This is a modern-English version of The Brighton Road: The Classic Highway to the South, originally written by Harper, Charles G. (Charles George).
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
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THE BRIGHTON ROAD
HISTORIES OF THE ROADS
—BY—
Charles G. Harper.
HISTORIES OF THE ROADS
—BY—
Charles G. Harper.
THE BRIGHTON ROAD: The Classic Highway to the South.
THE BRIGHTON ROAD: The Classic Route to the South.
THE GREAT NORTH ROAD: London to York.
THE GREAT NORTH ROAD: London to York.
THE GREAT NORTH ROAD: York to Edinburgh.
THE GREAT NORTH ROAD: York to Edinburgh.
THE DOVER ROAD: Annals of an Ancient Turnpike.
THE DOVER ROAD: Chronicles of an Old Turnpike.
THE BATH ROAD: History, Fashion and Frivolity on an old Highway.
THE BATH ROAD: History, Style, and Fun on an Old Highway.
THE MANCHESTER AND GLASGOW ROAD: London to Manchester.
THE MANCHESTER AND GLASGOW ROAD: London to Manchester.
THE MANCHESTER ROAD: Manchester to Glasgow.
THE MANCHESTER ROAD: Manchester to Glasgow.
THE HOLYHEAD ROAD: London to Birmingham.
THE HOLYHEAD ROAD: London to Birmingham.
THE HOLYHEAD ROAD: Birmingham to Holyhead.
THE HOLYHEAD ROAD: Birmingham to Holyhead.
THE HASTINGS ROAD: And The “Happy Springs of Tunbridge.”
THE HASTINGS ROAD: And The “Happy Springs of Tunbridge.”
THE OXFORD, GLOUCESTER AND MILFORD HAVEN ROAD: London to Gloucester.
THE OXFORD, GLOUCESTER AND MILFORD HAVEN ROAD: London to Gloucester.
THE OXFORD, GLOUCESTER AND MILFORD HAVEN ROAD: Gloucester to Milford Haven.
THE OXFORD, GLOUCESTER AND MILFORD HAVEN ROAD: Gloucester to Milford Haven.
THE NORWICH ROAD: An East Anglian Highway.
THE NORWICH ROAD: An East Anglian Highway.
THE NEWMARKET, BURY, THETFORD AND CROMER ROAD.
THE NEWMARKET, BURY, THETFORD AND CROMER ROAD.
THE EXETER ROAD: The West of England Highway.
THE EXETER ROAD: The West of England Highway.
THE PORTSMOUTH ROAD.
The Portsmouth Road.
THE CAMBRIDGE, KING’S LYNX AND ELY ROAD.
THE CAMBRIDGE, KING’S LYNX AND ELY ROAD.

GEORGE THE FOURTH.
From the painting by Sir Thomas Lawrence, R.A.
GEORGE THE FOURTH.
From the painting by Sir Thomas Lawrence, R.A.
The
BRIGHTON ROAD
The
BRIGHTON ROAD
The Classic Highway to the South
The Traditional Path to the South
By CHARLES G. HARPER
By Charles G. Harper
Illustrated by the Author, and from old-time
Prints and Pictures
Illustrated by the Author, and from vintage
Prints and Images

London:
CECIL PALMER
Oakley House, Bloomsbury Street, W.C. 1
London:
CECIL PALMER
Oakley House, Bloomsbury Street, W.C. 1
First Published - 1892
Second Edition - 1906
Third and Revised Edition - 1922
First Published - 1892
Second Edition - 1906
Third and Revised Edition - 1922
Printed in Great Britain by C. Tinling & Co., Ltd.,
53, Victoria Street, Liverpool,
and 187, Fleet Street, London.
Printed in Great Britain by C. Tinling & Co., Ltd.,
53 Victoria Street, Liverpool,
and 187 Fleet Street, London.

Many years ago it occurred to this writer that it would be an interesting thing to write and illustrate a book on the Road to Brighton. The genesis of that thought has been forgotten, but the book was written and published, and has long been out of print. And there might have been the end of it, but that (from no preconceived plan) there has since been added a long series of books on others of our great highways, rendering imperative re-issues of the parent volume.
A lengthy time ago, I had the idea to write and illustrate a book about the Road to Brighton. I don't remember how that idea came to me, but the book was written, published, and has been out of print for a while. That could have been the end of it, but unexpectedly, I've since created a series of books about other major highways, making it necessary to reissue the original book.
Two considerations have made that undertaking a matter of considerable difficulty, either of them sufficiently weighty. The first was that the original book was written at a time when the author had not arrived at a settled method; the second is found in the fact of the Brighton Road being not only the best known of highways, but also the one most susceptible to change.
Two factors have made this task quite challenging, each significant enough on its own. The first is that the original book was written when the author hadn't yet established a clear method; the second is the reality that the Brighton Road is not only the most famous highway, but also the one most likely to change.
When it is remembered that motor-cars have come upon the roads since then, that innumerable sporting “records” in cycling, walking, and other forms of progression have since been made, and that in many other ways the road is different, it was seen that not merely a re-issue of the book, but a book almost entirely re-written and re-illustrated was required. This, then, is what was provided in a second edition, published in 1906. And now another, the third, is issued, bringing the story of this highway up to date.
Considering that cars have been on the roads since then, that countless sports "records" in cycling, walking, and other forms of movement have been set, and that the road has changed in many ways, it became clear that a simple reissue of the book wouldn't suffice; instead, a book that was almost completely rewritten and re-illustrated was needed. This was delivered in the second edition published in 1906. Now, we are releasing a third edition, updating the story of this highway.
CHARLES G. HARPER.
CHARLES G. HARPER.
March, 1922.
March 1922.
THE ROAD TO BRIGHTON
MILES | |
Westminster Bridge (Surrey side) to— | |
St. Mark’s Church, Kennington | 1.5 |
Brixton Church | 3 |
Streatham | 5.5 |
Norbury | 6.75 |
Thornton Heath | 8 |
Croydon (Whitgift’s Hospital) | 9.5 |
Purley Corner | 12 |
Smitham Bottom | 13½ |
Coulsdon Railway Station | 14¼ |
Merstham | 17¾ |
Redhill (Market Hall) | 20½ |
Horley (“Chequers”) | 24 |
Povey Cross | 25¾ |
Kimberham Bridge (Cross River Mole) | 26 |
Lowfield Heath | 27 |
Crawley | 29 |
Pease Pottage | 31¼ |
Hand Cross | 33½ |
Staplefield Common | 34¾ |
Slough Green | 36¼ |
Whiteman’s Green | 37¼ |
Cuckfield | 37½ |
Ansty Cross | 38 |
Bridge Farm (Cross River Adur) | 40¼ |
St. John’s Common | 40¾ |
“Friar’s Oak” Inn | 42¾ |
Stonepound | 43½ |
Clayton | 44½ |
Pyecombe | 45½ |
Patcham | 48 |
Withdean | 48¾ |
Preston | 49¾ |
Brighton (Aquarium) | 51½ |
The Sutton and Reigate Route | |
St. Mark’s, Kennington | 1.5 |
Tooting Broadway | 6 |
Mitcham | 8.25 |
Sutton (“Greyhound”) | 11 |
Tadworth | 16 |
Lower Kingswood | 17 |
Reigate Hill | 19¼ |
Reigate (Town Hall) | 20½ |
Woodhatch (“Old Angel”) | 21½ |
Povey Cross | 26 |
Brighton | 51⅝ |
The Bolney and Hickstead Trail | |
Hand Cross | 33½ |
Bolney | 39 |
Hickstead | 40½ |
Savers Common | 42 |
Newtimber | 44½ |
Pyecombe | 45 |
Brighton | 50½ |
LIST OF ILLUSTRATIONS
PAGE | |
George the Fourth | Frontispiece |
Sketch-map showing Principal Routes to Brighton | 4 |
Stage Waggon, 1808 | 13 |
The “Talbot” Inn Yard, Borough, about 1815 | 17 |
Me and My Wife and Daughter | 19 |
The “Duke of Beaufort” Coach starting from the “Bull and Mouth” Office, Piccadilly Circus, 1826 |
31 |
The “Age,” 1829, starting from Castle Square, Brighton | 35 |
Sir Charles Dance’s Steam-carriage leaving London for Brighton, 1833 | 39 |
The Brighton Day Mails crossing Hookwood Common, 1838 | 43 |
The “Age,” 1852, crossing Ham Common | 47 |
The “Old Times,” 1888 | 51 |
The “Comet,” 1890 | 55 |
John Mayall, Junior, 1869 | 70 |
The Stock Exchange Walk: E. F. Broad at Horley | 83 |
Miss M. Foster, paced by Motor Cycle, passing Coulsdon | 86 |
Kennington Gate: Derby Day, 1839 | 95 |
Streatham Common | 101 |
Streatham | 107 |
The Dining Hall, Whitgift Hospital | 111 |
The Chapel, Hospital of the Holy Trinity | 113 |
Croydon Town Hall | 120 |
Chipstead Church | 135 |
Merstham | 139 |
Gatton Hall and “Town Hall” | 144 |
The Switchback Road, Earlswood Common | 148 |
Thunderfield Castle | 150 |
The “Chequers,” Horley | 151 |
The “Six Bells,” Horley | 153 |
The “Cock,” Sutton, 1789 | 157 |
Kingswood Warren | 162 |
The Suspension Bridge, Reigate Hill | 163 |
The Tunnel, Reigate | 167 |
Tablet, Batswing Cottages | 172 |
The Floods at Horley | 174 |
Charlwood | 176 |
A Corner in Newdigate Church | 177 |
On the Road to Newdigate | 179 |
Ifield Mill Pond | 180 |
Crawley: Looking South | 183 |
Crawley, 1789 | 185 |
An Old Cottage at Crawley | 188 |
The “George,” Crawley | 189 |
Sculptured Emblem of the Holy Trinity, Crawley Church | 191 |
Pease Pottage | 197 |
The “Red Lion,” Hand Cross | 201 |
Cuckfield, 1789 | 203 |
The Road out of Cuckfield | 207 |
Cuckfield Place | 210 |
The Clock-Tower and Haunted Avenue, Cuckfield Place | 211 |
Harrison Ainsworth | 213 |
Old Sussex Fireback, Ridden’s Farm | 223 |
Jacob’s Post | 224 |
Clayton Tunnel | 233 |
Clayton Church and the South Downs | 235 |
The Ruins of Slaugham Place | 239 |
The Entrance: Ruins of Slaugham Place | 241 |
Bolney | 243 |
From a Brass at Slaugham | 244 |
Hickstead Place | 245 |
Newtimber Place | 247 |
Pyecombe: Junction of the Roads | 249 |
Patcham | 251 |
Old Dovecot, Patcham | 254 |
Preston Viaduct: Entrance to Brighton | 256 |
The Pavilion | 259 |
The Cliffs, Brighthelmstone, 1789 | 263 |
Dr. Richard Russell | 265 |
St. Nicholas, the old Parish Church of Brighthelmstone | 269 |
The Aquarium, before destruction of the Chain Pier | 271 |

I
The road to Brighton—the main route, pre-eminently the road—is measured from the south side of Westminster Bridge to the Aquarium. It goes by Croydon, Redhill, Horley, Crawley, and Cuckfield, and is (or is supposed to be) 51½ miles in length. Of this prime route—the classic way—there are several longer or shorter variations, of which the way through Clapham, Mitcham, Sutton, and Reigate, to Povey Cross is the chief. The modern “record” route is the first of these two, so far as Hand Cross, where it branches off and, instead of going through Cuckfield, proceeds to Brighton by way of Hickstead and Bolney, avoiding Clayton Hill and rejoining the initial route at Pyecombe.
The road to Brighton—the main route, definitely the road—is measured from the south side of Westminster Bridge to the Aquarium. It goes through Croydon, Redhill, Horley, Crawley, and Cuckfield, and is (or is supposed to be) 51½ miles long. From this main route—the classic way—there are several longer or shorter variations, with the route through Clapham, Mitcham, Sutton, and Reigate to Povey Cross being the most significant. The modern “record” route follows the first of these two, up to Hand Cross, where it branches off and instead of going through Cuckfield, heads to Brighton via Hickstead and Bolney, bypassing Clayton Hill and reconnecting with the original route at Pyecombe.
The oldest road to Brighton is now but little used. It is not to be indicated in few words, but may be taken as the line of road from London Bridge, along the Kennington Road, to Brixton, Croydon, Godstone Green, Tilburstow Hill, Blindley Heath, East Grinstead, Maresfield, Uckfield, and Lewes; some fifty-nine miles. This is without doubt the most picturesque route. A circuitous way, travelled by some coaches was by[Pg 2] Ewell, Leatherhead, Dorking, Horsham, and Mockbridge (doubtless, bearing in mind the ancient mires of Sussex, originally “Muckbridge”), and was 57½ miles in length. An extension of this route lay from Horsham through Steyning, bringing up the total mileage to sixty-one miles three furlongs.
The oldest road to Brighton is now barely used. It's not easy to describe in just a few words, but you can follow the route from London Bridge, along Kennington Road, to Brixton, then Croydon, Godstone Green, Tilburstow Hill, Blindley Heath, East Grinstead, Maresfield, Uckfield, and finally Lewes; that’s about fifty-nine miles. This is definitely the most scenic route. Another winding path that some coaches took was via [Pg 2] Ewell, Leatherhead, Dorking, Horsham, and Mockbridge (which likely originally referred to the ancient swamps of Sussex, hence "Muckbridge"), and this route was 57½ miles long. An extension of this route went from Horsham through Steyning, bringing the total distance to sixty-one miles three furlongs.
This multiplicity of ways meant that, in the variety of winding lanes which led to the Sussex coast, long before the fisher village of Brighthelmstone became that fashionable resort, Brighton, there were places on the way quite as important to the old waggoners and carriers as anything at the end of the journey. They set out the direction, and roads, when they began to be improved, were often merely the old routes widened, straightened, and metalled. They were kept very largely to the old lines, and it was not until quite late in the history of Brighton that the present “record” route in its entirety existed at all.
This variety of routes meant that, along the winding lanes leading to the Sussex coast, long before the fishing village of Brighthelmstone became the fashionable resort of Brighton, there were places along the way that were just as significant to the old wagon drivers and carriers as the destination itself. They defined the direction, and when roads started to be improved, they were often just the old paths made wider, straighter, and surfaced. They mostly followed the old routes, and it wasn't until much later in Brighton's history that the current "record" route existed in its entirety.
Among the many isolated roads made or improved, which did not in the beginning contemplate getting to Brighton at all, the pride of place certainly belongs to the ten miles between Reigate and Crawley, originally made as a causeway for horsemen, and guarded by posts, so that wheeled traffic could not pass. This was constructed under the Act 8th William III., 1696, and was the first new road made in Surrey since the time of the Romans.
Among the many isolated roads that were built or improved, which initially didn’t aim to connect to Brighton at all, the standout is definitely the ten miles between Reigate and Crawley. This road was originally created as a causeway for horse riders and was blocked by posts to prevent wheeled vehicles from passing. It was built under the Act of 8th William III in 1696 and was the first new road constructed in Surrey since the Roman era.
It remained as a causeway until 1755, when it was widened and thrown open to all traffic, on paying toll. It was not only the first road to be made, but the last to maintain toll-gates on the way to Brighton, the Reigate Turnpike Trust expiring on the midnight of October 31st, 1881, from which time the Brighton Road became free throughout.
It stayed as a dirt path until 1755, when it was expanded and opened to all traffic for a fee. It was not only the first road to be built, but it also maintained toll gates the longest on the route to Brighton, with the Reigate Turnpike Trust ending at midnight on October 31, 1881, after which the Brighton Road became free for everyone.
Meanwhile, the road from London to Croydon was repaired in 1718; and at the same time the road from London to Sutton was declared to be “dangerous to all persons, horses, and other cattle,” and almost impassable during five months of the year, and was therefore repaired, and toll-gates set up along it.
Meanwhile, the road from London to Croydon was fixed in 1718; and at the same time, the road from London to Sutton was declared to be “dangerous to everyone, horses, and other livestock,” and nearly unusable for five months of the year. It was therefore repaired, and tollgates were set up along it.
[Pg 3]Between 1730 and 1740 Westminster Bridge was building, and the roads in South London, including the Westminster Bridge Road and the Kennington Road, were being made. In 1755 the road (about ten miles) across the heaths and downs from Sutton to Reigate, was authorised, and in 1770 the Act was passed for widening and repairing the lanes from Povey Cross to County Oak and Brighthelmstone, by Cuckfield. By this time, it will be seen, Brighton had begun to be the goal of these improvements.
[Pg 3]Between 1730 and 1740, Westminster Bridge was being constructed, and the roads in South London, including Westminster Bridge Road and Kennington Road, were being developed. In 1755, a road approximately ten miles long was approved to connect Sutton to Reigate through the heaths and downs, and in 1770, an Act was passed to widen and repair the lanes from Povey Cross to County Oak and Brighthelmstone, near Cuckfield. By this time, it was clear that Brighton had started to become the focus of these improvements.
The New Chapel and Copthorne road, on the East Grinstead route, was constructed under the Act of 1770, the route across St. John’s Common and Burgess Hill remodelled in 1780, and the road from South Croydon to Smitham Bottom, Merstham, and Reigate was engineered out of the narrow lanes formerly existing on that line in 1807-8, being opened, “at present toll-free,” June 4th. 1808.
The New Chapel and Copthorne road, on the East Grinstead route, was built under the Act of 1770. The route across St. John’s Common and Burgess Hill was redesigned in 1780, and the road from South Croydon to Smitham Bottom, Merstham, and Reigate was developed from the narrow lanes that used to exist along that route in 1807-8, opening “currently toll-free” on June 4th, 1808.
In 1813 the Bolney and Hickstead road, between Hand Cross and Pyecombe, was opened, and in 1816 the slip-road, avoiding Reigate, through Redhill, to Povey Cross. Finally, sixty yards were saved on the Reigate route by the cutting of the tunnel under Reigate Castle, in 1823. In this way the Brighton road, on its several branches, grew to be what it is now.
In 1813, the Bolney and Hickstead road between Hand Cross and Pyecombe was opened, and in 1816, the bypass avoiding Reigate through Redhill to Povey Cross was created. Finally, in 1823, a tunnel was cut under Reigate Castle, saving sixty yards on the Reigate route. This is how the Brighton road and its various branches developed into what it is today.

SKETCH-MAP
SHOWING
PRINCIPAL
ROUTES TO
BRIGHTON.
The Brighton Road, it has already been said, is measured from the south side of Westminster Bridge, which is the proper starting-point for record-makers and breakers; but it has as many beginnings as Homer had birthplaces. Modern coaches and motor-car services set out from the barrack-like hotels of Northumberland Avenue, or other central points, and the old carriers came to and went from the Borough High Street; but the Corinthian starting-point in the brave old days of the Regency and of George the Fourth was the “White Horse Cellar”—Hatchett’s “White Horse Cellar”—in Piccadilly. There, any day throughout the year, the knowing ones were gathered—with those green goslings who wished to be thought knowing—exchanging the latest scandal and[Pg 4] sporting gossip of the road, and rooking and being rooked; the high-coloured, full-blooded ancestors of the present generation, which looks upon them as a quite different order of beings, and can scarce believe in the reality of those full habits, those port-wine countenances, those florid garments that were characteristic of the age.
The Brighton Road, as mentioned before, starts from the south side of Westminster Bridge, which is the proper starting point for those who create and break records; but it has as many starting places as Homer had birthplaces. Modern coaches and car services leave from the hotel-like buildings on Northumberland Avenue or other central locations, while the old carriers came to and departed from Borough High Street. However, the iconic starting point in the good old days of the Regency and George the Fourth was the “White Horse Cellar”—Hatchett’s “White Horse Cellar”—in Piccadilly. There, any day of the year, the in-the-know crowd gathered—with those eager newcomers who wanted to be seen as part of it—sharing the latest gossip and sporting chatter of the road, each trying to outsmart the other; the vibrant, full-blooded ancestors of today’s generation, who view them as a completely different class of people, hardly able to believe those extravagant lifestyles, those flushed faces, and those flamboyant clothes that defined the era.
No one now starts from the “White Horse Cellar,” for the excellent reason that it does not now exist. The original “Cellar” was a queer place. Figure to yourself a basement room, with sanded floor, and an odour like that of a wine-vault, crowded with Regency bucks drinking or discussing huge beef-steaks.
No one starts from the “White Horse Cellar” anymore because, quite simply, it doesn’t exist. The original “Cellar” was a strange place. Imagine a basement room with a sandy floor and a smell like a wine cellar, packed with stylish Regency guys drinking or talking about big beef steaks.
It was situated on the south side of Piccadilly, where the Hotel Ritz now stands, and is first mentioned in 1720, when it was given its name by Williams, the landlord, in compliment to the House of Hanover, the newly-established Royal House of Great Britain, whose cognizance was a white horse. Abraham Hatchett first made the Cellar famous, both as a boozing-ken and a coach-office, and removed it to the opposite side of the street, where, as “Hatchett’s Hotel and White[Pg 5] Horse Cellar.” it remained until 1884, when the present “Albemarle” arose on its site, with a “White Horse” restaurant in the basement.
It was located on the south side of Piccadilly, where the Hotel Ritz now stands, and it's first mentioned in 1720 when Williams, the landlord, named it in honor of the House of Hanover, the newly-established Royal House of Great Britain, which had a white horse as its symbol. Abraham Hatchett was the one who made the Cellar famous, both as a bar and a coach office, and moved it to the opposite side of the street, where it was known as “Hatchett’s Hotel and White[Pg 5] Horse Cellar.” It stayed there until 1884 when the current “Albemarle” was built on its spot, featuring a “White Horse” restaurant in the basement.
What Piccadilly and the neighbourhood of the “White Horse Cellar” were like in the times of Tom and Jerry, we may easily discover from the contemporary pages of “Real Life in London,” written by one “Bob Tallyho,” recounting the adventures of himself and “Tom Dashall.” A prize-fight was to be held on Copthorne Common between Jack Randall, “the Nonpareil”—called in the pronunciation of that time the “Nunparell”—and Martin, endeared to “the Fancy” as the “Master of the Rolls.”[1] Naturally, the roads were thronged, and “Piccadilly was all in motion—coaches, carts, gigs, tilburies, whiskies, buggies, dogcarts, sociables, dennets, curricles, and sulkies were passing in rapid succession, intermingled with tax-carts and waggons decorated with laurel, conveying company of the most varied description. Here was to be seen the dashing Corinthian tickling up his tits, and his bang-up set-out of blood and bone, giving the go-by to a heavy drag laden with eight brawny, bull-faced blades, smoking their way down behind a skeleton of a horse, to whom, in all probability, a good feed of corn would have been a luxury; pattering among themselves, occasionally chaffing the more elevated drivers by whom they were surrounded, and pushing forward their nags with all the ardour of a British merchant intent upon disposing of a valuable cargo of foreign goods on ’Change. There was a waggon full of all sorts upon the lark, succeeded by a donkey-cart with four insides: but Neddy, not liking his burthen, stopped short in the way of a dandy, whose horse’s head, coming plump up to the back of the crazy vehicle at the moment of its stoppage, threw the rider into the arms of a dustman, who, hugging his customer with the determined grasp of a bear, swore, d—n his eyes, he had saved his life, and he expected he would stand something handsome for the Gemmen all round,[Pg 6] for if he had not pitched into their cart he would certainly have broke his neck; which being complied with, though reluctantly, he regained his saddle, and proceeded a little more cautiously along the remainder of the road, while groups of pedestrians of all ranks and appearances lined each side.”
What Piccadilly and the area around the “White Horse Cellar” were like in the days of Tom and Jerry can be easily found in the contemporary writings of “Real Life in London,” penned by “Bob Tallyho,” who shares the adventures of himself and “Tom Dashall.” A prize fight was set to happen on Copthorne Common between Jack Randall, “the Nonpareil”—pronounced at the time as the “Nunparell”—and Martin, well-loved by “the Fancy” as the “Master of the Rolls.”[1] Naturally, the roads were packed, and “Piccadilly was bustling—coaches, carts, gigs, tilburies, whiskies, buggies, dogcarts, sociables, dennets, curricles, and sulkies were passing by in quick succession, mixed in with tax-carts and wagons adorned with laurel, carrying an assortment of people. Here you could see the flashy Corinthian showing off his tits and his bang-up set-out of blood and bone, speeding past a heavy drag loaded with eight burly, bull-headed guys, slowly making their way behind a worn-out horse, to whom a decent feed of corn would have been a luxury; pattering among themselves, occasionally chaffing the fancier drivers around them, and urging their horses forward with all the enthusiasm of a British merchant eager to sell a valuable shipment of foreign goods in the market. There was a wagon full of all sorts enjoying the ride, followed by a donkey-cart with four passengers inside: but Neddy, not happy with his load, stopped right in the path of a dandy, whose horse collided with the back of the shaky vehicle just as it stopped, sending the rider into the arms of a dustman, who, grabbing his customer with the grip of a bear, swore, d—n his eyes, he had saved his life and expected to be rewarded nicely by the gentlemen all around,[Pg 6] because if he hadn’t crashed into their cart, he would have surely broken his neck; which, though reluctantly, he complied with, then got back on his horse and proceeded a bit more cautiously along the rest of the road, while groups of pedestrians of all classes and appearances lined each side.”
On their way they pass Hyde Park Corner, where they encounter one of a notorious trio of brothers, friends of the Prince Regent and companions of his in every sort of excess—the Barrymores, to wit, named severally Hellgate, Newgate, and Cripplegate, the last of this unholy trinity so called because of his chronic limping; the two others’ titles, taken with the characters of their bearers, are self-explanatory.
On their way, they pass Hyde Park Corner, where they run into one of the infamous trio of brothers, friends of the Prince Regent and accomplices in every kind of excess—the Barrymores, specifically named Hellgate, Newgate, and Cripplegate. The last of this unholy trio is called that because of his chronic limp; the titles of the other two are self-explanatory based on their characters.
Dashall points his lordship out to his companion, who is new to London life, and requires such explanations.
Dashall points out his lordship to his friend, who is new to life in London and needs such explanations.
“The driver of that tilbury,” says he, “is the celebrated Lord Cripplegate,[2] with his usual equipage; his blue cloak with a scarlet lining hanging loosely over the vehicle gives an air of importance to his appearance, and he is always attended by that boy, who has been denominated his Cupid: he is a nobleman by birth, a gentleman by courtesy (oh, witty Dashall!), and a gamester by profession. He exhausted a large estate upon odd and even, seven’s the main, etc., till, having lost sight of the main chance, he found it necessary to curtail his establishment and enliven his prospects by exchanging a first floor for a second, without an opportunity of ascertaining whether or not these alterations were best suited to his high notions or exalted taste; from which, in a short time, he was induced, either by inclination or necessity, to take a small lodging in an obscure street, and to sport a gig and one horse, instead of a curricle and pair, though in former times he used to drive four-in-hand, and was acknowledged to be an excellent whip. He still, however, possessed money enough to collect together a large quantity of halfpence, which in his hours of relaxation he managed to turn to good account by the[Pg 7] following stratagem:—He distributed his halfpence on the floor of his little parlour in straight lines, and ascertained how many it would require to cover it. Having thus prepared himself, he invited some wealthy spendthrifts (with whom he still had the power of associating) to sup with him, and he welcomed them to his habitation with much cordiality. The glass circulated freely, and each recounted his gaming or amorous adventures till a late hour, when, the effects of the bottle becoming visible, he proposed, as a momentary suggestion, to name how many halfpence, laid side by side, would carpet the floor, and offered to lay a large wager that he would guess the nearest.
“The driver of that carriage,” he says, “is the famous Lord Cripplegate, with his usual setup; his blue cloak with a red lining draped loosely over the vehicle gives him an air of importance, and he’s always accompanied by that boy, called his Cupid: he’s a nobleman by birth, a gentleman by courtesy (oh, witty Dashall!), and a gambler by profession. He blew through a large fortune on games like odd and even, seven’s the main, etc., until, having lost track of the main chance, he had to scale back his lifestyle and brighten his future by moving from a first-floor apartment to a second, without really checking if these changes suited his high standards or refined taste; soon enough, he was persuaded, either by choice or necessity, to take a small place in a backstreet and to drive a gig with one horse instead of a fancy curricle with a pair, even though he used to handle four-in-hand and was known to be an excellent whip. He still had enough money to gather a large pile of copper coins, which he managed to put to good use during his downtime with the following trick:—He spread his halfpence on the floor of his small parlor in straight lines and figured out how many it would take to cover it. Once set up, he invited some wealthy friends (with whom he still had the ability to mingle) over for dinner and greeted them with great warmth. The drinks flowed freely, and each person shared their gaming or romantic escapades until late at night, when the effects of the alcohol became apparent, and he suggested, as a fleeting idea, to guess how many halfpence, laid side by side, would cover the floor, and he dared to place a big bet that he could guess the closest.”
“‘Done! done!’ was echoed round the room. Every one made a deposit of £100, and every one made a guess, equally certain of success; and his lordship declaring he had a large stock of halfpence by him, though perhaps not enough, the experiment was to be tried immediately. ’Twas an excellent hit!
“‘Done! done!’ echoed around the room. Everyone put in a deposit of £100, and everyone made a guess, equally confident of winning; and his lordship announced he had a large supply of pennies on hand, though maybe not enough, so the experiment was set to happen right away. It was a great idea!
“The room was cleared; to it they went; the halfpence were arranged rank and file in military order, when it appeared that his lordship had certainly guessed (as well he might) nearest to the number. The consequence was an immediate alteration of his lordship’s residence and appearance: he got one step in the world by it. He gave up his second-hand gig for one warranted new; and a change in his vehicle may pretty generally be considered as the barometer of his pocket.”
“The room was cleared; they went in; the coins were lined up neatly like soldiers, and it turned out that his lordship had rightly guessed (as he probably would) closest to the actual number. As a result, there was an immediate change in his lordship’s living situation and look: he made a step up in the world because of it. He traded his used carriage for one that was guaranteed to be new; and a change in his ride can usually be seen as a sign of his finances.”
And so, with these piquant biographical remarks, they betook themselves along the road in the early morning, passing on their way many curious itinerants, whose trades have changed and decayed, and are now become nothing but a dim and misty memory; as, for instance, the sellers of warm “salop,” the forerunners of the early coffee-stalls of our own day.
And so, with these interesting biographical notes, they set out on the road in the early morning, passing many curious travelers along the way, whose trades have changed and faded into nothing but a vague and misty memory; like the sellers of warm “salop,” the predecessors of today’s early coffee stalls.
II
But hats off to the Prince of Wales, the Prince Regent, the King! Never, while the Brighton Road remains the road to Brighton, shall it be dissociated from George the Fourth, who, as Prince, had a palace at either end, and made these fifty-odd miles in a very special sense a Via Regia. It was in 1782, when but twenty years of age, that he first knew Brighton, and until the last—for close upon forty-eight years—it retained his affections. He is thus the presiding genius of the way; and because, when we speak or think of the Brighton Road, we cannot help thinking of him, I have appropriately placed the portrait of George the Fourth, by the courtly Lawrence, in this book.
But credit goes to the Prince of Wales, the Prince Regent, the King! As long as the Brighton Road is the route to Brighton, it will always be associated with George the Fourth, who, as Prince, had a palace at each end and turned these fifty-odd miles into a true Via Regia. He first visited Brighton in 1782 when he was just twenty years old, and for nearly forty-eight years, it held a special place in his heart. He is, therefore, the guiding spirit of this road; and because whenever we talk or think about the Brighton Road, we inevitably think of him, I've fittingly included the portrait of George the Fourth, by the elegant Lawrence, in this book.
The Prince and King was the inevitable product of his times and of his upbringing: we mostly are. Only the rarest and most forceful figures can mould the world to their own form.
The Prince and King was the unavoidable result of his era and his upbringing: that’s mostly how it is for all of us. Only the few extraordinary and powerful individuals can shape the world to their will.
The character of George the Fourth has been the theme of writers upon history and sociology, of essayists, diarists, and gossip-mongers without number, and most of them have pictured him in very dark colours indeed. But Horace Walpole, perhaps the clearest-headed of this company, shows in his “Last Journals” that from his boyhood the Prince was governed in the stupidest way—in a manner, indeed, but too well fitted to spoil a spirit so high and so impetuous, and impulses so generous as then were his.
The character of George the Fourth has been the topic for countless writers in history and sociology, as well as essayists, diarists, and gossip columnists, and most of them have portrayed him in a very negative light. However, Horace Walpole, possibly the most clear-headed of these observers, reveals in his “Last Journals” that from his childhood, the Prince was controlled in the most foolish way—certainly a method well-suited to ruin a spirit as high, impulsive, and generous as his was at that time.
He proves what we may abundantly learn from other sources, that the narrow-minded and obstinate George the Third, petty and parochial in public and in private, was jealous of his son’s superior parts, and endeavoured to hide his light beneath the bushel of seclusion and inadequate training. It was impossible for such a father to appreciate either the qualities or the defects of such a son. “The uncommunicative selfishness and pride of George the Third confined him to domestic virtues,” says Walpole, and adds, “Nothing could equal the King’s attention to seclude his son[Pg 9] and protract his nonage. It went so absurdly far that he was made to wear a shirt with a frilled collar like that of babies. He one day took hold of his collar and said to a domestic, ‘See how I am treated!’”
He shows what we can easily learn from other sources: that the narrow-minded and stubborn George the Third, small-minded in both public and private life, was jealous of his son’s greater abilities and tried to keep him in the shadows with isolation and poor training. A father like that could never truly appreciate either the strengths or weaknesses of such a son. “The uncommunicative selfishness and pride of George the Third limited him to domestic virtues,” says Walpole, adding, “Nothing could match the King’s effort to isolate his son[Pg 9] and prolong his childhood. It went so ridiculously far that he was made to wear a shirt with a frilled collar like a baby’s. One day, he grabbed his collar and said to a servant, ‘Look how I am treated!’”
The Duke of Montagu, too, was charged with the education of the Prince, and “he was utterly incapable of giving him any kind of instruction.... The Prince was so good-natured, but so uninformed, that he often said, ‘I wish anybody would tell me what I ought to do; nobody gives me any instruction for my conduct.’” The absolute poverty of the instruction afforded him, the false and narrow ways of the royal household, and the evil example and low companionship of his uncle, the Duke of Cumberland, did much to spoil the Prince.
The Duke of Montagu was also responsible for the Prince's education, but he was completely unfit to teach him anything. The Prince was kind-hearted but very uninformed—he often said, “I wish someone would tell me what I should do; no one gives me any guidance for my behavior.” The extreme lack of proper instruction, the misleading and limited practices of the royal household, and the negative influence and poor company of his uncle, the Duke of Cumberland, significantly harmed the Prince.
To quote Walpole again: “It made men smile to find that in the palace of piety and pride his Royal Highness had learnt nothing but the dialect of footmen and grooms.... He drunk hard, swore, and passed every night in[3] ...; such were the fruits of his being locked up in the palace of piety.”
To quote Walpole again: “It made people smile to discover that in the palace of piety and pride, his Royal Highness had learned nothing but the language of footmen and grooms.... He drank heavily, swore, and spent every night in[3]...; such were the results of him being locked away in the palace of piety.”
He proved, too, an intractable and undutiful son; but that was the result to be expected, and we cannot join Thackeray in his sentimental snivel over George the Third.
He also turned out to be a stubborn and disobedient son; but that was the outcome we should have anticipated, and we cannot align with Thackeray in his emotional lament over George the Third.
He was a faithless husband, but his wife was impossible, and even the mob who supported her quailed when the Marquis of Anglesey, baited in front of his house and compelled to drink her health, did so with the bitter rider, “And may all your wives be like her!”
He was an unfaithful husband, but his wife was unbearable, and even the crowd backing her shrank back when the Marquis of Anglesey, taunted in front of his house and forced to toast her health, did so with the bitter addition, “And may all your wives be like her!”
All high-spirited young England flocked to the side of the Prince of Wales. He was the Grand Master of Corinthianism and Tom-and-Jerryism. It was he who peopled these roads with a numerous and brilliant concourse of whirling travellers, where before had been only infrequent plodders amidst the Sussex sloughs. To his princely presence, radiant by the Old Steyne, hasted all manner of people; prince and prizefighter,[Pg 10] statesman and nobleman; beauties noble and ignoble, and all who lived their lives. There he made incautious guests helplessly drunk on the potent old brandy he called “Diabolino,” and then exposed them in embarrassing situations; and there—let us remember it—he entertained, and was the beneficent patron of, the foremost artists and literary men of his age. The Zeitgeist (the Spirit of the Time) resided in, was personified in, and radiated from him. He was the First Gentleman in Europe, but is to us, in the perspective of a hundred years or so, something more: the type and exemplar of an age.
All the lively young people of England gathered around the Prince of Wales. He was the Grand Master of being stylish and enjoying life. He filled these roads with a vibrant crowd of energetic travelers, where there had previously been only a few slow walkers in the muddy Sussex paths. To his majestic presence, shining by the Old Steyne, rushed all kinds of people; royalty and boxers, politicians and aristocrats; beautiful people of all backgrounds, and everyone who truly embraced life. There he got unsuspecting guests completely drunk on a strong old brandy he called “Diabolino,” and then put them in awkward situations; and there—let’s remember—it was him who entertained, and generously supported, the leading artists and writers of his time. The spirit of the age resided in him, was embodied by him, and radiated from him. He was the First Gentleman in Europe, but to us, looking back over a hundred years or so, he represents something even more: the perfect example of an era.
He should have been endowed with perennial youth, but even his splendid vitality faded at last, and he grew stout. Leigh Hunt called him a “fat Adonis of fifty,” and was flung into prison for it; and prison is a fitting place for a satirist who is stupid enough to see a misdemeanour in those misfortunes. No one who could help it would be fat, or fifty. Besides, to accuse one royal personage of being fat is to reflect upon all: it is an accompaniment of royalty.
He should have been blessed with eternal youth, but even his remarkable energy eventually faded, and he grew overweight. Leigh Hunt referred to him as a “fat Adonis of fifty,” and ended up in prison for it; and prison is a suitable place for a satirist foolish enough to view such misfortunes as wrongdoings. No one would choose to be overweight or fifty if they could help it. Moreover, accusing one royal person of being overweight is to criticize them all: it comes with the territory of royalty.
Thackeray denounced his wig; but there is a prejudice in favour of flowing locks, and the King gracefully acknowledged it. One is not damned for being fat, fifty, and wearing a wig; and it seems a curious code of morality that would have it so; for although we may not all lose our hair nor grow fat, we must all, if we are not to die young, grow old and pass the grand climacteric.
Thackeray criticized his wig, but there's a bias for long hair, and the King accepted it with grace. Nobody is judged for being overweight, fifty, and wearing a wig; it’s an odd set of morals that suggests otherwise. While not everyone will go bald or gain weight, we all have to grow old and reach that significant age if we want to avoid dying young.
There has been too much abuse of the Regency times. Where modern moralists, folded within their little sheep-walks from observation of the real world, mistake is in comparing those times with these, to the disadvantage of the past. They know nothing of life in the round, and seeing it only in the flat, cannot predicate what exists on the other side. To them there is, indeed, no other side, and things, despite the poet, are what they seem, and nothing else.
There has been way too much criticism of the Regency era. Modern moralists, sheltered in their little bubbles away from the realities of the world, make the mistake of comparing those times to now, which unfairly paints the past in a negative light. They understand nothing about the complexities of life, and since they see it only in a limited way, they can't imagine what lies beyond their perspective. For them, there is no other perspective, and things, despite what the poet says, are exactly what they seem, and nothing more.
They lash the manners of the Regency, and think they are dealing out punishment to a bygone state of[Pg 11] things; but human nature is the same in all centuries. The fact is so obvious that one is ashamed to state it. The Regency was a terrible time for gambling; but Tranby Croft had a similar repute when Edward the Seventh was Prince of Wales. Bridge is a fine game, and what, think you, supports the evening newspapers? The news? Certainly: the Betting News. Cock-fighting was a brutal sport, and is now illegal, but is it dead? Oh dear, no. Virtue was not general in the picturesque times of George the Fourth. Is it now? Study the Cause Lists of the Divorce Courts. Worse offences are still punished by law, but are later condoned or explained by Society as an eccentricity. Society a hundred years ago did not plumb such depths.
They criticize the behaviors of the Regency and believe they are punishing a past state of[Pg 11] affairs; but human nature is the same across all centuries. The truth is so obvious that it feels embarrassing to say it. The Regency was a terrible time for gambling, but Tranby Croft had a similar reputation when Edward the Seventh was Prince of Wales. Bridge is a great game, and what do you think keeps the evening newspapers going? The news? Of course: the Betting News. Cock-fighting was a brutal sport and is now illegal, but is it gone? Oh no. Virtue wasn’t widespread in the colorful times of George the Fourth. Is it now? Look at the Cause Lists of the Divorce Courts. Worse offenses are still punished by law, but are later accepted or explained away by Society as quirks. Society a hundred years ago didn’t sink to such depths.
In short, behind the surface of things, the Regency riot not only exists, but is outdone, and Tom and Jerry, could they return, would find themselves very dull dogs indeed. It is all the doing of the middle classes, that the veil is thrown over these things. In times when the middle class and the Nonconformist Conscience traditionally lived at Clapham, it mattered comparatively little what excesses were committed; but that class has so increased that it has to be subdivided into Upper and Lower, and has Claphams of its own everywhere. It is—or they are—more wealthy than before, and they read things, you know, and are a power in Parliament, and are something in the dominie sort to those other classes above and below.
In short, beneath the surface, the Regency riot not only exists but has been surpassed, and if Tom and Jerry could come back, they would find life pretty boring. It's all because of the middle class that these issues are hidden away. Back when the middle class and the Nonconformist Conscience primarily lived in Clapham, the excesses didn’t matter much; but now that class has grown so much that it has split into Upper and Lower segments, each with its own Clapham-like neighborhoods. They are—well, they are—wealthier than before, and they read more, you know, and they have power in Parliament and hold some influence over the classes above and below them.
III
The coaching and waggoning history of the road to Brighthelmstone (as it then was called) emerges dimly out of the formless ooze of tradition in 1681. In De Laune’s “Present State of Great Britain,” published in that year, in the course of a list of carriers, coaches, and stage-waggons in and out of London, we find[Pg 12] Thomas Blewman, carrier, coming from “Bredhempstone” to the “Queen’s Head,” Southwark, on Wednesdays, and, setting forth again on Thursdays, reaching Shoreham the same day: which was remarkably good travelling for a carrier’s waggon in the seventeenth century. Here, then, we have the Father Adam, the great original, so far as records can tell us, of all the after charioteers of the Brighton Road. It is not until 1732, that, from the pages of “New Remarks on London,” published by the Company of Parish Clerks, we hear anything further. At that date a coach set out on Thursdays from the “Talbot,” in the Borough High Street, and a van on Tuesdays from the “Talbot” and the “George.” In the summer of 1745 the “Flying Machine” left the “Old Ship,” Brighthelmstone at 5.30 a.m., and reached Southwark in the evening.
The history of coaches and wagons on the road to Brighton (as it was then called) starts to take shape in 1681. In De Laune’s “Present State of Great Britain,” published that year, there’s a list of carriers, coaches, and stage wagons in and out of London, where we find[Pg 12] Thomas Blewman, a carrier, traveling from “Bredhempstone” to the “Queen’s Head” in Southwark on Wednesdays and heading back on Thursdays, getting to Shoreham the same day. That was pretty impressive travel for a carrier's wagon in the seventeenth century. So, here we have the original figure, as far as records show, of all the future drivers on the Brighton Road. It isn’t until 1732 that we learn more from “New Remarks on London,” published by the Company of Parish Clerks. At that time, a coach set out on Thursdays from the “Talbot” on Borough High Street, and a van left on Tuesdays from the “Talbot” and the “George.” In the summer of 1745, the “Flying Machine” departed from the “Old Ship” in Brighton at 5:30 a.m. and arrived in Southwark later that evening.
But the first extended and authoritative notice is found in 1746, when the widow of the Lewes carrier advertised in The Lewes Journal of December 8th that she was continuing the business:
But the first detailed and official notice appears in 1746, when the widow of the Lewes carrier announced in The Lewes Journal on December 8th that she was continuing the business:
Thomas Smith, the Old Lewes Carrier, being dead, THE BUSINESS IS NOW CONTINUED BY HIS WIDOW, MARY SMITH, who gets into the “George Inn,” in the Borough, Southwark, EVERY WEDNESDAY in the afternoon, and sets out for Lewes EVERY THURSDAY morning by eight o’clock, and brings Goods and Passengers to Lewes, Fletching, Chayley, Newick and all places adjacent at reasonable rates.
Thomas Smith, the Old Lewes Delivery Service, has passed away. THE BUSINESS IS NOW RUN BY HIS WIDOW, MARY SMITH, who arrives at the “George Inn” in the Borough, Southwark, Wednesdays afternoon and departs for Lewes Every Thursday morning by eight o’clock, transporting Goods and Passengers to Lewes, Fletching, Chayley, Newick, and all nearby areas at reasonable rates.
Performed (if God permit) by
MARY SMITH.
Performed (if God permits) by
MARY SMITH.
We may perceive by these early records that the real original way down to the Sussex coast was by the Croydon, Godstone, East Grinstead and Lewes route, and that its outlet must have been Newhaven, which, despite its name, is so very ancient a place, and was a port and harbour when Brighthelmstone was but a fisher-village.
We can see from these early records that the original route to the Sussex coast was through Croydon, Godstone, East Grinstead, and Lewes, and that it likely ended at Newhaven, which, despite its name, is a very old place and was a port and harbor when Brighthelmstone was just a fishing village.

STAGE WAGGON, 1808.
From a contemporary drawing.
STAGE WAGON, 1808.
From a drawing of the time.
That is the only glimpse we get of the widow Smith and her waggon; but the “George Inn, in the[Pg 14] Borough,” that she “got into,” is still in the Borough High Street. It is a fine and flourishing remnant of an ancient galleried hostelry of the time of Chaucer, and it is characteristic of the continuity of English social, as well as political history that, although waggons and coaches no longer come to or set out from the “George,” its spacious yard is now a railway receiving-office for goods, where the railway vans, those descendants of the stage-waggon, thunderously come and go all day.
That’s the only glimpse we get of widow Smith and her wagon, but the “George Inn, in the[Pg 14] Borough” that she “got into” is still located on Borough High Street. It’s a nice and thriving remnant of an old galleried inn from Chaucer's time, and it shows how English social and political history continues. Even though wagons and coaches no longer arrive at or leave from the “George,” its spacious yard has been transformed into a railway receiving office for goods, where railway vans, the modern versions of stage-wagons, loudly come and go all day.
It will be observed that the traffic in those days went to and from Southwark, which was then the great business centre for the carriers. Not yet was the Brighton road measured from Westminster Bridge, for the adequate reason that there was no bridge at Westminster until 1749: only the ferry from the Horseferry Road to Lambeth.
It will be noted that the traffic back then traveled to and from Southwark, which was the main business hub for the carriers. The Brighton road wasn't measured from Westminster Bridge yet, simply because there was no bridge at Westminster until 1749; there was only a ferry from Horseferry Road to Lambeth.
Widow Smith’s waggon halted at Lewes, and it is not until ten years later than the date of her advertisement that we hear of the Brighthelmstone conveyance. The first was that announced by the pioneer, James Batchelor, in The Sussex Weekly Advertiser, May 12th, 1756:
Widow Smith's wagon stopped in Lewes, and it's not until ten years after her ad that we hear about the Brighthelmstone transport. The first was announced by the pioneer, James Batchelor, in The Sussex Weekly Advertiser, May 12th, 1756:
NOTICE IS HEREBY GIVEN that the LEWES ONE DAY STAGE COACH or CHAISE sets out from the Talbot Inn, in the Borough, on Saturday next, the 19th instant.
NOTICE IS HEREBY GIVEN that the LEWES ONE DAY STAGE COACH or CHAISE departs from the Talbot Inn, in the Borough, on Saturday, the 19th.
When likewise the Brighthelmstone Stage begins.
When the Brighthelmstone Stage also begins.
Performed (if God permit) by
JAMES BATCHELOR.
Performed (if God permits) by
JAMES BATCHELOR.
The “Talbot” inn, which stood on the site of the ancient “Tabard,” of Chaucerian renown, disappeared from the Borough High Street in 1870. What its picturesque yard was like in 1815, with the waggons of the Sussex carriers, let the illustration tell.
The “Talbot” inn, which was located where the famous “Tabard” from Chaucer's time once stood, vanished from Borough High Street in 1870. What its charming yard looked like in 1815, with the wagons of the Sussex carriers, let the illustration show.
Let us halt awhile, to admire the courage of those coaching and waggoning pioneers who, in the days before “the sea-side” had been invented, and few people travelled, dared the awful roads for what must[Pg 15] then have been a precarious business. Sussex roads in especial had a most unenviable name for miriness, and wheeled traffic was so difficult that for many years after this period the farmers and others continued to take their womenkind about in the pillion fashion here caricatured by Henry Bunbury.
Let’s take a moment to appreciate the bravery of those early coaches and wagon pioneers who, back in the days before “the seaside” existed and when not many people traveled, faced the terrible roads that must have been quite a risky venture. Sussex roads, in particular, were notorious for being muddy, and it was so difficult for wheeled vehicles that for many years after this time, farmers and others continued to transport their women kind in the pillion style, which is humorously depicted by Henry Bunbury.
Horace Walpole, indeed, travelling in Sussex in 1749, visiting Arundel and Cowdray, acquired a too intimate acquaintance with their phenomenal depth of mud and ruts, inasmuch as he—finicking little gentleman—was compelled to alight precipitately from his overturned chaise, and to foot it like any common fellow. One quite pities his daintiness in the narration of his sorrows, picturesquely set forth by that accomplished letter-writer arrived home to the safe seclusion of Strawberry Hill. He writes to George Montagu, and dates August 26th, 1749:
Horace Walpole, while traveling in Sussex in 1749, visiting Arundel and Cowdray, got too familiar with their impressive depth of mud and ruts, as he—fussy little gentleman—was forced to jump out quickly from his flipped-over carriage and walk like any ordinary person. One really feels sorry for his delicate nature in the way he describes his troubles, vividly illustrated by that skilled letter-writer when he finally returned to the safe haven of Strawberry Hill. He writes to George Montagu, dating it August 26th, 1749:
“Mr. Chute and I returned from our expedition miraculously well, considering all our distresses. If you love good roads, conveniences, good inns, plenty of postilions and horses, be so kind as never to go into Sussex. We thought ourselves in the northest part of England; the whole county has a Saxon air, and the inhabitants are savage, as if King George the Second was the first monarch of the East Angles. Coaches grow there no more than balm and spices: we were forced to drop our post-chaise, that resembled nothing so much as harlequin’s calash, which was occasionally a chaise or a baker’s cart. We journeyed over alpine mountains” (Walpole, you will observe, was, equally with the evening journalist of these happy times, not unaccustomed to exaggerate) “drenched in clouds, and thought of harlequin again, when he was driving the chariot of the sun through the morning clouds, and was so glad to hear the aqua vitæ man crying a dram.... I have set up my staff, and finished my pilgrimages for this year. Sussex is a great damper of curiosity.”
“Mr. Chute and I returned from our trip surprisingly well, given all our troubles. If you enjoy good roads, conveniences, nice inns, and lots of carriage drivers and horses, please don’t ever go to Sussex. We felt like we were in the farthest part of England; the whole county has a Saxon vibe, and the locals are uncivilized, as if King George the Second was the first king of the East Angles. There are no coaches there, just like there aren’t any balms or spices: we had to give up our post-chaise, which looked nothing like a real carriage, more like a clown’s cart that sometimes resembled a carriage or a baker’s wagon. We traveled over snowy mountains” (Walpole, you’ll notice, was, just like today’s evening reporters, not shy about exaggerating) “soaked in fog, and thought of the clown again, when he was driving the sun’s chariot through the morning clouds, and felt relieved to hear the guy selling liquor calling out for a drink.... I have set up my staff and finished my travels for this year. Sussex really kills curiosity.”
Thus he prattles on, delightfully describing the peculiarities of the several places he visited with this[Pg 16] Mr. Chute, “whom,” says he, “I have created Strawberry King-at-Arms.” One wonders what that mute, inglorious Chute thought of it all; if he was as disgusted with Sussex sloughs and moist unpleasant “mountains” as his garrulous companion. Chute suffered in silence, for the sight of pen, ink, and paper did not induce in him a fury of composition; and so we shall never know what he endured.
So he keeps talking, happily sharing the quirks of the various places he visited with this[Pg 16] Mr. Chute, “whom,” he says, “I have made Strawberry King-at-Arms.” You can't help but wonder what that quiet, unnoticed Chute thought about all of it; whether he was as disgusted with Sussex puddles and damp, unpleasant “mountains” as his chatty friend. Chute suffered in silence, because the sight of pen, ink, and paper didn’t spark any writing frenzy in him; so we will never know what he went through.
Then the pedantic Doctor John Burton, who journeyed into Sussex in 1751, had no less unfortunate acquaintance with these miry ways than our dilettante of Strawberry Hill. To those who have small Latin and less Greek, this traveller’s tale must ever remain a sealed book; for it is in those languages that he records his views upon ways and means, and men and manners, in Sussex. As thus, for example:
Then the overly detailed Doctor John Burton, who traveled to Sussex in 1751, had just as unfortunate an experience with these muddy paths as our dilettante from Strawberry Hill. For those who know little Latin and even less Greek, this traveler’s story will always be a mystery; he writes about his thoughts on routes and resources, and people and customs in Sussex in those languages. For instance:
“I fell immediately upon all that was most bad, upon a land desolate and muddy, whether inhabited by men or beasts a stranger could not easily distinguish, and upon roads which were, to explain concisely what is most abominable, Sussexian. No one would imagine them to be intended for the people and the public, but rather the byways of individuals, or, more truly, the tracks of cattle-drivers; for everywhere the usual footmarks of oxen appeared, and we too, who were on horseback, going along zigzag, almost like oxen at plough, advanced as if we were turning back, while we followed out all the twists of the roads.... My friend, I will set before you a kind of problem in the manner of Aristotle:—Why comes it that the oxen, the swine, the women, and all other animals(!) are so long-legged in Sussex? Can it be from the difficulty of pulling the feet out of so much mud by the strength of the ankle, so that the muscles become stretched, as it were, and the bones lengthened?”
“I immediately encountered everything that was terrible: a desolate and muddy land, where it was hard for a stranger to tell if it was inhabited by people or animals, and roads that can only be described in the most unfavorable way as Sussex-like. No one would think these were meant for the public, but rather for private individuals or, more accurately, for cattle herders; everywhere, the usual footprints of oxen were visible, and we, riding on horseback, moved in a zigzag pattern, almost like oxen plowing, advancing as if we were going backward while navigating all the twists of the roads.... My friend, let me present you with a kind of riddle in the style of Aristotle:—Why is it that the oxen, the pigs, the women, and all other animals (!) have such long legs in Sussex? Could it be due to the struggle of pulling their feet out of so much mud with the strength of their ankles, causing their muscles to stretch, so to speak, and their bones to lengthen?”
A doleful tale. Presently he arrives at the conclusion that the peasantry “do not concern themselves with literature or philosophy, for they consider the pursuit of such things to be only idling,” which is not so very[Pg 17] remarkable a trait, after all, in the character of an agricultural people.
A sad story. He now concludes that the peasants “don’t care about literature or philosophy, because they think pursuing those things is just wasting time,” which isn’t really that surprising in the nature of a farming community.

THE “TALBOT” INN YARD. BOROUGH, ABOUT 1815.
From an old drawing.
THE “TALBOT” INN YARD. BOROUGH, AROUND 1815.
From an old drawing.
[Pg 18]Our author eventually, notwithstanding the terrible roads, arrived at Brighthelmstone, by way of Lewes, “just as day was fading.” It was, so he says, “a village on the sea-coast; lying in a valley gradually sloping, and yet deep. It is not, indeed, contemptible as to size, for it is thronged with people, though the inhabitants are mostly very needy and wretched in their mode of living, occupied in the employment of fishing, robust in their bodies, laborious, and skilled in all nautical crafts, and, as it is said, terrible cheats of the custom-house officers.” As who, indeed, is not, allowing the opportunity?
[Pg 18]Our author finally reached Brighthelmstone, despite the terrible roads, traveling through Lewes, “just as day was fading.” He described it as “a village on the coast, situated in a gradually sloping, yet deep valley. It’s not small by any means; it’s crowded with people, though the residents are mostly very poor and struggling in their way of life, working in fishing, strong in build, hardworking, skilled in all things nautical, and, as it’s said, quite crafty when it comes to dealing with the customs officers.” Which, honestly, who isn’t, given the chance?
Batchelor, the pioneer of Brighton coaching, continued his enterprise in 1757, and with the coming of spring, and the drying of the roads, his coaches, which had been laid up in the winter, after the usual custom of those times, were plying again. In May he advertised, “for the convenience of country gentlemen, etc.,” his London, Lewes, and Brighthelmstone stage-coach, which performed the journey of fifty-eight miles in two days; and exclusive persons, who preferred to travel alone, might have post-chaises of him.
Batchelor, the pioneer of Brighton coaching, continued his business in 1757, and as spring arrived and the roads dried up, his coaches, which had been stored away for the winter as was customary back then, were back in service. In May, he advertised, “for the convenience of country gentlemen, etc.,” his London, Lewes, and Brighton stage-coach, which made the fifty-eight-mile journey in two days; exclusive individuals who preferred to travel alone could hire post-chaises from him.
Brighthelmstone had in the meanwhile sprung into notice. The health-giving qualities of its sea air, and the then “strange new eccentricity” of sea-bathing, advocated from 1750 by Dr. Richard Russell, had already given it something of a vogue among wealthy invalids, and the growing traffic was worth competing for. Competitors therefore sprang up to share Batchelor’s business. Most of them merely added stage-coaches like his, but in May, 1762, a certain “J. Tubb,” in partnership with “S. Brawne,” started a very superior conveyance, going from London one day and returning from Brighthelmstone the next. This was the:
Brighthelmstone had meanwhile become well-known. The health benefits of its sea air and the then “strange new eccentricity” of sea-bathing, promoted since 1750 by Dr. Richard Russell, had already made it somewhat popular among wealthy people seeking recovery, and the increasing demand was worth competing for. As a result, competitors emerged to join Batchelor’s business. Most of them simply added stage-coaches like his, but in May 1762, a certain “J. Tubb,” in partnership with “S. Brawne,” launched a much better service, traveling from London one day and returning from Brighthelmstone the next. This was the:
LEWES and BRIGHTELMSTONE new FLYING MACHINE (by Uckfield), hung on steel springs, very neat and commodious, to carry Four Passengers, sets out from the Golden Cross Inn, Charing Cross, on Monday, the 7th of June, at six o’clock in the morning, and will continue Monday’s, Wednesday’s, and Friday’s to the White Hart, at Lewes, and the Castle, at Brightelmstone, where regular Books are kept for entering passenger’s and parcels; will return to London Tuesday’s, Thursday’s, and Saturday’s Each Inside Passenger to Lewes, Thirteen Shillings; to Brighthelmstone, Sixteen; to be allowed Fourteen Pound Weight for Luggage, all above to pay One Penny per Pound; half the fare to be paid at Booking, the other at entering the machine. Children in Lap and Outside Passengers to pay half-price.
LEWES and BRIGHTELMSTONE new FLYING MACHINE (by Uckfield), equipped with steel springs, very tidy and comfortable, to carry Four Passengers, departs from the Golden Cross Inn, Charing Cross, on Monday, June 7th, at six o'clock in the morning, and will run on Mondays, Wednesdays, and Fridays to the White Hart in Lewes and the Castle in Brightelmstone, where regular records are kept for registering passengers and packages; it will return to London on Tuesdays, Thursdays, and Saturdays. Each Inside Passenger to Lewes pays Thirteen Shillings; to Brighthelmstone, Sixteen; with an allowance of Fourteen Pounds for luggage, anything above that will incur a charge of One Penny per Pound; half the fare must be paid at booking, the remainder when boarding the machine. Children on laps and Outside Passengers pay half price.
Performed by J. TUBB.
S. BRAWNE.
Performed by J. TUBB.
S. BRAWNE.

ME AND MY WIFE AND DAUGHTER.
From a caricature by Henry Bunbury.
ME, MY WIFE, AND DAUGHTER.
From a caricature by Henry Bunbury.
[Pg 20]Batchelor saw with dismay this coach performing the whole journey in one day, while his took two. But he determined to be as good a man as his opponent, if not even a better, and started the next week, at identical fares, “a new large Flying Chariot, with a Box and four horses (by Chailey) to carry two Passengers only, except three should desire to go together.” The better to crush the presumptuous Tubb, he later on reduced his fares. Then ensued a diverting, if by no means edifying, war of advertisements; for Tubb, unwilling to be outdone, inserted the following in The Lewes Journal, November, 1762:
[Pg 20]Batchelor watched in disappointment as this coach made the entire trip in one day, while his took two. But he decided to be just as good as his rival, if not better, and set off the following week, at the same fares, “a new large Flying Car, with a Box and four horses (by Chailey) to carry only two Passengers unless three wanted to travel together.” To better compete with the arrogant Tubb, he later lowered his fares. What followed was an amusing, but not exactly enlightening, battle of advertisements; for Tubb, not wanting to be outdone, published the following in The Lewes Journal, November, 1762:
THIS IS TO INFORM THE PUBLIC that, on Monday, the 1st of November instant, the LEWES and BRIGHTHELMSTON FLYING MACHINE began going in one day, and continues twice a week during the Winter Season to Lewes only; sets out from the White Hart, at Lewes, Mondays and Thursdays at Six o’clock in the Morning, and returns from the Golden Cross, at Charing Cross, Tuesdays and Saturdays, at the same hour.
THIS IS TO INFORM THE PUBLIC that, on Monday, November 1st, the LEWES and BRIGHTHELMSTON FLYING MACHINE will start operating daily and will continue twice a week during the Winter Season to Lewes only. It departs from the White Hart in Lewes on Mondays and Thursdays at 6:00 AM, and returns from the Golden Cross at Charing Cross on Tuesdays and Saturdays at the same time.
Performed by J. TUBB.
By J. TUBB.
N.B.—Gentlemen, Ladies, and others, are desired to look narrowly into the Meanness and Design of the other Flying Machine to Lewes and Brighthelmston, in lowering his [Pg 21]prices, whether ’tis thro’ conscience or an endeavour to suppress me. If the former is the case, think how you have been used for a great number of years, when he engrossed the whole to himself, and kept you two days upon the road, going fifty miles. If the latter, and he should be lucky enough to succeed in it, judge whether he wont return to his old prices, when you cannot help yourselves, and use you as formerly. As I have, then, been the remover of this obstacle, which you have all granted by your great encouragement to me hitherto, I, therefore, hope for the continuance of your favours, which will entirely frustrate the deep-laid schemes of my great opponent, and lay a lasting obligation on,—Your very humble Servant,
N.B.—Ladies and Gentlemen, and everyone else, please pay close attention to the unfairness and intentions of the other Flying Machine to Lewes and Brighton, regarding his [Pg 21]price cuts, whether it’s out of genuine concern or an attempt to undermine me. If it’s the first, consider how you've been treated over many years when he monopolized everything and made you travel fifty miles for two days. If it's the second, and he happens to succeed in this, think about whether he wouldn’t just go back to his old prices once you have no choice, treating you the same way as before. Since I have helped remove this hurdle, which you have all recognized by supporting me, I hope to continue receiving your support, which will completely thwart my powerful opponent's well-laid plans and create a lasting obligation to—Your very humble Servant,
J. TUBB.
J. TUBB.
To this replies Batchelor, possessed with an idea of vested interests pertaining to himself:
To this, Batchelor responds, convinced of his own vested interests:
WHEREAS, Mr. Tubb, by an Advertisement in this paper of Monday last, has thought fit to cast some invidious Reflections upon me, in respect of the lowering my Prices and being two days upon the Road, with other low insinuations, I beg leave to submit the following matters to the calm Consideration of the Gentlemen, Ladies, and other Passengers, of what Degree soever, who have been pleased to favour me, viz.:
WHEREAS, Mr. Tubb, in an ad in this paper last Monday, decided to make some unfair comments about me regarding my price cuts and spending two days on the road, along with other negative insinuations, I would like to submit the following points for the thoughtful consideration of the gentlemen, ladies, and other passengers, regardless of their status, who have been kind enough to support me, namely:
That our Family first set up the Stage Coach from London to Lewes, and have continued it for a long Series of Years, from Father to Son and other Branches of the same Race, and that even before the Turnpikes on the Lewes Road were erected they drove their Stage, in the Summer Season, in one day, and have continued to do ever since, and now in the Winter Season twice in the week. And it is likewise to be considered that many aged and infirm Persons, who did not chuse to rise early in the Morning, were very desirous to be two Days on the Road for their own Ease and Conveniency, therefore there was no obstacle to be removed. And as to lowering my prices, let every one judge whether, when an old Servant of the Country perceives an Endeavour to suppress and supplant him in his Business, he is not well justified in taking all measures in his Power for his own Security, and even to oppose an unfair Adversary as far as he can. ’Tis, therefore, [Pg 22]hoped that the descendants of your very ancient Servants will still meet with your farther Encouragement, and leave the Schemes of our little Opponent to their proper Deserts.—I am, Your old and present most obedient Servant,
That our family first established the stagecoach from London to Lewes and has maintained it for many years, passed down from father to son and other branches of the same lineage, and that even before the toll booths on the Lewes Road were built, they operated their stage in one day during the summer season, and have continued to do so ever since, now running it twice a week in the winter season. It should also be noted that many elderly and disabled individuals, who preferred not to get up early in the morning, were quite eager to spend two days on the road for their own comfort and convenience, so there were no barriers to address. As for lowering my prices, let everyone judge whether, when an old servant of the country sees an attempt to replace him in his business, he isn’t justified in taking all actions necessary for his own protection, and even in resisting an unfair competitor as much as he can. Therefore, it is [Pg 22] hoped that the descendants of your long-standing servants will continue to receive your support, leaving the plans of our small opponent to their rightful place. —I am, your old and current most obedient servant,
J. BATCHELOR.
J. BATCHELOR.
December 13, 1762.
December 13, 1762.
The rivals both kept to the road until the death of Batchelor, in 1766, when his business was sold to Tubb, who took into partnership a Mr. Davis. Together they started, in 1767, the first service of a daily coach in the “Lewes and Brighthelmstone Flys,” each carrying four passengers, one to London and one to Brighton every day.
The rivals stuck to the road until Batchelor passed away in 1766, when his business was sold to Tubb, who partnered with a Mr. Davis. In 1767, they launched the first daily coach service in the “Lewes and Brighthelmstone Flys,” with each coach carrying four passengers, one to London and one to Brighton every day.
Tubb and Davis had in 1770 one “machine” and one waggon on this road, fare by “machine” 14s. The machine ran daily to and from London, starting at five o’clock in the morning. The waggon was three days on the road. Another machine was also running, but with the coming of winter these machines performed only three double journeys each a week.
Tubb and Davis had one “machine” and one wagon on this road in 1770, with a fare of 14s. The machine operated daily to and from London, leaving at five o’clock in the morning. The wagon took three days to complete the trip. Another machine was also in operation, but with winter approaching, these machines only made three round trips each week.
In 1777 another stage-waggon was started by “Lashmar & Co.” It loitered between the “King’s Head,” Southwark, and the “King’s Head,” Brighton, starting from London every Tuesday at the unearthly hour of 3 a.m., and reaching its destination on Thursday afternoons.
In 1777, another stagecoach was launched by “Lashmar & Co.” It traveled back and forth between the “King’s Head” in Southwark and the “King’s Head” in Brighton, leaving London every Tuesday at the crazy hour of 3 a.m. and arriving at its destination on Thursday afternoons.
On May 31st, 1784, Tubb and Davis put a “light post-coach” on the road, running to Brighton one day returning to London the next, in addition to their already running “machine” and “post-coach.” This new conveyance presumably made good time, four “insides” only being carried.
On May 31st, 1784, Tubb and Davis launched a “light post-coach” service on the route to Brighton one day and back to London the next, adding to their existing “machine” and “post-coach.” This new vehicle likely traveled quickly, carrying only four passengers inside.
Four years later, when Brighton’s sun of splendour was rising, there were on the road between London and the sea three “machines,” three light post-coaches, two coaches, and two stage-waggons. Tubb now disappears, and his firm becomes Davis & Co. Other proprietors were Ibberson & Co., Bradford & Co., and Mr. Wesson.
Four years later, as the sun of Brighton was shining brightly, there were three "cars," three light coaches, two coaches, and two stage wagons on the road between London and the sea. Tubb is no longer around, and his company has become Davis & Co. Other owners included Ibberson & Co., Bradford & Co., and Mr. Wesson.
[Pg 23]On May 1st, 1791, the first Brighton Mail coach was established. It was a two-horse affair, running by Lewes and East Grinstead, and taking twelve hours to perform the journey. It was not well supported by the public, and as the Post Office would not pay the contractors a higher mileage, it was at some uncertain period withdrawn.
[Pg 23]On May 1, 1791, the first Brighton Mail coach was set up. It was a two-horse coach that traveled through Lewes and East Grinstead, taking twelve hours to complete the trip. It didn't get much public support, and since the Post Office wouldn’t pay the contractors more per mile, it was eventually discontinued after some time.
About 1796 coach offices were opened in Brighton for the sole despatch of coaching business, the time having passed away for the old custom of starting from inns. Now, too, were different tales to tell of these roads, after the Pavilion had been set in course of building. Royalty and the Court could not endure to travel upon such evil tracks as had hitherto been the lot of travellers to Brighthelmstone. Presently, instead of a dearth of roads and a plethora of ruts, there became a choice of good highways and a plenty of travellers upon them.
About 1796, coach offices opened in Brighton specifically for coaching services, as the old practice of starting from inns had come to an end. Now, new stories emerged about these roads after the Pavilion began construction. Royalty and the Court couldn't stand to travel on the poor paths that had long been the experience of those heading to Brighthelmstone. Soon, instead of a lack of roads and numerous ruts, there was a selection of good highways and plenty of travelers using them.
Numerous coaches ran to meet the demands of the travelling public, and these continually increased in number and improved in speed. About this time first appear the firms of Henwood, Crossweller, Cuddington, Pockney & Harding, whose office was at No. 44, East Street: and Boulton, Tilt, Hicks, Baulcomb & Co., at No. 1, North Street. The most remarkable thing, to my mind, about those companies is their long-winded names. In addition to the old service, there ran a “night post-coach” on alternate nights, starting at 10 p.m. in the season. One then went to or from London generally in “about” eleven hours, if all went well. If you could afford only a ride in the stage-waggon, why then you were carried the distance by the accelerated (!) waggons of this line in two days and one night.
Numerous coaches rushed to meet the needs of travelers, and their numbers kept increasing while their speed improved. Around this time, the companies Henwood, Crossweller, Cuddington, Pockney & Harding emerged, with their office at No. 44, East Street, and Boulton, Tilt, Hicks, Baulcomb & Co. at No. 1, North Street. The most notable aspect of these companies, in my opinion, is their lengthy names. In addition to the regular service, there was a “night post-coach” that operated on alternate nights, leaving at 10 p.m. during the season. Typically, the journey to or from London took “about” eleven hours, assuming everything went smoothly. If you could only afford a ride in the stage-waggon, you could expect to be transported the distance by the faster waggons of this line in two days and one night.
IV
Erredge, the historian of Brighton, tells something of the social side of Brighton Road coaching at the beginning of the nineteenth century. Social indeed, as you shall see:
Erredge, the historian of Brighton, shares some insights into the social aspects of Brighton Road coaching in the early nineteenth century. Social, indeed, as you’ll see:
“In 1801 two pair-horse coaches ran between London and Brighton on alternate days, one up, the other down, driven by Messrs. Crossweller and Hine. The progress of these coaches was amusing. The one from London left the Blossoms Inn, Lawrence Lane, at 7 a.m., the passengers breaking their fast at the Cock, Sutton, at 9. The next stoppage for the purpose of refreshment was at the Tangier, Banstead Downs—a rural little spot, famous for its elderberry wine, which used to be brought from the cottage ‘roking hot,’ and on a cold wintry morning few refused to partake of it. George IV. invariably stopped here and took a glass from the hand of Miss Jeal as he sat in his carriage. The important business of luncheon took place at Reigate, where sufficient time was allowed the passengers to view the Baron’s Cave, where, it is said, the barons assembled the night previous to their meeting King John at Runymeade. The grand halt for dinner was made at Staplefield Common, celebrated for its famous black cherry-trees, under the branches of which, when the fruit was ripe, the coaches were allowed to draw up and the passengers to partake of its tempting produce. The hostess of the hostelry here was famed for her rabbit-puddings, which, hot, were always waiting the arrival of the coach, and to which the travellers never failed to do such ample justice, that ordinarily they found it quite impossible to leave at the hour appointed; so grogs, pipes, and ale were ordered in, and, to use the language of the fraternity, ‘not a wheel wagged’ for two hours. Handcross was a little resting-place, celebrated for its ‘neat’ liquors, the landlord of the inn standing, bottle in hand, at the door. He and several other bonifaces at Friars’ Oak, etc., had the reputation of[Pg 25] being on pretty good terms with the smugglers who carried on their operations with such audacity along the Sussex coast.
“In 1801, two horse-drawn coaches ran between London and Brighton on alternate days, one going up and the other going down, operated by Messrs. Crossweller and Hine. The journey of these coaches was quite entertaining. The one from London departed from the Blossoms Inn, Lawrence Lane, at 7 a.m., with passengers having breakfast at the Cock, Sutton, at 9. The next stop for refreshments was at the Tangier, Banstead Downs—a charming little place known for its elderberry wine, which was served warm from the cottage, and on cold winter mornings, very few turned it down. George IV. always made a stop here, taking a glass handed to him by Miss Jeal as he sat in his carriage. The crucial lunch break took place at Reigate, where passengers had enough time to explore the Baron’s Cave, where, it’s said, the barons gathered the night before their meeting with King John at Runnymede. The main stop for dinner was at Staplefield Common, famous for its black cherry trees. When the fruit was ripe, the coaches pulled up under the branches, and passengers enjoyed its delicious produce. The innkeeper here was known for her rabbit puddings, which were always ready and piping hot for the coach's arrival, and travelers never failed to indulge so thoroughly that they often found it hard to leave on time; as a result, they ordered in drinks and snacks, and in the terms of the community, ‘not a wheel wagged’ for two hours. Handcross was a little rest stop known for its ‘neat’ liquors, with the innkeeper waiting at the door, bottle in hand. He and several other innkeepers at Friars’ Oak, etc., were reputed to be on friendly terms with the smugglers who operated boldly along the Sussex coast.”
“After walking up Clayton Hill, a cup of tea was sometimes found to be necessary at Patcham, after which Brighton was safely reached at 7 p.m. It must be understood that it was the custom for the passengers to walk up all the hills, and even sometimes in heavy weather to give a push behind to assist the jaded horses.”
“After walking up Clayton Hill, people sometimes found it necessary to have a cup of tea at Patcham, after which they arrived in Brighton safely by 7 p.m. It should be noted that it was customary for passengers to walk up all the hills and even sometimes, in bad weather, to give a push from behind to help the tired horses.”
But it was not always so ideal or so idyllic. That there were discomforts and accidents is evident from the wordy warfare of advertisements that followed upon the starting of the Royal Brighton Four Horse Company in 1802. As a competitor with older firms, it seems to have aroused much jealousy and slander, if we may believe the following contemporary advertisement:
But it wasn’t always so perfect or so peaceful. The discomforts and accidents are clear from the lengthy battles of advertisements that erupted after the Royal Brighton Four Horse Company launched in 1802. Competing with older firms, it seems to have sparked a lot of jealousy and gossip, if we can trust the following contemporary advertisement:
THE ROYAL BRIGHTON Four Horse Coach Company beg leave to return their sincere thanks to their Friends and the Public in general for the very liberal support they have experienced since the starting of their Coaches, and assure them it will always be their greatest study to have their Coaches safe, with good Horses and sober careful Coachmen.
THE ROYAL BRIGHTON Four Horse Coach Company would like to sincerely thank their Friends and the Public for the generous support they have received since launching their Coaches. They promise to always prioritize the safety of their Coaches, well-being of the Horses, and the professionalism of their careful Coachmen.
They likewise wish to rectify a report in circulation of their Coach having been overturned on Monday last, by which a gentleman’s leg was broken, &c., no such thing having ever happened to either of their Coaches. The Fact is it was one of the Blue Coaches instead of the Royal New Coach.
They also want to correct a rumor floating around that their coach was overturned last Monday, resulting in a gentleman breaking his leg, etc. This never happened to any of their coaches. The truth is, it was one of the Blue Buses instead of the Royal New Coach.
⁂ As several mistakes have happened, of their friends being BOOKED at other Coach offices, they are requested to book themselves at the ROYAL NEW COACH OFFICE, CATHERINE’S HEAD, 47, East Street.
⁂ Due to some mistakes with their friends being Reserved at different Coach offices, they are asked to book themselves at the ROYAL NEW COACH OFFICE, CATHERINE’S HEAD, 47, East Street.
The coaching business grew rapidly, and in an advertisement offering for sale a portion of the coaching business at No. 1, North Street, it was stated that the annual returns of this firm were more than £12,000 per annum, yielding from Christmas, 1794, to[Pg 26] Christmas, 1808, seven and a half per cent. on the capital invested, besides purchasing the interest of four of the partners in the concern. In this last year two new businesses were started, those of Waldegrave & Co., and Pattenden & Co. Fares now ruled high—23s. inside; 13s. outside.
The coaching business expanded quickly, and in an ad offering part of the coaching business at No. 1, North Street, it was mentioned that the annual revenue of this firm exceeded £12,000 a year, generating a return of seven and a half percent on the invested capital from Christmas 1794 to [Pg 26] Christmas 1808, in addition to buying out the interests of four partners in the business. In this last year, two new companies were established: Waldegrave & Co., and Pattenden & Co. Fares were now quite high—23s. inside; 13s. outside.
The year 1809 marked the beginning of a new and strenuous coaching era on this road. Then Crossweller & Co. commenced to run their “morning and night” coaches, and William “Miller” Bradford formed his company. This was an association of twelve members, contributing £100 each, for the purpose of establishing a “double” coach—that is to say, one up and one down, each day. The idea was to “lick creation” on the Brighton Road by accelerating the speed, and to this end they acquired some forty-five horses then sold out of the Inniskilling Dragoons, at that time stationed at Brighton. On May Day, 1810, the Brighton Mail was re-established. These “Royal Night Mail Coaches” as they were grandiloquently announced, were started by arrangement with the Postmaster-General. The speed, although much improved, was not yet so very great, eight hours being occupied on the way, although these coaches went by what was then the new cut via Croydon. Like the Dover. Hastings, and Portsmouth mails, the Brighton Mail was two-horsed. It ran to and from the “Blossoms” Inn, Lawrence Lane, Cheapside, and never attained a better performance than 7 hours 20 minutes, a speed of 7½ miles an hour. It had, however, this distinction, if it may so be called: it was the slowest mail in the kingdom.
The year 1809 marked the start of a new and challenging coaching era on this road. Crossweller & Co. began running their “morning and night” coaches, and William “Miller” Bradford established his company. This was a group of twelve members, each contributing £100, to set up a “double” coach—meaning one going up and one going down each day. The goal was to “lick creation” on the Brighton Road by increasing speed, and to achieve this, they acquired about forty-five horses that were sold by the Inniskilling Dragoons, who were stationed in Brighton at the time. On May Day, 1810, the Brighton Mail was reinstated. These “Royal Night Mail Coaches,” as they were grandly called, were launched in cooperation with the Postmaster-General. Although the speed was improved, it still wasn’t very fast, taking eight hours for the trip, although these coaches used what was then the new route via Croydon. Like the Dover, Hastings, and Portsmouth mails, the Brighton Mail was pulled by two horses. It ran to and from the “Blossoms” Inn, Lawrence Lane, Cheapside, and never achieved a better performance than 7 hours 20 minutes, averaging a speed of 7½ miles an hour. It did, however, have this distinction, if it can be called that: it was the slowest mail in the kingdom.
It was on June 25th, 1810, that an accident befell Waldegrave’s “Accommodation” coach on its up journey. Near Brixton Causeway its hind wheels collapsed, owing to the heavy weight of the loaded vehicle. By one of those strange chances when truth appears stranger than fiction, there chanced to be a farmer’s waggon passing the coach at the instant of its overturning. Into it were shot the “outsiders,”[Pg 27] fortunate in this comparatively easy fall. Still, shocks and bruises were not few, and one gentleman had his thigh broken.
It was on June 25th, 1810, that an accident happened to Waldegrave’s “Accommodation” coach on its way up. Near Brixton Causeway, its back wheels collapsed because of the heavy load of the vehicle. By one of those odd coincidences when reality seems stranger than fiction, a farmer’s wagon happened to be passing the coach just as it overturned. The “outsiders” were thrown into it,[Pg 27] fortunate to land in such a relatively easy way. Still, there were plenty of shocks and bruises, and one gentleman ended up with a broken thigh.
By June, 1811, traffic had so increased that there were then no fewer than twenty-eight coaches running between Brighton and London. On February 5th in the following year occurred the only great road robbery known on this road. This was the theft from the “Blue” coach of a package of bank-notes representing a sum of between three and four thousand pounds sterling. Crosswellers were proprietors of the coach, and from them Messrs. Brown, Lashmar & West, of the Brighton Union Bank, had hired a box beneath the seat for the conveyance of remittances to and from London. On this day the Bank’s London correspondents placed these notes in the box for transmission to London, but on arrival the box was found to have been broken open and the notes all stolen. It would seem that a carefully planned conspiracy had been entered into by several persons, who must have had a thorough knowledge of the means by which the Union Bank sent and received money to and from the metropolis. On this morning six persons were booked for inside places. Of this number two only made an appearance—a gentleman and a lady. Two gentlemen were picked up as the coach proceeded. The lady was taken suddenly ill when Sutton was reached, and she and her husband were left at the inn there. When the coach arrived at Reigate the two remaining passengers went to inquire for a friend. Returning shortly, they told the coachman that the friend whom they had supposed to be at Brighton had returned to town, therefore it was of no use proceeding further.
By June 1811, traffic had increased so much that there were at least twenty-eight coaches running between Brighton and London. On February 5th the following year, the only major road robbery known to have happened on this route took place. A package of banknotes worth between three and four thousand pounds sterling was stolen from the “Blue” coach. The Crosswellers owned the coach, and they had rented a box beneath the seat to Messrs. Brown, Lashmar & West of the Brighton Union Bank for transporting remittances to and from London. On that day, the Bank’s London correspondents placed the notes in the box for delivery to London, but upon arrival, the box was found to have been broken open and the notes were missing. It seemed that a well-planned conspiracy had been orchestrated by several individuals who must have had detailed knowledge of how the Union Bank sent and received money to and from the capital. That morning, six people had booked inside seats. Out of these, only two—a gentleman and a lady—showed up. Two gentlemen were picked up as the coach departed. The lady suddenly fell ill when they reached Sutton, and she and her husband were left at the inn there. When the coach arrived at Reigate, the remaining two passengers went to check on a friend. When they returned shortly after, they informed the coachman that the friend they thought was in Brighton had actually gone back to town, so it was pointless to continue.
Thus the coachman and guard had the remainder of the journey to themselves, while the cash-box, as was discovered at the journey’s end, was minus its cash. A reward of £300 was immediately offered for information that would lead to recovery of the notes. This was subsequently altered to an offer of 100 guineas[Pg 28] for information of the offender, in addition to £300 upon recovery of the total amount, or “ten per cent. upon the amount of so much thereof as shall be recovered.” No reward money was ever paid, for the notes were never recovered, and the thieves escaped with their booty.
Thus, the coachman and guard had the rest of the journey to themselves, while the cash box, as was found out at the end of the trip, was short of its cash. A reward of £300 was quickly offered for information that would lead to the recovery of the notes. This was later changed to a reward of 100 guineas[Pg 28] for information about the offender, plus £300 upon recovery of the full amount, or "ten percent upon the amount of whatever is recovered." No reward money was ever paid, as the notes were never found, and the thieves got away with their loot.
In 1813 the “Defiance” was started, to run to and from Brighton and London in the daytime, each way six hours. This produced the rival “Eclipse,” which belied the suggestion of its name and did not eclipse, but only equalled, the performance of its model. But competition had now grown very severe, and fares in consequence were reduced to—inside, ten shillings; outside, five shillings. Indeed, in 1816, a number of Jews started a coach to run from London to Brighton in six hours: or, failing to keep time, to forfeit all fares. Needless to say, under such Hebrew management, and with that liability, it was punctuality itself; but Nemesis awaited it, in the shape of an information laid for furious driving.
In 1813, the “Defiance” was launched to operate between Brighton and London during the day, with each trip taking six hours. This led to the creation of the competing “Eclipse,” which lived up to its name only by matching, not surpassing, the performance of its counterpart. However, competition became quite intense, resulting in lowered fares: ten shillings for inside seats and five shillings for outside seats. In fact, in 1816, a group of Jews started a coach service from London to Brighton that promised to complete the journey in six hours; if they failed to keep the schedule, they would refund all fares. It goes without saying that under such strict management and with that commitment, they were remarkably punctual. However, retribution awaited them in the form of a complaint about reckless driving.
The Mail, meanwhile, maintained its ancient pace of a little over six miles an hour—a dignified, no-hurry, governmental rate of progression. There was, in fact, no need for the Brighton Mail to make speed, for the road from the General Post Office is only fifty-three miles in length, and all the night and the early morning, from eight o’clock until five or six o’clock a.m., lay before it.
The Mail, on the other hand, kept its old pace of just over six miles an hour—a dignified, unhurried, government speed. There was really no need for the Brighton Mail to rush, since the route from the General Post Office is only fifty-three miles long, and it had the whole night and early morning, from eight o’clock until five or six a.m., ahead of it.
V
We come now to the “Era of the Amateur,” who not only flourished pre-eminently on the Brighton Road, but may be said to have originated on it. The coaching amateur and the nineteenth century came into existence almost contemporaneously. Very soon after 1800 it became “the thing” to drive a coach, and shortly after this became such a definite ambition, there arose[Pg 29] that contradiction in terms, that horsey paradox, the Amateur Professional, generally a sporting gentleman brought to utter ruin by Corinthian gambols, and taking to the one trade on earth at which he could earn a wage. That is why the Golden Age of coaching won on the Brighton Road a refinement it only aped elsewhere.
We now enter the "Era of the Amateur," who not only thrived primarily on the Brighton Road but is also credited with starting there. The coaching amateur and the nineteenth century emerged around the same time. Not long after 1800, it became trendy to drive a coach, and shortly thereafter, a clear desire developed for that, leading to [Pg 29] the contradictory term, the Amateur Professional, usually a well-to-do gentleman brought to complete ruin by risky ventures, who then turned to the only job available where he could make a living. This is why the Golden Age of coaching on the Brighton Road achieved a level of sophistication that was merely imitated elsewhere.
It is curious to see how coaching has always been, even in its serious days, before steam was thought of, the chosen amusement of wealthy and aristocratic whips. Of those who affected the Brighton Road may be mentioned the Marquis of Worcester, who drove the “Duke of Beaufort,” Sir St. Vincent Cotton of the “Age,” and the Hon. Fred Jerningham, who drove the Day Mail. The “Age,” too, had been driven by Mr. Stevenson, a gentleman and a graduate of Cambridge, whose “passion for the bench,” as “Nimrod” says, superseded all other worldly ambitions. He became a coachman by profession, and a good professional he made; but he had not forgotten his education and early training, and he was, as a whip, singularly refined and courteous. He caused, at a certain change of horses on the road, a silver sandwich-box to be handed round to the passengers by his servant, with an offer of a glass of sherry, should any desire one. Another gentleman, “connected with the first families in Wales,” whose father long represented his native county in Parliament, horsed and drove one side of this ground with Mr. Stevenson.
It's interesting to see how coaching has always been, even back in its serious days before steam power was a thing, a favorite pastime of the wealthy and aristocratic drivers. Among those who frequented the Brighton Road were the Marquis of Worcester, who drove the “Duke of Beaufort,” Sir St. Vincent Cotton of the “Age,” and the Hon. Fred Jerningham, who drove the Day Mail. The “Age” was also driven by Mr. Stevenson, a gentleman and a Cambridge graduate, whose “passion for the bench,” as “Nimrod” mentions, took precedence over all other worldly ambitions. He became a professional coachman and did quite well; however, he hadn't forgotten his education and early training, and he was, as a whip, notably refined and courteous. At one point, during a change of horses on the route, he had his servant hand around a silver sandwich box for the passengers, offering a glass of sherry to anyone who might want one. Another gentleman, “connected with the first families in Wales,” whose father had long represented his home county in Parliament, shared a team with Mr. Stevenson on one side of this route.
This was “Sackie,” Sackville Frederick Gwynne, of Carmarthenshire, who quarrelled with his relatives and took to the road; became part proprietor of the “Age,” broke off from Stevenson, and eventually lived and died at Liverpool as a cabdriver. He drove a cab till 1874, when he died, aged seventy-three.
This was “Sackie,” Sackville Frederick Gwynne, from Carmarthenshire, who had a falling out with his family and hit the road; he became a part-owner of the “Age,” split from Stevenson, and ultimately lived and died in Liverpool as a cab driver. He drove a cab until 1874, when he passed away at the age of seventy-three.
Harry Stevenson’s connection with the Brighton Road began in 1827, when, as a young man fresh from Cambridge, he brought with him such a social atmosphere and such full-fledged expertness in driving[Pg 30] a coach that Cripps, a coachmaster of Brighton and proprietor of the “Coronet,” not only was overjoyed to have him on the box, but went so far as to paint his name on the coach as one of the licensees, for which false declaration Cripps was fined in November, 1827.
Harry Stevenson’s connection to Brighton Road started in 1827, when he was a young man just out of Cambridge. He brought along a vibrant social presence and impressive skills in driving[Pg 30] a coach, which made Cripps, a coachmaster in Brighton and owner of the “Coronet,” extremely happy to have him on board. Cripps even went as far as to put his name on the coach as one of the licensees, an act that got him fined in November 1827 for making a false declaration.
The parentage and circumstances of Harry Stevenson are alike mysterious. We are told that he “went the pace,” and was already penniless at twenty-two years of age, about the time of his advent upon the Brighton Road. In 1828 his famous “Age” was put on the road, built for him by Aldebert, the foremost coach-builder of the period, and appointed in every way with unexampled luxury. The gold- and silver-embroidered horse-cloths of the “Age” are very properly preserved in the Brighton Museum. Stevenson’s career was short, for he died in February, 1830.
The origins and background of Harry Stevenson are just as mysterious. We're told that he “lived life in the fast lane” and was already broke by the time he turned twenty-two, around when he first appeared on the Brighton Road. In 1828, his famous “Age” was put on the road, built for him by Aldebert, the top coach-builder of the time, outfitted with unmatched luxury. The gold- and silver-embroidered horse blankets from the “Age” are appropriately displayed in the Brighton Museum. Stevenson’s career was brief, as he passed away in February 1830.
Coaching authorities give the palm for artistry to whips of other roads: they considered the excellence of this as fatal to the production of those qualities that went to make an historic name. This road had become “perhaps the most nearly perfect, and certainly the most fashionable, of all.”
Coaching authorities favor the skill of other routes: they believed that this excellence was harmful to creating the qualities needed for a historic reputation. This route had become "perhaps the most nearly perfect, and certainly the most fashionable, of all."
With the introduction of this sporting and irresponsible element, racing between rival coaches—and not the mere conveying of passengers—became the real interest of the coachmen, and proprietors were obliged to issue notices to assure the timid that this form of rivalry would be discouraged. A slow coach, the “Life Preserver,” was even put on the road to win the support of old ladies and the timid, who, as the record of accidents tells us, did well to be timorous. But accidents would happen to fast and slow alike. The “Coburg” was upset at Cuckfield in August, 1819. Six of the passengers were so much injured that they could not proceed, and one died the following day at the “King’s Head.” The “Coburg” was an old-fashioned coach, heavy, clumsy, and slow, carrying six passengers inside and twelve outside. This type gave place to coaches of lighter build about 1823.
With the arrival of this competitive and reckless element, racing between rival coaches—rather than just transporting passengers—became the main focus for the coachmen, and owners had to put out notices to reassure the nervous that this kind of rivalry would be discouraged. A slower coach, the “Life Preserver,” was even introduced to attract the support of elderly ladies and the anxious, who, as the record of accidents shows, were right to be cautious. But accidents would occur to both fast and slow coaches. The “Coburg” overturned in Cuckfield in August 1819. Six passengers were injured badly enough that they couldn’t continue, and one passed away the next day at the “King’s Head.” The “Coburg” was an old-fashioned coach, heavy, awkward, and slow, carrying six passengers inside and twelve outside. This design was replaced by lighter coaches around 1823.

THE “DUKE OF BEAUFORT” COACH STARTING FROM THE
“BULL AND MOUTH” OFFICE, PICCADILLY CIRCUS, 1826.
From an aquatint after W. J. Shayer.
THE “DUKE OF BEAUFORT” COACH DEPARTING FROM THE
“BULL AND MOUTH” OFFICE, PICCADILLY CIRCUS, 1826.
From an aquatint after W. J. Shayer.
[Pg 33]In 1826 seventeen coaches ran to Brighton from London every morning, afternoon, or evening. They had all of them the most high-sounding of names, calculated to impress the mind either with a sense of swiftness, or to awe the understanding with visions of aristocratic and court-like grandeur. As for the times they individually made, and for the inns from which they started, you who are insatiable of dry bones of fact may go to the Library of the British Museum and find your Cary (without an “e”) and do your gnawing of them. That they started at all manner of hours, even the most uncanny, you must rest assured; and that they took off from the (to ourselves) most impossible and romantic-sounding of inns, may be granted, when such examples as the strangely incongruous “George and Blue Boar,” the Herrick-like “Blossoms” Inn, and the idyllic-seeming “Flower-pot” are mentioned.
[Pg 33]In 1826, seventeen coaches left London for Brighton every morning, afternoon, or evening. They all had impressive names meant to evoke speed or to inspire awe with images of nobility and grandeur. If you're eager for specific details like their departure times and the inns they started from, you can head over to the Library of the British Museum, find your Cary (without an “e”), and dig into the facts. You can trust that they left at all sorts of hours, even the most unusual ones; and yes, they departed from inns with names that sound impossibly charming and romantic, such as the oddly mismatched “George and Blue Boar,” the poetic “Blossoms” Inn, and the idyllic “Flower-pot.”
They were, those seventeen coaches, the “Royal Mail,” the “Coronet,” “Magnet,” “Comet,” “Royal Sussex,” “Sovereign,” “Alert,” “Dart,” “Union,” “Regent,” “Times,” “Duke of York,” “Royal George,” “True Blue,” “Patriot,” “Post,” and the “Summer Coach,” so called, and they nearly all started from the City and Holborn, calling at West End booking-offices on their several ways. Most of the old inns from which they set out are pulled down, and the memory of them has faded.
They were, those seventeen coaches, the “Royal Mail,” the “Coronet,” “Magnet,” “Comet,” “Royal Sussex,” “Sovereign,” “Alert,” “Dart,” “Union,” “Regent,” “Times,” “Duke of York,” “Royal George,” “True Blue,” “Patriot,” “Post,” and the “Summer Coach,” which is what it was called, and nearly all of them started from the City and Holborn, stopping at West End booking offices along the way. Most of the old inns they departed from have been torn down, and the memory of them has faded.
The “Golden Cross” at Charing Cross, from whose doors started the “Comet” and the “Regent” in this year of grace 1826, and at which the “Times” called on its way from Holborn, has been wholly remodelled; the “White Horse,” Fetter Lane, whence the “Duke of York” bowled away, has been demolished; the “Old Bell and Crown” Inn, Holborn, where the “Alert,” the “Union,” and the “Times” drew up daily in the old-fashioned galleried courtyard, is swept away. Were Viator to return to-morrow, he[Pg 34] would surely want to return to Hades, or Paradise, wherever he may be, at once. Around him would be, to his senses, an astonishing whirl and noise of traffic, despite the wood-paving that has superseded macadam, which itself displaced the granite setts he knew. Many strange and horrid portents he would note, and Holborn would be to him as an unknown street in a strange town.
The "Golden Cross" at Charing Cross, from where the "Comet" and the "Regent" set off in this year of grace 1826, and where the "Times" stopped on its way from Holborn, has been completely rebuilt; the "White Horse" on Fetter Lane, where the "Duke of York" took off, has been torn down; the "Old Bell and Crown" Inn in Holborn, where the "Alert," the "Union," and the "Times" used to gather daily in the old-fashioned courtyard, is gone. If Viator were to come back tomorrow, he[Pg 34] would definitely wish he could go straight back to Hades or Paradise, wherever he may be. What he would experience around him would be the incredible rush and noise of traffic, despite the wooden roads replacing the macadam, which had itself replaced the granite cobblestones he once knew. He would notice many strange and frightening signs, and to him, Holborn would feel like an unfamiliar street in a strange city.
Than 1826 the informative Cary goes no further, and his “Itinerary,” excellent though it be, and invaluable to those who would know aught of the coaches that plied in the years when it was published, gives no particulars of the many “butterfly” coaches and amateur drags that cut in upon the regular coaches during the rush and scour of the season.
Than 1826, the informative Cary goes no further, and his “Itinerary,” excellent though it is, and invaluable to those who want to know anything about the coaches that operated in the years it was published, gives no details about the many “butterfly” coaches and amateur drags that interfered with the regular coaches during the busy season.
In 1821 it was computed that over forty coaches ran to and from London and Brighton daily; in September, 1822, there were thirty-nine. In 1828 it was calculated that the sixteen permanent coaches then running, summer and winter, received between them a sum of £60,000 per annum, and the total sum expended in fares upon coaching on this road was taken as amounting to £100,000 per annum. That leaves the very respectable amount of £40,000 for the season’s takings of the “butterflies.”
In 1821, it was estimated that over forty coaches traveled between London and Brighton every day; by September 1822, there were thirty-nine. In 1828, it was estimated that the sixteen regular coaches operating year-round earned a total of £60,000 a year, and the total amount spent on fares for coaching on this route was considered to be £100,000 per year. That leaves a significant sum of £40,000 for the season's earnings of the "butterflies."
An accident happened to the “Alert” on October 9th, 1829, when the coach was taking up passengers at Brighton. The horses ran away, and dashed the coach and themselves into an area sixteen feet deep. The coach was battered almost to pieces, and one lady was seriously injured. The horses escaped unhurt. In 1832, August 25th, the Brighton Mail was upset near Reigate, the coachman being killed.
An accident occurred with the “Alert” on October 9th, 1829, while the coach was picking up passengers in Brighton. The horses bolted and crashed the coach and themselves into a pit that was sixteen feet deep. The coach was nearly destroyed, and one woman was badly injured. The horses came out unscathed. Then, on August 25th, 1832, the Brighton Mail overturned near Reigate, resulting in the death of the coachman.

THE “AGE,” 1829, STARTING FROM CASTLE SQUARE, BRIGHTON.
From an engraving after C. Cooper Henderson.
THE “AGE,” 1829, STARTING FROM CASTLE SQUARE, BRIGHTON.
From an engraving after C. Cooper Henderson.
[Pg 37]This was the era of those early motor-cars, the steam-carriages, which, in spite of their clumsy construction and appalling ugliness, arrived very nearly to a commercial success. Many inventors were engaged from 1823 to 1838 upon this subject. Walter Hancock, in particular, began in 1824, and in 1828 proposed a service of his “land-steamers” between London and Brighton, but did not actually appear upon this road with his “Infant” until November, 1832. The contrivance performed the double journey with some difficulty and in slower time than the coaches: but Hancock on that eventful day confidently declared that he was perfecting a newer machine by which he expected to run down in three and a half hours. He never achieved so much, but in October, 1833, his “Autopsy,” which had been successfully running as an omnibus between Paddington and Stratford, went from the works at Stratford to Brighton in eight and a half hours, of which three hours were taken up by a halt on the road.
[Pg 37]This was the time of those early motor cars, the steam carriages, which, despite their awkward design and terrible looks, almost achieved commercial success. Many inventors worked on this concept from 1823 to 1838. Walter Hancock, in particular, started in 1824 and in 1828 suggested a service of his “land steamers” between London and Brighton, but he didn’t actually operate on this route with his “Infant” until November 1832. The vehicle made the round trip with some difficulty and took longer than the coaches: but Hancock confidently proclaimed that he was perfecting a new machine to complete the journey in three and a half hours. He never reached that goal, but in October 1833, his “Autopsy,” which had been successfully running as a bus between Paddington and Stratford, traveled from the Stratford works to Brighton in eight and a half hours, of which three hours were spent on a stop along the way.
No artist has preserved a view of this event for us, but a print may still be met with depicting the start of Sir Charles Dance’s steam-carriage from Wellington Street, Strand, for Brighton on some eventful morning of that same year. A prison-van is, by comparison with this fearsome object, a thing of beauty; but in the picture you will observe enthusiasm on foot and on horseback, and even four-legged, in the person of the inevitable dog. In the distance the discerning may observe the old toll-house on Waterloo Bridge, and the gaunt shape of the Shot Tower.
No artist has captured this event for us, but you can still find a print showing the launch of Sir Charles Dance’s steam carriage from Wellington Street, Strand, heading to Brighton on some noteworthy morning of that same year. Compared to this intimidating object, a prison van looks beautiful; but in the picture, you’ll see excitement from people on foot and horseback, as well as the usual dog. In the distance, the observant might spot the old toll house on Waterloo Bridge and the stark outline of the Shot Tower.
By 1839 the coaching business had in Brighton become concentrated in Castle Square, six of the seven principal offices being situated there. Five London coaches ran from the Blue Office (Strevens & Co.), five from the Red Office (Mr. Goodman’s), four from the “Spread Eagle” (Chaplin & Crunden’s), three from the Age (T. W. Capps & Co.), two from Hine’s, East Street; two from Snow’s (Capps & Chaplin), and two from the “Globe” (Mr. Vaughan’s).
By 1839, the coaching business in Brighton had become focused in Castle Square, with six out of the seven main offices located there. Five London coaches departed from the Blue Office (Strevens & Co.), five from the Red Office (Mr. Goodman’s), four from the “Spread Eagle” (Chaplin & Crunden’s), three from the Age (T. W. Capps & Co.), two from Hine’s on East Street, two from Snow’s (Capps & Chaplin), and two from the “Globe” (Mr. Vaughan’s).
To state the number of visitors to Brighton on a certain day will give an idea of how well this road was used during the decade that preceded the coming of steam. On Friday, October 25th, 1833, upwards of 480 persons travelled to Brighton by stage-coach. A comparison of this number with the hordes of visitors cast forth from the Brighton Railway Station[Pg 38] to-day would render insignificant indeed that little crowd of 1833; but in those times, when the itch of excursionising was not so acute as now, that day’s return was remarkable; it was a day that fully justified the note made of it. Then, too, those few hundreds benefited the town more certainly than perhaps their number multiplied by ten does now. For the Brighton visitor of a hundred years ago, once set down in Castle Square, had to remain the night at least in Brighton; for him there was no returning to London the same day. And so the Brighton folks had their wicked will of him for a while, and made something out of him; while in these times the greater proportion of a day’s excursionists find themselves either at home in London already, when evening hours are striking from Westminster Ben, or else waiting with what patience they may the collecting of tickets at the bleak and dismal penitentiary platforms of Grosvenor Road Station; and, after all, Brighton is little or nothing advantaged by their visit.
To mention the number of visitors to Brighton on a specific day gives a sense of how heavily this route was traveled in the decade before steam arrived. On Friday, October 25th, 1833, over 480 people took a stagecoach to Brighton. Comparing this number to the crowds that now flood out of the Brighton Railway Station[Pg 38] would make that small group from 1833 seem insignificant; however, back then, when the desire to travel for leisure wasn't as strong, that day's turnout was notable and deserved recognition. Moreover, those few hundred visitors were more beneficial to the town than their modern counterparts, even if multiplied by ten. For the Brighton visitor of a century ago, once dropped off at Castle Square, staying overnight was the norm; there was no option to return to London the same day. This meant the locals could fully take advantage of their presence and profit from it. In contrast, today, a large number of day-trippers find themselves back home in London by the time the evening bells ring from Westminster, or they’re stuck waiting with what little patience they have at the dreary and bleak platforms of Grosvenor Road Station; ultimately, Brighton gains little to nothing from their visit.
But though the tripper of the coaching era found it impracticable to have his morning in London, his day upon the King’s Road, and his evening in town again, yet the pace at which the coaches went in the ’30’s was by no means despicable. Ten miles an hour now became slow and altogether behind the age.
But even though a traveler from the coaching era found it impossible to have his morning in London, spend the day on King’s Road, and return to town in the evening, the speed at which coaches operated in the '30s was still pretty impressive. Ten miles an hour was now considered slow and completely outdated.
In 1833 the Marquis of Worcester, together with a Mr. Alexander, put three coaches on the road: an up and down “Quicksilver” and a single coach, the “Wonder.” The “Quicksilver,” named probably in allusion to its swiftness (it was timed for four hours and three-quarters), ran to and from what was then a favourite stopping-place, the “Elephant and Castle.” But on July 15th of the same year an accident, by which several persons were very seriously injured, happened to the up “Quicksilver” when starting from Brighton. Snow, who was driving, could not hold the team in, and they bolted away, and brought up violently against the railings by the New Steyne. Broken arms, fractured arms and ribs, and contusions were plenty. The “Quicksilver,” chameleon-like, changed colour after this mishap, was repainted and renamed, and reappeared as the “Criterion”; for the old name carried with it too great a spice of danger for the timorous.
In 1833, the Marquis of Worcester and Mr. Alexander introduced three coaches: an up and down service called the “Quicksilver” and a single coach named the “Wonder.” The “Quicksilver,” likely named for its speed (it was timed to complete its route in four hours and fifteen minutes), ran to and from a popular stop called the “Elephant and Castle.” However, on July 15th of the same year, an accident occurred involving the up “Quicksilver” as it was leaving Brighton, injuring several people seriously. Snow, who was driving, couldn't control the team, and they bolted, crashing violently into the railings by the New Steyne. There were many injuries, including broken arms, fractured ribs, and bruises. After this incident, the “Quicksilver” was repainted, renamed, and reintroduced as the “Criterion,” as the old name had become associated with too much danger for those who were fearful.

SIR CHARLES DANCE’S STEAM-CARRIAGE LEAVING LONDON FOR BRIGHTON, 1833.
From a print after G. E. Madeley.
SIR CHARLES DANCE'S STEAM-CARRIAGE LEAVING LONDON FOR BRIGHTON, 1833.
From a print after G. E. Madeley.
[Pg 41]On February 4th, 1834, the “Criterion,” driven by Charles Harbour, outstripping the old performances of the “Vivid,” and beating the previous wonderfully quick journey of the “Red Rover,” carried down King William’s Speech on the opening of Parliament in 3 hours and 40 minutes, a coach record that has not been surpassed, nor quite equalled, on this road, not even by Selby on his great drive of July 13th, 1888, his times being out and in respectively, 3 hours 56 minutes, and 3 hours 54 minutes. Then again, on another road, on May Day, 1830, the “Independent Tally-ho,” running from London to Birmingham, covered those 109 miles in 7 hours 39 minutes, a better record than Selby’s London to Brighton and back drive by eleven minutes, with an additional mile to the course. Another coach, the “Original Tally-ho,” did the same distance in 7 hours 50 minutes. The “Criterion” fared ill under its new name, and gained an unenviable notoriety on June 7th, 1834, being overturned in a collision with a dray in the Borough. Many of the passengers were injured; Sir William Cosway, who was climbing over the roof when the collision occurred, was killed.
[Pg 41]On February 4th, 1834, the “Criterion,” driven by Charles Harbour, surpassed the previous performances of the “Vivid” and beat the incredibly fast journey of the “Red Rover,” delivering King William’s Speech at the opening of Parliament in 3 hours and 40 minutes. This coach record remains unbroken and unmatched on this route, not even by Selby during his notable drive on July 13th, 1888, which took 3 hours 56 minutes for the outbound trip and 3 hours 54 minutes for the return. Then, on another route, on May Day, 1830, the “Independent Tally-ho,” running from London to Birmingham, completed the 109 miles in 7 hours 39 minutes, surpassing Selby’s London to Brighton and back time by eleven minutes, despite covering an extra mile. Another coach, the “Original Tally-ho,” did the same distance in 7 hours 50 minutes. Unfortunately, the “Criterion” had a rough time under its new name and gained unwanted attention on June 7th, 1834, when it overturned in a collision with a dray in the Borough. Many passengers were injured, and Sir William Cosway, who was climbing over the roof at the time of the collision, was killed.
In 1839, the coaching era, full-blown even to decay, began to pewk and wither before the coming of steam, long heralded and now but too sure. The tale of coaches now decreased to twenty-three; fares, which had fallen in the cut-throat competition of coach proprietors with their fellows in previous years to 10s. inside, 5s. outside for the single journey, now rose to 21s. and 12s. Every man that horsed a coach, seeing now was the shearing time for the public, ere the now building railway was opened, strove to make as much as possible ere he closed his yards, sold his stock, broke his coach up for firewood, and took himself off the road.
In 1839, the coaching era, which was clearly in decline, started to fade away with the arrival of steam, long anticipated and now inevitable. The number of coaches had dropped to twenty-three; fares, which had previously plummeted due to intense competition among coach owners to 10s. inside and 5s. outside for a single journey, now climbed to 21s. and 12s.. Every coach operator recognized that this was the last chance to profit before the new railway opened, so they all tried to maximize their earnings before closing their operations, selling off their horses, dismantling their coaches for firewood, and leaving the road behind.
[Pg 42]Sentiment hung round the expiring age of coaching, and has cast a halo on old-time ways of travelling, so that we often fail to note the disadvantages and discomforts endured in those days; but, amid regrets which were often simply maudlin, occur now and again witticisms true and tersely epigrammatic, as thus:
[Pg 42]There's a sense of nostalgia surrounding the fading era of coaching, creating a romantic view of the old travel methods, which often makes us overlook the drawbacks and discomforts of that time. Yet, amidst the often overly sentimental regrets, there occasionally arise sharp and cleverly phrased observations, like this:
For the neat wayside inn and a dish of cold meat
You’ve a gorgeous saloon, but there’s nothing to eat;
For the tidy roadside inn and a plate of cold meat
You’ve got a beautiful bar, but there’s nothing to eat;
and a contributor to the Sporting Magazine observes, very happily, that “even in a ‘case’ in a coach, it’s ‘there you are’; whereas in a railway carriage it’s ‘where are you?’” in case of an accident.
and a contributor to the Sporting Magazine notes, quite happily, that “even in a ‘case’ in a coach, it’s ‘there you are’; whereas in a railway carriage it’s ‘where are you?’” in the event of an accident.
On September 21st, 1841, the Brighton Railway was opened throughout, from London to Brighton, and with that event the coaching era for this road virtually died. Professional coach proprietors who wished to retain the competencies they had accumulated were well advised to shun all competition with steam, and others had been wise enough to cut their losses; for the Road for the next sixty years was to become a discarded institution and the Rail was entering into a long and undisputed possession of the carrying trade.
On September 21st, 1841, the Brighton Railway was fully opened, running from London to Brighton, marking the end of the coaching era for this route. Professional coach owners who wanted to keep their skills were smart to avoid competing with steam-powered transport, and others had already made the smart decision to minimize their losses. For the next sixty years, road travel would be mostly forgotten, while railroads would dominate the transportation industry without question.
The Brighton Mail, however—or mails, for Chaplin had started a Day Mail in 1838—continued a few months longer. The Day Mail ceased in October, 1841, but the Night Mail held the road until March, 1842.
The Brighton Mail, however—or mails, since Chaplin had started a Day Mail in 1838—kept running for a few more months. The Day Mail stopped in October 1841, but the Night Mail continued until March 1842.
VI
Between 1841, when the railway was opened all the way from London, and 1866, during a period of twenty-five years, coaching, if not dead, at least showed but few and intermittent signs of life. The “Age,” which then was owned by Mr. F. W. Capps, was the last coach to run regularly on the direct road to and from London. The “Victoria,” however, was on the road, via Dorking and Horsham, until November 8th, 1845.
Between 1841, when the railway opened all the way from London, and 1866, over a span of twenty-five years, coaching, if not completely gone, was barely alive and showed only occasional signs of life. The “Age,” which was owned by Mr. F. W. Capps at the time, was the last coach to operate regularly on the direct route to and from London. The “Victoria,” however, was still in service, taking the route via Dorking and Horsham, until November 8th, 1845.

The BRIGHTON DAY MAILS CROSSING HOOKWOOD COMMON, 1838.
From an engraving after W. J. Shayer.
The BRIGHTON DAY MAILS CROSSING HOOKWOOD COMMON, 1838.
From an engraving after W. J. Shayer.
[Pg 45]The “Age” had been one of the best equipped and driven of all the smart drags in that period when aristocratic amateur dragsmen frequented this road, when the Marquis of Worcester drove the “Beaufort,” and when the Hon. Fred Jerningham, a son of the Earl of Stafford, a whip of consummate skill, drove the day-mail; a time when the “Age” itself was driven by that sportsman of gambling memory, Sir St. Vincent Cotton, and by that Mr. Stevenson who was its founder, mentioned more particularly on page 37. When Mr. Capps became proprietor, he had as coachman several distinguished men. For twelve years, for instance, Robert Brackenbury drove the “Age” for the nominal pay of twelve shillings per week, enough to keep him in whips. It was thus supremely fitting that it should also have been the last to survive.
[Pg 45]The “Age” was one of the best-equipped and most driven smart carriages during that time when aristocratic amateur drivers frequented this road, when the Marquis of Worcester drove the “Beaufort,” and when the Hon. Fred Jerningham, the son of the Earl of Stafford and an incredibly skilled whip, drove the day-mail; a period when the “Age” itself was driven by the legendary gambler, Sir St. Vincent Cotton, and by Mr. Stevenson, its founder, who is mentioned more specifically on page 37. When Mr. Capps took over as owner, he had several distinguished men as drivers. For example, Robert Brackenbury drove the “Age” for twelve years for the nominal pay of twelve shillings a week, which was just enough to keep him in whips. It was therefore perfectly fitting that it was also the last to remain.
In later years, about 1852, a revived “Age,” owned and driven by the Duke of Beaufort and George Clark, the “Old” Clark of coaching acquaintance, was on the road to London, via Dorking and Kingston, in the summer months. It was discontinued in 1862. A picture of this coach crossing Ham Common en route for Brighton was painted in 1852 and engraved. A reproduction of it is shown here.
In the later years, around 1852, a renewed “Age,” owned and driven by the Duke of Beaufort and George Clark, the “Old” Clark from coaching days, was traveling to London, via Dorking and Kingston, during the summer months. It was stopped in 1862. A painting of this coach crossing Ham Common en route to Brighton was created in 1852 and engraved. A reproduction of it is shown here.
From 1862 to 1866 the rattle of the bars and the sound of the guard’s yard of tin were silent on every route to Brighton; but in the latter year of horsey memory and the coaching revival, a number of aristocratic and wealthy amateurs of the whip, among whom were representatives of the best coaching talent of the day, subscribed a capital, in shares of £10, and a little yellow coach, the “Old Times,” was put on the highway. Among the promoters of the venture were Captain Haworth, the Duke of Beaufort, Lord H. Thynne, Mr. Chandos Pole, Mr. “Cherry” Angell, Colonel Armytage, Captain Lawrie, and Mr. Fitzgerald. The experiment proved unsuccessful, but in the[Pg 46] following season, commencing in April, 1867, when the goodwill and a large portion of the stock had been purchased from the original subscribers, by the Duke of Beaufort, Mr. E. S. Chandos Pole, and Mr. Angell, the coach was doubled, and two new coaches built by Holland & Holland.
From 1862 to 1866, the sound of clanging bars and the guard’s tin yard went quiet on every route to Brighton. However, in 1866, during the horsey nostalgia and the revival of coaching, some wealthy aristocrats and skilled whip handlers, including some of the best coaching talent of the time, each put in £10 to start a venture, resulting in a small yellow coach, the “Old Times,” hitting the road. Among the backers were Captain Haworth, the Duke of Beaufort, Lord H. Thynne, Mr. Chandos Pole, Mr. “Cherry” Angell, Colonel Armytage, Captain Lawrie, and Mr. Fitzgerald. The experiment didn't work out, but in the[Pg 46] following season, starting in April 1867, the goodwill and a significant share of the stock were bought from the original investors by the Duke of Beaufort, Mr. E. S. Chandos Pole, and Mr. Angell, leading to the addition of a second coach and the construction of two new coaches by Holland & Holland.
The Duke of Beaufort was chief among the sportsmen who horsed the coaches during this season. Mr. Chandos Pole, at the close of the summer season, determined to carry on by himself, throughout the winter, a service of one coach. This he did, and, aided by Mr. Pole-Gell, doubled it the next summer.
The Duke of Beaufort was the top sportsman who drove the coaches this season. At the end of summer, Mr. Chandos Pole decided to run one coach by himself throughout the winter. He did this, and with help from Mr. Pole-Gell, increased it to two coaches the following summer.
The following year, 1869, the coach had so prosperous a season that it showed never a clean bill, i.e., never ran empty, all the summer, either way. The partners this year were the Earl of Londesborough, Mr. Pole-Gell, Colonel Stracey Clitherow, Mr. Chandos Pole, and Mr. G. Meek.
The following year, 1869, the coach had such a successful season that it never had a clean bill, i.e., never ran empty, all summer, in either direction. The partners this year were the Earl of Londesborough, Mr. Pole-Gell, Colonel Stracey Clitherow, Mr. Chandos Pole, and Mr. G. Meek.
From this season coaching became extremely popular on the Brighton Road, Mr. Chandos Pole running his coach until 1872. In the following year an American amateur, Mr. Tiffany, kept up the tradition with two coaches. Late in the season of 1874 Captain Haworth put in an appearance.
From this season, coaching became really popular on Brighton Road, with Mr. Chandos Pole running his coach until 1872. The next year, an American amateur, Mr. Tiffany, continued the tradition with two coaches. Later in the 1874 season, Captain Haworth showed up.
In 1875 the “Age” was put upon the road by Mr. Stewart Freeman, and ran in the season up to and including 1880, in which year it was doubled. Captain Blyth had the “Defiance” on the road to Brighton this year by the circuitous route of Tunbridge Wells. In 1881 Mr. Freeman’s coach was absent from the road, but Edwin Fownes put the “Age” on, late in the season. In the following year Mr. Freeman’s coach ran, doubled again, and single in 1883. It was again absent in 1884-5-6, in which last year it ran to Windsor; but it reappeared on the Brighton Road in 1887 as the “Comet,” and in the winter of that year was continued by Captain Beckett, who had Selby and Fownes as whips. In 1888 Mr. Freeman ran in partnership with Colonel Stracey-Clitherow, Lord Wiltshire, and Mr. Hugh M’Calmont, and in 1889 became partner in an undertaking to run the coach doubled. The two “Comets” therefore served the road in this season supported by two additional subscribers, the Honourable H. Sandys and Mr. Randolph Wemyss.
In 1875, Mr. Stewart Freeman launched the “Age,” which operated until 1880 when it was doubled. Captain Blyth took the “Defiance” to Brighton this year via the longer route through Tunbridge Wells. In 1881, Mr. Freeman's coach was off the road, but Edwin Fownes put the “Age” back on late in the season. The following year, Mr. Freeman’s coach ran again, doubling once more, with a single run in 1883. It was again off the road in 1884-5-6, although it did run to Windsor that last year; it made a comeback on the Brighton Road in 1887 as the “Comet” and continued through that winter under Captain Beckett, with Selby and Fownes as drivers. In 1888, Mr. Freeman partnered with Colonel Stracey-Clitherow, Lord Wiltshire, and Mr. Hugh M’Calmont, and in 1889, he became a partner in a venture to run the coach doubled. Thus, the two “Comets” operated on the road that season, with the added support of two new subscribers, the Honourable H. Sandys and Mr. Randolph Wemyss.

THE “AGE,” 1852, CROSSING HAM COMMON.
From an engraving after C. Cooper Henderson.
THE “AGE,” 1852, CROSSING HAM COMMON.
From an engraving after C. Cooper Henderson.
[Pg 49]In 1888 the “Old Times,” forsaking the Oatlands Park drive, had appeared on the Brighton Road as a rival to the “Comet,” and continued throughout the winter months, until Selby met his death in that winter.
[Pg 49]In 1888, the “Old Times,” leaving behind the Oatlands Park drive, showed up on the Brighton Road as competition for the “Comet,” and kept going through the winter months, until Selby died that winter.
The “Comet” ran single in the winter season of 1889-90, and in April was again doubled for the summer, running single in 1891-2-3, when Mr. Freeman relinquished it.
The "Comet" operated solo during the winter of 1889-90, and in April, it was once again paired up for the summer, running solo in 1891-2-3, when Mr. Freeman let it go.
Mention has already been made of the “Old Times,” which made such a fleeting appearance on this road; but justice was not done to it, or to Selby, in that incidental allusion. They require a niche to themselves in the history of the revival—a niche to which shall be appended this poetic excerpt:
Mention has already been made of the “Old Times,” which briefly appeared on this road; but it wasn't given its due, nor was Selby, in that casual reference. They deserve a spot of their own in the history of the revival—a spot to which this poetic excerpt should be added:
Here’s the “Old Times,” it’s one of the best,
Which no coaching man will deny,
Fifty miles down the road with a jolly good load,
Between London and Brighton each day.
Beckett, M’Adam, and Dickey, the driver, are there,
Of old Jim’s presence every one is aware,
They are all nailing good sorts,
And go in for all sports,
So we’ll all go a-coaching to-day.
Here’s the “Old Times,” it’s one of the best,
Which no coach driver will deny,
Fifty miles down the road with a great load,
Between London and Brighton each day.
Beckett, M’Adam, and Dickey, the driver, are there,
Everyone knows old Jim is around,
They’re all really good people,
And they’re into all kinds of sports,
So we’ll all go coaching today.
It is poetry whose like we do not often meet. Tennyson himself never attempted to capture such heights of rhyme. He could, and did, rhyme “poet” with “know it,” but he never drove such a Cockney team as “deny” and “to-dy” to water at the Pierian springs.
It’s poetry that we don’t come across very often. Tennyson himself never tried to reach such levels of rhyme. He could, and did, rhyme “poet” with “know it,” but he never forced together a Cockney pair like “deny” and “to-dy” to draw from the Pierian springs.
VII
“Carriages without horses shall go,” is the “prophecy” attributed to that mythical fifteenth century pythoness, Mother Shipton; really the ex post facto forgery of Charles Hindley, the second-hand bookseller, in 1862. It should not be difficult, on such terms, to earn the reputation of a seer.
“Carriages without horses will travel,” is the “prophecy” linked to that legendary 15th-century fortune teller, Mother Shipton; actually, it’s the ex post facto forgery of Charles Hindley, the used bookseller, from 1862. It shouldn’t be hard, on those grounds, to gain the status of a visionary.
Between 1823 and 1838, the era of the steam-carriages, that prognostication had already been fulfilled: and again, in another sense, with the introduction of railways. But it was not until the close of 1896 that the real horseless era began to dawn. Railways, extravagantly discriminative tolls, and restrictions upon weight and speed killed the steam-carriages, and for more than fifty years the highways knew no other mechanical locomotion than that of the familiar traction-engines, restricted to three miles an hour and preceded by a man with a red flag. It is true that a few hardy inventors continued to waste their time and money on devising new forms of steam-carriages, and were only fined for their pains when they were rash enough to venture on the public roads, as when Bateman, of Greenwich, invented a steam-tricycle, and Sir Thomas Parkyn, Bart., was fined at Greenwich Police Court, April 8th, 1881, for riding it.
Between 1823 and 1838, during the steam carriage era, that prediction had already come true; and again, in another way, with the rise of railways. However, it wasn't until the end of 1896 that the real age of horseless vehicles began to emerge. Railways, with their ridiculously high tolls and restrictions on weight and speed, killed off the steam carriages, and for more than fifty years, the roads only saw one type of mechanical movement: the familiar traction engines, limited to three miles per hour and led by a person waving a red flag. It's true that a few determined inventors kept spending their time and money trying to create new types of steam carriages, only to be fined for their efforts when they were bold enough to use public roads, like when Bateman from Greenwich invented a steam tricycle, and Sir Thomas Parkyn, Bart., was fined at Greenwich Police Court on April 8th, 1881, for riding it.
That incident appears to have finally quenched the ardour of inventive genius in this country; but a new locomotive force already existing unsuspected was about this period being experimented with on the Continent by one Gottlieb Daimler, whose name—generally mispronounced—is now sufficiently familiar to all who know anything of motor-cars.
That incident seems to have finally cooled the passion for innovation in this country; however, a new driving force that had been quietly existing was being tested around this time in Europe by one Gottlieb Daimler, whose name—often mispronounced—is now well-known to anyone familiar with cars.
Daimler was at that time connected with the Otto Gas Engine Works in Germany, where the adaptive Germans were exploiting the gas-engine principle invented by Crossley many years before.
Daimler was then associated with the Otto Gas Engine Works in Germany, where the resourceful Germans were making use of the gas-engine principle created by Crossley many years earlier.
In 1886 Daimler produced his motor-bicycle, and by 1891 his motor engine was adapted by Panhard and Levassor to other types of vehicles. The French were thus the first to perceive the great possibilities of it, and by 1894 the motor-cars already in use in France were so numerous that the first sporting event in the history of them—the 760 miles’ race from Paris to Bordeaux and back—was run.
In 1886, Daimler created his motorbike, and by 1891, his engine was adapted by Panhard and Levassor for other types of vehicles. The French were the first to see the huge potential of it, and by 1894, there were so many motor cars already in use in France that the first race in their history—the 760-mile race from Paris to Bordeaux and back—took place.

THE “OLD TIMES,” 1888.
From a painting by Alfred S. Bishop.
THE “OLD TIMES,” 1888.
From a painting by Alfred S. Bishop.
[Pg 53]The following year Mr. Evelyn Ellis brought over the first motor-car to reach England, a 4 h.-p. Panhard, and a little later, Sir David Salomons, of Tunbridge Wells, imported a Peugeot. In that town, October 15th, 1895, he held the first show of cars—four or five at most—in this country. Then began an agitation raised by a few enthusiasts for the removal of the existing restrictions upon road traffic. A deputation waited upon the Local Government Board, and the Light Locomotives Act of 1896 was passed in August, legalising mechanical traction up to a speed of fourteen miles an hour, the Act to come into operation on November 14th.
[Pg 53]The following year, Mr. Evelyn Ellis brought the first motor car to England, a 4 hp Panhard, and shortly after, Sir David Salomons from Tunbridge Wells imported a Peugeot. In that town, on October 15th, 1895, he held the first car show—four or five at most—in the country. This sparked a movement by a few enthusiasts to lift the existing restrictions on road traffic. A group met with the Local Government Board, and the Light Locomotives Act of 1896 was passed in August, legalizing mechanical traction at speeds of up to fourteen miles per hour, with the Act taking effect on November 14th.
For whatever reason, the Light Locomotives Act was passed so quietly, under the ægis of the Local Government Board, as to almost wear the aspect of an organised secrecy, and the coming of what is now known as Motor-car Day was utterly unsuspected by the bulk of the public. It even caught the newspapers unprepared, until the week before.
For some reason, the Light Locomotives Act was passed so quietly, under the protection of the Local Government Board, that it almost seemed like a deliberate secret, and the arrival of what is now known as Motor-car Day completely surprised most of the public. Even the newspapers were caught off guard, only getting ready the week before.
But the financiers and company-promoters had been busy. They at least fully realised the importance of the era about to dawn; and the extravagant flotations of the Great Horseless Carriage Company and of many others long since bankrupt and forgotten, together with the phenomenal over-valuation of patents, very soon discredited the new movement. Never has there been a new industry so hardly used by company-promoting sharks as that of motor-cars.
But the investors and company promoters had been hard at work. They definitely understood the significance of the new era about to begin; and the outrageous launches of the Great Horseless Carriage Company and many others that have long since gone bankrupt and are now forgotten, along with the incredible over-valuation of patents, quickly discredited the new movement. Never has there been a new industry so harshly exploited by company-promoting sharks as that of motor vehicles.
No inkling of subsequent financial disasters clouded Motor-car Day, and as at almost the last moment the Press had come to the conclusion that it was an occasion to be written up and enlarged upon, a very great public interest was aroused in the Motor-car Club’s[Pg 54] proposed celebration of the event by a great procession of the newly-enfranchised “light locomotives” from Whitehall to Brighton, on November 14th.
No hint of upcoming financial disasters overshadowed Motor-car Day, and just before the event, the Press concluded it was worth covering extensively, generating significant public interest in the Motor-car Club’s[Pg 54] planned celebration with a grand parade of the newly-licensed “light locomotives” from Whitehall to Brighton on November 14th.
The Motor-car Club is dead. It was not a club in the proper sense of the word, but an organisation promoted and financed by the company-promoters who were interested in advertising their schemes. The run to Brighton was itself intended as a huge advertisement, but the unprepared condition of many of the cars entered, together with the miserable weather prevailing on that day, resulted in turning the whole thing into ridicule.
The Motor-car Club is no more. It wasn't really a club in the traditional sense, but rather a group backed and funded by company promoters looking to push their schemes. The trip to Brighton was meant to be a big promotional event, but the poor state of many of the cars involved, along with the terrible weather that day, ended up making it a laughingstock.
The newspapers had done their best to advertise the event; but no one anticipated the immense crowds that assembled at the starting-point, Whitehall Place, by nine o’clock on that wet and foggy morning. By half-past ten, the hour fixed for the start, there was a maddening chaos of hundreds of thousands of sightseers such as no Lord Mayor’s Show or Royal Procession had ever attracted. Everybody in the crowd wanted a front place, and those who got one, being both unable and unwilling to “parse away,” were nearly scragged by the police, who on the Embankment set upon individuals like footballers on the ball; while snap-shotters wasted plates on them from the secure altitudes of omnibuses or other vehicles.
The newspapers had done their best to promote the event, but no one expected the massive crowds that gathered at the starting point, Whitehall Place, by nine o’clock on that rainy and foggy morning. By half-past ten, the scheduled start time, there was a wild chaos of hundreds of thousands of onlookers that no Lord Mayor’s Show or Royal Procession had ever drawn. Everyone in the crowd wanted a front-row spot, and those who managed to get one, unable and unwilling to move aside, were almost tackled by the police, who on the Embankment descended on individuals like football players going for the ball; meanwhile, photographers wasted film on them from the safe heights of buses or other vehicles.
Those whose journalistic duties took them to see the start had to fight their way down from Charing Cross, up from Westminster, or along from the Embankment; contesting inch by inch, and wondering if the starting-point would ever be gained.
Those reporters whose jobs required them to witness the start had to struggle their way down from Charing Cross, up from Westminster, or along from the Embankment; battling for every inch and questioning if they would ever reach the starting line.
At length the Metropole hove in sight, but the motor-cars had yet to be found. To accomplish this feat it was necessary to hurl oneself into a surging tide of humanity, and surge with it. The tide carried the explorer away and eventually washed him ashore on the neck of a policeman. Rumour got around that an organised massacre of cab-horses was contemplated, and myriads of mounted police appeared and had their photographs taken from the tops of cabs and other envied positions occupied by amateur photographers, who paid dearly to take pictures of the fog, which they could have done elsewhere for nothing.
At last, the Metropole came into view, but they still needed to find the cars. To do this, you had to throw yourself into a crowd and go with the flow. The crowd swept the explorer away and eventually deposited him right on top of a policeman. Word spread that there was a planned massacre of taxi horses, and countless mounted police showed up, posing for pictures taken from the tops of taxis and other sought-after spots occupied by amateur photographers who paid a lot just to snap photos of the fog, which they could have done for free somewhere else.

THE “COMET,” 1890.
From a painting by Alfred S. Bishop.
THE “COMET,” 1890.
From a painting by Alfred S. Bishop.
[Pg 57]Time went on, the crowd grew bigger, the mud was churned into slush, and everybody was treading upon everybody else.
[Pg 57]As time passed, the crowd got larger, the mud turned into slush, and everyone was stepping over each other.
“Ain’t this bloomin’ fun, sir?” asked the driver of a growler, his sides shaking with laughter, “Even my ole ’oss ’as bin larfin’.”
“Isn’t this blooming fun, sir?” asked the driver of a carriage, his sides shaking with laughter, “Even my old horse has been laughing.”
“Very intelligent horse,” we said, thinking of Mr. Pickwick, and determining to ask some searching questions as to his antecedents.
“Very smart horse,” we said, thinking about Mr. Pickwick, and deciding to ask some probing questions about his background.
“Interleck’s a great p’int, sir. Which ’ud you sooner be in: a runaway mortar-caw or a keb?”
“Interleck’s a great point, sir. Which would you rather be in: a runaway mortar car or a cab?”
“Neither.”
“Neither.”
“No, I ain’t jokin’, strite. I’ve just bin argying wif a bloke as said he’d sooner be in a caw. I said I pitied ’is choice, and wouldn’t give ’im much for his charnce. ’Cos why? ’Cos mortar-caws ain’t got no interleck. They cawn’t tell the dif’rence ’tween nothink an’ a brick wall. Now a ’os can. If ’e don’t turn orf ’e tries ter jump th’ wall, but yer mortar simply goes fer it, and then where are yer? In ’eaven, if yer lucky, or in——”
“No, I’m not joking, I swear. I was just arguing with a guy who said he’d rather be in a car. I told him I felt sorry for his choice and wouldn't give him much for his chances. Why? Because cars have no intelligence. They can’t tell the difference between nothing and a brick wall. But a horse can. If it doesn't stop, it tries to jump the wall, but your car just goes straight for it, and then where are you? In heaven, if you’re lucky, or in——”
But the rest of his sentence was lost in the roar that ascended from the crowd as the cars commenced their journey to Brighton.
But the rest of his sentence was drowned out by the noise from the crowd as the cars started their trip to Brighton.
They went beautifully for a few yards, chased the mounted police right into the crowd, and then stopped.
They went smoothly for a few yards, chased the mounted police right into the crowd, and then stopped.
“It’s th’ standin’ still as does it—not the standin’ still, I mean the not going forrard, ’cos they don’t stand still,” said the cabby, excitedly.
“It’s the staying still that matters—not just standing still, I mean not moving forward, because they don’t just stand still,” said the cab driver, excitedly.
“Don’t they hum?” he cried.
"Don't they hum?" he yelled.
“They certainly do make a little noise.”
“They definitely make a bit of noise.”
“But I mean, don’t they whiff?”
“But I mean, don’t they smell?”
“Whiff?”
"Scent?"
He held his nose.
He pinched his nose.
“I say, guv’nor.” shouted cabby to a fur-coated foreigner, “wot is it smells so?”
“I say, governor,” shouted the cab driver to a foreigner in a fur coat, “what’s that smell?”
[Pg 58]Meanwhile there was a certain “something lingering with oil in it,” permeating the fog, while a sound as of many humming-tops filled the air.
[Pg 58]Meanwhile, there was a certain "something oily" in the fog, and the air was filled with a sound like many humming tops.
Then the cars moved on a bit, amid the cheers and chaff of a good-humoured crowd. Presently another stoppage and more shivering.
Then the cars moved on a bit, amidst the cheers and chatter of a good-humored crowd. Soon there was another stop and more shivering.
“’As thet cove there got th’ Vituss dance?” inquired the elated cabby, indicating a gentleman who was wobbling like a piece of jelly.
“‘Does that guy over there have the Vitas dance?’ asked the excited cab driver, pointing at a man who was swaying like a piece of jelly.”
“That’s the vibration,” explained another.
"That's the vibe," explained another.
“’Ow does the vibration agree w’ the old six yer ’ad last night?” cabby inquired immediately. “I say, Chawlie, don’t it make yer sea-sick? Oh my! th’ smell!” and he gasped and sat on his box, looking bilious.
“’How does the vibration go with the old six year you had last night?” the cab driver asked right away. “I mean, Chawlie, doesn’t it make you feel nauseous? Oh my! The smell!” and he gasped and sat on his box, looking pale.
When all the carriages had wended their way to Westminster we asked cabby what he thought of the procession.
When all the carriages had made their way to Westminster, we asked the cab driver what he thought of the procession.
“Arsk my ’os,” said he, with a look of disgust on his face. “What’s yer opinion of it, old gal? Failyer? My sentiments. British public won’t pay to be choked with stinks one moment and shut up like electricity t’ next. Failyer? Quite c’rect.”
“Ask my horse,” he said, with a look of disgust on his face. “What do you think about it, old girl? Failure? My sentiments exactly. The British public won’t pay to be suffocated with bad smells one moment and then silenced like electricity the next. Failure? Quite correct.”
Meanwhile the guests of the Motor-car Club were breakfasting at the Hotel Metropole, where appropriate speeches were made, the Earl of Winchilsea concluding his remarks with the dramatic production of a red flag, which, amid applause, he tore in half, to symbolise the passing of the old restrictions.
Meanwhile, the guests of the Motor-Car Club were having breakfast at the Hotel Metropole, where suitable speeches were given. The Earl of Winchilsea ended his comments with a dramatic display of a red flag, which he tore in half to symbolize the end of the old restrictions, much to the applause of the crowd.
There had been fifty-four entries for this triumphal procession, but not more than thirty-three cars put in an appearance. It is significant of the vast progress made since then that no car present was more than 6 h.-p., and that all, except the Bollée three-wheeled car, were precisely what they were frequently styled, “horseless carriages,” vehicles built on traditional lines, from which the horses and the customary shafts[Pg 59] were painfully missed. There had not yet been time sufficient for the evolution of the typical motor-car body.
There had been fifty-four entries for this grand parade, but only about thirty-three cars actually showed up. It’s important to note how much things have changed since then; none of the cars that were there had more than 6 horsepower, and all of them, except for the Bollée three-wheeled car, were really what people often called “horseless carriages,” vehicles designed in a traditional manner, from which the horses and the usual shafts[Pg 59] were sorely missed. There hadn’t been enough time yet for the typical motor-car body to develop.
With the combined strategy of a Napoleon, the patience of Job, and the strength of Samson, the guests were at length piloted through the crowd and inducted into their seats, and the “procession”—which, it was sternly ordained, was not to be a “race”—set out.
With the strategic mind of Napoleon, the patience of Job, and the strength of Samson, the guests were finally guided through the crowd and shown to their seats, and the “procession”—which, it was strictly mandated, was not to be a “race”—began.
The President of the Motor-car Club, Harry J. Lawson, since convicted of fraud and sentenced to some months’ imprisonment, led the way in his pilot-car, bearing a purple-and-gold banner, more or less suitably inscribed, himself habited in a strange costume, something between that of a yachtsman and the conductor of a Hungarian band.
The President of the Motor-car Club, Harry J. Lawson, who was later convicted of fraud and sentenced to several months in prison, took the lead in his pilot car, which displayed a purple-and-gold banner with an inscription that was somewhat appropriate. He was dressed in a peculiar outfit, a mix between that of a yachtsman and a conductor of a Hungarian band.
Reigate was reached at 12.30 by the foremost ear, through twenty miles of crowded country, when rain descended once more upon the hapless day, and late arrivals splashed through in all the majesty of mud.
Reigate was reached at 12:30 by the leading group, after traveling twenty miles through crowded countryside, when rain began to fall again on the unfortunate day, and latecomers splashed through in all the glory of mud.
The honours of the occasion belong to the little Bollée three-wheeler, of a type long since obsolete. The inventor, disregarding all rules and times, started at 11.30, and, making no stop at Reigate, drove on to Brighton, which he reached in the record time of two hours fifty-five minutes. The President’s car was fourth, in seven hours twenty-two minutes thirty seconds.
The highlight of the event goes to the little Bollée three-wheeler, a style that's long been outdated. The inventor, ignoring all rules and schedules, took off at 11:30 and, without pausing at Reigate, continued on to Brighton, arriving in a record time of two hours and fifty-five minutes. The President’s car came in fourth, finishing in seven hours, twenty-two minutes, and thirty seconds.
At Preston Park, on the Brighton boundary, the Mayor was to have welcomed the procession, which, headed by the President, was to proceed triumphantly into the town. A huge crowd assembled under the dripping elms and weeping skies, and there, at five o’clock, in the light of the misty lamps, stood and vibrated that presidential equipage and its banner with the strange device. By five o’clock only three other cars had arrived; and so, wet and miserable, they, the Mayor and Council, and the mounted police all splashed into Brighton amid a howling gale.
At Preston Park, on the edge of Brighton, the Mayor was supposed to welcome the procession, which, led by the President, was set to triumphantly enter the town. A large crowd gathered under the dripping elms and gloomy skies, and there, at five o’clock, in the glow of the hazy lamps, stood that presidential vehicle and its banner with the unusual design. By five o’clock, only three other cars had shown up; so, wet and miserable, the Mayor, the Council, and the mounted police all splashed into Brighton amid a fierce wind.
The rest should be silence, for no one ever knew the number of cars that completed the journey. Some[Pg 60] said twenty-two, others thirteen; but it is certain that the conditions were too much for many, and that while some reposed in wayside stables, others, broken down in lonely places, remained on the road all through that awful night. The guests, who in the morning had been unable to find seats on the “horseless carriages,” and so had journeyed by special train or by coach, in the end had much to congratulate themselves upon.
The rest should be silence, because no one ever knew how many cars finished the trip. Some[Pg 60] said twenty-two, others said thirteen; but it’s clear that the conditions were too tough for many. While some rested in roadside stables, others, who broke down in secluded spots, stayed on the road all through that terrible night. The guests, who in the morning couldn't find seats on the “horseless carriages,” and had to take a special train or coach instead, ended up having a lot to be thankful for.
But, after all, looking back upon the hasty enthusiasm that organised so long a journey at such a time of year, at so early a stage in the motor-car era, it seems remarkable, not that so many broke down, but that so large a proportion reached Brighton at all.
But, when I think back on the excited rush that planned such a long trip at this time of year, so early in the motor-car era, it’s surprising, not that so many cars broke down, but that such a large number actually made it to Brighton at all.
The logical outcome of years of experiment and preparation was reached, in the supersession of the horsed London and Brighton Parcel Mail on June 2nd, 1905, by a motor-van, and in the establishment, on August 30th, of the “Vanguard” London and Brighton Motor Omnibus Service, starting in summer at 9.30 a.m., and reaching Brighton at 2 p.m.; returning from Brighton at 4 p.m., and finally arriving at its starting-point, the “Hotel Victoria,” Northumberland Avenue, at 9 p.m. With the beginning of November, 1905, that summer service was replaced by one to run through the winter months, with inside seats only, and at reduced fares.
The logical result of years of experiments and preparation happened on June 2nd, 1905, when a motor van replaced the horse-drawn London and Brighton Parcel Mail. Then, on August 30th, the “Vanguard” London and Brighton Motor Omnibus Service was launched, starting in the summer at 9:30 a.m. and arriving in Brighton by 2 p.m. It would then return from Brighton at 4 p.m. and finally get back to its starting point, the “Hotel Victoria,” Northumberland Avenue, by 9 p.m. With the arrival of November 1905, that summer service was replaced by a winter service with only inside seats and reduced fares.
The first fatality on the Brighton Road in connection with motor-cars occurred in 1901, at Smitham Bottom, when a car just purchased by a retired builder and contractor of Brighton was being driven by him from London. The steering-gear failed, the car turned completely round, ran into an iron fence and pinned the owner’s leg against it and a tree. The leg was broken and had to be amputated, and the unfortunate man died of the shock.
The first death on the Brighton Road involving cars happened in 1901, at Smitham Bottom, when a recently purchased car was being driven by a retired builder and contractor from Brighton, coming back from London. The steering system failed, the car spun around, crashed into an iron fence, and trapped the owner's leg against it and a tree. The leg was broken and had to be amputated, and the unfortunate man died from the shock.
But the motor-omnibus accident of July 12th, 1906, was a really spectacular tragedy. On that day a “Vanguard” omnibus, chartered by a party of thirty-four pleasure seekers at Orpington for a day at Brighton,[Pg 61] was proceeding down Hand Cross Hill at twelve miles an hour when some essential part of the gear broke and the heavy vehicle, dashing down-hill at an ever-increasing pace, and swerving from side to side, struck a great oak. The shock flung the passengers off violently. Ten were killed and all the others injured, mostly very seriously.
But the bus accident on July 12th, 1906, was truly a shocking tragedy. On that day, a “Vanguard” bus, hired by a group of thirty-four people from Orpington for a day out in Brighton, [Pg 61] was going down Hand Cross Hill at twelve miles an hour when a crucial part of the mechanism failed. The heavy vehicle, rushing down the hill at an increasing speed and swerving from side to side, crashed into a large oak tree. The impact threw the passengers around violently. Ten were killed, and everyone else was injured, most of them quite seriously.
Meanwhile, amateur coaching had, in most of the years since the professional coaches had been driven off the road, flourished in the summer season. The last notable amateur was the American millionaire, Alfred Gwynne Vanderbilt, who for several seasons personally drove his own “Venture” coach between London and Brighton; at first on the main “classic” road, and afterwards on the Dorking and Horsham route. He met his death on board the Lusitania, when it was sunk by the Germans, May 7th. 1915.
Meanwhile, amateur coaching had thrived during the summer season for most of the years since professional coaches had been forced off the roads. The last prominent amateur was American millionaire Alfred Gwynne Vanderbilt, who for several seasons personally drove his own "Venture" coach between London and Brighton; initially on the main "classic" road and later on the Dorking and Horsham route. He lost his life aboard the Lusitania when it was sunk by the Germans on May 7, 1915.
VIII
Robinson Crusoe, weary of his island solitude, sighed, so the poet tells us, for “the midst of alarms.” He should have chosen the Brighton Road; for ever since it has been a road at all it has fully realised the Shakespearian stage-direction of “alarums and excursions.” Particularly the “excursions,” for it is the chosen track for most record-breaking exploits; and thus it comes to pass that residents fortunate or unfortunate enough to dwell upon the Brighton Road have the whole panorama of sport unfolded before their eyes, whether they will or no, throughout the whirling year, and see strange sights, hear odd noises, and (since the coming of the motor-car) smell weird smells.
Robinson Crusoe, tired of his island isolation, longed, as the poet puts it, for “the midst of alarms.” He really should have picked the Brighton Road; ever since it has existed, it has completely embodied the Shakespearian stage direction of “alarums and excursions.” Especially the “excursions,” as it's the go-to route for most record-breaking achievements; this means that residents—whether lucky or unlucky—living on the Brighton Road have the whole array of sports displayed before them throughout the never-ending year, witnessing strange sights, hearing unusual sounds, and (ever since the arrival of the motorcar) smelling bizarre odors.
The Brighton Road has ever been a course upon which the enthusiastic exponents of different methods of progression have eagerly exhibited their prowess. But to-day, although it affords as good going as, or better than, ever, it is not so suitable as it was for these[Pg 62] displays of speed. Traffic has grown with the growth of villages and townships along these fifty-two miles, and sport and public convenience are on the highway antipathetic. Yet every kind of sport has its will of the road.
The Brighton Road has always been a route where passionate advocates of various transportation methods have eagerly showcased their skills. However, today, while it offers just as good, if not better, conditions than ever, it's not as ideal for those[Pg 62] displays of speed. Traffic has increased with the expansion of villages and towns along these fifty-two miles, and sports and public convenience often clash on the highway. Still, every type of sport has its claim to the road.
The reasons of this exceptional sporting character are not far to seek. They were chiefly sportsmen who travelled it in the days when it began to be a road: those full-blooded sportsmen, ready for any freakish wager, who were the boon companions of the Prince; and they set a fashion which has not merely survived into modern times, but has grown amazingly.
The reasons for this unique sporting reputation are easy to see. It was primarily sportsmen who traveled this route when it was just becoming a road: those spirited sportsmen, always up for a wild bet, who were close friends of the Prince; and they established a trend that not only survived into today but has also dramatically increased.
But it would never have been the road for sport it is, had its length not been so conveniently and alluringly near an even fifty miles. So much may be done or attempted along a fifty miles’ course that would be impossible on a hundred.
But it would never have become the route for recreation that it is if it weren't for its nicely rounded distance of fifty miles. So much can be done or attempted in a fifty-mile stretch that would be impossible in a hundred.
The very first sporting event on the Brighton Road of which any record survives is (with an astonishing fitness) the feat accomplished by the Prince of Wales himself on July 25th, 1784, during his second visit to Brighthelmstone. On that day he mounted his horse there and rode to London and back. He went by way of Cuckfield, and was ten hours on the road: four and a half hours going, five and a half hours returning. On August 21st of the same year, starting at one o’clock in the morning, he drove from Carlton House to the “Pavilion” in four hours and a half. The turn-out was a phaeton drawn by three horses harnessed tandem-fashion—what in those days was called a “random.”
The very first sporting event recorded on Brighton Road is an impressive feat by the Prince of Wales himself on July 25, 1784, during his second visit to Brighton. On that day, he got on his horse and rode to London and back. He took the route through Cuckfield and spent ten hours traveling: four and a half hours going and five and a half hours returning. On August 21 of the same year, starting at one o'clock in the morning, he drove from Carlton House to the "Pavilion" in four and a half hours. The vehicle was a phaeton pulled by three horses harnessed in tandem—what was known back then as a "random."
One may venture the opinion that, although these performances were in due course surpassed, they were not altogether bad for a “simulacrum,” as Thackeray was pleased to style him.
One might say that, even though these performances were eventually outdone, they weren’t too bad for a “simulacrum,” as Thackeray liked to call him.
Twenty-five years passed before any one arose to challenge the Prince’s ride, and then only partially and indirectly. In May, 1809, Cornet J. Wedderburn Webster, of the 10th (Prince of Wales’s Own) Light Dragoons, accepted and won a wager of 300 to 200[Pg 63] guineas with Sir B. Graham about the performance in three and a half hours of the journey from Brighton to Westminster Bridge, mounted upon one of the blood horses that usually ran in his phaeton. He accomplished the ride in three hours twenty minutes, knocking the Prince’s up record into the proverbial cocked hat. The rider stopped a while at Reigate to take a glass or two of wine, and compelled his horse to swallow the remainder of the bottle.
Twenty-five years went by before anyone dared to challenge the Prince’s ride, and even then, it was only in a limited and indirect way. In May 1809, Cornet J. Wedderburn Webster, from the 10th (Prince of Wales’s Own) Light Dragoons, took on and won a bet of 300 to 200[Pg 63] guineas against Sir B. Graham over completing the journey from Brighton to Westminster Bridge in three and a half hours, riding one of the thoroughbred horses that typically pulled his carriage. He finished the ride in three hours and twenty minutes, easily breaking the Prince’s record. The rider paused for a bit at Reigate to enjoy a glass or two of wine and made his horse drink the rest of the bottle.
This spirited affair was preceded in April, 1793, by a curious match which seems to deserve mention. A clergyman at Brighton betted an officer of the Artillery quartered there 100 guineas that he would ride his own horse to London sooner than the officer could go in a chaise and pair, the officer’s horses to be changed en route as often as he might think proper. The Artilleryman accordingly despatched a servant to provide relays, and at twelve o’clock on an unfavourable night the parties set out to decide the bet, which was won by the clergyman with difficulty. He arrived in town at 5 a.m., only a few minutes before the chaise, which it had been thought was sure of winning. The driver of the last stage, however, nearly became stuck in a ditch, which mishap caused considerable delay. The Cuckfield driver performed his nine-miles’ stage, between that place and Crawley, within the half-hour.
This lively event was preceded in April 1793 by an unusual bet that deserves mention. A clergyman in Brighton wagered an officer in the Artillery stationed there 100 guineas that he could ride his own horse to London faster than the officer could travel in a carriage and pair, with the officer allowed to change horses as often as he wanted along the way. The Artillery officer sent a servant to arrange for relays, and at midnight on an unfavorable night, they set off to settle the bet, which the clergyman won with difficulty. He arrived in town at 5 a.m., just a few minutes before the carriage, which everyone thought would win for sure. However, the driver of the last stage nearly got stuck in a ditch, causing a significant delay. The driver from Cuckfield managed to cover his nine-mile leg of the journey between that town and Crawley in just half an hour.
The next outstanding incident was the run of the “Red Rover” coach, which, leaving the “Elephant and Castle” at 4 p.m. on June 19th, 1831, reached Brighton at 8.21 that evening: time, four hours twenty-one minutes. The fleeting era of those precursors of motor-cars, the steam-carriages, had by this time arrived, and after two or three had managed, at some kind of a slow pace, to get to and from Brighton, the “Autopsy” achieved a record of sorts in October, 1833. “Autopsy” was an unfortunate name, suggestive of post-mortem examinations and “crowner’s quests,” but it proved not more dangerous than the “Mors” or “Hurtu” cars of to-day. The “Autopsy” was Walter Hancock’s steam-carriage, and ran from[Pg 64] his works at Stratford. It reached Brighton in eight hours thirty minutes; from which, however, must be deducted three hours for a halt on the road.
The next significant event was the run of the “Red Rover” coach, which left the “Elephant and Castle” at 4 p.m. on June 19, 1831, and arrived in Brighton at 8:21 that evening: a total time of four hours and twenty-one minutes. By this time, the brief era of steam carriages, the forerunners of motor cars, had begun. After a few of these vehicles managed to travel to and from Brighton at a somewhat slow speed, the “Autopsy” set a sort of record in October 1833. “Autopsy” was an unfortunate name, hinting at post-mortem examinations and coroners' inquests, but it turned out to be no more dangerous than today's “Mors” or “Hurtu” cars. The “Autopsy” was Walter Hancock’s steam carriage and ran from[Pg 64] his factory in Stratford. It reached Brighton in eight hours and thirty minutes, though you have to subtract three hours for a break along the way.
In the following year, February 4th, the “Criterion” coach, driven by Charles Harbour, took the King’s Speech down to Brighton in three hours forty minutes—a coach record that not only quite eclipsed that of the “Red Rover,” but has never yet been equalled, not even by Selby, on his great drive of July 13th, 1888; his times being, out and home respectively, three hours fifty-six minutes and three hours fifty-four minutes.
In the following year, on February 4th, the “Criterion” coach, driven by Charles Harbour, took the King’s Speech down to Brighton in three hours and forty minutes—a coach record that not only completely outperformed that of the “Red Rover,” but has never been matched since, not even by Selby, on his famous drive of July 13th, 1888; his times being three hours and fifty-six minutes and three hours and fifty-four minutes for the outbound and return trips, respectively.
In March, 1868, the first of the walking records was established, the sporting papers of that age chronicling what they very rightly described as a “Great Walking Feat”: a walk, not merely to Brighton, but to Brighton and back. This heroic undertaking, which was not repeated until 1902, was performed by one “Mr. Benjamin B. Trench, late Oxford University.” On March 20th, for a heavy wager, he started to walk the hundred miles from Kennington Church to Brighton and back in twenty-five hours. Setting out on the Friday, at 6 p.m., he was back at Kennington Church at 5 p.m. Saturday, having thus won his wager with two hours to spare. It will be observed, or guessed, from the absence of odd minutes and seconds that in 1868, timing, as an exact science, had not been born; but it is evident that this stalwart walked his hundred miles on ordinary roads at an average rate of a little over four and a quarter miles an hour. “He then,” concludes the report, “walked round the Oval several times, till seven o’clock.”
In March 1868, the first walking record was set, and the sporting papers of that time accurately called it a “Great Walking Feat”: a walk not just to Brighton, but to Brighton and back. This impressive challenge wasn’t attempted again until 1902 and was completed by one “Mr. Benjamin B. Trench, formerly of Oxford University.” On March 20th, for a substantial wager, he began to walk the hundred miles from Kennington Church to Brighton and back in twenty-five hours. He started on Friday at 6 p.m. and returned to Kennington Church at 5 p.m. on Saturday, thus winning his bet with two hours to spare. One might note the lack of precise minutes and seconds, indicating that in 1868, timing as an exact science hadn't been developed yet; however, it’s clear that this determined individual covered his hundred miles on regular roads at an average speed of just over four and a quarter miles per hour. “He then,” the report concludes, “walked around the Oval several times until seven o’clock.”
To each age the inventions it deserves. Cycling would have been impossible in the mid-eighteenth century, when Walpole and Burton travelled with such difficulty.
To each era its own inventions. Cycling would have been unthinkable in the mid-eighteenth century, when Walpole and Burton traveled with so much difficulty.
When roads began to deserve the name, the Mail Coach was introduced; and when they grew hard and smooth, out of their former condition of ruts and mud, the quaint beginnings of the bicycle are[Pg 65] noticed. The Hobby Horse and McAdam, the man who first preached the modern gospel of good roads, were contemporary.
When roads started to earn their name, the Mail Coach was introduced; and as they became hard and smooth, moving away from ruts and mud, the early stages of the bicycle are[Pg 65] observed. The Hobby Horse and McAdam, the guy who first advocated for better roads, were around at the same time.
I have said the beginnings of the bicycle were quaint, and I think no one will be concerned to dispute this alleged quaintness of the Hobby Horse, which had a certain strictly limited popularity from 1819 to 1830. I do not think any one ever rode from London to Brighton on one of these machines; and, when you come to consider the build and the limitations of them, and then think of the hills on the way, it is quite impossible that any one should so ride. It was perhaps within the limits of human endurance to ride a Hobby Horse along the levels, to walk it up the rises, and then to madly descend the hills, and so reach Brighton, very sore; but records do not tell us of such a stern pioneer. The Hobby Horse, it should be said, was an affair of two wooden wheels with iron tyres. A heavy timber frame connected these wheels, and on it the courageous rider straddled, his feet touching the ground. The Hobby Horse had no pedals, and the rider propelled his hundredweight or so of iron and timber by running in this straddling position and thus obtaining a momentum which only on the down grade would carry him any distance.
I’ve mentioned that the beginnings of the bicycle were quaint, and I think no one will dispute this so-called quaintness of the Hobby Horse, which was somewhat popular from 1819 to 1830. I doubt anyone ever rode one of these machines from London to Brighton; when you consider their design and limitations, along with the hills along the way, it’s clear that it’s just not possible. It might have been within the limits of human endurance to ride a Hobby Horse on flat ground, walk it up the hills, and then rush down the slopes to reach Brighton, probably feeling very sore afterward; but records don’t indicate that anyone took on such a challenging journey. The Hobby Horse, I should mention, was a simple contraption with two wooden wheels and iron tires. A heavy wooden frame connected these wheels, and the brave rider straddled it, with his feet touching the ground. The Hobby Horse had no pedals; the rider would push his heavy load of iron and wood by running in this straddling position, gaining momentum that only allowed him to travel any distance on downhill slopes.
Thus, although the Hobby Horse was a favourite with the “bucks” of George the Fourth’s time, they exercised upon it in strictly limited doses, and it was not until it had experienced a new birth and was born again as the “velocipede” of the ’60’s, that to ride fifty miles upon an ancestor of the present safety bicycle, and survive, was possible.[4]
So, even though the Hobby Horse was a hit with the young men of George the Fourth’s era, they only used it in small amounts. It wasn't until it was reimagined as the “velocipede” in the 1860s that riding fifty miles on a precursor to today’s safety bicycle became feasible and safe. [4]
The front-driving velocipede—the well-known “boneshaker”—was invented by one Pierre Lallement, in Paris, in 1865-6, and exhibited at the Paris Exhibition of 1867. It was to the modern pneumatic-tyred “safety” what the roads of 1865 are to those[Pg 66] of 1906. It also, like the Hobby Horse, had iron-shod wooden wheels, but had cranks and pedals, and could be ridden uphill. On such a machine the first cycle ride to Brighton was performed in 1869. This pioneer’s fame on the Brighton Road belongs to John Mayall, junior, a well-known photographer of that period, who died in the summer of 1891.
The front-driving velocipede—the famous “boneshaker”—was invented by Pierre Lallement in Paris between 1865 and 1866, and it was showcased at the Paris Exhibition of 1867. It was to the modern pneumatic-tyred “safety” what the roads of 1865 are to those[Pg 66] of 1906. Like the Hobby Horse, it had iron-shod wooden wheels but also included cranks and pedals, allowing it to be ridden uphill. The first cycle ride to Brighton took place on such a machine in 1869. The fame of this pioneer on the Brighton Road goes to John Mayall, junior, a well-known photographer of that time, who passed away in the summer of 1891.
This marks the beginning of so important an epoch that the circumstances attending it are worthy a detailed account. They were felt, so long ago as 1874, to be deserving of such a record, for in the first number of an athletic magazine, Ixion, published in that year, “J. M., jun.,” who, of course, was none other than Mayall himself, began to tell the wondrous tale. He set out to narrate it at such length that, as an editorial note tells us, the concluding portion was reserved for the second number. But Ixion never reached a second number, and so Mayall’s own account of his historic ride was never completed.
This marks the start of such an important era that the events surrounding it deserve a detailed account. As early as 1874, people felt it warranted such a record, for in the first issue of an athletic magazine, Ixion, published that year, “J. M., jun.,” who was, of course, none other than Mayall himself, began to tell the amazing story. He intended to narrate it in such depth that, as an editorial note states, the final part was saved for the second issue. But Ixion never published a second issue, and so Mayall’s own account of his historic ride was never finished.
He began, as all good chroniclers should, at the very beginning, telling how, in the early part of 1869, he was at Spencer’s Gymnasium in Old Street, St. Luke’s. There he saw a packing-case being followed by a Mr. Turner, whom he had seen at the Paris Exhibition of 1868, and witnessed the unpacking of it. From it came a something new and strange, “a piece of apparatus consisting mainly of two wheels, similar to one I had seen, not long before, in Paris.” It was the first velocipede to reach England.
He started, as all good storytellers should, at the beginning, narrating how, in the early part of 1869, he was at Spencer’s Gymnasium on Old Street, St. Luke’s. There, he saw a packing crate being followed by a Mr. Turner, whom he recognized from the Paris Exhibition of 1868, and witnessed the unpacking of it. Out came something new and unusual, “a piece of equipment made up mainly of two wheels, similar to one I had seen not long before in Paris.” It was the first velocipede to arrive in England.
It is a curious point that, although Mayall rode a “velocipede,” and although these machines were generally so-called for a year or two after their introduction, the word “bicycle” is claimed to have been first used in the Times in the early part of 1868; and certainly we find in the Daily News of September 7th in that year an allusion, in grotesque spelling, to “bysicles and trisicles which we saw at the Champs Elysées and the Bois de Boulogne this summer.”
It’s interesting to note that, even though Mayall rode a “velocipede,” and these machines were typically called that for a year or two after they were introduced, the term “bicycle” is said to have first appeared in the Times in early 1868; and we can definitely find a reference in the Daily News on September 7th of that year noting, in a quirky spelling, “bysicles and trisicles which we saw at the Champs Elysées and the Bois de Boulogne this summer.”
But to return to the “velocipede” which had found its way to England at the beginning of 1869.
But let's get back to the “velocipede” that made its way to England at the start of 1869.
[Pg 67]The two-wheeled mystery was helped out of its wrappings and shavings, the Gymnasium was cleared, and Mr. Turner, taking off his coat, grasped the handles of the machine, and with a short run, to Mayall’s intense surprise, vaulted on to it. Putting his feet on what were then called the “treadles,” Turner, to the astonishment of the beholders, made the circuit of the room, sitting on this bar above a pair of wheels in line that ought to have collapsed so soon as the momentum ceased; but, instead of falling down, Turner turned the front wheel at an angle to the other, and thus maintained at once a halt and a balance.
[Pg 67]The two-wheeled mystery was unwrapped and the Gymnasium was cleared. Mr. Turner, removing his coat, grabbed the handles of the machine and, to Mayall’s great surprise, took a quick run and jumped onto it. Placing his feet on what were then called the “treadles,” Turner, to the amazement of everyone watching, rode around the room, perched on this bar above a pair of wheels that should have collapsed as soon as he stopped moving. Instead of falling, Turner tilted the front wheel at an angle to the other one, managing to both stop and stay balanced at the same time.
Mayall was fired with enthusiasm. The next day (Saturday) he was early at the Gymnasium, “intending to have a day of it,” and I think, from his account of what followed, that he did, in every sense, have such a day.
Mayall was full of excitement. The next day (Saturday) he arrived early at the gym, “planning to make the most of it,” and from his description of what happened next, I believe he did, in every way, have such a day.
As Spencer had hurt himself by falling from the machine the night before, Mayall had it almost wholly to himself, and, after a few successful journeys round the room, determined to try his luck in the streets. Accordingly, at one o’clock in the afternoon, amid the plaudits of a hundred men of the adjacent factory, engaged in the congenial occupation of lounging against the blank walls in their dinner-hour, the velocipede was hoisted on to a cab and driven to Portland Place, where it was put on the pavement, and Mayall prepared to mount. Even nowadays the cycling novice requires plenty of room, and as Portland Place is well known to be the widest street in London, and nearly the most secluded, it seems probable that this intrepid pioneer deliberately chose it in order to have due scope for his evolutions.
As Spencer had injured himself by falling from the machine the night before, Mayall had it mostly to himself. After a few successful laps around the room, he decided to take his chances on the streets. So, at one o’clock in the afternoon, amidst the cheers of a hundred men from the nearby factory, who were enjoying their break lounging against the blank walls, the velocipede was loaded onto a cab and taken to Portland Place. Once there, it was placed on the sidewalk, and Mayall got ready to ride. Even today, a beginner on a bicycle needs plenty of space, and since Portland Place is known to be the widest street in London and almost the most secluded, it seems likely that this brave pioneer intentionally chose it to have enough room for his maneuvers.
It was a raw and muddy day, with a high wind. Mayall sprang on to the velocipede, but it slipped on the wet road, and he measured his length in the mud. The day-out was beginning famously.
It was a chilly and muddy day, with a strong wind. Mayall jumped onto the velocipede, but it slipped on the wet road, and he fell flat in the mud. The outing was getting off to a great start.
Spencer, who had been worsted the night before, contented himself with giving Mayall a start when he made another attempt, and this time that courageous[Pg 68] person got as far as the Marylebone Road, and across it on to the pavement of the other side, where he fell with a crash as though a barrow had been upset. But again vaulting into the saddle, he lumbered on into Regent’s Park, and so to the drinking-fountain near the Zoological Gardens, where, in attempting to turn round, he fell over again. Mounting once more, he returned. Looking round, “there was the park-keeper coming hastily towards me, making indignant signs. I passed quickly out of the Park gate into the roadway.” Thus early began the long warfare between Cycling and Authority.
Spencer, who had lost the night before, settled for giving Mayall a scare when he tried again. This time, that brave[Pg 68] person made it all the way to Marylebone Road and even crossed it to the sidewalk on the other side, where he crashed down as if a cart had tipped over. But after quickly getting back on, he plodded into Regent’s Park and headed to the drinking fountain near the Zoological Gardens, where he fell again while trying to turn around. After getting back up, he headed back. Looking around, “there was the park-keeper rushing towards me, making angry gestures. I quickly left the Park through the gate onto the road.” Thus began the long conflict between Cycling and Authority.
Thence, sometimes falling into the road, with Spencer trotting after him, he reached the foot of Primrose Hill, and then, at Spencer’s home, staggered on to a sofa, and lay there, exhausted, soaked in rain and perspiration, and covered with mud. It had been in no sense a light matter to exercise with that ninety-three pounds’ weight of mingled timber and ironmongery.
Then, sometimes stumbling onto the road, with Spencer following him, he got to the bottom of Primrose Hill, and then, at Spencer’s house, collapsed onto a sofa, lying there, exhausted, drenched from the rain and sweat, and covered in mud. It had definitely not been easy to carry that ninety-three pounds of mixed wood and metal.
On the Monday he trundled about, up to the “Angel,” Islington, where curious crowds assembled, asking the uses of the machine and if the falling off and grovelling in the mud was a part of the pastime. The following day, very sore, but still undaunted, he re-visited the “Angel,” went through the City, and so to Brixton and Clapham, where, at the house of a friend, he looked over maps, and first conceived the “stupendous” idea of riding to Brighton.
On that Monday, he wandered over to the “Angel” in Islington, where curious crowds gathered, asking what the machine was for and whether falling over and crawling in the mud was part of the fun. The next day, still sore but not discouraged, he went back to the “Angel,” traveled through the City, and headed to Brixton and Clapham, where, at a friend's house, he looked at maps and first came up with the “awesome” idea of riding to Brighton.
The following morning he endeavoured to put that plan into execution, and toiled up Brixton Hill, and so through Croydon, up the “never-ending” rise, as it seemed, of Smitham Bottom to the crest of Merstham Hill. There, tired, he half plunged into the saddle, and so thundered and clattered down hill into Merstham. At Redhill, seventeen and a half miles, utterly exhausted, he relinquished the attempt, and retired to the railway station, where he lay for some time on one of the seats until he revived. Then, to the intense admiration and amusement of the station-master[Pg 69] and his staff, he rode about the platform, dodging the pillars, and narrowly escaping a fall on to the rails, until the London train came in.
The next morning, he tried to carry out that plan and worked his way up Brixton Hill, then through Croydon, up the seemingly “never-ending” rise of Smitham Bottom to the top of Merstham Hill. There, exhausted, he half got into the saddle and thundered down into Merstham. At Redhill, seventeen and a half miles later, completely worn out, he gave up and headed to the train station, where he lay on one of the benches for a while until he felt better. Then, to the great entertainment and admiration of the station-master[Pg 69] and his staff, he rode around the platform, weaving between the pillars and nearly falling onto the tracks, until the London train arrived.
On Wednesday, February 17th, Mayall, Rowley B. Turner, and Charles Spencer, all three on velocipedes, started from Trafalgar Square for Brighton. The party kept together until Redhill was reached, when Mayall took the lead, and eventually reached Brighton alone. The time occupied was “about” twelve hours. Being a photographer, Mayall of course caused himself to be photographed standing beside the instrument of torture on which he made that weary ride, and thus we have preserved to us the weird spectacle he presented; more like that of a Russian convict than an athletic young Englishman. A peaked cap, an attenuated frock-coat, very tight in the waist, and stiff and shiny leather leggings, completed a costume strange enough to make a modern cyclist shudder. Fearful whiskers and oily-looking long hair add to the strangeness of this historic figure.
On Wednesday, February 17th, Mayall, Rowley B. Turner, and Charles Spencer, all riding bicycles, set off from Trafalgar Square to Brighton. The group stayed together until they got to Redhill, where Mayall took the lead and eventually arrived in Brighton alone. The journey took “about” twelve hours. As a photographer, Mayall naturally had himself photographed next to the device of torture he used for that exhausting ride, preserving the bizarre image he created; he looked more like a Russian convict than an athletic young Englishman. A peaked cap, a long frock coat that was very tight at the waist, and stiff, shiny leather leggings completed a look strange enough to make a modern cyclist cringe. Wild whiskers and greasy-looking long hair added to the oddness of this historic figure.
With this exploit athletic competition began, and the long series of modern “records” on the Brighton Road were set a-going, for during the March of that year two once well-known amateur pedestrian members of the Stock Exchange, W. M. and H. J. Chinnery, walked down to Brighton in 11 hrs. 25 mins., and on April 14th C. A. Booth bettered Mayall’s adventure, riding down on a velocipede in 9 hrs. 30 mins.
With this event, athletic competition kicked off, and the long list of modern “records” on the Brighton Road began, as during March of that year, two formerly well-known amateur walkers from the Stock Exchange, W. M. and H. J. Chinnery, walked to Brighton in 11 hours and 25 minutes. Then on April 14th, C. A. Booth surpassed Mayall’s achievement by riding a velocipede down in 9 hours and 30 minutes.
Then came the Amateur Bicycle Club’s race, September 19th, 1872. By that time not only had the word “velocipede” been discarded for “bicycle,” and “treadles” become “pedals,” but the machine itself, although in general appearance very much the same, had been improved in detail. The 36-inch front wheel had been increased to 44 inches, the wooden spokes had given place to wire, and strips of rubber, nailed on, replaced the iron tyres. Probably as a result of these refinements the winner, A. Temple, reached Brighton in 5 hrs, 25 mins.
Then came the Amateur Bicycle Club’s race on September 19th, 1872. By that time, not only had the term “velocipede” been replaced by “bicycle,” and “treadles” turned into “pedals,” but the bike itself, while still looking similar overall, had been improved in several ways. The 36-inch front wheel had been upgraded to 44 inches, wooden spokes had been replaced with wire ones, and iron tires were swapped out for strips of rubber that were nailed on. Probably as a result of these enhancements, the winner, A. Temple, reached Brighton in 5 hours and 25 minutes.

JOHN MAYALL, JUNIOR, 1869.
From a contemporary photograph.
JOHN MAYALL, JR., 1869.
From a modern photograph.
By 1872 the bicycle had advanced a further stage towards the giraffe-like altitude of the “ordinary,” and already there were many clubs in existence. On August 16th of that year six members of the Surrey and six of the Middlesex Bicycle Clubs rode from Kennington Oval to Brighton and back, Causton[Pg 71] captain of the Surrey, being the first into Brighton. Riding a 50-inch “Keen” bicycle he reeled off the fifty miles in 4 hrs. 51 mins. The new machine was something to be reckoned with.
By 1872, the bicycle had progressed further toward the height of the “ordinary,” and there were already many clubs to join. On August 16th of that year, six members from the Surrey Bicycle Club and six from the Middlesex Bicycle Club rode from Kennington Oval to Brighton and back. Causton[Pg 71], captain of the Surrey Club, was the first to reach Brighton. Riding a 50-inch “Keen” bicycle, he completed the fifty-mile journey in 4 hours and 51 minutes. The new bike was definitely something to take seriously.
On February 9th. 1874, a certain John Revel, junr., backed himself in heavy sums to ride a bicycle the whole distance from Brighton to London quicker than a Mr. Gregory could walk the 22½ miles from Reigate to London. Revel was to leave Brighton at the junction of the London and Montpellier roads at the same time as Gregory started from a point between the twenty-second and twenty-third milestones. The pedestrian won, finishing in 3 hrs. 27 mins. 47 secs., Revel taking 5 hrs. 57 mins. for the whole journey.
On February 9th, 1874, a guy named John Revel, Jr. bet a lot of money that he could ride a bicycle from Brighton to London faster than a Mr. Gregory could walk the 22½ miles from Reigate to London. Revel was set to leave Brighton at the junction of the London and Montpellier roads just as Gregory started from a point between the twenty-second and twenty-third milestones. The walker won, finishing in 3 hours, 27 minutes, and 47 seconds, while Revel took 5 hours and 57 minutes for the entire trip.
The bicycle had by this time firmly established itself. It grew more and more of an athletic exercise to mount the steadily growing machines, but once seated on them the going was easier. April 27th, 1874, found Alfred Howard cycling from Brighton to London in 4 hrs. 25 mins., a speed which works out at eleven miles an hour.
The bicycle had by this time securely established itself. It became more and more of a physical workout to get on the increasingly larger bikes, but once you were seated on them, it was easier to ride. On April 27th, 1874, Alfred Howard cycled from Brighton to London in 4 hours and 25 minutes, a speed that averages out to eleven miles an hour.
In 1875 the Brighton Road seems to have been left severely alone, and 1876 was signalised only by two of the fantastic wagers that have been numerously decided on this half-century of miles. In that year, we are told, a Mr. Frederick Thompson staked one thousand guineas that Sir John Lynton would not wheel a barrow from Westminster Abbey to the “Old Ship” at Brighton in fifteen hours; and the knight, accepting the bet, made his appearance airily clothed in the “shorts” of the recognised running costume and wheeling a barrow made of bamboo, and provided with handles six feet long. He won easily, but whether the loser paid the thousand guineas, or lodged a protest with referees, does not appear. He should have specified the make of barrow, for the kinds range through quite a number of varieties, from the coster’s barrow to the navvy’s and the gardener’s. But the wager did not contemplate the fancy article with which Sir John Lynton made his journey. At any[Pg 72] rate, I have my doubts about the genuineness of the whole affair, for, seeking this “Sir John Lynton” in the usual books of reference of that period, there is no such knight or baronet to be discovered.
In 1875, the Brighton Road seemed to be left completely untouched, and 1876 was marked only by two of the bizarre bets that have been frequently made over this half-century of miles. That year, it’s said, a Mr. Frederick Thompson wagered one thousand guineas that Sir John Lynton wouldn’t be able to wheel a barrow from Westminster Abbey to the “Old Ship” at Brighton in fifteen hours. The knight accepted the bet, showing up dressed in the typical running outfit and pushing a bamboo barrow with six-foot-long handles. He easily won, but it’s unclear whether the loser actually paid the thousand guineas or filed a complaint with the referees. He should have clarified the type of barrow, as there are many variations, from a coster’s barrow to a laborer’s and a gardener’s. However, the bet didn’t account for the unique barrow that Sir John Lynton used for his journey. At any[Pg 72] rate, I have my doubts about the authenticity of the whole thing, because when I looked for this “Sir John Lynton” in the usual reference books from that time, there’s no record of such a knight or baronet.
According to the Sussex newspapers of 1876, over fifteen thousand people assembled in the King’s Road at Brighton to witness the finish of the sporting event between Major Penton and an unnamed competitor. Major Penton agreed to give his opponent a start of twenty-seven miles in a pedestrian match to Brighton, on the condition that he was allowed a “go-as-you-please” method, while the other man was to walk in the fair “heel-and-toe” style. The major won by a yard and a half in the King’s Road, through the excitement of his competitor, who was disqualified at the last minute by breaking into a trot.
According to the Sussex newspapers from 1876, over fifteen thousand people gathered on King’s Road in Brighton to see the finish of the sporting event between Major Penton and an unnamed rival. Major Penton agreed to give his opponent a head start of twenty-seven miles in a walking race to Brighton, on the condition that he could use a “go-as-you-please” method, while the other competitor had to walk in the traditional “heel-and-toe” style. The major won by a yard and a half on King’s Road, thanks to the excitement of his opponent, who was disqualified at the last moment for breaking into a trot.
Freakish sport was at this time decidedly in the ascendant, for the sole event of 1877 was the extraordinary escapade of two persons who on September 11th undertook to ride, dressed as clowns, on donkeys, from London to Croydon, seated backwards with their faces towards the animals’ tails. From Croydon to Redhill they were to walk the three-legged walk—i.e., tied together by right and left legs—and thence to Crawley (surely a most appropriate place) on hands and knees. From that place to the end their pilgrimage was to be made walking in boots each weighted with 15 lb. of lead. This last ordeal speedily finished them, for they had failed to accomplish more than half a mile when they broke down.
Freakish sports were definitely on the rise at this time, as the only event of 1877 was the bizarre adventure of two people who, on September 11th, decided to ride donkeys dressed as clowns, sitting backwards with their faces towards the donkeys' tails. From Croydon to Redhill, they planned to do the three-legged walk—i.e., tied together by their right and left legs—and then continue to Crawley (which was certainly a fitting place) on their hands and knees. From there to the end, they intended to walk in boots each loaded with 15 lbs. of lead. This last challenge quickly defeated them, as they only managed to go half a mile before they broke down.
John Granby was another of these fantastic persons, whose proper place would be a lunatic ward. He essayed to walk to Brighton with 50 lb. weight of sand round his shoulders, in a bag, but he sank under the weight by the time of his arrival at Thornton Heath.
John Granby was another one of those incredible people who really belonged in a mental health facility. He tried to walk to Brighton with a 50 lb bag of sand on his back, but he collapsed under the weight by the time he got to Thornton Heath.
In 1878 P. J. Burt bettered the performance of the Chinnerys, ten years earlier, by thirty-three minutes, walking to the Aquarium in 10 hrs. 52 mins. Most authorities agree in making his starting-point the[Pg 73] Clock Tower on the north side of Westminster Bridge. 52¼ miles, and thus we can figure out his speed at about five miles an hour. All the athletic world wondered, and when, in 1884, C. L. O’Malley (pedestrian, swimmer, steeplechaser, and boxer), walking against B. Nickels, junr., lowered that record by so much as 1 hr. 4 mins., every one thought finality in long-distance padding the hoof had been reached.
In 1878, P. J. Burt improved on the Chinnerys' record from ten years earlier by thirty-three minutes, completing the walk to the Aquarium in 10 hours and 52 minutes. Most experts agree that his starting point was the[Pg 73] Clock Tower on the north side of Westminster Bridge. Covering 52¼ miles, we can estimate his speed at around five miles per hour. The athletic community was amazed, and when, in 1884, C. L. O’Malley (a pedestrian, swimmer, steeplechaser, and boxer) walked against B. Nickels, jr., and beat that record by an impressive 1 hour and 4 minutes, everyone thought that a final milestone in long-distance walking had been reached.
Meanwhile, however, 1882 had witnessed another odd adventure on the way to Brighton. A London clubman declared, while at dinner with a friend, that the bare-footed tramps sometimes to be seen in the country were not to be pitied. Boots, he said, were after all conventions, and declared it an easy matter to walk, say, fifty miles without them. He challenged his friend, and a walk to Brighton was arranged. The friend retired on his blisters in twelve miles; the challenger, however, with the soles of his stockings long since worn away, plodded on until he fainted with pain when only four miles from Brighton.
Meanwhile, in 1882, another strange adventure happened on the way to Brighton. A guy from London, while having dinner with a friend, said that the bare-footed wanderers sometimes seen in the countryside shouldn’t be pitied. He argued that boots were just a convention and claimed it was easy to walk, say, fifty miles without them. He challenged his friend, and they decided to walk to Brighton. The friend gave up after twelve miles due to his blisters; however, the challenger, with the soles of his stockings long worn away, plodded on until he fainted from pain just four miles from Brighton.
On April 6th. 1886, J. A. M’Intosh, of the London Athletic Club, walked to Brighton in 9 hrs. 25 mins. 8 secs., improving upon O’Malley’s best by 22 mins. 52 secs.
On April 6th, 1886, J. A. M’Intosh from the London Athletic Club walked to Brighton in 9 hours, 25 minutes, and 8 seconds, beating O’Malley’s record by 22 minutes and 52 seconds.
The year 1888 was notable. On January 1st the horse “Ginger,” in a match against time, was driven at a trot to Brighton in 4 hrs. 16 mins. 30 secs., and another horse, “The Bird,” trotted from Kennington Cross to Brighton in 4 hrs. 30 mins. On July 13th Selby drove the “Old Times” coach from the White Horse Cellar, in Piccadilly, to Brighton and back in ten minutes under eight hours, thus arousing that competition of cyclists which, first directed towards beating his performance, has been continued to the present day.
The year 1888 was significant. On January 1st, the horse “Ginger” was raced against the clock and trotted to Brighton in 4 hours, 16 minutes, and 30 seconds, while another horse, “The Bird,” trotted from Kennington Cross to Brighton in 4 hours and 30 minutes. On July 13th, Selby drove the “Old Times” coach from the White Horse Cellar in Piccadilly to Brighton and back in just under eight hours, sparking a competition among cyclists that started with the goal of surpassing his record and continues to this day.
IX
Selby’s drive was very widely chronicled. The elaborate reports and extensive preliminary arrangements compare oddly with the early sporting events undertaken on the spur of the moment and recorded only in meagre, unilluminating paragraphs. What would we not give for a report of the Prince of Wales’s ride in 1784, so elaborated.
Selby’s journey was thoroughly documented. The detailed reports and extensive preparations contrast sharply with the early sporting events that were done on a whim and only captured in brief, uninformative sections. What wouldn’t we give for a detailed account of the Prince of Wales’s ride in 1784?
A great drive, and a great coachman, worthily carrying on the good old traditions of the road. It has, however, been already pointed out that neither on his outward journey (3 hrs. 56 mins.), nor on the return (3 hrs. 54 mins.), did he quite equal the record of the “Criterion” coach, which on February 4th, 1834, took the King’s Speech from London to Brighton in 3 hrs. 40 mins.
A skilled driver and an excellent coachman, proudly continuing the good old traditions of the road. However, it has already been noted that neither on his way there (3 hrs. 56 mins.) nor on the way back (3 hrs. 54 mins.) did he quite match the record of the “Criterion” coach, which on February 4th, 1834, delivered the King’s Speech from London to Brighton in 3 hrs. 40 mins.
Selby did not live long to enjoy the world-wide repute his great drive gained him. He died, only forty-four years of age, at the end of the same year that saw this splendid feat.
Selby didn’t live long enough to fully appreciate the worldwide fame he earned from his incredible achievement. He died at just forty-four years old, at the end of the same year that witnessed this brilliant accomplishment.
Selby’s memorable drive put cyclists upon their mettle, but not at once was any determined attempt made to better it. The dwarf rear-driving “safety” bicycle, the “Rover,” which, introduced in 1885, set the existing pattern, was not yet perfected, and cyclists still rode solid or cushion tyres, instead of the now universal pneumatic kind.
Selby’s memorable ride challenged cyclists, but no serious effort was made to surpass it right away. The small rear-driven "safety" bicycle, the "Rover," which was introduced in 1885 and established the current design, wasn't fully developed yet, and cyclists were still using solid or cushion tires instead of the now-standard pneumatic ones.
It was, therefore, not until August, 1889, that after several unsuccessful attempts had been made to better the coach-time on that double journey of 108 miles, a team of four cyclists—E. J. Willis, G. L. Morris, C. W. Schafer, and S. Walker, members of the Polytechnic Cycling Club—did that distance in 7 hrs. 36 mins. 19⅖ secs.; or 13 mins. 40⅗ secs. less; and even then the feat was accomplished only by the four cyclists dividing the journey between them into four relays. Two other teams, on as many separate occasions, reduced the figures by a few minutes, and M. A. Holbein and P. C. Wilson singly made unsuccessful attempts.
It wasn't until August 1889, after several failed attempts to improve the coach time on the 108-mile journey, that a team of four cyclists—E. J. Willis, G. L. Morris, C. W. Schafer, and S. Walker, members of the Polytechnic Cycling Club—completed the trip in 7 hours, 36 minutes, and 19.4 seconds; which was 13 minutes and 40.6 seconds faster. Even then, they achieved this by dividing the journey into four relays. Two other teams, on separate occasions, reduced the time by a few minutes, and M. A. Holbein and P. C. Wilson each made unsuccessful individual attempts.
It was left to F. W. Shorland, a very young rider,[Pg 75] to be the first of a series of single-handed breakers of the coaching time. He accomplished the feat in June, 1890, upon a pneumatic-tyred “Geared Facile” safety, and reduced the time to 7 hrs. 19 mins., being himself beaten on July 23rd by S. F. Edge, riding a cushion-tyred safety. Edge put the time at 7 hrs. 2 mins. 50 secs., and, in addition, first beat Selby’s outward journey, the times being—coach, 3 hrs. 36 mins.; cycle, 3 hrs. 18 mins. 25 secs. Then came yet another stalwart, C. A. Smith, who on September 3rd of the same year beat Edge by 10 mins. 40 secs. Even a tricyclist—E. P. Moorhouse—essayed the feat on September 30th, but failed, his time being 8 hrs. 9 mins. 24 secs.
It was up to F. W. Shorland, a very young rider,[Pg 75] to be the first in a series of solo challengers of the coaching time. He achieved this in June 1890 on a pneumatic-tyred “Geared Facile” safety bike, reducing the time to 7 hours and 19 minutes. He was then surpassed on July 23rd by S. F. Edge, who rode a cushion-tyred bike. Edge set the record at 7 hours, 2 minutes, and 50 seconds, and also beat Selby’s outward journey times, which were—coach, 3 hours 36 minutes; cycle, 3 hours, 18 minutes, and 25 seconds. Then another strong contender, C. A. Smith, came along on September 3rd of the same year and beat Edge's time by 10 minutes and 40 seconds. Even a tricyclist—E. P. Moorhouse—attempted the challenge on September 30th but fell short, finishing with a time of 8 hours, 9 minutes, and 24 seconds.
To the adventitious aid of pacemakers, fresh and fresh again, to stir the record-breaker’s flagging energies, much of this success was at first due; but at the present day those times have been exceeded on many unpaced rides.
To the unexpected help of pacemakers, repeatedly coming to the rescue to boost the record-breaker's declining energy, much of this success was initially thanks to them; however, nowadays those times have been surpassed in many unpaced rides.
Selby’s drive had the effect of creating a new and arbitrary point of departure for record-making, and “Hatchett’s” has thus somewhat confused the issues with the times and distances associated with Westminster Bridge.
Selby’s drive created a new and arbitrary starting point for record-making, and “Hatchett’s” has therefore confused the issues related to the times and distances linked to Westminster Bridge.
The year 1891 was a blank, so far as cycling was concerned, but on March 20th an early Stock Exchange pedestrian to walk to Brighton set out to cover the distance between Hatchett’s and the “Old Ship” in 11 hrs. 15 mins. This was E. H. Cuthbertson, who backed himself to equal the Chinnerys’ performance of 1869. Out of this undertaking arose the additional and subsidiary match between Cuthbertson and another Stock Exchange member, H. K. Paxton, as to which should quickest walk between Hatchett’s and the “Greyhound,” Croydon. Paxton, a figure of Brobdingnagian proportions, 6 ft. 4 in. in height, and scaling 17 stone, received a time allowance of 23 minutes. Both aspirants went into three weeks’ severe training, and elaborate arrangements were made for attendance, timing, and refreshment on the[Pg 76] road. Paxton, urged to renewed efforts in the ultimate yards by the strains of a more or less German band, which seeing the competitors approach, played “See the Conquering Hero Comes,”[5] won the match to Croydon by 1 min. 18 secs., but did not stop here, continuing with Cuthbertson to Brighton. Although Cuthbertson won his wager, and walked down in 10 hrs. 6 mins. 18 secs. (9 hrs. 55 mins. 34 secs, from Westminster) and won several heavy sums by this performance, he did not equal that of McIntosh in 1886. The old-timer, deducting a proportionate time for the difference between the finishing-points, the Aquarium and the “Old Ship,” was still half an hour to the good.
The year 1891 was uneventful for cycling, but on March 20th, an early Stock Exchange pedestrian set out to walk from Hatchett’s to the “Old Ship” in 11 hours and 15 minutes. This was E. H. Cuthbertson, who bet on matching the Chinnery brothers' performance from 1869. This endeavor led to an additional match between Cuthbertson and another Stock Exchange member, H. K. Paxton, to see who could walk faster between Hatchett’s and the “Greyhound” in Croydon. Paxton, towering at 6 ft. 4 in. and weighing 17 stone, was given a 23-minute head start. Both contenders underwent three weeks of intense training, and detailed plans were made for attendance, timing, and refreshments along the[Pg 76] route. Paxton, spurred on in the final yards by a more or less German band that played “See the Conquering Hero Comes” as the competitors approached, won the match to Croydon by 1 minute and 18 seconds but didn't stop there, continuing with Cuthbertson to Brighton. Although Cuthbertson won his bet, completing the walk in 10 hours, 6 minutes, and 18 seconds (9 hours, 55 minutes, and 34 seconds from Westminster) and earned a significant amount from this achievement, he still fell short of McIntosh's record from 1886. Even when adjusting for the difference in finishing points between the Aquarium and the “Old Ship,” McIntosh was still half an hour ahead.
The next four years were exclusively cyclists’ years. On June 1st, 1892, S. F. Edge made a great effort to regain the record that had been wrested from him by C. A. Smith in 1890, and did indeed win it back, but only by the fractional margin of 1 min. 3 secs., and only held that advantage for three months, Edward Dance, in the last of three separate attempts, succeeding on September 6th in lowering Edge’s time, but only by 2 mins. 6 secs. Then three days later, R. C. Nesbit made a “record” for the high “ordinary” bicycle, of 7 hrs. 42 mins. 50 secs., the last appearance of the now extraordinary “ordinary” on this stage.
The next four years belonged entirely to cyclists. On June 1st, 1892, S. F. Edge made a strong push to reclaim the record that C. A. Smith had taken from him in 1890, and he did manage to win it back, but only by a narrow margin of 1 minute and 3 seconds. He held that lead for just three months until Edward Dance, in his third attempt, successfully beat Edge’s time on September 6th by 2 minutes and 6 seconds. Then, just three days later, R. C. Nesbit set a “record” for the high “ordinary” bicycle with a time of 7 hours, 42 minutes, and 50 seconds, marking the last notable appearance of the now unusual “ordinary” on this stage.
The course was from 1893 considerably varied, the Road Record Association being of opinion that as the original great object—the breaking of the coach time—had been long since attained, there was no need to maintain the Piccadilly end, or the Cuckfield route. The course selected, therefore, became from Hyde Park Corner to the Aquarium at Brighton, by way of Hickstead and Bolney. On September 12th of this year Edge tried for and again recaptured this keenly-contested prize, this time by the respectable margin of 35 mins. 13 secs., only to have it snatched away on September 17th by A. E. Knight, who knocked off 3 mins. 19 secs. Again, in another couple of days, the[Pg 77] figures were revised, C. A. Smith, on one of the few occasions on which he deserted the tricycle for the two-wheeler, accomplishing the double journey in 6 hrs. 6 mins. 46 secs. On the 22nd of the same busy month Edge for the fourth and last time took the record, on this occasion by the margin of 14 mins. 16 secs. The road then knew him no more as a record-breaking cyclist, and his achievement lasted—not days, but hours, for on the same day Dance lowered it by the infinitesimal fraction of 12 seconds. On October 4th W. W. Robertson set up a tricycle record of 7 hrs. 24 mins. 2 secs. for the double journey, and then a crowded year ended.
The course was significantly varied in 1893, with the Road Record Association believing that since the original main goal—improving the coach time—had already been achieved, there was no reason to keep the Piccadilly end or the Cuckfield route. As a result, the chosen course became from Hyde Park Corner to the Aquarium at Brighton, passing through Hickstead and Bolney. On September 12th of that year, Edge attempted and successfully reclaimed this fiercely contested prize, this time by a respectable margin of 35 minutes and 13 seconds, only to have it taken away on September 17th by A. E. Knight, who cut 3 minutes and 19 seconds off the time. Just a couple of days later, the [Pg 77] figures were updated, with C. A. Smith, on one of the rare occasions he switched from the tricycle to a two-wheeler, completing the round trip in 6 hours, 6 minutes, and 46 seconds. On the 22nd of the same busy month, Edge set the record for the fourth and final time, this time by a margin of 14 minutes and 16 seconds. The road then saw no more of him as a record-breaking cyclist, and his achievement lasted—not days, but hours, for on the same day, Dance lowered it by a tiny margin of 12 seconds. On October 4th, W. W. Robertson established a tricycle record of 7 hours, 24 minutes, and 2 seconds for the round trip, bringing a busy year to a close.
The much-worried records of the Brighton Road came in for another turn in 1894, W. R. Toft, on June 11th, reducing the tricycle time, and C. G. Wridgway on September 12th lowering that for the bicycle. This year was also remarkable for the appearance of women speed cyclists, setting up records of their own, Mrs. Noble cycling to Brighton and back in 8 hrs. 9 mins., followed on September 20th by Miss Reynolds in 7 hrs. 48 mins. 46 secs., and on September 22nd by Miss White in 42 mins. shorter time.
The well-known records for Brighton Road took another turn in 1894. On June 11th, W. R. Toft lowered the tricycle time, and C. G. Wridgway did the same for the bicycle on September 12th. This year also stood out for the emergence of female speed cyclists, who set their own records. Mrs. Noble cycled to Brighton and back in 8 hours and 9 minutes, followed by Miss Reynolds on September 20th, who completed it in 7 hours, 48 minutes, and 46 seconds, and then Miss White on September 22nd, who achieved a time 42 minutes shorter.
The season of 1895 was not very eventful, with the ride by A. A. Chase in 5 hrs. 34 mins. 58 secs.; 34 secs. better than the previous best, and the lowering by J. Parsley of the tricycle record by over an hour; but it was notable for an almost incredible eccentricity, that of cycling backwards to Brighton. This feat was accomplished by J. H. Herbert in November, as an advertising sensation on behalf of the inventor of a new machine exhibited at the Stanley Show. He rode facing the hind wheel and standing on the pedals. Punctures, mud, rain, and wind delayed him, but he reached Brighton in 7 hrs. 45 mins.
The 1895 season was pretty quiet, marked by A. A. Chase's ride in 5 hours, 34 minutes, and 58 seconds, which was 34 seconds faster than the previous best, and J. Parsley breaking the tricycle record by more than an hour. However, it stood out for an almost unbelievable stunt: cycling backwards to Brighton. This was accomplished by J. H. Herbert in November as a publicity stunt for the inventor of a new machine showcased at the Stanley Show. He rode facing the back wheel while standing on the pedals. Punctures, mud, rain, and wind slowed him down, but he made it to Brighton in 7 hours and 45 minutes.
On June 26th, 1896, E. D. Smith and C. A. Greenwood established a tandem-cycle record of 5 hrs. 37 mins. 34 secs., demolished September 15th; while on July 15th C. G. Wridgway regained his lost single record, beating Chase’s figures by 12 mins. 25 secs.[Pg 78] In this year W. Franks, a professional pedestrian in his forty-fifth year, beat all earlier walks to Brighton, eclipsing McIntosh’s walk of 1886 by 18 mins. 18 secs. But, far above all other considerations, 1896 was notable for the legalising of motor-cars. On Motor-Day, November 14th, a great number of automobiles were to go in procession—not a race—from Westminster to Brighton. Most of them broke down, but a 6 h.-p. Bollée car (a three-wheeled variety now obsolete) made a record journey in 2 hrs. 55 mins.
On June 26th, 1896, E. D. Smith and C. A. Greenwood set a tandem-cycle record of 5 hours, 37 minutes, and 34 seconds, which was broken on September 15th; meanwhile, on July 15th, C. G. Wridgway reclaimed his lost single record, surpassing Chase’s time by 12 minutes and 25 seconds.[Pg 78] That year, W. Franks, a professional walker in his forty-fifth year, beat all previous walks to Brighton, surpassing McIntosh’s 1886 walk by 18 minutes and 18 seconds. But, above all else, 1896 was significant for the legalization of motor cars. On Motor-Day, November 14th, a large number of automobiles participated in a procession—not a race—from Westminster to Brighton. Most of them broke down, but a 6-horsepower Bollée car (an outdated three-wheeled model) made a record journey in 2 hours and 55 minutes.
The year 1897 opened on April 10th with the open London to Brighton walk of the Polytechnic Harriers. The start was made from Regent Street, but time was taken separately, from that point and from Westminster Clock Tower. There were thirty-seven starters. E. Knott, of the Hairdressers’ A.C.—a quaint touch—finished in 8 hrs. 56 mins. 44 secs. Thirty-one of the competitors finished well within twelve hours.
The year 1897 began on April 10th with the open London to Brighton walk organized by the Polytechnic Harriers. The event started from Regent Street, but the times were recorded separately from that point and from Westminster Clock Tower. There were thirty-seven participants. E. Knott, from the Hairdressers' A.C.—a charming detail—finished in 8 hours, 56 minutes, and 44 seconds. Thirty-one of the competitors completed the walk well within twelve hours.
On May 4th W. J. Neason, cycling to Brighton and back, made the distance in 5 hrs. 19 mins. 39 secs., and on July 12th Miss M. Foster beat Miss White’s 1894 record by 20 mins. 37 secs., while on the following day Richard Palmer made a better run than Neason’s by 9 mins. 45 secs. Neason, however, got his own again in the following September, by 3 mins. 3 secs., and on October 27th P. Wheelock and G. J. Fulford improved the tandem record of 1896 by 25 mins. 41 secs.
On May 4th, W. J. Neason cycled to Brighton and back, completing the distance in 5 hours, 19 minutes, and 39 seconds. Then, on July 12th, Miss M. Foster broke Miss White’s 1894 record by 20 minutes and 37 seconds. The next day, Richard Palmer outperformed Neason’s time by 9 minutes and 45 seconds. However, Neason reclaimed his title the following September by 3 minutes and 3 seconds. Finally, on October 27th, P. Wheelock and G. J. Fulford improved the tandem record from 1896 by 25 minutes and 41 seconds.
By this time the thoroughly artificial character of most of these later cycling records had become glaringly apparent. It was not only seen in the fact that their heavy cost was largely borne by cycle and tyre-makers, who found advertisement in them, but it was obvious also in the arbitrary selection of the starting-points, by which a record run to Brighton and back might be begun at Purley, run to Brighton, then back to Purley, and thence to London and back again, with any variation that might suit the day and the rider. It was evident, too, that the growing elaboration of pace-making, first by relays of riders[Pg 79] and latterly by motors, had reduced the thing to an absurdity in which there was no credit and—worse still—no advertisement. Then, therefore, a new order of things was set agoing, and the era of unpaced records was begun.
By this time, the completely artificial nature of most of these later cycling records had become incredibly obvious. It wasn't just evident in the fact that their high costs were mostly covered by bike and tire manufacturers, who found promotion in them, but it was also clear in the random choice of starting points. For instance, a record ride to Brighton and back could start at Purley, go to Brighton, then return to Purley, and then head to London and back again, with any changes that suited the day and the rider. It was also clear that the increasing complexity of pace-setting, first by groups of riders and later by motors, had turned it into something ridiculous that offered no credibility and—worse—no promotion. Thus, a new era began, and the age of unpaced records started.
On September 27th, 1898, E. J. Steel established a London to Brighton and back unpaced cycling record of 6 hrs. 23 mins. 55 secs.; and on the same day the new unpaced tricycle record of 8 hrs. 11 mins. 10 secs. for the double journey was set up by P. F. A. Gomme.
On September 27, 1898, E. J. Steel set an unpaced cycling record from London to Brighton and back with a time of 6 hours, 23 minutes, and 55 seconds. On the same day, P. F. A. Gomme established a new unpaced tricycle record for the same round trip at 8 hours, 11 minutes, and 10 seconds.
The South London Harriers’ open “go-as-you-please” walking or running match of May 6th, 1899, attracted the attention of the athletic world in a very marked degree. Cyclists, in especial, were in evidence, to make the pace, to judge, to sponge down the competitors or to refresh them by the wayside. The start was made from Big Ben soon after seven o’clock in the morning, when fourteen aspirants, all clad in the regulation running costumes and sweaters, went forth to win the modern equivalent of the victor’s laurelled crown in the ancient Olympian games. F. D. Randall, who won, got away from his most dangerous opponent on the approach to Redhill, and, increasing that advantage to a hundred yards’ lead when in the midst of the town, was not afterwards seriously challenged. He finished in the splendid time of 6 hrs. 58 mins. 18 secs. Saward, the second, completed it in 7 hrs. 17 mins. 50 secs., and the veteran E. Ion Pool in another 4 mins.
The South London Harriers’ open “go-as-you-please” walking or running match on May 6th, 1899, captured a lot of attention in the athletic world. Cyclists, in particular, were present to set the pace, judge the race, offer sponges to the competitors, or provide refreshments along the way. The event kicked off from Big Ben shortly after seven in the morning, with fourteen participants, all dressed in official running gear and sweaters, setting out to earn the modern version of the victor’s laurel from the ancient Olympic Games. F. D. Randall, the winner, pulled ahead of his closest rival on the way to Redhill and extended his lead to a hundred yards in the middle of the town, facing no serious challenge afterwards. He finished with an impressive time of 6 hours, 58 minutes, and 18 seconds. Saward, in second place, completed the race in 7 hours, 17 minutes, and 50 seconds, followed closely by the veteran E. Ion Pool, who finished just 4 minutes later.
As if to show the superiority of the cycle over mere pedestrian efforts, H. Green on June 30th cycled from London to Brighton and back, unpaced, in 5 hrs. 50 mins. 23 secs., and on August 12th, 1902, reduced his own record by 20 mins. 1 sec. Meanwhile, Harry Vowles, a blind musician of Brighton, who had for some years made an annual walk from Brighton to London, on October 15th, 1900, accomplished his ambition to walk the distance in one day. He left Brighton at 5 a.m. and reached the Alhambra, in Leicester Square, at ten o’clock that night.
As if to demonstrate how much better cycling is than just walking, H. Green cycled from London to Brighton and back on June 30th in 5 hours, 50 minutes, and 23 seconds, without any pacing. Then, on August 12th, 1902, he beat his own record by 20 minutes and 1 second. Meanwhile, Harry Vowles, a blind musician from Brighton, who had been taking an annual walk from Brighton to London for a few years, achieved his goal of walking the entire distance in one day on October 15th, 1900. He left Brighton at 5 a.m. and arrived at the Alhambra in Leicester Square at 10 p.m. that night.
[Pg 80]On October 31st, 1902, the Surrey Walking Club’s 104 miles contest to Brighton and back resulted in J. Butler winning: time, 21 hrs. 36 mins. 27 secs., Butler performing the single journey on March 14th the following year in 8 hrs. 43 mins. 16 secs. For fair heel-and-toe walking, that was considered at the time the ultimate achievement; but it was beaten on April 9th, 1904, in the inter-club walk of the Blackheath and Ranelagh Harriers, when T. E. Hammond established the existing record of 8 hrs. 26 mins. 57⅖ secs.—the astonishing speed of six miles an hour.
[Pg 80]On October 31, 1902, the Surrey Walking Club's 104-mile contest to Brighton and back ended with J. Butler winning: time, 21 hours, 36 minutes, 27 seconds. Butler completed the one-way journey on March 14 of the following year in 8 hours, 43 minutes, 16 seconds. At the time, this was seen as the ultimate achievement in fair heel-and-toe walking; however, it was surpassed on April 9, 1904, during the inter-club walk of the Blackheath and Ranelagh Harriers, when T. E. Hammond set the current record of 8 hours, 26 minutes, 57⅖ seconds—an incredible pace of six miles an hour.
This event was preceded by the famous Stock Exchange Walk of May Day, 1903. Every one knows the Stock Exchange to be almost as great on sport as it is in finance, but no one was prepared for the magnitude finally assumed by the match idly suggested on March 16th, during a dull hour on the Kaffir Market. Business had long been in a bad way, not in that market alone, but in the House in general. The trail of the great Boer War and its heritage of debt, taxation, and want of confidence lay over all departments, and brokers, jobbers, principals, and clerks alike were so heartily tired of going to “business” day after day when there was no business—and when there calculating how much longer they could afford annual subscriptions and office rent—that any relief was eagerly accepted. In three days twenty-five competitors had entered for the proposed walk to Brighton, and the House found itself not so poverty-stricken but that prize-money to the extent of £35, for three silver cups, was subscribed. And then the Press—that Press which is growing daily more hysterical and irresponsible—got hold of it and boomed it, and there was no escaping the Stock Exchange Walk. By the morning of March 25th, when the list was closed, there were 107 competitors entered and the prize-list had grown to the imposing total of three gold medals, valued, one at £10 10s. and two at £5 5s., with two silver cups valued at £10 10s., two at £5 5s., and silver[Pg 81] commemoration medals for all arriving at Brighton in thirteen hours.
This event was preceded by the well-known Stock Exchange Walk of May Day, 1903. Everyone knows the Stock Exchange is just as much about sport as it is about finance, but no one was ready for the scale that the match, casually suggested on March 16th during a slow period in the Kaffir Market, would ultimately reach. Business had long been struggling, not just in that market but throughout the entire House. The impact of the Boer War, along with its burdens of debt, taxes, and a lack of confidence, hung over every aspect, and brokers, jobbers, principals, and clerks were all so fed up with going to "business" every day when there was no business happening—and while stressing about how much longer they could afford their annual subscriptions and office rents—that any distraction was gladly welcomed. In just three days, twenty-five competitors signed up for the planned walk to Brighton, and the House was not so financially strapped that they couldn’t gather £35 in prize money for three silver cups. Then the Press— that increasingly hysterical and irresponsible Press—got wind of it and hyped it up, making the Stock Exchange Walk unavoidable. By the morning of March 25th, when registration closed, there were 107 competitors signed up, and the prize list had expanded to an impressive collection of three gold medals, worth one at £10 10s. and two at £5 5s., along with two silver cups valued at £10 10s., two at £5 5s., and silver[Pg 81] commemorative medals for everyone reaching Brighton in thirteen hours.
Long before May Day the Press had worked the thing up to the semblance of a matter of Imperial importance, and London talked of little else. April 13th had been at first spoken of for the event, but many of the competitors wanted to get into training, and in the end May Day, being an annual Stock Exchange holiday, was selected.
Long before May Day, the media had blown the event up to seem like a big deal for the Empire, and London was buzzing about it. Initially, April 13th was mentioned for the event, but many of the competitors wanted to train, so in the end, May Day, being a regular holiday for the Stock Exchange, was chosen.
There were ninety-nine starters from the Clock Tower at 6.30 on that chill May morning: not middle-aged stockbrokers, but chiefly young stockbrokers’ clerks. All the papers had published particulars of the race, together with final weather prognostications; hawkers sold official programmes; an immense crowd assembled; a host of amateur photographers descended upon the scene, and the police kept Westminster Bridge clear. Although by no means to be compared with Motor-car Day, the occasion was well honoured.
There were ninety-nine starters from the Clock Tower at 6:30 on that chilly May morning: not middle-aged stockbrokers, but mostly young stockbrokers’ clerks. All the newspapers had published details about the race, along with the latest weather forecasts; vendors sold official programs; a huge crowd gathered; a bunch of amateur photographers flooded the scene, and the police kept Westminster Bridge clear. Although it didn’t compare to Motor-car Day, the event was still well attended.
Advertisers had, as usual, seized the opportunity, and almost overwhelmed the start; and among the motor-cars and the cyclists who followed the competitors down the road the merits of Somebody’s Whisky, and the pills, boots, bicycles, beef-tea, and flannels of some other bodies impudently obtruded.
Advertisers had, as usual, jumped on the opportunity and nearly took over the start; and among the cars and cyclists following the competitors down the road, the advantages of Somebody’s Whisky and the pills, boots, bicycles, beef tea, and flannels from other brands boldly pushed their way in.
“What went ye out for to see?” The public undoubtedly expected to see a number of pursy, plethoric City men, attired in frock-coats and silk-hats, walking to Brighton. What they did see was a crowd of apparently professional pedestrians, lightly clad in the flannels and “shorts” of athletics, trailing down the road, with here and there an “unattached” walker, such as Mr. Pringle, who, fulfilling the conditions of a wager, walked down in immaculate silk hat, black coat, and spats—“immaculate,” that is to say, at the start: as a chronicler adds, “things were rather different later.” They were: for thirteen hours’ (more or less) rain and mud can work vast changes. The day was, in fact, as unpleasant as well could be imagined, and it is said much for the sporting[Pg 82] enthusiasm of the countryside that the whole length of the road to Brighton was so crowded with spectators that it resembled a thronged City thoroughfare.
“What did you go out to see?” The public definitely expected to see a bunch of overweight, thriving city men dressed in long coats and top hats, walking to Brighton. What they actually saw was a crowd of seemingly professional walkers, casually wearing athletic gear like flannel and shorts, making their way down the road, with an occasional “unattached” walker, like Mr. Pringle, who, fulfilling a bet, walked down in a pristine top hat, black coat, and spats—“pristine,” that is, at the beginning: as one chronicler noted, “things were quite different later.” They were: after about thirteen hours of rain and mud, a lot can change. The day was, in fact, as unpleasant as one could imagine, and it reflects well on the sporting enthusiasm of the countryside that the entire stretch of road to Brighton was so packed with spectators that it looked like a busy city street.
It said still more for the pluck and endurance of those who undertook the walk that of the ninety-nine starters no fewer than seventy-eight finished within the thirteen hours’ limit qualifying them for the commemorative medal. G. D. Nicholas, the favourite, heavily backed by sportsmen, led from the beginning, making the pace at the rate of six miles an hour. He reached Streatham, six miles, in 59 mins.
It also showed a lot about the courage and stamina of those who took on the walk that out of the ninety-nine starters, a remarkable seventy-eight finished within the thirteen-hour limit, qualifying for the commemorative medal. G. D. Nicholas, the favorite and heavily supported by sports fans, led from the start, setting a pace of six miles an hour. He got to Streatham, six miles in, in 59 minutes.
And then a craze for walking to Brighton set in. On June 6th the butchers of Smithfield Market walked, and doubtless, among the many other class-races, the bakers, and the candlestick-makers as well, and the proprietors of baked-potato cans and the roadmen, and indeed the Lord alone knows who not. Of the sixty butchers, who had a much more favourable day than the stockbrokers, the winner, H. F. Otway, covered the distance in 9 hrs. 21 mins. 1⅘ secs., thus beating Broad by some 9 minutes.
And then a trend for walking to Brighton took off. On June 6th, the butchers from Smithfield Market walked, and surely, among the many other groups, the bakers, candlestick-makers, owners of baked-potato stalls, roadworkers, and who knows who else joined in. Of the sixty butchers, who had a much better day than the stockbrokers, the winner, H. F. Otway, completed the distance in 9 hours, 21 minutes, and 1.8 seconds, beating Broad by about 9 minutes.
Whether the dairymen of London ever executed their proposed daring feat of walking to Brighton, each trundling an empty churn, does not appear; but it seems likely that many a fantastic person walked down carrying an empty head. A German, one Anton Hauslian, even set out on the journey pushing a perambulator containing his wife and six-year-old daughter; and on June 16th an American, a Miss Florence, an eighteen-year-old music-hall equilibrist, started to “walk” the distance on a globe. She used for the purpose two globes, each made of wood covered with sheepskin, and having a diameter of 26 in.; one weighing 20 lb., for uphill work; the other weighing 75 lb., for levels and descents. Starting at an early hour on June 16th, and “walking” ten hours a day, she reached the Aquarium at the unearthly hour of 2.40 on the morning of the 21st.
Whether the dairy farmers of London ever pulled off their ambitious plan to walk to Brighton, each pushing an empty churn, isn't clear; but it's likely that many quirky individuals made the trip with nothing but empty thoughts. A German named Anton Hauslian even set out on the journey, pushing a stroller with his wife and six-year-old daughter inside. On June 16th, an American named Miss Florence, an eighteen-year-old music-hall performer known for her balancing acts, began to “walk” the distance on a globe. She used two globes, each made of wood and covered with sheepskin, with a diameter of 26 inches; one weighed 20 pounds for uphill segments, while the other weighed 75 pounds for flat and downhill sections. She started early on June 16th, and after “walking” ten hours a day, she arrived at the Aquarium at the bizarre hour of 2:40 AM on the 21st.

THE STOCK EXCHANGE WALK: E. F. BROAD AT HORLEY.
THE STOCK EXCHANGE WALK: E. F. BROAD AT HORLEY.
[Pg 85]Those who could not rehearse the epic flights of these fifty-two miles walked shorter distances; and, while the craze lasted, not only did the “midinettes” of Paris take the walking mania severely, but the waitresses of various London teashops performed ten-mile wonders.
[Pg 85]Those who couldn’t tackle the impressive fifty-two-mile journey walked shorter distances instead; and while the trend lasted, not only did the "midinettes" in Paris take the walking craze seriously, but the waitresses in various London teashops also accomplished amazing ten-mile feats.
On June 20th the gigantic “go-as-you-please” walking or running match to Brighton organised by the Evening News took place, in that dismal weather so generally associated, whatever the season of the year, with sport on the Brighton Road. Two hundred and thirty-eight competitors had entered, but only ninety actually faced the starter at 5 o’clock a.m. They were a very miscellaneous concourse of professional and amateur “peds”; some with training and others with no discoverable athletic qualifications at all; some mere boys, many middle-aged, one in his fifty-second year, and even one octogenarian of eighty-five. Among them was a negro, F. W. Craig, known to the music-halls by the poetic name of the “Coffee Cooler”; and labouring men, ostlers, and mechanics of every type were of the number. It was as complete a contrast from the Stock Exchange band as could be well imagined.
On June 20th, the huge “go-as-you-please” walking or running match to Brighton organized by the Evening News took place, in the gloomy weather typically associated with sports on the Brighton Road, no matter the season. Two hundred and thirty-eight competitors signed up, but only ninety actually showed up at 5 a.m. They were a diverse mix of professional and amateur walkers; some had training while others had no visible athletic abilities at all; some were just kids, many were middle-aged, one was fifty-two, and even one elderly man was eighty-five. Among them was a Black man, F. W. Craig, known in the music halls by the catchy name of the “Coffee Cooler”; there were also laborers, stable hands, and mechanics of all kinds. It was as different from the Stock Exchange crowd as one could imagine.
The wide difference in age, and the fitness and unfitness of the many competitors, resulted in the race being won by the foremost while the rearmost were struggling fifteen miles behind. The intrepid octogenarian was still wearily plodding on, twenty miles from Brighton, six hours after the winner, Len Hurst, had reached the Aquarium in the record time—26 mins. 18 secs. better than Randall’s best of May 6th, 1899—of 6 hrs. 32 mins. Some amazing figures were set up by the more youthful and incautious, who reached Croydon, 9½ miles, in 54 mins., but were eventually worn down by those who were wise enough to save themselves for the later stages.
The big age gap and the different abilities of the many competitors led to the race being won by the leaders while the stragglers were struggling fifteen miles behind. The brave octogenarian was still trudging along, twenty miles from Brighton, six hours after the winner, Len Hurst, had arrived at the Aquarium in a record time—26 minutes and 18 seconds faster than Randall’s best of May 6th, 1899—of 6 hours and 32 minutes. Some impressive times were set by the younger and less cautious runners, who reached Croydon, 9½ miles, in 54 minutes, but they eventually wore out while those who knew to conserve their energy for the later stages succeeded.
In the following August Miss M. Foster repeated her ride of July 12th, 1897, and cycled to Brighton and back, on this occasion, with motor-pacing, reducing her former record to 5 hrs. 33 mins. 8 secs.
In the following August, Miss M. Foster repeated her ride from July 12th, 1897, cycling to Brighton and back. This time, with motor pacing, she improved her previous record to 5 hours, 33 minutes, and 8 seconds.

MISS M. FOSTER, PACED BY MOTOR-BICYCLE,
PASSING COULSDON.
MISS M. FOSTER, DRIVEN BY MOTORCYCLE,
PASSING COULSDON.
On November 7th the Surrey Walking Club’s Brighton and back match was won by H. W. Horton, in 20 hrs. 31 mins. 53 secs., disposing of Butler’s best of October 31st, 1902, by a margin of 1 hr. 4 mins. 34 secs.
On November 7th, H. W. Horton won the Surrey Walking Club's Brighton and back match, finishing in 20 hours, 31 minutes, and 53 seconds. He beat Butler's best time from October 31st, 1902, by a margin of 1 hour, 4 minutes, and 34 seconds.
With 1904 a decline in Brighton Road sport set in, for it was memorable only for the Blackheath and [Pg 87]Ranelagh Harriers’ inter-club walk to Brighton of April 9th. But that was indeed a memorable event, for T. E. Hammond then abolished Butler’s remaining record, of 8 hrs. 43 mins. 16 secs. for the single trip, and replaced it by his own of 8 hrs. 26 mins. 57⅖ secs.
With 1904, the popularity of sports on Brighton Road started to decline, and the only notable event was the inter-club walk from Blackheath to [Pg 87]Ranelagh Harriers on April 9th. However, that was indeed a significant occasion, as T. E. Hammond broke Butler’s previous record of 8 hours, 43 minutes, and 16 seconds for the one-way trip, setting a new record of 8 hours, 26 minutes, and 57⅖ seconds.
Even the efforts of cyclists seem to for a time have spent themselves, for 1905 witnessed only the new unpaced record made July 19th by R. Shirley, who cycled there and back in 5 hrs. 22 mins. 5 secs., thus shearing off a mere 8 mins. 5 secs. from Green’s performance of so long as three years before. What the future may have in store none may be so hardy as to prophesy. Finality has a way of ever receding into the infinite, and when the unpaced cyclist shall have beaten the paced record of 5 hrs. 6 mins. 42 secs. made by Neason in 1897, other new fields will arise to be conquered. And let no one say that speed and sport on the Brighton Road have finally declined, for, as we have seen, it is abundantly easy in these days for a popular Press to “call spirits from the vasty deep,” and arouse sporting enthusiasm almost to frenzy, whenever and wherever it is “worth the while.”
Even the efforts of cyclists seem to have worn out for a while, because in 1905 there was only the new unpaced record set on July 19th by R. Shirley, who cycled there and back in 5 hours, 22 minutes, and 5 seconds, cutting just 8 minutes and 5 seconds off Green’s performance from three years earlier. No one can confidently predict what the future might bring. Finality always seems to drift further away, and when unpaced cyclists break the paced record of 5 hours, 6 minutes, and 42 seconds set by Neason in 1897, new challenges will emerge. And let’s not say that speed and sport on the Brighton Road have finally faded, because, as we’ve seen, it’s incredibly easy these days for the popular press to “call spirits from the vasty deep” and spark sporting excitement almost to a frenzy, whenever it’s deemed “worth the while.”
Thus, in pedestrianism, other new times have since been set up. On September 22nd, 1906, J. Butler, in the Polytechnic Harriers’ Open Walk, finished to Brighton in 8 hrs. 23 mins. 27 secs. On June 22nd, 1907, Hammond performed the double journey, London to Brighton and back, in 18 hrs. 13 mins. 37 secs. And on May 1st, 1909, he regained the single journey record by his performance of 8 hrs. 18 mins. 18 secs. On September 4th of the same year H. L. Ross further reduced the figures to 8 hrs. 11 mins. 14 secs.
Thus, in walking competitions, new records have been established since then. On September 22, 1906, J. Butler completed the Polytechnic Harriers’ Open Walk to Brighton in 8 hours, 23 minutes, and 27 seconds. On June 22, 1907, Hammond made the round trip from London to Brighton and back in 18 hours, 13 minutes, and 37 seconds. Then, on May 1, 1909, he reclaimed the record for the single journey with a time of 8 hours, 18 minutes, and 18 seconds. On September 4 of the same year, H. L. Ross improved the record again, bringing it down to 8 hours, 11 minutes, and 14 seconds.
BRIGHTON ROAD RECORDS.
BRIGHTON ROAD RECORDS.
Riding, Driving, Cycling, Running, Walking, etc.
Riding, driving, biking, running, walking, etc.
Date. | Time. | |||
h. | m. | s. | ||
1784, July 25. | Prince of Wales rode horseback from the “Pavilion,” Brighton, to Carlton House, London, and back. |
10 | 0 | 0 |
Going | 4 | 30 | 0 | |
Back soon | 5 | 30 | 0 | |
Aug. 21 | Prince of Wales drove phæton, three horses tandem, from Carlton House to Pavilion |
4 | 30 | 0 |
1809, May. | Cornet Webster of the 10th Light Dragoons, rode riding a horse from Brighton to Westminster Bridge |
3 | 20 | 0 |
1831, June 19. | The “Red Rover” coach, leaving the “Elephant and Castle” at 4 p.m., arrived in Brighton at 8:21. |
4 | 21 | 0 |
1833, Oct. | Walter Hancock’s steam-carriage “Autopsy” calculated the distance between Stratford and Brighton |
8 | 30 | 0 |
Stopped for 3 hours on the road. Actual running time: 5 hours, 30 minutes. |
||||
1834, Feb. 4. | “Criterion” coach, London to Brighton | 3 | 40 | 0 |
1868, Mar. 20. | Benjamin B. Trench walked Kennington Church to Brighton round trip (100 miles) |
23 | 0 | 0 |
1869, Feb. 17. | John Mayall, jun., rode a velocipede from Trafalgar Square to Brighton in "around" |
12 | 0 | 0 |
"Mar 6. | W. M. and H. J. Chinnery walked from Westminster Bridge to Brighton |
11 | 25 | 0 |
"April 14th. | C. A. Booth rode a velocipede London to Brighton | 9 | 30 | 0 |
1872, Sept. 19. | Amateur Bicycle Club’s race, London to Brighton; won by A. Temple, riding a 44-inch wheel |
5 | 25 | 0 |
1873, Aug. 16. | Six members of the Surrey B.C. and six of the Middlesex B.C. traveled to Brighton and back, starting from Kennington Oval at 6:01 a.m. Causton, the captain of the Surrey, arrived at the "Albion," Brighton, in 4 hours and 51 minutes, riding a 50-inch Keen bicycle. W. Wood (Middlesex) did the 100 miles |
11 | 8 | 0 |
1874, April 27. | A. Howard cycled Brighton to London | 4 | 25 | 0 |
1878, —. | P. J. Burt walked from Westminster Clock Tower to Aquarium, Brighton |
10 | 52 | 0 |
1884, —. | C. L. O’Malley walked from Westminster Clock Tower to Aquarium, Brighton |
9 | 48 | 0 |
1886, April 10. | J. A. McIntosh walked from Westminster Clock Tower to Sea Life, Brighton |
9 | 25 | 8 |
[Pg 89]1888, Jan. 1. | Horse “Ginger” trotted to Brighton | 4 | 16 | 30 |
1888, July 13. | James Selby drove “Old Times” coach from "Hatchett's" in Piccadilly to "Old Ship" in Brighton, and return |
7 | 50 | 0 |
Going | 3 | 56 | 0 | |
Back soon | 3 | 54 | 0 | |
1889, Aug. 10. | Team of four cyclists—E. J. Willis, G. L. Morris, C. W. Schafer and S. Walker—splitting the distance between them, cycled from “Hatchett's,” Piccadilly to "Old Ship," Brighton, and back. |
7 | 36 | 19⅖ |
1890, Mar. 30. | Another team—J. F. Shute, T. W. Girling, R. Wilson, and A. E. Griffin—shortened the first team's time by 4 mins, 19.4 secs. |
7 | 32 | 0 |
"April 13th. | Another team—E. R. and W. Scantlebury, W. W. Arnott and J. Blair |
7 | 25 | 15 |
June. | F. W. Shorland cycled from “Hatchett’s” to “Old "Ship" and back ("Geared Facile" bicycle, air tires) |
7 | 19 | 0 |
"July 23rd. | S. F. Edge cycled from “Hatchett’s” to “Old Ship” and back (safety bike, cushioned tires) |
7 | 2 | 50 |
Sept. 3rd. | C. A. Smith cycled from “Hatchett’s” to “Old Ship” (safety bicycle, air-filled tires) and back |
6 | 52 | 10 |
"30. | E. P. Moorhouse cycled (tricycle) from “Hatchett’s” to “Old Ship” |
8 | 9 | 24 |
1891, Mar. 20. | E. H. Cuthbertson walked from “Hatchett’s” to “Old Ship |
10 | 6 | 18 |
From Big Ben | 9 | 55 | 34 | |
1892, June 1. | S. F. Edge cycled from “Hatchett’s” to “Old Ship” and back |
6 | 51 | 7 |
"Sept. 6. | E. Dance cycled to Brighton and back | 6 | 49 | 1 |
""9. | R. C. Nesbit cycled (high bicycle) to Brighton and back |
7 | 42 | 50 |
1893, Sept. 12. | S. F. Edge cycled to Brighton and back | 6 | 13 | 48 |
""17. | A. E. Knight" | 6 | 10 | 29 |
""19. | C. A. Smith" | 6 | 6 | 46 |
""22. | S. F. Edge"" | 5 | 52 | 30 |
"" | E. Dance"" | 5 | 52 | 18 |
"Oct. 4 | W. W. Robertson (tricycle)" | 7 | 24 | 2 |
1894, June 11. | W. R. Toft"" | 6 | 21 | 30 |
"Sept. 12. | C. G. Wridgway"" | 5 | 35 | 32 |
""20. | Miss Reynolds cycled to Brighton and back | 7 | 48 | 46 |
"22. | Miss White cycled to Brighton and back | 7 | 6 | 46 |
1895, Sept. 26. | A. A. Chase, Brighton and back | 5 | 34 | 58 |
"Oct 17. | J. Parsley (tricycle) | 6 | 18 | 28 |
"Nov. | J. H. Herbert cycled backwards to Brighton | 7 | 45 | 0 |
1896, June 26. | E. D. Smith and C. A. Greenwood (tandem) | 5 | 37 | 34 |
"—. | W. Franks walked from south side of Westminster Bridge to Brighton |
9 | 7 | 7 |
"July 15th. | C. G. Wridgway | 5 | 22 | 33 |
[Pg 90] Sep 15. | H. Green and W. Nelson (tandem) | 5 | 20 | 35 |
"Nov. 14th. | “Motor-car Day.” A 6 h.p. Bollée motor started from Hotel Metropole, London, at 11:30 a.m., and arrived in Brighton at 2:25 PM. |
2 | 55 | 0 |
1897, April 10. | Polytechnic Harriers’ walk, Westminster Clock Tower to Brighton. E. Knott |
8 | 56 | 44 |
"May 4th. | W. J. Neason cycled to Brighton and back | 5 | 19 | 39 |
"July 12th. | Miss M. Foster cycled from Hyde Park Corner to Brighton and return |
6 | 45 | 9 |
""13. | Richard Palmer cycled to Brighton and back | 5 | 9 | 45 |
"9/11 | W. J. Neason cycled from London to Brighton and back |
5 | 6 | 42 |
"Oct. 27th | P. Wheelock and G. J. Fulford (tandem) | 4 | 54 | 54 |
"—. | L. Franks and G. Franks (tandem safety) | 5 | 0 | 56 |
1898, Sept. 27. | E. J. Steel cycled London to Brighton and back (unpaced) |
6 | 23 | 55 |
"" | P. F. A. Gomme, London to Brighton and back (trike, unpaced) |
8 | 11 | 10 |
1899, May 6. | South London Harriers’ “go-as-you-please” running match Westminster Clock Tower with Brighton. Won by F. D. Randall |
6 | 58 | 18 |
"June 30th. | H. Green cycled from London to Brighton and back (unpaced) |
5 | 50 | 23 |
1902, Aug. 21. | H. Green cycled from London to Brighton and Brighton and back (no pace) |
5 | 30 | 22 |
"Oct. 31st. | Surrey Walking Club’s match, Westminster Clock Tower to Brighton and back. J. Butler |
21 | 36 | 27 |
1903, Mar. 14. | J. Butler walked from Westminster Clock Tower to Brighton |
8 | 43 | 16 |
"May 1st. | Stock Exchange Walk, won by E. F. Broad | 9 | 30 | 1 |
"June 20th. | Running Match, Westminster Clock Tower to Tower to Brighton. Won by Len Hurst. |
6 | 32 | 0 |
"Aug. | Miss M. Foster cycled to Brighton and back (motor-paced) |
5 | 33 | 8 |
"Nov 7. | Surrey Walking Club’s match, Westminster Clock Tower to Brighton and back. H. W. Horton |
20 | 31 | 53 |
"—. | P. Wheelock and G. Fulford (tandem safety) | 4 | 54 | 54 |
"—. | A. C. Gray and H. L. Dixon (tandem safety, unpaced |
5 | 17 | 18 |
1904, April 9. | Blackheath and Ranelagh Harriers, inter-club walk, Westminster Clock Tower to Brighton. T. E. Hammond |
8 | 26 | 57⅖ |
1905, July 19. | R. Shirley, Polytechnic C.C., cycled Brighton and back (unpaced) |
5 | 22 | 5 |
1905, —. | J. Parsley (tricycle) | 6 | 18 | 28 |
"—. | H. S. Price (tricycle, unpaced) | 6 | 53 | 5 |
1906, Sept. 22. | J. Butler walked to Brighton | 8 | 23 | 27 |
—. | S. C. Paget and M. R. Mott (tandem safety, unpaced |
5 | 9 | 20 |
[Pg 91] "—. | H. Green (safety cycle, unpaced) | 5 | 20 | 22 |
"—. | R. Shirley" | 5 | 15 | 29 |
"—. | L. Dralce (tricycle, unpaced) | 6 | 24 | 56 |
"—. | J. D. Daymond"" | 6 | 19 | 48 |
1907, June 22. | T. E. Hammond walked to Brighton and back | 18 | 13 | 37 |
"—. | C. and A. Richards (tandem-safety, unpaced) | 5 | 5 | 25 |
"—. | G. H. Briault and E. Ward (tandem-safety, unpaced) | 4 | 53 | 48 |
1908, —. | G. H. Briault (tricycle, unpaced) | 6 | 8 | 24 |
1909, May 1. | T. E. Hammond walked to Brighton | 8 | 18 | 18 |
"Sept. 4 | H. L. Ross"" | 8 | 11 | 14 |
"—. | Harry Green cycled Brighton and back (unpaced) | 5 | 12 | 14 |
1910, —. | L. S. Leake and G. H. Spencer (tandem tricycle, unpaced |
5 | 59 | 51 |
1912, June 19. | Fredk. H. Grubb cycled (paced) Brighton and back | 5 | 9 | 41 |
"—. | E. H. and S. Hulbert (tandem tricycle, unpaced) | 5 | 42 | 21 |
1913, —. | H. G. Cook (tricycle, unpaced) | 6 | 7 | 4 |
NOTE.—The fastest L. B. & S. C. R. train, the 5 p.m. Pulman The train from London Bridge goes to Brighton (51 miles). at 6:00 PM |
1 | 0 | 0 |
X
We may now, somewhat belatedly, after recounting these varied annals of the way to Brighton, start along the road itself, coming from the south side of Westminster Bridge to Kennington.
We can now, a bit late, after going through these different stories about the way to Brighton, begin our journey along the road itself, coming from the south side of Westminster Bridge to Kennington.
No one scanning the grey vista of the Kennington Road would, on sight, accuse Kennington of owning a past; but, as a sheer matter of fact, it is an historic place. It is the “Chenintun” of Domesday Book, and the Cyningtun or Köningtun—the King’s town—of an even earlier time. It was indeed a royal manor belonging to Canute, and the site of the palace where his son, Hardicanute, died, mad drunk, in 1042. Edward the Third annexed it to his Duchy of Cornwall, and even yet, after the vicissitudes of nine hundred years, the Prince of Wales, as Duke of Cornwall, owns house property here. Kennington Park, too, has its own sombre romance, for it was an open common until 1851, and a favourite place of execution for Surrey malefactors. Here the minor prisoners among the Scottish rebels captured by the Duke of Cumberland in the ’45 were executed, those of greater consideration being beheaded on Tower Hill. It is an odd coincidence that, among the lesser titles of “Butcher Cumberland” himself was that of Earl of Kennington.
No one looking at the gray view of Kennington Road would, at first glance, think Kennington has a history; but, the truth is, it’s a historic place. It is referenced as "Chenintun" in the Domesday Book and was known as Cyningtun or Köningtun—the King’s town—in even earlier times. It was actually a royal manor that belonged to Canute and the site of the palace where his son, Hardicanute, died, drunk out of his mind, in 1042. Edward the Third added it to his Duchy of Cornwall, and even now, after nine hundred years of changes, the Prince of Wales, in his role as Duke of Cornwall, owns property here. Kennington Park also has its own dark history, as it was a common open area until 1851 and a popular execution site for criminals from Surrey. This is where the lesser prisoners among the Scottish rebels captured by the Duke of Cumberland in ’45 were executed, while the more notable ones were beheaded at Tower Hill. It's an unusual coincidence that one of the lesser titles of "Butcher Cumberland" was Earl of Kennington.
At this junction of roads, where the Kennington Road, the Kennington Park Road, the Camberwell New Road, and the Brixton Road, all pool their traffic, there stood, in times not so far removed but that some yet living can remember it, Kennington Gate, an important turnpike at any time, and one of very great traffic on Derby Day, when, I fear, the pikeman was freely bilked of his due at the hands of sportsmen, noble and ignoble. There is a view of this gate on such a day drawn by James Pollard, and published in 1839, which gives a very good idea of the amount of traffic and, incidentally, of the curious costumes of the period. You shall also find in the “Comic Almanack” for 1837 an illustration by[Pg 93] George Cruikshank of this same place, one would say, although it is not mentioned by name, in which is an immense jostling crowd anxious to pass through, while the pikeman, having apparently been “cheeked” by the occupants of a passing vehicle, is vulgarly engaged, I grieve to state, in “taking a sight” at them. That is to say, he has, according to the poet, “Put his thumb unto his nose and spread his fingers out.”
At this intersection, where Kennington Road, Kennington Park Road, Camberwell New Road, and Brixton Road all converge, there used to be Kennington Gate, an important tollgate not so long ago that some people still alive can remember it. This spot was always busy, especially on Derby Day, when, I regret to say, the tollkeeper often got cheated by both noble and common sports fans. There’s a drawing of this gate on Derby Day by James Pollard, published in 1839, that really captures the heavy traffic and the unusual clothing of that time. You can also find an illustration by George Cruikshank in the “Comic Almanack” for 1837 of this same location, though it's not specifically named, featuring a massive, eager crowd trying to get through while the tollkeeper, seemingly insulted by people in a passing vehicle, is disgustingly busy “giving them the finger.” In other words, he’s, as the poet puts it, “Put his thumb unto his nose and spread his fingers out.”
Kennington Gate was swept away, with other purely Metropolitan turnpike gates, October 31st. 1865, and is now to be found in the yard of Clare’s Depository at the crest of Brixton Hill. It was one of nine that barred this route from London to the sea in 1826. The others were at South End, Croydon: Foxley Hatch, or Purley Gate, which stood near Purley Corner, by the twelfth milestone, until 1853; and Frenches, 19 miles 4 furlongs from London—that is to say, just before you come into Redhill streets. Leaving Redhill behind, another gate spanned the road at Salfords, below Earlswood Common, while others were situated at Horley, Ansty Cross, Stonepound, one mile short of Clayton; and at Preston, afterwards removed to Patcham.[6]
Kennington Gate was dismantled, along with other purely Metropolitan toll gates, on October 31, 1865, and is now located in the yard of Clare’s Depository at the top of Brixton Hill. It was one of nine gates that controlled this route from London to the sea in 1826. The others were at South End, Croydon; Foxley Hatch, or Purley Gate, which stood near Purley Corner by the twelfth milestone until 1853; and Frenches, 19 miles and 4 furlongs from London—just before you enter Redhill streets. After leaving Redhill, another gate crossed the road at Salfords, below Earlswood Common, while others were located at Horley, Ansty Cross, Stonepound, one mile before Clayton; and at Preston, which was later moved to Patcham.[6]
Not the most charitable person could lay his hand upon his heart and declare, honestly, that the church of St. Mark, Kennington, which stands at this beginning of the Brixton Road, is other than extremely hideous. Fortunately, its pagan architecture, once fondly thought to revive the glories of old Greece, is largely screened from sight by the thriving trees of its churchyard, and so nervous wayfarers are spared something of the inevitable shock.
Not even the most generous person could put their hand on their heart and honestly say that the church of St. Mark in Kennington, located at the start of Brixton Road, is anything but really ugly. Luckily, its classical architecture, once hoped to bring back the splendor of ancient Greece, is mostly hidden from view by the lush trees in its churchyard, so anxious passersby are spared some of the shock.
[Pg 94]The story of Kennington Church does not take us very far back, down the dim alleys of history, for it was built so recently as the first quarter of the nineteenth century, when it was thought possible to emulate the marble beauties of the Parthenon and other triumphs of classic architecture in plebeian brick and stone. Those materials, however, and the architects themselves, were found to be somewhat inferior to their models, and eventually the public taste became so outraged with the appalling ugliness of the pagan temples arising on every hand that at length the Gothic revival of the mid-nineteenth century set in.
[Pg 94]The story of Kennington Church doesn’t go back too far in history, as it was built in the early part of the nineteenth century when people thought they could replicate the marble beauty of the Parthenon and other classic architectural achievements using ordinary brick and stone. However, those materials and the architects themselves turned out to be somewhat lacking compared to their inspirations, and eventually, the public became so outraged by the horrible ugliness of the pagan-style buildings popping up everywhere that the Gothic revival of the mid-nineteenth century finally began.
But if its history is not long, its site has a horrid kind of historic association, for the building stands on what was a portion of Kennington Common, the exact spot where the unhappy Scottish rebels were executed in 1746, and where Jerry Abershawe, the highwayman, was hanged in 1795. The remains of the gibbet on which the bodies of some of his fellow knights of the road were exposed were actually found when the foundations for the church were being dug out.
But even though its history isn't long, its location has a pretty grim past. The building is on what used to be part of Kennington Common, the exact spot where the tragic Scottish rebels were executed in 1746, and where the highwayman Jerry Abershawe was hanged in 1795. The remains of the gallows where some of his fellow outlaws were displayed were actually discovered while digging the foundations for the church.
The origin of Kennington Church, like that of Brixton, is so singular that it is very well worth while to inquire into it. It was a direct outcome of the Napoleonic wars. England had been so long engaged in those European struggles, and was so wearied and impoverished by them, that Parliament could think of nothing better than to celebrate the peace of 1815 by voting a million and a half of money to the clergy as a “thank-offering.” This sum took the shape of a church-building fund. Wages were low, work was scarce, and bread was so dear that the people were starving. That good paternal Parliament, therefore, when they asked for bread gave them stone and brick, and performed the heroic feat of picking their impoverished pockets as well. It was accomplished in this wise. There was that Lucky Bag, the million and a half sterling of the Thanksgiving Fund; but it could not be dipped into unless you gave an equal sum to that you took out, and then expended the whole on building churches. And yet it has been said that Parliament has no sense of the ridiculous! Why, it was the most stupendous of practical jokes!
The origin of Kennington Church, like that of Brixton, is so unique that it’s definitely worth exploring. It was a direct result of the Napoleonic wars. England had been tied up in those European conflicts for so long and was so exhausted and broke from them that Parliament thought there was no better way to celebrate the peace of 1815 than to give a million and a half in cash to the clergy as a “thank-you gift.” This money became a church-building fund. Wages were low, jobs were hard to find, and bread was so expensive that people were starving. So, that generous Parliament, when they were asked for bread, gave them stone and brick, effectively digging deeper into their already empty pockets. It worked like this: there was that Lucky Bag, the million and a half pounds from the Thanksgiving Fund, but you could only use it if you put in an equal amount to what you took out, and then used all of it to build churches. And yet, people say Parliament has no sense of humor! It was the most outrageous practical joke!

KENNINGTON GATE: DERBY DAY, 1839.
From an engraving after J. Pollard.
KENNINGTON GATE: DERBY DAY, 1839.
From an engraving after J. Pollard.
[Pg 97]Lambeth was at that time a suburban and a greatly expanding parish, and was one of those that accepted this offer, and took what came eventually to be called Half Price Churches. It gave a large order, and took four: those of Kennington, Waterloo, Brixton, and Norwood, all ferociously hideous, and costing £15,000 apiece; the Government granting one moiety and the other being raised by a parish rate on all, without distinction of creed. The Government also remitted the usual taxes on the building materials, and in some instances further helped the people to rejoice by imposing a compulsory rate of twopence in the pound, to pay the rector or vicar. All this did more to weaken the Church of England than even a century of scandalous inefficiency:
[Pg 97]At that time, Lambeth was a suburban area that was rapidly growing, and it was one of the places that accepted the proposal, eventually known as Half Price Churches. They placed a large order and built four churches: those in Kennington, Waterloo, Brixton, and Norwood, all of which were extremely unattractive and cost £15,000 each; the Government funded half of the costs, while the rest was collected through a parish tax applicable to everyone, regardless of their faith. The Government also waived the usual taxes on building materials, and in some cases, further supported the community by enforcing a mandatory tax of two pence for every pound to pay the rector or vicar. All of this did more to undermine the Church of England than even a century of shocking inefficiency:
Abuse a man, and he may brook it,
But keep your hands out of his breeches pocket.
Abuse a man, and he might endure it,
But stay away from his wallet.
The major part of these grievances was adjusted by the Act of 1868, abolishing all Church rates, excepting those levied under special Acts; but the eyesores will not be redressed until the temples are pulled down and rebuilt.
The main issues were addressed by the Act of 1868, which eliminated all Church rates, except for those imposed under specific Acts; however, the ugly spots won't be fixed until the buildings are torn down and rebuilt.
Brixton appears in Domesday as “Brixistan,” which in later ages became “Brixtow”; and the Brixton Road follows the line of a Roman way on which Streatham stood. Both the Domesday name of Brixton and the name of Streatham are significant, indicating their position on the stones and the street, i.e., the paved thoroughfare alluded to in “Brixton causeway,” marked on old suburban maps.
Brixton shows up in the Domesday Book as “Brixistan,” which later evolved into “Brixtow”; and the Brixton Road traces the route of a Roman road where Streatham was located. Both the Domesday name for Brixton and the name for Streatham are important, highlighting their locations on the stones and the street, i.e., the paved road mentioned in “Brixton causeway,” noted on old suburban maps.
The Brixton Road, even down to the middle of the nineteenth century, was a pretty place. On the left-hand side, as you made for Streatham, ran the river Effra. It was a clear and sparkling stream, twelve[Pg 98] feet wide, which, rising at Norwood, eventually found its way into the Thames at Vauxhall. Its course ran where the front gardens of the houses on that side of the road are now situated, and at that period every house was fronted by its little bridge; but the unfortunate Effra has long since been thrust underground in a sewer-pipe, and the sole reminiscence of it to be seen is the name of Effra Road, beside Brixton Church.
The Brixton Road, even up until the middle of the nineteenth century, was a beautiful place. On the left side, as you head toward Streatham, ran the river Effra. It was a clear and sparkling stream, twelve[Pg 98] feet wide, which, starting at Norwood, eventually flowed into the Thames at Vauxhall. Its path ran where the front gardens of the houses on that side of the road are now located, and at that time, every house had its own little bridge; but the poor Effra has long been buried underground in a sewer pipe, and the only reminder of it today is the name Effra Road, next to Brixton Church.
The “White Horse” public-house, where the omnibuses halt, was in those times a lonely inn, neighboured only by a farm; but with the dawn of the nineteenth century a new suburb began to spring up, where Angell Road now stands, called “Angell Town,” and then the houses of Brixton Road began to arise. It is curious to note that the last of the old watchmen’s wooden boxes was standing in front of Claremont Lodge, 168, Brixton Road, until about 1875.
The “White Horse” pub, where the buses stop, was back then a lonely inn, surrounded only by a farm; but with the arrival of the nineteenth century, a new suburb began to emerge, where Angell Road is now, called “Angell Town,” and soon the houses on Brixton Road started to go up. It’s interesting to note that the last of the old watchmen’s wooden boxes remained in front of Claremont Lodge, 168, Brixton Road, until around 1875.
There is little in the Lower Brixton Road that is reminiscent of the Regency, but a very great deal of early suburban comfort evident in the old mansions of the Rise and the Hill, built in days when by a “suburban villa” you did not mean a cheap house in a cheap suburban road, but—to speak in the language of auctioneers—a “commodious residence situate in its own ornamental grounds, replete with every convenience,” or something in that eloquent style. For when you ascend gradually, past the Bon Marché, and come to the hill-top, you leave for awhile the shops and the continuous, conjoined houses, and arrive, past the transitional stage of semi-detachedness, at the wholly blest condition of splendid isolation in the rear of fences and carriage entrances, with gentility-balls on the gate-posts, a circular lawn in front of the house, skirted by its gravel drive, and perhaps even a stone dog on either side of the doorway! Solid comfort resides within those four-square walls, and reclines in saddle-bag armchairs, thinking complacently of big bank balances, all derived from wholesale dealing in the City, and now enjoyed, and added to, in the third and fourth generations; for these solid houses were[Pg 99] built a century ago, or thereby. They are not beautiful, nor indeed are they ugly. Built of good yellow stock brick, grown decorously neutral-tinted with age, and sparsely relieved, it may be, with stucco pilasters picked out with raised medallions or plaster wreaths. Supremely unimaginative, admirably free from tawdry affectations of Art, unquestionably permanent—and large. They are, indeed, of such spaciousness and commodious quality that an auctioneer who all his life long has been ascribing those characteristics to houses which do not possess them feels a vast despair possess his soul when it falls to his lot to professionally describe such an one. And yet I think few ever realise the scale of these villas and their grounds until the houses themselves are pulled down and the grounds laid out as building plots for what we now understand by “villas”—a fate that has lately befallen a few. When it is realised that the site lately occupied by one of these staid mansions and its surrounding gardens will presently harbour thirty or forty little modern houses—why, then an unwonted respect is felt for it and its kind.
There's not much left on Lower Brixton Road that reminds you of the Regency era, but you can see a lot of early suburban comfort in the old mansions of the Rise and the Hill. Back in the day, a "suburban villa" didn’t mean a cheap house in a cheap area; instead, it was, to quote auctioneers, a “commodious residence situated in its own ornamental grounds, replete with every convenience,” or something like that. As you slowly climb past Bon Marché and reach the top of the hill, you temporarily leave behind the shops and rows of connected houses. You move beyond the semi-detached phase to enjoy splendid isolation, hidden behind fences and driveways, complete with gentility plaques on the gateposts, a circular lawn in front of the house surrounded by a gravel driveway, and maybe a couple of stone dogs flanking the entrance! Solid comfort resides within those sturdy walls, lounging in saddle-bag armchairs and thinking contentedly about sizeable bank accounts, all from wholesale trading in the City, enjoyed and passed down through generations. These solid homes were built about a century ago. They’re neither beautiful nor ugly. Built with good yellow stock brick that has faded to a neutral tone with age, occasionally adorned with stucco pilasters featuring raised medallions or plaster wreaths. They’re extremely unimaginative, wonderfully free from cheap art fads, undeniably permanent—and spacious. In fact, they’re so roomy and comfortable that an auctioneer who's spent a lifetime describing houses that lack those traits may feel a deep despair when tasked with describing one of these. Yet, few truly grasp the scale of these villas and their grounds until they’re demolished and the land is divided into plots for what we now recognize as “villas”—a fate that has recently happened to a few. Once it hits you that a site that once held one of these traditional mansions and its gardens will soon host thirty or forty small modern houses, you start to feel an unexpected respect for it and homes like it.
Brixton Hill brings one up out of the valley of the Thames. The hideous church of Brixton stands on the crest of it, with the hulking monument of the Budd family, all scarabei and classic emblems of death, prominent at the angle of the roads—a memento mori, ever since the twenties, for travellers down the road.
Brixton Hill takes you up out of the Thames valley. The ugly church of Brixton sits at the top, with the massive monument of the Budd family, covered in scarabs and classic death symbols, standing out at the road junction—a memento mori for travelers passing by since the twenties.
Among the mouldering tombstones, whose neglect proves that grief, as well as joy and everything else human, passes, is one in shape like a biscuit-box, to John Miles Hine, who died, aged seventeen, in 1824. A verse, plainly to be read by the wayfarer along the pavements of Brixton Hill, accompanies name and date:
Among the crumbling tombstones, whose decay shows that sorrow, just like happiness and all other human experiences, fades away, there's one shaped like a cookie box, dedicated to John Miles Hine, who died at seventeen in 1824. A verse, clearly visible to anyone walking along the sidewalks of Brixton Hill, is engraved alongside the name and date:
O Miles! the modest, learned and sincere
Will sigh for thee, whose ashes slumber here;
The youthful bard will pluck a floweret pale
From this sad turf whene’er he reads the tale,
That one so young and lovely—died—and last,
When the sun’s vigour warms, or tempests rave,
Shall come in summer’s bloom and winter’s blast,
A Mother, to weep o’er this hopeless grave.
O Miles! The humble, wise, and genuine
Will sigh for you, whose ashes rest here;
The young poet will pick a delicate flower
From this sorrowful ground whenever he reads the story,
That someone so young and beautiful—died—and finally,
When the sun’s warmth shines, or storms rage,
A mother will come in summer’s bloom and winter’s chill,
To mourn over this tragic grave.
[Pg 100]An inscription on another side shows us that her weeping was ended in 1837, when she died, aged fifty-two; and now there is no turf and no flowerets, and the tomb is neglected, and the cats make their midnight assignations on it when the electric trams have gone to bed and Brixton snores.
[Pg 100]An inscription on another side tells us that her weeping ended in 1837, when she passed away at fifty-two. Now, there’s no grass or flowers, and the grave is ignored. Cats meet on it at night when the electric trams have stopped running and Brixton sleeps.
On the right hand side, at the summit of Brixton Hill, there still remains an old windmill. It is in Cornwall Road. True, the sails of its tall black tower are gone, and the wind-power that drove the machinery is now replaced by a gas-engine; but in the old building corn is yet ground, as it has been since in 1816 John Ashby, the Quaker grandfather of the present millers, Messrs. Joshua & Bernard Ashby, built that tower. Here, unexpectedly, amid typical modern suburban developments, you enter an old-world yard, with barns, stables and cottage, pretty much the same as they were over a hundred years ago, when the mill first arose on this hill-top, and London seemed far away.
On the right side, at the top of Brixton Hill, there’s still an old windmill. It’s located on Cornwall Road. Sure, the sails of its tall black tower are missing, and the wind power that once drove the machinery has been replaced by a gas engine; but in the old building, corn is still ground, just like it has been since 1816 when John Ashby, the Quaker grandfather of the current millers, Messrs. Joshua & Bernard Ashby, built that tower. Here, unexpectedly, amidst typical modern suburban developments, you step into an old-world yard, with barns, stables, and a cottage, pretty much the same as they were over a hundred years ago when the mill first stood on this hilltop, and London felt far away.
And so to Streatham, once rightly “Streatham, Surrey,” in the postal address, but now merely “Streatham, S.W.” A world of significance lies in that apparently simple change, which means that it is now in the London Postal District. Even so early as 1850 we read in Brayley’s “History of Surrey” that “the village of Streatham is formed by an almost continuous range of villas and other respectable dwellings.” Respectable! I should think so, indeed! Conceive the almost impious inadequacy of calling the Streatham Hill mansions of City magnates “respectable.” As well might one style the Alps “pretty”!
And so to Streatham, once properly labeled “Streatham, Surrey” in the postal address, but now simply “Streatham, S.W.” There's a world of meaning in that seemingly small change, signifying that it's now part of the London Postal District. Even as early as 1850, we find in Brayley’s “History of Surrey” that “the village of Streatham is formed by an almost continuous range of villas and other respectable dwellings.” Respectable! I would think so, for sure! Imagine how ridiculously inadequate it is to call the mansions on Streatham Hill belonging to City elites “respectable.” It would be just as fitting to call the Alps “pretty”!
But this spot was not always of such respectability, for about 1730 there stood a gibbet on Streatham Hill, by the fifth milestone, and from it hung in chains the body of one “Jack Gutteridge,” a highwayman duly executed for robbing and murdering a gentleman’s servant here. The place was long afterwards known as “Jack Gutteridge’s Gate.”
But this place wasn’t always so respectable. Around 1730, there was a gallows on Streatham Hill, by the fifth milestone, where the body of a highwayman named “Jack Gutteridge” was hung in chains after he was executed for robbing and murdering a gentleman’s servant. The area was long afterward referred to as “Jack Gutteridge’s Gate.”

Streatham Common
Streatham Common
[Pg 102]Streatham—the Ham (that is to say the home, or the hamlet) on the Street—emphatically in those Saxon times when it first obtained its name, the Street—was probably so named to distinguish it from some other settlement situated in the mud. In that era, when hard roads were few, a paved way could be, and very often was, made to stand godfather to a place, and thus we find so many Streatleys, Stratfords, Strattons, Streets, and Stroods on the map. Those “streets” were Roman roads. The particular “street” on which Streatham stood seems to have been a Roman road which came up from the coast by Clayton, St. John’s Common, Godstone, and Caterham, a branch of the road to Portus Adurni, the Old Shoreham of to-day. Portions of it were discovered in 1780, on St. John’s Common, when the Brighton turnpike road through that place was under construction. It was from 18 to 20 feet wide, and composed of a bed of flints, grouted together, 8 inches thick. Narrowly avoiding Croydon, it reached Streatham by way of Waddon (where there is one of the many “Cold Harbours” associated so intimately with Roman roads) and joined the present Brighton Road midway between Croydon and Thornton Heath Pond, at what used to be Broad Green.
[Pg 102]Streatham—the ham (which is to say the home or community) on the Street—was likely named during those Saxon times to differentiate it from another settlement found in the mud. Back then, when there weren't many solid roads, a paved path often gave its name to a place, which is why we see so many Streatleys, Stratfords, Strattons, Streets, and Stroods on the map. Those “streets” were Roman roads. The specific “street” where Streatham was located appears to have been a Roman road that ran up from the coast through Clayton, St. John’s Common, Godstone, and Caterham, a branch leading to Portus Adurni, the Old Shoreham we know today. Parts of it were uncovered in 1780 on St. John’s Common while the Brighton turnpike road was being built. It was about 18 to 20 feet wide and made of a layer of flints, set together, 8 inches thick. Just avoiding Croydon, it made its way to Streatham through Waddon (where one of the many “Cold Harbours” closely linked with Roman roads is found) and connected to the current Brighton Road halfway between Croydon and Thornton Heath Pond, at what used to be Broad Green.
There are no Roman remains at twentieth-century Streatham, and there are very few even of the eighteenth century. The suburbs have absorbed the village, and Dr. Johnson himself and Thrale Place are only memories. “All flesh is grass,” said the Preacher, and therefore Dr. Johnson, whose bulky figure we may put at the equivalent of a truss of hay, is of course but an historic name; but bricks and mortar last immeasurably longer than those who rear them, and his haunts might have been still extant but for the tragical nearness of Streatham to London and that “ripeness” of land for building which has abolished many a pleasant and an historic spot.
There are no remnants of Roman times in twentieth-century Streatham, and there are very few from the eighteenth century as well. The suburbs have taken over the village, and both Dr. Johnson and Thrale Place are now just memories. “All flesh is grass,” said the Preacher, and so Dr. Johnson, whose large figure we might liken to a bundle of hay, is merely a historical name; however, bricks and mortar last far longer than those who build them, and his favorite spots could have still existed if it weren't for the unfortunate closeness of Streatham to London and the land’s readiness for development, which has erased many charming and historic places.
But while the broad Common of Streatham remains unfenced, the place will keep a vestige of its old-time [Pg 103]character of roadside village. A good deal earlier than Dr. Samuel Johnson’s visits to Streatham and Thrale Place, the village had quite a rosy chance of becoming another Tunbridge Wells or Cheltenham, for in the early years of the eighteenth century it became known as a Spa, and real and imaginary invalids flocked to drink the disagreeable waters issuing from what quaint old Aubrey calls the “sower and weeping ground” by the Common. Whether the waters were too nasty, or not nasty enough, does not appear, but it is certain that the rivalry of Streatham to those other Spas was neither long-continued nor serious.
But while the large Common of Streatham remains open, the place will still hold onto a bit of its old roadside village vibe. Long before Dr. Samuel Johnson visited Streatham and Thrale Place, the village had a decent shot at becoming another Tunbridge Wells or Cheltenham, as it became known as a Spa in the early eighteenth century. Real and imagined sick people flocked to drink the unpleasant waters from what the quirky old Aubrey calls the "sour and weeping ground" by the Common. Whether the waters were too nasty or not nasty enough isn't clear, but it's certain that Streatham's competition with those other Spas was neither long-lasting nor serious.
Streatham is content to forget its waters, but the memory of Dr. Johnson will not be dropped, for if it were, no one knows to what quarter Streatham could turn for any history or traditions at all. As it is, the mind’s-eye picture is cherished of that grumbling, unwieldy figure coming down from London to Thrale’s house, to be lionised and indulged, and in return to give Mrs. Thrale a reflected glory. The lion had the manners of a bear, and, like a dancing bear, performed clumsy evolutions for buns and cakes; but he had a heart as tender as a child’s, and a simple vanity as engaging, beneath that unpromising exterior and those pompous ways. Wig awry and singed in front from his short-sighted porings over the midnight oil, clothes shabby, and linen that journeyed only at long intervals to the wash-tub, his was not the aspect of a carpet-knight, and those he met at the literary-artistic tea-table of Thrale Place murmured that he was an “original.”
Streatham is happy to forget about its waters, but the memory of Dr. Johnson won't fade, because without it, no one knows where Streatham could find any history or traditions at all. As it stands, people cherish the image of that grumpy, awkward figure coming down from London to Thrale’s house, to be celebrated and spoiled, and in exchange, to give Mrs. Thrale a bit of reflected fame. The lion had the manners of a bear, and like a performing bear, he awkwardly did tricks for buns and cakes; but he had a heart as tender as a child’s and a simple vanity that was endearing, beneath that unappealing exterior and those pompous ways. With his wig askew and singed in front from his short-sighted late-night studies, his clothes worn-out, and linen that saw the wash-tub only occasionally, he didn’t look like a dandy, and those he met around the literary-artistic tea table at Thrale Place whispered that he was an “original.”
He met a brilliant company over those teacups: Reynolds and Garrick, and Fanny Burney—the readiest hand at the “management” of one so difficult and intractable—and many lesser lights, and partook there of innumerable cups of tea, dispensed at that hospitable board by Mrs. Thrale. That historic teapot is still extant, and has a capacity of three quarts; specially chosen, doubtless, in view of the Doctor’s visits. Ye gods! what floods of Bohea were consumed within that house in Thrale Park!
He met some brilliant people over those teacups: Reynolds and Garrick, and Fanny Burney—the best at handling someone as difficult and stubborn as him—and many others, and enjoyed countless cups of tea served at that welcoming table by Mrs. Thrale. That famous teapot still exists and holds three quarts; no doubt chosen specifically for the Doctor's visits. Oh my gosh! So much Bohea was consumed in that house at Thrale Park!
[Pg 104]They even seated the studious Johnson on horseback and took him hunting; and, strange to say, he does not merely seem to have only just saved himself from falling off, but is said to have acquitted himself as well as any country squire on that notable occasion.
[Pg 104]They even put the hardworking Johnson on a horse and took him hunting; and, oddly enough, he didn't just manage to stay on, but is said to have performed as well as any local gentleman on that memorable day.
But all things have an end, and the day was to come when Johnson should bid a last farewell to Streatham. He had broken with the widowed Mrs. Thrale on the subject of her marriage with Piozzi, and he could no longer bear to see the place. So, in one endearing touch of sentiment, he gave it good-bye, as his diary records:
But everything eventually comes to an end, and the day would arrive when Johnson would say a final goodbye to Streatham. He had fallen out with the widowed Mrs. Thrale over her marriage to Piozzi, and he could no longer stand to be there. So, in a heartfelt moment, he said goodbye, as his diary notes:
“Sunday, went to church at Streatham. Templo valedixi cum osculo.” Thus, kissing the old porch of St. Leonard’s, the lexicographer departed with heavy heart. Two years later he died.
“Sunday, went to church at Streatham. Templo valedixi cum osculo.” Thus, kissing the old porch of St. Leonard’s, the lexicographer left with a heavy heart. Two years later he died.
This Church of St. Leonard still contains the Latin epitaph he wrote to commemorate the easy virtues of his friend Henry Thrale, who died in 1781, but alterations and restorations have changed almost all else. It is, in truth, a dreadful example, externally, of the Early Compo Period, and internally of the Late Churchwarden, or Galleried, Style.
This Church of St. Leonard still has the Latin inscription he wrote to honor the simple virtues of his friend Henry Thrale, who passed away in 1781, but renovations have altered nearly everything else. It is, honestly, a terrible example, on the outside, of the Early Compo Period, and on the inside, of the Late Churchwarden, or Galleried, Style.
It is curious to note the learned Doctor’s indignation when asked to write an English epitaph for setting up in Westminster Abbey. The great authority on the English language, the compiler of that monumental dictionary, exclaimed that he would not desecrate its walls with an inscription in his own tongue. Thus the pedant!
It’s interesting to see the learned Doctor’s outrage when asked to write an English epitaph to be placed in Westminster Abbey. The leading expert on the English language, the creator of that monumental dictionary, declared that he wouldn't tarnish its walls with an inscription in his own language. Such is the pedant!
There is one Latin epitaph at Streatham that reads curiously. It is on a tablet by Richard Westmacott to Frederick Howard, who in pugna Waterlooensi occiso. The battle of Waterloo looks strange in that garb.
There is one Latin epitaph at Streatham that reads curiously. It is on a tablet by Richard Westmacott to Frederick Howard, who in pugna Waterlooensi occiso. The battle of Waterloo looks strange in that form.
But Latin is frequent here, and free. The tablets that jostle one another down the aisles are abounding in that tongue, and the little brass to an ecclesiastic, nailed upon the woodwork toward the west end of the north aisle, is not free from it. So the shade of the[Pg 105] Doctor, if ever it revisits these scenes, might well be satisfied with the quantity, although it is not inconceivable he would cavil at the quality.
But Latin is everywhere here, and it's abundant. The tablets that bump against each other in the aisles are full of that language, and the small brass plaque for a church official, nailed to the woodwork at the west end of the north aisle, isn't without it either. So, the ghost of the[Pg 105] Doctor, if he ever comes back to this place, might be pleased with the amount of it, although it’s possible he would complain about its quality.
XI
Thrale Park has gone the way of all suburban estates in these days of the speculative builder. The house was pulled down so long ago as 1863, and its lands laid out in building plots. Lysons, writing of its demesne in 1792, says that “Adjoining the house is an enclosure of about 100 acres, surrounded with a shrubbery and gravel-walk of nearly two miles in circumference.” Trim villas and a suburban church now occupy the spot, and the memory of the house itself has faded away. Save for its size, the house made no brave show, being merely one of many hundreds of mansions built in the seventeenth century, of a debased classic type.
Thrale Park has followed the fate of all suburban developments in this era of speculative builders. The house was demolished as far back as 1863, and its land was divided into building lots. Lysons, writing about its estate in 1792, notes that “Next to the house is an enclosure of about 100 acres, surrounded by a shrubbery and a gravel path that is nearly two miles around.” Neat villas and a suburban church now occupy the site, and the memory of the house has nearly vanished. Aside from its size, the house wasn't particularly impressive, being just one of many hundreds of mansions built in the seventeenth century, of a degraded classical style.
Streatham Common and Thornton Heath were still, in Johnston’s time, and indeed for long after, good places for the highwaymen and for the Dark Lurk of the less picturesque, but infinitely more dangerous, foot-pad. Law-abiding people did not care to travel them after nightfall, and when compelled to do so went escorted and armed. Ogilby, in his “Britannia” of 1675, showed the pictures of a gallows on the summit of Brixton Hill and another (a very large one) at Thornton Heath; and according to a later editor, who issued an “Ogilby Improv’d” in 1731, they still decorated the wayside. They were no doubt retained for some time longer, in the hope of affording a warning to those who robbed upon the highway.
Streatham Common and Thornton Heath were still, during Johnston's time and for quite a while after, popular spots for highwaymen and the more dangerous foot-pads lurking in the shadows. Law-abiding folks avoided traveling there after dark, and if they had to, they went in groups and armed. Ogilby, in his “Britannia” from 1675, depicted a gallows at the top of Brixton Hill and another large one at Thornton Heath; according to a later editor who released an “Ogilby Improv’d” in 1731, they still lined the roads. They were likely kept for some time longer, in hopes of warning those who robbed on the highways.
At Norbury railway station the railway crosses over the road, and eminently respectable suburbs occupy that wayside where the foot-pads used to await the timorous traveller. Trim villas rise in hundreds, and where the extra large and permanent gallows stood,[Pg 106] like a football goal, at what used to be a horse-pond, there is to-day the prettily-planted garden and pond of Thornton Heath, with a Jubilee fountain which has in later years been persuaded to play.
At Norbury train station, the railway crosses over the road, and very respectable suburbs line that area where muggers once waited for nervous travelers. Neat houses have sprung up by the hundreds, and where the large, permanent gallows once stood,[Pg 106] resembling a football goal at what used to be a horse-pond, there is now a beautifully landscaped garden and pond of Thornton Heath, featuring a Jubilee fountain that has been made to work in recent years.
Midway between Norbury and Thornton Heath stands, or stood, Norbury Hall, the delightful park and mansion where J. W. Hobbs, ex-Mayor of Croydon, resided until he was convicted of forgery at the Central Criminal Court in March, 1893, and sentenced to twelve years penal servitude. “T 180,” as he was known when a convict, was released on licence on January 18th, 1898, and returned to his country-seat. Meanwhile, the Congregational Chapel he had presented to that sect was paid for, to remove the stigma of being his gift; just as the Communion-service presented to St. Paul’s Cathedral by the company-promoting Hooley was returned when his bankruptcy scandalised commercial circles.
Midway between Norbury and Thornton Heath is Norbury Hall, the charming park and mansion where J. W. Hobbs, former Mayor of Croydon, lived until he was convicted of forgery at the Central Criminal Court in March 1893 and sentenced to twelve years in prison. Known as "T 180" during his time as a convict, he was released on license on January 18, 1898, and went back to his estate. In the meantime, the Congregational Chapel he donated to that denomination was paid for to avoid the stigma of being his gift, just like the Communion service presented to St. Paul’s Cathedral by the company-promoting Hooley was returned after his bankruptcy shocked the business world.
The estate of Norbury Hall has since T 180’s release become “ripe for building,” and the mansion, the lake, and the beautiful grounds have been “developed” away. Soon all memory of the romantic spot will have faded.
The estate of Norbury Hall has, since T 180’s release, become “ripe for building,” and the mansion, the lake, and the beautiful grounds have been “developed” away. Soon all memory of the romantic spot will have faded.
Prominently over the sea of roofs in the valley, and above the white hillside villas of Sydenham and Gipsy Hill, rise the towers and the long body of the Crystal Palace; that bane and obsession of most view-points in South London, “for ever spoiling the view in all its compass,” as Ruskin truly says in “Præterita.”
Prominently above the sea of rooftops in the valley, and above the white hillside villas of Sydenham and Gipsy Hill, stand the towers and the long structure of the Crystal Palace; that nuisance and fixation of most viewpoints in South London, “forever spoiling the view in all its extent,” as Ruskin rightly mentions in “Præterita.”
I do not like the Crystal Palace. The atmosphere of the building is stuffily reminiscent of half a century’s stale teas and buttered toast, and the views of it, near or distant, are very creepily and awfully like the dreadful engravings after Martin, the painter of such scriptural scenes as “Belshazzar’s Feast” and horribly-conceived apocalyptic subjects from Revelation.
I don’t like the Crystal Palace. The vibe of the building feels like stale tea and buttered toast from fifty years ago, and the views of it, whether close up or far away, are eerily similar to the creepy engravings by Martin, the artist known for his biblical scenes like “Belshazzar’s Feast” and poorly imagined apocalyptic themes from Revelation.

STREATHAM.
STREATHAM.
[Pg 108]At Thornton Heath—where there has been nothing in the nature of a heath for at least eighty years past—the electric trams of Croydon begin, and take you through North End into and through Croydon town, along a continuous line of houses. “Broad Green” once stood by the wayside, but nowadays the sole trace of it is the street called Broad Green Avenue. At Thornton Heath, however, there is just one little vestige of the past left, in “Colliers’ Water Lane.” The old farmhouse of Colliers’ Water, reputed haunt of the phenomenally ubiquitous Dick Turpin, was demolished in 1897. Turpin probably never knew it, and the secret staircase it possessed was no doubt intended to hide fugitives much more respectable than highwaymen.
[Pg 108]At Thornton Heath—where there hasn’t been any kind of heath for at least eighty years—the electric trams from Croydon start, taking you through North End and into Croydon town, along a continuous row of houses. “Broad Green” used to be nearby, but nowadays the only reminder of it is the street called Broad Green Avenue. However, at Thornton Heath, there’s still one small remnant of the past, which is “Colliers’ Water Lane.” The old farmhouse of Colliers’ Water, famous for being a hangout of the incredibly well-known Dick Turpin, was torn down in 1897. Turpin probably never even knew about it, and the secret staircase it had was likely meant to conceal fugitives who were far more respectable than highwaymen.
The name of that lane is now the only reminder of the time when Croydon was a veritable Black Country.
The name of that lane is now the only reminder of when Croydon was truly a Black Country.
The “colliers of Croydon,” whose black trade gave such employment to seventeenth-century wits, had no connection with what our ancestors of very recent times still called “sea-coal”—that is to say, coal shipped from Newcastle and brought round by water, in days before railways. The Croydon coal was charcoal, made from the wood of the dense forests that once overspread the counties of Surrey and Sussex, and was supplied very largely to London from the fifteenth century down to the beginning of the nineteenth.
The “colliers of Croydon,” known for their shady business that kept 17th-century thinkers busy, had no link to what our ancestors of just a short while ago referred to as “sea-coal”—which means coal shipped from Newcastle and transported by water in the pre-railway days. The Croydon coal was actually charcoal, created from the wood of the thick forests that once covered the counties of Surrey and Sussex, and it was mainly supplied to London from the 15th century until the early 19th century.
Grimes, the collier of Croydon, first made the Croydon colliers famous. We are not to suppose that his name was really Grimes: that was probably a part of the wit already hinted at. He was a master collier, who in the time of Edward the Sixth made charcoal on so large a scale that the smoke and the grime of it became offensive to his Grace the Archbishop of Canterbury in his palace of Croydon, who made an unsuccessful attempt to abolish the kilns. I think we may sympathise with his Grace and his soiled lawn-sleeves.
Grimes, the coal miner from Croydon, was the one who made the Croydon coal miners well-known. We shouldn’t assume his name was really Grimes; that was likely part of the humor suggested earlier. He was a master coal miner who, during the reign of Edward the Sixth, produced charcoal on such a large scale that the smoke and soot became a nuisance to the Archbishop of Canterbury in his Croydon palace, who tried unsuccessfully to get rid of the kilns. I think we can empathize with the Archbishop and his dirty robes.
We first find Croydon mentioned in A.D. 962, when it was “Crogdoene.” In Domesday Book it is “Croindene.” Whether the name means “crooked vale,” “chalk vale,” or “town of the cross,” I will not[Pg 109] pretend to say, and he would be rash who did. The ancient history of the place is bound up with the archbishopric of Canterbury, for the manor was given by the Conqueror to Lanfranc, who is supposed to have been the founder of the palace, which still stands next the parish church, and was a residence of the Primate until 1750.
We first see Croydon mentioned in A.D. 962, when it was called “Crogdoene.” In the Domesday Book, it is listed as “Croindene.” Whether the name means “crooked vale,” “chalk vale,” or “town of the cross” is something I won’t[Pg 109] claim to know, and anyone who does would be foolhardy. The area's ancient history is closely tied to the archbishopric of Canterbury, as the manor was granted by the Conqueror to Lanfranc, who is believed to have established the palace that still stands next to the parish church, serving as the residence of the Primate until 1750.
By that time Croydon had begun to grow, and not only had the old buildings become inconvenient, but a population surrounded those dignified churchmen, who, after the manner of archbishops, retired to a more secluded home. They not only flew from contact with the people, whose spiritual needs might surely have anchored them to the spot, but by the promotion of the Enclosure Act of 1797 they robbed the people of the far-spreading common lands in the parish. Croydon by that time numbered between five and six thousand inhabitants, and was thought quite a considerable place. A hundred and ten years have added a hundred and twenty-five thousand more to that considerable population, and still Croydon grows.
By that time, Croydon had started to expand, and the old buildings had become inconvenient. A population surrounded those dignified church leaders, who, as archbishops often do, withdrew to a more private residence. They not only distanced themselves from the people, whose spiritual needs could have kept them connected to the area, but with the passing of the Enclosure Act of 1797, they also took away the community's vast common lands. By that point, Croydon had between five and six thousand residents and was considered quite an important place. Over the past one hundred and ten years, an additional one hundred and twenty-five thousand people have been added to that significant population, and Croydon continues to grow.
In those times the woodlands closely encircled the little town. In 1620 they came up to the parish church and the palace, which was then said to be a “very obscure and darke place.” Archbishop Abbot “expounded” it by felling the timber. It was in those times surrounded by a moat, fed by the headspring of the Wandle; but the moat is gone, and the first few yards of the Wandle are nowadays made to flow underground.
In those days, the forests tightly surrounded the small town. In 1620, they reached the parish church and the palace, which was then described as a “very obscure and dark place.” Archbishop Abbot “explained” it by cutting down the trees. Back then, it was surrounded by a moat, fed by the source of the Wandle; but the moat is gone, and the first few yards of the Wandle now flow underground.
The explorer of the Brighton Road who comes, by whatever method of progression he pleases, into Croydon, finds its busy centre at what is still called North End. The name survives long after the circumstances that conferred it have vanished into the limbo of forgotten things. It was the North end of the town, and here, on what was then a country site, the good Archbishop Whitgift founded his Hospital of the Holy Trinity in 1593. It still stands, although sorely threatened in these last few years;[Pg 110] but it is now the one quiet and unassuming spot in a narrow, a busy, and a noisy street. Fronting the main thoroughfare, it blocks “improvement”; occupying a site grown so valuable, its destruction, and the sale of the ground for building upon, would immensely profit the good Whitgift’s noble charity. What would Whitgift himself do? When we have advanced still farther into the Unknown and can communicate with the sane among the departed, instead of the idiot spirits who can do nothing better than levitate chairs and tables, rap silly messages, and play monkey-tricks—when we can ring up whom we please at the Paradise or the Inferno Exchange, as the case may be, we shall be able to ascertain the will of Pious Benefactors, and much bitterness will cease out of the land.
The traveler on Brighton Road who arrives, by whatever means of transportation he prefers, into Croydon, finds its bustling center at what’s still referred to as North End. The name has persisted long after the reasons for it have faded into obscurity. It used to be the northern end of the town, and here, on what was then countryside, the good Archbishop Whitgift established his Hospital of the Holy Trinity in 1593. It still stands, although it has been seriously threatened in recent years;[Pg 110] but it is now the only quiet and unassuming place in a narrow, busy, and noisy street. Facing the main road, it hinders “improvement”; occupying a site that has become so valuable, its destruction, along with the sale of the land for development, would greatly benefit Whitgift’s noble charity. What would Whitgift himself do? When we have progressed even further into the Unknown and can communicate with the sane among the departed, instead of the foolish spirits who can only levitate chairs and tables, send silly messages, and play tricks—when we can contact whoever we want at the Paradise or Inferno Exchange, as the situation may be, we will be able to determine the intentions of Pious Benefactors, and much anger will dissipate from the land.
Meanwhile the old building for the time survives, and its name, “The Hospital of the Holy Trinity,” inscribed high up on the wall, seems strange and reverend amid the showy shop-signs of a latter-day commerce.
Meanwhile, the old building still stands, and its name, “The Hospital of the Holy Trinity,” etched high on the wall, feels both odd and respectful among the flashy shop signs of modern commerce.
There is, of course, no reason why, if widening is to take place, the opposite side of the street should not be set back, and, indeed, any one standing in that street will readily perceive it to be that side which should be demolished, to make a straighter and a broader thoroughfare. It is therefore quite evident that the agitation for demolishing the Hospital is unreal and artificial, and only prompted by greed for the site.
There’s really no reason that if the street is going to be widened, the opposite side shouldn’t also be set back. In fact, anyone standing in that street can easily see that side should be torn down to create a straighter and wider road. It’s clear that the push to demolish the Hospital is fake and driven solely by a desire for the location.
It is a solitude amid the throng, remarkable in the collegiate character of its walls of dark and aged red brick, pierced only by the doorway and as jealously as possible by the few mullioned windows. Once within the outer portal, ornamented overhead with the arms of the See of Canterbury and eloquent with the motto Qui dat pauperi non indigebit, the stranger has entered from a striving into a calm and equable world. It is, as old Aubrey quaintly puts it, “a handsome edifice, erected in the manner of a college,[Pg 111] by the Right Reverend Father in God, John Whitgift, late Archbishop of Canterbury.” The dainty quadrangle, set about with grass lawns and bright flowers, is formed on three sides by tiny houses of two floors, where dwell the poor brothers and sisters of this old foundation: twenty brothers and sixteen sisters, who, beside lodging, receive each £40 and £30 a year respectively. They enjoy all the advantages of the Hospital so long as of good behaviour, but “obstinate heresye, sorcerye, any kinde of charmmynge, or witchcrafte” are punished by the statutes with expulsion.
It’s a quiet space in the middle of the crowd, striking with its collegiate vibe from the dark, aged red brick walls, only interrupted by the entrance and a few carefully placed mullioned windows. Once you step through the outer door, decorated above with the arms of the See of Canterbury and the saying Qui dat pauperi non indigebit, you leave behind the hustle and enter a calm, balanced world. As old Aubrey charmingly puts it, “a handsome building, built like a college,[Pg 111] by the Right Reverend Father in God, John Whitgift, former Archbishop of Canterbury.” The lovely courtyard, surrounded by grassy lawns and vibrant flowers, is bordered on three sides by small two-story houses, where the poor brothers and sisters of this old foundation live: twenty brothers and sixteen sisters, who receive £40 and £30 a year respectively, along with housing. They can enjoy all the benefits of the Hospital as long as they behave well, but the rules state that “stubborn heresy, sorcery, any kind of charm, or witchcraft” will get you expelled.

THE DINING HALL, WHITGIFT HOSPITAL.
Whitgift Hospital Dining Hall.
[Pg 112]The fourth side of the quadrangle is occupied by the Hall, the Warden’s rooms, and the Chapel, all in very much the same condition as at their building. The old oak table in the Hall is dated 1614, and much of the stained glass is of sixteenth century date.
[Pg 112]The fourth side of the quad is taken up by the Hall, the Warden’s rooms, and the Chapel, all pretty much in the same condition as when they were built. The old oak table in the Hall is from 1614, and much of the stained glass dates back to the sixteenth century.
But it is in the Warden’s rooms, above, that the eye is feasted with old woodwork, ancient panelling, black with lapse of time, quaint muniment chests, curious records, and the like. These were the rooms specially reserved for his personal use during his lifetime by the pious Archbishop Whitgift.
But it’s in the Warden’s rooms above that you can admire the old woodwork, the ancient paneling darkened by time, unique storage chests, interesting records, and more. These rooms were specifically set aside for his personal use during his lifetime by the devout Archbishop Whitgift.
Here is a case exhibiting the original titles to the lands on which the Hospital is built, and with which it is endowed; formidable sheets of parchment, bearing many seals, and, what does duty for one, a gold angel of Edward VI.
Here is a case showing the original titles to the land where the Hospital is built and with which it is endowed; impressive sheets of parchment, featuring many seals, and, serving as one seal, a gold angel from Edward VI.
These are ideal rooms; rooms which delight with their unspoiled sixteenth-century air. The sun streams through the western windows over their deep embrasures, lighting up so finely the darksome woodwork into patches of brilliance that there must be those who envy the Warden his lodging, so perfect a survival of more spacious days.
These are perfect rooms; they charm with their untouched sixteenth-century vibe. Sunlight pours through the western windows across their deep recesses, illuminating the dark woodwork into bright patches that surely make some people envy the Warden's accommodations, such a flawless reminder of a more expansive era.

The Chapel, Hospital of the Holy Trinity.
The Chapel, Hospital of the Holy Trinity.
A little chapel duly completes the Hospital, and here is not pomp of carving nor vanity of blazoning, for the good Archbishop, mindful of economy, would none of these. The seats and benches are contemporary with the building, and are rough-hewn. On the western wall hangs the founder’s portrait, black-framed and mellow, rescued from the boys of the Whitgift schools ere quite destroyed, and on the other walls are the portrait of a lady, supposed to be[Pg 114] the Archbishop’s niece, and a ghastly representation of Death as a skeleton digging a grave. But all these things are seen but dimly, for the light is very feeble.
A small chapel perfectly complements the Hospital, and there's no ostentatious carving or flashy decoration here, as the wise Archbishop, conscious of budget, wanted none of that. The seats and benches are original to the building and are roughly crafted. On the western wall hangs the founder’s portrait, in a black frame and weathered, saved from the boys of the Whitgift schools before it was completely destroyed, and on the other walls are a portrait of a lady, thought to be[Pg 114] the Archbishop’s niece, and a gruesome depiction of Death as a skeleton digging a grave. But all these details are barely visible, as the light is very dim.
XII
The High Street of Croydon really is high, for it occupies a ridge and looks down on the right hand on the Old Town and the valley of the Wandle, or “Wandel.” The centre of Croydon has, in fact, been removed from down below, where the church and palace first arose, on the line of the old Roman road, to this ridge, where within the historic period the High Street was only a bridle-path avoiding the little town in the valley.
The High Street of Croydon really is high, as it sits on a ridge and overlooks the Old Town and the Wandle valley to the right. In fact, the center of Croydon has shifted from the lower area, where the church and palace first appeared along the old Roman road, to this ridge, where during the historic period, the High Street was just a bridle path that bypassed the small town in the valley.
The High Street, incidentally the Brighton Road as well, is nowadays a very modern and commercial-looking thoroughfare, and owes that appearance, and its comparative width, to the works effected under the Croydon Improvement Act of 1890. Already Croydon, given a Mayor and Town Council in 1883, had grown so greatly that the narrow street was incapable of accommodating the traffic; while the low-lying, and in other senses low, quarter of Market Street and Middle Row offended the dignity and self-respect of the new-born Corporation. The Town Hall stood at that time in the High Street: a curious example of bastard classic architecture, built in 1808. Near by was the “Greyhound,” an old coaching and posting inn, with one of those picturesque gallows signs straddling across the street, of which those of the “George” at Crawley and the “Greyhound” at Sutton are surviving examples. That of the “Cock” at Sutton disappeared in 1898, and the similar signs of the “Crown,” opposite the Whitgift Hospital, and of the “King’s Arms” vanished many years ago.
The High Street, which is also known as the Brighton Road, is now a modern and commercial-looking street, and its appearance, along with its wider layout, is thanks to the changes made under the Croydon Improvement Act of 1890. By then, Croydon had grown significantly since it received a Mayor and Town Council in 1883, and the narrow street couldn’t handle the traffic. Meanwhile, the lower areas of Market Street and Middle Row didn’t reflect the dignity and pride of the newly established Corporation. At that time, the Town Hall was located in the High Street; it was a curious blend of classic architectural styles, built in 1808. Nearby was the “Greyhound,” an old coaching and lodging inn, featuring one of those charming gallows signs that hung over the street, similar to the ones at the “George” in Crawley and the “Greyhound” in Sutton, which still exist. The sign for the “Cock” in Sutton disappeared in 1898, and the gallows signs for the “Crown” opposite Whitgift Hospital and the “King’s Arms” have been gone for many years.
The “Greyhound” was the principal inn of Croydon in the old times. The first mention of it is found in[Pg 115] 1563, the parish register of that year containing the entry, “Nicholas Vode (Wood) the son of the good wyfe of the grewond was buryed the xxix day of January.” The voluminous John Taylor mentions it in 1624 as one of the two Croydon inns, and it was the headquarters of General Fairfax in 1645, when Cromwell vehemently disputed with him under its roof on the conduct of the campaign, urging more severe measures.
The “Greyhound” was the main inn in Croydon back in the day. The first mention of it is found in[Pg 115] 1563, with the parish register from that year noting, “Nicholas Vode (Wood) the son of the good woman of the Greyhound was buried on the 29th day of January.” The extensive John Taylor refers to it in 1624 as one of the two inns in Croydon, and it served as the headquarters of General Fairfax in 1645, when Cromwell passionately argued with him under its roof about how to conduct the campaign, pushing for harsher measures.
Following upon the alteration, the “Greyhound” was rebuilt. Its gallows sign disappeared at the same time, when a curious point arose respecting the post supporting it on the opposite pavement. Erected in the easy-going times when such a matter was nothing more than a little friendly and neighbourly concession, the square foot of ground it occupied had by lapse of time become freehold property, and as such it was duly scheduled and purchased by the Improvements Committee. A sum of £400 was claimed for freehold and loss of advertisement, and eventually £350 was paid.
After the changes, the “Greyhound” was completely rebuilt. Its gallows sign was removed at the same time, leading to a curious issue regarding the post that held it up on the other side of the street. Erected during a more laid-back era when such matters were merely friendly neighborhood gestures, the small piece of land it stood on had, over time, become freehold property. As a result, it was officially listed and bought by the Improvements Committee. A claim of £400 was made for the freehold and the loss of advertising, and eventually, £350 was paid.
I suppose there can be no two opinions about the slums cleared away under that Improvement Act; but they were very picturesque, if also very dirty and tumble-down: all nodding gables, cobblestoned roads, and winding ways. I sorrow, in the artistic way, for those slums, and in the literary way for a house swept away at the same time, sentimentally associated with John Ruskin. It was the inn kept by his maternal grandmother, and is referred to in “Præterita”:
I think there's no arguing that the slums cleared out under that Improvement Act were quite charming, even though they were also filthy and run-down: with their slanted roofs, cobblestone streets, and winding paths. I feel a sense of artistic nostalgia for those slums, and a literary longing for a house that was demolished at the same time, which held sentimental ties to John Ruskin. It was the inn run by his grandmother, and it's mentioned in “Præterita”:
“... Of my father’s ancestors I know nothing, nor of my mother’s more than that my maternal grandmother was the landlady of the ‘Old King’s Head’ in Market Street, Croydon; and I wish she were alive again, and I could paint her Simone Memmi’s ‘King’s Head’ for a sign.” And he adds: “Meantime my aunt had remained in Croydon and married a baker.... My aunt lived in the little house still standing—or which was so four months ago[7]—the [Pg 116]fashionablest in Market Street, having actually two windows over the shop, in the second story” (sic).
“... I don’t know anything about my father’s family, and only a little about my mother’s—just that my maternal grandmother was the landlady of the ‘Old King’s Head’ on Market Street in Croydon; and I wish she were alive again so I could paint her Simone Memmi’s ‘King’s Head’ for a sign.” He adds, “In the meantime, my aunt stayed in Croydon and married a baker.... My aunt lived in the little house that’s still there—or at least it was four months ago[7]—the most fashionable in Market Street, with two windows above the shop on the second story” (sic).
There are slums at Croydon even now, for Croydon is a highly civilised progressive place, and slums and slum populations are the exclusive products of civilisation and progress, and a very severe indictment of them. But they are new slums; those poverty-stricken districts created ad hoc, which seem more hopeless than the ancient purlieus, and appear to be as inevitable to and as inseparable from modern great towns as a hem to a handkerchief.
There are slums in Croydon even today because Croydon is a highly civilized and progressive place, and slums and slum populations are the direct results of civilization and progress, serving as a serious criticism of them. But these are new slums; the impoverished areas created ad hoc, which seem more hopeless than the older neighborhoods, and seem to be as unavoidable and as linked to modern major cities as a hem is to a handkerchief.
The old quarter of Croydon began to fall into the slum condition at about the period of Croydon’s first expansion, when the οἱ πολλοί impinged too closely upon the archiepiscopal precincts, and their Graces, neglecting their obvious duty in the manner customary to Graces spiritual and temporal, retired to the congenial privacy of Addington.
The old part of Croydon started to decline into a slum around the time when Croydon was first expanding, as the general population encroached too closely on the archbishop's grounds. The archbishops, neglecting their clear responsibilities in the usual way of both spiritual and secular leaders, withdrew to the more comfortable seclusion of Addington.
Here stands the magnificent parish church of Croydon; its noble tower of the Perpendicular period, its body of the same style, but a restoration, after the melancholy havoc caused by the great fire of 1867. It is one of the few really satisfactory works of Sir Gilbert Scott; successful because he was obliged to forget his own particular fads and to reproduce exactly what had been destroyed. Another marvellous replica is the elaborate monument of Archbishop Whitgift, copied exactly from pictures of that utterly destroyed in the fire. Archbishop Sheldon’s monument, however, still remains in its mutilated condition, with a scarred and horrible face calculated to afflict the nervous and to be remembered in their dreams.
Here is the impressive parish church of Croydon; its grand tower from the Perpendicular period, and its structure in the same style, but restored after the devastating fire of 1867. It's one of the few truly successful works by Sir Gilbert Scott; he succeeded because he had to set aside his own preferences and replicate exactly what had been lost. Another amazing replica is the intricate monument of Archbishop Whitgift, which was recreated precisely from images of the one that was completely destroyed in the fire. However, Archbishop Sheldon’s monument still remains in its damaged state, with a disfigured and frightening face that can disturb those who see it and haunt their dreams.
The vicars of Croydon have in the long past been a varied kind. The Reverend William Clewer, who held the living from 1660 until 1684, when he was ejected, was a “smiter,” an extortioner, and a criminal; but Roland Phillips, a predecessor by some two hundred years, was something of a seer. Preaching in 1497, he declared that “we” (the Roman Catholics) “must root out printing, or printing will root out us.”[Pg 117] Already, in the twenty years of its existence, it had undermined superstition, and was presently to root out the priests, even as he foresaw.
The vicars of Croydon have been quite diverse over the years. The Reverend William Clewer, who served from 1660 until 1684 when he was removed, was a "smiter," an extortionist, and a criminal; but Roland Phillips, who served about two hundred years earlier, was somewhat of a visionary. While preaching in 1497, he stated that “we” (the Roman Catholics) “must eliminate printing, or printing will eliminate us.”[Pg 117] Even in its short existence, it had already weakened superstition and was soon to eliminate the priests, just as he predicted.
Unquestionably the sight best worth seeing in Croydon is that next-door neighbour of the church, the Archbishop’s Palace. Comparatively few are those who see it, because it is just a little way off the road and is private property and shown only by favour and courtesy. When the Archbishops deserted the place it was sold under the Act of Parliament of 1780 and became the factory of a calico-printer and a laundry. Some portions were demolished, the moat was filled up, the “minnows and the springs of Wandel” of which Ruskin speaks, were moved on, and mean little streets quartered the ground immediately adjoining. But, although all those facts are very grim and grey, it remains true that the old palace is a place very well worth seeing.
Without a doubt, the best sight to see in Croydon is the Archbishop’s Palace, located right next to the church. Not many people visit it because it's a bit off the main road, it's private property, and it can only be shown by special favor. When the Archbishops left, the palace was sold under the 1780 Act of Parliament and turned into a calico-printing factory and a laundry. Some parts were torn down, the moat was filled in, and the "minnows and the springs of Wandel" that Ruskin mentioned were moved elsewhere, with small streets dividing the land nearby. However, despite all these somewhat grim and dull facts, it's still true that the old palace is definitely worth a visit.
It was again sold in 1887, and purchased by the Duke of Newcastle, who made it over to the so-called “Kilburn Sisters,” who maintain it as a girls’ school. I do not know, nor seek to inquire, by what right, or with what object, the “Sisters” who conduct the school affect the dress of Roman Catholics, while professing the tenets of the Church of England; but under their rule the historic building has been well treated, and the chapel and other portions repaired, with every care for their interesting antiquities, under the eyes of expert and jealous anti-restorers. The Great Hall, chief feature of the place, still maintains its fifteenth century chestnut hammerbeam roof and armorial corbels; the Long Gallery, where Queen Elizabeth danced, the State bedroom where she slept, the Guard Room, quarters of the Archbishops’ bodyguard, are all existing; and the Chapel, with oaken bench-ends bearing the sculptured arms of Laud, of Juxon, and others, and the Archbishops’ pew, has lately been brought back to decent condition. Here, too, is the exquisite oaken gallery at the western end, known as “Queen Elizabeth’s Pew.”
It was sold again in 1887 and bought by the Duke of Newcastle, who then handed it over to the so-called “Kilburn Sisters,” who run it as a girls’ school. I don’t know, nor do I care to find out, by what right or with what purpose the “Sisters” running the school wear the dress of Roman Catholics while stating they follow the beliefs of the Church of England; but under their management, the historic building has been well taken care of, and the chapel and other areas have been restored with great attention to their interesting antiquities, overseen by knowledgeable and protective anti-restorers. The Great Hall, the main feature of the place, still boasts its fifteenth-century chestnut hammerbeam roof and armorial corbels; the Long Gallery, where Queen Elizabeth danced, the state bedroom where she slept, and the Guard Room, which housed the Archbishops’ bodyguard, are all still there; and the Chapel, featuring oak bench ends with the sculpted arms of Laud, Juxon, and others, along with the Archbishops’ pew, has recently been restored to decent condition. Here, too, is the beautiful oak gallery at the western end, known as “Queen Elizabeth’s Pew.”
[Pg 118]That imperious queen and indefatigable tourist paid several visits to Croydon Palace, and her characteristic insolence and freedom of speech were let loose upon the unoffending wife of Archbishop Parker when she took her leave. “Madam,” she said, “I may not call you; mistress I am ashamed to call you; and so I know not what to call you; but, however, I thank you.” It seems evident that the daughter of Henry the Eighth had, despite her Protestantism, an historic preference for a celibate clergy.
[Pg 118]The commanding queen and tireless traveler made several trips to Croydon Palace, and her typical arrogance and bluntness were unleashed on the unsuspecting wife of Archbishop Parker when she was leaving. “Madam,” she said, “I can't call you that; I'm embarrassed to call you mistress; so I really don't know what to call you; but, anyway, thank you.” It’s clear that the daughter of Henry the Eighth had, despite her Protestant beliefs, a historical preference for a celibate clergy.
XIII
Down amid what remains of the old town is a street oddly named “Pump Pail.” Its strange name causes many a visit of curiosity, but it is a common-place street, and contains neither pail nor pump, and nothing more romantic than a tin tabernacle. But this, it appears, is not an instance of things not being what they seem, for in the good old days before the modern water-supply, one of the parish pumps stood here, and from it a woman supplied a house-to-house delivery of water in pails. The explanation seems too obvious to be true, and sure enough, a variant kicks the “pail” over, and tells us that it is properly Pump Pale, the Place of the Pump, “pale” being an ancient word, much used in old law-books to indicate a district, limit of jurisdiction, and so forth.
Down in what's left of the old town is a street oddly named “Pump Pail.” Its strange name draws many curious visitors, but it's just an ordinary street that has neither pail nor pump, and nothing more romantic than a tin shed. However, this isn't an example of things not being what they seem, because back in the day before modern water supply systems, one of the parish pumps was located here, and from it a woman delivered water door-to-door in pails. The explanation seems too obvious to be true, and sure enough, an alternative version flips the “pail” around, saying it's actually Pump Pale, referring to the Place of the Pump, with “pale” being an old term frequently used in ancient law books to denote a district or jurisdiction limit.
The modern side of all these things is best exemplified by the beautiful Town Hall which Croydon has provided for itself, in place of the ugly old building, demolished in 1893. It is a noble building, and stands on a site worthy of it, with broad approaches that permit good views, without which the best of buildings is designed in vain. It marks the starting point of the history of modern Croydon, and is a far cry from the old building of the bygone Local Board days, when [Pg 119]the traffic of the High Street was regulated—or supposed to be regulated—by the Beadle, and the rates were low, and Croydon was a country town, and everything was dull and humdrum. It was a little unfortunate that the first Mayor of Croydon and Liberal Member of Parliament for Tamworth, that highly imaginative financier Jabez Spencer Balfour, should have been wanted by the police, a fugitive from justice brought back from the Argentine, and a criminal convicted of fraud as a company promoter; but accidents will happen, and the Town Council did its best, by turning his portrait face to the wall, and by subsequently (as it is reported) losing it. He was sent in 1895, a little belatedly, to fourteen years’ penal servitude, and the victims of his “Liberator” frauds went into the workhouse for the most part, or died. He ceased to be V 460 on release on licence, and became again Jabez Spencer Balfour, and so died, obscurely.
The modern aspect of all these things is best shown by the beautiful Town Hall that Croydon built for itself, replacing the ugly old building that was torn down in 1893. It’s an impressive structure, located on a site that does it justice, with broad pathways that allow for good views, because without those, even the best buildings serve no purpose. This Town Hall marks the start of modern Croydon's history and is a far cry from the old building from the Local Board days, when [Pg 119] traffic in the High Street was managed—or was supposed to be managed—by the Beadle, when rates were low, Croydon was a country town, and everything was dull and monotonous. It’s somewhat unfortunate that the first Mayor of Croydon and Liberal Member of Parliament for Tamworth, the highly imaginative financier Jabez Spencer Balfour, ended up being wanted by the police, a fugitive brought back from Argentina, and a criminal convicted of fraud as a company promoter; but accidents happen, and the Town Council did its best by turning his portrait to face the wall and later (as it’s reported) misplacing it. In 1895, he was sent away a bit late for fourteen years of hard labor, and most of the victims of his “Liberator” frauds either ended up in the workhouse or died. He stopped being V 460 upon release on license and became Jabez Spencer Balfour again, eventually dying in obscurity.
The Liberal Party in the Government had, over Jabez Balfour, one of its several narrow escapes from complete moral ruin; for Balfour was on extremely friendly terms with the members of Gladstone’s ministry, 1892-94, and was within an ace of being given a Cabinet post. Let us pause to consider the odd affinity between Jabez Balfour and Trebitsch Lincoln and Liberal politics.
The Liberal Party in the Government had, over Jabez Balfour, one of its several narrow escapes from total moral collapse; Balfour was very close with the members of Gladstone’s ministry, 1892-94, and was very close to being offered a Cabinet position. Let's take a moment to think about the strange connection between Jabez Balfour, Trebitsch Lincoln, and Liberal politics.
The Town Hall—ahem! Municipal Buildings—stands on the site of the disused and abolished Central Croydon station, and the neighbourhood of it is glimpsed afar off by the fine tower, 170 ft. in height. All the departments of the Corporation are housed under one roof, including the fine Public Library and its beautiful feature, the Braithwaite Hall. The Town Council is housed in that municipal splendour without which no civic body can nowadays deliberate in comfort, and even the vestibule is worthy of a palace. I take the following “official” description of it.
The Town Hall—uh, Municipal Buildings—sits where the old Central Croydon station used to be, and you can spot the area from a distance thanks to the impressive tower that’s 170 ft. tall. All the Corporation's departments are located under one roof, which includes the great Public Library and its stunning feature, the Braithwaite Hall. The Town Council operates in this municipal grandeur, which is essential for any civic body to discuss matters comfortably today, and even the entrance hall looks like it belongs in a palace. Here’s the following “official” description of it.

CROYDON TOWN HALL.
CROYDON TOWN HALL.
“On either side of the vestibule are rooms for Porter and telephone. Beyond are the hall and principal staircase, the shafts of the columns and the pilasters of which are of a Spanish marble, a sort of jasper, called Rose d’Andalusia; the bases and skirtings are of grand antique. The capitals, architrave,[Pg 121] cornices, handrails, etc., are of red Verona marble; the balusters, wall-lining and frieze of the entablature of alabaster, and the dado of the ground floor is gris-rouge marble. The flooring is of Roman mosaic of various marbles, purposely kept simple in design and quiet in colouring. One of the windows has the arms of H.R.H. the Prince of Wales, and the other the Borough arms, in stained glass. Above the dado at the first floor level the walls are painted a delicate green tint, relieved by a powdering of C’s and Civic Crowns. The doors and their surroundings are of walnut wood.”
“On either side of the entrance are rooms for the Porter and telephone. Beyond that are the hallway and main staircase, with the columns and pilasters made from a Spanish marble, a type of jasper called Rose d’Andalusia; the bases and skirtings are made of grand antique marble. The capitals, architrave,[Pg 121] cornices, handrails, etc., are made of red Verona marble; the balusters, wall-lining, and frieze of the entablature are made of alabaster, and the dado of the ground floor is gris-rouge marble. The flooring is Roman mosaic made from various marbles, purposely kept simple in design and subtle in color. One of the windows features the arms of H.R.H. the Prince of Wales, while the other displays the Borough arms in stained glass. Above the dado at the first-floor level, the walls are painted a delicate green shade, accented with a scattering of C’s and Civic Crowns. The doors and their frames are made of walnut wood.”
Very beautiful indeed. Now let us see the home of one of Croydon’s poorer ratepayers:
Very beautiful indeed. Now let's take a look at the home of one of Croydon's less fortunate ratepayers:
On one side of the hall are two rooms, called respectively the parlour and the kitchen. Beyond is the scullery. The walls of the staircase are covered with a sort of plaster called stucco, but closely resembling road-scrapings: the skirtings are of pitch-pine, the balusters of the same material. The floorings are of deal. The roof lets in the rain. One of the windows is broken and stuffed with rags, the others are cracked. The walls are stained a delicate green tint relieved by a film of blue mould, owing to lack of a damp-course. None of the windows close properly, the flues smoke into the rooms instead of out of the chimney-pots, the doors jam, and the surroundings are wretched beyond description.
On one side of the hall, there are two rooms, called the parlor and the kitchen. Further back is the scullery. The walls of the staircase are covered with a type of plaster known as stucco, which closely resembles road debris: the skirting boards are made of pitch pine, and the balusters are the same material. The floors are made of softwood. The roof lets in the rain. One of the windows is broken and stuffed with rags, while the others are cracked. The walls are a soft green shade highlighted by a layer of blue mold, due to the lack of a damp-proof course. None of the windows close properly, the flues smoke into the rooms instead of out of the chimney pots, the doors stick, and the overall surroundings are in a miserable state beyond words.
Electric tramways now conduct along the Brighton Road to the uttermost end of the great modern borough of Croydon, at Purley Corner. Here the explorer begins to perceive, despite the densely packed houses, that he is in that “Croydene,” or crooked vale, of Saxon times from which, we are told, Croydon takes its name; and he can see also that nature, and not man, ordained in the first instance the position and direction of what is now the road to Brighton, in the bottom, alongside where the Bourne once flowed, inside the fence of Haling Park. It is, in fact, the site of a prehistoric track which led the most easy[Pg 122] ways across the bleak downs, severally through Smitham Bottom and Caterham.
Electric trams now run along the Brighton Road all the way to the far end of the modern borough of Croydon, at Purley Corner. Here, the traveler begins to notice, despite the closely packed houses, that he is in the “Croydene,” or crooked valley, from Saxon times, which is said to be the origin of Croydon’s name; and he can also see that it was nature, not humans, who initially determined the position and direction of what is now the road to Brighton, located in the valley where the Bourne once flowed, within the fence of Haling Park. In fact, this area is the site of a prehistoric path that provided the easiest ways across the barren downs, specifically through Smitham Bottom and Caterham.
Beside that stream ran from 1805 until about 1840 the rails of that long-forgotten pioneer of railways in these parts, the “Surrey Iron Railway.” This was a primitive line constructed for the purpose of affording cheap and quick transport for coals, bricks, and other heavy goods, originally between Wandsworth and Croydon, but extended in 1805 to Merstham, where quarries of limestone and beds of Fuller’s earth are situated.
Beside that stream ran from 1805 until around 1840 the tracks of the long-forgotten pioneer of railways in this area, the “Surrey Iron Railway.” This was a basic line built to provide affordable and fast transport for coal, bricks, and other heavy goods, originally between Wandsworth and Croydon, but extended in 1805 to Merstham, where limestone quarries and beds of Fuller’s earth are located.
This railway was the outcome of a project first mooted in 1799, for a
canal from Wandsworth to Croydon. It was abandoned because of the injury
that might have been caused to the wharves and factories already existing
numerously along the course of the Wandle, and a railway substituted. The
Act of Parliament was obtained in 1800, and the line constructed to
Croydon in the following year, at a cost of about £27,000. It was not a
railway in the modern sense, and the haulage was by horses, who dragged
the clumsy waggons along at the rate of about four miles an hour. The
rails, fixed upon stone blocks, were quite different from those of modern
railways or tramways, being just lengths of angle-iron into which the
wheels of the waggons fitted: . Thus, in contradistinction from
all other railway or tramway practice, the flanges were not on the wheels,
but on the rails themselves. The very frugal object of this was to enable
the waggons to travel on ordinary roads, if necessity arose.
This railway was the result of a project first suggested in 1799 for a canal from Wandsworth to Croydon. It was abandoned because of potential damage to the many wharves and factories along the Wandle, and a railway was proposed instead. The Act of Parliament was passed in 1800, and the line was built to Croydon the following year, at a cost of about £27,000. It wasn’t a railway in the modern sense; horses pulled the bulky wagons at a speed of around four miles an hour. The rails, set on stone blocks, were unlike those of today’s railways or tramways, consisting simply of lengths of angle iron that the wagon wheels fit into: . Unlike any other railway or tramway practice, the flanges were on the rails, not the wheels. This simple design allowed the wagons to travel on regular roads if necessary.
From the point where the Wandle flows into the Thames, at Wandsworth, along the levels past Earlsfield and Garratt, the railway went in double track; continuing by Merton Abbey, Mitcham (where the present lane called “Tramway Path” marks its course) and across Mitcham Common into Croydon by way of what is now called Church Street, but was then known as “Iron Road.” Thence along Southbridge Lane and the course of the Bourne, it was continued to Purley, whence it climbed Smitham[Pg 123] Bottom and ran along the left-hand side of the Brighton Road in a cutting now partly obliterated by the deeper cutting of the South Eastern line. The ideas of those old projectors were magnificent, for they cherished a scheme of extending to Portsmouth; but the enterprise was never a financial success, and that dream was not realised. Nearly all traces of the old railway are obliterated.
From the point where the Wandle meets the Thames at Wandsworth, the railway ran on double tracks past Earlsfield and Garratt. It continued through Merton Abbey, Mitcham (where the current path called “Tramway Path” marks its route), and across Mitcham Common into Croydon via what is now Church Street, but used to be called “Iron Road.” It then followed Southbridge Lane and the course of the Bourne to Purley, where it climbed Smitham[Pg 123] Bottom and ran along the left side of the Brighton Road in a cutting that is now partly covered by the deeper cutting of the South Eastern line. The visions of those early planners were grand; they dreamed of extending the line to Portsmouth. However, the project was never a financial success, and that dream didn't come true. Almost all signs of the old railway are gone.
The marvel-mongers who derive the name of Waddon from “Woden” find that Haling comes from the Anglo-Saxon “halig,” or holy; and therefrom have built up an imaginary picture of ancient heathen rites celebrated here. The best we can say for those theories is that they may be correct or they may not. Of evidence there is, of course, none whatever; and certainly it is to be feared that the inhabitants of Croydon care not one rap about it; nor even know—or knowing, are not impressed—that here, in 1624, died that great Lord High Admiral of England, Howard of Effingham. It is much more real to them that the tramcars are twopence all the way.
The enthusiasts who claim that the name Waddon comes from “Woden” believe that Haling is derived from the Anglo-Saxon word “halig,” meaning holy; from this, they've created a fictional image of ancient pagan rituals taking place here. The best we can say about those theories is that they might be true, or they might not. There’s absolutely no evidence for either side; and it’s certainly likely that the people of Croydon don’t care at all about it; nor do they even know—or if they do know, they aren’t impressed—that here, in 1624, the great Lord High Admiral of England, Howard of Effingham, passed away. What feels much more real to them is that tram rides cost two pence each way.
At the beginning of Haling Park, immediately beyond the “Swan and Sugarloaf,” the Croydon toll-gate barred the road until 1865. Beyond it, all was open country. It is a very different tale to-day, now the stark chalk downs of Haling and Smitham are being covered with houses, and the once-familiar great white scar of Haling Chalk Pit is being screened behind newly raised roofs and chimney-pots.
At the start of Haling Park, just past the “Swan and Sugarloaf,” the Croydon tollgate blocked the road until 1865. Beyond that point, it was all open countryside. Today, it’s a completely different story, as the bare chalk hills of Haling and Smitham are being transformed into housing, and the once-familiar massive white scar of Haling Chalk Pit is now hidden behind new roofs and chimney pots.
The beginning of Purley is marked by a number of prominent public-houses, testifying to the magnificent thirst of the new suburb. You come past the “Swan and Sugarloaf” to the “Windsor Castle,” the “Purley Arms,” the “Red Deer,” and the “Royal Oak”; and just beyond, round the corner, is the “Red Lion.” At the “Royal Oak” a very disreputable and stony road goes off to the left. It looks like, and is, a derelict highway: once the main road to Godstone and East Grinstead, but now ending obscurely in a miserable modern settlement near the newly built station of[Pg 124] Purley Oaks, so called by the Brighton Railway Company to distinguish it from the older Purley station—ex “Caterham Junction”—of the South Eastern line.
The start of Purley features several notable pubs, showcasing the impressive thirst of the new neighborhood. You pass the “Swan and Sugarloaf,” then the “Windsor Castle,” the “Purley Arms,” the “Red Deer,” and the “Royal Oak”; just around the corner is the “Red Lion.” At the “Royal Oak,” a rough and rocky road branches off to the left. It appears to be, and actually is, a forgotten highway: once the main route to Godstone and East Grinstead, but now it ends unremarkably in a rundown modern settlement near the newly constructed station of[Pg 124] Purley Oaks, named by the Brighton Railway Company to differentiate it from the older Purley station—formerly “Caterham Junction”—of the South Eastern line.
It was here, at Purley House, or Purley Bury as it is properly styled, close by the few poor scrubby and battered remains of the once noble woodland of Purley Oaks, that John Horne Tooke, contentious partisan and stolid begetter of seditious tracts, lived—when, indeed, he was not detained within the four walls of some prison for political offences.
It was here, at Purley House, or Purley Bury as it's officially called, near the few scrappy and worn remnants of the once grand woodland of Purley Oaks, that John Horne Tooke, a controversial figure and the steadfast creator of rebellious pamphlets, lived—when he wasn’t, of course, stuck within the four walls of some prison for political crimes.
Tooke, whose real name was Horne, was born in 1736, the son of a poulterer. At twenty-four years of age he became a clergyman, and was appointed to the living of New Brentford, which he held until 1773, when, clearly seeing how grievously he had missed his vocation, he studied for the Bar. Thereafter his life was one long series of battles, hotly contested in Parliament, in newspapers, books and pamphlets, and on platforms. He was in general a wrong-headed, as well as a hot-headed, politician; but he was sane enough to oppose the American War when King and Government were so mad as to provoke and continue it. Describing the Americans killed and wounded by the troops at Lexington and Concord as “murdered,” he was the victim of a Government prosecution for libel, and was imprisoned for twelve months and fined £200. He took—no! that will not do—he “assumed” the name of Tooke in 1782, in compliment to his friend William Tooke, who then resided here in this delightful old country house of Purley. The idea seems to have been for them to live together in amity, and that William Tooke, the elder of the two, should leave his property to his friend. But quarrels arose long before that, and Horne at his friend’s death received only £500, while other disputed points arose, leading to bitter law-suits.
Tooke, whose real name was Horne, was born in 1736 as the son of a poultry seller. At twenty-four, he became a clergyman and was appointed to the position in New Brentford, which he held until 1773. Realizing that he had seriously misjudged his calling, he decided to study law. From then on, his life was a constant struggle, fiercely contested in Parliament, newspapers, books, pamphlets, and on speaking platforms. He was generally seen as a misguided and impulsive politician, but he was sensible enough to oppose the American War when the King and Government were foolishly provoking and continuing it. He referred to the Americans killed and wounded by troops at Lexington and Concord as “murdered,” which led to a government prosecution for libel, resulting in a twelve-month imprisonment and a £200 fine. He adopted the name Tooke in 1782, in honor of his friend William Tooke, who lived in a lovely old country house in Purley. The idea was for them to live together harmoniously, with William, the elder, leaving his property to Horne. However, disagreements arose long before that happened. When William passed away, Horne received only £500, and further disputes led to bitter lawsuits.
In 1801 he was Member of Parliament for Old Sarum; but how he reconciled the representation of that rottenest of rotten boroughs with his profession of reforming Whig does not appear.
In 1801, he was a Member of Parliament for Old Sarum; however, it's unclear how he justified representing that mostly useless borough while claiming to be a reformist Whig.
[Pg 125]He was a many-sided man, of fierce energies and strong prejudices, but a scholar. While his political pamphlets are forgotten, his “ΕΠΕΑ ΠΤΕΡΟΕΝΤΑ; or, the Diversions of Purley,” which is not really a book of sports, is still remembered for its philological learning. It is a disquisition on the affinities of prepositions, the relationships of conjunctions, and the intimacies of other parts of speech. His other diversions appear to have been less reputable, for he was the father of one illegitimate son and two daughters.
[Pg 125]He was a complex man, full of intense energy and strong biases, yet a scholar. While his political pamphlets are forgotten, his “ΕΠΕΑ ΠΤΕΡΟΕΝΤΑ; or, the Diversions of Purley,” which isn’t really about sports, is still remembered for its linguistic insights. It explores the connections between prepositions, the relationships of conjunctions, and the intricacies of other parts of speech. His other interests seem to have been less reputable, as he was the father of one illegitimate son and two daughters.
His intention was to have been buried in the grounds of Purley House, but when he died, in 1812, at Wimbledon, his mortal coil was laid to rest at Ealing; and so it chanced that the vault he had constructed in his garden remained, after all, untenanted, with the unfinished epitaph:
His intention was to be buried in the grounds of Purley House, but when he died in 1812 at Wimbledon, his body was interred at Ealing; and so it happened that the vault he had built in his garden remained empty, with the unfinished epitaph:
JOHN HORNE TOOKE,
Late Proprietor and now Occupier
of this spot,
was born in June 1736,
Died in
Aged years,
Contented and Grateful.
JOHN HORNE TOOKE,
Former Owner and now Occupant
of this place,
was born in June 1736,
Died in
At the age of years,
Satisfied and Thankful.
Purley House is still standing, though considerably altered, and presents few features reminiscent of the eighteenth-century politician, and fewer still of the Puritan Bradshaw, the regicide, who once resided here. It stands in the midst of tall elms, and looks as far removed from political dissensions as may well be imagined, its trim lawn and trellised walls overgrown in summer by a tangle of greenery.
Purley House is still here, though it’s changed a lot, and shows few signs of the eighteenth-century politician, and even fewer of the Puritan Bradshaw, the regicide, who once lived here. It’s surrounded by tall elm trees and looks completely disconnected from political conflicts, with its neat lawn and trellised walls often covered in a tangle of greenery during the summer.
But suburban expansion has at last reached Tooke’s rural retreat from political strife, and the estate is now “developed,” with roads driven through and streets of villas planned, leaving only the old house and some few acres of gardens around it.
But suburban expansion has finally reached Tooke’s quiet getaway from political conflict, and the estate is now “developed,” with roads cut through and rows of houses planned, leaving just the old house and a few acres of gardens around it.
XIV
Returning to the main road, we come, just before reaching Godstone Corner, to the site of the now-forgotten Foxley Hatch, a turnpike-gate, which stood at this point until 1865. Paying toll here “cleared,” or made the traveller free of, the gates and bars to Merstham, on the main road, and as far as Wray Common, on the Reigate route, as the following copy of a contemporary turnpike-ticket, shows:
Returning to the main road, we come, just before reaching Godstone Corner, to the site of the now-forgotten Foxley Hatch, a tollgate that stood at this point until 1865. Paying the toll here “cleared,” or made the traveler free of, the gates and bars to Merstham on the main road and as far as Wray Common on the Reigate route, as the following copy of a contemporary toll ticket shows:
Foxley Hatch Gate
R
clears Wray common, Gatton,
Merstham and Hooley lane
gates and bars
Foxley Hatch Entrance
R
clears Wray Common, Gatton,
Merstham, and Hooley Lane
gates and barriers
“To Riddlesdown, the prettiest spot in Surrey,” says a sign-post on the left hand. It is not true that it is the prettiest place, but, of course (as the proverb truly says), “every eye forms its own beauty,” and Riddlesdown is a Beanfeasters’ Paradise, where tea-gardens, swings, and I know not what temerarious delights await the tripper who accepts the invitation, boldly displayed, “Up the Steps for Home Comforts.”
“To Riddlesdown, the prettiest spot in Surrey,” says a signpost on the left. It’s not exactly true that it’s the prettiest place, but, of course (as the saying goes), “every eye sees its own beauty,” and Riddlesdown is a paradise for Beanfeasters, where tea gardens, swings, and who knows what other daring delights await the visitor who takes up the inviting challenge, boldly announced, “Up the Steps for Home Comforts.”
Here an aged milestone, in addition, proclaims it to be “XIII Miles from the Standard in Cornhill, London, 1743,” and “XII Miles From Westminster Bridge.” This is, doubtless, one of the stones referred to in the London Evening Post of September 10th, 1743, [Pg 127]which says: “On Wednesday they began to measure the Croydon Road from the Standard in Cornhill and stake the places for erecting milestones, the inhabitants of Croydon having subscribed for 13, which ’tis thought will be carried on by the Gentlemen of Sussex.”
Here an old milestone also states it’s “XIII Miles from the Standard in Cornhill, London, 1743,” and “XII Miles From Westminster Bridge.” This is likely one of the stones mentioned in the London Evening Post on September 10th, 1743, [Pg 127]which reads: “On Wednesday they started measuring the Croydon Road from the Standard in Cornhill and marking spots for setting up milestones, as the residents of Croydon contributed for 13, which it’s believed will be continued by the gentlemen of Sussex.”
I know nothing of what those Sussex gentlemen did, but that the milestones were carried on is evident enough to all who care to explore the old Brighton Road through Godstone, up Tilburstow Hill, and so on to East Grinstead, Uckfield, and Lewes, where this fine bold series, dated 1744, is continued. What, however, has become of the series so liberally provided in 1743 by the “inhabitants of Croydon”? What indeed? Only this one, the thirteenth, remains; the other twelve, marking the distance from the “Standard” in Cornhill, in addition to Westminster Bridge, have been spirited away, and their places have been taken by others, themselves old, but chiefly marking the mileage from Whitehall and the Royal Exchange.
I have no idea what those Sussex gentlemen did, but it's clear to anyone who looks into the old Brighton Road through Godstone, up Tilburstow Hill, and onward to East Grinstead, Uckfield, and Lewes, that the milestones were carried along. However, what happened to the series that the “inhabitants of Croydon” generously provided in 1743? What indeed? Only this one, the thirteenth, is left; the other twelve, which marked the distance from the “Standard” in Cornhill and along with Westminster Bridge, have vanished, and their spots have been filled by different ones, which are also old, but mainly show the mileage from Whitehall and the Royal Exchange.
We all know that the Brighton Road is nowadays measured from the south side of Westminster Bridge, but it is not generally known—nor possibly known to one person in every ten thousand of those who consider they have worn the Brighton Road threadbare—that it was measured from “Westminster Bridge” before ever there was a bridge. No bridge existed across the Thames anywhere between London Bridge and Putney until November 10th, 1750, when Westminster Bridge, after being for many years under construction, was opened, superseding the ancient ferry which from time immemorial had plied between Horseferry Stairs, Westminster, and Stangate on the Surrey side, the site of the present Lambeth Bridge. The way to Brighton (and to all southern roads) lay across London Bridge.
We all know that Brighton Road is currently measured from the south side of Westminster Bridge, but it’s not widely recognized—nor probably known by more than one in ten thousand of those who think they’ve traveled the Brighton Road a lot—that it was measured from "Westminster Bridge" long before there actually was a bridge. There wasn’t any bridge over the Thames between London Bridge and Putney until November 10th, 1750, when Westminster Bridge, having been under construction for many years, finally opened, replacing the ancient ferry that for centuries had operated between Horseferry Stairs in Westminster and Stangate on the Surrey side, which is where the current Lambeth Bridge is located. The route to Brighton (and all southern roads) originally went over London Bridge.
The old stones dated 1743 and 1744, and giving the mileage from the bridge, were thus displaying that “intelligent anticipation of events” which is,[Pg 128] perhaps, even more laudable in statesmen than in milestones—and as rarely found.
The old stones from 1743 and 1744, showing the distance from the bridge, were demonstrating that “smart foresight of what was to come” which is, [Pg 128] maybe even more commendable in politicians than in milestones—and just as seldom seen.
To this day no man knoweth the distance between London and Brighton. Convention fixes the distance as 51½ miles from the south side of Westminster Bridge to the Aquarium, by the classic route; but where is he who has chained it in proper surveyorly manner? The milestones themselves are a curious miscellany, and form an interesting study. They might profitably have been made a subject for the learned deliberations of the Pickwick Club, but the opportunity was unfortunately missed, and the world is doubtless the loser of much curious lore.
To this day, no one really knows the distance between London and Brighton. Convention states it's 51½ miles from the south side of Westminster Bridge to the Aquarium along the classic route, but where is the person who has measured it properly? The milestones along the way are a strange mix and provide an interesting study. They could have been a great topic for the intellectual discussions of the Pickwick Club, but that opportunity was unfortunately missed, and the world surely lost out on a lot of interesting knowledge.
Where is he who can, offhand, describe the first milestone on the Brighton Road, and tell where it stands? It ought to be no difficult matter, for miles are not—or should not be—elastic.
Where is the person who can casually describe the first mile marker on the Brighton Road and say exactly where it is? This shouldn't be hard, since miles aren't—or shouldn't be—flexible.
It stands, in fact, on the kerb at the right-hand side of Kennington Road, between Nos. 230 and 232, just short of Lower Kennington Lane, and is a poor old battered relic, set anglewise and with the top broken away, bearing the legend, in what was once bold lettering:
It sits, actually, on the curb on the right side of Kennington Road, between Nos. 230 and 232, just before Lower Kennington Lane, and is a worn-out old relic, positioned at an angle with the top chipped off, displaying the words, in what used to be bold lettering:
. . . . . . . MILE
HORSEGUARDS
WHITEHALL
. . . . . . . MILE
HORSEGUARDS
WHITEHALL
That is the first milestone on the Brighton Road. Sterne, were he here to-day, would shed salt tears of sentiment upon it, we may be sure. It says nothing whatever about Brighton, and is probably the one and only stone that takes the Horseguards as a datum.
That’s the first milestone on the Brighton Road. Sterne, if he were here today, would definitely shed emotional tears over it. It doesn’t mention Brighton at all, and it’s probably the only stone that uses the Horseguards as a reference point.
About forty yards beyond this initial landmark is another “first” milestone: a tall, upstanding affair, certainly a century old, with three blank sides, and a fourth inscribed:
About forty yards past this first landmark is another “first” milestone: a tall, upright structure, definitely a hundred years old, with three blank sides and one side that’s inscribed:
[Pg 129]I
MILE
FROM
WESTMINSTER
BRIDGE
I MILE FROM WESTMINSTER BRIDGE
This is followed by a long series of stones of one pattern, probably dating from 1800, marking every half mile. The series starts with the stone on the kerb close by the tramway office at the triangle, where the Brixton Road begins. It records on two sides “Royal Exchange 2½ miles,” and on a third “Whitehall 2 miles,” and is followed, opposite No. 158, Brixton Road, by a stone carrying on the tale by another half a mile. These silent witnesses may be traced nearly into Croydon, with sundry gaps where they have been removed. Those recording the 4th, 6th, 8½th, 9½th, and 10th miles from Whitehall are missing, the last of the series now extant being that at the corner of Broad Green Avenue, making “Whitehall 9 miles, Royal Exchange 9½ miles.” The 10th from Whitehall, ending the series, stood at the corner of the Whitgift Hospital.
This is followed by a long row of stones with a consistent design, likely from 1800, marking every half mile. The row starts with the stone on the curb near the tramway office at the triangle, where Brixton Road begins. It states on two sides “Royal Exchange 2½ miles,” and on a third side “Whitehall 2 miles,” and is followed, across from No. 158, Brixton Road, by another stone that continues the count by another half a mile. These silent markers can be traced nearly to Croydon, with a few gaps where some have been removed. The stones marking the 4th, 6th, 8½th, 9½th, and 10th miles from Whitehall are missing, with the last remaining stone in the series at the corner of Broad Green Avenue, stating “Whitehall 9 miles, Royal Exchange 9½ miles.” The 10th from Whitehall, which would complete the series, was located at the corner of the Whitgift Hospital.
These were succeeded by one of the old eighteenth-century series, marking eleven miles from Westminster Bridge and twelve from the “Standard,” but neither new nor old stone is there now, and the only one of the thirteen mentioned by the London Evening Post of 1743 is this near Purley Corner.
These were followed by one of the old eighteenth-century markers, noting eleven miles from Westminster Bridge and twelve from the “Standard,” but there’s no new or old stone there now, and the only one of the thirteen mentioned by the London Evening Post of 1743 is this one near Purley Corner.
This, marking the 13th mile from the “Standard” and the 12th from Westminster Bridge is common to both routes, but is followed by the first of a new series some way along Smitham Bottom, on which Brighton is for the first time mentioned:
This marks the 13th mile from the “Standard” and the 12th from Westminster Bridge, common to both routes. However, it is followed by the first of a new series a bit further along Smitham Bottom, where Brighton is mentioned for the first time:
[Pg 130]XIII
MILES
FROM
WESTMINSTER
BRIDGE
—
38½
MILES
TO
BRIGHTON
[Pg 130]XIII
MILES
FROM
WESTMINSTER
BRIDGE
—
38.5
MILES
TO
BRIGHTON
The character of the lettering and the general style of this series would lead to the supposition that they are dated about 1820. There are three stones in all of this kind, the third marking 15 miles from Westminster Bridge and 36½ to Brighton, followed by a series of triangular cast-iron marks, continued through Redhill, of which the first bears the legend, “Parish of Merstham.” On the north side is “16 from Westminster Bridge, 35 to Brighton,” and on the south “35 from Brighton, 16 to Westminster Bridge.” It will be observed that in this first one of a new series half a mile is dropped, and henceforward the mileage to Brighton becomes by authority 51 miles. Like the confectioner who “didn’t make ha’porths,” the turnpike trust which erected these mile-“stones” refused to deal in half miles.
The style of the lettering and overall look of this series suggests they are from around 1820. There are three stones of this type, with the third marking 15 miles from Westminster Bridge and 36½ miles to Brighton, followed by a set of triangular cast-iron markers that continue through Redhill, the first of which reads, “Parish of Merstham.” On the north side, it says “16 miles from Westminster Bridge, 35 miles to Brighton,” and on the south side, “35 miles from Brighton, 16 miles to Westminster Bridge.” It’s notable that in this first one of the new series, half a mile is ignored, and from then on, the distance to Brighton is officially set at 51 miles. Like the confectioner who “didn't make ha’porths,” the turnpike trust that put up these mile markers refused to deal in half miles.
XV
The tramway terminus at Purley Corner is now a busy place. Those are only the “old crocks” who can remember the South Eastern railway-station of Caterham Junction and the surrounding lonely downs; and to them the change to “Purley” and the appearance in the wilderness of a mushroom town, with its parade of brilliantly lighted shops, its Queen Victoria memorial, its public garden and penny-squirt fountain, and—not least—its hideous waterworks, are things for wonderment. “How strange it seems, and new,” as Browning—not writing of Purley—remarks.[Pg 131] Even the ghastly loneliness of the long straight road ascending the pass of Smitham Bottom is no more, for little villas, with dank little dungeons of gardens, line the way, and tradesmen’s carts calling for orders compete with the motorists who shall kill and maim most travellers along the highway.
The tram station at Purley Corner is now a bustling spot. Only the “old-timers” remember the South Eastern railway station at Caterham Junction and the surrounding empty downs; for them, the transformation into “Purley” and the sudden emergence of a pop-up town, with its array of brightly lit shops, its Queen Victoria memorial, its public garden and penny fountain, and—not least—its ugly waterworks, are truly astonishing. “How odd it seems, and new,” as Browning—not referring to Purley—points out.[Pg 131] Even the eerie solitude of the long, straight road climbing up Smitham Bottom is gone, as little houses with cramped gardens now line the route, and delivery carts jostle with cars that often endanger travellers on the highway.
The numerous railway-bridges, embankments, cuttings, and retaining-walls that disfigure the crest of Smitham Bottom are chiefly the results of latter-day activities. The first bridge is that of the Chipstead Valley Railway—now merged in the South Eastern and Chatham—from South Croydon to Chipstead and Epsom, 1897-1900, with its wayside station of “Smitham.” This is immediately followed by the London, Brighton, and South Coast’s station of Stoat’s Nest, a transformed and transported version of the old station of the same name some distance off, and beyond it are the bridges and embankments of the same company’s works of 1896-8; themselves almost inextricably confused, to the non-technical mind, with the adjoining South Eastern roadside station of Coulsdon.
The many railway bridges, embankments, cuttings, and retaining walls that spoil the top of Smitham Bottom are mainly due to recent developments. The first bridge is from the Chipstead Valley Railway—now part of the South Eastern and Chatham Railway—connecting South Croydon to Chipstead and Epsom, built between 1897 and 1900, which includes the roadside station "Smitham." This is immediately followed by the London, Brighton, and South Coast Railway’s station of Stoat’s Nest, a revamped and relocated version of the old station of the same name located some distance away, and beyond that are the bridges and embankments from the same company's construction work from 1896 to 1898; these are almost inseparably tangled, to the untrained eye, with the nearby South Eastern roadside station of Coulsdon.
The chapters of railway history which produced all this unlovely medley of engineering works are in themselves extremely interesting, and have an additional interest to those who trace the story of the Brighton Road, for they are concerned with the solution of the old problem which faced the coach proprietors—how best and quickest to reach Brighton.
The chapters of railway history that created this unattractive mix of engineering projects are really fascinating on their own, and they become even more intriguing for those who follow the story of the Brighton Road, as they relate to solving the classic challenge faced by coach owners—how to reach Brighton in the best and fastest way.
Few outside those intimately concerned with railway politics know that although the Brighton line was opened throughout in 1842, it was not until 1898 that the company owned an uninterrupted route between London and Brighton. The explanation of that singular condition of affairs is found in the curious reluctance of Parliament, two generations ago, to give any one railway company the sole control of any particular route. Few in those times thought the increase of population, and still more the increase of travelling, would be so great that competitive railways would be established to many places;[Pg 132] and thus to sanction the making of a railway to be owned by one company throughout seemed like the granting of a perpetual monopoly.
Few outside those deeply involved in railway politics know that even though the Brighton line was fully opened in 1842, it wasn't until 1898 that the company had a continuous route between London and Brighton. The reason for this unusual situation lies in Parliament's strange reluctance, two generations ago, to allow any single railway company to control a specific route entirely. Back then, few people believed that the population would grow so much, and even more so that travel would become so widespread that multiple railway companies would be established to many destinations; [Pg 132] and thus approving a railway to be owned entirely by one company seemed to grant a lasting monopoly.
Following this reasoning, a break was made in the continuity of the Brighton Railway between Stoat’s Nest and Redhill, a distance of five miles, and that stretch of territory given to the South Eastern Railway, with running powers only over it granted to the Brighton Company. Similarly, between Croydon and Stoat’s Nest, the South Eastern had only running powers over that interval owned by the Brighton.
Following this logic, a gap was created in the Brighton Railway between Stoat’s Nest and Redhill, spanning five miles, and that section of land was handed over to the South Eastern Railway, which was granted only running rights over it to the Brighton Company. Likewise, between Croydon and Stoat’s Nest, the South Eastern had only running rights over that segment owned by the Brighton.
In 1892 and 1894, however, the Brighton Company approached Parliament and, proving the growing confusion, congestion, and loss of time at Redhill Junction, owing to this odd condition of things, obtained powers to complete that missing link by the construction of an entirely new railway between Stoat’s Nest and a point just within a quarter of a mile of Earlswood Station, beyond Redhill, and also to double the existing line between East and South Croydon and Purley. The works were completed and opened for traffic in 1898, when for the first time the Brighton Railway had a complete and uninterrupted route of its own to the sea.
In 1892 and 1894, the Brighton Company went to Parliament and, highlighting the increasing confusion, traffic jams, and delays at Redhill Junction due to this strange situation, secured the authorization to finish that missing link by building a completely new railway between Stoat’s Nest and a point just under a quarter of a mile from Earlswood Station, beyond Redhill. They were also allowed to double the current line between East and South Croydon and Purley. The construction was completed and opened for use in 1898, marking the first time the Brighton Railway had a complete and uninterrupted route to the sea.
The hamlet of Smitham Bottom, which paradoxically stands at the top of the pass of that name, in this ancient way across the North Downs, can never have been beautiful. It was lonely when Jackson and Fewterel fought their prize-fight here, before that distinguished patron of sport the Prince of Wales and a more or less distinguished company, on June 9th, 1788; when the only edifice of “Smith-in-the-Bottom,” as the sporting accounts of that time style it, appears to have been the ominous one of a gibbet. The Jackson who that day fought, and won, his first battle in the prize-ring was none other than that Bayard of the noble art, “Gentleman Jackson,” afterwards the friend of Byron and of the Prince Regent himself, and subsequently landlord of the “Cock” at Sutton. On this occasion Major Hanger rewarded[Pg 133] the victor with a bank-note from the enthusiastic Prince.
The village of Smitham Bottom, which ironically sits at the top of the pass bearing its name, on this old route through the North Downs, has likely never been beautiful. It was desolate when Jackson and Fewterel faced off in their boxing match here, before the notable Prince of Wales and a somewhat notable crowd, on June 9, 1788; when the only structure in “Smith-in-the-Bottom,” as the sports reports of that time referred to it, seemed to be the foreboding sight of a gallows. The Jackson who fought and won his first match in the ring that day was none other than the celebrated fighter, “Gentleman Jackson,” who later became friends with Byron and the Prince Regent himself, and eventually ran the “Cock” pub in Sutton. On this occasion, Major Hanger rewarded[Pg 133] the winner with a banknote from the enthusiastic Prince.
Until 1898 Smitham Bottom remained a fortuitous concourse of some twenty mean houses on a windswept natural platform, ghastly with the chalky “spoil-banks” thrown up when the South Eastern Railway engineers excavated the great cuttings in 1840; but when the three railway-stations within one mile were established that serve Smitham Bottom—the stations of Coulsdon, Stoat’s Nest, and Smitham—the place, very naturally, began to grow with the magic quickness generally associated with Jonah’s Gourd and Jack’s Beanstalk, and now Smitham Bottom is a town. Most of the spoil-banks are gone, and those that remain are planted with quick-growing poplars; so that, if they can survive the hungry soil, there will presently be a leafy screen to the ugly railway sidings. Showy shops, all plate-glass and nightly glare of illumination, have arisen; the old “Red Lion” inn has got a new and very saucy front; and, altogether, “Smitham” has arrived. The second half of the name is now in process of being forgotten, and the only wonder is that the first part has not been changed into “Smytheham” at the very least, or that an entirely new name, something in the way of “ville” or “park,” suited to its prospects, has not been coined. For Smitham, one can clearly see, has a Future, with a capital F, and the historian confidently expects to see the incorporation of Smitham, with Mayor, Town Council, and Town Hall, all complete.
Until 1898, Smitham Bottom was just a random collection of about twenty shabby houses on a windswept natural platform, grimy with the chalky “spoil-banks” created when the South Eastern Railway engineers dug out the huge cuttings in 1840. But once the three train stations—Coulsdon, Stoat’s Nest, and Smitham—opened within a mile of each other, the area began to grow rapidly, much like the quick-growing plants in the tales of Jonah's Gourd and Jack's Beanstalk, and now Smitham Bottom is a town. Most of the spoil-banks have been removed, and the ones that are left are filled with fast-growing poplars. If they can survive the tough soil, there will soon be leafy cover for the unattractive railway sidings. Flashy shops, with large plate-glass windows and bright nighttime lights, have popped up; the old “Red Lion” inn has a new, stylish facade; and overall, “Smitham” has made its mark. The second half of the name is being forgotten, and it’s surprising that the first half hasn’t been adjusted to “Smytheham” at the very least, or that a whole new name—something like “ville” or “park,” fitting for its future—hasn’t been created. Clearly, Smitham has a Future, with a capital F, and the historian confidently expects to see the town formally incorporated, complete with a Mayor, Town Council, and Town Hall.
It is here, at Marrowfat, now “Marlpit,” Lane, that the new link of the Brighton line branches off from Stoat’s Nest.[8] One of the first trials of the engineers was the removal of three-quarters of a million cubic yards of the “spoil,” dumped down by the roadside over half a century earlier; and then followed the spanning of the Brighton Road by a girder-bridge. The line then entered the grounds of the Cane Hill[Pg 134] Lunatic Asylum, through which it runs in a covered way, the London County Council, under whose control that institution is carried on, obtaining a clause in the Company’s Act, requiring the railway to be covered in at this point, in case the lunatics might find means of throwing themselves in front of passing trains.
It is here, at Marrowfat, now “Marlpit,” Lane, that the new connection of the Brighton line branches off from Stoat’s Nest.[8] One of the first challenges the engineers faced was removing three-quarters of a million cubic yards of “spoil” that had been dumped by the roadside over fifty years earlier; after that, they built a girder-bridge over the Brighton Road. The line then entered the grounds of the Cane Hill[Pg 134] Lunatic Asylum, running through it in a covered tunnel. The London County Council, which oversees the institution, included a clause in the Company’s Act requiring the railway to be covered at this point to prevent the patients from trying to throw themselves in front of passing trains.
Leaving the asylum grounds, the railway re-crosses the road by a hideous skew girder bridge of 180 feet span, supported by giant piers and retaining-walls, and then crosses the deep cutting of the South Eastern, to enter a cutting of its own leading into a tunnel a mile and a quarter in length—the new Merstham tunnel—running parallel with the old tunnel of the same name through which the South Eastern Railway passes. At the southern end of this gloomy tunnel is the pretty village of Merstham, where the hillside sinks down to the level lands between that point and Redhill.
Leaving the asylum grounds, the railway crosses the road again via an ugly skew girder bridge with a 180-foot span, held up by massive piers and retaining walls. It then goes over the deep cutting of the South Eastern, entering its own cutting that leads into a mile-and-a-quarter-long tunnel—the new Merstham tunnel—running parallel to the old tunnel of the same name that the South Eastern Railway uses. At the southern end of this dark tunnel is the charming village of Merstham, where the hillside slopes down to the flat lands stretching between that point and Redhill.
At Merstham one of the odd problems of the new line was reached, for there it had to be constructed over a network of ancient tunnels made centuries ago in the hillside—quarry-tunnels whence came much of the limestone that went towards the building of Henry VII.’s Chapel at Westminster Abbey. The old workings are still accessible to the explorer who dares the accumulation of gas in them given off by the limestone rock.
At Merstham, one of the strange challenges of the new line came up, as it had to be built over a maze of ancient tunnels dug centuries ago in the hillside—quarry tunnels that provided much of the limestone used in the construction of Henry VII's Chapel at Westminster Abbey. The old mines are still open to those adventurous enough to brave the buildup of gas produced by the limestone rock.
The geology of these five miles of new railway is peculiarly varied, limestone and chalk giving place suddenly to the gault of the levels, and followed again by a hillside bed of Fuller’s earth, succeeded in turn by red sand. The Fuller’s earth, resting upon a slippery substratum of gault, only required a little rain and a little disturbance to slide down and overwhelm the railway works, and retaining-walls of the heaviest and most substantial kind were necessary in the cuttings where it occurred. Tunnelling for a quarter of a mile through the sand that gives Redhill its name, the railway crosses obliquely under the South[Pg 135] Eastern, and then joins the old Brighton line territory just before reaching Earlswood station.
The geology of these five miles of new railway is uniquely diverse, with limestone and chalk suddenly giving way to the gault of the levels, followed by a hillside layer of Fuller’s earth, and then red sand. The Fuller’s earth, sitting on a slippery layer of gault, only needed a bit of rain and disturbance to slide down and cover the railway works, so strong and substantial retaining walls were essential in the cuttings where it appeared. Tunneling for a quarter of a mile through the sand that gives Redhill its name, the railway crosses diagonally under the South[Pg 135] Eastern, and then merges with the old Brighton line territory just before reaching Earlswood station.

CHIPSTEAD CHURCH.
Chipstead Church.
[Pg 136]All these engineering manifestations give the old grim neighbourhood of Smitham Bottom a new grimness. The trains of the Brighton line boom, rattle, and clank overhead into the covered way, whose ventilators spout steam like some infernal laundry, and from the 80-foot deep cuttings close beside the road, steamy billows arise very weirdly. Presiding over all are the beautiful grounds and vast ranges of buildings of the Cane Hill Lunatic Asylum, housing an ever-increasing population of lunatics, now numbering some three thousand. Sometimes the quieter members of that unfortunate community are seen, being given a walk along the road, outside their bounds, and the sight and the thoughts they engender are not cheering.
[Pg 136]All these engineering developments give the old bleak neighborhood of Smitham Bottom a new kind of bleakness. The trains on the Brighton line thud, rattle, and clang overhead as they pass into the tunnel, whose vents release steam like some terrible laundromat, and from the 80-foot deep cuttings right next to the road, billows of steam rise in a strange way. Overseeing everything are the beautiful grounds and large buildings of the Cane Hill Lunatic Asylum, which houses an ever-growing number of patients, now totaling about three thousand. Occasionally, the quieter residents of that unfortunate community can be seen taking a walk along the road, outside their boundaries, and the sight and the thoughts it provokes are not uplifting.
Along the road, where the walls of the cutting descend perpendicularly, is the severely common-place hamlet of Hooley, formerly Howleigh, consisting of the “Star” inn and some twenty square brick cottages. Just beyond it, where a modern Cyclists’ Rest and tea-rooms building stands to the left of the road, the first traces of the old Surrey Iron Railway, which crossed the highway here, are found, in the shallower cutting, still noticeable, although disused seventy years ago. Alders, hazels, and blackberry brambles grow on the side of it, and its bridges are ivy-grown: primroses and violets, too, grow there wondrously profuse.
Along the road, where the cut walls drop steeply, is the ordinary little village of Hooley, once known as Howleigh, which has the “Star” inn and about twenty plain brick cottages. Just past it, where a modern Cyclists’ Rest and tea room is located on the left side of the road, you can spot the first signs of the old Surrey Iron Railway that used to cross the highway here. You can still see it in the shallower cutting, even though it was abandoned seventy years ago. Alders, hazels, and blackberry brambles grow alongside it, and its bridges are covered in ivy. Primroses and violets also bloom there in amazing abundance.
And here we will, by way of interlude, turn aside, up a lane to the right hand, toward the village of Chipstead, in whose churchyard lies Sir Edward Banks, who began life in the humblest manner, working as a navvy upon this same forgotten railway, afterwards rising, as partner in the firm of Jolliffe & Banks, to be an employer of labour and contractor to the Government: in short, another Tom Brassey. All these things are recorded of him upon a memorial tablet in the church of Chipstead—a tablet which[Pg 137] lets nothing of his worth escape you, so prolix is it.[9]
And here we will, as a little break, turn off down a lane on the right toward the village of Chipstead, where Sir Edward Banks is buried in the churchyard. He started out in a very humble way, working as a laborer on this same forgotten railway, and later became a partner in the firm of Jolliffe & Banks, becoming an employer and a contractor for the Government: in short, he was another Tom Brassey. All of this is recorded on a memorial tablet in the church of Chipstead—a tablet that[Pg 137] makes sure you don’t miss any of his accomplishments, it’s so detailed.[9]
It was while delving amid the chalk of this tramway cutting that Edward Banks first became acquainted with this village, and so charmed with it was he that he expressed a desire, when his time should come, to be laid at rest in its quiet graveyard. When he died, after a singularly successful career, his wish was carried out, and here, in this quiet spot overlooking the highway, you may see his handsome tomb, begirt with iron railings, and overshadowed with ancient trees.
It was while exploring the chalky area of this tramway cutting that Edward Banks first discovered this village, and he was so charmed by it that he expressed a wish, when his time came, to be laid to rest in its peaceful graveyard. When he died, after a particularly successful career, his wish was fulfilled, and here, in this serene spot overlooking the road, you can see his beautiful tomb, surrounded by iron railings and shaded by old trees.
The little church of Chipstead is of Norman origin, and still shows some interesting features of that period, with some unusual Early English additions that have presented architectural puzzles even to the minds of experts. Many years ago the late Mr. G. E. Street, the architect of the present Royal Courts of Justice in London, read a paper upon this building, advancing the theory that the curious pedimental windows of the chancel and the transept door were not the Saxon work they appeared to be, but were the creation of an architect of the Early English period who had a fancy for reviving Saxon features, and who was the builder and designer of a series of Surrey churches, among which is included that of Merstham.
The small church in Chipstead dates back to the Norman era and still displays some interesting features from that time, along with some unique Early English additions that have puzzled even the experts. Many years ago, the late Mr. G. E. Street, who was the architect of the current Royal Courts of Justice in London, presented a paper about this building. He proposed that the unusual pedimental windows in the chancel and the transept door, which seemed to be Saxon work, were actually designed by an architect from the Early English period. This architect had a penchant for reviving Saxon elements and was responsible for a series of churches in Surrey, including the one in Merstham.
[Pg 138]Within the belfry here is a ring of fine bells, some of them of a respectable age, and three bearing the inscription, with variations:
[Pg 138]In the belfry, there's a set of beautiful bells, some of them quite old, and three of them have the same inscription with slight variations:
“OUR HOPE IS IN THE LORD, 1595.”
R E
“OUR HOPE IS IN THE LORD, 1595.”
R E
From here a bye-lane leads steeply once more into the high road, which winds along the valley, sloping always towards the Weald. Down the long descent into Merstham village tall and close battalions of fir-trees lend a sombre colouring to the foreground, while “southward o’er Surrey’s pleasant hills” the evening sunlight streams in parting radiance. On the left hand as we descend are the eerie-looking blow-holes of the Merstham tunnel, which here succeeds the cutting. Great heaps of chalk, by this time partly overgrown with grass, also mark its course, and in the distance, crowned as many of them are with telegraph poles, they look by twilight curiously and awfully like so many Calvarys.
From here, a narrow path climbs once again to the main road, which winds along the valley, always sloping toward the Weald. As we descend into Merstham village, tall rows of fir trees cast a dark shadow in the foreground, while the evening sunlight streams “southward o’er Surrey’s pleasant hills” in radiant beams. On the left, as we go down, are the eerie blow-holes of the Merstham tunnel, which replaces the cutting here. Huge piles of chalk, now partly overrun with grass, also mark its path, and in the distance, many of them topped with telegraph poles, they look strangely and eerily like a series of Calvarys in the twilight.
Beside the descent into Merstham was situated the terminus of the old Iron Railway, in the great excavated hollow of the Greystone lime-works, where the lime-burners still quarry the limestone and the smoke of their burning ascends day and night. The old “Hylton Arms,” down below, that served the turn of the lime-burners when they wanted to slake their thirst, has been ornately rebuilt in the modern-Elizabethan Public House Style, alongside the road, to catch the custom of the world at large, and is named the “Jolliffe Arms.” Both signs reflect the ownership of Merstham, for Jolliffe has long been the family name of the holders of the modern Barony of Hylton. Formerly “Jolly,” it was presumably too bacchanalian and not sufficiently aristocratic, and so it was changed, just as your “Smythe” was once Smith, and “Johnes” Jones.
Beside the descent into Merstham was the terminus of the old Iron Railway, in the large excavated hollow of the Greystone limeworks, where the lime-burners still extract limestone and the smoke from their fires rises day and night. The old “Hylton Arms,” down below, which served the lime-burners when they wanted to quench their thirst, has been nicely rebuilt in the modern-Elizabethan Public House Style, next to the road, to attract customers from all over, and is now called the “Jolliffe Arms.” Both signs reflect the ownership of Merstham, as Jolliffe has long been the family name of the current holders of the modern Barony of Hylton. Previously called “Jolly,” it was probably seen as too festive and not aristocratic enough, so it was changed, just like your “Smythe” was once Smith, and “Johnes” was Jones.
XVI
Merstham is as pretty a village as Surrey affords, and typically English. Railways have not abated, nor these turbid times altered in any great measure, its fine air of aristocratic and old-time rusticity. At one end of its one clearly-defined street, set at an angle to the high-road, are the great ornamental gates of Merstham Park, setting their stamp of landed aristocracy upon the place. To their right is a tiny gate leading to the public right-of-way through the park, which presently crosses over the pond where rise fitfully the springs of Merstham Brook, a congener of the Kentish “Nailbournes,” and one of the many sources of the River Mole. To the marshy ground by this brook, and to its stone-quarries, the place owes[Pg 140] its name. It was in Domesday Book “Merstán” = Mere-stan, the stone (house) by the lake.
Merstham is one of the prettiest villages in Surrey and feels typically English. The arrival of railways and these turbulent times haven't significantly changed its charming air of old-world elegance and rusticity. At one end of its clearly defined street, which sits at an angle to the main road, are the grand gates of Merstham Park, marking the space with an air of landed gentry. To the right of these gates is a small entrance that leads to the public path through the park, which crosses over the pond where the springs of Merstham Brook rise intermittently—related to the Kentish "Nailbournes" and one of the many sources of the River Mole. The village gets its name from the marshy land near this brook and its stone quarries. In the Domesday Book, it was recorded as "Merstán," meaning Mere-stan, the stone (house) by the lake.

MERSTHAM.
MERSTHAM.
Beyond the brook, above the tall trees, is seen the shingled spire of the church, an Early English building dedicated to St. Catherine, not yet spoiled, despite restorations and the scraping which its original lancet windows have undergone, in misguided efforts to endue them with an air of modernity.
Beyond the stream, above the tall trees, you can see the shingled spire of the church, an Early English building dedicated to St. Catherine. It hasn’t been ruined yet, despite some restorations and the scraping that its original lancet windows have gone through in misguided attempts to give them a modern look.
The church is built of that limestone or “firestone” found so freely in the neighbourhood—a famed speciality which entered largely into the building and ornamentation of Henry the Seventh’s Chapel at Westminster. Those wondrously intricate and involved carvings and traceries, whose decadent Gothic delicacy is the despair of present-day architects and stone-carvers, were possible only in this stone, which, when quarried, is of exceeding softness, but afterwards, on exposure to the air, assumes a hardness equalling that of any ordinary building-stone, and has, in addition, the merit of resisting fire, whence its name. From the softer layers comes that article of domestic use, the “hearthstone,” used to whiten London hearths and doorsteps.
The church is made of that limestone or “firestone” that’s readily found in the area—a well-known specialty that was widely used in the building and decoration of Henry the Seventh’s Chapel at Westminster. Those incredibly intricate carvings and designs, whose delicate Gothic style leaves modern architects and stone-carvers frustrated, were only possible with this stone, which is very soft when quarried but hardens after being exposed to air, making it as tough as any regular building stone, plus it has the added benefit of being fire-resistant, hence its name. From the softer layers comes that common household item, the “hearthstone,” used to brighten up London hearths and doorsteps.
Merstham Church is even yet of considerable interest. It contains brasses to the Newdegate. Best, and Elmebrygge families, one recording in black letter:
Merstham Church is still quite fascinating. It features memorials for the Newdegate, Best, and Elmebrygge families, including one inscribed in black letter:
“Hic iacet Johēsi Elmebrygge, armiger, qui obiit biij die
ffebruarij; Aº Dn̅i Mºccccºlxxij, et Isabella uxor eius
quae fuit filia Nichī Jamys quondā Maioris et
Alderman̅ London: quae obiit bijº die Septembris
Aº Dn̅i Mºccccºlxxijº et Annae uxor ei: quae
fuit filia Johēs Prophete Gentilman quae obiit ...
Aº Dn̅i Mºcccº ... quorū animabus
ppicietur Deus.”
“Here lies John Elmebrygge, gentleman, who died on the 22nd day of February in the year 1572, and Isabella, his wife, who was the daughter of Nicholas Jamys, once Mayor and Alderman of London: she died on the 2nd day of September in the year 1572, and Anna, his other wife: who was the daughter of John Prophet, gentleman, who died ... in the year 1400 ... may God have mercy on their souls.”
The date of the second wife’s death has never been inserted, showing that the brass was engraved and set during her lifetime, as in so many other examples of monumental brasses throughout the country. The[Pg 141] figure of John Elmebrygge is wanting, it having been at some time torn from its matrix, but above his figure’s indent remains a label inscribed Sancta Trinitas, and from the mouths of the remaining figures issue labels inscribed Unus Deus—Miserere nobis. Beneath is a group of seven daughters; the group of four sons is long since lost.
The date of the second wife's death has never been added, indicating that the brass was engraved and set while she was still alive, similar to many other monumental brasses found across the country. The [Pg 141] figure of John Elmebrygge is missing; it was torn from its base at some point. However, above the outline of his figure, there's a label that says Sancta Trinitas, and from the mouths of the remaining figures come labels that read Unus Deus—Miserere nobis. Below them is a group of seven daughters; the group of four sons has been lost long ago.
A transitional Norman font of grey Sussex marble remains at the western end of the church, and on an altar-tomb in the southern chapel are the poor remains of an ancient stone figure of the fifteenth century, presumably the effigy of a merchant civilian, as he is represented wearing the gypcière. It is hacked out of almost all significance at the hands of some iconoclasts; their chisel-marks are even now distinct and bear witness against the Puritan rage that defaced and buried it face downwards, the reverse side of the stone forming part of the chapel pavement until 1861, when it was discovered during the restoration of the church.
A transitional Norman font made of grey Sussex marble still stands at the western end of the church. On an altar-tomb in the southern chapel, there are the damaged remains of an ancient stone figure from the fifteenth century, likely the effigy of a merchant, as he is shown wearing the gypcière. It's been almost completely stripped of its significance by some iconoclasts; their chisel marks are still clear and serve as a reminder of the Puritan rage that defaced it and buried it face down. The back side of the stone was part of the chapel floor until 1861 when it was uncovered during the church restoration.
Before that restoration this was an interior of Georgian high pews. Among them the “squire’s parlour” was pre-eminent, with its fireplace, its well-carpeted floor, its chairs and tables: a snuggery wherein that good man snored unobserved, or partook critically of his snuff during the parson’s discreet discourse. But now the parlour is gone, and the squire must slumber, if he can, with the other sinners.
Before that restoration, this was an interior filled with tall Georgian pews. Among them, the “squire’s parlour” stood out, featuring its fireplace, well-carpeted floor, chairs, and tables: a cozy spot where that good man would snore unnoticed or take in his snuff while listening with a discerning ear to the parson’s discreet talk. But now the parlour is gone, and the squire must sleep, if he can, alongside the other sinners.
In Merstham village, just beyond the “Feathers” inn, stood Merstham toll-gate, followed by that of Gatton, at Gatton Point, a mile distant, where the old route through Reigate goes off to the right, and the new—the seven miles between Gatton Point and Povey Cross, through Redhill—continues, straight as an arrow, ahead. The way is bordered on the right hand by Gatton Park, a spot the country folk rightly describe as an “old arnshunt place.” The history of Gatton, in truth, goes back to immemorial times, and has no beginning: for where history thins out and becomes a mere scatter of disjointed scraps purporting[Pg 142] to be facts, tradition carries back the tale into a very fog of legend and conjecture. It was “Gatone” when the Domesday survey was made: the Saxon “Geat-ton,” the town in the “gate,” passage, or road through the North Downs, just as Reigate is the Saxon “Rige-geat,” the road over the ridge. The “ton” or town in the place-name does not necessarily mean what we moderns would understand by the word, and here doubtless indicated an enclosed, hedged, or walled-in tract of land redeemed and cultivated out of the then encompassing wilderness of the Downs.
In Merstham village, just past the “Feathers” inn, there was the Merstham toll-gate, followed by the one at Gatton, located at Gatton Point, a mile away. Here, the old route through Reigate branches off to the right, while the new route—the seven miles between Gatton Point and Povey Cross, passing through Redhill—continues straight ahead. On the right side, you’ll find Gatton Park, a place the locals correctly refer to as an “old arnshunt place.” The history of Gatton actually goes back to ancient times and doesn’t have a clear beginning: where history fades and turns into a jumble of disconnected bits that claim to be facts, tradition stretches the story back into a fog of legend and guesswork. It was called “Gatone” during the Domesday survey: the Saxon “Geat-ton,” meaning the town in the “gate,” a passage or road through the North Downs, just as Reigate is the Saxon “Rige-geat,” the road over the ridge. The “ton” or town in the place-name doesn’t necessarily convey what we modern people think of as a town, and here it probably indicated an enclosed, hedged, or walled-off piece of land that was cleared and farmed out of the surrounding wilderness of the Downs.
Who first broke the land of Gatton to the plough? History and tradition are silent. No voice speaks out of the grave of the centuries. But both Reigate and Gatton are older than Anglo-Saxon times, for a Roman way, itself following the course of an even earlier savage trail, came up out of the stodgy clay of Holmesdale, over the chalky hills, to Streatham and London. It was a branch of the road leading from Portus Adurni—the present Old Shoreham, on the river Adur—and doubtless, in the long centuries of Romano-British civilisation, it was bordered here and there by settlements and villas. Prominent among them was Gatton. There can scarcely be a doubt of it, for, although Roman relics are not found here now, Camden, writing in the time of Henry the Eighth, tells of “Roman Coynes digged forth of the Ground.” It was ever a desirable site, for here unfailing springs well out of the chalk and give an abounding fertility, while another road—the ancient Pilgrims’ Way—running west and east, crossed the other highway, and thus gave ready communication on every side.
Who was the first to cultivate the land of Gatton? History and tradition offer no answers. No voice emerges from the depths of time. However, both Reigate and Gatton are older than the Anglo-Saxon era, as a Roman road, which followed an even older primitive path, emerged from the dense clay of Holmesdale, crossing the chalky hills to Streatham and London. This road was a branch of the route from Portus Adurni—now known as Old Shoreham, located on the Adur River—and surely, during the long span of Romano-British civilization, it was lined with settlements and villas. Gatton was undoubtedly one of them. There is hardly any doubt about this, since, although Roman artifacts are not found here now, Camden, writing during the time of Henry the Eighth, mentioned “Roman Coynes dug up from the Ground.” The site has always been attractive, as reliable springs flow from the chalk, providing abundant fertility, while another road—the ancient Pilgrims’ Way—running east to west, intersected this main road, ensuring easy access in all directions.
Gatton has, within the historic period, never been more than a manorial park, but an unexplained something, like the echo of a vanished greatness, has caused strangely unmerited honours to be granted it. Who shall say what induced Henry the Sixth in 1451 to make this mere country park a Parliamentary borough, returning two members? There must have been some adequate reason or excuse, even if only[Pg 143] the one of its ancient renown; for there must always be an apology of sorts for corruption; no job is jobbed without at least some shadowy semblance of legality. But no one will ever pluck out the heart of its mystery.
Gatton has never been more than a manorial park throughout its history, yet for some unknown reason, like the trace of a lost greatness, it has received strangely undeserved honors. Who can say why Henry the Sixth decided in 1451 to make this simple country park a Parliamentary borough, sending two representatives? There must have been a valid reason or excuse, even if it was just its ancient reputation; after all, there must always be some sort of justification for corruption; no deal is made without at least a vague appearance of legality. But no one will ever uncover the truth behind its mystery.
A Parliamentary borough Gatton remained until 1832, when the first Reform Act swept away the representation of it, together with that of many another “rotten borough.” Rightly had Cobbett termed it “a very rascally spot of earth,” for certainly from 1541, when Sir Roger Copley owned the property and was the sole elector of the place, the election was a scandalous farce, and never at any time did the “burgesses” exceed twenty. They were always tenants of the lord of the manor and the mere marionettes that danced to his will.
A parliamentary borough, Gatton stayed that way until 1832, when the first Reform Act eliminated its representation, along with many other “rotten boroughs.” Cobbett rightly called it “a very rascally spot of earth,” because since 1541, when Sir Roger Copley owned the property and was the only voter there, elections were a sham, and the number of “burgesses” never went above twenty. They were always tenants of the lord of the manor and just puppets that followed his commands.
Gatton, returning its two members to Parliament, as of old, was early in the nineteenth century purchased by Mark Wood, Esq., who was soon after created a Baronet. It was then recorded that in this borough there were six houses and only one freeholder: Sir Mark Wood himself. The other five houses he let by the week; and thus, paying the taxes, he was the only elector of the two representatives. At the election, he and his son Mark were the candidates, and the father duly elected himself and his son! Scandalous, no doubt; but those members must have represented the constituency better than could those of a larger electorate.
Gatton, which sent its two representatives to Parliament like it always had, was bought early in the nineteenth century by Mark Wood, Esq., who was soon made a Baronet. It was noted that in this borough there were six houses and only one freeholder: Sir Mark Wood himself. He rented out the other five houses by the week; and by paying the taxes, he was the sole elector for both representatives. During the election, he and his son Mark were the candidates, and the father was elected along with his son! Scandalous, for sure; but those members probably represented the constituency better than those from a larger electorate would have.
The landowner who possessed such a pocket-borough as this, and could send whomsoever he liked to Parliament, to vote as he wished, was, of course, a very important personage. His opposition was a serious matter to Governments; his support of the highest value, both politically and in a pecuniary sense; and thus place, honours, riches, could be, and were, secured. The manor of Gatton actually, in the cynical recognition of these things, was valued at twice its worth without that Parliamentary representation, and Lord Monson, who purchased the property in 1830, gave as much as £100,000 for it, solely as an[Pg 144] investment in jobbery and corruption, by which he hoped, in the course of shrewd political wire-pulling, to obtain a cent per cent return.
The landowner who had such a pocket-borough as this, and could send anyone he wanted to Parliament to vote as he wished, was definitely a very important person. His opposition was a serious issue for governments; his support was highly valuable, both politically and financially; and so positions, honors, and wealth could be, and were, secured. The manor of Gatton was actually, in a cynical acknowledgment of these realities, valued at twice its worth without that Parliamentary representation, and Lord Monson, who bought the property in 1830, paid as much as £100,000 for it, purely as an[Pg 144] investment in corruption, hoping that, through clever political maneuvering, he would achieve a hundred percent return.

GATTON HALL AND “TOWN HALL.”
Gatton Hall and "town hall."
He was a humorist of a cynical turn who built in front of the great mansion in midst of the park a “Town Hall” for the non-existent town, and inscribed on the urn which stands by this freakish, temple-like structure the motto, satirical in this setting, “Salus populi suprema lex esto,” together with other sardonic Latin, to the effect that no votes sullied by bribery should be given.
He was a cynical humorist who built a “Town Hall” for a fictional town right in front of the grand mansion in the park, and inscribed on the urn by this quirky, temple-like structure the motto, which felt satirical in this context, “Salus populi suprema lex esto,” along with other sarcastic Latin phrases suggesting that no votes tainted by bribery should be cast.
[Pg 145]Less than two years after Lord Monson’s purchase of the estate, Reform had destroyed the value of Gatton Park, for it was disfranchised. We can only wonder that he did not claim compensation for the abolition of his “vested interests.”
[Pg 145]Less than two years after Lord Monson bought the estate, Reform had wiped out the value of Gatton Park because it had lost its voting rights. We can only speculate why he didn’t ask for compensation for the loss of his "vested interests."
There is a remarkable appropriateness in Gatton Hall being designed in the classic style, for its marble hall and Corinthian hexastyle colonnade no doubt revive the glories of the Roman villa of sixteen hundred years ago. It is magnificence itself, being indeed designed something after the manner of the Vatican at Rome, and decorated with rare and costly marbles and frescoes; but perhaps, to any one less than an emperor or a pope, a little unhomely and uncomfortable to live in. Since 1888 it has been the seat of Sir Jeremiah Colman, of Colman’s Mustard, created a Baronet, 1907:
There is a striking relevance in Gatton Hall being designed in the classic style, as its marble hall and Corinthian hexastyle colonnade certainly bring back the grandeur of the Roman villa from sixteen hundred years ago. It is truly magnificent, designed somewhat like the Vatican in Rome, and adorned with rare and expensive marbles and frescoes. However, for anyone less than an emperor or a pope, it might feel a bit unwelcoming and uncomfortable to live in. Since 1888, it has been the home of Sir Jeremiah Colman, of Colman’s Mustard, who was made a Baronet in 1907:
Mother, get it if you’re able,
See the trade mark on the label,
Colman’s Mustard is the Best——[Advt.],
Mother, grab it if you can,
Check the brand on the label,
Colman’s Mustard is the Best——[Advt.],
as some unlaurelled bard of the grocery trade once sang, in deathless verse.
as some unrecognized poet of the grocery business once sang, in lasting verse.
XVII
Half a mile short of what is now Redhill town, there once stood yet another toll-gate. “Frenches” Gate took its title from the old manor on which it stood, and the manor itself probably derived its name from the unenclosed or free (franche) land of which it was wholly or largely composed.
Half a mile before reaching what is now Redhill town, there used to be another toll gate. “Frenches” Gate got its name from the old manor it was located on, and the manor itself likely got its name from the open or free (franche) land it was mostly made up of.
Redhill town has not existed long enough to have accumulated any history. When the more direct route was made this way, avoiding Reigate, in 1816, Redhill was—a hill. The hill is still here, as the cyclist well enough knows, and we will take on trust that red gravel whence its name comes; but since[Pg 146] that time the town of Redhill, now numbering some 16,000 persons, has come into existence, and when we speak of Redhill we mean—not the height up which the coaches laboured, but a certain commonplace town lying at the foot of it, with a busy railway junction where there are always plenty of trains, but never the one you want, and quite a number of public institutions of the asylum and reformatory type.
Redhill town hasn’t been around long enough to have built up any history. When the more direct route was created in 1816, bypassing Reigate, Redhill was just—a hill. The hill is still here, as cyclists know well, and we’ll trust that the red gravel is the source of its name; but since[Pg 146] then, the town of Redhill has come into being, now home to about 16,000 people. When we talk about Redhill, we mean—not the height that coaches struggled up, but a typical town at its base, with a busy railway junction where there are always plenty of trains, but never the one you need, and several public institutions like asylums and reformatories.
The railway junction has, of course, created Redhill town, which is really in the parish of Reigate. When the land began to be built upon, in the ’40’s, it was called “Warwick Town,” after the then Countess of Warwick, the landowner, and the names of a road and a public-house still bear witness to that somewhat lickspittle method of nomenclature. But there is, and can be, only one possible Warwick in England, and “Redhill” this “Warwick Town,” by natural selection, became.
The railway junction has, of course, led to the creation of Redhill town, which is actually in the parish of Reigate. When the land started being developed in the '40s, it was named "Warwick Town," after the Countess of Warwick at that time, who owned the land. The names of a road and a pub still reflect that somewhat sycophantic naming approach. But there’s, and can be, only one Warwick in England, and this "Warwick Town" naturally evolved into "Redhill."
There could have been no more certain method of inviting the most odious of comparisons than that of naming Redhill after the fine old feudal town of Warwick, which first arose beneath the protecting walls of its ancient castle. Either town has an origin typical of its era, and both look their history and circumstances. Redhill, within the memory of those still living, sprang up around a railway platform, and the only object that may be said to frown in it is the great gas-holder, built on absolutely the most prominent and desirable site in the whole town; and that not only frowns, but stinks as well, and is therefore not a desirable substitute for a castle keep. Here, at any rate, “Mrs. Partington’s” remark that “comparisons is odorous” would be altogether in order.
There’s no better way to invite the most unpleasant comparisons than by naming Redhill after the historic feudal town of Warwick, which originally grew beneath the protective walls of its ancient castle. Each town has an origin typical of its time, and both clearly reflect their histories and circumstances. Redhill, within the memory of those still alive, emerged around a train platform, and the only thing that can be said to loom over it is the large gas holder, which sits on the most prominent and desirable spot in the whole town; and not only does it loom, but it smells bad too, making it a pretty unappealing substitute for a castle keep. Here, at least, “Mrs. Partington’s” saying that “comparisons are odorous” would be completely appropriate.
Prominent above all other buildings in the town, in the backward view from that godfatherly hill, is the huge St. Anne’s Asylum, housing between four and five hundred children of the poor.
Prominent above all the other buildings in the town, seen from that guardian hill, is the large St. Anne’s Asylum, which shelters around four to five hundred children from low-income families.
“The Cutting” through the brow of the hill, enclosed on either side by high brick walls, leads presently upon Redhill and Earlswood Commons,[Pg 147] where movement is unrestrained and free as air, and the vision is bounded only by Leith Hill in one direction and the blue haze of distance in another.
“The Cutting” through the top of the hill, flanked on both sides by tall brick walls, opens up to Redhill and Earlswood Commons,[Pg 147] where you can move freely and easily as if in open air, and your view is only limited by Leith Hill in one direction and the distant blue haze in another.
It is Holmesdale—the vale of holms, or oak woods—upon which you gaze from here; that
It is Holmesdale—the valley of holms, or oak woods—that you look at from here; that
Vale of Holmesdall
Never wonne, ne never shall,
Vale of Holmesdall
Never won, and never will.
as the braggart old couplet has it, in allusion to the defeat and slaughter of the invading Danes at Ockley A.D. 851.
as the boastful old saying goes, referencing the defeat and slaughter of the invading Danes at Ockley CE 851.
In one of its periodic funks, the War Office, terrified for the safety of London more than for that of Holmesdale, purchased land on this hill-top for the erection of a fort, and—in a burst of confidence—sold it again. The time is probably near when the War Office, like another “Sister Anne,” will “see somebody coming,” when this or another site will be re-purchased at a much enhanced, or scare, price.
In one of its occasional panic modes, the War Office, more worried about the safety of London than that of Holmesdale, bought land on this hilltop to build a fort, and—in a moment of confidence—sold it again. It's likely that soon the War Office, like another “Sister Anne,” will “see somebody coming,” at which point this site or another will be bought back at a much higher, or inflated, price.
Earlswood Common is a welcome change after Redhill. It gives sensations of elbow-room, of freedom and vastness, not so much from its own size as from the expanse of that view across the Weald of Surrey and Sussex. The road across Earlswood Common is an almost perfect “switchback,” as the cyclist who is not met with a southerly wind will discover. You can see it from this view-point, going undulating away until in the dim woody perspective it seems to end in some tangled and trackless forest, so densely grown do the trees look from this distance.
Earlswood Common is a refreshing change from Redhill. It offers a sense of space, freedom, and openness, not just because of its size but due to the wide view across the Weald of Surrey and Sussex. The road through Earlswood Common is almost a perfect “switchback,” as any cyclist without a southerly wind will find out. You can see it from this viewpoint, stretching away in gentle waves until it appears to disappear into a dense, wild forest, as the trees look so thick from this distance.
It was here, at a wayside inn, that the present historian fell in with a Sussex peasant of the ancient and vanishing kind.
It was here, at a roadside inn, that the current historian met a Sussex farmer of the old and fading variety.
He was drinking from a tankard of the pea-soup which they call ale in these parts, sitting the while upon a bench whose like is usually found outside old country inns. Ruddy of face, with clean-shaven lips and chin, his grizzled beard kept rigidly upon his wrinkled dewlap, his hands gnarled and twisted with[Pg 148] toil and rheumatism, he sat there in smock-frock and gaiters, as typical a countryman as ever on London stage brought the scent of the hay across the footlights. That smock of his, the “round frock” of Sussex parlance, was worked about the yoke of it, fore and aft, with many and curious devices, whose patterns, though he, and she who worked them, knew it not, derived from centuries of tradition and precept, had been handed down from Saxon times, aye, and before them, to the present day, when, their significance lost, they excite merely a mild wonder at their oddity and complication.
He was drinking from a tankard of the pea-soup they call ale around here, sitting on a bench typically found outside old country inns. With a ruddy face, clean-shaven lips and chin, his grizzled beard stiff against his wrinkled neck, and hands gnarled and twisted from toil and rheumatism, he looked like the quintessential countryman who could bring the scent of hay onto the London stage. His smock, known as the “round frock” in Sussex, was decorated around the yoke, both front and back, with many interesting designs. Although he and the woman who made them didn’t know it, those patterns were rooted in centuries of tradition passed down since Saxon times and even earlier. Now, their original meaning lost, they only draw a mild curiosity due to their oddness and complexity.

THE SWITCHBACK ROAD, EARLSWOOD COMMON.
The Switchback Road, Earlswood Common.
He was, it seemed, a “hedger and ditcher,” and his leathern gauntlets and billhook lay beside him on the ale-house bench.
He appeared to be a "hedger and ditcher," and his leather gloves and billhook were next to him on the pub bench.
“I’ve worked at this sort o’ thing,” said he, in conversation, “for the last twenty year. Hard work? yes, onaccountable hard, and small pay for’t too. [Pg 149]Two and twopence a day I gets, an’ works from seven o’marnings to half-past five in the afternoon for that. You’ll be gettin’ more than two and twopence a day when you’re at work, I reckon.”
“I’ve been doing this kind of work,” he said in conversation, “for the last twenty years. Hard work? Yeah, unbelievably hard, and the pay is pretty low too. [Pg 149]I get two shillings and two pence a day, and I work from seven in the morning to half-past five in the afternoon for that. I bet you'll make more than two shillings and two pence a day when you start working, I guess.”
To evade that remark by an opinion that a country life was preferable to existence in a town was easy. The old man agreed with the proposition, for he had visited London, and “a dirty place it was, sure-ly.” Also he had been atop of the Monument, to the Tower, and to the resort he called “Madame Two Swords”: places that Londoners generally leave to provincials. Thus, the country cousin within our gates is more learned in the stock sights of town than townsfolk themselves.
To dodge the idea that country life is better than city living was simple. The old man agreed with this idea because he had been to London, and “it was a dirty place, for sure.” He had also been to the top of the Monument, to the Tower, and to the place he called “Madame Two Swords”: spots that Londoners usually reserve for people from the country. So, the country cousin among us knows more about the main attractions of the city than the city folks do.
From here the road slopes gently to the Weald past Petridge Wood and Salfords, where a tributary of the Mole crosses, and where the last turnpike-gate was abolished, with cheers and a hip-hip-hooray, at the midnight of October 31st, 1881.
From here, the road gently descends to the Weald, passing Petridge Wood and Salfords, where a tributary of the Mole flows and where the last tollgate was eliminated with cheers and a hip-hip-hooray at midnight on October 31st, 1881.
At Horley, the left-hand road, forming an alternative way to Brighton by Worth, Balcombe, and Wivelsfield, touches the outskirts of Thunderfield Castle.
At Horley, the left road, providing another route to Brighton through Worth, Balcombe, and Wivelsfield, passes by the edge of Thunderfield Castle.
Thunderfield Castle should—if tremendous names go for aught—be a stupendous keep of the Torquilstone type, but it is, sad to say, nothing of the kind, being merely a flat circular grassy space, approached over the Mole and doubly islanded by two concentric moats. It stands upon the estate of Harrowslea—“Harsley,” as the countryfolk call it—supposed to have once belonged to King Harold.
Thunderfield Castle should—if impressive names mean anything—be an incredible fortress like Torquilstone, but sadly, it’s nothing like that. It’s just a flat, circular grassy area, reached by crossing the Mole and surrounded by two concentric moats. It’s located on the Harrowslea estate—known as “Harsley” by the locals—thought to have once belonged to King Harold.
There seems to be no doubt whatever that the Anglo-Saxons did name the place after the god Thunor. It was known by that name in the time of Alfred the Great, but no one knows what it was like then; nor, for that matter, what the appearance of it was when the Norman de Clares owned it. It seems never to have been a castle built of stone, but an adaptation of the primitive savage idea of surrounding a position with water and palisading it. Thunderfield was a veritable stronghold of the woods and bogs, and the defenders of it were like Hereward the Wake, who[Pg 150] could often remain a “passive resister” and see the invaders struggling with the sloughs, the odds overwhelmingly in favour of the forces of nature.
There’s no doubt that the Anglo-Saxons named the place after the god Thunor. It was known by that name during the time of Alfred the Great, but no one knows what it looked like back then; nor do we know what it was like when the Norman de Clares owned it. It doesn’t seem to have ever been a stone castle, but rather an adaptation of the basic idea of a fortified position surrounded by water and wooden stakes. Thunderfield was a true stronghold amidst the woods and swamps, and its defenders were like Hereward the Wake, who[Pg 150] could often just “go along with it” and watch the invaders struggle with the marshes, with nature’s forces overwhelmingly on their side.

THUNDERFIELD CASTLE.
THUNDERFIELD CASTLE.
The history of Thunderfield will never be written, but if a guess may be hazarded, the final catastrophe, which was the prime cause of the half-burnt timbers and the many human remains discovered here long ago, was a storming of the place by the forces of the neighbouring de Warennes, ancient and bitter enemies of the de Clares; probably in the wars of the twelfth century, between King Stephen and the Empress Maud.
The history of Thunderfield will never be fully documented, but if we were to take a guess, the ultimate disaster that led to the charred remains of timber and the numerous human remains found here long ago was an assault on the site by the forces of the nearby de Warennes, who were long-standing and fierce rivals of the de Clares; likely during the wars of the twelfth century, between King Stephen and the Empress Maud.

THE “CHEQUERS,” HORLEY.
THE "CHEQUERS," HORLEY.
[Pg 152]It is an eminently undesirable situation for a residence, however suitable it may have been for defence; and the Saxons who occupied it must have known what rheumatism is. Dark woods now enclose the place, and cluttering wildfowl form its garrison.
[Pg 152]It’s a very undesirable situation for a home, no matter how defensible it might have been; and the Saxons who lived here must have known all about rheumatism. Dark woods now surround the area, and noisy wildfowl make up its garrison.
The “Chequers” at Horley is not quite half way to Brighton, but in default of another it is the halfway house. Its name derives from the old chequy, or chessboard, arms of the Earls of Warren, chequered in gold and blue. They were not only great personages in this vale, but enjoyed in mediæval times the right of licensing ale-houses: hence the many “Chequers” throughout the country. The newer portions of the house are typically suburban, but the old-world front, with its quaint portico, the whole shaded by a group of ancient oaks, remains untouched.
The “Chequers” in Horley isn't exactly halfway to Brighton, but it serves as the halfway point in the absence of another. Its name comes from the old checkered arms of the Earls of Warren, which are gold and blue. They were significant figures in this valley and had the right to license pubs in medieval times, which is why there are so many “Chequers” across the country. The newer parts of the building have a typical suburban style, but the charming old front, with its unique portico and surrounded by a group of ancient oak trees, remains unchanged.
Horley—the “Hurle” of old maps—is very scattered: a piece here, another there, and the parish church standing isolated at the extreme southern end of the wide parish. It is situated on an extensive flat, reeking like a sponge with the waters of the Mole, but, although so entirely undesirable a place, is under exploitation for building purposes. A stranger first arriving at Horley late at night, and seeing its long lines of lighted streets radiating in several directions, would think he had come to a town; but morning would show him that long perspectives of gas-lamps do not necessarily mean houses to correspond. Evidently those responsible for the lamps expect a coming expansion of Horley; but that expectation is not very likely to be realised.
Horley—the “Hurle” on old maps—is pretty spread out: a piece here, another there, with the parish church sitting alone at the southern tip of the large parish. It’s located on a big flat area, soaking wet from the waters of the Mole, and even though it’s not an attractive place, it’s being developed for building. A newcomer arriving in Horley late at night, seeing the long lines of lit streets extending in different directions, might think they’ve stumbled into a town; but come morning, they’d realize that long rows of gas lamps don’t necessarily mean there are houses nearby. Clearly, those in charge of the lamps are anticipating some growth in Horley; but that expectation is probably not going to happen.
Much of Horley belongs to Christ’s Hospital, which is said to be under obligation to educate two children of poor widows, in return for the great tithes long since bequeathed to it, and is additionally accused of having consistently betrayed that trust.
Much of Horley belongs to Christ’s Hospital, which is said to have a responsibility to educate two children of poor widows, in exchange for the large tithes that were given to it long ago, and is also accused of having continuously failed that obligation.

THE “SIX BELLS,” HORLEY.
The "Six Bells," Horley.
[Pg 154]The parish church, chiefly of the Early English and Decorated periods of Gothic architecture, contains some brasses and a poor old stone effigy of a bygone lord of the manor, broken-nosed and chipped, but not without its interest. The double-headed eagle on his shield is still prominent, and the crowded detail of his mailed armour and the lacings of his surcoat are as distinct as when sculptured six centuries ago. He wears the little misericorde, or dagger, at his belt, the “merciful” instrument with which gentle knights finished off their wounded enemies in the chivalric days of old.
[Pg 154]The parish church, mainly from the Early English and Decorated periods of Gothic architecture, features some brasses and an old stone statue of a former lord of the manor, with a broken nose and chips, but still interesting. The double-headed eagle on his shield is still clearly visible, and the intricate details of his armored suit and the laces of his surcoat are just as sharp as when they were carved six centuries ago. He has a small misericorde, or dagger, at his belt, the "merciful" tool that noble knights used to finish off their wounded foes in the chivalric times of the past.
Many years ago some person unknown stole the old churchwardens’ account-book, dating from the sixteenth century. After many wanderings in the land, it was at length purchased at a second-hand bookseller’s and presented to the British Museum, in which mausoleum of literature, in the Department of Manuscripts, it is now to be found. It contains a curious item, showing that even in the rigid times that produced the great Puritan upheaval, congregations were not unapt for irreverence. Thus in 1632 “John Ansty is chosen by the consent of ye minister and parishioners to see yt ye younge men and boyes behave themselves decently in ye church in time of divine service and sermon, and he is to have for his paines ijs.”
Many years ago, someone unknown stole the old churchwarden’s account book from the sixteenth century. After many travels, it was eventually bought from a second-hand bookseller and donated to the British Museum, where it is now located in the Department of Manuscripts. It contains an interesting entry that shows that even during the strict times of the great Puritan upheaval, congregations were still prone to irreverence. In 1632, "John Ansty is chosen by the consent of the minister and parishioners to ensure that the young men and boys behave themselves properly in the church during divine service and the sermon, and he is to receive for his efforts 2 shillings."
The nearest neighbour to the church is the almost equally ancient “Six Bells” inn, which took its title from the ring of bells in the church tower. Since 1839, however, when two bells were added, there have been eight in the belfry.
The closest neighbor to the church is the almost equally old “Six Bells” inn, named after the ring of bells in the church tower. Since 1839, though, when two bells were added, there have been eight in the belfry.
The stranger, foregathering with the rustics at the “Six Bells,” and missing the old houses that once stood near the church and have been replaced by new, very quickly has his regrets for them cut short by those matter-of-fact villagers, who declare that “ye wooden tark so ef ye had to live in un.” A typical rustic had “comic brown-titus” acquired in one of those damp old cottages, and has “felt funny” ever since. One with difficulty resisted the suggestion that, if he could be as[Pg 155] funny as he felt, he should set up for a humorist, and oust some of the dull dogs who pose as jesters.
The stranger, gathering with the locals at the “Six Bells,” and noticing the old houses that used to be near the church, which have been replaced by new ones, quickly finds that his regrets are brushed aside by the straightforward villagers, who say, “You’d think differently if you had to live in one.” A typical local had “comic brown-titus” picked up in one of those damp old cottages, and has “felt funny” ever since. He could hardly resist the idea that if he could be as[Pg 155] funny as he felt, he should consider becoming a humorist and replace some of the dull folks who call themselves jesters.
Opposite Horley church is Gatwick Park, since 1892 converted into a racecourse, with a railway station of its own. Less than a mile below it, at Povey Cross, the Sutton and Reigate route to Brighton joins the main road.
Opposite Horley church is Gatwick Park, which has been a racecourse since 1892 and has its own railway station. Less than a mile down, at Povey Cross, the Sutton and Reigate route to Brighton connects with the main road.
XVIII
The Sutton and Reigate route to Brighton, instead of branching off along the Brixton Road, pursues a straight undeviating course down the Clapham Road, through Balham and Upper and Lower Tooting, where it turns sharply to the left at the Broadway, and in half a mile right again, at Amen Corner. Thence it goes, by Figg’s Marsh and Mitcham, to Sutton.
The Sutton and Reigate route to Brighton, instead of splitting off along the Brixton Road, takes a straight path down the Clapham Road, passing through Balham and Upper and Lower Tooting, where it makes a sharp left at the Broadway, and then a right again in half a mile at Amen Corner. From there, it continues on to Sutton via Figg’s Marsh and Mitcham.
It is not before Mitcham is reached that, in these latter days, the pilgrim is conscious of travelling the road to anywhere at all. It is all modern “street”—and streets, to this commentator at least, have a strong resemblance to rows of dog-kennels. They are places where citizens live on the chain. They lack the charm of obviously leading elsewhere: and even although electric tramcars speed multitudinously along them, to some near or distant terminus, they do but arrive there at other streets.
It’s not until you reach Mitcham that, in these recent times, you really feel like you’re on a journey to anywhere. It’s all modern “streets”—and to this observer, at least, they look a lot like rows of dog kennels. They’re spots where people live in chains. They lack the appeal of clearly leading somewhere else, and even though electric trams rush by in great numbers heading to some nearby or far-off destination, they just pull into other streets.
Mitcham is at present beyond these brick and mortar tentacles, and is grouped not unpicturesquely about a village green and along the road to the Wandle. Pleasant, ruddy-faced seventeenth and eighteenth-century mansions look upon that green, notable in the early days of Surrey cricket; and away at the further end of it is the vast flat of Mitcham Common, that dreary, long-drawn expanse which is at once the best illustration of eternity and of a Shakespearian “blasted heath” that can readily be thought of.
Mitcham is currently beyond these brick-and-mortar extensions, and it’s charmingly situated around a village green and along the road to the Wandle. Nice, red-faced mansions from the seventeenth and eighteenth centuries overlook that green, which was significant in the early days of Surrey cricket; and at the far end of it lies the vast flat of Mitcham Common, a dreary, stretched-out expanse that serves as both a perfect example of eternity and a Shakespearean “blasted heath” that one can easily imagine.
“Mitcham lavender” brings fragrant memories, and indeed the only thing that serves to render the[Pg 156] weary length of Mitcham Common at all endurable is the scent of it, borne on the breeze from the distillery, midway across: the distillery that no one would remember to be Jakson’s, except for the eccentricity of spelling the name.
“Mitcham lavender” evokes fragrant memories, and honestly, the only thing that makes the long stretch of Mitcham Common bearable is its scent, carried on the breeze from the distillery halfway across: the distillery that no one would recall is Jakson’s, except for the quirky way the name is spelled.
This by the way; for one does not cross Mitcham Common to reach Sutton. But there is, altogether, a sweet savour pervading Mitcham, a scent of flowers that will not be spoiled even by the linoleum works, which are apt to be offensive; for Mitcham is still a place where those sweet-smelling and other “economic” plants, lavender, mint, chamomile, aniseed, peppermint, rosemary, and liquorice, are grown for distillation. The place owes this distinction to no mere chance, but to its peculiar black mould, found to be exceptionally suited to this culture.
This, by the way, is because you don’t cross Mitcham Common to get to Sutton. But there is, overall, a lovely fragrance that fills Mitcham, a scent of flowers that remains pleasant even with the sometimes unpleasant smell of the linoleum factory; Mitcham is still a place where those sweet-smelling and other “economic” plants—lavender, mint, chamomile, aniseed, peppermint, rosemary, and licorice—are cultivated for distillation. This distinction isn’t just by chance; it's due to the special black soil, which is found to be particularly suited for this type of farming.
Folk-rhymes are often uncomplimentary, and that which praises Sutton for its mutton and Cheam for juicy beef, is more severe than one cares to quote on Epsom; and, altogether ignoring the mingled fragrances of Mitcham, declares it the place “for a thief.” We need not, however, take the matter seriously: the rhymester was only at his wit’s end for a rhyme to “beef.”
Folk rhymes are often unflattering, and while one praises Sutton for its lamb and Cheam for its tasty beef, the comments about Epsom are harsher than anyone wants to repeat; and completely overlooking the mixed scents of Mitcham, it calls it the place "for a thief." However, we shouldn't take it too seriously: the poet was just struggling to find a rhyme for "beef."
Mitcham station, beside the road, is a curious example of what a railway company can do in its rare moments of economy; for it is an early nineteenth-century villa converted to railway purposes by the process of cutting a hole through the centre. It is a sore puzzle to a stranger in a hurry.
Mitcham station, next to the road, is an interesting example of what a railway company can accomplish in its rare moments of being cost-effective; it’s an early nineteenth-century villa transformed for railway use by simply cutting a hole through the middle. This can be quite confusing for a visitor in a rush.
From Mitcham one ascends a hill past the woodland estate of Ravensbury, crossing the abundantly-exploited Wandle; and then, along a still rural road, to the modern town of Sutton.
From Mitcham, you go up a hill past the wooded area of Ravensbury, crossing the heavily-used Wandle River; and then, along a still peaceful road, to the modern town of Sutton.
On the fringe of that town, at the discreet “residential” suburb of Benhilton, is a scenic surprise in the way of a deep cutting in the hilly road. Spanned by a footbridge, graced with trees, and neighboured by the old “Angel” inn, “Angel Bridge,” as it is called, is a pretty spot. The rise thus cut through was once known as Been Hill, and on that basis was fantastically reared the name of Benhilton. One cannot but admire the ingenuity of it.
On the outskirts of that town, in the quiet “residential” area of Benhilton, there's a beautiful surprise in the form of a deep dip in the hilly road. Spanned by a footbridge, surrounded by trees, and next to the old “Angel” inn, “Angel Bridge,” as it’s known, is a lovely spot. The hill that was cut through was once called Been Hill, and that’s how the name Benhilton came about. One can't help but admire the cleverness of it.

THE “COCK,” SUTTON 1789.
From an aquatint after Rowlandson.
THE "COCK," SUTTON 1789.
From an aquatint after Rowlandson.
[Pg 159]“Sutton for mutton”: so ran the old-time rhyme. The reason of that ancient repute is found in the downs in whose lap the place is situated; those thymy downs that afforded such splendid pasturage for sheep. Sutton Common is gone, enclosed in 1810, but the downs remain; and yet that rhyme has lost its reason, and Sutton is no longer celebrated for anything above its fellow towns. Even the famous “Cock” is gone—that old coaching-inn kept by the ex-pugilist, “Gentleman Jackson.” Long threatened, it was at last demolished in 1898, and with the old house went the equally famous sign that straddled across the road. The similar sign of the “Greyhound” still remains; the last relic of narrower streets and times more spacious.
[Pg 159]“Sutton for mutton”: that was the old saying. The reason for that historic reputation lies in the rolling hills surrounding the area; those grassy hills that provided great grazing for sheep. Sutton Common is gone, enclosed in 1810, but the hills are still there; yet that saying has lost its meaning, and Sutton is no longer known for anything more than its neighboring towns. Even the famous “Cock” is gone—that old coaching inn run by the former boxer, “Gentleman Jackson.” It was long rumored to be closing, and it was finally demolished in 1898, taking with it the iconic sign that used to hang over the road. The similar sign of the “Greyhound” still stands; the last reminder of narrower streets and more expansive times.
Leaving Sutton “town,” as we call it nowadays, the road proceeds to climb steadily uphill to the modern suburb of “Belmont,” where stands an old, but very well cared-for, milestone setting forth that it is distant “XIII. miles from the Standard in Cornhill, London, 1745,” from the Royal Exchange the same distance, and from Whitehall twelve miles and a half. The neighbourhood is now particularly respectable, but I grieve to say that the spot is marked on the maps of 1796 as “Little Hell,” which seems to indicate that the character of the people living in the three houses apparently then standing here would not bear close inspection. With the “Angel” placed at one end, and this vestibule into Inferno situated at the other, Sutton seems to have been accorded exceptional privileges.
Leaving Sutton “town,” as we now call it, the road steadily climbs up to the modern suburb of “Belmont,” where an old but well-maintained milestone states that it is “XIII. miles from the Standard in Cornhill, London, 1745,” the same distance from the Royal Exchange, and twelve and a half miles from Whitehall. The neighborhood is now quite respectable, but I regret to say that the spot was marked on maps from 1796 as “Little Hell,” suggesting that the character of the people living in the three houses apparently there at the time wouldn't pass close scrutiny. With the “Angel” at one end and this entryway to Hell at the other, Sutton seems to have been granted exceptional privileges.
“Cold Blow,” which succeeds to Little Hell, is a tremendous transition, and well deserves its name, perched as it is on the shivery, bare, and windy heights that lead to Burgh Heath and Banstead Downs “famous,” says an annotated map of 1716, “for its wholesome Air, once prescribed by Physicians as the[Pg 160] Patients’ last refuge.” The feudal-looking wrought-iron gates newly built beside the road here, surmounted by a gorgeous shield of arms crested with a helmet and enveloped in mantling, form the entrance to Nork Park, the seat of one of the Colman family, who have mustered very strongly in Surrey of late years.
“Cold Blow,” which follows Little Hell, is a significant change, and it truly lives up to its name, sitting high on the chilly, bare, and windy heights that lead to Burgh Heath and Banstead Downs “famous,” according to a marked map from 1716, “for its healthy Air, once recommended by Doctors as the[Pg 160] Patients’ last refuge.” The feudal-style wrought-iron gates recently built next to the road here, topped with a beautiful shield of arms featuring a helmet and surrounded by decorative mantling, mark the entrance to Nork Park, the home of one of the Colman family, who have become quite prominent in Surrey in recent years.
At the right-hand turning, in midst of a group of fir-trees, stands the prehistoric tumulus known to the rustics as “Tumble Beacon.” “Tumble” is probably the rural version of “tumulus.”
At the right-hand turn, in the midst of a group of fir trees, stands the prehistoric burial mound known to locals as “Tumble Beacon.” “Tumble” is likely the rural version of “tumulus.”
Beyond this point, on a site now occupied by a cottage, stood the once-famed “Tangier” inn. Originally a private residence, the seat of Admiral Buckle,[10] who named it “Tangier,” in memory of his cruises on the north coast of Africa, it became a house of call for coaches, and especially for post-chaises. Here, we are told, George the Fourth invariably halted for a glass of Miss Jeal’s celebrated “alderbury”—that is to say elderberry-wine—“roking hot,” to keep out the piercing cold, and Miss Jeal brought it forth with her own fair hands. Other travellers, who were merely persons, and not personages, had to be content with the less fair hands of the waiter.
Beyond this point, where a cottage now stands, was the once-famous “Tangier” inn. It started as a private home, belonging to Admiral Buckle, who named it “Tangier” to remember his trips along the north coast of Africa. It became a stop for coaches, especially for post-chaises. Apparently, George the Fourth always stopped here for a glass of Miss Jeal’s famous “alderbury”—which is elderberry wine—“roking hot” to ward off the biting cold, and Miss Jeal served it herself. Other travelers, who were just regular people and not important figures, had to settle for the less skilled hands of the waiter.
The “Tangier” was burnt down about 1874. For some years after its destruction a platform that led from the house to the roadside, on a level with the floors of the coaches and post-chaises, survived; but only the cellars now remain. The woods at the back are, however, still locally known as “Tangier Woods.”
The "Tangier" was burned down around 1874. For a few years after it was destroyed, a platform that connected the house to the road, even with the floors of the coaches and carriages, was still there; but now only the cellars are left. The woods behind are still referred to locally as "Tangier Woods."
Burgh Heath, at the summit of these downs, is a curious place called usually “Borough” Heath: it is in Domesday “Berge.” As its name not obscurely hints, and the half-obliterated barrows show, it is a place of ancient habitation and sepulture; but nowadays it is chiefly remarkable for the descendants of the original squatters of about a century ago, who, braving the cold of these heights, settled on what was then an exceedingly lonely heath and stole whatever[Pg 161] land they pleased. That was the origin of the hamlet of Burgh Heath. The descendants of those filibusters have in most cases rebuilt the original hovels, but it is still a somewhat forlorn place, made sordid by the tumbledown pigsties and sheds on the heath in which they have acquired a prescriptive freehold.
Burgh Heath, located at the top of these hills, is an interesting spot commonly referred to as “Borough” Heath: it appears as “Berge” in the Domesday Book. As its name suggests, and the half-ruined burial mounds indicate, it’s a site of ancient settlement and burial; however, today it’s primarily known for the descendants of the original squatters from about a century ago, who, despite the chilly conditions at this elevation, settled on what was then a very isolated heath and claimed whatever land they wanted. This is how the hamlet of Burgh Heath came to be. The descendants of those opportunists have mostly rebuilt the original shacks, but it still feels like a somewhat desolate area, made grim by the rundown pigsties and sheds on the heath where they have established a right to stay.
Passing Lion Bottom, or Wilderness Bottom, we come to Tadworth Corner, past the grounds of Tadworth Court, late the seat of Lord Russell of Killowen, better known as Sir Charles Russell. He was created a Baron in 1894, on his becoming Lord Chief Justice: but the title was—at his own desire—limited to a life-peerage, and consequently at his death in 1900 became extinct. At Tadworth, in the horsey neighbourhood of Epsom, he was as much at home as in the Law Courts, and neither so judicial nor restrained, as those who remember his peppery temper and the objurgatory language of his “Here, you, where the —— — are you —— — coming to, you —— ——, you!” will admit. There seems, in fact, an especial fitness in his residence on this Regency Road, for his speech was the speech rather of that, than of the more mealy mouthed Victorian, period.
Passing Lion Bottom, or Wilderness Bottom, we arrive at Tadworth Corner, near the grounds of Tadworth Court, which was once the home of Lord Russell of Killowen, better known as Sir Charles Russell. He was made a Baron in 1894 when he became Lord Chief Justice, but he requested that the title be limited to a life peerage, so it became extinct after his death in 1900. In Tadworth, in the horse-loving area of Epsom, he felt just as comfortable as he did in the Law Courts, and he was neither as serious nor as restrained; those who remember his fiery temper and his intense language, like “Hey, you, where the hell are you coming from, you—” will agree. In fact, his living on this Regency Road seems especially fitting, as his way of speaking was more in line with that period than the more reserved Victorian era.
At Tadworth Court, where the ways divide, and a most picturesque view of long roads, dark fir trees, and a weird-looking windmill unfolds itself, formerly stood a toll-gate. A signpost directs on the right to Headley and Walton, and on the left to Reigate and Redhill, and a battered milestone which no one can read stands at the foot of it. The church spire on the left is that of Kingswood.
At Tadworth Court, where the paths split, and a stunning view of long roads, dark fir trees, and an unusual-looking windmill spreads out, there used to be a tollgate. A signpost points to the right towards Headley and Walton, and to the left towards Reigate and Redhill, while a worn-out milestone that nobody can read sits at the bottom of it. The church spire on the left belongs to Kingswood.
From London to Reigate, through Sutton, is, according to Cobbett, “about as villainous a tract as England contains. The soil is a mixture of gravel and clay, with big yellow stones in it, sure sign of really bad land.” The greater part of this is, of course, now covered by the suburbs of “the Wen,” as Cobbett delighted to style London; and it is both unknown to and immaterial to most people what manner of soil their houses are built on; but the truth of Cobbett’s[Pg 162] observations is seen readily enough here, on these warrens, which owe their preservation as open spaces to that mixture, worthless to the farmer, and not worth the stealing in those times when land could be stolen with impunity.
From London to Reigate, passing through Sutton, is, according to Cobbett, “about as bad an area as England has.” The soil is a mix of gravel and clay, with large yellow stones in it, which is a clear indicator of really poor land. Most of this area is now covered by the suburbs of “the Wen,” as Cobbett liked to refer to London; and it’s irrelevant to most people what kind of soil their homes are built on; but the truth of Cobbett’s[Pg 162] observations is clearly visible here, in these open spaces, which remain because of that soil mix, worthless to farmers and not worth stealing back in the days when land could be taken without consequences.

KINGSWOOD WARREN.
KINGSWOOD WARREN.
Past the modern village of Kingswood, almost lost in, and certainly entirely overshadowed by, the wild heaths of Walton and Kingswood Warren the road comes at last to Reigate Hill, where, immediately past the suspension bridge that overhangs the cutting, it tilts very suddenly and alarmingly over the edge of the Downs. The suddenness of it makes the stranger gasp with astonishment; the beauty of that wonderful view from this very rim and edge of the hills compels his admiration. It is the climax up to which he has been toiling all these long, ascending gradients from Sutton; and it is worth the toil.
Past the modern village of Kingswood, almost hidden in, and definitely overshadowed by, the wild heaths of Walton and Kingswood Warren, the road finally reaches Reigate Hill. Just beyond the suspension bridge that juts out over the cutting, it suddenly and alarmingly drops off the edge of the Downs. The abruptness of it makes the visitor gasp in surprise; the stunning view from this very edge of the hills demands admiration. It’s the culmination of the long uphill journey from Sutton, and it’s absolutely worth the effort.
The old writers of road-books do more justice to this view than any modern writer dare. To them it was “a remarkably bold elevation, from whence is a delightful prospect of the South Downs in Sussex. But near the road, which is scooped out of the hill, [Pg 163]the declivity is so steep and abrupt that the spectator cannot help being struck with terror, though softened by admiration. The Sublime and the Beautiful are here perfectly united; imagination is fully exercised, and the mind delighted.”
The old writers of travel guides do a better job capturing this view than any modern writer dares to. They described it as “a strikingly bold elevation, offering a lovely view of the South Downs in Sussex. However, close to the road, which is carved out of the hill, [Pg 163] the slope is so steep and sudden that anyone watching can’t help but feel a mix of fear and appreciation. Here, the Sublime and the Beautiful come together perfectly; imagination is fully engaged, and the mind is pleased.”
How would this person have described the Alps?
How would this person have described the Alps?
A milestone just short of this drop—one of a series starting at Sutton Downs and dealing in fractions of miles—says, very curtly: “London 19, Sutton 8, Brighton 32⅝, Reigate 1⅜.”
A milestone just before this drop—part of a series that starts at Sutton Downs and measures in fractions of miles—reads very simply: “London 19, Sutton 8, Brighton 32⅝, Reigate 1⅜.”

THE SUSPENSION BRIDGE, REIGATE HILL.
Reigate Hill Suspension Bridge.
The suspension bridge, carried overhead, spanning the cutting made through the crest of the hill, is known to the rustics—who will always invent simple English words of one syllable, whenever possible, to take the place of difficult three-syllabled words of Latin extraction—as the “Chain Pier.” It does not, as almost invariably is the case with these bridges, connect two portions of an estate severed by the cutting,[Pg 164] but forms part of a public path which was cut through. It is very well worth the traveller’s attention, for it joins the severed ends of no less a road than the ancient Pilgrims’ Way, and is a very curious instance of modernity helping to preserve antiquity. The Way is clearly seen above, coming from Box Hill as a hollow road, crossing the bridge and going in the direction of Gatton Park, through a wood of beech trees.
The suspension bridge, which stretches overhead across the gap created in the hilltop, is called the “Chain Pier” by the locals—who always prefer simple one-syllable words over tricky three-syllable Latin terms, whenever they can. Unlike most of these bridges, it doesn’t link two halves of a property divided by the gap,[Pg 164] but rather is part of a public path that was cleared through. It definitely deserves the traveler’s attention, as it connects to the historic Pilgrims’ Way, and serves as an interesting example of modern design helping to preserve the past. The Way is easily seen above, starting from Box Hill as a sunken road, crossing the bridge and heading toward Gatton Park through a grove of beech trees.
The roadway of Reigate Hill is made to wind circuitously, in an attempt to mitigate the severity of the gradient; but for all the care taken, it remains one of the steepest hills in England, and is one of the very few provided with granite kerbs intended to ease the pull-up for horses. None but a very special fool among cyclists in the old days attempted to ride down the hill; and many, even in these times of more efficient brakes, prefer to walk down. Only motor-cars, like the Gadarene swine of the Scriptures, “rushing violently down a steep place,” attempt it; and those who are best acquainted with the hill live in daily expectation of a recklessly driven car spilling over the rim.
The road on Reigate Hill is designed to curve around to lessen the steepness, but despite all the effort put into it, it’s still one of the steepest hills in England and one of the few that has granite curbs to help horses pull up. Back in the day, only a complete fool among cyclists would try to ride down the hill; even today, with better brakes, many prefer to walk down. Only cars, like the swine from the Scriptures that “rushed violently down a steep place,” dare to go for it; and those who know the hill well are always worried that a reckless driver will go over the edge.
XIX
Reigate town lies at the foot, sheltered under this great shoulder of the downs: a little town of considerable antiquity and inconsiderable story. It is mentioned in Domesday Book, but under the now forgotten name of “Cherchefelle,” and did not begin to assume the name of Reigate until nearly two hundred years later.
Reigate town is located at the base, protected beneath this large ridge of the downs: a small town with a long history but not much in the way of notable tales. It's listed in the Domesday Book, but under the now-obscure name of “Cherchefelle,” and it didn’t start being called Reigate until almost two hundred years later.
Churchfield was at the time of the Norman conquest a manor in the possession of the widowed Queen, and was probably little more than an enclosed farm and manor-house situated in a clearing of the Holmesdale woods; but it had not long passed into the hands of William de Varennes, who had married Gundrada the[Pg 165] Conqueror’s daughter and was one of his most intimate henchmen at the Battle of Hastings, before it became the site of the formidable Reigate, or Holm, Castle. The manors granted to William de Varennes comprehended nearly the whole of Surrey, and included others in Sussex, Yorkshire, and Norfolk. Such were the splendours that fell to the son-in-law and the companion-in-arms of a successful invader. He became somewhat Anglicised under the title of Earl of Warenne, and the ancestor of a line of seven Earls, of whom the last died in 1347, when the family became firstly merged in that of the Fitzalans, then of the Mowbrays, and finally in that of the alternately absorbent and fissiparous Howards.
Churchfield, during the Norman conquest, was a manor owned by the widowed Queen. It was probably just an enclosed farm and manor house located in a clearing of the Holmesdale woods. However, it had recently come into the hands of William de Varennes, who married Gundrada, the Conqueror’s daughter, and was one of his closest associates at the Battle of Hastings. Eventually, it became the site of the impressive Reigate, or Holm, Castle. The manors given to William de Varennes included nearly the entire area of Surrey, along with others in Sussex, Yorkshire, and Norfolk. These were the riches that went to the son-in-law and comrade of a successful invader. He became more English as the Earl of Warenne and was the ancestor of a line of seven Earls, the last of whom died in 1347. After that, the family first merged with the Fitzalans, then the Mowbrays, and finally with the absorbing and dividing Howards.
Holm, or Reigate Castle, had little history of the warlike sort. It frowned terribly upon its sandstone ridge, but tamely submitted in 1216 when the foreign allies of the discontented subjects of King John approached: and when the seventh Earl, who had murdered Baron de la Zouche at Westminster, was attacked here by Prince Edward, he promptly made a grovelling surrender and paid the fine of 12,000 marks (equal to £24,000) demanded. In 1550, when Lambarde wrote, only “the ruyns and rubbishe of an old castle which some call Homesdale” were left, and even those were cleared away by order of the Parliament in 1648. Now, after many centuries of change in ownership, the hill on which that fortress stood is contemptuously tunnelled, to give a more direct road through the town.
Holm, or Reigate Castle, doesn't have much of a military history. It loomed ominously on its sandstone ridge, but easily gave in in 1216 when the foreign allies of King John's unhappy subjects arrived. When the seventh Earl, who had killed Baron de la Zouche in Westminster, was attacked by Prince Edward here, he quickly surrendered and paid the hefty fine of 12,000 marks (about £24,000) that was demanded. By 1550, when Lambarde wrote, only “the ruins and rubble of an old castle which some call Homesdale” remained, and even those were removed by order of Parliament in 1648. Now, after centuries of changing ownership, the hill that once housed that fortress has been crudely tunneled to create a more direct road through the town.
In this connection, Cobbett, coming to Reigate through Sutton in 1823, is highly entertaining. The tunnel was then being made, and it did not please him. “They are,” he vociferates, “in order to save a few hundred yards’ length of road, cutting through a hill. They have lowered a little hill on the London side of Sutton. Thus is the money of the country actually thrown away: the produce of labour is taken from the industrious and given to the idlers. Mark the process; the town of Brighton, in Sussex, fifty[Pg 166] miles from the Wen, is on the seaside, and is thought by the stockjobbers to afford a salubrious air. It is so situated that a coach which leaves it not very early in the morning reaches London by noon; and, starting to go back in two hours and a half afterwards, reaches Brighton not very late at night. Great parcels of stockjobbers stay at Brighton with the women and children. They skip backward and forward on the coaches, and actually carry on stock-jobbing in Change Alley, though they reside at Brighton. The place is, besides, a great resort with the whiskered gentry. There are not less than about twenty coaches that leave the Wen every day for this place; and, there being three or four different roads, there is a great rivalship for the custom. This sets the people to work to shorten and to level the roads; and here you see hundreds of men and horses constantly at work to make pleasant and quick travelling for the Jews and jobbers. The Jews and jobbers pay the turnpikes, to be sure; but they get the money from the land and labourers. They drain these, from John o’ Groat’s House to the Land’s End, and they lay out some of the money on the Brighton roads.”
In this regard, Cobbett, traveling to Reigate through Sutton in 1823, is quite entertaining. The tunnel was under construction at that time, and he was not impressed. “They are,” he exclaims, “to save a few hundred yards of road, cutting through a hill. They’ve lowered a little hill on the London side of Sutton. This is how the country's money is wasted: the hard work of the industrious is taken and given to the idlers. Consider this process; the town of Brighton in Sussex, fifty[Pg 166] miles from London, is by the sea and is considered by stockbrokers to have a healthy breeze. It’s conveniently located so that a coach leaving not too early in the morning arrives in London by noon; and if it heads back two and a half hours later, it reaches Brighton not too late at night. Large groups of stockbrokers bring their families to Brighton. They move back and forth on the coaches and even conduct stock trading in Change Alley while living in Brighton. The place is also a popular spot for the well-to-do. There are around twenty coaches departing from London to Brighton every day; with three or four different routes, there's significant competition for passengers. This drives people to work on shortening and leveling the roads; you can see hundreds of men and horses working constantly to create pleasant and quick travel for the wealthy and stockbrokers. Sure, the stockbrokers pay the tolls, but they take that money from the land and laborers. They exploit these resources, from John o’ Groat’s House to Land’s End, and they invest some of that money in the Brighton roads.”
Cobbett is dead, and the Reform Act is an old story, but the Jews and the jobbers swarm more than ever.
Cobbett is gone, and the Reform Act is history, but the Jews and the jobbers are more numerous than ever.
The tunnel through the castle hill was made by consent of the then owner, Earl Somers, as a tablet informs all who care to know. The entrance towards the town is faced with white brick, in a style supposed to be Norman. Above are the grounds, now public, where a would-be mediæval gateway, erected in 1777, quite illegitimately impresses many innocents, and below is the so-called Barons’ Cave, an ancient excavation in the soft sandstone where the Barons are (quite falsely) said to have assembled in conclave before forcing their will upon King John at Runnymede. Unhappily for that tradition, the then Earl Warenne was a supporter of the tyrant king, and any reforming barons he might possibly have entertained at Reigate [Pg 167]Castle would have been kept on the chain as enemies, and treated to the cold comfort of bread and water.
The tunnel through the castle hill was created with the permission of the then owner, Earl Somers, as a plaque informs anyone interested. The entrance facing the town is made of white brick, in a style believed to be Norman. Above are the grounds, now open to the public, where a faux medieval gateway, built in 1777, misleadingly impresses many unsuspecting visitors, and below is the so-called Barons' Cave, an old excavation in the soft sandstone where the Barons are incorrectly said to have gathered in secret before pushing their agenda on King John at Runnymede. Unfortunately for that story, the then Earl Warenne was a supporter of the tyrant king, and any reform-minded barons he might have entertained at Reigate [Pg 167]Castle would have been kept on a leash as enemies and would have only received the cold comfort of bread and water.

THE TUNNEL, REIGATE.
The Tunnel, Reigate.
There are deeper depths than these castle caves, for dungeon-like excavations exist beside and underneath the tunnel; but they are not so very terrible, exuding as they do strong vinous and spirituous odours, proving that the only prisoners languishing there are hogsheads and kilderkins.
There are deeper depths than these castle caves, as there are dungeon-like tunnels next to and beneath them; but they aren't that frightening, giving off strong wine and liquor scents, showing that the only prisoners stuck there are barrels and casks.
[Pg 168]Reigate, dropping its intermediate name of Cherchefelle on Ridgegate, became variously Reigate, Riggate, and Reygate in the thirteenth century. The name obviously indicates a gate—that is to say, a road—over the ridge of the downs; presumably that road upon which Gatton, the “gate-town,” stood. Strongly supporting this theory, Wray Common and Park are found on the line of road between Reigate and Gatton. If we select “Reygate” from the many variants of the place-name, and place it beside that of Wray Common, we get at once the phonetic link.
[Pg 168]Reigate, dropping its earlier name of Cherchefelle on Ridgegate, became known as Reigate, Riggate, and Reygate in the thirteenth century. The name clearly refers to a gate—that is, a road—over the ridge of the downs; likely the route where Gatton, the “gate-town,” is located. Wray Common and Park are also situated along the road connecting Reigate and Gatton, providing strong support for this theory. If we pick “Reygate” from the various versions of the place-name and compare it to Wray Common, we can see the phonetic connection right away.
When Reigate lost the two members it sent to Parliament, it lost much more than the mere distinction of being represented. It lost free drinks and money to jingle in its pockets, for it was openly corrupt—in fact, neither better nor worse than most other constituencies. What else, when you consider it, could be expected when the franchise was so limited that the electors were a mere handful, and votes by consequence were individually valuable. In short, the best safeguard against bribery is to so increase the electorate that the purchase of votes is beyond the capacity of a candidate’s pockets.
When Reigate lost the two representatives it sent to Parliament, it lost a lot more than just the honor of being represented. It lost free drinks and cash to rattle in its pockets, because it was openly corrupt—actually, no better or worse than most other constituencies. When you think about it, what else could be expected with such a limited franchise, where the voters were just a small group, making each vote individually significant? In short, the best way to prevent bribery is to expand the electorate so much that buying votes is beyond what a candidate can afford.
Modern circumstances have, indeed, so wrought with country towns of the Reigate type that they are merely the devitalised spooks of their former selves, and Reigate would long ere this have been on the verge of extinction, had it not been within the revivifying influence of the suburban area. It is due to the Wen, as Cobbett would call it, that Reigate is still at once so old-world and so prosperous. It is surrounded by semi-suburban estates, but is in its centre still the Reigate of that time when the coaches came through, when royalty and nobility lunched at the still-existing “White Hart,” and when fifty miles made a long day’s journey.
Modern circumstances have transformed country towns like Reigate into mere shadows of their former selves, and Reigate would have been on the brink of disappearing long ago if it weren't for the revitalizing influence of the suburban area. It is thanks to the growth around it, as Cobbett would put it, that Reigate remains both charmingly old-fashioned and prosperous. While it is surrounded by semi-suburban developments, its center still reflects the Reigate of the time when coaches passed through, when royalty and nobility dined at the still-standing “White Hart,” and when fifty miles was considered a long day’s journey.
Reigate town was the property, almost exclusively, of the late Lady Henry Somerset. By direction of her heir, Somers Somerset, it was, in October, 1921, sold at auction in several lots.
Reigate town was almost entirely owned by the late Lady Henry Somerset. Following the instructions of her heir, Somers Somerset, it was auctioned off in several lots in October 1921.
[Pg 169]There are some in Reigate who dwell in imagination upon old times. Not by any means the obvious people, the clergy and the usual kidney; they find existence there a vast yawn. The antiquarian taste revealed itself by chance to the present inquirer in the person of a policeman on duty by the tunnel, who knew all about Reigate’s one industry of digging silver-sand, who could speak of the “Swan” inn having once possessed a gallows sign that spanned the road, and knew all about the red brick market-house or town hall being built in 1708 on the site of a pilgrims’ chapel dedicated to St. Thomas à Becket. He could tell, too, that wonderful man, of a bygone militant parson of Reigate, who, warming to some dispute, took off his coat in the street and saying, “Lie there, divinity,” handsomely thrashed his antagonist. “I like them old antidotes,” said my constable; and so do I.
[Pg 169]There are some people in Reigate who romanticize the past. Not the usual suspects like the clergy, who find life there pretty dull. The love for history unexpectedly revealed itself to me through a police officer on duty by the tunnel. He knew all about Reigate's only industry of digging silver sand, mentioned that the “Swan” inn once had a gallows sign that stretched across the road, and was knowledgeable about the red brick market house or town hall built in 1708 on the site of a pilgrims’ chapel dedicated to St. Thomas à Becket. He could also recount stories about a feisty parson from Reigate who, caught up in an argument, threw off his coat in the street and declared, “Lie there, divinity,” as he soundly beat his opponent. “I like those old anecdotes,” said my officer; and so do I.
XX
Reigate Church has been many times restored, and every time its monuments have suffered a general post; so that scarce an one remains where it was originally placed, and very few are complete.
Reigate Church has been restored many times, and each time its monuments have undergone significant changes; as a result, hardly any remain in their original positions, and very few are intact.
The most remarkable monument of all, after having been removed from its original place in the chancel to the belfry, has now utterly vanished. It is no excuse that its ever having been placed in the church at all was a scandal and an outrage, for, being there, it should have been preserved, as in some sort an illustration of bygone social conditions. But the usual obliterators of history and of records made their usual clean sweep, and it has disappeared.
The most remarkable monument of all, after being moved from its original location in the chancel to the belfry, has now completely vanished. It's no excuse that having been placed in the church at all was a scandal and an outrage; because it was there, it should have been preserved as a reflection of past social conditions. But the usual history erasers did their typical clean sweep, and it has disappeared.
It was a heart-shaped monument, inscribed, “Near this place lieth Edward Bird, Esq., Gent. Dyed the 23rd of February, 1718/9. His age 26,” and was surmounted by a half-length portrait effigy of him in armour, with a full flowing wig; a truncheon in his right[Pg 170] hand, and in the background a number of military trophies.
It was a heart-shaped monument, inscribed, “Near this place lies Edward Bird, Esq., Gentleman. Died on February 23, 1718/9. Age 26,” and was topped by a half-length portrait effigy of him in armor, with a full flowing wig; a truncheon in his right[Pg 170] hand, and in the background, a number of military trophies.
The especial scandal attaching to the fact of this monument ever having been placed in the church arises from the fact that Edward Bird was hanged for murder. Some particulars are gleaned from one of the many catchpenny leaflets issued at the time by the Ordinary—that is to say, the Chaplain—of Newgate, who was never averse from adding to his official salary by writing the “last dying words” of interesting criminals; but his flaring front pages were, at the best—like the contents bills of modern sensational evening newspapers—indifferent honest, and his account of Bird is meagre.
The particular scandal surrounding this monument being placed in the church comes from the fact that Edward Bird was hanged for murder. Some details come from one of the many cheap leaflets published at the time by the Ordinary—that is, the Chaplain—of Newgate, who was always looking to boost his official income by writing the “last dying words” of notable criminals; however, his flashy front pages were, at best—similar to the headlines of today’s sensational evening newspapers—barely truthful, and his account of Bird is very limited.
It seems, collating this and other authorities, that this interesting young man had been given the advantages of “a Christian and Gentlemanlike Education,” which in this case means that he had been a Westminster boy under the renowned Dr. Busby, and afterwards a scholar at Eton. This finished Christian then became a lieutenant in the Marquis of Winchester’s Horse. He married when twenty years of age, and his wife died a year later, when he plunged into a dissolute life in London.
It looks like, based on this and other sources, that this intriguing young man had the benefit of "a Christian and gentlemanly education," which in this case means he was a student at Westminster under the famous Dr. Busby, and later a scholar at Eton. This refined Christian then became a lieutenant in the Marquis of Winchester's Horse. He got married at twenty, but his wife passed away a year later, which led him to live a reckless life in London.
One evening in September, 1718, he was driven “with a woman in a coach and a bottle of Champain wine” to a “bagnio” in Silver Street, Golden Square, and there “had the misfortune” to run a waiter, one Samuel Loxton, through the body with his sword. “G—d d—n you, I will murder you all,” he is reported to have threatened, and a farrier of Putney, called at the subsequent trial, deposed to having once been run through the body by this martial spirit.
One evening in September 1718, he was taken “with a woman in a carriage and a bottle of Champagne” to a “brothel” on Silver Street, Golden Square, and there “had the misfortune” of stabbing a waiter, one Samuel Loxton, through the body with his sword. “God damn you, I will murder you all,” he reportedly threatened, and a farrier from Putney, called as a witness in the subsequent trial, testified that he had once been stabbed through the body by this violent man.
Greatly to the surprise of himself and friends, Lieutenant Bird was not only arrested and tried, but found guilty and sentenced to death. The historian of these things is surprised, too; for gentlemen of fashion were in those times very much what German officers became—privileged[Pg 171] murderers—and waiters were earthworms. I cannot understand it at all.
Greatly to the surprise of himself and his friends, Lieutenant Bird was not only arrested and put on trial, but he was also found guilty and sentenced to death. The historian of these events is surprised too; because gentlemen of status back then were quite similar to German officers—privileged murderers—and waiters were seen as insignificant. I really can’t understand it at all.
At any rate, Edward Bird took it ill and declined the ministrations of the Ordinary, saying “He was very busy, was to write Letters, expected Company, and such-like frivolous Excuses.” The Ordinary does not tell us in so many words, but we may suspect that the condemned man told him to go to the Devil. He was, indeed, an altogether hardened sinner, and would not even go to chapel, and was so poor a sportsman that he tried to do the rabble of Tyburn out of the entertaining spectacle of his execution, taking poison and stabbing himself in several places on the eve of that interesting event.
At any rate, Edward Bird was offended and turned down the help of the priest, saying “He was very busy, had letters to write, was expecting company, and other trivial excuses.” The priest doesn’t say it outright, but we can guess that the condemned man told him to get lost. He was truly a hardened sinner, refusing to even go to chapel, and was such a poor sport that he tried to deny the crowd at Tyburn the entertaining show of his execution, taking poison and stabbing himself multiple times the night before that significant event.
He seems to have been afraid of hurting himself, for he died neither of poison nor of wounds, and was duly taken to Tyburn in a handsome mourning coach, accompanied by his mother, by other Christians and gentlemen, by the Ordinary, and three other clergymen, to see him duly across the threshold into the other world. He stood an hour under the fatal tree, talking with his mother, and no hour of his life could have sped so swiftly. Then the chaplain sang a penitential psalm and the other divines prayed, and the candidate for the rope was made to repeat the Apostles’ Creed, after which he called for a glass of wine. No wine being available, he took a pinch of snuff, bowed, and said, “Gentlemen, I wish your health,” and then “was ty’d up, turned off, and bled very much at the Mouth or Nose, or both.”
He seemed to be scared of hurting himself because he didn't die from poison or wounds. He was taken to Tyburn in a fancy mourning coach, accompanied by his mother, fellow Christians, gentlemen, the Ordinary, and three other clergymen to guide him into the afterlife. He stood for an hour under the dreaded tree, talking with his mother, and that hour went by faster than any other in his life. Then the chaplain sang a penitential psalm, and the other clergy prayed, after which he was asked to recite the Apostles’ Creed. He then requested a glass of wine, but since there wasn't any, he took a pinch of snuff, bowed, and said, “Gentlemen, I wish your health,” and then he “was tied up, turned off, and bled a lot from his mouth or nose, or both.”
The mystery of his being accorded a monument in Reigate Church is explained when we learn that his uncle, the Rev. John Bird, was both patron and vicar. A further inscription beyond that already quoted was once in existence, censuring the judge and jury who condemned him. Traditions long survived of his mother, on every anniversary of his execution, passing the whole day in the church, sorrowing.
The reason he has a monument in Reigate Church makes sense when we find out that his uncle, Rev. John Bird, was both the patron and the vicar. There used to be an additional inscription, besides the one already mentioned, criticizing the judge and jury who sentenced him. For many years, there were stories about his mother spending the entire day in the church, mourning, on every anniversary of his execution.
The date of the monument’s disappearance is not clearly established, but old inhabitants of Reigate[Pg 172] have recollections of the laughing workmen, during the rebuilding of the tower in 1874, throwing marble figures out of the windows, and speak of the fragments being buried in the churchyard.
The exact date when the monument went missing isn't clearly known, but longtime residents of Reigate[Pg 172] remember the laughing workers from when the tower was being rebuilt in 1874, tossing marble figures out of the windows, and they talk about the pieces being buried in the churchyard.
For the rest, Reigate Church is only of mild interest; excepting, indeed, the parish library, housed over the vestry, containing among its seventeen hundred books many of great interest and variety. The collection was begun in 1701 by the then vicar.
For the rest, Reigate Church is only of mild interest; except for the parish library, located above the vestry, which has among its seventeen hundred books many that are quite interesting and varied. The collection was started in 1701 by the vicar at that time.
A little-known fact about Reigate is that the notorious Eugene Aram for a year lived here, in a cottage oddly named “Upper Repentance.”
A little-known fact about Reigate is that the infamous Eugene Aram lived here for a year, in a cottage oddly called “Upper Repentance.”

TABLET: BATSWING COTTAGES.
The road leaving Reigate, by Parkgate and the Priory, passes a couple of cottages not in themselves remarkable but bearing a curious device intended to represent bats’ wings, and inscribed “J. T. 1815.” They are known as “Batswing Cottages,” but what induced “J. T.” to call them so, and even who he was, seems to be unknown.
The road out of Reigate, near Parkgate and the Priory, goes past a couple of cottages that aren't particularly noteworthy but have an interesting design meant to look like bat wings, with the inscription “J. T. 1815.” They're called “Batswing Cottages,” but it's unclear why “J. T.” named them that or who he even was.
Over the rise of Cockshut Hill and through a wooded cutting the road comes to Woodhatch and the “Old Angel” inn, where the turnpike-gate stood, and where a much earlier gate, indicated in the place-name, existed.
Over the rise of Cockshut Hill and through a wooded cut, the road reaches Woodhatch and the "Old Angel" inn, where the tollgate was, and where an even older gate, hinted at in the place name, used to be.
Woodhatch, the gate into the woods, illustrates the ancient times when the De Warennes held the great Reigate, or Holm, Castle and much of the woodlands of Holmesdale. The name of Earlswood, significant to modern ears only of the great idiot asylum there, derives from them. Place-names down[Pg 173] in these levels ending in “wood” recall the dense forests that once overspread Holmesdale: Ewood, Norwood, Charlwood, Hartswood, Hookwood—vast glades of oak and beech, where the hogs roamed and the prototypes of Gyrth, the swineherd, tended them, in the consideration of the Norman lords of little more value than the pigs they herded. The scattered “leys”—Horley, Crawley, Kennersley, and the like—allude to the clearings or pastures amid the forest. Many other entrances into those old bosquets may be traced on the map—Tilgate, Fay Gate, Monk’s Gate and Newdigate among them; but the woodlands have long been nothing but memories, and fields and meadows, flatness itself, stretch away on either side of the level road to, and beyond, Horley, with the river Mole sluggishly winding through them—a scene not unbeautiful in its placid way.
Woodhatch, the entrance to the woods, showcases the ancient days when the De Warennes ruled over the impressive Reigate, or Holm, Castle and much of the Holmesdale woodlands. The name Earlswood, now mostly known for the large asylum there, comes from them. Place names in these areas that end in “wood” remind us of the thick forests that used to cover Holmesdale: Ewood, Norwood, Charlwood, Hartswood, Hookwood—vast clearings of oak and beech where pigs roamed and the early version of Gyrth, the swineherd, cared for them, regarded by the Norman lords as little more than the animals they watched over. The scattered “leys”—Horley, Crawley, Kennersley, and others—refer to the clearings or pastures within the forest. Many other entrances to those ancient woods can be found on the map—Tilgate, Fay Gate, Monk’s Gate, and Newdigate among them; however, the woodlands have long vanished, and fields and meadows, flat as can be, stretch out on either side of the level road to Horley and beyond, with the river Mole lazily winding through them—a scene not without its own quiet beauty.
The little hamlet of Sidlow Bridge, with its modern church, built in 1862, marks the point where the road, instead of continuing straight, along the flat, went winding off away to the right, seeking a route secure from the Mole floods, up Black Horse Hill. When the route was changed, and the “Black Horse” inn, by consequence, lost its custom, a newer inn of the same name was built at the cross-roads in the levels; and there it stands to-day, just before one reaches Povey Cross and the junction of routes.
The small village of Sidlow Bridge, with its modern church built in 1862, marks the point where the road, instead of going straight along the flat, winds off to the right, finding a safer route from the Mole floods, up Black Horse Hill. When the route changed and the “Black Horse” inn lost its customers as a result, a new inn with the same name was built at the crossroads in the lowlands; and it stands there today, just before reaching Povey Cross and the junction of routes.
Povey Cross, of whose name no man knows the derivation, leads direct past the tiny Kimberham, or Timberham, Bridge over the Mole, to Lowfield Heath, referred to in what, for some inscrutable reason, are styled the “Statutes at Large,” as “Lovell” Heath. The place is in these days a modern hamlet, and the heath, in a strict sense, is to seek. It has been improved away by enclosure and cultivation, utterly and without remorse; but the flat, low-lying land remains eloquent of the past, and accounts for the humorous error of some old maps which style it “Level Heath.”
Povey Cross, whose name no one knows the origin of, goes straight past the small Kimberham, or Timberham, Bridge over the Mole, to Lowfield Heath, which is oddly referred to in what are called the “Statutes at Large” as “Lovell” Heath. Nowadays, it's a modern village, and the heath itself is hard to find. It has been completely and unapologetically turned into farmland through enclosure and cultivation; however, the flat, low-lying land still speaks of the past, which explains the amusing mistake on some old maps that call it “Level Heath.”
The whole district, from Salfords, through Horley, to near Crawley, is at times little more than an inland[Pg 174] sea, for here ooze and crawl the many tributaries of the Mole. The memorable floods of October, 1891, following upon a wet summer and autumnal weeks of rain, swelled the countless arteries of the Mole, and the highways became rushing torrents. Along the nut-brown flood floated the remaining apples from drowned orchards, with trees, bushes, and hurdles. Postmen on their rounds were reduced to wading, and thence to horseback and wheeled conveyances; and Horley churchyard was flooded.
The entire area, from Salfords, through Horley, to near Crawley, sometimes feels like an inland[Pg 174] sea, as the many streams feeding into the Mole ooze and crawl through it. The memorable floods of October 1891, after a wet summer and weeks of autumn rain, caused the countless branches of the Mole to overflow, and the roads turned into rushing torrents. Floating in the brown flood were leftover apples from submerged orchards, along with trees, bushes, and fences. Mail carriers on their routes had to wade through water, then switch to horseback and wheeled vehicles; and Horley churchyard was underwater.

The Floods at Horley.
The Floods in Horley.
[Pg 175]A repetition of this state of things occurred in February, 1897, when the dedication of the new organ in the church of Lowfield Heath could not be performed, the roads being four feet under water.
[Pg 175]A similar situation happened in February 1897, when the dedication of the new organ at the Lowfield Heath church couldn't take place because the roads were four feet underwater.
XXI
The traveller does not see the true inwardness of the Weald from the hard high road. Turn we, then at Povey Cross for a rustic interlude into the byways, making for Charlwood and Ifield.
The traveler doesn't see the real essence of the Weald from the main road. Let's turn at Povey Cross for a scenic detour through the backroads, heading toward Charlwood and Ifield.
Few are those who find themselves in these lonely spots. Hundreds, nay, thousands are continually passing almost within hail of their slumberous sites, and have been passing for hundreds of years, yet they and their inhabitants doze on, and ever and again some cyclist or pedestrian blunders upon them by a fortunate accident, as, one may say, some unconscious Livingstone or Speke, discovering an unknown Happy Valley, and disturbs with a little ripple of modernity their uneventful calm.
Few people find themselves in these lonely places. Hundreds, even thousands, keep walking by their tranquil locations, and they’ve been doing so for hundreds of years, yet the places and their inhabitants remain undisturbed. Every now and then, a cyclist or a pedestrian stumbles upon them by chance, much like an unaware Livingstone or Speke discovering an uncharted Happy Valley, breaking the quietness of their uneventful existence with a hint of modernity.
The emptiness of the three miles or so of main road between Povey Cross and Crawley is well exchanged for these devious ways leading along the valley of the Mole. A prettier picture than that of Charlwood Church, seen from the village street through a framing of two severely-cropped elms forming an archway across the road, can rarely be seen in these home counties, and the church itself is an ancient building of the eleventh century, with later windows, inserted when the Norman gloom of its interior assorted less admirably with a more enlightened time. In plan cruciform, with central tower and double nave, it is of an unusual type of village church, and presents many features of interest to the archæologist, whose attention will immediately be arrested by the fragments of an immense and hideous fresco seen on the south wall. A late brass, now mural, in the chancel,[Pg 176] dated 1553, is for Nicholas Sander and Alys his wife. These Sanders, or, as they spelled their name variously, Saunder, held for many years the manor of Charlwood, and from an early period those of Purley and Sandersted—Sander’s-stead, or dwelling. Sir Thomas Saunder, Remembrancer of the Exchequer in Queen Elizabeth’s time, bequeathed his estates to his son, who sold the reversion of Purley in 1580. Members of the family, now farmers, still live in the parish where, in happier times, they ruled.
The emptiness of the three-mile stretch of main road between Povey Cross and Crawley is well replaced by these winding paths that follow the valley of the Mole. It’s hard to find a prettier view than that of Charlwood Church, visible from the village street framed by two neatly trimmed elms forming an archway across the road. The church itself is an ancient building from the eleventh century, with later windows added when the Norman gloom of its interior didn’t mesh well with a more modern era. It has a cross-shaped layout, with a central tower and double nave, making it an unusual type of village church, and it has many features that would interest an archaeologist, who would immediately notice the remnants of a massive, unattractive fresco on the south wall. A later brass, now mounted on the wall in the chancel, dated 1553, is for Nicholas Sander and his wife Alys. The Sanders, or variously spelled Saunder, held the manor of Charlwood for many years and also owned those of Purley and Sandersted—Sander’s-stead, or dwelling—from an early time. Sir Thomas Saunder, Remembrancer of the Exchequer during Queen Elizabeth’s reign, left his estates to his son, who sold Purley’s reversion in 1580. Members of the family, now farmers, still live in the parish where they once held power during better times.

Charlwood.
Charlwood.
One of the prettiest spots in Surrey is the tiny village of Newdigate, on a secluded winding road leading past a picturesque little inn, the “Surrey Oaks,” fronted with aged trees. It is, perhaps, the loneliest place in the county, and is worth visiting, [Pg 177]if only for a peep into the curious timber belfry of its little church, which contains a hoary chest, contrived out of a solid block of oak, and fastened with three ancient padlocks.
One of the most beautiful places in Surrey is the small village of Newdigate, located on a secluded winding road that passes by a charming little inn, the “Surrey Oaks,” shaded by old trees. It might be the most isolated spot in the county, and it's worth visiting, [Pg 177] if only to take a look at the unique timber belfry of its little church, which houses an ancient chest made from a solid block of oak, secured with three old padlocks.

A Corner in Newdigate Church.
A Spot in Newdigate Church.
But few go so far, and indeed the way by Ifield has its own interests and attractions. Here a primitive[Pg 178] pavement or causeway is very noticeable, formed of a row of large flat blocks of stone, along the grassy margins of the ditches. This is a survival (not altogether without its uses, even now) of the time when
But few go that far, and the path by Ifield has its own charm and appeal. Here, a basic[Pg 178] pavement or path stands out, made of a line of large, flat stone blocks along the grassy edges of the ditches. This is a remnant (still somewhat useful today) from the time when
Essex full of good housewyfes,
Middlesex full of stryves,
Kentshire hoot as fire,
Sowseks full of dirt and mire
Essex is full of good housewives,
Middlesex is full of strife,
Kent is hot as fire,
Sussex is full of dirt and muck
was a saying with plenty of current meaning to it. In those days the Wealden clay asserted itself so unpleasantly that stepping-stones for pedestrians were necessities.
was a saying that still holds a lot of meaning today. Back then, the Wealden clay was so troublesome that stepping-stones for pedestrians were essential.
The stones themselves have a particular interest, coming as they did from local quarries long since closed. They are of two varieties: one of a yellowish-grey; the other, greatly resembling Purbeck marble, fossiliferous and of a light bluish tint. Charlwood Church itself is built of Charlwood stone.
The stones themselves are quite interesting, coming from local quarries that have been closed for a long time. There are two types: one is yellowish-grey, and the other looks a lot like Purbeck marble, containing fossils and having a light blue color. Charlwood Church itself is made from Charlwood stone.
Ifield is just within the Sussex boundary. A beautiful way to it lies through the park, in whose woody drives the oak and holly most do grow. It has been remarked of this part of the Weald, that its soil is particularly favourable to the growth of the oak. Cobbett indeed says, “It is a county where, strictly speaking, only three things will grow well—grass, wheat, and oak-trees;” and it was long a belief that Sussex alone could furnish forth oak sufficient to build all the navies of Europe, notwithstanding the ravages among the forests made by the forges and furnaces.
Ifield is just inside the Sussex border. A lovely route to it goes through the park, where the oak and holly trees thrive in the wooded paths. People have noted that this area of the Weald has soil that’s especially good for growing oak trees. Cobbett actually stated, “This is a county where, strictly speaking, only three things grow well—grass, wheat, and oak trees;” and there was a long-standing belief that Sussex alone could provide enough oak to build all of Europe’s navies, despite the damage done to the forests by forges and furnaces.
In the church of St. Margaret, Ifield, whose somewhat unprepossessing exterior gives no hint of its inward beauty, is an oaken screen made from the wood of an old tree which stood for centuries on the Brighton Road at Lowfield Heath, where the boundary lines of Surrey and Sussex meet, and was cut down in the “forties.” The tree was known far and wide as “County Oak.”
In the church of St. Margaret, Ifield, whose rather plain exterior hides its inner beauty, there is an oak screen made from the wood of an old tree that stood for centuries on the Brighton Road at Lowfield Heath, where the borders of Surrey and Sussex meet, and was cut down in the '40s. The tree was known far and wide as "County Oak."

On the Road to Newdigate.
On the way to Newdigate.
For the rest, the church is interesting enough by reason of its architecture to warrant some lingering here, but it is, beside this legitimate attraction, also very much of a museum of sepulchral curiosities. A brass for two brothers, with a curious metrical inscription, lurks in the gloom of the south aisle on the wall, and sundry grim and ghastly relics, in the shape of engraved coffin-plates, grubbed up by ghoulish antiquaries from the vaults below, form a perpetual memento mori from darksome masonry. On either side the nave, by the chancel, beneath the graceful arches of the nave arcade, are the recumbent effigies of Sir John de Ifield and his lady. The knight died in 1317. He is represented as an armed Crusader, cross-legged, “a position,” to quote “Thomas Ingoldsby,” “so prized by Templars in ancient and tailors in modern days.” The old pews came from St. Margaret’s, Westminster. But so dark is the church that details can only with difficulty be examined, and to emerge from the murk of this interior is to blink again in the light of day, however dull that day may be.
For the most part, the church is interesting enough because of its architecture to justify spending some time here, but it is, in addition to this genuine attraction, also very much a museum of burial curiosities. A brass plaque for two brothers, with an unusual metrical inscription, hides in the shadow of the south aisle on the wall, and various grim and eerie relics, in the form of engraved coffin plates, dug up by morbid antiquarians from the vaults below, create a constant memento mori from the dark stonework. On either side of the nave, near the chancel, beneath the elegant arches of the nave arcade, are the reclining statues of Sir John de Ifield and his wife. The knight died in 1317. He is depicted as an armed Crusader, crossing his legs, “a position,” to quote “Thomas Ingoldsby,” “so cherished by Templars in ancient times and tailors in modern times.” The old pews came from St. Margaret’s, Westminster. But the church is so dim that it's hard to examine the details, and stepping out of the gloom of this interior feels like blinking in the daylight again, no matter how dreary that daylight may be.
[Pg 180]From Ifield Church, a long and exceeding straight road leads in one mile to Ifield Hammer Pond. Here is one of the many sources of the little river Mole, whose trickling tributaries spread over all the neighbouring valley. The old mill standing beside the hatch bears on its brick substructure the date 1683, but the white-painted, boarded mill itself is evidently of much later date.
[Pg 180]From Ifield Church, a long, perfectly straight road goes one mile to Ifield Hammer Pond. This is one of the many sources of the little river Mole, whose small streams flow throughout the neighboring valley. The old mill next to the hatch has the date 1683 on its brick base, but the white-painted, boarded mill itself is clearly from a much later time.

IFIELD MILL POND.
IFIELD MILL POND.
Before a mill stood here at all, this was the site [Pg 181]of one of the most important ironworks in Sussex, when Sussex iron paid for the smelting.
Before there was a mill here, this was the location [Pg 181] of one of the most significant ironworks in Sussex, where Sussex iron funded the smelting process.
Ironstone had been known to exist here even in the days of the Roman occupation, when Anderida, extending from the sea to London, was all one vast forest. Heaps of slag and cinders have been found, containing Roman coins and implements of contemporary date, proving that iron was smelted here to some extent even then. But it was not until the latter part of the Tudor period that the industry attained its greatest height. Then, according to Camden, “the Weald of Sussex was full of iron-mines, and the beating of hammers upon the iron filled the neighbourhood round about with continual noise.” The ironstone was smelted with charcoal made from the forest trees that then covered the land, and it was not until the first year or two of the last century that the industry finally died out. The last remaining ironworks in Sussex were situated at Ashburnham, and ceased working about 1820, owing to the inability of iron-masters to compete with the coal-smelted ore of South Wales.
Ironstone was known to be present here even during the Roman occupation, when Anderida stretched from the sea to London and was one huge forest. Piles of slag and cinders have been discovered, containing Roman coins and tools from that time, showing that iron was smelted here to some extent even back then. However, it wasn't until the late Tudor period that the industry reached its peak. According to Camden, “the Weald of Sussex was full of iron-mines, and the sound of hammers on iron filled the surrounding area with constant noise.” The ironstone was smelted using charcoal made from the forest trees that covered the land at that time, and it wasn't until the first year or two of the last century that the industry finally came to an end. The last ironworks in Sussex were located at Ashburnham and stopped operating around 1820, due to the inability of ironmasters to compete with the coal-smelted ore from South Wales.
By that time the great forest of Anderida had almost entirely disappeared, which is not at all a wonderful thing to consider when we learn that one ironworks alone consumed 200,000 cords of wood annually. Even in Drayton’s time the woods were already very greatly despoiled.
By that time, the vast forest of Anderida had nearly vanished, which is pretty concerning when we realize that one ironworks alone used up 200,000 cords of wood every year. Even by Drayton’s era, the woods were already heavily damaged.
Relics of those days are plentiful, even now, in the ancient farmhouses; relics in the shape of cast-iron chimney-backs and andirons, or “fire-dogs,” many of them very effectively designed; but, of course, in these days of appreciation of the antique, numbers of them have been sold and removed.
Relics from those days are still abundant in the old farmhouses; relics like cast-iron chimney backs andirons, or "fire-dogs," many of which are beautifully designed; however, with today's interest in antiques, a lot of them have been sold and taken away.
The water-power required by the ironworks was obtained by embanking small streams, to form ponds; as here at Ifield, where a fine head of water is still existing. Very many of these “Hammer Ponds” remain in Sussex and Surrey, and were long so called by the rustics, whose unlettered and traditional[Pg 182] memories were tenacious, and preserved local history much better than does the less intimate book-learning of the reading classes. But now that every ploughboy reads his “penny horrible,” and every gaffer devours his Sunday paper, they have no memories for “such truck,” and local traditions are fading.
The water power needed for the ironworks was created by damming small streams to create ponds, like the one at Ifield, where there’s still a good amount of water. Many of these "Hammer Ponds" are still found in Sussex and Surrey, and they were long referred to by the locals, whose uneducated and traditional[Pg 182] memories clung to local history far better than the more detached book knowledge of the educated classes. However, now that every farm boy reads his “penny dreadful” and every old guy looks forward to his Sunday paper, they have lost interest in “such nonsense,” and local traditions are disappearing.
Ifield ironworks became extinct at an early date, but from a very arbitrary cause. During the conflicts of the Civil War the property of Royalists was destroyed by the Puritan soldiery wherever possible; and after the taking of Arundel Castle in 1643, a detachment of troops under Sir William Waller wantonly wrecked the works then situated here, since when they do not appear to have been at any time revived.
Ifield ironworks disappeared early on, but for a random reason. During the Civil War, Puritan soldiers destroyed Royalist property whenever they could. After they took Arundel Castle in 1643, a group of troops led by Sir William Waller unnecessarily destroyed the works located here, and they haven't been revived since then.
It is a pretty spot to-day, and extremely quiet.
It’s a lovely place today, and really peaceful.
From here Crawley is reached through Gossop’s Green.
From here, you can reach Crawley through Gossop’s Green.
XXII
The way into Crawley along the main road, passing the modern hamlet of Lowfield Heath, is uneventful. The church, the “White Lion,” and a few attendant houses stand on one side of the road, and on the other, by the farm or mansion styled Heath House, a sedgy piece of ground alone remains to show what the heath was like before enclosure. Much of the land is now under cultivation as a nursery for shrubs, and a bee-farm attracts the wayfarers’ attention nearer Crawley, where another hamlet has sprung up. A mean little house called “Casa querca”—by which I suppose the author means Oak House—is “refinement,” as imagined in the suburbs, and excites the passing sneer, “Is not the English language good enough?” If the Italians will only oblige, and call their own “Bella Vistas” “Pretty View,” and so forth, while we continue the reverse process here, we shall effect a fair exchange, and find at last an Old England over-sea.
The route into Crawley along the main road, passing the modern neighborhood of Lowfield Heath, is pretty uneventful. On one side of the road, there's the church, the “White Lion,” and a few nearby houses, while on the other side, near the farm or estate known as Heath House, a marshy piece of land remains to show what the heath used to look like before it was enclosed. Much of the land is now used as a nursery for shrubs, and a bee farm catches the attention of travelers as they get closer to Crawley, where another small community has developed. A shabby little place called “Casa querca”—which I assume the author means as Oak House—represents “refinement” as envisioned in the suburbs, provoking the passing joke, “Is the English language not good enough?” If the Italians would just be accommodating and refer to their “Bella Vistas” as “Pretty View,” and so on, while we keep doing the opposite here, we could create a fair trade and ultimately discover an Old England across the sea.

CRAWLEY: LOOKING SOUTH.
Crawley: Facing South.
[Pg 184]At the beginning of Crawley stands the “Sun” inn, and away at the other end is the “Half Moon”; trivial facts not lost upon the guards and coachmen of the coaching age, who generally propounded the stock conundrum when passing through, “Why is Crawley the longest place in existence?” Every one unfamiliar with the road “gave it up”; when came the answer, “Because the sun is at one end and the moon at the other.” It is evident that very small things in the way of jokes satisfied the coach-passengers.
[Pg 184]At the start of Crawley, there’s the “Sun” inn, and at the far end, there’s the “Half Moon”; these little details didn’t escape the notice of the guards and coachmen from the era of traveling by coach, who usually brought up the classic riddle while passing through: “Why is Crawley the longest place in existence?” Everyone unfamiliar with the road would give up, and the answer would come: “Because the sun is at one end and the moon at the other.” It’s clear that very simple jokes entertained the coach passengers.
We have it, on the authority of writers who fared this way in early coaching days, that Crawley was a “poor place,” by which we may suppose that they meant it was a village. But what did they expect—a city?
We have it, from writers who traveled this way in the early days of coaching, that Crawley was a "poor place," which we can assume meant it was just a village. But what were they expecting—a city?
Crawley in these times still keeps some old-world features, but it has grown, and is still growing. Its most striking peculiarity is the extraordinary width of the road in midst of what I do not like to call a town, and yet can scarce term a village; and the next most remarkable thing is the bygone impudence of some forgotten land-snatchers who seized plots in midst of this street, broad enough for a market-place, and built houses on them. By what slow, insensible degrees these sites, doubtless originally those of market-stalls, were stolen, records do not tell us; but we may imagine the movable stalls replaced by fixed wooden ones, and those in course of time giving place to more substantial structures, and so forth, in the time-honoured way, until the present houses, placed like islands in the middle of the street, sealed and sanctified the long-drawn tale of grab.
Crawley today still retains some old-world charm, but it has expanded and continues to grow. Its most noticeable feature is the unusual width of the road in the middle of what I hesitate to call a town but can hardly label as a village. The second most striking thing is the arrogance of some long-forgotten land-grabbers who claimed plots in the middle of this wide street, spacious enough for a market, and built houses on them. Records don’t tell us how these areas, likely once occupied by market stalls, were gradually appropriated; however, we can imagine the movable stalls being replaced by fixed wooden ones, and those eventually giving way to more permanent structures, in the traditional manner, until the current houses stood like islands in the middle of the street, solidifying the lengthy saga of land grabbing.
Even Crawley’s generous width of roadway cannot have been an inch too wide for the traffic that crowded the village when it was a stage at which every coach stopped, when the air resounded with the guards’ winding of their horns, or the playing of the occasional key-bugle to the airs of “Sally in our Alley” or “Love’s Young Dream.” Then the “George” was the scene of a continual bustling, with the shouting of the ostlers, the chink and clashing of harness, and all the tumults of travelling, when travelling was no light affair of an hour and a fraction, railway time, but a real journey, of five hours.
Even Crawley’s wide road must have been just the right size for the traffic that filled the village when it was a popular stop for every coach, when you could hear the guards blowing their horns or the occasional key-bugle playing tunes like “Sally in our Alley” or “Love’s Young Dream.” Back then, the “George” was always bustling, with ostlers shouting, harnesses clinking and clashing, and all the chaos of travel, which wasn’t a quick hour-long trip by train but a genuine journey lasting five hours.

CRAWLEY, 1789.
CRAWLEY, 1789.
[Pg 187]Now there is little to stir the pulses or make the heart leap. Occasionally some great cycle “scorch” is in progress, when whirling enthusiasts speed through the village on winged wheels beneath the sign of the “George” spanning the street and swinging in the breeze; a sign on which the saintly knight wages eternal warfare with a blurred and very invertebrate dragon. Sometimes a driving match brings down sportsmen and bookmakers, and every now and again some one has a record to cut, be it in cycling, coaching, walking, or in wheelbarrow trundling; and then the roads are peopled again.
[Pg 187]These days, there’s not much to get the adrenaline pumping or make the heart race. Occasionally, there’s a big cycling event happening, where excited riders zoom through the village on speedy bikes, passing under the “George” sign that hangs over the street and sways in the wind. This sign features a heroic knight locked in eternal battle with a fuzzy, somewhat limp dragon. Sometimes, a driving competition attracts both athletes and bookmakers, and now and then, someone tries to break a record, whether it’s in cycling, coaching, walking, or wheelbarrow racing; that’s when the roads come alive again.
There yet remain a few ancient cottages in Crawley, and the grey, embattled church tower lends an assured antiquity to the view; but there is, in especial, one sixteenth-century cottage worthy notice. Its timbered frame stands as securely, though not so erect, as ever, and is eloquent of that spacious age when the Virgin Queen (Heaven help those who named her so!) rules the land. It is Sussex, realised at a glance.
There are still a few old cottages in Crawley, and the grey, weathered church tower adds a sense of history to the view; but there is, in particular, one sixteenth-century cottage that's worth mentioning. Its timber frame stands just as firmly, though not as straight, as ever, and it speaks to that grand era when the Virgin Queen (bless those who called her that!) ruled the country. It's a snapshot of Sussex at a glance.
They are conservative folks at Crawley. When that ancient elm of theirs that stood directly below this old cottage had become decayed with lapse of years and failure of sap, they did not, even though its vast trunk obtrudes upon the roadway, cut it down and scatter its remains abroad. Instead, they fenced it around with as decorative a rustic railing as might well be contrived out of cut boughs, all innocent of the carpenter and still retaining their bark, and they planted the enclosure with flowers and tender saplings, so that this venerable ruin became a very attractive ruin indeed.
They are traditional people at Crawley. When the old elm tree that stood right below this cottage began to decay over the years and lost its sap, they didn’t cut it down and scatter the remains, even though its massive trunk was sticking out onto the road. Instead, they put up a decorative rustic fence made from cut branches, all natural without any signs of a carpenter, and still with their bark intact. They planted flowers and young trees around the area, turning this old tree into a surprisingly charming sight.
Rowlandson has preserved for us a view of Crawley as it appeared in 1789, when he toured the road and sketched, while his companion, Henry Wigstead, took notes for his book, “An Excursion to Brighthelmstone.”[Pg 188] It is a work of the dreadfullest ditch-water dulness, saved only by the artist’s illustrations. That they should have lived, you who see the reproduction will not wonder. The old sign spans the way, as of yore, but Crawley is otherwise greatly changed.
Rowlandson has given us a glimpse of Crawley as it looked in 1789, when he traveled the road and sketched, while his friend, Henry Wigstead, took notes for his book, “An Excursion to Brighthelmstone.”[Pg 188] It’s a painfully dull piece of work, only saved by the artist’s illustrations. That they managed to survive, you who see the reproduction won't be surprised. The old sign still hangs above the road, just like before, but Crawley has changed a lot otherwise.

AN OLD COTTAGE AT CRAWLEY.
A vintage cottage in Crawley.
An odd fact, unknown to those who merely pass through the place, is that the greater part of “Crawley” is not in that parish at all, but in the adjoining parish of Ifield. Only the church and a few houses on the same side of the street belong to Crawley.
An interesting fact that most people who just visit might not know is that most of “Crawley” isn’t actually in that parish at all, but in the nearby parish of Ifield. Only the church and a few houses on the same side of the street are part of Crawley.
In these later years the church, once kept rigidly locked, is generally open, and the celebrated inscription carved on one of the tie-beams of the nave is to be seen. It is in old English characters, gilded, and runs in this admonitory fashion:
In these later years, the church, which used to be tightly locked, is usually open, and the famous inscription carved on one of the tie-beams of the nave can be seen. It's in old English characters, gilded, and reads in this warning manner:
Man yn wele bewar, for warldly good makyth man blynde
He war be for whate comyth be hynde.
Man is blind to worldly good
He should be aware of what lies behind.
When the stranger stands puzzling it out, unconscious of not being alone, it is sufficiently startling to hear the unexpected voice of the sexton, “be hynde,” remarking that it is “arnshunt.”
When the stranger stands lost in thought, unaware that they're not alone, it’s pretty shocking to hear the unexpected voice of the sexton saying, “be hynde,” noting that it is “arnshunt.”

THE “GEORGE,” CRAWLEY.
The "George," Crawley.
[Pg 190]The sturdy old tower is crowned with a gilded weather vane representing Noah’s dove returning to the Ark with the olive-leaf, when the waters were abated from off the earth: a device peculiarly appropriate, intentionally or not, to Crawley, overlooking the oft-flooded valley of the Mole.
[Pg 190]The strong old tower is topped with a shiny weather vane that depicts Noah’s dove coming back to the Ark with the olive branch after the waters receded from the earth. This symbol is especially fitting, whether by design or not, for Crawley, which overlooks the frequently flooded valley of the Mole.
But the most interesting feature of this church is the rude representation of the Trinity carved on the western face of the tower: three awful figures of very ancient date, on a diminishing scale, built into fifteenth-century niches. Above, on the largest scale, is the Supreme Being, holding what seems to be intended for a wheel, one of the ancient symbols of eternity. The sculptor, endeavouring to realise the grovelling superstition of his remote age, has put his “fear of God,” in a very literal sense, into the grim, truculent, merciless, all-judging smile of the image; and thus, in enduring stone, we have preserved to us the terrified minds of the dark ages, when God, the loving Father, was non-existent, and was only the Judge, swift to punish. The other figures are merely like infantile grotesques.
But the most interesting feature of this church is the crude depiction of the Trinity carved on the western face of the tower: three terrifying figures from a very ancient time, arranged in a decreasing size, set into fifteenth-century niches. At the top, in the largest form, is the Supreme Being, holding what looks like a wheel, one of the ancient symbols of eternity. The sculptor, trying to capture the superstitions of his distant time, has put his “fear of God” very literally into the grim, fierce, merciless, all-judging smile of the image; and thus, in lasting stone, we have preserved the terrified minds of the dark ages, when God, the loving Father, didn’t exist, and was only the Judge, quick to punish. The other figures are just like childish grotesques.
XXIII

SCULPTURED EMBLEM
OF THE HOLY TRINITY,
CRAWLEY CHURCH.
There is but one literary celebrity whose name goes down to posterity associated with Crawley. At Vine Cottage, near the railway station, resided Mark Lemon, editor of Punch, who died here on May 20th, 1870. Since his time the expansion of Crawley has caused the house to be converted into a grocer’s shop.
There is only one literary celebrity whose name is linked to Crawley. Mark Lemon, the editor of Punch, lived at Vine Cottage, near the train station, and passed away here on May 20th, 1870. Since then, Crawley has expanded, and the house has been turned into a grocery store.
[Pg 191]The only other inhabitant of Crawley whose deeds informed the world at large of his name and existence was Tom Cribb, the bruiser. But though I lighted upon the statement of his residence here at one time, yet, after hunting up details of his life and of the battles he fought, after pursuing him through the classic pages of “Boxiana” and the voluminous records of “Pugilistica,” after consulting, too, that sprightly work “The Fancy”; after all this I find no further mention of the fact. It was fitting, though, that the pugilist should have his home near Crawley Downs, the scene of so many of the Homeric combats witnessed by thousands upon thousands of excited spectators, from the Czar of Russia and the great Prince Regent, downwards to the lowest blackguards of the metropolis. An inspiring sight those Downs must have presented from time to time, when great multitudes—princes, patricians, and plebeians of every description—hung with beating hearts and bated breath upon the performances of two men in a roped enclosure battering one another for so much a side.
[Pg 191]The only other person from Crawley whose actions made a mark on the wider world was Tom Cribb, the boxer. Although I came across information about his residence here at one time, after digging into the details of his life and the fights he participated in, tracking him through the classic pages of “Boxiana” and the extensive records of “Pugilistica,” and also looking into that lively book “The Fancy,” I found no more mention of this fact. It was fitting that the fighter should have his home near Crawley Downs, the venue for so many legendary fights witnessed by thousands of thrilled spectators, from the Czar of Russia and the great Prince Regent to the lowest scoundrels of the city. Those Downs must have been an inspiring sight at times, when huge crowds—princes, aristocrats, and commoners of every kind—watched with pounding hearts and held breath as two men in a roped ring battled it out for so much a side.
It is thus no matter for surprise that the Brighton Road, on its several routes, witnessed brilliant and dashing turn-outs, both in public coaches and private equipages, during that time when the last of the Georges flourished so flamboyantly as Prince, Prince Regent, and King. How else could it have been with the Court at one end of it and the metropolis at the other, and between them the rendezvous of all such as delighted in the “noble art”?
It’s no surprise that the Brighton Road, with its various routes, saw impressive and flashy carriages, both in public coaches and private vehicles, during the time when the last of the Georges reigned so extravagantly as Prince, Prince Regent, and King. How could it have been any different with the Court at one end and the city at the other, along with all the meeting spots for those who enjoyed the “noble art”?
Many were the merry “mills” which “came off” at Crawley Downs, Copthorne Common, and Blindley[Pg 192] Heath, attended by the Prince and his merry men, conspicuous among whom at different times were Fox, Lord Barrymore, Lord Yarmouth (“Red Herrings”), and Major George Hanger. As for the tappings of claret, the punchings of conks and bread-baskets, and the tremendous sloggings that went on in this neighbourhood in those virile times, are they not set forth with much circumstantial detail in the pages of “Fistiana” and “Boxiana”? There shall you read how the Prince Regent witnessed with enthusiasm such merry sets-to as this between Randall and Martin on Crawley Downs. “Boxiana” gives a full account of it, and is even moved to verse, in this wise:
Many were the joyful matches that took place at Crawley Downs, Copthorne Common, and Blindley[Pg 192] Heath, attended by the Prince and his lively group, which included notable figures like Fox, Lord Barrymore, Lord Yarmouth (“Red Herrings”), and Major George Hanger at various times. As for the pouring of claret, the hitting of heads and breadbaskets, and the intense brawls that occurred in this area during those bold times, aren't they detailed with great precision in the pages of “Fistiana” and “Boxiana”? There, you can read about how the Prince Regent enthusiastically witnessed exciting matches like the one between Randall and Martin on Crawley Downs. “Boxiana” gives a comprehensive account of it and even turns it into verse, in this way:
THE FIGHT AT CRAWLEY
BETWEEN
THE NONPAREIL
AND
THE OUT-AND-OUTER.
Come, won’t you list unto my lay
About the fight at Crawley, O!...
THE FIGHT AT CRAWLEY
BETWEEN
The Best
AND
THE OUTSIDER.
Come, will you listen to my song
About the fight at Crawley, oh!...
with the refrain—
with the chorus—
With his filaloo trillaloo,
Whack, fal lal de dal di de do!
With his playful trill,
Whack, fal lal de dal di de do!
For the number of rounds and such technical details the curious may be referred to the classic pages of “Boxiana” itself.
For information on the number of rounds and other technical details, those curious can check the classic pages of “Boxiana” itself.
Martin, originally a baker, and thus of course familiarly known as the “Master of the Rolls,” one of the heroes whom all these sporting blades went out to see contend for victory in the ring, died so recently as 1871. He had long retired from the P.R., and had, upon quitting it, followed the usual practice of retired pugilists, that is to say, he became a publican. He was landlord successively of the “Crown” at Croydon, and the “Horns” tavern, Kennington.
Martin, who was originally a baker and was commonly known as the "Master of the Rolls," was one of the champions that all these sports enthusiasts came out to watch compete for victory in the ring. He passed away in 1871. He had long since retired from professional boxing and, following the typical path for retired fighters, went on to become a pub owner. He was the landlord of the "Crown" in Croydon and then the "Horns" tavern in Kennington.
As for details of this fight or that upon the same spot from which Hickman, “The Gas-Light Man,” [Pg 193]came off victor, they are not for these pages. How the combatants “fibbed” and “countered,” and did other things equally abstruse to the average reader, you may, who care to, read in the pages of the enthusiastic authorities upon the subject, who spare nothing of all the blows given and received.
As for the details of this fight or others that took place in the same location where Hickman, “The Gas-Light Man,” [Pg 193]came out on top, they're not meant for this text. If you're interested in how the fighters exaggerated and countered each other, along with other things that might be confusing to the average reader, you can check out the accounts of the passionate experts on the topic, who don’t hold back on any of the punches thrown and taken.
This was fine company for the Heir-apparent to keep at Crawley Downs; but see how picturesque he and the crowds that followed in his wake rendered those times. What diversions went forward on the roads—such roads as they were! One chronicler of a fight here says, in all good faith, that on the morning following the “battle,” the remains of several carriages, phaetons, and other vehicles were found bestrewing the narrow ways where they had collided in the darkness.
This was a great crowd for the Heir-apparent to hang out with at Crawley Downs; but look at how colorful he and the throngs that followed him made those times. What excitement took place on the roads—whatever kind of roads they were! One reporter of a fight here claims, with complete sincerity, that on the morning after the “battle,” the wreckage of several carriages, phaetons, and other vehicles was scattered across the narrow paths where they had crashed in the dark.
The House of Hanover, which ended with the death of Queen Victoria, was not at any time largely endowed with picturesqueness, saving only in the gruesome picture afforded by the horrid legend which accounts for the family name of Guelph; but the Regent was the great exception. He, at least, was picturesque; and if there be any who choose to deny it, I will ask them how it comes that so many novelists dealing with historical periods have chosen the period of the Regency as so fruitful an era of romance? The Prince endowed his time with a glamour that has lasted, and will continue unimpaired. It was he who gave a devil-me-care connotation to the words “Regent” and “Regency”; and his wild escapades have sufficed to redeem the Georgian Era from the reproach of unrelieved dulness and greasy vulgarity.
The House of Hanover, which ended with Queen Victoria's death, was never really known for its charm, except for the creepy story behind the family name of Guelph. But the Regent was a big exception. He was definitely interesting; and if anyone wants to argue otherwise, I’d like to know why so many authors writing about historical times have found the Regency to be such a rich era for romance. The Prince brought a certain allure to his time that has lasted and will keep going strong. He turned the words “Regent” and “Regency” into terms with a carefree vibe, and his wild adventures helped save the Georgian Era from being seen as completely dull and tasteless.
The reign of George the Third was the culmination of smug and unctuous bourgeois respectability at Court, from whose weary routine the Prince’s surroundings were entirely different. Himself and his entourage were dissolute indeed, roystering, drinking, cursing, dicing, visiting prize-fights on these Downs of Crawley, and hail-fellow-well-met with the blackguards there gathered together. But whatever his surroundings,[Pg 194] they were never dull, for which saving grace many sins may be excused him.
The reign of George III was the peak of smug and slick middle-class respectability at Court, which was a far cry from the Prince’s lifestyle. He and his crew were definitely wild—partying, drinking, swearing, gambling, attending prize fights on the Crawley Downs, and getting along with the rough crowd gathered there. But no matter who he was with,[Pg 194] it was never boring, and for that redeeming quality, many of his faults can be overlooked.
Thackeray, in his “Four Georges,” has little that is pleasant to say of any one of them, but is astonishingly severe upon this last, both as Prince and King. For a thorough-going condemnation, commend me to that book. To the faults of George the Fourth the author is very wide-awake, nor will he allow him any virtues whatsoever. He will not even concede him to be a man, as witness this passage: “To make a portrait of him at sight seemed a matter of small difficulty. There is his coat, his star, his wig, his countenance simpering under it: with a slate and a piece of chalk, I could at this very desk perform a recognisable likeness of him. And yet, after reading of him in scores of volumes, hunting him through old magazines and newspapers, having him here at a ball, there at a public dinner, there at races, and so forth, you find you have nothing, nothing but a coat and a wig, and a mask smiling below it; nothing but a great simulacrum.”
Thackeray, in his “Four Georges,” doesn’t have much good to say about any of them, but he is especially harsh on this last one, both as Prince and King. For a complete critique, look no further than that book. The author is very attuned to George the Fourth’s faults and doesn’t grant him any virtues at all. He won’t even acknowledge him as a man, as shown in this passage: “Creating a portrait of him at first glance seems easy. There’s his coat, his star, his wig, and his face smirking underneath it: with a slate and a piece of chalk, I could right here draw a recognizable likeness of him. Yet, after reading about him in numerous volumes, chasing his image through old magazines and newspapers, seeing him here at a ball, there at a public dinner, there at races, and so on, you realize you have nothing, nothing but a coat and a wig, and a mask smiling underneath it; nothing but a hollow imitation.”
Poor fat Adonis!
Poor chubby Adonis!
But Thackeray was obliged reluctantly to acknowledge the grace and charm of the Fourth George, and to chronicle some of the kind acts he performed, although at these last he sneered consumedly, because, forsooth, those thus benefited were quite humble persons. It was not without reason that Thackeray wrote so intimately of snobs: in those unworthy sneers speaks one of the race.
But Thackeray was reluctantly forced to admit the grace and charm of King George IV and to note some of the good deeds he did, although he mocked them bitterly because, of course, the people helped were quite ordinary. Thackeray had good reason to write so closely about snobs: in those unworthy sneers, you can hear from someone of that background.
One curious little item of praise the author of the “Four Georges” was constrained to allow the Regent: “Where my Prince did actually distinguish himself was in driving. He drove once in four hours and a half from Brighton to Carlton House—fifty-six miles.”[11]
One curious bit of praise the author of the “Four Georges” had to give to the Regent was: “Where my Prince really stood out was in driving. He once drove from Brighton to Carlton House—fifty-six miles—in just four and a half hours.”[11]
So the altogether British love of sport compelled this little interlude in the abuse levelled at the “simulacrum.”
So the purely British passion for sports prompted this brief break in the attacks directed at the “simulacrum.”
XXIV
Modern Crawley is disfigured by the abomination of a busy railway level-crossing that bars the main road and causes an immeasurable waste of public time and a deplorable flow of bad language. It affords a very good idea of the delays and annoyances at the old turnpike-gates, without their excuse for existence. Beyond it is the Park Lane or Belgravia of Crawley—the residential and superior modern district of country houses, each in midst of its own little pleasance.
Modern Crawley is marred by the eyesore of a busy railway crossing that blocks the main road, wasting countless hours of public time and prompting an unfortunate stream of profanity. It gives a clear picture of the delays and frustrations at the old toll gates, but without any justification for being there. Beyond it lies the Park Lane or Belgravia of Crawley—the upscale modern area filled with country houses, each surrounded by its own little garden.
The cutting in the rise at Hog’s Hill passed, the road goes in a long incline up to Hand Cross, by Pease Pottage, where there is now a post-office which spells the name wrongly, “Peas.” No one knows how the place-name originated; but legends explain where facts are wanting, and tell variously how soldiers in the old days were halted here on their route-marching and fed with “pease-pottage,” the old name for pease-pudding; or describe how prisoners on the cross-roads, on their way to trial at the assizes, once held at Horsham and East Grinstead alternately, were similarly refreshed. Formerly called Pease Pottage Gate, from a turnpike-gate that spanned the Horsham road, the “Gate” has latterly been dropped. It is a pretty spot, with a triangular green and the old “Black Swan” inn still standing at the back. The green is not improved by the recent addition of a huge and ugly signboard, advertising the inn as an “hotel.” The inquiring mind speculates curiously as to whether the District Council (or whatever the local governing body may be) is doing its duty in allowing such a flagrant vulgarity, apart from any question of legal rights, on common land. Indeed, the larger question arises, in the gross abuse of advertising notice-boards on this road in particular, and along others in lesser degree, as to whether the shameful defacement of natural scenery by such boards erected on land public or private ought not to be suppressed by law. Nearer Brighton, the beautiful distant views[Pg 196] of the South Downs are utterly damned by gigantic black hoardings painted in white letters, trumpeting the advantages of the motor garage of an hotel which here, at least, shall not be named. Much has been written about the abuse of advertising in America, but Englishmen, sad to say, have in these latter days outdone, and are outdoing, those crimes, while America itself is retrieving its reputation.
The cut in the rise at Hog’s Hill has passed, and the road goes on a long incline up to Hand Cross, by Pease Pottage, where there’s now a post office that misspells the name as “Peas.” No one knows how the place-name came about; but legends fill in where facts are lacking, explaining in various ways how soldiers in the old days were stopped here while marching and fed with “pease-pottage,” the old term for pease-pudding; or telling how prisoners at the cross-roads, on their way to trial at the assizes, once held alternately at Horsham and East Grinstead, were similarly refreshed. Previously called Pease Pottage Gate, named after a turnpike that spanned the Horsham road, the “Gate” has recently been dropped. It’s a pretty spot, with a triangular green and the old “Black Swan” inn still standing at the back. The green is not enhanced by the recent addition of a huge and ugly signboard promoting the inn as a “hotel.” The curious observer wonders whether the District Council (or whatever the local governing body is) is doing its job by allowing such a blatant eyesore, aside from any legal rights issues, on common land. Indeed, a larger question arises regarding the excessive advertising notice-boards along this road in particular, and along others to a lesser extent, about whether the disgraceful defacement of natural scenery by such boards, erected on public or private land, should not be banned by law. Nearer Brighton, the beautiful distant views[Pg 196] of the South Downs are completely ruined by gigantic black billboards painted with white letters, advertising the advantages of a motor garage of a hotel that, at least, shall not be named. Much has been said about the advertising abuses in America, but sadly, recent times have seen Englishmen surpass and continue to surpass those offenses, while America itself is working to reclaim its reputation.
This is the Forest Ridge of Sussex, where the Forest of St. Leonards still stretches far and wide. Away for miles on the left hand stretch the lovely beechwoods and the hazel undergrowths of Tilgate, Balcombe, and Worth, and on the right the little inferior woodlands extending to Horsham. The ridge is, in addition, a great watershed. From it the Mole and the Medway flow north, and the Arun, the Adur, and the Sussex Ouse south, towards the English Channel. Hand Cross is the summit of the ridge, and the way to it is coming either north or south, a toilsome drag.
This is the Forest Ridge of Sussex, where the Forest of St. Leonards still stretches far and wide. For miles on the left are the beautiful beech woods and hazel undergrowths of Tilgate, Balcombe, and Worth, while on the right are the smaller woods extending to Horsham. The ridge also serves as a major watershed. From it, the Mole and the Medway flow north, and the Arun, the Adur, and the Sussex Ouse flow south toward the English Channel. Hand Cross is the peak of the ridge, and getting there from either the north or south is a tough trek.
At Tilgate Forest Row the scenery becomes park-like, laurel hedges lining the way, giving occasional glimpses of fine estates to right and left. Here the coachmen used to point out, with becoming awe, the country house where Fauntleroy, the banker, lived, and would tell how he indulged in all manner of unholy orgies in that gloomy-looking mansion in the forest.
At Tilgate Forest Row, the landscape takes on a park-like vibe, with laurel hedges lining the path and providing occasional views of elegant estates on both sides. Here, the coachmen would point out, with appropriate reverence, the country house where Fauntleroy, the banker, lived, and they would share stories about how he engaged in all sorts of wild parties in that dark-looking mansion in the forest.
Henry Fauntleroy was only thirty-nine years of age when he met the doom then meted out to forgers. As partner in the banking firm of Marsh, Sibbald & Co., of Berners Street, he had entire control of the firm’s Stock Exchange business, and, unknown to his partners, had for nine years pursued a consistent course of illegally selling the securities belonging to customers—forging their signatures to transfers. Paying the interest and dividends as usual, the frauds, amounting in all to £70,000, might have remained undiscovered for many years longer; but the credit of the bank, long in a tottering condition, was exhausted in September, 1824, when all was disclosed. Fauntleroy was arrested on the 11th, and on the 14th the bank suspended payment.
Henry Fauntleroy was just thirty-nine when he faced the fate that was given to forgers. As a partner in the banking firm of Marsh, Sibbald & Co., located on Berners Street, he had complete control over the firm's Stock Exchange operations and had, unbeknownst to his partners, spent nine years illegally selling the securities of customers by forging their signatures on transfers. By continuing to pay interest and dividends as usual, the total fraud, which reached £70,000, might have gone undetected for many more years; however, the bank's credit, which had been shaky for a long time, collapsed in September 1824, revealing everything. Fauntleroy was arrested on the 11th, and by the 14th, the bank stopped all payments.

PEASE POTTAGE.
Pea soup.
[Pg 198]The failure of the bank was largely due to the extravagance of the partners, Fauntleroy himself living in fine style as a country gentleman; but the scandalous stories current at the time as to his mode of life were quite disproved, while the partners were clearly shown to have been entirely ignorant of the state of their affairs, which acquits them of complicity, though it does not redound to their credit as business men. Fauntleroy readily admitted his guilt, and added that he acted thus to prop up the long-standing instability of the firm. He was tried at the Old Bailey October 30th, 1824, sentenced to death, and executed November 30th, in the presence of a crowd of 200,000 persons. He was famed among connoisseurs for the excellence of his claret, and would never disclose its place of origin. Friends who visited him in the condemned cell begged him to confide in them, but he would never do so, and when he died the secret died with him.
[Pg 198]The bank's failure was mostly due to the partners' lavish spending, with Fauntleroy himself living like a wealthy country gentleman. However, the scandalous rumors about his lifestyle were proven false, and it became clear that the partners were completely unaware of their financial situation, which absolves them of wrongdoing, even though it doesn’t reflect well on their abilities as businesspeople. Fauntleroy openly admitted his guilt, stating that he acted this way to stabilize the firm, which had been unstable for a long time. He was tried at the Old Bailey on October 30th, 1824, sentenced to death, and executed on November 30th in front of a crowd of 200,000 people. He was renowned among wine lovers for the quality of his claret and never revealed where it came from. Friends who visited him in his cell before his execution urged him to tell them the secret, but he never did, and when he died, the secret went with him.
No one has ever claimed acquaintance with the ghost of Fauntleroy, with or without his rope; but the road to Hand Cross has long enjoyed—or been afflicted with—the reputation of being haunted. The Hand Cross ghost is, by all accounts, an extremely eccentric, but harmless spook, with peculiar notions in the matter of clothes, and given, when the turnpike-gate stood here, to monkey-tricks with bolts and bars, whereby pikemen were not only scared, but were losers of sundry tolls. Evidently that sprite was the wayfarers’ friend.
No one has ever claimed to know the ghost of Fauntleroy, with or without his rope; but the road to Hand Cross has long had the reputation of being haunted. The Hand Cross ghost is, by all accounts, a very quirky but harmless spirit, with strange ideas about clothing, and known for playing tricks with bolts and bars when the toll gate was here, which not only scared toll collectors but also made them lose out on some fees. Clearly, that spirit was a friend to travelers.
“Squire Powlett” is another famous phantom of this forest-side, and is more terrifying, being headless, and given to the hateful practice of springing up behind the horseman who ventures this way when night has fallen upon the glades, riding with him to the forest boundary. Motorists and cyclists, however, do not seem to have been troubled. Possibly they have a turn of speed quite beyond the powers of such an old-fashioned spook.
“Squire Powlett” is another well-known ghost of this forest, and is even more frightening, as he is headless and has the unsettling habit of appearing suddenly behind anyone on horseback who dares to ride through these woods after dark, accompanying them to the edge of the forest. However, drivers and cyclists don't seem to be bothered by him. It's likely that their speed is far beyond what this old-fashioned ghost can handle.
[Pg 199]Why “Squire Powlett” should haunt these nocturnal glades is not so easily to be guessed. He was not, so far as can be learned, an evildoer, and he certainly was not beheaded. He was that William Powlett, a captain in the Horse Grenadiers and a resident in the Forest of St. Leonards, who seems to have led an exemplary life, and died in 1746, and is buried under an elaborate monument in West Grinstead Church.
[Pg 199]Why “Squire Powlett” haunts these nighttime woods is not easy to figure out. As far as we know, he wasn’t a wrongdoer, and he definitely wasn’t beheaded. He was William Powlett, a captain in the Horse Grenadiers and a local in the Forest of St. Leonards, who seems to have lived a commendable life, died in 1746, and is buried under an impressive monument in West Grinstead Church.
XXV
Hand Cross is a settlement of forty or fifty houses, situated where several roads meet, in this delightful land of forests. Its name derives, of course, from some ancient signpost, or combination of signpost and wayside cross, existing here in pre-Reformation times, on the lonely cross-roads. No houses stood here then, and Slaugham village, the nearest habitation of man, was a mile distant, at the foot of the hill, where, very little changed or not at all, it may still be sought. Slaugham parish is very extensive, stretching as far as Crawley; and the hamlet of Hand Cross, within it, although now larger than the parent village itself, is only a mere mushroom excrescence called into existence by the road travel of the last two centuries.
Hand Cross is a small settlement of about forty or fifty houses, located where several roads come together in this beautiful area filled with forests. Its name comes from an old signpost or a combination of a signpost and a wayside cross that existed here before the Reformation, at the lonely crossroads. Back then, there were no houses here, and the nearest community, Slaugham village, was a mile away at the bottom of the hill, which has changed very little and can still be found today. Slaugham parish is quite large, extending all the way to Crawley; and although the hamlet of Hand Cross is now larger than the original village, it is just a recent addition created by road travel over the past two centuries.
It is the being on the main road, and on the junction of several routes, that has made Hand Cross what it is to-day and has deposed Slaugham itself; just as in towns a by-street being made a main thoroughfare will make the fortunes of the shops in it and perhaps ruin those of some other route.
It’s being situated on the main road and at the intersection of several routes that has shaped Hand Cross into what it is today and has displaced Slaugham itself; just as in towns, when a side street becomes a main thoroughfare, it can boost the fortunes of the shops on that street while possibly ruining those on another route.
Not that Hand Cross is great, or altogether pleasing to the eye; for, after all, it is a parvenu of a place, and lacks the Domesday descent of, for instance, Cuckfield. Now, the parvenu, the man of his hands, may be a very estimable fellow, but his raw prosperity grates upon the nerves. So it is with Hand Cross, for[Pg 200] its prosperity, which has not waned with the coaching era, has incited to the building of cottages of that cheap and yellow brick we know so well and loathe so much. Also, though there is no church, there are two chapels; one of retiring position, the other conventicle of aggressive and red, red brick. One could find it in one’s heart to forgive the yellow brick; but this red, never. In this ruddy building is a harmonium. On Sundays the wail of that instrument and the hooting and ting, tinging of cyclorns and cycling gongs, as cyclists foregather by the “Red Lion,” are the most striking features of the place.
Not that Hand Cross is amazing or really pleasant to look at; after all, it's a new and flashy place and doesn't have the historic lineage of somewhere like Cuckfield. Now, while a self-made man can be a really good guy, his sudden wealth can be pretty irritating. That's how it is with Hand Cross, because its wealth, which hasn't faded since the coaching days, has led to the construction of those cheap, ugly yellow brick cottages that we know all too well and dislike. Plus, even though there isn't a church, there are two chapels: one is tucked away, and the other is an eye-catching building made of garish red brick. One could almost overlook the yellow brick, but this red one? Never. Inside this red building is a harmonium. On Sundays, the mournful sound of that instrument and the noise of bells and cycling gongs, as cyclists gather by the “Red Lion,” are the most notable features of the place.
The “Red Lion” is of greater interest than all other buildings at Hand Cross. It stood here in receipt of coaching custom through all the roystering days of the Regency as it stands now, prosperous at the hands of another age of wheels. Shergold tells us that its landlords in olden times knew more of smuggling than hearsay, and dispensed from many an anker of brandy that had not rendered duty.
The "Red Lion" is more intriguing than all the other buildings at Hand Cross. It has been a popular stop for coaches during the lively days of the Regency and still thrives today thanks to another era of travel. Shergold shares that its owners back in the day were well-acquainted with smuggling, often selling brandy that hadn’t been taxed.
At Hand Cross the ways divide, the Bolney and Hickstead route, opened in 1813, branching off to the right and not merely providing a better surface, but, with a straighter course, saving from one and a half to two miles, and avoiding some troublesome rises, becoming in these times the “record route” for cyclists, pedestrians, and all who seek to speed between London and Brighton in the quickest possible time. It rejoins the classic route at Pyecombe.
At Hand Cross, the roads split: the Bolney and Hickstead route, which opened in 1813, veers off to the right. It not only offers a smoother surface but also a straighter path that saves about one and a half to two miles and avoids some challenging hills. This route has become the go-to choice for cyclists, walkers, and anyone trying to travel between London and Brighton as quickly as possible. It reconnects with the traditional route at Pyecombe.
For the present we will follow the older way, by Cuckfield, down to Staplefield Common. A lovely vale opens out as one descends the southern face of the watershed, with an enchanting middle distance of copses, cottages, and winding roads, the sun slanting on distant ponds, or transmuting commonplace glazier’s work into sparkling diamonds.
For now, we’ll take the old route through Cuckfield, down to Staplefield Common. A beautiful valley unfolds as we go down the southern side of the watershed, featuring a charming mix of woods, cottages, and winding roads, with the sun shining on distant ponds, turning ordinary glasswork into sparkling diamonds.
At the foot of the hill is Staplefield Common, bisected by the highway, with recent cottages and modern church, and in the foreground the “Jolly Farmers” inn. But where are the famous cherry-trees of Staplefield, under whose boughs the coach passengers of a century ago feasted off the “black-hearts”; where are the “Dun Cow” and its equally famous rabbit-puddings and its pretty Miss Finch? Gone, as utterly as though they had never been.
At the bottom of the hill is Staplefield Common, split by the highway, featuring new cottages and a modern church, with the “Jolly Farmers” inn in the foreground. But where are the famous cherry trees of Staplefield, where coach passengers a hundred years ago enjoyed the “black-hearts”? Where are the “Dun Cow” and its well-known rabbit puddings and the lovely Miss Finch? Gone, completely as if they had never existed.

THE “RED LION,” HAND CROSS.
THE “RED LION,” HAND CROSS.
[Pg 202]Three miles of oozy hollows and rises covered with tangled undergrowths of hazels lead past Slough Green and Whiteman’s Green to Cuckfield. From the hillsides the great Ouse Valley Viaduct of the Brighton line, down towards Balcombe and Ardingly, is seen stalking across the low-lying meadows, mellowed by distance to the romantic similitude of an aqueduct of ancient Rome.
[Pg 202]Three miles of muddy dips and hills covered with tangled brush lead past Slough Green and Whiteman’s Green to Cuckfield. From the hillsides, the great Ouse Valley Viaduct of the Brighton line, heading towards Balcombe and Ardingly, can be seen looming across the flat meadows, softened by distance to resemble a romantic aqueduct from ancient Rome.
Plentiful traces are yet visible of the rugged old hollow lane that was the precursor of the present road. In places it is a wayside pool; in others a hollow, grown thickly with trees, with tree-roots, gnarled and fanglike, clutching in desperate hold its crumbling banks. The older rustics know it, if the younger and the passing stranger do not: they tell you “’tis wheer th’ owd hroad tarned arff.”
Plenty of signs of the old rough lane that came before the current road are still visible. In some spots, it's a roadside pool; in others, it's a hollow dense with trees, their gnarled, fang-like roots gripping the crumbling banks. The older locals recognize it, even if the younger generation and passing visitors don't: they say, "That's where the old road turned off."
XXVI
The pleasant old town of Cuckfield stands on no railway, and has no manufactures or industries of any kind; and since the locomotive ran the coaches off the road has been a veritable Sleepy Hollow. It was not always thus, for in those centuries—from the fourteenth until the early part of the eighteenth—when the beds of Sussex iron-ore were worked and smelted on the spot, the neighbourhood of Cuckfield was a Black Country, given over to the manufacture of ironware, from cannon to firebacks.
The charming old town of Cuckfield isn’t connected to any train lines and doesn’t have any factories or industries. Ever since trains took over, it has become quite a sleepy place. It wasn’t always like this; from the fourteenth century until the early eighteenth century, when Sussex iron ore was mined and processed right there, the area around Cuckfield was a bustling industrial center focused on making all sorts of iron products, from cannons to fireplace backs.

CUCKFIELD, 1789.
From an aquatint after Rowlandson.
CUCKFIELD, 1789.
From an aquatint after Rowlandson.
[Pg 205]All this was so long ago that nature has healed the scars made by that busy time. Wooded hills replace the uplands made bare by the smelters, the cinder-heaps and mounds of slag are hidden under pastures, the “hammer-ponds” of the smelteries and foundries have become the resorts of artists seeking the picturesque, and the descendants of the old iron-masters, the Burrells and the Sergisons, have for generations past been numbered among the county families.
[Pg 205]All this was so long ago that nature has repaired the damage from that busy period. Wooded hills have taken the place of the barren uplands left by the smelters, the piles of cinders and slag are now covered by pastures, the “hammer-ponds” of the smelteries and foundries have turned into popular spots for artists looking for picturesque views, and the descendants of the old iron-masters, the Burrells and the Sergisons, have been part of the county's prominent families for generations.
Cuckfield very narrowly escaped being directly on the route of the Brighton railway, but it pleased the engineers to bring their line no nearer than Hayward’s Heath, some two miles distant. They built a station there, on the lone heath, “for Cuckfield,” with the result, sixty years later, that the sometime solitude is a town and still growing, while Cuckfield declines. Hayward’s Heath, curiously enough, is, or was until December, 1894, in the parish of Cuckfield, but the time is at hand when the two will be joined by the spread of that railway upstart; and then will be the psychological moment for abolishing the name of Hayward’s Heath—which is a shocking stumbling-block for the aitchless—and adopting that of the parental “Cookfield.”
Cuckfield barely missed being right on the path of the Brighton railway, but the engineers decided to stop their line at Hayward’s Heath, about two miles away. They built a station there, out on the empty heath, “for Cuckfield,” which led to the situation sixty years later where what was once desolate is now a growing town, while Cuckfield experiences a decline. Interestingly, Hayward’s Heath was, or at least was until December 1894, part of the Cuckfield parish, but soon enough, the two will merge with the growth of that railway newcomer; and then will come the perfect time to drop the name Hayward’s Heath—which is quite a hurdle for those who drop their h's—and switch to the original name “Cookfield.”
Meanwhile, I shall drop no sentimental tears over the chance that Cuckfield lost, sixty years ago, of becoming a railway junction and a modern town. Of junctions and mushroom towns we have a sufficiency, but of surviving sweet old country townlets very few.
Meanwhile, I won't shed any sentimental tears over the opportunity that Cuckfield missed, sixty years ago, to become a railway junction and a modern town. We've got plenty of junctions and rapidly growing towns, but there are very few surviving charming old country towns.
To see Cuckfield thoroughly demands some little leisure, for although it is small one must needs have time to assimilate the atmosphere of the place, if it is to be appreciated at its worth; from the grey old church with its tall shingled spire and its monuments of Burrells and Sergisons of Cuckfield Place, to the staid old houses in the quiet streets, and those two fine old coaching inns, the “Talbot” and the “King’s Head.” Rowlandson made a picture of the town in 1789, and it is not wholly unlike that, even now, but where is that Fair we see in progress in his spirited rendering? Gone, together with the smart fellow driving the curricle, and all the other figures of that scene, into the forgotten. There, in one corner, you[Pg 206] see the Recruiting Sergeant and the drummer, impressing with military glory a typical smock-frocked Hodge, gaping so outrageously that he seems to be opening his face rather than merely his mouth; the artist’s idea seems to have been that, like a dolphin, he would swallow anything, either in the way of food or of stories. There are no full-blooded Sergeant Kites and gaping yokels nowadays.
To really experience Cuckfield, you need a little time to spare. Although it's a small place, you have to soak in the atmosphere to truly appreciate it. From the old grey church with its tall shingled spire and the monuments of the Burrells and Sergisons of Cuckfield Place, to the traditional houses lining the quiet streets, and the two lovely old coaching inns, the “Talbot” and the “King’s Head.” Rowlandson created a depiction of the town in 1789, and it still bears some resemblance today, but where did that fair from his lively illustration go? It has vanished, along with the stylish chap driving the curricle and all the other characters from that scene, into oblivion. Over there in one corner, you[Pg 206] can see the Recruiting Sergeant and the drummer, filling a typical smock-frocked Hodge with military pride, his mouth wide open in amazement, as if he’s about to swallow the world—much like a dolphin would, whether it’s food or stories. Nowadays, there are no lively Sergeant Kites or wide-eyed yokels.
Cuckfield is evidently feeling, more and more, the altered condition of affairs. Motorists, who are supposed to bring back prosperity to the road, do nothing of the kind on the road to Brighton; for those who live at Brighton or London merely want to reach the other end as quickly as possible, and, with a legal limit up to twenty miles an hour, can cover the distance in two hours and a half, and, with an occasional illegal interval, easily in two hours. Except in case of a breakdown, the wayside hostelries do not often see the colour of the motorists’ money, but they smell the stink, and are choked with the dust of them, and landlords and every one else concerned would be only too glad if the project for building a road between London and Brighton, exclusively for motor traffic, were likely to be realised. Then ordinary users of the highway might once more be able to discern the natural scenery of the road, at present obscured with dust-clouds.
Cuckfield is clearly feeling the effects of the changed situation more than ever. Drivers, who are supposed to bring prosperity to the roads, don’t do anything of the sort on the way to Brighton; those living in Brighton or London just want to get to their destination as fast as possible, and with a legal speed limit of up to twenty miles an hour, they can cover the distance in two and a half hours, and often in just two hours with a few speeding moments. Unless there’s a breakdown, roadside inns rarely see the motorists’ money, but they certainly deal with the mess and dust they leave behind, and landlords and everyone else involved would be thrilled if the plan to build a road between London and Brighton just for motor traffic were to happen. Then regular highway users might once again be able to enjoy the natural scenery of the road, which is currently hidden by clouds of dust.
The text for these remarks is furnished by the recent closing, after a hundred and fifty years or more, of the once chief inn of Cuckfield: the fine and stately “Talbot,” now empty and “To Let”; the hospitable quotation “You’re welcome, what’s your will,” from The Merry Wives of Windsor on its fanlight, reading like a bitter mockery.
The text for these remarks comes from the recent closure, after over one hundred and fifty years, of the once prominent inn in Cuckfield: the elegant and grand “Talbot,” now vacant and “For Rent”; the welcoming phrase “You’re welcome, what’s your wish,” from The Merry Wives of Windsor on its fanlight, now feels like a cruel joke.
The interior of Cuckfield Church is crowded with monuments of the Sergisons and the Burrells. Pride of place is given in the chancel to the monument of Charles Sergison, who died in 1732, aged 78. It is a very fine white marble monument, with a figure of Truth gazing into her mirror, and holding with one[Pg 207] hand a medallion partly supported by a Cupid, displaying a portrait of the lamented Sergison, who, we learn from a sub-acid inscription, was “Commissioner of the Navy forty-eight years, till 1719, to the entire satisfaction of the King and his Ministers.” “The civil government of the Navy then being put into military hands, he was esteemed by them not a fit person to serve any longer.” He was, in short, like those “rulers of the Queen’s (or King’s) Navee” satirised by Sir W. S. Gilbert in modern times, and “never went to sea.” At the period of his compulsory retirement it seems to have rather belatedly occurred to the authorities that such an one could not be well acquainted with the needs of the Navy; so the “Capacity, Penetration, exact Judgment” of this “true patriot” were shelved; but, at any rate, he had had his whack, and it was surely high time for the exact judgment, true patriotism, capacity and penetration of others to have a chance of making something out of the nation.
The inside of Cuckfield Church is filled with monuments dedicated to the Sergisons and the Burrells. The most prominent is the monument of Charles Sergison in the chancel, who died in 1732 at the age of 78. It's a beautiful white marble monument featuring a figure of Truth looking into her mirror and holding, with one[Pg 207] hand, a medallion partly supported by a Cupid, showcasing a portrait of the dearly missed Sergison. From a somewhat sharp inscription, we learn that he was “Commissioner of the Navy for forty-eight years, until 1719, to the complete satisfaction of the King and his Ministers.” “When civil administration of the Navy was handed over to military leaders, he was considered not suitable for further service.” In short, he was like those “rulers of the Queen’s (or King’s) Navy” satirized by Sir W. S. Gilbert in modern times, and “never went to sea.” When he was forced to retire, it seems the authorities finally realized that someone like him couldn’t be well-informed about the Navy's needs; so the “Capacity, Penetration, exact Judgment” of this “true patriot” were set aside. However, he had already had his time, and it was undoubtedly high time for the capacity, judgment, true patriotism, and insights of others to have a chance to contribute to the nation.

THE ROAD OUT OF CUCKFIELD.
THE ROAD OUT OF CUCKFIELD.
A few monuments are hidden behind the organ, among them one to Guy
Carleton, “son of George, Lord Bishop of Chichester.” He, it seems, “died
of a consumption, cll
cxxiv,”
which appears to be the highly esoteric way of writing 1624. “Mors vitæ initium” he tells us, and illustrates it
with the pleasing fancy of a skull mounted on an hour-glass, with ears of
wheat sprouting from the eyeless sockets. Other equally pleasant devices,
encircled with fragments of Greek, are plentiful, the whole concluding
with the announcement that “The end of all things is at hand.” Holding
that opinion, it would seem to have been hardly worth while to erect the
monument, but in the result it survives to show what a very gross mistake
he made.
A few monuments are hidden behind the organ, including one for Guy Carleton, “son of George, Lord Bishop of Chichester.” He, it seems, “died of consumption, cll
c124,” which is a fancy way of saying 1624. “Mors vitæ initium” he tells us, illustrated with the charming image of a skull on an hourglass, with ears of wheat growing from the empty eye sockets. Other equally nice designs, surrounded by bits of Greek, are abundant, all ending with the statement that “The end of all things is at hand.” Holding that belief, it seems like it wouldn't have been worth it to put up the monument, but ultimately it remains to show what a serious mistake he made.
Two illustrations of the quiet annals of Cuckfield, widely different in point of time, are the old clock and the wall-plate memorial to one Frank Bleach of the Royal Sussex Volunteer Company, who died at Bloemfontein in 1901. The ancient hand-wrought [Pg 209]clock, made in 1667 by Isaac Leney, probably of Cuckfield, finally stopped in 1867, and was taken down in 1873. After lying as lumber in the belfry for many years, it was in 1904 fixed on the interior wall of the tower.
Two examples from the quiet history of Cuckfield, quite different in time, are the old clock and the wall plaque memorial for Frank Bleach of the Royal Sussex Volunteer Company, who died at Bloemfontein in 1901. The ancient handmade [Pg 209] clock, made in 1667 by Isaac Leney, probably from Cuckfield, finally stopped working in 1867 and was taken down in 1873. After sitting as junk in the belfry for many years, it was mounted on the interior wall of the tower in 1904.
XXVII
Cuckfield Place, acknowledged by Harrison Ainsworth to be the original of his “Rookwood,” stands immediately outside the town, and is visible, in midst of the park, from the road. That romantic home of ghostly tradition is fittingly approached by a long and lofty avenue of limes, where stands the clock-tower entrance-gate, removed from Slaugham Place.
Cuckfield Place, recognized by Harrison Ainsworth as the inspiration for his “Rookwood,” is located just outside the town and can be seen from the road in the middle of the park. This romantic house steeped in ghostly legends is appropriately accessed by a long, tall lime tree avenue, where the clock-tower entrance gate stands, relocated from Slaugham Place.
Beyond it the picturesquely broken surface of the park stretches, beautifully wooded and populated with herds of deer, the grey, many-gabled mansion looking down upon the whole.
Beyond it, the charmingly uneven landscape of the park stretches out, filled with lush trees and herds of deer, while the grey mansion with its many gables looks down over everything.
“Rookwood,” the fantastic and gory tale that first gave Harrison Ainsworth a vogue, was commenced in 1831, but not completed until 1834. Ainsworth died at Reigate, January 3, 1882. Thus in his preface he acknowledges his model:
“Rookwood,” the amazing and grisly story that first made Harrison Ainsworth popular, started in 1831 but wasn’t finished until 1834. Ainsworth passed away in Reigate on January 3, 1882. In his preface, he acknowledges his influence:
“The supernatural occurrence forming the groundwork of one of the ballads which I have made the harbinger of doom to the house of Rookwood, is ascribed by popular superstition to a family resident in Sussex, upon whose estate the fatal tree (a gigantic lime, with mighty arms and huge girth of trunk, as described in the song) is still carefully preserved. Cuckfield Place, to which this singular piece of timber is attached, is, I may state for the benefit of the curious, the real Rookwood Hall; for I have not drawn upon imagination, but upon memory in describing the seat and domains of that fated family. The general[Pg 210] features of the venerable structure, several of its chambers, the old garden, and, in particular, the noble park, with its spreading prospects, its picturesque views of the hall, ‘like bits of Mrs. Radcliffe’ (as the poet Shelley once observed of the same scene), its deep glades, through which the deer come lightly tripping down, its uplands, slopes, brooks, brakes, coverts, and groves are carefully delineated.”
“The supernatural event that serves as the foundation of one of the ballads I've made a sign of doom for the Rookwood family is believed by local superstition to involve a family living in Sussex, where the notorious tree (a massive lime tree with sprawling branches and a thick trunk, as mentioned in the song) is still preserved. Cuckfield Place, where this unusual tree is located, is, for the curious, the actual Rookwood Hall; I haven't relied on imagination, but on memory when describing the home and lands of that doomed family. The general features of the historic building, several of its rooms, the old garden, and especially the grand park with its expansive views, its picturesque sights of the hall, ‘like scenes from Mrs. Radcliffe’ (as poet Shelley once noted about the same location), its deep paths where deer lightly pass through, its hills, slopes, streams, thickets, hiding spots, and groves are all carefully outlined.”

CUCKFIELD PLACE.
Cuckfield Place.
“Like Mrs. Radcliffe!” That romance is indeed written in the peculiar convention which obtained with her, with Horace Walpole, with Maturin, and “Monk” Lewis; a convention of Gothic gloom and superstition, delighting in gore and apparitions, responsible for the “Mysteries of Udolpho,” “The Italian,” “The Monk,” and other highly seasoned reading of the early years of the nineteenth century. Ainsworth deliberately modelled his manner upon Mrs. Radcliffe, changing the scenes of his desperate deeds from her favourite Italy to our own land. His pages abound in apparitions, death-watches, highwaymen, “pistols for two and breakfasts for one,” daggers, poison-bowls, and burials alive, and, with a little literary ability added to his horribles, his would be a really hair-raising romance. But the blood he ladles out so plentifully is only coloured water; his spectres are only illuminated turnips on broomsticks; his verses so deplorable, his witticisms so hobnailed that even schoolboys refuse any longer to be thrilled. He “wants to make yer blood run cold,” but he not infrequently raises a hearty laugh instead. It would be impossible to burlesque “Rookwood”; it burlesques itself, and shall be allowed to do so here, from the point where Alan Rookwood visits the family vault, to his tragic end:
“Like Mrs. Radcliffe!” That romance is definitely written in the unique style that she shared with Horace Walpole, Maturin, and “Monk” Lewis; a style of Gothic darkness and superstition, reveling in bloodshed and ghostly appearances, responsible for works like “The Mysteries of Udolpho,” “The Italian,” “The Monk,” and other highly dramatic literature from the early nineteenth century. Ainsworth intentionally modeled his writing after Mrs. Radcliffe, shifting the settings of his dramatic actions from her preferred Italy to our own country. His pages are filled with ghosts, ominous signs, robbers, “pistols for two and breakfasts for one,” daggers, poison bowls, and live burials, and with just a bit more literary skill added to his horrors, his work could have been a truly chilling romance. But the blood he pours out so generously is just colored water; his phantoms are merely illuminated turnips on broomsticks; his verses are so terrible and his jokes so heavy-footed that even schoolboys no longer find them thrilling. He “wants to make your blood run cold,” but he often ends up bringing hearty laughter instead. It would be impossible to make a parody of “Rookwood”; it parodies itself, and will be allowed to do so here, from the moment Alan Rookwood visits the family vault, to his tragic end:

THE CLOCK-TOWER AND HAUNTED AVENUE,
CUCKFIELD PLACE.
THE CLOCK-TOWER AND HAUNTED AVENUE,
CUCKFIELD PLACE.

HARRISON AINSWORTH.
From the Fraser portrait.
Harrison Ainsworth.
From the Fraser portrait.
[Pg 214]“He then walked beneath the shadow of one of the yews, chanting an odd stanza or so of one of his wild staves, wrapped the while, it would seem, in affectionate contemplation of the subject-matter of his song:
[Pg 214] “He then strolled under the shadow of one of the yews, singing a strange verse or two from one of his wild songs, seemingly lost in fond thoughts about the topic of his music:
THE CHURCHYARD YEW.
‘——Metuendaque succo
Taxus.’
A noxious tree is the churchyard yew,
As if from the dead its sap it drew;
Dark are its branches, and dismal to see,
Like plumes at Death’s latest solemnity.
Spectral and jagged, and black as the wings
Which some spirit of ill o’er a sepulchre flings:
Oh! a terrible tree is the churchyard yew;
Like it is nothing so grimly to view.
Yet this baleful tree hath a core so sound,
Can nought so tough in a grove be found:
From it were fashioned brave English bows,
The boast of our isle, and the dread of its foes.
For our sturdy sires cut their stoutest staves
From the branch that hung o’er their fathers’ graves;
And though it be dreary and dismal to view,
Staunch at the heart is the churchyard yew.
THE CHURCHYARD TREE.
‘——Metuendaque succo
Taxus.
The churchyard yew is a harmful tree,
As if it draws its sap from the dead;
Its branches are dark and gloomy to see,
Like plumes at Death’s final ceremony.
Ghostly and jagged, black as the wings
Of some malevolent spirit over a grave:
Oh! the churchyard yew is a frightening tree;
There’s nothing so grim to look at.
Yet this sinister tree has a heart so strong,
You won’t find anything tougher in a grove:
From it were made brave English bows,
The pride of our land, and the terror of its enemies.
For our sturdy ancestors crafted their strongest staves
From the branches that hung over their fathers’ graves;
And even though it looks dreary and bleak,
The churchyard yew is strong at its core.
“His ditty concluded, Alan entered the church, taking care to leave the door slightly ajar, in order to facilitate his grandson’s entrance. For an instant he lingered in the chancel. The yellow moonlight fell upon the monuments of his race; and, directed by the instinct of hate, Alan’s eye rested upon the gilded entablature of his perfidious brother Reginald, and muttering curses, ‘not loud, but deep,’ he passed on. Having lighted his lantern in no tranquil mood, he descended into the vault, observing a similar caution with respect to the portal of the cemetery, which he left partially unclosed, with the key in the lock. Here he resolved to abide Luke’s coming. The reader knows what probability there was of his expectations being realised.
“Finishing his song, Alan stepped into the church, making sure to leave the door slightly open to help his grandson get in. He paused in the chancel for a moment. The yellow moonlight illuminated the monuments of his family; driven by the instinct of hate, Alan’s gaze focused on the gilded canopy of his treacherous brother Reginald, and, muttering curses that were 'not loud, but deep,' he moved on. After lighting his lantern in a restless mood, he went down into the vault, taking similar care with the cemetery gate, which he left partly closed, with the key still in the lock. Here, he decided to wait for Luke’s arrival. The reader knows how likely it was that his hopes would be fulfilled.”
[Pg 215]“For a while he paced the tomb, wrapped in gloomy meditation, and pondering, it might be, upon the result of Luke’s expedition, and the fulfilment of his own dark schemes, scowling from time to time beneath his bent eyebrows, counting the grim array of coffins, and noticing, with something like satisfaction, that the shell which contained the remains of his daughter had been restored to its former position. He then bethought him of Father Checkley’s midnight intrusion upon his conference with Luke, and their apprehension of a supernatural visitation, and his curiosity was stimulated to ascertain by what means the priest had gained admission to the spot unperceived and unheard. He resolved to sound the floor, and see whether any secret entrance existed; and hollowly and dully did the hard flagging return the stroke of his heel as he pursued his scrutiny. At length the metallic ringing of an iron plate, immediately behind the marble effigy of Sir Ranulph, resolved the point. There it was that the priest had found access to the vault; but Alan’s disappointment was excessive when he discovered that this plate was fastened on the under-side, and all communication thence with the churchyard, or to wherever else it might conduct him, cut off; but the present was not the season for further investigation, and tolerably pleased with the discovery he had already made, he returned to his silent march around the sepulchre.
[Pg 215]“For a while he walked around the tomb, lost in dark thoughts, possibly reflecting on the outcome of Luke’s mission and the unfolding of his own sinister plans. He occasionally scowled beneath his furrowed brow, counting the grim row of coffins and feeling a strange satisfaction that the shell holding his daughter’s remains had been returned to its original place. Then he remembered Father Checkley’s late-night interruption during his meeting with Luke and their shared fear of an otherworldly presence. His curiosity was piqued about how the priest had entered the place unnoticed. He decided to check the floor for any hidden entrance, and his heel met the hard stones with a hollow thud as he inspected. Eventually, the metallic ring of an iron plate behind the marble statue of Sir Ranulph confirmed his suspicion. That was where the priest had accessed the vault, but Alan felt a deep disappointment when he realized the plate was secured from underneath, cutting off any connection to the churchyard or wherever it might lead. However, now was not the time for further exploration, and somewhat satisfied with what he had discovered, he returned to his quiet pacing around the sepulchre.
“At length a sound, like the sudden shutting of the church door, broke upon the profound stillness of the holy edifice. In the hush that succeeded a footstep was distinctly heard threading the aisle.
“At last, a sound, like the quick closing of the church door, interrupted the deep silence of the sacred building. In the quiet that followed, a footstep was clearly heard making its way down the aisle.”
“‘He comes—he comes!’ exclaimed Alan joyfully; adding, an instant after, in an altered voice, ‘but he comes alone.’
“‘He’s here—he’s here!’ Alan exclaimed happily; then, a moment later, in a changed tone, added, ‘but he’s by himself.’
“The footstep drew near to the mouth of the vault—it was upon the stairs. Alan stepped forward to greet, as he supposed, his grandson, but started back in astonishment and dismay as he encountered in his stead Lady Rookwood. Alan retreated, while[Pg 216] the lady advanced, swinging the iron door after her, which closed with a tremendous clang. Approaching the statue of the first Sir Ranulph she passed, and Alan then remarked the singular and terrible expression of her eyes, which appeared to be fixed upon the statue, or upon some invisible object near it. There was something in her whole attitude and manner calculated to impress the deepest terror on the beholder, and Alan gazed upon her with an awe which momently increased. Lady Rookwood’s bearing was as proud and erect as we have formerly described it to have been, her brow was as haughtily bent, her chiselled lip as disdainfully curled; but the staring, changeless eye, and the deep-heaved sob which occasionally escaped her, betrayed how much she was under the influence of mortal terror. Alan watched her in amazement. He knew not how the scene was likely to terminate, nor what could have induced her to visit this ghostly spot at such an hour and alone; but he resolved to abide the issue in silence—profound as her own. After a time, however, his impatience got the better of his fears and scruples, and he spoke.
“The footstep got closer to the entrance of the vault—it was on the stairs. Alan stepped forward to greet what he thought was his grandson, but he recoiled in shock and dismay as he found himself facing Lady Rookwood instead. Alan backed away, while [Pg 216] the lady moved forward, swinging the heavy iron door shut behind her, which slammed with a loud clang. As she approached the statue of the first Sir Ranulph, Alan noticed the strange and terrifying look in her eyes, which seemed fixated on the statue or some invisible object nearby. There was something in her entire demeanor that evoked deep terror in anyone watching, and Alan stared at her with increasing awe. Lady Rookwood stood as proudly and straight as he had previously described, her brow furrowed with arrogance, her sculpted lip curling in disdain; yet the wide, unblinking stare and the deep, intermittent sobs she let out revealed how profoundly she was affected by fear. Alan watched her in bewilderment. He had no idea how the situation would end or what could have prompted her to come to this eerie place at such an hour alone, but he decided to remain silent—just as profoundly as she was. After a while, though, his impatience overcame his fears and reservations, and he spoke.
“‘What doth Lady Rookwood in the abode of the dead?’ asked he at length.
“‘What is Lady Rookwood doing in the house of the dead?’ he finally asked.
“She started at the sound of his voice, but still kept her eye fixed upon the vacancy.
“She jumped at the sound of his voice, but still kept her gaze fixed on the emptiness.”
“‘Hast thou not beckoned me hither, and am I not come?’ returned she, in a hollow tone. ‘And now thou askest wherefore I am here. I am here because, as in thy life I feared thee not, neither in death do I fear thee. I am here because——’
“‘Did you not call me here, and am I not here?’ she replied in a hollow tone. ‘And now you’re asking why I’m here. I’m here because, just as I didn’t fear you in life, I don’t fear you in death. I’m here because——’”
“‘What seest thou?’ interrupted Alan, with ill-suppressed terror.
“‘What do you see?’ Alan interrupted, barely able to hide his fear.
“‘What see I—ha—ha!’ shouted Lady Rookwood, amidst discordant laughter; ‘that which might appal a heart less stout than mine—a figure anguish-writhen, with veins that glow as with a subtle and consuming flame. A substance, yet a shadow, in thy living likeness. Ha—frown if thou wilt; I can return thy glances.’
“‘What do I see—ha—ha!’ shouted Lady Rookwood, amidst loud laughter; ‘that which could terrify a heart less brave than mine—a figure twisted in anguish, with veins glowing as if filled with a subtle and fiery flame. A substance, yet a shadow, in your living form. Ha—frown if you want; I can shoot back your glances.’”
[Pg 217]“‘Where dost thou see this vision?’ demanded Alan.
[Pg 217]“‘Where do you see this vision?’ Alan asked.
“‘Where?’ echoed Lady Rookwood, becoming for the first time sensible of the presence of a stranger. ‘Ha—who are you that question me?—what are you?—speak!’
“‘Where?’ repeated Lady Rookwood, finally aware of the presence of a stranger. ‘Ha—who are you to question me?—what are you?—speak!’”
“‘No matter who or what I am,’ returned Alan; ‘I ask you what you behold?’
“‘No matter who or what I am,’ Alan replied; ‘I ask you, what do you see?’”
“‘Can you see nothing?’
“‘Can you see anything?’”
“‘Nothing,’ replied Alan.
“‘Nothing,’ Alan replied.”
“‘You knew Sir Piers Rookwood?’
"You knew Sir Piers Rookwood?"
“‘Is it he?’ asked Alan, drawing near her.
“‘Is it him?’ asked Alan, approaching her.”
“‘It is,’ replied Lady Rookwood; ‘I have followed him hither, and I will follow him whithersoever he leads me, were it to——’
“‘It is,’ replied Lady Rookwood; ‘I have followed him here, and I will follow him wherever he leads me, even if it’s to——’”
“‘What doth he now?’ asked Alan; ‘do you see him still?’
“‘What is he doing now?’ asked Alan; ‘can you still see him?’”
“‘The figure points to that sarcophagus,’ returned Lady Rookwood—‘can you raise up the lid?’
“‘The figure is pointing to that sarcophagus,’ replied Lady Rookwood—‘can you lift the lid?’
“‘No,’ replied Alan; ‘my strength will not avail to lift it.’
“‘No,’ Alan replied; ‘I don’t have the strength to lift it.’”
“‘Yet let the trial be made,’ said Lady Rookwood; ‘the figure points there still—my own arm shall aid you.’
“‘But let’s give it a try,’ said Lady Rookwood; ‘the figure still points there—my own arm will help you.’
“Alan watched her in dumb wonder. She advanced towards the marble monument, and beckoned him to follow. He reluctantly complied. Without any expectation of being able to move the ponderous lid of the sarcophagus, at Lady Rookwood’s renewed request he applied himself to the task. What was his surprise when, beneath their united efforts, he found the ponderous slab slowly revolve upon its vast hinges, and, with little further difficulty, it was completely elevated, though it still required the exertion of all Alan’s strength to prop it open and prevent its falling back.
“Alan watched her in speechless amazement. She moved toward the marble monument and motioned for him to follow. He hesitantly agreed. Without any hope of actually moving the heavy lid of the sarcophagus, he set to work again at Lady Rookwood’s insistence. To his surprise, under their combined efforts, he saw the heavy slab slowly turn on its massive hinges, and with just a bit more effort, it was fully lifted. However, it still took all of Alan’s strength to keep it open and prevent it from slamming shut again.”
“‘What does it contain?’ asked Lady Rookwood.
“‘What does it contain?’ asked Lady Rookwood.
“‘A warrior’s ashes,’ returned Alan.
“‘A warrior’s ashes,’ Alan replied."
“‘There is a rusty dagger upon a fold of faded linen,’ cried Lady Rookwood, holding down the light.
“‘There’s a rusty dagger on a piece of worn linen,’ exclaimed Lady Rookwood, lowering the light.”
[Pg 218]“‘It is the weapon with which the first dame of the house of Rookwood was stabbed,’ said Alan, with a grim smile:
[Pg 218]“‘This is the weapon that the first lady of the Rookwood household was stabbed with,’ Alan said, smirking grimly:
‘Which whoso findeth in the tomb
Shall clutch until the hour of doom;
And when ’tis grasped by hand of clay
The curse of blood shall pass away.
‘Whoever finds it in the tomb
Shall hold on to it until the end of time;
And when it’s held by a human hand
The curse of blood will disappear.
So saith the rhyme. Have you seen enough?’
So says the rhyme. Have you seen enough?
“‘No,’ said Lady Rookwood, precipitating herself into the marble coffin. ‘That weapon shall be mine.’
“‘No,’ said Lady Rookwood, throwing herself into the marble coffin. ‘That weapon will be mine.’”
“‘Come forth—come forth,’ cried Alan. ‘My arm trembles—I cannot support the lid.’
“‘Come out—come out,’ shouted Alan. ‘My arm is shaking—I can't hold up the lid.’
“‘I will have it, though I grasp it to eternity,’ shrieked Lady Rookwood, vainly endeavouring to wrest away the dagger, which was fastened, together with the linen upon which it lay, by some adhesive substance to the bottom of the shell.
“‘I will have it, even if it takes forever,’ screamed Lady Rookwood, desperately trying to pull the dagger free, which was stuck, along with the cloth it rested on, by some sticky substance to the bottom of the shell.
“At this moment Alan Rookwood happened to cast his eye upward, and he then beheld what filled him with new terror. The axe of the sable statue was poised above its head, as in the act to strike him. Some secret machinery, it was evident, existed between the sarcophagus lid and this mysterious image. But in the first impulse of his alarm Alan abandoned his hold of the slab, and it sunk slowly downwards. He uttered a loud cry as it moved. Lady Rookwood heard this cry. She raised herself at the same moment—the dagger was in her hand—she pressed it against the lid, but its downward force was too great to be withstood. The light was within the sarcophagus and Alan could discern her features. The expression was terrible. She uttered one shriek, and the lid closed for ever.
“At that moment, Alan Rookwood happened to look up and saw something that filled him with new terror. The axe of the dark statue was raised above its head, as if about to strike him. It was clear that some secret mechanism existed between the sarcophagus lid and this mysterious figure. But in his initial panic, Alan let go of the slab, and it slowly sank down. He let out a loud cry as it moved. Lady Rookwood heard this cry. She lifted herself up at the same moment—the dagger was in her hand—she pressed it against the lid, but the force pushing it down was too much to resist. The light was coming from inside the sarcophagus, and Alan could see her features. The expression was horrific. She let out one scream, and the lid closed forever.
“Alan was in total darkness. The light had been enclosed with Lady Rookwood. There was something so horrible in her probable fate that even he shuddered as he thought upon it. Exerting all his remaining strength, he essayed to raise the lid; but now it was more firmly closed than ever. It defied all his power. [Pg 219]Once, for an instant, he fancied that it yielded to his straining sinews, but it was only his hand that slided upon the surface of the marble. It was fixed—immovable. The sides and lid rang with the strokes which the unfortunate lady bestowed upon them with the dagger’s point; but these sounds were not long heard. Presently all was still; the marble ceased to vibrate with her blows. Alan struck the lid with his knuckles, but no response was returned. All was silent.
“Alan was in complete darkness. The light had been shut in with Lady Rookwood. The thought of her likely fate was so terrible that even he shuddered at the idea. Using all his remaining strength, he tried to lift the lid, but it felt more tightly closed than ever. It resisted all his efforts. [Pg 219]For a brief moment, he thought he felt it give under his strain, but it was just his hand sliding over the marble surface. It was fixed—immovable. The sides and lid echoed with the blows that the unfortunate lady struck against them with the dagger's point, but those sounds didn't last long. Soon everything was quiet; the marble stopped vibrating from her strikes. Alan knocked on the lid with his knuckles, but there was no reply. It was completely silent.
“He now turned his attention to his own situation, which had become sufficiently alarming. An hour must have elapsed, yet Luke had not arrived. The door of the vault was closed—the key was in the lock, and on the outside. He was himself a prisoner within the tomb. What if Luke should not return? What if he were slain, as it might chance, in the enterprise? That thought flashed across his brain like an electric shock. None knew of his retreat but his grandson. He might perish of famine within this desolate vault.
“He now focused on his own situation, which had become quite concerning. An hour must have passed, yet Luke had not shown up. The vault door was shut—the key was in the lock, and on the outside. He was trapped inside the tomb himself. What if Luke didn’t return? What if he were killed, as could happen, during the mission? That thought struck him like an electric shock. No one knew about his hideout except for his grandson. He could starve to death in this desolate vault.”
“He checked this notion as soon as it was formed—it was too dreadful to be indulged in. A thousand circumstances might conspire to detain Luke. He was sure to come. Yet the solitude, the darkness, was awful, almost intolerable. The dying and the dead were around him. He dared not stir.
“He pushed this idea away as soon as it popped into his head—it was too horrible to entertain. A thousand things could have held Luke up. He was bound to arrive. Still, the emptiness and the darkness were terrifying, nearly unbearable. The dying and the dead were all around him. He didn’t dare move.”
“Another hour—an age it seemed to him—had passed. Still Luke came not. Horrible forebodings crossed him; but he would not surrender himself to them. He rose, and crawled in the direction, as he supposed, of the door—fearful even of the stealthy sound of his own footsteps. He reached it, and his heart once more throbbed with hope. He bent his ear to the key; he drew in his breath; he listened for some sound, but nothing was to be heard. A groan would have been almost music in his ears.
“Another hour—an eternity it felt like to him—had gone by. Still, Luke didn’t come. Terrible worries flooded his mind, but he wouldn’t let them consume him. He got up and crawled toward what he thought was the door—afraid even of the quiet sound of his own footsteps. He reached it, and his heart once again beat with hope. He leaned in to the keyhole; he held his breath; he listened for any sound, but there was nothing. A groan would have sounded like music to him.”
“Another hour was gone! He was now a prey to the most frightful apprehensions, agitated in turns by the wildest emotions of rage and terror. He at one moment imagined that Luke had abandoned him, and[Pg 220] heaped curses upon his head; at the next, convinced that he had fallen, he bewailed with equal bitterness his grandson’s fate and his own. He paced the tomb like one distracted; he stamped upon the iron plate; he smote with his hands upon the door; he shouted, and the vault hollowly echoed his lamentations. But Time’s sand ran on, and Luke arrived not.
“Another hour had passed! He was now consumed by the most terrifying fears, alternating between wild emotions of rage and terror. At one moment, he feared that Luke had deserted him and[Pg 220] cursed him; the next, convinced that he had fallen, he mourned just as bitterly for both his grandson’s fate and his own. He walked through the tomb like someone in despair; he stomped on the iron plate; he beat his hands against the door; he shouted, and the vault echoed back his cries. But time continued to pass, and Luke did not arrive.
“Alan now abandoned himself wholly to despair. He could no longer anticipate his grandson’s coming—no longer hope for deliverance. His fate was sealed. Death awaited him. He must anticipate his slow but inevitable stroke, enduring all the grinding horrors of starvation. The contemplation of such an end was madness, but he was forced to contemplate it now; and so appalling did it appear to his imagination, that he half resolved to dash out his brains against the walls of the sepulchre, and put an end at once to his tortures; and nothing, except a doubt whether he might not, by imperfectly accomplishing his purpose, increase his own suffering, prevented him from putting this dreadful idea into execution. His dagger was gone, and he had no other weapon. Terrors of a new kind now assailed him. The dead, he fancied, were bursting from their coffins, and he peopled the darkness with grisly phantoms. They were round about him on each side, whirling and rustling, gibbering, groaning, shrieking, laughing, and lamenting. He was stunned, stifled. The air seemed to grow suffocating, pestilential; the wild laughter was redoubled; the horrible troop assailed him; they dragged him along the tomb, and amid their howls he fell, and became insensible.
“Alan gave himself completely over to despair. He could no longer look forward to his grandson’s arrival—no longer hope for rescue. His fate was sealed. Death was waiting for him. He had to brace himself for his slow but certain decline, enduring all the relentless horrors of starvation. The thought of such an end was madness, but he had no choice but to think about it now; and it was so terrible in his mind that he almost decided to bash his head against the walls of the grave and put an end to his suffering right then and there; only a fear that he might make his pain worse by failing to carry out his plan stopped him from acting on this horrific idea. His dagger was gone, and he had no other weapon. New kinds of terror now attacked him. He imagined the dead bursting from their coffins, filling the darkness with grotesque figures. They were all around him, swirling and rustling, chattering, moaning, screaming, laughing, and weeping. He felt stunned, suffocated. The air seemed thick and toxic; the wild laughter grew louder; the terrifying crowd surrounded him; they dragged him along the tomb, and amid their howls, he collapsed and lost consciousness.
“When he returned to himself, it was some time before he could collect his scattered faculties; and when the agonising consciousness of his terrible situation forced itself upon his mind, he had nigh relapsed into oblivion. He arose. He rushed towards the door: he knocked against it with his knuckles till the blood streamed from them; he scratched against it with his nails till they were torn off by the [Pg 221]roots. With insane fury he hurled himself against the iron frame: it was in vain. Again he had recourse to the trap-door. He searched for it; he found it. He laid himself upon the ground. There was no interval of space in which he could insert a finger’s point. He beat it with his clenched hand; he tore it with his teeth; he jumped upon it; he smote it with his heel. The iron returned a sullen sound.
“When he came to, it took him a while to gather his scattered thoughts; and when the horrifying awareness of his terrible situation crashed into his mind, he almost slipped back into unconsciousness. He got up. He rushed to the door: he pounded on it with his fists until blood streamed from them; he scratched at it with his nails until they were torn off by the [Pg 221]roots. With wild anger, he threw himself against the iron frame: it was pointless. Once again, he turned to the trap-door. He searched for it; he found it. He lay down on the ground. There was no gap where he could fit even a fingertip. He pounded it with his clenched hand; he tore at it with his teeth; he jumped on it; he struck it with his heel. The iron responded with a dull sound.
“He again essayed the lid of the sarcophagus. Despair nerved his strength. He raised the slab a few inches. He shouted, screamed, but no answer was returned; and again the lid fell.
"He tried again to lift the lid of the sarcophagus. Despair fueled his strength. He raised the slab a few inches. He shouted, screamed, but there was no response; and once more, the lid fell."
“‘She is dead!’ cried Alan. ‘Why have I not shared her fate? But mine is to come. And such a death!—oh, oh!’ And, frenzied at the thought, he again hurried to the door, and renewed his fruitless attempts to escape, till nature gave way, and he sank upon the floor, groaning and exhausted.
“‘She’s dead!’ Alan shouted. ‘Why didn’t I share her fate? But mine is coming. And what a death!—oh, no!’ Frantic at the thought, he rushed to the door again, trying unsuccessfully to escape, until he finally collapsed on the floor, groaning and worn out.”
“Physical suffering now began to take the place of his mental tortures. Parched and consumed with a fierce internal fever, he was tormented by unappeasable thirst—of all human ills the most unendurable. His tongue was dry and dusty, his throat inflamed; his lips had lost all moisture. He licked the humid floor; he sought to imbibe the nitrous drops from the walls; but, instead of allaying his thirst, they increased it. He would have given the world, had he possessed it, for a draught of cold spring-water. Oh, to have died with his lips upon some bubbling fountain’s marge! But to perish thus!
“Now, physical suffering started to replace his mental anguish. Dry and consumed by a fierce internal fever, he was tortured by an unquenchable thirst—of all human pains, the most unbearable. His tongue was dry and rough, his throat was swollen; his lips had lost all moisture. He licked the damp floor; he tried to drink the moisture from the walls; but instead of quenching his thirst, it only made it worse. He would have given anything, if he had it, for a sip of cold spring water. Oh, to have died with his lips on the edge of some bubbling fountain! But to perish like this!”
“Nor were the pangs of hunger wanting. He had to endure all the horrors of famine as well as the agonies of quenchless thirst.
“Nor were the pains of hunger absent. He had to face all the horrors of starvation as well as the tortures of unquenchable thirst.”
“In this dreadful state three days and nights passed over Alan’s fated head. Nor night nor day had he. Time, with him, was only measured by its duration, and that seemed interminable. Each hour added to his suffering, and brought with it no relief. During this period of prolonged misery reason often tottered on her throne. Sometimes he was under the[Pg 222] influence of the wildest passions. He dragged coffins from their recesses, hurled them upon the ground, striving to break them open and drag forth their loathsome contents. Upon other occasions he would weep bitterly and wildly; and once—once only—did he attempt to pray; but he started from his knees with an echo of infernal laughter, as he deemed, ringing in his ears. Then, again, would he call down imprecations upon himself and his whole line, trampling upon the pile of coffins he had reared; and, lastly, more subdued, would creep to the boards that contained the body of his child, kissing them with a frantic outbreak of affection.
“In this terrible state, three days and nights went by for Alan. He had neither night nor day. To him, time was just a measure of how long it lasted, and it felt endless. Each hour only added to his suffering and brought no relief. During this long misery, his sanity often wavered. At times, he was consumed by the wildest emotions. He pulled coffins from their resting places and threw them on the ground, trying to break them open and expose their horrible contents. At other times, he would cry uncontrollably; and once—only once—did he try to pray, but he jumped up from his knees with what he thought was the sound of hellish laughter echoing in his ears. Then, he would curse himself and his entire lineage, stomping on the pile of coffins he had built; and finally, more subdued, he would approach the boards that held his child's body, kissing them in a frantic display of love.
“At length he became sensible of his approaching dissolution. To him the thought of death might well be terrible; but he quailed not before it, or rather seemed, in his latest moments, to resume all his wonted firmness of character. Gathering together his remaining strength, he dragged himself towards the niche wherein his brother, Sir Reginald Rookwood, was deposited, and, placing his hand upon the coffin, solemnly exclaimed, ‘My curse—my dying curse—be upon thee evermore!’
“At last he realized his impending death. To him, the thought of dying was understandably frightening; but he didn’t back down from it, or rather, in his final moments, he appeared to regain all his usual strength of character. Summoning his remaining energy, he pulled himself toward the niche where his brother, Sir Reginald Rookwood, was laid to rest, and, placing his hand on the coffin, solemnly declared, ‘My curse—my dying curse—be upon you forever!’”
“Falling with his face upon the coffin, Alan instantly expired. In this attitude his remains were discovered.”
“Falling face-first onto the coffin, Alan instantly died. In this position, his body was found.”
How to repress a smile at the picture conjured up of Lady Rookwood “precipitating herself into the marble coffin”! How not to refrain from laughing at the fantastic description of Alan piling up coffins in the vault and jumping upon them!
How can you hold back a smile at the image of Lady Rookwood “throwing herself into the marble coffin”? How can you not laugh at the ridiculous picture of Alan stacking coffins in the vault and jumping on them?
XXVIII
Half a mile below Cuckfield stands Ansty Cross, (the “Handstay” of old road-books, and said to derive from the Anglo-Saxon, Heanstige, meaning highway), a cluster of a few cottages and the “Green Cross” inn, once old and picturesque, now rebuilt in the [Pg 223]Ready-made Picturesque order of architecture. Here stood one of the numerous turnpike-gates.
Half a mile below Cuckfield is Ansty Cross, (the “Handstay” from old road maps, thought to come from the Anglo-Saxon, Heanstige, meaning highway), a small group of cottages and the “Green Cross” inn, which used to be charming and historic but has now been rebuilt in the [Pg 223]Ready-made Picturesque style of architecture. Here stood one of the many toll gates.
Close by is Riddens Farm, a picturesque little homestead, with tile-hung front and clustered chimneys. It still contains one of those old Sussex cast-iron firebacks mentioned in an earlier page, dated 1622.
Close by is Riddens Farm, a charming little homestead, with tiled front and clustered chimneys. It still has one of those old Sussex cast-iron firebacks mentioned on an earlier page, dated 1622.

OLD SUSSEX FIREBACK,
RIDDENS FARM.
Below Ansty, two miles or thereby down the road, the little river Adur is passed at Bridge Farm, and the twin towns of St. John’s Common and Burgess Hill are reached.
Below Ansty, about two miles down the road, the small river Adur is crossed at Bridge Farm, and the twin towns of St. John’s Common and Burgess Hill are reached.
Before 1820 their sites were fields and common land, wild and gorse-covered, free and open. Few houses were then in sight; the “Anchor” inn, by Burgess Hill, the reputed haunt of smugglers, who stored their contraband in the woods and heaths close by; and the “King’s Head,” at St. John’s Common, with two or three cottages—these were all.
Before 1820, their locations were fields and common land, wild and covered in gorse, free and open. There were very few houses in sight: the “Anchor” inn by Burgess Hill, a well-known hangout for smugglers who hid their stolen goods in the nearby woods and heath; and the “King’s Head” at St. John’s Common, along with two or three cottages—these were all.
St. John’s Common, partly in Keymer and partly in Clayton parishes, was enclosed piecemeal, between 1828 and 1855, by an arrangement between the lords of the manors and the copyholders, who divided the plunder between them, when this large tract of land resently became the site of these towns of St. John’s Common and Burgess Hill, which sprang up, if not with quite the rapidity of a Californian mining-town, at least with a celerity previously unknown in England. Their rapid rise was of course due to the Brighton Railway and its station.[Pg 224] There are, however, nowadays not wanting signs, quite apart from the condition of the brick and tile and drainpipe-making industry, on which the two mushroom towns have come into being, that the unlovely places are in a bad way. Shops closed and vainly offered “to let” tell a story of artificial expansion and consequent depression: the inevitable Nemesis of discounting the future.
St. John’s Common, which is partly in Keymer and partly in Clayton parishes, was enclosed bit by bit between 1828 and 1855 through an agreement between the lords of the manors and the copyholders, who divided the profits between themselves when this large area of land recently became the site of the towns of St. John’s Common and Burgess Hill. These towns appeared, if not as quickly as a Californian mining town, at least with a speed that was previously unknown in England. Their rapid growth was, of course, due to the Brighton Railway and its station.[Pg 224] However, these days, there are clear signs—beyond just the state of the brick, tile, and drainpipe industry, which helped create these two fast-growing towns—that they are in trouble. Closed shops that are desperately “to let” tell a story of artificial growth and resulting decline: the unavoidable consequence of neglecting the future.

JACOB’S POST.
JACOB'S UPDATE.
I will show you what the site of these uninviting modern places was like, a hundred years ago. It is not far, geographically, from the sorry streets of Burgess Hill to the wild, wide commons of Wivelsfield and Ditchling; but such a change is wrought in two miles and a half as would be considered impossible by any who have not made the excursion into those[Pg 225] beautiful regions. They show us, in survival, what the now hackneyed main roads were like three generations ago.
I’m going to show you what the area of these uninviting modern places looked like a hundred years ago. It’s not far, distance-wise, from the dreary streets of Burgess Hill to the vast, open commons of Wivelsfield and Ditchling; but the transformation that takes place in just two and a half miles is something anyone who hasn’t taken the trip to those[Pg 225] beautiful areas would think is impossible. They give us a glimpse, in their survival, of what the now-overused main roads were like three generations ago.
In every circumstance Ditchling Common recalls the “Crackskull Commons” of the eighteenth-century comedies, for it has a little horror of its own in the shape of an authentic fragment of a gibbet. This is the silent reminder of a crime committed near at hand, at the “Royal Oak” inn, Wivelsfield, in 1734. In that year Jacob Harris, a Jew pedlar, came to the inn and, stabling his horse, attacked Miles, the landlord, while he was grooming the animal down, and cut his throat. The servant-maid, hearing a disturbance in the stable, and coming downstairs to see the cause of it, was murdered in the same way, and then the Jew calmly walked upstairs and slaughtered the landlord’s wife, who was lying ill in bed. None of these unfortunate people died at once. The two women expired the same night, but Miles lived long enough to identify the assassin, who was hanged at Horsham, his body being hung in chains from this gibbet, ever since known as Jacob’s Post.
In every situation, Ditchling Common brings to mind the "Crackskull Commons" from 18th-century comedies, as it has its own little horror in the form of a real piece of a gibbet. This serves as a silent reminder of a crime that happened nearby at the "Royal Oak" inn in Wivelsfield, back in 1734. That year, Jacob Harris, a Jewish peddler, arrived at the inn and, after stabling his horse, attacked Miles, the landlord, while he was taking care of the animal, and cut his throat. The maid, hearing a commotion in the stable and coming downstairs to find out what was happening, was killed in the same manner, and then Jacob calmly went upstairs and murdered the landlord’s wife, who was sick in bed. None of these unfortunate victims died immediately. The two women passed away that same night, but Miles survived long enough to identify the killer, who was hanged at Horsham, his body being displayed in chains from this gibbet, which has since been known as Jacob’s Post.
Pieces of wood from this gallows-tree were long and highly esteemed by country-folk as charms, and were often carried about with them as preventatives of all manner of accidents and diseases; indeed, its present meagre proportions are due to this practice and belief.
Pieces of wood from this gallows-tree were long valued by country people as charms and were often carried with them to prevent all kinds of accidents and illnesses; in fact, its current small size is a result of this practice and belief.
The post is fenced with a wooden rail, and is surmounted by the quaint iron effigy of a rooster, pierced with the date, 1734, in old-fashioned figures.
The post is surrounded by a wooden railing and topped with a charming iron statue of a rooster, marked with the date, 1734, in vintage numbers.
It is a lonely spot, with but one cottage near at hand: the common undulating away for miles until it reaches close to the grey barrier of the noble South Downs, rising magnificently in the distance.
It’s a lonely place, with only one cottage nearby: the common stretches out for miles until it meets the grey barrier of the impressive South Downs, rising majestically in the distance.
XXIX
Returning to the exploited main road. Friar’s Oak is soon reached. It was selected by Sir Conan Doyle as one of the scenes of his Regency story, “Rodney Stone”; but since the year 1900, when the old inn was rebuilt, the spot has become an eyesore to those who knew it of old.
Returning to the busy main road. Friar’s Oak is reached quickly. It was chosen by Sir Conan Doyle as one of the locations in his Regency story, “Rodney Stone”; but since 1900, when the old inn was rebuilt, the place has become an eyesore for those who remember it from before.
No one knows why Friar’s Oak is so called, and “Nothing is ever known about anything on the roads,” is the intemperate exclamation that rises to the lips of the disappointed explorer. But wild legends, as usual, supply the place of facts, and the old oak that stands opposite the inn is said to have been the spot where a friar, or friars, distributed alms. To any one who knows even the least about friars, this story would at once carry its own condemnation; but a friar, or a hermit, may have solicited alms here. At any rate, the old inn used to exhibit a very forbidding “friar of orders grey” as its sign, dancing beneath the oak. Stolen many years ago, it was subsequently discovered in London by the merest accident, was purchased for a trifling sum, and restored to its bereft signpost. The innkeeper, however, thinking that what befell once might happen again, hung the cherished panel within the house, where it remains to this day.
No one knows why Friar's Oak is called that, and "Nothing is ever known about anything on the roads," is the frustrated shout that escapes the lips of the disappointed traveler. But wild legends, as always, take the place of facts, and the old oak standing across from the inn is said to have been the spot where a friar, or friars, distributed alms. Anyone who knows even a little about friars would immediately see the flaw in this story; however, a friar or a hermit may have asked for alms here. In any case, the old inn used to feature a rather intimidating "friar of orders grey" as its sign, dancing beneath the oak. Stolen many years ago, it was later found by pure chance in London, bought for a small amount, and returned to its missing signpost. The innkeeper, however, thinking that what happened once could happen again, hung the treasured panel inside the house, where it remains to this day.
From Friar’s Oak it is but a step to that newest creation among Brighton’s suburbs, Clayton Park, its clustering red-brick villas, building estates, and half-formed roads adjoining the station of Hassocks Gate, which, by the way, the railway authorities have long since reduced to “Hassocks.” The name recalls certain dusty contrivances of straw and carpeting artfully contrived for the devout to stumble over in church. But, not to incur the suspicion of tripping over the name as here applied, it may be mentioned that “hassock” is the Anglo-Saxon name for a coppice or small wood; and there are really many of these at and around Hassocks Gate to this day.
From Friar’s Oak, it’s just a short walk to the newest development in Brighton’s suburbs, Clayton Park, with its clusters of red-brick villas, housing estates, and unfinished roads next to the Hassocks Gate station, which the railway authorities have long since simplified to “Hassocks.” The name brings to mind certain dusty contraptions made of straw and carpeting that the faithful might trip over in church. However, to avoid the suggestion of stumbling over the name here, it’s worth noting that “hassock” is the Anglo-Saxon term for a coppice or small wood; and there are still many of these around Hassocks Gate today.
[Pg 227]At Stonepound a road leads on the right to Hurstpierpoint, which is too big a mouthful for general use, and so is locally “Hurst.” The Pierpoints, whose name is embedded in that of the place, like an ammonite in a geological stratum, were long since as extinct as those other Normans, the Monceaux of Hurstmonceaux, and are what Americans would term a “back number.”
[Pg 227]At Stonepound, there's a road on the right to Hurstpierpoint, which is too long to say regularly, so locals just call it “Hurst.” The Pierpoints, whose name is part of the town's name like an ammonite in rock layers, have long been as extinct as those other Normans, the Monceaux of Hurstmonceaux, and are what Americans would refer to as a “back number.”
Stone Pound Gate
Clears Patcham Gate
St. John’s and Ansty Gates
Y
Stone Pound Gate
Clears Patcham Gate
St. John’s and Ansty Gates
Y
Patcham Gate
Clears Stone Pound Gate,
St. John’s and Ansty Gates
126
Patcham Gate
Clears Stone Pound Gate,
St. John’s and Ansty Gates
126
Stonepound Gate was one of the nine that at one time barred the Brighton Road, and the last but one on the way. It will be seen, by the specimens of turnpike-tickets reprinted here, that at one time, at least, the burden of the tolls was not quite so heavy as the mere number of the gates would lead a casual observer[Pg 228] to suppose, a ticket taken at Ansty “clearing” the remaining distance, through three other gates, to Brighton. But it was necessary for the traveller to know his way about, and, if he were going through, to ask for a ticket to clear to Brighton; else the pikeman would issue a ticket, which cost just as much, to the next gate only, when another payment would be demanded. These were “tricks upon travellers” familiar to every road, and they earned the pikemen, as a class, a very unenviable reputation.
Stonepound Gate was one of the nine gates that used to block the Brighton Road, and it was the second to last one on the route. The examples of turnpike tickets shown here indicate that, at least at one time, the tolls were not as burdensome as the sheer number of gates might suggest to a casual observer[Pg 228]. A ticket obtained at Ansty would cover the distance through the next three gates to Brighton. However, travelers needed to be aware of the proper procedures, and if they planned to go through all the gates, they had to specifically ask for a ticket to Brighton; otherwise, the toll collector would issue a ticket that only covered the next gate, requiring another payment. These were “tricks upon travelers” common to every road, and they gave toll collectors, as a group, a pretty bad reputation.
It was here, in the great Christmas Eve snowstorm of 1836, that the London mail was snowed up. Its adventures illustrate the uncertainty of travelling the roads.
It was here, during the massive snowstorm on Christmas Eve in 1836, that the London mail got trapped in the snow. Its experiences highlight the unpredictability of traveling on the roads.
In those days you took your seat on your particular fancy in coaches, and paid your sixteen-shilling fare from London to Brighton, or vice versa, trusting (yet with heaviness of heart) in Providence to bring you to a happy issue from all the many dangers and discomforts of travelling. Occasionally it was brought home, by storm and flood, to those learned enough to know it, that “travelling” derived originally from “travail,” and the discomforts of leaving one’s own fireside in the winter are emphasized and underscored in the particulars of what befell at Stonepound in the great snowstorm of December 24th, 1836—a storm that paralysed communications throughout the kingdom.
In those days, you took your seat based on your preference in coaches and paid your sixteen-shilling fare from London to Brighton, or vice versa, trusting (though with a heavy heart) in Providence to ensure a happy outcome despite the many dangers and discomforts of traveling. Sometimes, it was made clear, through storms and floods, to those knowledgeable enough to understand that "traveling" originally came from "travail," and the discomfort of leaving your own warm home in the winter is highlighted by the events that occurred at Stonepound during the massive snowstorm on December 24th, 1836—a storm that brought communications across the country to a standstill.
“The Brighton up-mail of Sunday had travelled about eight miles from that town, when it fell into a drift of snow, from which it was impossible to extricate it without assistance. The guard immediately set off to obtain all necessary aid, but when he returned no trace whatever could be found, either of the coach, coachman or passengers, three in number. After much difficulty the coach was found, but could not be extricated from the hollow into which it had got. The guard did not reach London until seven o’clock on Tuesday night, having been obliged to travel with the bags on horseback, and in many instances to leave[Pg 229] the main road and proceed across fields in order to avoid the deep drifts of snow.
“The Brighton up-mail on Sunday had traveled about eight miles from that town when it got stuck in a snow drift, making it impossible to get it out without help. The guard quickly set off to get the necessary assistance, but when he returned, there was no sign of the coach, the driver, or the three passengers. After a lot of effort, they found the coach, but it couldn’t be pulled out of the hole it was in. The guard didn’t arrive in London until seven o’clock on Tuesday night, having to ride horseback with the bags and sometimes leaving the main road to go across fields to avoid the deep snow drifts.”
“The passengers, coachman, and guard slept at Clayton, seven miles from Brighton. The road from Hand Cross was quite impassable. The non-arrival of the mail at Crawley induced the postmaster there to send a man in a gig to ascertain the cause on Monday afternoon, and no tidings being heard of man, gig, or horse for several hours, another man was despatched on horseback. After a long search he found horse and gig completely built up in the snow. The man was in an exhausted state. After considerable difficulty the horse and gig were extricated, and the party returned to Crawley. The man had learned no tidings of the mail, and refused to go out again on any such exploring mission.”
“The passengers, coachman, and guard stayed overnight at Clayton, seven miles from Brighton. The road from Hand Cross was completely blocked. The postmaster in Crawley, noticing the mail hadn’t arrived, sent a man in a gig on Monday afternoon to find out what happened. After several hours with no news of the man, gig, or horse, another man was sent out on horseback. After a long search, he found the horse and gig completely buried in the snow. The man was exhausted. After a lot of effort, they managed to free the horse and gig and headed back to Crawley. The man hadn’t learned anything about the mail and refused to go out again on such a search.”
The Brighton mail from London, too, reached Crawley, but was compelled to return.
The Brighton mail from London also arrived in Crawley but had to go back.
Such were the incidents upon which the Christmas stories, of the type brought into favour by Dickens, were built, but the stories are better to read than the incidents to experience. I am retrospectively sorry for those passengers who thus lost their Christmas dinners; but after all, it was better to miss the turkey and the Christmas pudding than to be “mashed into a pummy” in railway accidents, such as the awful heart-shaking series of collisions which took place on Sunday, August 25th, 1861, in the railway tunnel through Clayton Hill. On that day, in that gloomy place, twenty-four persons lost their lives, and one hundred and seventy-five were injured.
Such were the events that inspired the Christmas stories popularized by Dickens, but those stories are more enjoyable to read than the events are to go through. I feel bad for the passengers who missed their Christmas dinners; however, it’s definitely better to skip the turkey and Christmas pudding than to end up “smashed into a pulp” in train accidents, like the horrific series of collisions that occurred on Sunday, August 25th, 1861, in the railway tunnel through Clayton Hill. That day, in that dark place, twenty-four people lost their lives, and one hundred seventy-five were injured.
Three trains were timed to leave Brighton station on that fatal morning, two of them filled to crowding with excursionists; the other, an ordinary train, well filled and bound for London. Their times for starting were 8, 8.5, and 8.30 respectively, but owing to delays occasioned by press of traffic, they did not set out until considerably later, at 8.28, 8.31, and 8.35. At such terribly short intervals were they started, in times[Pg 230] when no block system existed to render such close following comparatively safe.
Three trains were scheduled to leave Brighton station on that tragic morning, with two of them completely packed with day-trippers; the other was a regular train, also crowded and headed for London. They were supposed to leave at 8:00, 8:05, and 8:30, but due to delays caused by heavy traffic, they actually departed much later, at 8:28, 8:31, and 8:35. They were started at such dangerously short intervals in an era[Pg 230] when there was no block system to make such close timings relatively safe.
Clayton Tunnel was already considered a dangerous place, and there was situated at either end (north and south entrances) a signal-cabin furnished with telegraphic instruments and signal apparatus, by which the signalman at one end of the tunnel could communicate with his fellow at the other, and could notify “train in” or “train out” as might happen. This practically formed a primitive sort of “block system,” especially devised for use in this mile and a quarter’s dark burrow.
Clayton Tunnel was seen as a dangerous spot, and there were signal cabins at both ends (north and south entrances) equipped with telegraphic tools and signaling devices. This setup allowed the signalman at one end of the tunnel to communicate with his counterpart at the other end and inform them about “train in” or “train out” as necessary. Essentially, this created a basic version of a “block system,” specifically designed for this mile-and-a-quarter-long dark tunnel.
A “self-acting” signal placed in the cutting some distance from the southern entrance was supposed, upon the passage of every train, to set itself at “danger” for any following, until placed at “line clear” from the nearest cabin, but on this occasion the first train passed in, and the self-acting signal failed to act.
A “self-acting” signal positioned in the cutting some distance from the southern entrance was meant to automatically set itself to “danger” for any train following whenever a train passed, until it was switched to “line clear” from the nearest cabin. However, in this case, the first train went through, and the self-acting signal did not activate.
The second train, following upon the heels of the first, passed all unsuspecting, and dashed from daylight into the tunnel’s mouth, the signalman, who had not received a message from the other end of the tunnel being clear, frantically waving his red flag to stop it. This signal apparently unnoticed by the driver, the train passed in.
The second train, right behind the first, zoomed along unaware and rushed into the tunnel, the signalman, having not received a message from the other end, desperately waving his red flag to stop it. This signal went unnoticed by the driver, and the train continued on.
At this moment the third train came into view, and at the same time the signalman was advised of the tunnel being clear of the first. Meanwhile, the driver of the second train, who had noticed the red flag, was, unknown to the signalman, backing his train out again. A message was sent to the north cabin for it, “train in”; but the man there, thinking this to be a mere repetition of the first, replied, “train out,” referring, of course, to the first train.
At that moment, the third train appeared, and at the same time, the signalman was informed that the tunnel was clear of the first train. Meanwhile, the driver of the second train, who had seen the red flag, was, unbeknownst to the signalman, reversing his train again. A message was sent to the north cabin saying, “train in”; but the person there, thinking this was just a repeat of the first, replied, “train out,” of course referring to the first train.
The tunnel being to the southern signalman apparently clear, the third train was allowed to proceed, and met, midway, away from daylight, the retreating second train. The collision was terrible; the two rearward carriages of the second train were smashed to pieces,[Pg 231] and the engine of the third, reared upon their wreck, poured fire and steam and scalding water upon the poor wretches who, wounded but not killed by the impact, were struggling to free themselves from the splintered and twisted remains of the two carriages.
The tunnel seemed clear to the southern signalman, so the third train was allowed to go ahead and ended up meeting the retreating second train in the darkness. The crash was horrific; the last two carriages of the second train were completely destroyed,[Pg 231] and the engine of the third train, perched on the wreckage, unleashed fire, steam, and scalding water on the unfortunate souls who, injured but alive from the impact, were trying to escape from the broken and mangled remains of the two carriages.
The heap of wreckage was piled up to the roof of the tunnel, whose interior presented a dreadful scene, the engine fire throwing a wild glare around, but partly obscured by the blinding, scalding clouds of steam; while this suddenly created Inferno resounded with the prayers, shrieks, shouts, and curses of injured and scatheless alike, all fearful of the coming of another train to add to the already sufficiently hideous ruin.
The pile of wreckage reached the roof of the tunnel, which was filled with a terrifying scene. The engine fire cast a wild light everywhere, but it was partly hidden by the blinding, scalding clouds of steam. This sudden chaos echoed with the prayers, screams, shouts, and curses of both the injured and unhurt, all terrified of another train arriving to make the already horrific disaster even worse.
Fortunately no further catastrophe occurred; but nothing of horror was wanting, neither in the magnitude nor in the circumstances of the disaster, which long remained in the memories of those who read and was impossible ever to be forgotten by those who witnessed it.
Fortunately, no further disasters happened; however, there was no shortage of horror, both in the scale and the details of the tragedy, which lingered in the minds of those who read about it and was impossible to forget for those who experienced it.
XXX
From these levels at Stonepound the South Downs come full upon the view, crowned at Clayton Hill with windmills. Ditchling Beacon to the left, and the more commanding height of Wolstonbury to the extreme right, flank this great wall of earth, chalk, and grass—Wolstonbury semicircular in outline and bare, save only for some few clumps of yellow gorse and other small bushes.
From these heights at Stonepound, the South Downs are fully visible, topped at Clayton Hill with windmills. Ditchling Beacon is to the left, and the taller Wolstonbury is on the far right, flanking this massive wall of earth, chalk, and grass—Wolstonbury has a semicircular shape and is mostly bare, except for a few clumps of yellow gorse and some small bushes.
Just where the road bends, and, crossing the railway, begins to climb Clayton Hill, the Gothic, battlemented entrance to Clayton Tunnel looms with a kind of scowling picturesqueness, well suited to its dark history, continually vomiting steam and smoke, like a hell’s mouth.
Just where the road curves, and crosses the train tracks, starting to ascend Clayton Hill, the Gothic, fortress-like entrance to Clayton Tunnel stands out with a kind of menacing charm, fitting for its dark past, constantly spewing steam and smoke, like the mouth of hell.
Above it rises the hill, with telegraph-poles and circular brick ventilating-shafts going in a long[Pg 232] perspective above the chalky cutting in the road; and on the left hand the little rustic church of Clayton, humbly crouching under the lee of the downs.
Above it rises the hill, with telegraph poles and circular brick ventilating shafts extending in a long[Pg 232] perspective above the chalky cut in the road; and to the left, the small rustic church of Clayton sits humbly under the shelter of the downs.
“Clayton Hill!” It was a word of dread among cyclists until, say, the year 1900, when rim-and back-pedalling brakes superseded the inefficient spoon-brake, acting on the front tyre. Coming from Brighton, the hill drops steeply into the Weald of Sussex, and not only steeply, but the road takes a sudden and perilous turn over the railway bridge, at the foot of the descent, precisely where descending vehicles not under control attain their greatest speed. Here many a cyclist has been flung against the brick wall of the bridge, and his machine broken and himself injured; and seven have met their death here. Even in these days of good brakes a fatality has occurred, a cyclist being killed in November, 1902, in a collision with a trap.
“Clayton Hill!” It was a dreaded term among cyclists until around 1900, when rim and back-pedaling brakes replaced the ineffective spoon-brake that acted on the front tire. Coming from Brighton, the hill drops steeply into the Weald of Sussex, and not only is it steep, but the road also takes a sudden and dangerous turn over the railway bridge at the bottom of the descent, right where uncontrolled vehicles reach their highest speed. Many cyclists have been thrown against the brick wall of the bridge, resulting in broken bikes and injuries; seven have lost their lives here. Even with modern brakes, a fatal accident occurred in November 1902, when a cyclist was killed in a collision with a carriage.
From the summit of the downs the Weald is seen, spread out like a pictorial map, the little houses, the little trees, the ribbon-like roads looking like dainty models; the tiny trains moving out of Noah’s Ark stations and vehicles crawling the highways like objects in a minature land of make-believe. Looking southward, Brighton is seen—a pillar of smoke by day, a glowing, twinkling light at evening: but for all it is so near, it has very little affected the old pastoral country life of the downland villages. The shepherds, carrying as of yore their Pyecombe crooks, still tend huge flocks of sheep, and the dull and hollow music of the sheep-bells remains as ever the characteristic sound of the district. Next year the sheep will be shorn, just as they were when the Saxon churls worked for their Norman masters, and, unless a cataclysm of nature happens, they will continue so to be shorn centuries hence.
From the top of the hills, you can see the Weald spread out like a picture map, with little houses, tiny trees, and winding roads that look like delicate models; the small trains leaving from Noah’s Ark stations and vehicles inching along the highways like items in a miniature fantasy land. Looking south, you can spot Brighton—a column of smoke during the day, a glowing, sparkling light at night. But despite being so close, it hasn’t changed the traditional rural life of the villages in the downs much. The shepherds, still using their Pyecombe crooks, continue to care for large flocks of sheep, and the soft, hollow sound of the sheep-bells remains the distinctive noise of the area. Next year, the sheep will be shorn, just like they were when the Saxon laborers worked for their Norman lords, and unless there’s a natural disaster, they will still be shorn in the same way centuries from now.

CLAYTON TUNNEL.
Clayton Tunnel.
[Pg 234]But the shepherds have ceased to be vocal with the sheep-shearing songs of yore; it seems that their modern accomplishment of being able to read has stricken them dumb. Neither the words nor the airs of the old shearing-songs will ever again awaken the echoes in the daytime, nor make the roomy interiors of barns ring o’ nights, as they were wont to do lang-syne, when the convivial shearing supper was held, and the ale hummed in the cup, and, later in the evening, in the head also.
[Pg 234]But the shepherds have stopped singing the sheep-shearing songs of the past; it seems that their new ability to read has left them speechless. The words and tunes of the old shearing songs will never again fill the air during the day or make the spacious barns echo at night, as they used to do long ago, when the lively shearing supper took place, and the ale flowed in the cups, and later in the evening, in their heads as well.
But the Sussex peasant is by no means altogether bereft of his ancient ways. He is, in the more secluded districts, still a South Saxon; for the county, until comparatively recent times remote and difficult, plunged in its sloughs and isolated by reason of its forests, has no manufactures, and the rural parts do not attract immigrants from the shires, to leaven his peculiarities. The Sussex folk are still rooted firmly in what Drayton calls their “queachy ground.” Words of Saxon origin are still the staple of the country talk; folk-tales, told in times when the South Saxon kingdom was yet a power of the Heptarchy, exist in remote corners, currently with the latest ribald song from the London halls; superstitions linger, as may be proved by he who pursues his inquiries judiciously, and thought moves slowly still in the bucolic mind.
But the Sussex peasant is by no means completely stripped of his traditional ways. In more isolated areas, he still embodies the South Saxon identity; the county, until fairly recently a remote and challenging place, bogged down in its marshes and cut off by its forests, has no industries, and rural regions don’t draw in newcomers from other counties to mix things up. The Sussex people are still deeply connected to what Drayton refers to as their “queachy ground.” Words of Saxon origin remain the core of local conversations; folk-tales, told during the time when the South Saxon kingdom was still a force in the Heptarchy, survive in hidden corners, alongside the latest crude songs from London’s entertainment venues; superstitions persist, as anyone who asks the right questions will discover, and thoughts still process slowly in the rural mind.
The Norman Conquest left few traces upon the population, and the peasant is still the Saxon he ever has been; his occupations, too, tend to slowness of speech and mind. The Sussex man is by the very rarest chance engaged in any manufacturing industries. He is by choice and by force of circumstances ploughman, woodman, shepherd, market-gardener, or carter, and is become heavy as his soil, and curiously old-world in habit. All which traits are delightful to the preternaturally sharp Londoner, whose nerves occupy the most important place in his being. These country folk are new and interesting creatures for study to him who is weary of that acute product of civilisation—the London arab.
The Norman Conquest left few marks on the population, and the peasant is still the Saxon he has always been; his work tends to reflect a slower pace of speech and thought. The Sussex man is rarely involved in any manufacturing industries. He is, by choice and necessity, a farmer, woodcutter, shepherd, market gardener, or cart driver, and he has become as heavy as his soil and oddly old-fashioned in his ways. All these traits are appealing to the extremely sharp Londoner, whose nerves take precedence in his life. These country people are fresh and interesting subjects for someone who is tired of that sharp product of civilization—the London street kid.
Sussex ways are, many of them, still curiously patriarchal. But a few years ago, and ploughing was commonly performed in these fields by oxen.
Sussex practices are still quite patriarchal in many ways. However, a few years ago, plowing was commonly done in these fields by oxen.

CLAYTON CHURCH AND THE SOUTH DOWNS.
CLAYTON CHURCH AND THE SOUTH DOWNS.
[Pg 236]Their cottages that, until a few years ago, were the same as ever, have recently been very largely rebuilt, much to the sorrow of those who love the picturesque. They were thatched, for the most part, or tiled, or roofed with stone slabs. A living-room with yawning fireplace and capacious settle was the chief feature of them. The floor was covered with red bricks. When the settle was drawn up to the cheerful blaze the interior was cosy. But many of the most picturesque cottages were damp and insanitary, and although they pleased the artist to look at, it by no means followed that they would have contented him to live in.
[Pg 236]Their cottages, which had remained unchanged for many years, have recently been mostly rebuilt, much to the disappointment of those who appreciate charming architecture. They were mostly thatched, tiled, or had roofs made of stone slabs. The main feature was a living room with a wide fireplace and a comfortable seating area. The floor was made of red bricks. When the seating area was pulled up to the warm fire, the inside felt cozy. However, many of the more charming cottages were damp and unhealthy, and while they looked great to an artist, it certainly wouldn’t mean they would be happy living in one.
Outside, in the garden, grew homely flowers and useful vegetables, and perhaps by the gnarled apple-tree there stood in the sun a row of bee-hives. Sussex superstition declared that they might, indeed, be purchased, but not for silver:
Outside, in the garden, there were simple flowers and useful vegetables, and maybe by the twisted apple tree, a row of bee hives stood in the sun. Sussex superstition claimed that they could be bought, but not with silver:
If you wish your bees to thrive,
Gold must be paid for ev’ry hive;
For when they’re bought with other money,
There will be neither swarm nor honey.
If you want your bees to do well,
You have to pay gold for each hive;
Because when you buy them with other money,
You won't get any swarms or honey.
The year was one long round of superstitious customs and observances, and it is not without them, even now. But superstition is shy and not visible on the surface.
The year was filled with superstitious traditions and rituals, and it still has them today. But superstition is subtle and not easily noticed on the surface.
In January began the round, for from Christmas Eve to Twelfth Day was the proper time for “worsling,” that is “wassailing” the orchards, but more particularly the apple-trees. The country-folk would gather round the trees and chant in chorus, rapping the trunks the while with sticks:
In January, the round began because the period from Christmas Eve to Twelfth Night was the right time for “worsling,” or “wassailing” the orchards, especially the apple trees. Locals would gather around the trees and sing together while tapping the trunks with sticks:
Stand fast root, bear well top;
Pray, good God, send us a howling crop
Ev’ry twig, apples big;
Ev’ry bough, apples enow’;
Hats full, caps full,
Full quarters, sacks full.
Stand strong, roots; bear well at the top;
Please, good God, send us a great harvest;
Every twig, big apples;
Every branch, plenty of apples;
Hats full, caps full;
Full quarters, sacks full.
These wassailing folk were generally known as “howlers”; “doubtless rightly,” says a Sussex archæologist, “for real old Sussex music is in a minor key, and can hardly be distinguished from howling.”[Pg 237] This knowledge enlightens our reading of the pages of the Rev. Giles Moore, of Horsted Keynes, when he records: “1670, 26th Dec., I gave the howling boys 6d.;” a statement which, if not illumined by acquaintance with these old customs, would be altogether incomprehensible.
These wassailing folks were usually called “howlers”; “probably rightly,” says a Sussex archaeologist, “because real old Sussex music is in a minor key and can hardly be told apart from howling.”[Pg 237] This insight helps us understand the writings of Rev. Giles Moore from Horsted Keynes when he notes: “1670, 26th Dec., I gave the howling boys 6d.;” a statement that would be completely baffling without knowledge of these old traditions.
Then, if mud were brought into the house in the month of January, the cleanly housewife, at other times jealous of her spotless floors, would have nothing of reproof to say, for was this not “January butter.” and the harbinger of luck to all beneath the roof-tree?
Then, if mud was brought into the house in January, the tidy housewife, usually protective of her clean floors, wouldn’t have anything to complain about, because wasn’t this “January butter” and a sign of good luck for everyone under the roof?
Saints’ days, too, had their observances; the habits of bird and beast were the almanacs and weather warnings of the villagers, all innocent of any other meteorological department, and they have been handed down in doggerel rhyme, like this of the Cuckoo, to the present day:
Saints’ days also had their own celebrations; the behaviors of birds and animals served as the village’s almanacs and weather forecasts, with everyone unaware of any other meteorological services. These observations have been passed down in simple rhymes, like this one about the Cuckoo, up to the present day:
In April he shows his bill,
In May he sings o’ night and day,
In June he’ll change his tune,
By July prepare to fly,
By August away he must.
If he stay till September,
’Tis as much as the oldest man
Can ever remember.
In April he presents his bill,
In May he sings day and night,
In June he’ll switch his tune,
By July get ready to leave,
By August he has to go.
If he stays until September,
It’s more than the oldest person
Can ever recall.
If he stayed till September, he might possibly see a sight which no mere human eye ever beheld: he might observe a practice to which old Sussex folk know the Evil One to be addicted. For on Old Michaelmas Day, October 10th, the Devil goes round the country, and—dirty devil—spits on the blackberries. Should any persons eat one on October 11th, they, or some one of their kin, will surely die or fall into great trouble before the close of the year.
If he stayed until September, he might see something that no ordinary person has ever seen: he might witness a practice that the old folks in Sussex say the Devil is into. On Old Michaelmas Day, October 10th, the Devil roams the countryside and—nasty devil—spits on the blackberries. If anyone eats one on October 11th, they or someone in their family will definitely die or end up in serious trouble before the year is over.
Sussex has neither the imaginative Celtic race of Cornwall nor that county’s fantastic scenery to inspire legends; but is it at all wonderful that old beliefs die hard in a county so inaccessible as this has hitherto been? We have read travellers’ tales of woful happenings on the road; hear now Defoe, who is writing in the year 1724, of another proof of heavy[Pg 238] going on the highways: “I saw,” says he, “an ancient lady, and a lady of very good quality, I assure you, drawn to church in her coach by six oxen; nor was it done in frolic or humour, but from sheer necessity, the way being so stiff and deep that no horses could go in it.” All which says much for the piety of this ancient lady. Only a few years later, in 1729, died Dame Judith, widow of Sir Henry Hatsell, who in her will, dated January 10th, 1728, directed that her body should be buried at Preston, should she happen to die at such a time of year when the roads were passable; otherwise, at any place her executors might think suitable. It so happened that she died in the month of June, so compliance with her wishes was possible.
Sussex doesn't have the imaginative Celtic heritage of Cornwall, nor its stunning landscapes to inspire legends. But is it really surprising that old beliefs hold on so strongly in a place that has been so hard to reach? We've heard travelers' stories about unfortunate events on the roads; now let's hear from Defoe, who writes in 1724 about another example of difficulties on the highways: “I saw,” he says, “an elderly lady, and a lady of very good standing, I assure you, being taken to church in her coach pulled by six oxen; and it wasn't just for fun or a joke, but out of sheer necessity, as the road was so rough and deep that no horses could manage it.” This speaks volumes about the devotion of this elderly lady. Just a few years later, in 1729, Dame Judith, widow of Sir Henry Hatsell, died; in her will, dated January 10th, 1728, she specified that her body should be buried at Preston if she passed away during a time of year when the roads were passable; otherwise, at any place her executors deemed appropriate. As it turned out, she died in June, so her wishes could be honored.
XXXI
And now to trace the Hickstead and Bolney route from Hand Cross, that parting of the ways overlooking the most rural parts of Sussex. Hand Cross, it has already been said, is in the parish of Slaugham, which lies deep down in a very sequestered wood, where the head-springs issuing from the hillsides are never dry and the air is always heavy with moisture. “Slougham-cum-Crolé” is the title of the place in ancient records, “Crolé” being Crawley. It was from its ancient bogs and morasses that it obtained its name, pronounced by the natives “Slaffam,” and it was certainly due to them that the magnificent manor-house—almost a palace—of the Coverts, the old lords of the manor—was deserted and began to fall to pieces so soon as built.
And now let's trace the route from Hand Cross to Hickstead and Bolney, which overlooks the most picturesque parts of Sussex. Hand Cross, as mentioned before, is in the parish of Slaugham, nestled deep in a secluded woodland where the springs from the hillsides are never dry, and the air is always filled with moisture. In ancient records, the place is referred to as “Slougham-cum-Crolé,” with “Crolé” being Crawley. It got its name from the ancient bogs and marshes, pronounced by the locals as “Slaffam,” and it was definitely because of these that the impressive manor house—almost a palace—of the Coverts, the old lords of the manor, was abandoned and began to fall apart shortly after it was built.

THE RUINS OF SLAUGHAM PLACE.
The Ruins of Slaugham Place.
[Pg 240]The Coverts, now and long since utterly extinct, were once among the most powerful, as they were also among the noblest, in the county. They were of Norman descent, and, to use a well-worn phrase, “came over with the Conqueror”; but they are not found settled here until towards the close of the fifteenth century, being preceded, as lords of the manor, by the Poynings of Poynings, and by the Berkeleys and Stanleys. Sir Walter Covert, to whose ancestors the manor fell by marriage, was the builder of that Slaugham Place whose ruins yet remain to show his idea of what was due to a landed proprietor of his standing. They cover, within their enclosing walls of red brick, which rise from the yet partly filled moat, over three acres of what is now orchard and meadowland. In spring the apple trees bloom pink and white amid the grey and lichen-stained ashlar of the ruined walls and arches of Palladian architecture, and the lush grass grows tall around the cold hearths of the roofless rooms. The noble gateway leads now, not from courtyard to hall, but doorless, with its massive stones wrenched apart by clinging ivy, stands merely as some sort of key to the enigma of ground plan presented by walls ruinated in greater part to the level of the watery turf.
[Pg 240]The Coverts, now completely extinct, were once among the most powerful and noble families in the county. They were of Norman descent and, to use a familiar saying, “came over with the Conqueror.” However, they didn't settle here until the late fifteenth century, following the Poynings of Poynings and the Berkeleys and Stanleys as lords of the manor. Sir Walter Covert, who inherited the manor through marriage, built Slaugham Place, the ruins of which still remain, reflecting his vision of what a landowner of his status deserved. It encloses over three acres of what is now an orchard and meadowland, surrounded by walls of red brick that rise from the partially filled moat. In spring, the apple trees bloom in pink and white against the grey, lichen-stained stone of the ruined walls and Palladian arches, while the lush grass grows tall around the cold hearths of the roofless rooms. The grand gateway no longer connects the courtyard to the hall; instead, it stands doorless, with massive stones pulled apart by ivy, serving merely as a key to the puzzle of the layout presented by walls that have largely crumbled to the level of the wet ground.
The singular facts of high wall and moat surrounding a mansion of Jacobean build seem to point to an earlier building, contrived with these defences when men thought first of security and afterwards of comfort. Some few mullioned windows of much earlier date than the greater part of the mansion remain to confirm the thought.
The unique features of the high wall and moat surrounding a Jacobean mansion suggest that it was built earlier, designed with these defenses when people prioritized safety over comfort. A few mullioned windows that are much older than most of the mansion still exist to support this idea.
That a building of the magnificence attested by these crumbling walls should have been allowed to fall into decay so shortly after its completion is a singular fact. Though the male line of the Coverts failed, and their estates passed, by the marriage of their womankind, into other hands, yet their alienation would not necessarily imply the destruction of their roof-tree. The explanation is to be sought in the situation and defects of the ground upon which Slaugham Place stood: a marshy tract of land, which no builder of to-day would think of selecting as a site for so important a dwelling. Home as it was of swamps and damps, and quashy as it is even now, it must have been in the past the breeding-ground of agues and chills innumerable.
That a building as magnificent as these crumbling walls indicates could have fallen into decay so soon after it was built is quite unusual. Even though the male line of the Coverts ended and their estates went, through the marriages of their women, into other hands, that doesn’t necessarily mean their home had to be destroyed. The reason lies in the location and the flaws of the land where Slaugham Place was situated: a marshy area that no builder today would consider for such an important home. As it was the home of swamps and dampness, and still very wet even now, it must have been a breeding ground for countless fevers and chills in the past.

THE ENTRANCE: RUINS OF SLAUGHAM PLACE.
THE ENTRANCE: RUINS OF SLAUGHAM PLACE.
[Pg 242]A true exemplar this of that Sussex of which in 1690 a barrister on circuit, whose profession led him by evil chance into this county, writes to his wife: “The Sussex ways are bad and ruinous beyond imagination. I vow ’tis melancholy consideration that mankind will inhabit such a heap of dirt for a poor livelihood. The county is in a sink of about fourteen miles broad, which receives all the water that falls from the long ranges of hills on both sides of it, and not being furnished with convenient draining, is kept moist and soft by the water till the middle of a dry summer, which is only able to make it tolerable to ride for a short time.”
[Pg 242]This is a perfect example of Sussex, which in 1690, a traveling lawyer who found himself in this county by unfortunate chance, wrote to his wife: “The roads in Sussex are in terrible shape and almost beyond repair. It’s a sad thought that people have to live in such a mess just to make a meager living. The county sits in a basin about fourteen miles wide that collects all the rainwater from the long hills on either side, and since there aren’t any good drainage systems, it stays wet and soft from the water until the middle of a dry summer, which only makes it rideable for a short time.”
Such soft and shaky earth as this could not bear the weight of so ponderous a structure as was Slaugham Place: the swamps pulled its masonry apart and rotted its fittings. Despairing of victory over the reeking moisture, its owners left it for healthier sites. Then the rapacity of all those neighbouring folk who had need of building material completed the havoc wrought by natural forces, and finally Slaugham Place became what it is to-day. Its clock-tower was pulled down and removed to Cuckfield Park, where it now spans the entrance drive of that romantic spot, and its handsomely carved Jacobean stairway is to-day the pride and glory of the “Star” Hotel at Lewes.
Such soft and unstable ground like this couldn't support the heavy structure that was Slaugham Place: the swamps cracked its walls and rotted its fixtures. Giving up on overcoming the dampness, its owners moved on to healthier locations. Then the greed of the neighboring folks who needed building materials finished the destruction brought on by nature, and eventually, Slaugham Place became what it is today. Its clock tower was torn down and taken to Cuckfield Park, where it now marks the entrance drive of that picturesque location, and its beautifully carved Jacobean staircase is now the pride and joy of the “Star” Hotel in Lewes.
The Coverts are gone; their heraldic shields, in company of an architectural frieze of greyhounds’ and leopards’ heads and skulls of oxen wreathed in drapery, still decorate what remains of the north front of their mansion, and their achievements are repeated upon their tombs within the little church of Slaugham on the hillside. You may, if heraldically versed, learn from their quarterings into what families they married; but the deeds they wrought, and their virtues and their vices, are, for the most part, clean forgotten, even as their name is gone out of the land, who once, as tradition has it, travelled southward from London to the sea on their own manors.
The Coverts are gone; their family crests, along with a decorative frieze featuring greyhounds, leopards’ heads, and ox skulls wrapped in drapery, still adorn what's left of the north front of their mansion. Their accomplishments are also reflected on their tombs in the small church of Slaugham on the hillside. If you're knowledgeable about heraldry, you can see from their quarterings which families they married into; but the deeds they did, along with their virtues and vices, are mostly forgotten, just like their name has faded from the land. According to tradition, they once traveled south from London to the sea on their own estates.

BOLNEY.
BOLNEY.
[Pg 244]The squat, shingled spirelet of Slaugham Church and its decorated architecture mark the spot where many of this knightly race lie buried. In the Covert Chapel is the handsome brass of John Covert, who died in 1503; and in the north wall of the chancel is the canopied altar-tomb of Richard Covert, the much-married, who died in 1547, and is represented, in company of three of his four wives, by little brass effigies, together with a curious brass representing the Saviour rising from the tomb, guarded by armed knights of weirdly-humorous aspect, the more diverting because executed all innocent of joke or irreverence.
[Pg 244]The short, shingled spire of Slaugham Church and its intricate design mark the final resting place of many knights from this lineage. In the Covert Chapel is the elegant brass plaque for John Covert, who passed away in 1503; and in the north wall of the chancel is the canopied altar-tomb of Richard Covert, who was married multiple times and died in 1547. He is depicted alongside three of his four wives through small brass figures, along with an unusual brass depicting the Savior rising from the tomb, watched over by armed knights with a strangely amusing look, all the more entertaining since they're portrayed without any sense of humor or disrespect.
Here is a rubbing, nothing exaggerated, of one of these guardian knights, to bear me up.
Here’s a straightforward impression of one of these guardian knights, to support me.

FROM A BRASS AT SLAUGHAM.
FROM A BRASS AT SLAUGHAM.
Another Richard, but twice married, who died in 1579, is commemorated in a large and elaborate monument in the Covert Chapel, whereon are sculptured, in an attitude of prayer, Richard himself, his two wives, six sons, and eight daughters.
Another Richard, who was married twice and died in 1579, is honored by a large and detailed monument in the Covert Chapel. It features sculptures of Richard himself, his two wives, six sons, and eight daughters, all depicted in a prayerful pose.
Last of the Coverts whose name is perpetuated here is Jane, who deceased in 1586.
Last of the Coverts whose name is remembered here is Jane, who died in 1586.

HICKSTEAD PLACE.
Hickstead Place.
[Pg 246]Beside these things, Slaugham claims some interest as containing the mansion of Ashfold, where once resided Mrs. Matcham, a sister of Nelson. Indeed, it was while staying here that the Admiral received the summons which sped him on his last and most glorious and fatal voyage. Slaugham, too, with St. Leonard’s Forest, contributes a title to the peerage, Lord St. Leonards’ creation being of “Slaugham, in the county of Sussex.”
[Pg 246]In addition to these points, Slaugham is notable for being home to Ashfold mansion, where Mrs. Matcham, Nelson's sister, once lived. In fact, it was here that the Admiral got the call that sent him on his final, most glorious, and deadly voyage. Slaugham, along with St. Leonard’s Forest, is also associated with the peerage, as Lord St. Leonards was created with the title of “Slaugham, in the county of Sussex.”
XXXII
This route to Brighton is singularly rural and lovely, and particularly beautiful in the way of copses and wooded hollows, whence streamlets trickle away to join the river Adur. Villages lie shyly just off its course, and must be sought, only an occasional inn or smithy, or the lodge-gates of modern estates called into existence since the making of the road in 1813, breaking the solitude. The existence of Bolney itself is only hinted at by the pinnacles of its church tower peering over the topmost branches of distant trees. “Bowlney,” as the countryfolk pronounce the name, is worth a little detour, for it is a compact, picturesque spot that might almost have been designed by an artist with a single thought for pictorial composition, so well do its trees, the houses, old and new, the church, and the “Eight Bells” inn, group for effect.
This route to Brighton is uniquely rural and beautiful, especially with its copses and wooded valleys, where small streams trickle away to join the River Adur. Villages are tucked away just off the path and need to be discovered, with only the occasional inn or blacksmith shop, or the gates of modern estates that have popped up since the road was built in 1813, breaking the quiet. You can only catch a glimpse of Bolney itself through the tops of its church tower rising above the highest branches of distant trees. “Bowlney,” as the locals say it, is worth a slight detour because it’s a charming, picturesque spot that seems like it was designed by an artist focused solely on composition. The trees, the houses—both old and new—the church, and the “Eight Bells” inn all come together beautifully.
Down the road, rather over a mile distant from Bolney, and looking so remarkably picturesque from the highway that even the least preoccupied with antiquities must needs stop and admire, is Hickstead Place, a small but beautiful residence, the seat of Miss Davidson, dating from the time of Henry the Seventh, with a curious detached building in two floors, of the same or even somewhat earlier period, on the lawn; remarkable for the large vitrified bricks in its gables, worked into rough crosses and supposed to indicate a former use as a chapel. History, however, is silent that point; but, as the inquirer may discover for[Pg 247] himself, it now fulfils the twin offices of a studio and a lumber room. The parish church of Twineham, little more than a mile away, is of the same period, and built of similar materials. Hickstead Place has been in the same family for close upon four hundred years, and as an old house without much in the way of a history, and with its ancient features largely retained and adapted to modern domestic needs, is a striking example both of the continuity and the placidity of English life. The staircase walls are frescoed in a blue monochrome with sixteenth-century representations of field-sports and hunting scenes, very curious and interesting. The roof is covered with slabs of Horsham stone, and the oak entrance is original. Ancient yews, among them one clipped to resemble a bear sitting on his rump, give an air of distinction to the lawn, completed by a pair of eighteenth-century wrought-iron gates between red brick pillars.
Down the road, just over a mile from Bolney, is Hickstead Place, a small but stunning residence owned by Miss Davidson. It dates back to the time of Henry the Seventh and features a unique two-story detached building on the lawn, which is from the same era or possibly even older. This building is notable for the large vitrified bricks in its gables, shaped into rough crosses, and thought to have been used as a chapel. However, history doesn’t clarify that point; as anyone can see for[Pg 247] themselves, it currently serves as both a studio and a storage room. The parish church of Twineham, located just over a mile away, is of the same period and constructed with similar materials. Hickstead Place has been in the same family for nearly four hundred years, and as an old house with little history but many original features modified for modern living, it exemplifies both the continuity and tranquility of English life. The staircase walls are decorated with a blue monochrome fresco showcasing sixteenth-century field sports and hunting scenes, which are quite curious and interesting. The roof is made of Horsham stone slabs, and the oak entrance door is original. Ancient yews, including one pruned to look like a bear sitting up, add character to the lawn, which is enhanced by a pair of eighteenth-century wrought-iron gates set between red brick pillars.

NEWTIMBER PLACE.
NEWTIMBER PLACE.
[Pg 248]Sayers Common is a modern hamlet, of a few scattered houses. Albourne lies away to the right. From here the Vale of Newtimber opens out and the South Downs rise grandly ahead. Noble trees, singly and in groups, grow plentiful; and where they are at their thickest, in the sheltered hollow of the hills, stands Newtimber Place, belonging to Viscount Buxton, a noble mansion with Queen Anne front of red brick and flint, and an Elizabethan back, surrounded by a broad moat of clear water, formed by embanking the beginnings of a little stream that comes willing out of the chalky bosom of the hills. It is a rarely complete and beautiful scene.
[Pg 248]Sayers Common is a modern village with a few scattered homes. Albourne is off to the right. From here, the Vale of Newtimber unfolds, and the South Downs rise majestically in front of us. There are plenty of impressive trees, both alone and in groups, and where they cluster thickest, in the sheltered valley of the hills, stands Newtimber Place, owned by Viscount Buxton. It's a magnificent house with a red brick and flint Queen Anne front and an Elizabethan back, surrounded by a wide moat of clear water formed by damming up the start of a little stream that flows eagerly out of the chalky hillside. It's a remarkably complete and beautiful scene.
Beyond it, above the woods where in spring the fluting blackbird sings of love and the delights of a mossy nest in the sheltered vale, rises Dale Hill, with its old toll-house. It was in the neighbouring Dale Vale that Tom Sayers, afterwards the unconquered champion of England, fought his first fight.
Beyond it, above the woods where in spring the singing blackbird chirps about love and the joys of a mossy nest in the sheltered valley, rises Dale Hill, with its old tollhouse. It was in the nearby Dale Vale that Tom Sayers, later the undefeated champion of England, had his first fight.

PYECOMBE: JUNCTION OF THE ROADS.
PYECOMBE: ROAD JUNCTION.
[Pg 250]He was not, as often stated, an Irishman, but the son of a man descended from a thoroughly Sussexian stock. The name of Sayers is well known throughout Sussex, and in particular at Hand Cross, Burgess Hill, and Hurstpierpoint. There is even, as we have already seen, a Sayers Common on the road. Tom Sayers, however, was born at Brighton. He worked as a bricklayer at building the Preston Viaduct of the Brighton and Lewes Railway: that great viaduct which spans the Brighton Road as you enter the town. He retired in 1860, after his fight with Heenan, and when he died, in 1865, the reputation of prize-fighting died with him.
[Pg 250]He was not, as many often claimed, an Irishman, but the son of a man with roots in Sussex. The surname Sayers is well-known in Sussex, especially in Hand Cross, Burgess Hill, and Hurstpierpoint. There’s even a place called Sayers Common on the road. Tom Sayers was born in Brighton. He worked as a bricklayer on the construction of the Preston Viaduct for the Brighton and Lewes Railway, the impressive structure that stretches across the Brighton Road as you enter the town. He retired in 1860, after his fight with Heenan, and when he passed away in 1865, the reputation of prize-fighting went with him.
At the summit of Dale Hill stands Pyecombe, above the junction of roads, on the rounded shoulder of the downs. The little rubbly and flinty churches of Pyecombe, Patcham, Preston, and Clayton are very similar in appearance exteriorly and all are provided with identical towers finished off with a shingled spirelet of insignificant proportions. This little Norman church, consisting of a tiny nave and chancel only, is chiefly interesting as possessing a triple chancel arch and an ancient font.
At the top of Dale Hill lies Pyecombe, above the intersection of roads, on the rounded slope of the downs. The small, rocky, and flint-filled churches of Pyecombe, Patcham, Preston, and Clayton look pretty much the same from the outside, and all have identical towers topped with small, wood-shingled spires. This small Norman church features only a tiny nave and chancel, but it's mainly notable for its triple chancel arch and an old font.

PATCHAM.
PATCHAM.
[Pg 252]Over the chancel arch hangs a painting of the Royal Arms, painted in the time of George the Third, faded and tawdry, with dandified unicorn and a gamboge lion, all teeth and mane, regarding the congregation on Sundays, and empty benches at other times, with the most amiable of grins. It is quite typical of Pyecombe that those old Royal Arms should still remain; for the place is what it was then, and then it doubtless was what it had been in the days of good Queen Anne, or even of Elizabeth, to go no further back. The grey tower tops the hill as it has done since the Middle Ages, the few cottages cluster about it as of yore, and only those who lived in those humble homes, or reared that church, are gone. Making the circuit of the church, I look upon the stone quoins and the bedded flints of those walls; and as I think how they remain, scarce grizzled by the weathering of countless storms, and how those builders are not merely gone, but are as forgotten as though they had never existed, I could have it in my heart to hate the insensate handiwork of man, to which he has given an existence: the unfeeling walls of stone and flint and mortar that can outlast him and the memory of him by, it may well be, a thousand years.
[Pg 252]Over the chancel arch hangs a painting of the Royal Arms, created during the reign of George the Third, faded and shabby, featuring a dandy unicorn and a bright yellow lion, all teeth and mane, looking down at the congregation on Sundays and at empty benches at other times, with the friendliest of grins. It's quite typical of Pyecombe that those old Royal Arms still remain; the place is exactly as it was then, and it certainly was what it had been in the days of good Queen Anne, or even Elizabeth, if we don't go back any further. The grey tower has stood atop the hill since the Middle Ages, with the few cottages clustered around it just like in the past, and only those who lived in those humble homes or built that church are gone. As I walk around the church, I examine the stone quoins and the flint walls; and as I reflect on how they remain, barely weathered by countless storms, and how those builders are not just gone but forgotten as if they never existed, I could feel a deep resentment toward the mindless creations of man, to which he has given life: the unfeeling walls of stone, flint, and mortar that can outlive him and the memory of him by, quite possibly, a thousand years.
XXXIII
From Pyecombe we come through a cleft in the great chalk ridge of the South Downs into the country of the “deans.” North and South of the Downs are two different countries—so different that if they were inhabited by two peoples and governed by two rulers and a frontier ran along the ridge, it would seem no strange thing. But both are England, and not merely England, but the same county of Sussex. It is a wooded, Wealden district of deep clay we have left, and a hungry, barren land of chalk we enter. But it is a sunny land, where the grassy shoulders of the mighty downs, looking southward, catch and retain the heat, and almost make you believe Brighton to be named from its bright and lively skies, and not from that very shadowy Anglo-Saxon saint, Brighthelm.
From Pyecombe, we pass through a gap in the great chalk ridge of the South Downs into the area of the “deans.” North and South of the Downs are two distinct regions—so different that if they were populated by two different groups and ruled by two leaders with a border along the ridge, it wouldn’t be surprising. But both are part of England, and not just England, but the same county of Sussex. We have left a wooded Wealden area with deep clay and entered a dry, barren land of chalk. Yet, it’s a sunny place, where the grassy slopes of the towering downs, facing south, soak up and hold onto the warmth, almost convincing you that Brighton got its name from its bright and lively skies, rather than from the somewhat obscure Anglo-Saxon saint, Brighthelm.
The country of the deans is, in general, a barren country. Every one knows Brighton and its neighbourhood to be places where trees are rare enough to be curiosities, but in this generally treeless land there are hollows and shallow valleys amid the dry chalky hillsides where little boscages form places for the eye, tired of much bright dazzling sunlight, to rest. These are the deans. Very often they have been made the sites of villages; and all along this southern aspect of these hills of the Sussex seaboard you will find deans of various qualifications, from East Dean and West Dean, by Eastbourne, to Denton (which is, of course “Dean-ton”) near Newhaven, Rottingdean, Ovingdean, Balsdean, Standean, Roedean, and the two that are strung along these last miles into [Pg 253]Brighton—Pangdean and Withdean. Most of these show the same characteristics of clustered woodlands in a sheltered fold of the hills, where a grey little flinty church with stunted spirelet presides over a few large farms and a group of little cottages. Time and circumstance have changed those that do not happen to conform to this general rule; and, as ill luck will have it, our first “dean” is one of these nonconformists.
The area of the deans is generally a barren landscape. Everyone knows Brighton and its surroundings as places where trees are so rare they’re almost a curiosity, but within this mostly treeless region, there are dips and shallow valleys in the dry chalky hills where small clusters of trees offer a spot for the eyes, tired from the bright, blazing sunlight, to rest. These are the deans. They’ve often become the sites of villages; along the southern side of these hills on the Sussex coast, you’ll find deans of various names, from East Dean and West Dean near Eastbourne to Denton (which is, of course, "Dean-ton") close to Newhaven, Rottingdean, Ovingdean, Balsdean, Standean, Roedean, and the two that are lined up in the last miles leading to [Pg 253]Brighton—Pangdean and Withdean. Most of these share the same traits of clustered woodlands in a sheltered part of the hills, where a small grey flint church with a short spire oversees a few large farms and a cluster of tiny cottages. Time and circumstances have altered those that don’t fit this general pattern; and, as bad luck would have it, our first "dean" is one of these exceptions.
Pangdean is a hamlet situated in that very forbidding spot where the downs are at their baldest, and where the chalk-heaps turned up in the making of the Brighton Railway call aloud for the agricultural equivalent of Tatcho and its rivals. It is little more than an unkempt farm and a roadside pond of dirty water where acrobatic ducks perform astonishing feats of agility, standing on their heads and exhibiting their posteriors in the manner of their kind. But within sight, down the stretch of road, is Patcham, and beyond it the hamlet of Withdean, more conformable.
Pangdean is a small village located in a pretty harsh area where the hills are at their most barren, and where the piles of chalk from the construction of the Brighton Railway cry out for some farming equivalent of Tatcho and its competitors. It's mostly just a messy farm and a roadside pond filled with muddy water, where agile ducks show off their impressive tricks, standing on their heads and flashing their backsides like ducks do. But not far away, down the road, is Patcham, and beyond that is the more orderly hamlet of Withdean.
Why Patcham is not nominally, as it is actually in form and every other circumstance, a “dean” is not clear. There it lies in the vale, just as a dean should and does do; with sheltering ridges about it, and in the hollow the church, the cottages, and the woodlands. Very noble woodlands, too: tall elms with clanging rookeries, and, nestling below them, an old toll-house.
Why Patcham is not officially a "dean" despite being one in every other way is unclear. It sits in the valley just like a dean should, surrounded by protective ridges, and in the hollow are the church, cottages, and woodlands. Very lovely woodlands as well: tall elms with noisy rookeries, and nestled beneath them, an old tollhouse.
Not so very old a toll-house, for it was the successor of Preston turnpike-gate which, erected on the outskirts of Brighton town about 1807, was removed north of Withdean in 1854, as the result of an agitation set afoot in 1853, when the Highway Trustees were applying to Parliament for another term of years. It and its legend “NO TRUST,” painted large for all the world to see, and hateful in a world that has ever preferred credit, were a nuisance and a gratuitous satire upon human nature. No one regretted them when their time came, December 31st, 1878; least of all the early cyclists, who had the luxury of paying[Pg 254] at Patcham Gate, and yielded their “tuppences” with what grace they might.
Not so very old a toll house, since it replaced the Preston turnpike gate, which was built on the outskirts of Brighton around 1807 and moved north of Withdean in 1854, following a protest started in 1853 when the Highway Trustees were asking Parliament for an extension. It and its sign “NO TRUST,” painted big for everyone to see and hated in a world that has always favored credit, were a nuisance and an unnecessary mockery of human nature. No one missed them when their time ended on December 31st, 1878; least of all the early cyclists, who had the privilege of paying[Pg 254] at Patcham Gate, and handed over their “tuppences” as best they could.
On the less hallowed north side of the churchyard of Patcham may still with difficulty be spelled the inscription:
On the less revered north side of the Patcham churchyard, you can still just about make out the inscription:
Sacred to the memory of DANIEL SCALES,
who was unfortunately shot on Thursday evening,
November 7th, 1796.
Alas! swift flew the fatal lead,
Which piercèd through the young man’s head.
He instant fell, resigned his breath,
And closed his languid eyes in death.
All you who do this stone draw near,
Oh! pray let fall the pitying tear.
From this sad instance may we all,
Prepare to meet Jehovah’s call.
In memory of Daniel Scales,
who was tragically shot on Thursday evening,
November 7, 1796.
Alas! the fatal bullet flew,
Piercing through the young man's head.
He collapsed right away and took his last breath,
And shut his tired eyes in death.
All of you who approach this stone,
Please shed a sympathetic tear.
From this sorrowful event, may we all,
Get ready to respond to God’s call.
It is a relic of those lawless old days of smuggling that are so dear to youthful minds. Youth, like the Irish peasant, is always anarchist and “agin the Government”; and certainly the deeds of derring-do that were wrought by smuggler and Revenue officer alike sometimes stir even middle-aged blood.
It’s a reminder of those wild old days of smuggling that captivate young minds. Youth, much like the Irish peasant, tends to be rebellious and “against the Government”; and undoubtedly, the daring feats carried out by both smugglers and Revenue officers can still excite even middle-aged hearts.

OLD DOVECOT, PATCHAM.
Smuggling was rife here. Where, indeed, was it not in those times? and Daniel Scales was the most desperate of a daring gang. The night when he was “unfortunately shot,” he, with many others of the gang, was coming from Brighton laden heavily with smuggled goods, and on the way they fell in with a number of soldiers and excise officers, near this place. The smugglers fled, leaving their casks of liquor to take care of themselves, careful only to[Pg 255] make good their own escape, saving only Daniel Scales, who, met by a “riding officer,” was called upon to surrender himself and his booty, which he refused to do. The officer, who himself had been in early days engaged in many smuggling transactions, but was now a brand plucked from the burning, and zealous for King and Customs, knew that Daniel was “too good a man for him, for they had tried it out before,” so he shot him through the head; and as the bullet, like those in the nursery rhyme, was made of “lead, lead, lead,” Daniel was killed. Alas! poor Daniel.
Smuggling was everywhere back then. Really, where wasn’t it? Daniel Scales was the most reckless member of a bold gang. The night he was “unfortunately shot,” he and several others from the gang were coming back from Brighton, heavily loaded with smuggled goods, when they ran into a group of soldiers and excise officers near here. The smugglers scattered, leaving their barrels of liquor behind, only focused on making their own escape. The only one left behind was Daniel Scales, who was confronted by a “riding officer.” The officer demanded that Daniel surrender himself and his loot, but he refused. The officer, who had previously been involved in many smuggling operations but was now a reformed man dedicated to serving the King and Customs, knew that Daniel was “too good a man for him, because they had squared off before,” so he shot him in the head. And since the bullet, like in the nursery rhyme, was made of “lead, lead, lead,” Daniel was killed. Poor Daniel.
An ancient manorial pigeon-house or dovecot still remains at Patcham, sturdily built of Sussex flints, banded with brick, and wonderfully buttressed.
An old manorial pigeon house or dovecot still stands at Patcham, solidly constructed from Sussex flints, bordered with brick, and impressively supported.
Preston is now almost wholly urban, but its Early English church, although patched and altered, still keeps its fresco representing the murder of Thomas à Becket, and that of an angel disputing with the Devil for the possession of a departed soul. The angel, like some celestial grocer, is weighing the shivering soul in the balance, while the Devil, sitting in one scale, makes the unfortunate soul in the other “kick the beam.”
Preston is now mostly urban, but its Early English church, despite being patched and altered, still retains its fresco depicting the murder of Thomas à Becket and another of an angel arguing with the Devil over a departed soul. The angel, like some heavenly shopkeeper, is weighing the trembling soul in a balance, while the Devil, sitting in one scale, makes the unfortunate soul in the other “tip the scales.”
XXXIV
It has very justly been remarked that Brighton is treeless, but that complaint by no means holds good respecting the approach to it through Withdean and Preston Park, which is exceptionally well wooded, the tall elms forming an archway infinitely more lovable than the gigantic brick arch of the railway viaduct that poses as a triumphal entry into the town.
It’s been rightly pointed out that Brighton lacks trees, but that definitely doesn’t apply to the route leading there through Withdean and Preston Park, which is really well-wooded. The tall elms create an archway that’s far more charming than the massive brick arch of the railway viaduct that serves as an entrance to the town.
It is Brighton’s ever-open front door. No occasion to knock or ring; enter and welcome to that cheery town: a brighter, cleaner London.
It’s Brighton’s always-open front door. No need to knock or ring the bell; just step in and welcome to that cheerful town: a brighter, cleaner London.
Brighton has renewed its youth. It has had ill fortune as well as good, and went through a middle[Pg 256] period when, deserted by Royalty, and not yet fully won to a broader popularity, its older houses looked shabby and its newer mean. But that period has passed. What remains of the age of George the Fourth has with the lapse of time and the inevitable changes in taste, become almost archæologically interesting, and the newer Brighton approaches a Parisian magnificence and display. The Pavilion of George the Fourth was the last word in gorgeousness of his time, but it wears an old-maidish appearance of dowdiness in midst of the Brighton of the twentieth century.
Brighton has regained its vibrancy. It has experienced both good and bad times, and went through a phase[Pg 256] when it was abandoned by royalty and not yet widely embraced, making its older buildings look worn and its newer ones look lackluster. But that time has passed. What's left from the era of George the Fourth has, over time and with changing tastes, become almost historically fascinating. The modern Brighton is approaching a level of Parisian grandeur and flair. The Pavilion of George the Fourth was once the pinnacle of opulence of its time, but now it seems outdated and drab amidst the Brighton of the twentieth century.

PRESTON VIADUCT: ENTRANCE TO BRIGHTON.
Preston Viaduct: Gateway to Brighton.
The Pavilion is of course the very hub of Brighton. The pilgrim from London comes to it past the great church of St. Peter, built in 1824, in a curious Gothic, and thence past the Level to the Old Steyne. The names of the terraces and rows of houses on either side proclaim their period, even if those characteristic[Pg 257] semicircular bayed fronts did not: they are York Place, Hanover Terrace, Gloucester Place, Adelaide this, Caroline that, and Brunswick t’other: all names associated with the late Georgian period.
The Pavilion is definitely the center of Brighton. A traveler coming from London passes the impressive St. Peter's Church, built in 1824 in a unique Gothic style, and then goes past the Level to the Old Steyne. The names of the terraces and rows of houses on either side reveal their era, even if those distinctive[Pg 257] semicircular bay windows didn't: they are York Place, Hanover Terrace, Gloucester Place, Adelaide this, Caroline that, and Brunswick the other: all names linked to the late Georgian period.
The Old Steyne was in Florizel’s time the rendezvous of fashion. The “front” and the lawns of Hove have long since usurped that distinction, but the gardens and the old trees of the Old Steyne are more beautiful than ever. They are the only few the town itself can boast.
The Old Steyne was, during Florizel’s time, the hotspot for all things fashionable. The “front” and the lawns of Hove have taken over that title long ago, but the gardens and the old trees of the Old Steyne are more beautiful than ever. They’re among the very few that the town can proudly claim.
Treeless Brighton has been the derision alike of Doctor Johnson and Tom Hood, to name no others. Johnson, who first visited Brighton in 1770 in the company of the Thrales and Fanny Burney, declared the neighbourhood to be so desolate that “if one had a mind to hang one’s self for desperation at being obliged to live there, it would be difficult to find a tree on which to fasten a rope.” At any rate it would have needed a particularly stout tree to serve Johnson’s turn, had he a mind to it. Johnson was an ingrate, and not worthy of the good that Doctor Brighton wrought upon him.
Treeless Brighton has been the joke of both Doctor Johnson and Tom Hood, to name just a couple. Johnson, who first came to Brighton in 1770 with the Thrales and Fanny Burney, said the place was so barren that “if you wanted to hang yourself out of despair about living there, it would be hard to find a tree to tie a rope to.” In any case, it would have needed to be a pretty strong tree for Johnson, if he had wanted to. Johnson was ungrateful and didn’t appreciate the good that Doctor Brighton did for him.
Hood, on the other hand, is jocular in an airier and lighter-hearted fashion. His punning humour (a kind of witticism which Johnson hated with the hatred of a man who delved deep after Greek and Latin roots) is to Johnson’s as the footfall of a cat to the earth-shaking tread of the elephant. His, too, is a manner of gibe that is susceptible of being construed into praise by the townsfolk. “Of all the trees,” says he, “I ever saw, none could be mentioned in the same breath with the magnificent beach at Brighton.”
Hood, in contrast, has a playful and lighter approach. His punny humor (a type of wit that Johnson despised with the intensity of someone who deeply valued Greek and Latin origins) is to Johnson’s as the light step of a cat is to the heavy stomp of an elephant. His teasing style can also be interpreted as praise by the locals. “Of all the trees,” he says, “I’ve ever seen, none can compare to the magnificent beech at Brighton.”
But though these trees of the Pavilion give a grateful shelter from the glare of the sun and the roughness of the wind, they hide little of the tawdriness of that architectural enormity. The gilding has faded, the tinsel become tarnished, and the whole pile of cupolas and minarets is reduced to one even tint, that is not white nor grey, nor any distinctive shade of any colour. How the preposterous building could ever[Pg 258] have been admired (as it undoubtedly was at one time) surpasses belief. Its cost, one shrewdly suspects—it is supposed to have cost over £1,000,000—was what appealed to the imagination.
But even though the trees in the Pavilion provide a nice escape from the blazing sun and harsh wind, they barely cover up the tackiness of that huge building. The gold has faded, the decorations are dull, and the entire structure of domes and towers has become one bland shade that isn't white, grey, or any distinct color. It's hard to believe that anyone could have ever admired such an absurd building (which they certainly did at some point). One can't help but think that its price—rumored to be over £1,000,000—was what really captured people's imagination.
That reptile Croker, the creature of that Lord Hertford whom one recognises as the “Marquis of Steyne” in “Vanity Fair,” admired it, as assuredly did not rough and ready Cobbett, who opines, “A good idea of the building may be formed by placing the pointed half of a large turnip upon the middle of a board, with four smaller ones at the corners.”
That reptile Croker, the minion of that Lord Hertford, who is known as the “Marquis of Steyne” in “Vanity Fair,” admired it, while the tough and straightforward Cobbett certainly did not, as he suggests, “You can get a good idea of the building by putting the pointed half of a large turnip in the center of a board, with four smaller ones at the corners.”
That is no bad description of this monument of extravagance and bad taste. Begun so early as 1784, it was, after many alterations, pullings-down and rebuildings, completed in 1818, with the exception of the north gate, the work of William the Fourth in 1832.
That’s not a bad description of this monument of excess and poor taste. Started as early as 1784, it was finished in 1818 after many changes, demolitions, and rebuilds, except for the north gate, which was completed by William the Fourth in 1832.
The Pavilion was, in fact, the product of an ill-informed enthusiasm for Chinese architecture, mingled with that of India and Constantinople, and was built as a Marine Palace, to combine the glories of the Summer Palace at Pekin with those of the Alhambra. It suffers nowadays, much more than it need do, from the utter absence of exterior colouring. A judicious scheme of brilliant colour and gilding, in accordance with its style, would not only relieve the dull drab monotone, but would go some way to justify the Prince’s taste.
The Pavilion was really the result of a misguided excitement for Chinese architecture, mixed with influences from India and Constantinople. It was constructed as a Marine Palace to blend the grandeur of the Summer Palace in Beijing with that of the Alhambra. Today, it suffers more than it should from a complete lack of exterior color. A well-thought-out plan featuring vibrant colors and gilding, in line with its style, would not only break up the dull, drab appearance but also somewhat validate the Prince’s taste.
But, be it what it may, the Pavilion set the seal of a certain permanence upon the princely and royal favours extended to the town, whose population, numbered at 2,000 in 1761 and 3,600 in 1786, had grown to 5,669 by 1794 and 12,012 in 1811. In the succeeding ten years it had more than doubled itself, being returned in 1821 at 24,429. How Georgian Brighton is wholly swallowed up and engulfed in the modern towns of Brighton, Hove, and Preston is seen in the present population of 161,000—the equivalent of nearly six other Brightons of the size of that in the last year of the reign of George the Fourth.
But, regardless of its nature, the Pavilion marked a certain permanence to the royal and princely favors given to the town, whose population was 2,000 in 1761 and 3,600 in 1786, growing to 5,669 by 1794 and 12,012 in 1811. In the next ten years, it more than doubled, reaching 24,429 in 1821. The way Georgian Brighton has been completely absorbed into the modern towns of Brighton, Hove, and Preston is evident in the current population of 161,000—the equivalent of nearly six other Brightons the size of that during the last year of George the Fourth’s reign.

THE PAVILION.
THE PAVILION.
[Pg 260]One of the best stories connected with the Pavilion is that told so well in the “Four Georges”:
[Pg 260]One of the best stories about the Pavilion is the one that's told so well in the “Four Georges”:
“And now I have one more story of the bacchanalian sort, in which Clarence and York and the very highest personage in the realm, the great Prince Regent, all play parts.
“And now I have one more story of the party-loving kind, in which Clarence and York and the highest figure in the realm, the great Prince Regent, all play roles.
“The feast was described to me by a gentleman who was present at the scene. In Gilray’s caricatures, and amongst Fox’s jolly associates, there figures a great nobleman, the Duke of Norfolk, called Jockey of Norfolk in his time, and celebrated for his table exploits. He had quarrelled with the Prince, like the rest of the Whigs; but a sort of reconciliation had taken place, and now, being a very old man, the Prince invited him to dine and sleep at the Pavilion, and the old Duke drove over from his Castle of Arundel with his famous equipage of grey horses, still remembered in Sussex.
“The feast was described to me by a gentleman who was there. In Gilray’s cartoons, among Fox’s cheerful friends, there’s a prominent nobleman, the Duke of Norfolk, known as Jockey of Norfolk in his day, and famous for his dining behaviors. He had a falling out with the Prince, like the other Whigs; however, they had somewhat reconciled, and now, being quite old, the Prince invited him to dinner and to stay overnight at the Pavilion. The old Duke drove over from his Castle of Arundel with his renowned team of grey horses, still remembered in Sussex.”
“The Prince of Wales had concocted with his royal brothers a notable scheme for making the old man drunk. Every person at table was enjoined to drink wine with the Duke—a challenge which the old toper did not refuse. He soon began to see that there was a conspiracy against him; he drank glass for glass: he overthrew many of the brave. At last the first gentleman of Europe proposed bumpers of brandy. One of the royal brothers filled a great glass for the Duke. He stood up and tossed off the drink. ‘Now,’ says he, ‘I will have my carriage and go home.’
“The Prince of Wales had teamed up with his royal brothers to come up with a clever plan to get the old man drunk. Everyone at the table was urged to drink wine with the Duke—a challenge he didn’t back down from. He quickly realized there was a plot against him; he drank shot for shot and took down many of the bravest. Finally, the top gentleman of Europe suggested large glasses of brandy. One of the royal brothers poured a big glass for the Duke. He stood up and downed the drink. ‘Now,’ he said, ‘I want my carriage and I’m going home.’”
“The Prince urged upon him his previous promise to sleep under the roof where he had been so generously entertained. ‘No,’ he said; ‘he had had enough of such hospitality. A trap had been set for him; he would leave the place at once, and never enter its doors more.’
“The Prince insisted that he should keep his earlier promise to stay under the roof where he had been so kindly hosted. ‘No,’ he replied; ‘I’ve had my fill of such hospitality. A trap was laid for me; I’m leaving right now, and I’ll never step foot in this place again.’”
“The carriage was called, and came; but, in the half-hour’s interval, the liquor had proved too potent for the old man; his host’s generous purpose was answered, and the Duke’s old grey head lay stupefied on the table. Nevertheless, when his post-chaise was[Pg 261] announced, he staggered to it as well as he could, and, stumbling in, bade the postilions drive to Arundel.
“The carriage was called, and it arrived; but in the half-hour wait, the drink had been too strong for the old man. His host’s kind intentions had been fulfilled, and the Duke’s aged head lay dazed on the table. Nonetheless, when his post-chaise was[Pg 261] announced, he stumbled toward it as best as he could and, tripping inside, directed the drivers to head to Arundel.”
“They drove him for half an hour round and round the Pavilion lawn; the poor old man fancied he was going home.
“They drove him for half an hour around the Pavilion lawn; the poor old man thought he was going home."
“When he awoke that morning, he was in a bed at the Prince’s hideous house at Brighton. You may see the place now for sixpence; they have fiddlers there every day, and sometimes buffoons and mountebanks hire the Riding-House and do their tricks and tumbling there. The trees are still there, and the gravel walks round which the poor old sinner was trotted.”
“When he woke up that morning, he was in a bed at the Prince’s ugly house in Brighton. You can visit the place now for sixpence; they have musicians there every day, and sometimes performers and entertainers rent the Riding-House and do their acts and acrobatics there. The trees are still there, and the gravel paths around which the poor old sinner was walked.”
Very telling indignation, no doubt, but the gross defect of Thackeray’s “Four Georges” is its want of sincerity. Sympathy is wasted on that Duke, who was one of the filthiest voluptuaries of his age, or of any other since that of Heliogabalus. Charles Howard, eleventh Duke of Norfolk, was not merely a bestial drunkard, like his father before him, capable of drinking all his contemporaries under the table; but was a swinish creature in every way. Gorging himself to repletion with food and drink, he would make himself purposely sick, in order to begin again. A contemporary account of him as a member of the Beefsteak Club described him as a man of huge unwieldy fatness, who, having gorged until he had eaten himself into incapacity for speaking or moving, would motion for a bell to be rung, when servants, entering with a litter, would carry him off to bed. It was well written of him:
Very telling anger, no doubt, but the major flaw of Thackeray’s “Four Georges” is its lack of sincerity. Sympathy is wasted on that Duke, who was one of the most debauched pleasure-seekers of his time, or any other since Heliogabalus. Charles Howard, the eleventh Duke of Norfolk, was not just a barbaric drunk like his father before him, able to drink all his peers under the table; he was a disgusting creature in every sense. Stuffing himself with food and drink, he would make himself sick on purpose just to start again. A contemporary account of him as a member of the Beefsteak Club described him as a man of huge, awkward fatness, who, after gorging until he was unable to speak or move, would signal for a bell to be rung, and when the servants came in with a litter, they would carry him off to bed. It was well said of him:
On Norfolk’s tomb inscribe this placard:
He lived a beast and died a blackguard.
On Norfolk’s tomb, put up this plaque:
He lived like an animal and died as a scoundrel.
This “very old,” “poor old man” of Thackeray’s misplaced sympathy did not, as a matter of fact, live to a very great age. He died in 1815, aged sixty-nine.
This “very old,” “poor old man” of Thackeray’s misplaced sympathy didn’t actually live to be very old. He died in 1815 at the age of sixty-nine.
Practical joking was elevated to the status of a fine art at Brighton by the Prince and his merry men. A characteristic story of him is that told of a drive to Brighton races, when he was accompanied in his great[Pg 262] yellow barouche by Townsend, the Bow Street runner, who was present to protect the Prince from insult or robbery at the hands of the multitude. “It was a position,” says my authority, “which gave His Royal Highness an opportunity to practise upon his guardian a somewhat unpleasant joke. Turning suddenly to Townsend, just at the termination of a race, he exclaimed, ‘By Jove, Townsend, I’ve been robbed; I had with me some damson tarts, but they are now gone.’ ‘Gone!’ said Townsend, rising; ‘impossible!’ ‘Yes,’ rejoined the Prince, ‘and you are the purloiner,’ at the same time taking from the seat whereon the officer had been sitting the crushed crust of the asserted missing tarts, and adding, ‘This is a sad blot upon your reputation as a vigilant officer.’ ‘Rather say, your Royal Highness, a sad stain upon my escutcheon,’ added Townsend, raising the gilt-buttoned tails of his blue coat and exhibiting the fruit-stained seat of his nankeen inexpressibles.”
Practical joking was taken to a whole new level in Brighton by the Prince and his lively companions. One memorable story involves a trip to the Brighton races, where he was riding in his large[Pg 262] yellow carriage with Townsend, a Bow Street officer, who was there to protect the Prince from any insults or robbery from the crowd. “It was a situation,” my source recounts, “that gave His Royal Highness a chance to play a rather unpleasant prank on his guardian. Right after a race, he suddenly turned to Townsend and exclaimed, ‘By Jove, Townsend, I’ve been robbed; I had some damson tarts with me, but they’re gone.’ ‘Gone!’ Townsend said as he stood up; ‘that’s impossible!’ ‘Yes,’ replied the Prince, ‘and you are the thief,’ as he pulled from the seat where Townsend had been sitting the crushed remnants of the supposedly missing tarts, adding, ‘This is a terrible mark on your reputation as a watchful officer.’ ‘Rather say, Your Royal Highness, a sad stain on my honor,’ Townsend replied, lifting the gilt-buttoned tails of his blue coat to reveal the fruit-stained seat of his light-colored pants.”
XXXV
But it was not this practical-joking Prince who first discovered Brighton. It would never have attained its great vogue without him, but it would have been the health resort of a certain circle of fashion—an inferior Bath, in fact. To Dr. Richard Russell—the name sometimes spelt with one “l”—who visited the little village of Brighthelmstone in 1750, belongs the credit of discovering the place to an ailing fashionable world. He died in 1759, long ere the sun of royal splendour first rose upon the fishing-village; but even before the Prince of Wales first visited Brighthelmstone in 1782, it had attained a certain popularity, as the “Brighthelmstone Guide” of July, 1777, attests, in these halting verses:
But it wasn't this practical-joking Prince who first discovered Brighton. It might not have become as popular as it did without him, but it would have been a health resort for a certain fashionable crowd—basically a lesser version of Bath. The credit for bringing the place to the attention of the sickly elite goes to Dr. Richard Russell—whose name is sometimes spelled with just one "l"—who visited the small village of Brighthelmstone in 1750. He passed away in 1759, long before the royal glamour made its debut in the fishing village; however, even before the Prince of Wales visited Brighthelmstone in 1782, it had already gained some popularity, as the "Brighthelmstone Guide" of July 1777 shows in these awkward verses:
[Pg 263]
This town or village of renown,
Like London Bridge, half broken down,
Few years ago was worse than Wapping,
Not fit for a human soul to stop in;
But now, like to a worn-out shoe,
By patching well, the place will do.
You’d wonder much, I’m sure, to see
How it’s becramm’d with quality.
[Pg 263]
This well-known town or village,
Like London Bridge, partly falling apart,
A few years ago was worse than Wapping,
Not fit for anyone to stay in;
But now, like a worn-out shoe,
With a good patch job, it's good enough.
You’d be amazed, I’m sure, to see
How crowded it is with high society.
And so on.
And so forth.

THE CLIFFS, BRIGHTHELMSTONE, 1789.
From an aquatint after Rowlandson.
THE CLIFFS, BRIGHTHELMSTONE, 1789.
From an aquatint after Rowlandson.

DR. RICHARD RUSSELL.
From the portrait by Zoffany.
DR. RICHARD RUSSELL.
From the portrait by Zoffany.
Brighthelmstone, indeed, has had more Guides written upon it than even Bath has had, and very curious some of them are become in these days. They range from lively to severe, from grave to gay, from the serious screeds of Russell and Dr. Relhan, his successor, to the light and airy, and not too admirable[Pg 266] puffs of to-day. But, however these guides may vary, they all agree in harking back to that shadowy Brighthelm who is supposed to have given his peculiar name to the ancient fisher-village here established time out of mind. In the days when “County Histories” were first let loose, in folio volumes, upon an unoffending land, historians, archæologists, and other interested parties seemed at a loss for the derivation of the place-name, and, rather than confess themselves ignorant of its meaning, they conspired together to invent a Saxon archbishop, who, dying in the odour of sanctity and the ninth century, bequeathed his appellation to what is now known, in a contracted form, as Brighton.
Brighton has had more guides written about it than Bath has, and some of them are quite interesting these days. They range from lively to serious, from somber to cheerful, from the weighty writings of Russell and Dr. Relhan, his successor, to the light and somewhat unimpressive[Pg 266]
But the man is not known who has unassailable proofs to show of this Brighthelm’s having so honoured the fisher-folk’s hovels with his name.
But no one knows of a man who has undeniable proof that Brighthelm actually honored the fishermen's homes with his name.
Thackeray, greatly daring, considering that the Fourth George is the real patron—saint, we can hardly say; let us make it king—of the town, elected to deliver his lectures upon the “Four Georges” at Brighton, among other places, and to that end made, with monumental assurance, a personal application at the Town Hall for the hire of the banqueting-room in the Royal Pavilion.
Thackeray, quite boldly, since King George IV is truly the main patron—let’s say king—of the town, decided to give his lectures on the “Four Georges” in Brighton, among other locations. To do this, he confidently applied in person at the Town Hall to rent the banqueting room in the Royal Pavilion.
But one of the Aldermen, who chanced to be present, suggested, with extra-aldermanic wit, that the Town Hall would be equally suitable, intimating at the same time that it was not considered as strictly etiquette to “abuse a man in his own house.” The witty Alderman’s suggestion, we are told, was acted upon, and the Town Hall engaged forthwith.
But one of the Aldermen, who happened to be there, casually suggested, with a bit of cleverness, that the Town Hall would work just as well, implying that it wasn’t exactly polite to “badmouth someone in their own home.” We’re told that the witty Alderman’s suggestion was taken seriously, and the Town Hall was booked right away.
It argued considerable courage on the lecturer’s part to declaim against George the Fourth anywhere in that town which His Majesty had, by his example, conjured up from almost nothingness. It does not seem that Thackeray was, after all, ill received at Brighton; whence thoughts arise as to the ingratitude and fleeting memories of them that were either in the first or second generation, advantaged by the royal preference for this bleak stretch of shore beneath the[Pg 267] bare South Downs, open to every wind that blows. Surely gratitude is well described as a “lively sense of favours to come,” and they, no doubt, considered that the statue they had erected in the Steyne gardens to him was a full discharge of all obligations. Nor is the history of that effigy altogether creditable. It was erected in 1828, as the result of a movement among Brighton tradesfolk in 1820, to honour the memory of one who had incidentally made the fortunes of so many among them; but although the subscription list remained open for eight years and a half, it did not provide the £3.000 agreed upon to be paid to Chantrey, the sculptor of it.
It took a lot of courage for the lecturer to speak out against George the Fourth in a town that the king had helped bring to life from almost nothing. It seems that Thackeray wasn't actually poorly received in Brighton; this raises thoughts about the ingratitude and short memories of those from both the first and second generations who benefited from the royal favor towards this bleak stretch of shore beneath the[Pg 267] bare South Downs, exposed to every gust of wind. Gratitude can certainly be described as a “lively sense of favors to come,” and they likely thought that the statue they erected in the Steyne gardens in his honor was enough to settle all debts. The history of that statue isn't particularly admirable either. It was put up in 1828 after a movement among Brighton tradespeople in 1820 to honor someone who had indirectly made many of their fortunes; however, even though the subscription list remained open for eight and a half years, it didn't raise the £3,000 that had been agreed upon to pay Chantrey, the sculptor.
The bronze statue presides to-day over a cab-rank, and the sea-salt breezes have strongly oxidised the face to an arsenical green; insulting, because greenness was not a distinguishing trait in the character of George the Fourth.
The bronze statue stands today over a taxi stand, and the sea-salt breezes have heavily oxidized the face to a weird greenish color; it's insulting because green wasn't a defining characteristic of George the Fourth.
The surrounding space is saturated with memories of the Regency; but the roysterers are all gone and the recollection of them is dim. Prince and King, the Barrymores—Hellgate, Newgate, and Cripplegate—brothers three; Mrs. Fitzherbert, “the only woman whom George the Fourth ever really loved,” and whom he married; Sir John Lade, the reckless, the frolicsome, historic in so far that he was the first who publicly wore trousers: these, with others innumerable, are long since silent. No more are they heard who with unseemly revelry affronted the midnight moon, or upset the decrepit watchman in his box. Those days and nights are done, nor are they likely to be revived while the Brighton policemen remain so big and muscular.
The surrounding area is filled with memories of the Regency period, but the partygoers are all gone and the memory of them is fading. Prince and King, the Barrymores—Hellgate, Newgate, and Cripplegate—three brothers; Mrs. Fitzherbert, “the only woman George the Fourth ever truly loved,” and whom he married; Sir John Lade, the reckless and playful, known for being the first to publicly wear trousers: these and countless others are long silent. No longer do we hear those who, in undignified revelry, challenged the midnight moon, or disturbed the weary watchman in his box. Those days and nights are over, and they’re not likely to return as long as Brighton's policemen remain so big and strong.
With the death of George the Fourth the play was played out. William the Fourth occasionally patronised Brighton, but decorum then obtained, and Queen Victoria and Prince Albert not only disliked the memory of the last of the Georges, but could not find at the Pavilion the privacy they desired. The Queen therefore sold it to the then Commissioners of[Pg 268] Brighton in 1850, for the sum of £53,000, and never afterwards visited the town.
With the death of George IV, the chapter came to an end. William IV sometimes visited Brighton, but things had changed, and Queen Victoria and Prince Albert not only disliked the legacy of the last of the Georges but also felt they couldn't find the privacy they wanted at the Pavilion. So, the Queen sold it to the Commissioners of[Pg 268] Brighton in 1850 for £53,000 and never returned to the town afterwards.
XXXVI
The Pavilion and the adjoining Castle Square, where one of the old coach booking-offices still survives as a railway receiving-office, are to most people the ultimate expressions of antiquity at Brighton; but there remains one landmark of what was “Brighthelmstone” in the ancient parish church of St. Nicholas, standing upon the topmost eyrie of the town, and overlooking from its crowded and now disused graveyard more than a square mile of crowded roofs below. It is probably the place referred to by a vivacious Frenchman who, a hundred and twenty years ago, summed up “Brigtemstone” as “a miserable village, commanded by a cemetery and surrounded by barren mountains.”
The Pavilion and the nearby Castle Square, where one of the old coach booking offices still functions as a railway receiving office, are for most people the ultimate signs of history in Brighton. However, there’s still one landmark from “Brighthelmstone” left: the ancient parish church of St. Nicholas, which sits at the highest point of the town and overlooks more than a square mile of densely packed roofs from its crowded and now unused graveyard. It’s probably the place a lively Frenchman referred to a hundred and twenty years ago when he described “Brigtemstone” as “a miserable village, dominated by a cemetery and surrounded by barren mountains.”
From here you can, with some trouble, catch just a glimpse of the Watery horizon through the grey haze that rises from countless chimney-pots, and never a breeze but blows laden with the scent of soot and smoke. Yet, for all the changed fortune that changeful Time has brought this hoary and grimy place, it has not been deprived of interesting mementoes. You may, with patience, discover the tombstone of Phœbe Hassall, a centenarian of pith and valour, who, in her youthful days, in male attire, joined the army of His Majesty King George the Second and warred with her regiment in many lands; and all around are the resting-places of many celebrities, who, denied a wider fame, have yet their place in local annals; but prominent, in place and in fame, is the tomb of that Captain Tettersell who (it must be owned, for a consideration) sailed away one October morn of 1651 across the Channel, carrying with him the hope of the clouded Royalists aboard his grimy craft.
From here, you can catch a glimpse of the watery horizon through the gray haze rising from countless chimneys, and there’s never a breeze that doesn’t carry the smell of soot and smoke. Still, despite all the changes time has brought to this old and grimy place, it still holds interesting reminders of the past. With some patience, you can find the tombstone of Phoebe Hassall, a brave centenarian who, in her younger days, dressed as a man to join the army of His Majesty King George the Second and fought with her regiment in many lands. Surrounding her are the resting places of several notable figures who, while lacking broader recognition, have their spot in local history. However, the most prominent tomb is that of Captain Tettersell, who famously sailed away one October morning in 1651 across the Channel, carrying with him the hopes of the troubled Royalists on his weathered ship.

ST. NICHOLAS, THE OLD PARISH CHURCH OF BRIGHTHELMSTONE.
ST. NICHOLAS, THE OLD PARISH CHURCH OF BRIGHTHELMSTONE.
[Pg 270]His altar-tomb stands without the southern doorway of the church, and reads curiously to modern ears. That not one of all the many who have had occasion to print it has transcribed the quaintness of that epitaph aright seems a strange thing, but so it is:
[Pg 270]His tomb stands just outside the southern doorway of the church, and it sounds odd to modern ears. It’s surprising that none of the many people who have had the chance to publish it have accurately captured the uniqueness of that epitaph, but that’s just the way it is:
P.M.S.
P.M.S.
Captain NICHOLAS TETTERSELL, through whose Prudence ualour an Loyalty Charles the second King of England & after he had escaped the sword of his merciless rebells and his fforses received a fatall ouerthrowe at Worcester Septr 3d 1651, was ffaithfully preserued & conueyed into ffrance. Departed this life the 26th day of Iuly 1674.
Captain Nicholas Tettersell, through his prudence, valor, and loyalty, helped Charles II, King of England, escape the merciless rebels and after his forces suffered a fatal defeat at Worcester on September 3, 1651, he was faithfully preserved and conveyed into France. He passed away on July 26, 1674.
——> ——> ——>
——> ——> ——>
Within this monument doth lye,
Approued Ffaith, honor and Loyalty.
In this Cold Clay he hath now tane up his station,
At once preserued ye Church, the Crowne and nation.
When Charles ye Greate was nothing but a breath
This ualiant soule stept betweene him & death.
Usurpers threats nor tyrant rebells frowne
Could not afrright his duty to the Crowne;
Which glorious act of his Church & state,
Eight princes in one day did Gratulate
Professing all to him in debt to bee
As all the world are to his memory
Since Earth Could not Reward his worth have given,
Hee now receiues it from the King of heauen.
Within this monument lies,
Proven faith, honor, and loyalty.
In this cold clay, he has now taken his station,
At once preserving the Church, the Crown, and the nation.
When Charles the Great was nothing but a breath
This valiant soul stepped between him and death.
Usurpers' threats or tyrant rebels' frowns
Could not frighten his duty to the Crown;
This glorious act of his Church and state,
Eight princes in one day did congratulate
Professing all to him in debt to be
As all the world is to his memory.
Since Earth could not reward his worth, he now receives it from the King of Heaven.
The escape of Charles the Second, after many perilous adventures, belongs to the larger sphere of English history. Driven, after the disastrous result of Worcester Fight, to wander, a fugitive, through the land, he sought the coast from the extreme west of Dorsetshire, and only when he reached Sussex did he find it possible to embark and sail across the Channel to France. Hunted by relentless Roundheads, and sheltered on his way only by a few faithful adherents, who in their loyalty risked everything for him, he at length, with his small party, reached the village of Brighthelmstone and lodged at the inn then called the “George.”
The escape of Charles the Second, after many dangerous adventures, is part of the broader story of English history. After the disastrous outcome of the Battle of Worcester, he was forced to wander the land as a fugitive. He aimed for the coast from the far west of Dorsetshire, and it was only when he got to Sussex that he found a way to board a ship and sail across the Channel to France. Pursued by relentless Roundheads and only sheltered along the way by a few loyal followers who risked everything for him, he eventually made it with his small group to the village of Brighthelmstone and stayed at the inn then known as the “George.”

THE AQUARIUM, BEFORE DESTRUCTION OF THE CHAIN PIER.
THE AQUARIUM, BEFORE THE DEMOLITION OF THE CHAIN PIER.
[Pg 272]That evening, after much negotiation, Colonel Gunter, the King’s companion, arranged with Nicholas Tettersell, master of a small trading craft, to convey the King across to Fécamp, to sail in the early hours of the following morning, October 14th. How they sailed, and the account of their wanderings, are fully set forth in the “narrative” of Colonel Gunter.
[Pg 272]That evening, after a lot of discussion, Colonel Gunter, the King’s companion, made arrangements with Nicholas Tettersell, the captain of a small trading vessel, to take the King over to Fécamp, setting sail in the early hours of the next morning, October 14th. The details of their journey and adventures are comprehensively described in Colonel Gunter's “narrative.”
XXXVII
A new era for Brighton and the Brighton Road opened in November, 1896, with the coming of the motor-car. Already the old period of the coaching inns had waned, and that of gigantic and palatial hotels, much more luxurious than anything ever imagined by the builders of the Pavilion, had dawned; and then, as though to fitly emphasize the transition, the old Chain Pier made a dramatic end.
A new era for Brighton and the Brighton Road began in November 1896 with the arrival of the motor car. The old days of coaching inns had faded, giving way to grand, luxurious hotels far more opulent than anything the Pavilion's builders had ever dreamed of. Then, to highlight this change, the old Chain Pier came to a dramatic end.
The Chain Pier just missed belonging to the Georgian era, for it was not begun until October, 1822, but, opened the following year, it had so long been a feature of Brighton—and so peculiar a feature—that it had come, with many, to typify the town, quite as much as the Pavilion itself. It was, moreover, additionally remarkable as being the first pleasure-pier built in England. It had long been failing and, condemned as dangerous, would soon have been demolished; but the storm of December 4th, 1896, spared that trouble. It was standing when day closed in, but when the next morning dawned, its place was vacant.
The Chain Pier just missed being a part of the Georgian era since it wasn’t started until October 1822, but after it opened the following year, it had been such a notable aspect of Brighton—and such a unique one—that it had come to symbolize the town, just as much as the Pavilion itself. It was also significant for being the first pleasure pier built in England. It had been deteriorating for a long time and was deemed dangerous, so it would have been torn down soon; however, the storm on December 4, 1896, took care of that issue. It was still standing when night fell, but when the morning arrived, its spot was empty.
Since then, those who have long known Brighton have never visited it without a sense of loss; and the Palace Pier, opposite the Aquarium, does not fill the void. It is a vulgarity for one thing, and for another typifies the Hebraic week-end, when the sons and daughters of Judah descend upon the town. Moreover, it is absolutely uncharacteristic, and has its counterparts in many other places.
Since then, those who have known Brighton for a long time have never visited it without feeling a sense of loss; and the Palace Pier, across from the Aquarium, doesn’t fill the gap. For one, it’s tacky, and also it represents the Jewish weekend, when the sons and daughters of Judah come to town. Besides, it’s completely uncharacteristic and has similar versions in many other places.
But Brighton itself is eternal. It suffers change, it grows continually; but while the sea remains and the air is clean and the sun shines, it, and the road to it, will be the most popular resorts in England.
But Brighton itself is timeless. It goes through changes and keeps growing; but as long as the sea is there, the air is clean, and the sun is shining, it, along with the road to it, will be the most popular destinations in England.
INDEX.
Ainsworth, W. Harrison, 209-222
Albourne, 248
Ansty Cross, 93, 222
Aram, Eugene, 172
“Autopsy,” Steam Carriage, 37, 63, 88
Banks, Sir Edward, 136
Banstead Downs, 159-161
Barrymore, The, 6, 192, 267
Belmont, 159
Benhilton, 156
Bicycles, 64-71, 74-79, 85-91
Bird, Lieutenant Edward, murderer, 169-172
Bolney, 200, 243, 246
“Boneshakers”, 65
Brighton, 2, 12, 37, 255-272
Railway opened, 42
Road Records tabulated, 88-91
Routes to, 1-4
Brixton, 92, 97-100
Hill, 68, 93, 98, 105
Broad Green, 108, 129
Burgess Hill, 223
Burgh Heath, 159-161
Carriers, The, 11-14
Charles II., 270
Charlwood, 175
Chipstead, 135-138
Clayton, 93, 102, 231, 250
Hill, 25, 229, 231-232
Tunnel, 229-231
Coaches:—
Accommodation, 26
Age, 29, 30, 35
1852-1862, 42, 45, 47
1875-1880, 1882-3, 46
Alert, 33, 34
Coburg, 30
Comet, 33
1887-1899, 1900, 46, 49, 55
Coronet, 33
Criterion, 41, 64, 74, 88
Dart, 33
Defiance, 28, 46
1880, —
Duke of Beaufort, 31
“Flying Machine,” coach, 18-22
Life-Preserver, 30
Magnet, 33
Mails, The, 23, 26, 28, 33, 34, 42
Old Times, 1866, 45
1888, 49-51
Quicksilver, 38
Red Rover, 41, 63, 88
Regent, 33
Sovereign, 33
Times, 33
Union, 33
Venture (A. G. Vanderbilt), 61
Victoria, 42
Vigilant, 1900-05, —
Wonder, 38
Coaching, 5, 11-14, 18-34, 37-49, 228
Coaching Notabilities:—
Angel, B. J., 45, 46
Armytage, Col., 45
Batchelor, Jas., 14
Beaufort, Duke of, 45, 46
Beckett, Capt. H. L., 46
Blyth, Capt., 46
Bradford, “Miller”, 26
Clark, George, 45
Cotton, Sir St. Vincent, 29, 45
Fitzgerald, Mr., 45
Fownes, Edwin, 46
Freeman, Stewart, 46, 49
Gwynne, Sackville Frederick, 29
Harbour, Charles, 41, 64
Haworth, Capt., 45, 46
Jerningham, Hon. Fred., 29
Lawrie, Capt., 45
Londesborough, Earl of, 46
McCalmont, Hugh, 46
Meek, George, 46
Pole, E. S. Chandos, 45, 46
Pole-Gell, Mr., 46
Sandys, Hon. H., 49
Selby, Jas., 41, 49, 64, 73, 74, 75, 89
Stevenson, Henry, 29, 30
Stracey-Clitherow, Col., 46
Thynne, Lord H., 45
Tiffany, Mr., 46
Vanderbilt, Alfred Gwynne, 61
Wemyss, Randolph, 49
Wiltshire, Earl of, 46
Worcester, Marquis of, 29, 38
Coaching Records, 41, 64, 73, 74, 88, 89
Cold Blow, 159
Colliers’ Water, 108
Colliers of Croydon, 108
Coulsdon, 131, 133
County Oak, 178
Covert, Family of, 238-244
Crawley, 93, 173, 182-195
Crawley Downs, 191-193
Croydon, 106-123
Cuckfield, 30, 202-209
Place, 209-222, 242
Cycling, 64-71, 74-79, 85-91
Cycling Notabilities:—
Edge, Selwyn Francis, 75, 76, 89
Holbein, M. A., 74
Mayall, John, Junior, 66-69, 70, 88
Shorland, F. W., 74, 89
Smith, C. A., 75, 76, 77, 89
Turner, Rowley B., 66, 67, 69
Cycling Records, 68-79, 85-91
Dale, 93, 248, 250
Dance, Sir Charles, 37, 39
Ditchling, 224
Driving Records, 63, 73, 194
Earlswood Common, 93, 146, 148
Fauntleroy, Henry, 196
Foxley Hatch, 93, 126
Frenches, 93, 145
Friar’s Oak, 226
Gatton, 141-145, 164
Gatwick, 155
George IV., Prince Regent and King, 3, 6, 8-11, 24, 62, 88, 132, 191-194, 256-262, 266
Hancock, Walter, 34, 88
Hand Cross, 24, 93, 195, 198-201
Hill, 61
Hassall, Phœbe, 268
Hassocks, 226
Hayward’s Heath, 205
Hickstead, 200, 245
“Hobby-horses”, 65
Holmesdale, 172
Hooley, 136
Horley, 93, 149, 151-155, 173
Ifield, 175, 178-182, 188
“Infant,” Steam Carriage, 37
Inns (mentioned at length):—
Black Swan, Pease Pottage, 195
Chequers, Horley, 152
Cock, Sutton, 159
Friar’s Oak, 24, 226
George, Borough, 12-14
Crawley, 114, 187, 189
Golden Cross, Charing Cross, 20, 33
Green Cross, Ansty Cross, 222
Greyhound, Croydon, 114
Sutton, 159
Hatchett’s (see White Horse Cellar).
Old King’s Head, Croydon, 115
Old Ship, Brighton, 12
Red Lion, Hand Cross, 200
Six Bells, Horley, 153
Surrey Oaks, Parkgate, 179
Tabard, Borough (see Talbot).
Talbot, Borough, 12-14, 17
Talbot, Cuckfield, 206
Tangier, Banstead Downs, 160
White Horse Cellar, Piccadilly, 34
Jacob’s Post, 224
Johnson, Dr. Samuel, 102-105, 257
Kennersley, 173
Kennington, 92-96
Kimberham Bridge, 173
Kingswood, 162
Lade, Sir John, 267
Lemon, Mark, 190
Little Hell, 159
Lowfield Heath, 173-175, 182
Merstham, 93, 134, 138-141
Milestones, 126-130, 159, 163
Mitcham, 155
Mole, River, 149, 152, 173-175, 196
Motor-cars, 50, 53, 54, 57-61, 63
Motor-car Day, Nov. 14th, 1896, 53-60
Motor-omnibus, Accident to, 60
Newdigate, 176
Newtimber, 247, 248
Norbury, 195
Old-time Travellers:—
Burton, Dr. John, 16
Cobbett, William, 161, 165, 168, 178
George IV., Prince Regent and King (see “George the Fourth.”)
Walpole, Horace, 16-18
Pangdean, 253
Patcham, 25, 93, 250, 251-255
Pavilion, The, 256-261, 268
Pease Pottage, 195, 197
Pedestrian Records, 64, 69, 72, 75, 79-91
Pilgrims’ Way, The, 164
Povey Cross, 155, 173, 175
Preston, 93, 250, 255
Prize-fighting, 5, 191, 248-250
Pugilistic Notabilities:—
Cribb, Tom, 190
Fewterel, 132
Hickman, “The Gas-Light Man”, 192
Jackson, “Gentleman”, 132, 159
Martin, “Master of the Rolls”, 5, 192
Randall, Jack, “the Nonpareil”, 5, 192
Sayers, Tom, 248
Purley, 93, 121-125, 130, 176
Pyecombe, 200, 249, 250
Railway to Brighton opened, 42, 131
“Records”, 61-91
(See severally, Coaching, Cycling, Driving,
Pedestrian, and Riding).
Tabulated, 88-91
Redhill, 93, 145
Reigate, 27, 93, 164-172
Hill, 162-164
Riding Records, 62, 88
Roman Roads, 102
“Rookwood”, 209-222
Routes to Brighton, 1-4
Rowlandson, Thomas, 157, 185, 187, 203, 263
Ruskin, John, 106, 115
Russell of Killowen, Baron, 161
Russell (or Russel), Dr. Richard, 262
St. John’s Common, 103, 223
St. Leonard’s Forest, 196, 199
Salfords, 93, 149, 173
Sayers Common, 248
Sidlow Bridge, 173
Slaugham, 238-246
Place, 240-242
Slough Green, 93
Smitham Bottom, 68, 129, 131-133, 136
Southwark, 12-14
Staplefield Common, 200
Steam Carriages, 34, 37, 50, 63
Stoat’s Nest, 132
Stock Exchange Walk, 80-82
Stonepound, 93, 227, 231
Streatham, 100, 103-105, 107
Surrey Iron Railway, The, 122, 136
Sussex Roads, 15, 178, 237, 242, 237, 242
Sutton, 93, 156-159, 161
Tadworth Court, 161
Tettersell, Captain, 268, 270
Thackeray, W. M., 9, 10, 266
Thornton Heath, 103, 105-108
Thrale Place, 103-105
Thrales, The, 103-105
Thunderfield Castle, 149-152
Tilgate Forest Row, 173, 196
Tooke, John Horne, 124
Turnpike Gates, 92, 126, 145, 195, 226-228, 253
Velocipedes, 65-69
Walking Records (see Pedestrian Records).
Westminster Bridge, 1, 3, 14, 129
Whiteman’s Green, 202
Whitgift, Archbishop, 109-114
Wilderness Bottom, 161
Withdean, 253, 255
Wivelsfield, 224
Woodhatch, 93
Wray Park, 93
Ainsworth, W. Harrison, 209-222
Albourne, 248
Ansty Cross, 93, 222
Aram, Eugene, 172
“Autopsy,” Steam Carriage, 37, 63, 88
Banks, Sir Edward, 136
Banstead Downs, 159-161
Barrymore, The, 6, 192, 267
Belmont, 159
Benhilton, 156
Bicycles, 64-71, 74-79, 85-91
Bird, Lieutenant Edward, murderer, 169-172
Bolney, 200, 243, 246
“Boneshakers”, 65
Brighton, 2, 12, 37, 255-272
Railway launched, __A_TAG_PLACEHOLDER_0__
Road Records documented, __A_TAG_PLACEHOLDER_0__
Routes to, __A_TAG_PLACEHOLDER_0__
Brixton, 92, 97-100
Hill, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
Broad Green, 108, 129
Burgess Hill, 223
Burgh Heath, 159-161
Carriers, The, 11-14
Charles II., 270
Charlwood, 175
Chipstead, 135-138
Clayton, 93, 102, 231, 250
Hill, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Tunnel, __A_TAG_PLACEHOLDER_0__
Coaches:—
Accommodation, __A_TAG_PLACEHOLDER_0__
Age, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
1852-1862, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
1875-1880, 1882-83, __A_TAG_PLACEHOLDER_0__
Alert, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Coburg, __A_TAG_PLACEHOLDER_0__
Comet, __A_TAG_PLACEHOLDER_0__
1887-1899, 1900, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Coronet, __A_TAG_PLACEHOLDER_0__
Criterion, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
Dart, __A_TAG_PLACEHOLDER_0__
Defiance, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
1880, —
Duke of Beaufort, __A_TAG_PLACEHOLDER_0__
“Flying Machine,” coach, __A_TAG_PLACEHOLDER_0__
Life Jacket, __A_TAG_PLACEHOLDER_0__
Magnet, __A_TAG_PLACEHOLDER_0__
Emails, The, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__
Old Times, 1866, __A_TAG_PLACEHOLDER_0__
1888, __A_TAG_PLACEHOLDER_0__
Quicksilver, __A_TAG_PLACEHOLDER_0__
Red Rover, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Regent, __A_TAG_PLACEHOLDER_0__
Sovereign, __A_TAG_PLACEHOLDER_0__
Times, __A_TAG_PLACEHOLDER_0__
Union, __A_TAG_PLACEHOLDER_0__
Venture (A. G. Vanderbilt), __A_TAG_PLACEHOLDER_0__
Victoria, __A_TAG_PLACEHOLDER_0__
Vigilant, 1900-05, —
Wonder, __A_TAG_PLACEHOLDER_0__
Coaching, 5, 11-14, 18-34, 37-49, 228
Coaching Notabilities:—
Angel, B. J., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Armytage, Col., __A_TAG_PLACEHOLDER_0__
Batchelor, Jas., __A_TAG_PLACEHOLDER_0__
Duke Beaufort, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Beckett, Capt. H. L., __A_TAG_PLACEHOLDER_0__
Blyth, Capt., __A_TAG_PLACEHOLDER_0__
Bradford, “Miller”, __A_TAG_PLACEHOLDER_0__
Clark, George, __A_TAG_PLACEHOLDER_0__
Cotton, Sir St. Vincent, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Fitzgerald, Mr., __A_TAG_PLACEHOLDER_0__
Fownes, Edwin, __A_TAG_PLACEHOLDER_0__
Freeman, Stewart, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Gwynne, Sackville Frederick, __A_TAG_PLACEHOLDER_0__
Harbor, Charles, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Haworth, Capt., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Jerningham, Hon. Fred., __A_TAG_PLACEHOLDER_0__
Lawrie, Capt., __A_TAG_PLACEHOLDER_0__
Londesborough, Earl of, __A_TAG_PLACEHOLDER_0__
McCalmont, Hugh, __A_TAG_PLACEHOLDER_0__
Meek, George, __A_TAG_PLACEHOLDER_0__
Pole, E. S. Chandos, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Pole-Gell, Mr., __A_TAG_PLACEHOLDER_0__
Sandys, Hon. H., __A_TAG_PLACEHOLDER_0__
Selby, Jas., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__, __A_TAG_PLACEHOLDER_6__
Stevenson, Henry, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Stracey-Clitherow, Col., __A_TAG_PLACEHOLDER_0__
Thynne, Lord H., __A_TAG_PLACEHOLDER_0__
Tiffany, Mr., __A_TAG_PLACEHOLDER_0__
Vanderbilt, Alfred Gwynne, __A_TAG_PLACEHOLDER_0__
Wemyss, Randolph, __A_TAG_PLACEHOLDER_0__
Wiltshire, Earl of, __A_TAG_PLACEHOLDER_0__
Worcester, Marquis of, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Coaching Records, 41, 64, 73, 74, 88, 89
Cold Blow, 159
Colliers’ Water, 108
Colliers of Croydon, 108
Coulsdon, 131, 133
County Oak, 178
Covert, Family of, 238-244
Crawley, 93, 173, 182-195
Crawley Downs, 191-193
Croydon, 106-123
Cuckfield, 30, 202-209
Place, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Cycling, 64-71, 74-79, 85-91
Cycling Notabilities:—
Edge, Selwyn Francis, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Holbein, M. A., __A_TAG_PLACEHOLDER_0__
Mayall, John, Jr., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Shorland, F. W., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Smith, C. A., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
Turner, Rowley B., __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Cycling Records, 68-79, 85-91
Dale, 93, 248, 250
Dance, Sir Charles, 37, 39
Ditchling, 224
Driving Records, 63, 73, 194
Earlswood Common, 93, 146, 148
Fauntleroy, Henry, 196
Foxley Hatch, 93, 126
Frenches, 93, 145
Friar’s Oak, 226
Gatton, 141-145, 164
Gatwick, 155
George IV., Prince Regent and King, 3, 6, 8-11, 24, 62, 88, 132, 191-194, 256-262, 266
Hancock, Walter, 34, 88
Hand Cross, 24, 93, 195, 198-201
Hill, __A_TAG_PLACEHOLDER_0__
Hassall, Phœbe, 268
Hassocks, 226
Hayward’s Heath, 205
Hickstead, 200, 245
“Hobby-horses”, 65
Holmesdale, 172
Hooley, 136
Horley, 93, 149, 151-155, 173
Ifield, 175, 178-182, 188
“Infant,” Steam Carriage, 37
Inns (mentioned at length):—
Black Swan, Pease Pottage, __A_TAG_PLACEHOLDER_0__
Chequers, Horley, __A_TAG_PLACEHOLDER_0__
Cock, Sutton, __A_TAG_PLACEHOLDER_0__
Friar's Oak, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
George, Borough, __A_TAG_PLACEHOLDER_0__
Crawley, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__
Golden Cross, Charing Cross, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Green Cross, Ansty Cross, __A_TAG_PLACEHOLDER_0__
Greyhound, Croydon, __A_TAG_PLACEHOLDER_0__
Sutton, __A_TAG_PLACEHOLDER_0__
Hatchett’s (see __A_TAG_PLACEHOLDER_0__).
Old King's Head, Croydon, __A_TAG_PLACEHOLDER_0__
Old Ship, Brighton, __A_TAG_PLACEHOLDER_0__
Red Lion, Hand Cross, __A_TAG_PLACEHOLDER_0__
Six Bells, Horley, __A_TAG_PLACEHOLDER_0__
Surrey Oaks, Parkgate, __A_TAG_PLACEHOLDER_0__
Tabard, Borough (see __A_TAG_PLACEHOLDER_0__).
Talbot, Borough, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Talbot, Cuckfield, __A_TAG_PLACEHOLDER_0__
Tangier, Banstead Downs, __A_TAG_PLACEHOLDER_0__
White Horse Cellar, Piccadilly, __A_TAG_PLACEHOLDER_0__
Jacob’s Post, 224
Johnson, Dr. Samuel, 102-105, 257
Kennersley, 173
Kennington, 92-96
Kimberham Bridge, 173
Kingswood, 162
Lade, Sir John, 267
Lemon, Mark, 190
Little Hell, 159
Lowfield Heath, 173-175, 182
Merstham, 93, 134, 138-141
Milestones, 126-130, 159, 163
Mitcham, 155
Mole, River, 149, 152, 173-175, 196
Motor-cars, 50, 53, 54, 57-61, 63
Motor-car Day, Nov. 14th, 1896, 53-60
Motor-omnibus, Accident to, 60
Newdigate, 176
Newtimber, 247, 248
Norbury, 195
Old-time Travellers:—
Burton, Dr. John, __A_TAG_PLACEHOLDER_0__
Cobbett, William, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__
George IV, Prince Regent and King (see __A_TAG_PLACEHOLDER_0__)
Walpole, Horace, __A_TAG_PLACEHOLDER_0__
Pangdean, 253
Patcham, 25, 93, 250, 251-255
Pavilion, The, 256-261, 268
Pease Pottage, 195, 197
Pedestrian Records, 64, 69, 72, 75, 79-91
Pilgrims’ Way, The, 164
Povey Cross, 155, 173, 175
Preston, 93, 250, 255
Prize-fighting, 5, 191, 248-250
Pugilistic Notabilities:—
Cribb, Tom, __A_TAG_PLACEHOLDER_0__
Fewterel, __A_TAG_PLACEHOLDER_0__
Hickman, “The Gaslight Man”, __A_TAG_PLACEHOLDER_0__
Jackson, “Gentleman,” __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Martin, “Chief Justice”, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Randall, Jack, “the Nonpareil”, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__
Sayers, Tom, __A_TAG_PLACEHOLDER_0__
Purley, 93, 121-125, 130, 176
Pyecombe, 200, 249, 250
Railway to Brighton opened, 42, 131
“Records”, 61-91
(See separately, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__,
__A_TAG_PLACEHOLDER_3__, and __A_TAG_PLACEHOLDER_4__).
Tabulated, __A_TAG_PLACEHOLDER_0__
Redhill, 93, 145
Reigate, 27, 93, 164-172
Hill, __A_TAG_PLACEHOLDER_0__
Riding Records, 62, 88
Roman Roads, 102
“Rookwood”, 209-222
Routes to Brighton, 1-4
Rowlandson, Thomas, 157, 185, 187, 203, 263
Ruskin, John, 106, 115
Russell of Killowen, Baron, 161
Russell (or Russel), Dr. Richard, 262
St. John’s Common, 103, 223
St. Leonard’s Forest, 196, 199
Salfords, 93, 149, 173
Sayers Common, 248
Sidlow Bridge, 173
Slaugham, 238-246
Place, __A_TAG_PLACEHOLDER_0__
Slough Green, 93
Smitham Bottom, 68, 129, 131-133, 136
Southwark, 12-14
Staplefield Common, 200
Steam Carriages, 34, 37, 50, 63
Stoat’s Nest, 132
Stock Exchange Walk, 80-82
Stonepound, 93, 227, 231
Streatham, 100, 103-105, 107
Surrey Iron Railway, The, 122, 136
Sussex Roads, 15, 178, 237, 242, 237, 242
Sutton, 93, 156-159, 161
Tadworth Court, 161
Tettersell, Captain, 268, 270
Thackeray, W. M., 9, 10, 266
Thornton Heath, 103, 105-108
Thrale Place, 103-105
Thrales, The, 103-105
Thunderfield Castle, 149-152
Tilgate Forest Row, 173, 196
Tooke, John Horne, 124
Turnpike Gates, 92, 126, 145, 195, 226-228, 253
Velocipedes, 65-69
Walking Records (see Pedestrian Records).
Westminster Bridge, 1, 3, 14, 129
Whiteman’s Green, 202
Whitgift, Archbishop, 109-114
Wilderness Bottom, 161
Withdean, 253, 255
Wivelsfield, 224
Woodhatch, 93
Wray Park, 93
Footnotes:
References:
[2] Henry Barry, Earl of Barrymore, in the peerage of Ireland.
[2] Henry Barry, Earl of Barrymore, in the peerage of Ireland.
[3] Hiatus in the Journals, arranged by the editor for benefit of the Young Person!
[3] Hiatus in the Journals, organized by the editor for the benefit of the Young Person!
[4] Kirkpatrick Macmillan, in 1839-40, invented a dwarf, rear-driving machine of the “safety” type, and was fined at Glasgow for “furiously riding.” He made and sold several, but they attained nothing more than local and temporary success.
[4] Kirkpatrick Macmillan, in 1839-40, invented a small, rear-driven bicycle of the “safety” kind, and was fined in Glasgow for “reckless riding.” He made and sold a few, but they only achieved local and short-lived success.
“There’s nothing brings you round
Like the trumpet’s martial sound.”—W. S. Gilbert.
“The Pirates of Penzance.”
“There’s nothing brings you back
Like the trumpet’s battle sound.”—W. S. Gilbert.
“Pirates of Penzance.”
[6] In 1829 there were three additional gates: one at Crawley, another at Hand Cross, before you came to the “Red Lion,” and one more at Slough Green. Meanwhile the Horley gate on this route had disappeared. At a later period another gate was added, at Merstham, just past the “Feathers.” On the other routes there were, of course, yet more gates—e.g., those of Sutton, Reigate, Wray Park, Woodhatch, Dale, and many more.
[6] In 1829, there were three additional gates: one at Crawley, another at Hand Cross before you reached the “Red Lion,” and one more at Slough Green. In the meantime, the Horley gate on this route was gone. Later on, another gate was added at Merstham, just past the “Feathers.” On the other routes, there were, of course, even more gates—like those at Sutton, Reigate, Wray Park, Woodhatch, Dale, and many others.
Salfords gate was the last on the main Brighton Road. It remained until midnight, October 31st. 1881, when the Reigate Turnpike Trust expired, after an existence of 126 years. Not until then did this most famous highway become free and open throughout its whole distance.
Salfords gate was the last stop on the main Brighton Road. It stayed open until midnight on October 31, 1881, when the Reigate Turnpike Trust ended, after being around for 126 years. Only then did this well-known highway become free and open along its entire length.
[8] The name derives from a farm so called, marked on a map of 1716 “Stotes Ness.”
[8] The name comes from a farm by that name, which is labeled on a map from 1716 as “Stotes Ness.”
[9] “Sir Edward Banks, Knight, of Sheerness, Isle of Sheppey, and Adelphi Terrace, Strand, Middlesex, whose remains are deposited in the family vault in this churchyard. Blessed by Divine Providence with an honest heart, a clear head, and an extraordinary degree of perseverance, he rose superior to all difficulties, and was the founder of his own fortune; and although of self-cultivated talent, he in early life became contractor for public works, and was actively and successfully engaged during forty years in the execution of some of the most useful, extensive, and splendid works of his time; amongst which may be mentioned the Waterloo, Southwark, London, and Staines Bridges over the Thames, the Naval Works at Sheerness Dockyard, and the new channels for the rivers Ouse, Nene, and Witham in Norfolk and Lincolnshire. He was eminently distinguished for the simplicity of his manners and the benevolence of his heart; respected for his inflexible integrity and his pure and unaffected piety; in all the relations of his life he was candid, diligent, and humane; just in purpose, firm in execution; his liberality and indulgence to his numerous coadjutors were alone equalled by his generosity and charity displayed in the disposal of his honourably-acquired wealth. He departed this life at Tilgate, Sussex ... on the 5th day of July, 1835, in the sixty-sixth year of his age.”
[9] “Sir Edward Banks, Knight, of Sheerness, Isle of Sheppey, and Adelphi Terrace, Strand, Middlesex, whose remains are laid to rest in the family vault in this churchyard. Blessed by Divine Providence with an honest heart, a clear mind, and an extraordinary level of perseverance, he overcame all obstacles and created his own fortune; although self-taught, he became a contractor for public works early in life and was actively and successfully involved for forty years in executing some of the most useful, extensive, and impressive projects of his time; among which are the Waterloo, Southwark, London, and Staines Bridges over the Thames, the Naval Works at Sheerness Dockyard, and the new channels for the rivers Ouse, Nene, and Witham in Norfolk and Lincolnshire. He was notably distinguished for his simple manners and kind heart; respected for his unwavering integrity and sincere piety; in all aspects of his life, he was straightforward, hardworking, and compassionate; just in intent, resolute in action; his generosity and kindness towards his many collaborators were matched only by his philanthropy and charity demonstrated in the distribution of his honorably earned wealth. He passed away at Tilgate, Sussex ... on July 5th, 1835, at the age of sixty-six.”
[10] Matthew Buckle, Admiral of the Blue; born 1716, died 1784.
[10] Matthew Buckle, Admiral of the Blue; born 1716, died 1784.
[11] He really drove the other way; from Carlton House to Brighton.
[11] He actually went the opposite way; from Carlton House to Brighton.
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