winsleigh heard and smiled,—a little mocking smile.
Lady Winsleigh heard and smiled—a slightly teasing smile.
"Don't be silly, child!" she said. "If you leave the theatre just now you'll have every one staring at you. That woman's an immense favorite—she is the success of the piece. She's got more diamonds than either you or I."
"Don't be ridiculous, kid!" she said. "If you leave the theater right now, everyone will be looking at you. That woman is super popular—she's the star of the show. She's got more diamonds than either of us."
Thelma regarded her friend with a sort of grave wonder,—but said nothing in reply. If Lady Winsleigh liked the performance and wished to remain, why—then politeness demanded that Thelma should not interfere with her pleasure by taking an abrupt leave. So she resumed her seat, but withdrew herself far behind the curtain of the box, in a corner where the stage was almost invisible to her eyes. Her husband bent over her and whispered—
Thelma looked at her friend with a serious kind of curiosity, but didn’t say anything in response. If Lady Winsleigh enjoyed the show and wanted to stay, then it was only polite for Thelma not to disrupt her enjoyment by leaving suddenly. So she sat back down, but moved away behind the box’s curtain to a corner where she could barely see the stage. Her husband leaned over and whispered—
"I'll take you home if you wish it, dear! only say the word."
"I'll take you home if you'd like, dear! Just say the word."
She shook her head.
She shook her head.
"Clara enjoys it!" she answered somewhat plaintively. "We must stay."
"Clara loves it!" she replied a bit sadly. "We have to stay."
Philip was about to address Lady Winsleigh on the subject, when suddenly Neville touched him on the arm.
Philip was about to talk to Lady Winsleigh about it when Neville suddenly tapped him on the arm.
"Can I speak to you alone for a moment, Sir Philip?" he said in a strange, hoarse whisper. "Outside the box—away from the ladies—a matter of importance!"
"Can I talk to you alone for a moment, Sir Philip?" he said in a strange, raspy whisper. "Outside the box—away from the ladies—it's important!"
He looked as if he were about to faint. He gasped rather than spoke these words; his face was white as death, and his eyes had a confused and bewildered stare.
He looked like he was about to pass out. He gasped more than he spoke these words; his face was as pale as death, and his eyes had a dazed and confused look.
"Certainly!" answered Philip promptly, though not without an accent of surprise,—and, excusing their absence briefly to his wife and Lady Winsleigh, they left the box together. Meanwhile the well-fed "Humming-Bird" was capering extravagantly before the footlights, pointing her toe in the delighted face of the stalls and singing in a in a loud, coarse voice the following refined ditty—
"Sure!" Philip replied quickly, though there was a hint of surprise in his voice—and after briefly explaining their absence to his wife and Lady Winsleigh, they left the box together. Meanwhile, the well-fed "Humming-Bird" was prancing around extravagantly in front of the audience, showcasing her toe in the delighted faces of the front row and singing loudly and roughly the following refined song—
"Oh my ducky, oh my darling, oh my duck, duck, duck!
If you love me you must have a little pluck, pluck, pluck!
Come and put your arms around me, kiss me once, twice, thrice,
For kissing may be naughty, but, by Jingo! it is nice!
Once, twice, thrice!
Nice, nice, nice!
Bliss, bliss, bliss!
Kiss, kiss, kiss!
Kissing may be naughty, but it's nice!"
"Oh my darling, oh my sweetheart, oh my dear, dear, dear!
If you love me, you need to show a little courage, courage, courage!
Come and wrap your arms around me, kiss me once, twice, three times,
Because kissing might be a bit naughty, but, by gosh! it feels good!
One, two, three times!
Great, great, great!
Joy, joy, joy!
Kiss, kiss, kiss!
Kissing might be a little naughty, but it's nice!"
There were several verses in this graceful poem, and each one was hailed with enthusiastic applause. The "Humming-Bird" was triumphant, and when her song was concluded she executed a startling pas-seul full of quaint and astonishing surprises, reaching her superbest climax, when she backed off the stage on one portly leg,—kicking the other in regular time to the orchestra. Lady Winsleigh laughed, and leaning towards Thelma, who still sat in her retired corner, said with a show of kindness—
There were several verses in this beautiful poem, and each one was greeted with enthusiastic applause. The "Humming-Bird" was victorious, and when her song ended, she performed a surprising solo full of quirky and astonishing surprises, reaching her best moment when she backed off the stage on one sturdy leg—kicking the other in rhythm with the orchestra. Lady Winsleigh laughed and leaned toward Thelma, who still sat in her quiet corner, saying with a hint of kindness—
"You dear little goose! You must get accustomed to this kind of thing—it takes with the men immensely. Why, even your wonderful Philip has gone down behind the scenes with Neville—you may be sure of that!"
"You sweet little goose! You need to get used to this sort of thing—it really works with the guys. I mean, even your amazing Philip has gone behind the scenes with Neville—you can count on that!"
The startled, pitiful astonishment in the girl's face might have touched a less callous heart than Lady Winsleigh's,—but her ladyship was prepared for it and only smiled.
The shocked, sad look on the girl's face might have moved a less indifferent heart than Lady Winsleigh's, —but her ladyship was ready for it and just smiled.
"Gone behind the scenes! To see that dreadful woman!" exclaimed Thelma in a low pained tone. "Oh no, Clara! He would not do such a thing. Impossible!"
"Gone backstage! To see that awful woman!" Thelma exclaimed in a quiet, pained voice. "Oh no, Clara! He wouldn't do something like that. No way!"
"Well, my dear, then where is he? He has been gone quite ten minutes. Look at the stalls—all the men are out of them! I tell you Violet Vere draws everybody—of the male sex after her! At the end of all her 'scenes' she has a regular reception—for men only—of course! Ladies not admitted!" And Clara Winsleigh laughed. "Don't look so shocked for heaven's sake, Thelma,—you don't want your husband to be a regular nincompoop! He must have his amusements as well as other people. I believe you want him to be like a baby, tied to your apron-string! You'll find that an awful mistake,—he'll get tired to death of you, sweet little Griselda though you are!"
"Well, my dear, where is he? He’s been gone for almost ten minutes. Look at the stalls—all the men are out of them! I tell you, Violet Vere attracts every guy around! After all her 'scenes', she has a total hangout just for men—obviously! No ladies allowed!" Clara Winsleigh laughed. "Don’t look so shocked, for heaven’s sake, Thelma—you don’t want your husband to be a complete fool! He needs to have some fun like everyone else. I think you want him to be like a baby, stuck to your apron strings! You’ll find that a huge mistake—he’ll get bored out of his mind, sweet little Griselda though you are!"
Thelma's face grew very pale, and her hand closed more tightly on the fan she held.
Thelma's face turned white, and she gripped the fan in her hand tighter.
"You have said that so very, very often lately, Clara!" she murmured. "You seem so sure that he will get tired—that all men get tired. I do not think you know Philip—he is not like any other person I have ever met. And why should he go behind the scenes to such a person as Violet Vere—"
"You've been saying that a lot lately, Clara!" she whispered. "You seem so convinced that he's going to get tired—that all guys get tired. I really don't think you know Philip—he's not like anyone else I've ever met. And why would he go behind the scenes to someone like Violet Vere—"
At that moment the box-door opened with a sharp click, and Errington entered alone. He looked disturbed and anxious.
At that moment, the box door opened with a sharp click, and Errington walked in alone. He looked upset and worried.
"Neville is not well," he said abruptly, addressing his wife. "I've sent him home. He wouldn't have been able to sit this thing out." And he glanced half angrily towards the stage—the curtain had just gone up again and displayed the wondrous Violet Vere still in her "humming-bird" character, swinging on the branch of a tree and (after the example of all humming-birds) smoking a cigar with brazen-faced tranquillity.
"Neville isn't well," he said suddenly, looking at his wife. "I sent him home. He wouldn’t have been able to sit through this." He glanced half angrily at the stage—the curtain had just lifted again, revealing the amazing Violet Vere still in her "humming-bird" character, swinging on the branch of a tree and (like all humming-birds) smoking a cigar with shameless calm.
"I am sorry he is ill," said Thelma gently. "That is why you were so long away?"
"I’m sorry to hear he’s sick," Thelma said gently. "Is that why you were gone for so long?"
"Was I long?" returned Philip somewhat absently. "I didn't know it. I went to ask a question behind the scenes."
"Was I gone long?" Philip replied somewhat absentmindedly. "I didn't realize it. I went to ask a question backstage."
Lady Winsleigh coughed and glanced at Thelma, whose eyes dropped instantly.
Lady Winsleigh coughed and looked at Thelma, whose eyes immediately lowered.
"I suppose you saw Violet Vere?" asked Clara.
"I guess you saw Violet Vere?" Clara asked.
"Yes, I saw her," he replied briefly. He seemed irritable and vexed—moreover, decidedly impatient. Presently he said—
"Yeah, I saw her," he answered shortly. He looked annoyed and bothered—definitely impatient too. After a moment, he said—
"Lady Winsleigh, would you mind very much if we left this place and went home? I'm rather anxious about Neville—he's had a shock. Thelma doesn't care a bit about this piece, I know, and if you are not very much absorbed—"
"Lady Winsleigh, would you mind if we left this place and went home? I'm a bit worried about Neville—he's had a shock. Thelma isn't interested in this piece at all, and if you're not too absorbed—"
Lady Winsleigh rose instantly, with her usual ready grace.
Lady Winsleigh stood up immediately, with her usual effortless elegance.
"My dear Sir Philip!" she said sweetly. "As if I would not, do anything to oblige you! Let us go by all means! These burlesques are extremely fatiguing!"
"My dear Sir Philip!" she said sweetly. "As if I wouldn't do anything to help you! Let's definitely go! These shows are really exhausting!"
He seemed relieved by her acquiescence—and smiled that rare sweet smile of his, which had once played such havoc with her ladyship's sensitive feelings. They left the theatre, and were soon on their way home, though Thelma was rather silent during the drive. They dropped Lady Winsleigh at her own door, and after they had bidden her a cordial good night, and were going on again towards home, Philip, turning towards his wife, and catching sight of her face by the light of a street-lamp, was struck by her extreme paleness and weary look.
He seemed relieved by her agreement—and flashed that rare sweet smile of his, which had once caused so much turmoil for her ladyship's sensitive feelings. They left the theater and were soon on their way home, although Thelma was a bit quiet during the drive. They dropped Lady Winsleigh off at her door, and after wishing her a warm good night, as they continued toward home, Philip turned to his wife and, catching a glimpse of her face in the light of a streetlamp, was struck by her extreme paleness and weary expression.
"You are very tired, my darling, I fear?" he inquired, tenderly encircling her with one arm. "Lean your head on my shoulder—so!"
"You’re really tired, my love, aren't you?" he asked, gently wrapping one arm around her. "Rest your head on my shoulder—like this!"
She obeyed, and her hand trembled a little as he took and held it in his own warm, strong clasp.
She followed his lead, and her hand shook slightly as he took it and held it in his warm, strong grip.
"We shall soon be home!" he added cheerily. "And I think we must have no more theatre-going this season. The heat and noise and glare are too much for you."
"We'll be home soon!" he said happily. "And I believe we should stop going to the theater this season. The heat, noise, and bright lights are too much for you."
"Philip," said Thelma suddenly. "Did you really go behind the scenes to-night?"
"Philip," Thelma suddenly said. "Did you really go backstage tonight?"
"Yes, I did," he answered readily. "I was obliged to go on a matter of business—a very disagreeable and unpleasant matter too."
"Yes, I did," he replied quickly. "I had to deal with a business issue—one that was really unpleasant and unwelcome."
"And what was it?" she asked timidly, yet hopefully.
"And what was it?" she asked hesitantly, but with hope.
"My pet, I can't tell you! I wish I could! It's a secret I'm bound not to betray—a secret which involves the name of another person who'd be wretched if I were to mention it to you. There,—don't let us talk about it any more!"
"My pet, I can't tell you! I wish I could! It's a secret I can't reveal—a secret that involves someone else's name who would be miserable if I mentioned it to you. There,—let's not discuss it anymore!"
"Very well, Philip," said Thelma resignedly,—but though she smiled, a sudden presentiment of evil depressed her. The figure of the vulgar, half-clothed, painted creature known as Violet Vere rose up mockingly before her eyes,—and the half-scornful, half-jesting words of Lady Winsleigh rang persistently in her ears.
"Alright, Philip," Thelma said with a sigh, but even as she smiled, a feeling of impending trouble weighed her down. The image of the tacky, half-dressed, made-up woman named Violet Vere appeared mockingly in her mind, and the half-sarcastic, half-joking words of Lady Winsleigh echoed relentlessly in her ears.
On reaching home, Philip went straight to Neville's little study and remained with him in earnest conversation for a long time—while Thelma went to bed, and lay restless among her pillows, puzzling her brain with strange forebodings and new and perplexing ideas, till fatigue overpowered her, and she fell asleep with a few tear-drops wet on her lashes. And that night Philip wondered why his sweet wife talked so plaintively in her sleep,—though he smiled as he listened to the drift of those dove-like murmurings.
On getting home, Philip headed straight to Neville's small study and spent a long time in deep conversation with him—while Thelma went to bed, tossing and turning among her pillows, troubled by strange worries and confusing thoughts, until exhaustion took over and she fell asleep with a few tear drops on her lashes. That night, Philip wondered why his dear wife spoke so sadly in her sleep, though he smiled as he listened to those soft, gentle murmurs.
"No one knows how my boy loves me," sighed the dreaming voice. "No one in all the world! How should he tire? Love can never tire!"
"No one knows how much my boy loves me," sighed the dreamy voice. "No one in the whole world! How could he ever get tired? Love can never get tired!"
Meanwhile, Lady Winsleigh, in the seclusion of her own boudoir, penned a brief note to Sir Francis Lennox as follows—
Meanwhile, Lady Winsleigh, in the privacy of her own bedroom, wrote a short note to Sir Francis Lennox as follows—
"DEAR OLD LENNIE,"
"Dear Old Lennie,"
"I saw you in the stalls at the theatre this evening, though you pretended not to see me. What a fickle creature you are! not that I mind in the very least. The virtuous Bruce-Errington left his saintly wife and me to talk little platitudes together, while he, decorously accompanied by his secretary, went down to pay court to Violet Vere. How stout she is getting! Why don't you men advise her to diet herself? I know you also went behind the scenes—of course, you are an ami intime—promising boy you are, to be sure! Come and lunch with me to-morrow, if you're not too lazy."
"I saw you in the seats at the theater this evening, even though you acted like you didn’t see me. What a fickle person you are! Not that I mind at all. The virtuous Bruce-Errington left his saintly wife and me to chat about trivial things, while he, properly accompanied by his secretary, went down to pay attention to Violet Vere. She’s getting quite stout! Why don’t you guys suggest she goes on a diet? I know you went backstage too—of course, you are an ami intime—you're a promising guy, for sure! Come have lunch with me tomorrow, if you’re not too lazy."
"Yours ever, CLARA."
"Always yours, CLARA."
She gave this missive to her maid, Louise Rénaud, to post,—that faithful attendant took it first to her own apartment where she ungummed the envelope neatly by the aid of hot water, and read every word of it. This was not an exceptional action of hers,—all the letters received and sent by her mistress were subjected to the same process,—even those that were sealed with wax she had a means of opening in such a manner that it was impossible to detect that they had been tampered with.
She gave this letter to her maid, Louise Rénaud, to mail. That loyal assistant first took it to her own room, where she carefully unsealed the envelope using hot water and read every word. This wasn't unusual for her; all the letters handled by her mistress were treated the same way. Even those sealed with wax were opened in such a way that it was impossible to tell they had been tampered with.
She was a very clever French maid was Louise,—one of the cleverest of her class. Fond of mischief, ever suspicious, always on the alert for evil, utterly unscrupulous and malicious, she was an altogether admirable attendant for a lady of rank and fashion, her skill as a coiffeur and needle-woman always obtaining for her the wages she so justly deserved. When will wealthy women reared in idleness and luxury learn the folly of keeping a trained spy attached to their persons?—a spy whose pretended calling is merely to arrange dresses and fripperies (half of which she invariably steals), but whose real delight is to take note of all her mistress's incomings and outgoings, tempers and tears—to watch her looks, her smiles and frowns,—and to start scandalous gossip concerning her in the servants' hall, from whence it gradually spreads to the society newspapers—for do you think these estimable and popular journals are never indebted for their "reliable" information to the "honest" statements of discharged footman or valet? Briggs, for instance, had tried his hand at a paragraph or two concerning the "Upper Ten," and with the aid of a dictionary, had succeeded in expressing himself quite smartly, though in ordinary conversation his h's were often lacking or superfluous, and his grammar doubtful. Whether he persuaded any editor to accept his literary efforts is quite another matter—a question to which the answer must remain for ever enveloped in mystery,—but if he did appear in print (it is only an if!) he must have been immensely gratified to consider that his statements were received with gusto by at least half aristocratic London, and implicitly believed as having emanated from the "best authorities." And Louise Rénaud having posted her mistress's letter at last, went down to visit Briggs in his private pantry, and to ask him a question.
She was a really clever French maid named Louise—one of the smartest in her line of work. Fond of mischief, always suspicious, and constantly on the lookout for trouble, she was an entirely admirable attendant for an upper-class lady. Her skills as a hairdresser and seamstress always earned her the pay she rightfully deserved. When will wealthy women, raised in comfort and luxury, realize how foolish it is to keep a trained spy around them?—a spy whose supposed job is simply to arrange dresses and accessories (half of which she usually steals), but whose true enjoyment comes from noting her mistress's comings and goings, moods, and tears—to observe her expressions, smiles, and frowns—and to spread scandalous gossip about her in the servants' quarters, from where it gradually makes its way to society newspapers. Do you really think these esteemed and popular publications never get their "reliable" information from the "honest" accounts of dismissed footmen or valets? For example, Briggs had tried his hand at writing a paragraph or two about the "Upper Ten," and with the help of a dictionary, managed to express himself quite cleverly, even though in everyday conversation, he often dropped or overused his h's, and his grammar was questionable. Whether he convinced any editor to publish his literary attempts is another story—a question that will forever remain a mystery—but if he did appear in print (it’s just an if!), he must have felt incredibly pleased to think that his claims were enjoyed by at least half of the aristocracy in London and were believed to have come from the "best authorities." And Louise Rénaud, having finally posted her mistress's letter, went down to visit Briggs in his private pantry and asked him a question.
"Tell me," she said rapidly, with her tight, prim smile. "You read the papers—you will know. What lady is that of the theatres—Violet Vere?"
"Tell me," she said quickly, with her tight, formal smile. "You read the news—you must know. Who is that actress from the theaters—Violet Vere?"
Briggs laid down the paper he was perusing and surveyed her with a superior air.
Briggs set aside the paper he was reading and looked at her with a condescending expression.
"What, Vi?" he exclaimed with a lazy wink. "Vi, of the Hopperer-Buff? You've 'erd of 'er surely, Mamzelle? No? There's not a man (as is worth calling a man) about town, as don't know 'er! Dukes, Lords, an' Royal 'Ighnesses—she's the style for 'em! Mag-ni-ficent creetur! all legs and arms! I won't deny but wot I 'ave an admiration for 'er myself—I bought a 'arf-crown portrait of 'er quite recently." And Briggs rose slowly and searched in a mysterious drawer which he invariably kept locked.
"What, Vi?" he said with a lazy wink. "Vi, from the Hopperer-Buff? You've heard of her for sure, Mamzelle? No? There's not a guy (who's worth mentioning) around town who doesn't know her! Dukes, Lords, and Royal Highnesses—she's their type! Magnificent creature! All legs and arms! I won't deny I have an admiration for her myself—I bought a half-crown portrait of her not long ago." And Briggs stood up slowly and looked in a mysterious drawer that he always kept locked.
"'Ere she is, as large as life, Mamzelle," he continued, exhibiting a "promenade" photograph of the actress in question. "There's a neck for you! There's form! Vi, my dear, I saloot you!" and he pressed a sounding kiss on the picture—"you're one in a million! Smokes and drinks like a trooper, Mamzelle!" he added admiringly, as Louise Rénaud studied the portrait attentively. "But with all 'er advantages, you would not call 'er a lady. No—that term would be out of the question. She is wot we men would call an enchantin' female!" And Briggs kissed the tips of his fingers and waved them in the air as he had seen certain foreign gentlemen do when enthusiastic.
"Here she is, as real as can be, Mamzelle," he said, showing off a "promenade" photo of the actress. "Check out that neck! What a figure! Vi, my dear, I salute you!" He planted a loud kiss on the picture—"you're one in a million! Drinks and smokes like a champ, Mamzelle!" he added with admiration, as Louise Rénaud looked closely at the portrait. "But despite all her perks, you wouldn’t really call her a lady. No— that wouldn’t fit. She’s what we men would call an enchanting woman!" And Briggs kissed his fingertips and waved them in the air like he had seen some foreign gentlemen do when they were excited.
"I comprehend," said the French maid, nodding emphatically. "Then, if she is so, what makes that proud Seigneur Bruce-Errington visit her?" Here she shook her finger at Briggs. "And leave his beautiful lady wife, to go and see her?" Another shake. "And that miserable Sieur Lennox to go also? Tell me that!" She folded her arms, like Napoleon at St. Helena, and smiled again that smile which was nothing but a sneer. Briggs rubbed his nose contemplatively.
"I understand," said the French maid, nodding firmly. "So if she is like that, what makes that proud Lord Bruce-Errington visit her?" Here she pointed a finger at Briggs. "And leave his beautiful wife to go see her?" Another point. "And that awful Lord Lennox to go too? Explain that!" She crossed her arms, like Napoleon at St. Helena, and gave that smile again which was nothing but a sneer. Briggs rubbed his nose thoughtfully.
"Little Francis can go ennywheres," he said at last. "He's laid out a good deal of tin on Vi and others of 'er purfession. You cannot make enny-think of that young feller but a cad. I would not accept 'im for my pussonal attendant. No! But Sir Philip Bruce-Errington—" He paused, then continued, "Air you sure of your facts, Mamzelle?"
"Little Francis can go anywhere," he finally said. "He's spent a lot of money on Vi and others in her profession. You can't think of that young guy as anything but a jerk. I wouldn’t have him as my personal assistant. No! But Sir Philip Bruce-Errington—" He paused, then continued, "Are you sure of your facts, Mamzelle?"
Mamzelle was so sure, that the bow on her cap threatened to come off with the determined wagging of her head.
Mamzelle was so certain that the bow on her cap seemed like it was about to fly off from the way she was vigorously shaking her head.
"Well," resumed Briggs, "Sir Philip may, like hothers, consider it 'the thing' you know, to 'ang on as it were to Vi. But I 'ad thought 'im superior to it. Ah! poor 'uman natur, as 'Uxley says!" and Briggs sighed. "Lady Errington is a sweet creetur, Mamzelle—a very sweet creetur! Has a rule I find the merest nod of my 'ed a sufficient saloot to a woman of the aristocracy—but for 'er, Mamzelle, I never fail to show 'er up with a court bow!" And involuntarily Briggs bowed then and there in his most elegant manner. Mamzelle tightened her thin lips a little and waved her hand expressively.
"Well," Briggs continued, "Sir Philip might, like others, think it’s ‘the thing’ to cling to Vi. But I thought he was above that. Ah! poor human nature, as Huxley says!" and Briggs sighed. "Lady Errington is a lovely creature, Mamzelle—a *very* lovely creature! Usually, I find that a simple nod of my head is enough to acknowledge a woman of the aristocracy—but for *her*, Mamzelle, I always make sure to show her respect with a court bow!" And without thinking, Briggs bowed right there in his most graceful way. Mamzelle tightened her thin lips a bit and waved her hand expressively.
"She is an angel of beauty!" she said, "and Miladi Winsleigh is jealous—ah, Dieu! jealous to death of her! She is innocent too—like a baby—and she worships her husband. That is an error! To worship a man is a great mistake—she will find it so. Men are not to be too much loved—no, no!"
"She’s a total beauty!" she exclaimed, "and Miladi Winsleigh is so jealous—oh, God! insanely jealous of her! She’s innocent too—like a child—and she adores her husband. That’s a mistake! Worshipping a man is a huge error—she'll realize that. You shouldn’t love men too much—no, no!"
Briggs smiled in superb self-consciousness. "Well, well! I will not deny, Mamzelle, that it spoils us," he said complacently. "It certainly spoils us! 'When lovely woman stoops to folly,'—the hold, hold story!"
Briggs smiled with great self-awareness. "Well, well! I won’t deny, Mamzelle, that it spoils us," he said with satisfaction. "It definitely spoils us! 'When lovely woman stoops to folly,'—the same old story!"
"You will r-r-r-emember," said Mamzelle, suddenly stepping up very close to him and speaking with a strong accent, "what I have said to-night! Monsieur Briggs, you will r-remember! There will be mees-cheef! Yes—there will be mees-cheef to Sieur Bruce-Errington, and when there is,—I—I, Louise Rénaud—I know who ees at the bottom of eet!"
"You will remember," said Mamzelle, suddenly stepping very close to him and speaking with a strong accent, "what I said tonight! Mr. Briggs, you will remember! There will be trouble! Yes—there will be trouble for Mr. Bruce-Errington, and when it happens,—I—I, Louise Rénaud—I know who is behind it!"
So saying, with a whirl of her black silk dress and a flash of her white muslin apron, she disappeared. Briggs, left alone, sauntered to a looking-glass hanging on the wall and studied with some solicitude a pimple that had recently appeared on his clean-shaven face.
So saying, with a swirl of her black silk dress and a flash of her white muslin apron, she vanished. Briggs, left alone, strolled over to a mirror hanging on the wall and examined with some concern a pimple that had just shown up on his freshly shaven face.
"Mischief!" he soliloquized. "I des-say! Whenever a lot of women gets together, there's sure to be mischief. Dear creeturs! They love it like the best Clicquot. Sprightly young pusson is Mamzelle. Knows who's at the bottom of 'eet,' does she! Well—she's not the only one as knows the same thing. As long as doors 'as cracks and key'oles, it ain't in the least difficult to find out wot goes on inside boo-dwars and drorin'-rooms. And 'ighly interestin' things one 'ears now and then—'ighly interestin'!"
"Mischief!" he thought to himself. "I must say! Whenever a bunch of women get together, there's bound to be trouble. Sweet creatures! They enjoy it like the finest Champagne. That lively young lady, Mademoiselle. She knows who's behind it all, doesn't she! Well—she's not the only one who knows. As long as doors have cracks and keyholes, it's not at all hard to figure out what goes on inside bedrooms and drawing rooms. And highly interesting things one hears now and then—very interesting!"
And Briggs leered suavely at his own reflection, and then resumed the perusal of his paper. He was absorbed in the piquant, highly flavored details of a particularly disgraceful divorce case, and he was by no means likely to disturb himself from his refined enjoyment for any less important reason than the summons of Lord Winsleigh's bell, which rang so seldom that, when it did, he made it a point of honor to answer it immediately, for, as he said—
And Briggs smirked confidently at his own reflection before going back to read his paper. He was engrossed in the scandalous, juicy details of a particularly disgraceful divorce case, and he certainly wasn’t going to break his refined enjoyment for anything less important than the rare sound of Lord Winsleigh's bell, which rang so infrequently that, when it did, he felt it was his duty to respond right away, because, as he said—
"His lordship knows wot is due to me, and I knows wot is due to 'im—therefore it 'appens we are able to ekally respect each other!"
"His lordship knows what he owes me, and I know what I owe him—so it turns out we can equally respect each other!"
CHAPTER XXII.
"If thou wert honorable, Thou would'st have told this tale for virtue, not For such an end thou seek'st; as base, as strange. Thou wrong'st a gentleman who is as far From thy report, as thou from honor." |
Cymbeline.
Cymbeline.
Summer in Shakespeare Land! Summer in the heart of England—summer in wooded Warwickshire,—a summer brilliant, warm, radiant with flowers, melodious with the songs of the heaven—aspiring larks, and the sweet, low trill of the forest-hidden nightingales. Wonderful and divine it is to hear the wild chorus of nightingales that sing beside Como in the hot languorous nights of an Italian July—wonderful to hear them maddening themselves with love and music, and almost splitting their slender throats with the bursting bubbles of burning song,—but there is something, perhaps, more dreamily enchanting still,—to hear them warbling less passionately but more plaintively, beneath the drooping leafage of those grand old trees, some of which may have stretched their branches in shadowy benediction over the sacred head of the grandest poet in the world. Why travel to Athens,—why wander among the Ionian Isles for love of the classic ground? Surely, though the clear-brained old Greeks were the founders of all noble literature, they have reached their fulminating point in the English Shakespeare,—and the Warwickshire lanes, decked simply with hawthorn and sweet-briar roses, through which Mary Arden walked leading her boy-angel by the hand, are sacred as any portion of that earth once trodden by the feet of Homer and Plato.
Summer in Shakespeare Land! Summer in the heart of England—summer in wooded Warwickshire—a summer bright, warm, and bursting with flowers, filled with the songs of larks soaring in the sky and the sweet, soft trill of nightingales hidden in the forest. It's amazing and divine to hear the wild chorus of nightingales singing beside Lake Como during the hot, lazy nights of an Italian July—wonderful to hear them filling the air with love and music, nearly straining their delicate throats with the intense flow of their passionate songs—but there’s something perhaps even more enchanting: to hear them singing less intensely but more sorrowfully beneath the drooping leaves of those majestic old trees, some of which may have stretched their branches in shadowy blessing over the head of the greatest poet in the world. Why go to Athens—why wander among the Ionian Isles in search of classical ground? Surely, while the clear-minded old Greeks were the founders of all great literature, their peak has found its expression in the English Shakespeare—and the Warwickshire lanes, simply adorned with hawthorn and sweet-briar roses, where Mary Arden walked holding her angelic boy by the hand, are as sacred as any part of the earth once trodden by Homer and Plato.
So, at least, Thelma thought, when, released from the bondage of London social life, she found herself once more at Errington Manor, then looking its loveliest, surrounded with a green girdle of oak and beech, and set off by the beauty of velvety lawns and terraces, and rose-gardens in full bloom. The depression from which she had suffered fell away from her completely—she grew light-hearted as a child, and flitted from room to room, singing to herself for pure gladness. Philip was with her all day now, save for a couple of hours in the forenoon which he devoted to letter-writing in connection with his Parliamentary aspirations,—and Philip was tender, adoring and passionate as lovers may be, but as husbands seldom are. They took long walks together through the woods,—they often rambled across the fragrant fields to Anne Hathaway's cottage, which was not very far away, and sitting down in some sequestered nook, Philip would pull from his pocket a volume of the immortal Plays, and read passages aloud in his fine mellow voice, while Thelma, making posies of the meadow flowers, listened entranced. Sometimes, when he was in a more business-like humor, he would bring out Cicero's Orations, and after pondering over them for a while would talk very grandly about the way in which he meant to speak in Parliament.
So, at least, Thelma thought, when she was freed from the constraints of London social life and found herself back at Errington Manor, which looked stunning, surrounded by a green belt of oak and beech trees, complemented by beautiful velvety lawns, terraces, and rose gardens in full bloom. The sadness that had weighed her down disappeared completely—she felt light-hearted like a child and moved from room to room, singing to herself out of pure joy. Philip was with her all day now, except for a couple of hours in the morning which he dedicated to writing letters related to his ambitions in Parliament—and he was loving, adoring, and passionate like lovers can be, but rarely like husbands are. They took long walks in the woods—they often strolled through the fragrant fields to Anne Hathaway's cottage, which was not far away, and sitting down in a quiet spot, Philip would take out a volume of the timeless Plays and read passages aloud in his rich, warm voice, while Thelma, crafting small bouquets of meadow flowers, listened in fascination. Sometimes, when he was in a more serious mood, he would pull out Cicero's Orations, and after thinking about them for a while, he would talk very grandly about how he planned to speak in Parliament.
"They want dash and fire there," he said, "and these qualities must be united with good common sense. In addressing the House, you see, Thelma, one must rouse and interest the men—not bore them. You can't expect fellows to pass a Bill if you've made them long for their beds all the time you've been talking about it."
"They want energy and passion there," he said, "and those qualities need to be paired with common sense. When speaking to the House, you see, Thelma, you have to excite and engage the men—not bore them. You can't expect guys to approve a Bill if you've made them wish for their beds the whole time you've been talking about it."
Thelma smiled and glanced over his shoulder at "Cicero's Orations."
Thelma smiled and looked over his shoulder at "Cicero's Orations."
"And do you wish to speak to them like Cicero, my boy?" she said gently. "But I do not think you will find that possible. Because when Cicero spoke it was in a different age and to very different people—people who were glad to learn how to be wise and brave. But if you were Cicero himself, do you think you would be able to impress the English Parliament?"
"And do you want to talk to them like Cicero, my boy?" she said gently. "But I don’t think that’s possible. Because when Cicero spoke, it was in a different time and to very different people—people who were eager to learn how to be wise and brave. But if you were Cicero himself, do you really think you could impress the English Parliament?"
"Why not, dear?" asked Errington with some fervor. "I believe that men, taken as men, pur et simple, are the same in all ages, and are open to the same impressions. Why should not modern Englishmen be capable of receiving the same lofty ideas as the antique Romans, and acting upon them?"
"Why not, dear?" asked Errington with enthusiasm. "I believe that men, simply put, are the same throughout all ages and respond to the same influences. Why shouldn't modern Englishmen be able to embrace the same noble ideas as the ancient Romans and act on them?"
"Ah, do not ask me why," said Thelma, with a plaintive little shake of her head—"for I cannot tell you! But remember how many members of Parliament we did meet in London—and where were their lofty ideas? Philip, had they any ideas at all, do you think? There was that very fat gentleman who is a brewer,—well, to hear him talk, would you not think all England was for the making of beer? And he does not care for the country unless it continues to consume his beer! It was to that very man I said something about Hamlet, and he told me he had no interest for such nonsense as Shakespeare and play-going—his time was taken up at the ''Ouse.' You see, he is a member of Parliament—yet it is evident he neither knows the language nor the literature of his country! And there must be many like him, otherwise so ignorant a person would not hold such a position—and for such men, what would be the use of a Cicero?"
"Ah, don’t ask me why," Thelma said, shaking her head sadly. "Because I can’t explain! But just think about how many members of Parliament we met in London—where were their grand ideas? Philip, do you think they had any ideas at all? There was that really overweight guy who's a brewer—if you listened to him, you'd think all of England was just about making beer. He doesn't care about the country unless it’s drinking his beer! I even mentioned Hamlet to him, and he said he had no interest in such nonsense as Shakespeare and going to plays—his time was all about the ''Ouse.' You see, he’s a member of Parliament—yet it’s clear he doesn’t know the language or literature of his country! And there must be many like him; otherwise, such an ignorant person wouldn’t be in that position—and for men like that, what would be the point of a Cicero?"
Philip leaned back against the trunk of the tree under which they were sitting, and laughed.
Philip leaned back against the trunk of the tree where they were sitting and laughed.
"You may be right, Thelma,—I dare say you are. There's certainly too much beer represented in the House—I admit that. But, after all, trade is the great moving-spring of national prosperity,—and it would hardly be fair to refuse seats to the very men who help to keep the country going."
"You might be right, Thelma—I would say you are. There’s definitely too much beer in the House—I’ll give you that. But, in the end, trade is the main driver of national prosperity—and it wouldn’t really be fair to deny seats to the very people who help keep the country running."
"I do not see that," said Thelma gravely,—"if those men are ignorant, why should they have a share in so important a thing as Government? They may know all about beer, and wool, and iron,—but perhaps they can only judge what is good for themselves, not what is best for the whole country, with all its rich and poor. I do think that only the wisest scholars and most intelligent persons should be allowed to help in the ruling of a great nation."
"I don't see it that way," Thelma said seriously. "If those men are ignorant, why should they have a say in something as important as government? They might know all about beer, wool, and iron, but maybe they can only judge what's good for themselves, not what’s best for the whole country, with all its rich and poor. I believe that only the wisest scholars and the most intelligent people should be involved in leading a great nation."
"But the people choose their own rulers," remarked Errington reflectively.
"But the people choose their own leaders," Errington remarked thoughtfully.
"Ah, the poor people!" sighed Thelma. "They know so very little,—and they are taught so badly! I think they never do quite understand what they do want,—they are the same in all histories,—like little children, they get bewildered and frightened in any trouble, and the wisest heads are needed to think for them. It is, indeed, most cruel to make them puzzle out all difficulty for themselves!"
"Ah, the poor people!" sighed Thelma. "They know so little, and they’re taught so poorly! I think they never really understand what they want; they’re the same in every story—like little children, they get confused and scared in any trouble, and it takes the wisest minds to think for them. It’s truly cruel to make them figure out all the challenges on their own!"
"What a little sage you are, my pet!" laughed Philip, taking her hand on which the marriage-ring and its accompanying diamond circlet, glistened brilliantly in the warm sunlight. "Do you mean to go in for politics?"
"What a little smart cookie you are, my dear!" laughed Philip, taking her hand where the wedding ring and its shiny diamond band sparkled brilliantly in the warm sunlight. "Are you planning to get into politics?"
She shook her head. "No, indeed! That is not woman's work at all. The only way in which I think about such things, is that I feel the people cannot all be wise,—and that it seems a pity the wisest and greatest in the land should not be chosen to lead them rightly."
She shook her head. "No way! That's definitely not women’s work. The only way I see it is that not everyone can be wise, and it’s a shame that the wisest and greatest in the land aren't chosen to lead them properly."
"And so under the circumstances, you think it's no use my trying to pose as a Cicero?" asked her husband amusedly. She laughed—with a very tender cadence in her laughter.
"And so given the situation, you think it's pointless for me to pretend to be a Cicero?" her husband asked, amused. She laughed—her laughter had a very gentle tone.
"It would not be worth your while, my boy," she said "You know I have often told you that I do not see any great distinction in being a member of Parliament at all. What will you do? You will talk to the fat brewer perhaps, and he will contradict you—then other people will get up and talk and contradict each other,—and so it will go on for days and days—meanwhile the country remains exactly as it was, neither better nor worse,—and all the talking does no good! It is better to be out of it,—here together, as we are to-day."
"It wouldn't be worth your time, kid," she said. "You know I've told you before that I don't see any real difference in being a member of Parliament at all. What will you do? You’ll have conversations with the overweight brewer, and he’ll argue with you—then others will chime in, arguing back and forth for days on end—meanwhile, the country stays exactly the same, neither better nor worse—and all that talking doesn’t change a thing! It’s better to stay out of it—just being here together, like we are today."
And she raised her dreamy blue eyes to the sheltering canopy of green leaves that overhung them—leaves thick-clustered and dewy, through which the dazzling sky peeped in radiant patches. Philip looked at her,—the rapt expression of her upward gaze,—the calm, untroubled sweetness of her fair face,—were such as might well have suited one of Raffaelle's divinest angels. His heart beat quickly—he drew closer to her, and put his arm round her.
And she lifted her dreamy blue eyes to the protective canopy of green leaves above them—leaves thick and dewy, through which the bright sky peeked in radiant spots. Philip looked at her—the mesmerized look in her upward gaze—the calm, serene sweetness of her fair face—were qualities that could easily belong to one of Raphael's most divine angels. His heart raced—he moved closer to her and wrapped his arm around her.
"Your eyes are looking at the sky, Thelma," he whispered. "Do you know what that is? Heaven looking into heaven! And do you know which of the two heavens I prefer?" She smiled, and turning, met his ardent gaze with one of equal passion and tenderness.
"Your eyes are focused on the sky, Thelma," he whispered. "Do you know what that is? Heaven gazing into heaven! And do you know which of the two heavens I prefer?" She smiled, and turning, met his intense gaze with one of equal passion and tenderness.
"Ah, you do know!" he went on, softly kissing the side of her slim white throat. "I thought you couldn't possibly make a mistake!" He rested his head against her shoulder, and after a minute or two of lazy comfort, he resumed. "You are not ambitious, my Thelma! You don't seem to care whether your husband distinguishes himself in the 'Ouse,' as our friend the brewer calls it, or not. In fact, I don't believe you care for anything save—love! Am I not right, my wife?"
"Ah, you do know!" he said, softly kissing the side of her slim white neck. "I thought you couldn't possibly get it wrong!" He rested his head on her shoulder, and after a minute or two of relaxed comfort, he continued. "You're not ambitious, my Thelma! You really don't seem to care whether your husband stands out in the 'Ouse,' as our friend the brewer puts it, or not. Honestly, I don't think you care about anything except—love! Am I right, my wife?"
A wave of rosy color flushed her transparent skin, and her eyes filled with an earnest, almost pathetic languor.
A wave of pink spread across her clear skin, and her eyes filled with a sincere, almost sad tiredness.
"Surely of all things in the world," she said in a low tone,—"Love is best?"
"Surely of all things in the world," she said softly, "love is the best?"
To this he made prompt answer, though not in words—his lips conversed with hers, in that strange, sweet language which, though unwritten, is everywhere comprehensible,—and then they left their shady resting-place and sauntered homeward hand in hand through the warm fields fragrant with wild thyme and clover.
To this, he quickly responded, though not with words—his lips met hers in that unique, sweet language which, though unspoken, is understood everywhere—and then they left their shady spot and strolled homeward hand in hand through the warm fields scented with wild thyme and clover.
Many happy days passed thus with these lovers—for lovers they still were. Marriage had for once fulfilled its real and sacred meaning—it had set Love free from restraint, and had opened all the gateways of the only earthly paradise human hearts shall ever know,—the paradise of perfect union and absolute sympathy with the one thing beloved on this side eternity.
Many happy days went by like this for these lovers—for lovers they still were. Marriage had finally fulfilled its true and sacred purpose—it had liberated Love from limitations and had opened all the doors to the only earthly paradise human hearts will ever know—the paradise of perfect unity and complete understanding with the one beloved in this life.
The golden hours fled by all too rapidly,—and towards the close of August there came an interruption to their felicity. Courtesy had compelled Bruce-Errington and his wife to invite a few friends down to visit them at the Manor before the glory of the summer-time was past,—and first among the guests came Lord and Lady Winsleigh and their bright boy, Ernest. Her ladyship's maid, Louise Rénaud, of course, accompanied her ladyship,—and Briggs was also to the fore in the capacity of Lord Winsleigh's personal attendant. After these, George Lorimer arrived—he had avoided the Erringtons all the season,—but he could not very well refuse the pressing invitation now given him without seeming churlish,—then came Beau Lovelace, for a few days only, as with the commencement of September he would be off as usual to his villa on the Lago di Como. Sir Francis Lennox, too, made his appearance frequently in a casual sort of way—he "ran down," to use his own expression, now and then, and made himself very agreeable, especially to men, by whom he was well liked for his invariable good-humor and extraordinary proficiency in all sports and games of skill. Another welcome visitor was Pierre Duprèz, lively and sparkling as ever,—he came from Paris to pass a fortnight with his "cher Phil-eep," and make merriment for the whole party. His old admiration for Britta had by no means decreased,—he was fond of waylaying that demure little maiden on her various household errands, and giving her small posies of jessamine and other sweet-scented blossoms to wear just above the left-hand corner of her apron-bib, close to the place where the heart is supposed to be. Olaf Güldmar had been invited to the Manor at this period,—Errington wrote many urgent letters, and so did Thelma, entreating him to come,—for nothing would have pleased Sir Philip more than to have introduced the fine old Odin worshipper among his fashionable friends, and to have heard him bluntly and forcibly holding his own among them, putting their feint and languid ways of life to shame by his manly, honest, and vigorous utterance. But Güldmar had only just returned to the Altenfjord after nearly a year's absence, and his hands were too full of work for him to accept his son-in-law's invitation.
The golden hours flew by far too quickly, and as August came to a close, their happiness faced an interruption. Courtesy had compelled Bruce-Errington and his wife to invite a few friends to visit them at the Manor before summer ended. First among the guests were Lord and Lady Winsleigh and their bright son, Ernest. Lady Winsleigh’s maid, Louise Rénaud, naturally accompanied her, and Briggs was there as Lord Winsleigh's personal attendant. After them, George Lorimer showed up—he had avoided the Erringtons all season, but he couldn't really decline the pressing invitation without looking rude. Then there was Beau Lovelace, who would stay for just a few days before heading back to his villa on Lake Como as September rolled in. Sir Francis Lennox also dropped in frequently in a casual way—he would "run down," as he liked to say, now and then, making himself quite agreeable, especially to the men, who appreciated his constant good spirits and remarkable skills in sports and games. Another welcome visitor was Pierre Duprèz, as lively and sparkling as ever; he came from Paris to spend a fortnight with his "dear Phil-eep" and bring joy to the whole group. His old admiration for Britta hadn’t faded at all; he loved to intercept that quiet girl during her household tasks, gifting her small bouquets of jasmine and other fragrant flowers to pin just above the left corner of her apron, near her heart. Olaf Güldmar had been invited to the Manor at this time—Errington wrote many urgent letters, and Thelma did too, urging him to come. Nothing would have pleased Sir Philip more than to introduce the noble old Odin worshipper to his fashionable friends and hear him assert himself among them, putting their feeble and leisurely ways to shame with his strong, honest, and vigorous speech. But Güldmar had just returned to the Altenfjord after nearly a year and had too much work to accept his son-in-law's invitation.
"The farm lands have a waste and dreary look," he wrote, "though I let them to a man who should verily have known how to till the soil trodden by his fathers—and as for the farmhouse, 'twas like a hollow shell that has lain long on the shore and become brown and brittle—for thou knowest no human creature has entered there since we departed. However, Valdemar Svensen and I, for sake of company, have resolved to dwell together in it, and truly we have nearly settled down to the peaceful contemplation of our past days,—so Philip, and thou, my child Thelma, trouble not concerning me. I am hale and hearty, the gods be thanked,—and may live on in hope to see you both next spring or summer-tide. Your happiness keeps this old man young—so grudge me not the news of your delights wherein I am myself delighted."
"The farmland looks waste and dreary," he wrote, "even though I rented it to a man who should have really known how to work the land that his ancestors walked on—and as for the farmhouse, it’s like a hollow shell that has been on the shore for a long time and has become brown and brittle—because, as you know, no human has set foot in there since we left. However, Valdemar Svensen and I have decided to live together in it for company, and we’ve almost settled into peacefully reflecting on our past days,—so Philip, and you, my child Thelma, don’t worry about me. I’m healthy and happy, thank the gods,—and I hope to see you both next spring or summer. Your happiness keeps this old man feeling young—so please don’t withhold the news of your joys that also bring me joy."
One familiar figure was missing from the Manor household,—that of Edward Neville. Since the night at the Brilliant, when he had left the theatre so suddenly, and gone home on the plea of illness, he had never been quite the same man. He looked years older—he was strangely nervous and timid—and he shrank away from Thelma as though he were some guilty or tainted creature. Surprised at this, she spoke to her husband about it,—but he, hurriedly, and with some embarrassment, advised her to "let him alone"—his "nerves were shaken"—his "health was feeble"—and that it would be kind on her part to refrain from noticing him or asking him questions. So she refrained—but Neville's behavior puzzled her all the same. When they left town, he implored, almost piteously, to be allowed to remain behind,—he could attend to Sir Philip's business so much better in London, he declared, and he had his way. Errington, usually fond of Neville's society, made no attempt whatever to persuade him against his will,—so he stayed in the half-shut-up house in Prince's Gate through all the summer heat, poring over parliamentary documents and pamphlets,—and Philip came up from the country once a fortnight to visit him, and transact any business that might require his personal attention.
One familiar face was missing from the Manor household—Edward Neville. Since that night at the Brilliant when he left the theater so abruptly, claiming he was sick, he hadn’t been quite himself. He looked years older—he was unusually nervous and shy—and he pulled away from Thelma as if he were some guilty or contaminated person. Surprised by this, she mentioned it to her husband, but he quickly and awkwardly advised her to "leave him alone"—that his "nerves were shot"—his "health was poor"—and it would be kind of her to not pay attention to him or ask him questions. So she held back, but Neville's behavior still puzzled her. When they were leaving town, he almost begged to be allowed to stay behind—he insisted he could handle Sir Philip's business much better in London, and he got his way. Errington, who usually enjoyed Neville's company, made no effort at all to convince him otherwise—so he remained in the half-closed house on Prince's Gate throughout the summer heat, buried in parliamentary documents and pamphlets—while Philip came up from the countryside every couple of weeks to check on him and handle any business that needed his personal touch.
On one of the last and hottest days in August, a grand garden-party was given at the Manor. All the county people were invited, and they came eagerly, though, before Thelma's social successes in London, they had been reluctant to meet her. Now, they put on their best clothes, and precipitated themselves into the Manor grounds like a flock of sheep seeking land on which to graze,—all wearing their sweetest propitiatory smirk—all gushing forth their admiration of "that darling Lady Errington"—all behaving themselves in the exceptionally funny manner that county people affect,—people who are considered somebodies in the small villages their big houses dominate,—but who, when brought to reside in London, become less than the minnows in a vast ocean. These good folks were not only anxious to see Lady Errington—they wanted to say they had seen her,—and that she had spoken to them, so that they might, in talking to their neighbors, mention it in quite an easy, casual way, such as—"Oh, I was at Errington Manor the other day, and Lady Errington said to me—." Or—"Sir Philip is such a charming man! I was talking to his lovely wife, and he asked me—" etc., etc. Or—"You've no idea what large strawberries they grow at the Manor! Lady Errington showed me some that were just ripening—magnificent!" And so on. For in truth this is "a mad world, my masters,"—and there is no accounting for the inexpressibly small follies and mean toadyisms of the people in it.
On one of the last and hottest days in August, a big garden party was held at the Manor. Everyone in the county was invited, and they came eagerly, although before Thelma's success in London, they had been hesitant to meet her. Now, they dressed in their finest clothes and rushed into the Manor grounds like sheep looking for a place to graze—all wearing their sweetest, most ingratiating smiles—all showering compliments on "that darling Lady Errington"—all acting in the particularly amusing way county folks do—people who feel important in the small villages where their large houses stand—but who, when brought to London, feel like less than minnows in a vast ocean. These good people not only wanted to see Lady Errington—they wanted to say they had seen her—and that she had spoken to them, so they could casually mention it to their neighbors, like—"Oh, I was at Errington Manor the other day, and Lady Errington said to me—." Or—"Sir Philip is such a charming man! I was chatting with his lovely wife, and he asked me—" etc., etc. Or—"You won't believe how big the strawberries are at the Manor! Lady Errington showed me some that were just ripening—absolutely magnificent!" And so on. Because, in truth, this is "a mad world, my masters,"—and there’s no explaining the incredibly petty follies and small flattery of the people in it.
Moreover, all the London guests who were visiting Thelma came in for a share of the county magnates' servile admiration. They found the Winsleighs "so distingué"—Master Ernest instantly became "that dear boy!"—Beau Lovelace was "so dreadfully clever, you know!"—and Pierre Duprèz "quite too delightful!"
Moreover, all the guests from London who were visiting Thelma received a dose of the county big shots' flattering admiration. They thought the Winsleighs were "so classy"—Master Ernest quickly turned into "that dear boy!"—Beau Lovelace was "so incredibly smart, you know!"—and Pierre Duprèz was "just too charming!"
The grounds looked very brilliant—pink-and-white marquees were dotted here and there on the smooth velvet lawns—bright flags waved from different quarters of the gardens, signals of tennis, archery, and dancing,—and the voluptuous waltz-music of a fine Hungarian band rose up and swayed in the air with the downward floating songs of the birds and the dash of fountains in full play. Girls in pretty light summer costumes made picturesque groups under the stately oaks and beeches,—gay laughter echoed from the leafy shrubberies, and stray couples were seen sauntering meditatively through the rose-gardens, treading on the fallen scented petals, and apparently too much absorbed in each other to notice anything that was going on around them. Most of these were lovers, of course—intending lovers, if not declared ones,—in fact, Eros was very busy that day among the roses, and shot forth a great many arrows, aptly aimed, out of his exhaustless quiver.
The grounds looked amazing—pink-and-white tents were spread out across the smooth lawns—bright flags waved from different parts of the gardens, signaling tennis, archery, and dancing—and the sultry waltz music from a great Hungarian band floated through the air along with the drifting songs of the birds and the splash of fountains in full swing. Girls in cute light summer outfits formed beautiful groups under the tall oaks and beeches—joyful laughter echoed from the leafy shrubs, and random couples were seen strolling thoughtfully through the rose gardens, stepping on the fallen fragrant petals, seemingly too wrapped up in each other to notice anything happening around them. Most of these were couples in love, or at least hopeful ones—Eros was definitely busy that day among the roses, shooting a lot of well-aimed arrows from his endless quiver.
Two persons there were, however,—man and woman,—who, walking in that same rose-avenue, did not seem, from their manner, to have much to do with the fair Greek god,—they were Lady Winsleigh and Sir Francis Lennox. Her ladyship looked exceedingly beautiful in her clinging dress of Madras lace, with a bunch of scarlet poppies at her breast, and a wreath of the same vivid flowers in her picturesque Leghorn hat. She held a scarlet-lined parasol over her head, and from under the protecting shadow of this silken pavilion, her dark, lustrous eyes flashed disdainfully as she regarded her companion. He was biting an end of his brown moustache, and looked annoyed, yet lazily amused too.
There were two people, though—a man and a woman—who, walking down that same rose-filled path, didn’t really seem to connect with the lovely Greek god. They were Lady Winsleigh and Sir Francis Lennox. She looked incredibly beautiful in her fitted Madras lace dress, with a bunch of bright red poppies at her chest and a crown of the same vibrant flowers on her stylish Leghorn hat. She held a scarlet-lined parasol over her head, and from beneath the shadow of this silk canopy, her dark, shining eyes glinted with disdain as she looked at her companion. He was biting the end of his brown mustache, appearing annoyed but also lazily entertained.
"Upon my life, Clara," he observed, "you are really awfully down on a fellow, you know! One would think you never cared two-pence about me!"
"Honestly, Clara," he remarked, "you're really being quite hard on me, you know! It’s like you never cared about me at all!"
"Too high a figure!" retorted Lady Winsleigh, with a hard little laugh. "I never cared a brass farthing!"
"That's way too much!" Lady Winsleigh shot back, giving a sharp little laugh. "I never cared about it at all!"
He stopped short in his walk and stared at her.
He suddenly halted in his walk and looked at her.
"By Jove! you are cool!" he ejaculated. "Then what did you mean all the time?"
"Wow! you are cool!" he exclaimed. "So what did you really mean all along?"
"What did you mean?" she asked defiantly.
"What did you mean?" she asked defiantly.
He was silent. After a slight, uncomfortable pause, he shrugged his shoulders and smiled.
He was quiet. After a brief, awkward pause, he shrugged and smiled.
"Don't let us have a scene!" he observed in a bantering tone. "Anything but that!"
"Let's not make a scene!" he said with a teasing tone. "Anything but that!"
"Scene!" she exclaimed indignantly. "Pray when have you had to complain of me on that score?"
"Scene!" she said angrily. "When have you ever had a reason to complain about me on that?"
"Well, don't let me have to complain now," he said coolly.
"Well, I hope I don't have to complain now," he said nonchalantly.
She surveyed him in silent scorn for a moment, and her full, crimson lips curled contemptuously.
She looked at him with silent disdain for a moment, and her full, red lips curled in contempt.
"What a brute you are!" she muttered suddenly between her set pearly teeth.
"What a jerk you are!" she muttered suddenly between her clenched teeth.
"Thanks, awfully!" he answered, taking out a cigarette and lighting it leisurely. "You are really charmingly candid, Clara! Almost as frank as Lady Errington, only less polite!"
"Thanks a lot!" he replied, pulling out a cigarette and lighting it slowly. "You're really refreshingly honest, Clara! Almost as straightforward as Lady Errington, just less courteous!"
"I shall not learn politeness from you, at any rate," she said,—then altering her tone to one of studied indifference, she continued coldly, "What do you want of me? We've done with each other, as you know. I believe you wish to become gentleman-lacquey to Bruce-Errington's wife, and that you find it difficult to obtain the situation. Shall I give you a character?"
"I won't be taking manners lessons from you, that's for sure," she said—then changing her tone to one of feigned indifference, she added coldly, "What do you want from me? We're finished with each other, as you're aware. I believe you're hoping to become a gentleman's servant for Bruce-Errington's wife, and that you're struggling to get the job. Should I write you a reference?"
He flushed darkly, and his eyes glittered with an evil lustre.
He blushed deeply, and his eyes sparkled with a sinister gleam.
"Gently, Clara! Draw it mild!" he said languidly. "Don't irritate me, or I may turn crusty! You know, if I chose, I could open Bruce-Errington's eyes rather more widely than you'd like with respect to the devoted affection you entertain for his beautiful wife." She winced a little at this observation—he saw it and laughed,—then resumed: "At present I'm really in the best of humors. The reason I wanted to speak to you alone for a minute or two was, that I'd something to say which might possibly please you. But perhaps you'd rather not hear it?"
"Gently, Clara! Take it easy!" he said lazily. "Don't annoy me, or I might get grumpy! You know, if I wanted to, I could make Bruce-Errington see more clearly than you'd like about the devoted affection you have for his beautiful wife." She flinched a bit at this comment—he noticed and laughed—then continued: "Right now, I'm actually in a really good mood. The reason I wanted to talk to you alone for a minute or two is that I had something to say that might make you happy. But maybe you'd rather not hear it?"
She was silent. So was he. He watched her closely for a little—noting with complacency the indignant heaving of her breast and the flush on her cheeks,—signs of the strong repression she was putting upon her rising temper.
She was quiet. So was he. He observed her closely for a moment—noting with satisfaction the angry rise and fall of her chest and the color in her cheeks,—signs of the intense struggle she was having to control her growing anger.
"Come, Clara, you may as well be amiable," he said. "I'm sure you'll be glad to know that the virtuous Philip is not immaculate after all. Won't it comfort you to think that he's nothing but a mortal man like the rest of us? . . . and that with a little patience your charms will most probably prevail with him as easily as they once did with me? Isn't that worth hearing?"
"Come on, Clara, you might as well be friendly," he said. "I'm sure you'll be happy to know that the virtuous Philip isn't perfect after all. Won't it make you feel better to think that he's just a regular guy like the rest of us? . . . and that with a little patience, your charm will most likely win him over just like it did with me? Isn't that worth knowing?"
"I don't understand you," she replied curtly.
"I don't get you," she said sharply.
"Then you are very dense, my dear girl," he remarked smilingly. "Pardon me for saying so! But I'll put it plainly and in as few words as possible. The moral Bruce-Errington, like a great many other 'moral' men I know, has gone in for Violet Vere,—and I dare say you understand what that means. In the simplest language, it means that he's tired of his domestic bliss and wants a change."
"Then you’re really clueless, my dear girl," he said with a smile. "Sorry to say it! But I’ll be straightforward and keep it short. The moral Bruce-Errington, like a lot of other 'moral' men I know, has gone after Violet Vere—and I’m sure you understand what that means. To put it simply, it means he’s bored with his happy home life and wants something different."
Lady Winsleigh stopped in her slow pacing along the gravel-walk, and raised her eyes steadily to her companion's face.
Lady Winsleigh paused in her slow pacing along the gravel path and looked steadily at her companion's face.
"Are you sure of this?" she asked.
"Are you positive about this?" she asked.
"Positive!" replied Sir Francis, flicking the light ash off his cigarette delicately with his little finger. "When you wrote me that note about the Vere, I confess I had my suspicions. Since then they've been confirmed. I know for a fact that Errington has had several private interviews with Vi, and has also written her a good many letters. Some of the fellows in the green-room tease her about her new conquest, and she grins and admits it. Oh, the whole thing's plain enough! Only last week, when he went up to town to see his man Neville on business he called on Vi at her own apartments in Arundel Street, Strand. She told me so herself—we're rather intimate, you know,—though of course she refused to mention the object of his visit. Honor among thieves!" and he smiled half mockingly.
"Absolutely!" replied Sir Francis, flicking the light ash off his cigarette with his little finger. "When you sent me that note about the Vere, I have to admit I was suspicious. Since then, I've confirmed it. I know for sure that Errington has had several private meetings with Vi and has written her a bunch of letters. Some guys in the green room tease her about her new guy, and she just smiles and acknowledges it. Oh, it's all pretty clear! Just last week, when he went to the city to see his guy Neville for work, he stopped by Vi's place on Arundel Street, Strand. She told me herself—we're pretty close, you know—though she naturally didn't want to reveal why he visited. Honor among thieves!" and he smiled half mockingly.
Lady Winsleigh seemed absorbed, and walked on like one in a dream. Just then, a bend in the avenue brought them in full view of the broad terrace in front of the Manor, where Thelma's graceful figure, in a close-fitting robe of white silk crepe, was outlined clearly against the dazzling blue of the sky. Several people were grouped near her,—she seemed to be in animated conversation with some of them, and her face was radiant with smiles. Lady Winsleigh looked at her,—then said suddenly in a low voice—
Lady Winsleigh seemed lost in thought, walking along as if she were in a dream. Just then, a curve in the path revealed the wide terrace in front of the Manor, where Thelma's elegant figure, dressed in a snug white silk crepe gown, stood out against the bright blue sky. A few people were gathered around her—she appeared to be having a lively conversation with some of them, and her face was beaming with smiles. Lady Winsleigh looked at her—then suddenly said in a quiet voice—
"It will break her heart!"
"It will shatter her heart!"
Sir Francis assumed an air of polite surprise. "Pardon! Whose heart?"
Sir Francis pretended to be politely surprised. "Excuse me! Whose heart?"
She pointed slightly to the white figure on the terrace.
She pointed a bit at the white figure on the terrace.
"Hers! Surely you must know that?"
"Hers! You have to know that, right?"
He smiled. "Well—isn't that precisely what you desire Clara? Though, for my part, I don't believe in the brittleness of hearts—they seem to me to be made of exceptionally tough material. However, if the fair Thelma's heart cracks ever so widely, I think I can undertake to mend it!"
He smiled. "Well—isn't that exactly what you want, Clara? Although, for my part, I don't believe hearts are so fragile—they seem pretty tough to me. However, if Thelma's heart does break, I think I can take on the task of fixing it!"
Clara shrugged her shoulders. "You!" she exclaimed contemptuously.
Clara shrugged her shoulders. "You!" she said with disdain.
He stroked his moustache with feline care and nicety.
He stroked his mustache with delicate care and precision.
"Yes—I! If not, I've studied women all my life for nothing!"
"Yes—me! Otherwise, I've spent my whole life studying women for nothing!"
She broke into a low peal of mocking laughter—turned, and was about to leave him, when he detained her by a slight touch on her arm.
She burst into a quiet mock laugh—turned, and was about to walk away from him, when he stopped her with a light touch on her arm.
"Stop a bit!" he said in an impressive sotto-voce. "A bargain's a bargain all the world over. If I undertake to keep you cognizant of Bruce-Errington's little goings-on in London,—information which, I dare say, you can turn to good account,—you must do something for me. I ask very little. Speak of me to Lady Errington—make her think well of me,—flatter me as much as you used to do when we fancied ourselves terrifically in love with each other—(a good joke, wasn't it!)—and, above all, make her trust me! Do you understand?"
"Wait a second!" he said in a dramatic whisper. "A deal is a deal everywhere. If I agree to keep you updated on Bruce-Errington's activities in London—information that I’m sure you can use to your advantage—you need to do something for me. I'm not asking for much. Just mention me to Lady Errington—make her think positively about me—flatter me like you used to when we thought we were madly in love with each other—(that was a good laugh, wasn’t it?)—and, most importantly, make her trust me! Do you get what I mean?"
"As Red Riding-Hood trusted the Wolf and was eaten up for her innocence," observed Lady Winsleigh. "Very well! I'll do my best. As I said before, you want a character. I'm sure I hope you'll obtain the situation you so much desire! I can state that you made yourself fairly useful in your last place, and that you left because your wages were not high enough!"
"As Red Riding-Hood trusted the Wolf and got eaten for her innocence," Lady Winsleigh noted. "Alright! I’ll do my best. As I mentioned earlier, you need a character. I really hope you get the position you want so much! I can say that you were quite useful in your last job, and that you left because the pay wasn't high enough!"
And with another sarcastic laugh, she moved forward towards the terrace where Thelma stood. Sir Francis followed at some little distance with no very pleasant expression on his features. A stealthy step approaching him front behind made him start nervously—it was Louise Rénaud, who, carrying a silver tray on which soda-water bottles and glasses made an agreeable clinking, tripped demurely past him without raising her eyes. She came directly out of the rose-garden,—and, as she overtook her mistress on the lawn, that lady seemed surprised, and asked—
And with another sarcastic laugh, she walked over to the terrace where Thelma was standing. Sir Francis followed a little way behind, his face showing he wasn't pleased. A quiet step coming up from behind made him jump— it was Louise Rénaud, who, balancing a silver tray with soda-water bottles and glasses that made a nice clinking sound, gracefully passed by him without looking up. She had just come from the rose garden, and as she caught up with her mistress on the lawn, that lady looked surprised and asked—
"Where have you been, Louise?"
"Where have you been, Lou?"
"Miladi was willing that I should assist in the attendance to-day," replied Louise discreetly. "I have waited upon Milord Winsleigh, and other gentlemen in the summer-house at the end of the rose-garden."
"Lady was okay with me helping out today," replied Louise quietly. "I've been attending to Lord Winsleigh and some other gentlemen in the summer house at the end of the rose garden."
And with one furtive glance of her black, bead-like eyes at Lady Winsleigh's face, she made a respectful sort of half-curtsy and went her way.
And with a quick glance from her black, bead-like eyes at Lady Winsleigh's face, she gave a polite half-curtsy and continued on her way.
Later on in the afternoon, when it was nearing sunset, and all other amusements had given way to the delight of dancing on the springy green turf to the swinging music of the band,—Briggs, released for a time from the duties of assisting the waiters at the splendid refreshment-table (duties which were pleasantly lightened by the drinking of a bottle of champagne which he was careful to reserve for his own consumption), sauntered leisurely through the winding alleys and fragrant shrubberies which led to the most unromantic portion of the Manor grounds,—namely, the vegetable-garden. Here none of the butterflies of fashion found their way,—the suggestions offered by growing cabbages, turnips, beans, and plump, yellow-skinned marrows were too prosaic for society bantams who require refined surroundings in which to crow their assertive platitudes. Yet it was a peaceful nook—and there were household odors of mint and thyme and sweet marjoram, which were pleasant to the soul of Briggs, and reminded him of roast goose on Christmas Day, with all its attendant succulent delicacies. He paced the path slowly,—the light of the sinking sun blazing gloriously on his plush breeches, silver cordons and tassels,—for he was in full-dress livery in honor of the fête, and looked exceedingly imposing. Now and then he glanced down at his calves with mild approval,—his silk stockings fitted them well, and they had a very neat and shapely appearance.
Later in the afternoon, as sunset approached and all other activities gave way to the joy of dancing on the springy green grass to the lively music of the band, Briggs, temporarily free from his duties of helping the waiters at the lavish refreshment table (tasks made easier by sipping from a bottle of champagne he saved for himself), strolled casually through the winding paths and fragrant bushes that led to the least romantic part of the Manor grounds—the vegetable garden. Here, none of the trendy socialites came—surrounded by growing cabbages, turnips, beans, and plump, yellow-skinned squash, which were too ordinary for society folks who needed elegant settings to showcase their bold opinions. Yet, it was a peaceful spot, filled with the homey scents of mint, thyme, and sweet marjoram, which brought comfort to Briggs and reminded him of roast goose on Christmas Day, complete with all its delicious sides. He walked the path slowly, the setting sun shining beautifully on his plush breeches, silver cords, and tassels, as he was in full formal livery for the event, looking quite impressive. Occasionally, he glanced down at his calves with mild satisfaction—his silk stockings fit them well and they looked neat and shapely.
"I've developed," he murmured to himself. "There ain't a doubt about it! One week of Country air, and I'm a different man;—the effecks of overwork 'ave disappeared. Flopsie won't know these legs of mine when I get back,—they've improved surprisingly." He stopped to survey a bed of carrots. "Plenty of Cressy there," he mused. "Cressy's a noble soup, and Flopsie makes it well,—a man might do wuss than marry Flopsie. She's a widder, and a leetle old—just a leetle old for me—but—" Here he sniffed delicately at a sprig of thyme he had gathered, and smiled consciously. Presently he perceived a small, plump, pretty figure approaching him, no other than Britta, looking particularly charming in a very smart cap, adorned with pink-ribbon bows, and a very elaborately frilled muslin apron. Briggs at once assumed his most elegant and conquering air, straightened himself to his full height and kissed his hand to her with much condescension. She laughed as she came up to him, and the dimples in her round cheeks appeared in full force.
"I've changed," he murmured to himself. "No doubt about it! Just one week of country air, and I'm a different guy; the effects of overwork are gone. Flopsie won't recognize these legs of mine when I get back—they've improved a lot." He paused to look at a patch of carrots. "A lot of cress there," he thought. "Cress makes a great soup, and Flopsie knows how to make it well—any guy could do worse than marry Flopsie. She's a widow, and a little old—just a little old for me—but—" Here he delicately sniffed a sprig of thyme he had picked and smiled to himself. Soon he noticed a small, plump, pretty figure coming towards him; it was Britta, looking especially charming in a stylish cap decorated with pink ribbon bows, and a very elaborately frilled muslin apron. Briggs immediately put on his most refined and confident demeanor, straightened up to his full height, and kissed his hand to her with great condescension. She laughed as she approached him, and her dimples showed prominently in her round cheeks.
"Well, Mr. Briggs," she said, "are you enjoying yourself?"
"Well, Mr. Briggs," she said, "are you having a good time?"
Briggs smiled down upon her benevolently. "I am!" he responded graciously. "I find the hair refreshing. And you, Miss Britta?"
Briggs smiled at her kindly. "I am!" he replied warmly. "I find the hair refreshing. How about you, Miss Britta?"
"Oh, I'm very comfortable, thank you!" responded Britta demurely, edging a little away from his arm, which showed an unmistakable tendency to encircle her waist,—then glancing at a basket she held full of grapes, just cut from the hot house, she continued, "These are for the supper-table. I must be quick, and take them to Mrs. Parton."
"Oh, I'm really comfortable, thank you!" Britta replied shyly, moving slightly away from his arm, which clearly wanted to wrap around her waist. Then, glancing at the basket she held full of grapes, just picked from the greenhouse, she added, "These are for the dinner table. I need to hurry and bring them to Mrs. Parton."
"Must you?" and Briggs asked this question with quite an unnecessary amount of tenderness, then resuming his dignity, he observed, "Mrs. Parton is a very worthy woman—an excellent 'ousekeeper. But she'll no doubt excuse you for lingering a little, Miss Britta—especially in my company."
"Do you have to?" Briggs asked, showing way too much tenderness. Then, regaining his dignity, he said, "Mrs. Parton is a very respectable woman—an excellent housekeeper. But she'll probably understand if you want to stay a bit longer, Miss Britta—especially with me around."
Britta laughed again, showing her pretty little white teeth to the best advantage. "Do you think she will?" she said merrily. "Then I'll stop a minute, and if she scolds me I'll put the blame on you!"
Britta laughed again, showcasing her pretty white teeth. "Do you think she will?" she said cheerfully. "In that case, I'll pause for a moment, and if she gives me a hard time, I'll point the finger at you!"
Briggs played with his silver tassels and, leaning gracefully against a plum-tree, surveyed her with a critical eye.
Briggs fiddled with his silver tassels and, leaning elegantly against a plum tree, looked at her with a critical eye.
"I was not able," he observed, "to see much of you in town. Our people were always a' visitin' each other, and yet our meetings were, as the poet says, 'few and far between.'"
"I couldn’t," he said, "see much of you in town. Our people were always visiting each other, but our encounters were, as the poet says, 'few and far between.'"
Britta nodded indifferently, and perceiving a particularly ripe gooseberry on one of the bushes close to her, gathered it quickly and popped it between her rosy lips. Seeing another equally ripe, she offered it to Briggs, who accepted it and ate it slowly, though he had a misgiving that by so doing he was seriously compromising his dignity. He resumed his conversation.
Britta nodded without much enthusiasm, and noticing a particularly ripe gooseberry on a nearby bush, quickly picked it and popped it into her mouth. Spotting another equally ripe one, she offered it to Briggs, who took it and ate it slowly, although he felt a bit uneasy about compromising his dignity by doing so. He continued his conversation.
"Since I've been down 'ere, I've 'ad more opportunity to observe you. I 'ope you will allow me to say I think very highly of you." He waved his hand with the elegance of a Sir Charles Grandison. "Very 'ighly indeed! Your youth is most becoming to you! If you only 'ad a little more chick, there'd be nothing left to desire!"
"Since I've been down here, I've had more chances to watch you. I hope you'll let me say that I think very highly of you." He waved his hand with the elegance of a Sir Charles Grandison. "Very highly indeed! Your youth really suits you! If you just had a little more chick, there'd be nothing left to wish for!"
"A little more—what?" asked Britta, opening her blue eyes very wide in puzzled amusement.
"A little more—what?" asked Britta, opening her blue eyes wide in puzzled amusement.
"Chick!" replied Briggs, with persistent persuasiveness. "Chick, Miss Britta, is a French word much used by the aristocracy. Coming from Norway, an 'avin' perhaps a very limited experience, you mayn't 'ave 'erd it—but eddicated people 'ere find it very convenient and expressive. Chick means style,—the thing, the go, the fashion. For example, everything your lady wears is chick!"
"Chick!" replied Briggs, with constant enthusiasm. "Chick, Miss Britta, is a French word often used by the upper class. Coming from Norway and perhaps having limited experience, you might not have heard it—but educated people here find it very useful and expressive. Chick means style—the thing, the vibe, the fashion. For example, everything your lady wears is chick!"
"Really!" said Britta, with a wandering and innocent air. "How funny! It doesn't sound like French, at all, Mr. Briggs,—it's more like English."
"Really!" said Britta, with a carefree and innocent look. "How funny! It definitely doesn't sound like French, Mr. Briggs—it's more like English."
"Perhaps the Paris accent isn't familiar to you yet," remarked Briggs majestically. "Your stay in the gay metropolis was probably short. Now, I 'ave been there many times—ah, Paris, Paris!" he paused in a sort of ecstacy, then, with a side leer, continued—"You'd 'ardly believe 'ow wicked I am in Paris, Miss Britta! I am, indeed! It is something in the hair of the Bollyvards, I suppose! And the caffy life excites my nerves."
"Maybe you're not used to the Paris accent yet," Briggs said dramatically. "Your time in the vibrant city was probably brief. Now, I've been there many times—ah, Paris, Paris!" He paused in a kind of ecstasy, then, with a sly grin, added, "You wouldn't believe how wild I get in Paris, Miss Britta! I really do! I guess it's something in the air of the boulevards! And the café life gets my nerves going."
"Then you shouldn't go there," said Britta gravely, though her eyes twinkled with repressed fun. "It can't be good for you. And, oh! I'm so sorry, Mr. Briggs, to think that you are ever wicked!" And she laughed.
"Then you really shouldn't go there," Britta said seriously, although her eyes sparkled with suppressed amusement. "It can't be good for you. And, oh! I'm so sorry, Mr. Briggs, to think that you could ever be bad!" And she laughed.
"It's not for long," explained Briggs, with a comically satisfied, yet penitent, look. "It is only a sort of breaking out,—a fit of 'igh spirits. Hall men are so at times! It's chick to run a little wild in Paris. But Miss Britta, if you were with me I should never run wild!" Here his arm made another attempt to get round her waist—and again she skillfully, and with some show of anger, avoided it.
"It's not for long," Briggs said, with a comically satisfied but apologetic expression. "It's just a little breakout—a moment of excitement. All men are like that sometimes! It's fun to go a bit wild in Paris. But Miss Britta, if you were with me, I would never go wild!" With that, he tried once more to wrap his arm around her waist, but she skillfully dodged him again, pretending to be annoyed.
"Ah, you're very 'ard upon me," he then observed, "Very, very, 'ard! But I won't complain, my—my dear gal—one day you'll know me better!" He stopped and looked at her very intently. "Miss Britta," he said abruptly, "you've a great affection for your lady, 'aven't you?"
"Ah, you’re being really tough on me," he then said, "Really, really tough! But I won't complain, my—my dear girl—one day you’ll understand me better!" He paused and looked at her very seriously. "Miss Britta," he said suddenly, "you have a deep affection for your lady, don’t you?"
Instantly Britta's face flushed, and she was all attention.
Instantly, Britta's face turned red, and she was completely focused.
"Yes, indeed!" she answered quickly. "Why do you ask, Mr. Briggs?"
"Yes, definitely!" she replied quickly. "Why do you ask, Mr. Briggs?"
Briggs rubbed his nose perplexedly. "It is not easy to explain," he said. "To run down my own employers wouldn't be in my line. But I've an idea that Clara—by which name I allude to my Lord Winsleigh's lady,—is up to mischief. She 'ates your lady, Miss Britta—'ates 'er like poison!"
Briggs rubbed his nose, looking confused. "It's not easy to explain," he said. "Going after my own employers isn't really my style. But I have a feeling that Clara—referring to my Lord Winsleigh's lady—is up to no good. She hates your lady, Miss Britta—hates her like poison!"
"Hates her!" cried Britta in astonishment. "Oh, you must be mistaken, Mr. Briggs! She is as fond of her as she can be—almost like a sister to her!"
"Hates her!" Britta exclaimed in shock. "Oh, you must be mistaken, Mr. Briggs! She cares for her as much as she can—almost like a sister to her!"
"Clara's a fine actress," murmured Briggs, more to himself than to his companion. "She'd beat Violet Vere on 'er own ground." Raising his voice a little, he turned gallantly to Britta and relieved her of the basket she held.
"Clara's a great actress," Briggs murmured, more to himself than to his companion. "She'd outshine Violet Vere on her own turf." Raising his voice a bit, he turned charmingly to Britta and took the basket she was holding.
"Hallow me!" he said. "We'll walk to the 'ouse together. On the way I'll explain—and you'll judge for yourself. The words of the immortal bard, whose county we are in, occur to me as aprerpo,—'There are more things in 'evin and 'erth, 'Oratio,—than even the most devoted domestic can sometimes be aweer of.'"
"Hallow me!" he said. "We'll walk to the house together. On the way, I'll explain—and you can decide for yourself. The words of the immortal bard, whose county we're in, come to mind as apropos—'There are more things in heaven and earth, Horatio, than even the most devoted person can sometimes be aware of.'"
And gently sauntering by Britta's side, Briggs began to converse in low and confidential tones,—she listened with strained and eager attention,—and she was soon receiving information that startled her and set her on the alert.
And casually walking alongside Britta, Briggs started chatting in soft, private tones—she listened with intense and eager focus—and soon she was getting news that surprised her and made her attentive.
Talk of private detectives and secret service! Do private detectives ever discover so much as the servants of a man's own household?—servants who are aware of the smallest trifles,—who know the name and position of every visitor that comes and goes,—who easily learn to recognize the handwriting on every letter that arrives—who laugh and talk in their kitchens over things that their credulous masters and mistresses imagine are unknown to all the world save themselves,—who will judge the morals of a Duke, and tear the reputation of a Duchess to shreds, for the least, the most trifling error of conduct! If you can stand well with your servants, you can stand well with the whole world—if not—carry yourself as haughtily as you may—your pride will not last long, depend upon it!
Talk about private detectives and secret services! Do private detectives ever uncover as much as the servants in a person's own home?—servants who are aware of the smallest details,—who know the name and status of every visitor that comes and goes,—who quickly learn to recognize the handwriting on every letter that arrives—who chat and laugh in their kitchens about things their gullible employers think are secrets known only to them,—who will judge the behavior of a Duke and tear apart the reputation of a Duchess for the slightest, most trivial mistake! If you get along well with your servants, you can get along well with the whole world—if not—no matter how arrogantly you carry yourself—your pride won’t last long, trust me!
Meanwhile, as Briggs and Britta strolled in the side paths of the shrubbery, the gay guests of the Manor were dancing on the lawn. Thelma did not dance,—she reclined in a low basket-chair, fanning herself. George Lorimer lay stretched in lazy length at her feet, and near her stood her husband, together with Beau Lovelace and Lord Winsleigh. At a little distance, under the shadow of a noble beech, sat Mrs. Rush-Marvelle and Mrs. Van Clupp in earnest conversation. It was to Mrs. Marvelle that the Van Clupps owed their invitation for this one day down to Errington Manor,—for Thelma herself was not partial to them. But she did not like to refuse Mrs. Marvelle's earnest entreaty that they should be asked,—and that good-natured, scheming lady having gained her point, straightway said to Marcia Van Clupp somewhat severely—
Meanwhile, as Briggs and Britta walked along the paths among the shrubs, the lively guests at the Manor were dancing on the lawn. Thelma wasn't dancing; she was lounging in a low basket chair, fanning herself. George Lorimer was stretched out lazily at her feet, while her husband, along with Beau Lovelace and Lord Winsleigh, stood nearby. A little distance away, under the shade of a large beech tree, Mrs. Rush-Marvelle and Mrs. Van Clupp were in deep conversation. It was thanks to Mrs. Marvelle that the Van Clupps received their invitation for this one day at Errington Manor, as Thelma herself wasn't fond of them. However, she didn't want to turn down Mrs. Marvelle's earnest request to invite them, and once that good-natured, scheming lady got her way, she immediately said to Marcia Van Clupp rather sternly—
"Now, Marcia, this is your last chance. If you don't hook Masherville at the Carringten fête, you'll lose him! You mark my words!"
"Now, Marcia, this is your final opportunity. If you don't catch Masherville at the Carringten fête, you'll lose him! You can take my word for it!"
Marcia had dutifully promised to do her best, and she was not having what she herself called "a good hard time of it." Lord Algy was in one of his most provokingly vacillating moods—moreover, he had a headache, and felt bilious. Therefore he would not dance—he would not play tennis—he did not understand archery—he was disinclined to sit in romantic shrubberies or summer-houses, as he had a nervous dread of spiders—so he rambled aimlessly about the grounds with his hands in his pockets, and perforce Marcia was compelled to ramble too. Once she tried what effect an opposite flirtation would have on his mind, so she coquetted desperately with a young country squire, whose breed of pigs was considered the finest in England—but Masherville did not seem to mind it in the least. Nay, he looked rather relieved than otherwise, and Marcia, seeing this, grew more resolute than ever.
Marcia had dutifully promised to do her best, but she was not having what she called "a good hard time." Lord Algy was in one of his most annoyingly indecisive moods—plus, he had a headache and felt nauseous. So he wouldn’t dance—he wouldn’t play tennis—he didn’t get archery—he was not interested in sitting in romantic bushes or summer houses, since he had a nervous fear of spiders—so he wandered aimlessly around the grounds with his hands in his pockets, and Marcia had to wander with him. Once she tried to see what would happen if she flirted with someone else, so she playfully engaged with a young country squire, whose pigs were considered the best in England—but Masherville didn’t seem bothered at all. In fact, he looked more relieved than anything, and Marcia, noticing this, became even more determined.
"I guess I'll pay him out for this!" she thought as she watched him feebly drinking soda-water for his headache. "He's a man that wants ruling, and ruled he shall be!"
"I guess I'll settle the score with him for this!" she thought as she watched him weakly sip soda water for his headache. "He's the type who craves control, and control he will get!"
And Mrs. Rush-Marvelle and Mrs. Van Clupp observed her manoeuvres with maternal interest, while the cunning-faced, white-headed Van Clupp conversed condescendingly with Mr. Rush-Marvelle, as being a nonentity of a man whom he could safely patronize.
And Mrs. Rush-Marvelle and Mrs. Van Clupp watched her actions with a motherly interest, while the sly-looking, gray-haired Van Clupp talked down to Mr. Rush-Marvelle, treating him as an unimportant man whom he could easily patronize.
As the glory of the sunset paled, and the delicate, warm hues of the summer twilight softened the landscape, the merriment of the brilliant assembly seemed to increase. As soon as it was dark, the grounds were to be illuminated by electricity, and dancing was to be continued indoors—the fine old picture-gallery being the place chosen for the purpose. Nothing that could add to the utmost entertainment of the guests had been forgotten, and Thelma, the fair mistress of these pleasant revels, noting with quiet eyes the evident enjoyment of all present, felt very happy and tranquil. She had exerted herself a good deal, and was now a little tired. Her eyes had a dreamy, far-off look, and she found her thoughts wandering, now and then, away to the Altenfjord—she almost fancied she could hear the sigh of the pines and the dash of the waves mingling in unison as they used to do when she sat at the old farm-house window and span, little dreaming then how her life would change—how all those familiar things would be swept away as though they had never been. She roused herself from this momentary reverie, and glancing down at the recumbent gentleman at her feet, touched his shoulder lightly with the edge of her fan.
As the glory of the sunset faded, and the soft, warm colors of the summer twilight blurred the landscape, the joy of the lively gathering seemed to grow. Once it was dark, the grounds were set to be lit by electricity, and the dancing would continue indoors—the beautiful old picture gallery was chosen for this. Nothing that could enhance the enjoyment of the guests was overlooked, and Thelma, the lovely hostess of these delightful festivities, quietly observed the clear happiness of everyone around her and felt very content and peaceful. She had put in a lot of effort and was now a bit tired. Her eyes had a dreamy, distant look, and occasionally her thoughts drifted off to the Altenfjord—she almost imagined she could hear the pines sighing and the waves crashing together as they used to when she sat at the old farmhouse window spinning, unaware then of how much her life would change—how all those familiar things would vanish as if they never existed. She shook off this brief daydream and glanced down at the gentleman resting at her feet, lightly tapping his shoulder with the edge of her fan.
"Why do you not dance, you very lazy Mr. Lorimer?" she asked, with a smile.
"Why don’t you dance, you very lazy Mr. Lorimer?" she asked, smiling.
He turned up his fair, half-boyish face to hers and laughed.
He lifted his youthful, boyish face to hers and laughed.
"Dance! I! Good gracious! Such an exertion would kill me, Lady Errington—don't you know that? I am of a Sultan-like disposition—I shouldn't mind having slaves to dance for me if they did it well—but I should look on from the throne whereon I sat cross-legged,—and smoke my pipe in peace."
"Dance! Me? Good gracious! Doing that would be exhausting, Lady Errington—don't you realize? I have a Sultan-like attitude—I wouldn’t mind having dancers entertain me if they were good at it—but I’d prefer to sit on my throne, cross-legged, and smoke my pipe in peace."
"Always the same!" she said lightly. "Are you never serious?"
"Always the same!" she said playfully. "Are you ever serious?"
His eyes darkened suddenly. "Sometimes. Awfully so! And in that condition I become a burden to myself and my friends."
His eyes suddenly turned dark. "Sometimes. It's really bad! When that happens, I become a burden to myself and my friends."
"Never be serious!" interposed Beau Lovelace, "it really isn't worth while! Cultivate the humor of a Socrates, and reduce everything by means of close argument to its smallest standpoint, and the world, life, and time are no more than a pinch of snuff for some great Titantic god to please his giant nose withal!"
"Don't take things too seriously!" interjected Beau Lovelace. "It really isn't worth it! Embrace the humor of Socrates, and break everything down through careful reasoning to its simplest form, and then you'll see that the world, life, and time are nothing more than a pinch of snuff for some giant god to scratch his enormous nose with!"
"Your fame isn't worth much then, Beau, if we're to go by that line of argument," remarked Errington, with a laugh.
"Your fame isn't worth much, then, Beau, if we're going by that argument," Errington said, laughing.
"Fame! By Jove! You don't suppose I'm such an arrant donkey as to set any store by fame!" cried Lovelace, a broad smile lighting up his face and eyes. "Why, because a few people read my books and are amused thereby,—and because the Press pats me graciously on the back, and says metaphorically, 'Well done, little 'un!' or words to that effect, am I to go crowing about the world as if I were the only literary chanticleer? My dear friend, have you read 'Esdras'? You will find there that a certain king of Persia wrote to one 'Rathumus, a story-writer.' No doubt he was famous in his day, but,—to travesty hamlet, 'where be his stories now?' Learn, from the deep oblivion into which poor Rathumus's literary efforts have fallen, the utter mockery and uselessness of so-called fame!"
"Fame! Seriously? Do you really think I'm such a fool to care about fame?" Lovelace exclaimed, a broad smile brightening his face and eyes. "Just because a few people read my books and enjoy them—and because the press gives me a friendly pat on the back, saying something like 'Good job, little guy!'—am I supposed to strut around like I'm the only literary rooster out there? My dear friend, have you read 'Esdras'? You'll find that a certain king of Persia once wrote to a 'Rathumus, a story-writer.' He was probably famous in his time, but—borrowing from Hamlet, 'where are his stories now?' Take note of how utterly forgotten Rathumus's work has become and see how empty and pointless so-called fame truly is!"
"But there must be a certain pleasure in it while you're alive to enjoy it," said Lord Winsleigh. "Surely you derive some little satisfaction from your celebrity, Mr. Lovelace?"
"But there has to be some enjoyment in it while you're alive to appreciate it," said Lord Winsleigh. "Surely you get some satisfaction from your fame, Mr. Lovelace?"
Beau broke into a laugh, mellow, musical, and hearty.
Beau burst into a warm, musical, and hearty laugh.
"A satisfaction shared with murderers, thieves, divorced women, dynamiters, and other notorious people in general," he said. "They're all talked about—so am I. They all get written about—so do I. My biography is always being carefully compiled by newspaper authorities, to the delight of the reading public. Only the other day I learned for the first time that my father was a greengrocer, who went in for selling coals by the half-hundred and thereby made his fortune—my mother was an unsuccessful oyster-woman who failed ignominiously at Margate—moreover, I've a great many brothers and sisters of tender age whom I absolutely refuse to assist. I've got a wife somewhere, whom my literary success causes me to despise—and I have deserted children. I'm charmed with the accuracy of the newspapers—and I wouldn't contradict them for the world,—I find my biographies so original! They are the result of that celebrity which Winsleigh thinks enjoyable."
"A satisfaction shared with murderers, thieves, divorced women, bombers, and other infamous people in general," he said. "They're all talked about—so am I. They all get written about—so do I. My biography is always being carefully put together by newspaper authorities, much to the delight of the reading public. Just the other day, I learned for the first time that my father was a greengrocer who made his fortune selling coals by the half-hundred—my mother was an unsuccessful oyster vendor who failed miserably at Margate—also, I have a lot of younger siblings whom I absolutely refuse to help. I've got a wife somewhere whose existence I can't stand because of my literary success—and I have abandoned children. I'm impressed with the accuracy of the newspapers—and I wouldn’t contradict them for anything—I find my biographies so original! They are a product of that celebrity which Winsleigh thinks is enjoyable."
"But assertions of that kind are libels," said Errington, "You could prosecute."
"But claims like that are defamation," said Errington, "You could take legal action."
"Too much trouble!" declared Beau. "Besides, five journals have disclosed the name of the town where I was born, and as they all contradict each other, and none of them are right, any contradiction on my part would be superfluous!"
"Too much hassle!" Beau exclaimed. "Plus, five journals have revealed the name of the town I was born in, and since they all contradict one another and none of them are correct, any contradiction on my part would be pointless!"
They laughed,—and at that moment Lady Winsleigh joined them.
They laughed—and at that moment, Lady Winsleigh joined them.
"Are you not catching cold, Thelma?" she inquired sweetly. "Sir Philip, you ought to make her put on something warm,—I find the air growing chilly."
"Are you not getting cold, Thelma?" she asked sweetly. "Sir Philip, you should have her put on something warm—I’m noticing the air is getting chilly."
At that moment the ever-ready Sir Francis Lennox approached with a light woolen wrap he had found in the hall.
At that moment, the ever-prepared Sir Francis Lennox walked over with a lightweight wool wrap he had found in the hallway.
"Permit me!" he said gently, at the same time adroitly throwing it over Thelma's shoulders.
"Allow me!" he said softly, while skillfully draping it over Thelma's shoulders.
She colored a little,—she did not care for his attention, but she could not very well ignore it without seeming to be discourteous. So she murmured, "Thank you!" and, rising from her chair, addressed Lady Winsleigh.
She blushed a bit—she didn’t mind his attention, but she couldn't really pretend it wasn't there without coming off as rude. So she said, "Thank you!" and, getting up from her chair, turned to Lady Winsleigh.
"If you feel cold, Clara, you will like some tea," she said. "Shall we go indoors, where it is ready?"
"If you're feeling cold, Clara, a cup of tea would be nice," she said. "Should we head inside where it's waiting for us?"
Lady Winsleigh assented with some eagerness,—and the two, beautiful women—the one dark, the other fair—walked side by side across the lawn into the house, their arms round each other's waists as they went.
Lady Winsleigh agreed enthusiastically, and the two beautiful women—one dark, the other fair—walked side by side across the lawn into the house, their arms around each other's waists as they moved.
"Two queens—and yet not rivals?" half queried Lovelace, as he watched them disappearing.
"Two queens—and still not rivals?" Lovelace half-asked as he watched them fade away.
"Their thrones are secure!" returned Sir Philip gaily.
"Their thrones are safe!" replied Sir Philip cheerfully.
The others were silent. Lord Winsleigh's thoughts, whatever they were, deepened the lines of gravity on his face; and George Lorimer, as he got up from his couch on the grass, caught a fleeting expression in the brown eyes of Sir Francis Lennox that struck him with a sense of unpleasantness. But he quickly dismissed the impression from his mind, and went to have a quiet smoke in the shrubbery.
The others didn't say anything. Lord Winsleigh's thoughts, whatever they were, made his face look more serious; and as George Lorimer stood up from the grass, he noticed a passing look in Sir Francis Lennox's brown eyes that made him feel uneasy. But he quickly pushed that thought aside and went to have a quiet smoke in the bushes.
CHAPTER XXIII.
"La rose du jardin, comme tu sais, dure peu, et la saison des roses est bien vite écoulée!"—SAADI.
"La rose du jardin, comme tu sais, dure peu, et la saison des roses est bien vite écoulée!"—SAADI.
Thelma took her friend Lady Winsleigh to her own boudoir, a room which had been the particular pride of Sir Philip's mother. The walls were decorated with panels of blue silk in which were woven flowers of gold and silver thread,—and the furniture, bought from an old palace in Milan, was of elaborately carved wood inlaid with ivory and silver. Here a tête-à-tête tea was served for the two ladies, both of whom were somewhat fatigued by the pleasures of the day. Lady Winsleigh declared she must have some rest, or she would be quite unequal to the gaieties of the approaching evening, and Thelma herself was not sorry to escape for a little from her duties as hostess,—so the two remained together for some time in earnest conversations and Lady Winsleigh then and there confided to Thelma what she had heard reported concerning Sir Philip's intimate acquaintance with the burlesque actress, Violet Vere. And they were both so long absent that, after a while, Errington began to miss his wife, and, growing impatient, went in search of her. He entered the boudoir, and, to his surprise, found Lady Winsleigh there quite alone.
Thelma took her friend Lady Winsleigh to her boudoir, a room that Sir Philip's mother had been particularly proud of. The walls were covered with blue silk panels woven with flowers of gold and silver thread, and the furniture, purchased from an old palace in Milan, was made of intricately carved wood inlaid with ivory and silver. Here, a tête-à-tête tea was served for the two ladies, both of whom were somewhat worn out from the day's activities. Lady Winsleigh insisted she needed to rest, or she wouldn't be able to enjoy the upcoming evening's festivities, and Thelma was also glad to take a short break from her responsibilities as hostess. So, the two spent some time together in deep conversation, and it was then that Lady Winsleigh confided in Thelma about the rumors she had heard regarding Sir Philip's close relationship with the burlesque actress, Violet Vere. They were gone so long that Errington started to notice his wife was missing, and, becoming impatient, went looking for her. He entered the boudoir and, to his surprise, found Lady Winsleigh there all alone.
"Where is Thelma?" he demanded.
"Where's Thelma?" he demanded.
"She seems not very well—a slight headache or something of that sort—and has gone to lie down," replied Lady Winsleigh, with a faint trace of embarrassment in her manner. "I think the heat has been too much for her."
"She doesn't seem very well—a little headache or something like that—and has gone to lie down," Lady Winsleigh replied, with a slight hint of embarrassment in her tone. "I think the heat has been too much for her."
"I'll go and see after her,"—and he turned promptly to leave the room.
"I'll go check on her,"—and he turned quickly to leave the room.
"Sir Philip!" called Lady Winsleigh. He paused and looked back.
"Sir Philip!" called Lady Winsleigh. He stopped and turned around.
"Stay one moment," continued her ladyship softly. "I have been for a long time so very anxious to say something to you in private. Please let me speak now. You—you know"—here she cast down her lustrous eyes—"before you went to Norway I—I was very foolish—"
"Wait a moment," her ladyship said gently. "I've been really eager to talk to you privately for a long time. Please let me say what I need to now. You—you know"—she looked down, her shining eyes shyly—"before you went to Norway, I—I was very foolish—"
"Pray do not recall it," he said with kindly gravity "I have forgotten it."
"Please don't bring it up," he said sincerely. "I have forgotten it."
"That is so good of you!" and a flush of color warmed her delicate cheeks. "For if you have forgotten, you have also forgiven?"
"That's really kind of you!" and a warm blush spread across her gentle cheeks. "So if you've forgotten, does that mean you've also forgiven?"
"Entirely!" answered Errington,—and touched by her plaintive, self-reproachful manner and trembling voice, he went up to her and took her hands in his own. "Don't think of the past, Clara! Perhaps I also was to blame a little—I'm quite willing to think I was. Flirtation's a dangerous amusement at best." He paused as he saw two bright tears on her long, silky lashes, and in his heart felt a sort of remorse that he had ever permitted himself to think badly of her. "We are the best of friends now, Clara," he continued cheerfully, "and I hope we may always remain so. You can't imagine how glad I am that you love my Thelma!"
"Absolutely!" replied Errington, moved by her sad, self-critical tone and trembling voice. He walked over to her and took her hands in his. "Don't dwell on the past, Clara! Maybe I was partly to blame too—I’m totally okay with believing that. Flirting can be a risky game, after all." He paused as he noticed two bright tears on her long, silky lashes, and he felt a twinge of guilt for ever thinking poorly of her. "We're the best of friends now, Clara," he said brightly, "and I hope we stay that way. You have no idea how happy I am that you love my Thelma!"
"Who would not love her!" sighed Lady Winsleigh gently, as Sir Philip released her hands from his warm clasp,—then raising her tearful eyes to his she added wistfully, "You must take great care of her, Philip—she is so sensitive,—I always fancy an unkind word would kill her."
"Who wouldn't love her?" sighed Lady Winsleigh softly, as Sir Philip let go of her hands from his warm hold. Then, lifting her tear-filled eyes to his, she added sadly, "You need to take really good care of her, Philip—she's so sensitive. I always worry that even one unkind word could break her."
"She'll never hear one from me!" he returned, with so tender and earnest a look on his face, that Lady Winsleigh's heart ached for jealousy. "I must really go and see how she is. She's been exerting herself too much to-day. Excuse me!" and with a courteous smile and bow he left the room with a hurried and eager step.
"She'll never hear one from me!" he replied, with such a gentle and serious look on his face that Lady Winsleigh felt a pang of jealousy. "I really need to go check on her. She's been working too hard today. Excuse me!" And with a polite smile and bow, he quickly left the room, moving with a hurried and eager pace.
Alone, Lady Winsleigh smiled bitterly. "Men are all alike!" she said half aloud. "Who would think he was such a hypocrite? Fancy his dividing his affection between two such contrasts as Thelma and Violet Vere! However, there's no accounting for tastes. As for man's fidelity, I wouldn't give a straw for it—and for his morality—!" She finished the sentence with a scornful laugh, and left the boudoir to return to the rest of the company.
Alone, Lady Winsleigh smiled bitterly. "Men are all the same!" she said half to herself. "Who would have thought he was such a hypocrite? Just imagine him splitting his affection between two such opposites as Thelma and Violet Vere! Anyway, you can't explain tastes. As for a man's fidelity, I wouldn't trust it at all—and his morality—!" She ended her thought with a scornful laugh and left the boudoir to rejoin the rest of the company.
Errington, meanwhile, knocked softly at the door of his wife's bedroom—and receiving no answer, turned the handle noiselessly and went in. Thelma lay on the bed, dressed as she was, her cheek resting on her hand, and her face partially hidden. Her husband approached on tiptoe, and lightly kissed her forehead. She did not stir,—she appeared to sleep profoundly.
Errington gently knocked on the door of his wife's bedroom—and when there was no answer, he quietly turned the handle and walked in. Thelma was lying on the bed, fully dressed, with her cheek resting on her hand, her face partly concealed. Her husband tiptoed over and lightly kissed her forehead. She didn't move—she seemed to be sleeping deeply.
"Poor girl!" he thought, "she's tired out, and no wonder, with all the bustle and racket of these people! A good thing if she can rest a little before the evening closes in."
"Poor girl!" he thought, "she's worn out, and it's no surprise, with all the commotion and noise from these people! It would be great if she could get some rest before evening sets in."
And he stole quietly out of the room, and meeting Britta on the stairs told her on no account to let her mistress be disturbed till it was time for the illumination of the grounds. Britta promised,—Britta's eyes were red—one would almost have fancied she had been crying. But Thelma was not asleep—she had felt her husband's kiss,—her heart had beat as quickly as the wing of a caged wild bird at his warm touch,—and now he had gone she turned and pressed her lips passionately on the pillow where his hand had leaned. Then she rose languidly from the bed, and, walking slowly to the door, locked it against all comers. Presently she began to pace the room up and down,—up and down,—her face was very white and weary, and every now and then a shuddering sigh broke from her lips.
And he quietly slipped out of the room, and when he ran into Britta on the stairs, he told her not to let her boss be disturbed until it was time for the grounds to be illuminated. Britta agreed—her eyes were red; one might have thought she had been crying. But Thelma wasn't asleep—she had felt her husband's kiss; her heart raced like that of a caged wild bird at his warm touch. Now that he was gone, she turned and pressed her lips passionately against the pillow where his hand had rested. Then she languidly got out of bed and slowly walked to the door, locking it against anyone who might come in. Soon, she began to pace the room back and forth—back and forth—her face was very pale and tired, and every now and then, a shuddering sigh escaped her lips.
"Can I believe it? Oh no!—I cannot—I will not!" she murmured. "There must be some mistake—Clara has heard wrongly." She sighed again. "Yet—if it is so,—he is not to blame—it is I—I who have failed to please him. Where—how have I failed?"
"Can I really believe this? Oh no!—I can't—I won't!" she murmured. "There must be some mistake—Clara must have heard wrong." She sighed again. "But—if it is true,—he's not to blame—it’s me—I who haven’t pleased him. Where—how have I failed?"
A pained, puzzled look filled her grave blue eyes, and she stopped in her walk to and fro.
A hurt, confused expression crossed her serious blue eyes, and she paused in her pacing.
"It cannot be true!" she said half aloud,—"it is altogether unlike him. Though Clara says—and she has known him so long!—Clara says he loved her once—long before he saw me—my poor Philip!—he must have suffered by that love!—perhaps that is why he thought life so wearisome when he first came to the Altenfjord—ah! the Altenfjord!"
"It can't be true!" she said half aloud. "It's nothing like him. Even though Clara says—she's known him for so long!—Clara says he loved her once—long before he met me—my poor Philip! He must have suffered because of that love! Maybe that's why he found life so exhausting when he first arrived at Altenfjord—ah! Altenfjord!"
A choking sob rose in her throat—but she repressed it. "I must try not to weary him," she continued softly—"I must have done so in some way, or he would not be tired. But as for what I have heard,—it is not for me to ask him questions. I would not have him think that I mistrust him. No—there is some fault in me—something he does not like, or he would never go to—" She broke off and stretched out her hands with a sort of wild appeal. "Oh, Philip! my darling!" she exclaimed in a sobbing whisper. "I always knew I was not worthy of you—but I thought,—I hoped my love would make amends for all my shortcomings!"
A choking sob rose in her throat—but she held it back. "I have to try not to wear him out," she continued softly—"I must have done something to tire him, or he wouldn’t feel this way. But regarding what I’ve heard,—it’s not my place to ask him questions. I wouldn’t want him to think that I don’t trust him. No—there’s something wrong with me—something he doesn’t like, or he would never go to—" She stopped and reached out her hands in a kind of desperate plea. "Oh, Philip! my love!" she exclaimed in a sobbing whisper. "I always knew I wasn’t good enough for you—but I thought,—I hoped my love would make up for all my faults!"
Tears rushed into her eyes, and she turned to a little arched recess, shaded by velvet curtains—her oratory—where stood an exquisite white marble statuette of the Virgin and Child. There she knelt for some minutes, her face hidden in her hands, and when she rose she was quite calm, though very pale. She freshened her face with cold water, rearranged her disordered hair,—and then went downstairs, thereby running into the arms of her husband who was coming up again to look, as he said, at his "Sleeping Beauty."
Tears streamed into her eyes as she turned to a small arched nook, shaded by velvet curtains—her private sanctuary—where an exquisite white marble statuette of the Virgin and Child stood. She knelt there for a few minutes, her face hidden in her hands, and when she got up, she felt calm, though she was very pale. She splashed cold water on her face, fixed her messy hair, and then went downstairs, bumping into her husband who was coming up again to check on his "Sleeping Beauty."
"And here she is!" he exclaimed joyously. "Have you rested enough, my pet?"
"And here she is!" he said excitedly. "Have you rested enough, my love?"
"Indeed, yes!" she answered gently. "I am ashamed so be so lazy. Have you wanted me, Philip?"
"Yes, definitely!" she replied softly. "I feel embarrassed to be so lazy. Have you been wanting me, Philip?"
"I always want you," he declared. "I am never happy without you."
"I always want you," he said. "I'm never happy without you."
She smiled and sighed. "You say that to please me," she said half wistfully.
She smiled and sighed. "You're saying that to make me happy," she said with a hint of longing.
"I say it because it is true!" he asserted proudly, putting his arm round her waist and escorting her in this manner down the great staircase. "And you know it, you sweet witch! You're just in time to see the lighting up of the grounds. There'll be a good view from the picture-gallery—lots of the people have gone in there—you'd better come too, for it's chilly outside."
"I say it because it's true!" he declared proudly, wrapping his arm around her waist and guiding her down the grand staircase. "And you know it, you charming witch! You're just in time to see the grounds light up. There'll be a great view from the picture gallery—many people have gone in there—you should come too, because it's chilly outside."
She followed him obediently, and her reappearance among her guests was hailed with enthusiasm,—Lady Winsleigh being particular effusive, almost too much so.
She followed him dutifully, and when she rejoined her guests, her return was greeted with excitement—Lady Winsleigh being especially enthusiastic, almost overly so.
"Your headache has quite gone, dearest, hasn't it?" she inquired sweetly.
"Your headache is completely gone now, darling, isn't it?" she asked gently.
Thelma eyed her gravely. "I did not suffer from the headache, Clara," she said. "I was a little tired, but I am quite rested now."
Thelma looked at her seriously. "I didn't have a headache, Clara," she said. "I was a bit tired, but I'm feeling refreshed now."
Lady Winsleigh bit her lips rather vexedly, but said no more, and at that moment exclamations of delight broke from all assembled at the brilliant scene that suddenly flashed upon their eyes. Electricity, that radiant sprite whose magic wand has lately been bent to the service of man, had in less than a minute played such dazzling pranks in the gardens that they resembled the fabled treasure-houses discovered by Aladdin. Every tree glittered with sparkling clusters of red, blue, and green light—every flower-bed was bordered with lines and circles of harmless flame, and the fountains tossed up tall columns of amber rose, and amethyst spray against the soft blue darkness of the sky, in which a lustrous golden moon had just risen. The brilliancy of the illuminations showed up several dark figures strolling in couples about the grounds—romantic persons evidently, who were not to be persuaded to come indoors, even for the music of the band, which just then burst forth invitingly through the open windows of the picture-gallery.
Lady Winsleigh bit her lip in frustration but said nothing more, and at that moment, everyone present gasped with joy at the stunning scene that suddenly appeared before them. Electricity, that brilliant force that has recently been harnessed for human benefit, had in under a minute created such dazzling displays in the gardens that they looked like the legendary treasure rooms discovered by Aladdin. Every tree sparkled with clusters of red, blue, and green light—every flower bed was lined with shapes and circles of harmless flames, and the fountains shot tall columns of amber and amethyst spray against the soft blue darkness of the sky, where a glowing golden moon had just risen. The brilliance of the lights highlighted several dark figures strolling around the grounds in couples—clearly romantic souls who wouldn't be tempted to come indoors, even for the inviting music of the band that was just then playing from the open windows of the picture gallery.
Two of these pensive wanderers were Marcia Van Clupp and Lord Algernon Masherville,—and Lord Algy was in a curiously sentimental frame of mind, and weak withal, "comme une petite queue d'agneau affligé" He had taken a good deal of soda and brandy for his bilious headache, and, physically, he was much better,—but mentally he was not quite his ordinary self. By this it must not be understood that he was at all unsteadied by the potency of his medicinal tipple—he was simply in a bland humor—that peculiar sort of humor which finds strange and mystic beauty in everything, and contemplates the meanest trifles with emotions of large benevolence. He was conversational too, and inclined to quote poetry—this sort of susceptibleness often affects gentlemen after they have had an excellent dinner flavored with the finest Burgundy. Lord Algy was as mild, as tame, and as flabby as a sleeping jelly-fish,—and in this inoffensive, almost tender mood of his, Marcia pounced upon him. She looked ravishingly pretty in the moonlight, with a white wrap thrown carelessly round her head and shoulders, and her bold, bird-like eyes sparkling with excitement (for who that knows the pleasure of sports, is not excited when the fox is nearly run to earth?), and she stood with him beside one of the smaller illuminated fountains, raising her small white hand every now and then to catch some of the rainbow drops, and then with a laugh she would shake them off her little pearly nails into the air again. Poor Masherville could not help gazing at her with a lack-lustre admiration in his pale eyes,—and Marcia, calculating every move in her own shrewd mind, saw it. She turned her head away with a petulant yet coquettish movement.
Two of these thoughtful wanderers were Marcia Van Clupp and Lord Algernon Masherville, and Lord Algy was in a strangely sentimental mood, feeling a bit weak, "comme une petite queue d'agneau affligé." He had taken quite a bit of soda and brandy for his bilious headache, and physically, he was feeling much better—but mentally, he wasn’t quite himself. This doesn’t mean he was unsteady from the effect of his medicine—he was just in a calm mood, the kind that finds strange and mystical beauty in everything and looks at the simplest things with deep kindness. He was talkative too and inclined to quote poetry—this kind of vulnerability often affects men after they’ve had a fantastic dinner with the finest Burgundy. Lord Algy was as gentle, docile, and soft as a sleeping jellyfish—and in this harmless, almost tender mood, Marcia seized the moment. She looked stunning in the moonlight, with a white wrap casually draped around her head and shoulders, her bold, bird-like eyes sparkling with excitement (who that loves sports isn’t thrilled when the fox is almost caught?), and she stood with him next to one of the smaller illuminated fountains, occasionally raising her small white hand to catch some of the rainbow drops, then laughing as she shook them off her little pearly nails into the air again. Poor Masherville couldn’t help but gaze at her with a dull admiration in his pale eyes—and Marcia, calculating every move in her sharp mind, noticed it. She turned her head away with a petulant yet flirtatious gesture.
"My patience!" she exclaimed; "yew kin stare! Yew'll know me again when yew see me,—say?"
"My patience!" she exclaimed; "you can stare! You'll recognize me again when you see me,—right?"
"I should know you anywhere," declared Masherville, nervously fumbling with the string of his eye-glass. "It's impossible to forget your face, Miss Marcia!"
"I would recognize you anywhere," Masherville said, nervously fiddling with the string of his glasses. "It's impossible to forget your face, Miss Marcia!"
She was silent,—and kept that face turned from him so long that the gentle little lord was surprised. He approached her more closely and took her hand—the hand that had played with the drops in the fountain. It was such an astonishingly small hand.—so very fragile-looking and tiny, that he was almost for putting up his eye-glass to survey it, as if it were a separate object in a museum. But the faintest pressure of the delicate fingers he held startled him, and sent the most curious thrill through his body—and when he spoke he was in such a flutter that he scarcely knew what he was saying.
She was quiet—and kept her face turned away from him for so long that the gentle little lord was taken aback. He moved closer and took her hand—the one that had played with the drops in the fountain. It was astonishingly small—so delicate and tiny that he almost raised his eyeglasses to examine it like it was a separate exhibit in a museum. But the slightest squeeze from the delicate fingers he held surprised him and sent a strange thrill through his body—and when he spoke, he was so flustered that he barely knew what he was saying.
"Miss—Miss Marcia!" he stammered, "have—have I said—anything to—to offend you?"
"Miss—Miss Marcia!" he stammered, "did I—did I say—anything to—to offend you?"
Very slowly, and with seeming reluctance, she turned her head towards him, and—oh, thou mischievous Puck, that sometimes takest upon thee the semblance of Eros, what skill is thine! . . . there were tears in her eyes—real tears—bright, large tears that welled up and fell through her long lashes in the most beautiful, touching, and becoming manner! "And," thought Marcia to herself, "if I don't fetch him now, I never will!" Lord Algy was quite frightened—his poor brain grew more and more bewildered.
Very slowly, and with obvious hesitation, she turned her head towards him, and—oh, you mischievous Puck, who sometimes takes on the appearance of Eros, what skill you have! ... there were tears in her eyes—real tears—bright, big tears that welled up and fell through her long lashes in the most beautiful, touching, and graceful way! "And," Marcia thought to herself, "if I don't go to him now, I never will!" Lord Algy was quite frightened—his poor mind became more and more confused.
"Why—Miss Marcia! I say! Look here!" he mumbled in his extremity, squeezing her little hand tighter and tighter. "What—what have I done! Good gracious! You—you really mustn't cry, you know—I say—look here! Marcia! I wouldn't vex you for the world!"
"Why—Miss Marcia! I’m serious! Look here!" he mumbled in his panic, squeezing her small hand tighter and tighter. "What—what have I done! Goodness! You—you really mustn't cry, you know—I’m telling you—look here! Marcia! I wouldn’t upset you for anything!"
"Yew bet yew wouldn't!" said Marcia, with slow and nasal plaintiveness. "I like that! That's the way yew English talk. But yew kin hang round a girl a whole season and make all her folks think badly of her—and—and—break her heart—yes—that's so!" Here she dried her eyes with a filmy lace handkerchief. "But don't yew mind me! I kin bear it. I kin worry through!" And she drew herself up with dignified resignation—while Lord Algy stared wildly at her, his feeble mind in a whirl. Presently she smiled most seductively, and looked up with her dark, tear-wet eyes to the moon.
"Sure you wouldn't!" Marcia said, with a slow, nasal sadness. "I like that! That’s how you English people talk. But you can hang around a girl for an entire season and make everyone in her family think poorly of her—and—and—break her heart—yes, that's true!" She wiped her eyes with a delicate lace handkerchief. "But don't mind me! I can handle it. I can get through!" And she stood tall with dignified acceptance—while Lord Algy stared at her in confusion, his weak mind racing. Soon, she smiled charmingly and looked up at the moon with her dark, tear-streaked eyes.
"I guess it's a good night for lovers!" she said, sinking her ordinary tone to an almost sweet cadence. "But we're not of that sort, are we?"
"I guess it's a great night for lovers!" she said, lowering her usual tone to a almost sweet rhythm. "But we're not like that, are we?"
The die was cast! She looked so charming—so irresistible, that Masherville lost all hold over his wits. Scarcely knowing what he did, he put his arm round her waist. Oh, what a warm, yielding waist! He drew her close to his breast, at the risk of breaking his most valuable eyeglass,—and felt his poor weak soul in a quiver of excitement at this novel and delicious sensation.
The decision was made! She looked so enchanting—so impossible to resist, that Masherville completely lost his senses. Without really knowing what he was doing, he wrapped his arm around her waist. Oh, what a warm, soft waist! He pulled her close to his chest, risking his prized eyeglass, and felt his frail soul tremble with excitement at this new and delightful experience.
"We are—we are of that sort!" he declared courageously. "Why should you doubt it, Marcia?"
"We are—we are definitely that kind of people!" he said boldly. "Why would you doubt it, Marcia?"
"I believe yew if yew say so," responded Marcia. "But I guess yew're only fooling me!"
"I believe you if you say so," responded Marcia. "But I guess you're only joking with me!"
"Fooling you!" Lord Algy was so surprised that he released her quite suddenly from his embrace—so suddenly that she was a little frightened. Was she to lose him, after all?
"Fooling you!" Lord Algy was so shocked that he suddenly let her go from his embrace—so suddenly that it scared her a bit. Was she really going to lose him after all?
"Marcia," he continued mildly, yet with a certain manliness that did not ill become him. "I—I hope I am too much of—of a gentleman to—to 'fool' any woman, least of all you, after I have, as you say, compromised you in society by my—my attentions. I—I have very little to offer you—but such as it is, is yours. In—in short, Marcia, I—I will try to make you happy if you can—can care for me enough to—to—marry me!"
"Marcia," he said gently, though with a certain strength that suited him well. "I really hope I'm too much of a gentleman to deceive any woman, especially you, after I’ve already put your reputation at risk with my attentions. I don’t have much to offer you, but what I do have is yours. In short, Marcia, I will try to make you happy if you can care for me enough to marry me!"
Eureka! The game was won! A vision of Masherville Park, Yorkshire, that "well-timbered and highly desirable residence," as the auctioneers would describe it, flitted before Marcia's eyes,—and, filled with triumph, she went straight into her lordly wooer's arms, and kissed him with thorough transatlantic frankness. She was really grateful to him. Ever since she had come to England, she had plotted and schemed to become "my lady" with all the vigor of a purely republican soul,—and now at last, after hard fighting, she had won the prize for which her soul had yearned. She would in future belong to the English aristocracy—that aristocracy which her relatives in New York pretended to despise, yet openly flattered,—and with her arms round the trapped Masherville's neck, she foresaw the delight she would have in being toadied by them as far as toadyism could be made to go.
Eureka! They had won the game! A vision of Masherville Park, Yorkshire, that "well-timbered and highly desirable residence," as the auctioneers would say, flashed before Marcia's eyes, and, filled with triumph, she went straight into her charming wooer's arms and kissed him with unreserved enthusiasm. She was genuinely thankful to him. Ever since she had arrived in England, she had plotted and schemed to become "my lady" with all the determination of a truly independent spirit—and now at last, after a tough struggle, she had achieved the dream her heart had longed for. She would now belong to the English aristocracy—that aristocracy which her relatives in New York claimed to scorn, yet openly admired—and with her arms wrapped around the captured Masherville's neck, she envisioned the pleasure she would take in being flattered by them as much as toadying could allow.
She is by no means presented to the reader as a favorable type of her nation—for, of course, every one knows there are plenty of sweet, unselfish, guileless American girls, who are absolutely incapable of such unblushing marriage-scheming as hers,—but what else could be expected from Marcia? Her grandfather, the navvy, had but recently become endowed with Pilgrim-Father Ancestry,—and her maternal uncle was a boastful pork-dealer in Cincinnati. It was her bounden duty to ennoble the family somehow,—surely, if any one had a right to be ambitious, she was that one! And wild proud dreams of her future passed through her brain, little Lord Algy quivered meekly under her kiss, and returned it with all the enthusiasm of which he was capable. One or two faint misgivings troubled him as to whether he had not been just a little too hasty in making a serious bona fide offer of marriage to the young lady by whose Pilgrim progenitors he was not deceived. He knew well enough what her antecedents were, and a faint shudder crossed him as he thought of the pork-dealing uncle, who would, by marriage, become his uncle also. He had long been proud of the fact that the house of Masherville had never, through the course of centuries, been associated, even in the remotest manner with trade—and now!—
She is definitely not shown to the reader as a positive example of her nation—everyone knows there are many sweet, unselfish, and innocent American girls who couldn’t possibly engage in the bold marriage plotting like she does. But what else could you expect from Marcia? Her grandfather, the laborer, had only recently acquired Pilgrim-Father ancestry, and her maternal uncle was a boastful pork dealer in Cincinnati. It was her responsibility to elevate the family somehow—if anyone had the right to be ambitious, it was her! Wild, proud dreams of her future raced through her mind, while little Lord Algy trembled shyly under her kiss and responded with all the enthusiasm he could muster. A couple of faint doubts flickered in his mind about whether he had been a bit too quick to make a serious bona fide marriage proposal to the young lady whose Pilgrim ancestors he wasn’t fooled by. He was well aware of her background, and a slight shiver ran through him as he thought about the pork-dealing uncle who would, through marriage, also become his uncle. He had long taken pride in the fact that the house of Masherville had never, throughout centuries, been associated, even remotely, with trade—and now!—
"Yet, after all," he mused, "the Marquis of Londonderry openly advertises himself as a coal-merchant, and the brothers-in-law of the Princess Louise are in the wine trade and stock-broking business,—and all the old knightly blood of England is mingling itself by choice with that of the lowest commoners—what's the use of my remaining aloof, and refusing to go with the spirit of the age? Besides, Marcia loves me, and it's pleasant to be loved!"
"Yet, after all," he thought, "the Marquis of Londonderry openly promotes himself as a coal merchant, and the Princess Louise's brothers-in-law are in the wine and stock trading business— all the old noble blood of England is willingly blending with that of the common people—what's the point of staying distant and refusing to embrace the times? Plus, Marcia loves me, and it's nice to be loved!"
Poor Lord Algy. He certainly thought there could be no question about Marcia's affection for him. He little dreamed that it was to his title and position she had become so deeply attached,—he could not guess that after he had married her there would be no more Lord Masherville worth mentioning—that that individual, once independent, would be entirely swallowed up and lost in the dashing personality of Lady Masherville, who would rule her husband as with a rod of iron.
Poor Lord Algy. He truly believed there was no doubt about Marcia's love for him. He had no idea that it was really his title and status she was so attached to—he couldn't fathom that after they married, there would be no more Lord Masherville worth talking about—that the man who was once independent would be completely consumed and overshadowed by the vibrant personality of Lady Masherville, who would control her husband firmly.
He was happily ignorant of his future, and he walked in the gardens for some time with his arm round Marcia's waist, in a very placid and romantic frame of mind. By-and-by he escorted her into the house, where the dancing was in full swing—and she, with a sweet smile, bidding him wait for her in the refreshment-room, sought for and found her mother, who as usual, was seated in a quiet corner with Mrs. Rush-Marvelle, talking scandal.
He was blissfully unaware of what lay ahead, strolling through the gardens for a while with his arm around Marcia's waist, feeling peaceful and romantic. Eventually, he took her into the house, where the dancing was lively—and she, with a warm smile, asked him to wait for her in the refreshment room while she went off to find her mom, who, as usual, was sitting in a quiet corner with Mrs. Rush-Marvelle, chatting about gossip.
"Well?" exclaimed these two ladies, simultaneously and breathlessly.
"Well?" exclaimed the two ladies, doing so at the same time and breathlessly.
Marcia's eyes twinkled. "Guess he came in as gently as a lamb!" she said.
Marcia's eyes sparkled. "Looks like he came in as softly as a lamb!" she said.
They understood her. Mrs. Rush-Marvelle rose from her chair in her usual stately and expensive manner.
They understood her. Mrs. Rush-Marvelle got up from her chair in her usual dignified and pricey way.
"I congratulate you, my dear!" kissing Marcia affectionately on both cheeks. "Bruce Errington would have been a better match,—but, under the circumstances, Masherville is really about the best thing you could do. You'll find him quite easy to manage!" This with an air as though she were recommending a quiet pony.
"I congratulate you, my dear!" she said, kissing Marcia affectionately on both cheeks. "Bruce Errington would have been a better match—but, given the circumstances, Masherville is really the best choice you could make. You'll find him pretty easy to handle!" This was said with an air as though she were recommending a gentle pony.
"That's so!" said Marcia carelessly, "I guess we'll pull together somehow. Mar-ma," to her mother—"yew kin turn on the news to all the folks yew meet—the more talk the better! I'm not partial to secrets!" And with a laugh, she turned away.
"That's true!" said Marcia casually, "I guess we'll figure it out somehow. Mom," to her mother—"you can spread the news to everyone you meet—the more chatter, the better! I'm not into keeping secrets!" And with a laugh, she walked away.
Then Mrs. Van Clupp laid her plump, diamond-ringed hand on that of her dear friend, Mrs. Marvelle.
Then Mrs. Van Clupp placed her chubby, diamond-ringed hand on that of her close friend, Mrs. Marvelle.
"You have managed the whole thing beautifully," she said, with a grateful heave of her ample bosom. "Such a clever creature as you are!" She dropped her voice to a mysterious whisper. "You shall have that cheque to-morrow, my love!"
"You’ve handled everything perfectly," she said, with a grateful sigh of her ample chest. "What a clever person you are!" She lowered her voice to a secretive whisper. "You’ll have that check tomorrow, my dear!"
Mrs. Rush-Marvelle pressed her fingers cordially.
Mrs. Rush-Marvelle shook her hand warmly.
"Don't hurry yourself about it!"—she returned in the same confidential tone. "I dare say you'll want me to arrange the wedding and the 'crush' afterwards. I can wait till then."
"Don't rush yourself about it!" she replied in the same friendly tone. "I'm sure you'll want me to plan the wedding and the party afterwards. I can wait until then."
"No, no! that's a separate affair," declared Mrs. Van Clupp. "I must insist on your taking the promised two hundred. You've been really so very energetic!"
"No, no! That's a different matter," Mrs. Van Clupp insisted. "I really have to insist that you take the promised two hundred. You've been so very energetic!"
"Well, I have worked rather hard," said Mrs. Marvelle, with modest self-consciousness. "You see nowadays it's so difficult to secure suitable husbands for the girls who ought to have them. Men are such slippery creatures!"
"Well, I have worked pretty hard," said Mrs. Marvelle, feeling a bit shy. "You see, these days it’s really tough to find suitable husbands for the girls who need them. Men are such tricky creatures!"
She sighed—and Mrs. Van Clupp echoed the sigh,—and then these two ladies,—the nature of whose intimacy may now be understood by the discriminating reader,—went together to search out those of their friends and acquaintances who were among the guests that night, and to announce to them (in the strictest confidence, of course!) the delightful news of "dear Marcia's engagement." Thelma heard of it, and went at once to proffer her congratulations to Marcia in person.
She sighed—and Mrs. Van Clupp sighed in response—and then these two ladies, whose close friendship can now be understood by the discerning reader, went together to find their friends and acquaintances who were among the guests that night, to share the exciting news of "dear Marcia's engagement" (in the strictest confidence, of course!). Thelma heard about it and immediately went to congratulate Marcia in person.
"I hope you will be very, very happy!" she said simply, yet with such grave earnestness in her look and voice that the "Yankee gel" was touched to a certain softness and seriousness not at all usual with her, and became so winning and gentle to Lord Algy that he felt in the seventh heaven of delight with his new position as affianced lover to so charming a creature.
"I hope you’ll be really, really happy!" she said simply, but with such serious sincerity in her look and voice that the "Yankee girl" felt a rare softness and seriousness, making her unusually warm and gentle with Lord Algy. He felt like he was in seventh heaven, thrilled about his new role as the engaged lover to such a charming person.
Meanwhile George Lorimer and Pierre Duprèz were chatting together in the library. It was very quiet there,—the goodly rows of books, the busts of poets and philosophers,—the large, placid features of the Pallas Athene crowning an antique pedestal,—the golden pipes of the organ gleaming through the shadows,—all these gave a solemn, almost sacred aspect to the room. The noise of the dancing and festivity in the distant picture-gallery did not penetrate here, and Lorimer sat at the organ, drawing out a few plaintive strains from its keys as he talked.
Meanwhile, George Lorimer and Pierre Duprèz were chatting in the library. It was really quiet there—the nice rows of books, the busts of poets and philosophers—the large, calm face of Pallas Athene topping an old pedestal—the golden pipes of the organ shining in the shadows—all of this gave the room a serious, almost sacred feel. The sounds of dancing and celebration from the distant picture gallery didn’t reach them here, and Lorimer sat at the organ, playing a few mournful notes from its keys as they talked.
"It's your fancy, Pierre," he said slowly. "Thelma may be a little tired to-day, perhaps—but I know she's perfectly happy."
"It's your imagination, Pierre," he said slowly. "Thelma might be a bit tired today, but I know she's completely happy."
"I think not so," returned Duprèz. "She has not the brightness—the angel look—les yeux d'enfant,—that we beheld in her at that far Norwegian Fjord. Britta is anxious for her."
"I don't think so," Duprèz replied. "She doesn’t have that brightness—the angelic look—les yeux d'enfant,—that we saw in her at that distant Norwegian Fjord. Britta is worried about her."
Lorimer looked up, and smiled a little.
Lorimer looked up and smiled slightly.
"Britta? It's always Britta with you, mon cher! One would think—" he paused and laughed.
"Britta? It's always Britta with you, my dear! One would think—" he paused and laughed.
"Think what you please!" exclaimed Duprèz, with a defiant snap of his fingers. "I would not give that little person for all the grandes dames here to-day! She is charming—and she is true!—Ma foi! to be true to any one is a virtue in this age! I tell you, my good boy, there is something sorrowful—heavy—on la belle Thelma's mind—and Britta, who sees her always, feels it—but she cannot speak. One thing I will tell you—it is a pity she is so fond of Miladi Winsleigh."
"Think what you want!" Duprèz exclaimed, snapping his fingers defiantly. "I wouldn't trade that little person for all the grandes dames here today! She’s charming—and she’s true!—Ma foi! Being true to someone is a rare quality in this age! I tell you, my good friend, there’s something sad—weighty—on la belle Thelma's mind—and Britta, who sees her all the time, feels it—but she can’t say anything. One thing I will tell you—it’s a shame she’s so attached to Miladi Winsleigh."
"Why?" asked Lorimer, with some eagerness.
"Why?" Lorimer asked, a bit eager.
"Because—" he stopped abruptly as a white figure suddenly appeared at the doorway, and a musical voice addressed them—
"Because—" he stopped abruptly as a white figure suddenly appeared at the doorway, and a musical voice addressed them—
"Why, what are you both doing here, away from everybody?" and Thelma smiled as she approached. "You are hermits, or you are lazy! People are going in to supper. Will you not come also?"
"Why are you both here, away from everyone?" Thelma smiled as she got closer. "Are you hermits, or just being lazy? People are going in for dinner. Won’t you join them?"
"Ma foi!" exclaimed Duprèz; "I had forgotten! I have promised your most charming mother, cher Lorimer, to take her in to this same supper. I must fly upon the wings of chivalry!"
"My word!" exclaimed Duprèz; "I had forgotten! I promised your lovely mother, dear Lorimer, to take her to this very supper. I must hurry on the wings of chivalry!"
And with a laugh, he hurried off, leaving Thelma and Lorimer alone together. She sank rather wearily into a chair near the organ, and looked at him.
And with a laugh, he rushed off, leaving Thelma and Lorimer alone together. She sank wearily into a chair near the organ and looked at him.
"Play me something!" she said softly.
"Play something for me!" she said softly.
A strange thrill quivered through him as he met her eyes—the sweet, deep, earnest eyes of the woman he loved. For it was no use attempting to disguise it from himself—he loved her passionately, wildly, hopelessly; as he had loved her from the first.
A strange thrill raced through him as he met her gaze—the sweet, deep, earnest eyes of the woman he loved. There was no point in trying to hide it from himself—he loved her passionately, wildly, hopelessly; just as he had loved her from the very beginning.
Obedient to her wish, his fingers wandered over the organ-keys in a strain of solemn, weird, yet tender melancholy—the grand, rich notes pealed forth sobbingly—and she listened, her hands clasped idly in her lap. Presently he changed the theme to one of more heart-appealing passion—and a strange wild minor air, like the rushing of the wind across the mountains, began to make itself heard through the subdued rippling murmur of his improvised accompaniment. To his surprise and fear, she started up, pressing her hands against her ears.
Obeying her request, his fingers glided over the piano keys in a haunting, strange, yet gentle melancholy—the deep, rich notes resonated like sobs—and she sat listening, her hands idly clasped in her lap. Soon, he shifted to a theme filled with more emotional intensity—then a wild, minor tune, reminiscent of the wind rushing over the mountains, broke through the soft, flowing sound of his improvised accompaniment. To his surprise and worry, she suddenly leaped up, pressing her hands against her ears.
"Not that—not that song, my friend!" she cried, almost imploringly. "Oh, it will break my heart! Oh, the Altenfjord!" And she gave way to a passion of weeping.
"Not that—not that song, my friend!" she exclaimed, almost pleadingly. "Oh, it will break my heart! Oh, the Altenfjord!" And she succumbed to a fit of crying.
"Thelma! Thelma!" and poor Lorimer, rising from the organ, stood gazing at her in piteous dismay,—every nerve in his body wrung to anguish by the sound of her sobbing. A mad longing seized him to catch her in his arms,—to gather her and her sorrows, whatever they were, to his heart!—and he had much ado to restrain himself.
"Thelma! Thelma!" Poor Lorimer, getting up from the organ, stared at her in distress—every nerve in his body twisted with pain from the sound of her crying. A desperate urge overwhelmed him to pull her into his arms—to embrace her and her sorrows, whatever they were, to his heart!—and he struggled hard to hold himself back.
"Thelma," he presently said, in a gentle voice that trembled just a little, "Thelma, what is troubling you? You call me your brother—give me a brother's right to your confidence." He bent over her and took her hand. "I—I can't bear to see you cry like this! Tell me—what's the matter? Let me fetch Philip."
"Thelma," he said softly, his voice shaking just a bit, "Thelma, what's bothering you? You call me your brother—so let me have the right to your trust like a brother should." He leaned closer and took her hand. "I—I can't stand seeing you like this! Please tell me—what's going on? Should I get Philip?"
She looked up with wild wet eyes and quivering lips.
She looked up with teary eyes and trembling lips.
"Oh no—no!" she murmured, in a tone of entreaty and alarm. "Do not,—Philip must not know—I do wish him always to see me bright and cheerful—and—it is nothing! It is that I heard something which grieved me—"
"Oh no—no!" she whispered, sounding both pleading and worried. "Please don't—Philip mustn't know—I always want him to see me happy and cheerful—and—it’s nothing! It's just that I heard something that upset me—"
"What was it?" asked Lorimer, remembering Duprèz's recent remarks.
"What was it?" Lorimer asked, recalling Duprèz's recent comments.
"Oh, I would not tell you!" she said eagerly, drying her eyes and endeavoring to smile, "because I am sure it was a mistake, and all wrong—and I was foolish to fancy that such a thing could be, even for a moment. But when one does not know the world, it seems cruel—"
"Oh, I wouldn't tell you!" she said excitedly, wiping her eyes and trying to smile. "Because I’m sure it was just a mistake and completely wrong—and I was silly to think that something like that could happen, even for a moment. But when you don’t know the world, it feels so harsh—"
"Thelma, what do you mean?" and George surveyed her in some perplexity. "If any one's been bothering or vexing you, just you tell Phil all about it. Don't have any secrets from him,—he'll soon put everything straight, whatever it is."
"Thelma, what do you mean?" George asked her, looking a bit confused. "If someone has been bothering you or upsetting you, just tell Phil everything. Don't keep any secrets from him—he'll sort it all out, no matter what it is."
She shook her head slightly. "Ah, you do not understand!" she said pathetically, "how should you? Because you have not given your life away to any one, and it is all different with you. But when you do love—if you are at all like me,—you will be so anxious to always seem worthy of love—and you will hide all your griefs away from your beloved,—so that your constant presence shall not seem tiresome. And I would not for all the world trouble Philip with my silly fancies—because then he might grow more weary still—"
She shook her head a little. "Oh, you just don’t get it!" she said sadly, "how could you? You haven't given your life to anyone, and it’s completely different for you. But when you do love—if you’re anything like me—you’ll be so worried about always appearing deserving of love—and you’ll hide all your sorrows from your partner—so that your constant presence doesn’t feel like a burden. And I wouldn’t want to bother Philip with my silly thoughts for anything in the world—because then he might get even more tired of me—"
"Weary!" interrupted Lorimer, in an accent of emphatic surprise. "Why, you don't suppose Phil's tired of you, Thelma? That is nonsense indeed! He worships you! Who's been putting such notions into your head?"
"Weary!" interrupted Lorimer, sounding genuinely surprised. "What, you don't think Phil's tired of you, Thelma? That's just nonsense! He adores you! Who's been feeding you these thoughts?"
She rose from her chair quite calm and very pale, and laid her two trembling hands in his.
She stood up from her chair, looking calm but very pale, and placed her two shaking hands in his.
"Ah, you also will mistake me," she said, with touching sweetness, "like so many others who think me strange in my speech and manner. I am sorry I am not like other women,—but I cannot help it. What I do wish you to understand is that I never suppose anything against my Philip—he is the noblest and best of men! And you must promise not to tell him that I was so foolish as to cry just now because you played that old song I sang to you both so often in Norway—it was because I felt a little sad—but it was only a fancy,—and I would not have him troubled with such things. Will you promise?"
"Ah, you'll misunderstand me too," she said, with heartfelt sweetness, "like so many others who find my speech and manner odd. I'm sorry that I'm not like other women, but I can't help it. What I want you to understand is that I never think anything bad about my Philip—he's the noblest and best of men! And you have to promise not to tell him that I was foolish enough to cry just now because you played that old song I sang to you both so often in Norway—it was just because I felt a bit sad—but it was just a mood, and I don’t want to burden him with that. Will you promise?"
"But what has made you sad?" persisted Lorimer, still puzzled.
"But what has made you sad?" Lorimer pressed, still confused.
"Nothing—nothing indeed," she answered, with almost feverish earnestness. "You yourself are sometimes sad, and can you tell why?"
"Nothing—absolutely nothing," she replied, with an almost intense seriousness. "You sometimes feel down too, and can you say why?"
Lorimer certainly could have told why,—but he remained silent, and gently kissed the little hands he held.
Lorimer definitely could have explained why, but he stayed quiet and softly kissed the little hands he was holding.
"Then I mustn't tell Philip of your sadness?" he asked softly, at last. "But will you tell him yourself, Thelma? Depend upon it, it's much better to have no secrets from him. The least grief of yours would affect him more than the downfall of a kingdom. You know how dearly he loves you!"
"Then I shouldn't tell Philip about your sadness?" he asked gently, finally. "But will you tell him yourself, Thelma? Trust me, it’s much better to have no secrets from him. Even your smallest sorrow would hit him harder than the fall of a kingdom. You know how much he loves you!"
"Yes—I know!" she answered, and her eyes brightened slowly. "And that is why I wish him always to see me happy!" She paused, and then added in a lower tone, "I would rather die, my friend, than vex him for one hour!"
"Yes—I know!" she replied, and her eyes slowly lit up. "And that's why I want him to always see me happy!" She paused, then added in a quieter voice, "I would rather die, my friend, than upset him for even one hour!"
George still held her hands and looked wistfully in her face. He was about to speak again, when a cold, courteous voice interrupted them.
George still held her hands and looked at her face longingly. He was just about to say something again when a cold, polite voice interrupted them.
"Lady Errington, may I have the honor of taking you in to supper?"
"Lady Errington, may I have the pleasure of escorting you to dinner?"
It was Sir Francis Lennox. He had entered quite noiselessly—his footsteps making no sound on the thick velvet-pile carpet, and he stood quite close to Lorimer, who dropped Thelma's hands hastily and darted a suspicious glance at the intruder. But Sir Francis was the very picture of unconcerned and bland politeness, and offered Thelma his arm with the graceful ease of an accomplished courtier. She was, perforce, compelled to accept it—and she was slightly confused, though she could not have told why.
It was Sir Francis Lennox. He had walked in silently—his footsteps making no sound on the thick velvet carpet—and stood close to Lorimer, who quickly let go of Thelma's hands and shot a suspicious look at the intruder. But Sir Francis appeared completely relaxed and politely casual, offering Thelma his arm with the smooth charm of a skilled gentleman. She had no choice but to take it—and felt a bit confused, even though she couldn’t quite say why.
"Sir Philip has been looking everywhere for you," continued Sir Francis amicably. "And for you also," he added, turning slightly to Lorimer. "I trust I've not abruptly broken off a pleasant tête-à-tête?"
"Sir Philip has been searching all over for you," Sir Francis said kindly. "And for you too," he added, glancing slightly at Lorimer. "I hope I haven't interrupted a nice tête-à-tête?"
Lorimer colored hotly. "Not at all," he said rather brusquely. "I've been strumming on the organ, and Lady Errington has been good enough to listen to me."
Lorimer blushed deeply. "Not at all," he replied rather sharply. "I've been playing the organ, and Lady Errington has kindly listened to me."
"You do not strum" said Thelma, with gentle reproach. "You play very beautifully."
"You don't strum," Thelma said, gently reproaching him. "You play so beautifully."
"Ah! a charming accomplishment!" observed Sir Francis, with his under-glance and covert smile, as they all three wended their way out of the library. "I regret I have never had time to devote myself to acquiring some knowledge of the arts. In music I am a positive ignoramus! I can hold my own best in the field."
"Ah! What a delightful skill!" Sir Francis remarked, with a sly glance and a secret smile, as the three of them walked out of the library. "I wish I had found the time to learn more about the arts. When it comes to music, I’m completely clueless! I do my best in the field."
"Yes, you're a great adept at hunting, Lennox," remarked Lorimer suddenly, with something sarcastic in his tone. "I suppose the quarry never escapes you?"
"Yeah, you're really good at hunting, Lennox," Lorimer said suddenly, a hint of sarcasm in his voice. "I guess the prey never gets away from you?"
"Seldom!" returned Sir Francis coolly. "Indeed, I think I may say, never!"
"Seldom!" Sir Francis replied calmly. "In fact, I can say, never!"
And with that, he passed into the supper-room, elbowing a way for Thelma, till he succeeded in placing her near the head of the table, where she was soon busily occupied in entertaining her guests and listening to their chatter; and Lorimer, looking at her once or twice, saw, to his great relief, that all traces of her former agitation had disappeared, leaving her face fair and radiant as a spring morning.
And with that, he walked into the dining room, making space for Thelma until he managed to seat her near the head of the table. She quickly got busy entertaining her guests and enjoying their conversation; Lorimer, glancing at her a couple of times, felt a wave of relief as he noticed that all signs of her earlier distress had vanished, leaving her face beautiful and glowing like a bright spring morning.
CHAPTER XXIV.
"A generous fierceness dwells with innocence, And conscious virtue is allowed some pride." |
DRYDEN.
DRYDEN.
The melancholy days of autumn came on apace, and by-and-by the Manor was deserted. The Bruce-Errington establishment removed again to town, where business, connected with his intending membership for Parliament, occupied Sir Philip from morning till night. The old insidious feeling of depression returned and hovered over Thelma's mind like a black bird of ill omen, and though she did her best to shake it off she could not succeed. People began to notice her deepening seriousness and the wistful melancholy of her blue eyes, and made their remarks thereon when they saw her at Marcia Van Clupp's wedding, an event which came off brilliantly at the commencement of November, and which was almost entirely presided over by Mrs. Rush-Marvelle. That far-seeing matron had indeed urged on the wedding by every delicate expedient possible.
The gloomy days of autumn arrived quickly, and soon the Manor was empty. The Bruce-Errington family moved back to the city, where Sir Philip was busy from morning till night with matters related to his upcoming run for Parliament. The familiar feeling of depression returned, hanging over Thelma's thoughts like a dark bird of bad luck, and despite her efforts to shake it off, she couldn’t succeed. People began to notice her growing seriousness and the wistful sadness in her blue eyes, commenting on it when they saw her at Marcia Van Clupp's wedding, which took place beautifully at the beginning of November and was mainly overseen by Mrs. Rush-Marvelle. That shrewd matron had indeed pushed for the wedding using every subtle tactic at her disposal.
"Long engagements are a great mistake," she told Marcia,—then, in a warning undertone she added, "Men are capricious nowadays,—they're all so much in demand,—better take Masherville while he's in the humor."
"Long engagements are a big mistake," she told Marcia—then, in a cautious tone, she added, "Men are unpredictable these days—they're all in high demand—better take Masherville while he's in the mood."
Marcia accepted this hint and took him,—and Mrs. Rush-Marvelle heaved a sigh of relief when she saw the twain safely married, and off to the Continent on their honeymoon-trip,—Marcia all sparkling and triumphant,—Lord Algy tremulous and feebly ecstatic.
Marcia took the hint and went with him, and Mrs. Rush-Marvelle let out a sigh of relief when she saw the couple happily married and heading off to the continent for their honeymoon—Marcia glowing with excitement and triumph, while Lord Algy was nervously overjoyed.
"Thank Heaven that's over!" she said to her polite and servile husband. "I never had such a troublesome business in my life! That girl's been nearly two seasons on my hands, and I think five hundred guineas not a bit too much for all I've done."
"Thank goodness that's done!" she told her polite and submissive husband. "I've never dealt with such a troublesome situation in my life! That girl has been under my care for almost two seasons, and I don’t think five hundred guineas is too much for everything I've done."
"Not a bit—not a bit!" agreed Mr. Marvelle warmly. "Have they—have they—" here he put on a most benevolent side-look—"quite settled with you, my dear?"
"Not at all—not at all!" Mr. Marvelle said enthusiastically. "Have they—have they—" here he gave a very friendly sideways glance—"completely sorted things out with you, my dear?"
"Every penny," replied Mrs. Marvelle calmly. "Old Van Clupp paid me the last hundred this morning. And poor Mrs. Van Clupp is so very grateful!" She sighed placidly, and appeared to meditate. Then she smiled sweetly and, approaching Mr. Marvelle, patted his shoulder caressingly. "I think we'll do the Italian lakes, dear—what do you say?"
"Every penny," Mrs. Marvelle replied calmly. "Old Van Clupp gave me the last hundred this morning. And poor Mrs. Van Clupp is so very grateful!" She sighed peacefully and seemed to think for a moment. Then she smiled sweetly and, walking over to Mr. Marvelle, patted his shoulder affectionately. "I think we should go to the Italian lakes, dear—what do you think?"
"Charming—charming!" declared, not her lord and master, but her slave and vassal. "Nothing could be more delightful!"
"Charming—charming!" exclaimed not her lord and master, but her servant and subordinate. "Nothing could be more delightful!"
And to the Italian lakes accordingly they went. A great many people were out of town,—all who had leisure and money enough to liberate themselves from the approaching evils of an English winter, had departed or were departing,—Beau Lovelace had gone to Como,—George Lorimer had returned with Duprèz to Paris, and Thelma had very few visitors except Lady Winsleigh, who was more often with her now than ever. In fact, her ladyship was more like one of the Errington household than anything else,—she came so frequently and stayed so long. She seemed sincerely attached to Thelma,—and Thelma herself, too single-hearted and simple to imagine that such affection could be feigned, gave her in return, what Lady Winsleigh had never succeeded in winning from any woman,—a pure, trusting, and utterly unsuspecting love, such as she would have lavished on a twin-born sister. But there was one person who was not deceived by Lady Winsleigh's charm of manner, and grace of speech. This was Britta. Her keen eyes flashed a sort of unuttered defiance into her ladyship's beautiful, dark languishing ones—she distrusted her, and viewed the intimacy between her and the "Fröken" with entire disfavor. Once she ventured to express something of her feeling on the matter to Thelma—but Thelma had looked so gently wondering and reproachful that Britta had not courage to go on.
And so they headed to the Italian lakes. Many people were out of town—everyone who had the means and the time to escape the impending harshness of an English winter had left or was in the process of leaving. Beau Lovelace had gone to Como, George Lorimer had returned to Paris with Duprèz, and Thelma had very few visitors aside from Lady Winsleigh, who was now spending more time with her than ever. In fact, her ladyship was almost like a member of the Errington household—she visited so often and stayed so long. She seemed genuinely attached to Thelma, and Thelma, who was too innocent and trusting to think that such affection could be fake, returned it with a pure, trusting, and completely unsuspecting love, the kind she would have given to a biological sister. However, there was one person who saw through Lady Winsleigh's charm and eloquence—Britta. Her sharp eyes shot a silent challenge into her ladyship's beautiful, dark, dreamy ones—she didn't trust her and looked upon the closeness between her and the "Fröken" with total disapproval. Once, she tried to share her feelings about this with Thelma, but Thelma's gentle, curious, and reproachful look made Britta lose the courage to continue.
"I am so sorry, Britta," said her mistress, "that you do not like Lady Winsleigh—because I am very fond of her. You must try to like her for my sake."
"I’m really sorry, Britta," her mistress said, "that you don’t like Lady Winsleigh—because I like her a lot. You need to try to like her for my sake."
But Britta pursed her lips and shook her head obstinately. However, she said no more at the time, and decided within herself to wait and watch the course of events. And in the meantime she became very intimate with Lady Winsleigh's maid, Louise Rénaud, and Briggs, and learned from these two domestic authorities many things which greatly tormented and puzzled her little brain,—things over which she pondered deeply without arriving at any satisfactory conclusion.
But Britta pressed her lips together and shook her head stubbornly. However, she didn't say anything more at the moment and decided to wait and see how things unfolded. In the meantime, she became very close with Lady Winsleigh's maid, Louise Rénaud, and Briggs, and learned from these two domestic experts many things that greatly troubled and confused her mind—things she thought about deeply without reaching any clear conclusions.
On her return to town, Thelma had been inexpressibly shocked at the changed appearance of her husband's secretary, Edward Neville. At first she scarcely knew him, he had altered so greatly. Always inclined to stoop, his shoulders were now bent as by the added weight of twenty years—his hair, once only grizzled, was now quite grey—his face was deeply sunken and pale, and his eyes by contrast looked large and wild, as though some haunting thought were driving him to madness. He shrank so nervously from her gaze, that she began to fancy he must have taken some dislike to her,—and though she delicately refrained from pressing questions upon him personally, she spoke to her husband about him, with real solicitude. "Is Mr. Neville working too hard?" she asked one day. "He looks very ill."
On her return to town, Thelma was incredibly shocked by the changed appearance of her husband's secretary, Edward Neville. At first, she hardly recognized him; he had changed so much. Always a bit stooped, his shoulders now sagged under what seemed like twenty years’ worth of weight—his hair, which was once just grizzled, was now completely grey—his face was deeply sunken and pale, and his eyes looked unusually large and wild, as if some disturbing thought was pushing him toward madness. He nervously flinched from her gaze, making her think he must dislike her. Though she tactfully avoided asking him personal questions, she talked to her husband about him with genuine concern. "Is Mr. Neville working too hard?" she asked one day. "He looks very ill."
Her remark seemed to embarrass Philip,—he colored and seemed confused.
Her comment seemed to embarrass Philip; he blushed and looked confused.
"Does he? Oh, I suppose he sleeps badly. Yes, I remember, he told me so. You see, the loss of his wife has always preyed on his mind—he never loses hope of—of—that is—he is always trying to—you know!—to get her back again."
"Does he? Oh, I guess he doesn’t sleep well. Yeah, I remember, he mentioned that. You see, losing his wife has always weighed on him—he never gives up hope of—of—that is—he's always trying to—you know!—to get her back."
"But do you think he will ever find her?" asked Thelma. "I thought you said it was a hopeless case?"
"But do you think he’ll ever find her?" asked Thelma. "I thought you said it was a lost cause?"
"Well—I think so, certainly—but, you see, it's no good dashing his hopes—one never knows—she might turn up any day—it's a sort of chance!"
"Well—I think so, definitely—but you see, it's no use getting his hopes up—one never knows—she might show up any day—it’s a bit of a gamble!"
"I wish I could help him to search for her," she said compassionately. "His eyes do look so full of sorrow," she paused and added musingly, "almost like Sigurd's eyes sometimes."
"I wish I could help him look for her," she said compassionately. "His eyes do seem so full of sorrow," she paused and added thoughtfully, "almost like Sigurd's eyes sometimes."
"Oh, he's not losing his wits," said Philip hastily, "he's quite patient, and—and all that sort of thing. Don't bother about him, Thelma, he's all right!"
"Oh, he's not going crazy," Philip said quickly, "he's really patient and—and all that kind of stuff. Don't worry about him, Thelma, he's fine!"
And he fumbled hastily with some papers, and began to talk of something else. His embarrassed manner caused her to wonder a little at the time as to the reason of it,—but she had many other things to think about, and she soon forgot a conversation that might have proved a small guiding-link in the chain of events that were soon about to follow quickly one upon another, shaking her life to its very foundation. Lady Winsleigh found it almost impossible to get her on the subject of the burlesque actress, Violet Vere, and Sir Philip's supposed admiration for that notorious stage-siren.
And he hurriedly fumbled with some papers and started talking about something else. His awkward demeanor made her curious about the reason behind it, but she had a lot on her mind and quickly forgot a conversation that could have been a small connection in the series of events that were about to unfold rapidly, shaking her life to its core. Lady Winsleigh found it nearly impossible to get her to talk about the burlesque actress, Violet Vere, and Sir Philip's supposed infatuation with that infamous stage diva.
"I do not believe it," she said firmly, "and you—you must not believe it either, Clara. For wherever you heard it, it is wrong. We should dishonor Philip by such a thought—you are his friend, and I am his wife—we are not the ones to believe anything against him, even if it could be proved—and there are no proofs."
"I don’t believe it," she said firmly. "And you—don’t you believe it either, Clara. Whatever you heard is incorrect. We would dishonor Philip by even considering such an idea—you are his friend, and I am his wife—we aren’t the ones to doubt him, even if there were evidence—and there’s no evidence."
"My dear," responded her ladyship easily. "You can get proofs for yourself if you like. For instance, ask Sir Philip how often he has seen Miss Vere lately,—and hear what he says."
"My dear," her ladyship replied casually. "You can find out for yourself if you'd like. For example, ask Sir Philip how often he has seen Miss Vere lately—and listen to his answer."
Thelma colored deeply. "I would not question my husband on such a subject," she said proudly.
Thelma blushed deeply. "I wouldn’t question my husband about something like that," she said proudly.
"Oh well! if you are so fastidious!" And Lady Winsleigh shrugged her shoulders.
"Oh well! If you're so picky!" And Lady Winsleigh shrugged her shoulders.
"I am not fastidious," returned Thelma, "only I do wish to be worthy of his love,—and I should not be so if I doubted him. No, Clara, I will trust him to the end."
"I’m not picky," Thelma replied, "I just want to be deserving of his love—and I wouldn’t be if I doubted him. No, Clara, I will trust him all the way."
Clara Winsleigh drew nearer to her, and took her hand.
Clara Winsleigh walked closer to her and took her hand.
"Even if he were unfaithful to you?" she asked in a low, impressive tone.
"Even if he cheated on you?" she asked in a low, serious tone.
"Unfaithful!" Thelma uttered the word with a little cry. "Clara, dear Clara, you must not say such a word! Unfaithful! That means that my husband would love some one more than me!—ah! that is impossible!"
"Unfaithful!" Thelma exclaimed with a gasp. "Clara, dear Clara, you can't say things like that! Unfaithful! That means my husband would love someone more than me!—oh! that can't be true!"
"Suppose it were possible?" persisted Lady Winsleigh, with a cruel light in her dark eyes. "Such things have been!"
"Do you think it's possible?" Lady Winsleigh pressed on, her dark eyes gleaming with a cruel intensity. "Things like that have happened!"
Thelma stood motionless, a deeply mournful expression on her fair, pale face. She seemed to think for a moment, then she spoke.
Thelma stood still, a sorrowful look on her light, pale face. She paused for a moment, then she spoke.
"I would never believe it!" she said solemnly. "Never, unless I heard it from his own lips, or saw it in his own writing, that he was weary of me, and wanted me no more."
"I would never believe it!" she said seriously. "Never, unless I heard it from him directly or saw it in his own writing that he was tired of me and didn't want me anymore."
"And then?"
"What's next?"
"Then"—she drew a quick breath—"I should know what to do. But, Clara, you must understand me well, even if this were so, I should never blame him—no—not once!"
"Then"—she took a quick breath—"I should know what to do. But, Clara, you have to understand me clearly, even if that were the case, I would never blame him—no—not ever!"
"Not blame him?" cried Lady Winsleigh impatiently. "Not blame him for infidelity?"
"Not blame him?" Lady Winsleigh exclaimed impatiently. "Not blame him for cheating?"
A deep blush swept over her face at the hated word "infidelity," but she answered steadily—
A deep blush spread across her face at the dreaded word "infidelity," but she responded calmly—
"No. Because, you see, it would be my fault, not his. When you hold a flower in your hand for a long time, till all its fragrance has gone, and you drop it because it no longer smells sweetly—you are not to blame—it is natural you should wish to have something fresh and fragrant,—it is the flower's fault because it could not keep its scent long enough to please you. Now, if Philip were to love me no longer, I should be like that flower, and how would HE be to blame? He would be good as ever, but I—I should have ceased to seem pleasant to him—that is all!"
"No. Because, you see, it would be my fault, not his. When you hold a flower in your hand for a long time until all its fragrance is gone, and you drop it because it no longer smells sweet—it's not your fault—it's natural to want something fresh and fragrant. It's the flower's fault for not keeping its scent long enough to please you. Now, if Philip were to stop loving me, I would be like that flower, and how could HE be to blame? He would be just as good as ever, but I—I would have stopped seeming appealing to him—that's all!"
She put this strange view of the case quite calmly, as if it were the only solution to the question. Lady Winsleigh heard her, half in contemptuous amusement, half in dismay. "What can I do with such a woman as this," she thought. "And fancy Lennie imagining for a moment that HE could have any power over her!" Aloud, she said—
She presented this odd perspective on the situation without any fuss, as if it were the only answer to the problem. Lady Winsleigh listened, feeling both mocking amusement and dismay. "What can I do with a woman like this?" she thought. "And can you believe Lennie actually thinking for a second that HE could have any influence over her!" Out loud, she said—
"Thelma, you're the oddest creature going—a regular heathen child from Norway! You've set up your husband as an idol, and you're always on your knees before him. It's awfully sweet of you, but it's quite absurd, all the same. Angelic wives always get the worst of it, and so you'll see! Haven't you heard that?"
"Thelma, you're the strangest person I've ever met—a real heathen kid from Norway! You've made your husband an idol, and you're always worshiping him. It's really sweet of you, but it's also completely ridiculous. Perfect wives always end up suffering the most, and you'll see! Haven't you heard that?"
"Yes, I have heard it," she answered, smiling a little. "But only since I came to London. In Norway, it is taught to women that to be patient and obedient is best for every one. It is not so here. But I am not an angelic wife, Clara, and so the 'worst of it' will not apply to me. Indeed, I do not know of any 'worst' that I would not bear for Philip's sake."
"Yes, I’ve heard that," she said, smiling slightly. "But only since I got to London. In Norway, women are taught that being patient and obedient is what’s best for everyone. It’s not like that here. But I’m not a perfect wife, Clara, so the 'worst of it' doesn’t really apply to me. Honestly, I can’t think of any 'worst' that I wouldn’t endure for Philip’s sake."
Lady Winsleigh studied the lovely face, eloquent with love and truth, for some moments in silence;—a kind of compunction pricked her conscience. Why destroy all that beautiful faith? Why wound that grandly trusting nature? The feeling was but momentary.
Lady Winsleigh studied the beautiful face, expressive of love and truth, for a few moments in silence; a pang of guilt pricked her conscience. Why ruin all that beautiful faith? Why hurt such a wonderfully trusting nature? The feeling was only temporary.
"Philip does run after the Vere," she said to herself—"it's true, there's no mistake about it, and she ought to know of it. But she won't believe without proofs—what proofs can I get, I wonder?" And her scheming brain set to work to solve this problem.
"Philip is chasing after the Vere," she thought to herself—"it’s true, there’s no doubt about it, and she should be aware of it. But she won’t believe it without evidence—what evidence can I get, I wonder?" And her calculating mind began to work on solving this problem.
In justice to her, it must be admitted, she had a good deal of seeming truth on her side. Sir Philip's name had somehow got connected with that of the leading actress at the Brilliant, and more people than Lady Winsleigh began to make jocose whispering comments on his stage "amour"—comments behind his back, which he was totally unaware of. Nobody knew quite how the rumor had first been started. Sir Francis Lennox seemed to know a good deal about it, and he was an "intimate" of the "Vere" magic circle of attraction. And though they talked, no one ventured to say anything to Sir Philip himself;—the only two among his friends who would have spoken out honestly were Beau Lovelace and Lorimer, and these were absent.
To be fair to her, it's important to acknowledge that she had quite a bit of seeming truth on her side. Sir Philip's name had somehow become linked with that of the lead actress at the Brilliant, and more people than Lady Winsleigh started making joking whispers about his stage "affair"—comments made behind his back that he was completely unaware of. No one really knew how the rumor had begun in the first place. Sir Francis Lennox seemed to know quite a bit about it, and he was part of the inner circle of the "Vere" scene. Despite the chatter, no one dared to say anything to Sir Philip directly; the only two friends who would have spoken honestly were Beau Lovelace and Lorimer, and both were not present.
One evening, contrary to his usual custom, Sir Philip went out after the late dinner. Before leaving, he kissed his wife tenderly, and told her on no account to sit up for him—he and Neville were going to attend to a little matter of business which might detain them longer than they could calculate. After they had gone, Thelma resigned herself to a lonely evening, and, stirring the fire in the drawing-room to a cheerful blaze, she sat down beside it. First, she amused herself by reading over some letters recently received from her father,—and then, yielding to a sudden fancy, she drew her spinning-wheel from the corner where it always stood, and set it in motion. She had little time for spinning now, but she never quite gave it up, and as the low, familiar whirring sound hummed pleasantly on her ears, she smiled, thinking how quaint and almost incongruous her simple implement of industry looked among all the luxurious furniture, and costly nick-nacks by which she was surrounded.
One evening, contrary to his usual routine, Sir Philip went out after dinner. Before leaving, he kissed his wife gently and told her not to wait up for him—he and Neville had a little business to attend to that might take longer than they expected. After they left, Thelma settled into a quiet evening, and, stoking the fire in the living room to a warm glow, she sat down next to it. First, she entertained herself by reading some letters she had recently received from her father—and then, feeling inspired, she pulled her spinning wheel out from the corner where it usually stayed and began to spin. She didn’t have much time for spinning these days, but she never completely stopped, and as the familiar, soft whirring sound filled her ears, she smiled, thinking about how charming and almost out of place her simple tool looked among all the luxurious furniture and expensive knick-knacks surrounding her.
"I ought to have one of my old gowns on," she half murmured, glancing down at the pale-blue silk robe she wore, "I am too fine to spin!"
"I should be wearing one of my old gowns," she muttered, looking down at the pale-blue silk robe she had on, "I'm too fancy to be working!"
And she almost laughed as the wheel flew round swiftly under her graceful manipulations. Listening to its whirr, whirr, whirr, she scarcely heard a sudden knock at the street-door, and was quite startled when the servant, Morris, announced—"Sir Francis Lennox!"
And she almost laughed as the wheel spun quickly under her elegant control. Listening to its whirr, whirr, whirr, she barely noticed a sudden knock at the front door, and was quite surprised when the servant, Morris, announced—"Sir Francis Lennox!"
Surprised, she rose from her seat at the spinning-wheel with a slight air of hauteur. Sir Francis, who had never in his life seen a lady of title and fashion in London engaged in the primitive occupation of spinning, was entirely delighted with the picture before him,—the tall, lovely woman with her gold hair and shimmering blue draperies, standing with such stateliness beside the simple wooden wheel, the antique emblem of household industry. Instinctively he thought of Marguerite;—but Marguerite as a crowned queen, superior to all temptations of either man or fiend.
Surprised, she stood up from her seat at the spinning wheel with a bit of attitude. Sir Francis, who had never seen a titled lady in London involved in the basic task of spinning, was completely taken by the scene in front of him—the tall, beautiful woman with her golden hair and shimmering blue fabrics, standing so regally next to the simple wooden wheel, a timeless symbol of home craft. He couldn’t help but think of Marguerite; but Marguerite as a queen, above all temptations from either man or devil.
"Sir Philip is out," she said, as she suffered him to take her hand.
"Sir Philip is out," she said, allowing him to take her hand.
"So I was aware!" returned Lennox easily. "I saw him a little while ago at the door of the Brilliant Theatre."
"So I knew!" replied Lennox casually. "I saw him not long ago at the door of the Brilliant Theatre."
She turned very pale,—then controlling the rapid beating of her heart by a strong effort, she forced a careless smile, and said bravely—
She turned really pale—then, with a strong effort to control the quick beating of her heart, she managed to force a casual smile and said confidently—
"Did you? I am very glad—for he will have some amusement there, perhaps, and that will do him good. He has been working so hard!"
"Did you? I’m really glad—because he might have some fun there, and that will be good for him. He’s been working so hard!"
She paused. He said nothing, and she went on more cheerfully still—
She paused. He said nothing, and she continued on even more cheerfully—
"Is it not a very dismal, wet evening! Yes!—and you must be cold. Will you have some tea?"
"Isn't it a really gloomy, rainy evening? Yes!—and you must be feeling cold. Would you like some tea?"
"Tha-anks!" drawled Sir Francis, staring at her admiringly. "If it's not too much trouble—"
"Thanks!" Sir Francis said slowly, looking at her with admiration. "If it's not too much trouble—"
"Oh no!" said Thelma. "Why should it be?" And she rang the bell and gave the order. Sir Francis sank lazily back in an easy chair, and stroked his moustache slowly. He knew that his random hit about the theatre had struck home,—but she allowed the arrow to pierce and possibly wound her heart without showing any outward sign of discomposure. "A plucky woman!" he considered, and wondered how he should make his next move. She, meanwhile, smiled at him frankly, and gave a light twirl to her spinning-wheel.
"Oh no!" said Thelma. "Why would it be?" She rang the bell and placed the order. Sir Francis sank back lazily in an armchair and slowly stroked his mustache. He knew that his offhand comment about the theater had hit its mark—but she let the arrow pierce, potentially wounding her heart, without revealing any signs of distress. "A brave woman!" he thought, wondering how he should proceed next. Meanwhile, she smiled at him openly and gave a light spin of her spinning wheel.
"You see!" she said, "I was amusing myself this evening by imagining that I was once more at home in Norway."
"You see!" she said, "I was entertaining myself this evening by imagining that I was back home in Norway."
"Pray don't let me interrupt the amusement," he responded, with a sleepy look of satisfaction shooting from beneath his eyelids. "Go on spinning, Lady Errington! . . . I've never seen any one spin before."
"Please don't let me interrupt the fun," he replied, with a drowsy look of contentment peeking out from under his eyelids. "Keep on spinning, Lady Errington! … I've never seen anyone spin before."
At that moment Morris appeared with the tea, and handed it to Sir Francis,—Thelma took none, and as the servant retired, she quietly resumed her occupation. There was a short silence, only broken by the hum of the wheel. Sir Francis sipped his tea with a meditative air, and studied the fair woman before him as critically as he would have studied a picture.
At that moment, Morris walked in with the tea and handed it to Sir Francis. Thelma didn't take any, and as the servant left, she quietly went back to what she was doing. There was a brief silence, interrupted only by the sound of the wheel. Sir Francis sipped his tea thoughtfully and looked at the beautiful woman in front of him as carefully as he would have examined a painting.
"I hope I'm not in your way?" he asked suddenly. She looked up surprised.
"I hope I'm not blocking you?" he asked suddenly. She looked up, surprised.
"Oh no—only I am sorry Philip is not here to talk to you. It would be so much pleasanter."
"Oh no—I'm just sorry Philip isn't here to talk to you. It would be so much nicer."
"Would it?" he murmured rather dubiously and smiling. "Well—I shall be quite contented if you will talk to me, Lady Errington!"
"Would it?" he said with a hint of doubt, smiling. "Well—I’ll be totally happy if you talk to me, Lady Errington!"
"Ah, but I am not at all clever in conversation," responded Thelma quite seriously. "I am sure you, as well as many others, must have noticed that. I never do seem to say exactly the right thing to please everybody. Is it not very unfortunate?"
"Ah, but I'm really not very good at conversation," Thelma replied seriously. "I'm sure you, along with many others, have noticed that. I never seem to say exactly the right thing to please everyone. Isn't that unfortunate?"
He laughed a little. "I have yet to learn in what way you do not please everybody," he said, dropping his voice to a low, caressing cadence. "Who, that sees you, does not admire—and—and love you?"
He chuckled softly. "I still need to figure out how you manage to not please everyone," he said, lowering his voice to a gentle, soothing tone. "Who, when they see you, doesn't admire—and—and love you?"
She met his languorous gaze without embarrassment,—while the childlike openness of her regard confused and slightly shamed him.
She met his lazy gaze without embarrassment,—while the childlike openness of her look confused and slightly embarrassed him.
"Admire me? Oh yes!" she said somewhat plaintively. "It is that of which I am so weary! Because God has made one pleasant in form and face,—to be stared at and whispered about, and have all one's dresses copied!—all that is so small and common and mean, and does vex me so much!"
"Admire me? Oh yes!" she said with a hint of sadness. "That's what I'm so tired of! Because God made me attractive in appearance and looks—to be gawked at and talked about, and have all my outfits copied!—all that is so trivial and petty, and it bothers me so much!"
"It is the penalty you pay for being beautiful," said Sir Francis slowly, wondering within himself at the extraordinary incongruity of a feminine creature who was actually tired of admiration.
"It’s the price you pay for being beautiful," Sir Francis said slowly, marveling to himself at the strange contradiction of a woman who was genuinely tired of being admired.
She made no reply—the wheel went round faster than before. Presently Lennox set aside his emptied cup, and drawing his chair a little closer to hers, asked—
She didn't respond—the wheel spun faster than ever. Soon, Lennox put down his empty cup and moved his chair a bit closer to hers, asking—
"When does Errington return?"
"When's Errington coming back?"
"I cannot tell you," she answered. "He said that he might be late. Mr. Neville is with him."
"I can't tell you," she replied. "He said he might be late. Mr. Neville is with him."
There was another silence. "Lady Errington," said Sir Francis abruptly—"pray excuse me—I speak as a friend, and in your interests,—how long is this to last?"
There was another silence. "Lady Errington," Sir Francis said suddenly—"please forgive me—I’m speaking as a friend and looking out for your best interests—how much longer is this going to go on?"
The wheel stopped. She raised her eyes,—they were grave and steady.
The wheel stopped. She looked up—her gaze was serious and steady.
"I do not understand you," she returned quietly. "What is it that you mean?"
"I don't understand you," she replied softly. "What do you mean?"
He hesitated—then went on, with lowered eyelids and a half-smile.
He hesitated—then continued, with his eyes downcast and a half-smile.
"I mean—what all our set's talking about—Errington's queer fancy for that actress at the Brilliant."
"I mean—what everyone in our group is talking about—Errington's unusual crush on that actress at the Brilliant."
Thelma still gazed at him fixedly. "It is a mistake," she said resolutely, "altogether a mistake. And as you are his friend, Sir Francis, you will please contradict this report—which is wrong, and may do Philip harm. It has no truth in it at all—"
Thelma continued to stare at him intently. "This is a mistake," she said firmly, "definitely a mistake. And since you are his friend, Sir Francis, I need you to deny this report — it's incorrect and could hurt Philip. There's no truth to it at all—"
"No truth!" exclaimed Lennox. "It's true as Gospel! Lady Errington, I'm sorry for it—but your husband is deceiving you most shamefully!"
"No truth!" Lennox exclaimed. "It's as true as the Gospel! Lady Errington, I'm sorry to say this, but your husband is deceiving you in the worst way!"
"How dare you say such a thing!" she cried, springing upright and facing him,—then she stopped and grew very pale—but she kept her eyes upon him. How bright they were! What a chilling pride glittered in their sea-blue depths!
"How dare you say something like that!" she exclaimed, jumping up and confronting him—then she paused and became very pale—but she kept her eyes locked on him. How bright they were! What a chilling pride sparkled in their sea-blue depths!
"You are in error," she said coldly. "If it is wrong to visit this theatre you speak of, why are you so often seen there—and why is not some harm said of you? It is not your place to speak against my husband. It is shameful and treacherous! You do forget yourself most wickedly!"
"You’re mistaken," she said coldly. "If it's wrong to go to that theater you mention, why are you seen there so often—and why is no harm said about you? It’s not your place to speak out against my husband. It’s shameful and deceitful! You really lose your sense of decency!"
And she moved to leave the room. But Sir Francis interposed.
And she started to leave the room. But Sir Francis interrupted.
"Lady Errington," he said very gently, "don't be hard upon me—pray forgive me! Of course I've no business to speak—but how can I help it? When I hear every one at the clubs discussing you, and pitying you, it's impossible to listen quite unmoved! I'm the least among your friends, I know,—but I can't bear this sort of thing to go on,—the whole affair will be dished up in the society papers next!"
"Lady Errington," he said softly, "please don’t be mad at me—I'm really sorry! I know I shouldn’t say anything, but I can't help it. When I hear everyone at the clubs talking about you and feeling sorry for you, it’s hard to stay completely unaffected! I realize I’m the least of your friends, but I can’t stand for this situation to continue—the whole thing will be all over the gossip columns next!"
And he paced the room half impatiently,—a very well-feigned expression of friendly concern and sympathy on his features. Thelma stood motionless, a little bewildered—her head throbbed achingly, and there was a sick sensation of numbness creeping about her.
And he walked around the room, a bit impatiently, with a convincingly friendly look of concern and sympathy on his face. Thelma stood still, a little confused—her head hurt intensely, and she felt a sickening numbness creeping over her.
"I tell you it is all wrong!" she repeated with an effort. "I do not understand why these people at the clubs should talk of me, or pity me. I do not need any pity! My husband is all goodness and truth,"—she stopped and gathered courage as she went on. "Yes! he is better, braver, nobler than all other men in the world, it seems to me! He gives me all the joy of my life—each day and night I thank God for the blessing of his love!"
"I’m telling you, it’s all wrong!” she said with difficulty. “I don’t understand why people at the clubs talk about me or feel sorry for me. I don’t need pity! My husband is completely good and honest,”—she paused and found strength as she continued. “Yes! He is better, braver, and nobler than any other man in the world, in my opinion! He brings me all the joy in my life—every day and night I thank God for the blessing of his love!”
She paused again. Sir Francis turned and looked at her steadily. A sudden thought seemed to strike her, for she advanced eagerly, a sweet color flushing the pallor of her skin.
She paused again. Sir Francis turned and looked at her intently. A sudden thought seemed to hit her, making her step forward eagerly, a warm flush brightening her pale skin.
"You can do so much for me if you will!" she said, laying her hand on his arm. "You can tell all these people who talk so foolishly that they are wrong,—tell them how happy I am! And that my Philip has never deceived me in any matter, great or small!"
"You can do so much for me if you want!" she said, putting her hand on his arm. "You can tell all these people who talk so foolishly that they’re wrong—tell them how happy I am! And that my Philip has never lied to me about anything, big or small!"
"Never?" he asked with a slight sneer. "You are sure?"
"Never?" he asked with a slight smirk. "Are you certain?"
"Sure!" she answered bravely. "He would keep nothing from me that it was necessary or good for me to know. And I—oh! I might pass all my life in striving to please him, and yet I should never, never be worthy of all his tenderness and goodness! And that he goes many times to a theatre without me—what is it? A mere nothing—a trifle to laugh at! It is not needful to tell me of such a small circumstance!"
"Sure!" she replied confidently. "He wouldn't keep anything from me that I needed or was good for me to know. And I—oh! I could spend my whole life trying to make him happy, and I still wouldn’t feel worthy of all his care and kindness! And the fact that he goes to a theater without me—what does it matter? It’s nothing—a little thing to laugh about! There's no need to tell me about such a minor detail!"
As she spoke she smiled—her form seemed to dilate with a sort of inner confidence and rapture.
As she talked, she smiled—her presence seemed to expand with a kind of inner confidence and joy.
Sir Francis stared at her half shamed,—half savage. The beautiful, appealing face, bright with simple trust, roused him to no sort of manly respect or forbearance,—the very touch of the blossom-white hand she had laid so innocently on his arm, stung his passion as with a lash—as he had said, he was fond of hunting—he had chased the unconscious deer all through the summer, and now that it had turned to bay with such pitiful mildness and sweet pleading, why not draw the knife across its slim throat without mercy?
Sir Francis stared at her, feeling both ashamed and aggressive. The beautiful, sincere face, glowing with simple trust, didn't inspire any kind of respect or restraint in him. The very touch of her delicate white hand on his arm sparked his passion like a whip. As he had mentioned, he loved hunting—he had pursued the unaware deer all summer, and now that it had turned to face him with such pitiful gentleness and sweet pleading, why not go ahead and strike without mercy?
"Really, Lady Errington!" he said at last sarcastically, "your wifely enthusiasm and confidence are indeed charming! But, unfortunately, the proofs are all against you. Truth is truth, however much you may wish to blind your eyes to its manifestations. I sincerely wish Sir Philip were present to hear your eloquent praises of him, instead of being where he most undoubtedly is,—in the arms of Violet Vere!"
"Honestly, Lady Errington!" he said finally, with sarcasm, "your excitement and confidence as a wife are really endearing! But sadly, all the evidence is against you. The truth is the truth, no matter how much you want to ignore its signs. I genuinely wish Sir Philip were here to hear your glowing compliments about him, instead of being where he definitely is—wrapped up with Violet Vere!"
As he said these words she started away from him and put her hands to her ears as though to shut out some discordant sound—her eyes glowed feverishly. A cold shiver shook her from head to foot.
As he said this, she stepped away from him and covered her ears like she was trying to block out some unpleasant noise—her eyes sparkled with feverish intensity. A cold shiver ran through her body from head to toe.
"That is false—false!" she muttered in a low, choked voice. "How can you—how dare you?"
"That's not true—it's not true!" she muttered in a low, choked voice. "How can you—how dare you?"
She ceased, and with a swaying, bewildered movement, as though she were blind, she fell senseless at his feet.
She stopped, and with a swaying, confused movement, as if she were blind, she collapsed unconscious at his feet.
In one second he was kneeling beside her. He raised her head on his arm,—he gazed eagerly on her fair, still features. A dark contraction of his brows showed that his thoughts were not altogether righteous ones. Suddenly he laid her down again gently, and, springing to the door, locked it. Returning, he once more lifted her in a half-reclining position, and encircling her with his arms, drew her close to his breast and kissed her. He was in no hurry for her to recover—she looked very beautiful—she was helpless—she was in his power. The silvery ting-ling of the clock on the mantel-piece striking eleven startled him a little—he listened painfully—he thought he heard some one trying the handle of the door he had locked. Again—again he kissed those pale, unconscious lips! Presently, a slight shiver ran through her frame—she sighed, and a little moan escaped her. Gradually, as warmth and sensation returned to her, she felt the pressure of his embrace, and murmured—
In an instant, he was kneeling beside her. He lifted her head onto his arm and looked intently at her beautiful, still face. A frown etched on his brow revealed that his thoughts weren't completely pure. Suddenly, he set her down gently and rushed to the door to lock it. Once back, he raised her again into a half-reclining position, wrapped his arms around her, pulled her close to his chest, and kissed her. He wasn’t in a rush for her to wake up—she looked stunning—she was vulnerable—she was at his mercy. The soft chime of the clock on the mantel striking eleven startled him; he listened intently—he thought he heard someone trying the locked door. Once more, he kissed her pale, unconscious lips! Soon, a slight shiver ran through her body—she sighed, and a small moan slipped out. Slowly, as warmth and feeling returned, she sensed the pressure of his embrace and murmured—
"Philip! Darling,—you have come back earlier,—I thought—"
"Philip! Honey, you’re back early—I thought—"
Here she opened her eyes and met those of Sir Francis, who was eagerly bending over her. She uttered an exclamation of alarm, and strove to rise. He held her still more closely.
Here she opened her eyes and locked gazes with Sir Francis, who was leaning over her with anticipation. She gasped in alarm and tried to get up. He held her even more tightly.
"Thelma—dear, dearest Thelma! Let me comfort you,—let me tell you how much I love you!"
"Thelma—my dear, precious Thelma! Let me comfort you; let me express how much I love you!"
And before she could divine his intent, he pressed his lips passionately on her pale cheek. With a cry she tore herself violently from his arms and sprang to her feet, trembling in every limb.
And before she could understand what he was up to, he kissed her passionately on her pale cheek. With a gasp, she forcefully pulled away from his embrace and jumped to her feet, shaking all over.
"What—what is this?" she exclaimed wrathfully. "Are you mad?"
"What—what is this?" she exclaimed angrily. "Are you crazy?"
And still weak and confused from her recent attack of faintness, she pushed back her hair from her brows and regarded him with a sort of puzzled horror.
And still weak and dizzy from her recent fainting spell, she pushed her hair back from her forehead and looked at him with a mix of confusion and fear.
He flushed deeply, and set his lips hard.
He flushed deeply and pressed his lips together tightly.
"I dare say I am," he answered, with a bitter laugh; "in fact, I know I am! You see, I've betrayed my miserable secret. Will you forgive me, Lady Errington—Thelma?" He drew nearer to her, and his eyes darkened with restrained passion. "Matchless beauty!—adorable woman, as you are!—will you not pardon my crime, if crime it be—the crime of loving you? For I do love you!—Heaven only knows how utterly and desperately!"
"I honestly think I am," he replied with a sarcastic laugh; "actually, I know I am! You see, I've revealed my miserable secret. Will you forgive me, Lady Errington—Thelma?" He moved closer to her, and his eyes grew deep with suppressed emotion. "Incredible beauty!—wonderful woman, as you are!—won't you forgive me for my wrong, if it is a wrong—the wrong of loving you? Because I do love you!—Only Heaven knows how completely and hopelessly!"
She stood mute, white, almost rigid, with that strange look of horror frozen, as it were, upon her features. Emboldened by her silence, he approached and caught her hand,—she wrenched it from his grasp and motioned him from her with a gesture of such royal contempt that he quailed before her. All suddenly the flood-gates of her speech were loosened,—the rising tide of burning indignation that in its very force had held her dumb and motionless, now broke forth unrestrainedly.
She stood silently, pale, almost stiff, with a strange look of horror frozen on her face. Encouraged by her silence, he moved closer and took her hand—she yanked it away from him and waved him off with a gesture of such royal contempt that he shrank back in fear. Suddenly, the floodgates of her words were opened—the intense anger that had kept her silent and motionless now burst forth uncontrollably.
"O God!" she cried impetuously, a magnificent glory of disdain flashing in her jewel-like eyes, "what thing is this that calls itself a man?—this thief of honor,—this pretended friend? What have I done, sir, that you should put such deep disgrace as your so-called love upon me?—what have I seemed, that you thus dare to outrage me by the pollution of your touch? I,—the wife of the noblest gentleman in the land! Ah!" and she drew a long breath—"and it is you who speak against my husband—you!" She smiled scornfully,—then with more calmness continued—"You will leave my house, sir, at once! . . . and never presume to enter it again!"
"Oh God!" she exclaimed impulsively, a brilliant flash of disdain shining in her jewel-like eyes. "What *thing* is this that calls itself a man?—this thief of honor, this fake friend? What have I done, sir, that you would impose such deep disgrace with your so-called *love*?—what have I *seemed*, that you dare to insult me with the contamination of your touch? I,—the wife of the noblest gentleman in the land! Ah!" and she took a deep breath—"and it's you who speak against my husband—*you*!" She smiled scornfully, then with more composure continued—"You will leave my house, sir, at once! . . . and never presume to enter it again!"
And she stepped towards the bell. He looked at her with an evil leer.
And she walked toward the bell. He stared at her with a wicked grin.
"Stop a moment!" he said coolly. "Just one moment before you ring. Pray consider! The servant cannot possibly enter, as the door is locked."
"Wait a second!" he said casually. "Just one moment before you ring. Please think about it! The servant can't come in since the door is locked."
"You dared to lock the door!" she exclaimed, a sudden fear chilling her heart as she remembered similar manoeuvres on the part of the Reverend Mr. Dyceworthy—then another thought crossed her mind, and she began to retreat towards a large painted panel of "Venus" disporting among cupids and dolphins in the sea. Sir Francis sprang to her side, and caught her arm in an iron grip—his face was aflame with baffled spite and vindictiveness.
"You dared to lock the door!" she exclaimed, a sudden fear gripping her heart as she remembered similar moves by Reverend Mr. Dyceworthy—then another thought crossed her mind, and she started backing away towards a large painted panel of "Venus" playing with cupids and dolphins in the sea. Sir Francis jumped to her side and caught her arm in a tight grip—his face was flushed with frustrated anger and resentment.
"Yes, I dared!" he muttered with triumphant malice. "And I dared do more than that! You lay unconscious in my arms,—you beautiful, bewitching Thelma, and I kissed you—ay! fifty times! You can never undo those kisses! You can never forget that my lips, as well as your husband's, have rested on yours—I have had that much joy that shall never be taken away from me! And if I choose, even now,"—and he gripped her more closely—"yes, even now I will kiss you, in spite of you!—who is to prevent me? I will force you to love me, Thelma—"
"Yes, I dared!" he muttered with a triumphant malice. "And I dared to do even more than that! You lay unconscious in my arms—you beautiful, enchanting Thelma, and I kissed you—yes! fifty times! You can never erase those kisses! You can never forget that my lips, just like your husband's, have touched yours—I have experienced that much joy that can never be taken away from me! And if I decide, even now,"—and he held her tighter—"yes, even now I will kiss you, whether you like it or not!—who can stop me? I will make you love me, Thelma—"
Driven to bay, she struck him with all her force in the face, across the eyes.
Driven to a corner, she hit him with all her strength in the face, right across the eyes.
"Traitor!—liar!—coward!" she gasped breathlessly. "Let me go!"
"Traitor!—liar!—coward!" she gasped, breathless. "Let me go!"
Smarting with the pain of the blow, he unconsciously loosened his grasp—she rushed to the "Venus" panel, and to his utter discomfiture and amazement he saw it open and close behind her. She disappeared suddenly and noiselessly as if by magic. With a fierce exclamation, he threw his whole weight against that secret sliding door—it resisted all his efforts. He searched for the spring by which it must have opened,—the whole panel was perfectly smooth and apparently solid, and the painted "Venus" reclining on her dolphin's back seemed as though she smiled mockingly at his rage and disappointment.
Smarting from the pain of the blow, he instinctively loosened his grip—she dashed to the “Venus” panel, and to his shock and disbelief, he saw it open and close behind her. She vanished suddenly and silently as if by magic. With a furious shout, he slammed his weight against the secret sliding door—it wouldn't budge. He looked for the mechanism that must have opened it—the entire panel was completely smooth and looked solid, and the painted “Venus” lounging on her dolphin seemed to smile mockingly at his anger and frustration.
While he was examining it, he heard the sudden, sharp, and continuous ringing of an electric bell somewhere in the house, and with a guilty flush on his face he sprang to the drawing-room door and unlocked it. He was just in time, for scarcely had he turned the key, when Morris made his appearance. That venerable servitor looked round the room in evident surprise.
While he was looking at it, he suddenly heard the sharp and continuous ringing of an electric bell somewhere in the house, and with a guilty flush on his face, he jumped to the drawing-room door and unlocked it. He was just in time, for as soon as he turned the key, Morris appeared. That elderly servant looked around the room in obvious surprise.
"Did her ladyship ring?" he inquired, his eyes roving everywhere in search of his mistress. Sir Francis collected his wits, and forced himself to seem composed.
"Did her ladyship ring?" he asked, his eyes darting around looking for his mistress. Sir Francis gathered his thoughts and made himself appear calm.
"No," he said coolly. "I rang." He adopted this falsehood as a means of exit. "Call a hansom, will you?"
"No," he said calmly. "I called." He used this lie as a way to get out. "Can you call a cab for me?"
And he sauntered easily into the hall, and got on his hat and great-coat. Morris was rather bewildered,—but, obedient to the command, blew the summoning cab-whistle, which was promptly answered. Sir Francis tossed him half a crown, and entered the vehicle, which clattered away with him in the direction of Cromwell Road. Stopping at a particular house in a side street leading from thence, he bade the cabman wait,—and, ascending the steps, busied himself for some moments in scribbling something rapidly in pencil on a leaf of his note-book by the light of the hanging-lamp in the doorway. He then gave a loud knock, and inquired of the servant who answered it—
And he strolled casually into the hall and put on his hat and coat. Morris was a bit confused, but, following orders, blew the cab whistle, which was quickly answered. Sir Francis tossed him a couple of coins and got into the cab, which clattered off toward Cromwell Road. After stopping at a specific house on a side street, he told the driver to wait and went up the steps, spending a few moments quickly writing something in pencil on a page of his notebook by the light of the lamp at the door. He then knocked loudly and asked the servant who answered—
"Is Mr. Snawley-Grubbs in?"
"Is Mr. Snawley-Grubbs here?"
"Yes, sir,"—the reply came rather hesitatingly—"but he's having a party to-night."
"Yes, sir," the response came a bit uncertainly, "but he's having a party tonight."
And, in fact, the scraping of violins and the shuffle of dancing feet were distinctly audible overhead.
And, in fact, the sound of violins playing and the shuffle of dancing feet were clearly audible above.
"Oh, well, just mention my name—Sir Francis Lennox. Say I will not detain him more than five minutes."
"Oh, just mention my name—Sir Francis Lennox. Tell him I won't keep him for more than five minutes."
He entered, and was ushered into a small ante-room while the maid went to deliver her message. He caught sight of his own reflection in a round mirror over the mantel-piece, and his face darkened as he saw a dull red ridge across his forehead—the mark of Thelma's well-directed blow,—the sign-manual of her scorn. A few minutes passed, and then there came in to him a large man in an expensive dress-suit,—a man with a puffy, red, Silenus-like countenance—no other than Mr. Snawley-Grubbs, who hailed him with effusive cordiality.
He walked in and was taken to a small waiting room while the maid went to deliver her message. He noticed his reflection in a round mirror above the mantel, and his expression darkened when he saw a dull red line across his forehead—the result of Thelma's well-aimed blow—the mark of her contempt. A few minutes later, a large man in an expensive suit came in—a man with a puffy, red face, resembling Silenus—none other than Mr. Snawley-Grubbs, who greeted him with excessive friendliness.
"My dear, Sir Francis!" he said in a rich, thick, uncomfortable voice. "This is an unexpected pleasure! Won't you come upstairs? My girls are having a little informal dance—just among themselves and their own young friends—quite simple,—in fact an unpretentious little affair!" And he rubbed his fat hands, on which twinkled two or three large diamond rings. "But we shall be charmed if you will join us!"
"My dear, Sir Francis!" he said in a deep, heavy, awkward voice. "This is such a pleasant surprise! Would you like to come upstairs? My daughters are having a little casual dance—just with their friends—nothing fancy, really—a simple gathering!" And he rubbed his chubby hands, on which sparkled two or three big diamond rings. "But we would be thrilled if you joined us!"
"Thanks, not this evening," returned Sir Francis. "It's rather too late. I should not have intruded upon you at this hour—but I thought you might possibly like this paragraph for the Snake."
"Thanks, not tonight," replied Sir Francis. "It's a bit too late. I shouldn’t have come by at this hour—but I thought you might want this paragraph for the Snake."
And he held out with a careless air the paper on which he had scribbled but a few minutes previously. Mr. Snawley-Grubbs smiled,—and fixed a pair of elegant gold-rimmed eye-glasses on his inflamed crimson nose.
And he casually held out the paper he had scrawled on just a few minutes earlier. Mr. Snawley-Grubbs smiled and put on a pair of stylish gold-rimmed glasses over his irritated red nose.
"I must tell you, though," he observed, before reading, "that it is too late for this week, at any rate. We've gone to press already."
"I have to tell you, though," he said before reading, "that it's too late for this week, anyway. We've already gone to press."
"Never mind!" returned Sir Francis indifferently. "Next week will do as well."
"Never mind!" Sir Francis replied casually. "Next week works just fine."
And he furtively watched Mr. Snawley-Grubbs while he perused the pencilled scrawl. That gentleman, however, as Editor and Proprietor of the Snake—a new, but highly successful weekly "society" journal, was far too dignified and self-important to allow his countenance to betray his feelings. He merely remarked, as he folded up the little slip very carefully.
And he secretly watched Mr. Snawley-Grubbs as he read the pencil scrawl. That man, however, as the Editor and Owner of the Snake—a new but very successful weekly "society" magazine—was way too dignified and full of himself to let his face show any emotions. He simply commented as he folded the small piece of paper very carefully.
"Very smart! very smart, indeed! Authentic, of course?"
"Very clever! Very clever, indeed! Genuine, of course?"
Sir Francis drew himself up haughtily. "You doubt my word?"
Sir Francis straightened up arrogantly. "You don't believe me?"
"Oh dear, no!" declared Mr. Snawley-Grubbs hastily, venturing to lay a soothing hand on Sir Francis's shoulder. "Your position, and all that sort of thing—Naturally you must be able to secure correct information. You can't help it! I assure you the Snake is infinitely obliged to you for a great many well-written and socially exciting paragraphs. Only, you see, I myself should never have thought that so extreme a follower of the exploded old doctrine of noblesse oblige, as Sir Philip Bruce-Errington, would have started on such a new line of action at all. But, of course, we are all mortal!" And he shook his round thick head with leering sagacity. "Well!" he continued after a pause. "This shall go in without fail next week, I promise you."
"Oh no, not at all!" Mr. Snawley-Grubbs quickly insisted, daring to place a calming hand on Sir Francis's shoulder. "Given your position and all that—You absolutely must be able to get accurate information. It's unavoidable! I promise you the Snake is extremely grateful for many well-crafted and socially engaging articles. However, I personally wouldn't have expected someone as dedicated to the outdated idea of noblesse oblige as Sir Philip Bruce-Errington to take such a different approach. But, of course, we're all human!" He shook his round, thick head knowingly. "Well!" he said after a moment. "I’ll make sure this goes in without fail next week, I promise you."
"You can send me a hundred copies of the issue," said Sir Francis, taking up his hat to go. "I suppose you're not afraid of an action for libel?"
"You can send me a hundred copies of the issue," said Sir Francis, picking up his hat to leave. "I assume you're not worried about a libel lawsuit?"
Mr. Snawley-Grubbs laughed—nay, he roared,—the idea seemed so exquisitely suited to his sense of humor.
Mr. Snawley-Grubbs laughed—no, he roared—the idea seemed so perfectly suited to his sense of humor.
"Afraid? My dear fellow, there's nothing I should like better! It would establish the Snake, and make my fortune! I would even go to prison with pleasure. Prison, for a first-class misdemeanant, as I should most probably be termed, is perfectly endurable." He laughed again, and escorted Sir Francis to the street-door, where he shook hands heartily. "You are sure you won't come upstairs and join us? No? Ah, I see you have a cab waiting. Good-night, good-night!"
"Afraid? My friend, there’s nothing I would love more! It would establish the Snake and make me rich! I’d even happily go to jail. Jail, for someone like me, who would probably be labeled a first-class misdemeanant, is totally bearable." He laughed again and walked Sir Francis to the door, where he shook hands warmly. "Are you sure you won’t come up and join us? No? Ah, I see you have a cab waiting. Good night, good night!"
And the Snawley-Grubbs door being closed upon him, Sir Francis re-entered his cab, and was driven straight to his bachelor lodgings in Piccadilly. He was in a better humor with himself now,—though he was still angrily conscious of a smart throbbing across the eyes, where Thelma's ringed hand had struck him. He found a brief note from Lady Winsleigh awaiting him. It ran as follows:—
And with the Snawley-Grubbs door shut behind him, Sir Francis got back into his cab and headed straight to his bachelor apartment in Piccadilly. He felt a bit better about himself now—though he was still irritated and aware of a sharp throbbing across his eyes, where Thelma's ringed hand had hit him. He discovered a short note from Lady Winsleigh waiting for him. It read as follows:—
"You're playing a losing game this time,—she will believe nothing without proofs—and even then it will be difficult. You had better drop the pursuit, I fancy. For once a woman's reputation will escape you!"
"You're playing a losing game this time—she won't believe anything without proof—and even then it will be tough. It’s probably best to give up the chase. For once, a woman's reputation will elude you!"
He smiled bitterly as he read these last words.
He smiled sadly as he read these last words.
"Not while a society paper exists!" he said to himself. "As long as there are editors willing to accept the word of a responsible man of position, for any report, the chastest Diana that ever lived shall not escape calumny! She wants proofs, does she? She shall have them—by Jove! she shall!"
"Not while there's a gossip column!" he thought to himself. "As long as there are editors ready to take the word of a respectable person seriously for any report, the most pure Diana that ever lived won't be safe from slander! She wants proof, does she? She'll get it—by God! she will!"
And instead of going to bed, he went off to a bijou villa in St. John's Wood,—an elegantly appointed little place, which he rented and maintained,—and where the popular personage known as Violet Vere, basked in the very lap of luxury.
And instead of going to bed, he headed to a chic villa in St. John's Wood—a stylish little place that he rented and kept up—and where the well-known figure Violet Vere enjoyed a life of luxury.
Meanwhile, Thelma paced up and down her own boudoir, into which she had escaped through the sliding panel which had baffled her admirer. Her whole frame trembled as she thought of the indignity to which she had been subjected during her brief unconsciousness,—her face burned with bitter shame,—she felt as if she were somehow poisonously infected by those hateful kisses of Lennox,—all her womanly and wifely instincts were outraged. Her first impulse was to tell her husband everything the instant he returned. It was she who had rung the bell which had startled Sir Francis, and she was surprised that her summons was not answered. She rang again, and Britta appeared.
Meanwhile, Thelma paced back and forth in her bedroom, where she had escaped through the sliding panel that had perplexed her admirer. Her whole body shook as she thought about the humiliation she had faced during her brief unconsciousness — her face burned with deep shame — she felt as if she were somehow tainted by those disgusting kisses from Lennox — all her feminine and wifely instincts were violated. Her first urge was to tell her husband everything the moment he came back. It was she who had rung the bell that had startled Sir Francis, and she was surprised that no one had come to answer her call. She rang again, and Britta appeared.
"I wanted Morris," said Thelma quickly.
"I wanted Morris," Thelma said quickly.
"He thought it was the drawing-room bell," responded Britta meekly, for her "Fröken" looked very angry. "I saw him in the hall just now, letting out Sir Francis Lennox."
"He thought it was the drawing-room bell," Britta replied softly, since her "Fröken" looked really angry. "I just saw him in the hall, letting out Sir Francis Lennox."
"Has he gone?" demanded Thelma eagerly.
"Has he left?" asked Thelma eagerly.
Britta's wonder increased. "Yes, Fröken!"
Britta's amazement grew. "Yes, Miss!"
Thelma caught her arm. "Tell Morris never, never to let him inside the house again—never!" and her blue eyes flashed wrathfully. "He is a wicked man, Britta! You do not know how wicked he is!"
Thelma grabbed her arm. "Tell Morris to never, ever let him inside the house again—never!" Her blue eyes sparkled with anger. "He's a bad man, Britta! You have no idea how bad he really is!"
"Oh yes, I do!" and Britta regarded her mistress very steadfastly. "I know quite well! But, then, I must not speak! If I dared, I could tell you some strange things, dear Fröken—but you will not hear me. You know you do not wish me to talk about your grand new friends, Fröken, but—" she paused timidly.
"Oh yes, I do!" Britta looked at her mistress with a steady gaze. "I know exactly! But I shouldn’t say anything! If I felt brave enough, I could share some odd things, dear Miss—but you wouldn’t want to hear me. You know you don’t want me to talk about your fancy new friends, Miss, but—" she hesitated, her voice soft.
"Oh, Britta, dear!" said Thelma affectionately taking her hand. "You know they are not so much my friends as the friends of Sir Philip,—and for this reason I must never listen to anything against them. Do you not see? Of course their ways seem strange to us—but, then, life in London is so different to life in Norway,—and we cannot all at once understand—" she broke off, sighing a little. Then she resumed—"Now you will give Morris my message, Britta—and then come to me in my bedroom—I am tired, and Philip said I was not to wait up for him."
"Oh, Britta, dear!" Thelma said warmly, holding her hand. "You know they’re not really my friends, but Sir Philip’s friends, so I can’t listen to anything negative about them. Don’t you see? Their ways might seem odd to us, but life in London is so different from life in Norway, and we can’t expect to understand everything right away—" she paused, letting out a small sigh. Then she continued, "Now, you’ll pass my message to Morris, Britta, and then come to my bedroom—I’m tired, and Philip told me not to wait up for him."
Britta departed, and Thelma went rather slowly up-stairs. It was now nearly midnight, and she felt languid and weary. Her reflections began to take a new turn. Suppose she told her husband all that had occurred, he would most certainly go to Sir Francis and punish him in some way—there might then be a quarrel in which Philip might suffer—and all sorts of evil consequences would perhaps result from her want of reticence. If, on the other hand, she said nothing, and simply refused to receive Lennox, would not her husband think such conduct on her part strange? She puzzled over these questions till her head ached—and finally resolved to keep her own counsel for the present,—after what had happened. Sir Francis would most probably not intrude himself again into her presence. "I will ask Mrs. Lorimer what is best to do," she thought. "She is old and wise, and she will know."
Britta left, and Thelma made her way upstairs slowly. It was nearly midnight, and she felt exhausted and drained. Her thoughts began to shift. If she told her husband everything that happened, he would definitely go to Sir Francis and confront him, which could lead to a fight where Philip might get hurt, and all kinds of negative outcomes could stem from her lack of discretion. On the other hand, if she said nothing and just refused to see Lennox, wouldn’t her husband think that was weird? She wrestled with these questions until her head throbbed—and finally decided to keep her thoughts to herself for now, considering what had just happened. Sir Francis likely wouldn’t try to see her again. “I’ll ask Mrs. Lorimer what I should do,” she thought. “She’s experienced and wise, and she’ll have some good advice.”
That night, as she laid her head on her pillow, and Britta threw the warm eidredon over her, she shivered a little and asked—
That night, as she rested her head on her pillow, and Britta tossed the warm comforter over her, she shivered a little and asked—
"Is it not very cold, Britta?"
"Isn't it super cold, Britta?"
"Very!" responded her little maid. "And it is beginning to snow."
"Definitely!" replied her little maid. "And it’s starting to snow."
Thelma looked wistful. "It is all snow and darkness now at the Altenfjord," she said.
Thelma looked nostalgic. "It's all snow and darkness now at the Altenfjord," she said.
Britta smiled. "Yes, indeed, Fröken! We are better off here than there."
Britta smiled. "Yes, definitely, Miss! We're better off here than over there."
"Perhaps!" replied Thelma a little musingly, and then she settled herself as though to sleep.
"Maybe!" Thelma replied thoughtfully, then she made herself comfortable as if she was about to sleep.
Britta kissed her hand, and retired noiselessly. When she had gone, Thelma opened her eyes and lay broad awake looking at the flicker of rosy light flung on the ceiling from the little suspended lamp in her oratory. All snow and darkness at the Altenfjord! How strange the picture seemed! She thought of her mother's sepulchre,—how cold and dreary it must be,—she could see in fancy the long pendent icicles fringing the entrance to the sea-king's tomb,—the spot where she and Philip had first met,—she could almost hear the slow, sullen plash of the black Fjord against the shore. Her maiden life in Norway—her school days at Arles,—these were now like dreams,—dreams that had passed away long, long ago. The whole tenor of her existence had changed,—she was a wife,—she was soon to be a mother,—and with this near future of new and sacred joy before her, why did she to-night so persistently look backward to the past?
Britta kissed her hand and left quietly. Once she was gone, Thelma opened her eyes and lay wide awake, watching the flicker of rosy light cast on the ceiling by the little lamp hanging in her room. Everything was covered in snow and darkness at Altenfjord! How strange the scene felt! She thought about her mother's grave—how cold and gloomy it must be—she could almost picture the long icicles hanging at the entrance to the sea-king's tomb, the place where she and Philip had first met. She could almost hear the slow, heavy lapping of the black Fjord against the shore. Her young life in Norway—her school days at Arles—felt like distant dreams that had faded away long ago. The entire course of her life had shifted—she was a wife—soon to be a mother—and with this upcoming time of new and sacred joy ahead of her, why was she so focused on the past tonight?
As she lay quiet, watching the glimmering light upon the wall, it seemed as though her room were suddenly filled with shadowy forms,—she saw her mother's sweet, sad, suffering face,—then her father's sturdy figure and fine, frank features,—then came the flitting shape of the hapless Sigurd, whose plaintive voice she almost imagined she could hear,—and feeling that she was growing foolishly nervous, she closed her eyes, and tried to sleep. In vain,—her mind began to work on a far more unpleasing train of thought. Why did not Philip return? Where was he? As though some mocking devil had answered her, the words, "In the arms of Violet Vere!" as uttered by Sir Francis Lennox, recurred to her. Overcome by her restlessness, she started up,—she determined to get out of bed, and put on her dressing-gown and read,—when her quick ears caught the sound of steps coming up the stair-case. She recognized her husband's firm tread, and understood that he was followed by Neville, whose sleeping-apartment was on the floor above. She listened attentively—they were talking together in low tones on the landing outside her door.
As she lay quietly, watching the shimmering light on the wall, it felt like her room was suddenly filled with shadowy figures—she saw her mother's sweet, sad, suffering face—then her father's solid frame and honest features—then came the fleeting shape of the unfortunate Sigurd, whose sad voice she almost thought she could hear—and realizing she was getting foolishly anxious, she closed her eyes and tried to sleep. But it was useless—her mind started to wander to far more unpleasant thoughts. Why hadn’t Philip come back? Where was he? It was as if some mocking devil had answered her; the words, "In the arms of Violet Vere!" as said by Sir Francis Lennox, echoed in her mind. Overcome by her restlessness, she sat up—she decided to get out of bed, put on her dressing gown, and read—when her sharp ears picked up the sound of footsteps coming up the stairs. She recognized her husband’s steady steps, and realized he was being followed by Neville, whose bedroom was on the floor above. She listened closely—they were talking softly on the landing outside her door.
"I think it would be much better to make a clean breast of it," said Sir Philip. "She will have to know some day."
"I think it would be way better to come clean about it," said Sir Philip. "She’s going to find out eventually."
"Your wife? For God's sake, don't tell her!" Neville's voice replied. "Such a disgraceful—" Here his words sank to a whisper, and Thelma could not distinguish them. Another minute, and her husband entered with soft precaution, fearing to awake her—she stretched out her arms to welcome him, and he hastened to her with an exclamation of tenderness and pleasure.
"Your wife? For heaven's sake, don't tell her!" Neville's voice responded. "Such a disgraceful—" At this, his words dropped to a whisper, and Thelma couldn't make them out. A moment later, her husband came in quietly, trying not to wake her—she reached out her arms to greet him, and he hurried over with a shout of affection and joy.
"My darling! Not asleep yet?"
"Hey love! Still awake?"
She smiled,—but there was something very piteous in her smile, had the dim light enabled him to perceive it.
She smiled, but there was something really sad about her smile, if the dim light had allowed him to see it.
"No, not yet, Philip! And yet I think I have been dreaming of—the Altenfjord."
"No, not yet, Philip! But I think I've been dreaming of—the Altenfjord."
"Ah! it must be cold there now," he answered lightly. "It's cold enough here, in all conscience. To-night there is a bitter east wind, and snow is falling."
"Ah! it must be cold there now," he said casually. "It's cold enough here, honestly. Tonight there's a harsh east wind, and it's snowing."
She heard this account of the weather with almost morbid interest. Her thoughts instantly betook themselves again to Norway, and dwelt there. To the last,—before her aching eyes closed in the slumber she so sorely needed,—she seemed to be carried away in fancy to a weird stretch of gloom-enveloped landscape where she stood entirely alone, vaguely wondering at the dreary scene. "How strange it seems!" she murmured almost aloud. "All snow and darkness at the Altenfjord!"
She listened to the weather report with a strangely intense curiosity. Her thoughts quickly drifted back to Norway and lingered there. Until the moment her tired eyes finally closed in the sleep she desperately needed, she felt as if she was transported in her mind to a strange, dark landscape where she stood completely alone, vaguely contemplating the bleak view. "How strange it is!" she murmured almost out loud. "All snow and darkness at the Altenfjord!"
CHAPTER XXV.
"Le temps où nous nous sommes aimés n'a guère duré, jeune fille; il a passé comme un coup de vent!"
"The time we loved each other hardly lasted, young girl; it went by like a gust of wind!"
Old Breton Ballad.
Old Breton Song.
The next morning dawned, cold and dismal. A dense yellow fog hung over the metropolis like a pall—the street lamps were lighted, but their flare scarcely illumined the thoroughfares, and the chill of the snow-burdened air penetrated into the warmest rooms, and made itself felt even by the side of the brightest fires. Sir Philip woke with an uncomfortable sense of headache and depression, and grumbled,—as surely every Englishman has a right to grumble, at the uncompromising wretchedness of his country's winter climate. His humor was not improved when a telegram arrived before breakfast, summoning him in haste to a dull town in one of the Midland counties, on pressing business connected with his candidature for Parliament.
The next morning arrived, cold and dreary. A thick yellow fog hung over the city like a shroud—the street lamps were on, but their light barely brightened the streets, and the chill of the snow-laden air seeped into even the warmest rooms, making its presence known right next to the brightest fires. Sir Philip woke up with an uncomfortable headache and a sense of gloom, and complained—just like any Englishman has a right to complain about the relentless misery of the country's winter weather. His mood didn’t improve when a telegram arrived before breakfast, urgently calling him to a dull town in one of the Midland counties for important business related to his candidacy for Parliament.
"What a bore!" he exclaimed, showing the missive to his wife. "I must go,—and I shan't be able to get back tonight. You'll be all alone, Thelma. I wish you'd go to the Winsleighs!"
"What a drag!" he exclaimed, showing the letter to his wife. "I have to go,—and I won't be able to come back tonight. You'll be all by yourself, Thelma. I wish you'd go to the Winsleighs!"
"Why?" said Thelma quietly. "I shall much prefer to be here. I do not mind, Philip. I am accustomed to be alone."
"Why?" Thelma said softly. "I’d much rather stay here. I don’t mind, Philip. I’m used to being alone."
Something in her tone struck him as particularly sad, and he looked at her intently.
Something in her tone seemed especially sad to him, and he gazed at her closely.
"Now, my darling," he said suddenly, "if this Parliamentary bother is making you feel worried or vexed in any way, I'll throw it all up—by Jove, I will!" And he drew her into his warm embrace. "After all" he added, with a laugh, "what does it matter! The country can get on without me!"
"Now, my love," he said suddenly, "if this parliamentary hassle is making you feel worried or annoyed in any way, I'll just quit it all—really, I will!" And he pulled her into his warm embrace. "After all," he added with a laugh, "what does it matter? The country can get along without me!"
Thelma smiled a little.
Thelma smiled slightly.
"You must not talk so foolishly, Philip," she said tenderly. "It is wrong to begin a thing of importance, and not go through with it. And I am not worried or vexed at all. What would people say of me if I, your wife, were, for my own selfish comfort and pleasure of having you always with me, to prevent you from taking a good place among the men of your nation? Indeed, I should deserve much blame! And so, though it is a gloomy day for you, poor boy,—you must go to this place where you are wanted, and I shall think of you all the time you are gone, and shall be so happy to welcome you home to-morrow!"
"You shouldn't talk like that, Philip," she said gently. "It's not right to start something important and then not follow through. I'm not worried or upset at all. What would people think of me if I, your wife, held you back from achieving a good position among your peers just for my own selfish comfort and the pleasure of having you always with me? I would deserve a lot of criticism! So, even though today is tough for you, poor boy—you need to go to this place where you're needed. I'll be thinking about you the whole time you’re away, and I’ll be so happy to welcome you home tomorrow!"
And she kissed and clung to him for a moment in silence. All that day Philip was haunted by the remembrance of the lingering tenderness of her farewell embrace. By ten o'clock he was gone, taking Neville with him; and after her household duties were over, Thelma prepared herself to go and lunch with old Mrs. Lorimer, and see what she would advise concerning the affair of Sir Francis Lennox. But, at the same time, she resolved that nothing should make her speak of the reports that were afloat about her husband and Violet Vere.
And she kissed him and held on for a moment in silence. All day, Philip couldn't shake the memory of the lingering tenderness of her goodbye hug. By ten o'clock, he had left, taking Neville with him; and after finishing her household chores, Thelma got ready to have lunch with old Mrs. Lorimer to see what advice she could offer about the situation with Sir Francis Lennox. However, she also decided that she wouldn't let anything push her into discussing the rumors swirling about her husband and Violet Vere.
"I know it is all false," she said to herself over and over again. "And the people here are as silly as the peasants in Bosekop, ready to believe any untruth so long as it gives them something to talk about. But they may chatter as they please—I shall not say one word, not even to Philip—for it would seem as if I mistrusted him."
"I know it's all lies," she repeated to herself again and again. "And the people here are as foolish as the peasants in Bosekop, willing to believe any falsehood as long as it gives them something to gossip about. But they can talk all they want—I won’t say a word, not even to Philip—because it would make it seem like I don’t trust him."
Thus she put away all the morbid fancies that threatened to oppress her, and became almost cheerful.
Thus she set aside all the dark thoughts that threatened to weigh her down, and became almost cheerful.
And while she made her simple plans for pleasantly passing the long, dull day of her husband's enforced absence, her friend, Lady Winsleigh, was making arrangements of a very different nature. Her ladyship had received a telegram from Sir Francis Lennox that morning. The pink missive had apparently put her in an excellent humor, though, after reading it, she crumpled it up and threw it in the waste-paper basket, from which receptacle, Louise Rénaud, her astute attendant, half an hour later extracted it, secreting it in her own pocket for private perusal at leisure. She ordered her brougham, saying she was going out on business,—and before departing, she took from her dressing-case certain bank-notes and crammed them hastily into her purse—a purse which, in all good faith, she handed to her maid to put in her sealskin muff-bag. Of course, Louise managed to make herself aware of its contents,—but when her ladyship at last entered her carriage her unexpected order, "To the Brilliant Theatre, Strand," was sufficient to startle Briggs, and cause him to exchange surprise signals with "Mamzelle," who merely smiled a prim, incomprehensible smile.
And while she made her simple plans for getting through the long, boring day of her husband's enforced absence, her friend, Lady Winsleigh, was planning something quite different. That morning, she had received a telegram from Sir Francis Lennox. The pink message seemed to put her in a great mood, but after reading it, she crumpled it up and tossed it in the trash, from which her clever attendant, Louise Rénaud, later retrieved it, secretly stashing it in her pocket for later reading. She called for her brougham, claiming she was going out on business—and before leaving, she took some banknotes from her dressing table and quickly stuffed them into her purse—a purse which she genuinely handed to her maid to place in her sealskin muff-bag. Naturally, Louise made sure to note its contents—but when her ladyship finally got into the carriage, her unexpected command, "To the Brilliant Theatre, Strand," was enough to surprise Briggs and make him exchange looks of astonishment with "Mamzelle," who just smiled a prim, mysterious smile.
"Where did your la'ship say?" asked Briggs dubiously.
"Where did you say, ma'am?" asked Briggs doubtfully.
"Are you getting deaf, Briggs?" responded his mistress pleasantly. "To the Brilliant Theatre!" She raised her voice, and spoke with distinct emphasis. There was no mistaking her. Briggs touched his hat,—in the same instant he winked at Louise, and then the carriage rolled away.
"Are you getting hard of hearing, Briggs?" replied his mistress cheerfully. "To the Brilliant Theatre!" She raised her voice and spoke clearly. There was no misunderstanding her. Briggs touched his hat—at the same moment, he winked at Louise, and then the carriage drove off.
At night, the Brilliant Theatre is a pretty little place,—comfortable, cosy, bright, and deserving of its name;—in broad day, it is none of these things. A squalid dreariness seems to have settled upon it—it has a peculiar atmosphere of its own—an atmosphere dark, heavy, and strangely flavored with odors of escaping gas and crushed orange-peel. Behind the scenes, these odors mingle with a chronic, all-pervading smell of beer—beer, which the stranger's sensitive nose detects directly, in spite of the choking clouds of dust which arise from the boards at the smallest movement of any part of the painted scenery. The Brilliant had gone through much ill-fortune—its proprietors never realized any financial profit till they secured Violet Vere. With her came prosperity. Her utter absence of all reserve—the frankness with which she threw modesty to the winds,—the vigor with which she danced a regular "break-down,"—roaring a comic song of the lowest type, by way of accompaniment,—the energetic manner in which, metaphorically speaking, she kicked at the public with her shapely legs,—all this overflow of genius on her part drew crowds to the Brilliant nightly, and the grateful and happy managers paid her a handsome salary, humored all her caprices, and stinted and snubbed for her sake, all the rest of the company. She was immensely popular—the "golden youth" of London raved about her dyed hair, painted eyes, and carmined lips—even her voice, as coarse as that of a dustman, was applauded to the echo, and her dancing excited the wildest enthusiasm. Dukes sent her presents of diamond ornaments—gifts of value which they would have possibly refused to their own wives and daughters,—Royal Highnesses thought it no shame to be seen lounging near her stage dressing-room door,—in short, she was in the zenith of her career, and, being thoroughly unprincipled, audaciously insolent, and wholly without a conscience,—she enjoyed herself immensely.
At night, the Brilliant Theatre is a charming little spot—comfortable, cozy, bright, and truly living up to its name; during the day, it’s none of those things. A grim dreariness seems to have taken hold—it has a unique atmosphere all its own—dark, heavy, and oddly mixed with the smells of escaping gas and crushed orange peels. Behind the scenes, these smells blend with a constant, lingering scent of beer—beer that a sensitive nose can detect even with the thick clouds of dust that rise from the floorboards with the slightest movement of the painted set. The Brilliant has faced a lot of misfortune—its owners didn’t see any financial gain until they brought in Violet Vere. With her came success. Her complete lack of reserve—the way she tossed modesty aside, the energy she put into her lively dance routines, singing a lowbrow comic song to go along with it, the enthusiastic way she figuratively kicked at the audience with her shapely legs—this outpouring of talent drew crowds to the Brilliant every night, and the grateful and happy managers gave her a generous salary, indulged her every whim, while overlooking the rest of the performers. She was incredibly popular—the “golden youth” of London went wild over her dyed hair, painted eyes, and bright red lips—even her voice, as rough as a garbage collector's, was met with thunderous applause, and her dancing inspired the wildest excitement. Dukes sent her diamond jewelry—gifts they might have refused their own wives and daughters—Royal Highnesses didn’t mind being seen hanging out near her dressing room—basically, she was at the peak of her career, and being completely unprincipled, boldly arrogant, and entirely without a conscience, she had the time of her life.
At the very time when Lady Winsleigh's carriage was nearing the Strand, the grand morning rehearsal of a new burlesque was "on" at the Brilliant—and Violet's harsh tones, raised to a sort of rough masculine roar, were heard all over the theatre, as she issued commands or made complaints according to her changeful humors. She sat in an elevated position above the stage on a jutting beam of wood painted to resemble the gnarled branch of a tree,—swinging her legs to and fro and clinking the heels of her shoes together in time to the mild scraping of a violin, the player whereof was "trying over" the first few bars of the new "jig" in which she was ere long to distinguish herself. She was a handsome woman, with a fine, fair skin, and large, full, dark eyes—she had a wide mouth, which, nearly always on the grin, displayed to the full her strong white teeth,—her figure was inclined to excessive embonpoint, but this rather endeared her to her admirers than otherwise,—many of these gentlemen being prone to describe her fleshly charms by the epithet "Prime!" as though she were a fatting pig or other animal getting ready for killing.
At the moment Lady Winsleigh's carriage was approaching the Strand, the big morning rehearsal of a new burlesque was happening at the Brilliant—and Violet's harsh voice, raised to a rough masculine roar, echoed throughout the theater as she barked orders or expressed complaints based on her shifting moods. She sat perched above the stage on a wooden beam painted to look like a twisted tree branch—swinging her legs back and forth and clicking the heels of her shoes together to the gentle scraping of a violin, the player of which was practicing the opening bars of the new "jig" in which she was soon to shine. She was an attractive woman, with a smooth, fair complexion and large, expressive dark eyes—she had a wide mouth, which, almost always grinning, showcased her strong white teeth. Her figure leaned toward being quite full-figured, but this only made her more endearing to her admirers—many of whom described her physical assets with the term "Prime!" as if she were a plump pig or another animal being fattened up for slaughter.
"Tommy! Tommy!" she screeched presently. "Are you going to sleep? Do you expect me to dance to a dirge, you lazy devil!"
"Tommy! Tommy!" she yelled loudly. "Are you going to sleep? Do you think I’m going to dance to a sad song, you lazy person!"
Tommy, the player of the violin, paused in his efforts, and looked up drearily. He was an old man, with a lean, long body and pinched features—his lips had a curious way, too, of trembling when he spoke, as if he were ready to cry.
Tommy, the violinist, stopped playing and looked up wearily. He was an old man, with a thin, tall body and sharp features—his lips also had a strange tendency to tremble when he spoke, as if he was about to cry.
"I can't help it," he said slowly. "I don't know it yet. I must practice it a bit at home. My sight's not so good as it used to be—"
"I can't help it," he said slowly. "I don't know it yet. I need to practice it a bit at home. My eyesight isn't as good as it used to be—"
"Such a pair of optics, love, you've never, never seen—
One my mother blacked last night, the other it is green!"
"Such a pair of glasses, love, you've never seen—
One my mom darkened last night, the other is green!"
sang Violet, to the infinite delight of all the unwashed-looking supernumeraries and ballet-girls, who were scattered about the stage, talking and laughing.
sang Violet, to the endless joy of all the unwashed-looking extras and ballet dancers, who were spread out across the stage, chatting and laughing.
"Shut up, Tommy!" she continued. "You're always talking about your eyesight. I warn you, if you say too much about it you'll lose your place. We don't want blind fiddlers in the Brilliant. Put down you catgut screamer, and fetch me a pint. Ask for the Vere's own tipple—they'll twig!"
"Shut up, Tommy!" she went on. "You’re always going on about your eyesight. I’m telling you, if you keep bringing it up, you’ll be out of here. We don’t want blind fiddlers at the Brilliant. Put down your violin and get me a pint. Ask for the Vere's special drink—they’ll get it!"
Tommy obeyed, and shuffled off on his errand. As he departed,—a little man with a very red face, wearing a stove-pipe hat very much on one side, bounced on the stage as if some one had thrown him there like a ball.
Tommy complied and shuffled off on his task. As he left, a short man with a bright red face, wearing a tall hat crookedly, bounced onto the stage as if someone had thrown him there like a ball.
"Now, ladies, ladies!" he shouted warningly. "Attention! Once again, please! The last figure once again!" The straggling groups scrambled hastily into something like order, and the little man continued—"One, two, three! Advance—retreat—left, right! Very well, indeed! Arms up a little more, Miss Jenkins—so! toes well pointed—curtsy—retire! One, two, three! swift slide to the left wing—forward! Round—take hands—all smile, please!" This general smile was apparently not quite satisfactory, for he repeated persuasively—"All smile, please! So! Round again—more quickly—now break the circle in a centre—enter Miss Vere—" he paused, growing still redder in the face, and demanded, "Where is Miss Vere?"
"Now, ladies, ladies!" he shouted in warning. "Listen up! Once again, please! The last figure once more!" The scattered groups hurriedly fell into something resembling order, and the little man continued—"One, two, three! Advance—retreat—left, right! Very good! Arms up a little more, Miss Jenkins—like that! Toes well pointed—curtsy—retreat! One, two, three! Quick slide to the left wing—forward! Round—hold hands—everyone smile, please!" This general smile seemed not quite enough, so he urged, "Everyone smile, please! Great! Round again—faster now—break the circle in the center—bring in Miss Vere—" he paused, his face turning even redder, and asked, "Where is Miss Vere?"
He was standing just beneath the painted bough of the sham tree, and in one second his hat was dexterously kicked off, and two heels met with a click round his neck.
He was standing right under the painted branch of the fake tree, and in an instant, his hat was skillfully kicked off, and two heels connected with a click around his neck.
"Here I am, pickaninny!" retorted Miss Vere holding him fast in this novel embrace, amid the laughter of the supers. "You're getting as blind as Tommy! Steady, steady now, donkey!—steady—woa!" And in a thrice she stood upright, one foot planted firmly on each of his shoulders.
"Here I am, kid!" replied Miss Vere, holding him tightly in this unusual position, surrounded by the laughter of the crew members. "You're becoming as blind as Tommy! Steady now, easy there, donkey!—easy—whoa!" In no time, she stood up straight, one foot firmly planted on each of his shoulders.
"No weight, am I, darling?" she went on jeeringly, and with an inimitably derisive air she put up an eye-glass and surveyed the top of his head. "You want a wig, my dear—you do, indeed! Come with me to-morrow, and I'll buy you one to suit your complexion. Your wife won't know you!"
"No weight, am I, darling?" she continued mockingly, and with a uniquely sarcastic flair, she pulled out an eye-glass and examined the top of his head. "You need a wig, my dear—you really do! Come with me tomorrow, and I'll get you one that matches your complexion. Your wife won't even recognize you!"
And with a vigorous jump she sprang down from her position, managing to give him a smart hit on the nose as she did so—and leaping to the centre of the stage, she posed herself to commence her dance—when Tommy came creeping back in his slow and dismal fashion, bearing something in a pewter pot.
And with an energetic jump, she leaped down from her spot, managing to give him a quick hit on the nose as she did so—and landing in the center of the stage, she got ready to start her dance—when Tommy slowly crept back in his gloomy way, carrying something in a pewter pot.
"That's the ticket!" she cried as she perceived him. "I'm as dry as a whole desert! Give it here!" And she snatched the mug from the feeble hand of her messenger and began drinking eagerly.
"That's it!" she exclaimed as she spotted him. "I'm as parched as a desert! Hand it over!" And she grabbed the mug from the weak hand of her messenger and started drinking eagerly.
The little red-faced man interposed. "Now, Miss Vi," he said, "is that brandy?"
The small, red-faced man interrupted. "Now, Miss Vi," he said, "is that brandy?"
"Rather so!" returned the Vere, with a knowing wink, "and a good many things besides. It's a mixture. The 'Vere's Own!' Ha, ha! Might be the name of a regiment!"
"Absolutely!" replied the Vere, with a knowing wink, "and a lot more things too. It's a blend. The 'Vere's Own!' Ha, ha! That could be the name of a regiment!"
And she buried her mouth and nose again in the tankard.
And she buried her mouth and nose back in the mug again.
"Look here," said the little man again. "Why not wait till after the dance? It's bad for you before."
"Hey," the little man said again. "Why not wait until after the dance? It's not good for you beforehand."
"Oh, is it, indeed!" screamed Violet, raising her face, which became suddenly and violently flushed. "O good Lord! Are you a temperance preacher? Teach your granny! Bad for me? Say another word, and I'll box your ears for you! You braying jackass!—you snivelling idiot! Who makes the Brilliant draw? You or I? Tell me that, you staring old—"
"Oh, really!" shouted Violet, lifting her face, which turned suddenly and intensely red. "Oh my God! Are you a temperance preacher? Teach your grandma! Bad for me? Say another word, and I'll smack you! You loudmouth jerk!—you whiny fool! Who makes the Brilliant draw? You or me? Tell me that, you staring old—"
Here Tommy, who had for some minutes been vainly endeavoring to attract her attention, raised his weak voice to a feeble shout.
Here Tommy, who had been unsuccessfully trying to get her attention for a few minutes, raised his weak voice to a faint shout.
"I say, Miss Vere! I've been trying to tell you, but you won't listen! There's a lady waiting to see you!"
"I’m telling you, Miss Vere! I’ve been trying to get your attention, but you won’t listen! There’s a woman here to see you!"
"A what?" she asked.
"A what?" she asked.
"A lady!" continued Tommy, in loud tones. "A lady of title! Wants to see you in private! Won't detain you long!"
"A lady!" Tommy exclaimed loudly. "A lady with a title! She wants to see you privately! Won't keep you long!"
Violet Vere raised her pewter mug once more, and drained off its contents.
Violet Vere lifted her pewter mug once again and finished off what was inside.
"Lord, ain't I honored!" she said, smacking her lips with a grin. "A lady of title to see me! Let her wait! Now then!" and snapping her fingers, she began her dance, and went through it to the end, with her usual vigor and frankness. When she had finished, she turned to the red-faced man who had watched her evolutions with much delight in spite of the abuse she had heaped upon him, and said with an affected, smirking drawl—
"Wow, I must be important!" she said, smacking her lips with a grin. "A lady of title wants to see me! Let her wait! Alright then!" and snapping her fingers, she started her dance, going all the way through it with her usual energy and openness. When she was done, she turned to the red-faced man who had watched her moves with a lot of enjoyment despite the insults she had thrown at him, and said in a pretend, smirking tone—
"Show the lady of title into my dressing-room! I shall be ready for her in ten minutes. Be sure to mention that I am very shy,—and unaccustomed to company!"
"Please bring the lady of the title into my dressing room! I’ll be ready for her in ten minutes. Make sure to mention that I’m very shy—and not used to being around people!"
And, giggling gently like an awkward school-girl, she held down her head with feigned bashfulness, and stepped mincingly across the stage with such a ludicrous air of prim propriety, that all her associates burst out laughing, and applauded her vociferously. She turned and curtsied to them demurely—then suddenly raising one leg in a horizontal position, she twirled it rapidly in their faces,—then she gave a little shocked cough behind her hand, grinned, and vanished.
And, giggling softly like an awkward schoolgirl, she lowered her head with fake shyness and stepped carefully across the stage with such a ridiculous air of prim propriety that all her friends burst out laughing and cheered her enthusiastically. She turned and curtsied to them modestly—then suddenly lifted one leg horizontally, twirled it quickly in their faces—then she let out a little shocked cough behind her hand, grinned, and disappeared.
When, in the stipulated ten minutes, she was ready to receive her unknown visitor, she was quite transformed. She had arrayed herself in a trailing gown of rich black velvet, fastened at the side with jet clasps—a cluster of natural, innocent, white violets nestled in the fall of Spanish lace at her throat—her face was pale with pearl-powder,—and she had eaten a couple of scented bon-bons to drown the smell of her recent brandy-tipple. She reclined gracefully in an easy chair, pretending to read, and she rose with an admirably acted air of startled surprise, as one of the errand boys belonging to the Brilliant tapped at her door, and in answer to her "Come in!" announced, "Lady Winsleigh!"
When she was ready to greet her unknown visitor after the allotted ten minutes, she looked completely different. She wore a flowing gown of rich black velvet, secured at the side with jet clasps—a cluster of natural, delicate white violets rested elegantly in the Spanish lace at her throat—her face was pale from pearl powder, and she'd eaten a couple of fragrant bon-bons to mask the smell of the brandy she had just indulged in. She lounged gracefully in an easy chair, pretending to read, and stood up with a remarkably feigned look of surprise when one of the delivery boys from the Brilliant tapped at her door. In response to her "Come in!" he announced, "Lady Winsleigh!"
A faint, sweet, questioning smile played on the Vere's wide mouth.
A faint, sweet, curious smile appeared on Vere's wide mouth.
"I am not aware that I have the honor of—" she began, modulating her voice to the requirements of fashionable society, and wondering within herself "what the d——l" this woman in the silk and sable-fur costume wanted.
"I don't know that I have the honor of—" she started, adjusting her voice to fit the expectations of high society, while thinking to herself, "what on earth" this woman in the silk and sable-fur outfit wanted.
Lady Winsleigh in the meantime stared at her with cold, critical eyes.
Lady Winsleigh, in the meantime, stared at her with cold, critical eyes.
"She is positively rather handsome," she thought. "I can quite imagine a certain class of men losing their heads about her." Aloud she said—
"She looks pretty attractive," she thought. "I can totally see some guys going crazy for her." Out loud, she said—
"I must apologize for this intrusion, Miss Vere! I dare say you have never heard my name—I am not fortunate enough to be famous,—as you are." This with a killing satire in her smile. "May I sit down? Thanks! I have called upon you in the hope that you may perhaps be able to give me a little information in a private matter—a matter concerning the happiness of a very dear friend of mine." She paused—Violet Vere sat silent. After a minute or two, her ladyship continued in a somewhat embarrassed manner—
"I’m sorry to interrupt, Miss Vere! I bet you’ve never heard of me—I’m not lucky enough to be famous, like you." She said this with a biting smile. "May I take a seat? Thanks! I reached out to you hoping you might be able to share some information about a personal matter—something that involves the happiness of a very close friend of mine." She paused—Violet Vere remained silent. After a minute or two, her ladyship continued, somewhat awkwardly—
"I believe you know a gentleman with whom I am also acquainted—Sir Philip Bruce-Errington."
"I think you know a guy I'm also familiar with—Sir Philip Bruce-Errington."
Miss Vere raised her eyes with charming languor and a slow smile.
Miss Vere lifted her eyes with an enchanting laziness and a slow smile.
"Oh yes!"
"Definitely!"
"He visits you, doesn't he?"
"He visits you, right?"
"Frequently!"
"Often!"
"I'm afraid you'll think me rude and inquisitive," continued Lady Winsleigh, with a coaxing air, "but—but may I ask—"
"I'm sorry if I come off as rude or nosy," Lady Winsleigh said with a sweet tone, "but—can I ask—"
"Anything in the world," interrupted Violet coolly. "Ask away! But I'm not bound to answer."
"Anything in the world," Violet interrupted calmly. "Go ahead and ask! But I'm not obligated to answer."
Lady Winsleigh reddened with indignation. "What an insulting creature!" she thought. But, after all, she had put herself in her present position, and she could not very well complain if she met with a rebuff. She made another effort.
Lady Winsleigh flushed with anger. "What an insulting person!" she thought. But, really, she had put herself in this situation, and she couldn't complain too much if she faced rejection. She made another attempt.
"Sir Francis Lennox told me—" she began.
"Sir Francis Lennox told me—" she started.
The Vere interrupted her with a cheerful laugh.
The Vere interrupted her with a happy laugh.
"Oh, you come from him, do you? Now, why didn't you tell me that at first? It's all right! You're a great friend of Lennie's, aren't you?"
"Oh, you’re from him, right? Why didn’t you say that earlier? It’s fine! You’re a good friend of Lennie’s, aren’t you?"
Lady Winsleigh sat erect and haughty, a deadly chill of disgust and fear at her heart. This creature called her quondam lover, "Lennie"—even as she herself had done,—and she, the proud, vain woman of society and fashion shuddered at the idea that there should be even this similarity between herself and the "thing" called Violet Vere. She replied stiffly—
Lady Winsleigh sat up straight and proud, feeling a cold wave of disgust and fear in her heart. This being referred to her former lover as "Lennie"—just like she had—and she, the proud, vain woman of high society and fashion, shuddered at the thought of having anything in common with the "thing" called Violet Vere. She responded stiffly—
"I have known him a long time."
"I've known him for a long time."
"He's a nice fellow," went on Miss Vere easily—"a leetle stingy sometimes, but never mind that! You want to know about Sir Philip Errington, and I'll tell you. He's chosen to mix himself up with some affairs of mine—"
"He's a nice guy," Miss Vere continued casually—"a little stingy at times, but that's not important! You want to know about Sir Philip Errington, and I'll fill you in. He's decided to involve himself in some of my business—"
"What affairs?" asked Lady Winsleigh rather eagerly.
"What affairs?" Lady Winsleigh asked, sounding quite eager.
"They don't concern you," returned Miss Vere calmly, "and we needn't talk about them! But they concern Sir Philip,—or he thinks they do, and insists on seeing me about them, and holding long conversations, which bore me excessively!"
"They're not your concern," Miss Vere replied calmly, "and we don't need to discuss them! But they are on Sir Philip's mind—or at least he thinks they are, and insists on meeting with me to talk about them, which really bores me!"
She yawned slightly, smothering her yawn in a dainty lace handkerchief, and then went on—
She yawned a little, covering her mouth with a delicate lace handkerchief, and then continued—
"He's a moral young man, don't you know—and I never could endure moral men! I can't get on with them at all!"
"He's such a principled young man, you know—and I just can't stand principled people! I can't connect with them at all!"
"Then you don't like him?" questioned Lady Winsleigh in rather a disappointed tone.
"Then you don't like him?" Lady Winsleigh asked, sounding a bit disappointed.
"No, I don't!" said the Vere candidly. "He's not my sort. But, Lord bless you! I know how he's getting talked about because he comes here—and serve him right too! He shouldn't meddle with my business." She paused suddenly and drew a letter from her pocket,—laughed and tossed it across the table.
"No, I don't!" the Vere said honestly. "He's not my type. But, for goodness' sake! I know why people are talking about him because he comes here—and he deserves it too! He shouldn't interfere in my affairs." She suddenly paused, took a letter from her pocket, laughed, and tossed it across the table.
"You can read that, if you like," she said indifferently. "He wrote it, and sent it round to me last night."
"You can read that if you want," she said casually. "He wrote it and sent it to me last night."
Lady Winsleigh's eyes glistened eagerly,—she recognized Errington's bold, clear hand at once,—and as she read, an expression of triumph played on her features. She looked up presently and said—
Lady Winsleigh's eyes sparkled with excitement; she immediately recognized Errington's bold, clear handwriting. As she read, a look of triumph crossed her face. She looked up a moment later and said—
"Have you any further use for this letter, Miss Vere? Or—will you allow me to keep it?"
"Do you need this letter any longer, Miss Vere? Or—can I keep it?"
The Vere seemed slightly suspicious of this proposal, but looked amused too.
The Vere appeared a bit skeptical about this proposal, but also seemed entertained.
"Why, what do you want it for?" she inquired bluntly. "To tease him about me?"
"Why do you want it?" she asked directly. "To mess with him about me?"
Lady Winsleigh forced a smile. "Well—perhaps!" she admitted, then with an air of gentleness and simplicity she continued, "I think, Miss Vere, with you, that it is very wrong of Sir Philip,—very absurd of him, in fact—to interfere with your affairs, whatever they may be,—and as it is very likely annoying to you—"
Lady Winsleigh forced a smile. "Well—maybe!" she admitted, then with a tone of kindness and simplicity she continued, "I think, Miss Vere, that it’s really wrong of Sir Philip—quite ridiculous, in fact—to meddle in your business, whatever it may be—and since it’s probably annoying to you—"
"It is," interrupted Violet decidedly.
"It is," Violet said firmly.
"Then, with the help of this letter—which, really—really—excuse me for saying it!—quite compromises him," and her ladyship looked amiably concerned about it, "I might perhaps persuade him not to—to—intrude upon you—you understand? But if you object to part with the letter, never mind! If I did not fear to offend you, I should ask you to exchange it for—for something more—well! let us say, something more substantial—"
"Then, with the help of this letter—which, honestly—excuse me for saying this!—really puts him in a tough spot," and her ladyship looked genuinely worried about it, "I might be able to convince him not to—to—bother you—you get what I mean? But if you don’t want to part with the letter, that's fine! If I weren't worried about offending you, I would ask you to swap it for—for something more—well! let's just say, something more valuable—"
"Don't beat about the bush!" said Violet, with a sudden oblivion of her company manners. "You mean money?"
"Stop beating around the bush!" Violet said, momentarily forgetting her polite demeanor. "You mean money?"
Lady Winsleigh smiled. "As you put it so frankly, Miss Vere—" she began.
Lady Winsleigh smiled. "As you so openly put it, Miss Vere—" she began.
"Of course! I'm always frank," returned the Vere, with a loud laugh. "Besides, what's the good of pretending? Money's the only thing worth having—it pays your butcher, baker, and dressmaker—and how are you to get along if you can't pay them, I'd like to know! Lord! if all the letters I've got from fools were paying stock instead of waste-paper, I'd shut up shop, and leave the Brilliant to look out for itself!"
"Of course! I'm always honest," replied Vere with a loud laugh. "Besides, what's the point of pretending? Money is the only thing that really matters—it pays your butcher, baker, and dressmaker—and how are you supposed to get by if you can't pay them, I'd like to know! Honestly! If all the letters I've received from idiots were actual cash instead of just trash, I'd pack up and leave the Brilliant to fend for itself!"
Lady Winsleigh felt she had gained her object, and she could now afford to be gracious.
Lady Winsleigh felt she had achieved her goal, and she could now afford to be gracious.
"That would be a great loss to the world," she remarked sweetly. "An immense loss! London could scarcely get on without Violet Vere!" Here she opened her purse and took out some bank-notes, which she folded and slipped inside an envelope. "Then I may have the letter?" she continued.
"That would be a huge loss for the world," she said, smiling. "An enormous loss! London could hardly manage without Violet Vere!" Then she opened her purse and took out some cash, which she folded and placed inside an envelope. "So, can I have the letter?" she asked.
"You may and welcome!" returned Violet.
"You're welcome!" said Violet.
Lady Winsleigh instantly held out the envelope, which she as instantly clutched. "Especially if you'll tell Sir Philip Errington to mind his own business!" She paused, and a dark flush mounted to her brow—one of those sudden flushes that purpled rather than crimsoned her face. "Yes," she repeated, "as he's a friend of yours, just tell him I said he was to mind his own business! Lord! what does he want to come here and preach at me for! I don't want his sermons! Moral!" here she laughed rather hoarsely, "I'm as moral as any one on the stage! Who says I'm not! Take 'em all round—there's not a soul behind the footlights more open and above-board than I am!"
Lady Winsleigh instantly held out the envelope, which she quickly grabbed. "Especially if you tell Sir Philip Errington to mind his own business!" She paused, and a dark flush rose to her brow—one of those sudden blushes that made her face more purple than red. "Yes," she repeated, "since he’s a friend of yours, just tell him I said to mind his own business! Honestly! What does he come here to preach at me for? I don’t want his sermons! Moral!" Here she laughed rather hoarsely, "I’m as moral as anyone on stage! Who says I’m not! Take them all together—there’s not a single person behind the footlights more open and straightforward than I am!"
And her eyes flashed defiantly.
And her eyes flashed boldly.
"She's been drinking?" thought Lady Winsleigh disgustedly. In fact, the "Vere's Own" tipple had begun to take its usual effect, which was to make the Vere herself both blatant and boisterous.
"She's been drinking?" thought Lady Winsleigh, feeling disgusted. In fact, the "Vere's Own" drink had started to have its typical effect, making the Vere herself both loud and overly expressive.
"I'm sure," said her ladyship with frigid politeness, "that you are everything that is quite charming, Miss Vere! I have a great respect for the—the ornaments of the English stage. Society has quite thrown down its former barriers, you know!—the members of your profession are received in the very best circles—"
"I'm sure," said her ladyship with cold politeness, "that you're absolutely delightful, Miss Vere! I have a great respect for the—well, the stars of the English stage. Society has totally broken down its old barriers, you know! People in your profession are welcomed in the best circles—"
"I ain't!" said Violet, with ungrammatical candor. "Your Irvings and your Terrys, your Mary Andersons and your Langtrys,—they're good enough for your fine drawing-rooms, and get more invitations out than they can accept. And none of them have got half my talent, I tell you! Lord bless my soul! if they're respectable enough for you,—so am I!"
"I’m not!" said Violet, speaking frankly. "Your Irvings and your Terrys, your Mary Andersons and your Langtrys—they're fine for your fancy drawing rooms and get more invitations than they can handle. And none of them have even half my talent, I swear! Goodness gracious! If they're respectable enough for you, then so am I!"
And she struck her hand emphatically on the table, Lady Winsleigh looked at her with a slight smile.
And she slammed her hand down on the table with emphasis, Lady Winsleigh looked at her with a slight smile.
"I must really say good-bye!" she said, rising and gathering her furs about her. "I could talk with you all the morning, Miss Vere, but I have so many engagements! Besides I mustn't detain you! I'm so much obliged to you for your kind reception of me!"
"I really have to say goodbye!" she said, getting up and wrapping her fur coat around her. "I could chat with you all morning, Miss Vere, but I have so many commitments! Plus, I shouldn’t keep you waiting! I really appreciate your warm welcome!"
"Don't mention, it!" and Violet glanced her over with a kind of sullen sarcasm. "I'm bound to please Lennie when I can, you know!"
"Don't mention it!" Violet said with a hint of sullen sarcasm. "I have to make Lennie happy when I can, you know!"
Again Lady Winsleigh shivered a little, but forced herself to shake hands with the notorious stage-Jezebel.
Again, Lady Winsleigh shivered slightly but compelled herself to shake hands with the infamous stage Jezebel.
"I shall come and see you in the new piece," she said graciously. "I always take a box on first nights? And your dancing is so exquisite! The very poetry of motion! So pleased to have met you! Good-bye!"
"I'll come and see you in the new show," she said warmly. "I always get a box for opening nights! And your dancing is amazing! It's pure poetry in motion! So glad to have met you! Bye!"
And with a few more vague compliments and remarks about the weather, Lady Winsleigh took her departure. Left alone, the actress threw herself back in her chair and laughed.
And with a few more vague compliments and comments about the weather, Lady Winsleigh said her goodbyes. Once she was gone, the actress fell back in her chair and laughed.
"That woman's up to some mischief," she exclaimed sotto voce, "and so is Lennie! I wonder what's their little game? I don't care, as long as they'll keep the high-and-mighty Errington in his place. I'm tired of him! Why does he meddle with my affairs?" Her brows knitted into a frown. "As if he or anybody else could persuade me to go back to—," she paused, and bit her lips angrily. Then she opened the envelope Lady Winsleigh had left with her, and pulled out the bank-notes inside. "Let me see—five, ten, fifteen, twenty! Not bad pay, on the whole! It'll just cover the bill for my plush mantle. Hullo! Who's there?"
"That woman is up to no good," she said quietly, "and so is Lennie! I wonder what their little scheme is? I don’t care, as long as they keep the arrogant Errington in check. I’m really tired of him! Why does he interfere in my business?" Her brows furrowed in frustration. "As if he or anyone else could convince me to go back to—," she paused and bit her lip in anger. Then she opened the envelope that Lady Winsleigh had left with her and pulled out the banknotes inside. "Let me see—five, ten, fifteen, twenty! Not bad payment, overall! That’ll just cover the cost of my fancy coat. Hey! Who's there?"
Some one knocked at her door.
Someone knocked at her door.
"Come in!" she cried.
"Come in!" she yelled.
The feeble Tommy presented himself. His weak mouth trembled more than ever, and he was apparently conscious of this, for he passed his hand nervously across it two or three times.
The weak Tommy showed up. His trembling mouth shook more than ever, and he seemed aware of it, as he nervously ran his hand across it two or three times.
"Well, what's up?" inquired the "star" of the Brilliant, fingering her bank-notes as she spoke.
"Well, what's going on?" asked the "star" of the Brilliant, counting her cash as she spoke.
"Miss Vere," stammered Tommy, "I venture to ask you a favor,—could you kindly, very kindly lend me ten shillings till to-morrow night? I am so pressed just now—and my wife is ill in bed—and—" he stopped, and his eyes sought her face hopefully, yet timidly.
"Miss Vere," Tommy stammered, "I hope you don’t mind, but could you please lend me ten shillings until tomorrow night? I’m in a tough spot right now—and my wife is sick in bed—and—" he paused, looking at her face with a mix of hope and hesitation.
"You shouldn't have a wife, Tommy!" averred Violet with blunt frankness. "Wives are expensive articles. Besides, I never lend. I never give—except to public charities where one's name gets mentioned in the papers. I'm obliged to do that, you know, by way of advertisement. Ten shillings! Why, I can't afford ten pence! My bills would frighten you, Tommy! There go along, and don't cry, for goodness sake! Let your fiddle cry for you!"
"You shouldn't have a wife, Tommy!" Violet said honestly. "Wives are expensive. Plus, I never lend money. I never give—except to public charities where I can get my name in the papers. I have to do that for publicity, you know. Ten shillings? I can’t even afford ten pence! My bills would shock you, Tommy! Just go on and don’t cry, for goodness’ sake! Let your fiddle weep for you!"
"Oh, Miss Vere," once more pleaded Tommy, "if you knew how my wife suffers—"
"Oh, Miss Vere," Tommy pleaded again, "if only you knew how much my wife is suffering—"
The actress rose and stamped her foot impatiently.
The actress stood up and stamped her foot in frustration.
"Bother your wife!" she cried angrily, "and you too! Look out! or I tell the manager we've got a beggar at the Brilliant. Don't stare at me like that! Go to the d——l with you!"
"Bother your wife!" she shouted angrily, "and you too! Watch out! or I'll tell the manager we've got a beggar at the Brilliant. Don't look at me like that! Go to hell!"
Tommy slunk off abashed and trembling, and the Vere began to sing, or rather croak, a low comic song, while she threw over her shoulders a rich mantle glittering with embroidered trimmings, and poised a coquettish Paris model hat on her thick untwisted coils of hair. Thus attired, she passed out of her dressing-room, locking the door behind her, and after a brief conversation with the jocose acting manager, whom she met on her way out, she left the theatre, and took a cab to the Criterion, where the young Duke of Moorlands, her latest conquest, had invited her to a sumptuous luncheon with himself and friends, all men of fashion, who were running through what money they had as fast as they could go.
Tommy slinked away, embarrassed and shaking, while Vere started to sing, or more like croak, a silly little song. She wrapped a luxurious cloak with shiny, embroidered details around her shoulders and placed a flirty Paris-style hat on her thick, untamed hair. Dressed like that, she left her dressing room, locking the door behind her. After a quick chat with the funny acting manager she ran into on her way out, she left the theater and took a cab to the Criterion. There, the young Duke of Moorlands, her latest catch, had invited her to an extravagant lunch with him and his fashionable friends, all of whom were spending their money as quickly as they could.
Lady Winsleigh, on her way home, was tormented by sundry uncomfortable thoughts and sharp pricks of conscience. Her interview with Violet Vere had instinctively convinced her that Sir Philip was innocent of the intrigue imputed to him, and yet,—the letter she had now in her possession seemed to prove him guilty. And though she felt herself to be playing a vile part, she could not resist the temptation of trying what the effect would be of this compromising document on Thelma's trusting mind. It was undoubtedly a very incriminating epistle—any lawyer would have said as much, while blandly pocketing his fee for saying it. It was written off in evident haste, and ran as follows:—
Lady Winsleigh, on her way home, was plagued by a mix of uncomfortable thoughts and sharp feelings of guilt. Her conversation with Violet Vere had made her instinctively believe that Sir Philip was innocent of the accusations against him, yet—the letter she now had seemed to suggest otherwise. Even though she felt like she was playing a terrible role, she couldn't resist the temptation to see how this compromising document would affect Thelma's trusting nature. It was definitely a very incriminating letter—any lawyer would have said so, while happily pocketing his fee for doing so. It was written in a rush and read as follows:—
"Let me see you once more on the subject you know of. Why will you not accept the honorable position offered to you? There shall be no stint of money—all the promises I have made I am quite ready to fulfill—you shall lose nothing by being gentle. Surely you cannot continue to seem so destitute of all womanly feeling and pity? I will not believe that you would so deliberately condemn to death a man who has loved, and who loves you still so faithfully, and who, without you, is utterly weary of life and broken-hearted! Think once more—and let my words carry more weight with you!"
"Let me talk to you again about what you know. Why won’t you accept the honorable position offered to you? Money won’t be an issue—all the promises I’ve made, I’m fully prepared to keep—you won’t lose anything by being kind. Surely, you can’t keep appearing so lacking in any womanly feelings or compassion? I refuse to believe you would intentionally condemn a man to death who has loved you and still loves you so faithfully, a man who, without you, feels completely exhausted by life and heartbroken! Please think again—and let my words mean more to you!"
"BRUCE-ERRINGTON."
"BRUCE-ERRINGTON."
This was all, but more than enough!
This was everything, but still more than enough!
"I wonder what he means," thought Lady Winsleigh. "It looks as if he were in love with the Vere and she refused to reciprocate. It must be that. And yet that doesn't accord with what the creature herself said about his 'preaching at her.' He wouldn't do that if he were in love."
"I wonder what he means," thought Lady Winsleigh. "It seems like he's in love with Vere and she doesn't feel the same way. It has to be that. And yet, that doesn’t match what she said about him 'preaching at her.' He wouldn't do that if he were in love."
She studied every word of the letter again and again, and finally folded it up carefully and placed it in her pocket-book.
She read every word of the letter over and over, and finally folded it neatly and put it in her wallet.
"Innocent or guilty, Thelma must see it," she decided. "I wonder how she'll take it! If she wants a proof—it's one she'll scarcely deny. Some women would fret themselves to death over it—but I shouldn't wonder if she sat down under it quite calmly without a word of complaint." She frowned a little. "Why must she always be superior to others of her sex! How I detest that still solemn smile of hers and those big baby-blue eyes! I think if Philip had married any other woman than she—a woman more like the rest of us who'd have gone with her time,—I could have forgiven him more easily. But to pick up a Norwegian peasant and set her up as a sort of moral finger-post to society—and then to go and compromise himself with Violet Vere—that's a kind of thing I can't stand! I'd rather be anything in the world than a humbug!"
"Innocent or guilty, Thelma has to see this," she decided. "I wonder how she'll react! If she wants proof—it's something she can't deny. Some women would worry themselves to death over it—but I wouldn't be surprised if she took it all in stride, without a single complaint." She frowned a bit. "Why does she always have to be better than the other women? I really can't stand that serious smile of hers and those big baby-blue eyes! I think if Philip had married any woman other than her—someone more like the rest of us who would have kept up with her time—I could have forgiven him more easily. But to take a Norwegian peasant and elevate her as a kind of moral guide for society—and then to go and compromise himself with Violet Vere—that's something I can't tolerate! I'd rather be anything in the world than a fraud!"
Many people desire to be something they are not, and her ladyship quite unconsciously echoed this rather general sentiment. She was, without knowing it, such an adept in society humbug, that she even humbugged herself. She betrayed herself as she betrayed others, and told little soothing lies to her own conscience as she told them to her friends. There are plenty of women like her,—women of pleasant courtesy and fashion, to whom truth is mere coarseness,—and with whom polite lying passes for perfect breeding. She was not aware, as she was driven along Park Lane to her own residence, that she carried with her on the box of her brougham a private detective in the person of Briggs. Perched stiffly on his seat, with arms tightly folded, this respectable retainer was quite absorbed in meditation, so much so that he exchanged not a word with his friend, the coachman, beside him. He had his own notions of propriety,—he considered that his mistress had no business whatever to call on an actress of Violet Vere's repute,—and he resolved that whether he were reproved for over-officiousness or not, nothing should prevent him from casually mentioning to Lord Winsleigh the object of her ladyship's drive that morning.
Many people want to be someone they're not, and she unknowingly reflected this common feeling. She was so good at social pretense that she even fooled herself. She revealed herself as she deceived others, telling little comforting lies to her own conscience just as she did to her friends. There are plenty of women like her—charming and stylish women for whom honesty feels like rudeness—and with whom polite lying is seen as good manners. As she was driven along Park Lane to her home, she was unaware that riding alongside her on the box of her carriage was a private detective named Briggs. Sitting stiffly with his arms crossed, this loyal employee was deep in thought and didn’t say a word to the coachman next to him. He had his own ideas about what was proper—he believed that his mistress shouldn’t be visiting an actress of Violet Vere's reputation—and he decided that regardless of whether he was scolded for being too nosy, he was going to casually inform Lord Winsleigh about the reason for her ladyship's drive that morning.
"For," mused Briggs gravely, "a lady 'as responsibilities, and 'owever she forgets 'erself, appearances 'as to be kep' up."
"For," Briggs thought seriously, "a lady has responsibilities, and no matter how she may lose herself, she must keep up appearances."
With the afternoon, the fog which had hung over the city all day, deepened and darkened. Thelma had lunched with Mrs. Lorimer, and had enjoyed much pleasant chat with that kindly, cheerful old lady. She had confided to her, part of the story of Sir Francis Lennox's conduct, carefully avoiding every mention of the circumstance which had given rise to it,—namely, the discussion about Violet Vere. She merely explained that she had suddenly fainted, in which condition Sir Francis had taken advantage of her helplessness to insult her.
With the afternoon, the fog that had lingered over the city all day grew thicker and darker. Thelma had lunch with Mrs. Lorimer and enjoyed a warm conversation with that kind, cheerful old lady. She shared part of the story about Sir Francis Lennox's behavior, being careful not to mention the incident that triggered it—specifically, the discussion about Violet Vere. She only explained that she had suddenly fainted, and during that vulnerable moment, Sir Francis took the opportunity to insult her.
Mrs. Lorimer was highly indignant. "Tell your husband all about it, my dear!" she advised. "He's big enough, and strong enough, to give that little snob a good trouncing! My patience! I wish George were in London—he'd lend a hand and welcome!"
Mrs. Lorimer was very upset. "Tell your husband everything, my dear!" she suggested. "He's strong enough to give that little snob a good beating! Honestly! I wish George were in London—he'd gladly help out!"
And the old lady nodded her head violently over the sock she was knitting,—the making of socks for her beloved son was her principal occupation and amusement.
And the old lady nodded her head vigorously over the sock she was knitting—the act of making socks for her beloved son was her main activity and source of joy.
"But I hear," said Thelma, "that it is against the law to strike any one, no matter how you have been insulted. If so,—then Philip would be punished for attacking Sir Francis, and that would not be fair."
"But I hear," said Thelma, "that it's against the law to hit anyone, no matter how you've been insulted. If that's true, then Philip would be punished for attacking Sir Francis, and that wouldn't be fair."
"You didn't think of that, child, when you struck Lennox yourself," returned Mrs. Lorimer, laughing. "And I guarantee you gave him a good hard blow,—and serve him right! Never mind what comes of it, my dearie—just tell your husband as soon as ever he comes home, and let him take the matter into his own hands. He's a fine man—he'll know how to defend the pretty wife he loves so well!" And she smiled, while her shining knitting-needles clicked faster than ever.
"You didn't think about that, kid, when you hit Lennox yourself," Mrs. Lorimer replied with a laugh. "And I bet you gave him a good, solid punch — and he deserved it! Don’t worry about the outcome, sweetheart — just tell your husband as soon as he gets home, and let him handle it. He’s a great guy — he’ll know how to stand up for the lovely wife he cares so much about!" And she smiled, while her shiny knitting needles clicked faster than ever.
Thelma's face saddened a little. "I think I am not worthy of his love," she said sorrowfully.
Thelma's face fell a bit. "I don't think I'm worthy of his love," she said sadly.
Mrs. Lorimer looked at her with some inquisitiveness.
Mrs. Lorimer looked at her with a bit of curiosity.
"What makes you say that, my dear?"
"What makes you say that, sweetheart?"
"Because I feel it so much," she replied. "Dear Mrs. Lorimer, you cannot, perhaps, understand—but when he married me, it seemed as if the old story of the king and the beggar-maid were being repeated over again. I sought nothing but his love—his love was, and is my life! These riches—these jewels and beautiful things he surrounds me with—I do not care for them at all, except for the reason that he wishes me to have them. I scarcely understand their value, for I have been poor all my life, and yet I have wanted nothing. I do not think wealth is needful to make one happy. But love—ah! I could not live without it—and now—now—" She paused, and her eyes filled with sudden tears.
"Because I feel it so deeply," she replied. "Dear Mrs. Lorimer, you might not fully understand—but when he married me, it felt like the old tale of the king and the beggar-maid was being replayed. All I wanted was his love—his love is, and always will be, my life! These riches—these jewels and lovely things he surrounds me with—I don’t care about them at all, except that he wants me to have them. I hardly grasp their value, since I’ve been poor my whole life, and yet I haven’t wanted for anything. I don't believe that wealth is necessary for happiness. But love—oh! I couldn’t survive without it—and now—now—" She paused, and her eyes filled with sudden tears.
"Now what?" asked Mrs. Lorimer gently.
"What's next?" asked Mrs. Lorimer softly.
"Now," continued the girl in a low voice, "my heart is always afraid! Yes! I am afraid of losing my husband's love. Ah, do not laugh at me, dear Mrs. Lorimer! You know people who are much together sometimes get tired,—tired of seeing the same face always,—the same form—"
"Now," the girl said quietly, "my heart is always scared! Yes! I'm afraid of losing my husband's love. Oh, please don’t laugh at me, dear Mrs. Lorimer! You know that when people spend a lot of time together, they sometimes get tired—tired of seeing the same face all the time—the same figure—"
"Are you tired, dearie?" asked the old lady meaningly.
"Are you tired, sweetheart?" asked the old lady with significance.
"I? Tired of Philip? I am only happy when he is with me!" And her eyes deepened with passionate tenderness. "I would wish to live and die beside him, and I should not care if I never saw another human face than his!"
"I? Tired of Philip? I'm only happy when he's with me!" And her eyes filled with passionate tenderness. "I would want to live and die by his side, and I wouldn't care if I never saw another human face besides his!"
"Well, and don't you think he has the same feelings for you?"
"Well, don't you think he feels the same way about you?"
"Men are different, I think," returned Thelma musingly. "Now, love is everything to me—but it may not be everything to Philip. I do believe that love is only part of a man's life, while it is all a woman's. Clara told me once that most husbands wearied of their wives, though they would not always confess it—"
"Men are different, I think," Thelma said thoughtfully. "For me, love is everything—but it might not mean the same to Philip. I really believe that love is just a part of a man’s life, while it’s everything for a woman. Clara once told me that most husbands get tired of their wives, even if they don’t always admit it—"
"Clara Winsleigh's modern social doctrines are false, my dear!" interrupted Mrs. Lorimer quickly. "She isn't satisfied with her own marriage, and she thinks everybody must be as discontented as herself. Now, my husband and I lived always together for five and twenty years,—and we were lovers to the last day, when my darling died with his hand in mine—and—and—if it hadn't been for my boy,—I should have died too!"
"Clara Winsleigh's modern social ideas are wrong, my dear!" Mrs. Lorimer interjected quickly. "She isn't happy in her own marriage and thinks everyone else must feel as unhappy as she does. My husband and I were together for twenty-five years, and we were in love until the very last day when my darling passed away with his hand in mine—and—and—if it hadn't been for my son, I would have died too!"
And two bright tears fell glittering on the old lady's knitting.
And two shiny tears fell glistening on the old lady's knitting.
Thelma took her hand and kissed it fondly. "I can understand that," she said softly; "but still,—still I do believe it is difficult to keep love when you have won it! It is, perhaps, easy to win—but I am sure it is hard to keep!"
Thelma took her hand and kissed it affectionately. "I get that," she said gently; "but still—still I really believe it's hard to hold onto love once you've got it! It might be easy to win—but I'm sure it's tough to keep!"
Mrs. Lorimer looked at her earnestly.
Mrs. Lorimer looked at her seriously.
"My dear child, don't let that frivolous Winsleigh woman put nonsense into your pretty head. You are too sensible to take such a morbid view of things,—and you mustn't allow your wholesome fresh nature to be contaminated by the petulant, wrong-headed notions that cloud the brains of idle, fashionable, useless women. Believe me, good men don't tire of their wives—and Sir Philip is a good man. Good wives never weary their husbands—and you are a good wife—and you will be a good, sweet mother. Think of that new delight so soon coming for you,—and leave all the modern, crazy, one-sided notions of human life to the French and Russian novelists. Tut-tut!" continued the old lady tenderly. "A nice little ladyship you are,—worrying yourself about nothing! Send Philip to me when he comes home—I'll scold him for leaving his bird to mope in her London cage!"
"My dear child, don't let that silly Winsleigh woman fill your head with nonsense. You're too sensible to have such a gloomy view of things—and you shouldn't let your fresh, vibrant nature be tainted by the whiny, misguided ideas that cloud the minds of idle, fashionable, useless women. Trust me, good men don't get tired of their wives—and Sir Philip is a good man. Good wives never bore their husbands—and you are a good wife—and you will be a good, loving mother. Think about the joy that’s coming your way soon—and leave all the modern, crazy, one-sided ideas about life to the French and Russian novelists. Honestly!" continued the old lady warmly. "What a nice little lady you are—worrying about nothing! Send Philip to me when he gets home—I’ll have a talk with him for leaving his bird to sulk in her London cage!"
"I do not mope," declared Thelma. "And you must not scold him, please! Poor boy! he is working so very hard, and has so much to attend to. He wants to distinguish himself for—for my sake!"
"I don't mope," Thelma declared. "And please don’t scold him! Poor guy! He's working so hard and has so much to deal with. He wants to stand out for— for my sake!"
"That looks very much as if he were tired of you!" laughed Mrs. Lorimer. "Though I dare say you'd like him to stay at home and make love to you all day! Silly girl! You want the world to be a sort of Arcadia, with you as Phyllis, and Sir Philip as Corydon! My dear, we're living in the nineteenth century, and the days of fond shepherds and languishing shepherdesses are past!"
"That really seems like he's tired of you!" laughed Mrs. Lorimer. "But I bet you wish he'd stay home and just love you all day! Silly girl! You want the world to be like a kind of paradise, with you as Phyllis and Sir Philip as Corydon! My dear, we're in the nineteenth century, and the days of doting shepherds and dreamy shepherdesses are over!"
Thelma laughed too, and felt soon ashamed of her depression. The figure of Violet Vere now and then danced before her like a mocking will-o'-the-wisp—but her pride forbade her to mention this,—the actual source of all her vague troubles.
Thelma laughed too, but soon felt embarrassed about her sadness. The image of Violet Vere occasionally flashed in her mind like a teasing will-o'-the-wisp—but her pride kept her from mentioning this—the true cause of all her unclear troubles.
She left Mrs. Lorimer's house, which was near Holland Park, about four o'clock, and as she was passing Church Street, Kensington, she bade her coachman drive up to the Carmelite Church there, familiarly known as the "Carms." She entered the sacred edifice, where the service of Benediction was in progress; and, kneeling down, she listened to the exquisite strains of the solemn music that pealed through those dim and shadowy aisles, and a sense of the most perfect peace settled soothingly on her soul. Clasping her gentle hands, she prayed with innocent and heart-felt earnestness—not for herself,—never for herself,—but always, always for that dear, most dear one, for whom every beat of her true heart was a fresh vow of undying and devoted affection.
She left Mrs. Lorimer's house, which was near Holland Park, around four o'clock, and as she was passing Church Street, Kensington, she told her driver to pull up to the Carmelite Church there, commonly known as the "Carms." She walked into the sacred place, where the Benediction service was taking place; and, kneeling down, she listened to the beautiful sounds of the solemn music that echoed through those dim and shadowy aisles, and a feeling of perfect peace settled gently on her soul. Clasping her delicate hands, she prayed with innocent and sincere intensity—not for herself,—never for herself,—but always, always for that dear, most precious one, for whom every beat of her true heart was a renewed promise of undying and devoted love.
"Dear God!" she whispered, "if I love him too much, forgive me! Thou who art all Love, wilt pardon me this excess of love! Bless my darling always, and teach me how to be more worthy of Thy goodness and his tenderness!"
"Dear God!" she whispered, "if I love him too much, please forgive me! You who are all Love, will you pardon me for this overwhelming love? Bless my darling always, and teach me how to be more deserving of Your kindness and his tenderness!"
And when she left the church, she was happier and more light-hearted than she had been for many a long day. She drove home, heedless of the fog and cold, dismal aspect of the weather, and resolved to go and visit Lady Winsleigh in the evening, so that when Philip came back on the morrow, she might be able to tell him that she had amused herself, and had not been lonely.
And when she left the church, she felt happier and lighter than she had in a long time. She drove home, not caring about the fog and cold, dreary weather, and decided to visit Lady Winsleigh that evening, so that when Philip returned the next day, she could tell him she had kept herself entertained and hadn’t felt lonely.
But when she arrived at her own door, Morris, who opened it, informed her that Lady Winsleigh was waiting in the drawing-room to see her, and had been waiting some time. Thelma hastened thither immediately, and held out her hands joyously to her friend.
But when she got to her own door, Morris, who opened it, told her that Lady Winsleigh was waiting in the living room to see her and had been waiting for a while. Thelma quickly went there and joyfully reached out her hands to her friend.
"I am so sorry you have had to wait, Clara!" she began. "Why did you not send word and say you were coming? Philip is away and will not be back to-night, and I have been lunching with Mrs. Lorimer, and—why, what makes you look so grave?"
"I’m really sorry you had to wait, Clara!" she said. "Why didn’t you let me know you were coming? Philip is out and won’t be back tonight, and I’ve been having lunch with Mrs. Lorimer, and—why do you look so serious?"
Lady Winsleigh regarded her fixedly. How radiantly lovely the young wife looked!—her cheeks had never been more delicately rosy, or her eyes more brilliant. The dark fur cloak she wore with its rich sable trimmings, and the little black velvet toque that rested on her fair curls, set off the beauty of her clear skin to perfection, and her rival, who stood gazing at her with such close scrutiny, envied her more than ever as she was once again reluctantly forced to admit to herself the matchless loveliness of the innocent creature whose happiness she now sought to destroy.
Lady Winsleigh stared at her intensely. The young wife looked incredibly beautiful!—her cheeks had never been so delicately rosy, or her eyes so bright. The dark fur cloak she wore with its luxurious sable trimmings, and the little black velvet toque resting on her fair curls, highlighted the beauty of her clear skin perfectly. Her rival, who was watching her with such keen interest, envied her more than ever as she was once again unwillingly forced to admit to herself the unmatched beauty of the innocent woman whose happiness she now wanted to ruin.
"Do I look grave, Thelma?" she said with a slight smile. "Well, perhaps I've a reason for my gravity. And so your husband is away?"
"Do I look serious, Thelma?" she said with a slight smile. "Well, maybe I have a reason to be serious. So, is your husband away?"
"Yes. He went quite early this morning,—a telegram summoned him and he was obliged to go." Here she drew up a chair to the fire, and began to loosen her wraps. "Sit down, Clara! I will ring for tea."
"Yes. He left really early this morning—a telegram called him, and he had to go." She pulled a chair up to the fire and started to take off her wraps. "Sit down, Clara! I'll ring for tea."
"No, don't ring," said Lady Winsleigh. "Not yet! I want to talk to you privately." She sank languidly on a velvet lounge and looked Thelma straight in the eyes.
"No, don't ring," said Lady Winsleigh. "Not yet! I want to talk to you privately." She sank back on a velvet couch and looked Thelma straight in the eyes.
"Dear Thelma," she continued in a sweetly tremulous, compassionate voice. "Can you bear to hear something very painful and shocking, something that I'm afraid will grieve you very much?"
"Dear Thelma," she went on in a softly shaking, sympathetic voice. "Can you handle hearing something really painful and shocking, something that I worry will upset you a lot?"
The color fled from the girl's fair face—her eyes grew startled.
The color drained from the girl's pale face—her eyes widened in surprise.
"What do you mean, Clara? Is it anything about—about Philip?"
"What do you mean, Clara? Is it something about—about Philip?"
Lady Winsleigh bent her head in assent, but remained silent.
Lady Winsleigh nodded but stayed quiet.
"If," continued Thelma, with a little return of the rosy hue to her cheeks. "If it is something else about that—that person at the theatre, Clara, I would rather not hear it! I think I have been wrong in listening to any such stories—it is so seldom that gossip of any kind is true. It is not a wife's duty to receive scandals about her husband. And suppose he does see Miss Vere, how do I know that it may not be on business for some friend of his?—because I do know that on that night when he went behind the scenes at the Brilliant, he said it was on business. Mr. Lovelace used often to go and see Miss Mary Anderson, all to persuade her to take a play written by a friend of his—and Philip, who is always kind-hearted, may perhaps be doing something of the same sort. I feel I have been wicked to have even a small doubt of my husband's love,—so, Clara, do not let us talk any more on a subject which only displeases me."
"If," Thelma continued, a slight blush returning to her cheeks, "if it’s something more about that person at the theater, Clara, I’d rather not hear it! I think I've been wrong to listen to any of these stories—it’s so rare that gossip is true. It’s not a wife’s duty to entertain scandals about her husband. And even if he does see Miss Vere, how can I know it’s not for some business matter for a friend of his? I know that on the night he went backstage at the Brilliant, he said it was for business. Mr. Lovelace often went to see Miss Mary Anderson, all to persuade her to take a play written by a friend of his—and Philip, who is always kind-hearted, might be doing something similar. I feel I’ve been wrong to even have a small doubt about my husband’s love—so, Clara, let’s not talk anymore about a subject that only upsets me."
"You must choose your own way of life, of course," said Lady Winsleigh coldly. "But you draw rather foolish comparisons, Thelma. There is a wide difference between Mary Anderson and Violet Vere. Besides, Mr. Lovelace is a bachelor,—he can do as he likes and go where he likes without exciting comment. However, whether you are angry with me or not, I feel I should not be your true friend if I did not show you—this. You know your husband's writing!"
"You have to choose your own way of life, of course," said Lady Winsleigh coldly. "But you're making some pretty foolish comparisons, Thelma. There's a big difference between Mary Anderson and Violet Vere. Plus, Mr. Lovelace is a bachelor—he can do whatever he wants and go wherever he wants without drawing attention. Anyway, whether you're upset with me or not, I wouldn’t be your true friend if I didn’t show you—this. You know your husband's writing!"
And she drew out the fatal letter, and continued, watching her victim as she spoke, "This was sent by Sir Philip to Violet Vere last night,—she gave it to me herself this morning."
And she pulled out the fateful letter and went on, keeping an eye on her victim as she spoke, "Sir Philip sent this to Violet Vere last night—she gave it to me herself this morning."
Thelma's hand trembled as she took the paper.
Thelma's hand shook as she grabbed the paper.
"Why should I read it?" she faltered mechanically.
"Why should I read it?" she asked, hesitating.
Lady Winsleigh raised her eyebrows and frowned impatiently.
Lady Winsleigh raised her eyebrows and frowned in annoyance.
"Why—why? Because it is your duty to do so! Have you no pride? Will you allow your husband to write such a letter as that to another woman,—and such a woman too! without one word of remonstrance? You owe it to yourself—to your own sense of honor—to resent and resist such treatment on his part! Surely the deepest love cannot pardon deliberate injury and insult."
"Why—why? Because it's your responsibility to do so! Don't you have any pride? Will you let your husband write a letter like that to another woman—and to that kind of woman too!—without saying anything in response? You owe it to yourself—to your own sense of honor—to stand up against and oppose such treatment from him! Surely the deepest love can't excuse intentional harm and insult."
"My love can pardon anything," answered the girl in a low voice, and then slowly, very slowly, she opened the folded sheet—slowly she read every word it contained,—words that stamped themselves one by one on her bewildered brain and sent it reeling into darkness and vacancy. She felt sick and cold—she stared fixedly at her husband's familiar handwriting. "A man who has loved and who loves you still, and who without you is utterly weary and broken-hearted!"
"My love can forgive anything," replied the girl softly, and then slowly, very slowly, she opened the folded paper—she took her time to read each word it held, words that engraved themselves one by one on her confused mind and left it spinning in darkness and emptiness. She felt nauseous and cold—she fixed her gaze on her husband's familiar handwriting. "A man who has loved you and still loves you, and who, without you, is completely exhausted and heartbroken!"
Thus he wrote of himself to—to Violet Vere! It seemed incredible—yet it was true! She heard a rushing sound in her ears—the room swung round dizzily before her eyes—yet she sat, still, calm and cold, holding the letter and speaking no word.
Thus he wrote about himself to—to Violet Vere! It seemed unbelievable—yet it was true! She heard a rushing sound in her ears—the room spun around dizzily before her eyes—yet she sat, still, calm, and cold, holding the letter and saying nothing.
Lady Winsleigh watched her, irritated at her passionless demeanor.
Lady Winsleigh watched her, annoyed by her lack of emotion.
"Well!" she exclaimed at last. "Have you nothing to say?"
"Well!" she finally said. "Don't you have anything to say?"
Thelma looked up, her eyes burning with an intense feverish light.
Thelma looked up, her eyes shining with a fierce, feverish glow.
"Nothing!" she replied.
"Nothing!" she said.
"Nothing?" repeated her ladyship with emphatic astonishment.
"Nothing?" her ladyship echoed, clearly astonished.
"Nothing against Philip," continued the girl steadily. "For the blame is not his, but mine! That he is weary and broken-hearted must be my fault—though I cannot yet understand what I have done. But it must be something, because if I were all that he wished he would not have grown so tired." She paused and her pale lips quivered. "I am sorry," she went on with dreamy pathos, "sorrier for him than for myself, because now I see I am in the way of his happiness." A quiver of agony passed over her face,—she fixed her large bright eyes on Lady Winsleigh, who instinctively shrank from the solemn speechless despair of that penetrating gaze.
"Nothing against Philip," the girl said steadily. "The blame isn't his, but mine! If he's feeling worn out and heartbroken, it's my fault—though I still can't figure out what I've done. But it has to be something, because if I were everything he wanted, he wouldn't be so exhausted." She paused, her pale lips trembling. "I'm sorry," she continued with a dreamy sadness, "sorrier for him than for myself, because now I realize I'm standing in the way of his happiness." A wave of anguish crossed her face; she locked her large bright eyes on Lady Winsleigh, who instinctively recoiled from the silent, desperate intensity of that penetrating gaze.
"Who gave you this letter, Clara?" she asked calmly.
"Who gave you this letter, Clara?" she asked calmly.
"I told you before,—Miss Vere herself."
"I told you before, it's Miss Vere herself."
"Why did she give it to you?" continued Thelma in a dull, sad voice.
"Why did she give it to you?" Thelma continued in a flat, sad tone.
Lady Winsleigh hesitated and stammered a little. "Well, because—because I asked her if the stories about Sir Philip were true. And she begged me to ask him not to visit her so often." Then, with an additional thought of malice, she said softly. "She doesn't wish to wrong you, Thelma,—of course, she's not a very good woman, but I think she feels sorry for you!"
Lady Winsleigh hesitated and stumbled over her words a bit. "Well, because—because I asked her if the stories about Sir Philip were true. And she begged me to ask him not to visit her so often." Then, with a hint of spite, she said quietly, "She doesn’t want to hurt you, Thelma—of course, she’s not a very good person, but I think she feels sorry for you!"
The girl uttered a smothered cry of anguish, as though she had been stabbed to the heart. She!—to be actually pitied by Violet Vere, because she had been unable to keep her husband's love! This idea tortured her very soul,—but she was silent.
The girl let out a muffled cry of despair, as if she had been stabbed in the heart. She!—to be truly pitied by Violet Vere, just because she couldn't hold onto her husband's love! The thought tormented her deeply,—but she remained silent.
"I thought you were my friend, Clara?" she said suddenly, with a strange wistfulness.
"I thought you were my friend, Clara?" she said suddenly, with a strange longing.
"So I am, Thelma," murmured Lady Winsleigh, a guilty flush coloring her cheeks.
"So I am, Thelma," Lady Winsleigh murmured, a guilty blush coloring her cheeks.
"You have made me very miserable," went on Thelma gravely, and with pathetic simplicity, "and I am sorry indeed that we ever met. I was so happy till I knew you!—and yet I was very fond of you! I am sure you mean everything for the best, but I cannot think it is so. And it is all so dark and desolate now—why have you taken such pains to make me sad? Why have you so often tried to make me doubt my husband's love?—why have you come to-day so quickly to tell me I have lost it? But for you, I might never have known this sorrow,—I might have died soon, in happy ignorance, believing in my darling's truth as I believe in God!"
"You’ve made me really miserable," Thelma continued seriously, her simplicity touching, "and I truly regret that we ever crossed paths. I was so happy before I met you!—and yet I really cared about you! I know you mean well, but I can’t believe that. Everything feels so dark and lonely now—why have you gone out of your way to make me sad? Why have you tried so many times to make me doubt my husband’s love?—why did you come today to tell me I’ve lost it? If it weren’t for you, I might never have known this pain,—I might have passed away soon, blissfully unaware, believing in my darling’s truth as I believe in God!"
Her voice broke, and a hard sob choked her utterance. For once Lady Winsleigh's conscience smote her—for once she felt ashamed, and dared not offer consolation to the innocent soul she had so wantonly stricken. For a minute or two there was silence—broken only by the monotonous ticking of the clock and the crackling of the fire.
Her voice cracked, and a sharp sob interrupted her words. For once, Lady Winsleigh felt a pang of guilt—for once, she felt ashamed and didn’t dare offer comfort to the innocent person she had hurt so thoughtlessly. For a minute or two, there was silence—broken only by the steady ticking of the clock and the crackling of the fire.
Presently Thelma spoke again. "I will ask you to go away now and leave me, Clara," she said simply. "When the heart is sorrowful, it is best to be alone. Good-bye!" And she gently held out her hand.
Presently, Thelma spoke again. "I need you to go away now and leave me, Clara," she said straightforwardly. "When the heart is heavy, it’s better to be alone. Goodbye!" And she gently extended her hand.
"Poor Thelma!" said Lady Winsleigh, taking it with an affectation of tenderness. "What will you do?"
"Poor Thelma!" said Lady Winsleigh, pretending to be sympathetic. "What are you going to do?"
Thelma did not answer; she sat mute and rigid.
Thelma didn’t respond; she sat silent and tense.
"You are thinking unkindly of me just now," continued Clara softly; "but I felt it was my duty to tell you the worst at once. It's no good living in a delusion! I'm very, very sorry for you, Thelma!"
"You’re not being very nice to me right now," Clara said softly. "But I felt it was my responsibility to tell you the truth right away. There's no point in living in a fantasy! I feel really, really sorry for you, Thelma!"
Thelma remained perfectly silent. Lady Winsleigh moved towards the door, and as she opened it looked back at her. The girl might have been a lifeless figure for any movement that could be perceived about her. Her face was white as marble—her eyes were fixed on the sparkling fire—her very hands looked stiff and pallid as wax, as they lay clasped in her lap—the letter—the cruel letter,—had fallen at her feet. She seemed as one in a trance of misery—and so Lady Winsleigh left her.
Thelma stayed completely silent. Lady Winsleigh walked over to the door, and as she opened it, she glanced back at her. The girl looked like a lifeless statue; there was no visible movement from her. Her face was as white as marble—her eyes were locked on the sparkling fire—her hands appeared stiff and pale like wax, resting clasped in her lap—the letter—the cruel letter—had dropped to the floor at her feet. She seemed caught in a trance of misery—and so Lady Winsleigh left her.
CHAPTER XXVI.
"O my lord, O Love, I have laid my life at thy feet; Have thy will thereof For what shall please thee is sweet!" |
SWINBURNE.
SWINBURNE.
She roused herself at last. Unclasping her hands, she pushed back her hair from her brows and sighed heavily. Shivering as with intense cold, she rose from the chair she had so long occupied, and stood upright, mechanically gathering around her the long fur mantle that she had not as yet taken off. Catching sight of the letter where it lay, a gleaming speck of white on the rich dark hues of the carpet, she picked it up and read it through again calmly and comprehensively,—then folded it up carefully as though it were something of inestimable value. Her thoughts were a little confused,—she could only realize clearly two distinct things,—first, that Philip was unhappy,—secondly, that she was in the way of his happiness. She did not pause to consider how this change in him had been effected,—moreover, she never imagined that the letter he had written could refer to any one but himself. Hers was a nature that accepted facts as they appeared—she never sought for ulterior motives or disguised meanings. True, she could not understand her husband's admiration for Violet Vere, "But then"—she thought—"many other men admire her too. And so it is certain there must be something about her that wins love,—something I cannot see!"
She finally stirred. Unclasping her hands, she pushed her hair back from her forehead and sighed heavily. Shivering as if she were extremely cold, she stood up from the chair she had been in for so long, mechanically wrapping the long fur coat she hadn't taken off yet around her. Spotting the letter lying on the floor, a shiny white against the rich dark carpet, she picked it up and read it quietly and thoroughly again—then carefully folded it as if it were something incredibly valuable. Her thoughts were a bit jumbled—she could only clearly grasp two things: first, that Philip was unhappy; second, that she was in the way of his happiness. She didn’t stop to think about how this change in him had happened; besides, she never imagined that the letter he had written could refer to anyone but himself. Her nature accepted facts as they were—she never looked for hidden motives or disguised meanings. True, she couldn’t understand her husband’s admiration for Violet Vere, but then she thought, “Many other men admire her too. So there must be something about her that attracts love—something I can’t see!”
And presently she put aside all other considerations, and only pondered on one thing,—how should she remove herself from the path of her husband's pleasure? For she had no doubt but that she was an obstacle to his enjoyment. He had made promises to Violet Vere which he was "ready to fulfill,"—he offered her "an honorable position,"—he desired her "not to condemn him to death,"—he besought her to let his words "carry more weight with her."
And soon she set aside everything else and focused on one thing—how could she get out of the way of her husband's happiness? She was certain that she was a hindrance to his enjoyment. He had made promises to Violet Vere that he was "ready to fulfill,"—he offered her "an honorable position,"—he asked her "not to condemn him to death,"—he begged her to let his words "mean more to her."
"It is because I am here," thought Thelma wearily. "She would listen to him if I were gone!" She had the strangest notions of wifely duty—odd minglings of the stern Norse customs with the gentler teachings of Christianity,—yet in both cases the lines of woman's life were clearly defined in one word—obedience. Most women, receiving an apparent proof of a husband's infidelity, would have made what is termed a "scene,"—would have confronted him with rage and tears, and personal abuse,—but Thelma was too gentle for this,—too gentle to resist what seemed to be Philip's wish and will, and far too proud to stay where it appeared evident she was not wanted. Moreover she could not bear the idea of speaking to him on, such a subject as his connection with Violet Vere,—the hot color flushed her cheeks with a sort of shame as she thought of it.
"It’s because I’m here," Thelma thought wearily. "She would listen to him if I weren’t around!" She had the oddest ideas about being a wife—strange mixtures of strict Norse customs and the softer teachings of Christianity—but in both cases, a woman's role was clearly defined in one word—obedience. Most women, faced with clear evidence of their husband's infidelity, would have created what’s called a "scene," confronting him with anger and tears, maybe even insults—but Thelma was too gentle for that—too gentle to oppose what seemed to be Philip’s wishes, and far too proud to stay where it was clear she wasn’t wanted. Besides, she couldn’t stand the thought of talking to him about his connection with Violet Vere—the mere idea made her cheeks flush with a kind of shame.
Of course, she was weak—of course, she was foolish,—we will grant that she was anything the reader chooses to call her. It is much better for a woman nowadays to be defiant rather than yielding,—aggressive, not submissive,—violent, not meek. We all know that! To abuse a husband well all round, is the modern method of managing him! But poor, foolish, loving, sensitive Thelma had nothing of the magnificent strength of mind possessed by most wives of to-day,—she could only realize that Philip—her Philip—was "utterly weary and broken-hearted"—for the sake of another woman—and that other woman actually pitied her! She pitied herself too, a little vaguely—her brows ached and throbbed violently—there was a choking sensation in her throat, but she could not weep. Tears would have relieved her tired brain, but no tears fell. She strove to decide on some immediate plan of action,—Philip would be home to-morrow,—she recoiled at the thought of meeting him, knowing what she knew. Glancing dreamily at her own figure, reflected by the lamplight in the long mirror opposite, she recognized that she was fully attired in outdoor costume—all save her hat, which she had taken off after her first greeting of Lady Winsleigh, and which was still on the table at her side. She looked at the clock,—it was five minutes to seven. Eight o'clock was her dinner-hour, and thinking of this, she suddenly rang the bell. Morris immediately answered it.
Of course, she was weak—of course, she was foolish—we can agree that she was whatever the reader wants to call her. It's much better for a woman today to be defiant rather than submissive—aggressive, not passive—assertive, not meek. We all know that! The modern approach to managing a husband seems to involve giving him a piece of your mind! But poor, naive, loving, sensitive Thelma didn’t have the kind of strong mindset that most wives today possess—she could only see that Philip—her Philip—was "completely worn out and heartbroken"—because of another woman—and that other woman actually felt sorry for her! She felt a bit sorry for herself too, in a vague way—her head throbbed painfully—there was a tight feeling in her throat, but she couldn’t cry. Tears would have eased her tired mind, but no tears came. She tried to come up with an immediate plan of action—Philip would be home tomorrow—she flinched at the idea of seeing him, knowing what she knew. Dreamily glancing at her own reflection in the lamplight from the long mirror across the room, she noticed she was fully dressed in her outdoor clothes—all except her hat, which she had taken off after her initial greeting with Lady Winsleigh, and which was still on the table beside her. She looked at the clock—it was five minutes to seven. Eight o'clock was her dinner time, and thinking of this, she suddenly rang the bell. Morris answered it right away.
"I shall not dine at home," she said in her usual gentle voice; "I am going to see some friend this evening. I may not be back till—till late."
"I won't be eating at home," she said in her usual soft tone; "I'm going to meet a friend this evening. I might not be back until—until late."
"Very well, my lady," and Morris retired without seeing anything remarkable in his mistress's announcement. Thelma drew a long breath of relief as he disappeared, and, steadying her nerves by a strong effort, passed into her own boudoir,—the little sanctum specially endeared to her by Philip's frequent presence there. How cosy and comfortable a home-nest it looked!—a small fire glowed warmly in the grate, and Britta, whose duty it was to keep this particular room in order, had lit the lamp,—a rosy globe supported by a laughing cupid,—and had drawn the velvet curtains close at the window to keep out the fog and chilly air—there were fragrant flowers on the table,—Thelma's own favorite lounge was drawn up to the fender in readiness for her,—opposite to it stood the deep, old-fashioned easy chair in which Philip always sat. She looked round upon all these familiar things with a dreary sense of strangeness and desolation, and the curves of her sweet mouth trembled a little and drooped piteously. But her resolve was taken, and she did not hesitate or weep. She sat down to her desk and wrote a few brief lines to her father—this letter she addressed and stamped ready for posting.
"Okay, my lady," Morris said as he left, not thinking much of his mistress's announcement. Thelma let out a long breath of relief as he walked away, and, steadying her nerves with determination, entered her own boudoir—the little sanctuary that felt especially cherished because of Philip's frequent visits. It looked so cozy and comfortable! A small fire flickered warmly in the grate, and Britta, who was responsible for keeping this room tidy, had lit the lamp—a rosy globe held up by a playful cupid—and had drawn the velvet curtains tightly at the window to block out the fog and cold air. There were fragrant flowers on the table, and Thelma's favorite lounge chair was positioned near the fire, ready for her, while the deep, old-fashioned armchair opposite was where Philip always sat. She glanced around at all these familiar items with a heavy sense of strangeness and loneliness, her lips trembling slightly and turning down sadly. But she had made up her mind, and she didn’t hesitate or cry. She sat down at her desk and wrote a few short lines to her father—she addressed and stamped the letter, getting it ready for mailing.
Then for a while she remained apparently lost in painful musings, playing with the pen she held, and uncertain what to do. Presently she drew a sheet of note-paper toward her, and began, "My darling boy." As these words appeared under her hand on the white page, her forced calm nearly gave way,—a low cry of intense agony escaped from her lips, and, dropping the pen, she rose and paced the room restlessly, one hand pressed against her heart as though that action could still its rapid beatings. Once more she essayed the hard task she had set herself to fulfill—the task of bidding farewell to the husband in whom her life was centred. Piteous, passionate words came quickly from her overcharged and almost breaking heart—words, tender, touching,—full of love, and absolutely free from all reproach. Little did she guess as she wrote that parting letter, what desperate misery it would cause to the receiver!—
Then for a while, she seemed lost in painful thoughts, playing with the pen she held, unsure of what to do. Soon, she pulled a sheet of note paper toward her and began, "My darling boy." As those words appeared on the white page, her forced calm nearly shattered—a low cry of intense pain escaped her lips, and, dropping the pen, she stood up and paced the room restlessly, one hand pressed against her heart as if that could calm its rapid beating. Once again, she tried to complete the difficult task she had set for herself—the task of saying goodbye to the husband who was the center of her life. Heartfelt, passionate words flowed from her overwhelmed and nearly breaking heart—words that were tender, touching, full of love, and completely free of reproach. Little did she know as she wrote that parting letter how much pain it would cause the recipient!
When she had finished it, she felt quieted—even more composed than before. She folded and sealed it—then put it out of sight and rang for Britta. That little maiden soon appeared, and seemed surprised to see her mistress still in walking costume.
When she was done, she felt calm—even more collected than before. She folded and sealed it—then put it away and called for Britta. The young maid quickly appeared, looking surprised to see her mistress still in her walking outfit.
"Have you only just come in, Fröken?" she ventured to inquire.
"Did you just arrive, Miss?" she dared to ask.
"No, I came home some time ago," returned Thelma gently. "But I was talking to Lady Winsleigh in the drawing-room,—and as I am going out again this evening I shall not require to change my dress. I want you to post this letter for me, Britta."
"No, I got home a while ago," Thelma replied softly. "But I was chatting with Lady Winsleigh in the living room,—and since I'm going out again tonight, I don't need to change my dress. I want you to mail this letter for me, Britta."
And she held out the one addressed to her father, Olaf Güldmar. Britta took it, but her mind still revolved the question of her mistress's attire.
And she handed the one addressed to her father, Olaf Güldmar. Britta took it, but her thoughts were still focused on her mistress's outfit.
"If you are going to spend the evening with friends," she suggested, "would it not be better to change?"
"If you're going to hang out with friends tonight," she suggested, "wouldn't it make sense to change?"
"I have on a velvet gown," said Thelma, with a rather wearied patience. "It is quite dressy enough for where I am going." She paused abruptly, and Britta looked at her inquiringly.
"I’m wearing a velvet gown," Thelma said, with a hint of tired patience. "It’s fancy enough for where I’m heading." She suddenly stopped speaking, and Britta looked at her questioningly.
"Are you tired, Fröken Thelma?" she asked. "You are so pale!"
"Are you tired, Miss Thelma?" she asked. "You look so pale!"
"I have a slight headache," Thelma answered. "It is nothing,—it will soon pass. I wish you to post that letter at once, Britta."
"I have a bit of a headache," Thelma replied. "It's nothing—it will pass soon. I need you to mail that letter right away, Britta."
"Very well, Fröken." Britta still hesitated. "Will you be out all the evening?" was her next query.
"Alright, Miss." Britta still hesitated. "Are you going to be out all evening?" was her next question.
"Yes."
Yes.
"Then perhaps you will not mind if I go and see Louise, and take supper with her? She has asked me, and Mr. Briggs"—here Britta laughed—"is coming to see if I can go. He will escort me, he says!" And she laughed again.
"Then maybe you won’t mind if I go see Louise and have dinner with her? She invited me, and Mr. Briggs"—here Britta laughed—"is coming to check if I can go. He says he’ll be my ride!" And she laughed again.
Thelma forced herself to smile. "You can go, by all means, Britta! But I thought you did not like Lady Winsleigh's French maid?"
Thelma forced a smile. "Go ahead, Britta! But I thought you didn't like Lady Winsleigh's French maid?"
"I don't like her much," Britta admitted—"still, she means to be kind and agreeable, I think. And"—here she eyed Thelma with a mysterious and important air—"I want to ask her a question about something very particular."
"I don't like her that much," Britta admitted—"but I think she really tries to be nice and pleasant. And"—here she looked at Thelma with a mysterious and serious expression—"I want to ask her something specific."
"Then, go and stay as long as you like, dear," said Thelma, a sudden impulse of affection causing her to caress softly her little maid's ruffled brown curls, "I shall not be back till—till quite late. And when you return from the post, I shall be gone—so—good-bye!"
"Then, go and stay as long as you want, dear," said Thelma, a sudden wave of affection prompting her to gently stroke her little maid's messy brown curls, "I won’t be back until—until pretty late. And when you come back from the post, I’ll be gone—so—goodbye!"
"Good-bye!" exclaimed Britta wonderingly. "Why, where are you going? One would think you were starting on a long journey. You speak so strangely, Fröken!"
"Good-bye!" Britta said, surprised. "Wait, where are you going? It sounds like you're off on a long trip. You’re acting so oddly, Fröken!"
"Do I?" and Thelma smiled kindly. "It is because my head aches, I suppose. But it is not strange to say good-bye, Britta!"
"Do I?" Thelma smiled gently. "I guess it's because I have a headache. But it's not unusual to say goodbye, Britta!"
Britta caught her hand. "Where are you going?" she persisted.
Britta grabbed her hand. "Where are you going?" she pressed.
"To see some friends," responded Thelma quietly. "Now do not ask any more questions, Britta, but go and post my letter. I want father to get it as soon as possible, and you will lose the post if you are not very quick."
"To see some friends," Thelma replied softly. "Now, don't ask any more questions, Britta, just go and mail my letter. I want Dad to get it as soon as possible, and you’ll miss the post if you don’t hurry."
Thus reminded, Britta hastened off, determining to run all the way, in order to get back before her mistress left the house. Thelma, however, was too quick for her. As soon as Britta had gone, she took the letter she had written to Philip, and slipped it within the pages of a small volume of poems he had lately been reading. It was a new book entitled "Gladys the Singer," and its leading motif was the old, never-exhausted subject of a woman's too faithful love, betrayal, and despair. As she opened it, her eyes fell by chance on a few lines of hopeless yet musical melancholy, which, like a sad song heard suddenly, made her throat swell with rising yet restrained tears. They ran thus:—
Thus reminded, Britta hurried off, planning to run the entire way to get back before her mistress left the house. However, Thelma was quicker. As soon as Britta left, she took the letter she had written to Philip and slipped it between the pages of a small book of poems he had recently been reading. It was a new book called "Gladys the Singer," and its main theme was the timeless subject of a woman's unwavering love, betrayal, and despair. As she opened it, her eyes accidentally fell on a few lines of hopeless yet melodious melancholy, which, like a sad song that comes out of nowhere, made her throat tighten with rising but repressed tears. The lines went like this:—
"Oh! I can drown, or, like a broken lyre,
Be thrown to earth, or cast upon a fire,—
I can be made to feel the pangs of death,
And yet be constant to the quest of breath,—
Our poor pale trick of living through the lies
We name Existence when that 'something' dies
Which we call Honor. Many and many a way
Can I be struck or fretted night or day
In some new fashion,—or condemn'd the while
To take for food the semblance of a smile,—
The left-off rapture of a slain caress,—"
"Oh! I can drown, or, like a broken stringed instrument,
Be dropped to the ground, or thrown onto a fire,—
I can feel the pain of dying,
And still keep searching for breath,—
Our sad, pale act of living through the lies
We call Existence when that 'something' dies
That we refer to as Honor. There are so many ways
I can be hurt or troubled day or night
In some new way,—or stuck in the meantime
To pretend to eat the fake smile,—
The leftover joy of a lost touch,—"
Ah!—she caught her breath sobbingly, "The left-off rapture of a slain caress!" Yes,—that would be her portion now if—if she stayed to receive it. But she would not stay! She turned over the volume abstractedly, scarcely conscious of the action,—and suddenly, as if the poet-writer of it had been present to probe her soul and make her inmost thoughts public, she read:—
Ah!—she gasped, "The leftover thrill of a lost embrace!" Yes,—that would be what she’d get now if—if she chose to accept it. But she wouldn’t stay! She flipped through the book absentmindedly, hardly aware of what she was doing,—and suddenly, as if the poet who wrote it was there to explore her soul and reveal her deepest thoughts, she read:—
"Because I am unlov'd of thee to-day,
And undesired as sea-weeds in the sea!"
"Because you don't love me today,
And I'm as unwanted as seaweed in the ocean!"
Yes!—that was the "because" of everything that swayed her sorrowful spirit,—"because" she was "unlov'd and undesired."
Yes!—that was the reason behind everything that affected her sad mood,—"because" she was "unloved and unwanted."
She hesitated no longer, but shut the book with her farewell letter inside it, and put it back in its former place on the little table beside Philip's arm-chair. Then she considered how she should distinguish it by some mark that should attract her husband's attention toward it,—and loosening from her neck a thin gold chain on which was suspended a small diamond cross with the names "Philip" and "Thelma" engraved at the back, she twisted it round the little book, and left it so that the sparkle of the jewels should be seen distinctly on the cover. Now was there anything more to be done? She divested herself of all her valuable ornaments, keeping only her wedding-ring and its companion circlet of brilliants,—she emptied her purse of all money save that which was absolutely necessary for her journey—then she put on her hat, and began to fasten her long cloak slowly, for her fingers were icy cold and trembled very strangely. Stay,—there was her husband's portrait,—she might take that, she thought, with a sort of touching timidity. It was a miniature on ivory—and had been painted expressly for her,—she placed it inside her dress, against her bosom.
She didn't hesitate anymore; she closed the book with her farewell letter inside and put it back in its original spot on the little table next to Philip's armchair. Then she thought about how to mark it so her husband would notice it. She took off a thin gold chain from around her neck, which held a small diamond cross with the names "Philip" and "Thelma" engraved on the back, and wrapped it around the little book, leaving it so the sparkle of the jewels would be clearly visible on the cover. Was there anything else to do? She took off all her valuable jewelry, keeping only her wedding ring and its companion band of diamonds—she emptied her purse of all money except for what was absolutely needed for her journey—then she put on her hat and started to fasten her long cloak slowly, as her fingers were freezing and trembling oddly. Wait—there was her husband's portrait—she could take that, she thought, feeling a sort of touching shyness. It was a miniature on ivory, painted especially for her—she tucked it inside her dress against her chest.
"He has been too good to me," she murmured; "and I have been too happy,—happier than I deserved to be. Excess of happiness must always end in sorrow."
"He has been too good to me," she murmured; "and I have been too happy—happier than I deserved. Too much happiness always leads to sorrow."
She looked dreamily at Philip's empty chair—in fancy she could see his familiar figure seated there, and she sighed as she thought of the face she loved so well,—the passion of his eyes,—the tenderness of his smile. Softly she kissed the place where his head had rested,—then turned resolutely away.
She gazed dreamily at Philip's empty chair—she could almost picture his familiar figure sitting there, and she sighed thinking about the face she loved so much—the intensity in his eyes—the warmth of his smile. Gently, she kissed the spot where his head had rested—then turned away with determination.
She was giving up everything, she thought, to another woman,—but then—that other woman, however incredible it seemed, was the one Philip loved best,—his own written words were a proof of this. There was no choice therefore,—his pleasure was her first consideration,—everything must yield to that, so she imagined,—her own life was nothing, in her estimation, compared to his desire. Such devotion as hers was of course absurd—it amounted to weak self-immolation, and would certainly be accounted as supremely foolish by most women who have husbands, and who, when they swear to "obey," mean to break the vow at every convenient opportunity—but Thelma could not alter her strange nature, and, with her, obedience meant the extreme letter of the law of utter submission. Leaving the room she had so lately called her own, she passed into the entrance-hall. Morris was not there, and she did not summon him,—she opened the street-door for herself, and shutting it quietly behind her, she stood alone in the cold street, where the fog had now grown so dense that the lamp-posts were scarcely visible. She walked on for a few paces rather bewildered and chilled by the piercing bitterness of the air,—then, rallying her forces, she hailed a passing cab, and told the man to take her to Charing Cross Station. She was not familiar with London—and Charing Cross was the only great railway terminus she could just then think of.
She thought she was giving up everything to another woman—but that woman, as unbelievable as it was, was the one Philip loved most—his own written words proved this. There was no choice, then—his happiness was her top priority—everything had to give way to that, or so she imagined—her own life meant nothing to her compared to his wishes. Such devotion was, of course, absurd—it was essentially weak self-sacrifice, and most women with husbands would certainly see it as incredibly foolish, especially since when they vow to "obey," they usually plan to break that promise at every opportunity—but Thelma couldn't change her unusual nature, and for her, obedience meant complete submission. After leaving the room she had recently called her own, she walked into the entrance hall. Morris wasn’t there, and she didn’t call for him—she opened the street door for herself, and quietly closed it behind her, standing alone in the cold street, where the fog had thickened to the point that the lamp posts were barely visible. She walked a few steps, feeling disoriented and chilled by the biting cold—then, gathering her composure, she hailed a passing cab and told the driver to take her to Charing Cross Station. She wasn’t familiar with London—and Charing Cross was the only major train station she could think of at that moment.
Arrived there, the glare of the electric light, the jostling passengers rushing to and from the trains, the shouts and wrangling of porters and cabmen, confused her not a little,—and the bold looks of admiration bestowed on her freely by the male loungers sauntering near the doors of the restaurant and hotel, made her shrink and tremble for shame. She had never travelled entirely alone before—and she began to be frightened at the pandemonium of sights and noises that surged around her. Yet she never once thought of returning,—she never dreamed of going to any of her London friends, lest on hearing of her trouble they might reproach Philip—and this Thelma would not have endured. For the same reason, she had said nothing to Britta.
When she arrived, the harsh glare of the electric lights, the crowd of passengers rushing to and from the trains, and the shouting and arguing of porters and cab drivers overwhelmed her quite a bit. The bold looks of admiration given to her by the men loitering near the restaurant and hotel doors made her feel shy and ashamed. She had never traveled completely alone before, and she started to feel scared by the chaotic mix of sights and sounds surrounding her. Still, she never considered turning back — she never thought about reaching out to any of her friends in London, fearing that if they learned of her trouble, they might blame Philip—and this was something Thelma would never tolerate. For the same reason, she hadn’t mentioned anything to Britta.
In her then condition, it seemed to her that only one course lay open for her to follow,—and that was to go quietly home,—home to the Altenfjord. No one would be to blame for her departure but herself, she thought,—and Philip would be free. Thus she reasoned,—if, indeed, she reasoned at all. But there was such a frozen stillness in her soul—her senses were so numbed with pain, that as yet she scarcely realized either what had happened or what she herself was doing. She was as one walking in sleep—the awakening, bitter as death, was still to come.
In her current state, it seemed to her that there was only one option available to her—and that was to go quietly home—to the Altenfjord. She thought no one would be at fault for her leaving except herself—and Philip would be free. That's how she reasoned—if she was even reasoning at all. But there was such an icy stillness in her soul—her senses were so dulled by pain that she could barely grasp what had happened or what she was doing. She felt like someone walking in a dream—the harsh awakening, as painful as death, was yet to come.
Presently a great rush of people began to stream towards her from one of the platforms, and trucks of luggage, heralded by shouts of, "Out of the way, there!" and "By'r leave!" came trundling rapidly along—the tidal train from the Continent had just arrived.
Currently, a huge crowd of people started to flow towards her from one of the platforms, and carts of luggage, announced by shouts of, "Move aside!" and "Excuse us!" came rolling quickly along—the tidal train from the Continent had just pulled in.
Dismayed at the increasing confusion and uproar, Thelma addressed herself to an official with a gold band round his hat.
Dismayed by the growing confusion and chaos, Thelma spoke to an official with a gold band on his hat.
"Can you tell me," she asked timidly, "where I shall take a ticket for Hull?"
"Can you tell me," she asked quietly, "where I can get a ticket to Hull?"
The man glanced at the fair, anxious face, and smiled good-humoredly.
The man looked at the pale, worried face and smiled kindly.
"You've come to the wrong station, miss," he said. "You want the Midland line."
"You've got the wrong station, miss," he said. "You need the Midland line."
"The Midland?" Thelma felt more bewildered than ever.
"The Midland?" Thelma felt more confused than ever.
"Yes,—the Midland," he repeated rather testily. "It's a good way from here—you'd better take a cab."
"Yes—the Midland," he said a bit irritably. "It's pretty far from here—you should probably take a cab."
She moved away,—but started and drew herself back into a shadowed corner, coloring deeply as the sound of a rich, mellifluous voice, which she instantly recognized, smote suddenly on her ears.
She moved away—but then stopped and pulled herself back into a shadowy corner, blushing deeply as the sound of a rich, smooth voice, which she instantly recognized, suddenly reached her ears.
"And as I before remarked, my good fellow," the voice was saying, "I am not a disciple of the semi-obscure. If a man has a thought which is worth declaring, let him declare it with a free and noble utterance—don't let him wrap it up in multifarious parcels of dreary verbosity! There's too much of that kind of thing going on nowadays—in England, at least. There's a kind of imitation of art which isn't art at all,—a morbid, bilious, bad imitation. You only get close to the real goddess in Italy. I wish I could persuade you to come and pass the winter with me there?"
"And as I mentioned earlier, my good friend," the voice was saying, "I'm not one for the somewhat obscure. If someone has a thought that's worth sharing, they should express it boldly and nobly—there's no need to wrap it in a bunch of boring words! There's way too much of that happening nowadays—in England, at least. There's a kind of fake art that isn't art at all—a sickly, nasty imitation. You can only get close to the real goddess in Italy. I wish I could convince you to come and spend the winter with me there?"
It was Beau Lovelace who spoke, and he was talking to George Lorimer. The two had met in Paris,—Lovelace was on his way to London, where a matter of business summoned him for a few days, and Lorimer, somewhat tired of the French capital, decided to return with him. And here they were,—just arrived at Charing Cross,—and they walked across the station arm in arm, little imagining who watched them from behind the shelter of one of the waiting-room doors, with a yearning sorrow in her grave blue eyes. They stopped almost opposite to her to light their cigars,—she saw Lorimer's face quite distinctly, and heard his answer to Lovelace.
It was Beau Lovelace who was speaking, and he was talking to George Lorimer. The two had met in Paris—Lovelace was heading to London for a few days on business, and Lorimer, feeling a bit done with the French capital, decided to come back with him. And here they were—just arrived at Charing Cross—and they walked across the station arm in arm, completely unaware of who was watching them from behind one of the waiting-room doors, with a deep sadness in her serious blue eyes. They stopped almost directly in front of her to light their cigars—she could see Lorimer's face clearly and heard his response to Lovelace.
"Well, I'll see what I can do about it, Beau! You know my mother always likes to get away from London in winter—but whether we ought to inflict ourselves upon you,—you being a literary man too—"
"Well, I'll see what I can do about it, Beau! You know my mom always likes to escape London in winter—but whether we should impose on you, since you’re a writer too—"
"Nonsense, you won't interfere in the least with the flow of inky inspiration," laughed Beau. "And as for your mother, I'm in love with her, as you are aware! I admire her almost as much as I do Lady Bruce-Errington—and that's saying a great deal! By-the-by, if Phil can get through his share of this country's business, he might do worse than bring his beautiful Thelma to the Lake of Como for a while. I'll ask him!"
"Nonsense, you won’t mess with the flow of creativity at all," laughed Beau. "And about your mom, I’m in love with her, as you know! I admire her almost as much as I do Lady Bruce-Errington—and that’s saying a lot! By the way, if Phil can handle his part of this country’s business, he could do worse than take his beautiful Thelma to Lake Como for a while. I'll ask him!"
And having lit their Havannas successfully, they walked on and soon disappeared. For one instant Thelma felt strongly inclined to run after them, like a little forlorn child that had lost its way,—and, unburdening herself of all her miseries to the sympathetic George, entreat, with tears, to be taken back to that husband who did not want her any more. But she soon overcame this emotion,—and calling to mind the instructions of the official personage whose advice she had sought, she hurried out of the huge, brilliantly lit station, and taking a hansom, was driven, as she requested, to the Midland. Here the rather gloomy aspect of the place oppressed her as much as the garish bustle of Charing Cross had bewildered her,—but she was somewhat relieved when she learned that a train for Hull would start in ten minutes. Hurrying to the ticket-office she found there before her a kindly faced woman with a baby in her arms, who was just taking a third-class ticket to Hull, and as she felt lonely and timid, Thelma at once decided to travel third-class also, and if possible in the same compartment with this cheerful matron, who, as soon as she had secured her ticket, walked away to the train, hushing her infant in her arms as she went. Thelma followed her at a little distance—and as soon as she saw her enter a third-class carriage, she hastened her steps and entered also, quite thankful to have secured some companionship for the long cold journey. The woman glanced at her a little curiously—it was strange to see so lovely and young a creature travelling all alone at night,—and she asked kindly—
And after successfully lighting their cigars, they continued on and soon disappeared. For a brief moment, Thelma felt a strong urge to run after them, like a small, lost child—wanting to share all her troubles with the sympathetic George and pleading, with tears, to be taken back to her husband who no longer wanted her. But she quickly pushed that feeling aside—remembering the advice from the official whose guidance she had sought, she hurried out of the large, brightly lit station and took a cab, asking to be taken to the Midland. Once there, the rather gloomy atmosphere weighed on her as much as the overwhelming hustle of Charing Cross had confused her—but she felt somewhat relieved when she learned that a train to Hull would leave in ten minutes. Rushing to the ticket office, she saw a kind-looking woman with a baby in her arms, just buying a third-class ticket to Hull. Feeling lonely and shy, Thelma decided to travel third-class too, hoping to be in the same compartment as this cheerful mother. Once the woman had her ticket, she walked away to the train, soothing her baby as she went. Thelma followed a little behind—and as soon as she saw her enter a third-class carriage, she quickened her steps and joined her, grateful for some company on the long, cold journey. The woman looked at her with a hint of curiosity—it was unusual to see someone so beautiful and young traveling alone at night—and kindly asked—
"Be you goin' fur, miss?"
"Are you going far, miss?"
Thelma smiled—it was pleasant to be spoken to, she thought.
Thelma smiled—it felt good to be talked to, she thought.
"Yes," she answered. "All the way to Hull."
"Yep," she replied. "All the way to Hull."
"'Tis a cold night for a journey," continued her companion.
"It's a cold night for a journey," her companion continued.
"Yes, indeed," answered Thelma. "It must be cold for your little baby."
"Yeah, for sure," replied Thelma. "It must be chilly for your little baby."
And unconsciously her voice softened and her eyes grew sad as she looked across at the sleeping infant.
And without realizing it, her voice became softer and her eyes filled with sadness as she looked at the sleeping baby.
"Oh, he's as warm as toast!" laughed the mother cheerily. "He gets the best of everything, he do. It's yourself that's looking cold, my dear in spite of your warm cloak. Will ye have this shawl?"
"Oh, he's as warm as toast!" the mother laughed cheerfully. "He gets the best of everything, he does. It's you who's looking cold, my dear, despite your warm cloak. Would you like this shawl?"
And she offered Thelma a homely gray woollen wrap with much kindly earnestness of manner.
And she offered Thelma a simple gray wool wrap with a genuinely caring attitude.
"I am quite warm, thank you," said Thelma gently, accepting the shawl, however, to please her fellow-traveller. "It is a headache I have which makes me look pale. And, I am very, very tired!"
"I’m pretty warm, thanks," Thelma replied softly, taking the shawl to make her fellow traveler happy. "It’s a headache that’s making me look pale. And I’m really, really tired!"
Her voice trembled a little,—she sighed and closed her eyes. She felt strangely weak and giddy,—she seemed to be slipping away from herself and from all the comprehension of life,—she wondered vaguely who and what she was. Had her marriage with Philip been all a dream?—perhaps she had never left the Altenfjord after all! Perhaps she would wake up presently and see the old farm-house quite unchanged, with the doves flying about the roof, and Sigurd wandering under the pines as was his custom. Ah, dear Sigurd! Poor Sigurd! he had loved her, she thought—nay, he loved her still,—he could not be dead! Oh, yes,—she must have been dreaming,—she felt certain she was lying on her own little white bed at home, asleep;—she would by-and-by open her eyes and get up and look through her little latticed window, and see the sun sparkling on the water, and the Eulalie at the anchor in the Fjord—and her father would ask Sir Philip and his friends to spend the afternoon at the farm-house—and Philip would come and stroll with her through the garden and down to the shore, and would talk to her in that low, caressing voice of his,—and though she loved him dearly, she must never, never let him know of it, because she was not worthy! . . . She woke from these musings with a violent start and a sick shiver running through all her frame,—and looking wildly about her, saw that she was reclining on some one's shoulder,—some one was dabbing a wet handkerchief on her forehead—her hat was off and her cloak was loosened.
Her voice shook a bit; she sighed and shut her eyes. She felt strangely weak and dizzy; it was like she was drifting away from herself and everything she understood about life—she vaguely wondered who she was and what her life meant. Had her marriage to Philip just been a dream? Maybe she had never left the Altenfjord after all! Maybe she'd wake up soon and find the old farmhouse just like it was before, with the doves flying around the roof and Sigurd wandering under the pines like he always did. Oh, dear Sigurd! Poor Sigurd! He had loved her, or at least she thought he did—no, he still loved her—he couldn’t be dead! Oh yes, she must have been dreaming; she was sure she was lying on her own little white bed at home, asleep—soon she'd open her eyes, get up, look out her little window, and see the sun sparkling on the water, with the Eulalie anchored in the Fjord—and her father would invite Sir Philip and his friends to spend the afternoon at the farmhouse—and Philip would come and walk with her through the garden down to the shore, talking to her in that soft, affectionate voice of his—and even though she loved him dearly, she must never, ever let him know, because she wasn't worthy! . . . She jolted awake with a sudden start and a sick shiver coursing through her, and looking around wildly, she realized she was resting on someone’s shoulder—someone was pressing a damp cloth to her forehead—her hat was off and her cloak was loosened.
"There, my dear, you're better now!" said a kindly voice in her ear. "Lor! I thought you was dead—that I did! 'Twas a bad faint indeed. And with the train jolting along like this too! It was lucky I had a flask of cold water with me. Raise your head a little—that's it! Poor thing,—you're as white as a sheet! You're not fit to travel, my dear—you're not indeed."
"There, my dear, you're feeling better now!" said a gentle voice in her ear. "Oh my! I thought you were dead—I really did! That was quite a bad faint. And with the train bumping along like this too! I was lucky to have a flask of cold water with me. Lift your head a little—that's it! Poor thing—you’re as white as a sheet! You’re not fit to travel, my dear—you really aren’t."
Thelma raised herself slowly, and with a sudden impulse kissed the good woman's honest, rosy face, to her intense astonishment and pleasure.
Thelma sat up slowly and, on a sudden impulse, kissed the kind woman's honest, rosy face, leaving her completely astonished and pleased.
"You are very kind to me!" she said tremulously. "I am so sorry to have troubled you. I do feel ill—but it will soon pass."
"You’re so nice to me!" she said nervously. "I’m really sorry to have bothered you. I do feel sick—but it will pass soon."
And she smoothed her ruffled hair, and sitting up erect, endeavored to smile. Her companion eyed her pale face compassionately, and taking up her sleeping baby from the shawl on which she had laid it while ministering to Thelma's needs, began to rock it slowly to and fro. Thelma, meanwhile, became sensible of the rapid movement of the train.
And she fixed her messy hair, and sitting up straight, tried to smile. Her friend looked at her pale face with sympathy, and picking up her sleeping baby from the shawl where she had laid it while helping Thelma, started to rock it gently back and forth. Meanwhile, Thelma noticed how fast the train was moving.
"We have left London?" she asked with an air of surprise.
"We've left London?" she asked, sounding surprised.
"Nearly half an hour ago, my dear." Then, after a pause, during which she had watched Thelma very closely, she said—
"Almost thirty minutes ago, my dear." Then, after a pause, during which she watched Thelma very closely, she said—
"I think you're married, aren't you, dearie?"
"I think you're married, right, sweetheart?"
"Yes." Thelma answered, a slight tinge of color warming her fair pale cheeks.
"Yes." Thelma replied, a slight flush warming her pale cheeks.
"Your husband, maybe, will meet you at Hull?"
"Maybe your husband will meet you in Hull?"
"No,—he is in London," said Thelma simply. "I am going to see my father."
"No, he's in London," Thelma said simply. "I'm going to see my dad."
This answer satisfied her humble friend, who, noticing her extreme fatigue and the effort it cost her to speak, forbore to ask any more questions, but good-naturedly recommended her to try and sleep. She slept soundly herself for the greater part of the journey; but Thelma was now feverishly wide awake, and her eyeballs ached and burned as though there were fire behind them.
This answer pleased her modest friend, who, seeing how tired she was and how much effort it took for her to speak, decided not to ask any more questions and kindly suggested that she try to sleep. She herself slept soundly for most of the journey; however, Thelma was now wide awake and restless, and her eyes ached and burned as if there were fire behind them.
Gradually her nerves began to be wound up to an extreme tension of excitement—she forgot all her troubles in listening with painful intentness to the rush and roar of the train through the darkness. The lights of passing stations and signal-posts gleamed like scattered and flying stars—there was the frequent shriek of the engine-whistle,—the serpent-hiss of escaping steam. She peered through the window—all was blackness; there seemed to be no earth, no sky,—only a sable chaos, through which the train flew like a flame-mouthed demon. Always that rush and roar! She began to feel as if she could stand it no longer. She must escape from that continuous, confusing sound—it maddened her brain. Nothing was easier; she would open the carriage-door and get out! Surely she could manage to jump off the step, even though the train was in motion!
Gradually, her nerves became tightly wound with excitement—she forgot all her worries as she listened intently to the rush and roar of the train cutting through the darkness. The lights of passing stations and signal-posts sparkled like scattered, flying stars—there was the frequent blast of the engine whistle, and the hissing of escaping steam. She leaned closer to the window—all she saw was blackness; it felt like there was no earth, no sky—just an endless chaos through which the train sped like a flame-spewing demon. That constant rush and roar! She started to feel like she couldn't take it anymore. She needed to escape that never-ending, confusing noise—it drove her crazy. It couldn't be easier; she would open the carriage door and jump out! Surely she could manage to leap off the step, even while the train was moving!
Danger! She smiled at that idea,—there was no danger; and, if there was, it did not much matter. Nothing mattered now,—now that she had lost her husband's love. She glanced at the woman opposite, who slept profoundly—the baby had slipped a little from its mother's arms, and lay with its tiny face turned towards Thelma. It was a pretty creature, with soft cheeks and a sweet little mouth,—she looked at it with a vague, wild smile. Again, again that rush and roar surged like a storm in her ears and distracted her mind! She rose suddenly and seized the handle of the carriage door. Another instant, and she would have sprang to certain death,—when suddenly the sleeping baby woke, and, opening its mild blue eyes, gazed at her.
Danger! She found that idea amusing—there was no danger, and even if there was, it didn't really matter. Nothing mattered anymore—now that she had lost her husband's love. She glanced at the woman across from her, who was sleeping deeply—the baby had slipped a little from its mother's arms and lay with its tiny face turned toward Thelma. It was an adorable little thing, with soft cheeks and a sweet mouth—she looked at it with a vague, wild smile. Again, that overwhelming rush and roar surged in her ears and distracted her thoughts! She suddenly stood up and grabbed the carriage door handle. In another moment, she would have jumped to certain death—when, suddenly, the sleeping baby woke up, opened its gentle blue eyes, and stared at her.
She met its glance as one fascinated,—almost unconsciously her fingers dropped from the door-handle,—the little baby still looked at her in dreamlike, meditative fashion,—its mother slept profoundly. She bent lower and lower over the child. With a beating heart she ventured to touch the small, pink hand that lay outside its wrappings like a softly curved rose-leaf. With a sort of elf-like confidence and contentment the feeble, wee fingers closed and curled round hers,—and held her fast! Weak as a silken thread, yet stronger in its persuasive force than a grasp of iron, that soft, light pressure controlled and restrained her, . . . very gradually the mists of her mind cleared,—the rattling, thunderous dash of the train grew less dreadful, less monotonous, less painful to her sense of hearing,—her bosom heaved convulsively, and all suddenly her eyes filled with tears—merciful tears, which at first welled up slowly, and were hot as fire, but which soon began to fall faster and faster in large, bright drops down her pale cheeks. Seeing that its mother still slept, she took the baby gently into her own fair arms,—and rocked it to and fro with many a sobbing murmur of tenderness;—the little thing smiled drowsily and soon fell asleep again, all unconscious that its timely look and innocent touch had saved poor Thelma's life and reason.
She met its gaze, almost mesmerized—without even realizing it, her fingers slipped from the door handle—the little baby continued to look at her in a dreamy, thoughtful way—its mother was sleeping soundly. She leaned lower and lower over the child. With a racing heart, she dared to touch the small, pink hand that lay outside its blankets like a gently curved rose petal. With an almost magical sense of confidence and contentment, the tiny weak fingers closed and curled around hers—and held her tightly! Delicate as a silk thread, yet more compelling than an iron grip, that soft, light pressure held her in check. Gradually, the fog in her mind began to clear—the rattling, thunderous noise of the train became less terrifying, less monotonous, less painful to her ears—her chest heaved with emotion, and suddenly her eyes filled with tears—compassionate tears that at first came slowly and were as hot as fire, but soon started to fall more quickly in large, bright drops down her pale cheeks. Noticing that the mother still slept, she gently took the baby into her own lovely arms—and rocked it back and forth with many sobs of tenderness—the little one smiled sleepily and soon fell asleep again, completely unaware that its timely gaze and innocent touch had saved poor Thelma's life and sanity.
She, meanwhile, wept on softly, till her tired brain and heart were somewhat relieved of their heavy burden,—the entanglement of her thoughts became unravelled,—and, though keenly aware of the blank desolation of her life, she was able to raise herself in spirit to the Giver of all Love and Consolation, and to pray humbly for that patience and resignation which now alone could serve her needs. And she communed with herself and God in silence, as the train rushed on northwards. Her fellow-traveller woke up as they were nearing their destination, and, seeing her holding the baby, was profuse in her thanks for this kindness. And when they at last reached Hull, about half an hour after midnight, the good woman was exceedingly anxious to know if she could be of any service,—but Thelma gently, yet firmly, refused all her offers of assistance.
She continued to cry softly until her tired mind and heart felt a bit lighter. The tangled thoughts began to clear, and although she was painfully aware of the emptiness in her life, she managed to lift her spirit to the Source of all Love and Comfort, humbly asking for the patience and acceptance that were all she needed now. She connected with herself and God in silence as the train sped north. Her fellow traveler woke up as they approached their stop and, noticing her holding the baby, expressed her gratitude profusely for the kindness. When they finally arrived in Hull, about half an hour past midnight, the kind woman was very eager to know if she could help in any way, but Thelma gently but firmly declined all her offers of assistance.
They parted in the most friendly manner,—Thelma kissing the child, through whose unconscious means, as she now owned to herself, she had escaped a terrible death,—and then she went directly to a quiet hotel she knew of, which was kept by a native of Christiania, a man who had formerly been acquainted with her father. At first, when this worthy individual saw a lady arrive, alone, young, richly dressed, and without luggage, he was inclined to be suspicious,—but as soon as she addressed him in Norwegian, and told him who she was, he greeted her with the utmost deference and humility.
They said goodbye in the friendliest way possible—Thelma kissed the child, through whose innocent actions, as she admitted to herself, she had narrowly avoided a terrible death—and then she went straight to a quiet hotel she knew, run by a local man from Christiania who had once known her father. At first, when this kind man saw a young, well-dressed lady arrive alone with no luggage, he felt a bit suspicious—but once she spoke to him in Norwegian and told him who she was, he welcomed her with great respect and humility.
"The daughter of Jarl Güldmar," he said, continuing to speak in his own tongue, "honors my house by entering it!"
"The daughter of Jarl Güldmar," he said, continuing to speak in his own language, "honors my house by coming here!"
Thelma smiled a little. "The days of the great Jarls are past, Friedhof," she replied somewhat sadly, "and my father is content to be what he is,—a simple bonde."
Thelma smiled slightly. "The era of the great Jarls is over, Friedhof," she said somewhat sadly, "and my father is happy being just a simple bonde."
Friedhof shook his head quite obstinately. "A Jarl is always a Jarl," he declared. "Nothing can alter a man's birth and nature. And the last time I saw Valdemar Svensen,—he who lives with your father now,—he was careful always to speak of the Jarl, and seldom or never did he mention him in any other fashion. And now, noble Fröken, in what manner can I serve you?"
Friedhof shook his head stubbornly. "A Jarl is always a Jarl," he said. "Nothing can change a man's birth and nature. The last time I saw Valdemar Svensen—he who lives with your father now—he always made sure to refer to the Jarl and hardly ever mentioned him in any other way. So now, noble Miss, how can I assist you?"
Thelma told him briefly that she was going to see her father on business, and that she was desirous of starting for Norway the next day as early as possible.
Thelma briefly told him that she was going to see her dad for business and that she wanted to leave for Norway as early as possible the next day.
Friedhof held up his hands in amazement. "Ah! most surely you forget," he exclaimed, using the picturesque expressions of his native speech, "that this is the sleeping time of the sun! Even at the Hardanger Fjord it is dark and silent,—the falling streams freeze with cold on their way; and if it is so at the Hardanger, what will it be at the Alten? And there is no passenger ship going to Christiania or Bergen for a fortnight!"
Friedhof raised his hands in disbelief. "Ah! Surely you’ve forgotten," he said, using the colorful language of his homeland, "that this is the time when the sun sleeps! Even at the Hardanger Fjord, it’s dark and quiet—the streams freeze in the cold as they flow; and if it's like that in Hardanger, how will it be in Alten? Plus, there aren’t any passenger ships heading to Christiania or Bergen for two weeks!"
Thelma clasped her hands in dismay. "But I must go!" she cried impatiently; "I must, indeed, good Friedhof! I cannot stay here! Surely, surely there is some vessel that would take me,—some fishing boat,—what does it matter how I travel, so long as I get away?"
Thelma held her hands together in distress. "But I have to go!" she exclaimed impatiently; "I really do, dear Friedhof! I can't stay here! Surely, there’s some boat that will take me—any fishing boat—what does it matter how I travel, as long as I can get away?"
The landlord looked at her rather wonderingly. "Nay, if it is indeed so urgent, noble Fröken," he replied, "do not trouble, for there is a means of making the journey. But for you, and in such bitter weather, it seems a cruelty to speak of it. A steam cargo-boat leaves here for Hammerfest and the North Cape to-morrow—it will pass the Altenfjord. No doubt you could go with that, if you so choose,—but there will be no warmth or comfort, and there are heavy storms on the North Sea. I know the captain; and 'tis true he takes his wife with him, so there would be a woman on board,—yet—"
The landlord looked at her in surprise. "Well, if it’s really that urgent, Miss," he said, "don’t worry, there is a way to make the journey. But for you, in this terrible weather, it seems cruel to even mention it. A steam cargo boat leaves here for Hammerfest and the North Cape tomorrow—it will pass the Altenfjord. I’m sure you could go with that, if you want to, but it won’t be warm or comfortable, and there are heavy storms on the North Sea. I know the captain, and it’s true he takes his wife with him, so there would be a woman on board—but—"
Thelma interrupted him. She pressed two sovereigns into his hand.
Thelma cut him off. She put two gold coins into his hand.
"Say no more, Friedhof," she said eagerly. "You will take me to see this captain—you will tell him I must go with him. My father will thank you for this kindness to me, even better than I can."
"Don't say anything more, Friedhof," she said eagerly. "You will take me to see this captain—you will tell him I have to go with him. My dad will appreciate this kindness to me even more than I can."
"It does not seem to me a kindness at all," returned Friedhof with frank bluntness. "I would be loth to sail the seas myself in such weather. And I thought you were so grandly married, Fröken Güldmar,—though I forget your wedded name,—how comes it that your husband is not with you?"
"It doesn’t sound kind to me at all," Friedhof said honestly. "I wouldn't want to be out on the sea in this kind of weather myself. And I thought you were so impressively married, Fröken Güldmar—though I can’t remember your married name—why isn’t your husband here with you?"
"He is very busy in London," answered Thelma. "He knows where I am going. Do not be at all anxious, Friedhof,—I shall make the journey very well and I am not afraid of storm or wild seas."
"He’s really busy in London," Thelma replied. "He knows where I'm headed. Don’t worry at all, Friedhof—I’ll make the trip just fine, and I’m not scared of storms or rough seas."
Friedhof still looked dubious, but finally yielded to her entreaties and agreed to arrange her passage for her in the morning.
Friedhof still looked unsure, but eventually gave in to her pleas and agreed to arrange her passage for her in the morning.
She stayed at his hotel that night, and with the very early dawn accompanied him on board the ship he had mentioned. It was a small, awkwardly built craft, with an ugly crooked black funnel out of which the steam was hissing and spitting with quite an unnecessary degree of violence—the decks were wet and dirty, and the whole vessel was pervaded with a sickening smell of whale-oil. The captain, a gruff red-faced fellow, looked rather surlily at his unexpected passenger—but was soon mollified by her gentle manner, and the readiness with which she paid the money he demanded for taking her.
She stayed at his hotel that night and, with the very early dawn, accompanied him on board the ship he had mentioned. It was a small, awkwardly built boat, with an ugly, crooked black funnel from which steam was hissing and spitting with quite an unnecessary intensity—the decks were wet and dirty, and the whole vessel was filled with a nauseating smell of whale oil. The captain, a gruff, red-faced guy, gave a somewhat surly look at his unexpected passenger but was quickly softened by her gentle demeanor and how readily she paid the fare he demanded for taking her.
"You won't be very warm," he said, eyeing her from head to foot—"but I can lend you a rug to sleep in."
"You won't be very warm," he said, looking her up and down—"but I can lend you a blanket to sleep with."
Thelma smiled and thanked him. He called to his wife, a thin, overworked-looking creature, who put up her head from a window in the cabin, at his summons.
Thelma smiled and thanked him. He called to his wife, a slim, tired-looking woman, who lifted her head from a window in the cabin at his call.
"Here's a lady going with us," he announced. "Look after her, will you?" The woman nodded. Then, once more addressing himself to Thelma, he said, "We shall have nasty weather and a wicked sea!"
"Here's a woman coming with us," he announced. "Take care of her, okay?" The woman nodded. Then, turning back to Thelma, he said, "We're expecting bad weather and a rough sea!"
"I do not mind!" she answered quietly, and turning to Friedhof who had come to see her off, she shook hands with him warmly and thanked him for the trouble he had taken in her behalf. The good landlord bade her farewell somewhat reluctantly,—he had a presentiment that there was something wrong with the beautiful, golden-haired daughter of the Jarl—and that perhaps he ought to have prevented her making this uncomfortable and possibly perilous voyage. But it was too late now,—and at a little before seven o'clock, the vessel,—which rejoiced in the name of the Black Polly,—left the harbor, and steamed fussily down the Humber in the teeth of a sudden storm of sleet and snow.
"I don’t mind!" she replied quietly, and turning to Friedhof, who had come to see her off, she shook his hand warmly and thanked him for the effort he had made on her behalf. The good landlord said goodbye somewhat reluctantly—he had a feeling that something was wrong with the beautiful, golden-haired daughter of the Jarl—and that maybe he should have stopped her from making this uncomfortable and potentially dangerous journey. But it was too late now—and just before seven o'clock, the ship, which was called the Black Polly, left the harbor and chugged down the Humber against a sudden storm of sleet and snow.
Her departure had no interest for any one save Friedhof, who stood watching her till she was no more than a speck on the turbid water. He kept his post, regardless of the piercing cold of the gusty, early morning air, till she had entirely disappeared, and then returned to his own house and his daily business in a rather depressed frame of mind. He was haunted by the pale face and serious eyes of Thelma—she looked very ill, he thought. He began to reproach himself,—why had he been such a fool as to let her go?—why had he not detained her?—or at any rate, persuaded her to rest a few days in Hull? He looked at the threatening sky and the falling flakes of snow with a shiver.
Her departure didn't interest anyone except Friedhof, who stood watching her until she was just a tiny speck on the muddy water. He kept his place, ignoring the biting cold of the windy early morning air, until she completely vanished, and then he went back to his own house and daily routine in a pretty down mood. He was troubled by Thelma's pale face and serious eyes—she looked really unwell, he thought. He started to blame himself—why had he been such a fool to let her go?—why hadn’t he held her back?—or at least convinced her to stay a few days in Hull? He looked at the ominous sky and the falling snowflakes with a shiver.
"What weather!" he muttered, "and there must be a darkness as of death at the Altenfjord!"
"What terrible weather!" he muttered, "and it must be as dark as death at the Altenfjord!"
Meanwhile the Black Polly—unhandsome as she was in appearance, struggled gallantly with and overcame an army of furious waves that rose to greet her as she rounded Spurn Head, and long ere Thelma closed her weary eyes in an effort to sleep, was plunging, shivering, and fighting her slow way through shattering mountainous billows and a tempest of sleet, snow, and tossing foam across the wild North Sea.
Meanwhile, the Black Polly—as unattractive as she was—bravely battled and conquered an army of angry waves that surged up to meet her as she rounded Spurn Head. Long before Thelma closed her tired eyes to try to sleep, the ship was plunging, shivering, and struggling through breaking, towering waves and a storm of sleet, snow, and crashing foam across the rough North Sea.
CHAPTER XXVII.
"What of her glass without her? The blank grey There, where the pool is blind of the moon's face— Her dress without her? The tossed empty space Of cloud-rack whence the moon has passed away!" |
DANTE G. ROSSETTI.
Dante G. Rossetti.
"Good God!" cried Errington impatiently "What's the matter? Speak out!"
"Good God!" Errington exclaimed impatiently. "What's going on? Just say it!"
He had just arrived home. He had barely set foot within his own door, and full of lover-like ardor and eagerness was about to hasten to his wife's room,—when his old servant Morris stood in his way trembling and pale-faced,—looking helplessly from him to Neville,—who was as much astonished as Sir Philip, at the man's woe-begone appearance.
He had just gotten home. He had barely stepped through his own door, filled with excitement and eagerness to rush to his wife's room—when his old servant Morris blocked his path, shaking and pale-faced—looking helplessly from him to Neville—who was just as surprised as Sir Philip at the man's disheartened look.
"Something has happened," he stammered faintly at last. "Her ladyship—"
"Something's happened," he said weakly at last. "Her ladyship—"
Philip started—his heart beat quickly and then seemed to grow still with a horrible sensation of fear.
Philip was taken aback—his heart raced and then felt like it had stopped completely, overtaken by a terrible sense of fear.
"What of her?" he demanded in low hoarse tones. "Is she ill?"
"What about her?" he asked in a low, rough voice. "Is she sick?"
Morris threw up his hands with a gesture of despair.
Morris threw his hands up in frustration.
"Sir Philip, my dear master!" cried the poor old man. "I do not know whether she is ill or well—I cannot guess! My lady went out last night at a little before eight o'clock,—and—and she has never come home at all! We cannot tell what has become of her! She has gone!"
"Sir Philip, my dear master!" shouted the poor old man. "I have no idea if she’s sick or fine—I can’t tell! My lady left last night just before eight o'clock—and—and she hasn’t come home at all! We don’t know what happened to her! She’s gone!"
And tears of distress and anxiety filled his eyes. Philip stood mute. He could not understand it. All color fled from his face—he seemed as though he had received a sudden blow on the head which had stunned him.
And tears of distress and anxiety filled his eyes. Philip stood there speechless. He couldn't grasp it. All color drained from his face—he looked like he'd just gotten a sudden blow to the head that had left him dazed.
"Gone!" he said mechanically. "Thelma—my wife gone! Why should she go?"
"Gone!" he said automatically. "Thelma—my wife is gone! Why would she leave?"
And he stared fixedly at Neville, who laid one hand soothingly on his arm.
And he stared intently at Neville, who placed one hand gently on his arm.
"Perhaps she is with friends," he suggested. "She may be at Lady Winsleigh's or Mrs. Lorimer's."
"Maybe she’s with friends," he suggested. "She could be at Lady Winsleigh's or Mrs. Lorimer's."
"No, no!" interrupted Morris. "Britta, who stayed up all night for her, has since been to every house that my lady visits and no one has seen or heard of her!"
"No, no!" interrupted Morris. "Britta, who stayed up all night for her, has since gone to every house my lady visits, and no one has seen or heard from her!"
"Where is Britta?" demanded Philip suddenly.
"Where's Britta?" Philip asked suddenly.
"She has gone again to Lady Winsleigh's," answered Morris, "she says it is there that mischief has been done,—I don't know what she means!"
"She's gone to Lady Winsleigh's again," Morris replied, "she says that's where the trouble started—I have no idea what she means!"
Philip shook off his secretary's sympathetic touch, and strode through the rooms to Thelma's boudoir. He put aside the velvet curtains of the portiere with a noiseless hand—somehow he felt as if, in spite of all he had just heard, she must be there as usual to welcome him with that serene sweet smile which was the sunshine of his life. The empty desolate air of the room smote him with a sense of bitter pain,—only the plaintive warble of her pet thrush, who was singing to himself most mournfully in his gilded cage, broke the heavy silence. He looked about him vacantly. All sorts of dark forebodings crowded on his mind,—she must have met with some accident, he thought with a shudder,—for that she would depart from him in this sudden way of her own accord for no reason whatsoever seemed to him incredible—impossible.
Philip brushed off his secretary's sympathetic touch and walked through the rooms to Thelma's bedroom. He quietly moved aside the velvet curtains, feeling that, despite everything he had just heard, she must be there as always, ready to greet him with that calm, sweet smile that was the bright spot in his life. The empty, lonely atmosphere of the room hit him with a wave of painful realization—the only sound breaking the heavy silence was the sad song of her pet thrush, who was singing mournfully in its golden cage. He glanced around aimlessly. All kinds of dark worries flooded his mind—he shuddered at the thought that something terrible had happened to her—because the idea that she would leave him like this, out of the blue and without reason, seemed unimaginable—impossible.
"What have I done that she should leave me?" he asked half aloud and wonderingly. Everything that had seemed to him of worth a few hours ago became valueless in this moment of time. What cared he now for the business of Parliament—for distinction or honors among men? Nothing—less than nothing! Without her, the world was empty—its ambitions, its pride, its good, its evil, seemed but the dreariest and most foolish trifles!
"What did I do that made her leave me?" he asked, almost to himself, feeling puzzled. Everything he had valued just a few hours ago felt completely worthless in that moment. He no longer cared about Parliament, or about being distinguished or honored by others. Nothing—actually, it meant less than nothing! Without her, the world felt empty—its ambitions, its pride, its good, its bad, all seemed like the dreariest and most ridiculous nonsense!
"Not even a message?" he thought. "No hint of where she meant to go—no word of explanation for me? Surely I must be dreaming—my Thelma would never have deserted me!"
"Not even a message?" he thought. "No clue about where she intended to go—no explanation for me? I must be dreaming—my Thelma would never have left me!"
A sort of sob rose in his throat, and he pressed his hand strongly over his eyes to keep down the womanish drops that threatened to overflow them. After a minute or two, he went to her desk and opened it, thinking that there perhaps she might have left a note of farewell. There was nothing—nothing save a little heap of money and jewels. These Thelma had herself placed, before her sorrowful, silent departure, in the corner where he now found them.
A lump formed in his throat, and he pressed his hand firmly over his eyes to hold back the tears that threatened to spill. After a minute or two, he walked over to her desk and opened it, hoping she might have left a goodbye note. There was nothing—nothing except a small pile of money and jewels. Thelma had placed these there herself before her silent, sad departure, in the corner where he now found them.
More puzzled than ever, he glanced searchingly round the room—and his eyes were at once attracted by the sparkle of the diamond cross that lay uppermost on the cover of "Gladys the Singer," the book of poems which was in its usual place on his own reading table. In another second he seized it—he unwound the slight gold chain—he opened the little volume tremblingly. Yes!—there was a letter within its pages addressed to himself,—now, now he should know all! He tore it open with feverish haste—two folded sheets of paper fell out,—one was his own epistle to Violet Vere, and this, to his consternation, he perceived first. Full of a sudden misgiving he laid it aside, and began to read Thelma's parting words.
More confused than ever, he looked around the room—and his eyes were immediately drawn to the sparkle of the diamond cross that was lying on top of "Gladys the Singer," the book of poems that was usually on his reading table. In a flash, he grabbed it—he unfastened the delicate gold chain—he opened the little book with trembling hands. Yes!—there was a letter inside its pages addressed to him,—now, he would finally know everything! He ripped it open with anxious urgency—two folded sheets of paper fell out,—one was his own letter to Violet Vere, and, to his dismay, he noticed it first. Overwhelmed with sudden anxiety, he set it aside and began to read Thelma's farewell words.
"My darling boy," she wrote—
"My dear boy," she wrote—
"A friend of yours and mine brought me the enclosed letter and though, perhaps, it was wrong of me to read it, I hope you will forgive me for having done so. I do not quite understand it, and I cannot bear to think about it—but it seems that you are tired of your poor Thelma! I do not blame you, dearest, for I am sure that in some way or other the fault is mine, and it does grieve me so much to think you are unhappy! I know that I am very ignorant of many things, and that I am not suited to this London life—and I fear I shall never understand its ways. But one thing I can do, and that is to let you be free, my Philip—quite free! And so I am going back to the Altenfjord, where I will stay till you want me again, if you ever do. My heart is yours and I shall always love you till I die,— and though it seems to me just now better that we should part, to give you greater ease and pleasure, still you must always remember that I have no reproaches to make to you. I am only sorry to think my love has wearied you,—for you have been all goodness and tenderness to me. And so that people shall not talk about me or you, you will simply say to them that I have gone to see my father, and they will think nothing strange in that. Be kind to Britta,—I have told her nothing, as it would only make her miserable. Do not be angry that I go away—I cannot bear to stay here, knowing all. And so, good-bye, my love, my dearest one!—if you were to love many women more than me, I still should love you best—I still would gladly die to serve you. Remember this always,—that, however long we may be parted, and though all the world should come between us, I am, and ever shall be your faithful wife,"
"A friend of ours brought me the enclosed letter, and even though it might have been wrong to read it, I hope you'll forgive me for doing so. I don’t fully understand it, and I can’t bear to think about it—but it looks like you're tired of your poor Thelma! I don’t blame you, my dear, because I’m sure in some way the fault is mine, and it makes me really sad to think that you’re unhappy! I know I'm ignorant about many things and that I’m not cut out for this London life—I'm afraid I’ll never grasp its ways. But there’s one thing I can do, and that is to let you be free, my Philip—completely free! So, I’m going back to the Altenfjord, where I'll stay until you want me again, if you ever do. My heart is yours, and I’ll always love you until I die, and even though it seems better for us to part right now for your peace and happiness, you must always remember that I have no reproaches against you. I just regret that my love has tired you—because you’ve been nothing but kind and caring to me. To keep people from talking about us, just say that I’ve gone to see my father, and they won’t think anything odd about that. Please be kind to Britta—I haven't told her anything, as it would only upset her. Don’t be mad that I’m leaving—I can’t stand to be here knowing everything. So, goodbye, my love, my dearest! Even if you loved many women more than me, I would still love you the most—I would willingly die to serve you. Remember this always: no matter how long we are apart, and even if the whole world comes between us, I am, and will always be, your faithful wife."
"THELMA."
"THELMA."
The ejaculation that broke from Errington's lips as he finished reading this letter was more powerful than reverent. Stinging tears darted to his eyes—he pressed his lips passionately on the fair writing.
The gasp that escaped from Errington as he finished reading this letter was more intense than respectful. Stinging tears welled up in his eyes—he pressed his lips fervently against the beautiful writing.
"My darling—my darling!" he murmured. "What a miserable misunderstanding!"
"My love—my love!" he whispered. "What a terrible misunderstanding!"
Then without another moment's delay he rushed into Neville's study and cried abruptly—
Then without another moment's delay, he burst into Neville's study and exclaimed—
"Look here! It's all your fault."
"Hey! It's all your fault."
"My fault!" gasped the amazed secretary.
"My bad!" gasped the amazed secretary.
"Yes—your fault!" shouted Errington almost beside himself with grief and rage. "Your fault, and that of your accursed wife, Violet Vere!"
"Yes—it's your fault!" shouted Errington, nearly out of control with grief and anger. "It's your fault, and that of your cursed wife, Violet Vere!"
And he dashed the letter, the cause of all the mischief, furiously down on the table. Neville shrank and shivered,—his grey head drooped, he stretched out his hands appealingly.
And he angrily slammed the letter, the source of all the trouble, down on the table. Neville recoiled and trembled—his gray head hung low, and he reached out his hands in a pleading manner.
"For God's sake, Sir Philip, tell me what I've done?" he exclaimed piteously.
"For heaven's sake, Sir Philip, please tell me what I've done?" he cried out sadly.
Errington strode up and down the room in a perfect fever of impatience.
Errington paced back and forth in the room, filled with frustration.
"By Heaven, it's enough to drive me mad!" he burst forth.
"By God, it's enough to drive me insane!" he exclaimed.
"Your wife!—your wife!—confound her! When you first discovered her in that shameless actress, didn't I want to tell Thelma all about it—that very night?—and didn't you beg me not to do so? Your silly scruples stood in the way of everything! I was a fool to listen to you—a fool to meddle in your affairs—and—and I wish to God I'd never seen or heard of you!"
"Your wife!—your wife!—damn her! When you first found out she was that shameless actress, didn’t I want to tell Thelma all about it—that very night?—and didn’t you beg me not to? Your ridiculous scruples got in the way of everything! I was an idiot for listening to you—a fool for getting involved in your business—and—and I wish to God I’d never seen or heard of you!"
Neville turned very white, but remained speechless.
Neville turned pale but stayed silent.
"Read that letter!" went on Philip impetuously. "You've seen it before! It's the last one I wrote to your wife imploring her to see you and speak with you. Here it comes, the devil knows how, into Thelma's hands. She's quite in the dark about your secret, and fancies I wrote it on my own behalf! It looks like it too—looks exactly as if I were pleading for myself and breaking my heart over that detestible stage-fiend—by Jove! it's too horrible!" And he gave a gesture of loathing and contempt.
"Read that letter!" Philip insisted impulsively. "You've seen it before! It's the last one I wrote to your wife, begging her to talk to you. Somehow, it ended up in Thelma's hands. She has no idea about your secret and thinks I wrote it for myself! It really looks like that—exactly as if I were begging for myself and heartbroken over that awful stage villain—seriously, it's too horrific!" He gestured with disgust and disdain.
Neville heard him in utter bewilderment. "Not possible!" he muttered. "Not possible—it can't be!"
Neville listened in complete confusion. "No way!" he muttered. "No way—it can't be!"
"Can't be? It is!" shouted Philip. "And if you'd let me tell Thelma everything from the first, all this wouldn't have happened. And you ask me what you've done! Done! You've parted me from the sweetest, dearest girl in the world!"
"Can't be? It is!" shouted Philip. "And if you had let me tell Thelma everything from the start, none of this would have happened. And you ask me what you've done! Done! You've separated me from the sweetest, dearest girl in the world!"
And throwing himself into a chair, he covered his face with his hand and a great uncontrollable sob broke from his lips.
And he threw himself into a chair, covering his face with his hand as a great, uncontrollable sob escaped his lips.
Neville was in despair. Of course, it was his fault—he saw it all clearly. He painfully recalled all that had happened since that night at the Brilliant Theatre when with a sickening horror he had discovered Violet Vere to be no other than Violet Neville,—his own little violet! . . . as he had once called her—his wife that he had lost and mourned as though she were some pure dead woman lying sweetly at rest in a quiet grave. He remembered Thelma's shuddering repugnance at the sight of her,—a repugnance which he himself had shared—and which made him shrink with fastidious aversion, from the idea of confiding to any one but Sir Philip, the miserable secret of his connection with her. Sir Philip had humored him in this fancy, little imagining that any mischief would come of it—and the reward of his kindly sympathy was this,—his name was compromised, his home desolate, and his wife estranged from him!
Neville was in despair. Of course, it was his fault — he saw that clearly. He painfully recalled everything that had happened since that night at the Brilliant Theatre when, with a sickening horror, he discovered that Violet Vere was actually Violet Neville — his own little violet!... as he had once called her — his wife whom he had lost and mourned as if she were some pure dead woman resting peacefully in a quiet grave. He remembered Thelma's shuddering disgust at the sight of her — a disgust he had shared — which made him shrink with fastidious aversion from the idea of confiding in anyone but Sir Philip about the miserable secret of his connection with her. Sir Philip had indulged him in this fantasy, hardly imagining that it would lead to any trouble — and the result of his kind support was this: his name was compromised, his home was desolate, and his wife was estranged from him!
In the first pangs of the remorse and sorrow that filled his heart, Neville could gladly have gone out and drowned himself. Presently he began to think,—was there not some one else beside himself who might possibly be to blame for all this misery? For instance, who could have brought or sent that letter to Lady Errington? In her high station, she, so lofty, so pure, so far above the rest of her sex, would have been the last person to make any inquiries about such a woman as Violet Vere. How had it all happened? He looked imploringly for some minutes at the dejected figure in the chair without daring to offer a word of consolation. Presently he ventured a remark—
In the first waves of guilt and sadness that filled his heart, Neville would have been happy to go out and drown himself. Soon, he started to wonder—was there someone other than himself who might be responsible for all this pain? For example, who could have delivered that letter to Lady Errington? In her high position, she, so esteemed, so pure, so far above the rest of her gender, would have been the last person to ask about someone like Violet Vere. How had it all come to this? He gazed helplessly at the dejected figure in the chair for several minutes, not daring to say a word of comfort. Eventually, he attempted to say something—
"Sir Philip!" he stammered. "It will soon be all right,—her ladyship will come back immediately. I myself will explain—it's—it's only a misunderstanding . . ."
"Sir Philip!" he stuttered. "Everything will be fine soon—her ladyship will be back right away. I’ll explain myself—it’s just a misunderstanding . . ."
Errington moved in his chair impatiently, but said nothing. Only a misunderstanding! How many there are who can trace back broken friendships and severed loves to that one thing—"only a misunderstanding!" The tenderest relations are often the most delicate and subtle, and "trifles light as air" may scatter and utterly destroy the sensitive gossamer threads extending between one heart and another, as easily as a child's passing foot destroys the spider's web woven on the dewy grass in the early mornings of spring.
Errington shifted in his chair with impatience but stayed quiet. Just a misunderstanding! So many people can point to broken friendships and ended relationships that boiled down to that one thing—“just a misunderstanding!” The closest relationships are often the most fragile and nuanced, and “trifles light as air” can easily tear apart the delicate threads connecting one heart to another, just like a child's foot can crush a spider's web spun on the dewy grass in the early spring mornings.
Presently Sir Philip started up—his lashes were wet and his face was flushed.
Presently, Sir Philip jumped up—his eyelashes were damp and his face was flushed.
"It's no good sitting here," he said, rapidly buttoning on his overcoat. "I must go after her. Let all the business go to the devil! Write and say I won't stand for Middleborough—I resign in favor of the Liberal candidate. I'm off to Norway to-night."
"It's pointless to sit here," he said, quickly buttoning his overcoat. "I need to go after her. Forget all the business! Write and tell them I won't support Middleborough—I resign in favor of the Liberal candidate. I'm heading to Norway tonight."
"To Norway!" cried Neville. "Has she gone there? At this season—"
"To Norway!" shouted Neville. "Has she gone there? This time of year—"
He broke off, for at that moment Britta entered, looking the picture of misery. Her face was pale and drawn—her eyelids red and swollen, and when she saw Sir Philip, she gave him a glance of the most despairing reproach and indignation. He sprang up to her.
He stopped speaking when Britta walked in, looking completely miserable. Her face was pale and drawn—her eyelids red and puffy, and when she saw Sir Philip, she shot him a look filled with the deepest disappointment and anger. He immediately got up to go to her.
"Any news?" he demanded.
"Any updates?" he demanded.
Britta shook her head mournfully, the tears beginning to roll again down her cheeks.
Britta shook her head sadly, tears starting to roll down her cheeks again.
"Oh, if I'd only thought!" she sobbed, "if I'd only known what the dear Fröken meant to do when she said good-bye to me last night, I could have prevented her going—I could—I would have told her all I know—and she would have stayed to see you! Oh, Sir Philip, if you had only been here, that wicked, wicked Lady Winsleigh couldn't have driven her away!"
"Oh, if only I had thought!" she cried, "if only I had known what the dear Fröken meant when she said goodbye to me last night, I could have stopped her from leaving—I could—I would have told her everything I know—and she would have stayed to see you! Oh, Sir Philip, if only you had been here, that cruel Lady Winsleigh couldn't have forced her away!"
At this name such a fury filled Philip's heart that he could barely control himself. He breathed quickly and heavily.
At the sound of that name, such anger filled Philip's heart that he could barely hold it together. He was breathing fast and heavily.
"What of her?" he demanded in a low, suffocated voice. "What has Lady Winsleigh to do with it, Britta?"
"What about her?" he asked in a quiet, strained voice. "What does Lady Winsleigh have to do with this, Britta?"
"Everything!" cried Britta, though, as she glanced at his set, stern face and paling lips, she began to feel a little frightened. "She has always hated the Fröken, and been jealous of her—always! Her own maid, Louise, will tell you so—Lord Winsleigh's man, Briggs, will tell you so! They've listened at the doors, and they know all about it!" Britta made this statement with the most childlike candor. "And they've heard all sorts of wicked things—Lady Winsleigh was always talking to Sir Francis Lennox about the Fröken,—and now they've made her believe you do not care for her any more—they've been trying to make her believe everything bad of you for ever so many months—" she paused, terrified at Sir Philip's increasing pallor.
"Everything!" Britta exclaimed, but as she looked at his serious, pale face, she began to feel a bit scared. "She has always hated the Fröken and been jealous of her—always! Her own maid, Louise, can vouch for that—Lord Winsleigh's man, Briggs, will tell you too! They've eavesdropped and know everything!" Britta said this with a completely innocent tone. "And they've heard all kinds of awful things—Lady Winsleigh was constantly talking to Sir Francis Lennox about the Fröken, and now they’ve got her thinking you don't care about her anymore—they’ve been trying to make her believe all sorts of bad things about you for months—" she paused, frightened by Sir Philip's growing paleness.
"Go on, Britta," he said quietly, though his voice sounded strange to himself. Britta gathered up all her remaining stock of courage.
"Go on, Britta," he said softly, although his voice felt odd to him. Britta mustered all her leftover courage.
"Oh dear, oh dear!" she continued desperately, "I don't understand London people at all, and I never shall understand them. Everybody seems to want to be wicked! Briggs says that Lady Winsleigh was fond of you, Sir Philip,—then, that she was fond of Sir Francis Lennox,—and yet she has a husband of her own all the time! It is so very strange!" And the little maiden's perplexity appeared to border on distraction. "They would think such a woman quite mad in Norway! But what is worse than anything is that you—you, Sir Philip,—oh! I won't believe it," and she stamped her foot passionately, "I can't believe it! . . . and yet everybody says that you go to see a dreadful, painted dancing woman at the theatre, and that you like her better than the Fröken,—it isn't true, is it?" Here she peered anxiously at her master—but he was absolutely silent. Neville made as though he would speak, but a gesture from Sir Philip's hand restrained him. Britta went on rather dispiritedly, "Anyhow, Briggs has just told me that only yesterday Lady Winsleigh went all by herself to see this actress, and that she got some letter there which she brought to the Fröken—" she recoiled suddenly with a little scream. "Oh, Sir Philip!—where are you going?"
"Oh dear, oh dear!" she continued desperately, "I don't understand London people at all, and I never will. Everyone seems to want to be wicked! Briggs says that Lady Winsleigh was fond of you, Sir Philip—then that she was fond of Sir Francis Lennox—and yet she has a husband the whole time! It’s so very strange!" The little maiden's confusion seemed to be bordering on panic. "They would think such a woman is completely mad in Norway! But what's worse than anything is that you—you, Sir Philip—oh! I won't believe it," and she stamped her foot passionately, "I can't believe it! . . . and yet everybody says that you go to see a dreadful, painted dancing woman at the theatre, and that you like her better than the Fröken—it isn't true, is it?" Here she looked anxiously at her master—but he was completely silent. Neville seemed like he would speak, but a gesture from Sir Philip's hand stopped him. Britta continued rather dejectedly, "Anyway, Briggs just told me that only yesterday, Lady Winsleigh went all by herself to see this actress, and she got some letter there that she brought to the Fröken—" she suddenly recoiled with a little scream. "Oh, Sir Philip!—where are you going?"
Errington's hand came down on her shoulder, as he twisted her lightly out of his path and strode to the door.
Errington placed his hand on her shoulder, gently pulling her aside as he walked toward the door.
"Sir Philip—Sir Philip!" cried Neville anxiously, hastening after him. "Think for a moment; don't do anything rash!" Philip wrung his hand convulsively. "Rash! My good fellow, it's a woman who has slandered me—what can I do? Her sex protects her!" He gave a short, furious laugh. "But—by God!—were she a man I'd shoot her dead!"
"Sir Philip—Sir Philip!" Neville cried anxiously, running after him. "Think for a moment; don't do anything reckless!" Philip clenched his hand tightly. "Reckless! My good man, it's a woman who has slandered me—what am I supposed to do? Her gender shields her!" He let out a short, angry laugh. "But—damn it!—if she were a man, I’d shoot her on the spot!"
And with these words, and his eyes blazing with wrath, he left the room. Neville and Britta confronted each other in vague alarm.
And with those words, and his eyes burning with anger, he left the room. Neville and Britta looked at each other, feeling a sense of vague alarm.
"Where will he go?" half whispered Britta.
"Where is he going?" Britta half whispered.
"To Winsleigh House, I suppose," answered Neville in the same low tone.
"To Winsleigh House, I guess," replied Neville in the same quiet voice.
Just then the hall door shut with a loud bang, that echoed through the silent house.
Just then, the hall door slammed shut, making a loud bang that echoed through the quiet house.
"He's gone!" and as Neville said this he sighed and looked dubiously at his companion. "How do you know all this about Lady Winsleigh, Britta? It may not be true—it's only servants' gossip."
"He's gone!" Neville said with a sigh, looking skeptically at his companion. "How do you know all this about Lady Winsleigh, Britta? It might not be true—it's just gossip from the servants."
"Only servants' gossip!" exclaimed Britta. "And is that nothing? Why, in these grand houses like Lord Winsleigh's, the servants know everything! Briggs makes it his business to listen at the doors—he says it's a part of his duty. And Louise opens all her mistress's letters—she says she owes it to her own respectability to know what sort of a lady it is she serves. And she's going to leave, because she says her ladyship isn't respectable! There! what do you think of that! And Sir Philip will find out a great deal more than even I have told him—but oh! I can't understand about that actress!" And she shook her head despairingly.
"Just servant gossip!" Britta exclaimed. "And is that nothing? In these big houses like Lord Winsleigh's, the servants know everything! Briggs makes it his job to listen at the doors—he says it's part of his duty. And Louise opens all her mistress's letters—she claims she owes it to her own dignity to know what kind of lady she serves. And she's planning to leave because she says her ladyship isn't respectable! There! What do you think about that? And Sir Philip will find out a lot more than even I have told him—but oh! I can't wrap my head around that actress!" She shook her head in frustration.
"Britta," said Neville suddenly, "That actress is my wife!"
"Britta," Neville said suddenly, "That actress is my wife!"
Britta started,—and her round eyes opened wide.
Britta started—and her eyes went wide.
"Your wife, Mr. Neville?" she exclaimed.
"Your wife, Mr. Neville?" she said, surprised.
Neville took off his spectacles and polished them nervously.
Neville took off his glasses and cleaned them anxiously.
"Yes, Britta—my wife!"
"Yes, Britta—my spouse!"
She looked at him in amazed silence. Neville went on rubbing his glasses, and continued in rather dreamy, tremulous accents—
She stared at him in stunned silence. Neville kept polishing his glasses and continued in a somewhat dreamy, shaky voice—
"Yes—I lost her years ago—I thought she was dead. But I found her—on the stage of the Brilliant Theatre. I—I never expected—that! I would rather she had died!" He paused and went on softly, "When I married her, Britta, she was such a dear little girl,—so bright and pretty!—and I—I fancied she was fond of me! Yes, I did,—of course, I was foolish—I've always been foolish, I think. And when—when I saw her on that stage I felt as if some one had struck me a hard blow—it seems as if I'd been stunned ever since. And though she knows I'm in London, she won't see me, Britta,—she won't let me speak to her even for a moment! It's very hard! Sir Philip has tried his best to persuade her to see me—he has talked to her and written to her about me; and that's not all,—he has even tried to make her come back to me—but it's all no use—and—and that's how all the mischief has arisen—do you see?"
"Yeah—I lost her years ago—I thought she was dead. But I found her—on the stage of the Brilliant Theatre. I—I never expected—that! I would rather she had died!" He paused and continued softly, "When I married her, Britta, she was such a sweet little girl,—so bright and pretty!—and I—I thought she cared about me! Yes, I did,—of course, I was foolish—I've always been foolish, I think. And when—when I saw her on that stage, I felt like someone had hit me with a hard blow—it seems like I've been in shock ever since. And even though she knows I'm in London, she won't see me, Britta,—she won’t let me speak to her for even a moment! It's really tough! Sir Philip has done everything he can to convince her to see me—he's talked to her and written to her about me; and that's not all,—he's even tried to make her come back to me—but it's all useless—and—and that's how all the trouble started—do you understand?"
Britta gazed at him still, with sympathy written on every line of her face,—but a great load had been lifted from her mind by his words—she began to understand everything.
Britta looked at him with sympathy evident in every feature of her face, but a huge weight had been lifted from her mind by his words—she started to understand everything.
"I'm so sorry for you, Mr. Neville!" she said. "But why didn't you tell all this to the Fröken?"
"I'm really sorry for you, Mr. Neville!" she said. "But why didn't you share all this with the Fröken?"
"I couldn't!" murmured Neville desperately. "She was there that night at the Brilliant,—and if you had seen how she looked when she saw—my wife—appeared on the stage! So pained, so sorry, so ashamed! and she wanted to leave the theatre at once. Of course, I ought to have told her,—I wish I had—but—somehow, I never could." He paused again. "It's all my stupidity, of course, Sir Philip is quite blameless—he has been the kindest, the best of friends to me—" his voice trembled more and more, and he could not go on. There was a silence of some minutes, during which Britta appeared absorbed in meditation, and Neville furtively wiped his eyes.
"I couldn't!" Neville said desperately. "She was there that night at the Brilliant—and if you had seen how she looked when she saw—my wife—on stage! So hurt, so sorry, so ashamed! She wanted to leave the theater right away. Of course, I should have told her—I wish I had—but somehow, I just couldn't." He paused again. "It's all my fault, of course; Sir Philip is completely blameless—he's been the kindest, best friend to me—" his voice shook more and more, and he couldn't continue. There was a silence for a few minutes, during which Britta seemed lost in thought, and Neville discreetly wiped his eyes.
Presently he spoke again more cheerfully. "It'll soon be all right again, Britta!" and he nodded encouragingly. "Sir Philip says her ladyship has gone home to Norway, and he means to follow her to-night."
Presently, he spoke again more cheerfully. "It'll be all right soon, Britta!" and he nodded encouragingly. "Sir Philip says her ladyship has gone home to Norway, and he plans to follow her tonight."
Britta nodded gravely, but heaved a deep sigh.
Britta nodded seriously but let out a heavy sigh.
"And I posted her letter to her father!" she half murmured. "Oh, if I had only thought or guessed why it was written!"
"And I sent her letter to her dad!" she said softly. "Oh, if only I had thought or figured out why it was written!"
"Isn't it rather a bad time of the year for Norway?" pursued Neville. "Why, there must be snow and darkness—"
"Isn't it a pretty rough time of year for Norway?" Neville asked. "I mean, there has to be snow and darkness—"
"Snow and darkness at the Altenfjord!" suddenly cried Britta, catching at his words. "That's exactly what she said to me the other evening! Oh dear! I never thought of it—I never remembered it was the dark season!" She clasped her hands in dismay. "There is no sun at the Altenfjord now—it is like night—and the cold is bitter. And she is not strong—not strong enough to travel—and there's the North Sea to cross—oh, Mr. Neville," and she broke out sobbing afresh. "The journey will kill her,—I know it will! my poor, poor darling! I must go after her—I'll go with Sir Philip—I won't be left behind!"
"Snow and darkness at the Altenfjord!" Britta suddenly exclaimed, grabbing onto his words. "That's exactly what she told me the other evening! Oh no! I never thought of it—I didn't remember it was the dark season!" She clasped her hands in distress. "There’s no sun at the Altenfjord right now—it’s like night—and the cold is brutal. And she isn’t strong—not strong enough to travel—and there’s the North Sea to cross—oh, Mr. Neville," and she started sobbing again. "The journey will kill her—I know it will! My poor, poor darling! I have to go after her—I’ll go with Sir Philip—I won't be left behind!"
"Hush, hush, Britta!" said Neville kindly, patting her shoulder. "Don't cry—don't cry!"
"Hush, hush, Britta!" Neville said gently, patting her shoulder. "Don't cry—don't cry!"
But he was very near crying himself, poor man, so shaken was he by the events of the morning. And he could not help admitting to himself the possibility that so long and trying a journey for Thelma in her present condition of health meant little else than serious illness—perhaps death. The only comfort he could suggest to the disconsolate Britta was, that at that time of year it was very probable there would be no steamer running to Christiansund or Bergen, and in that case Thelma would be unable to leave England, and would, therefore, be overtaken by Sir Philip at Hull.
But he was very close to tears himself, poor guy, so shaken was he by the events of the morning. And he couldn't help but acknowledge the possibility that such a long and difficult journey for Thelma in her current health condition could only mean serious illness—maybe even death. The only comfort he could offer the heartbroken Britta was that at that time of year, it was quite likely there wouldn't be any steamer running to Christiansund or Bergen, and in that case, Thelma wouldn't be able to leave England, and would, therefore, be caught up with Sir Philip in Hull.
Meanwhile, Sir Philip himself, in a white heat of restrained anger, arrived at Winsleigh House, and asked to see Lord Winsleigh immediately. Briggs, who opened the door to him, was a little startled at his haggard face and blazing eyes, even though he knew, through Britta, all about the sorrow that had befallen him. Briggs was not surprised at Lady Errington's departure,—that portion of his "duty" which consisted in listening at doors, had greatly enlightened him on many points,—all, save one—the reported connection between Sir Philip and Violet Vere. This seemed to be really true according to all appearances.
Meanwhile, Sir Philip, visibly furious but trying to hold it in, arrived at Winsleigh House and requested to see Lord Winsleigh right away. Briggs, who answered the door, was slightly taken aback by his worn-out face and fiery eyes, even though he was already aware, through Britta, of all the sadness that had struck him. Briggs wasn't shocked by Lady Errington’s departure—his unofficial "duty" of listening at doors had informed him on many matters—except for one: the rumored relationship between Sir Philip and Violet Vere. This actually seemed to be true based on everything going on.
"Which it puzzles me," soliloquized the owner of the shapely calves. "It do, indeed. Yet I feels very much for Sir Philip,—I said to Flopsie this morning—'Flopsie, I feels for 'im!' Yes,—I used them very words. Only, of course, he shouldn't 'ave gone with Vi. She's a fine woman certainly—but skittish—d—d skittish! I've allus made it a rule myself to avoid 'er on principle. Lor! if I'd kep' company with 'er and the likes of 'er I shouldn't be the man I am!" And he smiled complacently.
"Which really puzzles me," mused the owner of the shapely calves. "It does, indeed. Yet I really feel for Sir Philip—I told Flopsie this morning, 'Flopsie, I feel for him!' Yes, I used those exact words. But, of course, he shouldn't have gone with Vi. She's certainly a fine woman—but very flighty—damn flighty! I’ve always made it a point to steer clear of her on principle. Goodness! If I had dated her and women like her, I wouldn't be the man I am!" And he smiled contentedly.
Lord Winsleigh, who was in his library as usual, occupied with his duties as tutor to his son Ernest, rose to receive Sir Philip with an air of more than his usual gravity.
Lord Winsleigh, who was typically in his library handling his responsibilities as a tutor to his son Ernest, stood up to greet Sir Philip with an expression of greater seriousness than usual.
"I was about to write to you, Errington," he began, and then stopped short, touched by the utter misery expressed in Philip's face. He addressed Ernest with a sort of nervous haste.
"I was just about to write to you, Errington," he started, but then paused, moved by the sheer misery on Philip's face. He turned to Ernest with a kind of anxious urgency.
"Run away, my boy, to your own room. I'll send for you again presently."
"Go to your room, kid. I'll call for you again soon."
Ernest obeyed. "Now," said Lord Winsleigh, as soon as the lad disappeared, "tell me everything, Errington. Is it true that your wife has left you?"
Ernest obeyed. "Now," said Lord Winsleigh, as soon as the kid disappeared, "tell me everything, Errington. Is it true that your wife has left you?"
"Left me!" and Philip's eyes flashed with passionate anger. "No Winsleigh!—she's been driven away from me by the vilest and most heartless cruelty. She's been made to believe a scandalous and abominable lie against me—and she's gone! I—I—by Jove! I hardly like to say it to your face—but—"
"Leave me!" and Philip's eyes lit up with intense anger. "No, Winsleigh! She's been pushed away from me by the most despicable and heartless cruelty. She's been led to believe a terrible and outrageous lie about me—and now she's gone! I—I—honestly! I barely want to say this to you directly—but—"
"I understand!" a curious flicker of a smile shadowed rather than brightened Lord Winsleigh's stern features. "Pray speak quite plainly! Lady Winsleigh is to blame? I am not at all surprised!"
"I get it!" a curious hint of a smile crossed rather than brightened Lord Winsleigh's serious face. "Please be straightforward! Lady Winsleigh is at fault? That doesn’t surprise me at all!"
Errington gave him a rapid glance of wonder. He had always fancied Winsleigh to be a studious, rather dull sort of man, absorbed in books and the education of his son,—a man, more than half blind to everything that went on around him—and, moreover, one who deliberately shut his eyes to the frivolous coquetry of his wife,—and though he liked him fairly well, there had been a sort of vague contempt mingled with his liking. Now a new light was suddenly thrown on his character—there was something in his look, his manner, his very tone of voice,—which proved to Errington that there was a deep and forcible side to his nature of which his closest friends had never dreamed—and he was somewhat taken aback by the discovery. Seeing that he still hesitated, Winsleigh laid a hand encouragingly on his shoulder and said—
Errington shot him a quick, surprised look. He had always thought of Winsleigh as a serious, somewhat boring guy, focused on his books and raising his son—a man who seemed mostly oblivious to what happened around him and who intentionally ignored his wife's flirtatious behavior. While Errington liked him reasonably well, there was always a hint of contempt mixed with that fondness. Now, however, he suddenly saw a different side to Winsleigh—there was something in his gaze, his demeanor, his tone—that made Errington realize there was a profound and strong aspect to his personality that even his closest friends didn’t know about—and he was a bit taken aback by this realization. Noticing that Errington was still uncertain, Winsleigh placed a reassuring hand on his shoulder and said—
"I repeat—I'm not at all surprised! Nothing that Lady Winsleigh might do would cause me the slightest astonishment. She has long ceased to be my wife, except in name,—that she still bears that name and holds the position she has in the world is simply—for my son's sake! I do not wish,"—his voice quivered slightly—"I do not wish the boy to despise his mother. It's always a bad beginning for a young man's life. I want to avoid it for Ernest, if possible,—regardless of any personal sacrifice." He paused a moment—then resumed. "Now, speak out, Errington, and plainly,—for if mischief has been done and I can repair it in any way, you may be sure I will."
"I'll say it again—I’m not surprised at all! Nothing Lady Winsleigh does could ever shock me. She stopped being my wife a long time ago, except in name. The only reason she still has that name and her place in society is for my son's sake! I don't want,"—his voice shook a little—"I don’t want the boy to look down on his mother. That’s a terrible way to start a young man's life. I want to protect Ernest from that, if I can—no matter what I have to sacrifice personally." He paused for a moment—then continued, "Now, speak up, Errington, and be straightforward—because if something bad has happened and I can fix it in any way, you can count on me to do it."
Thus persuaded, Sir Philip briefly related the whole story of the misunderstanding that had arisen concerning Neville's wife, Violet Vere—and concluded by saying—
Thus convinced, Sir Philip quickly shared the entire story of the misunderstanding that had developed regarding Neville's wife, Violet Vere—and ended by saying—
"It is, of course, only through Britta that I've just heard about Lady Winsleigh's having anything to do with it. Her information may not be correct—I hope it isn't,—but—"
"It’s only through Britta that I just found out about Lady Winsleigh being involved. Her information might not be accurate—I hope it isn’t—but—"
Lord Winsleigh interrupted him. "Come with me," he said composedly. "We'll resolve this difficulty AT once."
Lord Winsleigh interrupted him. "Come with me," he said calmly. "We'll sort this out right away."
He led the way out of the library across the hall. Errington followed him in silence. He knocked at the door of his wife's room,—in response to her "Come in!" they both entered. She was alone, reclining on a sofa, reading,—she started up with a pettish exclamation at sight of her husband, but observing who it was that came with him, she stood mute, the color rushing to her cheeks with surprise and something of fear. Yet she endeavored to smile, and returned with her usual grace their somewhat formal salutations.
He walked out of the library and across the hall, with Errington following him quietly. He knocked on the door of his wife’s room. When she called out "Come in!", they both entered. She was alone, lying on a sofa and reading. She jumped up with an annoyed exclamation at the sight of her husband, but when she realized who was with him, she fell silent, her face flushing with surprise and a bit of fear. Still, she tried to smile and greeted them both back with her usual elegance, though it felt a bit formal.
"Clara," then said Lord Winsleigh gravely, "I have to ask you a question on behalf of Sir Philip Errington here,—a question to which it is necessary for you to give the plain answer. Did you or did you not procure this letter from Violet Vere, of the Brilliant Theatre—and did you or did you not, give it yourself yesterday into the hands of Lady Bruce-Errington?" And he laid the letter in question, which Philip had handed to him, down upon the table before her.
"Clara," Lord Winsleigh said seriously, "I need to ask you a question on behalf of Sir Philip Errington here—a question that requires a straightforward answer. Did you or did you not get this letter from Violet Vere at the Brilliant Theatre—and did you or did you not give it yourself yesterday to Lady Bruce-Errington?" He placed the letter, which Philip had given to him, down on the table in front of her.
She looked at it—then at him—then from him to Sir Philip, who uttered no word—and lightly shrugged her shoulders.
She glanced at it—then at him—then from him to Sir Philip, who said nothing—and casually shrugged her shoulders.
"I don't know what you are talking about," she said, carelessly.
"I have no idea what you're talking about," she said, casually.
Sir Philip turned upon her indignantly.
Sir Philip turned to her, outraged.
"Lady Winsleigh, you do know—"
"Lady Winsleigh, you know—"
She interrupted him with a stately gesture.
She interrupted him with a grand gesture.
"Excuse me, Sir Philip! I am not accustomed to be spoken to in this extraordinary manner. You forget yourself—my husband, I think, also forgets himself! I know nothing whatever about Violet Vere—I am not fond of the society of actresses. Of course, I've heard about your admiration for her—that is common town-talk,—though my informant on this point was Sir Francis Lennox."
"Excuse me, Sir Philip! I'm not used to being talked to like this. You’ve lost your composure—my husband, I believe, has also lost his. I know nothing about Violet Vere—I’m not a fan of hanging out with actresses. Of course, I've heard about your admiration for her—that's the talk of the town,—although my source on this was Sir Francis Lennox."
"Sir Francis Lennox!" cried Philip furiously. "Thank God! there's a man to deal with! By Heaven, I'll choke him with his own lie!"
"Sir Francis Lennox!" Philip yelled angrily. "Thank God! There's someone to handle this! I swear, I'll make him suffer for his own lie!"
Lady Winsleigh raised her eyebrows in well-bred surprise.
Lady Winsleigh lifted her eyebrows in polite surprise.
"Dear me! It is a lie, then? Now, I should have thought from all accounts that it was so very likely to be true!"
"Wow! So it's a lie, then? I would have thought from everything I've heard that it seemed really likely to be true!"
Philip turned white with passion. Her sarcastic smile,—her mocking glance,—irritated him almost beyond endurance.
Philip turned pale with emotion. Her sarcastic smile and mocking look irritated him nearly to the breaking point.
"Permit me to ask you, Clara," continued Lord Winsleigh calmly, "if you,—as you say, know nothing about Violet Vere, why did you go to the Brilliant Theatre yesterday morning?"
"Let me ask you, Clara," Lord Winsleigh said calmly, "if you— as you claim, know nothing about Violet Vere, why did you go to the Brilliant Theatre yesterday morning?"
She flashed an angry glance at him.
She shot him an angry look.
"Why? To secure a box for the new performance. Is there anything wonderful in that?"
"Why? To reserve a spot for the new show. What's so great about that?"
Her husband remained unmoved. "May I see the voucher for this box?" he inquired.
Her husband stayed calm. "Can I see the voucher for this box?" he asked.
"I've sent it to some friends," replied her ladyship haughtily. "Since when have you decided to become an inquisitor, my lord?"
"I've sent it to some friends," her ladyship replied with a touch of arrogance. "Since when did you decide to become an interrogator, my lord?"
"Lady Winsleigh," said Philip suddenly and eagerly, "will you swear to me that you have said or done nothing to make my Thelma leave me?"
"Lady Winsleigh," Philip said suddenly and eagerly, "will you promise me that you haven’t said or done anything to make my Thelma leave me?"
"Oh, she has left you, has she?" and Lady Clara smiled maliciously. "I thought she would! Why don't you ask your dear friend, George Lorimer, about her? He is madly in love with her, as everybody knows,—she is probably the same with him!"
"Oh, she has left you, huh?" Lady Clara said with a sly smile. "I knew she would! Why don't you ask your good friend, George Lorimer, about her? He's crazy about her, as everyone knows—she's probably into him too!"
"Clara, Clara!" exclaimed Lord Winsleigh in accents of deep reproach. "Shame on you! Shame!"
"Clara, Clara!" Lord Winsleigh shouted with deep disappointment. "Shame on you! Shame!"
Her ladyship laughed amusedly. "Please don't be tragic!" she said; "it's too ridiculous! Sir Philip has only himself to blame. Of course, Thelma knows about his frequent visits to the Brilliant Theatre. I told her all that Sir Francis said. Why should she be kept in the dark? I dare say she doesn't mind—she's very fond of Mr. Lorimer!"
Her ladyship laughed lightly. "Please don't be dramatic!" she said; "it's way too silly! Sir Philip has only himself to blame. Of course, Thelma knows about his regular trips to the Brilliant Theatre. I told her everything Sir Francis mentioned. Why should we hide it from her? I’m sure she doesn’t care—she really likes Mr. Lorimer!"
Errington felt as though he must choke with fury. He forgot the presence of Lord Winsleigh—he forgot everything but his just indignation.
Errington felt like he was going to choke with anger. He completely forgot about Lord Winsleigh being there—he forgot everything except for his rightful outrage.
"My God!" he cried passionately. "You dare to speak so!—you!"
"My God!" he exclaimed passionately. "You dare to talk like that!—you!"
"Yes I!" she returned coolly, measuring him with a glance. "I dare! What have you to say against me?" She drew herself up imperiously.
"Yes, I do!" she replied calmly, sizing him up with a look. "I dare you! What do you have to say about me?" She straightened herself up with authority.
Then turning to her husband, she said, "Have the goodness to take your excited friend away, my lord! I am going out—I have a great many engagements this morning—and I really cannot stop to discuss this absurd affair any longer! It isn't my fault that Sir Philip's excessive admiration for Miss Vere has become the subject of gossip—I don't blame him for it! He seems extremely ill-tempered about it; after all, 'ce n'est que la vérité qui blesse!'"
Then turning to her husband, she said, "Please take your overly excited friend away, my lord! I’m heading out—I have a lot of commitments this morning—and I really can’t waste any more time discussing this ridiculous situation! It’s not my fault that Sir Philip’s intense admiration for Miss Vere has become gossip—I don’t blame him for it! He seems really grumpy about it; after all, 'the truth hurts!'"
And she smiled maliciously.
And she smiled devilishly.
CHAPTER XXVIII.
"For my mother's sake, For thine and hers, O Love! I pity take On all poor women. Jesu's will be done, Honor for all, and infamy for none, This side the borders of the burning lake." |
ERIC MACKAY'S Love-Letters of a Violinist.
ERIC MACKAY'S Love Letters of a Violinist.
Lord Winsleigh did not move. Sir Philip fixed his eyes upon her in silence. Some occult fascination forced her to meet his glance, and the utter scorn of it stung her proud heart to its centre. Not that she felt much compunction—her whole soul was up in arms against him, and had been so from the very day she was first told of his unexpected marriage. His evident contempt now irritated her—she was angrier with him than ever, and yet—she had a sort of strange triumph in the petty vengeance she had designed—she had destroyed his happiness for a time, at least. If she could but shake his belief in his wife! she thought, vindictively. To that end she had thrown out her evil hint respecting Thelma's affection for George Lorimer, but the shaft had been aimed uselessly. Errington knew too well the stainless purity of Thelma to wrong her by the smallest doubt, and he would have staked his life on the loyalty of his friend. Presently he controlled his anger sufficiently to be able to speak, and still eyeing her with that straight, keen look of immeasurable disdain, he said in cold, deliberate accents—
Lord Winsleigh stayed still. Sir Philip locked his eyes on her in silence. Some strange force made her hold his gaze, and the sheer scorn in it pierced her proud heart. Not that she felt much guilt—her whole being was in rebellion against him, and it had been since the day she first heard about his unexpected marriage. His obvious contempt now frustrated her—she was angrier with him than ever, and yet—she felt a strange sort of victory in the small revenge she had planned—she had ruined his happiness for a while, at least. If only she could make him doubt his wife! she thought, with malice. To that end, she had dropped her nasty hint about Thelma's feelings for George Lorimer, but the shot had been wasted. Errington knew Thelma's pure nature too well to doubt her, and he would have bet his life on his friend’s loyalty. Soon, he controlled his anger enough to speak, and still looking at her with that direct, piercing gaze of utter disdain, he said in a cold, deliberate tone—
"Your ladyship is in error,—the actress in question is the wife of my secretary, Mr. Neville. For years they have been estranged—my visits to her were entirely on Neville's behalf—my letters to her were all on the same subject. Sir Francis Lennox must have known the truth all along,—Violet Vere has been his mistress for the past five years!"
"You're mistaken, my lady—the actress we're talking about is the wife of my secretary, Mr. Neville. They have been estranged for years—my visits to her were solely on Neville's behalf—my letters to her were all about the same thing. Sir Francis Lennox must have known the truth all along—Violet Vere has been his mistress for the past five years!"
He uttered the concluding words with intense bitterness. A strange, bewildered horror passed over Lady Winsleigh's face.
He said the final words with deep bitterness. A strange, confused horror crossed Lady Winsleigh's face.
"I don't believe it," she said rather faintly.
"I can't believe it," she said softly.
"Believe it or not, it is true!" he replied curtly. "Ask the manager of the Brilliant, if you doubt me. Winsleigh, it's no use my stopping here any longer. As her ladyship refuses to give any explanation—"
"Believe it or not, it's true!" he said abruptly. "Ask the manager of the Brilliant if you don't believe me. Winsleigh, there's no point in me sticking around any longer. Since her ladyship won't provide any explanation—"
"Wait a moment, Errington," interposed Lord Winsleigh in his coldest and most methodical manner. "Her ladyship refuses—but I do not refuse! Her ladyship will not speak—she allows her husband to speak for her. Therefore," and he smiled at his astonished wife somewhat sardonically, "I may tell you at once, that her ladyship admits to having purchased from Violet Vere for the sum of 20 pounds, the letter which she afterwards took with her own hands to your wife." Lady Winsleigh uttered an angry exclamation.
"Wait a second, Errington," interrupted Lord Winsleigh in his coldest and most calculated tone. "She won't speak—but I will! She lets her husband speak for her. So," and he smiled somewhat sarcastically at his shocked wife, "I can tell you right now that she admits to having bought the letter from Violet Vere for 20 pounds, which she then personally delivered to your wife." Lady Winsleigh let out an angry exclamation.
"Don't interrupt me, Clara, if you please," he said, with an icy smile. "We have so many sympathies in common that I'm sure I shall be able to explain your unspoken meanings quite clearly." He went on, addressing himself to Errington, who stood utterly amazed.
"Please don't interrupt me, Clara," he said with a cold smile. "We share so many feelings in common that I'm sure I can explain your unspoken thoughts very clearly." He continued, speaking to Errington, who looked completely stunned.
"Her ladyship desires me to assure you that her only excuse for her action in this matter is, that she fully believed the reports her friend, Sir Francis Lennox, gave her concerning your supposed intimacy with the actress in question,—and that, believing it, she made use of it as much as possible for the purpose of destroying your wife's peace of mind and confidence in you. Her object was most purely feminine—love of mischief, and the gratification of private spite! There's nothing like frankness!" and Lord Winsleigh's face was a positive study as he spoke. "You see,"—he made a slight gesture towards his wife, who stood speechless, and so pale that her very lips were colorless—"her ladyship is not in a position to deny what I have said. Excuse her silence!"
"Her ladyship wants me to make it clear that her only reason for acting this way is that she truly believed the reports from her friend, Sir Francis Lennox, about your supposed closeness with the actress in question. Believing this, she used it as much as she could to ruin your wife's peace of mind and trust in you. Her motivation was purely feminine—enjoyment of chaos and a desire for personal revenge! There’s nothing like honesty!" Lord Winsleigh's expression was quite striking as he spoke. "You see,"—he gestured slightly toward his wife, who stood there speechless and so pale that her lips were nearly white—"her ladyship can’t deny what I’ve said. Please excuse her silence!"
And again he smiled—that smile as glitteringly chilled as a gleam of light on the edge of a sword. Lady Winsleigh raised her head, and her eyes met his with a dark expression of the uttermost anger. "Spy!" she hissed between her teeth,—then without further word or gesture, she swept haughtily away into her dressing-room, which adjoined the boudoir, and closed the door of communication, thus leaving the two men alone together.
And again he smiled—that smile as cold and sharp as a flash of light on the edge of a sword. Lady Winsleigh lifted her head, and her eyes locked onto his with a dark look of pure anger. "Spy!" she spat through gritted teeth—then without another word or gesture, she strode angrily into her dressing room, which was next to the boudoir, and shut the door behind her, leaving the two men alone together.
Errington felt himself to be in a most painful and awkward position. If there was anything he more than disliked, it was a scene—particularly of a domestic nature. And he had just had a glimpse into Lord and Lady Winsleigh's married life, which, to him, was decidedly unpleasant. He could not understand how Lord Winsleigh had become cognizant of all he had so frankly stated—and then, why had he not told him everything at first, without waiting to declare it in his wife's presence? Unless, indeed, he wished to shame her? There was evidently something in the man's disposition and character that he, Philip, could not as yet comprehend,—something that certainly puzzled him, and filled him with vague uneasiness.
Errington found himself in a really uncomfortable and painful situation. If there was anything he hated more than anything else, it was a scene—especially a personal one. And he had just caught a glimpse of Lord and Lady Winsleigh's married life, which he found quite unpleasant. He couldn't understand how Lord Winsleigh knew about everything he had openly said—and why he hadn’t mentioned it all upfront, without waiting to discuss it in front of his wife? Unless, of course, he wanted to embarrass her? There was clearly something about the man's personality and character that Philip couldn't grasp yet—something that definitely confused him and made him feel uneasy.
"Winsleigh, I'm awfully sorry this has happened," he began hurriedly, holding out his hand.
"Winsleigh, I'm really sorry this happened," he started quickly, reaching out his hand.
Lord Winsleigh grasped it cordially. "My dear fellow, so am I! Heartily sorry! I have to be sorry for a good many things rather often. But I'm specially grieved to think that your beautiful and innocent young wife is the victim in this case. Unfortunately I was told nothing till this morning, otherwise I might possibly have prevented all your unhappiness. But I trust it won't be of long duration. Here's this letter," he returned it as he spoke, "which in more than one way has cost so large a price. Possibly her ladyship may now regret her ill-gotten purchase."
Lord Winsleigh shook his hand warmly. "My dear friend, I feel the same way! I'm truly sorry! I often find myself apologizing for various things. But I'm especially sad to think that your lovely and innocent young wife is the one suffering here. Unfortunately, I didn't hear anything until this morning; otherwise, I might have been able to prevent all this unhappiness. But I hope it won’t last long. Here’s this letter," he handed it back as he spoke, "which has, in more than one way, come at a high cost. Perhaps her ladyship might now regret her ill-gotten gain."
"Pardon me," said Errington curiously, "but how did you know—"
"Pardon me," Errington said curiously, "but how did you know—"
"The information was pressed upon me very much," replied Lord Winsleigh evasively, "and from such a source that up to the last moment I almost refused to believe it." He paused, and then went on with a forced smile, "Suppose we don't talk any more about it, Errington? The subject's rather painful to me. Only allow me to ask your pardon for my wife's share in the mischief!"
"The information was pushed on me quite a bit," replied Lord Winsleigh vaguely, "and from such a source that right up until the last moment I could hardly believe it." He paused and then continued with a strained smile, "How about we don’t discuss it anymore, Errington? The topic is a bit painful for me. Just let me ask for your forgiveness for my wife's part in the trouble!"
Something in his manner of speaking affected Sir Philip.
Something about the way he spoke influenced Sir Philip.
"Upon my soul, Winsleigh," he exclaimed with sudden fervor, "I fancy you're a man greatly wronged!"
"Honestly, Winsleigh," he said with sudden intensity, "I really think you've been treated unfairly!"
Lord Winsleigh smiled slightly. "You only fancy?" he said quietly. "Well,—my good friend, we all have our troubles—I dare say mine are no greater than those of many better men." He stopped short, then asked abruptly, "I suppose you'll see Lennox?"
Lord Winsleigh smiled slightly. "You only like?" he said quietly. "Well,—my good friend, we all have our troubles—I dare say mine are no greater than those of many better men." He paused briefly, then asked abruptly, "I suppose you'll see Lennox?"
Errington set his teeth hard. "I shall,—at once!" he replied. "And I shall probably thrash him within an inch of his life!"
Errington gritted his teeth. "I will—right now!" he replied. "And I'm probably going to beat him within an inch of his life!"
"That's right! I shan't be sorry!" and Lord Winsleigh's hand clenched almost unconsciously. "I hope you understand, Errington, that if it hadn't been for my son, I should have shot that fellow long ago. I dare say you wonder,—and some others too,—why I haven't done it. But Ernest—poor little chap! . . . he would have heard of it,—and the reason of it,—his young life is involved in mine—why should I bequeath him a dishonored mother's name? There—for heaven's sake, don't let me make a fool of myself!" and he fiercely dashed his hand across his eyes. "A duel or a divorce—or a horsewhipping—they all come to pretty much the same thing—all involve public scandal for the name of the woman who may be unhappily concerned—and scandal clings, like the stain on Lady Macbeth's hand. In your case you can act—your wife is above a shadow of suspicion—but I—oh, my God! how much women have to answer for in the miseries of this world!"
"That's right! I won't regret it!" Lord Winsleigh's hand clenched almost without thinking. "I hope you understand, Errington, that if it weren't for my son, I would have shot that guy a long time ago. I bet you’re wondering—and some others too—why I haven't done it. But Ernest—poor little guy!… he would have found out about it—and the reason for it—his young life is tied to mine—why should I leave him with a dishonored mother's name? There—please don’t let me embarrass myself!" He wiped his eyes fiercely. "A duel or a divorce—or a horsewhipping—they all amount to pretty much the same thing—they all cause public scandal for the woman who might be unfortunately involved—and that scandal sticks, like the stain on Lady Macbeth’s hand. In your case you can act—your wife is beyond suspicion—but I—oh my God! how much women have to answer for in the problems of this world!"
Errington said nothing. Pity and respect for the man before him held him silent. Here was one of the martyrs of modern social life—a man who evidently knew himself to be dishonored by his wife,—and who yet, for the sake of his son, submitted to be daily broken on the wheel of private torture rather than let the boy grow up to despise and slight his mother. Whether he were judged as wise or weak in his behavior there was surely something noble about him—something unselfish and heroic that deserved recognition. Presently Lord Winsleigh continued in calmer tones—
Errington said nothing. He felt both pity and respect for the man in front of him, which kept him quiet. Here was one of the martyrs of modern social life—a man who clearly knew he was dishonored by his wife, yet, for the sake of his son, chose to endure daily suffering instead of allowing the boy to grow up to hate and disrespect his mother. Whether people viewed him as wise or weak in his actions, there was undoubtedly something noble about him—something selfless and heroic that deserved acknowledgment. Eventually, Lord Winsleigh continued in a calmer tone—
"I've been talking too much about myself, Errington, I fear—forgive it! Sometimes I've thought you misunderstood me—"
"I think I’ve been talking too much about myself, Errington—sorry about that! Sometimes I feel like you might misunderstand me—"
"I never shall again!" declared Philip earnestly.
"I'll never do that again!" Philip said seriously.
Lord Winsleigh met his look of sympathy with one of gratitude.
Lord Winsleigh reacted to his sympathetic gaze with a look of appreciation.
"Thanks!" he said briefly,—and with this they shook hands again heartily, and parted. Lord Winsleigh saw his visitor to the door—and then at once returned to his wife's apartments. She was still absent from the boudoir—he therefore entered her dressing-room without ceremony.
"Thanks!" he said briefly—and with that, they shook hands again warmly and parted ways. Lord Winsleigh saw his visitor to the door and then quickly returned to his wife's rooms. She was still not in the boudoir, so he entered her dressing room without knocking.
There he found her,—alone, kneeling on the floor, her head buried in an arm-chair,—and her whole frame shaken with convulsive sobs. He looked down upon her with a strange wistful pain in his eyes,—pain mingled with compassion.
There he found her—alone, kneeling on the floor, her head buried in an armchair—and her whole body shaking with deep sobs. He looked down at her with a strange, yearning pain in his eyes—pain mixed with compassion.
"Clara!" he said gently. She started and sprang up—confronting him with flushed cheeks and wet eyes.
"Clara!" he said softly. She jumped and got up—facing him with flushed cheeks and teary eyes.
"You here?" she exclaimed angrily. "I wonder you dare to—" she broke off, confused by his keen, direct glance.
"You here?" she shouted, annoyed. "I can’t believe you dare to—" she paused, thrown off by his sharp, direct stare.
"It is a matter for wonder," he said quietly. "It's the strangest thing in the world that I—your husband—should venture to intrude myself into your presence! Nothing could be more out of the common. But I have something to say to you—something which must be said sooner or later—and I may as well speak now."
"It is amazing," he said quietly. "It's the weirdest thing in the world that I—your husband—should dare to show up in front of you! Nothing could be more unusual. But I have something to tell you—something that needs to be said sooner or later—and I might as well say it now."
He paused,—she was silent, looking at him in a sort of sudden fear.
He paused—she was quiet, staring at him with a kind of sudden fear.
"Sit down," he continued in the same even tones. "You must have a little patience with me—I'll endeavor to be as brief as possible."
"Take a seat," he continued in the same calm voice. "You need to be a bit patient with me—I'll try to be as quick as I can."
Mechanically she obeyed him and sank into a low fauteuil. She began playing with the trinkets on her silver chatelaine, and endeavored to feign the most absolute unconcern, but her heart beat quickly—she could not imagine what was coming next—her husband's manner and tone were quite new to her.
Mechanically, she followed his command and sat down in a low chair. She started fiddling with the trinkets on her silver chatelaine and tried to act completely unconcerned, but her heart raced—she had no idea what was about to happen next—her husband's demeanor and tone were totally unfamiliar to her.
"You accused me just now," he went on, "of being a spy. I have never condescended to act such a part toward you, Clara. When I first married you I trusted you with my life, my honor, and my name, and though you have betrayed all three"—she moved restlessly as his calm gaze remained fixed on her—"I repeat,—though you have betrayed all three,—I have deliberately shut my eyes to the ruin of my hopes, in a loyal endeavor to shield you from the world's calumny. Regarding the unhappiness you have caused the Erringtons,—your own maid Louise Rénaud (who has given you notice of her intention to leave you) told me all she knew of your share in what I may call positive cruelty, towards a happy and innocent woman who has never injured you, and whose friend you declared yourself to be—"
"You just accused me," he continued, "of being a spy. I've never looked down on you, Clara, to play such a role. When I first married you, I trusted you with my life, my honor, and my name, and even though you’ve betrayed all three"—she shifted uncomfortably as his steady gaze stayed locked on her—"I say again, even though you’ve betrayed all three, I have intentionally turned a blind eye to the destruction of my hopes, in a loyal attempt to protect you from the world's slander. As for the unhappiness you’ve caused the Erringtons,—your own maid Louise Rénaud (who has given you notice that she plans to leave) told me everything she knew about your involvement in what I can only describe as pure cruelty, towards a happy and innocent woman who has never wronged you, and whom you claimed to befriend—"
"You believe the lies of a servant?" suddenly cried Lady Winsleigh wrathfully.
"You believe the lies of a servant?" Lady Winsleigh suddenly shouted angrily.
"Have not you believed the lies of Sir Francis Lennox, who is less honest than a servant?" asked her husband, his grave voice deepening with a thrill of passion. "And haven't you reported them everywhere as truths? But as regards your maid—I doubted her story altogether. She assured me she knew what money you took out with you yesterday, and what you returned with—and as the only place you visited in the morning was the Brilliant Theatre,—after having received a telegram from Lennox, which she saw,—it was easy for her to put two and two together, especially as she noticed you reading the letter you had purchased—moreover"—he paused—"she has heard certain conversations between you and Sir Francis, notably one that took place at the garden-party in the summer at Errington Manor. Spy? you say? your detective has been paid by you,—fed and kept about your own person,—to minister to your vanity and to flatter your pride—that she has turned informer against you is not surprising. Be thankful that her information has fallen into no more malignant hands than mine!"
"Have you really believed the lies of Sir Francis Lennox, who is less trustworthy than a servant?" her husband asked, his serious voice growing more intense with emotion. "And haven't you spread those lies everywhere as if they were true? But about your maid—I completely doubted her story. She told me she knew how much money you took out with you yesterday and how much you came back with—and since the only place you went in the morning was the Brilliant Theatre, after getting a telegram from Lennox that she saw—it was easy for her to connect the dots, especially since she saw you reading the letter you bought—moreover"—he paused—"she has overheard certain conversations between you and Sir Francis, especially one that happened at the garden party last summer at Errington Manor. A spy? you say? Your detective has been paid by you—cared for and kept close to you—to feed your vanity and stroke your ego—that she has turned into an informant against you is no surprise. Be grateful that her information has landed in no more dangerous hands than mine!"
Again he paused—she was still silent—but her lips trembled nervously.
Again he paused—she was still quiet—but her lips trembled with nervousness.
"And yet I was loth to believe everything"—he resumed half sadly—"till Errington came and showed me that letter and told me the whole story of his misery. Even then I thought I would give you one more chance—that's why I brought him to you and asked you the question before him. One look at your face told me you were guilty, though you denied it. I should have been better pleased had you confessed it! But why talk about it any longer?—the mischief is done—I trust it is not irreparable. I certainly consider that before troubling that poor girl's happiness,—you should have taken the precaution to inquire a little further into the truth of the reports you heard from Sir Francis Lennox,—he is not a reliable authority on any question whatsoever. You may have thought him so—" he stopped short and regarded her with sorrowful sternness—"I say, Clara, you may have thought him so, once—but now? Are you proud to have shared his affections with—Violet Vere?"
"And yet I was reluctant to believe everything," he continued, half sadly, "until Errington came and showed me that letter and shared the whole story of his misery. Even then, I thought I’d give you one more chance—that’s why I brought him to you and asked you the question in front of him. Just one look at your face told me you were guilty, even though you denied it. I would have preferred it if you had confessed! But why keep talking about it? The damage is done—I hope it’s not beyond repair. I definitely think that before disrupting that poor girl's happiness, you should have taken the time to investigate the truth of the rumors you heard from Sir Francis Lennox—he’s not a reliable source on any issue. You might have thought he was—" he paused and looked at her with a sorrowful seriousness—"I’m telling you, Clara, you might have thought that once—but now? Are you proud to have shared his affections with—Violet Vere?"
She uttered a sharp cry and covered her face with her hands,—an action which appeared to smite her husband to the heart,—for his voice trembled with deep feeling when he next spoke.
She let out a sharp cry and covered her face with her hands—a move that seemed to strike her husband right in the heart—because his voice trembled with deep emotion when he spoke next.
"Ah, best hide it, Clara!" he said passionately. "Hide that fair face I loved so well—hide those eyes in which I dreamed of finding my life's sunshine! Clara, Clara! What can I say to you, fallen rose of womanhood? How can I—" he suddenly bent over her as though to caress her, then drew back with a quick agonized sigh. "You thought me blind, Clara! . . ." he went on in low tones, "blind to my own dishonor—blind to your faithlessness,—I tell you if you had taken my heart between your hands and wrung the blood out of it drop by drop, I could not have suffered more than I have done! Why have I been silent so long?—no matter why,—but now, now Clara,—this life of ours must end!"
"Ah, you should really hide it, Clara!" he said with passion. "Hide that beautiful face I loved so much—hide those eyes where I dreamed of finding my life's light! Clara, Clara! What can I say to you, fallen rose of womanhood? How can I—" he suddenly leaned over her as if to touch her, then pulled back with a quick, pained sigh. "You thought I was oblivious, Clara! . . ." he continued in a low voice, "oblivious to my own shame—oblivious to your betrayal—I swear, if you had taken my heart and squeezed the blood out of it drop by drop, I couldn't have suffered more than I have! Why have I stayed silent for so long?—it doesn't matter why—but now, now Clara—this life of ours has to end!"
She shuddered away from him.
She recoiled from him.
"End it then!" she muttered in a choked voice. "You can do as you like,—you can divorce me."
"Just end it then!" she whispered, her voice tight. "Do whatever you want—you can divorce me."
"Yes," said Lord Winsleigh musingly. "I can divorce you! There will be no defense possible,—as you know. If witnesses are needed, they are to be had in the persons of our own domestics. The co-respondent in the case will not refute the charge against him,—and I, the plaintiff, must win my just cause. Do you realize it all, Clara? You, the well-known leader of a large social circle—you, the proud beauty and envied lady of rank and fashion,—you will be made a subject for the coarse jests of lawyers,—the very judge on the bench will probably play off his stale witticism at your expense,—your dearest friends will tear your name to shreds,—the newspapers will reek of your doings,—and honest housemaids reading of your fall from your high estate, will thank God that their souls and bodies are more chaste than yours! And last,—not least,—think when old age creeps on, and your beauty withers,—think of your son grown to manhood,—the sole heir to my name,—think of him as having but one thing to blush for—the memory of his dishonored mother!"
"Yes," Lord Winsleigh said thoughtfully. "I can divorce you! There’s no way to defend against it, as you know. If we need witnesses, our own staff can provide them. The co-respondent in this case won’t deny the allegations against him, and I, the plaintiff, must win my rightful case. Do you understand all of this, Clara? You, the well-known leader of a large social scene—you, the proud beauty and envied lady of status and style—you will become a target for the crude jokes of lawyers. The very judge presiding over your case will likely make tired jokes at your expense. Your closest friends will drag your name through the mud. The newspapers will be filled with scandal about you, and everyday housemaids, upon reading of your fall from grace, will thank God that their lives are more virtuous than yours! And lastly—think about this—when old age sets in and your beauty fades, think about your son growing into a man—the sole heir to my name—imagine him having only one reason to be ashamed—the memory of his dishonored mother!"
"Cruel—cruel!" she cried, endeavoring to check her sobs, and withdrawing her hands from her face. "Why do you say such things to me? Why did you marry me?"
"Cruel—so cruel!" she exclaimed, trying to stop her tears as she pulled her hands away from her face. "Why do you say those things to me? Why did you marry me?"
He caught her hands and held them in a fast grip.
He grabbed her hands and held them tightly.
"Why? Because I loved you, Clara—loved you with all the tenderness of a strong man's heart! When I first saw you, you seemed to me the very incarnation of maiden purity and loveliness! The days of our courtship—the first few months of our marriage—what they were to you, I know not,—to me they were supreme happiness. When our boy was born, my adoration, my reverence for you increased—you were so sacred in my eyes, that I could have knelt and asked a benediction from these little hands"—here he gently loosened them from his clasp. "Then came the change—what changed you, I cannot imagine—it has always seemed to me unnatural, monstrous, incredible! There was no falling away in my affection, that I can swear! My curse upon the man who turned your heart from mine! So rightful and deep a curse is it that I feel it must some day strike home."
"Why? Because I loved you, Clara—loved you with all the tenderness of a strong man’s heart! When I first saw you, you seemed to me the very embodiment of purity and beauty! The days of our courtship—the first few months of our marriage—what they were to you, I don’t know, but to me they were pure happiness. When our son was born, my admiration and respect for you grew—you were so sacred in my eyes that I could have knelt and asked for a blessing from those little hands"—here he gently loosened them from his grasp. "Then came the change—what changed you, I can’t imagine—it has always seemed to me unnatural, monstrous, incredible! There was no diminishing of my affection, I swear! My curse upon the man who turned your heart from mine! Such a rightful and deep curse is it that I feel it must someday come back to him."
He paused and seemed to reflect. "Who is there more vile, more traitorous than he?" he went on. "Has he not tried to influence Errington's wife against her husband? For what base purpose? But Clara,—he is powerless against her purity and innocence;—what, in the name of God, gave him power over you?"
He paused and appeared to think for a moment. "Who is more despicable, more treacherous than he?" he continued. "Hasn’t he tried to turn Errington's wife against her husband? For what twisted reason? But Clara—he is powerless against her purity and innocence;—what, in the name of God, gave him power over you?"
She drooped her head, and the hot blood rushed to her face.
She lowered her head, and the hot blood rushed to her face.
"You've said enough!" she murmured sullenly. "If you have decided on a divorce, pray carry out your intention with the least possible delay. I cannot talk any more! I—I am tired!"
"You've said enough!" she said sulkily. "If you've decided on a divorce, please go ahead and do it as soon as you can. I can't talk anymore! I—I’m tired!"
"Clara," said her husband solemnly, with a strange light in his eyes, "I would rather kill you than divorce you!"
"Clara," her husband said seriously, a strange look in his eyes, "I would rather kill you than get a divorce!"
There was something so terribly earnest in his tone that her heart beat fast with fear.
There was something so seriously intense in his tone that her heart raced with fear.
"Kill me?—kill me?" she gasped, with white lips.
"Kill me?—kill me?" she gasped, her lips pale.
"Yes!" he repeated, "kill you,—as a Frenchman or an Italian would,—and take the consequences. Yes—though an Englishman, I would rather do this than drag your frail poor womanhood through the mire of public scandal! I have, perhaps, a strange nature, but such as I am, I am. There are too many of our high-born families already, flaunting their immorality and low licentiousness in the face of the mocking, grinning populace,—I for one could never make up my mind to fling the honor of my son's mother to them, as though it were a bone for dogs to fight over. No—I have another proposition to make to you—"
"Yes!" he repeated, "I would kill you—like a Frenchman or an Italian would—and accept the consequences. Yes—though I'm English, I'd rather do that than drag your fragile womanhood through the mud of public scandal! I might have a strange nature, but it is what it is. There are already too many of our noble families showing off their immorality and depravity in front of the mocking, grinning crowd—I, for one, could never bring myself to toss the honor of my son's mother to them like a bone for dogs to fight over. No—I have another proposal for you—"
He stopped short. She stared at him wonderingly. He resumed in methodical, unmoved, business-like tones.
He stopped abruptly. She looked at him in surprise. He continued in a systematic, detached, professional manner.
"I propose, Clara, simply,—to leave you! I'll take the boy and absent myself from this country, so as to give you perfect freedom and save you all trouble. There'll be no possibility of scandal, for I will keep you cognizant of my movements,—and should you require my presence at any time for the sake of appearances,—or—to shield you from calumny,—you may rely on my returning to you at once,—without delay. Ernest will gain many advantages by travel,—his education is quite a sufficient motive for my departure, my interest in his young life being well known to all our circle. Moreover, with me—under my surveillance—he need never know anything against—against you. I have always taught him to honor and obey you in his heart."
"I suggest, Clara, simply—to leave you! I'll take the boy and get away from this country, giving you complete freedom and saving you all the hassle. There won’t be any chance of scandal because I’ll keep you updated on my whereabouts—and if you ever need me around for appearances—or to protect you from gossip—you can count on me coming back right away—without delay. Ernest will benefit a lot from traveling—his education is a good enough reason for my departure, and my care for his young life is well-known among our friends. Besides, with me—under my watch—he’ll never have to know anything against you. I've always taught him to respect and obey you in his heart."
Lord Winsleigh paused a moment—then went on, somewhat musingly;—"When he was quite little, he used to wonder why you didn't love him,—it was hard for me to hear him say that, sometimes. But I always told him that you did love him—but that you had so many visits to makes and so many friends to entertain, that you had no time to play with him. I don't think he quite understood,—but still—I did my best!"
Lord Winsleigh paused for a moment and then continued, a bit thoughtfully: “When he was very little, he used to wonder why you didn’t love him. It was tough for me to hear him say that sometimes. But I always told him that you did love him, but that you had so many visits to make and so many friends to entertain that you had no time to play with him. I don’t think he fully understood, but still—I did my best!”
He was silent. She had hidden her face again in her hands, and he heard a sound of smothered sobbing.
He was quiet. She had covered her face with her hands again, and he heard the sound of muffled crying.
"I think," he continued calmly, "that he has a great reverence for you in his young heart—a feeling which partakes, perhaps, more of fear than love—still it is better than—disdain—or—or disrespect. I shall always teach him to esteem you highly,—but I think, as matters stand—if I relieve you of all your responsibilities to husband and son—you—Clara!—pray don't distress yourself—there's no occasion for this—Clara—"
"I think," he said calmly, "that he has a lot of respect for you in his young heart—a feeling that might be more about fear than love—but it's better than—disdain—or—or disrespect. I’ll always teach him to value you highly—but I think, given the situation—if I take away all your responsibilities to your husband and son—you—Clara!—please don’t upset yourself—there’s no need for this—Clara—"
For on a sudden impulse she had flung herself at his feet in an irrepressible storm of passionate weeping.
For a sudden moment, she had thrown herself at his feet in an overwhelming wave of passionate tears.
"Kill me, Harry!" she sobbed wildly, clinging to him. "Kill me! don't speak to me like this!—don't leave me! Oh, my God! don't, don't despise me so utterly! Hate me—curse me—strike me—do anything, but don't leave me as if I were some low thing, unfit for your touch,—I know I am, but oh, Harry! . . ." She clung to him more closely. "If you leave me I will not live,—I cannot! Have you no pity? Why would you throw me back alone—all, all alone, to die of your contempt and my shame!"
"Kill me, Harry!" she cried desperately, holding onto him tightly. "Kill me! Don’t talk to me like this!—don’t leave me! Oh my God! Please, don’t despise me so completely! Hate me—curse me—hit me—do anything, but don’t treat me like I’m some worthless thing, unworthy of your touch—I know I am, but oh, Harry! . . ." She held onto him even tighter. "If you leave me, I won’t survive—I can’t! Don’t you have any compassion? Why would you send me back alone—all alone—to suffer from your disdain and my shame!"
And she bowed her head in an agony of tears.
And she lowered her head in a flood of tears.
He looked down upon her a moment in silence.
He looked down at her for a moment in silence.
"Your shame!" he murmured. "My wife—"
"Your shame!" he whispered. "My wife—"
Then he raised her in his arms and drew her with a strange hesitation of touch, to his breast, as though she were some sick or wounded child, and watched her as she lay there weeping, her face hidden, her whole frame trembling in his embrace.
Then he picked her up in his arms and pulled her close to his chest, hesitating as he touched her, as if she were a sick or hurt child, and watched her as she lay there crying, her face hidden, her whole body shaking in his embrace.
"Poor soul!" he whispered, more to himself than to her. "Poor frail woman! Hush, hush, Clara! The past is past! I'll make you no more reproaches. I—I can't hurt you, because I once so loved you—but now—now,—what is there left for me to do, but to leave you? You'll be happier so—you'll have perfect liberty—you needn't even think of me—unless, perhaps, as one dead and buried long ago—"
"Poor thing!" he whispered, more to himself than to her. "Poor fragile woman! Hush, hush, Clara! The past is behind us! I won't blame you anymore. I—I can't hurt you, because I once loved you so much—but now—now, what is there left for me to do but to leave you? You'll be happier this way—you'll have complete freedom—you won’t even have to think about me—unless, maybe, as someone who died and was buried long ago—"
She raised herself in his arms and looked at him piteously.
She lifted herself in his arms and looked at him with sadness.
"Won't you give me a chance?" she sobbed. "Not one? If I had but known you better—if I had understood oh, I've been vile, wicked, deceitful—but I'm not happy, Harry—I've never been happy since I wronged you! Won't you give me one little hope that I may win your love again,—no, not your love, but your pity? Oh, Harry, have I lost all—all—"
"Won't you give me a chance?" she cried. "Not even one? If I had only known you better—if I had understood... oh, I've been terrible, wicked, deceitful—but I'm not happy, Harry—I haven't been happy since I hurt you! Won't you give me a tiny bit of hope that I might win your love back—no, not your love, but your pity? Oh, Harry, have I lost it all—all—"
Her voice broke—she could say no more.
Her voice cracked—she couldn't say anything else.
He stroked her hair gently. "You speak on impulse just now, Clara," he said gravely yet tenderly. "You can't know your own strength or weakness. God forbid that I should judge you harshly! As you wish it, I will not leave you yet. I'll wait. Whether we part or remain together, shall be decided by your own actions, your own looks, your own words. You understand, Clara? You know my feelings. I'm content for the present to place my fate in your hands." He smiled rather sadly. "But for love, Clara—I fear nothing can be done to warm to life this poor perished love of ours. We can, perhaps, take hands and watch its corpse patiently together and say how sorry we are it is dead—such penitence comes always too late!"
He gently ran his fingers through her hair. "You’re speaking without thinking right now, Clara," he said seriously but with warmth. "You can’t truly know your own strengths or weaknesses. God forbid I should judge you harshly! As you wish, I won’t leave you just yet. I’ll wait. Whether we stay together or go our separate ways will depend on your actions, your expressions, your words. Do you understand, Clara? You know how I feel. For now, I’m okay with leaving my fate in your hands." He smiled a little sadly. "But about love, Clara—I’m afraid there’s nothing that can bring our lost love back to life. We might be able to hold hands and mourn its loss together, saying how sorry we are that it’s gone—such regrets always come too late!"
He sighed, and put her gently away from him.
He sighed and gently pushed her away.
She turned up her flushed, tear-stained face to his.
She lifted her reddened, tear-streaked face to him.
"Will you kiss me, Harry?" she asked tremblingly. He met her eyes, and an exclamation that was almost a groan broke from his lips. A shudder passed through his frame.
"Will you kiss me, Harry?" she asked, trembling. He looked into her eyes, and an exclamation that was almost a groan escaped his lips. A shiver ran through his body.
"I can't, Clara! I can't—God forgive me!—Not yet!" And with that he bowed his head and left her.
"I can't, Clara! I can't—God forgive me!—Not yet!" And with that he bowed his head and left her.
She listened to the echo of his firm footsteps dying away, and creeping guiltily to a side-door she opened it, and watched yearningly his retreating figure till it had disappeared.
She heard the sound of his strong footsteps fading away and, feeling guilty, she quietly moved to a side door, opened it, and watched longingly as his figure disappeared.
"Why did I never love him till now?" she murmured sobbingly. "Now, when he despises me—when he will not even kiss me?—" She leaned against the half-open door in an attitude of utter dejection, not caring to move, listening intently with a vague hope of hearing her husband's returning tread. A lighter step than his, however, came suddenly along from the other side of the passage and startled her a little—it was Ernest, looking the picture of boyish health and beauty. He was just going out for his usual ride—he lifted his cap with a pretty courtesy as he saw her, and said—
"Why did I never love him until now?" she whispered, tearfully. "Now, when he looks down on me—when he won't even kiss me?" She leaned against the half-open door, completely dejected, not feeling like moving, listening intently with a faint hope of hearing her husband's steps returning. Suddenly, a lighter step than his came along from the other side of the passage, startling her a bit—it was Ernest, looking the picture of youthful health and beauty. He was just about to head out for his usual ride—he tipped his cap with a charming politeness as he noticed her and said—
"Good-morning, mother!"
"Good morning, Mom!"
She looked at him with new interest,—how handsome the lad was!—how fresh his face!—how joyously clear those bright blue eyes of his! He, on his part, was moved by a novel sensation too—his mother,—his proud, beautiful, careless mother had been crying—he saw that at a glance, and his young heart beat faster when she laid her white hand, sparkling all over with rings, on his arm and drew him closer to her.
She looked at him with fresh curiosity—what a handsome guy he was!—how fresh his face looked!—how joyfully bright those sparkly blue eyes of his were! He, for his part, felt a new emotion as well—his mother—his proud, beautiful, carefree mother had been crying—he noticed that immediately, and his young heart raced when she placed her ring-covered white hand on his arm and pulled him closer to her.
"Are you going to the Park?" she asked gently.
"Are you going to the park?" she asked softly.
"Yes." Then recollecting his training in politeness and obedience he added instantly—"Unless you want me."
"Yes." Then remembering his training in politeness and obedience, he quickly added, "Unless you want me."
She smiled faintly. "I never do want you—do I, Ernest?" she asked half sadly. "I never want my boy at all." Her voice quivered,—and Ernest grew more and more astonished.
She smiled softly. "I never really want you—do I, Ernest?" she asked, a bit sadly. "I never want my boy at all." Her voice trembled, and Ernest became increasingly surprised.
"If you do, I'll stay," he said stoutly, filled with a chivalrous desire to console his so suddenly tender mother of his, whatever her griefs might be. Her eyes filled again, but she tried to laugh.
"If you do, I'll stay," he said confidently, driven by a noble urge to comfort his suddenly emotional mother, no matter what her troubles were. Her eyes filled with tears again, but she attempted to laugh.
"No dear—not now,—run along and enjoy yourself. Come to me when you return. I shall be at home all day. And,—stop Ernest—won't you kiss me?"
"No, dear—not now. Go on and have fun. Come back to me when you're done. I’ll be home all day. And—hold on, Ernest—won't you give me a kiss?"
The boy opened his eyes wide in respectful wonderment, and his cheeks flushed with surprise and pleasure.
The boy opened his eyes wide in respectful amazement, and his cheeks turned red with surprise and joy.
"Why, mother—of course!" And his fresh, sweet lips closed on hers with frank and unaffected heartiness. She held him fast for a moment and looked at him earnestly.
"Why, mom—of course!" And his fresh, sweet lips met hers with genuine and unaffected warmth. She held him tightly for a moment and gazed at him intently.
"Tell your father you kissed me—will you?" she said. "Don't forget!"
"Tell your dad you kissed me—okay?" she said. "Don't forget!"
And with that she waved her hand to him, and retreated again into her own apartment. The boy went on his way somewhat puzzled and bewildered—did his mother love him, after all? If so, he thought—how glad he was!—how very glad! and what a pity he had not known it before!
And with that, she waved her hand at him and went back to her own room. The boy continued on his way, feeling a bit confused and uncertain—did his mom really love him, after all? If so, he thought—how happy he was!—so very happy! And what a shame he hadn't realized it before!
CHAPTER XXIX.
"I heed not custom, creed, nor law; I care for nothing that ever I saw— I terribly laugh with an oath and sneer, When I think that the hour of Death draws near!" |
W. WINTER.
W. Winter.
Errington's first idea, on leaving Winsleigh House, was to seek an interview with Sir Francis Lennox, and demand an explanation. He could not understand the man's motive for such detestable treachery and falsehood. His anger rose to a white heat as he thought of it, and he determined to "have it out" with him whatever the consequences might be. "No apology will serve his turn," he muttered. "The scoundrel! He has lied deliberately—and, by Jove, he shall pay for it!"
Errington's first thought after leaving Winsleigh House was to meet with Sir Francis Lennox and demand an explanation. He couldn't grasp the man's reason for such horrible betrayal and deceit. His anger boiled over as he considered it, and he resolved to confront him, no matter the outcome. "No apology will cut it," he muttered. "The scoundrel! He has lied on purpose—and, by God, he will pay for it!"
And he started off rapidly in the direction of Piccadilly, but on the way he suddenly remembered that he had no weapon with him, not even a cane wherewith to carry out his intention of thrashing Sir Francis, and calling to mind a certain heavy horsewhip, that hung over the mantel-piece in his own room, he hailed a hansom, and was driven back to his house in order to provide himself with that implement of castigation before proceeding further. On arriving at the door, to his surprise he found Lorimer who was just about to ring the bell.
And he took off quickly towards Piccadilly, but on the way he suddenly remembered that he didn’t have any weapon with him, not even a cane to follow through on his plan to beat up Sir Francis. Remembering a heavy horsewhip that was hanging over the mantel in his room, he called a cab and had the driver take him back to his house to grab that tool for punishment before going on. When he got to the door, to his surprise, he found Lorimer just about to ring the bell.
"Why, I thought you were in Paris?" he exclaimed.
"Why, I thought you were in Paris?" he exclaimed.
"I came back last night," George began, when Morris opened the door, and Errington, taking his friend by the arm hurried him into the house. In five minutes he had unburdened himself of all his troubles—and had explained the misunderstanding about Violet Vere and Thelma's consequent flight. Lorimer listened with a look of genuine pain and distress on his honest face.
"I got back last night," George started, as Morris opened the door, and Errington, grabbing his friend by the arm, rushed him into the house. In just five minutes, he had shared all his troubles—and had cleared up the misunderstanding about Violet Vere and Thelma's resulting departure. Lorimer listened with a look of real pain and concern on his sincere face.
"Phil, you have been a fool!" he said candidly. "A positive fool, if you'll pardon me for saying so. You ought to have told Thelma everything at first,—she's the very last woman in the world who ought to be kept in the dark about anything. Neville's feelings? Bother Neville's feelings! Depend upon it the poor girl has heard all manner of stories. She's been miserable for some time—Duprèz noticed it." And he related in a few words the little scene that had taken place at Errington Manor on the night of the garden-party, when his playing on the organ had moved her to such unwonted emotion.
"Phil, you have been an idiot!" he said frankly. "A complete idiot, if you'll allow me to say that. You should have told Thelma everything from the start—she's the absolute last person who should be left in the dark about anything. Neville's feelings? Forget about Neville's feelings! Trust me, the poor girl has probably heard all sorts of rumors. She's been unhappy for a while—Duprèz noticed it." And he briefly shared the little scene that had happened at Errington Manor on the night of the garden party when his playing on the organ had stirred her to such unusual emotion.
Philip heard him in moody silence,—how had it happened, he wondered, that others,—comparative strangers,—had observed that Thelma looked unhappy, while he, her husband, had been blind to it? He could not make this out,—and yet it is a thing that very commonly happens. Our nearest and dearest are often those who are most in the dark respecting our private and personal sufferings,—we do not wish to trouble them,—and they prefer to think that everything is right with us, even though the rest of the world can plainly perceive that everything is wrong. To the last moment they will refuse to see death in our faces, though the veriest stranger meeting us casually, clearly beholds the shadow of the dark Angel's hand.
Philip heard him in moody silence. How had it happened, he wondered, that others—relative strangers—had noticed that Thelma seemed unhappy while he, her husband, had been completely blind to it? He couldn't figure it out, and yet it's something that happens all the time. Those closest to us are often the ones most unaware of our private struggles. We don’t want to burden them, and they’d rather believe everything is fine with us, even if the rest of the world can clearly see things are not okay. Until the very end, they’ll refuse to acknowledge the signs of death on our faces, while the most casual stranger can easily see the shadow of the grim reaper’s hand.
"Apropos of Lennox," went on Lorimer, sympathetically watching his friend, "I came on purpose to speak to you about him. I've got some news for you. He's a regular sneak and scoundrel. You can thrash him to your heart's content for he has grossly insulted your wife."
"Apropos of Lennox," Lorimer continued, watching his friend with sympathy, "I came specifically to talk to you about him. I have some news for you. He's a total sneak and a jerk. You can beat him up as much as you want because he has seriously insulted your wife."
"Insulted her?" cried Errington furiously. "How,—What—"
"Insulted her?" cried Errington furiously. "How—What—"
"Give me time to speak!" And George laid a restraining hand on his arm. "Thelma visited my mother yesterday and told her that on the night before, when you had gone out, Lennox took advantage of your absence to come here and make love to her,—and she actually had to struggle with him, and even to strike him, in order to release herself from his advances. My mother advised her to tell you about it—and she evidently then had no intention of flight, for she said she would inform you of everything as soon as you returned from the country. And if Lady Winsleigh hadn't interfered, it's very probable that—I say, where are you going?" This as Philip made a bound for the door.
"Give me a moment to explain!" George placed a hand on his arm to stop him. "Thelma visited my mom yesterday and told her that the night before, when you were out, Lennox took advantage of your absence to come here and make advances toward her. She even had to fight him off and hit him to get away from him. My mom suggested she tell you about it—and she clearly had no plans to run away, because she said she would update you on everything as soon as you got back from the country. If Lady Winsleigh hadn't stepped in, it's very likely that—Hey, where are you going?" This as Philip made a dash for the door.
"To get my horsewhip!" he answered.
"To get my horsewhip!" he replied.
"All right—I approve!" cried Lorimer. "But wait one instant, and see how clear the plot becomes. Thelma's beauty had maddened Lennox,—to gain her good opinion, as he thinks, he throws his mistress, Violet Vere, on your shoulders—(your ingenuous visits to the Brilliant Theatre gave him a capital pretext for this) and as for Lady Winsleigh's share in the mischief, it's nothing but mere feminine spite against you for marrying at all, and hatred of the woman whose life is such a contrast to her own, and who absorbs all your affection. Lennox has used her as his tool and the Vere also, I've no doubt. The thing's as clear as crystal. It's a sort of general misunderstanding all round—one of those eminently unpleasant trifles that very frequently upset the peace and comfort of the most quiet and inoffensive persons. But the fault lies with you, dear old boy!"
"All right—I’m on board!" shouted Lorimer. "But hold on for a second, and see how straightforward the situation is. Thelma's beauty has driven Lennox crazy—he thinks that to win her favor, he can just dump his girlfriend, Violet Vere, onto you—(your innocent visits to the Brilliant Theatre gave him a perfect excuse for this) and as for Lady Winsleigh's role in this chaos, it’s just petty jealousy against you for getting married at all, and her hatred for the woman whose life is so different from hers, and who has all your love. I have no doubt Lennox has manipulated her and the Vere as well. It's completely obvious. It's just a big misunderstanding all around—one of those really annoying little things that often disrupt the peace and comfort of the most calm and harmless people. But the blame rests with you, dear old friend!"
"With me!" exclaimed Philip.
"With me!" exclaimed Philip.
"Certainly! Thelma's soul is as open as daylight—you shouldn't have had any secret from her, however trifling. She's not a woman 'on guard,'—she can't take life as the most of us do, in military fashion, with ears pricked for the approach of a spy, and prepared to expect betrayal from her most familiar friends. She accepts things as they appear, without any suspicion of mean ulterior designs. It's a pity, of course!—it's a pity she can't be worldly-wise, and scheme and plot and plan and lie like the rest of us! However, your course is plain—first interview Lennox and then follow Thelma. She can't have left Hull yet,—there are scarcely any boats running to Norway at this season. You'll overtake her I'm certain."
"Absolutely! Thelma's spirit is as open as daylight—you shouldn't have kept any secrets from her, no matter how small. She's not a woman who is 'on guard'—she can't approach life like most of us do, in a military way, always on the lookout for a spy and ready to expect betrayal from her closest friends. She takes things at face value, without any suspicion of hidden agendas. It's a shame, really!—it's a shame she can't be more worldly, and scheme, plot, and lie like the rest of us! Anyway, your path is clear—first talk to Lennox and then follow Thelma. She can't have left Hull yet—there are hardly any boats going to Norway this time of year. I'm sure you'll catch up with her."
"By Jove, Lorimer!" said Errington suddenly. "Clara Winsleigh sticks at nothing—do you know she actually had the impudence to suggest that you,—you, of all people,—were in love with Thelma!"
"By Jove, Lorimer!" Errington exclaimed suddenly. "Clara Winsleigh doesn't hold back—do you know she actually had the nerve to suggest that you,—you, of all people,—were in love with Thelma!"
Lorimer flushed up, but laughed lightly. "How awfully sweet of her! Much obliged to her, I'm sure! And how did you take it Phil?"
Lorimer blushed but laughed softly. "How incredibly sweet of her! I'm really grateful to her, for sure! And how did you react, Phil?"
"Take it? I didn't take it at all," responded Philip warmly. "Of course, I knew it was only her spite—she'd say anything in one of her tempers."
"Take it? I didn't take it at all," Philip answered warmly. "Of course, I knew it was just her being spiteful—she'd say anything when she was in one of her moods."
Lorimer looked at him with a sudden tenderness in his blue eyes. Then he laughed again, a little forcedly, and said—
Lorimer looked at him with a sudden softness in his blue eyes. Then he laughed again, a bit awkwardly, and said—
"Be off, old man, and get that whip of yours! We'll run Lennox to earth. Hullo! here's Britta!"
"Go on, old man, and grab your whip! We'll track down Lennox. Hey! Here comes Britta!"
The little maid entered hurriedly at that moment,—she came to ask with quivering lips, whether she might accompany Sir Philip in his intended journey to Norway.
The little maid rushed in at that moment—she came to ask with trembling lips if she could join Sir Philip on his planned trip to Norway.
"For if you do not find the Fröken at Hull, you will want to reach the Altenfjord," said Britta, folding hands resolutely in front of her apron, "and you will not get on without me. You do not know what the country is like in the depth of winter when the sun is asleep. You must have the reindeer to help you—and no Englishman knows how to drive reindeer. And—and—" here Britta's eyes filled—"you have not thought, perhaps, that the journey may make the Fröken very ill—and that when we find her—she may be dying—" and Britta's strength gave way in a big sob that broke from the depths of her honest, affectionate heart.
"For if you don't find the Fröken in Hull, you'll need to get to the Altenfjord," Britta said, firmly folding her hands in front of her apron. "And you won't make it without me. You have no idea what the country is like in the middle of winter when the sun is gone. You need the reindeer to help you—and no Englishman knows how to handle reindeer. And—and—" at that, Britta's eyes filled with tears—"you might not have considered that the journey could make the Fröken really sick—and that when we find her—she might be dying—" and Britta's strength gave way as a big sob escaped from the depths of her honest, loving heart.
"Don't—don't talk like that, Britta!" cried Philip passionately. "I can't bear it! Of course, you shall go with me! I wouldn't leave you behind for the world! Get everything ready—" and in a fever of heat and impatience he began rummaging among some books on a side-shelf, till he found the time-tables he sought. "Yes,—here we are,—there's a train leaving for Hull at five—we'll take that. Tell Morris to pack my portmanteau, and you bring it along with you to the Midland railway-station this afternoon. Do you understand?"
"Don't—don't talk like that, Britta!" Philip exclaimed passionately. "I can't stand it! Of course, you’re coming with me! I wouldn't dream of leaving you behind! Get everything ready—" and in a rush of energy and impatience, he started searching through some books on a side shelf until he found the train schedules he needed. "Yes,—here we go,—there’s a train to Hull at five—we’ll take that. Tell Morris to pack my suitcase, and you bring it with you to the Midland railway station this afternoon. Do you get it?"
Britta nodded emphatically, and hurried off at once to busy herself with these preparations, while Philip, all excitement, dashed off to give a few parting injunctions to Neville, and to get his horsewhip.
Britta nodded enthusiastically and quickly ran off to get busy with the preparations, while Philip, filled with excitement, rushed off to give Neville a few last instructions and grab his horsewhip.
Lorimer, left alone for a few minutes, seated himself in an easy chair and began absently turning over the newspapers on the table. But his thoughts were far away, and presently he covered his eyes with one hand as though the light hurt them. When he removed it, his lashes were wet.
Lorimer, alone for a few minutes, sat down in an armchair and started absentmindedly flipping through the newspapers on the table. But his mind was elsewhere, and soon he covered his eyes with one hand as if the light was bothering them. When he took it away, his eyelashes were damp.
"What a fool I am!" he muttered impatiently. "Oh Thelma, Thelma! my darling!—how I wish I could follow and find you and console you!—you poor, tender, resigned soul, going away like this because you thought you were not wanted—not wanted!—my God!—if you only knew how one man at least has wanted and yearned for you ever since he saw your sweet face!—Why can't I tear you out of my heart—why can't I love some one else? Ah Phil!—good, generous, kind old Phil!—he little guesses," he rose and paced the room up and down restlessly. "The fact is I oughtn't to be here at all—I ought to leave England altogether for a long time—till—till I get over it. The question is, shall I ever get over it? Sigurd was a wise boy—he found a short way out of all his troubles,—suppose I imitate his example? No,—for a man in his senses that would be rather cowardly—though it might be pleasant!" He stopped in his walk with a pondering expression on his face. "At any rate, I won't stop here to see her come back—I couldn't trust myself,—I should say something foolish—I know I should! I'll take my mother to Italy—she wants to go; and we'll stay with Lovelace. It'll be a change—and I'll have a good stand-up fight with myself, and see if I can't come off the conqueror somehow! It's all very well to kill an opponent in battle but the question is, can a man kill his inner, grumbling, discontented, selfish Self? If he can't, what's the good of him?"
"What a fool I am!" he muttered impatiently. "Oh Thelma, Thelma! my darling!—how I wish I could follow you and comfort you!—you poor, tender, resigned soul, leaving like this because you thought you weren’t wanted—not wanted!—my God!—if you only knew how one guy at least has wanted and longed for you ever since he saw your sweet face!—Why can’t I just tear you out of my heart—why can’t I love someone else? Ah Phil!—good, generous, kind old Phil!—he has no idea," he rose and paced the room restlessly. "The truth is I shouldn’t even be here—I should leave England altogether for a long time—until—until I get over it. The question is, will I ever get over it? Sigurd was a smart guy—he found a quick way out of all his troubles,—maybe I should follow his lead? No,—for a sane man that would be pretty cowardly—even though it might be nice!" He stopped in his tracks with a thoughtful expression on his face. "At any rate, I won’t stay here to see her come back—I couldn't trust myself,—I'd say something stupid—I know I would! I'll take my mom to Italy—she wants to go; and we'll stay with Lovelace. It'll be a change—and I'll have a good, honest fight with myself, and see if I can come out on top somehow! It’s easy to defeat an opponent in battle, but the question is, can a man defeat his inner, grumbling, discontented, selfish Self? If he can’t, what’s the point of him?"
As he was about to consider this point reflectively, Errington entered, equipped for travelling, and whip in hand. His imagination had been at work during the past few minutes, exaggerating all the horrors and difficulties of Thelma's journey to the Altenfjord, till he was in a perfect fever of irritable excitement.
As he was getting ready to think this over, Errington walked in, ready to travel, with a whip in hand. His imagination had been running wild for the past few minutes, blowing all the fears and challenges of Thelma's journey to the Altenfjord out of proportion, leaving him in a complete frenzy of restless excitement.
"Come on Lorimer!" he cried. "There's no time to lose! Britta knows what to do—she'll meet me at the station. I can't breathe in this wretched house a moment longer—let's be off!"
"Come on, Lorimer!" he yelled. "We don't have any time to waste! Britta knows what to do—she'll meet me at the station. I can't stand being in this miserable house for another second—let's go!"
Plunging out into the hall, he bade Morris summon a hansom,—and with a few last instructions to that faithful servitor, and an encouraging kind word and shake of the hand to Neville, who with a face of remorseful misery, stood at the door to watch his departure,—he was gone. The hansom containing him and Lorimer rattled rapidly towards the abode of Sir Francis Lennox, but on entering Piccadilly, the vehicle was compelled to go so slowly on account of the traffic, that Errington, who every moment grew more and more impatient, could not stand it.
Plunging into the hallway, he told Morris to call a cab—and after giving a few last instructions to that loyal servant, along with an encouraging word and a handshake to Neville, who stood at the door with a look of guilty misery watching him leave—he was off. The cab, carrying him and Lorimer, rattled quickly toward Sir Francis Lennox's place, but once they hit Piccadilly, the traffic forced the vehicle to slow down so much that Errington, growing increasingly impatient by the moment, couldn't take it anymore.
"By Jove! this is like a walking funeral!" he muttered. "I say Lorimer, let's get out! We can do the rest on foot."
"Wow! this feels like a walking funeral!" he muttered. "Hey Lorimer, let’s bail! We can walk the rest of the way."
They stopped the cabman and paid him his fare—then hurried along rapidly, Errington every now and then giving a fiercer clench to the formidable horsewhip which was twisted together with his ordinary walking-stick in such a manner as not to attract special attention.
They stopped the cab driver and paid him his fare—then rushed off quickly, with Errington occasionally tightening his grip on the intimidating horsewhip that was intertwined with his regular walking stick in a way that wouldn't draw too much attention.
"Coward and liar!" he muttered, as he thought of the man he was about to punish. "He shall pay for his dastardly falsehood—by Jove he shall! It'll be a precious long time before he shows himself in society any more!"
"Coward and liar!" he grumbled, thinking about the guy he was about to punish. "He'll pay for his outrageous lie—he certainly will! It'll be a long time before he shows his face in society again!"
Then he addressed Lorimer. "You may depend upon it he'll shout 'police! police!' and make for the door," he observed. "You keep your back against it, Lorimer! I don't care how many fines I've got to pay as long as I can thrash him soundly!"
Then he turned to Lorimer. "You can count on him shouting 'police! police!' and heading straight for the door," he said. "You keep your back against it, Lorimer! I don't care how many fines I have to pay as long as I can really give him a beating!"
"All right!" Lorimer answered, and they quickened their pace. As they neared the chambers which Sir Francis Lennox rented over a fashionable jeweller's shop, they became aware of a small procession coming straight towards them from the opposite direction. Something was being carried between four men who appeared to move with extreme care and gentleness,—this something was surrounded by a crowd of boys and men whose faces were full of morbid and frightened interest—the whole cortége was headed by a couple of solemn policemen. "You spoke of a walking funeral just now," said Lorimer suddenly. "This looks uncommonly like one."
"All right!" Lorimer said, and they picked up their pace. As they got closer to the rooms that Sir Francis Lennox rented above a trendy jeweler's shop, they noticed a small procession coming straight toward them from the opposite direction. Something was being carried by four men who seemed to move with great care and gentleness—this something was surrounded by a crowd of boys and men whose faces were filled with morbid and fearful curiosity—the whole cortége was led by a couple of serious policemen. "You just mentioned a walking funeral," Lorimer said suddenly. "This looks a lot like one."
Errington made no reply—he had only one idea in his mind,—the determination to chastise and thoroughly disgrace Sir Francis. "I'll hound him out of the clubs!" he thought indignantly. "His own set shall know what a liar he is—and if I can help it he shall never hold up his head again!"
Errington didn’t respond—he was focused on one thing—the desire to punish and completely embarrass Sir Francis. “I’ll chase him out of the clubs!” he thought furiously. “His own friends will find out what a liar he is—and if I can help it, he won’t be able to show his face again!”
Entirely occupied as he was with these reflections, he paid no heed to anything that was going on in the street, and he scarcely heard Lorimer's last observation. So that he was utterly surprised and taken aback, when he, with Lorimer, was compelled to come to a halt before the very door of the jeweller, Lennox's landlord, while the two policemen cleared a passage through the crowd, saying in low tones, "Stand aside, gentlemen, please!—stand aside," thus making gradual way for four bearers, who, as was now plainly to be seen, carried a common wooden stretcher covered with a cloth, under which lay what seemed, from its outline, to be a human figure.
Caught up in his thoughts, he didn't notice what was happening outside and barely heard Lorimer's last comment. So he was completely shocked and taken aback when he and Lorimer had to stop right in front of the jeweler's door, who was also Lennox's landlord, as the two police officers cleared a path through the crowd, quietly saying, "Stand aside, gentlemen, please!—stand aside," gradually creating space for four bearers who, as became clear, were carrying a simple wooden stretcher covered with a cloth, under which lay what appeared to be a human figure based on its shape.
"What's the matter here?" asked Lorimer, with a curious cold thrill running through him as he put the simple question.
"What's going on here?" asked Lorimer, a curious chill running through him as he asked the straightforward question.
One of the policemen answered readily enough.
One of the police officers replied without hesitation.
"An accident, sir. Gentleman badly hurt. Down at Charing Cross Station—tried to jump into a train when it had started,—foot caught,—was thrown under the wheels and dragged along some distance—doctor says he can't live, sir."
"An accident, sir. A man is badly hurt. Down at Charing Cross Station—he tried to jump onto a train as it was pulling away,—his foot got caught,—he was thrown under the wheels and dragged for a bit—the doctor says he can't survive, sir."
"Who is he,—what's his name?"
"Who is he? What's his name?"
"Lennox, sir—leastways, that's the name on his card—and this is the address. Sir Francis Lennox, I believe it is."
"Lennox, sir—at least, that's the name on his card—and here's the address. I believe it's Sir Francis Lennox."
Errington uttered a sharp exclamation of horror,—at that moment the jeweller came out of the recesses of his shop with uplifted hands and bewildered countenance.
Errington let out a sharp gasp of horror—at that moment, the jeweler emerged from the back of his shop with raised hands and a confused look on his face.
"An accident? Good Heavens!—Sir Francis! Up-stairs!—take him up-stairs!" Here he addressed the bearers. "You should have gone round to the private entrance—he mustn't be seen in the shop—frightening away all my customers—here, pass through!—pass through, as quick as you can!"
"An accident? Oh my goodness!—Sir Francis! Get him upstairs!—take him upstairs!" He said this to the people carrying him. "You should have gone to the private entrance—he can't be seen in the shop—scaring away all my customers—come on, hurry through!—hurry through, as fast as you can!"
And they did pass through,—carrying their crushed burden tenderly along by the shining glass cases and polished counters, where glimmered and flashed jewels of every size and lustre for the adorning of the children of this world,—slowly and carefully, step by step, they reached the upper floor,—and there, in a luxurious apartment furnished with almost feminine elegance, they lifted the inanimate form from the stretcher and laid it down, still shrouded, on a velvet sofa, removing the last number of Truth, and two of Zola's novels, to make room for the heavy, unconscious head.
And they passed through, gently carrying their burden along the shining glass cases and polished counters, where jewels of all sizes and colors sparkled for the adornment of this world’s children. Slowly and carefully, step by step, they made it to the upper floor, and there, in a luxurious room furnished with almost feminine elegance, they lifted the lifeless body from the stretcher and laid it down, still covered, on a velvet sofa, moving aside the latest issue of Truth and two of Zola's novels to make space for the heavy, unconscious head.
Errington and Lorimer stood at the doorway, completely overcome by the suddenness of the event—they had followed the bearers up-stairs almost mechanically,—exchanging no word or glance by the way,—and now they watched in almost breathless suspense while a surgeon who was present, gently turned back the cover that hid the injured man's features and exposed them to full view. Was that Sir Francis? that blood-smeared, mangled creature?—that the lascivious dandy,—the disciple of no-creed and self-worship? Errington shuddered and averted his gaze from that hideous face,—so horribly contorted,—yet otherwise deathlike in its rigid stillness. There was a grave hush. The surgeon still bent over him—touching here, probing there, with tenderness and skill,—but finally he drew back with a hopeless shake of his head.
Errington and Lorimer stood in the doorway, completely overwhelmed by the suddenness of the event—they had followed the bearers upstairs almost like robots, exchanging no words or glances along the way—and now they watched in almost breathless suspense as a surgeon present gently pulled back the cover that concealed the injured man's face, revealing it fully. Was that Sir Francis? that blood-covered, mangled figure?—that the debauched dandy,—the follower of no faith and self-adoration? Errington shuddered and turned his gaze away from that horrific face, so horribly twisted, yet otherwise lifeless in its rigid stillness. There was a heavy silence. The surgeon continued to lean over him—touching here, probing there, with care and expertise—but eventually he pulled back with a sorrowful shake of his head.
"Nothing can be done," he whispered. "Absolutely nothing!"
"There's nothing we can do," he whispered. "Absolutely nothing!"
At that moment Sir Francis stirred,—he groaned and opened his eyes;—what terrible eyes they were, filled with that look of intense anguish, and something worse than anguish,—fear—frantic fear—coward fear—fear that was almost more overpowering than his bodily suffering.
At that moment, Sir Francis stirred—he groaned and opened his eyes—what terrible eyes they were, filled with a look of intense anguish, and something worse than anguish—fear—frantic fear—cowardly fear—fear that was almost more overwhelming than his physical pain.
He stared wildly at the little group assembled—strange faces, so far as he could make them out, that regarded him with evident compassion,—what —what was all this—what did it mean? Death? No, no! he thought madly, while his brain reeled with the idea—death? What was death?—darkness, annihilation, blackness—all that was horrible—unimaginable! God! he would not die! God!—who was God? No matter—he would live;—he would struggle against this heaviness,—this coldness—this pillar of ice in which he was being slowly frozen—frozen—frozen!—inch by—inch! He made a furious effort to move, and uttered a scream of agony, stabbed through and through by torturing pain.
He stared wildly at the small group gathered around—strange faces, as far as he could see, looking at him with clear compassion—what was all this—what did it mean? Death? No, no! he thought frantically, while his mind spun with the idea—death? What is death?—darkness, nothingness, emptiness—all that was terrifying—unimaginable! God! he would not die! God!—who is God? It didn’t matter—he would live;—he would fight against this heaviness,—this coldness—this ice-cold grip in which he was being slowly frozen—frozen—frozen!—inch by—inch! He made a desperate effort to move and let out a scream of agony, pierced through and through by excruciating pain.
"Keep still!" said the surgeon pityingly.
"Stay still!" the surgeon said with sympathy.
Sir Francis heard him not. He wrestled with his bodily anguish till the perspiration stood in large drops on his forehead. He raised himself, gasping for breath, and glared about him like a trapped beast of prey.
Sir Francis didn't hear him. He struggled with his physical pain until sweat formed large drops on his forehead. He propped himself up, gasping for air, and looked around like a cornered wild animal.
"Give me brandy!" he muttered chokingly. "Quick—quick! Are you going to let me die like a dog?—damn you all!"
"Give me brandy!" he gasped. "Hurry—hurry! Are you really going to let me die like a dog?—damn you all!"
The effort to move,—to speak,—exhausted his sinking strength—his throat rattled,—he clenched his fists and made as though he would spring off his couch—when a fearful contortion convulsed his whole body,—his eyes rolled up and became fixed—he fell heavily back,—dead!
The effort to get up—to speak—wore him out—his throat rattled—he clenched his fists and acted like he was going to jump off his couch—when a terrible spasm shook his entire body—his eyes rolled back and went blank—he fell back heavily—dead!
Quietly the surgeon covered again what was now nothing,—nothing but a mutilated corpse.
Quietly, the surgeon covered what was now just a mutilated corpse.
"It's all over!" he announce briefly.
"It's all over!" he announced briefly.
Errington heard these words in sickened silence. All over! Was it possible? So soon? All over!—and he had come too late to punish the would-be ravisher of his wife's honor,—too late! He still held the whip in his hand with which he had meant to chastise that—that distorted, mangled lump of clay yonder, . . . pah! he could not bear to think of it, and he turned away, faint and dizzy. He felt,—rather than saw the staircase,—down which he dreamily went, followed by Lorimer.
Errington heard those words in stunned silence. It was all over! Was that even possible? So soon? All over!—and he had arrived too late to punish the man who had tried to violate his wife's honor,—too late! He still had the whip in his hand that he intended to use on that—that twisted, mangled piece of nothing over there, . . . ugh! He couldn't stand to think about it, and he turned away, feeling faint and dizzy. He sensed—rather than saw—the staircase, down which he dreamily walked, followed by Lorimer.
The two policemen were in the hall scribbling the cut-and-dry particulars of the accident in their note-books, which having done, they marched off, attended by a wandering, bilious-looking penny-a-liner who was anxious to write a successful account of the "Shocking Fatality," as it was called in the next day's newspapers. Then the bearers departed cheerfully, carrying with them the empty stretcher. Then the jeweller, who seemed quite unmoved respecting the sudden death of his lodger, chatted amicably with the surgeon about the reputation and various demerits of the deceased,—and Errington and Lorimer, as they passed through the shop, heard him speaking of a person hitherto unheard of, namely, Lady Francis Lennox, who had been deserted by her husband for the past six years, and who was living uncomplainingly the life of an art-student in Germany with her married sister, maintaining, by the work of her own hands, her one little child, a boy of five.
The two cops were in the hallway jotting down the basic details of the accident in their notebooks. Once they finished, they marched off, followed by a wandering, sickly-looking reporter eager to write a sensational piece about the "Shocking Fatality," as it was titled in the next day's newspapers. After that, the bearers left cheerfully, taking the empty stretcher with them. The jeweler, seemingly unfazed by the sudden death of his lodger, chatted casually with the surgeon about the deceased's reputation and various faults. As Errington and Lorimer passed through the shop, they heard him mention someone they hadn’t heard of before, Lady Francis Lennox, who had been abandoned by her husband for the past six years. She was living a quiet life as an art student in Germany with her married sister, supporting her young son, who was five, through her own work.
"He never allowed her a farthing," said the conversational jeweller. "And she never asked him for one. Mr. Wiggins, his lawyer—firm of Wiggins & Whizzer, Furnival's Inn,—told me all about his affairs. Oh yes—he was a regular "masher"—tip-top! Not worth much, I should say. He must have spent over a thousand a year in keeping up that little place at St. John's Wood for Violet Vere. He owes me five hundred. However, Mr. Wiggins will see everything fair, I've no doubt. I've just wired to him, announcing the death. I don't suppose any one will regret him—except, perhaps, the woman at St. John's Wood. But I believe she's playing for a bigger stake just now." And, stimulated by this thought, he drew out from a handsome morocco case a superb pendant of emeralds and diamonds—a work of art, that glittered as he displayed it, like a star on a frosty night.
"He never gave her a penny," said the chatty jeweler. "And she never asked him for one. Mr. Wiggins, his lawyer—of Wiggins & Whizzer, Furnival's Inn—explained everything about his business to me. Oh yes—he was quite the charmer—top-notch! Not really worth much, I’d say. He must have spent over a thousand a year maintaining that little place in St. John's Wood for Violet Vere. He owes me five hundred. But Mr. Wiggins will make sure everything's sorted out, I have no doubt. I just sent him a wire announcing the death. I don't think anyone will miss him—except, perhaps, the woman in St. John's Wood. But I believe she’s aiming for something bigger right now." And, inspired by this thought, he pulled out a beautiful pendant made of emeralds and diamonds from a stylish morocco case—a work of art that sparkled as he showcased it like a star on a frosty night.
"Pretty thing, isn't it?" he said proudly. "Eight hundred pounds, and cheap, too! It was ordered for Miss Vere, two months ago, by the Duke of Moorlands. I see he sold his collection of pictures the other day. Luckily they fetched a tidy sum, so I'm pretty sure of the money for this. He'll sell everything he's got to please her. Queer? Oh, not at all! She's the rage just now,—I can't see anything in her myself,—but I'm not a duke, you see—I'm obliged to be respectable!"
"Nice piece, isn't it?" he said with pride. "Eight hundred pounds, and a great deal too! It was ordered for Miss Vere two months ago by the Duke of Moorlands. I heard he sold his art collection recently. Thankfully, it brought in a good amount, so I’m pretty confident he’ll have cash for this. He’ll sell off everything he owns to make her happy. Strange? Not at all! She's the talk of the town right now—I don’t see what all the fuss is about—but I’m not a duke, you know—I have to keep up appearances!"
He laughed as he returned the pendant to its nest of padded amber satin, and Errington,—sick at heart to hear such frivolous converse going on while that crushed and lifeless form lay in the very room above,—unwatched, uncared-for,—put his arm through Lorimer's and left the shop.
He laughed as he put the pendant back into its soft amber satin case, and Errington—heartbroken to hear such lighthearted chatter while that crushed and lifeless body lay in the room above—unattended and uncared for—linked his arm with Lorimer's and left the shop.
Once in the open street, with the keen, cold air blowing against their faces, they looked at each other blankly. Piccadilly was crowded; the hurrying people passed and re-passed,—there were the shouts of omnibus conductors and newsboys—the laughter of young men coming out of the St. James's Hall Restaurant; all was as usual,—as, indeed, why should it not? What matters the death of one man in a million? unless, indeed, it be a man whose life, like a torch, uplifted in darkness, has enlightened and cheered the world,—but the death of a mere fashionable "swell" whose chief talent has been a trick of lying gracefully—who cares for such a one? Society is instinctively relieved to hear that his place is empty, and shall know him more. But Errington could not immediately forget the scene he had witnessed. He was overcome by sensations of horror,—even of pity,—and he walked by his friend's side for some time in silence.
Once they were out on the street, with the sharp, cold air hitting their faces, they looked at each other blankly. Piccadilly was packed; people hurried back and forth—there were the shouts of bus drivers and news vendors—the laughter of young men leaving the St. James's Hall Restaurant; everything was as usual—after all, why wouldn’t it be? What does one man's death mean out of a million? Unless, of course, it’s someone whose life, like a torch raised in the dark, has brightened and inspired the world—but the death of just another fashionable "swell" whose main skill was telling lies with charm—who cares about that? Society instinctively breathes a sigh of relief knowing his spot is now vacant, and they’ll quickly forget him. But Errington couldn't shake the scene he had just witnessed. He was overwhelmed with feelings of horror—even pity—and walked beside his friend in silence for a while.
"I wish I could get rid of this thing!" he said suddenly, looking down at the horsewhip in his hand.
"I wish I could just throw this thing away!" he said suddenly, looking down at the horsewhip in his hand.
Lorimer made no answer. He understood his feeling, and realized the situation as sufficiently grim. To be armed with a weapon meant for the chastisement of a man whom Death had so suddenly claimed was, to say the least of it, unpleasant. Yet the horsewhip could scarcely be thrown away in Piccadilly—such an action might attract notice and comment. Presently Philip spoke again.
Lorimer didn’t reply. He understood how he felt and recognized that the situation was pretty dire. Being equipped with a whip meant for punishing a man who Death had just taken was, to put it mildly, uncomfortable. Still, he couldn’t just toss the whip away in Piccadilly—doing so might draw attention and comments. After a moment, Philip spoke up again.
"He was actually married all the time!"
"He was actually married the whole time!"
"So it seems;" and Lorimer's face expressed something very like contempt. "By Jove, Phil! he must have been an awful scoundrel!"
"Seems that way," Lorimer's face showed a look that was almost contempt. "Wow, Phil! He must have been a real jerk!"
"Don't let's say any more about him—he's dead!" and Philip quickened his steps. "And what a horrible death!"
"Let's not talk about him anymore—he's dead!" Philip said as he walked faster. "And what a terrible way to die!"
"Horrible enough, indeed!"
"Really awful, for sure!"
Again they were both silent. Mechanically they turned down towards Pall Mall.
Again they were both quiet. Automatically, they headed down towards Pall Mall.
"George," said Errington, with a strange awe in his tones, "it seems to me to-day as if there were death in the air. I don't believe in presentiments, but yet—yet I cannot help thinking—what if I should find my Thelma—dead?"
"George," said Errington, with a strange awe in his voice, "it feels to me today like there’s death in the air. I don’t believe in premonitions, but still—I can’t help thinking—what if I were to find my Thelma—dead?"
Lorimer turned very pale—a cold shiver ran through him, but he endeavored to smile.
Lorimer turned very pale—a cold shiver went through him, but he tried to smile.
"For God's sake, old fellow, don't think of anything so terrible! Look here, you're hipped—no wonder! and you've got a long journey before you. Come and have lunch. It's just two o'clock. Afterwards we'll go to the Garrick and have a chat with Beau Lovelace—he's a first-rate fellow for looking on the bright side of everything. Then I'll see you off this afternoon at the Midland—what do you say?"
"For heaven's sake, my friend, don't think of anything so awful! Look, you're feeling down—no surprise there! and you have a long trip ahead of you. Come and grab some lunch. It's just two o'clock. After that, we'll head to the Garrick and have a chat with Beau Lovelace—he's great at seeing the silver lining in everything. Then I'll see you off this afternoon at the Midland—what do you think?"
Errington assented to this arrangement, and tried to shake off the depression that had settled upon him, though dark forebodings passed one after the other like clouds across his mind. He seemed to see the Altenguard hills stretching drearily, white with frozen snow, around the black Fjord; he pictured Thelma, broken-hearted, fancying herself deserted, returning through the cold and darkness to the lonely farm-house behind the now withered pines. Then he began to think of the shell-cave where that other Thelma lay hidden in her last deep sleep,—the wailing words of Sigurd came freshly back to his ears, when the poor crazed lad had likened Thelma's thoughts to his favorite flowers, the pansies—"One by one you will gather and play with her thoughts as though they were these blossoms; your burning hand will mar their color—they will wither and furl up and die,—and you—what will you care? Nothing! No man ever cares for a flower that is withered,—not even though his own hand slew it!"
Errington agreed to this plan and tried to shake off the sadness that had settled over him, although dark worries drifted through his mind like passing clouds. He imagined the Altenguard hills stretching bleakly, white with frozen snow, around the dark Fjord; he pictured Thelma, heartbroken and thinking she had been abandoned, making her way back through the cold and darkness to the lonely farmhouse behind the now withered pines. Then he started to think about the shell cave where that other Thelma lay hidden in her final deep sleep—the haunting words of Sigurd echoed in his ears, when the poor, troubled boy had compared Thelma's thoughts to his favorite flowers, the pansies—"One by one you will gather and play with her thoughts as though they were these blossoms; your burning hand will ruin their color—they will wither and curl up and die,—and you—what will you care? Nothing! No man ever cares for a flower that is withered—not even if his own hand killed it!"
Had he been to blame? he mused, with a sorrowful weight at his heart. Unintentionally, had he,—yes, he would put it plainly,—had he neglected her, just a little? Had he not, with all his true and passionate love for her, taken her beauty, her devotion, her obedience too much for granted—too much as his right? And in these latter months, when her health had made her weaker and more in need of his tenderness, had he not, in a sudden desire for political fame and worldly honor, left her too much alone, a prey to solitude and the often morbid musings which solitude engenders?
Had he been at fault? he wondered, feeling a heavy sadness in his heart. Unintentionally, had he—yes, he would say it clearly—had he neglected her, just a bit? Had he not, despite all his genuine and passionate love for her, taken her beauty, her dedication, her obedience too much for granted—as if they were his right? And in these past months, when her health had made her weaker and more in need of his care, had he not, in a sudden urge for political success and social recognition, left her alone too often, vulnerable to loneliness and the often dark thoughts that come with it?
He began to blame himself heartily for the misunderstanding that had arisen out of his share in Neville's unhappy secret. Neville had been weak and timid,—he had shrunk nervously from avowing that the notorious Violet Vere was actually the woman he had so faithfully loved and mourned,—but he, Philip, ought not to have humored him in these fastidious scruples—he ought to have confided everything to Thelma. He remembered now that he had once or twice been uneasy lest rumors of his frequent visits to Miss Vere might possibly reach his wife's ears,—but, then, as his purpose was absolutely disinterested and harmless, he did not dwell on this idea, but dismissed it, and held his peace for Neville's sake, contenting himself with the thought that, "If Thelma did hear anything, she would never believe a word against me."
He started to blame himself sincerely for the misunderstanding that came from his involvement in Neville's unfortunate secret. Neville had been weak and timid—he had anxiously avoided admitting that the infamous Violet Vere was actually the woman he had loved and mourned so faithfully—but Philip shouldn’t have indulged him in these delicate concerns. He should have shared everything with Thelma. He now remembered that he had felt uneasy a couple of times about his frequent visits to Miss Vere possibly reaching his wife's ears—but since his intentions were completely selfless and innocent, he didn’t focus on that thought; instead, he let it go and stayed silent for Neville's sake, convincing himself that, “If Thelma did hear anything, she would never believe a word against me.”
He could not quite see where his fault had been,—though a fault there was somewhere, as he uneasily felt—and he would no doubt have started indignantly had a small elf whispered in his ear the word "Conceit." Yet that was the name of his failing—that and no other. How many men, otherwise noble-hearted, are seriously, though often unconsciously, burdened with this large parcel of blown-out Nothing! Sir Philip did not appear to be conceited—he would have repelled the accusation with astonishment,—not knowing that in his very denial of the fault, the fault existed. He had never been truly humbled but twice in his life,—once as he knelt to receive his mother's dying benediction,—and again when he first loved Thelma, and was uncertain whether his love could be returned by so fair and pure a creature. With these two exceptions, all his experience had tended to give him an excellent opinion of himself,—and that he should possess one of the best and loveliest wives in the world, seemed to him quite in keeping with the usual course of things. The feeling that it was a sheer impossibility for her to ever believe a word against him, rose out of this inward self-satisfaction—this one flaw in his otherwise bright, honest, and lovable character—a flaw of which he himself was not aware. Now, when for the third time his fairy castle of perfect peace and pleasure seemed shaken to its foundations,—when he again realized the uncertainty of life or death, he felt bewildered and wretched. His chiefest pride was centred in Thelma, and she—was gone! Again he reverted to the miserable idea that, like a melancholy refrain, haunted him—"What if I should find her dead!"
He couldn't quite pinpoint where he had gone wrong,—though he sensed there was a mistake somewhere, and it made him uneasy—and he would have reacted defensively if a tiny elf had whispered the word "Conceit." Yet that was the name of his flaw—that and nothing else. How many men, otherwise kind-hearted, are seriously, though often unknowingly, weighed down by this inflated sense of self! Sir Philip didn’t seem conceited—he would have been shocked by the accusation,—not realizing that in his very denial of the flaw, the flaw was present. He had only been truly humbled twice in his life,—once when he knelt to receive his mother's last blessing,—and again when he first loved Thelma, unsure if someone so beautiful and pure could love him back. Apart from these two instances, his experiences had led him to have an excellent opinion of himself,—and he thought it was perfectly normal to have one of the best and most beautiful wives in the world. The belief that it was absolutely impossible for her to ever believe a word against him stemmed from this inner self-satisfaction—this single flaw in his otherwise bright, honest, and lovable character—a flaw of which he was unaware. Now, for the third time, when his dream of perfect happiness seemed shaken to its core,—when he once again faced the uncertainty of life and death, he felt lost and miserable. His greatest pride was centered on Thelma, and she—was gone! He was again haunted by the dreadful thought that echoed in his mind—"What if I should find her dead!"
Absorbed in painful reflections, he was a very silent companion for Lorimer during the luncheon which they took at a quiet little restaurant well known to the habitués of Pall Mall and Regent Street. Lorimer himself had his own reasons for being equally depressed and anxious,—for did he not love Thelma as much as even her husband could?—nay, perhaps more, knowing his love was hopeless. Not always does possession of the adored object strengthen the adoration,—the rapturous dreams of an ideal passion have often been known to surpass reality a thousandfold. So the two friends exchanged but few words,—though they tried to converse cheerfully on indifferent subjects, and failed in the attempt. They had nearly finished their light repast, when a familiar voice saluted them.
Lost in painful thoughts, he was a quiet companion for Lorimer during their lunch at a small restaurant well-known to the regulars of Pall Mall and Regent Street. Lorimer had his own reasons for feeling just as down and anxious—after all, didn’t he love Thelma as deeply as her husband did? Perhaps even more, knowing that his love was hopeless. Having the person you adore doesn’t always make that love stronger—the passionate dreams of an ideal romance often outshine reality by a long shot. So the two friends exchanged only a few words, even though they tried to engage in cheerful conversation about trivial matters, and failed. They had almost finished their light meal when a familiar voice greeted them.
"It is Errington,—I thocht I couldna be mistaken! How are ye both?"
"It is Errington—I knew I wasn't mistaken! How are you both?"
Sandy Macfarlane stood before them, unaltered, save that his scanty beard had grown somewhat longer. They had seen nothing of him since their trip to Norway, and they greeted him now with unaffected heartiness, glad of the distraction his appearance afforded them.
Sandy Macfarlane stood in front of them, unchanged, except that his short beard had grown a bit longer. They hadn’t seen him since their trip to Norway, and they welcomed him now with genuine warmth, happy for the distraction his presence provided.
"Where do you hail from, Mac?" asked Lorimer, as he made the new-comer sit down at their table. "We haven't heard of you for an age."
"Where are you from, Mac?" asked Lorimer, as he made the newcomer sit down at their table. "We haven't heard from you in forever."
"It is a goodish bit of time," assented Macfarlane, "but better late than never. I came up to London a week ago from Glasgie,—and my heed has been in a whirl ever since. Eh, mon! but it's an awful place!—maybe I'll get used to't after a wee whilie."
"It is quite a while," agreed Macfarlane, "but better late than never. I came up to London a week ago from Glasgow, and my mind has been in a whirl ever since. Oh man! It's a terrible place!—maybe I'll get used to it after a little while."
"Are you going to settle here, then?" inquired Errington, "I thought you intended to be a minister somewhere in Scotland?"
"Are you planning to settle here, then?" asked Errington. "I thought you meant to be a minister somewhere in Scotland?"
Macfarlane smiled, and his eyes twinkled.
Macfarlane smiled, and his eyes sparkled.
"I hae altered ma opee-nions a bit," he said. "Ye see, ma aunt in Glasgie's deed—"
"I've changed my opinions a bit," he said. "You see, my aunt in Glasgow has died—"
"I understand," laughed Lorimer. "You've come in for the old lady's money?"
"I get it," Lorimer laughed. "You’re here for the old lady’s money?"
"Puir body!" and Sandy shook his head gravely. "A few hours before she died she tore up her will in a screamin' fury o' Christian charity and forethought,—meanin' to mak anither in favor o' leavin' a' her warld's trash to the Fund for Distributin' Bible Knowledge among the Heathen—but she never had time to fulfill her intention. She went off like a lamb,—and there being no will, her money fell to me, as the nearest survivin' relative—eh! the puir thing!—if her dees-imbodied spirit is anywhere aboot, she must be in a sair plight to think I've got it, after a' her curses!"
“Poor thing!” Sandy shook his head seriously. “A few hours before she died, she ripped up her will in a fit of furious Christian charity and forethought, planning to write another one to leave all her worldly possessions to the Fund for Distributing Bible Knowledge among the Heathen—but she never got the chance to follow through. She passed away peacefully, and since there was no will, her money went to me as the closest surviving relative—oh, the poor thing! If her disembodied spirit is around, she must be in a terrible state knowing I have it, despite all her curses!”
"How much?" asked Lorimer amused.
"How much?" Lorimer asked, amused.
"Oh, just a fair seventy thousand or so," answered Macfarlane carelessly.
"Oh, just around seventy thousand or so," Macfarlane replied nonchalantly.
"Well done, Mac!" said Errington, with a smile, endeavoring to appear interested. "You're quite rich, then? I congratulate you!"
"Great job, Mac!" said Errington, smiling and trying to seem interested. "So you're quite wealthy now? Congratulations!"
"Riches are a snare," observed Macfarlane, sententiously, "a snare and a decoy to both soul and body!" He laughed and rubbed his hands,—then added with some eagerness, "I say, how is Lady Errington?"
"Money is a trap," Macfarlane remarked knowingly, "a trap and a lure for both the soul and the body!" He laughed and rubbed his hands together—then added eagerly, "So, how is Lady Errington?"
"She's very well," answered Sir Philip hurriedly, exchanging a quick look with Lorimer, which the latter at once understood. "She's away on a visit just now. I'm going to join her this afternoon."
"She's doing great," Sir Philip replied quickly, exchanging a brief glance with Lorimer, which the latter immediately understood. "She's away visiting someone right now. I'm planning to meet up with her this afternoon."
"I'm sorry she's away," said Sandy, and he looked very disappointed; "but I'll see her when she comes back. Will she be long absent?"
"I'm sorry she's not here," Sandy said, looking really disappointed. "But I'll see her when she gets back. Will she be gone long?"
"No, not long—a few days only"—and as Errington said this an involuntary sigh escaped him.
"No, not long—a few days only," and as Errington said this, an involuntary sigh escaped him.
A few days only!—God grant it! But what—what if he should find her dead?
A few days only!—God, I hope so! But what—what if he finds her dead?
Macfarlane noticed the sadness of his expression, but prudently forbore to make any remark upon it. He contented himself with saying—
Macfarlane noticed the sadness on his face, but wisely chose not to comment on it. He simply said—
"Weel, ye've got a wife worth having—as I dare say ye know. I shall be glad to pay my respects to her as soon as she returns. I've got your address, Errington—will ye take mine?"
"Well, you have a wife worth having—as I’m sure you know. I’ll be happy to pay my respects to her as soon as she gets back. I have your address, Errington—will you give me mine?"
And he handed him a small card on which was written in pencil the number of a house in one of the lowest streets in the East-end of London. Philip glanced at it with some surprise.
And he gave him a small card where a house number was written in pencil, located on one of the roughest streets in the East End of London. Philip looked at it with some surprise.
"Is this where you live?" he asked with emphatic amazement.
"Is this where you live?" he asked in astonishment.
"Yes. It's just the cleanest tenement I could find in that neighborhood. And the woman that keeps it is fairly respectable."
"Yeah. It's the cleanest apartment building I could find in that area. And the woman who manages it is quite respectable."
"But with your money," remonstrated Lorimer, who also looked at the card, "I rather wonder at your choice of abode. Why, my dear fellow, do you know what sort of a place it is?"
"But with your money," protested Lorimer, who also glanced at the card, "I really question your choice of home. Why, my dear friend, do you know what kind of place it is?"
A steadfast, earnest, thinking look came into Macfarlane's deep-set, grey eyes.
A determined, serious, thoughtful look appeared in Macfarlane's deep-set, grey eyes.
"Yes, I do know, pairfectly," he said in answer to the question. "It's a place where there's misery, starvation, and crime of all sorts,—and there I am in the very midst of it—just where I want to be. Ye see, I was meant to be a meenister—one of those douce, cannie, comfortable bodies that drone in the pulpit about predestination and original sin, and so forth a—sort, of palaver that does no good to ony resonable creature—an' if I had followed out this profession, I make nae doot that, with my aunt's seventy thousand, I should be a vera comfortable, respectable, selfish type of a man, who was decently embarked in an apparently important but really useless career—"
"Yes, I know perfectly," he replied to the question. "It's a place filled with misery, hunger, and all kinds of crime—and there I am, right in the middle of it—exactly where I want to be. You see, I was meant to be a minister—one of those nice, sensible, comfortable types who drone on in the pulpit about predestination and original sin, and all that kind of nonsense that does no good for any reasonable person—and if I had followed that path, I have no doubt that with my aunt's seventy thousand, I would be a very comfortable, respectable, selfish kind of man, who was decently involved in a seemingly important but actually pointless career—"
"Useless?" interrupted Lorimer archly. "I say, Mac, take care! A minister of the Lord, useless!"
"Useless?" Lorimer cut in slyly. "I mean, Mac, be careful! A minister of the Lord, useless!"
"I'm thinkin' there are unco few meen-isters o' the Lord in this warld," said Macfarlane musingly. "Maist o' them meen-ister to themselves, an' care na a wheen mair for Christ than Buddha. I tell ye, I was an altered man after we'd been to Norway—the auld pagan set me thinkin' mony an' mony a time—for, ma certes! he's better worthy respect than mony a so-called Christian. And as for his daughter—the twa great blue eyes o' that lassie made me fair ashamed o' mysel'. Why? Because I felt that as a meen-ister o' the Established Kirk, I was bound to be a sort o' heep-ocrite,—ony thinkin', reasonable man wi' a conscience canna be otherwise wi' they folk,—and ye ken, Errington, there's something in your wife's look that maks a body hesitate before tellin' a lee. Weel—what wi' her face an' the auld bonde's talk, I reflectit that I couldna be a meen-ister as meen-isters go,—an' that I must e'en follow oot the Testament's teachings according to ma own way of thinkin'. First, I fancied I'd rough it abroad as a meesionary—then I remembered the savages at hame, an' decided to attend to them before onything else. Then my aunt's siller came in handy—in short, I'm just gaun to live on as wee a handfu' o' the filthy lucre as I can, an' lay oot the rest on the heathens o' London. An' it's as well to do't while I'm alive to see to't mysel'—for I've often observed that if ye leave your warld's gear to the poor when ye're deed, just for the gude reason that ye canna tak it to the grave wi' ye,—it'll melt in a wonderfu' way through the hands o' the 'secretaries' an' 'distributors' o' the fund, till there's naething left for those ye meant to benefit. Ye maunna think I'm gaun to do ony preachin' business down at East-end,—there's too much o' that an' tract-givin' already. The puir soul whose wee hoosie I've rented hadna tasted bit nor sup for three days—till I came an' startled her into a greetin' fit by takin' her rooms an' payin' her in advance—eh! mon, ye'd have thought I was a saint frae heaven if ye'd heard her blessin' me,—an' a gude curate had called on her just before and had given her a tract to dine on. Ye see, I maun mak mysel' a friend to the folk first, before I can do them gude—I maun get to the heart o' their troubles—an' troubles are plentiful in that quarter,—I maun live among them, an' be ane o' them. I wad mind ye that Christ Himsel' gave sympathy to begin with,—he did the preachin' afterwards."
"I'm thinking there are very few ministers of the Lord in this world," said Macfarlane thoughtfully. "Most of them minister to themselves, and care about as much for Christ as they do for Buddha. I tell you, I was a changed man after we went to Norway—the old pagan got me thinking time and time again—because, my goodness! he deserves more respect than many so-called Christians. And as for his daughter—the two big blue eyes of that girl made me feel ashamed of myself. Why? Because I felt that as a minister of the Established Church, I was supposed to be a kind of hypocrite—any thinking, reasonable person with a conscience can't be anything else with those people—and you know, Errington, there's something in your wife's look that makes you hesitate before telling a lie. Well—between her face and the old bond’s talk, I realized that I couldn't be a minister like the others—I must follow the teachings of the Testament based on my own way of thinking. First, I thought I'd rough it abroad as a missionary—then I remembered the savages at home, and decided to attend to them first. Then my aunt's money came in handy—in short, I’m just going to live off as little of that filthy lucre as I can, and spend the rest on the heathens of London. And it’s best to do it while I’m alive to see to it myself—because I’ve often noticed that if you leave your worldly goods to the poor when you’re dead, just for the good reason that you can’t take it to the grave with you—it’ll disappear in a wonderful way through the hands of the 'secretaries' and 'distributors' of the fund, until there's nothing left for those you meant to help. Don't think I’m going to do any preaching down in the East End—there's too much of that and tract-giving already. The poor soul whose little house I’ve rented hadn’t tasted a bite or a sip for three days—until I came and startled her into a fit of crying by taking her rooms and paying her in advance—oh! man, you’d have thought I was a saint from heaven if you’d heard her blessing me—and a good curate had called on her just before and had given her a tract to chew on. You see, I must make myself a friend to the people first, before I can do them good—I must get to the heart of their troubles—and troubles are plentiful in that area—I must live among them, and be one of them. I want to remind you that Christ Himself showed sympathy to begin with—he did the preaching afterward."
"What a good fellow you are, Mac!" said Errington, suddenly seeing his raw Scotch friend with the perverse accent, in quite a new and heroic light.
"What a great guy you are, Mac!" said Errington, suddenly viewing his rough Scottish friend with the quirky accent in a completely new and impressive way.
Macfarlane actually blushed. "Nonsense, not a bit o't!" he declared quite nervously. "It's just pure selfishness, after a'—for I'm simply enjoyin' mysel' the hale day long. Last nicht, I found a wee cripple o' a laddie sittin' by himsel' in the gutter, munchin' a potato skin. I just took him,—he starin' an' blinkin' like an owl at me,—and carried him into my room. There I gave him a plate o' barley broth, an' finished him up wi' a hunk o' gingerbread. Ma certes! Ye should ha' seen the rascal laugh. 'Twas better than lookin' at a play from a ten-guinea box on the grand tier!"
Macfarlane actually blushed. "Nonsense, not at all!" he said quite nervously. "It's just pure selfishness, after all—I'm just enjoying myself all day long. Last night, I found a little disabled boy sitting all alone in the gutter, munching on a potato skin. I just took him—he was staring and blinking at me like an owl—and carried him into my room. There, I gave him a plate of barley broth, and finished him off with a piece of gingerbread. My goodness! You should have seen the little rascal laugh. It was better than watching a play from a ten-guinea box in the grand tier!"
"By Jove, Sandy, you're a brick!" cried Lorimer, laughing to hide a very different emotion—"I had no idea you were that sort of chap."
"Wow, Sandy, you're the best!" shouted Lorimer, laughing to mask a very different feeling—"I had no idea you were like that."
"Nor had I," said Macfarlane quite simply—"I never fashed mysel' wi' thinkin' o' ither folks troubles at a'—I never even took into conseederation the meanin' o' the Testament teachings till—I saw your leddy wife, Errington." He paused a moment, then added gravely—"Yes—and I've aften fancied she maun be a real live angel,—an' I've sought always to turn my hand to something useful and worth the doin',—ever since I met her."
"Nor had I," said Macfarlane simply, "I never bothered myself with thinking about other people's troubles at all—I never even considered the meaning of the teachings in the Testament until I saw your lady wife, Errington." He paused for a moment, then added seriously, "Yes—and I've often imagined she must be a real live angel, and I've always tried to do something useful and worthwhile ever since I met her."
"I'll tell her so," said poor Philip, his heart aching for his lost love as he spoke, though he smiled. "It will give her pleasure to hear it."
"I'll tell her that," said poor Philip, his heart aching for his lost love as he spoke, even though he smiled. "It will make her happy to hear it."
Macfarlane blushed again like any awkward schoolboy.
Macfarlane blushed again like any awkward teenager.
"Oh, I dinna ken aboot that!" he said hurriedly. "She's just a grand woman anyway." Then, bethinking himself of another subject, he asked, "Have you heard o' the Reverend Mr. Dyceworthy lately?"
"Oh, I don't know about that!" he said quickly. "She's just a wonderful woman anyway." Then, remembering another topic, he asked, "Have you heard from Reverend Mr. Dyceworthy lately?"
Errington and Lorimer replied in the negative.
Errington and Lorimer said no.
Macfarlane laughed—his eyes twinkled. "It's evident ye never read police reports," he said—"Talk o' misters,—he's a pretty specimen! He's been hunted out o' his place in Yorkshire for carryin' on love-affairs wi' the women o' his congregation. One day he locked himsel' in the vestry wi' the new-married wife o' one o' his preencipal supporters—an' he had a grand time of it—till the husband came an' dragged him oot an' thrashed him soundly. Then he left the neighborhood—an' just th' ither day—he turned up in Glasgie."
Macfarlane laughed—his eyes sparkled. "It's clear you've never read police reports," he said—"Talk about gentlemen,—he's quite the character! He got chased out of his place in Yorkshire for having affairs with the women in his congregation. One day, he locked himself in the vestry with the newly married wife of one of his main supporters—and he had a great time—until the husband came and dragged him out and thrashed him good. Then he left the area—and just the other day—he showed up in Glasgow."
Macfarlane paused and laughed again.
Macfarlane stopped and laughed again.
"Well?" said Lorimer, with some interest—"Did you meet him there?"
"Well?" Lorimer asked, a bit intrigued. "Did you see him there?"
"That did I—but no to speak to him—he was for too weel lookit after to need my services," and Macfarlane rubbed his great hands together with an irrepressible chuckle. "There was a crowd o' hootin' laddies round him, an' he was callin' on the heavens to bear witness to his purity. His hat was off—an' he had a black eye—an' a' his coat was covered wi' mud, an' a policeman was embracin' him vera affectionately by th' arm. He was in charge for drunken, disorderly, an' indecent conduct—an' the magistrate cam' down pretty hard on him. The case proved to be exceptionally outrageous—so he's sentenced to a month's imprisonment an' hard labor. Hard labor! Eh, mon! but that's fine! Fancy him at work—at real work for the first time in a' his days! Gude Lord! I can see him at it!"
"Yeah, I did — but I didn't talk to him — he was way too well taken care of to need my help," and Macfarlane rubbed his big hands together with an uncontrollable laugh. "There was a crowd of yelling kids around him, and he was calling on the heavens to witness his innocence. His hat was off — and he had a black eye — and his coat was covered in mud, and a policeman was holding him quite affectionately by the arm. He was being charged with drunkenness, disorderly conduct, and indecency — and the magistrate really laid into him. The case turned out to be exceptionally outrageous — so he's sentenced to a month in jail and hard labor. Hard labor! Oh man! That’s going to be something! Just imagine him working — actually working for the first time in his life! Good Lord! I can picture it!"
"So he's come to that!" and Errington shrugged his shoulders with weary contempt. "I thought he would. His career as a minister is ended, that's one comfort!"
"So he's gotten to that point!" Errington shrugged his shoulders with tired disdain. "I figured he would. His time as a minister is over, and that's one silver lining!"
"Don't be too sure o' that!" said Sandy cautiously. "There's always America, ye ken. He can mak' a holy martyr o' himsel' there! He may gain as muckle a reputation as Henry Ward Beecher—ye canna ever tell what may happen—'tis a queer warld!"
"Don't be too sure of that!" Sandy said cautiously. "There’s always America, you know. He can make a holy martyr of himself there! He might gain as much of a reputation as Henry Ward Beecher—you can never tell what might happen—it’s a strange world!"
"Queer, indeed!" assented Lorimer as they all rose and left the restaurant together. "If our present existence is the result of a fortuitous conglomeration of atoms,—I think the atoms ought to have been more careful what they were about, that's all I can say!"
"Strange, for sure!" agreed Lorimer as they all stood up and left the restaurant together. "If our current life is just a random mix of atoms, I think those atoms should have been more careful with what they were doing, that's all I can say!"
They reached the open street, where Macfarlane shook hands and went his way, promising to call on Errington as soon as Thelma should be again at home.
They got to the open street, where Macfarlane shook hands and went on his way, promising to visit Errington as soon as Thelma was back home.
"He's turned out quite a fine fellow," said Lorimer, when he had gone. "I should never have thought he had so much in him. He has become a philanthropist."
"He's turned out to be quite a good guy," said Lorimer, after he had left. "I never would have thought he had so much to offer. He’s become a philanthropist."
"I fancy he's better than an ordinary philanthropist," replied Philip. "Philanthropists often talk a great deal and do nothing."
"I think he's better than just a regular philanthropist," replied Philip. "Philanthropists often chat a lot but don't actually do anything."
"Like members of Parliament," suggested Lorimer, with a smile.
"Like members of Parliament," suggested Lorimer, smiling.
"Exactly so. By-the-by—I've resigned my candidateship."
"That's right. By the way—I’ve stepped down from my candidacy."
"Resigned? Why?"
"Quit? Why?"
"Oh, I'm sick of the thing! One has to be such a humbug to secure one's votes. I had a wretched time yesterday,—speechifying and trying to rouse up clodhoppers to the interests of their country,—and all the time my darling at home was alone, and breaking her heart about me! By Jove! if I'd only known! When I came back this morning to all this misery—I told Neville to send in my resignation. I repeated the same thing to him the last thing before I left the house."
"Oh, I'm so done with this! You have to be such a phony to get votes. I had a terrible time yesterday—giving speeches and trying to motivate these simple folks about their country—and all the while my darling at home was alone, worrying herself sick about me! Goodness! if I'd only known! When I returned this morning to all this heartache—I told Neville to submit my resignation. I told him the same thing right before I left the house."
"But you might have waited a day or two," said Lorimer wonderingly. "You're such a fellow of impulse, Phil—"
"But you could have waited a day or two," Lorimer said, amazed. "You're such an impulsive guy, Phil—"
"Well, I can't help it. I'm tired of politics. I began with a will, fancying that every member of the house had his country's interests at heart,—not a bit of it! They're all for themselves—most of them, at any rate—they're not even sincere in their efforts to do good to the population. And it's all very well to stick up for the aristocracy; but why, in Heaven's name, can't some of the wealthiest among them do as much as our old Mac is doing, for the outcast and miserable poor? I see some real usefulness and good in his work, and I'll help him in it with a will—when—when Thelma comes back."
"Well, I can't help it. I'm tired of politics. I started out enthusiastically, thinking that every member of the house genuinely cared about their country's interests—not at all! They're all looking out for themselves—most of them, anyway—they're not even honest about trying to help the population. And it’s great to support the aristocracy, but why in the world can't some of the wealthiest among them do as much as our old Mac is doing for the outcast and miserable poor? I see real value and goodness in his work, and I’ll gladly support him—when—when Thelma comes back."
Thus talking, the two friends reached the Garrick Club, where they found Beau Lovelace in the reading-room, turning over some new books with the curious smiling air of one who believes there can be nothing original under the sun, and that all literature is mere repetition. He greeted them cheerfully.
Thus talking, the two friends arrived at the Garrick Club, where they found Beau Lovelace in the reading room, flipping through some new books with a curious smile, as if he believed there's nothing new under the sun and that all literature is just a rehash. He greeted them cheerfully.
"Come out of here," he said. "Come into a place where we can talk. There's an old fellow over there who's ready to murder any member who even whispers. We won't excite his angry passions. You know we're all literature-mongers here,—we've each got our own little particular stall where we sort our goods—our mouldy oranges, sour apples, and indigestible nuts,—and we polish them up to look tempting to the public. It's a great business, and we can't bear to be looked at while we're turning our apples with the best side outwards, and boiling our oranges to make them swell and seem big! We like to do our humbug in silence and alone."
"Come out of here," he said. "Let’s go somewhere we can actually talk. There’s an old guy over there who's ready to kill anyone who even whispers. We don’t want to stir up his anger. You know we’re all here for the literature—we each have our own little spot where we display our goods—our rotten oranges, sour apples, and inedible nuts—and we make them look appealing for the public. It’s a big deal, and we can’t stand being watched while we turn our apples to show the best side and prep our oranges to make them seem bigger! We prefer to do our tricks in private and alone."
He led the way into the smoking-room—and there heard with much surprise and a great deal of concern the story of Thelma's flight.
He led the way into the smoking room—and there heard with great surprise and a lot of concern the story of Thelma's escape.
"Ingenuous boy!" he said kindly, clapping Philip on the shoulder. "How could you be such a fool as to think that repeated visits to Violet Vere, no matter on what business, would not bring the dogs of scandal yelping about your heels! I wonder you didn't see how you were compromising yourself!"
"Naive boy!" he said kindly, patting Philip on the shoulder. "How could you be so foolish as to think that visiting Violet Vere repeatedly, no matter the reason, wouldn't bring the gossip hounds chasing after you? I’m surprised you didn’t realize how you were putting yourself in a tricky position!"
"He never told me a word about it," interposed Lorimer, "or else I should have given him a bit of my mind on the subject."
"He never mentioned it to me," Lorimer interrupted, "or I would have shared my thoughts on the matter."
"Of course!" agreed Lovelace. "And—excuse me—why the devil didn't you let your secretary manage his domestic squabbles by himself?"
"Of course!" agreed Lovelace. "And—excuse me—why on earth didn't you let your secretary handle his personal issues by himself?"
"He's very much broken down," said Errington. "A hopeless, frail, disappointed man. I thought I could serve him—"
"He's really broken," said Errington. "A hopeless, fragile, disappointed man. I thought I could help him—"
"I see!" and Beau's eyes were bent on him with a very friendly look. "You're a first-rate fellow, Errington,—but you shouldn't fly off so readily on the rapid wings of impulse. Now I suppose you want to shoot Lennox—that can't be done—not in England at any rate."
"I get it!" Beau said, looking at him with a friendly expression. "You're a great guy, Errington—but you shouldn't act so quickly on impulse. Now I guess you want to shoot Lennox—that's not possible—not in England, anyway."
"It can't be done at all, anywhere," said Lorimer gravely. "He's dead."
"It can't be done at all, anywhere," Lorimer said seriously. "He's dead."
Beau Lovelace started back in amazement. "Dead! You don't say so! Why, he was dining last night at the Criterion—I saw him there."
Beau Lovelace stepped back in shock. "Dead! No way! He was having dinner at the Criterion last night—I saw him there."
Briefly they related the sudden accident that had occurred, and described its fatal result.
Briefly, they recounted the sudden accident that had taken place and described its deadly outcome.
"He died horribly!" said Philip in a low voice. "I haven't got over it yet. That evil, tortured face of his haunts me."
"He died in such a terrible way!" Philip said quietly. "I still can't get past it. That twisted, tormented look on his face keeps coming back to me."
Lovelace was only slightly shocked. He had known Lennox's life too well, and had despised it too thoroughly, to feel much regret now it was thus abruptly ended.
Lovelace was only a little surprised. He had known Lennox's life too well and had hated it too completely to feel much sorrow now that it was suddenly over.
"Rather an unpleasant exit for such a fellow," he remarked. "Not aesthetic at all. And so you were going to castigate him?"
"That was quite an unpleasant way for someone like him to leave," he said. "Not at all classy. So, you were planning to call him out?"
"Look!" and Philip showed him the horsewhip; "I've been carrying this thing about all day,—I wish I could drop it in the streets; but if I did, some one would be sure to pick it up and return it to me."
"Look!" Philip said, holding up the horsewhip. "I've been lugging this around all day—I wish I could just toss it in the street, but if I did, someone would definitely pick it up and give it back to me."
"If it were a purse containing bank-notes you could drop it with the positive certainty of never seeing it again," laughed Beau. "Here, hand it over!" and he possessed himself of it. "I'll keep it till you come back. You leave for Norway to-night, then?"
"If it were a purse full of cash, you could drop it knowing you’d never see it again," Beau laughed. "Come on, give it here!" and he took it from her. "I'll hold onto it until you come back. You're leaving for Norway tonight, right?"
"Yes. If I can. But it's the winter season—and there'll be all manner of difficulties. I'm afraid it's no easy matter to reach the Altenfjord at this time of year."
"Yes. If I can. But it's winter—and there will be all sorts of challenges. I'm afraid it's not easy to get to the Altenfjord this time of year."
"Why not use your yacht, and be independent of obstacles?" suggested Lovelace.
"Why not use your yacht and avoid any obstacles?" suggested Lovelace.
"She's under repairs, worse luck!" sighed Philip despondingly. "She won't be in sailing condition for another month. No—I must take my chance—that's all. It's possible I may overtake Thelma at Hull—that's my great hope."
"She's being repaired, what bad luck!" sighed Philip with disappointment. "She won't be ready to sail for another month. No—I'll just have to take my chances—that's all. It's possible I'll catch up with Thelma in Hull—that's my big hope."
"Well, don't be down in the mouth about it, my boy!" said Beau sympathetically. "It'll all come right, depend upon it! Your wife's a sweet, gentle, noble creature,—and when once she knows all about the miserable mistake that has arisen, I don't know which will be greatest, her happiness or her penitence, for having misunderstood the position. Now let's have some coffee."
"Well, don’t be so upset about it, my boy!" said Beau compassionately. "It’ll all work out; trust me! Your wife is a sweet, kind, noble person—and once she understands the awful mistake that’s happened, I don’t know whether her happiness or her regret for misunderstanding the situation will be greater. Now let’s have some coffee."
He ordered this refreshment from a passing waiter, and as he did so, a gentleman, with hands clasped behind his back, and a suave smile on his countenance, bowed to him with marked and peculiar courtesy as he sauntered on his way through the room. Beau returned the salute with equal politeness.
He ordered a drink from a nearby waiter, and as he did, a man with his hands clasped behind his back and a smooth smile on his face bowed to him with noticeable and unusual courtesy as he casually walked through the room. Beau returned the gesture with the same politeness.
"That's Whipper," he explained with a smile, when the gentleman was out of earshot. "The best and most generous of men! He's a critic—all critics are large-minded and generous, we know,—but he happens to be remarkably so. He did me the kindest turn I ever had in my life. When my first book came out, he fell upon it tooth and claw, mangled it, tore it to ribbons, metaphorically speaking,—and waved the fragments mockingly in the eyes of the public. From that day my name was made—my writings sold off with delightful rapidity, and words can never tell how I blessed, and how I still bless, Whipper! He always pitches into me—that's what's so good of him! We're awfully polite to each other, as you observe—and what is so perfectly charming is that he's quite unconscious how much he's helped me along! He's really a first-rate fellow. But I haven't yet attained the summit of my ambition,"—and here Lovelace broke off with a sparkle of fun in his clear steel-grey eyes.
"That's Whipper," he said with a grin, once the guy was out of earshot. "He's the best and most generous guy around! He's a critic—all critics are open-minded and generous, as we know—but he really stands out in that regard. He did the kindest thing I’ve ever experienced in my life. When my first book came out, he pounced on it, completely shredded it, and waved the pieces in front of the public. From that day, my name took off—my books sold like hotcakes, and words can’t express how grateful I am, and always will be, to Whipper! He always gives me a hard time—that’s what’s so great about him! We’re super polite to each other, as you can see—and what’s so wonderfully charming is that he has no idea how much he’s helped me! He’s really an outstanding guy. But I still haven’t reached the peak of my ambitions,"—and here Lovelace paused, his clear steel-grey eyes sparkling with mischief.
"Why, what else do you want?" asked Lorimer laughing.
"Why, what else do you want?" Lorimer asked, laughing.
"I want," returned Beau solemnly, "I want to be jeered at by Punch! I want Punch to make mouths at me, and give me the benefit of his inimitable squeak and gibber. No author's fame is quite secure till dear old Punch has abused him. Abuse is the thing nowadays, you know. Heaven forbid that I should be praised by Punch. That would be frightfully unfortunate!"
"I want," Beau replied seriously, "I want to be mocked by Punch! I want Punch to make faces at me and give me the benefit of his unique squeak and chatter. No author's reputation is really safe until dear old Punch has criticized him. Criticism is the trend these days, you know. God forbid that I should be praised by Punch. That would be extremely unlucky!"
Here the coffee arrived, and Lovelace dispensed it to his friends, talking gaily the while in an effort to distract Errington from his gloomy thoughts.
Here came the coffee, and Lovelace served it to his friends, chatting cheerfully in an attempt to pull Errington out of his dark mood.
"I've just been informed on respectable authority, that Walt Whitman is the new Socrates," he said laughingly. "I felt rather stunned at the moment but I've got over it now. Oh, this deliciously mad London! what a gigantic Colney Hatch it is for the crazed folk of the world to air their follies in! That any reasonable Englishmen with such names as Shakespeare, Byron, Keats, and Shelley, to keep the glory of their country warm, should for one moment consider Walt Whitman a poet! Ye gods! Where are your thunderbolts!"
"I just heard from a reliable source that Walt Whitman is the new Socrates," he said with a laugh. "I was a bit shocked at first, but I've gotten over it now. Oh, this wonderfully crazy London! What a massive Colney Hatch it is for the insane people of the world to showcase their craziness! That any sensible Englishmen with names like Shakespeare, Byron, Keats, and Shelley, to keep their country's glory alive, could even consider Walt Whitman a poet! Good grief! Where are your thunderbolts?"
"He's an American, isn't he?" asked Errington.
"He's an American, right?" asked Errington.
"He is, my dear boy! An American whom the sensible portion of America rejects. We, therefore,—out of opposition,—take him up. His chief recommendation is that he writes blatantly concerning commonplaces,—regardless of music or rhythm. Here's a bit of him concerning the taming of oxen. He says the tamer lives in a
"He is, my dear boy! An American whom the reasonable part of America rejects. So, out of defiance, we support him. His main selling point is that he writes openly about everyday topics—without caring about music or rhythm. Here’s a snippet of him talking about taming oxen. He says the tamer lives in a
"'Placid pastoral region.
There they bring him the three-year-olds and the four-year-olds
to break them,—
Some are such beautiful animals, so lofty looking,—some are
buff-colored, some mottled, one has a white line running
along his back, some are brindled,
Some have wide flaring horns (a good sign!) look you! the bright
hides
See the two with stars on their foreheads—see the round bodies
and broad backs
How straight and square they stand on their legs—'"
"Peaceful countryside."
They bring him the three- and four-year-olds to train,—
Some are such beautiful animals, so tall and impressive,—some are
tan, some are spotted, one has a white stripe down
his back, some are striped,
Some have wide, flaring horns (a good sign!), look at the bright
coats
See the two with stars on their foreheads—check out the round bodies
and broad backs
How straight and solid they stand on their legs—'"
"Stop, stop!" cried Lorimer, putting his hands to his ears. "This is a practical joke, Beau! No one would call that jargon poetry!"
"Stop, stop!" shouted Lorimer, covering his ears. "This is a prank, Beau! No one would call that nonsense poetry!"
"Oh! wouldn't they though!" exclaimed Lovelace. "Let some critic of reputation once start the idea, and you'll have the good London folk who won't bother to read him for themselves, declaring him as fine as Shakespeare. The dear English muttons! fine Southdowns! fleecy baa-lambs! once let the Press-bell tinkle loudly enough across the fields of literature, and they'll follow, bleating sweetly in any direction! The sharpest heads in our big metropolis are those who know this, and who act accordingly."
"Oh! wouldn't they just!" exclaimed Lovelace. "Once a well-known critic puts the idea out there, you'll have the good people of London, who won't even read him for themselves, claiming he’s just as great as Shakespeare. The dear English sheep! fine Southdowns! fluffy little lambs! Once the press makes enough noise in the literary world, they'll follow along, bleating obediently in any direction! The smartest people in our big city understand this and act accordingly."
"Then why don't you act accordingly?" asked Errington, with a faint smile.
"Then why don't you act like it?" asked Errington, with a slight smile.
"Oh, I? I can't! I never asked a favor from the Press in my life—but its little bell has tinkled for me all the same, and a few of the muttons follow, but not all. Are you off?" this, as they rose to take their leave. "Well, Errington, old fellow," and he shook hands warmly, "a pleasant journey to you, and a happy return home! My best regards to your wife. Lorimer, have you settled whether you'll go with me to Italy? I start the day after to-morrow."
"Oh, me? I can’t! I’ve never asked the Press for a favor before—but its little bell has rung for me anyway, and a few of the followers are coming, but not all. Are you leaving?" this he said as they stood up to take their leave. "Well, Errington, my old friend," and he shook hands warmly, "safe travels to you, and I hope you have a great trip back home! Give my best to your wife. Lorimer, have you decided if you’re coming with me to Italy? I leave the day after tomorrow."
Lorimer hesitated—then said, "All right! My mother's delighted at the idea,—yes, Beau! we'll come. Only I hope we shan't bore you."
Lorimer paused for a moment, then said, "Okay! My mom is really happy about it—yes, Beau! we'll come. I just hope we won't be a drag."
"Bore me! you know me better than that," and he accompanied them out of the smoking-room into the hall, while Errington, a little surprised at this sudden arrangement, observed—
"Bore me! You know me better than that," he said, following them out of the smoking room and into the hall, while Errington, slightly surprised by this sudden plan, commented—
"Why, George—I thought you'd be here when we came back from Norway—to—to welcome Thelma, you know!"
"Why, George—I thought you’d be here when we got back from Norway—to—welcome Thelma, you know!"
George laughed. "My dear boy, I shan't be wanted! Just let me know how everything goes on. You—you see, I'm in duty bound to take my mother out of London in winter."
George laughed. "My dear boy, I won't be needed! Just keep me updated on how everything goes. You see, I have to take my mother out of London in winter."
"Just so!" agreed Lovelace, who had watched him narrowly while he spoke. "Don't grudge the old lady her southern sunshine. Errington! Lorimer wants brushing up a bit too—he looks seedy. Then I shall consider it settled—the day after to-morrow, we meet at Charing Cross—morning tidal express, of course,—never go by night service across the Channel if you can help it."
"Exactly!" agreed Lovelace, who had been watching him closely while he spoke. "Don't deny the old lady her sunny weather. Errington! Lorimer could use some sprucing up too—he looks a bit worn out. Then I’ll consider it settled—the day after tomorrow, we meet at Charing Cross—morning tidal express, of course—never take the night service across the Channel if you can avoid it."
Again they shook hands and parted.
Again, they shook hands and said goodbye.
"Best thing that young fellow can do!" thought Lovelace as he returned to the Club reading-room. "The sooner he gets out of this, into new scenes the better,—he's breaking his heart over the beautiful Thelma. By Jove! the boy's eyes looked like those of a shot animal whenever her name was mentioned. He's rather badly hit!"
"Best thing that young guy can do!" thought Lovelace as he walked back to the Club reading room. "The sooner he gets out of this, into new experiences the better—he's really heartbroken over the beautiful Thelma. Wow! The kid's eyes looked like those of a wounded animal whenever her name came up. He's really hurting!"
He sat down and began to meditate. "What can I do for him, I wonder?" he thought. "Nothing, I suppose. A love of that sort can't be remedied. It's a pity—a great pity! And I don't know any woman likely to make a counter-impression on him. He'd never put up with an Italian beauty"—he paused in his reflections, and the color flushed his broad, handsome brow, as the dazzling vision of a sweet, piquant face with liquid dark eyes and rippling masses of rich brown hair came flitting before him—"unless he saw Angela," he murmured to himself softly,—"and he will not see her,—besides, Angela loves me!"
He sat down and started to meditate. "What can I do for him, I wonder?" he thought. "Nothing, I guess. A love like that can't be fixed. It's a shame—a huge shame! And I don't know any woman who could possibly change his mind. He'd never be interested in an Italian beauty." He paused in his thoughts, and color flushed his strong, handsome brow as the stunning image of a sweet, charming face with dark, expressive eyes and flowing waves of rich brown hair flashed before him—"unless he saw Angela," he murmured softly to himself, "but he won’t see her—besides, Angela loves me!"
And after this, his meditations seemed to be particularly pleasant, to judge from the expression of his features. Beau was by no means ignorant of the tender passion—he had his own little romance, as beautiful and bright as a summer day—but he had resolved that London, with its love of gossip, its scandal, and society papers,—London, that on account of his popularity as a writer, watched his movements and chronicled his doings in the most authoritative and incorrect manner,—London should have no chance of penetrating into the secret of his private life. And so far he had succeeded—and was likely still to succeed.
And after this, he seemed to be lost in particularly pleasant thoughts, judging by the expression on his face. Beau definitely understood romance—he had his own little love story, as beautiful and bright as a summer day—but he had decided that London, with its obsession with gossip, scandals, and society news—London, which, due to his popularity as a writer, monitored his every move and reported on his life in the most authoritative yet inaccurate way—should not get the chance to uncover the secrets of his personal life. So far, he had managed to keep it private—and he was likely to keep it that way.
Meanwhile, as he still sat in blissful reverie, pretending to read a newspaper, though his thoughts were far away from it, Errington and Lorimer arrived at the Midland Station. Britta was already there with the luggage,—she was excited and pleased—her spirits had risen at the prospect of seeing her mistress soon again,—possibly, she thought gladly, they might find her at Hull,—they might not have to go to Norway at all. The train came up to the platform—the tickets were taken,—and Sir Philip, with Britta, entered—a first-class compartment, while Lorimer stood outside leaning with folded arms on the carriage-window, talking cheerfully.
Meanwhile, as he sat lost in a daydream, pretending to read a newspaper while his mind wandered far from it, Errington and Lorimer arrived at Midland Station. Britta was already there with the luggage—she was excited and happy—her spirits had lifted at the thought of seeing her mistress again soon—perhaps, she thought joyfully, they might find her in Hull—they might not even have to go to Norway at all. The train pulled up to the platform—the tickets were collected—and Sir Philip, along with Britta, got into a first-class compartment, while Lorimer stood outside, leaning with his arms crossed on the carriage window, chatting cheerfully.
"You'll find her all right, Phil, I'm positive!" he said. "I think it's very probable she has been compelled to remain at Hull,—and even at the worst, Britta can guide you all over Norway, if necessary. Nothing will daunt her!"
"You'll find her for sure, Phil, I'm certain!" he said. "I think it's very likely she's been forced to stay in Hull—and even if things go badly, Britta can show you around all of Norway, if needed. Nothing will scare her!"
And he nodded kindly to the little maid who had regained her rosy color and the sparkle of her eyes in the eagerness she felt to rejoin her beloved "Fröken." The engine-whistle gave a warning shriek—Philip leaned out and pressed his friend's hand warmly.
And he nodded kindly to the little girl who had regained her rosy color and the sparkle in her eyes, excited to reunite with her beloved "Miss." The engine whistle let out a warning shriek—Philip leaned out and warmly squeezed his friend's hand.
"Good-bye, old fellow! I'll write to you in Italy."
"Goodbye, old friend! I'll write to you from Italy."
"All right—mind you do! And I say—give my love to Thelma!"
"Okay—make sure you do! And I just want to say—send my love to Thelma!"
Philip smiled and promised. The train began to move,—slowly at first, then more quickly, till with clattering uproar and puffing clouds of white steam, it rushed forth from the station, winding through the arches like a black snake, till it had twisted itself rapidly out of sight. Lorimer, left alone, looked after it wistfully, with a heavy weight of unuttered love and sorrow at his heart, and as he at last turned away, those haunting words that he had heard under the pines at the Altenfjord recurred again and again to his memory—the words uttered by the distraught Sigurd—and how true they were, he thought! how desperately, cruelly true!
Philip smiled and made a promise. The train started to move—slowly at first, then picking up speed, until with a loud clatter and puffs of white steam, it rushed out of the station, winding through the arches like a black snake, until it quickly disappeared from view. Lorimer, left behind, watched it go with a mix of longing and a heavy feeling of unspoken love and sorrow. As he finally turned away, those haunting words he had heard under the pines at the Altenfjord echoed in his mind—the words spoken by the distraught Sigurd—and he thought how true they were! How desperately, cruelly true!
"Good things may come for others—but for you, the heavens are empty!"
"Good things might happen for others—but for you, the heavens are empty!"
CHAPTER XXX.
Disappointment upon disappointment awaited Errington at Hull. Unfortunately, neither he nor Britta knew of the existence of the good Norwegian innkeeper, Friedhof, who had assisted Thelma in her flight—and all their persistent and anxious inquiries elicited no news of her. Moreover, there was no boat of any kind leaving immediately for Norway—not even a whaler or fishing-smack. In a week's time,—possibly later,—there would be a steamer starting for Christiansund, and for this, Errington, though almost mad with impatience, was forced to wait. And in the meantime, he roamed about the streets of Hull, looking eagerly at every fair-haired woman who passed him, and always hoping that Thelma herself would suddenly meet him face to face, and put her hands in his. He wrote to Neville and told him to send on any letters that might arrive for him, and by every post he waited anxiously for one from Thelma but none came. To relieve his mind a little, he scribbled a long letter to her, explaining everything, telling her how ardently he loved and worshipped her—how he was on his way to join her at the Altenfjord,—and ending by the most passionate vows of unchanging love and fidelity. He was somewhat soothed when he had done this—though he did not realize the fact that in all probability he himself might arrive before the letter. The slow, miserable days went on—the week was completed—the steamer for Christiansund started at last,—and, after a terribly stormy passage, he and the faithful Britta were landed there.
Disappointment after disappointment awaited Errington in Hull. Unfortunately, neither he nor Britta knew about the good Norwegian innkeeper, Friedhof, who had helped Thelma escape—and all their endless and anxious inquiries turned up no information about her. Plus, there were no boats leaving for Norway right away—not even a whaler or fishing boat. In about a week—maybe longer—a steamer would be heading to Christiansund, and for this, Errington, though almost crazy with impatience, had to wait. Meanwhile, he wandered the streets of Hull, eagerly looking at every fair-haired woman who passed by, always hoping that Thelma might suddenly appear in front of him and take his hands. He wrote to Neville and asked him to forward any letters that might come for him, and with every post, he anxiously awaited one from Thelma, but none showed up. To ease his mind a bit, he penned a long letter to her, explaining everything, telling her how passionately he loved and admired her—how he was on his way to join her at the Altenfjord—and finishing with the most heartfelt vows of unwavering love and loyalty. Writing this made him feel somewhat better—even though he didn’t fully understand that he might arrive before the letter did. The slow, miserable days dragged on—the week passed—the steamer to Christiansund finally set off—and after a horribly stormy journey, he and the loyal Britta disembarked there.
On arrival, he learned that a vessel bound for the North Cape had left on the previous day—there would not be another for a fortnight. Cursing his ill-luck, he resolved to reach the Altenfjord by land, and began to make arrangements accordingly. Those who knew the country well endeavored to dissuade him from this desperate project—the further north, the greater danger, they told him,—moreover, the weather was, even for Norway, exceptionally trying. Snow lay heavily over all the country he would have to traverse—the only means of conveyance was by carriole or pulkha—the latter a sort of sledge used by the Laplanders, made in the form of a boat, and generally drawn by reindeer. The capabilities of the carriole would be exhausted as soon as the snow-covered regions were reached—and to manage a pulkha successfully, required special skill of no ordinary kind. But the courageous little Britta made short work of all these difficulties—she could drive a pulkha,—she knew how to manage reindeer,—she entertained not the slightest doubt of being able to overcome all the obstacles on the way. At the same time, she frankly told Sir Philip that the journey would be a long one, perhaps occupying several days—that they would have to rest at different farms or stations on the road, and put up with hard fare—that the cold would be intense,—that often they would find it difficult to get relays of the required reindeer,—and that it might perhaps be wiser to wait for the next boat going to the North Cape.
Upon arriving, he found out that a ship to the North Cape had left the day before—there wouldn't be another one for two weeks. Frustrated by his bad luck, he decided to make his way to Altenfjord on land and started making plans. Those familiar with the area tried to talk him out of this risky venture—the farther north he went, the more danger he would face, they warned him—plus, the weather was unusually harsh, even for Norway. Snow covered all the land he would need to cross—the only ways to get around were by carriole or pulkha—the latter being a kind of sled used by the Laplanders, shaped like a boat and typically pulled by reindeer. The capabilities of the carriole would be used up as soon as they hit the snowy areas—and successfully handling a pulkha required an uncommon level of skill. But the determined little Britta took all these challenges in stride—she could drive a pulkha, she knew how to work with reindeer, and she had no doubt she could tackle all the obstacles ahead. At the same time, she honestly told Sir Philip that the journey would be lengthy, possibly taking several days—that they'd need to rest at various farms or stations along the route, and make do with basic food—that the cold would be severe—that they might often struggle to find enough reindeer to change out—and that it might be better to wait for the next boat heading to the North Cape.
But Errington would hear of no more delays—each hour that passed filled him with fresh anxieties—and once in Norway he could not rest. The idea that Thelma might be ill—dying—or dead—gained on him with redoubled force,—and his fears easily communicating themselves to Britta, who was to the full as impatient as he, the two made up their minds, and providing every necessary for the journey they could think of, they started for the far sunless North, through a white, frozen land, which grew whiter and more silent the further they went,—even as the brooding sky above them grew darker and darker. The aurora borealis flashed its brilliant shafts of color against the sable breast of heaven,—the tall pines, stripped bare, every branch thick with snow and dropping icicles, stood,—pale ghosts of the forest,—shedding frozen tears—the moon, more like steel than silver, shone frostily cold, her light seeming to deepen rather than soften the dreariness of the land—and on—on—on—they went, Britta enveloped to the chin in furs, steadily driving the strange elfin-looking steeds with their horned heads casting long distorted shadows on the white ground,—and Philip beside her, urging her on with feverish impatience, while he listened to the smooth trot of the reindeer,—the tinkle of the bells on their harness, and the hiss of the sledge across the sparkling snow.
But Errington wouldn’t accept any more delays—each hour that passed filled him with new worries—and once in Norway, he couldn’t relax. The thought that Thelma could be sick—dying—or even dead—gripped him harder and harder, and his fears easily transferred to Britta, who was just as impatient as he was. They both decided to go, gathering everything they could think of for the journey, and set off for the far sunless North, through a white, frozen landscape that grew whiter and quieter the further they traveled—even as the gloomy sky above them became darker. The northern lights flashed brilliant colors against the dark sky—tall pines, stripped bare, every branch thick with snow and dropping icicles, stood like pale ghosts of the forest, shedding frozen tears—while the moon, more like steel than silver, shone coldly, her light seeming to deepen rather than soften the bleakness of the land—and they moved on—on—on—with Britta wrapped in furs, steadily guiding the strange elf-like reindeer with their horned heads casting long distorted shadows on the white ground—and Philip next to her, urging her on with restless impatience, listening to the smooth trot of the reindeer—the jingling of the bells on their harness, and the hiss of the sled across the sparkling snow.
Meanwhile, as he thus pursued his long and difficult journey, rumor was very busy with his name in London. Everybody—that is, everybody worth consideration in the circle of the "Upper Ten"—was talking about him,—shrugging their shoulders, lifting their eyebrows and smiling knowingly, whenever he was mentioned. He became more known in one day than if he had served his country's interests in Parliament for years.
Meanwhile, as he continued on his long and challenging journey, rumors about him were spreading quickly in London. Everyone—meaning everyone who mattered in the "Upper Ten" circle—was talking about him, shrugging their shoulders, raising their eyebrows, and smiling knowingly every time his name came up. He became more famous in a single day than if he had worked for his country's interests in Parliament for years.
On the very morning after he had left the metropolis en route for Norway, that admirably conducted society journal, the Snake, appeared,—and of course, had its usual amount of eager purchasers, anxious to see the latest bit of aristocratic scandal. Often these good folks were severely disappointed—the Snake was sometimes so frightfully dull, that it had actually nothing to say against anybody—then, naturally, it was not worth buying. But this time it was really interesting—it knocked down—or tried to knock down—at one blow, a formerly spotless reputation—and "really—really!" said the Upper Ten, "it was dreadful, but of course it was to be expected! Those quiet, seemingly virtuous persons are always the worst when you come to know them, yet who would have thought it!" And society read the assailing paragraph, and rolled it in its rank mouth, like a bon-bon, enjoying its flavor. It ran as follows:—
On the very morning after he had left the city on his way to Norway, that well-managed society magazine, the Snake, came out—and of course, it had its usual number of eager buyers, excited to see the latest bit of high-society gossip. Often these folks were left disappointed—the Snake could be so dull that it had nothing scandalous to report about anyone—so naturally, it wasn't worth the money. But this time it was genuinely intriguing—it took aim at— or tried to take down— a previously pristine reputation—and "really—really!" said the Upper Ten, "it was awful, but of course, it was to be expected! Those quiet, seemingly virtuous people are always the worst when you get to know them, yet who would have thought it!" And society read the damning paragraph, savoring it like candy, relishing its taste. It went like this:—
"We hear on excellent authority that the Norwegian 'beauty,' Lady Bruce-Errington, wife of Sir Philip Bruce-Errington, is about to sue for a divorce on the ground of infidelity. The offending dama in the question is an admired actress, well-known to the frequenters of the Brilliant Theatre. But there are always two sides to these affairs, and it is rumored that the fair Norwegian (who before her marriage, we understand, was a great adept in the art of milking reindeer on the shores of her native Fjord) has private reasons of her own for desiring the divorce, not altogether in keeping with her stated reasons or her apparent reserve. We are, however, always on the side of the fair sex, and, as the faithless husband has made no secret of his new liaison, we do not hesitate to at once pronounce in the lady's favor. The case is likely to prove interesting to believers in wedded happiness, combined with the strictest moral and religious sentiments."
"We hear from a reliable source that the Norwegian 'beauty,' Lady Bruce-Errington, wife of Sir Philip Bruce-Errington, is about to file for divorce due to infidelity. The actress involved, who is well-known among the regulars at the Brilliant Theatre, is at the center of the controversy. However, there are always two sides to every story, and it’s rumored that the lovely Norwegian (who, before her marriage, was quite skilled in milking reindeer on the shores of her native Fjord) has her own private reasons for wanting the divorce that don’t entirely match her public statements or her seemingly reserved demeanor. Nevertheless, we always stand with women, and since the unfaithful husband has been open about his new relationship, we readily declare our support for the lady. This case is likely to be intriguing for those who believe in the ideals of marital happiness while upholding strict moral and religious values."
Quite by accident this piece of would-be "smartness" was seen by Beau Lovelace. He had a wholesome contempt for the Snake—and all its class,—he would never have looked at it, or known of the paragraph, had not a friend of his at the Garrick pointed it out to him with half a smile and half a sneer.
Quite by accident, this attempt at "smartness" was noticed by Beau Lovelace. He had a genuine disdain for the Snake—and everything like it. He would never have glanced at it or known about the paragraph if a friend of his at the Garrick hadn't pointed it out to him with a mix of a smile and a sneer.
"It's a damned lie!" said Beau briefly.
"It's a damn lie!" said Beau briefly.
"That remains to be proved!" answered his friend, and went away laughing.
"That still needs to be proven!" his friend replied, walking away with a laugh.
Beau read it over and over again, his blood firing with honest indignation. Thelma! Thelma—that pure white lily of womanhood,—was she to have her stainless life blurred by the trail of such a thing as the Snake?—and was Errington's honor to be attainted in his absence, and he condemned without a word uttered in his defence?
Beau read it repeatedly, his blood boiling with genuine indignation. Thelma! Thelma—that pure, white lily of womanhood—was she going to have her spotless life tarnished by something like the Snake? And was Errington's honor to be tarnished in his absence, with him condemned without a word spoken in his defense?
"Detestable blackguard!" muttered Lovelace, reverting in his mind to the editor of the journal in question. "What's his name I wonder?" He searched and found it at the top of a column—"Sole Editor and Proprietor, C. Snawley-Grubbs, to whom all checks and post-office orders should be made payable. The Editor cannot be responsible for the return of rejected MSS."
"Despicable jerk!" Lovelace muttered, thinking about the editor of the journal in question. "What’s his name, I wonder?" He searched and found it at the top of a column—"Sole Editor and Proprietor, C. Snawley-Grubbs, to whom all checks and post-office orders should be made payable. The Editor cannot be responsible for the return of rejected manuscripts."
Beau noted the name, and wrote the address of the office in his pocket-book, smiling curiously to himself the while.
Beau noted the name and wrote down the office address in his pocket notebook, smiling to himself with curiosity the whole time.
"I'm almost glad Errington's out of the way," he said half aloud. "He shan't see this thing if I can help it, though I dare say some particularly affectionate friend will send it to him, carefully marked. At any rate, he needn't know it just yet—and as for Lorimer—shall I tell him! No, I won't. I'll have the game all to myself—and—by Jove! how I shall enjoy it!"
"I'm actually kind of glad Errington is out of the picture," he said to himself. "He won't see this if I can help it, although I'm sure some overly friendly buddy will send it to him with it clearly highlighted. At least he doesn't need to know about it right now—and what about Lorimer—should I tell him? No, I won't. I'll keep the advantage for myself—and—wow! how much I will enjoy this!"
An hour later he stood in the office of the Snake, courteously inquiring for Mr. Snawley-Grubbs. Apparently he had come on horseback, for he held a riding-whip in his hand,—the very whip Errington had left with him the previous day. The inky, dirty, towzle-headed boy who presided in solitary grandeur over the Snake's dingy premises, stared at him inquiringly,—visitors of his distinguished appearance and manner being rather uncommon. Those who usually had business with the great Grubbs were of a different type altogether,—some of them discarded valets or footmen, who came to gain half a crown or five shillings by offering information as to the doings of their late masters and mistresses,—shabby "supers" from the theatres, who had secured the last bit of scandal concerning some celebrated stage or professional "beauty"—sporting men and turf gamblers of the lowest class,— unsuccessful dramatists and small verse writers—these, with now and then a few "ladies"—ladies of the bar-room, ballet, and demi-monde, were the sort, of persons who daily sought private converse with Grubbs—and Beau Lovelace, with his massive head, fine muscular figure, keen eyes, and self-assertive mien, was quite a novel specimen of manhood for the wondering observation of the office-boy, who scrambled off his high chair with haste and something of respect as he said—
An hour later, he was in the office of the Snake, politely asking for Mr. Snawley-Grubbs. He must have arrived on horseback, since he was holding a riding whip in his hand—the same whip Errington had left with him the day before. The inky, scruffy, messy-haired boy who ruled over the Snake's dingy space stared at him curiously; visitors like him, with such a distinguished appearance and demeanor, were quite rare. Those who typically did business with the great Grubbs were a different crowd altogether—some were former valets or footmen looking to earn a few coins by sharing gossip about their past employers, shabby "extras" from the theaters who had the latest scandals involving some famous stage act or “beauty,” low-level sportsmen and turf gamblers, unsuccessful playwrights, and minor poets—these, along with an occasional few "ladies"—ladies from bars, ballets, and the fringes of society—were the kinds of people who regularly sought private meetings with Grubbs. Beau Lovelace, with his large head, strong muscular build, sharp eyes, and confident manner, was a fresh type of man for the office boy to wonder about, who quickly got off his high chair with a mix of urgency and respect as he said—
"What name, sir, please?"
"What's your name, sir?"
"Beaufort Lovelace," said the gentleman, with a bland smile. "Here is my card. Ask Mr. Grubbs whether he can see me for a few minutes. If he is engaged—editors generally are engaged—tell him I'll wait."
"Beaufort Lovelace," said the man with a friendly smile. "Here's my card. Could you check if Mr. Grubbs can see me for a few minutes? If he’s busy—editors usually are—just let him know I’ll wait."
The boy went off in a greater hurry than ever. The name of Lovelace was quite familiar to him—he knew him, not as a distinguished novelist, but as "'im who makes such a precious lot of money." And he was breathless with excitement; when he reached the small editorial chamber at the top of a dark, narrow flight of stairs, wherein sat the autocratic Snawley, smiling suavely over a heap of letters and disordered MSS. He glanced at the card which his ink-smeared attendant presented him.
The boy rushed off faster than ever. He was very familiar with the name Lovelace—he didn't know him as a famous novelist, but as "the guy who makes a ton of money." He was breathless with excitement when he got to the small editorial office at the top of a dark, narrow staircase, where the controlling Snawley sat, smiling smoothly over a pile of letters and messy manuscripts. He looked at the card that his ink-stained attendant handed him.
"Ah, indeed!" he said condescendingly. "Lovelace—Lovelace? Oh yes—I suppose it must be the novelist of that name—yes!—show him up."
"Ah, sure!" he said in a patronizing tone. "Lovelace—Lovelace? Oh right—I guess it has to be the novelist with that name—yes!—send him in."
Shown up he was accordingly. He entered the room with a firm tread, and closed the door behind him!
Shown up he was accordingly. He entered the room with a confident stride and shut the door behind him!
"How do you do, my dear sir!" exclaimed Grubbs warmly. "You are well known to me by reputation! I am charmed—delighted to make the personal acquaintance of one who is—yes—let me say, who is a brother in literature! Sit down, I beg of you!"
"How’s it going, my dear sir!" Grubbs said warmly. "I've heard a lot about you! I'm thrilled—so happy to finally meet someone who is—yes—let me put it this way, who is a fellow writer! Please, have a seat!"
And he waved his hand towards a chair, thereby displaying the great rings that glittered on his podgy fingers.
And he gestured towards a chair, showing off the large rings that sparkled on his chubby fingers.
Beau, however, did not seat himself—he only smiled very coldly and contemptuously.
Beau, however, didn’t sit down—he just smiled very coldly and with disdain.
"We can discuss the fraternal nature of our relationship afterwards," he said satirically, "Business first. Pray, sir,"—here he drew from his pocket the last number of the Snake—"are you the writer of this paragraph?"
"We can talk about the brotherly nature of our relationship later," he said sarcastically, "Business first. Please, sir,"—here he pulled out the latest issue of the Snake—"are you the one who wrote this paragraph?"
He pointed to it, as he flattened the journal and laid it in front of the editor on the desk. Mr. Snawley-Grubbs glanced at it and smiled unconcernedly.
He pointed to it as he smoothed out the journal and placed it on the editor's desk. Mr. Snawley-Grubbs glanced at it and smiled casually.
"No I am not. But I happen to know it is perfectly correct. I received the information on the highest—the very highest and most credible authority."
"No, I’m not. But I happen to know it's completely right. I got the information from the highest—truly the highest and most reliable source."
"Indeed!" and Beau's lip curled haughtily, while his hand clenched the riding-whip more firmly. "Then allow me to tell you, sir, that it is utterly false in every particular—moreover—that it is a gross libel,—published with deliberate intent to injure those whom it presumes to mention,—and that, whoever wrote it,—you, sir, you alone are responsible for a most mischievous, scandalous, and damnable lie!"
"Absolutely!" Beau's lip curled in disdain as he gripped the riding whip tighter. "Let me tell you, sir, that's completely false in every way—moreover, it's a serious defamation—published with the intent to harm those mentioned—and whoever wrote it—you, sir, are solely responsible for a truly malicious, scandalous, and despicable lie!"
Mr. Grubbs was in no wise disconcerted. Honest indignation honestly expressed, always amused him—he was amused now.
Mr. Grubbs was not at all unsettled. Genuine frustration shown honestly always entertained him—he was entertained now.
"You're unduly excited, Mr. Lovelace," he said with a little laugh. "Permit me to remark that your language is rather extraordinary—quite too strong under the circumstances! However, you're a privileged person—genius is always a little mad, or shall we say,—eccentric?—I suppose you are a friend of Sir Philip Errington, and you naturally feel hurt—yes—yes, I quite understand! But the scourge of the press—the wholesome, purifying scourge, cannot be withheld out of consideration for private or personal feelings. No—no! There's a higher duty—the duty we owe to the public!"
"You're way too excited, Mr. Lovelace," he said with a slight laugh. "Let me just say that your choice of words is pretty out there—definitely too intense for this situation! But then again, you're someone special—genius is always a bit crazy, or should we say, eccentric? I assume you're a friend of Sir Philip Errington, and it’s natural that you feel upset—yes—yes, I totally get it! But the press has a role to play—the important, cleansing role that can’t be ignored just because of personal feelings. No—no! There’s a bigger responsibility—the responsibility we have to the public!"
"I tell you again," repeated Lovelace firmly—"the whole thing is a lie. Will you apologize?"
"I'll say it again," Lovelace insisted firmly. "It's all a lie. Are you going to apologize?"
Mr. Grubbs threw himself back in his chair and laughed aloud.
Mr. Grubbs leaned back in his chair and laughed out loud.
"Apologize? My dear sir, you must be dreaming! Apologize? Certainly not! I cannot retract the statements I have made—and I firmly believe them to be true. And though there is a saying, 'the greater the truth the greater the libel,' I'm ready, sir, and, always have been ready, to sacrifice myself to the cause of truth. Truth, truth for ever! Tell the truth and shame the devil! You are at liberty to inform Sir Philip Errington from me, that as it is my object—a laudable and praiseworthy one, too, I think—to show up the awful immorality now reigning in our upper classes, I do not regret in the least the insertion of the paragraph in question. If it only makes him ashamed of his vices, I shall have done a good deed, and served the interests of society at large. At the same time, if he wishes to bring an action for libel—"
"Apologize? My dear sir, you must be joking! Apologize? Absolutely not! I can’t take back what I’ve said—and I truly believe it’s right. And while there’s a saying, 'the greater the truth, the greater the libel,' I’m ready, sir, and always have been ready, to stand up for the cause of truth. Truth, truth forever! Speak the truth and shame the devil! Feel free to tell Sir Philip Errington from me that since my goal—one that I think is honorable and commendable—is to expose the terrible immorality prevalent in our upper classes, I don’t regret at all including the paragraph in question. If it makes him ashamed of his wrongdoings, I’ll have done a good thing and contributed to the greater good of society. At the same time, if he wants to pursue a libel lawsuit—"
"You dog!" exclaimed Lovelace fiercely, approaching him with such a sudden rapid stride that the astonished editor sprang up and barricaded himself behind his own chair. "You hope for that, do you? An action for libel! nothing would please you better! To bring your scandalous printed trash into notoriety,—to hear your name shouted by dirty hawkers and newsboys—to be sentenced as a first-class misdemenent; ah, no such luck for you! I know the tricks of your vile trade! There are other ways of dealing with a vulgar bully and coward!"
"You dog!" Lovelace shouted angrily, walking toward him with such a sudden, quick stride that the shocked editor jumped up and hid behind his own chair. "You think you can do that, huh? A libel suit! Nothing would make you happier! To turn your scandalous printed garbage into a big deal—to hear your name called out by shady street vendors and newsboys—to be charged with a serious crime; oh, you won’t have that kind of luck! I know the tricks of your disgusting profession! There are other ways to handle a sleazy bully and coward!"
And before the startled Grubbs could realize his position, Lovelace closed with him, beat him under, and struck the horsewhip smartly cross his back and shoulders. He uttered a yell of pain and fury, and strove vigorously to defend himself, but, owing to his obesity, his muscles were weak and flabby, and he was powerless against the activity and strength of his opponent. Lash after lash descended regularly and mercilessly—his cries, which gradually became like the roarings of a bull of Basban, were unheard, as the office-boy below, profiting by a few idle moments, had run across the street to buy some chestnuts at a stall he particularly patronized. Beau thrashed on with increasing enjoyment—Grubbs resisted him less and less, till finally he slipped feebly down on the floor and grovelled there, gasping and groaning. Beau gave him one or two more artistic cuts, and stood above him, with the serene, triumphant smile of a successful athlete. Suddenly a loud peal of laughter echoed from the doorway,—a woman stood there, richly dressed in silk and fur, with diamonds sparkling in her ears and diamonds clasping the long boa at her throat. It was Violet Vere.
And before the shocked Grubbs could grasp what was happening, Lovelace came at him, tackled him, and struck him sharply with the horsewhip across his back and shoulders. He let out a scream of pain and anger and tried hard to defend himself, but because of his weight, his muscles were weak and flabby, and he was no match for the speed and strength of his opponent. Blow after blow landed regularly and mercilessly—his cries, which gradually turned into the roars of a bull, went unheard as the office boy downstairs, taking advantage of a few free moments, had dashed across the street to buy some chestnuts from his favorite stall. Beau continued to enjoy the beating more and more—Grubbs fought back less and less, until he finally slumped feebly to the floor, gasping and groaning. Beau gave him a couple more well-placed whacks and stood over him with the calm, triumphant smile of a winning athlete. Suddenly, a loud burst of laughter echoed from the doorway—a woman stood there, dressed elegantly in silk and fur, with diamonds sparkling in her ears and clasping the long boa at her throat. It was Violet Vere.
"Why, Snawley!" she cried with cheerful familiarity. "How are you? All broken, and no one to pick up the pieces! Serve you right! Got it at last, eh? Don't get up! You look so comfortable!"
"Hey, Snawley!" she exclaimed with friendly familiarity. "How are you? All messed up, and no one to help you out! You deserved that! Finally got it, huh? Don't get up! You look really cozy!"
"Bodily assault," gasped Grubbs. "I'll summons—call the police—call," his voice died away in inarticulate gurglings, and raising himself, he sat up on the floor in a sufficiently abject and ludicrous posture, wiping the tears of pain from his eyes. Beau looked at the female intruder and recognized her at once. He saluted her with cold courtesy, and turned again to Grubbs.
"Bodily assault," Grubbs gasped. "I'll call the police—call," his voice trailed off into incoherent mumbling, and as he raised himself, he sat on the floor in a clearly humiliating and ridiculous position, wiping the tears of pain from his eyes. Beau looked at the female intruder and recognized her immediately. He greeted her with a distant politeness and then turned back to Grubbs.
"Will you apologize?"
"Will you say sorry?"
"No—I—I won't!"
"No—I—I won't!"
Beau made another threatening movement—Miss Vere interposed.
Beau made another threatening move—Miss Vere stepped in.
"Stop a bit," she said, regarding him with her insolent eyes, in which lurked, however, an approving smile. "I don't know who you are, but you seem a fighting man! Don't go at him again till I've had a word. I say, Grubbs! you've been hitting at me in your trashy paper."
"Stop for a second," she said, looking at him with her bold eyes, which also held a hint of a approving smile. "I don't know who you are, but you look like a fighter! Don't go after him again until I've had a chance to talk. I mean it, Grubbs! you've been taking shots at me in your cheap paper."
Grubbs still sat on the floor groaning.
Grubbs was still sitting on the floor, moaning.
"You must eat those words," went on the Vere calmly. "Eat 'em up with sauce for dinner. The 'admired actress well known at the Brilliant,' has nothing to do with the Bruce-Errington man,—not she! He's a duffer, a regular stiff one—no go about him anyhow. And what the deuce do you mean by calling me an offending dama. Keep your oaths to yourself, will you?"
"You need to take back what you just said," continued Vere calmly. "Consume those words with a side of sauce for dinner. The 'admired actress well known at the Brilliant' has nothing to do with the Bruce-Errington guy—not at all! He’s a total loser, completely dull—there’s nothing interesting about him. And what on earth do you mean by calling me an offending lady? Keep your promises to yourself, alright?"
Beau Lovelace was amused. Grubbs turned his watering eye from one to the other in wretched perplexity. He made an effort to stand up and succeeded.
Beau Lovelace found it funny. Grubbs looked back and forth between them with a sad expression, clearly confused. He tried to get up and managed to do so.
"I'll have you arrested, sir!" he exclaimed shaking his fists at Beau, and quivering with passion, "on a charge of bodily assault—shameful bodily assault, sir!"
"I'll have you arrested, sir!" he shouted, shaking his fists at Beau, and trembling with emotion, "for physical assault—disgraceful physical assault, sir!"
"All right!" returned Beau coolly. "If I were fined a hundred pounds for it, I should think it cheap for the luxury of thrashing such a hound!"
"All right!" Beau replied calmly. "Even if I were fined a hundred pounds for it, I'd consider it worth it for the pleasure of beating such a scoundrel!"
Grubbs quaked at the determined attitude and threatening eye of his assailant, and turned for relief to Miss Vere whose smile, however, was not sympathetic.
Grubbs trembled at the fierce attitude and intimidating gaze of his attacker and turned for comfort to Miss Vere, whose smile, however, was not understanding.
"You'd better cave in!" she remarked airily. "You've got the worst of it, you know!"
"You should really give in!" she said casually. "You know you're losing this one!"
She had long been on confidential terms with the Snake proprietor, and she spoke to him now with the candor of an old friend.
She had long been on friendly terms with the Snake owner, and she spoke to him now with the honesty of an old friend.
"Dear me, what do you expect of me!" he almost whimpered. "I'm not to blame! The paragraph was inserted without my knowledge by my sub-editor—he's away just now, and—there! why?" he cried with sudden defiance, "why don't you ask Sir Francis Lennox about it? He wrote the whole thing."
"Honestly, what do you want from me!" he almost whined. "This isn't my fault! The paragraph was added without me knowing by my sub-editor—he’s not here right now, and—wait! Why?" he suddenly challenged, "why don’t you ask Sir Francis Lennox about it? He wrote the entire thing."
"Well, he's dead," said Miss Vere with the utmost coolness. "So it wouldn't be much use asking him. HE can't answer,—you'll have to answer for him."
"Well, he's dead," said Miss Vere with complete calm. "So it wouldn’t be much use asking him. HE can't answer—you'll have to answer for him."
"I don't believe it!" exclaimed Mr. Grubbs. "He can't be dead!"
"I can't believe it!" shouted Mr. Grubbs. "He can't be dead!"
"Oh, yes, he can, and he is," retorted Violet. "And a good job too! He was knocked over by a train at Charing Cross. You'll see it in to-day's paper, if you take the trouble to look. And mind you contradict all that stuff about me in your next number—do you hear? I'm going to America with a Duke next month, and I can't afford to have my reputation injured. And I won't be called a 'dama' for any penny-a-liner living." She paused, and again broke out laughing, "Poor old Snawley! You do look so sore! Ta-ta!" And she moved towards the door. Lovelace, always courteous, opened it for her. She raised her hard, bright eyes, and smiled.
"Oh, yes, he can, and he is," Violet shot back. "And it's a good thing too! He got hit by a train at Charing Cross. You’ll see it in today’s paper if you bother to look. And make sure you deny all that stuff about me in your next issue—got it? I’m heading to America with a Duke next month, and I can’t risk my reputation. And I won’t be called a 'dama' by any cheap tabloid writer." She paused and then burst into laughter again, "Poor old Snawley! You look so upset! See you!" And she walked toward the door. Lovelace, ever polite, opened it for her. She lifted her sharp, bright eyes and smiled.
"Thanks! Hope I shall see you again some day!"
"Thanks! I hope to see you again someday!"
"You are very good!" responded Beau gravely.
"You’re really good!" Beau replied seriously.
Either his tone, which was one chill indifference, or some thing in his look, irritated her suddenly—for a rash of hot color crimsoned her face, and she bit her lips vexedly as she descended the office-stairs.
Either his tone, which was completely indifferent, or something in his look suddenly irritated her—her face flushed with heat, and she bit her lips in annoyance as she went down the office stairs.
"He's one of your high-and-mighty sort," she thought disdainfully, as she entered her cosy brougham and was driven away. "Quite too awfully moral!" She pulled a large, elaborately cut glass scent-bottle out of the pocket of her cloak, and, unscrewing the gold top, applied it, not to her nose but her mouth. It contained neat Cognac—and she drank a goodly gulp of it with evident relish, swallowing a scented bon-bon immediately afterwards to take away the suspicious odor. "Yes—quite too awfully moral!" she repeated with a grin. "Not in my line at all! Lord! It's lucky there are not many such fellows about, or what would become of me? A precious poor business I should make of it!"
"He's one of those self-important types," she thought with disdain as she got into her cozy carriage and was driven away. "Way too preachy!" She pulled out a large, fancy glass perfume bottle from her cloak pocket, unscrewed the gold top, and applied it, not to her nose but to her mouth. It was filled with rich Cognac—and she took a generous sip of it, clearly enjoying it, before swallowing a scented candy right after to mask the suspicious smell. "Yeah—definitely way too preachy!" she repeated with a smirk. "Not my style at all! Thank goodness there aren’t many like him around, or what would happen to me? I'd be in a pretty bad spot!"
Meanwhile, Lovelace, left alone again with Mr. Grubbs, reiterated his demand for an apology. Grubbs made a rush for the door, as soon as Miss Vere had gone, with the full intention of summoning the police, but Beau coolly placed his back against it with resolute firmness, and flourished his whip defiantly.
Meanwhile, Lovelace, once again alone with Mr. Grubbs, restated his demand for an apology. As soon as Miss Vere left, Grubbs made a quick dash for the door, fully intending to call the police, but Beau calmly blocked the door with his back, standing firm, and waved his whip in a challenging way.
"Come, sir, none of this nonsense!" he said sternly. "I don't mean to leave this spot till I have satisfaction. If Sir Francis Lennox wrote that scandalous paragraph the greater rascal he,—and the more shame to you for inserting it.—You, who make it your business to know all the dirty alleys and dark corners of life, must have known his character pretty thoroughly. There's not the slightest excuse for you. Will you apologize?—and retract every word of that paragraph, in your next issue?"
"Come on, man, enough with the nonsense!" he said firmly. "I'm not leaving this place until I get some satisfaction. If Sir Francis Lennox wrote that scandalous paragraph, he's the bigger fool, and it's even more shameful for you to publish it. You, who make it your job to know all the shady sides and dark corners of life, should have known his character inside and out. There's no excuse for you. Will you apologize and take back every word of that paragraph in your next issue?"
Grubbs, breathless with rage and fear, glared at him, but made no answer.
Grubbs, panting with anger and fear, glared at him but didn't respond.
"If you refuse to comply," went on Beau deliberately, balancing the horsewhip lightly on his hand, "I'll just tell you what the consequences will be. I've thrashed you once—and I'll thrash you again. I have only to give the cue to several worthy fellows of my acquaintance, who don't care how much they pay for their fun, and each of them in turn will thrash you. As for an action for libel, don't expect it—but I swear there shan't be a safe corner in London for you. If, however, you publish next week a full retraction of your printed lie—why, then I—shall be only too happy to forget that such an individual as yourself burdens this planet. There are the two alternatives—choose!"
"If you refuse to comply," Beau continued deliberately, lightly balancing the horsewhip in his hand, "let me explain what will happen. I've beaten you once—and I can do it again. All I have to do is signal a few guys I know who are more than willing to pay for some fun, and each of them will take a turn thrashing you. As for a libel lawsuit, don’t expect that—but I swear there won’t be a safe place for you in London. However, if you publish a full retraction of your false claims next week—then I will be more than happy to forget that someone like you is on this planet. Those are your two options—choose!"
Grubbs hesitated, but coward fear made him quail the prospect of unlimited thrashings.
Grubbs hesitated, but his cowardice made him shrink back at the thought of endless beatings.
"Very well," he said sullenly. "Write what you want put in—I'll attend to it—I don't mind obliging Miss Vere. But all the same, I'll have you arrested!"
"Fine," he said grumpily. "Write what you want to include—I’ll take care of it—I don't mind helping Miss Vere. But still, I'll have you arrested!"
Beau laughed. "Do so by all means!" he said gaily. "I'll leave my address with you!" He wrote rapidly a few lines on a piece of paper to the following effect—
Beau laughed. "Go ahead!" he said cheerfully. "I'll give you my address!" He quickly scribbled a few lines on a piece of paper that said—
"We have to entirely contradict a statement we made last week respecting a supposed forthcoming divorce case in which Sir Philip Bruce-Errington was seriously implicated. There was no truth whatever in the statement, and we herewith apologize most humbly and heartily for having inadvertently given credence to a rumor which is now proved to be utterly false and without the slightest shadow of a foundation."
"We need to completely take back a statement we made last week about a supposed upcoming divorce case involving Sir Philip Bruce-Errington. There was absolutely no truth to that statement, and we sincerely apologize for inadvertently believing a rumor that has now been shown to be entirely false and with no basis whatsoever."
He handed this to Grubbs.
He gave this to Grubbs.
"Insert that word for word, at the head of your paragraphs," he said, "and you'll hear no more of me, unless you give me fresh provocation. And I advise you to think twice before you have me arrested—for I'll defend my own case, and—ruin you! I'm rather a dangerous customer to have much to do with! However, you've got my card—you know where to find me if you want me. Only you'd better send after me to-night if you do—to-morrow I may be absent."
"Put that exactly as it is at the start of your paragraphs," he said, "and you won't hear from me again unless you provoke me. I suggest you think carefully before trying to get me arrested—because I'll handle my own defense and—destroy you! I'm not the easiest person to deal with! Anyway, you've got my card—you know how to reach me if you need me. Just make sure to send for me tonight if you do—tomorrow I might not be around."
He smiled, and drew on his gloves leisurely, eyeing meanwhile the discomfited editor, who was furtively rubbing his shoulder where the lash had stung it somewhat severely.
He smiled and put on his gloves slowly, watching the embarrassed editor, who was secretly rubbing his shoulder where the whip had stung him pretty badly.
"I'm exceedingly glad I've hurt you, Mr. Grubbs," he said blandly. "And the next time you want to call me your brother in literature, pray reflect on the manner in which my fraternal affection displayed itself! good morning!"
"I'm really glad I've hurt you, Mr. Grubbs," he said impassively. "And the next time you want to call me your brother in literature, please think about how my brotherly affection showed itself! Good morning!"
And he took his departure with a quiet step and serene manner, leaving Snawley-Grubbs to his own meditations, which were far from agreeable. He was not ignorant of the influence Beau Lovelace possessed, both on the press and in society—he was a general favorite,—a man whose opinions were quoted, and whose authority was accepted everywhere. If he appeared to answer a charge of assault against Grubbs, and defended his own case, he certainly would have the best of it. He might—he would have to pay a fine, but what did he care for that? He would hold up the Snake and its proprietor to the utmost ridicule and opprobrium—his brilliant satire and humor would carry all before it—and he, Snawley-Grubbs, would be still more utterly routed and humiliated. Weighing all these considerations carefully in his mind, the shrinking editor decided to sit down under his horsewhipping in silence and resignation.
And he left quietly and calmly, leaving Snawley-Grubbs to his own thoughts, which were far from pleasant. He knew well the influence Beau Lovelace had, both in the media and in society—he was a favorite among many—a man whose opinions were widely quoted and whose authority was universally accepted. If he appeared to respond to an assault charge against Grubbs and defended himself, he would undoubtedly come out on top. He might—he would have to pay a fine, but what did he care about that? He would expose the Snake and its owner to the utmost ridicule and scorn—his sharp wit and humor would win everyone over—and Snawley-Grubbs would be even more thoroughly defeated and embarrassed. Considering all these factors carefully, the timid editor decided to endure his horsewhipping in silence and acceptance.
It was not a very lofty mode of action—still, it was the safest. Of course Violet Vere would spread the story all through her particular "set"—it made him furious to think of this yet there was no help for it. He would play the martyr, he thought—the martyr to the cause of truth,—the injured innocent entrapped by false information—he might possibly gain new supporters and sympathizers in this way if he played his cards carefully. He turned to the daily paper, and saw there chronicled the death of Sir Francis Lennox. It was true, then. Well! he was not at all affected by it—he merely committed the dead man in the briefest and strongest language to the very lowest of those low and sulphurous regions over which Satan is supposed to have full sway. Not a soul regretted Sir Francis—not even the Vere, whom he had kept and surrounded with every luxury for five years. Only one person, a fair, weary faced woman away in Germany shed a few tears over the lawyer's black-bordered letter that announced his death to her—and this was the deserted wife,—who had once loved him. Lady Winsleigh had heard the news,—she shuddered and turned very pale when her husband gently and almost pityingly told her of the sudden and unprepared end that had overtaken her quondam admirer—but she said nothing. She was presiding at the breakfast-table for the first time in many years—she looked somewhat sad and listless, yet lovelier so than in all the usual pride and assertive arrogance of her beauty. Lord Winsleigh read aloud the brief account of the accident in the paper—she listened dreamily, still mute. He watched her with yearning eyes.
It wasn’t the most noble choice—still, it was the safest. Of course, Violet Vere would spread the news all through her particular "social circle"—the thought of it made him furious, but there was nothing he could do. He decided to play the martyr—the martyr for truth, the wronged innocent caught in a web of lies—he could maybe even gain new supporters and sympathizers if he played his cards right. He turned to the daily paper and saw the announcement of Sir Francis Lennox's death. It was true, then. Well, he wasn't affected at all—he simply condemned the deceased with the strongest and most direct language to the lowest of the hellish places where Satan is said to reign. No one mourned for Sir Francis—not even the Veres, whom he had kept surrounded by luxury for five years. Only one person, a fair, weary-faced woman far away in Germany, shed a few tears over the lawyer's black-bordered letter that informed her of his death—and that was his abandoned wife, who had once loved him. Lady Winsleigh heard the news—she shuddered and turned pale when her husband gently and almost pityingly told her about the sudden and unexpected end that had befallen her former admirer—but she said nothing. She was managing the breakfast table for the first time in many years—she looked somewhat sad and listless, yet even more beautiful than in all the usual pride and assertive confidence of her beauty. Lord Winsleigh read aloud the brief account of the accident in the paper—she listened dreamily, still silent. He watched her with longing eyes.
"An awful death for such a man, Clara!" he said at last in a low tone.
"Such a terrible way to die for a man like that, Clara!" he finally said in a quiet voice.
She dared not look up—she was trembling nervously. How dreadful it was, she thought, to be thankful that a man was dead!—to feel a relief at his being no longer in this world! Presently her husband spoke again more reservedly. "No doubt you are greatly shocked and grieved," he said. "I should not have told you so suddenly—pardon me!"
She couldn't bring herself to look up—she was shaking with nerves. How awful it was, she thought, to be grateful that a man was dead!—to feel relief that he was no longer in the world! Soon, her husband spoke again more cautiously. "I’m sure you're very shocked and upset," he said. "I shouldn't have told you so abruptly—sorry!"
"I am not grieved," she murmured unsteadily. "It sounds horrible to say so—but I—I am afraid I am glad!"
"I am not upset," she said softly. "It sounds terrible to admit—but I—I think I am glad!"
"Clara!"
"Clara!"
She rose and came tremblingly towards him. She knelt at his feet, though he strove to prevent her,—she raised her large, dark eyes, full of dull agony, to his.
She stood up and walked toward him, shaking. She knelt at his feet, even though he tried to stop her—she lifted her big, dark eyes, filled with a deep pain, to meet his.
"I've been a wicked woman, Harry," she said, with a strange, imploring thrill of passion in her voice, "I am down—down in the dust before you! Look at me—don't forgive me—I won't ask that—you can't forgive me,—but pity me!"
"I've been a terrible person, Harry," she said, with a strange, desperate passion in her voice. "I am completely defeated before you! Look at me—don’t forgive me—I won’t ask for that—you can’t forgive me—but have pity on me!"
He took her hands and laid them round his neck,—he drew her gently, soothingly,—closer, closer, till he pressed her to his heart.
He took her hands and wrapped them around his neck—he pulled her in gently, soothingly—closer, closer, until he held her against his heart.
"Down in the dust are you?" he whispered brokenly. "My poor wife! God forbid that I should keep you there!"
"Are you down in the dust?" he whispered, his voice trembling. "My poor wife! I pray that I don’t keep you there!"
BOOK III.
THE LAND OF THE LONG SHADOW
CHAPTER XXXI.
"They have the night, who had, like us, the day— We, whom day binds, shall have the night as they— We, from the fetters of the light unbound, Healed of our wound of living, shall sleep sound!" |
SWINBURNE.
SWINBURNE.
Night on the Altenfjord,—the long, long, changeless night of winter. The sharp snow-covered crests of the mountains rose in white appeal against the darkness of the sky,—the wild north wind tore through the leafless branches of the pine-forests, bringing with it driving pellets of stinging hail. Joyless and songless, the whole landscape lay as though frozen into sculptured stone. The Sun slept,—and the Fjord, black with brooding shadows, seemed silently to ask—where? Where was the great king of Light?—the glorious god of the golden hair and ruddy countenance?—the glittering warrior with the flaming shield and spear invincible? Where had he found his rest? By what strange enchantment had he fallen into so deep and long a drowsiness. The wind that had rioted across the mountains, rooting up great trees in its shrieking career northwards, grew hushed as it approached the Altenfjord—there a weird stillness reigned, broken only by the sullen and monotonous plash of the invisible waves upon the scarcely visible shore.
Night on the Altenfjord—the long, endless, unchanging night of winter. The sharp, snow-covered peaks of the mountains stood out in white contrast against the dark sky—the wild north wind rushed through the bare branches of the pine forests, bringing with it driving pellets of stinging hail. Joyless and silent, the entire landscape lay as if frozen in sculpted stone. The Sun was asleep—and the Fjord, dark with heavy shadows, seemed to silently ask—where? Where was the great king of Light?—the glorious god with golden hair and a ruddy face?—the dazzling warrior with the blazing shield and unstoppable spear? Where had he found his rest? By what strange magic had he fallen into such a deep and prolonged slumber? The wind that had rampaged across the mountains, uprooting huge trees in its screaming rush northward, fell silent as it neared the Altenfjord—there, an eerie stillness prevailed, broken only by the dull and monotonous sound of invisible waves lapping against the barely visible shore.
A few tiny, twinkling lights showed the irregular outline of Bosekop, and now and then one or two fishing-boats with sable sails and small colored lamps at mast and prow would flit across the inky water like dark messengers from another world bound on some mournful errand. Human figures, more shadowy than real, were to be seen occasionally moving on the pier, and to the left of the little town, as the eye grew accustomed to the moveless gloom, a group of persons, like ghosts in a dream, could be dimly perceived, working busily at the mending of nets.
A few tiny, twinkling lights outlined the irregular shape of Bosekop, and now and then, one or two fishing boats with black sails and small colorful lamps at the mast and bow would glide across the dark water like dark messengers from another world on some sad mission. Human figures, more shadowy than real, could be seen occasionally moving on the pier, and to the left of the small town, as the eyes adjusted to the still darkness, a group of people, like ghosts in a dream, could be faintly seen busily mending nets.
Suddenly a strange, unearthly glow flashed over the sombre scene,—a rosy radiance deepening to brilliant streaks of fire. The dark heavens were torn asunder, and through them streamed flaring pennons of light,—waving, trembling, dancing, luminous ribbons of red, blue, green, and a delicious amber, like the flowing of golden wine,—wider, higher, more dazzlingly lustrous, the wondrous glory shone aloft, rising upward from the horizon—thrusting long spears of lambent flame among the murky retreating clouds, till in one magnificent coruscation of resplendent beams a blazing arch of gold leaped from east to west, spanning the visible breath of the Fjord, and casting towards the white peaks above, vivid sparkles and reflections of jewel-like brightness and color. Here was surely the Rainbow Bridge of Odin—the glittering pathway leading to Valhalla! Long filmy threads of emerald and azure trailed downwards from it, like ropes of fairy flowers, binding it to the earth—above it hung a fleece-like nebulous whiteness,—a canopy through which palpitated sudden flashes of amethyst. Then, as though the arch were a bent bow for the hand of some heavenly hunter, crimson beams darted across it in swift succession, like arrows shot at the dark target of the world. Round and round swept the varying circles of color—now advancing—now retreating—now turning the sullen waters beneath into a quivering mass of steely green—now beating against the snow-covered hills till they seemed pinnacles of heaped-up pearls and diamonds. The whole landscape was transformed,—and the shadowy cluster of men and women on the shore paused in their toil, and turned their pale faces towards the rippling splendor,—the heavy fishing-nets drooping from their hands like dark webs woven by giant spiders.
Suddenly, a strange, otherworldly glow flashed across the somber scene—a rosy light deepening into bright streaks of fire. The dark sky was split open, and through it streamed bright ribbons of light—waving, trembling, dancing, luminous strands of red, blue, green, and a lovely amber, like the flow of golden wine—wider, higher, and more dazzlingly bright, the incredible glory shone overhead, rising from the horizon—pushing long shafts of soft flame through the murky, retreating clouds, until in one magnificent burst of radiant beams, a blazing arc of gold stretched from east to west, spanning the visible width of the Fjord and casting vivid sparkles and reflections of jewel-like brightness and color toward the white peaks above. This was surely the Rainbow Bridge of Odin—the sparkling path to Valhalla! Long, wispy threads of emerald and azure hung down from it, like ropes of fairy flowers, binding it to the earth—above it hung a fluffy, nebulous whiteness—a canopy through which sudden flashes of amethyst pulsed. Then, as if the arch was a bent bow for the hand of some heavenly hunter, crimson beams shot across it in quick succession, like arrows aimed at the dark target of the world. Circles of color swirled round and round—sometimes advancing, sometimes retreating—transforming the gloomy waters below into a quivering mass of steely green—now crashing against the snow-covered hills until they appeared like peaks of stacked pearls and diamonds. The entire landscape was transformed, and the shadowy group of men and women on the shore paused in their work and turned their pale faces toward the shimmering beauty—the heavy fishing nets drooping from their hands like dark webs spun by giant spiders.
"'Tis the first time we have seen the Arch of Death this year," said one in awed accents.
"'It's the first time we've seen the Arch of Death this year," said one in awed tones.
"Ay, ay!" returned another, with a sigh. "And some one is bound to cross it, whether he will or no. 'Tis a sure sign!"
"Ay, ay!" replied another with a sigh. "And someone is bound to cross it, whether they want to or not. It's a sure sign!"
"Sure!" they all agreed, in hushed voices as faint and far-off as the breaking of the tide against the rocks on the opposite coast.
"Sure!" they all agreed, in quiet voices as soft and distant as the tide crashing against the rocks on the other shore.
As they spoke, the fairy-like bridge in the sky parted asunder and vanished! The brilliant aurora borealis faded by swift degrees—a few moments, and the land was again enveloped in gloom.
As they talked, the magical bridge in the sky split apart and disappeared! The stunning northern lights quickly faded—within moments, the land was once again covered in darkness.
It might have been midnight—yet by the clock it was but four in the afternoon. Dreary indeed was the Altenfjord,—yet the neighboring village of Talvag was even drearier. There, desolation reigned supreme—it was a frozen region of bitter, shelterless cold, where the poverty-stricken inhabitants, smitten by the physical torpor and mental stupefaction engendered by the long, dark season, scarcely stirred out of their miserable homes, save to gather extra fuel. This is a time in Norway, when beyond the Arctic Circle, the old gods yet have sway—when in spite of their persistent, sometimes fanatical, adherence to the strictest forms of Christianity, the people almost unconsciously revert to the superstitions of their ancestors. Gathering round the blazing pine-logs, they recount to one another in low voices the ancient legends of dead and gone heroes,—and listening to the yell of the storm-wind round their huts, they still fancy they hear the wild war-cries of the Valkyries rushing past air full gallop on their coal-black steeds, with their long hair floating behind them.
It might have been midnight—but according to the clock, it was only four in the afternoon. The Altenfjord was indeed dreary—but the nearby village of Talvag was even worse. There, desolation reigned supreme—it was a freezing place of bitter, unprotected cold, where the impoverished residents, weighed down by the physical sluggishness and mental numbness brought on by the long, dark season, hardly left their miserable homes, except to gather more firewood. This is a time in Norway, beyond the Arctic Circle, when the old gods still hold power—when, despite their unwavering, sometimes fanatical commitment to strict forms of Christianity, the people almost instinctively return to the superstitions of their ancestors. Gathering around the crackling pine logs, they quietly share the ancient legends of long-gone heroes—and as they listen to the howling of the storm outside their huts, they still imagine they hear the wild battle cries of the Valkyries racing by at full speed on their coal-black horses, with their long hair flowing behind them.
On this particular afternoon the appearance of the "Death-Arch," as they called that special form of the aurora, had impressed the Talvig folk greatly. Some of them were at the doors, and, regardless of the piercing cold, occupied themselves in staring languidly at a reindeer sledge which stood outside one of the more distant huts, evidently waiting for some person within. The hoofs of the animals made no impression on the hardened snow—now and again they gently shook the tinkling bells on their harness, but otherwise were very patient. The sledge was in charge of a youthful Laplander—a hideous, stunted specimen of humanity, who appeared to be literally sewed up from head to foot in skins.
On that particular afternoon, the sight of the "Death-Arch," as they called that unique form of the aurora, had left the Talvig people quite impressed. Some of them were standing at their doors, and despite the biting cold, they were lazily watching a reindeer sled that sat outside one of the more distant huts, clearly waiting for someone inside. The animals' hooves left no mark on the hardened snow—now and then, they gently jangled the tinkling bells on their harness, but otherwise, they were very patient. The sled was being watched over by a young Laplander—a grotesque, short figure who seemed to be completely wrapped up in skins from head to toe.
This cortege was evidently an object of curiosity,—the on-lookers eyed it askance, and with a sort of fear. For did it not belong to the terrible bonde, Olaf Güldmar?—and would not the Laplander,—a useful boy, well known in Talvig,—come to some fatal harm by watching, even for a few minutes, the property of an acknowledged pagan? Who could tell? The very reindeer might be possessed by evil spirits,—they were certainly much sleeker and finer than the ordinary run of such animals. There was something uncanny in the very look of them! Thus the stupefied, unreasoning Talvig folk muttered, one to another, leaning drowsily out of their half-open doors.
This procession was clearly something people were curious about—the onlookers watched it with suspicion and a bit of fear. After all, didn’t it belong to the terrifying Olaf Güldmar? And wouldn’t the Laplander—a helpful kid, well-known in Talvig—face serious danger just by watching, even for a few minutes, the belongings of an acknowledged pagan? Who could say? The reindeer might be possessed by evil spirits—they looked much sleeker and finer than the usual ones. There was something eerie about their appearance! In this way, the dazed, mindless folks of Talvig muttered to each other, leaning drowsily out of their half-open doors.
"'Tis a strange thing," said one man, "that woman as strong in the fear of the Lord as Lovisa Elsland should call for one of the wicked to visit her on her death-bed."
"'It's a strange thing," said one man, "that a woman as strong in her faith as Lovisa Elsland would want someone wicked to visit her on her deathbed."
"Strange enough!" answered his neighbor, blinking over his pipe, and knocking down some of the icicles pendent from his roof. "But maybe it is to curse him with the undying curse of the godly."
"Strange, right!" replied his neighbor, squinting over his pipe and knocking off some of the icicles hanging from his roof. "But maybe it's to put a never-ending curse on him from the divine."
"She's done that all her life," said the first speaker.
"She's been doing that her whole life," said the first speaker.
"That's true! She's been a faithful servant of the Gospel. All's right with her in the next world—she'll die easily."
"That's true! She's been a loyal follower of the Gospel. Everything's good for her in the next life—she'll pass on peacefully."
"Was it for her the Death-Arch shone?" asked an old woman, suddenly thrusting her head, wrapped in a red woollen hood, out of a low doorway, through which the light of a fire sparkled from the background, sending vivid flashes across the snow.
"Was it for her that the Death-Arch shone?" asked an old woman, suddenly sticking her head, covered in a red wool hood, out of a low doorway, through which the light of a fire sparkled from behind, sending bright flashes across the snow.
The man who had spoken last shook his head solemnly.
The man who spoke last shook his head sadly.
"The Death-Arch never shone for a Christian yet," he said gravely. "No! There's something else in the wind. We can't see it—but it will come—it must come! That sign never fails."
"The Death-Arch has never shone for a Christian," he said seriously. "No! There's something else happening. We can't see it—but it's coming—it has to come! That sign never fails."
And presently, tired of watching the waiting sledge and the passive Laplander, he retreated within his house, shutting his door against the darkness and the bitter wind. His neighbors followed his example,—and, save for two or three red glimmers of light here and there, the little village looked as though it had been deserted long ago—a picture of frost-bound silence and solitude.
And soon, tired of watching the waiting sled and the passive Laplander, he went inside his house, closing the door against the darkness and the biting wind. His neighbors did the same, and except for a few red glimmers of light scattered here and there, the small village looked like it had been abandoned ages ago—a scene of frost-covered silence and loneliness.
Meanwhile, in Lovisa Elsland's close and comfortless dwelling, stood Olaf Güldmar. His strong, stately figure, wrapped in furs, seemed almost to fill the little place—he had thrown aside the thick scarf of wadmel in which he had been wrapped to the eyes while driving in the teeth of the wind,—and he now lifted his fur cap, thus displaying his silvery hair, ruddy features, and open, massive brow. At that moment a woman who was busying herself in putting fresh pine-logs on the smouldering fire, turned and regarded him intently.
Meanwhile, in Lovisa Elsland's cramped and uncomfortable home, Olaf Güldmar stood there. His strong, impressive figure, wrapped in furs, seemed almost to fill the small space—he had tossed aside the heavy wadmel scarf that had covered him up to his eyes while battling the wind,—and he now lifted his fur cap, revealing his silvery hair, ruddy complexion, and broad, open forehead. At that moment, a woman who was busy adding fresh pine logs to the smoldering fire turned and looked at him intently.
"Lord, Lord!" she muttered—"'tis a man of men,—he rejoiceth in his strength, even as the lion,—and of what avail shall the curse of the wicked avail against the soul that is firmly established!"
"Lord, Lord!" she whispered. "He's a man among men—he takes pride in his strength, just like a lion—and what good will the curse of the wicked do against a soul that's firmly grounded!"
Güldmar heard her not—he was looking towards a low pallet bed, on which lay, extended at full length, an apparently insensible form.
Güldmar didn't hear her—he was looking at a low pallet bed, where an apparently unconscious figure lay stretched out.
"Has she been long thus?" he asked, in a low voice.
"Has she been like this for a long time?" he asked quietly.
"Since last night," replied the woman—no other than Mr. Dyceworthy's former servant, Ulrika. "She wakened suddenly, and bade me send for you. To-day she has not spoken."
"Since last night," replied the woman—none other than Mr. Dyceworthy's former servant, Ulrika. "She woke up suddenly and asked me to call for you. She hasn't spoken today."
The bonde sighed somewhat impatiently. He approached the now blazing pine-logs, and as he drew off his thick fur driving-gloves, and warmed his hands at the cheerful blaze, Ulrika again fixed her dull eyes upon him with something of wonder and reluctant admiration. Presently she trimmed an oil-lamp, and set it, burning dimly, on the table. Then she went to the bed and bent over it,—after a pause of several minutes, she turned and made a beckoning sign with her finger. Güldmar advanced a little,—when a sudden eldritch shriek startled him back, almost curdling the blood in his veins. Out of the deep obscurity, like some gaunt spectre rising from the tomb, started a face, wrinkled, cadaverous, and distorted by suffering,—a face in which the fierce, fevered eyes glittered with a strange and dreadful brilliancy—the face of Lovisa Elsland, stern, forbidding, and already dark with the shadows of approaching death. She stared vacantly at Güldmar, whose picturesque head was illumined by the ruddy glow of the fire—and feebly shaded her eyes as though she saw something that hurt them. Ulrika raised her on her tumbled pillow, and saying, in cold, unmoved tones—"Speak now, for the time is short," she once more beckoned the bonde imperatively.
The bonde sighed a bit impatiently. He walked over to the now blazing pine logs, and as he took off his thick fur driving gloves and warmed his hands at the cheerful fire, Ulrika fixed her dull eyes on him with a mix of wonder and reluctant admiration. Soon, she trimmed an oil lamp and placed it, burning dimly, on the table. Then she went to the bed and leaned over it—after a pause of several minutes, she turned and beckoned him with her finger. Güldmar stepped forward a little when a sudden eerie shriek startled him back, almost freezing the blood in his veins. From the deep shadows, like a gaunt specter rising from a grave, emerged a face, wrinkled, cadaverous, and twisted with pain—a face with fierce, fevered eyes shining with a strange, dreadful brilliance—the face of Lovisa Elsland, stern, forbidding, and already darkened by the shadows of impending death. She stared blankly at Güldmar, whose striking profile was illuminated by the warm glow of the fire, and weakly shaded her eyes as if something was hurting them. Ulrika lifted her on her disheveled pillow and, speaking in a cold, emotionless tone—“Speak now, for the time is short,” she once more summoned the bonde urgently.
He approached slowly.
He walked over slowly.
"Lovisa Elsland," he began in distinct tones, addressing himself to that ghastly countenance still partly shaded by one hand. "I am here—Olaf Güldmar. Dost thou know me?"
"Lovisa Elsland," he started clearly, speaking to that dreadful face still partially covered by one hand. "I am here—Olaf Güldmar. Do you know me?"
At the sound of his voice, a strange spasm contorted the withered features of the dying woman. She bent her head as though to listen to some far-off echo, and held up her skinny finger as though enjoining silence.
At the sound of his voice, a strange spasm twisted the worn features of the dying woman. She leaned her head as if to catch some distant echo and raised her thin finger as if asking for silence.
"Know thee!" she babbled whisperingly. "How should I not know the brown-haired Olaf! Olaf of the merry eye—Olaf, the pride of the Norse maiden?" She lifted herself in a more erect attitude, and stretching out her lean arms, went on as though chanting a monotonous recitative. "Olaf, the wanderer over wild seas,—he comes and goes in his ship that sails like a white bird on the sparkling waters—long and silent are the days of his absence—mournful are the Fjelds and Fjords without the smile of Olaf—Olaf the King!"
"Do you know?" she whispered excitedly. "How could I not know the brown-haired Olaf! Olaf with the cheerful eyes—Olaf, the pride of the Norse maiden?" She straightened up and, stretching out her thin arms, continued as if reciting a chant. "Olaf, the traveler over wild seas—he comes and goes in his ship that glides like a white bird on the sparkling waters—his long absences are silent days—sad are the mountains and fjords without the smile of Olaf—Olaf the King!"
She paused, and Güldmar regarded her in pitying wonder. Her face changed to a new expression—one of wrath and fear.
She paused, and Güldmar looked at her with a mix of pity and curiosity. Her face shifted to a different expression—one of anger and fear.
"Stay, stay!" she cried in penetrating accents. "Who comes from the South with Olaf? The clouds drive fast before the wind—clouds rest on the edge of the dark Fjord—sails red as blood flash against the sky—who comes with Olaf? Fair hair ripples against his breast like streaming sunbeams; eyes blue as the glitter of the northern lights, are looking upon him—lips crimson and heavy with kisses for Olaf—ah!" She broke off with a cry, and beat the air with her hands as though to keep some threatening thing away from her. "Back, back! Dead bride of Olaf, torment me no more—back, I say! See,"—and she pointed into the darkness before her—"The pale, pale face—the long glittering hair twisted like a snake of gold,—she glides along the path across the mountains,—the child follows!—the child! Why not kill the child as well—why not?"
"Stay, stay!" she shouted in a piercing voice. "Who’s coming from the South with Olaf? The clouds race by in the wind—clouds hover at the edge of the dark Fjord—sails red as blood flash against the sky—who’s coming with Olaf? Fair hair flows against his chest like streaming sunlight; eyes as blue as the sparkle of the northern lights are looking at him—lips crimson and heavy with kisses for Olaf—ah!" She broke off with a gasp, flailing her arms as if to ward off something threatening. "Back, back! Dead bride of Olaf, torment me no more—back, I say! Look,"—and she pointed into the darkness ahead—"The pale, pale face—the long shimmering hair twisted like a golden snake,—she glides along the path across the mountains,—the child follows!—the child! Why not kill the child too—why not?"
She stopped suddenly with a wild laugh. The bonde had listened to her ravings with something of horror, his ruddy cheeks growing paler.
She stopped abruptly with a wild laugh. The blonde had listened to her rants with a sense of horror, his rosy cheeks turning pale.
"By the gods, this is strange!" he muttered. "She seems to speak of my wife,—yet what can she know of her?"
"By the gods, this is weird!" he muttered. "She seems to be talking about my wife—yet how could she know anything about her?"
For some moments there was silence. Lovisa seemed to have exhausted her strength. Presently, however, she put aside her straggling white hairs from her forehead, and demanded fiercely—
For a moment, there was silence. Lovisa seemed to have run out of energy. But soon, she pushed back her unruly white hair from her forehead and demanded fiercely—
"Where is my grandchild? Where is Britta?"
"Where is my grandchild? Where's Britta?"
Neither Güldmar nor Ulrika made any reply. But Britta's name recalled the old woman to herself, and when she spoke again it was quite collectedly, and in her usual harsh voice. She seemed to forget all that she had just uttered, for she turned her eyes upon the bonde, as though she had but then perceived him.
Neither Güldmar nor Ulrika said anything. But mentioning Britta's name brought the old woman back to reality, and when she spoke again, it was in a controlled manner and with her usual sharp tone. It was like she had forgotten everything she had just said, as she focused her attention on the bonde, as if she were seeing him for the first time.
"So you are come, Olaf Güldmar!" she said. "It is well—for the hand of Death is upon me."
"So you've come, Olaf Güldmar!" she said. "That's good—because Death is closing in on me."
"It is well, indeed, if I can be of service, Lovisa Elsland," responded Güldmar, "though I am but a sorry consoler, holding as I do, that death is the chief blessing, and in no way to be regretted at any time. Moreover, when the body grows too weak to support the soul, 'tis as well to escape from it with what speed we may."
"It’s good to be of help, Lovisa Elsland," Güldmar replied, "even though I’m not much of a comforter, since I believe that death is the greatest blessing and should never be regretted. Also, when our bodies become too weak to support our souls, it’s better to leave them as quickly as we can."
"Escape—escape? Where?" asked Lovisa. "From the worm that dieth not? From the devouring fame that is never quenched? From the torturing thirst and heat and darkness of hell, who shall escape?"
"Escape—escape? Where?" asked Lovisa. "From the worm that never dies? From the never-satisfied hunger for fame? From the torturous thirst and heat and darkness of hell, who can escape?"
"Nay, if that is all the comfort thy creed can give thee," said the bonde, with a half-smile, "'tis but a poor staff to lean on!"
"Nah, if that's all the comfort your belief can offer you," said the bonde, with a half-smile, "'tis just a weak support to lean on!"
Lovisa looked at him mockingly. "And is thine so strong a prop to thy pride?" she asked disdainfully. "Has Odin so endowed thee that thou shouldst boast of him? Listen to me, Olaf Güldmar—I have but little strength remaining, and I must speak briefly. Thy wife—"
Lovisa looked at him with mockery. "Is that really such a strong support for your pride?" she asked with disdain. "Has Odin given you so much that you feel the need to brag about him? Listen to me, Olaf Güldmar—I have very little strength left, so I’ll keep this short. Your wife—"
"What of her?" said the bonde hastily. "Thou knewst her not."
"What about her?" said the bonde quickly. "You didn't know her."
"I knew her," said Lovisa steadily, "as the lightning knows the tree it withers—as the sea knows the frail boat it wrecks for sport on a windy day. Thou haughty Olaf! I knew her well even as the broken heart knows its destroyer!"
"I knew her," said Lovisa firmly, "like lightning knows the tree it strikes—like the sea knows the fragile boat it destroys for fun on a windy day. You arrogant Olaf! I knew her just as a broken heart knows its tormentor!"
Güldmar looked perplexedly at Ulrika. "Surely she raves again?" he said. Ulrika was silent.
Güldmar looked confused at Ulrika. "Is she really going off again?" he said. Ulrika stayed quiet.
"Rave? Tell him I do not rave!" cried Lovisa rising in her bed to utter her words with more strength and emphasis. "May be I have raved, but that is past! The Lord, who will judge and condemn my soul, bear witness that I speak the truth! Olaf Güldmar, rememberest thou the days when we were young?"
"Rave? Tell him I don’t rave!" cried Lovisa, sitting up in her bed to say her words with more strength and emphasis. "Maybe I have raved, but that's in the past! The Lord, who will judge and condemn my soul, bear witness that I speak the truth! Olaf Güldmar, do you remember the days when we were young?"
"'Tis long ago, Lovisa!" replied the bonde with brief gentleness.
"'It’s been a long time, Lovisa!" replied the bonde with a touch of kindness.
"Long ago? It seems but yesterday! But yesterday I saw the world all radiant with hope and joy and love—love that to you was a mere pastime—but with me—" She shuddered and seemed to lose herself in a maze of dreary recollections. "Love!" she presently muttered—"'love is strong as death,—jealousy is cruel as the grave—the coals thereof are coals of fire which hath a most vehement flame!' Even so! You, Olaf Güldmar, have forgotten what I remember,—that once in that yesterday of youth, you called me fair,—once your lips branded mine! Could I forget that kiss? Think you a Norse woman, bred in a shadow of the constant mountains, forgets the first thrill of passion waked in her soul? Light women of those lands where the sun ever shines on fresh follies, may count their loves by the score,—but with us of the North, one love suffices to fill a lifetime. And was not my life filled? Filled to overflowing with bitterness and misery! For I loved you, proud Olaf!—I loved you—" The bonde uttered an exclamation of incredulous astonishment. Lovisa fixed her eyes on him with a dark scorn. "Yes, I loved you,—scoffer and unbeliever as you were and are!—accursed of God and man! I loved you in spite of all that was said against you—nay, I would have forsaken my creed for yours, and condemned my soul to the everlasting burning for your sake! I loved you as she—that pale, fair, witch-like thing you wedded, could never love—" Her voice died away in a sort of despairing wail, and she paused.
"Long ago? It feels like just yesterday! But yesterday I saw the world all bright with hope, joy, and love—love that was just a pastime to you—but to me—" She shuddered, getting lost in a tangle of depressing memories. "Love!" she then muttered—"'love is as strong as death, jealousy is as cruel as the grave—the fires of it are coals that burn with a fierce flame!' Yes, indeed! You, Olaf Güldmar, have forgotten what I remember—that once, in that yesterday of youth, you called me beautiful—once your lips touched mine! Could I ever forget that kiss? Do you think a Norse woman, raised in the shadow of constant mountains, forgets the first spark of passion ignited in her soul? Easy women in those lands where the sun always shines on new follies may count their loves like a list—but for us in the North, one love is enough to fill a lifetime. And wasn’t my life filled? Overflowing with bitterness and misery! Because I loved you, proud Olaf!—I loved you—" The bonde gasped in disbelief. Lovisa locked her gaze on him with dark disdain. "Yes, I loved you,—scoffer and unbeliever that you were and are!—cursed by God and man! I loved you despite everything said against you—no, I would have given up my beliefs for yours, and damned my soul to everlasting torment for your sake! I loved you as she—that pale, beautiful, witch-like thing you married, could never love—" Her voice trailed off into a sort of desperate wail, and she paused.
"By my soul!" said the bonde, astounded, and stroking his white beard in some embarrassment. "I never knew of this! It is true that in the hot days of youth, mischief is often done unwittingly. But why trouble yourself with these memories, Lovisa? If it be any comfort,—believe me, I am sorry harm ever came to you through my thoughtless jesting—"
"By my soul!" said the bonde, amazed, and stroking his white beard in a bit of embarrassment. "I never knew about this! It's true that in the hot days of youth, mischief often happens without intention. But why dwell on these memories, Lovisa? If it offers any comfort, believe me, I'm sorry any harm came to you from my careless joking—"
"It matters not!" and Lovisa regarded him with a strange and awful smile. "I have had my revenge!" She stopped abruptly,—then went on—"'Twas a fair bride you chose, Olaf Güldmar—child of an alien from these shores,—Thelma, with the treacherous laughter and light of the South in her eyes and smile! And I, who had known love, made friends with hate—" She checked herself, and looked full at the bonde with a fiendish joy sparkling in her eyes. "She whom you wedded—she whom you loved so well,—how soon she died!"
"It doesn’t matter!" Lovisa looked at him with a strange and terrifying smile. "I got my revenge!" She paused suddenly—then continued—"You chose a beautiful bride, Olaf Güldmar—child of a foreign land,—Thelma, with the deceitful laughter and brightness of the South in her eyes and smile! And I, who once knew love, befriended hate—" She stopped herself, locking eyes with the bonde, a wicked joy sparkling in her gaze. "The woman you married— the one you loved so dearly—how quickly she died!"
There was something so suggestive and dreadful in the expression of her face as she said this, that the stout heart of the old bonde, pulsated more quickly with a sudden vague distrust and dread. She gave him no time to speak, but laying one yellow, claw-like hand on his arm, and raising her voice to a sort of yell, exclaimed triumphantly—
There was something so ominous and chilling in her expression as she said this that the old bonde's sturdy heart raced with a sudden, vague sense of distrust and fear. She didn’t give him a chance to respond but put one yellow, claw-like hand on his arm and, raising her voice to a near-yell, exclaimed triumphantly—
"Yes, yes! how soon she died! Bravely, bravely done! And no one ever guessed the truth—no one ever knew I killed her!"
"Yes, yes! How quickly she died! So brave, so brave! And no one ever guessed the truth—no one ever knew I killed her!"
Güldmar uttered a sharp cry, and shook himself free from her touch. In the same instant his hand flew to the hilt of the hunting-knife in his girdle.
Güldmar let out a sharp cry and shook off her touch. In the same moment, his hand shot to the hilt of the hunting knife at his waist.
"Killed her! By the gods—"
"Killed her! Oh my god—"
Ulrika sprang before him. "Shame!" she cried sternly. "She is dying!"
Ulrika jumped in front of him. "Shame on you!" she said firmly. "She is dying!"
"Too slowly for me!" exclaimed the bonde furiously.
"Way too slow for me!" exclaimed the bonde furiously.
"Peace—peace!" implored Ulrika. "Let her speak!"
"Peace—peace!" Ulrika pleaded. "Let her talk!"
"Strike, Olaf Güldmar!" said Lovisa, in a deep voice, harsh, but all untremulous—"Strike, pagan, with whom the law of blood is supreme—strike to the very center of my heart—I do not fear you! I killed her, I say—and therein I, the servant of the Lord, was justified! Think you that the Most High hath not commanded His elect to utterly destroy and trample underfoot their enemies?—and is not vengeance mine as well as thine, accursed slave of Odin?"
"Strike, Olaf Güldmar!" Lovisa said in a deep, harsh voice, but completely steady. "Strike, pagan, to whom the law of blood is everything—strike right to the center of my heart—I’m not afraid of you! I killed her, I tell you—and in that, I, the servant of the Lord, was justified! Do you think the Most High hasn’t commanded His chosen to completely destroy and crush their enemies?—and isn’t vengeance mine just as much as yours, cursed slave of Odin?"
A spasm of pain here interrupted her—she struggled violently for breath—and Ulrika supported her. Güldmar stood motionless, white with restrained fury, his eyes blazing. Recovering by slow degrees, Lovisa once more spoke—her voice was weaker, and sounded a long way off.
A sudden jolt of pain interrupted her—she gasped for air—and Ulrika held her up. Güldmar stood still, pale with contained anger, his eyes fiery. As she gradually regained her strength, Lovisa spoke again—her voice was faint and seemed distant.
"Yea, the Lord hath been on my side!" she said, and the hideous blasphemy rattled in her throat as it was uttered. "Listen—and hear how He delivered mine enemy into my hands. I watched her always—I followed her many and many a time, though she never saw me. I knew her favorite path across the mountains,—it led past a rocky chasm. On the edge of that chasm there was a broad, flat stone, and there she would sit often, reading, or watching the fishing-boats on the Fjord, and listening to the prattle of her child. I used to dream of that stone, and wonder if I could loosen it! It was strongly imbedded in the earth—but each day I went to it—each day I moved it! Little by little I worked—till a mere touch would have set it hurling downwards,—yet it looked as firm as ever." Güldmar uttered a fierce ejaculation of anguish—he put one hand to his throat as though he were stifling. Lovisa, watching him, smiled vindictively, and continued—
"Yes, the Lord has been on my side!" she said, and the terrible blasphemy echoed in her throat as she spoke. "Listen—and hear how He delivered my enemy into my hands. I watched her all the time—I followed her many times, even though she never saw me. I knew her favorite path across the mountains—it went past a rocky chasm. At the edge of that chasm, there was a broad, flat stone, and there she would often sit, reading, or watching the fishing boats on the Fjord, and listening to her child's chatter. I used to dream about that stone and wonder if I could loosen it! It was deeply embedded in the earth—but every day I went to it—every day I moved it! Little by little I worked—until a mere touch would have sent it hurling downwards—yet it looked as firm as ever." Güldmar let out a fierce cry of anguish—he put one hand to his throat as if he were choking. Lovisa, watching him, smiled vindictively and continued—
"When I had done all I could do, I lay in wait for her, hoping and praying—my hour came at last! It was a bright sunny morning—a little bird had been twittering above the very place—as it flew away, she approached—a book was in her hand,—her child followed her at some little distance off. Fortune favored me—a cluster of pansies had opened their blossoms a few inches below the stone,—she saw them,—and, light as a bird, sprang on it and reached forward to gather them—ah!"—and the wretched woman clapped her hands and broke into malignant laughter—"I can hear her quick shriek now—the crash of the stones and the crackle of branches as she fell down,—down to her death! Presently the child came running,—it was too young to understand—it sat down patiently waiting for its mother. How I longed to kill it! but it sang to itself like the bird that had flown away, and I could not! But she was gone—she was silent for ever—the Lord be praised for all His mercies! Was she smiling, Olaf Güldmar, when you found her—dead?"
"When I had done everything I could, I waited for her, hoping and praying—finally, the moment arrived! It was a bright, sunny morning—a little bird was chirping above the very spot—just as it flew away, she approached—with a book in her hand, her child trailing behind at a small distance. Luck was on my side—a cluster of pansies had opened their blossoms just below the stone—she noticed them—and, light as a bird, jumped down to pick them—ah!"—and the miserable woman clapped her hands and burst into evil laughter—"I can still hear her sharp scream now, the crash of stones and the snap of branches as she fell—down to her death! Soon after, the child came running—it was too young to understand and sat down patiently waiting for its mother. How I longed to kill it! But it sang to itself like the bird that had flown away, and I couldn't! But she was gone—she was silent forever—thank the Lord for all His mercies! Was she smiling, Olaf Güldmar, when you found her—dead?"
A strange solemnity shadowed the bonde's features. He turned his eyes upon her steadily.
A strange seriousness clouded the bonde's expression. He looked at her intently.
"Blessing and honor be to the gods of my fathers!" he said—"I found her—living!"
"Blessing and honor to the gods of my ancestors!" he said—"I found her—alive!"
The change that came over Lovisa's face at these words was inexpressibly awful—she grew livid and her lips twitched convulsively.
The change that came over Lovisa's face at these words was indescribably horrifying—she turned pale and her lips twitched uncontrollably.
"Living—living!" she gasped.
"Living—living!" she breathed.
"Living!" repeated Güldmar sternly. "Vile hag! Your purpose was frustrated! Your crime destroyed her beauty and shortened her days—but she lived—lived for ten sweet, bitter years, hidden away from all eyes save mine,—mine that never grew tired of looking in her patient, heavenly face! Ten years I held her as one holds a jewel—and, when she died, her death was but falling asleep in these fond arms—"
"Living!" Güldmar said firmly. "Wretched witch! You failed in your mission! Your wrongdoing stripped her of her beauty and cut her life short—but she lived—lived for ten precious, painful years, hidden away from everyone except me,—my eyes never tired of gazing at her patient, angelic face! For ten years I cherished her like a priceless gem—and when she died, it was just like falling asleep in these loving arms—"
Lovisa raised herself with a sharp cry, and wrung her hands together—
Lovisa sat up with a sharp cry and wrung her hands together—
"Ten years—ten years!" she moaned. "I thought her dead—and she lived on,—beloved and loving all the while. Oh God, God, why hast thou made a mockery of Thy servant!" She rocked herself to and fro—then looked up with an evil smile. "Nay, but she suffered! That was best. It is worse to suffer than to die. Thank God, she suffered!"
"Ten years—ten years!" she lamented. "I thought she was dead—and she was living on, loved and loving all this time. Oh God, why have you made a mockery of your servant?" She rocked back and forth—then looked up with a wicked smile. "No, but she suffered! That was the best. It's worse to suffer than to die. Thank God, she suffered!"
"Ay, she suffered!" said Güldmar fiercely, scarce able to restrain himself from seizing upon the miserable old woman and shaking the sinking life out of her—"And had I but guessed who caused her sufferings, by the sword of Odin, I would have—"
"Ay, she suffered!" said Güldmar fiercely, barely able to hold himself back from grabbing the miserable old woman and shaking the life out of her—"And if I had only known who was behind her suffering, by the sword of Odin, I would have—"
Ulrika laid her hand on his suddenly upraised arm.
Ulrika placed her hand on his suddenly raised arm.
"Listen!" she whispered. A low wailing, like the cry of a distressed child, swept round and round the house, followed by a gust of wind and a clattering shower of hailstones. A strange blue light leaped up from the sparkling log fire, and cast an unearthly glow through the room. A deep stillness ensued.
"Listen!" she whispered. A soft wailing, like the cry of a hurt child, echoed around the house, followed by a burst of wind and a rattling shower of hailstones. A strange blue light flickered from the sparkling log fire and cast an eerie glow throughout the room. A deep silence followed.
Then—steady and clear and resonant—a single sound echoed through the air, like a long note played on an exceedingly sweet silver trumpet. It began softly—swelled to a crescendo—then died delicately away. Güldmar raised his head—his face was full of rapt and expectant gravity,—his action, too, was somewhat singular, for he drew the knife from his girdle and kissed the hilt solemnly, returning it immediately to its sheath. At the same moment Lovisa uttered a loud cry, and flinging the coverings from her, strove to rise from her bed. Ulrika held her firmly,—she struggled feebly yet determinedly, gazing the while with straining, eager, glassy eyes into the gloom of the opposite corner.
Then—steady, clear, and resonant—a singular sound echoed through the air, like a long note played on an incredibly sweet silver trumpet. It started softly—grew to a crescendo—then gently faded away. Güldmar lifted his head—his face was filled with intense and expectant seriousness. His action was also a bit unusual, as he pulled the knife from his belt and kissed the hilt solemnly, immediately putting it back in its sheath. At that moment, Lovisa let out a loud cry, and throwing off her covers, tried to get up from her bed. Ulrika held her firmly—she struggled weakly but determinedly, all the while staring with strained, eager, glassy eyes into the darkness of the opposite corner.
"Darkness—darkness!" she muttered hoarsely,—"and the white faces of dead things! There—there they lie!—all still, at the foot of the black chasm—their mouths move without sound—what—what are they saying? I cannot hear—ask them to speak louder—louder! Ah!" and she uttered a terrified scream that made the rafters ring. "They move!—they stretch out their hands—cold, cold hands!—they are drawing me down to them—down—down—to that darkness! Hold me—hold me! don't let me go to them—Lord, Lord be merciful to me—let me live—live—" Suddenly she drew back in deadly horror, gesticulating with her tremulous lean hands as though it shut away the sight of some loathsome thing unveiled to her view. "Who is it"—she asked in an awful, shuddering whisper—"who is it that says there is no hell? I see it!" Still retreating backwards, backwards—the clammy dew of death darkening her affrighted countenance,—she turned her glazing eyes for the last time on Güldmar. Her lips twitched into a smile of dreadful mockery.
"Darkness—darkness!" she muttered hoarsely, "and the white faces of dead things! There—there they lie!—all still, at the foot of the black chasm—their mouths move without sound—what—what are they saying? I can't hear—ask them to speak louder—louder! Ah!" And she let out a terrified scream that made the rafters tremble. "They move!—they stretch out their hands—cold, cold hands!—they're pulling me down to them—down—down—to that darkness! Hold me—hold me! Don't let me go to them—Lord, Lord, have mercy on me—let me live—live—" Suddenly, she recoiled in horror, waving her trembling, thin hands as if to block the view of something disgusting revealed to her. "Who is it"—she asked in a chilling, shuddering whisper—"who is it that says there is no hell? I see it!" As she continued to retreat, the clammy chill of death darkening her terrified face, she turned her glazing eyes to Güldmar one last time. Her lips twitched into a smile of dreadful mockery.
"May—thy gods—reward thee—Olaf Güldmar—even—as mine—are—rewarding—me!"
"May the gods reward you, Olaf Güldmar, just as mine are rewarding me!"
And with these words, her head dropped heavily on her breast. Ulrika laid her back on her pillow, a corpse. The stern, cruel smile froze slowly on her dead features—gradually she became, as it were, a sort of ancient cenotaph, carved to resemble old age combined with unrepenting evil—the straggling white hair that rested on her wrinkled forehead looking merely like snow fallen on sculptured stone.
And with those words, her head fell heavily on her chest. Ulrika laid her back on the pillow, lifeless. The harsh, cruel smile slowly froze on her dead face—she gradually transformed into a kind of ancient monument, shaped to look like old age mixed with unrepentant evil—the unruly white hair on her wrinkled forehead appeared just like snow fallen on carved stone.
"Good Lord, have mercy on her soul!" murmured Ulrika piously, as she closed the upward staring eyes, and crossed the withered hands.
"Good Lord, have mercy on her soul!" Ulrika whispered reverently as she closed the wide-open eyes and crossed the lifeless hands.
"Good devil, claim thine own!" said Güldmar, with proudly lifted arm and quivering, disdainful lips. "Thou foolish woman! Thinkest thou thy Lord makes place for murderers in His heaven? If so, 'tis well I am not bound there! Only the just can tread the pathway to Valhalla,—'tis a better creed!"
"Good devil, claim your own!" said Güldmar, with his arm raised proudly and his lips trembling in disdain. "You foolish woman! Do you think your Lord welcomes murderers in His heaven? If that's the case, I'm glad I'm not going there! Only the righteous can walk the path to Valhalla—it's a much better belief!"
Ulrika looked at his superb, erect figure and lofty head, and a strangely anxious expression flitted across her dull countenance.
Ulrika looked at his impressive, upright figure and tall head, and a strangely worried expression crossed her dull face.
"Nay, bonde, we do not believe that the Lord accepteth murderers, without they repent themselves of their backslidings,—but if with penitence they turn to Him even at the eleventh hour, haply they may be numbered among the elect."
"Nah, bonde, we don’t think the Lord accepts murderers, unless they truly repent for their wrongdoings—but if they turn to Him with genuine remorse even at the last minute, they might still be counted among the chosen ones."
Güldmar's eyes flashed. "I know not thy creed, woman, nor care to learn it! But, all the same, thou art deceived in thy vain imaginings. The Eternal Justice cannot err—call that justice Christ or Odin as thou wilt. I tell you, the soul of the innocent bird that perishes in the drifting snow is near and dear to its Creator—but the tainted soul that had yonder vile body for its tenement, was but a flame of the evil one, and accursed from the beginning,—it must return to him from whom it came. A heaven for such as she? Nay—rather the lowest circle of the furthest and fiercest everlasting fires—and thither do I commend her! Farewell!"
Güldmar's eyes sparkled with intensity. "I don't know your beliefs, woman, nor do I care to find out! But you're mistaken in your foolish thoughts. Eternal Justice can't make mistakes—whether you call that justice Christ or Odin. I’m telling you, the soul of the innocent bird that dies in the falling snow is cherished by its Creator—but the corrupted soul that occupied that wretched body was just a spark of evil, cursed from the start—it has to go back to where it came from. A heaven for someone like her? No—more like the deepest circle of the harshest, eternal flames—and that's where I send her! Goodbye!"
Rapidly muffling himself up in his wraps, he strode out of the house. He sprang into his sledge, throwing a generous gratuity to the small Laplander who had taken charge of it, and who now ventured to inquire—
Rapidly bundling himself up in his clothes, he stepped out of the house. He jumped into his sled, tossing a nice tip to the small Laplander who had been in charge of it, and who now dared to ask—
"Has the good Lovisa left us?"
"Has the lovely Lovisa left us?"
Güldmar burst into a hard laugh. "Good! By my soul! The folks of Talvig take up murderers for saints and criminals for guides! 'Tis a wild world! Yes—she has gone—where all such blessed ones go—to—heaven!" He shook his clenched fist in the air—then hastily gathering up the reins, prepared to start.
Güldmar let out a hearty laugh. "Good! I swear! The people of Talvig make saints out of murderers and follow criminals as their guides! What a crazy world! Yes—she’s gone—where all those blessed ones go—to—heaven!" He shook his fist in the air and then quickly grabbed the reins, getting ready to leave.
The Lapp, after the manner of his race, was easily frightened, and cowered back, terrified at the bonde's menacing gesture and fierce tone,—but quickly bethinking himself of the liberal fee he clutched in his palm, he volunteered a warning to this kingly old man with the streaming white hair and beard, and his keen eyes that were already fixed on the dark sweep of the rough, uneven road winding towards the Altenfjord.
The Lapp, like his people, was easily scared and recoiled in fear at the farmer's threatening gesture and harsh tone. But remembering the generous payment he held in his hand, he offered a warning to the regal old man with the flowing white hair and beard, whose sharp eyes were already focused on the dark, winding path leading to the Altenfjord.
"There is a storm coming, Jarl Güldmar!" he stammered.
"There’s a storm coming, Jarl Güldmar!" he stammered.
Güldmar turned his head. "Why call me Jarl?" he demanded half angrily. "'Tis a name I wear not."
Güldmar turned his head. "Why are you calling me Jarl?" he asked, half angrily. "'It's not a name I go by."
He touched the reindeer lightly with his long whip—the sensitive beast started and sprang forward.
He lightly touched the reindeer with his long whip—the sensitive animal jumped and took off.
Once more the Lapp exclaimed, with increased excitement and uncouth gestures—
Once again, the Lapp shouted, even more excitedly and with wild gestures—
"Storm is coming!—wide—dark, deep! See how the sky stoops with the hidden snow!"
"Storm is coming!—big—dark, deep! Look how the sky hangs low with the hidden snow!"
He pointed to the north, and there, low on the horizon, was a lurid red gleam like a smouldering fire, while just above it a greenish blackness of cloud hung heavy and motionless. Towards the central part of the heaven two or three stars shone with frosty brightness, and through a few fleecy ribbons of greyish mist limmered the uncertain promise of a faint moon.
He pointed north, where a bright red glow hovered low on the horizon, resembling a smoldering fire, while just above it, dark greenish clouds loomed heavy and still. In the central part of the sky, two or three stars sparkled with a cold light, and through some wispy ribbons of gray mist, the faint promise of a weak moon shimmered.
Güldmar smiled slightly. "Storm coming?" he answered almost gaily. "That is well! Storm and I are old friends, my lad! Good night!"
Güldmar smiled slightly. "A storm's coming?" he replied almost cheerfully. "That's great! Storm and I go way back, my boy! Good night!"
Once more he touched his horned steeds, and with a jingle-jangle of musical bells and a scudding, slippery hissing across the hard snow, the sledge sped off with fairy-like rapidity, and in a few moments its one little guiding lantern disappeared in the darkness like a suddenly extinguished candle.
Once again, he tapped his horned horses, and with a jingling of bells and a hissing sound as it glided over the hard snow, the sledge took off like magic, and in no time its single guiding lantern vanished into the darkness like a candle that had just been blown out.
The Lapp stood pondering and gazing after it, with the bonde's money in his palm, till the cold began to penetrate even his thick skin-clothing and his fat little body, well anointed with whale-oil though it was,—and becoming speedily conscious of this, he scampered with extraordinary agility, considering the dimensions of his snow-shoes, into the hut where he had his dwelling, relating to all who choose to hear, the news of old Lovisa Elsland's death, and the account of his brief interview with the dreaded but generous pagan.
The Lapp stood thinking and watching it, holding the farmer's money in his hand, until the cold started to seep through his thick clothing and his chubby little body, even though he was well greased with whale oil. Realizing this quickly, he hurried with surprising agility, given the size of his snowshoes, into the hut where he lived, telling anyone who would listen about old Lovisa Elsland's death and the details of his short meeting with the feared but generous pagan.
Ulrika, watching by the corpse of her aged friend, was soon joined by others bent on sharing her vigil, and the house was presently filled with woman's religious wailings and prayers for the departed. To all the curious inquiries that were made concerning the cause of Lovisa's desire to see the bonde before she died, Ulrika vouchsafed no reply,—and the villagers, who stood somewhat in awe of her as a woman of singular godliness and discreet reputation, soon refrained from asking any more questions. An ambitious young Lutheran preacher came, and, addressing himself to all assembled, loudly extolled the superhuman virtues of the dead "Mother of the village," as Lovisa had been called,—amid the hysterical weeping and moaning of the mourners, he begged them to look upon her "venerated face" and observe "the smile of God's own peace engraven there,"—and amid all his eloquence, and the shrieking excitement of his fanatical hearers, Ulrika alone was silent.
Ulrika, standing by her elderly friend's body, was soon joined by others who wanted to share her vigil, and the house quickly filled with women's cries and prayers for the deceased. When people asked about Lovisa's wish to see the bonde before she passed away, Ulrika offered no response,—and the villagers, who revered her as a woman of exceptional piety and good reputation, soon stopped asking further questions. An ambitious young Lutheran preacher arrived, and addressing everyone gathered, loudly praised the extraordinary qualities of the deceased "Mother of the village," as Lovisa had been known,—amid the frantic weeping and wailing of the mourners, he urged them to gaze upon her "venerated face" and notice "the smile of God's own peace etched there,"—and despite all his eloquence and the shrieking enthusiasm of his fervent audience, Ulrika remained silent.
She sat stern and absorbed, with set lips and lowered eyelids at the head of the bed whereon the corpse was now laid out, grimly rigid,—with bound-up jaws, and clasped fingers like stiff, dried bones. Her thoughts dwelt gloomily and intently on Güldmar's words—"The Eternal Justice cannot err." Eternal Justice! What sentence would Eternal Justice pass upon the crime of murder?—or attempt to murder? "I am guilty," the unhappy woman reflected, with a strong shudder chilling her veins, "guilty even as Lovisa! I tried to kill my child—I thought, I hoped it was dead! It was not my meaning that it should live. And this Eternal Justice, may be, will judge the intention more than the crime. O Lord, Lord! save my soul! Teach me how to escape from the condemning fires of Thine anger!" Thus she prayed and wrestled with her accusing self in secret—despair and fear raging in her heart, though not a flicker of her inward agitation betrayed itself outwardly on her stolid, expressionless features.
She sat, serious and focused, with tight lips and lowered eyelids at the head of the bed where the body lay, stiff and cold—its jaw bound and fingers clasped like brittle, dry bones. Her mind lingered darkly and intensely on Güldmar's words—"The Eternal Justice cannot err." Eternal Justice! What verdict would Eternal Justice deliver for the crime of murder—or attempted murder? "I am guilty," the tormented woman thought, a strong shudder running through her veins, "guilty just like Lovisa! I tried to kill my child—I thought, I hoped it was dead! I didn’t mean for it to live. And this Eternal Justice may judge the intention more than the act. O Lord, Lord! save my soul! Teach me how to escape the burning fires of Your anger!" So she prayed and struggled with her guilty conscience in silence—despair and fear raging in her heart, though not a hint of her inner turmoil showed on her cold, expressionless face.
Meanwhile the wind rose to a tearing, thunderous gale, and the night, already so dark, darkened yet more visibly. Olaf Güldmar, driving swiftly homewards, caught the first furious gust of the storm that came rushing onward from the North Cape, and as it swooped sideways against his light sledge, he was nearly hurled from his seat by the sudden violence of the shock. He settled himself more firmly, encouraging with a cheery word the startled reindeer, who stopped short,—stretching out their necks and sniffing the air, their hairy sides heaving with the strain of trotting against the blast, and the smoke of their breath steaming upwards in the frosty air like white vapor. The way lay now through a narrow defile bordered with tall pines,—and as the terrified animals, recovering, shook the tinkling bells on their harness, and once more resumed their journey, the road was comparatively sheltered, and the wind seemed to sink as suddenly as it rose. There was a hush—an almost ominous silence.
Meanwhile, the wind picked up to a raging, thunderous gale, and the night, already so dark, became even more visibly so. Olaf Güldmar, racing swiftly home, caught the first furious gust of the storm that charged in from the North Cape, and as it rushed sideways against his light sled, he nearly got thrown from his seat by the sudden force of the shock. He steadied himself, encouraging the startled reindeer with a cheerful word. They halted abruptly, stretching their necks and sniffing the air, their fur-covered sides heaving as they struggled to trot against the gale, with their breath rising in white puffs in the frosty air. The path now led through a narrow passage lined with tall pines, and as the frightened animals, regaining their composure, shook the tinkling bells on their harness and resumed their journey, the road felt relatively sheltered, and the wind seemed to drop as suddenly as it had picked up. There was a stillness—an almost ominous quiet.
The sledge glided more slowly between the even lines of upright giant trees, crowned with icicles and draped in snow,—the bonde involuntarily loosened the reins of his elfin steeds, and again returned to those painful and solemn musings, from which the stinging blow of the tempest had for a moment roused him. The proud heart of the old man ached bitterly. What! All these years had passed, and he, the descendant of a hundred Vikings, had been cheated of justice! He had seen his wife,—the treasured darling of his days, suffering,—dying, inch by inch, year by year, with all her radiant beauty withered,—and he had never known her destroyer! Her fall from the edge of the chasm had been deemed by them both an accident, and yet—this wretched Lovisa Elsland—mad with misplaced, disappointed passion, jealousy, and revenge,—had lived on to the extreme of life, triumphant and unsuspected.
The sled moved more slowly between the straight lines of tall trees, topped with icicles and covered in snow. The bonde instinctively loosened the reins of his magical steeds and returned to those painful and heavy thoughts that the harsh winds had briefly interrupted. The proud heart of the old man was filled with deep sorrow. What?! All these years had gone by, and he, a descendant of a hundred Vikings, had been denied justice! He had watched his wife—the beloved joy of his life—suffering and dying slowly, year by year, as her radiant beauty faded away, and he had never known who had caused her downfall! They both believed her fall into the chasm was an accident, and yet—this miserable Lovisa Elsand—driven mad by misplaced passion, jealousy, and revenge—had lived on into old age, victorious and undetected.
"I swear the gods have played me false in this!" he muttered, lifting his eyes in a sort of fierce appeal to the motionless pinetops stiff with frost. The mystery of the old hag's hatred of his daughter was now made clear—she resembled her mother too closely to escape Lovisa's malice. He remembered the curse she had called down upon the innocent girl,—how it was she who had untiringly spread abroad the report among the superstitious people of the place, that Thelma was a witch whose presence was a blight upon the land,—how she had decoyed her into the power of Mr. Dyceworthy—all was plain—and, notwithstanding her deliberate wickedness, she had lived her life without punishment! This was what made Güldmar's blood burn, and pulses thrill. He could not understand why the Higher Powers had permitted this error of justice, and, like many of his daring ancestors, he was ready to fling defiance in the very face of Odin, and demand—"Why,—O thou drowsy god, nodding over thy wine-cups,—why didst thou do this thing?"
"I swear the gods have really done me wrong!" he muttered, raising his eyes in a fierce appeal to the frozen, still treetops. The reason for the old hag's hatred of his daughter was now clear—she looked too much like her mother to escape Lovisa's spite. He recalled the curse she had placed on the innocent girl—how she had relentlessly spread the rumor among the superstitious locals that Thelma was a witch whose presence cursed the land—how she had lured her into the power of Mr. Dyceworthy—all of it was clear—and despite her evil actions, she had lived without facing any punishment! This made Güldmar's blood boil and his heart race. He couldn't comprehend why the Higher Powers allowed this injustice, and like many of his bold ancestors, he was ready to challenge Odin directly and demand—"Why, oh you sleepy god, nodding over your wine cups—why did you let this happen?"
Utter fearlessness,—bodily and spiritual,—fearlessness of past, present, or future, life or death,—was Güldmar's creed. The true Norse warrior spirit was in him—had he been told, on heavenly authority, that the lowest range of the "Nastrond" or Scandinavian Hell, awaited him, he would have accepted his fate with unflinching firmness. The indestructibility of the soul, and the certainty that it must outlive even centuries of torture, and triumph gloriously in the end, was the core of the faith he professed. As he glanced upwards, the frozen tree-tops, till then rigidly erect, swayed slightly from side to side with a crackling sound—but he paid no heed to this slight warning of a fresh attack from the combative storm that was gathering together and renewing its scattered forces. He began to think of his daughter, and the grave lines on his face relaxed and softened.
Utter fearlessness—both physical and spiritual—fearlessness of the past, present, or future, life or death—was Güldmar's belief. The true spirit of a Norse warrior was inside him—if he had been told, by divine authority, that the lowest level of "Nastrond" or Scandinavian Hell awaited him, he would have accepted his fate with unwavering determination. The idea that the soul is indestructible, and that it must endure even centuries of suffering and ultimately triumph gloriously, was the foundation of his faith. As he looked up, the frozen treetops, which had been standing rigidly, swayed slightly from side to side with a crackling sound—but he ignored this subtle warning of a new assault from the fierce storm that was gathering and regrouping. He started to think about his daughter, and the serious lines on his face softened.
"'Tis all fair sailing for the child," he mused. "For that I should be grateful! The world has been made a soft nest for my bird,—I should not complain,—my own time is short." His former anger calmed a little—the brooding irritation of his mind became gradually soothed.
"Life is smooth sailing for the kid," he thought. "I should be thankful for that! The world has become a cozy nest for my little one—I shouldn’t complain—my own time is limited." His earlier anger eased a bit—the nagging irritation in his mind slowly began to settle.
"Rose of my heart!" he whispered, tenderly apostrophizing the memory of his wife,—that lost jewel of love, whose fair body lay enshrined in the king's tomb by the Fjord. "Wrongfully done to death as thou wert, and brief time as we had for loving;—in spite of thy differing creed, I feel that I shall meet thee soon! Yes—in the world beyond the stars, they will bring thee to me in Valhalla,—wheresoever thou art, thou wilt not refuse to come! The gods themselves cannot unfasten the ties of love between us!"
"Rose of my heart!" he whispered, tenderly addressing the memory of his wife— that precious gem of love, whose beautiful body lay resting in the king's tomb by the Fjord. "Unjustly taken from me as you were, and our time for love was so short;—despite our different beliefs, I know that I will see you again soon! Yes—in the world beyond the stars, they'll bring you to me in Valhalla,—no matter where you are, you will not refuse to come! Even the gods cannot break the bonds of love between us!"
As he half thought, half uttered, these words, the reindeer again stopped abruptly, rearing their antlered heads and panting heavily. Hark! what was that? A clear, far-reaching note of music seemingly wakened from the waters of the Fjord and rising upwards, upwards, with bell-like distinctness! Güldmar leaned from his motionless sledge and listened in awe—it was the same sound he had before heard as he stood by Lovisa Elsland's death-bed—and was in truth nothing but a strong current of wind blowing through the arched and honeycombed rocks by the sea, towards the higher land,—creating the same effect as though one should breathe forcibly through a pipe-like instrument of dried and hollow reeds,—and being rendered more resonant by the intense cold, it bore a striking similarity to the full blast of a war-trumpet. For the worshipper of Odin, it had a significant and supernatural meaning,—and he repeated his former action—that of drawing the knife from his girdle and kissing the hilt. "If Death is near me," he said in a loud voice, "I bid it welcome! The gods know that I am ready!"
As he half thought and half spoke those words, the reindeer suddenly stopped again, raising their antlered heads and breathing heavily. Wait! What was that? A clear, distant note of music seemed to rise from the waters of the Fjord, soaring up, up, with a bell-like clarity! Güldmar leaned out from his still sledge and listened in awe—it was the same sound he had heard before while standing by Lovisa Elsland's deathbed—and it was really just a strong gust of wind blowing through the arched and honeycombed rocks by the sea, moving towards the higher ground,—creating the same effect as someone forcibly blowing through a pipe-like instrument made of dried and hollow reeds,—and, intensified by the bitter cold, it sounded remarkably like the full blast of a war trumpet. For a worshipper of Odin, it held deep and supernatural significance,—and he repeated what he had done before—drawing the knife from his belt and kissing the hilt. "If Death is near me," he shouted, "I welcome it! The gods know I am ready!"
He waited as though expecting some answer—but there was a brief, absolute silence. Then, with a wild shriek and riotous uproar, the circling tempest,—before uncertain and vacillating in its wrath,—pounced, eagle-like, downward and grasped the mountains in its talons,—the strong pines rocked backwards and forwards as though bent by Herculean hands, crashing their frosted branches madly together:—the massive clouds in the sky opened and let fall their burden of snow. Down came the large fleecy flakes, twisting dizzily round and round in a white waltz to the whirl of the wind—faster—faster—heavier and thicker, till there seemed no clear space in the air. Güldmar urged on the reindeer, more anxious for their safety than his own—the poor beasts were fatigued, and the blinding snow confused them, but they struggled on patiently, encouraged by their master's voice and the consciousness that they were nearing home. The storm increased in fury—and a fierce gust of frozen sleet struck the sledge like a strong hammer-stroke as it advanced through the rapidly deepening snow-drifts—its guiding lantern was extinguished. Güldmar did not stop to relight it—he knew he was approaching his farm, and he trusted to the instinct and sagacity of his steeds.
He waited as if he was expecting some kind of answer—but there was a brief, complete silence. Then, with a wild scream and chaotic noise, the swirling storm—previously uncertain and wavering in its anger—dove down like an eagle and grabbed hold of the mountains with its claws. The sturdy pines rocked back and forth as if pushed by giant hands, crashing their frosted branches together wildly. The heavy clouds in the sky opened up and released their load of snow. Large, fluffy flakes fell down, spinning dizzyingly in a white dance to the whirlwind of the wind—faster—faster—heavier and thicker, until it seemed there was no clear space in the air. Güldmar urged the reindeer on, more worried about their safety than his own—the poor creatures were tired, and the blinding snow confused them, but they pushed on patiently, encouraged by their master’s voice and the awareness that they were getting closer to home. The storm grew fiercer—and a harsh gust of icy sleet hit the sledge like a powerful hammer as it moved through the quickly rising snowdrifts—its guiding lantern went out. Güldmar didn’t stop to relight it—he knew he was close to his farm, and he relied on the instinct and intelligence of his reindeer.
There was indeed but a short distance to go,—the narrow wooded defile opened out on two roads, one leading direct to Bosekop—the other, steep and tortuous, winding down to the shore of the Fjord—this latter passed the bonde's gate. Once out of the shadow of the pines, the way would be more distinctly seen,—the very reindeer seemed to be conscious of this, for they trotted more steadily, shaking their bells in even and rhythmical measure. As they neared the end of the long dark vista, a sudden bright blue glare quivered and sprang wave-like across the snow—a fantastic storm-aurora that flashed and played among the feathery falling flakes of white till they looked like knots and closters of sparkling jewels. The extreme point of the close defile was reached at last, and here the landscape opened up wide, rocky and desolate—a weird picture,—with the heavy clouds above repeatedly stabbed through and through by the needle-pointed beams of the aurora borealis,—and the blank whiteness of the ground below. Just as the heads of the reindeer were turned into the homeward road, half of the aurora suddenly faded, leaving the other half still beating out its azure brilliance against the horizon. At the same instant, with abrupt swiftness, a dark shadow,—so dark as to seem almost palpable,—descended and fell directly in front of the advancing sledge—a sort of mist that appeared to block the way.
There was really only a short distance to go—the narrow wooded path opened up into two roads, one going directly to Bosekop and the other, steep and winding, leading down to the shore of the Fjord—this latter passed by the farmer's gate. Once they were out of the shadow of the pines, the path would be clearer—the reindeer seemed to sense this too, as they trotted steadily, their bells ringing in a smooth and rhythmic pattern. As they approached the end of the long dark passage, a sudden bright blue light flickered and rolled across the snow—a fantastic storm-aurora that flashed and danced among the softly falling flakes, making them look like clusters of sparkling jewels. They finally reached the narrowest part of the path, and here the landscape opened up wide, rocky, and barren—a strange sight—with heavy clouds above being pierced repeatedly by the sharp rays of the northern lights, and the stark whiteness of the ground below. Just as the reindeer's heads turned toward the way home, half of the aurora suddenly disappeared, leaving the other half still shining its bright blue light against the horizon. At that same moment, a dark shadow—so dark it seemed almost tangible—suddenly fell right in front of the approaching sled, a sort of mist that appeared to block their way.
Güldmar leaned forward and gazed with eager, straining eyes into that drooping gloom—a shadow?—a mere vapor, with the Northern Lights glimmering through its murky folds? Ah no—no! For him it was something very different,—a heavenly phantasm, beautiful and grand, with solemn meaning! He saw a Maiden, majestically tall, of earnest visage and imperial mien,—her long black hair streamed loose upon the wind—in one hand she held a shining shield—in the other a lifted spear! On her white brow rested a glittering helmet,—her bosom heaved beneath a corslet of pale gold—she fixed her divine, dark eyes full upon his face and smiled! With a cry of wonder and ecstacy the old man fell back in his sledge,—the reins dropped from his hands,—"The Valkyrie! the Valkyrie!" he exclaimed.
Güldmar leaned forward and looked intently into the dimness—a shadow?—just a wisp, with the Northern Lights shimmering through its thick layers? Oh no—not for him! It was something much more profound—a celestial vision, beautiful and grand, with deep significance! He saw a Maiden, tall and majestic, with a serious expression and a regal presence—her long black hair flowing freely in the wind. In one hand, she held a gleaming shield; in the other, a raised spear! A shining helmet rested on her white brow—her chest rose and fell beneath a pale gold breastplate—she fixed her divine dark eyes directly on his face and smiled! With a shout of awe and joy, the old man fell back in his sled—the reins slipped from his grasp—“The Valkyrie! the Valkyrie!” he exclaimed.
A mere breathing space, and the shadow vanished,—the aurora came out again in unbroken splendor—and the reindeer, feeling no restraint upon them, and terrified by something in the air, or the ceaseless glitter, of the lights in the sky, started off precipitately at full gallop. The long reins trailed loosely over their backs, lashing their sides as they ran—Güldmar, recovering from his momentary awe and bewilderment, strove to seize them, but in vain. He called, he shouted,—the frightened animals were utterly beyond control, and dashed madly down the steep road, swinging the sledge from side to side, and entangling themselves more and more with the loose reins, till, irritated beyond endurance, confused and blinded by the flash of the aurora and the dizzy whirl of the swiftly falling snow, they made straight for a steep bank,—and before the bonde had time to realize the situation and jump from the sledge—crash! down they went with a discordant jangle of bells, their hoofs splitting a thin, sharp shelf of ice as they leaped forward,—dragging the light vehicle after them, and twisting it over and over till it was a mere wreck,—and throwing out its occupant head foremost against a jagged stone.
A brief pause, and the shadow disappeared—the dawn emerged again in brilliant splendor—and the reindeer, feeling no restraint and spooked by something in the air, or the constant sparkle of the lights in the sky, took off at full speed. The long reins trailed loosely over their backs, whipping their sides as they ran—Güldmar, shaking off his momentary shock and confusion, tried to grab them, but it was no use. He called out, he yelled—but the terrified animals were completely out of control, racing down the steep road, swaying the sledge from side to side, getting more entangled in the loose reins, until, pushed beyond their limits, confused and blinded by the flash of the aurora and the dizzy spinning of the rapidly falling snow, they charged straight for a steep bank—and before the bonde could understand what was happening and jump from the sledge—crash! down they went with a jarring clang of bells, their hooves breaking through a thin, sharp shelf of ice as they lunged forward—pulling the lightweight vehicle behind them, twisting it over and over until it was a complete wreck—and throwing its occupant headfirst against a jagged rock.
Then more scared than ever, they strove to clamber out of the gully into which they had recklessly sprung, but, foiled in these attempts, they kicked, plunged, and reared,—trampling heedlessly over the human form lying helpless among the shattered fragments of the sledge,—till tired out at last, they stood motionless, panting with terror. Their antlered heads cast fantastic patterns on the snow in the varying rose and azure radiance that rippled from the waving ribbons of the aurora,—and close to them, his slowly trickling life-blood staining the white ground,—his hair and beard glittering in the light like frosted silver,—his eyes fast closed as though he slept,—lay Olaf Güldmar unconscious—dying. The spear of the Valkyrie had fallen!
Then, more frightened than ever, they struggled to climb out of the gully they had jumped into recklessly, but failed in their attempts. They kicked, thrashed, and reared up—unintentionally trampling over the helpless figure lying among the broken pieces of the sledge—until, finally exhausted, they stood still, panting with fear. Their antlered heads cast strange patterns on the snow in the shifting rose and blue light coming from the moving ribbons of the aurora—and close to them, with blood slowly seeping into the white ground—his hair and beard sparkling in the light like frosted silver—his eyes tightly closed as if he were sleeping—lay Olaf Güldmar, unconscious—dying. The Valkyrie's spear had fallen!
CHAPTER XXXII.
"Bury me not when I am dead— Lay me not down in a dusty bed; I could not bear the life down there, With the wet worms crawling about my hair!" |
ERIC MACKAY.
ERIC MACKAY.
Long hours passed, and the next day dawned, if the dim twilight that glimmered faintly across the Altenfjord could be called a dawn. The snow-fall had ceased,—the wind had sunk—there was a frost-bound, monotonous calm. The picturesque dwelling of the bonde was white in every part, and fringed with long icicles,—icicles drooped from its sheltering porch and gabled windows—the deserted dove-cote on the roof was a miniature ice-palace, curiously festooned with thin threads and crested pinnacles of frozen snow. Within the house there was silence,—the silence of approaching desolation. In the room where Thelma used to sit and spin, a blazing fire of pine sparkled on the walls, casting ruddy outward flashes through the frost-covered lattice-windows,—and here, towards the obscure noon, Olaf Güldmar awoke from his long trance of insensibility. He found himself at home, stretched on his own bed, and looked about him vacantly. In the earnest and watchful countenance that bent above his pillow, he slowly recognized his friend, companion, and servant, Valdemar Svensen, and though returning consciousness brought with it throbs of agonizing pain, he strove to smile, and feebly stretched out his hand. Valdemar grasped it—kissed it—and in spite of his efforts to restrain his emotion, a sigh, that was almost a groan, escaped him. The bonde smiled again,—then lay quiet for a few moments as though endeavoring to collect his thought. Presently he spoke—his voice was faint yet distinct.
Long hours passed, and the next day began, if the dim twilight that faintly shimmered over the Altenfjord could be called a dawn. The snow had stopped falling—the wind had calmed—and there was a frost-covered, monotonous stillness. The cozy home of the bonde was completely white and lined with long icicles—icicles hung from its protective porch and gabled windows—the abandoned dove-cote on the roof looked like a tiny ice palace, intricately draped with delicate threads and crowned peaks of frozen snow. Inside the house, there was silence—the silence of impending emptiness. In the room where Thelma used to sit and spin, a roaring fire of pine crackled on the walls, casting warm bursts of light through the frost-covered lattice windows—and here, around midday, Olaf Güldmar woke up from his long daze of unconsciousness. He found himself at home, lying on his own bed, and looked around blankly. In the earnest and attentive face leaning over his pillow, he slowly recognized his friend, companion, and servant, Valdemar Svensen, and although waking up brought sharp waves of agonizing pain, he tried to smile and weakly reached out his hand. Valdemar took it—kissed it—and despite his efforts to hold back his emotions, a sigh that was almost a groan escaped him. The bonde smiled again—then lay still for a few moments, as if trying to gather his thoughts. Soon he spoke—his voice was faint but clear.
"What has happened, Valdemar?" he asked. "How is it that the strength has departed from me?"
"What happened, Valdemar?" he asked. "Why do I feel so weak?"
Svensen dropped on his knees by the bedside. "An accident, my Lord Olaf," he began falteringly.
Svensen dropped to his knees by the bedside. "An accident, my Lord Olaf," he started hesitantly.
Güldmar's eyes suddenly lightened. "Ah, I remember!" he said. "The rush down the valley—I remember all!" He paused, then added gently, "And so the end has come, Valdemar!"
Güldmar's eyes suddenly brightened. "Oh, I remember!" he said. "The rush down the valley—I remember everything!" He paused, then added softly, "And so the end has come, Valdemar!"
Svensen uttered a passionate exclamation of distress.
Svensen let out a heartfelt cry of frustration.
"Let not my lord say so!" he murmured appealingly, with the air of a subject entreating favor from a king. "Or, if it must be, let me also travel with thee wherever thou goest!"
"Don't say that, my lord!" he murmured appealingly, like a subject begging for favor from a king. "Or if it has to be, let me travel with you wherever you go!"
Olaf Güldmar's gaze rested on him with a musing tenderness.
Olaf Güldmar looked at him with a thoughtful kindness.
"'Tis a far journey," he said simply. "And thou art not summoned." He raised his arm to test its force—for one second it was uplifted,—then it fell powerless at his side. "I am conquered!" he went on with a cheerful air. "The fight is over, Valdemar! Surely I have had a long battle, and the time for rest and reward is welcome." He was silent for a little, then continued, "Tell me—how—where didst thou find me? It seems I had a dream, strange, and glorious—then came a rushing sound of wheels and clanging bells,—and after that, a long deep silence."
"It’s a long journey," he said simply. "And you aren’t called." He raised his arm to test its strength—for a moment it was lifted,—then it fell weakly at his side. "I am defeated!" he continued with a cheerful tone. "The fight is over, Valdemar! Surely I’ve had a long battle, and now it’s time for rest and reward." He was quiet for a moment, then added, "Tell me—how—where did you find me? It feels like I had a dream, strange and beautiful—then came a rushing sound of wheels and ringing bells,—and after that, a long deep silence."
Speaking in low tones, Valdemar briefly related the events of the past night. How he had heard the reindeer's gallop down the road, and the quick jangling of the bells on their harness, and had concluded that the bonde was returning home at extraordinary speed—how these sounds had suddenly and unaccountably ceased,—how, after waiting for some time, and hearing nothing more, he had become greatly alarmed, and, taking a pine-torch, had gone out to see what had occurred,—how he had found the reindeer standing by the broken sledge in the gully, and how, after some search, he had finally discovered his master, lying half-covered by the snow, and grievously injured. How he had lifted him and carried him into the house, . . .
Speaking in hushed tones, Valdemar briefly recounted the events of the previous night. He had heard the reindeers' galloping down the road, accompanied by the quick jingle of the bells on their harness, leading him to conclude that the bonde was racing home. Then, those sounds had suddenly and inexplicably stopped. After waiting for a while and hearing nothing more, he became increasingly worried. Grabbing a pine torch, he went outside to find out what had happened. He discovered the reindeer by the broken sledge in the gully and, after some searching, finally located his master, lying half-buried in the snow and seriously injured. He then lifted him and carried him into the house, . . .
"By my soul!" interrupted the bonde cheerfully, "thou must have found me no light weight, Valdemar! See what a good thing it is to be a man—with iron muscles, and strong limbs, and hardy nerve! By the Hammer of Thor! the glorious gift of strong manhood is never half appreciated! As for me—I am a man no longer!"
"By my soul!" interrupted the bonde cheerfully, "you must have found me no lightweight, Valdemar! See what a great thing it is to be a man—with iron muscles, strong limbs, and a hardy nerve! By the Hammer of Thor! the wonderful gift of strong manhood is never fully appreciated! As for me—I am no longer a man!"
He sighed a little, and, passing his sinewy hand across his brow, lay back exhausted. He was racked by bodily torture, but,—unflinching old hero as he was,—gave no sign of the agonizing pain he suffered. Valdemar Svensen had risen from his knees, and now stood gazing at him with yearning, miserable eyes, his brown, weather-beaten visage heavily marked with lines of grief and despair. He knew that he was utterly powerless—that nothing could save the noble life that was ebbing slowly away before him. His long and varied experience as a sailor, pilot, and traveller in many countries had given him some useful knowledge of medicine and surgery, and if anything was possible to be done, he could do it. But in this case no medical skill would have been availing—the old man's ribs were crushed in and his spine injured,—his death was a question of but a few hours at the utmost, if so long.
He sighed a little and, wiping his brow with his strong hand, lay back, completely drained. He was in excruciating pain, but—being the unyielding old hero he was—he showed no sign of the torment he was enduring. Valdemar Svensen had gotten up from his knees and now stood looking at him with desperate, sorrowful eyes, his tanned, weathered face etched with lines of grief and despair. He understood that he was entirely powerless—that nothing could save the noble life flickering away before him. His long and varied experiences as a sailor, pilot, and traveler in many countries had given him some valuable medical knowledge, and if there was anything that could be done, he could handle it. But in this situation, no medical expertise would help—the old man's ribs were crushed, and his spine was damaged—his death was only a matter of a few hours at best, if that long.
"Olaf the King!" muttered the bonde presently, "True! They make no mistakes yonder,—they know each warrior by name and rank—'tis only in this world we are subject to error. This world! By the gods! . . . 'tis but a puff of thistle-down—or a light mist floating from the sunset to the sea!"
"Olaf the King!" the bonde muttered, "It's true! They don't make mistakes over there—they know every warrior by name and rank—it's only in this world that we have to deal with errors. This world! By the gods! ... it's just a puff of thistle-down—or a light mist drifting from the sunset to the sea!"
He made a vigorous attempt to raise himself from his pillow—though the excruciating anguish caused by his movement, made him wince a little and grow paler.
He made a strong effort to lift himself off his pillow—although the intense pain from his movement made him wince slightly and turn paler.
"Wine, Valdemar! Fill the horn cup to the brim and bring it to me—I must have strength to speak—before I depart—on the last great journey."
"Wine, Valdemar! Fill the horn cup to the top and bring it to me—I need the strength to speak—before I leave—for the final great journey."
Obediently and in haste, Svensen filled the cup he asked for with old Lacrima Christi, of which there was always a supply in this far Northern abode, and gave it to him, watching him with a sort of superstitious reverence as he drained off its contents and returned it empty.
Obediently and quickly, Svensen filled the cup he requested with old Lacrima Christi, which was always available in this remote Northern home, and handed it to him, watching with a kind of superstitious respect as he drank it all and returned it empty.
"Ah! That warms this freezing blood of mine," he said, the lustre flashing back into his eyes. "'Twill find fresh force to flow a brief while longer. Valdemar—I have little time to spend with thee—I feel death here"—and he slightly touched his chest—"cold—cold and heavy. 'Tis nothing—a passing, chilly touch that sweeps away the world! But the warmth of a new, strong life awaits me—a life of never-ending triumph! The doors of Valhalla stand wide open—I heard the trumpet-call last night—I saw the dark-haired Valkyrie! All is well—and my soul is full of rejoicing. Valdemar—there is but one thing now thou hast to do for me,—the one great service thou hast sworn to render. Fulfill thine oath!"
"Ah! That warms my freezing blood," he said, the light returning to his eyes. "It'll find fresh strength to flow for a little while longer. Valdemar—I don’t have much time to spend with you—I feel death here"—and he lightly touched his chest—"cold—cold and heavy. It's nothing—a fleeting, chilly touch that sweeps away the world! But the warmth of a new, strong life is waiting for me—a life of endless triumph! The doors of Valhalla are wide open—I heard the trumpet call last night—I saw the dark-haired Valkyrie! All is well—my soul is full of joy. Valdemar—there's just one thing you have to do for me now—the one great service you promised to provide. Fulfill your oath!"
Valdemar's brown cheek blanched,—his lips quivered,—he flung up his hands in wild appeal. The picturesque flow of his native speech gained new fervor and eloquence as he spoke.
Valdemar's brown cheek went pale—his lips trembled—he threw up his hands in a desperate plea. The colorful flow of his native language took on new passion and expression as he spoke.
"Not yet—not yet, my lord!" he cried passionately. "Wait but a little—there is time. Think for one moment—think! Would it not be well for my lord to sleep the last sleep by the side of his beloved Thelma—the star of the dark mountains—the moonbeam of the night of his life? Would not peace enwrap him there as with a soft garment, and would not his rest be lulled by the placid murmur of the sea? For the days of old time and storm and victory are past—and the dead slumber as stones in the silent pathways—why would my lord depart in haste as though he were wrathful, from the land he has loved?—from the vassal who implores his pardon for pleading against a deed he dares not do!"
"Not yet—not yet, my lord!" he exclaimed passionately. "Just wait a little—there's still time. Think for a moment—think! Wouldn’t it be better for my lord to take his last rest beside his beloved Thelma—the star of the dark mountains—the moonbeam of his life’s night? Wouldn’t peace wrap around him like a soft blanket, and wouldn’t his rest be soothed by the gentle sound of the sea? The days of old storms and victories are over—and the dead lie still like stones on the silent paths—why would my lord hurry away as if he were angry, from the land he has cherished?—from the servant who begs for his forgiveness for arguing against a deed he dares not commit!"
"Dares not—dares not!" cried the bonde, springing up half-erect from his couch, in spite of pain, and looking like some enraged old lion with his tossed, streaming hair and glittering eyes. "Serf as thou art and coward! Thinkest thou an oath such as thine is but a thread of hair, to be snapped at thy pleasure? Wilt thou brave the wrath of the gods and the teeth of the Wolf of Nastrond? As surely as the seven stars shine on the white brow of Thor, evil shall be upon thee if thou refusest to perform the vow thou hast sworn! And shall a slave have strength to resist the dying curse of a King?"
“Dares not—dares not!” shouted the bonde, springing up halfway from his couch, despite the pain, and looking like an enraged old lion with his tousled, wild hair and shining eyes. “Serf that you are and coward! Do you think an oath like yours is just a thread of hair, to be broken at your convenience? Will you defy the wrath of the gods and the bite of the Wolf of Nastrond? Just as surely as the seven stars shine on Thor's white forehead, evil will come upon you if you refuse to uphold the vow you’ve made! And can a slave have the strength to resist the dying curse of a King?”
The pride, the supreme authority,—the magnified strength of command that flushed the old man's features, were extraordinary and almost terrible in their impressive grandeur. If he indeed believed himself by blood a king and a descendant of kings,—he could not have shown a more forcible display of personal sovereignty. The effect of his manner on Valdemar was instantaneous,—the superstitious fears of that bronzed sea-wanderer were easily aroused. His head drooped—he stretched out his hands imploringly.
The pride, the absolute authority—the increased strength of command that colored the old man's face was striking and almost frightening in its impressive grandeur. If he truly believed he was a king by blood and a descendant of kings, he couldn’t have demonstrated a stronger sense of personal power. The impact of his demeanor on Valdemar was immediate— the superstitious fears of that weathered sea traveler were easily triggered. His head dropped—he reached out his hands in desperation.
"Let not my lord curse his servant," he faltered. "It was but a tremor of the heart that caused my tongue to speak foolishly. I am ready—I have sworn—the oath shall be kept to its utmost end!"
"Please don’t curse me, my lord," he stammered. "It was just a moment of fear that made me speak foolishly. I am prepared—I have sworn—I will keep my oath no matter what!"
Olaf Güldmar's threatening countenance relaxed, and he fell back on his pillows.
Olaf Güldmar's intimidating expression softened, and he sank back into his pillows.
"It is well!" he said feebly and somewhat indistinctly. "Thy want of will maddened me—I spoke and lived in times that are no more—days of battle—and—glory—that are gone—from men—for ever. More wine, Valdemar!—I must keep a grip on this slippery life—and yet—I wander—wander into the—night—"
"It’s all good!" he said weakly and somewhat unclear. "Your lack of will drove me crazy—I spoke and lived in times that have passed—days of battle—and—glory—that are lost—from humanity—for good. More wine, Valdemar!—I need to hold on to this unsteady life—and yet—I drift—drift into the—night—"
His voice ceased, and he sank into a swoon—a swoon that was like death. His breathing was scarcely perceptible, and Svensen, alarmed at his appearance, forced some drops of wine between his set lips, and chafed his cold hands with anxious solicitude. Slowly and very gradually he recovered consciousness and intelligence, and presently asked for a pencil and paper to write a few farewell words to his daughter. In the grief and bewilderment of the time, Valdemar entirely forgot to tell him that a letter from Thelma had arrived for him on the previous afternoon while he was away at Talvig,—and was even now on the shelf above the chimney, awaiting perusal. Güldmar, ignorant of this, began to write slowly and with firmness, disregarding his rapidly sinking strength. Scarcely had he begun the letter, however, than he looked up meaningly at Svensen, who stood waiting beside him.
His voice stopped, and he fainted—a faint that felt like death. His breathing was barely noticeable, and Svensen, worried about how he looked, managed to get some wine into his tightly shut lips and rubbed his cold hands anxiously. Slowly, he started to regain consciousness and awareness, and soon asked for a pencil and paper to write a few farewell words to his daughter. In the sorrow and confusion of the moment, Valdemar completely forgot to tell him that a letter from Thelma had arrived for him the day before while he was at Talvig—and was still on the shelf above the fireplace, waiting to be read. Güldmar, unaware of this, began to write slowly and with determination, ignoring his quickly fading strength. Hardly had he started the letter, though, when he looked up meaningfully at Svensen, who was standing by him.
"The time grows very short," he said imperatively. "Prepare everything quickly—go! Fear not—I shall live to see thee return—and to bless thee for thy faithful service."
"The time is running out," he said firmly. "Get everything ready quickly—go! Don’t worry—I will be here when you get back—and I will thank you for your loyal service."
As he uttered these words he smiled;—and with one wistful, yearning look at him, Valdemar obediently and instantly departed. He left the house, carrying with him a huge pile of dry brushwood, and with the air of a man strung up to prompt action, rapidly descended the sloping path, thick with hardened snow, that led downwards to the Fjord. On reaching the shore, he looked anxiously about him. There was nothing in sight but the distant, twinkling lights of Bosekop—the Fjord itself was like a black pool,—so still that even the faintest murmur of its rippling against the bonde's own private pier could be heard,—the tide was full up.
As he said these words, he smiled; and with one longing, eager glance at him, Valdemar quickly and obediently left. He stepped out of the house, carrying a huge load of dry brushwood, and with the urgency of someone ready to act, quickly made his way down the sloping path, packed with hard snow, that led down to the Fjord. Once he reached the shore, he looked around nervously. There was nothing to see except for the distant, twinkling lights of Bosekop—the Fjord itself looked like a black pool—so still that the slightest sound of its gentle waves against the bonde's own private pier was audible—the tide was completely high.
Out of the reach of the encroaching waters, high and dry on the beach, was Güldmar's brig, the Valkyrie, transformed by the fingers of the frost into a white ship, fantastically draped with threads of frozen snow and pendent icicles. She was placed on a descending plank, to which she was attached by a chain and rope pulley,—so that at any time of the weather or tide she could be moved glidingly downwards into deep water—and this was what Valdemar occupied himself in doing. It was a hard task. The chains were stiff with the frost,—but, after some patient and arduous striving, they yielded to his efforts, and, with slow clank and much creaking complaint, the vessel slid reluctantly down and plunged forward, afloat at last. Holding her ropes, Valdemar sprang to the extreme edge of the pier and fastened her there, and then getting on board, he untied and began to hoist the sails. This was a matter of the greatest difficulty, but it was gradually and successfully accomplished; and a strange sight the Valkyrie then presented, resting nearly motionless on the black Fjord,—her stretched and frosted canvas looking like sheeted pearl fringed with silver,—her masts white with encrusted snow, and topped with pointed icicles. Leaving her for a moment, Valdemar quickly returned, carrying the pile of dry brushwood he had brought,—he descended with this into the hold of the ship, and returned without it. Glancing once more nervously about him, he jumped from the deck to the pier—thence to the shore—and as he did so a long dark wave rolled up and broke at his feet. The capricious wind had suddenly arisen,—and a moaning whisper coming from the adjacent hills gave warning of another storm.
Out of reach of the rising water, high and dry on the beach, was Güldmar's brig, the Valkyrie, turned into a white ship by the frost, strangely draped with threads of frozen snow and hanging icicles. She was set on a descending plank, tied down by a chain and rope pulley—so that she could be smoothly lowered into the deep water at any time, regardless of the weather or tide—and this was what Valdemar was focused on. It was tough work. The chains were frozen stiff, but after some patient and hard effort, they finally gave way, and with a slow clanking sound and much creaking, the vessel reluctantly slid down and plunged forward, finally afloat. Holding her ropes, Valdemar leapt to the edge of the pier and secured her there, then climbed on board, untied her, and began to hoist the sails. This was very challenging, but he managed to do it gradually and successfully; the Valkyrie presented a strange sight, resting nearly still on the dark Fjord—her stretched and frosted sails looking like pearly sheets fringed with silver—her masts white with crusted snow and topped with pointed icicles. Leaving her for a moment, Valdemar quickly returned with a pile of dry brushwood he had brought, descended into the hold, and came back without it. Glancing nervously around him once more, he jumped from the deck to the pier—and then to the shore—and as he did, a long dark wave rolled up and crashed at his feet. The unpredictable wind had suddenly picked up, and a moaning whisper from the nearby hills warned of another storm.
Valdemar hurriedly retraced his steps back to the house,—his work with the Valkyrie had occupied him more than an hour—the bonde, his friend and master, might have died during his absence! There was a cold sickness at his heart—his feet seemed heavy as lead, and scarcely able to carry him along quickly enough—to his credulous and visionary mind, the hovering shadow of death seemed everywhere,—in every crackling twig he brushed against,—in every sough of the wakening gale that rustled among the bare pines. To his intense relief he found Güldmar lying calmly back among his pillows,—his eyes well open and clear, and an expression of perfect peace upon his features. He smiled as he saw his servant enter.
Valdemar hurried back to the house—his work with the Valkyrie had taken over an hour. What if the bonde, his friend and master, had died while he was gone? A cold fear gripped his heart—his feet felt heavy, almost unable to move quickly enough. In his anxious mind, it seemed like death was lurking everywhere—in every twig that snapped as he brushed past, in every whisper of the wind through the bare pines. To his immense relief, he found Güldmar lying calmly on his pillows, his eyes wide open and clear, with a look of complete peace on his face. He smiled when he saw his servant enter.
"All is in readiness?" he asked.
"Is everything set?" he asked.
Valdemar bent his head in silent assent.
Valdemar nodded in agreement.
The bonde's face lightened with extraordinary rapture.
The bonde's face lit up with joy.
"I thank thee, old friend!" he said in low but glad accents. "Thou knowest I could not be at peace in any other grave. I have suffered in thine absence,—the sufferings of the body that, being yet strong in spite of age, is reluctant to take leave of life. But it is past! I am as one numbed with everlasting frost,—and now I feel no pain. And my mind is like a bird that poises for a while over past and present, ere soaring into the far future. There are things I must yet say to thee, Valdemar,—give me thy close hearing, for my voice is weak."
"I thank you, old friend!" he said in a low but happy voice. "You know I couldn't find peace in any other grave. I've suffered in your absence—the suffering of a body that, despite its age, is still strong and reluctant to leave life. But that's over! I feel like I'm numb from everlasting cold—and now I feel no pain. My mind is like a bird hovering for a moment over the past and present before soaring into the distant future. There are things I still need to say to you, Valdemar—please listen closely, as my voice is weak."
Svensen drew closer, and stood in the humble attitude of one who waits a command from some supreme chief.
Svensen stepped closer and stood with the humble posture of someone waiting for a command from a higher authority.
"This letter," went on the old man, giving him a folded paper, "is to the child of my heart, my Thelma. Send it to her—when—I am gone. It will not grieve her, I hope—for, as far as I could find words, I have expressed therein nothing but joy—the joy of a prisoner set free. Tell her, that with all the strength of my perishing body and escaping soul, I blessed her! . . . her and the husband in whose arms she rests in safety." He raised his trembling hands solemnly—"The gods of my fathers and their attendant spirits have her young life in their glorious keeping!—the joy of love and purity and peace be on her innocent head for ever!"
"This letter," the old man continued, handing him a folded piece of paper, "is for the child of my heart, my Thelma. Send it to her—when—I am gone. I hope it won’t make her sad—because, as best as I could express it, I’ve written nothing but joy in it—the joy of a prisoner set free. Tell her that with all the strength of my fading body and escaping soul, I blessed her! . . . her and the husband in whose arms she finds safety." He raised his trembling hands solemnly—"The gods of my fathers and their spirits are watching over her young life!—may the joy of love, purity, and peace be upon her innocent head forever!"
He paused,—the wind wailed mournfully round the house and shook the lattice with a sort of stealthy clatter, like a forlorn wanderer striving to creep in to warmth and shelter.
He paused—the wind howled sadly around the house and rattled the shutters with a quiet clatter, like a lonely traveler trying to sneak in for warmth and shelter.
"Here, Valdemar," continued the bonde presently, in fainter accents, at the same time handing him another paper. "Here are some scrawled lines—they are plainly set forth and signed—which make thee master of this poor place and all that it contains."
"Here, Valdemar," the bonde continued, speaking more softly, while handing him another piece of paper. "Here are some scribbled lines—they're clearly written and signed—that make you the owner of this humble place and everything it holds."
A low, choked sob broke from Valdemar's broad breast—he covered his face with his hands.
A low, choking sob escaped from Valdemar's broad chest—he covered his face with his hands.
"Of what avail?" he murmured brokenly. "When my lord departs, I am alone and friendless!"
"What's the point?" he said softly, sounding defeated. "When my lord leaves, I'm all alone and have no friends!"
The bonde regarded him with kindly pity.
The bond regarded him with kindly pity.
"Tears from the stout heart?" he inquired with a sort of grave wonder. "Weep for life, Valdemar—not for death! Alone and friendless? Not while the gods are in heaven! Cheer thee—thou art strong and in vigorous pride of manhood—why should not bright days come for thee—" He broke off with a gasp—a sudden access of pain convulsed him and rendered his breathing difficult. By sheer force of will he mastered the cruel agony, though great drops of sweat stood on his brow when he at last found voice to continue—
"Tears from a strong heart?" he asked with a serious curiosity. "Weep for life, Valdemar—not for death! Alone and without friends? Not while the gods are in heaven! Cheer up—you are strong and in the prime of your manhood—why shouldn't bright days come for you—" He stopped abruptly, gasping—a sudden wave of pain hit him, making it hard to breathe. With sheer determination, he fought through the intense agony, though large drops of sweat formed on his forehead when he finally found the voice to continue—
"I thought all suffering was past," he said with a heroic smile. "This foolish flesh and blood of mine dies hard! But, as I was saying to thee, Valdemar—the farm is thine, and all it holds—save some few trifles I have set down to be given to my child. There is little worth in what I leave thee—the soil—is hard and ungrateful—the harvest uncertain, and the cattle few. Even the reindeer—didst thou say they were injured by their fall last night?—I—I forget, . . ."
"I thought all the suffering was behind me," he said with a brave smile. "But this foolish flesh and blood of mine is tough! Anyway, as I was saying to you, Valdemar—the farm is yours, along with everything on it—except for a few small things I've noted to be given to my child. There's not much of value in what I'm leaving you—the soil is tough and unyielding—the harvest is uncertain, and the cattle are few. Even the reindeer—did you say they were hurt from their fall last night?—I—I forget, ..."
"No harm has come to them," said Svensen hastily, seeing that the very effort of thinking was becoming too much for the old man. "They are safe and unhurt. Trouble not about these things!"
"No harm has come to them," Svensen said quickly, noticing that just thinking was becoming too much for the old man. "They are safe and unharmed. Don't worry about it!"
A strange, unearthly radiance transfigured Güldmar's visage.
A strange, otherworldly glow transformed Güldmar's face.
"Trouble is departing swiftly from me," he murmured.
"Trouble is leaving me quickly," he said.
"Trouble and I shall know each other no more!" His voice died away inarticulately, and he was silent a little space. Suddenly, and with a rush of vigor—that seemed superhuman, he raised himself nearly erect, and pointed outwards with a commanding gesture.
"Trouble and I won’t know each other anymore!" His voice trailed off, and he fell silent for a moment. Suddenly, with a burst of energy that felt almost superhuman, he stood up straighter and pointed outward with an authoritative gesture.
"Bear me hence!" he cried in ringing tones. "Hence to the mountains and the sea!"
"Take me away!" he shouted in a loud voice. "Take me to the mountains and the ocean!"
With a sort of mechanical, swift obedience, Valdemar threw open the door—the wind rushed coldly into the house, bringing with it large feathery flakes of snow. A hand sledge stood outside the porch,—it was always there during the winter, being much used for visiting the outlying grounds of the farm,—and to this, Valdemar prepared to carry the bonde in his herculean arms. But, on being lifted from his couch, the old man, filled with strange, almost delirious force, declared himself able to stand,—and, though suffering deadly anguish at every step, did in truth manage to reach and enter the sledge, strongly supported by Valdemar. There, however, he fainted—and his faithful servant, covering his insensible form with, furs, thought he was dead. But there was now no time for hesitation,—dead or living, Olaf Güldmar's will was law to his vassal,—an oath had been made and must be kept. To propel the sledge down to the Fjord was an easy matter—how the rest of his duty was accomplished he never knew.
With a sort of mechanical, swift obedience, Valdemar threw open the door—the cold wind rushed into the house, bringing large feathery flakes of snow with it. A hand sledge stood outside on the porch—it was always there during the winter, frequently used for visiting the outlying areas of the farm—and Valdemar prepared to carry the bonde in his strong arms. But when he was lifted from his couch, the old man, filled with strange, almost delirious strength, declared that he could stand—and although he felt intense pain with every step, he actually managed to reach and enter the sledge, strongly supported by Valdemar. There, however, he fainted—and his loyal servant, covering his unconscious body with furs, thought he was dead. But there was no time to hesitate—dead or alive, Olaf Güldmar's will was law to his vassal—an oath had been made and had to be kept. Propelling the sledge down to the Fjord was easy—how the rest of his duty was accomplished, he never knew.
He was conscious of staggering blindly onward, weighted with a heavy, helpless burden,—he felt the slippery pier beneath his feet—the driving snow and the icy wind on his face,—but he was as one in a dream, realizing nothing plainly, till with a wild start, he seemed to awake—and lo! he stood on the glassy deck of the Valkyrie with the body of his "King" stretched senseless before him! Had he brought him there? He could not remember what he had done during the past few mad minutes,—the earth and sky whirled dizzily around him,—he could grasp nothing tangible in thought or memory. But there, most certainly, Olaf Güldmar lay,—his pallid face upturned, his hair and beard as white as the snow that clung to the masts of his vessel—his hand clenched on the fur garment that enwrapped him as with a robe of royalty.
He realized he was stumbling forward aimlessly, weighed down by a heavy, helpless burden. He felt the slick pier under his feet, the swirling snow, and the icy wind on his face, but it was like he was in a dream, not fully grasping anything until, with a sudden jolt, he seemed to wake up—and there he was on the smooth deck of the Valkyrie, looking at the lifeless body of his "King" stretched out before him! Had he brought him here? He couldn’t remember what he had done in the last few frantic moments—the earth and sky spun around him in a blur—he couldn’t hold onto any clear thought or memory. But there, without a doubt, lay Olaf Güldmar—his pale face turned up, his hair and beard as white as the snow clinging to the masts of his ship—his hand gripping the fur garment that wrapped him like a royal robe.
Dropping on his knees beside him, Valdemar felt his heart—it still throbbed fitfully and feebly. Watching the intense calm of the grand, rugged face, this stern, weather-worn sailor—this man of superstitious and heathen imaginations—gave way to womanish tears—tears that were the outcome of sincere and passionate grief. His love was of an exceptional type,—something like that of a faithful dog that refuses to leave the grave of its master,—he could contemplate death for himself with absolute indifference,—but not for the bonde, whose sturdy strength and splendid physique had seemed to defy all danger.
Dropping to his knees beside him, Valdemar felt his heart—it still throbbed weakly and irregularly. As he watched the intense calm of the grand, rugged face of this stern, weathered sailor—this man with superstitious and pagan beliefs—he couldn't help but shed tears, tears that came from deep, heartfelt sorrow. His love was extraordinary, similar to that of a loyal dog that won’t leave the grave of its owner; he could face his own death with complete indifference, but not the bonde, whose strong build and impressive physique had seemed to challenge any danger.
As he knelt and wept unrestrainedly, a soft change, a delicate transparency, swept over the dark bosom of the sky. Pale pink streaks glittered on the dusky horizon—darts of light began to climb upward into the clouds, and to plunge downward into the water,—the radiance spread, and gradually formed into a broad band of deep crimson, which burned with a fixed and intense glow—topaz-like rays flickered and streamed about it, as though uncertain what fantastic shape they should take to best display their brilliancy. This tremulous hesitation of varying color did not last long; the whole jewel-like mass swept together, expanding and contracting with extraordinary swiftness for a few seconds—then, suddenly and clearly defined in the sky, a Kingly Crown blazed forth—a Crown of perfect shape, its five points distinctly and separately outlined and flashing as with a million rubies and diamonds. The red lustre warmly tinged the pale features of the dying man, and startled Valdemar, who sprang to his feet and gazed at that mystic aureola with a cry of wonder. At the same moment Olaf Güldmar stirred, and began to speak drowsily without opening his eyes.
As he knelt and cried freely, a soft change, a delicate clarity, swept over the dark expanse of the sky. Pale pink streaks shimmered on the dark horizon—rays of light started to rise into the clouds and plunge down into the water—the glow spread and gradually formed into a broad band of deep crimson, which burned with a steady and intense brightness—topaz-like rays flickered and danced around it, as if unsure what amazing shape they should take to best show off their brilliance. This wavering hesitation of shifting colors didn’t last long; the entire jewel-like mass came together, expanding and contracting with incredible speed for a few seconds—then, suddenly and clearly defined in the sky, a Royal Crown blazed forth—a Crown of perfect shape, its five points sharply defined and sparkling as if surrounded by a million rubies and diamonds. The red glow warmly colored the pale features of the dying man and startled Valdemar, who jumped to his feet and stared at that mystical halo with a cry of awe. At the same moment, Olaf Güldmar stirred and began to speak sleepily without opening his eyes.
"Dawn on the sea!" he murmured—"The white waves gleam and sparkle beneath the prow, and the ship makes swift way through the water! It is dawn in my heart—the dawn of love for thee and me, my Thelma—fear not! The rose of passion is a hardy flower that can bloom in the north as well as in the south, believe me! Thelma—Thelma!"
"Dawn on the sea!" he whispered—"The white waves shine and sparkle under the bow, and the ship glides swiftly through the water! It's dawn in my heart—the dawn of love for you and me, my Thelma—don't be afraid! The rose of passion is a strong flower that can thrive in the north just as well as in the south, trust me! Thelma—Thelma!"
He suddenly opened his eyes, and realizing his surroundings, raised himself half-erect.
He suddenly opened his eyes, and realizing where he was, propped himself up halfway.
"Set sail!" he cried, pointing with a majestic motion of his arm to the diadem glittering in the sky. "Why do we linger? The wind favors us, and the tide sweeps forward—forward! See how the lights beckon from the harbor!"
"Set sail!" he shouted, gesturing grandly with his arm towards the crown sparkling in the sky. "Why are we waiting? The wind is with us, and the tide pushes us onward—onward! Look at how the lights are calling us from the harbor!"
He bent his brows and looked almost angrily at Svensen. "Do what thou hast to do!" and his tones were sharp and imperious. "I must press on!"
He furrowed his brows and glared at Svensen. "Do what you have to do!" His voice was sharp and authoritative. "I need to keep moving!"
An expression of terror, pain, and pity passed over the sailor's countenance—for one instant he hesitated—the next, he descended into the hold of the vessel. He was absent for a very little space,—but when he returned his eyes were wild as though he had been engaged in some dark and criminal deed. Olaf Güldmar was still gazing at the brilliancy in the heavens, which seemed to increase in size and lustre as the wind rose higher. Svensen took his hand—it was icy cold, and damp with the dew of death.
An expression of fear, pain, and sympathy flashed across the sailor's face—for a moment he hesitated—but then he went down into the ship's hold. He was gone for only a short time, but when he came back, his eyes were wild as if he had been involved in something dark and illegal. Olaf Güldmar was still staring at the brightness in the sky, which seemed to grow larger and brighter as the wind picked up. Svensen took his hand—it was icy cold and damp with the dew of death.
"Let me go with thee!" he implored, in broken accent. "I fear nothing! Why should I not venture also on the last voyage?"
"Let me come with you!" he pleaded, with a shaky voice. "I'm not afraid! Why shouldn't I also take part in the final journey?"
Güldmar made a faint but decided sign of rejection.
Güldmar made a slight but clear gesture of refusal.
"The Viking sails alone to the grave of his fathers!" he with a serene and proud smile. "Alone—alone! Neither wife, nor child, nor vassal may have place with him in his ship—even so have the gods willed it. Farewell, Valdemar! Loosen the ropes and let me go!—thou servest me ill—hasten—hasten—I am weary of waiting—"
"The Viking sails alone to his ancestors' grave!" he said with a calm and proud smile. "Alone—alone! No wife, no child, and no vassal can be with him on his ship—even the gods have decided it this way. Goodbye, Valdemar! Untie the ropes and let me go!—you’re not helping me—hurry—hurry—I’m tired of waiting—"
His head fell back,—that mysterious shadow which darkens the face of the dying a moment before dissolution, was on him now.
His head fell back— that mysterious shadow that darkens the faces of those who are dying just moments before they pass was now on him.
Just then a strange, suffocating odor began to permeate the air—little wreaths of pale smoke made their slow way through the boards of the deck—and a fierce gust of wind, blowing seawards from the mountains, swayed the Valkyrie uneasily to and fro. Slowly, and with evident reluctance, Svensen commenced the work of detaching her from the pier—feeling instinctively all the while that his master's dying eyes were fixed upon him. When but one slender rope remained to be cast off, he knelt by the old man's side said whispered tremblingly that all was done. At the same moment a small, stealthy tongue of red flame curled up through the deck from the hold,—and Güldmar, observing this, smiled.
Just then, a strange, suffocating smell started to fill the air—small curls of pale smoke slowly drifted through the cracks in the deck—and a strong gust of wind blew seaward from the mountains, causing the Valkyrie to rock back and forth uneasily. Slowly, and with clear hesitation, Svensen began the task of untethering her from the pier—instinctively feeling all the while that his master's dying gaze was locked on him. With only one thin rope left to untie, he knelt by the old man's side and whispered nervously that everything was ready. At that moment, a small, sly flicker of red flame emerged from the hold through the deck—and Güldmar, noticing this, smiled.
"I see thou hast redeemed thine oath," he said, gratefully pressing Svensen's hand. "'Tis the last act of thine allegiance,—may the gods reward thy faithfulness! Peace be with thee!—we shall meet hereafter. Already the light shines from the Rainbow Bridge,—there,—there are the golden peaks of the hills and the stretch of the wide sea! Go, Valdemar!—delay no longer, for my soul is impatient—it burns, it struggles to be free! Go!—and—farewell!"
"I see you've kept your promise," he said, gratefully shaking Svensen's hand. "This is the final act of your loyalty—may the gods reward your faithfulness! Peace be with you—we will meet again. The light is already shining from the Rainbow Bridge—look, there are the golden peaks of the hills and the vast stretch of the sea! Go, Valdemar!—don't wait any longer, because my soul is restless—it burns, it yearns to be free! Go!—and—goodbye!"
Stricken to the heart, and full of anguish,—yet serf-like in his submission and resignation to the inevitable,—Svensen kissed his master's hand for the last time. Then, with a sort of fierce sobbing groan, wrung from the very depths of his despairing grief, he turned resolutely away, and sprang off the vessel. Standing at the extreme edge of the pier, he let slip the last rope that bound her,—her sails filled and bulged outward,—her cordage creaked, she shuddered on the water—lurched a little—then paused.
Struck to the core and overwhelmed with sorrow, yet submissive and resigned to what had to happen, Svensen kissed his master's hand for the final time. Then, with a deep, fierce sob, pulled from the depths of his heartbreaking grief, he turned away with determination and jumped off the boat. Standing at the very edge of the pier, he let go of the last rope tying her, her sails filled and puffed out, her rigging creaked, she trembled on the water—tilted a bit—then stopped.
In that brief moment a loud triumphant cry rang through the air. Olaf Güldmar leaped upright on the deck as though lifted by some invisible hand, and confronted his terrified servants, who gazed at him in fascinated amazement and awe. His white hair gleamed like spun silver—his face was transfigured, and wore a strange, rapt look of pale yet splendid majesty—the dark furs that clung about him trailed in regal folds to his feet.
In that brief moment, a loud triumphant cry echoed through the air. Olaf Güldmar jumped up on the deck as if he were lifted by an invisible hand, facing his terrified servants, who stared at him in fascinated amazement and awe. His white hair shone like spun silver—his face was transformed, wearing a strange, entranced expression of pale yet splendid majesty—the dark furs draped around him fell in regal folds to his feet.
"Hark!" he cried, and his voice vibrated with deep and mellow clearness. "Hark to the thunder of the galloping hoofs!—see—see the glitter of the shield and spear! She comes-ah! Thelma! Thelma!" He raised his arms as though in ecstacy. "Glory!—joy!—Victory!"
"Listen!" he shouted, and his voice rang out with rich and clear intensity. "Listen to the thunder of the galloping hooves!—look—look at the shine of the shield and spear! She’s coming—ah! Thelma! Thelma!" He raised his arms as if in ecstasy. "Glory!—joy!—Victory!"
And, like a noble tree struck down by lightning, he fell—dead!
And, like a grand tree hit by lightning, he fell—dead!
Even as he fell, the Valkyrie plunged forward, driven forcibly by a swooping gust of wind, and scudded out to the Fjord like a wild bird flying before a tempest,—and, while she thus fled, a sheet of flame burst through her sides and blazed upwards, mingling a lurid, smoky glow with the clear crimson radiance of the still brilliant and crown-like aurora. Following the current, she made swift way across the dark water in the direction of the island of Seiland, and presently became a wondrous Ship of Fire! Fire flashed from her masts—fire folded up her spars and sails in a devouring embrace,—fire, that leaped and played and sent forth a million showering sparks hissingly into the waves beneath.
Even as he fell, the Valkyrie surged forward, pushed forcefully by a sweeping gust of wind, and darted out to the Fjord like a wild bird fleeing a storm. As she raced away, flames erupted from her sides and shot upward, blending a bright, smoky glow with the vivid crimson light of the still dazzling, crown-like aurora. Following the current, she sped across the dark water toward the island of Seiland, and soon became an astonishing Ship of Fire! Fire ignited from her masts—fire wrapped her spars and sails in a consuming embrace—fire that danced and flickered, sending millions of sparkling showers hissing into the waves below.
With beating heart and straining eyes, Valdemar Svensen crouched on the pier-head, watching, in mute agony, the burning vessel. He had fulfilled his oath!—that strange vow that had so sternly bound him,—a vow that was the outcome of his peculiar traditions and pagan creed.
With a racing heart and strained eyes, Valdemar Svensen crouched on the pier, watching in silent agony as the ship burned. He had kept his vow!—that strange promise that had bound him so tightly,—a promise that was the result of his unique traditions and pagan beliefs.
Long ago, in the days of his youth,—full of enthusiasm for the worship of Odin and the past splendors of the race of the great Norse warriors,—he had chosen to recognize in Olaf Güldmar a true descendant of kings, who was by blood and birth, though not in power, himself a king,—and tracing his legendary history back to old and half-forgotten sources, he had proved, satisfactorily, to his own mind, that he, Svensen, must lawfully, and according to old feudal system, be this king's serf or vassal. And, growing more and more convinced of this in his dreamy and imaginative mind,—he had sworn a sort of mystic friendship and allegiance, which Güldmar had accepted, imposing on him, however, only one absolute command. This was that he should be given the "crimson shroud" and sea-tomb of his war-like ancestors,—for the idea that his body might be touched by strange hands, shut in a close coffin, and laid in the earth to moulder away to wormy corruption,—had been the one fantastic dread of the sturdy old pagan's life. And he had taken advantage of Svensen's devotion and obedience to impress on him the paramount importance of his solitary behest.
Long ago, in his youth—filled with excitement for the worship of Odin and the glorious history of the great Norse warriors—he had chosen to see Olaf Güldmar as a true descendant of kings. By blood and birth, though not in power, he was a king. Svensen traced Güldmar’s legendary history back to ancient and somewhat forgotten sources, convincing himself that he, Svensen, must lawfully be this king's serf or vassal according to the old feudal system. As he grew more convinced in his dreamy and imaginative mind, he swore a kind of mystical friendship and allegiance, which Güldmar accepted, but he imposed only one absolute command. This was that he should be given the "crimson shroud" and sea-tomb of his warrior ancestors—because the thought of his body being touched by strange hands, confined in a tight coffin, and buried in the earth to decay into worm-ridden corruption was the one fantastical fear that haunted the sturdy old pagan's life. He took advantage of Svensen’s devotion and obedience to stress the utmost importance of his singular request.
"Let no hypocritical prayers be chanted over my dumb corpse," he had said. "My blood would ooze from me at every pore were I touched by the fingers of a Lutheran! Save this goodly body that has served me so well from the inferior dust,—let the bright fire wither it, and the glad sea drown it,—and my soul, beholding its end afar off, shall rejoice and be satisfied. Swear by the wrath and thunder of the gods!—swear by the unflinching Hammer of Thor,—swear by the gates of Valhalla, and in the name of Odin!—and having sworn, the curse of all these be upon thee if thou fail to keep thy vow!"
"Don’t let any fake prayers be said over my lifeless body," he said. "My blood would seep from every pore if a Lutheran touched me! Save this great body that has served me so well from the ordinary dust—let the bright fire consume it, and the welcoming sea drown it—and my soul, seeing its end from afar, shall rejoice and be satisfied. Swear by the wrath and thunder of the gods!—swear by the mighty Hammer of Thor,—swear by the gates of Valhalla, and in the name of Odin!—and having sworn, may the curse of all these be upon you if you fail to keep your vow!"
And Valdemar had sworn. Now that the oath was kept—now that his promised obedience had been carried out to the extremest letter, he was as one stupefied. Shivering, yet regardless of the snow that began to fall thickly, he kept his post, staring, staring in drear fascination across the Fjord, where the Valkyrie drifted, now a mass of flame blown fiercely by the wind, and gleaming red through the flaky snow-storm.
And Valdemar had sworn. Now that he had fulfilled his oath—now that he had followed his promised obedience to the letter, he felt dazed. Shivering, yet ignoring the heavy snow that began to fall, he stayed at his post, staring in bleak fascination across the Fjord, where the Valkyrie floated, now a mass of flames driven fiercely by the wind, glowing red through the swirling snowstorm.
The aurora borealis faded by gradual degrees, and the flaming ship was more than ever distinctly visible. She was seen from the shore of Bosekop, by a group of the inhabitants, who, rubbing their dull eyes, could not decide whether what they beheld was fire, or a new phase of the capricious, ever-changing Northern Lights,—the rapidly descending snow rendering their vision bewildered and uncertain. Any way, they thought very little about it,—they had had excitement of another kind in the arrival of Ulrika from Talvig, bringing accounts of the godly Lovisa Elsland's death.
The aurora borealis faded gradually, and the bright ship was more vividly visible than ever. A group of people on the shore of Bosekop saw her and, rubbing their tired eyes, couldn’t tell whether what they were looking at was fire or just another display of the unpredictable, ever-changing Northern Lights—the fast-falling snow making it hard for them to see clearly. In any case, they didn’t think too much about it—they had already been caught up in another kind of excitement with Ulrika's arrival from Talvig, bringing news of the beloved Lovisa Elsland's death.
Moreover, an English steam cargo-boat, bound for the North Cape, had, just an hour previously, touched at their harbor, to land a passenger,—a mysterious woman closely veiled, who immediately on arrival had hired a sledge, and had bidden the driver to take her to the house of Olaf Güldmar, an eight miles journey through the drifted snow. All this was intensely interesting to the good, stupid, gossiping fisher-folks of Bosekop,—so much so, indeed, that they scarcely paid any heed to the spectacle of the fiery ship swaying suggestively on the heaving water, and drifting rapidly away—away towards the frosted peaks of Seiland.
Moreover, an English steam cargo boat, heading for the North Cape, had, just an hour earlier, stopped at their harbor to drop off a passenger—a mysterious woman in a full veil. As soon as she arrived, she hired a sled and told the driver to take her to the house of Olaf Güldmar, an eight-mile journey through the deep snow. All this was incredibly fascinating to the simple, chatty fishermen of Bosekop—so much so that they hardly noticed the fiery ship swaying on the rough water and quickly drifting away—away towards the frozen peaks of Seiland.
Further and further she receded,—the flames around her waving like banners in a battle—further and further still—till Valdemar Svensen, from his station on the pier, began to lose sight of her blazing timbers,—and, starting from his reverie, he ran rapidly from the shore, up through the garden paths to the farm-house, in order to gain the summit, and from that point of vantage, watch the last glimmering spark of the Viking's burial. As he reached the house, he stopped short and uttered a wild exclamation. There,—under the porch hung with sparkling icicles,—stood Thelma! . . . Thelma,—her face pale and weary, yet smiling faintly,—Thelma with the glint of her wondrous gold hair escaping from under her hat, and glittering on the folds of her dark fur mantle.
Further and further she moved away—the flames around her waving like banners in battle—further and further still—until Valdemar Svensen, from his spot on the pier, began to lose sight of her blazing timbers. Shaking off his reverie, he quickly made his way from the shore, through the garden paths to the farmhouse, aiming to reach the top so he could watch the last glimmer of the Viking's burial. When he arrived at the house, he stopped and let out a shocked exclamation. There—under the porch decorated with sparkling icicles—stood Thelma! … Thelma, her face pale and tired but smiling faintly—Thelma with the glint of her beautiful golden hair escaping from under her hat and shining on the folds of her dark fur mantle.
"I have come home, Valdemar!" said the sweet, rich, penetrating voice. "Where is my father?"
"I've come home, Valdemar!" said the sweet, rich, powerful voice. "Where is my dad?"
As a man distraught, or in some dreadful dream, Valdemar approached her—the strangeness of his look and manner filled her with sudden fear,—he caught her hand and pointed to the dark Fjord—to the spot where gleamed a lurid waving wreath of flames.
As a distressed man, or like he was in a terrible dream, Valdemar approached her—his odd look and behavior sent a wave of fear through her. He grabbed her hand and pointed to the dark Fjord—to the place where a bright, flickering wreath of flames shone.
"Fröken Thelma—he is there!" he gasped in choked, hoarse tones. "there—where the gods have called him!"
"Miss Thelma—he is there!" he gasped in a strangled, raspy voice. "there—where the gods have summoned him!"
With a faint shriek of terror, Thelma's blue eyes turned toward the shadowy water,—as she looked, a long up-twisting snake of fire appeared to leap from the perishing Valkyrie,—a snake that twined its glittering coils rapidly round and round on the wind, and as rapidly sank—down—down—to one glimmering spark which glowed redly like a floating lamp for a brief space,—and was then quenched for ever! The ship had vanished! Thelma needed no explanation,—she knew her father's creed—she understood all. Breaking loose from Valdemar's grasp, she rushed a few steps forward with arms outstretched on the bitter, snowy air.
With a faint scream of fear, Thelma's blue eyes turned toward the shadowy water. As she looked, a long, twisting snake of fire seemed to leap from the sinking Valkyrie, a snake that coiled its sparkling body quickly around in the wind and then just as quickly sank—down—down—to a glowing spark that shone red like a floating lamp for a brief moment—and then was gone forever! The ship had disappeared! Thelma didn’t need an explanation—she knew her father’s beliefs—she understood everything. Breaking free from Valdemar’s grip, she rushed a few steps forward with her arms outstretched into the cold, snowy air.
"Father! father!" she cried aloud and sobbingly. "Wait for me!—it is I Thelma!—I am coming—Father!"
"Father! Father!" she cried out, sobbing. "Wait for me! It’s me, Thelma! I’m coming—Father!"
The white world around her grew black—and, shuddering like a shot bird, she fell senseless.
The white world around her turned black—and, trembling like a shocked bird, she collapsed unconscious.
Instantly Valdemar raised her from the ground, and holding her tenderly and reverently in his strong arms, carried her, as though she were a child, into the house . . . clouds darkened—the snow-storm thickened—the mountain-peaks, stern giants, frowned through their sleety veils at the arctic desolation of the land below them,—and over the charred and sunken corpse of the departed servant of Odin, sounded the solemn De Profundis of the sea.
Instantly, Valdemar lifted her from the ground, and holding her gently and respectfully in his strong arms, carried her inside as if she were a child. Clouds darkened—the snowstorm intensified—the mountain peaks, like stern giants, glared through their icy veils at the icy emptiness of the land below them—and over the charred and sunken body of the deceased servant of Odin, the solemn De Profundis of the sea echoed.
CHAPTER XXXIII.
"The body is the storm; The soul the star beyond it, in the deep Of Nature's calm. And, yonder, on the steep, The Sun of Faith, quiescent, round, and warm!" |
Late on that same night, the pious Ulrika was engaged in prayer. Prayer with her was a sort of fanatical wrestling of the body as well as of the soul,—she was never contented unless by means of groans and contortions she could manage to work up by degrees into a condition of hysteria resembling a mild epileptic attack, in which state alone she considered herself worthy to approach the Deity. On this occasion she had some difficulty to attain the desired result—her soul, as she herself expressed it, was "dry"—and her thoughts wandered,—though she pinched her neck and arms with the hard resoluteness of a sworn flagellant, and groaned, "Lord, have mercy on me a sinner!" with indefatigable earnestness. She was considerably startled in the midst of these energetic devotions by a sudden jangling of sledge—bells, and aloud knocking—a knocking which threatened to break down the door of the small and humble house she inhabited. Hastily donning the coarse gown and bodice she had recently taken off in order to administer chastisement to her own flesh more thoroughly, she unfastened her bolts and bars, and, lifting the latch, was confronted by Valdemar Svensen, who, nearly breathless with swift driving through the snow-storm, cried out in quick gasps—
Late that same night, the devout Ulrika was deep in prayer. For her, prayer was a kind of intense struggle of both body and soul—she was never satisfied unless she could work herself up into a state of hysteria that resembled a mild seizure, in which state alone did she feel worthy to approach God. This time, she had trouble reaching that state—her soul, as she put it, was "dry"—and her thoughts drifted, even though she pinched her neck and arms with the fierce determination of someone dedicated to self-punishment, groaning, "Lord, have mercy on me, a sinner!" with tireless fervor. She was quite startled in the middle of her intense devotion by a sudden clanging of sleigh bells and loud knocking—knocking that threatened to break down the door of her small, humble home. Quickly putting on the rough gown and bodice she had just removed to punish herself more thoroughly, she undid her bolts and bars, and after lifting the latch, found herself face to face with Valdemar Svensen, who, nearly breathless from racing through the snowstorm, gasped out—
"Come with me—come! She is dying!"
"Come with me—come on! She’s dying!"
"God help the man!" exclaimed Ulrika startled. "Who is dying?"
"God help the man!" Ulrika exclaimed, startled. "Who is dying?"
"She—the Fröken Thelma—Lady Errington—she is all alone up there," and he pointed distractedly in the direction from whence he had come. "I can get no one in Bosekop,—the women are cowards all,—all afraid to go near her," and he wrung his hands in passionate distress.
"She—the Fröken Thelma—Lady Errington—she's up there all by herself," he said, pointing absentmindedly in the direction he had come from. "I can't find anyone in Bosekop—the women are all too scared—they're all afraid to get close to her," and he wrung his hands in deep distress.
Ulrika pulled a thick shawl from the nail where it hung and wrapped it round her.
Ulrika took a thick shawl off the nail where it was hanging and wrapped it around herself.
"I am ready," she said, and without more delay, stepped into the waiting sledge, while Valdemar, with an exclamation of gratitude and relief, took his place beside her. "But how is it?" she asked, as the reindeer started off at full speed, "how is it that the bonde's daughter is again at the Altenfjord?"
"I’m ready," she said, and without any hesitation, got into the waiting sled, while Valdemar, with an expression of gratitude and relief, took his seat next to her. "But how is this possible?" she asked as the reindeer took off at full speed. "How is it that the bonde's daughter is back at the Altenfjord?"
"I know not!" answered Svensen despairingly. "I would have given my life not to have told her of her father's death."
"I don't know!" Svensen replied hopelessly. "I would have given my life to avoid telling her about her father's death."
"Death!" cried Ulrika. "Olaf Güldmar dead! Impossible! Only last night I saw him in the pride of his strength,—and thought I never had beheld so goodly a man. Lord, Lord! That he should be dead!"
"Death!" shouted Ulrika. "Olaf Güldmar dead! No way! Just last night I saw him at the peak of his strength—and I thought I had never seen such a handsome man. Oh, my God! That he should be dead!"
In a few words Svensen related all that had happened, with the exception of the fire-burial in the Fjord.
In just a few words, Svensen shared everything that had happened, except for the fire-burial in the Fjord.
But Ulrika immediately asked, "Is his body still in the house?"
But Ulrika immediately asked, "Is his body still in the house?"
Svensen looked at her darkly. "Hast thou never heard Ulrika," he said solemnly, "that the bodies of men who follow Olaf Güldmar's creed, disappear as soon as the life departs from them? It is a mystery—strange and terrible! But this is true—my master's sailing-ship has gone, and his body with it—and I know not where!"
Svensen looked at her seriously. "Haven't you ever heard, Ulrika," he said solemnly, "that the bodies of men who follow Olaf Güldmar's beliefs vanish as soon as life leaves them? It’s a mystery—strange and terrifying! But it's true—my master's ship has left, and his body went with it—and I have no idea where!"
Ulrika surveyed him steadily with a slow, incredulous smile. After a pause, she said—
Ulrika looked at him intently with a slow, disbelieving smile. After a moment, she said—
"Fidelity in a servant is good, Valdemar Svensen! I know you well—I also know that a pagan shrinks from Christian burial. Enough said—I will ask no more—but if Olaf Güldmar's ship's has gone, and he with it,—I warn you, the village will wonder."
"Faithfulness in a servant is valuable, Valdemar Svensen! I know you well—I also understand that a pagan avoids Christian burial. That's all I need to say—I won’t ask anything further—but if Olaf Güldmar's ship has sailed, and he is on it,—I caution you, the village will be curious."
"I cannot help it," said Svensen with cold brevity. "I have spoken truth—he has gone! I saw him die—and then vanish. Believe it or not as you will, I care not!"
"I can't help it," said Svensen with a cold tone. "I told the truth—he’s gone! I saw him die—and then disappear. Believe it or not, I don’t care!"
And he drove on in silence. Ulrika was silent too.
And he kept driving without saying a word. Ulrika was quiet as well.
She had known Valdemar Svensen for many years—he was a man universally liked and respected at all the harbors and different fishing-stations of Norway, and his life was an open book to everybody, with the exception of one page, which was turned down and sealed,—this was the question of his religious belief. No one knew what form of faith he followed,—it was only when he went to live with the bonde, after Thelma's marriage,—that the nature of his creed was dimly suspected. But Ulrika had no dislike for him on this account,—her opinions had changed very much during the past few months. As devout a Lutheran as ever, she began to entertain a little more of the true spirit of Christianity—that spirit of gentle and patient tolerance which, full of forbearance towards all humanity, is willing to admit the possibility of a little good in everything, even in the blind tenets of a heathen creed. Part of this alteration in her was due to the gratitude she secretly felt towards the Güldmar family, for having saved from destruction,—albeit unconscious of his parentage,—Sigurd, the child she had attempted to murder. The hideous malevolence of Lovisa Elsland's nature had shown her that there may be bad Lutherans,—the invariable tenderness displayed by the Güldmars for her unrecognized, helpless and distraught son,—had proved to her that there may be good heathens. Hearing thus suddenly of the bonde's death, she was strangely affected—she could almost have wept. She felt perfectly convinced that Svensen had made away with his master's body by some mysterious rite connected with pagan belief,—she knew that Güldmar himself, according to rumor, had buried his own wife in some unknown spot, with strange and weird ceremonials, but she was inclined to be tolerant,—and glancing at Svensen's grave, pained face from time to time as she sat beside him in the sledge, she resolved to ask him no more questions on the subject, but to accept and support, if necessary, the theory he had so emphatically set forth,—namely, the mystical evanishment of the corpse by some supernatural agency.
She had known Valdemar Svensen for many years—he was a man who was universally liked and respected at all the harbors and fishing stations in Norway, and his life was an open book to everyone, except for one page, which was turned down and sealed—this was the issue of his religious beliefs. No one knew what faith he followed—it was only when he moved in with the bonde after Thelma's marriage that the nature of his beliefs was vaguely suspected. But Ulrika didn’t dislike him for that—her views had changed a lot in the past few months. As devoted a Lutheran as ever, she started to embrace a bit more of the true spirit of Christianity—that spirit of gentle and patient tolerance which, full of forbearance towards all humanity, is willing to accept the possibility of a little good in everything, even in the blind beliefs of a pagan creed. Part of this change in her was due to the gratitude she secretly felt towards the Güldmar family for having saved from destruction—although unaware of his parentage—Sigurd, the child she had tried to murder. The terrible malice of Lovisa Elsland had shown her that there may be bad Lutherans—the constant kindness shown by the Güldmars for her unrecognized, helpless, and distraught son had proven to her that there may be good pagans. Hearing suddenly about the bonde's death, she was strangely moved—she could almost have cried. She was convinced that Svensen had disposed of his master's body through some mysterious ritual linked to pagan beliefs—she knew that Güldmar himself, according to rumor, had buried his own wife in some unknown place, with strange and weird ceremonies, but she was inclined to be tolerant—and glancing at Svensen's grave, pained face from time to time as she sat beside him in the sledge, she resolved not to ask him any more questions on the topic, but to accept and support, if necessary, the theory he had so passionately put forth—namely, the mystical disappearance of the corpse by some supernatural means.
As they neared their destination, she began to think of Thelma, the beautiful, proud girl whom she remembered best as standing on a little green-tufted hillock with a cluster of pansies in her hand, and Sigurd—Sigurd clinging fondly to her white skirts, with a wealth of passionate devotion in his upturned, melancholy, blue eyes. Ulrika had seen her but once since then,—and that was on the occasion when, at the threat of Lovisa Elsland, and the command of the Reverend Mr. Dyceworthy, she had given her Sir Philip Errington's card, with the false message written on it that had decoyed her for a time into the wily minister's power. She felt a thrill of shame as she remembered the part she had played in that cruel trick,—and reverting once more to the memory of Sigurd, whose tragic end at the Fall of Njedegorze she had learned through Valdemar, she resolved to make amends now that she had the chance, and to do her best for Thelma in her suffering and trouble.
As they got closer to their destination, she started to think about Thelma, the beautiful, proud girl she remembered best standing on a little green-tufted hill with a bunch of pansies in her hand, and Sigurd—Sigurd, who was lovingly clinging to her white skirts, his sad blue eyes filled with deep devotion. Ulrika had only seen her once since then, and that was when, under the threat from Lovisa Elsland and the command of Reverend Mr. Dyceworthy, she had handed over Sir Philip Errington's card with the false message written on it, which had lured Thelma into the cunning minister's trap for a while. She felt a twinge of shame as she recalled her role in that cruel trick, and once again thinking about Sigurd, whose tragic fate at the Fall of Njedegorze she had learned about from Valdemar, she decided to make things right now that she had the opportunity, and to do her best for Thelma in her suffering and struggles.
"For who knows," mused Ulrika, "Whether it is not the Lord's hand that is extended towards me,—and that in the ministering to the wants of her whom I wronged, and whom my son so greatly loved, I may not thereby cancel the past sin, and work out my own redemption!"
"For who knows," Ulrika wondered, "if it is not the Lord's hand reaching out to me— and that by helping the needs of the person I wronged, and whom my son loved so deeply, I might not be able to atone for my past sins and find my own redemption!"
And her dull eyes brightened with hope, and her heart warmed,—she began to feel almost humane and sympathetic,—and was so eager to commence her office of nurse and consoler to Thelma that she jumped out of the sledge almost before it had stopped at the farm gate. Disregarding Valdemar's assistance, she clambered sturdily over the drifted heaps of slippery snow that blocked the deserted pathways, and made for the house,—Valdemar following her as soon as he had safely fastened up the sledge, which was not his own, he having in emergency borrowed it from a neighbor. As they approached, a sound came floating to meet them—a sound which made them pause and look at each other in surprise and anxiety. Some one was singing,—a voice full and clear, though with a strange, uncertain quiver in it, rippled out in wild strains of minor melody on the snow-laden air. For one moment Ulrika listened doubtedly, and then without more delay ran hastily forward and entered the house. Thelma was there,—sitting at the lattice window which she had thrown wide open to the icy blast,—she had taken off her cloak and hat, and her hair, unbound, fell about her in a great, glittering tangle of gold,—her hands were busy manipulating an imaginary spinning-wheel—her eyes were brilliant as jewels, but full of pain, terror, and pathos. She smiled a piteous smile as she became hazily conscious that there were others in the room—but she went on with her song—a mournful, Norwegian ditty,—till a sudden break in her voice caused her to put her hand to her throat and look up perplexedly.
And her dull eyes filled with hope, and her heart warmed—she started to feel almost human and sympathetic—and was so eager to start her role as nurse and comforter to Thelma that she jumped out of the sled almost before it had stopped at the farm gate. Ignoring Valdemar's help, she scrambled sturdily over the mounds of slippery snow that blocked the empty paths and headed for the house—Valdemar following her as soon as he had safely secured the sled, which wasn't his own; he had borrowed it from a neighbor in an emergency. As they got closer, a sound floated toward them—a sound that made them stop and look at each other in surprise and worry. Someone was singing—a voice full and clear, yet with a strange, uncertain quiver, resonating in wild strains of minor melody in the snow-filled air. For a moment, Ulrika listened hesitantly, then without delay, she hurried forward and entered the house. Thelma was there—sitting at the open lattice window, which she had flung wide to the icy wind—she had removed her cloak and hat, and her hair, unbound, fell around her in a great, sparkling tangle of gold—her hands were busy pretending to work at an imaginary spinning-wheel—her eyes were bright like jewels but filled with pain, fear, and sadness. She smiled a sad smile as she vaguely realized there were others in the room—but she continued with her song—a mournful Norwegian tune—until a sudden hitch in her voice made her press her hand to her throat and look up in confusion.
"That song pleases you?" she asked softly, "I am very glad! Has Sigurd come home? He wanders so much, poor boy! Father, dear, you must tell him how wrong it is not to love Philip. Every one loves Philip—and I—I love him too, but he must never know that." She paused and sighed. "That is my secret,—the only one I have!" And she drooped her fair head forlornly.
"Do you like that song?" she asked softly. "I'm really glad! Has Sigurd come home? He roams around so much, poor guy! Dad, you really need to tell him how wrong it is not to love Philip. Everyone loves Philip—and I—I love him too, but he can never find out." She paused and sighed. "That’s my secret—the only one I have!" And she lowered her beautiful head sadly.
Moved by intense pity, such as she had never felt in all her life before, Ulrika went up and tried to draw her gently from the window.
Moved by a deep pity, unlike anything she had ever felt before, Ulrika stepped forward and tried to gently pull her away from the window.
"Poor thing, poor thing!" she said kindly. "Come away with me, and lie down! You mustn't sit here,—let me shut the lattice,—it's quite late at night, and too cold for you, my dear."
"Poor thing, poor thing!" she said gently. "Come with me and lie down! You shouldn't sit here—let me close the window—it’s really late, and it’s too cold for you, my dear."
"Too cold?" and Thelma eyed her wonderingly. "Why, it is summer-time, and the sun never sets! The roses are all about the walls—I gave one to Philip yesterday—a little pale rose with a crimson heart. He wore it, and seemed glad!"
"Too cold?" Thelma looked at her in surprise. "But it's summer, and the sun doesn't set! The walls are full of roses—I gave one to Philip yesterday—a small pale rose with a red heart. He wore it and seemed happy!"
She passed her hand across her forehead with a troubled air, and watched Ulrika, who quietly closed the window against the darkness and desolation of the night. "Are you a friend?" she asked presently in anxious tones. "I know so many that say they are my friends—but I am afraid of them all—and I have left them. Do you know why?" and she laid her hand on Ulrika's rough arm. "Because they tell me my Philip does not love me any more. They are very cruel to say so, and I think it cannot be true. I want to tell my father what they say—because he will know—and if it is true, then I wish to die,—I could not live! Will you take me to my father?"
She ran her hand across her forehead, looking troubled, and watched Ulrika close the window against the darkness and desolation of the night. "Are you a friend?" she asked anxiously after a moment. "I know so many people who say they're my friends—but I'm afraid of all of them—and I've left them behind. Do you know why?" She placed her hand on Ulrika's rough arm. "Because they say my Philip doesn’t love me anymore. It’s so cruel of them to say that, and I really don’t think it can be true. I want to tell my father what they're saying—because he'll know—and if it's true, then I wish I could just die— I couldn't go on living! Will you take me to my father?"
The plaintive, pleading gentleness of her voice and look brought more tears into Ulrika's eyes than had ever been forced there by her devotional exercises,—and the miserable Valdemar, already broken-hearted by his master's death, turned away and sobbingly cursed his gods for this new and undeserved affliction. As the Italian peasantry fall to abusing their saints in time of trouble, even so will the few remaining believers in Norse legendary lore, upbraid their fierce divinities with the most reckless hardihood when things go wrong. There were times when Valdemar Svensen secretly quailed at the mere thought of the wrath of Odin,—there were others when he was ready to pluck the great god by the beard and beat him with the flat of his own drawn sword. This was his humor at the present moment, as he averted his gaze from the pitiful sight of his "King's" fair daughter all desolate and woe-begone, her lovely face pale with anguish,—her sweet wits wandering, and her whole demeanor that of one who is lost in some dark forest, and is weary unto death. She studied Ulrika's rough visage attentively, and presently noticed the tears on her cheeks.
The sad, pleading softness of her voice and expression brought more tears to Ulrika's eyes than she'd ever shed during her prayers—and the miserable Valdemar, already heartbroken over his master's death, turned away and sobbed as he cursed his gods for this new and undeserved hardship. Just like the Italian peasants lash out at their saints in times of trouble, so too do the few remaining believers in Norse mythology scold their fierce gods without hesitation when things go wrong. There were times when Valdemar Svensen secretly feared Odin's wrath—yet there were also times when he felt bold enough to grasp the great god by the beard and strike him with the flat of his own sword. This was how he felt at that moment, as he turned his gaze away from the heartbreaking sight of his "King's" beautiful daughter, all sad and forlorn, her lovely face pale with distress—her sweet mind wandering, and her whole demeanor that of someone lost in a dark forest, weary to the bone. She studied Ulrika's rough face closely and soon noticed the tears on her cheeks.
"You are crying!" she said in a tone of grave surprise. "Why? It is foolish to cry even when the heart aches. I have found that,—no one in the world ever pities you! But perhaps you do not know the world,—ah! it is very hard and cold;—all the people hide their feelings, and pretend to be what they are not. It is difficult to live so,—and I am tired!"
"You’re crying!" she said with a look of genuine surprise. "Why? It’s silly to cry even when your heart hurts. I’ve realized that—no one in the world ever feels sorry for you! But maybe you don’t know the world—ah! it’s very harsh and cold;—everyone hides their emotions and pretends to be someone they’re not. It’s tough to live like that—and I’m tired!"
She rose from her chair, and stood up unsteadily, stretching out her little cold white hands to Ulrika, who folded them in her own strong coarse palms. "Yes—I am very tired!" she went on dreamily. "There seems to be nothing that is true—all is false and unreal—I cannot understand! But you seem kind,"—here her swaying figure tottered, and Ulrika drew her more closely to herself—"I think I know you—you came with me in the train, did you not? Yes—and the little baby smiled and slept in my arms nearly all the way." A violent shuddering seized her, and a quiver of agony passed over her face.
She got up from her chair and stood unsteadily, reaching out her small, cold white hands to Ulrika, who took them in her strong, rough palms. "Yes—I’m really tired!" she continued dreamily. "It feels like nothing is real—everything is false and unreal—I just don’t get it! But you seem kind,"—just then, her swaying figure wobbled, and Ulrika pulled her closer—"I think I recognize you—you were on the train with me, right? Yes—and the little baby smiled and slept in my arms nearly the entire trip." A violent shiver went through her, and a wave of pain crossed her face.
"Forgive me," she murmured, "I feel ill—very ill—and cold—but do not mind—I think—I am—dying!" She could scarcely articulate these last words—she sank forward, fainting, on Ulrika's breast, and that devout disciple of Luther, forgetting all her former dread of the "white witch of the Altenfjord"—only remembered that she held in her arms a helpless woman with all the sorrows and pangs of womanhood thick upon her,—and in this act of warm heart-expansion and timely tenderness, it may be that she cleansed her soiled soul in the sight of the God she worshipped, and won a look of pardon from the ever-watchful eyes of Christ.
"Forgive me," she whispered, "I feel so sick—really sick—and cold—but don’t worry—I think—I am—dying!" She could barely say those last words—she leaned forward, fainting, on Ulrika's chest, and that devoted follower of Luther, forgetting all her previous fear of the "white witch of the Altenfjord"—only remembered that she was holding a vulnerable woman burdened by all the struggles and pains of being a woman, and in this moment of genuine compassion and timely kindness, it’s possible that she cleansed her troubled soul in the eyes of the God she believed in, and earned a look of forgiveness from the ever-watchful gaze of Christ.
As far as mundane matters were concerned, she showed herself a woman of prompt energy and decision. Laying Thelma gently down upon the very couch her dead father had so lately occupied, she sent the distracted Valdemar out to gather fresh pine-logs for the fire, and then busied herself in bringing down Thelma's own little bed from the upper floor, airing it with methodical care, and making it as warm and cosy as a bird's-nest. While she was engaged in these preparations, Thelma regained her consciousness, and began to toss and tumble and talk deliriously; but with it all she retained the innate gentleness and patience, and submitted to be undressed, though she began to sob pleadingly when Ulrika would have removed her husband's miniature from where it lay pressed against her bosom,—and taking it in her own hand she kissed and held it fast. One by one, the dainty articles of delicate apparel she wore were loosened and laid aside, Ulrika wondering at the embroidered linen and costly lace, the like of which was never seen in that part of Norway,—but wondering still more at the dazzling skin she thus unveiled, a skin as exquisitely soft and pure as the satiny cup of a Nile lily.
As for everyday matters, she proved to be a woman of quick action and strong decisions. Gently laying Thelma down on the very couch her deceased father had recently occupied, she sent the distraught Valdemar to gather fresh pine logs for the fire. Then she focused on bringing down Thelma's small bed from upstairs, airing it out with careful precision and making it as warm and cozy as a bird's nest. While she was preparing, Thelma regained consciousness, starting to toss and turn and talk in a daze; yet through it all, she kept her natural gentleness and patience, allowing herself to be undressed. However, she began to sob softly when Ulrika tried to remove her husband's miniature from where it lay pressed against her chest. Taking it into her own hands, she kissed it and held it tightly. One by one, the delicate pieces of clothing she wore were loosened and set aside. Ulrika marveled at the embroidered linen and expensive lace, the likes of which were never seen in that part of Norway—but even more, she was amazed by the dazzling skin she uncovered, skin as exquisitely soft and pure as the satiny cup of a Nile lily.
Poor Thelma sat resignedly watching her own attire taken from her, and allowing herself to be wrapped in a comfortable loose garment of white wadmel, as warm as eider-down, which Ulrika had found in a cupboard upstairs, and which, indeed, had once belonged to Thelma, she and Britta having made it together. She examined its texture now with some faint interest—then she asked plaintively—
Poor Thelma sat there, resigned, watching as her own clothes were taken away, and she allowed herself to be wrapped in a cozy, loose white garment made of wadmel, as warm as down feathers. Ulrika had found it in a cupboard upstairs, and it had once belonged to Thelma; she and Britta had made it together. She looked at the fabric now with a bit of interest—then she asked softly—
"Are you going to bury me? You must put me to sleep with my mother—her name was Thelma, too. I think it is an unlucky name."
"Are you going to bury me? You have to put me to rest with my mother—her name was Thelma, too. I think it's an unlucky name."
"Why, my dear?" asked Ulrika kindly, as she swept the rich tumbled hair from the girl's eyes, and began to braid it in one long loose plait, in order to give her greater ease.
"Why, my dear?" Ulrika asked gently as she brushed the girl's tousled hair away from her eyes and started to braid it into a single long loose plait to make her more comfortable.
Thelma sighed. "There is an old song that says—" She broke off. "Shall I sing it to you?" she asked with a wild look.
Thelma sighed. "There's an old song that goes—" She stopped abruptly. "Should I sing it for you?" she asked with an intense look.
"No, no," said Ulrika. "Not now. By-and-by!" And she nodded her head encouragingly. "By-and-by! There'll be plenty of time for singing presently," and she laid her in bed, tucking her up warmly as though she were a very little child, and feeling strongly inclined to kiss her.
"No, no," said Ulrika. "Not right now. Later!" And she nodded her head encouragingly. "Later! There'll be plenty of time for singing soon," and she laid her in bed, tucking her in warmly as if she were a very little child, and felt a strong urge to kiss her.
"Ah, but I should like to tell you, even if I must not sing—" and Thelma gazed up anxiously from her pillow—"only my head is so heavy, and full of strange noises—I do not know whether I can remember it."
"Ah, but I really want to tell you, even if I can’t sing—" and Thelma looked up nervously from her pillow—"it’s just that my head feels so heavy and full of weird sounds—I’m not sure if I can remember it."
"Don't try to remember it," and Ulrika stroked the soft cheek, with a curious yearning sensation of love tugging at her tough heartstrings. "Try to sleep—that will be better for you!" And she took from the fire a warm, nourishing drink she had prepared, and gave it to her. She was surprised at the eagerness with which the poor girl seized it.
"Don’t worry about remembering it," Ulrika said, gently stroking the soft cheek, feeling a curious mix of love and tenderness pulling at her hardened heart. "Just try to sleep—that will be better for you!" She then took a warm, nourishing drink she had prepared from the fire and handed it to her. Ulrika was surprised by how eagerly the poor girl grabbed it.
"Lord help us, I believe she is light-headed for want of food!" she thought.
"God help us, I think she's faint from not eating!" she thought.
Such indeed was the fact,—Thelma had been several days on her journey from Hull, and during that time had eaten so little that her strength had entirely given way. The provisions on board the Black Polly were extremely limited, and consisted of nothing but dried fish, hard bread, and weak tea, without milk or sugar,—and in her condition of health, her system had rebelled against this daily untempting bill of fare. Ulrika's simple but sustaining beverage seemed more than delicious to her palate,—she drained it to the last drop, and, as she returned the cup, a feint color came back to her cheeks and lips.
The truth was that Thelma had spent several days traveling from Hull, and during that time, she had eaten so little that her strength was completely gone. The supplies on the Black Polly were very limited, consisting only of dried fish, hard bread, and weak tea with no milk or sugar. Given her health condition, her body rejected this daily unappealing menu. Ulrika's simple but nourishing drink tasted more than good to her—it was delightful. She drank it down to the last drop, and as she returned the cup, a faint color returned to her cheeks and lips.
"Thank you," she said feebly. "You are very good to me! And now I do quite know what I wished to say. It was long ago—there was a queen, named Thelma, and some one—a great warrior, loved her and found her fair. But presently he grew tired of her face—and raised an army against her, and took her throne by force, and crowned himself king of all her land. And the song says that Queen Thelma wandered on the mountains all alone till she died—it was a sad song—but I forget—the end."
"Thank you," she said weakly. "You're so kind to me! And now I remember what I wanted to say. A long time ago, there was a queen named Thelma, and a great warrior loved her and found her beautiful. But eventually, he got tired of her face—so he raised an army against her, took her throne by force, and crowned himself king of all her land. The song says that Queen Thelma wandered the mountains all alone until she died—it was a sad song—but I forget the end."
And her voice trailed off into broken murmurs, her eyes closed, and she slept. Ulrika watched her musingly and tenderly—wondering what secret trouble weighed on the girl's mind. When Valdemar Svensen presently looked in, she made him a warning sign—and, hushing his footsteps, he went away again. She followed him out into the kitchen, where he had deposited his load of pine-wood, and began to talk to him in low tones. He listened,—the expression of grief and fear deepened on his countenance as he heard.
And her voice faded into soft whispers, her eyes closed, and she fell asleep. Ulrika watched her thoughtfully and compassionately—wondering what hidden worries troubled the girl’s mind. When Valdemar Svensen walked in a moment later, she gave him a warning sign—and, quieting his footsteps, he left again. She followed him out to the kitchen, where he had dropped off his load of pine wood, and began to speak to him softly. He listened—the look of sadness and fear grew deeper on his face as he heard.
"Will she die?" he asked anxiously.
"Is she going to die?" he asked nervously.
"Let us hope not," returned Ulrika, "But there is no doubt she is very ill, and will be worse. What has brought her here, I wonder? Do you know?"
"Let's hope not," Ulrika replied, "But there's no doubt she’s really sick, and it’s going to get worse. I wonder what brought her here. Do you know?"
Valdemar shook his head.
Valdemar shook his head.
"Where is her husband?" went on Ulrika. "He ought to be here. How could he have let her make such a journey at such a time! Why did he not come with her? There must be something wrong!"
"Where's her husband?" Ulrika continued. "He should be here. How could he have let her make such a trip at a time like this! Why didn't he come with her? Something must be wrong!"
Svensen looked, as he felt, completely perplexed and despairing. He could think of no reason for Thelma's unexpected appearance at the Altenfjord—he had forgotten all about the letter that had come from her to her father,—the letter which was still in the house, unopened.
Svensen looked, as he felt, completely confused and hopeless. He couldn’t think of any reason for Thelma’s unexpected arrival at the Altenfjord—he had completely forgotten about the letter she had sent to her father—the letter that was still in the house, unopened.
"Well, well! It is very strange!" Ulrika sighed resignedly. "But it is the Lord's will—and we must do our best for her, that's all." And she began to enumerate a list of things she wanted from Bosekop for her patient's sustenance and comfort. "You must fetch all these," she said, "as soon as the day is fairly advanced." She glanced at the clock—it was just four in the morning. "And at the same time, you had better call at the doctor's house."
"Well, well! That’s really strange!" Ulrika sighed with acceptance. "But it’s the Lord’s will—and we just have to do our best for her, that’s all." Then she started listing the items she needed from Bosekop for her patient’s nourishment and comfort. "You need to get all of these," she said, "as soon as the day is well on its way." She looked at the clock—it was just four in the morning. "And while you're at it, you should also stop by the doctor’s house."
"He's away," interrupted Valdemar. "Gone to Christiania."
"He's not here," Valdemar interjected. "He went to Christiania."
"Very well," said Ulrika composedly. "Then we must do without him. Doctors are never much use, any way,—maybe the Lord will help me instead."
"Alright," Ulrika said calmly. "In that case, we'll have to manage without him. Doctors aren't usually that helpful anyway—maybe God will assist me instead."
And she returned to Thelma, who still slept, though her face was now feverishly flushed and her breathing hurried and irregular.
And she went back to Thelma, who was still asleep, although her face was now hot and flushed, and her breathing was fast and uneven.
The hours of the new day,—day, though seeming night, passed on and it was verging towards ten o'clock when she woke, raving deliriously. Her father, Sigurd, Philip, the events of her life in, London, the fatigues of her journey, were all jumbled fantastically together in her brain—she talked and sang incessantly, and, like some wild bird suddenly caged, refused to be quieted. Ulrika was all alone with her,—Valdemar having gone to execute his commissions in Bosekop,—and she had enough to do to make her remain in bed. For she became suddenly possessed by a strong desire to go sailing on the Fjord—and occasionally it took all Ulrika's strength to hold and keep her from springing to the window, whose white frosted panes seemed to have some fatal attraction for her wandering eyes.
The hours of the new day—day, though looking like night—went by, and it was almost ten o'clock when she woke up, raving wildly. Her father, Sigurd, Philip, the experiences of her life in London, the exhaustion from her journey all mixed together chaotically in her mind—she talked and sang non-stop, refusing to be calmed down like a wild bird suddenly trapped in a cage. Ulrika was all alone with her—Valdemar had gone to take care of his errands in Bosekop—and she had her hands full trying to keep her in bed. She was suddenly overcome by a strong urge to go sailing on the Fjord, and sometimes it took all of Ulrika's strength to hold her back from leaping to the window, where the white frosted panes seemed to have some kind of dangerous pull on her restless eyes.
She spoke of things strange and new to her attendant's ears—frequently she pronounced the names of Violet Vere and Lady Winsleigh with an accent of horror,—then she would talk of George Lorimer and Pierre Duprèz,—and she would call for Britta often, sometimes endearingly—sometimes impatiently.
She talked about things that were strange and new to her attendant—often saying the names Violet Vere and Lady Winsleigh with a tone of horror—then she would mention George Lorimer and Pierre Duprèz—and she would frequently call for Britta, sometimes affectionately and sometimes impatiently.
The picture of her home in Warwickshire seemed to haunt her,—she spoke of its great green trees, its roses, its smooth sloping lawns—then she would begin to smile and sing again in such a weak, pitiful fashion that Ulrika,—her stern nature utterly melted at the sight of such innocent helpless distraction and sorrow,—could do nothing but fold the suffering creature in her arms, and rock her to and fro soothingly on her breast, the tears running down her cheeks the while.
The image of her home in Warwickshire seemed to linger in her mind—she talked about its tall green trees, its roses, its smooth, sloping lawns—then she would start to smile and sing again in such a weak, pitiful way that Ulrika, her tough demeanor completely softened at the sight of such innocent, helpless distraction and sorrow, could only wrap the suffering woman in her arms and gently rock her back and forth on her chest, tears streaming down her cheeks all the while.
And after long hours of bewilderment and anguish, Errington's child, a boy, was born—dead. With a regretful heart, Ulrika laid out the tiny corpse,—the withered blossom of a promised new delight, a miniature form so fair and perfect that it seemed sheer cruelty on the part of nature to deny it breath and motion. Thelma's mind still wandered—she was hardly conscious of anything—and Ulrika was almost glad that this was so. Her anxiety was very great—she could not disguise from herself that Thelma's life was in danger,—and both she and Valdemar wrote to Sir Philip Errington, preparing him for the worst, and urging him to come at once,—little aware that the very night the lifeless child was born, was the same on which he had started from Hull for Christiansund, after his enforced waiting for the required steamer. There was nothing more to be done now, thought Ulrika piously, but to trust in the Lord and hope for the best. And Valdemar Svensen made with his own hands a tiny coffin for the body of the little dead boy who was to have brought such pride and satisfaction to his parents, and one day rowed it across the Fjord to that secret cave where Thelma's mother lay enshrined in stone. There he left it, feeling sure he had done well.
And after long hours of confusion and pain, Errington's child, a boy, was born—dead. With a heavy heart, Ulrika laid out the tiny body—the withered promise of a new joy, a miniature form so beautiful and perfect that it seemed cruel of nature to deny it breath and movement. Thelma's mind was still wandering—she was barely aware of anything—and Ulrika was almost thankful for that. Her anxiety was overwhelming—she couldn't hide from herself that Thelma's life was in danger—and both she and Valdemar wrote to Sir Philip Errington, preparing him for the worst and urging him to come immediately, unaware that the very night the lifeless child was born was the same night he had left Hull for Christiansund, after his necessary wait for the right steamer. There was nothing more to be done now, Ulrika thought devoutly, but to trust in the Lord and hope for the best. And Valdemar Svensen handmade a tiny coffin for the body of the little dead boy who was to have brought such pride and joy to his parents, and one day rowed it across the Fjord to that secret cave where Thelma's mother lay enshrined in stone. There he left it, feeling certain he had done right.
Ulrika asked him no questions—she was entirely absorbed in the duties that devolved upon her, and with an ungrudging devotion strange to see in her, watched and tended Thelma incessantly, scarcely allowing herself a minute's space for rest or food. The idea that her present ministration was to save her soul in the sight of the Lord, had grown upon her, and was now rooted firmly in her mind—she never gave way to fatigue or inattention,—every moan, every restless movement of the suffering girl, obtained her instant and tender solicitude, and when she prayed now, it was not for herself but for Thelma.
Ulrika asked him no questions—she was completely focused on the responsibilities that had come her way, and with a selfless dedication that was unusual for her, she watched over and cared for Thelma without rest, hardly giving herself a moment to eat or take a break. The belief that her current actions were meant to save her soul in the eyes of the Lord had taken hold of her and was now firmly planted in her mind—she never allowed herself to feel tired or distracted; every moan, every restless move from the suffering girl, drew her immediate and compassionate attention, and when she prayed now, it was not for herself but for Thelma.
"Spare her, good Lord!" she would implore in the hyperbolical language she had drawn from her study of the Scriptures—"As the lily among thorns, so is she among the daughters! Cut her not off root and branch from the land of the living, for her countenance is comely, and as a bunch of myrrh which hath a powerful sweetness, even so must she surely be to the heart of her husband! Stretch forth Thy right hand, O Lord, and scatter healing, for the gates of death shall not prevail against Thy power!"
"Spare her, good Lord!" she would plead in the dramatic language she had picked up from studying the Scriptures—"Like a lily among thorns, so is she among the daughters! Don't cut her off root and branch from the land of the living, for her face is lovely, and like a bunch of myrrh with a powerful sweetness, she must surely be to her husband's heart! Reach out Your right hand, O Lord, and spread healing, for the gates of death shall not overcome Your power!"
Day after day she poured out petitions such as these, and with the dogged persistency of a soldier serving Cromwell, believed that they would be granted,—though day after day Thelma seemed to grow weaker and weaker. She was still light-headed—her face grew thin and shadowy,—her hands were almost transparent in their whiteness and delicacy, and her voice was so faint as to be nearly in-audible. Sometimes Ulrika got frightened at her appearance, and heartily wished for medical assistance but this was not to be had. Therefore she was compelled to rely on the efficacy of one simple remedy,—a herbal drink to allay fever,—the virtues of which she had been taught in her youth,—this, and the healing mercies of mother Nature together with the reserved strength of her own constitution, were the threads on which Thelma's life hung.
Day after day, she poured out requests like these, and with the stubborn determination of a soldier fighting for Cromwell, she believed they would be granted—though day after day, Thelma seemed to grow weaker and weaker. She was still somewhat delirious—her face became thin and shadowy, her hands were almost transparent in their whiteness and delicacy, and her voice was so faint that it was nearly inaudible. Sometimes, Ulrika got frightened by her appearance and sincerely wished for medical help, but that was not available. So, she had to rely on the effectiveness of one simple remedy—a herbal drink to reduce fever—whose benefits she had learned about in her youth. This, along with the healing powers of nature and the remaining strength of her own body, were the threads that kept Thelma's life hanging by a thread.
Time passed on—and yet there was no news from Sir Philip. One night, sitting beside her exhausted patient, Ulrika fancied she saw a change on the wan face—a softer, more, peaceful look than had been there for many days. Half in fear, half in hope, she watched,—Thelma seemed to sleep,—but presently her large blue eyes opened with a calm yet wondering expression in their clear depths. She turned slightly on her pillows, and smiled faintly.
Time went by—and still there was no word from Sir Philip. One night, sitting next to her tired patient, Ulrika thought she noticed a change in the pale face—a softer, more peaceful look than had been there for many days. Half scared, half hopeful, she watched—Thelma seemed to be sleeping—but soon her large blue eyes opened with a calm yet curious expression in their clear depths. She turned a little on her pillows and smiled faintly.
"Have I been ill?" she asked.
"Have I been sick?" she asked.
"Yes, my dear," returned Ulrika softly, overjoyed, yet afraid at the girl's returning intelligence. "Very ill. But you feel better now, don't you?"
"Yes, my dear," Ulrika replied softly, filled with joy yet anxious about the girl's awareness. "You were very sick. But you feel better now, right?"
Thelma sighed, and raising her little wasted hand, examined it curiously. Her wedding and betrothal rings were so loose on her finger that they would have fallen off had they been held downwards. She seemed surprised at this, but made no remark. For some time she remained quiet, steadfastly gazing at Ulrika, and evidently trying to make out who she was. Presently she spoke again.
Thelma sighed and, lifting her delicate little hand, looked at it curiously. Her wedding and engagement rings were so loose on her finger that they would have slipped off if her hand was turned downward. She seemed surprised by this but didn’t say anything. For a while, she stayed silent, intently staring at Ulrika and clearly trying to figure out who she was. Soon, she spoke again.
"I remember everything now," she said, slowly. "I am at home, at the Altenfjord—and I know how I came—and also why I came." Here her lips quivered. "And I shall see my father no more, for he has gone—and I am all—all alone in the world!" She paused—then added, "Do you think I am dying? If so, I am very glad!"
"I remember everything now," she said slowly. "I'm at home, at the Altenfjord—and I know how I got here—and also why I came." Her lips trembled. "And I will never see my dad again, because he's gone—and I'm all—all alone in the world!" She paused—then added, "Do you think I'm dying? If so, I'm really glad!"
"Hush my dear!" said Ulrika. "You mustn't talk in that way. Your husband is coming presently—" she broke off suddenly, startled at the look of utter despair in Thelma's eyes.
"Hush, my dear!" said Ulrika. "You shouldn’t talk like that. Your husband will be here soon—" she stopped abruptly, taken aback by the look of complete despair in Thelma's eyes.
"You are wrong," she replied wearily. "He will not come—he cannot! He does not want me any more!"
"You’re wrong," she replied tiredly. "He won’t come—he can’t! He doesn’t want me anymore!"
And two large tears rolled slowly down her pale cheeks. Ulrika wondered, but forebore to pursue the subject further, fearing to excite or distress her,—and contented herself for the present with attending to her patient's bodily needs. She went to the fire, and began to pour out some nourishing soup, which she always had there in readiness,—and while she was thus engaged, Thelma's brain cleared more and more,—till with touching directness, and a new hope flushing her face, she asked softly and beseechingly for her child. "I forgot!" she said simply and sweetly. "Of course I am not alone any more. Do give me my baby—I am much better—nearly well—and I should like to kiss it."
And two large tears slowly rolled down her pale cheeks. Ulrika wondered about it but didn't want to dig deeper, afraid of upsetting her, so she focused on her patient's physical needs for now. She went to the fire and started pouring out some nourishing soup, which she always kept on hand. As she did this, Thelma's mind gradually cleared, and with a touching sincerity and a new hope brightening her face, she softly and pleadingly asked for her child. "I forgot!" she said simply and sweetly. "Of course I'm not alone anymore. Please give me my baby—I feel much better—almost well—and I’d like to kiss it."
Ulrika stood mute, taken aback by this demand. She dared not tell her the truth—she feared its effect on the sensitive mind that had so lately regained its balance. But while she hesitated, Thelma instinctively guessed all she strove to hide.
Ulrika stood silent, shocked by this demand. She didn’t dare tell her the truth—she worried about how it would affect the sensitive mind that had just recently regained its balance. But while she hesitated, Thelma instinctively sensed everything she tried to hide.
"It is dead!" she cried. "Dead!—and I never knew!"
"It’s dead!” she exclaimed. “Dead!—and I had no idea!”
And, burying her golden head in her pillows, she broke into a passion of convulsive sobbing. Ulrika grew positively desperate at the sound,—what was she to do? Everything seemed to go against her—she was inclined to cry herself. She embraced the broken-hearted girl, and tried to soothe her, but in vain. The long delirium and subsequent weakness,—combined with the secret trouble on her mind,—had deprived poor Thelma of all resisting power, and she wept on and on in Ulrika's arms till nature was exhausted, and she could weep no longer. Then she lay motionless, with closed eyes, utterly drained in body and spirit, scarcely breathing, and, save for a shivering moan that now and then escaped her, she seemed almost insensible. Ulrika watched her with darkening, meditative brows,—she listened to the rush of the storm-wind without,—it was past eleven o'clock at night. She began to count on her fingers—it was the sixteenth day since the birth of the child,—sixteen days exactly since she had written to Sir Philip Errington, informing him of his wife's danger—and the danger was not yet past. Thinking over all that had happened, and the apparent hopelessness of the case, she suddenly took a strange idea into her head. Retiring to a distant corner, she dropped on her knees.
And, burying her golden head in her pillows, she broke into a fit of convulsive sobbing. Ulrika became genuinely desperate at the sound—what was she supposed to do? Everything seemed to work against her—she felt like crying herself. She hugged the heartbroken girl and tried to comfort her, but it was no use. The long delirium and the weakness that followed—combined with the secret worry on her mind—had drained poor Thelma of all strength to resist, and she cried on and on in Ulrika's arms until she was completely exhausted and could cry no more. Then she lay motionless, with her eyes closed, completely drained in body and spirit, barely breathing, and save for an occasional shivering moan that escaped her, she appeared almost unresponsive. Ulrika watched her with furrowed brows, deep in thought—she listened to the storm raging outside—it was past eleven o'clock at night. She began counting on her fingers—it was the sixteenth day since the baby was born—exactly sixteen days since she had written to Sir Philip Errington, informing him of his wife's peril—and the danger was still not over. Reflecting on everything that had happened and the apparent hopelessness of the situation, a strange idea suddenly struck her. She moved to a distant corner and dropped to her knees.
"O Lord, God Almighty!" she said in a fierce whisper, "Behold, I have been Thy servant until now! I have wrestled with Thee in prayer till I am past all patience! If Thou wilt not hear my petition, why callest Thou Thyself good? Is it good to crush the already fallen? Is it good to have no mercy on the sorrowful? Wilt Thou condemn the innocent without reason? If so, thou art not the Holy One I imagined! Send forth Thy power now—now, while there is time! Rescue her that is lying under the shadow of death—for how has she offended Thee that she should die? Delay no longer, or how shall I put my trust in Thee? Send help speedily from Thine everlasting habitations—or, behold! I do forsake Thee—and my soul shall seek elsewhere for Eternal Justice!"
"O Lord, God Almighty!" she said in a fierce whisper, "Look, I have been Your servant until now! I have fought with You in prayer until I can't take it anymore! If You won't hear my request, why do You call Yourself good? Is it good to crush those who are already down? Is it good to show no mercy to the sorrowful? Will You condemn the innocent for no reason? If so, You are not the Holy One I thought You were! Show Your power now—right now, while there is still time! Save her who is lying under the shadow of death—what has she done to deserve this? Don't wait any longer, or how can I trust You? Send help quickly from Your eternal home—or, look! I will turn away from You—and my soul will seek Justice elsewhere!"
As she finished this extraordinary, half-threatening, and entirely blasphemous petition, the boisterous gale roared wildly round the house joining in chorus with the stormy dash of waves upon the coast—a chorus that seemed to Ulrika's ears like the sound of fiendish and derisive laughter.
As she completed this incredible, somewhat threatening, and completely disrespectful request, the loud wind howled around the house, joining in with the violent crashing of waves against the shore—a sound that, to Ulrika, resembled the chilling and mocking laughter of demons.
She stood listening,—a trifle scared—yet with a sort of fanatical defiance written on her face, and she waited in sullen patience evidently expecting an immediate answer to her outrageous prayer. She felt somewhat like a demagogue of the people, who boldly menaces an all-powerful sovereign, even while in dread of instant execution. There was a sharp patter of sleet on the window,—she glanced nervously at Thelma, who, perfectly still on her couch, looked more like a white, recumbent statue than a living woman. The wind shook the doors, and whistled shrilly through the crevices,—then, as though tired of its own wrath, surged away in hoarse murmurs over the tops of the creaking pines towards the Fjord, and there was a short, impressive silence.
She stood listening—slightly scared—but with a kind of fierce defiance on her face, and she waited in gloomy patience, clearly expecting an immediate answer to her bold request. She felt a bit like a leader rallying the people, bravely challenging a powerful ruler, even while fearing immediate punishment. There was a sharp patter of sleet against the window—she glanced nervously at Thelma, who, perfectly still on her couch, looked more like a white, reclining statue than a living woman. The wind rattled the doors and whistled loudly through the cracks—then, as if exhausted from its own fury, it swirled away in deep murmurs over the tops of the creaking pines toward the Fjord, leading to a brief, meaningful silence.
Ulrika still waited—almost holding her breath in expectation of some divine manifestation. The brief stillness grew unbearable.. . . Hush! What was that! Jingle—jangle—jingle—jangle!—Bells! Sledge bells tinkling musically and merrily—and approaching swiftly, nearer—nearer! Now the sharp trotting roofs on the hard snow—then a sudden slackening of speed—the little metallic chimes rang slower and yet more slowly, till with a decisive and melodious clash they stopped!
Ulrika still waited—almost holding her breath in anticipation of some divine event. The brief silence became unbearable... Hush! What was that! Jingle—jangle—jingle—jangle!—Bells! Sleigh bells ringing musically and cheerfully—and coming closer, closer! Now the sharp trotting on the hard snow—then a sudden slow down—the little metallic chimes rang slower and slower, until with a clear and melodic clash they stopped!
Ulrika's heart beat thickly—her face flushed—she advanced to Thelma's bedside, hoping, fearing,—she knew not what. There was a tread of firm, yet hurried, footsteps without—a murmur of subdued voices—a half-suppressed exclamation of surprise and relief from Valdemar,—and then the door of the room was hastily thrown open, and a man's tall figure, draped in what seemed to be a garment of frozen snowflakes, stood on the threshold. The noise startled Thelma—she opened her beautiful, tired, blue eyes. Ah! what a divine rapture,—what a dazzling wonder and joy flashed into them, giving them back their old lustre of sunlight sparkling on azure sea! She sprang up in her bed and stretched out her arms.
Ulrika's heart raced—her face flushed—she moved to Thelma's bedside, unsure of what she hoped for or feared. There were firm yet hurried footsteps outside—a murmur of quiet voices—a half-stifled exclamation of surprise and relief from Valdemar,—and then the door to the room swung open quickly, revealing a tall man wrapped in what looked like a cloak made of frozen snowflakes, standing in the doorway. The noise startled Thelma—she opened her beautiful, tired blue eyes. Oh, the sheer rapture—what a stunning wonder and joy filled her eyes, restoring their former sparkle like sunlight on the blue sea! She shot up in her bed and reached out her arms.
"Philip!" she cried sobbingly. "Philip! oh my darling! Try—try to love me again! . . . just a little!—before I die!"
"Philip!" she cried, sobbing. "Philip! Oh my love! Please—try to love me again! ...just a little!—before I die!"
As she spoke she was clasped to his breast,—folded to his heart in that strong, jealous, passionate embrace with which we who love, would fain shield our nearest and dearest from even the shadow of evil—his lips closed on hers,—and in the sacred stillness that followed, Ulrika slipped from the room, leaving husband and wife alone together.
As she spoke, she was held tightly against his chest, wrapped in that strong, jealous, passionate embrace with which those of us who love want to protect our closest ones from even the hint of harm. His lips pressed against hers, and in the sacred silence that followed, Ulrika quietly slipped out of the room, leaving the husband and wife alone together.
CHAPTER XXXIV.
"I have led her home, my love, my only friend; There is none like her, none! And never yet so warmly ran my blood, And sweetly on and on, Calming itself to the long-wished-for end, Full to the banks, close on the promised good." |
TENNYSON.
Tennyson.
Britta was in the kitchen, dragging off her snow-wet cloak and fur mufflers, and crying heartily all the while. The stalwart Svensen stood looking at her in perplexity, now and then uttering a word of vague sympathy and consolation, to which she paid not the slightest heed. The poor girl was tired out, and half-numb with the piercing cold,—the excitement which had kept her up for days and days, had yielded to the nervous exhaustion, which was its natural result,—and she kept on weeping without exactly knowing why she wept. Throughout the long and fatiguing journey she had maintained unflinching energy and perseverance,—undaunted by storm, sleet, and darkness, she had driven steadily over long miles of trackless snow—her instinct had guided her by the shortest and quickest routes—she seemed to know every station and village on the way,—she always managed to obtain relays of reindeer just when they were needed,—in short, Errington would hardly have been able to reach the Altenfjord without her.
Britta was in the kitchen, pulling off her snow-soaked cloak and fur mufflers, crying hard the whole time. The sturdy Svensen stood there, looking at her in confusion, occasionally saying a few vague words of sympathy and comfort, which she completely ignored. The poor girl was exhausted and half-numb from the biting cold—the excitement that had kept her going for days had given way to a nervous fatigue that naturally followed—and she continued to cry without even knowing why. Throughout the long and tiring journey, she had shown unwavering energy and determination—unfazed by storms, sleet, and darkness, she had traveled steadily over long stretches of untouched snow—her instinct had led her along the quickest and shortest paths—she seemed to know every station and village on the route—she always managed to get reindeer relays just when they were needed—in short, Errington would hardly have made it to Altenfjord without her.
He had never realized to its full extent her strong, indomitable, devoted character, till he saw her hour after hour seated beside him in the pulkha, her hands tightly gripping the reins of the horned animals, whose ways she understood and perfectly controlled,—her bright, bird-like eyes fixed with watchful eagerness on the bewildering white landscape that opened out incessantly before her. Her common sense was never at fault—she forgot nothing—and with gentle but respectful firmness she would insist on Sir Philip's taking proper intervals of rest and refreshment at the different farms they passed on their road, though he, eager to press on, chafed and fretted at every little delay. They were welcomed all along their route with true Norse hospitality, though the good country-folk who entertained them could not refrain from astonishment at the idea of their having undertaken such a journey at such a season, and appeared to doubt the possibility of their reaching their destination at all. And now that they had reached it in safety, Britta's strength gave way. Valdemar Svensen had hastily blurted out the news of the bonde's death even while she and Sir Philip were alighting from their sledge—and in the same breath had told them of Thelma's dangerous illness. What wonder, then, that Britta sobbed hysterically, and refused to be comforted,—what wonder that she turned upon Ulrika as that personage approached, in a burst of unreasonable anger.
He had never fully understood her strong, resilient, devoted character until he saw her sitting beside him in the pulkha, her hands tightly gripping the reins of the horned animals that she expertly controlled, her bright, bird-like eyes fixed with eager attention on the endless, bewildering white landscape ahead of her. Her common sense was always spot on—she remembered everything—and with gentle but firm insistence, she made sure Sir Philip took proper breaks for rest and refreshment at the different farms they passed, even though he, eager to keep going, grew irritated with every minor delay. They were greeted with genuine Norse hospitality at every stop, though the friendly country folk who hosted them couldn't help but be surprised that they had chosen to undertake such a journey in this season and seemed doubtful that they would even reach their destination. Now that they had arrived safely, Britta's strength broke. Valdemar Svensen had suddenly announced the news of the bonde's death just as she and Sir Philip were getting off their sledge—and he had mentioned Thelma's serious illness in the same breath. So it was no wonder that Britta sobbed uncontrollably, refusing comfort, or that she lashed out at Ulrika as she approached, overwhelmed with unreasonable anger.
"Oh dear, oh dear!" she cried, "to think that the Fröken should be so ill—almost dying! and have nobody but you to attend to her!"
"Oh no, oh no!" she exclaimed, "to think that the Fröken is so sick—almost dying! and has nobody but you to take care of her!"
This, with a vindictive toss of the brown curls. Ulrika winced at her words—she was hurt, but she answered gently—
This, with a spiteful toss of her brown curls. Ulrika flinched at her words—she was hurt, but she replied softly—
"I have done my best," she said with a sort of grave pathos, "I have been with her night and day—had she been a daughter of my own blood, I know not how I could have served her with more tenderness. And, surely, it has been a sore and anxious time with me also—for I, too, have learned to love her!"
"I've done my best," she said with a serious tone, "I've been with her day and night—if she were my own daughter, I don't know how I could have cared for her with more love. And honestly, it's been a difficult and stressful time for me too—because I’ve come to love her as well!"
Her set mouth quivered,—and Britta, seeing her emotion, was ashamed of her first hasty speech. She made an act of contrition at once by putting her arms round Ulrika's neck and kissing her—a proceeding which so much astonished that devout servant of Luther, that her dull eyes filled with tears.
Her mouth tightened, and Britta, noticing her emotion, felt guilty about her initial harsh words. She immediately expressed her regret by wrapping her arms around Ulrika’s neck and giving her a kiss—a gesture that surprised the faithful servant of Luther so much that her usually dull eyes filled with tears.
"Forgive me!" said the impetuous little maiden. "I was very rude and very unkind! But if you love the Fröken, you will understand how I feel—how I wish I could have helped to take care of her. And oh! the bonde!"—here she gave way to a fresh burst of tears—"the dear, good, kind, brave bonde! That he should be dead!—oh! it is too cruel—too dreadful—I can hardly believe it!"
"Forgive me!" said the impulsive young woman. "I was really rude and unkind! But if you love the Fröken, you’ll understand how I feel—how I wish I could have helped take care of her. And oh! the bonde!"—here she broke into another wave of tears—"the dear, good, kind, brave bonde! That he should be dead!—oh! it’s too cruel—too terrible—I can hardly believe it!"
Ulrika patted her consolingly on the shoulder, but said nothing—and Valdemar sighed. Britta sought for her handkerchief, and dried her eyes—but, after a minute, began to cry again as recklessly as ever.
Ulrika gently patted her on the shoulder for comfort, but didn’t say anything—and Valdemar sighed. Britta fished for her handkerchief and wiped her eyes—but, after a minute, she started crying again just as wildly as before.
"And now"—she gasped—"if the Fröken—dies—I will die too. I will—you see if I don't! I w-w-won't live—without her!"
"And now"—she gasped—"if the Fröken—dies—I will die too. I will—you see if I don't! I w-w-won't live—without her!"
And such a big sob broke from her heaving bosom that it threatened to burst her trimly laced little bodice.
And a huge sob escaped from her trembling chest that it almost caused her neatly laced little bodice to burst.
"She will not die," said Ulrika decisively. "I have had my fears—but the crisis is passed. Do not fret, Britta—there is no longer any danger. Her husband's love will lift the trouble from her heart—and strength will return more speedily than it left her."
"She won't die," Ulrika said firmly. "I had my worries—but the moment of crisis is over. Don’t worry, Britta—there's no more danger. Her husband's love will ease her heart, and her strength will come back faster than it left."
And turning a little aside on the pretence of throwing more wood on the fire, she muttered inaudibly, "O Lord, verily thou hast done well to grant my just demand! Even for this will I remain Thy servant for ever!" After this parenthesis, she resumed the conversation,—Valdemar Svensen sitting silently apart,—and related all that had happened since Thelma's arrival at the Altenfjord. She also gave an account of Lovisa Elsland's death,—though Britta was not much affected by the loss of her grandmother.
And stepping aside a bit under the guise of adding more wood to the fire, she quietly muttered, "Oh Lord, truly You have done well to grant my rightful request! For this, I will remain Your servant forever!" After this brief moment, she continued the conversation—Valdemar Svensen sitting silently off to the side—and recounted everything that had happened since Thelma arrived at the Altenfjord. She also shared the details of Lovisa Eland's death, though Britta wasn’t deeply affected by her grandmother's passing.
"Dreadful old thing!" she said with a shudder. "I'm glad I wasn't with her! I remember how she cursed the Fröken,—perhaps her curse has brought all the trouble—if so, it's a good thing she's dead, for now everything will come right again. I used to fancy she had some crime to confess,—did she say anything wicked when she was dying?"
"Dreadful old thing!" she said with a shudder. "I'm glad I wasn't with her! I remember how she cursed the Fröken—maybe her curse caused all this trouble. If that’s the case, it’s a good thing she’s dead, because now everything will get back to normal. I used to think she had some crime to confess—did she say anything bad when she was dying?"
Ulrika avoided a direct reply to this question. What was the good of horrifying the girl by telling her that her deceased relative was to all intents and purposes a murderess? She resolved to let the secret of old Lovisa's life remain buried with her. Therefore she simply answered—
Ulrika avoided answering the question directly. What good would it do to shock the girl by saying that her deceased relative was essentially a murderer? She decided to keep the secret of old Lovisa's life buried with her. So, she simply replied—
"Her mind wandered greatly,—it was difficult to hear her last words. But it should satisfy you, Britta, to know that she passed away in the fear of the Lord."
"Her mind drifted a lot—it was hard to catch her final words. But it should comfort you, Britta, to know that she died with a sense of reverence for the Lord."
Britta gave a little half-dubious, half-scornful smile. She had not the slightest belief in the sincerity of her late grandmother's religious principles.
Britta gave a slightly doubtful, slightly mocking smile. She had no faith in the sincerity of her late grandmother's religious beliefs.
"I don't understand people who are so much afraid of the Lord," she said. "They must have done something wrong. If you always do your best, and try to be good, you needn't fear anything. At least, that's my opinion."
"I don't get why people are so afraid of the Lord," she said. "They must have messed up somehow. If you always give your best and try to be good, you shouldn't be scared of anything. At least, that's how I see it."
"There is the everlasting burning," began Ulrika solemnly.
"There is the eternal flame," began Ulrika seriously.
"Oh, nonsense!" exclaimed Britta quite impatiently. "I don't believe it!"
"Oh, come on!" Britta said, clearly frustrated. "I don't buy it!"
Ulrika started back in wonder and dismay. "You don't believe it!" she said in awed accents. "Are you also a heathen?"
Ulrika stepped back in surprise and shock. "You can't be serious!" she exclaimed in amazement. "Are you really a nonbeliever?"
"I don't know what you mean by a heathen," replied Britta almost gaily. "But I can't believe that God, who is so good, is going to everlastingly burn anybody. He couldn't, you know! It would hurt Him so much to see poor creatures writhing about in flames for ever—we would not be able to bear it, and I'm quite sure it would make Him miserable even in heaven. Because He is all Love—He says so,—He couldn't be cruel!"
"I don't know what you mean by a heathen," Britta replied with a hint of cheerfulness. "But I can't believe that God, who's so good, would ever make anyone burn forever. He just wouldn't! It would hurt Him too much to watch poor creatures suffering in flames for eternity—we wouldn't be able to handle it, and I’m sure it would make Him unhappy even in heaven. Because He is all Love—He says so—He couldn't be cruel!"
This frank statement of Britta's views presented such a new form of doctrine to Ulrika's heavy mind that she was almost appalled by it. God couldn't burn anybody for ever—He was too good! What a daring idea! And yet so consoling—so wonderful in the infinite prospect of hope it offered, that she smiled,—even while she trembled to contemplate it. Poor soul! She talked of heathens—being herself the worst type of heathen—namely, a Christian heathen. This sounds incongruous—yet it may be taken for granted that those who profess to follow Christianity, and yet make of God, a being malicious, revengeful, and of more evil attributes than they possess themselves,—are as barbarous, as unenlightened, as hopelessly sunken in slavish ignorance as the lowest savage who adores his idols of mud and stone. Britta was quite unconscious of having said anything out of the common—she was addressing herself to Svensen.
This straightforward expression of Britta's views was such a new way of thinking for Ulrika that it left her feeling almost shocked. God couldn't punish anyone forever—He was too good! What a bold idea! And yet, it was so comforting—so amazing in the endless hope it offered, that she smiled, even while she felt anxious just thinking about it. Poor thing! She talked about non-believers—while being the worst kind of non-believer herself—specifically, a Christian non-believer. This may seem contradictory, but it's safe to say that those who claim to follow Christianity while depicting God as a malicious, vengeful being with more negative traits than they possess themselves are just as brutal, unenlightened, and hopelessly trapped in ignorant submission as the simplest savage who worships his idols made of clay and stone. Britta had no idea she was saying anything unusual; she was just speaking to Svensen.
"Where is the bonde buried, Valdemar?" she asked in a low tone.
"Where is the bonde buried, Valdemar?" she asked quietly.
He looked at her with a strange, mysterious smile.
He looked at her with a weird, mysterious smile.
"Buried? Do you suppose his body could mix itself with common earth? No!—he sailed away, Britta—away—yonder!"
"Buried? Do you really think his body could just blend in with the soil? No!—he sailed away, Britta—far away—over there!"
And he pointed out through the window to the Fjord now, invisible in the deep darkness.
And he pointed out the window to the Fjord, which was now hidden in the deep darkness.
Britta stared at him with roundly opened, frightened eyes—her face paled.
Britta looked at him with wide, scared eyes—her face went pale.
"Sailed away? You must be dreaming! Sailed away! How could he—if he was dead?"
"Sailed away? You must be kidding! Sailed away! How could he—if he was dead?"
Valdemar grew suddenly excited. "I tell you, he sailed away!" he repeated in a low, hoarse whisper. "Where is his ship, the Valkyrie? Try if you can find it anywhere—on sea or land! It has gone, and he has gone with it—like a king and warrior—to glory, joy, and victory! Glory—joy—victory!—those were his last words!"
Valdemar suddenly got really excited. "I'm telling you, he sailed away!" he repeated in a low, raspy whisper. "Where's his ship, the Valkyrie? See if you can find it anywhere—on the sea or on land! It’s gone, and he’s gone with it—like a king and a warrior—to glory, joy, and victory! Glory—joy—victory!—those were his last words!"
Britta retreated, and caught Ulrika by the arm. "Is he mad?" she asked fearfully.
Britta stepped back and grabbed Ulrika by the arm. "Is he crazy?" she asked nervously.
Valdemar heard her, and rose from his chair, a pained smile on his face.
Valdemar heard her and got up from his chair, a pained smile on his face.
"I am not mad, Britta," he said gently. "Do not be afraid! If grief for my master could have turned my brain, I had been mad ere this,—but I have all my wits about me, and I have told you the truth." He paused—then added, in a more ordinary tone, "You will need fresh logs of pine—I will go and bring them in."
"I’m not crazy, Britta," he said softly. "Don’t be scared! If mourning for my master could have driven me insane, I would have lost my mind by now—but I’m completely sane, and I’ve told you the truth." He paused—then added, in a more casual tone, "You’ll need fresh pine logs—I’ll go get them."
And he went out. Britta gazed after him in speechless wonder.
And he walked out. Britta watched him leave in silent amazement.
"What does he mean?" she asked.
"What does he mean?" she asked.
"What he says," returned Ulrika composedly. "You, like others, must have known that Olaf Güldmar's creed was a strange one—his burial has been strange—that is all!"
"What he says," Ulrika replied calmly. "You, like everyone else, must have known that Olaf Güldmar's beliefs were unusual—his burial has been unusual—that's all!"
And she skillfully turned the conversation, and began to talk of Thelma, her sorrows and sufferings. Britta was most impatient to see her beloved "Fröken," and quite grudged Sir Philip the long time he remained alone with his wife.
And she cleverly shifted the conversation and started talking about Thelma, her troubles and pain. Britta was eager to see her cherished "Fröken" and was quite annoyed that Sir Philip spent so much time alone with his wife.
"He might call me, if only for a moment," Britta thought plaintively. "I do so want to look at her dear face again! But men are all alike—as long as they've got what they want, they never think of anybody else. Dear me! I wonder how long I shall have to wait!" So she fumed and fretted, and sat by the kitchen-fire, drinking hot tea and talking to Ulrika—all the while straining her ears for the least sound or movement from the adjoining room. But none came—there was the most perfect silence. At last she could endure it no longer—and, regardless of Ulrika's remonstrances, she stole on tip-toe to the closed door that barred her from the sight of her heart's idol, and turning the handle softly, opened it and looked in. Sir Philip saw her, and made a little warning sign, though he smiled.
"He might call me, even if just for a moment," Britta thought sadly. "I really want to see her sweet face again! But men are all the same—once they get what they want, they never think about anyone else. Oh dear! I wonder how long I’ll have to wait!" So she fumed and fretted, sitting by the kitchen fire, sipping hot tea and chatting with Ulrika—while all the time straining to hear even the slightest sound from the next room. But nothing came—there was complete silence. Finally, she could take it no longer—and, ignoring Ulrika's protests, she tiptoed to the closed door that kept her from seeing her heart's desire, gently turned the handle, opened it, and peeked inside. Sir Philip noticed her and made a small warning gesture, though he smiled.
He was sitting by the bedside, and in his arms, nestled against his shoulder, Thelma rested. She was fast asleep. The lines of pain had disappeared from her sweet face—a smile was on her lips—her breath came and went with peaceful regularity,—and the delicate hue of a pale rose flushed her cheeks. Britta stood gazing on this fair sight till her affectionate little heart overflowed, and the ready tears dropped like diamonds from her curly lashes.
He was sitting by the bed, and in his arms, Thelma rested against his shoulder. She was fast asleep. The pain lines had faded from her sweet face—there was a smile on her lips—her breathing was calm and steady—and a delicate pink hue lit up her cheeks. Britta stood there, gazing at this beautiful sight until her loving little heart overflowed, and tears fell like diamonds from her curly lashes.
"Oh, my dear—my dear!" she whispered in a sort of rapture when there was a gentle movement,—and two star-like eyes opened like blue flowers outspreading to the sun.
"Oh, my dear—my dear!" she whispered in a kind of awe when there was a gentle movement, and two star-like eyes opened like blue flowers reaching out to the sun.
"Is that you, Britta?" asked a tender, wondering voice—and with a smothered cry of ecstacy, Britta sprang to seize the outstretched hand of her beloved Fröken, and cover it with kisses. And while Thelma laughed with pleasure to see her, and stroked her hair. Sir Philip described their long drive through the snow, and so warmly praised Britta's patience, endurance, and constant cheerfulness, that his voice trembled with its own earnestness, while Britta grew rosily red in her deep shyness and embarrassment, vehemently protesting that she had done nothing,—nothing at all to deserve so much commendation. Then, after much glad converse, Ulrika was called, and Sir Philip seizing her hand, shook it with such force and fervor that she was quite overcome.
"Is that you, Britta?" asked a gentle, curious voice—and with a muffled cry of joy, Britta jumped to grab the outstretched hand of her dear Miss and covered it with kisses. Meanwhile, Thelma laughed happily to see her and ran her fingers through her hair. Sir Philip recounted their long drive through the snow, praising Britta's patience, endurance, and constant cheerfulness so warmly that his voice shook with its own sincerity, while Britta turned a bright shade of red in her deep shyness and embarrassment, strongly insisting that she hadn’t done anything—nothing at all to deserve such praise. Then, after a lot of joyful conversation, Ulrika was called, and Sir Philip took her hand, shaking it with such strength and enthusiasm that she was utterly taken aback.
"I don't know how to thank you!" he said, his eyes sparkling with gratitude. "It's impossible to repay such goodness as yours! My wife tells me how tender and patient and devoted you have been—that even when she knew nothing else, she was aware of your kindness. God bless you for it! You have saved her life—"
"I really don’t know how to thank you!" he said, his eyes shining with gratitude. "It's impossible to repay someone as generous as you! My wife tells me how caring, patient, and dedicated you've been—that even when she was unsure about everything else, she recognized your kindness. God bless you for it! You’ve saved her life—"
"Ah, yes, indeed!" interrupted Thelma gently. "And life has grown so glad for me again! I do owe you so much."
"Ah, yes, definitely!" interrupted Thelma gently. "And life has become so joyful for me again! I really owe you so much."
"You owe me nothing," said Ulrika in those harsh, monotonous tones which she had of late learned to modulate. "Nothing. The debt is all on my side." She stopped abruptly—a dull red color flushed her face—her eyes dwelt on Thelma with a musing tenderness.
"You don’t owe me anything," Ulrika said in the flat, controlled voice she had recently learned to use. "Nothing. The debt is all on me." She paused suddenly—a deep red filled her face—her eyes lingered on Thelma with a thoughtful softness.
Sir Philip looked at her in some surprise.
Sir Philip looked at her with some surprise.
"Yes," she went on. "The debt is all on my side. Hear me out, Sir Philip—and you too,—you 'rose of the northern forest', as Sigurd used to call you! You have not forgotten Sigurd?"
"Yes," she continued. "The debt is all on me. Listen to me, Sir Philip—and you too,—you 'rose of the northern forest,' as Sigurd used to call you! You haven't forgotten Sigurd, have you?"
"Forgotten him?" said Thelma softly. "Never! . . . I loved him too well!"
"Forgot him?" Thelma said softly. "Never! ... I loved him too much!"
Ulrika's head dropped. "He was my son!" she said.
Ulrika's head hung low. "He was my son!" she said.
There was a silence of complete astonishment. Ulrika paused—then, as no one uttered a word, she looked up boldly, and spoke with a sort of desperate determination.
There was a silence of total astonishment. Ulrika paused—then, as no one said anything, she looked up confidently and spoke with a kind of desperate determination.
"You see you have nothing to thank me for," she went on, addressing herself to Sir Philip, while Thelma, leaning back on her pillows, and holding Britta's hand, regarded her with a new and amazed interest. "Perhaps, if you had known what sort of a woman I am, you might not have liked me to come near—her." And she motioned towards Thelma. "When I was young—long ago—I loved—" she laughed bitterly. "It seems a strange thing to say, does it not? Let it pass—the story of my love, my sin and shame, need not be told here! But Sigurd was my child—born in an evil hour—and I—I strove to kill him at his birth."
"You see, you have nothing to thank me for," she continued, speaking to Sir Philip, while Thelma, leaning back on her pillows and holding Britta's hand, looked at her with new and amazed curiosity. "Maybe if you had known what kind of woman I am, you wouldn't have wanted me to come near—her." She gestured towards Thelma. "When I was young—long ago—I loved—" she laughed bitterly. "It sounds strange to say that, doesn’t it? Let it go—the story of my love, my sin, and shame doesn't need to be shared here! But Sigurd was my child—born at a bad time—and I—I tried to end his life at birth."
Thelma uttered a faint cry of horror. Ulrika turned an imploring gaze upon her.
Thelma let out a soft cry of fear. Ulrika looked at her with a desperate expression.
"Don't hate me!" she said, her voice trembling. "Don't, for God's sake, hate me! You don't know what I have suffered! I was mad, I think, at the time—I flung the child in the Fjord to drown;—your father, Olaf Güldmar, rescued him. I never knew that till long after;—for years the crime I had committed weighed upon my soul,—I prayed and strove with the Lord for pardon, but always, always felt that for me there, was no forgiveness. Lovisa Elsland used to call me "murderess;" she was right—I was one, or so I thought—till—till that day I met you, Fröken Thelma, on the hills with Sigurd,—and the lad fought with me." She shuddered,—and her eyes looked wild. "I recognized him—no matter how! . . . he bore my mark upon him—he was my son,—mine!—the deformed, crazy creature who yet had wit enough to love you—you, whom then I hated—but now—"
"Don't hate me!" she said, her voice shaking. "Please, for God's sake, don't hate me! You have no idea what I've gone through! I think I was insane at the time—I threw the child into the Fjord to drown; your father, Olaf Güldmar, saved him. I didn't find out until years later; for years, the guilt of what I did tormented me—I prayed and struggled with the Lord for forgiveness, but I always felt that there was no absolution for me. Lovisa Elsland used to call me a 'murderess'; she was right—I thought I was one—until—until that day I met you, Miss Thelma, on the hills with Sigurd,—and the boy fought with me." She shuddered, her eyes wide with emotion. "I recognized him—no matter how! … he bore my mark—he was my son,—mine!—the deformed, crazy child who still had enough sense to love you—you, whom I hated back then—but now—"
She stopped and advanced a little closer to Thelma's bedside.
She paused and moved a bit closer to Thelma's bedside.
"Now, there is nothing I would not do for you, my dear!" she said very gently. "But you will not need me any more. You understand what you have done for me,—you and your father? You have saved me by saving Sigurd,—saved me from being weighed down to hell with the crime of murder! And you made the boy happy while he lived. All the rest of my days spent in your service could not pay back the worth of that good deed. And most heartily do I thank the Lord that he has mercifully permitted me to tend and comfort you in the hour of trouble—and, moreover, that He has given me strength to speak and confess my sin and unworthiness before you ere I depart. For now the trouble is past, I must remove my shadow from your joy. God bless you!—and—try to think as kindly as you can of me for—for Sigurd's sake!"
"Now, there’s nothing I wouldn’t do for you, my dear!" she said softly. "But you won’t need me anymore. You understand what you’ve done for me—both you and your father? You saved me by saving Sigurd—you saved me from being dragged down to hell with the weight of murder! And you made the boy happy while he was alive. All the time I could spend serving you wouldn’t repay the value of that good deed. I truly thank the Lord that He has kindly allowed me to care for and comfort you in this time of trouble—and, more importantly, that He has given me the strength to speak and confess my sin and unworthiness before you before I leave. Now that the trouble is over, I must step back from your happiness. God bless you!—and—please try to remember me kindly—for Sigurd's sake!"
Stooping, she kissed Thelma's hand,—and, before any one had time to speak a word, she left the room abruptly.
Stooping, she kissed Thelma's hand, and before anyone had a chance to say anything, she left the room abruptly.
When, in a few minutes, Britta went to look after her, she was gone. She had departed to her own house in Bosekop, where she obstinately remained. Nothing would induce her to present herself again before Sir Philip or Thelma, and it was not till many days after they had left the Altenfjord that she was once more seen about the village. And then she was a changed being. No longer harsh or forbidding in manner, she became humble and gentle,—she ministered to the sick, and consoled the afflicted—but she was especially famous for her love of children. All the little ones of the place knew her, and were attracted by her,—and the time came when Ulrika, white-haired, and of peaceful countenance, could be seen knitting at her door in the long summer afternoons surrounded by a whole army of laughing, chattering, dimpled youngsters, who would play at hide-and-seek behind her chair, and clamber up to kiss her wrinkled cheeks, putting their chubby arms round her neck with that guileless confidence children show only to those whom they feel can appreciate such flattering attentions. Some of her acquaintance were wont to say that she was no longer the "godly" Ulrika—but however this might be, it is certain she had drifted a little nearer to the Author of all godliness, which—after all,—is the most we dare to strive for in all our differing creeds.
When, a few minutes later, Britta went to check on her, she was gone. She had gone back to her own house in Bosekop, where she stubbornly stayed. Nothing could convince her to show herself again to Sir Philip or Thelma, and it wasn't until many days after they left Altenfjord that she was seen around the village again. And then she was a changed woman. No longer harsh or cold, she became humble and gentle—she took care of the sick and comforted the troubled—but she was especially known for her love of children. All the kids in the area recognized her and were drawn to her, and eventually, Ulrika, now with white hair and a peaceful expression, could be seen knitting at her door on long summer afternoons, surrounded by a crowd of laughing, chattering, cheerful children who would play hide-and-seek behind her chair and climb up to kiss her wrinkled cheeks, wrapping their chubby arms around her neck with that innocent trust that children only show to those they feel truly appreciate such affection. Some of her acquaintances would say that she was no longer the "godly" Ulrika—but whatever the case, it’s clear she had drifted a little closer to the Source of all goodness, which—after all—is the most we can strive for in all our different beliefs.
It was not long before Thelma began to recover. The day after her husband arrived, and Ulrika departed, she rose from her bed with Britta's assistance, and sat by the blazing fire, wrapped in her white gown and looking very fragile, though very lovely, Philip had been talking to her for some time, and now he sat at her feet, holding her hand in his, and, watching her face, on which there was an expression of the most plaintive and serious penitence.
It wasn't long before Thelma started to recover. The day after her husband arrived and Ulrika left, she got out of bed with Britta's help and sat by the roaring fire, wrapped in her white gown, looking delicate yet beautiful. Philip had been talking to her for a while, and now he sat at her feet, holding her hand, watching her face, which showed a look of deep and sincere regret.
"I have been very wicked!" she said, with such a quaint horror of herself that her husband laughed. "Now I look back upon it all, I think I have behaved so very badly! because I ought never to have doubted you, my boy—no—not for all the Lady Winsleighs in the world. And poor Mr. Neville! he must be so unhappy! But it was that letter—that letter in your own writing, Philip!"
"I’ve been really terrible!" she said, with such a strange sense of horror about herself that her husband laughed. "Now that I think about it, I realize I’ve acted so poorly! I should never have doubted you, my dear—not for all the Lady Winsleighs in the world. And poor Mr. Neville! He must be so sad! But it was that letter—that letter in your own handwriting, Philip!"
"Of course!" he answered soothingly. "No wonder you thought me a dreadful fellow! But you won't do so again, will you, Thelma? You will believe that you are the crown and centre of my life—the joy of all the world to me?"
"Of course!" he replied gently. "It's no surprise you thought I was an awful person! But you won't think that way again, will you, Thelma? You will see that you are the center of my world—the joy of my life?"
"Yes, I will!" she said softly and proudly. "Though it is always the same, I never do think myself worthy! But I must try to grow very conceited, and assure myself that I am very valuable! so that then I shall understand everything better, and be wiser."
"Yes, I will!" she said softly and proudly. "Even though it’s always the same, I never really think I’m worthy! But I have to try to become more confident and tell myself that I’m really important! That way, I’ll understand everything better and be wiser."
Philip laughed. "Talking of letters," he said suddenly, "here's one I wrote to you from Hull—it only got here today. Where it has been delayed is a mystery. You needn't read it—you know everything in it already. Then there's a letter on the shelf up there addressed in your writing—it seems never to have been opened."
Philip laughed. "Speaking of letters," he said suddenly, "here's one I wrote to you from Hull—it just arrived today. I have no idea why it was delayed. You don't need to read it—you already know everything in it. And there's a letter on the shelf up there in your handwriting—it looks like it was never opened."
He reached it down, and gave it to her. As she took it, her face grew very sad.
He handed it down to her. As she accepted it, her expression became very somber.
"It is the one I wrote to my father before I left London," she said. And her eyes filled with tears. "It came too late!"
"It’s the one I wrote to my dad before I left London," she said, her eyes welling with tears. "It arrived too late!"
"Thelma," said Sir Philip then, very gently and gravely, "would you like—can you bear—to read your father's last words to you? He wrote to you on his death-bed, and gave the letter to Valdemar—"
"Thelma," Sir Philip said softly and seriously, "would you like—can you handle—reading your father's last words to you? He wrote to you on his deathbed and gave the letter to Valdemar—"
"Oh, let me see it!" she murmured half-sobbingly. "Father,—dear father! I knew he would not leave me without a word!"
"Oh, let me see it!" she said, half in tears. "Dad,—dear dad! I knew he wouldn't leave me without saying something!"
Sir Philip reverently opened the folded paper which Svensen had committed to his care that morning, and together they read the bonde's farewell. It ran as follows:—
Sir Philip carefully unfolded the paper that Svensen had given him that morning, and together they read the bonde's farewell. It said:—
"THELMA, MY BELOVED,"
"THELMA, MY LOVE,"
"The summons I have waited for has come at last, and the doors of Valhalla are set open to receive my soul. Wonder not that I depart with joy! Old as I am, I long for youth—the everlasting youth of which the strength and savor fails not. I have lived long enough to know the sameness of this world—though there is much therein to please the heart and eye of a man—but with that roving restlessness that was born within me, I desire to sail new seas and gaze on new lands, where a perpetual light shines that knows no fading. Grieve not for me—thou wilt remember that, unlike a Christian, I see in death the chiefest glory of life—and thou must not regret that I am eager to drain this cup of world-oblivion offered by the gods. I leave thee,—not sorrowfully,—for thou art in shelter and safety—the strong protection of thy husband's love defends thee and the safeguard of thine own innocence. My blessing upon him and thee! Serve him, Thelma mine, with full devotion and obedience—even as I have taught thee,—thus drawing from thy womanlife its best measure of sweetness,—keep the bright shield of thy truth untarnished—and live so that at the hour of thine own death-ecstasy thou mayest depart as easily as a song-bird soaring to the sun! I pass hence in happiness—if thou dost shed a tear thou wrongest my memory,—there is naught to weep for. Valdemar will give me the crimson shroud and ocean grave of my ancestors—but question him not concerning this fiery pomp of my last voyage—he is but a serf, and his soul is shaken to its very depths by sorrow. Let him be—he will have his reward hereafter. And now farewell, child of my heart—darling of mine age—clear mirror in which my later life has brightened to content! All partings are brief—we shall meet again—thou and I and Philip—and all who have loved or who love each other,—the journey heavenwards may be made by different roads, but the end—the glory—the immortality is the same! Peace be upon thee and on thy children and on thy children's children!"
"The moment I’ve been waiting for has finally arrived, and the doors of Valhalla are open to welcome my soul. Don’t be surprised that I leave with joy! Even though I’m old, I yearn for youth—the eternal youth that doesn't lose its strength or flavor. I've lived long enough to understand the monotony of this world—though there’s much here that pleases the heart and eyes of a man—but with that restless spirit inside me, I want to sail new seas and see new lands, where a constant light shines that never fades. Don’t mourn for me—you must remember that, unlike a Christian, I see the greatest glory of life in death—and you shouldn’t regret my eagerness to take this cup of oblivion offered by the gods. I leave you—not with sadness—because you are safe and protected—the strong love of your husband keeps you safe, and your own innocence is your shield. My blessings upon him and you! Serve him, my Thelma, with full devotion and obedience—just as I taught you—drawing from your womanhood the sweetest measures of life—keep the bright shield of your truth untarnished—and live so that when your own moment of death comes, you can depart as easily as a songbird soaring to the sun! I pass on with happiness—if you shed a tear, you’ll do my memory a disservice—there’s nothing to weep for. Valdemar will give me the crimson shroud and ocean grave of my ancestors—but don’t ask him about the fiery spectacle of my last journey—he is just a servant, and his soul is deeply shaken by sorrow. Let him be—he will have his reward in time. And now, farewell, child of my heart—beloved of my age—clear mirror in which my later life has brightened to joy! All goodbyes are temporary—we shall meet again—you, I, Philip—and all who have loved or will love each other—the journey to heaven may be taken by different paths, but the destination—the glory—the immortality is the same! Peace be upon you and your children and your children's children!"
"Thy father,
"Your father,
OLAF GÜLDMAR."
OLAF GÜLDMAR.
In spite of the brave old pagan's declaration that tears would wrong his memory, they dropped bright and fast from his daughter's eyes as she kissed again and again the words his dying hand had pencilled,—while Errington knew not which feeling gained the greater mastery over him,—grief for a good man's loss, or admiration for the strong, heroic spirit in which that good man had welcomed Death with rejoicing. He could not help comparing the bonde's departure from this life with that of Sir Francis Lennox, the man of false fashion, who had let slip his withered soul with an oath into the land of Nowhere. Presently Thelma grew calmer, and began to speak in hushed, soft tones—
In spite of the brave old pagan's claim that tears would disrespect his memory, they fell bright and fast from his daughter's eyes as she kissed over and over the words his dying hand had written. Errington couldn't decide which feeling took over him more—grief for the loss of a good man or admiration for the strong, heroic spirit with which that good man had faced Death with joy. He couldn't help but compare the bonde's departure from this life to that of Sir Francis Lennox, the false gentleman who had let his faded soul slip away with an oath into the abyss. Eventually, Thelma became calmer and started to speak in soft, hushed tones—
"Poor Valdemar!" she said meditatively. "His heart must ache very much, Philip!"
"Poor Valdemar!" she said thoughtfully. "He must be hurting a lot, Philip!"
Philip looked up inquiringly.
Philip looked up, curious.
"You see, my father speaks of the 'crimson shroud,'" she went on. "That means that he was buried like many of the ancient Norwegian sea kings;—he was taken from his bed while dying and placed on board his own ship to breathe his last; then the ship was set on fire and sent out to sea. I always knew he wished it so. Valdemar must have done it all—for I,—I saw the last glimpse of the flames on the Fjord the night I came home! Oh, Philip!" and her beautiful eyes rested tenderly upon him, "it was all so dreadful—so desolate! I wanted—I prayed to die also! The world was so empty—it seemed as if there was nothing left!"
"You see, my dad talks about the 'crimson shroud,'" she continued. "That means he was buried like many of the ancient Norwegian sea kings; he was taken from his bed while dying and placed on his own ship to take his last breath; then the ship was set on fire and sent out to sea. I always knew he wanted it that way. Valdemar must have arranged it all—for I—I caught a last glimpse of the flames on the Fjord the night I came home! Oh, Philip!" and her beautiful eyes looked at him with tenderness, "it was all so terrible—so lonely! I wanted—I prayed to die too! The world felt so empty—it seemed like there was nothing left!"
Philip, still sitting at her feet, encircled her with both arms, and drew her down to him.
Philip, still sitting at her feet, wrapped both arms around her and pulled her down to him.
"My Thelma!" he whispered, "there is nothing left—nothing at all worth living for,—save Love!"
"My Thelma!" he whispered, "there is nothing left—nothing at all worth living for—except Love!"
"Ah! but that," she answered softly, "is everything!"
"Ah! but that," she replied softly, "is everything!"
* * * * * *
* * * * * *
Is it so, indeed? Is Love alone worth living for—worth dying for? Is it the only satisfying good we can grasp at among the shifting shadows of our brief existence? In its various phases and different workings, is it, after all, the brightest radiance known in the struggling darkness of our lives?
Is that true, really? Is love the only thing worth living for—worth dying for? Is it the only truly fulfilling good we can hold onto amidst the changing shadows of our short lives? In all its forms and ways, is it, at the end of the day, the brightest light we know in the challenging darkness of our existence?
Sigurd had thought so,—he had died to prove it. Philip thought so,—when once more at home in England with his recovered "treasure of the golden midnight" he saw her, like a rose refreshed by rain, raise her bright head in renewed strength and beauty, with the old joyous lustre dancing in her eyes, and the smile of a perfect happiness like summer sunshine on her fair face. Lord Winsleigh thought so;—he was spending the winter in Rome with his wife and son,—and there among the shadows of the Caesars, his long, social martyrdom ended, and he regained what he had once believed lost for ever—his wife's affection. Clara gentle, wistful, with the softening shadow of a great sorrow and a great repentance in her once too-brilliant eyes, was a very different Clara to the dashing "beauty" who had figured so conspicuously in London society. She clung to her husband with an almost timid eagerness as though she dreaded losing him—and when he was not with her, she seemed to rely entirely on her son, whom she watched with a fond, almost melancholy pride, and who responded to her tenderness though proffered so late, with the full-hearted frankness of his impulsive, ardent nature. She wrote to Thelma asking her pardon, and in return received such a sweet, forgiving, generous letter as caused her to weep for an hour or more. But she felt she could never again meet the clear regard of those beautiful, earnest, truthful eyes—never again could she stand in Thelma's presence, or call her friend—that was all over. Still Love remained,—a Love, chastened and sad, with drooping wings and a somewhat doubting smile,—yet it was Love—
Sigurd had thought so—he had died to prove it. Philip thought so too—when he was back home in England with his recovered "treasure of the golden midnight" and saw her, like a rose refreshed by rain, raising her bright head with renewed strength and beauty, her old joyful sparkle dancing in her eyes, and the smile of perfect happiness like summer sunshine lighting up her fair face. Lord Winsleigh thought so—he was spending the winter in Rome with his wife and son—and there, among the shadows of the Caesars, his long social struggle ended, and he regained what he had once believed he had lost forever—his wife's affection. Clara, gentle and wistful, with the softening shadows of a great sorrow and deep repentance in her once too-bright eyes, was a very different Clara from the lively "beauty" who had stood out so much in London society. She clung to her husband with almost timid eagerness, as though she feared losing him—and when he wasn’t with her, she seemed to rely completely on her son, whom she watched with a fond, almost melancholic pride. He responded to her affection, though given so late, with the open-hearted warmth of his impulsive, passionate nature. She wrote to Thelma, asking for forgiveness, and received such a sweet, forgiving, generous letter in return that it made her cry for over an hour. But she knew she'd never again be able to meet the clear gaze of those beautiful, earnest, truthful eyes—she could never again stand in Thelma's presence or call her friend—that part of her life was over. Still, love remained—a love that was softened and sad, with drooping wings and a somewhat uncertain smile—but it was still love.
"Love, that keeps all the choir of lives in chime—
Love, that is blood—within the veins of time."
"Love, the force that harmonizes all lives—
Love, which flows like blood through the veins of time."
And Love, no matter how abused and maltreated, is a very patient god, and even while suffering from undeserved wounds, still works on, doing magical things. So that poor Edward Neville, the forsaken husband of Violet Vere, when he heard that that popular actress had died suddenly in America from a fit of delirium tremens brought on by excessive drinking, was able, by some gentle method known only to Love and himself, to forget all her frailties—to obliterate from his memory the fact that he ever saw her on the boards of the Brilliant Theatre,—and to think of her henceforth only as the wife he had once adored, and who, he decided in vague, dreamy fashion, must have died young. Love also laid a firm hand on the vivacious Pierre Duprèz—he who had long scoffed at the jeu d'amour, played it at last in grave earnest,—and one bright season he introduced his bride into Parisian society,—a charming little woman, with very sparkling eyes and white teeth, who spoke French perfectly, though not with the ''haccent' recommended by Briggs. It was difficult to recognize Britta in the petite élégante who laughed and danced and chattered her way through some of the best salons in Paris, captivating everybody as she went,—but there she was, all the same, holding her own as usual. Her husband was extremely proud of her—he was fond of pointing her out to people as something excessively precious and unique—and saying—"See her! That is my wife! From Norway! Yes—from the very utmost north of Norway! I love my country—certainly!—but I will tell you this much—if I had been obliged to choose a wife among French women—ma foi! I should never have married!"
And love, no matter how mistreated and neglected, is a very patient force, and even while enduring unfair pain, it still creates magical moments. So that poor Edward Neville, the abandoned husband of Violet Vere, when he heard that the famous actress had suddenly died in America from delirium tremens brought on by heavy drinking, managed, through some gentle way known only to love and himself, to forget all her weaknesses—to erase from his mind the fact that he ever saw her perform at the Brilliant Theatre—and to remember her only as the wife he once adored, who, he vaguely and dreamily decided, must have died young. Love also had a strong influence on the lively Pierre Duprèz—who had long mocked the game of love—who finally engaged in it seriously. One bright season, he introduced his bride to Parisian society—a charming little woman with sparkling eyes and bright white teeth, who spoke perfect French, even though not with the "haccent" recommended by Briggs. It was hard to recognize Britta in the petite élégante who laughed and danced and chatted her way through some of the best salons in Paris, captivating everyone as she went—but there she was, holding her own as always. Her husband was extremely proud of her—he loved to show her off to people as something incredibly special and unique—and would say—"Look at her! That's my wife! From Norway! Yes—from the very far north of Norway! I love my country—of course!—but I’ll tell you this much—if I had to choose a wife among French women—ma foi! I would never have married!"
And what of George Lorimer?—the idle, somewhat careless man of "modern" type, in whose heart, notwithstanding the supposed deterioration of the age, all the best and bravest codes of old-world chivalry were written? Had Love no fair thing to offer him? Was he destined to live out his life in the silent heroism of faithful, unuttered, unrequited, unselfish devotion? Were the heavens, as Sigurd had said, always to be empty? Apparently not,—for when he was verging towards middle age, a young lady besieged him with her affections, and boldly offered to be his wife any day he chose to name. She was a small person, not quite five years old, with great blue eyes and a glittering tangle of golden curls. She made her proposal one summer afternoon on the lawn at Errington Manor, in the presence of Beau Lovelace, on whose knee sat her little brother Olaf, a fine boy a year younger than herself. She had placed her dimpled arms round Lorimer's neck,—and when she so confidingly suggested marriage to her "Zordie," as she called him, she was rubbing her rosy, velvety cheek against his moustache with much sweet consideration and tenderness. Lovelace, hearing her, laughed aloud, whereat the little lady was extremely offended.
And what about George Lorimer?—the laid-back, somewhat careless man of "modern" times, who, despite the believed decline of the era, had all the best and bravest principles of old-world chivalry in his heart? Did Love have nothing beautiful to offer him? Was he destined to go through life in the quiet heroism of loyal, unspoken, unreturned, selfless devotion? Were the skies, as Sigurd had said, always going to be empty? Apparently not—because as he approached middle age, a young girl overwhelmed him with her affections and boldly proposed to be his wife any day he picked. She was a petite child, not quite five years old, with large blue eyes and a sparkling mess of golden curls. She made her proposal one summer afternoon on the lawn at Errington Manor, in front of Beau Lovelace, who was holding her little brother Olaf, a fine boy a year younger than her. She had wrapped her dimpled arms around Lorimer's neck, and as she confidently suggested marriage to her "Zordie," as she called him, she was rubbing her rosy, velvety cheek against his mustache with much sweet consideration and tenderness. Lovelace, hearing her, burst out laughing, which greatly offended the little lady.
"I don't tare!" she said, with pretty defiance. "I do love oo, Zordie, and I will marry oo!"
"I don't care!" she said, with cute defiance. "I really love you, Zordie, and I will marry you!"
George held her fondly to his breast as though she were some precious fragile flower of which not a petal must be injured.
George held her tenderly against him as if she were a delicate, precious flower that he needed to protect from any harm.
"All right!" he answered gaily, though his voice trembled somewhat, "I accept! You shall be my little wife, Thelma. Consider it settled!"
"Sure!" he replied cheerfully, even though his voice shook a bit, "I accept! You will be my little wife, Thelma. It’s done!"
Apparently she did so consider it, for from that day, whenever she was asked her name, she announced herself proudly as "Zordie's 'ittle wife, Thelma"—to the great amusement of her father, Sir Philip, and that other Thelma, on whom the glory of motherhood had fallen like a new charm, investing both face and form with superior beauty and an almost divine serenity. But "Zordie's wife" took her sobriquet very seriously,—so much so, indeed, that by-and-by "Zordie" began to take it rather seriously himself—and to wonder whether, after all, marriages, unequal in point of age, might not occasionally turn out well. He condemned himself severely for the romanticism of thinking such thoughts, even while he indulged in them, and called himself "an old fool," though he was in the actual prime of manhood, and an exceedingly handsome fellow withal.
Apparently she did consider it, because from that day on, whenever she was asked her name, she proudly introduced herself as "Zordie's little wife, Thelma"—much to the amusement of her father, Sir Philip, and that other Thelma, who radiated the joy of motherhood, enhancing both her appearance and demeanor with a kind of divine calm. But "Zordie's wife" took her nickname very seriously—so much so that eventually "Zordie" started to take it seriously himself and began to wonder if, after all, marriages with differing ages could sometimes work out well. He scolded himself harshly for being romantic for thinking such things, even while he indulged them, calling himself "an old fool," despite being in the prime of his manhood and an exceptionally handsome guy.
But when the younger Thelma came back at the age of sixteen from her convent school at Arles,—the same school where her mother had been before her,—she looked so like her mother, so very like, that his heart began to ache with the old, wistful, passionate longing he fancied he had stilled for ever. He struggled against this feeling for a while, till at last it became too strong for him,—and then, though he told himself it was absurd,—that a man past forty had no right to expect to win a girl's first love, he grew so reckless that he determined to risk his fate with her. One day, therefore, he spoke out, scarcely knowing what he said, and only conscious that his pulses were beating with abnormal rapidity. She listened to his tremulous, rather hesitating proposal with exceeding gravity, and appeared more surprised than displeased. Raising her glorious blue eyes—eyes in which her mother's noble, fearless look was faithfully reflected, she said simply, just in her mother's own quaint way—
But when the younger Thelma came back at the age of sixteen from her convent school in Arles—the same school where her mother had gone before her—she looked so much like her mother, so incredibly alike, that his heart started to ache with the old, nostalgic, passionate longing he thought he had buried forever. He fought against this feeling for a while, until finally it became too overwhelming for him, and even though he told himself it was ridiculous—that a man over forty had no right to hope for a girl's first love—he became so reckless that he decided to take a chance with her. So one day, he spoke up, barely aware of what he was saying, only noticing that his heart was racing wildly. She listened to his shaky, somewhat tentative proposal with serious attention, looking more surprised than upset. Raising her stunning blue eyes—eyes that mirrored her mother's noble, fearless gaze—she simply said, in her mother's unique way—
"I do not know why you talk about this at all. I thought it was all settled long ago!"
"I have no idea why you're even bringing this up. I thought everything was settled ages ago!"
"Settled!" faltered Lorimer astonished,—he was generally self-possessed, but this fair young lady's perfect equanimity far surpassed his at that moment—"Settled! My darling! my child—I am so much older than you are—"
"Settled!" stammered Lorimer, surprised—he usually kept his composure, but this lovely young lady's calmness far exceeded his at that moment—"Settled! My darling! My child—I am so much older than you are—"
"I don't like boys!" she declared, with stately disdain. "I was your wife when I was little—and I thought it was to be the same thing now I am big! I told mother so, and she was quite pleased. But of course, if you don't want me—"
"I don't like boys!" she said, with elegant disdain. "I was your wife when I was little—and I thought it would be the same now that I’m grown! I told my mom that, and she was really happy. But of course, if you don’t want me—"
She was not allowed to finish her sentence, for Lorimer, with a sudden rush of joy that almost overpowered him, caught her in his arms and pressed the first lover's kiss on her pure, innocently smiling lips.
She couldn't finish her sentence because Lorimer, overwhelmed with joy, suddenly swept her into his arms and pressed the first kiss of love on her pure, sweetly smiling lips.
"Want you!" he murmured passionately, with a strange sweet mingling of the past and present in his words. "I have always wanted—Thelma!"
"Want you!" he whispered passionately, his words blending a strange sweetness of the past and present. "I've always wanted—Thelma!"
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