This is a modern-English version of "Old Scrooge": A Christmas Carol in Five Staves.: Dramatized from Charles Dickens' Celebrated Christmas Story., originally written by Dickens, Charles, Scott, Charles Augustus. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Title: Old Scrooge
A Christmas Carol in Five Staves.


Adapted from

Charles Dickens' Celebrated Christmas Story,


By CHARLES A. SCOTT.




NEWARK, N. J.:
NEW JERSEY VETERANS' HOME PRINT.
1877.

Copyright notice

CHARACTERS.

Ebenezer Scrooge, a miserly broker
Frederick Merry, a nephew to Scrooge
Bob Cratchit, clerk to Scrooge
Ghost of Jacob Marley, dead seven years
Spirit of Christmas Past
Spirit of Christmas Present
Mr. Thomas Topper
Mr. Henry Snapper
Mr. Mumford|philanthropic citizens
Mr. Barnes|
Peter Cratchit
Little Cratchit
Tiny Tim
Scrooge's former self
Mr. Stevens|
Mr. Jones|
Mr. Fatchin| Scrooge's business friends
Mr. Snuffer|
Mr. Redface|
Mr. Kemper
Mr. Fezziwig, Scrooge's former master
Mr. James Badger
Dick Wilkins, Fezziwig's apprentice
Old Joe, a pawnbroker
Mr. Shroud, an undertaker
Old Baldhead, the fiddler
The Lamp Lighter
First Man
Second Man
Ignorance
The boy with the turkey
Thomas, a servant
Mrs. Belle Kemper, Scrooge's first and last love
Mrs. Frederick Merry
Miss Julia Kemper| her daughters
Miss Sarah Kemper|
Mrs. Cratchit, a devoted wife
Belinda Cratchit| her daughters
Martha Cratchit|
Mrs. Caroline Badger
Mrs. Mangle, a laundress
Mrs. Dilber, a char-woman
Mrs. Fezziwig, a worthy matron
Clara Fezziwig|her daughters
Emma Fezziwig|
Little Fanny Scrooge
Want
Six or eight children for tableaux.

pointing finger By a distribution of two or three character to one person, the piece can be performed by fifteen males and nine females.

pointing finger With a distribution of two or three roles to one person, the piece can be performed by fifteen men and nine women.


COSTUMES.

Scrooge. First dress: Brown Quaker-cut coat, waistcoat and pants. Dark overcoat. Low-crowned, broad-brimmed hat. Black silk stock and standing collar. Bald wig with tufts of white hair on each side. Smooth face. Second dress: Dressing gown, cotton night-cap and slippers.
Fred. Merry. First dress: Walking suit, overcoat, black silk hat. Black silk stock and standing collar. Side whiskers. Second dress: Dress suit.
Bob Cratchit. Long-tailed business coat of common material, much worn, and buttoned up to the neck. Woolen pants and waistcoat of check pattern. Colored scarf and standing collar. Large white comforter. Narrow-rimmed silk hat, old style and the worse for wear. Smooth face.
Ghost of Marley. Drab cut-away coat and breeches. Low-cut single-breasted vest. Ruffled shirt. White neckcloth. Drab leggings. Gray, long-haired wig, with queue. Shaggy eyebrows.
Spirit of Christmas Past. White tunic trimmed with flowers. Fleshings. Jeweled belt around waist. Long white hair hanging loose down neck and back. Jeweled star for forehead. White conical hat, very high, carried under the arm. Smooth, pale face—no wrinkles. Wand of holly.
Spirit of Christmas Present. Green robe bordered with white fur. Fleshings. Trunks. Brown hose. Dark-brown curls. Holly wreath for the head.
Mumford. Overcoat. Under suit of the period—1840. Black silk hat. White neckcloth and standing collar. Gray, long-haired wig. Smooth face. Spectacles.
Barnes. Blue cloth over and under coats. Black silk hat. Black silk stock and standing collar. Iron-gray short-haired wig. Mutton-chop whiskers. Walking stick.
Topper and Snapper. Dress suits of the period—1840.
Peter Cratchit. Jacket or short coat. Very large standing collar and neckerchief.
Little Cratchit. Calico shirt. Short trousers. Shoes and stockings. Apron.
Tiny Tim. Same as Little Cratchit, with the addition of a jacket.
Scrooge's former self. First dress: Cutaway coat. Knee breeches. Second dress: Cape coat. Hessians.
Ignorance and Want. Clad in rags. Fleshings.
Old Joe. Gabardine or long-skirted coat. Shaggy wig and beard. Old smoking cap.
Mrs. Cratchit. Plain black or brown dress. Cap and apron.
Mrs. Merry, Kemper and Misses Kemper. Handsome house dresses of the period.
Misses Fezziwig. Low-necked dresses with short sleeves.
Mrs. Badger. Plain walking dress. Bonnet and shawl.

SCENERY,
FURNITURE and PROPERTIES.

ACT I.

SCENE I.—Scrooge & Marley's Counting House, 1st G. backed by an interior 2d G. Set fire-place—painted grate fire L. Window in flat L. C. Double doors in flat, thrown open, R. C. Scrooge's desk and chair near window—ruler, pens, ink and paper on desk. Bob Cratchit's Desk in inner room in sight of audience. Lighted candles on both desks. Scuttle of coal near fire place. Clothes hooks on flat for Scrooge's hat and great coat. Coal shovel for Bob to enter with. Subscription list for Mumford to enter with. pointing finger Clear stage of desk, chair and scuttle.

SCENE II.—Scrooge's apartments 3d or 4th G. Door L.C. and window R.C. in flat, backed by a street scene. Small grate fire and mantel L. 2. Old-fashioned clock and two plaster casts on mantel. Door R. 2. Table L. C. Lighted candle, spoon, basin and writing materials on table. Saucepan of gruel on hob. Two easy chairs near fire place. Lights down. Fender at fire. Ringing bells of place. Scrooge's hat and coat hung on the wall. Chain made of cash boxes, keys, padlocks, ledgers, deeds, purses, etc., for ghost to enter with. Toothpick for Scrooge to show. Trap ready for ghost to disappear.

ACT II.

SCENE I.—Scrooge's bed room 1st G. Chimney C., with painted coal fire. Door L. C., window R. C. Trap near hearth for Spirit of Christmas Past to enter. Small four-post bedstead with curtains L.[vii] Bureau or washstand R.

SCENE II.—An old school room 3d G. Door L. C., and window R. C. in flat. Chair at window. A stuffed parrot on stand near R. 3. Two or three school desks, a platform and desk for the master; books for young Scrooge.

SCENE III.—A wareroom, full depth of stage. An elevated platform, centre of flat, for the fiddler. Old-fashioned arm chair at L. 2, for Mrs Fezziwig.

SCENE IV.—Plain room, 2d G. No properties.

SCENE V.—Drawing room, 5th G., trimmed with evergreens. A Christmas tree, trimmed and lighted, Are You E? Ornaments on mantel. Fireplace L. Suite of parlor furniture. Centre table C. Toys for children—doll and doll's dress for Belle. Trap ready for spirit to disappear.

ACT III.

SCENE I.—A room in Scrooge's house, 1st G. Flat painted to show game, poultry, meats, etc. Torch, shaped like a cornucopia for Spirit of Christmas Present.

SCENE II.—Bob Cratchit's home—Plain room 4th G. Door R. and L. C., backed by kitchen flat. Dresser and crockery C. of flat. Fireplace L. U. E. Saucepan of potatoes on fire; six wooden or cane-seat chairs; a high chair for Tiny Tim. Large table C.; white table-cloth; large bowl on side table R.; three tumblers and a custard cup without a handle. Nuts, apples and oranges on dresser. Small crutch for Tiny Tim to enter with. Goose on dish for Peter to enter with.

SCENE III.—A street mansion with lighted windows showing shadow of a group inside, 1st G. Snow. Torch and ladder for lamp lighter.

SCENE IV.—Drawing room 4th G. Arch 3d G. Handsome suite of furniture. Large table R. Sideboard with wine and glasses at flat C. Piano L. 2d E. Coffee-urn and cups on small table R. 3d E. Piano-stool, music stand. Sheet music on piano. Salver for waiter.

ACT IV.

SCENE I.—Scrooge's bed room 2d G. as in scene 1, act 2.

SCENE II.—Street 1st G. Snuff-box for Snuffer to enter with.

SCENE III.—Pawn shop 3d G. Doors R. and L. C. in flat—Table C., four common chairs; a smoky oil lamp—lighted, and a piece of white chalk on table. Bundle of bed curtains—same as on Scrooge's bedstead—blankets and shirts for Mrs. Mangle to enter with. Bundle of under-clothing, towels, sheets, sugar-tongs, tea-spoons and old boots for Mrs. Dilber to enter with. A package containing a seal, pencil-case, pair of sleeve-buttons and scarf pin, for Shroud to enter with. Purse of coins for Old Joe.

SCENE IV.—Street—exterior of Scrooge and Marley's 1st G. Window L. C. No properties.

SCENE V.—Bob Cratchit's home—same as scene 2, act, 3. Table C., candles and work-basket on table. Book for Peter on table; calico or muslin for Mrs. Cratchit and Belinda to sew.

ACT V.

SCENE I.—Scrooge's apartment, as in scene 2d act 1st. No additional properties.

SCENE II.—Street—exterior of Scrooge's house 1st G. Brass knocker on the door. Turkey for boy to enter with.

SCENE III.—Drawing room same as scene 4, act 3. Handkerchief for Fred to blindfold.


OLD SCROOGE.


STAVE ONE.

SCENE I.—Christmas Eve. Counting house of Scrooge & Marley. Set fireplace with small grate fire L. Centre door in flat, thrown open, showing a small inner chamber and desk, at which Bob Cratchit is discovered seated, endeavoring to warm his hands over the candle. Small desk, L. C., at which Scrooge is discovered busy at figures.

Enter Bob Cratchit, from inner room, with coal shovel, going toward fireplace.

Scrooge. And six makes twenty-eight pounds, four shill——What do you want in here?

Scrooge. And six makes twenty-eight pounds, four shill——What do you want in here?

Bob. My fire is nearly out, sir, and I thought I would take one or two lumps of coal, and—

Bob. My fire is almost out, sir, and I thought I would take a couple of lumps of coal, and—

Scro. You think more of your personal comforts than you do of your business and my interest.

Scro. You care more about your own comfort than you do about your business and my interests.

Bob. The room, sir, is very cold, and I—

Bob. The room, sir, is really cold, and I—

Scro. Work sir, work! and I'll warrant that you'll keep warm. If you persist, in this wanton waste of coals, you and I will have to part. (Bob retires to his desk, puts on his white comforter, and again tries to warm his hands. Scrooge resuming). Four shillings and ninepence—

Scro. Work, sir, work! I guarantee you'll stay warm. If you keep wasting all these coals like this, you and I are going to have to go our separate ways. (Bob goes back to his desk, puts on his white comforter, and tries to warm his hands again. Scrooge continues). Four shillings and nine pence—

Enter Fred'k Merry, C. D., saluting Bob as he passes him.

Fred'k Merry enters, C. D., waving to Bob as he walks by.

Fred. A Merry Christmas, uncle. God save you.

Fred. Merry Christmas, Uncle. God bless you.

Scro. Bah; humbug.

Scro. Bah; nonsense.

Fred. Christmas a humbug, uncle! You don't mean that, I'm sure?

Fred. Christmas is a scam, uncle! You can't really mean that, right?

Scro. I do. Merry Christmas! What right have you to be merry? What reason have you to be merry? You're poor enough.

Scro. I do. Merry Christmas! What gives you the right to be merry? What reason do you have to be merry? You're poor enough.

Fred. Come then. What right have you to be dismal? What reason have you to be morose? You're rich enough.

Fred. Come on. Why do you have to be so gloomy? What’s making you so down? You have enough money.

Scro. Bah; humbug.

Scro. Bah; humbug.

Fred. Don't be cross, uncle.

Fred. Don't be mad, uncle.

Scro. What else can I be when I live in such a world of fools as this? Merry Christmas! Out upon Merry Christmas! What's Christmas-time to you but a time for paying bills without money; a time for finding yourself a year older, but not an hour richer; a time for balancing your books and having every item in 'em through a round dozen of months presented dead against you? If I could work my will, every idiot who goes about with "Merry Christmas" on his lips should be boiled with his own pudding, and buried with a stake of holly through his heart. He should.

Scro. What else can I be when I live in a world full of fools like this? Merry Christmas! Ugh, Merry Christmas! What does Christmas mean to you other than a time to pay bills you can’t afford; a time to be a year older but not any richer; a time to balance your accounts only to find everything in them stacked against you for the past twelve months? If I could have my way, every idiot who walks around saying "Merry Christmas" would be boiled in his own pudding and buried with a stake of holly through his heart. Absolutely.

Fred. Uncle!

Fred. Uncle!

Scro. (sternly). Nephew, keep Christmas in your own way, and let me keep it in mine.

Scro. (sternly). Nephew, celebrate Christmas however you want, and I'll celebrate it my way.

Fred. Keep it! But you don't keep it.

Fred. Hold on to it! But you won't hold on to it.

Scro. Let me leave it alone, then. Much good may it do you. Much good it has ever done you.

Scro. I'll just leave it alone, then. Hope it does you some good. It hasn't helped you before.

Fred. There are many things from which I might have derived good, by which I have not profited, I dare say, Christmas among the rest. But I am sure I have always thought of Christmas-time, when it came round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And, therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it. (Cratchit applauds, but observing Scrooge, endeavors to be intent on something else.)

Fred. There are many things I could have benefited from, but I haven't, and Christmas is one of them. However, I've always seen Christmas time—setting aside the respect it deserves for its sacred meaning—as a wonderful season; a kind, forgiving, charitable, and enjoyable time; the only time of the year when people seem to unanimously open their hearts and think of others as if we are all in this life together, heading toward the same end, rather than as if we belong to entirely different worlds. So, uncle, even though it hasn't filled my pockets with money, I truly believe it has done me good, and will do me good; and I say, God bless it. (Cratchit applauds, but noticing Scrooge, tries to focus on something else.)

Scro. (to Bob). Let me hear another sound from you, and you'll keep your Christmas by losing your situation! (To Fred). You're quite a powerful speaker, sir, I wonder you don't go into Parliament.

Scro. (to Bob). If I hear another word from you, you'll celebrate Christmas by losing your job! (To Fred). You're quite the orator, sir; I wonder why you haven't gone into politics.

Fred. Don't be angry, uncle. Come, dine with us to-morrow?

Fred. Don't get mad, Uncle. Come have dinner with us tomorrow?

Scro. I'd see you in blazes first.

Scro. I'd rather see you in hell first.

Fred. But why? Why?

Fred. But why? Why?

Scro. Why did you get married?

Scro. Why did you tie the knot?

Fred. Because I fell in love.

Fred. Because I fell for you.

Scro. Because you fell in love! The only one thing in the world more ridiculous than a merry Christmas. Good afternoon.

Scro. Because you fell in love! The only thing in the world more ridiculous than a happy Christmas. Good afternoon.

Fred. Nay, uncle, but you never came to see me before that happened. Why give it as a reason for not coming now?

Fred. No, uncle, you never visited me before that happened. So why use it as an excuse for not coming now?

Scro. Good afternoon.

Scro. Hey there.

Fred. I want nothing from you; I ask nothing of you; why cannot we be friends?

Fred. I don’t want anything from you; I’m not asking for anything; why can’t we just be friends?

Scro. Good afternoon!

Scro. Hey there!

Fred. I am sorry, with all my heart, to find you so resolute. We have never had any quarrel, to which I have been a party. But I have made the trial in homage to Christmas, and I'll keep my Christmas humor to the last. So a Merry Christmas, uncle.

Fred. I'm truly sorry to see you so determined. We've never had any disagreement that I've been a part of. But I've made the effort out of respect for Christmas, and I’ll hold on to my Christmas spirit until the end. So, Merry Christmas, uncle.

Scro. Good afternoon!

Scro. Good afternoon!

(As Fred goes out he exchanges greetings with Bob.)

Fred. A merry Christmas.

Fred. Merry Christmas!

Bob. The same to you, and many of them.

Bob. Same to you, and cheers to many more.

Scro. There's another fellow, my clerk, with fifteen shillings a week, and a wife and family, talking about a Merry Christmas. I'll retire to the lunatic asylum.

Scro. There's another guy, my clerk, making fifteen shillings a week, with a wife and kids, going on about a Merry Christmas. I might as well check myself into an asylum.

Enter Mr. Mumford and Mr. Barnes with subscription book and paper, ushered in by Bob.

Mr. Mumford. Scrooge & Marley's. I believe (referring to paper). Have I the pleasure of addressing Mr. Scrooge, or Mr. Marley?

Mr. Mumford. Scrooge & Marley's. I believe (referring to paper). Am I speaking to Mr. Scrooge, or Mr. Marley?

Scro. Mr. Marley his been dead these seven years. He died seven years ago this very night.

Scro. Mr. Marley has been dead for seven years. He died seven years ago on this very night.

Mr. M. We have no doubt his liberality is well represented by his surviving partner. (Presents list.[12] Scrooge frowns, shakes his head, and returns it.) At this festive season of the year, Mr. Scrooge, it is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.

Mr. M. We have no doubt that his generosity is well represented by his surviving partner. (Presents list.[12] Scrooge frowns, shakes his head, and returns it.) At this festive time of year, Mr. Scrooge, it’s especially important that we make some effort to help the poor and needy, who are struggling more than usual right now. Many thousands lack basic necessities; hundreds of thousands are without common comforts, sir.

Scro. Are there no prisons?

Scro. Are there no jails?

Mr. M. Plenty of prisons.

Mr. M. Many prisons.

Scro. And the union work-houses—are they still in operation?

Scro. Are the workhouses still up and running?

Mr. M. They are. I wish I could say they were not.

Mr. M. They are. I wish I could say they aren't.

Scro. The tread-mill and the poor law are in full vigor, then?

Scro. So the treadmill and the poor law are still going strong, huh?

Mr. M. Both very busy, sir.

Mr. M. We're both very busy, sir.

Scro. Oh! I was afraid from what you said at first that something had occurred to stop them in their useful course. I'm very glad to hear it.

Scro. Oh! I was worried by what you said at first that something happened to interrupt them in their helpful path. I'm really glad to hear it's not the case.

Mr. M. Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude, a few of us are endeavoring to raise a fund to buy the poor some meat and drink, and means of warmth. We chose this time because it is a time, of all others, when want is keenly felt, and abundance rejoices. What shall I put you down for?

Mr. M. Believing that they hardly provide any real comfort, whether spiritually or physically, to the masses, a few of us are trying to gather some money to buy food, drinks, and warm clothing for those in need. We picked this moment because it’s when the lack is most felt, and when those who have plenty are happy. How much would you like to donate?

Scro. Nothing.

Scro. No way.

Mr. M. You wish to be anonymous?

Mr. M. You want to stay anonymous?

Scro. I wish to be left alone. Since you ask me what I wish, gentlemen, that is my answer. I don't make merry myself at Christmas, and I can't afford to make idle people merry. I help to support the establishments I have mentioned; they cost enough, and those who are badly off must go there.

Scro. I just want to be left alone. Since you want to know what I wish, gentlemen, that’s my answer. I don’t celebrate Christmas, and I can’t afford to make idle people happy. I help fund the organizations I mentioned; they’re expensive enough, and those who are struggling need to go there.

Mr. B. Many can't go there; and many would rather die.

Mr. B. Many can't go there; and many would rather die.

Scro. If they had rather die, they had better do it, and decrease the surplus population. Besides, excuse me, I don't know that.

Scro. If they'd rather die, then they might as well do it and reduce the excess population. Also, excuse me, but I don't know that.

Mr. B. But you might know it.

Mr. B. But you could know it.

Scro. It's not my business. It's enough for a man to understand his own business, and not interfere with other people's. Mine occupies me constantly. Good afternoon, gentlemen.

Scro. It's not my concern. A man should focus on his own affairs and not meddle in others'. Mine keeps me busy all the time. Good afternoon, gentlemen.

Mr. M. It is useless, we may as well withdraw. [Exeunt. As they go out Bob is seen to hand them money.]

Mr. M. This is pointless, we might as well leave. [Exeunt. As they exit, Bob is seen giving them money.]

(Voice at door R. singing.)
God bless you, merry gentlemen.
May nothing you dismay—

Scro. (Seizes ruler and makes a dash at the door.) Begone! I'll have none of your carols here. (Makes sign to Bob, who extinguishes his candle and puts on his hat and enters.) You'll want all day to morrow, I suppose?

Scro. (Grabs the ruler and rushes toward the door.) Get out! I don’t want to hear any of your songs here. (Signals to Bob, who snuffs out his candle, puts on his hat, and comes in.) You’ll need all day tomorrow, I guess?

Bob. If quite convenient, sir.

Bob. If that's convenient, sure.

Scro. It's not convenient, and its not fair. If I was to stop half-a-crown for it you'd think yourself ill-used, I'll be bound? (Bob smiles faintly.) And yet you don't think me ill-used when I pay a day's wages for no work.

Scro. It's not convenient, and it's not fair. If I were to take half a crown from you, you'd feel wronged, I bet? (Bob smiles faintly.) And yet you don't think me wronged when I pay a day's wages for no work.

Bob. It's only once a year, sir.

Bob. It only happens once a year, sir.

Scro. A poor excuse for picking a man's pocket every twenty-fifth of December. (Buttoning up his great coat to the chin.) But I suppose you must have the whole day. Be here all the earlier next morning. (Exit C.)

Scro. A weak reason for stealing from someone every twenty-fifth of December. (Buttoning up his great coat to the chin.) But I guess you have to have the whole day. Be here even earlier the next morning. (Exit C.)

Bob. I will, sir. You old skinflint. If I had my way, I'd give you Christmas. I'd give it to you this way (Dumb show of pummelling Scrooge.) Now for a slide on Cornhill, at the end of a lane of boys, twenty times, in honor of Christmas Eve, and then for Camden Town as hard as I can pelt. (Exit C., with sliding motions, closing doors after him.)

Bob. I will, sir. You old tightwad. If I had my way, I'd make sure you really experienced Christmas. I'd do it like this (Dumb show of pummeling Scrooge.) Now for a slide down Cornhill, with a bunch of kids, twenty times in celebration of Christmas Eve, and then straight to Camden Town as fast as I can go. (Exit C., with sliding motions, closing doors after him.)

SCENE II.—Scrooge's apartments. Grate fire, L. 2, Window, R.C. Door, L. C. in flat. Table, L. 4. Spoon and basin on table. Saucepan on hob. Two easy chairs near fire. Lights down.

[Scrooge in dressing gown and night-cap, discovered, with candle, searching the room.]

Scro. Pooh! pooh! Marley's dead seven years to night. Impossible. Nobody under the table, nobody under the couch, nobody in the closet, nobody nowhere (Yawns). Bah, humbug! (Locks door R. and seats himself in easy chair; dips gruel from saucepan into basin, and takes two or three spoonsful. Yawns and composes himself for rest.)

Scro. Nonsense! Marley's been dead for seven years tonight. No way. Nobody under the table, nobody under the couch, nobody in the closet, nobody anywhere (Yawns). Bah, humbug! (Locks door R. and sits down in the easy chair; scoops some gruel from the saucepan into a bowl, and takes two or three spoonfuls. Yawns and settles in for rest.)

[One or two stanzas of a Christmas carol may be sung outside, at the close of which a general ringing of bells ensues, succeeded by a clanking noise of chain.]

[A verse or two of a Christmas carol can be sung outside, followed by everyone ringing bells together, and then there's the sound of chains clanking.]

Enter Jacob Marley's ghost. R., with chain made of cash-boxes, keys, padlocks, ledgers, deeds, purposes, etc. Hair twisted upright on each side to represent horns. White bandage around jaws.

Jacob Marley's ghost enters. R., dragging a chain made of money boxes, keys, locks, accounting books, property deeds, and other items. His hair is styled upright on each side to resemble horns. A white bandage is wrapped around his jaw.

Scro. It's humbug still! I won't believe it. [Pause, during which Ghost approaches the opposite side of the mantel.] How now. What do you want with me?

Scro. It's still nonsense! I refuse to believe it. [Pause, during which the Ghost moves to the other side of the mantel.] What do you want from me?

Ghost. Much.

Ghost. A lot.

Scro. Who are you?

Scro. Who are you?

Gho. Ask me who I was.

Gho. Ask me who I am.

Scro. Who were you then? You're particular, for a shade.

Scro. Who were you back then? You're pretty specific for a ghost.

Gho. In life I was your partner, Jacob Marley.

Gho. In life, I was your partner, Jacob Marley.

Scro. Can you—can you sit down?

Scro. Can you please sit?

Gho. I can.

Gho. I got this.

Scro. Do it, then.

Scro. Go ahead, then.

Gho. You don't believe in me?

Gho. You don't trust me?

Scro. I don't.

Scro. I don't.

Gho. What evidence do you require of my reality beyond that of your senses?

Gho. What proof do you need of my existence beyond what your senses can perceive?

Scro. I don't know.

I have no idea.

Gho. Why do you doubt your senses?

Gho. Why do you question what you see and feel?

Scro. Because a little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an under-done potato. There's more of gravy than of grave about you, whatever you are. You see this tooth-pick?

Scro. Because even small things can influence them. A minor stomach issue turns them into frauds. You could be an undigested piece of beef, a spot of mustard, a crumb of cheese, or a piece of an undercooked potato. There's more of gravy than seriousness in you, no matter what you are. Do you see this toothpick?

Gho. I do.

Gho. I do.

Scro. You are not looking at it.

Scro. You can’t see it.

Gho. But I see it, notwithstanding.

Gho. But I see it, still.

Scro. Well! I have but to swallow this, and be for the rest of my days persecuted by a legion of gobblins, all of my own creation. Humbug, I tell you; humbug. (Ghost rattles chain, takes bandage off jaws, and drops lower jaw as far as possible.)

Scro. Well! I just have to accept this, and for the rest of my life, I'll be tormented by a bunch of goblins, all of my own making. Nonsense, I tell you; nonsense. (Ghost rattles chain, takes off bandage from jaws, and drops lower jaw as far as possible.)

Scro. (Betrays signs of fright.) Mercy! dreadful apparition, why do you trouble me?

Scro. (Betrays signs of fright.) Please! Terrifying ghost, why are you haunting me?

Gho. Man of the worldly mind, do you believe in me, or not?

Gho. Man with a worldly mindset, do you believe in me or not?

Scro. I do. I must. But why do spirits walk the earth, and why do they come to me?

Scro. I do. I have to. But why do spirits roam the earth, and why do they come to me?

Gho. It is required of every man that the spirit within him should walk abroad among his fellow men and travel far and wide, and if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world—oh, woe is me—and witness what it can not share, but might have shared on earth, turned to happiness. [Shakes chain and wrings his hands.]

Gho. Every person is expected to let their spirit connect with others and explore the world. If that spirit doesn't do so in life, it’s forced to roam after death. It’s destined to wander through the world—oh, how tragic—and see things it cannot be a part of, but could have experienced on earth, turned to happiness. [Shakes chain and wrings his hands.]

Scro. You are fettered; tell me why?

Scro. You're caught up; can you tell me why?

Gho. I wear the chain I forged in life; I made it link by link and yard by yard. I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you? Or would you know the weight and length of the strong coil you bear yourself. It was full as heavy and as long as this seven Christmas-eves ago. You have labored on it since. It is a pondrous chain!

Gho. I wear the chain I created in my life; I made it link by link and yard by yard. I put it on by my own choice, and I wear it willingly. Does its design seem strange to you? Or would you recognize the weight and length of the heavy chain you carry yourself? It was just as heavy and just as long as this seven Christmas Eves ago. You’ve been working on it since then. It’s an incredibly heavy chain!

Scro. Jacob, old Jacob Marley, tell me more. Speak comfort to me, Jacob.

Scro. Jacob, old Jacob Marley, tell me more. Please, comfort me, Jacob.

Gho. I have none to give. It comes from other regions, Ebenezer Scrooge, and is conveyed by other ministers to other lands of men. Nor can I tell you what I would. A very little more is all that is permitted to me. I can not rest, I can not stay, I can not linger anywhere. My spirit never walked beyond our counting house, mark me!—in life my spirit never roved beyond the narrow limits of our money changing hole; and weary journeys lie before me.

Gho. I don’t have anything to give. It comes from other places, Ebenezer Scrooge, and is carried by other messengers to other lands of people. I also can’t share what I wish I could. Just a bit more is all I’m allowed. I can’t rest, I can’t stay, I can’t hang around anywhere. My spirit never walked beyond our office, listen to me!—in life, my spirit never wandered beyond the narrow confines of our money-changing place; and long, exhausting journeys lie ahead of me.

Scro. You must have been very slow about it, Jacob.

Scro. You must have taken your time with it, Jacob.

Gho. Slow?

Gho. Slow?

Scro. Seven years dead. And traveling all the time.

Scro. Seven years gone. Always on the move.

Gho. The old time. No rest, no peace. Incessant tortures of remorse.

Gho. The old days. No rest, no peace. Constant torment of guilt.

Scro. You travel fast?

Scro. Do you travel quickly?

Gho. On the wings of the wind.

Gho. On the wings of the wind.

Scro. You might have got over a great quantity of ground in seven years, Jacob.

Scro. You could have covered a lot of ground in seven years, Jacob.

Gho. (Clinking his chain.) Oh! captive, bound and double-ironed, not to know that ages of incessant labor by immortal creatures; for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find[16] its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life's opportunity misused. Yet, such was I. Oh, such was I!

Gho. (Clinking his chain.) Oh! captive, bound and double-chained, to not realize that countless ages of nonstop effort by eternal beings are required; this earth must endure forever before all the potential goodness it can offer is fully realized. To not understand that any Christian spirit, acting kindly in its small area, no matter what it is, will discover[16] that its human life is too short for all the ways it can do good. To not grasp that no amount of regret can make up for squandering a single chance in life. Yet, that was me. Oh, that was me!

Scro. But you were always a good man of business Jacob.

Scro. But you were always a decent businessman, Jacob.

Gho. Business! [wringing his hands and shaking chain.] Mankind was my business. The common welfare was my business. Charity, mercy, forbearance and benevolence were all my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business. [Holds up chain at arm's length, and drops it.] At this time of the rolling year I suffer most. Why did I walk through crowds of fellow beings with my eyes turned down, and never raise them, to that blessed Star which led the wise men to a poor abode? Were there no poor houses to which its light would have conducted me? Hear me! my time is nearly gone.

Gho. Business! [wringing his hands and shaking the chain.] Humanity was my business. The common good was my business. Charity, compassion, patience, and kindness were all my responsibilities. The transactions of my trade were just a drop in the vast ocean of my duties. [Holds up chain at arm's length and drops it.] At this time of year, I suffer the most. Why did I walk through crowds of fellow humans with my eyes downcast, never looking up at that blessed Star that guided the wise men to a humble home? Were there no shelters it could have led me to? Listen to me! My time is almost up.

Scro. I will; but don't be hard upon me. Don't be flowery, Jacob, pray.

Scro. I will; but please don’t be tough on me. Don’t be overly dramatic, Jacob, please.

Gho. How it is that I appear before you in a shape that you can see, I may not tell. I have sat invisible beside you many and many a day. That is no light part of my penance. I am here to-night to warn you that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring, Ebenezer.

Gho. I can’t explain why I show up in a form you can see. I’ve been invisible by your side for many days. That’s not an easy part of my punishment. I’m here tonight to warn you that you still have a chance and hope to avoid my fate. A chance and hope that I can provide, Ebenezer.

Scro. You were always a good friend to me. Thank 'er.

Scro. You've always been a good friend to me. Thanks.

Gho. You will be haunted by three spirits.

Gho. You will be visited by three spirits.

Scro. Is that the chance and hope you mentioned, Jacob?

Scro. Is that the opportunity and hope you talked about, Jacob?

Gho. It is.

Got it. It is.

Scro. I—I think I'd rather not.

Scro. I—I think I’ll pass.

Gho. Without their visits you can not hope to shun the path I tread. Expect the first to-morrow, when the bell tolls one.

Gho. Without their visits, you can't expect to avoid the path I'm taking. Look for the first one tomorrow when the bell rings one.

Scro. Couldn't I take'em all at once, and have it over, Jacob?

Scro. Can't I just take them all at once and get it over with, Jacob?

Gho. Expect the second on the next night at the same hour. The third on the night following, when the last stroke of twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us. [Ghost replaces bandage around jaws, rises, winds chain about his arm,[17] walks backward to window, beckoning Scrooge, who rises and follows. As soon as Ghost walks through window, which opens for him, he motions for Scrooge to stop, and disappears through trap. Window closes as before.]

Gho. Expect the second visit tomorrow night at the same time. The third will be on the following night, right after the last chime of midnight has stopped. Don’t expect to see me again; and remember, for your own sake, what has happened between us. [Ghost replaces the bandage around his jaw, stands up, wraps the chain around his arm,[17] walks backward to the window, signaling for Scrooge to follow. As soon as the Ghost goes through the window, which opens for him, he gestures for Scrooge to stop, and then vanishes through a trapdoor. The window closes as it was before.]

Curtain.

STAVE TWO.

SCENE I.—Scrooge's bed room. A small, four-post bedstead with curtains at L. E., bureau R.I.P. Bell tolls twelve. Scrooge pulls curtains aside and sits on side of bed. Touches spring of his repeater, which also strikes twelve.

Scro. Way, it isn't possible that I can have slept through a whole day, and far into another night. It isn't possible that anything has happened to the sun, and this is twelve o'clock at noon.

Scro. No way, there's no way I could have slept through an entire day and into another night. There's no way anything could have happened to the sun, and this is twelve o'clock in the afternoon.

(The Spirit of Christmas Past rises from the hearth as Scrooge finishes his Speech.)

(The Spirit of Christmas Past rises from the fireplace as Scrooge finishes his speech.)

Scro. Are you the Spirit, sir, whose coming was foretold to me?

Scro. Are you the Spirit who was expected to come to me?

Spirit. I am.

I am spirit.

Scro. Who, and what are you?

Scro. Who are you?

Spir. I am the ghost of Christmas Past.

Spir. I'm the ghost of Christmas Past.

Scro. Long past?

Scro. A long time ago?

Spir. No; your past.

Spir. No; your history.

Scro. I beg you will be covered.

Scro. Please make sure you stay covered.

Spir. What! would you so soon put out, with worldly hands, the light I give? Is it not enough that you are one of those whose passions made this cap, and force me through whole trains of years to wear it low upon my brow?

Spir. What! Are you really trying to snuff out the light I bring with your worldly ways? Isn’t it enough that you’re one of those whose desires created this burden, forcing me to wear it low on my forehead for so many years?

Scro. I have no intention of offending you. May I make bold to enquire what business has brought you here?

Scro. I don't mean to offend you. Can I boldly ask what brings you here?

Spir. Your welfare.

Your well-being.

Scro. I am much obliged, but I think a night of unbroken rest would be more conducive to that end.

Scro. I really appreciate it, but I think a night of uninterrupted sleep would be more helpful for that.

Spir. Your reclamation, then. Take heed! observe[18] the shadows of the past, and profit by the recollection of them.

Spir. Your redemption, then. Pay attention! Notice[18] the shadows of the past, and learn from those memories.

Scro. What would you have me do?

Scro. What do you want me to do?

Spir. Remain where you are, while memory recalls the past.

Spir. Stay where you are, while your memory brings back the past.

SCENE II.—The spirit waves a wand, the scene opens and displays a dilapidated school-room. Young Scrooge discovered seated at a window, reading.

Scro. (Trembling) Good heavens! I was a boy! It's the old school; and its the Christmas I was left alone.

Scro. (Trembling) Oh my gosh! I was just a kid! It's the old school, and it's the Christmas I spent by myself.

Spir. You remember it?

Spir. Do you remember it?

Scro. Yes, yes; I know! I was reading all about Ali Baba. Dear old honest Ali Baba. And Valentine and his wild brother, Orson; and the Sultan's groom turned upside down by the Geni. Served him right, I'm glad of it; what business had he to be married to the Princess! [In an earnest and excited manner, and voice between, laughing and crying.] There's the parrot: green body and yellow tail, with a thing like a lettuce growing out of the top of his head; there he is! Poor Robin Crusoe, where have you been, Robin Crusoe? There goes Friday, running for his life to the little Creek. Halloo! Hoop! Halloo! [Changing to a pitiful tone, in allusion to his former self.] Poor boy.

Scro. Yeah, yeah; I get it! I was reading all about Ali Baba. Good old honest Ali Baba. And Valentine with his wild brother, Orson; and the Sultan's stableman flipped upside down by the Genie. He deserved it, I'm glad about it; what was he doing marrying the Princess! [Speaking earnestly and excitedly, voice wavering between laughter and tears.] There's the parrot: green body and yellow tail, with something like lettuce growing out of the top of his head; there he is! Poor Robin Crusoe, where have you been, Robin Crusoe? There goes Friday, running for his life to the little Creek. Hey! Woohoo! Hey! [Shifting to a sorrowful tone, referencing his previous self.] Poor kid.

Spir. Strange to have forgotten this for so many years.

Spir. It’s strange that I forgot this for so many years.

Scro. (Putting his hand in his pocket and drying his eyes on his cuff) I wish—but it's too late now.

Scro. (Putting his hand in his pocket and wiping his eyes on his sleeve) I wish—but it's too late now.

Spir. What is the matter?

Spir. What's the problem?

Scro. Nothing; nothing. There was a boy singing a Christmas carol at my door, last night, I should like to have given him something, that's all.

Scro. Nothing; nothing. There was a boy singing a Christmas carol at my door last night, and I wanted to give him something, that's all.

[Young Scrooge rises and walks up and down. Door opens and Fanny Scrooge darts in and puts her arms about his neck and kisses him.]

[Young Scrooge gets up and paces back and forth. The door opens and Fanny Scrooge rushes in, wraps her arms around his neck, and kisses him.]

Fanny. Dear, dear brother! I have come to bring you home, dear brother. (Clapping her hands and laughing gleefully.) To bring you home, home, home!

Fanny. Dear, dear brother! I’ve come to bring you back home, dear brother. (Clapping her hands and laughing joyfully.) To bring you home, home, home!

Young S. Home, little Fan?

Home, little Fan?

Fan. Yes! Home for good, and all. Home for ever[19] and ever. Father is so much kinder than he used to be, that home is like Heaven. He spoke so gently to me one dear night when I was going to bed, that I was not afraid to ask him once more if you might come home; and he said yes, you should; and sent me in a coach to bring you. And you're to be a man, and never to come back here; but first we're to be together all the Christmas long, and have the merriest time in all the world.

Fan. Yes! I'm home for good, and that's it. Home forever[19] and ever. Dad is so much kinder than he used to be, that being home feels like Heaven. He spoke to me so gently one night when I was going to bed that I wasn’t scared to ask him again if you could come home, and he said yes, you could; and sent a coach to bring you. And you're going to be a man and never come back here; but first, we’re going to be together all through Christmas and have the best time ever.

Young S. You're quite a woman, little Fan! [She claps her hands and laughs, tries to touch his head, but being too little, laughs again. Stands on tip-toe to embrace him, and in childish eagerness and glee, drags him willingly towards the door. Exeunt.]

Young S. You're amazing, little Fan! [She claps her hands and laughs, trying to touch his head, but she's too short, so she laughs again. She stands on her tiptoes to hug him, and in her childlike excitement and joy, she happily pulls him toward the door. They exit.]

Voice [outside]. Bring down Master Scrooge's box, there.

Voice [outside]. Bring down Master Scrooge's box, over there.


[Scene Closes]

Spir. Always a delicate creature, whom a breath might have withered. But she had a large heart.

Spir. Always a fragile being, who could be easily crushed. But she had a big heart.

Scro. So she had. You're right. I will not gainsay it, Spirit. Lord forbid.

Scro. So she did. You're right. I won't argue with you about it, Spirit. God forbid.

Spir. She died a woman, and had, as I think, children.

Spir. She passed away as a woman and, as I believe, had children.

Scro. One child.

Scro. One kid.

Spir. True; your nephew.

Spir. True; your nephew.

Scro. [uneasily] Yes.

Scro. [nervously] Yes.

Spir. Let us see another Christmas. (Waves wand.)

Spir. Let's see another Christmas. (Waves wand.)

SCENE III.—Fezziwig's Ball, full depth of stage, representing a wareroom. Fezziwig and Mrs. Fezziwig L., the former standing and clapping his hands, and the latter seated in an arm-chair, manifesting delight. Old bald-headed fiddler, on an elevated seat, at the back. Dick Wilkins, with two Miss Fezziwigs, forward to right and back. Scrooge's former self advances and retires to the partners, with fancy steps: hands around; right and left; ladies change; balance; promenade. Other characters to fill up the picture. Laughter and merriment to follow Scrooge's speech.

Spir. Do you know it?

Spir. Have you heard of it?

Scro. Know it! I was apprenticed here. Why, its old Fezziwig. Bless his heart; its Fezziwig alive again,[20] and Mrs Fezziwig, too. Dick Wilkins, to be sure, with Fezziwig's two daughters. Bless me, yes. There he is. He was very much attached to me, was Dick. Poor Dick. And see me, cutting the pigeon-wing. Dear, dear, dear!

Scro. You have to know! I was an apprentice here. Look, it’s old Fezziwig. Bless his heart; it’s Fezziwig back again,[20] and Mrs. Fezziwig, too. And of course, there’s Dick Wilkins, along with Fezziwig's two daughters. Oh my, yes. There he is. He was really close to me, was Dick. Poor Dick. And look at me, doing the pigeon-wing. Goodness, goodness, goodness!

(Dance comes to an end amid general hilarity and merriment, and the scene closes in.)

(The dance wraps up with everyone laughing and having a good time, and the scene ends.)

Spir. A small matter to make these silly folks so full of gratitude.

Spir. It's a trivial thing that makes these foolish people so grateful.

Scro. Small! Why, old Fezziwig was one of the best men that ever lived. He never missed giving his employees a Christmas ball.

Scro. Small! Come on, old Fezziwig was one of the best guys who ever lived. He always made sure to throw a Christmas party for his employees.

Spir. Why, is it not! He spent but a few pounds of money—three or four pounds, perhaps—. Is that so much that he deserves your praise?

Spir. Why not! He only spent a few pounds—maybe three or four pounds. Is that really enough to earn your praise?

Scro. It isn't that, Spirit. He had the power to render us happy or unhappy; to make our services light or burdensome; a pleasure or a toil. Say that his power lives in words and looks; in things so light and unsignificant that it is impossible to add and count 'em up; what then? The happiness he gives is quite as great if it cost a fortune—oh, dear.

Scro. It's not that, Spirit. He had the ability to make us happy or unhappy; to make our work feel easy or heavy; a joy or a struggle. Even if his power comes from words and looks; from things so small and insignificant that you can't even add them up; so what? The happiness he brings is just as valuable even if it costs a fortune—oh, dear.

Spir. What is the matter?

Spir. What's the matter?

Scro. Nothing, particular.

Scro. Nothing special.

Spir. Something, I think.

Spir. I think it's something.

Scro. No, no. I should like to be able to say a word or two to my clerk, just now, that's all.

Scro. No, no. I just want to have a word or two with my clerk right now, that's all.

Spir. My time grows short, let us hurry on. Do you remember this? (Waves wand.)

Spir. My time is running out, let's move quickly. Do you remember this? (Waves wand.)

SCENE IV.—A room. Enter Belle and Scrooge's former self, at twenty-five years of age.

Scro. It is Belle, as sure as I am a living sinner.

Scro. It's Belle, just like I know I'm a living sinner.

Belle. It matters little to you. To you very little. Another idol has displaced me; and if it can cheer and comfort you in time to come, as I would have tried to do, I have no just cause to grieve.

Belle. It means very little to you. To you, it means almost nothing. Another idol has taken my place; and if it can bring you joy and comfort in the future, as I would have tried to do, I have no real reason to be sad.

Young S. What idol has displaced you?

Young S. Which idol has taken your place?

Belle. A golden one.

Belle. A golden one.

Young S. This is the even-handed dealing of the world. There is nothing on which it is so hard as poverty; and there is nothing it professes to condemn with such severity, as the pursuit of wealth.

Young S. This is the fair treatment of the world. Nothing is as difficult as being poor; and nothing is condemned as harshly as the quest for wealth.

Belle. You fear the world too much. All your other[21] hopes have merged into the hope of being beyond the chance of its sordid reproach. I have seen your nobler aspirations fall off one by one, until the master passion gain, engrosses you. Have I not?

Belle. You worry about the world too much. All your other[21] hopes have merged into the hope of escaping its ugly criticism. I've watched your greater ambitions fade away one by one, until all that's left is the desire for gain, which takes over your thoughts. Haven't I?

Young S. What then? Even if I have grown so much wiser, what then? I am not changed toward you, (She shakes her head.) Am I?

Young S. What happens now? Even if I've become so much wiser, what happens now? I haven't changed towards you, (She shakes her head.) Have I?

Belle. Our contract is an old one. It was made when we were both poor and content to be so, until in good season, we could improve our worldly fortune by our patient industry. You are changed. When it was made you were another man.

Belle. Our agreement is an old one. It was made when we were both poor and happy with it, until we could improve our situation through hard work in due time. You have changed. When it was made, you were a different man.

Young S. I was a boy.

Young S. I was a kid.

Belle. Your own feeling tells you that you were not what you are. I am. That which promised happiness when we were one in heart is fraught with misery now that we are two. How often and how keenly I have thought of this, I will not say. It is enough that I have thought of it, and can release you.

Belle. You know deep down that you're not the same as you used to be. I am. What once promised happiness when we were united in spirit now brings nothing but sorrow since we’ve become separate. I won't tell you how often or how intensely I've thought about this. It's enough to say that I have thought about it, and I can let you go.

Young S. Have I ever sought release?

Young S. Have I ever looked for freedom?

Belle. In words; no, never.

Belle. In words; no, never.

Young S. In what, then?

Young S. In what, exactly?

Belle. In a changed nature; in an altered spirit; in another atmosphere of life; another hope as to its great end. In everything that made my love of any worth or value in your sight. If this had never been between us, tell me, would you seek me out and try to win me now? Ah, no!

Belle. In a different nature; in a changed spirit; in another way of living; another hope for its ultimate goal. In everything that gave my love any worth or value in your eyes. If this had never happened between us, tell me, would you look for me and try to win me over now? Ah, no!

Young S. You think not?

Young S. You don't think so?

Belle. I would gladly think otherwise, if I could; Heaven knows. When I have learned a truth like this, I know how strong and irresistible it must be. But if you were free to-day, to-morrow, yesterday, can even I believe that you would choose a dowerless girl—you, who, in your very confidence with her, weigh everything by gain; or choosing her, if for a moment you were false enough to your one guiding principle to do so, do I not know that your repentance and regret would surely follow? I do; and I release you, with a full heart, for the love of him you once were. (He is about to speak, but with her head turned from him she resumes.) You may—the memory of what is past half makes me hope you will—have pain in this. A very, very brief time, and you will dismiss the recollection of it, gladly, as an unprofitable[22] dream, from which it happened well that you awoke. May you be happy in the life you have chosen. Fare well. [Exit.]

Belle. I would gladly think differently if I could; Heaven knows. Once I’ve learned a truth like this, I can see how strong and irresistible it must be. But if you were free today, tomorrow, or yesterday, can I really believe that you would choose a girl without a dowry—you, who always measure everything by gain in your own confidence? Or if you did choose her, even for a moment, betraying your guiding principle, I know that regret and remorse would surely follow. I do, and I let you go, with a full heart, out of love for the man you once were. (He is about to speak, but with her head turned from him she continues.) You may—the memory of the past makes me hope you will—experience pain in this. Very soon, you will happily dismiss it as an unprofitable[22] dream, from which it’s good you woke up. May you find happiness in the life you’ve chosen. Farewell. [Exit.]

Young S. (Following) Belle, Belle! Hear me. Let me explain. [Exit.]

Young S. (Following) Belle, Belle! Listen to me. Let me explain. [Exit.]


[Scene Closes.]

Scro. Spirit, show me no more! Conduct me home. Why do you delight to torture me?

Scro. Spirit, don't show me any more! Take me home. Why do you enjoy torturing me?

Spir. O, mortal, what a treasure didst thou cast away. She, whom you resigned for paltry gold, became the happy wife of your former schoolmate, Kemper. One shadow more. Behold now the tender mother of smiling children, in their joyous home—a home that might have been your own.

Spir. Oh, mortal, how much you've thrown away. The one you gave up for worthless gold is now the happy wife of your old classmate, Kemper. Just one more thing—look now at her as the loving mother of cheerful children in their happy home—a home that could have been yours.

Scro. No more! no more! I don't wish to see it.

Scro. No more! No more! I don't want to see it.

Spir. Behold. (Waves Wand.)

Spir. Check it out. (Waves Wand.)

SCENE V.—Drawing room. Six or eight children, of various sizes, in groups, playing with toys. A Christmas tree, trimmed and lighted. Mr. and Mrs. Kemper seated at table; their daughter Belle seated at fire, dressing a doll for one of the girls.

Mr. K. Belle, I saw an old friend of yours this afternoon.

Mr. K. Belle, I ran into an old friend of yours this afternoon.

Mrs. K. Who was it?

Mrs. K. Who was that?

Mr. K. Guess?

Mr. K. Guess what?

Mrs. K. How can I? Tut, don't I know (laughingly), Mr. Scrooge?

Mrs. K. How can I? Come on, don't I know (laughingly), Mr. Scrooge?

Mr. K. Mr. Scrooge it was—your old sweetheart (laughing). I passed his office window, and as it was not shut up, and he had a candle inside, I could scarcely help seeing him. His partner, old Jacob Marley, lies upon the point of death, I hear. And there he sat, alone. Quite alone in the world, I do believe.

Mr. K. It was Mr. Scrooge—your old crush (laughing). I walked by his office window, and since it wasn’t closed, and he had a candle lit inside, I couldn’t help but see him. I hear his partner, old Jacob Marley, is on the verge of death. And there he sat, all by himself. Completely alone in the world, I truly believe.

Mrs. K. Poor old man.

Poor old man.

[Scene Closes.]

Scro. Spirit (in a broken voice), remove me from this place.

Scro. Spirit (in a broken voice), take me away from here.

Spir. I told you these were shadows of the things that[23] have been. That they are what they are, do not blame me.

Spir. I told you these are just the shadows of what has already happened. They are what they are, so don’t blame me.

Scro. I am to blame for what they are, and now that I see what they might have been, I am more wretched than ever. Remove me! I can not bear it. (Turns upon the spirit, and struggles with it.) Leave me! Take me back! Haunt me no longer! (Seizes the extinguisher-cap, presses it down, while spirit sinks through trap, and disappears. When trap is replaced, Scrooge reels to the bedstead, apparently exhausted, and with the cap grasped in his hand, falls asleep.)

Scro. It's my fault for what they've become, and now that I see what they could have been, I feel more miserable than ever. Get me out of here! I can't handle it. (He turns on the spirit and struggles with it.) Leave me! Take me back! Stop haunting me! (He grabs the extinguisher-cap, presses it down, while the spirit sinks through the trap and disappears. When the trap is closed, Scrooge staggers to the bed, clearly exhausted, and with the cap in his hand, falls asleep.)

Curtain.

STAVE THREE.

SCENE I.—Adjoining room in Scrooge's house. Flat to represent piles of turkeys, geese, game, poultry, joints of meat, sucking-pigs, strings of sausages, oysters, mince pies, plum-puddings, pears, apples, oranges, cakes and bowls of punch; also holly, mistletoe and ivy.

The Spirit of Christmas Present R. [a giant], discovered holding a glowing torch—shaped like a cornucopia, to shed its light on Scrooge's entrance.

The Spirit of Christmas Present R. [a giant], was found holding a glowing torch shaped like a cornucopia, to cast its light on Scrooge's entrance.

Spir. Come in!

Spir. Enter!

Enter Scrooge, timidly, L.

Spir. Come in, and know me better, man. You have never seen the like of me before.

Spir. Come in and get to know me better, man. You've never seen anyone like me before.

Scro. Never.

Scro. Not happening.

Spir. Have never walked forthwith the younger members of my family, meaning—for I am very young—my elder brothers, born in these later years?

Spir. Have I never gone out with the younger members of my family, meaning—for I am very young—my older brothers, who were born in more recent years?

Scro. I don't think I have. I am afraid I have not. Have you had many brothers, Spirit?

Scro. I don't think so. I'm afraid I haven't. Have you had a lot of brothers, Spirit?

Spir. More than eighteen hundred.

Spir. Over 1800.

Scro. A tremendous family to provide for. Spirit, conduct me where you will. I went forth last night on compulsion, and I learned a lesson which is working now.[24] To-night, if you have aught to teach me, let me profit by it.

Scro. A huge family to take care of. Spirit, take me wherever you want. I went out last night against my will, and I learned a lesson that's acting on me now.[24] Tonight, if you have anything to teach me, I want to learn from it.

Spir. Touch my robe, and remember that we are invisible, and unable to manifest our presence to those with whom we come in contact. Loose not your hold, lest you should lose yourself. [Exeunt L.]

Spir. Touch my robe, and remember that we’re invisible, and can’t show ourselves to the people we meet. Don’t let go, or you might lose yourself. [Exeunt L.]

SCENE II.—Bob Cratchit's home. Mrs. Cratchit discovered laying cloth. Belinda assisting her. Master Peter Cratchit blowing the fire.

Mrs. C. What has ever got your precious father, then? And your brother, Tiny Tim! And Martha warn't as late last Christmas Day by half an hour?

Mrs. C. What’s wrong with your precious father, then? And your brother, Tiny Tim! And Martha wasn’t even half an hour late last Christmas Day!

Enter Little Cratchit and Martha. Door in flat.

Little Cratchit and Martha enter. Door in the flat.

Little C. Here's Martha, mother! Here's Martha Hurrah! Oh, Martha, there's such a big goose at the bakers, next door. I smelt it cooking.

Little C. Here's Martha, Mom! Here's Martha Yay! Oh, Martha, there's a huge goose at the bakery next door. I smelled it cooking.

Mrs. C. Why, bless your heart alive, my dear, how late you are! (Kissing her and taking off her bonnet and shawl.)

Mrs. C. Oh my goodness, sweetheart, you’re so late! (Kissing her and helping her take off her hat and shawl.)

Martha. We'd a deal of work to finish up last night, and had to clear away this morning, mother.

Martha. We had a lot of work to wrap up last night, and we needed to clean things up this morning, mom.

Mrs. C. Well, never mind, so long as you are come. Sit ye down before the fire, my dear, and have a warm, Lord bless ye.

Mrs. C. Well, no worries, as long as you’re here. Sit down by the fire, my dear, and get warm. God bless you.

Little C. No, no! There's father coming. Hide, Martha, hide. (Martha gets behind the door.)

Little C. No, no! Dad is coming. Hide, Martha, hide. (Martha hides behind the door.)

Enter Bob Cratchit with Tiny Tim on his shoulder and little crutch in his hand. Spirit and Scrooge following, coming down front, and observing with interest all that passes.

Bob. Why, where's our Martha? (Looking around and putting Tiny Tim down.)

Bob. Hey, where's our Martha? (Looking around and setting Tiny Tim down.)

Little C. Come, Tiny Tim, and see the pudding boil. [Exeunt children.]

Little C. Come on, Tiny Tim, and watch the pudding bubble. [Exeunt children.]

Mrs. C. Not coming.

Mrs. C. Not attending.

Bob. Not coming! not coming, on Christmas Day?

Bob. Not coming! Not coming on Christmas Day?

Mar. (Running into his arms.) Dear father! I could not see you disappointed, if it were only in joke.

Mar. (Running into his arms.) Dear Dad! I couldn't bear to see you disappointed, even if it was just for fun.

Bob. (Embraces her.) You're a good girl, Martha,[25] and a great comfort to us all. (Commences to mix a bowl of punch.)

Bob. (Hugs her.) You're such a great person, Martha,[25] and you really bring us all joy. (Starts preparing a bowl of punch.)

Mrs. C. And how did little Tim behave?

Mrs. C. So, how did little Tim act?

Bob. As good as gold, and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that he hoped the people saw him in church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk and blind men see. Tiny Tim is growing strong and hearty.

Bob. As good as gold, even better. He gets pretty thoughtful, spending so much time alone, and comes up with the strangest ideas you could imagine. He told me on the way home that he hoped people saw him in church because he was a cripple, and it might be nice for them to remember on Christmas Day who made lame beggars walk and blind men see. Tiny Tim is getting stronger and healthier.

Enter Little Cratchit and Peter Cratchit with the goose, followed by Tiny Tim.

Little C. Hurrah! Hurrah! Here's Peter with the big goose.

Little C. Hooray! Hooray! Here comes Peter with the big goose.

Tiny Tim. Hurrah!

Tiny Tim. Hooray!

(Children place chairs around the table; Bob puts Tiny Tim in a high chair beside him, and Peter on his left, facing front, Belinda and Little Cratchit opposite. Mrs. C. and Martha at the end of the table. Bob carves and serves the goose, Mrs. C. the gravy and mashed potatoes, and Martha the apple-sauce.)

(Children arrange chairs around the table; Bob puts Tiny Tim in a high chair next to him, and Peter on his left, facing forward, with Belinda and Little Cratchit across from them. Mrs. C. and Martha sit at the end of the table. Bob carves and serves the goose, Mrs. C. handles the gravy and mashed potatoes, and Martha serves the apple sauce.)

Little C. Oh! oh! Look at the stuffing.

Little C. Oh! Wow! Look at the stuffing.

Tiny T. Hurrah!

Tiny T. Yay!

Bob. I don't believe there ever was such a goose as this cooked. It's more tender than a woman's love, and only cost two and sixpence. A Merry Christmas to us all, my dears. God bless us.

Bob. I don't think there’s ever been a goose as good as this one. It's more tender than a woman's love, and it only cost two shillings and sixpence. Merry Christmas to us all, my dears. God bless us.

All. God bless us.

All. God bless us all.

Tiny T. God bless us every one.

Tiny T. God bless everyone.

Scro. Spirit, tell me if Tiny Tim will live?

Scro. Spirit, will Tiny Tim make it?

Spir. I see a vacant seat in the poor chimney-corner and a crutch without an owner carefully preserved. If these shadows remain unaltered by the future, none other of my race will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.

Spir. I see an empty spot in the poor fireplace and a crutch that's been kept safe without an owner. If these shadows stay the same in the future, no one else from my family will find him here. So what? If he's about to die, he might as well go and help reduce the overcrowding.

Scro. (Hangs his head.) My very words.

Scro. (Hangs his head.) Exactly what I was saying.

Spir. Man—if man you be in heart, not adamant—forbear that wicked cant until you have discovered what the surplus is, and where it is. Will you decide what[26] men shall live, what men shall die. It may be, in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh, Heaven! to hear the insect on the leaf pronouncing on the too much life among his hungry brothers of the dust!

Spir. Man—if you truly have a heart and aren’t made of stone—hold off on that evil talk until you figure out what the excess really is and where it’s coming from. Are you going to decide who gets to live and who doesn’t? It’s possible that in the eyes of Heaven, you’re more unworthy and less deserving of life than millions like this poor man’s child. Oh, Heaven! To hear the tiny insect on the leaf judging the abundant life among its starving brothers in the dirt!

Mrs. C. Now, Martha and Belinda, change the plates, while I bring the nuts, apples and oranges.

Mrs. C. Okay, Martha and Belinda, switch the plates while I go get the nuts, apples, and oranges.

Bob. (Rising and placing the punch-bowl on the table.) Here is what will remind us it is Christmas. (Fills three tumblers and custard-cup without a handle, and passes them to Mrs. C., Peter and Martha.) I'll give you Mr. Scrooge, the founder of the feast.

Bob. (Standing up and putting the punch bowl on the table.) Here’s what will remind us it’s Christmas. (Fills three glasses and a handleless custard cup, then hands them to Mrs. C., Peter, and Martha.) Let’s toast to Mr. Scrooge, the one who started it all.

Mrs. C. The founder of the feast, indeed! I wish I had him here, I'd give him a piece of my mind to feast upon, and I hope he'd have a good appetite for it.

Mrs. C. The one who started all this, for sure! I wish I had him here; I'd let him know exactly how I feel, and I hope he’d be ready to hear it.

Bob. My dear, the children! Christmas Day.

Bob. My dear, the kids! It's Christmas Day.

Mrs. C. It should be Christmas Day, I am sure, on which one drinks the health of such an odious, stingy, hard, unfeeling man as Mr. Scrooge. You know he is, Robert. Nobody knows it better than you, poor fellow.

Mrs. C. It must be Christmas Day, I'm sure, when one toasts the health of such an unpleasant, miserly, tough, unfeeling man like Mr. Scrooge. You know he is, Robert. No one knows it better than you, poor guy.

Bob. My dear. Christmas Day.

Bob. My dear. Christmas Day.

Mrs. C. I'll drink his health for your sake and the day's, not for his. Long life to him. A Merry Christmas and a Happy New Year! He'll be very merry and very happy, I have no doubt.

Mrs. C. I'll drink to his health for you and for today, not for him. Here’s to his long life. Merry Christmas and Happy New Year! I’m sure he’ll be very merry and very happy.

All. A Merry Christmas, and a Happy New Year.

All. Merry Christmas and Happy New Year!

Scro. Spirit, take me away. I see the very mention of my name casts a gloom on what, were it not for me, would be a very happy party.

Scro. Spirit, take me away. I see that just saying my name puts a damper on what would be a really happy gathering if it weren't for me.

Spir. Wait; they will soon put the memory of you aside, and will be ten times merrier than before, and Tiny Tim will sing.

Spir. Wait; they'll soon forget about you and be ten times happier than before, and Tiny Tim will sing.

Scro. No, no; take me hence.

Scro. No, please take me away.

(As they retire toward the door, the spirit shakes his torch toward the party, which restores good humor.)

(As they move toward the door, the spirit shakes his torch at the group, bringing back their good mood.)

Little C. Oh! we forgot the pudding!

Little C. Oh! We forgot the dessert!

All. The pudding! the pudding! (Laughter and confusion.)

All. The pudding! the pudding! (Laughter and confusion.)

SCENE III.—A street. Mansion with lighted window, showing shadow of a group. Sounds of music inside.
Enter Spirit and Scrooge L. A lamp-lighter with torch and ladder R; as he passes them, the spirit waves his torch, and the lamp-lighter exits singing a carol. Enter two men, quarreling.

First Man. But, I know better, it is not so.

First Man. But I know better; it’s not like that.

Second Man. It is so, and I will not submit to contradiction.

Second Man. That's right, and I'm not going to accept any disagreement.

(Spirit waves his torch over them.)

First Man. Well, I declare, here we are, old friends, quarreling on Christmas Day. It is a shame to quarrel on Christmas Day.

First Man. Well, I can't believe it, here we are, old friends, arguing on Christmas Day. It's a shame to argue on Christmas Day.

Second Man. So it is a shame to quarrel on this day. God love it, so it is; come, and if we are not merry for the rest of it, it shall not be my fault. [Exeunt.]

Second Man. It's really a pity to argue today. Oh, I really mean it; let's enjoy ourselves, and if we’re not happy for the rest of the day, it won’t be because of me. [Exeunt.]

Scro. Spirit, is there a peculiar flavor in what you sprinkle from your torch?

Scro. Spirit, is there a special taste in what you sprinkle from your torch?

Spir. There is. My own.

There is. My own.

Scro. I notice that you sprinkle it to restore good humor, and over dinners. Would it apply to any kind of dinner on this day?

Scro. I see that you sprinkle it to bring back good vibes, especially over meals. Would it work for any type of dinner today?

Spir. To any kindly given. To a poor one most.

Spir. To anyone who is generous. Especially to those in need.

Scro. Why to a poor one most?

Scro. Why is it that poor people suffer the most?

Spir. Because it needs it most.

Spir. Because it needs it the most.

Enter Ignorance and Want; approaching the Spirit, they kneel at his feet. Scrooge starts back appalled.

Spir. Look here! oh, man, look here! Look! look down here. Behold, where graceful youth should have filled their features out and touched them with its freshest tints; a stale and shriveled hand, like that of age, has pinched and twisted them and pulled them into shreds. Where angels might have sat enthroned, devils lurk and glare out, menacing. No change, no degradation, no perversion of humanity, in any grade, through all the mysteries of wonderful creation, has monsters half so horrible and dread.

Spir. Look here! Oh man, check this out! Look! Look down here. See for yourself, where vibrant youth should have filled their faces and added fresh colors; a stale and withered hand, like that of age, has twisted and contorted them into shreds. Where angels could have sat as rulers, devils lurk and glare, threatening. No change, no decline, no distortion of humanity, at any level, through all the mysteries of amazing creation, has monsters as horrifying and terrifying.

Scro. They are fine-looking children. Spirit, are they yours?

Scro. They are good-looking kids. Spirit, are they yours?

Spir. They are man's. And they cling to me, appealing from their fathers. This boy is Ignorance, this girl is Want. Beware them both, and all of their degree; but most of all, beware this boy, for on his brow I see that written which is doom, unless the writing be erased.[28] Deny it, great city. Slander those who tell it ye. Admit it for your factious purposes, make it worse, and abide the end.

Spir. They belong to humanity. And they cling to me, seeking help from their parents. This boy represents Ignorance, and this girl represents Want. Be cautious of them both and everyone like them; but especially be wary of this boy, for I see the word doom written on his forehead, unless it gets erased.[28] Deny it, great city. Discredit those who tell you the truth. Use it for your own selfish ends, make it worse, and face the consequences.

Scro. Have they no refuge or resource?

Scro. Do they have no shelter or way out?

Spir. Are there no prisons? Are there no work-houses?

Spir. Are there no jails? Are there no shelters for the poor?

Scro. My very words, again.

Scro. My exact words, again.

Spir. Begone! hideous, wretched creatures, your habitation should not be in a Christian land. (Ignorance and Want slouch off.) Let us proceed, time is passing, and my life is hastening to an end.

Spir. Go away! Ugly, miserable beings, you shouldn’t be in a Christian land. (Ignorance and Want slouch off.) Let’s move on, time is passing, and my life is coming to an end.

Scro. Are spirit's lives so short?

Scro. Are spirits' lives really that short?

Spir. My life on this globe is very brief. It ends to-night.

Spir. My time on this planet is very short. It ends tonight.

Scro. To-night?

Scro. Tonight?

Spir. To-night, at midnight. (Exeunt.)

Spir. Tonight, at midnight. (Exeunt.)

SCENE IV—Drawing room. Mr. and Mrs. Fred Merry, Miss Julia Kemper, Miss Sarah Kemper, Mr. Thomas Topper, Mr. Henry Snapper, discovered seated around the dessert table. Servant serving coffee.

All. (Laughing) Ha, ha! ha, ha, ha, ha!

All. (Laughing) Ha, ha! Ha, ha, ha, ha!

Enter Spirit and Scrooge, L.

Fred. He said Christmas was a humbug, as I live.

Fred. He said Christmas was a scam, as I live.

All. Ha, ha! Ha, ha, ha, ha!

All. Ha, ha! Ha, ha, ha, ha!

Fred. He believed it, too.

Fred. He believed it as well.

Mrs. M. More shame for him, Fred!

Mrs. M. That's more shame for him, Fred!

Fred. He's a comical old fellow, that's the truth; and not so pleasant as he might be; however, his offenses carry their own punishment, and I have nothing to say against him.

Fred. He's a funny old guy, that's the truth; and not as nice as he could be; however, his mistakes come with their own consequences, and I have nothing bad to say about him.

Mrs. M. I'm sure he's very rich, Fred. At least you always tell me so.

Mrs. M. I'm sure he's really wealthy, Fred. At least that's what you always tell me.

Fred. What of that, my dear. His wealth is of no use to him. He don't do any good with it. He don't make himself comfortable with it. He hasn't the satisfaction of thinking—ha, ha, ha, ha!—that he is ever going to benefit us with it.

Fred. What about that, my dear? His wealth is useless to him. He doesn't do any good with it. He doesn't make himself comfortable with it. He doesn't even get the satisfaction of thinking—ha, ha, ha, ha!—that he’s ever going to help us with it.

Mrs. M. I have no patience with him.

Mrs. M. I have no patience for him.

Julia. Neither have I for such a stingy old wretch!

Julia. I haven't either for such a cheap old miser!

Fred. Oh, I have. I am sorry for him; I couldn't be angry with him if I tried. Who suffers by his ill whims? Himself, always. Here he takes it into his head to dislike us, and he won't come and dine with us. What's the consequence? He don't lose much of a dinner.

Fred. Oh, I have. I feel sorry for him; I couldn't be mad at him even if I wanted to. Who gets hurt by his bad mood? Only himself, as always. He decides he doesn't like us and won't come to dinner. What's the result? He's not really missing out on much of a meal.

Mrs. M. Indeed, I think he loses a very good dinner.

Mrs. M. I really think he’s missing out on a great dinner.

Sarah. A much better one than he could have served up in his old dingy chambers.

Sarah. A way better one than he could have provided in his old, run-down office.

Fred. Well, I'm very glad to hear it, because I haven't great faith in these young housekeepers. What do you say, Topper?

Fred. Well, I'm really happy to hear that because I don't have much faith in these young housekeepers. What do you think, Topper?

Topper. A bachelor like myself is a wretched outcast, and has no right to express an opinion on such an important subject.

Topper. A single guy like me is a miserable outcast, and I have no right to share my thoughts on such an important topic.

Mrs. M. Do go on, Fred. He never finishes what he begins to say. He is such a ridiculous fellow.

Mrs. M. Keep going, Fred. He never finishes what he starts to say. He's such a silly guy.

Fred. I was only going to say, that the consequence of our uncle taking a dislike to us, and not making merry with us, is, as I think, that he loses some pleasant moments, which could do him no harm. I am sure he loses pleasanter companions than he finds in his own thoughts, either in his moldy old office or his dusty chambers. I mean to give him the same chance every year, whether he likes it or not, for I pity him. He may rail at Christmas till he dies, but he can't help thinking better of it—I defy him—if he finds me going there, in good temper, year after year, and saying, Uncle Scrooge, I wish you A Merry Christmas and A Happy New Year! If it only puts him in the vein to leave his poor clerk fifty pounds, that's something; and I think I shook him yesterday.—Come, let us have some music. Here, Thomas, clear away.

Fred. I just wanted to say that because our uncle dislikes us and doesn’t spend time with us, he is missing out on some enjoyable moments that wouldn't hurt him at all. I’m sure he has better company in us than he does in his own thoughts, whether he's stuck in his old office or his dusty rooms. I plan to give him this opportunity every year, whether he appreciates it or not, because I feel sorry for him. He can complain about Christmas until the end, but I challenge him to not think better of it—especially when he sees me coming by, cheerful, year after year, saying, Uncle Scrooge, I wish you a Merry Christmas and a Happy New Year! Even if it just inspires him to leave his poor clerk fifty pounds, that’s something; and I think I made him think about it yesterday.—Come on, let’s have some music. Here, Thomas, clear the way.

[All rise and go to the piano. Waiter clears table during the singing of a Christmas carol or any selected piece.]

[Everyone stand up and head to the piano. The waiter clears the table while a Christmas carol or any chosen piece is sung.]

Fred. We must not devote the whole evening to music. Suppose we have a game?

Fred. We shouldn't spend the whole evening on music. How about we play a game instead?

All. Agreed.

All. Agreed.

Spir. Time flies; I have grown old. We must hasten on.

Spir. Time flies; I have gotten older. We need to hurry up.

Scro. No, no! One half hour, Spirit, only one.

Scro. No, no! Just half an hour, Spirit, only half an hour.

Fred. I have a new game to propose.

Fred. I've got a new game to suggest.

Sarah. What is it?

Sarah. What's up?

Fred. It is a game called Yes and No. I am to think[30] of something and you are all to guess what it is. I am thinking of an animal, a live animal, rather a disagreeable animal, a savage animal that growls and grunts sometimes, and talks sometimes, and lives in London, and walks about the streets, and is not made a show of, and is not led by anybody and don't live in a menagerie, and is not a horse, a cow or a donkey or a bull. There, now guess?

Fred. It's a game called Yes and No. I'm going to think of something, and you all have to guess what it is. I'm thinking of an animal, a living animal, actually a pretty unpleasant one, a wild animal that sometimes growls and grunts, and sometimes talks, and lives in London, and roams the streets, and isn't a spectacle, and isn't led by anyone, and doesn't live in a zoo, and isn't a horse, cow, donkey, or bull. So, what do you think?

Mrs. M. Is it a pig?

Mrs. M. Is that a pig?

Fred. No.

Fred. Nope.

Julia. Is it a tiger?

Julia. Is that a tiger?

Fred. No.

Fred. Nope.

Topper. Is it a dog?

Topper. Is that a dog?

Fred. No.

Fred. Nope.

Sarah. Is it a cat?

Sarah. Is that a cat?

Snapper. It's a monkey.

Snapper. It's a monkey.

Fred. No.

Fred. No.

Mrs. M. Is it a bear?

Mrs. M. Is it a bear?

Fred. No.

Fred. Nah.

Julia. I have found it out! I know what it is, Fred! I know what it is!

Julia. I figured it out! I know what it is, Fred! I know what it is!

Fred. What is it?

Fred. What's up?

Julia. It's your uncle Scro-o-o-oge!

Julia. It's your Uncle Scrooge!

Fred. Yes.

Fred. Yep.

All. Ha, ha, ha! ha, ha, ha!

All. Ha, ha, ha! Ha, ha, ha!

Mrs. M. It is hardly fair, you ought to have said yes, when I said, it's a bear.

Mrs. M. It's not really fair; you should have said yes when I mentioned it's a bear.

Fred. He has given us plenty of merriment, I'm sure, and it would be ungrateful not to drink his health. Here is some mulled wine ready to our hand at the moment; and when you are ready I say uncle Scrooge! (Servant brings wine forward.)

Fred. He has brought us so much joy, no doubt, and it would be rude not to raise a glass to him. Here’s some warm spiced wine, just waiting for us; and when you’re ready, I say cheers to Uncle Scrooge! (Servant brings wine forward.)

All. Well! Uncle Scrooge!

Everyone. Well! Uncle Scrooge!

Fred. A Merry Christmas, and a Happy New Year to the old man. He wouldn't take it from me, but may he have it, nevertheless. Uncle Scrooge!

Fred. Merry Christmas and Happy New Year to the old man. He wouldn’t accept it from me, but I hope he has it anyway. Uncle Scrooge!

All. Uncle Scrooge, uncle Scrooge!

Everyone. Uncle Scrooge, Uncle Scrooge!

(Scrooge seems to make efforts to reply to the toast, while spirit drags him away.)

(Scrooge tries to respond to the toast, but the spirit pulls him away.)

CURTAIN.

STAVE FOUR.

SCENE I.—Scrooge's chambers.

Scrooge discovered upon his knees.

Scro. Can this be the Spirit of Christmas Future that I see approaching? shrouded in a black garment, which conceals its head, its form, its face, and leaves nothing visible save one outstretched hand. I am in the presence of the Ghost of Christmas Yet to Come. It points onward with its hand. You are about to show me the shadows of things that have not happened, but will happen in the time before us. Is that so, Spirit? (Rises and stands trembling.) Ghost of the Future, I fear you more than any spectre I have seen; but as I know your purpose is to do me good, and as I hope to live to be another man from what I was, I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me? It will not speak. The hand points straight before us. Lead on! Lead on! The night is waning fast, and it is precious time to me, I know. Lead on, Spirit.

Scro. Is this the Spirit of Christmas Future that I see coming? It's covered in a black cloak that hides its head, body, and face, leaving only one outstretched hand visible. I am face to face with the Ghost of Christmas Yet to Come. It's pointing ahead with its hand. You’re about to show me the shadows of things that haven’t happened yet but will in the time ahead. Am I right, Spirit? (Rises and stands trembling.) Ghost of the Future, I fear you more than any ghost I’ve encountered; but since I know your purpose is to help me, and I hope to become a better person than I was, I am prepared to accompany you with a grateful heart. Will you not speak to me? It remains silent. The hand points straight before us. Lead on! Lead on! The night is passing quickly, and I know this time is precious to me. Lead on, Spirit.

(Scrooge crosses stage, as if following Spirit to tormentor entrance, and remains while the scene changes.)

(Scrooge walks across the stage, as if following the Spirit to the entrance of his tormentor, and stays there while the scene changes.)

SCENE II.—A Street.

Scro. Ah, here comes Stevens and there Jones. I have always made it a point to stand well in their esteem—that is in a business point of view.

Scro. Ah, here comes Stevens and then Jones. I've always made it a priority to maintain a good reputation with them—that is, from a business perspective.

Enter Mr. Stevens R. and Mr. Jones L., meeting.

Stevens. How are you?

Stevens. How's it going?

Jones. Pretty well. So Old Scratch has got his own, at last, hey?

Jones. Not too bad. So Old Scratch finally has what he wants, huh?

Stev. So I am told. Cold, isn't it?

Stev. That's what I've heard. It's pretty cold, right?

Jones. Seasonable for Christmas-time. You're not a skater, I suppose?

Jones. Perfect for Christmas time. I take it you're not a skater, right?

Stev. No, no. Something else to think of. Good morning. [Exeunt in opposite directions.]

Stev. No, no. There's something else to consider. Good morning. [They exit in opposite directions.]

Scro. Ah, here are more of my old business friends; the Spirit directs me to hear what they say.

Scro. Ah, here are more of my old business acquaintances; the Spirit is guiding me to listen to what they're saying.

Enter Mr. Fatchin, Mr. Snuffer and Mr. Redface.

Mr. F. No; I don't know much about it, either way; I only know he's dead.

Mr. F. No, I don't really know much about it, either way; I just know he's dead.

Mr. R. When did he die?

Mr. R. When did he pass away?

Mr. F. Last night, I believe.

Mr. F. I think it was last night.

Mr. S. Why, what was the matter with him? (Takes snuff out of a large snuff-box.) I thought he would never die.

Mr. S. What was wrong with him? (Takes snuff out of a large snuff box.) I thought he would never die.

Mr. F. I did not take the trouble to inquire.

Mr. F. I didn't bother to ask.

Mr. R. What has he done with his money?

Mr. R. What has he done with his money?

Mr. F. I haven't heard (yawning); left it to his company, perhaps. He hasn't left it to me. That's all I know. (All laugh.) It's likely to be a very cheap funeral, for upon my life I don't know of any body to go to it. Suppose we make up a party and volunteer?

Mr. F. I haven't heard anything (yawning); maybe he left it to his friends. He definitely hasn't left it to me. That's all I know. (All laugh.) It's probably going to be a really inexpensive funeral, because honestly, I don't know anyone who would go. How about we organize a group and volunteer?

Mr. R. I don't mind going if a lunch is provided. I must be fed if I make one. (All laugh.)

Mr. R. I'm okay with going as long as there's lunch. I need to eat if I'm going to make an appearance. (All laugh.)

Mr. F. Well, I am the most disinterested, after all, for I never wear black gloves and I never eat lunch. But I'll offer to go, if any body else will. When I come to think of it, I am not at all sure that I wasn't his most particular friend; for we used to stop and speak whenever we met.

Mr. F. Well, I’m the least interested, since I never wear black gloves and I never eat lunch. But I’ll volunteer to go, if anyone else will. When I think about it, I’m not really sure that I wasn’t his closest friend; we used to stop and chat whenever we ran into each other.

Mr. S. I would volunteer, but that I have another little matter to attend to that will prevent me. However, I have no objections to joining you in a drink to his memory.

Mr. S. I would love to help, but I have another small thing to take care of that will stop me. However, I’m totally fine with having a drink to remember him.

Mr. R. I am with you. Let us adjourn to the punch bowl. [Exeunt.]

Mr. R. I'm with you. Let's head over to the punch bowl. [Exeunt.]

Scro. To whom can these allusions refer; Jacob Marley has been dead these seven years, and surely those whom I have considered my best friends would not speak of my death so unfeelingly. I suppose, however, that these conversations have some latent moral for my own improvement, and as I have now resolved upon a change of life, I shall treasure up all I see and hear. Lead on, Shadow, I follow! (Crosses to the opposite entrance and remains.)

Scro. Who could these references be about? Jacob Marley has been dead for seven years, and surely my closest friends wouldn’t talk about my death so callously. However, I guess these conversations hold some hidden lesson for my own growth, and since I’ve decided to change my life, I will remember everything I see and hear. Lead on, Shadow, I’m following! (Crosses to the opposite entrance and remains.)

SCENE III.—Interior of a junk or pawn-shop.

Enter Old Joe, ushering in Mrs. Mangle, Mrs. Dilber and Mr. Shroud, door in flat.

Old Joe. You couldn't have met in a better place; come in. You were made free here long ago, you know, and the other two ain't strangers. Stop till I shut the door of the shop. Ah! how it shrieks! There isn't such a rusty bit of metal in the place as its own hinges, I believe, and I'm sure there's no such old bones here as mine. Ha, ha! We're all suitable to our calling, we're well matched. Come, come! we are at home here. (Trims smoky lamp at table.)

Old Joe. You couldn't have picked a better spot; come on in. You were set free here a long time ago, and the other two aren't strangers. Hold on while I close the shop door. Ah! how it screeches! I don't think there’s a rustier piece of metal around here than those hinges, and I doubt there are any older bones than mine. Ha, ha! We’re all right for our jobs; we fit well together. Come on, come on! We're at home here. (Trims smoky lamp at table.)

Mrs. M. What odds, then! What odds, Mrs. Dilber? (Throws her bundle on the floor and sits on a stool, resting her elbows on her knees.) Every person has a right to take care of themselves. He always did.

Mrs. M. What’s the difference, then? What’s the difference, Mrs. Dilber? (Throws her bundle on the floor and sits on a stool, resting her elbows on her knees.) Everyone has the right to look out for themselves. He always did.

Mrs. D. That's true, indeed! No man cared for himself more than he did.

Mrs. D. That's absolutely true! No man took care of himself more than he did.

Mrs. M. Why, then, don't stand staring as if you was afraid, woman; who's the wiser? We're not going to pick holes in each other's coats, I suppose?

Mrs. M. Why are you just standing there staring like you're scared, woman? Who's going to care? We're not going to nitpick each other’s flaws, right?

Mr. Shroud. No, indeed! We should hope not.

Mr. Shroud. No way! We should certainly hope not.

Mrs. M. Very well, then: that's enough. Who's the worse for the loss of a few things like these? Not a dead man, I suppose.

Mrs. M. Alright then: that's enough. Who really cares about losing a few things like these? Certainly not a dead man, I guess.

Mr. S. (Laughing.) No, indeed.

Mr. S. (Laughing.) No way.

Mrs. M. If he wanted to keep 'em after he was dead, the wicked old Screw, why wasn't he natural in his life time? If he had been, he'd have had somebody to look after him when he was struck with death, instead of lying gasping out his last there, alone by himself.

Mrs. M. If he wanted to keep them after he was dead, that greedy old miser, why wasn't he kind when he was alive? If he had been, he would have had someone to take care of him when he was dying, instead of lying there gasping his last breaths all alone.

Mrs. D. It's the truest word ever was spoke. It's a judgment on him.

Mrs. D. It’s the most accurate thing ever said. It’s a verdict on him.

Mrs. M. I wish it was a little heavier judgment, and it should have been, you may depend upon it, if I could have laid my hands on anything else. Open that bundle, Old Joe, and let me know the value of it. Speak out plain. I'm not afraid to be the first, nor afraid to let them see it. We knew pretty well that we were helping ourselves, before we met here, I believe. It's no sin. Open the bundle, Joe.

Mrs. M. I wish the judgment was a bit tougher, and it would have been, trust me, if I could have gotten my hands on anything else. Open that bundle, Old Joe, and tell me how much it’s worth. Be straightforward. I’m not scared to be the first, nor am I worried about them seeing it. We pretty much knew we were looking out for ourselves before we got here, I think. It’s not a sin. Open the bundle, Joe.

Mr. S. Oh, no; we don't mind showing what we have.[34] Here, Joe, value these. (Mrs. D. and Mr. S. lay their packages on the table and Joe proceeds to examine them.)

Mr. S. Oh, no; we don’t mind sharing what we have.[34] Here, Joe, take a look at these. (Mrs. D. and Mr. S. place their packages on the table and Joe starts to examine them.)

Joe. (Chalking the figures on the wall as he names them.) A seal, eight shillings; pencil-case, three and six pence; pair of sleeve-buttons, five and four-pence; scarf-pin, ninepence. Nine and four, thirteen, and six, is nineteen—seven. One and five's six, and thirteen is nine, and eight makes seventeen. That's your account, and I wouldn't give another sixpence if I was to be boiled for it. Who's next?

Joe. (Writing down the numbers on the wall as he says them.) A seal, eight shillings; pencil case, three and six; a pair of sleeve buttons, five and four; scarf pin, nine pence. Nine and four, thirteen and six, that makes nineteen—seven. One and five is six, and thirteen is nine, and eight makes seventeen. That's your total, and I wouldn't give you another six pence even if I was forced to! Who's next?

Mrs. D. I hope you'll be more liberal with me, Mr. Joe. I'm a poor, lone widow, and it's hard for me to make a living.

Mrs. D. I hope you'll be more generous with me, Mr. Joe. I'm a struggling widow, and it's tough for me to get by.

Joe. I always give too much to the ladies. It's a weakness of mine, and that's the way I ruin myself. Under-clothing, sheets, towels, sugar-tongs; these tea-spoons are old-fashioned, and the boots won't bear mending. One pound six, that's your account. If you asked me another penny, and made it an open question I'd repent of being liberal, and knock off half a crown.

Joe. I always give too much to women. It's a weakness of mine, and that's how I mess it all up. Underwear, sheets, towels, sugar tongs; these teaspoons are outdated, and the boots aren’t worth fixing. One pound six, that’s your bill. If you asked for even a penny more and left it open-ended, I would regret being generous and take off half a crown.

Mrs. M. Now, undo my bundle, Joe.

Mrs. M. Now, unwrap my bundle, Joe.

Joe. (Opening bundle.) What do you call this? Bed curtains?

Joe. (Opening bundle.) What do you call this? Bed curtains?

Mrs. M. Ah! (Laughing.) Bed curtains.

Bed curtains.

Joe. You don't mean to say you took 'em down, rings and all, with Old Scrooge lying there?

Joe. You’re not saying you took them down, rings and all, with Old Scrooge lying there, are you?

Mrs. M. Yes I do. Why not?

Mrs. M. Yes, I do. Why not?

Joe. You were born to make your fortune, and you'll certainly do it.

Joe. You were meant to succeed, and you definitely will.

Mrs. M. I certainly shan't hold my hand, when I can get anything in it by reaching it out, for the sake of such a man as he was, I promise you, Joe. Don't drop that oil upon the blanket, now.

Mrs. M. I definitely won't hesitate to stretch out my hand to grab something when I can reach it, just for someone like him, I promise you, Joe. Don't spill that oil on the blanket, okay?

Joe. His blankets?

Joe. Where are his blankets?

Mrs. M. Whose else's do you think? He isn't likely to take cold without 'em, I dare say.

Mrs. M. Whose else do you think? I bet he won't catch a cold without them, I can tell you that.

Joe. I hope he didn't die of anything catching. Eh? (Stopping his work and looking up.)

Joe. I hope he didn't die from something contagious. Right? (Stopping his work and looking up.)

Mrs. M. Don't you be afraid of that: I ain't so fond of his company that I'd loiter about him for such things if he did. Ah, you may look through that shirt till your eyes ache, but you won't find a hole in it nor a thread-bare place. It's the best he had, and a fine one, too. They'd have wasted it if it hadn't been for me.

Mrs. M. Don't worry about that: I’m not so keen on his company that I’d stick around him for those reasons. You can search that shirt until your eyes hurt, but you won’t find a hole in it or any worn-out spots. It’s the best he had, and it’s a good one, too. They would have ruined it if it weren't for me.

Joe. What do you call wasting of it?

Joe. What do you mean by wasting it?

Mrs. M. (laughing.) Putting it on him to be buried in, to be sure. Somebody was fool enough to do it, but I took it off again. If calico ain't good enough for such a purpose, it isn't good enough for anything. It's as becoming to the body. He can't look uglier than he did in that one.

Mrs. M. (laughing.) Making him wear it for burial, that's for sure. Someone was silly enough to do it, but I took it off again. If calico isn’t good enough for that, it’s not good for anything else. It looks just as nice on the body. He can't look any worse than he did in that one.

Joe. Well, well! I'll ruin myself again. I'll give you two guineas for the lot, and go to the bankrupt court. (Takes bag of coin and counts out their amounts.)

Joe. Well, well! I’m going to mess things up for myself again. I’ll give you two guineas for everything, and then head to the bankruptcy court. (Takes bag of coins and counts out the amounts.)

Mrs. M. Ha, ha! This is the end of it, you see. He frightened every one away from him when he was alive, to profit us when he was dead.

Mrs. M. Ha, ha! This is the end of it, you see. He scared everyone off when he was alive, just to benefit us now that he's gone.

All. Ha, ha, ha! [Exeunt door in flat, old Joe lighting them out.]

All. Ha, ha, ha! [Everyone exits through the door in the flat, with old Joe showing them out.]

Scro. Spirit! I see, I see. This is my own case, if nothing happens to change it. My life tends this way. Spirit, in leaving this. I shall not leave its lesson; trust me. If there is any person in the city who feels the least emotion for the death here announced, show that person to me. [Crosses to L., while scene closes in.]

Scro. Spirit! I get it, I really do. This is my own situation, unless something changes. My life is headed this way. Spirit, as I move on from this, I won’t forget its lesson; believe me. If there's anyone in the city who feels even a little sorrow for the death that's been announced, show that person to me. [Crosses to L., while scene closes in.]

SCENE IV.—Street. Exterior of Scrooge & Marley's Counting House.

Scro. Why, here is my place of business, and has been occupied by Scrooge & Marley for many years. I see the house, let me behold what I shall be in the days to come. Why, Spirit, the house is yonder. Why do you point away? (Goes to the window and looks in.) It is the old office still; the same furniture; but no one occupies my chair. Ah! some one comes.

Scro. Well, this is my office, and it’s been run by Scrooge & Marley for many years. I see the building; let me see what my future holds. Why, Spirit, the office is over there. Why are you pointing that way? (Goes to the window and looks in.) It’s the same old office; same furniture; but no one is sitting in my chair. Ah! Someone is coming.

Enter James Badger from Counting House, going off right, meets Mrs. Badger at right entrance.

Mrs. B. Ah! James. I have waited for you so long. What news? Is it good or bad?

Mrs. B. Ah! James. I’ve been waiting for you forever. What’s the news? Is it good or bad?

James. Bad.

James. Not good.

Mrs B. We are quite ruined?

Mrs B. Are we totally ruined?

James. No. There is hope yet, Caroline.

James. No. There’s still hope, Caroline.

Mrs. B. If he relents, there is. Nothing is past hope, if such a miracle has happened.

Mrs. B. If he changes his mind, there is. Nothing is beyond hope, if such a miracle has occurred.

James. He is past relenting. He is dead.

James. He is no longer willing to change his mind. He is gone.

Mrs. B. Dead! Thank Heaven; we are saved. (Pause.) I pray forgiveness, I am sorry that I gave expression to the emotions of my heart.

Mrs. B. Dead! Thank God; we’re saved. (Pause.) I ask for your forgiveness; I’m sorry for expressing my feelings.

James. What the half drunken woman, whom I told you of last night, said to me when I tried to see him and obtain a week's delay, and what I thought was a mere excuse to avoid me, turns out to have been quite true. He was not only very ill, but dying then.

James. What the half-drunken woman, whom I mentioned to you last night, said to me when I tried to see him and get a week's extension, and what I thought was just an excuse to dodge me, turns out to have been completely true. He was not only very sick, but dying at that moment.

Mrs. B. To whom will our debt be transferred?

Mrs. B. Who will we owe the debt to?

James. I don't know, and I have been unable to ascertain. At all events, before that time we shall be ready with the money; and even though we were not, it would be a bad fortune indeed to find so merciless a creditor in his successor. We may sleep to-night with light hearts, Caroline!

James. I don't know, and I haven't been able to find out. Either way, we’ll have the money ready by that time; and even if we don’t, it would be really unfortunate to deal with such a ruthless creditor as his successor. We can go to bed tonight with light hearts, Caroline!

Mrs. B. Yes; and our dear children will be brighter when they find the gloom dispelled from the minds of their parents. We cannot deny that this man's death has occasioned some happiness.

Mrs. B. Yes; and our dear children will be happier when they see the gloom lifted from their parents' minds. We can’t deny that this man’s death has brought some happiness.

James. Come, let us hurry home [Exeunt, R.]

James. Come on, let’s hurry home [Exeunt, R.]

Scro. Spirit, it is evident that the only emotion you can show me, caused by the event foreshadowed, is one of pleasure. Let me see some tenderness connected with the death of another, or what has just been shown me will be forever present in my mind.

Scro. Spirit, it's clear that the only feeling you can show me about the upcoming event is one of happiness. Let me see some compassion related to someone else's death, or what I've just witnessed will stay in my mind forever.

SCENE V.—Bob Cratchit's home. Mrs. Cratchit, Belinda, Little Cratchit and Peter Cratchit discovered at table, the two former sewing and the latter reading a book.

Peter. (Reading.) And he took a child and set him in the midst of them.

Peter. (Reading.) And he took a child and placed him in the middle of them.

Scro. Where have I heard those words? I have not dreamed them. Why does he not go on?

Scro. Where have I heard those words? I didn’t dream them. Why isn’t he continuing?

Mrs C. (Betrays emotions; lays her work upon the table, and puts her hand to her face.) The color hurts my eyes.

Mrs C. (Shows her emotions; sets her work down on the table and covers her face with her hand.) The color is painful to look at.

Bel. Yes, poor Tiny Tim!

Bel. Yes, poor Tiny Tim!

Mrs. C. They're better now. It makes them weak by candle-light; and I wouldn't show weak eyes to your father when he comes home, for the world. It must be near his time. (Resumes her work.)

Mrs. C. They’re better now. It makes them look weak by candlelight, and I wouldn't want to show my tired eyes to your father when he gets home, no matter what. It must be nearly time for him. (Resumes her work.)

Peter. Past it, rather (shutting up book), but I think[37] he has walked a little slower than he used, these last few evenings, mother.

Peter. It's a little past that (shutting up book), but I think[37] he's been walking a bit slower than he used to these last few evenings, mom.

Mrs. C. (In a faltering voice.) I have known him walk with—I have known him walk with Tiny Tim upon his shoulder very fast indeed.

Mrs. C. (In a shaky voice.) I’ve seen him walk—I've seen him walk with Tiny Tim on his shoulder really quickly.

Peter. And so have I, often.

Peter. So have I, often.

Bel. And so have I.

Bel. Me too.

Mrs. C. But he was very light to carry, and his father loved him so, that it was no trouble; no trouble. And there is your father at the door.

Mrs. C. But he was really easy to carry, and his father loved him so much that it was no problem; no problem at all. And there’s your father at the door.

Enter Bob Cratchit. Belinda and Little Cratchit meet him; Peter places a chair for him, and Mrs. C. averts her head to conceal her emotion. Bob kisses Belinda, and takes Little C. on his knees, who lays his little cheek against his face.

Bob. Hard at work, my dears; hard at work. Why, how industrious you are, and what progress you are making. You will be done long before Sunday.

Bob. Busy working, my friends; really busy. Wow, you’re so hardworking, and look at how much you’re accomplishing. You'll finish up long before Sunday.

Mrs. C. Sunday! You went to-day, then, Robert?

Mrs. C. Sunday! So, you went today, Robert?

Bob. Yes, my dear; I wish you could have gone, it would have done you good to see how green a place it is. But you'll see it often. I promised him that I would walk there on a Sunday. My little, little child! my little child! (Rises and retires up stage to compose himself; returns and resumes his place at the table.) Oh, I must tell you of the extraordinary kindness of Mr Scrooge's nephew, whom I have scarcely seen but once, and who, meeting me in the street, and seeing that I looked a little—just a little—down, you know, inquired what had happened to distress me. On which, for he is the pleasantest-spoken gentleman you ever heard, I told him. I am heartily sorry for it, Mr. Cratchit, he said, and heartily sorry for your good wife. By-the-bye, how he ever knew that, I don't know.

Bob. Yes, my dear; I wish you could have gone. It would have really done you good to see how green it is there. But you'll get to see it often. I promised him I'd take a walk there on a Sunday. My little, little child! my little child! (Rises and steps back to collect himself; returns and takes his seat at the table.) Oh, I have to tell you about the amazing kindness of Mr. Scrooge's nephew, whom I've barely seen once. He happened to see me on the street, and when he noticed that I looked a bit—just a bit—down, he asked what was bothering me. Since he's the most pleasant guy you could ever meet, I told him. He said, "I’m truly sorry to hear that, Mr. Cratchit, and I’m also really sorry for your good wife." By the way, I have no idea how he even knew that.

Mrs. C. Knew what, my dear?

Mrs. C. Knew what, dear?

Bob. Why, that you were a good wife.

Bob. You were such a great wife.

Peter. Everybody knows that!

Peter. Everyone knows that!

Bob. Very well observed, my boy. I hope they do. Heartily sorry, he said, for your good wife. If I can be of service to you in any way, he said, giving me his card, that's where I live; pray come to me. Now, it[38] wasn't for the sake of anything he might be able to do for us, so much as for his kind way, that this was quite delightful. It really seemed as if he had known our Tiny Tim, and felt with us.

Bob. You’ve observed that well, my friend. I hope they do. I'm truly sorry to hear about your wonderful wife. If there's anything I can do for you, he said, handing me his card, that's where I live; please feel free to visit me. Now, it[38] wasn’t so much about what he could do for us, but rather his kind nature that made this really lovely. It genuinely felt like he had known our Tiny Tim and shared our feelings.

Mrs. C. I'm sure he's a good soul.

Mrs. C. I'm sure he's a good person.

Bob. You would be sure of it, my dear, if you saw and spoke to him. I shouldn't be at all surprised—mark my words—if he got Peter a better situation.

Bob. You would definitely know, my dear, if you met and talked to him. I wouldn't be at all surprised—mark my words—if he helped Peter get a better job.

Mrs. C. Only hear that, Peter.

Mrs. C. Just listen to that, Peter.

Bel. And then Peter will be keeping company with some one, and setting up for himself.

Bel. And then Peter will be hanging out with someone and starting his own thing.

Peter. (Grinning.) Get along with you!

Peter. (Grinning.) Go away!

Bob. It's just as likely as not, one of these days; though there's plenty of time for that, my dear. But, however and whenever we part from one another, I am sure we shall none of us forget poor Tiny Tim, shall we?

Bob. It's just as likely as not that one of these days; though we have plenty of time for that, my dear. But regardless of when or how we part from each other, I know none of us will forget poor Tiny Tim, will we?

All. Never, father.

All. Never, Dad.

Bob. And I know, I know, my dears, that when we recollect how patient and how mild he was—although he was a little child—we shall not quarrel easily among ourselves, and forget poor Tiny Tim in doing it.

Bob. And I know, I know, my friends, that when we remember how patient and gentle he was—despite being just a little kid—we won't argue easily among ourselves, and we'll make sure to keep poor Tiny Tim in our thoughts.

All. No, never, father. (All rise.)

All. No, never, Dad. (All rise.)

Bob. I am very happy. I am very happy! (Kisses Mrs C., Belinda, Young C. and shakes hands with Peter.) Spirit of Tiny Tim, thy childish essence is from above.

Bob. I'm really happy. I'm so happy! (Kisses Mrs. C., Belinda, Young C. and shakes hands with Peter.) Spirit of Tiny Tim, your childlike essence is from above.

FIN.

STAVE FIVE.

SCENE I.—Scrooge's chamber. Scrooge discovered on his knees at the easy chair.

Scro. Spirit! Hear me! I am not the man I was. I will not be the man I must have been, but for this intercourse. Why have shown me all that you have, if I am past all hope? Good Spirit, your nature intercedes for me, and pities me. Assure me that I yet may change the shadows you have shown me, by an altered life.[39] Your hand trembles. I will honor Christmas in my heart and try to keep it all the year. I will live in the Past, the Present and the Future. The spirits of all three shall strive within me. I will not shut out the lessons that they teach. Oh! tell me I may sponge away the shadows of the future. (Grasps the easy chair in his agony, as if struggling to detain it.) Do not go, I entreat you. It shrinks, it has collapsed, it has dwindled down into an easy chair. Yes! my own chair, my own room and best—and happiest of all—my own time before me to make amends in. Oh, Jacob Marley, Heaven and the Christmas time be praised for this! I say it on my knees, old Jacob; on my knees! (Rises and goes and opens door R., 2d E.) They are not torn down—the bed curtains are not torn down, rings and all. They are there—I am here—the shadows of the things that would have been, may be dispelled. They will be; I know they will! (Commences to dress himself, putting everything on wrong, etc.) I don't know what to do! (Laughing and crying.) I am as light as a feather; I am as happy as an angel; I am as merry as a school boy; I am as giddy as a drunken man. A Merry Christmas to every body! A Happy New year to all the world! Halloo here! Waoop! Halloo! (Dancing and capering around the room.) There's the saucepan that the gruel was in; there's the door by which the Ghost of Jacob Marley entered; there's the corner (pointing into adjoining room) where the Ghost of Christmas Past sat. It's all right; it's all true; it all happened. Ha, ha, ha! (Laughing heartily.) I don't know what day of the month it is. I don't know how long I've been among the Spirits. I don't know any thing. I'm quite a baby. Never mind; I don't care. I'd rather be a baby. Haloo! whoop! Halloo here! (Bells or chimes commences to ring. Goes to window and opens it.) No fog, no mist; clear, bright, jovial, cold; cold, piping for the blood to dance to; golden sunlight, heavenly sky; sweet, fresh air; merry bells. Oh, glorious! glorious! (Looking out of window) Hey! you boy in your Sunday clothes, what's to-day?

Scro. Spirit! Listen to me! I'm not the person I used to be. I won’t be the person I could have been without this experience. Why did you show me all that you have, if I'm beyond hope? Good Spirit, your nature speaks for me and feels sorry for me. Promise me that I can still change the dark future you’ve shown me by living differently.[39] Your hand shakes. I will carry Christmas in my heart and try to keep it all year long. I will live in the Past, the Present, and the Future. The spirits of all three will fight within me. I won’t ignore the lessons they teach. Oh! Please tell me I can erase the dark shadows of the future. (Grasps the easy chair in his agony, as if struggling to detain it.) Don’t go, I beg you. It shrinks, it has collapsed, it has turned into an easy chair. Yes! My own chair, my own room, and best of all—my own time ahead to make things right. Oh, Jacob Marley, thank Heaven and Christmas for this! I say it on my knees, old Jacob; on my knees! (Rises and goes and opens door R., 2d E.) They aren’t torn down—the bed curtains are not torn down, rings and all. They are there—I am here—the shadows of what might have been can be wiped away. They will be; I know they will! (Commences to dress himself, putting everything on wrong, etc.) I don’t know what to do! (Laughing and crying.) I feel as light as a feather; I’m as happy as an angel; I’m as cheerful as a schoolboy; I’m as giddy as a drunk person. Merry Christmas to everyone! Happy New Year to the whole world! Hey! Whoa! Hey there! (Dancing and capering around the room.) There’s the saucepan that the gruel was in; there’s the door where the Ghost of Jacob Marley entered; there’s the corner (pointing into adjoining room) where the Ghost of Christmas Past sat. It’s all right; it’s all true; it all happened. Ha, ha, ha! (Laughing heartily.) I don’t know what day of the month it is. I don’t know how long I’ve been with the Spirits. I don’t know anything. I feel like a baby. Never mind; I don’t care. I’d rather be a baby. Hey! Whoop! Hey there! (Bells or chimes commence to ring. Goes to window and opens it.) No fog, no mist; clear, bright, cheerful, cold; cold, perfect for the blood to dance to; golden sunlight, heavenly sky; sweet, fresh air; merry bells. Oh, glorious! glorious! (Looking out of window) Hey! You boy in your Sunday clothes, what day is it today?

Voice outside. Eh?

Someone's outside. Huh?

Scro. What's to day my fine fellow?

Scro. What’s today, my dude?

Voice outside. To-day! why. Christmas Day.

Voice outside. Today! Why. Christmas Day.

Scro. It's Christmas Day; I haven't missed it. The Spirits have done it all in one night. They can do any[40] thing they like. Of course they can. Of course they can. (Returns to window.) Halloo, my fine fellow!

Scro. It's Christmas Day; I didn't miss it. The Spirits did everything in one night. They can do anything they want. Of course they can. Of course they can. (Returns to window.) Hey there, my good man!

Voice outside. Halloo!

Voice outside. Hey!

Scro. Do you know the poulterers in the next street but one, at the corner?

Scro. Do you know the poultry shop on the next street over, at the corner?

Voice outside. I should hope I did.

Voice outside. I really hope I did.

Scro. An intelligent boy! a remarkable boy! Do you know whether they've sold the prize turkey that was hanging up there? Not the little prize turkey; the big one?

Scro. A smart kid! an impressive kid! Do you know if they've sold the prize turkey that was hanging up there? Not the small prize turkey; the big one?

Voice outside. What the one as big as me?

Voice outside. What about the one that's my size?

Scro. What a delightful boy. It's a pleasure to talk to him. Yes, my buck.

Scro. What a charming kid. It's nice to chat with him. Yes, my buddy.

Voice outside. It's hanging there now.

Voice outside. It's there now.

Scro. Is it? Go and buy it.

Scro. Is it? Go pick it up.

Voice outside. What do you take me for?

Voice outside. What do you think I am?

Scro. No, no. I am in earnest. Go and buy it, and tell 'em to bring it here, that I may give them the directions where to take it. Come back with the man, and I'll give you a shilling. Come back with him in less than five minutes, and I'll gave you half a crown. That boy's off like a shot. I'll send it to Bob Cratchit's. (Rubbing his hands and chuckling.) He shan't know who sent it. It's twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob's will be. I must write the directions for that turkey. (Sits at table to write.)

Scro. No, seriously. Go buy it and tell them to bring it here so I can give them directions on where to take it. Come back with the guy, and I’ll give you a shilling. If you’re back with him in less than five minutes, I’ll give you half a crown. That kid’s off like a shot. I’ll send it to Bob Cratchit’s. (Rubbing his hands and chuckling.) He won’t know who sent it. It’s twice the size of Tiny Tim. Joe Miller never made a joke as good as sending this to Bob will be. I need to write down the directions for that turkey. (Sits at the table to write.)

SCENE II—A street. Exterior of Scrooge's Chambers.

Enter Scrooge from the house.

Scro. (Addressing the knocker on the door.) I shall love it as long as I live. (Patting the knocker.) I scarcely ever looked at it before. What an honest expression it has in its face. It's a wonderful knocker.—Here's the turkey.

Scro. (Addressing the knocker on the door.) I will love it for the rest of my life. (Patting the knocker.) I hardly ever paid attention to it before. It has such an honest look on its face. It's an amazing knocker.—Here's the turkey.

Enter boy with large turkey.

Scro. Halloo! Whoop! How are you! Merry Christmas! There's a turkey for you! This bird never could have stood upon his legs, he would have snapped 'em short off in a minute, like sticks of sealing-wax. Here's your half-crown, boy. Now take the monster to Bob[41] Cratchit, Camden-town; and tell him it's a present from his grandmother, who wishes him A Merry Christmas, and A Happy New Year. Hold, that, turkey is too large for you to carry; take a cab, here's the money to pay for it.

Scro. Hey! Wow! How are you! Merry Christmas! There's a turkey for you! This bird would never have been able to stand on its legs; it would have snapped them off in a second, like pieces of wax. Here's your two and six. Now take the huge bird to Bob[41] Cratchit, Camden Town; and tell him it’s a gift from his grandmother, who wishes him a Merry Christmas and a Happy New Year. Wait, that turkey is too big for you to carry; grab a cab, here's the money for it.

Enter Mr. and Mrs. Badger, R.

Scro. Why, here comes James Badger and wife, as sure as I live. Good morning!

Scro. Well, here come James Badger and his wife, just as I thought. Good morning!

James. Good morning, sir! A Merry Christmas to you!

James. Good morning, sir! Merry Christmas to you!

Scro. The same to you both, and many of them.

Scro. Same to both of you, and wish you many more.

Mrs. B. He seems in a good humor, speak to him about it.

Mrs. B. He seems to be in a good mood, talk to him about it.

Scro. Going to church, eh?

Scro. Going to church, huh?

James. We were going, sir, to hear the Christmas Carols, but mindful of the obligation resting upon us, which falls due to-morrow, and of our inability to meet the payment, we have called to beg your indulgence, and ask for a further extension of time.

James. We were going, sir, to listen to the Christmas Carols, but aware of the obligation we have to meet tomorrow and our inability to make the payment, we’ve come to ask for your understanding and request an extension of time.

Scro. Why, James, how much do you owe me?

Scro. Hey, James, how much do you owe me?

James. Twenty pounds, sir.

James. £20, sir.

Scro. How long since you contracted the debt?

Scro. How long ago did you take on the debt?

James. Ten years to morrow, sir.

James. Ten years from tomorrow, sir.

Scro. Then you have already paid me over half the amount in interest, which interest has been compounded, and I have, in fact, received more than the principal. My dear fellow, you owe me nothing, just consider the debt cancelled.

Scro. So, you’ve already paid me more than half the amount in interest, and that interest has been compounded, meaning I’ve actually received more than the original loan. My dear friend, you owe me nothing; just think of the debt as settled.

James. Surely, sir, you cannot mean it.

James. Surely, sir, you can't be serious.

Scro. But I do.

Scro. But I really do.

Mrs. B. Oh, sir, how can we ever sufficiently manifest our gratitude for such unexpected generosity?

Mrs. B. Oh, sir, how can we ever truly show our gratitude for such unexpected generosity?

Scro. By saying nothing about it. Remember, James and wife, this is Christmas day, and on this day, of all others, we should do unto others as we would have them do unto us.

Scro. By not saying anything about it. Remember, James and wife, today is Christmas, and on this day, more than any other, we should treat others the way we want to be treated.

James. May Heaven reward you, sir. You have lightened our hearts of a heavy burden.

James. May heaven reward you, sir. You have lifted a heavy burden from our hearts.

Scro. There, there! go to church.

Scro. It's okay! Go to church.

James. We shall, sir, and remember our benefactor in our devotions. (Shaking hands.) I can say heartily a Merry Christmas.

James. We will, sir, and keep our benefactor in our thoughts during our prayers. (Shaking hands.) I can sincerely wish you a Merry Christmas.

Mrs. B. And A Happy New Year. [Exeunt L.]

Mrs. B. And a Happy New Year. [Exeunt L.]

Scro. I guess they are glad, now, that I am alive, and will be really sorry when I die. Halloo! Whoop!

Scro. I think they’re happy I’m alive now, and they’ll truly miss me when I’m gone. Hey! Let’s celebrate!

Enter Mr. Barnes, L., passes across stage; Scrooge follows and stops him.

Enter Mr. Barnes, L., walks across the stage; Scrooge trails behind and stops him.

Scro. My dear sir (taking both, his hands), how do you do? I hope you succeeded yesterday. It was very kind of you. A Merry Christmas to you, sir.

Scro. My dear sir (taking both his hands), how are you? I hope you did well yesterday. That was really kind of you. Merry Christmas to you, sir.

Mr. B. Mr. Scrooge?

Mr. B. Mr. Scrooge?

Scro. Yes. That is my name, and I fear it may not be pleasant to you. Allow me to ask your pardon. And will you have the goodness—(Scrooge whispers in his ear.)

Scro. Yes. That's my name, and I worry it might not sound nice to you. Please forgive me. And would you be so kind—(Scrooge whispers in his ear.)

Mr. B. Lord bless me—you take my breath away. My dear Mr. Scrooge, are you really serious?

Mr. B. Wow, you really leave me speechless. My dear Mr. Scrooge, are you being serious?

Scro. If you please. Not a farthing less. A great many back payments are included in it, I assure you. Will you do me the favor?

Scro. If you don't mind. Not a penny less. A lot of past dues are included in this, I promise you. Will you do me the favor?

Mr. B. My dear sir (shaking hands with him), I don't know what to say to such munifi—

Mr. B. My dear sir (shaking hands with him), I don't know what to say to such generosity—

Scro. Don't say any thing, please. Come and see me. Will you come and see me?

Scro. Please don't say anything. Just come and see me. Will you come and see me?

Mr. B. I will—with great pleasure. [Exit, R.]

Mr. B. I'll do it—with great pleasure. [Exit, R.]

Scro. Thank'er. I am much obliged to you. I thank you fifty times. Bless you!

Scro. Thank you. I really appreciate it. I can’t thank you enough. Bless you!

Enter Bob Cratchit, R., with Tiny Tim on his shoulder.

Scro. Halloo, Bob Cratchit! What do you mean by coming here?

Scro. Hey, Bob Cratchit! What are you doing here?

Bob. I am very sorry, sir; I was not coming, I was only passing, sir, on my way to hear the Christmas carols.

Bob. I'm really sorry, sir; I wasn't coming here, I was just passing by, sir, on my way to listen to the Christmas carols.

Scro. What right have you to be passing here to remind me that it is Christmas?

Scro. What gives you the right to be here reminding me that it's Christmas?

Bob. It's only once a year, sir; it shall not be repeated.

Bob. It's just once a year, sir; it won't happen again.

Scro. Now, I'll tell you what, my friend. I am not going to stand this any longer: and therefore I give you permission to pass my house fifty times a day, if you want to. I give you a week's vacation, without any deduction for lost time. I am about to raise your salary. (Giving him a dig in the waistcoat; Bob staggers back, and Scrooge follows him up.) A Merry Christmas, Bob! (Slapping him on the back.) A Merrier Christmas, Bob,[43] my good fellow, than I have ever given you for many a year! I'll raise your salary, and endeavor to assist your struggling family, and I'll be Tiny Tim's Godfather. Come along, my good fellow, we'll go to church together, and discuss your affairs on the way. Tiny Tim, what do you say to that?

Scrooge. Now, listen up, my friend. I can't put up with this any longer, so I'm giving you permission to come by my house fifty times a day if you want. You get a week off, no pay docked for the time missed. I'm going to increase your salary. (Giving him a jab in the waistcoat; Bob staggers back, and Scrooge follows him.) Merry Christmas, Bob! (Slapping him on the back.) An even Merrier Christmas, Bob, my good man, than I've given you in many years! I’ll raise your salary and try to help your struggling family, and I’ll be Tiny Tim’s Godfather. Come on, my good man, we'll go to church together and talk about your situation on the way. Tiny Tim, what do you think about that?

Tiny Tim. I say God bless us, every one.

Tiny Tim. I say God bless us all.

Bob. I would like to say something, sir, but you have deprived me of the power of speech.

Bob. I want to say something, sir, but you've taken away my ability to speak.

Scro. Come on, then, we'll talk it over as we go. Come Tiny Tim, and go with your Godfather. (Takes Tim on his shoulder. Exeunt, L.)

Scro. Let's go, and we can discuss things on the way. Come on, Tiny Tim, and go with your Godfather. (Picks Tim up on his shoulder. Exits, L.)

SCENE III.—Drawing Room in Fred Merry's house. Fred, Mrs. Fred and Mrs. Kemper discovered seated at table, conversing.

Fred. Is it possible! You surprise me. I never had the least idea that you had ever met Uncle Scrooge, much less that he was an old admirer of yours.

Fred. Is that really true! You’re surprising me. I had no clue that you had ever met Uncle Scrooge, let alone that he was an old admirer of yours.

Mrs. M. Oh! do tell us all about it, dear mother; I'm dying to hear it.

Mrs. M. Oh! please share all the details, Mom; I can't wait to hear it!

Mrs. K. Well, you must know, my dear children, that Fanny Scrooge—your mother, Fred—was my earliest friend and schoolmate, and through her I became acquainted with her brother—your uncle; at that time a noble spirited boy, fresh from his studies. Our friendship soon ripened into love, and a betrothal. I cannot describe to you how happy and light hearted I was, and how true and devoted your uncle continued. Our marriage was deferred until such time as he should be in a position to provide us a suitable home. After he left Mr. Fezziwig's, where he had served his time, he entered the service of Jacob Marley, and subsequently became his partner. It was at this time I observed a change in him; he was not less ardent than before, but I soon discovered that avarice had become the guiding passion of his nature, and that our love was subservient to its influence. Foreseeing that only misery could ensue from our union, I released him from the engagement. And now after the lapse of many years, with the exception of the day, five years ago, when he attended your father's funeral, we have not met or exchanged a word with each other.

Mrs. K. Well, you should know, my dear children, that Fanny Scrooge—your mother, Fred—was my first friend and classmate, and through her, I got to know her brother—your uncle; back then, he was a noble-spirited boy, just out of school. Our friendship quickly grew into love and we got engaged. I can’t tell you how happy and carefree I was, and how true and devoted your uncle remained. Our marriage was postponed until he could provide us with a suitable home. After he left Mr. Fezziwig’s, where he did his apprenticeship, he started working for Jacob Marley and eventually became his partner. At this point, I noticed a change in him; he was still passionate as ever, but I soon realized that greed had taken over as the main driving force in his life, and that our love was now secondary to it. Sensing that our marriage would only lead to unhappiness, I set him free from our engagement. And now, after many years, aside from the day five years ago when he came to your father’s funeral, we haven't seen or spoken to each other.

Mrs M. But, mother, did you really love him?

Mrs M. But, Mom, did you really love him?

Mrs. K. I did, my dear—previous to the discovery of the change in him.

Mrs. K. I did, my dear—before I noticed the change in him.

Mrs. M. And did you not sacrifice your love in releasing him?

Mrs. M. Did you not give up your love by letting him go?

Mrs. K. I merely sacrificed my desires to common sense. Love, to be lasting, must be mutual, and if it is not paramount to all other passions, it ends in misery or hate. Hence, being guided by judgment, I soon found by experience that true love can again exist if worthily bestowed.

Mrs. K. I just chose to put common sense over my desires. For love to last, it has to be mutual, and if it doesn’t take priority over all other feelings, it leads to misery or hate. So, guided by reason, I quickly learned from experience that true love can exist again if it’s given properly.

Fred. Well, dear mother, I agree with your estimate of Uncle Scrooge. This is the sixth Christmas Day of our married life, and each Christmas Eve I have invited him to come and dine with us, but he has never yet honored us with his presence, and I suppose he never will.

Fred. Well, dear mom, I agree with your opinion of Uncle Scrooge. This is the sixth Christmas Day of our married life, and every Christmas Eve I've invited him to come and have dinner with us, but he’s never shown up, and I guess he never will.

Scro. (Gently opening the door and putting in his head.) Fred! may I come in? (All start and rise, and Fred rushes toward the door with both hands extended.)

Scro. (Gently opening the door and sticking his head in.) Fred! Can I come in? (Everyone jumps up and Fred rushes toward the door with his arms outstretched.)

Fred. Why, bless my soul! who's that?

Fred. Wow, who's that?

Scro. It's I, your Uncle Scrooge. I have accepted your invitation. Will you let me in?

Scro. It's me, your Uncle Scrooge. I've accepted your invitation. Can I come in?

Fred. Let you in! (Shaking him heartily by both hands.) Dear heart alive! Why not! Welcome! welcome! My wife, your niece—Yes, you may. (Scrooge kisses her.) Our mother.

Fred. Let you in! (Shaking his hands enthusiastically.) Oh my goodness! Why not! Welcome! welcome! My wife, your niece—Yes, you can. (Scrooge kisses her.) Our mom.

Scro. Belle! Heavens! What shall I do? (Aside.)

Scro. Belle! Oh my gosh! What am I going to do? (Aside.)

Mrs. K. I fear that our meeting will be painful. I beg your permission, my son, to retire.

Mrs. K. I’m afraid our meeting is going to be tough. I ask for your permission, my son, to leave.

Fred. No, no, no. This is Christmas Day. Everybody can be happy on this day that desires to be, and I know that your meeting can be made a pleasant and agreeable one if you both so will it. "Peace on earth and good will to man," is the day's golden maxim.

Fred. No, no, no. It’s Christmas Day. Everyone who wants to be happy can be today, and I know your meeting can be enjoyable and pleasant if you both want it to be. "Peace on earth and goodwill to all," is the day's golden rule.

Scro. Although somewhat embarrassed, I concur most heartily in the wise and good-natured counsel of my dear nephew. Never before have I experienced the joys common to this day, and never hereafter, while I am permitted to live, shall I miss them. In the past twenty-four hours I have undergone a complete revolution of ideas and desires, and have awakened unto a new life. Instead of a sordid, avaricious old man, I trust you will find a cheerful, liberal Christian, ever ready to extend to his fellow creatures a Merry Christmas, and a Happy New Year.

Scro. Even though I feel a bit awkward, I completely agree with the wise and kind advice from my dear nephew. I've never felt the joys typical of this day before, and I know I won't miss them for as long as I live. In the last twenty-four hours, I’ve completely changed my thoughts and desires, and I’ve woken up to a new life. Instead of being a greedy old man, I hope you’ll see me as a cheerful, generous Christian, always ready to wish my fellow beings a Merry Christmas and a Happy New Year.

Fred. Why! uncle, I wonder you don't go into Parliament.[45] I could dance for joy. (Embracing him.) You dear old man! You shall ever find a hearty welcome here.

Fred. Wow! Uncle, I’m surprised you haven't gone into Parliament.[45] I could dance with joy. (Embracing him.) You dear old man! You’ll always find a warm welcome here.

Mrs. M. I join with my husband in his earnest congratulations.

Mrs. M. I want to echo my husband’s heartfelt congratulations.

Mrs. K. I confess, Mr. Scrooge, that I am rejoiced to find your nephew's assertions so quickly verified, and that an opportunity is offered to renew an acquaintance which I hope will end in uninterrupted friendship. (They shake hands.)

Mrs. K. I have to say, Mr. Scrooge, I’m really happy to see that your nephew's claims have been proven right so fast, and that we have a chance to reconnect. I hope this leads to a lasting friendship. (They shake hands.)

Fred. Ah, here comes Topper and the girls.

Fred. Oh, look, here comes Topper and the girls.

Enter Topper and Julia Kemper, Snapper and Sarah Kemper.

Fred. Come, girls, hug and kiss your Uncle Scrooge, he has come to make merry with us. (Takes the girls to Scrooge, and endeavors to make them hug, doing most of the hugging himself.) Hug him hard! This is Topper, and this is Snapper, they are both sweet on the girls. (All laugh.)

Fred. Come on, girls, give your Uncle Scrooge a hug and a kiss; he's here to celebrate with us. (Takes the girls to Scrooge, and tries to get them to hug, doing most of the hugging himself.) Hug him tight! This is Topper, and this is Snapper; they both have a crush on the girls. (All laugh.)

Julia and Sarah. Oh, you bad man.

Julia and Sarah. Oh, you naughty man.

Fred. Come, let us lose no time. What do you say to a game? Shall it be blind man's buff?

Fred. Come on, let’s not waste any time. How about a game? Should we play blind man’s buff?

All. Agreed.

Everyone. Agreed.

Fred. Come, Uncle Scrooge, the oldest, first.

Fred. Come on, Uncle Scrooge, you're the oldest, so you go first.

Scro. Do with me as you please; it is Christmas Day.

Scro. Do whatever you want with me; it’s Christmas Day.

(They play a lively game, falling over chairs, etc. Scrooge catches each lady, and guesses wrong, until he gets Mrs. Merry, who, in turn, catches Topper, who pulls the bandage down and goes for Julia, and pretends that he tells who she is by the way the hair is fixed, etc. Scrooge and Mrs. Kemper retire up stage, and converse.)

(They’re having a fun game, tumbling over chairs and all that. Scrooge catches each lady and guesses incorrectly, until he gets Mrs. Merry. She, in turn, catches Topper, who pulls the bandage down and goes after Julia, pretending he can tell who she is just by how her hair is styled. Scrooge and Mrs. Kemper move upstage and start chatting.)

Julia. Ah, that's not fair, you peeped. I won't play any more. (Goes up stage with Topper.)

Julia. Oh, that's not fair, you peeked. I'm not playing anymore. (Goes upstage with Topper.)

Fred. Well, I could have guessed that catch, and it's nothing more than fair that he should peep before making it. It seems, my dear, that our company have divided into couples. Ought we not demand an explanation?

Fred. Well, I could have guessed that catch, and it's only fair that he should check before making it. It seems, my dear, that our group has split into couples. Shouldn't we ask for an explanation?

Mrs. M. As master of the house, it is your duty.

Mrs. M. As the head of the household, it's your responsibility.

Fred. Mr. Thomas Topper and others, we have long suspected you of some horrible design against the peace[46] and happiness of this family. What say you to the charge?

Fred. Mr. Thomas Topper and others, we've long suspected you of having some terrible plan against the peace[46] and happiness of this family. What do you say to the accusation?

Julia. On behalf our clients, we plead guilty.

Julia. On behalf of our clients, we admit guilt.

Sarah. And urge extenuating circumstances.

Sarah. And request special considerations.

Fred. Then nothing more remains, but for the Court to pronounce sentence, which is, that you be placed under the bonds of matrimony, at such time and place as may suit your convenience. But, Madam Belle Kemper and Ebenezer Scrooge, what have you to say in your defense.

Fred. Then there's nothing left to do but for the Court to give its ruling, which is that you will be joined in marriage at a time and place that works for you. But, Madam Belle Kemper and Ebenezer Scrooge, what do you have to say in your defense?

Mrs. K. Only this, that Christmas works wonders.

Mrs. K. Just this: Christmas really works miracles.

Scro. In other words, Mrs. Kemper finds that Christmas has restored me to a primitive condition, and leaves it to time to test the merits of the happy change. (To audience.) We all have cause to bless Christmas, and it shall always be my delight to wish you A Merry Christmas, and A Happy New Year, with Tiny Tim's addition of "God bless us every one."

Scro. In other words, Mrs. Kemper realizes that Christmas has brought me back to a simpler state, and she’ll let time reveal how good this change really is. (To the audience.) We all have a reason to be thankful for Christmas, and it will always be my pleasure to wish you a Merry Christmas and a Happy New Year, along with Tiny Tim’s words, “God bless us everyone.”

CURTAIN.

Transcriber's Notes:

Obvious punctuation errors repaired. Corrections were made in the text where part of a phrase or name was only partially italic. For example, on page 34, the "F." of Mr. F. on one part of dialogue had been printed as "Mr. F." These things were repaired.

Obvious punctuation errors were fixed. Corrections were made in the text where part of a phrase or name was only partially italicized. For example, on page 34, the "F." of Mr. F. in one part of the dialogue had been printed as "Mr. F." These issues were addressed.

The remaining corrections made are listed below and also indicated by dotted lines under the corrections. Scroll the mouse over the word and the original text will appear.

The remaining corrections made are listed below and also indicated by dotted lines under the corrections. Hover your mouse over the word and the original text will appear.

Page iii, "peice" changed to "piece" (piece can be performed)

Page iii, "piece" changed to "piece" (piece can be performed)

Page vi, "past" changed to "Past" (hearth for the Spirit of Christmas Past)

Page vi, "Past" changed to "Past" (hearth for the Spirit of Christmas Past)

Page vii, "Suit" changed to "Suite" (Fireplace L. Suite of)

Page vii, "Suit" changed to "Suite" (Fireplace L. Suite of)

Page vii, "dressar" changed to "dresser" (oranges on dresser)

Page vii, "dressar" changed to "dresser" (oranges on dresser)

Page viii, "Windew" changed to "Window" (G. Window L. C.)

Page viii, "Windew" changed to "Window" (G. Window L. C.)

Page viii, "Cratchet's" changed to "Cratchit's" (SCENE V.—Bob Cratchit's)

Page viii, "Cratchet's" changed to "Cratchit's" (SCENE V.—Bob Cratchit’s)

Page 10, "calender" changed to "calendar" (the long calendar of)

Page 10, "calendar" changed to "calendar" (the long calendar of)

Page 12, "Sch." changed to "Scro." (Scro.. Oh! I was afraid)

Page 12, "Sc." changed to "Scro." (Scro.. Oh! I was worried)

Page 15, "make" changed to "made" (I made it link)

Page 15, "make" changed to "made" (I made it link)

Page 16, "invisable" changed to "invisible" (sat invisible beside)

Page 16, "invisible" changed to "invisible" (sat invisible beside)

Page 19, "use" changed to "used" (than he used to be)

Page 19, "use" changed to "used" (than he used to be)

Page 19, "Gho." changed to "Scro." (Scro. Know it!)

Page 19, "Gho." changed to "Scro." (Scro. Remember it!)

Page 20, "to" changed to "too" (the world too much)

Page 20, "to" changed to "too" (the world too much)

Page 21, "chosing" changed to "choosing" (or choosing her)

Page 21, "choosing" changed to "choosing" (or choosing her)

Page 23, "mistleto" changed to "mistletoe" (also holly, mistletoe)

Page 23, "mistleto" changed to "mistletoe" (also holly, mistletoe)

Page 25, "Hurrrh" changed to "Hurrah" (Hurrah! Hurrah! Here's)

Page 25, "Hurrah" changed to "Hurrah" (Hurrah! Hurrah! Here's)

Page 26, "ahd" changed to "and" (than before, and Tiny)

Page 26, "and" changed to "and" (than before, and Tiny)

Page 28, "Scro." changed to "Spir." (Spir. Begone! hideous)

Page 28, "Spir." changed to "Spirit." (Spirit. Get lost! ugly)

Page 28, "desert" changed to "dessert" (around the dessert table)

Page 28, "dessert" changed to "dessert" (around the dessert table)

Page 29, "househeepers" changed to "housekeepers" (these young housekeepers)

Page 29, "housekeepers" changed to "housekeepers" (these young housekeepers)

Page 29, "vain" changed to "vein" (puts him in the vein)

Page 29, "vain" changed to "vein" (puts him in the vein)

Page 31, "prepered" changed to "prepared" (I am prepared to)

Page 31, "prepared" changed to "prepared" (I am prepared to)

Page 31, "be ore" changed to "before" (before us. Lead)

Page 31, "be ore" changed to "before" (before us. Lead)

Page 32, "That" changed to "That's" (That's all I know)

Page 32, "That" changed to "That's" (That's all I know)

Page 33, "skrieks" changed to "shrieks" (how it shrieks!)

Page 33, "shrieks" changed to "shrieks" (how it shrieks!)

Page 34, "mysel" changed to "myself" (I ruin myself)

Page 34, "myself" changed to "myself" (I ruin myself)

Page 45, "Suapper" changed to "Snapper" (and this is Snapper

Page 45, "Suapper" changed to "Snapper" (and this is Snapper


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