This is a modern-English version of The Angel in the House, originally written by Patmore, Coventry.
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and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
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CASSELL’S NATIONAL LIBRARY
Transcribed from the 1891 Cassell & Company edition by David Price, email ccx074@pglaf.org
Cassell's National Library
Angel in the HouseTHE
BY
COVENTRY PATMORE.
Angel in the House.
BY
COVENTRY PATMORE.
BY
COVENTRY PATMORE.
“Par la grace infinie, Dieu les mist au monde ensemble.”
“Through endless grace, God brought them into the world together.”
Rousier des Dames.
CASSELL & COMPANY, Limited:
London, Paris & Melbourne.
1891.
There could be but one answer to
the suggestion of Mr. Coventry Patmore that his “Angel in
the House” might usefully have a place in this
“National Library.” The suggestion was made
with the belief that wide and cheap diffusion would not take from
the value of a copyright library edition, while the best use of
writing is fulfilled by the spreading of verse dedicated to the
sacred love of home. The two parts of the Poem appeared in
1854 and 1856, were afterwards elaborately revised, and have
since obtained a permanent place among the Home Books of the
English People. Our readers will join, surely, in thanks to
the author for the present he has made us.
p.
viiINTRODUCTION.
There could be but one answer to the suggestion of Mr. Coventry Patmore that his “Angel in the House” might usefully have a place in this “National Library.” The suggestion was made with the belief that wide and cheap diffusion would not take from the value of a copyright library edition, while the best use of writing is fulfilled by the spreading of verse dedicated to the sacred love of home. The two parts of the Poem appeared in 1854 and 1856, were afterwards elaborately revised, and have since obtained a permanent place among the Home Books of the English People. Our readers will join, surely, in thanks to the author for the present he has made us.
There could be only one response to Mr. Coventry Patmore's suggestion that his “Angel in the House” should have a spot in this “National Library.” He proposed this with the belief that making it widely available and affordable wouldn’t diminish the value of a copyright library edition, as the greatest purpose of writing is fulfilled by sharing poetry dedicated to the sacred love of home. The two parts of the poem were published in 1854 and 1856, were later thoroughly revised, and have since earned a lasting place among the Home Books of the English People. Our readers will surely want to express their gratitude to the author for this gift he has given us.
H.M.
BOOK I.
p. ixCONTENTS
BOOK I.
BOOK I. |
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PAGE |
PAGE PAGE |
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THE PROLOGUE. |
THE INTRO. |
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CANTO CANTO |
I. |
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THE CATHEDRAL CLOSE I. |
THE CATHEDRAL QUARTER |
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Preludes: |
Preludes: |
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1. |
The Impossibility 1. |
The Impossible |
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2. |
Love’s Really 2. |
Love Is Real |
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3. |
The Poet’s Confidence 3. |
The Poet's Confidence |
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The Cathedral Close |
The Cathedral Precinct |
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MARY AND MILDRED II. |
Mary and Mildred |
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Preludes: |
Preludes: |
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1. |
The Paragon 1. |
The Paragon |
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2. |
Love at Large 2. |
Love on the Loose |
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3. |
Love and Duty 3. |
Love and Responsibility |
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4. |
A Distinction 4. |
A Difference |
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Mary and Mildred |
Mary and Mildred |
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HONORIA III. |
HONORIA |
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Preludes: |
Preludes: |
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1. |
The Lover 1. |
The Partner |
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2. |
Love a Virtue 2. |
Love is a virtue |
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3. |
The Attainment 3. |
The Achievement |
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Honoria |
Honoria |
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THE MORNING CALL IV. |
The Morning Call |
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Preludes: |
Preludes: |
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1. |
The Rose of the World Below is a short piece of text (5 words or fewer). Modernize it into contemporary English if there's enough context, but do not add or omit any information. If context is insufficient, return it unchanged. Do not add commentary, and do not modify any placeholders. If you see placeholders of the form __A_TAG_PLACEHOLDER_x__, you must keep them exactly as-is so they can be replaced with links. |
The World’s Rose |
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2. |
The Tribute 2. |
The Tribute |
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3. |
Compensation 3. |
Payment |
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The Morning Call |
The Morning Call |
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THE VIOLETS V. |
THE VIOLETS |
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Preludes: |
Preludes: |
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1. |
The Comparison 1. |
The Comparison |
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2. |
Love in Tears 2. |
Love in Tears |
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3. |
Prospective Faith 3. |
Future Faith |
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4. |
Venus Victrix 4. |
Victorious Venus |
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The Violets |
The Violets |
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THE DEAN |
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Preludes: |
Preludes: |
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1. |
Perfect Love rare Please provide the short piece of text you would like me to modernize. |
Rare Perfect Love |
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2. |
Love Justified 2. |
Love Justified |
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3. |
Love Serviceable 3. |
Love that works |
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4. |
A Riddle Solved 4. |
A Riddle Unraveled |
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The Dean |
The Dean |
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ÆTNA AND THE MOON VII. |
Aetna and the Moon |
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Preludes: |
Preludes: |
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1. |
Love’s Immortality Below. |
Love's Eternal Nature |
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2. |
Heaven and Earth 2. |
Sky and Earth |
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Ætna and the Moon |
Ætna and the Moon |
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SARUM PLAIN VIII. |
Sarum Plain |
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Preludes: |
Preludes: |
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1. |
Life of Life Please provide the text you would like me to modernize. |
Life of Life |
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2. |
The Revelation 2. |
The Revelation |
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3. |
The Spirit’s Epochs 3. |
The Spirit's Eras |
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4. |
The Prototype 4. |
The Prototype |
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5. |
The Praise of Love 5. |
The Celebration of Love |
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Sarum Plain |
Sarum Plain |
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SAHARA IX. |
SAHARA |
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Preludes: |
Preludes: |
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1. |
The Wife’s Tragedy Please provide the text you would like me to modernize. |
The Wife’s Tragedy |
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2. |
Common Graces 2. |
Simple Kindnesses |
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3. |
The Zest of Life 3. |
The Joy of Life |
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4. |
Fool and Wise 4. |
Fool and Wise |
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Sahara |
Sahara Desert |
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CHURCH TO CHURCH X. |
CHURCH TO CHURCH |
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Preludes: |
Preludes: |
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1. |
The Joyful Wisdom 1. |
The Happy Wisdom |
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2. |
The Devices 2. |
The Gadgets |
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Going to Church |
Going to Church |
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THE DANCE XI. |
THE DANCE |
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Preludes: |
Preludes: |
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1. |
The Daughter of Eve I'm sorry, but it seems there's no text provided for me to modernize. Please provide the phrases you'd like me to work on. |
Eve's Daughter |
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2. |
Aurea Dicta 2. |
Golden Sayings |
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The Dance |
The Dance |
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THE ABDICATION XII. |
The Abdication |
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Preludes: |
Preludes: |
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1. |
The Chace 1. |
The Chase |
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2. |
Denied 2. |
Denied |
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3. |
The Churl 3. |
The Grumpy Person |
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The Abdication |
The Resignation |
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THE PROLOGUE |
THE INTRODUCTION |
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ACCEPTED I. |
ACCEPTED |
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Preludes: |
Preludes: |
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1. |
The Song of Songs 1. |
Song of Songs |
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2. |
The Kites 2. |
The Kites |
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3. |
Orpheus 3. |
Orpheus |
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4. |
Nearest the Dearest 4. |
Closest to the Heart |
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5. |
Perspective 5. |
Viewpoint |
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Accepted |
Accepted |
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THE COURSE OF TRUE LOVE II. |
THE PATH OF TRUE LOVE |
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Preludes: |
Preludes: |
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1. |
The Changed Allegiance Please provide the text you would like me to modernize. |
The Shifted Loyalty |
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2. |
Beauty 2. |
Beauty |
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3. |
Lais and Lucretia 3. |
Lais and Lucretia |
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The Course of True Love |
The Journey of True Love |
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THE COUNTRY BALL III. |
The Country Dance |
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Preludes: |
Preludes: |
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1. |
Love Ceremonious (There was no text provided to modernize. Please submit a phrase.) |
Love Ceremony |
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2. |
The Rainbow 2. |
The Rainbow |
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3. |
A Paradox 3. |
A Contradiction |
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The County Ball |
The County Gala |
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LOVE IN IDLENESS IV. |
Love in Idleness |
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Preludes: |
Preludes: |
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1. |
Honour and Desert 1. |
Honor and Desert |
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2. |
Love and Honour 2. |
Love and Honor |
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3. |
Valour Misdirected 3. |
Misguided Valor |
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Love in Idleness |
Love in the Moment |
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THE QUEEN’S ROOM V. |
THE QUEEN'S ROOM |
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Preludes: |
Preludes: |
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1. |
Rejected 1. |
Rejected |
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2. |
Rachel 2. |
Rachel |
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3. |
The Heart’s Prophecies 3. |
Heart's Prophecies |
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The Queen’s Room |
The Queen's Suite |
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THE LOVE-LETTERS VI. |
The Love Letters |
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Preludes: |
Introductions: |
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1. |
Love’s Perversity 1. |
Love's Twisted Nature |
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2. |
The Power of Love 2. |
The Power of Love |
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The Love-Letters |
The Love Letters |
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THE REVULSION VII. |
THE DISGUST |
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Preludes: |
Preludes: |
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1. |
Joy and Use 1. |
Joy and Utility |
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2. |
‘She was Mine’ 2. |
"She Was Mine" |
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The Revulsion |
The Disgust |
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THE KOH-I-NOOR |
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Preludes: |
Preludes: |
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1. |
In Love 1. |
In Love |
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2. |
Love Thinking 2. |
Love Thoughts |
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3. |
The Kiss 3. |
The Kiss |
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The Koh-i-noor |
The Koh-i-Noor |
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THE FRIENDS IX. |
THE FRIENDS |
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Preludes: |
Preludes: |
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1. |
The Nursling of Civility 1. |
The Nursling of Civility |
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2. |
The Foreign Land 2. |
The New Territory |
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3. |
Disappointment 3. |
Disappointment |
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The Friends |
The Gang |
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THE EPITAPH X. |
THE EPITAPH |
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Preludes: |
Preludes: |
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1. |
Frost in Harvest 1. |
Frost during Harvest |
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2. |
Felicity 2. |
Happiness |
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3. |
Marriage Indissoluble 3. |
Permanent Marriage |
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The Epitaph |
The Epitaph |
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THE WEDDING XI. |
THE WEDDING |
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Preludes: |
Introductions: |
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1. |
Platonic Love Please provide the text you would like me to modernize. |
Platonic Love |
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2. |
A Demonstration 2. |
A Demo |
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3. |
The Symbol 3. |
The Symbol |
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4. |
Constancy Rewarded 4. |
Consistency Pays Off |
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The Wedding |
The Wedding Ceremony |
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HUSBAND AND WIFE XII. |
Partners |
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Preludes: |
Preludes: |
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1. |
The Married Lover 1. |
The Affair |
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2. |
The Amaranth 2. |
The Amaranth |
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Husband and Wife |
Spouse and Spouse |
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The Epilogue |
The Epilogue |
‘Mine is no
horse with wings, to gain
The region of the spheral chime;
He does but drag a rumbling wain,
Cheer’d by the coupled bells of rhyme;
And if at Fame’s bewitching note
My homely Pegasus pricks an ear,
The world’s cart-collar hugs his throat,
And he’s too wise to prance or
rear.’
p. 13Book
I.
‘Mine is no
horse with wings, to gain
The region of the spheral chime;
He does but drag a rumbling wain,
Cheer’d by the coupled bells of rhyme;
And if at Fame’s bewitching note
My homely Pegasus pricks an ear,
The world’s cart-collar hugs his throat,
And he’s too wise to prance or
rear.’
THE PROLOGUE.
1
‘Mine is no horse with wings, to gain
The area of the spherical chime;
He just pulls a rumbling cart,
Cheered by the paired bells of rhyme;
And if at Fame’s enchanting sound
My ordinary Pegasus perks his ear,
The world’s cart-collar grips his throat,
And he’s too smart to prance or rear.’
2
So Vaughan replied to his wife,
Who wanted his fame even more than he did;
But deep down, he was filled with thoughts
About how to earn a name for her sake.
p. 14With poetic laurels three times crowned,
And other college honors achieved,
He could be famous if he wanted to,
He had little doubt, and she had none;
And he spoke to her in grander words
On their wedding day,
(The eighth), while they walked through the fields,
Their children cheering along the way.
3
‘Not careless of the gift of song,
Nor lacking a love for noble fame,
I have spent a lot of time thinking
About what I should sing and how to earn a name,
Considering carefully what themes have gone unsung,
What reasons are worth the effort of rhyme,
That remain to set the poet’s tongue free
In these final days, the lowest of times,
I learn that to me, even though I was born so late,
There comes, beyond what is deserved,
(May my great fortune make me great!)
The first of themes, sung last of all.
In green and undiscovered territory,
Yet close to where many others sing,
I have found the very source
From which the Pierian Spring flows.’
Then she: ‘What is it, Dear? The
Life
Of Arthur, or Jerusalem’s Fall?’
‘Neither: your gentle self, my Wife,
And love, that grows from one to all.
And if I faithfully proclaim
Of these the exceeding worthiness,
Surely the sweetest wreath of Fame
Shall, to your hope, my brows caress;
And if, by virtue of my choice
Of this, the most heart-touching theme
That ever tuned a poet’s voice,
I live, as I am bold to dream,
To be delight to many days,
And into silence only cease
When those are still, who shared their bays
With Laura and with Beatrice,
Imagine, Love, how learned men
Will deep-conceiv’d devices find,
Beyond my purpose and my ken,
An ancient bard of simple mind.
You, Sweet, his Mistress, Wife, and Muse,
Were you for mortal woman meant?
Your praises give a hundred clues
To mythological intent!
p. 16And,
severing thus the truth from trope,
In you the Commentators see
Outlines occult of abstract scope,
A future for philosophy!
Your arm’s on mine! these are the meads
In which we pass our living days;
There Avon runs, now hid with reeds,
Now brightly brimming pebbly bays;
Those are our children’s songs that come
With bells and bleatings of the sheep;
And there, in yonder English home,
We thrive on mortal food and sleep!’
She laugh’d. How proud she always was
To feel how proud he was of her!
But he had grown distraught, because
The Muse’s mood began to stir.
p. 154
Then she: ‘What is it, Dear? The
Life
Of Arthur, or Jerusalem’s Fall?’
‘Neither: your gentle self, my Wife,
And love, that grows from one to all.
And if I faithfully proclaim
Of these the exceeding worthiness,
Surely the sweetest wreath of Fame
Shall, to your hope, my brows caress;
And if, by virtue of my choice
Of this, the most heart-touching theme
That ever tuned a poet’s voice,
I live, as I am bold to dream,
To be delight to many days,
And into silence only cease
When those are still, who shared their bays
With Laura and with Beatrice,
Imagine, Love, how learned men
Will deep-conceiv’d devices find,
Beyond my purpose and my ken,
An ancient bard of simple mind.
You, Sweet, his Mistress, Wife, and Muse,
Were you for mortal woman meant?
Your praises give a hundred clues
To mythological intent!
p. 16And,
severing thus the truth from trope,
In you the Commentators see
Outlines occult of abstract scope,
A future for philosophy!
Your arm’s on mine! these are the meads
In which we pass our living days;
There Avon runs, now hid with reeds,
Now brightly brimming pebbly bays;
Those are our children’s songs that come
With bells and bleatings of the sheep;
And there, in yonder English home,
We thrive on mortal food and sleep!’
She laugh’d. How proud she always was
To feel how proud he was of her!
But he had grown distraught, because
The Muse’s mood began to stir.
Then she said, “What is it, dear? The Life Of Arthur, or the Fall of Jerusalem?” “Neither: it’s you, my gentle wife, And love, that grows from one to all. And if I wholeheartedly declare The true worth of these, Surely the sweetest crown of Fame Will grace my head for your hopes; And if, through my choice Of this, the most touching theme That ever inspired a poet’s voice, I live, as I'm daring to dream, To bring joy to many days, And only fall silent When those who shared their glory With Laura and Beatrice are still, Imagine, love, how learned people Will uncover profound ideas, Beyond my intent and understanding, As an ancient poet of simple mind. You, sweet, his Mistress, Wife, and Muse, Were you meant for any mortal woman? Your praises give countless hints To mythological significance! p. 16And, cutting the truth from the metaphor, In you the commentators see Secret outlines of broader concepts, A future for philosophy! Your arm’s on mine! these are the fields Where we live our days; There runs the Avon, now hidden by reeds, Now brightly flowing in pebbly bays; Those are the songs of our children That come with the bells and bleating sheep; And over there, in that English home, We thrive on mortal food and sleep!” She laughed. How proud she always felt To know how proud he was of her! But he had become unsettled, because The Muse’s mood began to stir.
5
His purpose with performance complete,
He shared with his happy Wife,
When their Wedding Day came around again,
His leisure's work, 'Book the First.'
Lo, love’s obey’d by all.
’Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!
p. 17CANTO
I
The Cathedral Close.
Lo, love’s obey’d by all.
’Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!
PRELUDES.
I.
The Impossibility.
I walk, I trust, with open eyes;
I’ve travell’d half my worldly
course;
And in the way behind me lies
Much vanity and some remorse;
p. 18I’ve
lived to feel how pride may part
Spirits, tho’ match’d like hand and
glove;
I’ve blush’d for love’s abode, the heart;
But have not disbelieved in love;
Nor unto love, sole mortal thing
Of worth immortal, done the wrong
To count it, with the rest that sing,
Unworthy of a serious song;
And love is my reward; for now,
When most of dead’ning time complain,
The myrtle blooms upon my brow,
Its odour quickens all my brain.
Look, love is obeyed by everyone. It’s only fair That all should understand what they follow, So that a confused conscience doesn’t spoil the pleasure, And foolishness doesn’t laugh our happiness away. You, Original Love, who gives wings And voices to the birds in the woods, Grant me the ability to express things Too simple and too sweet for words!
II.
Love’s Really.
I walk, I trust, with open eyes;
I’ve traveled half my life’s journey;
And behind me lies
Much vanity and some regret;
p. 18I’ve
lived to feel how pride can separate
souls, even when they fit perfectly;
I’ve blushed for love’s home, the heart;
But I haven’t lost my belief in love;
Nor to love, the only truly valuable thing
that lasts forever, have I wronged
To count it, with the rest that sing,
unworthy of a serious song;
And love is my reward; for now,
when most of the dull time weighs me down,
The myrtle blooms upon my brow,
its scent enlivens all my thoughts.
III.
The Poet’s Confidence.
The richest land on earth
Is still seen as a heathen place:
Look, I, like Joshua, now step forward
To hand it over to Israel's grasp.
I won’t listen to blame or praise;
That would dishonor the sweet Power
By which these verses
Are only lovely, good, and true;
Nor will I give in to the world's opinions,
Which always preach and try to stop
Pure passion's right to create,
Instead of just following what's been done.
p. 19From
Love’s deep, rare ether
If I have shared new truths with men,
They were like new stars there
Before, even if they weren’t written down yet.
Moving only as feelings move,
I run, or linger with joy,
Or pause to see where gentle Love
Guides the soul from one height to another.
Yet, know this, though my words are bright
Like David’s dance, which Michal scorned.
If you kindly receive the verse,
You will be sweetly helped and warned.
THE CATHEDRAL CLOSE.
1
Once again, I arrived at Sarum Close,
Feeling joyful yet nostalgic,
And breathed in the sunny breeze that rose
And blew the shadows over the Spire,
And tossed the lilac's fragrant blooms,
And swayed the chestnut’s countless cones,
And filled my nostrils with sweet scents,
And shaped the clouds into shapes and patterns,
p. 20And carried down the serious tune
Of Sarum bells, when, right on time,
I reached the Dean’s, with heart and mind
That trembled with the ringing chime.
2
It was half my home, six years ago.
Those six years hadn't changed it:
Red-brick and stone, long and low,
With dormers and bright oriels.
Geraniums, lychnis, and roses decorated
The windows, all wide open;
And someone in the study played
Mendelssohn's Wedding March.
That's where I last said goodbye:
It was Christmas: I now remembered
The cruel girls who pretended to grieve,
Took down the evergreens; and how
The holly blazed in the fire
Lighting the large, low room,
A dim, rich glow of old oak
And the warm gloom of crimson velvet.
No change had affected Dean Churchill: kind,
More bent by widowhood than by winters,
And settled in a cheerful mindset,
Always thinking about heaven's joy.
p. 21It was no surprise
That his thoughts were focused above,
Now that she was there! Within her face
Humility and dignity
Were beautifully intertwined.
She seemed like she was sent down
To teach our wandering minds to see
The rhythmic change of time’s swift flow
As part of eternal stillness.
Her life, all honor, was observed with awe
That even tough experiences couldn't tarnish,
The idea of the Christian law
That all honorable people are;
And so her smile gave
Both high praise and gentle rebuke;
And I, a rough boy, oddly stirred,
Became more respectful for my own sake.
The years, far from doing her wrong,
Blessed her with gracious comfort,
And made her brows more youthful
With garlands of amaranth and palm.
4
Was this her oldest, Honor; a prude,
Who wouldn’t let me pull the swing;
Who, kissed at Christmas, called me rude,
And, sobbing softly, refused to sing?
p. 22How
changed! In shape no slender Grace,
But Venus; gentler than the dove;
Her mother’s aura; her Norman face;
Her large sweet eyes, clear lakes of love.
Mary I knew. Back then,
Sickly and pale, she thought that happiness
Was only for a better place,
And, overly heavenly, dismissed this.
I, rash with theories of what’s right,
Which stretched the limits of my beliefs,
But did not break them, thought delight
Was half discipline. We disagreed.
She told the Dean I needed grace.
Now she was the kindest of the three,
And soft wild roses adorned her face.
And, what, was this my Mildred, she
To herself and everyone a sweet surprise?
My Pet, who played and rolled a hoop?
I wondered where those daisy eyes
Had found their beautiful curve and droop.
5
Rough times! But now we sat Stranger than strangers; until I caught And responded to Mildred’s smile; and that Spread to everyone else, bringing freedom. p. 23The Dean talked little, just observing, Of three daughters justly proud. What letters they had received from Bonn, Mildred said, and what plums from Spain! By Honor, I was kindly tasked To explain my not coming down From Cambridge; Mary smiled and asked If Kant and Goethe were still being studied? And happily, we talked about the old days; And when we parted, I sighed for pleasure. Being there as a friend, (since more), Seemed then, and still seems, a reason for pride; For something that lingered, imbued With a temple-like calm, an atmosphere Of life’s noble aims pursued With sweet and fair ordered freedom. A tent pitched in a world not right It seemed, whose occupants, each one, With tranquil faces bore the light Of beautifully fulfilled duties, And humbly, though they had few equals, Followed their own laws, which seemed to be The fair sum of six thousand years’ Traditions of civility.
When I behold the
skies aloft
Passing the pageantry of dreams,
The cloud whose bosom, cygnet-soft,
A couch for nuptial Juno seems,
The ocean broad, the mountains bright,
The shadowy vales with feeding herds,
I from my lyre the music smite,
Nor want for justly matching words.
All forces of the sea and air,
All interests of hill and plain,
I so can sing, in seasons fair,
That who hath felt may feel again.
Elated oft by such free songs,
I think with utterance free to raise
That hymn for which the whole world longs,
A worthy hymn in woman’s praise;
p. 25A hymn
bright-noted like a bird’s,
Arousing these song-sleepy times
With rhapsodies of perfect words,
Ruled by returning kiss of rhymes.
But when I look on her and hope
To tell with joy what I admire,
My thoughts lie cramp’d in narrow scope,
Or in the feeble birth expire;
No mystery of well-woven speech,
No simplest phrase of tenderest fall,
No liken’d excellence can reach
Her, thee most excellent of all,
The best half of creation’s best,
Its heart to feel, its eye to see,
The crown and complex of the rest,
Its aim and its epitome.
Nay, might I utter my conceit,
’Twere after all a vulgar song,
For she’s so simply, subtly sweet,
My deepest rapture does her wrong.
Yet is it now my chosen task
To sing her worth as Maid and Wife;
Nor happier post than this I ask,
To live her laureate all my life.
On wings of love uplifted free,
And by her gentleness made great,
I’ll teach how noble man should be
To match with such a lovely mate;
p. 26And then
in her may move the more
The woman’s wish to be desired,
(By praise increased), till both shall soar,
With blissful emulations fired.
And, as geranium, pink, or rose
Is thrice itself through power of art,
So may my happy skill disclose
New fairness even in her fair heart;
Until that churl shall nowhere be
Who bends not, awed, before the throne
Of her affecting majesty,
So meek, so far unlike our own;
Until (for who may hope too much
From her who wields the powers of love?)
Our lifted lives at last shall touch
That happy goal to which they move;
Until we find, as darkness rolls
Away, and evil mists dissolve,
That nuptial contrasts are the poles
On which the heavenly spheres revolve.
p. 24CANTO
II.
Mary And Mildred.
When I behold the
skies aloft
Passing the pageantry of dreams,
The cloud whose bosom, cygnet-soft,
A couch for nuptial Juno seems,
The ocean broad, the mountains bright,
The shadowy vales with feeding herds,
I from my lyre the music smite,
Nor want for justly matching words.
All forces of the sea and air,
All interests of hill and plain,
I so can sing, in seasons fair,
That who hath felt may feel again.
Elated oft by such free songs,
I think with utterance free to raise
That hymn for which the whole world longs,
A worthy hymn in woman’s praise;
p. 25A hymn
bright-noted like a bird’s,
Arousing these song-sleepy times
With rhapsodies of perfect words,
Ruled by returning kiss of rhymes.
But when I look on her and hope
To tell with joy what I admire,
My thoughts lie cramp’d in narrow scope,
Or in the feeble birth expire;
No mystery of well-woven speech,
No simplest phrase of tenderest fall,
No liken’d excellence can reach
Her, thee most excellent of all,
The best half of creation’s best,
Its heart to feel, its eye to see,
The crown and complex of the rest,
Its aim and its epitome.
Nay, might I utter my conceit,
’Twere after all a vulgar song,
For she’s so simply, subtly sweet,
My deepest rapture does her wrong.
Yet is it now my chosen task
To sing her worth as Maid and Wife;
Nor happier post than this I ask,
To live her laureate all my life.
On wings of love uplifted free,
And by her gentleness made great,
I’ll teach how noble man should be
To match with such a lovely mate;
p. 26And then
in her may move the more
The woman’s wish to be desired,
(By praise increased), till both shall soar,
With blissful emulations fired.
And, as geranium, pink, or rose
Is thrice itself through power of art,
So may my happy skill disclose
New fairness even in her fair heart;
Until that churl shall nowhere be
Who bends not, awed, before the throne
Of her affecting majesty,
So meek, so far unlike our own;
Until (for who may hope too much
From her who wields the powers of love?)
Our lifted lives at last shall touch
That happy goal to which they move;
Until we find, as darkness rolls
Away, and evil mists dissolve,
That nuptial contrasts are the poles
On which the heavenly spheres revolve.
PRELUDES.
I.
The Paragon.
When I look up at the skies above
Passing the grandeur of dreams,
The clouds that seem soft and gentle,
A resting place for marrying Juno,
The wide ocean, the bright mountains,
The shadowy valleys filled with grazing herds,
I strike the music from my lyre,
And don’t lack for fitting words.
I can sing of all the forces of the sea and air,
Of all the interests of hills and plains,
In fair seasons, I can sing so well,
That those who have felt may feel again.
Often uplifted by such free songs,
I think to express openly
That hymn for which the whole world longs,
A worthy hymn praising women;
p. 25A hymn bright and cheerful like a bird’s,
Awakening these song-sleepy times
With beautiful rhythms of perfect words,
Guided by the kiss of rhymes.
But when I gaze upon her and hope
To express with joy what I admire,
My thoughts are trapped in a narrow space,
Or die in feeble attempts;
No mystery of well-crafted speech,
No simplest phrase with the gentlest tone,
No comparable excellence can reach
Her, you most excellent of all,
The best part of creation’s best,
Its heart to feel, its eye to see,
The crown and essence of the rest,
Its purpose and its summary.
No, if I were to voice my thoughts,
It would still be an ordinary song,
For she’s so simply, subtly sweet,
My deepest joy does her wrong.
Yet it is now my chosen task
To sing her worth as a Maiden and a Wife;
No happier role than this I desire,
To celebrate her all my life.
On wings of love lifted high,
And made great by her gentleness,
I’ll show how noble a man should be
To match such a lovely partner;
p. 26And then in her may stir even more
The woman’s wish to be cherished,
(By increased praise), until both shall soar,
With joyful ambition ignited.
And, as geranium, pink, or rose
Is enhanced through the power of art,
So may my joyful skill reveal
New beauty even in her kind heart;
Until there’s no one left to be found
Who isn’t, in awe, bending before the throne
Of her captivating majesty,
So humble, so unlike our own;
Until (for who can hope too much
From her who holds the powers of love?)
Our lifted lives at last shall touch
That joyful goal to which they strive;
Until we discover, as darkness fades
Away, and evil mists dissolve,
That marital contrasts are the poles
On which the heavenly spheres revolve.
II.
Love at Large.
Whenever I arrive where ladies are,
No matter how sad I was before,
Like a ship stuck in frost and far
Trapped in ice, away from the ocean’s roar,
p. 27Spending a third winter in that dreadful dock,
With stiff rigging, decaying sails,
And a crew indifferent to calm or storm
Too dull to feel dismayed,
Yet, if I come where ladies are,
No matter how sad I was before,
Then my sadness is driven away,
And I’m not like that ship anymore;
Or like that ship if the ice breaks apart,
Split by the sudden warmth of spring,
And everyone thanks God with lifting spirits,
Kissing each other and dancing and singing,
And raising fresh sails that catch the breeze,
Carrying them across the open sea,
Out of the North, where life was frozen,
Into the harbor where they want to be.
III.
Love and Duty.
Anne lived so genuinely from the heart,
She was so kind and so pure,
That duty made me fall for her,
And ‘if it weren't for that,’ I thought, ‘I would!’
I adored Kate with all my might,
In daydreams you feel you can see
A noble spirit in the mountains,
A human connection with a tree.
The lack of lovely pride, in her
Who strives to please, my pleasure numbs,
And still the maid I most prefer
Whose care to please with pleasing comes.
p. 28IV.
A Distinction.
The lack of lovely pride, in her
Who strives to please, my pleasure numbs,
And still the maid I most prefer
Whose care to please with pleasing comes.
One morning, after Church, I walk’d
Alone with Mary on the lawn,
And felt myself, howe’er we talk’d,
To grave themes delicately drawn.
When she, delighted, found I knew
More of her peace than she supposed,
Our confidences heavenwards grew,
Like fox-glove buds, in pairs disclosed.
Our former faults did we confess,
Our ancient feud was more than heal’d,
And, with the woman’s eagerness
For amity full-sign’d and seal’d,
She, offering up for sacrifice
Her heart’s reserve, brought out to show
Some verses, made when she was ice
To all but Heaven, six years ago;
p. 29Since
happier grown! I took and read
The neat-writ lines. She, void of guile,
Too late repenting, blush’d, and said,
I must not think about the style.
The absence of sweet pride in her
Who tries to please, my enjoyment fades,
And yet the girl I like the most
Whose effort to please genuinely delights.
MARY AND MILDRED.
1
One morning, after church, I walked
Alone with Mary on the lawn,
And felt that, no matter how we talked,
We were touching on serious themes.
When she, pleased, realized I understood
More of her peace than she thought I did,
Our confidences turned toward the heavens,
Like foxglove buds opening in pairs.
We confessed our past mistakes,
Our old feud was completely healed,
And, with a woman's eagerness
For friendship that felt full and genuine,
She, offering up her heart’s reservations
To show me, brought out some verses she’d written
When she was cold
To everyone but Heaven, six years ago;
p. 29Since
she had grown happier! I took them and read
The neatly written lines. She, honest and
Regretting too late, blushed and said,
I shouldn’t focus on the style.
2
‘The thwarted thirst, too faintly
felt,
For joy’s well-nigh forgotten life,
The restless heart, which, when I knelt,
Made of my worship barren strife.
‘Day after day, until today,
Imagining those who came before,
The same boring task, the tiring path,
The weakness excused over and over,
‘Ah, whence to-day’s so sweet
release,
This clearance light of all my care,
This conscience free, this fertile peace,
These softly folded wings of prayer,
‘The unfulfilled thirst, barely
For joy's almost forgotten life,
The restless heart, which, when I knelt,
Turned my worship into barren struggle.
‘This calm and more than conquering
love,
With which nought evil dares to cope,
This joy that lifts no glance above,
For faith too sure, too sweet for hope?
‘Ah, where does today’s sweet release come from,
This clear light of all my worries,
This free conscience, this fertile peace,
These gently folded wings of prayer,
‘O, happy time, too happy change,
It will not live, though fondly nurst!
Full soon the sun will seem as strange
As now the cloud which seems dispersed.’
‘This calm and conquering love,
That nothing evil dares to face,
This joy that doesn’t seek to rise,
For faith is too certain, too sweet for hope?
‘Oh, happy time, too happy change,
It won't last, even if cherished!
Soon the sun will feel just as strange
As the cloud that now seems to fade.’
She from a rose-tree shook the blight;
And well she knew that I knew well
Her grace with silence to requite;
And, answering now the luncheon bell,
I laugh’d at Mildred’s laugh, which made
All melancholy wrong, its mood
Such sweet self-confidence display’d,
So glad a sense of present good.
p. 303
She from a rose-tree shook the blight;
And well she knew that I knew well
Her grace with silence to requite;
And, answering now the luncheon bell,
I laugh’d at Mildred’s laugh, which made
All melancholy wrong, its mood
Such sweet self-confidence display’d,
So glad a sense of present good.
I laugh’d and sigh’d: for I
confess
I never went to Ball, or Fête,
Or Show, but in pursuit express
Of my predestinated mate;
And thus to me, who had in sight
The happy chance upon the cards,
Each beauty blossom’d in the light
Of tender personal regards;
And, in the records of my breast,
Red-letter’d, eminently fair,
Stood sixteen, who, beyond the rest,
By turns till then had been my care:
At Berlin three, one at St. Cloud,
At Chatteris, near Cambridge, one,
At Ely four, in London two,
Two at Bowness, in Paris none,
p. 31And, last
and best, in Sarum three;
But dearest of the whole fair troop,
In judgment of the moment, she
Whose daisy eyes had learn’d to droop.
Her very faults my fancy fired;
My loving will, so thwarted, grew;
And, bent on worship, I admired
Whate’er she was, with partial view.
And yet when, as to-day, her smile
Was prettiest, I could not but note
Honoria, less admired the while,
Was lovelier, though from love remote.
She shook off the blight from a rose tree;
And she knew that I knew well
Her way of responding with silence;
And, now answering the lunch bell,
I laughed at Mildred’s laughter, which turned
All sadness upside down, its mood
Displayed such sweet self-confidence,
So joyful in the goodness of the moment.
4
I laughed and sighed; I admit
I never went to a Ball, or Party,
Or Show, except to find
My destined partner;
So for me, who saw clearly
The happy chance coming my way,
Every beauty shone brightly
With personal warmth;
And in my heart's records,
Marked in bright letters, stood sixteen,
Who, above all others,
Had been my focus until then:
Three in Berlin, one at St. Cloud,
One near Cambridge at Chatteris,
Four in Ely, two in London,
Two at Bowness, none in Paris,
p. 31And last, and best, three in Sarum;
But the most cherished of all,
In my current judgment, was she
Whose daisy-like eyes learned to droop.
Her very flaws sparked my interest;
My loving will, so thwarted, grew;
And dedicated to adoration, I admired
Whatever she was, with biased eyes.
And yet, when, like today, her smile
Was the prettiest, I couldn’t help but notice
Honoria, while less adored,
Was even more beautiful, though far removed from love.
He meets, by
heavenly chance express,
The destined maid; some hidden hand
Unveils to him that loveliness
Which others cannot understand.
His merits in her presence grow,
To match the promise in her eyes,
And round her happy footsteps blow
The authentic airs of Paradise.
For joy of her he cannot sleep;
Her beauty haunts him all the night;
It melts his heart, it makes him weep
For wonder, worship, and delight.
O, paradox of love, he longs,
Most humble when he most aspires,
To suffer scorn and cruel wrongs
From her he honours and desires.
p. 33Her graces
make him rich, and ask
No guerdon; this imperial style
Affronts him; he disdains to bask,
The pensioner of her priceless smile.
He prays for some hard thing to do,
Some work of fame and labour immense,
To stretch the languid bulk and thew
Of love’s fresh-born magnipotence.
No smallest boon were bought too dear,
Though barter’d for his love-sick life;
Yet trusts he, with undaunted cheer,
To vanquish heaven, and call her Wife
He notes how queens of sweetness still
Neglect their crowns, and stoop to mate;
How, self-consign’d with lavish will,
They ask but love proportionate;
How swift pursuit by small degrees,
Love’s tactic, works like miracle;
How valour, clothed in courtesies,
Brings down the haughtiest citadel;
And therefore, though he merits not
To kiss the braid upon her skirt,
His hope, discouraged ne’er a jot,
Out-soars all possible desert.
p. 32CANTO
III.
Honoria
He meets, by
heavenly chance express,
The destined maid; some hidden hand
Unveils to him that loveliness
Which others cannot understand.
His merits in her presence grow,
To match the promise in her eyes,
And round her happy footsteps blow
The authentic airs of Paradise.
For joy of her he cannot sleep;
Her beauty haunts him all the night;
It melts his heart, it makes him weep
For wonder, worship, and delight.
O, paradox of love, he longs,
Most humble when he most aspires,
To suffer scorn and cruel wrongs
From her he honours and desires.
p. 33Her graces
make him rich, and ask
No guerdon; this imperial style
Affronts him; he disdains to bask,
The pensioner of her priceless smile.
He prays for some hard thing to do,
Some work of fame and labour immense,
To stretch the languid bulk and thew
Of love’s fresh-born magnipotence.
No smallest boon were bought too dear,
Though barter’d for his love-sick life;
Yet trusts he, with undaunted cheer,
To vanquish heaven, and call her Wife
He notes how queens of sweetness still
Neglect their crowns, and stoop to mate;
How, self-consign’d with lavish will,
They ask but love proportionate;
How swift pursuit by small degrees,
Love’s tactic, works like miracle;
How valour, clothed in courtesies,
Brings down the haughtiest citadel;
And therefore, though he merits not
To kiss the braid upon her skirt,
His hope, discouraged ne’er a jot,
Out-soars all possible desert.
PRELUDES.
I.
The Lover.
He meets, by
heavenly chance,
The destined girl; some hidden hand
Reveals to him that beauty
That others can't quite grasp.
His worth grows in her presence,
To match the promise in her eyes,
And around her joyful footsteps blow
The genuine airs of Paradise.
For joy of her he can't sleep;
Her beauty haunts him all night;
It melts his heart, makes him weep
For wonder, admiration, and delight.
O, paradox of love, he craves,
Most humble when he aims the highest,
To endure scorn and cruel wrongs
From her he respects and desires.
p. 33Her graces
make him feel rich, with no
Demand in return; this royal poise
Challenges him; he refuses to bask,
The dependent of her priceless smile.
He hopes for something tough to do,
Some feat of glory and great effort,
To strengthen the weary body and the strength
Of love’s newly awakened power.
No smallest gift would be too dear,
Even if traded for his love-sick life;
Yet he believes, with unwavering courage,
To conquer heaven, and call her Wife.
He sees how queens of sweetness still
Ignore their crowns and lower themselves to mate;
How, willingly devoted, they
Only ask for love that’s fair;
How quick pursuit, little by little,
Love’s strategy, works like a miracle;
How bravery, wrapped in kindness,
Brings down the proudest fortress;
And so, though he doesn't deserve
To kiss the braid of her skirt,
His hope, never discouraged,
Soars higher than anything he deserves.
Strong passions mean weak will, and he
Who truly knows the strength and bliss
Which are in love, will own with me
No passion but a virtue ’tis.
Few hear my word; it soars above
The subtlest senses of the swarm
Of wretched things which know not love,
Their Psyche still a wingless worm.
Ice-cold seems heaven’s noble glow
To spirits whose vital heat is hell;
And to corrupt hearts even so
The songs I sing, the tale I tell.
These cannot see the robes of white
In which I sing of love. Alack,
But darkness shows in heavenly light,
Though whiteness, in the dark, is black!
p. 34II.
Love a Virtue.
Strong passions mean weak will, and he
Who truly knows the strength and bliss
Which are in love, will own with me
No passion but a virtue ’tis.
Few hear my word; it soars above
The subtlest senses of the swarm
Of wretched things which know not love,
Their Psyche still a wingless worm.
Ice-cold seems heaven’s noble glow
To spirits whose vital heat is hell;
And to corrupt hearts even so
The songs I sing, the tale I tell.
These cannot see the robes of white
In which I sing of love. Alack,
But darkness shows in heavenly light,
Though whiteness, in the dark, is black!
You love? That’s high as you shall
go;
For ’tis as true as Gospel text,
Not noble then is never so,
Either in this world or the next.
Intense feelings lead to weak will, and he
Who truly understands the power and joy
That comes with love will agree with me
That there’s no passion but a virtue.
Few listen to my words; they rise above
The subtle perceptions of the mass
Of miserable beings who do not know love,
Their souls still like a wingless worm.
Heaven’s bright glow seems icy-cold
To spirits whose life-force burns in hell;
And to corrupt hearts just as well
The songs I sing, the story I share.
These cannot see the pure white robes
In which I sing of love. Alas,
But darkness appears in heavenly light,
Though whiteness, in the dark, looks black!
III.
The Attainment.
You love? That’s as far as you’ll go;
For it’s as true as the Gospel,
Not being noble is never the case,
Either in this world or the next.
Grown weary with a week’s exile
From those fair friends, I rode to see
The church-restorings; lounged awhile,
And met the Dean; was ask’d to tea,
And found their cousin, Frederick Graham
At Honor’s side. Was I
concern’d,
If, when she sang, his colour came,
That mine, as with a buffet, burn’d?
A man to please a girl! thought I,
Retorting his forced smiles, the shrouds
Of wrath, so hid as she was by,
Sweet moon between her lighted clouds!
p. 35HONORIA.
Grown weary with a week’s exile
From those fair friends, I rode to see
The church-restorings; lounged awhile,
And met the Dean; was ask’d to tea,
And found their cousin, Frederick Graham
At Honor’s side. Was I
concern’d,
If, when she sang, his colour came,
That mine, as with a buffet, burn’d?
A man to please a girl! thought I,
Retorting his forced smiles, the shrouds
Of wrath, so hid as she was by,
Sweet moon between her lighted clouds!
1
Whether this Cousin was the cause
I know not, but I seem’d to see,
The first time then, how fair she was,
How much the fairest of the three.
Each stopp’d to let the other go;
But, time-bound, he arose the first.
Stay’d he in Sarum long? If so
I hoped to see him at the Hurst.
p. 36No: he had
call’d here, on his way
To Portsmouth, where the Arrogant,
His ship, was; he should leave next day,
For two years’ cruise in the Levant.
Feeling tired after a week away
from my dear friends, I rode to check out
the church renovations; hung out for a bit,
and ran into the Dean; I was invited for tea,
and saw their cousin, Frederick Graham
by Honor's side. Was I
worried
if, when she sang, his cheeks flushed,
while mine, like a slap, burned?
A guy trying to impress a girl! I thought,
reflecting his forced smiles, the anger I hid
as she was surrounded by
the sweet moonlight between her clouds!
2
Whether this cousin was the reason
I don't know, but I seemed to notice,
The first time then, how beautiful she was,
How she was the prettiest of the three.
Each paused to let the other pass;
But, pressed for time, he stood up first.
Did he stay in Sarum long? If he did,
I hoped to see him at the Hurst.
p. 36No: he had
stopped here on his way
To Portsmouth, where the Arrogant,
His ship, was; he was leaving the next day,
For a two-year cruise in the Levant.
3
She was all mildness; yet ’twas writ
In all her grace, most legibly,
‘He that’s for heaven itself unfit,
Let him not hope to merit me.’
p. 37And such a
challenge, quite apart
From thoughts of love, humbled, and thus
To sweet repentance moved my heart,
And made me more magnanimous,
And led me to review my life,
Inquiring where in aught the least,
If question were of her for wife,
Ill might be mended, hope increas’d.
Not that I soar’d so far above
Myself, as this great hope to dare;
And yet I well foresaw that love
Might hope where reason must despair;
And, half-resenting the sweet pride
Which would not ask me to admire,
‘Oh,’ to my secret heart I sigh’d,
‘That I were worthy to desire!’
Had love taken root in her yet?
I watched. Her goodbye made it clear
She loved, on the grand terms
That she shouldn’t be loved back;
And so her cousin, when he left, felt.
Hope was gone from his voice and eyes.
Compassion softened my bitterness;
Then I went home to a restless bed.
I, who admired her as well, could see
His endless regret over this
Great mystery, that she could be
So beautiful, yet not his,
And, feeling sorry for him, longed to speak up;
But I could hardly tell, so strange my feeling,
Whether the weight on my heart
Was sorrow for myself or for him.
4
She was all kindness; yet it was clear
In all her elegance, most clearly,
‘Whoever is unfit for heaven itself,
Should not expect to deserve me.’
p. 37And such a
challenge, aside from thoughts of love, humbled me, and thus
To sweet repentance stirred my heart,
Making me more generous,
And led me to reflect on my life,
Asking where in the least,
If the question were of her as a wife,
Anything might be fixed, hope increased.
Not that I elevated myself so high
As to dare this great hope;
Yet I clearly foresaw that love
Could hope where reason must despair;
And, partly resenting the sweet pride
That wouldn’t let me admire her,
‘Oh,’ I sighed to my secret heart,
‘If only I were worthy to desire!’
5
As drowsiness eased my mind,
A loud challenge to arms,
Cried out by the rooster, received
An angry reply from three farms.
And then, I dreamed that I, her knight,
Heard the proud sound of a trumpet,
And rode confidently into battle,
Dressed in the scarf she had given me;
p. 38And there,
the lined-up warriors behind,
Saw many, and defeated everyone I faced
Of her countless relatives,
In Navy, Army, Church, and Law;
Struck down, the soldiers somehow turned
To singers from Sarum, whose song,
Mixed with heavenly sorrow, longed
For joy that no memory can hold;
And strange dreams both silly and sweet
Blended together in endless pursuit,
And everywhere I seemed to find
The haunting beauty of her face.
Lo, when the Lord
made North and South
And sun and moon ordained, He,
Forthbringing each by word of mouth
In order of its dignity,
Did man from the crude clay express
By sequence, and, all else decreed,
He form’d the woman; nor might less
Than Sabbath such a work succeed.
And still with favour singled out,
Marr’d less than man by mortal fall,
Her disposition is devout,
Her countenance angelical;
The best things that the best believe
Are in her face so kindly writ
The faithless, seeing her, conceive
Not only heaven, but hope of it;
p. 40No idle
thought her instinct shrouds,
But fancy chequers settled sense,
Like alteration of the clouds
On noonday’s azure permanence;
Pure dignity, composure, ease
Declare affections nobly fix’d,
And impulse sprung from due degrees
Of sense and spirit sweetly mix’d.
Her modesty, her chiefest grace,
The cestus clasping Venus’ side,
How potent to deject the face
Of him who would affront its pride!
Wrong dares not in her presence speak,
Nor spotted thought its taint disclose
Under the protest of a cheek
Outbragging Nature’s boast the rose.
In mind and manners how discreet;
How artless in her very art;
How candid in discourse; how sweet
The concord of her lips and heart;
How simple and how circumspect;
How subtle and how fancy-free;
Though sacred to her love, how deck’d
With unexclusive courtesy;
How quick in talk to see from far
The way to vanquish or evade;
How able her persuasions are
To prove, her reasons to persuade;
p. 41How (not
to call true instinct’s bent
And woman’s very nature, harm),
How amiable and innocent
Her pleasure in her power to charm;
How humbly careful to attract,
Though crown’d with all the soul desires,
Connubial aptitude exact,
Diversity that never tires.
p. 39CANTO
IV.
The Morning Call.
Lo, when the Lord
made North and South
And sun and moon ordained, He,
Forthbringing each by word of mouth
In order of its dignity,
Did man from the crude clay express
By sequence, and, all else decreed,
He form’d the woman; nor might less
Than Sabbath such a work succeed.
And still with favour singled out,
Marr’d less than man by mortal fall,
Her disposition is devout,
Her countenance angelical;
The best things that the best believe
Are in her face so kindly writ
The faithless, seeing her, conceive
Not only heaven, but hope of it;
p. 40No idle
thought her instinct shrouds,
But fancy chequers settled sense,
Like alteration of the clouds
On noonday’s azure permanence;
Pure dignity, composure, ease
Declare affections nobly fix’d,
And impulse sprung from due degrees
Of sense and spirit sweetly mix’d.
Her modesty, her chiefest grace,
The cestus clasping Venus’ side,
How potent to deject the face
Of him who would affront its pride!
Wrong dares not in her presence speak,
Nor spotted thought its taint disclose
Under the protest of a cheek
Outbragging Nature’s boast the rose.
In mind and manners how discreet;
How artless in her very art;
How candid in discourse; how sweet
The concord of her lips and heart;
How simple and how circumspect;
How subtle and how fancy-free;
Though sacred to her love, how deck’d
With unexclusive courtesy;
How quick in talk to see from far
The way to vanquish or evade;
How able her persuasions are
To prove, her reasons to persuade;
p. 41How (not
to call true instinct’s bent
And woman’s very nature, harm),
How amiable and innocent
Her pleasure in her power to charm;
How humbly careful to attract,
Though crown’d with all the soul desires,
Connubial aptitude exact,
Diversity that never tires.
PRELUDES.
I.
The Rose of the World.
Check it out, when the Lord
created North and South
And set the sun and moon in place, He,
Brought forth each by His command
In order of their significance,
Made man from the rough clay,
One step at a time, and, having planned,
He created woman; nothing less
Than the Sabbath could match such a work.
And still, with favor set apart,
Less marred by the fall than man,
Her nature is devout,
Her presence angelic;
The best things that the best believe
Are written so kindly on her face
The unfaithful, seeing her, conceive
Not just heaven, but hope for it;
p. 40No idle thought clouds her instinct,
But dreams weave through settled sense,
Like changes of the clouds
Against the midday's clear blue sky;
Pure dignity, calm, ease
Show affections nobly anchored,
And impulses arising from the right balance
Of mind and spirit sweetly blended.
Her modesty, her greatest grace,
The girdle embracing Venus’ side,
How powerful to dim the face
Of anyone daring to challenge its pride!
Wrong doesn’t even dare to speak in her presence,
Nor does tainted thought reveal itself
Under the blush
Outshining nature’s claim to the rose.
In mind and manners how discreet;
How genuine in her very art;
How honest in her speech; how sweet
The harmony of her lips and heart;
How simple yet how watchful;
How clever and free from pretense;
Though devoted to her love, how adorned
With every form of courtesy;
How quick in conversation to see from afar
The way to conquer or evade;
How skilled her arguments are
To prove, her reasons to persuade;
p. 41How (not to imply true instinct’s direction
And woman’s very nature is flawed),
How charming and innocent
Her delight in her ability to enchant;
How humbly careful to attract,
Though crowned with all the soul desires,
Perfect suitability for marriage,
Diversity that never fades.
II.
The Tribute.
Nature bows to her; She walks dressed in all of Earth’s glory, And, most importantly, it’s her who shines, All others support her and are joyful: No brilliance beneath the proud sky Doesn’t serve as her everyday wear; The distant diamond finds its place Glistening and glowing in her hair; For her, the seas reveal their pearls; Art and exotic lands provide her splendor With purple, chrome, and cochineal, Ochre, and lapis lazuli; The worm presents its golden threads; Whatever runs, flies, dives, or digs, All shed their adornments for her, Which look better on her than on themselves; p. 42And all, By their ability to give, Proving her right to take, announce Her beauty’s clear privilege To benefit from Eden’s fault.
III.
Compensation.
‘By meekness charm’d, or proud to
allow
A queenly claim to live admired,
Full many a lady has ere now
My apprehensive fancy fired,
And woven many a transient chain;
But never lady like to this,
Who holds me as the weather-vane
Is held by yonder clematis.
She seems the life of nature’s powers;
Her beauty is the genial thought
Which makes the sunshine bright; the flowers,
But for their hint of her, were nought.’
That nothing here should go unappreciated,
Know that she who shows off her style
Has a great and understated taste, displaying
More beauty than she hides.
THE MORNING CALL.
1
‘Charmingly meek or proudly willing to
Claim a queenly admiration,
Many ladies have inspired
My anxious imagination,
And created many fleeting bonds;
But never has there been a woman like this,
Who captures me like a weather-vane
Is held by that clematis over there.
She seems to embody the essence of nature;
Her beauty is the warm thought
That makes the sunshine bright; without her,
The flowers would be nothing.’
A voice, the sweeter for the grace
Of suddenness, while thus I dream’d,
‘Good morning!’ said or sang. Her face
The mirror of the morning seem’d.
Her sisters in the garden walk’d,
And would I come? Across the Hall
She led me; and we laugh’d and talk’d,
And praised the Flower-show and the Ball;
And Mildred’s pinks had gain’d the Prize;
And, stepping like the light-foot fawn,
She brought me ‘Wiltshire Butterflies,’
The Prize-book; then we paced the lawn,
Close-cut, and with geranium-plots,
A rival glow of green and red;
Than counted sixty apricots
On one small tree; the gold-fish fed;
And watch’d where, black with scarlet tans,
Proud Psyche stood and flash’d like flame,
Showing and shutting splendid fans;
And in the prize we found its name.
p. 432
A voice, the sweeter for the grace
Of suddenness, while thus I dream’d,
‘Good morning!’ said or sang. Her face
The mirror of the morning seem’d.
Her sisters in the garden walk’d,
And would I come? Across the Hall
She led me; and we laugh’d and talk’d,
And praised the Flower-show and the Ball;
And Mildred’s pinks had gain’d the Prize;
And, stepping like the light-foot fawn,
She brought me ‘Wiltshire Butterflies,’
The Prize-book; then we paced the lawn,
Close-cut, and with geranium-plots,
A rival glow of green and red;
Than counted sixty apricots
On one small tree; the gold-fish fed;
And watch’d where, black with scarlet tans,
Proud Psyche stood and flash’d like flame,
Showing and shutting splendid fans;
And in the prize we found its name.
The sweet hour lapsed, and left my breast
A load of joy and tender care;
And this delight, which life oppress’d,
To fix’d aims grew, that ask’d for
pray’r.
p. 44I rode
home slowly; whip-in-hand
And soil’d bank-notes all ready, stood
The Farmer who farm’d all my land,
Except the little Park and Wood;
And with the accustom’d compliment
Of talk, and beef, and frothing beer,
I, my own steward, took my rent,
Three hundred pounds for half the year;
Our witnesses the Cook and Groom,
We sign’d the lease for seven years more,
And bade Good-day; then to my room
I went, and closed and lock’d the door,
And cast myself down on my bed,
And there, with many a blissful tear,
I vow’d to love and pray’d to wed
The maiden who had grown so dear;
Thank’d God who had set her in my path;
And promised, as I hoped to win,
That I would never dim my faith
By the least selfishness or sin;
Whatever in her sight I’d seem
I’d truly be; I’d never blend
With my delight in her a dream
’Twould change her cheek to comprehend;
And, if she wish’d it, I’d prefer
Another’s to my own success;
And always seek the best for her
With unofficious tenderness.
A voice, even sweeter because it was unexpected,
said or sang, “Good morning!” Her face
looked like the morning itself.
Her sisters were walking in the garden,
and asked me if I wanted to join. Across the hall,
She led me, and we laughed and chatted,
praising the flower show and the ball;
And Mildred’s pinks had won the prize;
Then, moving like a light-footed fawn,
She brought me “Wiltshire Butterflies,”
the prize book; then we walked on the lawn,
Trimmed close, with beds of geraniums,
a competing display of green and red;
We counted sixty apricots
on one small tree; the goldfish were fed;
And we watched where, black with scarlet spots,
Proud Psyche stood, shining like a flame,
Showing and closing her splendid fans;
And in the prize, we found its name.
3
The sweet hour passed, leaving me
With a heavy heart full of joy and care;
And this happiness, which life weighed down,
Turned into fixed goals that required
prayer.
p. 44I rode home slowly, whip in hand
And soiled banknotes all ready, stood
The Farmer who worked all my land,
Except for the little Park and Wood;
And with the usual small talk
About beef and frothy beer,
I, my own manager, collected my rent,
Three hundred pounds for half a year;
Our witnesses the Cook and Groom,
We signed the lease for seven more years,
And said goodbye; then I went to my room
And closed and locked the door,
And threw myself down on my bed,
And there, with many blissful tears,
I vowed to love and prayed to marry
The girl who had become so dear;
Thanked God who had put her in my way;
And promised, as I hoped to win her,
That I would never compromise my faith
With the slightest selfishness or sin;
Whatever I appeared to her
I’d truly be; I’d never mix
My joy in her with a dream
That would change her face to understand;
And, if she wished it, I would choose
Another’s success over my own;
And always seek the best for her
With genuine tenderness.
Rising, I breathed a brighter clime,
And found myself all self above,
And, with a charity sublime,
Contemn’d not those who did not love:
And I could not but feel that then
I shone with something of her grace,
And went forth to my fellow men
My commendation in my face.
p. 454
Rising, I breathed a brighter clime,
And found myself all self above,
And, with a charity sublime,
Contemn’d not those who did not love:
And I could not but feel that then
I shone with something of her grace,
And went forth to my fellow men
My commendation in my face.
Rising, I breathed a brighter air,
And found myself feeling uplifted,
And, with a huge sense of generosity,
I didn’t judge those who didn’t care:
And I couldn’t help but feel that at that moment
I glowed with a bit of her beauty,
And went out to my fellow humans
With my approval written on my face.
Where she succeeds
with cloudless brow,
In common and in holy course,
He fails, in spite of prayer and vow
And agonies of faith and force;
Or, if his suit with Heaven prevails
To righteous life, his virtuous deeds
Lack beauty, virtue’s badge; she fails
More graciously than he succeeds.
Her spirit, compact of gentleness,
If Heaven postpones or grants her pray’r,
Conceives no pride in its success,
And in its failure no despair;
But his, enamour’d of its hurt,
Baffled, blasphemes, or, not denied,
Crows from the dunghill of desert,
And wags its ugly wings for pride.
p. 47He’s
never young nor ripe; she grows
More infantine, auroral, mild,
And still the more she lives and knows
The lovelier she’s express’d a child.
Say that she wants the will of man
To conquer fame, not check’d by cross,
Nor moved when others bless or ban;
She wants but what to have were loss.
Or say she wants the patient brain
To track shy truth; her facile wit
At that which he hunts down with pain
Flies straight, and does exactly hit.
Were she but half of what she is,
He twice himself, mere love alone,
Her special crown, as truth is his,
Gives title to the worthier throne;
For love is substance, truth the form;
Truth without love were less than nought;
But blindest love is sweet and warm,
And full of truth not shaped by thought,
And therefore in herself she stands
Adorn’d with undeficient grace,
Her happy virtues taking hands,
Each smiling in another’s face.
So, dancing round the Tree of Life,
They make an Eden in her breast,
While his, disjointed and at strife,
Proud-thoughted, do not bring him rest.
p. 46CANTO
V.
The Violets.
Where she succeeds
with cloudless brow,
In common and in holy course,
He fails, in spite of prayer and vow
And agonies of faith and force;
Or, if his suit with Heaven prevails
To righteous life, his virtuous deeds
Lack beauty, virtue’s badge; she fails
More graciously than he succeeds.
Her spirit, compact of gentleness,
If Heaven postpones or grants her pray’r,
Conceives no pride in its success,
And in its failure no despair;
But his, enamour’d of its hurt,
Baffled, blasphemes, or, not denied,
Crows from the dunghill of desert,
And wags its ugly wings for pride.
p. 47He’s
never young nor ripe; she grows
More infantine, auroral, mild,
And still the more she lives and knows
The lovelier she’s express’d a child.
Say that she wants the will of man
To conquer fame, not check’d by cross,
Nor moved when others bless or ban;
She wants but what to have were loss.
Or say she wants the patient brain
To track shy truth; her facile wit
At that which he hunts down with pain
Flies straight, and does exactly hit.
Were she but half of what she is,
He twice himself, mere love alone,
Her special crown, as truth is his,
Gives title to the worthier throne;
For love is substance, truth the form;
Truth without love were less than nought;
But blindest love is sweet and warm,
And full of truth not shaped by thought,
And therefore in herself she stands
Adorn’d with undeficient grace,
Her happy virtues taking hands,
Each smiling in another’s face.
So, dancing round the Tree of Life,
They make an Eden in her breast,
While his, disjointed and at strife,
Proud-thoughted, do not bring him rest.
PRELUDES.
I.
The Comparison.
Where is it? she succeeds
with a clear mind,
In everyday life and in sacred matters,
He fails, despite his prayers and promises
And struggles with faith and effort;
Or, if he gets a favorable response from Heaven
to live righteously, his good deeds
Lack the charm that virtue brings; she fails
More gracefully than he succeeds.
Her spirit, made of kindness,
Whether Heaven delays or grants her prayer,
Feels no pride in its success,
And no despair in its failure;
But his, obsessed with its wounds,
Frustrated, curses, or, not denied,
Boasts from the lowly ground of despair,
And flaps its ugly wings in pride.
p. 47He’s
never young or fulfilled; she matures
More childlike, radiant, gentle,
And the more she lives and learns,
The lovelier she appears as a child.
Say she lacks the ambition of man
To achieve fame, unbothered by challenges,
Nor swayed when others praise or criticize;
She wants only what would be a loss to have.
Or say she lacks the patient mind
To uncover hidden truths; her quick wit
Easily hits the mark that he struggles to find
With effort and pain.
If she were just half of what she is,
He would be double himself, purely through love alone,
Her unique strength, just as truth is his,
Gives her the rightful place on a higher throne;
For love is substance, truth is the shape;
Truth without love is worth nothing;
But the most blind love is sweet and warm,
And full of truth not formed by thought,
And therefore she stands on her own
Adorned with unending grace,
Her joyful virtues holding hands,
Each smiling at the other.
So, dancing around the Tree of Life,
They create an Eden in her heart,
While his, fragmented and in conflict,
Proud and restless, does not bring him peace.
If fate Love’s dear ambition mar,
And load his breast with hopeless pain,
And seem to blot out sun and star,
Love, won or lost, is countless gain;
His sorrow boasts a secret bliss
Which sorrow of itself beguiles,
And Love in tears too noble is
For pity, save of Love in smiles.
But, looking backward through his tears,
With vision of maturer scope,
How often one dead joy appears
The platform of some better hope!
And, let us own, the sharpest smart
Which human patience may endure
Pays light for that which leaves the heart
More generous, dignified, and pure.
p. 48II.
Love in Tears.
If fate Love’s dear ambition mar,
And load his breast with hopeless pain,
And seem to blot out sun and star,
Love, won or lost, is countless gain;
His sorrow boasts a secret bliss
Which sorrow of itself beguiles,
And Love in tears too noble is
For pity, save of Love in smiles.
But, looking backward through his tears,
With vision of maturer scope,
How often one dead joy appears
The platform of some better hope!
And, let us own, the sharpest smart
Which human patience may endure
Pays light for that which leaves the heart
More generous, dignified, and pure.
They safely walk in darkest ways
Whose youth is lighted from above,
Where, through the senses’ silvery haze,
Dawns the veil’d moon of nuptial love.
p. 49Who is the
happy husband? He
Who, scanning his unwedded life,
Thanks Heaven, with a conscience free,
’Twas faithful to his future wife.
If fate loves to crush ambition,
And fills his heart with endless pain,
And seems to erase both sun and star,
Love, whether won or lost, is priceless;
His sorrow holds a hidden joy
That sorrow itself distracts,
And love, even in tears, is too noble
For pity, except for love in smiles.
But, looking back through his tears,
With a clearer view of life,
How often one lost joy stands
As the foundation for a better hope!
And, let’s be honest, the sharpest pain
That human patience can endure
Feels small compared to what leaves the heart
More generous, dignified, and pure.
III.
Prospective Faith.
They walk safely in the darkest paths
Whose youth is lit from above,
Where, through the silver mist of the senses,
The hidden moon of bridal love begins to rise.
p. 49Who is the
happy husband? He
Who, looking back at his single life,
Thanks heaven, with a clear conscience,
Was true to his future wife.
IV.
Venus Victrix.
I went not to the Dean’s unbid:
I would not have my mystery,
From her so delicately hid,
The guess of gossips at their tea.
A long, long week, and not once there,
Had made my spirit sick and faint,
And lack-love, foul as love is fair,
Perverted all things to complaint.
p. 50How vain
the world had grown to be!
How mean all people and their ways,
How ignorant their sympathy,
And how impertinent their praise;
What they for virtuousness esteem’d,
How far removed from heavenly right;
What pettiness their trouble seem’d,
How undelightful their delight;
To my necessity how strange
The sunshine and the song of birds;
How dull the clouds’ continual change,
How foolishly content the herds;
How unaccountable the law
Which bade me sit in blindness here,
While she, the sun by which I saw,
Shed splendour in an idle sphere!
And then I kiss’d her stolen glove,
And sigh’d to reckon and define
The modes of martyrdom in love,
And how far each one might be mine.
I thought how love, whose vast estate
Is earth and air and sun and sea,
Encounters oft the beggar’s fate,
Despised on score of poverty;
How Heaven, inscrutable in this,
Lets the gross general make or mar
The destiny of love, which is
So tender and particular;
p. 51How
nature, as unnatural
And contradicting nature’s source,
Which is but love, seems most of all
Well-pleased to harry true love’s course;
How, many times, it comes to pass
That trifling shades of temperament,
Affecting only one, alas,
Not love, but love’s success prevent;
How manners often falsely paint
The man; how passionate respect,
Hid by itself, may bear the taint
Of coldness and a dull neglect;
And how a little outward dust
Can a clear merit quite o’ercloud,
And make her fatally unjust,
And him desire a darker shroud;
How senseless opportunity
Gives baser men the better chance;
How powers, adverse else, agree
To cheat her in her ignorance;
How Heaven its very self conspires
With man and nature against love,
As pleased to couple cross desires,
And cross where they themselves approve.
Wretched were life, if the end were now!
But this gives tears to dry despair,
Faith shall be blest, we know not how,
And love fulfill’d, we know not where.
Deadly in impact, yet gentle in intention,
Defeats, from her, are gentle agreements,
For, like the caring lodestone, still
She’s pulled towards what she attracts.
THE VIOLETS.
1
I didn’t go to the Dean’s invitation:
I wouldn’t have my secret,
So delicately hidden by her,
The gossip's guesses at their tea.
A long, long week, and not once there,
Had made my spirit sick and weak,
And unrequited love, as ugly as love is beautiful,
Twisted everything into complaints.
p. 50How vain
the world has become!
How petty all people and their ways,
How ignorant their sympathy,
And how rude their praise;
What they consider virtuous,
How far it is from heavenly right;
What pettiness their troubles seem,
How unpleasurable their joy;
To my needs how strange
The sunshine and the song of birds;
How dull the clouds’ constant shifts,
How foolishly content the herds;
How inexplicable the rule
That made me sit here in the dark,
While she, the sun by which I saw,
Shined brightly in an idle space!
And then I kissed her stolen glove,
And sighed to count and define
The different kinds of suffering in love,
And how much each one could be mine.
I thought how love, whose vast realm
Is earth and air and sun and sea,
Often meets the beggar’s fate,
Disregarded because of poverty;
How Heaven, incomprehensible in this,
Lets the general masses make or break
The fate of love, which is
So tender and personal;
p. 51How
nature, as unnatural
And contradicting its own source,
Which is just love, seems most of all
Happy to disrupt true love’s path;
How, many times, it happens
That trivial differences in temperament,
Only affecting one, sadly,
Prevent not love, but love’s success;
How manners often misrepresent
The person; how passionate respect,
Hidden from itself, may carry the stain
Of coldness and dull neglect;
And how a little outside dust
Can completely obscure true worth,
And make her dangerously unjust,
And him desire a darker cover;
How senseless opportunity
Gives lesser men the upper hand;
How otherwise opposing powers
Agree to deceive her in her ignorance;
How Heaven itself conspires
With man and nature against love,
As if pleased to unite conflicting desires,
And to cross where they themselves agree.
Life would be miserable if it ended now!
But this brings tears to dry despair,
Faith will be blessed, we don’t know how,
And love fulfilled, we don’t know where.
While thus I grieved, and kiss’d her
glove,
My man brought in her note to say,
Papa had hid her send his love,
And would I dine with them next day?
They had learn’d and practised Purcell’s glee,
To sing it by to-morrow night.
The Postscript was: Her sisters and she
Inclosed some violets, blue and white;
She and her sisters found them where
I wager’d once no violets grew;
So they had won the gloves. And there
The violets lay, two white, one blue.
p. 522
While thus I grieved, and kiss’d her
glove,
My man brought in her note to say,
Papa had hid her send his love,
And would I dine with them next day?
They had learn’d and practised Purcell’s glee,
To sing it by to-morrow night.
The Postscript was: Her sisters and she
Inclosed some violets, blue and white;
She and her sisters found them where
I wager’d once no violets grew;
So they had won the gloves. And there
The violets lay, two white, one blue.
While I was grieving and kissing her glove,
My man brought in her note to say,
Her dad had sent his love,
And would I join them for dinner the next day?
They had learned and practiced Purcell’s glee,
To sing it by tomorrow night.
The postscript said: Her sisters and she
Included some violets, blue and white;
She and her sisters found them where
I bet once no violets grew;
So they had ended up with the gloves. And there
The violets lay, two white, one blue.
Most rare is still
most noble found,
Most noble still most incomplete;
Sad law, which leaves King Love uncrown’d
In this obscure, terrestrial seat!
With bale more sweet than others’ bliss,
And bliss more wise than others’ bale,
The secrets of the world are his.
And freedom without let or pale.
O, zealous good, O, virtuous glee,
Religious, and without alloy,
O, privilege high, which none but he
Who highly merits can enjoy;
O, Love, who art that fabled sun
Which all the world with bounty loads,
Without respect of realms, save one,
And gilds with double lustre Rhodes;
p. 54A day of
whose delicious life,
Though full of terrors, full of tears,
Is better than of other life
A hundred thousand million years;
Thy heavenly splendour magnifies
The least commixture of earth’s mould,
Cheapens thyself in thine own eyes,
And makes the foolish mocker bold.
p. 53CANTO
VI.
The Dean.
Most rare is still
most noble found,
Most noble still most incomplete;
Sad law, which leaves King Love uncrown’d
In this obscure, terrestrial seat!
With bale more sweet than others’ bliss,
And bliss more wise than others’ bale,
The secrets of the world are his.
And freedom without let or pale.
O, zealous good, O, virtuous glee,
Religious, and without alloy,
O, privilege high, which none but he
Who highly merits can enjoy;
O, Love, who art that fabled sun
Which all the world with bounty loads,
Without respect of realms, save one,
And gilds with double lustre Rhodes;
p. 54A day of
whose delicious life,
Though full of terrors, full of tears,
Is better than of other life
A hundred thousand million years;
Thy heavenly splendour magnifies
The least commixture of earth’s mould,
Cheapens thyself in thine own eyes,
And makes the foolish mocker bold.
PRELUDES.
I.
Perfect Love rare.
Most rare is still
most noble found,
Most noble still most incomplete;
Sad law, which leaves King Love uncrowned
In this obscure, earthly place!
With pain more sweet than others’ joy,
And joy more wise than others’ pain,
The secrets of the world are his.
And freedom without limit or restraint.
O, zealous good, O, virtuous joy,
Pure and without flaw,
O, high privilege, which only he
Who truly deserves can enjoy;
O, Love, who are that legendary sun
Which blesses the world abundantly,
Without regard for kingdoms, except one,
And shines with double brilliance on Rhodes;
p. 54A day of
whose delightful life,
Though full of fears, full of tears,
Is better than the life of others
A hundred thousand million years;
Thy heavenly brightness magnifies
The smallest mixture of earth's clay,
Cheapens thyself in thine own sight,
And makes the foolish mocker bold.
II.
Love Justified.
What if my guiding star of respect
Seems dim to others? Should their
‘No,’
Probably their own flaw,
Disqualify my heart’s strong
‘Yes’?
And can they truly judge me,
If I, with selective love, choose?
I’m not being unfair to them,
Just not unfair to her.
Leave us be! After some time,
This pool of private kindness
Shall make its land an island,
And roll, a world-embracing sea;
This foolish passion of one for another,
This loving, self-justifying, deliberate thrill,
Is that chosen relationship
Which creates and validates all the rest;
p. 55This
little seed of marital love,
That grows so effortlessly from the ground,
The root is, as my song will show,
Of all our love for humanity and God.
III.
Love Serviceable.
What measure fate has in store for him
Isn’t something the noble lover worries about;
He’s heartbroken with a sweet longing
To make her happy because she’s beautiful.
Oh, the misery if she were to refuse him,
And thus misunderstand her own true good!
He pursues his own success
With passionate zeal, all for her sake.
Losing her would darken his life,
Just as it would be a loss for her; to make her his,
Except as a way to help her delight,
He sees it as just a fleeting happiness;
And considering life as merely a means
To buy her flowers, he learns this lesson:
He doesn’t truly love himself
Who doesn’t love another more.
Kind souls, you wonder why, love you,
When you, you wonder why, love none.
We love, Fool, for the good we do,
Not that which unto us is done!
p. 56IV.
A Riddle Solved.
Kind souls, you wonder why, love you,
When you, you wonder why, love none.
We love, Fool, for the good we do,
Not that which unto us is done!
The Ladies rose. I held the door,
And sigh’d, as her departing grace
Assured me that she always wore
A heart as happy as her face;
And, jealous of the winds that blew,
I dreaded, o’er the tasteless wine,
What fortune momently might do
To hurt the hope that she’d be mine.
Kind souls, you wonder why we love you,
When you, yourself, wonder why you love no one.
We love, Fool, for the good we do,
Not for what is done to us!
THE DEAN.
1
Towards my mark the Dean’s talk set:
He praised my ‘Notes on Abury,’
Read when the Association met
At Sarum; he was pleased to see
p. 57I had not
stopp’d, as some men had,
At Wrangler and Prize Poet; last,
He hoped the business was not bad
I came about: then the wine pass’d.
The ladies stood up. I opened the door,
And sighed, as her graceful exit
Confirmed that she always had
A heart as joyful as her smile;
And, envious of the winds that gusted,
I feared, over the bland wine,
What fate might suddenly do
To damage the hope that she’d be mine.
2
Towards my goal, the Dean's speech was focused:
He praised my ‘Notes on Abury,’
Read when the Association gathered
At Sarum; he was happy to see
p. 57I hadn't
stopped, like some others had,
At Wrangler and Prize Poet; finally,
He hoped the matter I brought up was not bad
Then the wine was passed around.
3
A full glass preceded my response:
I loved his daughter, Honor; I shared
My background and my plans; could I try
To win her love? At my bold words,
My anxious heart sank. Then he spoke: he gave
His happy consent if I could earn
Her love. A sweet, good girl! She would have
Only three thousand pounds for now;
More would come later. Yes, his good wishes
Would support me; he wouldn’t interfere;
He and my father had always hoped
That I would one day marry her;
But God rarely allows us to follow
Our chosen paths when they affect
The lives of others, either for better or worse.
So, while his blessing and prayers
Might help my case, he left everything to me,
his passive role being consent and opportunity.
p. 58He hoped I had a good chance: I’d earned
Some reputation already; friends and position
Were within my grasp, but none
Would match her mind and character.
Girls like to see the men they admire adored;
Besides, where there is goodness, there’s room
For good things to flourish.
It was the same with one who has now passed;
And what she was at twenty-two,
Honor is now; and he could say
Mine was a choice I wouldn’t regret.
4
He stopped and extended his hand. He had won
(And all my heart was in my word),
From me the love of a son,
Regardless of the fate Heaven granted!
Well, would I like more wine? Then go
To her; she brews tea on the lawn
These lovely warm afternoons. And so
We went where my soul was drawn;
And her cheerful ignorance
Of our conversation
Filled me with love and seemed to enhance
Her beauty with a touching power,
p. 59As, through the sweet flowery paths,
Facing the wind that danced joyfully,
And adored her figure, and kissed her feet,
Shown to their proud and graceful arches,
She approached, all gentleness and young trust,
And her pure and noble presence
Gave love’s feast its finest flavor,
A vague, faint hint of despair.
How vilely ’twere to misdeserve
The poet’s gift of perfect speech,
In song to try, with trembling nerve,
The limit of its utmost reach,
Only to sound the wretched praise
Of what to-morrow shall not be;
So mocking with immortal bays
The cross-bones of mortality!
I do not thus. My faith is fast
That all the loveliness I sing
Is made to bear the mortal blast,
And blossom in a better Spring.
Doubts of eternity ne’er cross
The Lover’s mind, divinely clear;
For ever is the gain or loss
Which maddens him with hope or fear:
p. 61So trifles
serve for his relief,
And trifles make him sick and pale;
And yet his pleasure and his grief
Are both on a majestic scale.
The chance, indefinitely small,
Of issue infinitely great,
Eclipses finite interests all,
And has the dignity of fate.
p. 60CANTO
VII.
Ætna and the Moon.
How vilely ’twere to misdeserve
The poet’s gift of perfect speech,
In song to try, with trembling nerve,
The limit of its utmost reach,
Only to sound the wretched praise
Of what to-morrow shall not be;
So mocking with immortal bays
The cross-bones of mortality!
I do not thus. My faith is fast
That all the loveliness I sing
Is made to bear the mortal blast,
And blossom in a better Spring.
Doubts of eternity ne’er cross
The Lover’s mind, divinely clear;
For ever is the gain or loss
Which maddens him with hope or fear:
p. 61So trifles
serve for his relief,
And trifles make him sick and pale;
And yet his pleasure and his grief
Are both on a majestic scale.
The chance, indefinitely small,
Of issue infinitely great,
Eclipses finite interests all,
And has the dignity of fate.
PRELUDES.
I.
Love’s Immortality.
How terrible it would be to undeserve
The poet's gift of perfect words,
To attempt in song, with trembling nerves,
The limits of its fullest reach,
Only to hear the miserable praise
Of what tomorrow won't ever be;
So mocking with immortal glory
The reminders of mortality!
I do not feel this way. My faith is strong
That all the beauty I sing
Is meant to withstand the forces of life,
And flourish in a better Spring.
Doubts about eternity never cloud
The Lover’s mind, so clear;
Forever is the gain or loss
That drives him crazy with hope or fear:
p. 61So little things
Serve as his relief,
And little things make him sick and pale;
And yet his joy and his sorrow
Are both on a grand scale.
The chance, incredibly small,
Of outcomes infinitely significant,
Outweighs all finite concerns,
And carries the weight of fate.
II.
Heaven and Earth.
How long will people reject the flower
Just because its roots are in the ground,
And cry with tears to God for the riches
They already have but look down on as scarcity,
And look down on their human existence,
With wild pride, too blinded to realize
That standing on their heads doesn’t lead
To either comfort or respect!
But fools will realize they’ve been foolish to discover
(Too late warned) that the joy of angels
Is the same in cause, style, and essence
As what they desecrated on earth.
To soothe my heart I, feigning, seized
A pen, and, showering tears, declared
My unfeign’d passion; sadly pleased
Only to dream that so I dared.
Thus was the fervid truth confess’d,
But wild with paradox ran the plea.
As wilfully in hope depress’d,
Yet bold beyond hope’s warranty:
p. 62ÆTNA AND THE MOON.
To soothe my heart I, feigning, seized
A pen, and, showering tears, declared
My unfeign’d passion; sadly pleased
Only to dream that so I dared.
Thus was the fervid truth confess’d,
But wild with paradox ran the plea.
As wilfully in hope depress’d,
Yet bold beyond hope’s warranty:
1
‘O, more than dear, be more than just,
And do not deafly shut the door!
I claim no right to speak; I trust
Mercy, not right; yet who has more?
For, if more love makes not more fit,
Of claimants here none’s more nor less,
Since your great worth does not permit
Degrees in our unworthiness.
Yet, if there’s aught that can be done
With arduous labour of long years,
By which you’ll say that you’ll be won,
O tell me, and I’ll dry my tears.
Ah, no; if loving cannot move,
How foolishly must labour fail!
The use of deeds is to show love;
If signs suffice let these avail:
p. 63Your name
pronounced brings to my heart
A feeling like the violet’s breath,
Which does so much of heaven impart
It makes me amorous of death;
The winds that in the garden toss
The Guelder-roses give me pain,
Alarm me with the dread of loss,
Exhaust me with the dream of gain;
I’m troubled by the clouds that move;
Tired by the breath which I respire;
And ever, like a torch, my love,
Thus agitated, flames the higher;
All’s hard that has not you for goal;
I scarce can move my hand to write,
For love engages all my soul,
And leaves the body void of might;
The wings of will spread idly, as do
The bird’s that in a vacuum lies;
My breast, asleep with dreams of you,
Forgets to breathe, and bursts in sighs;
I see no rest this side the grave,
No rest nor hope, from you apart;
Your life is in the rose you gave,
Its perfume suffocates my heart;
There’s no refreshment in the breeze;
The heaven o’erwhelms me with its blue;
I faint beside the dancing seas;
Winds, skies, and waves are only you;
p. 64The
thought or act which not intends
You service seems a sin and shame;
In that one only object ends
Conscience, religion, honour, fame.
Ah, could I put off love! Could we
Never have met! What calm, what ease!
Nay, but, alas, this remedy
Were ten times worse than the disease!
For when, indifferent, I pursue
The world’s best pleasures for relief,
My heart, still sickening back to you,
Finds none like memory of its grief;
And, though ’twere very hell to hear
You felt such misery as I,
All good, save you, were far less dear!
Than is that ill with which I die
Where’er I go, wandering forlorn,
You are the world’s love, life, and glee:
Oh, wretchedness not to be borne
If she that’s Love should not love
me!’
To calm my heart, I pretended to grab
A pen, and, with tears streaming down, I admitted
My genuine feelings; sadly satisfied
Only to dream that I had the courage to do so.
So the passionate truth was revealed,
But my argument ran wild with contradictions.
As stubbornly hopeful as I was downcast,
Yet bold beyond what hope could guarantee:
2
‘Oh, more than dear, be more than just,
And don’t just shut the door!
I have no right to speak; I rely on
Mercy, not right; yet who has more?
For if more love doesn’t make one more deserving,
None of us here is more or less,
Since your great worth doesn’t allow
Ranks in our unworthiness.
Yet, if there’s anything that can be achieved
Through years of hard work,
By which you’ll say that I can win you,
Oh tell me, and I’ll dry my tears.
Ah, no; if love can’t move you,
How foolish it is to think labor will!
The purpose of actions is to show love;
If gestures are enough, let these serve:
p. 63Your name
When I hear it, my heart feels
Like the breath of a violet,
Which shares so much of heaven
It makes me long for death;
The winds that shake the garden
With the Guelder-roses cause me pain,
Filling me with the fear of loss,
Exhausting me with the dream of gain;
I’m troubled by the clouds that move;
Tired by the breath that I take;
And ever, like a torch, my love,
Continues to blaze higher;
Everything is hard without you as the goal;
I can barely move my hand to write,
For love occupies all my soul,
Leaving my body without strength;
The wings of my will spread idly, like
A bird stuck in a vacuum;
My heart, asleep with dreams of you,
Forgets to breathe and bursts into sighs;
I see no rest this side of the grave,
No rest or hope, apart from you;
Your life is in the rose you gave,
Its fragrance suffocates my heart;
There’s no refreshment in the breeze;
The sky overwhelms me with its blue;
I faint beside the dancing seas;
Winds, skies, and waves are all you;
p. 64The thought or action that doesn’t involve
Your service seems a sin and shame;
In that one object ends
Conscience, religion, honor, fame.
Ah, if only I could set love aside! Could we
Have never met! What calm, what ease!
No, but, oh, this remedy
Would be ten times worse than the disease!
For when I thoughtlessly seek
The world’s pleasures for relief,
My heart, still sickening for you,
Finds none like the memory of its grief;
And though it would be hell to know
You felt as miserable as I,
All good, except for you, would be far less dear!
Than this pain with which I die;
Wherever I go, wandering alone,
You are the world’s love, life, and joy:
Oh, unbearable misery
If she who is Love does not love me!’
3
I couldn’t write another word,
Feeling sorry for my own troubles;
And so I left, unprepared to face
Whatever might ease my misery or make it worse.
p. 65I walked,
under the hot afternoon sun,
To where, in her simplicity,
She sat working; and, like the Moon
Smiling on Ætna, she smiled at me.
But now and then, in her cheeks and eyes,
I caught, or thought I saw, a glow
Like when, in summer evening skies,
Some say, ‘It’s lightning,’ some say, ‘No.’
‘Honoria,’ I started—No more.
The Dean, by unfortunate or fortunate chance,
Came home; and Wolf burst in before,
And rested his nose on her lap.
What’s that,
which, ere I spake, was gone?
So joyful and intense a spark
That, whilst o’erhead the wonder shone,
The day, before but dull, grew dark.
I do not know; but this I know,
That, had the splendour lived a year,
The truth that I some heavenly show
Did see, could not be now more clear.
This know I too: might mortal breath
Express the passion then inspired,
Evil would die a natural death,
And nothing transient be desired;
And error from the soul would pass,
And leave the senses pure and strong
As sunbeams. But the best, alas,
Has neither memory nor tongue!
p. 66CANTO
VIII.
Sarum Plain.
What’s that,
which, ere I spake, was gone?
So joyful and intense a spark
That, whilst o’erhead the wonder shone,
The day, before but dull, grew dark.
I do not know; but this I know,
That, had the splendour lived a year,
The truth that I some heavenly show
Did see, could not be now more clear.
This know I too: might mortal breath
Express the passion then inspired,
Evil would die a natural death,
And nothing transient be desired;
And error from the soul would pass,
And leave the senses pure and strong
As sunbeams. But the best, alas,
Has neither memory nor tongue!
PRELUDES.
I.
Life of Life.
What’s up that,
which, before I spoke, was gone?
Such a joyful and intense spark
That, while the wonder shone above,
The day, which was dull before, grew dark.
I don’t know; but this I do know,
That, if the brilliance had lasted a year,
The truth that I saw in some heavenly display
Could not be clearer now.
I know this too: if human words
Could express the passion that was inspired then,
Evil would naturally fade away,
And nothing fleeting would be desired;
And mistakes would leave the soul,
Making the senses pure and strong
As sunbeams. But the best, unfortunately,
Has neither memory nor voice!
An idle poet, here and there,
Looks round him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling’s jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme,
And most forget; but, either way,
That and the Child’s unheeded dream
Is all the light of all their day.
p. 67II.
The Revelation.
An idle poet, here and there,
Looks round him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling’s jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme,
And most forget; but, either way,
That and the Child’s unheeded dream
Is all the light of all their day.
Not in the crises of events,
Of compass’d hopes, or fears
fulfill’d,
Or acts of gravest consequence,
Are life’s delight and depth
reveal’d.
The day of days was not the day;
That went before, or was postponed;
The night Death took our lamp away
Was not the night on which we groan’d.
p. 68I drew my
bride, beneath the moon,
Across my threshold; happy hour!
But, ah, the walk that afternoon
We saw the water-flags in flower!
An idle poet, here and there,
Looks around; but for everyone else,
The world, incredibly beautiful,
Is duller than a foolish joke.
Love awakens people, once in a lifetime;
They lift their heavy eyelids and look;
And, wow, what one sweet page can teach,
They read with joy, then close the book.
And some give thanks, and some curse,
And most forget; but either way,
That and the Child’s unnoticed dream
Is all the light of all their day.
III.
The Spirit’s Epochs.
Not during the crises of events,
Of limited hopes or fulfilled fears,
Or actions of the greatest importance,
Are life’s joy and depth revealed.
The most important day wasn’t the day;
It was the day before, or the one that was delayed;
The night Death took our light away
Was not the night we sighed.
p. 68I brought my bride, under the moon,
Across my threshold; what a happy hour!
But, oh, the walk that afternoon
We saw the water-flags blooming!
IV.
The Prototype.
Spirit of Knowledge, grant me this:
A simple heart and subtle wit
To praise the thing whose praise it is
That all which can be praised is it.
Look, where love, life, and light are poured,
Covered with impenetrable rays,
In the presence of the Lord
Co-equal Wisdom laughs and plays.
Male and female, God created humankind;
His image is the entirety, not a part;
And in our love, we faintly perceive
The love that exists between Him.
V.
The Praise of Love.
Spirit of Knowledge, grant me this:
A humble heart and keen mind
To celebrate the thing that deserves praise
That everything worthy of praise is it.
Breakfast enjoy’d, ’mid hush of
boughs
And perfumes thro’ the windows blown;
Brief worship done, which still endows
The day with beauty not its own;
With intervening pause, that paints
Each act with honour, life with calm
(As old processions of the Saints
At every step have wands of palm),
We rose; the ladies went to dress,
And soon return’d with smiles; and then,
Plans fix’d, to which the Dean said ‘Yes,’
Once more we drove to Salisbury Plain.
We past my house (observed with praise
By Mildred, Mary acquiesced),
And left the old and lazy greys
Below the hill, and walk’d the rest.
p. 69SARUM
PLAIN.
Breakfast enjoy’d, ’mid hush of
boughs
And perfumes thro’ the windows blown;
Brief worship done, which still endows
The day with beauty not its own;
With intervening pause, that paints
Each act with honour, life with calm
(As old processions of the Saints
At every step have wands of palm),
We rose; the ladies went to dress,
And soon return’d with smiles; and then,
Plans fix’d, to which the Dean said ‘Yes,’
Once more we drove to Salisbury Plain.
We past my house (observed with praise
By Mildred, Mary acquiesced),
And left the old and lazy greys
Below the hill, and walk’d the rest.
1
The moods of love are like the wind,
And none knows whence or why they rise:
I ne’er before felt heart and mind
So much affected through mine eyes.
p. 70How
cognate with the flatter’d air,
How form’d for earth’s familiar zone,
She moved; how feeling and how fair
For others’ pleasure and her own!
And, ah, the heaven of her face!
How, when she laugh’d, I seem’d to
see
The gladness of the primal grace,
And how, when grave, its dignity!
Of all she was, the least not less
Delighted the devoted eye;
No fold or fashion of her dress
Her fairness did not sanctify.
I could not else than grieve. What cause?
Was I not blest? Was she not there?
Likely my own? Ah, that it was:
How like seem’d ‘likely’ to
despair!
Breakfast enjoyed, amidst the quiet of the trees
And scents blowing through the windows;
A brief moment of worship, which still gifts
The day with a beauty of its own;
With a pause that enhances
Each action with honor, life with calm
(Like ancient processions of Saints
Where every step is marked with palm branches),
We got up; the ladies went to get ready,
And soon returned with smiles; and then,
Plans set, to which the Dean agreed,
We drove once more to Salisbury Plain.
We passed my house (admired by Mildred,
Mary agreed),
And left the old and slow horses
Below the hill, and walked the rest.
2
The feelings of love are like the wind,
And no one knows where they come from or why they happen:
I’ve never felt my heart and mind
So deeply moved through my eyes.
p. 70How connected to the flattering air,
How perfectly made for this earthly realm,
She moved; how graceful and how beautiful
For the happiness of others and her own!
And, oh, the beauty of her face!
How, when she laughed, I seemed to
See the joy of pure grace,
And how, when serious, its dignity!
Of everything she was, even the smallest thing
Delighted the devoted gaze;
No wrinkle or style of her dress
Did not enhance her beauty.
I couldn't help but feel sad. Why?
Was I not blessed? Was she not here?
So likely to be mine? Ah, but it was:
How much ‘likely’ felt like despair!
3
And yet to see her so kind,
So honorable and feminine,
In every girl’s kindness mine,
And full of the brightest courtesy,
Was pleasure without any downside,
Such unblemished, pure bliss,
I almost wished, in that moment, that joy
Might never go beyond this.
p. 71So much it was to walk now,
And humbly by her gentle side
Observe her smile and hear her talk,
Could it be more than to call her my wife?
I imagined her won: the finite mind,
Confused and worn out by stress and strain
To understand the whole delight,
Made bliss harder to bear than pain.
All good, except a heart to hold it, so summed
And grasped, the thought hit, like a knife,
How lost mortality had numbed
The feelings to the feast of life;
How fleeting good breathes the sweetest air;
And love itself at its highest reveals
More dark than bright, praising death
By teaching how much life conceals.
4
But happier feelings took over,
When we stepped out from the stuffy lane,
With eyes brightened by what we saw,
We came out onto the rolling Plain.
Just like a flag unfurling in the breeze,
My spirit lifted, warmly welcomed
By those same gusts that tousled her hair
And stirred the ribbon at her waist.
p. 72Looking ahead, I set aside my worries;
Breathing freely, my heart unburdened,
And laughed at the bold airs
That wrapped me in her light fabric;
Until, like a shadow crossing my sky,
The thought that she might never be mine
Became almost forgotten by my gaze
So absorbed in the sun’s warm glow.
5
By the big stones, we chose our spot
For shade; and there, in sweet conversation,
We had lunch. On a little mound
Sat the three ladies; at their feet
I sat, enjoying the earthy smell,
Picking harebells, turning the
Telescope to the landscape around. My life was good,
For once, without the wheels of hope;
And I looked down on the Druid rocks
That glared their cold gloom from above,
Like surly fools whose stubborn wisdom mocks
The joy of eternal love.
And as we talked, my spirit drank
The refreshing winds; the clear skies
Laughed at our unrealistic oddness;
I kissed her smiling eyes with mine;
p. 73And sweet familiarity and awe
Reigned that hour for both of us,
And in the everlasting light, I saw
That she was mine; though my heart
Could not understand, nor would admit
Such contentment; and there grew
More form and more beautiful grace
Than ever before between us two.
Man must be pleased;
but him to please
Is woman’s pleasure; down the gulf
Of his condoled necessities
She casts her best, she flings herself.
How often flings for nought, and yokes
Her heart to an icicle or whim,
Whose each impatient word provokes
Another, not from her, but him;
While she, too gentle even to force
His penitence by kind replies,
Waits by, expecting his remorse,
With pardon in her pitying eyes;
And if he once, by shame oppress’d,
A comfortable word confers,
She leans and weeps against his breast,
And seems to think the sin was hers;
p. 75And whilst
his love has any life,
Or any eye to see her charms,
At any time, she’s still his wife,
Dearly devoted to his arms;
She loves with love that cannot tire;
And when, ah woe, she loves alone,
Through passionate duty love springs higher,
As grass grows taller round a stone.
p. 74CANTO
IX.
Sahara.
Man must be pleased;
but him to please
Is woman’s pleasure; down the gulf
Of his condoled necessities
She casts her best, she flings herself.
How often flings for nought, and yokes
Her heart to an icicle or whim,
Whose each impatient word provokes
Another, not from her, but him;
While she, too gentle even to force
His penitence by kind replies,
Waits by, expecting his remorse,
With pardon in her pitying eyes;
And if he once, by shame oppress’d,
A comfortable word confers,
She leans and weeps against his breast,
And seems to think the sin was hers;
p. 75And whilst
his love has any life,
Or any eye to see her charms,
At any time, she’s still his wife,
Dearly devoted to his arms;
She loves with love that cannot tire;
And when, ah woe, she loves alone,
Through passionate duty love springs higher,
As grass grows taller round a stone.
PRELUDES.
I.
The Wife’s Tragedy.
A guy must be happy;
but making him happy
is a woman's joy; into the depths
of his supported needs
she gives her all, she throws herself.
How often she gives for nothing, and ties
her heart to an ice-cold person or a whim,
each impatient word of his provoking
another from him, not from her;
While she, too kind to force
his remorse with gentle replies,
waits nearby, hoping for his regret,
with forgiveness in her compassionate eyes;
And if he ever, feeling shame,
offers a kind word,
she leans in and cries against his chest,
and seems to feel the fault was hers;
p. 75And as long as his love is alive,
or any eye can see her beauty,
at any time, she’s still his wife,
deeply devoted to his embrace;
She loves with a love that never tires;
and when, oh how sad, she loves alone,
through passionate duty, love grows stronger,
like grass growing taller around a stone.
II.
Common Graces.
Is nature in you too lifeless,
Unworthy, powerless, and dull,
To appreciate her beauty and charm
More for being your daily sustenance?
And are you part of that sinful group
That sees no brilliance in the sun,
Only praising what is new,
Or what’s already gone, or not yet begun?
And has it occurred to your dull mind
That love brings warmth to many like a cozy nest,
That, even wrapped in comforts,
You are not uniquely blessed?
And do you fail to give thanks for divine gifts,
The shared nourishment of many hearts,
Because they aren’t just yours?
Beware that in the end you become
p. 76Cast out
Because of your pride from the fold,
Too good to feel the common grace
Of countless joyful souls who see
Forever the Father’s face.
III.
The Zest of Life.
Endow the fool with sun and moon,
Being his, he holds them mean and low,
But to the wise a little boon
Is great, because the giver’s so.
Give thanks. It's not a waste of time;
The worst food gets better, and the best,
Without this natural seasoning,
Becomes bland and hard to digest.
The thankful follow the Giver’s law;
But those who eat without looking higher,
Draw from sin or questionable approval
The bitter seasoning their meals require.
Give thanks for nothing, if you have no more,
And if you have everything, don’t doubt
That nothing, with thanks, is blessed before
Anything the world can provide, outside.
IV.
Fool and Wise.
Gift the fool with the sun and moon,
He takes them for granted and thinks little of them,
But for the wise, a small favor
Means a lot, because of who gave it.
I stood by Honor and the Dean,
They seated in the London train.
A month from her! yet this had been,
Ere now, without such bitter pain.
But neighbourhood makes parting light,
And distance remedy has none;
Alone, she near, I felt as might
A blind man sitting in the sun;
She near, all for the time was well;
Hope’s self, when we were far apart,
With lonely feeling, like the smell
Of heath on mountains, fill’d my heart.
To see her seem’d delight’s full scope,
And her kind smile, so clear of care,
Ev’n then, though darkening all my hope,
Gilded the cloud of my despair.
p. 77SAHARA.
I stood by Honor and the Dean,
They seated in the London train.
A month from her! yet this had been,
Ere now, without such bitter pain.
But neighbourhood makes parting light,
And distance remedy has none;
Alone, she near, I felt as might
A blind man sitting in the sun;
She near, all for the time was well;
Hope’s self, when we were far apart,
With lonely feeling, like the smell
Of heath on mountains, fill’d my heart.
To see her seem’d delight’s full scope,
And her kind smile, so clear of care,
Ev’n then, though darkening all my hope,
Gilded the cloud of my despair.
1
She had forgot to bring a book.
I lent one; blamed the print for old;
And did not tell her that she took
A Petrarch worth its weight in gold.
p. 78I hoped
she’d lose it; for my love
Was grown so dainty, high, and nice,
It prized no luxury above
The sense of fruitless sacrifice.
I stood by Honor and the Dean,
They seated in the London train.
A month since I last saw her! yet this had been,
Before now, without such bitter pain.
But being close makes parting easier,
And distance doesn’t fix anything;
When she was close, I felt like
A blind man sitting in the sun;
She was near, and everything felt good;
Hope itself, when we were far apart,
With lonely feelings, like the scent
Of heather on mountains, filled my heart.
Seeing her seemed like the peak of joy,
And her kind smile, so free of worry,
Even then, though darkening all my hope,
Made the cloud of my despair shine.
2
She forgot to bring a book.
I lent her one; I blamed the print for being old;
And didn’t tell her that she took
A Petrarch worth its weight in gold.
p. 78I hoped she’d lose it; because my love
Had become so delicate, refined, and particular,
It valued no luxury above
The feeling of pointless sacrifice.
3
What should I do, where should I go,
Now she was gone, my love! for mine
She was, whatever here below
Cross’d or usurp’d my right divine.
Life, without her, was vain and gross,
The glory from the world was gone,
And on the gardens of the Close
As on Sahara shone the sun.
Oppress’d with her departed grace,
My thoughts on ill surmises fed;
The harmful influence of the place
She went to fill’d my soul with dread.
p. 79She,
mixing with the people there,
Might come back alter’d, having caught
The foolish, fashionable air
Of knowing all, and feeling nought.
Or, giddy with her beauty’s praise,
She’d scorn our simple country life,
Its wholesome nights and tranquil days.
And would not deign to be my Wife.
‘My Wife,’ ‘my Wife,’ ah, tenderest
word!
How oft, as fearful she might hear,
Whispering that name of ‘Wife,’ I heard
The chiming of the inmost sphere.
The bell rang, and with screams like death,
The chain clinked together in a long line,
With heavy beats and fiery breath,
Proud of its load, it swept away;
And through the lingering crowd, I pushed through,
Headed for the hillside, feeling heartbroken,
I saw, in the distance, the small smoke
Rising quickly across the landscape.
4
What should I do, where should I go,
Now that she’s gone, my love! For her
She was, whatever here below
Crossed or took my rightful place.
Life without her was pointless and dull,
The shine from the world was lost,
And in the gardens of the Close
The sun shone like it does on the Sahara.
Crushed by her lost grace,
My thoughts were fed by bad ideas;
The dreadful vibe of the place
She went to filled my soul with fear.
p. 79She,
mingling with the people there,
Might come back changed, having picked up
The silly, trendy attitude
Of knowing everything and feeling nothing.
Or, dizzy from all the compliments on her beauty,
She’d look down on our simple country life,
Its peaceful nights and calm days.
And wouldn’t lower herself to be my wife.
‘My wife,’ ‘my wife,’ oh, sweetest word!
How often, afraid she might hear,
Whispering that name of ‘wife,’ I heard
The ringing of the deepest universe.
5
I walked by the home of my regrets.
The clock was chiming in the hallway,
And one lonely window was still open,
Even though the dew was starting to fall.
Ah, from a distance, her beauty seemed endless!
How light-hearted and innocent
That loveliness which crushed hope
And adorned the world around her!
How perfectly her life was put together;
And, thinking of her in that emotional state,
How her touching grace put to shame
The ordinary life that was merely good!
I wonder’d, would her bird be fed,
Her rose-plots water’d, she not by;
Loading my breast with angry dread
Of light, unlikely injury.
So, fill’d with love and fond remorse,
I paced the Close, its every part
Endow’d with reliquary force
To heal and raise from death my heart.
How tranquil and unsecular
The precinct! Once, through yonder gate,
I saw her go, and knew from far
Her love-lit form and gentle state.
Her dress had brush’d this wicket; here
She turn’d her face, and laugh’d, with
light
Like moonbeams on a wavering mere.
Weary beforehand of the night,
I went; the blackbird, in the wood
Talk’d by himself, and eastward grew
In heaven the symbol of my mood,
Where one bright star engross’d the blue.
p. 806
I wonder’d, would her bird be fed,
Her rose-plots water’d, she not by;
Loading my breast with angry dread
Of light, unlikely injury.
So, fill’d with love and fond remorse,
I paced the Close, its every part
Endow’d with reliquary force
To heal and raise from death my heart.
How tranquil and unsecular
The precinct! Once, through yonder gate,
I saw her go, and knew from far
Her love-lit form and gentle state.
Her dress had brush’d this wicket; here
She turn’d her face, and laugh’d, with
light
Like moonbeams on a wavering mere.
Weary beforehand of the night,
I went; the blackbird, in the wood
Talk’d by himself, and eastward grew
In heaven the symbol of my mood,
Where one bright star engross’d the blue.
I wondered if her bird would be fed,
If her rose beds would be watered while she was away;
Filling my heart with angry dread
Of unexpected, unlikely harm.
So, filled with love and deep regret,
I walked the Close, every part of it
Endowed with a sacred power
To heal and revive my heart from despair.
How peaceful and timeless
The area was! Once, through that gate,
I saw her walk by and recognized from a distance
Her love-lit figure and gentle presence.
Her dress had brushed against this gate; here
She turned her face and laughed, with
Light like moonbeams on a shimmering lake.
Already tired of the night,
I left; the blackbird, in the woods
Sang to itself, and eastward in the sky
The symbol of my mood grew,
Where one bright star dominated the blue.
Would Wisdom for
herself be woo’d,
And wake the foolish from his dream,
She must be glad as well as good,
And must not only be, but seem.
Beauty and joy are hers by right;
And, knowing this, I wonder less
That she’s so scorn’d, when falsely dight
In misery and ugliness.
What’s that which Heaven to man endears,
And that which eyes no sooner see
Than the heart says, with floods of tears,
‘Ah, that’s the thing which I would
be!’
Not childhood, full of frown and fret;
Not youth, impatient to disown
Those visions high, which to forget
Were worse than never to have known;
p. 82Not
worldlings, in whose fair outside
Nor courtesy nor justice fails,
Thanks to cross-pulling vices tied,
Like Samson’s foxes, by the tails;
Not poets; real things are dreams,
When dreams are as realities,
And boasters of celestial gleams
Go stumbling aye for want of eyes;
Not patriots or people’s men,
In whom two worse-match’d evils meet
Than ever sought Adullam’s den,
Base conscience and a high conceit;
Not new-made saints, their feelings iced,
Their joy in man and nature gone,
Who sing ‘O easy yoke of Christ!’
But find ’tis hard to get it on;
Not great men, even when they’re good;
The good man whom the time makes great,
By some disgrace of chance or blood,
God fails not to humiliate;
Not these: but souls, found here and there,
Oases in our waste of sin,
Where everything is well and fair,
And Heav’n remits its discipline;
Whose sweet subdual of the world
The worldling scarce can recognise,
And ridicule, against it hurl’d,
Drops with a broken sting and dies;
p. 83Who nobly,
if they cannot know
Whether a ’scutcheon’s dubious field
Carries a falcon or a crow,
Fancy a falcon on the shield;
Yet, ever careful not to hurt
God’s honour, who creates success,
Their praise of even the best desert
Is but to have presumed no less;
Who, should their own life plaudits bring,
Are simply vex’d at heart that such
An easy, yea, delightful thing
Should move the minds of men so much.
They live by law, not like the fool,
But like the bard, who freely sings
In strictest bonds of rhyme and rule,
And finds in them, not bonds, but wings.
Postponing still their private ease
To courtly custom, appetite,
Subjected to observances,
To banquet goes with full delight;
Nay, continence and gratitude
So cleanse their lives from earth’s alloy,
They taste, in Nature’s common food,
Nothing but spiritual joy.
They shine like Moses in the face,
And teach our hearts, without the rod,
That God’s grace is the only grace,
And all grace is the grace of God.
p. 81CANTO
X.
Church to Church.
Would Wisdom for
herself be woo’d,
And wake the foolish from his dream,
She must be glad as well as good,
And must not only be, but seem.
Beauty and joy are hers by right;
And, knowing this, I wonder less
That she’s so scorn’d, when falsely dight
In misery and ugliness.
What’s that which Heaven to man endears,
And that which eyes no sooner see
Than the heart says, with floods of tears,
‘Ah, that’s the thing which I would
be!’
Not childhood, full of frown and fret;
Not youth, impatient to disown
Those visions high, which to forget
Were worse than never to have known;
p. 82Not
worldlings, in whose fair outside
Nor courtesy nor justice fails,
Thanks to cross-pulling vices tied,
Like Samson’s foxes, by the tails;
Not poets; real things are dreams,
When dreams are as realities,
And boasters of celestial gleams
Go stumbling aye for want of eyes;
Not patriots or people’s men,
In whom two worse-match’d evils meet
Than ever sought Adullam’s den,
Base conscience and a high conceit;
Not new-made saints, their feelings iced,
Their joy in man and nature gone,
Who sing ‘O easy yoke of Christ!’
But find ’tis hard to get it on;
Not great men, even when they’re good;
The good man whom the time makes great,
By some disgrace of chance or blood,
God fails not to humiliate;
Not these: but souls, found here and there,
Oases in our waste of sin,
Where everything is well and fair,
And Heav’n remits its discipline;
Whose sweet subdual of the world
The worldling scarce can recognise,
And ridicule, against it hurl’d,
Drops with a broken sting and dies;
p. 83Who nobly,
if they cannot know
Whether a ’scutcheon’s dubious field
Carries a falcon or a crow,
Fancy a falcon on the shield;
Yet, ever careful not to hurt
God’s honour, who creates success,
Their praise of even the best desert
Is but to have presumed no less;
Who, should their own life plaudits bring,
Are simply vex’d at heart that such
An easy, yea, delightful thing
Should move the minds of men so much.
They live by law, not like the fool,
But like the bard, who freely sings
In strictest bonds of rhyme and rule,
And finds in them, not bonds, but wings.
Postponing still their private ease
To courtly custom, appetite,
Subjected to observances,
To banquet goes with full delight;
Nay, continence and gratitude
So cleanse their lives from earth’s alloy,
They taste, in Nature’s common food,
Nothing but spiritual joy.
They shine like Moses in the face,
And teach our hearts, without the rod,
That God’s grace is the only grace,
And all grace is the grace of God.
PRELUDES.
I.
The Joyful Wisdom.
If Wisdom wanted
to be pursued for herself,
And wake the foolish from his dream,
She needs to be joyful as well as good,
And must not just be, but appear.
Beauty and joy are hers by right;
And knowing this, I’m less surprised
That she’s so dismissed when wrongly dressed
In misery and ugliness.
What is it that Heaven makes dear to man,
And that which eyes can hardly see
Before the heart declares, with floods of tears,
‘Ah, that’s what I wish to be!’
Not childhood, full of frowns and frustrations;
Not youth, eager to reject
Those high visions, which to forget
Would be worse than never having known;
p. 82Not worldlings, who only have
An outward appearance of courtesy and justice,
Thanks to conflicting vices tied,
Like Samson’s foxes, by their tails;
Not poets; real things are dreams,
When dreams feel as real as reality,
And those who boast of heavenly rays
Stumble for lack of sight;
Not patriots or champions of the people,
Where two mismatched evils meet,
Than ever sought Adullam’s den,
Base conscience and arrogance;
Not newly made saints, their feelings frozen,
Their joy in man and nature lost,
Who sing ‘Oh, the easy yoke of Christ!’
But find it’s hard to put it on;
Not great men, even when they’re good;
The good man whom the times elevate,
By some disgrace of chance or blood,
God doesn’t fail to humiliate;
Not these: but souls, found here and there,
Oases in our wasteland of sin,
Where everything is beautiful and fair,
And Heaven softens its discipline;
Whose sweet control over the world
The worldly can barely recognize,
And ridicule, aimed against it,
Falls flat, with a broken sting and dies;
p. 83Who nobly,
if they can’t tell
Whether a shield’s unclear field
Shows a falcon or a crow,
Imagine a falcon on the shield;
Yet, ever careful not to harm
God’s honor, who creates success,
Their praise of even the greatest works
Is based on not having presumed too much;
Who, should their own life earn applause,
Are simply troubled in their hearts that such
An easy, yes, delightful thing
Should move the minds of men so greatly.
They live by law, not like the fool,
But like the bard, who sings freely
Within the strictest rules of rhyme,
And finds in them, not chains, but wings.
Still putting off their personal ease
For societal customs, appetites,
Subjected to traditions,
They go to banquets with full joy;
Indeed, restraint and gratitude
So purify their lives from earth’s impurities,
They taste, in Nature’s simple food,
Nothing but spiritual joy.
They shine like Moses in his face,
And teach our hearts, without the rod,
That God’s grace is the only grace,
And all grace is the grace of God.
Love, kiss’d by Wisdom, wakes twice
Love,
And Wisdom is, thro’ loving, wise.
Let Dove and Snake, and Snake and Dove,
This Wisdom’s be, that Love’s
device.
p. 84II.
The Devices.
Love, kiss’d by Wisdom, wakes twice
Love,
And Wisdom is, thro’ loving, wise.
Let Dove and Snake, and Snake and Dove,
This Wisdom’s be, that Love’s
device.
I woke at three; for I was bid
To breakfast with the Dean at nine,
And thence to Church. My curtain slid,
I found the dawning Sunday fine,
And could not rest, so rose. The air
Was dark and sharp; the roosted birds
Cheep’d, ‘Here am I, Sweet; are you there?’
On Avon’s misty flats the herds
Expected, comfortless, the day,
Which slowly fired the clouds above;
The cock scream’d, somewhere far away;
In sleep the matrimonial dove
Was crooning; no wind waked the wood,
Nor moved the midnight river-damps,
Nor thrill’d the poplar; quiet stood
The chestnut with its thousand lamps;
p. 85The moon
shone yet, but weak and drear,
And seem’d to watch, with bated breath,
The landscape, all made sharp and clear
By stillness, as a face by death.
Love, embraced by Wisdom, awakens twice
Love,
And Wisdom, through love, becomes wise.
Let Dove and Snake, and Snake and Dove,
This Wisdom be, that Love's
design.
GOING TO CHURCH.
1
I woke up at three because I was invited to have breakfast with the Dean at nine, and then to church. My curtain slid open, and I saw that the dawn of Sunday was nice, so I couldn't stay in bed and got up. The air was dark and crisp; the birds perched on their nests were chirping, "Here I am, sweet; are you there?" On the misty fields of Avon, the cattle anxiously awaited the day, which slowly lit up the clouds above. A rooster crowed somewhere far away; the wedding dove was cooing in its sleep. No wind stirred the woods, nor disturbed the dampness of the midnight river, nor shook the poplar trees; the chestnut tree stood still, adorned with its thousand glowing lamps. The moon was still shining, but weak and gloomy, and seemed to watch the landscape, all made sharp and clear by the stillness, like a face illuminated by death.
2
My pray’rs for her being done, I took
Occasion by the quiet hour
To find and know, by Rule and Book,
The rights of love’s beloved power.
My prayers for her being done, I took
the opportunity during the quiet hour
to find out and understand, by the rules and the book,
the rights of love's beloved power.
3
Fronting the question without ruth,
Nor ignorant that, evermore,
If men will stoop to kiss the Truth,
She lifts them higher than before,
I, from above, such light required
As now should once for all destroy
The folly which at times desired
A sanction for so great a joy.
Facing the question without mercy,
And knowing full well that, always,
If people are willing to embrace the Truth,
It elevates them higher than ever,
I, from above, needed such light
That would once and for all eliminate
The foolishness that sometimes sought
Approval for such immense joy.
4
Thenceforth, and through that pray’r, I
trod
A path with no suspicions dim.
I loved her in the name of God,
And for the ray she was of Him;
p. 86I ought to
admire much more, not less
Her beauty was a godly grace;
The mystery of loveliness,
Which made an altar of her face,
Was not of the flesh, though that was fair,
But a most pure and living light
Without a name, by which the rare
And virtuous spirit flamed to sight.
If oft, in love, effect lack’d cause
And cause effect, ’twere vain to soar
Reasons to seek for that which was
Reason itself, or something more.
My joy was no idolatry
Upon the ends of the vile earth bent,
For when I loved her most then I
Most yearn’d for more divine content.
That other doubt, which, like a ghost,
In the brain’s darkness haunted me,
Was thus resolved: Him loved I most,
But her I loved most sensibly.
Lastly, my giddiest hope allow’d
No selfish thought, or earthly smirch;
And forth I went, in peace, and proud
To take my passion into Church;
Grateful and glad to think that all
Such doubts would seem entirely vain
To her whose nature’s lighter fall
Made no divorce of heart from brain.
From then on, through that prayer, I walked
A path without any doubts.
I loved her in the name of God,
And for the light she was of Him;
p. 86I should admire her even more, not less
Her beauty was a divine grace;
The mystery of loveliness,
Which turned her face into an altar,
Was not just physical, though she was beautiful,
But a pure and living light
Without a name, by which the rare
And virtuous spirit shone through.
If often, in love, effect lacked cause
And cause lacked effect, it would be pointless to search
For reasons to seek what was
Reason itself, or something beyond.
My joy wasn’t idolatry
Focused on the lowly earth,
For when I loved her the most, then I
Yearned for something more divine.
That other doubt, which, like a ghost,
Haunted the darkness of my mind,
Was resolved: I loved Him most,
But I loved her most deeply.
Finally, my wildest hope allowed
No selfish thought or earthly stain;
And I went forth, in peace, and proud
To bring my passion into Church;
Grateful and happy to think that all
Such doubts would seem completely pointless
To her whose lighter nature
Kept heart and mind together.
p. 87p. 875
I found them, with exactest grace
And fresh as Spring, for Spring attired;
And by the radiance in her face
I saw she felt she was admired;
And, through the common luck of love,
A moment’s fortunate delay,
To fit the little lilac glove,
Gave me her arm; and I and they
(They true to this and every hour,
As if attended on by Time),
Enter’d the Church while yet the tower
Was noisy with the finish’d chime.
I found them, looking absolutely stunning
And fresh as Spring, dressed for the season;
And from the glow on her face,
I could tell she knew she was admired;
And, through the random twist of love,
A moment's lucky delay,
To adjust the little lilac glove,
She offered me her arm; and I along with them
(They true to this and every moment,
As if accompanied by Time),
Entered the Church while the tower
Was still ringing with the final chime.
6
Her soft voice, singularly heard
Beside me, in her chant, withstood
The roar of voices, like a bird
Sole warbling in a windy wood;
And, when we knelt, she seem’d to be
An angel teaching me to pray;
And all through the high Liturgy
My spirit rejoiced without allay,
Being, for once, borne clearly above
All banks and bars of ignorance,
By this bright spring-tide of pure love,
And floated in a free expanse,
p. 88Whence it
could see from side to side,
The obscurity from every part
Winnow’d away and purified
By the vibrations of my heart.
Her soft voice, uniquely heard
Next to me, in her song, stood up
Against the loud voices, like a bird
Singing alone in a windy forest;
And when we knelt, she seemed to be
An angel teaching me how to pray;
And throughout the high Liturgy
My spirit celebrated without pause,
Being, for once, lifted clearly above
All limits and barriers of ignorance,
By this bright wave of pure love,
And floated in a wide open space,
p. 88From where it could see from side to side,
The darkness from every part
Was filtered away and purified
By the rhythms of my heart.
p. 89p. 89CANTO
XI.
The Dance.
PRELUDES.
I.
The Daughter of Eve.
The woman’s
gentle mood o’erstept
Withers my love, that lightly scans
The rest, and does in her accept
All her own faults, but none of man’s.
As man I cannot judge her ill,
Or honour her fair station less,
Who, with a woman’s errors, still
Preserves a woman’s gentleness;
For thus I think, if one I see
Who disappoints my high desire,
‘How admirable would she be,
Could she but know how I admire!’
Or fail she, though from blemish clear,
To charm, I call it my defect;
And so my thought, with reverent fear
To err by doltish disrespect,
p. 90Imputes
love’s great regard, and says,
‘Though unapparent ’tis to me,
Be sure this Queen some other sways
With well-perceiv’d supremacy.’
Behold the worst! Light from above
On the blank ruin writes ‘Forbear!
Her first crime was unguarded love,
And all the rest, perhaps, despair.’
Discrown’d, dejected, but not lost,
O, sad one, with no more a name
Or place in all the honour’d host
Of maiden and of matron fame,
Grieve on; but, if thou grievest right,
’Tis not that these abhor thy state,
Nor would’st thou lower the least the height
Which makes thy casting down so great.
Good is thy lot in its degree;
For hearts that verily repent
Are burden’d with impunity
And comforted by chastisement.
Sweet patience sanctify thy woes!
And doubt not but our God is just,
Albeit unscathed thy traitor goes,
And thou art stricken to the dust.
That penalty’s the best to bear
Which follows soonest on the sin;
And guilt’s a game where losers fare
Better than those who seem to win.
The woman’s gentle mood Overcomes my love, that lightly takes in The rest, and accepts in her All her own faults, but none of man’s. As a man, I can’t judge her badly, Or honor her noble station less, Who, with a woman’s flaws, still Maintains a woman’s gentleness; For I think, if I see Someone who disappoints my high desire, ‘How wonderful would she be, If she only knew how much I admire!’ Or if she fails, though free of blemish, To charm, I call it my defect; And so my thoughts, with respectful fear To err by foolish disrespect, p. 90Imputes love’s great value, and says, ‘Though it’s not obvious to me, Rest assured this Queen must sway Some others with well-recognized authority.’ Behold the worst! Light from above Writes on the blank ruin ‘Forbear! Her first mistake was unguarded love, And all the rest may be despair.’ Crowned, dejected, but not lost, O, sad one, with no name Or place among the honored ranks Of maidens and matron fame, Mourn on; but if you grieve right, It’s not that these despise your state, Nor would you lower at all the height That makes your downfall so great. Good is your lot in its place; For hearts that truly repent Are burdened with forgiveness And comforted by punishment. Sweet patience sanctify your sorrows! And don’t doubt that our God is just, Even if unscathed your betrayer goes, And you are struck to the ground. That penalty’s the best to bear Which follows closest after sin; And guilt’s a game where losers fare Better than those who seem to win.
p. 91p. 91II.
Aurea Dicta.
’Tis truth (although this truth’s a
star
Too deep-enskied for all to see),
As poets of grammar, lovers are
The fountains of morality.
It's true (even though this truth is a
star
too far away for everyone to see),
As poets of language, lovers are
the sources of morality.
Child, would you shun the vulgar doom,
In love disgust, in death despair?
Know, death must come and love must come,
And so for each your soul prepare.
Child, would you avoid the common fate,
In disgust of love, in despair of death?
Know that death is inevitable and love will come,
So prepare your soul for both.
Who pleasure follows pleasure slays;
God’s wrath upon himself he wreaks;
But all delights rejoice his days
Who takes with thanks, and never seeks.
Whoever chases pleasure kills joy;
He brings God's anger down on himself;
But all the joys brighten his days
Who takes with gratitude, and never seeks.
The wrong is made and measured by
The right’s inverted dignity.
Change love to shame, as love is high
So low in hell your bed shall be.
The wrong is created and defined by
The right’s twisted dignity.
Turn love into shame, for as love is elevated
So low in hell your bed will be.
How easy to keep free from sin!
How hard that freedom to recall!
For dreadful truth it is that men
Forget the heavens from which they fall.
How easy it is to stay away from sin!
How hard it is to remember that freedom!
It's a terrible truth that people
Forget the heavens they’ve fallen from.
Become whatever good you see,
Nor sigh if, forthwith, fades from view
The grace of which you may not be
The subject and spectator too.
Become whatever good you see,
And don’t sigh if, right away, it fades from sight
The grace of which you may not be
Both the subject and the spectator at the same time.
Love’s perfect blossom only blows
Where noble manners veil defect
Angels maybe familiar; those
Who err each other must respect.
Love’s perfect flower only blooms
Where good manners hide flaws
Angels might be close; those
Who make mistakes must respect each other.
Love blabb’d of is a great decline;
A careless word unsanctions sense;
But he who casts Heaven’s truth to swine
Consummates all incontinence.
Love talked about is a serious decline;
A thoughtless word undermines understanding;
But anyone who throws Heaven’s truth to pigs
Completes all kinds of immorality.
Not to unveil before the gaze
Of an imperfect sympathy
In aught we are, is the sweet praise
And the main sum of modesty.
Not to reveal ourselves
To the eyes
Of an imperfect understanding
In anything we are, is the sweet praise
And the essence of humility.
p. 93p. 93THE
DANCE.
1
‘My memory of Heaven awakes!
She’s not of the earth, although her light,
As lantern’d by her body, makes
A piece of it past bearing bright.
So innocently proud and fair
She is, that Wisdom sings for glee
And Folly dies, breathing one air
With such a bright-cheek’d chastity;
And though her charms are a strong law
Compelling all men to admire,
They go so clad with lovely awe
None but the noble dares desire.
He who would seek to make her his
Will comprehend that souls of grace
Own sweet repulsion, and that ’tis
The quality of their embrace
To be like the majestic reach
Of coupled suns, that, from afar,
Mingle their mutual spheres, while each
Circles the twin obsequious star;
And, in the warmth of hand to hand,
Of heart to heart, he’ll vow to note
And reverently understand
How the two spirits shine remote;
p. 94And
ne’er to numb fine honour’s nerve,
Nor let sweet awe in passion melt,
Nor fail by courtesies to observe
The space which makes attraction felt;
Nor cease to guard like life the sense
Which tells him that the embrace of love
Is o’er a gulf of difference
Love cannot sound, nor death remove.’
‘My memory of Heaven awakens!
She’s not of this earth, but her light,
Like a lantern from her body, makes
Part of it painfully bright.
So innocently proud and beautiful
She is, that Wisdom sings in joy
And Folly breathes the same air
As such pure-hearted innocence;
And although her charms are a strong force
Compelling all men to admire,
They come wrapped in lovely awe
That only the noble dare desire.
He who tries to make her his
Will understand that graceful souls
Have a sweet repulsion, and that it’s
The nature of their embrace
To be like the majestic stretch
Of two suns, that from a distance,
Blend their mutual orbits, while each
Circles around the obedient star;
And in the warmth of hand to hand,
Of heart to heart, he’ll promise to see
And reverently understand
How the two spirits shine separately;
p. 94And
never to dull the nerve of honor,
Nor let sweet awe in passion fade,
Nor fail in courtesies to respect
The distance that makes attraction felt;
Nor stop guarding like life the sense
That tells him that the embrace of love
Is over a chasm of difference
Love cannot measure, nor death erase.’
2
This learn’d I, watching where she
danced,
Native to melody and light,
And now and then toward me glanced,
Pleased, as I hoped, to please my sight.
This I learned, watching her dance,
Born to the rhythm and glow,
And now and then she glanced at me,
Happy, as I hoped, to catch my eye.
3
Ah, love to speak was impotent,
Till music did a tongue confer,
And I ne’er knew what music meant,
Until I danced to it with her.
Too proud of the sustaining power
Of my, till then, unblemish’d joy.
My passion, for reproof, that hour
Tasted mortality’s alloy,
And bore me down an eddying gulf;
I wish’d the world might run to wreck,
So I but once might fling myself
Obliviously about her neck.
p. 95I
press’d her hand, by will or chance
I know not, but I saw the rays
Withdrawn, which did till then enhance
Her fairness with its thanks for praise.
I knew my spirit’s vague offence
Was patent to the dreaming eye
And heavenly tact of innocence,
And did for fear my fear defy,
And ask’d her for the next dance.
‘Yes.’
‘No,’ had not fall’n with half the
force.
She was fulfill’d with gentleness,
And I with measureless remorse;
And, ere I slept, on bended knee
I own’d myself, with many a tear,
Unseasonable, disorderly,
And a deranger of love’s sphere;
Gave thanks that, when we stumble and fall,
We hurt ourselves, and not the truth;
And, rising, found its brightness all
The brighter through the tears of ruth.
Ah, I couldn't express my love,
Until music gave me a voice,
And I never understood what music was,
Until I danced to it with her.
I was too proud of the strength
Of my previously untainted joy.
My passion, for its punishment, that hour
Experienced the weight of mortality,
And pulled me down into a swirling abyss;
I wished the world would fall apart,
So I could just once throw myself
Obliviously around her neck.
p. 95I took her hand, by will or chance,
I don't know, but I noticed the light
Withdrawn, which until then had illuminated
Her beauty with its gratitude for praise.
I knew my spirit's vague wrongdoing
Was obvious to the dreaming gaze
And divine sensitivity of innocence,
And out of fear, I challenged my fear,
And asked her for the next dance.
‘Yes.’
‘No,’ wouldn't have struck me with half the
force.
She was filled with kindness,
And I was overcome with endless remorse;
And before I slept, on bended knee
I admitted, with many tears,
Out of place, chaotic,
And a disruptor of love’s domain;
I gave thanks that, when we stumble and fall,
We hurt ourselves, not the truth;
And, rising, found its light all
The brighter through the tears of sorrow.
4
Nor was my hope that night made less,
Though order’d, humbled, and reproved;
Her farewell did her heart express
As much, but not with anger, moved.
p. 96My trouble
had my soul betray’d;
And, in the night of my despair,
My love, a flower of noon afraid,
Divulged its fulness unaware.
I saw she saw; and, O sweet Heaven,
Could my glad mind have credited
That influence had to me been given
To affect her so, I should have said
That, though she from herself conceal’d
Love’s felt delight and fancied harm,
They made her face the jousting field
Of joy and beautiful alarm.
My hope that night wasn't diminished,
Even though it was structured, humbled, and criticized;
Her goodbye showed her true feelings
Just as much, but without anger.
p. 96My troubles
had betrayed my soul;
And in the darkness of my despair,
My love, a flower scared of the noon,
Unconsciously revealed its fullness.
I saw that she noticed; and, oh sweet Heaven,
If only my joyful mind had believed
That I had the power to affect her like that,
I would have said
That, even though she hid from herself
Love's true joy and imagined pain,
They led her to the battleground
of joy and beautiful excitement.
p. 97p. 97CANTO
XII.
The Abdication.
PRELUDES.
I.
The Chace.
She wearies with an
ill unknown;
In sleep she sobs and seems to float,
A water-lily, all alone
Within a lonely castle-moat;
And as the full-moon, spectral, lies
Within the crescent’s gleaming arms,
The present shows her heedless eyes
A future dim with vague alarms.
She sees, and yet she scarcely sees,
For, life-in-life not yet begun,
Too many are its mysteries
For thought to fix on any one.
She’s told that maidens are by youths
Extremely honour’d and desired;
And sighs, ‘If those sweet tales be truths,
What bliss to be so much admired!’
p. 98The
suitors come; she sees them grieve;
Her coldness fills them with despair;
She’d pity if she could believe;
She’s sorry that she cannot care.
But who now meets her on her way?
Comes he as enemy or friend,
Or both? Her bosom seems to say,
He cannot pass, and there an end.
Whom does he love? Does he confer
His heart on worth that answers his?
Or is he come to worship her?
She fears, she hopes, she thinks he is!
Advancing stepless, quick, and still,
As in the grass a serpent glides,
He fascinates her fluttering will,
Then terrifies with dreadful strides.
At first, there’s nothing to resist;
He fights with all the forms of peace;
He comes about her like a mist,
With subtle, swift, unseen increase;
And then, unlook’d for, strikes amain
Some stroke that frightens her to death,
And grows all harmlessness again,
Ere she can cry, or get her breath.
At times she stops, and stands at bay;
But he, in all more strong than she,
Subdues her with his pale dismay,
Or more admired audacity.
p. 99She plans
some final, fatal blow,
But when she means with frowns to kill,
He looks as if he loved her so,
She smiles to him against her will.
How sweetly he implies her praise!
His tender talk, his gentle tone,
The manly worship in his gaze,
They nearly make her heart his own.
With what an air he speaks her name;
His manner always recollects
Her sex, and still the woman’s claim
Is taught its scope by his respects.
Her charms, perceived to prosper first
In his beloved advertencies,
When in her glass they are rehearsed,
Prove his most powerful allies.
Ah, whither shall a maiden flee,
When a bold youth so swift pursues,
And siege of tenderest courtesy,
With hope perseverant, still renews!
Why fly so fast? Her flatter’d breast
Thanks him who finds her fair and good;
She loves her fears; veil’d joys arrest
The foolish terrors of her blood;
By secret, sweet degrees, her heart,
Vanquish’d, takes warmth from his desire;
She makes it more, with hidden art,
And fuels love’s late dreaded fire.
p. 100The
generous credit he accords
To all the signs of good in her
Redeems itself; his praiseful words
The virtues they impute confer.
Her heart is thrice as rich in bliss,
She’s three times gentler than before;
He gains a right to call her his,
Now she through him is so much more;
’Tis heaven where’er she turns her head;
’Tis music when she talks; ’tis air
On which, elate, she seems to tread,
The convert of a gladder sphere!
Ah, might he, when by doubts aggrieved,
Behold his tokens next her breast,
At all his words and sighs perceived
Against its blythe upheaval press’d!
But still she flies. Should she be won,
It must not be believed or thought
She yields; she’s chased to death, undone,
Surprised, and violently caught.
She grows weary from an unknown illness;
In her sleep, she sobs and seems to drift,
Like a water-lily, all alone
In a lonely castle moat;
And as the full moon, ghostly, rests
In the crescent’s shining embrace,
The present reveals to her indifferent eyes
A future filled with vague fears.
She sees it, yet she barely perceives,
For life-in-life hasn’t begun yet,
Too many mysteries surround it
For her thoughts to settle on any one.
She hears that young women are greatly
Honored and desired by young men;
And sighs, ‘If those sweet stories are true,
What bliss it must be to be so admired!’
p. 98The suitors come; she sees them suffer;
Her coldness fills them with despair;
She would feel pity if she could believe;
She’s sorry that she cannot care.
But who now crosses her path?
Is he coming as an enemy or a friend,
Or both? Her heart seems to say,
He cannot pass, and that’s the end.
Whom does he love? Does he give
His heart to a worth that matches his?
Or has he come to worship her?
She fears, she hopes, she thinks he is!
Advancing silently, quickly, and still,
Like a serpent gliding through the grass,
He captivates her fluttering will,
Then terrifies her with his ominous steps.
At first, there’s nothing to resist;
He battles with all forms of peace;
He surrounds her like a mist,
Growing subtle, swift, and unseen;
And then, unexpectedly, he strikes hard,
A blow that terrifies her to death,
And then returns to harmlessness,
Before she can cry out or catch her breath.
At times she stops and stands her ground;
But he, in every way stronger than she,
Subdues her with his pale dismay,
Or his more admired audacity.
p. 99She plans some final, fatal blow,
But when she aims to kill him with her frowns,
He looks as if he loves her so,
She smiles at him against her will.
How sweetly he implies her worth!
His tender words, his gentle tone,
The manly adoration in his gaze,
Almost makes her heart his own.
With what grace he says her name;
His manner always reminds her
That she is a woman, and still,
The woman’s claim is taught by his respect.
Her charms, noticed to thrive first
In his favored attentions,
When reflected in her mirror,
Prove to be his most powerful allies.
Ah, where can a young woman flee,
When a bold young man pursues her so quickly,
And a siege of tenderest courtesy,
With hope that never fades, still renews!
Why flee so fast? Her flattered heart
Thanks him for finding her lovely and good;
She loves her fears; concealed joys hold
The silly terrors of her blood;
In secret, sweet increments, her heart,
Conquered, finds warmth from his desire;
She intensifies it, with hidden skill,
And fuels love’s once-dreaded fire.
p. 100The generous faith he shows
To all the signs of good in her
Redeems itself; his flattering words
Bring forth the virtues they praise.
Her heart is three times richer in bliss,
She’s three times gentler than before;
He gains the right to call her his,
Now she’s so much more through him;
It’s heaven wherever she turns her head;
It’s music when she speaks; it’s air
On which, uplifted, she seems to tread,
Transformed by a happier sphere!
Ah, if only he, when troubled by doubts,
Could see his tokens next to her heart,
At all his words and sighs perceived
Pressed against its joyful rise!
But still she runs away. If she should yield,
It must not be believed or thought
That she surrenders; she’s chased to death, undone,
Surprised and violently caught.
II.
Denied.
The storm-cloud, whose portentous shade
Fumes from a core of smother’d fire,
His livery is whose worshipp’d maid
Denies herself to his desire.
p. 101Ah,
grief that almost crushes life,
To lie upon his lonely bed,
And fancy her another’s wife!
His brain is flame, his heart is lead.
Sinking at last, by nature’s course,
Cloak’d round with sleep from his despair,
He does but sleep to gather force
That goes to his exhausted care.
He wakes renew’d for all the smart.
His only Love, and she is wed!
His fondness comes about his heart,
As milk comes, when the babe is dead.
The wretch, whom she found fit for scorn,
His own allegiant thoughts despise;
And far into the shining morn
Lazy with misery he lies.
The storm cloud, whose ominous shade
Emits fumes from a core of smothered fire,
His uniform is worn by the beloved maid
Who denies herself to his desire.
p. 101Ah,
grief that nearly crushes life,
To lie on his lonely bed,
And imagine her as another’s wife!
His mind is on fire, his heart is lead.
Finally sinking, as nature dictates,
Wrapped in sleep from his despair,
He sleeps only to gather strength
That goes to ease his exhausted care.
He wakes renewed for all the pain.
His only love, and she is married!
His affection wraps around his heart,
Like milk that comes when a baby is dead.
The miserable wretch, whom she deemed fit for scorn,
Despises his own loyal thoughts;
And deep into the shining morning
Lethargic with misery he lies.
III.
The Churl.
This marks the Churl: when spousals crown
His selfish hope, he finds the grace,
Which sweet love has for ev’n the clown,
Was not in the woman, but the chace.
This marks the Churl: when engagements crown
His selfish hope, he finds the grace,
Which sweet love has for even the clown,
Was not in the woman, but the chase.
p. 102p. 102THE
ABDICATION.
1
From little signs, like little stars,
Whose faint impression on the sense
The very looking straight at mars,
Or only seen by confluence;
From instinct of a mutual thought,
Whence sanctity of manners flow’d;
From chance unconscious, and from what
Concealment, overconscious, show’d;
Her hand’s less weight upon my arm,
Her lowlier mien; that match’d with this;
I found, and felt with strange alarm
I stood committed to my bliss.
From small signs, like tiny stars,
Whose faint impression on the senses
Is like looking straight at Mars,
Or only seen through coincidence;
From the instinct of shared thoughts,
Where the purity of behavior comes;
From unconscious chance, and from what
Concealment, overly conscious, reveals;
Her lighter touch on my arm,
Her humbler demeanor; that matched with this;
I realized, and felt a strange anxiety
I was committed to my happiness.
2
I grew assured, before I ask’d,
That she’d be mine without reserve,
And in her unclaim’d graces bask’d,
At leisure, till the time should serve,
With just enough of dread to thrill
The hope, and make it trebly dear;
Thus loth to speak the word to kill
Either the hope or happy fear.
I became confident, before I asked,
That she’d belong to me completely,
And I enjoyed her untouchable beauty,
Relaxing, until the right moment came,
With just enough fear to excite
The hope, making it even more precious;
Thus unwilling to say the word that would end
Either the hope or the joyful fear.
p.
103p. 1033
Till once, through lanes returning late,
Her laughing sisters lagg’d behind;
And, ere we reach’d her father’s gate,
We paused with one presentient mind;
And, in the dim and perfumed mist,
Their coming stay’d, who, friends to me,
And very women, loved to assist
Love’s timid opportunity.
Until one time, while walking back late through the streets,
Her laughing sisters fell behind;
And before we reached her father’s gate,
We paused, sharing an intuitive feeling;
And in the dim, fragrant mist,
Those who were my friends, and very much women, loved to help
Love’s shy opportunities.
4
Twice rose, twice died my trembling word;
The faint and frail Cathedral chimes
Spake time in music, and we heard
The chafers rustling in the limes.
Her dress, that touch’d me where I stood,
The warmth of her confided arm,
Her bosom’s gentle neighbourhood,
Her pleasure in her power to charm;
Her look, her love, her form, her touch,
The least seem’d most by blissful turn,
Blissful but that it pleased too much,
And taught the wayward soul to yearn.
It was as if a harp with wires
Was traversed by the breath I drew;
And, oh, sweet meeting of desires,
She, answering, own’d that she loved too.
Twice I rose, twice my shaking words failed;
The faint and delicate Cathedral chimes
Spoke time in music, and we heard
The beetles rustling in the limes.
Her dress brushed against me where I stood,
The warmth of her trusting arm,
The gentle closeness of her bosom,
Her joy in her ability to charm;
Her gaze, her love, her shape, her touch,
The slightest seemed the most by blissful turn,
Blissful but that it pleased too much,
And taught the restless soul to yearn.
It was as if a harp with strings
Was played by the breath I took;
And, oh, sweet meeting of desires,
She, in response, admitted that she loved too.
p.
104p. 1045
Honoria was to be my bride!
The hopeless heights of hope were scaled
The summit won, I paused and sigh’d,
As if success itself had fail’d.
It seem’d as if my lips approach’d
To touch at Tantalus’ reward,
And rashly on Eden life encroach’d,
Half-blinded by the flaming sword.
The whole world’s wealthiest and its best,
So fiercely sought, appear’d when found,
Poor in its need to be possess’d,
Poor from its very want of bound.
My queen was crouching at my side,
By love unsceptred and brought low,
Her awful garb of maiden pride
All melted into tears like snow;
The mistress of my reverent thought,
Whose praise was all I ask’d of fame,
In my close-watch’d approval sought
Protection as from danger and blame;
Her soul, which late I loved to invest
With pity for my poor desert,
Buried its face within my breast,
Like a pet fawn by hunters hurt.
Honoria was going to be my bride!
I reached the highest peaks of hope
I stopped and sighed, as if even success had failed.
It felt like I was about to touch
Tantalus' reward,
And foolishly I advanced on Eden,
Half-blinded by the flaming sword.
The richest and the best in the world,
So fiercely pursued, seemed less valuable when found,
Empty in its need to be owned,
Lacking worth due to its endless desire.
My queen was huddled at my side,
Stripped of her royal status by love,
Her heavy cloak of maiden pride
Melted into tears like snow;
The one I revered,
Whose recognition was all I wanted from fame,
Sought my watchful approval
For protection from danger and blame;
Her soul, which I once loved to wrap
With my pity for my lonely plight,
Buried its face in my chest,
Like a wounded fawn hiding from hunters.
p. 105p. 105Book
II.
THE PROLOGUE.
1
Her sons pursue the
butterflies,
Her baby daughter mocks the doves
With throbbing coo; in his fond eyes
She’s Venus with her little Loves;
Her footfall dignifies the earth,
Her form’s the native-land of grace,
And, lo, his coming lights with mirth
Its court and capital her face!
Full proud her favour makes her lord,
And that her flatter’d bosom knows.
She takes his arm without a word,
In lanes of laurel and of rose.
Ten years to-day has she been his.
He but begins to understand,
He says, the dignity and bliss
She gave him when she gave her hand.
p. 106She,
answering, says, he disenchants
The past, though that was perfect; he
Rejoins, the present nothing wants
But briefness to be ecstasy.
He lands her charms; her beauty’s glow
Wins from the spoiler Time new rays;
Bright looks reply, approving so
Beauty’s elixir vitæ, praise.
Upon a beech he bids her mark
Where, ten years since, he carved her name;
It grows there with the growing bark,
And in his heart it grows the same.
For that her soft arm presses his
Close to her fond, maternal breast;
He tells her, each new kindness is
The effectual sum of all the rest!
And, whilst the cushat, mocking, coo’d,
They blest the days they had been wed,
At cost of those in which he woo’d,
Till everything was three times said;
And words were growing vain, when Briggs,
Factotum, Footman, Butler, Groom,
Who press’d the cyder, fed the pigs,
Preserv’d the rabbits, drove the brougham,
And help’d, at need, to mow the lawns,
And sweep the paths and thatch the hay,
Here brought the Post down, Mrs. Vaughan’s
Sole rival, but, for once, to-day,
p. 107Scarce
look’d at; for the ‘Second Book,’
Till this tenth festival kept close,
Was thus commenced, while o’er them shook
The laurel married with the rose.
Her sons chase the butterflies,
Her baby daughter teases the doves
With a throbbing coo; in his loving eyes,
She’s like Venus with her little Loves;
Her footsteps dignify the earth,
Her figure is the homeland of grace,
And, look, his arrival lights up with joy
Its court and capital—her face!
Her favor makes her lord full proud,
And even her flattered heart knows that.
She takes his arm without a word,
In lanes of laurel and rose.
Today marks ten years since she became his.
He’s just starting to understand,
He says, the dignity and bliss
She gave him when she offered her hand.
p. 106She,
responding, says he makes the past seem less magical;
though that was perfect, he
Rejoins, the present only lacks
Shortness to be pure ecstasy.
He admires her charms; her beauty’s glow
Wins new rays from the thief Time;
Bright looks respond, approving so
Beauty’s elixir of life, praise.
On a beech tree he asks her to notice
Where, ten years ago, he carved her name;
It grows there with the expanding bark,
And in his heart it grows the same.
As her soft arm presses his
Close to her loving, maternal breast;
He tells her, each new kindness is
The total of all the rest!
And while the dove, mocking, cooed,
They blessed the days of their marriage,
At the expense of those when he wooed,
Until everything was said three times;
And the words were starting to feel empty when Briggs,
Helper, Footman, Butler, Groom,
Who pressed the cider, fed the pigs,
Preserved the rabbits, drove the carriage,
And helped, when needed, to mow the lawns,
And sweep the paths and thatch the hay,
Here brought the mail down, Mrs. Vaughan’s
Sole rival, but, for once, today,
p. 107Hardly noticed; for the ‘Second Book,’
Until this tenth celebration kept close,
Began just like this, while over them shook
The laurel married with the rose.
2
‘The pulse of War, whose bloody heats
Sane purposes insanely work,
Now with fraternal frenzy beats,
And binds the Christian to the Turk,
And shrieking fifes’—
‘The pulse of War, whose bloody heats
Sane purposes insanely work,
Now with fraternal frenzy beats,
And binds the Christian to the Turk,
And shrieking fifes’—
3
But, with a
roar,
In rush’d the Loves; the tallest
roll’d
A hedgehog from his pinafore,
Which saved his fingers; Baby, bold,
Touch’d it, and stared, and scream’d for life,
And stretch’d her hand for Vaughan to kiss,
Who hugg’d his Pet, and ask’d his wife,
‘Is this for love, or love for this?’
But she turn’d pale, for, lo, the beast,
Found stock-still in the rabbit-trap,
And feigning so to be deceased,
And laid by Frank upon her lap,
p. 108Unglobed
himself, and show’d his snout,
And fell, scatt’ring the Loves amain,
With shriek, with laughter, and with shout;
And, peace at last restored again,
The bard, who this untimely hitch
Bore with a calm magnanimous,
(The hedgehog rolled into a ditch,
And Venus sooth’d), proceeded thus:
But, with a roar,
In rushed the Loves; the tallest
A hedgehog from his pinafore,
Which saved his fingers; Baby, bold,
Touched it, and stared, and screamed for her life,
And stretched her hand for Vaughan to kiss,
Who hugged his Pet, and asked his wife,
‘Is this for love, or love for this?’
But she turned pale, for, look, the beast,
Found stuck in the rabbit-trap,
And pretending to be dead,
And laid by Frank upon her lap,
p. 108Uncurled himself, and showed his snout,
And fell, scattering the Loves everywhere,
With shrieks, with laughter, and with shouts;
And, peace at last restored again,
The bard, who handled this untimely disruption
With calm generosity,
(The hedgehog rolled into a ditch,
And Venus soothed), proceeded thus:
p.
109p. 109CANTO I.
Accepted.
PRELUDES.
I.
The Song of Songs.
The pulse of War,
whose bloody heats
Sane purposes insanely work,
Now with fraternal frenzy beats,
And binds the Christian to the Turk,
And shrieking fifes and braggart flags,
Through quiet England, teach our breath
The courage corporate that drags
The coward to heroic death.
Too late for song! Who henceforth sings,
Must fledge his heavenly flight with more
Song-worthy and heroic things
Than hasty, home-destroying war.
While might and right are not agreed,
And battle thus is yet to wage,
So long let laurels be the meed
Of soldier as of poet sage;
p. 110But men
expect the Tale of Love,
And weary of the Tale of Hate;
Lift me, O Muse, myself above,
And let the world no longer wait!
The heartbeat of War, whose bloody passions Sane goals crazily pursue, Now with sibling madness pounds, And connects the Christian to the Turk, And wailing fifes and boastful flags, Throughout calm England, guide our breath To the shared bravery that drags The coward to a heroic death. Too late for songs! From now on, whoever sings, Must equip his heavenly journey with more Songs worthy of heroes Than quick, destructive war. While strength and justice are at odds, And battles still must be fought, Let laurel wreaths crown Both soldier and wise poet; p. 110But people yearn for the Tale of Love, And grow tired of the Tale of Hate; Lift me up, O Muse, above myself, And let the world no longer wait!
II.
The Kites.
I saw three Cupids (so I dream’d),
Who made three kites, on which were drawn,
In letters that like roses gleam’d,
‘Plato,’ ‘Anacreon,’ and
‘Vaughan.’
The boy who held by Plato tried
His airy venture first; all sail,
It heav’nward rush’d till scarce descried,
Then pitch’d and dropp’d for want of
tail.
Anacreon’s Love, with shouts of mirth
That pride of spirit thus should fall,
To his kite link’d a lump of earth,
And, lo, it would not soar at all.
Last, my disciple freighted his
With a long streamer made of flowers,
The children of the sod, and this
Rose in the sun, and flew for hours.
I saw three Cupids (or so I dreamed),
Who made three kites, decorated with,
In letters that shone like roses,
‘Plato,’ ‘Anacreon,’ and ‘Vaughan.’
The boy who had Plato started
His airy adventure first; all sail,
It shot heavenward until it was barely seen,
Then dipped and fell for lack of a tail.
Anacreon’s Love, laughing loud
That such pride should take a dive,
Tied a chunk of earth to his kite,
And, look, it wouldn’t lift at all.
Lastly, my student loaded his
With a long ribbon made of flowers,
Nature's children, and this
Rose in the sun and flew for hours.
p.
111p. 111III.
Orpheus.
The music of the Sirens found
Ulysses weak, though cords were strong;
But happier Orpheus stood unbound,
And shamed it with a sweeter song.
His mode be mine. Of Heav’n I ask,
May I, with heart-persuading might,
Pursue the Poet’s sacred task
Of superseding faith by sight,
Till ev’n the witless Gadarene,
Preferring Christ to swine, shall know
That life is sweetest when it’s clean.
To prouder folly let me show
Earth by divine light made divine;
And let the saints, who hear my word,
Say, ‘Lo, the clouds begin to shine
About the coming of the Lord!’
The Sirens' music found
Ulysses weak, even though he was tied up;
But the happier Orpheus was free,
And outdid it with a sweeter song.
Let his way be mine. From Heaven I ask,
May I, with heart-convincing strength,
Pursue the Poet’s holy mission
Of replacing faith with sight,
Until even the clueless Gadarene,
Choosing Christ over pigs, will understand
That life is sweetest when it’s pure.
To proud foolishness let me demonstrate
Earth made divine by heavenly light;
And let the saints, who hear my voice,
Say, ‘Look, the clouds are beginning to shine
With the arrival of the Lord!’
IV.
Nearest the Dearest.
V.
Perspective.
What seems to us for us is true.
The planet has no proper light,
And yet, when Venus is in view,
No primal star is half so bright.
What appears to us is true for us.
The planet has no proper light,
And yet, when Venus is visible,
No original star is half as bright.
ACCEPTED.
1
What fortune did my heart foretell?
What shook my spirit, as I woke,
Like the vibration of a bell
Of which I had not heard the stroke?
Was it some happy vision shut
From memory by the sun’s fresh ray?
Was it that linnet’s song; or but
A natural gratitude for day?
Or the mere joy the senses weave,
A wayward ecstasy of life?
Then I remember’d, yester-eve
I won Honoria for my Wife.
What fortune did my heart predict?
What stirred my spirit as I woke,
Like the ringing of a bell
Whose sound I hadn’t heard before?
Was it some joyful vision lost
From memory by the sun’s bright ray?
Was it that linnet’s song, or just
A natural gratitude for the day?
Or simply the joy that the senses create,
A playful ecstasy of life?
Then I recalled, just last night
I won Honoria as my Wife.
p.
113p. 1132
Forth riding, while as yet the day
Was dewy, watching Sarum Spire,
Still beckoning me along my way,
And growing every minute higher,
I reach’d the Dean’s. One blind was down,
Though nine then struck. My bride to be!
And had she rested ill, my own,
With thinking (oh, my heart!) of me?
I paced the streets; a pistol chose,
To guard my now important life
When riding late from Sarum Close;
At noon return’d. Good Mrs. Fife,
To my, ‘The Dean, is he at home?’
Said, ‘No, sir; but Miss Honor is;’
And straight, not asking if I’d come,
Announced me, ‘Mr. Felix, Miss,’
To Mildred, in the Study. There
We talk’d, she working. We agreed
The day was fine; the Fancy-Fair
Successful; ‘Did I ever read
De Genlis?’ ‘Never.’
‘Do! She heard
I was engaged.’ ‘To
whom?’ ‘Miss Fry
Was it the fact?’ ‘No!’ ‘On
my word?’
‘What scandal people
talk’d!’ ‘Would I
p. 114Hold out
this skein of silk.’ So pass’d
I knew not how much time away.
‘How were her sisters?’
‘Well.’ At last
I summon’d heart enough to say,
‘I hoped to have seen Miss Churchill too.’
‘Miss Churchill, Felix! What is this?
I said, and now I find ’tis true,
Last night you quarrell’d! Here she
is.’
Riding out, while the day was still
Dewy, watching Sarum Spire,
Still calling me along my path,
And rising higher every minute,
I arrived at the Dean’s. One blind was down,
Even though it was nine o’clock. My bride-to-be!
And had she felt unwell, my dear,
With thoughts (oh, my heart!) of me?
I walked the streets; I chose a pistol,
To protect my now crucial life
When riding back from Sarum Close;
Back at noon. Good Mrs. Fife,
To my, ‘Is the Dean at home?’
Said, ‘No, sir; but Miss Honor is;’
And right away, without asking if I’d come,
Announced me, ‘Mr. Felix, Miss,’
To Mildred, in the Study. There
We talked, she working. We agreed
The day was nice; the Fancy-Fair
Successful; ‘Have I ever read
De Genlis?’ ‘Never.’
‘You should! She heard
I was engaged.’ ‘To whom?’ ‘Miss Fry
Was that true?’ ‘No!’ ‘Really?’
‘What scandals people talk!’ ‘Would I
p. 114Hold out this skein of silk.’ So time passed
I didn’t even notice how much.
‘How were her sisters?’
‘Fine.’ Finally,
I mustered enough courage to say,
‘I hoped to see Miss Churchill too.’
‘Miss Churchill, Felix! What’s going on?
I said, and now I find it’s true,
Last night you quarreled! Here she is.’
3
She came, and seem’d a morning rose
When ruffling rain has paled its blush;
Her crown once more was on her brows;
And, with a faint, indignant flush,
And fainter smile, she gave her hand,
But not her eyes, then sate apart,
As if to make me understand
The honour of her vanquish’d heart.
But I drew humbly to her side;
And she, well pleased, perceiving me
Liege ever to the noble pride
Of her unconquer’d majesty,
Once and for all put it away;
The faint flush pass’d; and, thereupon,
Her loveliness, which rather lay
In light than colour, smiled and shone,
p. 115Till
sick was all my soul with bliss;
Or was it with remorse and ire
Of such a sanctity as this
Subdued by love to my desire?
She arrived, and looked like a morning rose
After a light rain has dulled its color;
Her crown was back on her head;
And, with a subtle, indignant blush,
And a faint smile, she offered her hand,
But not her gaze, then stayed apart,
As if to make me understand
The honor of her defeated heart.
But I humbly moved to her side;
And she, pleased to see me
Ever loyal to the noble pride
Of her unconquered grace,
Finally set it aside;
The subtle blush faded; and then,
Her beauty, which shone more in light
Than in color, smiled and radiated,
p. 115Until
my soul was overwhelmed with joy;
Or was it with regret and anger
At such a purity as this
Yielding to love for my wish?
p.
116p. 116CANTO II.
The Course of True Love.
PRELUDES.
I.
The Changed Allegiance.
Watch how a bird,
that captived sings,
The cage set open, first looks out,
Yet fears the freedom of his wings,
And now withdraws, and flits about,
And now looks forth again; until,
Grown bold, he hops on stool and chair,
And now attains the window-sill,
And now confides himself to air.
The maiden so, from love’s free sky
In chaste and prudent counsels caged,
But longing to be loosen’d by
Her suitor’s faith declared and gaged,
When blest with that release desired,
First doubts if truly she is free,
Then pauses, restlessly retired,
Alarm’d at too much liberty;
p. 117But
soon, remembering all her debt
To plighted passion, gets by rote
Her duty; says, ‘I love him!’ yet
The thought half chokes her in her throat;
And, like that fatal ‘I am thine,’
Comes with alternate gush and check
And joltings of the heart, as wine
Pour’d from a flask of narrow neck.
Is he indeed her choice? She fears
Her Yes was rashly said, and shame,
Remorse and ineffectual tears
Revolt from has conceded claim.
Oh, treason! So, with desperate nerve,
She cries, ‘I am in love, am his;’
Lets run the cables of reserve,
And floats into a sea of bliss,
And laughs to think of her alarm,
Avows she was in love before,
Though has avowal was the charm
Which open’d to her own the door.
She loves him for his mastering air,
Whence, Parthian-like, she slaying flies;
His flattering look, which seems to wear
Her loveliness in manly eyes;
His smile, which, by reverse, portends
An awful wrath, should reason stir;
(How fortunate it is they’re friends,
And he will ne’er be wroth with her!)
p. 118His
power to do or guard from harm;
If he but chose to use it half,
And catch her up in one strong arm,
What could she do but weep, or laugh!
His words, which still instruct, but so
That this applause seems still implied,
‘How wise in all she ought to know,
How ignorant of all beside!’
His skilful suit, which leaves her free,
Gives nothing for the world to name,
And keeps her conscience safe, while he,
With half the bliss, takes all the blame;
His clear repute with great and small;
The jealousy his choice will stir;
But ten times more than ten times all,
She loves him for his love of her.
How happy ’tis he seems to see
In her that utter loveliness
Which she, for his sake, longs to be!
At times, she cannot but confess
Her other friends are somewhat blind;
Her parents’ years excuse neglect,
But all the rest are scarcely kind,
And brothers grossly want respect;
And oft she views what he admires
Within her glass, and sight of this
Makes all the sum of her desires
To be devotion unto his.
p. 119But
still, at first, whatever’s done,
A touch, her hand press’d lightly, she
Stands dizzied, shock’d, and flush’d, like one
Set sudden neck-deep in the sea;
And, though her bond for endless time
To his good pleasure gives her o’er,
The slightest favour seems a crime,
Because it makes her love him more.
But that she ne’er will let him know;
For what were love should reverence cease?
A thought which makes her reason so
Inscrutable, it seems caprice.
With her, as with a desperate town,
Too weak to stand, too proud to treat,
The conqueror, though the walls are down,
Has still to capture street by street;
But, after that, habitual faith,
Divorced from self, where late ’twas due,
Walks nobly in its novel path,
And she’s to changed allegiance true;
And prizing what she can’t prevent,
(Right wisdom, often misdeem’d whim),
Her will’s indomitably bent
On mere submissiveness to him;
To him she’ll cleave, for him forsake
Father’s and mother’s fond command!
He is her lord, for he can take
Hold of her faint heart with his hand.
Watch now how a bird,
that captivates sings,
The cage opened, first looks out,
Yet fears the freedom of its wings,
And now withdraws, flits about,
And now looks forth again; until,
Grown bold, it hops on stool and chair,
And now reaches the window-sill,
And now trusts itself to the air.
The maiden, too, in love’s open sky
In chaste and cautious advice confined,
But longing to be freed by
Her suitor’s pledged faith defined,
When blessed with that desired release,
First doubts if she is truly free,
Then hesitates, restlessly withdrawn,
Alarmed at too much liberty;
p. 117But
soon, remembering all her commitments
To pledged passion, memorizes
Her duty; says, ‘I love him!’ yet
The thought nearly chokes her in her throat;
And, like that fateful ‘I am yours,’
Comes with alternating rush and check
And jolts of the heart, like wine
Poured from a narrow-necked flask.
Is he really her choice? She fears
Her Yes was said too hastily, and shame,
Remorse and useless tears
Rebel against her conceded claim.
Oh, treachery! So, with desperate resolve,
She cries, ‘I am in love, I am his;’
Lets down the barriers of reserve,
And floats into a sea of bliss,
And laughs to think of her alarm,
Admits she loved him before,
Though her admission was the charm
That opened the door to her own heart.
She loves him for his commanding presence,
From which, like a Parthian, she escapes;
His flattering glance, which seems to wear
Her beauty in manly eyes;
His smile, which, in contrast, warns
Of terrible rage, should reason stir;
(How fortunate that they’re friends,
And he will never be angry with her!)
p. 118His
ability to protect or shield from harm;
If he only chose to use it halfway,
And sweep her up in one strong arm,
What could she do but weep, or laugh?
His words, which still teach, yet so
That this approval seems always implied,
‘How wise in all she ought to know,
How clueless about everything else!’
His skillful pursuit, which leaves her free,
Names nothing for the world to claim,
And keeps her conscience safe, while he,
Takes all the blame with half the joy;
His clear reputation with everyone;
The jealousy his choice will inspire;
But ten times more than all of that,
She loves him for his love of her.
How lucky it is he seems to see
In her that pure beauty
Which she, for his sake, longs to embody!
At times, she cannot deny
Her other friends are somewhat blind;
Her parents’ age excuse their neglect,
But everyone else shows little kindness,
And brothers grossly lack respect;
And often she sees what he admires
In her reflection, and seeing this
Makes all her desires
Focus on devotion to him.
p. 119But
still, at first, whatever's done,
A touch, her hand pressed lightly, she
Stands dizzy, shocked, and flushed, like someone
Suddenly neck-deep in the sea;
And, though her bond for eternity
To his happiness gives her away,
The slightest kindness seems a crime,
Because it makes her love him more.
But she’ll never let him know that;
For what would love be if respect faded?
A thought that makes her reasoning so
Unfathomable, it seems like whim.
With her, like a desperate nation,
Too weak to stand, too proud to negotiate,
The conqueror, even with the walls down,
Must still capture street by street;
But, after that, habitual faith,
Detached from self, where it was once due,
Walks nobly in its new path,
And she's true to her changed allegiance;
And valuing what she can't control,
(Right wisdom, often mistaken as whim),
Her will’s fiercely determined
On simple submissiveness to him;
To him she'll cling, for him she'll abandon
Father’s and mother’s loving commands!
He is her lord, for he can grasp
Hold of her faint heart with his hand.
p.
120p. 120II.
Beauty.
‘Beauty deludes.’ O shaft
well shot,
To strike the mark’s true opposite!
That ugly good is scorn’d proves not
’Tis beauty lies, but lack of it.
By Heaven’s law the Jew might take
A slave to wife, if she was fair;
So strong a plea does beauty make
That, where ’tis seen, discretion’s
there.
If, by a monstrous chance, we learn
That this illustrious vaunt’s a lie,
Our minds, by which the eyes discern,
See hideous contrariety.
And laugh at Nature’s wanton mood,
Which, thus a swinish thing to flout,
Though haply in its gross way good,
Hangs such a jewel in its snout.
‘Beauty deceives.’ O well-aimed shot,
To hit the true opposite of the mark!
That ugly goodness is scorned doesn’t prove
It’s beauty that lies, but rather the lack of it.
By Heaven’s law, a Jew could take
A slave as a wife if she was attractive;
Beauty makes such a strong case
That where it’s seen, discretion is absent.
If, by some monstrous chance, we discover
That this illustrious claim is a lie,
Our minds, by which the eyes judge,
See hideous contradictions.
And laugh at Nature’s reckless whim,
Which, by putting such a swinish thing to ridicule,
Though perhaps in its crude way good,
Hangs such a jewel in its nose.
III.
Lais and Lucretia.
Did first his beauty wake her sighs?
That’s Lais! Thus Lucretia’s
known:
The beauty in her Lover’s eyes
Was admiration of her own.
Did his beauty make her sigh?
That's Lais! That's how Lucretia's
known:
The beauty in her lover's eyes
Was admiration of her own.
p. 121p. 121THE
COURSE OF TRUE LOVE.
1
Oh, beating heart of sweet alarm,
Which stays the lover’s step, when near
His mistress and her awful charm
Of grace and innocence sincere!
I held the half-shut door, and heard
The voice of my betrothed wife,
Who sang my verses, every word
By music taught its latent life;
With interludes of well-touch’d notes,
That flash’d, surprising and serene,
As meteor after meteor floats
The soft, autumnal stars between.
There was a passion in her tone,
A tremor when she touch’d the keys,
Which told me she was there alone,
And uttering all her soul at ease.
I enter’d; for I did not choose
To learn how in her heart I throve,
By chance or stealth; beyond her use,
Her greeting flatter’d me with love.
Oh, beating heart of sweet alarm,
That stops the lover’s step when near
His mistress and her powerful charm
Of grace and genuine innocence!
I held the half-open door and heard
The voice of my fiancée,
Who sang my verses, every word
Brought to life by music;
With interludes of delicate notes,
That sparkled, surprising and calm,
Like meteor after meteor floating
Between the soft, autumn stars.
There was a passion in her tone,
A tremor when she touched the keys,
That told me she was there alone,
Pouring out her soul with ease.
I stepped inside; for I didn’t want
To know how my heart thrived in hers,
By chance or stealth; her greeting flattered
Me with love beyond her intent.
2
With true love’s treacherous
confidence,
And ire, at last to laughter won,
She spoke this speech, and mark’d its sense,
By action, as her Aunt had done.
With true love's risky confidence,
And anger finally turned to laughter,
She delivered this speech and noted its meaning,
By actions, just like her Aunt had done.
p.
122p. 1223
‘“You, with your looks and catching
air,
To think of Vaughan! You fool! You
know,
You might, with ordinary care,
Ev’n yet be Lady Clitheroe.
You’re sure he’ll do great things some day!
Nonsense, he won’t; he’s dress’d
too well.
Dines with the Sterling Club, they say;
Not commonly respectable!
Half Puritan, half Cavalier!
His curly hair I think’s a wig;
And, for his fortune, why my Dear,
’Tis not enough to keep a gig.
Rich Aunts and Uncles never die;
And what you bring won’t do for dress:
And so you’ll live on By-and-by,
Within oaten-cake and water-cress!”
‘“You, with your looks and charm,
To think of Vaughan! You fool! You
You might, with just a little care,
Even now be Lady Clitheroe.
You’re sure he’ll achieve great things someday!
Nonsense, he won’t; he dresses too well.
He dines with the Sterling Club, they say;
Not exactly respectable!
Half Puritan, half Cavalier!
I think his curly hair is a wig;
And as for his fortune, my dear,
It’s not enough to keep a carriage.
Rich aunts and uncles never die;
And what you bring isn’t enough for nice clothes:
And so you’ll just get by,
Eating oat cakes and watercress!”’
4
‘I cried, but did not let her see.
At last she soften’d her dispraise,
On learning you had bought for me
A carriage and a pair of bays.
But here she comes! You take her in
To dinner. I impose this task
Make her approve my love; and win
What thanks from me you choose to ask!’
‘I cried but didn’t let her see.
Finally, she softened her criticism,
When she found out you bought me
A carriage and a pair of horses.
But here she comes! You’re taking her in
To dinner. I’m putting you to this task
Make her approve my love; and get
Whatever thanks from me you want!’
p.
123p. 1235
‘My niece has told you every word
I said of you! What may I mean?
Of course she has; but you’ve not heard
How I abused you to the Dean;—
Yes, I’ll take wine; he’s mad, like her;
And she will have you: there it ends!
And, now I’ve done my duty, Sir,
And you’ve shown common-sense, we’re
friends!’
‘My niece has told you everything I said about you! What do I mean? Of course she has; but you haven't heard how I insulted you to the Dean;— Yes, I’ll have some wine; he's crazy, like her; and she *will* have you: that’s where it ends! And now that I’ve done my part, Sir, and you’ve shown some common sense, we’re friends!’
6
‘Go, child, and see him out
yourself,’
Aunt Maude said, after tea, ‘and show
The place, upon that upper shelf,
Where Petrarch stands, lent long ago.’
‘Go, kid, and see him out
yourself,’
Aunt Maude said, after tea, ‘and show
The spot, on that top shelf,
Where Petrarch's been, borrowed long ago.’
7
‘These rose-leaves to my heart be
press’d,
Honoria, while it aches for you!’
(The rose in ruin, from her breast,
Fell, as I took a fond adieu.)
‘You must go now, Love!’ ‘See, the air
Is thick with starlight!’ ‘Let me
tie
This scarf on. Oh, your Petrarch! There!
I’m coming, Aunt!’ ‘Sweet,
Sweet!’ ‘Good-bye!’
p.
124‘Ah, Love, to me ’tis death to part,
Yet you, my sever’d life, smile on!’
These “Good-nights,” Felix, break my heart;
I’m only gay till you are gone!’
With love’s bright arrows from her eyes,
And balm on her permissive lips,
She pass’d, and night was a surprise,
As when the sun at Quito dips.
Her beauties were like sunlit snows,
Flush’d but not warm’d with my
desire.
Oh, how I loved her! Fiercely glows
In the pure air of frost the fire.
Who for a year is sure of fate!
I thought, dishearten’d as I went,
Wroth with the Dean, who bade me wait,
And vex’d with her, who seem’d
content.
Nay, could eternal life afford
That tyranny should thus deduct
From this fair land, which call’d me lord,
A year of the sweet usufruct?
It might not and it should not be!
I’d go back now, and he must own,
At once, my love’s compulsive plea.
I turn’d, I found the Dean alone.
‘Nonsense, my friend; go back to bed!
It’s half-past twelve!’
‘July, then, Sir!’
‘Well, come to-morrow,’ at last he said,
‘And you may talk of it with her.’
p. 125A light
gleam’d as I pass’d the stair.
A pausing foot, a flash of dress,
And a sweet voice. ‘Is Felix there?’
‘July, Love!’ ‘Says Papa
so?’ ‘Yes!’
‘These rose leaves are pressed to my heart,
Honoria, while it aches for you!’
(The rose fell from her breast in ruin,
As I took a sweet farewell.)
‘You need to go now, Love!’ ‘Look, the air
Is thick with starlight!’ ‘Let me
Tie this scarf on. Oh, your Petrarch! There!
I’m coming, Aunt!’ ‘Sweet,
Sweet!’ ‘Goodbye!’
p. 124‘Ah, Love, it feels like death to part,
Yet you, my severed life, smile on!’
These “Good-nights,” Felix, are breaking my heart;
I’m only cheerful until you leave!’
With the bright arrows of love in her eyes,
And balm on her inviting lips,
She moved on, and the night felt like a surprise,
As when the sun sets in Quito.
Her beauty was like sunlit snow,
Blushing but not warmed by my desire.
Oh, how I loved her! Fiercely glows
In the crisp air of frost the fire.
Who can be sure of fate for a year?
I thought, disheartened as I walked,
Angry with the Dean, who told me to wait,
And frustrated with her, who seemed content.
No, could eternal life allow
Such tyranny to take away
From this fair land, where I was lord,
A year of sweet enjoyment?
It should not, and it cannot be!
I’d go back now, and he must accept,
At once, my love’s desperate plea.
I turned, and found the Dean alone.
‘Nonsense, my friend; go back to bed!
It’s half-past twelve!’
‘July, then, Sir!’
‘Well, come tomorrow,’ he finally said,
‘And you can talk about it with her.’
p. 125A light
gleamed as I passed the stairs.
A paused foot, a flash of dress,
And a sweet voice. ‘Is Felix there?’
‘July, Love!’ ‘Does Papa say so?’ ‘Yes!’
p.
126p. 126CANTO III.
The Country Ball.
PRELUDES.
I.
Love Ceremonious.
Keep your undrest,
familiar style
For strangers, but respect your friend,
Her most, whose matrimonial smile
Is and asks honour without end.
’Tis found, and needs it must so be,
That life from love’s allegiance flags,
When love forgets his majesty
In sloth’s unceremonious rags.
Let love make home a gracious Court;
There let the world’s rude, hasty ways
Be fashion’d to a loftier port,
And learn to bow and stand at gaze;
And let the sweet respective sphere
Of personal worship there obtain
Circumference for moving clear,
None treading on another’s train.
p. 127This
makes that pleasures do not cloy,
And dignifies our mortal strife
With calmness and considerate joy,
Befitting our immortal life.
Keep your unique style,
For outsiders, but stay loyal to your friend,
Her most, whose married smile
Demands respect without end.
It’s true, and it must be so,
That life loses its spark when love wavers,
When love forgets its nobility
In laziness’s unrefined layers.
Let love turn home into a gracious Court;
There, let the harsh, hurried ways of the world
Be shaped into something more refined,
And learn to bow and take a closer look;
And let the cherished personal space
Of mutual respect be maintained
With enough room to move freely,
No one stepping on another’s train.
p. 127This
ensures that pleasures don’t become dull,
And elevates our human struggles
With tranquility and thoughtful joy,
Suitable for our everlasting life.
II.
The Rainbow.
A stately rainbow came and stood,
When I was young, in High-Hurst Park;
Its bright feet lit the hill and wood
Beyond, and cloud and sward were dark;
And I, who thought the splendour ours
Because the place was, t’wards it flew,
And there, amidst the glittering showers,
Gazed vainly for the glorious view.
With whatsoever’s lovely, know
It is not ours; stand off to see,
Or beauty’s apparition so
Puts on invisibility.
A grand rainbow appeared,
When I was young, in High-Hurst Park;
Its bright colors lit up the hill and woods
Beyond, while the clouds and grass were dark;
And I, who believed the beauty was ours
Because the place drew us in,
And there, among the shining drops,
Stared in vain for the amazing view.
With everything beautiful, realize
It's not ours; hold back to see,
Or beauty’s appearance will
Make itself invisible.
III.
A Paradox.
To tryst Love blindfold goes, for fear
He should not see, and eyeless night
He chooses still for breathing near
Beauty, that lives but in the sight.
To meet, Love wears a blindfold, afraid
He might be seen, and in the dark
He still decides to breathe near
Beauty, which exists only in sight.
p. 128p. 128THE
COUNTY BALL.
1
Well, Heaven be thank’d my first-love
fail’d,
As, Heaven be thank’d, our first-loves do!
Thought I, when Fanny past me sail’d,
Loved once, for what I never knew,
Unless for colouring in her talk,
When cheeks and merry mouth would show
Three roses on a single stalk,
The middle wanting room to blow,
And forward ways, that charm’d the boy
Whose love-sick mind, misreading fate,
Scarce hoped that any Queen of Joy
Could ever stoop to be his mate.
Well, thank goodness my first love didn’t work out,
As, thank goodness, our first loves rarely do!
I thought, as Fanny sailed past me,
Loved once, for reasons I never understood,
Except for the way she colored her words,
When her cheeks and cheerful smile would reveal
Three roses on a single stem,
The center one lacking space to bloom,
And the forward way she had, that charmed the boy
Whose lovesick mind, misinterpreting fate,
Barely hoped that any Queen of Joy
Would ever lower herself to be his partner.
2
But there danced she, who from the leaven
Of ill preserv’d my heart and wit
All unawares, for she was heaven,
Others at best but fit for it.
One of those lovely things she was
In whose least action there can be
Nothing so transient but it has
An air of immortality.
p. 129I
mark’d her step, with peace elate,
Her brow more beautiful than morn,
Her sometime look of girlish state
Which sweetly waived its right to scorn;
The giddy crowd, she grave the while,
Although, as ’twere beyond her will,
Around her mouth the baby smile
That she was born with linger’d still.
Her ball-dress seem’d a breathing mist,
From the fair form exhaled and shed,
Raised in the dance with arm and wrist
All warmth and light, unbraceleted.
Her motion, feeling ’twas beloved,
The pensive soul of tune express’d,
And, oh, what perfume, as she moved,
Came from the flowers in her breast!
How sweet a tongue the music had!
‘Beautiful Girl,’ it seem’d to
say,
‘Though all the world were vile and sad,
Dance on; let innocence be gay.’
Ah, none but I discern’d her looks,
When in the throng she pass’d me by,
For love is like a ghost, and brooks
Only the chosen seer’s eye;
And who but she could e’er divine
The halo and the happy trance,
When her bright arm reposed on mine,
In all the pauses of the dance!
But there she danced, unknowingly stealing my heart and mind, for she was like heaven, while others were at best just a reflection of it. She was one of those beautiful beings where even the smallest movement carries a sense of timelessness. p. 129I noticed her steps, feeling uplifted, her forehead more stunning than the morning, her occasional girlish expression graciously dismissing any hint of contempt; the dizzy crowd surrounded her, but she remained serious, though, as if beyond her control, the childlike smile she was born with still lingered around her lips. Her ball gown looked like a soft mist, flowing from her beautiful figure, lifting in the dance with every arm and wrist movement, radiant and unadorned. Her movements expressed a wistful melody, and, oh, what a fragrance enveloped her as she moved, coming from the flowers in her bodice! What a sweet voice the music had! “Beautiful Girl,” it seemed to say, “Though the world is dark and dreary, dance on; let innocence be joyful.” Ah, no one but I noticed her gaze as she passed me in the crowd, for love is like a ghost and only thrives in the eyes of the chosen; and who else could ever sense the glow and the blissful state when her radiant arm rested on mine during every moment of the dance!
p.
130p. 1303
Whilst so her beauty fed my sight,
And whilst I lived in what she said,
Accordant airs, like all delight
Most sweet when noted least, were play’d;
And was it like the Pharisee
If I in secret bow’d my face
With joyful thanks that I should be,
Not as were many, but with grace
And fortune of well-nurtured youth,
And days no sordid pains defile,
And thoughts accustom’d to the truth,
Made capable of her fair smile?
While her beauty filled my eyes,
And as I absorbed every word she said,
Pleasant sounds, like all joy,
Were sweetest when least noticed;
And would it be like the Pharisee
If I quietly bowed my head
In joyful thanks that I could be,
Not like many others, but with grace
And the advantages of a good upbringing,
And days untouched by harsh troubles,
And thoughts trained to recognize the truth,
Made worthy of her lovely smile?
4
Charles Barton follow’d down the
stair,
To talk with me about the Ball,
And carp at all the people there.
The Churchills chiefly stirr’d his gall:
‘Such were the Kriemhilds and Isondes
You storm’d about at Trinity!
Nothing at heart but handsome Blondes!
‘Folk say that you and Fanny
Fry—’
‘They err! Good-night! Here lies my course,
Through Wilton.’ Silence blest my
ears,
And, weak at heart with vague remorse,
A passing poignancy of tears
p.
131Attack’d mine eyes. By pale and park
I rode, and ever seem’d to see,
In the transparent starry dark,
That splendid brow of chastity,
That soft and yet subduing light,
At which, as at the sudden moon,
I held my breath, and thought ‘how bright!’
That guileless beauty in its noon,
Compelling tribute of desires
Ardent as day when Sirius reigns,
Pure as the permeating fires
That smoulder in the opal’s veins.
Charles Barton walked down the stairs,
To chat with me about the Ball,
And criticize all the people there.
The Churchills especially got under his skin:
‘Just like the Kriemhilds and Isondes
You complained about at Trinity!
Nothing underneath but pretty Blondes!‘
‘They’re mistaken! Good night! Here’s my path,
Through Wilton.’ Silence blessed my ears,
And, feeling weak with vague regret,
A fleeting sting of tears
p. 131Hit my eyes. By pale and park
I rode, and always seemed to see,
In the clear, starry darkness,
That radiant forehead of purity,
That gentle yet commanding light,
At which, like the sudden moon,
I held my breath, thinking ‘how bright!’
That innocent beauty in its prime,
Demanding tribute of desires
As intense as day when Sirius shines,
Pure as the glowing fires
That smolder in the opal’s veins.
p.
132p. 132CANTO IV.
Love in Idleness.
PRELUDES.
I.
Honour and Desert.
O queen, awake to
thy renown,
Require what ’tis our wealth to give,
And comprehend and wear the crown
Of thy despised prerogative!
I, who in manhood’s name at length
With glad songs come to abdicate
The gross regality of strength,
Must yet in this thy praise abate,
That, through thine erring humbleness
And disregard of thy degree,
Mainly, has man been so much less
Than fits his fellowship with thee.
High thoughts had shaped the foolish brow,
The coward had grasp’d the hero’s
sword,
The vilest had been great, hadst thou,
Just to thyself, been worth’s reward.
p. 133But
lofty honours undersold
Seller and buyer both disgrace;
And favours that make folly bold
Banish the light from virtue’s face.
O monarch, wake up to your glory,
Ask for what we can offer,
And understand and wear the crown
Of your undervalued privilege!
I, who in the name of manhood finally
Come joyfully to step down
From the crude power of strength,
Must still slightly diminish your praise,
Because it’s largely your misguided humility
And neglect of your status
That has made man so much less
Than is appropriate for his connection with you.
Great thoughts could have shaped a foolish leader,
The coward could have grabbed the hero’s sword,
The most despicable could have been great, if you,
Just to yourself, had recognized worth's reward.
p. 133But
undervalued honors disgrace both
seller and buyer equally;
And favors that embolden foolishness
Vanish the light from virtue’s face.
II.
Love and Honour.
What man with baseness so content,
Or sick with false conceit of right,
As not to know that the element
And inmost warmth of love’s delight
Is honour? Who’d not rather kiss
A duchess than a milkmaid, prank
The two in equal grace, which is
Precedent Nature’s obvious rank?
Much rather, then, a woman deck’d
With saintly honours, chaste and good,
Whose thoughts celestial things affect,
Whose eyes express her heavenly mood!
Those lesser vaunts are dimm’d or lost
Which plume her name or paint her lip,
Extinct in the deep-glowing boast
Of her angelic fellowship.
What kind of man, so satisfied with lowliness,
Or sick with false pride in what's right,
Could fail to understand that the core
And deepest joy of love's delight
Is honor? Who wouldn’t prefer to kiss
A duchess over a milkmaid, pretending
Both carry equal grace, which is
Nature’s obvious ranking?
Much more appealing, then, is a woman adorned
With saintly honors, pure and good,
Whose thoughts embrace heavenly matters,
Whose eyes reflect her celestial mood!
Those lesser flaunts lose their luster
That might enhance her name or beautify her smile,
Extinguished in the radiant pride
Of her angelic companionship.
p.
134p. 134III.
Valour Misdirected.
I’ll hunt for dangers North and South,
To prove my love, which sloth maligns!’
What seems to say her rosy mouth?
‘I’m not convinced by proofs but
signs.’
I'll search for dangers in the North and South,
To prove my love, which laziness criticizes!’
What does her rosy mouth seem to say?
‘I’m not convinced by proof, but by
signs.’
LOVE IN IDLENESS.
1
What should I do? In such a wife
Fortune had lavish’d all her store,
And nothing now seem’d left for life
But to deserve her more and more.
To this I vow’d my life’s whole scope;
And Love said, ‘I forewarn you now,
The Maiden will fulfill your hope
Only as you fulfil your vow.’
What should I do? In such a wife
Fortune had provided all her gifts,
And now it seemed there was nothing left for life
But to earn her love more and more.
To this, I committed my entire life;
And Love said, ‘I warn you now,
The Maiden will make your dreams come true
Only if you keep your promise.’
2
A promised service, (task for days),
Was done this morning while she slept,
With that full heart which thinks no praise
Of vows which are not more than kept;
p. 135But
loftier work did love impose.
And studious hours. Alas, for these,
While she from all my thoughts arose
Like Venus from the restless seas!
A promised task, (days of work),
Was completed this morning while she slept,
With a full heart that doesn’t seek praise
For promises that are just kept;
p. 135But
greater things did love demand.
And focused hours. Alas, for those,
While she lifted from all my thoughts
Like Venus from the restless waves!
3
I conn’d a scheme, within mind elate:
My Uncle’s land would fall to me,
My skill was much in school debate,
My friends were strong in Salisbury;
A place in Parliament once gain’d,
Thro’ saps first labour’d out of
sight,
Far loftier peaks were then attain’d
With easy leaps from height to height;
And that o’erwhelming honour paid,
Or recognised, at least, in life,
Which this most sweet and noble Maid
Should yield to him who call’d her Wife.
I came up with a plan, feeling pretty excited:
My uncle’s land would be mine,
I was good at debating in school,
My friends were strong in Salisbury;
Once I got a spot in Parliament,
Through efforts no one saw at first,
I could reach even higher peaks
With easy steps from height to height;
And that overwhelming honor given,
Or at least recognized in life,
Which this sweet and noble woman
Should offer to the man who called her his wife.
4
I fix’d this rule: in Sarum Close
To make two visits every week,
The first, to-day; and, save on those,
I nought would do, think, read, or speak,
Which did not help my settled will
To earn the Statesman’s proud applause.
And now, forthwith, to mend my skill
In ethics, politics, and laws,
p. 136The
Statesman’s learning! Flush’d with power
And pride of freshly-form’d resolve,
I read Helvetius half-an-hour;
But, halting in attempts to solve
Why, more than all things else that be,
A lady’s grace hath force to move
That sensitive appetency
Of intellectual good, call’d love,
Took Blackstone down, only to draw
My swift-deriving thoughts ere long
To love, which is the source of law,
And, like a king, can do no wrong;
Then open’d Hyde, where loyal hearts,
With faith unpropp’d by precedent,
Began to play rebellious parts.
O, mighty stir that little meant!
How dull the crude, plough’d fields of fact
To me who trod the Elysian grove!
How idle all heroic act
By the least suffering of love!
I could not read; so took my pen,
And thus commenced, in form of notes,
A Lecture for the Salisbury men,
With due regard to Tory votes:
‘A road’s a road, though worn to ruts;
They speed who travel straight therein;
But he who tacks and tries short cuts
Gets fools’ praise and a broken
shin—’
p. 137And here
I stopp’d in sheer despair;
But, what to-day was thus begun,
I vow’d, up starting from my chair,
To-morrow should indeed be done;
So loosed my chafing thoughts from school,
To play with fancy as they chose,
And then, according to my rule,
I dress’d, and came to Sarum Close.
I made this rule: in Sarum Close
To make two visits every week,
The first is today; and besides those,
I wouldn’t do, think, read, or say,
Anything that didn’t help my determined will
To earn the Statesman’s proud praise.
And now, right away, to improve my knowledge
In ethics, politics, and laws,
p. 136The
Statesman’s education! Filled with power
And pride from my freshly-formed resolve,
I read Helvetius for half an hour;
But struggling to figure out
Why, more than anything else in the world,
A lady’s charm can inspire
That intense desire
For intellectual good, called love,
I picked up Blackstone, only to find
My quickly flowing thoughts soon shifted
To love, which is the source of law,
And, like a king, can do no wrong;
Then I opened Hyde, where loyal hearts,
With faith not supported by precedent,
Began to act rebelliously.
Oh, what a great commotion that little stirred!
How dull the rough, plowed fields of facts
Seemed to me who wandered through the Elysian grove!
How pointless all heroic actions
When faced with even the slightest suffering of love!
I couldn’t read; so I picked up my pen,
And began, in the form of notes,
A lecture for the Salisbury folks,
Keeping Tory votes in mind:
‘A road’s a road, even if it’s full of ruts;
They speed who travel straight down it;
But he who zigzags and takes shortcuts
Gets foolish praise and a broken shin—’
p. 137And here
I stopped in pure despair;
But what I started today,
I promised, jumping up from my chair,
Tomorrow would definitely be finished;
So I released my restless thoughts from school,
To play with imagination as they wished,
And then, following my rule,
I got dressed and went to Sarum Close.
5
Ah, that sweet laugh! Diviner sense
Did Nature, forming her, inspire
To omit the grosser elements,
And make her all of air and fire!
Ah, that sweet laugh! Diviner sense
Did Nature, creating her, inspire
To leave out the coarser elements,
And make her all of air and fire!
6
To-morrow, Cowes’ Regatta fell:
The Dean would like his girls to go,
If I went too. ‘Most gladly.’ Well,
I did but break a foolish vow!
Unless Love’s toil has love for prize,
(And then he’s Hercules), above
All other contrarieties
Is labour contrary to love.
No fault of Love’s, but nature’s laws!
And Love, in idleness, lies quick;
For as the worm whose powers make pause,
And swoon, through alteration sick,
p. 138The
soul, its wingless state dissolved,
Awaits its nuptial life complete,
All indolently self-convolved,
Cocoon’d in silken fancies sweet.
Tomorrow is Cowes’ Regatta:
The Dean wants his girls to go,
If I go too. ‘Most gladly.’ Well,
I just broke a silly vow!
Unless Love’s work has love as a reward,
(And then he’s Hercules), above
All other oppositions
Is work that goes against love.
Not Love’s fault, but the laws of nature!
And Love, in idleness, lies in wait;
For like the worm whose powers make it pause,
And faint, through sickness of change,
p. 138The
soul, its wingless state dissolved,
Awaits its complete married life,
All lazily turned in on itself,
Wrapped in sweet silken dreams.
p.
139p. 139CANTO V.
The Queen’s Room.
PRELUDES.
I.
Rejected.
‘Perhaps
she’s dancing somewhere now!’
The thoughts of light and music wake
Sharp jealousies, that grow and grow
Till silence and the darkness ache.
He sees her step, so proud and gay,
Which, ere he spake, foretold despair:
Thus did she look, on such a day,
And such the fashion of her hair;
And thus she stood, when, kneeling low,
He took the bramble from her dress,
And thus she laugh’d and talk’d, whose
‘No’
Was sweeter than another’s
‘Yes.’
He feeds on thoughts that most deject;
He impudently feigns her charms,
So reverenced in his own respect,
Dreadfully clasp’d by other arms;
p. 140And
turns, and puts his brows, that ache,
Against the pillow where ’tis cold.
If, only now his heart would break!
But, oh, how much a heart can hold.
‘Maybe
she’s dancing somewhere right now!’
The thoughts of light and music stir up
Sharp jealousies that just keep growing
Until silence and darkness become painful.
He sees her move, so proud and joyful,
Which, before he spoke, predicted despair:
This is how she looked on that day,
And this was the style of her hair;
And this was how she stood, when, kneeling low,
He took the thorns from her dress,
And she laughed and talked, whose ‘No’
Was sweeter than anyone else's ‘Yes.’
He dwells on thoughts that bring him down;
He shamelessly pretends to cherish her beauty,
So respected in his own regard,
Terribly held by other arms;
p. 140And
he turns, pressing his aching brow
Against the cold pillow.
If only his heart would break now!
But, oh, how much a heart can endure.
II.
Rachel.
You loved her, and would lie all night
Thinking how beautiful she was,
And what to do for her delight.
Now both are bound with alien laws!
Be patient; put your heart to school;
Weep if you will, but not despair;
The trust that nought goes wrong by rule
Should ease this load the many bear.
Love, if there’s heav’n, shall meet his dues,
Though here unmatch’d, or match’d
amiss;
Meanwhile, the gentle cannot choose
But learn to love the lips they kiss.
Ne’er hurt the homely sister’s ears
With Rachel’s beauties; secret be
The lofty mind whose lonely tears
Protest against mortality.
You loved her and would lie awake all night
Thinking about how beautiful she was,
And how to make her happy.
Now both of you are stuck by unfair rules!
Be patient; let your heart learn;
Cry if you want, but don’t lose hope;
The belief that nothing goes wrong by design
Should help lighten this burden many carry.
Love, if there’s a heaven, will get what it deserves,
Even if here it’s unfulfilled or mismatched;
In the meantime, the kind can't help
But learn to love the lips they kiss.
Never trouble the plain sister’s ears
With talk of Rachel’s beauty; keep it to yourself
The noble heart whose lonely tears
Protest against living in this world.
p.
141p. 141III.
The Heart’s Prophecies.
Be not amazed at life; ’tis still
The mode of God with his elect
Their hopes exactly to fulfil,
In times and ways they least expect.
Don't be surprised by life; it's still
The way God deals with his chosen ones
To fulfill their hopes exactly,
In times and ways they least expect.
THE QUEEN’S ROOM.
1
There’s nothing happier than the days
In which young Love makes every thought
Pure as a bride’s blush, when she says
‘I will’ unto she knows not what;
And lovers, on the love-lit globe,
For love’s sweet sake, walk yet aloof,
And hear Time weave the marriage-robe,
Attraction warp and reverence woof.
There’s nothing happier than the days
When young Love makes every thought
Pure as a bride’s blush when she says
‘I do’ without knowing what’s ahead;
And lovers, on the love-lit earth,
For love’s sweet sake, still keep their distance,
And feel Time weave the marriage cloak,
Attraction shaping and respect forming.
2
My Housekeeper, my Nurse of yore,
Cried, as the latest carriage went,
‘Well, Mr, Felix, Sir, I’m sure
The morning’s gone off excellent!
p. 142I never
saw the show to pass
The ladies, in their fine fresh gowns,
So sweetly dancing on the grass,
To music with its ups and downs.
We’d such work, Sir, to clean the plate;
’Twas just the busy times of old.
The Queen’s Room, Sir, look’d quite like state.
Miss Smythe, when she went up, made bold
To peep into the Rose Boudoir,
And cried, “How charming! all quite
new;”
And wonder’d who it could be for.
All but Miss Honor look’d in too.
But she’s too proud to peep and pry.
None’s like that sweet Miss Honor, Sir!
Excuse my humbleness, but I
Pray Heav’n you’ll get a wife like
her!
The Poor love dear Miss Honor’s ways
Better than money. Mrs. Rouse,
Who ought to know a lady, says
No finer goes to Wilton House.
Miss Bagshaw thought that dreary room
Had kill’d old Mrs. Vaughan with fright;
She would not sleep in such a tomb
For all her host was worth a night!
Miss Fry, Sir, laugh’d; they talk’d the rest
In French; and French Sir’s Greek to me;
But, though they smiled, and seem’d to jest,
No love was lost, for I could see
p. 143How
serious-like Miss Honor was—’
‘Well, Nurse, this is not my affair.
The ladies talk’d in French with cause.
Good-day; and thank you for your prayer.’
My housekeeper, my nurse from back in the day,
cried as the last carriage left,
“Well, Mr. Felix, Sir, I’m sure
the morning went off great!
p. 142I’ve never seen a gathering where
the ladies, in their lovely new gowns,
danced so sweetly on the grass,
to music that had its ups and downs.
We had quite a job cleaning the plates;
it was just like the busy times of old.
The Queen’s Room, Sir, looked just like a royal affair.
Miss Smythe, when she went up, boldly
peeked into the Rose Boudoir,
and exclaimed, “How charming! All brand new;”
she wondered who it could be for.
Everyone but Miss Honor looked in too.
But she’s too proud to snoop or pry.
No one is like sweet Miss Honor, Sir!
I apologize for my modesty, but I
pray Heaven you’ll find a wife like her!
The less fortunate love dear Miss Honor’s ways
more than money. Mrs. Rouse,
who ought to know a lady, says
no one finer goes to Wilton House.
Miss Bagshaw thought that gloomy room
had scared old Mrs. Vaughan to death;
she wouldn’t spend a night in such a tomb
for all the host’s worth!
Miss Fry, Sir, laughed; they spoke the rest
in French; and French is Greek to me;
but even though they smiled and seemed to joke,
no love was lost, because I could see
p. 143how serious Miss Honor was—
‘Well, Nurse, this isn’t my business.
The ladies spoke French for a reason.
Good day; and thank you for your prayer.’
3
I loiter’d through the vacant house,
Soon to be her’s; in one room stay’d,
Of old my mother’s. Here my vows
Of endless thanks were oftenest paid.
This room its first condition kept;
For, on her road to Sarum Town,
Therein an English Queen had slept,
Before the Hurst was half pull’d down.
The pictured walls the place became:
Here ran the Brook Anaurus, where
Stout Jason bore the wrinkled dame
Whom serving changed to Juno; there,
Ixion’s selfish hope, instead
Of the nuptial goddess, clasp’d a cloud;
And, here, translated Psyche fed
Her gaze on Love, not disallow’d.
I wandered through the empty house,
Soon to be hers; I stayed in one room,
My mother’s old room. Here, I often expressed
My endless gratitude.
This room kept its original state;
Because, on her way to Sarum Town,
An English Queen had slept here,
Before the Hurst was halfway taken down.
The walls became part of the story:
Here flowed the Brook Anaurus, where
Brave Jason carried the old woman
Who, after serving, turned into Juno; there,
Ixion’s selfish wish, instead
Of the wedding goddess, embraced a cloud;
And here, transformed Psyche gazed
At Love, who was not forbidden.
4
And in this chamber had she been,
And into that she would not look,
My Joy, my Vanity, my Queen,
At whose dear name my pulses shook!
p. 144To
others how express at all
My worship in that joyful shrine?
I scarcely can myself recall
What peace and ardour then were mine;
And how more sweet than aught below,
The daylight and its duties done,
It felt to fold the hands, and so
Relinquish all regards but one;
To see her features in the dark,
To lie and meditate once more
The grace I did not fully mark,
The tone I had not heard before;
And from my pillow then to take
Her notes, her picture, and her glove,
Put there for joy when I should wake,
And press them to the heart of love;
And then to whisper ‘Wife!’ and pray
To live so long as not to miss
That unimaginable day
Which farther seems the nearer ’tis;
And still from joy’s unfathom’d well
To drink, in dreams, while on her brows
Of innocence ineffable
Blossom’d the laughing bridal rose.
And in this room she had been,
And into that she wouldn't look,
My Joy, my Vanity, my Queen,
At whose dear name my heart raced!
p. 144How can I express to others
My worship in that joyful space?
I can hardly remember
What peace and passion were mine;
And how much sweeter than anything below,
After the day and its tasks were done,
It felt to fold my hands, and so
Let go of everything but one;
To see her features in the dark,
To lie and think once more
About the grace I didn’t fully notice,
The tone I hadn’t heard before;
And from my pillow then to take
Her notes, her picture, and her glove,
Left there for joy when I woke,
And press them to my heart of love;
And then to whisper ‘Wife!’ and pray
To live long enough to not miss
That unimaginable day
Which seems closer the more I wish it;
And still from joy’s endless well
To drink, in dreams, while on her brows
Of pure innocence
Bloomed the laughing bridal rose.
p.
145p. 145CANTO VI.
The Love-Letters.
PRELUDES.
I.
Love’s Perversity.
How strange a thing
a lover seems
To animals that do not love!
Lo, where he walks and talks in dreams,
And flouts us with his Lady’s glove;
How foreign is the garb he wears;
And how his great devotion mocks
Our poor propriety, and scares
The undevout with paradox!
His soul, through scorn of worldly care,
And great extremes of sweet and gall,
And musing much on all that’s fair,
Grows witty and fantastical;
He sobs his joy and sings his grief,
And evermore finds such delight
In simply picturing his relief,
That ’plaining seems to cure his plight;
p. 146He makes
his sorrow, when there’s none;
His fancy blows both cold and hot;
Next to the wish that she’ll be won,
His first hope is that she may not;
He sues, yet deprecates consent;
Would she be captured she must fly;
She looks too happy and content,
For whose least pleasure he would die;
Oh, cruelty, she cannot care
For one to whom she’s always kind!
He says he’s nought, but, oh, despair,
If he’s not Jove to her fond mind!
He’s jealous if she pets a dove,
She must be his with all her soul;
Yet ’tis a postulate in love
That part is greater than the whole;
And all his apprehension’s stress,
When he’s with her, regards her hair,
Her hand, a ribbon of her dress,
As if his life were only there;
Because she’s constant, he will change,
And kindest glances coldly meet,
And, all the time he seems so strange,
His soul is fawning at her feet;
Of smiles and simple heaven grown tired,
He wickedly provokes her tears,
And when she weeps, as he desired,
Falls slain with ecstasies of fears;
p. 147He
blames her, though she has no fault,
Except the folly to be his;
He worships her, the more to exalt
The profanation of a kiss;
Health’s his disease, he’s never well
But when his paleness shames her rose;
His faith’s a rock-built citadel,
Its sign a flag that each way blows;
His o’erfed fancy frets and fumes;
And Love, in him, is fierce, like Hate,
And ruffles his ambrosial plumes
Against the bars of time and fate.
How strange it is to a lover, To those animals that don’t know love! Look, where he walks and talks in dreams, And shows off with his lady’s glove; How unusual the outfit he wears; And how his deep devotion mocks Our simple ways, and frightens The non-believers with its contradictions! His soul, dismissing worldly concerns, And swinging between sweetness and bitterness, And pondering all that’s beautiful, Becomes clever and whimsical; He sobs with joy and sings with grief, And always finds such pleasure In just imagining his escape, That complaining seems to ease his troubles; p. 146He creates his sadness when there’s none; His imagination swings both ways; Right next to the hope that she will be won, His first wish is that she may not; He begs, yet downplays her agreement; If she’s to be caught, she must flee; She seems too happy and satisfied, For whose smallest joy he would die; Oh, how cruel, she can’t care For someone she’s always kind to! He claims he’s nothing, but, oh, despair, If he’s not everything to her sweet heart! He gets jealous if she pets a dove, She must belong to him completely; Yet it’s a given in love That part is more than the whole; And all his worry’s tension, When he’s with her, focuses on her hair, Her hand, a ribbon from her dress, As if his life depends on that; Because she’s steady, he turns unreliable, And the kindest looks are met with coldness, And, even while he seems so strange, His heart is begging at her feet; Tired of smiles and simple happiness, He wickedly stirs up her tears, And when she cries, just as he wanted, He is struck down by ecstasies of fears; p. 147He blames her, though she’s done nothing wrong, Except for the foolishness of being his; He worships her, to further elevate The disrespect of a kiss; Health is his sickness; he’s never okay Unless his pale face puts her rosy cheeks to shame; His faith’s a fortress, strong and unwavering, Its flag waves in every direction; His overfed imagination frets and fumes; And Love, within him, is fierce, like Hate, And ruffles his divine feathers Against the barriers of time and fate.
II.
The Power of Love.
Samson the Mighty, Solomon
The Wise, and Holy David all
Must doff their crowns to Love, for none
But fell as Love would scorn to fall!
And what may fallen spirits win,
When stripes and precepts cannot move?
Only the sadness of all sin,
When look’d at in the light of Love.
Samson the Mighty, Solomon
The Wise, and Holy David all
Must take off their crowns for Love, because no one
Would fall the way Love would reject falling!
And what can fallen souls gain,
When rules and punishments can't change them?
Only the sorrow of all sin,
When viewed in the light of Love.
p. 148p. 148THE
LOVE-LETTERS.
1
‘You ask, Will admiration halt,
Should spots appear within my Sun?
Oh, how I wish I knew your fault,
For Love’s tired gaze to rest upon!
Your graces, which have made me great,
Will I so loftily admire,
Yourself yourself shall emulate,
And be yourself your own desire.
I’ll nobly mirror you too fair,
And, when you’re false to me your glass,
What’s wanting you’ll by that repair,
So bring yourself through me to pass.
O dearest, tell me how to prove
Goodwill which cannot be express’d;
The beneficial heart of love
Is labour in an idle breast.
Name in the world your chosen part,
And here I vow, with all the bent
And application of my heart
To give myself to your content.
Would you live on, home-worshipp’d, thus,
Not proudly high nor poorly low?
Indeed the lines are fall’n to us
In pleasant places! Be it so.
p. 149But
would you others heav’nward move,
By sight not faith, while you they admire?
I’ll help with zeal as I approve
That just and merciful desire.
High as the lonely moon to view
I’ll lift your light; do you decree
Your place, I’ll win it; for from you
Command inspires capacity.
Or, unseen, would you sway the world
More surely? Then in gracious rhyme
I’ll raise your emblem, fair unfurl’d
With blessing in the breeze of time.
Faith removes mountains, much more love;
Let your contempt abolish me
If ought of your devisal prove
Too hard or high to do or be.’
‘You ask, Will admiration stop,
If flaws show up within my Sun?
Oh, how I wish I knew your fault,
For Love’s tired gaze to rest upon!
Your talents, which have elevated me,
Will I so highly admire,
Yourself yourself will emulate,
And be yourself your own desire.
I’ll nobly reflect you too beautifully,
And, when you’re false to me your mirror,
What’s lacking you’ll repair with that,
So bring yourself through me to pass.
O dearest, tell me how to show
Goodwill that can’t be expressed;
The beneficial heart of love
Is labor in an idle breast.
Name in the world your chosen role,
And here I promise, with all my heart’s
And focused application
To give myself to your happiness.
Would you live on, worshipped at home,
Neither proudly high nor poorly low?
Indeed the lines have fallen to us
In pleasant places! Be it so.
p. 149But
would you others aim for heaven,
By sight not faith, while you they admire?
I’ll help with passion as I support
That just and merciful desire.
High as the solitary moon in sight
I’ll lift your light; you decide
Your place, I’ll earn it; for from you
Command inspires ability.
Or, unseen, would you sway the world
More effectively? Then in graceful rhyme
I’ll raise your emblem, beautifully unfurled
With blessings in the breeze of time.
Faith moves mountains, even more love;
Let your scorn erase me
If anything of your design proves
Too hard or high to do or be.’
2
I ended. ‘From your Sweet-Heart,
Sir,’
Said Nurse, ‘The Dean’s man brings it
down.’
I could have kiss’d both him and her!
‘Nurse, give him that, with
half-a-crown.’
How beat my heart, how paused my breath,
When, with perversely fond delay,
I broke the seal, that bore a wreath
Of roses link’d with one of bay.
I finished. ‘From your Sweetheart, Sir,’
Nurse said, ‘The Dean’s guy is bringing it down.’
I could have kissed both him and her!
‘Nurse, give him that, along with half a crown.’
My heart raced, my breath caught,
When, with frustratingly loving hesitation,
I broke the seal, which had a wreath
Of roses linked with one of bay.
p.
150p. 1503
‘I found your note. How very
kind
To leave it there! I cannot tell
How pleased I was, or how you find
Words to express your thoughts so well.
The Girls are going to the Ball
At Wilton. If you can, do come;
And any day this week you call
Papa and I shall be at home.
You said to Mary once—I hope
In jest—that women should be vain:
On Saturday your friend (her Pope),
The Bishop dined with us again.
She put the question, if they ought?
He turn’d it cleverly away
(For giddy Mildred cried, she thought
We must), with “What we must we
may.”
‘Dear papa laugh’d, and said ’twas sad
To think how vain his girls would be,
Above all Mary, now she had
Episcopal authority.
But I was very dull, dear friend,
And went upstairs at last, and cried.
Be sure to come to-day, or send
A rose-leaf kiss’d on either side.
p.
151Adieu! I am not well. Last night
My dreams were wild: I often woke,
The summer-lightning was so bright;
And when it flash’d I thought you
spoke.’
‘I found your note. How very kind
To leave it there! I can't say
How pleased I was, or how you find
Words to express your thoughts so well.
The girls are going to the ball
At Wilton. If you can, do come;
And any day this week you call
Papa and I will be home.
You once told Mary—I hope
In jest—that women should be vain:
On Saturday your friend (her Pope),
The Bishop, dined with us again.
She asked if they ought to be?
He cleverly turned it away
(For giddy Mildred said she thought
We must), with “What we must we may.”
‘Dear Papa laughed and said it was sad
To think how vain his girls would be,
Especially Mary, now that she had
Episcopal authority.
But I was very dull, dear friend,
And I went upstairs at last, and cried.
Be sure to come today, or send
A rose-leaf kissed on either side.
p. 151Adieu! I’m not well. Last night
My dreams were wild: I often woke,
The summer lightning was so bright;
And when it flashed, I thought you spoke.’
p.
152p. 152CANTO VII.
The Revulsion.
PRELUDES.
I.
Joy and Use.
Can ought compared
with wedlock be
For use? But He who made the heart
To use proportions joy. What He
Has join’d let no man put apart.
Sweet Order has its draught of bliss
Graced with the pearl of God’s consent,
Ten times delightful in that ’tis
Considerate and innocent.
In vain Disorder grasps the cup;
The pleasure’s not enjoy’d but spilt,
And, if he stoops to lick it up,
It only tastes of earth and guilt.
His sorry raptures rest destroys;
To live, like comets, they must roam;
On settled poles turn solid joys,
And sunlike pleasures shine at home.
Can it be compared to marriage
For its purpose? But He who created the heart
Knows how to use joy in balance. What He
Has united, let no one separate.
Sweet Order has its share of happiness
Adorned with the blessing of God’s approval,
Ten times more delightful because it’s
Thoughtful and pure.
In vain does Disorder try to grasp the cup;
The enjoyment isn’t savored but wasted,
And, if he bends down to pick it up,
It only tastes of earth and shame.
His pathetic pleasures ruin peace;
To live, like comets, they have to wander;
Real joys find their strength in settled places,
And like the sun, happiness shines at home.
p.
153p. 153II.
‘She was Mine.’
‘Thy tears o’erprize thy
loss! Thy wife,
In what was she particular?
Others of comely face and life,
Others as chaste and warm there are,
And when they speak they seem to sing;
Beyond her sex she was not wise;
And there is no more common thing
Than kindness in a woman’s eyes.
Then wherefore weep so long and fast,
Why so exceedingly repine!
Say, how has thy Beloved surpass’d
So much all others?’ ‘She was
mine.’
‘Your tears don't justify your loss! Your wife,
What made her special?
There are others with beautiful faces and lives,
Others just as pure and warm,
And when they speak, they seem to sing;
Beyond being a woman, she wasn't wise;
And there's nothing more common
Than kindness in a woman's eyes.
So why weep for so long and so fiercely,
Why linger in such deep sorrow?
Tell me, how did your Beloved surpass
All the others so much?’ ‘She was mine.’
THE REVULSION.
1
’Twas when the spousal time of May
Hangs all the hedge with bridal wreaths,
And air’s so sweet the bosom gay
Give thanks for every breath it breathes,
When like to like is gladly moved,
And each thing joins in Spring’s refrain,
‘Let those love now who never loved;
Let those who have loved love again;’
p. 154That I,
in whom the sweet time wrought,
Lay stretch’d within a lonely glade,
Abandon’d to delicious thought
Beneath the softly twinkling shade.
The leaves, all stirring, mimick’d well
A neighbouring rush of rivers cold,
And, as the sun or shadow fell,
So these were green and those were gold;
In dim recesses hyacinths droop’d,
And breadths of primrose lit the air,
Which, wandering through the woodland, stoop’d
And gather’d perfumes here and there;
Upon the spray the squirrel swung,
And careless songsters, six or seven.
Sang lofty songs the leaves among,
Fit for their only listener, Heaven.
I sigh’d, ‘Immeasurable bliss
Gains nothing by becoming more!
Millions have meaning; after this
Cyphers forget the integer.’
It was the time of May, When the hedges are full of bridal wreaths, And the air is so sweet that the joyful heart Thanks every breath it takes. When like attracts like, And everything joins in Spring's song, "Let those who’ve never loved now find love; Let those who have loved love again;" p. 154That I, In whom the sweet time worked, Lay stretched out in a quiet glade, Lost in delightful thoughts Beneath the softly shimmering shade. The leaves, all rustling, mimicked well The nearby rush of cold rivers, And as the sun or shadow fell, Some were green and others gold; In dim corners, hyacinths drooped, And patches of primrose lit the air, Which, wandering through the woods, bent low And gathered perfumes here and there; The squirrel swung on the branches, And carefree songbirds, six or seven, Sang lofty tunes among the leaves, Meant for their only listener, Heaven. I sighed, “Unmeasurable bliss Gains nothing by becoming more! Millions have meaning; beyond this, Zero forgets the whole number.”
2
And so I mused, till musing brought
A dream that shook my house of clay,
And, in my humbled heart, I thought,
To me there yet may come a day
p. 155With
this the single vestige seen
Of comfort, earthly or divine,
My sorrow some time must have been
Her portion, had it not been mine.
Then I, who knew, from watching life,
That blows foreseen are slow to fall,
Rehearsed the losing of a wife,
And faced its terrors each and all.
The self-chastising fancy show’d
The coffin with its ghastly breath;
The innocent sweet face that owed
None of its innocence to death;
The lips that used to laugh; the knell
That bade the world beware of mirth;
The heartless and intolerable
Indignity of ‘earth to earth;’
At morn remembering by degrees
That she I dream’d about was dead;
Love’s still recurrent jubilees,
The days that she was born, won, wed;
The duties of my life the same,
Their meaning for the feelings gone;
Friendship impertinent, and fame
Disgusting; and, more harrowing none,
Small household troubles fall’n to me,
As, ‘What time would I dine to-day?’
And, oh, how could I bear to see
The noisy children at their play.
p. 156Besides,
where all things limp and halt,
Could I go straight, should I alone
Have kept my love without default,
Pitch’d at the true and heavenly tone?
The festal-day might come to mind
That miss’d the gift which more endears;
The hour which might have been more kind,
And now less fertile in vain tears;
The good of common intercourse,
For daintier pleasures, then despised,
Now with what passionate remorse,
What poignancy of hunger prized!
The little wrong, now greatly rued,
Which no repentance now could right;
And love, in disbelieving mood,
Deserting his celestial height.
Withal to know, God’s love sent grief
To make me less the world’s, and more
Meek-hearted: ah, the sick relief!
Why bow’d I not my heart before?
And so I thought, until my thinking brought
A dream that shook my fragile life,
And, in my humble heart, I realized,
There might still come a day for me
p. 155With
this the only trace I saw
Of comfort, whether earthly or divine,
My sorrow must have been
Her share if it hadn’t been mine.
Then I, who understood from observing life,
That anticipated blows fall slowly,
Imagined losing a wife,
And confronted each and every fear.
The self-punishing thought showed
The coffin with its grim presence;
The innocent sweet face that had
No innocence owed to death;
The lips that used to laugh; the toll
That warned the world to avoid joy;
The cruel and unbearable
Insult of ‘earth to earth;’
In the morning gradually remembering
That the woman I’d dreamt about was dead;
Love’s still recurring celebrations,
The days she was born, won, wed;
The duties of my life remained the same,
Their meaning gone for my feelings;
Friendship felt awkward, and fame
Disgusting; and more distressing than any,
Small household problems weighed on me,
Like, ‘What time will I eat today?’
And, oh, how could I stand to see
The noisy kids at their play.
p. 156Besides,
where everything limps and stumbles,
Could I walk straight, having alone
Kept my love without faltering,
Aimed at the true and heavenly sound?
The festive day might come to mind
That missed the gift that means more;
The hour which could have been kinder,
And now less fertile in pointless tears;
The goodness of casual interaction,
Once disregarded for finer pleasures,
Now with what deep remorse,
What intense hunger cherished!
The small wrong, now deeply regretted,
Which no regret could ever mend;
And love, in an unbelieving state,
Deserting its celestial elevation.
Yet to know, God’s love brought grief
To make me less of the world’s, and more
Humble-hearted: ah, the painful relief!
Why didn’t I bow my heart before?
3
‘What,’ I exclaimed, with chill
alarm,
‘If this fantastic horror shows
The feature of an actual harm!’
And, coming straight to Sarum Close,
p. 157As one
who dreams his wife is dead,
And cannot in his slumber weep,
And moans upon his wretched bed,
And wakes, and finds her there asleep,
And laughs and sighs, so I, not less
Relieved, beheld, with blissful start,
The light and happy loveliness
Which lay so heavy on my heart.
‘What,’ I said, feeling a cold dread,
‘If this unbelievable nightmare
Shows the sign of real harm!’
And, heading straight to Sarum Close,
p. 157Like someone who dreams his wife is dead,
And can’t cry in his sleep,
And groans on his miserable bed,
And wakes to find her there asleep,
And laughs and sighs, just like that,
I, too, felt a blissful shock,
The light and joyful beauty
That had weighed so heavy on my heart.
p.
158p. 158CANTO VIII.
The Koh-i-noor.
PRELUDES.
I.
In Love.
If he’s
capricious she’ll be so,
But, if his duties constant are,
She lets her loving favour glow
As steady as a tropic star;
Appears there nought for which to weep,
She’ll weep for nought, for his dear sake;
She clasps her sister in her sleep;
Her love in dreams is most awake.
Her soul, that once with pleasure shook,
Did any eyes her beauty own,
Now wonders how they dare to look
On what belongs to him alone;
The indignity of taking gifts
Exhilarates her loving breast;
A rapture of submission lifts
Her life into celestial rest;
p.
159There’s nothing left of what she was;
Back to the babe the woman dies,
And all the wisdom that she has
Is to love him for being wise.
She’s confident because she fears;
And, though discreet when he’s away,
If none but her dear despot hears,
She prattles like a child at play.
Perchance, when all her praise is said,
He tells the news, a battle won,
On either side ten thousand dead.
‘Alas!’ she says; but, if ’twere
known,
She thinks, ‘He’s looking on my face!
I am his joy; whate’er I do,
He sees such time-contenting grace
In that, he’d have me always so!’
And, evermore, for either’s sake,
To the sweet folly of the dove,
She joins the cunning of the snake,
To rivet and exalt his love;
Her mode of candour is deceit;
And what she thinks from what she’ll say
(Although I’ll never call her cheat),
Lies far as Scotland from Cathay.
Without his knowledge he was won;
Against his nature kept devout;
She’ll never tell him how ’twas done,
And he will never find it out.
p. 160If,
sudden, he suspects her wiles,
And hears her forging chain and trap,
And looks, she sits in simple smiles,
Her two hands lying in her lap.
Her secret (privilege of the Bard,
Whose fancy is of either sex),
Is mine; but let the darkness guard
Myst’ries that light would more perplex!
If he’s fickle, she'll be too,
But if he stays committed,
She keeps her love shining bright
As steady as a tropical star;
When there’s nothing to cry about,
She won’t shed a tear, all for his sake;
She holds her sister close in her sleep;
Her love comes alive in dreams.
Her soul, that once trembled with joy,
When admired by any eyes,
Now wonders how they dare to gaze
On what belongs to him alone;
It feels wrong to accept his gifts,
Yet it fills her heart with delight;
A bliss of submission lifts
Her life into heavenly peace;
p. 159There’s nothing left of who she was;
The woman fades back to a child,
And all the wisdom she’s gained
Is to love him for being wise.
She’s bold because she feels afraid;
And, though careful when he’s away,
If only her dear ruler hears,
She chats like a child at play.
Maybe after all her praise is said,
He talks about a battle won,
On both sides, ten thousand dead.
‘Oh no!’ she says; but, if it’s known,
She thinks, ‘He’s looking at my face!
I am his joy; whatever I do,
He sees such delightful grace
In that, he’d want me to stay this way!’
And, forever, for their sake,
To the sweet foolishness of the dove,
She combines the cleverness of the snake,
To secure and deepen his love;
Her transparency is a facade;
And what she thinks vs. what she’ll say
(Although I’ll never call her deceitful),
Is as far apart as Scotland from Cathay.
Without him knowing, she was won;
Against his nature, she stayed loyal;
She’ll never reveal how it was done,
And he’ll never figure it out.
p. 160If suddenly he suspects her tricks,
And sees her setting up a snare,
And looks, she sits with simple smiles,
Her hands resting in her lap.
Her secret (the privilege of the Bard,
Whose imagination spans both genders),
Is mine; but let the darkness protect
Mysteries that light would only confuse!
II.
Love Thinking.
What lifts her in my thought so far
Beyond all else? Let Love not err!
’Tis that which all right women are,
But which I’ll know in none but her.
She is to me the only Ark
Of that high mystery which locks
The lips of joy, or speaks in dark
Enigmas and in paradox;
That potent charm, which none can fly,
Nor would, which makes me bond and free,
Nor can I tell if first ’twas I
Chose it, or it elected me;
Which, when I look intentest, lo,
Cheats most mine eyes, albeit my heart,
Content to feel and not to know,
Perceives it all in every part;
p. 161I kiss
its cheek; its life divine
Exhales from its resplendent shroud;
Ixion’s fate reversed is mine,
Authentic Juno seems a cloud;
I feel a blessed warmth, I see
A bright circumference of rays,
But darkness, where the sun should be,
Fills admiration with amaze;
And when, for joy’s relief, I think
To fathom with the line of thought
The well from which I, blissful, drink,
The spring’s so deep I come to nought.
What lifts her in my thoughts so far
Beyond everything else? Let Love not fail!
It’s that which all good women are,
But which I’ll recognize in no one but her.
She is to me the only Ark
Of that great mystery which hides
The joy of speech, or speaks in dark
Riddles and contradictions;
That powerful charm, which no one can escape,
Nor would want to, which makes me feel both trapped and free,
Nor can I say if I first
Chose it, or if it chose me;
Which, when I look closely, wow,
Deceives my eyes the most, even though my heart,
Content to feel and not to know,
Senses it all in every part;
p. 161I kiss
its cheek; its divine life
Exudes from its glorious cover;
Ixion’s fate reversed is mine,
Authentic Juno seems like a cloud;
I feel a blessed warmth, I see
A bright circle of rays,
But darkness, where the sun should be,
Fills my admiration with wonder;
And when, for joy’s relief, I think
To explore with the line of thought
The well from which I, blissful, drink,
The spring’s so deep I find nothing.
III.
The Kiss.
‘I saw you take his kiss!’
‘’Tis true.’
‘O, modesty!’ ‘’Twas
strictly kept:
He thought me asleep; at least, I knew
He thought I thought he thought I slept.’
‘I saw you take his kiss!’
‘It’s true.’
‘Oh, modesty!’ ‘It was
carefully maintained:
He thought I was asleep; at least, I knew
He thought I thought he thought I slept.’
THE KOH-I-NOOR.
1
‘Be man’s hard virtues highly
wrought,
But let my gentle Mistress be,
In every look, word, deed, and thought,
Nothing but sweet and womanly!
p. 162Her
virtues please my virtuous mood,
But what at all times I admire
Is, not that she is wise or good,
But just the thing which I desire.
With versatility to sing
The theme of love to any strain,
If oft’nest she is anything,
Be it careless, talkative, and vain.
That seems in her supremest grace
Which, virtue or not, apprises me
That my familiar thoughts embrace
Unfathomable mystery.’
‘Let men’s strong qualities be highly valued,
But my gentle Mistress should be,
In every glance, word, action, and thought,
Nothing but sweet and feminine!
p. 162Her
virtues fit my virtuous mood,
But what I truly admire always
Is not that she is wise or good,
But simply what I crave the most.
With the ability to sing
The theme of love to any tune,
If she often shows anything,
Let it be carefree, chatty, and vain.
What seems her greatest charm
Which, virtue or not, tells me
That my familiar thoughts embrace
An unfathomable mystery.’
2
I answer’d thus; for she desired
To know what mind I most approved;
Partly to learn what she inquired,
Partly to get the praise she loved.
I replied this way; she wanted to know
What opinion I held in high regard;
Partly to find out what she asked,
Partly to earn the praise she cherished.
3
I praised her, but no praise could fill
The depths of her desire to please,
Though dull to others as a Will
To them that have no legacies.
The more I praised the more she shone,
Her eyes incredulously bright,
And all her happy beauty blown
Beneath the beams of my delight.
p. 163Sweet
rivalry was thus begot;
By turns, my speech, in passion’s style,
With flatteries the truth o’ershot,
And she surpass’d them with her smile.
I complimented her, but no amount of praise could satisfy
her deep desire to please,
Even though to others it seemed like a pointless
chase for those without legacies.
The more I praised her, the more she radiated,
her eyes incredibly bright,
And all her joyful beauty flourished
under the light of my delight.
p. 163Sweet rivalry was born;
As I spoke passionately, using flattery that missed the mark,
she outshone them all with her smile.
4
‘You have my heart so sweetly
seiz’d,
And I confess, nay, ’tis my pride
That I’m with you so solely pleased,
That, if I’m pleased with aught beside,
As music, or the month of June,
My friend’s devotion, or his wit,
A rose, a rainbow, or the moon,
It is that you illustrate it.
All these are parts, you are the whole;
You fit the taste for Paradise,
To which your charms draw up the soul
As turning spirals draw the eyes.
Nature to you was more than kind;
’Twas fond perversity to dress
So much simplicity of mind
In such a pomp of loveliness!
But, praising you, the fancy deft
Flies wide, and lets the quarry stray,
And, when all’s said, there’s something left,
And that’s the thing I meant to say.’
p.
164‘Dear Felix!’ ‘Sweet, my
Love!’ But there
Was Aunt Maude’s noisy ring and knock!
‘Stay, Felix; you have caught my hair.
Stoop! Thank you!’ ‘May I
have that lock?’
‘Not now. Good morning, Aunt!’
‘Why, Puss,
You look magnificent to-day.’
‘Here’s Felix, Aunt.’ ‘Fox and
green goose!
Who handsome gets should handsome pay!
Aunt, you are friends!’ ‘Ah, to be sure!
Good morning! Go on flattering, sir;
A woman, like the Koh-i-noor,
Mounts to the price that’s put on
her.’
‘You have my heart so sweetly captured,
And I admit, it makes me proud
That I’m so deeply pleased with you,
That if I find joy in anything else,
Like music, or the month of June,
A friend’s loyalty, or his humor,
A rose, a rainbow, or the moon,
It’s only because you bring them to life.
All these are parts; you are the whole;
You fit the taste for Paradise,
To which your charms lift the soul
Like spirals pulling in the gaze.
Nature was more than kind to you;
It was a playful twist of fate to dress
So much simplicity of mind
In such a display of beauty!
But in praising you, my thoughts
Take flight, and I lose my target,
And, when all’s said, there’s something missing,
And that’s what I wanted to express.’
p. 164‘Dear Felix!’ ‘Sweet, my Love!’ But then
There was Aunt Maude’s loud ring and knock!
‘Wait, Felix; you’ve caught my hair.
Stoop! Thank you!’ ‘Can I keep that lock?’
‘Not now. Good morning, Aunt!’
‘Why, Puss,
You look amazing today.’
‘Here’s Felix, Aunt.’ ‘Fox and green goose!
Those who are handsome should pay the price!
Aunt, you two are friends!’ ‘Oh, of course!
Good morning! Keep on flattering, sir;
A woman, like the Koh-i-noor,
Rises to the value placed on her.’
p.
165p. 165CANTO IX.
The Friends.
PRELUDES.
I.
The Nursling of Civility.
Lo, how the woman
once was woo’d;
Forth leapt the savage from his lair,
And fell’d her, and to nuptials rude
He dragg’d her, bleeding, by the hair.
From that to Chloe’s dainty wiles
And Portia’s dignified consent,
What distance! Bat these Pagan styles
How far below Time’s fair intent!
Siegfried sued Kriemhild. Sweeter life
Could Love’s self covet? Yet ’tis
snug
In what rough sort he chid his wife
For want of curb upon her tongue!
Shall Love, where last I leave him, halt?
Nay; none can fancy or forsee
To how strange bliss may time exalt
This nursling of civility.
Check it out, how the woman
once was pursued;
Out jumped the wild man from his den,
And captured her, dragging her to a rough wedding
He pulled her, bleeding, by the hair.
From that to Chloe’s delicate charms
And Portia’s dignified approval,
What a difference! But these ancient ways
Are so far beneath what Time wants!
Siegfried pursued Kriemhild. What sweeter life
Could Love itself desire? Yet it’s cozy
In the way he harshly scolded his wife
For not keeping her tongue in check!
Will Love, where I last left him, stop?
No; no one can imagine or predict
To what strange happiness time may raise
This product of civilization.
p.
166p. 166II.
The Foreign Land.
A woman is a foreign land,
Of which, though there he settle young,
A man will ne’er quite understand
The customs, politics, and tongue.
The foolish hie them post-haste through,
See fashions odd, and prospects fair,
Learn of the language, ‘How d’ye do,’
And go and brag they have been there.
The most for leave to trade apply,
For once, at Empire’s seat, her heart,
Then get what knowledge ear and eye
Glean chancewise in the life-long mart.
And certain others, few and fit,
Attach them to the Court, and see
The Country’s best, its accent hit,
And partly sound its polity.
A woman is like a foreign country,
Where even if a man settles down young,
He’ll never really understand
The customs, politics, and language.
The fools rush in quickly,
See strange fashions and beautiful sights,
Learn some phrases like 'How do you do,'
And then go brag about their visit.
Most just want to trade,
For once, at the heart of the Empire, her love,
Then they gather whatever knowledge
They can pick up in the marketplace of life.
And a few others, the right ones,
Attach themselves to the Court and see
The best of the country, mastering its accent,
And partially understanding its government.
III.
Disappointment.
‘The bliss which woman’s charms
bespeak,
I’ve sought in many, found in none!’
‘In many ’tis in vain you seek
What only can be found in one.’
‘The joy that a woman's beauty brings,
I've searched for in many, found in none!’
‘In many, it's pointless to look
For what can only be found in one.’
p. 167p. 167THE
FRIENDS.
1
Frank’s long, dull letter, lying by
The gay sash from Honoria’s waist,
Reproach’d me; passion spared a sigh
For friendship without fault disgraced.
How should I greet him? how pretend
I felt the love he once inspired?
Time was when either, in his friend,
His own deserts with joy admired;
We took one side in school-debate,
Like hopes pursued with equal thirst,
Were even-bracketed by Fate,
Twin-Wranglers, seventh from the First;
And either loved a lady’s laugh
More than all music; he and I
Were perfect in the pleasant half
Of universal charity.
Frank’s long, boring letter, lying next to
The bright sash from Honoria’s waist,
Accused me; passion spared a sigh
For a friendship that was tarnished.
How should I respond to him? how act
Like I felt the love he once sparked?
There was a time when either of us, in his friend,
Joyfully admired his own worth;
We took the same side in school debates,
Like dreams chased with equal eagerness,
Were even tied together by Fate,
Twin-Wranglers, seventh from the First;
And both loved a lady’s laughter
More than all music; he and I
Were perfect in the happy part
Of universal kindness.
2
3
Frank follow’d in his letter’s
track,
And set my guilty heart at ease
By echoing my excuses back
With just the same apologies.
So he had slighted me as well!
Nor was my mind disburthen’d less
When what I sought excuse to tell
He of himself did first confess.
Frank followed the trail of my letter,
And put my guilty heart at ease
By reflecting my excuses back
With the same apologies.
So he had brushed me off too!
And my mind was no less relieved
When what I was trying to excuse
He confessed first himself.
4
Each, rapturous, praised his lady’s
worth;
He eloquently thus: ‘Her face
Is the summ’d sweetness of the earth,
Her soul the glass of heaven’s grace,
To which she leads me by the hand;
Or, briefly all the truth to say
To you, who briefly understand,
She is both heaven and the way.
Displeasures and resentments pass
Athwart her charitable eyes
More fleetingly than breath from glass,
Or truth from foolish memories;
p. 169Her
heart’s so touch’d with others’ woes
She has no need of chastisement;
Her gentle life’s conditions close,
Like God’s commandments, with content,
And make an aspect calm and gay,
Where sweet affections come and go,
Till all who see her, smile and say,
How fair, and happy that she’s so!
She is so lovely, true, and pure,
Her virtue virtue so endears,
That often, when I think of her,
Life’s meanness fills mine eyes with
tears—’
‘You paint Miss Churchill! Pray go
on—’
‘She’s perfect, and, if joy was much
To think her nature’s paragon,
’Tis more that there’s another
such!’
Each of them, in delight, praised his lady’s worth;
He spoke eloquently: ‘Her face
Is the sweetest thing on earth,
Her soul reflects heaven’s grace,
Which she guides me towards by the hand;
To put it simply for you,
Since you get the point quickly,
She is both heaven and the path.
Displeasures and grudges pass
Through her kind eyes
More quickly than breath on glass,
Or truth from foolish memories;
p. 169Her heart is so touched by others’ troubles
She doesn’t need punishment;
Her gentle nature is in harmony,
Like God’s commandments, with peace,
And creates an appearance calm and bright,
Where sweet feelings come and go,
Until everyone who sees her smiles and says,
How lovely and happy she is!
She is so beautiful, genuine, and pure,
Her virtue is so endearing,
That often, when I think of her,
Life's harshness fills my eyes with tears—’
‘You’re describing Miss Churchill! Please continue—’
‘She’s perfect, and if it brings joy to think
That her nature is exemplary,
It’s even more remarkable that there’s another
Just like her!’
5
Praising and paying back their praise
With rapturous hearts, t’ward Sarum Spire
We walk’d, in evening’s golden haze,
Friendship from passion stealing fire.
In joy’s crown danced the feather jest,
And, parting by the Deanery door,
Clasp’d hands, less shy than words, confess’d
We had not been true friends before.
Praising and returning their praise
With joyful hearts, toward Sarum Spire
We walked, in the evening's golden light,
Friendship ignited by passion's fire.
In joy's delight, the playful banter danced,
And, parting by the Deanery door,
Clasped hands, less shy than words, revealed
We hadn't truly been friends before.
p.
170p. 170CANTO X.
The Epitaph.
PRELUDES.
I.
Frost in Harvest.
The lover who,
across a gulf
Of ceremony, views his Love,
And dares not yet address herself,
Pays worship to her stolen glove.
The gulf o’erleapt, the lover wed,
It happens oft, (let truth be told),
The halo leaves the sacred head,
Respect grows lax, and worship cold,
And all love’s May-day promising,
Like song of birds before they pair,
Or flush of flowers in boastful Spring,
Dies out, and leaves the Summer bare.
Yet should a man, it seems to me,
Honour what honourable is,
For some more honourable plea
Than only that it is not his.
p. 171The
gentle wife, who decks his board
And makes his day to have no night,
Whose wishes wait upon her lord,
Who finds her own in his delight,
Is she another now than she
Who, mistress of her maiden charms,
At his wild prayer, incredibly
Committed them to his proud arms?
Unless her choice of him’s a slur
Which makes her proper credit dim,
He never enough can honour her
Who past all speech has honour’d him.
The lover who,
across a divide
Of formality, sees his Love,
And doesn’t yet approach her,
Pays tribute to her lost glove.
Once the divide is crossed, the lover marries,
It often happens, (to be honest),
The glow fades from the sacred head,
Respect lessens, and devotion cools,
And all love’s promising May-day,
Like the song of birds before they mate,
Or the bright flowers in boastful Spring,
Fades away, leaving Summer bare.
Yet it seems to me that a man
Should honor what is honorable,
For something more deserving
Than just that it isn’t his.
p. 171 The
gentle wife, who sets his table
And makes his days feel endless,
Whose desires cater to her husband,
Who finds her joy in his happiness,
Is she any different now than she
Who, in command of her youthful charms,
At his wild request, unbelievably
Gave them to his proud arms?
Unless her choice of him is a blemish
That dims her rightful credit,
He can never honor her enough
Who, beyond all words, has honored him.
II.
Felicity.
To marry her and take her home!
The poet, painting pureness, tells
Of lilies; figures power by Rome;
And each thing shows by something else.
But through the songs of poets look,
And who so lucky to have found
In universal nature’s book
A likeness for a life so crown’d!
Here they speak best who best express
Their inability to speak,
And none are strong, but who confess
With happy skill that they are weak.
To marry her and bring her home!
The poet, highlighting purity, describes
Lilies; symbolizes strength through Rome;
And everything is shown by something else.
But if you look through the poets' songs,
Who is lucky enough to have found
In the universal nature's book
A match for a life so blessed!
Here, those who can’t express themselves well
Speak the best,
And no one is truly strong, except those
Who skillfully admit that they are weak.
p.
172p. 172III.
Marriage Indissoluble.
‘In heaven none marry.’ Grant
the most
Which may by this dark word be meant,
Who shall forbid the eternal boast
‘I kiss’d, and kiss’d with her
consent!’
If here, to Love, past favour is
A present boast, delight, and chain,
What lacks of honour, bond, and bliss,
Where Now and Then are no more twain!
‘In heaven, no one gets married.’ Grant the most
Which this dark word might mean,
Who can stop the eternal claim
‘I kissed, and kissed with her consent!’
If here, for Love, past favors are
A current boast, joy, and chain,
What is missing in honor, connection, and happiness,
When Now and Then are no longer separate!
THE EPITAPH.
1
‘At Church, in twelve hours more, we
meet!
This, Dearest, is our last farewell.’
‘Oh, Felix, do you love me?’ ‘Sweet,
Why do you ask?’ ‘I cannot
tell.’
‘At Church, in twelve hours, we’ll meet!
This, my dear, is our last goodbye.’
‘Oh, Felix, do you love me?’ ‘Darling,
Why do you ask?’ ‘I can’t explain.’
2
And was it no vain fantasy
That raised me from the earth with pride?
Should I to-morrow verily
Be Bridegroom, and Honoria Bride?
p. 173Should
I, in simple fact, henceforth
Live unconditionally lord
Of her whose smile for brightest worth
Seem’d all too bountiful reward?
Incredible life’s promise seem’d,
Or, credible, for life too great;
Love his own deity blasphemed,
And doff’d at last his heavenly state.
What law, if man could mount so high,
To further insolence set bars,
And kept the chaste moon in the sky,
And bade him not tread out the stars!
And was it just a silly dream
That lifted me from the ground with pride?
Will I really be
the groom tomorrow, and Honoria the bride?
p. 173Should
I, from now on,
live completely as the master
of her whose smile, for its shining worth,
seemed like a generous reward?
Life's promise seemed incredible,
or maybe it felt credible, since life is so big;
Love itself disrespected its own deity,
and finally gave up its heavenly status.
What law, if a man could rise so high,
would set limits on further arrogance,
and keep the pure moon in the sky,
and tell him not to extinguish the stars!
3
Patience and hope had parted truce,
And, sun-like, Love obscured his ray
With dazzling mists, driven up profuse
Before his own triumphant way.
I thought with prayer how Jacob paid
The patient price of Rachel; them,
Of that calm grace Tobias said,
And Sarah’s innocent ‘Amen.’
Without avail! O’erwhelming wealth,
The wondrous gift of God so near,
Which should have been delight and health
Made heart and spirit sick and sere.
p. 174Until at
last the soul of love,
That recks not of its own delight,
Awoke and bade the mists remove,
And then once more I breathed aright;
And I rehears’d my marriage vow,
And swore her welfare to prefer
To all things, and for aye as now
To live, not for myself, but her.
Forth, from the glittering spirit’s peace
And gaiety ineffable,
Stream’d to the heart delight and ease,
As from an overflowing well;
And, orderly deriving thence
Its pleasure perfect and allow’d,
Bright with the spirit shone the sense,
As with the sun a fleecy cloud.
If now to part with her could make
Her pleasure greater, sorrow less,
I for my epitaph would take
‘To serve seem’d more than to
possess.’
And I perceiv’d, (the vision sweet
Dimming with happy dew mine eyes),
That love and joy are torches lit
From altar-fires of sacrifice.
Patience and hope had agreed to a temporary truce,
And, like the sun, Love hid its light
With dazzling mists, rising thick
Before its own triumphant path.
I thought with prayer about how Jacob paid
The patient price for Rachel; about them,
Of that calm grace Tobias spoke of,
And Sarah’s innocent ‘Amen.’
But it was in vain! Overwhelming wealth,
The amazing gift of God so close,
Which should have brought joy and health
Made my heart and spirit sick and worn.
p. 174Finally, the soul of love,
That cares not for its own joy,
Awoke and told the mists to clear,
And then I could finally breathe again;
And I recited my marriage vow,
Promising to prioritize her well-being
Above all things, and forever as now
To live, not for myself, but for her.
From the sparkling peace of my spirit
And indescribable joy,
Came to my heart delight and ease,
Like from an overflowing well;
And, taking pleasure from there
Its happiness perfect and blessed,
Bright with the spirit, my senses shone,
Like a fleecy cloud in the sun.
If now letting her go could bring
Her more joy and lessen my sorrow,
I would choose for my epitaph
‘To serve felt more than to own.’
And I realized, (the sweet vision
Dimming my eyes with happy tears),
That love and joy are torches lit
From the altar-fires of sacrifice.
p.
175p. 1754
Across the sky the daylight crept,
And birds grew garrulous in the grove,
And on my marriage-morn I slept
A soft sleep, undisturb’d by love.
Across the sky, daylight broke,
And birds chattered excitedly in the trees,
And on my wedding morning, I slept
A peaceful sleep, untouched by love.
p.
176p. 176CANTO XI.
The Wedding.
PRELUDES.
I.
Platonic Love.
Right art thou who
wouldst rather be
A doorkeeper in Love’s fair house,
Than lead the wretched revelry
Where fools at swinish troughs carouse.
But do not boast of being least;
And if to kiss thy Mistress’ skirt
Amaze thy brain, scorn not the Priest
Whom greater honours do not hurt.
Stand off and gaze, if more than this
Be more than thou canst understand,
Revering him whose power of bliss,
Angelic, dares to seize her hand,
Or whose seraphic love makes flight
To the apprehension of her lips;
And think, the sun of such delight
From thine own darkness takes eclipse.
p. 177And,
wouldst thou to the same aspire,
This is the art thou must employ,
Live greatly; so shalt thou acquire
Unknown capacities of joy.
Correct you are if you’d rather be
A doorkeeper in Love’s beautiful house,
Than lead the miserable party
Where fools feast like pigs at a trough.
But don’t brag about being the least;
And if kissing your lady’s dress
Makes your head spin, don’t look down on the Priest
Whom greater honors don’t offend.
Step back and observe, if more than this
Is something you can’t fully grasp,
Respect him whose ability to bring bliss,
Like an angel, dares to take her hand,
Or whose heavenly love takes flight
To the grasp of her lips;
And think, the brightness of such joy
Eclipses from your own darkness.
p. 177And, if you wish to aim for the same,
This is the skill you must use,
Live fully; then you will gain
Unknown abilities of joy.
II.
A Demonstration.
Nature, with endless being rife,
Parts each thing into ‘him’ and
‘her,’
And, in the arithmetic of life,
The smallest unit is a pair;
And thus, oh, strange, sweet half of me,
If I confess a loftier flame,
If more I love high Heaven than thee,
I more than love thee, thine I am;
And, if the world’s not built of lies,
Nor all a cheat the Gospel tells,
If that which from the dead shall rise
Be I indeed, not something else,
There’s no position more secure
In reason or in faith than this,
That those conditions must endure,
Which, wanting, I myself should miss.
Nature, overflowing with life,
Splits everything into ‘him’ and ‘her,’
And in life’s math,
The smallest unit is a couple;
So, oh, strange, sweet other half of me,
If I admit a higher passion,
If I love the heavens more than you,
I love you more, and I belong to you;
And if the world isn’t just a lie,
Nor a scam as the Gospel says,
If what will rise from the dead
Is truly me, not something else,
There’s no steadier place
In reason or in faith than this,
That those conditions must remain,
Which, without them, I would miss.
p.
178p. 178III.
The Symbol.
As if I chafed the sparks from glass,
And said, ‘It lightens,’ hitherto
The songs I’ve made of love may pass
For all but for proportion true;
But likeness and proportion both
Now fail, as if a child in glee,
Catching the flakes of the salt froth,
Cried, ‘Look, my mother, here’s the
sea.
Yet, by the help of what’s so weak,
But not diverse, to those who know,
And only unto those I speak,
May far-inferring fancy show
Love’s living sea by coasts uncurb’d,
Its depth, its mystery, and its might,
Its indignation if disturb’d,
The glittering peace of its delight.
As if I rubbed the sparks from glass,
And said, ‘It’s lighting up,’ until now
The songs I’ve written about love might work
For all except for being truly proportional;
But resemblance and proportion both
Now fail, like a child in joy,
Scooping up the flakes of salty foam,
Cried, ‘Look, Mom, here’s the sea.
Yet, with the help of what’s so fragile,
But not different, to those who understand,
And only to those I address,
May far-reaching imagination reveal
Love’s vast ocean by shores unbound,
Its depth, its mystery, and its power,
Its anger if disturbed,
The sparkling tranquility of its joy.
IV.
Constancy Rewarded.
I vow’d unvarying faith, and she,
To whom in full I pay that vow,
Rewards me with variety
Which men who change can never know.
I promised constant loyalty, and she,
To whom I fully dedicate that promise,
Rewards me with diversity
That those who change will never understand.
p. 179p. 179THE
WEDDING.
1
Life smitten with a feverish chill,
The brain too tired to understand,
In apathy of heart and will,
I took the woman from the hand
Of him who stood for God, and heard
Of Christ, and of the Church his Bride;
The Feast, by presence of the Lord
And his first Wonder, beautified;
The mystic sense to Christian men;
The bonds in innocency made,
And gravely to be enter’d then,
For children, godliness, and, aid,
And honour’d, and kept free from smirch;
And how a man must love his wife
No less than Christ did love his Church,
If need be, giving her his life;
And, vowing then the mutual vow,
The tongue spoke, but intention slept.
’Tis well for us Heaven asks not how
We take this oath, but how ’tis kept.
Life hit by a feverish chill,
The mind too tired to comprehend,
In a state of heart and willlessness,
I took the woman by the hand
Of him who stood for God, and listened
To talk of Christ and the Church as his Bride;
The Feast, graced by the presence of the Lord
And his first Wonder, adorned;
The deeper meaning for Christian men;
The bonds formed in innocence,
And seriously entered into then,
For children, piety, and, support,
And honored, and kept free from stain;
And how a man must love his wife
No less than Christ loved his Church,
If needed, giving her his life;
And, making then the mutual promise,
The words were spoken, but intention was absent.
It’s good for us that Heaven doesn’t ask how
We take this oath, but how it’s upheld.
2
O, bold seal of a bashful bound,
Which makes the marriage-day to be,
To those before it and beyond,
An iceberg in an Indian sea!
O, bold seal of a shy promise,
Which makes the wedding day to be,
To those before it and after,
An iceberg in an Indian ocean!
p.
180p. 1803
‘Now, while she’s changing,’
said the Dean,
‘Her bridal for her travelling dress,
I’ll preach allegiance to your queen!
Preaching’s the thing which I profess;
And one more minute’s mine! You know
I’ve paid my girl a father’s debt,
And this last charge is all I owe.
She’s yours; but I love more than yet
You can; such fondness only wakes
When time has raised the heart above
The prejudice of youth, which makes
Beauty conditional to love.
Prepare to meet the weak alarms
Of novel nearness; recollect
The eye which magnified her charms
Is microscopic for defect.
Fear comes at first; but soon, rejoiced,
You’ll find your strong and tender loves,
Like holy rocks by Druids poised,
The least force shakes, but none removes.
Her strength is your esteem; beware
Of finding fault; her will’s unnerv’d
By blame; from you ’twould be despair;
But praise that is not quite deserv’d
p. 181Will all
her noble nature move
To make your utmost wishes tree.
Yet think, while mending thus your Love,
Of snatching her ideal too.
The death of nuptial joy is sloth:
To keep your mistress in your wife,
Keep to the very height your oath,
And honour her with arduous life.
Lastly, no personal reverence doff.
Life’s all externals unto those
Who pluck the blushing petals off,
To find the secret of the rose.—
How long she’s tarrying! Green’s Hotel
I’m sure you’ll like. The charge
is fair,
The wines good. I remember well
I stay’d once, with her Mother, there.
A tender conscience of her vow
That Mother had! She’s so like
her!’
But Mrs. Fife, much flurried, now
Whisper’d, ‘Miss Honor’s ready,
Sir.’
“Now, while she’s changing,”
said the Dean,
“Her bridal gown for her travel outfit,
I’ll pledge my loyalty to your queen!
Speaking is what I do;
And one more minute is mine! You know
I’ve settled my debt as her father,
And this last duty is all I owe.
She belongs to you, but I love her more than you
can; that kind of love only awakens
When time has lifted the heart above
The biases of youth, which make
Beauty a condition for love.
Get ready to face the gentle jitters
of new closeness; remember
The eye that magnified her beauty
is blind to any flaws.
Fear may hit at first; but soon, you’ll be happy,
finding your strong and tender loves,
Like sacred stones placed by Druids,
can be shaken but not removed.
Her strength is your admiration; be careful
not to criticize; her will isn’t swayed
by blame; for her, it would lead to despair;
but praise that isn’t fully earned
p. 181 will awaken
all her noble nature
to fulfill your greatest wishes.
Yet think, while cultivating your Love,
of also nurturing her ideal.
The death of wedded joy is laziness:
To keep your mistress as your wife,
Keep your promises at their peak,
and honor her with a passionate life.
Finally, don’t lose personal respect.
Life is all surface to those
Who strip away the blushing petals
to uncover the secret of the rose.—
How long is she taking! Green’s Hotel
I’m sure you’ll like. The rates
are reasonable, and the wines are good. I remember
I stayed there once with her mother.
That mother had a strong sense of her vows!
She’s just like her!”
But Mrs. Fife, looking flustered, now
whispered, “Miss Honor’s ready, Sir.”
4
Whirl’d off at last, for speech I
sought,
To keep shy Love in countenance,
But, whilst I vainly tax’d my thought,
Her voice deliver’d mime from trance:
p.
182‘Look, is not this a pretty shawl,
Aunt’s parting gift.’
‘She’s always kind.’
‘The new wing spoils Sir John’s old Hall:
You’ll see it, if you pull the
blind.’
Whirled away at last, I tried to speak,
To support shy Love,
But while I was foolishly forcing my thoughts,
Her voice pulled me from my daze:
p. 182‘Look, isn't this a lovely shawl,
Aunt's parting gift.’
‘She's always so thoughtful.’
‘The new wing ruins Sir John's old Hall:
You'll notice it if you pull the blind.’
5
I drew the silk: in heaven the night
Was dawning; lovely Venus shone,
In languishment of tearful light,
Swathed by the red breath of the sun.
I painted the silk: in the sky, night
Was breaking; beautiful Venus gleamed,
In the softness of tearful light,
Wrapped in the warm breath of the sun.
p.
183p. 183CANTO XII.
Husband and Wife.
PRELUDES.
I.
The Married Lover.
Why, having won her,
do I woo?
Because her spirit’s vestal grace
Provokes me always to pursue,
But, spirit-like, eludes embrace;
Because her womanhood is such
That, as on court-days subjects kiss
The Queen’s hand, yet so near a touch
Affirms no mean familiarness,
Nay, rather marks more fair the height
Which can with safety so neglect
To dread, as lower ladies might,
That grace could meet with disrespect,
Thus she with happy favour feeds
Allegiance from a love so high
That thence no false conceit proceeds
Of difference bridged, or state put by;
p. 184Because,
although in act and word
As lowly as a wife can be,
Her manners, when they call me lord,
Remind me ’tis by courtesy;
Not with her least consent of will,
Which would my proud affection hurt,
But by the noble style that still
Imputes an unattain’d desert;
Because her gay and lofty brows,
When all is won which hope can ask,
Reflect a light of hopeless snows
That bright in virgin ether bask;
Because, though free of the outer court
I am, this Temple keeps its shrine
Sacred to Heaven; because, in short,
She’s not and never can be mine.
Why?, after winning her, do I still chase her?
Because her pure spirit inspires me to keep going,
But like a spirit, she slips away from my grasp;
Because her femininity is such
That, just like subjects kiss the Queen’s hand on court days,
The closest touch still confirms a distance,
Instead marking a higher ground
That can easily overlook
The fear, as lower ladies might,
That grace could be met with disrespect,
Thus she generously provides
Loyalty from a love so elevated
That no false pretenses
Of bridged differences or lowered status arise;
p. 184Because,
even though in actions and words
She’s as humble as a wife can be,
Her behavior, when she calls me lord,
Reminds me it's just out of courtesy;
Not with her willful consent,
Which would hurt my prideful affection,
But by the noble title that still
Implies an unattainable greatness;
Because her bright and regal brows,
When everything has been achieved that hope can ask,
Reflect a light of unattainable beauty
That shines in pure air;
Because, even though I’m free from the outer court,
This Temple keeps its altar
Sacred to the divine; because, in short,
She’s not and never can be mine.
II.
The Amaranth.
Feasts satiate; stars distress with height;
Friendship means well, but misses reach,
And wearies in its best delight,
Vex’d with the vanities of speech;
Too long regarded, roses even
Afflict the mind with fond unrest;
And to converse direct within Heaven
Is oft a labour in the breast;
p.
185Whate’er the up-looking soul admires,
Whate’er the senses’ banquet be,
Fatigues at last with vain desires,
Or sickens by satiety;
But truly my delight was more
In her to whom I’m bound for aye
Yesterday than the day before
And more to-day than yesterday.
Feasts satisfy; stars worry with their height;
Friendship has good intentions, but falls short,
And wears itself out in its best joy,
Frustrated by the empty chatter;
If looked at too long, even roses
Burden the mind with silly restlessness;
And trying to talk directly to Heaven
Is often a struggle in the heart;
p. 185Whatever the upward-looking soul admires,
Whatever the feast for the senses might be,
Eventually exhausts with empty cravings,
Or becomes sick from too much indulgence;
But truly my joy was greater
In her to whom I’m connected forever
Yesterday than it was the day before
And more today than it was yesterday.
HUSBAND AND WIFE.
1
I, while the shop-girl fitted on
The sand-shoes, look’d where, down the bay,
The sea glow’d with a shrouded sun.
‘I’m ready, Felix; will you
pay?’
That was my first expense for this
Sweet Stranger, now my three days’ Wife.
How light the touches are that kiss
The music from the chords of life!
I watched the shop girl put on the sand shoes while looking out over the bay, where the sea glimmered under a hidden sun. “I’m ready, Felix; will you pay?” That was my first expense for this Sweet Stranger, now my wife for three days. How light the touches are that bring out the music from the chords of life!
2
3
The morning breeze the canvas fill’d,
Lifting us o’er the bright-ridged gulf,
And every lurch my darling thrill’d
With light fear smiling at itself;
And, dashing past the Arrogant,
Asleep upon the restless wave
After its cruise in the Levant,
We reach’d the Wolf, and signal gave
For help to board; within caution meet,
My bride was placed within the chair,
The red flag wrapp’d about her feet,
And so swung laughing through the air.
The morning breeze filled the canvas,
Lifting us over the bright-ridged gulf,
And every lurch made my darling thrill
With a light fear, smiling at itself;
And, dashing past the Arrogant,
Asleep on the restless wave
After its cruise in the Levant,
We reached the Wolf and signaled for
Help to board; with caution observed,
My bride was placed in the chair,
The red flag wrapped around her feet,
And so she swung, laughing through the air.
4
‘Look, Love,’ she said,
‘there’s Frederick Graham,
My cousin, whom you met, you know,’
And seeing us, the brave man came,
And made his frank and courteous bow,
And gave my hand a sailor’s shake,
And said, ‘You ask’d me to the Hurst:
I never thought my luck would make
Your wife and you my guests the first.’
p. 187And
Honor, cruel, ‘Nor did we:
Have you not lately changed your ship?’
‘Yes: I’m Commander, now,’ said he,
With a slight quiver of the lip.
We saw the vessel, shown with pride;
Took luncheon; I must eat his salt!
Parting he said, (I fear my bride
Found him unselfish to a fault),
His wish, he saw, had come to pass,
(And so, indeed, her face express’d),
That that should be, whatever ’twas,
Which made his Cousin happiest.
We left him looking from above;
Rich bankrupt! for he could afford
To say most proudly that his love
Was virtue and its own reward.
But others loved as well as he,
(Thought I, half-anger’d), and if fate,
Unfair, had only fashion’d me
As hapless, I had been as great.
“Look, Love,” she said,
“there’s Frederick Graham,
my cousin, whom you’ve met, you know.”
And seeing us, the brave man came,
and made his friendly and polite bow,
and gave my hand a sailor’s shake,
and said, “You asked me to the Hurst:
I never thought my luck would make
your wife and you my first guests.”
p. 187 And
Honor, cruel, “Nor did we:
haven’t you recently changed your ship?”
“Yes: I’m Commander now,” said he,
with a slight tremble of his lip.
We saw the vessel, displayed with pride;
had lunch; I must eat his salt!
As we parted, he said, (I fear my bride
found him unselfish to a fault),
his wish, he saw, had come true,
(and so, indeed, her face showed),
that whatever it was,
which made his cousin happiest, should be.
We left him looking from above;
rich bankrupt! for he could afford
to say most proudly that his love
was virtue and its own reward.
But others loved just as he did,
(I thought, half-angered), and if fate,
unfair, had only shaped me
as hapless, I could have been just as great.
5
As souls, ambitious, but low-born,
If raised past hope by luck or wit,
All pride of place will proudly scorn,
And live as they’d been used to it,
p. 188So we
two wore our strange estate:
Familiar, unaffected, free,
We talk’d, until the dusk grew late,
Of this and that; but, after tea,
As doubtful if a lot so sweet
As ours was ours in very sooth,
Like children, to promote conceit,
We feign’d that it was not the truth;
And she assumed the maiden coy,
And I adored remorseless charms,
And then we clapp’d our hands for joy,
And ran into each others arms.
As ambitious souls from humble beginnings,
If we rose beyond hope by chance or skill,
All pride in status will look down on us,
And we’ll live as if we’ve always belonged,
p. 188So the two of us embraced our unusual situation:
Comfortable, unaffected, and free,
We talked until the evening grew late,
About various things; but, after tea,
Wondering if something as sweet
As what we had was really ours,
Like kids, to boost our own pride,
We pretended it wasn’t true;
And she played the shy maiden,
While I admired her relentless charms,
Then we clapped our hands in joy,
And ran into each other's arms.
p. 189p. 189THE
EPILOGUE.
I
‘Ah, dearest
Wife, a fresh-lit fire
Sends forth to heaven great shows of fume,
And watchers, far away, admire;
But when the flames their power assume,
The more they burn the less they show,
The clouds no longer smirch the sky,
And then the flames intensest glow
When far-off watchers think they die.
The fumes of early love my verse
Has figured—’ ‘You must
paint the flame!’
’Twould merit the Promethean curse!
But now, Sweet, for your praise and blame.’
‘You speak too boldly; veils are due
To women’s feelings.’ ‘Fear
not this!
Women will vow I say not true,
And men believe thine lips they kiss.’
I did not call you “Dear” or “Love,”
‘I think, till after Frank was born.’
‘That fault I cannot well remove;
The rhymes’—but Frank now blew his
horn,
And Walter bark’d, on hands and knees,
At Baby in the mignonette,
And all made, full-cry, for the trees
Where Felix and his Wife were set.
p. 190Again
disturb’d, (crickets have cares!)
True to their annual use they rose,
To offer thanks at Evening Prayers
In three times sacred Sarum Close.
Ah, dearest
Wife, a freshly lit fire
Sends up great clouds of smoke to the heavens,
And watchers far away admire;
But when the flames take control,
The more they burn, the less they reveal,
The clouds no longer stain the sky,
And then the flames burn even brighter
When distant watchers think they’ve gone out.
The fumes of early love my verse
Has captured—’ ‘You must
paint the flame!’
’It would deserve the Promethean curse!
But now, Sweet, for your praise and blame.’
‘You speak too freely; some modesty is due
To women’s feelings.’ ‘Don’t worry about that!
Women will say I’m not telling the truth,
And men believe what your lips suggest.’
I didn’t call you “Dear” or “Love,”
‘I think, not until after Frank was born.’
‘That’s a fault I can’t easily fix;
The rhymes’—but Frank now blew his
horn,
And Walter barked, on hands and knees,
At Baby in the mignonette,
And all cried out, eager, for the trees
Where Felix and his Wife were seated.
p. 190Again
disturbed, (crickets have their worries!)
True to their annual routine, they rose,
To offer thanks at Evening Prayers
In the three times sacred Sarum Close.
2
Passing, they left a gift of wine
At Widow Neale’s. Her daughter said:
‘O, Ma’am, she’s sinking! For a sign,
She cried just now, of him that’s dead,
“Mary, he’s somewhere close above,
Weeping and wailing his dead wife,
With forceful prayers and fatal love
Conjuring me to come to life.
A spirit is terrible though dear!
It comes by night, and sucks my breath,
And draws me with desire and fear.”
Ah, Ma’am, she’ll soon be his in
death!’
Passing by, they left a bottle of wine
at Widow Neale's. Her daughter said:
‘Oh, Ma’am, she’s fading fast! As a sign,
she just cried out about the one who’s gone,
“Mary, he’s somewhere up above,
crying for his dead wife,
With desperate prayers and love so strong
urging me to come back to life.
A spirit is scary, but dear!
It comes at night, and steals my breath,
And pulls me in with longing and dread.”
Ah, Ma’am, she’ll soon be his in death!’
3
Vaughan, when his kind Wife’s eyes were
dry,
Said, ‘This thought crosses me, my Dove;
If Heaven should proffer, when we die,
Some unconceiv’d, superior love,
p. 191How take
the exchange without despair,
Without worse folly how refuse?’
But she, who, wise as she was fair,
For subtle doubts had simple clues,
Said, ‘Custom sanctifies, and faith
Is more than joy: ah, how desire
In any heaven a different path,
Though, found at first, it had been higher?
Yet love makes death a dreadful thought!
Felix, at what a price we live!’
But present pleasures soon forgot
The future’s dread alternative;
For, as became the festal time,
He cheer’d her heart with tender praise,
And speeches wanting only rhyme
To make them like his winged lays.
He discommended girlhood. ‘What
For sweetness like the ten-years’ wife,
Whose customary love is not
Her passion, or her play, but life?
With beauties so maturely fair,
Affecting, mild, and manifold,
May girlish charms mo more compare
Than apples green with apples gold.
Ah, still unpraised Honoria, Heaven,
When you into my arms it gave,
Left nought hereafter to be given
But grace to feel the good I have.’
Vaughan, when his loving wife’s eyes were dry,
Said, ‘This thought comes to me, my Dove;
If Heaven were to offer, when we die,
Some unimaginable, greater love,
p. 191How can we accept the exchange without despair,
Without greater foolishness, how can we refuse?’
But she, as wise as she was beautiful,
Had straightforward answers for complex doubts:
She said, ‘Tradition makes it sacred, and faith
Is more than just happiness: oh, how can we desire
A different path in any heaven,
Even if it seemed higher at first?
Yet love makes death a terrifying thought!
Felix, look at the price we pay to live!’
But the pleasures of the moment soon made them forget
The frightening alternative of the future;
For, as was fitting for the celebratory time,
He lifted her spirits with sweet praise,
And his words just needed a rhyme
To sound like his poetic verses.
He criticized girlhood. ‘What
Is sweetness like that of a ten-year wife,
Whose steady love isn’t
Just her passion or her play, but her life?
With beauties so fully developed,
Charming, gentle, and varied,
How can girlish charms compare
To green apples against golden apples?
Ah, still unappreciated Honoria, Heaven,
When you brought you into my arms,
Left nothing afterward to be given
But the grace to appreciate the good I have.’
p.
192p. 1924
Her own and manhood’s modesty
Made dumb her love, but, on their road,
His hand in hers felt soft reply,
And like rejoinder found bestow’d;
And, when the carriage set them down,
‘How strange,’ said he,
‘’twould seem to meet,
When pacing, as we now this town,
A Florence or a Lisbon Street,
That Laura or that Catherine, who,
In the remote, romantic years,
From Petrarch or Camoens drew
Their songs and their immortal tears!’
But here their converse had its end;
For, crossing the Cathedral Lawn,
There came an ancient college-friend,
Who, introduced to Mrs. Vaughan,
Lifted his hat, and bow’d and smiled.
And fill’d her kind large eyes with joy,
By patting on the cheek her child,
With, ‘Is he yours, this handsome
boy?’
Her own modesty and that of manhood
Silenced her love, but as they walked,
His hand in hers felt a gentle reply,
And found a similar response;
And when the carriage dropped them off,
‘How strange,’ he said,
‘It would seem to run into,
While walking, as we now do through this town,
A street in Florence or Lisbon,
That Laura or that Catherine, who,
In the distant, romantic years,
Drew their songs and immortal tears
From Petrarch or Camoens!’
But here their conversation came to an end;
For, crossing the Cathedral Lawn,
An old college friend appeared,
Who, after being introduced to Mrs. Vaughan,
Lifted his hat, bowed, and smiled.
And filled her warm, kind eyes with joy,
By patting her child on the cheek,
Saying, ‘Is he yours, this handsome boy?’
Printed by
Cassell & Company, Limited, La Bella Sauvage, London,
E.C.
18–491
Printed by
Cassell & Company, Limited, La Bella Sauvage, London,
E.C.
18-491
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